Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,870 --> 00:00:08,340
>> WE ARE LIVE FROM THE STREETS
OF A CHILLY NEW YORK CITY.
BUT IT IS TO GET--ABOUT TO GET
2
00:00:08,342 --> 00:00:11,543
OF A CHILLY NEW YORK CITY.
BUT IT IS TO GET--ABOUT TO GET
VERY HOT HERE IN MANHATTAN.
3
00:00:11,545 --> 00:00:12,511
BUT IT IS TO GET--ABOUT TO GET
VERY HOT HERE IN MANHATTAN.
HELLO EVERYONE, I'M SEAN MOONEY.
4
00:00:12,513 --> 00:00:13,178
VERY HOT HERE IN MANHATTAN.
HELLO EVERYONE, I'M SEAN MOONEY.
A FEW MINUTES AGO, IT WAS A MOB
5
00:00:13,180 --> 00:00:13,612
HELLO EVERYONE, I'M SEAN MOONEY.
A FEW MINUTES AGO, IT WAS A MOB
SCENE OUT HERE.
6
00:00:13,614 --> 00:00:16,581
A FEW MINUTES AGO, IT WAS A MOB
SCENE OUT HERE.
EVERYONE BRAVING THE ELEMENTS TO
7
00:00:16,583 --> 00:00:17,649
SCENE OUT HERE.
EVERYONE BRAVING THE ELEMENTS TO
BE A PART OF MONDAY NIGHT RAW,
8
00:00:17,651 --> 00:00:18,784
EVERYONE BRAVING THE ELEMENTS TO
BE A PART OF MONDAY NIGHT RAW,
BUT NOW THEY'RE INSIDE SET FOR
9
00:00:18,786 --> 00:00:19,618
BE A PART OF MONDAY NIGHT RAW,
BUT NOW THEY'RE INSIDE SET FOR
THE--HEY, HEY, WAIT A MINUTE.
10
00:00:19,620 --> 00:00:20,652
BUT NOW THEY'RE INSIDE SET FOR
THE--HEY, HEY, WAIT A MINUTE.
>> WHAT?
11
00:00:20,654 --> 00:00:21,520
THE--HEY, HEY, WAIT A MINUTE.
>> WHAT?
>> BOBBY HEENAN, WHAT ARE YOU
12
00:00:21,522 --> 00:00:21,853
>> WHAT?
>> BOBBY HEENAN, WHAT ARE YOU
DOING?
13
00:00:21,855 --> 00:00:22,687
>> BOBBY HEENAN, WHAT ARE YOU
DOING?
>> I'M GOING IN THERE.
14
00:00:22,689 --> 00:00:23,422
DOING?
>> I'M GOING IN THERE.
>> NO, NO, NO, NO.
15
00:00:23,424 --> 00:00:23,888
>> I'M GOING IN THERE.
>> NO, NO, NO, NO.
>> OH, YES, I AM.
16
00:00:23,890 --> 00:00:24,623
>> NO, NO, NO, NO.
>> OH, YES, I AM.
>> YOU WERE REPLACED.
17
00:00:24,625 --> 00:00:25,624
>> OH, YES, I AM.
>> YOU WERE REPLACED.
>> I WAS REPLACED?
18
00:00:25,626 --> 00:00:25,990
>> YOU WERE REPLACED.
>> I WAS REPLACED?
>> YES, SIR.
19
00:00:25,992 --> 00:00:26,692
>> I WAS REPLACED?
>> YES, SIR.
>> BY WHO?
20
00:00:26,694 --> 00:00:27,559
>> YES, SIR.
>> BY WHO?
WHO WOULD REPLACED ME?
21
00:00:27,561 --> 00:00:28,360
>> BY WHO?
WHO WOULD REPLACED ME?
>> WELL, ROB BARTLETT.
22
00:00:28,362 --> 00:00:29,094
WHO WOULD REPLACED ME?
>> WELL, ROB BARTLETT.
YOU'RE NOT SUPPOSED TO BE IN
23
00:00:29,096 --> 00:00:29,594
>> WELL, ROB BARTLETT.
YOU'RE NOT SUPPOSED TO BE IN
THERE.
24
00:00:29,596 --> 00:00:30,529
YOU'RE NOT SUPPOSED TO BE IN
THERE.
>> I DON'T CARE ABOUT ROB
25
00:00:30,531 --> 00:00:31,329
THERE.
>> I DON'T CARE ABOUT ROB
BARTLETT, THIS IS MONDAY NIGHT
26
00:00:31,331 --> 00:00:32,531
>> I DON'T CARE ABOUT ROB
BARTLETT, THIS IS MONDAY NIGHT
RAW LIVE FROM NEW YORK CITY.
27
00:00:32,533 --> 00:00:33,298
BARTLETT, THIS IS MONDAY NIGHT
RAW LIVE FROM NEW YORK CITY.
>> THAT'S RIGHT.
28
00:00:33,300 --> 00:00:34,232
RAW LIVE FROM NEW YORK CITY.
>> THAT'S RIGHT.
>> AND I'VE GOT TO BE IN THERE
29
00:00:34,234 --> 00:00:34,533
>> THAT'S RIGHT.
>> AND I'VE GOT TO BE IN THERE
TO HOST IT.
30
00:00:34,535 --> 00:00:35,333
>> AND I'VE GOT TO BE IN THERE
TO HOST IT.
>> NO, NO, YOU CAN'T GET IN.
31
00:00:35,335 --> 00:00:35,867
TO HOST IT.
>> NO, NO, YOU CAN'T GET IN.
>> WHAT DO YOU MEAN NO, NO?
32
00:00:35,869 --> 00:00:36,402
>> NO, NO, YOU CAN'T GET IN.
>> WHAT DO YOU MEAN NO, NO?
>> I'M SORRY, YOU CAN'T...
33
00:00:36,404 --> 00:00:37,268
>> WHAT DO YOU MEAN NO, NO?
>> I'M SORRY, YOU CAN'T...
>> WHAT DO YOU MEAN I CAN'T GET
34
00:00:37,270 --> 00:00:37,502
>> I'M SORRY, YOU CAN'T...
>> WHAT DO YOU MEAN I CAN'T GET
IN?
35
00:00:37,504 --> 00:00:37,969
>> WHAT DO YOU MEAN I CAN'T GET
IN?
I CAN GET IN.
36
00:00:37,971 --> 00:00:38,904
IN?
I CAN GET IN.
I CAN BUY A TICKET.
37
00:00:38,906 --> 00:00:39,738
I CAN GET IN.
I CAN BUY A TICKET.
THEY DON'T WANT ME, I CAN BUY...
38
00:00:39,740 --> 00:00:40,439
I CAN BUY A TICKET.
THEY DON'T WANT ME, I CAN BUY...
>> NO, THERE ARE NO TICKETS
39
00:00:40,441 --> 00:00:40,705
THEY DON'T WANT ME, I CAN BUY...
>> NO, THERE ARE NO TICKETS
LEFT.
40
00:00:40,707 --> 00:00:41,673
>> NO, THERE ARE NO TICKETS
LEFT.
IT'S SOLD OUT IN THERE.
41
00:00:41,675 --> 00:00:42,741
LEFT.
IT'S SOLD OUT IN THERE.
THEY'RE JAMMED TO THE RAFTERS...
42
00:00:42,743 --> 00:00:43,508
IT'S SOLD OUT IN THERE.
THEY'RE JAMMED TO THE RAFTERS...
>> WELL THEN, SHOW ME THE
43
00:00:43,510 --> 00:00:43,942
THEY'RE JAMMED TO THE RAFTERS...
>> WELL THEN, SHOW ME THE
[INDISTINCT]
44
00:00:43,944 --> 00:00:45,477
>> WELL THEN, SHOW ME THE
[INDISTINCT]
SO I CAN GET THROUGH HERE.
45
00:00:45,479 --> 00:00:46,078
[INDISTINCT]
SO I CAN GET THROUGH HERE.
>> LOOK, I DIDN'T MAKE UP THE
46
00:00:46,080 --> 00:00:46,678
SO I CAN GET THROUGH HERE.
>> LOOK, I DIDN'T MAKE UP THE
RULES HERE.
47
00:00:46,680 --> 00:00:47,345
>> LOOK, I DIDN'T MAKE UP THE
RULES HERE.
I DIDN'T KNOW ANYTHING ABOUT...
48
00:00:47,347 --> 00:00:48,012
RULES HERE.
I DIDN'T KNOW ANYTHING ABOUT...
>> WHAT DO YOU MEAN YOU DIDN'T
49
00:00:48,014 --> 00:00:48,847
I DIDN'T KNOW ANYTHING ABOUT...
>> WHAT DO YOU MEAN YOU DIDN'T
MAKE UP THE RULES...
50
00:00:48,849 --> 00:01:10,569
>> WHAT DO YOU MEAN YOU DIDN'T
MAKE UP THE RULES...
>> [MUSIC]
51
00:01:10,571 --> 00:01:11,570
MAKE UP THE RULES...
>> [MUSIC]
>> WELCOME EVERYONE TO MONDAY
52
00:01:11,572 --> 00:01:13,639
>> [MUSIC]
>> WELCOME EVERYONE TO MONDAY
NIGHT RAW.
53
00:01:13,641 --> 00:01:16,641
>> WELCOME EVERYONE TO MONDAY
NIGHT RAW.
WE ARE LIVE ON NEW YORK CITY,
54
00:01:16,643 --> 00:01:17,409
NIGHT RAW.
WE ARE LIVE ON NEW YORK CITY,
MANHATTAN CENTER.
55
00:01:17,411 --> 00:01:18,610
WE ARE LIVE ON NEW YORK CITY,
MANHATTAN CENTER.
I'M VINCE MCMAHON ALONG WITH THE
56
00:01:18,612 --> 00:01:20,579
MANHATTAN CENTER.
I'M VINCE MCMAHON ALONG WITH THE
MACHO MAN, RANDY SAVAGE.
57
00:01:20,581 --> 00:01:21,980
I'M VINCE MCMAHON ALONG WITH THE
MACHO MAN, RANDY SAVAGE.
BOBBY HEENAN'S ON THE OUTSIDE,
58
00:01:21,982 --> 00:01:23,582
MACHO MAN, RANDY SAVAGE.
BOBBY HEENAN'S ON THE OUTSIDE,
WHO'S ON THE INSIDE?
59
00:01:23,584 --> 00:01:26,485
BOBBY HEENAN'S ON THE OUTSIDE,
WHO'S ON THE INSIDE?
ROB BARTLETT, THAT'S WHO.
60
00:01:26,487 --> 00:01:27,953
WHO'S ON THE INSIDE?
ROB BARTLETT, THAT'S WHO.
>> AND TONIGHT LIVE, YOU'LL HANG
61
00:01:27,955 --> 00:01:29,421
ROB BARTLETT, THAT'S WHO.
>> AND TONIGHT LIVE, YOU'LL HANG
ON THE GREAT MATCHES.
62
00:01:29,423 --> 00:01:30,589
>> AND TONIGHT LIVE, YOU'LL HANG
ON THE GREAT MATCHES.
WE'LL SEE THE STEINER BROTHERS
63
00:01:30,591 --> 00:01:31,790
ON THE GREAT MATCHES.
WE'LL SEE THE STEINER BROTHERS
IN TAG TEAM MATCH AND PLUS, A
64
00:01:31,792 --> 00:01:33,325
WE'LL SEE THE STEINER BROTHERS
IN TAG TEAM MATCH AND PLUS, A
VERY SPECIAL INTERVIEW WITH
65
00:01:33,327 --> 00:01:35,594
IN TAG TEAM MATCH AND PLUS, A
VERY SPECIAL INTERVIEW WITH
RAZOR RAMON.
66
00:01:35,596 --> 00:01:36,462
VERY SPECIAL INTERVIEW WITH
RAZOR RAMON.
>> HERE'S A GREAT MATCH, I CAN'T
67
00:01:36,464 --> 00:01:38,029
RAZOR RAMON.
>> HERE'S A GREAT MATCH, I CAN'T
WAIT TO SEE THIS, KOKO B.
68
00:01:38,031 --> 00:01:40,799
>> HERE'S A GREAT MATCH, I CAN'T
WAIT TO SEE THIS, KOKO B.
WARE VERSUS YOKOZUNA.
69
00:01:40,801 --> 00:01:41,733
WAIT TO SEE THIS, KOKO B.
WARE VERSUS YOKOZUNA.
YOU KNOW THAT GUY'S GOT THAT
70
00:01:41,735 --> 00:01:43,535
WARE VERSUS YOKOZUNA.
YOU KNOW THAT GUY'S GOT THAT
DIAPER THING GOING RIGHT UP
71
00:01:43,537 --> 00:01:44,769
YOU KNOW THAT GUY'S GOT THAT
DIAPER THING GOING RIGHT UP
THERE IN THE MIDDLE OF THE RING,
72
00:01:44,771 --> 00:01:45,637
DIAPER THING GOING RIGHT UP
THERE IN THE MIDDLE OF THE RING,
THE DEAD MAN'S LAND AND NO MAN'S
73
00:01:45,639 --> 00:01:46,371
THERE IN THE MIDDLE OF THE RING,
THE DEAD MAN'S LAND AND NO MAN'S
LAND AND...
74
00:01:46,373 --> 00:01:47,739
THE DEAD MAN'S LAND AND NO MAN'S
LAND AND...
>> OH, YEAH, MACHO?
75
00:01:47,741 --> 00:01:48,807
LAND AND...
>> OH, YEAH, MACHO?
>> AFTER BARTLETT SAID THAT
76
00:01:48,809 --> 00:01:49,774
>> OH, YEAH, MACHO?
>> AFTER BARTLETT SAID THAT
ABOUT YOKOZUNA, THAT'S ALL I CAN
77
00:01:49,776 --> 00:01:51,676
>> AFTER BARTLETT SAID THAT
ABOUT YOKOZUNA, THAT'S ALL I CAN
THINK ABOUT RIGHT NOW.
78
00:01:51,678 --> 00:01:53,445
ABOUT YOKOZUNA, THAT'S ALL I CAN
THINK ABOUT RIGHT NOW.
>> DISGUSTING.
79
00:01:53,447 --> 00:01:54,680
THINK ABOUT RIGHT NOW.
>> DISGUSTING.
>> BUT ALSO, IT'S DAMIEN DEMENTO
80
00:01:54,682 --> 00:01:55,647
>> DISGUSTING.
>> BUT ALSO, IT'S DAMIEN DEMENTO
VERSUS MY FAVORITE, THE
81
00:01:55,649 --> 00:01:57,483
>> BUT ALSO, IT'S DAMIEN DEMENTO
VERSUS MY FAVORITE, THE
UNDERTAKER.
82
00:01:57,485 --> 00:01:57,816
VERSUS MY FAVORITE, THE
UNDERTAKER.
>> OH, YEAH.
83
00:01:57,818 --> 00:01:58,684
UNDERTAKER.
>> OH, YEAH.
>> OH, YEAH.
84
00:01:58,686 --> 00:01:59,918
>> OH, YEAH.
>> OH, YEAH.
>> WHAT A MATCH UP.
85
00:01:59,920 --> 00:02:01,620
>> OH, YEAH.
>> WHAT A MATCH UP.
A SERIES OF MATCH UP.
86
00:02:01,622 --> 00:02:03,522
>> WHAT A MATCH UP.
A SERIES OF MATCH UP.
>> HEADED YOUR WAY RIGHT HERE ON
87
00:02:03,524 --> 00:02:04,623
A SERIES OF MATCH UP.
>> HEADED YOUR WAY RIGHT HERE ON
MONDAY NIGHT RAW.
88
00:02:04,625 --> 00:02:07,426
>> HEADED YOUR WAY RIGHT HERE ON
MONDAY NIGHT RAW.
AND LOOK OUT, HERE HE COME.
89
00:02:07,428 --> 00:02:08,660
MONDAY NIGHT RAW.
AND LOOK OUT, HERE HE COME.
>> THIS CONTEST IS SCHEDULED FOR
90
00:02:08,662 --> 00:02:10,495
AND LOOK OUT, HERE HE COME.
>> THIS CONTEST IS SCHEDULED FOR
ONE FALL.
91
00:02:10,497 --> 00:02:12,364
>> THIS CONTEST IS SCHEDULED FOR
ONE FALL.
COMING DOWN THE AISLE FROM UNION
92
00:02:12,366 --> 00:02:14,533
ONE FALL.
COMING DOWN THE AISLE FROM UNION
CITY, TENNESSEE, WEIGHING 228
93
00:02:14,535 --> 00:02:20,572
COMING DOWN THE AISLE FROM UNION
CITY, TENNESSEE, WEIGHING 228
POUNDS, "THE BIRDMAN" KOKO B.
94
00:02:20,574 --> 00:02:21,907
CITY, TENNESSEE, WEIGHING 228
POUNDS, "THE BIRDMAN" KOKO B.
WARE
95
00:02:21,909 --> 00:02:22,707
POUNDS, "THE BIRDMAN" KOKO B.
WARE
>> YEAH, B.
96
00:02:22,709 --> 00:02:26,578
WARE
>> YEAH, B.
WARE.
97
00:02:26,580 --> 00:02:29,347
>> YEAH, B.
WARE.
>> ON MONDAY NIGHT RAW, GO GET
98
00:02:29,349 --> 00:02:31,550
WARE.
>> ON MONDAY NIGHT RAW, GO GET
HIM BIRDMAN.
99
00:02:31,552 --> 00:02:32,450
>> ON MONDAY NIGHT RAW, GO GET
HIM BIRDMAN.
>> YOU KNOW, I OFTEN WONDERED
100
00:02:32,452 --> 00:02:33,285
HIM BIRDMAN.
>> YOU KNOW, I OFTEN WONDERED
WHAT EVER HAPPENED TO GARY
101
00:02:33,287 --> 00:02:34,486
>> YOU KNOW, I OFTEN WONDERED
WHAT EVER HAPPENED TO GARY
COLEMAN, VINCE.
102
00:02:34,488 --> 00:02:35,720
WHAT EVER HAPPENED TO GARY
COLEMAN, VINCE.
>> HE GREW UP.
103
00:02:35,722 --> 00:02:41,393
COLEMAN, VINCE.
>> HE GREW UP.
THERE HE IS.
104
00:02:41,395 --> 00:02:42,694
>> HE GREW UP.
THERE HE IS.
AND THIS ATHLETE HEADED TO THE
105
00:02:42,696 --> 00:02:44,396
THERE HE IS.
AND THIS ATHLETE HEADED TO THE
RING RIGHT NOW HAS SOMETHING
106
00:02:44,398 --> 00:02:45,764
AND THIS ATHLETE HEADED TO THE
RING RIGHT NOW HAS SOMETHING
ELSE INDEED WE HAVE NEVER SEEN
107
00:02:45,766 --> 00:02:48,567
RING RIGHT NOW HAS SOMETHING
ELSE INDEED WE HAVE NEVER SEEN
ANYTHING QUITE LIKE YOKOZUNA
108
00:02:48,569 --> 00:02:49,501
ELSE INDEED WE HAVE NEVER SEEN
ANYTHING QUITE LIKE YOKOZUNA
BEFORE.
109
00:02:49,503 --> 00:02:51,403
ANYTHING QUITE LIKE YOKOZUNA
BEFORE.
>> WELL, YOU'RE NOT KIDDING.
110
00:02:51,405 --> 00:02:52,604
BEFORE.
>> WELL, YOU'RE NOT KIDDING.
>> BREAK THE RULES OF BIGGEST
111
00:02:52,606 --> 00:02:53,572
>> WELL, YOU'RE NOT KIDDING.
>> BREAK THE RULES OF BIGGEST
ANGLE, WHAT DO YOU THINK?
112
00:02:53,574 --> 00:02:54,706
>> BREAK THE RULES OF BIGGEST
ANGLE, WHAT DO YOU THINK?
>> YOKOZUNA.
113
00:02:54,708 --> 00:02:55,473
ANGLE, WHAT DO YOU THINK?
>> YOKOZUNA.
>> WELL, THUS FAR, HE IS
114
00:02:55,475 --> 00:02:56,642
>> YOKOZUNA.
>> WELL, THUS FAR, HE IS
UNDEFEATED IN THE WORLD
115
00:02:56,644 --> 00:02:57,375
>> WELL, THUS FAR, HE IS
UNDEFEATED IN THE WORLD
WRESTLING ENTERTAINMENT,
116
00:02:57,377 --> 00:02:57,843
UNDEFEATED IN THE WORLD
WRESTLING ENTERTAINMENT,
YOKOZUNA
117
00:02:57,845 --> 00:02:59,578
WRESTLING ENTERTAINMENT,
YOKOZUNA
MEETING GRAND CHAMPION, MR. FUJI
118
00:02:59,580 --> 00:03:00,512
YOKOZUNA
MEETING GRAND CHAMPION, MR. FUJI
BRINGING YOKOZUNA, FORMER SUMO
119
00:03:00,514 --> 00:03:03,715
MEETING GRAND CHAMPION, MR. FUJI
BRINGING YOKOZUNA, FORMER SUMO
WRESTLER INTO THE WWE.
120
00:03:03,717 --> 00:03:06,351
BRINGING YOKOZUNA, FORMER SUMO
WRESTLER INTO THE WWE.
HE REALLY HAS A COMBINATION OF
121
00:03:06,353 --> 00:03:08,420
WRESTLER INTO THE WWE.
HE REALLY HAS A COMBINATION OF
ALL THE MARTIAL ARTS.
122
00:03:08,422 --> 00:03:09,388
HE REALLY HAS A COMBINATION OF
ALL THE MARTIAL ARTS.
AND YOKO SHOULD...
123
00:03:09,390 --> 00:03:10,422
ALL THE MARTIAL ARTS.
AND YOKO SHOULD...
>> NEVER [INDISTINCT]
124
00:03:10,424 --> 00:03:11,423
AND YOKO SHOULD...
>> NEVER [INDISTINCT]
SPEAK, BARTLETT.
125
00:03:11,425 --> 00:03:12,424
>> NEVER [INDISTINCT]
SPEAK, BARTLETT.
>> YEAH, I CAN'T SAY THE SAME
126
00:03:12,426 --> 00:03:14,392
SPEAK, BARTLETT.
>> YEAH, I CAN'T SAY THE SAME
FOR ROB BUT THAT'S ALL RIGHT.
127
00:03:14,394 --> 00:03:15,727
>> YEAH, I CAN'T SAY THE SAME
FOR ROB BUT THAT'S ALL RIGHT.
>> YOKO SHOULD SPEND A LITTLE
128
00:03:15,729 --> 00:03:16,761
FOR ROB BUT THAT'S ALL RIGHT.
>> YOKO SHOULD SPEND A LITTLE
LESS TIME AT THE SUSHI BAR, A
129
00:03:16,763 --> 00:03:17,729
>> YOKO SHOULD SPEND A LITTLE
LESS TIME AT THE SUSHI BAR, A
LITTLE MORE TIME AT THE SALAD
130
00:03:17,731 --> 00:03:19,497
LESS TIME AT THE SUSHI BAR, A
LITTLE MORE TIME AT THE SALAD
BAR, VINCE.
131
00:03:19,499 --> 00:03:20,565
LITTLE MORE TIME AT THE SALAD
BAR, VINCE.
>> WELL, WE'LL SEE ABOUT THAT.
132
00:03:20,567 --> 00:03:22,434
BAR, VINCE.
>> WELL, WE'LL SEE ABOUT THAT.
ALL OF THAT WEIGHT YOKOZUNA USES
133
00:03:22,436 --> 00:03:24,803
>> WELL, WE'LL SEE ABOUT THAT.
ALL OF THAT WEIGHT YOKOZUNA USES
TO HIS ADVANTAGE HERE.
134
00:03:24,805 --> 00:03:26,571
ALL OF THAT WEIGHT YOKOZUNA USES
TO HIS ADVANTAGE HERE.
AND AS THE MACHO MAN SAID, HE IS
135
00:03:26,573 --> 00:03:27,806
TO HIS ADVANTAGE HERE.
AND AS THE MACHO MAN SAID, HE IS
THUS FAR, NOT EVEN BEEN KNOCKED
136
00:03:27,808 --> 00:03:30,475
AND AS THE MACHO MAN SAID, HE IS
THUS FAR, NOT EVEN BEEN KNOCKED
OFF HIS FEET, MUCH LESS,
137
00:03:30,477 --> 00:03:31,543
THUS FAR, NOT EVEN BEEN KNOCKED
OFF HIS FEET, MUCH LESS,
UNDEFEATED.
138
00:03:31,545 --> 00:03:32,677
OFF HIS FEET, MUCH LESS,
UNDEFEATED.
>> HE HASN'T SEEN HIS FEET FOR
139
00:03:32,679 --> 00:03:34,346
UNDEFEATED.
>> HE HASN'T SEEN HIS FEET FOR
QUITE SOMETIME.
140
00:03:34,348 --> 00:03:35,280
>> HE HASN'T SEEN HIS FEET FOR
QUITE SOMETIME.
>> WELL, THAT'S A GOOD POINT AS
141
00:03:35,282 --> 00:03:39,384
QUITE SOMETIME.
>> WELL, THAT'S A GOOD POINT AS
WELL.
142
00:03:39,386 --> 00:03:40,585
>> WELL, THAT'S A GOOD POINT AS
WELL.
>> OH, MY GOD.
143
00:03:40,587 --> 00:03:42,454
WELL.
>> OH, MY GOD.
>> YEAH, TAKE A LOOK.
144
00:03:42,456 --> 00:03:43,488
>> OH, MY GOD.
>> YEAH, TAKE A LOOK.
>> OH, MY.
145
00:03:43,490 --> 00:03:44,356
>> YEAH, TAKE A LOOK.
>> OH, MY.
>> THIS GUY'S GOT HIS OWN NO-FLY
146
00:03:44,358 --> 00:03:46,792
>> OH, MY.
>> THIS GUY'S GOT HIS OWN NO-FLY
ZONE.
147
00:03:46,794 --> 00:03:47,859
>> THIS GUY'S GOT HIS OWN NO-FLY
ZONE.
>> WELL, THAT'S NOT RIGHT.
148
00:03:47,861 --> 00:03:49,527
ZONE.
>> WELL, THAT'S NOT RIGHT.
HE DOESN'T EVEN HAVE A ZIPPER,
149
00:03:49,529 --> 00:03:52,330
>> WELL, THAT'S NOT RIGHT.
HE DOESN'T EVEN HAVE A ZIPPER,
YOU GOT TO UNDERSTAND THAT.
150
00:03:52,332 --> 00:03:56,735
HE DOESN'T EVEN HAVE A ZIPPER,
YOU GOT TO UNDERSTAND THAT.
>> TAKE A LOOK, 505 POUNDS,
151
00:03:56,737 --> 00:03:58,503
YOU GOT TO UNDERSTAND THAT.
>> TAKE A LOOK, 505 POUNDS,
YOKOZUNA.
152
00:03:58,505 --> 00:03:59,838
>> TAKE A LOOK, 505 POUNDS,
YOKOZUNA.
>> THAT'S ONE BIG -- ORIENTAL,
153
00:03:59,840 --> 00:04:01,673
YOKOZUNA.
>> THAT'S ONE BIG -- ORIENTAL,
VINCE.
154
00:04:01,675 --> 00:04:02,874
>> THAT'S ONE BIG -- ORIENTAL,
VINCE.
>> IN A MATTER OF SPEAKING, YES.
155
00:04:02,876 --> 00:04:03,775
VINCE.
>> IN A MATTER OF SPEAKING, YES.
>> OH.
156
00:04:03,777 --> 00:04:04,843
>> IN A MATTER OF SPEAKING, YES.
>> OH.
HE'S GOT AN...
157
00:04:04,845 --> 00:04:07,746
>> OH.
HE'S GOT AN...
>> [BELL RINGING]
158
00:04:07,748 --> 00:04:08,580
HE'S GOT AN...
>> [BELL RINGING]
>> HE'S GOT AN -- LIKE AN
159
00:04:08,582 --> 00:04:10,415
>> [BELL RINGING]
>> HE'S GOT AN -- LIKE AN
AMPHITHEATER.
160
00:04:10,417 --> 00:04:11,483
>> HE'S GOT AN -- LIKE AN
AMPHITHEATER.
>> OH, I HEARD THAT, I HEARD
161
00:04:11,485 --> 00:04:12,450
AMPHITHEATER.
>> OH, I HEARD THAT, I HEARD
THAT.
162
00:04:12,452 --> 00:04:13,318
>> OH, I HEARD THAT, I HEARD
THAT.
>> MY GOODNESS.
163
00:04:13,320 --> 00:04:14,119
THAT.
>> MY GOODNESS.
>> THIS IS MONDAY NIGHT RAW
164
00:04:14,121 --> 00:04:14,719
>> MY GOODNESS.
>> THIS IS MONDAY NIGHT RAW
FOLKS, IT'S UNCUT.
165
00:04:14,721 --> 00:04:15,487
>> THIS IS MONDAY NIGHT RAW
FOLKS, IT'S UNCUT.
>> UNCUT.
166
00:04:15,489 --> 00:04:19,691
FOLKS, IT'S UNCUT.
>> UNCUT.
>> AND UNCENSORED, YEAH.
167
00:04:19,693 --> 00:04:21,360
>> UNCUT.
>> AND UNCENSORED, YEAH.
>> WE ARE LIVE FROM NEW YORK
168
00:04:21,362 --> 00:04:23,729
>> AND UNCENSORED, YEAH.
>> WE ARE LIVE FROM NEW YORK
CITY.
169
00:04:23,731 --> 00:04:24,696
>> WE ARE LIVE FROM NEW YORK
CITY.
>> LOOK AT THAT WEDGIES GOT
170
00:04:24,698 --> 00:04:25,664
CITY.
>> LOOK AT THAT WEDGIES GOT
GOING.
171
00:04:25,666 --> 00:04:26,865
>> LOOK AT THAT WEDGIES GOT
GOING.
>> IF YOU TOLD ME HE WEIGHT A
172
00:04:26,867 --> 00:04:28,800
GOING.
>> IF YOU TOLD ME HE WEIGHT A
THOUSAND POUNDS, I WOULD TEND TO
173
00:04:28,802 --> 00:04:30,702
>> IF YOU TOLD ME HE WEIGHT A
THOUSAND POUNDS, I WOULD TEND TO
BELIEVE YOU.
174
00:04:30,704 --> 00:04:31,636
THOUSAND POUNDS, I WOULD TEND TO
BELIEVE YOU.
>> IT IS ALL GOODNESS IN THE
175
00:04:31,638 --> 00:04:33,405
BELIEVE YOU.
>> IT IS ALL GOODNESS IN THE
RING.
176
00:04:33,407 --> 00:04:34,472
>> IT IS ALL GOODNESS IN THE
RING.
YOU CAN MAKE FUN OUT OF HIM ALL
177
00:04:34,474 --> 00:04:35,474
RING.
YOU CAN MAKE FUN OUT OF HIM ALL
YOU LIKE, HIS OPPONENT DO NOT.
178
00:04:35,476 --> 00:04:36,775
YOU CAN MAKE FUN OUT OF HIM ALL
YOU LIKE, HIS OPPONENT DO NOT.
>> HE'S GOT HIS OWN
179
00:04:36,777 --> 00:04:40,445
YOU LIKE, HIS OPPONENT DO NOT.
>> HE'S GOT HIS OWN
GRAVITATIONAL POLE.
180
00:04:40,447 --> 00:04:42,481
>> HE'S GOT HIS OWN
GRAVITATIONAL POLE.
>> LET ME TELL YOU SOMETHING,
181
00:04:42,483 --> 00:04:44,816
GRAVITATIONAL POLE.
>> LET ME TELL YOU SOMETHING,
HE'S GOING AGAINST THE REAL
182
00:04:44,818 --> 00:04:45,650
>> LET ME TELL YOU SOMETHING,
HE'S GOING AGAINST THE REAL
TOUGH GUY, KOKO B.
183
00:04:45,652 --> 00:04:46,618
HE'S GOING AGAINST THE REAL
TOUGH GUY, KOKO B.
WARE.
184
00:04:46,620 --> 00:04:47,619
TOUGH GUY, KOKO B.
WARE.
HE DOESN'T HAVE FRANKIE WITH
185
00:04:47,621 --> 00:04:49,421
WARE.
HE DOESN'T HAVE FRANKIE WITH
HIM, I WONDER IF THAT'LL BE A
186
00:04:49,423 --> 00:04:50,389
HE DOESN'T HAVE FRANKIE WITH
HIM, I WONDER IF THAT'LL BE A
FACTOR.
187
00:04:50,391 --> 00:04:51,023
HIM, I WONDER IF THAT'LL BE A
FACTOR.
>> YEAH, WHERE IS FRANKIE?
188
00:04:51,025 --> 00:04:51,556
FACTOR.
>> YEAH, WHERE IS FRANKIE?
>> I HAVE NO IDEA.
189
00:04:51,558 --> 00:04:52,691
>> YEAH, WHERE IS FRANKIE?
>> I HAVE NO IDEA.
>> I DON'T THINK YOKOZUNA HAD A
190
00:04:52,693 --> 00:04:53,692
>> I HAVE NO IDEA.
>> I DON'T THINK YOKOZUNA HAD A
LITTLE SNACK BEFORE HE CAME OUT.
191
00:04:53,694 --> 00:04:54,626
>> I DON'T THINK YOKOZUNA HAD A
LITTLE SNACK BEFORE HE CAME OUT.
>> THAT WOULD BE A LITTLE SNACK
192
00:04:54,628 --> 00:04:56,594
LITTLE SNACK BEFORE HE CAME OUT.
>> THAT WOULD BE A LITTLE SNACK
FOR HIM.
193
00:04:56,596 --> 00:04:57,796
>> THAT WOULD BE A LITTLE SNACK
FOR HIM.
>> HEY, VINCE, DON'T REGULATIONS
194
00:04:57,798 --> 00:05:00,598
FOR HIM.
>> HEY, VINCE, DON'T REGULATIONS
INDICATE THAT YOKOZUNA SHOULD BE
195
00:05:00,600 --> 00:05:02,234
>> HEY, VINCE, DON'T REGULATIONS
INDICATE THAT YOKOZUNA SHOULD BE
WEARING A BRA?
196
00:05:02,236 --> 00:05:03,535
INDICATE THAT YOKOZUNA SHOULD BE
WEARING A BRA?
>> NOT HERE IN THE WORLD
197
00:05:03,537 --> 00:05:05,437
WEARING A BRA?
>> NOT HERE IN THE WORLD
WRESTLING ENTERTAINMENT,
198
00:05:05,439 --> 00:05:05,804
>> NOT HERE IN THE WORLD
WRESTLING ENTERTAINMENT,
CERTAINLY
199
00:05:05,806 --> 00:05:06,871
WRESTLING ENTERTAINMENT,
CERTAINLY
NOT ON MONDAY NIGHT RAW.
200
00:05:06,873 --> 00:05:08,340
CERTAINLY
NOT ON MONDAY NIGHT RAW.
ANYTHING GOES.
201
00:05:08,342 --> 00:05:09,173
NOT ON MONDAY NIGHT RAW.
ANYTHING GOES.
>> HE CAN WRESTLE BUT HE CAN'T
202
00:05:09,175 --> 00:05:11,276
ANYTHING GOES.
>> HE CAN WRESTLE BUT HE CAN'T
WALK THE BEACH.
203
00:05:11,278 --> 00:05:12,076
>> HE CAN WRESTLE BUT HE CAN'T
WALK THE BEACH.
>> IMAGINE THIS MAN COULD DO
204
00:05:12,078 --> 00:05:12,877
WALK THE BEACH.
>> IMAGINE THIS MAN COULD DO
ALMOST ANYTHING HE WANTS TO DO.
205
00:05:12,879 --> 00:05:14,479
>> IMAGINE THIS MAN COULD DO
ALMOST ANYTHING HE WANTS TO DO.
>> WHAT ARE YOU TALKING ABOUT,
206
00:05:14,481 --> 00:05:17,716
ALMOST ANYTHING HE WANTS TO DO.
>> WHAT ARE YOU TALKING ABOUT,
YOKO?
207
00:05:17,718 --> 00:05:18,717
>> WHAT ARE YOU TALKING ABOUT,
YOKO?
>> MR. FUJI [INDISTINCT]
208
00:05:18,719 --> 00:05:20,752
YOKO?
>> MR. FUJI [INDISTINCT]
WITH A NOD OF APPROVAL, AND BY
209
00:05:20,754 --> 00:05:21,786
>> MR. FUJI [INDISTINCT]
WITH A NOD OF APPROVAL, AND BY
THE WAY, YOKOZUNA IS HEADED TO
210
00:05:21,788 --> 00:05:24,489
WITH A NOD OF APPROVAL, AND BY
THE WAY, YOKOZUNA IS HEADED TO
THE ROYAL RUMBLE AS YOU ARE AS
211
00:05:24,491 --> 00:05:25,657
THE WAY, YOKOZUNA IS HEADED TO
THE ROYAL RUMBLE AS YOU ARE AS
WELL, MACHO MAN.
212
00:05:25,659 --> 00:05:26,758
THE ROYAL RUMBLE AS YOU ARE AS
WELL, MACHO MAN.
>> YOU BET AND I BET TOO WHEN
213
00:05:26,760 --> 00:05:28,460
WELL, MACHO MAN.
>> YOU BET AND I BET TOO WHEN
YOU GET HIM IN THE RING, IT'S
214
00:05:28,462 --> 00:05:29,728
>> YOU BET AND I BET TOO WHEN
YOU GET HIM IN THE RING, IT'S
GONNA BE HARD TO PUT THE 29
215
00:05:29,730 --> 00:05:31,129
YOU GET HIM IN THE RING, IT'S
GONNA BE HARD TO PUT THE 29
OTHER GUYS IN THERE TOO.
216
00:05:31,131 --> 00:05:32,531
GONNA BE HARD TO PUT THE 29
OTHER GUYS IN THERE TOO.
>> YEAH, NOT MUCH ROOM, MUCH
217
00:05:32,533 --> 00:05:33,465
OTHER GUYS IN THERE TOO.
>> YEAH, NOT MUCH ROOM, MUCH
LESS.
218
00:05:33,467 --> 00:05:34,366
>> YEAH, NOT MUCH ROOM, MUCH
LESS.
HOW ARE YOU GONNA GET A BIG MAN
219
00:05:34,368 --> 00:05:34,733
LESS.
HOW ARE YOU GONNA GET A BIG MAN
LIKE THAT OUT?
220
00:05:34,735 --> 00:05:35,901
HOW ARE YOU GONNA GET A BIG MAN
LIKE THAT OUT?
>> LOOK AT THIS, KOKO B.
221
00:05:35,903 --> 00:05:37,435
LIKE THAT OUT?
>> LOOK AT THIS, KOKO B.
WARE, SHOT BACK TO THE CORNER.
222
00:05:37,437 --> 00:05:38,670
>> LOOK AT THIS, KOKO B.
WARE, SHOT BACK TO THE CORNER.
>> I'VE NEVER SEEN KOKO B.
223
00:05:38,672 --> 00:05:40,772
WARE, SHOT BACK TO THE CORNER.
>> I'VE NEVER SEEN KOKO B.
WARE THROWN SO EASILY BEFORE.
224
00:05:40,774 --> 00:05:41,740
>> I'VE NEVER SEEN KOKO B.
WARE THROWN SO EASILY BEFORE.
I'M THINKING THAT HE'S GONNA
225
00:05:41,742 --> 00:05:43,542
WARE THROWN SO EASILY BEFORE.
I'M THINKING THAT HE'S GONNA
HAVE TO GET UP AND MAKE A BETTER
226
00:05:43,544 --> 00:05:45,744
I'M THINKING THAT HE'S GONNA
HAVE TO GET UP AND MAKE A BETTER
ACCOUNT FOR HIMSELF RIGHT NOW.
227
00:05:45,746 --> 00:05:47,712
HAVE TO GET UP AND MAKE A BETTER
ACCOUNT FOR HIMSELF RIGHT NOW.
>> KOKO QUITE A COMPETITOR, KOKO
228
00:05:47,714 --> 00:05:50,849
ACCOUNT FOR HIMSELF RIGHT NOW.
>> KOKO QUITE A COMPETITOR, KOKO
NORMALLY IN A TAG TEAM FASHION
229
00:05:50,851 --> 00:05:52,650
>> KOKO QUITE A COMPETITOR, KOKO
NORMALLY IN A TAG TEAM FASHION
JOINING OWEN HART AS HIGH
230
00:05:52,652 --> 00:05:53,685
NORMALLY IN A TAG TEAM FASHION
JOINING OWEN HART AS HIGH
ENERGY.
231
00:05:53,687 --> 00:05:54,786
JOINING OWEN HART AS HIGH
ENERGY.
>> OH, LOOK AT THAT.
232
00:05:54,788 --> 00:05:55,653
ENERGY.
>> OH, LOOK AT THAT.
>> KOKO, STAY DOWN.
233
00:05:55,655 --> 00:05:56,321
>> OH, LOOK AT THAT.
>> KOKO, STAY DOWN.
>> YEAH.
234
00:05:56,323 --> 00:05:58,623
>> KOKO, STAY DOWN.
>> YEAH.
>> DO YOURSELF A FAVOR, BABE.
235
00:05:58,625 --> 00:05:59,624
>> YEAH.
>> DO YOURSELF A FAVOR, BABE.
>> NO, HE'S A FIGHTER.
236
00:05:59,626 --> 00:06:00,024
>> DO YOURSELF A FAVOR, BABE.
>> NO, HE'S A FIGHTER.
HE'S A FIGHTER.
237
00:06:00,026 --> 00:06:00,592
>> NO, HE'S A FIGHTER.
HE'S A FIGHTER.
HE WILL GET THERE.
238
00:06:00,594 --> 00:06:02,694
HE'S A FIGHTER.
HE WILL GET THERE.
>> UNFORTUNATELY, KOKO'S TAG
239
00:06:02,696 --> 00:06:04,829
HE WILL GET THERE.
>> UNFORTUNATELY, KOKO'S TAG
TEAM PARTNER, OWEN HART SORT OF
240
00:06:04,831 --> 00:06:05,930
>> UNFORTUNATELY, KOKO'S TAG
TEAM PARTNER, OWEN HART SORT OF
RING IN A BIT OF THE INJURY IN
241
00:06:05,932 --> 00:06:06,598
TEAM PARTNER, OWEN HART SORT OF
RING IN A BIT OF THE INJURY IN
THE HANDS OF RAZOR RAMON
242
00:06:06,600 --> 00:06:07,866
RING IN A BIT OF THE INJURY IN
THE HANDS OF RAZOR RAMON
RECENTLY.
243
00:06:07,868 --> 00:06:09,501
THE HANDS OF RAZOR RAMON
RECENTLY.
>> RAZOR RAMON'S GOING AGAINST
244
00:06:09,503 --> 00:06:10,469
RECENTLY.
>> RAZOR RAMON'S GOING AGAINST
BRETT HART FOR THE WORLD TITLE,
245
00:06:10,471 --> 00:06:13,705
>> RAZOR RAMON'S GOING AGAINST
BRETT HART FOR THE WORLD TITLE,
LITTLE HISTORY THERE.
246
00:06:13,707 --> 00:06:14,672
BRETT HART FOR THE WORLD TITLE,
LITTLE HISTORY THERE.
>> AND LATER ON, IF WE STAY
247
00:06:14,674 --> 00:06:16,374
LITTLE HISTORY THERE.
>> AND LATER ON, IF WE STAY
HERE, WE WILL HAVE A SPECIAL
248
00:06:16,376 --> 00:06:18,410
>> AND LATER ON, IF WE STAY
HERE, WE WILL HAVE A SPECIAL
INTERVIEW WITH THE NUMBER ONE
249
00:06:18,412 --> 00:06:19,577
HERE, WE WILL HAVE A SPECIAL
INTERVIEW WITH THE NUMBER ONE
CONTENDER TO MEET BRETT HART AT
250
00:06:19,579 --> 00:06:21,646
INTERVIEW WITH THE NUMBER ONE
CONTENDER TO MEET BRETT HART AT
THE ROYAL RUMBLE, RAZOR RAMON.
251
00:06:21,648 --> 00:06:22,814
CONTENDER TO MEET BRETT HART AT
THE ROYAL RUMBLE, RAZOR RAMON.
BUT RIGHT NOW, KOKO B.
252
00:06:22,816 --> 00:06:24,382
THE ROYAL RUMBLE, RAZOR RAMON.
BUT RIGHT NOW, KOKO B.
WARE MUST FIGURE OUT YOKOZUNA.
253
00:06:24,384 --> 00:06:25,650
BUT RIGHT NOW, KOKO B.
WARE MUST FIGURE OUT YOKOZUNA.
IF YOU'RE KOKO, MACHO MAN, WHAT
254
00:06:25,652 --> 00:06:26,584
WARE MUST FIGURE OUT YOKOZUNA.
IF YOU'RE KOKO, MACHO MAN, WHAT
YOU DO?
255
00:06:26,586 --> 00:06:27,452
IF YOU'RE KOKO, MACHO MAN, WHAT
YOU DO?
OBVIOUSLY, YOU DON'T TRY THE
256
00:06:27,454 --> 00:06:28,420
YOU DO?
OBVIOUSLY, YOU DON'T TRY THE
POWER.
257
00:06:28,422 --> 00:06:29,621
OBVIOUSLY, YOU DON'T TRY THE
POWER.
>> IT'S TOO LATE TO LEAVE THE
258
00:06:29,623 --> 00:06:30,555
POWER.
>> IT'S TOO LATE TO LEAVE THE
BUILDING AND LEAVE THE ARENA AND
259
00:06:30,557 --> 00:06:31,289
>> IT'S TOO LATE TO LEAVE THE
BUILDING AND LEAVE THE ARENA AND
LEAVE THE STATE AND LEAVE THE
260
00:06:31,291 --> 00:06:32,524
BUILDING AND LEAVE THE ARENA AND
LEAVE THE STATE AND LEAVE THE
COUNTRY BECAUSE EVERYBODY'S
261
00:06:32,526 --> 00:06:33,691
LEAVE THE STATE AND LEAVE THE
COUNTRY BECAUSE EVERYBODY'S
WATCHING YOU LIVE.
262
00:06:33,693 --> 00:06:34,592
COUNTRY BECAUSE EVERYBODY'S
WATCHING YOU LIVE.
SO YOU GOT TO...
263
00:06:34,594 --> 00:06:36,461
WATCHING YOU LIVE.
SO YOU GOT TO...
>> WHAT A DROPKICK, MAYBE
264
00:06:36,463 --> 00:06:37,395
SO YOU GOT TO...
>> WHAT A DROPKICK, MAYBE
THAT'LL DO IT.
265
00:06:37,397 --> 00:06:38,730
>> WHAT A DROPKICK, MAYBE
THAT'LL DO IT.
ANOTHER ONE.
266
00:06:38,732 --> 00:06:39,464
THAT'LL DO IT.
ANOTHER ONE.
>> IT'S LIKE TO TRY TO STEP A
267
00:06:39,466 --> 00:06:40,799
ANOTHER ONE.
>> IT'S LIKE TO TRY TO STEP A
BATTLESHIP WITH A SLING SHOT.
268
00:06:40,801 --> 00:06:41,699
>> IT'S LIKE TO TRY TO STEP A
BATTLESHIP WITH A SLING SHOT.
>> HE STAGGERED HIM.
269
00:06:41,701 --> 00:06:45,703
BATTLESHIP WITH A SLING SHOT.
>> HE STAGGERED HIM.
>> OH, KOKO'S HURT.
270
00:06:45,705 --> 00:06:46,704
>> HE STAGGERED HIM.
>> OH, KOKO'S HURT.
>> KOKO B.
271
00:06:46,706 --> 00:06:49,607
>> OH, KOKO'S HURT.
>> KOKO B.
WARE WITH A GALLANT EFFORT A
272
00:06:49,609 --> 00:06:50,708
>> KOKO B.
WARE WITH A GALLANT EFFORT A
MOMENT AGO AND LOOK OUT.
273
00:06:50,710 --> 00:06:51,309
WARE WITH A GALLANT EFFORT A
MOMENT AGO AND LOOK OUT.
>> YOU BETTER WATCH IT.
274
00:06:51,311 --> 00:06:53,678
MOMENT AGO AND LOOK OUT.
>> YOU BETTER WATCH IT.
>> NO, NO, NO.
275
00:06:53,680 --> 00:06:55,747
>> YOU BETTER WATCH IT.
>> NO, NO, NO.
>> IS THAT A BUTT DROP?
276
00:06:55,749 --> 00:06:56,781
>> NO, NO, NO.
>> IS THAT A BUTT DROP?
>> I DON'T KNOW WHAT IT IS.
277
00:06:56,783 --> 00:06:57,715
>> IS THAT A BUTT DROP?
>> I DON'T KNOW WHAT IT IS.
NORMALLY, YOU CONSIDER THAT A
278
00:06:57,717 --> 00:07:01,252
>> I DON'T KNOW WHAT IT IS.
NORMALLY, YOU CONSIDER THAT A
LEG DROP.
279
00:07:01,254 --> 00:07:02,254
NORMALLY, YOU CONSIDER THAT A
LEG DROP.
>> YOU CAN NAME IT ANYTHING YOU
280
00:07:02,256 --> 00:07:02,988
LEG DROP.
>> YOU CAN NAME IT ANYTHING YOU
WANT RIGHT THERE, UNBELIEVABLE.
281
00:07:02,990 --> 00:07:03,522
>> YOU CAN NAME IT ANYTHING YOU
WANT RIGHT THERE, UNBELIEVABLE.
>> APPARENTLY, THERE'S NO
282
00:07:03,524 --> 00:07:04,456
WANT RIGHT THERE, UNBELIEVABLE.
>> APPARENTLY, THERE'S NO
JAPANESE WORD FOR LEFTOVER,
283
00:07:04,458 --> 00:07:05,356
>> APPARENTLY, THERE'S NO
JAPANESE WORD FOR LEFTOVER,
VINCE.
284
00:07:05,358 --> 00:07:06,224
JAPANESE WORD FOR LEFTOVER,
VINCE.
>> I SUPPOSE NOT.
285
00:07:06,226 --> 00:07:07,692
VINCE.
>> I SUPPOSE NOT.
KOKO B.
286
00:07:07,694 --> 00:07:08,760
>> I SUPPOSE NOT.
KOKO B.
WARE SUFFERING THE EFFECT OF
287
00:07:08,762 --> 00:07:10,662
KOKO B.
WARE SUFFERING THE EFFECT OF
THAT LEG DROP BY A 505-POUNDER
288
00:07:10,664 --> 00:07:11,796
WARE SUFFERING THE EFFECT OF
THAT LEG DROP BY A 505-POUNDER
JUST A MOMENT AGO.
289
00:07:11,798 --> 00:07:12,730
THAT LEG DROP BY A 505-POUNDER
JUST A MOMENT AGO.
>> COME ON REF, GET IN THERE,
290
00:07:12,732 --> 00:07:14,432
JUST A MOMENT AGO.
>> COME ON REF, GET IN THERE,
PLAIN CHOKEHOLD.
291
00:07:14,434 --> 00:07:16,868
>> COME ON REF, GET IN THERE,
PLAIN CHOKEHOLD.
KOKO BACK TO THE BUCKLE.
292
00:07:16,870 --> 00:07:18,470
PLAIN CHOKEHOLD.
KOKO BACK TO THE BUCKLE.
>> AND UH-OH.
293
00:07:18,472 --> 00:07:20,705
KOKO BACK TO THE BUCKLE.
>> AND UH-OH.
WAIT A MINUTE NOW.
294
00:07:20,707 --> 00:07:23,608
>> AND UH-OH.
WAIT A MINUTE NOW.
>> YOKOZUNA WITH A HEAD OF
295
00:07:23,610 --> 00:07:25,376
WAIT A MINUTE NOW.
>> YOKOZUNA WITH A HEAD OF
STEAL, HERE HE COMES.
296
00:07:25,378 --> 00:07:32,484
>> YOKOZUNA WITH A HEAD OF
STEAL, HERE HE COMES.
OH, FORGET ABOUT IT.
297
00:07:32,486 --> 00:07:33,518
STEAL, HERE HE COMES.
OH, FORGET ABOUT IT.
>> KOKO B.
298
00:07:33,520 --> 00:07:34,653
OH, FORGET ABOUT IT.
>> KOKO B.
WARE DOWN THE CANVAS.
299
00:07:34,655 --> 00:07:36,221
>> KOKO B.
WARE DOWN THE CANVAS.
GET UP FROM THERE.
300
00:07:36,223 --> 00:07:37,556
WARE DOWN THE CANVAS.
GET UP FROM THERE.
>> NO, PLEASE DON'T.
301
00:07:37,558 --> 00:07:38,757
GET UP FROM THERE.
>> NO, PLEASE DON'T.
>> GET UP FROM THERE KOKO, YOU
302
00:07:38,759 --> 00:07:40,458
>> NO, PLEASE DON'T.
>> GET UP FROM THERE KOKO, YOU
BETTER BE MOVING OUT OF THE WAY.
303
00:07:40,460 --> 00:07:41,259
>> GET UP FROM THERE KOKO, YOU
BETTER BE MOVING OUT OF THE WAY.
>> KOKO.
304
00:07:41,261 --> 00:07:42,460
BETTER BE MOVING OUT OF THE WAY.
>> KOKO.
>> THERE'S ABOUT TO BE AN
305
00:07:42,462 --> 00:07:43,695
>> KOKO.
>> THERE'S ABOUT TO BE AN
EARTHQUAKE HERE IN NEW YORK
306
00:07:43,697 --> 00:07:46,431
>> THERE'S ABOUT TO BE AN
EARTHQUAKE HERE IN NEW YORK
CITY.
307
00:07:46,433 --> 00:07:50,835
EARTHQUAKE HERE IN NEW YORK
CITY.
>> OH, NO.
308
00:07:50,837 --> 00:07:51,836
CITY.
>> OH, NO.
>> [BELL RINGING]
309
00:07:51,838 --> 00:07:53,471
>> OH, NO.
>> [BELL RINGING]
>> MY GOODNESS, RECORD PLAYER
310
00:07:53,473 --> 00:07:55,640
>> [BELL RINGING]
>> MY GOODNESS, RECORD PLAYER
JUST SKIPPED IN GUAM.
311
00:07:55,642 --> 00:07:57,442
>> MY GOODNESS, RECORD PLAYER
JUST SKIPPED IN GUAM.
>> YOU COULD SLIDE KOKO B.
312
00:07:57,444 --> 00:07:58,510
JUST SKIPPED IN GUAM.
>> YOU COULD SLIDE KOKO B.
WARE UNDER THE DRESSING ROOM
313
00:07:58,512 --> 00:08:01,579
>> YOU COULD SLIDE KOKO B.
WARE UNDER THE DRESSING ROOM
DOOR RIGHT NOW.
314
00:08:01,581 --> 00:08:04,316
WARE UNDER THE DRESSING ROOM
DOOR RIGHT NOW.
>> YOKOZUNA VICTORIOUS.
315
00:08:04,318 --> 00:08:05,550
DOOR RIGHT NOW.
>> YOKOZUNA VICTORIOUS.
WITH MOMENTUM HE HAS FOR THE
316
00:08:05,552 --> 00:08:07,485
>> YOKOZUNA VICTORIOUS.
WITH MOMENTUM HE HAS FOR THE
ROYAL RUMBLE, ONE OF THE 30
317
00:08:07,487 --> 00:08:08,687
WITH MOMENTUM HE HAS FOR THE
ROYAL RUMBLE, ONE OF THE 30
PARTICIPANTS IN THE OVER THE TOP
318
00:08:08,689 --> 00:08:12,624
ROYAL RUMBLE, ONE OF THE 30
PARTICIPANTS IN THE OVER THE TOP
ROYAL RUMBLE WHERE ONE OF WHICH
319
00:08:12,626 --> 00:08:14,592
PARTICIPANTS IN THE OVER THE TOP
ROYAL RUMBLE WHERE ONE OF WHICH
MEETS THE CHAMPION, WHOM EVER HE
320
00:08:14,594 --> 00:08:15,493
ROYAL RUMBLE WHERE ONE OF WHICH
MEETS THE CHAMPION, WHOM EVER HE
MAY BE, THE WWE CHAMPION AT
321
00:08:15,495 --> 00:08:16,261
MEETS THE CHAMPION, WHOM EVER HE
MAY BE, THE WWE CHAMPION AT
WRESTLEMANIA.
322
00:08:16,263 --> 00:08:17,529
MAY BE, THE WWE CHAMPION AT
WRESTLEMANIA.
RIGHT NOW, LET'S GO BACK AND
323
00:08:17,531 --> 00:08:17,995
WRESTLEMANIA.
RIGHT NOW, LET'S GO BACK AND
TAKE ANOTHER LOOK.
324
00:08:17,997 --> 00:08:19,697
RIGHT NOW, LET'S GO BACK AND
TAKE ANOTHER LOOK.
YOKOZUNA, NOW, TAKE A LOOK AT
325
00:08:19,699 --> 00:08:20,665
TAKE ANOTHER LOOK.
YOKOZUNA, NOW, TAKE A LOOK AT
THIS.
326
00:08:20,667 --> 00:08:22,534
YOKOZUNA, NOW, TAKE A LOOK AT
THIS.
>> ALL RIGHT, ROB.
327
00:08:22,536 --> 00:08:23,501
THIS.
>> ALL RIGHT, ROB.
>> OH, MAN.
328
00:08:23,503 --> 00:08:24,402
>> ALL RIGHT, ROB.
>> OH, MAN.
>> WHAT DO YOU THINK?
329
00:08:24,404 --> 00:08:25,503
>> OH, MAN.
>> WHAT DO YOU THINK?
>> I THINK IF HE JUST SKIPPED A
330
00:08:25,505 --> 00:08:26,404
>> WHAT DO YOU THINK?
>> I THINK IF HE JUST SKIPPED A
FEW LUNCHES, HE WOULDN'T NEED TO
331
00:08:26,406 --> 00:08:27,839
>> I THINK IF HE JUST SKIPPED A
FEW LUNCHES, HE WOULDN'T NEED TO
DO THAT HEADLOCK ON HUNGER.
332
00:08:27,841 --> 00:08:28,773
FEW LUNCHES, HE WOULDN'T NEED TO
DO THAT HEADLOCK ON HUNGER.
>> YEAH, WELL...
333
00:08:28,775 --> 00:08:30,441
DO THAT HEADLOCK ON HUNGER.
>> YEAH, WELL...
>> THAT'S JUST [INDISTINCT]
334
00:08:30,443 --> 00:08:33,545
>> YEAH, WELL...
>> THAT'S JUST [INDISTINCT]
>> YOKOZUNA, QUITE A PERFORMER
335
00:08:33,547 --> 00:08:35,313
>> THAT'S JUST [INDISTINCT]
>> YOKOZUNA, QUITE A PERFORMER
ON HIS WAY TO SACRAMENTO,
336
00:08:35,315 --> 00:08:36,481
>> YOKOZUNA, QUITE A PERFORMER
ON HIS WAY TO SACRAMENTO,
CALIFORNIA FOR THE RUMBLE.
337
00:08:36,483 --> 00:08:39,117
ON HIS WAY TO SACRAMENTO,
CALIFORNIA FOR THE RUMBLE.
>> ON JANUARY 24TH, THE CROWD
338
00:08:39,119 --> 00:08:40,652
CALIFORNIA FOR THE RUMBLE.
>> ON JANUARY 24TH, THE CROWD
WILL SHAKE.
339
00:08:40,654 --> 00:08:44,556
>> ON JANUARY 24TH, THE CROWD
WILL SHAKE.
THE EARTH WILL RUMBLE.
340
00:08:44,558 --> 00:08:46,724
WILL SHAKE.
THE EARTH WILL RUMBLE.
THE ROYAL RUMBLE.
341
00:08:46,726 --> 00:08:47,892
THE EARTH WILL RUMBLE.
THE ROYAL RUMBLE.
THIRTY SUPERSTAR WRESTLERS OF
342
00:08:47,894 --> 00:08:49,694
THE ROYAL RUMBLE.
THIRTY SUPERSTAR WRESTLERS OF
WWE BANG HEADS IN THE WINNER
343
00:08:49,696 --> 00:08:51,629
THIRTY SUPERSTAR WRESTLERS OF
WWE BANG HEADS IN THE WINNER
TAKE ALL RUMBLE.
344
00:08:51,631 --> 00:08:53,498
WWE BANG HEADS IN THE WINNER
TAKE ALL RUMBLE.
THIRTY WRESTLERS, ONE RING,
345
00:08:53,500 --> 00:08:55,600
TAKE ALL RUMBLE.
THIRTY WRESTLERS, ONE RING,
SOMETHING'S GOT TO GIVE.
346
00:08:55,602 --> 00:08:56,868
THIRTY WRESTLERS, ONE RING,
SOMETHING'S GOT TO GIVE.
AND IN THE CHAMPIONSHIP MATCH,
347
00:08:56,870 --> 00:08:57,902
SOMETHING'S GOT TO GIVE.
AND IN THE CHAMPIONSHIP MATCH,
BRETT "THE HITMAN" HART PUTS HIS
348
00:08:57,904 --> 00:08:59,437
AND IN THE CHAMPIONSHIP MATCH,
BRETT "THE HITMAN" HART PUTS HIS
TITLE ON THE LINE WHEN HE
349
00:08:59,439 --> 00:09:00,672
BRETT "THE HITMAN" HART PUTS HIS
TITLE ON THE LINE WHEN HE
BATTLES THE RUTHLESS, RAZOR
350
00:09:00,674 --> 00:09:01,639
TITLE ON THE LINE WHEN HE
BATTLES THE RUTHLESS, RAZOR
RAMON.
351
00:09:01,641 --> 00:09:04,342
BATTLES THE RUTHLESS, RAZOR
RAMON.
THE ROYAL RUMBLE, LIVE SUNDAY,
352
00:09:04,344 --> 00:09:09,948
RAMON.
THE ROYAL RUMBLE, LIVE SUNDAY,
JANUARY 24TH ON PAY-PER-VIEW.
353
00:09:09,950 --> 00:09:10,549
THE ROYAL RUMBLE, LIVE SUNDAY,
JANUARY 24TH ON PAY-PER-VIEW.
>> [CROWD CHEERING]
354
00:09:10,551 --> 00:09:13,918
JANUARY 24TH ON PAY-PER-VIEW.
>> [CROWD CHEERING]
>> WE ARE BACK WITH MORE MONDAY
355
00:09:13,920 --> 00:09:15,520
>> [CROWD CHEERING]
>> WE ARE BACK WITH MORE MONDAY
NIGHT RAW AND WE'RE HAVING AT
356
00:09:15,522 --> 00:09:16,454
>> WE ARE BACK WITH MORE MONDAY
NIGHT RAW AND WE'RE HAVING AT
LAST...
357
00:09:16,456 --> 00:09:16,821
NIGHT RAW AND WE'RE HAVING AT
LAST...
>> OH, HELLO.
358
00:09:16,823 --> 00:09:18,489
LAST...
>> OH, HELLO.
>> LOOK AT THAT, LOOK AT THAT.
359
00:09:18,491 --> 00:09:19,357
>> OH, HELLO.
>> LOOK AT THAT, LOOK AT THAT.
>> AND IF YOU DIDN'T KNOW, THIS
360
00:09:19,359 --> 00:09:20,658
>> LOOK AT THAT, LOOK AT THAT.
>> AND IF YOU DIDN'T KNOW, THIS
IS MONDAY NIGHT RAW.
361
00:09:20,660 --> 00:09:21,593
>> AND IF YOU DIDN'T KNOW, THIS
IS MONDAY NIGHT RAW.
YOU'RE CERTAINLY GETTING
362
00:09:21,595 --> 00:09:22,460
IS MONDAY NIGHT RAW.
YOU'RE CERTAINLY GETTING
REINFORCED WITH THE LITTLE LADY
363
00:09:22,462 --> 00:09:23,495
YOU'RE CERTAINLY GETTING
REINFORCED WITH THE LITTLE LADY
IN THE RING THAT TELLS YOU IT IS
364
00:09:23,497 --> 00:09:24,329
REINFORCED WITH THE LITTLE LADY
IN THE RING THAT TELLS YOU IT IS
MONDAY NIGHT RAW UNCUT.
365
00:09:24,331 --> 00:09:25,563
IN THE RING THAT TELLS YOU IT IS
MONDAY NIGHT RAW UNCUT.
>> I'M GLAD I GOT X-RAY VISION.
366
00:09:25,565 --> 00:09:27,665
MONDAY NIGHT RAW UNCUT.
>> I'M GLAD I GOT X-RAY VISION.
>> UNCENSORED.
367
00:09:27,667 --> 00:09:28,700
>> I'M GLAD I GOT X-RAY VISION.
>> UNCENSORED.
>> IN JUST A FEW MOMENT, WE'RE
368
00:09:28,702 --> 00:09:30,435
>> UNCENSORED.
>> IN JUST A FEW MOMENT, WE'RE
GONNA TAKE YOU TO--SINCE BOBBY
369
00:09:30,437 --> 00:09:31,536
>> IN JUST A FEW MOMENT, WE'RE
GONNA TAKE YOU TO--SINCE BOBBY
"THE BRAIN" HEENAN IS ON THE
370
00:09:31,538 --> 00:09:32,470
GONNA TAKE YOU TO--SINCE BOBBY
"THE BRAIN" HEENAN IS ON THE
OUTSIDE AND APPARENTLY, CANNOT
371
00:09:32,472 --> 00:09:33,738
"THE BRAIN" HEENAN IS ON THE
OUTSIDE AND APPARENTLY, CANNOT
MAKE IT IN ON THE INSIDE,
372
00:09:33,740 --> 00:09:34,672
OUTSIDE AND APPARENTLY, CANNOT
MAKE IT IN ON THE INSIDE,
NONETHELESS, FOR ALL YOU BOBBY
373
00:09:34,674 --> 00:09:36,474
MAKE IT IN ON THE INSIDE,
NONETHELESS, FOR ALL YOU BOBBY
"THE BRAIN" HEENAN FANS, LET'S
374
00:09:36,476 --> 00:09:37,809
NONETHELESS, FOR ALL YOU BOBBY
"THE BRAIN" HEENAN FANS, LET'S
TAKE YOU TO BOBBY "THE BRAIN"
375
00:09:37,811 --> 00:09:39,477
"THE BRAIN" HEENAN FANS, LET'S
TAKE YOU TO BOBBY "THE BRAIN"
HEENAN VIA VIDEOTAPE, HE'S
376
00:09:39,479 --> 00:09:41,479
TAKE YOU TO BOBBY "THE BRAIN"
HEENAN VIA VIDEOTAPE, HE'S
PICKING UP, NARCISSIST.
377
00:09:41,481 --> 00:09:43,848
HEENAN VIA VIDEOTAPE, HE'S
PICKING UP, NARCISSIST.
>> HEY, MR. PERFECT, I HEARD
378
00:09:43,850 --> 00:09:45,416
PICKING UP, NARCISSIST.
>> HEY, MR. PERFECT, I HEARD
YOU'RE ASKING QUESTIONS OF THE
379
00:09:45,418 --> 00:09:48,386
>> HEY, MR. PERFECT, I HEARD
YOU'RE ASKING QUESTIONS OF THE
OTHER WRESTLERS.
380
00:09:48,388 --> 00:09:50,555
YOU'RE ASKING QUESTIONS OF THE
OTHER WRESTLERS.
HEY, WHO IS THIS GUY NARCISSIST?
381
00:09:50,557 --> 00:09:53,358
OTHER WRESTLERS.
HEY, WHO IS THIS GUY NARCISSIST?
WHAT DO YOU KNOW ABOUT HIM?
382
00:09:53,360 --> 00:09:57,695
HEY, WHO IS THIS GUY NARCISSIST?
WHAT DO YOU KNOW ABOUT HIM?
IS HE TRULY BEYOND PERFECT?
383
00:09:57,697 --> 00:09:59,564
WHAT DO YOU KNOW ABOUT HIM?
IS HE TRULY BEYOND PERFECT?
IS IT POSSIBLE FOR ANYONE TO
384
00:09:59,566 --> 00:10:01,432
IS HE TRULY BEYOND PERFECT?
IS IT POSSIBLE FOR ANYONE TO
HAVE THOSE QUALITIES SUPERIOR TO
385
00:10:01,434 --> 00:10:03,501
IS IT POSSIBLE FOR ANYONE TO
HAVE THOSE QUALITIES SUPERIOR TO
MINE?
386
00:10:03,503 --> 00:10:04,569
HAVE THOSE QUALITIES SUPERIOR TO
MINE?
WELL, LET ME ANSWER YOUR
387
00:10:04,571 --> 00:10:06,437
MINE?
WELL, LET ME ANSWER YOUR
QUESTIONS, MR. PERFECT.
388
00:10:06,439 --> 00:10:08,506
WELL, LET ME ANSWER YOUR
QUESTIONS, MR. PERFECT.
COMPARING YOU TO NARCISSIST
389
00:10:08,508 --> 00:10:10,341
QUESTIONS, MR. PERFECT.
COMPARING YOU TO NARCISSIST
WOULD BE LIKE COMPARING ICE
390
00:10:10,343 --> 00:10:13,411
COMPARING YOU TO NARCISSIST
WOULD BE LIKE COMPARING ICE
CREAM TO HORSE MANURE.
391
00:10:13,413 --> 00:10:16,648
WOULD BE LIKE COMPARING ICE
CREAM TO HORSE MANURE.
NOW, I KNOW HORSE MANOR HAS HIS
392
00:10:16,650 --> 00:10:17,849
CREAM TO HORSE MANURE.
NOW, I KNOW HORSE MANOR HAS HIS
PLACE IN THIS WORLD, EVEN
393
00:10:17,851 --> 00:10:20,785
NOW, I KNOW HORSE MANOR HAS HIS
PLACE IN THIS WORLD, EVEN
PERFECT HORSE MANOR.
394
00:10:20,787 --> 00:10:24,822
PLACE IN THIS WORLD, EVEN
PERFECT HORSE MANOR.
BUT PERFECT, THERE IS ONLY ROOM
395
00:10:24,824 --> 00:10:27,659
PERFECT HORSE MANOR.
BUT PERFECT, THERE IS ONLY ROOM
IN HIS WORLD FOR ONE HUMAN,
396
00:10:27,661 --> 00:10:29,894
BUT PERFECT, THERE IS ONLY ROOM
IN HIS WORLD FOR ONE HUMAN,
BEING THAT IS TRULY ANATOMICALLY
397
00:10:29,896 --> 00:10:31,596
IN HIS WORLD FOR ONE HUMAN,
BEING THAT IS TRULY ANATOMICALLY
PERFECT.
398
00:10:31,598 --> 00:10:33,931
BEING THAT IS TRULY ANATOMICALLY
PERFECT.
THAT IS PHYSICALLY AND MENTALLY
399
00:10:33,933 --> 00:10:35,967
PERFECT.
THAT IS PHYSICALLY AND MENTALLY
SUPERIOR BEYOND IMAGINATION.
400
00:10:35,969 --> 00:10:37,736
THAT IS PHYSICALLY AND MENTALLY
SUPERIOR BEYOND IMAGINATION.
WHY RIC FLAIR AND I BOTH AGREED
401
00:10:37,738 --> 00:10:41,472
SUPERIOR BEYOND IMAGINATION.
WHY RIC FLAIR AND I BOTH AGREED
THAT MICHAEL ANGELO COULD NOT
402
00:10:41,474 --> 00:10:43,508
WHY RIC FLAIR AND I BOTH AGREED
THAT MICHAEL ANGELO COULD NOT
CAPTURE ON CANVAS THE STUPENDOUS
403
00:10:43,510 --> 00:10:44,509
THAT MICHAEL ANGELO COULD NOT
CAPTURE ON CANVAS THE STUPENDOUS
QUALITIES OF NARCISSIST.
404
00:10:44,511 --> 00:10:47,612
CAPTURE ON CANVAS THE STUPENDOUS
QUALITIES OF NARCISSIST.
HE COULD NOT SCULPT FROM MARBLE
405
00:10:47,614 --> 00:10:48,980
QUALITIES OF NARCISSIST.
HE COULD NOT SCULPT FROM MARBLE
THE METAMORPHIC QUALITIES OF
406
00:10:48,982 --> 00:10:51,416
HE COULD NOT SCULPT FROM MARBLE
THE METAMORPHIC QUALITIES OF
NARCISSIST.
407
00:10:51,418 --> 00:10:52,550
THE METAMORPHIC QUALITIES OF
NARCISSIST.
WHY NARCISSIST IS SO BEYOND
408
00:10:52,552 --> 00:10:54,552
NARCISSIST.
WHY NARCISSIST IS SO BEYOND
PERFECT JUST LIKE HE'S FROM
409
00:10:54,554 --> 00:10:55,653
WHY NARCISSIST IS SO BEYOND
PERFECT JUST LIKE HE'S FROM
ANOTHER GALAXY.
410
00:10:55,655 --> 00:10:58,923
PERFECT JUST LIKE HE'S FROM
ANOTHER GALAXY.
SO MR. PERFECT, WHEN YOU SEE ME
411
00:10:58,925 --> 00:11:02,360
ANOTHER GALAXY.
SO MR. PERFECT, WHEN YOU SEE ME
UNVEIL NARCISSIST AT THE ROYAL
412
00:11:02,362 --> 00:11:04,295
SO MR. PERFECT, WHEN YOU SEE ME
UNVEIL NARCISSIST AT THE ROYAL
RUMBLE, YOU ARE GOING TO THINK
413
00:11:04,297 --> 00:11:06,864
UNVEIL NARCISSIST AT THE ROYAL
RUMBLE, YOU ARE GOING TO THINK
IF YOU CAN, THAT NARCISSIST IS
414
00:11:06,866 --> 00:11:12,437
RUMBLE, YOU ARE GOING TO THINK
IF YOU CAN, THAT NARCISSIST IS
FROM ANOTHER WORLD.
415
00:11:12,439 --> 00:11:12,837
IF YOU CAN, THAT NARCISSIST IS
FROM ANOTHER WORLD.
>> [BELL RINGING]
416
00:11:12,839 --> 00:11:13,538
FROM ANOTHER WORLD.
>> [BELL RINGING]
>> WELL, I MIGHT SAY, I'M
417
00:11:13,540 --> 00:11:14,439
>> [BELL RINGING]
>> WELL, I MIGHT SAY, I'M
LOOKING FORWARD TO THE UNVEILING
418
00:11:14,441 --> 00:11:16,741
>> WELL, I MIGHT SAY, I'M
LOOKING FORWARD TO THE UNVEILING
OF NARCISSIST.
419
00:11:16,743 --> 00:11:18,509
LOOKING FORWARD TO THE UNVEILING
OF NARCISSIST.
OBVIOUSLY, THE WORD BRAIN IS
420
00:11:18,511 --> 00:11:19,510
OF NARCISSIST.
OBVIOUSLY, THE WORD BRAIN IS
USED LOOSELY THERE, VINCE.
421
00:11:19,512 --> 00:11:21,713
OBVIOUSLY, THE WORD BRAIN IS
USED LOOSELY THERE, VINCE.
>> I SUPPOSE.
422
00:11:21,715 --> 00:11:23,414
USED LOOSELY THERE, VINCE.
>> I SUPPOSE.
>> HE'S ON THE OUTSIDE AND
423
00:11:23,416 --> 00:11:24,683
>> I SUPPOSE.
>> HE'S ON THE OUTSIDE AND
YOU'RE ON THE INSIDE ROB, THAT'S
424
00:11:24,685 --> 00:11:25,850
>> HE'S ON THE OUTSIDE AND
YOU'RE ON THE INSIDE ROB, THAT'S
HANDS UP.
425
00:11:25,852 --> 00:11:27,418
YOU'RE ON THE INSIDE ROB, THAT'S
HANDS UP.
AGAIN, TAKE A LOOK AT THIS TAG
426
00:11:27,420 --> 00:11:29,587
HANDS UP.
AGAIN, TAKE A LOOK AT THIS TAG
TEAM COMING IN.
427
00:11:29,589 --> 00:11:33,625
AGAIN, TAKE A LOOK AT THIS TAG
TEAM COMING IN.
>> THE STEINER BROTHERS.
428
00:11:33,627 --> 00:11:35,359
TEAM COMING IN.
>> THE STEINER BROTHERS.
>> NICE PANTS.
429
00:11:35,361 --> 00:11:36,561
>> THE STEINER BROTHERS.
>> NICE PANTS.
>> ALL AMERICAN FROM THE
430
00:11:36,563 --> 00:11:37,662
>> NICE PANTS.
>> ALL AMERICAN FROM THE
UNIVERSITY OF MICHIGAN, THEY'RE
431
00:11:37,664 --> 00:11:38,563
>> ALL AMERICAN FROM THE
UNIVERSITY OF MICHIGAN, THEY'RE
GETTING READY FOR THE ROYAL
432
00:11:38,565 --> 00:11:40,398
UNIVERSITY OF MICHIGAN, THEY'RE
GETTING READY FOR THE ROYAL
RUMBLE AND THEY'RE GOING AGAINST
433
00:11:40,400 --> 00:11:42,834
GETTING READY FOR THE ROYAL
RUMBLE AND THEY'RE GOING AGAINST
THE BEVERLY BROTHERS.
434
00:11:42,836 --> 00:11:43,634
RUMBLE AND THEY'RE GOING AGAINST
THE BEVERLY BROTHERS.
>> WHAT A TAG TEAM MATCH THAT'S
435
00:11:43,636 --> 00:11:46,638
THE BEVERLY BROTHERS.
>> WHAT A TAG TEAM MATCH THAT'S
GONNA BE.
436
00:11:46,640 --> 00:11:47,672
>> WHAT A TAG TEAM MATCH THAT'S
GONNA BE.
>> NOW, WHO'S THE ONE WITH THE
437
00:11:47,674 --> 00:11:48,673
GONNA BE.
>> NOW, WHO'S THE ONE WITH THE
HEADGEAR, RICK OR SCOTT?
438
00:11:48,675 --> 00:11:51,476
>> NOW, WHO'S THE ONE WITH THE
HEADGEAR, RICK OR SCOTT?
>> MACHO.
439
00:11:51,478 --> 00:11:53,745
HEADGEAR, RICK OR SCOTT?
>> MACHO.
>> [BELL RINGING]
440
00:11:53,747 --> 00:11:54,846
>> MACHO.
>> [BELL RINGING]
>> WELL, LET'S SEE, THE ONE IN
441
00:11:54,848 --> 00:11:55,513
>> [BELL RINGING]
>> WELL, LET'S SEE, THE ONE IN
THE MIDDLE.
442
00:11:55,515 --> 00:11:56,814
>> WELL, LET'S SEE, THE ONE IN
THE MIDDLE.
IT'S RICK.
443
00:11:56,816 --> 00:11:59,951
THE MIDDLE.
IT'S RICK.
NO, I'M JUST KIDDING WITH YOU.
444
00:11:59,953 --> 00:12:01,652
IT'S RICK.
NO, I'M JUST KIDDING WITH YOU.
I'M KIDDING BUT I'M NOT JOKING.
445
00:12:01,654 --> 00:12:02,687
NO, I'M JUST KIDDING WITH YOU.
I'M KIDDING BUT I'M NOT JOKING.
>> WELL, I'LL TELL YOU WHAT,
446
00:12:02,689 --> 00:12:03,688
I'M KIDDING BUT I'M NOT JOKING.
>> WELL, I'LL TELL YOU WHAT,
IT'S VERY EASY TO TELL THE
447
00:12:03,690 --> 00:12:04,689
>> WELL, I'LL TELL YOU WHAT,
IT'S VERY EASY TO TELL THE
STEINER'S APART BUT HOW DO YOU
448
00:12:04,691 --> 00:12:08,292
IT'S VERY EASY TO TELL THE
STEINER'S APART BUT HOW DO YOU
TELL THESE EXECUTIONERS APART?
449
00:12:08,294 --> 00:12:09,961
STEINER'S APART BUT HOW DO YOU
TELL THESE EXECUTIONERS APART?
>> VERY, VERY CLOSE TO THE SAME
450
00:12:09,963 --> 00:12:10,895
TELL THESE EXECUTIONERS APART?
>> VERY, VERY CLOSE TO THE SAME
SIZE.
451
00:12:10,897 --> 00:12:12,764
>> VERY, VERY CLOSE TO THE SAME
SIZE.
WAIT A MINUTE, WHO'S THAT IN
452
00:12:12,766 --> 00:12:14,532
SIZE.
WAIT A MINUTE, WHO'S THAT IN
THE--THAT'S A--THAT'S THAT GOOFY
453
00:12:14,534 --> 00:12:15,667
WAIT A MINUTE, WHO'S THAT IN
THE--THAT'S A--THAT'S THAT GOOFY
CLOWN IN THE BACKGROUND IF YOU
454
00:12:15,669 --> 00:12:16,534
THE--THAT'S A--THAT'S THAT GOOFY
CLOWN IN THE BACKGROUND IF YOU
SEE.
455
00:12:16,536 --> 00:12:17,468
CLOWN IN THE BACKGROUND IF YOU
SEE.
OH, YES.
456
00:12:17,470 --> 00:12:18,936
SEE.
OH, YES.
WHAT A MANEUVER BY SCOTT
457
00:12:18,938 --> 00:12:24,742
OH, YES.
WHAT A MANEUVER BY SCOTT
STEINER.
458
00:12:24,744 --> 00:12:26,344
WHAT A MANEUVER BY SCOTT
STEINER.
>> THE STEINER BROTHERS TAKING
459
00:12:26,346 --> 00:12:28,780
STEINER.
>> THE STEINER BROTHERS TAKING
THE WWE BY STORM IN THE TAG TEAM
460
00:12:28,782 --> 00:12:32,450
>> THE STEINER BROTHERS TAKING
THE WWE BY STORM IN THE TAG TEAM
WORLD.
461
00:12:32,452 --> 00:12:33,885
THE WWE BY STORM IN THE TAG TEAM
WORLD.
>> TAG TEAM SITUATION IS HEATING
462
00:12:33,887 --> 00:12:34,786
WORLD.
>> TAG TEAM SITUATION IS HEATING
UP IN THE WORLD WRESTLING
463
00:12:34,788 --> 00:12:36,621
>> TAG TEAM SITUATION IS HEATING
UP IN THE WORLD WRESTLING
ENTERTAINMENT.
464
00:12:36,623 --> 00:12:37,922
UP IN THE WORLD WRESTLING
ENTERTAINMENT.
>> THERE'S THAT GOOFY CLOWN.
465
00:12:37,924 --> 00:12:39,390
ENTERTAINMENT.
>> THERE'S THAT GOOFY CLOWN.
>> I DON'T LIKE HIM.
466
00:12:39,392 --> 00:12:40,691
>> THERE'S THAT GOOFY CLOWN.
>> I DON'T LIKE HIM.
>> THAT'S DORK THE CLOWN?
467
00:12:40,693 --> 00:12:42,760
>> I DON'T LIKE HIM.
>> THAT'S DORK THE CLOWN?
>> THAT'S DORK, WHAT A NAME FOR
468
00:12:42,762 --> 00:12:44,496
>> THAT'S DORK THE CLOWN?
>> THAT'S DORK, WHAT A NAME FOR
A CLOWN, DORK.
469
00:12:44,498 --> 00:12:46,397
>> THAT'S DORK, WHAT A NAME FOR
A CLOWN, DORK.
>> HIS NAME IS DOINK.
470
00:12:46,399 --> 00:12:46,931
A CLOWN, DORK.
>> HIS NAME IS DOINK.
>> IT'S DOINK, NOT...
471
00:12:46,933 --> 00:12:47,698
>> HIS NAME IS DOINK.
>> IT'S DOINK, NOT...
>> BUT YOU COULD CALL HIM
472
00:12:47,700 --> 00:12:48,399
>> IT'S DOINK, NOT...
>> BUT YOU COULD CALL HIM
ANYTHING YOU WANT.
473
00:12:48,401 --> 00:12:50,535
>> BUT YOU COULD CALL HIM
ANYTHING YOU WANT.
>> IT COULD BE DORK, IT COULD
474
00:12:50,537 --> 00:12:51,402
ANYTHING YOU WANT.
>> IT COULD BE DORK, IT COULD
VERY WELL BE DORK.
475
00:12:51,404 --> 00:12:52,337
>> IT COULD BE DORK, IT COULD
VERY WELL BE DORK.
WELL, THAT'S LIKE, "YOU'RE A
476
00:12:52,339 --> 00:12:56,541
VERY WELL BE DORK.
WELL, THAT'S LIKE, "YOU'RE A
DORK."
477
00:12:56,543 --> 00:12:57,608
WELL, THAT'S LIKE, "YOU'RE A
DORK."
>> AND RICK STEINER BEING SET UP
478
00:12:57,610 --> 00:12:59,677
DORK."
>> AND RICK STEINER BEING SET UP
NOW, NO, NICE REVERSAL.
479
00:12:59,679 --> 00:13:01,546
>> AND RICK STEINER BEING SET UP
NOW, NO, NICE REVERSAL.
>> OH, YES, LOOK AT THAT POWER.
480
00:13:01,548 --> 00:13:02,580
NOW, NO, NICE REVERSAL.
>> OH, YES, LOOK AT THAT POWER.
HE SHOVED HIM RIGHT INTO THE
481
00:13:02,582 --> 00:13:04,615
>> OH, YES, LOOK AT THAT POWER.
HE SHOVED HIM RIGHT INTO THE
SECOND ROPE, LOST HIS--LOST HIS
482
00:13:04,617 --> 00:13:06,484
HE SHOVED HIM RIGHT INTO THE
SECOND ROPE, LOST HIS--LOST HIS
FOOTING AND EVERYTHING, NICE
483
00:13:06,486 --> 00:13:07,485
SECOND ROPE, LOST HIS--LOST HIS
FOOTING AND EVERYTHING, NICE
MANEUVER ON THE PART OF THE
484
00:13:07,487 --> 00:13:08,519
FOOTING AND EVERYTHING, NICE
MANEUVER ON THE PART OF THE
STEINER'S.
485
00:13:08,521 --> 00:13:10,522
MANEUVER ON THE PART OF THE
STEINER'S.
>> GOT ONE MORE FROM MR.
486
00:13:10,524 --> 00:13:15,326
STEINER'S.
>> GOT ONE MORE FROM MR.
STEINER, ELECTROLYSIS.
487
00:13:15,328 --> 00:13:16,027
>> GOT ONE MORE FROM MR.
STEINER, ELECTROLYSIS.
>> YOU KNOW, IF IT WASN'T THAT
488
00:13:16,029 --> 00:13:17,428
STEINER, ELECTROLYSIS.
>> YOU KNOW, IF IT WASN'T THAT
BARTLETT WAS SITTING WITH US
489
00:13:17,430 --> 00:13:19,297
>> YOU KNOW, IF IT WASN'T THAT
BARTLETT WAS SITTING WITH US
THIS RIGHT NOW, MCMAHON, I WOULD
490
00:13:19,299 --> 00:13:20,331
BARTLETT WAS SITTING WITH US
THIS RIGHT NOW, MCMAHON, I WOULD
THINK THAT HE WAS ONE OF THE
491
00:13:20,333 --> 00:13:21,766
THIS RIGHT NOW, MCMAHON, I WOULD
THINK THAT HE WAS ONE OF THE
EXECUTIONERS.
492
00:13:21,768 --> 00:13:22,567
THINK THAT HE WAS ONE OF THE
EXECUTIONERS.
>> WELL, I DON'T KNOW ABOUT
493
00:13:22,569 --> 00:13:23,634
EXECUTIONERS.
>> WELL, I DON'T KNOW ABOUT
THAT.
494
00:13:23,636 --> 00:13:24,735
>> WELL, I DON'T KNOW ABOUT
THAT.
LOOK AT THIS MANEUVER, MY
495
00:13:24,737 --> 00:13:26,470
THAT.
LOOK AT THIS MANEUVER, MY
GOODNESS.
496
00:13:26,472 --> 00:13:27,338
LOOK AT THIS MANEUVER, MY
GOODNESS.
>> UNBELIEVABLE.
497
00:13:27,340 --> 00:13:28,239
GOODNESS.
>> UNBELIEVABLE.
>> BOY, DON'T YOU HATE WHEN THAT
498
00:13:28,241 --> 00:13:28,606
>> UNBELIEVABLE.
>> BOY, DON'T YOU HATE WHEN THAT
HAPPENS?
499
00:13:28,608 --> 00:13:31,542
>> BOY, DON'T YOU HATE WHEN THAT
HAPPENS?
>> YEAH, RICK STEINER.
500
00:13:31,544 --> 00:13:34,545
HAPPENS?
>> YEAH, RICK STEINER.
>> RICK STEINER, THE DOG OF
501
00:13:34,547 --> 00:13:37,749
>> YEAH, RICK STEINER.
>> RICK STEINER, THE DOG OF
SORTS, A PIT BULL AND--WELL,
502
00:13:37,751 --> 00:13:38,516
>> RICK STEINER, THE DOG OF
SORTS, A PIT BULL AND--WELL,
I'LL TELL YOU WHAT, YOU KNOW,
503
00:13:38,518 --> 00:13:39,450
SORTS, A PIT BULL AND--WELL,
I'LL TELL YOU WHAT, YOU KNOW,
READING THE NEW YORK TIMES THIS
504
00:13:39,452 --> 00:13:39,917
I'LL TELL YOU WHAT, YOU KNOW,
READING THE NEW YORK TIMES THIS
PAST SUNDAY...
505
00:13:39,919 --> 00:13:43,454
READING THE NEW YORK TIMES THIS
PAST SUNDAY...
>> HEY MO, HEY MO.
506
00:13:43,456 --> 00:13:44,655
PAST SUNDAY...
>> HEY MO, HEY MO.
>> YOU THINK OF ANOTHER PIT-BULL
507
00:13:44,657 --> 00:13:46,724
>> HEY MO, HEY MO.
>> YOU THINK OF ANOTHER PIT-BULL
HEADED FOR THE WORLD WRESTLING
508
00:13:46,726 --> 00:13:50,528
>> YOU THINK OF ANOTHER PIT-BULL
HEADED FOR THE WORLD WRESTLING
ENTERTAINMENT FROM BUFFALO.
509
00:13:50,530 --> 00:13:51,796
HEADED FOR THE WORLD WRESTLING
ENTERTAINMENT FROM BUFFALO.
YOU'LL BE SEEING HIM, AGAIN
510
00:13:51,798 --> 00:13:54,732
ENTERTAINMENT FROM BUFFALO.
YOU'LL BE SEEING HIM, AGAIN
BY--LOOK AT THIS MANEUVER.
511
00:13:54,734 --> 00:13:55,666
YOU'LL BE SEEING HIM, AGAIN
BY--LOOK AT THIS MANEUVER.
>> [CROWD CHATTER]
512
00:13:55,668 --> 00:13:56,934
BY--LOOK AT THIS MANEUVER.
>> [CROWD CHATTER]
>> WELL, IS THERE A CHIROPRACTOR
513
00:13:56,936 --> 00:13:58,769
>> [CROWD CHATTER]
>> WELL, IS THERE A CHIROPRACTOR
IN THE HOUSE?
514
00:13:58,771 --> 00:14:00,805
>> WELL, IS THERE A CHIROPRACTOR
IN THE HOUSE?
>> MITCH FREROTTE IS HEADED FOR
515
00:14:00,807 --> 00:14:01,606
IN THE HOUSE?
>> MITCH FREROTTE IS HEADED FOR
THE WORLD WRESTLING
516
00:14:01,608 --> 00:14:03,541
>> MITCH FREROTTE IS HEADED FOR
THE WORLD WRESTLING
ENTERTAINMENT
517
00:14:03,543 --> 00:14:04,642
THE WORLD WRESTLING
ENTERTAINMENT
FROM THE BUFFALO BILLS ON HIS
518
00:14:04,644 --> 00:14:06,410
ENTERTAINMENT
FROM THE BUFFALO BILLS ON HIS
WAY...
519
00:14:06,412 --> 00:14:07,812
FROM THE BUFFALO BILLS ON HIS
WAY...
>> HE CLAIMS THE NFL IS CLEARLY
520
00:14:07,814 --> 00:14:10,481
WAY...
>> HE CLAIMS THE NFL IS CLEARLY
A STEPPING STONE TO THE WWE.
521
00:14:10,483 --> 00:14:11,349
>> HE CLAIMS THE NFL IS CLEARLY
A STEPPING STONE TO THE WWE.
YOU HAVE MAY HAVE TO FACE HIM
522
00:14:11,351 --> 00:14:12,516
A STEPPING STONE TO THE WWE.
YOU HAVE MAY HAVE TO FACE HIM
ONE DAY, MACHO.
523
00:14:12,518 --> 00:14:13,284
YOU HAVE MAY HAVE TO FACE HIM
ONE DAY, MACHO.
OH, MY GOODNESS.
524
00:14:13,286 --> 00:14:14,452
ONE DAY, MACHO.
OH, MY GOODNESS.
>> AFTER WATCHING THIS MATCH
525
00:14:14,454 --> 00:14:15,553
OH, MY GOODNESS.
>> AFTER WATCHING THIS MATCH
WITH THE STEINER BROTHERS, IT
526
00:14:15,555 --> 00:14:16,487
>> AFTER WATCHING THIS MATCH
WITH THE STEINER BROTHERS, IT
MAY CHANGE HIS MIND, I DON'T
527
00:14:16,489 --> 00:14:17,755
WITH THE STEINER BROTHERS, IT
MAY CHANGE HIS MIND, I DON'T
KNOW.
528
00:14:17,757 --> 00:14:19,523
MAY CHANGE HIS MIND, I DON'T
KNOW.
>> I DOUBT IT.
529
00:14:19,525 --> 00:14:20,725
KNOW.
>> I DOUBT IT.
>> I MIGHT CHANGE MY MIND.
530
00:14:20,727 --> 00:14:23,461
>> I DOUBT IT.
>> I MIGHT CHANGE MY MIND.
>> YEAH.
531
00:14:23,463 --> 00:14:24,262
>> I MIGHT CHANGE MY MIND.
>> YEAH.
>> OH, MY.
532
00:14:24,264 --> 00:14:26,297
>> YEAH.
>> OH, MY.
>> THAT HURTS.
533
00:14:26,299 --> 00:14:28,633
>> OH, MY.
>> THAT HURTS.
>> SORT OF CATCHING, PASS IT.
534
00:14:28,635 --> 00:14:29,734
>> THAT HURTS.
>> SORT OF CATCHING, PASS IT.
WELL, HE BETTER WILL BE CATCHING
535
00:14:29,736 --> 00:14:31,602
>> SORT OF CATCHING, PASS IT.
WELL, HE BETTER WILL BE CATCHING
DROPKICKS ONE OF THESE DAYS.
536
00:14:31,604 --> 00:14:31,903
WELL, HE BETTER WILL BE CATCHING
DROPKICKS ONE OF THESE DAYS.
LOOK AT THIS.
537
00:14:31,905 --> 00:14:33,504
DROPKICKS ONE OF THESE DAYS.
LOOK AT THIS.
>> SCOTT STEINER, DOUBLE
538
00:14:33,506 --> 00:14:34,872
LOOK AT THIS.
>> SCOTT STEINER, DOUBLE
UNDERHOOK.
539
00:14:34,874 --> 00:14:36,774
>> SCOTT STEINER, DOUBLE
UNDERHOOK.
>> OH, MY.
540
00:14:36,776 --> 00:14:38,676
UNDERHOOK.
>> OH, MY.
>> THESE GUYS ARE GOOD.
541
00:14:38,678 --> 00:14:39,777
>> OH, MY.
>> THESE GUYS ARE GOOD.
>> YEAH, THEY COULD VERY WELL BE
542
00:14:39,779 --> 00:14:42,513
>> THESE GUYS ARE GOOD.
>> YEAH, THEY COULD VERY WELL BE
THE BEST, GIVEN AN OPPORTUNITY.
543
00:14:42,515 --> 00:14:43,614
>> YEAH, THEY COULD VERY WELL BE
THE BEST, GIVEN AN OPPORTUNITY.
>> YOU'LL SEE JUST HOW GOOD THEY
544
00:14:43,616 --> 00:14:44,916
THE BEST, GIVEN AN OPPORTUNITY.
>> YOU'LL SEE JUST HOW GOOD THEY
ARE THOUGH WHEN THEY FACE THE
545
00:14:44,918 --> 00:14:46,451
>> YOU'LL SEE JUST HOW GOOD THEY
ARE THOUGH WHEN THEY FACE THE
BEVERLY'S AT THE RUMBLE, TAKE A
546
00:14:46,453 --> 00:14:48,319
ARE THOUGH WHEN THEY FACE THE
BEVERLY'S AT THE RUMBLE, TAKE A
LOOK AT THIS NOW.
547
00:14:48,321 --> 00:14:51,623
BEVERLY'S AT THE RUMBLE, TAKE A
LOOK AT THIS NOW.
>> OH, OH, IT'S GONNA GO.
548
00:14:51,625 --> 00:14:53,524
LOOK AT THIS NOW.
>> OH, OH, IT'S GONNA GO.
>> DON'T TRY THIS AT HOME, KIDS.
549
00:14:53,526 --> 00:14:55,660
>> OH, OH, IT'S GONNA GO.
>> DON'T TRY THIS AT HOME, KIDS.
>> [BELL RINGING]
550
00:14:55,662 --> 00:14:57,495
>> DON'T TRY THIS AT HOME, KIDS.
>> [BELL RINGING]
>> [CROWD CHEERING]
551
00:14:57,497 --> 00:14:59,764
>> [BELL RINGING]
>> [CROWD CHEERING]
>> HERE ARE YOUR WINNERS, THE
552
00:14:59,766 --> 00:15:03,534
>> [CROWD CHEERING]
>> HERE ARE YOUR WINNERS, THE
STEINER BROTHERS.
553
00:15:03,536 --> 00:15:06,470
>> HERE ARE YOUR WINNERS, THE
STEINER BROTHERS.
>> THE STEINER BROTHERS, SCOTT
554
00:15:06,472 --> 00:15:07,538
STEINER BROTHERS.
>> THE STEINER BROTHERS, SCOTT
AND RICK VICTORIOUS.
555
00:15:07,540 --> 00:15:08,472
>> THE STEINER BROTHERS, SCOTT
AND RICK VICTORIOUS.
LET ME TAKE YOU BACK TO THE
556
00:15:08,474 --> 00:15:08,806
AND RICK VICTORIOUS.
LET ME TAKE YOU BACK TO THE
REPLAY.
557
00:15:08,808 --> 00:15:09,640
LET ME TAKE YOU BACK TO THE
REPLAY.
>> CAN WE SEE THAT AGAIN?
558
00:15:09,642 --> 00:15:11,609
REPLAY.
>> CAN WE SEE THAT AGAIN?
>> THE WORLD'S BIGGEST BULLDOG
559
00:15:11,611 --> 00:15:13,744
>> CAN WE SEE THAT AGAIN?
>> THE WORLD'S BIGGEST BULLDOG
HEADLOCK I'VE EVER SEEN IN THE
560
00:15:13,746 --> 00:15:17,548
>> THE WORLD'S BIGGEST BULLDOG
HEADLOCK I'VE EVER SEEN IN THE
WORLD WRESTLING ENTERTAINMENT.
561
00:15:17,550 --> 00:15:18,683
HEADLOCK I'VE EVER SEEN IN THE
WORLD WRESTLING ENTERTAINMENT.
>> WELL, NOW WE UNDERSTAND SEAN
562
00:15:18,685 --> 00:15:19,751
WORLD WRESTLING ENTERTAINMENT.
>> WELL, NOW WE UNDERSTAND SEAN
MOONEY'S OUTSIDE.
563
00:15:19,753 --> 00:15:21,419
>> WELL, NOW WE UNDERSTAND SEAN
MOONEY'S OUTSIDE.
THERE'S SOME SORT OF COMMOTION
564
00:15:21,421 --> 00:15:21,852
MOONEY'S OUTSIDE.
THERE'S SOME SORT OF COMMOTION
GOING ON.
565
00:15:21,854 --> 00:15:22,753
THERE'S SOME SORT OF COMMOTION
GOING ON.
SEAN, CAN YOU HEAR ME?
566
00:15:22,755 --> 00:15:24,388
GOING ON.
SEAN, CAN YOU HEAR ME?
TAKE IT.
567
00:15:24,390 --> 00:15:25,723
SEAN, CAN YOU HEAR ME?
TAKE IT.
>> YES, VINCE.
568
00:15:25,725 --> 00:15:26,457
TAKE IT.
>> YES, VINCE.
I'M NOT QUITE SURE WHAT IS GOING
569
00:15:26,459 --> 00:15:26,691
>> YES, VINCE.
I'M NOT QUITE SURE WHAT IS GOING
ON.
570
00:15:26,693 --> 00:15:28,326
I'M NOT QUITE SURE WHAT IS GOING
ON.
APPARENTLY, A SECURITY GUARD HAS
571
00:15:28,328 --> 00:15:29,627
ON.
APPARENTLY, A SECURITY GUARD HAS
DETAINED A WOMAN HERE.
572
00:15:29,629 --> 00:15:31,696
APPARENTLY, A SECURITY GUARD HAS
DETAINED A WOMAN HERE.
EXCUSE ME, EXCUSE ME, EXCUSE ME,
573
00:15:31,698 --> 00:15:33,798
DETAINED A WOMAN HERE.
EXCUSE ME, EXCUSE ME, EXCUSE ME,
SIR?
574
00:15:33,800 --> 00:15:34,532
EXCUSE ME, EXCUSE ME, EXCUSE ME,
SIR?
EXCUSE ME, WHAT SEEMS TO BE THE
575
00:15:34,534 --> 00:15:35,633
SIR?
EXCUSE ME, WHAT SEEMS TO BE THE
PROBLEM?
576
00:15:35,635 --> 00:15:37,568
EXCUSE ME, WHAT SEEMS TO BE THE
PROBLEM?
>> MY NEPHEW ROB BARTLETT'S IN
577
00:15:37,570 --> 00:15:38,503
PROBLEM?
>> MY NEPHEW ROB BARTLETT'S IN
THERE AND HE'S HOSTING RAW AND
578
00:15:38,505 --> 00:15:39,537
>> MY NEPHEW ROB BARTLETT'S IN
THERE AND HE'S HOSTING RAW AND
I'M SUPPOSED TO SEE HIM.
579
00:15:39,539 --> 00:15:40,071
THERE AND HE'S HOSTING RAW AND
I'M SUPPOSED TO SEE HIM.
>> WAIT, YOUR NEPHEW?
580
00:15:40,073 --> 00:15:41,572
I'M SUPPOSED TO SEE HIM.
>> WAIT, YOUR NEPHEW?
>> YES, HE LEFT ME A TICKET.
581
00:15:41,574 --> 00:15:42,239
>> WAIT, YOUR NEPHEW?
>> YES, HE LEFT ME A TICKET.
>> YOU'RE ROB BARTLETT'S AUNT?
582
00:15:42,241 --> 00:15:42,706
>> YES, HE LEFT ME A TICKET.
>> YOU'RE ROB BARTLETT'S AUNT?
>> YES, I'M HIS AUNT.
583
00:15:42,708 --> 00:15:44,608
>> YOU'RE ROB BARTLETT'S AUNT?
>> YES, I'M HIS AUNT.
HE'S MY NEPHEW, HE'S MY--YES, I
584
00:15:44,610 --> 00:15:45,543
>> YES, I'M HIS AUNT.
HE'S MY NEPHEW, HE'S MY--YES, I
HAVE TO GO IN THERE AND SEE HIM
585
00:15:45,545 --> 00:15:45,810
HE'S MY NEPHEW, HE'S MY--YES, I
HAVE TO GO IN THERE AND SEE HIM
RIGHT NOW.
586
00:15:45,812 --> 00:15:46,444
HAVE TO GO IN THERE AND SEE HIM
RIGHT NOW.
>> OH, I'M SURE WE CAN
587
00:15:46,446 --> 00:15:47,712
RIGHT NOW.
>> OH, I'M SURE WE CAN
STRAIGHTEN THIS ALL OUT.
588
00:15:47,714 --> 00:15:50,682
>> OH, I'M SURE WE CAN
STRAIGHTEN THIS ALL OUT.
WE COULD PROBABLY GO INTO--CALL.
589
00:15:50,684 --> 00:15:51,616
STRAIGHTEN THIS ALL OUT.
WE COULD PROBABLY GO INTO--CALL.
>> I'M GOING IN THERE RIGHT NOW.
590
00:15:51,618 --> 00:15:52,516
WE COULD PROBABLY GO INTO--CALL.
>> I'M GOING IN THERE RIGHT NOW.
>> WAIT A MINUTE.
591
00:15:52,518 --> 00:15:52,850
>> I'M GOING IN THERE RIGHT NOW.
>> WAIT A MINUTE.
BOBBY HEENAN.
592
00:15:52,852 --> 00:15:53,684
>> WAIT A MINUTE.
BOBBY HEENAN.
>> GIVE ME THAT.
593
00:15:53,686 --> 00:15:54,685
BOBBY HEENAN.
>> GIVE ME THAT.
>> I THOUGHT I'D SEEN EVERYTHING
594
00:15:54,687 --> 00:15:55,686
>> GIVE ME THAT.
>> I THOUGHT I'D SEEN EVERYTHING
HERE AT THE WORLD WRESTLING
595
00:15:55,688 --> 00:15:56,520
>> I THOUGHT I'D SEEN EVERYTHING
HERE AT THE WORLD WRESTLING
ENTERTAINMENT.
596
00:15:56,522 --> 00:15:57,187
HERE AT THE WORLD WRESTLING
ENTERTAINMENT.
>> YOU DON'T UNDERSTAND, I GOT
597
00:15:57,189 --> 00:15:57,521
ENTERTAINMENT.
>> YOU DON'T UNDERSTAND, I GOT
TO DO THIS.
598
00:15:57,523 --> 00:15:58,322
>> YOU DON'T UNDERSTAND, I GOT
TO DO THIS.
>> THE BRAIN AND DRAG.
599
00:15:58,324 --> 00:15:59,090
TO DO THIS.
>> THE BRAIN AND DRAG.
>> I GOT TO GET IN THERE.
600
00:15:59,092 --> 00:15:59,490
>> THE BRAIN AND DRAG.
>> I GOT TO GET IN THERE.
I GOT TO GET IN THERE.
601
00:15:59,492 --> 00:16:00,024
>> I GOT TO GET IN THERE.
I GOT TO GET IN THERE.
>> THIS IS RIDICULOUS.
602
00:16:00,026 --> 00:16:00,624
I GOT TO GET IN THERE.
>> THIS IS RIDICULOUS.
I CAN'T BELIEVE YOU.
603
00:16:00,626 --> 00:16:01,492
>> THIS IS RIDICULOUS.
I CAN'T BELIEVE YOU.
>> I'LL GIVE YOU THIS HAT, I'LL
604
00:16:01,494 --> 00:16:02,026
I CAN'T BELIEVE YOU.
>> I'LL GIVE YOU THIS HAT, I'LL
GIVE YOU THE EARRINGS AND
605
00:16:02,028 --> 00:16:02,493
>> I'LL GIVE YOU THIS HAT, I'LL
GIVE YOU THE EARRINGS AND
EVERYTHING IF YOU WANT.
606
00:16:02,495 --> 00:16:02,760
GIVE YOU THE EARRINGS AND
EVERYTHING IF YOU WANT.
LET ME IN.
607
00:16:02,762 --> 00:16:03,461
EVERYTHING IF YOU WANT.
LET ME IN.
WILL YOU LET ME IN?
608
00:16:03,463 --> 00:16:04,695
LET ME IN.
WILL YOU LET ME IN?
I'LL GIVE YOU 50 BUCKS IN HERE.
609
00:16:04,697 --> 00:16:05,863
WILL YOU LET ME IN?
I'LL GIVE YOU 50 BUCKS IN HERE.
I GOT TO BE IN THERE.
610
00:16:05,865 --> 00:16:11,869
I'LL GIVE YOU 50 BUCKS IN HERE.
I GOT TO BE IN THERE.
THIS IS RAW...
611
00:16:11,871 --> 00:16:13,404
I GOT TO BE IN THERE.
THIS IS RAW...
>> WELL, LADIES AND GENTLEMEN,
612
00:16:13,406 --> 00:16:16,340
THIS IS RAW...
>> WELL, LADIES AND GENTLEMEN,
HERE HE IS, RAZOR RAMON.
613
00:16:16,342 --> 00:16:30,488
>> WELL, LADIES AND GENTLEMEN,
HERE HE IS, RAZOR RAMON.
>> [CROWD CHEERING]
614
00:16:30,490 --> 00:16:31,555
HERE HE IS, RAZOR RAMON.
>> [CROWD CHEERING]
>> RAZOR RAMON, IF WE CAN HAVE
615
00:16:31,557 --> 00:16:33,257
>> [CROWD CHEERING]
>> RAZOR RAMON, IF WE CAN HAVE
A--HAVE A WORD WITH YOU, WE'D
616
00:16:33,259 --> 00:16:35,526
>> RAZOR RAMON, IF WE CAN HAVE
A--HAVE A WORD WITH YOU, WE'D
GREATLY APPRECIATE IT.
617
00:16:35,528 --> 00:16:36,294
A--HAVE A WORD WITH YOU, WE'D
GREATLY APPRECIATE IT.
YOU'RE HEADED TO THE ROYAL
618
00:16:36,296 --> 00:16:37,828
GREATLY APPRECIATE IT.
YOU'RE HEADED TO THE ROYAL
RUMBLE.
619
00:16:37,830 --> 00:16:39,764
YOU'RE HEADED TO THE ROYAL
RUMBLE.
THIS IS THE GOLDEN OPPORTUNITY
620
00:16:39,766 --> 00:16:41,799
RUMBLE.
THIS IS THE GOLDEN OPPORTUNITY
YOU'VE BEEN WAITING FOR, MEETING
621
00:16:41,801 --> 00:16:43,567
THIS IS THE GOLDEN OPPORTUNITY
YOU'VE BEEN WAITING FOR, MEETING
"THE HITMAN" BRETT HART FOR THE
622
00:16:43,569 --> 00:16:46,471
YOU'VE BEEN WAITING FOR, MEETING
"THE HITMAN" BRETT HART FOR THE
WWE CHAMPIONSHIP.
623
00:16:46,473 --> 00:16:47,505
"THE HITMAN" BRETT HART FOR THE
WWE CHAMPIONSHIP.
ARE YOU READY?
624
00:16:47,507 --> 00:16:48,739
WWE CHAMPIONSHIP.
ARE YOU READY?
YOU'RE LESS THAN TWO WEEKS AWAY.
625
00:16:48,741 --> 00:16:54,879
ARE YOU READY?
YOU'RE LESS THAN TWO WEEKS AWAY.
>> LOOK AT ME, MAN.
626
00:16:54,881 --> 00:16:57,481
YOU'RE LESS THAN TWO WEEKS AWAY.
>> LOOK AT ME, MAN.
I WAS BORN READY, CHICO.
627
00:16:57,483 --> 00:16:58,749
>> LOOK AT ME, MAN.
I WAS BORN READY, CHICO.
AND WHEN YOU SAY GOLDEN
628
00:16:58,751 --> 00:17:04,489
I WAS BORN READY, CHICO.
AND WHEN YOU SAY GOLDEN
OPPORTUNITY, THAT'S GOT RAZOR
629
00:17:04,491 --> 00:17:11,395
AND WHEN YOU SAY GOLDEN
OPPORTUNITY, THAT'S GOT RAZOR
RAMON WRITTEN ALL OVER IT.
630
00:17:11,397 --> 00:17:13,531
OPPORTUNITY, THAT'S GOT RAZOR
RAMON WRITTEN ALL OVER IT.
>> I SEE, BUT NONETHELESS, YOU
631
00:17:13,533 --> 00:17:14,732
RAMON WRITTEN ALL OVER IT.
>> I SEE, BUT NONETHELESS, YOU
CERTAINLY WOULD RECALL THAT IT
632
00:17:14,734 --> 00:17:16,634
>> I SEE, BUT NONETHELESS, YOU
CERTAINLY WOULD RECALL THAT IT
TOOK "THE HITMAN" BRETT HART
633
00:17:16,636 --> 00:17:18,836
CERTAINLY WOULD RECALL THAT IT
TOOK "THE HITMAN" BRETT HART
EIGHT AND A HALF LONG YEARS
634
00:17:18,838 --> 00:17:20,571
TOOK "THE HITMAN" BRETT HART
EIGHT AND A HALF LONG YEARS
CLIMBING THE LADDER OF SUCCESS
635
00:17:20,573 --> 00:17:22,339
EIGHT AND A HALF LONG YEARS
CLIMBING THE LADDER OF SUCCESS
TO GAIN THE MOMENTUM HE HAS AND
636
00:17:22,341 --> 00:17:22,940
CLIMBING THE LADDER OF SUCCESS
TO GAIN THE MOMENTUM HE HAS AND
YOU'RE SORT OF A
637
00:17:22,942 --> 00:17:24,508
TO GAIN THE MOMENTUM HE HAS AND
YOU'RE SORT OF A
JOHNNY-COME-LATELY, IF YOU'D
638
00:17:24,510 --> 00:17:26,744
YOU'RE SORT OF A
JOHNNY-COME-LATELY, IF YOU'D
PARDON THE EXPRESSION.
639
00:17:26,746 --> 00:17:29,847
JOHNNY-COME-LATELY, IF YOU'D
PARDON THE EXPRESSION.
>> HEY, LOOK HITMAN, EIGHT AND A
640
00:17:29,849 --> 00:17:33,350
PARDON THE EXPRESSION.
>> HEY, LOOK HITMAN, EIGHT AND A
HALF YEARS, CHICO, YOU CLIMB TO
641
00:17:33,352 --> 00:17:36,520
>> HEY, LOOK HITMAN, EIGHT AND A
HALF YEARS, CHICO, YOU CLIMB TO
THE VERY, VERY TOP.
642
00:17:36,522 --> 00:17:41,492
HALF YEARS, CHICO, YOU CLIMB TO
THE VERY, VERY TOP.
YOU'RE THE MAIN MAN IN THE WWE.
643
00:17:41,494 --> 00:17:46,731
THE VERY, VERY TOP.
YOU'RE THE MAIN MAN IN THE WWE.
NOW, SAY HELLO TO RAZOR RAMON,
644
00:17:46,733 --> 00:17:50,701
YOU'RE THE MAIN MAN IN THE WWE.
NOW, SAY HELLO TO RAZOR RAMON,
EIGHT AND A HALF MONTHS AND I
645
00:17:50,703 --> 00:17:53,337
NOW, SAY HELLO TO RAZOR RAMON,
EIGHT AND A HALF MONTHS AND I
CAUGHT YOU.
646
00:17:53,339 --> 00:17:56,740
EIGHT AND A HALF MONTHS AND I
CAUGHT YOU.
I AM NUMERO UNO.
647
00:17:56,742 --> 00:17:57,508
CAUGHT YOU.
I AM NUMERO UNO.
>> ALL RIGHT.
648
00:17:57,510 --> 00:17:58,409
I AM NUMERO UNO.
>> ALL RIGHT.
YOU'RE THE...
649
00:17:58,411 --> 00:18:00,611
>> ALL RIGHT.
YOU'RE THE...
>> THE NUMBER ONE CONTENDER.
650
00:18:00,613 --> 00:18:01,512
YOU'RE THE...
>> THE NUMBER ONE CONTENDER.
>> YES, INDEED THE NUMBER ONE
651
00:18:01,514 --> 00:18:02,814
>> THE NUMBER ONE CONTENDER.
>> YES, INDEED THE NUMBER ONE
CONTENDER.
652
00:18:02,816 --> 00:18:03,714
>> YES, INDEED THE NUMBER ONE
CONTENDER.
AND IF YOU'RE THE NUMBER ONE
653
00:18:03,716 --> 00:18:04,615
CONTENDER.
AND IF YOU'RE THE NUMBER ONE
CONTENDER AND SUCH A GREAT
654
00:18:04,617 --> 00:18:06,350
AND IF YOU'RE THE NUMBER ONE
CONTENDER AND SUCH A GREAT
COMPETITOR, WHY DID YOU DO TO
655
00:18:06,352 --> 00:18:06,984
CONTENDER AND SUCH A GREAT
COMPETITOR, WHY DID YOU DO TO
OWEN HART WHAT YOU DID?
656
00:18:06,986 --> 00:18:08,820
COMPETITOR, WHY DID YOU DO TO
OWEN HART WHAT YOU DID?
WHY JUMP HIM?
657
00:18:08,822 --> 00:18:09,554
OWEN HART WHAT YOU DID?
WHY JUMP HIM?
WHY?
658
00:18:09,556 --> 00:18:10,688
WHY JUMP HIM?
WHY?
COME ON.
659
00:18:10,690 --> 00:18:12,457
WHY?
COME ON.
>> [CROWD CHEERING]
660
00:18:12,459 --> 00:18:14,225
COME ON.
>> [CROWD CHEERING]
>> HEY, SILENCIO.
661
00:18:14,227 --> 00:18:15,493
>> [CROWD CHEERING]
>> HEY, SILENCIO.
>> BECAUSE HE WAS THE BEST
662
00:18:15,495 --> 00:18:16,594
>> HEY, SILENCIO.
>> BECAUSE HE WAS THE BEST
WRESTLER AROUND AND I SURELY
663
00:18:16,596 --> 00:18:18,463
>> BECAUSE HE WAS THE BEST
WRESTLER AROUND AND I SURELY
WANT TO GET IN THERE WITH HIM.
664
00:18:18,465 --> 00:18:19,530
WRESTLER AROUND AND I SURELY
WANT TO GET IN THERE WITH HIM.
>> RAZOR RAMON WOULD LIKE TO
665
00:18:19,532 --> 00:18:20,698
WANT TO GET IN THERE WITH HIM.
>> RAZOR RAMON WOULD LIKE TO
HAVE FUN JUST LIKE EVERYBODY
666
00:18:20,700 --> 00:18:21,599
>> RAZOR RAMON WOULD LIKE TO
HAVE FUN JUST LIKE EVERYBODY
ELSE.
667
00:18:21,601 --> 00:18:24,502
HAVE FUN JUST LIKE EVERYBODY
ELSE.
>> OBVIOUSLY, YOUR FATHER WAS A
668
00:18:24,504 --> 00:18:25,603
ELSE.
>> OBVIOUSLY, YOUR FATHER WAS A
BIG INFLUENCE ON YOU AND ON
669
00:18:25,605 --> 00:18:26,504
>> OBVIOUSLY, YOUR FATHER WAS A
BIG INFLUENCE ON YOU AND ON
BRET.
670
00:18:26,506 --> 00:18:26,938
BIG INFLUENCE ON YOU AND ON
BRET.
>> YO, HITMAN.
671
00:18:26,940 --> 00:18:28,439
BRET.
>> YO, HITMAN.
SQUASHING YOUR LITTLE BROTHER
672
00:18:28,441 --> 00:18:32,676
>> YO, HITMAN.
SQUASHING YOUR LITTLE BROTHER
LIKE A COCKROACH, THAT WAS FUN,
673
00:18:32,678 --> 00:18:35,813
SQUASHING YOUR LITTLE BROTHER
LIKE A COCKROACH, THAT WAS FUN,
MAN, AND YOU KNOW WHAT ELSE?
674
00:18:35,815 --> 00:18:39,484
LIKE A COCKROACH, THAT WAS FUN,
MAN, AND YOU KNOW WHAT ELSE?
THERE'S NOTHING YOU CAN DO ABOUT
675
00:18:39,486 --> 00:18:40,685
MAN, AND YOU KNOW WHAT ELSE?
THERE'S NOTHING YOU CAN DO ABOUT
IT.
676
00:18:40,687 --> 00:18:42,753
THERE'S NOTHING YOU CAN DO ABOUT
IT.
>> [CROWD CHEERING]
677
00:18:42,755 --> 00:18:46,590
IT.
>> [CROWD CHEERING]
>> NOT, NOT, CHICO, THAT YOU
678
00:18:46,592 --> 00:18:49,560
>> [CROWD CHEERING]
>> NOT, NOT, CHICO, THAT YOU
DON'T WANNA DO NOTHING ABOUT IT
679
00:18:49,562 --> 00:18:51,629
>> NOT, NOT, CHICO, THAT YOU
DON'T WANNA DO NOTHING ABOUT IT
BECAUSE YOU CAN'T DO NOTHING
680
00:18:51,631 --> 00:18:53,631
DON'T WANNA DO NOTHING ABOUT IT
BECAUSE YOU CAN'T DO NOTHING
ABOUT IT.
681
00:18:53,633 --> 00:18:54,398
BECAUSE YOU CAN'T DO NOTHING
ABOUT IT.
>> THANK YOU VERY MUCH FOR
682
00:18:54,400 --> 00:18:54,998
ABOUT IT.
>> THANK YOU VERY MUCH FOR
JOINING US.
683
00:18:55,000 --> 00:18:56,667
>> THANK YOU VERY MUCH FOR
JOINING US.
>> WAIT, WAIT, WAIT.
684
00:18:56,669 --> 00:19:00,671
JOINING US.
>> WAIT, WAIT, WAIT.
AND HITMAN, YOU KNOW WHAT ELSE
685
00:19:00,673 --> 00:19:04,742
>> WAIT, WAIT, WAIT.
AND HITMAN, YOU KNOW WHAT ELSE
YOU CAN'T DO NOTHING ABOUT?
686
00:19:04,744 --> 00:19:08,579
AND HITMAN, YOU KNOW WHAT ELSE
YOU CAN'T DO NOTHING ABOUT?
CHICO, YOU CAN'T DO NOTHING
687
00:19:08,581 --> 00:19:14,552
YOU CAN'T DO NOTHING ABOUT?
CHICO, YOU CAN'T DO NOTHING
ABOUT RAZOR RAMON TAKING YOUR
688
00:19:14,554 --> 00:19:17,722
CHICO, YOU CAN'T DO NOTHING
ABOUT RAZOR RAMON TAKING YOUR
PRECIOUS GOLD AT THE ROYAL
689
00:19:17,724 --> 00:19:20,558
ABOUT RAZOR RAMON TAKING YOUR
PRECIOUS GOLD AT THE ROYAL
RUMBLE.
690
00:19:20,560 --> 00:19:21,692
PRECIOUS GOLD AT THE ROYAL
RUMBLE.
>> IT WILL HEAD YOUR WAY LADIES
691
00:19:21,694 --> 00:19:22,660
RUMBLE.
>> IT WILL HEAD YOUR WAY LADIES
AND GENTLEMEN, IN LESS THAN TWO
692
00:19:22,662 --> 00:19:23,694
>> IT WILL HEAD YOUR WAY LADIES
AND GENTLEMEN, IN LESS THAN TWO
WEEKS, SUNDAY AFTERNOON.
693
00:19:23,696 --> 00:19:27,531
AND GENTLEMEN, IN LESS THAN TWO
WEEKS, SUNDAY AFTERNOON.
>> [MUSIC]
694
00:19:27,533 --> 00:19:31,769
WEEKS, SUNDAY AFTERNOON.
>> [MUSIC]
>> HE'S A BAD GUY.
695
00:19:31,771 --> 00:19:32,636
>> [MUSIC]
>> HE'S A BAD GUY.
>> RAZOR RAMON'S TALKING PURE
696
00:19:32,638 --> 00:19:34,638
>> HE'S A BAD GUY.
>> RAZOR RAMON'S TALKING PURE
GARBAGE BUT LET ME TELL YOU
697
00:19:34,640 --> 00:19:35,639
>> RAZOR RAMON'S TALKING PURE
GARBAGE BUT LET ME TELL YOU
ABOUT SOMETHING THAT'S PURE
698
00:19:35,641 --> 00:19:38,543
GARBAGE BUT LET ME TELL YOU
ABOUT SOMETHING THAT'S PURE
GOLD, THE WWE AND THE RED CROSS
699
00:19:38,545 --> 00:19:39,710
ABOUT SOMETHING THAT'S PURE
GOLD, THE WWE AND THE RED CROSS
TEAM UP TO PUT A HEADLOCK ON
700
00:19:39,712 --> 00:19:40,912
GOLD, THE WWE AND THE RED CROSS
TEAM UP TO PUT A HEADLOCK ON
HUNGER.
701
00:19:40,914 --> 00:19:42,547
TEAM UP TO PUT A HEADLOCK ON
HUNGER.
OH, YEAH, AND IT'S AT MADISON
702
00:19:42,549 --> 00:19:44,815
HUNGER.
OH, YEAH, AND IT'S AT MADISON
SQUARE GARDEN, FRIDAY, JANUARY
703
00:19:44,817 --> 00:19:46,517
OH, YEAH, AND IT'S AT MADISON
SQUARE GARDEN, FRIDAY, JANUARY
THE 29TH, AND WHAT A CARD.
704
00:19:46,519 --> 00:19:47,485
SQUARE GARDEN, FRIDAY, JANUARY
THE 29TH, AND WHAT A CARD.
MR. PERFECT VERSUS RIC FLAIR,
705
00:19:47,487 --> 00:19:50,788
THE 29TH, AND WHAT A CARD.
MR. PERFECT VERSUS RIC FLAIR,
BRET VERSUS BAM BAM BIGELOW FOR
706
00:19:50,790 --> 00:19:51,488
MR. PERFECT VERSUS RIC FLAIR,
BRET VERSUS BAM BAM BIGELOW FOR
THE WORLD WRESTLING
707
00:19:51,490 --> 00:19:52,423
BRET VERSUS BAM BAM BIGELOW FOR
THE WORLD WRESTLING
ENTERTAINMENT
708
00:19:52,425 --> 00:19:52,856
THE WORLD WRESTLING
ENTERTAINMENT
TITLE.
709
00:19:52,858 --> 00:19:54,491
ENTERTAINMENT
TITLE.
SHAWN MICHAELS VERSUS BACKLUND
710
00:19:54,493 --> 00:19:55,793
TITLE.
SHAWN MICHAELS VERSUS BACKLUND
FOR ANOTHER TITLE.
711
00:19:55,795 --> 00:19:56,594
SHAWN MICHAELS VERSUS BACKLUND
FOR ANOTHER TITLE.
INTERCONTINENTAL TITLE,
712
00:19:56,596 --> 00:19:59,630
FOR ANOTHER TITLE.
INTERCONTINENTAL TITLE,
UNDERTAKER VERSUS IRS, THE MACHO
713
00:19:59,632 --> 00:20:00,598
INTERCONTINENTAL TITLE,
UNDERTAKER VERSUS IRS, THE MACHO
MAN, MY FAVORITE WRESTLER,
714
00:20:00,600 --> 00:20:04,501
UNDERTAKER VERSUS IRS, THE MACHO
MAN, MY FAVORITE WRESTLER,
VERSUS DIBIASE.
715
00:20:04,503 --> 00:20:05,403
MAN, MY FAVORITE WRESTLER,
VERSUS DIBIASE.
>> WE'RE GONNA HEAR FROM NATIVE
716
00:20:05,405 --> 00:20:07,705
VERSUS DIBIASE.
>> WE'RE GONNA HEAR FROM NATIVE
AMERICAN TATANKA NOW.
717
00:20:07,707 --> 00:20:09,540
>> WE'RE GONNA HEAR FROM NATIVE
AMERICAN TATANKA NOW.
>> THIS IS TATANKA AND MY PEOPLE
718
00:20:09,542 --> 00:20:10,608
AMERICAN TATANKA NOW.
>> THIS IS TATANKA AND MY PEOPLE
SPEAK TO THE GREAT SPIRIT FOR
719
00:20:10,610 --> 00:20:11,575
>> THIS IS TATANKA AND MY PEOPLE
SPEAK TO THE GREAT SPIRIT FOR
BLESSINGS.
720
00:20:11,577 --> 00:20:13,544
SPEAK TO THE GREAT SPIRIT FOR
BLESSINGS.
WE, AT THE WORLD WRESTLING
721
00:20:13,546 --> 00:20:14,212
BLESSINGS.
WE, AT THE WORLD WRESTLING
ENTERTAINMENT APPRECIATE YOUR
722
00:20:14,214 --> 00:20:14,612
WE, AT THE WORLD WRESTLING
ENTERTAINMENT APPRECIATE YOUR
HELP
723
00:20:14,614 --> 00:20:16,580
ENTERTAINMENT APPRECIATE YOUR
HELP
FOR PEOPLE THAT ARE LESS
724
00:20:16,582 --> 00:20:17,648
HELP
FOR PEOPLE THAT ARE LESS
FORTUNATE THAN US.
725
00:20:17,650 --> 00:20:18,716
FOR PEOPLE THAT ARE LESS
FORTUNATE THAN US.
LET'S GET A HOLD ON HEADLOCK FOR
726
00:20:18,718 --> 00:20:20,384
FORTUNATE THAN US.
LET'S GET A HOLD ON HEADLOCK FOR
HUNGER.
727
00:20:20,386 --> 00:20:24,488
LET'S GET A HOLD ON HEADLOCK FOR
HUNGER.
>> [BELL RINGING]
728
00:20:24,490 --> 00:20:25,423
HUNGER.
>> [BELL RINGING]
>> THE FOLLOWING CONTEST
729
00:20:25,425 --> 00:20:27,725
>> [BELL RINGING]
>> THE FOLLOWING CONTEST
SCHEDULED FOR ONE FALL IS FOR
730
00:20:27,727 --> 00:20:28,959
>> THE FOLLOWING CONTEST
SCHEDULED FOR ONE FALL IS FOR
THE INTERCONTINENTAL
731
00:20:28,961 --> 00:20:30,628
SCHEDULED FOR ONE FALL IS FOR
THE INTERCONTINENTAL
CHAMPIONSHIP.
732
00:20:30,630 --> 00:20:31,729
THE INTERCONTINENTAL
CHAMPIONSHIP.
>> THAT'S TATANKA BY THE WAY IN
733
00:20:31,731 --> 00:20:33,397
CHAMPIONSHIP.
>> THAT'S TATANKA BY THE WAY IN
THERE, ROB.
734
00:20:33,399 --> 00:20:34,632
>> THAT'S TATANKA BY THE WAY IN
THERE, ROB.
>> ABOUT TO ENTER THE RING IS
735
00:20:34,634 --> 00:20:35,499
THERE, ROB.
>> ABOUT TO ENTER THE RING IS
THE CHALLENGER, WEIGHING 238
736
00:20:35,501 --> 00:20:36,533
>> ABOUT TO ENTER THE RING IS
THE CHALLENGER, WEIGHING 238
POUNDS.
737
00:20:36,535 --> 00:20:39,436
THE CHALLENGER, WEIGHING 238
POUNDS.
>> THE NAME FOR BUFFALO, RIGHT?
738
00:20:39,438 --> 00:20:40,704
POUNDS.
>> THE NAME FOR BUFFALO, RIGHT?
>> MAX MOON.
739
00:20:40,706 --> 00:20:41,806
>> THE NAME FOR BUFFALO, RIGHT?
>> MAX MOON.
>> HERE WE GO, IT'S ROBO
740
00:20:41,808 --> 00:20:43,540
>> MAX MOON.
>> HERE WE GO, IT'S ROBO
WRESTLER.
741
00:20:43,542 --> 00:20:45,909
>> HERE WE GO, IT'S ROBO
WRESTLER.
>> MAX MOON QUITE A COMPETITOR.
742
00:20:45,911 --> 00:20:47,544
WRESTLER.
>> MAX MOON QUITE A COMPETITOR.
THIS IS A TREMENDOUS OPPORTUNITY
743
00:20:47,546 --> 00:20:49,680
>> MAX MOON QUITE A COMPETITOR.
THIS IS A TREMENDOUS OPPORTUNITY
FOR MAX MOON.
744
00:20:49,682 --> 00:20:50,681
THIS IS A TREMENDOUS OPPORTUNITY
FOR MAX MOON.
>> HERE FROM NEW YORK CITY,
745
00:20:50,683 --> 00:20:52,316
FOR MAX MOON.
>> HERE FROM NEW YORK CITY,
WHERE YOU COULD WEAR AN OUTFIT
746
00:20:52,318 --> 00:20:53,484
>> HERE FROM NEW YORK CITY,
WHERE YOU COULD WEAR AN OUTFIT
LIKE THAT IN THE SUBWAY AND NOT
747
00:20:53,486 --> 00:20:55,653
WHERE YOU COULD WEAR AN OUTFIT
LIKE THAT IN THE SUBWAY AND NOT
GET A SECOND LOOK.
748
00:20:55,655 --> 00:20:56,553
LIKE THAT IN THE SUBWAY AND NOT
GET A SECOND LOOK.
>> WELL, HE'S GOT A CHANCE TO
749
00:20:56,555 --> 00:20:57,622
GET A SECOND LOOK.
>> WELL, HE'S GOT A CHANCE TO
WIN THE INTERCONTINENTAL TITLE
750
00:20:57,624 --> 00:20:58,756
>> WELL, HE'S GOT A CHANCE TO
WIN THE INTERCONTINENTAL TITLE
RIGHT NOW.
751
00:20:58,758 --> 00:20:59,857
WIN THE INTERCONTINENTAL TITLE
RIGHT NOW.
>> HE CERTAINLY DOES.
752
00:20:59,859 --> 00:21:00,858
RIGHT NOW.
>> HE CERTAINLY DOES.
>> MACHO MAN, I NEVER THOUGHT
753
00:21:00,860 --> 00:21:02,393
>> HE CERTAINLY DOES.
>> MACHO MAN, I NEVER THOUGHT
YOU'D BE UNDERDRESSED BUT NEXT
754
00:21:02,395 --> 00:21:03,727
>> MACHO MAN, I NEVER THOUGHT
YOU'D BE UNDERDRESSED BUT NEXT
TO THIS GUY.
755
00:21:03,729 --> 00:21:04,494
YOU'D BE UNDERDRESSED BUT NEXT
TO THIS GUY.
>> LOOKS LIKE THAT MASTERS INTO
756
00:21:04,496 --> 00:21:05,429
TO THIS GUY.
>> LOOKS LIKE THAT MASTERS INTO
ME.
757
00:21:05,431 --> 00:21:06,730
>> LOOKS LIKE THAT MASTERS INTO
ME.
VINCE MCMAHON LOOKS LIKE THEY
758
00:21:06,732 --> 00:21:08,432
ME.
VINCE MCMAHON LOOKS LIKE THEY
WERE BOTH HANDLER.
759
00:21:08,434 --> 00:21:09,600
VINCE MCMAHON LOOKS LIKE THEY
WERE BOTH HANDLER.
>> OH, MY GOODNESS.
760
00:21:09,602 --> 00:21:11,535
WERE BOTH HANDLER.
>> OH, MY GOODNESS.
>> WEIGHING 240 POUNDS.
761
00:21:11,537 --> 00:21:12,836
>> OH, MY GOODNESS.
>> WEIGHING 240 POUNDS.
>> HERE'S A MAN WHO [INDISTINCT]
762
00:21:12,838 --> 00:21:14,938
>> WEIGHING 240 POUNDS.
>> HERE'S A MAN WHO [INDISTINCT]
IN A VERY CALCULATED MANNER.
763
00:21:14,940 --> 00:21:19,410
>> HERE'S A MAN WHO [INDISTINCT]
IN A VERY CALCULATED MANNER.
>> SHAWN MICHAELS.
764
00:21:19,412 --> 00:21:22,379
IN A VERY CALCULATED MANNER.
>> SHAWN MICHAELS.
>> [MUSIC]
765
00:21:22,381 --> 00:21:23,614
>> SHAWN MICHAELS.
>> [MUSIC]
>> WE ARE LIVE LADIES AND
766
00:21:23,616 --> 00:21:24,882
>> [MUSIC]
>> WE ARE LIVE LADIES AND
GENTLEMEN FROM THE MANHATTAN
767
00:21:24,884 --> 00:21:29,420
>> WE ARE LIVE LADIES AND
GENTLEMEN FROM THE MANHATTAN
CENTER IN NEW YORK CITY.
768
00:21:29,422 --> 00:21:31,655
GENTLEMEN FROM THE MANHATTAN
CENTER IN NEW YORK CITY.
SHAWN MICHAELS DEFENDING THE
769
00:21:31,657 --> 00:21:32,923
CENTER IN NEW YORK CITY.
SHAWN MICHAELS DEFENDING THE
INTERCONTINENTAL CHAMPIONSHIP
770
00:21:32,925 --> 00:21:41,799
SHAWN MICHAELS DEFENDING THE
INTERCONTINENTAL CHAMPIONSHIP
AGAINST MAX MOON.
771
00:21:41,801 --> 00:21:43,734
INTERCONTINENTAL CHAMPIONSHIP
AGAINST MAX MOON.
>> [BELL RINGING]
772
00:21:43,736 --> 00:21:45,503
AGAINST MAX MOON.
>> [BELL RINGING]
>> AND YOU MIGHT SAY THAT SHAWN
773
00:21:45,505 --> 00:21:47,771
>> [BELL RINGING]
>> AND YOU MIGHT SAY THAT SHAWN
MICHAELS HAS SOMEWHAT OF AN EGO.
774
00:21:47,773 --> 00:21:48,672
>> AND YOU MIGHT SAY THAT SHAWN
MICHAELS HAS SOMEWHAT OF AN EGO.
>> THE FACT THE LADIES ARE
775
00:21:48,674 --> 00:21:49,540
MICHAELS HAS SOMEWHAT OF AN EGO.
>> THE FACT THE LADIES ARE
CONCERNED.
776
00:21:49,542 --> 00:21:51,542
>> THE FACT THE LADIES ARE
CONCERNED.
>> HIS A LEGEND IN HIS HOME
777
00:21:51,544 --> 00:21:52,609
CONCERNED.
>> HIS A LEGEND IN HIS HOME
MIND.
778
00:21:52,611 --> 00:21:54,545
>> HIS A LEGEND IN HIS HOME
MIND.
>> YES.
779
00:21:54,547 --> 00:21:55,346
MIND.
>> YES.
>> NONETHELESS, THUS FAR, NO ONE
780
00:21:55,348 --> 00:21:56,547
>> YES.
>> NONETHELESS, THUS FAR, NO ONE
HAS BEEN ABLE TO TAKE AWAY THE
781
00:21:56,549 --> 00:21:57,214
>> NONETHELESS, THUS FAR, NO ONE
HAS BEEN ABLE TO TAKE AWAY THE
INTERCONTINENTAL CHAMPIONSHIP
782
00:21:57,216 --> 00:21:57,748
HAS BEEN ABLE TO TAKE AWAY THE
INTERCONTINENTAL CHAMPIONSHIP
FROM SHAWN MICHAELS.
783
00:21:57,750 --> 00:21:58,882
INTERCONTINENTAL CHAMPIONSHIP
FROM SHAWN MICHAELS.
NICE ARM DRAG.
784
00:21:58,884 --> 00:21:59,783
FROM SHAWN MICHAELS.
NICE ARM DRAG.
>> AND YOU HAVE TO GIVE THIS
785
00:21:59,785 --> 00:22:01,552
NICE ARM DRAG.
>> AND YOU HAVE TO GIVE THIS
YOUNG MAN CREDIT IN TERMS OF HIS
786
00:22:01,554 --> 00:22:02,553
>> AND YOU HAVE TO GIVE THIS
YOUNG MAN CREDIT IN TERMS OF HIS
ATHLETICISM.
787
00:22:02,555 --> 00:22:03,554
YOUNG MAN CREDIT IN TERMS OF HIS
ATHLETICISM.
>> HE'S A GREAT ATHLETE, NO
788
00:22:03,556 --> 00:22:04,588
ATHLETICISM.
>> HE'S A GREAT ATHLETE, NO
DOUBT ABOUT IT.
789
00:22:04,590 --> 00:22:05,556
>> HE'S A GREAT ATHLETE, NO
DOUBT ABOUT IT.
RIGHT IN FRONT OF THE...
790
00:22:05,558 --> 00:22:06,557
DOUBT ABOUT IT.
RIGHT IN FRONT OF THE...
>> AND HE KNOWS IT.
791
00:22:06,559 --> 00:22:07,625
RIGHT IN FRONT OF THE...
>> AND HE KNOWS IT.
AND HE WANTS EVERYONE ELSE TO
792
00:22:07,627 --> 00:22:07,924
>> AND HE KNOWS IT.
AND HE WANTS EVERYONE ELSE TO
KNOW IT.
793
00:22:07,926 --> 00:22:10,627
AND HE WANTS EVERYONE ELSE TO
KNOW IT.
>> DON'T FORGET FOLKS, COMING UP
794
00:22:10,629 --> 00:22:12,363
KNOW IT.
>> DON'T FORGET FOLKS, COMING UP
SOON THE WWE'S VERSION OF THE
795
00:22:12,365 --> 00:22:13,097
>> DON'T FORGET FOLKS, COMING UP
SOON THE WWE'S VERSION OF THE
AMY FISHER STORY, PIN ME.
796
00:22:13,099 --> 00:22:14,598
SOON THE WWE'S VERSION OF THE
AMY FISHER STORY, PIN ME.
>> ALL RIGHT.
797
00:22:14,600 --> 00:22:15,833
AMY FISHER STORY, PIN ME.
>> ALL RIGHT.
>> STARRING THE SENSATIONAL
798
00:22:15,835 --> 00:22:17,635
>> ALL RIGHT.
>> STARRING THE SENSATIONAL
SHERRI AS AMY, VINCE MCMAHON AS
799
00:22:17,637 --> 00:22:19,703
>> STARRING THE SENSATIONAL
SHERRI AS AMY, VINCE MCMAHON AS
JOEY BUTTAFUOCO AND BOBBY "THE
800
00:22:19,705 --> 00:22:22,439
SHERRI AS AMY, VINCE MCMAHON AS
JOEY BUTTAFUOCO AND BOBBY "THE
BRAIN" HEENAN AND MARY JO.
801
00:22:22,441 --> 00:22:24,408
JOEY BUTTAFUOCO AND BOBBY "THE
BRAIN" HEENAN AND MARY JO.
>> I THINK HE JUST DID A REBECCA
802
00:22:24,410 --> 00:22:25,876
BRAIN" HEENAN AND MARY JO.
>> I THINK HE JUST DID A REBECCA
HEENAN OUT THERE, DIDN'T HE IN
803
00:22:25,878 --> 00:22:26,877
>> I THINK HE JUST DID A REBECCA
HEENAN OUT THERE, DIDN'T HE IN
HIS THE STREETS?
804
00:22:26,879 --> 00:22:28,612
HEENAN OUT THERE, DIDN'T HE IN
HIS THE STREETS?
>> I DON'T KNOW ABOUT THAT.
805
00:22:28,614 --> 00:22:29,546
HIS THE STREETS?
>> I DON'T KNOW ABOUT THAT.
>> I'M TELLING YOU, SHE LOOKED
806
00:22:29,548 --> 00:22:31,782
>> I DON'T KNOW ABOUT THAT.
>> I'M TELLING YOU, SHE LOOKED
NICE.
807
00:22:31,784 --> 00:22:33,317
>> I'M TELLING YOU, SHE LOOKED
NICE.
>> AND TO THE ROPES THERE MAX
808
00:22:33,319 --> 00:22:34,618
NICE.
>> AND TO THE ROPES THERE MAX
MOON, BACK UP ON HIS FEET AS
809
00:22:34,620 --> 00:22:35,452
>> AND TO THE ROPES THERE MAX
MOON, BACK UP ON HIS FEET AS
WELL.
810
00:22:35,454 --> 00:22:36,020
MOON, BACK UP ON HIS FEET AS
WELL.
LOOK AT THIS.
811
00:22:36,022 --> 00:22:37,788
WELL.
LOOK AT THIS.
>> A LUNGE BACK OFF THE ROPE IS
812
00:22:37,790 --> 00:22:38,455
LOOK AT THIS.
>> A LUNGE BACK OFF THE ROPE IS
SHAWN MICHAELS NOW UNDERNEATH
813
00:22:38,457 --> 00:22:40,357
>> A LUNGE BACK OFF THE ROPE IS
SHAWN MICHAELS NOW UNDERNEATH
THE LEGS AND OH, NICE MANEUVER
814
00:22:40,359 --> 00:22:41,792
SHAWN MICHAELS NOW UNDERNEATH
THE LEGS AND OH, NICE MANEUVER
BY MAX MOON WITH AN ARM DRAG
815
00:22:41,794 --> 00:22:44,662
THE LEGS AND OH, NICE MANEUVER
BY MAX MOON WITH AN ARM DRAG
TAKEDOWN.
816
00:22:44,664 --> 00:22:47,898
BY MAX MOON WITH AN ARM DRAG
TAKEDOWN.
AND THESE TWO COMPETITORS MEAN
817
00:22:47,900 --> 00:22:48,566
TAKEDOWN.
AND THESE TWO COMPETITORS MEAN
BUSINESS HERE AT THE MANHATTAN
818
00:22:48,568 --> 00:22:50,668
AND THESE TWO COMPETITORS MEAN
BUSINESS HERE AT THE MANHATTAN
CENTER, AND MICHAELS TAKE A
819
00:22:50,670 --> 00:22:52,603
BUSINESS HERE AT THE MANHATTAN
CENTER, AND MICHAELS TAKE A
PUTTER.
820
00:22:52,605 --> 00:22:54,438
CENTER, AND MICHAELS TAKE A
PUTTER.
>> WELL, TIME TO GET HIMSELF
821
00:22:54,440 --> 00:22:55,406
PUTTER.
>> WELL, TIME TO GET HIMSELF
TOGETHER HERE AND FIGURE ALL
822
00:22:55,408 --> 00:22:56,473
>> WELL, TIME TO GET HIMSELF
TOGETHER HERE AND FIGURE ALL
THIS OUT.
823
00:22:56,475 --> 00:22:57,675
TOGETHER HERE AND FIGURE ALL
THIS OUT.
>> HE'S ON RAW, MONDAY NIGHT RAW
824
00:22:57,677 --> 00:22:58,375
THIS OUT.
>> HE'S ON RAW, MONDAY NIGHT RAW
RIGHT THERE, AND HE'S
825
00:22:58,377 --> 00:22:58,875
>> HE'S ON RAW, MONDAY NIGHT RAW
RIGHT THERE, AND HE'S
UNCENSORED.
826
00:22:58,877 --> 00:22:59,676
RIGHT THERE, AND HE'S
UNCENSORED.
>> AND UNCUT.
827
00:22:59,678 --> 00:23:02,680
UNCENSORED.
>> AND UNCUT.
>> AND UNCOOKED.
828
00:23:02,682 --> 00:23:03,680
>> AND UNCUT.
>> AND UNCOOKED.
>> SHAWN MICHAELS LOOKS HAVING A
829
00:23:03,682 --> 00:23:05,749
>> AND UNCOOKED.
>> SHAWN MICHAELS LOOKS HAVING A
LITTLE PROBLEM FIGURING OUT MAX
830
00:23:05,751 --> 00:23:06,717
>> SHAWN MICHAELS LOOKS HAVING A
LITTLE PROBLEM FIGURING OUT MAX
MOON.
831
00:23:06,719 --> 00:23:07,785
LITTLE PROBLEM FIGURING OUT MAX
MOON.
I THINK MOON MIGHT EVEN BE A
832
00:23:07,787 --> 00:23:09,453
MOON.
I THINK MOON MIGHT EVEN BE A
SHADE QUICKER THAN SHAWN
833
00:23:09,455 --> 00:23:10,521
I THINK MOON MIGHT EVEN BE A
SHADE QUICKER THAN SHAWN
MICHAELS.
834
00:23:10,523 --> 00:23:11,789
SHADE QUICKER THAN SHAWN
MICHAELS.
>> SO FAR, THAT'S TRUE.
835
00:23:11,791 --> 00:23:14,358
MICHAELS.
>> SO FAR, THAT'S TRUE.
BUT TIME WILL TELL.
836
00:23:14,360 --> 00:23:15,092
>> SO FAR, THAT'S TRUE.
BUT TIME WILL TELL.
>> WILL SHAWN BE PART OF THAT
837
00:23:15,094 --> 00:23:16,627
BUT TIME WILL TELL.
>> WILL SHAWN BE PART OF THAT
ROYAL RUMBLE THERE, VINCE?
838
00:23:16,629 --> 00:23:18,329
>> WILL SHAWN BE PART OF THAT
ROYAL RUMBLE THERE, VINCE?
>> AGAIN, JUST LIKE THE MACHO
839
00:23:18,331 --> 00:23:19,630
ROYAL RUMBLE THERE, VINCE?
>> AGAIN, JUST LIKE THE MACHO
SAID, "TIME WILL TELL."
840
00:23:19,632 --> 00:23:20,631
>> AGAIN, JUST LIKE THE MACHO
SAID, "TIME WILL TELL."
>> OH, YEAH.
841
00:23:20,633 --> 00:23:21,732
SAID, "TIME WILL TELL."
>> OH, YEAH.
>> AWESOME.
842
00:23:21,734 --> 00:23:23,467
>> OH, YEAH.
>> AWESOME.
>> RIGHT INTO THE HAMMERLOCK,
843
00:23:23,469 --> 00:23:25,602
>> AWESOME.
>> RIGHT INTO THE HAMMERLOCK,
NICELY DONE.
844
00:23:25,604 --> 00:23:26,470
>> RIGHT INTO THE HAMMERLOCK,
NICELY DONE.
THUS FAR, IT SEEMS TO ME MAX
845
00:23:26,472 --> 00:23:28,539
NICELY DONE.
THUS FAR, IT SEEMS TO ME MAX
MOON IS SORT OF OUTCLASSING
846
00:23:28,541 --> 00:23:29,573
THUS FAR, IT SEEMS TO ME MAX
MOON IS SORT OF OUTCLASSING
SHAWN MICHAELS.
847
00:23:29,575 --> 00:23:30,574
MOON IS SORT OF OUTCLASSING
SHAWN MICHAELS.
>> THAT'S WHERE YOU CAN MAKE A
848
00:23:30,576 --> 00:23:31,776
SHAWN MICHAELS.
>> THAT'S WHERE YOU CAN MAKE A
NAME FOR YOURSELF REALLY, REALLY
849
00:23:31,778 --> 00:23:32,810
>> THAT'S WHERE YOU CAN MAKE A
NAME FOR YOURSELF REALLY, REALLY
QUICK.
850
00:23:32,812 --> 00:23:33,710
NAME FOR YOURSELF REALLY, REALLY
QUICK.
>> YEAH, BIG TIME.
851
00:23:33,712 --> 00:23:36,513
QUICK.
>> YEAH, BIG TIME.
>> STAY TUNED LATER ON HERE
852
00:23:36,515 --> 00:23:39,483
>> YEAH, BIG TIME.
>> STAY TUNED LATER ON HERE
FOLKS, LIVE FROM NEW YORK CITY,
853
00:23:39,485 --> 00:23:40,784
>> STAY TUNED LATER ON HERE
FOLKS, LIVE FROM NEW YORK CITY,
MAYOR DAVID DINKINS VERSUS
854
00:23:40,786 --> 00:23:44,555
FOLKS, LIVE FROM NEW YORK CITY,
MAYOR DAVID DINKINS VERSUS
CARDINAL O'CONNOR.
855
00:23:44,557 --> 00:23:46,790
MAYOR DAVID DINKINS VERSUS
CARDINAL O'CONNOR.
>> TIME PERMITTING OF COURSE.
856
00:23:46,792 --> 00:23:47,958
CARDINAL O'CONNOR.
>> TIME PERMITTING OF COURSE.
OH, WAIT A MINUTE, NOW WE'RE
857
00:23:47,960 --> 00:23:49,560
>> TIME PERMITTING OF COURSE.
OH, WAIT A MINUTE, NOW WE'RE
TOLD THAT WE'RE GONNA HAVE TO
858
00:23:49,562 --> 00:23:50,561
OH, WAIT A MINUTE, NOW WE'RE
TOLD THAT WE'RE GONNA HAVE TO
TAKE A QUICK BREAK.
859
00:23:50,563 --> 00:23:51,361
TOLD THAT WE'RE GONNA HAVE TO
TAKE A QUICK BREAK.
WE'LL BE RIGHT BACK AS THE MATCH
860
00:23:51,363 --> 00:23:52,362
TAKE A QUICK BREAK.
WE'LL BE RIGHT BACK AS THE MATCH
CONTINUES, STAY WITH US.
861
00:23:52,364 --> 00:23:57,802
WE'LL BE RIGHT BACK AS THE MATCH
CONTINUES, STAY WITH US.
>> WE ARE COMING TO YOU FROM NEW
862
00:23:57,804 --> 00:24:00,737
CONTINUES, STAY WITH US.
>> WE ARE COMING TO YOU FROM NEW
YORK CITY'S MANHATTAN CENTER
863
00:24:00,739 --> 00:24:01,605
>> WE ARE COMING TO YOU FROM NEW
YORK CITY'S MANHATTAN CENTER
LIVE.
864
00:24:01,607 --> 00:24:02,606
YORK CITY'S MANHATTAN CENTER
LIVE.
IT'S MONDAY NIGHT RAW.
865
00:24:02,608 --> 00:24:03,474
LIVE.
IT'S MONDAY NIGHT RAW.
VINCE MCMAHON WITH ROB BARTLETT
866
00:24:03,476 --> 00:24:04,341
IT'S MONDAY NIGHT RAW.
VINCE MCMAHON WITH ROB BARTLETT
AND THE MACHO MAN RANDY SAVAGE,
867
00:24:04,343 --> 00:24:07,311
VINCE MCMAHON WITH ROB BARTLETT
AND THE MACHO MAN RANDY SAVAGE,
AND THIS MATCHUP CONTINUES FOR
868
00:24:07,313 --> 00:24:07,878
AND THE MACHO MAN RANDY SAVAGE,
AND THIS MATCHUP CONTINUES FOR
THE INTERCONTINENTAL
869
00:24:07,880 --> 00:24:08,779
AND THIS MATCHUP CONTINUES FOR
THE INTERCONTINENTAL
CHAMPIONSHIP.
870
00:24:08,781 --> 00:24:09,813
THE INTERCONTINENTAL
CHAMPIONSHIP.
MAX MOON'S GOING UP AGAINST
871
00:24:09,815 --> 00:24:10,581
CHAMPIONSHIP.
MAX MOON'S GOING UP AGAINST
SHAWN MICHAELS.
872
00:24:10,583 --> 00:24:11,615
MAX MOON'S GOING UP AGAINST
SHAWN MICHAELS.
LOOK AT THAT.
873
00:24:11,617 --> 00:24:12,483
SHAWN MICHAELS.
LOOK AT THAT.
>> WHAT A MATCH WE'RE WATCHING
874
00:24:12,485 --> 00:24:12,850
LOOK AT THAT.
>> WHAT A MATCH WE'RE WATCHING
RIGHT HERE.
875
00:24:12,852 --> 00:24:14,384
>> WHAT A MATCH WE'RE WATCHING
RIGHT HERE.
IT'S UNBELIEVABLE, IT'S
876
00:24:14,386 --> 00:24:15,285
RIGHT HERE.
IT'S UNBELIEVABLE, IT'S
FANTASTIC.
877
00:24:15,287 --> 00:24:16,553
IT'S UNBELIEVABLE, IT'S
FANTASTIC.
>> YOU MISSED IT DURING THE
878
00:24:16,555 --> 00:24:17,454
FANTASTIC.
>> YOU MISSED IT DURING THE
BREAK FOLKS, SHAWN MICHAELS
879
00:24:17,456 --> 00:24:18,522
>> YOU MISSED IT DURING THE
BREAK FOLKS, SHAWN MICHAELS
PULLED A KNIFE.
880
00:24:18,524 --> 00:24:19,556
BREAK FOLKS, SHAWN MICHAELS
PULLED A KNIFE.
>> HE DID NOT.
881
00:24:19,558 --> 00:24:20,324
PULLED A KNIFE.
>> HE DID NOT.
STOP IT, ROB.
882
00:24:20,326 --> 00:24:20,924
>> HE DID NOT.
STOP IT, ROB.
STOP IT, STOP IT.
883
00:24:20,926 --> 00:24:22,326
STOP IT, ROB.
STOP IT, STOP IT.
>> OH, I'M SORRY, I'M SORRY.
884
00:24:22,328 --> 00:24:22,959
STOP IT, STOP IT.
>> OH, I'M SORRY, I'M SORRY.
>> IT'S NOT THAT RAW.
885
00:24:22,961 --> 00:24:23,694
>> OH, I'M SORRY, I'M SORRY.
>> IT'S NOT THAT RAW.
>> BUT IT IS UNCUT.
886
00:24:23,696 --> 00:24:24,495
>> IT'S NOT THAT RAW.
>> BUT IT IS UNCUT.
>> UNCENSORED.
887
00:24:24,497 --> 00:24:26,464
>> BUT IT IS UNCUT.
>> UNCENSORED.
>> AND UNCOOKED.
888
00:24:26,466 --> 00:24:27,364
>> UNCENSORED.
>> AND UNCOOKED.
AND LOOK AT--WHAT A MANEUVER BY
889
00:24:27,366 --> 00:24:29,500
>> AND UNCOOKED.
AND LOOK AT--WHAT A MANEUVER BY
SHAWN MICHAELS.
890
00:24:29,502 --> 00:24:30,567
AND LOOK AT--WHAT A MANEUVER BY
SHAWN MICHAELS.
>> A KNIFE WOULD'VE BEEN NICER
891
00:24:30,569 --> 00:24:31,702
SHAWN MICHAELS.
>> A KNIFE WOULD'VE BEEN NICER
RIGHT THERE.
892
00:24:31,704 --> 00:24:33,537
>> A KNIFE WOULD'VE BEEN NICER
RIGHT THERE.
>> THAT WAS UNCOUTH.
893
00:24:33,539 --> 00:24:34,771
RIGHT THERE.
>> THAT WAS UNCOUTH.
>> YEAH, DEFINITELY.
894
00:24:34,773 --> 00:24:35,539
>> THAT WAS UNCOUTH.
>> YEAH, DEFINITELY.
>> SHAWN MICHAELS WILL DO
895
00:24:35,541 --> 00:24:36,774
>> YEAH, DEFINITELY.
>> SHAWN MICHAELS WILL DO
ANYTHING TO RETAIN HIS WWE
896
00:24:36,776 --> 00:24:38,509
>> SHAWN MICHAELS WILL DO
ANYTHING TO RETAIN HIS WWE
CHAMPIONSHIP.
897
00:24:38,511 --> 00:24:39,610
ANYTHING TO RETAIN HIS WWE
CHAMPIONSHIP.
SHAWN MICHAELS HEADED TO THE
898
00:24:39,612 --> 00:24:40,477
CHAMPIONSHIP.
SHAWN MICHAELS HEADED TO THE
ROYAL RUMBLE DEFENDING THE
899
00:24:40,479 --> 00:24:42,646
SHAWN MICHAELS HEADED TO THE
ROYAL RUMBLE DEFENDING THE
TITLE, IF HE IS SUCCESSFUL HERE
900
00:24:42,648 --> 00:24:43,814
ROYAL RUMBLE DEFENDING THE
TITLE, IF HE IS SUCCESSFUL HERE
AGAINST MARTY JANNETTY.
901
00:24:43,816 --> 00:24:45,849
TITLE, IF HE IS SUCCESSFUL HERE
AGAINST MARTY JANNETTY.
SENSATIONAL SHERRI IS SCHEDULED
902
00:24:45,851 --> 00:24:47,584
AGAINST MARTY JANNETTY.
SENSATIONAL SHERRI IS SCHEDULED
TO BE AT RING SIDE BUT WE DON'T
903
00:24:47,586 --> 00:24:48,852
SENSATIONAL SHERRI IS SCHEDULED
TO BE AT RING SIDE BUT WE DON'T
KNOW IN WHOSE CORNER SHE'S GOING
904
00:24:48,854 --> 00:24:50,554
TO BE AT RING SIDE BUT WE DON'T
KNOW IN WHOSE CORNER SHE'S GOING
TO BE IN.
905
00:24:50,556 --> 00:24:51,355
KNOW IN WHOSE CORNER SHE'S GOING
TO BE IN.
>> MAYBE BOTH CORNERS.
906
00:24:51,357 --> 00:24:52,789
TO BE IN.
>> MAYBE BOTH CORNERS.
>> YEAH.
907
00:24:52,791 --> 00:24:55,659
>> MAYBE BOTH CORNERS.
>> YEAH.
>> A LITTLE SPLIT PERSONALITY
908
00:24:55,661 --> 00:24:56,560
>> YEAH.
>> A LITTLE SPLIT PERSONALITY
THING GOING ON THERE, RANDY?
909
00:24:56,562 --> 00:24:57,461
>> A LITTLE SPLIT PERSONALITY
THING GOING ON THERE, RANDY?
>> POSSIBLE.
910
00:24:57,463 --> 00:24:58,228
THING GOING ON THERE, RANDY?
>> POSSIBLE.
SHE'S THE TOUGHEST ONE OF THE
911
00:24:58,230 --> 00:24:58,896
>> POSSIBLE.
SHE'S THE TOUGHEST ONE OF THE
BUNCH, MAYBE.
912
00:24:58,898 --> 00:24:59,863
SHE'S THE TOUGHEST ONE OF THE
BUNCH, MAYBE.
>> BY THE WAY, IN THIS DAY AND
913
00:24:59,865 --> 00:25:00,531
BUNCH, MAYBE.
>> BY THE WAY, IN THIS DAY AND
AGE, [INDISTINCT]
914
00:25:00,533 --> 00:25:01,798
>> BY THE WAY, IN THIS DAY AND
AGE, [INDISTINCT]
WWE PRESIDENT JACK TUNNEY
915
00:25:01,800 --> 00:25:03,467
AGE, [INDISTINCT]
WWE PRESIDENT JACK TUNNEY
ATTEMPTING TO PARDON MIKE TYSON
916
00:25:03,469 --> 00:25:04,801
WWE PRESIDENT JACK TUNNEY
ATTEMPTING TO PARDON MIKE TYSON
RECENTLY.
917
00:25:04,803 --> 00:25:05,702
ATTEMPTING TO PARDON MIKE TYSON
RECENTLY.
UNABLE TO DO SO BUT WE
918
00:25:05,704 --> 00:25:06,803
RECENTLY.
UNABLE TO DO SO BUT WE
UNDERSTAND MR. TYSON HAS A
919
00:25:06,805 --> 00:25:10,374
UNABLE TO DO SO BUT WE
UNDERSTAND MR. TYSON HAS A
MONITOR AND A TELEPHONE AND HE'S
920
00:25:10,376 --> 00:25:11,174
UNDERSTAND MR. TYSON HAS A
MONITOR AND A TELEPHONE AND HE'S
WATCHING MONDAY NIGHT RAW
921
00:25:11,176 --> 00:25:12,443
MONITOR AND A TELEPHONE AND HE'S
WATCHING MONDAY NIGHT RAW
PERHAPS.
922
00:25:12,445 --> 00:25:12,943
WATCHING MONDAY NIGHT RAW
PERHAPS.
>> HELLO, HELLO FANS.
923
00:25:12,945 --> 00:25:14,511
PERHAPS.
>> HELLO, HELLO FANS.
>> IS THAT--MIKE, IS THAT YOU?
924
00:25:14,513 --> 00:25:15,446
>> HELLO, HELLO FANS.
>> IS THAT--MIKE, IS THAT YOU?
>> YEAH, HI.
925
00:25:15,448 --> 00:25:16,547
>> IS THAT--MIKE, IS THAT YOU?
>> YEAH, HI.
HOW YOU DOING?
926
00:25:16,549 --> 00:25:17,648
>> YEAH, HI.
HOW YOU DOING?
>> THAT'S MIKE TYSON.
927
00:25:17,650 --> 00:25:18,815
HOW YOU DOING?
>> THAT'S MIKE TYSON.
>> YEAH, I'M HERE.
928
00:25:18,817 --> 00:25:22,786
>> THAT'S MIKE TYSON.
>> YEAH, I'M HERE.
I'M IN--I'M IN SOLITARY
929
00:25:22,788 --> 00:25:24,521
>> YEAH, I'M HERE.
I'M IN--I'M IN SOLITARY
CONFINEMENT.
930
00:25:24,523 --> 00:25:25,522
I'M IN--I'M IN SOLITARY
CONFINEMENT.
>> YOU'RE WHERE?
931
00:25:25,524 --> 00:25:27,424
CONFINEMENT.
>> YOU'RE WHERE?
>> I'M IN SOLITARY CONFINEMENT.
932
00:25:27,426 --> 00:25:28,124
>> YOU'RE WHERE?
>> I'M IN SOLITARY CONFINEMENT.
>> WELL, WE'RE HERE AT MONDAY
933
00:25:28,126 --> 00:25:29,660
>> I'M IN SOLITARY CONFINEMENT.
>> WELL, WE'RE HERE AT MONDAY
NIGHT RAW.
934
00:25:29,662 --> 00:25:30,794
>> WELL, WE'RE HERE AT MONDAY
NIGHT RAW.
>> BY MYSELF, I MIGHT ADD.
935
00:25:30,796 --> 00:25:32,596
NIGHT RAW.
>> BY MYSELF, I MIGHT ADD.
>> WELL, ALL RIGHT.
936
00:25:32,598 --> 00:25:34,398
>> BY MYSELF, I MIGHT ADD.
>> WELL, ALL RIGHT.
>> WE USED TO--USED TO HAVE FUN
937
00:25:34,400 --> 00:25:35,666
>> WELL, ALL RIGHT.
>> WE USED TO--USED TO HAVE FUN
ON DATES BUT NOW YOU'RE MAKING
938
00:25:35,668 --> 00:25:37,434
>> WE USED TO--USED TO HAVE FUN
ON DATES BUT NOW YOU'RE MAKING
LICENSE PLATES, AM I RIGHT,
939
00:25:37,436 --> 00:25:38,702
ON DATES BUT NOW YOU'RE MAKING
LICENSE PLATES, AM I RIGHT,
MIKE?
940
00:25:38,704 --> 00:25:39,536
LICENSE PLATES, AM I RIGHT,
MIKE?
>> WE'RE ON TWO AND ALMOST A
941
00:25:39,538 --> 00:25:40,571
MIKE?
>> WE'RE ON TWO AND ALMOST A
COUNT OF THREE.
942
00:25:40,573 --> 00:25:41,872
>> WE'RE ON TWO AND ALMOST A
COUNT OF THREE.
WE CERTAINLY HOPE, MR. TYSON,
943
00:25:41,874 --> 00:25:42,572
COUNT OF THREE.
WE CERTAINLY HOPE, MR. TYSON,
YOU'RE ENJOYING MONDAY NIGHT
944
00:25:42,574 --> 00:25:43,574
WE CERTAINLY HOPE, MR. TYSON,
YOU'RE ENJOYING MONDAY NIGHT
RAW.
945
00:25:43,576 --> 00:25:44,775
YOU'RE ENJOYING MONDAY NIGHT
RAW.
>> OH, THIS IS NOTHING.
946
00:25:44,777 --> 00:25:45,409
RAW.
>> OH, THIS IS NOTHING.
I SEE THIS KIND OF STUFF IN THE
947
00:25:45,411 --> 00:25:46,877
>> OH, THIS IS NOTHING.
I SEE THIS KIND OF STUFF IN THE
MESS HALL EVERYDAY.
948
00:25:46,879 --> 00:25:47,711
I SEE THIS KIND OF STUFF IN THE
MESS HALL EVERYDAY.
>> OH, WELL, I DON'T KNOW ABOUT
949
00:25:47,713 --> 00:25:48,378
MESS HALL EVERYDAY.
>> OH, WELL, I DON'T KNOW ABOUT
THAT.
950
00:25:48,380 --> 00:25:49,346
>> OH, WELL, I DON'T KNOW ABOUT
THAT.
>> HEY, WHO'S THAT ON THE SCREEN
951
00:25:49,348 --> 00:25:51,381
THAT.
>> HEY, WHO'S THAT ON THE SCREEN
NOW?
952
00:25:51,383 --> 00:25:52,482
>> HEY, WHO'S THAT ON THE SCREEN
NOW?
IS THAT OPRAH WINFREY?
953
00:25:52,484 --> 00:25:53,483
NOW?
IS THAT OPRAH WINFREY?
>> NO, THERE'S NO TELLING WHAT
954
00:25:53,485 --> 00:25:54,451
IS THAT OPRAH WINFREY?
>> NO, THERE'S NO TELLING WHAT
YOU'RE GONNA SEE HERE ON MONDAY
955
00:25:54,453 --> 00:25:55,352
>> NO, THERE'S NO TELLING WHAT
YOU'RE GONNA SEE HERE ON MONDAY
NIGHT RAW.
956
00:25:55,354 --> 00:25:56,620
YOU'RE GONNA SEE HERE ON MONDAY
NIGHT RAW.
THAT'S DOINK.
957
00:25:56,622 --> 00:25:59,723
NIGHT RAW.
THAT'S DOINK.
>> DORK?
958
00:25:59,725 --> 00:26:01,558
THAT'S DOINK.
>> DORK?
>> AND IT LOOKS LIKE SHAWN
959
00:26:01,560 --> 00:26:02,560
>> DORK?
>> AND IT LOOKS LIKE SHAWN
MICHAELS IS TAKING OVER ON MAX
960
00:26:02,562 --> 00:26:03,594
>> AND IT LOOKS LIKE SHAWN
MICHAELS IS TAKING OVER ON MAX
MOON, MIKE.
961
00:26:03,596 --> 00:26:04,562
MICHAELS IS TAKING OVER ON MAX
MOON, MIKE.
BY THE WAY, ANY NEW YEAR'S
962
00:26:04,564 --> 00:26:06,563
MOON, MIKE.
BY THE WAY, ANY NEW YEAR'S
RESOLUTIONS FROM YOU, MR. TYSON?
963
00:26:06,565 --> 00:26:07,464
BY THE WAY, ANY NEW YEAR'S
RESOLUTIONS FROM YOU, MR. TYSON?
>> NO.
964
00:26:07,466 --> 00:26:08,532
RESOLUTIONS FROM YOU, MR. TYSON?
>> NO.
JUST THAT I WANNA MAKE SURE I
965
00:26:08,534 --> 00:26:10,434
>> NO.
JUST THAT I WANNA MAKE SURE I
DON'T MISS THAT ROYAL RUMBLE,
966
00:26:10,436 --> 00:26:12,636
JUST THAT I WANNA MAKE SURE I
DON'T MISS THAT ROYAL RUMBLE,
THE TAG TEAM BETWEEN DEADLY
967
00:26:12,638 --> 00:26:14,571
DON'T MISS THAT ROYAL RUMBLE,
THE TAG TEAM BETWEEN DEADLY
DIANNE AND FABULOUS FERGIE
968
00:26:14,573 --> 00:26:15,739
THE TAG TEAM BETWEEN DEADLY
DIANNE AND FABULOUS FERGIE
VERSUS THE PRINCE BROTHERS,
969
00:26:15,741 --> 00:26:17,708
DIANNE AND FABULOUS FERGIE
VERSUS THE PRINCE BROTHERS,
CHUCK AND ANDY.
970
00:26:17,710 --> 00:26:19,376
VERSUS THE PRINCE BROTHERS,
CHUCK AND ANDY.
>> THAT'S NOT THIS YEAR'S ROYAL
971
00:26:19,378 --> 00:26:19,943
CHUCK AND ANDY.
>> THAT'S NOT THIS YEAR'S ROYAL
RUMBLE, MIKE.
972
00:26:19,945 --> 00:26:21,445
>> THAT'S NOT THIS YEAR'S ROYAL
RUMBLE, MIKE.
THAT'S NEXT YEAR.
973
00:26:21,447 --> 00:26:21,878
RUMBLE, MIKE.
THAT'S NEXT YEAR.
>> OH, HE'S NICE.
974
00:26:21,880 --> 00:26:22,412
THAT'S NEXT YEAR.
>> OH, HE'S NICE.
WHO'S HE?
975
00:26:22,414 --> 00:26:25,382
>> OH, HE'S NICE.
WHO'S HE?
>> THIS FACE, THIS FACE HAS
976
00:26:25,384 --> 00:26:27,317
WHO'S HE?
>> THIS FACE, THIS FACE HAS
BROKEN SO MANY HOMES, SO MANY.
977
00:26:27,319 --> 00:26:28,652
>> THIS FACE, THIS FACE HAS
BROKEN SO MANY HOMES, SO MANY.
>> OH, GIVE ME A BREAK.
978
00:26:28,654 --> 00:26:29,653
BROKEN SO MANY HOMES, SO MANY.
>> OH, GIVE ME A BREAK.
WE SAID BEFORE, HE'S STUCK ON
979
00:26:29,655 --> 00:26:31,421
>> OH, GIVE ME A BREAK.
WE SAID BEFORE, HE'S STUCK ON
HIMSELF.
980
00:26:31,423 --> 00:26:33,357
WE SAID BEFORE, HE'S STUCK ON
HIMSELF.
>> THAT FACE MAKES ME BREAK
981
00:26:33,359 --> 00:26:34,691
HIMSELF.
>> THAT FACE MAKES ME BREAK
WHEAT, I DON'T KNOW ABOUT YOU.
982
00:26:34,693 --> 00:26:36,460
>> THAT FACE MAKES ME BREAK
WHEAT, I DON'T KNOW ABOUT YOU.
>> GEEZ, MIKE, WHAT DO THEY FEED
983
00:26:36,462 --> 00:26:36,727
WHEAT, I DON'T KNOW ABOUT YOU.
>> GEEZ, MIKE, WHAT DO THEY FEED
YOU THERE?
984
00:26:36,729 --> 00:26:41,231
>> GEEZ, MIKE, WHAT DO THEY FEED
YOU THERE?
>> I'M GONNA BE IN HERE FOR
985
00:26:41,233 --> 00:26:43,567
YOU THERE?
>> I'M GONNA BE IN HERE FOR
ANOTHER SIX YEARS ALTHOUGH MY
986
00:26:43,569 --> 00:26:45,535
>> I'M GONNA BE IN HERE FOR
ANOTHER SIX YEARS ALTHOUGH MY
MANAGER, MR. KING IS GONNA TRY
987
00:26:45,537 --> 00:26:47,504
ANOTHER SIX YEARS ALTHOUGH MY
MANAGER, MR. KING IS GONNA TRY
TO REDUCE THE SENTENCE TO LIKE
988
00:26:47,506 --> 00:26:48,639
MANAGER, MR. KING IS GONNA TRY
TO REDUCE THE SENTENCE TO LIKE
72 MONTHS.
989
00:26:48,641 --> 00:26:49,706
TO REDUCE THE SENTENCE TO LIKE
72 MONTHS.
>> IT SEEMS LIKE HE'S BEEN
990
00:26:49,708 --> 00:26:51,508
72 MONTHS.
>> IT SEEMS LIKE HE'S BEEN
REDUCING YOUR BANK ACCOUNT.
991
00:26:51,510 --> 00:26:53,577
>> IT SEEMS LIKE HE'S BEEN
REDUCING YOUR BANK ACCOUNT.
>> WHOA, A CALL AND ALMOST A
992
00:26:53,579 --> 00:26:55,712
REDUCING YOUR BANK ACCOUNT.
>> WHOA, A CALL AND ALMOST A
COUNT OF THREE.
993
00:26:55,714 --> 00:26:56,747
>> WHOA, A CALL AND ALMOST A
COUNT OF THREE.
>> I DON'T KNOW ABOUT THAT
994
00:26:56,749 --> 00:26:59,616
COUNT OF THREE.
>> I DON'T KNOW ABOUT THAT
EITHER.
995
00:26:59,618 --> 00:27:02,486
>> I DON'T KNOW ABOUT THAT
EITHER.
>> SHAWN MICHAELS, THE AGGRESSOR
996
00:27:02,488 --> 00:27:05,689
EITHER.
>> SHAWN MICHAELS, THE AGGRESSOR
AT THE MOMENT AGAINST MAX MOON.
997
00:27:05,691 --> 00:27:07,524
>> SHAWN MICHAELS, THE AGGRESSOR
AT THE MOMENT AGAINST MAX MOON.
MICHAELS WANTING TO HEAD TO THE
998
00:27:07,526 --> 00:27:09,593
AT THE MOMENT AGAINST MAX MOON.
MICHAELS WANTING TO HEAD TO THE
ROYAL RUMBLE TO DEFEND THE TITLE
999
00:27:09,595 --> 00:27:12,396
MICHAELS WANTING TO HEAD TO THE
ROYAL RUMBLE TO DEFEND THE TITLE
AGAINST HIS FORMER TAG TEAM, I'M
1000
00:27:12,398 --> 00:27:13,864
ROYAL RUMBLE TO DEFEND THE TITLE
AGAINST HIS FORMER TAG TEAM, I'M
TALKING OF MARTY JANNETTY.
1001
00:27:13,866 --> 00:27:15,499
AGAINST HIS FORMER TAG TEAM, I'M
TALKING OF MARTY JANNETTY.
YOU HAVE TO WONDER WHAT FACTOR
1002
00:27:15,501 --> 00:27:16,734
TALKING OF MARTY JANNETTY.
YOU HAVE TO WONDER WHAT FACTOR
IF ANY--WAIT, THERE'S ANOTHER
1003
00:27:16,736 --> 00:27:18,468
YOU HAVE TO WONDER WHAT FACTOR
IF ANY--WAIT, THERE'S ANOTHER
COVER.
1004
00:27:18,470 --> 00:27:18,936
IF ANY--WAIT, THERE'S ANOTHER
COVER.
TWO AND ALMOST THREE.
1005
00:27:18,938 --> 00:27:19,803
COVER.
TWO AND ALMOST THREE.
THAT SORT OF A FACTOR,
1006
00:27:19,805 --> 00:27:20,838
TWO AND ALMOST THREE.
THAT SORT OF A FACTOR,
SENSATIONAL SHERRI WILL BE IN
1007
00:27:20,840 --> 00:27:22,339
THAT SORT OF A FACTOR,
SENSATIONAL SHERRI WILL BE IN
THE MATCHUP AT THE ROYAL RUMBLE.
1008
00:27:22,341 --> 00:27:23,240
SENSATIONAL SHERRI WILL BE IN
THE MATCHUP AT THE ROYAL RUMBLE.
>> ABSOLUTELY.
1009
00:27:23,242 --> 00:27:24,508
THE MATCHUP AT THE ROYAL RUMBLE.
>> ABSOLUTELY.
AND YOU KNOW, YOU GOT A LOT OF
1010
00:27:24,510 --> 00:27:25,676
>> ABSOLUTELY.
AND YOU KNOW, YOU GOT A LOT OF
IMPORTANT PEOPLE OUT HERE IN THE
1011
00:27:25,678 --> 00:27:26,743
AND YOU KNOW, YOU GOT A LOT OF
IMPORTANT PEOPLE OUT HERE IN THE
AUDIENCE, DID YOU KNOW THAT
1012
00:27:26,745 --> 00:27:27,544
IMPORTANT PEOPLE OUT HERE IN THE
AUDIENCE, DID YOU KNOW THAT
VINCE MCMAHON?
1013
00:27:27,546 --> 00:27:28,311
AUDIENCE, DID YOU KNOW THAT
VINCE MCMAHON?
>> WELL, OUT HERE, HERE?
1014
00:27:28,313 --> 00:27:29,647
VINCE MCMAHON?
>> WELL, OUT HERE, HERE?
>> THAT'S RIGHT.
1015
00:27:29,649 --> 00:27:31,348
>> WELL, OUT HERE, HERE?
>> THAT'S RIGHT.
TITO LANDRUM WITH THE BALTIMORE
1016
00:27:31,350 --> 00:27:32,649
>> THAT'S RIGHT.
TITO LANDRUM WITH THE BALTIMORE
ORIOLES IS HERE AND EVERYBODY
1017
00:27:32,651 --> 00:27:33,483
TITO LANDRUM WITH THE BALTIMORE
ORIOLES IS HERE AND EVERYBODY
THAT'S ANYBODY, YEAH.
1018
00:27:33,485 --> 00:27:36,520
ORIOLES IS HERE AND EVERYBODY
THAT'S ANYBODY, YEAH.
>> UH-HUH.
1019
00:27:36,522 --> 00:27:38,689
THAT'S ANYBODY, YEAH.
>> UH-HUH.
>> HEY, I GOT A QUESTION.
1020
00:27:38,691 --> 00:27:40,391
>> UH-HUH.
>> HEY, I GOT A QUESTION.
>> YES, MIKE?
1021
00:27:40,393 --> 00:27:41,058
>> HEY, I GOT A QUESTION.
>> YES, MIKE?
>> WHAT DO YOU CALL THIS THING
1022
00:27:41,060 --> 00:27:41,592
>> YES, MIKE?
>> WHAT DO YOU CALL THIS THING
HE'S DOING TO HIM THERE NOW?
1023
00:27:41,594 --> 00:27:44,561
>> WHAT DO YOU CALL THIS THING
HE'S DOING TO HIM THERE NOW?
>> WAIT.
1024
00:27:44,563 --> 00:27:45,562
HE'S DOING TO HIM THERE NOW?
>> WAIT.
>> SOME SORT OF REVERSE CHINLOCK
1025
00:27:45,564 --> 00:27:46,664
>> WAIT.
>> SOME SORT OF REVERSE CHINLOCK
OR...
1026
00:27:46,666 --> 00:27:47,531
>> SOME SORT OF REVERSE CHINLOCK
OR...
>> THAT'S SOMETHING THAT BUSTER
1027
00:27:47,533 --> 00:27:48,765
OR...
>> THAT'S SOMETHING THAT BUSTER
DOUGLAS DIDN'T DO TO YOU IN THAT
1028
00:27:48,767 --> 00:27:50,534
>> THAT'S SOMETHING THAT BUSTER
DOUGLAS DIDN'T DO TO YOU IN THAT
ONE BAD NIGHT YOU HAD.
1029
00:27:50,536 --> 00:27:51,635
DOUGLAS DIDN'T DO TO YOU IN THAT
ONE BAD NIGHT YOU HAD.
>> BAD NIGHT YOU HAD THOUGH.
1030
00:27:51,637 --> 00:27:52,569
ONE BAD NIGHT YOU HAD.
>> BAD NIGHT YOU HAD THOUGH.
>> WELL, AT LEAST, HE TRIED
1031
00:27:52,571 --> 00:27:54,671
>> BAD NIGHT YOU HAD THOUGH.
>> WELL, AT LEAST, HE TRIED
THOUGH.
1032
00:27:54,673 --> 00:27:55,605
>> WELL, AT LEAST, HE TRIED
THOUGH.
>> YEAH, HE TRIED.
1033
00:27:55,607 --> 00:27:56,673
THOUGH.
>> YEAH, HE TRIED.
>> I THINK THAT'LL COME IN HANDY
1034
00:27:56,675 --> 00:27:57,641
>> YEAH, HE TRIED.
>> I THINK THAT'LL COME IN HANDY
IN THE YARD ONE OF THESE DAYS.
1035
00:27:57,643 --> 00:27:57,941
>> I THINK THAT'LL COME IN HANDY
IN THE YARD ONE OF THESE DAYS.
>> EXACTLY.
1036
00:27:57,943 --> 00:27:58,675
IN THE YARD ONE OF THESE DAYS.
>> EXACTLY.
HEY, LISTEN, YOU GOT TO--YOU GOT
1037
00:27:58,677 --> 00:27:59,676
>> EXACTLY.
HEY, LISTEN, YOU GOT TO--YOU GOT
TO RAW DEAL, WE'LL TELL YOU
1038
00:27:59,678 --> 00:28:02,512
HEY, LISTEN, YOU GOT TO--YOU GOT
TO RAW DEAL, WE'LL TELL YOU
RIGHT THERE ON MONDAY NIGHT RAW
1039
00:28:02,514 --> 00:28:03,847
TO RAW DEAL, WE'LL TELL YOU
RIGHT THERE ON MONDAY NIGHT RAW
THAT YOU GOT TO A RAW DEAL WHEN
1040
00:28:03,849 --> 00:28:04,781
RIGHT THERE ON MONDAY NIGHT RAW
THAT YOU GOT TO A RAW DEAL WHEN
YOU ENDED UP WHERE YOU ARE NOW.
1041
00:28:04,783 --> 00:28:06,717
THAT YOU GOT TO A RAW DEAL WHEN
YOU ENDED UP WHERE YOU ARE NOW.
>> SOME PEOPLE SAY HE DID.
1042
00:28:06,719 --> 00:28:07,651
YOU ENDED UP WHERE YOU ARE NOW.
>> SOME PEOPLE SAY HE DID.
WHOA, WHAT A MANEUVER THERE BY
1043
00:28:07,653 --> 00:28:09,553
>> SOME PEOPLE SAY HE DID.
WHOA, WHAT A MANEUVER THERE BY
MAX MOON.
1044
00:28:09,555 --> 00:28:11,354
WHOA, WHAT A MANEUVER THERE BY
MAX MOON.
MAX MOON TRYING TO GET--OH, LOOK
1045
00:28:11,356 --> 00:28:12,389
MAX MOON.
MAX MOON TRYING TO GET--OH, LOOK
AT THAT ALL THE WAY OVER THE TOP
1046
00:28:12,391 --> 00:28:12,789
MAX MOON TRYING TO GET--OH, LOOK
AT THAT ALL THE WAY OVER THE TOP
ROPE.
1047
00:28:12,791 --> 00:28:14,458
AT THAT ALL THE WAY OVER THE TOP
ROPE.
UNBELIEVABLE.
1048
00:28:14,460 --> 00:28:15,592
ROPE.
UNBELIEVABLE.
>> WOW, WHERE DID HE GO?
1049
00:28:15,594 --> 00:28:16,526
UNBELIEVABLE.
>> WOW, WHERE DID HE GO?
HE'S GONE.
1050
00:28:16,528 --> 00:28:18,795
>> WOW, WHERE DID HE GO?
HE'S GONE.
>> SHAWN MICHAELS MAYBE HISTORY.
1051
00:28:18,797 --> 00:28:20,497
HE'S GONE.
>> SHAWN MICHAELS MAYBE HISTORY.
>> HE DISAPPEARED.
1052
00:28:20,499 --> 00:28:21,498
>> SHAWN MICHAELS MAYBE HISTORY.
>> HE DISAPPEARED.
>> LOOK AT THIS, MAX MOON WAS
1053
00:28:21,500 --> 00:28:22,766
>> HE DISAPPEARED.
>> LOOK AT THIS, MAX MOON WAS
GONNA COME OUT ON HIM AS WELL
1054
00:28:22,768 --> 00:28:23,867
>> LOOK AT THIS, MAX MOON WAS
GONNA COME OUT ON HIM AS WELL
AND MICHAELS.
1055
00:28:23,869 --> 00:28:25,869
GONNA COME OUT ON HIM AS WELL
AND MICHAELS.
>> THERE HE GOES AGAIN, WHOA.
1056
00:28:25,871 --> 00:28:27,471
AND MICHAELS.
>> THERE HE GOES AGAIN, WHOA.
UNBELIEVABLE MANEUVER ON THE
1057
00:28:27,473 --> 00:28:29,773
>> THERE HE GOES AGAIN, WHOA.
UNBELIEVABLE MANEUVER ON THE
PART OF MAX MOON.
1058
00:28:29,775 --> 00:28:30,707
UNBELIEVABLE MANEUVER ON THE
PART OF MAX MOON.
WHAT A HIGH RISK MANEUVER THAT
1059
00:28:30,709 --> 00:28:31,341
PART OF MAX MOON.
WHAT A HIGH RISK MANEUVER THAT
WAS.
1060
00:28:31,343 --> 00:28:32,542
WHAT A HIGH RISK MANEUVER THAT
WAS.
MAX MOON WANTS TO BE
1061
00:28:32,544 --> 00:28:33,643
WAS.
MAX MOON WANTS TO BE
INTERCONTINENTAL CHAMPION AND
1062
00:28:33,645 --> 00:28:35,713
MAX MOON WANTS TO BE
INTERCONTINENTAL CHAMPION AND
LOOK AT MICHAELS BACK UP.
1063
00:28:35,715 --> 00:28:36,880
INTERCONTINENTAL CHAMPION AND
LOOK AT MICHAELS BACK UP.
>> MARTY JANNETTY MIGHT HAVE TO
1064
00:28:36,882 --> 00:28:38,248
LOOK AT MICHAELS BACK UP.
>> MARTY JANNETTY MIGHT HAVE TO
GO AFTER MAX MOON AT THE ROYAL
1065
00:28:38,250 --> 00:28:40,684
>> MARTY JANNETTY MIGHT HAVE TO
GO AFTER MAX MOON AT THE ROYAL
RUMBLE.
1066
00:28:40,686 --> 00:28:43,287
GO AFTER MAX MOON AT THE ROYAL
RUMBLE.
>> UPPERCUT BY MAX MOON.
1067
00:28:43,289 --> 00:28:44,554
RUMBLE.
>> UPPERCUT BY MAX MOON.
AND MICHAELS HAVING HIS PROBLEMS
1068
00:28:44,556 --> 00:28:46,623
>> UPPERCUT BY MAX MOON.
AND MICHAELS HAVING HIS PROBLEMS
TO THE BUCKLE.
1069
00:28:46,625 --> 00:28:48,558
AND MICHAELS HAVING HIS PROBLEMS
TO THE BUCKLE.
>> OH, MY GOODNESS.
1070
00:28:48,560 --> 00:28:50,461
TO THE BUCKLE.
>> OH, MY GOODNESS.
>> OH, LOOK OUT, KATHY LEE AND
1071
00:28:50,463 --> 00:28:51,695
>> OH, MY GOODNESS.
>> OH, LOOK OUT, KATHY LEE AND
MR. DINKY.
1072
00:28:51,697 --> 00:28:52,763
>> OH, LOOK OUT, KATHY LEE AND
MR. DINKY.
>> I BEG YOUR PARDON?
1073
00:28:52,765 --> 00:28:53,797
MR. DINKY.
>> I BEG YOUR PARDON?
>> OH, SOMETHING...
1074
00:28:53,799 --> 00:28:54,831
>> I BEG YOUR PARDON?
>> OH, SOMETHING...
>> HERE WE GO, HAS HIM IN A
1075
00:28:54,833 --> 00:28:55,599
>> OH, SOMETHING...
>> HERE WE GO, HAS HIM IN A
CRADLE.
1076
00:28:55,601 --> 00:28:56,666
>> HERE WE GO, HAS HIM IN A
CRADLE.
TWO AND--NO.
1077
00:28:56,668 --> 00:29:00,504
CRADLE.
TWO AND--NO.
>> [CROWD CHATTER]
1078
00:29:00,506 --> 00:29:03,573
TWO AND--NO.
>> [CROWD CHATTER]
>> SO VERY, VERY CLOSE.
1079
00:29:03,575 --> 00:29:05,509
>> [CROWD CHATTER]
>> SO VERY, VERY CLOSE.
>> WHEN DOES MAX SHOW HIS MOVE,
1080
00:29:05,511 --> 00:29:07,578
>> SO VERY, VERY CLOSE.
>> WHEN DOES MAX SHOW HIS MOVE,
VINCE?
1081
00:29:07,580 --> 00:29:08,712
>> WHEN DOES MAX SHOW HIS MOVE,
VINCE?
>> WELL, HE JUST DID.
1082
00:29:08,714 --> 00:29:09,479
VINCE?
>> WELL, HE JUST DID.
I THINK IN A MATTER OF
1083
00:29:09,481 --> 00:29:12,649
>> WELL, HE JUST DID.
I THINK IN A MATTER OF
SPEAKING--OH.
1084
00:29:12,651 --> 00:29:14,417
I THINK IN A MATTER OF
SPEAKING--OH.
MAX MOON MISSED--LOOK AT THAT.
1085
00:29:14,419 --> 00:29:17,554
SPEAKING--OH.
MAX MOON MISSED--LOOK AT THAT.
SOLE KICK RIGHT ON THE BUTTON.
1086
00:29:17,556 --> 00:29:18,722
MAX MOON MISSED--LOOK AT THAT.
SOLE KICK RIGHT ON THE BUTTON.
>> THAT WAS A HOMERUN.
1087
00:29:18,724 --> 00:29:23,393
SOLE KICK RIGHT ON THE BUTTON.
>> THAT WAS A HOMERUN.
>> YEAH.
1088
00:29:23,395 --> 00:29:24,494
>> THAT WAS A HOMERUN.
>> YEAH.
>> SHAWN MICHAELS TURNING THE
1089
00:29:24,496 --> 00:29:25,562
>> YEAH.
>> SHAWN MICHAELS TURNING THE
TIDE RIGHT BACK AROUND NOW.
1090
00:29:25,564 --> 00:29:30,434
>> SHAWN MICHAELS TURNING THE
TIDE RIGHT BACK AROUND NOW.
BUT LOOK OUT, THIS ONE'S NOT
1091
00:29:30,436 --> 00:29:31,668
TIDE RIGHT BACK AROUND NOW.
BUT LOOK OUT, THIS ONE'S NOT
OVER YET.
1092
00:29:31,670 --> 00:29:33,537
BUT LOOK OUT, THIS ONE'S NOT
OVER YET.
SUPLEX.
1093
00:29:33,539 --> 00:29:34,704
OVER YET.
SUPLEX.
NICELY EXECUTED.
1094
00:29:34,706 --> 00:29:36,406
SUPLEX.
NICELY EXECUTED.
COVER MAYBE AGAINST HIM.
1095
00:29:36,408 --> 00:29:37,741
NICELY EXECUTED.
COVER MAYBE AGAINST HIM.
>> OH, WOW.
1096
00:29:37,743 --> 00:29:38,742
COVER MAYBE AGAINST HIM.
>> OH, WOW.
>> [BELL RINGING]
1097
00:29:38,744 --> 00:29:39,343
>> OH, WOW.
>> [BELL RINGING]
>> HISTORY.
1098
00:29:39,345 --> 00:29:40,410
>> [BELL RINGING]
>> HISTORY.
A VALIANT EFFORT BY MAX MOON BUT
1099
00:29:40,412 --> 00:29:42,612
>> HISTORY.
A VALIANT EFFORT BY MAX MOON BUT
SHAWN MICHAELS IS STILL THE
1100
00:29:42,614 --> 00:29:47,818
A VALIANT EFFORT BY MAX MOON BUT
SHAWN MICHAELS IS STILL THE
INTERCONTINENTAL CHAMPION.
1101
00:29:47,820 --> 00:29:49,452
SHAWN MICHAELS IS STILL THE
INTERCONTINENTAL CHAMPION.
>> THE WINNER OF THIS BOUT AND
1102
00:29:49,454 --> 00:29:50,687
INTERCONTINENTAL CHAMPION.
>> THE WINNER OF THIS BOUT AND
STILL THE INTERCONTINENTAL
1103
00:29:50,689 --> 00:29:51,288
>> THE WINNER OF THIS BOUT AND
STILL THE INTERCONTINENTAL
CHAMPION, SHAWN MICHAELS.
1104
00:29:51,290 --> 00:29:52,556
STILL THE INTERCONTINENTAL
CHAMPION, SHAWN MICHAELS.
>> [MUSIC]
1105
00:29:52,558 --> 00:29:53,490
CHAMPION, SHAWN MICHAELS.
>> [MUSIC]
>> SHAWN MICHAELS HEADING TO THE
1106
00:29:53,492 --> 00:29:54,391
>> [MUSIC]
>> SHAWN MICHAELS HEADING TO THE
ROYAL RUMBLE WITH HIS
1107
00:29:54,393 --> 00:29:56,726
>> SHAWN MICHAELS HEADING TO THE
ROYAL RUMBLE WITH HIS
CHAMPIONSHIP INTACT.
1108
00:29:56,728 --> 00:29:58,562
ROYAL RUMBLE WITH HIS
CHAMPIONSHIP INTACT.
YOU'RE WATCHING MONDAY NIGHT RAW
1109
00:29:58,564 --> 00:29:59,930
CHAMPIONSHIP INTACT.
YOU'RE WATCHING MONDAY NIGHT RAW
LIVE FROM NEW YORK AND YOU CAN
1110
00:29:59,932 --> 00:30:05,669
YOU'RE WATCHING MONDAY NIGHT RAW
LIVE FROM NEW YORK AND YOU CAN
ALSO WATCH WWE MANIA.
1111
00:30:05,671 --> 00:30:07,704
LIVE FROM NEW YORK AND YOU CAN
ALSO WATCH WWE MANIA.
>> OH, IT'S SATURDAY MORNING.
1112
00:30:07,706 --> 00:30:09,640
ALSO WATCH WWE MANIA.
>> OH, IT'S SATURDAY MORNING.
YOU JUST CAN'T SEEM TO GET OUT
1113
00:30:09,642 --> 00:30:11,208
>> OH, IT'S SATURDAY MORNING.
YOU JUST CAN'T SEEM TO GET OUT
OF BED.
1114
00:30:11,210 --> 00:30:14,711
YOU JUST CAN'T SEEM TO GET OUT
OF BED.
>> OH, WAKE UP.
1115
00:30:14,713 --> 00:30:15,712
OF BED.
>> OH, WAKE UP.
>> NOW, THERE'S AN EXCITING NEW
1116
00:30:15,714 --> 00:30:16,746
>> OH, WAKE UP.
>> NOW, THERE'S AN EXCITING NEW
REASON TO RISE AND SHINE.
1117
00:30:16,748 --> 00:30:20,417
>> NOW, THERE'S AN EXCITING NEW
REASON TO RISE AND SHINE.
WWE MANIA.
1118
00:30:20,419 --> 00:30:21,718
REASON TO RISE AND SHINE.
WWE MANIA.
THE WHOLE FAMILY WILL LOVE OUR
1119
00:30:21,720 --> 00:30:23,453
WWE MANIA.
THE WHOLE FAMILY WILL LOVE OUR
STUNNING SUPERSTARS, CANDID
1120
00:30:23,455 --> 00:30:25,622
THE WHOLE FAMILY WILL LOVE OUR
STUNNING SUPERSTARS, CANDID
INTERVIEWS AND OF COURSE, TONS
1121
00:30:25,624 --> 00:30:27,424
STUNNING SUPERSTARS, CANDID
INTERVIEWS AND OF COURSE, TONS
OF GREAT WRESTLING ACTION.
1122
00:30:27,426 --> 00:30:28,758
INTERVIEWS AND OF COURSE, TONS
OF GREAT WRESTLING ACTION.
WWE MANIA WORTH JOLTING THAN A
1123
00:30:28,760 --> 00:30:30,827
OF GREAT WRESTLING ACTION.
WWE MANIA WORTH JOLTING THAN A
CUP OF COFFEE AND ITS 100%
1124
00:30:30,829 --> 00:30:33,630
WWE MANIA WORTH JOLTING THAN A
CUP OF COFFEE AND ITS 100%
CAFFEINE FREE.
1125
00:30:33,632 --> 00:30:52,716
CUP OF COFFEE AND ITS 100%
CAFFEINE FREE.
>> [MUSIC]
1126
00:30:52,718 --> 00:30:54,484
CAFFEINE FREE.
>> [MUSIC]
>> THIS IS ROYAL RUMBLE REPORT
1127
00:30:54,486 --> 00:30:56,586
>> [MUSIC]
>> THIS IS ROYAL RUMBLE REPORT
BROUGHT YOU BY ICOPRO, THE
1128
00:30:56,588 --> 00:30:57,587
>> THIS IS ROYAL RUMBLE REPORT
BROUGHT YOU BY ICOPRO, THE
INTEGRATED CONDITIONING
1129
00:30:57,589 --> 00:30:58,555
BROUGHT YOU BY ICOPRO, THE
INTEGRATED CONDITIONING
PROGRAMS.
1130
00:30:58,557 --> 00:31:00,457
INTEGRATED CONDITIONING
PROGRAMS.
LET'S FACE IT, YOU GOT TO WANT
1131
00:31:00,459 --> 00:31:01,524
PROGRAMS.
LET'S FACE IT, YOU GOT TO WANT
IT.
1132
00:31:01,526 --> 00:31:02,792
LET'S FACE IT, YOU GOT TO WANT
IT.
WE'RE TWO WEEKS OUT FOR THE
1133
00:31:02,794 --> 00:31:04,527
IT.
WE'RE TWO WEEKS OUT FOR THE
ROYAL RUMBLE, SUNDAY AFTERNOON,
1134
00:31:04,529 --> 00:31:06,797
WE'RE TWO WEEKS OUT FOR THE
ROYAL RUMBLE, SUNDAY AFTERNOON,
JANUARY 24TH, 4:00 PM, EASTERN
1135
00:31:06,799 --> 00:31:08,798
ROYAL RUMBLE, SUNDAY AFTERNOON,
JANUARY 24TH, 4:00 PM, EASTERN
TIME.
1136
00:31:08,800 --> 00:31:10,600
JANUARY 24TH, 4:00 PM, EASTERN
TIME.
YOU CAN SEE IT EXCLUSIVELY ON
1137
00:31:10,602 --> 00:31:12,402
TIME.
YOU CAN SEE IT EXCLUSIVELY ON
PAY-PER-VIEW CABLE TV.
1138
00:31:12,404 --> 00:31:14,404
YOU CAN SEE IT EXCLUSIVELY ON
PAY-PER-VIEW CABLE TV.
HOLD ON TO YOUR HATS, JUST
1139
00:31:14,406 --> 00:31:17,274
PAY-PER-VIEW CABLE TV.
HOLD ON TO YOUR HATS, JUST
ANNOUNCED WWE INTERCONTINENTAL
1140
00:31:17,276 --> 00:31:18,708
HOLD ON TO YOUR HATS, JUST
ANNOUNCED WWE INTERCONTINENTAL
CHAMPION SHAWN MICHAELS TO
1141
00:31:18,710 --> 00:31:21,545
ANNOUNCED WWE INTERCONTINENTAL
CHAMPION SHAWN MICHAELS TO
DEFEND AGAINST CHALLENGER MARTY
1142
00:31:21,547 --> 00:31:22,712
CHAMPION SHAWN MICHAELS TO
DEFEND AGAINST CHALLENGER MARTY
JANNETTY.
1143
00:31:22,714 --> 00:31:23,580
DEFEND AGAINST CHALLENGER MARTY
JANNETTY.
NOW, THE WORD IS THAT
1144
00:31:23,582 --> 00:31:25,582
JANNETTY.
NOW, THE WORD IS THAT
SENSATIONAL SHERRI WILL BE AT
1145
00:31:25,584 --> 00:31:26,816
NOW, THE WORD IS THAT
SENSATIONAL SHERRI WILL BE AT
RING SIDE BUT IN WHOSE CORNER?
1146
00:31:26,818 --> 00:31:29,686
SENSATIONAL SHERRI WILL BE AT
RING SIDE BUT IN WHOSE CORNER?
LET'S SEE IF THESE TWO GENTLEMEN
1147
00:31:29,688 --> 00:31:31,622
RING SIDE BUT IN WHOSE CORNER?
LET'S SEE IF THESE TWO GENTLEMEN
CAN SHED SOME LIGHT ON THAT
1148
00:31:31,624 --> 00:31:33,724
LET'S SEE IF THESE TWO GENTLEMEN
CAN SHED SOME LIGHT ON THAT
SUBJECT.
1149
00:31:33,726 --> 00:31:35,492
CAN SHED SOME LIGHT ON THAT
SUBJECT.
>> YOU KNOW, NOBODY HAS BEEN
1150
00:31:35,494 --> 00:31:37,594
SUBJECT.
>> YOU KNOW, NOBODY HAS BEEN
MORE UNDESERVING OF AN
1151
00:31:37,596 --> 00:31:39,663
>> YOU KNOW, NOBODY HAS BEEN
MORE UNDESERVING OF AN
INTERCONTINENTAL TITLE SHOT THAN
1152
00:31:39,665 --> 00:31:42,466
MORE UNDESERVING OF AN
INTERCONTINENTAL TITLE SHOT THAN
YOU, MARTY JANNETTY BUT BEING
1153
00:31:42,468 --> 00:31:43,667
INTERCONTINENTAL TITLE SHOT THAN
YOU, MARTY JANNETTY BUT BEING
MR. COOL, I'M GONNA GIVE YOU ONE
1154
00:31:43,669 --> 00:31:45,402
YOU, MARTY JANNETTY BUT BEING
MR. COOL, I'M GONNA GIVE YOU ONE
ANYWAY.
1155
00:31:45,404 --> 00:31:48,405
MR. COOL, I'M GONNA GIVE YOU ONE
ANYWAY.
AND EVERYBODY WANTS TO KNOW
1156
00:31:48,407 --> 00:31:49,606
ANYWAY.
AND EVERYBODY WANTS TO KNOW
WHERE IS SHERRI GONNA BE?
1157
00:31:49,608 --> 00:31:51,708
AND EVERYBODY WANTS TO KNOW
WHERE IS SHERRI GONNA BE?
WHOSE CORNER IS SHE GONNA BE IN?
1158
00:31:51,710 --> 00:31:53,677
WHERE IS SHERRI GONNA BE?
WHOSE CORNER IS SHE GONNA BE IN?
WELL, I MEAN, I HAVEN'T HAD A
1159
00:31:53,679 --> 00:31:55,645
WHOSE CORNER IS SHE GONNA BE IN?
WELL, I MEAN, I HAVEN'T HAD A
CHANCE TO TALK TO HER BUT LIKE
1160
00:31:55,647 --> 00:32:00,650
WELL, I MEAN, I HAVEN'T HAD A
CHANCE TO TALK TO HER BUT LIKE
ANY WOMAN, SHE'S GONNA BE IN THE
1161
00:32:00,652 --> 00:32:01,785
CHANCE TO TALK TO HER BUT LIKE
ANY WOMAN, SHE'S GONNA BE IN THE
HEARTBREAK KID'S CORNER.
1162
00:32:01,787 --> 00:32:02,552
ANY WOMAN, SHE'S GONNA BE IN THE
HEARTBREAK KID'S CORNER.
YOU CAN COUNT ON THAT.
1163
00:32:02,554 --> 00:32:03,653
HEARTBREAK KID'S CORNER.
YOU CAN COUNT ON THAT.
JANNETTY, ROYAL RUMBLE, YOU'RE
1164
00:32:03,655 --> 00:32:05,789
YOU CAN COUNT ON THAT.
JANNETTY, ROYAL RUMBLE, YOU'RE
DONE.
1165
00:32:05,791 --> 00:32:06,790
JANNETTY, ROYAL RUMBLE, YOU'RE
DONE.
>> JANUARY 24TH, THE ROYAL
1166
00:32:06,792 --> 00:32:08,692
DONE.
>> JANUARY 24TH, THE ROYAL
RUMBLE, I'M GONNA CALL IT MARTY
1167
00:32:08,694 --> 00:32:11,361
>> JANUARY 24TH, THE ROYAL
RUMBLE, I'M GONNA CALL IT MARTY
JANNETTY DAY BECAUSE THAT'S THE
1168
00:32:11,363 --> 00:32:12,462
RUMBLE, I'M GONNA CALL IT MARTY
JANNETTY DAY BECAUSE THAT'S THE
DAY I'M GONNA GET EVERYTHING I
1169
00:32:12,464 --> 00:32:12,696
JANNETTY DAY BECAUSE THAT'S THE
DAY I'M GONNA GET EVERYTHING I
WANT.
1170
00:32:12,698 --> 00:32:14,497
DAY I'M GONNA GET EVERYTHING I
WANT.
I'M GONNA CAPTURE THE
1171
00:32:14,499 --> 00:32:15,598
WANT.
I'M GONNA CAPTURE THE
INTERCONTINENTAL CHAMPIONSHIP
1172
00:32:15,600 --> 00:32:16,600
I'M GONNA CAPTURE THE
INTERCONTINENTAL CHAMPIONSHIP
AND MORE THAN THAT, I'M GONNA
1173
00:32:16,602 --> 00:32:18,635
INTERCONTINENTAL CHAMPIONSHIP
AND MORE THAN THAT, I'M GONNA
END THE CAREER OF YOU SHAWN
1174
00:32:18,637 --> 00:32:19,369
AND MORE THAN THAT, I'M GONNA
END THE CAREER OF YOU SHAWN
MICHAELS AND YOU'RE TALKING
1175
00:32:19,371 --> 00:32:20,537
END THE CAREER OF YOU SHAWN
MICHAELS AND YOU'RE TALKING
ABOUT SHERRI BEING IN YOUR
1176
00:32:20,539 --> 00:32:21,438
MICHAELS AND YOU'RE TALKING
ABOUT SHERRI BEING IN YOUR
CORNER?
1177
00:32:21,440 --> 00:32:22,806
ABOUT SHERRI BEING IN YOUR
CORNER?
YOU KNOW ALL ABOUT SHERRI?
1178
00:32:22,808 --> 00:32:23,773
CORNER?
YOU KNOW ALL ABOUT SHERRI?
WELL, MAYBE YOU DON'T KNOW
1179
00:32:23,775 --> 00:32:24,641
YOU KNOW ALL ABOUT SHERRI?
WELL, MAYBE YOU DON'T KNOW
SHERRI AS WELL AS YOU THINK YOU
1180
00:32:24,643 --> 00:32:26,543
WELL, MAYBE YOU DON'T KNOW
SHERRI AS WELL AS YOU THINK YOU
DO.
1181
00:32:26,545 --> 00:32:28,545
SHERRI AS WELL AS YOU THINK YOU
DO.
>> REMEMBER, SENSATIONAL SHERRI
1182
00:32:28,547 --> 00:32:30,480
DO.
>> REMEMBER, SENSATIONAL SHERRI
WILL DEFINITELY BE AT RING SIDE.
1183
00:32:30,482 --> 00:32:31,748
>> REMEMBER, SENSATIONAL SHERRI
WILL DEFINITELY BE AT RING SIDE.
THEN 30 OF THE GREATEST
1184
00:32:31,750 --> 00:32:33,583
WILL DEFINITELY BE AT RING SIDE.
THEN 30 OF THE GREATEST
SUPERSTARS OF THE WORLD
1185
00:32:33,585 --> 00:32:34,884
THEN 30 OF THE GREATEST
SUPERSTARS OF THE WORLD
WRESTLING ENTERTAINMENT IN THE
1186
00:32:34,886 --> 00:32:35,485
SUPERSTARS OF THE WORLD
WRESTLING ENTERTAINMENT IN THE
1993
1187
00:32:35,487 --> 00:32:37,687
WRESTLING ENTERTAINMENT IN THE
1993
AUDITION OF THE ROYAL RUMBLE.
1188
00:32:37,689 --> 00:32:39,489
1993
AUDITION OF THE ROYAL RUMBLE.
REMEMBER, ON THIS ONE, IT'S
1189
00:32:39,491 --> 00:32:41,491
AUDITION OF THE ROYAL RUMBLE.
REMEMBER, ON THIS ONE, IT'S
EVERY MAN FOR HIMSELF.
1190
00:32:41,493 --> 00:32:43,393
REMEMBER, ON THIS ONE, IT'S
EVERY MAN FOR HIMSELF.
YOU INITIALLY START OUT WITH TWO
1191
00:32:43,395 --> 00:32:44,661
EVERY MAN FOR HIMSELF.
YOU INITIALLY START OUT WITH TWO
MEN THEN ADD ANOTHER MAN EVERY
1192
00:32:44,663 --> 00:32:46,696
YOU INITIALLY START OUT WITH TWO
MEN THEN ADD ANOTHER MAN EVERY
TWO MINUTES THEREAFTER.
1193
00:32:46,698 --> 00:32:48,631
MEN THEN ADD ANOTHER MAN EVERY
TWO MINUTES THEREAFTER.
AND HERE THEY COME.
1194
00:32:48,633 --> 00:32:51,401
TWO MINUTES THEREAFTER.
AND HERE THEY COME.
LAST YEAR'S WINNER, TWO-TIME
1195
00:32:51,403 --> 00:32:52,736
AND HERE THEY COME.
LAST YEAR'S WINNER, TWO-TIME
WORLD WRESTLING ENTERTAINMENT
1196
00:32:52,738 --> 00:32:54,671
LAST YEAR'S WINNER, TWO-TIME
WORLD WRESTLING ENTERTAINMENT
CHAMPION, RIC FLAIR, THE
1197
00:32:54,673 --> 00:32:57,874
WORLD WRESTLING ENTERTAINMENT
CHAMPION, RIC FLAIR, THE
UNDEFEATED NATIVE AMERICAN,
1198
00:32:57,876 --> 00:32:58,675
CHAMPION, RIC FLAIR, THE
UNDEFEATED NATIVE AMERICAN,
TATANKA.
1199
00:32:58,677 --> 00:33:01,378
UNDEFEATED NATIVE AMERICAN,
TATANKA.
TAG TEAM CHAMPION, IRS, FORMER
1200
00:33:01,380 --> 00:33:02,879
TATANKA.
TAG TEAM CHAMPION, IRS, FORMER
WORLD WRESTLING ENTERTAINMENT
1201
00:33:02,881 --> 00:33:05,382
TAG TEAM CHAMPION, IRS, FORMER
WORLD WRESTLING ENTERTAINMENT
CHAMPION BOB BACKLUND, "THE
1202
00:33:05,384 --> 00:33:08,318
WORLD WRESTLING ENTERTAINMENT
CHAMPION BOB BACKLUND, "THE
KING" JERRY LAWLER AND THIS MAN,
1203
00:33:08,320 --> 00:33:10,854
CHAMPION BOB BACKLUND, "THE
KING" JERRY LAWLER AND THIS MAN,
MR. PERFECT.
1204
00:33:10,856 --> 00:33:12,389
KING" JERRY LAWLER AND THIS MAN,
MR. PERFECT.
>> TALKING ABOUT HAVING A GOOD
1205
00:33:12,391 --> 00:33:14,624
MR. PERFECT.
>> TALKING ABOUT HAVING A GOOD
TIME, TALKING ABOUT A SMILE ON
1206
00:33:14,626 --> 00:33:16,459
>> TALKING ABOUT HAVING A GOOD
TIME, TALKING ABOUT A SMILE ON
THE FACE OF MR. PERFECT?
1207
00:33:16,461 --> 00:33:17,894
TIME, TALKING ABOUT A SMILE ON
THE FACE OF MR. PERFECT?
NO, IT DOESN'T LOOK OUT OF PLACE
1208
00:33:17,896 --> 00:33:19,496
THE FACE OF MR. PERFECT?
NO, IT DOESN'T LOOK OUT OF PLACE
BECAUSE THE ROYAL RUMBLE IS
1209
00:33:19,498 --> 00:33:20,597
NO, IT DOESN'T LOOK OUT OF PLACE
BECAUSE THE ROYAL RUMBLE IS
HERE.
1210
00:33:20,599 --> 00:33:23,533
BECAUSE THE ROYAL RUMBLE IS
HERE.
AN OPPORTUNITY FOR MR. PERFECT,
1211
00:33:23,535 --> 00:33:25,368
HERE.
AN OPPORTUNITY FOR MR. PERFECT,
A GUY WHO HAS NO PROBLEMS WITH
1212
00:33:25,370 --> 00:33:27,637
AN OPPORTUNITY FOR MR. PERFECT,
A GUY WHO HAS NO PROBLEMS WITH
ANYTHING BECAUSE EVERYTHING IN
1213
00:33:27,639 --> 00:33:30,440
A GUY WHO HAS NO PROBLEMS WITH
ANYTHING BECAUSE EVERYTHING IN
MY LIFE IS PERFECT AND ALL THE
1214
00:33:30,442 --> 00:33:31,674
ANYTHING BECAUSE EVERYTHING IN
MY LIFE IS PERFECT AND ALL THE
GREAT ATHLETES THAT ENTERED THE
1215
00:33:31,676 --> 00:33:33,410
MY LIFE IS PERFECT AND ALL THE
GREAT ATHLETES THAT ENTERED THE
ROYAL RUMBLE, NO MATTER HOW BIG
1216
00:33:33,412 --> 00:33:35,345
GREAT ATHLETES THAT ENTERED THE
ROYAL RUMBLE, NO MATTER HOW BIG
AND HOW STRONG AND HOW POWERFUL
1217
00:33:35,347 --> 00:33:37,447
ROYAL RUMBLE, NO MATTER HOW BIG
AND HOW STRONG AND HOW POWERFUL
AND HOW SMART YOU ARE, ONE THING
1218
00:33:37,449 --> 00:33:41,551
AND HOW STRONG AND HOW POWERFUL
AND HOW SMART YOU ARE, ONE THING
YOU'RE NOT AND THAT'S PERFECT.
1219
00:33:41,553 --> 00:33:42,786
AND HOW SMART YOU ARE, ONE THING
YOU'RE NOT AND THAT'S PERFECT.
>> MORE PROMINENT NAMES INCLUDE,
1220
00:33:42,788 --> 00:33:44,521
YOU'RE NOT AND THAT'S PERFECT.
>> MORE PROMINENT NAMES INCLUDE,
"THE MILLION DOLLAR MAN" TED
1221
00:33:44,523 --> 00:33:47,924
>> MORE PROMINENT NAMES INCLUDE,
"THE MILLION DOLLAR MAN" TED
DIBIASE, FROM HAWAII, CRUSH,
1222
00:33:47,926 --> 00:33:50,494
"THE MILLION DOLLAR MAN" TED
DIBIASE, FROM HAWAII, CRUSH,
"THE MODEL" RICK BARTEL AND
1223
00:33:50,496 --> 00:33:53,797
DIBIASE, FROM HAWAII, CRUSH,
"THE MODEL" RICK BARTEL AND
500-POUND PLUS YOKOZUNA WHO IS
1224
00:33:53,799 --> 00:33:55,699
"THE MODEL" RICK BARTEL AND
500-POUND PLUS YOKOZUNA WHO IS
STANDING BY WITH HIS MANAGER,
1225
00:33:55,701 --> 00:33:57,667
500-POUND PLUS YOKOZUNA WHO IS
STANDING BY WITH HIS MANAGER,
MR. FUJI.
1226
00:33:57,669 --> 00:33:59,569
STANDING BY WITH HIS MANAGER,
MR. FUJI.
>> [SPEAKING IN FOREIGN
1227
00:33:59,571 --> 00:34:00,437
MR. FUJI.
>> [SPEAKING IN FOREIGN
LANGUAGE]
1228
00:34:00,439 --> 00:34:02,706
>> [SPEAKING IN FOREIGN
LANGUAGE]
LOOK AT MY YOKOZUNA IN ROYAL
1229
00:34:02,708 --> 00:34:03,840
LANGUAGE]
LOOK AT MY YOKOZUNA IN ROYAL
RUMBLE.
1230
00:34:03,842 --> 00:34:07,511
LOOK AT MY YOKOZUNA IN ROYAL
RUMBLE.
NO ONE CAN MOVE MY YOKOZUNA.
1231
00:34:07,513 --> 00:34:09,646
RUMBLE.
NO ONE CAN MOVE MY YOKOZUNA.
NO ONE CAN LIFT HIM UP OFF HIS
1232
00:34:09,648 --> 00:34:10,447
NO ONE CAN MOVE MY YOKOZUNA.
NO ONE CAN LIFT HIM UP OFF HIS
FEET.
1233
00:34:10,449 --> 00:34:11,548
NO ONE CAN LIFT HIM UP OFF HIS
FEET.
>> YOSH.
1234
00:34:11,550 --> 00:34:13,583
FEET.
>> YOSH.
>> YOKOZUNA 505 POUNDS WILL BE
1235
00:34:13,585 --> 00:34:18,254
>> YOSH.
>> YOKOZUNA 505 POUNDS WILL BE
THE WINNER IN THE ROYAL RUMBLE
1236
00:34:18,256 --> 00:34:20,590
>> YOKOZUNA 505 POUNDS WILL BE
THE WINNER IN THE ROYAL RUMBLE
AND ALL 29 OPPONENTS WILL FALL
1237
00:34:20,592 --> 00:34:22,759
THE WINNER IN THE ROYAL RUMBLE
AND ALL 29 OPPONENTS WILL FALL
OFF ONE BY ONE AND YOKOZUNA WILL
1238
00:34:22,761 --> 00:34:23,593
AND ALL 29 OPPONENTS WILL FALL
OFF ONE BY ONE AND YOKOZUNA WILL
BE THE WINNER.
1239
00:34:23,595 --> 00:34:24,360
OFF ONE BY ONE AND YOKOZUNA WILL
BE THE WINNER.
>> YOSH.
1240
00:34:24,362 --> 00:34:24,694
BE THE WINNER.
>> YOSH.
YOSH.
1241
00:34:24,696 --> 00:34:25,662
>> YOSH.
YOSH.
YOSH.
1242
00:34:25,664 --> 00:34:26,463
YOSH.
YOSH.
YOSH.
1243
00:34:26,465 --> 00:34:27,898
YOSH.
YOSH.
>> OH, YEAH.
1244
00:34:27,900 --> 00:34:28,565
YOSH.
>> OH, YEAH.
MORE NAMES.
1245
00:34:28,567 --> 00:34:30,667
>> OH, YEAH.
MORE NAMES.
"THE MACHO MAN" RANDY SAVAGE,
1246
00:34:30,669 --> 00:34:33,570
MORE NAMES.
"THE MACHO MAN" RANDY SAVAGE,
PAPA SHANGO, EARTHQUAKE, THE
1247
00:34:33,572 --> 00:34:36,673
"THE MACHO MAN" RANDY SAVAGE,
PAPA SHANGO, EARTHQUAKE, THE
BERSERKER, THE UNDERTAKER,
1248
00:34:36,675 --> 00:34:39,375
PAPA SHANGO, EARTHQUAKE, THE
BERSERKER, THE UNDERTAKER,
REPRESENTING PUERTO RICO, CARLOS
1249
00:34:39,377 --> 00:34:40,710
BERSERKER, THE UNDERTAKER,
REPRESENTING PUERTO RICO, CARLOS
COLON.
1250
00:34:40,712 --> 00:34:43,379
REPRESENTING PUERTO RICO, CARLOS
COLON.
PLUS THESE NAMES JUST ANNOUNCED,
1251
00:34:43,381 --> 00:34:46,416
COLON.
PLUS THESE NAMES JUST ANNOUNCED,
JAPANESE SUPERSTAR, "THE GREAT"
1252
00:34:46,418 --> 00:34:48,751
PLUS THESE NAMES JUST ANNOUNCED,
JAPANESE SUPERSTAR, "THE GREAT"
KEN ROO, EL MATADOR TITO
1253
00:34:48,753 --> 00:34:51,688
JAPANESE SUPERSTAR, "THE GREAT"
KEN ROO, EL MATADOR TITO
SANTANA, ONE HALF OF THE NATURAL
1254
00:34:51,690 --> 00:34:54,724
KEN ROO, EL MATADOR TITO
SANTANA, ONE HALF OF THE NATURAL
DISASTERS, TYPHOON, BOTH
1255
00:34:54,726 --> 00:34:58,628
SANTANA, ONE HALF OF THE NATURAL
DISASTERS, TYPHOON, BOTH
HEADSHRINKERS, SAMU AND FATU.
1256
00:34:58,630 --> 00:35:00,763
DISASTERS, TYPHOON, BOTH
HEADSHRINKERS, SAMU AND FATU.
AND THIS MAN, MR. USA HIMSELF,
1257
00:35:00,765 --> 00:35:05,902
HEADSHRINKERS, SAMU AND FATU.
AND THIS MAN, MR. USA HIMSELF,
"HACKSAW" JIM DUGGAN.
1258
00:35:05,904 --> 00:35:07,604
AND THIS MAN, MR. USA HIMSELF,
"HACKSAW" JIM DUGGAN.
>> HELLO.
1259
00:35:07,606 --> 00:35:08,605
"HACKSAW" JIM DUGGAN.
>> HELLO.
HEY FOLKS, IT'S ROYAL RUMBLE
1260
00:35:08,607 --> 00:35:09,806
>> HELLO.
HEY FOLKS, IT'S ROYAL RUMBLE
TIME.
1261
00:35:09,808 --> 00:35:11,841
HEY FOLKS, IT'S ROYAL RUMBLE
TIME.
"HACKSAW" JIM DUGGAN'S KIND OF
1262
00:35:11,843 --> 00:35:13,676
TIME.
"HACKSAW" JIM DUGGAN'S KIND OF
MATCH BECAUSE IF IT MOVES, YOU
1263
00:35:13,678 --> 00:35:15,445
"HACKSAW" JIM DUGGAN'S KIND OF
MATCH BECAUSE IF IT MOVES, YOU
NAIL IT.
1264
00:35:15,447 --> 00:35:17,514
MATCH BECAUSE IF IT MOVES, YOU
NAIL IT.
NO FRIEND, ALL FOES OUT THERE.
1265
00:35:17,516 --> 00:35:19,382
NAIL IT.
NO FRIEND, ALL FOES OUT THERE.
I WANNA TELL YOU FOLKS, ONE
1266
00:35:19,384 --> 00:35:21,451
NO FRIEND, ALL FOES OUT THERE.
I WANNA TELL YOU FOLKS, ONE
THING, I'M NOT GONNA GUARANTEE I
1267
00:35:21,453 --> 00:35:22,752
I WANNA TELL YOU FOLKS, ONE
THING, I'M NOT GONNA GUARANTEE I
WIN THE MATCH BUT I GUARANTEE,
1268
00:35:22,754 --> 00:35:24,688
THING, I'M NOT GONNA GUARANTEE I
WIN THE MATCH BUT I GUARANTEE,
I'LL GIVE YOU HAVE 110% TOUGH
1269
00:35:24,690 --> 00:35:27,457
WIN THE MATCH BUT I GUARANTEE,
I'LL GIVE YOU HAVE 110% TOUGH
GUY.
1270
00:35:27,459 --> 00:35:28,858
I'LL GIVE YOU HAVE 110% TOUGH
GUY.
>> DON'T FORGET THERE'S EVEN
1271
00:35:28,860 --> 00:35:30,427
GUY.
>> DON'T FORGET THERE'S EVEN
MORE PRESTIGE IN THIS YEAR'S
1272
00:35:30,429 --> 00:35:32,395
>> DON'T FORGET THERE'S EVEN
MORE PRESTIGE IN THIS YEAR'S
ROYAL RUMBLE BECAUSE THE WINNER
1273
00:35:32,397 --> 00:35:34,631
MORE PRESTIGE IN THIS YEAR'S
ROYAL RUMBLE BECAUSE THE WINNER
WILL HAVE AN OPPORTUNITY TO MEET
1274
00:35:34,633 --> 00:35:35,465
ROYAL RUMBLE BECAUSE THE WINNER
WILL HAVE AN OPPORTUNITY TO MEET
THE WORLD WRESTLING
1275
00:35:35,467 --> 00:35:36,533
WILL HAVE AN OPPORTUNITY TO MEET
THE WORLD WRESTLING
ENTERTAINMENT
1276
00:35:36,535 --> 00:35:37,634
THE WORLD WRESTLING
ENTERTAINMENT
CHAMPION AT WRESTLEMANIA IX AT
1277
00:35:37,636 --> 00:35:40,570
ENTERTAINMENT
CHAMPION AT WRESTLEMANIA IX AT
CAESARS PALACE IN LAS VEGAS,
1278
00:35:40,572 --> 00:35:41,705
CHAMPION AT WRESTLEMANIA IX AT
CAESARS PALACE IN LAS VEGAS,
NEVADA.
1279
00:35:41,707 --> 00:35:43,773
CAESARS PALACE IN LAS VEGAS,
NEVADA.
SPEAKING OF THE WORLD WRESTLING
1280
00:35:43,775 --> 00:35:44,641
NEVADA.
SPEAKING OF THE WORLD WRESTLING
ENTERTAINMENT CHAMPION IN THE
1281
00:35:44,643 --> 00:35:46,543
SPEAKING OF THE WORLD WRESTLING
ENTERTAINMENT CHAMPION IN THE
MAIN
1282
00:35:46,545 --> 00:35:47,878
ENTERTAINMENT CHAMPION IN THE
MAIN
EVENT AT THE ROYAL RUMBLE, BRETT
1283
00:35:47,880 --> 00:35:50,280
MAIN
EVENT AT THE ROYAL RUMBLE, BRETT
"THE HITMAN" HART MEETS RAZOR
1284
00:35:50,282 --> 00:35:51,814
EVENT AT THE ROYAL RUMBLE, BRETT
"THE HITMAN" HART MEETS RAZOR
RAMON AS, YOU KNOW, THE EMOTIONS
1285
00:35:51,816 --> 00:35:53,650
"THE HITMAN" HART MEETS RAZOR
RAMON AS, YOU KNOW, THE EMOTIONS
BETWEEN THESE TWO MEN ARE
1286
00:35:53,652 --> 00:35:55,451
RAMON AS, YOU KNOW, THE EMOTIONS
BETWEEN THESE TWO MEN ARE
RUNNING AT AN INCREDIBLE FEVER
1287
00:35:55,453 --> 00:35:56,653
BETWEEN THESE TWO MEN ARE
RUNNING AT AN INCREDIBLE FEVER
PITCH.
1288
00:35:56,655 --> 00:35:58,455
RUNNING AT AN INCREDIBLE FEVER
PITCH.
WE'RE JUST TWO WEEKS AWAY.
1289
00:35:58,457 --> 00:35:59,689
PITCH.
WE'RE JUST TWO WEEKS AWAY.
DON'T GET CAUGHT ON THE LAST
1290
00:35:59,691 --> 00:36:01,458
WE'RE JUST TWO WEEKS AWAY.
DON'T GET CAUGHT ON THE LAST
MINUTE SHUFFLE, CONTACT YOUR
1291
00:36:01,460 --> 00:36:02,626
DON'T GET CAUGHT ON THE LAST
MINUTE SHUFFLE, CONTACT YOUR
LOCAL CABLE COMPANY RIGHT NOW
1292
00:36:02,628 --> 00:36:03,593
MINUTE SHUFFLE, CONTACT YOUR
LOCAL CABLE COMPANY RIGHT NOW
AND JOIN US EXCLUSIVELY ON
1293
00:36:03,595 --> 00:36:08,565
LOCAL CABLE COMPANY RIGHT NOW
AND JOIN US EXCLUSIVELY ON
PAY-PER-VIEW CABLE TV.
1294
00:36:08,567 --> 00:36:09,465
AND JOIN US EXCLUSIVELY ON
PAY-PER-VIEW CABLE TV.
[INDISTINCT]
1295
00:36:09,467 --> 00:36:11,434
PAY-PER-VIEW CABLE TV.
[INDISTINCT]
FOR ONE OF THE YEAR'S BIGGEST
1296
00:36:11,436 --> 00:36:13,503
[INDISTINCT]
FOR ONE OF THE YEAR'S BIGGEST
SPECTACULARS, SUNDAY AFTERNOON,
1297
00:36:13,505 --> 00:36:16,339
FOR ONE OF THE YEAR'S BIGGEST
SPECTACULARS, SUNDAY AFTERNOON,
JANUARY 24TH AT 4:00 PM, IT'S
1298
00:36:16,341 --> 00:36:19,742
SPECTACULARS, SUNDAY AFTERNOON,
JANUARY 24TH AT 4:00 PM, IT'S
THE ROYAL RUMBLE.
1299
00:36:19,744 --> 00:36:22,345
JANUARY 24TH AT 4:00 PM, IT'S
THE ROYAL RUMBLE.
>> THERE IS NO MORE ROOM INSIDE
1300
00:36:22,347 --> 00:36:23,413
THE ROYAL RUMBLE.
>> THERE IS NO MORE ROOM INSIDE
BUT THE WORD IS OUT.
1301
00:36:23,415 --> 00:36:24,447
>> THERE IS NO MORE ROOM INSIDE
BUT THE WORD IS OUT.
THESE FOLKS ARE LINING UP TO GET
1302
00:36:24,449 --> 00:36:25,615
BUT THE WORD IS OUT.
THESE FOLKS ARE LINING UP TO GET
TICKETS FOR NEXT WEEK'S MONDAY
1303
00:36:25,617 --> 00:36:27,584
THESE FOLKS ARE LINING UP TO GET
TICKETS FOR NEXT WEEK'S MONDAY
NIGHT WWE RAW.
1304
00:36:27,586 --> 00:36:29,352
TICKETS FOR NEXT WEEK'S MONDAY
NIGHT WWE RAW.
EXCUSE ME, SIR, SIR, I JUST--I
1305
00:36:29,354 --> 00:36:29,886
NIGHT WWE RAW.
EXCUSE ME, SIR, SIR, I JUST--I
JUST WANNA...
1306
00:36:29,888 --> 00:36:30,587
EXCUSE ME, SIR, SIR, I JUST--I
JUST WANNA...
>> WHAT?
1307
00:36:30,589 --> 00:36:31,688
JUST WANNA...
>> WHAT?
>> I JUST WANNA ASK YOU A
1308
00:36:31,690 --> 00:36:32,488
>> WHAT?
>> I JUST WANNA ASK YOU A
QUESTION, ARE YOU GETTING YOUR
1309
00:36:32,490 --> 00:36:33,556
>> I JUST WANNA ASK YOU A
QUESTION, ARE YOU GETTING YOUR
TICKETS FOR NEXT WEEK'S...
1310
00:36:33,558 --> 00:36:35,358
QUESTION, ARE YOU GETTING YOUR
TICKETS FOR NEXT WEEK'S...
>> I GOT TO GET IN LINE HERE.
1311
00:36:35,360 --> 00:36:35,858
TICKETS FOR NEXT WEEK'S...
>> I GOT TO GET IN LINE HERE.
>> GET IN LINE?
1312
00:36:35,860 --> 00:36:36,559
>> I GOT TO GET IN LINE HERE.
>> GET IN LINE?
>> YES, I GOT TO GET INSIDE
1313
00:36:36,561 --> 00:36:37,694
>> GET IN LINE?
>> YES, I GOT TO GET INSIDE
THERE.
1314
00:36:37,696 --> 00:36:38,528
>> YES, I GOT TO GET INSIDE
THERE.
I GOT TO SEE--I GOT--WHAT?
1315
00:36:38,530 --> 00:36:39,762
THERE.
I GOT TO SEE--I GOT--WHAT?
>> WHAT'S YOUR PROBLEM?
1316
00:36:39,764 --> 00:36:40,564
I GOT TO SEE--I GOT--WHAT?
>> WHAT'S YOUR PROBLEM?
>> I GOT TO SEE MY NEPHEW.
1317
00:36:40,566 --> 00:36:41,464
>> WHAT'S YOUR PROBLEM?
>> I GOT TO SEE MY NEPHEW.
HIS NAME IS ROB BARTLETT.
1318
00:36:41,466 --> 00:36:42,265
>> I GOT TO SEE MY NEPHEW.
HIS NAME IS ROB BARTLETT.
>> OH, YOU HAVE A RELATION WITH
1319
00:36:42,267 --> 00:36:43,500
HIS NAME IS ROB BARTLETT.
>> OH, YOU HAVE A RELATION WITH
BARTLETT?
1320
00:36:43,502 --> 00:36:44,434
>> OH, YOU HAVE A RELATION WITH
BARTLETT?
>> YES, I'M UNCLE MARTY FELDMAN,
1321
00:36:44,436 --> 00:36:45,268
BARTLETT?
>> YES, I'M UNCLE MARTY FELDMAN,
HE NEEDS ME INSIDE.
1322
00:36:45,270 --> 00:36:46,536
>> YES, I'M UNCLE MARTY FELDMAN,
HE NEEDS ME INSIDE.
I GOT TO GO NOW INSIDE.
1323
00:36:46,538 --> 00:36:47,470
HE NEEDS ME INSIDE.
I GOT TO GO NOW INSIDE.
>> I THINK--I THINK WE RAN INTO
1324
00:36:47,472 --> 00:36:48,438
I GOT TO GO NOW INSIDE.
>> I THINK--I THINK WE RAN INTO
YOUR WIFE EARLIER.
1325
00:36:48,440 --> 00:36:48,904
>> I THINK--I THINK WE RAN INTO
YOUR WIFE EARLIER.
WAIT A MINUTE NOW.
1326
00:36:48,906 --> 00:36:49,506
YOUR WIFE EARLIER.
WAIT A MINUTE NOW.
>> I'VE GOT TO GO INSIDE.
1327
00:36:49,508 --> 00:36:50,340
WAIT A MINUTE NOW.
>> I'VE GOT TO GO INSIDE.
>> WHAT ARE YOU TALKING?
1328
00:36:50,342 --> 00:36:50,906
>> I'VE GOT TO GO INSIDE.
>> WHAT ARE YOU TALKING?
>> I HAVE TO.
1329
00:36:50,908 --> 00:36:51,875
>> WHAT ARE YOU TALKING?
>> I HAVE TO.
HE'S GOT THE TICKETS FOR ME FOR
1330
00:36:51,877 --> 00:36:52,709
>> I HAVE TO.
HE'S GOT THE TICKETS FOR ME FOR
TONIGHT, FOR THE RAW AND
1331
00:36:52,711 --> 00:36:53,509
HE'S GOT THE TICKETS FOR ME FOR
TONIGHT, FOR THE RAW AND
DISCOUNT.
1332
00:36:53,511 --> 00:36:54,277
TONIGHT, FOR THE RAW AND
DISCOUNT.
HE'S GOT THE DISCOUNT.
1333
00:36:54,279 --> 00:36:55,478
DISCOUNT.
HE'S GOT THE DISCOUNT.
HE'S A GOOD PAYER, HE'S A GOOD
1334
00:36:55,480 --> 00:36:56,346
HE'S GOT THE DISCOUNT.
HE'S A GOOD PAYER, HE'S A GOOD
BOY.
1335
00:36:56,348 --> 00:36:57,079
HE'S A GOOD PAYER, HE'S A GOOD
BOY.
>> WAIT A MINUTE.
1336
00:36:57,081 --> 00:36:57,647
BOY.
>> WAIT A MINUTE.
UNCLE MARTY, YOU SEEM TO BE
1337
00:36:57,649 --> 00:36:58,715
>> WAIT A MINUTE.
UNCLE MARTY, YOU SEEM TO BE
HAVING A LITTLE PROBLEM HERE
1338
00:36:58,717 --> 00:36:59,616
UNCLE MARTY, YOU SEEM TO BE
HAVING A LITTLE PROBLEM HERE
WITH YOUR BEARD.
1339
00:36:59,618 --> 00:36:59,916
HAVING A LITTLE PROBLEM HERE
WITH YOUR BEARD.
BOBBY HEENAN?
1340
00:36:59,918 --> 00:37:00,684
WITH YOUR BEARD.
BOBBY HEENAN?
>> OKAY.
1341
00:37:00,686 --> 00:37:01,517
BOBBY HEENAN?
>> OKAY.
YOU KNOW.
1342
00:37:01,519 --> 00:37:02,352
>> OKAY.
YOU KNOW.
I GOT TO GET INSIDE.
1343
00:37:02,354 --> 00:37:03,386
YOU KNOW.
I GOT TO GET INSIDE.
>> WELL, YOU GO--YOU'LL GO TO
1344
00:37:03,388 --> 00:37:04,454
I GOT TO GET INSIDE.
>> WELL, YOU GO--YOU'LL GO TO
ANY LENGTH.
1345
00:37:04,456 --> 00:37:04,920
>> WELL, YOU GO--YOU'LL GO TO
ANY LENGTH.
>> I GOT TO GO.
1346
00:37:04,922 --> 00:37:06,556
ANY LENGTH.
>> I GOT TO GO.
I'LL GO TO ANY LENGTH.
1347
00:37:06,558 --> 00:37:07,257
>> I GOT TO GO.
I'LL GO TO ANY LENGTH.
I GOT TO GET INSIDE.
1348
00:37:07,259 --> 00:37:08,291
I'LL GO TO ANY LENGTH.
I GOT TO GET INSIDE.
I GOT TO GET IN THERE.
1349
00:37:08,293 --> 00:37:09,259
I GOT TO GET INSIDE.
I GOT TO GET IN THERE.
>> UNBELIEVABLE.
1350
00:37:09,261 --> 00:37:09,792
I GOT TO GET IN THERE.
>> UNBELIEVABLE.
>> I GOT TO GO.
1351
00:37:09,794 --> 00:37:10,694
>> UNBELIEVABLE.
>> I GOT TO GO.
NO, PLEASE, YOU GOT TO
1352
00:37:10,696 --> 00:37:11,494
>> I GOT TO GO.
NO, PLEASE, YOU GOT TO
UNDERSTAND.
1353
00:37:11,496 --> 00:37:12,095
NO, PLEASE, YOU GOT TO
UNDERSTAND.
I GOT TO GET--THE ROOF, THE
1354
00:37:12,097 --> 00:37:12,595
UNDERSTAND.
I GOT TO GET--THE ROOF, THE
ROOF.
1355
00:37:12,597 --> 00:37:13,863
I GOT TO GET--THE ROOF, THE
ROOF.
THE ROOF.
1356
00:37:13,865 --> 00:37:14,864
ROOF.
THE ROOF.
THERE'S GOT TO BE A WAY IN ON
1357
00:37:14,866 --> 00:37:15,565
THE ROOF.
THERE'S GOT TO BE A WAY IN ON
THE ROOF.
1358
00:37:15,567 --> 00:37:16,933
THERE'S GOT TO BE A WAY IN ON
THE ROOF.
>> [MUSIC]
1359
00:37:16,935 --> 00:37:24,340
THE ROOF.
>> [MUSIC]
>> [CROWD CHEERING]
1360
00:37:24,342 --> 00:37:25,709
>> [MUSIC]
>> [CROWD CHEERING]
>> WE INVITE YOU TO BE A PART OF
1361
00:37:25,711 --> 00:37:28,411
>> [CROWD CHEERING]
>> WE INVITE YOU TO BE A PART OF
THE EXCITEMENT LIVE HERE AT
1362
00:37:28,413 --> 00:37:29,512
>> WE INVITE YOU TO BE A PART OF
THE EXCITEMENT LIVE HERE AT
MONDAY NIGHT RAW.
1363
00:37:29,514 --> 00:37:32,548
THE EXCITEMENT LIVE HERE AT
MONDAY NIGHT RAW.
FOR TICKETS, ALL YOU HAVE TO DO
1364
00:37:32,550 --> 00:37:33,683
MONDAY NIGHT RAW.
FOR TICKETS, ALL YOU HAVE TO DO
TO CALL IS THE AREA CODE
1365
00:37:33,685 --> 00:37:38,554
FOR TICKETS, ALL YOU HAVE TO DO
TO CALL IS THE AREA CODE
203-352-8692 MONDAY THROUGH
1366
00:37:38,556 --> 00:37:40,423
TO CALL IS THE AREA CODE
203-352-8692 MONDAY THROUGH
SATURDAY, 9:00 TO 5:00 EASTERN
1367
00:37:40,425 --> 00:37:41,625
203-352-8692 MONDAY THROUGH
SATURDAY, 9:00 TO 5:00 EASTERN
TIME.
1368
00:37:41,627 --> 00:37:42,892
SATURDAY, 9:00 TO 5:00 EASTERN
TIME.
SO IF YOU LIVE IN THE NEW YORK
1369
00:37:42,894 --> 00:37:44,394
TIME.
SO IF YOU LIVE IN THE NEW YORK
CITY AREA OR PLAN TO VISIT,
1370
00:37:44,396 --> 00:37:45,862
SO IF YOU LIVE IN THE NEW YORK
CITY AREA OR PLAN TO VISIT,
DON'T MISS OUT ON THE HOTTEST
1371
00:37:45,864 --> 00:37:48,765
CITY AREA OR PLAN TO VISIT,
DON'T MISS OUT ON THE HOTTEST
LIVE ACTION AROUND, IT'S WWE
1372
00:37:48,767 --> 00:37:51,467
DON'T MISS OUT ON THE HOTTEST
LIVE ACTION AROUND, IT'S WWE
MONDAY NIGHT RAW UNCUT.
1373
00:37:51,469 --> 00:37:52,769
LIVE ACTION AROUND, IT'S WWE
MONDAY NIGHT RAW UNCUT.
>> UNCENSORED.
1374
00:37:52,771 --> 00:37:53,536
MONDAY NIGHT RAW UNCUT.
>> UNCENSORED.
>> UNCOOKED.
1375
00:37:53,538 --> 00:37:54,804
>> UNCENSORED.
>> UNCOOKED.
>> WAIT A MINUTE, LET'S GET IT
1376
00:37:54,806 --> 00:37:55,538
>> UNCOOKED.
>> WAIT A MINUTE, LET'S GET IT
STRAIGHT.
1377
00:37:55,540 --> 00:37:56,539
>> WAIT A MINUTE, LET'S GET IT
STRAIGHT.
>> UNCUT.
1378
00:37:56,541 --> 00:37:56,873
STRAIGHT.
>> UNCUT.
>> UNCOOKED.
1379
00:37:56,875 --> 00:37:57,607
>> UNCUT.
>> UNCOOKED.
>> UNCENSORED.
1380
00:37:57,609 --> 00:37:58,374
>> UNCOOKED.
>> UNCENSORED.
>> THERE YOU GO.
1381
00:37:58,376 --> 00:37:59,542
>> UNCENSORED.
>> THERE YOU GO.
>> AGAIN.
1382
00:37:59,544 --> 00:38:01,244
>> THERE YOU GO.
>> AGAIN.
>> UGANDAN GIANT, THE MIGHTY
1383
00:38:01,246 --> 00:38:02,578
>> AGAIN.
>> UGANDAN GIANT, THE MIGHTY
KAMALA THIS PAST WEEKEND ON THE
1384
00:38:02,580 --> 00:38:03,546
>> UGANDAN GIANT, THE MIGHTY
KAMALA THIS PAST WEEKEND ON THE
WWE NETWORK.
1385
00:38:03,548 --> 00:38:05,682
KAMALA THIS PAST WEEKEND ON THE
WWE NETWORK.
YOU MIGHT SAY THAT HE SAW THE
1386
00:38:05,684 --> 00:38:07,784
WWE NETWORK.
YOU MIGHT SAY THAT HE SAW THE
LIGHT, THANKS TO REVEREND SLICK.
1387
00:38:07,786 --> 00:38:19,395
YOU MIGHT SAY THAT HE SAW THE
LIGHT, THANKS TO REVEREND SLICK.
>> [MUSIC]
1388
00:38:19,397 --> 00:39:44,380
LIGHT, THANKS TO REVEREND SLICK.
>> [MUSIC]
>> [CROWD CHEERING]
1389
00:39:44,382 --> 00:39:45,448
>> [MUSIC]
>> [CROWD CHEERING]
>> [BELL RINGING]
1390
00:39:45,450 --> 00:39:46,716
>> [CROWD CHEERING]
>> [BELL RINGING]
>> THE UGANDAN GIANT STILL
1391
00:39:46,718 --> 00:39:48,684
>> [BELL RINGING]
>> THE UGANDAN GIANT STILL
CHASING HIS FORMER MANAGER
1392
00:39:48,686 --> 00:39:52,722
>> THE UGANDAN GIANT STILL
CHASING HIS FORMER MANAGER
HARVEY WIPPLEMAN AND KIM CHEE.
1393
00:39:52,724 --> 00:39:54,557
CHASING HIS FORMER MANAGER
HARVEY WIPPLEMAN AND KIM CHEE.
>> AND WAIT A MINUTE, FOR WHOM
1394
00:39:54,559 --> 00:39:56,325
HARVEY WIPPLEMAN AND KIM CHEE.
>> AND WAIT A MINUTE, FOR WHOM
THE BELL TOLLS?
1395
00:39:56,327 --> 00:39:57,393
>> AND WAIT A MINUTE, FOR WHOM
THE BELL TOLLS?
>> THIS GUY LOOKS LIKE HE GOT
1396
00:39:57,395 --> 00:39:58,494
THE BELL TOLLS?
>> THIS GUY LOOKS LIKE HE GOT
HIS HAIRCUT DURING A POWER
1397
00:39:58,496 --> 00:40:00,730
>> THIS GUY LOOKS LIKE HE GOT
HIS HAIRCUT DURING A POWER
SURGE.
1398
00:40:00,732 --> 00:40:03,767
HIS HAIRCUT DURING A POWER
SURGE.
>> IN THE RING FROM THE OUTER
1399
00:40:03,769 --> 00:40:04,801
SURGE.
>> IN THE RING FROM THE OUTER
REACHES OF YOUR MIND, WEIGHING
1400
00:40:04,803 --> 00:40:06,836
>> IN THE RING FROM THE OUTER
REACHES OF YOUR MIND, WEIGHING
269 POUNDS, DAMIAN DEMENTO.
1401
00:40:06,838 --> 00:40:07,837
REACHES OF YOUR MIND, WEIGHING
269 POUNDS, DAMIAN DEMENTO.
>> WELL, AT LEAST HE'S USING HIS
1402
00:40:07,839 --> 00:40:08,772
269 POUNDS, DAMIAN DEMENTO.
>> WELL, AT LEAST HE'S USING HIS
REAL NAME.
1403
00:40:08,774 --> 00:40:11,641
>> WELL, AT LEAST HE'S USING HIS
REAL NAME.
>> [CROWD CHEERING]
1404
00:40:11,643 --> 00:40:12,708
REAL NAME.
>> [CROWD CHEERING]
>> FROM THE OUTER REACHES OF
1405
00:40:12,710 --> 00:40:14,410
>> [CROWD CHEERING]
>> FROM THE OUTER REACHES OF
YOUR MIND, THAT'S NO PLACE TO BE
1406
00:40:14,412 --> 00:40:15,678
>> FROM THE OUTER REACHES OF
YOUR MIND, THAT'S NO PLACE TO BE
FROM.
1407
00:40:15,680 --> 00:40:17,413
YOUR MIND, THAT'S NO PLACE TO BE
FROM.
>> AND TAKE A LOOK LADIES AND
1408
00:40:17,415 --> 00:40:19,782
FROM.
>> AND TAKE A LOOK LADIES AND
GENTLEMEN, THE PHENOM KNOWN AS
1409
00:40:19,784 --> 00:40:22,685
>> AND TAKE A LOOK LADIES AND
GENTLEMEN, THE PHENOM KNOWN AS
THE UNDERTAKER.
1410
00:40:22,687 --> 00:40:24,487
GENTLEMEN, THE PHENOM KNOWN AS
THE UNDERTAKER.
>> GET YOUR HAIR OUT OF YOUR
1411
00:40:24,489 --> 00:40:25,621
THE UNDERTAKER.
>> GET YOUR HAIR OUT OF YOUR
FACE.
1412
00:40:25,623 --> 00:40:27,256
>> GET YOUR HAIR OUT OF YOUR
FACE.
YOU HAVE SUCH A PRETTY FACE.
1413
00:40:27,258 --> 00:40:33,362
FACE.
YOU HAVE SUCH A PRETTY FACE.
>> THE COMPETITOR , WEIGHING 228
1414
00:40:33,364 --> 00:40:33,963
YOU HAVE SUCH A PRETTY FACE.
>> THE COMPETITOR , WEIGHING 228
POUNDS, THE UNDERTAKER.
1415
00:40:33,965 --> 00:40:34,631
>> THE COMPETITOR , WEIGHING 228
POUNDS, THE UNDERTAKER.
>> [CROWD CHEERING]
1416
00:40:34,633 --> 00:40:35,798
POUNDS, THE UNDERTAKER.
>> [CROWD CHEERING]
>> WE ARE LIVE FROM NEW YORK
1417
00:40:35,800 --> 00:40:37,467
>> [CROWD CHEERING]
>> WE ARE LIVE FROM NEW YORK
CITY AND BY THE WAY, WE'D LIKE
1418
00:40:37,469 --> 00:40:38,501
>> WE ARE LIVE FROM NEW YORK
CITY AND BY THE WAY, WE'D LIKE
TO THANK THE GOOD FOLKS OVER AT
1419
00:40:38,503 --> 00:40:40,403
CITY AND BY THE WAY, WE'D LIKE
TO THANK THE GOOD FOLKS OVER AT
WFAN RADIO HERE IN NEW YORK FOR
1420
00:40:40,405 --> 00:40:42,605
TO THANK THE GOOD FOLKS OVER AT
WFAN RADIO HERE IN NEW YORK FOR
ALLOWING US TO HAVE A ROB
1421
00:40:42,607 --> 00:40:44,808
WFAN RADIO HERE IN NEW YORK FOR
ALLOWING US TO HAVE A ROB
BARTLETT HERE AT RING SIDE.
1422
00:40:44,810 --> 00:40:46,776
ALLOWING US TO HAVE A ROB
BARTLETT HERE AT RING SIDE.
WE CERTAINLY WOULD LIKE TO THANK
1423
00:40:46,778 --> 00:40:48,811
BARTLETT HERE AT RING SIDE.
WE CERTAINLY WOULD LIKE TO THANK
THAT MEDIA ICON, DON IMUS,
1424
00:40:48,813 --> 00:40:50,580
WE CERTAINLY WOULD LIKE TO THANK
THAT MEDIA ICON, DON IMUS,
WINNER OF THE PRESTIGIOUS
1425
00:40:50,582 --> 00:40:52,615
THAT MEDIA ICON, DON IMUS,
WINNER OF THE PRESTIGIOUS
MARCONI AWARD AND FORMER
1426
00:40:52,617 --> 00:40:53,616
WINNER OF THE PRESTIGIOUS
MARCONI AWARD AND FORMER
GOVERNOR OF THE STATE OF
1427
00:40:53,618 --> 00:40:54,617
MARCONI AWARD AND FORMER
GOVERNOR OF THE STATE OF
CONNECTICUT TODAY.
1428
00:40:54,619 --> 00:40:55,852
GOVERNOR OF THE STATE OF
CONNECTICUT TODAY.
>> FOR ALLOWING ROB TO BE HERE
1429
00:40:55,854 --> 00:40:56,653
CONNECTICUT TODAY.
>> FOR ALLOWING ROB TO BE HERE
WITH US.
1430
00:40:56,655 --> 00:40:57,554
>> FOR ALLOWING ROB TO BE HERE
WITH US.
>> WHO'S THE GUY WITH THE
1431
00:40:57,556 --> 00:40:59,455
WITH US.
>> WHO'S THE GUY WITH THE
MARTINI SHAKER, VINCE?
1432
00:40:59,457 --> 00:41:00,056
>> WHO'S THE GUY WITH THE
MARTINI SHAKER, VINCE?
>> [BELL RINGING]
1433
00:41:00,058 --> 00:41:01,390
MARTINI SHAKER, VINCE?
>> [BELL RINGING]
>> WELL, YOU'VE BEEN WORKING
1434
00:41:01,392 --> 00:41:02,625
>> [BELL RINGING]
>> WELL, YOU'VE BEEN WORKING
ALREADY FOR SOMETIME, YOU DON'T
1435
00:41:02,627 --> 00:41:03,759
>> WELL, YOU'VE BEEN WORKING
ALREADY FOR SOMETIME, YOU DON'T
KNOW WHO THAT IS?
1436
00:41:03,761 --> 00:41:05,661
ALREADY FOR SOMETIME, YOU DON'T
KNOW WHO THAT IS?
TAKE A LOOK, WHO DOES HE REMIND
1437
00:41:05,663 --> 00:41:06,662
KNOW WHO THAT IS?
TAKE A LOOK, WHO DOES HE REMIND
YOU OF?
1438
00:41:06,664 --> 00:41:07,697
TAKE A LOOK, WHO DOES HE REMIND
YOU OF?
THAT'S PAUL BEARER FROM THE
1439
00:41:07,699 --> 00:41:09,632
YOU OF?
THAT'S PAUL BEARER FROM THE
FAMOUS BEARER FAMILY.
1440
00:41:09,634 --> 00:41:10,600
THAT'S PAUL BEARER FROM THE
FAMOUS BEARER FAMILY.
>> HE COULD USE AN IRON
1441
00:41:10,602 --> 00:41:11,567
FAMOUS BEARER FAMILY.
>> HE COULD USE AN IRON
SUPPLEMENT, HE LOOKS A LITTLE
1442
00:41:11,569 --> 00:41:13,503
>> HE COULD USE AN IRON
SUPPLEMENT, HE LOOKS A LITTLE
PALE.
1443
00:41:13,505 --> 00:41:14,370
SUPPLEMENT, HE LOOKS A LITTLE
PALE.
>> YOU KNOW, THERE'S NOT A WHOLE
1444
00:41:14,372 --> 00:41:16,840
PALE.
>> YOU KNOW, THERE'S NOT A WHOLE
LOT OF SUN HERE IN NEW YORK, ALL
1445
00:41:16,842 --> 00:41:17,640
>> YOU KNOW, THERE'S NOT A WHOLE
LOT OF SUN HERE IN NEW YORK, ALL
THESE TALL BUILDINGS AROUND AND
1446
00:41:17,642 --> 00:41:19,542
LOT OF SUN HERE IN NEW YORK, ALL
THESE TALL BUILDINGS AROUND AND
STUFF.
1447
00:41:19,544 --> 00:41:20,409
THESE TALL BUILDINGS AROUND AND
STUFF.
>> HE'S DEFINITELY EARNED THE
1448
00:41:20,411 --> 00:41:21,811
STUFF.
>> HE'S DEFINITELY EARNED THE
RIGHT TO BE THE UNDERTAKER'S
1449
00:41:21,813 --> 00:41:22,445
>> HE'S DEFINITELY EARNED THE
RIGHT TO BE THE UNDERTAKER'S
MANAGER.
1450
00:41:22,447 --> 00:41:25,882
RIGHT TO BE THE UNDERTAKER'S
MANAGER.
>> WHOA, DAMIAN DEMENTO.
1451
00:41:25,884 --> 00:41:27,417
MANAGER.
>> WHOA, DAMIAN DEMENTO.
LOOK AT THIS.
1452
00:41:27,419 --> 00:41:28,784
>> WHOA, DAMIAN DEMENTO.
LOOK AT THIS.
RIGHT IN THE CHOPS.
1453
00:41:28,786 --> 00:41:30,620
LOOK AT THIS.
RIGHT IN THE CHOPS.
A HARD RIGHT IN--ANOTHER ONE,
1454
00:41:30,622 --> 00:41:33,523
RIGHT IN THE CHOPS.
A HARD RIGHT IN--ANOTHER ONE,
LOOK AT THAT RIGHT IN THE CHOPS.
1455
00:41:33,525 --> 00:41:34,624
A HARD RIGHT IN--ANOTHER ONE,
LOOK AT THAT RIGHT IN THE CHOPS.
DAMIAN DEMENTO BACKING THE
1456
00:41:34,626 --> 00:41:36,425
LOOK AT THAT RIGHT IN THE CHOPS.
DAMIAN DEMENTO BACKING THE
UNDERTAKER UP, HAS HIM ROLLING
1457
00:41:36,427 --> 00:41:37,927
DAMIAN DEMENTO BACKING THE
UNDERTAKER UP, HAS HIM ROLLING
NOW, OFF THE ROPE AND--OH, MY.
1458
00:41:37,929 --> 00:41:39,629
UNDERTAKER UP, HAS HIM ROLLING
NOW, OFF THE ROPE AND--OH, MY.
>> [CROWD CHEERING]
1459
00:41:39,631 --> 00:41:41,430
NOW, OFF THE ROPE AND--OH, MY.
>> [CROWD CHEERING]
>> OH, WOW.
1460
00:41:41,432 --> 00:41:42,064
>> [CROWD CHEERING]
>> OH, WOW.
>> WELL, I GUESS HE KIND OF
1461
00:41:42,066 --> 00:41:43,499
>> OH, WOW.
>> WELL, I GUESS HE KIND OF
REVERSE THINGS THERE AT LEAST
1462
00:41:43,501 --> 00:41:45,001
>> WELL, I GUESS HE KIND OF
REVERSE THINGS THERE AT LEAST
MOMENTARILY.
1463
00:41:45,003 --> 00:41:45,869
REVERSE THINGS THERE AT LEAST
MOMENTARILY.
AND PAUL BEARER CERTAINLY LIKES
1464
00:41:45,871 --> 00:41:46,769
MOMENTARILY.
AND PAUL BEARER CERTAINLY LIKES
WHAT HE SEES.
1465
00:41:46,771 --> 00:41:47,737
AND PAUL BEARER CERTAINLY LIKES
WHAT HE SEES.
>> I THINK PAUL SHOULD THINK
1466
00:41:47,739 --> 00:41:49,405
WHAT HE SEES.
>> I THINK PAUL SHOULD THINK
ABOUT GOING TO DECAFFEINATED
1467
00:41:49,407 --> 00:41:51,474
>> I THINK PAUL SHOULD THINK
ABOUT GOING TO DECAFFEINATED
BRAND, VINCE.
1468
00:41:51,476 --> 00:41:52,341
ABOUT GOING TO DECAFFEINATED
BRAND, VINCE.
>> HE'S DOING VERY WELL FOR
1469
00:41:52,343 --> 00:41:54,744
BRAND, VINCE.
>> HE'S DOING VERY WELL FOR
HIMSELF THESE DAYS, PAUL BEARER
1470
00:41:54,746 --> 00:41:55,912
>> HE'S DOING VERY WELL FOR
HIMSELF THESE DAYS, PAUL BEARER
IS AND WELL, THAT MATTERS SO AS
1471
00:41:55,914 --> 00:41:57,847
HIMSELF THESE DAYS, PAUL BEARER
IS AND WELL, THAT MATTERS SO AS
THE UNDERTAKER WHO LIKEWISE WILL
1472
00:41:57,849 --> 00:42:00,583
IS AND WELL, THAT MATTERS SO AS
THE UNDERTAKER WHO LIKEWISE WILL
JOIN RANDY SAVAGE, YOKOZUNA AND
1473
00:42:00,585 --> 00:42:02,752
THE UNDERTAKER WHO LIKEWISE WILL
JOIN RANDY SAVAGE, YOKOZUNA AND
A WHOLE BUNCH OF COMPETITORS
1474
00:42:02,754 --> 00:42:06,389
JOIN RANDY SAVAGE, YOKOZUNA AND
A WHOLE BUNCH OF COMPETITORS
COMPETING IN THE ROYAL RUMBLE.
1475
00:42:06,391 --> 00:42:07,290
A WHOLE BUNCH OF COMPETITORS
COMPETING IN THE ROYAL RUMBLE.
>> OH, MY.
1476
00:42:07,292 --> 00:42:08,758
COMPETING IN THE ROYAL RUMBLE.
>> OH, MY.
>> IN LESS THAN TWO WEEKS.
1477
00:42:08,760 --> 00:42:09,759
>> OH, MY.
>> IN LESS THAN TWO WEEKS.
>> UNDERTAKER WALKING TALL RIGHT
1478
00:42:09,761 --> 00:42:12,528
>> IN LESS THAN TWO WEEKS.
>> UNDERTAKER WALKING TALL RIGHT
THERE.
1479
00:42:12,530 --> 00:42:15,464
>> UNDERTAKER WALKING TALL RIGHT
THERE.
>> HE ALWAYS WALKS TALL.
1480
00:42:15,466 --> 00:42:19,402
THERE.
>> HE ALWAYS WALKS TALL.
>> DEMENTO HAVING HIS PROBLEMS.
1481
00:42:19,404 --> 00:42:20,536
>> HE ALWAYS WALKS TALL.
>> DEMENTO HAVING HIS PROBLEMS.
UNDERTAKER IS ALL OVER DAMIAN
1482
00:42:20,538 --> 00:42:24,707
>> DEMENTO HAVING HIS PROBLEMS.
UNDERTAKER IS ALL OVER DAMIAN
DEMENTO.
1483
00:42:24,709 --> 00:42:26,475
UNDERTAKER IS ALL OVER DAMIAN
DEMENTO.
>> TWO BIG NAMES IN THE WORLD
1484
00:42:26,477 --> 00:42:27,210
DEMENTO.
>> TWO BIG NAMES IN THE WORLD
WRESTLING ENTERTAINMENT ON
1485
00:42:27,212 --> 00:42:27,844
>> TWO BIG NAMES IN THE WORLD
WRESTLING ENTERTAINMENT ON
MONDAY
1486
00:42:27,846 --> 00:42:30,379
WRESTLING ENTERTAINMENT ON
MONDAY
NIGHT RAW GOING HEAD TO HEAD.
1487
00:42:30,381 --> 00:42:31,647
MONDAY
NIGHT RAW GOING HEAD TO HEAD.
>> DEMENTO IS IN THE BUCKLE.
1488
00:42:31,649 --> 00:42:33,716
NIGHT RAW GOING HEAD TO HEAD.
>> DEMENTO IS IN THE BUCKLE.
THUS FAR OTHER THAN THE SHOTS
1489
00:42:33,718 --> 00:42:35,284
>> DEMENTO IS IN THE BUCKLE.
THUS FAR OTHER THAN THE SHOTS
DEMENTO GOT IN EARLIER, NOW
1490
00:42:35,286 --> 00:42:36,552
THUS FAR OTHER THAN THE SHOTS
DEMENTO GOT IN EARLIER, NOW
THINGS MAY JUST BE REVERSED A
1491
00:42:36,554 --> 00:42:37,486
DEMENTO GOT IN EARLIER, NOW
THINGS MAY JUST BE REVERSED A
BIT.
1492
00:42:37,488 --> 00:42:38,688
THINGS MAY JUST BE REVERSED A
BIT.
BY THE WAY, NEXT WEEK LADIES AND
1493
00:42:38,690 --> 00:42:40,490
BIT.
BY THE WAY, NEXT WEEK LADIES AND
GENTLEMEN, HERE ON MONDAY NIGHT
1494
00:42:40,492 --> 00:42:41,457
BY THE WAY, NEXT WEEK LADIES AND
GENTLEMEN, HERE ON MONDAY NIGHT
RAW, YOU WANNA JOIN US AS WE
1495
00:42:41,459 --> 00:42:42,792
GENTLEMEN, HERE ON MONDAY NIGHT
RAW, YOU WANNA JOIN US AS WE
COME TO YOU LIVE AGAIN FROM THE
1496
00:42:42,794 --> 00:42:44,493
RAW, YOU WANNA JOIN US AS WE
COME TO YOU LIVE AGAIN FROM THE
MANHATTAN CENTER.
1497
00:42:44,495 --> 00:42:45,595
COME TO YOU LIVE AGAIN FROM THE
MANHATTAN CENTER.
IF YOU CAN'T MAKE IT DOWN HERE,
1498
00:42:45,597 --> 00:42:46,596
MANHATTAN CENTER.
IF YOU CAN'T MAKE IT DOWN HERE,
WE DO INVITE YOU TO TUNE IN.
1499
00:42:46,598 --> 00:42:49,432
IF YOU CAN'T MAKE IT DOWN HERE,
WE DO INVITE YOU TO TUNE IN.
MR. PERFECT WILL SQUARE OFF
1500
00:42:49,434 --> 00:42:51,834
WE DO INVITE YOU TO TUNE IN.
MR. PERFECT WILL SQUARE OFF
AGAINST PAPA SHANGO, EL MATADOR
1501
00:42:51,836 --> 00:42:54,470
MR. PERFECT WILL SQUARE OFF
AGAINST PAPA SHANGO, EL MATADOR
TO MEET RIC FLAIR PLUS IN A
1502
00:42:54,472 --> 00:42:57,540
AGAINST PAPA SHANGO, EL MATADOR
TO MEET RIC FLAIR PLUS IN A
SPECIAL INTERVIEW THE REIGNING
1503
00:42:57,542 --> 00:42:58,708
TO MEET RIC FLAIR PLUS IN A
SPECIAL INTERVIEW THE REIGNING
WWE CHAMPION, THE HITMAN
1504
00:42:58,710 --> 00:43:01,477
SPECIAL INTERVIEW THE REIGNING
WWE CHAMPION, THE HITMAN
HIMSELF, THE HITMAN BRET HART
1505
00:43:01,479 --> 00:43:03,412
WWE CHAMPION, THE HITMAN
HIMSELF, THE HITMAN BRET HART
WILL BE HERE.
1506
00:43:03,414 --> 00:43:03,947
HIMSELF, THE HITMAN BRET HART
WILL BE HERE.
>> [CROWD CHEERING]
1507
00:43:03,949 --> 00:43:10,519
WILL BE HERE.
>> [CROWD CHEERING]
>> YOU KNOW WHAT, HE WEARS THOSE
1508
00:43:10,521 --> 00:43:11,721
>> [CROWD CHEERING]
>> YOU KNOW WHAT, HE WEARS THOSE
GLOVES SO HE DOESN'T GET THOSE
1509
00:43:11,723 --> 00:43:13,856
>> YOU KNOW WHAT, HE WEARS THOSE
GLOVES SO HE DOESN'T GET THOSE
DISHPAN HANDS.
1510
00:43:13,858 --> 00:43:14,624
GLOVES SO HE DOESN'T GET THOSE
DISHPAN HANDS.
>> I DON'T THINK HE'S WORRIED
1511
00:43:14,626 --> 00:43:16,525
DISHPAN HANDS.
>> I DON'T THINK HE'S WORRIED
ABOUT THAT BUT LOOK OUT, HERE IT
1512
00:43:16,527 --> 00:43:17,860
>> I DON'T THINK HE'S WORRIED
ABOUT THAT BUT LOOK OUT, HERE IT
COMES NOW, THE UNDERTAKER WITH
1513
00:43:17,862 --> 00:43:20,396
ABOUT THAT BUT LOOK OUT, HERE IT
COMES NOW, THE UNDERTAKER WITH
DEMENTO DOWN WITH THE TOMBSTONE,
1514
00:43:20,398 --> 00:43:24,767
COMES NOW, THE UNDERTAKER WITH
DEMENTO DOWN WITH THE TOMBSTONE,
THAT IT COULD BE IT.
1515
00:43:24,769 --> 00:43:25,635
DEMENTO DOWN WITH THE TOMBSTONE,
THAT IT COULD BE IT.
>> [BELL RINGING]
1516
00:43:25,637 --> 00:43:26,436
THAT IT COULD BE IT.
>> [BELL RINGING]
>> OH, MY.
1517
00:43:26,438 --> 00:43:26,703
>> [BELL RINGING]
>> OH, MY.
YES.
1518
00:43:26,705 --> 00:43:27,703
>> OH, MY.
YES.
>> GET THE BODY BAG.
1519
00:43:27,705 --> 00:43:32,742
YES.
>> GET THE BODY BAG.
>> [MUSIC]
1520
00:43:32,744 --> 00:43:34,911
>> GET THE BODY BAG.
>> [MUSIC]
>> HERE IS YOUR WINNER, THE
1521
00:43:34,913 --> 00:43:36,746
>> [MUSIC]
>> HERE IS YOUR WINNER, THE
UNDERTAKER.
1522
00:43:36,748 --> 00:43:37,647
>> HERE IS YOUR WINNER, THE
UNDERTAKER.
>> THE UNDERTAKER VICTORIOUS.
1523
00:43:37,649 --> 00:43:39,549
UNDERTAKER.
>> THE UNDERTAKER VICTORIOUS.
AND AGAIN, WE INVITE YOU TO JOIN
1524
00:43:39,551 --> 00:43:40,750
>> THE UNDERTAKER VICTORIOUS.
AND AGAIN, WE INVITE YOU TO JOIN
US NEXT WEEK MR. PERFECT'S HERE,
1525
00:43:40,752 --> 00:43:42,518
AND AGAIN, WE INVITE YOU TO JOIN
US NEXT WEEK MR. PERFECT'S HERE,
EL MATADOR, RIC FLAIR, PAPA
1526
00:43:42,520 --> 00:43:43,453
US NEXT WEEK MR. PERFECT'S HERE,
EL MATADOR, RIC FLAIR, PAPA
SHANGO, THE HITMAN BRET HART AND
1527
00:43:43,455 --> 00:43:45,755
EL MATADOR, RIC FLAIR, PAPA
SHANGO, THE HITMAN BRET HART AND
BY THE WAY, YES, ONE-ON-ONE IN A
1528
00:43:45,757 --> 00:43:49,458
SHANGO, THE HITMAN BRET HART AND
BY THE WAY, YES, ONE-ON-ONE IN A
STEEL CAGE MATCHUP RIGHT HERE.
1529
00:43:49,460 --> 00:43:51,694
BY THE WAY, YES, ONE-ON-ONE IN A
STEEL CAGE MATCHUP RIGHT HERE.
YES, NEXT MONDAY NIGHT, WOODY
1530
00:43:51,696 --> 00:43:52,762
STEEL CAGE MATCHUP RIGHT HERE.
YES, NEXT MONDAY NIGHT, WOODY
ALLEN SQUARES OFF AGAINST MIA
1531
00:43:52,764 --> 00:43:54,664
YES, NEXT MONDAY NIGHT, WOODY
ALLEN SQUARES OFF AGAINST MIA
FARROW, DON'T MISS IT NEXT WEEK
1532
00:43:54,666 --> 00:43:59,535
ALLEN SQUARES OFF AGAINST MIA
FARROW, DON'T MISS IT NEXT WEEK
RIGHT HERE.
1533
00:43:59,537 --> 00:44:01,537
FARROW, DON'T MISS IT NEXT WEEK
RIGHT HERE.
>> WE'RE BACK WITH--WE'RE BACK
1534
00:44:01,539 --> 00:44:02,605
RIGHT HERE.
>> WE'RE BACK WITH--WE'RE BACK
WITH DOINK LADIES AND GENTLEMEN,
1535
00:44:02,607 --> 00:44:03,773
>> WE'RE BACK WITH--WE'RE BACK
WITH DOINK LADIES AND GENTLEMEN,
HERE ON MONDAY NIGHT RAW AND
1536
00:44:03,775 --> 00:44:06,509
WITH DOINK LADIES AND GENTLEMEN,
HERE ON MONDAY NIGHT RAW AND
DOINK LIKES TO MAKE CHILDREN CRY
1537
00:44:06,511 --> 00:44:08,544
HERE ON MONDAY NIGHT RAW AND
DOINK LIKES TO MAKE CHILDREN CRY
NOT LAUGH AND CRUSH HAS WARNED
1538
00:44:08,546 --> 00:44:10,346
DOINK LIKES TO MAKE CHILDREN CRY
NOT LAUGH AND CRUSH HAS WARNED
YOU ABOUT THAT.
1539
00:44:10,348 --> 00:44:12,481
NOT LAUGH AND CRUSH HAS WARNED
YOU ABOUT THAT.
>> HE WARNED ME ABOUT WHAT?
1540
00:44:12,483 --> 00:44:14,717
YOU ABOUT THAT.
>> HE WARNED ME ABOUT WHAT?
>> MAKING CHILDREN CRY.
1541
00:44:14,719 --> 00:44:16,419
>> HE WARNED ME ABOUT WHAT?
>> MAKING CHILDREN CRY.
>> HEY, IF THEY DON'T HAVE A
1542
00:44:16,421 --> 00:44:17,520
>> MAKING CHILDREN CRY.
>> HEY, IF THEY DON'T HAVE A
SENSE OF HUMOR, THAT'S THEIR
1543
00:44:17,522 --> 00:44:18,488
>> HEY, IF THEY DON'T HAVE A
SENSE OF HUMOR, THAT'S THEIR
PROBLEM.
1544
00:44:18,490 --> 00:44:19,822
SENSE OF HUMOR, THAT'S THEIR
PROBLEM.
IF I LAUGH, THAT'S ALL THAT
1545
00:44:19,824 --> 00:44:22,391
PROBLEM.
IF I LAUGH, THAT'S ALL THAT
MATTERS.
1546
00:44:22,393 --> 00:44:23,158
IF I LAUGH, THAT'S ALL THAT
MATTERS.
>> SO YOU'RE NOT GONNA HEED THE
1547
00:44:23,160 --> 00:44:24,560
MATTERS.
>> SO YOU'RE NOT GONNA HEED THE
WARNING OF CRUSH THEN?
1548
00:44:24,562 --> 00:44:25,728
>> SO YOU'RE NOT GONNA HEED THE
WARNING OF CRUSH THEN?
>> LET ME TELL YOU, IF HE CAME
1549
00:44:25,730 --> 00:44:27,329
WARNING OF CRUSH THEN?
>> LET ME TELL YOU, IF HE CAME
OUT HERE RIGHT NOW, HE WOULD BE
1550
00:44:27,331 --> 00:44:28,698
>> LET ME TELL YOU, IF HE CAME
OUT HERE RIGHT NOW, HE WOULD BE
CRYING TOO AND I WOULD BE
1551
00:44:28,700 --> 00:44:30,499
OUT HERE RIGHT NOW, HE WOULD BE
CRYING TOO AND I WOULD BE
LAUGHING.
1552
00:44:30,501 --> 00:44:31,701
CRYING TOO AND I WOULD BE
LAUGHING.
>> WAIT, WAIT, WAIT.
1553
00:44:31,703 --> 00:44:32,935
LAUGHING.
>> WAIT, WAIT, WAIT.
EXCUSE ME, MR. DOINK.
1554
00:44:32,937 --> 00:44:35,471
>> WAIT, WAIT, WAIT.
EXCUSE ME, MR. DOINK.
I'D LIKE FOR YOU TO MEET, CRUSH.
1555
00:44:35,473 --> 00:44:38,708
EXCUSE ME, MR. DOINK.
I'D LIKE FOR YOU TO MEET, CRUSH.
PARDON ME, CRUSH.
1556
00:44:38,710 --> 00:44:40,476
I'D LIKE FOR YOU TO MEET, CRUSH.
PARDON ME, CRUSH.
WHO'S LAUGHING NOW?
1557
00:44:40,478 --> 00:44:42,678
PARDON ME, CRUSH.
WHO'S LAUGHING NOW?
>> HEY, BRAH, BEFORE YOU PUT
1558
00:44:42,680 --> 00:44:44,513
WHO'S LAUGHING NOW?
>> HEY, BRAH, BEFORE YOU PUT
YOUR SIZE-40 SHOE IN YOUR
1559
00:44:44,515 --> 00:44:45,614
>> HEY, BRAH, BEFORE YOU PUT
YOUR SIZE-40 SHOE IN YOUR
SIZE-20 MOUTH, YOU BETTER LOOK
1560
00:44:45,616 --> 00:44:46,549
YOUR SIZE-40 SHOE IN YOUR
SIZE-20 MOUTH, YOU BETTER LOOK
OVER BOTH SHOULDERS BRAH, YOU
1561
00:44:46,551 --> 00:44:48,851
SIZE-20 MOUTH, YOU BETTER LOOK
OVER BOTH SHOULDERS BRAH, YOU
GOT THAT?
1562
00:44:48,853 --> 00:44:51,620
OVER BOTH SHOULDERS BRAH, YOU
GOT THAT?
THIS WAS JUST A WARNING, BRAH.
1563
00:44:51,622 --> 00:44:53,489
GOT THAT?
THIS WAS JUST A WARNING, BRAH.
IF I CATCH YOU TOUCHING ANYONE
1564
00:44:53,491 --> 00:44:54,724
THIS WAS JUST A WARNING, BRAH.
IF I CATCH YOU TOUCHING ANYONE
ELSE, PLAYING YOUR STUPID JOKES
1565
00:44:54,726 --> 00:44:56,625
IF I CATCH YOU TOUCHING ANYONE
ELSE, PLAYING YOUR STUPID JOKES
THAT ONLY YOU ARE LAUGHING AT,
1566
00:44:56,627 --> 00:44:58,594
ELSE, PLAYING YOUR STUPID JOKES
THAT ONLY YOU ARE LAUGHING AT,
ON ANYONE ELSE, BRAH, YOU JUST
1567
00:44:58,596 --> 00:45:00,329
THAT ONLY YOU ARE LAUGHING AT,
ON ANYONE ELSE, BRAH, YOU JUST
MIGHT BE WEARING A CAST ON BOTH
1568
00:45:00,331 --> 00:45:01,764
ON ANYONE ELSE, BRAH, YOU JUST
MIGHT BE WEARING A CAST ON BOTH
ARMS AND BOTH LEGS NEXT TIME.
1569
00:45:01,766 --> 00:45:03,265
MIGHT BE WEARING A CAST ON BOTH
ARMS AND BOTH LEGS NEXT TIME.
YOU GOT THAT, BROTHER?
1570
00:45:03,267 --> 00:45:04,000
ARMS AND BOTH LEGS NEXT TIME.
YOU GOT THAT, BROTHER?
>> [CROWD CHEERING]
1571
00:45:04,002 --> 00:45:32,862
YOU GOT THAT, BROTHER?
>> [CROWD CHEERING]
>> [MUSIC]
1572
00:45:32,864 --> 00:45:34,397
>> [CROWD CHEERING]
>> [MUSIC]
>> AS YOU KNOW BOBBY HEENAN HAS
1573
00:45:34,399 --> 00:45:36,265
>> [MUSIC]
>> AS YOU KNOW BOBBY HEENAN HAS
BEEN VERY PERSISTENT THROUGHOUT
1574
00:45:36,267 --> 00:45:37,467
>> AS YOU KNOW BOBBY HEENAN HAS
BEEN VERY PERSISTENT THROUGHOUT
THE EVENING ATTEMPTING TO GET
1575
00:45:37,469 --> 00:45:38,400
BEEN VERY PERSISTENT THROUGHOUT
THE EVENING ATTEMPTING TO GET
INSIDE.
1576
00:45:38,402 --> 00:45:39,368
THE EVENING ATTEMPTING TO GET
INSIDE.
WELL, I'VE GOT SOME GOOD NEWS
1577
00:45:39,370 --> 00:45:39,802
INSIDE.
WELL, I'VE GOT SOME GOOD NEWS
FOR HIM.
1578
00:45:39,804 --> 00:45:40,803
WELL, I'VE GOT SOME GOOD NEWS
FOR HIM.
EXCUSE ME, BOBBY, BOBBY HEENAN?
1579
00:45:40,805 --> 00:45:41,738
FOR HIM.
EXCUSE ME, BOBBY, BOBBY HEENAN?
>> WHAT?
1580
00:45:41,740 --> 00:45:42,738
EXCUSE ME, BOBBY, BOBBY HEENAN?
>> WHAT?
I GOT TO GET INSIDE.
1581
00:45:42,740 --> 00:45:43,639
>> WHAT?
I GOT TO GET INSIDE.
>> I KNOW.
1582
00:45:43,641 --> 00:45:44,573
I GOT TO GET INSIDE.
>> I KNOW.
I JUST GOT WORD--I JUST GOT
1583
00:45:44,575 --> 00:45:45,341
>> I KNOW.
I JUST GOT WORD--I JUST GOT
WORD, YOU CAN GO ON UP, YOU'RE
1584
00:45:45,343 --> 00:45:45,875
I JUST GOT WORD--I JUST GOT
WORD, YOU CAN GO ON UP, YOU'RE
WELCOME.
1585
00:45:45,877 --> 00:45:47,510
WORD, YOU CAN GO ON UP, YOU'RE
WELCOME.
GO.
1586
00:45:47,512 --> 00:45:48,310
WELCOME.
GO.
>> I CAN GO UP?
1587
00:45:48,312 --> 00:45:49,645
GO.
>> I CAN GO UP?
>> YES, YOU'RE ON THE RIGHT.
1588
00:45:49,647 --> 00:45:50,680
>> I CAN GO UP?
>> YES, YOU'RE ON THE RIGHT.
>> NO, LET HIM GO, LET HIM GO.
1589
00:45:50,682 --> 00:45:51,614
>> YES, YOU'RE ON THE RIGHT.
>> NO, LET HIM GO, LET HIM GO.
HE'S--HAVE A GOOD TIME UP THERE,
1590
00:45:51,616 --> 00:45:53,382
>> NO, LET HIM GO, LET HIM GO.
HE'S--HAVE A GOOD TIME UP THERE,
BOBBY.
223083
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.