Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,038 --> 00:00:05,246
>> Announcer: AND NOW, A CBS
2
00:00:05,281 --> 00:00:07,007
SPECIAL PRESENTATION.
3
00:00:07,041 --> 00:00:11,908
LIVE FROM RADIO CITY MUSIC HALL,
THE 75th ANNUAL TONY AWARDS WITH
4
00:00:11,942 --> 00:00:14,876
YOUR HOST, ARIANA DEBOSE!
5
00:00:14,911 --> 00:00:29,857
[ CHEERS AND APPLAUSE]
♪ ♪
6
00:00:29,857 --> 00:00:32,653
[ CHEERS AND APPLAUSE]
♪ ♪
7
00:00:32,686 --> 00:00:36,898
AND EVERYONE-- .
8
00:00:36,933 --> 00:00:42,421
♪ WE ALL PLAY A LEADING PART.
9
00:00:42,456 --> 00:00:51,879
♪ AND SO TONIGHT FOR YOU I WANT
TO START.
10
00:00:51,913 --> 00:00:55,262
♪ BY IN PRESENTS, FUTURE AND
PAST.
11
00:00:55,296 --> 00:00:56,884
♪ TONIGHT AT LAST.
12
00:00:56,918 --> 00:00:57,505
♪ THE SOUND OF APPLAUSE.
13
00:00:57,540 --> 00:01:01,268
♪ FOR THE LAST 75 YEARS.
14
00:01:01,302 --> 00:01:02,924
♪ YOU GET TO BE LIVE HERE.
15
00:01:02,959 --> 00:01:03,649
♪ HIGH FIVE.
16
00:01:03,684 --> 00:01:05,962
♪ THIS IS A ROUND OF APPLAUSE.
17
00:01:05,996 --> 00:01:06,928
♪ CUZ YOU KNOW THE SHOW.
18
00:01:06,963 --> 00:01:08,965
♪ WOULD NEVER GO ON.
19
00:01:08,999 --> 00:01:13,521
♪ IF WE DIDN'T ALL COME
TOGETHER.
20
00:01:13,556 --> 00:01:16,800
♪ SO LET'S TAKE A CHANCE AND
MAKE A SONG AND DANCE.
21
00:01:16,835 --> 00:01:19,009
♪ LET'S SEE YOUR HAT.
22
00:01:19,044 --> 00:01:25,878
♪ THIS IS A ROUND OF APPLAUSE.
PUTTING IT TOGETHER.
23
00:01:25,913 --> 00:01:30,504
♪ THERE'S BEEN TOO MANY SHOWS.
24
00:01:30,538 --> 00:01:37,372
SO WE'VE GOT A FEW TO SEE IF YOU
CAN START THEM.
25
00:01:37,407 --> 00:01:52,319
♪
♪ IN CABARET OH CABAR.
26
00:01:52,319 --> 00:01:54,286
♪
♪ IN CABARET OH CABAR.
27
00:01:54,321 --> 00:01:57,979
♪ IF ONLY YOU KNOW IT.
28
00:01:58,014 --> 00:02:04,607
♪ AND IT'S ALL PLAYING FOR YOU.
29
00:02:04,641 --> 00:02:09,508
♪
♪ WILL YOU NEVER HAVE A FRIEND
30
00:02:09,543 --> 00:02:10,406
LIKE ME.
31
00:02:10,440 --> 00:02:13,374
♪ WE'VE GOT MAGIC TO DO.
32
00:02:13,409 --> 00:02:14,168
♪ JUST FOR YOU.
33
00:02:14,203 --> 00:02:21,796
♪ BUT I SIMPLY CANNOT DO IT
ALONE.
34
00:02:21,831 --> 00:02:27,147
♪ RADIO CITY!
35
00:02:27,181 --> 00:02:30,460
♪ TO LIN MANUEL MIRANDA
♪ I'M SUCH A FAN-- DUH
36
00:02:30,495 --> 00:02:35,534
♪ THIS IS YOUR ROUND OF APPLAUSE
WON'T FORGET
37
00:02:35,569 --> 00:02:39,228
♪ CAN'T REGRET
♪ I GOT RHYTHM
38
00:02:39,262 --> 00:02:42,023
I GOT MUSIC
♪ I GOT MY GAL
39
00:02:42,058 --> 00:02:47,339
WHO COULD ASK FOR ANYTHING MORE
♪ !¡ROUND AND !ROUND
40
00:02:47,374 --> 00:02:49,410
AND MY HEART'S KEEPING TIME
♪ TO THE SPEED OF SOUND
41
00:02:49,445 --> 00:02:52,275
I WAS LOST !¡TIL
♪ I HEARD THE DRUMS
42
00:02:52,310 --> 00:02:57,555
♪ THEN I FOUND MY WAY!¡
CAUSE YOU CAN'T STOP THE BEAT
43
00:02:57,591 --> 00:03:00,766
♪ TO ALL MY THEATER QUEENS
WHO GET IT DONE LIKE MACHINES
44
00:03:00,801 --> 00:03:03,907
♪ BEHIND THE SCENES
THIS IS YOUR ROUND OF APPLAUSE
45
00:03:03,942 --> 00:03:07,532
♪ IT'S BEEN 75 YEARS
OF BRINGING LAUGHTER AND TEARS
46
00:03:07,566 --> 00:03:11,846
♪ AND Y'ALL ARE FIERCE
THIS IS YOUR ROUND OF APPLAUSE ♪
47
00:03:11,881 --> 00:03:13,020
>> THIS CAN'T BE FOR REAL.
48
00:03:13,054 --> 00:03:14,470
I DON'T THINK I CAN TALK.
49
00:03:14,504 --> 00:03:18,336
MOM AND DAD, YOU DROVE ME TO
MANY, MANY HOURS OF BALLET AND
50
00:03:18,370 --> 00:03:19,164
DANCE CLASSES.
51
00:03:19,199 --> 00:03:20,890
I HOPE YOU FEEL IT'S WORTH IT
NOW.
52
00:03:20,924 --> 00:03:22,409
♪ LET'S GO
>> MY PARENTS.
53
00:03:22,443 --> 00:03:25,343
EVERYTHING THAT I AM IS BECAUSE
OF YOU.
54
00:03:25,377 --> 00:03:28,208
♪ WAIT FOR ME
>> THIS IS SUCH A GIFT AND YOU
55
00:03:28,242 --> 00:03:30,624
ARE SUCH A GENEROUS COMMUNITY.
56
00:03:30,658 --> 00:03:32,798
>> WE WOULD LIKE TO THANK OUR
DANCING SETS, OUR DANCING
57
00:03:32,833 --> 00:03:33,972
LIGHTS, OUR DANCING COSTUMES.
58
00:03:34,006 --> 00:03:36,146
♪ LET'S GO
>> IT WAS ON A BROADWAY STAGE
59
00:03:36,180 --> 00:03:37,700
THAT MY CAREER REALLY BEGAN.
60
00:03:37,734 --> 00:03:46,881
♪ WAIT, I'M COMING WITH YOU
♪ THERE'S A PLACE FOR US
61
00:03:46,916 --> 00:03:49,505
>> I WANT TO THANK ALL THE
SHOULDERS OF THE STRONG AND
62
00:03:49,539 --> 00:03:57,513
BRAVE AND COURAGEOUS WOMEN THAT
I AM STANDING ON.
63
00:03:57,547 --> 00:04:00,032
>> BECAUSE FOR GIRLS, YOU HAVE
TO SEE IT TO BE IT.
64
00:04:00,067 --> 00:04:01,689
YOUR BIGGEST OBSTACLE MAY TURN
INTO YOUR PURPOSE.
65
00:04:01,724 --> 00:04:02,725
SO KEEP CLIMBING.
66
00:04:02,759 --> 00:04:05,486
THIS IS A PRAISE SHOUT "“HEY!"”
LET'S HEAR IT!
67
00:04:05,521 --> 00:04:06,384
♪ ONE MORE DAY
ONE NIGHT ONLY
68
00:04:06,418 --> 00:04:12,148
♪ ONE NIGHT ONLY
WE ONLY HAVE 'TIL DAWN
69
00:04:12,182 --> 00:04:21,053
♪ LET THE SUNSHINE
LET THE SUNSHINE IN
70
00:04:21,088 --> 00:04:24,816
♪ EVERYBODY RISE
RISE
71
00:04:24,850 --> 00:04:31,478
♪ ♪
♪ ♪
72
00:04:31,512 --> 00:04:33,203
♪ TO BRASS
PERCUSSION AND STRINGS
73
00:04:33,238 --> 00:04:36,034
♪ TO EVERYONE IN THE WINGS
AND ALL THE SWINGS
74
00:04:36,068 --> 00:04:37,518
[ CLAP-CLAP-CLAP-CLAP]
♪ THIS IS YOUR ROUND OF APPLAUSE
75
00:04:37,553 --> 00:04:40,694
TO EVERY THEATER FAN
♪ HERE SINCE THE TONYS BEGAN
76
00:04:40,728 --> 00:04:42,834
IT'S YOU WE STAN
[ CLAP-CLAP-CLAP-CLAP]
77
00:04:42,868 --> 00:04:46,113
♪ THIS IS YOUR ROUND OF APPLAUSE
CLIMB EV'RY MOUNTAIN
78
00:04:46,147 --> 00:04:47,804
♪ THIS IS YOUR ROUND OF APPLAUSE
KEEP IT GAY
79
00:04:47,839 --> 00:04:49,634
♪ KEEP IT GAY
KEEP IT GAY
80
00:04:49,668 --> 00:04:54,190
♪ SO GET YOUR HANDS UP BECAUSE
PEOPLE, WHO NEED PEOPLE
81
00:04:54,224 --> 00:04:58,021
ARE THE LUCKIEST PEOPLE
♪ IN THE WORLD
82
00:04:58,056 --> 00:05:08,653
♪ I AM WHAT I AM
VIVA LA VIE BROADWAY
83
00:05:08,687 --> 00:05:16,868
♪ THIS IS YOUR ROUND OF APPLAUSE
THIS IS YOUR ROUND OF APPLAUSE ♪
84
00:05:16,902 --> 00:05:31,848
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
85
00:05:31,848 --> 00:05:33,332
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
86
00:05:48,589 --> 00:05:50,280
THANK YOU ALL.
87
00:05:50,315 --> 00:05:57,495
WELL, WELCOME TO THE 75th
ANNUAL TONY AWARDS!
88
00:05:57,529 --> 00:05:59,393
THIS
THIS NIGHT IS ABOUT ALL OF YOU,
89
00:05:59,428 --> 00:06:01,947
THE PEOPLE WHO MAKE THESE
NOMINATED SHOWS HAPPEN, AND A
90
00:06:01,982 --> 00:06:05,675
CELEBRATION OF THE VERY BEST OF
THE PAST SEASON.
91
00:06:05,710 --> 00:06:07,746
AND WHAT A SEASON IT HAS BEEN!
92
00:06:07,781 --> 00:06:10,542
FOR MANY OF YOU, IT'S
BEEN A ROLLER-COASTER, WITH
93
00:06:10,577 --> 00:06:14,374
STARTS AND STOPS, DRAMATIC
TWISTS AND TURNS, AND COMPANIES
94
00:06:14,408 --> 00:06:22,589
BEING REUNITED AFTER NEARLY TWO
YEARS APART.
95
00:06:22,623 --> 00:06:24,453
YEAH.
96
00:06:24,487 --> 00:06:25,971
[ APPLAUSE]
I AM SO PROUD TO BE HOSTING THE
97
00:06:26,006 --> 00:06:32,219
FIRST TONY AWARDS SINCE BROADWAY
GOT ITS GROOVE BACK, AND I'M SO
98
00:06:32,253 --> 00:06:35,429
PROUD THAT THE THEATRE IS
BECOMING MORE REFLECTIVE OF THE
99
00:06:35,464 --> 00:06:38,467
COMMUNITY WHO ADORES IT.
100
00:06:38,501 --> 00:06:43,092
[ APPLAUSE]
IN DOING SO, IT HAS GAINED NEW
101
00:06:43,126 --> 00:06:46,716
PERFORMERS, NEW CREATIVE TEAMS,
AND NEW FANS.
102
00:06:46,751 --> 00:06:49,374
IT HAS SHOWN US STORIES THAT
HAVE BROADENED OUR WORLD AND
103
00:06:49,409 --> 00:06:51,411
OPENED OUR HEARTS AND MINDS.
104
00:06:51,445 --> 00:06:55,553
WHILE WE HAVE NOT SOLVED ALL OF
OUR PROBLEMS, I FEEL LIKE THE
105
00:06:55,587 --> 00:06:58,521
PHRASE "“GREAT WHITE WAY"” IS
BECOMING MORE OF A NICKNAME THAN
106
00:06:58,556 --> 00:07:02,767
A "“HOW TO"” GUIDE.
107
00:07:02,801 --> 00:07:13,640
[ LAUGHTER]
[ APPLAUSE]
108
00:07:13,674 --> 00:07:15,296
AND HERE'S WHY: THIS SEASON
FEATURED NEW SHOWS WRITTEN BY
109
00:07:15,331 --> 00:07:17,402
SEVEN BLACK PLAYWRIGHTS.
110
00:07:17,437 --> 00:07:18,541
YEAH!
111
00:07:18,576 --> 00:07:22,959
IT BROUGHT US A GENDER-FLIPPED
PRODUCTION OF "COMPANY."
112
00:07:22,994 --> 00:07:26,376
[ APPLAUSE]
AND TONIGHT, LYNN NOTTAGE IS THE
113
00:07:26,411 --> 00:07:30,450
ONLY PLAYWRIGHT EVER TO BE
NOMINATED FOR BOTH BEST PLAY AND
114
00:07:30,484 --> 00:07:34,039
BEST BOOK OF A MUSICAL IN THE
SAME SEASON.
115
00:07:34,074 --> 00:07:37,560
[ CHEERS AND APPLAUSE]
YES.
116
00:07:37,595 --> 00:07:42,496
L. MORGAN LEE IS THE FIRST
OPENLY TRANSGENDER PERFORMER TO
117
00:07:42,531 --> 00:07:51,574
BE NOMINATED FOR A TONY, AND SHE
WON'T BE THE LAST.
118
00:07:51,609 --> 00:07:55,405
SCENIC DESIGNER ADAM RIGG IS THE
FIRST OUT AGENDER NOMINEE.
119
00:07:55,440 --> 00:08:00,307
COMPOSER TOBY MARLOW IS THE
FIRST NON-BINARY WINNER.
120
00:08:00,341 --> 00:08:02,102
WOW.
121
00:08:02,136 --> 00:08:05,519
[ APPLAUSE]
AND LAST BUT CERTAINLY NOT
122
00:08:05,554 --> 00:08:07,417
LEAST, BOTH LENA
BOTH LENA HORNE AND JAMES EARL
123
00:08:07,452 --> 00:08:10,317
JONES ARE HAVING THEATRES
RENAMED FOR THEM.
124
00:08:10,351 --> 00:08:15,943
[ CHEERS AND APPLAUSE]
SO, YES, MAJOR STEPS TOWARD
125
00:08:15,978 --> 00:08:17,635
INCLUSION!
126
00:08:17,669 --> 00:08:24,676
TONIGHT, WE ARE ALSO CELEBRATING
75 YEARS OF THE TONY AWARDS WITH
127
00:08:24,711 --> 00:08:30,820
SOME SPECIAL REUNIONS, TRIBUTES,
AND UNFORGETTABLE PERFORMANCES.
128
00:08:30,855 --> 00:08:33,340
SO, LET'S GET STARTED WITH OUR
FIRST ACTING AWARD OF THE NIGHT.
129
00:08:33,374 --> 00:08:39,587
PLEASE WELCOME, MY FELLOW
ACADEMY AWARD WINNER--
130
00:08:39,621 --> 00:08:41,279
AWARD WINNER, MY GOD, THAT IS
REALLY COOL THAT I GET TO SAY
131
00:08:41,313 --> 00:08:45,352
THAT NOW IT'S OVER, IT'S OVER,
WE WON'T TALK ABOUT IT ANY MORE.
132
00:08:45,386 --> 00:08:49,011
MY GIRL JESSICA CHASTAIN A
JESSICA CHASTAIN AND TONY-
133
00:08:49,045 --> 00:08:51,910
NOMINATED ACTOR AND PLAYWRIGHT,
COLMAN DOMINGO.
134
00:08:51,945 --> 00:09:01,575
[ CHEERS AND APPLAUSE]
♪ ♪
135
00:09:01,610 --> 00:09:04,267
>> IT'S OUR PLEASURE TO PRESENT
THE FIRST ACTING AWARD OF THE
136
00:09:04,302 --> 00:09:06,373
75th TONYS.
137
00:09:06,407 --> 00:09:09,514
IN A SEASON OF DARING AND
RIVETING WORK, THESE PERFORMERS
138
00:09:09,549 --> 00:09:14,139
EXPRESSED THE CAREFUL DETAILS
THEY INFUSED THEIR ROLES WITH A
139
00:09:14,174 --> 00:09:15,347
FINELY-TUNED PERCEPTION OF HUMAN
BEHAVIOR.
140
00:09:15,382 --> 00:09:17,280
>> THROUGH THEIR TOTAL AWARENESS
OF THEIR CHARACTERS, THEY
141
00:09:17,315 --> 00:09:20,042
ACHIEVED A LEVEL OF ARTISTRY
THAT PRESENTED NOT JUST THE
142
00:09:20,076 --> 00:09:22,907
ILLUSION OF LIFE, BUT LIFE
ITSELF.
143
00:09:22,941 --> 00:09:25,392
THEY GAVE US PROFOUND MOMENTS
THAT TOOK OUR COLLECTIVE BREATH
144
00:09:25,426 --> 00:09:30,604
AWAY AND DEMONSTRATE WHY THERE
IS NOTHING LIKE LIVE THEATRE.
145
00:09:30,639 --> 00:09:33,952
>> THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
146
00:09:33,987 --> 00:09:44,998
FEATURED ROLE IN A PLAY ARE:
ALFIE ALLEN, "HANGMEN."
147
00:09:45,032 --> 00:09:49,347
>> CHUCK COOPER, "TROUBLE IN
MIND."
148
00:09:49,381 --> 00:09:52,488
[ APPLAUSE]
>> JESSE TYLER FERGUSON, "TAKE
149
00:09:52,522 --> 00:09:54,455
ME OUT."
150
00:09:54,490 --> 00:10:00,358
[ CHEERS AND APPLAUSE]
>> RON CEPHAS JONES, "CLYDE'S."
151
00:10:00,392 --> 00:10:04,293
[ CHEERS AND APPLAUSE]
>> MICHAEL OBERHOLTZER, "TAKE ME
152
00:10:04,327 --> 00:10:06,606
OUT."
153
00:10:06,640 --> 00:10:14,614
[ CHEERS AND APPLAUSE]
>> AND MY BUDDY JESSE WILLIAMS,
154
00:10:14,648 --> 00:10:17,099
"TAKE ME OUT."
155
00:10:17,133 --> 00:10:20,412
[ APPLAUSE]
>> THE AMERICAN THEATRE WING'S
156
00:10:20,447 --> 00:10:28,835
TONY GOES TO:
JESSE TYLER FERGUSON, "TAKE ME
157
00:10:28,869 --> 00:10:30,871
OUT."
158
00:10:30,906 --> 00:10:40,915
[ CHEERS AND APPLAUSE]
MARKS JESSE
159
00:10:40,950 --> 00:10:44,436
TYLER'S FERGUSON'S FIRST
NOMINATION AND TONY WIN FOR HIS
160
00:10:44,471 --> 00:10:51,374
ROLE AS A BASEBALL LOVING MONEY
MANAGER.
161
00:10:51,409 --> 00:10:53,998
>> OH MY GOD, OH MY GOD, OH MY
GOD.
162
00:10:54,032 --> 00:10:56,069
MY HEART IS BEATING SO FAST.
163
00:10:56,103 --> 00:10:59,969
25 YEARS AGO I WORKED AS A
THEATRE CIRCLE WHICH HAPPENS TO
164
00:11:00,004 --> 00:11:03,732
BE THREE DOORS DOWN FROM THE
THEATRE WHERE TAKE ME OUT IS
165
00:11:03,766 --> 00:11:07,874
PLAYING AND I WOULD SIT IN THERE
AND FOLDING MY PHANTOM OF THE
166
00:11:07,908 --> 00:11:11,671
OPERA T-SHIRTS AND WATCHING
ACTORS WALK BY THE WINDOWS ON
167
00:11:11,705 --> 00:11:16,227
THE WAY TO THE THEIR CALL AND I
THOUGHT I HOPE THAT IS ME SOME
168
00:11:16,261 --> 00:11:17,538
DAY.
169
00:11:17,573 --> 00:11:18,194
IS SO TO STAND IN FRONT OF THIS
COMMUNITY THAT I ADMIRE AND LOVE
170
00:11:18,229 --> 00:11:19,471
SO MUCH MEANS SO MUCH TO ME.
171
00:11:19,506 --> 00:11:22,198
I AM SO GLAD I GET TO BE TO DO
THIS.
172
00:11:22,233 --> 00:11:26,237
THANK YOU FOR MOM, DAD, THANK
YOU FOR LETTING ME STO MOVE TO
173
00:11:26,271 --> 00:11:28,757
NEW YORK, I TOLD YOU IT WOULD BE
OKAY.
174
00:11:28,791 --> 00:11:30,759
>> THANK YOU FOR BRINGING THIS
PLAY BACK TO BROADWAY.
175
00:11:30,793 --> 00:11:34,763
YOU HAVE A SYMBOL OF SUCH A
INCREDIBLE ARTISTS AND DESIGN
176
00:11:34,797 --> 00:11:36,281
EROS TO PUT THIS TOGETHER.
177
00:11:36,316 --> 00:11:42,563
IT WOULD NOT BE POSSIBLE WITHOUT
T JUST TAKE IT AND ACCEPT IT.
178
00:11:42,598 --> 00:11:50,848
RICHARD,-- WHO ELSE, OH,
GOD-- 13 SECONDS, I WILL KEEP
179
00:11:50,882 --> 00:11:52,056
GOING.
180
00:11:52,090 --> 00:11:55,473
THE COMPANY OF TAKE ME OUT, SO
MUCH TO THE COMPANY, AND MY
181
00:11:55,507 --> 00:11:56,785
UNDERSTUDY IS HERE TONIGHT.
182
00:11:56,819 --> 00:11:59,960
BONNIE AND CRAIG, THANK YOU FOR
ALWAYS TRUSTING MY GUT INSTINCTS
183
00:11:59,995 --> 00:12:02,963
EVEN WHEN YOU DIDN'T THINK MY
GUT INSTINCT WAS RIGHT, IT
184
00:12:02,998 --> 00:12:04,275
ALWAYS RIGHT.
185
00:12:04,309 --> 00:12:07,036
AND JUSTIN MY HUSBAND, I HAVE TO
BRAG FOR A BRIEF MOMENT, HE WAS
186
00:12:07,071 --> 00:12:11,489
PART OF THE PRODUCING TEAM THAT
BROUGHT IS THIS THE ROOM TO
187
00:12:11,523 --> 00:12:12,732
BROADWAY THIS SEASON.
188
00:12:12,766 --> 00:12:16,908
I'M SO UNREALISTICALLY PROUD OF
YOU AND YOU HAVE INCREDIBLE
189
00:12:16,943 --> 00:12:18,634
TASTE, OBVIOUSLY AND RICHARD
GREENBERG, YOUR WORDS ARE A GIFT
190
00:12:18,668 --> 00:12:21,602
TO ANY ACTOR WHO GETS THE
PLEASURE TO SAY THEM.
191
00:12:21,637 --> 00:12:23,743
I'M SO HONORED.
192
00:12:23,777 --> 00:12:29,196
THANK YOU SO MUCH.
193
00:12:29,231 --> 00:12:31,026
[ CHEERS AND APPLAUSE]
>> Announcer: PLEASE WELCOME
194
00:12:31,060 --> 00:12:41,381
TWO-TIME TONY AWARD NOMINEE,
PATRICK WILSON.
195
00:12:41,415 --> 00:12:47,421
>> IN 1957, "THE MUSIC MAN,"
MEREDITH WILLSON'S VALENTINE TO
196
00:12:47,456 --> 00:12:50,908
SMALL TOWN AMERICA, OPENED ON
BROADWAY.
197
00:12:50,942 --> 00:12:57,362
IN THIS CLASSIC LOVE STORY, A
CON MAN AND A LIBRARIAN MEET,
198
00:12:57,397 --> 00:13:00,538
AND WE HAVE THE PLEASURE OF
WATCHING THEM FALL MADLY IN
199
00:13:00,572 --> 00:13:02,471
LOVE.
200
00:13:02,505 --> 00:13:06,475
OUR FIRST NOMINEE FOR BEST
REVIVAL OF A MUSICAL, THIS
201
00:13:06,509 --> 00:13:10,203
TREASURED GEM OF THE AMERICAN
THEATRE IS BACK IN A JOYOUS
202
00:13:10,237 --> 00:13:13,413
PRODUCTION CURRENTLY AT THE
WINTER GARDEN THEATRE.
203
00:13:13,447 --> 00:13:19,143
PLEASE WELCOME TONY NOMINEES
HUGH JACKMAN, SUTTON FOSTER, AND
204
00:13:19,177 --> 00:13:21,386
THE COMPANY OF "THE MUSIC MAN."
205
00:13:21,421 --> 00:13:32,915
[ CHEERS AND APPLAUSE]
♪ ♪
206
00:13:32,950 --> 00:13:38,058
♪ 76 TROMBONES
LED THE BIG PARADE
207
00:13:38,093 --> 00:13:42,752
♪ WITH 110 CORNETS
CLOSE AT HAND
208
00:13:42,787 --> 00:13:45,790
♪ THEY WERE FOLLOWED BY
ROWS AND ROWS
209
00:13:45,825 --> 00:13:53,108
♪ OF THE FINEST VIRTUOSOS
THE CREAM OF EV'RY FAMOUS BAND
210
00:13:53,142 --> 00:13:57,422
♪ 76 TROMBONES
CAUGHT THE MORNING SUN
211
00:13:57,457 --> 00:14:01,806
♪ WITH 110 CORNETS
RIGHT BEHIND
212
00:14:01,841 --> 00:14:04,015
♪ THERE WERE MORE THAN
1,000 REEDS
213
00:14:04,050 --> 00:14:07,122
♪ SPRINGING UP LIKE WEEDS
THERE WERE HORNS
214
00:14:07,156 --> 00:14:11,160
♪ OF EV'RY SHAPE AND KIND
THERE WERE COPPER BOTTOM TIMPANI
215
00:14:11,195 --> 00:14:14,715
♪ IN HORSE PLATOONS
THUNDERING, THUNDERING
216
00:14:14,750 --> 00:14:18,133
♪ ALL ALONG THE WAY
DOUBLE BELL EUPHONIUMS
217
00:14:18,167 --> 00:14:21,515
♪ AND BIG BASSOONS
EACH BASSOON HAVING
218
00:14:21,550 --> 00:14:24,622
♪ HIS BIG FAT SAY
THERE WERE 50 MOUNTED CANNON
219
00:14:24,656 --> 00:14:28,591
♪ IN THE BATTERY
THUNDERING, THUNDERING
220
00:14:28,626 --> 00:14:32,147
♪ LOUDER THAN BEFORE
CLARINETS OF EV'RY KIND
221
00:14:32,181 --> 00:14:35,046
♪ AND TRUMPETERS WHO'D IMPROVISE
A FULL OCTAVE HIGHER
222
00:14:35,081 --> 00:14:41,570
♪ THAN THE SCORE
♪ ♪
223
00:14:41,604 --> 00:14:46,644
♪ ♪
♪ ♪
224
00:14:46,678 --> 00:14:50,924
[ CHEERS AND APPLAUSE]
♪ ♪
225
00:14:50,959 --> 00:14:56,757
♪ ♪
♪ ♪
226
00:14:56,792 --> 00:15:02,487
♪ ♪
♪ ♪
227
00:15:02,522 --> 00:15:09,184
♪ ♪
♪ ♪
228
00:15:09,218 --> 00:15:15,431
♪ ♪
♪ ♪
229
00:15:15,466 --> 00:15:22,473
♪ ♪
♪ ♪
230
00:15:22,507 --> 00:15:30,515
♪ ♪
♪ ♪
231
00:15:30,550 --> 00:15:38,316
♪ ♪
♪ ♪
232
00:15:38,351 --> 00:15:44,184
♪ ♪
♪ ♪
233
00:15:44,219 --> 00:15:51,019
♪ ♪
♪ ♪
234
00:15:51,053 --> 00:15:56,300
♪ ♪
♪ HEY, HEY
235
00:15:56,334 --> 00:15:58,612
[ CHEERS AND APPLAUSE]
♪ ♪
236
00:15:58,647 --> 00:16:05,585
♪ ♪
♪ ♪
237
00:16:05,619 --> 00:16:12,592
♪ ♪
♪ ♪
238
00:16:12,626 --> 00:16:17,735
♪ ♪
♪ ♪
239
00:16:17,769 --> 00:16:23,775
♪ ♪
♪ ♪
240
00:16:23,810 --> 00:16:29,333
[ CHEERS AND APPLAUSE]
♪ ♪
241
00:16:29,367 --> 00:16:33,509
♪ ♪
♪ ♪
242
00:16:33,544 --> 00:16:35,960
♪ 76 TROMBONES
HIT THE COUNTERPOINT
243
00:16:35,995 --> 00:16:39,446
♪ WHILE 110 CORNETS
BLAZED AWAY
244
00:16:39,481 --> 00:16:41,724
♪ TO THE RHYTHM OF
HARCH! HARCH! HARCH!
245
00:16:41,759 --> 00:16:48,973
♪ ALL THE KIDS BEGAN TO MARCH
AND THEY'RE MARCHING STILL
246
00:16:49,008 --> 00:17:03,953
♪ RIGHT TODAY
[ CHEERS AND APPLAUSE]
247
00:17:03,953 --> 00:17:07,887
♪ RIGHT TODAY
[ CHEERS AND APPLAUSE]
248
00:17:07,923 --> 00:17:22,075
♪ ♪
>> Announcer: THE 75th ANNUAL
249
00:17:22,109 --> 00:17:24,077
TONY AWARDS.
250
00:17:24,112 --> 00:17:25,251
>> Announcer: THE 75th ANNUAL
TONY AWARDS ARE SPONSORED BY
251
00:17:25,285 --> 00:17:26,492
PROGRESSIVE.
252
00:17:26,528 --> 00:17:27,425
PROGRESSIVE INSURANCE OFFERS
24/7 PROTECTION WHEN YOU BUNDLE
253
00:17:27,460 --> 00:17:28,219
HOME, AUTO, AND MOTORCYCLE.
254
00:17:28,253 --> 00:17:32,637
LEARN MORE AT
www.progressive.com.
255
00:17:37,539 --> 00:17:44,270
♪ ♪
[ APPLAUSE]
256
00:17:44,304 --> 00:17:49,620
>> Ariana: WELCOME BACK TO THE
TONY AWARDS.
257
00:17:49,654 --> 00:17:52,968
NOW, I WANT TO GIVE A ROUND OF
APPLAUSE TO SOME PEOPLE WHO
258
00:17:53,002 --> 00:17:56,523
PLAYED A VITAL ROLE IN KEEPING
BROADWAY SHOWS OPEN THESE PAST
259
00:17:56,558 --> 00:18:01,114
FEW MONTHS-- THE UNDERSTUDIES,
THE SWINGS, THE STANDBYS.
260
00:18:01,149 --> 00:18:06,326
[ CHEERS AND APPLAUSE]
NOW, LET'S NOT FORGET THE STAGE
261
00:18:06,361 --> 00:18:10,123
MANAGERS, ASSOCIATES AND DANCE
CAPTAINS WHO REHEARSE THEM TO GO
262
00:18:10,158 --> 00:18:12,229
AT A MOMENT'S NOTICE.
263
00:18:12,263 --> 00:18:14,783
OR THE HAIR AND COSTUME
ASSOCIATES WHO GET THE LOOKS
264
00:18:14,817 --> 00:18:19,132
TOGETHER, AND THE MUSICIANS WHO
SOMETIMES PLAY A SCORE THEY'VE
265
00:18:19,167 --> 00:18:25,518
NEVER SEEN.
266
00:18:25,552 --> 00:18:26,760
THAT'S A FEAT.
267
00:18:26,795 --> 00:18:27,968
I COULD GO ON AND ON BECAUSE A
SHOW IS PUT ON BY MANY PEOPLE,
268
00:18:28,003 --> 00:18:31,662
NOT JUST THE FACES YOU KNOW AND
LOVE.
269
00:18:31,696 --> 00:18:39,048
AND I'M REALLY PASSIONATE ABOUT
YEAH, I MIGHT AS WELL CLAP FOR
270
00:18:39,083 --> 00:18:40,222
THAT.
271
00:18:40,257 --> 00:18:41,775
[ APPLAUSE]
AND I'M REALLY PASSIONATE ABOUT
272
00:18:41,810 --> 00:18:43,570
THIS BECAUSE I WAS AN
UNDERSTUDY.
273
00:18:43,605 --> 00:18:45,986
IN FACT, MOST OF THE DANCERS IN
OUR OPENING NUMBER HAVE BEEN
274
00:18:46,021 --> 00:18:49,231
SWINGS OR UNDERSTUDIES DURING
THEIR CAREERS.
275
00:18:49,266 --> 00:18:53,511
AND NOW I AM OFF MY SOAPBOX.
276
00:18:53,546 --> 00:18:56,997
HERE'S OUR FIRST 75th
ANNIVERSARY REUNION.
277
00:18:57,032 --> 00:19:01,070
FROM THE 2015 WINNER FOR BEST
REVIVAL OF A MUSICAL, "THE
278
00:19:01,105 --> 00:19:04,833
KING AND I," PLEASE WELCOME TONY
AWARD WINNERS KELLI O'HARA AND
279
00:19:04,867 --> 00:19:07,939
RUTHIE ANN MILES!
280
00:19:07,974 --> 00:19:21,090
[ APPLAUSE]
♪ ♪
281
00:19:21,125 --> 00:19:25,336
>> JUANITA HALL, GWEN VERDON,
PRISCILLA LOPEZ, AUDRA
282
00:19:25,371 --> 00:19:29,582
McDONALD AND MY FRIEND RUTHIE
ANN MILES ARE AMONG THE
283
00:19:29,616 --> 00:19:32,412
EXCEPTIONAL ARTISTS WHOSE
STELLAR WORK HAS BEEN HONORED
284
00:19:32,447 --> 00:19:34,207
WITH THIS NEXT AWARD.
285
00:19:34,242 --> 00:19:38,729
TONIGHT, WE CONTINUE THE
TRADITION THAT BEGAN IN 1950 AND
286
00:19:38,763 --> 00:19:41,904
ADD ANOTHER NAME TO AN
ILLUSTRIOUS LIST OF FEATURED
287
00:19:41,939 --> 00:19:44,010
PERFORMERS.
288
00:19:44,044 --> 00:19:48,428
>> I'M PROUD TO HAVE BEEN
RECOGNIZED IN A CATEGORY THAT
289
00:19:48,463 --> 00:19:51,466
HAS EMBRACED INCLUSION AND
INDIVIDUALITY.
290
00:19:51,500 --> 00:19:55,228
THIS YEAR'S NOMINATED ARTISTS
INCLUDE PAST TONY AWARD WINNERS,
291
00:19:55,263 --> 00:19:59,681
FIRST-TIME NOMINEES, AND A
TRAILBLAZER WHO HAS BEEN HAILED
292
00:19:59,715 --> 00:20:02,270
THE FIRST OPENLY TRANSGENDER
PERFORMER TO BE NOMINATED
293
00:20:02,304 --> 00:20:04,030
FOR A TONY AWARD.
294
00:20:04,064 --> 00:20:11,865
[ CHEERS AND APPLAUSE]
>> THE NOMINEES FOR BEST
295
00:20:11,900 --> 00:20:16,491
PERFORMANCE BY AN ACTRESS IN A
FEATURED ROLE IN A MUSICAL ARE:
296
00:20:16,525 --> 00:20:20,080
JEANNETTE BAYARDELLE, "GIRL FROM
THE NORTH COUNTRY."
297
00:20:20,115 --> 00:20:24,602
[ APPLAUSE]
>> SHOSHANA BEAN, "MR. SATURDAY
298
00:20:24,637 --> 00:20:26,570
NIGHT."
299
00:20:26,604 --> 00:20:30,953
[ APPLAUSE]
>> JAYNE HOUDYSHELL, "THE MUSIC
300
00:20:30,988 --> 00:20:32,921
MAN."
301
00:20:32,955 --> 00:20:36,476
[ APPLAUSE]
>> L. MORGAN LEE, "A STRANGE
302
00:20:36,511 --> 00:20:38,478
LOOP."
303
00:20:38,513 --> 00:20:44,898
[ CHEERS AND APPLAUSE]
>> PATTI LUPONE, "COMPANY."
304
00:20:44,933 --> 00:20:51,077
[ APPLAUSE]
>> AND JENNIFER SIMARD,
305
00:20:51,111 --> 00:20:53,631
"COMPANY."
306
00:20:53,666 --> 00:20:58,326
[ APPLAUSE]
>> AND THE TONY AWARD GOES TO:
307
00:20:58,360 --> 00:21:00,949
PATTI LUPONE, "COMPANY."
308
00:21:00,983 --> 00:21:07,024
[ CHEERS AND APPLAUSE]
♪ ♪
309
00:21:07,058 --> 00:21:14,307
THIS IS BROADWAY VETERAN PATTI
LUPONE'S 8th NOMINATION AND
310
00:21:14,342 --> 00:21:25,214
THIRD ONE IN STEPHEN
STSH-- -- STEFEN SONDHEIM'S
311
00:21:25,249 --> 00:21:37,365
COMPANY.
312
00:21:37,399 --> 00:21:40,885
♪ ♪
[ CHEERS AND APPLAUSE]
313
00:21:40,920 --> 00:21:46,684
[APPLAUSE]
THANK YOU.
314
00:21:46,719 --> 00:21:54,105
I STARTED THIS JOURNEY WITH
MARYANNE ELLIOTT IN 2018, FOUR
315
00:21:54,140 --> 00:21:58,213
YEARS, TWO COUNTRIES, A
SEAMINGLY ENDLESS AND EXTREMELY
316
00:21:58,247 --> 00:22:02,735
VULNERABLE LOCKDOWN, THREE
DIFFERENT VIRUSES IN THREE CON
317
00:22:02,769 --> 00:22:06,083
TECT-- CONSECUTIVE MONTHS AND
TWO SUB LIME CASTS.
318
00:22:06,117 --> 00:22:11,295
AND SO A LOVING SHOUT OUT TO MY
BRITISH CASEMATES LEAD BY
319
00:22:11,330 --> 00:22:16,576
ROSALIE CRAIG WHO WAS THE FIRST
ACTORS TO REALIZE MARYANNE'S
320
00:22:16,611 --> 00:22:17,853
GENDER BENT VISION.
321
00:22:17,888 --> 00:22:22,720
AND EQUALLY LOVING SHOUT OUT TO
MY HOMETOWN CASEMATES LEAD BY
322
00:22:22,755 --> 00:22:27,863
KATRINA LENK.
323
00:22:27,898 --> 00:22:31,971
A FINER GROUP OF ACTORS AND
COMEDIANS I COULDN'T IMAGINE AND
324
00:22:32,005 --> 00:22:35,871
WHO IT IS MY HONOR TO WORK WITH
EVERY NIGHT.
325
00:22:35,906 --> 00:22:38,702
THANK YOU TO THE STAGE MANAGERS,
THE BACKSTAGE CREWS, THE FRONT
326
00:22:38,736 --> 00:22:44,086
OF HOUSE, AT THE GEUL GOOD AND
THE JACOB, ESPECIALLY THOSE TWO
327
00:22:44,121 --> 00:22:47,952
DRESSERS WHO HAVE SHARED MY LIFE
AND MY DRESSING ROOM FOR SO MANY
328
00:22:47,987 --> 00:22:50,852
YEARS THROUGH ALL KINDS OF
WEATHER.
329
00:22:50,886 --> 00:22:57,030
LONDON'S MA YEE LANE AND NEW
YORK'S LYLE JONES.
330
00:22:57,065 --> 00:23:01,897
A HUGE GRATITUDE TO ALL OF THE
UNDERSTUDIES ACROSS ALL OF THE
331
00:23:01,932 --> 00:23:04,003
STAGES IN NEW YORK.
332
00:23:04,037 --> 00:23:11,562
AND TO ALL OF THE COVID SAFETY
PEOPLE.
333
00:23:11,597 --> 00:23:18,811
[APPLAUSE]
MARYANNE, I WILL FOLLOW YOU FOR
334
00:23:18,845 --> 00:23:21,814
THE REST OF MY LIFE WHEREVER YOU
LEAD.
335
00:23:21,848 --> 00:23:25,749
CHRIS HARPER WHO PAYS MY SALARY.
336
00:23:25,783 --> 00:23:31,651
YOU ARE MY ONE AND LAST
PRODUCER, EXCEPT FOR DAVID,
337
00:23:31,686 --> 00:23:33,342
JEFFREY AND ANDRE BISHOP.
338
00:23:33,377 --> 00:23:38,693
MATT AND JOSHUA, I LOVE YOU, MY
LIFELONG FRIENDS, I LOVE YOU
339
00:23:38,727 --> 00:23:45,700
ALL, THANK YOU.
340
00:23:45,734 --> 00:23:47,702
[ CHEERS AND APPLAUSE]
♪ ♪
341
00:23:47,736 --> 00:23:49,289
>> Announcer: AND NOW, PLEASE
WELCOME PRINCE JACKSON AND PARIS
342
00:23:49,324 --> 00:24:00,404
JACKSON.
343
00:24:00,439 --> 00:24:02,441
[ APPLAUSE]
>> A LOT OF PEOPLE SEEM TO THINK
344
00:24:02,475 --> 00:24:05,754
OUR DAD, MICHAEL JACKSON,
CHANGED POPULAR MUSIC FOREVER.
345
00:24:05,789 --> 00:24:07,756
AND WHO ARE WE TO DISAGREE?
346
00:24:07,791 --> 00:24:10,966
BUT WHAT PEOPLE MAY NOT KNOW IS
THAT HE LOVED MUSICALS-- ON FILM
347
00:24:11,001 --> 00:24:12,347
AND ON THE STAGE.
348
00:24:12,381 --> 00:24:15,833
THAT'S WHY WE ARE SO INCREDIBLY
EXCITED TO INTRODUCE TONIGHT'S
349
00:24:15,868 --> 00:24:19,078
FIRST NOMINEE FOR BEST MUSICAL,
"MJ," WHICH, USING MANY OF HIS
350
00:24:19,112 --> 00:24:22,046
ICONIC HITS, LOOKS AT THE
COMPLEXITIES AND BRILLIANCE OF
351
00:24:22,081 --> 00:24:24,393
OUR FATHER'S CREATIVE PROCESS.
352
00:24:24,428 --> 00:24:27,604
>> THIS NUMBER SHOWCASES THAT
CREATIVE PROCESS AS HE BUILDS A
353
00:24:27,638 --> 00:24:31,435
DANCE ROUTINE, STEP BY
UNFORGETTABLE STEP, TO ONE OF
354
00:24:31,470 --> 00:24:34,645
HIS BEST-LOVED HITS, DRAWING ON
SOME OF THE INFLUENCES WHO
355
00:24:34,680 --> 00:24:36,958
HELPED INSPIRE HIS SIGNATURE
STYLE.
356
00:24:36,992 --> 00:24:41,272
SO, IT IS OUR GREAT HONOR TO NOW
INTRODUCE TONY NOMINEE MYLES
357
00:24:41,307 --> 00:24:45,932
FROST AND THE AMAZING CAST OF
"MJ"!
358
00:24:45,967 --> 00:24:53,561
[ CHEERS AND APPLAUSE]
>> WHAT IF WE BEGIN SIMPLY WITH
359
00:24:53,595 --> 00:24:57,185
JUST A CENTRAL SPOTLIGHT.
360
00:24:57,219 --> 00:25:00,533
ONE BY ONE WE INVITE MY DANCE
HEROES ON TO THE STAGE.
361
00:25:00,568 --> 00:25:04,192
WE MEET FRED ASTAIRE, THE
NICHOLAS BROTHERS, AND BOB
362
00:25:04,226 --> 00:25:05,538
FOSSE.
363
00:25:05,573 --> 00:25:10,819
♪ ♪
♪ ♪
364
00:25:10,854 --> 00:25:18,931
♪ ♪
♪ ♪
365
00:25:18,965 --> 00:25:25,662
[ APPLAUSE]
♪ ♪
366
00:25:25,696 --> 00:25:33,290
♪ ♪
♪ ♪
367
00:25:33,324 --> 00:25:40,608
♪ ♪
♪ ♪
368
00:25:40,642 --> 00:25:46,959
♪ ♪
[ APPLAUSE]
369
00:25:46,993 --> 00:25:54,794
♪ ♪
♪ ♪
370
00:25:54,829 --> 00:26:05,356
♪ ♪
[ APPLAUSE]
371
00:26:05,391 --> 00:26:10,499
♪ ♪
♪ ♪
372
00:26:10,534 --> 00:26:12,398
♪ ♪
[ APPLAUSE]
373
00:26:12,432 --> 00:26:14,124
♪ AS HE CAME INTO THE WINDOW
IT WAS THE SOUND OF
374
00:26:14,158 --> 00:26:16,609
♪ A CRESCENDO
HE CAME INTO HER APARTMENT
375
00:26:16,644 --> 00:26:19,267
♪ HE LEFT THE BLOOD STAINS
ON THE CARPET
376
00:26:19,301 --> 00:26:21,407
♪ SHE RAN UNDER THE TABLE
HE COULD SEE SHE
377
00:26:21,441 --> 00:26:24,375
♪ WAS UNABLE
SO SHE RAN INTO THE BEDROOM
378
00:26:24,410 --> 00:26:27,033
♪ SHE WAS STRUCK DOWN
IT WAS HER DOOM
379
00:26:27,068 --> 00:26:29,415
♪ ANNIE, ARE YOU OKAY
SO ANNIE, ARE YOU OKAY
380
00:26:29,449 --> 00:26:31,969
♪ ARE YOU OKAY, ANNIE
ANNIE, ARE YOU OKAY
381
00:26:32,004 --> 00:26:34,523
♪ SO ANNIE, ARE YOU OKAY
ARE YOU OKAY, ANNIE
382
00:26:34,558 --> 00:26:37,181
♪ ANNIE, ARE YOU OKAY
SO ANNIE, ARE YOU OKAY
383
00:26:37,216 --> 00:26:39,839
♪ ARE YOU OKAY, ANNIE
ANNIE, ARE YOU OKAY
384
00:26:39,874 --> 00:26:42,808
♪ SO ANNIE, ARE YOU OKAY
ARE YOU OKAY, ANNIE
385
00:26:42,842 --> 00:26:45,051
♪ ANNIE ARE OKAY
WILL YOU TELL US
386
00:26:45,086 --> 00:26:47,847
♪ THAT YOU'RE OKAY
THERE'S A SIGN IN THE WINDOW
387
00:26:47,882 --> 00:26:50,609
♪ THAT HE STRUCK YOU
A CRESCENDO ANNIE
388
00:26:50,643 --> 00:26:52,921
♪ HE CAME INTO YOUR APARTMENT
HE LEFT THE BLOOD STAINS
389
00:26:52,956 --> 00:26:55,855
♪ ON THE CARPET
THEN YOU RAN INTO THE BEDROOM
390
00:26:55,890 --> 00:26:58,375
♪ YOU WERE STRUCK DOWN
IT WAS YOUR DOOM
391
00:26:58,409 --> 00:27:00,619
♪ ANNIE, ARE YOU OKAY
SO ANNIE, ARE YOU OKAY
392
00:27:00,653 --> 00:27:02,897
♪ ARE YOU OKAY, ANNIE
YOU'VE BEEN HIT BY
393
00:27:02,931 --> 00:27:04,968
♪ HIT, HIT
YOU'VE BEEN HIT BY, HIT
394
00:27:05,002 --> 00:27:09,558
♪ A SMOOTH CRIMINAL
♪ ♪
395
00:27:09,593 --> 00:27:15,047
♪ ♪
♪ WOO
396
00:27:15,081 --> 00:27:16,738
SO THEY CAME IN TO THE OUTWAY
♪ IT WAS SUNDAY
397
00:27:16,773 --> 00:27:19,465
WHAT A BLACK DAY
♪ MOUTH-TO-MOUTH RESUSCITATION
398
00:27:19,499 --> 00:27:21,950
SOUNDING HEARTBEATS
♪ INTIMIDATIONS
399
00:27:21,985 --> 00:27:24,194
ANNIE, ARE YOU OKAY
♪ SO ANNIE, ARE YOU OKAY
400
00:27:24,228 --> 00:27:26,852
ARE YOU OKAY, ANNIE
♪ ANNIE, ARE YOU OKAY
401
00:27:26,886 --> 00:27:28,577
ANNIE, ARE YOU OKAY
♪ SO ANNIE, ARE YOU OKAY
402
00:27:28,612 --> 00:27:29,613
ANNIE, ARE YOU OKAY
♪ ARE YOU OKAY, ANNIE
403
00:27:29,648 --> 00:27:31,063
ANNIE, ARE YOU OKAY
♪ ANNIE, ARE YOU OKAY
404
00:27:31,097 --> 00:27:32,720
SO ANNIE, ARE YOU OKAY
♪ ANNIE, ARE YOU OKAY
405
00:27:32,754 --> 00:27:35,619
ARE YOU OKAY, ANNIE
♪ YOU'VE BEEN HIT BY
406
00:27:35,654 --> 00:27:37,966
♪ YOU'VE STRUCK BY
A SMOOTH CRIMINAL
407
00:27:38,001 --> 00:27:43,662
♪ ♪
♪ ♪
408
00:27:43,696 --> 00:27:48,045
♪ ♪
♪ ♪
409
00:27:48,080 --> 00:27:53,016
♪ ♪
♪ ♪
410
00:27:53,050 --> 00:27:57,883
♪ ♪
♪ ♪
411
00:27:57,917 --> 00:28:02,577
♪ ♪
♪ ♪
412
00:28:02,611 --> 00:28:03,751
♪ ANNIE ARE OKAY
I DON'T KNOW
413
00:28:03,785 --> 00:28:04,821
♪ WILL YOU TELL US
THAT YOU'RE OKAY
414
00:28:04,855 --> 00:28:06,270
♪ I DON'T KNOW
THERE'S A SIGN IN THE
415
00:28:06,305 --> 00:28:07,616
♪ I DON'T KNOW
WINDOW
416
00:28:07,651 --> 00:28:08,859
♪ THAT HE STRUCK YOU
WHOA
417
00:28:08,894 --> 00:28:10,274
♪ A CRESCENDO
WHOA
418
00:28:10,309 --> 00:28:11,724
♪ ANNIE
HE CAME INTO HER APARTMENT
419
00:28:11,759 --> 00:28:13,174
♪ I DON'T KNOW
HE LEFT THE BLOOD STAINS
420
00:28:13,208 --> 00:28:14,623
♪ ON THE CARPET
I DON'T KNOW WHY
421
00:28:14,658 --> 00:28:16,108
♪ THEN YOU RAN
INTO THE BEDROOM
422
00:28:16,142 --> 00:28:17,454
♪ YOU WERE STRUCK DOWN
IT WAS YOUR DOOM
423
00:28:17,488 --> 00:28:18,973
♪ DANG ON IT
DANG ON IT BABY
424
00:28:19,007 --> 00:28:20,733
♪ ANNIE ARE OKAY
DANG ON IT BABY
425
00:28:20,768 --> 00:28:22,493
♪ WILL YOU TELL US
THAT YOU'RE OKAY
426
00:28:22,528 --> 00:28:23,978
♪ THEN YOU RAN INTO THE BEDROOM
YOU WERE STRUCK DOWN
427
00:28:24,012 --> 00:28:27,015
♪ IT WAS YOUR DOOM
YOU'VE BEEN HIT BY
428
00:28:27,050 --> 00:28:31,157
YOU'VE BEEN STRUCK BY
♪ A SMOOTH CRIMINAL
429
00:28:31,192 --> 00:28:46,138
[ CHEERS AND APPLAUSE]
♪ ♪
430
00:28:46,138 --> 00:28:46,863
[ CHEERS AND APPLAUSE]
♪ ♪
431
00:28:46,897 --> 00:28:50,004
>> Ariana: THE COMPANY OF "MJ"!
432
00:28:50,038 --> 00:28:51,315
YES!
433
00:28:51,350 --> 00:28:53,559
AND LOOK WHO'S HERE-- SARAH
SILVERMAN!
434
00:28:53,593 --> 00:28:57,805
ALONG WITH BILLY CRYSTAL AND
SHOSHANNA BEAN, AND THE COMPANY.
435
00:28:57,839 --> 00:28:59,151
THEIR PERFORMANCE FROM "MR.
436
00:28:59,185 --> 00:29:02,982
SATURDAY NIGHT" IS NEXT ON THE
75th TONY AWARDS.
437
00:29:03,017 --> 00:29:03,707
THIS IS CBS.
438
00:29:13,510 --> 00:29:18,618
[ APPLAUSE]
WE'RE BACK AT THE TONY AWARDS,
439
00:29:18,653 --> 00:29:33,564
FROM THE 2005 GLASS MEN AGERY
PLEASE WELCOME SARAH PAULSON.
440
00:29:33,564 --> 00:29:33,910
FROM THE 2005 GLASS MEN AGERY
PLEASE WELCOME SARAH PAULSON.
441
00:29:33,944 --> 00:29:42,263
IT IS FUN.
442
00:29:42,297 --> 00:29:45,473
SOMEBODY O
>> I'LL APPLAUD TO THAT.
443
00:29:45,507 --> 00:29:48,027
>> IT'S A PLEASURE FOR US TO BE
REUNITED ONSTAGE, THIS TIME TO
444
00:29:48,062 --> 00:29:51,203
ILLUMINATE THE CONTRIBUTIONS OF
DIRECTORS.
445
00:29:51,237 --> 00:29:53,550
WE'VE BOTH COLLABORATED WITH
ARTISTS WHO BRING INSPIRED
446
00:29:53,584 --> 00:29:56,691
IDEAS AND SOLUTIONS TO A
PRODUCTION, ALONG WITH AN
447
00:29:56,725 --> 00:29:59,107
OPENNESS TO EXPERIMENT.
448
00:29:59,142 --> 00:30:01,558
THEIR UNDERSTANDING OF THE
ACTOR'S JOURNEY ALLOWS ALL
449
00:30:01,592 --> 00:30:05,596
VOICES TO HAVE RESPECT AND
CONSIDERATION.
450
00:30:05,631 --> 00:30:08,910
>> WITH ENERGY AND ENTHUSIASM,
DIRECTORS FOSTER AN ATMOSPHERE
451
00:30:08,945 --> 00:30:13,397
OF TRUST, ENCOURAGING THE
COMPANY AND CREATIVE TEAM TO
452
00:30:13,432 --> 00:30:15,399
DREAM WITHOUT INHIBITION.
453
00:30:15,434 --> 00:30:17,781
DESIGNING WITHIN THEIR VISION OF
THE PLAY, THEY NURTURE AND
454
00:30:17,816 --> 00:30:21,474
CHALLENGE PERFORMERS TO FIND AND
REVEAL THE SUBTLE, UNSPOKEN
455
00:30:21,509 --> 00:30:24,132
TRUTH OF THEIR CHARACTERS.
456
00:30:24,167 --> 00:30:30,380
>> THE NOMINEES FOR BEST
DIRECTION OF A PLAY ARE:
457
00:30:30,414 --> 00:30:35,281
LILEANA BLAIN-CRUZ, "THE SKIN OF
OUR TEETH."
458
00:30:35,316 --> 00:30:38,181
>> CAMILLE A. BROWN, "FOR
COLORED GIRLS WHO HAVE
459
00:30:38,215 --> 00:30:42,426
CONSIDERED SUICIDE/WHEN
THE RAINBOW IS ENUF."
460
00:30:42,461 --> 00:30:46,914
>> SAM MENDES, "THE LEHMAN
TRILOGY."
461
00:30:46,948 --> 00:30:51,297
>> NEIL PEPE, "AMERICAN
BUFFALO."
462
00:30:51,332 --> 00:30:55,888
>> LES WATERS, "DANA H."
463
00:30:55,923 --> 00:31:00,824
>> AND THE TONY AWARD GOES TO:
SAM MENDES, "THE LEHMAN
464
00:31:00,859 --> 00:31:03,551
TRILOGY."
465
00:31:03,585 --> 00:31:09,626
[ CHEERS AND APPLAUSE]
♪ ♪
466
00:31:09,660 --> 00:31:13,112
THIS IS SAM MEN
DENSE THIRD NOMINATION AND
467
00:31:13,147 --> 00:31:16,909
SECOND WIN, HE LAST TOOK HOME IN
2019 IN THE SAME CATEGORY FOR
468
00:31:16,944 --> 00:31:19,222
THE FERRYMEN.
469
00:31:19,256 --> 00:31:22,294
>> THANK YOU VERY, VERY MUCH
INDEED.
470
00:31:22,328 --> 00:31:29,301
IT IS AN HONOR TO BE PART OF THE
COMMUNITY, I'M PROUD ESPECIALLY
471
00:31:29,335 --> 00:31:32,166
THIS YEAR TO BE PART OF THE
BROADWAY COMMUNITY IN A SEASON
472
00:31:32,200 --> 00:31:36,895
OF SUCH RAMPANT CREATIVITY AND
DIVERSITY SO THANK YOU FOR
473
00:31:36,929 --> 00:31:38,137
REMEMBERING US.
474
00:31:38,172 --> 00:31:41,278
I HAVE A LOT OF PEOPLE TO SAY
THANK YOU TO FOR KEEPING THIS
475
00:31:41,313 --> 00:31:44,523
SHOW ALIVE, DURING SOME PRETTY
DARK DAYS SO THANK YOU TO SUE
476
00:31:44,557 --> 00:31:48,285
AND JOHN AND EVERYONE AT THE
NATIONAL THEATRE.
477
00:31:48,320 --> 00:31:53,739
AND REAPER AND EARN AT NEAL
STREET AND CAROLLE FOR HER CLASS
478
00:31:53,773 --> 00:31:55,016
AND TEN ASITY.
479
00:31:55,051 --> 00:32:00,746
AN INCREDIBLE BUNCH OF
COLLABORATORS TO NICK POWELL AND
480
00:32:00,780 --> 00:32:08,271
JOHN CLARK AND THE GENIUS
THAT-- TO STEPH ANKE FOR HIS
481
00:32:08,305 --> 00:32:09,513
BRILLIANTS AND BONKERS PLAY.
482
00:32:09,548 --> 00:32:13,690
TO MY RIGHT ARM AND LEFT ARM
DURING THIS PROCESS SAM AND ZOY,
483
00:32:13,724 --> 00:32:16,762
TO MY HEART, MY WIFE.
484
00:32:16,796 --> 00:32:19,799
BUT ESPECIALLY I WANT TO
DEDICATE THIS TO THREE
485
00:32:19,834 --> 00:32:23,803
EXTRAORDINARY ACTORS, THEY ARE
ALL HONORED HERE TODAY, SO BY
486
00:32:23,838 --> 00:32:26,530
DEFINITION THEY CAN'T ALL BE UP
HERE BUT HAVE I WORKED WITH ALL
487
00:32:26,565 --> 00:32:31,984
OF THEM, ADRIAN, ADAM AND SIMON
FOR 25 YEARS AND IT IS MY GREAT,
488
00:32:32,019 --> 00:32:33,779
GREATS HONOR AND DELIGHT THAT
THEY JUST KEEP GETTING BETTER
489
00:32:33,813 --> 00:32:35,022
AND BETTER.
490
00:32:35,056 --> 00:32:38,197
SO ALL OF THESE, THE THREE OF
THEM, YOU SHARE THIS WITH ME,
491
00:32:38,232 --> 00:32:45,998
THANK YOU VERY, VERY MUCH.
492
00:32:46,033 --> 00:32:48,794
[ CHEERS AND APPLAUSE]
♪ ♪
493
00:32:48,828 --> 00:32:51,797
>> AND NOW, THE VISIONARIES WHO
ARE THE FINAL ARBITERS OF THE
494
00:32:51,831 --> 00:32:55,352
VARIED ELEMENTS THAT COMPRISE A
MUSICAL.
495
00:32:55,387 --> 00:32:59,011
>> AMONG THEIR MANY GIFTS IS THE
SKILL TO COMBINE MANY ART
496
00:32:59,046 --> 00:33:00,426
FORMS INTO ONE.
497
00:33:00,461 --> 00:33:04,499
THE NOMINEES FOR BEST DIRECTION
OF A MUSICAL ARE:
498
00:33:04,534 --> 00:33:11,023
STEPHEN BRACKETT, "A STRANGE
LOOP."
499
00:33:11,058 --> 00:33:15,234
>> MARIANNE ELLIOTT, "COMPANY."
500
00:33:15,269 --> 00:33:21,102
>> CONOR McPHERSON, "GIRL FROM
THE NORTH COUNTRY."
501
00:33:21,137 --> 00:33:26,659
>> LUCY MOSS & JAMIE ARMITAGE,
"SIX: THE MUSICAL."
502
00:33:26,694 --> 00:33:35,151
>> CHRISTOPHER WHEELDON, "MJ."
503
00:33:35,185 --> 00:33:39,258
>> AND THE AMERICAN THEATRE
WING'S TONY AWARD GOES TO:
504
00:33:39,293 --> 00:33:40,363
MARIANNE ELLIOTT, "COMPANY."
505
00:33:40,397 --> 00:33:47,818
[ CHEERS AND APPLAUSE]
♪ ♪
506
00:33:47,853 --> 00:33:50,338
MARIANNE ELLIOTT
EARNED HER THIRD TONY WIN, SHE
507
00:33:50,373 --> 00:33:55,723
PREVIOUSLY WON THE AWARD FOR
2011 WAR HORSE AND 2015 THE
508
00:33:55,757 --> 00:34:08,632
CURIOUS INCIDENT OF THE DOG IN
THE NIGHT TIME.
509
00:34:08,667 --> 00:34:14,190
>> THEY JUST SAID I COULD SWEAR
AS MUCH AS I LIKE.
510
00:34:14,224 --> 00:34:21,542
WOW, THANK YOU FIRST AND
FOREMOST TO STEPHEN SONDHEIM.
511
00:34:21,576 --> 00:34:26,788
[APPLAUSE]
FOR TRUSTING ME TO TELL HIS
512
00:34:26,822 --> 00:34:34,762
STORY IN A DIFFERENT WAY AND
PUTTING A WOMAN FRONT AND
513
00:34:34,795 --> 00:34:35,659
CENTER!
514
00:34:35,694 --> 00:34:37,213
[APPLAUSE]
HE AND I SHARED A BELIEF THAT
515
00:34:37,246 --> 00:34:41,630
THEATER SHOULD BE FOR THE NOW,
THAT SHOULD SPEAK DIRECTLY TO
516
00:34:41,665 --> 00:34:43,081
TODAY'S AUDIENCE.
517
00:34:43,114 --> 00:34:47,809
BUT TO HAVE COLLABORATED WITH
HIM SO CLOSELY, TO HAVE MADE A
518
00:34:47,844 --> 00:34:53,746
SHOW ABOUT NEW YORK ON BROADWAY
WITH NEW YORK'S MOST IMPORTANT
519
00:34:53,781 --> 00:34:56,335
THEATER MAKERS OF MY LIFETIME IT
IS A PRIVILEGE THAT I NEVER
520
00:34:56,370 --> 00:35:04,516
WOULD HAVE IMAGINED OR EVEN
DARED TO IMAGINE EVER IN MY
521
00:35:04,550 --> 00:35:05,413
DAYS.
522
00:35:05,448 --> 00:35:06,932
OUR INDUSTRY HAS BEEN THROUGH SO
MUCH.
523
00:35:06,966 --> 00:35:11,005
IT FELT AT TIMES THAT LIVE
THEATER WAS ENDANGERED.
524
00:35:11,039 --> 00:35:14,491
I WANT THEREFORE TO DEDICATE
THIS AWARD TO ALL OF YOU OUT
525
00:35:14,526 --> 00:35:23,707
THERE WHO ARE FIGHTING FOR THE
SURVIVAL OF THIS BEAUTIFUL
526
00:35:23,742 --> 00:35:25,813
TRANSSPORTIVE AND ESSENTIAL ART
FORM.
527
00:35:25,847 --> 00:35:29,989
TO EVERY ONE OF THE TALENTED AND
DEDICATED TEAM WHO MADE THIS
528
00:35:30,024 --> 00:35:36,064
PRODUCTION HAPPEN, YOU ARE
AMAZING CAST, TO CHRIS HARPER
529
00:35:36,099 --> 00:35:43,762
WHO PAID MY SALARY, TO NICK AND
ELLIOTT HARPER, THE BROADWAY
530
00:35:43,796 --> 00:35:46,730
LEAGUE AND THE AMERICAN THEATRE
WING FOR THIS INCREDIBLE HONOR,
531
00:35:46,765 --> 00:35:48,801
THANK YOU SO MUCH.
532
00:35:48,836 --> 00:36:03,782
[APPLAUSE]
SARAH SILVERMAN.
533
00:36:03,782 --> 00:36:06,716
[APPLAUSE]
SARAH SILVERMAN.
534
00:36:06,750 --> 00:36:10,340
>> THE NEXT NOMINEE FOR BEST
MUSICAL IS BASED ON A FILM
535
00:36:10,375 --> 00:36:13,481
WHICH MARKED THE DIRECTORIAL
DEBUT OF MY FRIEND, BILLY
536
00:36:13,516 --> 00:36:16,588
CRYSTAL, AND BELOVED BY ALL OF
US WHO REVERE THE COMICS
537
00:36:16,622 --> 00:36:18,728
WHO CAME BEFORE US.
538
00:36:18,762 --> 00:36:22,732
"MR. SATURDAY NIGHT" IS THE
HILARIOUS, HEARTWARMING
539
00:36:22,766 --> 00:36:26,701
STORY OF BUDDY YOUNG JR., AN
OUTRAGEOUS AND OUTSPOKEN
540
00:36:26,736 --> 00:36:29,946
COMEDIAN WHO FOUND FLEETING FAME
IN THE EARLY DAYS OF
541
00:36:29,980 --> 00:36:31,465
TELEVISION.
542
00:36:31,499 --> 00:36:36,090
NOW, SOME 40 YEARS AFTER HIS TV
CAREER FLAMED OUT, BUDDY, WHO
543
00:36:36,124 --> 00:36:40,681
REALIZED IT'S LONELY AT THE
MIDDLE, SEEKS ONE LAST CHANCE AT
544
00:36:40,715 --> 00:36:44,202
FIXING THE FAMILY HE FRACTURED
ALONG THE WAY.
545
00:36:44,236 --> 00:36:49,103
PLEASE WELCOME TONY NOMINEES
BILLY CRYSTAL, SHOSHANA BEAN,
546
00:36:49,137 --> 00:36:54,004
AND THE COMPANY OF "MR. SATURDAY
NIGHT."
547
00:36:54,039 --> 00:36:58,250
[ CHEERS AND APPLAUSE]
♪ STICK AROUND
548
00:36:58,285 --> 00:37:02,185
NEVER KNOW WHAT
♪ THE DAY WILL BRING YOU
549
00:37:02,220 --> 00:37:04,601
STICK AROUND
♪ THOUGH YOU SOMETIMES
550
00:37:04,636 --> 00:37:09,054
MAY WONDER WHY
♪ LIFE'S A TRIP
551
00:37:09,088 --> 00:37:11,850
PEOPLE CHANGE WHO
♪ YOU LEAST EXPECTED
552
00:37:11,884 --> 00:37:14,404
YOU WERE STRANGERS
♪ NOW YOU'RE CONNECTED
553
00:37:14,439 --> 00:37:18,477
HEY, WHO KNOWS MAYBE
♪ PIGS CAN FLY
554
00:37:18,512 --> 00:37:23,689
STICK AROUND
♪ IT MAY ALL GO TO HELL TOMORROW
555
00:37:23,724 --> 00:37:28,176
HOLD YOUR GROUND
♪ YOU HAVE MORE THAN
556
00:37:28,211 --> 00:37:34,286
YOU THINK TO SHOW
♪ AND HE SAID OUT LOUD
557
00:37:34,321 --> 00:37:37,496
THAT I MADE HIM PROUD
♪ WHO'S TO SAY HOW CLOSE
558
00:37:37,531 --> 00:37:43,364
WE COULD GROW
♪ SO, STICK AROUND!¡
559
00:37:43,399 --> 00:37:48,749
CAUSE YOU NEVER KNOW
♪ STICK AROUND
560
00:37:48,783 --> 00:37:52,235
DON'T YOU LEAVE WHILE
♪ THE BAND'S STILL PLAYING
561
00:37:52,270 --> 00:37:54,651
RIDE IT OUT
♪ WHO KNOWS WHICH WAY
562
00:37:54,686 --> 00:37:58,931
THE WIND WILL BLOW
♪ TAKE THE NICKEL TOUR
563
00:37:58,966 --> 00:38:01,279
WHO CAN SAY FOR SURE
♪ THEY'RE SURE HOW
564
00:38:01,313 --> 00:38:06,560
THEIR LIFE WILL GO
♪ STICK AROUND
565
00:38:06,594 --> 00:38:10,667
LADIES AND GENTLEMEN
MR. SATURDAY NIGHT
566
00:38:10,702 --> 00:38:15,431
BUDDY YOUNG, JR!
567
00:38:15,465 --> 00:38:20,539
[ CHEERS AND APPLAUSE]
♪ I'M HERE TO BRING A LITTLE JOY
568
00:38:20,574 --> 00:38:23,818
LOOK AT ME SING
♪ NOW WATCH ME DANCE
569
00:38:23,853 --> 00:38:25,855
OH, HEY
♪ YOU'RE GONNA LIKE MY SHTICK
570
00:38:25,889 --> 00:38:27,822
YOU'VE EATEN KUGGEL
♪ 'TIL YOU'RE SICK
571
00:38:27,857 --> 00:38:33,207
BOY, I'D HATE TO BE YOUR PANTS
♪ I'M YOUNG
572
00:38:33,241 --> 00:38:35,382
BUT EV'RY JOKE'S A PEARL
♪ I GOT BETTER LEGS
573
00:38:35,416 --> 00:38:38,799
THAN MILTON BERLE
♪ BEEN WAITED FOR THIS CHANCE
574
00:38:38,833 --> 00:38:43,113
SINCE I WAS A BOY
♪ TO BRING YOU ALL A LITTLE
575
00:38:43,148 --> 00:38:46,634
I PROMISE YOU THIS YID'LL
♪ BRING YOU ALL A LITTLE
576
00:38:46,669 --> 00:38:50,880
>> ALL RIGHT FOLKS, HERE'S WHAT
YOU ALL KNOW WHAT JAZZ SCAT
577
00:38:50,914 --> 00:38:54,711
SINGING IS, RIGHT?
578
00:38:54,746 --> 00:38:59,854
WHAT I'M GONNA DO IS YIDDISH
SCAT SINGING!
579
00:38:59,889 --> 00:39:01,511
AND AT SOME POINT I'M GOING TO
ASK YOU TO JOIN IN WITH ME, ALL
580
00:39:01,546 --> 00:39:05,273
RIGHT?
581
00:39:05,308 --> 00:39:10,727
VER RARE.
582
00:39:10,762 --> 00:39:11,797
ELLA FITZGERALD, I APOLOGIZE.
583
00:39:11,832 --> 00:39:22,567
[ SCAT SINGING IN YIDDISH]
♪ ♪
584
00:39:22,601 --> 00:39:28,504
>> ALL RIGHT NOW, YOUR TURN.
585
00:39:28,538 --> 00:39:38,306
TRY NOT TO SPIT ON THE PERSON
SITTING IN FRONT OF YOU.
586
00:39:38,341 --> 00:39:39,894
REPEAT AFTER ME.
587
00:39:39,929 --> 00:39:53,839
[ SCAT SINGING IN YIDDISH]
[ SCAT SINGING IN YIDDISH]
588
00:39:53,874 --> 00:40:05,126
[ SCAT SINGING IN YIDDISH]
[ SCAT SINGING IN YIDDISH]
589
00:40:05,161 --> 00:40:10,856
[ SCAT SINGING IN YIDDISH]
[ APPLAUSE]
590
00:40:10,891 --> 00:40:22,696
[ SCAT SINGING IN YIDDISH]
HEY BALCONY!
591
00:40:22,730 --> 00:40:29,634
HEY BALCONY!
592
00:40:29,668 --> 00:40:33,948
AN OLD JEWS NIGHTMARE, STAIRS!
593
00:40:33,983 --> 00:40:36,157
HEY BALCONY WITH ME?
594
00:40:36,192 --> 00:40:48,031
[ SCAT SINGING IN YIDDISH]
[ SCAT SINGING IN YIDDISH]
595
00:40:48,066 --> 00:40:55,280
NOW, I'M GOING TO CUT YOU IN
HALF LIKE THE RED SEA.
596
00:40:55,314 --> 00:40:57,178
WHEN I POINT TO YOU,
REPEAT AFTER ME.
597
00:40:57,213 --> 00:40:59,940
SAY "“OY."”
>> OY.
598
00:40:59,974 --> 00:41:03,184
>> SAY "“VEY."”
>> VEY.
599
00:41:03,219 --> 00:41:05,014
>> SAY "“OY."”
>> OY.
600
00:41:05,048 --> 00:41:06,636
>> SAY "“VEY."”
>> VEY.
601
00:41:06,671 --> 00:41:08,880
>> OY.
602
00:41:08,914 --> 00:41:10,744
>> SAY "“VEY."”
>> OY.
603
00:41:10,778 --> 00:41:11,054
VEY.
604
00:41:11,089 --> 00:41:11,779
OY.
605
00:41:11,814 --> 00:41:12,953
VEY.
606
00:41:12,987 --> 00:41:13,643
OY, VEY.
607
00:41:13,678 --> 00:41:16,370
OY, VEY.
608
00:41:16,404 --> 00:41:19,338
♪ ♪
I'M HERE TO BRING A LITTLE
609
00:41:19,373 --> 00:41:22,065
JOY.
610
00:41:22,100 --> 00:41:26,484
FOLKS IF YOU LIKE ME, I'M BUDDY
YOUNG JR.
611
00:41:26,518 --> 00:41:29,003
AND IF YOU DIDN'T, I'M HUGH
JACKMAN!
612
00:41:29,038 --> 00:41:32,524
[ LAUGHTER]
[ CHEERS AND APPLAUSE]
613
00:41:32,559 --> 00:41:47,505
♪ ♪
[ CHEERS AND APPLAUSE]
614
00:41:47,505 --> 00:41:48,436
♪ ♪
[ CHEERS AND APPLAUSE]
615
00:41:48,471 --> 00:41:50,404
♪ ♪
>> Announcer: COMING UP, A 15th
616
00:41:50,438 --> 00:41:52,855
ANNIVERSARY REUNION OF "SPRING
AWAKENING."
617
00:41:52,889 --> 00:41:55,478
AND NEXT, A PERFORMANCE FROM
"COMPANY" ON THE 75th TONY
618
00:41:55,513 --> 00:41:56,962
AWARDS.
619
00:41:56,997 --> 00:41:58,792
THIS IS CBS.
620
00:42:06,144 --> 00:42:13,565
♪ ♪
[ APPLAUSE]
621
00:42:13,600 --> 00:42:17,189
>> Ariana: WELCOME BACK TO THE
TONY AWARDS.
622
00:42:17,224 --> 00:42:21,987
YOU KNOW, BOB FOSSE WAS ONE OF
THE GREATEST CHOREOGRAPHERS OF
623
00:42:22,022 --> 00:42:23,920
ALL TIME.
624
00:42:23,955 --> 00:42:29,788
AND YOU KNOW WHO KNOWS A THING
OR TWO ABOUT BOB FOSSE?
625
00:42:29,823 --> 00:42:41,282
SAM ROCKWELL, WHO'S CONVENIENTLY
RIGHT HERE.
626
00:42:41,317 --> 00:42:47,254
[ LAUGHTER]
SHALL WE?
627
00:42:47,288 --> 00:42:52,500
♪ ♪
♪ ♪
628
00:42:52,535 --> 00:43:00,129
♪ ♪
♪ ♪
629
00:43:00,163 --> 00:43:02,752
WOO!
630
00:43:02,787 --> 00:43:08,724
[ LAUGHS]
[ APPLAUSE]
631
00:43:08,758 --> 00:43:12,003
>> Ariana: I LOVE HIM!
632
00:43:12,037 --> 00:43:12,659
YOU'RE GENIUS.
633
00:43:12,693 --> 00:43:16,904
MY BUDDY, SAM ROCKWELL!
634
00:43:16,939 --> 00:43:18,147
-- YOU KNOW WHAT THE TWO OF US,
WE WORKED TOGETHER ON A MOVIE
635
00:43:18,181 --> 00:43:20,356
THAT YOU HAVEN'T SEEN YET WHICH
IS FINE.
636
00:43:20,390 --> 00:43:25,119
BUT WE'VE ALSO, WE'RE WORKED
INCREDIBLE FOSSE DANCERS LIKE
637
00:43:25,154 --> 00:43:28,467
MARY ANN LAMB AND SUZIE MEISNER.
638
00:43:28,502 --> 00:43:30,159
SAM IS NOMINATED TONIGHT FOR
"AMERICAN BUFFALO."
639
00:43:30,193 --> 00:43:42,792
HIS CO-STAR, LAURENCE FISHBURNE,
HE DOES AN INCREDIBLE
640
00:43:42,827 --> 00:43:43,862
>> THANK YOU, AND WELCOME TO THE
TONY AWARDS.
641
00:43:43,897 --> 00:43:49,454
AND THANK YOU FOR YOUR
CONTRIBUTION TO THE AMERICAN
642
00:43:49,488 --> 00:43:53,044
THEATRE!
643
00:43:53,078 --> 00:44:02,260
[ APPLAUSE]
>> LAURENCE FISHBURNE!
644
00:44:02,294 --> 00:44:04,055
AND NOW, WE'LL CONTINUE OUR 75th
ANNIVERSARY CELEBRATION WITH AN
645
00:44:04,089 --> 00:44:05,988
ACTOR WHO MADE HIS BROADWAY
DEBUT IN THE ORIGINAL PRODUCTION
646
00:44:06,022 --> 00:44:08,576
OF "SPRING AWAKENING" ALONG WITH
AN ACTRESS WHO WON A TONY AWARD
647
00:44:08,611 --> 00:44:10,993
FOR HER PERFORMANCE IN "GOD OF
CARNAGE."
648
00:44:11,027 --> 00:44:15,618
PLEASE WELCOME SKYLAR ASTIN AND
MARCIA GAY HARDEN.
649
00:44:15,653 --> 00:44:23,591
[ CHEERS AND APPLAUSE]
♪ ♪
650
00:44:23,626 --> 00:44:27,872
>> IT TOOK THE ENTIRE COMMUNITY
TO BRING BROADWAY BACK TO
651
00:44:27,906 --> 00:44:31,013
WELCOME ALMOST SEVEN MILLION
THEATERGOERS TO A SHORTENED
652
00:44:31,047 --> 00:44:32,635
SEASON.
653
00:44:32,670 --> 00:44:35,742
THE BROADWAY LEAGUE CELEBRATES
THE CRUCIAL ROLE PLAYED BY THE
654
00:44:35,776 --> 00:44:39,987
COVID SAFETY MANAGERS.
655
00:44:40,022 --> 00:44:44,716
[ CHEERS AND APPLAUSE]
150 OF THEM ARE HERE TONIGHT AS
656
00:44:44,751 --> 00:44:49,721
GUESTS OF THE TONYS.
657
00:44:49,756 --> 00:44:51,550
LET'S HEAR IT.
658
00:44:51,585 --> 00:45:03,804
[ APPLAUSE]
>> THEIR DILIGENCE MADE IT
659
00:45:03,839 --> 00:45:07,014
POSSIBLE FOR AUDIENCE MEMBERS TO
FEEL AND BE SAFE, AND THEY
660
00:45:07,049 --> 00:45:10,052
CONTINUE TO KEEP EVERYONE
ONSTAGE AND BACKSTAGE ABLE TO
661
00:45:10,086 --> 00:45:11,812
PERFORM.
662
00:45:11,847 --> 00:45:15,540
AMONG THOSE IN THEIR DEBT ARE
THESE SIX ARTISTS.
663
00:45:15,574 --> 00:45:18,232
>> THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTRESS IN A
664
00:45:18,267 --> 00:45:25,239
FEATURED ROLE IN A PLAY ARE:
UZO ADUBA, "CLYDE'S."
665
00:45:25,274 --> 00:45:32,074
>> RACHEL DRATCH, "POTUS: OR,
>> KENITA R. MILLER, "FOR
666
00:45:32,108 --> 00:45:34,835
COLORED GIRLS WHO HAVE
CONSIDERED SUICIDE/WHEN THE
667
00:45:34,870 --> 00:45:36,664
RAINBOW IS ENUF."
668
00:45:36,699 --> 00:45:42,567
>> PHYLICIA RASHAD, "SKELETON
CREW."
669
00:45:42,601 --> 00:45:46,536
>> JULIE WHITE, "POTUS."
670
00:45:46,571 --> 00:45:51,369
>> AND KARA YOUNG, "CLYDE'S."
671
00:45:51,403 --> 00:45:55,545
>> AND THE TONY AWARD GOES TO:
PHYLICIA RASHAD, "SKELETON
672
00:45:55,580 --> 00:45:59,308
CREW."
673
00:45:59,342 --> 00:46:04,347
[ CHEERS AND APPLAUSE]
♪ ♪
674
00:46:04,382 --> 00:46:07,005
THIS IS THE THIRD NOMINATION AND
SECOND WIN.
675
00:46:07,040 --> 00:46:17,015
SHE PREVIOUSLY TOOK HOME A TONY
FOR PLAYING IN A RAISIN IN THE
676
00:46:17,050 --> 00:46:31,961
SUN.
677
00:46:31,961 --> 00:46:33,066
SUN.
678
00:46:35,896 --> 00:46:44,215
>> JUST WHEN I THOUGHT I HAD
DONE EVERYTHING THERE WAS TO DO,
679
00:46:44,249 --> 00:46:54,535
ALONG CAME SKELETON CREW.
680
00:46:54,570 --> 00:47:00,507
YOU DON'T COME TO THIS PLACE
ALONE.
681
00:47:00,541 --> 00:47:03,821
YOU HEARD OTHERS SAY IT TONIGHT,
AND IT'S TRUE.
682
00:47:03,855 --> 00:47:11,587
IT'S THE WORK OF MANY PEOPLE.
683
00:47:11,621 --> 00:47:15,280
DOMINIQUE, THANK YOU VERY MUCH
FOR WRITING THIS PLAY.
684
00:47:15,315 --> 00:47:22,460
THAT ONLY YOU COULD HAVE
WRITTEN.
685
00:47:22,494 --> 00:47:31,918
AND RUBEN, THANK YOU FOR
PRESENTING ME WITH A WORK THAT
686
00:47:31,952 --> 00:47:36,474
WAS CHALLENGING, DEMANDING AND
MOST REWARDING.
687
00:47:36,508 --> 00:47:42,169
THANK YOU FOR CASTING THE PLAY
THE WAY YOU DID, GIVING ME
688
00:47:42,204 --> 00:47:46,484
WONDERFUL ACTORS TO WORK WITH,
LYNNE MEADOWS THANK YOU VERY
689
00:47:46,518 --> 00:47:49,521
MUCH, THANK YOU MANHATTAN
THEATRE CLUB FOR SUPPORTING THIS
690
00:47:49,556 --> 00:47:52,731
PLAY AND SEEING US THROUGH AND
THANK YOU TO THE PEOPLE WHO CAME
691
00:47:52,766 --> 00:48:01,016
TO SEE IT.
692
00:48:01,050 --> 00:48:03,397
MOMMY, I HOPE YOU'RE WATCHING.
693
00:48:03,432 --> 00:48:08,023
YOU WERE HERE WITH ME THE LAST
TIME AND EVEN THOUGH YOU'RE OUT
694
00:48:08,057 --> 00:48:11,095
WEST, I FEEL LIKE YOU'RE HERE
WITH ME NOW.
695
00:48:11,129 --> 00:48:14,995
IT IS WONDERFUL TO BE A PART OF
THIS COMMUNITY.
696
00:48:15,030 --> 00:48:20,794
IT IS WONDERFUL TO PRESENT
HUMANITARIAN IN ITS FULLNESS AND
697
00:48:20,828 --> 00:48:23,521
TO FEEL IT.
698
00:48:23,555 --> 00:48:29,113
THANK YOU ALL SO VERY MUCH.
699
00:48:29,147 --> 00:48:32,150
[APPLAUSE]
[ CHEERS AND APPLAUSE]
700
00:48:32,185 --> 00:48:33,911
♪ ♪
>> Announcer: NOW, RETURNING TO
701
00:48:33,945 --> 00:48:35,464
BROADWAY IN THE REVIVAL OF "INTO
THE WOODS," A TONY WINNER FOR
702
00:48:35,498 --> 00:48:38,156
HER LEADING PERFORMANCE IN THE
REVIVAL OF "PIPPIN," PLEASE
703
00:48:38,191 --> 00:48:42,436
WELCOME PATINA MILLER.
704
00:48:42,471 --> 00:48:49,512
[ CHEERS AND APPLAUSE]
>> REIMAGINING AN ICONIC ROLE
705
00:48:49,547 --> 00:48:52,722
THAT WAS ORIGINATED BY A MALE
ACTOR CAN BE AS EYE-OPENING AS
706
00:48:52,757 --> 00:48:57,796
IT IS FULFILLING.
707
00:48:57,831 --> 00:48:59,074
REALLY FULFILLING.
708
00:48:59,108 --> 00:49:00,558
IN THE REVELATORY NEW PRODUCTION
OF THE GROUNDBREAKING MUSICAL
709
00:49:00,592 --> 00:49:03,216
COMPANY, "“BOBBY"” THE HABITUAL
BACHELOR, IS REIMAGINED AS"“
710
00:49:03,250 --> 00:49:04,976
BOBBIE,"” A SINGLE WOMAN.
711
00:49:05,011 --> 00:49:08,083
HER MARRIED FRIENDS SMOTHER HER
WITH LOVE AND QUESTIONS: ISN'T
712
00:49:08,117 --> 00:49:11,120
IT TIME TO FIND THE RIGHT MAN
AND START A FAMILY?
713
00:49:11,155 --> 00:49:14,572
THE CURTAIN RISES ON BOBBIE'S
SURPRISE 35th BIRTHDAY PARTY
714
00:49:14,606 --> 00:49:17,057
AS HER FRIENDS GET INTO HER
HEAD.
715
00:49:17,092 --> 00:49:21,993
NOMINATED FOR BEST REVIVAL OF A
MUSICAL, THIS IS "COMPANY"!
716
00:49:22,028 --> 00:49:31,209
[ CHEERS AND APPLAUSE]
♪ ♪
717
00:49:31,244 --> 00:49:40,736
♪ ♪
♪ ♪
718
00:49:40,770 --> 00:49:41,806
♪ ♪
♪ BOBBIE
719
00:49:41,840 --> 00:49:43,497
BOBBIE
♪ BOBBIE BABY
720
00:49:43,532 --> 00:49:45,292
BOBBIE BUBI
♪ DARLING
721
00:49:45,327 --> 00:49:46,569
BOO BOO, SWEETIE
♪ ANGEL, WILL YOU
722
00:49:46,604 --> 00:49:48,019
BOBBIE
♪ DO US A FAVOR
723
00:49:48,054 --> 00:49:49,503
BOBBIE
♪ BOBBIE BABY
724
00:49:49,538 --> 00:49:50,988
TELL ME, SARAH
♪ BOBBIE, BUBI
725
00:49:51,022 --> 00:49:52,506
BOBBIE LOVE
♪ DOLL
726
00:49:52,541 --> 00:49:53,645
I'D LIKE YOUR
♪ PUMPKIN
727
00:49:53,680 --> 00:49:55,026
OPINION
♪ BOBBIE, GIRL
728
00:49:55,061 --> 00:49:55,993
BOBBIE, HONEY
♪ TRY ME, PETER
729
00:49:56,027 --> 00:49:56,717
BOBBIE
♪ BOBBIE
730
00:49:56,752 --> 00:49:57,718
ANGEL
♪ THERE'S A PROBLEM
731
00:49:57,753 --> 00:49:58,374
BOBBIE
♪ I NEED YOUR
732
00:49:58,409 --> 00:49:59,686
DARLING
♪ ADVICE
733
00:49:59,720 --> 00:50:01,481
BOBBIE BABY
♪ JAMIE, CAN I
734
00:50:01,515 --> 00:50:03,345
CALL YOU BACK TOMORROW
♪ JUST HALF AN HOUR
735
00:50:03,379 --> 00:50:04,829
HONEY, IF YOU'D VISIT THE
♪ BOBBIE
736
00:50:04,863 --> 00:50:05,761
SWEETHEART
♪ SUGAR
737
00:50:05,795 --> 00:50:06,796
KIDS ONCE OR TWICE
♪ BUBI
738
00:50:06,831 --> 00:50:08,764
JENNY, I COULD
♪ TAKE THEM TO THE ZOO ON FRIDAY
739
00:50:08,798 --> 00:50:10,455
♪ WHERE HAVE YOU BEEN
♪ BOBBIE
740
00:50:10,490 --> 00:50:12,078
BOBBIE
♪ WHERE HAVE
741
00:50:12,112 --> 00:50:17,014
HAVE YOU BEEN
♪ YOU BEEN
742
00:50:17,048 --> 00:50:18,981
♪ WE'VE BEEN
WE'VE BEEN THINKING OF YOU
743
00:50:19,016 --> 00:50:19,740
♪ THINKING OF YOU
BOBBIE
744
00:50:19,775 --> 00:50:21,397
♪ SORRY, PAUL
I MADE A DATE WITH
745
00:50:21,432 --> 00:50:25,022
♪ DROP BY
ANY TIME
746
00:50:25,056 --> 00:50:29,336
♪ BOBBIE DEAR
IT'S NONE OF MY BUSINESS
747
00:50:29,371 --> 00:50:30,751
BOBBIE BABY
♪ BOBBIE, SWEETIE
748
00:50:30,786 --> 00:50:32,581
DID I DO SOMETHING WRONG
♪ BOBBIE, COME ON
749
00:50:32,615 --> 00:50:35,342
OVER FOR DINNER
♪ WE'LL BE SO GLAD TO SEE YOU
750
00:50:35,377 --> 00:50:40,451
BOBBIE, COME ON OVER FOR DINNER
♪ JUST BE THE THREE OF US
751
00:50:40,485 --> 00:50:53,705
ONLY THE THREE OF US
♪ WE LOVE
752
00:50:53,740 --> 00:51:02,093
♪ YOU
♪ IN COMES COMPANY
753
00:51:02,128 --> 00:51:09,100
NO STRINGS, GOOD TIMES
♪ JUST CHUMS, COMPANY
754
00:51:09,135 --> 00:51:11,758
LATE NIGHTS, QUICK BITES
♪ PARTY GAMES
755
00:51:11,792 --> 00:51:17,108
DEEP TALKS, LONG WALKS
♪ TELEPHONE CALLS
756
00:51:17,143 --> 00:51:19,593
THOUGHTS SHARED, SOULS BARED
♪ PRIVATE NAMES
757
00:51:19,628 --> 00:51:25,012
ALL THOSE PHOTOS
♪ UP ON THE WALLS
758
00:51:25,047 --> 00:51:30,949
WITH LOVE
♪ WITH LOVE
759
00:51:30,984 --> 00:51:38,233
FILLING THE DAYS
♪ WITH LOVE, 70 WAYS
760
00:51:38,267 --> 00:51:44,170
TO BOBBIE, WITH LOVE
♪ FROM ALL THESE
761
00:51:44,204 --> 00:51:47,311
GOOD AND CRAZY PEOPLE
♪ YOUR FRIENDS
762
00:51:47,345 --> 00:51:52,074
THESE GOOD AND CRAZY PEOPLE
♪ YOUR MARRIED FRIENDS
763
00:51:52,109 --> 00:51:55,491
AND THAT'S WHAT IT'S ALL ABOUT
♪ ISN'T IT
764
00:51:55,526 --> 00:51:59,116
THAT'S WHAT IT'S REALLY ABOUT
♪ ISN'T IT
765
00:51:59,150 --> 00:52:02,981
THAT'S WHAT IT'S REALLY ABOUT
♪ REALLY ABOUT
766
00:52:03,016 --> 00:52:05,536
YOU I LOVE AND YOU I LOVE
♪ AND YOU AND YOU I LOVE
767
00:52:05,570 --> 00:52:08,090
AND YOU I LOVE AND YOU I LOVE
♪ AND YOU AND YOU I LOVE
768
00:52:08,125 --> 00:52:11,438
I LOVE
♪ ISN'T IT, ISN'T IT, ISN'T IT
769
00:52:11,473 --> 00:52:16,098
COMPANY
♪ COMPANY
770
00:52:16,133 --> 00:52:18,618
COMPANY
♪ LOTS OF COMPANY
771
00:52:18,652 --> 00:52:22,932
LIFE IS COMPANY
♪ LOVE IS COMPANY
772
00:52:22,967 --> 00:52:37,913
COMPANY ♪
[ CHEERS AND APPLAUSE]
773
00:52:37,913 --> 00:52:39,811
COMPANY ♪
[ CHEERS AND APPLAUSE]
774
00:52:39,846 --> 00:52:41,675
♪ ♪
>> Ariana: THE CAST OF "COMPANY"
775
00:52:41,710 --> 00:52:45,679
IN AN ACTUAL-SIZE NEW YORK CITY
APARTMENT!
776
00:52:45,714 --> 00:52:47,854
SAMUEL L. JACKSON AND LATANYA
RICHARDSON JACKSON ARE IN THE
777
00:52:47,888 --> 00:52:49,338
WINGS.
778
00:52:49,373 --> 00:52:52,203
AND WE'VE GOT BOB DYLAN'S MUSIC
IN A PERFORMANCE FROM "GIRL FROM
779
00:52:52,238 --> 00:52:53,515
THE NORTH COUNTRY."
780
00:52:53,549 --> 00:52:55,344
THE 75th TONY AWARDS.
781
00:52:55,379 --> 00:52:57,726
THIS IS CBS!
782
00:53:10,532 --> 00:53:25,443
>> Announcer: AND NOW, THE
PRESIDENT OF CARNEGIE MELLON
783
00:53:25,443 --> 00:53:27,790
>> Announcer: AND NOW, THE
PRESIDENT OF CARNEGIE MELLON
784
00:53:27,825 --> 00:53:30,379
ANNIVERSARY WE HONOR THE LEGACY
OF THE WOMAN FOR WHOM THE TONY
785
00:53:30,414 --> 00:53:37,041
AWARDS ARE NAMED.
786
00:53:37,075 --> 00:53:40,734
COFOUNDER AND FORMER CHAIR OF
THE AMERICAN THEATRE WING ANTOIN
787
00:53:40,769 --> 00:53:45,325
ETH PERRY LAID THE GROUND WORK
FOR MORE THAN 100 YEARS OF
788
00:53:45,360 --> 00:53:49,674
PROGRAMMING DESIGNED TO EMPOWER
GENERATIONS OF PEOPLE IN THE
789
00:53:49,709 --> 00:53:51,124
THEATER.
790
00:53:51,158 --> 00:53:52,367
THE WING'S ANDREW LLOYD WEBBER
INITIATIVE PROVIDES TRAINING AND
791
00:53:52,401 --> 00:53:57,475
UNIVERSITY SCHOLARSHIPS FOR
PROMISING YOUNG CREATIVES,
792
00:53:57,510 --> 00:53:58,683
MATCHING THEM WITH PROFESSIONAL
MENTORS LIKE ME.
793
00:53:58,718 --> 00:54:02,618
I KNOW FIRSTHAND THE POWER OF
MENTORSHIP; MY OWN PERSONAL
794
00:54:02,653 --> 00:54:07,209
GUIDE HAPPENS TO BE ONE OF
TONIGHT'S NOMINEES.
795
00:54:07,244 --> 00:54:11,731
HI DAD.
796
00:54:11,765 --> 00:54:20,740
NOW, I'M VERY PROUD TO INTRODUCE
[ CHEERS AND APPLAUSE]
797
00:54:20,774 --> 00:54:27,160
MY OWN MENTEE, JULIA SCHICK.
798
00:54:27,194 --> 00:54:34,961
[ CHEERS AND APPLAUSE]
>> THANKS, LILLI.
799
00:54:34,995 --> 00:54:36,618
I HAVE RECEIVED THREE SEPARATE
SCHOLARSHIPS FROM THE WING SINCE
800
00:54:36,652 --> 00:54:39,310
2017.
801
00:54:39,345 --> 00:54:42,831
MOST IMPORTANTLY, IT HAS GIVEN
ME THE OPPORTUNITY TO HONE MY
802
00:54:42,865 --> 00:54:44,039
CRAFT SO THAT I MAY TOO TOUCH
AUDIENCES' HEARTS THE WAY ALL OF
803
00:54:44,073 --> 00:54:52,289
YOU HAVE TOUCHED MINE.
804
00:54:52,323 --> 00:54:55,947
♪ ♪
>> Announcer: RETURNING TO
805
00:54:55,982 --> 00:54:57,915
BROADWAY NEXT FALL, PLEASE
WELCOME AND TONY NOMINEE LATANYA
806
00:54:57,949 --> 00:55:07,269
RICHARDSON JACKSON AND ACADEMY
AWARD WINNER SAMUEL L. JACKSON.
807
00:55:07,304 --> 00:55:10,790
>> MY FIRST JOB ON BROADWAY WAS
AS AN UNDERSTUDY 32 YEARS
808
00:55:10,824 --> 00:55:15,242
AGO IN AUGUST WILSON'S "THE
PIANO LESSON."
809
00:55:15,277 --> 00:55:19,246
SO, I AM THRILLED TO BE COMING
BACK IN SEPTEMBER IN A REVIVAL
810
00:55:19,281 --> 00:55:29,809
OF "THE PIANO LESSON," THIS TIME
DIRECTED BY MY WIFE, LATANYA--
811
00:55:29,843 --> 00:55:37,299
THE FIRST WOMAN TO DIRECT AN
AUGUST WILSON PLAY ON BROADWAY!
812
00:55:37,334 --> 00:55:41,199
WE ARE PROUD TO BE REVIVING
ONE OF HIS PROFOUND
813
00:55:41,234 --> 00:55:46,895
MASTERPIECES.
814
00:55:46,929 --> 00:55:50,312
>> WHEN TAKING ON A CLASSIC,
ARTISTS HONOR THE AUTHOR'S
815
00:55:50,347 --> 00:55:54,351
INTENT, WHILE ALSO STRIVING TO
CREATE SOMETHING NEW AND
816
00:55:54,385 --> 00:55:59,114
UNEXPECTED FOR CURRENT
AUDIENCES.
817
00:55:59,148 --> 00:56:03,532
THE PRODUCTIONS NOMINATED FOR
THIS NEXT AWARD REVITALIZE WORKS
818
00:56:03,567 --> 00:56:10,090
THAT ARE BOTH OF THEIR TIME, YET
TIMELESS.
819
00:56:10,125 --> 00:56:15,958
HERE ARE THE NOMINEES FOR BEST
REVIVAL OF A PLAY.
820
00:56:15,958 --> 00:56:25,036
HERE ARE THE NOMINEES FOR BEST
REVIVAL OF A PLAY.
821
00:56:42,882 --> 00:56:52,823
>> THE AMERICAN THEATRE WING'S
TONY GOES TO:
822
00:56:52,857 --> 00:56:59,657
"TAKE ME OUT."
823
00:56:59,692 --> 00:57:01,970
ACCEPTING THE
AWARD FOR TAKE ME OUT PRODUCER
824
00:57:02,004 --> 00:57:16,916
CAROLE ROTHMAN. IS OKAY.
825
00:57:16,916 --> 00:57:24,820
CAROLE ROTHMAN. IS OKAY.
826
00:57:24,855 --> 00:57:30,170
THANK YOU TO THE AMERICAN
THEATRE WING.
827
00:57:30,205 --> 00:57:34,658
OKAY, OKAY, IN HAS BEEN A TOUGH
TIME FOR THE THEATRE FOR OUR
828
00:57:34,692 --> 00:57:38,731
ARTISTS AND FOR NEW YORK CITY
AND IT'S TAKEN GREAT COURAGE AND
829
00:57:38,765 --> 00:57:41,768
COMMITMENT ON THE PART OF SO
MANY PEOPLE TO COME BACK TO THE
830
00:57:41,803 --> 00:57:44,219
THEATRE WHICH IS A PLACE OF JOY
AND HOPE.
831
00:57:44,253 --> 00:57:46,946
EVERYONE AT SECOND STAGE IS
IMMENSELY PROUD OF OUR
832
00:57:46,980 --> 00:57:51,709
PRODUCTION OF TAKE ME OUT AND
CLYDE'S, THANK YOU RICHARD
833
00:57:51,744 --> 00:57:58,026
GREENBERG FOR YOUR BRILLIANT
PLAY, SCOTT FOR YOUR INSPIRED
834
00:57:58,060 --> 00:57:59,337
DIRECTION.
835
00:57:59,372 --> 00:58:02,513
KEN GRAY, DAVE, LINDA FOR THEIR
ELEGANT DESIGNS, STAGE MANAGERS
836
00:58:02,548 --> 00:58:06,586
BARKLEY AND PELLEY, THE CREW,
THE UNDERSTUDIES.
837
00:58:06,621 --> 00:58:12,350
THE REMARKABLE COMPANY THAT HAS
STUCK WITH IT FOR TWO YEAR,
838
00:58:12,385 --> 00:58:20,704
PATRICK ADD YAM-- ADAMS, JULIA,
CARL'S LUND STAFF, KEN, MICHAEL,
839
00:58:20,738 --> 00:58:27,607
EDUARDO, TYLER AND JESSE.
840
00:58:27,642 --> 00:58:32,198
AN A SPECIAL SHOUT OUT TO MY
CHILDREN MOLLY AND CHARLIE,
841
00:58:32,232 --> 00:58:38,238
THEY'RE MY HEROES.
842
00:58:38,273 --> 00:58:42,449
NOW AN ACTOR WHO MADE HIS
BROADWAY DEBUT IN CHILDREN OF A
843
00:58:42,484 --> 00:58:49,733
LESSER GOD ANTHONY EDWARDS.
844
00:58:49,767 --> 00:59:04,713
>> GOOD EVENING.
845
00:59:04,713 --> 00:59:09,649
>> GOOD EVENING.
846
00:59:14,585 --> 00:59:18,106
THIS SHOW GOT INTO A SITUATION
WHERE THERE WERE NO MORE SWINGS
847
00:59:18,140 --> 00:59:23,525
OR UNDERSTUDIES AND I WAS ASKED
IF HE LAST MINUTE IF I WOULD
848
00:59:23,560 --> 00:59:26,079
COVER A ROLE.
849
00:59:26,114 --> 00:59:27,356
TERRIFIED.
850
00:59:27,391 --> 00:59:28,565
TRULY.
851
00:59:28,599 --> 00:59:32,776
BUT SHARING THE STAGE WITH THESE
PERFORMERS WAS A ONCE IN A
852
00:59:32,810 --> 00:59:36,711
LIFETIME EXPERIENCE, THE
SPIRITUALITY, THE UPLIFTING,
853
00:59:36,745 --> 00:59:41,992
BEAUTIFUL AND ORIGINAL STORY,
BOLDLY REIMAGINES THE LEGENDARY
854
00:59:42,026 --> 00:59:48,723
SONGS OF BOB DYLAN, IT IS SET IN
DULUTH, MINNESOTA N1934, A GROUP
855
00:59:48,757 --> 00:59:53,348
OF WANDERERS LIVES INTERSECT IN
A HOUSE FULL OF MUSIC, LIFE AND
856
00:59:53,382 --> 00:59:56,972
HOPE, PLEASE WELCOME TONY
NOMINEES MARE WINNINGHAM,
857
00:59:57,007 --> 00:59:59,112
JEANNETTE BAYARDELLE AND THE
COMPANY FROM THE GIRL FROM THE
858
00:59:59,147 --> 01:00:04,808
NORTH COUNTRY.
859
01:00:04,842 --> 01:00:06,775
♪ ONCE UPON A TIME
YOU DRESSED SO FINE
860
01:00:06,810 --> 01:00:10,745
♪ YOU THREW THE BUMS
A DIME IN YOUR PRIME
861
01:00:10,779 --> 01:00:17,855
♪ DIDN'T YOU
PEOPLE'D CALL, SAY
862
01:00:17,890 --> 01:00:19,995
♪ BEWARE DOLL
YOU'RE BOUND TO FALL
863
01:00:20,030 --> 01:00:27,382
♪ YOU THOUGHT THEY WERE
ALL KIDDIN' YOU
864
01:00:27,416 --> 01:00:39,739
♪ YOU USED TO LAUGH ABOUT
AHH
865
01:00:39,774 --> 01:00:40,602
♪ EVERYBODY THAT WAS HANGIN' OUT
AHH
866
01:00:40,637 --> 01:00:41,396
♪ NOW YOU DON'T TALK SO LOUD
AHH
867
01:00:41,430 --> 01:00:43,881
♪ NOW YOU DON'T SEEM SO PROUD
AHH
868
01:00:43,916 --> 01:00:51,993
♪ ABOUT HAVING TO BE SCROUNGING
FOR YOUR NEXT MEAL
869
01:00:52,027 --> 01:00:56,791
♪ OH, BUT HOW DOES IT FEEL
HOW DOES IT FEEL
870
01:00:56,825 --> 01:01:00,864
♪ HOW DOES IT FEEL
HOW DOES IT FEEL
871
01:01:00,898 --> 01:01:05,247
♪ TO BE ON YOUR OWN
HOW DOES IT FEEL
872
01:01:05,282 --> 01:01:10,045
♪ WITH NO DIRECTION HOME
HOW DOES IT FEEL
873
01:01:10,080 --> 01:01:14,084
♪ A COMPLETE UNKNOWN
HOW DOES IT FEEL
874
01:01:14,118 --> 01:01:29,064
♪ YA LIKE A ROLLING STONE
YOU'RE LIKE A ROLLING STONE
875
01:01:29,064 --> 01:01:33,034
♪ YA LIKE A ROLLING STONE
YOU'RE LIKE A ROLLING STONE
876
01:01:33,068 --> 01:01:43,216
♪ JUST LIKE A ROLLING STONE
OH, OH
877
01:01:43,251 --> 01:01:56,126
♪ LIKE A ROLLING STONE
♪ ♪
878
01:01:56,160 --> 01:02:03,029
MANY TRY TO STOP ME
♪ SHAKE ME UP IN MY MIND
879
01:02:03,064 --> 01:02:06,343
SAY PROVE TO ME
♪ THAT HE IS LORD
880
01:02:06,377 --> 01:02:10,899
SHOW ME A SIGN
♪ A SIGN
881
01:02:10,934 --> 01:02:16,663
WHAT KIND OF SIGN YA NEED
♪ WHEN IT ALL COMES FROM WITHIN
882
01:02:16,698 --> 01:02:20,771
WHEN WHAT'S LOST HAS BEEN FOUND
♪ HAS BEEN FOUND
883
01:02:20,806 --> 01:02:26,259
WHAT'S TO COME HAS ALREADY BEEN
♪ AND I JUST KEEP PRESSING ON
884
01:02:26,294 --> 01:02:32,818
ON, AND ON, AND ON, AND ON
♪ I KEEP ON MOVING ON
885
01:02:32,852 --> 01:02:39,514
PRESSING ON
♪ OH, OH, I
886
01:02:39,548 --> 01:02:46,693
PRESSING ON
♪ TO THE HIGHER CALLING OF MY
887
01:02:46,728 --> 01:02:49,386
PRESSING ON
♪ LORD
888
01:02:49,420 --> 01:02:59,361
ON, AND ON, AND ON, AND ON
♪ PRESSING ON
889
01:02:59,396 --> 01:03:07,991
I KEEP ON PRESSING ON
♪ TO THE HIGHER CALLING OF MY
890
01:03:08,025 --> 01:03:10,372
LORD
♪ AND ON, AND ON, AND ON
891
01:03:10,407 --> 01:03:25,353
AND ON ♪
♪ ♪
892
01:03:25,353 --> 01:03:27,631
AND ON ♪
♪ ♪
893
01:03:27,665 --> 01:03:31,911
[ CHEERS AND APPLAUSE]
>> : NEXT, LIN-MANUEL
894
01:03:31,946 --> 01:03:35,570
MIRANDA AND A SPECIAL TRIBUTE TO
STEPHEN SONDHEIM ON THE 75th
895
01:03:35,604 --> 01:03:36,743
TONYS.
896
01:03:36,778 --> 01:03:38,953
VISIT
www.americantheatrewing.org TO
897
01:03:38,987 --> 01:03:40,782
DONATE RIGHT NOW.
898
01:03:40,817 --> 01:03:42,784
FOR A LIMITED TIME, DONATIONS
WILL BE MATCHED DOLLAR FOR
899
01:03:42,819 --> 01:03:43,854
DOLLAR.
900
01:03:43,889 --> 01:03:49,308
THIS IS CBS.
901
01:03:52,207 --> 01:03:53,795
THE 75th ANNUAL TONY AWARDS ARE
SPONSORED BY VERZENIO.
902
01:04:00,491 --> 01:04:07,533
♪ ♪
>> Ariana: WELCOME BACK.
903
01:04:07,567 --> 01:04:12,883
EVERYONE HAS THEIR FAVORITE PART
OF A BROADWAY SHOW.
904
01:04:12,918 --> 01:04:16,956
MAYBE IT'S THE BIG ELEVENTH
O'CLOCK, MAYBE IT'S THE
905
01:04:16,991 --> 01:04:20,028
SAD REPRISE, MAYBE IT'S THAT
MOMENT WHEN THEY SING THE
906
01:04:20,063 --> 01:04:21,719
TITLE OF THE SHOW.
907
01:04:21,754 --> 01:04:28,002
THOSE ARE ALL GOOD, BUT I THINK
MY FAVORITE PART OF A MUSICAL IS
908
01:04:28,036 --> 01:04:35,872
THE BEST.
909
01:04:35,906 --> 01:04:45,329
THERE'S A MOMENT IN EVERY SHOW
♪ THAT'S SIMPLY TOO INTENSE,
910
01:04:45,364 --> 01:04:53,924
♪ WHEN THE ACTORS LEAVE THE
♪ STAGE AND COME OUT INTO THE
911
01:04:53,959 --> 01:04:55,892
♪ AUDIENCE.
912
01:04:55,926 --> 01:04:57,686
♪ ♪
♪ WE WERE UP THERE
913
01:04:57,721 --> 01:05:00,275
NOW WE'RE DOWN HERE
♪ FILLING ALL YOUR HEARTS
914
01:05:00,310 --> 01:05:04,417
WITH FEAR
♪ 'CAUSE THERE'S NO AVOIDING US
915
01:05:04,452 --> 01:05:09,181
IN THE AUDIENCE
♪ YOU'RE SCARED WE WILL TALK TO
916
01:05:09,215 --> 01:05:11,977
YOU
♪ AND THAT'S JUST WHAT WE'RE
917
01:05:12,011 --> 01:05:14,255
GOING TO DO
♪ THERE IS NO AVOIDING US IN
918
01:05:14,289 --> 01:05:23,850
THE...
919
01:05:23,885 --> 01:05:25,093
>> AUDIENCE!
920
01:05:25,128 --> 01:05:33,895
>> ♪ I'M CLOSE TO YOU
OH, SO CLOSE TO YOU
921
01:05:33,930 --> 01:05:38,693
♪ I AM TOUCHING YOU
THERE'S NOT A LOT YOU CAN DO
922
01:05:38,727 --> 01:05:44,009
♪ I'M SITTING ON YOU
'CAUSE WHAT THEY SAY IS TRUE
923
01:05:44,043 --> 01:05:54,398
♪ THERE IS NO ESCAPING US IN THE
AUDIENCE
924
01:05:54,433 --> 01:05:57,125
♪ IN EVERY SHOW,
IT'S TRIED AND TRUE
925
01:05:57,160 --> 01:06:00,128
♪ THERE'S NOTHING YOU
CAN DO
926
01:06:00,163 --> 01:06:05,685
♪ 'CAUSE THERE IS NO AVOIDING US
IN THE AUDIENCE
927
01:06:05,720 --> 01:06:17,180
♪ IN THE AUDIENCE
IN THE AUDIENCE
928
01:06:17,214 --> 01:06:21,356
[ CHEERS AND APPLAUSE]
AUDIENCE, GIVE IT UP FOR UTKARSH
929
01:06:21,391 --> 01:06:30,607
AMBUDKAR AND FOUR-TIME TONY
NOMINEE, RAUL ESPARZA!
930
01:06:30,641 --> 01:06:37,545
♪ ♪
>> ON JUNE 27, THE JIMMY AWARDS,
931
01:06:37,579 --> 01:06:40,997
PRODUCED BY THE BROADWAY LEAGUE,
WILL RETURN LIVE TO THE MINSKOFF
932
01:06:41,031 --> 01:06:42,653
THEATRE.
933
01:06:42,688 --> 01:06:48,659
92 HIGH SCHOOL STUDENTS CHOSEN
FROM 140,000 WILL PERFORM AS
934
01:06:48,694 --> 01:06:52,042
THEY COMPETE FOR 20
SCHOLARSHIPS.
935
01:06:52,077 --> 01:06:55,494
THE TOP TWO WILL BE SELECTED
BEST ACTOR AND BEST ACTRESS.
936
01:06:55,528 --> 01:06:58,773
>> MANY PAST JIMMY WINNERS HAVE
LANDED ROLES ON BROADWAY.
937
01:06:58,807 --> 01:07:02,673
MAYBE ONE DAY, SOME OF THIS
YEAR'S FINALISTS MIGHT FIND
938
01:07:02,708 --> 01:07:05,400
THEMSELVES NOMINATED FOR A TONY,
JUST LIKE THESE NEXT ARTISTS.
939
01:07:05,435 --> 01:07:07,885
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
940
01:07:07,920 --> 01:07:16,756
FEATURED ROLE IN A MUSICAL ARE:
MATT DOYLE, "COMPANY."
941
01:07:16,791 --> 01:07:21,727
>> SIDNEY DUPONT, "PARADISE
SQUARE."
942
01:07:21,761 --> 01:07:25,938
>> JARED GRIMES, "FUNNY GIRL."
943
01:07:25,972 --> 01:07:31,185
>> JOHN-ANDREW MORRISON, "A
STRANGE LOOP."
944
01:07:31,219 --> 01:07:38,019
>> A.J. SHIVELY, "PARADISE
SQUARE."
945
01:07:38,054 --> 01:07:40,677
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
946
01:07:40,711 --> 01:07:46,338
MATT DOYLE, "COMPANY."
947
01:07:46,372 --> 01:07:50,204
MATT DOIL
STUD-- DOYLE STUDIED, THIS IS
948
01:07:50,238 --> 01:07:57,901
HIS FIRST NOMINATION AND TONY
WIN.
949
01:07:57,935 --> 01:08:00,593
>> OH MY GOODNESS, OH, THANK YOU
SO MUCH.
950
01:08:00,628 --> 01:08:02,906
THANK YOU TO THE AMERICAN THESER
WING AND THE BROADWAY LEAGUE AND
951
01:08:02,940 --> 01:08:06,737
TO ALL THE BEAUTIFUL MEN IN MY
CATEGORY, MY GOD, YOU BRILLIANT,
952
01:08:06,772 --> 01:08:10,362
BRILLIANT MEN, THANK YOU SO MUCH
TO MY TEAM ERIC AND TIM AND
953
01:08:10,396 --> 01:08:13,503
EVERYONE AT THE JACOBS THESER,
THE THE STAFF, THE CREW, THE
954
01:08:13,537 --> 01:08:15,884
STAGE MANAGEMENT, AND MY
COMPANY, MY BEAUTIFUL FAMILY
955
01:08:15,919 --> 01:08:19,371
SWRERKS BEEN TO HELL AND BACK
WITH EACH OTHER, I LOVE YOU SO
956
01:08:19,404 --> 01:08:23,202
MUCH, TO TY, MY WONDERFUL PAUL
AND MY REAL LIFE PAUL MAX
957
01:08:23,237 --> 01:08:25,100
CLAYTON I LOVE YOU.
958
01:08:25,135 --> 01:08:28,828
I DON'T KNOW WHAT I WOULD DO
WITHOUT YOU.
959
01:08:28,863 --> 01:08:32,073
AND YOU REALLY DO LEAVE LOVE
NOTES ALL OVER THE PLACE AND I
960
01:08:32,108 --> 01:08:34,731
CANNOT BELIEVE WHAT YOU PUT UP
WITH.
961
01:08:34,765 --> 01:08:38,734
THANK YOU SO MUCH TO MARIANNE
ELLIOTT AND CHRIS HARPER FOR
962
01:08:38,769 --> 01:08:41,255
YOUR FRIENDSHIP AND GUIDANCE AND
SUPPORT OVER THE YEARS AND
963
01:08:41,288 --> 01:08:42,635
CHANGING MY LIFE.
964
01:08:42,670 --> 01:08:45,913
TO MY EARLIEST TEACHERS MARILYN,
JUDY, BRIT, RICHARD, BETH, THANK
965
01:08:45,948 --> 01:08:50,160
YOU TO MY FAMILY, MY SISTERS
LEAH AND COLLEEN AND MY PARENTS
966
01:08:50,194 --> 01:08:53,232
WHO BELIEVED IN MY PURSUING MY
PASSION AND BELIEVED IN THE ARTS
967
01:08:53,267 --> 01:08:57,133
AND BELIEVED THAT THE ONLY WAY I
WOULD BE HAPPY IS TO LIVE MY
968
01:08:57,167 --> 01:09:01,067
LIFE AUTHENTICALLY, THANK YOU SO
MUCH TO GEORGE AND STEPHEN
969
01:09:01,102 --> 01:09:04,450
SONDHEIM, STEPHEN, THANK YOU FOR
ALLOWING YOUR WORK TO EVOLVE AND
970
01:09:04,484 --> 01:09:08,005
ALLOWING MORE PEOPLE TO BE SEEN
IN YOUR GENIUS, THANK YOU SO
971
01:09:08,040 --> 01:09:10,006
MUCH.
972
01:09:10,042 --> 01:09:14,115
I'M THE NEXT
>> Announcer: PLEASE WELCOME
973
01:09:14,149 --> 01:09:26,747
FOUR-TIME TONY AWARD WINNER,
LIN-MANUEL MIRANDA.
974
01:09:26,783 --> 01:09:27,921
>> ALL OF US WHO LOVE AND
DEDICATE OUR LIVES TO THE
975
01:09:27,956 --> 01:09:30,269
PERFORMING ARTS FELT A PROFOUND
LOSS LAST NOVEMBER WHEN
976
01:09:30,304 --> 01:09:34,170
WE LOST A MUSICAL GIANT, STEPHEN
SONDHEIM.
977
01:09:34,203 --> 01:09:36,895
STEVE TOUCHED OUR LIVES IN A
MULTITUDE OF WAYS, THROUGH
978
01:09:36,930 --> 01:09:43,488
HIS IMMORTAL MUSIC AND LYRICS,
THROUGH HIS TEACHING AND
979
01:09:43,524 --> 01:09:44,697
ADVOCACY FOR YOUNG WRITERS AND
THROUGH LETTERS.
980
01:09:44,732 --> 01:09:46,078
STEPHEN WROTE THEM TO FRIENDS,
TO UP-AND-COMING ARTISTS,
981
01:09:46,112 --> 01:09:48,460
TO COUNTLESS PEOPLE HE'D NEVER
MET.
982
01:09:48,493 --> 01:09:50,910
HE WROTE SO MANY LETTERS THAT
YOU'D WONDER WHEN HE HAD TIME TO
983
01:09:50,944 --> 01:09:55,536
PICK UP A BLACKWING 602 PENCIL
AND WRITE A SONG.
984
01:09:55,570 --> 01:09:59,056
I STAND HERE ON BEHALF OF
GENERATIONS OF ARTISTS HE TOOK
985
01:09:59,091 --> 01:10:04,303
THE TIME TO ENCOURAGE.
986
01:10:08,618 --> 01:10:10,447
>> I LOVE TEACHING AND I'VE
ALWAYS THOUGHT THAT ALL ART IS A
987
01:10:10,482 --> 01:10:11,621
FORM OF TEACHING.
988
01:10:11,655 --> 01:10:13,174
I THINK PAINTING IS A FORM OF
TEACHING.
989
01:10:13,209 --> 01:10:16,212
ANY KIND OF COMMUNICATION IS A
FORM OF TEACHING.
990
01:10:16,246 --> 01:10:19,111
AND AN ARTIST- A VISUAL ARTIST
SHOWS US WAYS OF LOOKING AT THE
991
01:10:19,145 --> 01:10:20,768
WORLD.
992
01:10:20,802 --> 01:10:24,323
A NOVELIST SHOWS US WAYS THAT
PEOPLE BEHAVE.
993
01:10:24,358 --> 01:10:28,500
A COMPOSER SHOWS US TO LISTEN.
994
01:10:28,534 --> 01:10:42,134
>> TONY WINNER, BERNADETTE
PETERS.
995
01:10:42,168 --> 01:10:48,761
♪ ♪
♪ CAREFUL THE THINGS YOU SAY
996
01:10:48,796 --> 01:10:55,906
CHILDREN WILL LISTEN
♪ CAREFUL THE THINGS YOU DO
997
01:10:55,941 --> 01:11:05,675
CHILDREN WILL SEE
♪ AND LEARN
998
01:11:05,709 --> 01:11:15,201
CHILDREN MAY NOT OBEY
♪ BUT CHILDREN WILL LISTEN
999
01:11:15,236 --> 01:11:23,900
CHILDREN WILL LOOK TO YOU
♪ FOR WHICH WAY TO TURN
1000
01:11:23,934 --> 01:11:32,771
TO LEARN WHAT TO BE
♪ CAREFUL BEFORE YOU SAY
1001
01:11:32,805 --> 01:11:42,539
LISTEN TO ME
♪ CHILDREN WILL LISTEN
1002
01:11:42,574 --> 01:11:45,370
♪ ♪
>> IT'S SO DIFFICULT TO WRITE.
1003
01:11:46,785 --> 01:11:48,269
IT'S SO DIFFICULT TO PUT ON A
SHOW.
1004
01:11:48,304 --> 01:11:50,616
YOU BETTER- IF YOU HAVE THE
PRIVILEGE OF BEING ABLE TO WRITE
1005
01:11:50,651 --> 01:11:55,276
IT- WRITE IT OUT OF PASSION.
1006
01:11:55,794 --> 01:12:00,661
♪ ♪
♪ CAREFUL THE SPELL YOU CAST
1007
01:12:00,695 --> 01:12:07,495
NOT JUST ON CHILDREN
♪ SOMETIMES THE SPELL MAY LAST
1008
01:12:07,530 --> 01:12:16,159
PAST WHAT YOU CAN SEE
♪ AND TURN AGAINST YOU
1009
01:12:16,193 --> 01:12:23,822
CAREFUL THE TALE YOU TELL
♪ THAT IS THE SPELL
1010
01:12:23,856 --> 01:12:32,451
CHILDREN WILL LISTEN
♪ ♪
1011
01:12:32,486 --> 01:12:33,694
>> MORE EDUCATION IS JUST ABOUT
MAKING PEOPLE CURIOUS, THAT'S
1012
01:12:33,728 --> 01:12:34,936
ALL IT'S ABOUT.
1013
01:12:34,971 --> 01:12:36,869
AND TO GET A CHILD TO BE CURIOUS
ABOUT EVERYTHING WOULD BE A
1014
01:12:36,904 --> 01:12:40,735
UNBEARABLE THRILL FOR ME.
1015
01:12:40,770 --> 01:12:48,053
♪ ♪
♪ GUIDE THEM AND STEP AWAY
1016
01:12:48,087 --> 01:12:56,026
CHILDREN WILL GLISTEN
♪ TAMPER WITH WHAT IS TRUE
1017
01:12:56,061 --> 01:13:04,518
AND CHILDREN WILL TURN
♪ IF JUST TO BE FREE
1018
01:13:04,552 --> 01:13:11,214
CAREFUL BEFORE YOU SAY
♪ LISTEN TO ME
1019
01:13:11,248 --> 01:13:25,504
CHILDREN WILL LISTEN
♪ CHILDREN WILL LISTEN
1020
01:13:25,539 --> 01:13:40,485
CHILDREN WILL LISTEN
♪
1021
01:13:40,485 --> 01:13:48,803
CHILDREN WILL LISTEN
♪
1022
01:13:48,838 --> 01:13:56,949
[ CHEERS AND APPLAUSE]
>> Announcer: NEXT JENNIFER
1023
01:13:56,984 --> 01:13:58,779
HUDSON, RUPAUL CHARLES, AND A
PERFORMANCE FROM "A STRANGE
1024
01:13:58,813 --> 01:14:00,436
LOOP."
1025
01:14:00,470 --> 01:14:01,851
THE 75th TONYS.
1026
01:14:01,885 --> 01:14:04,060
THIS IS CBS.
1027
01:14:11,412 --> 01:14:26,358
♪ ♪
[ CHEERS AND APPLAUSE]
1028
01:14:26,358 --> 01:14:30,293
♪ ♪
[ CHEERS AND APPLAUSE]
1029
01:14:30,327 --> 01:14:34,815
DURING THE SHOW WE HOSTED THE
TONY AWARDS ACT ONE, THE BEST
1030
01:14:34,849 --> 01:14:40,648
SCORE WAS PRESENTED TO LUCY MOSS
AND TONY MARLOW FOR SIX.
1031
01:14:40,683 --> 01:14:44,341
>> IT IS NOW OUR PLEASURE TO
PRESENT AN AWARD TO THE
1032
01:14:44,376 --> 01:14:49,899
FANTASTIC WRITERS WHO PROVIDE
STORY, STRUCTURE, CHARACTER,
1033
01:14:49,933 --> 01:14:53,868
CLIFFHANGERS, HUMOR, HEART,
STRONG BEGINNINGS, AND
1034
01:14:53,903 --> 01:14:59,874
POWER-PACKED ENDINGS.
1035
01:14:59,909 --> 01:15:01,082
>> PAST WINNERS INCLUDE HARVEY
FIERSTEIN, LISA KRON, THOMAS
1036
01:15:01,117 --> 01:15:02,221
MEEHAN, MARSHA NORMAN, TERRENCE
McNALLY, AND DIABLO CODY.
1037
01:15:02,256 --> 01:15:03,188
LET'S ADD TO THAT ILLUSTRIOUS
LIST.
1038
01:15:03,222 --> 01:15:07,330
THE NOMINEES FOR BEST BOOK OF A
MUSICAL ARE:
1039
01:15:07,364 --> 01:15:12,818
"GIRL FROM THE NORTH COUNTRY,"
CONOR McPHERSON.
1040
01:15:12,853 --> 01:15:18,410
>> "MJ," LYNN NOTTAGE.
1041
01:15:18,444 --> 01:15:19,584
>> "MR. SATURDAY NIGHT," BILLY
CRYSTAL, LOWELL GANZ, BABALOO
1042
01:15:19,618 --> 01:15:22,725
MANDEL.
1043
01:15:22,759 --> 01:15:23,933
>> "PARADISE SQUARE," CHRISTINA
ANDERSON, CRAIG LUCAS, LARRY
1044
01:15:23,967 --> 01:15:29,525
KIRWAN.
1045
01:15:29,559 --> 01:15:30,146
>> "A STRANGE LOOP," MICHAEL R.
1046
01:15:30,180 --> 01:15:35,669
JACKSON.
1047
01:15:35,703 --> 01:15:42,676
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1048
01:15:42,710 --> 01:15:43,262
"A STRANGE LOOP," MICHAEL R.
1049
01:15:43,297 --> 01:15:51,270
JACKSON.
1050
01:15:51,305 --> 01:15:54,377
>> NEW YORK TIMES NAMES MICHAEL
R JACKSON ONE OF THE BLACK MALE
1051
01:15:54,411 --> 01:15:57,311
WRITERS OF OUR TIME, HE WAS
NOMINATE FORD TWO TONY AWARDS
1052
01:15:57,345 --> 01:16:12,257
THIS EVENING.
1053
01:16:12,257 --> 01:16:15,225
THIS EVENING.
1054
01:16:15,260 --> 01:16:21,231
>> YES!
1055
01:16:21,266 --> 01:16:27,410
OKAY, SHUT SIT DOWN, OKAY.
1056
01:16:27,444 --> 01:16:32,829
I STARTED, OH, GOD, 47 SECONDS,
I STARTED WRITING THIS MUSICAL
1057
01:16:32,864 --> 01:16:36,488
WHEN I WAS 2 3-RBGS IEMG'S 4
1-RBGS I'M OLD AS HELL, I WROTE
1058
01:16:36,522 --> 01:16:40,250
IT FROM AN OLD LADY'S HOUSE IN
THE MIDDLE OF JAMAICA QUEENS
1059
01:16:40,285 --> 01:16:43,357
WHEN I DIDN'T KNOW WHAT I WAS
GOING TO DO WITH MY LIFE, I
1060
01:16:43,391 --> 01:16:47,361
DIDN'T KNOW HOW I WOULD MOVE
FORWARD, I FELT UNSEEN, UNHEARD,
1061
01:16:47,395 --> 01:16:49,466
MISUNDERSTOOD AND I WANTED TO
CREATE A LIFE RAFT FOR MYSELF AS
1062
01:16:49,501 --> 01:16:54,195
A BLACK GAY MAN TO TRY TO GET
THROUGH THE DAY AND OVER THE
1063
01:16:54,230 --> 01:16:58,648
YEARS I WAS FORTUNATE ENOUGH TO
TAKE ALL MY BEAUTIFUL KATION
1064
01:16:58,683 --> 01:17:01,962
MEMBER, MY DIRECTOR, SO MANY
QUEER PEOPLE, I GIVE A SPECIAL
1065
01:17:01,996 --> 01:17:05,828
SHOUT OUT TO MY INCREDIBLE
CHOREOGRAPHER WHO COULD NOT BE
1066
01:17:05,862 --> 01:17:10,418
HERE, HE NEEDS EVERYTHING, HE
HAS BEEN HERE FOR ME, SO MUCH I
1067
01:17:10,453 --> 01:17:14,250
WANT TO SAY, I'M LIKE REALLY
SPEECHLESS THE, I SHOULD HAVE
1068
01:17:14,284 --> 01:17:17,253
WRITTEN DOWN A SPEECH, THAT'S MY
BAD, THANK YOU, EVERYBODY, BAR
1069
01:17:17,287 --> 01:17:20,083
BRARKS TEAM, EVERYBODY, PLEASE
WRAP UP.
1070
01:17:20,118 --> 01:17:24,812
Y'ALL KNOW I'M ALL ABOUT QUALITY
IN HIGH ART.
1071
01:17:24,847 --> 01:17:27,712
WE TALK ABOUT REPRESENTATION,
I'M ALL ABOUT REPRESENTATION BUT
1072
01:17:27,746 --> 01:17:30,991
LET'S MAKE SURE WE ARE STAYING
ON OUR GRINDS AND ART, THAT WE
1073
01:17:31,025 --> 01:17:34,960
ARE DOING THE BEST WORK WE CAN
DO, JAYNE ONCE SENSE THERE IS
1074
01:17:34,995 --> 01:17:37,894
NOTHING THAT CAN REPLACE
QUALITY, NEVER SETTLE FOR
1075
01:17:37,929 --> 01:17:41,553
ANYTHING LESS THAN THE BEST YOU
CAN DO, DO YOUR BEST, THAT IS MY
1076
01:17:41,587 --> 01:17:44,660
MESSAGE TO EVERYBODY, EVERY
ARTIST, THANK YOU AGAIN, THANK
1077
01:17:44,694 --> 01:17:50,631
YOU, THANK YOU, THANK YOU, THANK
YOU.
1078
01:17:50,666 --> 01:17:52,529
>> Announcer: AND NOW, A
"HAMILTON" REUNION: TONY AWARD
1079
01:17:52,564 --> 01:17:56,119
WINNER RENEE ELISE GOLDSBERRY;
AND RETURNING TO BROADWAY IN
1080
01:17:56,154 --> 01:17:59,571
"INTO THE WOODS," PHILLIPA SOO.
1081
01:17:59,605 --> 01:18:00,848
>> WHILE THERE IS GREAT PRIDE
>> WHILE THERE IS GREAT PRIDE
1082
01:18:05,819 --> 01:18:09,408
THAT COMES FROM ORIGINATING A
ROLE ON BROADWAY, THERE IS ALSO
1083
01:18:09,443 --> 01:18:12,515
A SPECIAL JOY THAT COMES
FROM SHARING CLASSIC MUSICALS
1084
01:18:12,549 --> 01:18:14,966
WITH NEW AUDIENCES.
1085
01:18:15,000 --> 01:18:17,796
REVISITING A WORK FROM ANOTHER
TIME WITH A CONTEMPORARY
1086
01:18:17,831 --> 01:18:26,736
EYE ALLOWS FOR REINTERPRETATION
AND EXCITING NEW DISCOVERIES FOR
1087
01:18:26,771 --> 01:18:27,910
THEATERGOERS.
1088
01:18:27,944 --> 01:18:29,118
>> THIS SEASON'S REVIVALS SPAN
DECADES-- FROM BROADWAY'S
1089
01:18:29,152 --> 01:18:31,914
GOLDEN AGE, TO THE REVOLUTIONARY
FIRST CONCEPT MUSICAL, TO A
1090
01:18:31,948 --> 01:18:33,743
RECENT CLASSIC.
1091
01:18:33,778 --> 01:18:36,988
THIS EVENING, WE SAW LIVE
PERFORMANCES FROM "THE MUSIC
1092
01:18:37,022 --> 01:18:39,507
MAN" AND "COMPANY."
1093
01:18:39,542 --> 01:18:44,167
THE THIRD NOMINATED REVIVAL,
"CAROLINE, OR CHANGE," WAS A
1094
01:18:44,202 --> 01:18:45,928
LIMITED ENGAGEMENT THAT
COMPLETED ITS RUN EARLIER THIS
1095
01:18:45,962 --> 01:18:48,793
YEAR.
1096
01:18:48,827 --> 01:18:51,105
>> ONCE AGAIN, HERE ARE THE
NOMINEES FOR BEST REVIVAL
1097
01:18:51,140 --> 01:19:01,737
OF A MUSICAL.
1098
01:19:06,327 --> 01:19:21,273
♪ ♪
♪ ♪
1099
01:19:21,273 --> 01:19:23,275
♪ ♪
♪ ♪
1100
01:19:23,310 --> 01:19:32,319
♪ ♪
>> AND THE TONY AWARD GOES TO:
1101
01:19:32,353 --> 01:19:32,906
"COMPANY."
1102
01:19:32,940 --> 01:19:36,495
PRODUCER: CHRIS HARPER.
1103
01:19:45,297 --> 01:20:00,243
ACCEPTING THE AWARD PRODUCER
CHRIS HARPER. WOW, WOW, THIS IS
1104
01:20:00,243 --> 01:20:01,762
ACCEPTING THE AWARD PRODUCER
CHRIS HARPER. WOW, WOW, THIS IS
1105
01:20:01,797 --> 01:20:03,384
JUST AN INCREDIBLE HONOR.
1106
01:20:03,419 --> 01:20:08,665
THANK YOU SO MUCH FIRSTLY TO MY
FRIENDS AND BUSINESS PARTNER
1107
01:20:08,700 --> 01:20:10,012
MARIANNE ELLIOTT FOR BEING SUCH
A VISIONARY ARTIST TO MY
1108
01:20:10,046 --> 01:20:14,154
PRODUCING PARTY FOR ALWAYS BEING
BY MY SIDE TO CAITRIONA AND
1109
01:20:14,188 --> 01:20:16,984
PATTI, OUR INCREDIBLE CAST.
1110
01:20:17,019 --> 01:20:20,608
PATTI, ST AN HONOR TO BE THE
PERSON WHO PAYS YOUR SALARY
1111
01:20:20,643 --> 01:20:22,334
EVERY NIGHT.
1112
01:20:22,369 --> 01:20:28,513
TO OUR ORCHESTRA, OUR STAGE
CREW, OUR SWINGS, EVERYBODY AT
1113
01:20:28,547 --> 01:20:35,900
THE THEATRE, OUR STAGE CREW,
EVERYONE AT PRODUCTIONS AND HE
1114
01:20:35,934 --> 01:20:40,525
COULD PRODUCER AND STEPHEN
SONDHEIM FOR LETTING US
1115
01:20:40,559 --> 01:20:42,976
REIMAGINE HIS CLASSIC MUSICAL.
1116
01:20:43,010 --> 01:20:46,876
IT MEANS THE WORLD TO ME AND TO
BE SUPPORTED BY SO MANY PEOPLE
1117
01:20:46,911 --> 01:20:50,742
AS PART OF THE BROADWAY
COMMUNITY IS EQUALLY SPECIAL.
1118
01:20:50,776 --> 01:20:55,954
BUT COMPANY IS A SHOW ABOUT THE
PEOPLE WHO GIVE LIFE MEANING.
1119
01:20:55,989 --> 01:21:01,891
SO I WOULD LIKE TO DEDICATE THIS
AWARD TO MY CHILDREN, MARTHA AND
1120
01:21:01,926 --> 01:21:04,480
BARNABY BECAUSE THEY ARE MY
REASON FOR BEING ALIVE, THANK
1121
01:21:04,514 --> 01:21:11,211
YOU SO MUCH.
1122
01:21:11,245 --> 01:21:14,214
>> ANNOUNCER: PLEASE WELCOME
TONY NOMINATED CO-PRODUCERS OF
1123
01:21:14,248 --> 01:21:25,156
"A STRANGE LOOP": JENNIFER
HUDSON AND RUPAUL CHARLES.
1124
01:21:25,190 --> 01:21:28,607
>> IN THE NEXT PRODUCTION
NOMINATED FOR BEST MUSICAL, WE
1125
01:21:28,642 --> 01:21:32,404
MEET USHER, A BLACK, QUEER
WRITER WRITING A MUSICAL ABOUT
1126
01:21:32,439 --> 01:21:34,820
A BLACK QUEER WRITER, WRITING A
MUSICAL ABOUT A BLACK QUEER
1127
01:21:34,855 --> 01:21:37,513
WRITER.
1128
01:21:37,547 --> 01:21:46,522
SET IN THE HERE AND NOW, THIS
BLISTERINGLY FUNNY MASTERWORK
1129
01:21:46,556 --> 01:21:47,730
EXPOSES THE HEART AND SOUL OF A
YOUNG ARTIST GRAPPLING WITH
1130
01:21:47,764 --> 01:21:52,424
DESIRES, IDENTITY, AND INSTINCTS
HE BOTH LOVES AND LOATHES.
1131
01:21:52,459 --> 01:21:55,117
>> DETERMINED TO BREAK FREE OF
HIS OWN SELF-PERCEPTION, USHER
1132
01:21:55,151 --> 01:22:01,847
WRESTLES WITH THE THOUGHTS IN
HIS HEAD, BROUGHT TO LIFE BY A
1133
01:22:01,882 --> 01:22:04,505
HILARIOUS, STRAIGHT-TALKING
ENSEMBLE.
1134
01:22:04,540 --> 01:22:08,613
BOLD AND HEARTFELT IN ITS TRUTH-
TELLING, THIS IS THE BIG, BLACK,
1135
01:22:08,647 --> 01:22:11,374
AND QUEER-ASS GREAT AMERICAN
MUSICAL FOR ALL!
1136
01:22:11,409 --> 01:22:24,180
PLEASE WELCOME THE COMPANY OF "A
STRANGE LOOP."
1137
01:22:24,215 --> 01:22:25,009
[ CHEERS AND APPLAUSE]
♪ ♪
1138
01:22:25,043 --> 01:22:27,252
♪ USHER, USHER
USHER, USHER
1139
01:22:27,287 --> 01:22:29,910
♪ USHER, USHER
USHER, USHER
1140
01:22:29,945 --> 01:22:34,673
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1141
01:22:34,708 --> 01:22:36,399
♪ IS THAT HOW THE
SHOW SHOULD OPEN
1142
01:22:36,434 --> 01:22:38,574
♪ SHOULD THERE EVEN BE A SHOW
NO, IT SHOULD START WITH
1143
01:22:38,608 --> 01:22:40,576
♪ WHAT HE'S THINKING
WHICH IS JUST A CURSOR BLINKING
1144
01:22:40,610 --> 01:22:42,164
♪ !¡CAUSE OF ALL
OF THE DIRECTIONS
1145
01:22:42,198 --> 01:22:45,305
♪ THAT THE NARRATIVE COULD GO
HE WANTS TO SHOW WHAT
1146
01:22:45,339 --> 01:22:49,861
♪ IT'S LIKE TO LIVE UP HERE
OH, USHER
1147
01:22:49,895 --> 01:22:56,419
♪ AND TRAVEL THE WORLD
IN A FAT, BLACK QUEER BODY
1148
01:22:56,454 --> 01:22:58,697
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1149
01:22:58,732 --> 01:23:01,459
♪ NO ONE CARES ABOUT A WRITER
WHO IS STRUGGLING TO WRITE
1150
01:23:01,493 --> 01:23:04,117
♪ THEY'LL SAY IT'S
WAY TOO REPETITIOUS
1151
01:23:04,151 --> 01:23:05,394
♪ AND SO OVERLY AMBITIOUS
WHICH OF COURSE
1152
01:23:05,428 --> 01:23:07,120
♪ MAKES THEM SUSPICIOUS
THAT YOU THINK YOU'RE
1153
01:23:07,154 --> 01:23:09,191
♪ TRYING TO BE WHITE
HE HAS TO FIGHT FOR HIS RIGHT
1154
01:23:09,225 --> 01:23:14,575
♪ TO LIVE IN A WORLD
HEY, USHER
1155
01:23:14,610 --> 01:23:20,616
♪ THAT CHEWS UP AND SPITS OUT
BLACK QUEERS ON THE DAILY
1156
01:23:20,650 --> 01:23:24,068
♪ BLACKNESS, QUEERNESS
FIGHTING BACK TO FILL THIS
1157
01:23:24,102 --> 01:23:26,208
♪ CIS-HET ALL-WHITE SPACE
WITH A PORTRAIT OF A
1158
01:23:26,242 --> 01:23:30,384
♪ PORTRAIT OF A
PORTRAIT OF A
1159
01:23:30,419 --> 01:23:33,629
♪ BLACK QUEER FACE
AND A CHOIR FULL OF
1160
01:23:33,663 --> 01:23:36,114
♪ BLACK QUEER VOICES
AND ALSO BASS
1161
01:23:36,149 --> 01:23:37,150
♪ ALL THOUGHTS
[ SNAPPING FINGERS]
1162
01:23:37,184 --> 01:23:40,946
THAT ARE CASTING SPELLS
♪ TO CONJURE UP A
1163
01:23:40,981 --> 01:23:43,984
BIG, BLACK AND QUEER-ASS
♪ AMERICAN BROADWAY
1164
01:23:44,019 --> 01:23:47,022
BIG, BLACK AND QUEER-ASS
♪ AMERICAN BROADWAY
1165
01:23:47,056 --> 01:23:50,059
BIG, BLACK AND QUEER-ASS
♪ AMERICAN BROADWAY
1166
01:23:50,094 --> 01:23:53,683
I AM A DISNEY USHER
♪ I'M BARELY SCRAPING BY
1167
01:23:53,718 --> 01:23:57,066
MY DISCONTENTMENT COMES IN
♪ MANY SHAPES AND SIZES
1168
01:23:57,101 --> 01:24:00,932
BUT I WOKE UP THIS MORNING
♪ I TOLD MYSELF TO TRY
1169
01:24:00,966 --> 01:24:04,936
I TOLD MYSELF THAT I WOULD
♪ MAKE NO COMPROMISES TODAY
1170
01:24:04,970 --> 01:24:13,013
A MEETING WITH MY LANDLORD
♪ WHO MAKES ME MISS MY TRAIN
1171
01:24:13,048 --> 01:24:15,015
AND I SMELL AWFUL
♪ !¡CAUSE THERE IS
1172
01:24:15,050 --> 01:24:18,363
NO TIME TO SHOWER
♪ I PLASTER ON A SMILE
1173
01:24:18,398 --> 01:24:20,434
PRETEND I HAVE NO BRAIN
♪ MAKE NICE WITH
1174
01:24:20,469 --> 01:24:30,513
ALL THESE TOURISTS
♪ HOUR AFTER HOUR TODAY
1175
01:24:30,548 --> 01:24:33,413
TODAY I PLAN TO
♪ CHANGE MY WHOLE LIFE
1176
01:24:33,447 --> 01:24:38,625
FOREVER
♪ USHER, SURPRISE
1177
01:24:38,659 --> 01:24:39,936
>> HOW YOU DOIN'?
1178
01:24:39,971 --> 01:24:42,732
IT'S YOUR DAILY SELF-LOATHING!
1179
01:24:42,767 --> 01:24:44,424
AND I HAD SOME TIME TO KILL SO I
THOUGHT I'D DROP IN TO REMIND
1180
01:24:44,458 --> 01:24:47,634
YOU OF JUST HOW TRULY WORTHLESS
YOU ARE.
1181
01:24:47,668 --> 01:24:48,635
>> USHER!
1182
01:24:48,669 --> 01:24:50,292
HEAD OF THE MONOLITHIC NEGRO
CORPORATION HERE!
1183
01:24:50,326 --> 01:24:52,466
JUST CHECKING IN TO SEE IF YOU
FOUND YOUR UNAPOLOGETIC
1184
01:24:52,501 --> 01:24:55,883
BLACKNESS YET?!¡
CAUSE YOUR NUMBERS ARE IN THE
1185
01:24:55,918 --> 01:24:57,126
TOILET WITH THE BLACK EXCELLENCE
CROWD, AND YOU'RE REAL CLOSE TO
1186
01:24:57,161 --> 01:24:57,471
CANCELLATION!
1187
01:24:57,506 --> 01:24:59,128
UNCLE TOM!
1188
01:24:59,163 --> 01:25:00,681
♪ SO DAYS LIKE THIS JUST GET ME
OOO
1189
01:25:00,716 --> 01:25:03,684
♪ I HATE DAYS LIKE TODAY
OOO
1190
01:25:03,719 --> 01:25:06,722
♪ DAYS WHEN I FACE MYSELF, BUT
OOO
1191
01:25:06,756 --> 01:25:07,654
♪ SEE THE SAME REFLECTION
OOO-OOO-OOO
1192
01:25:07,688 --> 01:25:09,173
♪ SOMEONE WHO'S STUCK REWRITING
OOO
1193
01:25:09,207 --> 01:25:11,106
♪ AND STUCK IN HIS OWN WAY
OOO
1194
01:25:11,140 --> 01:25:12,555
♪ SOMEONE WHO PLANS TO EDIT
OOO
1195
01:25:12,590 --> 01:25:16,249
♪ EVERY IMPERFECTION
OOO-OOO-OOO
1196
01:25:16,283 --> 01:25:17,112
♪ USHER-USHER
TODAY
1197
01:25:17,146 --> 01:25:19,252
♪ USHER, USHER
USHER-USHER
1198
01:25:19,286 --> 01:25:21,185
♪ TODAY
I PLAN TO CHANGE MY...
1199
01:25:21,219 --> 01:25:22,703
♪ USHER, USHER
HOW MANY MINUTES
1200
01:25:22,738 --> 01:25:24,326
♪ !¡TIL THE END OF INTERMISSION
IF YOU CAN'T
1201
01:25:24,360 --> 01:25:26,673
♪ PLEASE THE CAUCASIANS
YOU WILL NEVER GET THE DOUGH
1202
01:25:26,707 --> 01:25:28,606
♪ USHER!¡
CAUSE CRITICS
1203
01:25:28,640 --> 01:25:30,021
♪ CLINICALLY DENY US
THEN DENY IMPLICIT BIAS
1204
01:25:30,055 --> 01:25:33,162
♪ WITH THEIR VANITY SUPPORTED
BY A SYSTEM THAT'S DISTORTED
1205
01:25:33,197 --> 01:25:35,095
♪ WATCH THEM WRITE YOU OFF
AS LAZY, NOT TO MENTION
1206
01:25:35,130 --> 01:25:37,511
♪ NAVEL-GAZEY
LACKING BOTH IN CRAFT AND RIGOR
1207
01:25:37,546 --> 01:25:39,962
♪ !¡CAUSE YOU'RE NOTHING BUT A
BIG, BLACK AND QUEER-ASS
1208
01:25:39,996 --> 01:25:42,861
♪ AMERICAN BROADWAY
BIG, BLACK AND QUEER-ASS
1209
01:25:42,896 --> 01:25:45,968
♪ AMERICAN BROADWAY
BIG, BLACK AND QUEER-ASS
1210
01:25:46,002 --> 01:25:48,729
♪ AMERICAN BROADWAY
USHER-USHER
1211
01:25:48,764 --> 01:25:50,041
♪ HOW MANY MINUTES
USHER-USHER
1212
01:25:50,075 --> 01:25:51,767
♪ !¡TIL THE END OF INTERMISSION
USHER-USHER
1213
01:25:51,801 --> 01:25:55,495
♪ HOW MANY MINUTES
USHER-USHER
1214
01:25:55,529 --> 01:25:56,565
♪ !¡TIL THE END OF INTERMISSION
USHER-USHER
1215
01:25:56,599 --> 01:25:57,945
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1216
01:25:57,980 --> 01:25:59,015
♪ OH MY GOD
USHER-USHER
1217
01:25:59,050 --> 01:26:00,120
♪ HOW MANY MINUTES!¡
TIL THE END OF INTERMISSION
1218
01:26:00,155 --> 01:26:06,678
♪ OH MY GOD
USHER-USHER
1219
01:26:06,713 --> 01:26:17,862
♪ LESS THAN TWO
[ CHEERS AND APPLAUSE]
1220
01:26:17,896 --> 01:26:20,002
>> Announcer: NEXT, A 15th
ANNIVERSARY PERFORMANCE BY THE
1221
01:26:20,036 --> 01:26:22,280
ORIGINAL CAST OF "SPRING
AWAKENING."
1222
01:26:22,315 --> 01:26:25,318
AND LATER, BILLY PORTER SINGS IN
AN EMOTIONAL TRIBUTE.
1223
01:26:25,352 --> 01:26:27,216
THE 75th TONYS.
1224
01:26:27,251 --> 01:26:33,118
THIS IS CBS.
1225
01:26:33,153 --> 01:26:35,051
>> Announcer: THE 75th ANNUAL
TONY AWARDS ARE SPONSORED BY THE
1226
01:26:35,086 --> 01:26:38,331
MAKERS OF TYLENOL, CARE WITHOUT
LIMITS.
1227
01:26:43,439 --> 01:26:52,897
♪ ♪
>> Ariana: WELCOME BACK TO THE
1228
01:26:52,931 --> 01:26:54,519
TONY AWARDS.
1229
01:26:54,554 --> 01:26:57,142
THE THEATRE IS RICH WITH
TRADITIONS, ONE OF WHICH IS
1230
01:26:57,177 --> 01:27:00,076
PASSING YOUR KNOWLEDGE TO THE
NEXT GENERATION.
1231
01:27:00,111 --> 01:27:04,598
I DON'T THINK THERE IS A SINGLE
PERSON IN THIS ROOM WHO WAS NOT
1232
01:27:04,633 --> 01:27:08,809
INSPIRED BY AND EMBRACED BY A
MENTOR.
1233
01:27:08,844 --> 01:27:09,431
FOR ME, THAT WAS ELIZABETH
GRIMES DROESSLER.
1234
01:27:12,606 --> 01:27:20,373
SOMETIMES ALL YOU NEED IS
ONE SOMEONE TO BELIEVE IN YOU.
1235
01:27:20,407 --> 01:27:21,477
AND LIZ WAS THAT PERSON FOR ME.
1236
01:27:21,512 --> 01:27:22,685
SHE MADE ME REALIZE IT WAS
POSSIBLE FOR ME TO PURSUE
1237
01:27:22,720 --> 01:27:24,549
THEATRE AS A LIFE AND CAREER.
1238
01:27:24,584 --> 01:27:30,521
SHE PASSED AWAY IN MAY, BUT HER
ENCOURAGEMENT WALKS ALONGSIDE
1239
01:27:30,555 --> 01:27:34,973
ME, AND ALL OF HER STUDENTS,
EVERY TIME WE STEP ONTO A STAGE.
1240
01:27:35,008 --> 01:27:42,533
THANK YOU, LIZ.
1241
01:27:42,567 --> 01:27:47,192
AND NOW, TO HONOR ANOTHER VERY
SPECIAL ARTS EDUCATOR, PLEASE
1242
01:27:47,227 --> 01:27:54,476
WELCOME CARNEGIE MELLON
UNIVERSITY ALUM, TELLY LEUNG.
1243
01:27:54,510 --> 01:28:00,620
♪ ♪
>> THE TONY AWARDS AND CARNEGIE
1244
01:28:00,654 --> 01:28:03,036
MELLON UNIVERSITY CO-
CREATED THE "“EXCELLENCE IN
1245
01:28:03,070 --> 01:28:06,902
THEATRE EDUCATION AWARD"” TO
RECOGNIZE ARTS EDUCATORS
1246
01:28:06,936 --> 01:28:10,423
NATIONWIDE WHO DEMONSTRATE
EXEMPLARY IMPACT ON THE LIVES OF
1247
01:28:10,457 --> 01:28:12,183
THEIR STUDENTS.
1248
01:28:12,217 --> 01:28:16,014
EARLIER, THE AWARD WAS PRESENTED
TO ROSHUNDA JONES-KOUMBA OF
1249
01:28:16,049 --> 01:28:24,471
G.W. CARVER MAGNET HIGH SCHOOL
IN HOUSTON, TEXAS.
1250
01:28:24,506 --> 01:28:26,887
[ CHEERS AND APPLAUSE]
MS. JONES-KOUMBA, FOR INSPIRING
1251
01:28:26,922 --> 01:28:30,788
STUDENTS THROUGH ARTISTIC
EXPRESSION AND INCLUSIVITY,
1252
01:28:30,822 --> 01:28:33,515
THANK YOU AND CONGRATULATIONS.
1253
01:28:33,549 --> 01:28:40,211
SUBMISSIONS ARE NOW OPEN FOR
NEXT YEAR'S AWARD.
1254
01:28:40,245 --> 01:28:44,905
GO TO
www.tonyawards.com/education-
1255
01:28:44,940 --> 01:28:47,080
award TO SUBMIT AND TELL THE
STORY OF A THEATRE EDUCATOR WHO
1256
01:28:47,114 --> 01:28:51,981
MADE A DIFFERENCE IN YOUR LIFE.
1257
01:28:52,016 --> 01:28:53,293
[ CHEERS AND APPLAUSE]
♪ ♪
1258
01:28:53,328 --> 01:29:00,783
>> Announcer: PLEASE WELCOME
ZACH BRAFF AND LEA MICHELE.
1259
01:29:00,818 --> 01:29:07,652
>> ON THIS STAGE IN 2007, I
INTRODUCED A MUSICAL INSPIRED BY
1260
01:29:07,687 --> 01:29:09,585
A CONTROVERSIAL LITERARY
MASTERPIECE DARING IN ITS
1261
01:29:09,620 --> 01:29:15,867
DEPICTION OF TEENAGE SELF-
DISCOVERY, IN WHICH ADULTS HOLD
1262
01:29:15,902 --> 01:29:19,112
ALL THE CARDS AND TEENS
TRAUMATIZED BY PUBERTY EXPLORE
1263
01:29:19,146 --> 01:29:20,320
THE MYSTERIES OF THEIR BODIES.
1264
01:29:20,355 --> 01:29:23,979
THE SHOW WAS "SPRING AWAKENING."
1265
01:29:24,013 --> 01:29:25,463
[ CHEERS AND APPLAUSE]
>> THAT NIGHT, WE WENT ON TO WIN
1266
01:29:25,498 --> 01:29:28,052
EIGHT TONY AWARDS, INCLUDING
BEST MUSICAL.
1267
01:29:28,086 --> 01:29:31,020
IT WAS AN EXPERIENCE WE'LL NEVER
FORGET.
1268
01:29:31,055 --> 01:29:36,336
LATE LAST YEAR, OUR ENTIRE
COMPANY REUNITED FOR A SPECIAL
1269
01:29:36,371 --> 01:29:43,032
15th ANNIVERSARY BENEFIT CONCERT
WHICH WAS CAPTURED IN THE HBO
1270
01:29:43,067 --> 01:29:46,622
ORIGINAL DOCUMENTARY "“THOSE
YOU'VE KNOWN."”
1271
01:29:46,657 --> 01:29:49,625
>> TONIGHT, IN CELEBRATION OF
THEIR ANNIVERSARY, IT'S AN HONOR
1272
01:29:49,660 --> 01:29:51,351
FOR ME TO WELCOME BACK THE
ORIGINAL COMPANY OF
1273
01:29:51,386 --> 01:30:03,536
"SPRING AWAKENING."
1274
01:30:05,469 --> 01:30:06,504
♪ ♪
♪ ♪
1275
01:30:06,539 --> 01:30:20,104
♪ ♪
♪ ♪
1276
01:30:20,138 --> 01:30:23,107
♪ WHERE I GO
WHEN I GO THERE
1277
01:30:23,141 --> 01:30:26,869
♪ NO MORE MEM'RY ANYMORE
♪ WHERE I GO
1278
01:30:26,904 --> 01:30:30,217
WHEN I GO THERE
♪ NO MORE MEM'RY ANYMORE
1279
01:30:30,252 --> 01:30:36,534
ONLY DRIFTING ON SOME SHIP
♪ THE WIND THAT WHISPERS
1280
01:30:36,569 --> 01:30:42,506
OF THE DISTANCE
♪ TO SHORE
1281
01:30:42,540 --> 01:30:44,335
WHERE I GO
♪ AHH
1282
01:30:44,369 --> 01:30:48,201
WHEN I GO THERE
♪ NO MORE LIST'NING ANYMORE
1283
01:30:48,235 --> 01:30:54,276
AHH
♪ ONLY HYMNS UPON YOUR LIPS
1284
01:30:54,310 --> 01:31:02,767
A MYSTIC WISDOM RISING WITH THEM
♪ TO SHORE
1285
01:31:02,802 --> 01:31:05,736
TOUCH ME
♪ JUST LIKE THAT
1286
01:31:05,770 --> 01:31:10,672
AND THAT, OH YEAH
♪ NOW, THAT'S HEAVEN
1287
01:31:10,706 --> 01:31:15,642
NOW, THAT I LIKE
♪ GOD, THAT'S SO NICE
1288
01:31:15,677 --> 01:31:23,857
NOW LOWER DOWN
♪ WHERE THE FIGS LIE
1289
01:31:23,892 --> 01:31:27,896
OH, OH MY GOD
♪ OH, YEAH, YEAH, YEAH
1290
01:31:27,930 --> 01:31:34,799
OH, OH MY GOD
♪ OH, YEAH, YEAH, YEAH
1291
01:31:34,834 --> 01:31:40,943
TOUCH ME
♪ TOUCH ME
1292
01:31:40,978 --> 01:31:42,807
OH-OH
♪ OH-OH
1293
01:31:42,842 --> 01:31:46,949
OH-OH
♪ MY GOD
1294
01:31:46,984 --> 01:31:50,056
WHERE I GO
♪ WHEN I GO THERE
1295
01:31:50,090 --> 01:31:58,720
NO MORE SHADOWS ANYMORE
♪ ONLY YOU THERE IN THE KISS
1296
01:31:58,754 --> 01:32:02,965
AND NOTHING MISSING
♪ AS YOU'RE DRIFTING
1297
01:32:03,000 --> 01:32:07,107
TO SHORE
♪ WHERE I GO
1298
01:32:07,142 --> 01:32:14,839
WHEN I GO THERE
♪ NO MORE WEEPING ANYMORE
1299
01:32:14,874 --> 01:32:17,393
NO MORE WEEPING ANYMORE
♪ NO, NO, NO
1300
01:32:17,428 --> 01:32:22,122
ONLY IN AND OUT YOUR LIPS
♪ THE BROKEN WISHES
1301
01:32:22,157 --> 01:32:24,504
WASHING WITH THEM
♪ TO SHORE
1302
01:32:24,539 --> 01:32:26,851
TOUCH ME
♪ TOUCH ME
1303
01:32:26,886 --> 01:32:29,578
ALL SILENT
♪ ALL SILENT
1304
01:32:29,613 --> 01:32:33,030
BABY, JUST TELL ME
♪ TELL ME, PLEASE
1305
01:32:33,064 --> 01:32:35,964
ALL IS FORGIVEN
♪ TOUCH
1306
01:32:35,998 --> 01:32:38,587
CONSUME MY WINE
♪ OH
1307
01:32:38,622 --> 01:32:42,280
CONSUME MY MIND
♪ OH
1308
01:32:42,315 --> 01:32:45,214
I'LL TELL YOU HOW
♪ OH
1309
01:32:45,249 --> 01:32:46,146
HOW THE WINDS SIGH
♪ THERE I GO, THERE I GO
1310
01:32:46,181 --> 01:32:47,389
TOUCH ME
♪ OH, OH, OH
1311
01:32:47,423 --> 01:32:50,875
JUST TRY IT
♪ JUST, JUST TRY IT
1312
01:32:50,910 --> 01:32:53,671
NOW, THERE THAT'S IT
♪ NOW, THERE, THAT'S IT
1313
01:32:53,706 --> 01:32:56,260
OH, GOD, THAT'S HEAVEN
♪ OH, GOD, THAT'S HEAVEN
1314
01:32:56,294 --> 01:32:58,538
TOUCH
♪ I'LL LOVE YOUR LIGHT
1315
01:32:58,573 --> 01:33:03,301
I'LL LOVE YOU RIGHT
♪ WE'LL WANDER DOWN
1316
01:33:03,336 --> 01:33:06,753
WHERE THE SINS CRY
♪ WHERE THE SINS CRY
1317
01:33:06,788 --> 01:33:10,826
TOUCH ME
♪ JUST LIKE THAT
1318
01:33:10,861 --> 01:33:15,348
NOW LOWER DOWN
♪ WHERE THE SINS LIE
1319
01:33:15,382 --> 01:33:22,838
LOVE ME
♪ JUST FOR A BIT
1320
01:33:22,873 --> 01:33:29,638
WE'LL WANDER DOWN
♪ WHERE THE WINDS SIGH
1321
01:33:29,673 --> 01:33:30,846
QUIETS
♪ WHERE THE WINDS SIGH
1322
01:33:30,881 --> 01:33:38,060
WHERE THE WINDS SIGH
♪ WHERE THE WINDS SIGH
1323
01:33:38,095 --> 01:33:41,961
♪ ♪
♪ WHERE THE WINDS SIGH
1324
01:33:41,995 --> 01:33:48,588
♪ ♪
♪
1325
01:33:48,623 --> 01:33:58,391
[ CHEERS AND APPLAUSE]
♪ ♪
1326
01:33:58,425 --> 01:34:00,358
>> Announcer: ANDREW GARFIELD
AND NATHAN LANE ARE NEXT WITH
1327
01:34:00,393 --> 01:34:01,428
THE AWARD FOR BEST PLAY.
1328
01:34:01,463 --> 01:34:05,432
AND LATER, A PERFORMANCE FROM
"SIX: THE MUSICAL."
1329
01:34:05,467 --> 01:34:06,192
THE 75th TONYS.
1330
01:34:06,226 --> 01:34:07,745
THIS IS CBS.
1331
01:34:13,786 --> 01:34:23,036
♪ ♪
WELCOME BACK TO THE TONY AWARDS,
1332
01:34:23,071 --> 01:34:26,281
WE WOULD LIKE TO SHINE THE
SPOTLIGHT ON THIS YEAR'S
1333
01:34:26,315 --> 01:34:28,352
NOMINATED PLAYWRIGHTS, NOW WE
ASKED THEM TO TELL US A LITTLE
1334
01:34:28,386 --> 01:34:31,389
BIT ABOUT THEMSELVES AND THEIR
PLAYSK AND HERE THEY ARE IN
1335
01:34:31,424 --> 01:34:36,015
THEIR OWN WORDS.
1336
01:34:36,049 --> 01:34:41,779
>> ONE WORD TO DESCRIBE MY PLAY
IS HILARIOUS.
1337
01:34:41,814 --> 01:34:42,504
>> FUNNY.
1338
01:34:42,538 --> 01:34:42,815
>> FUNNY.
1339
01:34:42,849 --> 01:34:44,368
>> EPIC.
1340
01:34:44,402 --> 01:34:44,713
>> HORRIFYING.
1341
01:34:44,748 --> 01:34:45,127
>> FIGHT.
1342
01:34:45,162 --> 01:34:46,301
>> DANGEROUS.
1343
01:34:46,335 --> 01:34:47,371
>> SURPRISING.
1344
01:34:47,405 --> 01:34:51,202
>> UNITY, HOPEFUL.
1345
01:34:51,237 --> 01:34:52,479
>> HAPPENING,-- HAPPY, TBISY
TURNER.
1346
01:34:52,514 --> 01:34:54,827
>> ONE OF MY FAVORITE LINE FROM
CLYDE'S IS A LITTLE SALT MAKES
1347
01:34:54,861 --> 01:34:58,002
THE FOOD TASTE GOOD, TOO MUCH
MAKES IT INEDIBLE.
1348
01:34:58,037 --> 01:34:59,210
REALLY THINK ABOUT IT.
1349
01:34:59,245 --> 01:35:02,593
>> AIN'T NO WAY TO FIGHT WITHOUT
JUMPING ON A DAMN GRENADE.
1350
01:35:02,627 --> 01:35:05,423
>> NEW YORK, EVERYTHING AND THE
OPPOSITE OF EVERYTHING ALL AT
1351
01:35:05,458 --> 01:35:11,498
THE SAME TIME IT IS COMPLETELY
SHAMELESS AND COMPLETELY SUB
1352
01:35:11,533 --> 01:35:12,707
LIME.
1353
01:35:12,741 --> 01:35:16,193
>> THE TOWN IS THE IDEA ITSELF
THE PLACE WHERE WE SEND OUR
1354
01:35:16,227 --> 01:35:19,472
CHILDREN TO SCHOOL TOGETHER AND
WHERE WE BREAK BREAD TOGETHER
1355
01:35:19,506 --> 01:35:22,475
AND WHERE WE DIE TOGETHER.
1356
01:35:22,509 --> 01:35:27,756
AND WE OWE EACH OTHER SOME
SIMPLE DAMN DECENCY.
1357
01:35:27,791 --> 01:35:31,553
>> I HOPE THE ODD YEPSES SEE
THIS PLAY, THAT THEY ARE JUST AS
1358
01:35:31,587 --> 01:35:36,213
MOVED AND INSPIRED BY THE
HUMANITY, THE RESILIENCY AND THE
1359
01:35:36,247 --> 01:35:39,423
AUTHENTICITY OF DETROITERS AS
MUCH AS I AM.
1360
01:35:39,457 --> 01:35:45,325
>> CLYDE'S IS REALLY A PLAY
ABOUT COMMUNITY, MINDFULNESS,
1361
01:35:45,360 --> 01:35:49,295
CREATIVITY, RESILL YEPS AND THE
HEALING POWER OF FOOD.
1362
01:35:49,329 --> 01:35:53,575
>> GREAT INTEEPING ARCS OF
HISTORY AND CONSTRUCTION,
1363
01:35:53,609 --> 01:36:00,030
SYSTEMS OF POLITICS AND FINANCE,
ACTUALLY IN THE END COME DOWN TO
1364
01:36:00,064 --> 01:36:05,345
SMALL UNIVERSAL HUMAN NEEDS AND
DESIRES AND FAILINGS.
1365
01:36:05,380 --> 01:36:09,729
>> I HOPE MY AUDIENCES TAKE AWAY
A BURNING DETERMINATION TO STOP
1366
01:36:09,764 --> 01:36:15,079
THE RISE OF FASCISM IN THIS
COUNTRY.
1367
01:36:15,114 --> 01:36:17,806
>> THE TITLE OF THE PLAY THAT MY
LIFE WOULD BE CALLED THE QUIET
1368
01:36:17,841 --> 01:36:18,807
STORM.
1369
01:36:18,842 --> 01:36:22,017
>> PUNK ROCK DIDN'T DIE T JUST
GOT FAT AND OLD.
1370
01:36:22,052 --> 01:36:24,813
>> AS LONG AS-- WITH A HAPPIER
ENDING.
1371
01:36:24,848 --> 01:36:29,231
>> THE LUCKIEST MAN ALIVE.
1372
01:36:29,266 --> 01:36:32,752
>> .
1373
01:36:32,787 --> 01:36:36,031
>> THE NOW REUNITSES THE STARS
>> Announcer: NOW, REUNITING THE
1374
01:36:36,066 --> 01:36:37,308
STARS OF THE REVIVAL OF "ANGELS
IN AMERICA," TONY AWARD WINNERS
1375
01:36:37,343 --> 01:36:48,768
ANDREW GARFIELD AND NATHAN LANE.
1376
01:36:48,803 --> 01:36:52,945
>> WHAT A NIGHT!
1377
01:36:52,979 --> 01:37:07,891
ANDREW, I JUST HAVE TO SAY HOW
WORKING WITH YOU WAS ONE OF THE
1378
01:37:07,891 --> 01:37:09,168
ANDREW, I JUST HAVE TO SAY HOW
WORKING WITH YOU WAS ONE OF THE
1379
01:37:09,202 --> 01:37:11,377
HIGHLIGHTS OF MY CAREER, I HAVE
TO TELL YOU HOW WILL YANT YOU
1380
01:37:11,411 --> 01:37:16,175
WERE IN TICKETMASTER BOOM,
SPECTACULAR.
1381
01:37:16,209 --> 01:37:21,111
YOU KNOW, YEARS AGO I STARTED A
MUCH LESS SUCCESSFUL FILM CALLED
1382
01:37:21,145 --> 01:37:22,767
BOOM BOOM TICK.
1383
01:37:22,802 --> 01:37:30,361
WHICH I PLAYED AN EXOTIC DANCER
A FLIBLGHTED WITH A HUGE FACIAL
1384
01:37:30,396 --> 01:37:31,707
TWICH.
1385
01:37:31,742 --> 01:37:33,502
WANT TO SEE IT AGAIN?
1386
01:37:33,537 --> 01:37:34,193
>> YEAH.
1387
01:37:34,227 --> 01:37:36,367
>> IT WENT STRAIGHT TO VIDEO.
1388
01:37:36,402 --> 01:37:41,614
>> I LOVE A MAN IN A VELVET
SUIT.
1389
01:37:41,648 --> 01:37:46,964
>> ALL RIGHT.
1390
01:37:46,999 --> 01:37:50,140
HERE ARE THE NOMINEES FOR BEST
PLAY.
1391
01:37:50,174 --> 01:37:55,214
>> HE'S A LITTLE JET
>> Announcer: "CLYDE'S."
1392
01:37:55,248 --> 01:38:03,636
"HANGMEN."
1393
01:38:03,670 --> 01:38:05,672
"THE LEHMAN TRILOGY."
1394
01:38:05,707 --> 01:38:07,053
AUTHORS: STEFANO MASSINI,
BEN POWERS.
1395
01:38:07,088 --> 01:38:08,020
"THE MINUTES."
1396
01:38:08,054 --> 01:38:11,230
AUTHOR: TRACY LETTS.
1397
01:38:11,264 --> 01:38:12,748
"SKELETON CREW."
1398
01:38:12,783 --> 01:38:22,689
AUTHOR: DOMINIGUE MORISSEAU.
1399
01:38:22,724 --> 01:38:26,107
>> GOES TO "THE LEHMAN TRILOGY."
1400
01:38:26,141 --> 01:38:33,942
ACCEPTS THE AWARD PRODUCER ROUGH
US NORRIST, AUTHORS STEPHANO
1401
01:38:33,977 --> 01:38:37,981
MASSINI AND BEN POWERS.
1402
01:38:38,015 --> 01:38:45,471
>> THANK YOU.
1403
01:38:45,505 --> 01:38:53,686
THIS PLAY WAS WRITTEN AS A HYMN
TO THE CITY OF NEW YORK BUT LIKE
1404
01:38:53,720 --> 01:38:56,206
THE LEHMAN BROTHERS THEMSELVES
OUR SHOW BEGAN THOUSANDS OF
1405
01:38:56,240 --> 01:38:57,448
MILES AWAY.
1406
01:38:57,483 --> 01:39:03,247
SO TO FIND OURSELVES ON THIS
STAGE ON THIS NIGHT PART OF THIS
1407
01:39:03,282 --> 01:39:07,251
COMMUNITY, ALONGSIDE FELLOW
NOMINEES WITH SUCH BREATHTAKING
1408
01:39:07,286 --> 01:39:10,254
TALENT, HONESTLY FEELS LIKE A
MIRACLE.
1409
01:39:10,289 --> 01:39:14,155
AND IT IS A MIRACLE FOR WHICH I
HAVE THO THANK THE GENIUS AND
1410
01:39:14,189 --> 01:39:23,992
THE GENEROSITIES-OF-STEPHANO
MASSINI, INSPIRED LEADERSHIP OF
1411
01:39:24,027 --> 01:39:25,028
MENDES.
1412
01:39:25,062 --> 01:39:28,583
THE TEAM THAT I
LIME-- ILLUMINATED EVERY CORNER
1413
01:39:28,617 --> 01:39:31,655
OF THE PLAY AND PRODUCERS AND
COPRODUCERS WHO STOOD BY THE
1414
01:39:31,689 --> 01:39:36,315
SHOW BETWEEN THE FOURTH PREVIEW
AND THE FIFTH PREVIEW, WOULD
1415
01:39:36,349 --> 01:39:39,076
COME 577 DAYS LATER.
1416
01:39:39,111 --> 01:39:40,319
THANK YOU.
1417
01:39:40,353 --> 01:39:44,668
THE LEHMAN TRILOGY IS ALSO A
PLAY ABOUT FAMILY AND I WOULDN'T
1418
01:39:44,702 --> 01:39:50,743
BE STANDING HERE WITHOUT MY WIFE
DE AND MY SON WALTER WHO WILL
1419
01:39:50,777 --> 01:39:53,746
WATCH THIS IN THE MORNING.
1420
01:39:53,780 --> 01:39:57,025
THOUSANDS OF MILES FROM HERE,
AND WILL SEE THAT IN NEW YORK,
1421
01:39:57,060 --> 01:40:02,237
EVEN AFTER EVERYTHING, EVEN
TODAY, MIRACLES ARE STILL
1422
01:40:02,272 --> 01:40:02,582
POSSIBLE.
1423
01:40:02,617 --> 01:40:08,312
THANK YOU.
1424
01:40:08,347 --> 01:40:12,109
[ CHEERS AND APPLAUSE]
>> PLEASE WELCOME LAST YEAR'S
1425
01:40:12,144 --> 01:40:17,080
TONY WINNER FOR HIS PERFORMANCE
IN A SOLDIER'S PLAY, DAVID ALLEN
1426
01:40:17,114 --> 01:40:20,980
GRIER.
1427
01:40:21,015 --> 01:40:23,638
>> "PARADISE SQUARE" TELLS THE
STORY OF A VIBRANT COMMUNITY OF
1428
01:40:23,672 --> 01:40:26,606
IRISH IMMIGRANTS AND AFRICAN
AMERICANS WHO LIVE AND LOVE
1429
01:40:26,641 --> 01:40:30,196
ACROSS RACE IN CIVIL WAR-ERA NEW
YORK.
1430
01:40:30,231 --> 01:40:33,924
THE UNSTOPPABLE NELLY O'BRIEN,
OWNER OF PARADISE SQUARE SALOON,
1431
01:40:33,958 --> 01:40:38,722
CREATES THE SPACE FOR ALL TO
FLOURISH AND SHARE THEIR MUSIC
1432
01:40:38,756 --> 01:40:40,172
AND DANCE TRADITIONS.
1433
01:40:40,206 --> 01:40:42,864
BUT, WHEN A VIOLENT MOB
THREATENS TO BURN DOWN THE DANCE
1434
01:40:42,898 --> 01:40:49,526
HALL AND EVERYONE IN IT, NELLY
LEADS HER COMMUNITY OUTSIDE AND
1435
01:40:49,560 --> 01:40:54,358
STEPS FORWARD TO PROTECT WHAT
REALLY MATTERS TO HER.
1436
01:40:54,393 --> 01:40:55,566
YOU ALL BETTER GET READY!
1437
01:40:55,601 --> 01:41:00,364
PLEASE WELCOME TONY NOMINEES,
SIDNEY DUPONT, A.J. SHIVELY,
1438
01:41:00,399 --> 01:41:04,299
JOAQUINA KALUKANGO, AND THE
COMPANY OF "PARADISE SQUARE."
1439
01:41:04,334 --> 01:41:10,926
[ CHEERS AND APPLAUSE]
♪ ♪
1440
01:41:10,961 --> 01:41:17,588
♪ ♪
♪ ♪
1441
01:41:17,623 --> 01:41:22,421
♪ ♪
♪ ♪
1442
01:41:22,455 --> 01:41:28,841
♪ ♪
♪ EVERY DAY WE HAVE
1443
01:41:28,875 --> 01:41:32,016
EVERYTHING TO LOSE
♪ YOU FIGHT TOOTH AND NAIL
1444
01:41:32,051 --> 01:41:35,434
TO LIVE THE LIFE YOU CHOOSE
♪ WHEN YOUR DAYS ARE HELL
1445
01:41:35,468 --> 01:41:38,989
NOTHING CAN COMPARE
♪ TO THE LITTLE BIT OF EDEN
1446
01:41:39,023 --> 01:41:44,132
CALLED PARADISE
♪ SQUARE, AIR, AIR, AIR
1447
01:41:44,167 --> 01:41:49,551
OH, OH
♪ CALLED PARADISE
1448
01:41:49,586 --> 01:41:56,627
SQUARE
♪ OH, OH
1449
01:41:56,662 --> 01:41:59,561
♪ ♪
[ CHEERS AND APPLAUSE]
1450
01:41:59,596 --> 01:42:04,083
INSIDE THIS LITTLE BUILDING
♪ IS A RARE AND SPECIAL LOT
1451
01:42:04,118 --> 01:42:09,778
WE SOMEHOW FOUND EACH OTHER
♪ AND LOOK WHAT THAT HAS WROUGHT
1452
01:42:09,813 --> 01:42:15,750
A PLACE YOU ARE AFRAID OF
♪ A WORLD YOU'LL NEVER KNOW
1453
01:42:15,784 --> 01:42:19,512
YOU CAN TAKE IT IN A FLASH
♪ YOU CAN BURN IT DOWN TO ASH
1454
01:42:19,547 --> 01:42:25,449
AND THEN OUT OF ASH WE'LL GROW
♪ IF YOU THINK
1455
01:42:25,484 --> 01:42:31,662
WE'LL RUN AWAY
♪ YOU'VE GOT A LOT TO LEARN
1456
01:42:31,697 --> 01:42:40,809
WE'RE STRONGER THAN THE FIRE
♪ AND I SAY
1457
01:42:40,844 --> 01:42:46,884
LET IT BURN
♪ LET IT BURN
1458
01:42:46,919 --> 01:42:55,169
LET IT BURN
♪ LET IT BURN
1459
01:42:55,203 --> 01:43:02,521
LET IT BURN
♪ LET IT BURN
1460
01:43:02,555 --> 01:43:08,112
[ CHEERS AND APPLAUSE]
LET IT BURN
1461
01:43:08,147 --> 01:43:16,120
♪ LET IT BURN
LET IT BURN
1462
01:43:16,155 --> 01:43:24,301
♪ I KNOW WHY YOU HAVE COME HERE
WHAT YOU WANT TO ERASE
1463
01:43:24,336 --> 01:43:32,654
♪ BUT I KNOW THAT OUR SPIRIT
IS BIGGER THAN THIS PLACE
1464
01:43:32,689 --> 01:43:41,249
♪ LOOK AT WHAT WE HAVE CREATED
WE GAVE OURSELVES A VOICE
1465
01:43:41,284 --> 01:43:50,603
♪ WE WERE SAFER SEPARATED
BUT LOVE LEFT US NO CHOICE
1466
01:43:50,638 --> 01:43:59,612
♪ THESE WALLS DO NOT
DEFINE ME
1467
01:43:59,647 --> 01:44:10,174
♪ I SAY
LET IT BURN
1468
01:44:10,209 --> 01:44:20,944
♪ LET IT BURN
LET IT BURN
1469
01:44:20,978 --> 01:44:35,924
♪ LET IT BURN
[ CHEERS AND APPLAUSE]
1470
01:44:35,924 --> 01:44:42,172
♪ LET IT BURN
[ CHEERS AND APPLAUSE]
1471
01:44:42,206 --> 01:44:48,454
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1472
01:44:48,454 --> 01:44:57,083
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1473
01:45:08,060 --> 01:45:08,785
>> Ariana: WHOA!
1474
01:45:08,819 --> 01:45:10,027
THE COMPANY OF "PARADISE
SQUARE."
1475
01:45:10,062 --> 01:45:12,133
KEEPING TRACK OF THEM AND MAKING
SURE THEY HIT THEIR MARKS IS
1476
01:45:12,167 --> 01:45:13,237
THEIR STAGE MANAGER, CHRIS.
1477
01:45:13,272 --> 01:45:15,412
SHOUT-OUT TO ALL OF THE STAGE
MANAGERS ON BROADWAY.
1478
01:45:15,447 --> 01:45:19,278
A PERFORMANCE FROM "SIX" IS
COMING UP; AND NEXT, LAURENCE
1479
01:45:19,313 --> 01:45:23,213
THIS IS THE 75th TONY AWARDS,
AND THIS IS CBS.
1480
01:45:23,247 --> 01:45:24,283
[ CHEERS AND APPLAUSE]
1481
01:45:35,156 --> 01:45:36,122
[ CHEERS AND APPLAUSE]
>> Ariana: ALRIGHTY!
1482
01:45:36,157 --> 01:45:39,678
I'M STILL NOT
OVER THAT BUT I DIGRESS. AND NO
1483
01:45:39,712 --> 01:45:41,404
FOR ANOTHER REUNION FROM NETWORK
HERE ARE
1484
01:45:41,438 --> 01:45:44,027
AND NOW, ANOTHER REUNION.
1485
01:45:44,061 --> 01:45:45,684
FROM "NETWORK," HERE ARE
TONY GOLDWYN AND TONY AWARD
1486
01:45:45,718 --> 01:45:50,136
WINNER BRYAN CRANSTON.
1487
01:45:50,171 --> 01:46:00,561
♪ ♪
>> IT'S NOT POSSIBLE.
1488
01:46:00,595 --> 01:46:01,838
>> I'M JUST SAYING THAT IT IS
POSSIBLE.
1489
01:46:01,872 --> 01:46:05,945
>> BRYAN, YOU HAVE WON TWO OF
THEM, YOU SHOULD KNOW THIS, THE
1490
01:46:05,980 --> 01:46:07,913
TONY WAS NOT NAMED AFTER ME.
1491
01:46:07,947 --> 01:46:09,224
>> OKAY.
1492
01:46:09,259 --> 01:46:14,264
WELL, CAN WE PLEASE GET THE-- SO
YOU CAN GET BACK TO LOOKING FOR
1493
01:46:14,298 --> 01:46:21,409
YOUR LOST RAZOR BLADE?
1494
01:46:21,444 --> 01:46:23,377
[ LAUGHTER]
>> THERE IS AN UNMISTAKABLE
1495
01:46:23,411 --> 01:46:29,106
TREMOR OF EXCITEMENT WHEN ONE
STEPS INSIDE A THEATRE.
1496
01:46:29,141 --> 01:46:32,109
FOR AN AUDIENCE, IT'S ROOTED IN
THE ANTICIPATION OF THE WONDERS
1497
01:46:32,144 --> 01:46:33,973
JUST BEYOND THE CURTAIN.
1498
01:46:34,008 --> 01:46:36,666
FOR THE ACTORS WHO STAND IN THE
CLOTHES OF AN ILLUSION THAT WILL
1499
01:46:36,700 --> 01:46:40,428
EXIST ONLY FOR THE NEXT TWO
HOURS, IT'S KNOWING THAT A
1500
01:46:40,463 --> 01:46:44,328
THOUSAND STRANGERS ARE LONGING
TO BE TOLD A STORY THAT WILL
1501
01:46:44,363 --> 01:46:47,746
MOVE, CHALLENGE, AND ENTERTAIN
THEM.
1502
01:46:47,780 --> 01:46:51,750
>> THIS NEXT GROUP OF GIFTED
ARTISTS COUPLED RAW INSTINCT
1503
01:46:51,784 --> 01:46:55,132
WITH TECHNIQUE HONED BY YEARS OF
EXPERIENCE TO MAKE THE MATERIAL
1504
01:46:55,167 --> 01:46:57,825
COME ALIVE AGAIN AND AGAIN.
1505
01:46:57,859 --> 01:47:00,897
THEIR DEDICATION TO THEIR ART
HAS ALLOWED THEM TO BRING TRUE
1506
01:47:00,931 --> 01:47:05,108
AWARENESS TO THE REALITY CREATED
BY THE PLAYWRIGHT.
1507
01:47:05,142 --> 01:47:07,351
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
1508
01:47:07,386 --> 01:47:11,839
LEADING ROLE IN A PLAY ARE:
SIMON RUSSELL BEALE, "THE LEHMAN
1509
01:47:11,873 --> 01:47:14,704
TRILOGY."
1510
01:47:14,738 --> 01:47:16,878
[ CHEERS AND APPLAUSE]
>> ADAM GODLEY, "THE LEHMAN
1511
01:47:16,913 --> 01:47:18,673
TRILOGY."
1512
01:47:18,708 --> 01:47:22,159
[ CHEERS AND APPLAUSE]
>> ADRIAN LESTER, "THE LEHMAN
1513
01:47:22,194 --> 01:47:23,885
TRILOGY."
1514
01:47:23,920 --> 01:47:26,923
[ CHEERS AND APPLAUSE]
>> DAVID MORSE, "HOW I LEARNED
1515
01:47:26,957 --> 01:47:28,683
TO DRIVE."
1516
01:47:28,718 --> 01:47:31,479
[ CHEERS AND APPLAUSE]
>> SAM ROCKWELL, "AMERICAN
1517
01:47:31,514 --> 01:47:33,274
BUFFALO."
1518
01:47:33,308 --> 01:47:38,175
[ CHEERS AND APPLAUSE]
>> RUBEN SANTIAGO-HUDSON,
1519
01:47:38,210 --> 01:47:40,005
"LACKAWANNA BLUES."
1520
01:47:40,039 --> 01:47:44,458
[ CHEERS AND APPLAUSE]
>> DAVID THRELFALL, "HANGMEN."
1521
01:47:44,492 --> 01:47:53,708
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1522
01:47:53,743 --> 01:47:57,747
SIMON RUSSELL BEALE, "THE LEHMAN
TRILOGY."
1523
01:47:57,781 --> 01:48:07,101
[ CHEERS AND APPLAUSE]
>> THIS IS SIMON RUSSELL BEALE'S
1524
01:48:07,135 --> 01:48:08,999
FIRST TONY AWARD WIN.
1525
01:48:09,034 --> 01:48:23,945
HE WAS PREVIOUSLY NOMINATED IN
2004 FOR HIS ROLE IN JUMPERS.
1526
01:48:23,945 --> 01:48:28,881
HE WAS PREVIOUSLY NOMINATED IN
2004 FOR HIS ROLE IN JUMPERS.
1527
01:48:28,916 --> 01:48:38,650
>> THANK YOU VERY MUCH, THIS IS
AN ENORMOUS HONOR.
1528
01:48:38,684 --> 01:48:40,824
ADAM, ADRIAN, I FEEL A LITTLE
SHEEPISH.
1529
01:48:40,859 --> 01:48:42,136
I JUST WANT TO SAY.
1530
01:48:42,170 --> 01:48:47,037
WE ALL DID EXACTLY THE SAME
AMOUNT OF WORK IN THIS PLAY.
1531
01:48:47,072 --> 01:48:54,079
BUT I TAKE THIS, ACCEPT IT ON
YOUR BEHALF, IT IS YOUR AWARD
1532
01:48:54,113 --> 01:48:57,013
TOO, I JUST HAVE THE LUCK TO
TAKE IT HOME.
1533
01:48:57,047 --> 01:49:01,155
THAT ALSO APPLIES TO OUR
WONDERFUL UNDERSTUDY AND THE
1534
01:49:01,189 --> 01:49:01,949
WHOLE TEAM.
1535
01:49:01,983 --> 01:49:03,191
THERE ARE TOO MANY PEOPLE TO
NAME.
1536
01:49:03,226 --> 01:49:07,955
HAVE I TO MENTION SAM, WE'VE
WORKED TOGETHER SAM AND I FOR 35
1537
01:49:07,989 --> 01:49:12,649
YEARS, NOT 25 AS SAID EARLIER,
PA YEARS.
1538
01:49:12,684 --> 01:49:17,274
AND I HAVE LOVED HIM ALL THAT
TIME AND I'VE LOVED HIS
1539
01:49:17,309 --> 01:49:21,934
EXTRAORDINARY WORK AND HIS
DEMAND, THANK YOU SAM SO MUCH.
1540
01:49:21,969 --> 01:49:26,905
UNDER THAT UP BRELAR, I INCLUDE
THE WHOLE PRODUCTION TEAM BUT
1541
01:49:26,939 --> 01:49:31,875
CAN I JUST QUICKLY SAY A THANK
YOU TO THE AUDIENCE, YOU HAVE
1542
01:49:31,910 --> 01:49:35,396
TRUSTED US, YOU CAME WITH OPEN
ARMS, IT WASN'T EASY AT THAT
1543
01:49:35,430 --> 01:49:37,778
POINT TO COME TO THE THEAT WE
ARE ALL THOSE REGULATIONS BUT
1544
01:49:37,812 --> 01:49:43,231
YOU WELCOMED US, THANKS FOR YOUR
GENEROSITY, TELLING A STORY THAT
1545
01:49:43,266 --> 01:49:49,513
IS IN PART THE HISTORY OF YOUR
WONDERFUL CITY SO THANK YOU FOR
1546
01:49:49,548 --> 01:49:55,105
BEING CHARACTERISTICALLY
GENEROUS, THANK YOU VERY MUCH IN
1547
01:49:55,140 --> 01:49:56,348
I
♪ ♪
1548
01:49:56,382 --> 01:49:58,384
>> Announcer: NOW, REUNITING THE
STARS OF "GOLDEN BOY": TONY
1549
01:49:58,419 --> 01:50:05,288
WINNER TONY SHALHOUB; AND LAST
DANNY BURSTEIN.
1550
01:50:05,322 --> 01:50:13,607
♪ ♪
>> HAVING BROADWAY BACK HAS BEEN
1551
01:50:13,641 --> 01:50:17,231
GOOD FOR THE SOUL, AND
NOT JUST IN NEW YORK CITY.
1552
01:50:17,265 --> 01:50:19,958
BROADWAY LEAGUE MEMBERS FROM
COAST-TO-COAST HAVE BROUGHT LIVE
1553
01:50:19,992 --> 01:50:24,652
PERFORMANCES BACK IN MORE THAN
190 CITIES AROUND THE COUNTRY,
1554
01:50:24,687 --> 01:50:28,069
ALONG WITH SEVERAL HUNDRED
THOUSAND JOBS, AND STORYTELLING
1555
01:50:28,104 --> 01:50:31,555
FROM THE GREATEST CREATIVE TEAMS
IN THE WORLD.
1556
01:50:31,590 --> 01:50:34,593
>> NOTHING STIMULATES THE MIND
AND HEART LIKE LIVE THEATRE.
1557
01:50:34,628 --> 01:50:37,320
CONNECTING WITH AN AUDIENCE FOR
THE SOLE PURPOSE OF
1558
01:50:37,354 --> 01:50:40,357
COMMUNICATING THOUGHTS AND
EMOTIONS-- THAT IS THE TRUE
1559
01:50:40,392 --> 01:50:42,497
MEANING OF THEATRE.
1560
01:50:42,532 --> 01:50:46,847
THESE NEXT ARTISTS ENLIVENED
THIS PAST SEASON BY ENTHRALLING
1561
01:50:46,881 --> 01:50:50,264
THEATERGOERS WITH THOROUGHLY
ENGAGING WORK.
1562
01:50:50,298 --> 01:50:53,439
>> THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTRESS IN A
1563
01:50:53,474 --> 01:50:57,409
LEADING ROLE IN A PLAY ARE:
GABBY BEANS, "THE SKIN OF OUR
1564
01:50:57,443 --> 01:51:00,619
TEETH."
1565
01:51:00,654 --> 01:51:10,249
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1566
01:51:10,284 --> 01:51:12,596
>> LACHANZE, "TROUBLE IN MIND."
1567
01:51:12,631 --> 01:51:17,532
[ CHEERS AND APPLAUSE]
>> RUTH NEGGA, "MACBETH."
1568
01:51:17,567 --> 01:51:25,782
[ CHEERS AND APPLAUSE]
>> DEIRDRE O'CONNELL, "DANA H."
1569
01:51:25,817 --> 01:51:31,685
[ CHEERS AND APPLAUSE]
>> MARY-LOUISE PARKER, "HOW I
1570
01:51:31,719 --> 01:51:33,790
LEARNED TO DRIVE."
1571
01:51:33,825 --> 01:51:41,867
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1572
01:51:41,902 --> 01:51:45,146
DEIRDRE O'CONNELL, "DANA H."
1573
01:51:45,181 --> 01:51:53,223
[ CHEERS AND APPLAUSE]
>> SHE BEGAN HER CAREER AT STAGE
1574
01:51:53,258 --> 01:51:56,606
ONE A EXPERIMENTAL THEATER FOR
THE BOSTON CENTER FOR THE ARTS,
1575
01:51:56,640 --> 01:52:11,552
THIS IS HER FIRST TONY
NOMINATION AND WIN.
1576
01:52:11,552 --> 01:52:18,041
THIS IS HER FIRST TONY
NOMINATION AND WIN.
1577
01:52:18,076 --> 01:52:19,733
>> OH GOD, THANK YOU.
1578
01:52:19,767 --> 01:52:23,978
THANK YOU, THANK YOU.
1579
01:52:24,013 --> 01:52:30,295
I AM A PIECE OF A VERY LARGE
GROUP THAT MADE DANAH H AND
1580
01:52:30,329 --> 01:52:36,577
THERE ARE TOO MANY TO THANK,
LUCAS, MISHA DANAH FOR LETTING
1581
01:52:36,611 --> 01:52:40,167
US INVADE YOUR PRIVACY SO
COMPLETELY AND EVERY MEMBER OF
1582
01:52:40,201 --> 01:52:44,102
THE CREW, THE STAGE MANAGERS,
THE AGENTS, PRODUCERS WHO TOOK
1583
01:52:44,136 --> 01:52:45,551
CARE OF ME.
1584
01:52:45,586 --> 01:52:47,795
BUT I WANT TO SAY ONE THING.
1585
01:52:47,830 --> 01:52:54,043
I WOULD LOVE FOR THIS LITTLE
PRIZE TO BE A TOKEN FOR EVERY
1586
01:52:54,077 --> 01:52:57,771
PERSON WHO IS WONDER SHOULD I BE
TRYING TO MAKE SOMETHING THAT
1587
01:52:57,805 --> 01:52:59,013
COULD WORK ON BROADWAY OR THAT
COULD WIN ME A TONY AWARD.
1588
01:52:59,048 --> 01:53:03,604
OR SHOULD I BE MAKING THE WEIRD
ART THAT IS HAUNTING ME THAT
1589
01:53:03,638 --> 01:53:06,089
FRIGHTENED ME, THAT I DON'T KNOW
HOW TO MAKE, THAT I DON'T KNOW
1590
01:53:06,124 --> 01:53:11,439
IF ANYONE IN THE WHOLE WORLD
WILL UNDERSTAND, PLEASE LET ME
1591
01:53:11,474 --> 01:53:15,029
STANDING HERE BE A LITTLE SIGN
TO YOU FROM THE UNIVERSE TO MAKE
1592
01:53:15,064 --> 01:53:17,549
THE WEIRD ART.
1593
01:53:17,583 --> 01:53:23,900
THANK YOU.
1594
01:53:23,935 --> 01:53:27,766
[ CHEERS AND APPLAUSE]
♪ ♪
1595
01:53:27,801 --> 01:53:29,837
>> Announcer: PLEASE WELCOME A
TONY AWARD WINNER CURRENTLY ON
1596
01:53:29,872 --> 01:53:33,876
BROADWAY IN "AMERICAN BUFFALO,"
LAURENCE FISHBURNE.
1597
01:53:33,910 --> 01:53:42,539
[ CHEERS AND APPLAUSE]
>> GOOD EVENING.
1598
01:53:42,574 --> 01:53:45,853
SINCE OUR THEATRICAL COMMUNITY
LAST GATHERED AS ONE TO
1599
01:53:45,888 --> 01:53:50,513
CELEBRATE OUR ART, WE LOST A
GREAT NUMBER OF CHERISHED
1600
01:53:50,547 --> 01:53:52,549
FRIENDS AND COLLEAGUES.
1601
01:53:52,584 --> 01:53:55,794
MANY WERE FAMILIAR TO
GENERATIONS OF THEATRE LOVERS
1602
01:53:55,829 --> 01:54:00,212
WHO WERE TRANSPORTED BY THEIR
PERFORMANCES ONSTAGE, OR WERE
1603
01:54:00,247 --> 01:54:04,216
MOVED BY THEIR VOICES ON
CAST ALBUMS.
1604
01:54:04,251 --> 01:54:08,876
OTHERS MAY NOT HAVE BEEN AS
WELL-KNOWN BEYOND THE 26 SQUARE
1605
01:54:08,911 --> 01:54:12,811
BLOCKS KNOWN AS BROADWAY, BUT
THEIR CONTRIBUTIONS BEHIND THE
1606
01:54:12,846 --> 01:54:18,299
SCENES WERE EQUALLY VITAL TO
THE THEATRE.
1607
01:54:18,334 --> 01:54:22,994
WE REMEMBER SOME OF THEM NOW,
ALONG WITH ALL OF OUR COLLEAGUES
1608
01:54:23,028 --> 01:54:26,756
WHOSE BRIGHT LIGHTS WILL FOREVER
ENLIGHTEN FUTURE ARTISTS AND
1609
01:54:26,790 --> 01:54:29,310
ADMIRERS.
1610
01:54:29,345 --> 01:54:34,557
TO OFFER OUR GRATITUDE WITH HIS
INCREDIBLE VOICE, HERE'S EMMY,
1611
01:54:34,591 --> 01:54:42,565
GRAMMY AND TONY AWARD WINNER,
THE IDOL OF US ALL, BILLY
1612
01:54:42,599 --> 01:54:50,642
PORTER.
1613
01:54:50,676 --> 01:54:58,926
♪ ♪
♪ I HAVE OFTEN WALKED
1614
01:54:58,961 --> 01:55:08,453
DOWN THIS STREET BEFORE
♪ BUT THE PAVEMENT ALWAYS STAYED
1615
01:55:08,487 --> 01:55:17,945
BENEATH MY FEET BEFORE
♪ ALL AT ONCE AM I
1616
01:55:17,980 --> 01:55:28,507
SEVERAL STORIES HIGH
♪ KNOWING I'M ON THE STREET
1617
01:55:28,542 --> 01:55:39,415
WHERE YOU LIVED
♪ ARE THERE LILAC TREES
1618
01:55:39,449 --> 01:55:46,663
IN THE HEART OF TOWN
♪ CAN YOU HEAR A LARK
1619
01:55:46,698 --> 01:55:56,570
IN ANY OTHER PART OF TOWN
♪ DOES ENCHANTMENT POUR
1620
01:55:56,604 --> 01:56:05,855
OUT OF EVERY DOOR
♪ NO, IT'S JUST ON THE STREET
1621
01:56:05,889 --> 01:56:14,312
WHERE YOU LIVED
♪ AND OH
1622
01:56:14,346 --> 01:56:22,941
THE TOWERING FEELING
♪ JUST TO KNOW
1623
01:56:22,976 --> 01:56:36,817
SOMEHOW YOU ARE NEAR
♪ THE OVERPOWERING FEELING
1624
01:56:36,851 --> 01:56:48,863
THAT ANY SECOND
♪ YOU MAY SUDDENLY APPEAR
1625
01:56:48,898 --> 01:57:00,634
PEOPLE STOP AND STARE
♪ THEY DON'T BOTHER ME
1626
01:57:00,668 --> 01:57:05,018
'CAUSE THERE'S NO PLACE
♪ ELSE ON EARTH
1627
01:57:05,052 --> 01:57:13,095
THAT I WOULD RATHER BE
♪ LET THE TIME GO BY
1628
01:57:13,129 --> 01:57:23,691
I WON'T CARE
♪ IF I CAN
1629
01:57:23,726 --> 01:57:34,564
BE HERE
♪ ON THE STREET
1630
01:57:34,599 --> 01:57:46,438
WHERE YOU LIVED ♪
[ CHEERS AND APPLAUSE]
1631
01:58:03,490 --> 01:58:04,905
[ CHEERS AND APPLAUSE]
>> Announcer: WELCOME BACK.
1632
01:58:04,939 --> 01:58:07,390
NOW, LAST YEAR'S TONY AWARD
WINNERS FOR THEIR LEADING ROLES.
1633
01:58:07,425 --> 01:58:10,428
FROM "TINA, THE TINA TURNER
MUSICAL, ADRIENNE WARREN.
1634
01:58:10,462 --> 01:58:16,019
AND FROM "MOULIN ROUGE! THE
MUSICAL," AARON TVEIT.
1635
01:58:16,054 --> 01:58:20,817
[ CHEERS AND APPLAUSE]
>> OVER THE PAST 75 YEARS,
1636
01:58:20,852 --> 01:58:24,235
BROADWAY AUDIENCES HAVE BEEN
MESMERIZED BY COUNTLESS TONY-
1637
01:58:24,269 --> 01:58:28,929
WINNING PERFORMANCES-- AMONG
THEM, THE WORK OF LEADING ACTORS
1638
01:58:28,963 --> 01:58:30,931
IN MUSICALS.
1639
01:58:30,965 --> 01:58:35,453
THE LIST OF PAST WINNERS IS
STAGGERING-- FROM HARRY
1640
01:58:35,487 --> 01:58:39,077
BELAFONTE AND ZERO MOSTEL, TO
LESLIE ODOM, JR., AND THIS
1641
01:58:39,112 --> 01:58:41,148
GENTLEMAN NEXT TO ME.
1642
01:58:41,183 --> 01:58:45,566
>> THANK YOU ADRIENNE, AND
CONGRATULATIONS TO YOU.
1643
01:58:45,601 --> 01:58:48,155
THROUGHOUT THIS SEASON, THESE
NEXT ARTISTS HAVE CONNECTED WITH
1644
01:58:48,190 --> 01:58:51,572
AUDIENCES THROUGH THEIR UNIQUE
INTERPRETATIONS OF A WIDE RANGE
1645
01:58:51,607 --> 01:58:53,264
OF UNFORGETTABLE CHARACTERS.
1646
01:58:53,298 --> 01:58:55,887
THEIR STUNNING WORK NEVER FAILED
TO CAPTIVATE AND TRANSPORT
1647
01:58:55,921 --> 01:58:57,302
THEATERGOERS.
1648
01:58:57,337 --> 01:58:59,994
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTOR IN A
1649
01:59:00,029 --> 01:59:03,101
LEADING ROLE IN A MUSICAL ARE:
BILLY CRYSTAL, "MR. SATURDAY
1650
01:59:03,136 --> 01:59:05,034
NIGHT."
1651
01:59:05,068 --> 01:59:13,732
[ CHEERS AND APPLAUSE]
>> MYLES FROST, "MJ."
1652
01:59:13,767 --> 01:59:16,287
[ CHEERS AND APPLAUSE]
>> HUGH JACKMAN, "THE MUSIC
1653
01:59:16,321 --> 01:59:18,565
MAN."
1654
01:59:18,599 --> 01:59:21,361
[ CHEERS AND APPLAUSE]
>> ROB McCLURE, "MRS.
1655
01:59:21,395 --> 01:59:23,604
DOUBTFIRE."
1656
01:59:23,639 --> 01:59:26,745
[ CHEERS AND APPLAUSE]
>> JAQUEL SPIVEY, "A STRANGE
1657
01:59:26,780 --> 01:59:28,885
LOOP."
1658
01:59:28,920 --> 01:59:38,378
[ CHEERS AND APPLAUSE]
>> AND THE TONY AWARD GOES TO:
1659
01:59:38,412 --> 01:59:43,762
MYLES FROST, "MJ."
1660
01:59:43,797 --> 01:59:47,870
[ CHEERS AND APPLAUSE]
>> FOR HIS BRILLIANTS PORTRAYAL
1661
01:59:47,904 --> 01:59:53,772
OF POP SUPERSTAR MICHAEL JACKSON
MYLES FROST EARNS HIS FIRST TONY
1662
01:59:53,807 --> 02:00:08,718
NOMINATION AND WIN.
1663
02:00:08,718 --> 02:00:14,172
NOMINATION AND WIN.
1664
02:00:17,796 --> 02:00:26,736
>> MOM, I MADE IT!
1665
02:00:26,771 --> 02:00:38,403
I AM SO HONORED AND SO BLESSED
AND SO GRATEFUL AND SO,.
1666
02:00:38,438 --> 02:00:41,061
♪ CAN'T CONTROL.
1667
02:00:41,095 --> 02:00:46,929
♪ BUT I REALLY GOT TO PEE RIGHT
NOW SO I WILL KEEP IT QUICK.
1668
02:00:46,963 --> 02:00:50,346
MOM, I LOVE YOU SO, SO MUCH,
WITHOUT YOU THERE WOULD BE NO
1669
02:00:50,381 --> 02:00:52,037
ME.
1670
02:00:52,072 --> 02:01:03,463
I WOULD NOT-- YOU HAVE TAUGHT
ME, SHOWED ME WHAT A STRONG
1671
02:01:03,497 --> 02:01:04,705
BLACK WOMAN IS.
1672
02:01:04,740 --> 02:01:07,812
AND WHAT IT MEANS TO RAISE A
STRONG BLACK MAN AND I JUST PRAY
1673
02:01:07,846 --> 02:01:11,125
THAT I MADE YOU PROUD.
1674
02:01:11,160 --> 02:01:16,441
AND I WANT TO SAY THIS TO ALL
THE LITTLE BLACK KIDS OUT THERE
1675
02:01:16,476 --> 02:01:18,650
WHO MAY NOT HAVE A GOOD
RELATIONSHIP WITH THEIR FATHER.
1676
02:01:18,685 --> 02:01:20,169
YOU CAN DO IT.
1677
02:01:20,203 --> 02:01:21,377
FIRST OF ALL.
1678
02:01:21,412 --> 02:01:25,105
AND SECOND OF ALL, THAT I LOVE
YOU BECAUSE WE SUPPORT EACH
1679
02:01:25,139 --> 02:01:30,731
OTHER AND WE ARE BLACK MEN, WE
ARE STRONG BLACK MEN.
1680
02:01:30,766 --> 02:01:33,355
TV ONNE, ARE YOU THE GO, BABY.
1681
02:01:33,389 --> 02:01:34,010
I LOVE YOU.
1682
02:01:34,045 --> 02:01:37,842
KEEP KILLING IT, BLACK MEN.
1683
02:01:37,876 --> 02:01:39,050
RICKY, THANK YOU SO MUCH.
1684
02:01:39,084 --> 02:01:43,779
YOU TAUGHT ME EVERYTHING I KNOW,
CHRISTOPHER, LEAH, CARIA,
1685
02:01:43,813 --> 02:01:46,402
DR. KEENE, GLEN, THANK YOU SO
MUCH FOR ALLOWING ME TO EXPRESS
1686
02:01:46,437 --> 02:01:48,577
MY CREATIVITY.
1687
02:01:48,611 --> 02:01:55,549
I LOVE YOU ALL AND AS MICHAEL
WOULD SAY, WITH LOVE, WITH LOVE,
1688
02:01:55,584 --> 02:01:56,274
HEAL THE WORLD.
1689
02:01:56,309 --> 02:01:59,795
THANK YOU.
1690
02:01:59,829 --> 02:02:04,247
[ CHEERS AND APPLAUSE]
♪ ♪
1691
02:02:04,282 --> 02:02:06,767
>> Announcer: AND NOW FROM THE
REVIVAL OF "THE COLOR PURPLE,"
1692
02:02:06,802 --> 02:02:13,533
TONY NOMINEE DANIELLE BROOKS AND
TONY AWARD WINNER CYNTHIA ERIVO.
1693
02:02:13,567 --> 02:02:26,131
[ CHEERS AND APPLAUSE]
>> WHAT AN HONOR IT IS TO BE
1694
02:02:26,166 --> 02:02:29,445
BACK IN THE THEATER AND REUNITED
WITH YOU, DANIELLE; AND YOU,
1695
02:02:29,480 --> 02:02:32,862
JOAQUINA, OUR SISTER ON STAGE
AND HONESTLY IN LIFE.
1696
02:02:32,897 --> 02:02:35,624
WE ARE HONORED TO CELEBRATE YOU
AND THE OTHER GIFTED PERFORMERS
1697
02:02:35,658 --> 02:02:38,351
WHO HAVE BEEN RECOGNIZED FOR
THEIR EXCEPTIONAL WORK IN
1698
02:02:38,385 --> 02:02:40,283
BROADWAY MUSICALS THIS SEASON.
1699
02:02:40,318 --> 02:02:46,738
ALL OF THEM CAN AND SHOULD BE
PROUD OF THEIR ACCOMPLISHMENTS.
1700
02:02:46,773 --> 02:02:48,671
>> YES, THEY HAVE GIVEN US THE
KINDS OF PERFORMANCES THAT
1701
02:02:48,706 --> 02:02:51,605
REMAIN WITH US LONG AFTER THE
FINAL CURTAIN.
1702
02:02:51,640 --> 02:02:53,296
THEY BRING TO THEIR WORK THE
INTELLIGENCE, COMPASSION, AND
1703
02:02:53,331 --> 02:02:56,714
EMOTIONAL DEPTH NECESSARY TO
SERVICE THEIR STORIES AND,
1704
02:02:56,748 --> 02:02:58,957
ULTIMATELY, THEIR SCORES.
1705
02:02:58,992 --> 02:03:04,480
THE NOMINEES FOR BEST
PERFORMANCE BY AN ACTRESS IN A
1706
02:03:04,515 --> 02:03:09,416
LEADING ROLE IN A MUSICAL ARE:
SHARON D CLARKE, "CAROLINE, OR
1707
02:03:09,451 --> 02:03:10,762
CHANGE."
1708
02:03:10,797 --> 02:03:13,627
[ CHEERS AND APPLAUSE]
>> CARMEN CUSACK, "FLYING OVER
1709
02:03:13,662 --> 02:03:14,939
SUNSET."
1710
02:03:14,973 --> 02:03:17,942
[ CHEERS AND APPLAUSE]
>> SUTTON FOSTER, "THE MUSIC
1711
02:03:17,976 --> 02:03:19,322
MAN."
1712
02:03:19,357 --> 02:03:21,152
[ CHEERS AND APPLAUSE]
>> JOAQUINA KALUKANGO, "PARADISE
1713
02:03:21,186 --> 02:03:22,533
SQUARE."
1714
02:03:22,567 --> 02:03:25,467
[ CHEERS AND APPLAUSE]
>> MARE WINNINGHAM, "GIRL FROM
1715
02:03:25,501 --> 02:03:27,469
THE NORTH COUNTRY."
1716
02:03:27,503 --> 02:03:31,645
[ CHEERS AND APPLAUSE]
>> THE AMERICAN THEATRE WING'S
1717
02:03:31,680 --> 02:03:46,626
TONY GOES TO:
JOAQUINA KALUKANGO, "PARADISE
1718
02:03:46,626 --> 02:03:47,868
TONY GOES TO:
JOAQUINA KALUKANGO, "PARADISE
1719
02:03:50,112 --> 02:03:51,285
SQUARE."
1720
02:03:51,320 --> 02:03:55,600
>> PARADISE SQUARE, WITH THE
PORTRAYAL OF NELLIE O'BRIEN IN
1721
02:03:55,635 --> 02:04:08,820
PARADISE SQUARE.
1722
02:04:08,855 --> 02:04:23,766
>>
OH MY GOD.
1723
02:04:23,766 --> 02:04:32,913
>>
OH MY GOD.
1724
02:04:32,948 --> 02:04:37,090
MY NAME JOAQUINA MEANS
ESTABLISHED BY GOD AND SO I GOT
1725
02:04:37,124 --> 02:04:40,783
TO GIVE THANKS AND PRAISE TO GOD
BECAUSE HE HAS KEPT ME AND BEEN
1726
02:04:40,818 --> 02:04:44,960
MY REFUGE THROUGH THIS CRAZY
JOURNEY.
1727
02:04:44,994 --> 02:04:48,446
THANK YOU, GOD, FOR GIVING ME
THE BEST PARENTS IN THE WORLD.
1728
02:04:48,481 --> 02:04:51,622
MY PARENTS SACRIFICED EVERYTHING
FOR ME TO LIVE MY DREAM, MY
1729
02:04:51,656 --> 02:04:56,109
FATHER WHO IS IN HEAVEN, I LOVE
YOU, MY MOTHER WHO, THANK YOU TO
1730
02:04:56,143 --> 02:05:00,113
MY SISTER FOR DESIGNING THIS
DRESS, MY FAMILY, ALL OF MY
1731
02:05:00,147 --> 02:05:04,704
TEACHERS AT TRICITY'S HIGH
SCHOOL FOR LITERALLY INSTILLING
1732
02:05:04,738 --> 02:05:06,395
MY PURPOSE IN MY LIFE.
1733
02:05:06,429 --> 02:05:13,264
THANK YOU TO OUR PRODUCERS,
MOISES FOR LEADING WITH LOVE, TO
1734
02:05:13,298 --> 02:05:15,508
JASON IT IS A PRIVILEGE AND
HONOR TO SING YOUR MUSIC EVERY
1735
02:05:15,542 --> 02:05:18,545
NIGHT AND MORE SO AN HONOR TO
CALL YOU FRIEND.
1736
02:05:18,580 --> 02:05:21,410
THANK YOU TO MY INCREDIBLE
COMPANY.
1737
02:05:21,444 --> 02:05:22,238
THIS IS OURS.
1738
02:05:22,273 --> 02:05:23,826
LOOK AT WHAT WE HAVE CREATED.
1739
02:05:23,861 --> 02:05:29,349
WE GAVE OURSELVES A VOICE, THOSE
ARE THE LYRICS THAT-- THEY GAVE
1740
02:05:29,383 --> 02:05:33,664
U THANK YOU CHRISTINA ANDERSON
FOR CENTERING NELLIE'S VOICE IN
1741
02:05:33,698 --> 02:05:34,837
THIS STORY.
1742
02:05:34,872 --> 02:05:43,708
I GIVE THANKS TO ALL OF THE
NAMELESS ANCESTORS, WHO HAVE
1743
02:05:43,743 --> 02:05:48,195
SUFFERED THIS SONG, THIS SHOW
GIVES POWER TO, THAT I HONOR
1744
02:05:48,230 --> 02:05:52,821
THEM EVERY DAY AND THANK YOU TO
MY SON, ARE YOU THE BIGGEST
1745
02:05:52,855 --> 02:05:56,825
BLESSING IN THE WORLD, I LOVE
YOU.
1746
02:05:56,859 --> 02:06:04,315
WITH EVERY FIBER OF MY BEING, TU
THANK YOU, THE TONYS, THANK YOU.
1747
02:06:04,349 --> 02:06:09,492
[APPLAUSE]
[ CHEERS AND APPLAUSE]
1748
02:06:09,527 --> 02:06:17,673
♪ ♪
>> Announcer: NOW, PLEASE
1749
02:06:17,708 --> 02:06:24,438
WELCOME TWO-TIME EMMY NOMINEE,
BOWEN YANG.
1750
02:06:24,473 --> 02:06:29,409
[ APPLAUSE]
>> IF THERE ARE TWO THINGS I
1751
02:06:29,443 --> 02:06:36,554
KNOW A LITTLE SOMETHING ABOUT,
THEY'RE MUSICAL THEATRE AND
1752
02:06:36,589 --> 02:06:43,561
QUEENS--
[ CHEERS AND APPLAUSE]
1753
02:06:43,596 --> 02:06:47,600
NOT THE BOROUGH.
1754
02:06:47,634 --> 02:06:48,566
THE ROYALTY.
1755
02:06:48,601 --> 02:06:51,776
I'M ESPECIALLY FAMILIAR WITH
STAR QUEENS, AND
1756
02:06:51,811 --> 02:06:53,882
THIS FINAL NOMINEE FOR BEST
MUSICAL IS FULL OF THEM.
1757
02:06:53,916 --> 02:06:55,124
IT FOLLOWS THE SIX WIVES OF
HENRY VIII AS THEY TAKE THE MIC
1758
02:06:55,159 --> 02:06:56,885
IN A POP CONCERT TO REMIX 500
YEARS OF HISTORICAL
1759
02:06:56,919 --> 02:06:58,611
HEARTBREAK INTO AN EXUBERANT
CELEBRATION OF 21st CENTURY
1760
02:06:58,645 --> 02:07:00,129
GIRL POWER.
1761
02:07:00,164 --> 02:07:03,374
THE TUDOR QUEENS TRANSFORM INTO
POP PRINCESSES AND TAKE TURNS
1762
02:07:03,408 --> 02:07:09,000
SINGING AND TELLING THEIR
STORIES TO SEE WHO SHOULD BECOME
1763
02:07:09,035 --> 02:07:11,554
THE GROUP'S LEAD SINGER.
1764
02:07:11,589 --> 02:07:16,042
PLEASE WELCOME THE SPECTACULAR
COMPANY OF "SIX."
1765
02:07:16,076 --> 02:07:24,429
[ CHEERS AND APPLAUSE]
>> DIVORCED.
1766
02:07:24,464 --> 02:07:26,086
>> BEHEADED.
1767
02:07:26,121 --> 02:07:29,365
>> DIED.
1768
02:07:29,400 --> 02:07:30,988
>> DIVORCED.
1769
02:07:31,022 --> 02:07:32,506
>> BEHEADED.
1770
02:07:32,541 --> 02:07:36,752
>> SURVIVED.
1771
02:07:36,787 --> 02:07:42,447
>> AND TONIGHT, WE ARE--
♪ ♪
1772
02:07:42,482 --> 02:07:47,314
♪ LIVE
LISTEN UP
1773
02:07:47,349 --> 02:07:50,801
♪ LET ME TELL YOU A STORY
A STORY THAT YOU THINK
1774
02:07:50,835 --> 02:07:53,907
♪ YOU'VE HEARD BEFORE
WE KNOW YOU KNOW OUR NAMES
1775
02:07:53,942 --> 02:07:56,289
♪ AND OUR FAME
AND OUR FACES
1776
02:07:56,323 --> 02:08:00,465
♪ KNOW ALL ABOUT THE GLORIES
AND THE DISGRACES
1777
02:08:00,500 --> 02:08:04,815
♪ I'M DONE, 'CAUSE ALL THIS TIME
I'VE BEEN JUST ONE WORD
1778
02:08:04,849 --> 02:08:08,197
♪ IN A STUPID RHYME
SO I PICKED UP A PEN
1779
02:08:08,232 --> 02:08:11,822
♪ AND A MICROPHONE
HISTORY'S ABOUT TO GET
1780
02:08:11,856 --> 02:08:15,411
♪ OVERTHRONE
WELCOME TO THE SHOW
1781
02:08:15,446 --> 02:08:18,725
♪ TO THE HISTO-REMIX
SWITCHING UP THE FLOW
1782
02:08:18,760 --> 02:08:21,935
♪ AS WE ADD THE PREFIX
EV'RYBODY KNOWS
1783
02:08:21,970 --> 02:08:28,770
♪ THAT WE USED TO BE
SIX WIVES
1784
02:08:28,804 --> 02:08:31,565
♪ BUT NOW WE'RE
EX-WIVES
1785
02:08:31,600 --> 02:08:40,091
♪ ♪
♪ ♪
1786
02:08:40,126 --> 02:08:41,334
>> RADIO CITY MAKE SOME NOISE!
1787
02:08:41,368 --> 02:08:43,129
MY NAME'S CATHERINE OF ARAGON
♪ WAS MARRIED 24 YEARS
1788
02:08:43,163 --> 02:08:46,719
I'M A PARAGON
♪ OF ROYALTY
1789
02:08:46,753 --> 02:08:50,550
MY LOYALTY IS TO THE VATICAN
♪ SO IF YOU TRY TO DUMP ME
1790
02:08:50,584 --> 02:08:53,449
YOU WON'T TRY THAT AGAIN
♪ BEHEADED
1791
02:08:53,484 --> 02:08:56,487
I'M THAT BOLEYN GIRL
♪ AND I'M UP NEXT
1792
02:08:56,521 --> 02:08:58,765
SEE I BROKE ENGLAND
♪ FROM THE CHURCH
1793
02:08:58,800 --> 02:09:02,907
YEAH, I'M THAT SEXY
♪ WHY DID I LOSE MY HEAD
1794
02:09:02,942 --> 02:09:06,462
WELL, MY SLEEVES MAY BE GREEN
♪ BUT MY LIPSTICK'S RED
1795
02:09:06,497 --> 02:09:08,602
DIED
♪ JANE SEYMOUR
1796
02:09:08,637 --> 02:09:12,192
THE ONLY ONE HE TRULY LOVED
♪ RUDE
1797
02:09:12,227 --> 02:09:15,540
WHEN MY SON WAS NEWLY BORN
♪ I DIED
1798
02:09:15,575 --> 02:09:18,129
BUT I'M NOT WHAT I SEEM
♪ OR AM I
1799
02:09:18,164 --> 02:09:20,753
STICK AROUND AND YOU'LL
♪ SUDDENLY SEE MORE
1800
02:09:20,787 --> 02:09:23,652
DIVORCED
♪ ICH BIN ANNA OF CLEVES
1801
02:09:23,686 --> 02:09:24,860
JA?
1802
02:09:24,895 --> 02:09:27,000
♪ WHEN HE SAW MY PORTRAIT
HE WAS LIKE
1803
02:09:27,035 --> 02:09:29,554
♪ "“JA!"”
BUT I DIDN'T LOOK AS GOOD
1804
02:09:29,589 --> 02:09:33,800
♪ AS I DID IN MY PIC
FUNNY HOW WE ALL DISCUSS THAT
1805
02:09:33,835 --> 02:09:36,182
♪ BUT NEVER HENRY'S LITTLE
PRICK UP YOUR EARS
1806
02:09:36,216 --> 02:09:38,046
♪ I'M THE KATH'RINE
WHO LOST HER HEAD
1807
02:09:38,080 --> 02:09:40,186
♪ BEHEADED
FOR MY PROMISCUITY
1808
02:09:40,220 --> 02:09:43,948
♪ OUTSIDE OF WED
LOCK UP YOUR HUSBANDS
1809
02:09:43,983 --> 02:09:47,124
♪ LOCK UP YOUR SONS
K-HOWARD IS HERE
1810
02:09:47,158 --> 02:09:50,299
♪ AND THE FUN'S BEGUN
SURVIVED
1811
02:09:50,334 --> 02:09:56,374
♪ FIVE DOWN, I'M THE FINAL WIFE
I SAW HIM TO THE END OF HIS LIFE
1812
02:09:56,409 --> 02:09:59,861
♪ I'M THE SURVIVOR
CATH'RINE PARR
1813
02:09:59,895 --> 02:10:03,347
♪ I BET YOU WANNA KNOW
HOW WE GOT THIS FAR
1814
02:10:03,381 --> 02:10:05,590
♪ WELL, TONIGHT
WE'LL LET YOU KNOW HOW WE GOT
1815
02:10:05,625 --> 02:10:08,559
♪ THIS FAR
'CAUSE EV'RYBODY KNOWS
1816
02:10:08,593 --> 02:10:19,259
♪ THAT WE USED TO BE SIX WIVES
BUT NOW WE'RE ONE OF A KIND
1817
02:10:19,294 --> 02:10:22,918
♪ NO CATEGORY
TOO MANY YEARS
1818
02:10:22,953 --> 02:10:26,508
♪ LOST IN HIS STORY
WE'RE FREE TO TAKE
1819
02:10:26,542 --> 02:10:30,167
♪ OUR CROWNING GLORY
FOR FIVE MORE MINUTES
1820
02:10:30,201 --> 02:10:31,685
♪ GET YOUR HANDS UP!
1821
02:10:31,720 --> 02:10:33,411
WE'RE SIX
♪ WOAH
1822
02:10:33,446 --> 02:10:36,276
WOAH
♪ WE'RE SIX
1823
02:10:36,311 --> 02:10:40,142
WOAH, OH, OH, OH
♪ WE'RE SIX
1824
02:10:40,177 --> 02:10:42,558
WOAH
♪ WOAH
1825
02:10:42,593 --> 02:10:49,358
FOR FIVE, FOUR, THREE, TWO
♪ ONE MORE MINUTE
1826
02:10:49,393 --> 02:11:04,339
WE'RE SIX ♪
[ CHEERS AND APPLAUSE]
1827
02:11:04,339 --> 02:11:05,271
WE'RE SIX ♪
[ CHEERS AND APPLAUSE]
1828
02:11:05,305 --> 02:11:17,490
♪ ♪
>> OH MY GOSH, OH MY GOSH, OH MY
1829
02:11:17,524 --> 02:11:19,354
GOSH, I DON'T WANT TO INTERRUPT
THIS SELFIE MOMENT BUT DO I WANT
1830
02:11:19,388 --> 02:11:21,080
EVERYONE TO HEAR THIS.
1831
02:11:21,114 --> 02:11:27,707
CUZ THIS IS WHAT TONIGHT HAS
BEEN ALL ABOUT, MALLORY MENGE,
1832
02:11:27,741 --> 02:11:31,055
THIS WOMAN IS THE DANCE CAPTAIN
OF THE ALTERNATES WHO WHO WAS
1833
02:11:31,090 --> 02:11:33,023
PUT INTO THIS NUMBER 12 HOURS
AGO.
1834
02:11:33,057 --> 02:11:35,404
IT'S WHAT THEY DO.
1835
02:11:35,439 --> 02:11:36,923
BECAUSE THE SHOW MUST GO ON.
1836
02:11:36,958 --> 02:11:40,582
AND THIS ONE WILL WITH CHITA
RIVERA AND BEST MUSICAL NEXT,
1837
02:11:40,616 --> 02:11:42,756
THE 75th TONY AWARDS, THIS
IS CBS!
1838
02:11:53,319 --> 02:12:03,467
[ CHEERS AND APPLAUSE]
♪ ♪
1839
02:12:03,501 --> 02:12:07,333
>> Ariana: ANITA IN "“WEST SIDE
STORY"” IS MUCH MORE THAN A
1840
02:12:07,367 --> 02:12:09,197
CHARACTER IN A MUSICAL.
1841
02:12:09,231 --> 02:12:15,306
ANITA ALTERED THE TRAJECTORY OF
MY LIFE AND THE LIVES OF SO MANY
1842
02:12:15,341 --> 02:12:18,654
PERFORMERS, AND IT ALL BEGAN
WITH THE ACTRESS WHO ORIGINATED
1843
02:12:18,689 --> 02:12:20,863
THE ROLE ONSTAGE.
1844
02:12:20,898 --> 02:12:24,626
HER ANITA WAS SO HONEST AND
STRONG AND BEAUTIFUL THAT SHE
1845
02:12:24,660 --> 02:12:27,905
REACHED OUT TO EVERY YOUNG
PERSON IN OUR COMMUNITY AND LET
1846
02:12:27,940 --> 02:12:30,735
US KNOW THERE WAS A PLACE FOR
US.
1847
02:12:30,770 --> 02:12:34,463
A PLACE THAT WAS CREATED THE
MOMENT SHE STEPPED ON THE STAGE,
1848
02:12:34,498 --> 02:12:37,087
CHANGING THE VERY PERCEPTION OF
WHO WE ARE.
1849
02:12:37,121 --> 02:12:41,815
FOR THAT, I AM-- WE ALL ARE--
ETERNALLY GRATEFUL.
1850
02:12:41,850 --> 02:12:46,751
TONY AWARDS, PLEASE WELCOME
BROADWAY LEGEND CHITA RIVERA!
1851
02:12:46,786 --> 02:13:01,732
[ CHEERS AND APPLAUSE]
♪ ♪
1852
02:13:01,732 --> 02:13:05,218
[ CHEERS AND APPLAUSE]
♪ ♪
1853
02:13:05,253 --> 02:13:13,640
[ CHEERS AND APPLAUSE]
>> THANK YOU.
1854
02:13:13,675 --> 02:13:15,470
THANK YOU.
1855
02:13:15,504 --> 02:13:19,853
AND THANK YOU, ARIANA, FOR
INTRODUCING ANITA TO A NEW
1856
02:13:19,888 --> 02:13:24,513
GENERATION.
1857
02:13:24,548 --> 02:13:28,069
[ APPLAUSE]
WE ARE VERY PROUD TO HAVE YOU AS
1858
02:13:28,103 --> 02:13:29,173
A MEMBER OF OUR SPECIAL
SISTERHOOD.
1859
02:13:29,208 --> 02:13:31,658
YES, INDEED.
1860
02:13:31,693 --> 02:13:34,489
HERE ARE THE NOMINEES FOR BEST
MUSICAL.
1861
02:13:34,523 --> 02:13:42,531
"GIRL FROM THE NORTH COUNTRY."
1862
02:13:42,566 --> 02:13:46,052
♪ ♪
>> "MJ."
1863
02:13:46,087 --> 02:13:49,021
♪ ♪
>> Ariana: "MR. SATURDAY NIGHT."
1864
02:13:49,055 --> 02:13:52,438
♪ ♪
>> "PARADISE SQUARE."
1865
02:13:52,472 --> 02:13:56,200
♪ ♪
>> Ariana: "SIX: THE MUSICAL."
1866
02:13:56,235 --> 02:14:00,894
♪ ♪
>> "A STRANGE LOOP."
1867
02:14:00,929 --> 02:14:09,248
♪ ♪
>> AND THE TONY AWARD GOES TO:
1868
02:14:09,282 --> 02:14:12,078
"A STRANGE LOOP."
1869
02:14:12,113 --> 02:14:16,324
[ CHEERS AND APPLAUSE]
♪ ♪
1870
02:14:16,358 --> 02:14:25,057
ACCEPTING THE
AWARD FOR A STRANGE LOOP BARBARA
1871
02:14:25,091 --> 02:14:29,992
WHITMAN.
1872
02:14:30,027 --> 02:14:32,650
>> THANK YOU, THANK YOU.
1873
02:14:32,685 --> 02:14:35,998
THERE ARE MANY PEOPLE WHO HAVE
BEEN A PART OF THIS SHOW'S
1874
02:14:36,033 --> 02:14:37,414
AMAZING JOURNEY.
1875
02:14:37,448 --> 02:14:42,143
MUSICAL THESER FACTORY, PAGE 73
PRODUCTIONS, PLAYWRIGHT HORIZON,
1876
02:14:42,177 --> 02:14:45,974
WILLIE MAMMOTH THEATER COMPANY,
THANK YOU TO THE SCHUBERT
1877
02:14:46,008 --> 02:14:48,287
ORGANIZATION FOR GIVING US A
BEAUTIFUL HOME AT THE LYCEUM
1878
02:14:48,321 --> 02:14:52,808
THEATER, BRAVO AND LOVE TO OUR
AMAZES CAST INCLUDING OUR
1879
02:14:52,843 --> 02:14:56,018
FABULOUS UNDERSTUDIES, OUR
BRILLIANT CREATIVE TEAM AND
1880
02:14:56,053 --> 02:15:00,022
DESIGNERS, THE BAND, THE CREW,
EVERYONE AT THE LYCEUM WHO
1881
02:15:00,057 --> 02:15:05,235
WORKED SO HARD AND OF COURSE TO
THE EXTRAORDINARY MICHAEL R
1882
02:15:05,269 --> 02:15:06,374
JACKSON.
1883
02:15:06,408 --> 02:15:08,341
MICHAEL, YOU SHARED YOUR WORDS,
YOUR MUSIC, YOUR SOUL.
1884
02:15:08,376 --> 02:15:10,861
NONE OF US WILL EVER BE THE
SAME.
1885
02:15:10,895 --> 02:15:12,449
THANK YOU FROM THE BOTTOM OF MY
HEART.
1886
02:15:12,483 --> 02:15:16,625
I WANT TO THANK MY KIDS DANIEL,
HANNA AND WILL FOR THEIR
1887
02:15:16,660 --> 02:15:20,422
SUPPORT, AND HAVE I TO GIVE A
SPECIAL SHOUT OUT TO MY GRANDSON
1888
02:15:20,457 --> 02:15:24,426
ZACKARY, MY DREAM IS ZACK WILL
GROW UP IN A WORLD WHERE STORIES
1889
02:15:24,461 --> 02:15:27,636
LIKE A STRANGE LOOP ARE TOLD ON
STAGES EVERYWHERE ALL OF THE
1890
02:15:27,671 --> 02:15:28,120
TIME.
1891
02:15:28,154 --> 02:15:31,157
THANK YOU SO MUCH.
1892
02:15:31,192 --> 02:15:33,470
I HAVE TEN MORE SECONDS.
1893
02:15:33,504 --> 02:15:44,136
>> Y'ALL THANK YOU SO MUCH.
1894
02:15:44,170 --> 02:15:52,351
♪ ♪
ALL RIGHT, ALL RIGHT, ALL
1895
02:15:52,385 --> 02:15:55,699
CONGRATULATIONS TO ALL OF OUR
WINNERS!
1896
02:15:55,733 --> 02:15:57,873
GOD THAT MAKES ME SO
BROADWAY IS BACK AND WAITING FOR
1897
02:15:57,908 --> 02:16:03,879
YOU, SO COME TO NEW YORK AND SEE
A BROADWAY SHOW.
1898
02:16:03,914 --> 02:16:04,639
GET UP IN THE JOINT!
1899
02:16:04,673 --> 02:16:05,916
IT WILL CHANGE YOUR LIFE
FOREVER!
1900
02:16:05,950 --> 02:16:07,193
AND NOW, BEFORE I SAY GOODNIGHT,
I'VE GOT ONE MORE MASH-UP FOR
1901
02:16:07,228 --> 02:16:11,439
YOU!
1902
02:16:11,473 --> 02:16:14,890
CAN YOU DIG IT?
1903
02:16:14,925 --> 02:16:15,960
I THINK YOU CAN.
1904
02:16:15,995 --> 02:16:16,858
♪ HOW MANY MINUTES !¡TIL
THE END OF THE TONY'S
1905
02:16:16,892 --> 02:16:23,692
♪ STICK AROUND
TO EVERY PERSON AND SHOW
1906
02:16:23,727 --> 02:16:27,040
♪ REAL QUICK, BEFORE WE ALL GO
I HOPE YOU KNOW
1907
02:16:27,075 --> 02:16:30,423
♪ THIS IS YOUR ROUND OF APPLAUSE
CALLED PARADISE
1908
02:16:30,458 --> 02:16:35,221
♪ CALLED PARADISE
SQUARE, AIR, AIR, AIR, AIR
1909
02:16:35,255 --> 02:16:39,638
♪ PHONE RINGS, DOOR CHIMES
IN COMES COMPANY
1910
02:16:39,674 --> 02:16:43,987
♪ BUT NOW WE'RE EX WIVES
ANNIE ARE YOU OKAY
1911
02:16:44,022 --> 02:16:46,405
♪ ARE YOU OKAY
THAT'S WHAT IT'S ALL
1912
02:16:46,439 --> 02:16:49,856
♪ ABOUT, ISN'T IT
76 TROMBONES
1913
02:16:49,891 --> 02:16:53,377
♪ LED THE BIG PARADE
BIG, BLACK AND QUEER AS
1914
02:16:53,412 --> 02:16:56,379
♪ AMERICAN BROADWAY
YOU'VE BEEN HIT BY
1915
02:16:56,415 --> 02:16:59,866
♪ YOU'VE BEEN STRUCK BY
A ROLLING STONE
1916
02:16:59,901 --> 02:17:03,593
♪ LET IT BURN
LET IT BURN
1917
02:17:03,629 --> 02:17:05,493
♪ DIVORCED
BEHEADED
1918
02:17:05,527 --> 02:17:08,495
♪ COMPANY
LOTS OF COMPANY
1919
02:17:08,530 --> 02:17:15,986
♪ WELL, I'M PRESSING ON
I HOPE I BROUGHT A LITTLE JOY
1920
02:17:16,020 --> 02:17:21,509
♪ THIS IS YOUR ROUND
THIS IS YOUR ROUND
1921
02:17:21,543 --> 02:17:25,271
♪ THIS IS YOUR ROUND OF
APPLAUSE ♪
1922
02:17:25,306 --> 02:17:26,859
>> GOODNIGHT!
1923
02:17:27,687 --> 02:17:29,931
I LOVE YOU BROADWAY!
149020
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
