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Hey, mamma, say the way you move gonna make you sweat
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Gonna make you groove...
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As frontman for the mighty Led Zeppelin,
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Robert Plant was the voice of rock for a generation of men and women.
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Fusing raw sexual power and mystical longing with his powerhouse vocals,
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long blonde main and strutting stage presence.
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Oh, yeah, oh, yeah...
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But what do you do next when the world's greatest rock band
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crashes and burns, how do you pick yourself up and move on, alone?
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CHEERING
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For the last 30 years, Robert Plant has been forging a solo career,
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sometimes struggling with the baggage of rock superstardom,
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revealing more selves in a number of unexpected collaborations.
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He has followed his muse wherever it has taken him.
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From the deserts of Africa to the hills of Tennessee.
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This is Robert Plant's story, in his own words.
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The cards fell very favourably for me. I went to a grammar school, which
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was part of Stourbridge town, which had a really creative and flamboyant art college.
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People actually got scholarships to come from around Europe to study and create.
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So there was a kind of great vibration in what would normally be
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a little old town on the edge of the Black Country.
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Folk clubs sprung up and jazz clubs. I was able to hang around on the edge of all these little societies.
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So I could hear John Coltrane or Woody Guthrie or Dixieland jazz, I could hear
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unaccompanied singing of beautiful Scottish Airs and all this
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while the foundries of the Black Country beat their great rhythm.
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As most towns in the early '60s had a town hall or similar,
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so through the town came The Pretty Things.
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The Walker Brothers.
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The Merseybeats rolled into Stourbridge in a
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blue and white American station wagon filled up with equipment.
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These renegade guys, who ran off with all our teen queens.
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There would be the boys fighting in Dudley to the rhythm of Eddie Cochran and Gene Vincent.
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Bohemian meetings on the top of the hills, with people singing great Big Bill Broonzy pieces.
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There would be so many different things going on.
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Whatever's come my way as far as my own music dalliances,
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has come from having a keen ear and really wanting to explore...
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PHONE RINGS
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Oh, that will be the wife.
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Oh, I haven't got one, that's kind of neat.
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You are my sunshine
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My only sunshine
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You make me happy...
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Robert Plant didn't only listen to everything, he wanted to perform.
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If American rock'n'roll inspired many young kids to pick up a guitar or learn to play the drums,
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Plant was inspired by the strange power and sexual charge of its upfront vocal.
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My sunshine...
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When I first heard the rock'n'roll singers
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there was a swagger and a lurch in the voice, which was other worldly to me.
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Kiss me, baby
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Wooh, woo-oh
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It feels good...
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I suppose I was quite interested in my stamp collection and Romano-British history.
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I was a little grammar schoolboy, and I could hear this calling through the airwaves.
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One night with you...
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I could hear this voice transmuting into something completely different than the spoken word
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and way different to Dickie Valentine and all the British crooners who were just about to get their P45s.
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By 1962, the hippest audiences in Britain were enthralled to
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American blues artists, some of whom had begun touring the UK.
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They were the trailblazers of what would become, in the hands of young white kids, the British blues boom.
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Got my mojo working but it just don't work on you...
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The black music we listened to was sexy, alluring,
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it had great driving beats and rhythms, which we couldn't even get near.
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I'm going down to Louisiana to
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Get me a mojo hand...
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You're there with every single breath of what the guy is doing.
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I suppose, really, I wouldn't have been able to put that into words at the time. I was just mesmerised.
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I wanna
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Tell everybody in the
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Neighbourhood
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But I get n-n-n-nervous
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M-m-man
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Do I get nervous...
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If you go back to when I first started doing it, I was 14 and a half years old.
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N-n-n, nervous man...
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All I was doing was getting through the song and getting to the end.
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And getting away with it - it was great!
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Plant would later pay his dues at the school of British blues
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that centred around musician and impresario Alexis Corner,
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whose small basement club in Ealing became the mecca for every would-be blues performer in the UK.
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He was a fantastic catalyst. He was almost the home of
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all the dewy-eyed kids who wanted to play rhythm and blues.
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CHEERING AND SCREAMING
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Nurturing work with the Stones,
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Jimmy Page and myself.
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I'm gonna tell you how it's gonna be
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You're gonna give your love to me...
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So many people came by and through that school of British blues.
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There was something going on, but it was a hybrid.
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Feeling funny in my mind, Lord
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I believe I'm fixing to die...
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At that period in time the great change was coming.
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I don't mind dying
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But I hate to leave my children crying...
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You go from Gene Vincent and that precocious sexually-charged rock music,
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into the whole social commentary that was developing.
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Look over yonder to that burial ground...
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The first two or three Dylan albums, that was a whole different way of telling a story.
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By 1967, the stories and the storytellers were getting weirder
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and weirder, American psychedelic music, which synthesized rock, folk, blues and jazz for the stoned
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and socially conscious, showed Plant a world of possibilities.
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We were always looking west for musical form.
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The whole idea of a psychedelic movement in the UK was based on a drug experience to some degree,
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but there was no foundation for it, there was no train of thought, and a process that actually
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allowed the thing to grow out of the coffee bar folk scenes of Greenwich village and the Troubadour in LA.
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We didn't really have that, so sadly, the British psychedelic movement was
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almost trivial and some sort of novelty thing.
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Close my eyes and drift away...
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So after the various bands that had been in, I ended up with the Band Of Joy
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and with John Bonham and heading into a blues-based zone,
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but by that time incorporating the effects that Dylan had created in the American culture
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on the west coast.
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Band Of Joy combined blues and psychedelia, songs and extended musical workouts.
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A little taste of flower power, but with an emphasis on the power.
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Something happening here
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What it is ain't exactly clear...
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Bonzo was totally and utterly devoted to getting it right.
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Everything he listened to he could go beyond.
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Not only could he recreate it but take it somewhere new.
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Stop, yeah, what's that sound
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Everybody look what's going down...
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He knew that he was a powerhouse among drummers.
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..what's going down...
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So he was pretty hard to deal with, and so was I,
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because I felt exactly the same about what I was doing.
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Even though we were obnoxious to everybody else, we seemed to have great affinity for each other.
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Paranoia striking deep
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To your mind...
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There was a lot of edge to it. It meant neither of us could slacken off.
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So the Band of Joy was quite an energy centre.
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Baby, baby, please come home, yeah...
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I hear it and its effects in the early stuff that we did with Jimmy and John Paul,
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definitely because we pushed it and pushed it to try to make it so special,
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that it was earth-shattering, and we did it.
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We did it. I'm here on behalf of the two of us to say that at times we did it.
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1967, the Band of Joy joined a British underground club circuit, now dominated by
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blues rock, folk rock, jazz rock and progressive rock.
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We were really rotating around an amazing club scene.
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It was great. Because it was vibrant, it was really all you could
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have ever wished for as a musician, to be playing to people who got it.
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But they didn't get the Band Of Joy. Penniless, Bonham and Plant were forced, temporarily,
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to go their separate ways.
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Come tomorrow
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Would I be bolder
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Than today...
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But news of Plant's vocal power reached the ears of Jimmy Page, guitarist for The Yardbirds,
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with the departure of their vocalist Keith Relf and drummer Jim McCarty,
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Page was looking to transform the band into something called The New Yardbirds,
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but with the addition of Plant and later his drummer pal John Bonham, the band was rechristened.
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Those guys were kicking it, but it had expired, so rebuild.
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Rebuild and see what it turns into.
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When something is as radically different as what it turned in to,
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obviously it is a new day entirely.
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And that old name is history.
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Baby
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How could you do it
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Baby
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How could you do it
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I don't know what it is I like about you
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But I like it a lot
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Oh, let me hold you
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Let me feel your loving
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Communication breakdown
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It's always the same
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Having a total breakdown
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Drive me insane
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Oh-h-h-h...
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We didn't really know the worth of what was coming round the corner.
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Everybody involved in that project,
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from Peter Grant through to everybody that was playing, and Jimmy and John Paul,
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who actually financed it in its early stages, were all just seeing, what is this thing all about?
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As you know a million times it's been said within five minutes we've got something,
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which was quite unusual.
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In a way almost
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so
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intense and
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on that it was overwhelming really.
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See my baby coming down the track
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Is my baby coming back
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Some day she gets back to me
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We're gonna raise a family...
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Having John in the picture, my sort of
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inflammable pal,
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made it so much better and so much more realistic.
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There was nothing phoney about it at all, it was just, boom.
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It was coming from the era of virtuosity,
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it was about being good, and the
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chemistry and weave between greatness, to be knocked out.
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You had an abuse
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Telling all of your lies
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Sweet little baby, baby
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How you hypnotise...
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I have always felt slightly remote and slightly...
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..yeah, not insular,
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but my role in all that really was peppering the musical moments on the more elongated pieces of music.
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I always think about it as being that little melody that runs through all middle of that great playing.
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But first, hear this...
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- It's cool, groovy, it's number one, the Led Zeppelin.
- The Led what?
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The Led Zeppelin, but I'm afraid and you and other dads like you may have never heard of them,
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but this British group has made musical history today.
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Readers of the Melody Maker have voted them the top world group.
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The significance is The Beatles held this for eight years.
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The year is 1970, only two years after their formation,
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Led Zeppelin have already become an international success story - the greatest rock band in the world.
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Shake for me, girl
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I wanna be your backdoor man...
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Globe-trotting tours, chart-topping albums and scandalous stories
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of rock'n'roll excess, were already part of a growing
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Zeppelin mythology, made all the more tantalising by their increasing avoidance of the media.
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TV interviews were extremely rare.
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Do you think as musicians you can last as long as eight years? Will you be inventive enough?
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I remember when I first went to see The Beatles - we've mentioned them a few times -
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it was to look at them.
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You didn't bother what you were listening to. Today it is not what you are, it is what you are playing.
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You must be quite rich now, what is it like having money?
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To have money at last is just another figure in my mind of mass acceptance,
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which is what we all work for.
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Everybody, however much they like to deny the fact,
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really wants in the end, to be accepted by
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majority of people, for being either a talent or a commodity.
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So invincible were Led Zeppelin that they became band apart in a world where hugeness and greatness,
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record sales and artistic achievement become thoroughly confused.
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CHEERING
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There is a consensus of opinion that decides that greatness will survive.
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There are huge, vast pockets of other music, which are equally spectacular,
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but for marginally different reasons -
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they never quite got that huge acceptance and mass hysteria.
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CHEERING
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So a miss is as good as a mile in way.
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It's that great thing about Forever Changes, the Love album,
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how did that never be successful?
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And yet it continues forever to always be part of the soundtrack of millions of people's lives.
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Funny old game that.
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Zeppelin, and Robert Plant in particular, had cornered the market in raw rock'n'roll sexuality.
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Something that now sits uneasily with man who, back in the day, epitomised the rock god.
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The estimation of any group of people about any one person is always
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generally a million miles from where it's really at.
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So, therefore, if I have a surge in creativity and it sticks to the wall for a while,
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which is what's been happening recently,
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points of reference for the media are so cliched, it's frightening.
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You cannot judge anybody's work by just going to the spikes and saying,
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because my spikes are the bits that nobody really thinks about.
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My spikes were getting off the plane in 1972 and driving into the Atlas Mountains with a tape machine,
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exploring Berber singers in the fields, walking through farmers' markets
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in the middle of nowhere with a rattle of drums in the corner.
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RHYTHMIC DRUMBEAT PLAYS
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Those were the moments that are so far away from rock god, but they were spectacular.
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CHEERING AND APPLAUSE
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But with the unpredictable highs came unexpected lows.
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In 1977 Robert Plant lost his oldest son, Karac,
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to a virus at the age of five.
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Three years later, drummer John Bonham also died, aged 32.
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All of us individually had been thinking about what would happen next, no matter what.
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Because the illusion had run its course.
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I had already,
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as part of my beautiful family, lost my boy.
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And then you think, I really have to decide what to do.
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I applied to become a teacher...
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..in the Rudolf Steiner education system.
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I was accepted to go to teacher training college, this was in 1978.
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I was really quite keen to just walk,
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because as much as it was spectacular, it also wasn't spectacular.
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You know, you do change as the days go by, you have to get harder and tougher,
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but you still have this soft underbelly.
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John had lured me back in...
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not lured, that's wrong, John had
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been incredibly supportive to me.
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So to lose John was
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that was the end of any naivety.
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It was very, very evident that my last connection was severed, really.
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As far as
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strong affairs of the heart and a confederacy and stuff, it was gone.
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On the 4th December 1980, Led Zeppelin announced, with the death of their
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drummer, John Bonham, the band would split.
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We don't have to talk about it for too long, because it is such old ground.
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It was something that you come away from going I could never be as good as that
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in any other place, or any other moment than that, which just happened.
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You just find some way of getting home.
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Plant's long journey home began with a trip to Rockfield, a sales studio
279
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on the Welsh borders, to record two albums in quick succession.
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This was Robert Plant 1980s-style, suited, booted
281
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and ever so slightly sheared, this was Robert Plant out on his own.
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Slipped through the window by the back door
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Caught short in transit with my love...
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If this is entertainment, if it was entertainment, then it was time to entertain, myself.
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So I decided to make two records really quickly, and start to embrace new ideas and new people.
286
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Really from that moment on I decided I would never let the grass
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grow under my feet, that I was a man of the world, as a player
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and as a player in every respect.
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I really wanted to see what was out there.
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Shit or bust, it was going to be exactly how I wanted it to be.
291
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Just playing hooky with my heart...
292
00:23:36,720 --> 00:23:39,840
Something Plant had to face, once he was back in the studio,
293
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was the absence of his old partner in crime, John Bonham.
294
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To have a drummer after working with John since I was 16, or whatever,
295
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to turn around and see somebody else there is
296
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a bit of a weird thing to be thinking about.
297
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Phil Collins turned up.
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He'd been such a huge fan of John's work, and he fired every session
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and blasted the room with butane and energy.
300
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He got on everybody's case if people were slack,
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if they weren't quite on it, he would stand up and make points
302
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with his drumstick and frowning that frown across the room,
303
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which gave me great confidence.
304
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I would still tiptoe in, I was 32 years old, my career had ended.
305
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Anything that came after that was
306
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my business entirely.
307
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When we saw him next in 1982, Robert Plant was a solo artist.
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Did it take a lot of courage on your part to make a solo album after 12 years?
309
00:24:55,360 --> 00:25:00,200
I guess so, it was a little uncomfortable to begin with, after being with
310
00:25:00,200 --> 00:25:03,200
Jimmy for so long and Jonesy and Bonzo,
311
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it's a little weird to walk on as a guest.
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You are so used to working in the confines of one set-up.
313
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Is it fair to say officially now to these people and the nation, that
314
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Led Zeppelin will not work together any more?
315
00:25:17,160 --> 00:25:18,680
No.
316
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It is not fair to say?
317
00:25:21,560 --> 00:25:24,280
No, they won't work together again, it's gone.
318
00:25:26,200 --> 00:25:29,960
Have you heard the news...
319
00:25:29,960 --> 00:25:33,360
Plant returned to his teens and his love of American rock'n'roll vocalists
320
00:25:33,360 --> 00:25:40,440
for a third solo album in 1984, recorded with his short lived all-star band The Honeydrippers.
321
00:25:40,440 --> 00:25:43,880
It is like, "Now what's he done?
322
00:25:43,880 --> 00:25:49,800
"Plant has done it again." It's like a Just William book, or Jennings and Derbyshire.
323
00:25:50,560 --> 00:25:52,640
Pretty soon they had done it all
324
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Those fellas got drunk and they had a ball...
325
00:25:55,600 --> 00:26:03,040
Ahmet Ertegun had signed Zeppelin to Atlantic and also happened to sign Ray Charles, Aretha Franklin,
326
00:26:03,040 --> 00:26:10,600
The Coasters, The Drifters, Modern Jazz Quartet, John Coltrane, the Iron Butterfly,
327
00:26:10,600 --> 00:26:12,520
Crosby Stole The Stash.
328
00:26:12,520 --> 00:26:17,040
I used to go out with him and Phil Spector in New York around clubs,
329
00:26:17,040 --> 00:26:22,560
we would end up in a corner, inebriated, singing outros of Gene Vincent songs
330
00:26:22,560 --> 00:26:25,040
and touching on a Gene Pitney classic.
331
00:26:26,000 --> 00:26:32,360
He used to say all you do is you have all this stuff in your head, all this phrasing and vocal stuff,
332
00:26:32,360 --> 00:26:35,520
you should do some songs like that.
333
00:26:39,240 --> 00:26:41,200
He can go...
334
00:26:41,400 --> 00:26:45,680
The Honeydrippers thing arrived, I think I called it Volume One,
335
00:26:45,680 --> 00:26:50,880
because the idea of there being a volume two was a hoot.
336
00:26:58,000 --> 00:27:02,720
Do you remember when we met
337
00:27:04,280 --> 00:27:08,680
That's day I knew you were mine
338
00:27:08,680 --> 00:27:11,760
I want to tell you
339
00:27:12,920 --> 00:27:16,960
How much I love you...
340
00:27:18,480 --> 00:27:20,880
I know that people think some of the things that
341
00:27:20,880 --> 00:27:24,040
I have done have been a bit sort of, "God, did you hear his '80s shit?"
342
00:27:29,560 --> 00:27:34,200
First sampling, the first computerised technology, which sounds so awful now.
343
00:27:37,720 --> 00:27:41,920
That '80s thing where we all want to walk the plank.
344
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What kind of fool am I?
345
00:27:46,520 --> 00:27:49,840
Why do you take an eye for an eye...
346
00:27:50,880 --> 00:27:53,600
In truth, I think it's great.
347
00:27:53,600 --> 00:27:57,200
I was trying stuff out that you don't go near.
348
00:27:57,200 --> 00:27:59,040
And you will never go near again because it was
349
00:27:59,040 --> 00:28:02,760
quite horrendous, in a way, but at least it was worth a shot.
350
00:28:13,160 --> 00:28:19,040
Throughout the '80s and early '90s, Plant worked with an ever-changing cast of musicians,
351
00:28:19,040 --> 00:28:21,160
as part of an open-house policy.
352
00:28:21,160 --> 00:28:26,800
No longer the isolated singer of his Led Zeppelin days, stranded in the middle of the music,
353
00:28:26,800 --> 00:28:33,320
he was becoming a part of the play, not a stage-strutting front man, but a bona fide band leader.
354
00:28:33,320 --> 00:28:40,000
I offer so many ideas and so much input to all the pieces I'm part of.
355
00:28:40,000 --> 00:28:47,840
But it's not always a musician's approach to it, so I have to use humour, and I'm delicate.
356
00:28:48,760 --> 00:28:51,120
INAUDIBLE
357
00:28:56,840 --> 00:29:00,960
I'm not showing everybody how to do it on a beautiful...Martin,
358
00:29:00,960 --> 00:29:03,200
And saying, "If you do this..."
359
00:29:03,200 --> 00:29:08,560
Therefore I have to adopt and become this other personality.
360
00:29:08,560 --> 00:29:10,280
A kind of
361
00:29:10,280 --> 00:29:12,400
self-serving ringmaster.
362
00:29:17,640 --> 00:29:19,160
So throw it down, Cleveland rain
363
00:29:20,960 --> 00:29:24,720
The Queen of love has flown again
364
00:29:24,720 --> 00:29:26,240
Seek her daughter...
365
00:29:29,160 --> 00:29:34,200
After ten years apart, Plant and Page reunited in 1994,
366
00:29:34,200 --> 00:29:38,120
to re-imagine parts of Led Zeppelin's valuable back catalogue.
367
00:29:38,120 --> 00:29:41,320
This time working with an Egyptian orchestra
368
00:29:41,320 --> 00:29:46,120
and travelling to Marrakesh to collaborate with the local Gnawa tribespeople and musicians.
369
00:29:46,120 --> 00:29:51,520
Plant was at last coming to terms with a past that until now he had attempted to bury.
370
00:29:54,440 --> 00:29:58,920
Personally speaking I have been wanting to work with Robert for a long time.
371
00:29:58,920 --> 00:30:02,680
We both agreed that we would have to do something that was within a new light.
372
00:30:02,680 --> 00:30:05,640
Maybe if we were to do the old numbers it would be like
373
00:30:05,640 --> 00:30:09,480
possibly the same picture in a different frame.
374
00:30:09,480 --> 00:30:14,920
It's quite consoling, I was worried about it being a cliche, but when you're doing it, it's great.
375
00:30:17,120 --> 00:30:18,160
Woman, baby
376
00:30:19,880 --> 00:30:21,800
Woman, my baby
377
00:30:27,080 --> 00:30:28,600
When I see, baby
378
00:30:29,920 --> 00:30:33,400
When I see the way you say...
379
00:30:37,640 --> 00:30:46,920
I spent time working with Jimmy in the mid-1990s and I was very, very happy with the results at that time,
380
00:30:46,920 --> 00:30:50,240
working with this small Egyptian orchestra
381
00:30:50,240 --> 00:30:54,600
and revisiting old songs without it being,
382
00:30:54,600 --> 00:30:58,400
putting new life or a different life into those songs was fantastic.
383
00:30:58,400 --> 00:31:03,480
Let the sun beat down on my face
384
00:31:03,480 --> 00:31:06,560
Stars to full my dream
385
00:31:08,720 --> 00:31:12,720
I am a traveller of both time and space
386
00:31:12,720 --> 00:31:15,440
To be where I have been
387
00:31:19,640 --> 00:31:26,760
To sit with elders of a gentle race
388
00:31:26,760 --> 00:31:28,880
This world has seldom seen
389
00:31:28,880 --> 00:31:37,760
And talk of days for which they sit and wait
390
00:31:37,760 --> 00:31:41,040
All will be revealed.
391
00:31:41,680 --> 00:31:46,920
If you go to Marrakech and film and work with the Gnawa spectacular.
392
00:31:46,920 --> 00:31:48,480
Wah, wah, wah
393
00:31:48,480 --> 00:31:50,600
Wah, wah
394
00:31:52,120 --> 00:31:55,840
Give me peace of mind And let me dance
395
00:31:55,840 --> 00:31:57,360
And bury all my pain
396
00:31:59,240 --> 00:32:02,200
In years beneath the sand
397
00:32:02,200 --> 00:32:03,360
Oh, la, la
398
00:32:03,360 --> 00:32:06,800
Ya, ya.
399
00:32:06,800 --> 00:32:11,640
To actually change that Wah Wah song, from their traditional
400
00:32:11,640 --> 00:32:17,080
wah wah, which is a north African top ten favourite for the last 1,000 years,
401
00:32:17,080 --> 00:32:19,320
I wrote these lyrics about it,
402
00:32:19,320 --> 00:32:22,560
which were substantial enough to work alongside.
403
00:32:22,560 --> 00:32:25,400
We interacted, it was a great thing to do.
404
00:32:25,400 --> 00:32:29,080
Great thing to do, and really quite dramatic.
405
00:32:29,080 --> 00:32:31,320
And, at times quite beautiful.
406
00:32:42,240 --> 00:32:48,280
But enough's enough. When Strange Sensation first appeared, we could fly by a new flag.
407
00:32:48,280 --> 00:32:51,960
I could, you know. The wheeze inside me were all very pleased.
408
00:32:59,240 --> 00:33:05,040
In 2002, Plant conducted a musical experiment of Frankenstein proportions.
409
00:33:05,040 --> 00:33:09,920
The emerging creature was appropriately called The Strange Sensation.
410
00:33:11,560 --> 00:33:16,200
It was almost like a brainstorm, every rehearsal.
411
00:33:18,200 --> 00:33:23,000
Created from pieces of Portishead, Massive Attack, Jah Wobble and Cast,
412
00:33:23,000 --> 00:33:26,600
the Strange Sensation reignited Plant's solo career
413
00:33:26,600 --> 00:33:30,960
and earned him his best reviews since the now distant days of Led Zeppelin.
414
00:33:34,880 --> 00:33:39,680
Five remarkable guys, fantastic melange of music.
415
00:33:39,680 --> 00:33:43,640
Every member was coming from another great place.
416
00:33:46,840 --> 00:33:49,000
This is the land where I live
417
00:33:49,000 --> 00:33:51,680
Painted all over golden
418
00:33:51,680 --> 00:33:54,200
Take a little sunshine
419
00:33:54,200 --> 00:33:55,720
Spread it all around...
420
00:33:58,800 --> 00:34:04,400
I had never seen so many leads, jack plugs and good intentions in one room, ever.
421
00:34:04,400 --> 00:34:10,400
It was a workshop for another world, really.
422
00:34:10,400 --> 00:34:13,360
This is the love that I give
423
00:34:13,360 --> 00:34:16,480
These are the arms for the holding
424
00:34:16,480 --> 00:34:17,960
Turn on your love light
425
00:34:17,960 --> 00:34:19,320
Shine it all around...
426
00:34:22,320 --> 00:34:28,440
It was that marriage of what I experienced in 1972 in the foothills of the Atlas mountains.
427
00:34:28,440 --> 00:34:30,320
Suddenly that was there in that room.
428
00:34:30,320 --> 00:34:33,760
I was such a fan of what we were doing.
429
00:34:33,760 --> 00:34:40,920
Shine it all around...
430
00:34:43,440 --> 00:34:48,880
That was probably where I was bound to go as a group member.
431
00:34:48,880 --> 00:34:54,440
If anybody had given me the key to that, and said soon, one day,
432
00:34:54,440 --> 00:34:58,200
this is what you're going to sound like, it would be been like...
433
00:35:15,280 --> 00:35:18,840
Surprisingly, Plant's first album with the band was a collection
434
00:35:18,840 --> 00:35:24,080
of mostly blues and folk remakes, more important intimate songs from the soundtrack of his own life.
435
00:35:24,080 --> 00:35:28,960
The centrepiece of which was a cover of the Tim Buckley classic, Song To The Siren.
436
00:35:28,960 --> 00:35:32,640
This cover's everywhere, Zeppelin I was Otis Rush.
437
00:35:32,640 --> 00:35:37,320
Led Zeppelin II was Willie Dixon.
438
00:35:39,680 --> 00:35:46,800
I guess with Dreamland I really wanted to touch that psychedelic nerve.
439
00:35:46,800 --> 00:35:48,320
Did I dream
440
00:35:50,440 --> 00:35:52,760
You dreamed about me
441
00:35:55,080 --> 00:35:58,000
Were you hare
442
00:35:58,000 --> 00:35:59,520
And I was fox
443
00:36:02,880 --> 00:36:09,160
Now my foolish boat is leaning
444
00:36:12,240 --> 00:36:16,280
Broken lovelorn on your rocks.
445
00:36:18,080 --> 00:36:21,680
To visit Song To The Siren, some songs you think you can't touch.
446
00:36:21,680 --> 00:36:23,960
That particular song is spectacular.
447
00:36:27,000 --> 00:36:29,400
I just saw so much of myself in there.
448
00:36:31,720 --> 00:36:35,480
As I do in quite a lot of songs that I sing of other people's.
449
00:36:35,480 --> 00:36:38,120
Mostly I've got to be in awe of the lyric.
450
00:36:42,520 --> 00:36:45,400
I've got to think that I can't match that.
451
00:36:46,400 --> 00:36:51,920
Waiting to hold you.
452
00:37:03,960 --> 00:37:07,880
But Plant still had a strange unshakeable sensation of his own.
453
00:37:07,880 --> 00:37:11,320
I was rockaday Johnny in the middle of it as well.
454
00:37:11,320 --> 00:37:13,000
I think...
455
00:37:13,000 --> 00:37:15,240
that...
456
00:37:15,240 --> 00:37:19,880
I didn't need to be rockaday Johnny any more.
457
00:37:19,880 --> 00:37:24,600
If we ever work again I shall definitely be playing a baritone ukulele.
458
00:37:28,560 --> 00:37:33,200
Strange sensations are often felt more acutely in strange surroundings,
459
00:37:33,200 --> 00:37:37,840
so Plant and his new band sought more exotic places to perform.
460
00:37:41,000 --> 00:37:47,280
Taking that music into Tunisia and playing at night-time with the mosque and the minaret illuminated.
461
00:37:50,040 --> 00:37:55,640
The show being opened by Lebanese speed metal bands,
462
00:37:55,640 --> 00:37:58,400
it's like the world is opening up.
463
00:38:03,680 --> 00:38:09,520
It got me further and further away from the kind of UK festival scene,
464
00:38:09,520 --> 00:38:16,800
as we know it, and more and more into playing with all those people
465
00:38:16,800 --> 00:38:19,880
who you get 45 minutes of absolute beauty.
466
00:38:30,040 --> 00:38:33,800
By now Plant was venturing far from the well-trodden track
467
00:38:33,800 --> 00:38:36,440
of the established attention-hungry rock star.
468
00:38:36,440 --> 00:38:43,120
So far it might have seen like a flight from fame, a glorious self-imposed exile.
469
00:38:43,120 --> 00:38:46,960
In 2005, along with members of Strange Sensation,
470
00:38:46,960 --> 00:38:53,120
he journeyed to Mali to play at the Festival In The Desert, the most remote music festival in the world.
471
00:38:55,680 --> 00:38:58,160
I went on a plane which was full of
472
00:38:58,160 --> 00:39:00,560
crackpots and extremists.
473
00:39:00,560 --> 00:39:03,720
There was sort of a plane that had come out of a comic,
474
00:39:03,720 --> 00:39:08,680
where we loaded up and I realised that everybody was going to the same place.
475
00:39:13,400 --> 00:39:17,000
We landed somewhere in southern Morocco,
476
00:39:17,000 --> 00:39:21,560
and then made our way with a small team from Blue Peter.
477
00:39:21,560 --> 00:39:26,520
We were doing a programme on the current educational situation in Mali.
478
00:39:26,520 --> 00:39:32,080
They had a tiny plane that they got from some Christian zealots,
479
00:39:32,080 --> 00:39:35,920
who ferried people around Africa for a sum of money.
480
00:39:41,280 --> 00:39:45,920
So we got on board, we followed a river all the way up,
481
00:39:45,920 --> 00:39:50,280
so it was desert, desert, desert, and one patch of green.
482
00:39:50,280 --> 00:39:55,120
The patch of green was where Ali Farka Toure had taken his income from
483
00:39:55,120 --> 00:40:00,480
the album he had made with Ry Cooder to some artesian wells in the desert
484
00:40:00,480 --> 00:40:05,640
and created a garden of avocados and salads and tomatoes,
485
00:40:05,640 --> 00:40:09,080
his contribution back to his people.
486
00:40:11,840 --> 00:40:16,160
We landed and made our way up towards the festival.
487
00:40:17,880 --> 00:40:22,720
60 kilometres north of Timbuktu, by no roads, nothing at all,
488
00:40:22,720 --> 00:40:26,200
just guys driving by the occasional tree that they know.
489
00:40:57,360 --> 00:41:02,360
The rhythms of the Mississippi Blues, the translike sounds of psychedelia
490
00:41:02,360 --> 00:41:08,560
and the vocal expressions of a continent could all be heard in the darkness of the desert night.
491
00:41:08,560 --> 00:41:11,840
Everything Robert Plant could ever have wished for.
492
00:41:24,960 --> 00:41:29,640
Hey! I believe he's out of love
493
00:41:29,640 --> 00:41:33,760
Yeah, yeah, yeah, yeah.
494
00:41:34,880 --> 00:41:37,480
To play with Umu Sangare,
495
00:41:37,480 --> 00:41:41,360
an amazing singer and artist,
496
00:41:41,360 --> 00:41:43,400
just out of this world,
497
00:41:43,400 --> 00:41:48,040
for me to be able to find something in my back pocket
498
00:41:48,040 --> 00:41:53,280
that would fit in amongst all that was serendipity. It was fantastic.
499
00:41:56,240 --> 00:41:59,720
THEY PLAY "WHOLE LOTTA LOVE" ON LOCAL INSTRUMENTS
500
00:42:03,920 --> 00:42:08,920
It was like one of those huge spikes of revelation in your life
501
00:42:08,920 --> 00:42:13,640
in every respect, not just as a performer,
502
00:42:13,640 --> 00:42:16,280
but as a man.
503
00:42:28,160 --> 00:42:31,640
If the tunes of Led Zeppelin were never that far away, the rock god
504
00:42:31,640 --> 00:42:36,680
image of its ex-frontman was being buried deep in the desert sands.
505
00:42:36,680 --> 00:42:42,640
I learn every day. I learn that the rockaday Johnny thing has got to go
506
00:42:42,640 --> 00:42:47,000
a bit further back in the box, keep the lid down on it a bit.
507
00:42:49,240 --> 00:42:53,520
Look at people who change for their own stimulation.
508
00:42:58,400 --> 00:43:01,280
Look at Peter Gabriel.
509
00:43:01,280 --> 00:43:06,160
Peter reinvents on about a five-year turn around.
510
00:43:06,160 --> 00:43:09,640
MUSIC: "Sledgehammer" by Peter Gabriel
511
00:43:09,640 --> 00:43:11,760
Look at Scott Walker.
512
00:43:11,760 --> 00:43:15,400
MUSIC: "Make It Easy On Yourself" by The Walker Brothers
513
00:43:17,400 --> 00:43:20,920
I used to open the show for the Walker Brothers when I was 15
514
00:43:20,920 --> 00:43:28,720
at Kidderminster Town Hall, you couldn't hear them for the screams of the girls and Scott was elevated.
515
00:43:28,720 --> 00:43:33,200
I'm sure there was at least nine inches between his feet and the stage.
516
00:43:33,200 --> 00:43:37,600
He just drifted through this miasma of female want,
517
00:43:37,600 --> 00:43:42,520
and meanwhile his van was being festooned with more and more lipstick
518
00:43:42,520 --> 00:43:47,040
that Bonzo and I were so pissed off we got some lipstick and did our own van.
519
00:43:47,040 --> 00:43:50,200
MUSIC: "Farmer In The City" by Scott Walker
520
00:43:52,200 --> 00:43:58,000
Then Scott moves left and right through Jacques Brel to Farmer In The City to brilliant.
521
00:44:00,760 --> 00:44:05,840
We'll make the record and never play it again and never listen to it, but he's done it.
522
00:44:11,280 --> 00:44:14,200
Two or three times I played that,
523
00:44:14,200 --> 00:44:18,720
without medical assistance, and I think it's...
524
00:44:18,720 --> 00:44:19,920
Does he care?
525
00:44:19,920 --> 00:44:22,720
Is chronology anything to do with it? Not at all.
526
00:44:27,600 --> 00:44:30,680
It used to be said that the song remains the same,
527
00:44:30,680 --> 00:44:34,080
but if Plant's music is now in a permanent state of reinvention,
528
00:44:34,080 --> 00:44:36,240
we have to seek familiarity elsewhere.
529
00:44:36,240 --> 00:44:42,640
Luckily, it seems we can always rely on the presence of those long blonde tresses.
530
00:44:42,640 --> 00:44:46,400
- You've still got the hair?
- I put it on in the car park.
531
00:44:46,400 --> 00:44:49,600
MUSIC: "When The Music's Over" by The Doors
532
00:44:49,600 --> 00:44:52,960
I cancelled my subscription to the resurrection, who said that?
533
00:44:52,960 --> 00:44:57,160
Jim Morrison, it's all about that great gang, once upon time,
534
00:44:57,160 --> 00:45:04,320
when there were changes to be made and music was a catalyst for a lot of beautiful change.
535
00:45:08,280 --> 00:45:12,560
That's why sad old hippies still keep their hair long,
536
00:45:12,560 --> 00:45:18,080
because we were part of something that meant something more than just ego and income.
537
00:45:22,360 --> 00:45:27,960
Sad hold hippies will also try anything in the spirit of exploration, musical or otherwise.
538
00:45:27,960 --> 00:45:33,280
With the exception of one duet, sung with Sandy Denny in 1971,
539
00:45:33,280 --> 00:45:36,560
Plant's voice had never been entwined with that of a woman.
540
00:45:36,560 --> 00:45:39,640
Why not surprise everyone yet again,
541
00:45:39,640 --> 00:45:45,800
and see what an unlikely partnership with bluegrass star Alison Krauss might produce.
542
00:45:45,800 --> 00:45:50,240
I knew that she was a spectacular singer but I also knew that she was very delicate.
543
00:45:50,240 --> 00:45:56,360
With performing and subscribing to a part of American music I didn't really get that much.
544
00:45:56,360 --> 00:46:01,280
But we had a couple of phone calls which were very humorous,
545
00:46:01,280 --> 00:46:06,360
and I realised she was also somebody who wanted to try something else out.
546
00:46:07,880 --> 00:46:11,880
We shipped our shelves to Cleveland, Ohio, rehearsed a little bit
547
00:46:11,880 --> 00:46:16,440
with Justin and I persuaded Los Lobos to bring their Mexican instruments.
548
00:46:20,080 --> 00:46:23,920
Black girl, black girl
549
00:46:23,920 --> 00:46:26,880
Don't lie to me
550
00:46:26,880 --> 00:46:31,680
Tell me where did you sleep last night.
551
00:46:31,680 --> 00:46:36,480
If I use the word "deep", it's all for the best reasons.
552
00:46:36,480 --> 00:46:38,000
She's deep,
553
00:46:38,000 --> 00:46:41,320
is what they say down there in Tennessee.
554
00:46:47,800 --> 00:46:53,920
In November 2004, Plant and Krauss debuted their singing partnership at the Cleveland Symphony Hall
555
00:46:53,920 --> 00:46:58,080
in a tribute to Leadbelly for the rock 'n' roll Hall of Fame museum.
556
00:47:04,960 --> 00:47:09,080
It was an amazing night, because it's that thing where you suddenly
557
00:47:09,080 --> 00:47:14,360
see all of the things that you have done flying before you,
558
00:47:14,360 --> 00:47:18,920
and after you and round you like a cartoon of somebody being knocked out.
559
00:47:18,920 --> 00:47:23,080
You see the spiral of stars and exclamation marks.
560
00:47:23,080 --> 00:47:31,720
I'm next to a beautiful woman who can sing like an angel and knows exactly what she wants.
561
00:47:31,720 --> 00:47:35,280
And, we did it.
562
00:47:35,280 --> 00:47:41,800
I'm going where the cold wind blows.
563
00:47:43,800 --> 00:47:45,640
I thought, Jeez, what is that?
564
00:47:47,400 --> 00:47:49,480
That's got to come back again.
565
00:47:52,200 --> 00:47:58,080
You caused to me to leave my home.
566
00:47:59,680 --> 00:48:02,480
This serenity
567
00:48:02,480 --> 00:48:08,240
of women, it should be the collective noun for those women down there,
568
00:48:08,240 --> 00:48:11,360
a serenity, and you know damn well that's not true.
569
00:48:15,080 --> 00:48:20,000
On paper it looked like the music industry's number one nomination for the odd couple category,
570
00:48:20,000 --> 00:48:26,920
Robert Plant and Alison Krauss, the hills of the Black Country and the hills of Tennessee.
571
00:48:26,920 --> 00:48:31,000
Lemon squeezing in Louisiana, whatever next?
572
00:48:33,920 --> 00:48:37,320
I got a woman with plenty of money
573
00:48:41,360 --> 00:48:45,240
She got the money and I got the honey.
574
00:48:45,240 --> 00:48:48,960
She nurtured me through this thing,
575
00:48:48,960 --> 00:48:51,480
she liked the idea of my voice and hers.
576
00:48:51,480 --> 00:48:58,680
We obviously knew it worked tonally, and personality wise, the two voices really did blend great.
577
00:48:58,680 --> 00:49:03,280
But I got a lot to learn, hey presto, I was born again.
578
00:49:03,280 --> 00:49:08,040
- MAKING SOUNDS INTO MIC:
- Tss! Tss! Do you hear it?
579
00:49:08,040 --> 00:49:09,800
- It's working right now.
- OK.
580
00:49:09,800 --> 00:49:11,840
I want whatever she tried to get rid of.
581
00:49:13,680 --> 00:49:19,200
'It was incredibly nerve-wracking,
582
00:49:19,200 --> 00:49:22,280
because the challenge is,
583
00:49:22,280 --> 00:49:25,160
can an old dog ever learn a new trick?
584
00:49:34,800 --> 00:49:37,560
Some sunny day, baby
585
00:49:37,560 --> 00:49:39,760
When everything seems OK, baby
586
00:49:39,760 --> 00:49:43,360
You'll wake up and find that you're alone
587
00:49:44,440 --> 00:49:48,520
Cos I'll be gone Gone, gone, gone
588
00:49:49,520 --> 00:49:54,200
Really gone Gone, gone, gone
589
00:49:54,200 --> 00:49:55,840
Because you could be wrong.
590
00:49:57,320 --> 00:50:01,720
Over an eight-month period, Plant, Krauss and their producer, guitarist T-Bone Burnett,
591
00:50:01,720 --> 00:50:07,960
assembled a delicate mix of country songs, lesser known R&B numbers, blues and folk,
592
00:50:07,960 --> 00:50:10,440
for what became a Grammy-gobbling album.
593
00:50:10,440 --> 00:50:14,960
Every night we discussed more and more music, and more and more and more and more,
594
00:50:14,960 --> 00:50:20,600
and the doors kept opening and CDs kept flying out and the downloads kept coming in.
595
00:50:23,080 --> 00:50:24,320
Bollocks!
596
00:50:24,320 --> 00:50:28,680
Because I knew about American music but I didn't know about mountain music.
597
00:50:28,680 --> 00:50:36,240
Oh sister, let's go down Down to the river to pray...
598
00:50:36,240 --> 00:50:38,320
I didn't know about the hills of Tennessee,
599
00:50:38,320 --> 00:50:42,160
about the whole twang and the sourness of their harmonies.
600
00:50:42,160 --> 00:50:45,920
But I don't worry, honey
601
00:50:45,920 --> 00:50:49,880
Let them say what they will
602
00:50:51,760 --> 00:50:56,800
Come on and stick with me baby
603
00:50:58,120 --> 00:51:01,320
We'll find a way.
604
00:51:01,320 --> 00:51:06,200
- OVER-THE TOP SOUTHERN US ACCENTS:
- You did a real good job.
- And I love you, honey.
605
00:51:06,200 --> 00:51:09,360
Will you work with me again?
606
00:51:09,360 --> 00:51:14,080
No sooner had a country star Robert Plant arrived in the autumn of 2007,
607
00:51:14,080 --> 00:51:19,360
than Led Zeppelin reformed for a one-off tribute concert to mark the passing
608
00:51:19,360 --> 00:51:22,720
of Atlantic Records' Ahmet Ertegun in December.
609
00:51:22,720 --> 00:51:25,880
The world now had many Plants to contend with.
610
00:51:25,880 --> 00:51:28,560
For me, it's kind of like that Christmas feeling.
611
00:51:28,560 --> 00:51:33,840
Santa Claus is coming and you're like a child waiting for the biggest present
612
00:51:33,840 --> 00:51:36,160
you have ever waited for in your whole life.
613
00:51:39,080 --> 00:51:41,960
Having not played publicly for over two decades,
614
00:51:41,960 --> 00:51:48,720
Zeppelin took to the stage, albeit without John Bonham, but behind the drums sat his only son, Jason.
615
00:51:48,720 --> 00:51:52,280
This was one of the most coveted tickets in rock history.
616
00:51:52,280 --> 00:51:56,160
Eyes that shine burning red...
617
00:52:08,280 --> 00:52:10,560
Zeppelin stormed the O2,
618
00:52:10,560 --> 00:52:14,840
and the 64,000 question started to rear its ugly head again.
619
00:52:14,840 --> 00:52:19,520
Robert Plant came here thinking we were gonna ask him the same question everyone is asking,
620
00:52:19,520 --> 00:52:21,160
but we're gonna ask him anyway.
621
00:52:21,160 --> 00:52:24,000
Can we dim the lights and have some appropriate music.
622
00:52:24,000 --> 00:52:25,680
MUSIC: Theme from "Mastermind"
623
00:52:25,680 --> 00:52:28,280
Thank you very much. Name Robert Plant, occupation, rock God.
624
00:52:28,280 --> 00:52:30,480
Are Led Zeppelin going to go on tour?
625
00:52:30,480 --> 00:52:32,880
Steve Bull is now the manager of Stafford Rangers.
626
00:52:32,880 --> 00:52:35,600
His first home game is on Saturday. Please turn up.
627
00:52:35,600 --> 00:52:40,040
They say there's going to be 3,000 or 4,000 and he's buying a striker.
628
00:52:40,040 --> 00:52:46,960
- Is that a yes or a no?
- I feel a funny feeling coming on!
629
00:52:46,960 --> 00:52:49,520
That was a "no".
630
00:52:49,520 --> 00:52:54,200
You should have been a politician with the inability to answer a direct question.
631
00:52:59,040 --> 00:53:04,040
Plant and Alison Krauss have yet to repeat their run away success together.
632
00:53:04,040 --> 00:53:08,120
Krauss returned to her bluegrass roots, but Plant was on a roll.
633
00:53:08,120 --> 00:53:11,520
He returned to Tennessee and created an entirely new band.
634
00:53:11,520 --> 00:53:15,000
This time in collaboration with Emmylou Harris's guitarist,
635
00:53:15,000 --> 00:53:18,960
Buddy Miller and featuring guest singer/songwriter, Pattie Griffin.
636
00:53:18,960 --> 00:53:22,120
Plant christened them The Band of Joy.
637
00:53:22,120 --> 00:53:26,080
His nod to a pre-Led Zeppelin past while restlessly moving on...again.
638
00:53:29,240 --> 00:53:36,480
Two hours ago when I started talking to you, I said we were in it, shit or bust.
639
00:53:36,480 --> 00:53:40,240
The Band of Joy was no matter what we believed.
640
00:53:40,240 --> 00:53:47,320
Therefore, we played accordingly, with great extravagance and aplomb and indulge and "baaaah"!
641
00:53:47,320 --> 00:53:51,160
I really felt, as we started to develop this record,
642
00:53:51,160 --> 00:53:55,360
in a more mature way I was doing the same thing again in a way.
643
00:53:55,360 --> 00:53:59,640
Tonight you will be mine
644
00:54:04,720 --> 00:54:10,360
Tonight the monkey dies.
645
00:54:12,760 --> 00:54:17,440
The subtlety in this is the counterpoint
646
00:54:17,440 --> 00:54:22,240
to the bravado in the original Band of Joy.
647
00:54:22,240 --> 00:54:26,920
It's the same deal, but it's a bit more internal.
648
00:54:38,160 --> 00:54:42,320
Since going to Tennessee, I've heard the most spectacular songwriters,
649
00:54:42,320 --> 00:54:48,440
and I was kind of fishing out beautiful little pieces of other people's work,
650
00:54:48,440 --> 00:54:54,880
and twisting them around a bit with such remarkable musical company.
651
00:54:54,880 --> 00:55:01,320
Tonight the monkey dies.
652
00:55:01,320 --> 00:55:05,960
I played the Hardly Strictly Bluegrass Festival twice in the last three years.
653
00:55:05,960 --> 00:55:10,280
A three-day event which is open to everyone.
654
00:55:10,280 --> 00:55:13,720
They say 750,000 people move through it.
655
00:55:13,720 --> 00:55:18,160
There are five stages and you have pure bluegrass, country,
656
00:55:18,160 --> 00:55:23,240
rockabilly, singer-songwriters, it's just amazing.
657
00:55:23,240 --> 00:55:26,760
In the middle of it all stands Ralph Stanley singing, Oh Death.
658
00:55:26,760 --> 00:55:32,800
You go, how did I miss that for all those years? It's amazing.
659
00:55:32,800 --> 00:55:39,520
Oh, death
660
00:55:41,240 --> 00:55:48,480
Whoa, death
661
00:55:48,480 --> 00:55:55,720
Won't you spare me over to another year...
662
00:55:56,680 --> 00:55:59,320
30 years ago, Led Zeppelin crashed and burned.
663
00:55:59,320 --> 00:56:04,960
Since then Robert Plant has wrestled the singular image of a stage straddling rock god
664
00:56:04,960 --> 00:56:09,760
to emerge as a man of many selves, hell bent on exploring all of them.
665
00:56:11,920 --> 00:56:15,840
Now it has to be right, and right in a very casual and easy way.
666
00:56:15,840 --> 00:56:20,600
Meanwhile that over there was fine, but this is serious stuff.
667
00:56:20,600 --> 00:56:23,000
I'm pretty intense,
668
00:56:23,000 --> 00:56:30,560
so I have to unhitch some of that stuff and get it spot on in 2010.
669
00:56:34,240 --> 00:56:39,240
When I was a kid I thought that Robert Johnson had the whole world sewn up with the lyrics,
670
00:56:39,240 --> 00:56:43,160
the kind of sexual innuendo and stuff like that, because it was a hoot,
671
00:56:43,160 --> 00:56:49,360
it was funny but very clever. It was fine, all fine, all fine, all fine,
672
00:56:49,360 --> 00:56:54,360
but to actually make those work later in life, I think you have
673
00:56:54,360 --> 00:57:00,600
to either have to be prepared to go into character, or in many respects, shelve it.
674
00:57:04,800 --> 00:57:08,880
My grandfather was a musician, my great-grandfather was a musician.
675
00:57:08,880 --> 00:57:12,040
They formed really important Black Country brass bands.
676
00:57:12,040 --> 00:57:18,080
Which had posh names, but were usually known as the Dudley Port Drinking Band.
677
00:57:18,080 --> 00:57:21,000
It goes on and on and on.
678
00:57:21,000 --> 00:57:24,000
The only difference was they were playing Sousa marches,
679
00:57:24,000 --> 00:57:26,760
and there was no squeeze my lemon involved, you know.
680
00:57:26,760 --> 00:57:31,640
The only thing they had to change was their tunics as their portage increased.
681
00:57:31,640 --> 00:57:36,480
We have to make sure we change our mind enough to make it worthwhile.
682
00:57:41,800 --> 00:57:43,880
#Ah-ah
683
00:57:45,840 --> 00:57:48,720
- Ah-ah CROWD:
- Ah-ah
684
00:57:48,720 --> 00:57:50,160
Ah-ah
685
00:57:50,160 --> 00:57:51,680
Ah-ah
686
00:57:51,680 --> 00:57:53,960
Ahhhhh...
687
00:57:56,840 --> 00:58:00,920
Whether it's an incredibly dreadful performance at Live Aid,
688
00:58:00,920 --> 00:58:06,640
or an evening in Mali, or country music awards on CMT,
689
00:58:06,640 --> 00:58:08,360
whatever it is they are moments.
690
00:58:08,360 --> 00:58:12,240
If I like the idea of it and I can talk myself into these positions,
691
00:58:12,240 --> 00:58:15,680
I'm going to do it because it's just crazy.
692
00:58:16,680 --> 00:58:18,200
How many mes are there?
693
00:58:30,320 --> 00:58:32,360
Subtitles by Red Bee Media Ltd
694
00:58:32,360 --> 00:58:34,400
E-mail subtitling@bbc.co.uk
63145
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