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>> Announcer: AND NOW, A CBS
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SPECIAL PRESENTATION.
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LIVE FROM RADIO CITY MUSIC HALL,
THE 75th ANNUAL TONY AWARDS WITH
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YOUR HOST, ARIANA DEBOSE!
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[ CHEERS AND APPLAUSE]
♪ ♪
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[ CHEERS AND APPLAUSE]
♪ ♪
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AND EVERYONE-- .
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♪ WE ALL PLAY A LEADING PART.
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♪ AND SO TONIGHT FOR YOU I WANT
TO START.
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♪ BY IN PRESENTS, FUTURE AND
PAST.
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♪ TONIGHT AT LAST.
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♪ THE SOUND OF APPLAUSE.
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♪ FOR THE LAST 75 YEARS.
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♪ YOU GET TO BE LIVE HERE.
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♪ HIGH FIVE.
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♪ THIS IS A ROUND OF APPLAUSE.
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♪ CUZ YOU KNOW THE SHOW.
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♪ WOULD NEVER GO ON.
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♪ IF WE DIDN'T ALL COME
TOGETHER.
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♪ SO LET'S TAKE A CHANCE AND
MAKE A SONG AND DANCE.
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♪ LET'S SEE YOUR HAT.
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♪ THIS IS A ROUND OF APPLAUSE.
PUTTING IT TOGETHER.
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♪ THERE'S BEEN TOO MANY SHOWS.
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SO WE'VE GOT A FEW TO SEE IF YOU
CAN START THEM.
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♪
♪ IN CABARET OH CABAR.
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♪
♪ IN CABARET OH CABAR.
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♪ IF ONLY YOU KNOW IT.
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♪ AND IT'S ALL PLAYING FOR YOU.
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♪
♪ WILL YOU NEVER HAVE A FRIEND
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LIKE ME.
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♪ WE'VE GOT MAGIC TO DO.
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♪ JUST FOR YOU.
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♪ BUT I SIMPLY CANNOT DO IT
ALONE.
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♪ RADIO CITY!
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♪ TO LIN MANUEL MIRANDA
♪ I'M SUCH A FAN-- DUH
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♪ THIS IS YOUR ROUND OF APPLAUSE
WON'T FORGET
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♪ CAN'T REGRET
♪ I GOT RHYTHM
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I GOT MUSIC
♪ I GOT MY GAL
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WHO COULD ASK FOR ANYTHING MORE
♪ !¡ROUND AND !ROUND
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AND MY HEART'S KEEPING TIME
♪ TO THE SPEED OF SOUND
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I WAS LOST !¡TIL
♪ I HEARD THE DRUMS
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♪ THEN I FOUND MY WAY!¡
CAUSE YOU CAN'T STOP THE BEAT
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♪ TO ALL MY THEATER QUEENS
WHO GET IT DONE LIKE MACHINES
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♪ BEHIND THE SCENES
THIS IS YOUR ROUND OF APPLAUSE
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♪ IT'S BEEN 75 YEARS
OF BRINGING LAUGHTER AND TEARS
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♪ AND Y'ALL ARE FIERCE
THIS IS YOUR ROUND OF APPLAUSE ♪
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>> THIS CAN'T BE FOR REAL.
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I DON'T THINK I CAN TALK.
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MOM AND DAD, YOU DROVE ME TO
MANY, MANY HOURS OF BALLET AND
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DANCE CLASSES.
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I HOPE YOU FEEL IT'S WORTH IT
NOW.
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♪ LET'S GO
>> MY PARENTS.
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EVERYTHING THAT I AM IS BECAUSE
OF YOU.
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♪ WAIT FOR ME
>> THIS IS SUCH A GIFT AND YOU
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ARE SUCH A GENEROUS COMMUNITY.
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>> WE WOULD LIKE TO THANK OUR
DANCING SETS, OUR DANCING
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LIGHTS, OUR DANCING COSTUMES.
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♪ LET'S GO
>> IT WAS ON A BROADWAY STAGE
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THAT MY CAREER REALLY BEGAN.
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♪ WAIT, I'M COMING WITH YOU
♪ THERE'S A PLACE FOR US
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>> I WANT TO THANK ALL THE
SHOULDERS OF THE STRONG AND
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BRAVE AND COURAGEOUS WOMEN THAT
I AM STANDING ON.
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>> BECAUSE FOR GIRLS, YOU HAVE
TO SEE IT TO BE IT.
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YOUR BIGGEST OBSTACLE MAY TURN
INTO YOUR PURPOSE.
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SO KEEP CLIMBING.
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THIS IS A PRAISE SHOUT "“HEY!"”
LET'S HEAR IT!
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♪ ONE MORE DAY
ONE NIGHT ONLY
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♪ ONE NIGHT ONLY
WE ONLY HAVE 'TIL DAWN
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♪ LET THE SUNSHINE
LET THE SUNSHINE IN
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♪ EVERYBODY RISE
RISE
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♪ ♪
♪ ♪
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♪ TO BRASS
PERCUSSION AND STRINGS
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♪ TO EVERYONE IN THE WINGS
AND ALL THE SWINGS
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[ CLAP-CLAP-CLAP-CLAP]
♪ THIS IS YOUR ROUND OF APPLAUSE
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TO EVERY THEATER FAN
♪ HERE SINCE THE TONYS BEGAN
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IT'S YOU WE STAN
[ CLAP-CLAP-CLAP-CLAP]
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♪ THIS IS YOUR ROUND OF APPLAUSE
CLIMB EV'RY MOUNTAIN
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♪ THIS IS YOUR ROUND OF APPLAUSE
KEEP IT GAY
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♪ KEEP IT GAY
KEEP IT GAY
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♪ SO GET YOUR HANDS UP BECAUSE
PEOPLE, WHO NEED PEOPLE
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ARE THE LUCKIEST PEOPLE
♪ IN THE WORLD
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♪ I AM WHAT I AM
VIVA LA VIE BROADWAY
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♪ THIS IS YOUR ROUND OF APPLAUSE
THIS IS YOUR ROUND OF APPLAUSE ♪
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[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
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[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
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THANK YOU ALL.
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00:05:50,315 --> 00:05:57,495
WELL, WELCOME TO THE 75th
ANNUAL TONY AWARDS!
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THIS
THIS NIGHT IS ABOUT ALL OF YOU,
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THE PEOPLE WHO MAKE THESE
NOMINATED SHOWS HAPPEN, AND A
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CELEBRATION OF THE VERY BEST OF
THE PAST SEASON.
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00:06:05,710 --> 00:06:07,746
AND WHAT A SEASON IT HAS BEEN!
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FOR MANY OF YOU, IT'S
BEEN A ROLLER-COASTER, WITH
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STARTS AND STOPS, DRAMATIC
TWISTS AND TURNS, AND COMPANIES
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BEING REUNITED AFTER NEARLY TWO
YEARS APART.
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00:06:22,623 --> 00:06:24,453
YEAH.
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[ APPLAUSE]
I AM SO PROUD TO BE HOSTING THE
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FIRST TONY AWARDS SINCE BROADWAY
GOT ITS GROOVE BACK, AND I'M SO
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PROUD THAT THE THEATRE IS
BECOMING MORE REFLECTIVE OF THE
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COMMUNITY WHO ADORES IT.
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[ APPLAUSE]
IN DOING SO, IT HAS GAINED NEW
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PERFORMERS, NEW CREATIVE TEAMS,
AND NEW FANS.
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IT HAS SHOWN US STORIES THAT
HAVE BROADENED OUR WORLD AND
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OPENED OUR HEARTS AND MINDS.
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WHILE WE HAVE NOT SOLVED ALL OF
OUR PROBLEMS, I FEEL LIKE THE
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PHRASE "“GREAT WHITE WAY"” IS
BECOMING MORE OF A NICKNAME THAN
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A "“HOW TO"” GUIDE.
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[ LAUGHTER]
[ APPLAUSE]
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AND HERE'S WHY: THIS SEASON
FEATURED NEW SHOWS WRITTEN BY
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SEVEN BLACK PLAYWRIGHTS.
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00:07:17,437 --> 00:07:18,541
YEAH!
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IT BROUGHT US A GENDER-FLIPPED
PRODUCTION OF "COMPANY."
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[ APPLAUSE]
AND TONIGHT, LYNN NOTTAGE IS THE
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ONLY PLAYWRIGHT EVER TO BE
NOMINATED FOR BOTH BEST PLAY AND
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BEST BOOK OF A MUSICAL IN THE
SAME SEASON.
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[ CHEERS AND APPLAUSE]
YES.
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L. MORGAN LEE IS THE FIRST
OPENLY TRANSGENDER PERFORMER TO
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00:07:42,531 --> 00:07:51,574
BE NOMINATED FOR A TONY, AND SHE
WON'T BE THE LAST.
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SCENIC DESIGNER ADAM RIGG IS THE
FIRST OUT AGENDER NOMINEE.
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COMPOSER TOBY MARLOW IS THE
FIRST NON-BINARY WINNER.
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00:08:00,341 --> 00:08:02,102
WOW.
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00:08:02,136 --> 00:08:05,519
[ APPLAUSE]
AND LAST BUT CERTAINLY NOT
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00:08:05,554 --> 00:08:07,417
LEAST, BOTH LENA
BOTH LENA HORNE AND JAMES EARL
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JONES ARE HAVING THEATRES
RENAMED FOR THEM.
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00:08:10,351 --> 00:08:15,943
[ CHEERS AND APPLAUSE]
SO, YES, MAJOR STEPS TOWARD
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00:08:15,978 --> 00:08:17,635
INCLUSION!
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00:08:17,669 --> 00:08:24,676
TONIGHT, WE ARE ALSO CELEBRATING
75 YEARS OF THE TONY AWARDS WITH
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00:08:24,711 --> 00:08:30,820
SOME SPECIAL REUNIONS, TRIBUTES,
AND UNFORGETTABLE PERFORMANCES.
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00:08:30,855 --> 00:08:33,340
SO, LET'S GET STARTED WITH OUR
FIRST ACTING AWARD OF THE NIGHT.
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PLEASE WELCOME, MY FELLOW
ACADEMY AWARD WINNER--
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00:08:39,621 --> 00:08:41,279
AWARD WINNER, MY GOD, THAT IS
REALLY COOL THAT I GET TO SAY
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THAT NOW IT'S OVER, IT'S OVER,
WE WON'T TALK ABOUT IT ANY MORE.
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00:08:45,386 --> 00:08:49,011
MY GIRL JESSICA CHASTAIN A
JESSICA CHASTAIN AND TONY-
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NOMINATED ACTOR AND PLAYWRIGHT,
COLMAN DOMINGO.
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[ CHEERS AND APPLAUSE]
♪ ♪
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>> IT'S OUR PLEASURE TO PRESENT
THE FIRST ACTING AWARD OF THE
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75th TONYS.
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00:09:06,407 --> 00:09:09,514
IN A SEASON OF DARING AND
RIVETING WORK, THESE PERFORMERS
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EXPRESSED THE CAREFUL DETAILS
THEY INFUSED THEIR ROLES WITH A
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00:09:14,174 --> 00:09:15,347
FINELY-TUNED PERCEPTION OF HUMAN
BEHAVIOR.
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00:09:15,382 --> 00:09:17,280
>> THROUGH THEIR TOTAL AWARENESS
OF THEIR CHARACTERS, THEY
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00:09:17,315 --> 00:09:20,042
ACHIEVED A LEVEL OF ARTISTRY
THAT PRESENTED NOT JUST THE
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00:09:20,076 --> 00:09:22,907
ILLUSION OF LIFE, BUT LIFE
ITSELF.
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00:09:22,941 --> 00:09:25,392
THEY GAVE US PROFOUND MOMENTS
THAT TOOK OUR COLLECTIVE BREATH
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00:09:25,426 --> 00:09:30,604
AWAY AND DEMONSTRATE WHY THERE
IS NOTHING LIKE LIVE THEATRE.
145
00:09:30,639 --> 00:09:33,952
>> THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
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00:09:33,987 --> 00:09:44,998
FEATURED ROLE IN A PLAY ARE:
ALFIE ALLEN, "HANGMEN."
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00:09:45,032 --> 00:09:49,347
>> CHUCK COOPER, "TROUBLE IN
MIND."
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00:09:49,381 --> 00:09:52,488
[ APPLAUSE]
>> JESSE TYLER FERGUSON, "TAKE
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00:09:52,522 --> 00:09:54,455
ME OUT."
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00:09:54,490 --> 00:10:00,358
[ CHEERS AND APPLAUSE]
>> RON CEPHAS JONES, "CLYDE'S."
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00:10:00,392 --> 00:10:04,293
[ CHEERS AND APPLAUSE]
>> MICHAEL OBERHOLTZER, "TAKE ME
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00:10:04,327 --> 00:10:06,606
OUT."
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00:10:06,640 --> 00:10:14,614
[ CHEERS AND APPLAUSE]
>> AND MY BUDDY JESSE WILLIAMS,
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00:10:14,648 --> 00:10:17,099
"TAKE ME OUT."
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00:10:17,133 --> 00:10:20,412
[ APPLAUSE]
>> THE AMERICAN THEATRE WING'S
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00:10:20,447 --> 00:10:28,835
TONY GOES TO:
JESSE TYLER FERGUSON, "TAKE ME
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OUT."
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00:10:30,906 --> 00:10:40,915
[ CHEERS AND APPLAUSE]
MARKS JESSE
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TYLER'S FERGUSON'S FIRST
NOMINATION AND TONY WIN FOR HIS
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00:10:44,471 --> 00:10:51,374
ROLE AS A BASEBALL LOVING MONEY
MANAGER.
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00:10:51,409 --> 00:10:53,998
>> OH MY GOD, OH MY GOD, OH MY
GOD.
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00:10:54,032 --> 00:10:56,069
MY HEART IS BEATING SO FAST.
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00:10:56,103 --> 00:10:59,969
25 YEARS AGO I WORKED AS A
THEATRE CIRCLE WHICH HAPPENS TO
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00:11:00,004 --> 00:11:03,732
BE THREE DOORS DOWN FROM THE
THEATRE WHERE TAKE ME OUT IS
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00:11:03,766 --> 00:11:07,874
PLAYING AND I WOULD SIT IN THERE
AND FOLDING MY PHANTOM OF THE
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00:11:07,908 --> 00:11:11,671
OPERA T-SHIRTS AND WATCHING
ACTORS WALK BY THE WINDOWS ON
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00:11:11,705 --> 00:11:16,227
THE WAY TO THE THEIR CALL AND I
THOUGHT I HOPE THAT IS ME SOME
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00:11:16,261 --> 00:11:17,538
DAY.
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00:11:17,573 --> 00:11:18,194
IS SO TO STAND IN FRONT OF THIS
COMMUNITY THAT I ADMIRE AND LOVE
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00:11:18,229 --> 00:11:19,471
SO MUCH MEANS SO MUCH TO ME.
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00:11:19,506 --> 00:11:22,198
I AM SO GLAD I GET TO BE TO DO
THIS.
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00:11:22,233 --> 00:11:26,237
THANK YOU FOR MOM, DAD, THANK
YOU FOR LETTING ME STO MOVE TO
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00:11:26,271 --> 00:11:28,757
NEW YORK, I TOLD YOU IT WOULD BE
OKAY.
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00:11:28,791 --> 00:11:30,759
>> THANK YOU FOR BRINGING THIS
PLAY BACK TO BROADWAY.
175
00:11:30,793 --> 00:11:34,763
YOU HAVE A SYMBOL OF SUCH A
INCREDIBLE ARTISTS AND DESIGN
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00:11:34,797 --> 00:11:36,281
EROS TO PUT THIS TOGETHER.
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00:11:36,316 --> 00:11:42,563
IT WOULD NOT BE POSSIBLE WITHOUT
T JUST TAKE IT AND ACCEPT IT.
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00:11:42,598 --> 00:11:50,848
RICHARD,-- WHO ELSE, OH,
GOD-- 13 SECONDS, I WILL KEEP
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00:11:50,882 --> 00:11:52,056
GOING.
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00:11:52,090 --> 00:11:55,473
THE COMPANY OF TAKE ME OUT, SO
MUCH TO THE COMPANY, AND MY
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00:11:55,507 --> 00:11:56,785
UNDERSTUDY IS HERE TONIGHT.
182
00:11:56,819 --> 00:11:59,960
BONNIE AND CRAIG, THANK YOU FOR
ALWAYS TRUSTING MY GUT INSTINCTS
183
00:11:59,995 --> 00:12:02,963
EVEN WHEN YOU DIDN'T THINK MY
GUT INSTINCT WAS RIGHT, IT
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00:12:02,998 --> 00:12:04,275
ALWAYS RIGHT.
185
00:12:04,309 --> 00:12:07,036
AND JUSTIN MY HUSBAND, I HAVE TO
BRAG FOR A BRIEF MOMENT, HE WAS
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00:12:07,071 --> 00:12:11,489
PART OF THE PRODUCING TEAM THAT
BROUGHT IS THIS THE ROOM TO
187
00:12:11,523 --> 00:12:12,732
BROADWAY THIS SEASON.
188
00:12:12,766 --> 00:12:16,908
I'M SO UNREALISTICALLY PROUD OF
YOU AND YOU HAVE INCREDIBLE
189
00:12:16,943 --> 00:12:18,634
TASTE, OBVIOUSLY AND RICHARD
GREENBERG, YOUR WORDS ARE A GIFT
190
00:12:18,668 --> 00:12:21,602
TO ANY ACTOR WHO GETS THE
PLEASURE TO SAY THEM.
191
00:12:21,637 --> 00:12:23,743
I'M SO HONORED.
192
00:12:23,777 --> 00:12:29,196
THANK YOU SO MUCH.
193
00:12:29,231 --> 00:12:31,026
[ CHEERS AND APPLAUSE]
>> Announcer: PLEASE WELCOME
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00:12:31,060 --> 00:12:41,381
TWO-TIME TONY AWARD NOMINEE,
PATRICK WILSON.
195
00:12:41,415 --> 00:12:47,421
>> IN 1957, "THE MUSIC MAN,"
MEREDITH WILLSON'S VALENTINE TO
196
00:12:47,456 --> 00:12:50,908
SMALL TOWN AMERICA, OPENED ON
BROADWAY.
197
00:12:50,942 --> 00:12:57,362
IN THIS CLASSIC LOVE STORY, A
CON MAN AND A LIBRARIAN MEET,
198
00:12:57,397 --> 00:13:00,538
AND WE HAVE THE PLEASURE OF
WATCHING THEM FALL MADLY IN
199
00:13:00,572 --> 00:13:02,471
LOVE.
200
00:13:02,505 --> 00:13:06,475
OUR FIRST NOMINEE FOR BEST
REVIVAL OF A MUSICAL, THIS
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00:13:06,509 --> 00:13:10,203
TREASURED GEM OF THE AMERICAN
THEATRE IS BACK IN A JOYOUS
202
00:13:10,237 --> 00:13:13,413
PRODUCTION CURRENTLY AT THE
WINTER GARDEN THEATRE.
203
00:13:13,447 --> 00:13:19,143
PLEASE WELCOME TONY NOMINEES
HUGH JACKMAN, SUTTON FOSTER, AND
204
00:13:19,177 --> 00:13:21,386
THE COMPANY OF "THE MUSIC MAN."
205
00:13:21,421 --> 00:13:32,915
[ CHEERS AND APPLAUSE]
♪ ♪
206
00:13:32,950 --> 00:13:38,058
♪ 76 TROMBONES
LED THE BIG PARADE
207
00:13:38,093 --> 00:13:42,752
♪ WITH 110 CORNETS
CLOSE AT HAND
208
00:13:42,787 --> 00:13:45,790
♪ THEY WERE FOLLOWED BY
ROWS AND ROWS
209
00:13:45,825 --> 00:13:53,108
♪ OF THE FINEST VIRTUOSOS
THE CREAM OF EV'RY FAMOUS BAND
210
00:13:53,142 --> 00:13:57,422
♪ 76 TROMBONES
CAUGHT THE MORNING SUN
211
00:13:57,457 --> 00:14:01,806
♪ WITH 110 CORNETS
RIGHT BEHIND
212
00:14:01,841 --> 00:14:04,015
♪ THERE WERE MORE THAN
1,000 REEDS
213
00:14:04,050 --> 00:14:07,122
♪ SPRINGING UP LIKE WEEDS
THERE WERE HORNS
214
00:14:07,156 --> 00:14:11,160
♪ OF EV'RY SHAPE AND KIND
THERE WERE COPPER BOTTOM TIMPANI
215
00:14:11,195 --> 00:14:14,715
♪ IN HORSE PLATOONS
THUNDERING, THUNDERING
216
00:14:14,750 --> 00:14:18,133
♪ ALL ALONG THE WAY
DOUBLE BELL EUPHONIUMS
217
00:14:18,167 --> 00:14:21,515
♪ AND BIG BASSOONS
EACH BASSOON HAVING
218
00:14:21,550 --> 00:14:24,622
♪ HIS BIG FAT SAY
THERE WERE 50 MOUNTED CANNON
219
00:14:24,656 --> 00:14:28,591
♪ IN THE BATTERY
THUNDERING, THUNDERING
220
00:14:28,626 --> 00:14:32,147
♪ LOUDER THAN BEFORE
CLARINETS OF EV'RY KIND
221
00:14:32,181 --> 00:14:35,046
♪ AND TRUMPETERS WHO'D IMPROVISE
A FULL OCTAVE HIGHER
222
00:14:35,081 --> 00:14:41,570
♪ THAN THE SCORE
♪ ♪
223
00:14:41,604 --> 00:14:46,644
♪ ♪
♪ ♪
224
00:14:46,678 --> 00:14:50,924
[ CHEERS AND APPLAUSE]
♪ ♪
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00:14:50,959 --> 00:14:56,757
♪ ♪
♪ ♪
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00:14:56,792 --> 00:15:02,487
♪ ♪
♪ ♪
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00:15:02,522 --> 00:15:09,184
♪ ♪
♪ ♪
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00:15:09,218 --> 00:15:15,431
♪ ♪
♪ ♪
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♪ ♪
♪ ♪
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♪ ♪
♪ ♪
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♪ ♪
♪ ♪
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♪ ♪
♪ ♪
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♪ ♪
♪ ♪
234
00:15:51,053 --> 00:15:56,300
♪ ♪
♪ HEY, HEY
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00:15:56,334 --> 00:15:58,612
[ CHEERS AND APPLAUSE]
♪ ♪
236
00:15:58,647 --> 00:16:05,585
♪ ♪
♪ ♪
237
00:16:05,619 --> 00:16:12,592
♪ ♪
♪ ♪
238
00:16:12,626 --> 00:16:17,735
♪ ♪
♪ ♪
239
00:16:17,769 --> 00:16:23,775
♪ ♪
♪ ♪
240
00:16:23,810 --> 00:16:29,333
[ CHEERS AND APPLAUSE]
♪ ♪
241
00:16:29,367 --> 00:16:33,509
♪ ♪
♪ ♪
242
00:16:33,544 --> 00:16:35,960
♪ 76 TROMBONES
HIT THE COUNTERPOINT
243
00:16:35,995 --> 00:16:39,446
♪ WHILE 110 CORNETS
BLAZED AWAY
244
00:16:39,481 --> 00:16:41,724
♪ TO THE RHYTHM OF
HARCH! HARCH! HARCH!
245
00:16:41,759 --> 00:16:48,973
♪ ALL THE KIDS BEGAN TO MARCH
AND THEY'RE MARCHING STILL
246
00:16:49,008 --> 00:17:03,953
♪ RIGHT TODAY
[ CHEERS AND APPLAUSE]
247
00:17:03,953 --> 00:17:07,887
♪ RIGHT TODAY
[ CHEERS AND APPLAUSE]
248
00:17:07,923 --> 00:17:22,075
♪ ♪
>> Announcer: THE 75th ANNUAL
249
00:17:22,109 --> 00:17:24,077
TONY AWARDS.
250
00:17:24,112 --> 00:17:25,251
>> Announcer: THE 75th ANNUAL
TONY AWARDS ARE SPONSORED BY
251
00:17:25,285 --> 00:17:26,492
PROGRESSIVE.
252
00:17:26,528 --> 00:17:27,425
PROGRESSIVE INSURANCE OFFERS
24/7 PROTECTION WHEN YOU BUNDLE
253
00:17:27,460 --> 00:17:28,219
HOME, AUTO, AND MOTORCYCLE.
254
00:17:28,253 --> 00:17:32,637
LEARN MORE AT
www.progressive.com.
255
00:17:37,539 --> 00:17:44,270
♪ ♪
[ APPLAUSE]
256
00:17:44,304 --> 00:17:49,620
>> Ariana: WELCOME BACK TO THE
TONY AWARDS.
257
00:17:49,654 --> 00:17:52,968
NOW, I WANT TO GIVE A ROUND OF
APPLAUSE TO SOME PEOPLE WHO
258
00:17:53,002 --> 00:17:56,523
PLAYED A VITAL ROLE IN KEEPING
BROADWAY SHOWS OPEN THESE PAST
259
00:17:56,558 --> 00:18:01,114
FEW MONTHS-- THE UNDERSTUDIES,
THE SWINGS, THE STANDBYS.
260
00:18:01,149 --> 00:18:06,326
[ CHEERS AND APPLAUSE]
NOW, LET'S NOT FORGET THE STAGE
261
00:18:06,361 --> 00:18:10,123
MANAGERS, ASSOCIATES AND DANCE
CAPTAINS WHO REHEARSE THEM TO GO
262
00:18:10,158 --> 00:18:12,229
AT A MOMENT'S NOTICE.
263
00:18:12,263 --> 00:18:14,783
OR THE HAIR AND COSTUME
ASSOCIATES WHO GET THE LOOKS
264
00:18:14,817 --> 00:18:19,132
TOGETHER, AND THE MUSICIANS WHO
SOMETIMES PLAY A SCORE THEY'VE
265
00:18:19,167 --> 00:18:25,518
NEVER SEEN.
266
00:18:25,552 --> 00:18:26,760
THAT'S A FEAT.
267
00:18:26,795 --> 00:18:27,968
I COULD GO ON AND ON BECAUSE A
SHOW IS PUT ON BY MANY PEOPLE,
268
00:18:28,003 --> 00:18:31,662
NOT JUST THE FACES YOU KNOW AND
LOVE.
269
00:18:31,696 --> 00:18:39,048
AND I'M REALLY PASSIONATE ABOUT
YEAH, I MIGHT AS WELL CLAP FOR
270
00:18:39,083 --> 00:18:40,222
THAT.
271
00:18:40,257 --> 00:18:41,775
[ APPLAUSE]
AND I'M REALLY PASSIONATE ABOUT
272
00:18:41,810 --> 00:18:43,570
THIS BECAUSE I WAS AN
UNDERSTUDY.
273
00:18:43,605 --> 00:18:45,986
IN FACT, MOST OF THE DANCERS IN
OUR OPENING NUMBER HAVE BEEN
274
00:18:46,021 --> 00:18:49,231
SWINGS OR UNDERSTUDIES DURING
THEIR CAREERS.
275
00:18:49,266 --> 00:18:53,511
AND NOW I AM OFF MY SOAPBOX.
276
00:18:53,546 --> 00:18:56,997
HERE'S OUR FIRST 75th
ANNIVERSARY REUNION.
277
00:18:57,032 --> 00:19:01,070
FROM THE 2015 WINNER FOR BEST
REVIVAL OF A MUSICAL, "THE
278
00:19:01,105 --> 00:19:04,833
KING AND I," PLEASE WELCOME TONY
AWARD WINNERS KELLI O'HARA AND
279
00:19:04,867 --> 00:19:07,939
RUTHIE ANN MILES!
280
00:19:07,974 --> 00:19:21,090
[ APPLAUSE]
♪ ♪
281
00:19:21,125 --> 00:19:25,336
>> JUANITA HALL, GWEN VERDON,
PRISCILLA LOPEZ, AUDRA
282
00:19:25,371 --> 00:19:29,582
McDONALD AND MY FRIEND RUTHIE
ANN MILES ARE AMONG THE
283
00:19:29,616 --> 00:19:32,412
EXCEPTIONAL ARTISTS WHOSE
STELLAR WORK HAS BEEN HONORED
284
00:19:32,447 --> 00:19:34,207
WITH THIS NEXT AWARD.
285
00:19:34,242 --> 00:19:38,729
TONIGHT, WE CONTINUE THE
TRADITION THAT BEGAN IN 1950 AND
286
00:19:38,763 --> 00:19:41,904
ADD ANOTHER NAME TO AN
ILLUSTRIOUS LIST OF FEATURED
287
00:19:41,939 --> 00:19:44,010
PERFORMERS.
288
00:19:44,044 --> 00:19:48,428
>> I'M PROUD TO HAVE BEEN
RECOGNIZED IN A CATEGORY THAT
289
00:19:48,463 --> 00:19:51,466
HAS EMBRACED INCLUSION AND
INDIVIDUALITY.
290
00:19:51,500 --> 00:19:55,228
THIS YEAR'S NOMINATED ARTISTS
INCLUDE PAST TONY AWARD WINNERS,
291
00:19:55,263 --> 00:19:59,681
FIRST-TIME NOMINEES, AND A
TRAILBLAZER WHO HAS BEEN HAILED
292
00:19:59,715 --> 00:20:02,270
THE FIRST OPENLY TRANSGENDER
PERFORMER TO BE NOMINATED
293
00:20:02,304 --> 00:20:04,030
FOR A TONY AWARD.
294
00:20:04,064 --> 00:20:11,865
[ CHEERS AND APPLAUSE]
>> THE NOMINEES FOR BEST
295
00:20:11,900 --> 00:20:16,491
PERFORMANCE BY AN ACTRESS IN A
FEATURED ROLE IN A MUSICAL ARE:
296
00:20:16,525 --> 00:20:20,080
JEANNETTE BAYARDELLE, "GIRL FROM
THE NORTH COUNTRY."
297
00:20:20,115 --> 00:20:24,602
[ APPLAUSE]
>> SHOSHANA BEAN, "MR. SATURDAY
298
00:20:24,637 --> 00:20:26,570
NIGHT."
299
00:20:26,604 --> 00:20:30,953
[ APPLAUSE]
>> JAYNE HOUDYSHELL, "THE MUSIC
300
00:20:30,988 --> 00:20:32,921
MAN."
301
00:20:32,955 --> 00:20:36,476
[ APPLAUSE]
>> L. MORGAN LEE, "A STRANGE
302
00:20:36,511 --> 00:20:38,478
LOOP."
303
00:20:38,513 --> 00:20:44,898
[ CHEERS AND APPLAUSE]
>> PATTI LUPONE, "COMPANY."
304
00:20:44,933 --> 00:20:51,077
[ APPLAUSE]
>> AND JENNIFER SIMARD,
305
00:20:51,111 --> 00:20:53,631
"COMPANY."
306
00:20:53,666 --> 00:20:58,326
[ APPLAUSE]
>> AND THE TONY AWARD GOES TO:
307
00:20:58,360 --> 00:21:00,949
PATTI LUPONE, "COMPANY."
308
00:21:00,983 --> 00:21:07,024
[ CHEERS AND APPLAUSE]
♪ ♪
309
00:21:07,058 --> 00:21:14,307
THIS IS BROADWAY VETERAN PATTI
LUPONE'S 8th NOMINATION AND
310
00:21:14,342 --> 00:21:25,214
THIRD ONE IN STEPHEN
STSH-- -- STEFEN SONDHEIM'S
311
00:21:25,249 --> 00:21:37,365
COMPANY.
312
00:21:37,399 --> 00:21:40,885
♪ ♪
[ CHEERS AND APPLAUSE]
313
00:21:40,920 --> 00:21:46,684
[APPLAUSE]
THANK YOU.
314
00:21:46,719 --> 00:21:54,105
I STARTED THIS JOURNEY WITH
MARYANNE ELLIOTT IN 2018, FOUR
315
00:21:54,140 --> 00:21:58,213
YEARS, TWO COUNTRIES, A
SEAMINGLY ENDLESS AND EXTREMELY
316
00:21:58,247 --> 00:22:02,735
VULNERABLE LOCKDOWN, THREE
DIFFERENT VIRUSES IN THREE CON
317
00:22:02,769 --> 00:22:06,083
TECT-- CONSECUTIVE MONTHS AND
TWO SUB LIME CASTS.
318
00:22:06,117 --> 00:22:11,295
AND SO A LOVING SHOUT OUT TO MY
BRITISH CASEMATES LEAD BY
319
00:22:11,330 --> 00:22:16,576
ROSALIE CRAIG WHO WAS THE FIRST
ACTORS TO REALIZE MARYANNE'S
320
00:22:16,611 --> 00:22:17,853
GENDER BENT VISION.
321
00:22:17,888 --> 00:22:22,720
AND EQUALLY LOVING SHOUT OUT TO
MY HOMETOWN CASEMATES LEAD BY
322
00:22:22,755 --> 00:22:27,863
KATRINA LENK.
323
00:22:27,898 --> 00:22:31,971
A FINER GROUP OF ACTORS AND
COMEDIANS I COULDN'T IMAGINE AND
324
00:22:32,005 --> 00:22:35,871
WHO IT IS MY HONOR TO WORK WITH
EVERY NIGHT.
325
00:22:35,906 --> 00:22:38,702
THANK YOU TO THE STAGE MANAGERS,
THE BACKSTAGE CREWS, THE FRONT
326
00:22:38,736 --> 00:22:44,086
OF HOUSE, AT THE GEUL GOOD AND
THE JACOB, ESPECIALLY THOSE TWO
327
00:22:44,121 --> 00:22:47,952
DRESSERS WHO HAVE SHARED MY LIFE
AND MY DRESSING ROOM FOR SO MANY
328
00:22:47,987 --> 00:22:50,852
YEARS THROUGH ALL KINDS OF
WEATHER.
329
00:22:50,886 --> 00:22:57,030
LONDON'S MA YEE LANE AND NEW
YORK'S LYLE JONES.
330
00:22:57,065 --> 00:23:01,897
A HUGE GRATITUDE TO ALL OF THE
UNDERSTUDIES ACROSS ALL OF THE
331
00:23:01,932 --> 00:23:04,003
STAGES IN NEW YORK.
332
00:23:04,037 --> 00:23:11,562
AND TO ALL OF THE COVID SAFETY
PEOPLE.
333
00:23:11,597 --> 00:23:18,811
[APPLAUSE]
MARYANNE, I WILL FOLLOW YOU FOR
334
00:23:18,845 --> 00:23:21,814
THE REST OF MY LIFE WHEREVER YOU
LEAD.
335
00:23:21,848 --> 00:23:25,749
CHRIS HARPER WHO PAYS MY SALARY.
336
00:23:25,783 --> 00:23:31,651
YOU ARE MY ONE AND LAST
PRODUCER, EXCEPT FOR DAVID,
337
00:23:31,686 --> 00:23:33,342
JEFFREY AND ANDRE BISHOP.
338
00:23:33,377 --> 00:23:38,693
MATT AND JOSHUA, I LOVE YOU, MY
LIFELONG FRIENDS, I LOVE YOU
339
00:23:38,727 --> 00:23:45,700
ALL, THANK YOU.
340
00:23:45,734 --> 00:23:47,702
[ CHEERS AND APPLAUSE]
♪ ♪
341
00:23:47,736 --> 00:23:49,289
>> Announcer: AND NOW, PLEASE
WELCOME PRINCE JACKSON AND PARIS
342
00:23:49,324 --> 00:24:00,404
JACKSON.
343
00:24:00,439 --> 00:24:02,441
[ APPLAUSE]
>> A LOT OF PEOPLE SEEM TO THINK
344
00:24:02,475 --> 00:24:05,754
OUR DAD, MICHAEL JACKSON,
CHANGED POPULAR MUSIC FOREVER.
345
00:24:05,789 --> 00:24:07,756
AND WHO ARE WE TO DISAGREE?
346
00:24:07,791 --> 00:24:10,966
BUT WHAT PEOPLE MAY NOT KNOW IS
THAT HE LOVED MUSICALS-- ON FILM
347
00:24:11,001 --> 00:24:12,347
AND ON THE STAGE.
348
00:24:12,381 --> 00:24:15,833
THAT'S WHY WE ARE SO INCREDIBLY
EXCITED TO INTRODUCE TONIGHT'S
349
00:24:15,868 --> 00:24:19,078
FIRST NOMINEE FOR BEST MUSICAL,
"MJ," WHICH, USING MANY OF HIS
350
00:24:19,112 --> 00:24:22,046
ICONIC HITS, LOOKS AT THE
COMPLEXITIES AND BRILLIANCE OF
351
00:24:22,081 --> 00:24:24,393
OUR FATHER'S CREATIVE PROCESS.
352
00:24:24,428 --> 00:24:27,604
>> THIS NUMBER SHOWCASES THAT
CREATIVE PROCESS AS HE BUILDS A
353
00:24:27,638 --> 00:24:31,435
DANCE ROUTINE, STEP BY
UNFORGETTABLE STEP, TO ONE OF
354
00:24:31,470 --> 00:24:34,645
HIS BEST-LOVED HITS, DRAWING ON
SOME OF THE INFLUENCES WHO
355
00:24:34,680 --> 00:24:36,958
HELPED INSPIRE HIS SIGNATURE
STYLE.
356
00:24:36,992 --> 00:24:41,272
SO, IT IS OUR GREAT HONOR TO NOW
INTRODUCE TONY NOMINEE MYLES
357
00:24:41,307 --> 00:24:45,932
FROST AND THE AMAZING CAST OF
"MJ"!
358
00:24:45,967 --> 00:24:53,561
[ CHEERS AND APPLAUSE]
>> WHAT IF WE BEGIN SIMPLY WITH
359
00:24:53,595 --> 00:24:57,185
JUST A CENTRAL SPOTLIGHT.
360
00:24:57,219 --> 00:25:00,533
ONE BY ONE WE INVITE MY DANCE
HEROES ON TO THE STAGE.
361
00:25:00,568 --> 00:25:04,192
WE MEET FRED ASTAIRE, THE
NICHOLAS BROTHERS, AND BOB
362
00:25:04,226 --> 00:25:05,538
FOSSE.
363
00:25:05,573 --> 00:25:10,819
♪ ♪
♪ ♪
364
00:25:10,854 --> 00:25:18,931
♪ ♪
♪ ♪
365
00:25:18,965 --> 00:25:25,662
[ APPLAUSE]
♪ ♪
366
00:25:25,696 --> 00:25:33,290
♪ ♪
♪ ♪
367
00:25:33,324 --> 00:25:40,608
♪ ♪
♪ ♪
368
00:25:40,642 --> 00:25:46,959
♪ ♪
[ APPLAUSE]
369
00:25:46,993 --> 00:25:54,794
♪ ♪
♪ ♪
370
00:25:54,829 --> 00:26:05,356
♪ ♪
[ APPLAUSE]
371
00:26:05,391 --> 00:26:10,499
♪ ♪
♪ ♪
372
00:26:10,534 --> 00:26:12,398
♪ ♪
[ APPLAUSE]
373
00:26:12,432 --> 00:26:14,124
♪ AS HE CAME INTO THE WINDOW
IT WAS THE SOUND OF
374
00:26:14,158 --> 00:26:16,609
♪ A CRESCENDO
HE CAME INTO HER APARTMENT
375
00:26:16,644 --> 00:26:19,267
♪ HE LEFT THE BLOOD STAINS
ON THE CARPET
376
00:26:19,301 --> 00:26:21,407
♪ SHE RAN UNDER THE TABLE
HE COULD SEE SHE
377
00:26:21,441 --> 00:26:24,375
♪ WAS UNABLE
SO SHE RAN INTO THE BEDROOM
378
00:26:24,410 --> 00:26:27,033
♪ SHE WAS STRUCK DOWN
IT WAS HER DOOM
379
00:26:27,068 --> 00:26:29,415
♪ ANNIE, ARE YOU OKAY
SO ANNIE, ARE YOU OKAY
380
00:26:29,449 --> 00:26:31,969
♪ ARE YOU OKAY, ANNIE
ANNIE, ARE YOU OKAY
381
00:26:32,004 --> 00:26:34,523
♪ SO ANNIE, ARE YOU OKAY
ARE YOU OKAY, ANNIE
382
00:26:34,558 --> 00:26:37,181
♪ ANNIE, ARE YOU OKAY
SO ANNIE, ARE YOU OKAY
383
00:26:37,216 --> 00:26:39,839
♪ ARE YOU OKAY, ANNIE
ANNIE, ARE YOU OKAY
384
00:26:39,874 --> 00:26:42,808
♪ SO ANNIE, ARE YOU OKAY
ARE YOU OKAY, ANNIE
385
00:26:42,842 --> 00:26:45,051
♪ ANNIE ARE OKAY
WILL YOU TELL US
386
00:26:45,086 --> 00:26:47,847
♪ THAT YOU'RE OKAY
THERE'S A SIGN IN THE WINDOW
387
00:26:47,882 --> 00:26:50,609
♪ THAT HE STRUCK YOU
A CRESCENDO ANNIE
388
00:26:50,643 --> 00:26:52,921
♪ HE CAME INTO YOUR APARTMENT
HE LEFT THE BLOOD STAINS
389
00:26:52,956 --> 00:26:55,855
♪ ON THE CARPET
THEN YOU RAN INTO THE BEDROOM
390
00:26:55,890 --> 00:26:58,375
♪ YOU WERE STRUCK DOWN
IT WAS YOUR DOOM
391
00:26:58,409 --> 00:27:00,619
♪ ANNIE, ARE YOU OKAY
SO ANNIE, ARE YOU OKAY
392
00:27:00,653 --> 00:27:02,897
♪ ARE YOU OKAY, ANNIE
YOU'VE BEEN HIT BY
393
00:27:02,931 --> 00:27:04,968
♪ HIT, HIT
YOU'VE BEEN HIT BY, HIT
394
00:27:05,002 --> 00:27:09,558
♪ A SMOOTH CRIMINAL
♪ ♪
395
00:27:09,593 --> 00:27:15,047
♪ ♪
♪ WOO
396
00:27:15,081 --> 00:27:16,738
SO THEY CAME IN TO THE OUTWAY
♪ IT WAS SUNDAY
397
00:27:16,773 --> 00:27:19,465
WHAT A BLACK DAY
♪ MOUTH-TO-MOUTH RESUSCITATION
398
00:27:19,499 --> 00:27:21,950
SOUNDING HEARTBEATS
♪ INTIMIDATIONS
399
00:27:21,985 --> 00:27:24,194
ANNIE, ARE YOU OKAY
♪ SO ANNIE, ARE YOU OKAY
400
00:27:24,228 --> 00:27:26,852
ARE YOU OKAY, ANNIE
♪ ANNIE, ARE YOU OKAY
401
00:27:26,886 --> 00:27:28,577
ANNIE, ARE YOU OKAY
♪ SO ANNIE, ARE YOU OKAY
402
00:27:28,612 --> 00:27:29,613
ANNIE, ARE YOU OKAY
♪ ARE YOU OKAY, ANNIE
403
00:27:29,648 --> 00:27:31,063
ANNIE, ARE YOU OKAY
♪ ANNIE, ARE YOU OKAY
404
00:27:31,097 --> 00:27:32,720
SO ANNIE, ARE YOU OKAY
♪ ANNIE, ARE YOU OKAY
405
00:27:32,754 --> 00:27:35,619
ARE YOU OKAY, ANNIE
♪ YOU'VE BEEN HIT BY
406
00:27:35,654 --> 00:27:37,966
♪ YOU'VE STRUCK BY
A SMOOTH CRIMINAL
407
00:27:38,001 --> 00:27:43,662
♪ ♪
♪ ♪
408
00:27:43,696 --> 00:27:48,045
♪ ♪
♪ ♪
409
00:27:48,080 --> 00:27:53,016
♪ ♪
♪ ♪
410
00:27:53,050 --> 00:27:57,883
♪ ♪
♪ ♪
411
00:27:57,917 --> 00:28:02,577
♪ ♪
♪ ♪
412
00:28:02,611 --> 00:28:03,751
♪ ANNIE ARE OKAY
I DON'T KNOW
413
00:28:03,785 --> 00:28:04,821
♪ WILL YOU TELL US
THAT YOU'RE OKAY
414
00:28:04,855 --> 00:28:06,270
♪ I DON'T KNOW
THERE'S A SIGN IN THE
415
00:28:06,305 --> 00:28:07,616
♪ I DON'T KNOW
WINDOW
416
00:28:07,651 --> 00:28:08,859
♪ THAT HE STRUCK YOU
WHOA
417
00:28:08,894 --> 00:28:10,274
♪ A CRESCENDO
WHOA
418
00:28:10,309 --> 00:28:11,724
♪ ANNIE
HE CAME INTO HER APARTMENT
419
00:28:11,759 --> 00:28:13,174
♪ I DON'T KNOW
HE LEFT THE BLOOD STAINS
420
00:28:13,208 --> 00:28:14,623
♪ ON THE CARPET
I DON'T KNOW WHY
421
00:28:14,658 --> 00:28:16,108
♪ THEN YOU RAN
INTO THE BEDROOM
422
00:28:16,142 --> 00:28:17,454
♪ YOU WERE STRUCK DOWN
IT WAS YOUR DOOM
423
00:28:17,488 --> 00:28:18,973
♪ DANG ON IT
DANG ON IT BABY
424
00:28:19,007 --> 00:28:20,733
♪ ANNIE ARE OKAY
DANG ON IT BABY
425
00:28:20,768 --> 00:28:22,493
♪ WILL YOU TELL US
THAT YOU'RE OKAY
426
00:28:22,528 --> 00:28:23,978
♪ THEN YOU RAN INTO THE BEDROOM
YOU WERE STRUCK DOWN
427
00:28:24,012 --> 00:28:27,015
♪ IT WAS YOUR DOOM
YOU'VE BEEN HIT BY
428
00:28:27,050 --> 00:28:31,157
YOU'VE BEEN STRUCK BY
♪ A SMOOTH CRIMINAL
429
00:28:31,192 --> 00:28:46,138
[ CHEERS AND APPLAUSE]
♪ ♪
430
00:28:46,138 --> 00:28:46,863
[ CHEERS AND APPLAUSE]
♪ ♪
431
00:28:46,897 --> 00:28:50,004
>> Ariana: THE COMPANY OF "MJ"!
432
00:28:50,038 --> 00:28:51,315
YES!
433
00:28:51,350 --> 00:28:53,559
AND LOOK WHO'S HERE-- SARAH
SILVERMAN!
434
00:28:53,593 --> 00:28:57,805
ALONG WITH BILLY CRYSTAL AND
SHOSHANNA BEAN, AND THE COMPANY.
435
00:28:57,839 --> 00:28:59,151
THEIR PERFORMANCE FROM "MR.
436
00:28:59,185 --> 00:29:02,982
SATURDAY NIGHT" IS NEXT ON THE
75th TONY AWARDS.
437
00:29:03,017 --> 00:29:03,707
THIS IS CBS.
438
00:29:13,510 --> 00:29:18,618
[ APPLAUSE]
WE'RE BACK AT THE TONY AWARDS,
439
00:29:18,653 --> 00:29:33,564
FROM THE 2005 GLASS MEN AGERY
PLEASE WELCOME SARAH PAULSON.
440
00:29:33,564 --> 00:29:33,910
FROM THE 2005 GLASS MEN AGERY
PLEASE WELCOME SARAH PAULSON.
441
00:29:33,944 --> 00:29:42,263
IT IS FUN.
442
00:29:42,297 --> 00:29:45,473
SOMEBODY O
>> I'LL APPLAUD TO THAT.
443
00:29:45,507 --> 00:29:48,027
>> IT'S A PLEASURE FOR US TO BE
REUNITED ONSTAGE, THIS TIME TO
444
00:29:48,062 --> 00:29:51,203
ILLUMINATE THE CONTRIBUTIONS OF
DIRECTORS.
445
00:29:51,237 --> 00:29:53,550
WE'VE BOTH COLLABORATED WITH
ARTISTS WHO BRING INSPIRED
446
00:29:53,584 --> 00:29:56,691
IDEAS AND SOLUTIONS TO A
PRODUCTION, ALONG WITH AN
447
00:29:56,725 --> 00:29:59,107
OPENNESS TO EXPERIMENT.
448
00:29:59,142 --> 00:30:01,558
THEIR UNDERSTANDING OF THE
ACTOR'S JOURNEY ALLOWS ALL
449
00:30:01,592 --> 00:30:05,596
VOICES TO HAVE RESPECT AND
CONSIDERATION.
450
00:30:05,631 --> 00:30:08,910
>> WITH ENERGY AND ENTHUSIASM,
DIRECTORS FOSTER AN ATMOSPHERE
451
00:30:08,945 --> 00:30:13,397
OF TRUST, ENCOURAGING THE
COMPANY AND CREATIVE TEAM TO
452
00:30:13,432 --> 00:30:15,399
DREAM WITHOUT INHIBITION.
453
00:30:15,434 --> 00:30:17,781
DESIGNING WITHIN THEIR VISION OF
THE PLAY, THEY NURTURE AND
454
00:30:17,816 --> 00:30:21,474
CHALLENGE PERFORMERS TO FIND AND
REVEAL THE SUBTLE, UNSPOKEN
455
00:30:21,509 --> 00:30:24,132
TRUTH OF THEIR CHARACTERS.
456
00:30:24,167 --> 00:30:30,380
>> THE NOMINEES FOR BEST
DIRECTION OF A PLAY ARE:
457
00:30:30,414 --> 00:30:35,281
LILEANA BLAIN-CRUZ, "THE SKIN OF
OUR TEETH."
458
00:30:35,316 --> 00:30:38,181
>> CAMILLE A. BROWN, "FOR
COLORED GIRLS WHO HAVE
459
00:30:38,215 --> 00:30:42,426
CONSIDERED SUICIDE/WHEN
THE RAINBOW IS ENUF."
460
00:30:42,461 --> 00:30:46,914
>> SAM MENDES, "THE LEHMAN
TRILOGY."
461
00:30:46,948 --> 00:30:51,297
>> NEIL PEPE, "AMERICAN
BUFFALO."
462
00:30:51,332 --> 00:30:55,888
>> LES WATERS, "DANA H."
463
00:30:55,923 --> 00:31:00,824
>> AND THE TONY AWARD GOES TO:
SAM MENDES, "THE LEHMAN
464
00:31:00,859 --> 00:31:03,551
TRILOGY."
465
00:31:03,585 --> 00:31:09,626
[ CHEERS AND APPLAUSE]
♪ ♪
466
00:31:09,660 --> 00:31:13,112
THIS IS SAM MEN
DENSE THIRD NOMINATION AND
467
00:31:13,147 --> 00:31:16,909
SECOND WIN, HE LAST TOOK HOME IN
2019 IN THE SAME CATEGORY FOR
468
00:31:16,944 --> 00:31:19,222
THE FERRYMEN.
469
00:31:19,256 --> 00:31:22,294
>> THANK YOU VERY, VERY MUCH
INDEED.
470
00:31:22,328 --> 00:31:29,301
IT IS AN HONOR TO BE PART OF THE
COMMUNITY, I'M PROUD ESPECIALLY
471
00:31:29,335 --> 00:31:32,166
THIS YEAR TO BE PART OF THE
BROADWAY COMMUNITY IN A SEASON
472
00:31:32,200 --> 00:31:36,895
OF SUCH RAMPANT CREATIVITY AND
DIVERSITY SO THANK YOU FOR
473
00:31:36,929 --> 00:31:38,137
REMEMBERING US.
474
00:31:38,172 --> 00:31:41,278
I HAVE A LOT OF PEOPLE TO SAY
THANK YOU TO FOR KEEPING THIS
475
00:31:41,313 --> 00:31:44,523
SHOW ALIVE, DURING SOME PRETTY
DARK DAYS SO THANK YOU TO SUE
476
00:31:44,557 --> 00:31:48,285
AND JOHN AND EVERYONE AT THE
NATIONAL THEATRE.
477
00:31:48,320 --> 00:31:53,739
AND REAPER AND EARN AT NEAL
STREET AND CAROLLE FOR HER CLASS
478
00:31:53,773 --> 00:31:55,016
AND TEN ASITY.
479
00:31:55,051 --> 00:32:00,746
AN INCREDIBLE BUNCH OF
COLLABORATORS TO NICK POWELL AND
480
00:32:00,780 --> 00:32:08,271
JOHN CLARK AND THE GENIUS
THAT-- TO STEPH ANKE FOR HIS
481
00:32:08,305 --> 00:32:09,513
BRILLIANTS AND BONKERS PLAY.
482
00:32:09,548 --> 00:32:13,690
TO MY RIGHT ARM AND LEFT ARM
DURING THIS PROCESS SAM AND ZOY,
483
00:32:13,724 --> 00:32:16,762
TO MY HEART, MY WIFE.
484
00:32:16,796 --> 00:32:19,799
BUT ESPECIALLY I WANT TO
DEDICATE THIS TO THREE
485
00:32:19,834 --> 00:32:23,803
EXTRAORDINARY ACTORS, THEY ARE
ALL HONORED HERE TODAY, SO BY
486
00:32:23,838 --> 00:32:26,530
DEFINITION THEY CAN'T ALL BE UP
HERE BUT HAVE I WORKED WITH ALL
487
00:32:26,565 --> 00:32:31,984
OF THEM, ADRIAN, ADAM AND SIMON
FOR 25 YEARS AND IT IS MY GREAT,
488
00:32:32,019 --> 00:32:33,779
GREATS HONOR AND DELIGHT THAT
THEY JUST KEEP GETTING BETTER
489
00:32:33,813 --> 00:32:35,022
AND BETTER.
490
00:32:35,056 --> 00:32:38,197
SO ALL OF THESE, THE THREE OF
THEM, YOU SHARE THIS WITH ME,
491
00:32:38,232 --> 00:32:45,998
THANK YOU VERY, VERY MUCH.
492
00:32:46,033 --> 00:32:48,794
[ CHEERS AND APPLAUSE]
♪ ♪
493
00:32:48,828 --> 00:32:51,797
>> AND NOW, THE VISIONARIES WHO
ARE THE FINAL ARBITERS OF THE
494
00:32:51,831 --> 00:32:55,352
VARIED ELEMENTS THAT COMPRISE A
MUSICAL.
495
00:32:55,387 --> 00:32:59,011
>> AMONG THEIR MANY GIFTS IS THE
SKILL TO COMBINE MANY ART
496
00:32:59,046 --> 00:33:00,426
FORMS INTO ONE.
497
00:33:00,461 --> 00:33:04,499
THE NOMINEES FOR BEST DIRECTION
OF A MUSICAL ARE:
498
00:33:04,534 --> 00:33:11,023
STEPHEN BRACKETT, "A STRANGE
LOOP."
499
00:33:11,058 --> 00:33:15,234
>> MARIANNE ELLIOTT, "COMPANY."
500
00:33:15,269 --> 00:33:21,102
>> CONOR McPHERSON, "GIRL FROM
THE NORTH COUNTRY."
501
00:33:21,137 --> 00:33:26,659
>> LUCY MOSS & JAMIE ARMITAGE,
"SIX: THE MUSICAL."
502
00:33:26,694 --> 00:33:35,151
>> CHRISTOPHER WHEELDON, "MJ."
503
00:33:35,185 --> 00:33:39,258
>> AND THE AMERICAN THEATRE
WING'S TONY AWARD GOES TO:
504
00:33:39,293 --> 00:33:40,363
MARIANNE ELLIOTT, "COMPANY."
505
00:33:40,397 --> 00:33:47,818
[ CHEERS AND APPLAUSE]
♪ ♪
506
00:33:47,853 --> 00:33:50,338
MARIANNE ELLIOTT
EARNED HER THIRD TONY WIN, SHE
507
00:33:50,373 --> 00:33:55,723
PREVIOUSLY WON THE AWARD FOR
2011 WAR HORSE AND 2015 THE
508
00:33:55,757 --> 00:34:08,632
CURIOUS INCIDENT OF THE DOG IN
THE NIGHT TIME.
509
00:34:08,667 --> 00:34:14,190
>> THEY JUST SAID I COULD SWEAR
AS MUCH AS I LIKE.
510
00:34:14,224 --> 00:34:21,542
WOW, THANK YOU FIRST AND
FOREMOST TO STEPHEN SONDHEIM.
511
00:34:21,576 --> 00:34:26,788
[APPLAUSE]
FOR TRUSTING ME TO TELL HIS
512
00:34:26,822 --> 00:34:34,762
STORY IN A DIFFERENT WAY AND
PUTTING A WOMAN FRONT AND
513
00:34:34,795 --> 00:34:35,659
CENTER!
514
00:34:35,694 --> 00:34:37,213
[APPLAUSE]
HE AND I SHARED A BELIEF THAT
515
00:34:37,246 --> 00:34:41,630
THEATER SHOULD BE FOR THE NOW,
THAT SHOULD SPEAK DIRECTLY TO
516
00:34:41,665 --> 00:34:43,081
TODAY'S AUDIENCE.
517
00:34:43,114 --> 00:34:47,809
BUT TO HAVE COLLABORATED WITH
HIM SO CLOSELY, TO HAVE MADE A
518
00:34:47,844 --> 00:34:53,746
SHOW ABOUT NEW YORK ON BROADWAY
WITH NEW YORK'S MOST IMPORTANT
519
00:34:53,781 --> 00:34:56,335
THEATER MAKERS OF MY LIFETIME IT
IS A PRIVILEGE THAT I NEVER
520
00:34:56,370 --> 00:35:04,516
WOULD HAVE IMAGINED OR EVEN
DARED TO IMAGINE EVER IN MY
521
00:35:04,550 --> 00:35:05,413
DAYS.
522
00:35:05,448 --> 00:35:06,932
OUR INDUSTRY HAS BEEN THROUGH SO
MUCH.
523
00:35:06,966 --> 00:35:11,005
IT FELT AT TIMES THAT LIVE
THEATER WAS ENDANGERED.
524
00:35:11,039 --> 00:35:14,491
I WANT THEREFORE TO DEDICATE
THIS AWARD TO ALL OF YOU OUT
525
00:35:14,526 --> 00:35:23,707
THERE WHO ARE FIGHTING FOR THE
SURVIVAL OF THIS BEAUTIFUL
526
00:35:23,742 --> 00:35:25,813
TRANSSPORTIVE AND ESSENTIAL ART
FORM.
527
00:35:25,847 --> 00:35:29,989
TO EVERY ONE OF THE TALENTED AND
DEDICATED TEAM WHO MADE THIS
528
00:35:30,024 --> 00:35:36,064
PRODUCTION HAPPEN, YOU ARE
AMAZING CAST, TO CHRIS HARPER
529
00:35:36,099 --> 00:35:43,762
WHO PAID MY SALARY, TO NICK AND
ELLIOTT HARPER, THE BROADWAY
530
00:35:43,796 --> 00:35:46,730
LEAGUE AND THE AMERICAN THEATRE
WING FOR THIS INCREDIBLE HONOR,
531
00:35:46,765 --> 00:35:48,801
THANK YOU SO MUCH.
532
00:35:48,836 --> 00:36:03,782
[APPLAUSE]
SARAH SILVERMAN.
533
00:36:03,782 --> 00:36:06,716
[APPLAUSE]
SARAH SILVERMAN.
534
00:36:06,750 --> 00:36:10,340
>> THE NEXT NOMINEE FOR BEST
MUSICAL IS BASED ON A FILM
535
00:36:10,375 --> 00:36:13,481
WHICH MARKED THE DIRECTORIAL
DEBUT OF MY FRIEND, BILLY
536
00:36:13,516 --> 00:36:16,588
CRYSTAL, AND BELOVED BY ALL OF
US WHO REVERE THE COMICS
537
00:36:16,622 --> 00:36:18,728
WHO CAME BEFORE US.
538
00:36:18,762 --> 00:36:22,732
"MR. SATURDAY NIGHT" IS THE
HILARIOUS, HEARTWARMING
539
00:36:22,766 --> 00:36:26,701
STORY OF BUDDY YOUNG JR., AN
OUTRAGEOUS AND OUTSPOKEN
540
00:36:26,736 --> 00:36:29,946
COMEDIAN WHO FOUND FLEETING FAME
IN THE EARLY DAYS OF
541
00:36:29,980 --> 00:36:31,465
TELEVISION.
542
00:36:31,499 --> 00:36:36,090
NOW, SOME 40 YEARS AFTER HIS TV
CAREER FLAMED OUT, BUDDY, WHO
543
00:36:36,124 --> 00:36:40,681
REALIZED IT'S LONELY AT THE
MIDDLE, SEEKS ONE LAST CHANCE AT
544
00:36:40,715 --> 00:36:44,202
FIXING THE FAMILY HE FRACTURED
ALONG THE WAY.
545
00:36:44,236 --> 00:36:49,103
PLEASE WELCOME TONY NOMINEES
BILLY CRYSTAL, SHOSHANA BEAN,
546
00:36:49,137 --> 00:36:54,004
AND THE COMPANY OF "MR. SATURDAY
NIGHT."
547
00:36:54,039 --> 00:36:58,250
[ CHEERS AND APPLAUSE]
♪ STICK AROUND
548
00:36:58,285 --> 00:37:02,185
NEVER KNOW WHAT
♪ THE DAY WILL BRING YOU
549
00:37:02,220 --> 00:37:04,601
STICK AROUND
♪ THOUGH YOU SOMETIMES
550
00:37:04,636 --> 00:37:09,054
MAY WONDER WHY
♪ LIFE'S A TRIP
551
00:37:09,088 --> 00:37:11,850
PEOPLE CHANGE WHO
♪ YOU LEAST EXPECTED
552
00:37:11,884 --> 00:37:14,404
YOU WERE STRANGERS
♪ NOW YOU'RE CONNECTED
553
00:37:14,439 --> 00:37:18,477
HEY, WHO KNOWS MAYBE
♪ PIGS CAN FLY
554
00:37:18,512 --> 00:37:23,689
STICK AROUND
♪ IT MAY ALL GO TO HELL TOMORROW
555
00:37:23,724 --> 00:37:28,176
HOLD YOUR GROUND
♪ YOU HAVE MORE THAN
556
00:37:28,211 --> 00:37:34,286
YOU THINK TO SHOW
♪ AND HE SAID OUT LOUD
557
00:37:34,321 --> 00:37:37,496
THAT I MADE HIM PROUD
♪ WHO'S TO SAY HOW CLOSE
558
00:37:37,531 --> 00:37:43,364
WE COULD GROW
♪ SO, STICK AROUND!¡
559
00:37:43,399 --> 00:37:48,749
CAUSE YOU NEVER KNOW
♪ STICK AROUND
560
00:37:48,783 --> 00:37:52,235
DON'T YOU LEAVE WHILE
♪ THE BAND'S STILL PLAYING
561
00:37:52,270 --> 00:37:54,651
RIDE IT OUT
♪ WHO KNOWS WHICH WAY
562
00:37:54,686 --> 00:37:58,931
THE WIND WILL BLOW
♪ TAKE THE NICKEL TOUR
563
00:37:58,966 --> 00:38:01,279
WHO CAN SAY FOR SURE
♪ THEY'RE SURE HOW
564
00:38:01,313 --> 00:38:06,560
THEIR LIFE WILL GO
♪ STICK AROUND
565
00:38:06,594 --> 00:38:10,667
LADIES AND GENTLEMEN
MR. SATURDAY NIGHT
566
00:38:10,702 --> 00:38:15,431
BUDDY YOUNG, JR!
567
00:38:15,465 --> 00:38:20,539
[ CHEERS AND APPLAUSE]
♪ I'M HERE TO BRING A LITTLE JOY
568
00:38:20,574 --> 00:38:23,818
LOOK AT ME SING
♪ NOW WATCH ME DANCE
569
00:38:23,853 --> 00:38:25,855
OH, HEY
♪ YOU'RE GONNA LIKE MY SHTICK
570
00:38:25,889 --> 00:38:27,822
YOU'VE EATEN KUGGEL
♪ 'TIL YOU'RE SICK
571
00:38:27,857 --> 00:38:33,207
BOY, I'D HATE TO BE YOUR PANTS
♪ I'M YOUNG
572
00:38:33,241 --> 00:38:35,382
BUT EV'RY JOKE'S A PEARL
♪ I GOT BETTER LEGS
573
00:38:35,416 --> 00:38:38,799
THAN MILTON BERLE
♪ BEEN WAITED FOR THIS CHANCE
574
00:38:38,833 --> 00:38:43,113
SINCE I WAS A BOY
♪ TO BRING YOU ALL A LITTLE
575
00:38:43,148 --> 00:38:46,634
I PROMISE YOU THIS YID'LL
♪ BRING YOU ALL A LITTLE
576
00:38:46,669 --> 00:38:50,880
>> ALL RIGHT FOLKS, HERE'S WHAT
YOU ALL KNOW WHAT JAZZ SCAT
577
00:38:50,914 --> 00:38:54,711
SINGING IS, RIGHT?
578
00:38:54,746 --> 00:38:59,854
WHAT I'M GONNA DO IS YIDDISH
SCAT SINGING!
579
00:38:59,889 --> 00:39:01,511
AND AT SOME POINT I'M GOING TO
ASK YOU TO JOIN IN WITH ME, ALL
580
00:39:01,546 --> 00:39:05,273
RIGHT?
581
00:39:05,308 --> 00:39:10,727
VER RARE.
582
00:39:10,762 --> 00:39:11,797
ELLA FITZGERALD, I APOLOGIZE.
583
00:39:11,832 --> 00:39:22,567
[ SCAT SINGING IN YIDDISH]
♪ ♪
584
00:39:22,601 --> 00:39:28,504
>> ALL RIGHT NOW, YOUR TURN.
585
00:39:28,538 --> 00:39:38,306
TRY NOT TO SPIT ON THE PERSON
SITTING IN FRONT OF YOU.
586
00:39:38,341 --> 00:39:39,894
REPEAT AFTER ME.
587
00:39:39,929 --> 00:39:53,839
[ SCAT SINGING IN YIDDISH]
[ SCAT SINGING IN YIDDISH]
588
00:39:53,874 --> 00:40:05,126
[ SCAT SINGING IN YIDDISH]
[ SCAT SINGING IN YIDDISH]
589
00:40:05,161 --> 00:40:10,856
[ SCAT SINGING IN YIDDISH]
[ APPLAUSE]
590
00:40:10,891 --> 00:40:22,696
[ SCAT SINGING IN YIDDISH]
HEY BALCONY!
591
00:40:22,730 --> 00:40:29,634
HEY BALCONY!
592
00:40:29,668 --> 00:40:33,948
AN OLD JEWS NIGHTMARE, STAIRS!
593
00:40:33,983 --> 00:40:36,157
HEY BALCONY WITH ME?
594
00:40:36,192 --> 00:40:48,031
[ SCAT SINGING IN YIDDISH]
[ SCAT SINGING IN YIDDISH]
595
00:40:48,066 --> 00:40:55,280
NOW, I'M GOING TO CUT YOU IN
HALF LIKE THE RED SEA.
596
00:40:55,314 --> 00:40:57,178
WHEN I POINT TO YOU,
REPEAT AFTER ME.
597
00:40:57,213 --> 00:40:59,940
SAY "“OY."”
>> OY.
598
00:40:59,974 --> 00:41:03,184
>> SAY "“VEY."”
>> VEY.
599
00:41:03,219 --> 00:41:05,014
>> SAY "“OY."”
>> OY.
600
00:41:05,048 --> 00:41:06,636
>> SAY "“VEY."”
>> VEY.
601
00:41:06,671 --> 00:41:08,880
>> OY.
602
00:41:08,914 --> 00:41:10,744
>> SAY "“VEY."”
>> OY.
603
00:41:10,778 --> 00:41:11,054
VEY.
604
00:41:11,089 --> 00:41:11,779
OY.
605
00:41:11,814 --> 00:41:12,953
VEY.
606
00:41:12,987 --> 00:41:13,643
OY, VEY.
607
00:41:13,678 --> 00:41:16,370
OY, VEY.
608
00:41:16,404 --> 00:41:19,338
♪ ♪
I'M HERE TO BRING A LITTLE
609
00:41:19,373 --> 00:41:22,065
JOY.
610
00:41:22,100 --> 00:41:26,484
FOLKS IF YOU LIKE ME, I'M BUDDY
YOUNG JR.
611
00:41:26,518 --> 00:41:29,003
AND IF YOU DIDN'T, I'M HUGH
JACKMAN!
612
00:41:29,038 --> 00:41:32,524
[ LAUGHTER]
[ CHEERS AND APPLAUSE]
613
00:41:32,559 --> 00:41:47,505
♪ ♪
[ CHEERS AND APPLAUSE]
614
00:41:47,505 --> 00:41:48,436
♪ ♪
[ CHEERS AND APPLAUSE]
615
00:41:48,471 --> 00:41:50,404
♪ ♪
>> Announcer: COMING UP, A 15th
616
00:41:50,438 --> 00:41:52,855
ANNIVERSARY REUNION OF "SPRING
AWAKENING."
617
00:41:52,889 --> 00:41:55,478
AND NEXT, A PERFORMANCE FROM
"COMPANY" ON THE 75th TONY
618
00:41:55,513 --> 00:41:56,962
AWARDS.
619
00:41:56,997 --> 00:41:58,792
THIS IS CBS.
620
00:42:06,144 --> 00:42:13,565
♪ ♪
[ APPLAUSE]
621
00:42:13,600 --> 00:42:17,189
>> Ariana: WELCOME BACK TO THE
TONY AWARDS.
622
00:42:17,224 --> 00:42:21,987
YOU KNOW, BOB FOSSE WAS ONE OF
THE GREATEST CHOREOGRAPHERS OF
623
00:42:22,022 --> 00:42:23,920
ALL TIME.
624
00:42:23,955 --> 00:42:29,788
AND YOU KNOW WHO KNOWS A THING
OR TWO ABOUT BOB FOSSE?
625
00:42:29,823 --> 00:42:41,282
SAM ROCKWELL, WHO'S CONVENIENTLY
RIGHT HERE.
626
00:42:41,317 --> 00:42:47,254
[ LAUGHTER]
SHALL WE?
627
00:42:47,288 --> 00:42:52,500
♪ ♪
♪ ♪
628
00:42:52,535 --> 00:43:00,129
♪ ♪
♪ ♪
629
00:43:00,163 --> 00:43:02,752
WOO!
630
00:43:02,787 --> 00:43:08,724
[ LAUGHS]
[ APPLAUSE]
631
00:43:08,758 --> 00:43:12,003
>> Ariana: I LOVE HIM!
632
00:43:12,037 --> 00:43:12,659
YOU'RE GENIUS.
633
00:43:12,693 --> 00:43:16,904
MY BUDDY, SAM ROCKWELL!
634
00:43:16,939 --> 00:43:18,147
-- YOU KNOW WHAT THE TWO OF US,
WE WORKED TOGETHER ON A MOVIE
635
00:43:18,181 --> 00:43:20,356
THAT YOU HAVEN'T SEEN YET WHICH
IS FINE.
636
00:43:20,390 --> 00:43:25,119
BUT WE'VE ALSO, WE'RE WORKED
INCREDIBLE FOSSE DANCERS LIKE
637
00:43:25,154 --> 00:43:28,467
MARY ANN LAMB AND SUZIE MEISNER.
638
00:43:28,502 --> 00:43:30,159
SAM IS NOMINATED TONIGHT FOR
"AMERICAN BUFFALO."
639
00:43:30,193 --> 00:43:42,792
HIS CO-STAR, LAURENCE FISHBURNE,
HE DOES AN INCREDIBLE
640
00:43:42,827 --> 00:43:43,862
>> THANK YOU, AND WELCOME TO THE
TONY AWARDS.
641
00:43:43,897 --> 00:43:49,454
AND THANK YOU FOR YOUR
CONTRIBUTION TO THE AMERICAN
642
00:43:49,488 --> 00:43:53,044
THEATRE!
643
00:43:53,078 --> 00:44:02,260
[ APPLAUSE]
>> LAURENCE FISHBURNE!
644
00:44:02,294 --> 00:44:04,055
AND NOW, WE'LL CONTINUE OUR 75th
ANNIVERSARY CELEBRATION WITH AN
645
00:44:04,089 --> 00:44:05,988
ACTOR WHO MADE HIS BROADWAY
DEBUT IN THE ORIGINAL PRODUCTION
646
00:44:06,022 --> 00:44:08,576
OF "SPRING AWAKENING" ALONG WITH
AN ACTRESS WHO WON A TONY AWARD
647
00:44:08,611 --> 00:44:10,993
FOR HER PERFORMANCE IN "GOD OF
CARNAGE."
648
00:44:11,027 --> 00:44:15,618
PLEASE WELCOME SKYLAR ASTIN AND
MARCIA GAY HARDEN.
649
00:44:15,653 --> 00:44:23,591
[ CHEERS AND APPLAUSE]
♪ ♪
650
00:44:23,626 --> 00:44:27,872
>> IT TOOK THE ENTIRE COMMUNITY
TO BRING BROADWAY BACK TO
651
00:44:27,906 --> 00:44:31,013
WELCOME ALMOST SEVEN MILLION
THEATERGOERS TO A SHORTENED
652
00:44:31,047 --> 00:44:32,635
SEASON.
653
00:44:32,670 --> 00:44:35,742
THE BROADWAY LEAGUE CELEBRATES
THE CRUCIAL ROLE PLAYED BY THE
654
00:44:35,776 --> 00:44:39,987
COVID SAFETY MANAGERS.
655
00:44:40,022 --> 00:44:44,716
[ CHEERS AND APPLAUSE]
150 OF THEM ARE HERE TONIGHT AS
656
00:44:44,751 --> 00:44:49,721
GUESTS OF THE TONYS.
657
00:44:49,756 --> 00:44:51,550
LET'S HEAR IT.
658
00:44:51,585 --> 00:45:03,804
[ APPLAUSE]
>> THEIR DILIGENCE MADE IT
659
00:45:03,839 --> 00:45:07,014
POSSIBLE FOR AUDIENCE MEMBERS TO
FEEL AND BE SAFE, AND THEY
660
00:45:07,049 --> 00:45:10,052
CONTINUE TO KEEP EVERYONE
ONSTAGE AND BACKSTAGE ABLE TO
661
00:45:10,086 --> 00:45:11,812
PERFORM.
662
00:45:11,847 --> 00:45:15,540
AMONG THOSE IN THEIR DEBT ARE
THESE SIX ARTISTS.
663
00:45:15,574 --> 00:45:18,232
>> THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTRESS IN A
664
00:45:18,267 --> 00:45:25,239
FEATURED ROLE IN A PLAY ARE:
UZO ADUBA, "CLYDE'S."
665
00:45:25,274 --> 00:45:32,074
>> RACHEL DRATCH, "POTUS: OR,
>> KENITA R. MILLER, "FOR
666
00:45:32,108 --> 00:45:34,835
COLORED GIRLS WHO HAVE
CONSIDERED SUICIDE/WHEN THE
667
00:45:34,870 --> 00:45:36,664
RAINBOW IS ENUF."
668
00:45:36,699 --> 00:45:42,567
>> PHYLICIA RASHAD, "SKELETON
CREW."
669
00:45:42,601 --> 00:45:46,536
>> JULIE WHITE, "POTUS."
670
00:45:46,571 --> 00:45:51,369
>> AND KARA YOUNG, "CLYDE'S."
671
00:45:51,403 --> 00:45:55,545
>> AND THE TONY AWARD GOES TO:
PHYLICIA RASHAD, "SKELETON
672
00:45:55,580 --> 00:45:59,308
CREW."
673
00:45:59,342 --> 00:46:04,347
[ CHEERS AND APPLAUSE]
♪ ♪
674
00:46:04,382 --> 00:46:07,005
THIS IS THE THIRD NOMINATION AND
SECOND WIN.
675
00:46:07,040 --> 00:46:17,015
SHE PREVIOUSLY TOOK HOME A TONY
FOR PLAYING IN A RAISIN IN THE
676
00:46:17,050 --> 00:46:31,961
SUN.
677
00:46:31,961 --> 00:46:33,066
SUN.
678
00:46:35,896 --> 00:46:44,215
>> JUST WHEN I THOUGHT I HAD
DONE EVERYTHING THERE WAS TO DO,
679
00:46:44,249 --> 00:46:54,535
ALONG CAME SKELETON CREW.
680
00:46:54,570 --> 00:47:00,507
YOU DON'T COME TO THIS PLACE
ALONE.
681
00:47:00,541 --> 00:47:03,821
YOU HEARD OTHERS SAY IT TONIGHT,
AND IT'S TRUE.
682
00:47:03,855 --> 00:47:11,587
IT'S THE WORK OF MANY PEOPLE.
683
00:47:11,621 --> 00:47:15,280
DOMINIQUE, THANK YOU VERY MUCH
FOR WRITING THIS PLAY.
684
00:47:15,315 --> 00:47:22,460
THAT ONLY YOU COULD HAVE
WRITTEN.
685
00:47:22,494 --> 00:47:31,918
AND RUBEN, THANK YOU FOR
PRESENTING ME WITH A WORK THAT
686
00:47:31,952 --> 00:47:36,474
WAS CHALLENGING, DEMANDING AND
MOST REWARDING.
687
00:47:36,508 --> 00:47:42,169
THANK YOU FOR CASTING THE PLAY
THE WAY YOU DID, GIVING ME
688
00:47:42,204 --> 00:47:46,484
WONDERFUL ACTORS TO WORK WITH,
LYNNE MEADOWS THANK YOU VERY
689
00:47:46,518 --> 00:47:49,521
MUCH, THANK YOU MANHATTAN
THEATRE CLUB FOR SUPPORTING THIS
690
00:47:49,556 --> 00:47:52,731
PLAY AND SEEING US THROUGH AND
THANK YOU TO THE PEOPLE WHO CAME
691
00:47:52,766 --> 00:48:01,016
TO SEE IT.
692
00:48:01,050 --> 00:48:03,397
MOMMY, I HOPE YOU'RE WATCHING.
693
00:48:03,432 --> 00:48:08,023
YOU WERE HERE WITH ME THE LAST
TIME AND EVEN THOUGH YOU'RE OUT
694
00:48:08,057 --> 00:48:11,095
WEST, I FEEL LIKE YOU'RE HERE
WITH ME NOW.
695
00:48:11,129 --> 00:48:14,995
IT IS WONDERFUL TO BE A PART OF
THIS COMMUNITY.
696
00:48:15,030 --> 00:48:20,794
IT IS WONDERFUL TO PRESENT
HUMANITARIAN IN ITS FULLNESS AND
697
00:48:20,828 --> 00:48:23,521
TO FEEL IT.
698
00:48:23,555 --> 00:48:29,113
THANK YOU ALL SO VERY MUCH.
699
00:48:29,147 --> 00:48:32,150
[APPLAUSE]
[ CHEERS AND APPLAUSE]
700
00:48:32,185 --> 00:48:33,911
♪ ♪
>> Announcer: NOW, RETURNING TO
701
00:48:33,945 --> 00:48:35,464
BROADWAY IN THE REVIVAL OF "INTO
THE WOODS," A TONY WINNER FOR
702
00:48:35,498 --> 00:48:38,156
HER LEADING PERFORMANCE IN THE
REVIVAL OF "PIPPIN," PLEASE
703
00:48:38,191 --> 00:48:42,436
WELCOME PATINA MILLER.
704
00:48:42,471 --> 00:48:49,512
[ CHEERS AND APPLAUSE]
>> REIMAGINING AN ICONIC ROLE
705
00:48:49,547 --> 00:48:52,722
THAT WAS ORIGINATED BY A MALE
ACTOR CAN BE AS EYE-OPENING AS
706
00:48:52,757 --> 00:48:57,796
IT IS FULFILLING.
707
00:48:57,831 --> 00:48:59,074
REALLY FULFILLING.
708
00:48:59,108 --> 00:49:00,558
IN THE REVELATORY NEW PRODUCTION
OF THE GROUNDBREAKING MUSICAL
709
00:49:00,592 --> 00:49:03,216
COMPANY, "“BOBBY"” THE HABITUAL
BACHELOR, IS REIMAGINED AS"“
710
00:49:03,250 --> 00:49:04,976
BOBBIE,"” A SINGLE WOMAN.
711
00:49:05,011 --> 00:49:08,083
HER MARRIED FRIENDS SMOTHER HER
WITH LOVE AND QUESTIONS: ISN'T
712
00:49:08,117 --> 00:49:11,120
IT TIME TO FIND THE RIGHT MAN
AND START A FAMILY?
713
00:49:11,155 --> 00:49:14,572
THE CURTAIN RISES ON BOBBIE'S
SURPRISE 35th BIRTHDAY PARTY
714
00:49:14,606 --> 00:49:17,057
AS HER FRIENDS GET INTO HER
HEAD.
715
00:49:17,092 --> 00:49:21,993
NOMINATED FOR BEST REVIVAL OF A
MUSICAL, THIS IS "COMPANY"!
716
00:49:22,028 --> 00:49:31,209
[ CHEERS AND APPLAUSE]
♪ ♪
717
00:49:31,244 --> 00:49:40,736
♪ ♪
♪ ♪
718
00:49:40,770 --> 00:49:41,806
♪ ♪
♪ BOBBIE
719
00:49:41,840 --> 00:49:43,497
BOBBIE
♪ BOBBIE BABY
720
00:49:43,532 --> 00:49:45,292
BOBBIE BUBI
♪ DARLING
721
00:49:45,327 --> 00:49:46,569
BOO BOO, SWEETIE
♪ ANGEL, WILL YOU
722
00:49:46,604 --> 00:49:48,019
BOBBIE
♪ DO US A FAVOR
723
00:49:48,054 --> 00:49:49,503
BOBBIE
♪ BOBBIE BABY
724
00:49:49,538 --> 00:49:50,988
TELL ME, SARAH
♪ BOBBIE, BUBI
725
00:49:51,022 --> 00:49:52,506
BOBBIE LOVE
♪ DOLL
726
00:49:52,541 --> 00:49:53,645
I'D LIKE YOUR
♪ PUMPKIN
727
00:49:53,680 --> 00:49:55,026
OPINION
♪ BOBBIE, GIRL
728
00:49:55,061 --> 00:49:55,993
BOBBIE, HONEY
♪ TRY ME, PETER
729
00:49:56,027 --> 00:49:56,717
BOBBIE
♪ BOBBIE
730
00:49:56,752 --> 00:49:57,718
ANGEL
♪ THERE'S A PROBLEM
731
00:49:57,753 --> 00:49:58,374
BOBBIE
♪ I NEED YOUR
732
00:49:58,409 --> 00:49:59,686
DARLING
♪ ADVICE
733
00:49:59,720 --> 00:50:01,481
BOBBIE BABY
♪ JAMIE, CAN I
734
00:50:01,515 --> 00:50:03,345
CALL YOU BACK TOMORROW
♪ JUST HALF AN HOUR
735
00:50:03,379 --> 00:50:04,829
HONEY, IF YOU'D VISIT THE
♪ BOBBIE
736
00:50:04,863 --> 00:50:05,761
SWEETHEART
♪ SUGAR
737
00:50:05,795 --> 00:50:06,796
KIDS ONCE OR TWICE
♪ BUBI
738
00:50:06,831 --> 00:50:08,764
JENNY, I COULD
♪ TAKE THEM TO THE ZOO ON FRIDAY
739
00:50:08,798 --> 00:50:10,455
♪ WHERE HAVE YOU BEEN
♪ BOBBIE
740
00:50:10,490 --> 00:50:12,078
BOBBIE
♪ WHERE HAVE
741
00:50:12,112 --> 00:50:17,014
HAVE YOU BEEN
♪ YOU BEEN
742
00:50:17,048 --> 00:50:18,981
♪ WE'VE BEEN
WE'VE BEEN THINKING OF YOU
743
00:50:19,016 --> 00:50:19,740
♪ THINKING OF YOU
BOBBIE
744
00:50:19,775 --> 00:50:21,397
♪ SORRY, PAUL
I MADE A DATE WITH
745
00:50:21,432 --> 00:50:25,022
♪ DROP BY
ANY TIME
746
00:50:25,056 --> 00:50:29,336
♪ BOBBIE DEAR
IT'S NONE OF MY BUSINESS
747
00:50:29,371 --> 00:50:30,751
BOBBIE BABY
♪ BOBBIE, SWEETIE
748
00:50:30,786 --> 00:50:32,581
DID I DO SOMETHING WRONG
♪ BOBBIE, COME ON
749
00:50:32,615 --> 00:50:35,342
OVER FOR DINNER
♪ WE'LL BE SO GLAD TO SEE YOU
750
00:50:35,377 --> 00:50:40,451
BOBBIE, COME ON OVER FOR DINNER
♪ JUST BE THE THREE OF US
751
00:50:40,485 --> 00:50:53,705
ONLY THE THREE OF US
♪ WE LOVE
752
00:50:53,740 --> 00:51:02,093
♪ YOU
♪ IN COMES COMPANY
753
00:51:02,128 --> 00:51:09,100
NO STRINGS, GOOD TIMES
♪ JUST CHUMS, COMPANY
754
00:51:09,135 --> 00:51:11,758
LATE NIGHTS, QUICK BITES
♪ PARTY GAMES
755
00:51:11,792 --> 00:51:17,108
DEEP TALKS, LONG WALKS
♪ TELEPHONE CALLS
756
00:51:17,143 --> 00:51:19,593
THOUGHTS SHARED, SOULS BARED
♪ PRIVATE NAMES
757
00:51:19,628 --> 00:51:25,012
ALL THOSE PHOTOS
♪ UP ON THE WALLS
758
00:51:25,047 --> 00:51:30,949
WITH LOVE
♪ WITH LOVE
759
00:51:30,984 --> 00:51:38,233
FILLING THE DAYS
♪ WITH LOVE, 70 WAYS
760
00:51:38,267 --> 00:51:44,170
TO BOBBIE, WITH LOVE
♪ FROM ALL THESE
761
00:51:44,204 --> 00:51:47,311
GOOD AND CRAZY PEOPLE
♪ YOUR FRIENDS
762
00:51:47,345 --> 00:51:52,074
THESE GOOD AND CRAZY PEOPLE
♪ YOUR MARRIED FRIENDS
763
00:51:52,109 --> 00:51:55,491
AND THAT'S WHAT IT'S ALL ABOUT
♪ ISN'T IT
764
00:51:55,526 --> 00:51:59,116
THAT'S WHAT IT'S REALLY ABOUT
♪ ISN'T IT
765
00:51:59,150 --> 00:52:02,981
THAT'S WHAT IT'S REALLY ABOUT
♪ REALLY ABOUT
766
00:52:03,016 --> 00:52:05,536
YOU I LOVE AND YOU I LOVE
♪ AND YOU AND YOU I LOVE
767
00:52:05,570 --> 00:52:08,090
AND YOU I LOVE AND YOU I LOVE
♪ AND YOU AND YOU I LOVE
768
00:52:08,125 --> 00:52:11,438
I LOVE
♪ ISN'T IT, ISN'T IT, ISN'T IT
769
00:52:11,473 --> 00:52:16,098
COMPANY
♪ COMPANY
770
00:52:16,133 --> 00:52:18,618
COMPANY
♪ LOTS OF COMPANY
771
00:52:18,652 --> 00:52:22,932
LIFE IS COMPANY
♪ LOVE IS COMPANY
772
00:52:22,967 --> 00:52:37,913
COMPANY ♪
[ CHEERS AND APPLAUSE]
773
00:52:37,913 --> 00:52:39,811
COMPANY ♪
[ CHEERS AND APPLAUSE]
774
00:52:39,846 --> 00:52:41,675
♪ ♪
>> Ariana: THE CAST OF "COMPANY"
775
00:52:41,710 --> 00:52:45,679
IN AN ACTUAL-SIZE NEW YORK CITY
APARTMENT!
776
00:52:45,714 --> 00:52:47,854
SAMUEL L. JACKSON AND LATANYA
RICHARDSON JACKSON ARE IN THE
777
00:52:47,888 --> 00:52:49,338
WINGS.
778
00:52:49,373 --> 00:52:52,203
AND WE'VE GOT BOB DYLAN'S MUSIC
IN A PERFORMANCE FROM "GIRL FROM
779
00:52:52,238 --> 00:52:53,515
THE NORTH COUNTRY."
780
00:52:53,549 --> 00:52:55,344
THE 75th TONY AWARDS.
781
00:52:55,379 --> 00:52:57,726
THIS IS CBS!
782
00:53:10,532 --> 00:53:25,443
>> Announcer: AND NOW, THE
PRESIDENT OF CARNEGIE MELLON
783
00:53:25,443 --> 00:53:27,790
>> Announcer: AND NOW, THE
PRESIDENT OF CARNEGIE MELLON
784
00:53:27,825 --> 00:53:30,379
ANNIVERSARY WE HONOR THE LEGACY
OF THE WOMAN FOR WHOM THE TONY
785
00:53:30,414 --> 00:53:37,041
AWARDS ARE NAMED.
786
00:53:37,075 --> 00:53:40,734
COFOUNDER AND FORMER CHAIR OF
THE AMERICAN THEATRE WING ANTOIN
787
00:53:40,769 --> 00:53:45,325
ETH PERRY LAID THE GROUND WORK
FOR MORE THAN 100 YEARS OF
788
00:53:45,360 --> 00:53:49,674
PROGRAMMING DESIGNED TO EMPOWER
GENERATIONS OF PEOPLE IN THE
789
00:53:49,709 --> 00:53:51,124
THEATER.
790
00:53:51,158 --> 00:53:52,367
THE WING'S ANDREW LLOYD WEBBER
INITIATIVE PROVIDES TRAINING AND
791
00:53:52,401 --> 00:53:57,475
UNIVERSITY SCHOLARSHIPS FOR
PROMISING YOUNG CREATIVES,
792
00:53:57,510 --> 00:53:58,683
MATCHING THEM WITH PROFESSIONAL
MENTORS LIKE ME.
793
00:53:58,718 --> 00:54:02,618
I KNOW FIRSTHAND THE POWER OF
MENTORSHIP; MY OWN PERSONAL
794
00:54:02,653 --> 00:54:07,209
GUIDE HAPPENS TO BE ONE OF
TONIGHT'S NOMINEES.
795
00:54:07,244 --> 00:54:11,731
HI DAD.
796
00:54:11,765 --> 00:54:20,740
NOW, I'M VERY PROUD TO INTRODUCE
[ CHEERS AND APPLAUSE]
797
00:54:20,774 --> 00:54:27,160
MY OWN MENTEE, JULIA SCHICK.
798
00:54:27,194 --> 00:54:34,961
[ CHEERS AND APPLAUSE]
>> THANKS, LILLI.
799
00:54:34,995 --> 00:54:36,618
I HAVE RECEIVED THREE SEPARATE
SCHOLARSHIPS FROM THE WING SINCE
800
00:54:36,652 --> 00:54:39,310
2017.
801
00:54:39,345 --> 00:54:42,831
MOST IMPORTANTLY, IT HAS GIVEN
ME THE OPPORTUNITY TO HONE MY
802
00:54:42,865 --> 00:54:44,039
CRAFT SO THAT I MAY TOO TOUCH
AUDIENCES' HEARTS THE WAY ALL OF
803
00:54:44,073 --> 00:54:52,289
YOU HAVE TOUCHED MINE.
804
00:54:52,323 --> 00:54:55,947
♪ ♪
>> Announcer: RETURNING TO
805
00:54:55,982 --> 00:54:57,915
BROADWAY NEXT FALL, PLEASE
WELCOME AND TONY NOMINEE LATANYA
806
00:54:57,949 --> 00:55:07,269
RICHARDSON JACKSON AND ACADEMY
AWARD WINNER SAMUEL L. JACKSON.
807
00:55:07,304 --> 00:55:10,790
>> MY FIRST JOB ON BROADWAY WAS
AS AN UNDERSTUDY 32 YEARS
808
00:55:10,824 --> 00:55:15,242
AGO IN AUGUST WILSON'S "THE
PIANO LESSON."
809
00:55:15,277 --> 00:55:19,246
SO, I AM THRILLED TO BE COMING
BACK IN SEPTEMBER IN A REVIVAL
810
00:55:19,281 --> 00:55:29,809
OF "THE PIANO LESSON," THIS TIME
DIRECTED BY MY WIFE, LATANYA--
811
00:55:29,843 --> 00:55:37,299
THE FIRST WOMAN TO DIRECT AN
AUGUST WILSON PLAY ON BROADWAY!
812
00:55:37,334 --> 00:55:41,199
WE ARE PROUD TO BE REVIVING
ONE OF HIS PROFOUND
813
00:55:41,234 --> 00:55:46,895
MASTERPIECES.
814
00:55:46,929 --> 00:55:50,312
>> WHEN TAKING ON A CLASSIC,
ARTISTS HONOR THE AUTHOR'S
815
00:55:50,347 --> 00:55:54,351
INTENT, WHILE ALSO STRIVING TO
CREATE SOMETHING NEW AND
816
00:55:54,385 --> 00:55:59,114
UNEXPECTED FOR CURRENT
AUDIENCES.
817
00:55:59,148 --> 00:56:03,532
THE PRODUCTIONS NOMINATED FOR
THIS NEXT AWARD REVITALIZE WORKS
818
00:56:03,567 --> 00:56:10,090
THAT ARE BOTH OF THEIR TIME, YET
TIMELESS.
819
00:56:10,125 --> 00:56:15,958
HERE ARE THE NOMINEES FOR BEST
REVIVAL OF A PLAY.
820
00:56:15,958 --> 00:56:25,036
HERE ARE THE NOMINEES FOR BEST
REVIVAL OF A PLAY.
821
00:56:42,882 --> 00:56:52,823
>> THE AMERICAN THEATRE WING'S
TONY GOES TO:
822
00:56:52,857 --> 00:56:59,657
"TAKE ME OUT."
823
00:56:59,692 --> 00:57:01,970
ACCEPTING THE
AWARD FOR TAKE ME OUT PRODUCER
824
00:57:02,004 --> 00:57:16,916
CAROLE ROTHMAN. IS OKAY.
825
00:57:16,916 --> 00:57:24,820
CAROLE ROTHMAN. IS OKAY.
826
00:57:24,855 --> 00:57:30,170
THANK YOU TO THE AMERICAN
THEATRE WING.
827
00:57:30,205 --> 00:57:34,658
OKAY, OKAY, IN HAS BEEN A TOUGH
TIME FOR THE THEATRE FOR OUR
828
00:57:34,692 --> 00:57:38,731
ARTISTS AND FOR NEW YORK CITY
AND IT'S TAKEN GREAT COURAGE AND
829
00:57:38,765 --> 00:57:41,768
COMMITMENT ON THE PART OF SO
MANY PEOPLE TO COME BACK TO THE
830
00:57:41,803 --> 00:57:44,219
THEATRE WHICH IS A PLACE OF JOY
AND HOPE.
831
00:57:44,253 --> 00:57:46,946
EVERYONE AT SECOND STAGE IS
IMMENSELY PROUD OF OUR
832
00:57:46,980 --> 00:57:51,709
PRODUCTION OF TAKE ME OUT AND
CLYDE'S, THANK YOU RICHARD
833
00:57:51,744 --> 00:57:58,026
GREENBERG FOR YOUR BRILLIANT
PLAY, SCOTT FOR YOUR INSPIRED
834
00:57:58,060 --> 00:57:59,337
DIRECTION.
835
00:57:59,372 --> 00:58:02,513
KEN GRAY, DAVE, LINDA FOR THEIR
ELEGANT DESIGNS, STAGE MANAGERS
836
00:58:02,548 --> 00:58:06,586
BARKLEY AND PELLEY, THE CREW,
THE UNDERSTUDIES.
837
00:58:06,621 --> 00:58:12,350
THE REMARKABLE COMPANY THAT HAS
STUCK WITH IT FOR TWO YEAR,
838
00:58:12,385 --> 00:58:20,704
PATRICK ADD YAM-- ADAMS, JULIA,
CARL'S LUND STAFF, KEN, MICHAEL,
839
00:58:20,738 --> 00:58:27,607
EDUARDO, TYLER AND JESSE.
840
00:58:27,642 --> 00:58:32,198
AN A SPECIAL SHOUT OUT TO MY
CHILDREN MOLLY AND CHARLIE,
841
00:58:32,232 --> 00:58:38,238
THEY'RE MY HEROES.
842
00:58:38,273 --> 00:58:42,449
NOW AN ACTOR WHO MADE HIS
BROADWAY DEBUT IN CHILDREN OF A
843
00:58:42,484 --> 00:58:49,733
LESSER GOD ANTHONY EDWARDS.
844
00:58:49,767 --> 00:59:04,713
>> GOOD EVENING.
845
00:59:04,713 --> 00:59:09,649
>> GOOD EVENING.
846
00:59:14,585 --> 00:59:18,106
THIS SHOW GOT INTO A SITUATION
WHERE THERE WERE NO MORE SWINGS
847
00:59:18,140 --> 00:59:23,525
OR UNDERSTUDIES AND I WAS ASKED
IF HE LAST MINUTE IF I WOULD
848
00:59:23,560 --> 00:59:26,079
COVER A ROLE.
849
00:59:26,114 --> 00:59:27,356
TERRIFIED.
850
00:59:27,391 --> 00:59:28,565
TRULY.
851
00:59:28,599 --> 00:59:32,776
BUT SHARING THE STAGE WITH THESE
PERFORMERS WAS A ONCE IN A
852
00:59:32,810 --> 00:59:36,711
LIFETIME EXPERIENCE, THE
SPIRITUALITY, THE UPLIFTING,
853
00:59:36,745 --> 00:59:41,992
BEAUTIFUL AND ORIGINAL STORY,
BOLDLY REIMAGINES THE LEGENDARY
854
00:59:42,026 --> 00:59:48,723
SONGS OF BOB DYLAN, IT IS SET IN
DULUTH, MINNESOTA N1934, A GROUP
855
00:59:48,757 --> 00:59:53,348
OF WANDERERS LIVES INTERSECT IN
A HOUSE FULL OF MUSIC, LIFE AND
856
00:59:53,382 --> 00:59:56,972
HOPE, PLEASE WELCOME TONY
NOMINEES MARE WINNINGHAM,
857
00:59:57,007 --> 00:59:59,112
JEANNETTE BAYARDELLE AND THE
COMPANY FROM THE GIRL FROM THE
858
00:59:59,147 --> 01:00:04,808
NORTH COUNTRY.
859
01:00:04,842 --> 01:00:06,775
♪ ONCE UPON A TIME
YOU DRESSED SO FINE
860
01:00:06,810 --> 01:00:10,745
♪ YOU THREW THE BUMS
A DIME IN YOUR PRIME
861
01:00:10,779 --> 01:00:17,855
♪ DIDN'T YOU
PEOPLE'D CALL, SAY
862
01:00:17,890 --> 01:00:19,995
♪ BEWARE DOLL
YOU'RE BOUND TO FALL
863
01:00:20,030 --> 01:00:27,382
♪ YOU THOUGHT THEY WERE
ALL KIDDIN' YOU
864
01:00:27,416 --> 01:00:39,739
♪ YOU USED TO LAUGH ABOUT
AHH
865
01:00:39,774 --> 01:00:40,602
♪ EVERYBODY THAT WAS HANGIN' OUT
AHH
866
01:00:40,637 --> 01:00:41,396
♪ NOW YOU DON'T TALK SO LOUD
AHH
867
01:00:41,430 --> 01:00:43,881
♪ NOW YOU DON'T SEEM SO PROUD
AHH
868
01:00:43,916 --> 01:00:51,993
♪ ABOUT HAVING TO BE SCROUNGING
FOR YOUR NEXT MEAL
869
01:00:52,027 --> 01:00:56,791
♪ OH, BUT HOW DOES IT FEEL
HOW DOES IT FEEL
870
01:00:56,825 --> 01:01:00,864
♪ HOW DOES IT FEEL
HOW DOES IT FEEL
871
01:01:00,898 --> 01:01:05,247
♪ TO BE ON YOUR OWN
HOW DOES IT FEEL
872
01:01:05,282 --> 01:01:10,045
♪ WITH NO DIRECTION HOME
HOW DOES IT FEEL
873
01:01:10,080 --> 01:01:14,084
♪ A COMPLETE UNKNOWN
HOW DOES IT FEEL
874
01:01:14,118 --> 01:01:29,064
♪ YA LIKE A ROLLING STONE
YOU'RE LIKE A ROLLING STONE
875
01:01:29,064 --> 01:01:33,034
♪ YA LIKE A ROLLING STONE
YOU'RE LIKE A ROLLING STONE
876
01:01:33,068 --> 01:01:43,216
♪ JUST LIKE A ROLLING STONE
OH, OH
877
01:01:43,251 --> 01:01:56,126
♪ LIKE A ROLLING STONE
♪ ♪
878
01:01:56,160 --> 01:02:03,029
MANY TRY TO STOP ME
♪ SHAKE ME UP IN MY MIND
879
01:02:03,064 --> 01:02:06,343
SAY PROVE TO ME
♪ THAT HE IS LORD
880
01:02:06,377 --> 01:02:10,899
SHOW ME A SIGN
♪ A SIGN
881
01:02:10,934 --> 01:02:16,663
WHAT KIND OF SIGN YA NEED
♪ WHEN IT ALL COMES FROM WITHIN
882
01:02:16,698 --> 01:02:20,771
WHEN WHAT'S LOST HAS BEEN FOUND
♪ HAS BEEN FOUND
883
01:02:20,806 --> 01:02:26,259
WHAT'S TO COME HAS ALREADY BEEN
♪ AND I JUST KEEP PRESSING ON
884
01:02:26,294 --> 01:02:32,818
ON, AND ON, AND ON, AND ON
♪ I KEEP ON MOVING ON
885
01:02:32,852 --> 01:02:39,514
PRESSING ON
♪ OH, OH, I
886
01:02:39,548 --> 01:02:46,693
PRESSING ON
♪ TO THE HIGHER CALLING OF MY
887
01:02:46,728 --> 01:02:49,386
PRESSING ON
♪ LORD
888
01:02:49,420 --> 01:02:59,361
ON, AND ON, AND ON, AND ON
♪ PRESSING ON
889
01:02:59,396 --> 01:03:07,991
I KEEP ON PRESSING ON
♪ TO THE HIGHER CALLING OF MY
890
01:03:08,025 --> 01:03:10,372
LORD
♪ AND ON, AND ON, AND ON
891
01:03:10,407 --> 01:03:25,353
AND ON ♪
♪ ♪
892
01:03:25,353 --> 01:03:27,631
AND ON ♪
♪ ♪
893
01:03:27,665 --> 01:03:31,911
[ CHEERS AND APPLAUSE]
>> : NEXT, LIN-MANUEL
894
01:03:31,946 --> 01:03:35,570
MIRANDA AND A SPECIAL TRIBUTE TO
STEPHEN SONDHEIM ON THE 75th
895
01:03:35,604 --> 01:03:36,743
TONYS.
896
01:03:36,778 --> 01:03:38,953
VISIT
www.americantheatrewing.org TO
897
01:03:38,987 --> 01:03:40,782
DONATE RIGHT NOW.
898
01:03:40,817 --> 01:03:42,784
FOR A LIMITED TIME, DONATIONS
WILL BE MATCHED DOLLAR FOR
899
01:03:42,819 --> 01:03:43,854
DOLLAR.
900
01:03:43,889 --> 01:03:49,308
THIS IS CBS.
901
01:03:52,207 --> 01:03:53,795
THE 75th ANNUAL TONY AWARDS ARE
SPONSORED BY VERZENIO.
902
01:04:00,491 --> 01:04:07,533
♪ ♪
>> Ariana: WELCOME BACK.
903
01:04:07,567 --> 01:04:12,883
EVERYONE HAS THEIR FAVORITE PART
OF A BROADWAY SHOW.
904
01:04:12,918 --> 01:04:16,956
MAYBE IT'S THE BIG ELEVENTH
O'CLOCK, MAYBE IT'S THE
905
01:04:16,991 --> 01:04:20,028
SAD REPRISE, MAYBE IT'S THAT
MOMENT WHEN THEY SING THE
906
01:04:20,063 --> 01:04:21,719
TITLE OF THE SHOW.
907
01:04:21,754 --> 01:04:28,002
THOSE ARE ALL GOOD, BUT I THINK
MY FAVORITE PART OF A MUSICAL IS
908
01:04:28,036 --> 01:04:35,872
THE BEST.
909
01:04:35,906 --> 01:04:45,329
THERE'S A MOMENT IN EVERY SHOW
♪ THAT'S SIMPLY TOO INTENSE,
910
01:04:45,364 --> 01:04:53,924
♪ WHEN THE ACTORS LEAVE THE
♪ STAGE AND COME OUT INTO THE
911
01:04:53,959 --> 01:04:55,892
♪ AUDIENCE.
912
01:04:55,926 --> 01:04:57,686
♪ ♪
♪ WE WERE UP THERE
913
01:04:57,721 --> 01:05:00,275
NOW WE'RE DOWN HERE
♪ FILLING ALL YOUR HEARTS
914
01:05:00,310 --> 01:05:04,417
WITH FEAR
♪ 'CAUSE THERE'S NO AVOIDING US
915
01:05:04,452 --> 01:05:09,181
IN THE AUDIENCE
♪ YOU'RE SCARED WE WILL TALK TO
916
01:05:09,215 --> 01:05:11,977
YOU
♪ AND THAT'S JUST WHAT WE'RE
917
01:05:12,011 --> 01:05:14,255
GOING TO DO
♪ THERE IS NO AVOIDING US IN
918
01:05:14,289 --> 01:05:23,850
THE...
919
01:05:23,885 --> 01:05:25,093
>> AUDIENCE!
920
01:05:25,128 --> 01:05:33,895
>> ♪ I'M CLOSE TO YOU
OH, SO CLOSE TO YOU
921
01:05:33,930 --> 01:05:38,693
♪ I AM TOUCHING YOU
THERE'S NOT A LOT YOU CAN DO
922
01:05:38,727 --> 01:05:44,009
♪ I'M SITTING ON YOU
'CAUSE WHAT THEY SAY IS TRUE
923
01:05:44,043 --> 01:05:54,398
♪ THERE IS NO ESCAPING US IN THE
AUDIENCE
924
01:05:54,433 --> 01:05:57,125
♪ IN EVERY SHOW,
IT'S TRIED AND TRUE
925
01:05:57,160 --> 01:06:00,128
♪ THERE'S NOTHING YOU
CAN DO
926
01:06:00,163 --> 01:06:05,685
♪ 'CAUSE THERE IS NO AVOIDING US
IN THE AUDIENCE
927
01:06:05,720 --> 01:06:17,180
♪ IN THE AUDIENCE
IN THE AUDIENCE
928
01:06:17,214 --> 01:06:21,356
[ CHEERS AND APPLAUSE]
AUDIENCE, GIVE IT UP FOR UTKARSH
929
01:06:21,391 --> 01:06:30,607
AMBUDKAR AND FOUR-TIME TONY
NOMINEE, RAUL ESPARZA!
930
01:06:30,641 --> 01:06:37,545
♪ ♪
>> ON JUNE 27, THE JIMMY AWARDS,
931
01:06:37,579 --> 01:06:40,997
PRODUCED BY THE BROADWAY LEAGUE,
WILL RETURN LIVE TO THE MINSKOFF
932
01:06:41,031 --> 01:06:42,653
THEATRE.
933
01:06:42,688 --> 01:06:48,659
92 HIGH SCHOOL STUDENTS CHOSEN
FROM 140,000 WILL PERFORM AS
934
01:06:48,694 --> 01:06:52,042
THEY COMPETE FOR 20
SCHOLARSHIPS.
935
01:06:52,077 --> 01:06:55,494
THE TOP TWO WILL BE SELECTED
BEST ACTOR AND BEST ACTRESS.
936
01:06:55,528 --> 01:06:58,773
>> MANY PAST JIMMY WINNERS HAVE
LANDED ROLES ON BROADWAY.
937
01:06:58,807 --> 01:07:02,673
MAYBE ONE DAY, SOME OF THIS
YEAR'S FINALISTS MIGHT FIND
938
01:07:02,708 --> 01:07:05,400
THEMSELVES NOMINATED FOR A TONY,
JUST LIKE THESE NEXT ARTISTS.
939
01:07:05,435 --> 01:07:07,885
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
940
01:07:07,920 --> 01:07:16,756
FEATURED ROLE IN A MUSICAL ARE:
MATT DOYLE, "COMPANY."
941
01:07:16,791 --> 01:07:21,727
>> SIDNEY DUPONT, "PARADISE
SQUARE."
942
01:07:21,761 --> 01:07:25,938
>> JARED GRIMES, "FUNNY GIRL."
943
01:07:25,972 --> 01:07:31,185
>> JOHN-ANDREW MORRISON, "A
STRANGE LOOP."
944
01:07:31,219 --> 01:07:38,019
>> A.J. SHIVELY, "PARADISE
SQUARE."
945
01:07:38,054 --> 01:07:40,677
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
946
01:07:40,711 --> 01:07:46,338
MATT DOYLE, "COMPANY."
947
01:07:46,372 --> 01:07:50,204
MATT DOIL
STUD-- DOYLE STUDIED, THIS IS
948
01:07:50,238 --> 01:07:57,901
HIS FIRST NOMINATION AND TONY
WIN.
949
01:07:57,935 --> 01:08:00,593
>> OH MY GOODNESS, OH, THANK YOU
SO MUCH.
950
01:08:00,628 --> 01:08:02,906
THANK YOU TO THE AMERICAN THESER
WING AND THE BROADWAY LEAGUE AND
951
01:08:02,940 --> 01:08:06,737
TO ALL THE BEAUTIFUL MEN IN MY
CATEGORY, MY GOD, YOU BRILLIANT,
952
01:08:06,772 --> 01:08:10,362
BRILLIANT MEN, THANK YOU SO MUCH
TO MY TEAM ERIC AND TIM AND
953
01:08:10,396 --> 01:08:13,503
EVERYONE AT THE JACOBS THESER,
THE THE STAFF, THE CREW, THE
954
01:08:13,537 --> 01:08:15,884
STAGE MANAGEMENT, AND MY
COMPANY, MY BEAUTIFUL FAMILY
955
01:08:15,919 --> 01:08:19,371
SWRERKS BEEN TO HELL AND BACK
WITH EACH OTHER, I LOVE YOU SO
956
01:08:19,404 --> 01:08:23,202
MUCH, TO TY, MY WONDERFUL PAUL
AND MY REAL LIFE PAUL MAX
957
01:08:23,237 --> 01:08:25,100
CLAYTON I LOVE YOU.
958
01:08:25,135 --> 01:08:28,828
I DON'T KNOW WHAT I WOULD DO
WITHOUT YOU.
959
01:08:28,863 --> 01:08:32,073
AND YOU REALLY DO LEAVE LOVE
NOTES ALL OVER THE PLACE AND I
960
01:08:32,108 --> 01:08:34,731
CANNOT BELIEVE WHAT YOU PUT UP
WITH.
961
01:08:34,765 --> 01:08:38,734
THANK YOU SO MUCH TO MARIANNE
ELLIOTT AND CHRIS HARPER FOR
962
01:08:38,769 --> 01:08:41,255
YOUR FRIENDSHIP AND GUIDANCE AND
SUPPORT OVER THE YEARS AND
963
01:08:41,288 --> 01:08:42,635
CHANGING MY LIFE.
964
01:08:42,670 --> 01:08:45,913
TO MY EARLIEST TEACHERS MARILYN,
JUDY, BRIT, RICHARD, BETH, THANK
965
01:08:45,948 --> 01:08:50,160
YOU TO MY FAMILY, MY SISTERS
LEAH AND COLLEEN AND MY PARENTS
966
01:08:50,194 --> 01:08:53,232
WHO BELIEVED IN MY PURSUING MY
PASSION AND BELIEVED IN THE ARTS
967
01:08:53,267 --> 01:08:57,133
AND BELIEVED THAT THE ONLY WAY I
WOULD BE HAPPY IS TO LIVE MY
968
01:08:57,167 --> 01:09:01,067
LIFE AUTHENTICALLY, THANK YOU SO
MUCH TO GEORGE AND STEPHEN
969
01:09:01,102 --> 01:09:04,450
SONDHEIM, STEPHEN, THANK YOU FOR
ALLOWING YOUR WORK TO EVOLVE AND
970
01:09:04,484 --> 01:09:08,005
ALLOWING MORE PEOPLE TO BE SEEN
IN YOUR GENIUS, THANK YOU SO
971
01:09:08,040 --> 01:09:10,006
MUCH.
972
01:09:10,042 --> 01:09:14,115
I'M THE NEXT
>> Announcer: PLEASE WELCOME
973
01:09:14,149 --> 01:09:26,747
FOUR-TIME TONY AWARD WINNER,
LIN-MANUEL MIRANDA.
974
01:09:26,783 --> 01:09:27,921
>> ALL OF US WHO LOVE AND
DEDICATE OUR LIVES TO THE
975
01:09:27,956 --> 01:09:30,269
PERFORMING ARTS FELT A PROFOUND
LOSS LAST NOVEMBER WHEN
976
01:09:30,304 --> 01:09:34,170
WE LOST A MUSICAL GIANT, STEPHEN
SONDHEIM.
977
01:09:34,203 --> 01:09:36,895
STEVE TOUCHED OUR LIVES IN A
MULTITUDE OF WAYS, THROUGH
978
01:09:36,930 --> 01:09:43,488
HIS IMMORTAL MUSIC AND LYRICS,
THROUGH HIS TEACHING AND
979
01:09:43,524 --> 01:09:44,697
ADVOCACY FOR YOUNG WRITERS AND
THROUGH LETTERS.
980
01:09:44,732 --> 01:09:46,078
STEPHEN WROTE THEM TO FRIENDS,
TO UP-AND-COMING ARTISTS,
981
01:09:46,112 --> 01:09:48,460
TO COUNTLESS PEOPLE HE'D NEVER
MET.
982
01:09:48,493 --> 01:09:50,910
HE WROTE SO MANY LETTERS THAT
YOU'D WONDER WHEN HE HAD TIME TO
983
01:09:50,944 --> 01:09:55,536
PICK UP A BLACKWING 602 PENCIL
AND WRITE A SONG.
984
01:09:55,570 --> 01:09:59,056
I STAND HERE ON BEHALF OF
GENERATIONS OF ARTISTS HE TOOK
985
01:09:59,091 --> 01:10:04,303
THE TIME TO ENCOURAGE.
986
01:10:08,618 --> 01:10:10,447
>> I LOVE TEACHING AND I'VE
ALWAYS THOUGHT THAT ALL ART IS A
987
01:10:10,482 --> 01:10:11,621
FORM OF TEACHING.
988
01:10:11,655 --> 01:10:13,174
I THINK PAINTING IS A FORM OF
TEACHING.
989
01:10:13,209 --> 01:10:16,212
ANY KIND OF COMMUNICATION IS A
FORM OF TEACHING.
990
01:10:16,246 --> 01:10:19,111
AND AN ARTIST- A VISUAL ARTIST
SHOWS US WAYS OF LOOKING AT THE
991
01:10:19,145 --> 01:10:20,768
WORLD.
992
01:10:20,802 --> 01:10:24,323
A NOVELIST SHOWS US WAYS THAT
PEOPLE BEHAVE.
993
01:10:24,358 --> 01:10:28,500
A COMPOSER SHOWS US TO LISTEN.
994
01:10:28,534 --> 01:10:42,134
>> TONY WINNER, BERNADETTE
PETERS.
995
01:10:42,168 --> 01:10:48,761
♪ ♪
♪ CAREFUL THE THINGS YOU SAY
996
01:10:48,796 --> 01:10:55,906
CHILDREN WILL LISTEN
♪ CAREFUL THE THINGS YOU DO
997
01:10:55,941 --> 01:11:05,675
CHILDREN WILL SEE
♪ AND LEARN
998
01:11:05,709 --> 01:11:15,201
CHILDREN MAY NOT OBEY
♪ BUT CHILDREN WILL LISTEN
999
01:11:15,236 --> 01:11:23,900
CHILDREN WILL LOOK TO YOU
♪ FOR WHICH WAY TO TURN
1000
01:11:23,934 --> 01:11:32,771
TO LEARN WHAT TO BE
♪ CAREFUL BEFORE YOU SAY
1001
01:11:32,805 --> 01:11:42,539
LISTEN TO ME
♪ CHILDREN WILL LISTEN
1002
01:11:42,574 --> 01:11:45,370
♪ ♪
>> IT'S SO DIFFICULT TO WRITE.
1003
01:11:46,785 --> 01:11:48,269
IT'S SO DIFFICULT TO PUT ON A
SHOW.
1004
01:11:48,304 --> 01:11:50,616
YOU BETTER- IF YOU HAVE THE
PRIVILEGE OF BEING ABLE TO WRITE
1005
01:11:50,651 --> 01:11:55,276
IT- WRITE IT OUT OF PASSION.
1006
01:11:55,794 --> 01:12:00,661
♪ ♪
♪ CAREFUL THE SPELL YOU CAST
1007
01:12:00,695 --> 01:12:07,495
NOT JUST ON CHILDREN
♪ SOMETIMES THE SPELL MAY LAST
1008
01:12:07,530 --> 01:12:16,159
PAST WHAT YOU CAN SEE
♪ AND TURN AGAINST YOU
1009
01:12:16,193 --> 01:12:23,822
CAREFUL THE TALE YOU TELL
♪ THAT IS THE SPELL
1010
01:12:23,856 --> 01:12:32,451
CHILDREN WILL LISTEN
♪ ♪
1011
01:12:32,486 --> 01:12:33,694
>> MORE EDUCATION IS JUST ABOUT
MAKING PEOPLE CURIOUS, THAT'S
1012
01:12:33,728 --> 01:12:34,936
ALL IT'S ABOUT.
1013
01:12:34,971 --> 01:12:36,869
AND TO GET A CHILD TO BE CURIOUS
ABOUT EVERYTHING WOULD BE A
1014
01:12:36,904 --> 01:12:40,735
UNBEARABLE THRILL FOR ME.
1015
01:12:40,770 --> 01:12:48,053
♪ ♪
♪ GUIDE THEM AND STEP AWAY
1016
01:12:48,087 --> 01:12:56,026
CHILDREN WILL GLISTEN
♪ TAMPER WITH WHAT IS TRUE
1017
01:12:56,061 --> 01:13:04,518
AND CHILDREN WILL TURN
♪ IF JUST TO BE FREE
1018
01:13:04,552 --> 01:13:11,214
CAREFUL BEFORE YOU SAY
♪ LISTEN TO ME
1019
01:13:11,248 --> 01:13:25,504
CHILDREN WILL LISTEN
♪ CHILDREN WILL LISTEN
1020
01:13:25,539 --> 01:13:40,485
CHILDREN WILL LISTEN
♪
1021
01:13:40,485 --> 01:13:48,803
CHILDREN WILL LISTEN
♪
1022
01:13:48,838 --> 01:13:56,949
[ CHEERS AND APPLAUSE]
>> Announcer: NEXT JENNIFER
1023
01:13:56,984 --> 01:13:58,779
HUDSON, RUPAUL CHARLES, AND A
PERFORMANCE FROM "A STRANGE
1024
01:13:58,813 --> 01:14:00,436
LOOP."
1025
01:14:00,470 --> 01:14:01,851
THE 75th TONYS.
1026
01:14:01,885 --> 01:14:04,060
THIS IS CBS.
1027
01:14:11,412 --> 01:14:26,358
♪ ♪
[ CHEERS AND APPLAUSE]
1028
01:14:26,358 --> 01:14:30,293
♪ ♪
[ CHEERS AND APPLAUSE]
1029
01:14:30,327 --> 01:14:34,815
DURING THE SHOW WE HOSTED THE
TONY AWARDS ACT ONE, THE BEST
1030
01:14:34,849 --> 01:14:40,648
SCORE WAS PRESENTED TO LUCY MOSS
AND TONY MARLOW FOR SIX.
1031
01:14:40,683 --> 01:14:44,341
>> IT IS NOW OUR PLEASURE TO
PRESENT AN AWARD TO THE
1032
01:14:44,376 --> 01:14:49,899
FANTASTIC WRITERS WHO PROVIDE
STORY, STRUCTURE, CHARACTER,
1033
01:14:49,933 --> 01:14:53,868
CLIFFHANGERS, HUMOR, HEART,
STRONG BEGINNINGS, AND
1034
01:14:53,903 --> 01:14:59,874
POWER-PACKED ENDINGS.
1035
01:14:59,909 --> 01:15:01,082
>> PAST WINNERS INCLUDE HARVEY
FIERSTEIN, LISA KRON, THOMAS
1036
01:15:01,117 --> 01:15:02,221
MEEHAN, MARSHA NORMAN, TERRENCE
McNALLY, AND DIABLO CODY.
1037
01:15:02,256 --> 01:15:03,188
LET'S ADD TO THAT ILLUSTRIOUS
LIST.
1038
01:15:03,222 --> 01:15:07,330
THE NOMINEES FOR BEST BOOK OF A
MUSICAL ARE:
1039
01:15:07,364 --> 01:15:12,818
"GIRL FROM THE NORTH COUNTRY,"
CONOR McPHERSON.
1040
01:15:12,853 --> 01:15:18,410
>> "MJ," LYNN NOTTAGE.
1041
01:15:18,444 --> 01:15:19,584
>> "MR. SATURDAY NIGHT," BILLY
CRYSTAL, LOWELL GANZ, BABALOO
1042
01:15:19,618 --> 01:15:22,725
MANDEL.
1043
01:15:22,759 --> 01:15:23,933
>> "PARADISE SQUARE," CHRISTINA
ANDERSON, CRAIG LUCAS, LARRY
1044
01:15:23,967 --> 01:15:29,525
KIRWAN.
1045
01:15:29,559 --> 01:15:30,146
>> "A STRANGE LOOP," MICHAEL R.
1046
01:15:30,180 --> 01:15:35,669
JACKSON.
1047
01:15:35,703 --> 01:15:42,676
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1048
01:15:42,710 --> 01:15:43,262
"A STRANGE LOOP," MICHAEL R.
1049
01:15:43,297 --> 01:15:51,270
JACKSON.
1050
01:15:51,305 --> 01:15:54,377
>> NEW YORK TIMES NAMES MICHAEL
R JACKSON ONE OF THE BLACK MALE
1051
01:15:54,411 --> 01:15:57,311
WRITERS OF OUR TIME, HE WAS
NOMINATE FORD TWO TONY AWARDS
1052
01:15:57,345 --> 01:16:12,257
THIS EVENING.
1053
01:16:12,257 --> 01:16:15,225
THIS EVENING.
1054
01:16:15,260 --> 01:16:21,231
>> YES!
1055
01:16:21,266 --> 01:16:27,410
OKAY, SHUT SIT DOWN, OKAY.
1056
01:16:27,444 --> 01:16:32,829
I STARTED, OH, GOD, 47 SECONDS,
I STARTED WRITING THIS MUSICAL
1057
01:16:32,864 --> 01:16:36,488
WHEN I WAS 2 3-RBGS IEMG'S 4
1-RBGS I'M OLD AS HELL, I WROTE
1058
01:16:36,522 --> 01:16:40,250
IT FROM AN OLD LADY'S HOUSE IN
THE MIDDLE OF JAMAICA QUEENS
1059
01:16:40,285 --> 01:16:43,357
WHEN I DIDN'T KNOW WHAT I WAS
GOING TO DO WITH MY LIFE, I
1060
01:16:43,391 --> 01:16:47,361
DIDN'T KNOW HOW I WOULD MOVE
FORWARD, I FELT UNSEEN, UNHEARD,
1061
01:16:47,395 --> 01:16:49,466
MISUNDERSTOOD AND I WANTED TO
CREATE A LIFE RAFT FOR MYSELF AS
1062
01:16:49,501 --> 01:16:54,195
A BLACK GAY MAN TO TRY TO GET
THROUGH THE DAY AND OVER THE
1063
01:16:54,230 --> 01:16:58,648
YEARS I WAS FORTUNATE ENOUGH TO
TAKE ALL MY BEAUTIFUL KATION
1064
01:16:58,683 --> 01:17:01,962
MEMBER, MY DIRECTOR, SO MANY
QUEER PEOPLE, I GIVE A SPECIAL
1065
01:17:01,996 --> 01:17:05,828
SHOUT OUT TO MY INCREDIBLE
CHOREOGRAPHER WHO COULD NOT BE
1066
01:17:05,862 --> 01:17:10,418
HERE, HE NEEDS EVERYTHING, HE
HAS BEEN HERE FOR ME, SO MUCH I
1067
01:17:10,453 --> 01:17:14,250
WANT TO SAY, I'M LIKE REALLY
SPEECHLESS THE, I SHOULD HAVE
1068
01:17:14,284 --> 01:17:17,253
WRITTEN DOWN A SPEECH, THAT'S MY
BAD, THANK YOU, EVERYBODY, BAR
1069
01:17:17,287 --> 01:17:20,083
BRARKS TEAM, EVERYBODY, PLEASE
WRAP UP.
1070
01:17:20,118 --> 01:17:24,812
Y'ALL KNOW I'M ALL ABOUT QUALITY
IN HIGH ART.
1071
01:17:24,847 --> 01:17:27,712
WE TALK ABOUT REPRESENTATION,
I'M ALL ABOUT REPRESENTATION BUT
1072
01:17:27,746 --> 01:17:30,991
LET'S MAKE SURE WE ARE STAYING
ON OUR GRINDS AND ART, THAT WE
1073
01:17:31,025 --> 01:17:34,960
ARE DOING THE BEST WORK WE CAN
DO, JAYNE ONCE SENSE THERE IS
1074
01:17:34,995 --> 01:17:37,894
NOTHING THAT CAN REPLACE
QUALITY, NEVER SETTLE FOR
1075
01:17:37,929 --> 01:17:41,553
ANYTHING LESS THAN THE BEST YOU
CAN DO, DO YOUR BEST, THAT IS MY
1076
01:17:41,587 --> 01:17:44,660
MESSAGE TO EVERYBODY, EVERY
ARTIST, THANK YOU AGAIN, THANK
1077
01:17:44,694 --> 01:17:50,631
YOU, THANK YOU, THANK YOU, THANK
YOU.
1078
01:17:50,666 --> 01:17:52,529
>> Announcer: AND NOW, A
"HAMILTON" REUNION: TONY AWARD
1079
01:17:52,564 --> 01:17:56,119
WINNER RENEE ELISE GOLDSBERRY;
AND RETURNING TO BROADWAY IN
1080
01:17:56,154 --> 01:17:59,571
"INTO THE WOODS," PHILLIPA SOO.
1081
01:17:59,605 --> 01:18:00,848
>> WHILE THERE IS GREAT PRIDE
>> WHILE THERE IS GREAT PRIDE
1082
01:18:05,819 --> 01:18:09,408
THAT COMES FROM ORIGINATING A
ROLE ON BROADWAY, THERE IS ALSO
1083
01:18:09,443 --> 01:18:12,515
A SPECIAL JOY THAT COMES
FROM SHARING CLASSIC MUSICALS
1084
01:18:12,549 --> 01:18:14,966
WITH NEW AUDIENCES.
1085
01:18:15,000 --> 01:18:17,796
REVISITING A WORK FROM ANOTHER
TIME WITH A CONTEMPORARY
1086
01:18:17,831 --> 01:18:26,736
EYE ALLOWS FOR REINTERPRETATION
AND EXCITING NEW DISCOVERIES FOR
1087
01:18:26,771 --> 01:18:27,910
THEATERGOERS.
1088
01:18:27,944 --> 01:18:29,118
>> THIS SEASON'S REVIVALS SPAN
DECADES-- FROM BROADWAY'S
1089
01:18:29,152 --> 01:18:31,914
GOLDEN AGE, TO THE REVOLUTIONARY
FIRST CONCEPT MUSICAL, TO A
1090
01:18:31,948 --> 01:18:33,743
RECENT CLASSIC.
1091
01:18:33,778 --> 01:18:36,988
THIS EVENING, WE SAW LIVE
PERFORMANCES FROM "THE MUSIC
1092
01:18:37,022 --> 01:18:39,507
MAN" AND "COMPANY."
1093
01:18:39,542 --> 01:18:44,167
THE THIRD NOMINATED REVIVAL,
"CAROLINE, OR CHANGE," WAS A
1094
01:18:44,202 --> 01:18:45,928
LIMITED ENGAGEMENT THAT
COMPLETED ITS RUN EARLIER THIS
1095
01:18:45,962 --> 01:18:48,793
YEAR.
1096
01:18:48,827 --> 01:18:51,105
>> ONCE AGAIN, HERE ARE THE
NOMINEES FOR BEST REVIVAL
1097
01:18:51,140 --> 01:19:01,737
OF A MUSICAL.
1098
01:19:06,327 --> 01:19:21,273
♪ ♪
♪ ♪
1099
01:19:21,273 --> 01:19:23,275
♪ ♪
♪ ♪
1100
01:19:23,310 --> 01:19:32,319
♪ ♪
>> AND THE TONY AWARD GOES TO:
1101
01:19:32,353 --> 01:19:32,906
"COMPANY."
1102
01:19:32,940 --> 01:19:36,495
PRODUCER: CHRIS HARPER.
1103
01:19:45,297 --> 01:20:00,243
ACCEPTING THE AWARD PRODUCER
CHRIS HARPER. WOW, WOW, THIS IS
1104
01:20:00,243 --> 01:20:01,762
ACCEPTING THE AWARD PRODUCER
CHRIS HARPER. WOW, WOW, THIS IS
1105
01:20:01,797 --> 01:20:03,384
JUST AN INCREDIBLE HONOR.
1106
01:20:03,419 --> 01:20:08,665
THANK YOU SO MUCH FIRSTLY TO MY
FRIENDS AND BUSINESS PARTNER
1107
01:20:08,700 --> 01:20:10,012
MARIANNE ELLIOTT FOR BEING SUCH
A VISIONARY ARTIST TO MY
1108
01:20:10,046 --> 01:20:14,154
PRODUCING PARTY FOR ALWAYS BEING
BY MY SIDE TO CAITRIONA AND
1109
01:20:14,188 --> 01:20:16,984
PATTI, OUR INCREDIBLE CAST.
1110
01:20:17,019 --> 01:20:20,608
PATTI, ST AN HONOR TO BE THE
PERSON WHO PAYS YOUR SALARY
1111
01:20:20,643 --> 01:20:22,334
EVERY NIGHT.
1112
01:20:22,369 --> 01:20:28,513
TO OUR ORCHESTRA, OUR STAGE
CREW, OUR SWINGS, EVERYBODY AT
1113
01:20:28,547 --> 01:20:35,900
THE THEATRE, OUR STAGE CREW,
EVERYONE AT PRODUCTIONS AND HE
1114
01:20:35,934 --> 01:20:40,525
COULD PRODUCER AND STEPHEN
SONDHEIM FOR LETTING US
1115
01:20:40,559 --> 01:20:42,976
REIMAGINE HIS CLASSIC MUSICAL.
1116
01:20:43,010 --> 01:20:46,876
IT MEANS THE WORLD TO ME AND TO
BE SUPPORTED BY SO MANY PEOPLE
1117
01:20:46,911 --> 01:20:50,742
AS PART OF THE BROADWAY
COMMUNITY IS EQUALLY SPECIAL.
1118
01:20:50,776 --> 01:20:55,954
BUT COMPANY IS A SHOW ABOUT THE
PEOPLE WHO GIVE LIFE MEANING.
1119
01:20:55,989 --> 01:21:01,891
SO I WOULD LIKE TO DEDICATE THIS
AWARD TO MY CHILDREN, MARTHA AND
1120
01:21:01,926 --> 01:21:04,480
BARNABY BECAUSE THEY ARE MY
REASON FOR BEING ALIVE, THANK
1121
01:21:04,514 --> 01:21:11,211
YOU SO MUCH.
1122
01:21:11,245 --> 01:21:14,214
>> ANNOUNCER: PLEASE WELCOME
TONY NOMINATED CO-PRODUCERS OF
1123
01:21:14,248 --> 01:21:25,156
"A STRANGE LOOP": JENNIFER
HUDSON AND RUPAUL CHARLES.
1124
01:21:25,190 --> 01:21:28,607
>> IN THE NEXT PRODUCTION
NOMINATED FOR BEST MUSICAL, WE
1125
01:21:28,642 --> 01:21:32,404
MEET USHER, A BLACK, QUEER
WRITER WRITING A MUSICAL ABOUT
1126
01:21:32,439 --> 01:21:34,820
A BLACK QUEER WRITER, WRITING A
MUSICAL ABOUT A BLACK QUEER
1127
01:21:34,855 --> 01:21:37,513
WRITER.
1128
01:21:37,547 --> 01:21:46,522
SET IN THE HERE AND NOW, THIS
BLISTERINGLY FUNNY MASTERWORK
1129
01:21:46,556 --> 01:21:47,730
EXPOSES THE HEART AND SOUL OF A
YOUNG ARTIST GRAPPLING WITH
1130
01:21:47,764 --> 01:21:52,424
DESIRES, IDENTITY, AND INSTINCTS
HE BOTH LOVES AND LOATHES.
1131
01:21:52,459 --> 01:21:55,117
>> DETERMINED TO BREAK FREE OF
HIS OWN SELF-PERCEPTION, USHER
1132
01:21:55,151 --> 01:22:01,847
WRESTLES WITH THE THOUGHTS IN
HIS HEAD, BROUGHT TO LIFE BY A
1133
01:22:01,882 --> 01:22:04,505
HILARIOUS, STRAIGHT-TALKING
ENSEMBLE.
1134
01:22:04,540 --> 01:22:08,613
BOLD AND HEARTFELT IN ITS TRUTH-
TELLING, THIS IS THE BIG, BLACK,
1135
01:22:08,647 --> 01:22:11,374
AND QUEER-ASS GREAT AMERICAN
MUSICAL FOR ALL!
1136
01:22:11,409 --> 01:22:24,180
PLEASE WELCOME THE COMPANY OF "A
STRANGE LOOP."
1137
01:22:24,215 --> 01:22:25,009
[ CHEERS AND APPLAUSE]
♪ ♪
1138
01:22:25,043 --> 01:22:27,252
♪ USHER, USHER
USHER, USHER
1139
01:22:27,287 --> 01:22:29,910
♪ USHER, USHER
USHER, USHER
1140
01:22:29,945 --> 01:22:34,673
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1141
01:22:34,708 --> 01:22:36,399
♪ IS THAT HOW THE
SHOW SHOULD OPEN
1142
01:22:36,434 --> 01:22:38,574
♪ SHOULD THERE EVEN BE A SHOW
NO, IT SHOULD START WITH
1143
01:22:38,608 --> 01:22:40,576
♪ WHAT HE'S THINKING
WHICH IS JUST A CURSOR BLINKING
1144
01:22:40,610 --> 01:22:42,164
♪ !¡CAUSE OF ALL
OF THE DIRECTIONS
1145
01:22:42,198 --> 01:22:45,305
♪ THAT THE NARRATIVE COULD GO
HE WANTS TO SHOW WHAT
1146
01:22:45,339 --> 01:22:49,861
♪ IT'S LIKE TO LIVE UP HERE
OH, USHER
1147
01:22:49,895 --> 01:22:56,419
♪ AND TRAVEL THE WORLD
IN A FAT, BLACK QUEER BODY
1148
01:22:56,454 --> 01:22:58,697
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1149
01:22:58,732 --> 01:23:01,459
♪ NO ONE CARES ABOUT A WRITER
WHO IS STRUGGLING TO WRITE
1150
01:23:01,493 --> 01:23:04,117
♪ THEY'LL SAY IT'S
WAY TOO REPETITIOUS
1151
01:23:04,151 --> 01:23:05,394
♪ AND SO OVERLY AMBITIOUS
WHICH OF COURSE
1152
01:23:05,428 --> 01:23:07,120
♪ MAKES THEM SUSPICIOUS
THAT YOU THINK YOU'RE
1153
01:23:07,154 --> 01:23:09,191
♪ TRYING TO BE WHITE
HE HAS TO FIGHT FOR HIS RIGHT
1154
01:23:09,225 --> 01:23:14,575
♪ TO LIVE IN A WORLD
HEY, USHER
1155
01:23:14,610 --> 01:23:20,616
♪ THAT CHEWS UP AND SPITS OUT
BLACK QUEERS ON THE DAILY
1156
01:23:20,650 --> 01:23:24,068
♪ BLACKNESS, QUEERNESS
FIGHTING BACK TO FILL THIS
1157
01:23:24,102 --> 01:23:26,208
♪ CIS-HET ALL-WHITE SPACE
WITH A PORTRAIT OF A
1158
01:23:26,242 --> 01:23:30,384
♪ PORTRAIT OF A
PORTRAIT OF A
1159
01:23:30,419 --> 01:23:33,629
♪ BLACK QUEER FACE
AND A CHOIR FULL OF
1160
01:23:33,663 --> 01:23:36,114
♪ BLACK QUEER VOICES
AND ALSO BASS
1161
01:23:36,149 --> 01:23:37,150
♪ ALL THOUGHTS
[ SNAPPING FINGERS]
1162
01:23:37,184 --> 01:23:40,946
THAT ARE CASTING SPELLS
♪ TO CONJURE UP A
1163
01:23:40,981 --> 01:23:43,984
BIG, BLACK AND QUEER-ASS
♪ AMERICAN BROADWAY
1164
01:23:44,019 --> 01:23:47,022
BIG, BLACK AND QUEER-ASS
♪ AMERICAN BROADWAY
1165
01:23:47,056 --> 01:23:50,059
BIG, BLACK AND QUEER-ASS
♪ AMERICAN BROADWAY
1166
01:23:50,094 --> 01:23:53,683
I AM A DISNEY USHER
♪ I'M BARELY SCRAPING BY
1167
01:23:53,718 --> 01:23:57,066
MY DISCONTENTMENT COMES IN
♪ MANY SHAPES AND SIZES
1168
01:23:57,101 --> 01:24:00,932
BUT I WOKE UP THIS MORNING
♪ I TOLD MYSELF TO TRY
1169
01:24:00,966 --> 01:24:04,936
I TOLD MYSELF THAT I WOULD
♪ MAKE NO COMPROMISES TODAY
1170
01:24:04,970 --> 01:24:13,013
A MEETING WITH MY LANDLORD
♪ WHO MAKES ME MISS MY TRAIN
1171
01:24:13,048 --> 01:24:15,015
AND I SMELL AWFUL
♪ !¡CAUSE THERE IS
1172
01:24:15,050 --> 01:24:18,363
NO TIME TO SHOWER
♪ I PLASTER ON A SMILE
1173
01:24:18,398 --> 01:24:20,434
PRETEND I HAVE NO BRAIN
♪ MAKE NICE WITH
1174
01:24:20,469 --> 01:24:30,513
ALL THESE TOURISTS
♪ HOUR AFTER HOUR TODAY
1175
01:24:30,548 --> 01:24:33,413
TODAY I PLAN TO
♪ CHANGE MY WHOLE LIFE
1176
01:24:33,447 --> 01:24:38,625
FOREVER
♪ USHER, SURPRISE
1177
01:24:38,659 --> 01:24:39,936
>> HOW YOU DOIN'?
1178
01:24:39,971 --> 01:24:42,732
IT'S YOUR DAILY SELF-LOATHING!
1179
01:24:42,767 --> 01:24:44,424
AND I HAD SOME TIME TO KILL SO I
THOUGHT I'D DROP IN TO REMIND
1180
01:24:44,458 --> 01:24:47,634
YOU OF JUST HOW TRULY WORTHLESS
YOU ARE.
1181
01:24:47,668 --> 01:24:48,635
>> USHER!
1182
01:24:48,669 --> 01:24:50,292
HEAD OF THE MONOLITHIC NEGRO
CORPORATION HERE!
1183
01:24:50,326 --> 01:24:52,466
JUST CHECKING IN TO SEE IF YOU
FOUND YOUR UNAPOLOGETIC
1184
01:24:52,501 --> 01:24:55,883
BLACKNESS YET?!¡
CAUSE YOUR NUMBERS ARE IN THE
1185
01:24:55,918 --> 01:24:57,126
TOILET WITH THE BLACK EXCELLENCE
CROWD, AND YOU'RE REAL CLOSE TO
1186
01:24:57,161 --> 01:24:57,471
CANCELLATION!
1187
01:24:57,506 --> 01:24:59,128
UNCLE TOM!
1188
01:24:59,163 --> 01:25:00,681
♪ SO DAYS LIKE THIS JUST GET ME
OOO
1189
01:25:00,716 --> 01:25:03,684
♪ I HATE DAYS LIKE TODAY
OOO
1190
01:25:03,719 --> 01:25:06,722
♪ DAYS WHEN I FACE MYSELF, BUT
OOO
1191
01:25:06,756 --> 01:25:07,654
♪ SEE THE SAME REFLECTION
OOO-OOO-OOO
1192
01:25:07,688 --> 01:25:09,173
♪ SOMEONE WHO'S STUCK REWRITING
OOO
1193
01:25:09,207 --> 01:25:11,106
♪ AND STUCK IN HIS OWN WAY
OOO
1194
01:25:11,140 --> 01:25:12,555
♪ SOMEONE WHO PLANS TO EDIT
OOO
1195
01:25:12,590 --> 01:25:16,249
♪ EVERY IMPERFECTION
OOO-OOO-OOO
1196
01:25:16,283 --> 01:25:17,112
♪ USHER-USHER
TODAY
1197
01:25:17,146 --> 01:25:19,252
♪ USHER, USHER
USHER-USHER
1198
01:25:19,286 --> 01:25:21,185
♪ TODAY
I PLAN TO CHANGE MY...
1199
01:25:21,219 --> 01:25:22,703
♪ USHER, USHER
HOW MANY MINUTES
1200
01:25:22,738 --> 01:25:24,326
♪ !¡TIL THE END OF INTERMISSION
IF YOU CAN'T
1201
01:25:24,360 --> 01:25:26,673
♪ PLEASE THE CAUCASIANS
YOU WILL NEVER GET THE DOUGH
1202
01:25:26,707 --> 01:25:28,606
♪ USHER!¡
CAUSE CRITICS
1203
01:25:28,640 --> 01:25:30,021
♪ CLINICALLY DENY US
THEN DENY IMPLICIT BIAS
1204
01:25:30,055 --> 01:25:33,162
♪ WITH THEIR VANITY SUPPORTED
BY A SYSTEM THAT'S DISTORTED
1205
01:25:33,197 --> 01:25:35,095
♪ WATCH THEM WRITE YOU OFF
AS LAZY, NOT TO MENTION
1206
01:25:35,130 --> 01:25:37,511
♪ NAVEL-GAZEY
LACKING BOTH IN CRAFT AND RIGOR
1207
01:25:37,546 --> 01:25:39,962
♪ !¡CAUSE YOU'RE NOTHING BUT A
BIG, BLACK AND QUEER-ASS
1208
01:25:39,996 --> 01:25:42,861
♪ AMERICAN BROADWAY
BIG, BLACK AND QUEER-ASS
1209
01:25:42,896 --> 01:25:45,968
♪ AMERICAN BROADWAY
BIG, BLACK AND QUEER-ASS
1210
01:25:46,002 --> 01:25:48,729
♪ AMERICAN BROADWAY
USHER-USHER
1211
01:25:48,764 --> 01:25:50,041
♪ HOW MANY MINUTES
USHER-USHER
1212
01:25:50,075 --> 01:25:51,767
♪ !¡TIL THE END OF INTERMISSION
USHER-USHER
1213
01:25:51,801 --> 01:25:55,495
♪ HOW MANY MINUTES
USHER-USHER
1214
01:25:55,529 --> 01:25:56,565
♪ !¡TIL THE END OF INTERMISSION
USHER-USHER
1215
01:25:56,599 --> 01:25:57,945
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1216
01:25:57,980 --> 01:25:59,015
♪ OH MY GOD
USHER-USHER
1217
01:25:59,050 --> 01:26:00,120
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1218
01:26:00,155 --> 01:26:06,678
♪ OH MY GOD
USHER-USHER
1219
01:26:06,713 --> 01:26:17,862
♪ LESS THAN TWO
[ CHEERS AND APPLAUSE]
1220
01:26:17,896 --> 01:26:20,002
>> Announcer: NEXT, A 15th
ANNIVERSARY PERFORMANCE BY THE
1221
01:26:20,036 --> 01:26:22,280
ORIGINAL CAST OF "SPRING
AWAKENING."
1222
01:26:22,315 --> 01:26:25,318
AND LATER, BILLY PORTER SINGS IN
AN EMOTIONAL TRIBUTE.
1223
01:26:25,352 --> 01:26:27,216
THE 75th TONYS.
1224
01:26:27,251 --> 01:26:33,118
THIS IS CBS.
1225
01:26:33,153 --> 01:26:35,051
>> Announcer: THE 75th ANNUAL
TONY AWARDS ARE SPONSORED BY THE
1226
01:26:35,086 --> 01:26:38,331
MAKERS OF TYLENOL, CARE WITHOUT
LIMITS.
1227
01:26:43,439 --> 01:26:52,897
♪ ♪
>> Ariana: WELCOME BACK TO THE
1228
01:26:52,931 --> 01:26:54,519
TONY AWARDS.
1229
01:26:54,554 --> 01:26:57,142
THE THEATRE IS RICH WITH
TRADITIONS, ONE OF WHICH IS
1230
01:26:57,177 --> 01:27:00,076
PASSING YOUR KNOWLEDGE TO THE
NEXT GENERATION.
1231
01:27:00,111 --> 01:27:04,598
I DON'T THINK THERE IS A SINGLE
PERSON IN THIS ROOM WHO WAS NOT
1232
01:27:04,633 --> 01:27:08,809
INSPIRED BY AND EMBRACED BY A
MENTOR.
1233
01:27:08,844 --> 01:27:09,431
FOR ME, THAT WAS ELIZABETH
GRIMES DROESSLER.
1234
01:27:12,606 --> 01:27:20,373
SOMETIMES ALL YOU NEED IS
ONE SOMEONE TO BELIEVE IN YOU.
1235
01:27:20,407 --> 01:27:21,477
AND LIZ WAS THAT PERSON FOR ME.
1236
01:27:21,512 --> 01:27:22,685
SHE MADE ME REALIZE IT WAS
POSSIBLE FOR ME TO PURSUE
1237
01:27:22,720 --> 01:27:24,549
THEATRE AS A LIFE AND CAREER.
1238
01:27:24,584 --> 01:27:30,521
SHE PASSED AWAY IN MAY, BUT HER
ENCOURAGEMENT WALKS ALONGSIDE
1239
01:27:30,555 --> 01:27:34,973
ME, AND ALL OF HER STUDENTS,
EVERY TIME WE STEP ONTO A STAGE.
1240
01:27:35,008 --> 01:27:42,533
THANK YOU, LIZ.
1241
01:27:42,567 --> 01:27:47,192
AND NOW, TO HONOR ANOTHER VERY
SPECIAL ARTS EDUCATOR, PLEASE
1242
01:27:47,227 --> 01:27:54,476
WELCOME CARNEGIE MELLON
UNIVERSITY ALUM, TELLY LEUNG.
1243
01:27:54,510 --> 01:28:00,620
♪ ♪
>> THE TONY AWARDS AND CARNEGIE
1244
01:28:00,654 --> 01:28:03,036
MELLON UNIVERSITY CO-
CREATED THE "“EXCELLENCE IN
1245
01:28:03,070 --> 01:28:06,902
THEATRE EDUCATION AWARD"” TO
RECOGNIZE ARTS EDUCATORS
1246
01:28:06,936 --> 01:28:10,423
NATIONWIDE WHO DEMONSTRATE
EXEMPLARY IMPACT ON THE LIVES OF
1247
01:28:10,457 --> 01:28:12,183
THEIR STUDENTS.
1248
01:28:12,217 --> 01:28:16,014
EARLIER, THE AWARD WAS PRESENTED
TO ROSHUNDA JONES-KOUMBA OF
1249
01:28:16,049 --> 01:28:24,471
G.W. CARVER MAGNET HIGH SCHOOL
IN HOUSTON, TEXAS.
1250
01:28:24,506 --> 01:28:26,887
[ CHEERS AND APPLAUSE]
MS. JONES-KOUMBA, FOR INSPIRING
1251
01:28:26,922 --> 01:28:30,788
STUDENTS THROUGH ARTISTIC
EXPRESSION AND INCLUSIVITY,
1252
01:28:30,822 --> 01:28:33,515
THANK YOU AND CONGRATULATIONS.
1253
01:28:33,549 --> 01:28:40,211
SUBMISSIONS ARE NOW OPEN FOR
NEXT YEAR'S AWARD.
1254
01:28:40,245 --> 01:28:44,905
GO TO
www.tonyawards.com/education-
1255
01:28:44,940 --> 01:28:47,080
award TO SUBMIT AND TELL THE
STORY OF A THEATRE EDUCATOR WHO
1256
01:28:47,114 --> 01:28:51,981
MADE A DIFFERENCE IN YOUR LIFE.
1257
01:28:52,016 --> 01:28:53,293
[ CHEERS AND APPLAUSE]
♪ ♪
1258
01:28:53,328 --> 01:29:00,783
>> Announcer: PLEASE WELCOME
ZACH BRAFF AND LEA MICHELE.
1259
01:29:00,818 --> 01:29:07,652
>> ON THIS STAGE IN 2007, I
INTRODUCED A MUSICAL INSPIRED BY
1260
01:29:07,687 --> 01:29:09,585
A CONTROVERSIAL LITERARY
MASTERPIECE DARING IN ITS
1261
01:29:09,620 --> 01:29:15,867
DEPICTION OF TEENAGE SELF-
DISCOVERY, IN WHICH ADULTS HOLD
1262
01:29:15,902 --> 01:29:19,112
ALL THE CARDS AND TEENS
TRAUMATIZED BY PUBERTY EXPLORE
1263
01:29:19,146 --> 01:29:20,320
THE MYSTERIES OF THEIR BODIES.
1264
01:29:20,355 --> 01:29:23,979
THE SHOW WAS "SPRING AWAKENING."
1265
01:29:24,013 --> 01:29:25,463
[ CHEERS AND APPLAUSE]
>> THAT NIGHT, WE WENT ON TO WIN
1266
01:29:25,498 --> 01:29:28,052
EIGHT TONY AWARDS, INCLUDING
BEST MUSICAL.
1267
01:29:28,086 --> 01:29:31,020
IT WAS AN EXPERIENCE WE'LL NEVER
FORGET.
1268
01:29:31,055 --> 01:29:36,336
LATE LAST YEAR, OUR ENTIRE
COMPANY REUNITED FOR A SPECIAL
1269
01:29:36,371 --> 01:29:43,032
15th ANNIVERSARY BENEFIT CONCERT
WHICH WAS CAPTURED IN THE HBO
1270
01:29:43,067 --> 01:29:46,622
ORIGINAL DOCUMENTARY "“THOSE
YOU'VE KNOWN."”
1271
01:29:46,657 --> 01:29:49,625
>> TONIGHT, IN CELEBRATION OF
THEIR ANNIVERSARY, IT'S AN HONOR
1272
01:29:49,660 --> 01:29:51,351
FOR ME TO WELCOME BACK THE
ORIGINAL COMPANY OF
1273
01:29:51,386 --> 01:30:03,536
"SPRING AWAKENING."
1274
01:30:05,469 --> 01:30:06,504
♪ ♪
♪ ♪
1275
01:30:06,539 --> 01:30:20,104
♪ ♪
♪ ♪
1276
01:30:20,138 --> 01:30:23,107
♪ WHERE I GO
WHEN I GO THERE
1277
01:30:23,141 --> 01:30:26,869
♪ NO MORE MEM'RY ANYMORE
♪ WHERE I GO
1278
01:30:26,904 --> 01:30:30,217
WHEN I GO THERE
♪ NO MORE MEM'RY ANYMORE
1279
01:30:30,252 --> 01:30:36,534
ONLY DRIFTING ON SOME SHIP
♪ THE WIND THAT WHISPERS
1280
01:30:36,569 --> 01:30:42,506
OF THE DISTANCE
♪ TO SHORE
1281
01:30:42,540 --> 01:30:44,335
WHERE I GO
♪ AHH
1282
01:30:44,369 --> 01:30:48,201
WHEN I GO THERE
♪ NO MORE LIST'NING ANYMORE
1283
01:30:48,235 --> 01:30:54,276
AHH
♪ ONLY HYMNS UPON YOUR LIPS
1284
01:30:54,310 --> 01:31:02,767
A MYSTIC WISDOM RISING WITH THEM
♪ TO SHORE
1285
01:31:02,802 --> 01:31:05,736
TOUCH ME
♪ JUST LIKE THAT
1286
01:31:05,770 --> 01:31:10,672
AND THAT, OH YEAH
♪ NOW, THAT'S HEAVEN
1287
01:31:10,706 --> 01:31:15,642
NOW, THAT I LIKE
♪ GOD, THAT'S SO NICE
1288
01:31:15,677 --> 01:31:23,857
NOW LOWER DOWN
♪ WHERE THE FIGS LIE
1289
01:31:23,892 --> 01:31:27,896
OH, OH MY GOD
♪ OH, YEAH, YEAH, YEAH
1290
01:31:27,930 --> 01:31:34,799
OH, OH MY GOD
♪ OH, YEAH, YEAH, YEAH
1291
01:31:34,834 --> 01:31:40,943
TOUCH ME
♪ TOUCH ME
1292
01:31:40,978 --> 01:31:42,807
OH-OH
♪ OH-OH
1293
01:31:42,842 --> 01:31:46,949
OH-OH
♪ MY GOD
1294
01:31:46,984 --> 01:31:50,056
WHERE I GO
♪ WHEN I GO THERE
1295
01:31:50,090 --> 01:31:58,720
NO MORE SHADOWS ANYMORE
♪ ONLY YOU THERE IN THE KISS
1296
01:31:58,754 --> 01:32:02,965
AND NOTHING MISSING
♪ AS YOU'RE DRIFTING
1297
01:32:03,000 --> 01:32:07,107
TO SHORE
♪ WHERE I GO
1298
01:32:07,142 --> 01:32:14,839
WHEN I GO THERE
♪ NO MORE WEEPING ANYMORE
1299
01:32:14,874 --> 01:32:17,393
NO MORE WEEPING ANYMORE
♪ NO, NO, NO
1300
01:32:17,428 --> 01:32:22,122
ONLY IN AND OUT YOUR LIPS
♪ THE BROKEN WISHES
1301
01:32:22,157 --> 01:32:24,504
WASHING WITH THEM
♪ TO SHORE
1302
01:32:24,539 --> 01:32:26,851
TOUCH ME
♪ TOUCH ME
1303
01:32:26,886 --> 01:32:29,578
ALL SILENT
♪ ALL SILENT
1304
01:32:29,613 --> 01:32:33,030
BABY, JUST TELL ME
♪ TELL ME, PLEASE
1305
01:32:33,064 --> 01:32:35,964
ALL IS FORGIVEN
♪ TOUCH
1306
01:32:35,998 --> 01:32:38,587
CONSUME MY WINE
♪ OH
1307
01:32:38,622 --> 01:32:42,280
CONSUME MY MIND
♪ OH
1308
01:32:42,315 --> 01:32:45,214
I'LL TELL YOU HOW
♪ OH
1309
01:32:45,249 --> 01:32:46,146
HOW THE WINDS SIGH
♪ THERE I GO, THERE I GO
1310
01:32:46,181 --> 01:32:47,389
TOUCH ME
♪ OH, OH, OH
1311
01:32:47,423 --> 01:32:50,875
JUST TRY IT
♪ JUST, JUST TRY IT
1312
01:32:50,910 --> 01:32:53,671
NOW, THERE THAT'S IT
♪ NOW, THERE, THAT'S IT
1313
01:32:53,706 --> 01:32:56,260
OH, GOD, THAT'S HEAVEN
♪ OH, GOD, THAT'S HEAVEN
1314
01:32:56,294 --> 01:32:58,538
TOUCH
♪ I'LL LOVE YOUR LIGHT
1315
01:32:58,573 --> 01:33:03,301
I'LL LOVE YOU RIGHT
♪ WE'LL WANDER DOWN
1316
01:33:03,336 --> 01:33:06,753
WHERE THE SINS CRY
♪ WHERE THE SINS CRY
1317
01:33:06,788 --> 01:33:10,826
TOUCH ME
♪ JUST LIKE THAT
1318
01:33:10,861 --> 01:33:15,348
NOW LOWER DOWN
♪ WHERE THE SINS LIE
1319
01:33:15,382 --> 01:33:22,838
LOVE ME
♪ JUST FOR A BIT
1320
01:33:22,873 --> 01:33:29,638
WE'LL WANDER DOWN
♪ WHERE THE WINDS SIGH
1321
01:33:29,673 --> 01:33:30,846
QUIETS
♪ WHERE THE WINDS SIGH
1322
01:33:30,881 --> 01:33:38,060
WHERE THE WINDS SIGH
♪ WHERE THE WINDS SIGH
1323
01:33:38,095 --> 01:33:41,961
♪ ♪
♪ WHERE THE WINDS SIGH
1324
01:33:41,995 --> 01:33:48,588
♪ ♪
♪
1325
01:33:48,623 --> 01:33:58,391
[ CHEERS AND APPLAUSE]
♪ ♪
1326
01:33:58,425 --> 01:34:00,358
>> Announcer: ANDREW GARFIELD
AND NATHAN LANE ARE NEXT WITH
1327
01:34:00,393 --> 01:34:01,428
THE AWARD FOR BEST PLAY.
1328
01:34:01,463 --> 01:34:05,432
AND LATER, A PERFORMANCE FROM
"SIX: THE MUSICAL."
1329
01:34:05,467 --> 01:34:06,192
THE 75th TONYS.
1330
01:34:06,226 --> 01:34:07,745
THIS IS CBS.
1331
01:34:13,786 --> 01:34:23,036
♪ ♪
WELCOME BACK TO THE TONY AWARDS,
1332
01:34:23,071 --> 01:34:26,281
WE WOULD LIKE TO SHINE THE
SPOTLIGHT ON THIS YEAR'S
1333
01:34:26,315 --> 01:34:28,352
NOMINATED PLAYWRIGHTS, NOW WE
ASKED THEM TO TELL US A LITTLE
1334
01:34:28,386 --> 01:34:31,389
BIT ABOUT THEMSELVES AND THEIR
PLAYSK AND HERE THEY ARE IN
1335
01:34:31,424 --> 01:34:36,015
THEIR OWN WORDS.
1336
01:34:36,049 --> 01:34:41,779
>> ONE WORD TO DESCRIBE MY PLAY
IS HILARIOUS.
1337
01:34:41,814 --> 01:34:42,504
>> FUNNY.
1338
01:34:42,538 --> 01:34:42,815
>> FUNNY.
1339
01:34:42,849 --> 01:34:44,368
>> EPIC.
1340
01:34:44,402 --> 01:34:44,713
>> HORRIFYING.
1341
01:34:44,748 --> 01:34:45,127
>> FIGHT.
1342
01:34:45,162 --> 01:34:46,301
>> DANGEROUS.
1343
01:34:46,335 --> 01:34:47,371
>> SURPRISING.
1344
01:34:47,405 --> 01:34:51,202
>> UNITY, HOPEFUL.
1345
01:34:51,237 --> 01:34:52,479
>> HAPPENING,-- HAPPY, TBISY
TURNER.
1346
01:34:52,514 --> 01:34:54,827
>> ONE OF MY FAVORITE LINE FROM
CLYDE'S IS A LITTLE SALT MAKES
1347
01:34:54,861 --> 01:34:58,002
THE FOOD TASTE GOOD, TOO MUCH
MAKES IT INEDIBLE.
1348
01:34:58,037 --> 01:34:59,210
REALLY THINK ABOUT IT.
1349
01:34:59,245 --> 01:35:02,593
>> AIN'T NO WAY TO FIGHT WITHOUT
JUMPING ON A DAMN GRENADE.
1350
01:35:02,627 --> 01:35:05,423
>> NEW YORK, EVERYTHING AND THE
OPPOSITE OF EVERYTHING ALL AT
1351
01:35:05,458 --> 01:35:11,498
THE SAME TIME IT IS COMPLETELY
SHAMELESS AND COMPLETELY SUB
1352
01:35:11,533 --> 01:35:12,707
LIME.
1353
01:35:12,741 --> 01:35:16,193
>> THE TOWN IS THE IDEA ITSELF
THE PLACE WHERE WE SEND OUR
1354
01:35:16,227 --> 01:35:19,472
CHILDREN TO SCHOOL TOGETHER AND
WHERE WE BREAK BREAD TOGETHER
1355
01:35:19,506 --> 01:35:22,475
AND WHERE WE DIE TOGETHER.
1356
01:35:22,509 --> 01:35:27,756
AND WE OWE EACH OTHER SOME
SIMPLE DAMN DECENCY.
1357
01:35:27,791 --> 01:35:31,553
>> I HOPE THE ODD YEPSES SEE
THIS PLAY, THAT THEY ARE JUST AS
1358
01:35:31,587 --> 01:35:36,213
MOVED AND INSPIRED BY THE
HUMANITY, THE RESILIENCY AND THE
1359
01:35:36,247 --> 01:35:39,423
AUTHENTICITY OF DETROITERS AS
MUCH AS I AM.
1360
01:35:39,457 --> 01:35:45,325
>> CLYDE'S IS REALLY A PLAY
ABOUT COMMUNITY, MINDFULNESS,
1361
01:35:45,360 --> 01:35:49,295
CREATIVITY, RESILL YEPS AND THE
HEALING POWER OF FOOD.
1362
01:35:49,329 --> 01:35:53,575
>> GREAT INTEEPING ARCS OF
HISTORY AND CONSTRUCTION,
1363
01:35:53,609 --> 01:36:00,030
SYSTEMS OF POLITICS AND FINANCE,
ACTUALLY IN THE END COME DOWN TO
1364
01:36:00,064 --> 01:36:05,345
SMALL UNIVERSAL HUMAN NEEDS AND
DESIRES AND FAILINGS.
1365
01:36:05,380 --> 01:36:09,729
>> I HOPE MY AUDIENCES TAKE AWAY
A BURNING DETERMINATION TO STOP
1366
01:36:09,764 --> 01:36:15,079
THE RISE OF FASCISM IN THIS
COUNTRY.
1367
01:36:15,114 --> 01:36:17,806
>> THE TITLE OF THE PLAY THAT MY
LIFE WOULD BE CALLED THE QUIET
1368
01:36:17,841 --> 01:36:18,807
STORM.
1369
01:36:18,842 --> 01:36:22,017
>> PUNK ROCK DIDN'T DIE T JUST
GOT FAT AND OLD.
1370
01:36:22,052 --> 01:36:24,813
>> AS LONG AS-- WITH A HAPPIER
ENDING.
1371
01:36:24,848 --> 01:36:29,231
>> THE LUCKIEST MAN ALIVE.
1372
01:36:29,266 --> 01:36:32,752
>> .
1373
01:36:32,787 --> 01:36:36,031
>> THE NOW REUNITSES THE STARS
>> Announcer: NOW, REUNITING THE
1374
01:36:36,066 --> 01:36:37,308
STARS OF THE REVIVAL OF "ANGELS
IN AMERICA," TONY AWARD WINNERS
1375
01:36:37,343 --> 01:36:48,768
ANDREW GARFIELD AND NATHAN LANE.
1376
01:36:48,803 --> 01:36:52,945
>> WHAT A NIGHT!
1377
01:36:52,979 --> 01:37:07,891
ANDREW, I JUST HAVE TO SAY HOW
WORKING WITH YOU WAS ONE OF THE
1378
01:37:07,891 --> 01:37:09,168
ANDREW, I JUST HAVE TO SAY HOW
WORKING WITH YOU WAS ONE OF THE
1379
01:37:09,202 --> 01:37:11,377
HIGHLIGHTS OF MY CAREER, I HAVE
TO TELL YOU HOW WILL YANT YOU
1380
01:37:11,411 --> 01:37:16,175
WERE IN TICKETMASTER BOOM,
SPECTACULAR.
1381
01:37:16,209 --> 01:37:21,111
YOU KNOW, YEARS AGO I STARTED A
MUCH LESS SUCCESSFUL FILM CALLED
1382
01:37:21,145 --> 01:37:22,767
BOOM BOOM TICK.
1383
01:37:22,802 --> 01:37:30,361
WHICH I PLAYED AN EXOTIC DANCER
A FLIBLGHTED WITH A HUGE FACIAL
1384
01:37:30,396 --> 01:37:31,707
TWICH.
1385
01:37:31,742 --> 01:37:33,502
WANT TO SEE IT AGAIN?
1386
01:37:33,537 --> 01:37:34,193
>> YEAH.
1387
01:37:34,227 --> 01:37:36,367
>> IT WENT STRAIGHT TO VIDEO.
1388
01:37:36,402 --> 01:37:41,614
>> I LOVE A MAN IN A VELVET
SUIT.
1389
01:37:41,648 --> 01:37:46,964
>> ALL RIGHT.
1390
01:37:46,999 --> 01:37:50,140
HERE ARE THE NOMINEES FOR BEST
PLAY.
1391
01:37:50,174 --> 01:37:55,214
>> HE'S A LITTLE JET
>> Announcer: "CLYDE'S."
1392
01:37:55,248 --> 01:38:03,636
"HANGMEN."
1393
01:38:03,670 --> 01:38:05,672
"THE LEHMAN TRILOGY."
1394
01:38:05,707 --> 01:38:07,053
AUTHORS: STEFANO MASSINI,
BEN POWERS.
1395
01:38:07,088 --> 01:38:08,020
"THE MINUTES."
1396
01:38:08,054 --> 01:38:11,230
AUTHOR: TRACY LETTS.
1397
01:38:11,264 --> 01:38:12,748
"SKELETON CREW."
1398
01:38:12,783 --> 01:38:22,689
AUTHOR: DOMINIGUE MORISSEAU.
1399
01:38:22,724 --> 01:38:26,107
>> GOES TO "THE LEHMAN TRILOGY."
1400
01:38:26,141 --> 01:38:33,942
ACCEPTS THE AWARD PRODUCER ROUGH
US NORRIST, AUTHORS STEPHANO
1401
01:38:33,977 --> 01:38:37,981
MASSINI AND BEN POWERS.
1402
01:38:38,015 --> 01:38:45,471
>> THANK YOU.
1403
01:38:45,505 --> 01:38:53,686
THIS PLAY WAS WRITTEN AS A HYMN
TO THE CITY OF NEW YORK BUT LIKE
1404
01:38:53,720 --> 01:38:56,206
THE LEHMAN BROTHERS THEMSELVES
OUR SHOW BEGAN THOUSANDS OF
1405
01:38:56,240 --> 01:38:57,448
MILES AWAY.
1406
01:38:57,483 --> 01:39:03,247
SO TO FIND OURSELVES ON THIS
STAGE ON THIS NIGHT PART OF THIS
1407
01:39:03,282 --> 01:39:07,251
COMMUNITY, ALONGSIDE FELLOW
NOMINEES WITH SUCH BREATHTAKING
1408
01:39:07,286 --> 01:39:10,254
TALENT, HONESTLY FEELS LIKE A
MIRACLE.
1409
01:39:10,289 --> 01:39:14,155
AND IT IS A MIRACLE FOR WHICH I
HAVE THO THANK THE GENIUS AND
1410
01:39:14,189 --> 01:39:23,992
THE GENEROSITIES-OF-STEPHANO
MASSINI, INSPIRED LEADERSHIP OF
1411
01:39:24,027 --> 01:39:25,028
MENDES.
1412
01:39:25,062 --> 01:39:28,583
THE TEAM THAT I
LIME-- ILLUMINATED EVERY CORNER
1413
01:39:28,617 --> 01:39:31,655
OF THE PLAY AND PRODUCERS AND
COPRODUCERS WHO STOOD BY THE
1414
01:39:31,689 --> 01:39:36,315
SHOW BETWEEN THE FOURTH PREVIEW
AND THE FIFTH PREVIEW, WOULD
1415
01:39:36,349 --> 01:39:39,076
COME 577 DAYS LATER.
1416
01:39:39,111 --> 01:39:40,319
THANK YOU.
1417
01:39:40,353 --> 01:39:44,668
THE LEHMAN TRILOGY IS ALSO A
PLAY ABOUT FAMILY AND I WOULDN'T
1418
01:39:44,702 --> 01:39:50,743
BE STANDING HERE WITHOUT MY WIFE
DE AND MY SON WALTER WHO WILL
1419
01:39:50,777 --> 01:39:53,746
WATCH THIS IN THE MORNING.
1420
01:39:53,780 --> 01:39:57,025
THOUSANDS OF MILES FROM HERE,
AND WILL SEE THAT IN NEW YORK,
1421
01:39:57,060 --> 01:40:02,237
EVEN AFTER EVERYTHING, EVEN
TODAY, MIRACLES ARE STILL
1422
01:40:02,272 --> 01:40:02,582
POSSIBLE.
1423
01:40:02,617 --> 01:40:08,312
THANK YOU.
1424
01:40:08,347 --> 01:40:12,109
[ CHEERS AND APPLAUSE]
>> PLEASE WELCOME LAST YEAR'S
1425
01:40:12,144 --> 01:40:17,080
TONY WINNER FOR HIS PERFORMANCE
IN A SOLDIER'S PLAY, DAVID ALLEN
1426
01:40:17,114 --> 01:40:20,980
GRIER.
1427
01:40:21,015 --> 01:40:23,638
>> "PARADISE SQUARE" TELLS THE
STORY OF A VIBRANT COMMUNITY OF
1428
01:40:23,672 --> 01:40:26,606
IRISH IMMIGRANTS AND AFRICAN
AMERICANS WHO LIVE AND LOVE
1429
01:40:26,641 --> 01:40:30,196
ACROSS RACE IN CIVIL WAR-ERA NEW
YORK.
1430
01:40:30,231 --> 01:40:33,924
THE UNSTOPPABLE NELLY O'BRIEN,
OWNER OF PARADISE SQUARE SALOON,
1431
01:40:33,958 --> 01:40:38,722
CREATES THE SPACE FOR ALL TO
FLOURISH AND SHARE THEIR MUSIC
1432
01:40:38,756 --> 01:40:40,172
AND DANCE TRADITIONS.
1433
01:40:40,206 --> 01:40:42,864
BUT, WHEN A VIOLENT MOB
THREATENS TO BURN DOWN THE DANCE
1434
01:40:42,898 --> 01:40:49,526
HALL AND EVERYONE IN IT, NELLY
LEADS HER COMMUNITY OUTSIDE AND
1435
01:40:49,560 --> 01:40:54,358
STEPS FORWARD TO PROTECT WHAT
REALLY MATTERS TO HER.
1436
01:40:54,393 --> 01:40:55,566
YOU ALL BETTER GET READY!
1437
01:40:55,601 --> 01:41:00,364
PLEASE WELCOME TONY NOMINEES,
SIDNEY DUPONT, A.J. SHIVELY,
1438
01:41:00,399 --> 01:41:04,299
JOAQUINA KALUKANGO, AND THE
COMPANY OF "PARADISE SQUARE."
1439
01:41:04,334 --> 01:41:10,926
[ CHEERS AND APPLAUSE]
♪ ♪
1440
01:41:10,961 --> 01:41:17,588
♪ ♪
♪ ♪
1441
01:41:17,623 --> 01:41:22,421
♪ ♪
♪ ♪
1442
01:41:22,455 --> 01:41:28,841
♪ ♪
♪ EVERY DAY WE HAVE
1443
01:41:28,875 --> 01:41:32,016
EVERYTHING TO LOSE
♪ YOU FIGHT TOOTH AND NAIL
1444
01:41:32,051 --> 01:41:35,434
TO LIVE THE LIFE YOU CHOOSE
♪ WHEN YOUR DAYS ARE HELL
1445
01:41:35,468 --> 01:41:38,989
NOTHING CAN COMPARE
♪ TO THE LITTLE BIT OF EDEN
1446
01:41:39,023 --> 01:41:44,132
CALLED PARADISE
♪ SQUARE, AIR, AIR, AIR
1447
01:41:44,167 --> 01:41:49,551
OH, OH
♪ CALLED PARADISE
1448
01:41:49,586 --> 01:41:56,627
SQUARE
♪ OH, OH
1449
01:41:56,662 --> 01:41:59,561
♪ ♪
[ CHEERS AND APPLAUSE]
1450
01:41:59,596 --> 01:42:04,083
INSIDE THIS LITTLE BUILDING
♪ IS A RARE AND SPECIAL LOT
1451
01:42:04,118 --> 01:42:09,778
WE SOMEHOW FOUND EACH OTHER
♪ AND LOOK WHAT THAT HAS WROUGHT
1452
01:42:09,813 --> 01:42:15,750
A PLACE YOU ARE AFRAID OF
♪ A WORLD YOU'LL NEVER KNOW
1453
01:42:15,784 --> 01:42:19,512
YOU CAN TAKE IT IN A FLASH
♪ YOU CAN BURN IT DOWN TO ASH
1454
01:42:19,547 --> 01:42:25,449
AND THEN OUT OF ASH WE'LL GROW
♪ IF YOU THINK
1455
01:42:25,484 --> 01:42:31,662
WE'LL RUN AWAY
♪ YOU'VE GOT A LOT TO LEARN
1456
01:42:31,697 --> 01:42:40,809
WE'RE STRONGER THAN THE FIRE
♪ AND I SAY
1457
01:42:40,844 --> 01:42:46,884
LET IT BURN
♪ LET IT BURN
1458
01:42:46,919 --> 01:42:55,169
LET IT BURN
♪ LET IT BURN
1459
01:42:55,203 --> 01:43:02,521
LET IT BURN
♪ LET IT BURN
1460
01:43:02,555 --> 01:43:08,112
[ CHEERS AND APPLAUSE]
LET IT BURN
1461
01:43:08,147 --> 01:43:16,120
♪ LET IT BURN
LET IT BURN
1462
01:43:16,155 --> 01:43:24,301
♪ I KNOW WHY YOU HAVE COME HERE
WHAT YOU WANT TO ERASE
1463
01:43:24,336 --> 01:43:32,654
♪ BUT I KNOW THAT OUR SPIRIT
IS BIGGER THAN THIS PLACE
1464
01:43:32,689 --> 01:43:41,249
♪ LOOK AT WHAT WE HAVE CREATED
WE GAVE OURSELVES A VOICE
1465
01:43:41,284 --> 01:43:50,603
♪ WE WERE SAFER SEPARATED
BUT LOVE LEFT US NO CHOICE
1466
01:43:50,638 --> 01:43:59,612
♪ THESE WALLS DO NOT
DEFINE ME
1467
01:43:59,647 --> 01:44:10,174
♪ I SAY
LET IT BURN
1468
01:44:10,209 --> 01:44:20,944
♪ LET IT BURN
LET IT BURN
1469
01:44:20,978 --> 01:44:35,924
♪ LET IT BURN
[ CHEERS AND APPLAUSE]
1470
01:44:35,924 --> 01:44:42,172
♪ LET IT BURN
[ CHEERS AND APPLAUSE]
1471
01:44:42,206 --> 01:44:48,454
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1472
01:44:48,454 --> 01:44:57,083
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1473
01:45:08,060 --> 01:45:08,785
>> Ariana: WHOA!
1474
01:45:08,819 --> 01:45:10,027
THE COMPANY OF "PARADISE
SQUARE."
1475
01:45:10,062 --> 01:45:12,133
KEEPING TRACK OF THEM AND MAKING
SURE THEY HIT THEIR MARKS IS
1476
01:45:12,167 --> 01:45:13,237
THEIR STAGE MANAGER, CHRIS.
1477
01:45:13,272 --> 01:45:15,412
SHOUT-OUT TO ALL OF THE STAGE
MANAGERS ON BROADWAY.
1478
01:45:15,447 --> 01:45:19,278
A PERFORMANCE FROM "SIX" IS
COMING UP; AND NEXT, LAURENCE
1479
01:45:19,313 --> 01:45:23,213
THIS IS THE 75th TONY AWARDS,
AND THIS IS CBS.
1480
01:45:23,247 --> 01:45:24,283
[ CHEERS AND APPLAUSE]
1481
01:45:35,156 --> 01:45:36,122
[ CHEERS AND APPLAUSE]
>> Ariana: ALRIGHTY!
1482
01:45:36,157 --> 01:45:39,678
I'M STILL NOT
OVER THAT BUT I DIGRESS. AND NO
1483
01:45:39,712 --> 01:45:41,404
FOR ANOTHER REUNION FROM NETWORK
HERE ARE
1484
01:45:41,438 --> 01:45:44,027
AND NOW, ANOTHER REUNION.
1485
01:45:44,061 --> 01:45:45,684
FROM "NETWORK," HERE ARE
TONY GOLDWYN AND TONY AWARD
1486
01:45:45,718 --> 01:45:50,136
WINNER BRYAN CRANSTON.
1487
01:45:50,171 --> 01:46:00,561
♪ ♪
>> IT'S NOT POSSIBLE.
1488
01:46:00,595 --> 01:46:01,838
>> I'M JUST SAYING THAT IT IS
POSSIBLE.
1489
01:46:01,872 --> 01:46:05,945
>> BRYAN, YOU HAVE WON TWO OF
THEM, YOU SHOULD KNOW THIS, THE
1490
01:46:05,980 --> 01:46:07,913
TONY WAS NOT NAMED AFTER ME.
1491
01:46:07,947 --> 01:46:09,224
>> OKAY.
1492
01:46:09,259 --> 01:46:14,264
WELL, CAN WE PLEASE GET THE-- SO
YOU CAN GET BACK TO LOOKING FOR
1493
01:46:14,298 --> 01:46:21,409
YOUR LOST RAZOR BLADE?
1494
01:46:21,444 --> 01:46:23,377
[ LAUGHTER]
>> THERE IS AN UNMISTAKABLE
1495
01:46:23,411 --> 01:46:29,106
TREMOR OF EXCITEMENT WHEN ONE
STEPS INSIDE A THEATRE.
1496
01:46:29,141 --> 01:46:32,109
FOR AN AUDIENCE, IT'S ROOTED IN
THE ANTICIPATION OF THE WONDERS
1497
01:46:32,144 --> 01:46:33,973
JUST BEYOND THE CURTAIN.
1498
01:46:34,008 --> 01:46:36,666
FOR THE ACTORS WHO STAND IN THE
CLOTHES OF AN ILLUSION THAT WILL
1499
01:46:36,700 --> 01:46:40,428
EXIST ONLY FOR THE NEXT TWO
HOURS, IT'S KNOWING THAT A
1500
01:46:40,463 --> 01:46:44,328
THOUSAND STRANGERS ARE LONGING
TO BE TOLD A STORY THAT WILL
1501
01:46:44,363 --> 01:46:47,746
MOVE, CHALLENGE, AND ENTERTAIN
THEM.
1502
01:46:47,780 --> 01:46:51,750
>> THIS NEXT GROUP OF GIFTED
ARTISTS COUPLED RAW INSTINCT
1503
01:46:51,784 --> 01:46:55,132
WITH TECHNIQUE HONED BY YEARS OF
EXPERIENCE TO MAKE THE MATERIAL
1504
01:46:55,167 --> 01:46:57,825
COME ALIVE AGAIN AND AGAIN.
1505
01:46:57,859 --> 01:47:00,897
THEIR DEDICATION TO THEIR ART
HAS ALLOWED THEM TO BRING TRUE
1506
01:47:00,931 --> 01:47:05,108
AWARENESS TO THE REALITY CREATED
BY THE PLAYWRIGHT.
1507
01:47:05,142 --> 01:47:07,351
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
1508
01:47:07,386 --> 01:47:11,839
LEADING ROLE IN A PLAY ARE:
SIMON RUSSELL BEALE, "THE LEHMAN
1509
01:47:11,873 --> 01:47:14,704
TRILOGY."
1510
01:47:14,738 --> 01:47:16,878
[ CHEERS AND APPLAUSE]
>> ADAM GODLEY, "THE LEHMAN
1511
01:47:16,913 --> 01:47:18,673
TRILOGY."
1512
01:47:18,708 --> 01:47:22,159
[ CHEERS AND APPLAUSE]
>> ADRIAN LESTER, "THE LEHMAN
1513
01:47:22,194 --> 01:47:23,885
TRILOGY."
1514
01:47:23,920 --> 01:47:26,923
[ CHEERS AND APPLAUSE]
>> DAVID MORSE, "HOW I LEARNED
1515
01:47:26,957 --> 01:47:28,683
TO DRIVE."
1516
01:47:28,718 --> 01:47:31,479
[ CHEERS AND APPLAUSE]
>> SAM ROCKWELL, "AMERICAN
1517
01:47:31,514 --> 01:47:33,274
BUFFALO."
1518
01:47:33,308 --> 01:47:38,175
[ CHEERS AND APPLAUSE]
>> RUBEN SANTIAGO-HUDSON,
1519
01:47:38,210 --> 01:47:40,005
"LACKAWANNA BLUES."
1520
01:47:40,039 --> 01:47:44,458
[ CHEERS AND APPLAUSE]
>> DAVID THRELFALL, "HANGMEN."
1521
01:47:44,492 --> 01:47:53,708
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1522
01:47:53,743 --> 01:47:57,747
SIMON RUSSELL BEALE, "THE LEHMAN
TRILOGY."
1523
01:47:57,781 --> 01:48:07,101
[ CHEERS AND APPLAUSE]
>> THIS IS SIMON RUSSELL BEALE'S
1524
01:48:07,135 --> 01:48:08,999
FIRST TONY AWARD WIN.
1525
01:48:09,034 --> 01:48:23,945
HE WAS PREVIOUSLY NOMINATED IN
2004 FOR HIS ROLE IN JUMPERS.
1526
01:48:23,945 --> 01:48:28,881
HE WAS PREVIOUSLY NOMINATED IN
2004 FOR HIS ROLE IN JUMPERS.
1527
01:48:28,916 --> 01:48:38,650
>> THANK YOU VERY MUCH, THIS IS
AN ENORMOUS HONOR.
1528
01:48:38,684 --> 01:48:40,824
ADAM, ADRIAN, I FEEL A LITTLE
SHEEPISH.
1529
01:48:40,859 --> 01:48:42,136
I JUST WANT TO SAY.
1530
01:48:42,170 --> 01:48:47,037
WE ALL DID EXACTLY THE SAME
AMOUNT OF WORK IN THIS PLAY.
1531
01:48:47,072 --> 01:48:54,079
BUT I TAKE THIS, ACCEPT IT ON
YOUR BEHALF, IT IS YOUR AWARD
1532
01:48:54,113 --> 01:48:57,013
TOO, I JUST HAVE THE LUCK TO
TAKE IT HOME.
1533
01:48:57,047 --> 01:49:01,155
THAT ALSO APPLIES TO OUR
WONDERFUL UNDERSTUDY AND THE
1534
01:49:01,189 --> 01:49:01,949
WHOLE TEAM.
1535
01:49:01,983 --> 01:49:03,191
THERE ARE TOO MANY PEOPLE TO
NAME.
1536
01:49:03,226 --> 01:49:07,955
HAVE I TO MENTION SAM, WE'VE
WORKED TOGETHER SAM AND I FOR 35
1537
01:49:07,989 --> 01:49:12,649
YEARS, NOT 25 AS SAID EARLIER,
PA YEARS.
1538
01:49:12,684 --> 01:49:17,274
AND I HAVE LOVED HIM ALL THAT
TIME AND I'VE LOVED HIS
1539
01:49:17,309 --> 01:49:21,934
EXTRAORDINARY WORK AND HIS
DEMAND, THANK YOU SAM SO MUCH.
1540
01:49:21,969 --> 01:49:26,905
UNDER THAT UP BRELAR, I INCLUDE
THE WHOLE PRODUCTION TEAM BUT
1541
01:49:26,939 --> 01:49:31,875
CAN I JUST QUICKLY SAY A THANK
YOU TO THE AUDIENCE, YOU HAVE
1542
01:49:31,910 --> 01:49:35,396
TRUSTED US, YOU CAME WITH OPEN
ARMS, IT WASN'T EASY AT THAT
1543
01:49:35,430 --> 01:49:37,778
POINT TO COME TO THE THEAT WE
ARE ALL THOSE REGULATIONS BUT
1544
01:49:37,812 --> 01:49:43,231
YOU WELCOMED US, THANKS FOR YOUR
GENEROSITY, TELLING A STORY THAT
1545
01:49:43,266 --> 01:49:49,513
IS IN PART THE HISTORY OF YOUR
WONDERFUL CITY SO THANK YOU FOR
1546
01:49:49,548 --> 01:49:55,105
BEING CHARACTERISTICALLY
GENEROUS, THANK YOU VERY MUCH IN
1547
01:49:55,140 --> 01:49:56,348
I
♪ ♪
1548
01:49:56,382 --> 01:49:58,384
>> Announcer: NOW, REUNITING THE
STARS OF "GOLDEN BOY": TONY
1549
01:49:58,419 --> 01:50:05,288
WINNER TONY SHALHOUB; AND LAST
DANNY BURSTEIN.
1550
01:50:05,322 --> 01:50:13,607
♪ ♪
>> HAVING BROADWAY BACK HAS BEEN
1551
01:50:13,641 --> 01:50:17,231
GOOD FOR THE SOUL, AND
NOT JUST IN NEW YORK CITY.
1552
01:50:17,265 --> 01:50:19,958
BROADWAY LEAGUE MEMBERS FROM
COAST-TO-COAST HAVE BROUGHT LIVE
1553
01:50:19,992 --> 01:50:24,652
PERFORMANCES BACK IN MORE THAN
190 CITIES AROUND THE COUNTRY,
1554
01:50:24,687 --> 01:50:28,069
ALONG WITH SEVERAL HUNDRED
THOUSAND JOBS, AND STORYTELLING
1555
01:50:28,104 --> 01:50:31,555
FROM THE GREATEST CREATIVE TEAMS
IN THE WORLD.
1556
01:50:31,590 --> 01:50:34,593
>> NOTHING STIMULATES THE MIND
AND HEART LIKE LIVE THEATRE.
1557
01:50:34,628 --> 01:50:37,320
CONNECTING WITH AN AUDIENCE FOR
THE SOLE PURPOSE OF
1558
01:50:37,354 --> 01:50:40,357
COMMUNICATING THOUGHTS AND
EMOTIONS-- THAT IS THE TRUE
1559
01:50:40,392 --> 01:50:42,497
MEANING OF THEATRE.
1560
01:50:42,532 --> 01:50:46,847
THESE NEXT ARTISTS ENLIVENED
THIS PAST SEASON BY ENTHRALLING
1561
01:50:46,881 --> 01:50:50,264
THEATERGOERS WITH THOROUGHLY
ENGAGING WORK.
1562
01:50:50,298 --> 01:50:53,439
>> THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTRESS IN A
1563
01:50:53,474 --> 01:50:57,409
LEADING ROLE IN A PLAY ARE:
GABBY BEANS, "THE SKIN OF OUR
1564
01:50:57,443 --> 01:51:00,619
TEETH."
1565
01:51:00,654 --> 01:51:10,249
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1566
01:51:10,284 --> 01:51:12,596
>> LACHANZE, "TROUBLE IN MIND."
1567
01:51:12,631 --> 01:51:17,532
[ CHEERS AND APPLAUSE]
>> RUTH NEGGA, "MACBETH."
1568
01:51:17,567 --> 01:51:25,782
[ CHEERS AND APPLAUSE]
>> DEIRDRE O'CONNELL, "DANA H."
1569
01:51:25,817 --> 01:51:31,685
[ CHEERS AND APPLAUSE]
>> MARY-LOUISE PARKER, "HOW I
1570
01:51:31,719 --> 01:51:33,790
LEARNED TO DRIVE."
1571
01:51:33,825 --> 01:51:41,867
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1572
01:51:41,902 --> 01:51:45,146
DEIRDRE O'CONNELL, "DANA H."
1573
01:51:45,181 --> 01:51:53,223
[ CHEERS AND APPLAUSE]
>> SHE BEGAN HER CAREER AT STAGE
1574
01:51:53,258 --> 01:51:56,606
ONE A EXPERIMENTAL THEATER FOR
THE BOSTON CENTER FOR THE ARTS,
1575
01:51:56,640 --> 01:52:11,552
THIS IS HER FIRST TONY
NOMINATION AND WIN.
1576
01:52:11,552 --> 01:52:18,041
THIS IS HER FIRST TONY
NOMINATION AND WIN.
1577
01:52:18,076 --> 01:52:19,733
>> OH GOD, THANK YOU.
1578
01:52:19,767 --> 01:52:23,978
THANK YOU, THANK YOU.
1579
01:52:24,013 --> 01:52:30,295
I AM A PIECE OF A VERY LARGE
GROUP THAT MADE DANAH H AND
1580
01:52:30,329 --> 01:52:36,577
THERE ARE TOO MANY TO THANK,
LUCAS, MISHA DANAH FOR LETTING
1581
01:52:36,611 --> 01:52:40,167
US INVADE YOUR PRIVACY SO
COMPLETELY AND EVERY MEMBER OF
1582
01:52:40,201 --> 01:52:44,102
THE CREW, THE STAGE MANAGERS,
THE AGENTS, PRODUCERS WHO TOOK
1583
01:52:44,136 --> 01:52:45,551
CARE OF ME.
1584
01:52:45,586 --> 01:52:47,795
BUT I WANT TO SAY ONE THING.
1585
01:52:47,830 --> 01:52:54,043
I WOULD LOVE FOR THIS LITTLE
PRIZE TO BE A TOKEN FOR EVERY
1586
01:52:54,077 --> 01:52:57,771
PERSON WHO IS WONDER SHOULD I BE
TRYING TO MAKE SOMETHING THAT
1587
01:52:57,805 --> 01:52:59,013
COULD WORK ON BROADWAY OR THAT
COULD WIN ME A TONY AWARD.
1588
01:52:59,048 --> 01:53:03,604
OR SHOULD I BE MAKING THE WEIRD
ART THAT IS HAUNTING ME THAT
1589
01:53:03,638 --> 01:53:06,089
FRIGHTENED ME, THAT I DON'T KNOW
HOW TO MAKE, THAT I DON'T KNOW
1590
01:53:06,124 --> 01:53:11,439
IF ANYONE IN THE WHOLE WORLD
WILL UNDERSTAND, PLEASE LET ME
1591
01:53:11,474 --> 01:53:15,029
STANDING HERE BE A LITTLE SIGN
TO YOU FROM THE UNIVERSE TO MAKE
1592
01:53:15,064 --> 01:53:17,549
THE WEIRD ART.
1593
01:53:17,583 --> 01:53:23,900
THANK YOU.
1594
01:53:23,935 --> 01:53:27,766
[ CHEERS AND APPLAUSE]
♪ ♪
1595
01:53:27,801 --> 01:53:29,837
>> Announcer: PLEASE WELCOME A
TONY AWARD WINNER CURRENTLY ON
1596
01:53:29,872 --> 01:53:33,876
BROADWAY IN "AMERICAN BUFFALO,"
LAURENCE FISHBURNE.
1597
01:53:33,910 --> 01:53:42,539
[ CHEERS AND APPLAUSE]
>> GOOD EVENING.
1598
01:53:42,574 --> 01:53:45,853
SINCE OUR THEATRICAL COMMUNITY
LAST GATHERED AS ONE TO
1599
01:53:45,888 --> 01:53:50,513
CELEBRATE OUR ART, WE LOST A
GREAT NUMBER OF CHERISHED
1600
01:53:50,547 --> 01:53:52,549
FRIENDS AND COLLEAGUES.
1601
01:53:52,584 --> 01:53:55,794
MANY WERE FAMILIAR TO
GENERATIONS OF THEATRE LOVERS
1602
01:53:55,829 --> 01:54:00,212
WHO WERE TRANSPORTED BY THEIR
PERFORMANCES ONSTAGE, OR WERE
1603
01:54:00,247 --> 01:54:04,216
MOVED BY THEIR VOICES ON
CAST ALBUMS.
1604
01:54:04,251 --> 01:54:08,876
OTHERS MAY NOT HAVE BEEN AS
WELL-KNOWN BEYOND THE 26 SQUARE
1605
01:54:08,911 --> 01:54:12,811
BLOCKS KNOWN AS BROADWAY, BUT
THEIR CONTRIBUTIONS BEHIND THE
1606
01:54:12,846 --> 01:54:18,299
SCENES WERE EQUALLY VITAL TO
THE THEATRE.
1607
01:54:18,334 --> 01:54:22,994
WE REMEMBER SOME OF THEM NOW,
ALONG WITH ALL OF OUR COLLEAGUES
1608
01:54:23,028 --> 01:54:26,756
WHOSE BRIGHT LIGHTS WILL FOREVER
ENLIGHTEN FUTURE ARTISTS AND
1609
01:54:26,790 --> 01:54:29,310
ADMIRERS.
1610
01:54:29,345 --> 01:54:34,557
TO OFFER OUR GRATITUDE WITH HIS
INCREDIBLE VOICE, HERE'S EMMY,
1611
01:54:34,591 --> 01:54:42,565
GRAMMY AND TONY AWARD WINNER,
THE IDOL OF US ALL, BILLY
1612
01:54:42,599 --> 01:54:50,642
PORTER.
1613
01:54:50,676 --> 01:54:58,926
♪ ♪
♪ I HAVE OFTEN WALKED
1614
01:54:58,961 --> 01:55:08,453
DOWN THIS STREET BEFORE
♪ BUT THE PAVEMENT ALWAYS STAYED
1615
01:55:08,487 --> 01:55:17,945
BENEATH MY FEET BEFORE
♪ ALL AT ONCE AM I
1616
01:55:17,980 --> 01:55:28,507
SEVERAL STORIES HIGH
♪ KNOWING I'M ON THE STREET
1617
01:55:28,542 --> 01:55:39,415
WHERE YOU LIVED
♪ ARE THERE LILAC TREES
1618
01:55:39,449 --> 01:55:46,663
IN THE HEART OF TOWN
♪ CAN YOU HEAR A LARK
1619
01:55:46,698 --> 01:55:56,570
IN ANY OTHER PART OF TOWN
♪ DOES ENCHANTMENT POUR
1620
01:55:56,604 --> 01:56:05,855
OUT OF EVERY DOOR
♪ NO, IT'S JUST ON THE STREET
1621
01:56:05,889 --> 01:56:14,312
WHERE YOU LIVED
♪ AND OH
1622
01:56:14,346 --> 01:56:22,941
THE TOWERING FEELING
♪ JUST TO KNOW
1623
01:56:22,976 --> 01:56:36,817
SOMEHOW YOU ARE NEAR
♪ THE OVERPOWERING FEELING
1624
01:56:36,851 --> 01:56:48,863
THAT ANY SECOND
♪ YOU MAY SUDDENLY APPEAR
1625
01:56:48,898 --> 01:57:00,634
PEOPLE STOP AND STARE
♪ THEY DON'T BOTHER ME
1626
01:57:00,668 --> 01:57:05,018
'CAUSE THERE'S NO PLACE
♪ ELSE ON EARTH
1627
01:57:05,052 --> 01:57:13,095
THAT I WOULD RATHER BE
♪ LET THE TIME GO BY
1628
01:57:13,129 --> 01:57:23,691
I WON'T CARE
♪ IF I CAN
1629
01:57:23,726 --> 01:57:34,564
BE HERE
♪ ON THE STREET
1630
01:57:34,599 --> 01:57:46,438
WHERE YOU LIVED ♪
[ CHEERS AND APPLAUSE]
1631
01:58:03,490 --> 01:58:04,905
[ CHEERS AND APPLAUSE]
>> Announcer: WELCOME BACK.
1632
01:58:04,939 --> 01:58:07,390
NOW, LAST YEAR'S TONY AWARD
WINNERS FOR THEIR LEADING ROLES.
1633
01:58:07,425 --> 01:58:10,428
FROM "TINA, THE TINA TURNER
MUSICAL, ADRIENNE WARREN.
1634
01:58:10,462 --> 01:58:16,019
AND FROM "MOULIN ROUGE! THE
MUSICAL," AARON TVEIT.
1635
01:58:16,054 --> 01:58:20,817
[ CHEERS AND APPLAUSE]
>> OVER THE PAST 75 YEARS,
1636
01:58:20,852 --> 01:58:24,235
BROADWAY AUDIENCES HAVE BEEN
MESMERIZED BY COUNTLESS TONY-
1637
01:58:24,269 --> 01:58:28,929
WINNING PERFORMANCES-- AMONG
THEM, THE WORK OF LEADING ACTORS
1638
01:58:28,963 --> 01:58:30,931
IN MUSICALS.
1639
01:58:30,965 --> 01:58:35,453
THE LIST OF PAST WINNERS IS
STAGGERING-- FROM HARRY
1640
01:58:35,487 --> 01:58:39,077
BELAFONTE AND ZERO MOSTEL, TO
LESLIE ODOM, JR., AND THIS
1641
01:58:39,112 --> 01:58:41,148
GENTLEMAN NEXT TO ME.
1642
01:58:41,183 --> 01:58:45,566
>> THANK YOU ADRIENNE, AND
CONGRATULATIONS TO YOU.
1643
01:58:45,601 --> 01:58:48,155
THROUGHOUT THIS SEASON, THESE
NEXT ARTISTS HAVE CONNECTED WITH
1644
01:58:48,190 --> 01:58:51,572
AUDIENCES THROUGH THEIR UNIQUE
INTERPRETATIONS OF A WIDE RANGE
1645
01:58:51,607 --> 01:58:53,264
OF UNFORGETTABLE CHARACTERS.
1646
01:58:53,298 --> 01:58:55,887
THEIR STUNNING WORK NEVER FAILED
TO CAPTIVATE AND TRANSPORT
1647
01:58:55,921 --> 01:58:57,302
THEATERGOERS.
1648
01:58:57,337 --> 01:58:59,994
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
1649
01:59:00,029 --> 01:59:03,101
LEADING ROLE IN A MUSICAL ARE:
BILLY CRYSTAL, "MR. SATURDAY
1650
01:59:03,136 --> 01:59:05,034
NIGHT."
1651
01:59:05,068 --> 01:59:13,732
[ CHEERS AND APPLAUSE]
>> MYLES FROST, "MJ."
1652
01:59:13,767 --> 01:59:16,287
[ CHEERS AND APPLAUSE]
>> HUGH JACKMAN, "THE MUSIC
1653
01:59:16,321 --> 01:59:18,565
MAN."
1654
01:59:18,599 --> 01:59:21,361
[ CHEERS AND APPLAUSE]
>> ROB McCLURE, "MRS.
1655
01:59:21,395 --> 01:59:23,604
DOUBTFIRE."
1656
01:59:23,639 --> 01:59:26,745
[ CHEERS AND APPLAUSE]
>> JAQUEL SPIVEY, "A STRANGE
1657
01:59:26,780 --> 01:59:28,885
LOOP."
1658
01:59:28,920 --> 01:59:38,378
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1659
01:59:38,412 --> 01:59:43,762
MYLES FROST, "MJ."
1660
01:59:43,797 --> 01:59:47,870
[ CHEERS AND APPLAUSE]
>> FOR HIS BRILLIANTS PORTRAYAL
1661
01:59:47,904 --> 01:59:53,772
OF POP SUPERSTAR MICHAEL JACKSON
MYLES FROST EARNS HIS FIRST TONY
1662
01:59:53,807 --> 02:00:08,718
NOMINATION AND WIN.
1663
02:00:08,718 --> 02:00:14,172
NOMINATION AND WIN.
1664
02:00:17,796 --> 02:00:26,736
>> MOM, I MADE IT!
1665
02:00:26,771 --> 02:00:38,403
I AM SO HONORED AND SO BLESSED
AND SO GRATEFUL AND SO,.
1666
02:00:38,438 --> 02:00:41,061
♪ CAN'T CONTROL.
1667
02:00:41,095 --> 02:00:46,929
♪ BUT I REALLY GOT TO PEE RIGHT
NOW SO I WILL KEEP IT QUICK.
1668
02:00:46,963 --> 02:00:50,346
MOM, I LOVE YOU SO, SO MUCH,
WITHOUT YOU THERE WOULD BE NO
1669
02:00:50,381 --> 02:00:52,037
ME.
1670
02:00:52,072 --> 02:01:03,463
I WOULD NOT-- YOU HAVE TAUGHT
ME, SHOWED ME WHAT A STRONG
1671
02:01:03,497 --> 02:01:04,705
BLACK WOMAN IS.
1672
02:01:04,740 --> 02:01:07,812
AND WHAT IT MEANS TO RAISE A
STRONG BLACK MAN AND I JUST PRAY
1673
02:01:07,846 --> 02:01:11,125
THAT I MADE YOU PROUD.
1674
02:01:11,160 --> 02:01:16,441
AND I WANT TO SAY THIS TO ALL
THE LITTLE BLACK KIDS OUT THERE
1675
02:01:16,476 --> 02:01:18,650
WHO MAY NOT HAVE A GOOD
RELATIONSHIP WITH THEIR FATHER.
1676
02:01:18,685 --> 02:01:20,169
YOU CAN DO IT.
1677
02:01:20,203 --> 02:01:21,377
FIRST OF ALL.
1678
02:01:21,412 --> 02:01:25,105
AND SECOND OF ALL, THAT I LOVE
YOU BECAUSE WE SUPPORT EACH
1679
02:01:25,139 --> 02:01:30,731
OTHER AND WE ARE BLACK MEN, WE
ARE STRONG BLACK MEN.
1680
02:01:30,766 --> 02:01:33,355
TV ONNE, ARE YOU THE GO, BABY.
1681
02:01:33,389 --> 02:01:34,010
I LOVE YOU.
1682
02:01:34,045 --> 02:01:37,842
KEEP KILLING IT, BLACK MEN.
1683
02:01:37,876 --> 02:01:39,050
RICKY, THANK YOU SO MUCH.
1684
02:01:39,084 --> 02:01:43,779
YOU TAUGHT ME EVERYTHING I KNOW,
CHRISTOPHER, LEAH, CARIA,
1685
02:01:43,813 --> 02:01:46,402
DR. KEENE, GLEN, THANK YOU SO
MUCH FOR ALLOWING ME TO EXPRESS
1686
02:01:46,437 --> 02:01:48,577
MY CREATIVITY.
1687
02:01:48,611 --> 02:01:55,549
I LOVE YOU ALL AND AS MICHAEL
WOULD SAY, WITH LOVE, WITH LOVE,
1688
02:01:55,584 --> 02:01:56,274
HEAL THE WORLD.
1689
02:01:56,309 --> 02:01:59,795
THANK YOU.
1690
02:01:59,829 --> 02:02:04,247
[ CHEERS AND APPLAUSE]
♪ ♪
1691
02:02:04,282 --> 02:02:06,767
>> Announcer: AND NOW FROM THE
REVIVAL OF "THE COLOR PURPLE,"
1692
02:02:06,802 --> 02:02:13,533
TONY NOMINEE DANIELLE BROOKS AND
TONY AWARD WINNER CYNTHIA ERIVO.
1693
02:02:13,567 --> 02:02:26,131
[ CHEERS AND APPLAUSE]
>> WHAT AN HONOR IT IS TO BE
1694
02:02:26,166 --> 02:02:29,445
BACK IN THE THEATER AND REUNITED
WITH YOU, DANIELLE; AND YOU,
1695
02:02:29,480 --> 02:02:32,862
JOAQUINA, OUR SISTER ON STAGE
AND HONESTLY IN LIFE.
1696
02:02:32,897 --> 02:02:35,624
WE ARE HONORED TO CELEBRATE YOU
AND THE OTHER GIFTED PERFORMERS
1697
02:02:35,658 --> 02:02:38,351
WHO HAVE BEEN RECOGNIZED FOR
THEIR EXCEPTIONAL WORK IN
1698
02:02:38,385 --> 02:02:40,283
BROADWAY MUSICALS THIS SEASON.
1699
02:02:40,318 --> 02:02:46,738
ALL OF THEM CAN AND SHOULD BE
PROUD OF THEIR ACCOMPLISHMENTS.
1700
02:02:46,773 --> 02:02:48,671
>> YES, THEY HAVE GIVEN US THE
KINDS OF PERFORMANCES THAT
1701
02:02:48,706 --> 02:02:51,605
REMAIN WITH US LONG AFTER THE
FINAL CURTAIN.
1702
02:02:51,640 --> 02:02:53,296
THEY BRING TO THEIR WORK THE
INTELLIGENCE, COMPASSION, AND
1703
02:02:53,331 --> 02:02:56,714
EMOTIONAL DEPTH NECESSARY TO
SERVICE THEIR STORIES AND,
1704
02:02:56,748 --> 02:02:58,957
ULTIMATELY, THEIR SCORES.
1705
02:02:58,992 --> 02:03:04,480
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTRESS IN A
1706
02:03:04,515 --> 02:03:09,416
LEADING ROLE IN A MUSICAL ARE:
SHARON D CLARKE, "CAROLINE, OR
1707
02:03:09,451 --> 02:03:10,762
CHANGE."
1708
02:03:10,797 --> 02:03:13,627
[ CHEERS AND APPLAUSE]
>> CARMEN CUSACK, "FLYING OVER
1709
02:03:13,662 --> 02:03:14,939
SUNSET."
1710
02:03:14,973 --> 02:03:17,942
[ CHEERS AND APPLAUSE]
>> SUTTON FOSTER, "THE MUSIC
1711
02:03:17,976 --> 02:03:19,322
MAN."
1712
02:03:19,357 --> 02:03:21,152
[ CHEERS AND APPLAUSE]
>> JOAQUINA KALUKANGO, "PARADISE
1713
02:03:21,186 --> 02:03:22,533
SQUARE."
1714
02:03:22,567 --> 02:03:25,467
[ CHEERS AND APPLAUSE]
>> MARE WINNINGHAM, "GIRL FROM
1715
02:03:25,501 --> 02:03:27,469
THE NORTH COUNTRY."
1716
02:03:27,503 --> 02:03:31,645
[ CHEERS AND APPLAUSE]
>> THE AMERICAN THEATRE WING'S
1717
02:03:31,680 --> 02:03:46,626
TONY GOES TO:
JOAQUINA KALUKANGO, "PARADISE
1718
02:03:46,626 --> 02:03:47,868
TONY GOES TO:
JOAQUINA KALUKANGO, "PARADISE
1719
02:03:50,112 --> 02:03:51,285
SQUARE."
1720
02:03:51,320 --> 02:03:55,600
>> PARADISE SQUARE, WITH THE
PORTRAYAL OF NELLIE O'BRIEN IN
1721
02:03:55,635 --> 02:04:08,820
PARADISE SQUARE.
1722
02:04:08,855 --> 02:04:23,766
>>
OH MY GOD.
1723
02:04:23,766 --> 02:04:32,913
>>
OH MY GOD.
1724
02:04:32,948 --> 02:04:37,090
MY NAME JOAQUINA MEANS
ESTABLISHED BY GOD AND SO I GOT
1725
02:04:37,124 --> 02:04:40,783
TO GIVE THANKS AND PRAISE TO GOD
BECAUSE HE HAS KEPT ME AND BEEN
1726
02:04:40,818 --> 02:04:44,960
MY REFUGE THROUGH THIS CRAZY
JOURNEY.
1727
02:04:44,994 --> 02:04:48,446
THANK YOU, GOD, FOR GIVING ME
THE BEST PARENTS IN THE WORLD.
1728
02:04:48,481 --> 02:04:51,622
MY PARENTS SACRIFICED EVERYTHING
FOR ME TO LIVE MY DREAM, MY
1729
02:04:51,656 --> 02:04:56,109
FATHER WHO IS IN HEAVEN, I LOVE
YOU, MY MOTHER WHO, THANK YOU TO
1730
02:04:56,143 --> 02:05:00,113
MY SISTER FOR DESIGNING THIS
DRESS, MY FAMILY, ALL OF MY
1731
02:05:00,147 --> 02:05:04,704
TEACHERS AT TRICITY'S HIGH
SCHOOL FOR LITERALLY INSTILLING
1732
02:05:04,738 --> 02:05:06,395
MY PURPOSE IN MY LIFE.
1733
02:05:06,429 --> 02:05:13,264
THANK YOU TO OUR PRODUCERS,
MOISES FOR LEADING WITH LOVE, TO
1734
02:05:13,298 --> 02:05:15,508
JASON IT IS A PRIVILEGE AND
HONOR TO SING YOUR MUSIC EVERY
1735
02:05:15,542 --> 02:05:18,545
NIGHT AND MORE SO AN HONOR TO
CALL YOU FRIEND.
1736
02:05:18,580 --> 02:05:21,410
THANK YOU TO MY INCREDIBLE
COMPANY.
1737
02:05:21,444 --> 02:05:22,238
THIS IS OURS.
1738
02:05:22,273 --> 02:05:23,826
LOOK AT WHAT WE HAVE CREATED.
1739
02:05:23,861 --> 02:05:29,349
WE GAVE OURSELVES A VOICE, THOSE
ARE THE LYRICS THAT-- THEY GAVE
1740
02:05:29,383 --> 02:05:33,664
U THANK YOU CHRISTINA ANDERSON
FOR CENTERING NELLIE'S VOICE IN
1741
02:05:33,698 --> 02:05:34,837
THIS STORY.
1742
02:05:34,872 --> 02:05:43,708
I GIVE THANKS TO ALL OF THE
NAMELESS ANCESTORS, WHO HAVE
1743
02:05:43,743 --> 02:05:48,195
SUFFERED THIS SONG, THIS SHOW
GIVES POWER TO, THAT I HONOR
1744
02:05:48,230 --> 02:05:52,821
THEM EVERY DAY AND THANK YOU TO
MY SON, ARE YOU THE BIGGEST
1745
02:05:52,855 --> 02:05:56,825
BLESSING IN THE WORLD, I LOVE
YOU.
1746
02:05:56,859 --> 02:06:04,315
WITH EVERY FIBER OF MY BEING, TU
THANK YOU, THE TONYS, THANK YOU.
1747
02:06:04,349 --> 02:06:09,492
[APPLAUSE]
[ CHEERS AND APPLAUSE]
1748
02:06:09,527 --> 02:06:17,673
♪ ♪
>> Announcer: NOW, PLEASE
1749
02:06:17,708 --> 02:06:24,438
WELCOME TWO-TIME EMMY NOMINEE,
BOWEN YANG.
1750
02:06:24,473 --> 02:06:29,409
[ APPLAUSE]
>> IF THERE ARE TWO THINGS I
1751
02:06:29,443 --> 02:06:36,554
KNOW A LITTLE SOMETHING ABOUT,
THEY'RE MUSICAL THEATRE AND
1752
02:06:36,589 --> 02:06:43,561
QUEENS--
[ CHEERS AND APPLAUSE]
1753
02:06:43,596 --> 02:06:47,600
NOT THE BOROUGH.
1754
02:06:47,634 --> 02:06:48,566
THE ROYALTY.
1755
02:06:48,601 --> 02:06:51,776
I'M ESPECIALLY FAMILIAR WITH
STAR QUEENS, AND
1756
02:06:51,811 --> 02:06:53,882
THIS FINAL NOMINEE FOR BEST
MUSICAL IS FULL OF THEM.
1757
02:06:53,916 --> 02:06:55,124
IT FOLLOWS THE SIX WIVES OF
HENRY VIII AS THEY TAKE THE MIC
1758
02:06:55,159 --> 02:06:56,885
IN A POP CONCERT TO REMIX 500
YEARS OF HISTORICAL
1759
02:06:56,919 --> 02:06:58,611
HEARTBREAK INTO AN EXUBERANT
CELEBRATION OF 21st CENTURY
1760
02:06:58,645 --> 02:07:00,129
GIRL POWER.
1761
02:07:00,164 --> 02:07:03,374
THE TUDOR QUEENS TRANSFORM INTO
POP PRINCESSES AND TAKE TURNS
1762
02:07:03,408 --> 02:07:09,000
SINGING AND TELLING THEIR
STORIES TO SEE WHO SHOULD BECOME
1763
02:07:09,035 --> 02:07:11,554
THE GROUP'S LEAD SINGER.
1764
02:07:11,589 --> 02:07:16,042
PLEASE WELCOME THE SPECTACULAR
COMPANY OF "SIX."
1765
02:07:16,076 --> 02:07:24,429
[ CHEERS AND APPLAUSE]
>> DIVORCED.
1766
02:07:24,464 --> 02:07:26,086
>> BEHEADED.
1767
02:07:26,121 --> 02:07:29,365
>> DIED.
1768
02:07:29,400 --> 02:07:30,988
>> DIVORCED.
1769
02:07:31,022 --> 02:07:32,506
>> BEHEADED.
1770
02:07:32,541 --> 02:07:36,752
>> SURVIVED.
1771
02:07:36,787 --> 02:07:42,447
>> AND TONIGHT, WE ARE--
♪ ♪
1772
02:07:42,482 --> 02:07:47,314
♪ LIVE
LISTEN UP
1773
02:07:47,349 --> 02:07:50,801
♪ LET ME TELL YOU A STORY
A STORY THAT YOU THINK
1774
02:07:50,835 --> 02:07:53,907
♪ YOU'VE HEARD BEFORE
WE KNOW YOU KNOW OUR NAMES
1775
02:07:53,942 --> 02:07:56,289
♪ AND OUR FAME
AND OUR FACES
1776
02:07:56,323 --> 02:08:00,465
♪ KNOW ALL ABOUT THE GLORIES
AND THE DISGRACES
1777
02:08:00,500 --> 02:08:04,815
♪ I'M DONE, 'CAUSE ALL THIS TIME
I'VE BEEN JUST ONE WORD
1778
02:08:04,849 --> 02:08:08,197
♪ IN A STUPID RHYME
SO I PICKED UP A PEN
1779
02:08:08,232 --> 02:08:11,822
♪ AND A MICROPHONE
HISTORY'S ABOUT TO GET
1780
02:08:11,856 --> 02:08:15,411
♪ OVERTHRONE
WELCOME TO THE SHOW
1781
02:08:15,446 --> 02:08:18,725
♪ TO THE HISTO-REMIX
SWITCHING UP THE FLOW
1782
02:08:18,760 --> 02:08:21,935
♪ AS WE ADD THE PREFIX
EV'RYBODY KNOWS
1783
02:08:21,970 --> 02:08:28,770
♪ THAT WE USED TO BE
SIX WIVES
1784
02:08:28,804 --> 02:08:31,565
♪ BUT NOW WE'RE
EX-WIVES
1785
02:08:31,600 --> 02:08:40,091
♪ ♪
♪ ♪
1786
02:08:40,126 --> 02:08:41,334
>> RADIO CITY MAKE SOME NOISE!
1787
02:08:41,368 --> 02:08:43,129
MY NAME'S CATHERINE OF ARAGON
♪ WAS MARRIED 24 YEARS
1788
02:08:43,163 --> 02:08:46,719
I'M A PARAGON
♪ OF ROYALTY
1789
02:08:46,753 --> 02:08:50,550
MY LOYALTY IS TO THE VATICAN
♪ SO IF YOU TRY TO DUMP ME
1790
02:08:50,584 --> 02:08:53,449
YOU WON'T TRY THAT AGAIN
♪ BEHEADED
1791
02:08:53,484 --> 02:08:56,487
I'M THAT BOLEYN GIRL
♪ AND I'M UP NEXT
1792
02:08:56,521 --> 02:08:58,765
SEE I BROKE ENGLAND
♪ FROM THE CHURCH
1793
02:08:58,800 --> 02:09:02,907
YEAH, I'M THAT SEXY
♪ WHY DID I LOSE MY HEAD
1794
02:09:02,942 --> 02:09:06,462
WELL, MY SLEEVES MAY BE GREEN
♪ BUT MY LIPSTICK'S RED
1795
02:09:06,497 --> 02:09:08,602
DIED
♪ JANE SEYMOUR
1796
02:09:08,637 --> 02:09:12,192
THE ONLY ONE HE TRULY LOVED
♪ RUDE
1797
02:09:12,227 --> 02:09:15,540
WHEN MY SON WAS NEWLY BORN
♪ I DIED
1798
02:09:15,575 --> 02:09:18,129
BUT I'M NOT WHAT I SEEM
♪ OR AM I
1799
02:09:18,164 --> 02:09:20,753
STICK AROUND AND YOU'LL
♪ SUDDENLY SEE MORE
1800
02:09:20,787 --> 02:09:23,652
DIVORCED
♪ ICH BIN ANNA OF CLEVES
1801
02:09:23,686 --> 02:09:24,860
JA?
1802
02:09:24,895 --> 02:09:27,000
♪ WHEN HE SAW MY PORTRAIT
HE WAS LIKE
1803
02:09:27,035 --> 02:09:29,554
♪ "“JA!"”
BUT I DIDN'T LOOK AS GOOD
1804
02:09:29,589 --> 02:09:33,800
♪ AS I DID IN MY PIC
FUNNY HOW WE ALL DISCUSS THAT
1805
02:09:33,835 --> 02:09:36,182
♪ BUT NEVER HENRY'S LITTLE
PRICK UP YOUR EARS
1806
02:09:36,216 --> 02:09:38,046
♪ I'M THE KATH'RINE
WHO LOST HER HEAD
1807
02:09:38,080 --> 02:09:40,186
♪ BEHEADED
FOR MY PROMISCUITY
1808
02:09:40,220 --> 02:09:43,948
♪ OUTSIDE OF WED
LOCK UP YOUR HUSBANDS
1809
02:09:43,983 --> 02:09:47,124
♪ LOCK UP YOUR SONS
K-HOWARD IS HERE
1810
02:09:47,158 --> 02:09:50,299
♪ AND THE FUN'S BEGUN
SURVIVED
1811
02:09:50,334 --> 02:09:56,374
♪ FIVE DOWN, I'M THE FINAL WIFE
I SAW HIM TO THE END OF HIS LIFE
1812
02:09:56,409 --> 02:09:59,861
♪ I'M THE SURVIVOR
CATH'RINE PARR
1813
02:09:59,895 --> 02:10:03,347
♪ I BET YOU WANNA KNOW
HOW WE GOT THIS FAR
1814
02:10:03,381 --> 02:10:05,590
♪ WELL, TONIGHT
WE'LL LET YOU KNOW HOW WE GOT
1815
02:10:05,625 --> 02:10:08,559
♪ THIS FAR
'CAUSE EV'RYBODY KNOWS
1816
02:10:08,593 --> 02:10:19,259
♪ THAT WE USED TO BE SIX WIVES
BUT NOW WE'RE ONE OF A KIND
1817
02:10:19,294 --> 02:10:22,918
♪ NO CATEGORY
TOO MANY YEARS
1818
02:10:22,953 --> 02:10:26,508
♪ LOST IN HIS STORY
WE'RE FREE TO TAKE
1819
02:10:26,542 --> 02:10:30,167
♪ OUR CROWNING GLORY
FOR FIVE MORE MINUTES
1820
02:10:30,201 --> 02:10:31,685
♪ GET YOUR HANDS UP!
1821
02:10:31,720 --> 02:10:33,411
WE'RE SIX
♪ WOAH
1822
02:10:33,446 --> 02:10:36,276
WOAH
♪ WE'RE SIX
1823
02:10:36,311 --> 02:10:40,142
WOAH, OH, OH, OH
♪ WE'RE SIX
1824
02:10:40,177 --> 02:10:42,558
WOAH
♪ WOAH
1825
02:10:42,593 --> 02:10:49,358
FOR FIVE, FOUR, THREE, TWO
♪ ONE MORE MINUTE
1826
02:10:49,393 --> 02:11:04,339
WE'RE SIX ♪
[ CHEERS AND APPLAUSE]
1827
02:11:04,339 --> 02:11:05,271
WE'RE SIX ♪
[ CHEERS AND APPLAUSE]
1828
02:11:05,305 --> 02:11:17,490
♪ ♪
>> OH MY GOSH, OH MY GOSH, OH MY
1829
02:11:17,524 --> 02:11:19,354
GOSH, I DON'T WANT TO INTERRUPT
THIS SELFIE MOMENT BUT DO I WANT
1830
02:11:19,388 --> 02:11:21,080
EVERYONE TO HEAR THIS.
1831
02:11:21,114 --> 02:11:27,707
CUZ THIS IS WHAT TONIGHT HAS
BEEN ALL ABOUT, MALLORY MENGE,
1832
02:11:27,741 --> 02:11:31,055
THIS WOMAN IS THE DANCE CAPTAIN
OF THE ALTERNATES WHO WHO WAS
1833
02:11:31,090 --> 02:11:33,023
PUT INTO THIS NUMBER 12 HOURS
AGO.
1834
02:11:33,057 --> 02:11:35,404
IT'S WHAT THEY DO.
1835
02:11:35,439 --> 02:11:36,923
BECAUSE THE SHOW MUST GO ON.
1836
02:11:36,958 --> 02:11:40,582
AND THIS ONE WILL WITH CHITA
RIVERA AND BEST MUSICAL NEXT,
1837
02:11:40,616 --> 02:11:42,756
THE 75th TONY AWARDS, THIS
IS CBS!
1838
02:11:53,319 --> 02:12:03,467
[ CHEERS AND APPLAUSE]
♪ ♪
1839
02:12:03,501 --> 02:12:07,333
>> Ariana: ANITA IN "“WEST SIDE
STORY"” IS MUCH MORE THAN A
1840
02:12:07,367 --> 02:12:09,197
CHARACTER IN A MUSICAL.
1841
02:12:09,231 --> 02:12:15,306
ANITA ALTERED THE TRAJECTORY OF
MY LIFE AND THE LIVES OF SO MANY
1842
02:12:15,341 --> 02:12:18,654
PERFORMERS, AND IT ALL BEGAN
WITH THE ACTRESS WHO ORIGINATED
1843
02:12:18,689 --> 02:12:20,863
THE ROLE ONSTAGE.
1844
02:12:20,898 --> 02:12:24,626
HER ANITA WAS SO HONEST AND
STRONG AND BEAUTIFUL THAT SHE
1845
02:12:24,660 --> 02:12:27,905
REACHED OUT TO EVERY YOUNG
PERSON IN OUR COMMUNITY AND LET
1846
02:12:27,940 --> 02:12:30,735
US KNOW THERE WAS A PLACE FOR
US.
1847
02:12:30,770 --> 02:12:34,463
A PLACE THAT WAS CREATED THE
MOMENT SHE STEPPED ON THE STAGE,
1848
02:12:34,498 --> 02:12:37,087
CHANGING THE VERY PERCEPTION OF
WHO WE ARE.
1849
02:12:37,121 --> 02:12:41,815
FOR THAT, I AM-- WE ALL ARE--
ETERNALLY GRATEFUL.
1850
02:12:41,850 --> 02:12:46,751
TONY AWARDS, PLEASE WELCOME
BROADWAY LEGEND CHITA RIVERA!
1851
02:12:46,786 --> 02:13:01,732
[ CHEERS AND APPLAUSE]
♪ ♪
1852
02:13:01,732 --> 02:13:05,218
[ CHEERS AND APPLAUSE]
♪ ♪
1853
02:13:05,253 --> 02:13:13,640
[ CHEERS AND APPLAUSE]
>> THANK YOU.
1854
02:13:13,675 --> 02:13:15,470
THANK YOU.
1855
02:13:15,504 --> 02:13:19,853
AND THANK YOU, ARIANA, FOR
INTRODUCING ANITA TO A NEW
1856
02:13:19,888 --> 02:13:24,513
GENERATION.
1857
02:13:24,548 --> 02:13:28,069
[ APPLAUSE]
WE ARE VERY PROUD TO HAVE YOU AS
1858
02:13:28,103 --> 02:13:29,173
A MEMBER OF OUR SPECIAL
SISTERHOOD.
1859
02:13:29,208 --> 02:13:31,658
YES, INDEED.
1860
02:13:31,693 --> 02:13:34,489
HERE ARE THE NOMINEES FOR BEST
MUSICAL.
1861
02:13:34,523 --> 02:13:42,531
"GIRL FROM THE NORTH COUNTRY."
1862
02:13:42,566 --> 02:13:46,052
♪ ♪
>> "MJ."
1863
02:13:46,087 --> 02:13:49,021
♪ ♪
>> Ariana: "MR. SATURDAY NIGHT."
1864
02:13:49,055 --> 02:13:52,438
♪ ♪
>> "PARADISE SQUARE."
1865
02:13:52,472 --> 02:13:56,200
♪ ♪
>> Ariana: "SIX: THE MUSICAL."
1866
02:13:56,235 --> 02:14:00,894
♪ ♪
>> "A STRANGE LOOP."
1867
02:14:00,929 --> 02:14:09,248
♪ ♪
>> AND THE TONY AWARD GOES TO:
1868
02:14:09,282 --> 02:14:12,078
"A STRANGE LOOP."
1869
02:14:12,113 --> 02:14:16,324
[ CHEERS AND APPLAUSE]
♪ ♪
1870
02:14:16,358 --> 02:14:25,057
ACCEPTING THE
AWARD FOR A STRANGE LOOP BARBARA
1871
02:14:25,091 --> 02:14:29,992
WHITMAN.
1872
02:14:30,027 --> 02:14:32,650
>> THANK YOU, THANK YOU.
1873
02:14:32,685 --> 02:14:35,998
THERE ARE MANY PEOPLE WHO HAVE
BEEN A PART OF THIS SHOW'S
1874
02:14:36,033 --> 02:14:37,414
AMAZING JOURNEY.
1875
02:14:37,448 --> 02:14:42,143
MUSICAL THESER FACTORY, PAGE 73
PRODUCTIONS, PLAYWRIGHT HORIZON,
1876
02:14:42,177 --> 02:14:45,974
WILLIE MAMMOTH THEATER COMPANY,
THANK YOU TO THE SCHUBERT
1877
02:14:46,008 --> 02:14:48,287
ORGANIZATION FOR GIVING US A
BEAUTIFUL HOME AT THE LYCEUM
1878
02:14:48,321 --> 02:14:52,808
THEATER, BRAVO AND LOVE TO OUR
AMAZES CAST INCLUDING OUR
1879
02:14:52,843 --> 02:14:56,018
FABULOUS UNDERSTUDIES, OUR
BRILLIANT CREATIVE TEAM AND
1880
02:14:56,053 --> 02:15:00,022
DESIGNERS, THE BAND, THE CREW,
EVERYONE AT THE LYCEUM WHO
1881
02:15:00,057 --> 02:15:05,235
WORKED SO HARD AND OF COURSE TO
THE EXTRAORDINARY MICHAEL R
1882
02:15:05,269 --> 02:15:06,374
JACKSON.
1883
02:15:06,408 --> 02:15:08,341
MICHAEL, YOU SHARED YOUR WORDS,
YOUR MUSIC, YOUR SOUL.
1884
02:15:08,376 --> 02:15:10,861
NONE OF US WILL EVER BE THE
SAME.
1885
02:15:10,895 --> 02:15:12,449
THANK YOU FROM THE BOTTOM OF MY
HEART.
1886
02:15:12,483 --> 02:15:16,625
I WANT TO THANK MY KIDS DANIEL,
HANNA AND WILL FOR THEIR
1887
02:15:16,660 --> 02:15:20,422
SUPPORT, AND HAVE I TO GIVE A
SPECIAL SHOUT OUT TO MY GRANDSON
1888
02:15:20,457 --> 02:15:24,426
ZACKARY, MY DREAM IS ZACK WILL
GROW UP IN A WORLD WHERE STORIES
1889
02:15:24,461 --> 02:15:27,636
LIKE A STRANGE LOOP ARE TOLD ON
STAGES EVERYWHERE ALL OF THE
1890
02:15:27,671 --> 02:15:28,120
TIME.
1891
02:15:28,154 --> 02:15:31,157
THANK YOU SO MUCH.
1892
02:15:31,192 --> 02:15:33,470
I HAVE TEN MORE SECONDS.
1893
02:15:33,504 --> 02:15:44,136
>> Y'ALL THANK YOU SO MUCH.
1894
02:15:44,170 --> 02:15:52,351
♪ ♪
ALL RIGHT, ALL RIGHT, ALL
1895
02:15:52,385 --> 02:15:55,699
CONGRATULATIONS TO ALL OF OUR
WINNERS!
1896
02:15:55,733 --> 02:15:57,873
GOD THAT MAKES ME SO
BROADWAY IS BACK AND WAITING FOR
1897
02:15:57,908 --> 02:16:03,879
YOU, SO COME TO NEW YORK AND SEE
A BROADWAY SHOW.
1898
02:16:03,914 --> 02:16:04,639
GET UP IN THE JOINT!
1899
02:16:04,673 --> 02:16:05,916
IT WILL CHANGE YOUR LIFE
FOREVER!
1900
02:16:05,950 --> 02:16:07,193
AND NOW, BEFORE I SAY GOODNIGHT,
I'VE GOT ONE MORE MASH-UP FOR
1901
02:16:07,228 --> 02:16:11,439
YOU!
1902
02:16:11,473 --> 02:16:14,890
CAN YOU DIG IT?
1903
02:16:14,925 --> 02:16:15,960
I THINK YOU CAN.
1904
02:16:15,995 --> 02:16:16,858
♪ HOW MANY MINUTES !¡TIL
THE END OF THE TONY'S
1905
02:16:16,892 --> 02:16:23,692
♪ STICK AROUND
TO EVERY PERSON AND SHOW
1906
02:16:23,727 --> 02:16:27,040
♪ REAL QUICK, BEFORE WE ALL GO
I HOPE YOU KNOW
1907
02:16:27,075 --> 02:16:30,423
♪ THIS IS YOUR ROUND OF APPLAUSE
CALLED PARADISE
1908
02:16:30,458 --> 02:16:35,221
♪ CALLED PARADISE
SQUARE, AIR, AIR, AIR, AIR
1909
02:16:35,255 --> 02:16:39,638
♪ PHONE RINGS, DOOR CHIMES
IN COMES COMPANY
1910
02:16:39,674 --> 02:16:43,987
♪ BUT NOW WE'RE EX WIVES
ANNIE ARE YOU OKAY
1911
02:16:44,022 --> 02:16:46,405
♪ ARE YOU OKAY
THAT'S WHAT IT'S ALL
1912
02:16:46,439 --> 02:16:49,856
♪ ABOUT, ISN'T IT
76 TROMBONES
1913
02:16:49,891 --> 02:16:53,377
♪ LED THE BIG PARADE
BIG, BLACK AND QUEER AS
1914
02:16:53,412 --> 02:16:56,379
♪ AMERICAN BROADWAY
YOU'VE BEEN HIT BY
1915
02:16:56,415 --> 02:16:59,866
♪ YOU'VE BEEN STRUCK BY
A ROLLING STONE
1916
02:16:59,901 --> 02:17:03,593
♪ LET IT BURN
LET IT BURN
1917
02:17:03,629 --> 02:17:05,493
♪ DIVORCED
BEHEADED
1918
02:17:05,527 --> 02:17:08,495
♪ COMPANY
LOTS OF COMPANY
1919
02:17:08,530 --> 02:17:15,986
♪ WELL, I'M PRESSING ON
I HOPE I BROUGHT A LITTLE JOY
1920
02:17:16,020 --> 02:17:21,509
♪ THIS IS YOUR ROUND
THIS IS YOUR ROUND
1921
02:17:21,543 --> 02:17:25,271
♪ THIS IS YOUR ROUND OF
APPLAUSE ♪
1922
02:17:25,306 --> 02:17:26,859
>> GOODNIGHT!
1923
02:17:27,687 --> 02:17:29,931
I LOVE YOU BROADWAY!
149020
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