All language subtitles for 1993_01_11_WWF_Monday_Night_Raw_Episode_1_HD 45.53 min

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German Download
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,870 --> 00:00:08,340 >> WE ARE LIVE FROM THE STREETS OF A CHILLY NEW YORK CITY. BUT IT IS TO GET--ABOUT TO GET 2 00:00:08,342 --> 00:00:11,543 OF A CHILLY NEW YORK CITY. BUT IT IS TO GET--ABOUT TO GET VERY HOT HERE IN MANHATTAN. 3 00:00:11,545 --> 00:00:12,511 BUT IT IS TO GET--ABOUT TO GET VERY HOT HERE IN MANHATTAN. HELLO EVERYONE, I'M SEAN MOONEY. 4 00:00:12,513 --> 00:00:13,178 VERY HOT HERE IN MANHATTAN. HELLO EVERYONE, I'M SEAN MOONEY. A FEW MINUTES AGO, IT WAS A MOB 5 00:00:13,180 --> 00:00:13,612 HELLO EVERYONE, I'M SEAN MOONEY. A FEW MINUTES AGO, IT WAS A MOB SCENE OUT HERE. 6 00:00:13,614 --> 00:00:16,581 A FEW MINUTES AGO, IT WAS A MOB SCENE OUT HERE. EVERYONE BRAVING THE ELEMENTS TO 7 00:00:16,583 --> 00:00:17,649 SCENE OUT HERE. EVERYONE BRAVING THE ELEMENTS TO BE A PART OF MONDAY NIGHT RAW, 8 00:00:17,651 --> 00:00:18,784 EVERYONE BRAVING THE ELEMENTS TO BE A PART OF MONDAY NIGHT RAW, BUT NOW THEY'RE INSIDE SET FOR 9 00:00:18,786 --> 00:00:19,618 BE A PART OF MONDAY NIGHT RAW, BUT NOW THEY'RE INSIDE SET FOR THE--HEY, HEY, WAIT A MINUTE. 10 00:00:19,620 --> 00:00:20,652 BUT NOW THEY'RE INSIDE SET FOR THE--HEY, HEY, WAIT A MINUTE. >> WHAT? 11 00:00:20,654 --> 00:00:21,520 THE--HEY, HEY, WAIT A MINUTE. >> WHAT? >> BOBBY HEENAN, WHAT ARE YOU 12 00:00:21,522 --> 00:00:21,853 >> WHAT? >> BOBBY HEENAN, WHAT ARE YOU DOING? 13 00:00:21,855 --> 00:00:22,687 >> BOBBY HEENAN, WHAT ARE YOU DOING? >> I'M GOING IN THERE. 14 00:00:22,689 --> 00:00:23,422 DOING? >> I'M GOING IN THERE. >> NO, NO, NO, NO. 15 00:00:23,424 --> 00:00:23,888 >> I'M GOING IN THERE. >> NO, NO, NO, NO. >> OH, YES, I AM. 16 00:00:23,890 --> 00:00:24,623 >> NO, NO, NO, NO. >> OH, YES, I AM. >> YOU WERE REPLACED. 17 00:00:24,625 --> 00:00:25,624 >> OH, YES, I AM. >> YOU WERE REPLACED. >> I WAS REPLACED? 18 00:00:25,626 --> 00:00:25,990 >> YOU WERE REPLACED. >> I WAS REPLACED? >> YES, SIR. 19 00:00:25,992 --> 00:00:26,692 >> I WAS REPLACED? >> YES, SIR. >> BY WHO? 20 00:00:26,694 --> 00:00:27,559 >> YES, SIR. >> BY WHO? WHO WOULD REPLACED ME? 21 00:00:27,561 --> 00:00:28,360 >> BY WHO? WHO WOULD REPLACED ME? >> WELL, ROB BARTLETT. 22 00:00:28,362 --> 00:00:29,094 WHO WOULD REPLACED ME? >> WELL, ROB BARTLETT. YOU'RE NOT SUPPOSED TO BE IN 23 00:00:29,096 --> 00:00:29,594 >> WELL, ROB BARTLETT. YOU'RE NOT SUPPOSED TO BE IN THERE. 24 00:00:29,596 --> 00:00:30,529 YOU'RE NOT SUPPOSED TO BE IN THERE. >> I DON'T CARE ABOUT ROB 25 00:00:30,531 --> 00:00:31,329 THERE. >> I DON'T CARE ABOUT ROB BARTLETT, THIS IS MONDAY NIGHT 26 00:00:31,331 --> 00:00:32,531 >> I DON'T CARE ABOUT ROB BARTLETT, THIS IS MONDAY NIGHT RAW LIVE FROM NEW YORK CITY. 27 00:00:32,533 --> 00:00:33,298 BARTLETT, THIS IS MONDAY NIGHT RAW LIVE FROM NEW YORK CITY. >> THAT'S RIGHT. 28 00:00:33,300 --> 00:00:34,232 RAW LIVE FROM NEW YORK CITY. >> THAT'S RIGHT. >> AND I'VE GOT TO BE IN THERE 29 00:00:34,234 --> 00:00:34,533 >> THAT'S RIGHT. >> AND I'VE GOT TO BE IN THERE TO HOST IT. 30 00:00:34,535 --> 00:00:35,333 >> AND I'VE GOT TO BE IN THERE TO HOST IT. >> NO, NO, YOU CAN'T GET IN. 31 00:00:35,335 --> 00:00:35,867 TO HOST IT. >> NO, NO, YOU CAN'T GET IN. >> WHAT DO YOU MEAN NO, NO? 32 00:00:35,869 --> 00:00:36,402 >> NO, NO, YOU CAN'T GET IN. >> WHAT DO YOU MEAN NO, NO? >> I'M SORRY, YOU CAN'T... 33 00:00:36,404 --> 00:00:37,268 >> WHAT DO YOU MEAN NO, NO? >> I'M SORRY, YOU CAN'T... >> WHAT DO YOU MEAN I CAN'T GET 34 00:00:37,270 --> 00:00:37,502 >> I'M SORRY, YOU CAN'T... >> WHAT DO YOU MEAN I CAN'T GET IN? 35 00:00:37,504 --> 00:00:37,969 >> WHAT DO YOU MEAN I CAN'T GET IN? I CAN GET IN. 36 00:00:37,971 --> 00:00:38,904 IN? I CAN GET IN. I CAN BUY A TICKET. 37 00:00:38,906 --> 00:00:39,738 I CAN GET IN. I CAN BUY A TICKET. THEY DON'T WANT ME, I CAN BUY... 38 00:00:39,740 --> 00:00:40,439 I CAN BUY A TICKET. THEY DON'T WANT ME, I CAN BUY... >> NO, THERE ARE NO TICKETS 39 00:00:40,441 --> 00:00:40,705 THEY DON'T WANT ME, I CAN BUY... >> NO, THERE ARE NO TICKETS LEFT. 40 00:00:40,707 --> 00:00:41,673 >> NO, THERE ARE NO TICKETS LEFT. IT'S SOLD OUT IN THERE. 41 00:00:41,675 --> 00:00:42,741 LEFT. IT'S SOLD OUT IN THERE. THEY'RE JAMMED TO THE RAFTERS... 42 00:00:42,743 --> 00:00:43,508 IT'S SOLD OUT IN THERE. THEY'RE JAMMED TO THE RAFTERS... >> WELL THEN, SHOW ME THE 43 00:00:43,510 --> 00:00:43,942 THEY'RE JAMMED TO THE RAFTERS... >> WELL THEN, SHOW ME THE [INDISTINCT] 44 00:00:43,944 --> 00:00:45,477 >> WELL THEN, SHOW ME THE [INDISTINCT] SO I CAN GET THROUGH HERE. 45 00:00:45,479 --> 00:00:46,078 [INDISTINCT] SO I CAN GET THROUGH HERE. >> LOOK, I DIDN'T MAKE UP THE 46 00:00:46,080 --> 00:00:46,678 SO I CAN GET THROUGH HERE. >> LOOK, I DIDN'T MAKE UP THE RULES HERE. 47 00:00:46,680 --> 00:00:47,345 >> LOOK, I DIDN'T MAKE UP THE RULES HERE. I DIDN'T KNOW ANYTHING ABOUT... 48 00:00:47,347 --> 00:00:48,012 RULES HERE. I DIDN'T KNOW ANYTHING ABOUT... >> WHAT DO YOU MEAN YOU DIDN'T 49 00:00:48,014 --> 00:00:48,847 I DIDN'T KNOW ANYTHING ABOUT... >> WHAT DO YOU MEAN YOU DIDN'T MAKE UP THE RULES... 50 00:00:48,849 --> 00:01:10,569 >> WHAT DO YOU MEAN YOU DIDN'T MAKE UP THE RULES... >> [MUSIC] 51 00:01:10,571 --> 00:01:11,570 MAKE UP THE RULES... >> [MUSIC] >> WELCOME EVERYONE TO MONDAY 52 00:01:11,572 --> 00:01:13,639 >> [MUSIC] >> WELCOME EVERYONE TO MONDAY NIGHT RAW. 53 00:01:13,641 --> 00:01:16,641 >> WELCOME EVERYONE TO MONDAY NIGHT RAW. WE ARE LIVE ON NEW YORK CITY, 54 00:01:16,643 --> 00:01:17,409 NIGHT RAW. WE ARE LIVE ON NEW YORK CITY, MANHATTAN CENTER. 55 00:01:17,411 --> 00:01:18,610 WE ARE LIVE ON NEW YORK CITY, MANHATTAN CENTER. I'M VINCE MCMAHON ALONG WITH THE 56 00:01:18,612 --> 00:01:20,579 MANHATTAN CENTER. I'M VINCE MCMAHON ALONG WITH THE MACHO MAN, RANDY SAVAGE. 57 00:01:20,581 --> 00:01:21,980 I'M VINCE MCMAHON ALONG WITH THE MACHO MAN, RANDY SAVAGE. BOBBY HEENAN'S ON THE OUTSIDE, 58 00:01:21,982 --> 00:01:23,582 MACHO MAN, RANDY SAVAGE. BOBBY HEENAN'S ON THE OUTSIDE, WHO'S ON THE INSIDE? 59 00:01:23,584 --> 00:01:26,485 BOBBY HEENAN'S ON THE OUTSIDE, WHO'S ON THE INSIDE? ROB BARTLETT, THAT'S WHO. 60 00:01:26,487 --> 00:01:27,953 WHO'S ON THE INSIDE? ROB BARTLETT, THAT'S WHO. >> AND TONIGHT LIVE, YOU'LL HANG 61 00:01:27,955 --> 00:01:29,421 ROB BARTLETT, THAT'S WHO. >> AND TONIGHT LIVE, YOU'LL HANG ON THE GREAT MATCHES. 62 00:01:29,423 --> 00:01:30,589 >> AND TONIGHT LIVE, YOU'LL HANG ON THE GREAT MATCHES. WE'LL SEE THE STEINER BROTHERS 63 00:01:30,591 --> 00:01:31,790 ON THE GREAT MATCHES. WE'LL SEE THE STEINER BROTHERS IN TAG TEAM MATCH AND PLUS, A 64 00:01:31,792 --> 00:01:33,325 WE'LL SEE THE STEINER BROTHERS IN TAG TEAM MATCH AND PLUS, A VERY SPECIAL INTERVIEW WITH 65 00:01:33,327 --> 00:01:35,594 IN TAG TEAM MATCH AND PLUS, A VERY SPECIAL INTERVIEW WITH RAZOR RAMON. 66 00:01:35,596 --> 00:01:36,462 VERY SPECIAL INTERVIEW WITH RAZOR RAMON. >> HERE'S A GREAT MATCH, I CAN'T 67 00:01:36,464 --> 00:01:38,029 RAZOR RAMON. >> HERE'S A GREAT MATCH, I CAN'T WAIT TO SEE THIS, KOKO B. 68 00:01:38,031 --> 00:01:40,799 >> HERE'S A GREAT MATCH, I CAN'T WAIT TO SEE THIS, KOKO B. WARE VERSUS YOKOZUNA. 69 00:01:40,801 --> 00:01:41,733 WAIT TO SEE THIS, KOKO B. WARE VERSUS YOKOZUNA. YOU KNOW THAT GUY'S GOT THAT 70 00:01:41,735 --> 00:01:43,535 WARE VERSUS YOKOZUNA. YOU KNOW THAT GUY'S GOT THAT DIAPER THING GOING RIGHT UP 71 00:01:43,537 --> 00:01:44,769 YOU KNOW THAT GUY'S GOT THAT DIAPER THING GOING RIGHT UP THERE IN THE MIDDLE OF THE RING, 72 00:01:44,771 --> 00:01:45,637 DIAPER THING GOING RIGHT UP THERE IN THE MIDDLE OF THE RING, THE DEAD MAN'S LAND AND NO MAN'S 73 00:01:45,639 --> 00:01:46,371 THERE IN THE MIDDLE OF THE RING, THE DEAD MAN'S LAND AND NO MAN'S LAND AND... 74 00:01:46,373 --> 00:01:47,739 THE DEAD MAN'S LAND AND NO MAN'S LAND AND... >> OH, YEAH, MACHO? 75 00:01:47,741 --> 00:01:48,807 LAND AND... >> OH, YEAH, MACHO? >> AFTER BARTLETT SAID THAT 76 00:01:48,809 --> 00:01:49,774 >> OH, YEAH, MACHO? >> AFTER BARTLETT SAID THAT ABOUT YOKOZUNA, THAT'S ALL I CAN 77 00:01:49,776 --> 00:01:51,676 >> AFTER BARTLETT SAID THAT ABOUT YOKOZUNA, THAT'S ALL I CAN THINK ABOUT RIGHT NOW. 78 00:01:51,678 --> 00:01:53,445 ABOUT YOKOZUNA, THAT'S ALL I CAN THINK ABOUT RIGHT NOW. >> DISGUSTING. 79 00:01:53,447 --> 00:01:54,680 THINK ABOUT RIGHT NOW. >> DISGUSTING. >> BUT ALSO, IT'S DAMIEN DEMENTO 80 00:01:54,682 --> 00:01:55,647 >> DISGUSTING. >> BUT ALSO, IT'S DAMIEN DEMENTO VERSUS MY FAVORITE, THE 81 00:01:55,649 --> 00:01:57,483 >> BUT ALSO, IT'S DAMIEN DEMENTO VERSUS MY FAVORITE, THE UNDERTAKER. 82 00:01:57,485 --> 00:01:57,816 VERSUS MY FAVORITE, THE UNDERTAKER. >> OH, YEAH. 83 00:01:57,818 --> 00:01:58,684 UNDERTAKER. >> OH, YEAH. >> OH, YEAH. 84 00:01:58,686 --> 00:01:59,918 >> OH, YEAH. >> OH, YEAH. >> WHAT A MATCH UP. 85 00:01:59,920 --> 00:02:01,620 >> OH, YEAH. >> WHAT A MATCH UP. A SERIES OF MATCH UP. 86 00:02:01,622 --> 00:02:03,522 >> WHAT A MATCH UP. A SERIES OF MATCH UP. >> HEADED YOUR WAY RIGHT HERE ON 87 00:02:03,524 --> 00:02:04,623 A SERIES OF MATCH UP. >> HEADED YOUR WAY RIGHT HERE ON MONDAY NIGHT RAW. 88 00:02:04,625 --> 00:02:07,426 >> HEADED YOUR WAY RIGHT HERE ON MONDAY NIGHT RAW. AND LOOK OUT, HERE HE COME. 89 00:02:07,428 --> 00:02:08,660 MONDAY NIGHT RAW. AND LOOK OUT, HERE HE COME. >> THIS CONTEST IS SCHEDULED FOR 90 00:02:08,662 --> 00:02:10,495 AND LOOK OUT, HERE HE COME. >> THIS CONTEST IS SCHEDULED FOR ONE FALL. 91 00:02:10,497 --> 00:02:12,364 >> THIS CONTEST IS SCHEDULED FOR ONE FALL. COMING DOWN THE AISLE FROM UNION 92 00:02:12,366 --> 00:02:14,533 ONE FALL. COMING DOWN THE AISLE FROM UNION CITY, TENNESSEE, WEIGHING 228 93 00:02:14,535 --> 00:02:20,572 COMING DOWN THE AISLE FROM UNION CITY, TENNESSEE, WEIGHING 228 POUNDS, "THE BIRDMAN" KOKO B. 94 00:02:20,574 --> 00:02:21,907 CITY, TENNESSEE, WEIGHING 228 POUNDS, "THE BIRDMAN" KOKO B. WARE 95 00:02:21,909 --> 00:02:22,707 POUNDS, "THE BIRDMAN" KOKO B. WARE >> YEAH, B. 96 00:02:22,709 --> 00:02:26,578 WARE >> YEAH, B. WARE. 97 00:02:26,580 --> 00:02:29,347 >> YEAH, B. WARE. >> ON MONDAY NIGHT RAW, GO GET 98 00:02:29,349 --> 00:02:31,550 WARE. >> ON MONDAY NIGHT RAW, GO GET HIM BIRDMAN. 99 00:02:31,552 --> 00:02:32,450 >> ON MONDAY NIGHT RAW, GO GET HIM BIRDMAN. >> YOU KNOW, I OFTEN WONDERED 100 00:02:32,452 --> 00:02:33,285 HIM BIRDMAN. >> YOU KNOW, I OFTEN WONDERED WHAT EVER HAPPENED TO GARY 101 00:02:33,287 --> 00:02:34,486 >> YOU KNOW, I OFTEN WONDERED WHAT EVER HAPPENED TO GARY COLEMAN, VINCE. 102 00:02:34,488 --> 00:02:35,720 WHAT EVER HAPPENED TO GARY COLEMAN, VINCE. >> HE GREW UP. 103 00:02:35,722 --> 00:02:41,393 COLEMAN, VINCE. >> HE GREW UP. THERE HE IS. 104 00:02:41,395 --> 00:02:42,694 >> HE GREW UP. THERE HE IS. AND THIS ATHLETE HEADED TO THE 105 00:02:42,696 --> 00:02:44,396 THERE HE IS. AND THIS ATHLETE HEADED TO THE RING RIGHT NOW HAS SOMETHING 106 00:02:44,398 --> 00:02:45,764 AND THIS ATHLETE HEADED TO THE RING RIGHT NOW HAS SOMETHING ELSE INDEED WE HAVE NEVER SEEN 107 00:02:45,766 --> 00:02:48,567 RING RIGHT NOW HAS SOMETHING ELSE INDEED WE HAVE NEVER SEEN ANYTHING QUITE LIKE YOKOZUNA 108 00:02:48,569 --> 00:02:49,501 ELSE INDEED WE HAVE NEVER SEEN ANYTHING QUITE LIKE YOKOZUNA BEFORE. 109 00:02:49,503 --> 00:02:51,403 ANYTHING QUITE LIKE YOKOZUNA BEFORE. >> WELL, YOU'RE NOT KIDDING. 110 00:02:51,405 --> 00:02:52,604 BEFORE. >> WELL, YOU'RE NOT KIDDING. >> BREAK THE RULES OF BIGGEST 111 00:02:52,606 --> 00:02:53,572 >> WELL, YOU'RE NOT KIDDING. >> BREAK THE RULES OF BIGGEST ANGLE, WHAT DO YOU THINK? 112 00:02:53,574 --> 00:02:54,706 >> BREAK THE RULES OF BIGGEST ANGLE, WHAT DO YOU THINK? >> YOKOZUNA. 113 00:02:54,708 --> 00:02:55,473 ANGLE, WHAT DO YOU THINK? >> YOKOZUNA. >> WELL, THUS FAR, HE IS 114 00:02:55,475 --> 00:02:56,642 >> YOKOZUNA. >> WELL, THUS FAR, HE IS UNDEFEATED IN THE WORLD 115 00:02:56,644 --> 00:02:57,375 >> WELL, THUS FAR, HE IS UNDEFEATED IN THE WORLD WRESTLING ENTERTAINMENT, 116 00:02:57,377 --> 00:02:57,843 UNDEFEATED IN THE WORLD WRESTLING ENTERTAINMENT, YOKOZUNA 117 00:02:57,845 --> 00:02:59,578 WRESTLING ENTERTAINMENT, YOKOZUNA MEETING GRAND CHAMPION, MR. FUJI 118 00:02:59,580 --> 00:03:00,512 YOKOZUNA MEETING GRAND CHAMPION, MR. FUJI BRINGING YOKOZUNA, FORMER SUMO 119 00:03:00,514 --> 00:03:03,715 MEETING GRAND CHAMPION, MR. FUJI BRINGING YOKOZUNA, FORMER SUMO WRESTLER INTO THE WWE. 120 00:03:03,717 --> 00:03:06,351 BRINGING YOKOZUNA, FORMER SUMO WRESTLER INTO THE WWE. HE REALLY HAS A COMBINATION OF 121 00:03:06,353 --> 00:03:08,420 WRESTLER INTO THE WWE. HE REALLY HAS A COMBINATION OF ALL THE MARTIAL ARTS. 122 00:03:08,422 --> 00:03:09,388 HE REALLY HAS A COMBINATION OF ALL THE MARTIAL ARTS. AND YOKO SHOULD... 123 00:03:09,390 --> 00:03:10,422 ALL THE MARTIAL ARTS. AND YOKO SHOULD... >> NEVER [INDISTINCT] 124 00:03:10,424 --> 00:03:11,423 AND YOKO SHOULD... >> NEVER [INDISTINCT] SPEAK, BARTLETT. 125 00:03:11,425 --> 00:03:12,424 >> NEVER [INDISTINCT] SPEAK, BARTLETT. >> YEAH, I CAN'T SAY THE SAME 126 00:03:12,426 --> 00:03:14,392 SPEAK, BARTLETT. >> YEAH, I CAN'T SAY THE SAME FOR ROB BUT THAT'S ALL RIGHT. 127 00:03:14,394 --> 00:03:15,727 >> YEAH, I CAN'T SAY THE SAME FOR ROB BUT THAT'S ALL RIGHT. >> YOKO SHOULD SPEND A LITTLE 128 00:03:15,729 --> 00:03:16,761 FOR ROB BUT THAT'S ALL RIGHT. >> YOKO SHOULD SPEND A LITTLE LESS TIME AT THE SUSHI BAR, A 129 00:03:16,763 --> 00:03:17,729 >> YOKO SHOULD SPEND A LITTLE LESS TIME AT THE SUSHI BAR, A LITTLE MORE TIME AT THE SALAD 130 00:03:17,731 --> 00:03:19,497 LESS TIME AT THE SUSHI BAR, A LITTLE MORE TIME AT THE SALAD BAR, VINCE. 131 00:03:19,499 --> 00:03:20,565 LITTLE MORE TIME AT THE SALAD BAR, VINCE. >> WELL, WE'LL SEE ABOUT THAT. 132 00:03:20,567 --> 00:03:22,434 BAR, VINCE. >> WELL, WE'LL SEE ABOUT THAT. ALL OF THAT WEIGHT YOKOZUNA USES 133 00:03:22,436 --> 00:03:24,803 >> WELL, WE'LL SEE ABOUT THAT. ALL OF THAT WEIGHT YOKOZUNA USES TO HIS ADVANTAGE HERE. 134 00:03:24,805 --> 00:03:26,571 ALL OF THAT WEIGHT YOKOZUNA USES TO HIS ADVANTAGE HERE. AND AS THE MACHO MAN SAID, HE IS 135 00:03:26,573 --> 00:03:27,806 TO HIS ADVANTAGE HERE. AND AS THE MACHO MAN SAID, HE IS THUS FAR, NOT EVEN BEEN KNOCKED 136 00:03:27,808 --> 00:03:30,475 AND AS THE MACHO MAN SAID, HE IS THUS FAR, NOT EVEN BEEN KNOCKED OFF HIS FEET, MUCH LESS, 137 00:03:30,477 --> 00:03:31,543 THUS FAR, NOT EVEN BEEN KNOCKED OFF HIS FEET, MUCH LESS, UNDEFEATED. 138 00:03:31,545 --> 00:03:32,677 OFF HIS FEET, MUCH LESS, UNDEFEATED. >> HE HASN'T SEEN HIS FEET FOR 139 00:03:32,679 --> 00:03:34,346 UNDEFEATED. >> HE HASN'T SEEN HIS FEET FOR QUITE SOMETIME. 140 00:03:34,348 --> 00:03:35,280 >> HE HASN'T SEEN HIS FEET FOR QUITE SOMETIME. >> WELL, THAT'S A GOOD POINT AS 141 00:03:35,282 --> 00:03:39,384 QUITE SOMETIME. >> WELL, THAT'S A GOOD POINT AS WELL. 142 00:03:39,386 --> 00:03:40,585 >> WELL, THAT'S A GOOD POINT AS WELL. >> OH, MY GOD. 143 00:03:40,587 --> 00:03:42,454 WELL. >> OH, MY GOD. >> YEAH, TAKE A LOOK. 144 00:03:42,456 --> 00:03:43,488 >> OH, MY GOD. >> YEAH, TAKE A LOOK. >> OH, MY. 145 00:03:43,490 --> 00:03:44,356 >> YEAH, TAKE A LOOK. >> OH, MY. >> THIS GUY'S GOT HIS OWN NO-FLY 146 00:03:44,358 --> 00:03:46,792 >> OH, MY. >> THIS GUY'S GOT HIS OWN NO-FLY ZONE. 147 00:03:46,794 --> 00:03:47,859 >> THIS GUY'S GOT HIS OWN NO-FLY ZONE. >> WELL, THAT'S NOT RIGHT. 148 00:03:47,861 --> 00:03:49,527 ZONE. >> WELL, THAT'S NOT RIGHT. HE DOESN'T EVEN HAVE A ZIPPER, 149 00:03:49,529 --> 00:03:52,330 >> WELL, THAT'S NOT RIGHT. HE DOESN'T EVEN HAVE A ZIPPER, YOU GOT TO UNDERSTAND THAT. 150 00:03:52,332 --> 00:03:56,735 HE DOESN'T EVEN HAVE A ZIPPER, YOU GOT TO UNDERSTAND THAT. >> TAKE A LOOK, 505 POUNDS, 151 00:03:56,737 --> 00:03:58,503 YOU GOT TO UNDERSTAND THAT. >> TAKE A LOOK, 505 POUNDS, YOKOZUNA. 152 00:03:58,505 --> 00:03:59,838 >> TAKE A LOOK, 505 POUNDS, YOKOZUNA. >> THAT'S ONE BIG -- ORIENTAL, 153 00:03:59,840 --> 00:04:01,673 YOKOZUNA. >> THAT'S ONE BIG -- ORIENTAL, VINCE. 154 00:04:01,675 --> 00:04:02,874 >> THAT'S ONE BIG -- ORIENTAL, VINCE. >> IN A MATTER OF SPEAKING, YES. 155 00:04:02,876 --> 00:04:03,775 VINCE. >> IN A MATTER OF SPEAKING, YES. >> OH. 156 00:04:03,777 --> 00:04:04,843 >> IN A MATTER OF SPEAKING, YES. >> OH. HE'S GOT AN... 157 00:04:04,845 --> 00:04:07,746 >> OH. HE'S GOT AN... >> [BELL RINGING] 158 00:04:07,748 --> 00:04:08,580 HE'S GOT AN... >> [BELL RINGING] >> HE'S GOT AN -- LIKE AN 159 00:04:08,582 --> 00:04:10,415 >> [BELL RINGING] >> HE'S GOT AN -- LIKE AN AMPHITHEATER. 160 00:04:10,417 --> 00:04:11,483 >> HE'S GOT AN -- LIKE AN AMPHITHEATER. >> OH, I HEARD THAT, I HEARD 161 00:04:11,485 --> 00:04:12,450 AMPHITHEATER. >> OH, I HEARD THAT, I HEARD THAT. 162 00:04:12,452 --> 00:04:13,318 >> OH, I HEARD THAT, I HEARD THAT. >> MY GOODNESS. 163 00:04:13,320 --> 00:04:14,119 THAT. >> MY GOODNESS. >> THIS IS MONDAY NIGHT RAW 164 00:04:14,121 --> 00:04:14,719 >> MY GOODNESS. >> THIS IS MONDAY NIGHT RAW FOLKS, IT'S UNCUT. 165 00:04:14,721 --> 00:04:15,487 >> THIS IS MONDAY NIGHT RAW FOLKS, IT'S UNCUT. >> UNCUT. 166 00:04:15,489 --> 00:04:19,691 FOLKS, IT'S UNCUT. >> UNCUT. >> AND UNCENSORED, YEAH. 167 00:04:19,693 --> 00:04:21,360 >> UNCUT. >> AND UNCENSORED, YEAH. >> WE ARE LIVE FROM NEW YORK 168 00:04:21,362 --> 00:04:23,729 >> AND UNCENSORED, YEAH. >> WE ARE LIVE FROM NEW YORK CITY. 169 00:04:23,731 --> 00:04:24,696 >> WE ARE LIVE FROM NEW YORK CITY. >> LOOK AT THAT WEDGIES GOT 170 00:04:24,698 --> 00:04:25,664 CITY. >> LOOK AT THAT WEDGIES GOT GOING. 171 00:04:25,666 --> 00:04:26,865 >> LOOK AT THAT WEDGIES GOT GOING. >> IF YOU TOLD ME HE WEIGHT A 172 00:04:26,867 --> 00:04:28,800 GOING. >> IF YOU TOLD ME HE WEIGHT A THOUSAND POUNDS, I WOULD TEND TO 173 00:04:28,802 --> 00:04:30,702 >> IF YOU TOLD ME HE WEIGHT A THOUSAND POUNDS, I WOULD TEND TO BELIEVE YOU. 174 00:04:30,704 --> 00:04:31,636 THOUSAND POUNDS, I WOULD TEND TO BELIEVE YOU. >> IT IS ALL GOODNESS IN THE 175 00:04:31,638 --> 00:04:33,405 BELIEVE YOU. >> IT IS ALL GOODNESS IN THE RING. 176 00:04:33,407 --> 00:04:34,472 >> IT IS ALL GOODNESS IN THE RING. YOU CAN MAKE FUN OUT OF HIM ALL 177 00:04:34,474 --> 00:04:35,474 RING. YOU CAN MAKE FUN OUT OF HIM ALL YOU LIKE, HIS OPPONENT DO NOT. 178 00:04:35,476 --> 00:04:36,775 YOU CAN MAKE FUN OUT OF HIM ALL YOU LIKE, HIS OPPONENT DO NOT. >> HE'S GOT HIS OWN 179 00:04:36,777 --> 00:04:40,445 YOU LIKE, HIS OPPONENT DO NOT. >> HE'S GOT HIS OWN GRAVITATIONAL POLE. 180 00:04:40,447 --> 00:04:42,481 >> HE'S GOT HIS OWN GRAVITATIONAL POLE. >> LET ME TELL YOU SOMETHING, 181 00:04:42,483 --> 00:04:44,816 GRAVITATIONAL POLE. >> LET ME TELL YOU SOMETHING, HE'S GOING AGAINST THE REAL 182 00:04:44,818 --> 00:04:45,650 >> LET ME TELL YOU SOMETHING, HE'S GOING AGAINST THE REAL TOUGH GUY, KOKO B. 183 00:04:45,652 --> 00:04:46,618 HE'S GOING AGAINST THE REAL TOUGH GUY, KOKO B. WARE. 184 00:04:46,620 --> 00:04:47,619 TOUGH GUY, KOKO B. WARE. HE DOESN'T HAVE FRANKIE WITH 185 00:04:47,621 --> 00:04:49,421 WARE. HE DOESN'T HAVE FRANKIE WITH HIM, I WONDER IF THAT'LL BE A 186 00:04:49,423 --> 00:04:50,389 HE DOESN'T HAVE FRANKIE WITH HIM, I WONDER IF THAT'LL BE A FACTOR. 187 00:04:50,391 --> 00:04:51,023 HIM, I WONDER IF THAT'LL BE A FACTOR. >> YEAH, WHERE IS FRANKIE? 188 00:04:51,025 --> 00:04:51,556 FACTOR. >> YEAH, WHERE IS FRANKIE? >> I HAVE NO IDEA. 189 00:04:51,558 --> 00:04:52,691 >> YEAH, WHERE IS FRANKIE? >> I HAVE NO IDEA. >> I DON'T THINK YOKOZUNA HAD A 190 00:04:52,693 --> 00:04:53,692 >> I HAVE NO IDEA. >> I DON'T THINK YOKOZUNA HAD A LITTLE SNACK BEFORE HE CAME OUT. 191 00:04:53,694 --> 00:04:54,626 >> I DON'T THINK YOKOZUNA HAD A LITTLE SNACK BEFORE HE CAME OUT. >> THAT WOULD BE A LITTLE SNACK 192 00:04:54,628 --> 00:04:56,594 LITTLE SNACK BEFORE HE CAME OUT. >> THAT WOULD BE A LITTLE SNACK FOR HIM. 193 00:04:56,596 --> 00:04:57,796 >> THAT WOULD BE A LITTLE SNACK FOR HIM. >> HEY, VINCE, DON'T REGULATIONS 194 00:04:57,798 --> 00:05:00,598 FOR HIM. >> HEY, VINCE, DON'T REGULATIONS INDICATE THAT YOKOZUNA SHOULD BE 195 00:05:00,600 --> 00:05:02,234 >> HEY, VINCE, DON'T REGULATIONS INDICATE THAT YOKOZUNA SHOULD BE WEARING A BRA? 196 00:05:02,236 --> 00:05:03,535 INDICATE THAT YOKOZUNA SHOULD BE WEARING A BRA? >> NOT HERE IN THE WORLD 197 00:05:03,537 --> 00:05:05,437 WEARING A BRA? >> NOT HERE IN THE WORLD WRESTLING ENTERTAINMENT, 198 00:05:05,439 --> 00:05:05,804 >> NOT HERE IN THE WORLD WRESTLING ENTERTAINMENT, CERTAINLY 199 00:05:05,806 --> 00:05:06,871 WRESTLING ENTERTAINMENT, CERTAINLY NOT ON MONDAY NIGHT RAW. 200 00:05:06,873 --> 00:05:08,340 CERTAINLY NOT ON MONDAY NIGHT RAW. ANYTHING GOES. 201 00:05:08,342 --> 00:05:09,173 NOT ON MONDAY NIGHT RAW. ANYTHING GOES. >> HE CAN WRESTLE BUT HE CAN'T 202 00:05:09,175 --> 00:05:11,276 ANYTHING GOES. >> HE CAN WRESTLE BUT HE CAN'T WALK THE BEACH. 203 00:05:11,278 --> 00:05:12,076 >> HE CAN WRESTLE BUT HE CAN'T WALK THE BEACH. >> IMAGINE THIS MAN COULD DO 204 00:05:12,078 --> 00:05:12,877 WALK THE BEACH. >> IMAGINE THIS MAN COULD DO ALMOST ANYTHING HE WANTS TO DO. 205 00:05:12,879 --> 00:05:14,479 >> IMAGINE THIS MAN COULD DO ALMOST ANYTHING HE WANTS TO DO. >> WHAT ARE YOU TALKING ABOUT, 206 00:05:14,481 --> 00:05:17,716 ALMOST ANYTHING HE WANTS TO DO. >> WHAT ARE YOU TALKING ABOUT, YOKO? 207 00:05:17,718 --> 00:05:18,717 >> WHAT ARE YOU TALKING ABOUT, YOKO? >> MR. FUJI [INDISTINCT] 208 00:05:18,719 --> 00:05:20,752 YOKO? >> MR. FUJI [INDISTINCT] WITH A NOD OF APPROVAL, AND BY 209 00:05:20,754 --> 00:05:21,786 >> MR. FUJI [INDISTINCT] WITH A NOD OF APPROVAL, AND BY THE WAY, YOKOZUNA IS HEADED TO 210 00:05:21,788 --> 00:05:24,489 WITH A NOD OF APPROVAL, AND BY THE WAY, YOKOZUNA IS HEADED TO THE ROYAL RUMBLE AS YOU ARE AS 211 00:05:24,491 --> 00:05:25,657 THE WAY, YOKOZUNA IS HEADED TO THE ROYAL RUMBLE AS YOU ARE AS WELL, MACHO MAN. 212 00:05:25,659 --> 00:05:26,758 THE ROYAL RUMBLE AS YOU ARE AS WELL, MACHO MAN. >> YOU BET AND I BET TOO WHEN 213 00:05:26,760 --> 00:05:28,460 WELL, MACHO MAN. >> YOU BET AND I BET TOO WHEN YOU GET HIM IN THE RING, IT'S 214 00:05:28,462 --> 00:05:29,728 >> YOU BET AND I BET TOO WHEN YOU GET HIM IN THE RING, IT'S GONNA BE HARD TO PUT THE 29 215 00:05:29,730 --> 00:05:31,129 YOU GET HIM IN THE RING, IT'S GONNA BE HARD TO PUT THE 29 OTHER GUYS IN THERE TOO. 216 00:05:31,131 --> 00:05:32,531 GONNA BE HARD TO PUT THE 29 OTHER GUYS IN THERE TOO. >> YEAH, NOT MUCH ROOM, MUCH 217 00:05:32,533 --> 00:05:33,465 OTHER GUYS IN THERE TOO. >> YEAH, NOT MUCH ROOM, MUCH LESS. 218 00:05:33,467 --> 00:05:34,366 >> YEAH, NOT MUCH ROOM, MUCH LESS. HOW ARE YOU GONNA GET A BIG MAN 219 00:05:34,368 --> 00:05:34,733 LESS. HOW ARE YOU GONNA GET A BIG MAN LIKE THAT OUT? 220 00:05:34,735 --> 00:05:35,901 HOW ARE YOU GONNA GET A BIG MAN LIKE THAT OUT? >> LOOK AT THIS, KOKO B. 221 00:05:35,903 --> 00:05:37,435 LIKE THAT OUT? >> LOOK AT THIS, KOKO B. WARE, SHOT BACK TO THE CORNER. 222 00:05:37,437 --> 00:05:38,670 >> LOOK AT THIS, KOKO B. WARE, SHOT BACK TO THE CORNER. >> I'VE NEVER SEEN KOKO B. 223 00:05:38,672 --> 00:05:40,772 WARE, SHOT BACK TO THE CORNER. >> I'VE NEVER SEEN KOKO B. WARE THROWN SO EASILY BEFORE. 224 00:05:40,774 --> 00:05:41,740 >> I'VE NEVER SEEN KOKO B. WARE THROWN SO EASILY BEFORE. I'M THINKING THAT HE'S GONNA 225 00:05:41,742 --> 00:05:43,542 WARE THROWN SO EASILY BEFORE. I'M THINKING THAT HE'S GONNA HAVE TO GET UP AND MAKE A BETTER 226 00:05:43,544 --> 00:05:45,744 I'M THINKING THAT HE'S GONNA HAVE TO GET UP AND MAKE A BETTER ACCOUNT FOR HIMSELF RIGHT NOW. 227 00:05:45,746 --> 00:05:47,712 HAVE TO GET UP AND MAKE A BETTER ACCOUNT FOR HIMSELF RIGHT NOW. >> KOKO QUITE A COMPETITOR, KOKO 228 00:05:47,714 --> 00:05:50,849 ACCOUNT FOR HIMSELF RIGHT NOW. >> KOKO QUITE A COMPETITOR, KOKO NORMALLY IN A TAG TEAM FASHION 229 00:05:50,851 --> 00:05:52,650 >> KOKO QUITE A COMPETITOR, KOKO NORMALLY IN A TAG TEAM FASHION JOINING OWEN HART AS HIGH 230 00:05:52,652 --> 00:05:53,685 NORMALLY IN A TAG TEAM FASHION JOINING OWEN HART AS HIGH ENERGY. 231 00:05:53,687 --> 00:05:54,786 JOINING OWEN HART AS HIGH ENERGY. >> OH, LOOK AT THAT. 232 00:05:54,788 --> 00:05:55,653 ENERGY. >> OH, LOOK AT THAT. >> KOKO, STAY DOWN. 233 00:05:55,655 --> 00:05:56,321 >> OH, LOOK AT THAT. >> KOKO, STAY DOWN. >> YEAH. 234 00:05:56,323 --> 00:05:58,623 >> KOKO, STAY DOWN. >> YEAH. >> DO YOURSELF A FAVOR, BABE. 235 00:05:58,625 --> 00:05:59,624 >> YEAH. >> DO YOURSELF A FAVOR, BABE. >> NO, HE'S A FIGHTER. 236 00:05:59,626 --> 00:06:00,024 >> DO YOURSELF A FAVOR, BABE. >> NO, HE'S A FIGHTER. HE'S A FIGHTER. 237 00:06:00,026 --> 00:06:00,592 >> NO, HE'S A FIGHTER. HE'S A FIGHTER. HE WILL GET THERE. 238 00:06:00,594 --> 00:06:02,694 HE'S A FIGHTER. HE WILL GET THERE. >> UNFORTUNATELY, KOKO'S TAG 239 00:06:02,696 --> 00:06:04,829 HE WILL GET THERE. >> UNFORTUNATELY, KOKO'S TAG TEAM PARTNER, OWEN HART SORT OF 240 00:06:04,831 --> 00:06:05,930 >> UNFORTUNATELY, KOKO'S TAG TEAM PARTNER, OWEN HART SORT OF RING IN A BIT OF THE INJURY IN 241 00:06:05,932 --> 00:06:06,598 TEAM PARTNER, OWEN HART SORT OF RING IN A BIT OF THE INJURY IN THE HANDS OF RAZOR RAMON 242 00:06:06,600 --> 00:06:07,866 RING IN A BIT OF THE INJURY IN THE HANDS OF RAZOR RAMON RECENTLY. 243 00:06:07,868 --> 00:06:09,501 THE HANDS OF RAZOR RAMON RECENTLY. >> RAZOR RAMON'S GOING AGAINST 244 00:06:09,503 --> 00:06:10,469 RECENTLY. >> RAZOR RAMON'S GOING AGAINST BRETT HART FOR THE WORLD TITLE, 245 00:06:10,471 --> 00:06:13,705 >> RAZOR RAMON'S GOING AGAINST BRETT HART FOR THE WORLD TITLE, LITTLE HISTORY THERE. 246 00:06:13,707 --> 00:06:14,672 BRETT HART FOR THE WORLD TITLE, LITTLE HISTORY THERE. >> AND LATER ON, IF WE STAY 247 00:06:14,674 --> 00:06:16,374 LITTLE HISTORY THERE. >> AND LATER ON, IF WE STAY HERE, WE WILL HAVE A SPECIAL 248 00:06:16,376 --> 00:06:18,410 >> AND LATER ON, IF WE STAY HERE, WE WILL HAVE A SPECIAL INTERVIEW WITH THE NUMBER ONE 249 00:06:18,412 --> 00:06:19,577 HERE, WE WILL HAVE A SPECIAL INTERVIEW WITH THE NUMBER ONE CONTENDER TO MEET BRETT HART AT 250 00:06:19,579 --> 00:06:21,646 INTERVIEW WITH THE NUMBER ONE CONTENDER TO MEET BRETT HART AT THE ROYAL RUMBLE, RAZOR RAMON. 251 00:06:21,648 --> 00:06:22,814 CONTENDER TO MEET BRETT HART AT THE ROYAL RUMBLE, RAZOR RAMON. BUT RIGHT NOW, KOKO B. 252 00:06:22,816 --> 00:06:24,382 THE ROYAL RUMBLE, RAZOR RAMON. BUT RIGHT NOW, KOKO B. WARE MUST FIGURE OUT YOKOZUNA. 253 00:06:24,384 --> 00:06:25,650 BUT RIGHT NOW, KOKO B. WARE MUST FIGURE OUT YOKOZUNA. IF YOU'RE KOKO, MACHO MAN, WHAT 254 00:06:25,652 --> 00:06:26,584 WARE MUST FIGURE OUT YOKOZUNA. IF YOU'RE KOKO, MACHO MAN, WHAT YOU DO? 255 00:06:26,586 --> 00:06:27,452 IF YOU'RE KOKO, MACHO MAN, WHAT YOU DO? OBVIOUSLY, YOU DON'T TRY THE 256 00:06:27,454 --> 00:06:28,420 YOU DO? OBVIOUSLY, YOU DON'T TRY THE POWER. 257 00:06:28,422 --> 00:06:29,621 OBVIOUSLY, YOU DON'T TRY THE POWER. >> IT'S TOO LATE TO LEAVE THE 258 00:06:29,623 --> 00:06:30,555 POWER. >> IT'S TOO LATE TO LEAVE THE BUILDING AND LEAVE THE ARENA AND 259 00:06:30,557 --> 00:06:31,289 >> IT'S TOO LATE TO LEAVE THE BUILDING AND LEAVE THE ARENA AND LEAVE THE STATE AND LEAVE THE 260 00:06:31,291 --> 00:06:32,524 BUILDING AND LEAVE THE ARENA AND LEAVE THE STATE AND LEAVE THE COUNTRY BECAUSE EVERYBODY'S 261 00:06:32,526 --> 00:06:33,691 LEAVE THE STATE AND LEAVE THE COUNTRY BECAUSE EVERYBODY'S WATCHING YOU LIVE. 262 00:06:33,693 --> 00:06:34,592 COUNTRY BECAUSE EVERYBODY'S WATCHING YOU LIVE. SO YOU GOT TO... 263 00:06:34,594 --> 00:06:36,461 WATCHING YOU LIVE. SO YOU GOT TO... >> WHAT A DROPKICK, MAYBE 264 00:06:36,463 --> 00:06:37,395 SO YOU GOT TO... >> WHAT A DROPKICK, MAYBE THAT'LL DO IT. 265 00:06:37,397 --> 00:06:38,730 >> WHAT A DROPKICK, MAYBE THAT'LL DO IT. ANOTHER ONE. 266 00:06:38,732 --> 00:06:39,464 THAT'LL DO IT. ANOTHER ONE. >> IT'S LIKE TO TRY TO STEP A 267 00:06:39,466 --> 00:06:40,799 ANOTHER ONE. >> IT'S LIKE TO TRY TO STEP A BATTLESHIP WITH A SLING SHOT. 268 00:06:40,801 --> 00:06:41,699 >> IT'S LIKE TO TRY TO STEP A BATTLESHIP WITH A SLING SHOT. >> HE STAGGERED HIM. 269 00:06:41,701 --> 00:06:45,703 BATTLESHIP WITH A SLING SHOT. >> HE STAGGERED HIM. >> OH, KOKO'S HURT. 270 00:06:45,705 --> 00:06:46,704 >> HE STAGGERED HIM. >> OH, KOKO'S HURT. >> KOKO B. 271 00:06:46,706 --> 00:06:49,607 >> OH, KOKO'S HURT. >> KOKO B. WARE WITH A GALLANT EFFORT A 272 00:06:49,609 --> 00:06:50,708 >> KOKO B. WARE WITH A GALLANT EFFORT A MOMENT AGO AND LOOK OUT. 273 00:06:50,710 --> 00:06:51,309 WARE WITH A GALLANT EFFORT A MOMENT AGO AND LOOK OUT. >> YOU BETTER WATCH IT. 274 00:06:51,311 --> 00:06:53,678 MOMENT AGO AND LOOK OUT. >> YOU BETTER WATCH IT. >> NO, NO, NO. 275 00:06:53,680 --> 00:06:55,747 >> YOU BETTER WATCH IT. >> NO, NO, NO. >> IS THAT A BUTT DROP? 276 00:06:55,749 --> 00:06:56,781 >> NO, NO, NO. >> IS THAT A BUTT DROP? >> I DON'T KNOW WHAT IT IS. 277 00:06:56,783 --> 00:06:57,715 >> IS THAT A BUTT DROP? >> I DON'T KNOW WHAT IT IS. NORMALLY, YOU CONSIDER THAT A 278 00:06:57,717 --> 00:07:01,252 >> I DON'T KNOW WHAT IT IS. NORMALLY, YOU CONSIDER THAT A LEG DROP. 279 00:07:01,254 --> 00:07:02,254 NORMALLY, YOU CONSIDER THAT A LEG DROP. >> YOU CAN NAME IT ANYTHING YOU 280 00:07:02,256 --> 00:07:02,988 LEG DROP. >> YOU CAN NAME IT ANYTHING YOU WANT RIGHT THERE, UNBELIEVABLE. 281 00:07:02,990 --> 00:07:03,522 >> YOU CAN NAME IT ANYTHING YOU WANT RIGHT THERE, UNBELIEVABLE. >> APPARENTLY, THERE'S NO 282 00:07:03,524 --> 00:07:04,456 WANT RIGHT THERE, UNBELIEVABLE. >> APPARENTLY, THERE'S NO JAPANESE WORD FOR LEFTOVER, 283 00:07:04,458 --> 00:07:05,356 >> APPARENTLY, THERE'S NO JAPANESE WORD FOR LEFTOVER, VINCE. 284 00:07:05,358 --> 00:07:06,224 JAPANESE WORD FOR LEFTOVER, VINCE. >> I SUPPOSE NOT. 285 00:07:06,226 --> 00:07:07,692 VINCE. >> I SUPPOSE NOT. KOKO B. 286 00:07:07,694 --> 00:07:08,760 >> I SUPPOSE NOT. KOKO B. WARE SUFFERING THE EFFECT OF 287 00:07:08,762 --> 00:07:10,662 KOKO B. WARE SUFFERING THE EFFECT OF THAT LEG DROP BY A 505-POUNDER 288 00:07:10,664 --> 00:07:11,796 WARE SUFFERING THE EFFECT OF THAT LEG DROP BY A 505-POUNDER JUST A MOMENT AGO. 289 00:07:11,798 --> 00:07:12,730 THAT LEG DROP BY A 505-POUNDER JUST A MOMENT AGO. >> COME ON REF, GET IN THERE, 290 00:07:12,732 --> 00:07:14,432 JUST A MOMENT AGO. >> COME ON REF, GET IN THERE, PLAIN CHOKEHOLD. 291 00:07:14,434 --> 00:07:16,868 >> COME ON REF, GET IN THERE, PLAIN CHOKEHOLD. KOKO BACK TO THE BUCKLE. 292 00:07:16,870 --> 00:07:18,470 PLAIN CHOKEHOLD. KOKO BACK TO THE BUCKLE. >> AND UH-OH. 293 00:07:18,472 --> 00:07:20,705 KOKO BACK TO THE BUCKLE. >> AND UH-OH. WAIT A MINUTE NOW. 294 00:07:20,707 --> 00:07:23,608 >> AND UH-OH. WAIT A MINUTE NOW. >> YOKOZUNA WITH A HEAD OF 295 00:07:23,610 --> 00:07:25,376 WAIT A MINUTE NOW. >> YOKOZUNA WITH A HEAD OF STEAL, HERE HE COMES. 296 00:07:25,378 --> 00:07:32,484 >> YOKOZUNA WITH A HEAD OF STEAL, HERE HE COMES. OH, FORGET ABOUT IT. 297 00:07:32,486 --> 00:07:33,518 STEAL, HERE HE COMES. OH, FORGET ABOUT IT. >> KOKO B. 298 00:07:33,520 --> 00:07:34,653 OH, FORGET ABOUT IT. >> KOKO B. WARE DOWN THE CANVAS. 299 00:07:34,655 --> 00:07:36,221 >> KOKO B. WARE DOWN THE CANVAS. GET UP FROM THERE. 300 00:07:36,223 --> 00:07:37,556 WARE DOWN THE CANVAS. GET UP FROM THERE. >> NO, PLEASE DON'T. 301 00:07:37,558 --> 00:07:38,757 GET UP FROM THERE. >> NO, PLEASE DON'T. >> GET UP FROM THERE KOKO, YOU 302 00:07:38,759 --> 00:07:40,458 >> NO, PLEASE DON'T. >> GET UP FROM THERE KOKO, YOU BETTER BE MOVING OUT OF THE WAY. 303 00:07:40,460 --> 00:07:41,259 >> GET UP FROM THERE KOKO, YOU BETTER BE MOVING OUT OF THE WAY. >> KOKO. 304 00:07:41,261 --> 00:07:42,460 BETTER BE MOVING OUT OF THE WAY. >> KOKO. >> THERE'S ABOUT TO BE AN 305 00:07:42,462 --> 00:07:43,695 >> KOKO. >> THERE'S ABOUT TO BE AN EARTHQUAKE HERE IN NEW YORK 306 00:07:43,697 --> 00:07:46,431 >> THERE'S ABOUT TO BE AN EARTHQUAKE HERE IN NEW YORK CITY. 307 00:07:46,433 --> 00:07:50,835 EARTHQUAKE HERE IN NEW YORK CITY. >> OH, NO. 308 00:07:50,837 --> 00:07:51,836 CITY. >> OH, NO. >> [BELL RINGING] 309 00:07:51,838 --> 00:07:53,471 >> OH, NO. >> [BELL RINGING] >> MY GOODNESS, RECORD PLAYER 310 00:07:53,473 --> 00:07:55,640 >> [BELL RINGING] >> MY GOODNESS, RECORD PLAYER JUST SKIPPED IN GUAM. 311 00:07:55,642 --> 00:07:57,442 >> MY GOODNESS, RECORD PLAYER JUST SKIPPED IN GUAM. >> YOU COULD SLIDE KOKO B. 312 00:07:57,444 --> 00:07:58,510 JUST SKIPPED IN GUAM. >> YOU COULD SLIDE KOKO B. WARE UNDER THE DRESSING ROOM 313 00:07:58,512 --> 00:08:01,579 >> YOU COULD SLIDE KOKO B. WARE UNDER THE DRESSING ROOM DOOR RIGHT NOW. 314 00:08:01,581 --> 00:08:04,316 WARE UNDER THE DRESSING ROOM DOOR RIGHT NOW. >> YOKOZUNA VICTORIOUS. 315 00:08:04,318 --> 00:08:05,550 DOOR RIGHT NOW. >> YOKOZUNA VICTORIOUS. WITH MOMENTUM HE HAS FOR THE 316 00:08:05,552 --> 00:08:07,485 >> YOKOZUNA VICTORIOUS. WITH MOMENTUM HE HAS FOR THE ROYAL RUMBLE, ONE OF THE 30 317 00:08:07,487 --> 00:08:08,687 WITH MOMENTUM HE HAS FOR THE ROYAL RUMBLE, ONE OF THE 30 PARTICIPANTS IN THE OVER THE TOP 318 00:08:08,689 --> 00:08:12,624 ROYAL RUMBLE, ONE OF THE 30 PARTICIPANTS IN THE OVER THE TOP ROYAL RUMBLE WHERE ONE OF WHICH 319 00:08:12,626 --> 00:08:14,592 PARTICIPANTS IN THE OVER THE TOP ROYAL RUMBLE WHERE ONE OF WHICH MEETS THE CHAMPION, WHOM EVER HE 320 00:08:14,594 --> 00:08:15,493 ROYAL RUMBLE WHERE ONE OF WHICH MEETS THE CHAMPION, WHOM EVER HE MAY BE, THE WWE CHAMPION AT 321 00:08:15,495 --> 00:08:16,261 MEETS THE CHAMPION, WHOM EVER HE MAY BE, THE WWE CHAMPION AT WRESTLEMANIA. 322 00:08:16,263 --> 00:08:17,529 MAY BE, THE WWE CHAMPION AT WRESTLEMANIA. RIGHT NOW, LET'S GO BACK AND 323 00:08:17,531 --> 00:08:17,995 WRESTLEMANIA. RIGHT NOW, LET'S GO BACK AND TAKE ANOTHER LOOK. 324 00:08:17,997 --> 00:08:19,697 RIGHT NOW, LET'S GO BACK AND TAKE ANOTHER LOOK. YOKOZUNA, NOW, TAKE A LOOK AT 325 00:08:19,699 --> 00:08:20,665 TAKE ANOTHER LOOK. YOKOZUNA, NOW, TAKE A LOOK AT THIS. 326 00:08:20,667 --> 00:08:22,534 YOKOZUNA, NOW, TAKE A LOOK AT THIS. >> ALL RIGHT, ROB. 327 00:08:22,536 --> 00:08:23,501 THIS. >> ALL RIGHT, ROB. >> OH, MAN. 328 00:08:23,503 --> 00:08:24,402 >> ALL RIGHT, ROB. >> OH, MAN. >> WHAT DO YOU THINK? 329 00:08:24,404 --> 00:08:25,503 >> OH, MAN. >> WHAT DO YOU THINK? >> I THINK IF HE JUST SKIPPED A 330 00:08:25,505 --> 00:08:26,404 >> WHAT DO YOU THINK? >> I THINK IF HE JUST SKIPPED A FEW LUNCHES, HE WOULDN'T NEED TO 331 00:08:26,406 --> 00:08:27,839 >> I THINK IF HE JUST SKIPPED A FEW LUNCHES, HE WOULDN'T NEED TO DO THAT HEADLOCK ON HUNGER. 332 00:08:27,841 --> 00:08:28,773 FEW LUNCHES, HE WOULDN'T NEED TO DO THAT HEADLOCK ON HUNGER. >> YEAH, WELL... 333 00:08:28,775 --> 00:08:30,441 DO THAT HEADLOCK ON HUNGER. >> YEAH, WELL... >> THAT'S JUST [INDISTINCT] 334 00:08:30,443 --> 00:08:33,545 >> YEAH, WELL... >> THAT'S JUST [INDISTINCT] >> YOKOZUNA, QUITE A PERFORMER 335 00:08:33,547 --> 00:08:35,313 >> THAT'S JUST [INDISTINCT] >> YOKOZUNA, QUITE A PERFORMER ON HIS WAY TO SACRAMENTO, 336 00:08:35,315 --> 00:08:36,481 >> YOKOZUNA, QUITE A PERFORMER ON HIS WAY TO SACRAMENTO, CALIFORNIA FOR THE RUMBLE. 337 00:08:36,483 --> 00:08:39,117 ON HIS WAY TO SACRAMENTO, CALIFORNIA FOR THE RUMBLE. >> ON JANUARY 24TH, THE CROWD 338 00:08:39,119 --> 00:08:40,652 CALIFORNIA FOR THE RUMBLE. >> ON JANUARY 24TH, THE CROWD WILL SHAKE. 339 00:08:40,654 --> 00:08:44,556 >> ON JANUARY 24TH, THE CROWD WILL SHAKE. THE EARTH WILL RUMBLE. 340 00:08:44,558 --> 00:08:46,724 WILL SHAKE. THE EARTH WILL RUMBLE. THE ROYAL RUMBLE. 341 00:08:46,726 --> 00:08:47,892 THE EARTH WILL RUMBLE. THE ROYAL RUMBLE. THIRTY SUPERSTAR WRESTLERS OF 342 00:08:47,894 --> 00:08:49,694 THE ROYAL RUMBLE. THIRTY SUPERSTAR WRESTLERS OF WWE BANG HEADS IN THE WINNER 343 00:08:49,696 --> 00:08:51,629 THIRTY SUPERSTAR WRESTLERS OF WWE BANG HEADS IN THE WINNER TAKE ALL RUMBLE. 344 00:08:51,631 --> 00:08:53,498 WWE BANG HEADS IN THE WINNER TAKE ALL RUMBLE. THIRTY WRESTLERS, ONE RING, 345 00:08:53,500 --> 00:08:55,600 TAKE ALL RUMBLE. THIRTY WRESTLERS, ONE RING, SOMETHING'S GOT TO GIVE. 346 00:08:55,602 --> 00:08:56,868 THIRTY WRESTLERS, ONE RING, SOMETHING'S GOT TO GIVE. AND IN THE CHAMPIONSHIP MATCH, 347 00:08:56,870 --> 00:08:57,902 SOMETHING'S GOT TO GIVE. AND IN THE CHAMPIONSHIP MATCH, BRETT "THE HITMAN" HART PUTS HIS 348 00:08:57,904 --> 00:08:59,437 AND IN THE CHAMPIONSHIP MATCH, BRETT "THE HITMAN" HART PUTS HIS TITLE ON THE LINE WHEN HE 349 00:08:59,439 --> 00:09:00,672 BRETT "THE HITMAN" HART PUTS HIS TITLE ON THE LINE WHEN HE BATTLES THE RUTHLESS, RAZOR 350 00:09:00,674 --> 00:09:01,639 TITLE ON THE LINE WHEN HE BATTLES THE RUTHLESS, RAZOR RAMON. 351 00:09:01,641 --> 00:09:04,342 BATTLES THE RUTHLESS, RAZOR RAMON. THE ROYAL RUMBLE, LIVE SUNDAY, 352 00:09:04,344 --> 00:09:09,948 RAMON. THE ROYAL RUMBLE, LIVE SUNDAY, JANUARY 24TH ON PAY-PER-VIEW. 353 00:09:09,950 --> 00:09:10,549 THE ROYAL RUMBLE, LIVE SUNDAY, JANUARY 24TH ON PAY-PER-VIEW. >> [CROWD CHEERING] 354 00:09:10,551 --> 00:09:13,918 JANUARY 24TH ON PAY-PER-VIEW. >> [CROWD CHEERING] >> WE ARE BACK WITH MORE MONDAY 355 00:09:13,920 --> 00:09:15,520 >> [CROWD CHEERING] >> WE ARE BACK WITH MORE MONDAY NIGHT RAW AND WE'RE HAVING AT 356 00:09:15,522 --> 00:09:16,454 >> WE ARE BACK WITH MORE MONDAY NIGHT RAW AND WE'RE HAVING AT LAST... 357 00:09:16,456 --> 00:09:16,821 NIGHT RAW AND WE'RE HAVING AT LAST... >> OH, HELLO. 358 00:09:16,823 --> 00:09:18,489 LAST... >> OH, HELLO. >> LOOK AT THAT, LOOK AT THAT. 359 00:09:18,491 --> 00:09:19,357 >> OH, HELLO. >> LOOK AT THAT, LOOK AT THAT. >> AND IF YOU DIDN'T KNOW, THIS 360 00:09:19,359 --> 00:09:20,658 >> LOOK AT THAT, LOOK AT THAT. >> AND IF YOU DIDN'T KNOW, THIS IS MONDAY NIGHT RAW. 361 00:09:20,660 --> 00:09:21,593 >> AND IF YOU DIDN'T KNOW, THIS IS MONDAY NIGHT RAW. YOU'RE CERTAINLY GETTING 362 00:09:21,595 --> 00:09:22,460 IS MONDAY NIGHT RAW. YOU'RE CERTAINLY GETTING REINFORCED WITH THE LITTLE LADY 363 00:09:22,462 --> 00:09:23,495 YOU'RE CERTAINLY GETTING REINFORCED WITH THE LITTLE LADY IN THE RING THAT TELLS YOU IT IS 364 00:09:23,497 --> 00:09:24,329 REINFORCED WITH THE LITTLE LADY IN THE RING THAT TELLS YOU IT IS MONDAY NIGHT RAW UNCUT. 365 00:09:24,331 --> 00:09:25,563 IN THE RING THAT TELLS YOU IT IS MONDAY NIGHT RAW UNCUT. >> I'M GLAD I GOT X-RAY VISION. 366 00:09:25,565 --> 00:09:27,665 MONDAY NIGHT RAW UNCUT. >> I'M GLAD I GOT X-RAY VISION. >> UNCENSORED. 367 00:09:27,667 --> 00:09:28,700 >> I'M GLAD I GOT X-RAY VISION. >> UNCENSORED. >> IN JUST A FEW MOMENT, WE'RE 368 00:09:28,702 --> 00:09:30,435 >> UNCENSORED. >> IN JUST A FEW MOMENT, WE'RE GONNA TAKE YOU TO--SINCE BOBBY 369 00:09:30,437 --> 00:09:31,536 >> IN JUST A FEW MOMENT, WE'RE GONNA TAKE YOU TO--SINCE BOBBY "THE BRAIN" HEENAN IS ON THE 370 00:09:31,538 --> 00:09:32,470 GONNA TAKE YOU TO--SINCE BOBBY "THE BRAIN" HEENAN IS ON THE OUTSIDE AND APPARENTLY, CANNOT 371 00:09:32,472 --> 00:09:33,738 "THE BRAIN" HEENAN IS ON THE OUTSIDE AND APPARENTLY, CANNOT MAKE IT IN ON THE INSIDE, 372 00:09:33,740 --> 00:09:34,672 OUTSIDE AND APPARENTLY, CANNOT MAKE IT IN ON THE INSIDE, NONETHELESS, FOR ALL YOU BOBBY 373 00:09:34,674 --> 00:09:36,474 MAKE IT IN ON THE INSIDE, NONETHELESS, FOR ALL YOU BOBBY "THE BRAIN" HEENAN FANS, LET'S 374 00:09:36,476 --> 00:09:37,809 NONETHELESS, FOR ALL YOU BOBBY "THE BRAIN" HEENAN FANS, LET'S TAKE YOU TO BOBBY "THE BRAIN" 375 00:09:37,811 --> 00:09:39,477 "THE BRAIN" HEENAN FANS, LET'S TAKE YOU TO BOBBY "THE BRAIN" HEENAN VIA VIDEOTAPE, HE'S 376 00:09:39,479 --> 00:09:41,479 TAKE YOU TO BOBBY "THE BRAIN" HEENAN VIA VIDEOTAPE, HE'S PICKING UP, NARCISSIST. 377 00:09:41,481 --> 00:09:43,848 HEENAN VIA VIDEOTAPE, HE'S PICKING UP, NARCISSIST. >> HEY, MR. PERFECT, I HEARD 378 00:09:43,850 --> 00:09:45,416 PICKING UP, NARCISSIST. >> HEY, MR. PERFECT, I HEARD YOU'RE ASKING QUESTIONS OF THE 379 00:09:45,418 --> 00:09:48,386 >> HEY, MR. PERFECT, I HEARD YOU'RE ASKING QUESTIONS OF THE OTHER WRESTLERS. 380 00:09:48,388 --> 00:09:50,555 YOU'RE ASKING QUESTIONS OF THE OTHER WRESTLERS. HEY, WHO IS THIS GUY NARCISSIST? 381 00:09:50,557 --> 00:09:53,358 OTHER WRESTLERS. HEY, WHO IS THIS GUY NARCISSIST? WHAT DO YOU KNOW ABOUT HIM? 382 00:09:53,360 --> 00:09:57,695 HEY, WHO IS THIS GUY NARCISSIST? WHAT DO YOU KNOW ABOUT HIM? IS HE TRULY BEYOND PERFECT? 383 00:09:57,697 --> 00:09:59,564 WHAT DO YOU KNOW ABOUT HIM? IS HE TRULY BEYOND PERFECT? IS IT POSSIBLE FOR ANYONE TO 384 00:09:59,566 --> 00:10:01,432 IS HE TRULY BEYOND PERFECT? IS IT POSSIBLE FOR ANYONE TO HAVE THOSE QUALITIES SUPERIOR TO 385 00:10:01,434 --> 00:10:03,501 IS IT POSSIBLE FOR ANYONE TO HAVE THOSE QUALITIES SUPERIOR TO MINE? 386 00:10:03,503 --> 00:10:04,569 HAVE THOSE QUALITIES SUPERIOR TO MINE? WELL, LET ME ANSWER YOUR 387 00:10:04,571 --> 00:10:06,437 MINE? WELL, LET ME ANSWER YOUR QUESTIONS, MR. PERFECT. 388 00:10:06,439 --> 00:10:08,506 WELL, LET ME ANSWER YOUR QUESTIONS, MR. PERFECT. COMPARING YOU TO NARCISSIST 389 00:10:08,508 --> 00:10:10,341 QUESTIONS, MR. PERFECT. COMPARING YOU TO NARCISSIST WOULD BE LIKE COMPARING ICE 390 00:10:10,343 --> 00:10:13,411 COMPARING YOU TO NARCISSIST WOULD BE LIKE COMPARING ICE CREAM TO HORSE MANURE. 391 00:10:13,413 --> 00:10:16,648 WOULD BE LIKE COMPARING ICE CREAM TO HORSE MANURE. NOW, I KNOW HORSE MANOR HAS HIS 392 00:10:16,650 --> 00:10:17,849 CREAM TO HORSE MANURE. NOW, I KNOW HORSE MANOR HAS HIS PLACE IN THIS WORLD, EVEN 393 00:10:17,851 --> 00:10:20,785 NOW, I KNOW HORSE MANOR HAS HIS PLACE IN THIS WORLD, EVEN PERFECT HORSE MANOR. 394 00:10:20,787 --> 00:10:24,822 PLACE IN THIS WORLD, EVEN PERFECT HORSE MANOR. BUT PERFECT, THERE IS ONLY ROOM 395 00:10:24,824 --> 00:10:27,659 PERFECT HORSE MANOR. BUT PERFECT, THERE IS ONLY ROOM IN HIS WORLD FOR ONE HUMAN, 396 00:10:27,661 --> 00:10:29,894 BUT PERFECT, THERE IS ONLY ROOM IN HIS WORLD FOR ONE HUMAN, BEING THAT IS TRULY ANATOMICALLY 397 00:10:29,896 --> 00:10:31,596 IN HIS WORLD FOR ONE HUMAN, BEING THAT IS TRULY ANATOMICALLY PERFECT. 398 00:10:31,598 --> 00:10:33,931 BEING THAT IS TRULY ANATOMICALLY PERFECT. THAT IS PHYSICALLY AND MENTALLY 399 00:10:33,933 --> 00:10:35,967 PERFECT. THAT IS PHYSICALLY AND MENTALLY SUPERIOR BEYOND IMAGINATION. 400 00:10:35,969 --> 00:10:37,736 THAT IS PHYSICALLY AND MENTALLY SUPERIOR BEYOND IMAGINATION. WHY RIC FLAIR AND I BOTH AGREED 401 00:10:37,738 --> 00:10:41,472 SUPERIOR BEYOND IMAGINATION. WHY RIC FLAIR AND I BOTH AGREED THAT MICHAEL ANGELO COULD NOT 402 00:10:41,474 --> 00:10:43,508 WHY RIC FLAIR AND I BOTH AGREED THAT MICHAEL ANGELO COULD NOT CAPTURE ON CANVAS THE STUPENDOUS 403 00:10:43,510 --> 00:10:44,509 THAT MICHAEL ANGELO COULD NOT CAPTURE ON CANVAS THE STUPENDOUS QUALITIES OF NARCISSIST. 404 00:10:44,511 --> 00:10:47,612 CAPTURE ON CANVAS THE STUPENDOUS QUALITIES OF NARCISSIST. HE COULD NOT SCULPT FROM MARBLE 405 00:10:47,614 --> 00:10:48,980 QUALITIES OF NARCISSIST. HE COULD NOT SCULPT FROM MARBLE THE METAMORPHIC QUALITIES OF 406 00:10:48,982 --> 00:10:51,416 HE COULD NOT SCULPT FROM MARBLE THE METAMORPHIC QUALITIES OF NARCISSIST. 407 00:10:51,418 --> 00:10:52,550 THE METAMORPHIC QUALITIES OF NARCISSIST. WHY NARCISSIST IS SO BEYOND 408 00:10:52,552 --> 00:10:54,552 NARCISSIST. WHY NARCISSIST IS SO BEYOND PERFECT JUST LIKE HE'S FROM 409 00:10:54,554 --> 00:10:55,653 WHY NARCISSIST IS SO BEYOND PERFECT JUST LIKE HE'S FROM ANOTHER GALAXY. 410 00:10:55,655 --> 00:10:58,923 PERFECT JUST LIKE HE'S FROM ANOTHER GALAXY. SO MR. PERFECT, WHEN YOU SEE ME 411 00:10:58,925 --> 00:11:02,360 ANOTHER GALAXY. SO MR. PERFECT, WHEN YOU SEE ME UNVEIL NARCISSIST AT THE ROYAL 412 00:11:02,362 --> 00:11:04,295 SO MR. PERFECT, WHEN YOU SEE ME UNVEIL NARCISSIST AT THE ROYAL RUMBLE, YOU ARE GOING TO THINK 413 00:11:04,297 --> 00:11:06,864 UNVEIL NARCISSIST AT THE ROYAL RUMBLE, YOU ARE GOING TO THINK IF YOU CAN, THAT NARCISSIST IS 414 00:11:06,866 --> 00:11:12,437 RUMBLE, YOU ARE GOING TO THINK IF YOU CAN, THAT NARCISSIST IS FROM ANOTHER WORLD. 415 00:11:12,439 --> 00:11:12,837 IF YOU CAN, THAT NARCISSIST IS FROM ANOTHER WORLD. >> [BELL RINGING] 416 00:11:12,839 --> 00:11:13,538 FROM ANOTHER WORLD. >> [BELL RINGING] >> WELL, I MIGHT SAY, I'M 417 00:11:13,540 --> 00:11:14,439 >> [BELL RINGING] >> WELL, I MIGHT SAY, I'M LOOKING FORWARD TO THE UNVEILING 418 00:11:14,441 --> 00:11:16,741 >> WELL, I MIGHT SAY, I'M LOOKING FORWARD TO THE UNVEILING OF NARCISSIST. 419 00:11:16,743 --> 00:11:18,509 LOOKING FORWARD TO THE UNVEILING OF NARCISSIST. OBVIOUSLY, THE WORD BRAIN IS 420 00:11:18,511 --> 00:11:19,510 OF NARCISSIST. OBVIOUSLY, THE WORD BRAIN IS USED LOOSELY THERE, VINCE. 421 00:11:19,512 --> 00:11:21,713 OBVIOUSLY, THE WORD BRAIN IS USED LOOSELY THERE, VINCE. >> I SUPPOSE. 422 00:11:21,715 --> 00:11:23,414 USED LOOSELY THERE, VINCE. >> I SUPPOSE. >> HE'S ON THE OUTSIDE AND 423 00:11:23,416 --> 00:11:24,683 >> I SUPPOSE. >> HE'S ON THE OUTSIDE AND YOU'RE ON THE INSIDE ROB, THAT'S 424 00:11:24,685 --> 00:11:25,850 >> HE'S ON THE OUTSIDE AND YOU'RE ON THE INSIDE ROB, THAT'S HANDS UP. 425 00:11:25,852 --> 00:11:27,418 YOU'RE ON THE INSIDE ROB, THAT'S HANDS UP. AGAIN, TAKE A LOOK AT THIS TAG 426 00:11:27,420 --> 00:11:29,587 HANDS UP. AGAIN, TAKE A LOOK AT THIS TAG TEAM COMING IN. 427 00:11:29,589 --> 00:11:33,625 AGAIN, TAKE A LOOK AT THIS TAG TEAM COMING IN. >> THE STEINER BROTHERS. 428 00:11:33,627 --> 00:11:35,359 TEAM COMING IN. >> THE STEINER BROTHERS. >> NICE PANTS. 429 00:11:35,361 --> 00:11:36,561 >> THE STEINER BROTHERS. >> NICE PANTS. >> ALL AMERICAN FROM THE 430 00:11:36,563 --> 00:11:37,662 >> NICE PANTS. >> ALL AMERICAN FROM THE UNIVERSITY OF MICHIGAN, THEY'RE 431 00:11:37,664 --> 00:11:38,563 >> ALL AMERICAN FROM THE UNIVERSITY OF MICHIGAN, THEY'RE GETTING READY FOR THE ROYAL 432 00:11:38,565 --> 00:11:40,398 UNIVERSITY OF MICHIGAN, THEY'RE GETTING READY FOR THE ROYAL RUMBLE AND THEY'RE GOING AGAINST 433 00:11:40,400 --> 00:11:42,834 GETTING READY FOR THE ROYAL RUMBLE AND THEY'RE GOING AGAINST THE BEVERLY BROTHERS. 434 00:11:42,836 --> 00:11:43,634 RUMBLE AND THEY'RE GOING AGAINST THE BEVERLY BROTHERS. >> WHAT A TAG TEAM MATCH THAT'S 435 00:11:43,636 --> 00:11:46,638 THE BEVERLY BROTHERS. >> WHAT A TAG TEAM MATCH THAT'S GONNA BE. 436 00:11:46,640 --> 00:11:47,672 >> WHAT A TAG TEAM MATCH THAT'S GONNA BE. >> NOW, WHO'S THE ONE WITH THE 437 00:11:47,674 --> 00:11:48,673 GONNA BE. >> NOW, WHO'S THE ONE WITH THE HEADGEAR, RICK OR SCOTT? 438 00:11:48,675 --> 00:11:51,476 >> NOW, WHO'S THE ONE WITH THE HEADGEAR, RICK OR SCOTT? >> MACHO. 439 00:11:51,478 --> 00:11:53,745 HEADGEAR, RICK OR SCOTT? >> MACHO. >> [BELL RINGING] 440 00:11:53,747 --> 00:11:54,846 >> MACHO. >> [BELL RINGING] >> WELL, LET'S SEE, THE ONE IN 441 00:11:54,848 --> 00:11:55,513 >> [BELL RINGING] >> WELL, LET'S SEE, THE ONE IN THE MIDDLE. 442 00:11:55,515 --> 00:11:56,814 >> WELL, LET'S SEE, THE ONE IN THE MIDDLE. IT'S RICK. 443 00:11:56,816 --> 00:11:59,951 THE MIDDLE. IT'S RICK. NO, I'M JUST KIDDING WITH YOU. 444 00:11:59,953 --> 00:12:01,652 IT'S RICK. NO, I'M JUST KIDDING WITH YOU. I'M KIDDING BUT I'M NOT JOKING. 445 00:12:01,654 --> 00:12:02,687 NO, I'M JUST KIDDING WITH YOU. I'M KIDDING BUT I'M NOT JOKING. >> WELL, I'LL TELL YOU WHAT, 446 00:12:02,689 --> 00:12:03,688 I'M KIDDING BUT I'M NOT JOKING. >> WELL, I'LL TELL YOU WHAT, IT'S VERY EASY TO TELL THE 447 00:12:03,690 --> 00:12:04,689 >> WELL, I'LL TELL YOU WHAT, IT'S VERY EASY TO TELL THE STEINER'S APART BUT HOW DO YOU 448 00:12:04,691 --> 00:12:08,292 IT'S VERY EASY TO TELL THE STEINER'S APART BUT HOW DO YOU TELL THESE EXECUTIONERS APART? 449 00:12:08,294 --> 00:12:09,961 STEINER'S APART BUT HOW DO YOU TELL THESE EXECUTIONERS APART? >> VERY, VERY CLOSE TO THE SAME 450 00:12:09,963 --> 00:12:10,895 TELL THESE EXECUTIONERS APART? >> VERY, VERY CLOSE TO THE SAME SIZE. 451 00:12:10,897 --> 00:12:12,764 >> VERY, VERY CLOSE TO THE SAME SIZE. WAIT A MINUTE, WHO'S THAT IN 452 00:12:12,766 --> 00:12:14,532 SIZE. WAIT A MINUTE, WHO'S THAT IN THE--THAT'S A--THAT'S THAT GOOFY 453 00:12:14,534 --> 00:12:15,667 WAIT A MINUTE, WHO'S THAT IN THE--THAT'S A--THAT'S THAT GOOFY CLOWN IN THE BACKGROUND IF YOU 454 00:12:15,669 --> 00:12:16,534 THE--THAT'S A--THAT'S THAT GOOFY CLOWN IN THE BACKGROUND IF YOU SEE. 455 00:12:16,536 --> 00:12:17,468 CLOWN IN THE BACKGROUND IF YOU SEE. OH, YES. 456 00:12:17,470 --> 00:12:18,936 SEE. OH, YES. WHAT A MANEUVER BY SCOTT 457 00:12:18,938 --> 00:12:24,742 OH, YES. WHAT A MANEUVER BY SCOTT STEINER. 458 00:12:24,744 --> 00:12:26,344 WHAT A MANEUVER BY SCOTT STEINER. >> THE STEINER BROTHERS TAKING 459 00:12:26,346 --> 00:12:28,780 STEINER. >> THE STEINER BROTHERS TAKING THE WWE BY STORM IN THE TAG TEAM 460 00:12:28,782 --> 00:12:32,450 >> THE STEINER BROTHERS TAKING THE WWE BY STORM IN THE TAG TEAM WORLD. 461 00:12:32,452 --> 00:12:33,885 THE WWE BY STORM IN THE TAG TEAM WORLD. >> TAG TEAM SITUATION IS HEATING 462 00:12:33,887 --> 00:12:34,786 WORLD. >> TAG TEAM SITUATION IS HEATING UP IN THE WORLD WRESTLING 463 00:12:34,788 --> 00:12:36,621 >> TAG TEAM SITUATION IS HEATING UP IN THE WORLD WRESTLING ENTERTAINMENT. 464 00:12:36,623 --> 00:12:37,922 UP IN THE WORLD WRESTLING ENTERTAINMENT. >> THERE'S THAT GOOFY CLOWN. 465 00:12:37,924 --> 00:12:39,390 ENTERTAINMENT. >> THERE'S THAT GOOFY CLOWN. >> I DON'T LIKE HIM. 466 00:12:39,392 --> 00:12:40,691 >> THERE'S THAT GOOFY CLOWN. >> I DON'T LIKE HIM. >> THAT'S DORK THE CLOWN? 467 00:12:40,693 --> 00:12:42,760 >> I DON'T LIKE HIM. >> THAT'S DORK THE CLOWN? >> THAT'S DORK, WHAT A NAME FOR 468 00:12:42,762 --> 00:12:44,496 >> THAT'S DORK THE CLOWN? >> THAT'S DORK, WHAT A NAME FOR A CLOWN, DORK. 469 00:12:44,498 --> 00:12:46,397 >> THAT'S DORK, WHAT A NAME FOR A CLOWN, DORK. >> HIS NAME IS DOINK. 470 00:12:46,399 --> 00:12:46,931 A CLOWN, DORK. >> HIS NAME IS DOINK. >> IT'S DOINK, NOT... 471 00:12:46,933 --> 00:12:47,698 >> HIS NAME IS DOINK. >> IT'S DOINK, NOT... >> BUT YOU COULD CALL HIM 472 00:12:47,700 --> 00:12:48,399 >> IT'S DOINK, NOT... >> BUT YOU COULD CALL HIM ANYTHING YOU WANT. 473 00:12:48,401 --> 00:12:50,535 >> BUT YOU COULD CALL HIM ANYTHING YOU WANT. >> IT COULD BE DORK, IT COULD 474 00:12:50,537 --> 00:12:51,402 ANYTHING YOU WANT. >> IT COULD BE DORK, IT COULD VERY WELL BE DORK. 475 00:12:51,404 --> 00:12:52,337 >> IT COULD BE DORK, IT COULD VERY WELL BE DORK. WELL, THAT'S LIKE, "YOU'RE A 476 00:12:52,339 --> 00:12:56,541 VERY WELL BE DORK. WELL, THAT'S LIKE, "YOU'RE A DORK." 477 00:12:56,543 --> 00:12:57,608 WELL, THAT'S LIKE, "YOU'RE A DORK." >> AND RICK STEINER BEING SET UP 478 00:12:57,610 --> 00:12:59,677 DORK." >> AND RICK STEINER BEING SET UP NOW, NO, NICE REVERSAL. 479 00:12:59,679 --> 00:13:01,546 >> AND RICK STEINER BEING SET UP NOW, NO, NICE REVERSAL. >> OH, YES, LOOK AT THAT POWER. 480 00:13:01,548 --> 00:13:02,580 NOW, NO, NICE REVERSAL. >> OH, YES, LOOK AT THAT POWER. HE SHOVED HIM RIGHT INTO THE 481 00:13:02,582 --> 00:13:04,615 >> OH, YES, LOOK AT THAT POWER. HE SHOVED HIM RIGHT INTO THE SECOND ROPE, LOST HIS--LOST HIS 482 00:13:04,617 --> 00:13:06,484 HE SHOVED HIM RIGHT INTO THE SECOND ROPE, LOST HIS--LOST HIS FOOTING AND EVERYTHING, NICE 483 00:13:06,486 --> 00:13:07,485 SECOND ROPE, LOST HIS--LOST HIS FOOTING AND EVERYTHING, NICE MANEUVER ON THE PART OF THE 484 00:13:07,487 --> 00:13:08,519 FOOTING AND EVERYTHING, NICE MANEUVER ON THE PART OF THE STEINER'S. 485 00:13:08,521 --> 00:13:10,522 MANEUVER ON THE PART OF THE STEINER'S. >> GOT ONE MORE FROM MR. 486 00:13:10,524 --> 00:13:15,326 STEINER'S. >> GOT ONE MORE FROM MR. STEINER, ELECTROLYSIS. 487 00:13:15,328 --> 00:13:16,027 >> GOT ONE MORE FROM MR. STEINER, ELECTROLYSIS. >> YOU KNOW, IF IT WASN'T THAT 488 00:13:16,029 --> 00:13:17,428 STEINER, ELECTROLYSIS. >> YOU KNOW, IF IT WASN'T THAT BARTLETT WAS SITTING WITH US 489 00:13:17,430 --> 00:13:19,297 >> YOU KNOW, IF IT WASN'T THAT BARTLETT WAS SITTING WITH US THIS RIGHT NOW, MCMAHON, I WOULD 490 00:13:19,299 --> 00:13:20,331 BARTLETT WAS SITTING WITH US THIS RIGHT NOW, MCMAHON, I WOULD THINK THAT HE WAS ONE OF THE 491 00:13:20,333 --> 00:13:21,766 THIS RIGHT NOW, MCMAHON, I WOULD THINK THAT HE WAS ONE OF THE EXECUTIONERS. 492 00:13:21,768 --> 00:13:22,567 THINK THAT HE WAS ONE OF THE EXECUTIONERS. >> WELL, I DON'T KNOW ABOUT 493 00:13:22,569 --> 00:13:23,634 EXECUTIONERS. >> WELL, I DON'T KNOW ABOUT THAT. 494 00:13:23,636 --> 00:13:24,735 >> WELL, I DON'T KNOW ABOUT THAT. LOOK AT THIS MANEUVER, MY 495 00:13:24,737 --> 00:13:26,470 THAT. LOOK AT THIS MANEUVER, MY GOODNESS. 496 00:13:26,472 --> 00:13:27,338 LOOK AT THIS MANEUVER, MY GOODNESS. >> UNBELIEVABLE. 497 00:13:27,340 --> 00:13:28,239 GOODNESS. >> UNBELIEVABLE. >> BOY, DON'T YOU HATE WHEN THAT 498 00:13:28,241 --> 00:13:28,606 >> UNBELIEVABLE. >> BOY, DON'T YOU HATE WHEN THAT HAPPENS? 499 00:13:28,608 --> 00:13:31,542 >> BOY, DON'T YOU HATE WHEN THAT HAPPENS? >> YEAH, RICK STEINER. 500 00:13:31,544 --> 00:13:34,545 HAPPENS? >> YEAH, RICK STEINER. >> RICK STEINER, THE DOG OF 501 00:13:34,547 --> 00:13:37,749 >> YEAH, RICK STEINER. >> RICK STEINER, THE DOG OF SORTS, A PIT BULL AND--WELL, 502 00:13:37,751 --> 00:13:38,516 >> RICK STEINER, THE DOG OF SORTS, A PIT BULL AND--WELL, I'LL TELL YOU WHAT, YOU KNOW, 503 00:13:38,518 --> 00:13:39,450 SORTS, A PIT BULL AND--WELL, I'LL TELL YOU WHAT, YOU KNOW, READING THE NEW YORK TIMES THIS 504 00:13:39,452 --> 00:13:39,917 I'LL TELL YOU WHAT, YOU KNOW, READING THE NEW YORK TIMES THIS PAST SUNDAY... 505 00:13:39,919 --> 00:13:43,454 READING THE NEW YORK TIMES THIS PAST SUNDAY... >> HEY MO, HEY MO. 506 00:13:43,456 --> 00:13:44,655 PAST SUNDAY... >> HEY MO, HEY MO. >> YOU THINK OF ANOTHER PIT-BULL 507 00:13:44,657 --> 00:13:46,724 >> HEY MO, HEY MO. >> YOU THINK OF ANOTHER PIT-BULL HEADED FOR THE WORLD WRESTLING 508 00:13:46,726 --> 00:13:50,528 >> YOU THINK OF ANOTHER PIT-BULL HEADED FOR THE WORLD WRESTLING ENTERTAINMENT FROM BUFFALO. 509 00:13:50,530 --> 00:13:51,796 HEADED FOR THE WORLD WRESTLING ENTERTAINMENT FROM BUFFALO. YOU'LL BE SEEING HIM, AGAIN 510 00:13:51,798 --> 00:13:54,732 ENTERTAINMENT FROM BUFFALO. YOU'LL BE SEEING HIM, AGAIN BY--LOOK AT THIS MANEUVER. 511 00:13:54,734 --> 00:13:55,666 YOU'LL BE SEEING HIM, AGAIN BY--LOOK AT THIS MANEUVER. >> [CROWD CHATTER] 512 00:13:55,668 --> 00:13:56,934 BY--LOOK AT THIS MANEUVER. >> [CROWD CHATTER] >> WELL, IS THERE A CHIROPRACTOR 513 00:13:56,936 --> 00:13:58,769 >> [CROWD CHATTER] >> WELL, IS THERE A CHIROPRACTOR IN THE HOUSE? 514 00:13:58,771 --> 00:14:00,805 >> WELL, IS THERE A CHIROPRACTOR IN THE HOUSE? >> MITCH FREROTTE IS HEADED FOR 515 00:14:00,807 --> 00:14:01,606 IN THE HOUSE? >> MITCH FREROTTE IS HEADED FOR THE WORLD WRESTLING 516 00:14:01,608 --> 00:14:03,541 >> MITCH FREROTTE IS HEADED FOR THE WORLD WRESTLING ENTERTAINMENT 517 00:14:03,543 --> 00:14:04,642 THE WORLD WRESTLING ENTERTAINMENT FROM THE BUFFALO BILLS ON HIS 518 00:14:04,644 --> 00:14:06,410 ENTERTAINMENT FROM THE BUFFALO BILLS ON HIS WAY... 519 00:14:06,412 --> 00:14:07,812 FROM THE BUFFALO BILLS ON HIS WAY... >> HE CLAIMS THE NFL IS CLEARLY 520 00:14:07,814 --> 00:14:10,481 WAY... >> HE CLAIMS THE NFL IS CLEARLY A STEPPING STONE TO THE WWE. 521 00:14:10,483 --> 00:14:11,349 >> HE CLAIMS THE NFL IS CLEARLY A STEPPING STONE TO THE WWE. YOU HAVE MAY HAVE TO FACE HIM 522 00:14:11,351 --> 00:14:12,516 A STEPPING STONE TO THE WWE. YOU HAVE MAY HAVE TO FACE HIM ONE DAY, MACHO. 523 00:14:12,518 --> 00:14:13,284 YOU HAVE MAY HAVE TO FACE HIM ONE DAY, MACHO. OH, MY GOODNESS. 524 00:14:13,286 --> 00:14:14,452 ONE DAY, MACHO. OH, MY GOODNESS. >> AFTER WATCHING THIS MATCH 525 00:14:14,454 --> 00:14:15,553 OH, MY GOODNESS. >> AFTER WATCHING THIS MATCH WITH THE STEINER BROTHERS, IT 526 00:14:15,555 --> 00:14:16,487 >> AFTER WATCHING THIS MATCH WITH THE STEINER BROTHERS, IT MAY CHANGE HIS MIND, I DON'T 527 00:14:16,489 --> 00:14:17,755 WITH THE STEINER BROTHERS, IT MAY CHANGE HIS MIND, I DON'T KNOW. 528 00:14:17,757 --> 00:14:19,523 MAY CHANGE HIS MIND, I DON'T KNOW. >> I DOUBT IT. 529 00:14:19,525 --> 00:14:20,725 KNOW. >> I DOUBT IT. >> I MIGHT CHANGE MY MIND. 530 00:14:20,727 --> 00:14:23,461 >> I DOUBT IT. >> I MIGHT CHANGE MY MIND. >> YEAH. 531 00:14:23,463 --> 00:14:24,262 >> I MIGHT CHANGE MY MIND. >> YEAH. >> OH, MY. 532 00:14:24,264 --> 00:14:26,297 >> YEAH. >> OH, MY. >> THAT HURTS. 533 00:14:26,299 --> 00:14:28,633 >> OH, MY. >> THAT HURTS. >> SORT OF CATCHING, PASS IT. 534 00:14:28,635 --> 00:14:29,734 >> THAT HURTS. >> SORT OF CATCHING, PASS IT. WELL, HE BETTER WILL BE CATCHING 535 00:14:29,736 --> 00:14:31,602 >> SORT OF CATCHING, PASS IT. WELL, HE BETTER WILL BE CATCHING DROPKICKS ONE OF THESE DAYS. 536 00:14:31,604 --> 00:14:31,903 WELL, HE BETTER WILL BE CATCHING DROPKICKS ONE OF THESE DAYS. LOOK AT THIS. 537 00:14:31,905 --> 00:14:33,504 DROPKICKS ONE OF THESE DAYS. LOOK AT THIS. >> SCOTT STEINER, DOUBLE 538 00:14:33,506 --> 00:14:34,872 LOOK AT THIS. >> SCOTT STEINER, DOUBLE UNDERHOOK. 539 00:14:34,874 --> 00:14:36,774 >> SCOTT STEINER, DOUBLE UNDERHOOK. >> OH, MY. 540 00:14:36,776 --> 00:14:38,676 UNDERHOOK. >> OH, MY. >> THESE GUYS ARE GOOD. 541 00:14:38,678 --> 00:14:39,777 >> OH, MY. >> THESE GUYS ARE GOOD. >> YEAH, THEY COULD VERY WELL BE 542 00:14:39,779 --> 00:14:42,513 >> THESE GUYS ARE GOOD. >> YEAH, THEY COULD VERY WELL BE THE BEST, GIVEN AN OPPORTUNITY. 543 00:14:42,515 --> 00:14:43,614 >> YEAH, THEY COULD VERY WELL BE THE BEST, GIVEN AN OPPORTUNITY. >> YOU'LL SEE JUST HOW GOOD THEY 544 00:14:43,616 --> 00:14:44,916 THE BEST, GIVEN AN OPPORTUNITY. >> YOU'LL SEE JUST HOW GOOD THEY ARE THOUGH WHEN THEY FACE THE 545 00:14:44,918 --> 00:14:46,451 >> YOU'LL SEE JUST HOW GOOD THEY ARE THOUGH WHEN THEY FACE THE BEVERLY'S AT THE RUMBLE, TAKE A 546 00:14:46,453 --> 00:14:48,319 ARE THOUGH WHEN THEY FACE THE BEVERLY'S AT THE RUMBLE, TAKE A LOOK AT THIS NOW. 547 00:14:48,321 --> 00:14:51,623 BEVERLY'S AT THE RUMBLE, TAKE A LOOK AT THIS NOW. >> OH, OH, IT'S GONNA GO. 548 00:14:51,625 --> 00:14:53,524 LOOK AT THIS NOW. >> OH, OH, IT'S GONNA GO. >> DON'T TRY THIS AT HOME, KIDS. 549 00:14:53,526 --> 00:14:55,660 >> OH, OH, IT'S GONNA GO. >> DON'T TRY THIS AT HOME, KIDS. >> [BELL RINGING] 550 00:14:55,662 --> 00:14:57,495 >> DON'T TRY THIS AT HOME, KIDS. >> [BELL RINGING] >> [CROWD CHEERING] 551 00:14:57,497 --> 00:14:59,764 >> [BELL RINGING] >> [CROWD CHEERING] >> HERE ARE YOUR WINNERS, THE 552 00:14:59,766 --> 00:15:03,534 >> [CROWD CHEERING] >> HERE ARE YOUR WINNERS, THE STEINER BROTHERS. 553 00:15:03,536 --> 00:15:06,470 >> HERE ARE YOUR WINNERS, THE STEINER BROTHERS. >> THE STEINER BROTHERS, SCOTT 554 00:15:06,472 --> 00:15:07,538 STEINER BROTHERS. >> THE STEINER BROTHERS, SCOTT AND RICK VICTORIOUS. 555 00:15:07,540 --> 00:15:08,472 >> THE STEINER BROTHERS, SCOTT AND RICK VICTORIOUS. LET ME TAKE YOU BACK TO THE 556 00:15:08,474 --> 00:15:08,806 AND RICK VICTORIOUS. LET ME TAKE YOU BACK TO THE REPLAY. 557 00:15:08,808 --> 00:15:09,640 LET ME TAKE YOU BACK TO THE REPLAY. >> CAN WE SEE THAT AGAIN? 558 00:15:09,642 --> 00:15:11,609 REPLAY. >> CAN WE SEE THAT AGAIN? >> THE WORLD'S BIGGEST BULLDOG 559 00:15:11,611 --> 00:15:13,744 >> CAN WE SEE THAT AGAIN? >> THE WORLD'S BIGGEST BULLDOG HEADLOCK I'VE EVER SEEN IN THE 560 00:15:13,746 --> 00:15:17,548 >> THE WORLD'S BIGGEST BULLDOG HEADLOCK I'VE EVER SEEN IN THE WORLD WRESTLING ENTERTAINMENT. 561 00:15:17,550 --> 00:15:18,683 HEADLOCK I'VE EVER SEEN IN THE WORLD WRESTLING ENTERTAINMENT. >> WELL, NOW WE UNDERSTAND SEAN 562 00:15:18,685 --> 00:15:19,751 WORLD WRESTLING ENTERTAINMENT. >> WELL, NOW WE UNDERSTAND SEAN MOONEY'S OUTSIDE. 563 00:15:19,753 --> 00:15:21,419 >> WELL, NOW WE UNDERSTAND SEAN MOONEY'S OUTSIDE. THERE'S SOME SORT OF COMMOTION 564 00:15:21,421 --> 00:15:21,852 MOONEY'S OUTSIDE. THERE'S SOME SORT OF COMMOTION GOING ON. 565 00:15:21,854 --> 00:15:22,753 THERE'S SOME SORT OF COMMOTION GOING ON. SEAN, CAN YOU HEAR ME? 566 00:15:22,755 --> 00:15:24,388 GOING ON. SEAN, CAN YOU HEAR ME? TAKE IT. 567 00:15:24,390 --> 00:15:25,723 SEAN, CAN YOU HEAR ME? TAKE IT. >> YES, VINCE. 568 00:15:25,725 --> 00:15:26,457 TAKE IT. >> YES, VINCE. I'M NOT QUITE SURE WHAT IS GOING 569 00:15:26,459 --> 00:15:26,691 >> YES, VINCE. I'M NOT QUITE SURE WHAT IS GOING ON. 570 00:15:26,693 --> 00:15:28,326 I'M NOT QUITE SURE WHAT IS GOING ON. APPARENTLY, A SECURITY GUARD HAS 571 00:15:28,328 --> 00:15:29,627 ON. APPARENTLY, A SECURITY GUARD HAS DETAINED A WOMAN HERE. 572 00:15:29,629 --> 00:15:31,696 APPARENTLY, A SECURITY GUARD HAS DETAINED A WOMAN HERE. EXCUSE ME, EXCUSE ME, EXCUSE ME, 573 00:15:31,698 --> 00:15:33,798 DETAINED A WOMAN HERE. EXCUSE ME, EXCUSE ME, EXCUSE ME, SIR? 574 00:15:33,800 --> 00:15:34,532 EXCUSE ME, EXCUSE ME, EXCUSE ME, SIR? EXCUSE ME, WHAT SEEMS TO BE THE 575 00:15:34,534 --> 00:15:35,633 SIR? EXCUSE ME, WHAT SEEMS TO BE THE PROBLEM? 576 00:15:35,635 --> 00:15:37,568 EXCUSE ME, WHAT SEEMS TO BE THE PROBLEM? >> MY NEPHEW ROB BARTLETT'S IN 577 00:15:37,570 --> 00:15:38,503 PROBLEM? >> MY NEPHEW ROB BARTLETT'S IN THERE AND HE'S HOSTING RAW AND 578 00:15:38,505 --> 00:15:39,537 >> MY NEPHEW ROB BARTLETT'S IN THERE AND HE'S HOSTING RAW AND I'M SUPPOSED TO SEE HIM. 579 00:15:39,539 --> 00:15:40,071 THERE AND HE'S HOSTING RAW AND I'M SUPPOSED TO SEE HIM. >> WAIT, YOUR NEPHEW? 580 00:15:40,073 --> 00:15:41,572 I'M SUPPOSED TO SEE HIM. >> WAIT, YOUR NEPHEW? >> YES, HE LEFT ME A TICKET. 581 00:15:41,574 --> 00:15:42,239 >> WAIT, YOUR NEPHEW? >> YES, HE LEFT ME A TICKET. >> YOU'RE ROB BARTLETT'S AUNT? 582 00:15:42,241 --> 00:15:42,706 >> YES, HE LEFT ME A TICKET. >> YOU'RE ROB BARTLETT'S AUNT? >> YES, I'M HIS AUNT. 583 00:15:42,708 --> 00:15:44,608 >> YOU'RE ROB BARTLETT'S AUNT? >> YES, I'M HIS AUNT. HE'S MY NEPHEW, HE'S MY--YES, I 584 00:15:44,610 --> 00:15:45,543 >> YES, I'M HIS AUNT. HE'S MY NEPHEW, HE'S MY--YES, I HAVE TO GO IN THERE AND SEE HIM 585 00:15:45,545 --> 00:15:45,810 HE'S MY NEPHEW, HE'S MY--YES, I HAVE TO GO IN THERE AND SEE HIM RIGHT NOW. 586 00:15:45,812 --> 00:15:46,444 HAVE TO GO IN THERE AND SEE HIM RIGHT NOW. >> OH, I'M SURE WE CAN 587 00:15:46,446 --> 00:15:47,712 RIGHT NOW. >> OH, I'M SURE WE CAN STRAIGHTEN THIS ALL OUT. 588 00:15:47,714 --> 00:15:50,682 >> OH, I'M SURE WE CAN STRAIGHTEN THIS ALL OUT. WE COULD PROBABLY GO INTO--CALL. 589 00:15:50,684 --> 00:15:51,616 STRAIGHTEN THIS ALL OUT. WE COULD PROBABLY GO INTO--CALL. >> I'M GOING IN THERE RIGHT NOW. 590 00:15:51,618 --> 00:15:52,516 WE COULD PROBABLY GO INTO--CALL. >> I'M GOING IN THERE RIGHT NOW. >> WAIT A MINUTE. 591 00:15:52,518 --> 00:15:52,850 >> I'M GOING IN THERE RIGHT NOW. >> WAIT A MINUTE. BOBBY HEENAN. 592 00:15:52,852 --> 00:15:53,684 >> WAIT A MINUTE. BOBBY HEENAN. >> GIVE ME THAT. 593 00:15:53,686 --> 00:15:54,685 BOBBY HEENAN. >> GIVE ME THAT. >> I THOUGHT I'D SEEN EVERYTHING 594 00:15:54,687 --> 00:15:55,686 >> GIVE ME THAT. >> I THOUGHT I'D SEEN EVERYTHING HERE AT THE WORLD WRESTLING 595 00:15:55,688 --> 00:15:56,520 >> I THOUGHT I'D SEEN EVERYTHING HERE AT THE WORLD WRESTLING ENTERTAINMENT. 596 00:15:56,522 --> 00:15:57,187 HERE AT THE WORLD WRESTLING ENTERTAINMENT. >> YOU DON'T UNDERSTAND, I GOT 597 00:15:57,189 --> 00:15:57,521 ENTERTAINMENT. >> YOU DON'T UNDERSTAND, I GOT TO DO THIS. 598 00:15:57,523 --> 00:15:58,322 >> YOU DON'T UNDERSTAND, I GOT TO DO THIS. >> THE BRAIN AND DRAG. 599 00:15:58,324 --> 00:15:59,090 TO DO THIS. >> THE BRAIN AND DRAG. >> I GOT TO GET IN THERE. 600 00:15:59,092 --> 00:15:59,490 >> THE BRAIN AND DRAG. >> I GOT TO GET IN THERE. I GOT TO GET IN THERE. 601 00:15:59,492 --> 00:16:00,024 >> I GOT TO GET IN THERE. I GOT TO GET IN THERE. >> THIS IS RIDICULOUS. 602 00:16:00,026 --> 00:16:00,624 I GOT TO GET IN THERE. >> THIS IS RIDICULOUS. I CAN'T BELIEVE YOU. 603 00:16:00,626 --> 00:16:01,492 >> THIS IS RIDICULOUS. I CAN'T BELIEVE YOU. >> I'LL GIVE YOU THIS HAT, I'LL 604 00:16:01,494 --> 00:16:02,026 I CAN'T BELIEVE YOU. >> I'LL GIVE YOU THIS HAT, I'LL GIVE YOU THE EARRINGS AND 605 00:16:02,028 --> 00:16:02,493 >> I'LL GIVE YOU THIS HAT, I'LL GIVE YOU THE EARRINGS AND EVERYTHING IF YOU WANT. 606 00:16:02,495 --> 00:16:02,760 GIVE YOU THE EARRINGS AND EVERYTHING IF YOU WANT. LET ME IN. 607 00:16:02,762 --> 00:16:03,461 EVERYTHING IF YOU WANT. LET ME IN. WILL YOU LET ME IN? 608 00:16:03,463 --> 00:16:04,695 LET ME IN. WILL YOU LET ME IN? I'LL GIVE YOU 50 BUCKS IN HERE. 609 00:16:04,697 --> 00:16:05,863 WILL YOU LET ME IN? I'LL GIVE YOU 50 BUCKS IN HERE. I GOT TO BE IN THERE. 610 00:16:05,865 --> 00:16:11,869 I'LL GIVE YOU 50 BUCKS IN HERE. I GOT TO BE IN THERE. THIS IS RAW... 611 00:16:11,871 --> 00:16:13,404 I GOT TO BE IN THERE. THIS IS RAW... >> WELL, LADIES AND GENTLEMEN, 612 00:16:13,406 --> 00:16:16,340 THIS IS RAW... >> WELL, LADIES AND GENTLEMEN, HERE HE IS, RAZOR RAMON. 613 00:16:16,342 --> 00:16:30,488 >> WELL, LADIES AND GENTLEMEN, HERE HE IS, RAZOR RAMON. >> [CROWD CHEERING] 614 00:16:30,490 --> 00:16:31,555 HERE HE IS, RAZOR RAMON. >> [CROWD CHEERING] >> RAZOR RAMON, IF WE CAN HAVE 615 00:16:31,557 --> 00:16:33,257 >> [CROWD CHEERING] >> RAZOR RAMON, IF WE CAN HAVE A--HAVE A WORD WITH YOU, WE'D 616 00:16:33,259 --> 00:16:35,526 >> RAZOR RAMON, IF WE CAN HAVE A--HAVE A WORD WITH YOU, WE'D GREATLY APPRECIATE IT. 617 00:16:35,528 --> 00:16:36,294 A--HAVE A WORD WITH YOU, WE'D GREATLY APPRECIATE IT. YOU'RE HEADED TO THE ROYAL 618 00:16:36,296 --> 00:16:37,828 GREATLY APPRECIATE IT. YOU'RE HEADED TO THE ROYAL RUMBLE. 619 00:16:37,830 --> 00:16:39,764 YOU'RE HEADED TO THE ROYAL RUMBLE. THIS IS THE GOLDEN OPPORTUNITY 620 00:16:39,766 --> 00:16:41,799 RUMBLE. THIS IS THE GOLDEN OPPORTUNITY YOU'VE BEEN WAITING FOR, MEETING 621 00:16:41,801 --> 00:16:43,567 THIS IS THE GOLDEN OPPORTUNITY YOU'VE BEEN WAITING FOR, MEETING "THE HITMAN" BRETT HART FOR THE 622 00:16:43,569 --> 00:16:46,471 YOU'VE BEEN WAITING FOR, MEETING "THE HITMAN" BRETT HART FOR THE WWE CHAMPIONSHIP. 623 00:16:46,473 --> 00:16:47,505 "THE HITMAN" BRETT HART FOR THE WWE CHAMPIONSHIP. ARE YOU READY? 624 00:16:47,507 --> 00:16:48,739 WWE CHAMPIONSHIP. ARE YOU READY? YOU'RE LESS THAN TWO WEEKS AWAY. 625 00:16:48,741 --> 00:16:54,879 ARE YOU READY? YOU'RE LESS THAN TWO WEEKS AWAY. >> LOOK AT ME, MAN. 626 00:16:54,881 --> 00:16:57,481 YOU'RE LESS THAN TWO WEEKS AWAY. >> LOOK AT ME, MAN. I WAS BORN READY, CHICO. 627 00:16:57,483 --> 00:16:58,749 >> LOOK AT ME, MAN. I WAS BORN READY, CHICO. AND WHEN YOU SAY GOLDEN 628 00:16:58,751 --> 00:17:04,489 I WAS BORN READY, CHICO. AND WHEN YOU SAY GOLDEN OPPORTUNITY, THAT'S GOT RAZOR 629 00:17:04,491 --> 00:17:11,395 AND WHEN YOU SAY GOLDEN OPPORTUNITY, THAT'S GOT RAZOR RAMON WRITTEN ALL OVER IT. 630 00:17:11,397 --> 00:17:13,531 OPPORTUNITY, THAT'S GOT RAZOR RAMON WRITTEN ALL OVER IT. >> I SEE, BUT NONETHELESS, YOU 631 00:17:13,533 --> 00:17:14,732 RAMON WRITTEN ALL OVER IT. >> I SEE, BUT NONETHELESS, YOU CERTAINLY WOULD RECALL THAT IT 632 00:17:14,734 --> 00:17:16,634 >> I SEE, BUT NONETHELESS, YOU CERTAINLY WOULD RECALL THAT IT TOOK "THE HITMAN" BRETT HART 633 00:17:16,636 --> 00:17:18,836 CERTAINLY WOULD RECALL THAT IT TOOK "THE HITMAN" BRETT HART EIGHT AND A HALF LONG YEARS 634 00:17:18,838 --> 00:17:20,571 TOOK "THE HITMAN" BRETT HART EIGHT AND A HALF LONG YEARS CLIMBING THE LADDER OF SUCCESS 635 00:17:20,573 --> 00:17:22,339 EIGHT AND A HALF LONG YEARS CLIMBING THE LADDER OF SUCCESS TO GAIN THE MOMENTUM HE HAS AND 636 00:17:22,341 --> 00:17:22,940 CLIMBING THE LADDER OF SUCCESS TO GAIN THE MOMENTUM HE HAS AND YOU'RE SORT OF A 637 00:17:22,942 --> 00:17:24,508 TO GAIN THE MOMENTUM HE HAS AND YOU'RE SORT OF A JOHNNY-COME-LATELY, IF YOU'D 638 00:17:24,510 --> 00:17:26,744 YOU'RE SORT OF A JOHNNY-COME-LATELY, IF YOU'D PARDON THE EXPRESSION. 639 00:17:26,746 --> 00:17:29,847 JOHNNY-COME-LATELY, IF YOU'D PARDON THE EXPRESSION. >> HEY, LOOK HITMAN, EIGHT AND A 640 00:17:29,849 --> 00:17:33,350 PARDON THE EXPRESSION. >> HEY, LOOK HITMAN, EIGHT AND A HALF YEARS, CHICO, YOU CLIMB TO 641 00:17:33,352 --> 00:17:36,520 >> HEY, LOOK HITMAN, EIGHT AND A HALF YEARS, CHICO, YOU CLIMB TO THE VERY, VERY TOP. 642 00:17:36,522 --> 00:17:41,492 HALF YEARS, CHICO, YOU CLIMB TO THE VERY, VERY TOP. YOU'RE THE MAIN MAN IN THE WWE. 643 00:17:41,494 --> 00:17:46,731 THE VERY, VERY TOP. YOU'RE THE MAIN MAN IN THE WWE. NOW, SAY HELLO TO RAZOR RAMON, 644 00:17:46,733 --> 00:17:50,701 YOU'RE THE MAIN MAN IN THE WWE. NOW, SAY HELLO TO RAZOR RAMON, EIGHT AND A HALF MONTHS AND I 645 00:17:50,703 --> 00:17:53,337 NOW, SAY HELLO TO RAZOR RAMON, EIGHT AND A HALF MONTHS AND I CAUGHT YOU. 646 00:17:53,339 --> 00:17:56,740 EIGHT AND A HALF MONTHS AND I CAUGHT YOU. I AM NUMERO UNO. 647 00:17:56,742 --> 00:17:57,508 CAUGHT YOU. I AM NUMERO UNO. >> ALL RIGHT. 648 00:17:57,510 --> 00:17:58,409 I AM NUMERO UNO. >> ALL RIGHT. YOU'RE THE... 649 00:17:58,411 --> 00:18:00,611 >> ALL RIGHT. YOU'RE THE... >> THE NUMBER ONE CONTENDER. 650 00:18:00,613 --> 00:18:01,512 YOU'RE THE... >> THE NUMBER ONE CONTENDER. >> YES, INDEED THE NUMBER ONE 651 00:18:01,514 --> 00:18:02,814 >> THE NUMBER ONE CONTENDER. >> YES, INDEED THE NUMBER ONE CONTENDER. 652 00:18:02,816 --> 00:18:03,714 >> YES, INDEED THE NUMBER ONE CONTENDER. AND IF YOU'RE THE NUMBER ONE 653 00:18:03,716 --> 00:18:04,615 CONTENDER. AND IF YOU'RE THE NUMBER ONE CONTENDER AND SUCH A GREAT 654 00:18:04,617 --> 00:18:06,350 AND IF YOU'RE THE NUMBER ONE CONTENDER AND SUCH A GREAT COMPETITOR, WHY DID YOU DO TO 655 00:18:06,352 --> 00:18:06,984 CONTENDER AND SUCH A GREAT COMPETITOR, WHY DID YOU DO TO OWEN HART WHAT YOU DID? 656 00:18:06,986 --> 00:18:08,820 COMPETITOR, WHY DID YOU DO TO OWEN HART WHAT YOU DID? WHY JUMP HIM? 657 00:18:08,822 --> 00:18:09,554 OWEN HART WHAT YOU DID? WHY JUMP HIM? WHY? 658 00:18:09,556 --> 00:18:10,688 WHY JUMP HIM? WHY? COME ON. 659 00:18:10,690 --> 00:18:12,457 WHY? COME ON. >> [CROWD CHEERING] 660 00:18:12,459 --> 00:18:14,225 COME ON. >> [CROWD CHEERING] >> HEY, SILENCIO. 661 00:18:14,227 --> 00:18:15,493 >> [CROWD CHEERING] >> HEY, SILENCIO. >> BECAUSE HE WAS THE BEST 662 00:18:15,495 --> 00:18:16,594 >> HEY, SILENCIO. >> BECAUSE HE WAS THE BEST WRESTLER AROUND AND I SURELY 663 00:18:16,596 --> 00:18:18,463 >> BECAUSE HE WAS THE BEST WRESTLER AROUND AND I SURELY WANT TO GET IN THERE WITH HIM. 664 00:18:18,465 --> 00:18:19,530 WRESTLER AROUND AND I SURELY WANT TO GET IN THERE WITH HIM. >> RAZOR RAMON WOULD LIKE TO 665 00:18:19,532 --> 00:18:20,698 WANT TO GET IN THERE WITH HIM. >> RAZOR RAMON WOULD LIKE TO HAVE FUN JUST LIKE EVERYBODY 666 00:18:20,700 --> 00:18:21,599 >> RAZOR RAMON WOULD LIKE TO HAVE FUN JUST LIKE EVERYBODY ELSE. 667 00:18:21,601 --> 00:18:24,502 HAVE FUN JUST LIKE EVERYBODY ELSE. >> OBVIOUSLY, YOUR FATHER WAS A 668 00:18:24,504 --> 00:18:25,603 ELSE. >> OBVIOUSLY, YOUR FATHER WAS A BIG INFLUENCE ON YOU AND ON 669 00:18:25,605 --> 00:18:26,504 >> OBVIOUSLY, YOUR FATHER WAS A BIG INFLUENCE ON YOU AND ON BRET. 670 00:18:26,506 --> 00:18:26,938 BIG INFLUENCE ON YOU AND ON BRET. >> YO, HITMAN. 671 00:18:26,940 --> 00:18:28,439 BRET. >> YO, HITMAN. SQUASHING YOUR LITTLE BROTHER 672 00:18:28,441 --> 00:18:32,676 >> YO, HITMAN. SQUASHING YOUR LITTLE BROTHER LIKE A COCKROACH, THAT WAS FUN, 673 00:18:32,678 --> 00:18:35,813 SQUASHING YOUR LITTLE BROTHER LIKE A COCKROACH, THAT WAS FUN, MAN, AND YOU KNOW WHAT ELSE? 674 00:18:35,815 --> 00:18:39,484 LIKE A COCKROACH, THAT WAS FUN, MAN, AND YOU KNOW WHAT ELSE? THERE'S NOTHING YOU CAN DO ABOUT 675 00:18:39,486 --> 00:18:40,685 MAN, AND YOU KNOW WHAT ELSE? THERE'S NOTHING YOU CAN DO ABOUT IT. 676 00:18:40,687 --> 00:18:42,753 THERE'S NOTHING YOU CAN DO ABOUT IT. >> [CROWD CHEERING] 677 00:18:42,755 --> 00:18:46,590 IT. >> [CROWD CHEERING] >> NOT, NOT, CHICO, THAT YOU 678 00:18:46,592 --> 00:18:49,560 >> [CROWD CHEERING] >> NOT, NOT, CHICO, THAT YOU DON'T WANNA DO NOTHING ABOUT IT 679 00:18:49,562 --> 00:18:51,629 >> NOT, NOT, CHICO, THAT YOU DON'T WANNA DO NOTHING ABOUT IT BECAUSE YOU CAN'T DO NOTHING 680 00:18:51,631 --> 00:18:53,631 DON'T WANNA DO NOTHING ABOUT IT BECAUSE YOU CAN'T DO NOTHING ABOUT IT. 681 00:18:53,633 --> 00:18:54,398 BECAUSE YOU CAN'T DO NOTHING ABOUT IT. >> THANK YOU VERY MUCH FOR 682 00:18:54,400 --> 00:18:54,998 ABOUT IT. >> THANK YOU VERY MUCH FOR JOINING US. 683 00:18:55,000 --> 00:18:56,667 >> THANK YOU VERY MUCH FOR JOINING US. >> WAIT, WAIT, WAIT. 684 00:18:56,669 --> 00:19:00,671 JOINING US. >> WAIT, WAIT, WAIT. AND HITMAN, YOU KNOW WHAT ELSE 685 00:19:00,673 --> 00:19:04,742 >> WAIT, WAIT, WAIT. AND HITMAN, YOU KNOW WHAT ELSE YOU CAN'T DO NOTHING ABOUT? 686 00:19:04,744 --> 00:19:08,579 AND HITMAN, YOU KNOW WHAT ELSE YOU CAN'T DO NOTHING ABOUT? CHICO, YOU CAN'T DO NOTHING 687 00:19:08,581 --> 00:19:14,552 YOU CAN'T DO NOTHING ABOUT? CHICO, YOU CAN'T DO NOTHING ABOUT RAZOR RAMON TAKING YOUR 688 00:19:14,554 --> 00:19:17,722 CHICO, YOU CAN'T DO NOTHING ABOUT RAZOR RAMON TAKING YOUR PRECIOUS GOLD AT THE ROYAL 689 00:19:17,724 --> 00:19:20,558 ABOUT RAZOR RAMON TAKING YOUR PRECIOUS GOLD AT THE ROYAL RUMBLE. 690 00:19:20,560 --> 00:19:21,692 PRECIOUS GOLD AT THE ROYAL RUMBLE. >> IT WILL HEAD YOUR WAY LADIES 691 00:19:21,694 --> 00:19:22,660 RUMBLE. >> IT WILL HEAD YOUR WAY LADIES AND GENTLEMEN, IN LESS THAN TWO 692 00:19:22,662 --> 00:19:23,694 >> IT WILL HEAD YOUR WAY LADIES AND GENTLEMEN, IN LESS THAN TWO WEEKS, SUNDAY AFTERNOON. 693 00:19:23,696 --> 00:19:27,531 AND GENTLEMEN, IN LESS THAN TWO WEEKS, SUNDAY AFTERNOON. >> [MUSIC] 694 00:19:27,533 --> 00:19:31,769 WEEKS, SUNDAY AFTERNOON. >> [MUSIC] >> HE'S A BAD GUY. 695 00:19:31,771 --> 00:19:32,636 >> [MUSIC] >> HE'S A BAD GUY. >> RAZOR RAMON'S TALKING PURE 696 00:19:32,638 --> 00:19:34,638 >> HE'S A BAD GUY. >> RAZOR RAMON'S TALKING PURE GARBAGE BUT LET ME TELL YOU 697 00:19:34,640 --> 00:19:35,639 >> RAZOR RAMON'S TALKING PURE GARBAGE BUT LET ME TELL YOU ABOUT SOMETHING THAT'S PURE 698 00:19:35,641 --> 00:19:38,543 GARBAGE BUT LET ME TELL YOU ABOUT SOMETHING THAT'S PURE GOLD, THE WWE AND THE RED CROSS 699 00:19:38,545 --> 00:19:39,710 ABOUT SOMETHING THAT'S PURE GOLD, THE WWE AND THE RED CROSS TEAM UP TO PUT A HEADLOCK ON 700 00:19:39,712 --> 00:19:40,912 GOLD, THE WWE AND THE RED CROSS TEAM UP TO PUT A HEADLOCK ON HUNGER. 701 00:19:40,914 --> 00:19:42,547 TEAM UP TO PUT A HEADLOCK ON HUNGER. OH, YEAH, AND IT'S AT MADISON 702 00:19:42,549 --> 00:19:44,815 HUNGER. OH, YEAH, AND IT'S AT MADISON SQUARE GARDEN, FRIDAY, JANUARY 703 00:19:44,817 --> 00:19:46,517 OH, YEAH, AND IT'S AT MADISON SQUARE GARDEN, FRIDAY, JANUARY THE 29TH, AND WHAT A CARD. 704 00:19:46,519 --> 00:19:47,485 SQUARE GARDEN, FRIDAY, JANUARY THE 29TH, AND WHAT A CARD. MR. PERFECT VERSUS RIC FLAIR, 705 00:19:47,487 --> 00:19:50,788 THE 29TH, AND WHAT A CARD. MR. PERFECT VERSUS RIC FLAIR, BRET VERSUS BAM BAM BIGELOW FOR 706 00:19:50,790 --> 00:19:51,488 MR. PERFECT VERSUS RIC FLAIR, BRET VERSUS BAM BAM BIGELOW FOR THE WORLD WRESTLING 707 00:19:51,490 --> 00:19:52,423 BRET VERSUS BAM BAM BIGELOW FOR THE WORLD WRESTLING ENTERTAINMENT 708 00:19:52,425 --> 00:19:52,856 THE WORLD WRESTLING ENTERTAINMENT TITLE. 709 00:19:52,858 --> 00:19:54,491 ENTERTAINMENT TITLE. SHAWN MICHAELS VERSUS BACKLUND 710 00:19:54,493 --> 00:19:55,793 TITLE. SHAWN MICHAELS VERSUS BACKLUND FOR ANOTHER TITLE. 711 00:19:55,795 --> 00:19:56,594 SHAWN MICHAELS VERSUS BACKLUND FOR ANOTHER TITLE. INTERCONTINENTAL TITLE, 712 00:19:56,596 --> 00:19:59,630 FOR ANOTHER TITLE. INTERCONTINENTAL TITLE, UNDERTAKER VERSUS IRS, THE MACHO 713 00:19:59,632 --> 00:20:00,598 INTERCONTINENTAL TITLE, UNDERTAKER VERSUS IRS, THE MACHO MAN, MY FAVORITE WRESTLER, 714 00:20:00,600 --> 00:20:04,501 UNDERTAKER VERSUS IRS, THE MACHO MAN, MY FAVORITE WRESTLER, VERSUS DIBIASE. 715 00:20:04,503 --> 00:20:05,403 MAN, MY FAVORITE WRESTLER, VERSUS DIBIASE. >> WE'RE GONNA HEAR FROM NATIVE 716 00:20:05,405 --> 00:20:07,705 VERSUS DIBIASE. >> WE'RE GONNA HEAR FROM NATIVE AMERICAN TATANKA NOW. 717 00:20:07,707 --> 00:20:09,540 >> WE'RE GONNA HEAR FROM NATIVE AMERICAN TATANKA NOW. >> THIS IS TATANKA AND MY PEOPLE 718 00:20:09,542 --> 00:20:10,608 AMERICAN TATANKA NOW. >> THIS IS TATANKA AND MY PEOPLE SPEAK TO THE GREAT SPIRIT FOR 719 00:20:10,610 --> 00:20:11,575 >> THIS IS TATANKA AND MY PEOPLE SPEAK TO THE GREAT SPIRIT FOR BLESSINGS. 720 00:20:11,577 --> 00:20:13,544 SPEAK TO THE GREAT SPIRIT FOR BLESSINGS. WE, AT THE WORLD WRESTLING 721 00:20:13,546 --> 00:20:14,212 BLESSINGS. WE, AT THE WORLD WRESTLING ENTERTAINMENT APPRECIATE YOUR 722 00:20:14,214 --> 00:20:14,612 WE, AT THE WORLD WRESTLING ENTERTAINMENT APPRECIATE YOUR HELP 723 00:20:14,614 --> 00:20:16,580 ENTERTAINMENT APPRECIATE YOUR HELP FOR PEOPLE THAT ARE LESS 724 00:20:16,582 --> 00:20:17,648 HELP FOR PEOPLE THAT ARE LESS FORTUNATE THAN US. 725 00:20:17,650 --> 00:20:18,716 FOR PEOPLE THAT ARE LESS FORTUNATE THAN US. LET'S GET A HOLD ON HEADLOCK FOR 726 00:20:18,718 --> 00:20:20,384 FORTUNATE THAN US. LET'S GET A HOLD ON HEADLOCK FOR HUNGER. 727 00:20:20,386 --> 00:20:24,488 LET'S GET A HOLD ON HEADLOCK FOR HUNGER. >> [BELL RINGING] 728 00:20:24,490 --> 00:20:25,423 HUNGER. >> [BELL RINGING] >> THE FOLLOWING CONTEST 729 00:20:25,425 --> 00:20:27,725 >> [BELL RINGING] >> THE FOLLOWING CONTEST SCHEDULED FOR ONE FALL IS FOR 730 00:20:27,727 --> 00:20:28,959 >> THE FOLLOWING CONTEST SCHEDULED FOR ONE FALL IS FOR THE INTERCONTINENTAL 731 00:20:28,961 --> 00:20:30,628 SCHEDULED FOR ONE FALL IS FOR THE INTERCONTINENTAL CHAMPIONSHIP. 732 00:20:30,630 --> 00:20:31,729 THE INTERCONTINENTAL CHAMPIONSHIP. >> THAT'S TATANKA BY THE WAY IN 733 00:20:31,731 --> 00:20:33,397 CHAMPIONSHIP. >> THAT'S TATANKA BY THE WAY IN THERE, ROB. 734 00:20:33,399 --> 00:20:34,632 >> THAT'S TATANKA BY THE WAY IN THERE, ROB. >> ABOUT TO ENTER THE RING IS 735 00:20:34,634 --> 00:20:35,499 THERE, ROB. >> ABOUT TO ENTER THE RING IS THE CHALLENGER, WEIGHING 238 736 00:20:35,501 --> 00:20:36,533 >> ABOUT TO ENTER THE RING IS THE CHALLENGER, WEIGHING 238 POUNDS. 737 00:20:36,535 --> 00:20:39,436 THE CHALLENGER, WEIGHING 238 POUNDS. >> THE NAME FOR BUFFALO, RIGHT? 738 00:20:39,438 --> 00:20:40,704 POUNDS. >> THE NAME FOR BUFFALO, RIGHT? >> MAX MOON. 739 00:20:40,706 --> 00:20:41,806 >> THE NAME FOR BUFFALO, RIGHT? >> MAX MOON. >> HERE WE GO, IT'S ROBO 740 00:20:41,808 --> 00:20:43,540 >> MAX MOON. >> HERE WE GO, IT'S ROBO WRESTLER. 741 00:20:43,542 --> 00:20:45,909 >> HERE WE GO, IT'S ROBO WRESTLER. >> MAX MOON QUITE A COMPETITOR. 742 00:20:45,911 --> 00:20:47,544 WRESTLER. >> MAX MOON QUITE A COMPETITOR. THIS IS A TREMENDOUS OPPORTUNITY 743 00:20:47,546 --> 00:20:49,680 >> MAX MOON QUITE A COMPETITOR. THIS IS A TREMENDOUS OPPORTUNITY FOR MAX MOON. 744 00:20:49,682 --> 00:20:50,681 THIS IS A TREMENDOUS OPPORTUNITY FOR MAX MOON. >> HERE FROM NEW YORK CITY, 745 00:20:50,683 --> 00:20:52,316 FOR MAX MOON. >> HERE FROM NEW YORK CITY, WHERE YOU COULD WEAR AN OUTFIT 746 00:20:52,318 --> 00:20:53,484 >> HERE FROM NEW YORK CITY, WHERE YOU COULD WEAR AN OUTFIT LIKE THAT IN THE SUBWAY AND NOT 747 00:20:53,486 --> 00:20:55,653 WHERE YOU COULD WEAR AN OUTFIT LIKE THAT IN THE SUBWAY AND NOT GET A SECOND LOOK. 748 00:20:55,655 --> 00:20:56,553 LIKE THAT IN THE SUBWAY AND NOT GET A SECOND LOOK. >> WELL, HE'S GOT A CHANCE TO 749 00:20:56,555 --> 00:20:57,622 GET A SECOND LOOK. >> WELL, HE'S GOT A CHANCE TO WIN THE INTERCONTINENTAL TITLE 750 00:20:57,624 --> 00:20:58,756 >> WELL, HE'S GOT A CHANCE TO WIN THE INTERCONTINENTAL TITLE RIGHT NOW. 751 00:20:58,758 --> 00:20:59,857 WIN THE INTERCONTINENTAL TITLE RIGHT NOW. >> HE CERTAINLY DOES. 752 00:20:59,859 --> 00:21:00,858 RIGHT NOW. >> HE CERTAINLY DOES. >> MACHO MAN, I NEVER THOUGHT 753 00:21:00,860 --> 00:21:02,393 >> HE CERTAINLY DOES. >> MACHO MAN, I NEVER THOUGHT YOU'D BE UNDERDRESSED BUT NEXT 754 00:21:02,395 --> 00:21:03,727 >> MACHO MAN, I NEVER THOUGHT YOU'D BE UNDERDRESSED BUT NEXT TO THIS GUY. 755 00:21:03,729 --> 00:21:04,494 YOU'D BE UNDERDRESSED BUT NEXT TO THIS GUY. >> LOOKS LIKE THAT MASTERS INTO 756 00:21:04,496 --> 00:21:05,429 TO THIS GUY. >> LOOKS LIKE THAT MASTERS INTO ME. 757 00:21:05,431 --> 00:21:06,730 >> LOOKS LIKE THAT MASTERS INTO ME. VINCE MCMAHON LOOKS LIKE THEY 758 00:21:06,732 --> 00:21:08,432 ME. VINCE MCMAHON LOOKS LIKE THEY WERE BOTH HANDLER. 759 00:21:08,434 --> 00:21:09,600 VINCE MCMAHON LOOKS LIKE THEY WERE BOTH HANDLER. >> OH, MY GOODNESS. 760 00:21:09,602 --> 00:21:11,535 WERE BOTH HANDLER. >> OH, MY GOODNESS. >> WEIGHING 240 POUNDS. 761 00:21:11,537 --> 00:21:12,836 >> OH, MY GOODNESS. >> WEIGHING 240 POUNDS. >> HERE'S A MAN WHO [INDISTINCT] 762 00:21:12,838 --> 00:21:14,938 >> WEIGHING 240 POUNDS. >> HERE'S A MAN WHO [INDISTINCT] IN A VERY CALCULATED MANNER. 763 00:21:14,940 --> 00:21:19,410 >> HERE'S A MAN WHO [INDISTINCT] IN A VERY CALCULATED MANNER. >> SHAWN MICHAELS. 764 00:21:19,412 --> 00:21:22,379 IN A VERY CALCULATED MANNER. >> SHAWN MICHAELS. >> [MUSIC] 765 00:21:22,381 --> 00:21:23,614 >> SHAWN MICHAELS. >> [MUSIC] >> WE ARE LIVE LADIES AND 766 00:21:23,616 --> 00:21:24,882 >> [MUSIC] >> WE ARE LIVE LADIES AND GENTLEMEN FROM THE MANHATTAN 767 00:21:24,884 --> 00:21:29,420 >> WE ARE LIVE LADIES AND GENTLEMEN FROM THE MANHATTAN CENTER IN NEW YORK CITY. 768 00:21:29,422 --> 00:21:31,655 GENTLEMEN FROM THE MANHATTAN CENTER IN NEW YORK CITY. SHAWN MICHAELS DEFENDING THE 769 00:21:31,657 --> 00:21:32,923 CENTER IN NEW YORK CITY. SHAWN MICHAELS DEFENDING THE INTERCONTINENTAL CHAMPIONSHIP 770 00:21:32,925 --> 00:21:41,799 SHAWN MICHAELS DEFENDING THE INTERCONTINENTAL CHAMPIONSHIP AGAINST MAX MOON. 771 00:21:41,801 --> 00:21:43,734 INTERCONTINENTAL CHAMPIONSHIP AGAINST MAX MOON. >> [BELL RINGING] 772 00:21:43,736 --> 00:21:45,503 AGAINST MAX MOON. >> [BELL RINGING] >> AND YOU MIGHT SAY THAT SHAWN 773 00:21:45,505 --> 00:21:47,771 >> [BELL RINGING] >> AND YOU MIGHT SAY THAT SHAWN MICHAELS HAS SOMEWHAT OF AN EGO. 774 00:21:47,773 --> 00:21:48,672 >> AND YOU MIGHT SAY THAT SHAWN MICHAELS HAS SOMEWHAT OF AN EGO. >> THE FACT THE LADIES ARE 775 00:21:48,674 --> 00:21:49,540 MICHAELS HAS SOMEWHAT OF AN EGO. >> THE FACT THE LADIES ARE CONCERNED. 776 00:21:49,542 --> 00:21:51,542 >> THE FACT THE LADIES ARE CONCERNED. >> HIS A LEGEND IN HIS HOME 777 00:21:51,544 --> 00:21:52,609 CONCERNED. >> HIS A LEGEND IN HIS HOME MIND. 778 00:21:52,611 --> 00:21:54,545 >> HIS A LEGEND IN HIS HOME MIND. >> YES. 779 00:21:54,547 --> 00:21:55,346 MIND. >> YES. >> NONETHELESS, THUS FAR, NO ONE 780 00:21:55,348 --> 00:21:56,547 >> YES. >> NONETHELESS, THUS FAR, NO ONE HAS BEEN ABLE TO TAKE AWAY THE 781 00:21:56,549 --> 00:21:57,214 >> NONETHELESS, THUS FAR, NO ONE HAS BEEN ABLE TO TAKE AWAY THE INTERCONTINENTAL CHAMPIONSHIP 782 00:21:57,216 --> 00:21:57,748 HAS BEEN ABLE TO TAKE AWAY THE INTERCONTINENTAL CHAMPIONSHIP FROM SHAWN MICHAELS. 783 00:21:57,750 --> 00:21:58,882 INTERCONTINENTAL CHAMPIONSHIP FROM SHAWN MICHAELS. NICE ARM DRAG. 784 00:21:58,884 --> 00:21:59,783 FROM SHAWN MICHAELS. NICE ARM DRAG. >> AND YOU HAVE TO GIVE THIS 785 00:21:59,785 --> 00:22:01,552 NICE ARM DRAG. >> AND YOU HAVE TO GIVE THIS YOUNG MAN CREDIT IN TERMS OF HIS 786 00:22:01,554 --> 00:22:02,553 >> AND YOU HAVE TO GIVE THIS YOUNG MAN CREDIT IN TERMS OF HIS ATHLETICISM. 787 00:22:02,555 --> 00:22:03,554 YOUNG MAN CREDIT IN TERMS OF HIS ATHLETICISM. >> HE'S A GREAT ATHLETE, NO 788 00:22:03,556 --> 00:22:04,588 ATHLETICISM. >> HE'S A GREAT ATHLETE, NO DOUBT ABOUT IT. 789 00:22:04,590 --> 00:22:05,556 >> HE'S A GREAT ATHLETE, NO DOUBT ABOUT IT. RIGHT IN FRONT OF THE... 790 00:22:05,558 --> 00:22:06,557 DOUBT ABOUT IT. RIGHT IN FRONT OF THE... >> AND HE KNOWS IT. 791 00:22:06,559 --> 00:22:07,625 RIGHT IN FRONT OF THE... >> AND HE KNOWS IT. AND HE WANTS EVERYONE ELSE TO 792 00:22:07,627 --> 00:22:07,924 >> AND HE KNOWS IT. AND HE WANTS EVERYONE ELSE TO KNOW IT. 793 00:22:07,926 --> 00:22:10,627 AND HE WANTS EVERYONE ELSE TO KNOW IT. >> DON'T FORGET FOLKS, COMING UP 794 00:22:10,629 --> 00:22:12,363 KNOW IT. >> DON'T FORGET FOLKS, COMING UP SOON THE WWE'S VERSION OF THE 795 00:22:12,365 --> 00:22:13,097 >> DON'T FORGET FOLKS, COMING UP SOON THE WWE'S VERSION OF THE AMY FISHER STORY, PIN ME. 796 00:22:13,099 --> 00:22:14,598 SOON THE WWE'S VERSION OF THE AMY FISHER STORY, PIN ME. >> ALL RIGHT. 797 00:22:14,600 --> 00:22:15,833 AMY FISHER STORY, PIN ME. >> ALL RIGHT. >> STARRING THE SENSATIONAL 798 00:22:15,835 --> 00:22:17,635 >> ALL RIGHT. >> STARRING THE SENSATIONAL SHERRI AS AMY, VINCE MCMAHON AS 799 00:22:17,637 --> 00:22:19,703 >> STARRING THE SENSATIONAL SHERRI AS AMY, VINCE MCMAHON AS JOEY BUTTAFUOCO AND BOBBY "THE 800 00:22:19,705 --> 00:22:22,439 SHERRI AS AMY, VINCE MCMAHON AS JOEY BUTTAFUOCO AND BOBBY "THE BRAIN" HEENAN AND MARY JO. 801 00:22:22,441 --> 00:22:24,408 JOEY BUTTAFUOCO AND BOBBY "THE BRAIN" HEENAN AND MARY JO. >> I THINK HE JUST DID A REBECCA 802 00:22:24,410 --> 00:22:25,876 BRAIN" HEENAN AND MARY JO. >> I THINK HE JUST DID A REBECCA HEENAN OUT THERE, DIDN'T HE IN 803 00:22:25,878 --> 00:22:26,877 >> I THINK HE JUST DID A REBECCA HEENAN OUT THERE, DIDN'T HE IN HIS THE STREETS? 804 00:22:26,879 --> 00:22:28,612 HEENAN OUT THERE, DIDN'T HE IN HIS THE STREETS? >> I DON'T KNOW ABOUT THAT. 805 00:22:28,614 --> 00:22:29,546 HIS THE STREETS? >> I DON'T KNOW ABOUT THAT. >> I'M TELLING YOU, SHE LOOKED 806 00:22:29,548 --> 00:22:31,782 >> I DON'T KNOW ABOUT THAT. >> I'M TELLING YOU, SHE LOOKED NICE. 807 00:22:31,784 --> 00:22:33,317 >> I'M TELLING YOU, SHE LOOKED NICE. >> AND TO THE ROPES THERE MAX 808 00:22:33,319 --> 00:22:34,618 NICE. >> AND TO THE ROPES THERE MAX MOON, BACK UP ON HIS FEET AS 809 00:22:34,620 --> 00:22:35,452 >> AND TO THE ROPES THERE MAX MOON, BACK UP ON HIS FEET AS WELL. 810 00:22:35,454 --> 00:22:36,020 MOON, BACK UP ON HIS FEET AS WELL. LOOK AT THIS. 811 00:22:36,022 --> 00:22:37,788 WELL. LOOK AT THIS. >> A LUNGE BACK OFF THE ROPE IS 812 00:22:37,790 --> 00:22:38,455 LOOK AT THIS. >> A LUNGE BACK OFF THE ROPE IS SHAWN MICHAELS NOW UNDERNEATH 813 00:22:38,457 --> 00:22:40,357 >> A LUNGE BACK OFF THE ROPE IS SHAWN MICHAELS NOW UNDERNEATH THE LEGS AND OH, NICE MANEUVER 814 00:22:40,359 --> 00:22:41,792 SHAWN MICHAELS NOW UNDERNEATH THE LEGS AND OH, NICE MANEUVER BY MAX MOON WITH AN ARM DRAG 815 00:22:41,794 --> 00:22:44,662 THE LEGS AND OH, NICE MANEUVER BY MAX MOON WITH AN ARM DRAG TAKEDOWN. 816 00:22:44,664 --> 00:22:47,898 BY MAX MOON WITH AN ARM DRAG TAKEDOWN. AND THESE TWO COMPETITORS MEAN 817 00:22:47,900 --> 00:22:48,566 TAKEDOWN. AND THESE TWO COMPETITORS MEAN BUSINESS HERE AT THE MANHATTAN 818 00:22:48,568 --> 00:22:50,668 AND THESE TWO COMPETITORS MEAN BUSINESS HERE AT THE MANHATTAN CENTER, AND MICHAELS TAKE A 819 00:22:50,670 --> 00:22:52,603 BUSINESS HERE AT THE MANHATTAN CENTER, AND MICHAELS TAKE A PUTTER. 820 00:22:52,605 --> 00:22:54,438 CENTER, AND MICHAELS TAKE A PUTTER. >> WELL, TIME TO GET HIMSELF 821 00:22:54,440 --> 00:22:55,406 PUTTER. >> WELL, TIME TO GET HIMSELF TOGETHER HERE AND FIGURE ALL 822 00:22:55,408 --> 00:22:56,473 >> WELL, TIME TO GET HIMSELF TOGETHER HERE AND FIGURE ALL THIS OUT. 823 00:22:56,475 --> 00:22:57,675 TOGETHER HERE AND FIGURE ALL THIS OUT. >> HE'S ON RAW, MONDAY NIGHT RAW 824 00:22:57,677 --> 00:22:58,375 THIS OUT. >> HE'S ON RAW, MONDAY NIGHT RAW RIGHT THERE, AND HE'S 825 00:22:58,377 --> 00:22:58,875 >> HE'S ON RAW, MONDAY NIGHT RAW RIGHT THERE, AND HE'S UNCENSORED. 826 00:22:58,877 --> 00:22:59,676 RIGHT THERE, AND HE'S UNCENSORED. >> AND UNCUT. 827 00:22:59,678 --> 00:23:02,680 UNCENSORED. >> AND UNCUT. >> AND UNCOOKED. 828 00:23:02,682 --> 00:23:03,680 >> AND UNCUT. >> AND UNCOOKED. >> SHAWN MICHAELS LOOKS HAVING A 829 00:23:03,682 --> 00:23:05,749 >> AND UNCOOKED. >> SHAWN MICHAELS LOOKS HAVING A LITTLE PROBLEM FIGURING OUT MAX 830 00:23:05,751 --> 00:23:06,717 >> SHAWN MICHAELS LOOKS HAVING A LITTLE PROBLEM FIGURING OUT MAX MOON. 831 00:23:06,719 --> 00:23:07,785 LITTLE PROBLEM FIGURING OUT MAX MOON. I THINK MOON MIGHT EVEN BE A 832 00:23:07,787 --> 00:23:09,453 MOON. I THINK MOON MIGHT EVEN BE A SHADE QUICKER THAN SHAWN 833 00:23:09,455 --> 00:23:10,521 I THINK MOON MIGHT EVEN BE A SHADE QUICKER THAN SHAWN MICHAELS. 834 00:23:10,523 --> 00:23:11,789 SHADE QUICKER THAN SHAWN MICHAELS. >> SO FAR, THAT'S TRUE. 835 00:23:11,791 --> 00:23:14,358 MICHAELS. >> SO FAR, THAT'S TRUE. BUT TIME WILL TELL. 836 00:23:14,360 --> 00:23:15,092 >> SO FAR, THAT'S TRUE. BUT TIME WILL TELL. >> WILL SHAWN BE PART OF THAT 837 00:23:15,094 --> 00:23:16,627 BUT TIME WILL TELL. >> WILL SHAWN BE PART OF THAT ROYAL RUMBLE THERE, VINCE? 838 00:23:16,629 --> 00:23:18,329 >> WILL SHAWN BE PART OF THAT ROYAL RUMBLE THERE, VINCE? >> AGAIN, JUST LIKE THE MACHO 839 00:23:18,331 --> 00:23:19,630 ROYAL RUMBLE THERE, VINCE? >> AGAIN, JUST LIKE THE MACHO SAID, "TIME WILL TELL." 840 00:23:19,632 --> 00:23:20,631 >> AGAIN, JUST LIKE THE MACHO SAID, "TIME WILL TELL." >> OH, YEAH. 841 00:23:20,633 --> 00:23:21,732 SAID, "TIME WILL TELL." >> OH, YEAH. >> AWESOME. 842 00:23:21,734 --> 00:23:23,467 >> OH, YEAH. >> AWESOME. >> RIGHT INTO THE HAMMERLOCK, 843 00:23:23,469 --> 00:23:25,602 >> AWESOME. >> RIGHT INTO THE HAMMERLOCK, NICELY DONE. 844 00:23:25,604 --> 00:23:26,470 >> RIGHT INTO THE HAMMERLOCK, NICELY DONE. THUS FAR, IT SEEMS TO ME MAX 845 00:23:26,472 --> 00:23:28,539 NICELY DONE. THUS FAR, IT SEEMS TO ME MAX MOON IS SORT OF OUTCLASSING 846 00:23:28,541 --> 00:23:29,573 THUS FAR, IT SEEMS TO ME MAX MOON IS SORT OF OUTCLASSING SHAWN MICHAELS. 847 00:23:29,575 --> 00:23:30,574 MOON IS SORT OF OUTCLASSING SHAWN MICHAELS. >> THAT'S WHERE YOU CAN MAKE A 848 00:23:30,576 --> 00:23:31,776 SHAWN MICHAELS. >> THAT'S WHERE YOU CAN MAKE A NAME FOR YOURSELF REALLY, REALLY 849 00:23:31,778 --> 00:23:32,810 >> THAT'S WHERE YOU CAN MAKE A NAME FOR YOURSELF REALLY, REALLY QUICK. 850 00:23:32,812 --> 00:23:33,710 NAME FOR YOURSELF REALLY, REALLY QUICK. >> YEAH, BIG TIME. 851 00:23:33,712 --> 00:23:36,513 QUICK. >> YEAH, BIG TIME. >> STAY TUNED LATER ON HERE 852 00:23:36,515 --> 00:23:39,483 >> YEAH, BIG TIME. >> STAY TUNED LATER ON HERE FOLKS, LIVE FROM NEW YORK CITY, 853 00:23:39,485 --> 00:23:40,784 >> STAY TUNED LATER ON HERE FOLKS, LIVE FROM NEW YORK CITY, MAYOR DAVID DINKINS VERSUS 854 00:23:40,786 --> 00:23:44,555 FOLKS, LIVE FROM NEW YORK CITY, MAYOR DAVID DINKINS VERSUS CARDINAL O'CONNOR. 855 00:23:44,557 --> 00:23:46,790 MAYOR DAVID DINKINS VERSUS CARDINAL O'CONNOR. >> TIME PERMITTING OF COURSE. 856 00:23:46,792 --> 00:23:47,958 CARDINAL O'CONNOR. >> TIME PERMITTING OF COURSE. OH, WAIT A MINUTE, NOW WE'RE 857 00:23:47,960 --> 00:23:49,560 >> TIME PERMITTING OF COURSE. OH, WAIT A MINUTE, NOW WE'RE TOLD THAT WE'RE GONNA HAVE TO 858 00:23:49,562 --> 00:23:50,561 OH, WAIT A MINUTE, NOW WE'RE TOLD THAT WE'RE GONNA HAVE TO TAKE A QUICK BREAK. 859 00:23:50,563 --> 00:23:51,361 TOLD THAT WE'RE GONNA HAVE TO TAKE A QUICK BREAK. WE'LL BE RIGHT BACK AS THE MATCH 860 00:23:51,363 --> 00:23:52,362 TAKE A QUICK BREAK. WE'LL BE RIGHT BACK AS THE MATCH CONTINUES, STAY WITH US. 861 00:23:52,364 --> 00:23:57,802 WE'LL BE RIGHT BACK AS THE MATCH CONTINUES, STAY WITH US. >> WE ARE COMING TO YOU FROM NEW 862 00:23:57,804 --> 00:24:00,737 CONTINUES, STAY WITH US. >> WE ARE COMING TO YOU FROM NEW YORK CITY'S MANHATTAN CENTER 863 00:24:00,739 --> 00:24:01,605 >> WE ARE COMING TO YOU FROM NEW YORK CITY'S MANHATTAN CENTER LIVE. 864 00:24:01,607 --> 00:24:02,606 YORK CITY'S MANHATTAN CENTER LIVE. IT'S MONDAY NIGHT RAW. 865 00:24:02,608 --> 00:24:03,474 LIVE. IT'S MONDAY NIGHT RAW. VINCE MCMAHON WITH ROB BARTLETT 866 00:24:03,476 --> 00:24:04,341 IT'S MONDAY NIGHT RAW. VINCE MCMAHON WITH ROB BARTLETT AND THE MACHO MAN RANDY SAVAGE, 867 00:24:04,343 --> 00:24:07,311 VINCE MCMAHON WITH ROB BARTLETT AND THE MACHO MAN RANDY SAVAGE, AND THIS MATCHUP CONTINUES FOR 868 00:24:07,313 --> 00:24:07,878 AND THE MACHO MAN RANDY SAVAGE, AND THIS MATCHUP CONTINUES FOR THE INTERCONTINENTAL 869 00:24:07,880 --> 00:24:08,779 AND THIS MATCHUP CONTINUES FOR THE INTERCONTINENTAL CHAMPIONSHIP. 870 00:24:08,781 --> 00:24:09,813 THE INTERCONTINENTAL CHAMPIONSHIP. MAX MOON'S GOING UP AGAINST 871 00:24:09,815 --> 00:24:10,581 CHAMPIONSHIP. MAX MOON'S GOING UP AGAINST SHAWN MICHAELS. 872 00:24:10,583 --> 00:24:11,615 MAX MOON'S GOING UP AGAINST SHAWN MICHAELS. LOOK AT THAT. 873 00:24:11,617 --> 00:24:12,483 SHAWN MICHAELS. LOOK AT THAT. >> WHAT A MATCH WE'RE WATCHING 874 00:24:12,485 --> 00:24:12,850 LOOK AT THAT. >> WHAT A MATCH WE'RE WATCHING RIGHT HERE. 875 00:24:12,852 --> 00:24:14,384 >> WHAT A MATCH WE'RE WATCHING RIGHT HERE. IT'S UNBELIEVABLE, IT'S 876 00:24:14,386 --> 00:24:15,285 RIGHT HERE. IT'S UNBELIEVABLE, IT'S FANTASTIC. 877 00:24:15,287 --> 00:24:16,553 IT'S UNBELIEVABLE, IT'S FANTASTIC. >> YOU MISSED IT DURING THE 878 00:24:16,555 --> 00:24:17,454 FANTASTIC. >> YOU MISSED IT DURING THE BREAK FOLKS, SHAWN MICHAELS 879 00:24:17,456 --> 00:24:18,522 >> YOU MISSED IT DURING THE BREAK FOLKS, SHAWN MICHAELS PULLED A KNIFE. 880 00:24:18,524 --> 00:24:19,556 BREAK FOLKS, SHAWN MICHAELS PULLED A KNIFE. >> HE DID NOT. 881 00:24:19,558 --> 00:24:20,324 PULLED A KNIFE. >> HE DID NOT. STOP IT, ROB. 882 00:24:20,326 --> 00:24:20,924 >> HE DID NOT. STOP IT, ROB. STOP IT, STOP IT. 883 00:24:20,926 --> 00:24:22,326 STOP IT, ROB. STOP IT, STOP IT. >> OH, I'M SORRY, I'M SORRY. 884 00:24:22,328 --> 00:24:22,959 STOP IT, STOP IT. >> OH, I'M SORRY, I'M SORRY. >> IT'S NOT THAT RAW. 885 00:24:22,961 --> 00:24:23,694 >> OH, I'M SORRY, I'M SORRY. >> IT'S NOT THAT RAW. >> BUT IT IS UNCUT. 886 00:24:23,696 --> 00:24:24,495 >> IT'S NOT THAT RAW. >> BUT IT IS UNCUT. >> UNCENSORED. 887 00:24:24,497 --> 00:24:26,464 >> BUT IT IS UNCUT. >> UNCENSORED. >> AND UNCOOKED. 888 00:24:26,466 --> 00:24:27,364 >> UNCENSORED. >> AND UNCOOKED. AND LOOK AT--WHAT A MANEUVER BY 889 00:24:27,366 --> 00:24:29,500 >> AND UNCOOKED. AND LOOK AT--WHAT A MANEUVER BY SHAWN MICHAELS. 890 00:24:29,502 --> 00:24:30,567 AND LOOK AT--WHAT A MANEUVER BY SHAWN MICHAELS. >> A KNIFE WOULD'VE BEEN NICER 891 00:24:30,569 --> 00:24:31,702 SHAWN MICHAELS. >> A KNIFE WOULD'VE BEEN NICER RIGHT THERE. 892 00:24:31,704 --> 00:24:33,537 >> A KNIFE WOULD'VE BEEN NICER RIGHT THERE. >> THAT WAS UNCOUTH. 893 00:24:33,539 --> 00:24:34,771 RIGHT THERE. >> THAT WAS UNCOUTH. >> YEAH, DEFINITELY. 894 00:24:34,773 --> 00:24:35,539 >> THAT WAS UNCOUTH. >> YEAH, DEFINITELY. >> SHAWN MICHAELS WILL DO 895 00:24:35,541 --> 00:24:36,774 >> YEAH, DEFINITELY. >> SHAWN MICHAELS WILL DO ANYTHING TO RETAIN HIS WWE 896 00:24:36,776 --> 00:24:38,509 >> SHAWN MICHAELS WILL DO ANYTHING TO RETAIN HIS WWE CHAMPIONSHIP. 897 00:24:38,511 --> 00:24:39,610 ANYTHING TO RETAIN HIS WWE CHAMPIONSHIP. SHAWN MICHAELS HEADED TO THE 898 00:24:39,612 --> 00:24:40,477 CHAMPIONSHIP. SHAWN MICHAELS HEADED TO THE ROYAL RUMBLE DEFENDING THE 899 00:24:40,479 --> 00:24:42,646 SHAWN MICHAELS HEADED TO THE ROYAL RUMBLE DEFENDING THE TITLE, IF HE IS SUCCESSFUL HERE 900 00:24:42,648 --> 00:24:43,814 ROYAL RUMBLE DEFENDING THE TITLE, IF HE IS SUCCESSFUL HERE AGAINST MARTY JANNETTY. 901 00:24:43,816 --> 00:24:45,849 TITLE, IF HE IS SUCCESSFUL HERE AGAINST MARTY JANNETTY. SENSATIONAL SHERRI IS SCHEDULED 902 00:24:45,851 --> 00:24:47,584 AGAINST MARTY JANNETTY. SENSATIONAL SHERRI IS SCHEDULED TO BE AT RING SIDE BUT WE DON'T 903 00:24:47,586 --> 00:24:48,852 SENSATIONAL SHERRI IS SCHEDULED TO BE AT RING SIDE BUT WE DON'T KNOW IN WHOSE CORNER SHE'S GOING 904 00:24:48,854 --> 00:24:50,554 TO BE AT RING SIDE BUT WE DON'T KNOW IN WHOSE CORNER SHE'S GOING TO BE IN. 905 00:24:50,556 --> 00:24:51,355 KNOW IN WHOSE CORNER SHE'S GOING TO BE IN. >> MAYBE BOTH CORNERS. 906 00:24:51,357 --> 00:24:52,789 TO BE IN. >> MAYBE BOTH CORNERS. >> YEAH. 907 00:24:52,791 --> 00:24:55,659 >> MAYBE BOTH CORNERS. >> YEAH. >> A LITTLE SPLIT PERSONALITY 908 00:24:55,661 --> 00:24:56,560 >> YEAH. >> A LITTLE SPLIT PERSONALITY THING GOING ON THERE, RANDY? 909 00:24:56,562 --> 00:24:57,461 >> A LITTLE SPLIT PERSONALITY THING GOING ON THERE, RANDY? >> POSSIBLE. 910 00:24:57,463 --> 00:24:58,228 THING GOING ON THERE, RANDY? >> POSSIBLE. SHE'S THE TOUGHEST ONE OF THE 911 00:24:58,230 --> 00:24:58,896 >> POSSIBLE. SHE'S THE TOUGHEST ONE OF THE BUNCH, MAYBE. 912 00:24:58,898 --> 00:24:59,863 SHE'S THE TOUGHEST ONE OF THE BUNCH, MAYBE. >> BY THE WAY, IN THIS DAY AND 913 00:24:59,865 --> 00:25:00,531 BUNCH, MAYBE. >> BY THE WAY, IN THIS DAY AND AGE, [INDISTINCT] 914 00:25:00,533 --> 00:25:01,798 >> BY THE WAY, IN THIS DAY AND AGE, [INDISTINCT] WWE PRESIDENT JACK TUNNEY 915 00:25:01,800 --> 00:25:03,467 AGE, [INDISTINCT] WWE PRESIDENT JACK TUNNEY ATTEMPTING TO PARDON MIKE TYSON 916 00:25:03,469 --> 00:25:04,801 WWE PRESIDENT JACK TUNNEY ATTEMPTING TO PARDON MIKE TYSON RECENTLY. 917 00:25:04,803 --> 00:25:05,702 ATTEMPTING TO PARDON MIKE TYSON RECENTLY. UNABLE TO DO SO BUT WE 918 00:25:05,704 --> 00:25:06,803 RECENTLY. UNABLE TO DO SO BUT WE UNDERSTAND MR. TYSON HAS A 919 00:25:06,805 --> 00:25:10,374 UNABLE TO DO SO BUT WE UNDERSTAND MR. TYSON HAS A MONITOR AND A TELEPHONE AND HE'S 920 00:25:10,376 --> 00:25:11,174 UNDERSTAND MR. TYSON HAS A MONITOR AND A TELEPHONE AND HE'S WATCHING MONDAY NIGHT RAW 921 00:25:11,176 --> 00:25:12,443 MONITOR AND A TELEPHONE AND HE'S WATCHING MONDAY NIGHT RAW PERHAPS. 922 00:25:12,445 --> 00:25:12,943 WATCHING MONDAY NIGHT RAW PERHAPS. >> HELLO, HELLO FANS. 923 00:25:12,945 --> 00:25:14,511 PERHAPS. >> HELLO, HELLO FANS. >> IS THAT--MIKE, IS THAT YOU? 924 00:25:14,513 --> 00:25:15,446 >> HELLO, HELLO FANS. >> IS THAT--MIKE, IS THAT YOU? >> YEAH, HI. 925 00:25:15,448 --> 00:25:16,547 >> IS THAT--MIKE, IS THAT YOU? >> YEAH, HI. HOW YOU DOING? 926 00:25:16,549 --> 00:25:17,648 >> YEAH, HI. HOW YOU DOING? >> THAT'S MIKE TYSON. 927 00:25:17,650 --> 00:25:18,815 HOW YOU DOING? >> THAT'S MIKE TYSON. >> YEAH, I'M HERE. 928 00:25:18,817 --> 00:25:22,786 >> THAT'S MIKE TYSON. >> YEAH, I'M HERE. I'M IN--I'M IN SOLITARY 929 00:25:22,788 --> 00:25:24,521 >> YEAH, I'M HERE. I'M IN--I'M IN SOLITARY CONFINEMENT. 930 00:25:24,523 --> 00:25:25,522 I'M IN--I'M IN SOLITARY CONFINEMENT. >> YOU'RE WHERE? 931 00:25:25,524 --> 00:25:27,424 CONFINEMENT. >> YOU'RE WHERE? >> I'M IN SOLITARY CONFINEMENT. 932 00:25:27,426 --> 00:25:28,124 >> YOU'RE WHERE? >> I'M IN SOLITARY CONFINEMENT. >> WELL, WE'RE HERE AT MONDAY 933 00:25:28,126 --> 00:25:29,660 >> I'M IN SOLITARY CONFINEMENT. >> WELL, WE'RE HERE AT MONDAY NIGHT RAW. 934 00:25:29,662 --> 00:25:30,794 >> WELL, WE'RE HERE AT MONDAY NIGHT RAW. >> BY MYSELF, I MIGHT ADD. 935 00:25:30,796 --> 00:25:32,596 NIGHT RAW. >> BY MYSELF, I MIGHT ADD. >> WELL, ALL RIGHT. 936 00:25:32,598 --> 00:25:34,398 >> BY MYSELF, I MIGHT ADD. >> WELL, ALL RIGHT. >> WE USED TO--USED TO HAVE FUN 937 00:25:34,400 --> 00:25:35,666 >> WELL, ALL RIGHT. >> WE USED TO--USED TO HAVE FUN ON DATES BUT NOW YOU'RE MAKING 938 00:25:35,668 --> 00:25:37,434 >> WE USED TO--USED TO HAVE FUN ON DATES BUT NOW YOU'RE MAKING LICENSE PLATES, AM I RIGHT, 939 00:25:37,436 --> 00:25:38,702 ON DATES BUT NOW YOU'RE MAKING LICENSE PLATES, AM I RIGHT, MIKE? 940 00:25:38,704 --> 00:25:39,536 LICENSE PLATES, AM I RIGHT, MIKE? >> WE'RE ON TWO AND ALMOST A 941 00:25:39,538 --> 00:25:40,571 MIKE? >> WE'RE ON TWO AND ALMOST A COUNT OF THREE. 942 00:25:40,573 --> 00:25:41,872 >> WE'RE ON TWO AND ALMOST A COUNT OF THREE. WE CERTAINLY HOPE, MR. TYSON, 943 00:25:41,874 --> 00:25:42,572 COUNT OF THREE. WE CERTAINLY HOPE, MR. TYSON, YOU'RE ENJOYING MONDAY NIGHT 944 00:25:42,574 --> 00:25:43,574 WE CERTAINLY HOPE, MR. TYSON, YOU'RE ENJOYING MONDAY NIGHT RAW. 945 00:25:43,576 --> 00:25:44,775 YOU'RE ENJOYING MONDAY NIGHT RAW. >> OH, THIS IS NOTHING. 946 00:25:44,777 --> 00:25:45,409 RAW. >> OH, THIS IS NOTHING. I SEE THIS KIND OF STUFF IN THE 947 00:25:45,411 --> 00:25:46,877 >> OH, THIS IS NOTHING. I SEE THIS KIND OF STUFF IN THE MESS HALL EVERYDAY. 948 00:25:46,879 --> 00:25:47,711 I SEE THIS KIND OF STUFF IN THE MESS HALL EVERYDAY. >> OH, WELL, I DON'T KNOW ABOUT 949 00:25:47,713 --> 00:25:48,378 MESS HALL EVERYDAY. >> OH, WELL, I DON'T KNOW ABOUT THAT. 950 00:25:48,380 --> 00:25:49,346 >> OH, WELL, I DON'T KNOW ABOUT THAT. >> HEY, WHO'S THAT ON THE SCREEN 951 00:25:49,348 --> 00:25:51,381 THAT. >> HEY, WHO'S THAT ON THE SCREEN NOW? 952 00:25:51,383 --> 00:25:52,482 >> HEY, WHO'S THAT ON THE SCREEN NOW? IS THAT OPRAH WINFREY? 953 00:25:52,484 --> 00:25:53,483 NOW? IS THAT OPRAH WINFREY? >> NO, THERE'S NO TELLING WHAT 954 00:25:53,485 --> 00:25:54,451 IS THAT OPRAH WINFREY? >> NO, THERE'S NO TELLING WHAT YOU'RE GONNA SEE HERE ON MONDAY 955 00:25:54,453 --> 00:25:55,352 >> NO, THERE'S NO TELLING WHAT YOU'RE GONNA SEE HERE ON MONDAY NIGHT RAW. 956 00:25:55,354 --> 00:25:56,620 YOU'RE GONNA SEE HERE ON MONDAY NIGHT RAW. THAT'S DOINK. 957 00:25:56,622 --> 00:25:59,723 NIGHT RAW. THAT'S DOINK. >> DORK? 958 00:25:59,725 --> 00:26:01,558 THAT'S DOINK. >> DORK? >> AND IT LOOKS LIKE SHAWN 959 00:26:01,560 --> 00:26:02,560 >> DORK? >> AND IT LOOKS LIKE SHAWN MICHAELS IS TAKING OVER ON MAX 960 00:26:02,562 --> 00:26:03,594 >> AND IT LOOKS LIKE SHAWN MICHAELS IS TAKING OVER ON MAX MOON, MIKE. 961 00:26:03,596 --> 00:26:04,562 MICHAELS IS TAKING OVER ON MAX MOON, MIKE. BY THE WAY, ANY NEW YEAR'S 962 00:26:04,564 --> 00:26:06,563 MOON, MIKE. BY THE WAY, ANY NEW YEAR'S RESOLUTIONS FROM YOU, MR. TYSON? 963 00:26:06,565 --> 00:26:07,464 BY THE WAY, ANY NEW YEAR'S RESOLUTIONS FROM YOU, MR. TYSON? >> NO. 964 00:26:07,466 --> 00:26:08,532 RESOLUTIONS FROM YOU, MR. TYSON? >> NO. JUST THAT I WANNA MAKE SURE I 965 00:26:08,534 --> 00:26:10,434 >> NO. JUST THAT I WANNA MAKE SURE I DON'T MISS THAT ROYAL RUMBLE, 966 00:26:10,436 --> 00:26:12,636 JUST THAT I WANNA MAKE SURE I DON'T MISS THAT ROYAL RUMBLE, THE TAG TEAM BETWEEN DEADLY 967 00:26:12,638 --> 00:26:14,571 DON'T MISS THAT ROYAL RUMBLE, THE TAG TEAM BETWEEN DEADLY DIANNE AND FABULOUS FERGIE 968 00:26:14,573 --> 00:26:15,739 THE TAG TEAM BETWEEN DEADLY DIANNE AND FABULOUS FERGIE VERSUS THE PRINCE BROTHERS, 969 00:26:15,741 --> 00:26:17,708 DIANNE AND FABULOUS FERGIE VERSUS THE PRINCE BROTHERS, CHUCK AND ANDY. 970 00:26:17,710 --> 00:26:19,376 VERSUS THE PRINCE BROTHERS, CHUCK AND ANDY. >> THAT'S NOT THIS YEAR'S ROYAL 971 00:26:19,378 --> 00:26:19,943 CHUCK AND ANDY. >> THAT'S NOT THIS YEAR'S ROYAL RUMBLE, MIKE. 972 00:26:19,945 --> 00:26:21,445 >> THAT'S NOT THIS YEAR'S ROYAL RUMBLE, MIKE. THAT'S NEXT YEAR. 973 00:26:21,447 --> 00:26:21,878 RUMBLE, MIKE. THAT'S NEXT YEAR. >> OH, HE'S NICE. 974 00:26:21,880 --> 00:26:22,412 THAT'S NEXT YEAR. >> OH, HE'S NICE. WHO'S HE? 975 00:26:22,414 --> 00:26:25,382 >> OH, HE'S NICE. WHO'S HE? >> THIS FACE, THIS FACE HAS 976 00:26:25,384 --> 00:26:27,317 WHO'S HE? >> THIS FACE, THIS FACE HAS BROKEN SO MANY HOMES, SO MANY. 977 00:26:27,319 --> 00:26:28,652 >> THIS FACE, THIS FACE HAS BROKEN SO MANY HOMES, SO MANY. >> OH, GIVE ME A BREAK. 978 00:26:28,654 --> 00:26:29,653 BROKEN SO MANY HOMES, SO MANY. >> OH, GIVE ME A BREAK. WE SAID BEFORE, HE'S STUCK ON 979 00:26:29,655 --> 00:26:31,421 >> OH, GIVE ME A BREAK. WE SAID BEFORE, HE'S STUCK ON HIMSELF. 980 00:26:31,423 --> 00:26:33,357 WE SAID BEFORE, HE'S STUCK ON HIMSELF. >> THAT FACE MAKES ME BREAK 981 00:26:33,359 --> 00:26:34,691 HIMSELF. >> THAT FACE MAKES ME BREAK WHEAT, I DON'T KNOW ABOUT YOU. 982 00:26:34,693 --> 00:26:36,460 >> THAT FACE MAKES ME BREAK WHEAT, I DON'T KNOW ABOUT YOU. >> GEEZ, MIKE, WHAT DO THEY FEED 983 00:26:36,462 --> 00:26:36,727 WHEAT, I DON'T KNOW ABOUT YOU. >> GEEZ, MIKE, WHAT DO THEY FEED YOU THERE? 984 00:26:36,729 --> 00:26:41,231 >> GEEZ, MIKE, WHAT DO THEY FEED YOU THERE? >> I'M GONNA BE IN HERE FOR 985 00:26:41,233 --> 00:26:43,567 YOU THERE? >> I'M GONNA BE IN HERE FOR ANOTHER SIX YEARS ALTHOUGH MY 986 00:26:43,569 --> 00:26:45,535 >> I'M GONNA BE IN HERE FOR ANOTHER SIX YEARS ALTHOUGH MY MANAGER, MR. KING IS GONNA TRY 987 00:26:45,537 --> 00:26:47,504 ANOTHER SIX YEARS ALTHOUGH MY MANAGER, MR. KING IS GONNA TRY TO REDUCE THE SENTENCE TO LIKE 988 00:26:47,506 --> 00:26:48,639 MANAGER, MR. KING IS GONNA TRY TO REDUCE THE SENTENCE TO LIKE 72 MONTHS. 989 00:26:48,641 --> 00:26:49,706 TO REDUCE THE SENTENCE TO LIKE 72 MONTHS. >> IT SEEMS LIKE HE'S BEEN 990 00:26:49,708 --> 00:26:51,508 72 MONTHS. >> IT SEEMS LIKE HE'S BEEN REDUCING YOUR BANK ACCOUNT. 991 00:26:51,510 --> 00:26:53,577 >> IT SEEMS LIKE HE'S BEEN REDUCING YOUR BANK ACCOUNT. >> WHOA, A CALL AND ALMOST A 992 00:26:53,579 --> 00:26:55,712 REDUCING YOUR BANK ACCOUNT. >> WHOA, A CALL AND ALMOST A COUNT OF THREE. 993 00:26:55,714 --> 00:26:56,747 >> WHOA, A CALL AND ALMOST A COUNT OF THREE. >> I DON'T KNOW ABOUT THAT 994 00:26:56,749 --> 00:26:59,616 COUNT OF THREE. >> I DON'T KNOW ABOUT THAT EITHER. 995 00:26:59,618 --> 00:27:02,486 >> I DON'T KNOW ABOUT THAT EITHER. >> SHAWN MICHAELS, THE AGGRESSOR 996 00:27:02,488 --> 00:27:05,689 EITHER. >> SHAWN MICHAELS, THE AGGRESSOR AT THE MOMENT AGAINST MAX MOON. 997 00:27:05,691 --> 00:27:07,524 >> SHAWN MICHAELS, THE AGGRESSOR AT THE MOMENT AGAINST MAX MOON. MICHAELS WANTING TO HEAD TO THE 998 00:27:07,526 --> 00:27:09,593 AT THE MOMENT AGAINST MAX MOON. MICHAELS WANTING TO HEAD TO THE ROYAL RUMBLE TO DEFEND THE TITLE 999 00:27:09,595 --> 00:27:12,396 MICHAELS WANTING TO HEAD TO THE ROYAL RUMBLE TO DEFEND THE TITLE AGAINST HIS FORMER TAG TEAM, I'M 1000 00:27:12,398 --> 00:27:13,864 ROYAL RUMBLE TO DEFEND THE TITLE AGAINST HIS FORMER TAG TEAM, I'M TALKING OF MARTY JANNETTY. 1001 00:27:13,866 --> 00:27:15,499 AGAINST HIS FORMER TAG TEAM, I'M TALKING OF MARTY JANNETTY. YOU HAVE TO WONDER WHAT FACTOR 1002 00:27:15,501 --> 00:27:16,734 TALKING OF MARTY JANNETTY. YOU HAVE TO WONDER WHAT FACTOR IF ANY--WAIT, THERE'S ANOTHER 1003 00:27:16,736 --> 00:27:18,468 YOU HAVE TO WONDER WHAT FACTOR IF ANY--WAIT, THERE'S ANOTHER COVER. 1004 00:27:18,470 --> 00:27:18,936 IF ANY--WAIT, THERE'S ANOTHER COVER. TWO AND ALMOST THREE. 1005 00:27:18,938 --> 00:27:19,803 COVER. TWO AND ALMOST THREE. THAT SORT OF A FACTOR, 1006 00:27:19,805 --> 00:27:20,838 TWO AND ALMOST THREE. THAT SORT OF A FACTOR, SENSATIONAL SHERRI WILL BE IN 1007 00:27:20,840 --> 00:27:22,339 THAT SORT OF A FACTOR, SENSATIONAL SHERRI WILL BE IN THE MATCHUP AT THE ROYAL RUMBLE. 1008 00:27:22,341 --> 00:27:23,240 SENSATIONAL SHERRI WILL BE IN THE MATCHUP AT THE ROYAL RUMBLE. >> ABSOLUTELY. 1009 00:27:23,242 --> 00:27:24,508 THE MATCHUP AT THE ROYAL RUMBLE. >> ABSOLUTELY. AND YOU KNOW, YOU GOT A LOT OF 1010 00:27:24,510 --> 00:27:25,676 >> ABSOLUTELY. AND YOU KNOW, YOU GOT A LOT OF IMPORTANT PEOPLE OUT HERE IN THE 1011 00:27:25,678 --> 00:27:26,743 AND YOU KNOW, YOU GOT A LOT OF IMPORTANT PEOPLE OUT HERE IN THE AUDIENCE, DID YOU KNOW THAT 1012 00:27:26,745 --> 00:27:27,544 IMPORTANT PEOPLE OUT HERE IN THE AUDIENCE, DID YOU KNOW THAT VINCE MCMAHON? 1013 00:27:27,546 --> 00:27:28,311 AUDIENCE, DID YOU KNOW THAT VINCE MCMAHON? >> WELL, OUT HERE, HERE? 1014 00:27:28,313 --> 00:27:29,647 VINCE MCMAHON? >> WELL, OUT HERE, HERE? >> THAT'S RIGHT. 1015 00:27:29,649 --> 00:27:31,348 >> WELL, OUT HERE, HERE? >> THAT'S RIGHT. TITO LANDRUM WITH THE BALTIMORE 1016 00:27:31,350 --> 00:27:32,649 >> THAT'S RIGHT. TITO LANDRUM WITH THE BALTIMORE ORIOLES IS HERE AND EVERYBODY 1017 00:27:32,651 --> 00:27:33,483 TITO LANDRUM WITH THE BALTIMORE ORIOLES IS HERE AND EVERYBODY THAT'S ANYBODY, YEAH. 1018 00:27:33,485 --> 00:27:36,520 ORIOLES IS HERE AND EVERYBODY THAT'S ANYBODY, YEAH. >> UH-HUH. 1019 00:27:36,522 --> 00:27:38,689 THAT'S ANYBODY, YEAH. >> UH-HUH. >> HEY, I GOT A QUESTION. 1020 00:27:38,691 --> 00:27:40,391 >> UH-HUH. >> HEY, I GOT A QUESTION. >> YES, MIKE? 1021 00:27:40,393 --> 00:27:41,058 >> HEY, I GOT A QUESTION. >> YES, MIKE? >> WHAT DO YOU CALL THIS THING 1022 00:27:41,060 --> 00:27:41,592 >> YES, MIKE? >> WHAT DO YOU CALL THIS THING HE'S DOING TO HIM THERE NOW? 1023 00:27:41,594 --> 00:27:44,561 >> WHAT DO YOU CALL THIS THING HE'S DOING TO HIM THERE NOW? >> WAIT. 1024 00:27:44,563 --> 00:27:45,562 HE'S DOING TO HIM THERE NOW? >> WAIT. >> SOME SORT OF REVERSE CHINLOCK 1025 00:27:45,564 --> 00:27:46,664 >> WAIT. >> SOME SORT OF REVERSE CHINLOCK OR... 1026 00:27:46,666 --> 00:27:47,531 >> SOME SORT OF REVERSE CHINLOCK OR... >> THAT'S SOMETHING THAT BUSTER 1027 00:27:47,533 --> 00:27:48,765 OR... >> THAT'S SOMETHING THAT BUSTER DOUGLAS DIDN'T DO TO YOU IN THAT 1028 00:27:48,767 --> 00:27:50,534 >> THAT'S SOMETHING THAT BUSTER DOUGLAS DIDN'T DO TO YOU IN THAT ONE BAD NIGHT YOU HAD. 1029 00:27:50,536 --> 00:27:51,635 DOUGLAS DIDN'T DO TO YOU IN THAT ONE BAD NIGHT YOU HAD. >> BAD NIGHT YOU HAD THOUGH. 1030 00:27:51,637 --> 00:27:52,569 ONE BAD NIGHT YOU HAD. >> BAD NIGHT YOU HAD THOUGH. >> WELL, AT LEAST, HE TRIED 1031 00:27:52,571 --> 00:27:54,671 >> BAD NIGHT YOU HAD THOUGH. >> WELL, AT LEAST, HE TRIED THOUGH. 1032 00:27:54,673 --> 00:27:55,605 >> WELL, AT LEAST, HE TRIED THOUGH. >> YEAH, HE TRIED. 1033 00:27:55,607 --> 00:27:56,673 THOUGH. >> YEAH, HE TRIED. >> I THINK THAT'LL COME IN HANDY 1034 00:27:56,675 --> 00:27:57,641 >> YEAH, HE TRIED. >> I THINK THAT'LL COME IN HANDY IN THE YARD ONE OF THESE DAYS. 1035 00:27:57,643 --> 00:27:57,941 >> I THINK THAT'LL COME IN HANDY IN THE YARD ONE OF THESE DAYS. >> EXACTLY. 1036 00:27:57,943 --> 00:27:58,675 IN THE YARD ONE OF THESE DAYS. >> EXACTLY. HEY, LISTEN, YOU GOT TO--YOU GOT 1037 00:27:58,677 --> 00:27:59,676 >> EXACTLY. HEY, LISTEN, YOU GOT TO--YOU GOT TO RAW DEAL, WE'LL TELL YOU 1038 00:27:59,678 --> 00:28:02,512 HEY, LISTEN, YOU GOT TO--YOU GOT TO RAW DEAL, WE'LL TELL YOU RIGHT THERE ON MONDAY NIGHT RAW 1039 00:28:02,514 --> 00:28:03,847 TO RAW DEAL, WE'LL TELL YOU RIGHT THERE ON MONDAY NIGHT RAW THAT YOU GOT TO A RAW DEAL WHEN 1040 00:28:03,849 --> 00:28:04,781 RIGHT THERE ON MONDAY NIGHT RAW THAT YOU GOT TO A RAW DEAL WHEN YOU ENDED UP WHERE YOU ARE NOW. 1041 00:28:04,783 --> 00:28:06,717 THAT YOU GOT TO A RAW DEAL WHEN YOU ENDED UP WHERE YOU ARE NOW. >> SOME PEOPLE SAY HE DID. 1042 00:28:06,719 --> 00:28:07,651 YOU ENDED UP WHERE YOU ARE NOW. >> SOME PEOPLE SAY HE DID. WHOA, WHAT A MANEUVER THERE BY 1043 00:28:07,653 --> 00:28:09,553 >> SOME PEOPLE SAY HE DID. WHOA, WHAT A MANEUVER THERE BY MAX MOON. 1044 00:28:09,555 --> 00:28:11,354 WHOA, WHAT A MANEUVER THERE BY MAX MOON. MAX MOON TRYING TO GET--OH, LOOK 1045 00:28:11,356 --> 00:28:12,389 MAX MOON. MAX MOON TRYING TO GET--OH, LOOK AT THAT ALL THE WAY OVER THE TOP 1046 00:28:12,391 --> 00:28:12,789 MAX MOON TRYING TO GET--OH, LOOK AT THAT ALL THE WAY OVER THE TOP ROPE. 1047 00:28:12,791 --> 00:28:14,458 AT THAT ALL THE WAY OVER THE TOP ROPE. UNBELIEVABLE. 1048 00:28:14,460 --> 00:28:15,592 ROPE. UNBELIEVABLE. >> WOW, WHERE DID HE GO? 1049 00:28:15,594 --> 00:28:16,526 UNBELIEVABLE. >> WOW, WHERE DID HE GO? HE'S GONE. 1050 00:28:16,528 --> 00:28:18,795 >> WOW, WHERE DID HE GO? HE'S GONE. >> SHAWN MICHAELS MAYBE HISTORY. 1051 00:28:18,797 --> 00:28:20,497 HE'S GONE. >> SHAWN MICHAELS MAYBE HISTORY. >> HE DISAPPEARED. 1052 00:28:20,499 --> 00:28:21,498 >> SHAWN MICHAELS MAYBE HISTORY. >> HE DISAPPEARED. >> LOOK AT THIS, MAX MOON WAS 1053 00:28:21,500 --> 00:28:22,766 >> HE DISAPPEARED. >> LOOK AT THIS, MAX MOON WAS GONNA COME OUT ON HIM AS WELL 1054 00:28:22,768 --> 00:28:23,867 >> LOOK AT THIS, MAX MOON WAS GONNA COME OUT ON HIM AS WELL AND MICHAELS. 1055 00:28:23,869 --> 00:28:25,869 GONNA COME OUT ON HIM AS WELL AND MICHAELS. >> THERE HE GOES AGAIN, WHOA. 1056 00:28:25,871 --> 00:28:27,471 AND MICHAELS. >> THERE HE GOES AGAIN, WHOA. UNBELIEVABLE MANEUVER ON THE 1057 00:28:27,473 --> 00:28:29,773 >> THERE HE GOES AGAIN, WHOA. UNBELIEVABLE MANEUVER ON THE PART OF MAX MOON. 1058 00:28:29,775 --> 00:28:30,707 UNBELIEVABLE MANEUVER ON THE PART OF MAX MOON. WHAT A HIGH RISK MANEUVER THAT 1059 00:28:30,709 --> 00:28:31,341 PART OF MAX MOON. WHAT A HIGH RISK MANEUVER THAT WAS. 1060 00:28:31,343 --> 00:28:32,542 WHAT A HIGH RISK MANEUVER THAT WAS. MAX MOON WANTS TO BE 1061 00:28:32,544 --> 00:28:33,643 WAS. MAX MOON WANTS TO BE INTERCONTINENTAL CHAMPION AND 1062 00:28:33,645 --> 00:28:35,713 MAX MOON WANTS TO BE INTERCONTINENTAL CHAMPION AND LOOK AT MICHAELS BACK UP. 1063 00:28:35,715 --> 00:28:36,880 INTERCONTINENTAL CHAMPION AND LOOK AT MICHAELS BACK UP. >> MARTY JANNETTY MIGHT HAVE TO 1064 00:28:36,882 --> 00:28:38,248 LOOK AT MICHAELS BACK UP. >> MARTY JANNETTY MIGHT HAVE TO GO AFTER MAX MOON AT THE ROYAL 1065 00:28:38,250 --> 00:28:40,684 >> MARTY JANNETTY MIGHT HAVE TO GO AFTER MAX MOON AT THE ROYAL RUMBLE. 1066 00:28:40,686 --> 00:28:43,287 GO AFTER MAX MOON AT THE ROYAL RUMBLE. >> UPPERCUT BY MAX MOON. 1067 00:28:43,289 --> 00:28:44,554 RUMBLE. >> UPPERCUT BY MAX MOON. AND MICHAELS HAVING HIS PROBLEMS 1068 00:28:44,556 --> 00:28:46,623 >> UPPERCUT BY MAX MOON. AND MICHAELS HAVING HIS PROBLEMS TO THE BUCKLE. 1069 00:28:46,625 --> 00:28:48,558 AND MICHAELS HAVING HIS PROBLEMS TO THE BUCKLE. >> OH, MY GOODNESS. 1070 00:28:48,560 --> 00:28:50,461 TO THE BUCKLE. >> OH, MY GOODNESS. >> OH, LOOK OUT, KATHY LEE AND 1071 00:28:50,463 --> 00:28:51,695 >> OH, MY GOODNESS. >> OH, LOOK OUT, KATHY LEE AND MR. DINKY. 1072 00:28:51,697 --> 00:28:52,763 >> OH, LOOK OUT, KATHY LEE AND MR. DINKY. >> I BEG YOUR PARDON? 1073 00:28:52,765 --> 00:28:53,797 MR. DINKY. >> I BEG YOUR PARDON? >> OH, SOMETHING... 1074 00:28:53,799 --> 00:28:54,831 >> I BEG YOUR PARDON? >> OH, SOMETHING... >> HERE WE GO, HAS HIM IN A 1075 00:28:54,833 --> 00:28:55,599 >> OH, SOMETHING... >> HERE WE GO, HAS HIM IN A CRADLE. 1076 00:28:55,601 --> 00:28:56,666 >> HERE WE GO, HAS HIM IN A CRADLE. TWO AND--NO. 1077 00:28:56,668 --> 00:29:00,504 CRADLE. TWO AND--NO. >> [CROWD CHATTER] 1078 00:29:00,506 --> 00:29:03,573 TWO AND--NO. >> [CROWD CHATTER] >> SO VERY, VERY CLOSE. 1079 00:29:03,575 --> 00:29:05,509 >> [CROWD CHATTER] >> SO VERY, VERY CLOSE. >> WHEN DOES MAX SHOW HIS MOVE, 1080 00:29:05,511 --> 00:29:07,578 >> SO VERY, VERY CLOSE. >> WHEN DOES MAX SHOW HIS MOVE, VINCE? 1081 00:29:07,580 --> 00:29:08,712 >> WHEN DOES MAX SHOW HIS MOVE, VINCE? >> WELL, HE JUST DID. 1082 00:29:08,714 --> 00:29:09,479 VINCE? >> WELL, HE JUST DID. I THINK IN A MATTER OF 1083 00:29:09,481 --> 00:29:12,649 >> WELL, HE JUST DID. I THINK IN A MATTER OF SPEAKING--OH. 1084 00:29:12,651 --> 00:29:14,417 I THINK IN A MATTER OF SPEAKING--OH. MAX MOON MISSED--LOOK AT THAT. 1085 00:29:14,419 --> 00:29:17,554 SPEAKING--OH. MAX MOON MISSED--LOOK AT THAT. SOLE KICK RIGHT ON THE BUTTON. 1086 00:29:17,556 --> 00:29:18,722 MAX MOON MISSED--LOOK AT THAT. SOLE KICK RIGHT ON THE BUTTON. >> THAT WAS A HOMERUN. 1087 00:29:18,724 --> 00:29:23,393 SOLE KICK RIGHT ON THE BUTTON. >> THAT WAS A HOMERUN. >> YEAH. 1088 00:29:23,395 --> 00:29:24,494 >> THAT WAS A HOMERUN. >> YEAH. >> SHAWN MICHAELS TURNING THE 1089 00:29:24,496 --> 00:29:25,562 >> YEAH. >> SHAWN MICHAELS TURNING THE TIDE RIGHT BACK AROUND NOW. 1090 00:29:25,564 --> 00:29:30,434 >> SHAWN MICHAELS TURNING THE TIDE RIGHT BACK AROUND NOW. BUT LOOK OUT, THIS ONE'S NOT 1091 00:29:30,436 --> 00:29:31,668 TIDE RIGHT BACK AROUND NOW. BUT LOOK OUT, THIS ONE'S NOT OVER YET. 1092 00:29:31,670 --> 00:29:33,537 BUT LOOK OUT, THIS ONE'S NOT OVER YET. SUPLEX. 1093 00:29:33,539 --> 00:29:34,704 OVER YET. SUPLEX. NICELY EXECUTED. 1094 00:29:34,706 --> 00:29:36,406 SUPLEX. NICELY EXECUTED. COVER MAYBE AGAINST HIM. 1095 00:29:36,408 --> 00:29:37,741 NICELY EXECUTED. COVER MAYBE AGAINST HIM. >> OH, WOW. 1096 00:29:37,743 --> 00:29:38,742 COVER MAYBE AGAINST HIM. >> OH, WOW. >> [BELL RINGING] 1097 00:29:38,744 --> 00:29:39,343 >> OH, WOW. >> [BELL RINGING] >> HISTORY. 1098 00:29:39,345 --> 00:29:40,410 >> [BELL RINGING] >> HISTORY. A VALIANT EFFORT BY MAX MOON BUT 1099 00:29:40,412 --> 00:29:42,612 >> HISTORY. A VALIANT EFFORT BY MAX MOON BUT SHAWN MICHAELS IS STILL THE 1100 00:29:42,614 --> 00:29:47,818 A VALIANT EFFORT BY MAX MOON BUT SHAWN MICHAELS IS STILL THE INTERCONTINENTAL CHAMPION. 1101 00:29:47,820 --> 00:29:49,452 SHAWN MICHAELS IS STILL THE INTERCONTINENTAL CHAMPION. >> THE WINNER OF THIS BOUT AND 1102 00:29:49,454 --> 00:29:50,687 INTERCONTINENTAL CHAMPION. >> THE WINNER OF THIS BOUT AND STILL THE INTERCONTINENTAL 1103 00:29:50,689 --> 00:29:51,288 >> THE WINNER OF THIS BOUT AND STILL THE INTERCONTINENTAL CHAMPION, SHAWN MICHAELS. 1104 00:29:51,290 --> 00:29:52,556 STILL THE INTERCONTINENTAL CHAMPION, SHAWN MICHAELS. >> [MUSIC] 1105 00:29:52,558 --> 00:29:53,490 CHAMPION, SHAWN MICHAELS. >> [MUSIC] >> SHAWN MICHAELS HEADING TO THE 1106 00:29:53,492 --> 00:29:54,391 >> [MUSIC] >> SHAWN MICHAELS HEADING TO THE ROYAL RUMBLE WITH HIS 1107 00:29:54,393 --> 00:29:56,726 >> SHAWN MICHAELS HEADING TO THE ROYAL RUMBLE WITH HIS CHAMPIONSHIP INTACT. 1108 00:29:56,728 --> 00:29:58,562 ROYAL RUMBLE WITH HIS CHAMPIONSHIP INTACT. YOU'RE WATCHING MONDAY NIGHT RAW 1109 00:29:58,564 --> 00:29:59,930 CHAMPIONSHIP INTACT. YOU'RE WATCHING MONDAY NIGHT RAW LIVE FROM NEW YORK AND YOU CAN 1110 00:29:59,932 --> 00:30:05,669 YOU'RE WATCHING MONDAY NIGHT RAW LIVE FROM NEW YORK AND YOU CAN ALSO WATCH WWE MANIA. 1111 00:30:05,671 --> 00:30:07,704 LIVE FROM NEW YORK AND YOU CAN ALSO WATCH WWE MANIA. >> OH, IT'S SATURDAY MORNING. 1112 00:30:07,706 --> 00:30:09,640 ALSO WATCH WWE MANIA. >> OH, IT'S SATURDAY MORNING. YOU JUST CAN'T SEEM TO GET OUT 1113 00:30:09,642 --> 00:30:11,208 >> OH, IT'S SATURDAY MORNING. YOU JUST CAN'T SEEM TO GET OUT OF BED. 1114 00:30:11,210 --> 00:30:14,711 YOU JUST CAN'T SEEM TO GET OUT OF BED. >> OH, WAKE UP. 1115 00:30:14,713 --> 00:30:15,712 OF BED. >> OH, WAKE UP. >> NOW, THERE'S AN EXCITING NEW 1116 00:30:15,714 --> 00:30:16,746 >> OH, WAKE UP. >> NOW, THERE'S AN EXCITING NEW REASON TO RISE AND SHINE. 1117 00:30:16,748 --> 00:30:20,417 >> NOW, THERE'S AN EXCITING NEW REASON TO RISE AND SHINE. WWE MANIA. 1118 00:30:20,419 --> 00:30:21,718 REASON TO RISE AND SHINE. WWE MANIA. THE WHOLE FAMILY WILL LOVE OUR 1119 00:30:21,720 --> 00:30:23,453 WWE MANIA. THE WHOLE FAMILY WILL LOVE OUR STUNNING SUPERSTARS, CANDID 1120 00:30:23,455 --> 00:30:25,622 THE WHOLE FAMILY WILL LOVE OUR STUNNING SUPERSTARS, CANDID INTERVIEWS AND OF COURSE, TONS 1121 00:30:25,624 --> 00:30:27,424 STUNNING SUPERSTARS, CANDID INTERVIEWS AND OF COURSE, TONS OF GREAT WRESTLING ACTION. 1122 00:30:27,426 --> 00:30:28,758 INTERVIEWS AND OF COURSE, TONS OF GREAT WRESTLING ACTION. WWE MANIA WORTH JOLTING THAN A 1123 00:30:28,760 --> 00:30:30,827 OF GREAT WRESTLING ACTION. WWE MANIA WORTH JOLTING THAN A CUP OF COFFEE AND ITS 100% 1124 00:30:30,829 --> 00:30:33,630 WWE MANIA WORTH JOLTING THAN A CUP OF COFFEE AND ITS 100% CAFFEINE FREE. 1125 00:30:33,632 --> 00:30:52,716 CUP OF COFFEE AND ITS 100% CAFFEINE FREE. >> [MUSIC] 1126 00:30:52,718 --> 00:30:54,484 CAFFEINE FREE. >> [MUSIC] >> THIS IS ROYAL RUMBLE REPORT 1127 00:30:54,486 --> 00:30:56,586 >> [MUSIC] >> THIS IS ROYAL RUMBLE REPORT BROUGHT YOU BY ICOPRO, THE 1128 00:30:56,588 --> 00:30:57,587 >> THIS IS ROYAL RUMBLE REPORT BROUGHT YOU BY ICOPRO, THE INTEGRATED CONDITIONING 1129 00:30:57,589 --> 00:30:58,555 BROUGHT YOU BY ICOPRO, THE INTEGRATED CONDITIONING PROGRAMS. 1130 00:30:58,557 --> 00:31:00,457 INTEGRATED CONDITIONING PROGRAMS. LET'S FACE IT, YOU GOT TO WANT 1131 00:31:00,459 --> 00:31:01,524 PROGRAMS. LET'S FACE IT, YOU GOT TO WANT IT. 1132 00:31:01,526 --> 00:31:02,792 LET'S FACE IT, YOU GOT TO WANT IT. WE'RE TWO WEEKS OUT FOR THE 1133 00:31:02,794 --> 00:31:04,527 IT. WE'RE TWO WEEKS OUT FOR THE ROYAL RUMBLE, SUNDAY AFTERNOON, 1134 00:31:04,529 --> 00:31:06,797 WE'RE TWO WEEKS OUT FOR THE ROYAL RUMBLE, SUNDAY AFTERNOON, JANUARY 24TH, 4:00 PM, EASTERN 1135 00:31:06,799 --> 00:31:08,798 ROYAL RUMBLE, SUNDAY AFTERNOON, JANUARY 24TH, 4:00 PM, EASTERN TIME. 1136 00:31:08,800 --> 00:31:10,600 JANUARY 24TH, 4:00 PM, EASTERN TIME. YOU CAN SEE IT EXCLUSIVELY ON 1137 00:31:10,602 --> 00:31:12,402 TIME. YOU CAN SEE IT EXCLUSIVELY ON PAY-PER-VIEW CABLE TV. 1138 00:31:12,404 --> 00:31:14,404 YOU CAN SEE IT EXCLUSIVELY ON PAY-PER-VIEW CABLE TV. HOLD ON TO YOUR HATS, JUST 1139 00:31:14,406 --> 00:31:17,274 PAY-PER-VIEW CABLE TV. HOLD ON TO YOUR HATS, JUST ANNOUNCED WWE INTERCONTINENTAL 1140 00:31:17,276 --> 00:31:18,708 HOLD ON TO YOUR HATS, JUST ANNOUNCED WWE INTERCONTINENTAL CHAMPION SHAWN MICHAELS TO 1141 00:31:18,710 --> 00:31:21,545 ANNOUNCED WWE INTERCONTINENTAL CHAMPION SHAWN MICHAELS TO DEFEND AGAINST CHALLENGER MARTY 1142 00:31:21,547 --> 00:31:22,712 CHAMPION SHAWN MICHAELS TO DEFEND AGAINST CHALLENGER MARTY JANNETTY. 1143 00:31:22,714 --> 00:31:23,580 DEFEND AGAINST CHALLENGER MARTY JANNETTY. NOW, THE WORD IS THAT 1144 00:31:23,582 --> 00:31:25,582 JANNETTY. NOW, THE WORD IS THAT SENSATIONAL SHERRI WILL BE AT 1145 00:31:25,584 --> 00:31:26,816 NOW, THE WORD IS THAT SENSATIONAL SHERRI WILL BE AT RING SIDE BUT IN WHOSE CORNER? 1146 00:31:26,818 --> 00:31:29,686 SENSATIONAL SHERRI WILL BE AT RING SIDE BUT IN WHOSE CORNER? LET'S SEE IF THESE TWO GENTLEMEN 1147 00:31:29,688 --> 00:31:31,622 RING SIDE BUT IN WHOSE CORNER? LET'S SEE IF THESE TWO GENTLEMEN CAN SHED SOME LIGHT ON THAT 1148 00:31:31,624 --> 00:31:33,724 LET'S SEE IF THESE TWO GENTLEMEN CAN SHED SOME LIGHT ON THAT SUBJECT. 1149 00:31:33,726 --> 00:31:35,492 CAN SHED SOME LIGHT ON THAT SUBJECT. >> YOU KNOW, NOBODY HAS BEEN 1150 00:31:35,494 --> 00:31:37,594 SUBJECT. >> YOU KNOW, NOBODY HAS BEEN MORE UNDESERVING OF AN 1151 00:31:37,596 --> 00:31:39,663 >> YOU KNOW, NOBODY HAS BEEN MORE UNDESERVING OF AN INTERCONTINENTAL TITLE SHOT THAN 1152 00:31:39,665 --> 00:31:42,466 MORE UNDESERVING OF AN INTERCONTINENTAL TITLE SHOT THAN YOU, MARTY JANNETTY BUT BEING 1153 00:31:42,468 --> 00:31:43,667 INTERCONTINENTAL TITLE SHOT THAN YOU, MARTY JANNETTY BUT BEING MR. COOL, I'M GONNA GIVE YOU ONE 1154 00:31:43,669 --> 00:31:45,402 YOU, MARTY JANNETTY BUT BEING MR. COOL, I'M GONNA GIVE YOU ONE ANYWAY. 1155 00:31:45,404 --> 00:31:48,405 MR. COOL, I'M GONNA GIVE YOU ONE ANYWAY. AND EVERYBODY WANTS TO KNOW 1156 00:31:48,407 --> 00:31:49,606 ANYWAY. AND EVERYBODY WANTS TO KNOW WHERE IS SHERRI GONNA BE? 1157 00:31:49,608 --> 00:31:51,708 AND EVERYBODY WANTS TO KNOW WHERE IS SHERRI GONNA BE? WHOSE CORNER IS SHE GONNA BE IN? 1158 00:31:51,710 --> 00:31:53,677 WHERE IS SHERRI GONNA BE? WHOSE CORNER IS SHE GONNA BE IN? WELL, I MEAN, I HAVEN'T HAD A 1159 00:31:53,679 --> 00:31:55,645 WHOSE CORNER IS SHE GONNA BE IN? WELL, I MEAN, I HAVEN'T HAD A CHANCE TO TALK TO HER BUT LIKE 1160 00:31:55,647 --> 00:32:00,650 WELL, I MEAN, I HAVEN'T HAD A CHANCE TO TALK TO HER BUT LIKE ANY WOMAN, SHE'S GONNA BE IN THE 1161 00:32:00,652 --> 00:32:01,785 CHANCE TO TALK TO HER BUT LIKE ANY WOMAN, SHE'S GONNA BE IN THE HEARTBREAK KID'S CORNER. 1162 00:32:01,787 --> 00:32:02,552 ANY WOMAN, SHE'S GONNA BE IN THE HEARTBREAK KID'S CORNER. YOU CAN COUNT ON THAT. 1163 00:32:02,554 --> 00:32:03,653 HEARTBREAK KID'S CORNER. YOU CAN COUNT ON THAT. JANNETTY, ROYAL RUMBLE, YOU'RE 1164 00:32:03,655 --> 00:32:05,789 YOU CAN COUNT ON THAT. JANNETTY, ROYAL RUMBLE, YOU'RE DONE. 1165 00:32:05,791 --> 00:32:06,790 JANNETTY, ROYAL RUMBLE, YOU'RE DONE. >> JANUARY 24TH, THE ROYAL 1166 00:32:06,792 --> 00:32:08,692 DONE. >> JANUARY 24TH, THE ROYAL RUMBLE, I'M GONNA CALL IT MARTY 1167 00:32:08,694 --> 00:32:11,361 >> JANUARY 24TH, THE ROYAL RUMBLE, I'M GONNA CALL IT MARTY JANNETTY DAY BECAUSE THAT'S THE 1168 00:32:11,363 --> 00:32:12,462 RUMBLE, I'M GONNA CALL IT MARTY JANNETTY DAY BECAUSE THAT'S THE DAY I'M GONNA GET EVERYTHING I 1169 00:32:12,464 --> 00:32:12,696 JANNETTY DAY BECAUSE THAT'S THE DAY I'M GONNA GET EVERYTHING I WANT. 1170 00:32:12,698 --> 00:32:14,497 DAY I'M GONNA GET EVERYTHING I WANT. I'M GONNA CAPTURE THE 1171 00:32:14,499 --> 00:32:15,598 WANT. I'M GONNA CAPTURE THE INTERCONTINENTAL CHAMPIONSHIP 1172 00:32:15,600 --> 00:32:16,600 I'M GONNA CAPTURE THE INTERCONTINENTAL CHAMPIONSHIP AND MORE THAN THAT, I'M GONNA 1173 00:32:16,602 --> 00:32:18,635 INTERCONTINENTAL CHAMPIONSHIP AND MORE THAN THAT, I'M GONNA END THE CAREER OF YOU SHAWN 1174 00:32:18,637 --> 00:32:19,369 AND MORE THAN THAT, I'M GONNA END THE CAREER OF YOU SHAWN MICHAELS AND YOU'RE TALKING 1175 00:32:19,371 --> 00:32:20,537 END THE CAREER OF YOU SHAWN MICHAELS AND YOU'RE TALKING ABOUT SHERRI BEING IN YOUR 1176 00:32:20,539 --> 00:32:21,438 MICHAELS AND YOU'RE TALKING ABOUT SHERRI BEING IN YOUR CORNER? 1177 00:32:21,440 --> 00:32:22,806 ABOUT SHERRI BEING IN YOUR CORNER? YOU KNOW ALL ABOUT SHERRI? 1178 00:32:22,808 --> 00:32:23,773 CORNER? YOU KNOW ALL ABOUT SHERRI? WELL, MAYBE YOU DON'T KNOW 1179 00:32:23,775 --> 00:32:24,641 YOU KNOW ALL ABOUT SHERRI? WELL, MAYBE YOU DON'T KNOW SHERRI AS WELL AS YOU THINK YOU 1180 00:32:24,643 --> 00:32:26,543 WELL, MAYBE YOU DON'T KNOW SHERRI AS WELL AS YOU THINK YOU DO. 1181 00:32:26,545 --> 00:32:28,545 SHERRI AS WELL AS YOU THINK YOU DO. >> REMEMBER, SENSATIONAL SHERRI 1182 00:32:28,547 --> 00:32:30,480 DO. >> REMEMBER, SENSATIONAL SHERRI WILL DEFINITELY BE AT RING SIDE. 1183 00:32:30,482 --> 00:32:31,748 >> REMEMBER, SENSATIONAL SHERRI WILL DEFINITELY BE AT RING SIDE. THEN 30 OF THE GREATEST 1184 00:32:31,750 --> 00:32:33,583 WILL DEFINITELY BE AT RING SIDE. THEN 30 OF THE GREATEST SUPERSTARS OF THE WORLD 1185 00:32:33,585 --> 00:32:34,884 THEN 30 OF THE GREATEST SUPERSTARS OF THE WORLD WRESTLING ENTERTAINMENT IN THE 1186 00:32:34,886 --> 00:32:35,485 SUPERSTARS OF THE WORLD WRESTLING ENTERTAINMENT IN THE 1993 1187 00:32:35,487 --> 00:32:37,687 WRESTLING ENTERTAINMENT IN THE 1993 AUDITION OF THE ROYAL RUMBLE. 1188 00:32:37,689 --> 00:32:39,489 1993 AUDITION OF THE ROYAL RUMBLE. REMEMBER, ON THIS ONE, IT'S 1189 00:32:39,491 --> 00:32:41,491 AUDITION OF THE ROYAL RUMBLE. REMEMBER, ON THIS ONE, IT'S EVERY MAN FOR HIMSELF. 1190 00:32:41,493 --> 00:32:43,393 REMEMBER, ON THIS ONE, IT'S EVERY MAN FOR HIMSELF. YOU INITIALLY START OUT WITH TWO 1191 00:32:43,395 --> 00:32:44,661 EVERY MAN FOR HIMSELF. YOU INITIALLY START OUT WITH TWO MEN THEN ADD ANOTHER MAN EVERY 1192 00:32:44,663 --> 00:32:46,696 YOU INITIALLY START OUT WITH TWO MEN THEN ADD ANOTHER MAN EVERY TWO MINUTES THEREAFTER. 1193 00:32:46,698 --> 00:32:48,631 MEN THEN ADD ANOTHER MAN EVERY TWO MINUTES THEREAFTER. AND HERE THEY COME. 1194 00:32:48,633 --> 00:32:51,401 TWO MINUTES THEREAFTER. AND HERE THEY COME. LAST YEAR'S WINNER, TWO-TIME 1195 00:32:51,403 --> 00:32:52,736 AND HERE THEY COME. LAST YEAR'S WINNER, TWO-TIME WORLD WRESTLING ENTERTAINMENT 1196 00:32:52,738 --> 00:32:54,671 LAST YEAR'S WINNER, TWO-TIME WORLD WRESTLING ENTERTAINMENT CHAMPION, RIC FLAIR, THE 1197 00:32:54,673 --> 00:32:57,874 WORLD WRESTLING ENTERTAINMENT CHAMPION, RIC FLAIR, THE UNDEFEATED NATIVE AMERICAN, 1198 00:32:57,876 --> 00:32:58,675 CHAMPION, RIC FLAIR, THE UNDEFEATED NATIVE AMERICAN, TATANKA. 1199 00:32:58,677 --> 00:33:01,378 UNDEFEATED NATIVE AMERICAN, TATANKA. TAG TEAM CHAMPION, IRS, FORMER 1200 00:33:01,380 --> 00:33:02,879 TATANKA. TAG TEAM CHAMPION, IRS, FORMER WORLD WRESTLING ENTERTAINMENT 1201 00:33:02,881 --> 00:33:05,382 TAG TEAM CHAMPION, IRS, FORMER WORLD WRESTLING ENTERTAINMENT CHAMPION BOB BACKLUND, "THE 1202 00:33:05,384 --> 00:33:08,318 WORLD WRESTLING ENTERTAINMENT CHAMPION BOB BACKLUND, "THE KING" JERRY LAWLER AND THIS MAN, 1203 00:33:08,320 --> 00:33:10,854 CHAMPION BOB BACKLUND, "THE KING" JERRY LAWLER AND THIS MAN, MR. PERFECT. 1204 00:33:10,856 --> 00:33:12,389 KING" JERRY LAWLER AND THIS MAN, MR. PERFECT. >> TALKING ABOUT HAVING A GOOD 1205 00:33:12,391 --> 00:33:14,624 MR. PERFECT. >> TALKING ABOUT HAVING A GOOD TIME, TALKING ABOUT A SMILE ON 1206 00:33:14,626 --> 00:33:16,459 >> TALKING ABOUT HAVING A GOOD TIME, TALKING ABOUT A SMILE ON THE FACE OF MR. PERFECT? 1207 00:33:16,461 --> 00:33:17,894 TIME, TALKING ABOUT A SMILE ON THE FACE OF MR. PERFECT? NO, IT DOESN'T LOOK OUT OF PLACE 1208 00:33:17,896 --> 00:33:19,496 THE FACE OF MR. PERFECT? NO, IT DOESN'T LOOK OUT OF PLACE BECAUSE THE ROYAL RUMBLE IS 1209 00:33:19,498 --> 00:33:20,597 NO, IT DOESN'T LOOK OUT OF PLACE BECAUSE THE ROYAL RUMBLE IS HERE. 1210 00:33:20,599 --> 00:33:23,533 BECAUSE THE ROYAL RUMBLE IS HERE. AN OPPORTUNITY FOR MR. PERFECT, 1211 00:33:23,535 --> 00:33:25,368 HERE. AN OPPORTUNITY FOR MR. PERFECT, A GUY WHO HAS NO PROBLEMS WITH 1212 00:33:25,370 --> 00:33:27,637 AN OPPORTUNITY FOR MR. PERFECT, A GUY WHO HAS NO PROBLEMS WITH ANYTHING BECAUSE EVERYTHING IN 1213 00:33:27,639 --> 00:33:30,440 A GUY WHO HAS NO PROBLEMS WITH ANYTHING BECAUSE EVERYTHING IN MY LIFE IS PERFECT AND ALL THE 1214 00:33:30,442 --> 00:33:31,674 ANYTHING BECAUSE EVERYTHING IN MY LIFE IS PERFECT AND ALL THE GREAT ATHLETES THAT ENTERED THE 1215 00:33:31,676 --> 00:33:33,410 MY LIFE IS PERFECT AND ALL THE GREAT ATHLETES THAT ENTERED THE ROYAL RUMBLE, NO MATTER HOW BIG 1216 00:33:33,412 --> 00:33:35,345 GREAT ATHLETES THAT ENTERED THE ROYAL RUMBLE, NO MATTER HOW BIG AND HOW STRONG AND HOW POWERFUL 1217 00:33:35,347 --> 00:33:37,447 ROYAL RUMBLE, NO MATTER HOW BIG AND HOW STRONG AND HOW POWERFUL AND HOW SMART YOU ARE, ONE THING 1218 00:33:37,449 --> 00:33:41,551 AND HOW STRONG AND HOW POWERFUL AND HOW SMART YOU ARE, ONE THING YOU'RE NOT AND THAT'S PERFECT. 1219 00:33:41,553 --> 00:33:42,786 AND HOW SMART YOU ARE, ONE THING YOU'RE NOT AND THAT'S PERFECT. >> MORE PROMINENT NAMES INCLUDE, 1220 00:33:42,788 --> 00:33:44,521 YOU'RE NOT AND THAT'S PERFECT. >> MORE PROMINENT NAMES INCLUDE, "THE MILLION DOLLAR MAN" TED 1221 00:33:44,523 --> 00:33:47,924 >> MORE PROMINENT NAMES INCLUDE, "THE MILLION DOLLAR MAN" TED DIBIASE, FROM HAWAII, CRUSH, 1222 00:33:47,926 --> 00:33:50,494 "THE MILLION DOLLAR MAN" TED DIBIASE, FROM HAWAII, CRUSH, "THE MODEL" RICK BARTEL AND 1223 00:33:50,496 --> 00:33:53,797 DIBIASE, FROM HAWAII, CRUSH, "THE MODEL" RICK BARTEL AND 500-POUND PLUS YOKOZUNA WHO IS 1224 00:33:53,799 --> 00:33:55,699 "THE MODEL" RICK BARTEL AND 500-POUND PLUS YOKOZUNA WHO IS STANDING BY WITH HIS MANAGER, 1225 00:33:55,701 --> 00:33:57,667 500-POUND PLUS YOKOZUNA WHO IS STANDING BY WITH HIS MANAGER, MR. FUJI. 1226 00:33:57,669 --> 00:33:59,569 STANDING BY WITH HIS MANAGER, MR. FUJI. >> [SPEAKING IN FOREIGN 1227 00:33:59,571 --> 00:34:00,437 MR. FUJI. >> [SPEAKING IN FOREIGN LANGUAGE] 1228 00:34:00,439 --> 00:34:02,706 >> [SPEAKING IN FOREIGN LANGUAGE] LOOK AT MY YOKOZUNA IN ROYAL 1229 00:34:02,708 --> 00:34:03,840 LANGUAGE] LOOK AT MY YOKOZUNA IN ROYAL RUMBLE. 1230 00:34:03,842 --> 00:34:07,511 LOOK AT MY YOKOZUNA IN ROYAL RUMBLE. NO ONE CAN MOVE MY YOKOZUNA. 1231 00:34:07,513 --> 00:34:09,646 RUMBLE. NO ONE CAN MOVE MY YOKOZUNA. NO ONE CAN LIFT HIM UP OFF HIS 1232 00:34:09,648 --> 00:34:10,447 NO ONE CAN MOVE MY YOKOZUNA. NO ONE CAN LIFT HIM UP OFF HIS FEET. 1233 00:34:10,449 --> 00:34:11,548 NO ONE CAN LIFT HIM UP OFF HIS FEET. >> YOSH. 1234 00:34:11,550 --> 00:34:13,583 FEET. >> YOSH. >> YOKOZUNA 505 POUNDS WILL BE 1235 00:34:13,585 --> 00:34:18,254 >> YOSH. >> YOKOZUNA 505 POUNDS WILL BE THE WINNER IN THE ROYAL RUMBLE 1236 00:34:18,256 --> 00:34:20,590 >> YOKOZUNA 505 POUNDS WILL BE THE WINNER IN THE ROYAL RUMBLE AND ALL 29 OPPONENTS WILL FALL 1237 00:34:20,592 --> 00:34:22,759 THE WINNER IN THE ROYAL RUMBLE AND ALL 29 OPPONENTS WILL FALL OFF ONE BY ONE AND YOKOZUNA WILL 1238 00:34:22,761 --> 00:34:23,593 AND ALL 29 OPPONENTS WILL FALL OFF ONE BY ONE AND YOKOZUNA WILL BE THE WINNER. 1239 00:34:23,595 --> 00:34:24,360 OFF ONE BY ONE AND YOKOZUNA WILL BE THE WINNER. >> YOSH. 1240 00:34:24,362 --> 00:34:24,694 BE THE WINNER. >> YOSH. YOSH. 1241 00:34:24,696 --> 00:34:25,662 >> YOSH. YOSH. YOSH. 1242 00:34:25,664 --> 00:34:26,463 YOSH. YOSH. YOSH. 1243 00:34:26,465 --> 00:34:27,898 YOSH. YOSH. >> OH, YEAH. 1244 00:34:27,900 --> 00:34:28,565 YOSH. >> OH, YEAH. MORE NAMES. 1245 00:34:28,567 --> 00:34:30,667 >> OH, YEAH. MORE NAMES. "THE MACHO MAN" RANDY SAVAGE, 1246 00:34:30,669 --> 00:34:33,570 MORE NAMES. "THE MACHO MAN" RANDY SAVAGE, PAPA SHANGO, EARTHQUAKE, THE 1247 00:34:33,572 --> 00:34:36,673 "THE MACHO MAN" RANDY SAVAGE, PAPA SHANGO, EARTHQUAKE, THE BERSERKER, THE UNDERTAKER, 1248 00:34:36,675 --> 00:34:39,375 PAPA SHANGO, EARTHQUAKE, THE BERSERKER, THE UNDERTAKER, REPRESENTING PUERTO RICO, CARLOS 1249 00:34:39,377 --> 00:34:40,710 BERSERKER, THE UNDERTAKER, REPRESENTING PUERTO RICO, CARLOS COLON. 1250 00:34:40,712 --> 00:34:43,379 REPRESENTING PUERTO RICO, CARLOS COLON. PLUS THESE NAMES JUST ANNOUNCED, 1251 00:34:43,381 --> 00:34:46,416 COLON. PLUS THESE NAMES JUST ANNOUNCED, JAPANESE SUPERSTAR, "THE GREAT" 1252 00:34:46,418 --> 00:34:48,751 PLUS THESE NAMES JUST ANNOUNCED, JAPANESE SUPERSTAR, "THE GREAT" KEN ROO, EL MATADOR TITO 1253 00:34:48,753 --> 00:34:51,688 JAPANESE SUPERSTAR, "THE GREAT" KEN ROO, EL MATADOR TITO SANTANA, ONE HALF OF THE NATURAL 1254 00:34:51,690 --> 00:34:54,724 KEN ROO, EL MATADOR TITO SANTANA, ONE HALF OF THE NATURAL DISASTERS, TYPHOON, BOTH 1255 00:34:54,726 --> 00:34:58,628 SANTANA, ONE HALF OF THE NATURAL DISASTERS, TYPHOON, BOTH HEADSHRINKERS, SAMU AND FATU. 1256 00:34:58,630 --> 00:35:00,763 DISASTERS, TYPHOON, BOTH HEADSHRINKERS, SAMU AND FATU. AND THIS MAN, MR. USA HIMSELF, 1257 00:35:00,765 --> 00:35:05,902 HEADSHRINKERS, SAMU AND FATU. AND THIS MAN, MR. USA HIMSELF, "HACKSAW" JIM DUGGAN. 1258 00:35:05,904 --> 00:35:07,604 AND THIS MAN, MR. USA HIMSELF, "HACKSAW" JIM DUGGAN. >> HELLO. 1259 00:35:07,606 --> 00:35:08,605 "HACKSAW" JIM DUGGAN. >> HELLO. HEY FOLKS, IT'S ROYAL RUMBLE 1260 00:35:08,607 --> 00:35:09,806 >> HELLO. HEY FOLKS, IT'S ROYAL RUMBLE TIME. 1261 00:35:09,808 --> 00:35:11,841 HEY FOLKS, IT'S ROYAL RUMBLE TIME. "HACKSAW" JIM DUGGAN'S KIND OF 1262 00:35:11,843 --> 00:35:13,676 TIME. "HACKSAW" JIM DUGGAN'S KIND OF MATCH BECAUSE IF IT MOVES, YOU 1263 00:35:13,678 --> 00:35:15,445 "HACKSAW" JIM DUGGAN'S KIND OF MATCH BECAUSE IF IT MOVES, YOU NAIL IT. 1264 00:35:15,447 --> 00:35:17,514 MATCH BECAUSE IF IT MOVES, YOU NAIL IT. NO FRIEND, ALL FOES OUT THERE. 1265 00:35:17,516 --> 00:35:19,382 NAIL IT. NO FRIEND, ALL FOES OUT THERE. I WANNA TELL YOU FOLKS, ONE 1266 00:35:19,384 --> 00:35:21,451 NO FRIEND, ALL FOES OUT THERE. I WANNA TELL YOU FOLKS, ONE THING, I'M NOT GONNA GUARANTEE I 1267 00:35:21,453 --> 00:35:22,752 I WANNA TELL YOU FOLKS, ONE THING, I'M NOT GONNA GUARANTEE I WIN THE MATCH BUT I GUARANTEE, 1268 00:35:22,754 --> 00:35:24,688 THING, I'M NOT GONNA GUARANTEE I WIN THE MATCH BUT I GUARANTEE, I'LL GIVE YOU HAVE 110% TOUGH 1269 00:35:24,690 --> 00:35:27,457 WIN THE MATCH BUT I GUARANTEE, I'LL GIVE YOU HAVE 110% TOUGH GUY. 1270 00:35:27,459 --> 00:35:28,858 I'LL GIVE YOU HAVE 110% TOUGH GUY. >> DON'T FORGET THERE'S EVEN 1271 00:35:28,860 --> 00:35:30,427 GUY. >> DON'T FORGET THERE'S EVEN MORE PRESTIGE IN THIS YEAR'S 1272 00:35:30,429 --> 00:35:32,395 >> DON'T FORGET THERE'S EVEN MORE PRESTIGE IN THIS YEAR'S ROYAL RUMBLE BECAUSE THE WINNER 1273 00:35:32,397 --> 00:35:34,631 MORE PRESTIGE IN THIS YEAR'S ROYAL RUMBLE BECAUSE THE WINNER WILL HAVE AN OPPORTUNITY TO MEET 1274 00:35:34,633 --> 00:35:35,465 ROYAL RUMBLE BECAUSE THE WINNER WILL HAVE AN OPPORTUNITY TO MEET THE WORLD WRESTLING 1275 00:35:35,467 --> 00:35:36,533 WILL HAVE AN OPPORTUNITY TO MEET THE WORLD WRESTLING ENTERTAINMENT 1276 00:35:36,535 --> 00:35:37,634 THE WORLD WRESTLING ENTERTAINMENT CHAMPION AT WRESTLEMANIA IX AT 1277 00:35:37,636 --> 00:35:40,570 ENTERTAINMENT CHAMPION AT WRESTLEMANIA IX AT CAESARS PALACE IN LAS VEGAS, 1278 00:35:40,572 --> 00:35:41,705 CHAMPION AT WRESTLEMANIA IX AT CAESARS PALACE IN LAS VEGAS, NEVADA. 1279 00:35:41,707 --> 00:35:43,773 CAESARS PALACE IN LAS VEGAS, NEVADA. SPEAKING OF THE WORLD WRESTLING 1280 00:35:43,775 --> 00:35:44,641 NEVADA. SPEAKING OF THE WORLD WRESTLING ENTERTAINMENT CHAMPION IN THE 1281 00:35:44,643 --> 00:35:46,543 SPEAKING OF THE WORLD WRESTLING ENTERTAINMENT CHAMPION IN THE MAIN 1282 00:35:46,545 --> 00:35:47,878 ENTERTAINMENT CHAMPION IN THE MAIN EVENT AT THE ROYAL RUMBLE, BRETT 1283 00:35:47,880 --> 00:35:50,280 MAIN EVENT AT THE ROYAL RUMBLE, BRETT "THE HITMAN" HART MEETS RAZOR 1284 00:35:50,282 --> 00:35:51,814 EVENT AT THE ROYAL RUMBLE, BRETT "THE HITMAN" HART MEETS RAZOR RAMON AS, YOU KNOW, THE EMOTIONS 1285 00:35:51,816 --> 00:35:53,650 "THE HITMAN" HART MEETS RAZOR RAMON AS, YOU KNOW, THE EMOTIONS BETWEEN THESE TWO MEN ARE 1286 00:35:53,652 --> 00:35:55,451 RAMON AS, YOU KNOW, THE EMOTIONS BETWEEN THESE TWO MEN ARE RUNNING AT AN INCREDIBLE FEVER 1287 00:35:55,453 --> 00:35:56,653 BETWEEN THESE TWO MEN ARE RUNNING AT AN INCREDIBLE FEVER PITCH. 1288 00:35:56,655 --> 00:35:58,455 RUNNING AT AN INCREDIBLE FEVER PITCH. WE'RE JUST TWO WEEKS AWAY. 1289 00:35:58,457 --> 00:35:59,689 PITCH. WE'RE JUST TWO WEEKS AWAY. DON'T GET CAUGHT ON THE LAST 1290 00:35:59,691 --> 00:36:01,458 WE'RE JUST TWO WEEKS AWAY. DON'T GET CAUGHT ON THE LAST MINUTE SHUFFLE, CONTACT YOUR 1291 00:36:01,460 --> 00:36:02,626 DON'T GET CAUGHT ON THE LAST MINUTE SHUFFLE, CONTACT YOUR LOCAL CABLE COMPANY RIGHT NOW 1292 00:36:02,628 --> 00:36:03,593 MINUTE SHUFFLE, CONTACT YOUR LOCAL CABLE COMPANY RIGHT NOW AND JOIN US EXCLUSIVELY ON 1293 00:36:03,595 --> 00:36:08,565 LOCAL CABLE COMPANY RIGHT NOW AND JOIN US EXCLUSIVELY ON PAY-PER-VIEW CABLE TV. 1294 00:36:08,567 --> 00:36:09,465 AND JOIN US EXCLUSIVELY ON PAY-PER-VIEW CABLE TV. [INDISTINCT] 1295 00:36:09,467 --> 00:36:11,434 PAY-PER-VIEW CABLE TV. [INDISTINCT] FOR ONE OF THE YEAR'S BIGGEST 1296 00:36:11,436 --> 00:36:13,503 [INDISTINCT] FOR ONE OF THE YEAR'S BIGGEST SPECTACULARS, SUNDAY AFTERNOON, 1297 00:36:13,505 --> 00:36:16,339 FOR ONE OF THE YEAR'S BIGGEST SPECTACULARS, SUNDAY AFTERNOON, JANUARY 24TH AT 4:00 PM, IT'S 1298 00:36:16,341 --> 00:36:19,742 SPECTACULARS, SUNDAY AFTERNOON, JANUARY 24TH AT 4:00 PM, IT'S THE ROYAL RUMBLE. 1299 00:36:19,744 --> 00:36:22,345 JANUARY 24TH AT 4:00 PM, IT'S THE ROYAL RUMBLE. >> THERE IS NO MORE ROOM INSIDE 1300 00:36:22,347 --> 00:36:23,413 THE ROYAL RUMBLE. >> THERE IS NO MORE ROOM INSIDE BUT THE WORD IS OUT. 1301 00:36:23,415 --> 00:36:24,447 >> THERE IS NO MORE ROOM INSIDE BUT THE WORD IS OUT. THESE FOLKS ARE LINING UP TO GET 1302 00:36:24,449 --> 00:36:25,615 BUT THE WORD IS OUT. THESE FOLKS ARE LINING UP TO GET TICKETS FOR NEXT WEEK'S MONDAY 1303 00:36:25,617 --> 00:36:27,584 THESE FOLKS ARE LINING UP TO GET TICKETS FOR NEXT WEEK'S MONDAY NIGHT WWE RAW. 1304 00:36:27,586 --> 00:36:29,352 TICKETS FOR NEXT WEEK'S MONDAY NIGHT WWE RAW. EXCUSE ME, SIR, SIR, I JUST--I 1305 00:36:29,354 --> 00:36:29,886 NIGHT WWE RAW. EXCUSE ME, SIR, SIR, I JUST--I JUST WANNA... 1306 00:36:29,888 --> 00:36:30,587 EXCUSE ME, SIR, SIR, I JUST--I JUST WANNA... >> WHAT? 1307 00:36:30,589 --> 00:36:31,688 JUST WANNA... >> WHAT? >> I JUST WANNA ASK YOU A 1308 00:36:31,690 --> 00:36:32,488 >> WHAT? >> I JUST WANNA ASK YOU A QUESTION, ARE YOU GETTING YOUR 1309 00:36:32,490 --> 00:36:33,556 >> I JUST WANNA ASK YOU A QUESTION, ARE YOU GETTING YOUR TICKETS FOR NEXT WEEK'S... 1310 00:36:33,558 --> 00:36:35,358 QUESTION, ARE YOU GETTING YOUR TICKETS FOR NEXT WEEK'S... >> I GOT TO GET IN LINE HERE. 1311 00:36:35,360 --> 00:36:35,858 TICKETS FOR NEXT WEEK'S... >> I GOT TO GET IN LINE HERE. >> GET IN LINE? 1312 00:36:35,860 --> 00:36:36,559 >> I GOT TO GET IN LINE HERE. >> GET IN LINE? >> YES, I GOT TO GET INSIDE 1313 00:36:36,561 --> 00:36:37,694 >> GET IN LINE? >> YES, I GOT TO GET INSIDE THERE. 1314 00:36:37,696 --> 00:36:38,528 >> YES, I GOT TO GET INSIDE THERE. I GOT TO SEE--I GOT--WHAT? 1315 00:36:38,530 --> 00:36:39,762 THERE. I GOT TO SEE--I GOT--WHAT? >> WHAT'S YOUR PROBLEM? 1316 00:36:39,764 --> 00:36:40,564 I GOT TO SEE--I GOT--WHAT? >> WHAT'S YOUR PROBLEM? >> I GOT TO SEE MY NEPHEW. 1317 00:36:40,566 --> 00:36:41,464 >> WHAT'S YOUR PROBLEM? >> I GOT TO SEE MY NEPHEW. HIS NAME IS ROB BARTLETT. 1318 00:36:41,466 --> 00:36:42,265 >> I GOT TO SEE MY NEPHEW. HIS NAME IS ROB BARTLETT. >> OH, YOU HAVE A RELATION WITH 1319 00:36:42,267 --> 00:36:43,500 HIS NAME IS ROB BARTLETT. >> OH, YOU HAVE A RELATION WITH BARTLETT? 1320 00:36:43,502 --> 00:36:44,434 >> OH, YOU HAVE A RELATION WITH BARTLETT? >> YES, I'M UNCLE MARTY FELDMAN, 1321 00:36:44,436 --> 00:36:45,268 BARTLETT? >> YES, I'M UNCLE MARTY FELDMAN, HE NEEDS ME INSIDE. 1322 00:36:45,270 --> 00:36:46,536 >> YES, I'M UNCLE MARTY FELDMAN, HE NEEDS ME INSIDE. I GOT TO GO NOW INSIDE. 1323 00:36:46,538 --> 00:36:47,470 HE NEEDS ME INSIDE. I GOT TO GO NOW INSIDE. >> I THINK--I THINK WE RAN INTO 1324 00:36:47,472 --> 00:36:48,438 I GOT TO GO NOW INSIDE. >> I THINK--I THINK WE RAN INTO YOUR WIFE EARLIER. 1325 00:36:48,440 --> 00:36:48,904 >> I THINK--I THINK WE RAN INTO YOUR WIFE EARLIER. WAIT A MINUTE NOW. 1326 00:36:48,906 --> 00:36:49,506 YOUR WIFE EARLIER. WAIT A MINUTE NOW. >> I'VE GOT TO GO INSIDE. 1327 00:36:49,508 --> 00:36:50,340 WAIT A MINUTE NOW. >> I'VE GOT TO GO INSIDE. >> WHAT ARE YOU TALKING? 1328 00:36:50,342 --> 00:36:50,906 >> I'VE GOT TO GO INSIDE. >> WHAT ARE YOU TALKING? >> I HAVE TO. 1329 00:36:50,908 --> 00:36:51,875 >> WHAT ARE YOU TALKING? >> I HAVE TO. HE'S GOT THE TICKETS FOR ME FOR 1330 00:36:51,877 --> 00:36:52,709 >> I HAVE TO. HE'S GOT THE TICKETS FOR ME FOR TONIGHT, FOR THE RAW AND 1331 00:36:52,711 --> 00:36:53,509 HE'S GOT THE TICKETS FOR ME FOR TONIGHT, FOR THE RAW AND DISCOUNT. 1332 00:36:53,511 --> 00:36:54,277 TONIGHT, FOR THE RAW AND DISCOUNT. HE'S GOT THE DISCOUNT. 1333 00:36:54,279 --> 00:36:55,478 DISCOUNT. HE'S GOT THE DISCOUNT. HE'S A GOOD PAYER, HE'S A GOOD 1334 00:36:55,480 --> 00:36:56,346 HE'S GOT THE DISCOUNT. HE'S A GOOD PAYER, HE'S A GOOD BOY. 1335 00:36:56,348 --> 00:36:57,079 HE'S A GOOD PAYER, HE'S A GOOD BOY. >> WAIT A MINUTE. 1336 00:36:57,081 --> 00:36:57,647 BOY. >> WAIT A MINUTE. UNCLE MARTY, YOU SEEM TO BE 1337 00:36:57,649 --> 00:36:58,715 >> WAIT A MINUTE. UNCLE MARTY, YOU SEEM TO BE HAVING A LITTLE PROBLEM HERE 1338 00:36:58,717 --> 00:36:59,616 UNCLE MARTY, YOU SEEM TO BE HAVING A LITTLE PROBLEM HERE WITH YOUR BEARD. 1339 00:36:59,618 --> 00:36:59,916 HAVING A LITTLE PROBLEM HERE WITH YOUR BEARD. BOBBY HEENAN? 1340 00:36:59,918 --> 00:37:00,684 WITH YOUR BEARD. BOBBY HEENAN? >> OKAY. 1341 00:37:00,686 --> 00:37:01,517 BOBBY HEENAN? >> OKAY. YOU KNOW. 1342 00:37:01,519 --> 00:37:02,352 >> OKAY. YOU KNOW. I GOT TO GET INSIDE. 1343 00:37:02,354 --> 00:37:03,386 YOU KNOW. I GOT TO GET INSIDE. >> WELL, YOU GO--YOU'LL GO TO 1344 00:37:03,388 --> 00:37:04,454 I GOT TO GET INSIDE. >> WELL, YOU GO--YOU'LL GO TO ANY LENGTH. 1345 00:37:04,456 --> 00:37:04,920 >> WELL, YOU GO--YOU'LL GO TO ANY LENGTH. >> I GOT TO GO. 1346 00:37:04,922 --> 00:37:06,556 ANY LENGTH. >> I GOT TO GO. I'LL GO TO ANY LENGTH. 1347 00:37:06,558 --> 00:37:07,257 >> I GOT TO GO. I'LL GO TO ANY LENGTH. I GOT TO GET INSIDE. 1348 00:37:07,259 --> 00:37:08,291 I'LL GO TO ANY LENGTH. I GOT TO GET INSIDE. I GOT TO GET IN THERE. 1349 00:37:08,293 --> 00:37:09,259 I GOT TO GET INSIDE. I GOT TO GET IN THERE. >> UNBELIEVABLE. 1350 00:37:09,261 --> 00:37:09,792 I GOT TO GET IN THERE. >> UNBELIEVABLE. >> I GOT TO GO. 1351 00:37:09,794 --> 00:37:10,694 >> UNBELIEVABLE. >> I GOT TO GO. NO, PLEASE, YOU GOT TO 1352 00:37:10,696 --> 00:37:11,494 >> I GOT TO GO. NO, PLEASE, YOU GOT TO UNDERSTAND. 1353 00:37:11,496 --> 00:37:12,095 NO, PLEASE, YOU GOT TO UNDERSTAND. I GOT TO GET--THE ROOF, THE 1354 00:37:12,097 --> 00:37:12,595 UNDERSTAND. I GOT TO GET--THE ROOF, THE ROOF. 1355 00:37:12,597 --> 00:37:13,863 I GOT TO GET--THE ROOF, THE ROOF. THE ROOF. 1356 00:37:13,865 --> 00:37:14,864 ROOF. THE ROOF. THERE'S GOT TO BE A WAY IN ON 1357 00:37:14,866 --> 00:37:15,565 THE ROOF. THERE'S GOT TO BE A WAY IN ON THE ROOF. 1358 00:37:15,567 --> 00:37:16,933 THERE'S GOT TO BE A WAY IN ON THE ROOF. >> [MUSIC] 1359 00:37:16,935 --> 00:37:24,340 THE ROOF. >> [MUSIC] >> [CROWD CHEERING] 1360 00:37:24,342 --> 00:37:25,709 >> [MUSIC] >> [CROWD CHEERING] >> WE INVITE YOU TO BE A PART OF 1361 00:37:25,711 --> 00:37:28,411 >> [CROWD CHEERING] >> WE INVITE YOU TO BE A PART OF THE EXCITEMENT LIVE HERE AT 1362 00:37:28,413 --> 00:37:29,512 >> WE INVITE YOU TO BE A PART OF THE EXCITEMENT LIVE HERE AT MONDAY NIGHT RAW. 1363 00:37:29,514 --> 00:37:32,548 THE EXCITEMENT LIVE HERE AT MONDAY NIGHT RAW. FOR TICKETS, ALL YOU HAVE TO DO 1364 00:37:32,550 --> 00:37:33,683 MONDAY NIGHT RAW. FOR TICKETS, ALL YOU HAVE TO DO TO CALL IS THE AREA CODE 1365 00:37:33,685 --> 00:37:38,554 FOR TICKETS, ALL YOU HAVE TO DO TO CALL IS THE AREA CODE 203-352-8692 MONDAY THROUGH 1366 00:37:38,556 --> 00:37:40,423 TO CALL IS THE AREA CODE 203-352-8692 MONDAY THROUGH SATURDAY, 9:00 TO 5:00 EASTERN 1367 00:37:40,425 --> 00:37:41,625 203-352-8692 MONDAY THROUGH SATURDAY, 9:00 TO 5:00 EASTERN TIME. 1368 00:37:41,627 --> 00:37:42,892 SATURDAY, 9:00 TO 5:00 EASTERN TIME. SO IF YOU LIVE IN THE NEW YORK 1369 00:37:42,894 --> 00:37:44,394 TIME. SO IF YOU LIVE IN THE NEW YORK CITY AREA OR PLAN TO VISIT, 1370 00:37:44,396 --> 00:37:45,862 SO IF YOU LIVE IN THE NEW YORK CITY AREA OR PLAN TO VISIT, DON'T MISS OUT ON THE HOTTEST 1371 00:37:45,864 --> 00:37:48,765 CITY AREA OR PLAN TO VISIT, DON'T MISS OUT ON THE HOTTEST LIVE ACTION AROUND, IT'S WWE 1372 00:37:48,767 --> 00:37:51,467 DON'T MISS OUT ON THE HOTTEST LIVE ACTION AROUND, IT'S WWE MONDAY NIGHT RAW UNCUT. 1373 00:37:51,469 --> 00:37:52,769 LIVE ACTION AROUND, IT'S WWE MONDAY NIGHT RAW UNCUT. >> UNCENSORED. 1374 00:37:52,771 --> 00:37:53,536 MONDAY NIGHT RAW UNCUT. >> UNCENSORED. >> UNCOOKED. 1375 00:37:53,538 --> 00:37:54,804 >> UNCENSORED. >> UNCOOKED. >> WAIT A MINUTE, LET'S GET IT 1376 00:37:54,806 --> 00:37:55,538 >> UNCOOKED. >> WAIT A MINUTE, LET'S GET IT STRAIGHT. 1377 00:37:55,540 --> 00:37:56,539 >> WAIT A MINUTE, LET'S GET IT STRAIGHT. >> UNCUT. 1378 00:37:56,541 --> 00:37:56,873 STRAIGHT. >> UNCUT. >> UNCOOKED. 1379 00:37:56,875 --> 00:37:57,607 >> UNCUT. >> UNCOOKED. >> UNCENSORED. 1380 00:37:57,609 --> 00:37:58,374 >> UNCOOKED. >> UNCENSORED. >> THERE YOU GO. 1381 00:37:58,376 --> 00:37:59,542 >> UNCENSORED. >> THERE YOU GO. >> AGAIN. 1382 00:37:59,544 --> 00:38:01,244 >> THERE YOU GO. >> AGAIN. >> UGANDAN GIANT, THE MIGHTY 1383 00:38:01,246 --> 00:38:02,578 >> AGAIN. >> UGANDAN GIANT, THE MIGHTY KAMALA THIS PAST WEEKEND ON THE 1384 00:38:02,580 --> 00:38:03,546 >> UGANDAN GIANT, THE MIGHTY KAMALA THIS PAST WEEKEND ON THE WWE NETWORK. 1385 00:38:03,548 --> 00:38:05,682 KAMALA THIS PAST WEEKEND ON THE WWE NETWORK. YOU MIGHT SAY THAT HE SAW THE 1386 00:38:05,684 --> 00:38:07,784 WWE NETWORK. YOU MIGHT SAY THAT HE SAW THE LIGHT, THANKS TO REVEREND SLICK. 1387 00:38:07,786 --> 00:38:19,395 YOU MIGHT SAY THAT HE SAW THE LIGHT, THANKS TO REVEREND SLICK. >> [MUSIC] 1388 00:38:19,397 --> 00:39:44,380 LIGHT, THANKS TO REVEREND SLICK. >> [MUSIC] >> [CROWD CHEERING] 1389 00:39:44,382 --> 00:39:45,448 >> [MUSIC] >> [CROWD CHEERING] >> [BELL RINGING] 1390 00:39:45,450 --> 00:39:46,716 >> [CROWD CHEERING] >> [BELL RINGING] >> THE UGANDAN GIANT STILL 1391 00:39:46,718 --> 00:39:48,684 >> [BELL RINGING] >> THE UGANDAN GIANT STILL CHASING HIS FORMER MANAGER 1392 00:39:48,686 --> 00:39:52,722 >> THE UGANDAN GIANT STILL CHASING HIS FORMER MANAGER HARVEY WIPPLEMAN AND KIM CHEE. 1393 00:39:52,724 --> 00:39:54,557 CHASING HIS FORMER MANAGER HARVEY WIPPLEMAN AND KIM CHEE. >> AND WAIT A MINUTE, FOR WHOM 1394 00:39:54,559 --> 00:39:56,325 HARVEY WIPPLEMAN AND KIM CHEE. >> AND WAIT A MINUTE, FOR WHOM THE BELL TOLLS? 1395 00:39:56,327 --> 00:39:57,393 >> AND WAIT A MINUTE, FOR WHOM THE BELL TOLLS? >> THIS GUY LOOKS LIKE HE GOT 1396 00:39:57,395 --> 00:39:58,494 THE BELL TOLLS? >> THIS GUY LOOKS LIKE HE GOT HIS HAIRCUT DURING A POWER 1397 00:39:58,496 --> 00:40:00,730 >> THIS GUY LOOKS LIKE HE GOT HIS HAIRCUT DURING A POWER SURGE. 1398 00:40:00,732 --> 00:40:03,767 HIS HAIRCUT DURING A POWER SURGE. >> IN THE RING FROM THE OUTER 1399 00:40:03,769 --> 00:40:04,801 SURGE. >> IN THE RING FROM THE OUTER REACHES OF YOUR MIND, WEIGHING 1400 00:40:04,803 --> 00:40:06,836 >> IN THE RING FROM THE OUTER REACHES OF YOUR MIND, WEIGHING 269 POUNDS, DAMIAN DEMENTO. 1401 00:40:06,838 --> 00:40:07,837 REACHES OF YOUR MIND, WEIGHING 269 POUNDS, DAMIAN DEMENTO. >> WELL, AT LEAST HE'S USING HIS 1402 00:40:07,839 --> 00:40:08,772 269 POUNDS, DAMIAN DEMENTO. >> WELL, AT LEAST HE'S USING HIS REAL NAME. 1403 00:40:08,774 --> 00:40:11,641 >> WELL, AT LEAST HE'S USING HIS REAL NAME. >> [CROWD CHEERING] 1404 00:40:11,643 --> 00:40:12,708 REAL NAME. >> [CROWD CHEERING] >> FROM THE OUTER REACHES OF 1405 00:40:12,710 --> 00:40:14,410 >> [CROWD CHEERING] >> FROM THE OUTER REACHES OF YOUR MIND, THAT'S NO PLACE TO BE 1406 00:40:14,412 --> 00:40:15,678 >> FROM THE OUTER REACHES OF YOUR MIND, THAT'S NO PLACE TO BE FROM. 1407 00:40:15,680 --> 00:40:17,413 YOUR MIND, THAT'S NO PLACE TO BE FROM. >> AND TAKE A LOOK LADIES AND 1408 00:40:17,415 --> 00:40:19,782 FROM. >> AND TAKE A LOOK LADIES AND GENTLEMEN, THE PHENOM KNOWN AS 1409 00:40:19,784 --> 00:40:22,685 >> AND TAKE A LOOK LADIES AND GENTLEMEN, THE PHENOM KNOWN AS THE UNDERTAKER. 1410 00:40:22,687 --> 00:40:24,487 GENTLEMEN, THE PHENOM KNOWN AS THE UNDERTAKER. >> GET YOUR HAIR OUT OF YOUR 1411 00:40:24,489 --> 00:40:25,621 THE UNDERTAKER. >> GET YOUR HAIR OUT OF YOUR FACE. 1412 00:40:25,623 --> 00:40:27,256 >> GET YOUR HAIR OUT OF YOUR FACE. YOU HAVE SUCH A PRETTY FACE. 1413 00:40:27,258 --> 00:40:33,362 FACE. YOU HAVE SUCH A PRETTY FACE. >> THE COMPETITOR , WEIGHING 228 1414 00:40:33,364 --> 00:40:33,963 YOU HAVE SUCH A PRETTY FACE. >> THE COMPETITOR , WEIGHING 228 POUNDS, THE UNDERTAKER. 1415 00:40:33,965 --> 00:40:34,631 >> THE COMPETITOR , WEIGHING 228 POUNDS, THE UNDERTAKER. >> [CROWD CHEERING] 1416 00:40:34,633 --> 00:40:35,798 POUNDS, THE UNDERTAKER. >> [CROWD CHEERING] >> WE ARE LIVE FROM NEW YORK 1417 00:40:35,800 --> 00:40:37,467 >> [CROWD CHEERING] >> WE ARE LIVE FROM NEW YORK CITY AND BY THE WAY, WE'D LIKE 1418 00:40:37,469 --> 00:40:38,501 >> WE ARE LIVE FROM NEW YORK CITY AND BY THE WAY, WE'D LIKE TO THANK THE GOOD FOLKS OVER AT 1419 00:40:38,503 --> 00:40:40,403 CITY AND BY THE WAY, WE'D LIKE TO THANK THE GOOD FOLKS OVER AT WFAN RADIO HERE IN NEW YORK FOR 1420 00:40:40,405 --> 00:40:42,605 TO THANK THE GOOD FOLKS OVER AT WFAN RADIO HERE IN NEW YORK FOR ALLOWING US TO HAVE A ROB 1421 00:40:42,607 --> 00:40:44,808 WFAN RADIO HERE IN NEW YORK FOR ALLOWING US TO HAVE A ROB BARTLETT HERE AT RING SIDE. 1422 00:40:44,810 --> 00:40:46,776 ALLOWING US TO HAVE A ROB BARTLETT HERE AT RING SIDE. WE CERTAINLY WOULD LIKE TO THANK 1423 00:40:46,778 --> 00:40:48,811 BARTLETT HERE AT RING SIDE. WE CERTAINLY WOULD LIKE TO THANK THAT MEDIA ICON, DON IMUS, 1424 00:40:48,813 --> 00:40:50,580 WE CERTAINLY WOULD LIKE TO THANK THAT MEDIA ICON, DON IMUS, WINNER OF THE PRESTIGIOUS 1425 00:40:50,582 --> 00:40:52,615 THAT MEDIA ICON, DON IMUS, WINNER OF THE PRESTIGIOUS MARCONI AWARD AND FORMER 1426 00:40:52,617 --> 00:40:53,616 WINNER OF THE PRESTIGIOUS MARCONI AWARD AND FORMER GOVERNOR OF THE STATE OF 1427 00:40:53,618 --> 00:40:54,617 MARCONI AWARD AND FORMER GOVERNOR OF THE STATE OF CONNECTICUT TODAY. 1428 00:40:54,619 --> 00:40:55,852 GOVERNOR OF THE STATE OF CONNECTICUT TODAY. >> FOR ALLOWING ROB TO BE HERE 1429 00:40:55,854 --> 00:40:56,653 CONNECTICUT TODAY. >> FOR ALLOWING ROB TO BE HERE WITH US. 1430 00:40:56,655 --> 00:40:57,554 >> FOR ALLOWING ROB TO BE HERE WITH US. >> WHO'S THE GUY WITH THE 1431 00:40:57,556 --> 00:40:59,455 WITH US. >> WHO'S THE GUY WITH THE MARTINI SHAKER, VINCE? 1432 00:40:59,457 --> 00:41:00,056 >> WHO'S THE GUY WITH THE MARTINI SHAKER, VINCE? >> [BELL RINGING] 1433 00:41:00,058 --> 00:41:01,390 MARTINI SHAKER, VINCE? >> [BELL RINGING] >> WELL, YOU'VE BEEN WORKING 1434 00:41:01,392 --> 00:41:02,625 >> [BELL RINGING] >> WELL, YOU'VE BEEN WORKING ALREADY FOR SOMETIME, YOU DON'T 1435 00:41:02,627 --> 00:41:03,759 >> WELL, YOU'VE BEEN WORKING ALREADY FOR SOMETIME, YOU DON'T KNOW WHO THAT IS? 1436 00:41:03,761 --> 00:41:05,661 ALREADY FOR SOMETIME, YOU DON'T KNOW WHO THAT IS? TAKE A LOOK, WHO DOES HE REMIND 1437 00:41:05,663 --> 00:41:06,662 KNOW WHO THAT IS? TAKE A LOOK, WHO DOES HE REMIND YOU OF? 1438 00:41:06,664 --> 00:41:07,697 TAKE A LOOK, WHO DOES HE REMIND YOU OF? THAT'S PAUL BEARER FROM THE 1439 00:41:07,699 --> 00:41:09,632 YOU OF? THAT'S PAUL BEARER FROM THE FAMOUS BEARER FAMILY. 1440 00:41:09,634 --> 00:41:10,600 THAT'S PAUL BEARER FROM THE FAMOUS BEARER FAMILY. >> HE COULD USE AN IRON 1441 00:41:10,602 --> 00:41:11,567 FAMOUS BEARER FAMILY. >> HE COULD USE AN IRON SUPPLEMENT, HE LOOKS A LITTLE 1442 00:41:11,569 --> 00:41:13,503 >> HE COULD USE AN IRON SUPPLEMENT, HE LOOKS A LITTLE PALE. 1443 00:41:13,505 --> 00:41:14,370 SUPPLEMENT, HE LOOKS A LITTLE PALE. >> YOU KNOW, THERE'S NOT A WHOLE 1444 00:41:14,372 --> 00:41:16,840 PALE. >> YOU KNOW, THERE'S NOT A WHOLE LOT OF SUN HERE IN NEW YORK, ALL 1445 00:41:16,842 --> 00:41:17,640 >> YOU KNOW, THERE'S NOT A WHOLE LOT OF SUN HERE IN NEW YORK, ALL THESE TALL BUILDINGS AROUND AND 1446 00:41:17,642 --> 00:41:19,542 LOT OF SUN HERE IN NEW YORK, ALL THESE TALL BUILDINGS AROUND AND STUFF. 1447 00:41:19,544 --> 00:41:20,409 THESE TALL BUILDINGS AROUND AND STUFF. >> HE'S DEFINITELY EARNED THE 1448 00:41:20,411 --> 00:41:21,811 STUFF. >> HE'S DEFINITELY EARNED THE RIGHT TO BE THE UNDERTAKER'S 1449 00:41:21,813 --> 00:41:22,445 >> HE'S DEFINITELY EARNED THE RIGHT TO BE THE UNDERTAKER'S MANAGER. 1450 00:41:22,447 --> 00:41:25,882 RIGHT TO BE THE UNDERTAKER'S MANAGER. >> WHOA, DAMIAN DEMENTO. 1451 00:41:25,884 --> 00:41:27,417 MANAGER. >> WHOA, DAMIAN DEMENTO. LOOK AT THIS. 1452 00:41:27,419 --> 00:41:28,784 >> WHOA, DAMIAN DEMENTO. LOOK AT THIS. RIGHT IN THE CHOPS. 1453 00:41:28,786 --> 00:41:30,620 LOOK AT THIS. RIGHT IN THE CHOPS. A HARD RIGHT IN--ANOTHER ONE, 1454 00:41:30,622 --> 00:41:33,523 RIGHT IN THE CHOPS. A HARD RIGHT IN--ANOTHER ONE, LOOK AT THAT RIGHT IN THE CHOPS. 1455 00:41:33,525 --> 00:41:34,624 A HARD RIGHT IN--ANOTHER ONE, LOOK AT THAT RIGHT IN THE CHOPS. DAMIAN DEMENTO BACKING THE 1456 00:41:34,626 --> 00:41:36,425 LOOK AT THAT RIGHT IN THE CHOPS. DAMIAN DEMENTO BACKING THE UNDERTAKER UP, HAS HIM ROLLING 1457 00:41:36,427 --> 00:41:37,927 DAMIAN DEMENTO BACKING THE UNDERTAKER UP, HAS HIM ROLLING NOW, OFF THE ROPE AND--OH, MY. 1458 00:41:37,929 --> 00:41:39,629 UNDERTAKER UP, HAS HIM ROLLING NOW, OFF THE ROPE AND--OH, MY. >> [CROWD CHEERING] 1459 00:41:39,631 --> 00:41:41,430 NOW, OFF THE ROPE AND--OH, MY. >> [CROWD CHEERING] >> OH, WOW. 1460 00:41:41,432 --> 00:41:42,064 >> [CROWD CHEERING] >> OH, WOW. >> WELL, I GUESS HE KIND OF 1461 00:41:42,066 --> 00:41:43,499 >> OH, WOW. >> WELL, I GUESS HE KIND OF REVERSE THINGS THERE AT LEAST 1462 00:41:43,501 --> 00:41:45,001 >> WELL, I GUESS HE KIND OF REVERSE THINGS THERE AT LEAST MOMENTARILY. 1463 00:41:45,003 --> 00:41:45,869 REVERSE THINGS THERE AT LEAST MOMENTARILY. AND PAUL BEARER CERTAINLY LIKES 1464 00:41:45,871 --> 00:41:46,769 MOMENTARILY. AND PAUL BEARER CERTAINLY LIKES WHAT HE SEES. 1465 00:41:46,771 --> 00:41:47,737 AND PAUL BEARER CERTAINLY LIKES WHAT HE SEES. >> I THINK PAUL SHOULD THINK 1466 00:41:47,739 --> 00:41:49,405 WHAT HE SEES. >> I THINK PAUL SHOULD THINK ABOUT GOING TO DECAFFEINATED 1467 00:41:49,407 --> 00:41:51,474 >> I THINK PAUL SHOULD THINK ABOUT GOING TO DECAFFEINATED BRAND, VINCE. 1468 00:41:51,476 --> 00:41:52,341 ABOUT GOING TO DECAFFEINATED BRAND, VINCE. >> HE'S DOING VERY WELL FOR 1469 00:41:52,343 --> 00:41:54,744 BRAND, VINCE. >> HE'S DOING VERY WELL FOR HIMSELF THESE DAYS, PAUL BEARER 1470 00:41:54,746 --> 00:41:55,912 >> HE'S DOING VERY WELL FOR HIMSELF THESE DAYS, PAUL BEARER IS AND WELL, THAT MATTERS SO AS 1471 00:41:55,914 --> 00:41:57,847 HIMSELF THESE DAYS, PAUL BEARER IS AND WELL, THAT MATTERS SO AS THE UNDERTAKER WHO LIKEWISE WILL 1472 00:41:57,849 --> 00:42:00,583 IS AND WELL, THAT MATTERS SO AS THE UNDERTAKER WHO LIKEWISE WILL JOIN RANDY SAVAGE, YOKOZUNA AND 1473 00:42:00,585 --> 00:42:02,752 THE UNDERTAKER WHO LIKEWISE WILL JOIN RANDY SAVAGE, YOKOZUNA AND A WHOLE BUNCH OF COMPETITORS 1474 00:42:02,754 --> 00:42:06,389 JOIN RANDY SAVAGE, YOKOZUNA AND A WHOLE BUNCH OF COMPETITORS COMPETING IN THE ROYAL RUMBLE. 1475 00:42:06,391 --> 00:42:07,290 A WHOLE BUNCH OF COMPETITORS COMPETING IN THE ROYAL RUMBLE. >> OH, MY. 1476 00:42:07,292 --> 00:42:08,758 COMPETING IN THE ROYAL RUMBLE. >> OH, MY. >> IN LESS THAN TWO WEEKS. 1477 00:42:08,760 --> 00:42:09,759 >> OH, MY. >> IN LESS THAN TWO WEEKS. >> UNDERTAKER WALKING TALL RIGHT 1478 00:42:09,761 --> 00:42:12,528 >> IN LESS THAN TWO WEEKS. >> UNDERTAKER WALKING TALL RIGHT THERE. 1479 00:42:12,530 --> 00:42:15,464 >> UNDERTAKER WALKING TALL RIGHT THERE. >> HE ALWAYS WALKS TALL. 1480 00:42:15,466 --> 00:42:19,402 THERE. >> HE ALWAYS WALKS TALL. >> DEMENTO HAVING HIS PROBLEMS. 1481 00:42:19,404 --> 00:42:20,536 >> HE ALWAYS WALKS TALL. >> DEMENTO HAVING HIS PROBLEMS. UNDERTAKER IS ALL OVER DAMIAN 1482 00:42:20,538 --> 00:42:24,707 >> DEMENTO HAVING HIS PROBLEMS. UNDERTAKER IS ALL OVER DAMIAN DEMENTO. 1483 00:42:24,709 --> 00:42:26,475 UNDERTAKER IS ALL OVER DAMIAN DEMENTO. >> TWO BIG NAMES IN THE WORLD 1484 00:42:26,477 --> 00:42:27,210 DEMENTO. >> TWO BIG NAMES IN THE WORLD WRESTLING ENTERTAINMENT ON 1485 00:42:27,212 --> 00:42:27,844 >> TWO BIG NAMES IN THE WORLD WRESTLING ENTERTAINMENT ON MONDAY 1486 00:42:27,846 --> 00:42:30,379 WRESTLING ENTERTAINMENT ON MONDAY NIGHT RAW GOING HEAD TO HEAD. 1487 00:42:30,381 --> 00:42:31,647 MONDAY NIGHT RAW GOING HEAD TO HEAD. >> DEMENTO IS IN THE BUCKLE. 1488 00:42:31,649 --> 00:42:33,716 NIGHT RAW GOING HEAD TO HEAD. >> DEMENTO IS IN THE BUCKLE. THUS FAR OTHER THAN THE SHOTS 1489 00:42:33,718 --> 00:42:35,284 >> DEMENTO IS IN THE BUCKLE. THUS FAR OTHER THAN THE SHOTS DEMENTO GOT IN EARLIER, NOW 1490 00:42:35,286 --> 00:42:36,552 THUS FAR OTHER THAN THE SHOTS DEMENTO GOT IN EARLIER, NOW THINGS MAY JUST BE REVERSED A 1491 00:42:36,554 --> 00:42:37,486 DEMENTO GOT IN EARLIER, NOW THINGS MAY JUST BE REVERSED A BIT. 1492 00:42:37,488 --> 00:42:38,688 THINGS MAY JUST BE REVERSED A BIT. BY THE WAY, NEXT WEEK LADIES AND 1493 00:42:38,690 --> 00:42:40,490 BIT. BY THE WAY, NEXT WEEK LADIES AND GENTLEMEN, HERE ON MONDAY NIGHT 1494 00:42:40,492 --> 00:42:41,457 BY THE WAY, NEXT WEEK LADIES AND GENTLEMEN, HERE ON MONDAY NIGHT RAW, YOU WANNA JOIN US AS WE 1495 00:42:41,459 --> 00:42:42,792 GENTLEMEN, HERE ON MONDAY NIGHT RAW, YOU WANNA JOIN US AS WE COME TO YOU LIVE AGAIN FROM THE 1496 00:42:42,794 --> 00:42:44,493 RAW, YOU WANNA JOIN US AS WE COME TO YOU LIVE AGAIN FROM THE MANHATTAN CENTER. 1497 00:42:44,495 --> 00:42:45,595 COME TO YOU LIVE AGAIN FROM THE MANHATTAN CENTER. IF YOU CAN'T MAKE IT DOWN HERE, 1498 00:42:45,597 --> 00:42:46,596 MANHATTAN CENTER. IF YOU CAN'T MAKE IT DOWN HERE, WE DO INVITE YOU TO TUNE IN. 1499 00:42:46,598 --> 00:42:49,432 IF YOU CAN'T MAKE IT DOWN HERE, WE DO INVITE YOU TO TUNE IN. MR. PERFECT WILL SQUARE OFF 1500 00:42:49,434 --> 00:42:51,834 WE DO INVITE YOU TO TUNE IN. MR. PERFECT WILL SQUARE OFF AGAINST PAPA SHANGO, EL MATADOR 1501 00:42:51,836 --> 00:42:54,470 MR. PERFECT WILL SQUARE OFF AGAINST PAPA SHANGO, EL MATADOR TO MEET RIC FLAIR PLUS IN A 1502 00:42:54,472 --> 00:42:57,540 AGAINST PAPA SHANGO, EL MATADOR TO MEET RIC FLAIR PLUS IN A SPECIAL INTERVIEW THE REIGNING 1503 00:42:57,542 --> 00:42:58,708 TO MEET RIC FLAIR PLUS IN A SPECIAL INTERVIEW THE REIGNING WWE CHAMPION, THE HITMAN 1504 00:42:58,710 --> 00:43:01,477 SPECIAL INTERVIEW THE REIGNING WWE CHAMPION, THE HITMAN HIMSELF, THE HITMAN BRET HART 1505 00:43:01,479 --> 00:43:03,412 WWE CHAMPION, THE HITMAN HIMSELF, THE HITMAN BRET HART WILL BE HERE. 1506 00:43:03,414 --> 00:43:03,947 HIMSELF, THE HITMAN BRET HART WILL BE HERE. >> [CROWD CHEERING] 1507 00:43:03,949 --> 00:43:10,519 WILL BE HERE. >> [CROWD CHEERING] >> YOU KNOW WHAT, HE WEARS THOSE 1508 00:43:10,521 --> 00:43:11,721 >> [CROWD CHEERING] >> YOU KNOW WHAT, HE WEARS THOSE GLOVES SO HE DOESN'T GET THOSE 1509 00:43:11,723 --> 00:43:13,856 >> YOU KNOW WHAT, HE WEARS THOSE GLOVES SO HE DOESN'T GET THOSE DISHPAN HANDS. 1510 00:43:13,858 --> 00:43:14,624 GLOVES SO HE DOESN'T GET THOSE DISHPAN HANDS. >> I DON'T THINK HE'S WORRIED 1511 00:43:14,626 --> 00:43:16,525 DISHPAN HANDS. >> I DON'T THINK HE'S WORRIED ABOUT THAT BUT LOOK OUT, HERE IT 1512 00:43:16,527 --> 00:43:17,860 >> I DON'T THINK HE'S WORRIED ABOUT THAT BUT LOOK OUT, HERE IT COMES NOW, THE UNDERTAKER WITH 1513 00:43:17,862 --> 00:43:20,396 ABOUT THAT BUT LOOK OUT, HERE IT COMES NOW, THE UNDERTAKER WITH DEMENTO DOWN WITH THE TOMBSTONE, 1514 00:43:20,398 --> 00:43:24,767 COMES NOW, THE UNDERTAKER WITH DEMENTO DOWN WITH THE TOMBSTONE, THAT IT COULD BE IT. 1515 00:43:24,769 --> 00:43:25,635 DEMENTO DOWN WITH THE TOMBSTONE, THAT IT COULD BE IT. >> [BELL RINGING] 1516 00:43:25,637 --> 00:43:26,436 THAT IT COULD BE IT. >> [BELL RINGING] >> OH, MY. 1517 00:43:26,438 --> 00:43:26,703 >> [BELL RINGING] >> OH, MY. YES. 1518 00:43:26,705 --> 00:43:27,703 >> OH, MY. YES. >> GET THE BODY BAG. 1519 00:43:27,705 --> 00:43:32,742 YES. >> GET THE BODY BAG. >> [MUSIC] 1520 00:43:32,744 --> 00:43:34,911 >> GET THE BODY BAG. >> [MUSIC] >> HERE IS YOUR WINNER, THE 1521 00:43:34,913 --> 00:43:36,746 >> [MUSIC] >> HERE IS YOUR WINNER, THE UNDERTAKER. 1522 00:43:36,748 --> 00:43:37,647 >> HERE IS YOUR WINNER, THE UNDERTAKER. >> THE UNDERTAKER VICTORIOUS. 1523 00:43:37,649 --> 00:43:39,549 UNDERTAKER. >> THE UNDERTAKER VICTORIOUS. AND AGAIN, WE INVITE YOU TO JOIN 1524 00:43:39,551 --> 00:43:40,750 >> THE UNDERTAKER VICTORIOUS. AND AGAIN, WE INVITE YOU TO JOIN US NEXT WEEK MR. PERFECT'S HERE, 1525 00:43:40,752 --> 00:43:42,518 AND AGAIN, WE INVITE YOU TO JOIN US NEXT WEEK MR. PERFECT'S HERE, EL MATADOR, RIC FLAIR, PAPA 1526 00:43:42,520 --> 00:43:43,453 US NEXT WEEK MR. PERFECT'S HERE, EL MATADOR, RIC FLAIR, PAPA SHANGO, THE HITMAN BRET HART AND 1527 00:43:43,455 --> 00:43:45,755 EL MATADOR, RIC FLAIR, PAPA SHANGO, THE HITMAN BRET HART AND BY THE WAY, YES, ONE-ON-ONE IN A 1528 00:43:45,757 --> 00:43:49,458 SHANGO, THE HITMAN BRET HART AND BY THE WAY, YES, ONE-ON-ONE IN A STEEL CAGE MATCHUP RIGHT HERE. 1529 00:43:49,460 --> 00:43:51,694 BY THE WAY, YES, ONE-ON-ONE IN A STEEL CAGE MATCHUP RIGHT HERE. YES, NEXT MONDAY NIGHT, WOODY 1530 00:43:51,696 --> 00:43:52,762 STEEL CAGE MATCHUP RIGHT HERE. YES, NEXT MONDAY NIGHT, WOODY ALLEN SQUARES OFF AGAINST MIA 1531 00:43:52,764 --> 00:43:54,664 YES, NEXT MONDAY NIGHT, WOODY ALLEN SQUARES OFF AGAINST MIA FARROW, DON'T MISS IT NEXT WEEK 1532 00:43:54,666 --> 00:43:59,535 ALLEN SQUARES OFF AGAINST MIA FARROW, DON'T MISS IT NEXT WEEK RIGHT HERE. 1533 00:43:59,537 --> 00:44:01,537 FARROW, DON'T MISS IT NEXT WEEK RIGHT HERE. >> WE'RE BACK WITH--WE'RE BACK 1534 00:44:01,539 --> 00:44:02,605 RIGHT HERE. >> WE'RE BACK WITH--WE'RE BACK WITH DOINK LADIES AND GENTLEMEN, 1535 00:44:02,607 --> 00:44:03,773 >> WE'RE BACK WITH--WE'RE BACK WITH DOINK LADIES AND GENTLEMEN, HERE ON MONDAY NIGHT RAW AND 1536 00:44:03,775 --> 00:44:06,509 WITH DOINK LADIES AND GENTLEMEN, HERE ON MONDAY NIGHT RAW AND DOINK LIKES TO MAKE CHILDREN CRY 1537 00:44:06,511 --> 00:44:08,544 HERE ON MONDAY NIGHT RAW AND DOINK LIKES TO MAKE CHILDREN CRY NOT LAUGH AND CRUSH HAS WARNED 1538 00:44:08,546 --> 00:44:10,346 DOINK LIKES TO MAKE CHILDREN CRY NOT LAUGH AND CRUSH HAS WARNED YOU ABOUT THAT. 1539 00:44:10,348 --> 00:44:12,481 NOT LAUGH AND CRUSH HAS WARNED YOU ABOUT THAT. >> HE WARNED ME ABOUT WHAT? 1540 00:44:12,483 --> 00:44:14,717 YOU ABOUT THAT. >> HE WARNED ME ABOUT WHAT? >> MAKING CHILDREN CRY. 1541 00:44:14,719 --> 00:44:16,419 >> HE WARNED ME ABOUT WHAT? >> MAKING CHILDREN CRY. >> HEY, IF THEY DON'T HAVE A 1542 00:44:16,421 --> 00:44:17,520 >> MAKING CHILDREN CRY. >> HEY, IF THEY DON'T HAVE A SENSE OF HUMOR, THAT'S THEIR 1543 00:44:17,522 --> 00:44:18,488 >> HEY, IF THEY DON'T HAVE A SENSE OF HUMOR, THAT'S THEIR PROBLEM. 1544 00:44:18,490 --> 00:44:19,822 SENSE OF HUMOR, THAT'S THEIR PROBLEM. IF I LAUGH, THAT'S ALL THAT 1545 00:44:19,824 --> 00:44:22,391 PROBLEM. IF I LAUGH, THAT'S ALL THAT MATTERS. 1546 00:44:22,393 --> 00:44:23,158 IF I LAUGH, THAT'S ALL THAT MATTERS. >> SO YOU'RE NOT GONNA HEED THE 1547 00:44:23,160 --> 00:44:24,560 MATTERS. >> SO YOU'RE NOT GONNA HEED THE WARNING OF CRUSH THEN? 1548 00:44:24,562 --> 00:44:25,728 >> SO YOU'RE NOT GONNA HEED THE WARNING OF CRUSH THEN? >> LET ME TELL YOU, IF HE CAME 1549 00:44:25,730 --> 00:44:27,329 WARNING OF CRUSH THEN? >> LET ME TELL YOU, IF HE CAME OUT HERE RIGHT NOW, HE WOULD BE 1550 00:44:27,331 --> 00:44:28,698 >> LET ME TELL YOU, IF HE CAME OUT HERE RIGHT NOW, HE WOULD BE CRYING TOO AND I WOULD BE 1551 00:44:28,700 --> 00:44:30,499 OUT HERE RIGHT NOW, HE WOULD BE CRYING TOO AND I WOULD BE LAUGHING. 1552 00:44:30,501 --> 00:44:31,701 CRYING TOO AND I WOULD BE LAUGHING. >> WAIT, WAIT, WAIT. 1553 00:44:31,703 --> 00:44:32,935 LAUGHING. >> WAIT, WAIT, WAIT. EXCUSE ME, MR. DOINK. 1554 00:44:32,937 --> 00:44:35,471 >> WAIT, WAIT, WAIT. EXCUSE ME, MR. DOINK. I'D LIKE FOR YOU TO MEET, CRUSH. 1555 00:44:35,473 --> 00:44:38,708 EXCUSE ME, MR. DOINK. I'D LIKE FOR YOU TO MEET, CRUSH. PARDON ME, CRUSH. 1556 00:44:38,710 --> 00:44:40,476 I'D LIKE FOR YOU TO MEET, CRUSH. PARDON ME, CRUSH. WHO'S LAUGHING NOW? 1557 00:44:40,478 --> 00:44:42,678 PARDON ME, CRUSH. WHO'S LAUGHING NOW? >> HEY, BRAH, BEFORE YOU PUT 1558 00:44:42,680 --> 00:44:44,513 WHO'S LAUGHING NOW? >> HEY, BRAH, BEFORE YOU PUT YOUR SIZE-40 SHOE IN YOUR 1559 00:44:44,515 --> 00:44:45,614 >> HEY, BRAH, BEFORE YOU PUT YOUR SIZE-40 SHOE IN YOUR SIZE-20 MOUTH, YOU BETTER LOOK 1560 00:44:45,616 --> 00:44:46,549 YOUR SIZE-40 SHOE IN YOUR SIZE-20 MOUTH, YOU BETTER LOOK OVER BOTH SHOULDERS BRAH, YOU 1561 00:44:46,551 --> 00:44:48,851 SIZE-20 MOUTH, YOU BETTER LOOK OVER BOTH SHOULDERS BRAH, YOU GOT THAT? 1562 00:44:48,853 --> 00:44:51,620 OVER BOTH SHOULDERS BRAH, YOU GOT THAT? THIS WAS JUST A WARNING, BRAH. 1563 00:44:51,622 --> 00:44:53,489 GOT THAT? THIS WAS JUST A WARNING, BRAH. IF I CATCH YOU TOUCHING ANYONE 1564 00:44:53,491 --> 00:44:54,724 THIS WAS JUST A WARNING, BRAH. IF I CATCH YOU TOUCHING ANYONE ELSE, PLAYING YOUR STUPID JOKES 1565 00:44:54,726 --> 00:44:56,625 IF I CATCH YOU TOUCHING ANYONE ELSE, PLAYING YOUR STUPID JOKES THAT ONLY YOU ARE LAUGHING AT, 1566 00:44:56,627 --> 00:44:58,594 ELSE, PLAYING YOUR STUPID JOKES THAT ONLY YOU ARE LAUGHING AT, ON ANYONE ELSE, BRAH, YOU JUST 1567 00:44:58,596 --> 00:45:00,329 THAT ONLY YOU ARE LAUGHING AT, ON ANYONE ELSE, BRAH, YOU JUST MIGHT BE WEARING A CAST ON BOTH 1568 00:45:00,331 --> 00:45:01,764 ON ANYONE ELSE, BRAH, YOU JUST MIGHT BE WEARING A CAST ON BOTH ARMS AND BOTH LEGS NEXT TIME. 1569 00:45:01,766 --> 00:45:03,265 MIGHT BE WEARING A CAST ON BOTH ARMS AND BOTH LEGS NEXT TIME. YOU GOT THAT, BROTHER? 1570 00:45:03,267 --> 00:45:04,000 ARMS AND BOTH LEGS NEXT TIME. YOU GOT THAT, BROTHER? >> [CROWD CHEERING] 1571 00:45:04,002 --> 00:45:32,862 YOU GOT THAT, BROTHER? >> [CROWD CHEERING] >> [MUSIC] 1572 00:45:32,864 --> 00:45:34,397 >> [CROWD CHEERING] >> [MUSIC] >> AS YOU KNOW BOBBY HEENAN HAS 1573 00:45:34,399 --> 00:45:36,265 >> [MUSIC] >> AS YOU KNOW BOBBY HEENAN HAS BEEN VERY PERSISTENT THROUGHOUT 1574 00:45:36,267 --> 00:45:37,467 >> AS YOU KNOW BOBBY HEENAN HAS BEEN VERY PERSISTENT THROUGHOUT THE EVENING ATTEMPTING TO GET 1575 00:45:37,469 --> 00:45:38,400 BEEN VERY PERSISTENT THROUGHOUT THE EVENING ATTEMPTING TO GET INSIDE. 1576 00:45:38,402 --> 00:45:39,368 THE EVENING ATTEMPTING TO GET INSIDE. WELL, I'VE GOT SOME GOOD NEWS 1577 00:45:39,370 --> 00:45:39,802 INSIDE. WELL, I'VE GOT SOME GOOD NEWS FOR HIM. 1578 00:45:39,804 --> 00:45:40,803 WELL, I'VE GOT SOME GOOD NEWS FOR HIM. EXCUSE ME, BOBBY, BOBBY HEENAN? 1579 00:45:40,805 --> 00:45:41,738 FOR HIM. EXCUSE ME, BOBBY, BOBBY HEENAN? >> WHAT? 1580 00:45:41,740 --> 00:45:42,738 EXCUSE ME, BOBBY, BOBBY HEENAN? >> WHAT? I GOT TO GET INSIDE. 1581 00:45:42,740 --> 00:45:43,639 >> WHAT? I GOT TO GET INSIDE. >> I KNOW. 1582 00:45:43,641 --> 00:45:44,573 I GOT TO GET INSIDE. >> I KNOW. I JUST GOT WORD--I JUST GOT 1583 00:45:44,575 --> 00:45:45,341 >> I KNOW. I JUST GOT WORD--I JUST GOT WORD, YOU CAN GO ON UP, YOU'RE 1584 00:45:45,343 --> 00:45:45,875 I JUST GOT WORD--I JUST GOT WORD, YOU CAN GO ON UP, YOU'RE WELCOME. 1585 00:45:45,877 --> 00:45:47,510 WORD, YOU CAN GO ON UP, YOU'RE WELCOME. GO. 1586 00:45:47,512 --> 00:45:48,310 WELCOME. GO. >> I CAN GO UP? 1587 00:45:48,312 --> 00:45:49,645 GO. >> I CAN GO UP? >> YES, YOU'RE ON THE RIGHT. 1588 00:45:49,647 --> 00:45:50,680 >> I CAN GO UP? >> YES, YOU'RE ON THE RIGHT. >> NO, LET HIM GO, LET HIM GO. 1589 00:45:50,682 --> 00:45:51,614 >> YES, YOU'RE ON THE RIGHT. >> NO, LET HIM GO, LET HIM GO. HE'S--HAVE A GOOD TIME UP THERE, 1590 00:45:51,616 --> 00:45:53,382 >> NO, LET HIM GO, LET HIM GO. HE'S--HAVE A GOOD TIME UP THERE, BOBBY. 223083

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.