All language subtitles for WWF.Wrestlemania.2.720p.WEB.DL.x264-ViLLAiNS 181.21 Min

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,638 --> 00:00:19,818 >> WRESTLEMANIA 2. WHAT THE WORLD HAS COME TO. [ MUSIC ] 2 00:00:19,820 --> 00:00:23,622 WHAT THE WORLD HAS COME TO. [ MUSIC ] >> AND NOW, VINCE MCMAHON. 3 00:00:23,624 --> 00:00:26,458 [ MUSIC ] >> AND NOW, VINCE MCMAHON. >> HELLO, EVERYONE. 4 00:00:26,460 --> 00:00:28,693 >> AND NOW, VINCE MCMAHON. >> HELLO, EVERYONE. WELCOME TO THE GREATEST SPORTS 5 00:00:28,695 --> 00:00:30,729 >> HELLO, EVERYONE. WELCOME TO THE GREATEST SPORTS ENTERTAINMENT SPECTACULAR OF ALL 6 00:00:30,731 --> 00:00:32,331 WELCOME TO THE GREATEST SPORTS ENTERTAINMENT SPECTACULAR OF ALL TIME. 7 00:00:32,333 --> 00:00:36,501 ENTERTAINMENT SPECTACULAR OF ALL TIME. WELCOME TO WRESTLEMANIA! 8 00:00:36,503 --> 00:00:41,440 TIME. WELCOME TO WRESTLEMANIA! [ APPLAUSE ] 9 00:00:41,442 --> 00:00:42,541 WELCOME TO WRESTLEMANIA! [ APPLAUSE ] >> IT IS NOW MY PLEASURE TO 10 00:00:42,543 --> 00:00:44,643 [ APPLAUSE ] >> IT IS NOW MY PLEASURE TO INTRODUCE TO YOU MY COLORFUL 11 00:00:44,645 --> 00:00:45,811 >> IT IS NOW MY PLEASURE TO INTRODUCE TO YOU MY COLORFUL HOST AND AMERICA'S NUMBER ONE 12 00:00:45,813 --> 00:00:47,546 INTRODUCE TO YOU MY COLORFUL HOST AND AMERICA'S NUMBER ONE ACTRESS TODAY. 13 00:00:47,548 --> 00:00:49,047 HOST AND AMERICA'S NUMBER ONE ACTRESS TODAY. WOULD YOU PLEASE WELCOME MS. 14 00:00:49,049 --> 00:01:04,596 ACTRESS TODAY. WOULD YOU PLEASE WELCOME MS. SUSAN SAINT JAMES! 15 00:01:04,598 --> 00:01:06,565 WOULD YOU PLEASE WELCOME MS. SUSAN SAINT JAMES! AND NOW, LADIES AND GENTLEMEN, A 16 00:01:06,567 --> 00:01:09,468 SUSAN SAINT JAMES! AND NOW, LADIES AND GENTLEMEN, A MOMENT THAT WE HAVE BEEN WAITING 17 00:01:09,470 --> 00:01:11,837 AND NOW, LADIES AND GENTLEMEN, A MOMENT THAT WE HAVE BEEN WAITING HERE TO SEE. 18 00:01:11,839 --> 00:01:14,473 MOMENT THAT WE HAVE BEEN WAITING HERE TO SEE. "AMERICA THE BEAUTIFUL." 19 00:01:14,475 --> 00:01:16,641 HERE TO SEE. "AMERICA THE BEAUTIFUL." WOULD YOU PLEASE WELCOME THE 20 00:01:16,643 --> 00:01:22,581 "AMERICA THE BEAUTIFUL." WOULD YOU PLEASE WELCOME THE GREAT RAY CHARLES? 21 00:01:22,583 --> 00:01:55,614 WOULD YOU PLEASE WELCOME THE GREAT RAY CHARLES? [ APPLAUSE ] 22 00:01:55,616 --> 00:01:56,815 GREAT RAY CHARLES? [ APPLAUSE ] [ SINGING ] 23 00:01:56,817 --> 00:01:57,682 [ APPLAUSE ] [ SINGING ] [ LYRICS ] 24 00:01:57,684 --> 00:02:02,854 [ SINGING ] [ LYRICS ] O, BEAUTIFUL FOR HEROES PROVED 25 00:02:02,856 --> 00:02:10,862 [ LYRICS ] O, BEAUTIFUL FOR HEROES PROVED IN LIBERATING STRIFE WHO MORE 26 00:02:10,864 --> 00:02:21,439 O, BEAUTIFUL FOR HEROES PROVED IN LIBERATING STRIFE WHO MORE THAN SELF, THEIR COUNTRY LOVED. 27 00:02:21,441 --> 00:02:26,811 IN LIBERATING STRIFE WHO MORE THAN SELF, THEIR COUNTRY LOVED. AND MERCY MORE THAN LIFE! 28 00:02:26,813 --> 00:02:27,679 THAN SELF, THEIR COUNTRY LOVED. AND MERCY MORE THAN LIFE! >> WHAT ARE WE SINGING ABOUT 29 00:02:27,681 --> 00:02:29,615 AND MERCY MORE THAN LIFE! >> WHAT ARE WE SINGING ABOUT TONIGHT? 30 00:02:29,617 --> 00:02:34,486 >> WHAT ARE WE SINGING ABOUT TONIGHT? AMERICA! 31 00:02:34,488 --> 00:02:39,357 TONIGHT? AMERICA! SWEET AMERICA! 32 00:02:39,359 --> 00:02:44,830 AMERICA! SWEET AMERICA! MAY GOD THY GOLD REFINE. 33 00:02:44,832 --> 00:02:52,470 SWEET AMERICA! MAY GOD THY GOLD REFINE. AND UNTIL ALL SUCCESS BE 34 00:02:52,472 --> 00:03:01,880 MAY GOD THY GOLD REFINE. AND UNTIL ALL SUCCESS BE NOBLENESS AND EVERY GAIN DIVINE! 35 00:03:01,882 --> 00:03:02,814 AND UNTIL ALL SUCCESS BE NOBLENESS AND EVERY GAIN DIVINE! >> AND, YOU KNOW, WHEN I WAS A 36 00:03:02,816 --> 00:03:03,848 NOBLENESS AND EVERY GAIN DIVINE! >> AND, YOU KNOW, WHEN I WAS A LITTLE BOY, WE USED TO SING 37 00:03:03,850 --> 00:03:06,618 >> AND, YOU KNOW, WHEN I WAS A LITTLE BOY, WE USED TO SING THESE WORDS. 38 00:03:06,620 --> 00:03:16,361 LITTLE BOY, WE USED TO SING THESE WORDS. O, BEAUTIFUL FOR SPACIOUS SKIES. 39 00:03:16,363 --> 00:03:24,669 THESE WORDS. O, BEAUTIFUL FOR SPACIOUS SKIES. FOR AMBER WAVES OF GRAIN. 40 00:03:24,671 --> 00:03:34,947 O, BEAUTIFUL FOR SPACIOUS SKIES. FOR AMBER WAVES OF GRAIN. FOR PURPLE MOUNTAIN MAJESTIES 41 00:03:34,949 --> 00:03:42,454 FOR AMBER WAVES OF GRAIN. FOR PURPLE MOUNTAIN MAJESTIES ABOVE THE FRUITED PLAIN! 42 00:03:42,456 --> 00:03:44,756 FOR PURPLE MOUNTAIN MAJESTIES ABOVE THE FRUITED PLAIN! >> LISTEN TO ME. 43 00:03:44,758 --> 00:03:48,426 ABOVE THE FRUITED PLAIN! >> LISTEN TO ME. AMERICA! 44 00:03:48,428 --> 00:03:52,864 >> LISTEN TO ME. AMERICA! SWEET AMERICA! 45 00:03:52,866 --> 00:04:02,907 AMERICA! SWEET AMERICA! GOD SHED HIS GRACE ON THEE HE 46 00:04:02,909 --> 00:04:07,545 SWEET AMERICA! GOD SHED HIS GRACE ON THEE HE CROWNED THY GOOD, I REMEMBER, 47 00:04:07,547 --> 00:04:11,683 GOD SHED HIS GRACE ON THEE HE CROWNED THY GOOD, I REMEMBER, SAID -- WITH BROTHERHOOD FROM 48 00:04:11,685 --> 00:04:16,755 CROWNED THY GOOD, I REMEMBER, SAID -- WITH BROTHERHOOD FROM SEA TO SHINING SEA! 49 00:04:16,757 --> 00:04:17,822 SAID -- WITH BROTHERHOOD FROM SEA TO SHINING SEA! >> YOU KNOW, I WISH I HAD 50 00:04:17,824 --> 00:04:18,590 SEA TO SHINING SEA! >> YOU KNOW, I WISH I HAD SOMEBODY TO HELP ME SING THIS 51 00:04:18,592 --> 00:04:19,724 >> YOU KNOW, I WISH I HAD SOMEBODY TO HELP ME SING THIS THING. 52 00:04:19,726 --> 00:04:26,765 SOMEBODY TO HELP ME SING THIS THING. AMERICA. 53 00:04:26,767 --> 00:04:30,635 THING. AMERICA. OH, I LOVE YOU, AMERICA. 54 00:04:30,637 --> 00:04:34,673 AMERICA. OH, I LOVE YOU, AMERICA. WELL, MY GOD, HE SHED HIS GRACE 55 00:04:34,675 --> 00:04:37,509 OH, I LOVE YOU, AMERICA. WELL, MY GOD, HE SHED HIS GRACE ON THEE. 56 00:04:37,511 --> 00:04:38,610 WELL, MY GOD, HE SHED HIS GRACE ON THEE. AND, GOD, AND I LOVE YOU FOR IT, 57 00:04:38,612 --> 00:04:43,581 ON THEE. AND, GOD, AND I LOVE YOU FOR IT, 'CAUSE HE CROWNED THY GOOD. 58 00:04:43,583 --> 00:04:45,584 AND, GOD, AND I LOVE YOU FOR IT, 'CAUSE HE CROWNED THY GOOD. HE TOLD ME HE WOULD. 59 00:04:45,586 --> 00:04:52,657 'CAUSE HE CROWNED THY GOOD. HE TOLD ME HE WOULD. SINGING BROTHERHOOD FROM SEA TO 60 00:04:52,659 --> 00:04:56,728 HE TOLD ME HE WOULD. SINGING BROTHERHOOD FROM SEA TO SHINING SEA. 61 00:04:56,730 --> 00:04:57,796 SINGING BROTHERHOOD FROM SEA TO SHINING SEA. [ SCATTING ] 62 00:04:57,798 --> 00:05:42,774 SHINING SEA. [ SCATTING ] [ APPLAUSE ] 63 00:05:42,776 --> 00:05:44,876 [ SCATTING ] [ APPLAUSE ] >> OH, MY. 64 00:05:44,878 --> 00:05:45,510 [ APPLAUSE ] >> OH, MY. WHAT A WAY TO KICK OFF 65 00:05:45,512 --> 00:05:46,845 >> OH, MY. WHAT A WAY TO KICK OFF WRESTLEMANIA 2, WITH THE GREAT 66 00:05:46,847 --> 00:05:48,613 WHAT A WAY TO KICK OFF WRESTLEMANIA 2, WITH THE GREAT RAY CHARLES. 67 00:05:48,615 --> 00:05:49,114 WRESTLEMANIA 2, WITH THE GREAT RAY CHARLES. HI, EVERYBODY. 68 00:05:49,116 --> 00:05:50,849 RAY CHARLES. HI, EVERYBODY. MEAN GENE OKERLUND HERE AT THE 69 00:05:50,851 --> 00:05:52,851 HI, EVERYBODY. MEAN GENE OKERLUND HERE AT THE ROSEMONT HORIZON IN SUBURBAN 70 00:05:52,853 --> 00:05:54,819 MEAN GENE OKERLUND HERE AT THE ROSEMONT HORIZON IN SUBURBAN CHICAGO, ILLINOIS. 71 00:05:54,821 --> 00:05:55,787 ROSEMONT HORIZON IN SUBURBAN CHICAGO, ILLINOIS. WELL, LATER ON YOU'RE GONNA BE 72 00:05:55,789 --> 00:05:58,423 CHICAGO, ILLINOIS. WELL, LATER ON YOU'RE GONNA BE SEEING A GIGANTIC 20-MAN OVER 73 00:05:58,425 --> 00:06:00,025 WELL, LATER ON YOU'RE GONNA BE SEEING A GIGANTIC 20-MAN OVER THE TOP ROPE BATTLE ROYAL. 74 00:06:00,027 --> 00:06:01,526 SEEING A GIGANTIC 20-MAN OVER THE TOP ROPE BATTLE ROYAL. YOU CAN CUT THE ELECTRICITY IN 75 00:06:01,528 --> 00:06:03,228 THE TOP ROPE BATTLE ROYAL. YOU CAN CUT THE ELECTRICITY IN THE AIR WITH A KNIFE. 76 00:06:03,230 --> 00:06:04,496 YOU CAN CUT THE ELECTRICITY IN THE AIR WITH A KNIFE. IT IS SOMETHING ELSE. 77 00:06:04,498 --> 00:06:05,730 THE AIR WITH A KNIFE. IT IS SOMETHING ELSE. RIGHT NOW, I UNDERSTAND, BACK IN 78 00:06:05,732 --> 00:06:07,932 IT IS SOMETHING ELSE. RIGHT NOW, I UNDERSTAND, BACK IN NEW YORK IN THE NASSAU COUNTY 79 00:06:07,934 --> 00:06:10,702 RIGHT NOW, I UNDERSTAND, BACK IN NEW YORK IN THE NASSAU COUNTY COLISEUM, ROWDY RODDY PIPER IS 80 00:06:10,704 --> 00:06:12,737 NEW YORK IN THE NASSAU COUNTY COLISEUM, ROWDY RODDY PIPER IS PSYCHING UP FOR HIS BOXING 81 00:06:12,739 --> 00:06:16,741 COLISEUM, ROWDY RODDY PIPER IS PSYCHING UP FOR HIS BOXING MATCH. 82 00:06:16,743 --> 00:06:17,842 PSYCHING UP FOR HIS BOXING MATCH. >> HERE'S A PROSPECT I THINK OF 83 00:06:17,844 --> 00:06:19,711 MATCH. >> HERE'S A PROSPECT I THINK OF THE HEAVYWEIGHTS OUT THERE 84 00:06:19,713 --> 00:06:19,978 >> HERE'S A PROSPECT I THINK OF THE HEAVYWEIGHTS OUT THERE TODAY. 85 00:06:19,980 --> 00:06:21,546 THE HEAVYWEIGHTS OUT THERE TODAY. THIS IS THE BEST PROSPECT GOING. 86 00:06:21,548 --> 00:06:22,614 TODAY. THIS IS THE BEST PROSPECT GOING. HE'S TRAINED DILIGENTLY. 87 00:06:22,616 --> 00:06:23,982 THIS IS THE BEST PROSPECT GOING. HE'S TRAINED DILIGENTLY. HE'S IN REAL GOOD SHAPE. 88 00:06:23,984 --> 00:06:25,550 HE'S TRAINED DILIGENTLY. HE'S IN REAL GOOD SHAPE. HEAVYWEIGHTS, ONE PUNCH AND IT'S 89 00:06:25,552 --> 00:06:26,251 HE'S IN REAL GOOD SHAPE. HEAVYWEIGHTS, ONE PUNCH AND IT'S ALL OVER. 90 00:06:26,253 --> 00:06:27,152 HEAVYWEIGHTS, ONE PUNCH AND IT'S ALL OVER. TONIGHT HE'S IN SHAPE AND HE'S 91 00:06:27,154 --> 00:06:27,619 ALL OVER. TONIGHT HE'S IN SHAPE AND HE'S GONNA DO HIS JOB. 92 00:06:27,621 --> 00:06:28,653 TONIGHT HE'S IN SHAPE AND HE'S GONNA DO HIS JOB. RIGHT, RODDY? 93 00:06:28,655 --> 00:06:29,554 GONNA DO HIS JOB. RIGHT, RODDY? >> I'M CUTE. 94 00:06:29,556 --> 00:06:32,724 RIGHT, RODDY? >> I'M CUTE. I GREW MY HAIR LONG THAT WAY, 95 00:06:32,726 --> 00:06:34,259 >> I'M CUTE. I GREW MY HAIR LONG THAT WAY, DURING THE FIGHT TONIGHT, YOU 96 00:06:34,261 --> 00:06:36,361 I GREW MY HAIR LONG THAT WAY, DURING THE FIGHT TONIGHT, YOU CAN TELL THE DIFFERENCE BETWEEN 97 00:06:36,363 --> 00:06:37,362 DURING THE FIGHT TONIGHT, YOU CAN TELL THE DIFFERENCE BETWEEN ME AND T. 98 00:06:37,364 --> 00:06:38,530 CAN TELL THE DIFFERENCE BETWEEN ME AND T. I FIGURED SOME OF YOU FOLKS OUT 99 00:06:38,532 --> 00:06:40,331 ME AND T. I FIGURED SOME OF YOU FOLKS OUT THERE MAY GET A LITTLE CONFUSED. 100 00:06:40,333 --> 00:06:41,833 I FIGURED SOME OF YOU FOLKS OUT THERE MAY GET A LITTLE CONFUSED. I HAVE GOT THE ABSOLUTE BEST 101 00:06:41,835 --> 00:06:43,735 THERE MAY GET A LITTLE CONFUSED. I HAVE GOT THE ABSOLUTE BEST COACH IN THE ENTIRE WORLD TO 102 00:06:43,737 --> 00:06:44,536 I HAVE GOT THE ABSOLUTE BEST COACH IN THE ENTIRE WORLD TO TRAIN ME. 103 00:06:44,538 --> 00:06:46,371 COACH IN THE ENTIRE WORLD TO TRAIN ME. I'VE BEEN DOWN WITH BIGGS, 104 00:06:46,373 --> 00:06:47,338 TRAIN ME. I'VE BEEN DOWN WITH BIGGS, TRAINING. 105 00:06:47,340 --> 00:06:49,340 I'VE BEEN DOWN WITH BIGGS, TRAINING. WITH SPIGS TRAINING. 106 00:06:49,342 --> 00:06:50,742 TRAINING. WITH SPIGS TRAINING. HE WENT AND GOT SMOKING JOE 107 00:06:50,744 --> 00:06:52,778 WITH SPIGS TRAINING. HE WENT AND GOT SMOKING JOE FRAZIER IN HIS CORNER. 108 00:06:52,780 --> 00:06:54,479 HE WENT AND GOT SMOKING JOE FRAZIER IN HIS CORNER. ARE YOU RIBBING ME? 109 00:06:54,481 --> 00:06:55,280 FRAZIER IN HIS CORNER. ARE YOU RIBBING ME? HE THREW A MEDICINE BALL AT MY 110 00:06:55,282 --> 00:06:55,480 ARE YOU RIBBING ME? HE THREW A MEDICINE BALL AT MY BELLY. 111 00:06:55,482 --> 00:06:56,514 HE THREW A MEDICINE BALL AT MY BELLY. DIDN'T MOVE AN INCH. 112 00:06:56,516 --> 00:06:59,517 BELLY. DIDN'T MOVE AN INCH. I'M DOWN TO 219 POUNDS. 113 00:06:59,519 --> 00:07:01,453 DIDN'T MOVE AN INCH. I'M DOWN TO 219 POUNDS. IN 30 MINUTES YOU'LL SEE TALK'S 114 00:07:01,455 --> 00:07:03,354 I'M DOWN TO 219 POUNDS. IN 30 MINUTES YOU'LL SEE TALK'S CHEAP, SO YOU SAY, "RODDY, WELL, 115 00:07:03,356 --> 00:07:04,089 IN 30 MINUTES YOU'LL SEE TALK'S CHEAP, SO YOU SAY, "RODDY, WELL, YOU'RE SITTING THERE TALKING." 116 00:07:04,091 --> 00:07:05,223 CHEAP, SO YOU SAY, "RODDY, WELL, YOU'RE SITTING THERE TALKING." I SAY THIS TO YOU. 117 00:07:05,225 --> 00:07:07,459 YOU'RE SITTING THERE TALKING." I SAY THIS TO YOU. I SAY, IF MR. T CAN KNOCK ME OUT 118 00:07:07,461 --> 00:07:09,360 I SAY THIS TO YOU. I SAY, IF MR. T CAN KNOCK ME OUT IN THIS FIGHT RIGHT HERE, I 119 00:07:09,362 --> 00:07:11,262 I SAY, IF MR. T CAN KNOCK ME OUT IN THIS FIGHT RIGHT HERE, I WOULD NOT ONLY QUIT PROFESSIONAL 120 00:07:11,264 --> 00:07:11,963 IN THIS FIGHT RIGHT HERE, I WOULD NOT ONLY QUIT PROFESSIONAL BOXING. 121 00:07:11,965 --> 00:07:13,498 WOULD NOT ONLY QUIT PROFESSIONAL BOXING. I WOULD QUIT AND RETIRE 122 00:07:13,500 --> 00:07:14,766 BOXING. I WOULD QUIT AND RETIRE PROFESSIONAL WRESTLING. 123 00:07:14,768 --> 00:07:16,568 I WOULD QUIT AND RETIRE PROFESSIONAL WRESTLING. I WOULD QUIT TIDDLYWINKS. 124 00:07:16,570 --> 00:07:18,570 PROFESSIONAL WRESTLING. I WOULD QUIT TIDDLYWINKS. I WOULD QUIT DATING GIRLS. 125 00:07:18,572 --> 00:07:19,438 I WOULD QUIT TIDDLYWINKS. I WOULD QUIT DATING GIRLS. >> THAT SOUNDS GOOD. 126 00:07:19,440 --> 00:07:20,605 I WOULD QUIT DATING GIRLS. >> THAT SOUNDS GOOD. >> I'D STICK WITH YOU. 127 00:07:20,607 --> 00:07:22,340 >> THAT SOUNDS GOOD. >> I'D STICK WITH YOU. I WOULD QUIT IT ALL. 128 00:07:22,342 --> 00:07:23,575 >> I'D STICK WITH YOU. I WOULD QUIT IT ALL. I RIGHT NOW SAY IF HE CAN KNOCK 129 00:07:23,577 --> 00:07:25,377 I WOULD QUIT IT ALL. I RIGHT NOW SAY IF HE CAN KNOCK ME OUT, I RETIRE AND I'M GONNA 130 00:07:25,379 --> 00:07:27,813 I RIGHT NOW SAY IF HE CAN KNOCK ME OUT, I RETIRE AND I'M GONNA STICK MY HEAD OUT THERE ROUND 131 00:07:27,815 --> 00:07:30,382 ME OUT, I RETIRE AND I'M GONNA STICK MY HEAD OUT THERE ROUND AFTER ROUND AFTER ROUND AND PUT 132 00:07:30,384 --> 00:07:31,349 STICK MY HEAD OUT THERE ROUND AFTER ROUND AFTER ROUND AND PUT IT OUT THERE BECAUSE AS PRETTY 133 00:07:31,351 --> 00:07:32,149 AFTER ROUND AFTER ROUND AND PUT IT OUT THERE BECAUSE AS PRETTY AS IT IS, HE'S GONNA SHOOT SOME 134 00:07:32,151 --> 00:07:33,518 IT OUT THERE BECAUSE AS PRETTY AS IT IS, HE'S GONNA SHOOT SOME PUNCHES AND I'M GONNA BE MOVING 135 00:07:33,520 --> 00:07:34,453 AS IT IS, HE'S GONNA SHOOT SOME PUNCHES AND I'M GONNA BE MOVING LIKE THAT, JUST LIKE COACH 136 00:07:34,455 --> 00:07:35,753 PUNCHES AND I'M GONNA BE MOVING LIKE THAT, JUST LIKE COACH TAUGHT ME. 137 00:07:35,755 --> 00:07:37,789 LIKE THAT, JUST LIKE COACH TAUGHT ME. HE'S GONNA SHOOT SOME MORE. 138 00:07:37,791 --> 00:07:38,657 TAUGHT ME. HE'S GONNA SHOOT SOME MORE. I'M GONNA BE MOVING LIKE THAT. 139 00:07:38,659 --> 00:07:39,724 HE'S GONNA SHOOT SOME MORE. I'M GONNA BE MOVING LIKE THAT. AND ANOTHER THING, YOU KNOW, MR. 140 00:07:39,726 --> 00:07:40,692 I'M GONNA BE MOVING LIKE THAT. AND ANOTHER THING, YOU KNOW, MR. T, I KNOW YOU'RE A SMART ALECK. 141 00:07:40,694 --> 00:07:42,694 AND ANOTHER THING, YOU KNOW, MR. T, I KNOW YOU'RE A SMART ALECK. YOU COME OUT WITH A KILT, BUT 142 00:07:42,696 --> 00:07:44,395 T, I KNOW YOU'RE A SMART ALECK. YOU COME OUT WITH A KILT, BUT LET ME TELL YOU SOMETHING. 143 00:07:44,397 --> 00:07:45,530 YOU COME OUT WITH A KILT, BUT LET ME TELL YOU SOMETHING. NEVER WILL I SHAVE MY HAIR LIKE 144 00:07:45,532 --> 00:07:46,564 LET ME TELL YOU SOMETHING. NEVER WILL I SHAVE MY HAIR LIKE AN INDIAN AND PAINT MYSELF 145 00:07:46,566 --> 00:07:48,466 NEVER WILL I SHAVE MY HAIR LIKE AN INDIAN AND PAINT MYSELF BLACK. 146 00:07:48,468 --> 00:07:49,667 AN INDIAN AND PAINT MYSELF BLACK. >> LADIES AND GENTLEMEN, THIS 147 00:07:49,669 --> 00:07:51,703 BLACK. >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE 148 00:07:51,705 --> 00:07:53,872 >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE FALL WITH A 20-MINUTE TIME 149 00:07:53,874 --> 00:07:55,574 CONTEST IS SCHEDULED FOR ONE FALL WITH A 20-MINUTE TIME LIMIT. 150 00:07:55,576 --> 00:07:57,442 FALL WITH A 20-MINUTE TIME LIMIT. FIRST OF ALL, INTRODUCING TO MY 151 00:07:57,444 --> 00:08:00,411 LIMIT. FIRST OF ALL, INTRODUCING TO MY LEFT, THE DISTINGUISHED MANAGER, 152 00:08:00,413 --> 00:08:06,217 FIRST OF ALL, INTRODUCING TO MY LEFT, THE DISTINGUISHED MANAGER, MR. FUJI! 153 00:08:06,219 --> 00:08:08,419 LEFT, THE DISTINGUISHED MANAGER, MR. FUJI! AND HE REPRESENTS, FROM SUNSET 154 00:08:08,421 --> 00:08:12,891 MR. FUJI! AND HE REPRESENTS, FROM SUNSET BEACH, HAWAII, WEIGHING 267 155 00:08:12,893 --> 00:08:22,601 AND HE REPRESENTS, FROM SUNSET BEACH, HAWAII, WEIGHING 267 POUNDS, THE MAGNIFICENT MURACO! 156 00:08:22,603 --> 00:08:25,436 BEACH, HAWAII, WEIGHING 267 POUNDS, THE MAGNIFICENT MURACO! HIS OPPONENT, FROM TAMPA, 157 00:08:25,438 --> 00:08:30,642 POUNDS, THE MAGNIFICENT MURACO! HIS OPPONENT, FROM TAMPA, FLORIDA, WEIGHING 252 POUNDS, 158 00:08:30,644 --> 00:08:37,215 HIS OPPONENT, FROM TAMPA, FLORIDA, WEIGHING 252 POUNDS, MR. WONDERFUL PAUL ORNDORFF! 159 00:08:37,217 --> 00:08:58,269 FLORIDA, WEIGHING 252 POUNDS, MR. WONDERFUL PAUL ORNDORFF! [ APPLAUSE ] 160 00:08:58,271 --> 00:08:59,571 MR. WONDERFUL PAUL ORNDORFF! [ APPLAUSE ] >> ALL RIGHT. 161 00:08:59,573 --> 00:09:00,405 [ APPLAUSE ] >> ALL RIGHT. LET'S TAKE A LOOK NOW AT SOME OF 162 00:09:00,407 --> 00:09:01,506 >> ALL RIGHT. LET'S TAKE A LOOK NOW AT SOME OF THE COMMENTS AND SOME OF THE 163 00:09:01,508 --> 00:09:02,674 LET'S TAKE A LOOK NOW AT SOME OF THE COMMENTS AND SOME OF THE ACTIONS OF MURACO AND ORNDORFF 164 00:09:02,676 --> 00:09:04,442 THE COMMENTS AND SOME OF THE ACTIONS OF MURACO AND ORNDORFF EARLIER ON. 165 00:09:04,444 --> 00:09:06,511 ACTIONS OF MURACO AND ORNDORFF EARLIER ON. [ BELL RINGING ] 166 00:09:06,513 --> 00:09:07,579 EARLIER ON. [ BELL RINGING ] >> MR. WONDERFUL, THE 167 00:09:07,581 --> 00:09:09,347 [ BELL RINGING ] >> MR. WONDERFUL, THE EMBARRASSMENT OF WRESTLEMANIA 1. 168 00:09:09,349 --> 00:09:10,548 >> MR. WONDERFUL, THE EMBARRASSMENT OF WRESTLEMANIA 1. ALL OF A SUDDEN, YOU MEET 169 00:09:10,550 --> 00:09:11,850 EMBARRASSMENT OF WRESTLEMANIA 1. ALL OF A SUDDEN, YOU MEET MAGNIFICENT MURACO. 170 00:09:11,852 --> 00:09:13,685 ALL OF A SUDDEN, YOU MEET MAGNIFICENT MURACO. YOU ARE ABOUT TO BECOME, ONCE 171 00:09:13,687 --> 00:09:14,752 MAGNIFICENT MURACO. YOU ARE ABOUT TO BECOME, ONCE AGAIN, THE EMBARRASSMENT OF 172 00:09:14,754 --> 00:09:15,853 YOU ARE ABOUT TO BECOME, ONCE AGAIN, THE EMBARRASSMENT OF WRESTLEMANIA 2. 173 00:09:15,855 --> 00:09:17,322 AGAIN, THE EMBARRASSMENT OF WRESTLEMANIA 2. DON'T FORGET THE SINISTER MR. 174 00:09:17,324 --> 00:09:18,523 WRESTLEMANIA 2. DON'T FORGET THE SINISTER MR. FUJI IN MY CORNER. 175 00:09:18,525 --> 00:09:19,624 DON'T FORGET THE SINISTER MR. FUJI IN MY CORNER. NASSAU COLISEUM. 176 00:09:19,626 --> 00:09:23,828 FUJI IN MY CORNER. NASSAU COLISEUM. APRIL '86. 177 00:09:23,830 --> 00:09:24,896 NASSAU COLISEUM. APRIL '86. >> HELLO TO EVERYBODY OUT THERE 178 00:09:24,898 --> 00:09:26,598 APRIL '86. >> HELLO TO EVERYBODY OUT THERE IN TV LAND. 179 00:09:26,600 --> 00:09:27,298 >> HELLO TO EVERYBODY OUT THERE IN TV LAND. A LOT OF PEOPLE HAVE BEEN 180 00:09:27,300 --> 00:09:28,700 IN TV LAND. A LOT OF PEOPLE HAVE BEEN WANTING TO KNOW HOW MR. 181 00:09:28,702 --> 00:09:30,302 A LOT OF PEOPLE HAVE BEEN WANTING TO KNOW HOW MR. WONDERFUL'S BEEN FEELING. 182 00:09:30,304 --> 00:09:31,336 WANTING TO KNOW HOW MR. WONDERFUL'S BEEN FEELING. WHAT HAS HE BEEN UP TO? 183 00:09:31,338 --> 00:09:32,337 WONDERFUL'S BEEN FEELING. WHAT HAS HE BEEN UP TO? WELL, I'M GONNA TELL YOU WHAT 184 00:09:32,339 --> 00:09:33,371 WHAT HAS HE BEEN UP TO? WELL, I'M GONNA TELL YOU WHAT I'VE BEEN DOING. 185 00:09:33,373 --> 00:09:34,372 WELL, I'M GONNA TELL YOU WHAT I'VE BEEN DOING. I'VE BEEN GOING TO THE GYM MORE 186 00:09:34,374 --> 00:09:35,873 I'VE BEEN DOING. I'VE BEEN GOING TO THE GYM MORE THAN I EVER HAVE IN MY LIFE, AND 187 00:09:35,875 --> 00:09:37,542 I'VE BEEN GOING TO THE GYM MORE THAN I EVER HAVE IN MY LIFE, AND MURACO, TONIGHT YOU'RE GONNA BE 188 00:09:37,544 --> 00:09:43,915 THAN I EVER HAVE IN MY LIFE, AND MURACO, TONIGHT YOU'RE GONNA BE MINE. 189 00:09:43,917 --> 00:09:44,716 MURACO, TONIGHT YOU'RE GONNA BE MINE. >> ALL RIGHT. 190 00:09:44,718 --> 00:09:45,650 MINE. >> ALL RIGHT. THERE WERE COMMENTS EARLIER ON. 191 00:09:45,652 --> 00:09:47,552 >> ALL RIGHT. THERE WERE COMMENTS EARLIER ON. MR. WONDERFUL PAUL ... 192 00:09:47,554 --> 00:09:48,453 THERE WERE COMMENTS EARLIER ON. MR. WONDERFUL PAUL ... OH, LOOK AT THIS NOW. 193 00:09:48,455 --> 00:09:49,354 MR. WONDERFUL PAUL ... OH, LOOK AT THIS NOW. UP IN THE AIR. 194 00:09:49,356 --> 00:09:50,588 OH, LOOK AT THIS NOW. UP IN THE AIR. WHAT A BODY SLAM BY MURACO. 195 00:09:50,590 --> 00:09:52,457 UP IN THE AIR. WHAT A BODY SLAM BY MURACO. KICK OUT BY ORNDORFF. 196 00:09:52,459 --> 00:09:55,460 WHAT A BODY SLAM BY MURACO. KICK OUT BY ORNDORFF. SCOOP BY ORNDORFF, AND A SLAM, 197 00:09:55,462 --> 00:09:56,761 KICK OUT BY ORNDORFF. SCOOP BY ORNDORFF, AND A SLAM, AND WE HAVE ALL KIND OF ACTION 198 00:09:56,763 --> 00:10:01,366 SCOOP BY ORNDORFF, AND A SLAM, AND WE HAVE ALL KIND OF ACTION HERE IN THIS OPENING MATCH-UP. 199 00:10:01,368 --> 00:10:02,801 AND WE HAVE ALL KIND OF ACTION HERE IN THIS OPENING MATCH-UP. MR. FUJI APPARENTLY DOES NOT 200 00:10:02,803 --> 00:10:03,668 HERE IN THIS OPENING MATCH-UP. MR. FUJI APPARENTLY DOES NOT LIKE WHAT HE'S HEARING BY THIS 201 00:10:03,670 --> 00:10:04,802 MR. FUJI APPARENTLY DOES NOT LIKE WHAT HE'S HEARING BY THIS CAPACITY CROWD. 202 00:10:04,804 --> 00:10:06,037 LIKE WHAT HE'S HEARING BY THIS CAPACITY CROWD. NONETHELESS, NOW THINGS SETTLING 203 00:10:06,039 --> 00:10:06,804 CAPACITY CROWD. NONETHELESS, NOW THINGS SETTLING DOWN. 204 00:10:06,806 --> 00:10:07,572 NONETHELESS, NOW THINGS SETTLING DOWN. BOTH WRESTLERS HAVE FELT EACH 205 00:10:07,574 --> 00:10:08,673 DOWN. BOTH WRESTLERS HAVE FELT EACH OTHER OUT A LITTLE BIT AND READY 206 00:10:08,675 --> 00:10:09,907 BOTH WRESTLERS HAVE FELT EACH OTHER OUT A LITTLE BIT AND READY TO LOCK UP AGAIN. 207 00:10:09,909 --> 00:10:12,777 OTHER OUT A LITTLE BIT AND READY TO LOCK UP AGAIN. CLASSIC CONFRONTATION. 208 00:10:12,779 --> 00:10:14,679 TO LOCK UP AGAIN. CLASSIC CONFRONTATION. MURACO MOVING ORNDORFF BACK TO 209 00:10:14,681 --> 00:10:15,613 CLASSIC CONFRONTATION. MURACO MOVING ORNDORFF BACK TO THE CORNER. 210 00:10:15,615 --> 00:10:16,614 MURACO MOVING ORNDORFF BACK TO THE CORNER. NOT THE PLACE TO BE FOR MR. 211 00:10:16,616 --> 00:10:17,649 THE CORNER. NOT THE PLACE TO BE FOR MR. WONDERFUL. 212 00:10:17,651 --> 00:10:18,650 NOT THE PLACE TO BE FOR MR. WONDERFUL. NO CLEAN BREAK THERE. 213 00:10:18,652 --> 00:10:19,451 WONDERFUL. NO CLEAN BREAK THERE. THE KNEE RIGHT UP. 214 00:10:19,453 --> 00:10:20,652 NO CLEAN BREAK THERE. THE KNEE RIGHT UP. FOLLOW THROUGH WITH AN ELBOW. 215 00:10:20,654 --> 00:10:22,520 THE KNEE RIGHT UP. FOLLOW THROUGH WITH AN ELBOW. REFEREE ASKING TO MAINTAIN A 216 00:10:22,522 --> 00:10:23,721 FOLLOW THROUGH WITH AN ELBOW. REFEREE ASKING TO MAINTAIN A LITTLE ORDER, BUT MEANWHILE IT'S 217 00:10:23,723 --> 00:10:24,789 REFEREE ASKING TO MAINTAIN A LITTLE ORDER, BUT MEANWHILE IT'S ORNDORFF. 218 00:10:24,791 --> 00:10:25,723 LITTLE ORDER, BUT MEANWHILE IT'S ORNDORFF. NO, REVERSAL MURACO FOR THE 219 00:10:25,725 --> 00:10:26,591 ORNDORFF. NO, REVERSAL MURACO FOR THE RIDE! 220 00:10:26,593 --> 00:10:28,359 NO, REVERSAL MURACO FOR THE RIDE! OUT, UP, AND A BACK BODY DROP. 221 00:10:28,361 --> 00:10:29,828 RIDE! OUT, UP, AND A BACK BODY DROP. >> ALL RIGHT! 222 00:10:29,830 --> 00:10:32,864 OUT, UP, AND A BACK BODY DROP. >> ALL RIGHT! >> ARM DRIVE TAKEDOWN. 223 00:10:32,866 --> 00:10:33,631 >> ALL RIGHT! >> ARM DRIVE TAKEDOWN. STEP OVER. 224 00:10:33,633 --> 00:10:34,866 >> ARM DRIVE TAKEDOWN. STEP OVER. DROP TOEHOLD. 225 00:10:34,868 --> 00:10:36,401 STEP OVER. DROP TOEHOLD. NICELY DONE, AND NOW WORKING ON 226 00:10:36,403 --> 00:10:37,935 DROP TOEHOLD. NICELY DONE, AND NOW WORKING ON THE ARM BAR, AND BASED ON WHAT 227 00:10:37,937 --> 00:10:39,837 NICELY DONE, AND NOW WORKING ON THE ARM BAR, AND BASED ON WHAT WE HAVE SEEN THUS FAR, SUSAN, IT 228 00:10:39,839 --> 00:10:41,539 THE ARM BAR, AND BASED ON WHAT WE HAVE SEEN THUS FAR, SUSAN, IT LOOKS LIKE ORNDORFF JUST MAY 229 00:10:41,541 --> 00:10:42,707 WE HAVE SEEN THUS FAR, SUSAN, IT LOOKS LIKE ORNDORFF JUST MAY HAVE A SLIGHT ADVANTAGE. 230 00:10:42,709 --> 00:10:43,541 LOOKS LIKE ORNDORFF JUST MAY HAVE A SLIGHT ADVANTAGE. >> I THINK HE'S DEFINITELY 231 00:10:43,543 --> 00:10:44,475 HAVE A SLIGHT ADVANTAGE. >> I THINK HE'S DEFINITELY WINNING THIS. 232 00:10:44,477 --> 00:10:47,779 >> I THINK HE'S DEFINITELY WINNING THIS. THIS IS WITHOUT A DOUBT. 233 00:10:47,781 --> 00:10:48,913 WINNING THIS. THIS IS WITHOUT A DOUBT. >> AS FAR AS PHYSIQUES ARE 234 00:10:48,915 --> 00:10:50,682 THIS IS WITHOUT A DOUBT. >> AS FAR AS PHYSIQUES ARE CONCERNED, THERE'S NO DOUBT 235 00:10:50,684 --> 00:10:51,349 >> AS FAR AS PHYSIQUES ARE CONCERNED, THERE'S NO DOUBT ORNDORFF HAS AN EDGE THERE, BUT 236 00:10:51,351 --> 00:10:52,850 CONCERNED, THERE'S NO DOUBT ORNDORFF HAS AN EDGE THERE, BUT THEN AGAIN, THIS IS NO PHYSIQUE 237 00:10:52,852 --> 00:10:53,718 ORNDORFF HAS AN EDGE THERE, BUT THEN AGAIN, THIS IS NO PHYSIQUE CONTEST. 238 00:10:53,720 --> 00:10:54,786 THEN AGAIN, THIS IS NO PHYSIQUE CONTEST. IT'S OUT-AND-OUT WRESTLING, 239 00:10:54,788 --> 00:10:56,688 CONTEST. IT'S OUT-AND-OUT WRESTLING, SOMETHING THAT MURACO IS RATED 240 00:10:56,690 --> 00:10:59,624 IT'S OUT-AND-OUT WRESTLING, SOMETHING THAT MURACO IS RATED AMONG THE BEST AT. 241 00:10:59,626 --> 00:11:01,259 SOMETHING THAT MURACO IS RATED AMONG THE BEST AT. >> CLASSIC MANEUVER BY MURACO, 242 00:11:01,261 --> 00:11:02,227 AMONG THE BEST AT. >> CLASSIC MANEUVER BY MURACO, BUT ORNDORFF HANGS ON. 243 00:11:02,229 --> 00:11:04,762 >> CLASSIC MANEUVER BY MURACO, BUT ORNDORFF HANGS ON. NICELY DONE. 244 00:11:04,764 --> 00:11:05,664 BUT ORNDORFF HANGS ON. NICELY DONE. >> AND AGAIN WE SEE THE SHADOW 245 00:11:05,666 --> 00:11:07,432 NICELY DONE. >> AND AGAIN WE SEE THE SHADOW OF MR. FUJI. 246 00:11:07,434 --> 00:11:09,600 >> AND AGAIN WE SEE THE SHADOW OF MR. FUJI. >> UH OH. 247 00:11:09,602 --> 00:11:13,805 OF MR. FUJI. >> UH OH. WHAT'S GONNA HAPPEN HERE? 248 00:11:13,807 --> 00:11:14,673 >> UH OH. WHAT'S GONNA HAPPEN HERE? >> ORNDORFF WORKING ON THE ARM 249 00:11:14,675 --> 00:11:19,544 WHAT'S GONNA HAPPEN HERE? >> ORNDORFF WORKING ON THE ARM AND SHOULDER. 250 00:11:19,546 --> 00:11:20,612 >> ORNDORFF WORKING ON THE ARM AND SHOULDER. AND, AS YOU CAN SEE, MURACO 251 00:11:20,614 --> 00:11:24,515 AND SHOULDER. AND, AS YOU CAN SEE, MURACO SWEATING PROFUSELY. 252 00:11:24,517 --> 00:11:26,684 AND, AS YOU CAN SEE, MURACO SWEATING PROFUSELY. MURACO ... 253 00:11:26,686 --> 00:11:27,318 SWEATING PROFUSELY. MURACO ... >> WELL, HE'S GONNA HAVE TO DO 254 00:11:27,320 --> 00:11:27,986 MURACO ... >> WELL, HE'S GONNA HAVE TO DO SOMETHING HERE, VINCE, OR IT'S 255 00:11:27,988 --> 00:11:30,789 >> WELL, HE'S GONNA HAVE TO DO SOMETHING HERE, VINCE, OR IT'S GONNA BE OVER PRETTY QUICKLY. 256 00:11:30,791 --> 00:11:31,522 SOMETHING HERE, VINCE, OR IT'S GONNA BE OVER PRETTY QUICKLY. LOOKS LIKE PAUL'S GOT ... 257 00:11:31,524 --> 00:11:33,458 GONNA BE OVER PRETTY QUICKLY. LOOKS LIKE PAUL'S GOT ... >> MURACO A REAL CAGEY VETERAN 258 00:11:33,460 --> 00:11:42,600 LOOKS LIKE PAUL'S GOT ... >> MURACO A REAL CAGEY VETERAN AS MURACO NOW BACK TO HIS FEET. 259 00:11:42,602 --> 00:11:43,701 >> MURACO A REAL CAGEY VETERAN AS MURACO NOW BACK TO HIS FEET. AND MURACO TRYING TO SET HIM UP. 260 00:11:43,703 --> 00:11:44,302 AS MURACO NOW BACK TO HIS FEET. AND MURACO TRYING TO SET HIM UP. NO. 261 00:11:44,304 --> 00:11:44,836 AND MURACO TRYING TO SET HIM UP. NO. REVERSAL. 262 00:11:44,838 --> 00:11:46,704 NO. REVERSAL. LOOK AT THAT. 263 00:11:46,706 --> 00:11:47,538 REVERSAL. LOOK AT THAT. >> THOUGHT HE WAS GONNA COME UP 264 00:11:47,540 --> 00:11:48,773 LOOK AT THAT. >> THOUGHT HE WAS GONNA COME UP WITH SOMETHING THERE, BUT ... 265 00:11:48,775 --> 00:11:51,976 >> THOUGHT HE WAS GONNA COME UP WITH SOMETHING THERE, BUT ... OOH. 266 00:11:51,978 --> 00:11:52,677 WITH SOMETHING THERE, BUT ... OOH. >> AND FOR SURE WE CAN SEE THE 267 00:11:52,679 --> 00:11:55,513 OOH. >> AND FOR SURE WE CAN SEE THE MOMENTUM HERE CLEARLY ON THE 268 00:11:55,515 --> 00:11:57,348 >> AND FOR SURE WE CAN SEE THE MOMENTUM HERE CLEARLY ON THE SIDE OF MR. WONDERFUL PAUL 269 00:11:57,350 --> 00:11:58,282 MOMENTUM HERE CLEARLY ON THE SIDE OF MR. WONDERFUL PAUL ORNDORFF. 270 00:11:58,284 --> 00:11:59,451 SIDE OF MR. WONDERFUL PAUL ORNDORFF. THIS, I BELIEVE, THE VERY FIRST 271 00:11:59,453 --> 00:12:03,521 ORNDORFF. THIS, I BELIEVE, THE VERY FIRST TIME THESE TWO HAVE EVER MET. 272 00:12:03,523 --> 00:12:04,388 THIS, I BELIEVE, THE VERY FIRST TIME THESE TWO HAVE EVER MET. CERTAINLY, HOWEVER, EACH 273 00:12:04,390 --> 00:12:05,656 TIME THESE TWO HAVE EVER MET. CERTAINLY, HOWEVER, EACH WRESTLER HAS READ THE BOOK ON 274 00:12:05,658 --> 00:12:07,558 CERTAINLY, HOWEVER, EACH WRESTLER HAS READ THE BOOK ON THE OTHER. 275 00:12:07,560 --> 00:12:08,593 WRESTLER HAS READ THE BOOK ON THE OTHER. >> WELL, HE LOOKS LIKE HE'S 276 00:12:08,595 --> 00:12:09,827 THE OTHER. >> WELL, HE LOOKS LIKE HE'S USING SOME ANCIENT CHINESE 277 00:12:09,829 --> 00:12:11,863 >> WELL, HE LOOKS LIKE HE'S USING SOME ANCIENT CHINESE TECHNIQUES. 278 00:12:11,865 --> 00:12:12,630 USING SOME ANCIENT CHINESE TECHNIQUES. >> THERE'S NO TELLING WHAT MR. 279 00:12:12,632 --> 00:12:13,798 TECHNIQUES. >> THERE'S NO TELLING WHAT MR. FUJI ... 280 00:12:13,800 --> 00:12:14,599 >> THERE'S NO TELLING WHAT MR. FUJI ... >> SLOW TORTURE. 281 00:12:14,601 --> 00:12:15,399 FUJI ... >> SLOW TORTURE. >> YES. 282 00:12:15,401 --> 00:12:17,101 >> SLOW TORTURE. >> YES. >> MR. FUJI VERY, VERY CRAFTY. 283 00:12:17,103 --> 00:12:20,572 >> YES. >> MR. FUJI VERY, VERY CRAFTY. SHOUTING UP INSTRUCTIONS TO 284 00:12:20,574 --> 00:12:20,839 >> MR. FUJI VERY, VERY CRAFTY. SHOUTING UP INSTRUCTIONS TO MURACO. 285 00:12:20,841 --> 00:12:21,773 SHOUTING UP INSTRUCTIONS TO MURACO. LOOK AT THIS CRADLE. 286 00:12:21,775 --> 00:12:22,640 MURACO. LOOK AT THIS CRADLE. OH, NICE MANEUVER BY MURACO. 287 00:12:22,642 --> 00:12:26,310 LOOK AT THIS CRADLE. OH, NICE MANEUVER BY MURACO. VERY NICELY DONE. 288 00:12:26,312 --> 00:12:32,717 OH, NICE MANEUVER BY MURACO. VERY NICELY DONE. FUJI HAS TO LIKE THAT ONE. 289 00:12:32,719 --> 00:12:35,720 VERY NICELY DONE. FUJI HAS TO LIKE THAT ONE. AND A RIGHT HAND BY MURACO. 290 00:12:35,722 --> 00:12:36,721 FUJI HAS TO LIKE THAT ONE. AND A RIGHT HAND BY MURACO. MURACO STARTING TO ... 291 00:12:36,723 --> 00:12:38,790 AND A RIGHT HAND BY MURACO. MURACO STARTING TO ... WELL, RESORTING TO MORE 292 00:12:38,792 --> 00:12:40,691 MURACO STARTING TO ... WELL, RESORTING TO MORE AGGRESSIVE TACTICS NOW. 293 00:12:40,693 --> 00:12:41,893 WELL, RESORTING TO MORE AGGRESSIVE TACTICS NOW. >> UH OH. 294 00:12:41,895 --> 00:12:42,560 AGGRESSIVE TACTICS NOW. >> UH OH. I THINK THE TABLES HAVE TURNED 295 00:12:42,562 --> 00:12:43,494 >> UH OH. I THINK THE TABLES HAVE TURNED NOW. 296 00:12:43,496 --> 00:12:44,862 I THINK THE TABLES HAVE TURNED NOW. OH. 297 00:12:44,864 --> 00:12:45,496 NOW. OH. OOH. 298 00:12:45,498 --> 00:12:46,531 OH. OOH. >> HOWEVER, IF IT'S 299 00:12:46,533 --> 00:12:47,665 OOH. >> HOWEVER, IF IT'S AGGRESSIVENESS HE WANTS, 300 00:12:47,667 --> 00:12:48,399 >> HOWEVER, IF IT'S AGGRESSIVENESS HE WANTS, ORNDORFF CAN FIRE RIGHT BACK AT 301 00:12:48,401 --> 00:12:49,834 AGGRESSIVENESS HE WANTS, ORNDORFF CAN FIRE RIGHT BACK AT HIM. 302 00:12:49,836 --> 00:12:51,602 ORNDORFF CAN FIRE RIGHT BACK AT HIM. ELBOW TO THE CRANIUM. 303 00:12:51,604 --> 00:12:56,341 HIM. ELBOW TO THE CRANIUM. ANOTHER RIGHT HAND. 304 00:12:56,343 --> 00:12:56,841 ELBOW TO THE CRANIUM. ANOTHER RIGHT HAND. PAUL ... 305 00:12:56,843 --> 00:12:57,742 ANOTHER RIGHT HAND. PAUL ... EACH WRESTLER PAWING AT EACH 306 00:12:57,744 --> 00:12:58,543 PAUL ... EACH WRESTLER PAWING AT EACH OTHER. 307 00:12:58,545 --> 00:13:02,747 EACH WRESTLER PAWING AT EACH OTHER. OH, AND LOOK AT THAT. 308 00:13:02,749 --> 00:13:03,848 OTHER. OH, AND LOOK AT THAT. OVER THE ROPE. 309 00:13:03,850 --> 00:13:05,449 OH, AND LOOK AT THAT. OVER THE ROPE. MURACO WITH, I THINK, AN 310 00:13:05,451 --> 00:13:06,617 OVER THE ROPE. MURACO WITH, I THINK, AN ADVANTAGE. 311 00:13:06,619 --> 00:13:07,752 MURACO WITH, I THINK, AN ADVANTAGE. NOW BOTH MEN UP ON THEIR FEET. 312 00:13:07,754 --> 00:13:08,386 ADVANTAGE. NOW BOTH MEN UP ON THEIR FEET. MAYBE NOT FOR LONG, BUT ON THE 313 00:13:08,388 --> 00:13:18,596 NOW BOTH MEN UP ON THEIR FEET. MAYBE NOT FOR LONG, BUT ON THE OUTSIDE ON THE CONCRETE FLOOR. 314 00:13:18,598 --> 00:13:19,463 MAYBE NOT FOR LONG, BUT ON THE OUTSIDE ON THE CONCRETE FLOOR. GOT IN A HOLD. 315 00:13:19,465 --> 00:13:20,331 OUTSIDE ON THE CONCRETE FLOOR. GOT IN A HOLD. NO, NOT TO THE RING. 316 00:13:20,333 --> 00:13:21,566 GOT IN A HOLD. NO, NOT TO THE RING. OH, LOOK AT THAT. 317 00:13:21,568 --> 00:13:28,406 NO, NOT TO THE RING. OH, LOOK AT THAT. ORNDORFF PUT ON THE BRAKES. 318 00:13:28,408 --> 00:13:29,374 OH, LOOK AT THAT. ORNDORFF PUT ON THE BRAKES. ORNDORFF WANTING TO USE THAT 319 00:13:29,376 --> 00:13:31,342 ORNDORFF PUT ON THE BRAKES. ORNDORFF WANTING TO USE THAT CHAIR, PERHAPS JUSTIFIED, BUT 320 00:13:31,344 --> 00:13:32,176 ORNDORFF WANTING TO USE THAT CHAIR, PERHAPS JUSTIFIED, BUT NONETHELESS, IF HE USES IT, HE'S 321 00:13:32,178 --> 00:13:33,811 CHAIR, PERHAPS JUSTIFIED, BUT NONETHELESS, IF HE USES IT, HE'S GONNA BE DISQUALIFIED. 322 00:13:33,813 --> 00:13:40,751 NONETHELESS, IF HE USES IT, HE'S GONNA BE DISQUALIFIED. NO, THE CHAIR INTO THE RING NOW. 323 00:13:40,753 --> 00:13:41,920 GONNA BE DISQUALIFIED. NO, THE CHAIR INTO THE RING NOW. I'M NOT AT ALL CERTAIN WHAT THE 324 00:13:41,922 --> 00:13:43,321 NO, THE CHAIR INTO THE RING NOW. I'M NOT AT ALL CERTAIN WHAT THE REFEREE HAS DONE HERE IN THIS 325 00:13:43,323 --> 00:13:44,555 I'M NOT AT ALL CERTAIN WHAT THE REFEREE HAS DONE HERE IN THIS MATCH-UP. 326 00:13:44,557 --> 00:13:49,427 REFEREE HAS DONE HERE IN THIS MATCH-UP. [ BELL RINGING ] 327 00:13:49,429 --> 00:13:51,662 MATCH-UP. [ BELL RINGING ] >> FANS CERTAINLY NOT LIKING THE 328 00:13:51,664 --> 00:13:54,899 [ BELL RINGING ] >> FANS CERTAINLY NOT LIKING THE OUTCOME OF THIS ONE. 329 00:13:54,901 --> 00:13:56,868 >> FANS CERTAINLY NOT LIKING THE OUTCOME OF THIS ONE. LET'S GO UP AND GET THE OFFICIAL 330 00:13:56,870 --> 00:14:05,543 OUTCOME OF THIS ONE. LET'S GO UP AND GET THE OFFICIAL ANNOUNCEMENT. 331 00:14:05,545 --> 00:14:07,879 LET'S GO UP AND GET THE OFFICIAL ANNOUNCEMENT. THERE'S A LOOK AT MURACO ON HIS 332 00:14:07,881 --> 00:14:10,448 ANNOUNCEMENT. THERE'S A LOOK AT MURACO ON HIS WAY BACK TO THE DRESSING ROOM, 333 00:14:10,450 --> 00:14:11,515 THERE'S A LOOK AT MURACO ON HIS WAY BACK TO THE DRESSING ROOM, AND A LOOK HERE AT MR. WONDERFUL 334 00:14:11,517 --> 00:14:13,584 WAY BACK TO THE DRESSING ROOM, AND A LOOK HERE AT MR. WONDERFUL PAUL ORNDORFF. 335 00:14:13,586 --> 00:14:20,524 AND A LOOK HERE AT MR. WONDERFUL PAUL ORNDORFF. [ APPLAUSE ] 336 00:14:20,526 --> 00:14:21,559 PAUL ORNDORFF. [ APPLAUSE ] >> WELL, I GUESS HE'S DECLARING 337 00:14:21,561 --> 00:14:22,994 [ APPLAUSE ] >> WELL, I GUESS HE'S DECLARING HIMSELF THE WINNER. 338 00:14:22,996 --> 00:14:30,735 >> WELL, I GUESS HE'S DECLARING HIMSELF THE WINNER. >> PERHAPS WE HAVE THE REPLAY. 339 00:14:30,737 --> 00:14:32,570 HIMSELF THE WINNER. >> PERHAPS WE HAVE THE REPLAY. ALL RIGHT, HERE WE GO. 340 00:14:32,572 --> 00:14:33,738 >> PERHAPS WE HAVE THE REPLAY. ALL RIGHT, HERE WE GO. MORE ACTION ON THE OUTSIDE THAN 341 00:14:33,740 --> 00:14:38,476 ALL RIGHT, HERE WE GO. MORE ACTION ON THE OUTSIDE THAN ON THE INSIDE. 342 00:14:38,478 --> 00:14:39,677 MORE ACTION ON THE OUTSIDE THAN ON THE INSIDE. AND, I GUESS, BOTH MEN COUNTED 343 00:14:39,679 --> 00:14:40,478 ON THE INSIDE. AND, I GUESS, BOTH MEN COUNTED OUT. 344 00:14:40,480 --> 00:14:41,679 AND, I GUESS, BOTH MEN COUNTED OUT. LET'S GO BACK UP NOW AND GET THE 345 00:14:41,681 --> 00:14:53,892 OUT. LET'S GO BACK UP NOW AND GET THE OFFICIAL ANNOUNCEMENT. 346 00:14:53,894 --> 00:14:54,759 LET'S GO BACK UP NOW AND GET THE OFFICIAL ANNOUNCEMENT. WELL, WHILE WE'RE WAITING FOR 347 00:14:54,761 --> 00:14:56,594 OFFICIAL ANNOUNCEMENT. WELL, WHILE WE'RE WAITING FOR THE ANNOUNCEMENT, AND WE'LL TRY 348 00:14:56,596 --> 00:14:57,261 WELL, WHILE WE'RE WAITING FOR THE ANNOUNCEMENT, AND WE'LL TRY AND GET TO IT, THERE'S ALL KIND 349 00:14:57,263 --> 00:14:58,763 THE ANNOUNCEMENT, AND WE'LL TRY AND GET TO IT, THERE'S ALL KIND OF CONFUSION HERE. 350 00:14:58,765 --> 00:15:00,732 AND GET TO IT, THERE'S ALL KIND OF CONFUSION HERE. UH, STANDING BY IS MR. T IN HIS 351 00:15:00,734 --> 00:15:03,701 OF CONFUSION HERE. UH, STANDING BY IS MR. T IN HIS DRESSING ROOM, SO PERHAPS WE CAN 352 00:15:03,703 --> 00:15:08,372 UH, STANDING BY IS MR. T IN HIS DRESSING ROOM, SO PERHAPS WE CAN TAKE YOU NOW TO MR. T IN THE 353 00:15:08,374 --> 00:15:12,343 DRESSING ROOM, SO PERHAPS WE CAN TAKE YOU NOW TO MR. T IN THE LOCKER ROOM. 354 00:15:12,345 --> 00:15:13,144 TAKE YOU NOW TO MR. T IN THE LOCKER ROOM. >> FIRST OF ALL, LET ME TELL YOU 355 00:15:13,146 --> 00:15:14,445 LOCKER ROOM. >> FIRST OF ALL, LET ME TELL YOU PEOPLE OUT THERE SOMETHING. 356 00:15:14,447 --> 00:15:15,479 >> FIRST OF ALL, LET ME TELL YOU PEOPLE OUT THERE SOMETHING. IT'S NOT MY IDEA TO BE TALKING 357 00:15:15,481 --> 00:15:16,547 PEOPLE OUT THERE SOMETHING. IT'S NOT MY IDEA TO BE TALKING RIGHT BEFORE A BIG FIGHT. 358 00:15:16,549 --> 00:15:17,348 IT'S NOT MY IDEA TO BE TALKING RIGHT BEFORE A BIG FIGHT. I DON'T LIKE TO DO A LOT OF 359 00:15:17,350 --> 00:15:17,748 RIGHT BEFORE A BIG FIGHT. I DON'T LIKE TO DO A LOT OF TALKING. 360 00:15:17,750 --> 00:15:18,549 I DON'T LIKE TO DO A LOT OF TALKING. MY FISTS GONNA DO THE TALKING IN 361 00:15:18,551 --> 00:15:19,583 TALKING. MY FISTS GONNA DO THE TALKING IN THE RING. 362 00:15:19,585 --> 00:15:20,184 MY FISTS GONNA DO THE TALKING IN THE RING. YOU KNOW, WE CAN TALK ALL DAY. 363 00:15:20,186 --> 00:15:20,785 THE RING. YOU KNOW, WE CAN TALK ALL DAY. I DON'T KNOW WHAT I MIGHT DO TO 364 00:15:20,787 --> 00:15:21,719 YOU KNOW, WE CAN TALK ALL DAY. I DON'T KNOW WHAT I MIGHT DO TO PIPER, BUT I KNOW HE'S GONNA BE 365 00:15:21,721 --> 00:15:22,520 I DON'T KNOW WHAT I MIGHT DO TO PIPER, BUT I KNOW HE'S GONNA BE GETTING HURT OUT THERE. 366 00:15:22,522 --> 00:15:23,454 PIPER, BUT I KNOW HE'S GONNA BE GETTING HURT OUT THERE. I'M GONNA BE HITTING THE MAN 367 00:15:23,456 --> 00:15:23,854 GETTING HURT OUT THERE. I'M GONNA BE HITTING THE MAN EVERYWHERE. 368 00:15:23,856 --> 00:15:24,589 I'M GONNA BE HITTING THE MAN EVERYWHERE. ELBOW. 369 00:15:24,591 --> 00:15:25,523 EVERYWHERE. ELBOW. ARMS. 370 00:15:25,525 --> 00:15:25,856 ELBOW. ARMS. EVERYTHING. 371 00:15:25,858 --> 00:15:26,557 ARMS. EVERYTHING. HE START DOING DIRTY STUFF, I'M 372 00:15:26,559 --> 00:15:27,458 EVERYTHING. HE START DOING DIRTY STUFF, I'M GONNA START DOING SOME DIRTY 373 00:15:27,460 --> 00:15:27,792 HE START DOING DIRTY STUFF, I'M GONNA START DOING SOME DIRTY STUFF. 374 00:15:27,794 --> 00:15:28,726 GONNA START DOING SOME DIRTY STUFF. I WANT THIS MAN TOO LONG. 375 00:15:28,728 --> 00:15:29,727 STUFF. I WANT THIS MAN TOO LONG. LOOK WHAT HE DID TO MY BUDDY, 376 00:15:29,729 --> 00:15:30,662 I WANT THIS MAN TOO LONG. LOOK WHAT HE DID TO MY BUDDY, THE HAITI KID. 377 00:15:30,664 --> 00:15:31,629 LOOK WHAT HE DID TO MY BUDDY, THE HAITI KID. CUT HIS HAIR LIKE ME JUST 378 00:15:31,631 --> 00:15:32,563 THE HAITI KID. CUT HIS HAIR LIKE ME JUST BECAUSE OF A MAN LIKE ME. 379 00:15:32,565 --> 00:15:33,665 CUT HIS HAIR LIKE ME JUST BECAUSE OF A MAN LIKE ME. YOU KNOW, AND ALL THE DIRTY 380 00:15:33,667 --> 00:15:34,766 BECAUSE OF A MAN LIKE ME. YOU KNOW, AND ALL THE DIRTY THINGS HE DID. 381 00:15:34,768 --> 00:15:35,666 YOU KNOW, AND ALL THE DIRTY THINGS HE DID. >> LADIES AND GENTLEMEN ... 382 00:15:35,668 --> 00:15:36,500 THINGS HE DID. >> LADIES AND GENTLEMEN ... >> HIM AND ACE ... 383 00:15:36,502 --> 00:15:37,167 >> LADIES AND GENTLEMEN ... >> HIM AND ACE ... >> IN THE PREVIOUS BOUT, BOTH 384 00:15:37,169 --> 00:15:37,768 >> HIM AND ACE ... >> IN THE PREVIOUS BOUT, BOTH MR. WONDERFUL PAUL ORNDORFF AND 385 00:15:37,770 --> 00:15:38,469 >> IN THE PREVIOUS BOUT, BOTH MR. WONDERFUL PAUL ORNDORFF AND ... 386 00:15:38,471 --> 00:15:39,337 MR. WONDERFUL PAUL ORNDORFF AND ... >> WE'RE GONNA GIVE YOU GREEN. 387 00:15:39,339 --> 00:15:39,937 ... >> WE'RE GONNA GIVE YOU GREEN. WHAT DO YOU SAY ... 388 00:15:39,939 --> 00:15:40,538 >> WE'RE GONNA GIVE YOU GREEN. WHAT DO YOU SAY ... >> WERE COUNTED OUT IN A REFEREE 389 00:15:40,540 --> 00:15:40,905 WHAT DO YOU SAY ... >> WERE COUNTED OUT IN A REFEREE ... 390 00:15:40,907 --> 00:15:41,506 >> WERE COUNTED OUT IN A REFEREE ... >> THAT'S RIGHT. 391 00:15:41,508 --> 00:15:42,039 ... >> THAT'S RIGHT. WE'RE READY. 392 00:15:42,041 --> 00:15:42,640 >> THAT'S RIGHT. WE'RE READY. WE'RE GONNA DO IT. 393 00:15:42,642 --> 00:15:43,774 WE'RE READY. WE'RE GONNA DO IT. >> COUNT OUT. 394 00:15:43,776 --> 00:15:46,510 WE'RE GONNA DO IT. >> COUNT OUT. >> THIS IS THE END OF THIS 395 00:15:46,512 --> 00:15:46,910 >> COUNT OUT. >> THIS IS THE END OF THIS INTERVIEW. 396 00:15:46,912 --> 00:15:47,444 >> THIS IS THE END OF THIS INTERVIEW. FORGET ALL THE TALKING. 397 00:15:47,446 --> 00:15:48,446 INTERVIEW. FORGET ALL THE TALKING. GET ON OUT THERE AND GET IT. 398 00:15:48,448 --> 00:15:49,847 FORGET ALL THE TALKING. GET ON OUT THERE AND GET IT. [ BOOING ] 399 00:15:49,849 --> 00:15:50,481 GET ON OUT THERE AND GET IT. [ BOOING ] >> ALL RIGHT. 400 00:15:50,483 --> 00:15:51,649 [ BOOING ] >> ALL RIGHT. WHILE WE WERE WAITING ... 401 00:15:51,651 --> 00:15:52,850 >> ALL RIGHT. WHILE WE WERE WAITING ... >> THIS CONTEST IS FOR THE 402 00:15:52,852 --> 00:15:54,352 WHILE WE WERE WAITING ... >> THIS CONTEST IS FOR THE INTERCONTINENTAL HEAVYWEIGHT 403 00:15:54,354 --> 00:15:55,686 >> THIS CONTEST IS FOR THE INTERCONTINENTAL HEAVYWEIGHT CHAMPIONSHIP. 404 00:15:55,688 --> 00:15:57,622 INTERCONTINENTAL HEAVYWEIGHT CHAMPIONSHIP. IT IS SCHEDULED FOR ONE-FALL 405 00:15:57,624 --> 00:15:59,757 CHAMPIONSHIP. IT IS SCHEDULED FOR ONE-FALL WITH A ONE-HOUR TIME LIMIT. 406 00:15:59,759 --> 00:16:02,460 IT IS SCHEDULED FOR ONE-FALL WITH A ONE-HOUR TIME LIMIT. IN THE RING IS THE CHALLENGER 407 00:16:02,462 --> 00:16:04,562 WITH A ONE-HOUR TIME LIMIT. IN THE RING IS THE CHALLENGER FROM DETROIT, MICHIGAN. 408 00:16:04,564 --> 00:16:07,732 IN THE RING IS THE CHALLENGER FROM DETROIT, MICHIGAN. WEIGHING 288 POUNDS, GEORGE "THE 409 00:16:07,734 --> 00:16:10,568 FROM DETROIT, MICHIGAN. WEIGHING 288 POUNDS, GEORGE "THE ANIMAL" STEELE! 410 00:16:10,570 --> 00:16:14,772 WEIGHING 288 POUNDS, GEORGE "THE ANIMAL" STEELE! >> RIGHT. 411 00:16:14,774 --> 00:16:15,573 ANIMAL" STEELE! >> RIGHT. [ APPLAUSE ] 412 00:16:15,575 --> 00:16:21,746 >> RIGHT. [ APPLAUSE ] >> AND HIS OPPONENT TO BE LED 413 00:16:21,748 --> 00:16:24,582 [ APPLAUSE ] >> AND HIS OPPONENT TO BE LED TOWARDS THE RING BY ELIZABETH, 414 00:16:24,584 --> 00:16:27,818 >> AND HIS OPPONENT TO BE LED TOWARDS THE RING BY ELIZABETH, FROM SARASOTA, FLORIDA, WEIGHING 415 00:16:27,820 --> 00:16:31,756 TOWARDS THE RING BY ELIZABETH, FROM SARASOTA, FLORIDA, WEIGHING 239 POUNDS, THE INTERCONTINENTAL 416 00:16:31,758 --> 00:16:36,227 FROM SARASOTA, FLORIDA, WEIGHING 239 POUNDS, THE INTERCONTINENTAL HEAVYWEIGHT CHAMPION, RANDY 417 00:16:36,229 --> 00:16:41,899 239 POUNDS, THE INTERCONTINENTAL HEAVYWEIGHT CHAMPION, RANDY "MACHO MAN" SAVAGE! 418 00:16:41,901 --> 00:16:44,001 HEAVYWEIGHT CHAMPION, RANDY "MACHO MAN" SAVAGE! [ MUSIC ] 419 00:16:44,003 --> 00:16:46,170 "MACHO MAN" SAVAGE! [ MUSIC ] >> THE MACHO MAN MAKING HIS WAY 420 00:16:46,172 --> 00:16:47,571 [ MUSIC ] >> THE MACHO MAN MAKING HIS WAY TO THE SQUARED CIRCLE, LED, NO 421 00:16:47,573 --> 00:16:48,739 >> THE MACHO MAN MAKING HIS WAY TO THE SQUARED CIRCLE, LED, NO DOUBT, BY HIS LOVELY MANAGER 422 00:16:48,741 --> 00:16:51,442 TO THE SQUARED CIRCLE, LED, NO DOUBT, BY HIS LOVELY MANAGER ELIZABETH. 423 00:16:51,444 --> 00:16:52,610 DOUBT, BY HIS LOVELY MANAGER ELIZABETH. THERE'S A GOOD-LOOKING 424 00:16:52,612 --> 00:16:53,744 ELIZABETH. THERE'S A GOOD-LOOKING ELIZABETH. 425 00:16:53,746 --> 00:16:55,780 THERE'S A GOOD-LOOKING ELIZABETH. WOW, SHE IS A BEAUTY, ISN'T SHE, 426 00:16:55,782 --> 00:16:56,581 ELIZABETH. WOW, SHE IS A BEAUTY, ISN'T SHE, SUSAN? 427 00:16:56,583 --> 00:16:57,515 WOW, SHE IS A BEAUTY, ISN'T SHE, SUSAN? >> OH, SHE IS FANTASTIC. 428 00:16:57,517 --> 00:16:58,116 SUSAN? >> OH, SHE IS FANTASTIC. I'M REALLY ROOTING FOR THE 429 00:16:58,118 --> 00:16:58,749 >> OH, SHE IS FANTASTIC. I'M REALLY ROOTING FOR THE ANIMAL TONIGHT, VINCE, BECAUSE 430 00:16:58,751 --> 00:16:59,550 I'M REALLY ROOTING FOR THE ANIMAL TONIGHT, VINCE, BECAUSE THAT'S MY GUY. 431 00:16:59,552 --> 00:17:00,451 ANIMAL TONIGHT, VINCE, BECAUSE THAT'S MY GUY. HE'S GOT ... 432 00:17:00,453 --> 00:17:01,252 THAT'S MY GUY. HE'S GOT ... SOMEBODY'S GOT TO SHOW THIS 433 00:17:01,254 --> 00:17:02,353 HE'S GOT ... SOMEBODY'S GOT TO SHOW THIS MACHO MAN HOW TO TREAT PEOPLE. 434 00:17:02,355 --> 00:17:03,454 SOMEBODY'S GOT TO SHOW THIS MACHO MAN HOW TO TREAT PEOPLE. THIS GORGEOUS, NICE YOUNG GIRL 435 00:17:03,456 --> 00:17:06,524 MACHO MAN HOW TO TREAT PEOPLE. THIS GORGEOUS, NICE YOUNG GIRL AND HE TREATS HER SO BADLY. 436 00:17:06,526 --> 00:17:07,458 THIS GORGEOUS, NICE YOUNG GIRL AND HE TREATS HER SO BADLY. THIS IS MY MATCH. 437 00:17:07,460 --> 00:17:08,592 AND HE TREATS HER SO BADLY. THIS IS MY MATCH. THIS IS MY MATCH. 438 00:17:08,594 --> 00:17:09,493 THIS IS MY MATCH. THIS IS MY MATCH. >> ALL RIGHT. 439 00:17:09,495 --> 00:17:10,461 THIS IS MY MATCH. >> ALL RIGHT. WELL, EARLIER ON WE HAD AN 440 00:17:10,463 --> 00:17:11,595 >> ALL RIGHT. WELL, EARLIER ON WE HAD AN OCCASION TO CHAT WITH THE MACHO 441 00:17:11,597 --> 00:17:13,330 WELL, EARLIER ON WE HAD AN OCCASION TO CHAT WITH THE MACHO MAN AND ELIZABETH. 442 00:17:13,332 --> 00:17:14,632 OCCASION TO CHAT WITH THE MACHO MAN AND ELIZABETH. AS THEY MAKE THEIR WAY INTO THE 443 00:17:14,634 --> 00:17:16,534 MAN AND ELIZABETH. AS THEY MAKE THEIR WAY INTO THE RING NOW, LET'S GO BACK AND TAKE 444 00:17:16,536 --> 00:17:20,505 AS THEY MAKE THEIR WAY INTO THE RING NOW, LET'S GO BACK AND TAKE A LOOK AT WHAT WE SAW AND HEARD. 445 00:17:20,507 --> 00:17:20,972 RING NOW, LET'S GO BACK AND TAKE A LOOK AT WHAT WE SAW AND HEARD. >> FREAKED OUT. 446 00:17:20,974 --> 00:17:22,740 A LOOK AT WHAT WE SAW AND HEARD. >> FREAKED OUT. FREAKED OUT. 447 00:17:22,742 --> 00:17:24,375 >> FREAKED OUT. FREAKED OUT. MACHO MAN RANDY SAVAGE HERE. 448 00:17:24,377 --> 00:17:26,343 FREAKED OUT. MACHO MAN RANDY SAVAGE HERE. INTERCONTINENTAL HEAVYWEIGHT 449 00:17:26,345 --> 00:17:29,447 MACHO MAN RANDY SAVAGE HERE. INTERCONTINENTAL HEAVYWEIGHT CHAMPION OF THE WORLD TALKING TO 450 00:17:29,449 --> 00:17:30,047 INTERCONTINENTAL HEAVYWEIGHT CHAMPION OF THE WORLD TALKING TO YOU RIGHT NOW. 451 00:17:30,049 --> 00:17:30,648 CHAMPION OF THE WORLD TALKING TO YOU RIGHT NOW. GEORGE "THE ANIMAL" STEELE. 452 00:17:30,650 --> 00:17:31,682 YOU RIGHT NOW. GEORGE "THE ANIMAL" STEELE. BY THE END OF TONIGHT, YEAH, BY 453 00:17:31,684 --> 00:17:33,551 GEORGE "THE ANIMAL" STEELE. BY THE END OF TONIGHT, YEAH, BY THE END OF TONIGHT, HE'S GONNA 454 00:17:33,553 --> 00:17:34,285 BY THE END OF TONIGHT, YEAH, BY THE END OF TONIGHT, HE'S GONNA BE ABLE TO TALK. 455 00:17:34,287 --> 00:17:34,719 THE END OF TONIGHT, HE'S GONNA BE ABLE TO TALK. YEAH. 456 00:17:34,721 --> 00:17:35,553 BE ABLE TO TALK. YEAH. HE'S GONNA SAY, "EXCUSE ME, 457 00:17:35,555 --> 00:17:36,420 YEAH. HE'S GONNA SAY, "EXCUSE ME, MACHO MAN, YOU ARE THE GREATEST 458 00:17:36,422 --> 00:17:37,688 HE'S GONNA SAY, "EXCUSE ME, MACHO MAN, YOU ARE THE GREATEST IN THE WORLD. 459 00:17:37,690 --> 00:17:39,724 MACHO MAN, YOU ARE THE GREATEST IN THE WORLD. NO DOUBT ABOUT IT." 460 00:17:39,726 --> 00:17:41,459 IN THE WORLD. NO DOUBT ABOUT IT." YEAH, THE BIGGEST SPECTACLE IN 461 00:17:41,461 --> 00:17:41,859 NO DOUBT ABOUT IT." YEAH, THE BIGGEST SPECTACLE IN THE WORLD. 462 00:17:41,861 --> 00:17:43,794 YEAH, THE BIGGEST SPECTACLE IN THE WORLD. MACHO MAN AND MACHO MADNESS 463 00:17:43,796 --> 00:17:45,596 THE WORLD. MACHO MAN AND MACHO MADNESS ZEROING IN ON YOU, GEORGE 464 00:17:45,598 --> 00:17:46,630 MACHO MAN AND MACHO MADNESS ZEROING IN ON YOU, GEORGE STEELE. 465 00:17:46,632 --> 00:17:53,671 ZEROING IN ON YOU, GEORGE STEELE. OH, YEAH. 466 00:17:53,673 --> 00:17:54,738 STEELE. OH, YEAH. >> ALL RIGHT. 467 00:17:54,740 --> 00:17:56,307 OH, YEAH. >> ALL RIGHT. THE MACHO MAN AND GEORGE "THE 468 00:17:56,309 --> 00:17:57,441 >> ALL RIGHT. THE MACHO MAN AND GEORGE "THE ANIMAL" STEELE ABOUT READY TO 469 00:17:57,443 --> 00:17:58,742 THE MACHO MAN AND GEORGE "THE ANIMAL" STEELE ABOUT READY TO LOCK UP NOW, AND THIS WILL BE A 470 00:17:58,744 --> 00:18:00,411 ANIMAL" STEELE ABOUT READY TO LOCK UP NOW, AND THIS WILL BE A MOST UNIQUE MATCH-UP. 471 00:18:00,413 --> 00:18:01,679 LOCK UP NOW, AND THIS WILL BE A MOST UNIQUE MATCH-UP. >> WHO DOES THAT GUY THINK HE 472 00:18:01,681 --> 00:18:02,713 MOST UNIQUE MATCH-UP. >> WHO DOES THAT GUY THINK HE IS? 473 00:18:02,715 --> 00:18:04,348 >> WHO DOES THAT GUY THINK HE IS? LOOK AT THAT GORGEOUS MANAGER. 474 00:18:04,350 --> 00:18:05,649 IS? LOOK AT THAT GORGEOUS MANAGER. HE TREATS HER LIKE DIRT. 475 00:18:05,651 --> 00:18:07,451 LOOK AT THAT GORGEOUS MANAGER. HE TREATS HER LIKE DIRT. ANIMAL'S TOTALLY IN LOVE WITH 476 00:18:07,453 --> 00:18:08,519 HE TREATS HER LIKE DIRT. ANIMAL'S TOTALLY IN LOVE WITH HER, AS YOU PROBABLY KNOW. 477 00:18:08,521 --> 00:18:09,620 ANIMAL'S TOTALLY IN LOVE WITH HER, AS YOU PROBABLY KNOW. I'M LOOKING FORWARD TO THIS. 478 00:18:09,622 --> 00:18:10,688 HER, AS YOU PROBABLY KNOW. I'M LOOKING FORWARD TO THIS. I THINK ANIMAL CAN BEAT HIM. 479 00:18:10,690 --> 00:18:11,789 I'M LOOKING FORWARD TO THIS. I THINK ANIMAL CAN BEAT HIM. COME ON, GEORGE. 480 00:18:11,791 --> 00:18:13,457 I THINK ANIMAL CAN BEAT HIM. COME ON, GEORGE. [ BELL RINGING ] 481 00:18:13,459 --> 00:18:14,358 COME ON, GEORGE. [ BELL RINGING ] >> YES, AND OF COURSE, GEORGE 482 00:18:14,360 --> 00:18:15,493 [ BELL RINGING ] >> YES, AND OF COURSE, GEORGE "THE ANIMAL" STEELE CAN NOT ONLY 483 00:18:15,495 --> 00:18:16,627 >> YES, AND OF COURSE, GEORGE "THE ANIMAL" STEELE CAN NOT ONLY WIN THE INTERCONTINENTAL 484 00:18:16,629 --> 00:18:18,629 "THE ANIMAL" STEELE CAN NOT ONLY WIN THE INTERCONTINENTAL CHAMPIONSHIP HERE BUT HE JUST 485 00:18:18,631 --> 00:18:19,430 WIN THE INTERCONTINENTAL CHAMPIONSHIP HERE BUT HE JUST MIGHT WIN THE HAND OF ELIZABETH. 486 00:18:19,432 --> 00:18:20,764 CHAMPIONSHIP HERE BUT HE JUST MIGHT WIN THE HAND OF ELIZABETH. WHO KNOWS? 487 00:18:20,766 --> 00:18:22,333 MIGHT WIN THE HAND OF ELIZABETH. WHO KNOWS? >> WELL, IF SHE HAD ANY TASTE, 488 00:18:22,335 --> 00:18:24,635 WHO KNOWS? >> WELL, IF SHE HAD ANY TASTE, SHE'D CHANGE BOYFRIENDS 489 00:18:24,637 --> 00:18:25,769 >> WELL, IF SHE HAD ANY TASTE, SHE'D CHANGE BOYFRIENDS IMMEDIATELY. 490 00:18:25,771 --> 00:18:28,405 SHE'D CHANGE BOYFRIENDS IMMEDIATELY. JUST, SHE SHOULD MANAGE ANIMAL. 491 00:18:28,407 --> 00:18:29,440 IMMEDIATELY. JUST, SHE SHOULD MANAGE ANIMAL. UH OH. 492 00:18:29,442 --> 00:18:30,508 JUST, SHE SHOULD MANAGE ANIMAL. UH OH. >> AND RIGHT AWAY THE MACHO MAN 493 00:18:30,510 --> 00:18:31,676 UH OH. >> AND RIGHT AWAY THE MACHO MAN CANNOT ADAPT EARLY ON TO THE 494 00:18:31,678 --> 00:18:34,479 >> AND RIGHT AWAY THE MACHO MAN CANNOT ADAPT EARLY ON TO THE RATHER UNORTHODOX STYLE OF 495 00:18:34,481 --> 00:18:40,518 CANNOT ADAPT EARLY ON TO THE RATHER UNORTHODOX STYLE OF GEORGE "THE ANIMAL" STEELE. 496 00:18:40,520 --> 00:18:56,634 RATHER UNORTHODOX STYLE OF GEORGE "THE ANIMAL" STEELE. MACHO MAN VERY, VERY CRAFTY. 497 00:18:56,636 --> 00:18:58,636 GEORGE "THE ANIMAL" STEELE. MACHO MAN VERY, VERY CRAFTY. >> UH-OH. 498 00:18:58,638 --> 00:18:59,803 MACHO MAN VERY, VERY CRAFTY. >> UH-OH. >> AND THERE'S ANOTHER LOOK AT 499 00:18:59,805 --> 00:19:04,475 >> UH-OH. >> AND THERE'S ANOTHER LOOK AT GEORGE "THE ANIMAL" STEELE. 500 00:19:04,477 --> 00:19:05,676 >> AND THERE'S ANOTHER LOOK AT GEORGE "THE ANIMAL" STEELE. AND AGAIN, THE MACHO MAN LEAPS 501 00:19:05,678 --> 00:19:11,615 GEORGE "THE ANIMAL" STEELE. AND AGAIN, THE MACHO MAN LEAPS FROM THE RING. 502 00:19:11,617 --> 00:19:13,651 AND AGAIN, THE MACHO MAN LEAPS FROM THE RING. UM, AND THERE FIGHTING A LITTLE 503 00:19:13,653 --> 00:19:15,452 FROM THE RING. UM, AND THERE FIGHTING A LITTLE FIRE WITH FIRE. 504 00:19:15,454 --> 00:19:21,826 UM, AND THERE FIGHTING A LITTLE FIRE WITH FIRE. THE MACHO MAN. 505 00:19:21,828 --> 00:19:23,961 FIRE WITH FIRE. THE MACHO MAN. LOT OF FUR. 506 00:19:23,963 --> 00:19:24,962 THE MACHO MAN. LOT OF FUR. UH, IT LOOKS ... 507 00:19:24,964 --> 00:19:25,829 LOT OF FUR. UH, IT LOOKS ... OF COURSE, IT WOULD BE 508 00:19:25,831 --> 00:19:27,465 UH, IT LOOKS ... OF COURSE, IT WOULD BE CLASSIFIED AS HAIR, BUT IT LOOKS 509 00:19:27,467 --> 00:19:28,832 OF COURSE, IT WOULD BE CLASSIFIED AS HAIR, BUT IT LOOKS ALMOST LIKE FUR ON GEORGE "THE 510 00:19:28,834 --> 00:19:30,568 CLASSIFIED AS HAIR, BUT IT LOOKS ALMOST LIKE FUR ON GEORGE "THE ANIMAL" STEELE. 511 00:19:30,570 --> 00:19:31,302 ALMOST LIKE FUR ON GEORGE "THE ANIMAL" STEELE. THERE'S SO MUCH OF IT, WITH THE 512 00:19:31,304 --> 00:19:32,670 ANIMAL" STEELE. THERE'S SO MUCH OF IT, WITH THE EXCEPTION, OF COURSE, OF ... 513 00:19:32,672 --> 00:19:33,470 THERE'S SO MUCH OF IT, WITH THE EXCEPTION, OF COURSE, OF ... AND AGAIN, THE MACHO MAN ... 514 00:19:33,472 --> 00:19:34,505 EXCEPTION, OF COURSE, OF ... AND AGAIN, THE MACHO MAN ... THIS TIME HE'S COMING AFTER HIM! 515 00:19:34,507 --> 00:19:35,573 AND AGAIN, THE MACHO MAN ... THIS TIME HE'S COMING AFTER HIM! >> UH OH. 516 00:19:35,575 --> 00:19:36,473 THIS TIME HE'S COMING AFTER HIM! >> UH OH. >> GEORGE STEELE COMING AFTER 517 00:19:36,475 --> 00:19:37,608 >> UH OH. >> GEORGE STEELE COMING AFTER HIM. 518 00:19:37,610 --> 00:19:38,409 >> GEORGE STEELE COMING AFTER HIM. BACK IN NOW. 519 00:19:38,411 --> 00:19:39,710 HIM. BACK IN NOW. >> I'M TELLING YOU ... 520 00:19:39,712 --> 00:19:40,744 BACK IN NOW. >> I'M TELLING YOU ... >> AND AGAIN, RIGHT BACK OUT. 521 00:19:40,746 --> 00:19:41,679 >> I'M TELLING YOU ... >> AND AGAIN, RIGHT BACK OUT. >> HE UNNERVES, HE UNNERVES HIM 522 00:19:41,681 --> 00:19:42,546 >> AND AGAIN, RIGHT BACK OUT. >> HE UNNERVES, HE UNNERVES HIM EVERY TIME. 523 00:19:42,548 --> 00:19:43,714 >> HE UNNERVES, HE UNNERVES HIM EVERY TIME. I THINK HE'S SCARED OF THE 524 00:19:43,716 --> 00:19:45,316 EVERY TIME. I THINK HE'S SCARED OF THE ANIMAL. 525 00:19:45,318 --> 00:19:48,452 I THINK HE'S SCARED OF THE ANIMAL. WATCH THIS. 526 00:19:48,454 --> 00:19:49,186 ANIMAL. WATCH THIS. >> WELL, IF ANYONE HAS ANY 527 00:19:49,188 --> 00:19:50,321 WATCH THIS. >> WELL, IF ANYONE HAS ANY SENSE, THEY WILL BE AFRAID. 528 00:19:50,323 --> 00:19:51,556 >> WELL, IF ANYONE HAS ANY SENSE, THEY WILL BE AFRAID. AND THE ANIMAL ... 529 00:19:51,558 --> 00:19:52,656 SENSE, THEY WILL BE AFRAID. AND THE ANIMAL ... >> WHOA. 530 00:19:52,658 --> 00:19:53,924 AND THE ANIMAL ... >> WHOA. >> HAS THE MACHO MAN! 531 00:19:53,926 --> 00:19:56,827 >> WHOA. >> HAS THE MACHO MAN! OH, LOOK AT THAT! 532 00:19:56,829 --> 00:19:57,561 >> HAS THE MACHO MAN! OH, LOOK AT THAT! >> OH. 533 00:19:57,563 --> 00:19:58,596 OH, LOOK AT THAT! >> OH. ALL RIGHT, GEORGE. 534 00:19:58,598 --> 00:19:59,496 >> OH. ALL RIGHT, GEORGE. EAT HIS LEG. 535 00:19:59,498 --> 00:20:00,064 ALL RIGHT, GEORGE. EAT HIS LEG. >> THE ANIMAL, I BELIEVE, 536 00:20:00,066 --> 00:20:01,565 EAT HIS LEG. >> THE ANIMAL, I BELIEVE, GNAWING ON THE CALF. 537 00:20:01,567 --> 00:20:03,267 >> THE ANIMAL, I BELIEVE, GNAWING ON THE CALF. YES. 538 00:20:03,269 --> 00:20:04,635 GNAWING ON THE CALF. YES. >> DEFINITELY. 539 00:20:04,637 --> 00:20:05,436 YES. >> DEFINITELY. >> I WONDER WHAT ELIZABETH 540 00:20:05,438 --> 00:20:06,770 >> DEFINITELY. >> I WONDER WHAT ELIZABETH THINKS OF THAT. 541 00:20:06,772 --> 00:20:07,705 >> I WONDER WHAT ELIZABETH THINKS OF THAT. >> WELL, I KNOW IT'S DIRTY, BUT 542 00:20:07,707 --> 00:20:09,540 THINKS OF THAT. >> WELL, I KNOW IT'S DIRTY, BUT SOMEBODY'S GOT TO STICK UP FOR 543 00:20:09,542 --> 00:20:10,675 >> WELL, I KNOW IT'S DIRTY, BUT SOMEBODY'S GOT TO STICK UP FOR HER. 544 00:20:10,677 --> 00:20:11,709 SOMEBODY'S GOT TO STICK UP FOR HER. >> AND THE MACHO MAN MOVES RIGHT 545 00:20:11,711 --> 00:20:12,576 HER. >> AND THE MACHO MAN MOVES RIGHT IN NOW, AND GEORGE ... 546 00:20:12,578 --> 00:20:13,878 >> AND THE MACHO MAN MOVES RIGHT IN NOW, AND GEORGE ... OOH, LOOK AT THE STRENGTH OF 547 00:20:13,880 --> 00:20:17,882 IN NOW, AND GEORGE ... OOH, LOOK AT THE STRENGTH OF GEORGE "THE ANIMAL" STEELE! 548 00:20:17,884 --> 00:20:18,782 OOH, LOOK AT THE STRENGTH OF GEORGE "THE ANIMAL" STEELE! >> OOH. 549 00:20:18,784 --> 00:20:20,718 GEORGE "THE ANIMAL" STEELE! >> OOH. MACHO, HUH? 550 00:20:20,720 --> 00:20:24,488 >> OOH. MACHO, HUH? OOH. 551 00:20:24,490 --> 00:20:25,756 MACHO, HUH? OOH. KIND OF CHANGES THINGS THERE A 552 00:20:25,758 --> 00:20:27,358 OOH. KIND OF CHANGES THINGS THERE A LITTLE BIT, HUH? 553 00:20:27,360 --> 00:20:29,694 KIND OF CHANGES THINGS THERE A LITTLE BIT, HUH? >> CHANGES THINGS A LOT. 554 00:20:29,696 --> 00:20:31,862 LITTLE BIT, HUH? >> CHANGES THINGS A LOT. >> THAT A BOY, GEORGE. 555 00:20:31,864 --> 00:20:32,997 >> CHANGES THINGS A LOT. >> THAT A BOY, GEORGE. OOH. 556 00:20:32,999 --> 00:20:35,766 >> THAT A BOY, GEORGE. OOH. THAT A BOY, GEORGE. 557 00:20:35,768 --> 00:20:36,467 OOH. THAT A BOY, GEORGE. >> GEORGE STEELE LOOKING DOWN AT 558 00:20:36,469 --> 00:20:37,568 THAT A BOY, GEORGE. >> GEORGE STEELE LOOKING DOWN AT ELIZABETH. 559 00:20:37,570 --> 00:20:38,335 >> GEORGE STEELE LOOKING DOWN AT ELIZABETH. DISTRACTED. 560 00:20:38,337 --> 00:20:39,303 ELIZABETH. DISTRACTED. >> OH, DON'T, GEORGE. 561 00:20:39,305 --> 00:20:39,970 DISTRACTED. >> OH, DON'T, GEORGE. >> OH, NO. 562 00:20:39,972 --> 00:20:40,705 >> OH, DON'T, GEORGE. >> OH, NO. LOOK. 563 00:20:40,707 --> 00:20:41,439 >> OH, NO. LOOK. HE'S ALL HUNG UP IN THE ROPES. 564 00:20:41,441 --> 00:20:42,573 LOOK. HE'S ALL HUNG UP IN THE ROPES. >> OH, NO. 565 00:20:42,575 --> 00:20:43,407 HE'S ALL HUNG UP IN THE ROPES. >> OH, NO. >> THE ANIMAL HAS MADE THIS 566 00:20:43,409 --> 00:20:45,376 >> OH, NO. >> THE ANIMAL HAS MADE THIS MISTAKE ONCE BEFORE. 567 00:20:45,378 --> 00:20:46,543 >> THE ANIMAL HAS MADE THIS MISTAKE ONCE BEFORE. >> UH-OH. 568 00:20:46,545 --> 00:20:47,745 MISTAKE ONCE BEFORE. >> UH-OH. >> AND HERE, I MEAN, THE REFEREE 569 00:20:47,747 --> 00:20:49,747 >> UH-OH. >> AND HERE, I MEAN, THE REFEREE MUST ASK THE MACHO MAN TO MOVE 570 00:20:49,749 --> 00:20:50,648 >> AND HERE, I MEAN, THE REFEREE MUST ASK THE MACHO MAN TO MOVE BACK. 571 00:20:50,650 --> 00:20:51,682 MUST ASK THE MACHO MAN TO MOVE BACK. GEORGE STEELE CAUGHT IN THE 572 00:20:51,684 --> 00:20:53,917 BACK. GEORGE STEELE CAUGHT IN THE ROPES, HELPLESS. 573 00:20:53,919 --> 00:20:55,586 GEORGE STEELE CAUGHT IN THE ROPES, HELPLESS. >> NOW, DO YOU CALL THAT MACHO 574 00:20:55,588 --> 00:20:56,754 ROPES, HELPLESS. >> NOW, DO YOU CALL THAT MACHO WHEN YOU ATTACK SOMEBODY WHEN 575 00:20:56,756 --> 00:20:57,755 >> NOW, DO YOU CALL THAT MACHO WHEN YOU ATTACK SOMEBODY WHEN THEY'RE CAUGHT IN THE ROPES? 576 00:20:57,757 --> 00:20:58,555 WHEN YOU ATTACK SOMEBODY WHEN THEY'RE CAUGHT IN THE ROPES? >> DEFINITELY NOT. 577 00:20:58,557 --> 00:21:00,958 THEY'RE CAUGHT IN THE ROPES? >> DEFINITELY NOT. >> DEFINITELY NOT. 578 00:21:00,960 --> 00:21:01,892 >> DEFINITELY NOT. >> DEFINITELY NOT. COME ON, GEORGE. 579 00:21:01,894 --> 00:21:02,826 >> DEFINITELY NOT. COME ON, GEORGE. UH-OH. 580 00:21:02,828 --> 00:21:03,727 COME ON, GEORGE. UH-OH. >> AND AGAIN, FROM THE TOP ROPE, 581 00:21:03,729 --> 00:21:04,895 UH-OH. >> AND AGAIN, FROM THE TOP ROPE, THE MACHO MAN. 582 00:21:04,897 --> 00:21:06,497 >> AND AGAIN, FROM THE TOP ROPE, THE MACHO MAN. A LEAP. 583 00:21:06,499 --> 00:21:06,830 THE MACHO MAN. A LEAP. >> GEORGE. 584 00:21:06,832 --> 00:21:07,832 A LEAP. >> GEORGE. >> LOOK AT THAT. 585 00:21:07,834 --> 00:21:08,599 >> GEORGE. >> LOOK AT THAT. SHOULDERS ARE DOWN, AND THE 586 00:21:08,601 --> 00:21:10,334 >> LOOK AT THAT. SHOULDERS ARE DOWN, AND THE MACHO MAN, A MOMENT AGO ... 587 00:21:10,336 --> 00:21:11,335 SHOULDERS ARE DOWN, AND THE MACHO MAN, A MOMENT AGO ... AND GEORGE STEELE EASILY KICKS 588 00:21:11,337 --> 00:21:16,640 MACHO MAN, A MOMENT AGO ... AND GEORGE STEELE EASILY KICKS OUT. 589 00:21:16,642 --> 00:21:17,742 AND GEORGE STEELE EASILY KICKS OUT. >> OH, HE JUST GETS SO CAUGHT UP 590 00:21:17,744 --> 00:21:18,943 OUT. >> OH, HE JUST GETS SO CAUGHT UP LOOKING AT ELIZABETH THAT HE 591 00:21:18,945 --> 00:21:20,477 >> OH, HE JUST GETS SO CAUGHT UP LOOKING AT ELIZABETH THAT HE LOSES HIS CONCENTRATION. 592 00:21:20,479 --> 00:21:25,416 LOOKING AT ELIZABETH THAT HE LOSES HIS CONCENTRATION. COME ON, GEORGE. 593 00:21:25,418 --> 00:21:26,650 LOSES HIS CONCENTRATION. COME ON, GEORGE. >> RIGHT BACK THROUGH THE ROPES 594 00:21:26,652 --> 00:21:27,618 COME ON, GEORGE. >> RIGHT BACK THROUGH THE ROPES NOW, AND AGAIN THE ANIMAL GOES 595 00:21:27,620 --> 00:21:35,726 >> RIGHT BACK THROUGH THE ROPES NOW, AND AGAIN THE ANIMAL GOES TO WORK. 596 00:21:35,728 --> 00:21:37,528 NOW, AND AGAIN THE ANIMAL GOES TO WORK. THE MACHO MAN THROUGH THE ROPES! 597 00:21:37,530 --> 00:21:38,595 TO WORK. THE MACHO MAN THROUGH THE ROPES! >> OUT OF THE RING. 598 00:21:38,597 --> 00:21:40,698 THE MACHO MAN THROUGH THE ROPES! >> OUT OF THE RING. >> OUT ON A HARD CONCRETE FLOOR. 599 00:21:40,700 --> 00:21:42,533 >> OUT OF THE RING. >> OUT ON A HARD CONCRETE FLOOR. >> OH, LOOK AT THAT. 600 00:21:42,535 --> 00:21:43,734 >> OUT ON A HARD CONCRETE FLOOR. >> OH, LOOK AT THAT. MACHO MAN HIDING. 601 00:21:43,736 --> 00:21:44,768 >> OH, LOOK AT THAT. MACHO MAN HIDING. >> YES, INDEED. 602 00:21:44,770 --> 00:21:45,669 MACHO MAN HIDING. >> YES, INDEED. LITERALLY UNDER THE SKIRTS. 603 00:21:45,671 --> 00:21:46,637 >> YES, INDEED. LITERALLY UNDER THE SKIRTS. >> YEAH. 604 00:21:46,639 --> 00:21:47,838 LITERALLY UNDER THE SKIRTS. >> YEAH. MM-HMM. 605 00:21:47,840 --> 00:21:48,539 >> YEAH. MM-HMM. >> NOW HIS MANAGER, THE LOVELY 606 00:21:48,541 --> 00:21:49,807 MM-HMM. >> NOW HIS MANAGER, THE LOVELY ELIZABETH, FROM THE OTHER SIDE, 607 00:21:49,809 --> 00:21:51,742 >> NOW HIS MANAGER, THE LOVELY ELIZABETH, FROM THE OTHER SIDE, HOWEVER. 608 00:21:51,744 --> 00:21:52,543 ELIZABETH, FROM THE OTHER SIDE, HOWEVER. >> UH-OH. 609 00:21:52,545 --> 00:21:53,310 HOWEVER. >> UH-OH. COME ON! 610 00:21:53,312 --> 00:21:55,846 >> UH-OH. COME ON! >> OOH, NO. 611 00:21:55,848 --> 00:21:56,714 COME ON! >> OOH, NO. WELL, NO ONE EVER ACCUSED THE 612 00:21:56,716 --> 00:21:59,550 >> OOH, NO. WELL, NO ONE EVER ACCUSED THE ANIMAL OF BEING A MENTAL GIANT, 613 00:21:59,552 --> 00:22:01,685 WELL, NO ONE EVER ACCUSED THE ANIMAL OF BEING A MENTAL GIANT, BUT LOOK AT THIS! 614 00:22:01,687 --> 00:22:05,389 ANIMAL OF BEING A MENTAL GIANT, BUT LOOK AT THIS! THE ANIMAL BITING AGAIN. 615 00:22:05,391 --> 00:22:06,757 BUT LOOK AT THIS! THE ANIMAL BITING AGAIN. THERE'S NO HAIR THERE. 616 00:22:06,759 --> 00:22:08,425 THE ANIMAL BITING AGAIN. THERE'S NO HAIR THERE. MACHO MAN REACHING FOR THE HAIR 617 00:22:08,427 --> 00:22:09,660 THERE'S NO HAIR THERE. MACHO MAN REACHING FOR THE HAIR OF THE ANIMAL. 618 00:22:09,662 --> 00:22:10,728 MACHO MAN REACHING FOR THE HAIR OF THE ANIMAL. THERE IS NONE EXCEPT ALL OVER 619 00:22:10,730 --> 00:22:11,896 OF THE ANIMAL. THERE IS NONE EXCEPT ALL OVER HIS TORSO. 620 00:22:11,898 --> 00:22:12,697 THERE IS NONE EXCEPT ALL OVER HIS TORSO. NONE ON HIS HEAD. 621 00:22:12,699 --> 00:22:13,597 HIS TORSO. NONE ON HIS HEAD. >> OOH. 622 00:22:13,599 --> 00:22:14,398 NONE ON HIS HEAD. >> OOH. >> AND NOW THE ANIMAL STARTS TO 623 00:22:14,400 --> 00:22:16,500 >> OOH. >> AND NOW THE ANIMAL STARTS TO HAMMER AWAY. 624 00:22:16,502 --> 00:22:17,234 >> AND NOW THE ANIMAL STARTS TO HAMMER AWAY. >> I WONDER IF HE'S HAD HIS 625 00:22:17,236 --> 00:22:18,936 HAMMER AWAY. >> I WONDER IF HE'S HAD HIS SHOTS. 626 00:22:18,938 --> 00:22:20,771 >> I WONDER IF HE'S HAD HIS SHOTS. >> GOOD QUESTION. 627 00:22:20,773 --> 00:22:23,541 SHOTS. >> GOOD QUESTION. >> UH OH. 628 00:22:23,543 --> 00:22:24,308 >> GOOD QUESTION. >> UH OH. UH OH. 629 00:22:24,310 --> 00:22:25,543 >> UH OH. UH OH. >> NOT VERY MUCH IN THE WAY OF 630 00:22:25,545 --> 00:22:26,610 UH OH. >> NOT VERY MUCH IN THE WAY OF SCIENTIFIC WRESTLING MANEUVERS 631 00:22:26,612 --> 00:22:27,578 >> NOT VERY MUCH IN THE WAY OF SCIENTIFIC WRESTLING MANEUVERS THAT WE ARE SEEING HERE THUS 632 00:22:27,580 --> 00:22:28,445 SCIENTIFIC WRESTLING MANEUVERS THAT WE ARE SEEING HERE THUS FAR. 633 00:22:28,447 --> 00:22:29,747 THAT WE ARE SEEING HERE THUS FAR. IT'S ALL BRAWLING TECHNIQUES, 634 00:22:29,749 --> 00:22:31,382 FAR. IT'S ALL BRAWLING TECHNIQUES, AND AGAIN ANOTHER BOUQUET OF 635 00:22:31,384 --> 00:22:32,583 IT'S ALL BRAWLING TECHNIQUES, AND AGAIN ANOTHER BOUQUET OF FLOWERS THAT SOMEONE WANTED TO 636 00:22:32,585 --> 00:22:34,618 AND AGAIN ANOTHER BOUQUET OF FLOWERS THAT SOMEONE WANTED TO GIVE TO ELIZABETH, BUT THE MACHO 637 00:22:34,620 --> 00:22:35,519 FLOWERS THAT SOMEONE WANTED TO GIVE TO ELIZABETH, BUT THE MACHO ... 638 00:22:35,521 --> 00:22:36,653 GIVE TO ELIZABETH, BUT THE MACHO ... OOH! 639 00:22:36,655 --> 00:22:37,388 ... OOH! >> OOH. 640 00:22:37,390 --> 00:22:37,754 OOH! >> OOH. >> WOW. 641 00:22:37,756 --> 00:22:38,489 >> OOH. >> WOW. >> OH. 642 00:22:38,491 --> 00:22:40,023 >> WOW. >> OH. >> RIGHT ACROSS THE FACE, AND 643 00:22:40,025 --> 00:22:40,758 >> OH. >> RIGHT ACROSS THE FACE, AND NOW THE MACHO MAN IN MAYBE A 644 00:22:40,760 --> 00:22:44,695 >> RIGHT ACROSS THE FACE, AND NOW THE MACHO MAN IN MAYBE A LITTLE BIT OF TROUBLE. 645 00:22:44,697 --> 00:22:46,663 NOW THE MACHO MAN IN MAYBE A LITTLE BIT OF TROUBLE. MACHO UP TO THE BUCKLE. 646 00:22:46,665 --> 00:22:48,932 LITTLE BIT OF TROUBLE. MACHO UP TO THE BUCKLE. GEORGE STEELE WITH THE FLOWERS. 647 00:22:48,934 --> 00:22:50,434 MACHO UP TO THE BUCKLE. GEORGE STEELE WITH THE FLOWERS. OH, LOOK AT THIS. 648 00:22:50,436 --> 00:22:51,668 GEORGE STEELE WITH THE FLOWERS. OH, LOOK AT THIS. >> UH-OH. 649 00:22:51,670 --> 00:22:54,705 OH, LOOK AT THIS. >> UH-OH. ALL RIGHT, GEORGE. 650 00:22:54,707 --> 00:22:55,806 >> UH-OH. ALL RIGHT, GEORGE. HE MAY NOT BE SMART, BUT HE HAS 651 00:22:55,808 --> 00:22:57,808 ALL RIGHT, GEORGE. HE MAY NOT BE SMART, BUT HE HAS RESPECT FOR WOMEN, VINCE. 652 00:22:57,810 --> 00:22:58,642 HE MAY NOT BE SMART, BUT HE HAS RESPECT FOR WOMEN, VINCE. THAT'S WHAT HE'S GOT. 653 00:22:58,644 --> 00:23:00,477 RESPECT FOR WOMEN, VINCE. THAT'S WHAT HE'S GOT. >> INDEED HE DOES. 654 00:23:00,479 --> 00:23:01,746 THAT'S WHAT HE'S GOT. >> INDEED HE DOES. AND YOU CAN BET THE MACHO MAN'S 655 00:23:01,748 --> 00:23:02,713 >> INDEED HE DOES. AND YOU CAN BET THE MACHO MAN'S GONNA HAVE A LITTLE MORE RESPECT 656 00:23:02,715 --> 00:23:04,381 AND YOU CAN BET THE MACHO MAN'S GONNA HAVE A LITTLE MORE RESPECT FOR THE ANIMAL AFTER THIS. 657 00:23:04,383 --> 00:23:04,915 GONNA HAVE A LITTLE MORE RESPECT FOR THE ANIMAL AFTER THIS. >> THAT'S RIGHT. 658 00:23:04,917 --> 00:23:05,849 FOR THE ANIMAL AFTER THIS. >> THAT'S RIGHT. LOOK AT THAT. 659 00:23:05,851 --> 00:23:07,217 >> THAT'S RIGHT. LOOK AT THAT. >> THE ANIMAL GOING OVER FOR 660 00:23:07,219 --> 00:23:09,387 LOOK AT THAT. >> THE ANIMAL GOING OVER FOR ELIZABETH AGAIN. 661 00:23:09,389 --> 00:23:10,488 >> THE ANIMAL GOING OVER FOR ELIZABETH AGAIN. >> OH, DON'T, DON'T GET CARRIED 662 00:23:10,490 --> 00:23:10,955 ELIZABETH AGAIN. >> OH, DON'T, DON'T GET CARRIED AWAY, GEORGE. 663 00:23:10,957 --> 00:23:11,688 >> OH, DON'T, DON'T GET CARRIED AWAY, GEORGE. >> NO, NO. 664 00:23:11,690 --> 00:23:12,489 AWAY, GEORGE. >> NO, NO. >> UH OH. 665 00:23:12,491 --> 00:23:13,323 >> NO, NO. >> UH OH. >> NOW HE'S REALLY GETTING 666 00:23:13,325 --> 00:23:13,857 >> UH OH. >> NOW HE'S REALLY GETTING CARRIED AWAY. 667 00:23:13,859 --> 00:23:14,591 >> NOW HE'S REALLY GETTING CARRIED AWAY. >> HE'S HAVING SOME BREAKFAST. 668 00:23:14,593 --> 00:23:15,592 CARRIED AWAY. >> HE'S HAVING SOME BREAKFAST. >> INTO THE BUCKLE. 669 00:23:15,594 --> 00:23:16,693 >> HE'S HAVING SOME BREAKFAST. >> INTO THE BUCKLE. MAKES NO RHYME, NO REASON, BUT 670 00:23:16,695 --> 00:23:18,495 >> INTO THE BUCKLE. MAKES NO RHYME, NO REASON, BUT YOU CAN SEE GEORGE "THE ANIMAL" 671 00:23:18,497 --> 00:23:19,663 MAKES NO RHYME, NO REASON, BUT YOU CAN SEE GEORGE "THE ANIMAL" STEELE ALL DOWN INTO THE 672 00:23:19,665 --> 00:23:20,330 YOU CAN SEE GEORGE "THE ANIMAL" STEELE ALL DOWN INTO THE STUFFING. 673 00:23:20,332 --> 00:23:21,632 STEELE ALL DOWN INTO THE STUFFING. NOW, WAIT A MINUTE. 674 00:23:21,634 --> 00:23:22,499 STUFFING. NOW, WAIT A MINUTE. NOW THE MACHO MAN'S BACK WITH 675 00:23:22,501 --> 00:23:23,701 NOW, WAIT A MINUTE. NOW THE MACHO MAN'S BACK WITH HIM. 676 00:23:23,703 --> 00:23:25,369 NOW THE MACHO MAN'S BACK WITH HIM. >> OH, HE'S STUFFING ... 677 00:23:25,371 --> 00:23:26,704 HIM. >> OH, HE'S STUFFING ... >> EACH MAN GETTING A TASTE, BUT 678 00:23:26,706 --> 00:23:27,371 >> OH, HE'S STUFFING ... >> EACH MAN GETTING A TASTE, BUT IT LOOKS LIKE THE MACHO MAN GOT 679 00:23:27,373 --> 00:23:29,406 >> EACH MAN GETTING A TASTE, BUT IT LOOKS LIKE THE MACHO MAN GOT A NICE BIG GULP. 680 00:23:29,408 --> 00:23:31,442 IT LOOKS LIKE THE MACHO MAN GOT A NICE BIG GULP. HERE'S ANOTHER SWALLOW COMING 681 00:23:31,444 --> 00:23:32,342 A NICE BIG GULP. HERE'S ANOTHER SWALLOW COMING UP. 682 00:23:32,344 --> 00:23:37,648 HERE'S ANOTHER SWALLOW COMING UP. >> UH OH. 683 00:23:37,650 --> 00:23:38,649 UP. >> UH OH. THIS IS NOT THE MACHO'S SHINING 684 00:23:38,651 --> 00:23:39,817 >> UH OH. THIS IS NOT THE MACHO'S SHINING FIGHT, I DON'T THINK. 685 00:23:39,819 --> 00:23:41,719 THIS IS NOT THE MACHO'S SHINING FIGHT, I DON'T THINK. UH OH. 686 00:23:41,721 --> 00:23:42,586 FIGHT, I DON'T THINK. UH OH. >> THE MACHO MAN HAS CERTAINLY 687 00:23:42,588 --> 00:23:43,687 UH OH. >> THE MACHO MAN HAS CERTAINLY LOOKED BETTER ... 688 00:23:43,689 --> 00:23:44,555 >> THE MACHO MAN HAS CERTAINLY LOOKED BETTER ... >> DEFINITELY. 689 00:23:44,557 --> 00:23:46,256 LOOKED BETTER ... >> DEFINITELY. >> IN OTHER MATCHES. 690 00:23:46,258 --> 00:23:47,357 >> DEFINITELY. >> IN OTHER MATCHES. >> UH OH. 691 00:23:47,359 --> 00:23:48,091 >> IN OTHER MATCHES. >> UH OH. >> AND THERE'S NO DOUBT THAT 692 00:23:48,093 --> 00:23:50,628 >> UH OH. >> AND THERE'S NO DOUBT THAT THIS REFEREE IS BENDING, OR 693 00:23:50,630 --> 00:23:51,695 >> AND THERE'S NO DOUBT THAT THIS REFEREE IS BENDING, OR ALLOWING THE BENDING, IF NOT THE 694 00:23:51,697 --> 00:23:53,497 THIS REFEREE IS BENDING, OR ALLOWING THE BENDING, IF NOT THE OUTRIGHT BREAKING OF THE RULES 695 00:23:53,499 --> 00:23:55,499 ALLOWING THE BENDING, IF NOT THE OUTRIGHT BREAKING OF THE RULES HERE. 696 00:23:55,501 --> 00:23:56,366 OUTRIGHT BREAKING OF THE RULES HERE. >> WELL, HE'S PROBABLY GOT SOME 697 00:23:56,368 --> 00:23:57,601 HERE. >> WELL, HE'S PROBABLY GOT SOME STRONG FEELINGS ABOUT ELIZABETH, 698 00:23:57,603 --> 00:23:59,703 >> WELL, HE'S PROBABLY GOT SOME STRONG FEELINGS ABOUT ELIZABETH, TOO. 699 00:23:59,705 --> 00:24:00,871 STRONG FEELINGS ABOUT ELIZABETH, TOO. >> LOOK AT THE HAIR ON THAT 700 00:24:00,873 --> 00:24:03,707 TOO. >> LOOK AT THE HAIR ON THAT TORSO. 701 00:24:03,709 --> 00:24:05,609 >> LOOK AT THE HAIR ON THAT TORSO. >> SOME DEFENDER. 702 00:24:05,611 --> 00:24:06,544 TORSO. >> SOME DEFENDER. >> AND YOU SEE THE MACHO MAN 703 00:24:06,546 --> 00:24:07,377 >> SOME DEFENDER. >> AND YOU SEE THE MACHO MAN CIRCLING THE RING, TRYING TO GET 704 00:24:07,379 --> 00:24:08,612 >> AND YOU SEE THE MACHO MAN CIRCLING THE RING, TRYING TO GET HIS ... 705 00:24:08,614 --> 00:24:09,446 CIRCLING THE RING, TRYING TO GET HIS ... OH, LOOK AT THIS. 706 00:24:09,448 --> 00:24:11,348 HIS ... OH, LOOK AT THIS. >> OH, NOT AGAIN. 707 00:24:11,350 --> 00:24:12,950 OH, LOOK AT THIS. >> OH, NOT AGAIN. COME ON, GEORGE. 708 00:24:12,952 --> 00:24:13,750 >> OH, NOT AGAIN. COME ON, GEORGE. PAY ATTENTION. 709 00:24:13,752 --> 00:24:14,518 COME ON, GEORGE. PAY ATTENTION. WATCH OUT! 710 00:24:14,520 --> 00:24:15,719 PAY ATTENTION. WATCH OUT! >> GEORGE ... 711 00:24:15,721 --> 00:24:16,620 WATCH OUT! >> GEORGE ... OH! 712 00:24:16,622 --> 00:24:17,688 >> GEORGE ... OH! FROM THE TOP ROPE! 713 00:24:17,690 --> 00:24:18,422 OH! FROM THE TOP ROPE! >> UH OH. 714 00:24:18,424 --> 00:24:19,923 FROM THE TOP ROPE! >> UH OH. >> DOWN ACROSS THE BACK. 715 00:24:19,925 --> 00:24:21,058 >> UH OH. >> DOWN ACROSS THE BACK. GEORGE STEELE IS ABSOLUTELY 716 00:24:21,060 --> 00:24:23,260 >> DOWN ACROSS THE BACK. GEORGE STEELE IS ABSOLUTELY ENAMORED WITH ELIZABETH. 717 00:24:23,262 --> 00:24:24,261 GEORGE STEELE IS ABSOLUTELY ENAMORED WITH ELIZABETH. >> HE CAN'T TAKE HIS EYES ... 718 00:24:24,263 --> 00:24:25,395 ENAMORED WITH ELIZABETH. >> HE CAN'T TAKE HIS EYES ... >> TO DISTRACTION, OBVIOUSLY. 719 00:24:25,397 --> 00:24:25,863 >> HE CAN'T TAKE HIS EYES ... >> TO DISTRACTION, OBVIOUSLY. >> ABSOLUTELY. 720 00:24:25,865 --> 00:24:29,666 >> TO DISTRACTION, OBVIOUSLY. >> ABSOLUTELY. ACTUALLY, SHE BECOMES A GOOD 721 00:24:29,668 --> 00:24:30,801 >> ABSOLUTELY. ACTUALLY, SHE BECOMES A GOOD WEAPON FOR THE MACHO MAN. 722 00:24:30,803 --> 00:24:31,902 ACTUALLY, SHE BECOMES A GOOD WEAPON FOR THE MACHO MAN. >> YES, AND THERE THE SLAM. 723 00:24:31,904 --> 00:24:33,670 WEAPON FOR THE MACHO MAN. >> YES, AND THERE THE SLAM. MACHO MAN NOW GOING OUT. 724 00:24:33,672 --> 00:24:33,871 >> YES, AND THERE THE SLAM. MACHO MAN NOW GOING OUT. UH OH. 725 00:24:33,873 --> 00:24:35,472 MACHO MAN NOW GOING OUT. UH OH. IF HE GETS UP THERE AND DELIVERS 726 00:24:35,474 --> 00:24:36,574 UH OH. IF HE GETS UP THERE AND DELIVERS THE ELBOW, IT'LL BE ALL OVER FOR 727 00:24:36,576 --> 00:24:38,576 IF HE GETS UP THERE AND DELIVERS THE ELBOW, IT'LL BE ALL OVER FOR GEORGE "THE ANIMAL" STEELE. 728 00:24:38,578 --> 00:24:39,877 THE ELBOW, IT'LL BE ALL OVER FOR GEORGE "THE ANIMAL" STEELE. >> UH OH. 729 00:24:39,879 --> 00:24:41,845 GEORGE "THE ANIMAL" STEELE. >> UH OH. >> WILL HE ... 730 00:24:41,847 --> 00:24:43,280 >> UH OH. >> WILL HE ... AND THE ELBOW. 731 00:24:43,282 --> 00:24:44,548 >> WILL HE ... AND THE ELBOW. WE'RE GONNA HAVE A THREE COUNT 732 00:24:44,550 --> 00:24:45,415 AND THE ELBOW. WE'RE GONNA HAVE A THREE COUNT HERE. 733 00:24:45,417 --> 00:24:46,550 WE'RE GONNA HAVE A THREE COUNT HERE. OH! 734 00:24:46,552 --> 00:24:47,784 HERE. OH! HOW ABOUT THAT? 735 00:24:47,786 --> 00:24:50,354 OH! HOW ABOUT THAT? >> ALL RIGHT, GEORGE. 736 00:24:50,356 --> 00:24:51,422 HOW ABOUT THAT? >> ALL RIGHT, GEORGE. >> THAT'S THE FIRST TIME I'VE 737 00:24:51,424 --> 00:24:53,757 >> ALL RIGHT, GEORGE. >> THAT'S THE FIRST TIME I'VE EVER SEEN ANYONE ESCAPE. 738 00:24:53,759 --> 00:24:55,559 >> THAT'S THE FIRST TIME I'VE EVER SEEN ANYONE ESCAPE. UH OH. 739 00:24:55,561 --> 00:24:56,860 EVER SEEN ANYONE ESCAPE. UH OH. THE ANIMAL NOW WITH A HANDFUL OF 740 00:24:56,862 --> 00:24:58,596 UH OH. THE ANIMAL NOW WITH A HANDFUL OF FACE. 741 00:24:58,598 --> 00:25:00,764 THE ANIMAL NOW WITH A HANDFUL OF FACE. WHAT'S HE GONNA DO WITH IT? 742 00:25:00,766 --> 00:25:01,498 FACE. WHAT'S HE GONNA DO WITH IT? >> I THINK HE'S GONNA EAT HIS 743 00:25:01,500 --> 00:25:02,699 WHAT'S HE GONNA DO WITH IT? >> I THINK HE'S GONNA EAT HIS NOSE. 744 00:25:02,701 --> 00:25:03,667 >> I THINK HE'S GONNA EAT HIS NOSE. UH OH. 745 00:25:03,669 --> 00:25:05,536 NOSE. UH OH. >> UPSIDE DOWN. 746 00:25:05,538 --> 00:25:06,470 UH OH. >> UPSIDE DOWN. DOWN ON HIS SHOULDER. 747 00:25:06,472 --> 00:25:07,471 >> UPSIDE DOWN. DOWN ON HIS SHOULDER. IT'S ALL GEORGE STEELE AT THE 748 00:25:07,473 --> 00:25:14,645 DOWN ON HIS SHOULDER. IT'S ALL GEORGE STEELE AT THE MOMENT. 749 00:25:14,647 --> 00:25:15,779 IT'S ALL GEORGE STEELE AT THE MOMENT. MIND THE REFEREE TRYING TO 750 00:25:15,781 --> 00:25:16,714 MOMENT. MIND THE REFEREE TRYING TO MAINTAIN A LITTLE ORDER, BUT THE 751 00:25:16,716 --> 00:25:17,714 MIND THE REFEREE TRYING TO MAINTAIN A LITTLE ORDER, BUT THE ANIMAL'S TAKEN RIGHT OFF HIS 752 00:25:17,716 --> 00:25:19,516 MAINTAIN A LITTLE ORDER, BUT THE ANIMAL'S TAKEN RIGHT OFF HIS FEET. 753 00:25:19,518 --> 00:25:20,518 ANIMAL'S TAKEN RIGHT OFF HIS FEET. MACHO MAN'S FEET ARE ON THE 754 00:25:20,520 --> 00:25:21,452 FEET. MACHO MAN'S FEET ARE ON THE ROPES! 755 00:25:21,454 --> 00:25:22,419 MACHO MAN'S FEET ARE ON THE ROPES! [ BELL RINGING ] 756 00:25:22,421 --> 00:25:23,020 ROPES! [ BELL RINGING ] >> I CAN'T BELIEVE HE GOT THE 757 00:25:23,022 --> 00:25:25,656 [ BELL RINGING ] >> I CAN'T BELIEVE HE GOT THE THREE-COUNT! 758 00:25:25,658 --> 00:25:28,992 >> I CAN'T BELIEVE HE GOT THE THREE-COUNT! >> I CAN'T BELIEVE THAT. 759 00:25:28,994 --> 00:25:30,994 THREE-COUNT! >> I CAN'T BELIEVE THAT. >> THE MACHO MAN. 760 00:25:30,996 --> 00:25:32,429 >> I CAN'T BELIEVE THAT. >> THE MACHO MAN. >> ONCE AGAIN. 761 00:25:32,431 --> 00:25:36,533 >> THE MACHO MAN. >> ONCE AGAIN. >> WITH BELT IN HAND. 762 00:25:36,535 --> 00:25:38,468 >> ONCE AGAIN. >> WITH BELT IN HAND. AS WE WILL GET THE OFFICIAL 763 00:25:38,470 --> 00:25:40,370 >> WITH BELT IN HAND. AS WE WILL GET THE OFFICIAL DECISION, AND THERE IS GEORGE 764 00:25:40,372 --> 00:25:41,638 AS WE WILL GET THE OFFICIAL DECISION, AND THERE IS GEORGE "THE ANIMAL" STEELE OBVIOUSLY 765 00:25:41,640 --> 00:25:43,640 DECISION, AND THERE IS GEORGE "THE ANIMAL" STEELE OBVIOUSLY VERY, VERY UPSET. 766 00:25:43,642 --> 00:25:44,808 "THE ANIMAL" STEELE OBVIOUSLY VERY, VERY UPSET. >> WELL, I DON'T BLAME HIM. 767 00:25:44,810 --> 00:25:45,742 VERY, VERY UPSET. >> WELL, I DON'T BLAME HIM. HE WAS BUSY GETTING WARNED, AND 768 00:25:45,744 --> 00:25:48,479 >> WELL, I DON'T BLAME HIM. HE WAS BUSY GETTING WARNED, AND NEXT THING HE WAS PINNED. 769 00:25:48,481 --> 00:25:49,813 HE WAS BUSY GETTING WARNED, AND NEXT THING HE WAS PINNED. UH OH. 770 00:25:49,815 --> 00:25:50,881 NEXT THING HE WAS PINNED. UH OH. OH. 771 00:25:50,883 --> 00:25:51,849 UH OH. OH. >> WELL, LITTLE CONSOLATION 772 00:25:51,851 --> 00:25:53,517 OH. >> WELL, LITTLE CONSOLATION PRIZE THERE WHERE THE ANIMAL 773 00:25:53,519 --> 00:25:54,218 >> WELL, LITTLE CONSOLATION PRIZE THERE WHERE THE ANIMAL GETS ANOTHER BUCKLE, I GUESS, 774 00:25:54,220 --> 00:25:56,787 PRIZE THERE WHERE THE ANIMAL GETS ANOTHER BUCKLE, I GUESS, BUT HE LEAVES THE RING WITHOUT 775 00:25:56,789 --> 00:25:59,823 GETS ANOTHER BUCKLE, I GUESS, BUT HE LEAVES THE RING WITHOUT ELIZABETH OR WITHOUT THE TITLE 776 00:25:59,825 --> 00:26:01,692 BUT HE LEAVES THE RING WITHOUT ELIZABETH OR WITHOUT THE TITLE BELT AS NOW WE TAKE A LOOK AT 777 00:26:01,694 --> 00:26:02,593 ELIZABETH OR WITHOUT THE TITLE BELT AS NOW WE TAKE A LOOK AT THE REPLAY, AND HERE ... 778 00:26:02,595 --> 00:26:03,827 BELT AS NOW WE TAKE A LOOK AT THE REPLAY, AND HERE ... SUSAN, YOU'LL BE ABLE TO SEE 779 00:26:03,829 --> 00:26:04,695 THE REPLAY, AND HERE ... SUSAN, YOU'LL BE ABLE TO SEE CLEARLY ... 780 00:26:04,697 --> 00:26:06,430 SUSAN, YOU'LL BE ABLE TO SEE CLEARLY ... >> YUP. 781 00:26:06,432 --> 00:26:07,264 CLEARLY ... >> YUP. >> WHAT HAPPENS. 782 00:26:07,266 --> 00:26:08,065 >> YUP. >> WHAT HAPPENS. REFEREE IS LOOKING RIGHT AT THE 783 00:26:08,067 --> 00:26:08,732 >> WHAT HAPPENS. REFEREE IS LOOKING RIGHT AT THE SHOULDERS OF GEORGE STEELE. 784 00:26:08,734 --> 00:26:10,400 REFEREE IS LOOKING RIGHT AT THE SHOULDERS OF GEORGE STEELE. DOES NOT SEE THE ADDITIONAL 785 00:26:10,402 --> 00:26:11,568 SHOULDERS OF GEORGE STEELE. DOES NOT SEE THE ADDITIONAL LEVERAGE OF THE MACHO MAN USING 786 00:26:11,570 --> 00:26:15,505 DOES NOT SEE THE ADDITIONAL LEVERAGE OF THE MACHO MAN USING THE SECOND ROPE. 787 00:26:15,507 --> 00:26:16,740 LEVERAGE OF THE MACHO MAN USING THE SECOND ROPE. >> THE ROPES. 788 00:26:16,742 --> 00:26:18,609 THE SECOND ROPE. >> THE ROPES. [ BOOING ] 789 00:26:18,611 --> 00:26:20,277 >> THE ROPES. [ BOOING ] >> I CAN'T BELIEVE IT. 790 00:26:20,279 --> 00:26:21,311 [ BOOING ] >> I CAN'T BELIEVE IT. I COULD'VE SWORN HE WOULD'VE 791 00:26:21,313 --> 00:26:22,413 >> I CAN'T BELIEVE IT. I COULD'VE SWORN HE WOULD'VE WON. 792 00:26:22,415 --> 00:26:23,079 I COULD'VE SWORN HE WOULD'VE WON. ESPECIALLY AFTER HE SURVIVED 793 00:26:23,081 --> 00:26:24,448 WON. ESPECIALLY AFTER HE SURVIVED THAT ELBOW. 794 00:26:24,450 --> 00:26:25,516 ESPECIALLY AFTER HE SURVIVED THAT ELBOW. >> AND NOW, LOOK AT THIS! 795 00:26:25,518 --> 00:26:27,751 THAT ELBOW. >> AND NOW, LOOK AT THIS! >> UH OH. 796 00:26:27,753 --> 00:26:29,453 >> AND NOW, LOOK AT THIS! >> UH OH. >> OH, MY GOODNESS. 797 00:26:29,455 --> 00:26:32,590 >> UH OH. >> OH, MY GOODNESS. THE ANIMAL GOING AFTER THE 798 00:26:32,592 --> 00:26:33,490 >> OH, MY GOODNESS. THE ANIMAL GOING AFTER THE OFFICIAL. 799 00:26:33,492 --> 00:26:34,591 THE ANIMAL GOING AFTER THE OFFICIAL. THERE'S NO TELLING WHAT GEORGE 800 00:26:34,593 --> 00:26:35,359 OFFICIAL. THERE'S NO TELLING WHAT GEORGE "THE ANIMAL" STEELE IS GOING TO 801 00:26:35,361 --> 00:26:37,494 THERE'S NO TELLING WHAT GEORGE "THE ANIMAL" STEELE IS GOING TO DO. 802 00:26:37,496 --> 00:26:38,095 "THE ANIMAL" STEELE IS GOING TO DO. >> WELL, I HOPE THAT OFFICIAL'S 803 00:26:38,097 --> 00:26:39,463 DO. >> WELL, I HOPE THAT OFFICIAL'S GOT HIS OWN BODYGUARD. 804 00:26:39,465 --> 00:26:41,531 >> WELL, I HOPE THAT OFFICIAL'S GOT HIS OWN BODYGUARD. >> STANDING BY, NOW, LADIES AND 805 00:26:41,533 --> 00:26:42,666 GOT HIS OWN BODYGUARD. >> STANDING BY, NOW, LADIES AND GENTLEMEN, WE ARE TOLD THAT 806 00:26:42,668 --> 00:26:44,534 >> STANDING BY, NOW, LADIES AND GENTLEMEN, WE ARE TOLD THAT MOMENTARILY WE WILL TAKE YOU TO 807 00:26:44,536 --> 00:26:46,503 GENTLEMEN, WE ARE TOLD THAT MOMENTARILY WE WILL TAKE YOU TO CHICAGO, BECAUSE STANDING BY 808 00:26:46,505 --> 00:26:49,539 MOMENTARILY WE WILL TAKE YOU TO CHICAGO, BECAUSE STANDING BY THERE IS OUR VERY OWN MEAN GENE 809 00:26:49,541 --> 00:26:50,874 CHICAGO, BECAUSE STANDING BY THERE IS OUR VERY OWN MEAN GENE OKERLUND. 810 00:26:50,876 --> 00:26:53,978 THERE IS OUR VERY OWN MEAN GENE OKERLUND. LET'S TAKE IT TO GENE. 811 00:26:53,980 --> 00:26:57,047 OKERLUND. LET'S TAKE IT TO GENE. >> COME ON, GENE! 812 00:26:57,049 --> 00:26:57,814 LET'S TAKE IT TO GENE. >> COME ON, GENE! >> ALL RIGHT. 813 00:26:57,816 --> 00:26:59,516 >> COME ON, GENE! >> ALL RIGHT. VINCE MCMAHON, I DON'T MIND 814 00:26:59,518 --> 00:26:59,916 >> ALL RIGHT. VINCE MCMAHON, I DON'T MIND TELLING YOU. 815 00:26:59,918 --> 00:27:01,318 VINCE MCMAHON, I DON'T MIND TELLING YOU. THIS PLACE IS PUMPING. 816 00:27:01,320 --> 00:27:02,319 TELLING YOU. THIS PLACE IS PUMPING. LOOKING FORWARD TO THE BIG 817 00:27:02,321 --> 00:27:03,720 THIS PLACE IS PUMPING. LOOKING FORWARD TO THE BIG 20-MAN BATTLE ROYAL THAT'S GONNA 818 00:27:03,722 --> 00:27:05,822 LOOKING FORWARD TO THE BIG 20-MAN BATTLE ROYAL THAT'S GONNA INVOLVE FOOTBALL GREAT FROM THE 819 00:27:05,824 --> 00:27:06,590 20-MAN BATTLE ROYAL THAT'S GONNA INVOLVE FOOTBALL GREAT FROM THE ATLANTA FALCONS, BILL FRALIC. 820 00:27:06,592 --> 00:27:08,525 INVOLVE FOOTBALL GREAT FROM THE ATLANTA FALCONS, BILL FRALIC. BILL, JUST MINUTES AWAY NOW, THE 821 00:27:08,527 --> 00:27:09,760 ATLANTA FALCONS, BILL FRALIC. BILL, JUST MINUTES AWAY NOW, THE GIGANTIC BATTLE ROYAL. 822 00:27:09,762 --> 00:27:10,828 BILL, JUST MINUTES AWAY NOW, THE GIGANTIC BATTLE ROYAL. YOUR THOUGHTS? 823 00:27:10,830 --> 00:27:11,628 GIGANTIC BATTLE ROYAL. YOUR THOUGHTS? >> WELL, ALL THE TALK'S DONE, 824 00:27:11,630 --> 00:27:12,763 YOUR THOUGHTS? >> WELL, ALL THE TALK'S DONE, GENE. 825 00:27:12,765 --> 00:27:13,697 >> WELL, ALL THE TALK'S DONE, GENE. I'M WAITING TO GET A HOLD OF THE 826 00:27:13,699 --> 00:27:14,831 GENE. I'M WAITING TO GET A HOLD OF THE STUDD HERE, OR WHATEVER. 827 00:27:14,833 --> 00:27:15,666 I'M WAITING TO GET A HOLD OF THE STUDD HERE, OR WHATEVER. THE DUD. 828 00:27:15,668 --> 00:27:16,700 STUDD HERE, OR WHATEVER. THE DUD. SEE WHAT HE'S MADE OF. 829 00:27:16,702 --> 00:27:17,401 THE DUD. SEE WHAT HE'S MADE OF. YEAH. 830 00:27:17,403 --> 00:27:18,368 SEE WHAT HE'S MADE OF. YEAH. >> HEY, WAIT A MINUTE. 831 00:27:18,370 --> 00:27:19,002 YEAH. >> HEY, WAIT A MINUTE. GENTLEMEN, PLEASE. 832 00:27:19,004 --> 00:27:19,436 >> HEY, WAIT A MINUTE. GENTLEMEN, PLEASE. HEY! 833 00:27:19,438 --> 00:27:20,437 GENTLEMEN, PLEASE. HEY! PLEASE. 834 00:27:20,439 --> 00:27:21,872 HEY! PLEASE. GENTLEMEN, JUST ... 835 00:27:21,874 --> 00:27:22,539 PLEASE. GENTLEMEN, JUST ... JUST A MINUTE HERE, GENTLEMEN. 836 00:27:22,541 --> 00:27:23,607 GENTLEMEN, JUST ... JUST A MINUTE HERE, GENTLEMEN. PLEASE. 837 00:27:23,609 --> 00:27:24,708 JUST A MINUTE HERE, GENTLEMEN. PLEASE. A LITTLE DECORUM. 838 00:27:24,710 --> 00:27:25,442 PLEASE. A LITTLE DECORUM. PLEASE RESERVE THESE ACTIONS FOR 839 00:27:25,444 --> 00:27:26,510 A LITTLE DECORUM. PLEASE RESERVE THESE ACTIONS FOR THE RING. 840 00:27:26,512 --> 00:27:27,144 PLEASE RESERVE THESE ACTIONS FOR THE RING. >> YEAH, HE HAS NO CLASS. 841 00:27:27,146 --> 00:27:28,245 THE RING. >> YEAH, HE HAS NO CLASS. HE'S A FOOTBALL PLAYER. 842 00:27:28,247 --> 00:27:29,646 >> YEAH, HE HAS NO CLASS. HE'S A FOOTBALL PLAYER. YOU KNOW WHAT, BARRY? 843 00:27:29,648 --> 00:27:30,581 HE'S A FOOTBALL PLAYER. YOU KNOW WHAT, BARRY? I'M GONNA GET BARRY RIGHT HERE 844 00:27:30,583 --> 00:27:32,315 YOU KNOW WHAT, BARRY? I'M GONNA GET BARRY RIGHT HERE IN YOUR HOMETOWN AND I'M GONNA 845 00:27:32,317 --> 00:27:33,617 I'M GONNA GET BARRY RIGHT HERE IN YOUR HOMETOWN AND I'M GONNA GET YOU, PUNK. 846 00:27:33,619 --> 00:27:34,652 IN YOUR HOMETOWN AND I'M GONNA GET YOU, PUNK. WHEN I THINK OF FOOTBALL 847 00:27:34,654 --> 00:27:35,719 GET YOU, PUNK. WHEN I THINK OF FOOTBALL PLAYERS, YOU DON'T PLAY WITH A 848 00:27:35,721 --> 00:27:36,386 WHEN I THINK OF FOOTBALL PLAYERS, YOU DON'T PLAY WITH A BALL, BUDDY. 849 00:27:36,388 --> 00:27:37,721 PLAYERS, YOU DON'T PLAY WITH A BALL, BUDDY. YOU'RE PLAYING WITH JOHN STUDD. 850 00:27:37,723 --> 00:27:38,689 BALL, BUDDY. YOU'RE PLAYING WITH JOHN STUDD. I TAKE FOOTBALL PLAYERS AND I 851 00:27:38,691 --> 00:27:39,790 YOU'RE PLAYING WITH JOHN STUDD. I TAKE FOOTBALL PLAYERS AND I SMASH THEM. 852 00:27:39,792 --> 00:27:41,591 I TAKE FOOTBALL PLAYERS AND I SMASH THEM. LOOK WHAT I DID TO THIS BALL. 853 00:27:41,593 --> 00:27:42,592 SMASH THEM. LOOK WHAT I DID TO THIS BALL. THIS IS WHAT I'M GONNA TRY TO DO 854 00:27:42,594 --> 00:27:43,560 LOOK WHAT I DID TO THIS BALL. THIS IS WHAT I'M GONNA TRY TO DO TO YOU, PUNK. 855 00:27:43,562 --> 00:27:44,528 THIS IS WHAT I'M GONNA TRY TO DO TO YOU, PUNK. THERE YOU GO. 856 00:27:44,530 --> 00:27:45,529 TO YOU, PUNK. THERE YOU GO. >> HEY, WAIT A MINUTE HERE. 857 00:27:45,531 --> 00:27:45,863 THERE YOU GO. >> HEY, WAIT A MINUTE HERE. JUST A SECOND. 858 00:27:45,865 --> 00:27:46,664 >> HEY, WAIT A MINUTE HERE. JUST A SECOND. THAT'S TOTALLY UNCALLED FOR, 859 00:27:46,666 --> 00:27:48,632 JUST A SECOND. THAT'S TOTALLY UNCALLED FOR, JOHN STUDD, AND ALL DUE RESPECT, 860 00:27:48,634 --> 00:27:50,667 THAT'S TOTALLY UNCALLED FOR, JOHN STUDD, AND ALL DUE RESPECT, BILL FRALIC, I APOLOGIZE. 861 00:27:50,669 --> 00:27:51,802 JOHN STUDD, AND ALL DUE RESPECT, BILL FRALIC, I APOLOGIZE. LADIES AND GENTLEMEN, I THANK 862 00:27:51,804 --> 00:27:52,502 BILL FRALIC, I APOLOGIZE. LADIES AND GENTLEMEN, I THANK YOU VERY ... 863 00:27:52,504 --> 00:27:53,570 LADIES AND GENTLEMEN, I THANK YOU VERY ... >> HERE COMES THE MATCH IN FIVE, 864 00:27:53,572 --> 00:27:54,672 YOU VERY ... >> HERE COMES THE MATCH IN FIVE, TEN, TWENTY MINUTES. 865 00:27:54,674 --> 00:27:55,806 >> HERE COMES THE MATCH IN FIVE, TEN, TWENTY MINUTES. WHATEVER, DUD. 866 00:27:55,808 --> 00:27:56,907 TEN, TWENTY MINUTES. WHATEVER, DUD. WE'LL SEE WHAT YOU'RE MADE OUT 867 00:27:56,909 --> 00:27:57,641 WHATEVER, DUD. WE'LL SEE WHAT YOU'RE MADE OUT OF THEN. 868 00:27:57,643 --> 00:27:58,375 WE'LL SEE WHAT YOU'RE MADE OUT OF THEN. >> THAT'S RIGHT. 869 00:27:58,377 --> 00:27:59,543 OF THEN. >> THAT'S RIGHT. WE'RE GONNA FIND OUT ... 870 00:27:59,545 --> 00:28:00,410 >> THAT'S RIGHT. WE'RE GONNA FIND OUT ... >> WELL, IT LOOKS LIKE IT'S 871 00:28:00,412 --> 00:28:01,278 WE'RE GONNA FIND OUT ... >> WELL, IT LOOKS LIKE IT'S REALLY COMING DOWN TO FOOTBALL 872 00:28:01,280 --> 00:28:02,780 >> WELL, IT LOOKS LIKE IT'S REALLY COMING DOWN TO FOOTBALL VERSUS PROFESSIONAL WRESTLING 873 00:28:02,782 --> 00:28:03,847 REALLY COMING DOWN TO FOOTBALL VERSUS PROFESSIONAL WRESTLING AND WE'RE GONNA FIND OUT. 874 00:28:03,849 --> 00:28:06,917 VERSUS PROFESSIONAL WRESTLING AND WE'RE GONNA FIND OUT. NOW, BACK TO NEW YORK. 875 00:28:06,919 --> 00:28:07,718 AND WE'RE GONNA FIND OUT. NOW, BACK TO NEW YORK. >> ALL RIGHT. 876 00:28:07,720 --> 00:28:08,819 NOW, BACK TO NEW YORK. >> ALL RIGHT. THANK YOU VERY MUCH, MEAN GENE 877 00:28:08,821 --> 00:28:09,820 >> ALL RIGHT. THANK YOU VERY MUCH, MEAN GENE OKERLUND. 878 00:28:09,822 --> 00:28:10,420 THANK YOU VERY MUCH, MEAN GENE OKERLUND. LOOKS LIKE WE'RE GONNA HAVE A 879 00:28:10,422 --> 00:28:11,621 OKERLUND. LOOKS LIKE WE'RE GONNA HAVE A LITTLE HAVOC OUT THERE IN 880 00:28:11,623 --> 00:28:12,656 LOOKS LIKE WE'RE GONNA HAVE A LITTLE HAVOC OUT THERE IN CHICAGO, BUT WE JUST SAW A 881 00:28:12,658 --> 00:28:13,724 LITTLE HAVOC OUT THERE IN CHICAGO, BUT WE JUST SAW A LITTLE HAVOC IN THE RING 882 00:28:13,726 --> 00:28:14,491 CHICAGO, BUT WE JUST SAW A LITTLE HAVOC IN THE RING EARLIER. 883 00:28:14,493 --> 00:28:15,492 LITTLE HAVOC IN THE RING EARLIER. LET ME ASK YOU A QUESTION, 884 00:28:15,494 --> 00:28:15,859 EARLIER. LET ME ASK YOU A QUESTION, SUSAN. 885 00:28:15,861 --> 00:28:16,626 LET ME ASK YOU A QUESTION, SUSAN. >> YES, SIR? 886 00:28:16,628 --> 00:28:17,728 SUSAN. >> YES, SIR? >> DO YOU LIKE SNAKES? 887 00:28:17,730 --> 00:28:18,829 >> YES, SIR? >> DO YOU LIKE SNAKES? >> YOU KNOW, THIS IS GONNA BE A 888 00:28:18,831 --> 00:28:20,330 >> DO YOU LIKE SNAKES? >> YOU KNOW, THIS IS GONNA BE A TOUGH ONE FOR ME BECAUSE I'M NOT 889 00:28:20,332 --> 00:28:21,498 >> YOU KNOW, THIS IS GONNA BE A TOUGH ONE FOR ME BECAUSE I'M NOT BIG ON SNAKES. 890 00:28:21,500 --> 00:28:22,599 TOUGH ONE FOR ME BECAUSE I'M NOT BIG ON SNAKES. BUT THERE'S ALWAYS A CHANCE 891 00:28:22,601 --> 00:28:23,567 BIG ON SNAKES. BUT THERE'S ALWAYS A CHANCE HE'LL LOSE AND WE WON'T HAVE TO 892 00:28:23,569 --> 00:28:25,335 BUT THERE'S ALWAYS A CHANCE HE'LL LOSE AND WE WON'T HAVE TO SEE THE SNAKE, RIGHT? 893 00:28:25,337 --> 00:28:26,703 HE'LL LOSE AND WE WON'T HAVE TO SEE THE SNAKE, RIGHT? >> WELL, THERE'S ALWAYS THAT 894 00:28:26,705 --> 00:28:27,404 SEE THE SNAKE, RIGHT? >> WELL, THERE'S ALWAYS THAT CHANCE, BUT ... 895 00:28:27,406 --> 00:28:28,705 >> WELL, THERE'S ALWAYS THAT CHANCE, BUT ... >> WELL, THAT'S WHAT I'M KIND OF 896 00:28:28,707 --> 00:28:30,474 CHANCE, BUT ... >> WELL, THAT'S WHAT I'M KIND OF HOPING FOR. 897 00:28:30,476 --> 00:28:31,108 >> WELL, THAT'S WHAT I'M KIND OF HOPING FOR. >> MY GUESS IS, WIN, LOSE, OR 898 00:28:31,110 --> 00:28:31,709 HOPING FOR. >> MY GUESS IS, WIN, LOSE, OR DRAW, WE'RE GONNA SEE THE SNAKE. 899 00:28:31,711 --> 00:28:32,276 >> MY GUESS IS, WIN, LOSE, OR DRAW, WE'RE GONNA SEE THE SNAKE. SPEAKING, OF COURSE, OF THE 900 00:28:32,278 --> 00:28:35,379 DRAW, WE'RE GONNA SEE THE SNAKE. SPEAKING, OF COURSE, OF THE SNAKE THAT JAKE THE SNAKE 901 00:28:35,381 --> 00:28:36,847 SPEAKING, OF COURSE, OF THE SNAKE THAT JAKE THE SNAKE ROBERTS BRINGS INTO THE RING. 902 00:28:36,849 --> 00:28:37,680 SNAKE THAT JAKE THE SNAKE ROBERTS BRINGS INTO THE RING. AS JAKE THE SNAKE IS READY TO 903 00:28:37,682 --> 00:28:39,850 ROBERTS BRINGS INTO THE RING. AS JAKE THE SNAKE IS READY TO LOCK UP WITH GEORGE WELLS. 904 00:28:39,852 --> 00:28:40,650 AS JAKE THE SNAKE IS READY TO LOCK UP WITH GEORGE WELLS. IT SHOULD BE AN OUTSTANDING 905 00:28:40,652 --> 00:28:42,919 LOCK UP WITH GEORGE WELLS. IT SHOULD BE AN OUTSTANDING MATCH-UP, AND RIGHT NOW ... 906 00:28:42,921 --> 00:28:43,620 IT SHOULD BE AN OUTSTANDING MATCH-UP, AND RIGHT NOW ... >> HOW DOES GEORGE FEEL ABOUT 907 00:28:43,622 --> 00:28:44,421 MATCH-UP, AND RIGHT NOW ... >> HOW DOES GEORGE FEEL ABOUT SNAKES? 908 00:28:44,423 --> 00:28:45,655 >> HOW DOES GEORGE FEEL ABOUT SNAKES? >> I DON'T THINK GEORGE WELLS 909 00:28:45,657 --> 00:28:46,857 SNAKES? >> I DON'T THINK GEORGE WELLS LIKES SNAKES EITHER. 910 00:28:46,859 --> 00:28:47,691 >> I DON'T THINK GEORGE WELLS LIKES SNAKES EITHER. >> WHO WANTS TO SEE THAT SNAKE? 911 00:28:47,693 --> 00:28:48,592 LIKES SNAKES EITHER. >> WHO WANTS TO SEE THAT SNAKE? I DON'T, EITHER. 912 00:28:48,594 --> 00:28:49,460 >> WHO WANTS TO SEE THAT SNAKE? I DON'T, EITHER. >> ALL RIGHT. 913 00:28:49,462 --> 00:28:50,127 I DON'T, EITHER. >> ALL RIGHT. LET'S GO UP NOW TO RING 914 00:28:50,129 --> 00:28:52,796 >> ALL RIGHT. LET'S GO UP NOW TO RING ANNOUNCER, HOWARD FINKEL. 915 00:28:52,798 --> 00:28:54,397 LET'S GO UP NOW TO RING ANNOUNCER, HOWARD FINKEL. [ BELL RINGING ] 916 00:28:54,399 --> 00:28:55,198 ANNOUNCER, HOWARD FINKEL. [ BELL RINGING ] >> LADIES AND GENTLEMEN, THIS 917 00:28:55,200 --> 00:28:56,800 [ BELL RINGING ] >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR 918 00:28:56,802 --> 00:28:58,969 >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE-FALL WITH A 20-MINUTE TIME 919 00:28:58,971 --> 00:28:59,603 CONTEST IS SCHEDULED FOR ONE-FALL WITH A 20-MINUTE TIME LIMIT. 920 00:28:59,605 --> 00:29:00,804 ONE-FALL WITH A 20-MINUTE TIME LIMIT. IN THE RING TO MY RIGHT, FROM 921 00:29:00,806 --> 00:29:03,473 LIMIT. IN THE RING TO MY RIGHT, FROM OAKLAND, CALIFORNIA, WEIGHING 922 00:29:03,475 --> 00:29:09,747 IN THE RING TO MY RIGHT, FROM OAKLAND, CALIFORNIA, WEIGHING 270 POUNDS, GEORGE WELLS! 923 00:29:09,749 --> 00:29:11,681 OAKLAND, CALIFORNIA, WEIGHING 270 POUNDS, GEORGE WELLS! HIS OPPONENT, MAKING HIS WAY 924 00:29:11,683 --> 00:29:14,618 270 POUNDS, GEORGE WELLS! HIS OPPONENT, MAKING HIS WAY TOWARDS THE RING, FROM STONE 925 00:29:14,620 --> 00:29:18,522 HIS OPPONENT, MAKING HIS WAY TOWARDS THE RING, FROM STONE MOUNTAIN, GEORGIA, WEIGHING 249 926 00:29:18,524 --> 00:29:22,459 TOWARDS THE RING, FROM STONE MOUNTAIN, GEORGIA, WEIGHING 249 POUNDS, JAKE "THE SNAKE" 927 00:29:22,461 --> 00:29:23,860 MOUNTAIN, GEORGIA, WEIGHING 249 POUNDS, JAKE "THE SNAKE" ROBERTS! 928 00:29:23,862 --> 00:29:36,706 POUNDS, JAKE "THE SNAKE" ROBERTS! [ APPLAUSE ] 929 00:29:36,708 --> 00:29:37,741 ROBERTS! [ APPLAUSE ] >> ALL RIGHT. 930 00:29:37,743 --> 00:29:38,608 [ APPLAUSE ] >> ALL RIGHT. THERE'S A LOOK. 931 00:29:38,610 --> 00:29:39,442 >> ALL RIGHT. THERE'S A LOOK. >> THERE IT IS, VINCE. 932 00:29:39,444 --> 00:29:39,876 THERE'S A LOOK. >> THERE IT IS, VINCE. IN THAT ... 933 00:29:39,878 --> 00:29:42,345 >> THERE IT IS, VINCE. IN THAT ... >> THAT'S JAKE "THE SNAKE." 934 00:29:42,347 --> 00:29:43,413 IN THAT ... >> THAT'S JAKE "THE SNAKE." >> THE FIRST TIME I SAW THIS 935 00:29:43,415 --> 00:29:44,147 >> THAT'S JAKE "THE SNAKE." >> THE FIRST TIME I SAW THIS GUY, I COULDN'T BELIEVE HE WAS 936 00:29:44,149 --> 00:29:44,848 >> THE FIRST TIME I SAW THIS GUY, I COULDN'T BELIEVE HE WAS GONNA REALLY PULL A SNAKE OUT OF 937 00:29:44,850 --> 00:29:46,583 GUY, I COULDN'T BELIEVE HE WAS GONNA REALLY PULL A SNAKE OUT OF THERE. 938 00:29:46,585 --> 00:29:47,350 GONNA REALLY PULL A SNAKE OUT OF THERE. UNBELIEVABLE. 939 00:29:47,352 --> 00:29:49,519 THERE. UNBELIEVABLE. >> IN THAT VERY BAG WE ARE TOLD 940 00:29:49,521 --> 00:29:52,622 UNBELIEVABLE. >> IN THAT VERY BAG WE ARE TOLD THAT HE HAS A PYTHON HERE WITH 941 00:29:52,624 --> 00:29:54,591 >> IN THAT VERY BAG WE ARE TOLD THAT HE HAS A PYTHON HERE WITH HIM TONIGHT. 942 00:29:54,593 --> 00:29:55,725 THAT HE HAS A PYTHON HERE WITH HIM TONIGHT. I DON'T SEE THE BAG MOVING. 943 00:29:55,727 --> 00:29:56,860 HIM TONIGHT. I DON'T SEE THE BAG MOVING. >> OH. 944 00:29:56,862 --> 00:29:57,427 I DON'T SEE THE BAG MOVING. >> OH. THERE IT DID. 945 00:29:57,429 --> 00:29:58,395 >> OH. THERE IT DID. IT DID. 946 00:29:58,397 --> 00:29:58,862 THERE IT DID. IT DID. DEFINITELY. 947 00:29:58,864 --> 00:29:59,729 IT DID. DEFINITELY. >> I THINK WE DO. 948 00:29:59,731 --> 00:30:00,564 DEFINITELY. >> I THINK WE DO. >> OH. 949 00:30:00,566 --> 00:30:01,264 >> I THINK WE DO. >> OH. OH! 950 00:30:01,266 --> 00:30:01,799 >> OH. OH! >> LOOK AT THAT. 951 00:30:01,801 --> 00:30:02,499 OH! >> LOOK AT THAT. WELLS GOING TO WORK RIGHT AWAY 952 00:30:02,501 --> 00:30:04,535 >> LOOK AT THAT. WELLS GOING TO WORK RIGHT AWAY ON JAKE "THE SNAKE." 953 00:30:04,537 --> 00:30:05,569 WELLS GOING TO WORK RIGHT AWAY ON JAKE "THE SNAKE." OFF THE ROPE. 954 00:30:05,571 --> 00:30:06,536 ON JAKE "THE SNAKE." OFF THE ROPE. CRACKED POT DROP BY GEORGE 955 00:30:06,538 --> 00:30:08,338 OFF THE ROPE. CRACKED POT DROP BY GEORGE WELLS. 956 00:30:08,340 --> 00:30:09,272 CRACKED POT DROP BY GEORGE WELLS. >> COME ON, GEORGE. 957 00:30:09,274 --> 00:30:10,541 WELLS. >> COME ON, GEORGE. >> A RIGHT HAND. 958 00:30:10,543 --> 00:30:12,442 >> COME ON, GEORGE. >> A RIGHT HAND. WELLS WITH A FOREARM UPPERCUT. 959 00:30:12,444 --> 00:30:13,777 >> A RIGHT HAND. WELLS WITH A FOREARM UPPERCUT. >> OH, MISS. 960 00:30:13,779 --> 00:30:16,580 WELLS WITH A FOREARM UPPERCUT. >> OH, MISS. MISS, JAKE. 961 00:30:16,582 --> 00:30:17,681 >> OH, MISS. MISS, JAKE. >> RIGHT NOW JAKE THE SNAKE 962 00:30:17,683 --> 00:30:18,448 MISS, JAKE. >> RIGHT NOW JAKE THE SNAKE RIGHT ON WELLS. 963 00:30:18,450 --> 00:30:19,549 >> RIGHT NOW JAKE THE SNAKE RIGHT ON WELLS. SENDS HIM FLYING THROUGH THE 964 00:30:19,551 --> 00:30:21,451 RIGHT ON WELLS. SENDS HIM FLYING THROUGH THE ROPES TO THE OUTSIDE. 965 00:30:21,453 --> 00:30:22,051 SENDS HIM FLYING THROUGH THE ROPES TO THE OUTSIDE. >> COME ON, GEORGE. 966 00:30:22,053 --> 00:30:23,720 ROPES TO THE OUTSIDE. >> COME ON, GEORGE. GET IN THERE. 967 00:30:23,722 --> 00:30:24,821 >> COME ON, GEORGE. GET IN THERE. >> JAKE THE SNAKE SLITHERING TO 968 00:30:24,823 --> 00:30:26,590 GET IN THERE. >> JAKE THE SNAKE SLITHERING TO THE OUTSIDE AND DID HE EVER 969 00:30:26,592 --> 00:30:29,960 >> JAKE THE SNAKE SLITHERING TO THE OUTSIDE AND DID HE EVER CATCH A RIGHT HAND BY WELLS. 970 00:30:29,962 --> 00:30:33,530 THE OUTSIDE AND DID HE EVER CATCH A RIGHT HAND BY WELLS. BACK THROUGH THE ROPES NOW, AND 971 00:30:33,532 --> 00:30:34,831 CATCH A RIGHT HAND BY WELLS. BACK THROUGH THE ROPES NOW, AND A SETUP FOR THE RIDE COMING OFF 972 00:30:34,833 --> 00:30:37,734 BACK THROUGH THE ROPES NOW, AND A SETUP FOR THE RIDE COMING OFF THE ROPES, LEAPFROG NICELY DONE. 973 00:30:37,736 --> 00:30:38,802 A SETUP FOR THE RIDE COMING OFF THE ROPES, LEAPFROG NICELY DONE. OH, LOOK AT THAT SHOULDER BLOCK 974 00:30:38,804 --> 00:30:42,806 THE ROPES, LEAPFROG NICELY DONE. OH, LOOK AT THAT SHOULDER BLOCK BY WELLS. 975 00:30:42,808 --> 00:30:43,473 OH, LOOK AT THAT SHOULDER BLOCK BY WELLS. SHADES OF HIS CANADIAN FOOTBALL 976 00:30:43,475 --> 00:30:45,909 BY WELLS. SHADES OF HIS CANADIAN FOOTBALL CAREER. 977 00:30:45,911 --> 00:30:47,577 SHADES OF HIS CANADIAN FOOTBALL CAREER. GEORGE WELLS, ONE OF THE GREATS 978 00:30:47,579 --> 00:30:48,712 CAREER. GEORGE WELLS, ONE OF THE GREATS FROM CANADA. 979 00:30:48,714 --> 00:30:49,846 GEORGE WELLS, ONE OF THE GREATS FROM CANADA. HEADBUTT BY GEORGE WELLS. 980 00:30:49,848 --> 00:30:51,514 FROM CANADA. HEADBUTT BY GEORGE WELLS. THIS, THUS FAR, IS THE TOUGHEST 981 00:30:51,516 --> 00:30:53,416 HEADBUTT BY GEORGE WELLS. THIS, THUS FAR, IS THE TOUGHEST MATCH TO DATE THAT JAKE THE 982 00:30:53,418 --> 00:30:54,751 THIS, THUS FAR, IS THE TOUGHEST MATCH TO DATE THAT JAKE THE SNAKE HAS HAD. 983 00:30:54,753 --> 00:30:56,653 MATCH TO DATE THAT JAKE THE SNAKE HAS HAD. >> YEAH, WE MAY NOT HAVE TO SEE 984 00:30:56,655 --> 00:30:58,788 SNAKE HAS HAD. >> YEAH, WE MAY NOT HAVE TO SEE THAT SNAKE AFTER ALL, VINCE. 985 00:30:58,790 --> 00:30:59,823 >> YEAH, WE MAY NOT HAVE TO SEE THAT SNAKE AFTER ALL, VINCE. >> ALL RIGHT, BACK TO THE CORNER 986 00:30:59,825 --> 00:31:01,424 THAT SNAKE AFTER ALL, VINCE. >> ALL RIGHT, BACK TO THE CORNER AND WHIPPED TO THE FAR SIDE. 987 00:31:01,426 --> 00:31:03,861 >> ALL RIGHT, BACK TO THE CORNER AND WHIPPED TO THE FAR SIDE. >> OH, BOY! 988 00:31:03,863 --> 00:31:05,462 AND WHIPPED TO THE FAR SIDE. >> OH, BOY! >> SLOUCHING IN THE CORNER THERE 989 00:31:05,464 --> 00:31:07,364 >> OH, BOY! >> SLOUCHING IN THE CORNER THERE AS, NOW, GEORGE WELLS MOVES BACK 990 00:31:07,366 --> 00:31:08,832 >> SLOUCHING IN THE CORNER THERE AS, NOW, GEORGE WELLS MOVES BACK IN AND SETS HIM UP AGAIN. 991 00:31:08,834 --> 00:31:09,900 AS, NOW, GEORGE WELLS MOVES BACK IN AND SETS HIM UP AGAIN. MMM! 992 00:31:09,902 --> 00:31:11,368 IN AND SETS HIM UP AGAIN. MMM! RIGHT BACK OUT, LOOK AT THE 993 00:31:11,370 --> 00:31:13,770 MMM! RIGHT BACK OUT, LOOK AT THE HEADSCISSORS. 994 00:31:13,772 --> 00:31:15,539 RIGHT BACK OUT, LOOK AT THE HEADSCISSORS. FANCY MANEUVER... 995 00:31:15,541 --> 00:31:16,005 HEADSCISSORS. FANCY MANEUVER... >> OH, TIMEOUT ... 996 00:31:16,007 --> 00:31:16,873 FANCY MANEUVER... >> OH, TIMEOUT ... GIVE ME A BREAK. 997 00:31:16,875 --> 00:31:17,641 >> OH, TIMEOUT ... GIVE ME A BREAK. [ CHUCKLING ] 998 00:31:17,643 --> 00:31:18,708 GIVE ME A BREAK. [ CHUCKLING ] >> NO SUCH THING HERE. 999 00:31:18,710 --> 00:31:20,644 [ CHUCKLING ] >> NO SUCH THING HERE. >> SORRY, SORRY, KID. 1000 00:31:20,646 --> 00:31:22,712 >> NO SUCH THING HERE. >> SORRY, SORRY, KID. >> ALL RIGHT, NOW, WELLS WITH A 1001 00:31:22,714 --> 00:31:26,483 >> SORRY, SORRY, KID. >> ALL RIGHT, NOW, WELLS WITH A LOT OF MOMENTUM HERE. 1002 00:31:26,485 --> 00:31:27,584 >> ALL RIGHT, NOW, WELLS WITH A LOT OF MOMENTUM HERE. AND NOW, THE SCOOP ... 1003 00:31:27,586 --> 00:31:28,418 LOT OF MOMENTUM HERE. AND NOW, THE SCOOP ... DOES HE GET HIM UP? 1004 00:31:28,420 --> 00:31:30,954 AND NOW, THE SCOOP ... DOES HE GET HIM UP? YES, HE DOES, AND A BODYSLAM. 1005 00:31:30,956 --> 00:31:32,789 DOES HE GET HIM UP? YES, HE DOES, AND A BODYSLAM. GEORGE WELLS HAS GAINED ABOUT 20 1006 00:31:32,791 --> 00:31:34,691 YES, HE DOES, AND A BODYSLAM. GEORGE WELLS HAS GAINED ABOUT 20 TO 30 POUNDS OVER THE LAST SIX 1007 00:31:34,693 --> 00:31:38,462 GEORGE WELLS HAS GAINED ABOUT 20 TO 30 POUNDS OVER THE LAST SIX MONTHS BULKING UP. 1008 00:31:38,464 --> 00:31:40,864 TO 30 POUNDS OVER THE LAST SIX MONTHS BULKING UP. CHOP RIGHT TO THE THROAT AREA. 1009 00:31:40,866 --> 00:31:41,698 MONTHS BULKING UP. CHOP RIGHT TO THE THROAT AREA. >> WOW! 1010 00:31:41,700 --> 00:31:43,533 CHOP RIGHT TO THE THROAT AREA. >> WOW! THIS IS ALL ONE-SIDED SO FAR. 1011 00:31:43,535 --> 00:31:44,201 >> WOW! THIS IS ALL ONE-SIDED SO FAR. >> YES, BUT I WONDER WHY THERE 1012 00:31:44,203 --> 00:31:44,701 THIS IS ALL ONE-SIDED SO FAR. >> YES, BUT I WONDER WHY THERE WELLS DID NOT GO FOR A COVER? 1013 00:31:44,703 --> 00:31:46,770 >> YES, BUT I WONDER WHY THERE WELLS DID NOT GO FOR A COVER? HE HAD JAKE THE SNAKE DOWN ON 1014 00:31:46,772 --> 00:31:47,804 WELLS DID NOT GO FOR A COVER? HE HAD JAKE THE SNAKE DOWN ON THE CANVAS. 1015 00:31:47,806 --> 00:31:49,005 HE HAD JAKE THE SNAKE DOWN ON THE CANVAS. >> IF I WERE HIM I'D GET IT OVER 1016 00:31:49,007 --> 00:31:50,840 THE CANVAS. >> IF I WERE HIM I'D GET IT OVER WITH REALLY QUICKLY. 1017 00:31:50,842 --> 00:31:51,608 >> IF I WERE HIM I'D GET IT OVER WITH REALLY QUICKLY. >> KNEE-LIFT! 1018 00:31:51,610 --> 00:31:52,409 WITH REALLY QUICKLY. >> KNEE-LIFT! >> COME ON! 1019 00:31:52,411 --> 00:31:54,511 >> KNEE-LIFT! >> COME ON! MOVE IN NOW, OH! 1020 00:31:54,513 --> 00:31:55,679 >> COME ON! MOVE IN NOW, OH! >> AND JAKE THE SNAKE IS HAVING 1021 00:31:55,681 --> 00:31:57,314 MOVE IN NOW, OH! >> AND JAKE THE SNAKE IS HAVING ALL KIND OF PROBLEMS, BUT AGAIN 1022 00:31:57,316 --> 00:31:58,548 >> AND JAKE THE SNAKE IS HAVING ALL KIND OF PROBLEMS, BUT AGAIN YOU SEE THE RATHER METHODICAL 1023 00:31:58,550 --> 00:31:59,983 ALL KIND OF PROBLEMS, BUT AGAIN YOU SEE THE RATHER METHODICAL APPROACH OF GEORGE WELLS, QUITE 1024 00:31:59,985 --> 00:32:01,718 YOU SEE THE RATHER METHODICAL APPROACH OF GEORGE WELLS, QUITE SURPRISING. 1025 00:32:01,720 --> 00:32:03,353 APPROACH OF GEORGE WELLS, QUITE SURPRISING. APPARENTLY, HE FEELS AS THOUGH 1026 00:32:03,355 --> 00:32:05,855 SURPRISING. APPARENTLY, HE FEELS AS THOUGH HE HAS THE MATCH WELL IN HAND. 1027 00:32:05,857 --> 00:32:06,656 APPARENTLY, HE FEELS AS THOUGH HE HAS THE MATCH WELL IN HAND. >> MAYBE HE JUST WANTS TO SHOW 1028 00:32:06,658 --> 00:32:07,724 HE HAS THE MATCH WELL IN HAND. >> MAYBE HE JUST WANTS TO SHOW US SOME GOOD MOVES BEFORE 1029 00:32:07,726 --> 00:32:08,959 >> MAYBE HE JUST WANTS TO SHOW US SOME GOOD MOVES BEFORE FINISHING HIM OFF. 1030 00:32:08,961 --> 00:32:09,659 US SOME GOOD MOVES BEFORE FINISHING HIM OFF. WHOA ... 1031 00:32:09,661 --> 00:32:11,428 FINISHING HIM OFF. WHOA ... >> AND LOOK AT THAT POWERSLAM, 1032 00:32:11,430 --> 00:32:11,961 WHOA ... >> AND LOOK AT THAT POWERSLAM, THAT SHOULD DO IT. 1033 00:32:11,963 --> 00:32:13,463 >> AND LOOK AT THAT POWERSLAM, THAT SHOULD DO IT. HE HAS HIM CRADLED, COUNT OF TWO 1034 00:32:13,465 --> 00:32:20,437 THAT SHOULD DO IT. HE HAS HIM CRADLED, COUNT OF TWO AND ALMOST THREE. 1035 00:32:20,439 --> 00:32:22,539 HE HAS HIM CRADLED, COUNT OF TWO AND ALMOST THREE. >> AND SORT OF A SLASHING RIGHT 1036 00:32:22,541 --> 00:32:23,440 AND ALMOST THREE. >> AND SORT OF A SLASHING RIGHT HAND MAYBE, I BELIEVE, TO THE 1037 00:32:23,442 --> 00:32:25,809 >> AND SORT OF A SLASHING RIGHT HAND MAYBE, I BELIEVE, TO THE EYE OF GEORGE WELLS. 1038 00:32:25,811 --> 00:32:26,576 HAND MAYBE, I BELIEVE, TO THE EYE OF GEORGE WELLS. >> COME ON, GEORGE. 1039 00:32:26,578 --> 00:32:28,445 EYE OF GEORGE WELLS. >> COME ON, GEORGE. SHAKE IT OFF. 1040 00:32:28,447 --> 00:32:30,580 >> COME ON, GEORGE. SHAKE IT OFF. OPEN YOUR EYES UP, GEORGE. 1041 00:32:30,582 --> 00:32:31,548 SHAKE IT OFF. OPEN YOUR EYES UP, GEORGE. >> BACK ON HIS FEET NOW, JAKE 1042 00:32:31,550 --> 00:32:35,719 OPEN YOUR EYES UP, GEORGE. >> BACK ON HIS FEET NOW, JAKE THE SNAKE STILL BACKING OFF, 1043 00:32:35,721 --> 00:32:36,920 >> BACK ON HIS FEET NOW, JAKE THE SNAKE STILL BACKING OFF, LUNGING NOW AND ALMOST ... 1044 00:32:36,922 --> 00:32:37,787 THE SNAKE STILL BACKING OFF, LUNGING NOW AND ALMOST ... WELL, YES, SLIDING ... 1045 00:32:37,789 --> 00:32:38,889 LUNGING NOW AND ALMOST ... WELL, YES, SLIDING ... ALMOST SLITHERING TO THE 1046 00:32:38,891 --> 00:32:39,789 WELL, YES, SLIDING ... ALMOST SLITHERING TO THE OUTSIDE. 1047 00:32:39,791 --> 00:32:40,757 ALMOST SLITHERING TO THE OUTSIDE. WELLS IS OUT THERE WITH HIM, AND 1048 00:32:40,759 --> 00:32:43,794 OUTSIDE. WELLS IS OUT THERE WITH HIM, AND HERE KILLING TIME, AND I MIGHT 1049 00:32:43,796 --> 00:32:45,462 WELLS IS OUT THERE WITH HIM, AND HERE KILLING TIME, AND I MIGHT ADD QUITE SUCCESSFULLY, LOOK AT 1050 00:32:45,464 --> 00:32:45,729 HERE KILLING TIME, AND I MIGHT ADD QUITE SUCCESSFULLY, LOOK AT THAT. 1051 00:32:45,731 --> 00:32:47,597 ADD QUITE SUCCESSFULLY, LOOK AT THAT. CAUGHT WELLS OFF BALANCE COMING 1052 00:32:47,599 --> 00:32:48,598 THAT. CAUGHT WELLS OFF BALANCE COMING THROUGH THE ROPES, DELIVERED A 1053 00:32:48,600 --> 00:32:49,700 CAUGHT WELLS OFF BALANCE COMING THROUGH THE ROPES, DELIVERED A KNEE-LIFT. 1054 00:32:49,702 --> 00:32:51,835 THROUGH THE ROPES, DELIVERED A KNEE-LIFT. >> THAT WAS A PRETTY SHARP MOVE. 1055 00:32:51,837 --> 00:32:53,470 KNEE-LIFT. >> THAT WAS A PRETTY SHARP MOVE. GOT A LITTLE BREATHER, CAME IN 1056 00:32:53,472 --> 00:32:53,870 >> THAT WAS A PRETTY SHARP MOVE. GOT A LITTLE BREATHER, CAME IN ... 1057 00:32:53,872 --> 00:32:54,771 GOT A LITTLE BREATHER, CAME IN ... >> YES INDEED. 1058 00:32:54,773 --> 00:32:55,638 ... >> YES INDEED. OH, WHAT'S HE DOIN' NOW? 1059 00:32:55,640 --> 00:32:58,608 >> YES INDEED. OH, WHAT'S HE DOIN' NOW? >> UH-OH, UH-OH ... 1060 00:32:58,610 --> 00:32:59,576 OH, WHAT'S HE DOIN' NOW? >> UH-OH, UH-OH ... >> RIGHT BACK ON HIS MAN, OH, 1061 00:32:59,578 --> 00:33:00,377 >> UH-OH, UH-OH ... >> RIGHT BACK ON HIS MAN, OH, NO! 1062 00:33:00,379 --> 00:33:01,511 >> RIGHT BACK ON HIS MAN, OH, NO! LOOK AT THAT, DUMPED HIM RIGHT 1063 00:33:01,513 --> 00:33:02,612 NO! LOOK AT THAT, DUMPED HIM RIGHT ON HIS HEAD. 1064 00:33:02,614 --> 00:33:03,814 LOOK AT THAT, DUMPED HIM RIGHT ON HIS HEAD. THAT'S THE MANEUVER THAT'S 1065 00:33:03,816 --> 00:33:05,782 ON HIS HEAD. THAT'S THE MANEUVER THAT'S KNOCKED OUT MANY AN OPPONENT AND 1066 00:33:05,784 --> 00:33:07,417 THAT'S THE MANEUVER THAT'S KNOCKED OUT MANY AN OPPONENT AND THE THREE COUNT. 1067 00:33:07,419 --> 00:33:08,485 KNOCKED OUT MANY AN OPPONENT AND THE THREE COUNT. GEORGE WELLS NOT ... 1068 00:33:08,487 --> 00:33:09,652 THE THREE COUNT. GEORGE WELLS NOT ... OH, NO! 1069 00:33:09,654 --> 00:33:10,654 GEORGE WELLS NOT ... OH, NO! >> OH, NO! 1070 00:33:10,656 --> 00:33:11,788 OH, NO! >> OH, NO! >> WE'RE NOT GONNA SEE... 1071 00:33:11,790 --> 00:33:14,725 >> OH, NO! >> WE'RE NOT GONNA SEE... >> I CAN'T WATCH THIS. 1072 00:33:14,727 --> 00:33:15,525 >> WE'RE NOT GONNA SEE... >> I CAN'T WATCH THIS. WELL, MAYBE GEORGE WILL STAY 1073 00:33:15,527 --> 00:33:16,593 >> I CAN'T WATCH THIS. WELL, MAYBE GEORGE WILL STAY UNCONSCIOUS ... 1074 00:33:16,595 --> 00:33:17,360 WELL, MAYBE GEORGE WILL STAY UNCONSCIOUS ... UH-OH. 1075 00:33:17,362 --> 00:33:18,095 UNCONSCIOUS ... UH-OH. >> MAYBE THERE'S NOTHING IN THE 1076 00:33:18,097 --> 00:33:19,496 UH-OH. >> MAYBE THERE'S NOTHING IN THE BAG. 1077 00:33:19,498 --> 00:33:20,530 >> MAYBE THERE'S NOTHING IN THE BAG. >> OH, YEAH. 1078 00:33:20,532 --> 00:33:21,865 BAG. >> OH, YEAH. >> WE HOPE NOT. 1079 00:33:21,867 --> 00:33:22,699 >> OH, YEAH. >> WE HOPE NOT. >> UH-OH. 1080 00:33:22,701 --> 00:33:24,434 >> WE HOPE NOT. >> UH-OH. >> UH-OH. 1081 00:33:24,436 --> 00:33:24,734 >> UH-OH. >> UH-OH. >> IT ... 1082 00:33:24,736 --> 00:33:26,536 >> UH-OH. >> IT ... GEORGE WELLS IS, I BELIEVE, 1083 00:33:26,538 --> 00:33:27,838 >> IT ... GEORGE WELLS IS, I BELIEVE, STILL UNCONSCIOUS. 1084 00:33:27,840 --> 00:33:29,472 GEORGE WELLS IS, I BELIEVE, STILL UNCONSCIOUS. LET'S SEE WHAT ... 1085 00:33:29,474 --> 00:33:31,374 STILL UNCONSCIOUS. LET'S SEE WHAT ... >> OH, MY GOODNESS! 1086 00:33:31,376 --> 00:33:32,709 LET'S SEE WHAT ... >> OH, MY GOODNESS! >> OH, GOD! 1087 00:33:32,711 --> 00:33:34,611 >> OH, MY GOODNESS! >> OH, GOD! >> LOOK AT THAT! 1088 00:33:34,613 --> 00:33:35,678 >> OH, GOD! >> LOOK AT THAT! THE SNAKE LITERALLY SLITHERING 1089 00:33:35,680 --> 00:33:36,880 >> LOOK AT THAT! THE SNAKE LITERALLY SLITHERING RIGHT OVER TO GEORGE WELLS' 1090 00:33:36,882 --> 00:33:38,581 THE SNAKE LITERALLY SLITHERING RIGHT OVER TO GEORGE WELLS' HEAD, LOOK AT THAT... 1091 00:33:38,583 --> 00:33:41,718 RIGHT OVER TO GEORGE WELLS' HEAD, LOOK AT THAT... >> GEORGE! 1092 00:33:41,720 --> 00:33:43,420 HEAD, LOOK AT THAT... >> GEORGE! >> OH, HE'S NOT GONNA PUT IT ON 1093 00:33:43,422 --> 00:33:45,488 >> GEORGE! >> OH, HE'S NOT GONNA PUT IT ON HIM. 1094 00:33:45,490 --> 00:33:47,590 >> OH, HE'S NOT GONNA PUT IT ON HIM. >> NO! 1095 00:33:47,592 --> 00:33:48,391 HIM. >> NO! >> OH, HE WRAPPED IT UNDERNEATH 1096 00:33:48,393 --> 00:33:49,492 >> NO! >> OH, HE WRAPPED IT UNDERNEATH HIM AND BACK AROUND, LOOK AT 1097 00:33:49,494 --> 00:33:49,793 >> OH, HE WRAPPED IT UNDERNEATH HIM AND BACK AROUND, LOOK AT THAT ... 1098 00:33:49,795 --> 00:33:50,560 HIM AND BACK AROUND, LOOK AT THAT ... IT'S A PYTHON. 1099 00:33:50,562 --> 00:33:51,394 THAT ... IT'S A PYTHON. HE HAS IT WRAPPED ALL OVER 1100 00:33:51,396 --> 00:33:51,895 IT'S A PYTHON. HE HAS IT WRAPPED ALL OVER GEORGE WELLS! 1101 00:33:51,897 --> 00:33:52,462 HE HAS IT WRAPPED ALL OVER GEORGE WELLS! >> OH, NO. 1102 00:33:52,464 --> 00:33:53,530 GEORGE WELLS! >> OH, NO. LOOK AT THAT. 1103 00:33:53,532 --> 00:33:54,564 >> OH, NO. LOOK AT THAT. IMAGINE THE CONSTRICTING OF THE 1104 00:33:54,566 --> 00:33:57,667 LOOK AT THAT. IMAGINE THE CONSTRICTING OF THE SNAKE ACROSS THE THROAT OF 1105 00:33:57,669 --> 00:34:00,504 IMAGINE THE CONSTRICTING OF THE SNAKE ACROSS THE THROAT OF GEORGE WELLS. 1106 00:34:00,506 --> 00:34:01,604 SNAKE ACROSS THE THROAT OF GEORGE WELLS. >> I JUST HOPE IF JAKE EVER 1107 00:34:01,606 --> 00:34:02,605 GEORGE WELLS. >> I JUST HOPE IF JAKE EVER LOSES, THAT SOMEBODY DOES THIS 1108 00:34:02,607 --> 00:34:04,607 >> I JUST HOPE IF JAKE EVER LOSES, THAT SOMEBODY DOES THIS TO HIM. 1109 00:34:04,609 --> 00:34:05,708 LOSES, THAT SOMEBODY DOES THIS TO HIM. >> LOOK AT THIS. 1110 00:34:05,710 --> 00:34:09,712 TO HIM. >> LOOK AT THIS. >> THIS IS REALLY ... 1111 00:34:09,714 --> 00:34:11,515 >> LOOK AT THIS. >> THIS IS REALLY ... OH, MY. 1112 00:34:11,517 --> 00:34:12,882 >> THIS IS REALLY ... OH, MY. OH, LOOK AT THAT! 1113 00:34:12,884 --> 00:34:15,585 OH, MY. OH, LOOK AT THAT! >> LOOK AT THAT. 1114 00:34:15,587 --> 00:34:16,553 OH, LOOK AT THAT! >> LOOK AT THAT. >> OH, VINCE, THIS IS ... 1115 00:34:16,555 --> 00:34:17,353 >> LOOK AT THAT. >> OH, VINCE, THIS IS ... WHERE'S THE REFEREE? 1116 00:34:17,355 --> 00:34:18,155 >> OH, VINCE, THIS IS ... WHERE'S THE REFEREE? HE'S PROBABLY TOO SCARED TO 1117 00:34:18,157 --> 00:34:18,722 WHERE'S THE REFEREE? HE'S PROBABLY TOO SCARED TO TOUCH THAT THING. 1118 00:34:18,724 --> 00:34:19,622 HE'S PROBABLY TOO SCARED TO TOUCH THAT THING. >> AND THE SNAKE TIGHTENING ITS 1119 00:34:19,624 --> 00:34:21,425 TOUCH THAT THING. >> AND THE SNAKE TIGHTENING ITS GRIP. 1120 00:34:21,427 --> 00:34:22,559 >> AND THE SNAKE TIGHTENING ITS GRIP. CLEARLY, I THINK ... 1121 00:34:22,561 --> 00:34:23,460 GRIP. CLEARLY, I THINK ... >> OH, COME ON. 1122 00:34:23,462 --> 00:34:24,060 CLEARLY, I THINK ... >> OH, COME ON. >> LOOK AT THAT. 1123 00:34:24,062 --> 00:34:24,594 >> OH, COME ON. >> LOOK AT THAT. HOPEFULLY ... 1124 00:34:24,596 --> 00:34:25,728 >> LOOK AT THAT. HOPEFULLY ... >> OH, OH, OH! 1125 00:34:25,730 --> 00:34:26,496 HOPEFULLY ... >> OH, OH, OH! >> OH, MY GOODNESS. 1126 00:34:26,498 --> 00:34:28,398 >> OH, OH, OH! >> OH, MY GOODNESS. LOOK AT THIS. 1127 00:34:28,400 --> 00:34:29,332 >> OH, MY GOODNESS. LOOK AT THIS. >> OH [CHUCKLES] . 1128 00:34:29,334 --> 00:34:30,467 LOOK AT THIS. >> OH [CHUCKLES] . >> IS THAT DISGUSTING OR WHAT? 1129 00:34:30,469 --> 00:34:31,501 >> OH [CHUCKLES] . >> IS THAT DISGUSTING OR WHAT? >> PUT THAT THING BACK IN THE 1130 00:34:31,503 --> 00:34:33,436 >> IS THAT DISGUSTING OR WHAT? >> PUT THAT THING BACK IN THE BAG. 1131 00:34:33,438 --> 00:34:33,903 >> PUT THAT THING BACK IN THE BAG. >> I'LL SAY. 1132 00:34:33,905 --> 00:34:35,572 BAG. >> I'LL SAY. >> OH, REALLY. 1133 00:34:35,574 --> 00:34:36,539 >> I'LL SAY. >> OH, REALLY. >> DOES HE REMIND YOU OF ANYONE 1134 00:34:36,541 --> 00:34:38,541 >> OH, REALLY. >> DOES HE REMIND YOU OF ANYONE YOU KNOW, SUSAN? 1135 00:34:38,543 --> 00:34:39,776 >> DOES HE REMIND YOU OF ANYONE YOU KNOW, SUSAN? >> OH, MOST CERTAINLY NOT. 1136 00:34:39,778 --> 00:34:40,510 YOU KNOW, SUSAN? >> OH, MOST CERTAINLY NOT. >> UGH! 1137 00:34:40,512 --> 00:34:42,745 >> OH, MOST CERTAINLY NOT. >> UGH! >> UGH. 1138 00:34:42,747 --> 00:34:43,513 >> UGH! >> UGH. ALL RIGHT. 1139 00:34:43,515 --> 00:34:46,716 >> UGH. ALL RIGHT. WE GOT THE POINT, JAKE. 1140 00:34:46,718 --> 00:34:48,718 ALL RIGHT. WE GOT THE POINT, JAKE. POOR GEORGE. 1141 00:34:48,720 --> 00:34:49,819 WE GOT THE POINT, JAKE. POOR GEORGE. HE BETTER WORK ON ... 1142 00:34:49,821 --> 00:34:51,521 POOR GEORGE. HE BETTER WORK ON ... HE SHOULD'VE TAKEN HIM OUT 1143 00:34:51,523 --> 00:34:52,656 HE BETTER WORK ON ... HE SHOULD'VE TAKEN HIM OUT EARLIER IN THE MATCH WHEN HE HAD 1144 00:34:52,658 --> 00:34:53,656 HE SHOULD'VE TAKEN HIM OUT EARLIER IN THE MATCH WHEN HE HAD THE ADVANTAGE, AND NOT LET THIS 1145 00:34:53,658 --> 00:34:54,791 EARLIER IN THE MATCH WHEN HE HAD THE ADVANTAGE, AND NOT LET THIS COME TO THIS. 1146 00:34:54,793 --> 00:34:55,725 THE ADVANTAGE, AND NOT LET THIS COME TO THIS. >> GOOD POINT, HE CERTAINLY HAD 1147 00:34:55,727 --> 00:34:57,660 COME TO THIS. >> GOOD POINT, HE CERTAINLY HAD HIS OPPORTUNITY EARLIER ON. 1148 00:34:57,662 --> 00:34:58,628 >> GOOD POINT, HE CERTAINLY HAD HIS OPPORTUNITY EARLIER ON. >> HE REALLY DID. 1149 00:34:58,630 --> 00:34:59,662 HIS OPPORTUNITY EARLIER ON. >> HE REALLY DID. >> NONETHELESS, IT'LL GO DOWN AS 1150 00:34:59,664 --> 00:35:01,431 >> HE REALLY DID. >> NONETHELESS, IT'LL GO DOWN AS A VICTORY, ONCE AGAIN, FOR JAKE 1151 00:35:01,433 --> 00:35:03,733 >> NONETHELESS, IT'LL GO DOWN AS A VICTORY, ONCE AGAIN, FOR JAKE THE SNAKE ROBERTS, AND THUS FAR, 1152 00:35:03,735 --> 00:35:10,507 A VICTORY, ONCE AGAIN, FOR JAKE THE SNAKE ROBERTS, AND THUS FAR, JAKE THE SNAKE IS UNDEFEATED. 1153 00:35:10,509 --> 00:35:11,508 THE SNAKE ROBERTS, AND THUS FAR, JAKE THE SNAKE IS UNDEFEATED. ALL RIGHT. 1154 00:35:11,510 --> 00:35:13,543 JAKE THE SNAKE IS UNDEFEATED. ALL RIGHT. WE GO BACK TO THE REPLAY NOW. 1155 00:35:13,545 --> 00:35:15,445 ALL RIGHT. WE GO BACK TO THE REPLAY NOW. AND THERE, THAT WAS THE MANEUVER 1156 00:35:15,447 --> 00:35:16,779 WE GO BACK TO THE REPLAY NOW. AND THERE, THAT WAS THE MANEUVER THAT KNOCKED GEORGE WELLS 1157 00:35:16,781 --> 00:35:17,680 AND THERE, THAT WAS THE MANEUVER THAT KNOCKED GEORGE WELLS UNCONSCIOUS. 1158 00:35:17,682 --> 00:35:18,615 THAT KNOCKED GEORGE WELLS UNCONSCIOUS. AFTER WHICH, OF COURSE, WE SAW 1159 00:35:18,617 --> 00:35:21,518 UNCONSCIOUS. AFTER WHICH, OF COURSE, WE SAW THE FRIEND. 1160 00:35:21,520 --> 00:35:22,485 AFTER WHICH, OF COURSE, WE SAW THE FRIEND. >> BOUNCED HIM -- BOUNCED HIM 1161 00:35:22,487 --> 00:35:23,152 THE FRIEND. >> BOUNCED HIM -- BOUNCED HIM RIGHT OFF HIS HEAD. 1162 00:35:23,154 --> 00:35:23,786 >> BOUNCED HIM -- BOUNCED HIM RIGHT OFF HIS HEAD. >> YES, HE DID, INDEED. 1163 00:35:23,788 --> 00:35:25,421 RIGHT OFF HIS HEAD. >> YES, HE DID, INDEED. AND UNFORTUNATELY FOR GEORGE 1164 00:35:25,423 --> 00:35:26,423 >> YES, HE DID, INDEED. AND UNFORTUNATELY FOR GEORGE WELLS, A BOWING TO DEFEAT, AND 1165 00:35:26,425 --> 00:35:28,525 AND UNFORTUNATELY FOR GEORGE WELLS, A BOWING TO DEFEAT, AND THUS, AS WE STATED EARLIER ON, 1166 00:35:28,527 --> 00:35:29,526 WELLS, A BOWING TO DEFEAT, AND THUS, AS WE STATED EARLIER ON, THE UNDEFEATED STREAK REMAINS 1167 00:35:29,528 --> 00:35:30,960 THUS, AS WE STATED EARLIER ON, THE UNDEFEATED STREAK REMAINS INTACT. 1168 00:35:30,962 --> 00:35:32,762 THE UNDEFEATED STREAK REMAINS INTACT. AND JAKE THE SNAKE AND HIS 1169 00:35:32,764 --> 00:35:33,696 INTACT. AND JAKE THE SNAKE AND HIS FRIEND, THE SNAKE, CONTINUE 1170 00:35:33,698 --> 00:35:35,899 AND JAKE THE SNAKE AND HIS FRIEND, THE SNAKE, CONTINUE THEIR VICTORIOUS REIGN. 1171 00:35:35,901 --> 00:35:36,533 FRIEND, THE SNAKE, CONTINUE THEIR VICTORIOUS REIGN. WE'RE GONNA TAKE YOU NOW, LADIES 1172 00:35:36,535 --> 00:35:38,801 THEIR VICTORIOUS REIGN. WE'RE GONNA TAKE YOU NOW, LADIES AND GENTLEMEN, TO SOME 1173 00:35:38,803 --> 00:35:40,737 WE'RE GONNA TAKE YOU NOW, LADIES AND GENTLEMEN, TO SOME VIDEOTAPED FOOTAGE, AS A MATTER 1174 00:35:40,739 --> 00:35:41,671 AND GENTLEMEN, TO SOME VIDEOTAPED FOOTAGE, AS A MATTER OF FACT. 1175 00:35:41,673 --> 00:35:43,540 VIDEOTAPED FOOTAGE, AS A MATTER OF FACT. IT'S SOMEWHAT OF A HISTORY OF 1176 00:35:43,542 --> 00:35:44,807 OF FACT. IT'S SOMEWHAT OF A HISTORY OF HOW ROWDY RODDY PIPER AND MR. T 1177 00:35:44,809 --> 00:35:46,676 IT'S SOMEWHAT OF A HISTORY OF HOW ROWDY RODDY PIPER AND MR. T STARTED THEIR FEUD. 1178 00:35:46,678 --> 00:35:47,810 HOW ROWDY RODDY PIPER AND MR. T STARTED THEIR FEUD. SO, LET'S TAKE YOU NOW, IF WE 1179 00:35:47,812 --> 00:35:49,646 STARTED THEIR FEUD. SO, LET'S TAKE YOU NOW, IF WE MAY, TO THAT FOOTAGE AND MAYBE A 1180 00:35:49,648 --> 00:35:50,547 SO, LET'S TAKE YOU NOW, IF WE MAY, TO THAT FOOTAGE AND MAYBE A LITTLE UNDERSTANDING. 1181 00:35:50,549 --> 00:35:52,916 MAY, TO THAT FOOTAGE AND MAYBE A LITTLE UNDERSTANDING. WE'LL FIRST BEGIN IN PHOENIX. 1182 00:35:52,918 --> 00:35:53,717 LITTLE UNDERSTANDING. WE'LL FIRST BEGIN IN PHOENIX. >> ALL RIGHT. 1183 00:35:53,719 --> 00:35:55,552 WE'LL FIRST BEGIN IN PHOENIX. >> ALL RIGHT. TREMENDOUS OVATION FOR THE ONE 1184 00:35:55,554 --> 00:35:57,320 >> ALL RIGHT. TREMENDOUS OVATION FOR THE ONE AND ONLY MR. T. 1185 00:35:57,322 --> 00:35:58,721 TREMENDOUS OVATION FOR THE ONE AND ONLY MR. T. WAIT, HERE COME PIPER. 1186 00:35:58,723 --> 00:35:59,522 AND ONLY MR. T. WAIT, HERE COME PIPER. WAIT A MINUTE. 1187 00:35:59,524 --> 00:36:00,623 WAIT, HERE COME PIPER. WAIT A MINUTE. RODDY COMING INTO THE RING. 1188 00:36:00,625 --> 00:36:01,691 WAIT A MINUTE. RODDY COMING INTO THE RING. YES, AND YOU CAN BET HE'S NOT 1189 00:36:01,693 --> 00:36:02,659 RODDY COMING INTO THE RING. YES, AND YOU CAN BET HE'S NOT PLEASED AT ALL WITH THIS 1190 00:36:02,661 --> 00:36:03,693 YES, AND YOU CAN BET HE'S NOT PLEASED AT ALL WITH THIS OUTCOME. 1191 00:36:03,695 --> 00:36:05,862 PLEASED AT ALL WITH THIS OUTCOME. NOT AT ALL. 1192 00:36:05,864 --> 00:36:06,629 OUTCOME. NOT AT ALL. THE TRIP ... 1193 00:36:06,631 --> 00:36:07,497 NOT AT ALL. THE TRIP ... OH, WHAT? 1194 00:36:07,499 --> 00:36:08,098 THE TRIP ... OH, WHAT? PIPER HAVING NO LOVE LOST FOR 1195 00:36:08,100 --> 00:36:09,699 OH, WHAT? PIPER HAVING NO LOVE LOST FOR MR. T, AND YOU CAN BET THE 1196 00:36:09,701 --> 00:36:10,901 PIPER HAVING NO LOVE LOST FOR MR. T, AND YOU CAN BET THE FEELING IS MUTUAL. 1197 00:36:10,903 --> 00:36:12,402 MR. T, AND YOU CAN BET THE FEELING IS MUTUAL. AND WHAT'S -- WHAT'S HAPPENING 1198 00:36:12,404 --> 00:36:13,503 FEELING IS MUTUAL. AND WHAT'S -- WHAT'S HAPPENING HERE? 1199 00:36:13,505 --> 00:36:14,404 AND WHAT'S -- WHAT'S HAPPENING HERE? >> I BELIEVE -- I BELIEVE T IS 1200 00:36:14,406 --> 00:36:15,505 HERE? >> I BELIEVE -- I BELIEVE T IS ASKING THE REFEREE TO STEP OUT 1201 00:36:15,507 --> 00:36:16,706 >> I BELIEVE -- I BELIEVE T IS ASKING THE REFEREE TO STEP OUT OF THE RING, MCMAHON. 1202 00:36:16,708 --> 00:36:17,607 ASKING THE REFEREE TO STEP OUT OF THE RING, MCMAHON. I'VE NEVER HEARD OF SUCH 1203 00:36:17,609 --> 00:36:19,409 OF THE RING, MCMAHON. I'VE NEVER HEARD OF SUCH NONSENSE BEFORE. 1204 00:36:19,411 --> 00:36:20,844 I'VE NEVER HEARD OF SUCH NONSENSE BEFORE. DON'T TELL ME THEY'RE ... 1205 00:36:20,846 --> 00:36:22,546 NONSENSE BEFORE. DON'T TELL ME THEY'RE ... I THINK -- I THINK PIPER HAS 1206 00:36:22,548 --> 00:36:23,446 DON'T TELL ME THEY'RE ... I THINK -- I THINK PIPER HAS ISSUED A CHALLENGE TO MR. T. 1207 00:36:23,448 --> 00:36:26,449 I THINK -- I THINK PIPER HAS ISSUED A CHALLENGE TO MR. T. PIPER HAS NO GLOVES ON 1208 00:36:26,451 --> 00:36:27,684 ISSUED A CHALLENGE TO MR. T. PIPER HAS NO GLOVES ON WHATSOEVER. 1209 00:36:27,686 --> 00:36:29,552 PIPER HAS NO GLOVES ON WHATSOEVER. BARE-KNUCKLED PIPER. 1210 00:36:29,554 --> 00:36:29,953 WHATSOEVER. BARE-KNUCKLED PIPER. YES! 1211 00:36:29,955 --> 00:36:31,387 BARE-KNUCKLED PIPER. YES! PIPER WANTS TO SHOW HIS SKILLS 1212 00:36:31,389 --> 00:36:32,255 YES! PIPER WANTS TO SHOW HIS SKILLS HERE, AND T, I THINK, IS GONNA 1213 00:36:32,257 --> 00:36:35,525 PIPER WANTS TO SHOW HIS SKILLS HERE, AND T, I THINK, IS GONNA FALL FOR IT. 1214 00:36:35,527 --> 00:36:36,459 HERE, AND T, I THINK, IS GONNA FALL FOR IT. >> THIS IS UNBELIEVABLE, 1215 00:36:36,461 --> 00:36:37,493 FALL FOR IT. >> THIS IS UNBELIEVABLE, MCMAHON. 1216 00:36:37,495 --> 00:36:38,395 >> THIS IS UNBELIEVABLE, MCMAHON. WHAT A MATCHUP. 1217 00:36:38,397 --> 00:36:39,329 MCMAHON. WHAT A MATCHUP. WHAT A MATCHUP. 1218 00:36:39,331 --> 00:36:40,330 WHAT A MATCHUP. WHAT A MATCHUP. PIPER AND T. 1219 00:36:40,332 --> 00:36:40,930 WHAT A MATCHUP. PIPER AND T. >> WAIT A MINUTE. 1220 00:36:40,932 --> 00:36:42,232 PIPER AND T. >> WAIT A MINUTE. FROM BEHIND, THE KNEE OF ORTON 1221 00:36:42,234 --> 00:36:43,466 >> WAIT A MINUTE. FROM BEHIND, THE KNEE OF ORTON INTO THE BACK OF MR. T. 1222 00:36:43,468 --> 00:36:44,467 FROM BEHIND, THE KNEE OF ORTON INTO THE BACK OF MR. T. >> THAT'S ONE WAY TO PUT HIM 1223 00:36:44,469 --> 00:36:46,102 INTO THE BACK OF MR. T. >> THAT'S ONE WAY TO PUT HIM DOWN. 1224 00:36:46,104 --> 00:36:47,503 >> THAT'S ONE WAY TO PUT HIM DOWN. >> YES, THERE'S NO DOUBT WE ARE 1225 00:36:47,505 --> 00:36:48,238 DOWN. >> YES, THERE'S NO DOUBT WE ARE LOOKING FORWARD TO THE MATCHUP 1226 00:36:48,240 --> 00:36:49,472 >> YES, THERE'S NO DOUBT WE ARE LOOKING FORWARD TO THE MATCHUP WITH MR. T AND ROWDY RODDY 1227 00:36:49,474 --> 00:36:51,007 LOOKING FORWARD TO THE MATCHUP WITH MR. T AND ROWDY RODDY PIPER. 1228 00:36:51,009 --> 00:36:51,507 WITH MR. T AND ROWDY RODDY PIPER. TEN ROUNDS OF BOXING. 1229 00:36:51,509 --> 00:36:52,509 PIPER. TEN ROUNDS OF BOXING. BUT, STANDING BY RIGHT NOW, 1230 00:36:52,511 --> 00:36:53,576 TEN ROUNDS OF BOXING. BUT, STANDING BY RIGHT NOW, LADIES AND GENTLEMEN, THE WORLD 1231 00:36:53,578 --> 00:36:54,243 BUT, STANDING BY RIGHT NOW, LADIES AND GENTLEMEN, THE WORLD WRESTLING ENTERTAINMENT 1232 00:36:54,245 --> 00:36:55,478 LADIES AND GENTLEMEN, THE WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT CHAMPION, 1233 00:36:55,480 --> 00:36:56,813 WRESTLING ENTERTAINMENT HEAVYWEIGHT CHAMPION, HULK HOGAN, AND 1234 00:36:56,815 --> 00:36:57,780 HEAVYWEIGHT CHAMPION, HULK HOGAN, AND JESSE THE BODY VENTURA. 1235 00:36:57,782 --> 00:36:59,048 HULK HOGAN, AND JESSE THE BODY VENTURA. LET'S TAKE YOU, NOW, TO LOS 1236 00:36:59,050 --> 00:37:01,818 JESSE THE BODY VENTURA. LET'S TAKE YOU, NOW, TO LOS ANGELES. 1237 00:37:01,820 --> 00:37:02,886 LET'S TAKE YOU, NOW, TO LOS ANGELES. >> MCMAHON, YOU DON'T HAVE TO 1238 00:37:02,888 --> 00:37:03,586 ANGELES. >> MCMAHON, YOU DON'T HAVE TO THROW NOTHING TO ME. 1239 00:37:03,588 --> 00:37:04,821 >> MCMAHON, YOU DON'T HAVE TO THROW NOTHING TO ME. THIS IS JESSE THE BODY OUT IN 1240 00:37:04,823 --> 00:37:06,422 THROW NOTHING TO ME. THIS IS JESSE THE BODY OUT IN LOS ANGELES WITH WRESTLEMANIA 2. 1241 00:37:06,424 --> 00:37:08,725 THIS IS JESSE THE BODY OUT IN LOS ANGELES WITH WRESTLEMANIA 2. WITH ME, WORLD HEAVYWEIGHT 1242 00:37:08,727 --> 00:37:10,627 LOS ANGELES WITH WRESTLEMANIA 2. WITH ME, WORLD HEAVYWEIGHT CHAMPION HULK HOGAN. 1243 00:37:10,629 --> 00:37:12,795 WITH ME, WORLD HEAVYWEIGHT CHAMPION HULK HOGAN. HOGAN, YOUR RIBS ARE INJURED. 1244 00:37:12,797 --> 00:37:13,663 CHAMPION HULK HOGAN. HOGAN, YOUR RIBS ARE INJURED. YOU'RE FACING THE BIGGEST, 1245 00:37:13,665 --> 00:37:15,498 HOGAN, YOUR RIBS ARE INJURED. YOU'RE FACING THE BIGGEST, TOUGHEST MAN, I BELIEVE, YOU'VE 1246 00:37:15,500 --> 00:37:16,165 YOU'RE FACING THE BIGGEST, TOUGHEST MAN, I BELIEVE, YOU'VE EVER FACED IN YOUR CAREER IN 1247 00:37:16,167 --> 00:37:17,600 TOUGHEST MAN, I BELIEVE, YOU'VE EVER FACED IN YOUR CAREER IN KING KONG BUNDY, INSIDE A STEEL 1248 00:37:17,602 --> 00:37:19,502 EVER FACED IN YOUR CAREER IN KING KONG BUNDY, INSIDE A STEEL CAGE. 1249 00:37:19,504 --> 00:37:20,470 KING KONG BUNDY, INSIDE A STEEL CAGE. MAN, I CAN'T BELIEVE YOU'D DO 1250 00:37:20,472 --> 00:37:21,437 CAGE. MAN, I CAN'T BELIEVE YOU'D DO SOMETHING LIKE THAT AS CHAMPION 1251 00:37:21,439 --> 00:37:22,672 MAN, I CAN'T BELIEVE YOU'D DO SOMETHING LIKE THAT AS CHAMPION OF THE WORLD. 1252 00:37:22,674 --> 00:37:23,439 SOMETHING LIKE THAT AS CHAMPION OF THE WORLD. >> WELL, YOU KNOW VENTURA, I 1253 00:37:23,441 --> 00:37:24,507 OF THE WORLD. >> WELL, YOU KNOW VENTURA, I DON'T CARE WHAT YOU BELIEVE, 1254 00:37:24,509 --> 00:37:25,508 >> WELL, YOU KNOW VENTURA, I DON'T CARE WHAT YOU BELIEVE, BROTHER, YOU'RE GETTING PAID TO 1255 00:37:25,510 --> 00:37:26,643 DON'T CARE WHAT YOU BELIEVE, BROTHER, YOU'RE GETTING PAID TO ASK THE QUESTIONS. 1256 00:37:26,645 --> 00:37:27,877 BROTHER, YOU'RE GETTING PAID TO ASK THE QUESTIONS. WHETHER MY RIBS ARE BUSTED UP OR 1257 00:37:27,879 --> 00:37:29,813 ASK THE QUESTIONS. WHETHER MY RIBS ARE BUSTED UP OR NOT, I'M GONNA DEFEND THIS WORLD 1258 00:37:29,815 --> 00:37:31,547 WHETHER MY RIBS ARE BUSTED UP OR NOT, I'M GONNA DEFEND THIS WORLD HEAVYWEIGHT TITLE, MAN. 1259 00:37:31,549 --> 00:37:32,749 NOT, I'M GONNA DEFEND THIS WORLD HEAVYWEIGHT TITLE, MAN. IT'S EVERYTHING I BELIEVE IN, 1260 00:37:32,751 --> 00:37:34,384 HEAVYWEIGHT TITLE, MAN. IT'S EVERYTHING I BELIEVE IN, ALL THOSE LITTLE HULKSTERS, AND 1261 00:37:34,386 --> 00:37:35,785 IT'S EVERYTHING I BELIEVE IN, ALL THOSE LITTLE HULKSTERS, AND IT STANDS FOR AMERICA, BROTHER. 1262 00:37:35,787 --> 00:37:37,420 ALL THOSE LITTLE HULKSTERS, AND IT STANDS FOR AMERICA, BROTHER. BUNDY'S GOING DOWN. 1263 00:37:37,422 --> 00:37:38,488 IT STANDS FOR AMERICA, BROTHER. BUNDY'S GOING DOWN. IT DOESN'T MATTER ABOUT THE 1264 00:37:38,490 --> 00:37:39,456 BUNDY'S GOING DOWN. IT DOESN'T MATTER ABOUT THE RIBS, VENTURA. 1265 00:37:39,458 --> 00:37:41,691 IT DOESN'T MATTER ABOUT THE RIBS, VENTURA. AND AS FAR AS MR. T AND ROWDY 1266 00:37:41,693 --> 00:37:43,627 RIBS, VENTURA. AND AS FAR AS MR. T AND ROWDY RODDY PIPER, I'M GONNA MAKE A 1267 00:37:43,629 --> 00:37:45,461 AND AS FAR AS MR. T AND ROWDY RODDY PIPER, I'M GONNA MAKE A PREDICTION THAT MR. T IS GONNA 1268 00:37:45,463 --> 00:37:46,729 RODDY PIPER, I'M GONNA MAKE A PREDICTION THAT MR. T IS GONNA COME OUT ON TOP BECAUSE HE'S 1269 00:37:46,731 --> 00:37:47,697 PREDICTION THAT MR. T IS GONNA COME OUT ON TOP BECAUSE HE'S FIGHTING FOR WHAT HE BELIEVES 1270 00:37:47,699 --> 00:37:49,499 COME OUT ON TOP BECAUSE HE'S FIGHTING FOR WHAT HE BELIEVES IN, TOO. 1271 00:37:49,501 --> 00:37:50,533 FIGHTING FOR WHAT HE BELIEVES IN, TOO. AND PIPER, JUST LIKE A LOT OF 1272 00:37:50,535 --> 00:37:51,567 IN, TOO. AND PIPER, JUST LIKE A LOT OF OTHER DUDES AROUND HERE, LIKE 1273 00:37:51,569 --> 00:37:53,603 AND PIPER, JUST LIKE A LOT OF OTHER DUDES AROUND HERE, LIKE YOU, VENTURA, TAKE A LOT OF 1274 00:37:53,605 --> 00:37:54,671 OTHER DUDES AROUND HERE, LIKE YOU, VENTURA, TAKE A LOT OF SHORTCUTS, AND GO DOWN AWFUL 1275 00:37:54,673 --> 00:37:56,572 YOU, VENTURA, TAKE A LOT OF SHORTCUTS, AND GO DOWN AWFUL QUICK. 1276 00:37:56,574 --> 00:37:57,974 SHORTCUTS, AND GO DOWN AWFUL QUICK. >> I'LL JUST SAY THIS, GOOD GUYS 1277 00:37:57,976 --> 00:38:00,543 QUICK. >> I'LL JUST SAY THIS, GOOD GUYS DON'T ALWAYS FINISH FIRST 1278 00:38:00,545 --> 00:38:02,412 >> I'LL JUST SAY THIS, GOOD GUYS DON'T ALWAYS FINISH FIRST [LAUGHS] . 1279 00:38:02,414 --> 00:38:03,746 DON'T ALWAYS FINISH FIRST [LAUGHS] . >> THERE'S NO DOUBT WE'RE GOING 1280 00:38:03,748 --> 00:38:04,781 [LAUGHS] . >> THERE'S NO DOUBT WE'RE GOING TO BE LOOKING FORWARD TO THAT 1281 00:38:04,783 --> 00:38:05,515 >> THERE'S NO DOUBT WE'RE GOING TO BE LOOKING FORWARD TO THAT MATCHUP AS WELL, SUSAN. 1282 00:38:05,517 --> 00:38:06,582 TO BE LOOKING FORWARD TO THAT MATCHUP AS WELL, SUSAN. OF COURSE, THE WORLD WRESTLING 1283 00:38:06,584 --> 00:38:07,584 MATCHUP AS WELL, SUSAN. OF COURSE, THE WORLD WRESTLING ENTERTAINMENT TITLE ON THE LINE 1284 00:38:07,586 --> 00:38:09,585 OF COURSE, THE WORLD WRESTLING ENTERTAINMENT TITLE ON THE LINE IN THAT STEEL CAGE MATCHUP. 1285 00:38:09,587 --> 00:38:10,553 ENTERTAINMENT TITLE ON THE LINE IN THAT STEEL CAGE MATCHUP. >> I KNOW, AND WITH HIS RIBS 1286 00:38:10,555 --> 00:38:11,621 IN THAT STEEL CAGE MATCHUP. >> I KNOW, AND WITH HIS RIBS HURT? 1287 00:38:11,623 --> 00:38:12,455 >> I KNOW, AND WITH HIS RIBS HURT? I SAW THAT MATCH. 1288 00:38:12,457 --> 00:38:13,523 HURT? I SAW THAT MATCH. I CAN'T BELIEVE IT. 1289 00:38:13,525 --> 00:38:14,857 I SAW THAT MATCH. I CAN'T BELIEVE IT. I'M REALLY ROOTING FOR HULK. 1290 00:38:14,859 --> 00:38:15,692 I CAN'T BELIEVE IT. I'M REALLY ROOTING FOR HULK. >> ALL RIGHT. 1291 00:38:15,694 --> 00:38:16,559 I'M REALLY ROOTING FOR HULK. >> ALL RIGHT. WELL, STANDING BY, NOW, LADIES 1292 00:38:16,561 --> 00:38:17,460 >> ALL RIGHT. WELL, STANDING BY, NOW, LADIES AND GENTLEMEN, OUR RING 1293 00:38:17,462 --> 00:38:18,661 WELL, STANDING BY, NOW, LADIES AND GENTLEMEN, OUR RING ANNOUNCER, HOWARD FINKEL, JUST 1294 00:38:18,663 --> 00:38:19,796 AND GENTLEMEN, OUR RING ANNOUNCER, HOWARD FINKEL, JUST ABOUT READY TO INTRODUCE ALL THE 1295 00:38:19,798 --> 00:38:22,532 ANNOUNCER, HOWARD FINKEL, JUST ABOUT READY TO INTRODUCE ALL THE GUEST CELEBRITIES. 1296 00:38:22,534 --> 00:38:24,600 ABOUT READY TO INTRODUCE ALL THE GUEST CELEBRITIES. >> LADIES AND GENTLEMEN, AT THIS 1297 00:38:24,602 --> 00:38:25,535 GUEST CELEBRITIES. >> LADIES AND GENTLEMEN, AT THIS TIME I SHOULD LIKE TO INTRODUCE 1298 00:38:25,537 --> 00:38:28,604 >> LADIES AND GENTLEMEN, AT THIS TIME I SHOULD LIKE TO INTRODUCE OUR GUEST RING ANNOUNCER. 1299 00:38:28,606 --> 00:38:29,839 TIME I SHOULD LIKE TO INTRODUCE OUR GUEST RING ANNOUNCER. SHE IS, WITHOUT A QUESTION OF A 1300 00:38:29,841 --> 00:38:32,608 OUR GUEST RING ANNOUNCER. SHE IS, WITHOUT A QUESTION OF A DOUBT, THE PREMIER COMEDIAN IN 1301 00:38:32,610 --> 00:38:34,377 SHE IS, WITHOUT A QUESTION OF A DOUBT, THE PREMIER COMEDIAN IN THE WORLD TODAY. 1302 00:38:34,379 --> 00:38:35,978 DOUBT, THE PREMIER COMEDIAN IN THE WORLD TODAY. LADIES AND GENTLEMEN, THE 1303 00:38:35,980 --> 00:38:49,626 THE WORLD TODAY. LADIES AND GENTLEMEN, THE INCULPABLE JOAN RIVERS! 1304 00:38:49,628 --> 00:38:52,529 LADIES AND GENTLEMEN, THE INCULPABLE JOAN RIVERS! >> FIRST OF ALL, IS THIS 1305 00:38:52,531 --> 00:38:53,496 INCULPABLE JOAN RIVERS! >> FIRST OF ALL, IS THIS WONDERFUL? 1306 00:38:53,498 --> 00:38:56,666 >> FIRST OF ALL, IS THIS WONDERFUL? IT'S JUST INCREDIBLE. 1307 00:38:56,668 --> 00:38:57,600 WONDERFUL? IT'S JUST INCREDIBLE. OH, I AM THRILLED TO BE AT 1308 00:38:57,602 --> 00:39:02,438 IT'S JUST INCREDIBLE. OH, I AM THRILLED TO BE AT WRESTLEMANIA 2. 1309 00:39:02,440 --> 00:39:03,706 OH, I AM THRILLED TO BE AT WRESTLEMANIA 2. I WOULD LIKE TO INTRODUCE THE 1310 00:39:03,708 --> 00:39:06,676 WRESTLEMANIA 2. I WOULD LIKE TO INTRODUCE THE JUDGES TO YOU. 1311 00:39:06,678 --> 00:39:10,213 I WOULD LIKE TO INTRODUCE THE JUDGES TO YOU. OUR FIRST JUDGE, THE MAN WHO IS 1312 00:39:10,215 --> 00:39:11,647 JUDGES TO YOU. OUR FIRST JUDGE, THE MAN WHO IS BEST KNOWN FOR SLAMMING AND 1313 00:39:11,649 --> 00:39:14,917 OUR FIRST JUDGE, THE MAN WHO IS BEST KNOWN FOR SLAMMING AND JAMMING THE BASKETBALL, FROM NBA 1314 00:39:14,919 --> 00:39:17,854 BEST KNOWN FOR SLAMMING AND JAMMING THE BASKETBALL, FROM NBA NEW JERSEY NETS, CHOCOLATE 1315 00:39:17,856 --> 00:39:27,530 JAMMING THE BASKETBALL, FROM NBA NEW JERSEY NETS, CHOCOLATE THUNDER, DARRYL DAWKINS! 1316 00:39:27,532 --> 00:39:41,577 NEW JERSEY NETS, CHOCOLATE THUNDER, DARRYL DAWKINS! [ CHEERING ] 1317 00:39:41,579 --> 00:39:48,752 THUNDER, DARRYL DAWKINS! [ CHEERING ] >> WAVE TO THE PEOPLE. 1318 00:39:48,754 --> 00:39:51,554 [ CHEERING ] >> WAVE TO THE PEOPLE. >> OKAY, OUR NEXT JUDGE IS ONE 1319 00:39:51,556 --> 00:39:54,490 >> WAVE TO THE PEOPLE. >> OKAY, OUR NEXT JUDGE IS ONE OF SHOW BUSINESS'S LEGENDS, THE 1320 00:39:54,492 --> 00:39:58,628 >> OKAY, OUR NEXT JUDGE IS ONE OF SHOW BUSINESS'S LEGENDS, THE HI DE HI MAN, CAB CALLOWAY. 1321 00:39:58,630 --> 00:40:08,938 OF SHOW BUSINESS'S LEGENDS, THE HI DE HI MAN, CAB CALLOWAY. [ CHEERING ] 1322 00:40:08,940 --> 00:40:11,674 HI DE HI MAN, CAB CALLOWAY. [ CHEERING ] >> OUR THIRD JUDGE, ONE OF MY 1323 00:40:11,676 --> 00:40:15,011 [ CHEERING ] >> OUR THIRD JUDGE, ONE OF MY FAVORITE WATERGATE JUDGES, G. 1324 00:40:15,013 --> 00:40:28,691 >> OUR THIRD JUDGE, ONE OF MY FAVORITE WATERGATE JUDGES, G. GORDON LIDDY. 1325 00:40:28,693 --> 00:40:33,563 FAVORITE WATERGATE JUDGES, G. GORDON LIDDY. [ BOOING ] 1326 00:40:33,565 --> 00:40:34,831 GORDON LIDDY. [ BOOING ] >> AND NOW, SOMEONE I HAVE BEEN 1327 00:40:34,833 --> 00:40:38,868 [ BOOING ] >> AND NOW, SOMEONE I HAVE BEEN DYING TO MEET, THE TIMEKEEPER, 1328 00:40:38,870 --> 00:40:59,422 >> AND NOW, SOMEONE I HAVE BEEN DYING TO MEET, THE TIMEKEEPER, HERB! 1329 00:40:59,424 --> 00:41:01,724 DYING TO MEET, THE TIMEKEEPER, HERB! AND NOW, IT'S TIME FOR THE MAIN 1330 00:41:01,726 --> 00:41:05,795 HERB! AND NOW, IT'S TIME FOR THE MAIN EVENT, A SCHEDULED 10 ROUNDS OF 1331 00:41:05,797 --> 00:41:11,801 AND NOW, IT'S TIME FOR THE MAIN EVENT, A SCHEDULED 10 ROUNDS OF BOXING. 1332 00:41:11,803 --> 00:41:13,369 EVENT, A SCHEDULED 10 ROUNDS OF BOXING. >> ALL RIGHT, ANXIOUSLY AWAITING 1333 00:41:13,371 --> 00:41:16,672 BOXING. >> ALL RIGHT, ANXIOUSLY AWAITING NOW THE PARTICIPANTS IN THE MAIN 1334 00:41:16,674 --> 00:41:19,576 >> ALL RIGHT, ANXIOUSLY AWAITING NOW THE PARTICIPANTS IN THE MAIN EVENT, AND YOU CAN BET THAT 1335 00:41:19,578 --> 00:41:21,878 NOW THE PARTICIPANTS IN THE MAIN EVENT, AND YOU CAN BET THAT WE'RE GONNA SEE THE FUR FLY IN 1336 00:41:21,880 --> 00:41:23,646 EVENT, AND YOU CAN BET THAT WE'RE GONNA SEE THE FUR FLY IN THIS ONE, SUSAN, AS ROWDY RODDY 1337 00:41:23,648 --> 00:41:26,483 WE'RE GONNA SEE THE FUR FLY IN THIS ONE, SUSAN, AS ROWDY RODDY PIPER BOXES WITH MR. T. 1338 00:41:26,485 --> 00:41:27,717 THIS ONE, SUSAN, AS ROWDY RODDY PIPER BOXES WITH MR. T. >> I'VE BEEN WAITING FOR THIS 1339 00:41:27,719 --> 00:41:30,687 PIPER BOXES WITH MR. T. >> I'VE BEEN WAITING FOR THIS FOR TWO MONTHS. 1340 00:41:30,689 --> 00:41:31,687 >> I'VE BEEN WAITING FOR THIS FOR TWO MONTHS. IT'S ABOUT TIME THAT MR. T HAD 1341 00:41:31,689 --> 00:41:33,623 FOR TWO MONTHS. IT'S ABOUT TIME THAT MR. T HAD HIS MOMENT IN THE SUN HERE 1342 00:41:33,625 --> 00:41:36,559 IT'S ABOUT TIME THAT MR. T HAD HIS MOMENT IN THE SUN HERE TONIGHT. 1343 00:41:36,561 --> 00:41:37,393 HIS MOMENT IN THE SUN HERE TONIGHT. >> CARE TO LOOK AT SOME OF THE 1344 00:41:37,395 --> 00:41:38,728 TONIGHT. >> CARE TO LOOK AT SOME OF THE CAPACITY CROWD HERE AT THE 1345 00:41:38,730 --> 00:41:40,429 >> CARE TO LOOK AT SOME OF THE CAPACITY CROWD HERE AT THE NASSAU COUNTY COLISEUM IN 1346 00:41:40,431 --> 00:41:42,732 CAPACITY CROWD HERE AT THE NASSAU COUNTY COLISEUM IN UNIONDALE, LONG ISLAND IN THE 1347 00:41:42,734 --> 00:41:45,968 NASSAU COUNTY COLISEUM IN UNIONDALE, LONG ISLAND IN THE SHADOW OF NEW YORK CITY, AND YOU 1348 00:41:45,970 --> 00:41:48,404 UNIONDALE, LONG ISLAND IN THE SHADOW OF NEW YORK CITY, AND YOU WONDER JUST HOW MANY ROUNDS THIS 1349 00:41:48,406 --> 00:41:50,139 SHADOW OF NEW YORK CITY, AND YOU WONDER JUST HOW MANY ROUNDS THIS FIGHT WILL GO. 1350 00:41:50,141 --> 00:41:51,307 WONDER JUST HOW MANY ROUNDS THIS FIGHT WILL GO. YOU WONDER, WILL IT GO THE 1351 00:41:51,309 --> 00:41:52,508 FIGHT WILL GO. YOU WONDER, WILL IT GO THE DISTANCE OF 10 ROUNDS, SUSAN? 1352 00:41:52,510 --> 00:41:53,609 YOU WONDER, WILL IT GO THE DISTANCE OF 10 ROUNDS, SUSAN? >> WELL, I DON'T KNOW IF IT WILL 1353 00:41:53,611 --> 00:41:54,677 DISTANCE OF 10 ROUNDS, SUSAN? >> WELL, I DON'T KNOW IF IT WILL GO THE DISTANCE. 1354 00:41:54,679 --> 00:41:55,678 >> WELL, I DON'T KNOW IF IT WILL GO THE DISTANCE. I'M JUST HOPING THOSE REFEREES 1355 00:41:55,680 --> 00:41:56,613 GO THE DISTANCE. I'M JUST HOPING THOSE REFEREES WILL KEEP THEIR EYES OPEN AND 1356 00:41:56,615 --> 00:41:57,680 I'M JUST HOPING THOSE REFEREES WILL KEEP THEIR EYES OPEN AND NOT LET THE SAME THING HAPPEN 1357 00:41:57,682 --> 00:41:58,581 WILL KEEP THEIR EYES OPEN AND NOT LET THE SAME THING HAPPEN AGAIN, WHERE SOMEBODY SLIPS IN 1358 00:41:58,583 --> 00:41:59,782 NOT LET THE SAME THING HAPPEN AGAIN, WHERE SOMEBODY SLIPS IN BACKWARDS AND TAKES ADVANTAGE OF 1359 00:41:59,784 --> 00:42:01,451 AGAIN, WHERE SOMEBODY SLIPS IN BACKWARDS AND TAKES ADVANTAGE OF THE MR. T WHEN HE'S NOT LOOKING. 1360 00:42:01,453 --> 00:42:03,586 BACKWARDS AND TAKES ADVANTAGE OF THE MR. T WHEN HE'S NOT LOOKING. >> NOW, WE'RE GOING TO INTRODUCE 1361 00:42:03,588 --> 00:42:05,788 THE MR. T WHEN HE'S NOT LOOKING. >> NOW, WE'RE GOING TO INTRODUCE OUR REFEREE, JACK LOTZ ... 1362 00:42:05,790 --> 00:42:07,290 >> NOW, WE'RE GOING TO INTRODUCE OUR REFEREE, JACK LOTZ ... >> IF IT ACTUALLY GOES FOR 10, 1363 00:42:07,292 --> 00:42:08,090 OUR REFEREE, JACK LOTZ ... >> IF IT ACTUALLY GOES FOR 10, THERE'S NO WAY THAT ROWDY RODDY 1364 00:42:08,092 --> 00:42:09,292 >> IF IT ACTUALLY GOES FOR 10, THERE'S NO WAY THAT ROWDY RODDY CAN WIN STRAIGHT AND FAIR LIKE 1365 00:42:09,294 --> 00:42:12,562 THERE'S NO WAY THAT ROWDY RODDY CAN WIN STRAIGHT AND FAIR LIKE THAT, HE'S NOT A BOXER. 1366 00:42:12,564 --> 00:42:14,764 CAN WIN STRAIGHT AND FAIR LIKE THAT, HE'S NOT A BOXER. >> ALL RIGHT ... 1367 00:42:14,766 --> 00:42:15,865 THAT, HE'S NOT A BOXER. >> ALL RIGHT ... >> AND NOW, COMING IN. 1368 00:42:15,867 --> 00:42:18,801 >> ALL RIGHT ... >> AND NOW, COMING IN. FIRST THE SECONDS, THE ACE 1369 00:42:18,803 --> 00:42:25,842 >> AND NOW, COMING IN. FIRST THE SECONDS, THE ACE COMEDY FUNNY MAN, MR. BOB ORTON. 1370 00:42:25,844 --> 00:42:27,577 FIRST THE SECONDS, THE ACE COMEDY FUNNY MAN, MR. BOB ORTON. >> ACE COWBOY ORTON. 1371 00:42:27,579 --> 00:42:28,477 COMEDY FUNNY MAN, MR. BOB ORTON. >> ACE COWBOY ORTON. >> OLYMPIC TRAINER 1372 00:42:28,479 --> 00:42:31,414 >> ACE COWBOY ORTON. >> OLYMPIC TRAINER EXTRAORDINAIRE, LOU DUVA. 1373 00:42:31,416 --> 00:42:34,483 >> OLYMPIC TRAINER EXTRAORDINAIRE, LOU DUVA. >> LOU DUVA BEHIND RODDY PIPER. 1374 00:42:34,485 --> 00:42:36,686 EXTRAORDINAIRE, LOU DUVA. >> LOU DUVA BEHIND RODDY PIPER. >> AND FROM GLASGOW, SCOTLAND, 1375 00:42:36,688 --> 00:42:40,423 >> LOU DUVA BEHIND RODDY PIPER. >> AND FROM GLASGOW, SCOTLAND, WEIGHING 235 POUNDS... 1376 00:42:40,425 --> 00:42:41,424 >> AND FROM GLASGOW, SCOTLAND, WEIGHING 235 POUNDS... >> HERE HE COMES ... 1377 00:42:41,426 --> 00:42:45,962 WEIGHING 235 POUNDS... >> HERE HE COMES ... >> ROWDY RODDY PIPER! 1378 00:42:45,964 --> 00:42:47,563 >> HERE HE COMES ... >> ROWDY RODDY PIPER! >> PIPER INTRODUCED BUT WHAT 1379 00:42:47,565 --> 00:42:50,433 >> ROWDY RODDY PIPER! >> PIPER INTRODUCED BUT WHAT WE'RE LOOKING AT NOW IS JOE 1380 00:42:50,435 --> 00:42:52,735 >> PIPER INTRODUCED BUT WHAT WE'RE LOOKING AT NOW IS JOE FRAZIER, AND MR. T BEHIND 1381 00:42:52,737 --> 00:42:55,771 WE'RE LOOKING AT NOW IS JOE FRAZIER, AND MR. T BEHIND SMOKIN' JOE, AND JIM CONNOLLY 1382 00:42:55,773 --> 00:42:57,573 FRAZIER, AND MR. T BEHIND SMOKIN' JOE, AND JIM CONNOLLY BEHIND MR. T. 1383 00:42:57,575 --> 00:42:58,674 SMOKIN' JOE, AND JIM CONNOLLY BEHIND MR. T. >> AND NOW, IN THE OPPOSITE 1384 00:42:58,676 --> 00:43:01,777 BEHIND MR. T. >> AND NOW, IN THE OPPOSITE CORNER, FIRST, THE HAITI KID. 1385 00:43:01,779 --> 00:43:04,514 >> AND NOW, IN THE OPPOSITE CORNER, FIRST, THE HAITI KID. NEXT, MANAGER OF CHAMPIONS, JIM 1386 00:43:04,516 --> 00:43:06,515 CORNER, FIRST, THE HAITI KID. NEXT, MANAGER OF CHAMPIONS, JIM CONNOLLY. 1387 00:43:06,517 --> 00:43:08,851 NEXT, MANAGER OF CHAMPIONS, JIM CONNOLLY. THIRD, FORMER HEAVYWEIGHT BOXING 1388 00:43:08,853 --> 00:43:10,653 CONNOLLY. THIRD, FORMER HEAVYWEIGHT BOXING CHAMPION OF THE WORLD, SMOKIN' 1389 00:43:10,655 --> 00:43:13,723 THIRD, FORMER HEAVYWEIGHT BOXING CHAMPION OF THE WORLD, SMOKIN' JOE FRAZIER. 1390 00:43:13,725 --> 00:43:15,591 CHAMPION OF THE WORLD, SMOKIN' JOE FRAZIER. AND FROM CHICAGO ILLINOIS, 1391 00:43:15,593 --> 00:43:21,330 JOE FRAZIER. AND FROM CHICAGO ILLINOIS, WEIGHING 236 POUNDS, MR. T! 1392 00:43:21,332 --> 00:43:23,466 AND FROM CHICAGO ILLINOIS, WEIGHING 236 POUNDS, MR. T! [ CHEERING ] 1393 00:43:23,468 --> 00:43:26,969 WEIGHING 236 POUNDS, MR. T! [ CHEERING ] >> ALWAYS GRACIOUS. 1394 00:43:26,971 --> 00:43:27,637 [ CHEERING ] >> ALWAYS GRACIOUS. >> WHAT WAS THAT? 1395 00:43:27,639 --> 00:43:29,472 >> ALWAYS GRACIOUS. >> WHAT WAS THAT? THE ALWAYS GRACIOUS MR. T? 1396 00:43:29,474 --> 00:43:31,474 >> WHAT WAS THAT? THE ALWAYS GRACIOUS MR. T? >> THE ALWAYS GRACIOUS. 1397 00:43:31,476 --> 00:43:32,408 THE ALWAYS GRACIOUS MR. T? >> THE ALWAYS GRACIOUS. WELL, I SAW T. 1398 00:43:32,410 --> 00:43:33,509 >> THE ALWAYS GRACIOUS. WELL, I SAW T. EARLIER, HE LOOKS LIKE HE'S IN 1399 00:43:33,511 --> 00:43:34,677 WELL, I SAW T. EARLIER, HE LOOKS LIKE HE'S IN INCREDIBLE SHAPE, BETTER SHAPE 1400 00:43:34,679 --> 00:43:35,878 EARLIER, HE LOOKS LIKE HE'S IN INCREDIBLE SHAPE, BETTER SHAPE THAN THE LAST TIME. 1401 00:43:35,880 --> 00:43:36,613 INCREDIBLE SHAPE, BETTER SHAPE THAN THE LAST TIME. >> OH, YES. 1402 00:43:36,615 --> 00:43:37,613 THAN THE LAST TIME. >> OH, YES. MR. T IS REALLY READY, BUT THEN 1403 00:43:37,615 --> 00:43:40,282 >> OH, YES. MR. T IS REALLY READY, BUT THEN AGAIN, SO IS ROWDY RODDY PIPER, 1404 00:43:40,284 --> 00:43:41,417 MR. T IS REALLY READY, BUT THEN AGAIN, SO IS ROWDY RODDY PIPER, AS WE TAKE A LOOK AT MR. T WHO'S 1405 00:43:41,419 --> 00:43:43,519 AGAIN, SO IS ROWDY RODDY PIPER, AS WE TAKE A LOOK AT MR. T WHO'S HAD QUITE A BIT MORE BOXING 1406 00:43:43,521 --> 00:43:44,620 AS WE TAKE A LOOK AT MR. T WHO'S HAD QUITE A BIT MORE BOXING EXPERIENCE THAN THIS MAN, ROWDY 1407 00:43:44,622 --> 00:43:45,354 HAD QUITE A BIT MORE BOXING EXPERIENCE THAN THIS MAN, ROWDY RODDY PIPER. 1408 00:43:45,356 --> 00:43:49,525 EXPERIENCE THAN THIS MAN, ROWDY RODDY PIPER. COWBOY BOB ORTON, NOW, LOOSENING 1409 00:43:49,527 --> 00:43:52,462 RODDY PIPER. COWBOY BOB ORTON, NOW, LOOSENING UP ROWDY RODDY PIPER, AND LOU 1410 00:43:52,464 --> 00:43:54,664 COWBOY BOB ORTON, NOW, LOOSENING UP ROWDY RODDY PIPER, AND LOU DUVA HAS TRAINED MR. PIPER WELL, 1411 00:43:54,666 --> 00:43:58,668 UP ROWDY RODDY PIPER, AND LOU DUVA HAS TRAINED MR. PIPER WELL, VERY WELL. 1412 00:43:58,670 --> 00:43:59,869 DUVA HAS TRAINED MR. PIPER WELL, VERY WELL. >> A LITTLE CONSULTATION GOING 1413 00:43:59,871 --> 00:44:03,606 VERY WELL. >> A LITTLE CONSULTATION GOING ON AND I THINK THE REFEREE IS 1414 00:44:03,608 --> 00:44:04,874 >> A LITTLE CONSULTATION GOING ON AND I THINK THE REFEREE IS ABOUT READY TO BRING THE 1415 00:44:04,876 --> 00:44:05,741 ON AND I THINK THE REFEREE IS ABOUT READY TO BRING THE PARTICIPANTS OUT ... 1416 00:44:05,743 --> 00:44:07,443 ABOUT READY TO BRING THE PARTICIPANTS OUT ... >> COME ON. 1417 00:44:07,445 --> 00:44:09,679 PARTICIPANTS OUT ... >> COME ON. >> FOR THE INSTRUCTIONS. 1418 00:44:09,681 --> 00:44:10,479 >> COME ON. >> FOR THE INSTRUCTIONS. >> COME OVER HERE. 1419 00:44:10,481 --> 00:44:11,681 >> FOR THE INSTRUCTIONS. >> COME OVER HERE. >> HUH? 1420 00:44:11,683 --> 00:44:12,649 >> COME OVER HERE. >> HUH? >> ALL RIGHT, BOTH YOU GENTLEMEN 1421 00:44:12,651 --> 00:44:13,749 >> HUH? >> ALL RIGHT, BOTH YOU GENTLEMEN KNOW THE RULES OF THE STATE 1422 00:44:13,751 --> 00:44:15,518 >> ALL RIGHT, BOTH YOU GENTLEMEN KNOW THE RULES OF THE STATE ATHLETIC COMMISSION, NO HITTING 1423 00:44:15,520 --> 00:44:18,821 KNOW THE RULES OF THE STATE ATHLETIC COMMISSION, NO HITTING ON THE BREAK, NO HITTING LOW, NO 1424 00:44:18,823 --> 00:44:21,257 ATHLETIC COMMISSION, NO HITTING ON THE BREAK, NO HITTING LOW, NO HITTING BELOW THE BELT. 1425 00:44:21,259 --> 00:44:22,458 ON THE BREAK, NO HITTING LOW, NO HITTING BELOW THE BELT. THE THREE KNOCKDOWN RULE IS IN 1426 00:44:22,460 --> 00:44:23,526 HITTING BELOW THE BELT. THE THREE KNOCKDOWN RULE IS IN EFFECT. 1427 00:44:23,528 --> 00:44:24,727 THE THREE KNOCKDOWN RULE IS IN EFFECT. THE FIGHTER STANDING REMAINS 1428 00:44:24,729 --> 00:44:26,763 EFFECT. THE FIGHTER STANDING REMAINS STANDING AND THE PLAYERS MOVE TO 1429 00:44:26,765 --> 00:44:27,630 THE FIGHTER STANDING REMAINS STANDING AND THE PLAYERS MOVE TO THE FRONT. 1430 00:44:27,632 --> 00:44:29,665 STANDING AND THE PLAYERS MOVE TO THE FRONT. YOU'LL COME OUT WHEN I CALL YA. 1431 00:44:29,667 --> 00:44:30,666 THE FRONT. YOU'LL COME OUT WHEN I CALL YA. >> YOU LOOK AT ME WHEN I TALK TO 1432 00:44:30,668 --> 00:44:31,567 YOU'LL COME OUT WHEN I CALL YA. >> YOU LOOK AT ME WHEN I TALK TO YOU. 1433 00:44:31,569 --> 00:44:32,401 >> YOU LOOK AT ME WHEN I TALK TO YOU. >> DO YOU UNDERSTAND ME? 1434 00:44:32,403 --> 00:44:33,503 YOU. >> DO YOU UNDERSTAND ME? >> OH! 1435 00:44:33,505 --> 00:44:34,570 >> DO YOU UNDERSTAND ME? >> OH! LOOK AT THAT! 1436 00:44:34,572 --> 00:44:35,538 >> OH! LOOK AT THAT! >> HEY, I DON'T WANT NONE OF 1437 00:44:35,540 --> 00:44:36,472 LOOK AT THAT! >> HEY, I DON'T WANT NONE OF THAT. 1438 00:44:36,474 --> 00:44:37,773 >> HEY, I DON'T WANT NONE OF THAT. HEY, I DON'T WANT NONE OF THAT. 1439 00:44:37,775 --> 00:44:39,475 THAT. HEY, I DON'T WANT NONE OF THAT. >> I THINK THAT IT'S UNDERSTOOD 1440 00:44:39,477 --> 00:44:40,176 HEY, I DON'T WANT NONE OF THAT. >> I THINK THAT IT'S UNDERSTOOD VERY WELL, THE INSTRUCTIONS 1441 00:44:40,178 --> 00:44:42,611 >> I THINK THAT IT'S UNDERSTOOD VERY WELL, THE INSTRUCTIONS WERE. 1442 00:44:42,613 --> 00:44:43,446 VERY WELL, THE INSTRUCTIONS WERE. >> WE DON'T NEED ANY OF THAT 1443 00:44:43,448 --> 00:44:44,647 WERE. >> WE DON'T NEED ANY OF THAT CRAP IN HERE. 1444 00:44:44,649 --> 00:44:45,514 >> WE DON'T NEED ANY OF THAT CRAP IN HERE. >> AS YOU SEE THE LOOK ON MR. 1445 00:44:45,516 --> 00:44:46,615 CRAP IN HERE. >> AS YOU SEE THE LOOK ON MR. T'S FACE WHEN HE FINALLY LOOKED 1446 00:44:46,617 --> 00:44:50,419 >> AS YOU SEE THE LOOK ON MR. T'S FACE WHEN HE FINALLY LOOKED INTO THE EYES OF RODDY PIPER. 1447 00:44:50,421 --> 00:44:52,421 T'S FACE WHEN HE FINALLY LOOKED INTO THE EYES OF RODDY PIPER. ALL RIGHT ... 1448 00:44:52,423 --> 00:44:53,790 INTO THE EYES OF RODDY PIPER. ALL RIGHT ... >> I'M GLAD I'M UP HERE. 1449 00:44:53,792 --> 00:44:55,825 ALL RIGHT ... >> I'M GLAD I'M UP HERE. >> YES, INDEED. 1450 00:44:55,827 --> 00:44:57,493 >> I'M GLAD I'M UP HERE. >> YES, INDEED. [ CHUCKLING ] 1451 00:44:57,495 --> 00:44:58,528 >> YES, INDEED. [ CHUCKLING ] >> AND THERE'S A GOOD LOOK AT 1452 00:44:58,530 --> 00:44:59,795 [ CHUCKLING ] >> AND THERE'S A GOOD LOOK AT ROWDY RODDY PIPER, LAST MINUTE 1453 00:44:59,797 --> 00:45:01,430 >> AND THERE'S A GOOD LOOK AT ROWDY RODDY PIPER, LAST MINUTE INSTRUCTION, AND THERE IS MR. T 1454 00:45:01,432 --> 00:45:02,698 ROWDY RODDY PIPER, LAST MINUTE INSTRUCTION, AND THERE IS MR. T OVER AT HIS CORNER. 1455 00:45:02,700 --> 00:45:03,733 INSTRUCTION, AND THERE IS MR. T OVER AT HIS CORNER. [ BELL RINGING ] 1456 00:45:03,735 --> 00:45:04,600 OVER AT HIS CORNER. [ BELL RINGING ] >> ALL RIGHT ... 1457 00:45:04,602 --> 00:45:05,701 [ BELL RINGING ] >> ALL RIGHT ... >> COME ON, T. 1458 00:45:05,703 --> 00:45:07,303 >> ALL RIGHT ... >> COME ON, T. >> THE BEGINNING OF ROUND 1, MR. 1459 00:45:07,305 --> 00:45:08,671 >> COME ON, T. >> THE BEGINNING OF ROUND 1, MR. T THE SOUTHPAW AGAINST ROWDY 1460 00:45:08,673 --> 00:45:10,706 >> THE BEGINNING OF ROUND 1, MR. T THE SOUTHPAW AGAINST ROWDY RODDY PIPER. 1461 00:45:10,708 --> 00:45:12,541 T THE SOUTHPAW AGAINST ROWDY RODDY PIPER. PIPER WITH A DECIDED REACH 1462 00:45:12,543 --> 00:45:13,743 RODDY PIPER. PIPER WITH A DECIDED REACH ADVANTAGE, MR. T WILL HAVE TO 1463 00:45:13,745 --> 00:45:15,311 PIPER WITH A DECIDED REACH ADVANTAGE, MR. T WILL HAVE TO GET TO THE INSIDE. 1464 00:45:15,313 --> 00:45:18,781 ADVANTAGE, MR. T WILL HAVE TO GET TO THE INSIDE. BOTH FIGHTERS SOMEWHAT FEELING 1465 00:45:18,783 --> 00:45:21,350 GET TO THE INSIDE. BOTH FIGHTERS SOMEWHAT FEELING EACH OTHER OUT NOW. 1466 00:45:21,352 --> 00:45:22,184 BOTH FIGHTERS SOMEWHAT FEELING EACH OTHER OUT NOW. MR. T SOMEWHAT OF A PEEK-A-BOO 1467 00:45:22,186 --> 00:45:24,353 EACH OTHER OUT NOW. MR. T SOMEWHAT OF A PEEK-A-BOO STYLE AS RODDY BEGINS TO THROW 1468 00:45:24,355 --> 00:45:26,856 MR. T SOMEWHAT OF A PEEK-A-BOO STYLE AS RODDY BEGINS TO THROW LEFT JABS, AND T GOING 1469 00:45:26,858 --> 00:45:28,657 STYLE AS RODDY BEGINS TO THROW LEFT JABS, AND T GOING DOWNSTAIRS TO THE MIDSECTION 1470 00:45:28,659 --> 00:45:29,726 LEFT JABS, AND T GOING DOWNSTAIRS TO THE MIDSECTION HITTING NOTHING BUT GLOVES. 1471 00:45:29,728 --> 00:45:30,493 DOWNSTAIRS TO THE MIDSECTION HITTING NOTHING BUT GLOVES. NEITHER INDIVIDUAL ... 1472 00:45:30,495 --> 00:45:30,926 HITTING NOTHING BUT GLOVES. NEITHER INDIVIDUAL ... LOOK AT THIS. 1473 00:45:30,928 --> 00:45:32,661 NEITHER INDIVIDUAL ... LOOK AT THIS. INSIDE NOW, MR. T UP AGAINST THE 1474 00:45:32,663 --> 00:45:33,596 LOOK AT THIS. INSIDE NOW, MR. T UP AGAINST THE ROPE... 1475 00:45:33,598 --> 00:45:34,530 INSIDE NOW, MR. T UP AGAINST THE ROPE... >> HEY, HEY, BREAK THAT! 1476 00:45:34,532 --> 00:45:35,464 ROPE... >> HEY, HEY, BREAK THAT! BREAK THAT! 1477 00:45:35,466 --> 00:45:36,198 >> HEY, HEY, BREAK THAT! BREAK THAT! >> REFEREE ASKING FOR THE CLEAN 1478 00:45:36,200 --> 00:45:36,665 BREAK THAT! >> REFEREE ASKING FOR THE CLEAN BREAK. 1479 00:45:36,667 --> 00:45:37,400 >> REFEREE ASKING FOR THE CLEAN BREAK. >> YOU'LL BREAK WHEN I TELL YOU 1480 00:45:37,402 --> 00:45:38,467 BREAK. >> YOU'LL BREAK WHEN I TELL YOU TO. 1481 00:45:38,469 --> 00:45:39,668 >> YOU'LL BREAK WHEN I TELL YOU TO. >> YEAH, SURE. 1482 00:45:39,670 --> 00:45:41,604 TO. >> YEAH, SURE. >> AND THE OFFICIAL HOPING TO 1483 00:45:41,606 --> 00:45:42,571 >> YEAH, SURE. >> AND THE OFFICIAL HOPING TO MAINTAIN ORDER ALL THE WAY 1484 00:45:42,573 --> 00:45:46,308 >> AND THE OFFICIAL HOPING TO MAINTAIN ORDER ALL THE WAY THROUGH THE MATCHUP. 1485 00:45:46,310 --> 00:45:47,610 MAINTAIN ORDER ALL THE WAY THROUGH THE MATCHUP. PIPER HAS A VERY SHORT LEFT JAB, 1486 00:45:47,612 --> 00:45:48,577 THROUGH THE MATCHUP. PIPER HAS A VERY SHORT LEFT JAB, BUT HE KEEPS IT A LITTLE BIT 1487 00:45:48,579 --> 00:45:50,813 PIPER HAS A VERY SHORT LEFT JAB, BUT HE KEEPS IT A LITTLE BIT LOW. 1488 00:45:50,815 --> 00:45:52,415 BUT HE KEEPS IT A LITTLE BIT LOW. MR. T AGAIN GOING DOWNSTAIRS AND 1489 00:45:52,417 --> 00:45:53,649 LOW. MR. T AGAIN GOING DOWNSTAIRS AND NOW AGAINST THE ROPE. 1490 00:45:53,651 --> 00:45:54,750 MR. T AGAIN GOING DOWNSTAIRS AND NOW AGAINST THE ROPE. >> HEY, PUSH OUT ... 1491 00:45:54,752 --> 00:45:55,417 NOW AGAINST THE ROPE. >> HEY, PUSH OUT ... BREAK IT. 1492 00:45:55,419 --> 00:45:56,752 >> HEY, PUSH OUT ... BREAK IT. >> OH, COME ON! 1493 00:45:56,754 --> 00:46:00,723 BREAK IT. >> OH, COME ON! >> OH, COME ON, REF! 1494 00:46:00,725 --> 00:46:01,390 >> OH, COME ON! >> OH, COME ON, REF! >> WHEN I TELL YOU TO BREAK, 1495 00:46:01,392 --> 00:46:02,759 >> OH, COME ON, REF! >> WHEN I TELL YOU TO BREAK, YOU'RE STILL PUNCHING HIM. 1496 00:46:02,761 --> 00:46:03,726 >> WHEN I TELL YOU TO BREAK, YOU'RE STILL PUNCHING HIM. I WANT THAT ... 1497 00:46:03,728 --> 00:46:04,594 YOU'RE STILL PUNCHING HIM. I WANT THAT ... >> A WARNING NOW TO ROWDY RODDY 1498 00:46:04,596 --> 00:46:07,463 I WANT THAT ... >> A WARNING NOW TO ROWDY RODDY PIPER. 1499 00:46:07,465 --> 00:46:08,264 >> A WARNING NOW TO ROWDY RODDY PIPER. >> OKAY.. 1500 00:46:08,266 --> 00:46:09,432 PIPER. >> OKAY.. >> OH ... 1501 00:46:09,434 --> 00:46:09,799 >> OKAY.. >> OH ... MMM. 1502 00:46:09,801 --> 00:46:10,666 >> OH ... MMM. SEE THAT? 1503 00:46:10,668 --> 00:46:11,767 MMM. SEE THAT? THAT ROWDY ... 1504 00:46:11,769 --> 00:46:13,502 SEE THAT? THAT ROWDY ... >> HE'S AN INTIMIDATING SORT. 1505 00:46:13,504 --> 00:46:14,503 THAT ROWDY ... >> HE'S AN INTIMIDATING SORT. >> YEP. 1506 00:46:14,505 --> 00:46:15,504 >> HE'S AN INTIMIDATING SORT. >> YEP. >> T MOVING IN NOW. 1507 00:46:15,506 --> 00:46:16,505 >> YEP. >> T MOVING IN NOW. >> COME ON, T. 1508 00:46:16,507 --> 00:46:17,640 >> T MOVING IN NOW. >> COME ON, T. >> TRYING TO BACK PIPER UP IN 1509 00:46:17,642 --> 00:46:20,576 >> COME ON, T. >> TRYING TO BACK PIPER UP IN THE CORNER. 1510 00:46:20,578 --> 00:46:21,577 >> TRYING TO BACK PIPER UP IN THE CORNER. >> HEY, HEY, HEY, BREAK THAT. 1511 00:46:21,579 --> 00:46:22,678 THE CORNER. >> HEY, HEY, HEY, BREAK THAT. BREAK THAT. 1512 00:46:22,680 --> 00:46:24,647 >> HEY, HEY, HEY, BREAK THAT. BREAK THAT. >> ASKING FOR THE BREAK AND YES, 1513 00:46:24,649 --> 00:46:25,581 BREAK THAT. >> ASKING FOR THE BREAK AND YES, MR. T BACKS OFF. 1514 00:46:25,583 --> 00:46:26,482 >> ASKING FOR THE BREAK AND YES, MR. T BACKS OFF. >> OF COURSE, 'CAUSE MR. T'S A 1515 00:46:26,484 --> 00:46:27,850 MR. T BACKS OFF. >> OF COURSE, 'CAUSE MR. T'S A BOXER, HE PLAYS BY THE RULES. 1516 00:46:27,852 --> 00:46:28,617 >> OF COURSE, 'CAUSE MR. T'S A BOXER, HE PLAYS BY THE RULES. WATCH THIS ... 1517 00:46:28,619 --> 00:46:30,452 BOXER, HE PLAYS BY THE RULES. WATCH THIS ... >> MOVING IN, PIPER ... 1518 00:46:30,454 --> 00:46:31,487 WATCH THIS ... >> MOVING IN, PIPER ... LOOK AT THIS, T WITH A 1519 00:46:31,489 --> 00:46:32,755 >> MOVING IN, PIPER ... LOOK AT THIS, T WITH A PEEK-A-BOO, LOOK AT THIS, NOT 1520 00:46:32,757 --> 00:46:33,689 LOOK AT THIS, T WITH A PEEK-A-BOO, LOOK AT THIS, NOT GETTING HIT AT ALL LOOK AT THAT 1521 00:46:33,691 --> 00:46:34,757 PEEK-A-BOO, LOOK AT THIS, NOT GETTING HIT AT ALL LOOK AT THAT TAG ON MR. T. 1522 00:46:34,759 --> 00:46:35,558 GETTING HIT AT ALL LOOK AT THAT TAG ON MR. T. >> ALL RIGHT. 1523 00:46:35,560 --> 00:46:40,530 TAG ON MR. T. >> ALL RIGHT. OOH, SHAKE THAT OFF, HUH, RODDY? 1524 00:46:40,532 --> 00:46:41,797 >> ALL RIGHT. OOH, SHAKE THAT OFF, HUH, RODDY? >> AND AGAIN, PEEK-A-BOO STYLE, 1525 00:46:41,799 --> 00:46:43,699 OOH, SHAKE THAT OFF, HUH, RODDY? >> AND AGAIN, PEEK-A-BOO STYLE, PIPER SWINGING WITH THOSE WILD 1526 00:46:43,701 --> 00:46:45,601 >> AND AGAIN, PEEK-A-BOO STYLE, PIPER SWINGING WITH THOSE WILD RIGHTS AND LEFTS, AND T GOING 1527 00:46:45,603 --> 00:46:47,403 PIPER SWINGING WITH THOSE WILD RIGHTS AND LEFTS, AND T GOING DOWNSTAIRS. 1528 00:46:47,405 --> 00:46:48,537 RIGHTS AND LEFTS, AND T GOING DOWNSTAIRS. >> YEAH, BUT ROWDY'S GONNA WEAR 1529 00:46:48,539 --> 00:46:49,639 DOWNSTAIRS. >> YEAH, BUT ROWDY'S GONNA WEAR HIMSELF OUT DOING ALL THAT 1530 00:46:49,641 --> 00:46:51,640 >> YEAH, BUT ROWDY'S GONNA WEAR HIMSELF OUT DOING ALL THAT STUFF, NOT DOING ANY DAMAGE. 1531 00:46:51,642 --> 00:46:52,641 HIMSELF OUT DOING ALL THAT STUFF, NOT DOING ANY DAMAGE. >> HE MIGHT. 1532 00:46:52,643 --> 00:46:53,809 STUFF, NOT DOING ANY DAMAGE. >> HE MIGHT. THEN, AT T, LOOK AT THIS, SPINS 1533 00:46:53,811 --> 00:46:56,645 >> HE MIGHT. THEN, AT T, LOOK AT THIS, SPINS HIM AROUND NOW AND AGAIN ... 1534 00:46:56,647 --> 00:47:00,683 THEN, AT T, LOOK AT THIS, SPINS HIM AROUND NOW AND AGAIN ... OH, COME ON, PIPER. 1535 00:47:00,685 --> 00:47:01,684 HIM AROUND NOW AND AGAIN ... OH, COME ON, PIPER. MY GOODNESS THOSE ARE THUMBLESS 1536 00:47:01,686 --> 00:47:06,389 OH, COME ON, PIPER. MY GOODNESS THOSE ARE THUMBLESS GLOVES. 1537 00:47:06,391 --> 00:47:07,456 MY GOODNESS THOSE ARE THUMBLESS GLOVES. >> WATCH OUT, RODDY ... 1538 00:47:07,458 --> 00:47:09,692 GLOVES. >> WATCH OUT, RODDY ... DON'T GET OVER CONFIDENT. 1539 00:47:09,694 --> 00:47:10,492 >> WATCH OUT, RODDY ... DON'T GET OVER CONFIDENT. >> PIPER TRYING TO MEASURE MR. 1540 00:47:10,494 --> 00:47:12,394 DON'T GET OVER CONFIDENT. >> PIPER TRYING TO MEASURE MR. T. 1541 00:47:12,396 --> 00:47:15,497 >> PIPER TRYING TO MEASURE MR. T. >> COME ON, T. 1542 00:47:15,499 --> 00:47:16,365 T. >> COME ON, T. >> OH! 1543 00:47:16,367 --> 00:47:18,334 >> COME ON, T. >> OH! RIGHT HAND BY PIPER LANDING AND 1544 00:47:18,336 --> 00:47:19,401 >> OH! RIGHT HAND BY PIPER LANDING AND MOVING IN ON T, COMING RIGHT 1545 00:47:19,403 --> 00:47:21,403 RIGHT HAND BY PIPER LANDING AND MOVING IN ON T, COMING RIGHT BACK AT HIM. 1546 00:47:21,405 --> 00:47:21,737 MOVING IN ON T, COMING RIGHT BACK AT HIM. LOOK AT THIS. 1547 00:47:21,739 --> 00:47:22,538 BACK AT HIM. LOOK AT THIS. BOTH FIGHTERS SWUNG AROUND NOW 1548 00:47:22,540 --> 00:47:23,606 LOOK AT THIS. BOTH FIGHTERS SWUNG AROUND NOW TO THE CORNER. 1549 00:47:23,608 --> 00:47:24,673 BOTH FIGHTERS SWUNG AROUND NOW TO THE CORNER. >> HEY, GIVE ME A BREAK. 1550 00:47:24,675 --> 00:47:25,774 TO THE CORNER. >> HEY, GIVE ME A BREAK. BREAK IT! 1551 00:47:25,776 --> 00:47:26,709 >> HEY, GIVE ME A BREAK. BREAK IT! BREAK THAT HOLD! 1552 00:47:26,711 --> 00:47:28,310 BREAK IT! BREAK THAT HOLD! >> REFEREE HAVING SOME 1553 00:47:28,312 --> 00:47:28,811 BREAK THAT HOLD! >> REFEREE HAVING SOME DIFFICULTY. 1554 00:47:28,813 --> 00:47:29,679 >> REFEREE HAVING SOME DIFFICULTY. >> WATCH RODDY HERE, ALWAYS GETS 1555 00:47:29,681 --> 00:47:30,579 DIFFICULTY. >> WATCH RODDY HERE, ALWAYS GETS A COUPLE MORE IN ON THE BREAK. 1556 00:47:30,581 --> 00:47:31,447 >> WATCH RODDY HERE, ALWAYS GETS A COUPLE MORE IN ON THE BREAK. >> HE DOES INDEED. 1557 00:47:31,449 --> 00:47:33,349 A COUPLE MORE IN ON THE BREAK. >> HE DOES INDEED. >> YEP. 1558 00:47:33,351 --> 00:47:34,650 >> HE DOES INDEED. >> YEP. >> THIRTY SECONDS! 1559 00:47:34,652 --> 00:47:35,918 >> YEP. >> THIRTY SECONDS! [ GRUNTING ] 1560 00:47:35,920 --> 00:47:37,653 >> THIRTY SECONDS! [ GRUNTING ] >> ONLY 30 SECONDS LEFT IN ROUND 1561 00:47:37,655 --> 00:47:38,487 [ GRUNTING ] >> ONLY 30 SECONDS LEFT IN ROUND 1. 1562 00:47:38,489 --> 00:47:39,388 >> ONLY 30 SECONDS LEFT IN ROUND 1. OH, COME ON. 1563 00:47:39,390 --> 00:47:46,428 1. OH, COME ON. >> OH, COME ON! 1564 00:47:46,430 --> 00:47:46,895 OH, COME ON. >> OH, COME ON! >> HEY, LET HIM OUT. 1565 00:47:46,897 --> 00:47:47,430 >> OH, COME ON! >> HEY, LET HIM OUT. >> MAYBE HE GOT IN GOOD SHAPE 1566 00:47:47,432 --> 00:47:48,364 >> HEY, LET HIM OUT. >> MAYBE HE GOT IN GOOD SHAPE AND TRAINED, BUT HE DOESN'T HAVE 1567 00:47:48,366 --> 00:47:49,031 >> MAYBE HE GOT IN GOOD SHAPE AND TRAINED, BUT HE DOESN'T HAVE ENOUGH CONFIDENCE TO FIGHT 1568 00:47:49,033 --> 00:47:49,565 AND TRAINED, BUT HE DOESN'T HAVE ENOUGH CONFIDENCE TO FIGHT SQUARE, DOES HE? 1569 00:47:49,567 --> 00:47:51,867 ENOUGH CONFIDENCE TO FIGHT SQUARE, DOES HE? >> A BRAWLING-TYPE MATCHUP HERE. 1570 00:47:51,869 --> 00:47:52,868 SQUARE, DOES HE? >> A BRAWLING-TYPE MATCHUP HERE. OH, MY! 1571 00:47:52,870 --> 00:47:56,606 >> A BRAWLING-TYPE MATCHUP HERE. OH, MY! >> OH! 1572 00:47:56,608 --> 00:47:58,474 OH, MY! >> OH! >> HEY! 1573 00:47:58,476 --> 00:47:59,575 >> OH! >> HEY! >> REFEREE HAS SPENT MORE TIME 1574 00:47:59,577 --> 00:48:01,410 >> HEY! >> REFEREE HAS SPENT MORE TIME TRYING TO GET THESE FIGHTERS TO 1575 00:48:01,412 --> 00:48:02,578 >> REFEREE HAS SPENT MORE TIME TRYING TO GET THESE FIGHTERS TO BREAK IT UP NOW. 1576 00:48:02,580 --> 00:48:03,913 TRYING TO GET THESE FIGHTERS TO BREAK IT UP NOW. [ BELL RINGING ] 1577 00:48:03,915 --> 00:48:09,551 BREAK IT UP NOW. [ BELL RINGING ] >> BELL HAS ENDED ... 1578 00:48:09,553 --> 00:48:10,552 [ BELL RINGING ] >> BELL HAS ENDED ... BELL HAS ENDED AND THESE TWO ARE 1579 00:48:10,554 --> 00:48:12,488 >> BELL HAS ENDED ... BELL HAS ENDED AND THESE TWO ARE STILL GOING AT IT. 1580 00:48:12,490 --> 00:48:15,624 BELL HAS ENDED AND THESE TWO ARE STILL GOING AT IT. LOTZ GETS IN THERE TRYING TO ... 1581 00:48:15,626 --> 00:48:17,459 STILL GOING AT IT. LOTZ GETS IN THERE TRYING TO ... >> UH-OH, JOE'S IN THERE. 1582 00:48:17,461 --> 00:48:19,261 LOTZ GETS IN THERE TRYING TO ... >> UH-OH, JOE'S IN THERE. >> SMOKIN' JOE FRAZIER... 1583 00:48:19,263 --> 00:48:20,229 >> UH-OH, JOE'S IN THERE. >> SMOKIN' JOE FRAZIER... >> GET HIM OUT OF THERE! 1584 00:48:20,231 --> 00:48:20,963 >> SMOKIN' JOE FRAZIER... >> GET HIM OUT OF THERE! >> AND JIM CONNOLLY ... 1585 00:48:20,965 --> 00:48:21,898 >> GET HIM OUT OF THERE! >> AND JIM CONNOLLY ... >> OH, THERE'S COWBOY. 1586 00:48:21,900 --> 00:48:22,631 >> AND JIM CONNOLLY ... >> OH, THERE'S COWBOY. >> ALL RIGHT, FINALLY NOW WE 1587 00:48:22,633 --> 00:48:23,666 >> OH, THERE'S COWBOY. >> ALL RIGHT, FINALLY NOW WE WILL HAVE SOME ORDER. 1588 00:48:23,668 --> 00:48:25,367 >> ALL RIGHT, FINALLY NOW WE WILL HAVE SOME ORDER. [ SIGHING ] 1589 00:48:25,369 --> 00:48:25,901 WILL HAVE SOME ORDER. [ SIGHING ] >> I'M A WRECK. 1590 00:48:25,903 --> 00:48:26,702 [ SIGHING ] >> I'M A WRECK. >> AS SMOKIN' JOE FRAZIER, 1591 00:48:26,704 --> 00:48:27,837 >> I'M A WRECK. >> AS SMOKIN' JOE FRAZIER, WORKING ON MR. T. 1592 00:48:27,839 --> 00:48:29,872 >> AS SMOKIN' JOE FRAZIER, WORKING ON MR. T. ROUND 1, FIGHTERS PRETTY MUCH 1593 00:48:29,874 --> 00:48:36,779 WORKING ON MR. T. ROUND 1, FIGHTERS PRETTY MUCH FEELING EACH OTHER OUT, AND WAIT 1594 00:48:36,781 --> 00:48:39,281 ROUND 1, FIGHTERS PRETTY MUCH FEELING EACH OTHER OUT, AND WAIT A MINUTE, WHAT'S THIS NOW? 1595 00:48:39,283 --> 00:48:41,750 FEELING EACH OTHER OUT, AND WAIT A MINUTE, WHAT'S THIS NOW? >> OH, RODDY, GO SIT DOWN! 1596 00:48:41,752 --> 00:48:42,451 A MINUTE, WHAT'S THIS NOW? >> OH, RODDY, GO SIT DOWN! >> LET'S GO ON OVER HERE. 1597 00:48:42,453 --> 00:48:43,819 >> OH, RODDY, GO SIT DOWN! >> LET'S GO ON OVER HERE. TAKE CARE OF YOUR MAN, DUVA. 1598 00:48:43,821 --> 00:48:44,553 >> LET'S GO ON OVER HERE. TAKE CARE OF YOUR MAN, DUVA. I DON'T WANT TO SEE HIM OVER 1599 00:48:44,555 --> 00:48:47,423 TAKE CARE OF YOUR MAN, DUVA. I DON'T WANT TO SEE HIM OVER HERE. 1600 00:48:47,425 --> 00:48:49,692 I DON'T WANT TO SEE HIM OVER HERE. >> RODDY PIPER NOT TAKING 1601 00:48:49,694 --> 00:48:50,826 HERE. >> RODDY PIPER NOT TAKING ADVANTAGE OF THE ONE MINUTE REST 1602 00:48:50,828 --> 00:48:52,261 >> RODDY PIPER NOT TAKING ADVANTAGE OF THE ONE MINUTE REST PERIOD. 1603 00:48:52,263 --> 00:48:53,495 ADVANTAGE OF THE ONE MINUTE REST PERIOD. I WONDER IF THAT WILL TELL AGAIN 1604 00:48:53,497 --> 00:48:55,431 PERIOD. I WONDER IF THAT WILL TELL AGAIN IN THE NEXT ROUND. 1605 00:48:55,433 --> 00:48:56,598 I WONDER IF THAT WILL TELL AGAIN IN THE NEXT ROUND. [ WHISTLE BLOWING ] 1606 00:48:56,600 --> 00:48:57,733 IN THE NEXT ROUND. [ WHISTLE BLOWING ] >> HE BETTER TAKE ADVANTAGE OF 1607 00:48:57,735 --> 00:48:59,702 [ WHISTLE BLOWING ] >> HE BETTER TAKE ADVANTAGE OF THESE SIT-DOWNS HERE. 1608 00:48:59,704 --> 00:49:03,639 >> HE BETTER TAKE ADVANTAGE OF THESE SIT-DOWNS HERE. [ BELL RINGING ] 1609 00:49:03,641 --> 00:49:04,640 THESE SIT-DOWNS HERE. [ BELL RINGING ] >> ALL RIGHT, HERE THEY GO, THE 1610 00:49:04,642 --> 00:49:08,644 [ BELL RINGING ] >> ALL RIGHT, HERE THEY GO, THE BEGINNING OF ROUND 2. 1611 00:49:08,646 --> 00:49:10,446 >> ALL RIGHT, HERE THEY GO, THE BEGINNING OF ROUND 2. >> WELL, SUSAN ... 1612 00:49:10,448 --> 00:49:11,147 BEGINNING OF ROUND 2. >> WELL, SUSAN ... WHO WOULD YOU GIVE THE FIRST 1613 00:49:11,149 --> 00:49:13,382 >> WELL, SUSAN ... WHO WOULD YOU GIVE THE FIRST ROUND TO? 1614 00:49:13,384 --> 00:49:14,617 WHO WOULD YOU GIVE THE FIRST ROUND TO? >> WELL, I THINK RODDY MADE THE 1615 00:49:14,619 --> 00:49:15,618 ROUND TO? >> WELL, I THINK RODDY MADE THE MOST MOVES, BUT I THINK T WAS 1616 00:49:15,620 --> 00:49:16,752 >> WELL, I THINK RODDY MADE THE MOST MOVES, BUT I THINK T WAS THE SMARTER FIGHTER. 1617 00:49:16,754 --> 00:49:17,586 MOST MOVES, BUT I THINK T WAS THE SMARTER FIGHTER. >> WAIT A MINUTE ... 1618 00:49:17,588 --> 00:49:19,388 THE SMARTER FIGHTER. >> WAIT A MINUTE ... HERE, I MEAN, THERE'S SO MUCH 1619 00:49:19,390 --> 00:49:20,389 >> WAIT A MINUTE ... HERE, I MEAN, THERE'S SO MUCH ... 1620 00:49:20,391 --> 00:49:22,458 HERE, I MEAN, THERE'S SO MUCH ... LOOKS LIKE THERE'S A LOT OF THAT 1621 00:49:22,460 --> 00:49:24,326 ... LOOKS LIKE THERE'S A LOT OF THAT SALVE AND WHATEVER, A GREAT BIG 1622 00:49:24,328 --> 00:49:25,193 LOOKS LIKE THERE'S A LOT OF THAT SALVE AND WHATEVER, A GREAT BIG GOB OF IT ON THE FACE, I THINK, 1623 00:49:25,195 --> 00:49:27,830 SALVE AND WHATEVER, A GREAT BIG GOB OF IT ON THE FACE, I THINK, OF MR. PIPER. 1624 00:49:27,832 --> 00:49:28,798 GOB OF IT ON THE FACE, I THINK, OF MR. PIPER. A GREAT BIG ... 1625 00:49:28,800 --> 00:49:30,366 OF MR. PIPER. A GREAT BIG ... YES. 1626 00:49:30,368 --> 00:49:30,899 A GREAT BIG ... YES. >> OH, COME ON, RODDY. 1627 00:49:30,901 --> 00:49:31,700 YES. >> OH, COME ON, RODDY. >> HE'S GOT ALL KINDS OF GREASE 1628 00:49:31,702 --> 00:49:32,701 >> OH, COME ON, RODDY. >> HE'S GOT ALL KINDS OF GREASE ALL OVER HIM. 1629 00:49:32,703 --> 00:49:33,702 >> HE'S GOT ALL KINDS OF GREASE ALL OVER HIM. WHAT IS THIS HERE? 1630 00:49:33,704 --> 00:49:34,704 ALL OVER HIM. WHAT IS THIS HERE? >> ALL RIGHT, LOU DUVA UP NOW 1631 00:49:34,706 --> 00:49:35,537 WHAT IS THIS HERE? >> ALL RIGHT, LOU DUVA UP NOW CHECKING RODDY PIPER, AND 1632 00:49:35,539 --> 00:49:37,406 >> ALL RIGHT, LOU DUVA UP NOW CHECKING RODDY PIPER, AND APPARENTLY HE HAD QUITE A BIT OF 1633 00:49:37,408 --> 00:49:37,706 CHECKING RODDY PIPER, AND APPARENTLY HE HAD QUITE A BIT OF IT. 1634 00:49:37,708 --> 00:49:38,741 APPARENTLY HE HAD QUITE A BIT OF IT. >> WELL, SURE, THAT MAKES THE 1635 00:49:38,743 --> 00:49:39,742 IT. >> WELL, SURE, THAT MAKES THE GLOVES SLIDE RIGHT OFF, RIGHT? 1636 00:49:39,744 --> 00:49:41,710 >> WELL, SURE, THAT MAKES THE GLOVES SLIDE RIGHT OFF, RIGHT? THAT'S ... 1637 00:49:41,712 --> 00:49:43,445 GLOVES SLIDE RIGHT OFF, RIGHT? THAT'S ... >> EXACTLY. 1638 00:49:43,447 --> 00:49:44,880 THAT'S ... >> EXACTLY. >> SNEAKY TRICK. 1639 00:49:44,882 --> 00:49:45,781 >> EXACTLY. >> SNEAKY TRICK. >> MR. T WILL TAKE ADVANTAGE OF 1640 00:49:45,783 --> 00:49:46,715 >> SNEAKY TRICK. >> MR. T WILL TAKE ADVANTAGE OF EVERY OPPORTUNITY, AND THEN 1641 00:49:46,717 --> 00:49:47,783 >> MR. T WILL TAKE ADVANTAGE OF EVERY OPPORTUNITY, AND THEN AGAIN, SO WILL RODDY PIPER. 1642 00:49:47,785 --> 00:49:48,617 EVERY OPPORTUNITY, AND THEN AGAIN, SO WILL RODDY PIPER. T TRYING TO STAY DOWN LOW. 1643 00:49:48,619 --> 00:49:49,551 AGAIN, SO WILL RODDY PIPER. T TRYING TO STAY DOWN LOW. >> COME ON, T. 1644 00:49:49,553 --> 00:49:50,252 T TRYING TO STAY DOWN LOW. >> COME ON, T. THAT'S IT! 1645 00:49:50,254 --> 00:49:51,053 >> COME ON, T. THAT'S IT! SCORE SOME POINTS HERE, T. 1646 00:49:51,055 --> 00:49:52,788 THAT'S IT! SCORE SOME POINTS HERE, T. UH-OH. 1647 00:49:52,790 --> 00:49:54,490 SCORE SOME POINTS HERE, T. UH-OH. >> PIPER GETTING UP ... 1648 00:49:54,492 --> 00:49:55,157 UH-OH. >> PIPER GETTING UP ... >> HE'S PULLED HIS PUNCHES UP 1649 00:49:55,159 --> 00:49:57,460 >> PIPER GETTING UP ... >> HE'S PULLED HIS PUNCHES UP THERE, GOING FOR THE HEAD MORE, 1650 00:49:57,462 --> 00:49:57,826 >> HE'S PULLED HIS PUNCHES UP THERE, GOING FOR THE HEAD MORE, UH-OH! 1651 00:49:57,828 --> 00:49:58,761 THERE, GOING FOR THE HEAD MORE, UH-OH! >> LOOK AT ... 1652 00:49:58,763 --> 00:50:00,529 UH-OH! >> LOOK AT ... THERE'S PIPER HAMMERING AWAY! 1653 00:50:00,531 --> 00:50:01,897 >> LOOK AT ... THERE'S PIPER HAMMERING AWAY! >> COME ON, T! 1654 00:50:01,899 --> 00:50:03,365 THERE'S PIPER HAMMERING AWAY! >> COME ON, T! THERE YOU GO! 1655 00:50:03,367 --> 00:50:04,500 >> COME ON, T! THERE YOU GO! >> T FIGHTING BACK, PIPER HAS 1656 00:50:04,502 --> 00:50:05,534 THERE YOU GO! >> T FIGHTING BACK, PIPER HAS HIM AGAINST THE ROPE, SPINS HIM 1657 00:50:05,536 --> 00:50:06,301 >> T FIGHTING BACK, PIPER HAS HIM AGAINST THE ROPE, SPINS HIM AROUND ... 1658 00:50:06,303 --> 00:50:09,638 HIM AGAINST THE ROPE, SPINS HIM AROUND ... OH, MY! 1659 00:50:09,640 --> 00:50:10,205 AROUND ... OH, MY! >> HEY, OUT OF THE CORNER. 1660 00:50:10,207 --> 00:50:11,473 OH, MY! >> HEY, OUT OF THE CORNER. BREAK, YOU'LL BREAK WHEN I TELL 1661 00:50:11,475 --> 00:50:12,474 >> HEY, OUT OF THE CORNER. BREAK, YOU'LL BREAK WHEN I TELL YOU TO BREAK. 1662 00:50:12,476 --> 00:50:13,509 BREAK, YOU'LL BREAK WHEN I TELL YOU TO BREAK. >> AND AGAIN THE OFFICIAL HAVING 1663 00:50:13,511 --> 00:50:14,576 YOU TO BREAK. >> AND AGAIN THE OFFICIAL HAVING SOME DIFFICULTY. 1664 00:50:14,578 --> 00:50:15,611 >> AND AGAIN THE OFFICIAL HAVING SOME DIFFICULTY. OH, OKAY, NOW RODDY WANTS HIM TO 1665 00:50:15,613 --> 00:50:21,684 SOME DIFFICULTY. OH, OKAY, NOW RODDY WANTS HIM TO COME STRAIGHT IN. 1666 00:50:21,686 --> 00:50:22,718 OH, OKAY, NOW RODDY WANTS HIM TO COME STRAIGHT IN. >> GOT TO HAND IT TO RODDY, BOY. 1667 00:50:22,720 --> 00:50:23,452 COME STRAIGHT IN. >> GOT TO HAND IT TO RODDY, BOY. HE'S UP FOR THIS. 1668 00:50:23,454 --> 00:50:24,553 >> GOT TO HAND IT TO RODDY, BOY. HE'S UP FOR THIS. LOOK AT THAT? 1669 00:50:24,555 --> 00:50:25,454 HE'S UP FOR THIS. LOOK AT THAT? >> HE REALLY IS, HE'S BEEN 1670 00:50:25,456 --> 00:50:26,522 LOOK AT THAT? >> HE REALLY IS, HE'S BEEN THROWING THE LEATHER, MR. PIPER 1671 00:50:26,524 --> 00:50:26,789 >> HE REALLY IS, HE'S BEEN THROWING THE LEATHER, MR. PIPER HAS. 1672 00:50:26,791 --> 00:50:27,523 THROWING THE LEATHER, MR. PIPER HAS. >> HEY! 1673 00:50:27,525 --> 00:50:28,824 HAS. >> HEY! HEY! 1674 00:50:28,826 --> 00:50:29,658 >> HEY! HEY! >> OH, MY! 1675 00:50:29,660 --> 00:50:30,760 HEY! >> OH, MY! >> HE'S PUTTING ON A GOOD FIGHT. 1676 00:50:30,762 --> 00:50:31,494 >> OH, MY! >> HE'S PUTTING ON A GOOD FIGHT. >> PIPER HAS HIM BENT OVER. 1677 00:50:31,496 --> 00:50:33,729 >> HE'S PUTTING ON A GOOD FIGHT. >> PIPER HAS HIM BENT OVER. PIPE -- MR. T'S IN TROUBLE. 1678 00:50:33,731 --> 00:50:34,730 >> PIPER HAS HIM BENT OVER. PIPE -- MR. T'S IN TROUBLE. MR. T'S IN ... 1679 00:50:34,732 --> 00:50:37,866 PIPE -- MR. T'S IN TROUBLE. MR. T'S IN ... T FIGHTING BACK. 1680 00:50:37,868 --> 00:50:39,668 MR. T'S IN ... T FIGHTING BACK. GOING UPSTAIRS, DOWNSTAIRS, AND 1681 00:50:39,670 --> 00:50:44,874 T FIGHTING BACK. GOING UPSTAIRS, DOWNSTAIRS, AND RODDY PIPER NOW CONTINUING ... 1682 00:50:44,876 --> 00:50:46,642 GOING UPSTAIRS, DOWNSTAIRS, AND RODDY PIPER NOW CONTINUING ... OH, AND A RIGHT HAND BY PIPER! 1683 00:50:46,644 --> 00:50:50,446 RODDY PIPER NOW CONTINUING ... OH, AND A RIGHT HAND BY PIPER! >> COME ON, T. 1684 00:50:50,448 --> 00:50:51,847 OH, AND A RIGHT HAND BY PIPER! >> COME ON, T. >> OH, COME ON, T! 1685 00:50:51,849 --> 00:50:53,816 >> COME ON, T. >> OH, COME ON, T! >> PIPER ... 1686 00:50:53,818 --> 00:50:54,750 >> OH, COME ON, T! >> PIPER ... T IS CAUGHT IN A CORNER THERE 1687 00:50:54,752 --> 00:50:56,785 >> PIPER ... T IS CAUGHT IN A CORNER THERE AND HE'S NOT GOING ANYWHERE. 1688 00:50:56,787 --> 00:50:57,586 T IS CAUGHT IN A CORNER THERE AND HE'S NOT GOING ANYWHERE. RODDY PIPER IS LETTING HIM HAVE 1689 00:50:57,588 --> 00:50:58,787 AND HE'S NOT GOING ANYWHERE. RODDY PIPER IS LETTING HIM HAVE IT. 1690 00:50:58,789 --> 00:50:59,922 RODDY PIPER IS LETTING HIM HAVE IT. >> UH-OH, HIS LEGS ARE TIRED. 1691 00:50:59,924 --> 00:51:00,589 IT. >> UH-OH, HIS LEGS ARE TIRED. >> PIPER WITH A RIGHT HAND, 1692 00:51:00,591 --> 00:51:02,491 >> UH-OH, HIS LEGS ARE TIRED. >> PIPER WITH A RIGHT HAND, CAUGHT HIM BEHIND THE EAR. 1693 00:51:02,493 --> 00:51:04,493 >> PIPER WITH A RIGHT HAND, CAUGHT HIM BEHIND THE EAR. RODDY PIPER WARMING UP ... 1694 00:51:04,495 --> 00:51:06,528 CAUGHT HIM BEHIND THE EAR. RODDY PIPER WARMING UP ... AND DOWN GOES MR. T! 1695 00:51:06,530 --> 00:51:09,665 RODDY PIPER WARMING UP ... AND DOWN GOES MR. T! I'M SHOCKED, I'M SHOCKED! 1696 00:51:09,667 --> 00:51:11,433 AND DOWN GOES MR. T! I'M SHOCKED, I'M SHOCKED! >> COME ON, T. 1697 00:51:11,435 --> 00:51:12,301 I'M SHOCKED, I'M SHOCKED! >> COME ON, T. >> GET OVER HERE, PIPER. 1698 00:51:12,303 --> 00:51:13,635 >> COME ON, T. >> GET OVER HERE, PIPER. GET IN THE CORNER. 1699 00:51:13,637 --> 00:51:14,503 >> GET OVER HERE, PIPER. GET IN THE CORNER. >> REFEREE TRYING TO GET PIPER 1700 00:51:14,505 --> 00:51:15,504 GET IN THE CORNER. >> REFEREE TRYING TO GET PIPER TO GO INTO THE CORNER. 1701 00:51:15,506 --> 00:51:16,538 >> REFEREE TRYING TO GET PIPER TO GO INTO THE CORNER. >> COME ON, RODDY. 1702 00:51:16,540 --> 00:51:17,339 TO GO INTO THE CORNER. >> COME ON, RODDY. GET OUT OF THERE. 1703 00:51:17,341 --> 00:51:18,974 >> COME ON, RODDY. GET OUT OF THERE. >> OH, COME ON. 1704 00:51:18,976 --> 00:51:19,641 GET OUT OF THERE. >> OH, COME ON. >> I WANT YOU IN THE CORNER, YOU 1705 00:51:19,643 --> 00:51:20,542 >> OH, COME ON. >> I WANT YOU IN THE CORNER, YOU UNDERSTAND ME? 1706 00:51:20,544 --> 00:51:21,743 >> I WANT YOU IN THE CORNER, YOU UNDERSTAND ME? >> COME ON, T PULL A HAWK, UP 1707 00:51:21,745 --> 00:51:23,312 UNDERSTAND ME? >> COME ON, T PULL A HAWK, UP YOU GO! 1708 00:51:23,314 --> 00:51:24,646 >> COME ON, T PULL A HAWK, UP YOU GO! LET'S GO, UP, UP, UP, UP, UP ... 1709 00:51:24,648 --> 00:51:28,851 YOU GO! LET'S GO, UP, UP, UP, UP, UP ... >> ONE, TWO, THREE, FOUR ... 1710 00:51:28,853 --> 00:51:29,652 LET'S GO, UP, UP, UP, UP, UP ... >> ONE, TWO, THREE, FOUR ... >> NOW, THREE AND THEN FOUR, MR. 1711 00:51:29,654 --> 00:51:30,419 >> ONE, TWO, THREE, FOUR ... >> NOW, THREE AND THEN FOUR, MR. T WAS HURT AND HURT BADLY BY 1712 00:51:30,421 --> 00:51:32,454 >> NOW, THREE AND THEN FOUR, MR. T WAS HURT AND HURT BADLY BY RODDY PIPER. 1713 00:51:32,456 --> 00:51:33,689 T WAS HURT AND HURT BADLY BY RODDY PIPER. PIPER, PRECIOUS ADVANTAGE, A 1714 00:51:33,691 --> 00:51:36,625 RODDY PIPER. PIPER, PRECIOUS ADVANTAGE, A COUNT OF SEVEN! 1715 00:51:36,627 --> 00:51:37,759 PIPER, PRECIOUS ADVANTAGE, A COUNT OF SEVEN! >> EIGHT, ARE YOU ALL RIGHT, T? 1716 00:51:37,761 --> 00:51:39,728 COUNT OF SEVEN! >> EIGHT, ARE YOU ALL RIGHT, T? ARE YOU ALL RIGHT? 1717 00:51:39,730 --> 00:51:41,497 >> EIGHT, ARE YOU ALL RIGHT, T? ARE YOU ALL RIGHT? WHERE ARE YA? 1718 00:51:41,499 --> 00:51:42,698 ARE YOU ALL RIGHT? WHERE ARE YA? OKAY, LET'S GO. 1719 00:51:42,700 --> 00:51:43,499 WHERE ARE YA? OKAY, LET'S GO. BOX! 1720 00:51:43,501 --> 00:51:44,399 OKAY, LET'S GO. BOX! >> OKAY, HERE THEY GO, T AND 1721 00:51:44,401 --> 00:51:45,701 BOX! >> OKAY, HERE THEY GO, T AND RODDY PIPER NOW. 1722 00:51:45,703 --> 00:51:48,337 >> OKAY, HERE THEY GO, T AND RODDY PIPER NOW. >> GEEZ, COME ON, T. 1723 00:51:48,339 --> 00:51:49,071 RODDY PIPER NOW. >> GEEZ, COME ON, T. [ CROWD CHANTING: RODDY! 1724 00:51:49,073 --> 00:51:49,538 >> GEEZ, COME ON, T. [ CROWD CHANTING: RODDY! RODDY! 1725 00:51:49,540 --> 00:51:49,805 [ CROWD CHANTING: RODDY! RODDY! RODDY! ] 1726 00:51:49,807 --> 00:51:50,839 RODDY! RODDY! ] >> IF HE CAN HOLD ON FOR THOSE 1727 00:51:50,841 --> 00:51:51,574 RODDY! ] >> IF HE CAN HOLD ON FOR THOSE 16 SECONDS ... 1728 00:51:51,576 --> 00:51:52,841 >> IF HE CAN HOLD ON FOR THOSE 16 SECONDS ... COME ON, T! 1729 00:51:52,843 --> 00:51:53,876 16 SECONDS ... COME ON, T! HOLD ON, T! 1730 00:51:53,878 --> 00:51:56,778 COME ON, T! HOLD ON, T! >> T HAMMERING AWAY. 1731 00:51:56,780 --> 00:51:57,779 HOLD ON, T! >> T HAMMERING AWAY. PIPER HAS HIM AGAINST THE ROPE 1732 00:51:57,781 --> 00:51:59,648 >> T HAMMERING AWAY. PIPER HAS HIM AGAINST THE ROPE AND AGAIN, SERIES OF RIGHTS AND 1733 00:51:59,650 --> 00:52:02,551 PIPER HAS HIM AGAINST THE ROPE AND AGAIN, SERIES OF RIGHTS AND LEFTS. 1734 00:52:02,553 --> 00:52:04,487 AND AGAIN, SERIES OF RIGHTS AND LEFTS. PIPER CONNECTING, MISSING WITH A 1735 00:52:04,489 --> 00:52:05,354 LEFTS. PIPER CONNECTING, MISSING WITH A LEFT. 1736 00:52:05,356 --> 00:52:07,456 PIPER CONNECTING, MISSING WITH A LEFT. [BELL RINGING ] 1737 00:52:07,458 --> 00:52:08,590 LEFT. [BELL RINGING ] >> UH-OH! 1738 00:52:08,592 --> 00:52:10,692 [BELL RINGING ] >> UH-OH! >> MR. T IS DOWN. 1739 00:52:10,694 --> 00:52:13,462 >> UH-OH! >> MR. T IS DOWN. >> GET IN YOUR CORNER, WAIT 'TIL 1740 00:52:13,464 --> 00:52:13,762 >> MR. T IS DOWN. >> GET IN YOUR CORNER, WAIT 'TIL I COUNT. 1741 00:52:13,764 --> 00:52:14,563 >> GET IN YOUR CORNER, WAIT 'TIL I COUNT. >> OH, COME ON! 1742 00:52:14,565 --> 00:52:15,430 I COUNT. >> OH, COME ON! >> OH, COME ON, RODDY! 1743 00:52:15,432 --> 00:52:16,064 >> OH, COME ON! >> OH, COME ON, RODDY! >> THREE, FOUR ... 1744 00:52:16,066 --> 00:52:16,732 >> OH, COME ON, RODDY! >> THREE, FOUR ... OKAY. 1745 00:52:16,734 --> 00:52:17,366 >> THREE, FOUR ... OKAY. >> WHAT DOES HE DO THAT FOR? 1746 00:52:17,368 --> 00:52:18,567 OKAY. >> WHAT DOES HE DO THAT FOR? HE'S WINNING IT FAIR AND SQUARE, 1747 00:52:18,569 --> 00:52:19,602 >> WHAT DOES HE DO THAT FOR? HE'S WINNING IT FAIR AND SQUARE, KIND OF. 1748 00:52:19,604 --> 00:52:20,602 HE'S WINNING IT FAIR AND SQUARE, KIND OF. >> MR. T DID NOT KNOW WHERE HE 1749 00:52:20,604 --> 00:52:23,639 KIND OF. >> MR. T DID NOT KNOW WHERE HE WAS AT THE END OF THAT ROUND AND 1750 00:52:23,641 --> 00:52:24,640 >> MR. T DID NOT KNOW WHERE HE WAS AT THE END OF THAT ROUND AND THEY HAVE HIM BACK OVER NOW ON 1751 00:52:24,642 --> 00:52:27,409 WAS AT THE END OF THAT ROUND AND THEY HAVE HIM BACK OVER NOW ON THE STOOL. 1752 00:52:27,411 --> 00:52:33,515 THEY HAVE HIM BACK OVER NOW ON THE STOOL. [ CHEERING ] 1753 00:52:33,517 --> 00:52:34,583 THE STOOL. [ CHEERING ] >> I TELL YOU, I'M SORT OF IN 1754 00:52:34,585 --> 00:52:35,618 [ CHEERING ] >> I TELL YOU, I'M SORT OF IN SHOCK OVER THAT. 1755 00:52:35,620 --> 00:52:36,752 >> I TELL YOU, I'M SORT OF IN SHOCK OVER THAT. >> I AM TOO. 1756 00:52:36,754 --> 00:52:38,521 SHOCK OVER THAT. >> I AM TOO. T GOING DOWN AFTER A SERIES OF 1757 00:52:38,523 --> 00:52:39,721 >> I AM TOO. T GOING DOWN AFTER A SERIES OF RIGHT HANDS, PIPER WAS WINDING 1758 00:52:39,723 --> 00:52:41,423 T GOING DOWN AFTER A SERIES OF RIGHT HANDS, PIPER WAS WINDING UP. 1759 00:52:41,425 --> 00:52:42,224 RIGHT HANDS, PIPER WAS WINDING UP. >> HIS KNEES WERE JUST GOING ... 1760 00:52:42,226 --> 00:52:44,560 UP. >> HIS KNEES WERE JUST GOING ... >> OH, WAIT A MINUTE ... 1761 00:52:44,562 --> 00:52:47,529 >> HIS KNEES WERE JUST GOING ... >> OH, WAIT A MINUTE ... >> OH, COME ON! 1762 00:52:47,531 --> 00:52:49,598 >> OH, WAIT A MINUTE ... >> OH, COME ON! >> BOB ORTON ... 1763 00:52:49,600 --> 00:52:50,399 >> OH, COME ON! >> BOB ORTON ... >> WHAT'S THE MATTER WITH YOU, 1764 00:52:50,401 --> 00:52:50,666 >> BOB ORTON ... >> WHAT'S THE MATTER WITH YOU, HUH? 1765 00:52:50,668 --> 00:52:51,834 >> WHAT'S THE MATTER WITH YOU, HUH? WHAT'S THE MATTER WITH YOU? 1766 00:52:51,836 --> 00:52:54,670 HUH? WHAT'S THE MATTER WITH YOU? >> APPARENTLY THROWING WATER 1767 00:52:54,672 --> 00:52:59,675 WHAT'S THE MATTER WITH YOU? >> APPARENTLY THROWING WATER OVER IN THE CORNER. 1768 00:52:59,677 --> 00:53:00,408 >> APPARENTLY THROWING WATER OVER IN THE CORNER. >> WHAT'S THE MATTER WITH THOSE 1769 00:53:00,410 --> 00:53:00,642 OVER IN THE CORNER. >> WHAT'S THE MATTER WITH THOSE GUYS? 1770 00:53:00,644 --> 00:53:01,510 >> WHAT'S THE MATTER WITH THOSE GUYS? THEY SHOULD TAKE A BREAK. 1771 00:53:01,512 --> 00:53:01,944 GUYS? THEY SHOULD TAKE A BREAK. >> ALL RIGHT. 1772 00:53:01,946 --> 00:53:02,744 THEY SHOULD TAKE A BREAK. >> ALL RIGHT. SECONDS OUT. 1773 00:53:02,746 --> 00:53:03,812 >> ALL RIGHT. SECONDS OUT. SECONDS OUT. 1774 00:53:03,814 --> 00:53:05,480 SECONDS OUT. SECONDS OUT. [ BELL RINGING ] 1775 00:53:05,482 --> 00:53:05,848 SECONDS OUT. [ BELL RINGING ] >> COME ON, T. 1776 00:53:05,850 --> 00:53:07,015 [ BELL RINGING ] >> COME ON, T. >> ALL RIGHT. 1777 00:53:07,017 --> 00:53:08,750 >> COME ON, T. >> ALL RIGHT. NOW, RODDY PIPER MUST FEEL VERY, 1778 00:53:08,752 --> 00:53:09,851 >> ALL RIGHT. NOW, RODDY PIPER MUST FEEL VERY, VERY GOOD. 1779 00:53:09,853 --> 00:53:10,552 NOW, RODDY PIPER MUST FEEL VERY, VERY GOOD. >> UH-OH. 1780 00:53:10,554 --> 00:53:11,554 VERY GOOD. >> UH-OH. UH-OH. 1781 00:53:11,556 --> 00:53:12,387 >> UH-OH. UH-OH. THE ALI SHUFFLE. 1782 00:53:12,389 --> 00:53:13,689 UH-OH. THE ALI SHUFFLE. >> YES, BEGINNING OF ROUND 3, 1783 00:53:13,691 --> 00:53:15,524 THE ALI SHUFFLE. >> YES, BEGINNING OF ROUND 3, AND PIPER VERY, VERY COCKY AFTER 1784 00:53:15,526 --> 00:53:17,559 >> YES, BEGINNING OF ROUND 3, AND PIPER VERY, VERY COCKY AFTER HAVING KNOCKED MR. T DOWN IN THE 1785 00:53:17,561 --> 00:53:21,664 AND PIPER VERY, VERY COCKY AFTER HAVING KNOCKED MR. T DOWN IN THE SECOND ROUND. 1786 00:53:21,666 --> 00:53:23,299 HAVING KNOCKED MR. T DOWN IN THE SECOND ROUND. >> I'M BAFFLED. 1787 00:53:23,301 --> 00:53:23,799 SECOND ROUND. >> I'M BAFFLED. COME ON, T. 1788 00:53:23,801 --> 00:53:24,700 >> I'M BAFFLED. COME ON, T. ALL RIGHT, T. 1789 00:53:24,702 --> 00:53:26,368 COME ON, T. ALL RIGHT, T. >> KEEP MOVING BACK IN. 1790 00:53:26,370 --> 00:53:27,469 ALL RIGHT, T. >> KEEP MOVING BACK IN. >> ALL RIGHT. 1791 00:53:27,471 --> 00:53:28,003 >> KEEP MOVING BACK IN. >> ALL RIGHT. THAT'S THE WAY ... 1792 00:53:28,005 --> 00:53:28,704 >> ALL RIGHT. THAT'S THE WAY ... COME ON. 1793 00:53:28,706 --> 00:53:29,538 THAT'S THE WAY ... COME ON. WORK ON HIS BODY A LITTLE. 1794 00:53:29,540 --> 00:53:30,539 COME ON. WORK ON HIS BODY A LITTLE. TIRE UP HIS ARMS. 1795 00:53:30,541 --> 00:53:31,673 WORK ON HIS BODY A LITTLE. TIRE UP HIS ARMS. OH, LIFTING HIM UP. 1796 00:53:31,675 --> 00:53:33,775 TIRE UP HIS ARMS. OH, LIFTING HIM UP. LIFTING HIM UP. 1797 00:53:33,777 --> 00:53:34,710 OH, LIFTING HIM UP. LIFTING HIM UP. UH-OH. 1798 00:53:34,712 --> 00:53:36,545 LIFTING HIM UP. UH-OH. >> T FIGHTING RIGHT BACK. 1799 00:53:36,547 --> 00:53:37,613 UH-OH. >> T FIGHTING RIGHT BACK. >> OH, THAT A WAY ... 1800 00:53:37,615 --> 00:53:38,447 >> T FIGHTING RIGHT BACK. >> OH, THAT A WAY ... T'S GOT HIM IN THE CORNER NOW, 1801 00:53:38,449 --> 00:53:39,815 >> OH, THAT A WAY ... T'S GOT HIM IN THE CORNER NOW, BODY SHOTS. 1802 00:53:39,817 --> 00:53:43,318 T'S GOT HIM IN THE CORNER NOW, BODY SHOTS. LOTS OF BODY SHOTS. 1803 00:53:43,320 --> 00:53:44,319 BODY SHOTS. LOTS OF BODY SHOTS. COME ON, TAKE ADVANTAGE OF IT, 1804 00:53:44,321 --> 00:53:44,720 LOTS OF BODY SHOTS. COME ON, TAKE ADVANTAGE OF IT, T. 1805 00:53:44,722 --> 00:53:45,554 COME ON, TAKE ADVANTAGE OF IT, T. >> LOOK AT THIS. 1806 00:53:45,556 --> 00:53:49,424 T. >> LOOK AT THIS. PIPER IS DOWN IN THE CORNER. 1807 00:53:49,426 --> 00:53:51,460 >> LOOK AT THIS. PIPER IS DOWN IN THE CORNER. I'M NOT TOO SURE WHETHER IT'S 1808 00:53:51,462 --> 00:53:52,628 PIPER IS DOWN IN THE CORNER. I'M NOT TOO SURE WHETHER IT'S BECAUSE OF T LEANING RIGHT ... 1809 00:53:52,630 --> 00:53:54,529 I'M NOT TOO SURE WHETHER IT'S BECAUSE OF T LEANING RIGHT ... OH, AND A LEFT HAND. 1810 00:53:54,531 --> 00:53:59,534 BECAUSE OF T LEANING RIGHT ... OH, AND A LEFT HAND. >> OH, THAT WAS A GOOD ONE. 1811 00:53:59,536 --> 00:54:00,769 OH, AND A LEFT HAND. >> OH, THAT WAS A GOOD ONE. >> MR. T LOOKS ARM WEARY, BUT 1812 00:54:00,771 --> 00:54:02,404 >> OH, THAT WAS A GOOD ONE. >> MR. T LOOKS ARM WEARY, BUT NONETHELESS, HE HAD ENOUGH TO 1813 00:54:02,406 --> 00:54:07,576 >> MR. T LOOKS ARM WEARY, BUT NONETHELESS, HE HAD ENOUGH TO KNOCK PIPER DOWN. 1814 00:54:07,578 --> 00:54:09,711 NONETHELESS, HE HAD ENOUGH TO KNOCK PIPER DOWN. AN UNLIKELY SIGHT, RODDY PIPER 1815 00:54:09,713 --> 00:54:12,681 KNOCK PIPER DOWN. AN UNLIKELY SIGHT, RODDY PIPER RIGHT ON HIS KEISTER. 1816 00:54:12,683 --> 00:54:13,515 AN UNLIKELY SIGHT, RODDY PIPER RIGHT ON HIS KEISTER. >> MAYBE HE THINKS THIS IS THE 1817 00:54:13,517 --> 00:54:15,484 RIGHT ON HIS KEISTER. >> MAYBE HE THINKS THIS IS THE MINUTE BREAK. 1818 00:54:15,486 --> 00:54:16,184 >> MAYBE HE THINKS THIS IS THE MINUTE BREAK. >> IT COULD BE THE BREAK FOR THE 1819 00:54:16,186 --> 00:54:17,419 MINUTE BREAK. >> IT COULD BE THE BREAK FOR THE WHOLE FIGHT IF HE DOESN'T GET 1820 00:54:17,421 --> 00:54:18,620 >> IT COULD BE THE BREAK FOR THE WHOLE FIGHT IF HE DOESN'T GET BACK UP. 1821 00:54:18,622 --> 00:54:23,726 WHOLE FIGHT IF HE DOESN'T GET BACK UP. >> COME ON, ROWDY. 1822 00:54:23,728 --> 00:54:24,426 BACK UP. >> COME ON, ROWDY. >> BACK UP WITH A COUNT OF 1823 00:54:24,428 --> 00:54:25,761 >> COME ON, ROWDY. >> BACK UP WITH A COUNT OF EIGHT. 1824 00:54:25,763 --> 00:54:27,429 >> BACK UP WITH A COUNT OF EIGHT. >> YOU ALL RIGHT? 1825 00:54:27,431 --> 00:54:28,697 EIGHT. >> YOU ALL RIGHT? ALL RIGHT, BOX. 1826 00:54:28,699 --> 00:54:29,431 >> YOU ALL RIGHT? ALL RIGHT, BOX. LET'S GO. 1827 00:54:29,433 --> 00:54:29,831 ALL RIGHT, BOX. LET'S GO. >> ALL RIGHT. 1828 00:54:29,833 --> 00:54:31,667 LET'S GO. >> ALL RIGHT. THEY'RE GONNA LET HIM BOX SOME 1829 00:54:31,669 --> 00:54:37,473 >> ALL RIGHT. THEY'RE GONNA LET HIM BOX SOME MORE. 1830 00:54:37,475 --> 00:54:38,707 THEY'RE GONNA LET HIM BOX SOME MORE. T MOVING OUT HERE CAUGHT HIM 1831 00:54:38,709 --> 00:54:42,678 MORE. T MOVING OUT HERE CAUGHT HIM WITH A RIGHT HAND. 1832 00:54:42,680 --> 00:54:43,646 T MOVING OUT HERE CAUGHT HIM WITH A RIGHT HAND. PIPER -- LOOK AT THIS. 1833 00:54:43,648 --> 00:54:44,580 WITH A RIGHT HAND. PIPER -- LOOK AT THIS. PIPER WIDE OPEN NOW. 1834 00:54:44,582 --> 00:54:45,547 PIPER -- LOOK AT THIS. PIPER WIDE OPEN NOW. HE'S CATCHING PUNCHES FROM T. 1835 00:54:45,549 --> 00:54:46,815 PIPER WIDE OPEN NOW. HE'S CATCHING PUNCHES FROM T. [ CROWD CHANTING: T! 1836 00:54:46,817 --> 00:54:47,382 HE'S CATCHING PUNCHES FROM T. [ CROWD CHANTING: T! T! 1837 00:54:47,384 --> 00:54:49,518 [ CROWD CHANTING: T! T! T! ] 1838 00:54:49,520 --> 00:54:50,485 T! T! ] >> WELL, THESE GUYS HAVE A NEW 1839 00:54:50,487 --> 00:54:51,620 T! ] >> WELL, THESE GUYS HAVE A NEW RESPECT FOR PROFESSIONAL BOXERS, 1840 00:54:51,622 --> 00:54:53,455 >> WELL, THESE GUYS HAVE A NEW RESPECT FOR PROFESSIONAL BOXERS, HOW TIRED THEY GET FROM A 1841 00:54:53,457 --> 00:54:54,623 RESPECT FOR PROFESSIONAL BOXERS, HOW TIRED THEY GET FROM A POUNDING LIKE THAT. 1842 00:54:54,625 --> 00:54:54,890 HOW TIRED THEY GET FROM A POUNDING LIKE THAT. >> INDEED. 1843 00:54:54,892 --> 00:54:57,459 POUNDING LIKE THAT. >> INDEED. T, NOW, WITH PIPER IN TROUBLE. 1844 00:54:57,461 --> 00:55:00,696 >> INDEED. T, NOW, WITH PIPER IN TROUBLE. >> COME ON, T. 1845 00:55:00,698 --> 00:55:01,596 T, NOW, WITH PIPER IN TROUBLE. >> COME ON, T. >> PUSHING HIM TO THE CORNER. 1846 00:55:01,598 --> 00:55:02,631 >> COME ON, T. >> PUSHING HIM TO THE CORNER. OH! 1847 00:55:02,633 --> 00:55:04,299 >> PUSHING HIM TO THE CORNER. OH! >> OH! 1848 00:55:04,301 --> 00:55:06,301 OH! >> OH! OH, RIGHT OUT OF THE RING. 1849 00:55:06,303 --> 00:55:10,339 >> OH! OH, RIGHT OUT OF THE RING. RIGHT OUT OF THE RING. 1850 00:55:10,341 --> 00:55:13,575 OH, RIGHT OUT OF THE RING. RIGHT OUT OF THE RING. >> ORTON RIGHT OVER THERE. 1851 00:55:13,577 --> 00:55:14,743 RIGHT OUT OF THE RING. >> ORTON RIGHT OVER THERE. AND THERE WE SEE MR. T A MOMENT 1852 00:55:14,745 --> 00:55:20,549 >> ORTON RIGHT OVER THERE. AND THERE WE SEE MR. T A MOMENT AGO, AND NOW ... 1853 00:55:20,551 --> 00:55:22,417 AND THERE WE SEE MR. T A MOMENT AGO, AND NOW ... >> HERE HE COMES. 1854 00:55:22,419 --> 00:55:23,318 AGO, AND NOW ... >> HERE HE COMES. >> THEY'RE DOING EVERYTHING 1855 00:55:23,320 --> 00:55:24,653 >> HERE HE COMES. >> THEY'RE DOING EVERYTHING POSSIBLE TO GET PIPER BACK INTO 1856 00:55:24,655 --> 00:55:26,722 >> THEY'RE DOING EVERYTHING POSSIBLE TO GET PIPER BACK INTO THE RING. 1857 00:55:26,724 --> 00:55:28,490 POSSIBLE TO GET PIPER BACK INTO THE RING. PIPER HAS BEEN KNOCKED DOWN 1858 00:55:28,492 --> 00:55:29,424 THE RING. PIPER HAS BEEN KNOCKED DOWN TWICE NOW. 1859 00:55:29,426 --> 00:55:30,559 PIPER HAS BEEN KNOCKED DOWN TWICE NOW. ONE MORE TIME AND THE FIGHT IS 1860 00:55:30,561 --> 00:55:34,763 TWICE NOW. ONE MORE TIME AND THE FIGHT IS OVER. 1861 00:55:34,765 --> 00:55:39,568 ONE MORE TIME AND THE FIGHT IS OVER. >> WELL, HE SAYS HE CAN DO IT. 1862 00:55:39,570 --> 00:55:40,102 OVER. >> WELL, HE SAYS HE CAN DO IT. >> WELL, FRED'S GOT ... 1863 00:55:40,104 --> 00:55:41,270 >> WELL, HE SAYS HE CAN DO IT. >> WELL, FRED'S GOT ... I CAN'T ... 1864 00:55:41,272 --> 00:55:44,706 >> WELL, FRED'S GOT ... I CAN'T ... PIPER IS ALMOST OUT ON HIS FEET. 1865 00:55:44,708 --> 00:55:45,707 I CAN'T ... PIPER IS ALMOST OUT ON HIS FEET. ONE MORE TIME HE GOES DOWN, THE 1866 00:55:45,709 --> 00:55:46,641 PIPER IS ALMOST OUT ON HIS FEET. ONE MORE TIME HE GOES DOWN, THE FIGHT IS OVER. 1867 00:55:46,643 --> 00:55:48,777 ONE MORE TIME HE GOES DOWN, THE FIGHT IS OVER. T HAS ABOUT 25 SECONDS, NOW, TO 1868 00:55:48,779 --> 00:55:49,711 FIGHT IS OVER. T HAS ABOUT 25 SECONDS, NOW, TO GET HIM DOWN. 1869 00:55:49,713 --> 00:55:50,679 T HAS ABOUT 25 SECONDS, NOW, TO GET HIM DOWN. >> COME ON, T. 1870 00:55:50,681 --> 00:55:52,414 GET HIM DOWN. >> COME ON, T. HE COULD PROBABLY THROW HIM DOWN 1871 00:55:52,416 --> 00:55:52,747 >> COME ON, T. HE COULD PROBABLY THROW HIM DOWN RIGHT NOW. 1872 00:55:52,749 --> 00:55:54,249 HE COULD PROBABLY THROW HIM DOWN RIGHT NOW. WHOA. 1873 00:55:54,251 --> 00:55:55,150 RIGHT NOW. WHOA. >> THERE'S NO DOUBT, THIS IS THE 1874 00:55:55,152 --> 00:55:58,286 WHOA. >> THERE'S NO DOUBT, THIS IS THE BEST ROUND YET FOR MR. T. 1875 00:55:58,288 --> 00:55:59,621 >> THERE'S NO DOUBT, THIS IS THE BEST ROUND YET FOR MR. T. BOTH FIGHTERS ARE WEARY AT THIS 1876 00:55:59,623 --> 00:56:02,724 BEST ROUND YET FOR MR. T. BOTH FIGHTERS ARE WEARY AT THIS JUNCTURE. 1877 00:56:02,726 --> 00:56:03,592 BOTH FIGHTERS ARE WEARY AT THIS JUNCTURE. LOOK AT ... 1878 00:56:03,594 --> 00:56:05,461 JUNCTURE. LOOK AT ... YOU CAN SEE PIPER HOLDING ON. 1879 00:56:05,463 --> 00:56:06,428 LOOK AT ... YOU CAN SEE PIPER HOLDING ON. [ BELL RINGING ] 1880 00:56:06,430 --> 00:56:09,731 YOU CAN SEE PIPER HOLDING ON. [ BELL RINGING ] >> END OF THE ROUND. 1881 00:56:09,733 --> 00:56:11,233 [ BELL RINGING ] >> END OF THE ROUND. AND THEY'LL BRING MR. T BACK, 1882 00:56:11,235 --> 00:56:12,634 >> END OF THE ROUND. AND THEY'LL BRING MR. T BACK, AND ALSO RODDY PIPER BACK IN 1883 00:56:12,636 --> 00:56:14,336 AND THEY'LL BRING MR. T BACK, AND ALSO RODDY PIPER BACK IN THEIR RESPECTIVE CORNERS. 1884 00:56:14,338 --> 00:56:15,337 AND ALSO RODDY PIPER BACK IN THEIR RESPECTIVE CORNERS. >> NOW, THIS IS WHERE WE HAVE TO 1885 00:56:15,339 --> 00:56:16,705 THEIR RESPECTIVE CORNERS. >> NOW, THIS IS WHERE WE HAVE TO BE CAREFUL, BECAUSE THIS IS WHEN 1886 00:56:16,707 --> 00:56:17,739 >> NOW, THIS IS WHERE WE HAVE TO BE CAREFUL, BECAUSE THIS IS WHEN ROWDY COULD GET DESPERATE DO 1887 00:56:17,741 --> 00:56:21,577 BE CAREFUL, BECAUSE THIS IS WHEN ROWDY COULD GET DESPERATE DO SOMETHING PRETTY UNSAVORY. 1888 00:56:21,579 --> 00:56:25,614 ROWDY COULD GET DESPERATE DO SOMETHING PRETTY UNSAVORY. >> YES. 1889 00:56:25,616 --> 00:56:27,416 SOMETHING PRETTY UNSAVORY. >> YES. MR. T BEING WORKED ON, AND THERE 1890 00:56:27,418 --> 00:56:31,553 >> YES. MR. T BEING WORKED ON, AND THERE IS ONE OF THE ROUND CARD GIRLS 1891 00:56:31,555 --> 00:56:33,489 MR. T BEING WORKED ON, AND THERE IS ONE OF THE ROUND CARD GIRLS [INDISTINCT] 1892 00:56:33,491 --> 00:56:35,424 IS ONE OF THE ROUND CARD GIRLS [INDISTINCT] , WE DIDN'T SEE 'EM EARLIER 1893 00:56:35,426 --> 00:56:39,561 [INDISTINCT] , WE DIDN'T SEE 'EM EARLIER BECAUSE OF THE ACTION, I'M SURE. 1894 00:56:39,563 --> 00:56:40,695 , WE DIDN'T SEE 'EM EARLIER BECAUSE OF THE ACTION, I'M SURE. BUT NOW, LOOK AT T OVER IN THE 1895 00:56:40,697 --> 00:56:43,499 BECAUSE OF THE ACTION, I'M SURE. BUT NOW, LOOK AT T OVER IN THE CORNER OF RODDY PIPER. 1896 00:56:43,501 --> 00:56:44,533 BUT NOW, LOOK AT T OVER IN THE CORNER OF RODDY PIPER. >> I THINK T'S FEELING A LITTLE 1897 00:56:44,535 --> 00:56:46,601 CORNER OF RODDY PIPER. >> I THINK T'S FEELING A LITTLE BETTER NOW. 1898 00:56:46,603 --> 00:56:47,469 >> I THINK T'S FEELING A LITTLE BETTER NOW. THAT LAST ROUND GAVE HIM SOME 1899 00:56:47,471 --> 00:56:49,438 BETTER NOW. THAT LAST ROUND GAVE HIM SOME PEP. 1900 00:56:49,440 --> 00:56:50,572 THAT LAST ROUND GAVE HIM SOME PEP. >> GAVE HIM A GREAT DEAL OF PEP. 1901 00:56:50,574 --> 00:56:51,473 PEP. >> GAVE HIM A GREAT DEAL OF PEP. >> YEP. 1902 00:56:51,475 --> 00:56:55,511 >> GAVE HIM A GREAT DEAL OF PEP. >> YEP. >> AND DUVA REALLY LAYING THE 1903 00:56:55,513 --> 00:56:57,879 >> YEP. >> AND DUVA REALLY LAYING THE WRAP ON RODDY PIPER. 1904 00:56:57,881 --> 00:57:01,349 >> AND DUVA REALLY LAYING THE WRAP ON RODDY PIPER. SECONDS OUT! 1905 00:57:01,351 --> 00:57:01,817 WRAP ON RODDY PIPER. SECONDS OUT! >> UH-OH! 1906 00:57:01,819 --> 00:57:02,517 SECONDS OUT! >> UH-OH! UH-OH! 1907 00:57:02,519 --> 00:57:03,585 >> UH-OH! UH-OH! I TOLD YOU, VINCE. 1908 00:57:03,587 --> 00:57:04,686 UH-OH! I TOLD YOU, VINCE. >> OH, MY. 1909 00:57:04,688 --> 00:57:05,788 I TOLD YOU, VINCE. >> OH, MY. >> I TOLD YOU. 1910 00:57:05,790 --> 00:57:09,458 >> OH, MY. >> I TOLD YOU. [ BELL RINGING ] 1911 00:57:09,460 --> 00:57:12,561 >> I TOLD YOU. [ BELL RINGING ] >> LOOK AT THIS NOW. 1912 00:57:12,563 --> 00:57:15,464 [ BELL RINGING ] >> LOOK AT THIS NOW. THE BEGINNING OF ROUND 4. 1913 00:57:15,466 --> 00:57:16,765 >> LOOK AT THIS NOW. THE BEGINNING OF ROUND 4. OH, AND A RIGHT HAND BY PIPER. 1914 00:57:16,767 --> 00:57:17,699 THE BEGINNING OF ROUND 4. OH, AND A RIGHT HAND BY PIPER. >> COME ON. 1915 00:57:17,701 --> 00:57:18,500 OH, AND A RIGHT HAND BY PIPER. >> COME ON. OH. 1916 00:57:18,502 --> 00:57:21,369 >> COME ON. OH. >> AND ONE BY T. 1917 00:57:21,371 --> 00:57:21,904 OH. >> AND ONE BY T. OH, ANOTHER ONE. 1918 00:57:21,906 --> 00:57:23,438 >> AND ONE BY T. OH, ANOTHER ONE. T IS BACKED UP. 1919 00:57:23,440 --> 00:57:24,339 OH, ANOTHER ONE. T IS BACKED UP. >> OH, KNOCKED HIS MOUTHPIECE 1920 00:57:24,341 --> 00:57:24,739 T IS BACKED UP. >> OH, KNOCKED HIS MOUTHPIECE ... 1921 00:57:24,741 --> 00:57:25,674 >> OH, KNOCKED HIS MOUTHPIECE ... ALMOST KNOCKED HIS MOUTH ... 1922 00:57:25,676 --> 00:57:27,643 ... ALMOST KNOCKED HIS MOUTH ... UH-OH. 1923 00:57:27,645 --> 00:57:28,677 ALMOST KNOCKED HIS MOUTH ... UH-OH. >> BOTH FIGHTERS SO ARM WEARY, 1924 00:57:28,679 --> 00:57:30,645 UH-OH. >> BOTH FIGHTERS SO ARM WEARY, BUT PIPER IS FIRING OFF. 1925 00:57:30,647 --> 00:57:31,746 >> BOTH FIGHTERS SO ARM WEARY, BUT PIPER IS FIRING OFF. T, ALSO WITH A RIGHT HAND A 1926 00:57:31,748 --> 00:57:33,482 BUT PIPER IS FIRING OFF. T, ALSO WITH A RIGHT HAND A MOMENT AGO. 1927 00:57:33,484 --> 00:57:34,416 T, ALSO WITH A RIGHT HAND A MOMENT AGO. AND A RIGHT BY PIPER. 1928 00:57:34,418 --> 00:57:36,518 MOMENT AGO. AND A RIGHT BY PIPER. AND A LEFT. 1929 00:57:36,520 --> 00:57:36,852 AND A RIGHT BY PIPER. AND A LEFT. >> UH-OH! 1930 00:57:36,854 --> 00:57:37,586 AND A LEFT. >> UH-OH! UH-OH! 1931 00:57:37,588 --> 00:57:38,386 >> UH-OH! UH-OH! COME ON, T. 1932 00:57:38,388 --> 00:57:42,691 UH-OH! COME ON, T. YOUR TURN, T. 1933 00:57:42,693 --> 00:57:51,733 COME ON, T. YOUR TURN, T. >> ROUNDHOUSE RIGHTS AND LEFTS. 1934 00:57:51,735 --> 00:57:52,734 YOUR TURN, T. >> ROUNDHOUSE RIGHTS AND LEFTS. BOTH MEN VERY ... 1935 00:57:52,736 --> 00:57:53,902 >> ROUNDHOUSE RIGHTS AND LEFTS. BOTH MEN VERY ... OH, MY. 1936 00:57:53,904 --> 00:57:55,537 BOTH MEN VERY ... OH, MY. WHAT A RIGHT HAND BY RODDY 1937 00:57:55,539 --> 00:57:56,538 OH, MY. WHAT A RIGHT HAND BY RODDY PIPER. 1938 00:57:56,540 --> 00:57:57,272 WHAT A RIGHT HAND BY RODDY PIPER. KNOCKED MR. T'S MOUTHPIECE RIGHT 1939 00:57:57,274 --> 00:57:58,840 PIPER. KNOCKED MR. T'S MOUTHPIECE RIGHT OUT. 1940 00:57:58,842 --> 00:58:02,677 KNOCKED MR. T'S MOUTHPIECE RIGHT OUT. >> UH-OH! 1941 00:58:02,679 --> 00:58:04,713 OUT. >> UH-OH! >> AND PIPER'S MOUTHPIECE OUT. 1942 00:58:04,715 --> 00:58:05,747 >> UH-OH! >> AND PIPER'S MOUTHPIECE OUT. >> WELL, HOW MUCH OF THIS CAN 1943 00:58:05,749 --> 00:58:07,382 >> AND PIPER'S MOUTHPIECE OUT. >> WELL, HOW MUCH OF THIS CAN THEY TAKE, VINCE? 1944 00:58:07,384 --> 00:58:08,717 >> WELL, HOW MUCH OF THIS CAN THEY TAKE, VINCE? THIS IS VICIOUS. 1945 00:58:08,719 --> 00:58:10,719 THEY TAKE, VINCE? THIS IS VICIOUS. >> A BRUTAL FIGHT, BOTH MEN SO 1946 00:58:10,721 --> 00:58:14,389 THIS IS VICIOUS. >> A BRUTAL FIGHT, BOTH MEN SO ARM WEARY, BUT MOVING IN NOW. 1947 00:58:14,391 --> 00:58:15,457 >> A BRUTAL FIGHT, BOTH MEN SO ARM WEARY, BUT MOVING IN NOW. THE REFEREE TRYING TO GET 1948 00:58:15,459 --> 00:58:16,658 ARM WEARY, BUT MOVING IN NOW. THE REFEREE TRYING TO GET BETWEEN NOW, BRING 'EM BACK OUT. 1949 00:58:16,660 --> 00:58:18,360 THE REFEREE TRYING TO GET BETWEEN NOW, BRING 'EM BACK OUT. OH, WAIT A MINUTE. 1950 00:58:18,362 --> 00:58:18,927 BETWEEN NOW, BRING 'EM BACK OUT. OH, WAIT A MINUTE. >> OH, WAIT A MINUTE. 1951 00:58:18,929 --> 00:58:19,628 OH, WAIT A MINUTE. >> OH, WAIT A MINUTE. COME ON. 1952 00:58:19,630 --> 00:58:20,462 >> OH, WAIT A MINUTE. COME ON. UH-OH! 1953 00:58:20,464 --> 00:58:21,697 COME ON. UH-OH! OH, WAIT A MINUTE. 1954 00:58:21,699 --> 00:58:23,298 UH-OH! OH, WAIT A MINUTE. I KNEW THIS WAS COMING. 1955 00:58:23,300 --> 00:58:23,865 OH, WAIT A MINUTE. I KNEW THIS WAS COMING. [ BELL RINGING ] 1956 00:58:23,867 --> 00:58:25,433 I KNEW THIS WAS COMING. [ BELL RINGING ] >> I KNEW IT. 1957 00:58:25,435 --> 00:58:25,734 [ BELL RINGING ] >> I KNEW IT. WHAT? 1958 00:58:25,736 --> 00:58:27,236 >> I KNEW IT. WHAT? WHY ISN'T GORDON LIDDY ... 1959 00:58:27,238 --> 00:58:28,803 WHAT? WHY ISN'T GORDON LIDDY ... ISN'T HE A JUDGE? 1960 00:58:28,805 --> 00:58:29,604 WHY ISN'T GORDON LIDDY ... ISN'T HE A JUDGE? COME ON. 1961 00:58:29,606 --> 00:58:30,805 ISN'T HE A JUDGE? COME ON. >> PIPER RESORTING TO THE 1962 00:58:30,807 --> 00:58:31,640 COME ON. >> PIPER RESORTING TO THE WRESTLING. 1963 00:58:31,642 --> 00:58:32,574 >> PIPER RESORTING TO THE WRESTLING. LOOK AT THIS. 1964 00:58:32,576 --> 00:58:33,808 WRESTLING. LOOK AT THIS. ALL THE MEN IN THERE. 1965 00:58:33,810 --> 00:58:35,310 LOOK AT THIS. ALL THE MEN IN THERE. >> OH, COME ON. 1966 00:58:35,312 --> 00:58:38,614 ALL THE MEN IN THERE. >> OH, COME ON. [ BELL RINGING ] 1967 00:58:38,616 --> 00:58:44,553 >> OH, COME ON. [ BELL RINGING ] >> WE HAVE A MELEE IN THERE. 1968 00:58:44,555 --> 00:58:46,755 [ BELL RINGING ] >> WE HAVE A MELEE IN THERE. A MELEE GOING ON. 1969 00:58:46,757 --> 00:58:50,392 >> WE HAVE A MELEE IN THERE. A MELEE GOING ON. >> AND JOE'S GOT A HOLD OF DUVA. 1970 00:58:50,394 --> 00:58:53,595 A MELEE GOING ON. >> AND JOE'S GOT A HOLD OF DUVA. >> PIPER IS BACK ON HIS FEET, 1971 00:58:53,597 --> 00:58:56,598 >> AND JOE'S GOT A HOLD OF DUVA. >> PIPER IS BACK ON HIS FEET, BACK TO HIS CORNER. 1972 00:58:56,600 --> 00:58:57,399 >> PIPER IS BACK ON HIS FEET, BACK TO HIS CORNER. >> UH-OH. 1973 00:58:57,401 --> 00:58:58,633 BACK TO HIS CORNER. >> UH-OH. THEY CAN'T JOE OFF OF COWBOY 1974 00:58:58,635 --> 00:58:59,635 >> UH-OH. THEY CAN'T JOE OFF OF COWBOY THERE. 1975 00:58:59,637 --> 00:59:01,403 THEY CAN'T JOE OFF OF COWBOY THERE. JOE'S GOT THE COWBOY. 1976 00:59:01,405 --> 00:59:02,204 THERE. JOE'S GOT THE COWBOY. >> WELL, THEY'RE TRYING TO GET 1977 00:59:02,206 --> 00:59:03,405 JOE'S GOT THE COWBOY. >> WELL, THEY'RE TRYING TO GET THESE FIGHTERS APART. 1978 00:59:03,407 --> 00:59:03,972 >> WELL, THEY'RE TRYING TO GET THESE FIGHTERS APART. OH, LOOK AT THAT. 1979 00:59:03,974 --> 00:59:07,442 THESE FIGHTERS APART. OH, LOOK AT THAT. MR. T GETS THE GOAT. 1980 00:59:07,444 --> 00:59:08,443 OH, LOOK AT THAT. MR. T GETS THE GOAT. BUT, PIPER IS RIGHT BACK ON TOP 1981 00:59:08,445 --> 00:59:11,513 MR. T GETS THE GOAT. BUT, PIPER IS RIGHT BACK ON TOP OF HIM. 1982 00:59:11,515 --> 00:59:12,881 BUT, PIPER IS RIGHT BACK ON TOP OF HIM. >> LADIES AND GENTLEMEN, IN THE 1983 00:59:12,883 --> 00:59:14,683 OF HIM. >> LADIES AND GENTLEMEN, IN THE FOURTH ROUND, THE REFEREE STOPS 1984 00:59:14,685 --> 00:59:16,451 >> LADIES AND GENTLEMEN, IN THE FOURTH ROUND, THE REFEREE STOPS THIS BOUT. 1985 00:59:16,453 --> 00:59:18,453 FOURTH ROUND, THE REFEREE STOPS THIS BOUT. HE AWARDS THE DECISION, AS A 1986 00:59:18,455 --> 00:59:21,690 THIS BOUT. HE AWARDS THE DECISION, AS A RESULT OF A DISQUALIFICATION, TO 1987 00:59:21,692 --> 00:59:23,491 HE AWARDS THE DECISION, AS A RESULT OF A DISQUALIFICATION, TO MR. T. 1988 00:59:23,493 --> 00:59:29,398 RESULT OF A DISQUALIFICATION, TO MR. T. [ CHEERING ] 1989 00:59:29,400 --> 00:59:29,797 MR. T. [ CHEERING ] >> ALL RIGHT. 1990 00:59:29,799 --> 00:59:30,699 [ CHEERING ] >> ALL RIGHT. LET'S TAKE A LOOK AT RODDY 1991 00:59:30,701 --> 00:59:32,868 >> ALL RIGHT. LET'S TAKE A LOOK AT RODDY PIPER. 1992 00:59:32,870 --> 00:59:33,936 LET'S TAKE A LOOK AT RODDY PIPER. AND THERE'S NO DOUBT MR. PIPER 1993 00:59:33,938 --> 00:59:35,303 PIPER. AND THERE'S NO DOUBT MR. PIPER WAS BENDING AND BREAKING THE 1994 00:59:35,305 --> 00:59:36,705 AND THERE'S NO DOUBT MR. PIPER WAS BENDING AND BREAKING THE RULES ALL THE WAY THROUGH THE 1995 00:59:36,707 --> 00:59:37,773 WAS BENDING AND BREAKING THE RULES ALL THE WAY THROUGH THE MATCHUP. 1996 00:59:37,775 --> 00:59:39,274 RULES ALL THE WAY THROUGH THE MATCHUP. >> HE ASKED FOR IT. 1997 00:59:39,276 --> 00:59:40,275 MATCHUP. >> HE ASKED FOR IT. IT'S ABOUT TIME THE REFEREES 1998 00:59:40,277 --> 00:59:42,577 >> HE ASKED FOR IT. IT'S ABOUT TIME THE REFEREES GAVE HIM WHAT HE DESERVED. 1999 00:59:42,579 --> 00:59:44,512 IT'S ABOUT TIME THE REFEREES GAVE HIM WHAT HE DESERVED. >> SO, FINALLY, PIPER 2000 00:59:44,514 --> 00:59:46,815 GAVE HIM WHAT HE DESERVED. >> SO, FINALLY, PIPER DISQUALIFIED, BUT IT TOOK HIM 2001 00:59:46,817 --> 00:59:48,383 >> SO, FINALLY, PIPER DISQUALIFIED, BUT IT TOOK HIM ... 2002 00:59:48,385 --> 00:59:49,351 DISQUALIFIED, BUT IT TOOK HIM ... AND WE'LL GO BACK, NOW, TO THE 2003 00:59:49,353 --> 00:59:50,852 ... AND WE'LL GO BACK, NOW, TO THE REPLAY. 2004 00:59:50,854 --> 00:59:52,520 AND WE'LL GO BACK, NOW, TO THE REPLAY. AND THERE, THE REFEREE SHOVED 2005 00:59:52,522 --> 00:59:53,321 REPLAY. AND THERE, THE REFEREE SHOVED DOWN. 2006 00:59:53,323 --> 00:59:54,756 AND THERE, THE REFEREE SHOVED DOWN. THAT, IN AND OF ITSELF, WAS 2007 00:59:54,758 --> 00:59:55,791 DOWN. THAT, IN AND OF ITSELF, WAS ENOUGH FOR DISQUALIFICATION, BUT 2008 00:59:55,793 --> 00:59:57,325 THAT, IN AND OF ITSELF, WAS ENOUGH FOR DISQUALIFICATION, BUT THAT. 2009 00:59:57,327 --> 00:59:58,526 ENOUGH FOR DISQUALIFICATION, BUT THAT. PIPER, I THINK, WAS DAZED, 2010 00:59:58,528 --> 01:00:00,562 THAT. PIPER, I THINK, WAS DAZED, SUSAN, AND AUTOMATICALLY 2011 01:00:00,564 --> 01:00:01,730 PIPER, I THINK, WAS DAZED, SUSAN, AND AUTOMATICALLY RESORTED TO HIS WRESTLING 2012 01:00:01,732 --> 01:00:03,298 SUSAN, AND AUTOMATICALLY RESORTED TO HIS WRESTLING SKILLS. 2013 01:00:03,300 --> 01:00:04,532 RESORTED TO HIS WRESTLING SKILLS. >> I HAVE TO GIVE HIM CREDIT FOR 2014 01:00:04,534 --> 01:00:06,167 SKILLS. >> I HAVE TO GIVE HIM CREDIT FOR THE FIRST TWO ROUNDS. 2015 01:00:06,169 --> 01:00:06,801 >> I HAVE TO GIVE HIM CREDIT FOR THE FIRST TWO ROUNDS. I WAS REALLY IMPRESSED WITH HIS 2016 01:00:06,803 --> 01:00:07,869 THE FIRST TWO ROUNDS. I WAS REALLY IMPRESSED WITH HIS SKILLS. 2017 01:00:07,871 --> 01:00:08,770 I WAS REALLY IMPRESSED WITH HIS SKILLS. HE GOT IN GOOD SHAPE. 2018 01:00:08,772 --> 01:00:09,838 SKILLS. HE GOT IN GOOD SHAPE. AND IF HE HADN'T GOTTEN SO 2019 01:00:09,840 --> 01:00:11,039 HE GOT IN GOOD SHAPE. AND IF HE HADN'T GOTTEN SO DESPERATE AT THE END, HE MIGHT 2020 01:00:11,041 --> 01:00:12,741 AND IF HE HADN'T GOTTEN SO DESPERATE AT THE END, HE MIGHT HAVE BEEN ABLE TO PULL IT OUT. 2021 01:00:12,743 --> 01:00:14,643 DESPERATE AT THE END, HE MIGHT HAVE BEEN ABLE TO PULL IT OUT. >> COULD VERY WELL HAVE, UH, 2022 01:00:14,645 --> 01:00:15,777 HAVE BEEN ABLE TO PULL IT OUT. >> COULD VERY WELL HAVE, UH, PULLED IT OUT THERE. 2023 01:00:15,779 --> 01:00:16,745 >> COULD VERY WELL HAVE, UH, PULLED IT OUT THERE. BUT, IN THE END, NONETHELESS, 2024 01:00:16,747 --> 01:00:18,880 PULLED IT OUT THERE. BUT, IN THE END, NONETHELESS, IT'LL GO DOWN AS A VICTORY FOR 2025 01:00:18,882 --> 01:00:20,782 BUT, IN THE END, NONETHELESS, IT'LL GO DOWN AS A VICTORY FOR MR. T. 2026 01:00:20,784 --> 01:00:22,417 IT'LL GO DOWN AS A VICTORY FOR MR. T. STANDING BY NOW, LADIES AND 2027 01:00:22,419 --> 01:00:23,619 MR. T. STANDING BY NOW, LADIES AND GENTLEMEN, WE'RE GOING TO TAKE 2028 01:00:23,621 --> 01:00:24,786 STANDING BY NOW, LADIES AND GENTLEMEN, WE'RE GOING TO TAKE YOU TO THE CHICAGO PORTION OF 2029 01:00:24,788 --> 01:00:26,821 GENTLEMEN, WE'RE GOING TO TAKE YOU TO THE CHICAGO PORTION OF WRESTLEMANIA. 2030 01:00:26,823 --> 01:00:27,689 YOU TO THE CHICAGO PORTION OF WRESTLEMANIA. >> THANK YOU, VINCE. 2031 01:00:27,691 --> 01:00:28,923 WRESTLEMANIA. >> THANK YOU, VINCE. AND HELLO, EVERYBODY, AND 2032 01:00:28,925 --> 01:00:29,591 >> THANK YOU, VINCE. AND HELLO, EVERYBODY, AND WELCOME TO THE BEAUTIFUL 2033 01:00:29,593 --> 01:00:31,826 AND HELLO, EVERYBODY, AND WELCOME TO THE BEAUTIFUL ROSEMONT HORIZON HERE IN CHICAGO 2034 01:00:31,828 --> 01:00:34,462 WELCOME TO THE BEAUTIFUL ROSEMONT HORIZON HERE IN CHICAGO FOR THIS PORTION OF WRESTLEMANIA 2035 01:00:34,464 --> 01:00:35,630 ROSEMONT HORIZON HERE IN CHICAGO FOR THIS PORTION OF WRESTLEMANIA 2. 2036 01:00:35,632 --> 01:00:36,632 FOR THIS PORTION OF WRESTLEMANIA 2. IT GIVES ME GREAT PLEASURE AT 2037 01:00:36,634 --> 01:00:38,600 2. IT GIVES ME GREAT PLEASURE AT THIS TIME TO INTRODUCE A DEAR 2038 01:00:38,602 --> 01:00:40,535 IT GIVES ME GREAT PLEASURE AT THIS TIME TO INTRODUCE A DEAR FRIEND OF MINE, WHOSE NAME IS 2039 01:00:40,537 --> 01:00:41,370 THIS TIME TO INTRODUCE A DEAR FRIEND OF MINE, WHOSE NAME IS SYNONYMOUS WITH PROFESSIONAL 2040 01:00:41,372 --> 01:00:43,338 FRIEND OF MINE, WHOSE NAME IS SYNONYMOUS WITH PROFESSIONAL WRESTLING, THE ONE AND ONLY MEAN 2041 01:00:43,340 --> 01:00:44,739 SYNONYMOUS WITH PROFESSIONAL WRESTLING, THE ONE AND ONLY MEAN GENE OKERLUND. 2042 01:00:44,741 --> 01:00:45,540 WRESTLING, THE ONE AND ONLY MEAN GENE OKERLUND. >> ALL RIGHT. 2043 01:00:45,542 --> 01:00:46,374 GENE OKERLUND. >> ALL RIGHT. I THANK YOU VERY MUCH, GORILLA 2044 01:00:46,376 --> 01:00:46,908 >> ALL RIGHT. I THANK YOU VERY MUCH, GORILLA MONSOON. 2045 01:00:46,910 --> 01:00:48,410 I THANK YOU VERY MUCH, GORILLA MONSOON. THIS PLACE COMING UNGLUED AS WE 2046 01:00:48,412 --> 01:00:49,811 MONSOON. THIS PLACE COMING UNGLUED AS WE WORK UP TO THIS GIGANTIC BATTLE 2047 01:00:49,813 --> 01:00:51,580 THIS PLACE COMING UNGLUED AS WE WORK UP TO THIS GIGANTIC BATTLE ROYAL. 2048 01:00:51,582 --> 01:00:52,447 WORK UP TO THIS GIGANTIC BATTLE ROYAL. TWENTY MEN IN THE RING, 2049 01:00:52,449 --> 01:00:53,749 ROYAL. TWENTY MEN IN THE RING, INCLUDING SIX OF THE BEST FROM 2050 01:00:53,751 --> 01:00:54,749 TWENTY MEN IN THE RING, INCLUDING SIX OF THE BEST FROM THE NATIONAL FOOTBALL LEAGUE, 2051 01:00:54,751 --> 01:00:56,484 INCLUDING SIX OF THE BEST FROM THE NATIONAL FOOTBALL LEAGUE, AND OF COURSE, 14 OF THE VERY 2052 01:00:56,486 --> 01:00:57,852 THE NATIONAL FOOTBALL LEAGUE, AND OF COURSE, 14 OF THE VERY BEST FROM THE WORLD OF 2053 01:00:57,854 --> 01:00:58,720 AND OF COURSE, 14 OF THE VERY BEST FROM THE WORLD OF PROFESSIONAL WRESTLING. 2054 01:00:58,722 --> 01:00:59,888 BEST FROM THE WORLD OF PROFESSIONAL WRESTLING. I THINK IT COMES DOWN TO 2055 01:00:59,890 --> 01:01:01,389 PROFESSIONAL WRESTLING. I THINK IT COMES DOWN TO FOOTBALL VERSUS WRESTLING. 2056 01:01:01,391 --> 01:01:02,557 I THINK IT COMES DOWN TO FOOTBALL VERSUS WRESTLING. >> UNBELIEVABLE. 2057 01:01:02,559 --> 01:01:03,758 FOOTBALL VERSUS WRESTLING. >> UNBELIEVABLE. UNREAL SITUATION HERE AT THE 2058 01:01:03,760 --> 01:01:04,592 >> UNBELIEVABLE. UNREAL SITUATION HERE AT THE ROSEMONT. 2059 01:01:04,594 --> 01:01:06,428 UNREAL SITUATION HERE AT THE ROSEMONT. AND RIGHT NOW, IT IS MY VERY 2060 01:01:06,430 --> 01:01:08,329 ROSEMONT. AND RIGHT NOW, IT IS MY VERY DEAR PLEASURE TO INTRODUCE TO 2061 01:01:08,331 --> 01:01:10,432 AND RIGHT NOW, IT IS MY VERY DEAR PLEASURE TO INTRODUCE TO YOU A VERY, VERY SPECIAL PERSON 2062 01:01:10,434 --> 01:01:11,667 DEAR PLEASURE TO INTRODUCE TO YOU A VERY, VERY SPECIAL PERSON WHO WILL BE SITTING WITH ME 2063 01:01:11,669 --> 01:01:13,635 YOU A VERY, VERY SPECIAL PERSON WHO WILL BE SITTING WITH ME DOING COLOR COMMENTARY, THE VERY 2064 01:01:13,637 --> 01:01:15,737 WHO WILL BE SITTING WITH ME DOING COLOR COMMENTARY, THE VERY BEAUTIFUL, TALENTED ACTRESS, 2065 01:01:15,739 --> 01:01:18,273 DOING COLOR COMMENTARY, THE VERY BEAUTIFUL, TALENTED ACTRESS, CATHY LEE CROSBY. 2066 01:01:18,275 --> 01:01:18,940 BEAUTIFUL, TALENTED ACTRESS, CATHY LEE CROSBY. CATHY, WELCOME. 2067 01:01:18,942 --> 01:01:19,741 CATHY LEE CROSBY. CATHY, WELCOME. >> IT'S WONDERFUL TO BE HERE IN 2068 01:01:19,743 --> 01:01:20,575 CATHY, WELCOME. >> IT'S WONDERFUL TO BE HERE IN CHICAGO. 2069 01:01:20,577 --> 01:01:21,409 >> IT'S WONDERFUL TO BE HERE IN CHICAGO. I LOVE THE CITY. 2070 01:01:21,411 --> 01:01:22,577 CHICAGO. I LOVE THE CITY. >> WELCOME TO THE WORLD OF 2071 01:01:22,579 --> 01:01:23,645 I LOVE THE CITY. >> WELCOME TO THE WORLD OF PROFESSIONAL WRESTLING. 2072 01:01:23,647 --> 01:01:24,746 >> WELCOME TO THE WORLD OF PROFESSIONAL WRESTLING. >> OH, WELL, THIS IS MY FIRST 2073 01:01:24,748 --> 01:01:26,414 PROFESSIONAL WRESTLING. >> OH, WELL, THIS IS MY FIRST WRESTLING MATCH ACTUALLY IN 2074 01:01:26,416 --> 01:01:27,549 >> OH, WELL, THIS IS MY FIRST WRESTLING MATCH ACTUALLY IN PERSON. 2075 01:01:27,551 --> 01:01:27,883 WRESTLING MATCH ACTUALLY IN PERSON. SO, I'M ... 2076 01:01:27,885 --> 01:01:28,617 PERSON. SO, I'M ... >> IT'S TREMENDOUS TO HAVE YOU 2077 01:01:28,619 --> 01:01:29,517 SO, I'M ... >> IT'S TREMENDOUS TO HAVE YOU HERE. 2078 01:01:29,519 --> 01:01:30,118 >> IT'S TREMENDOUS TO HAVE YOU HERE. WE HAVE PLENTY OF ACTION AND 2079 01:01:30,120 --> 01:01:31,820 HERE. WE HAVE PLENTY OF ACTION AND EXCITEMENT PERSONIFIED HERE, AS 2080 01:01:31,822 --> 01:01:32,554 WE HAVE PLENTY OF ACTION AND EXCITEMENT PERSONIFIED HERE, AS ONLY THE WORLD WRESTLING 2081 01:01:32,556 --> 01:01:34,389 EXCITEMENT PERSONIFIED HERE, AS ONLY THE WORLD WRESTLING ENTERTAINMENT CAN DELIVER IT. 2082 01:01:34,391 --> 01:01:35,890 ONLY THE WORLD WRESTLING ENTERTAINMENT CAN DELIVER IT. SO, WITHOUT ANY FURTHER ADO, 2083 01:01:35,892 --> 01:01:37,292 ENTERTAINMENT CAN DELIVER IT. SO, WITHOUT ANY FURTHER ADO, LET'S DO UP TO OUR RING 2084 01:01:37,294 --> 01:01:38,960 SO, WITHOUT ANY FURTHER ADO, LET'S DO UP TO OUR RING ANNOUNCER, CHET COPPOCK. 2085 01:01:38,962 --> 01:01:40,595 LET'S DO UP TO OUR RING ANNOUNCER, CHET COPPOCK. >> THANK YOU VERY ... 2086 01:01:40,597 --> 01:01:43,531 ANNOUNCER, CHET COPPOCK. >> THANK YOU VERY ... [ BELL RINGING ] 2087 01:01:43,533 --> 01:01:44,132 >> THANK YOU VERY ... [ BELL RINGING ] >> THANK YOU VERY MUCH, GORILLA 2088 01:01:44,134 --> 01:01:45,533 [ BELL RINGING ] >> THANK YOU VERY MUCH, GORILLA MONSOON. 2089 01:01:45,535 --> 01:01:46,467 >> THANK YOU VERY MUCH, GORILLA MONSOON. GOOD EVENING, LADIES AND 2090 01:01:46,469 --> 01:01:47,635 MONSOON. GOOD EVENING, LADIES AND GENTLEMEN, AND WELCOME TO THE 2091 01:01:47,637 --> 01:01:48,870 GOOD EVENING, LADIES AND GENTLEMEN, AND WELCOME TO THE ROSEMONT HORIZON. 2092 01:01:48,872 --> 01:01:50,672 GENTLEMEN, AND WELCOME TO THE ROSEMONT HORIZON. THIS EVENT FOR THE WORLD 2093 01:01:50,674 --> 01:01:52,874 ROSEMONT HORIZON. THIS EVENT FOR THE WORLD WRESTLING ENTERTAINMENT LADIES' 2094 01:01:52,876 --> 01:01:55,577 THIS EVENT FOR THE WORLD WRESTLING ENTERTAINMENT LADIES' CHAMPIONSHIP, ONE FALL, 2095 01:01:55,579 --> 01:01:57,645 WRESTLING ENTERTAINMENT LADIES' CHAMPIONSHIP, ONE FALL, A 60-MINUTE TIME LIMIT. 2096 01:01:57,647 --> 01:01:59,814 CHAMPIONSHIP, ONE FALL, A 60-MINUTE TIME LIMIT. THE CHALLENGER, FROM CORK 2097 01:01:59,816 --> 01:02:03,585 A 60-MINUTE TIME LIMIT. THE CHALLENGER, FROM CORK COUNTY, IRELAND, SHE WEIGHS 144 2098 01:02:03,587 --> 01:02:04,820 THE CHALLENGER, FROM CORK COUNTY, IRELAND, SHE WEIGHS 144 POUNDS. 2099 01:02:04,822 --> 01:02:06,855 COUNTY, IRELAND, SHE WEIGHS 144 POUNDS. LADIES AND GENTLEMEN, VELVET 2100 01:02:06,857 --> 01:02:15,630 POUNDS. LADIES AND GENTLEMEN, VELVET MCINTYRE, VELVET MCINTYRE. 2101 01:02:15,632 --> 01:02:19,434 LADIES AND GENTLEMEN, VELVET MCINTYRE, VELVET MCINTYRE. AND HER OPPONENT, WEIGHING 160 2102 01:02:19,436 --> 01:02:22,804 MCINTYRE, VELVET MCINTYRE. AND HER OPPONENT, WEIGHING 160 POUNDS, FROM COLUMBIA, SOUTH 2103 01:02:22,806 --> 01:02:26,407 AND HER OPPONENT, WEIGHING 160 POUNDS, FROM COLUMBIA, SOUTH CAROLINA, SHE IS THE WORLD 2104 01:02:26,409 --> 01:02:28,477 POUNDS, FROM COLUMBIA, SOUTH CAROLINA, SHE IS THE WORLD WRESTLING ENTERTAINMENT 2105 01:02:28,479 --> 01:02:29,711 CAROLINA, SHE IS THE WORLD WRESTLING ENTERTAINMENT CHAMPION. 2106 01:02:29,713 --> 01:02:30,712 WRESTLING ENTERTAINMENT CHAMPION. LADIES AND GENTLEMEN, THE 2107 01:02:30,714 --> 01:02:34,783 CHAMPION. LADIES AND GENTLEMEN, THE FABULOUS MOOLAH. 2108 01:02:34,785 --> 01:02:38,753 LADIES AND GENTLEMEN, THE FABULOUS MOOLAH. ONE-FALL, 60 MINUTES. 2109 01:02:38,755 --> 01:02:39,521 FABULOUS MOOLAH. ONE-FALL, 60 MINUTES. >> WOMEN'S TITLE ON THE LINE 2110 01:02:39,523 --> 01:02:40,722 ONE-FALL, 60 MINUTES. >> WOMEN'S TITLE ON THE LINE HERE IN THE ROSEMONT HORIZON, 2111 01:02:40,724 --> 01:02:41,757 >> WOMEN'S TITLE ON THE LINE HERE IN THE ROSEMONT HORIZON, GENE. 2112 01:02:41,759 --> 01:02:42,757 HERE IN THE ROSEMONT HORIZON, GENE. AND IT'S NOT TOO LONG AGO THAT 2113 01:02:42,759 --> 01:02:44,793 GENE. AND IT'S NOT TOO LONG AGO THAT MOOLAH GOT THE TITLE BACK. 2114 01:02:44,795 --> 01:02:45,861 AND IT'S NOT TOO LONG AGO THAT MOOLAH GOT THE TITLE BACK. >> AND SHE STARTED WITH A ... 2115 01:02:45,863 --> 01:02:49,531 MOOLAH GOT THE TITLE BACK. >> AND SHE STARTED WITH A ... >> LOOK AT THIS ACTION, RIGHT 2116 01:02:49,533 --> 01:02:50,532 >> AND SHE STARTED WITH A ... >> LOOK AT THIS ACTION, RIGHT OFF THE BAT. 2117 01:02:50,534 --> 01:02:51,633 >> LOOK AT THIS ACTION, RIGHT OFF THE BAT. A HANDFUL OF HAIR, AS VELVET 2118 01:02:51,635 --> 01:02:53,635 OFF THE BAT. A HANDFUL OF HAIR, AS VELVET MCINTYRE GETS RAMMED TIME AND 2119 01:02:53,637 --> 01:02:55,704 A HANDFUL OF HAIR, AS VELVET MCINTYRE GETS RAMMED TIME AND TIME AGAIN. 2120 01:02:55,706 --> 01:02:56,704 MCINTYRE GETS RAMMED TIME AND TIME AGAIN. AND MOOLAH NOT WASTING ANY TIME. 2121 01:02:56,706 --> 01:02:58,506 TIME AGAIN. AND MOOLAH NOT WASTING ANY TIME. LOOK OUT. 2122 01:02:58,508 --> 01:02:59,407 AND MOOLAH NOT WASTING ANY TIME. LOOK OUT. VELVET IN FOR THE RIDE. 2123 01:02:59,409 --> 01:03:03,344 LOOK OUT. VELVET IN FOR THE RIDE. HOLY MACKEREL. 2124 01:03:03,346 --> 01:03:04,479 VELVET IN FOR THE RIDE. HOLY MACKEREL. >> CATHY LEE, I'M VERY CURIOUS. 2125 01:03:04,481 --> 01:03:06,381 HOLY MACKEREL. >> CATHY LEE, I'M VERY CURIOUS. YOU'RE QUITE AN ATHLETE IN YOUR 2126 01:03:06,383 --> 01:03:07,449 >> CATHY LEE, I'M VERY CURIOUS. YOU'RE QUITE AN ATHLETE IN YOUR OWN RIGHT. 2127 01:03:07,451 --> 01:03:08,115 YOU'RE QUITE AN ATHLETE IN YOUR OWN RIGHT. WHAT DO YOU THINK OF THESE 2128 01:03:08,117 --> 01:03:08,750 OWN RIGHT. WHAT DO YOU THINK OF THESE PROFESSIONALS? 2129 01:03:08,752 --> 01:03:09,417 WHAT DO YOU THINK OF THESE PROFESSIONALS? >> OH, LOOK AT THAT. 2130 01:03:09,419 --> 01:03:10,552 PROFESSIONALS? >> OH, LOOK AT THAT. >> I AM IMPRESSED. 2131 01:03:10,554 --> 01:03:11,386 >> OH, LOOK AT THAT. >> I AM IMPRESSED. I HAVE NEVER SEEN ANYTHING LIKE 2132 01:03:11,388 --> 01:03:12,587 >> I AM IMPRESSED. I HAVE NEVER SEEN ANYTHING LIKE THIS IN MY LIFE. 2133 01:03:12,589 --> 01:03:13,822 I HAVE NEVER SEEN ANYTHING LIKE THIS IN MY LIFE. >> BEAUTIFUL ONE-FOOTED DROPKICK 2134 01:03:13,824 --> 01:03:16,424 THIS IN MY LIFE. >> BEAUTIFUL ONE-FOOTED DROPKICK BY VELVET MCINTYRE, AS MOOLAH IS 2135 01:03:16,426 --> 01:03:18,794 >> BEAUTIFUL ONE-FOOTED DROPKICK BY VELVET MCINTYRE, AS MOOLAH IS STUNNED RIGHT OFF THE BAT. 2136 01:03:18,796 --> 01:03:20,595 BY VELVET MCINTYRE, AS MOOLAH IS STUNNED RIGHT OFF THE BAT. CHAMPIONSHIP ON THE LINE HERE, 2137 01:03:20,597 --> 01:03:22,664 STUNNED RIGHT OFF THE BAT. CHAMPIONSHIP ON THE LINE HERE, AS PART OF WRESTLEMANIA 2. 2138 01:03:22,666 --> 01:03:24,732 CHAMPIONSHIP ON THE LINE HERE, AS PART OF WRESTLEMANIA 2. LOOK OUT. 2139 01:03:24,734 --> 01:03:26,734 AS PART OF WRESTLEMANIA 2. LOOK OUT. BIG SLAM. 2140 01:03:26,736 --> 01:03:27,802 LOOK OUT. BIG SLAM. VELVET GOING TO THE CORNER, UP 2141 01:03:27,804 --> 01:03:28,770 BIG SLAM. VELVET GOING TO THE CORNER, UP ON TOP OF THE SECOND TURNBUCKLE 2142 01:03:28,772 --> 01:03:30,672 VELVET GOING TO THE CORNER, UP ON TOP OF THE SECOND TURNBUCKLE ON THE INSIDE. 2143 01:03:30,674 --> 01:03:31,806 ON TOP OF THE SECOND TURNBUCKLE ON THE INSIDE. >> OH, SHE MISSES. 2144 01:03:31,808 --> 01:03:33,474 ON THE INSIDE. >> OH, SHE MISSES. RIGHT ON HER STOMACH. 2145 01:03:33,476 --> 01:03:34,709 >> OH, SHE MISSES. RIGHT ON HER STOMACH. >> THERE'S THAT TREMENDOUS RING 2146 01:03:34,711 --> 01:03:36,545 RIGHT ON HER STOMACH. >> THERE'S THAT TREMENDOUS RING EXPERIENCE BY THE VETERAN, THE 2147 01:03:36,547 --> 01:03:38,680 >> THERE'S THAT TREMENDOUS RING EXPERIENCE BY THE VETERAN, THE FABULOUS ONE, FABULOUS MOOLAH. 2148 01:03:38,682 --> 01:03:39,781 EXPERIENCE BY THE VETERAN, THE FABULOUS ONE, FABULOUS MOOLAH. OVER FOR THE COUNT. 2149 01:03:39,783 --> 01:03:41,482 FABULOUS ONE, FABULOUS MOOLAH. OVER FOR THE COUNT. ONE, TWO, AND IT'S ALL OVER. 2150 01:03:41,484 --> 01:03:41,883 OVER FOR THE COUNT. ONE, TWO, AND IT'S ALL OVER. >> SHE HAS IT! 2151 01:03:41,885 --> 01:03:42,550 ONE, TWO, AND IT'S ALL OVER. >> SHE HAS IT! SHE HAS IT. 2152 01:03:42,552 --> 01:03:43,418 >> SHE HAS IT! SHE HAS IT. [ BELL RINGING ] 2153 01:03:43,420 --> 01:03:43,885 SHE HAS IT. [ BELL RINGING ] >> IT'S ALL OVER? 2154 01:03:43,887 --> 01:03:44,452 [ BELL RINGING ] >> IT'S ALL OVER? YOU'VE GOT TO BE KIDDING ME. 2155 01:03:44,454 --> 01:03:45,286 >> IT'S ALL OVER? YOU'VE GOT TO BE KIDDING ME. >> IT'S -- IT'S POSSIBLY A 2156 01:03:45,288 --> 01:03:47,555 YOU'VE GOT TO BE KIDDING ME. >> IT'S -- IT'S POSSIBLY A RECORD HERE. 2157 01:03:47,557 --> 01:03:48,690 >> IT'S -- IT'S POSSIBLY A RECORD HERE. >> SHE WAS AWESOME. 2158 01:03:48,692 --> 01:03:50,859 RECORD HERE. >> SHE WAS AWESOME. >> HOLY MACKEREL. 2159 01:03:50,861 --> 01:03:52,360 >> SHE WAS AWESOME. >> HOLY MACKEREL. >> FABULOUS MOOLAH WAS JUST 2160 01:03:52,362 --> 01:03:53,528 >> HOLY MACKEREL. >> FABULOUS MOOLAH WAS JUST THAT. 2161 01:03:53,530 --> 01:03:54,762 >> FABULOUS MOOLAH WAS JUST THAT. >> THAT'S UNBELIEVABLE. 2162 01:03:54,764 --> 01:03:57,666 THAT. >> THAT'S UNBELIEVABLE. >> ONLY A COUPLE OF MINUTES AT 2163 01:03:57,668 --> 01:03:59,668 >> THAT'S UNBELIEVABLE. >> ONLY A COUPLE OF MINUTES AT THE MOST GONE BY HERE IN 2164 01:03:59,670 --> 01:04:00,702 >> ONLY A COUPLE OF MINUTES AT THE MOST GONE BY HERE IN WRESTLEMANIA 2. 2165 01:04:00,704 --> 01:04:02,737 THE MOST GONE BY HERE IN WRESTLEMANIA 2. AND WOMAN'S WORLD CHAMPION, 2166 01:04:02,739 --> 01:04:03,805 WRESTLEMANIA 2. AND WOMAN'S WORLD CHAMPION, FABULOUS MOOLAH ... 2167 01:04:03,807 --> 01:04:04,672 AND WOMAN'S WORLD CHAMPION, FABULOUS MOOLAH ... [ BELL RINGING ] 2168 01:04:04,674 --> 01:04:05,540 FABULOUS MOOLAH ... [ BELL RINGING ] >> OBVIOUSLY RETAINING HER 2169 01:04:05,542 --> 01:04:08,443 [ BELL RINGING ] >> OBVIOUSLY RETAINING HER TITLE. 2170 01:04:08,445 --> 01:04:09,077 >> OBVIOUSLY RETAINING HER TITLE. >> DOES SHE NORMALLY COME OUT 2171 01:04:09,079 --> 01:04:09,845 TITLE. >> DOES SHE NORMALLY COME OUT THAT FAST? 2172 01:04:09,847 --> 01:04:10,745 >> DOES SHE NORMALLY COME OUT THAT FAST? >> ABSOLUTELY NOT. 2173 01:04:10,747 --> 01:04:11,813 THAT FAST? >> ABSOLUTELY NOT. THIS IS A BIG UPSET. 2174 01:04:11,815 --> 01:04:13,448 >> ABSOLUTELY NOT. THIS IS A BIG UPSET. LET'S GO TO THE RING ANNOUNCER. 2175 01:04:13,450 --> 01:04:14,616 THIS IS A BIG UPSET. LET'S GO TO THE RING ANNOUNCER. >> LADIES AND GENTLEMEN, YOUR 2176 01:04:14,618 --> 01:04:15,717 LET'S GO TO THE RING ANNOUNCER. >> LADIES AND GENTLEMEN, YOUR WINNER, AND STILL WWE LADIES' 2177 01:04:15,719 --> 01:04:19,387 >> LADIES AND GENTLEMEN, YOUR WINNER, AND STILL WWE LADIES' CHAMPION, THE FABULOUS MOOLAH. 2178 01:04:19,389 --> 01:04:21,789 WINNER, AND STILL WWE LADIES' CHAMPION, THE FABULOUS MOOLAH. MOOLAH. 2179 01:04:21,791 --> 01:04:23,691 CHAMPION, THE FABULOUS MOOLAH. MOOLAH. >> MOOLAH VICTORIOUS HERE IN THE 2180 01:04:23,693 --> 01:04:25,460 MOOLAH. >> MOOLAH VICTORIOUS HERE IN THE ROSEMONT HORIZON, COULD BE IN 2181 01:04:25,462 --> 01:04:27,395 >> MOOLAH VICTORIOUS HERE IN THE ROSEMONT HORIZON, COULD BE IN RECORD TIME, AS WELL. 2182 01:04:27,397 --> 01:04:29,564 ROSEMONT HORIZON, COULD BE IN RECORD TIME, AS WELL. JUST UNBELIEVABLE SITUATION HERE 2183 01:04:29,566 --> 01:04:30,765 RECORD TIME, AS WELL. JUST UNBELIEVABLE SITUATION HERE IN THE HORIZON. 2184 01:04:30,767 --> 01:04:31,733 JUST UNBELIEVABLE SITUATION HERE IN THE HORIZON. RIGHT OFF THE BAT, THE FABULOUS 2185 01:04:31,735 --> 01:04:33,601 IN THE HORIZON. RIGHT OFF THE BAT, THE FABULOUS MOOLAH CHALKING UP A QUICK 2186 01:04:33,603 --> 01:04:34,636 RIGHT OFF THE BAT, THE FABULOUS MOOLAH CHALKING UP A QUICK VICTORY. 2187 01:04:34,638 --> 01:04:35,837 MOOLAH CHALKING UP A QUICK VICTORY. BUT, PLENTY MORE ACTION STILL TO 2188 01:04:35,839 --> 01:04:36,738 VICTORY. BUT, PLENTY MORE ACTION STILL TO COME, GENE. 2189 01:04:36,740 --> 01:04:37,672 BUT, PLENTY MORE ACTION STILL TO COME, GENE. >> YOU HAD BETTER BELIEVE IT. 2190 01:04:37,674 --> 01:04:38,673 COME, GENE. >> YOU HAD BETTER BELIEVE IT. OF COURSE, WE'VE GOT TAG TEAM 2191 01:04:38,675 --> 01:04:39,641 >> YOU HAD BETTER BELIEVE IT. OF COURSE, WE'VE GOT TAG TEAM CHAMPIONS VALENTINE AND BEEFCAKE 2192 01:04:39,643 --> 01:04:41,709 OF COURSE, WE'VE GOT TAG TEAM CHAMPIONS VALENTINE AND BEEFCAKE WITH A TITLE DEFENSE AGAINST THE 2193 01:04:41,711 --> 01:04:42,543 CHAMPIONS VALENTINE AND BEEFCAKE WITH A TITLE DEFENSE AGAINST THE BRITISH BULLDOGS. 2194 01:04:42,545 --> 01:04:43,611 WITH A TITLE DEFENSE AGAINST THE BRITISH BULLDOGS. >> WITH TWO REFEREES. 2195 01:04:43,613 --> 01:04:44,779 BRITISH BULLDOGS. >> WITH TWO REFEREES. >> AND IT'S ABOUT TIME. 2196 01:04:44,781 --> 01:04:46,114 >> WITH TWO REFEREES. >> AND IT'S ABOUT TIME. YOU KNOW THE REASONS FOR THAT. 2197 01:04:46,116 --> 01:04:47,148 >> AND IT'S ABOUT TIME. YOU KNOW THE REASONS FOR THAT. >> ABSOLUTELY SO. 2198 01:04:47,150 --> 01:04:47,882 YOU KNOW THE REASONS FOR THAT. >> ABSOLUTELY SO. AND OF COURSE, EVERYONE KNOWS 2199 01:04:47,884 --> 01:04:50,718 >> ABSOLUTELY SO. AND OF COURSE, EVERYONE KNOWS THAT FANTASTIC, 20-MAN, OVER THE 2200 01:04:50,720 --> 01:04:52,687 AND OF COURSE, EVERYONE KNOWS THAT FANTASTIC, 20-MAN, OVER THE TOP, OPEN INVITATIONAL BATTLE 2201 01:04:52,689 --> 01:04:53,488 THAT FANTASTIC, 20-MAN, OVER THE TOP, OPEN INVITATIONAL BATTLE ROYAL. 2202 01:04:53,490 --> 01:04:54,289 TOP, OPEN INVITATIONAL BATTLE ROYAL. >> I'M VERY CURIOUS, CATHY LEE 2203 01:04:54,291 --> 01:04:55,590 ROYAL. >> I'M VERY CURIOUS, CATHY LEE CROSBY. 2204 01:04:55,592 --> 01:04:56,824 >> I'M VERY CURIOUS, CATHY LEE CROSBY. CATHY LEE ... 2205 01:04:56,826 --> 01:04:57,892 CROSBY. CATHY LEE ... >> I'VE NEVER HEARD THIS CROWD. 2206 01:04:57,894 --> 01:04:59,294 CATHY LEE ... >> I'VE NEVER HEARD THIS CROWD. THIS IS UNBELIEVABLE. 2207 01:04:59,296 --> 01:05:00,195 >> I'VE NEVER HEARD THIS CROWD. THIS IS UNBELIEVABLE. >> YOU'VE BEEN ALIGNED WITH A 2208 01:05:00,197 --> 01:05:01,462 THIS IS UNBELIEVABLE. >> YOU'VE BEEN ALIGNED WITH A FOOTBALL PLAYER OR TWO. 2209 01:05:01,464 --> 01:05:02,964 >> YOU'VE BEEN ALIGNED WITH A FOOTBALL PLAYER OR TWO. SPECULATE ON THE CHANCES OF THE 2210 01:05:02,966 --> 01:05:04,599 FOOTBALL PLAYER OR TWO. SPECULATE ON THE CHANCES OF THE FOOTBALL PLAYERS TONIGHT IN THE 2211 01:05:04,601 --> 01:05:05,400 SPECULATE ON THE CHANCES OF THE FOOTBALL PLAYERS TONIGHT IN THE BATTLE ROYAL. 2212 01:05:05,402 --> 01:05:06,001 FOOTBALL PLAYERS TONIGHT IN THE BATTLE ROYAL. >> YOU KNOW WHAT? 2213 01:05:06,003 --> 01:05:06,768 BATTLE ROYAL. >> YOU KNOW WHAT? I PICKED THE FOOTBALL PLAYERS 2214 01:05:06,770 --> 01:05:08,436 >> YOU KNOW WHAT? I PICKED THE FOOTBALL PLAYERS ORIGINALLY. 2215 01:05:08,438 --> 01:05:09,337 I PICKED THE FOOTBALL PLAYERS ORIGINALLY. BUT HAVING SEEN THE WRESTLERS IN 2216 01:05:09,339 --> 01:05:11,406 ORIGINALLY. BUT HAVING SEEN THE WRESTLERS IN PERSON, I HAVE TO REVISE THAT. 2217 01:05:11,408 --> 01:05:12,707 BUT HAVING SEEN THE WRESTLERS IN PERSON, I HAVE TO REVISE THAT. BECAUSE I DON'T THINK THAT THE 2218 01:05:12,709 --> 01:05:14,542 PERSON, I HAVE TO REVISE THAT. BECAUSE I DON'T THINK THAT THE FOOTBALL PLAYERS HAVE A CHANCE. 2219 01:05:14,544 --> 01:05:15,810 BECAUSE I DON'T THINK THAT THE FOOTBALL PLAYERS HAVE A CHANCE. I MEAN, I'M SURPRISED. 2220 01:05:15,812 --> 01:05:18,380 FOOTBALL PLAYERS HAVE A CHANCE. I MEAN, I'M SURPRISED. THESE WRESTLERS ARE HUGE. 2221 01:05:18,382 --> 01:05:19,714 I MEAN, I'M SURPRISED. THESE WRESTLERS ARE HUGE. >> IT CERTAINLY WON'T TAKE LONG 2222 01:05:19,716 --> 01:05:21,282 THESE WRESTLERS ARE HUGE. >> IT CERTAINLY WON'T TAKE LONG TO FIND OUT WHETHER THEY DO OR 2223 01:05:21,284 --> 01:05:22,717 >> IT CERTAINLY WON'T TAKE LONG TO FIND OUT WHETHER THEY DO OR NOT, BECAUSE THAT BIG ONE IS 2224 01:05:22,719 --> 01:05:24,619 TO FIND OUT WHETHER THEY DO OR NOT, BECAUSE THAT BIG ONE IS COMING UP VERY SHORTLY, RIGHT 2225 01:05:24,621 --> 01:05:25,787 NOT, BECAUSE THAT BIG ONE IS COMING UP VERY SHORTLY, RIGHT HERE IN THE VERY BEAUTIFUL 2226 01:05:25,789 --> 01:05:27,655 COMING UP VERY SHORTLY, RIGHT HERE IN THE VERY BEAUTIFUL ROSEMONT HORIZON. 2227 01:05:27,657 --> 01:05:28,456 HERE IN THE VERY BEAUTIFUL ROSEMONT HORIZON. WITH THAT, LET'S GO UP TO OUR 2228 01:05:28,458 --> 01:05:29,557 ROSEMONT HORIZON. WITH THAT, LET'S GO UP TO OUR RING ANNOUNCER. 2229 01:05:29,559 --> 01:05:31,660 WITH THAT, LET'S GO UP TO OUR RING ANNOUNCER. >> LADIES AND GENTLEMEN, THE 2230 01:05:31,662 --> 01:05:33,662 RING ANNOUNCER. >> LADIES AND GENTLEMEN, THE FOLLOWING CONTEST IS A FLAG 2231 01:05:33,664 --> 01:05:36,531 >> LADIES AND GENTLEMEN, THE FOLLOWING CONTEST IS A FLAG MATCH. 2232 01:05:36,533 --> 01:05:39,367 FOLLOWING CONTEST IS A FLAG MATCH. THE WINNER OF THIS BOUT WILL GET 2233 01:05:39,369 --> 01:05:40,768 MATCH. THE WINNER OF THIS BOUT WILL GET TO RAISE HIS COLORS HIGH. 2234 01:05:40,770 --> 01:05:42,804 THE WINNER OF THIS BOUT WILL GET TO RAISE HIS COLORS HIGH. ONE-FALL WITH A 20-MINUTE TIME 2235 01:05:42,806 --> 01:05:43,504 TO RAISE HIS COLORS HIGH. ONE-FALL WITH A 20-MINUTE TIME LIMIT. 2236 01:05:43,506 --> 01:05:46,607 ONE-FALL WITH A 20-MINUTE TIME LIMIT. INTRODUCING FIRST, THE MANAGER, 2237 01:05:46,609 --> 01:05:51,612 LIMIT. INTRODUCING FIRST, THE MANAGER, "CLASSY" FREDDIE BLASSIE. 2238 01:05:51,614 --> 01:05:54,449 INTRODUCING FIRST, THE MANAGER, "CLASSY" FREDDIE BLASSIE. HE REPRESENTS, FROM THE SOVIET 2239 01:05:54,451 --> 01:05:57,819 "CLASSY" FREDDIE BLASSIE. HE REPRESENTS, FROM THE SOVIET UNION, WEIGHING 313 POUNDS, 2240 01:05:57,821 --> 01:06:00,455 HE REPRESENTS, FROM THE SOVIET UNION, WEIGHING 313 POUNDS, LADIES AND GENTLEMEN, NIKOLAI 2241 01:06:00,457 --> 01:06:14,269 UNION, WEIGHING 313 POUNDS, LADIES AND GENTLEMEN, NIKOLAI VOLKOFF. 2242 01:06:14,271 --> 01:06:16,804 LADIES AND GENTLEMEN, NIKOLAI VOLKOFF. LADIES AND GENTLEMEN, NIKOLAI 2243 01:06:16,806 --> 01:06:19,941 VOLKOFF. LADIES AND GENTLEMEN, NIKOLAI VOLKOFF REQUESTS THAT YOU ALL 2244 01:06:19,943 --> 01:06:24,679 LADIES AND GENTLEMEN, NIKOLAI VOLKOFF REQUESTS THAT YOU ALL STAND AND REMAIN SILENT FOR HIS 2245 01:06:24,681 --> 01:06:27,515 VOLKOFF REQUESTS THAT YOU ALL STAND AND REMAIN SILENT FOR HIS SINGING OF THE SOVIET NATIONAL 2246 01:06:27,517 --> 01:06:28,716 STAND AND REMAIN SILENT FOR HIS SINGING OF THE SOVIET NATIONAL ANTHEM. 2247 01:06:28,718 --> 01:06:36,858 SINGING OF THE SOVIET NATIONAL ANTHEM. [ FOREIGN SINGING ] 2248 01:06:36,860 --> 01:06:52,607 ANTHEM. [ FOREIGN SINGING ] >> OH, WOW. 2249 01:06:52,609 --> 01:07:14,629 [ FOREIGN SINGING ] >> OH, WOW. [ PATRIOTIC MUSIC ] 2250 01:07:14,631 --> 01:07:22,503 >> OH, WOW. [ PATRIOTIC MUSIC ] >> AND LISTEN TO THAT CROWD. 2251 01:07:22,505 --> 01:07:23,271 [ PATRIOTIC MUSIC ] >> AND LISTEN TO THAT CROWD. >> AND HIS OPPONENT, FROM FORT 2252 01:07:23,273 --> 01:07:24,072 >> AND LISTEN TO THAT CROWD. >> AND HIS OPPONENT, FROM FORT BRAGG, NORTH CAROLINA, WEIGHING 2253 01:07:24,074 --> 01:07:24,739 >> AND HIS OPPONENT, FROM FORT BRAGG, NORTH CAROLINA, WEIGHING 263 POUNDS, LADIES AND 2254 01:07:24,741 --> 01:07:28,709 BRAGG, NORTH CAROLINA, WEIGHING 263 POUNDS, LADIES AND GENTLEMEN, CORPORAL KIRCHNER. 2255 01:07:28,711 --> 01:07:31,412 263 POUNDS, LADIES AND GENTLEMEN, CORPORAL KIRCHNER. CORPORAL KIRCHNER. 2256 01:07:31,414 --> 01:08:03,411 GENTLEMEN, CORPORAL KIRCHNER. CORPORAL KIRCHNER. A FLAG MATCH, ONE-FALL. 2257 01:08:03,413 --> 01:08:04,245 CORPORAL KIRCHNER. A FLAG MATCH, ONE-FALL. >> FREDDIE BLASSIE MAKING HIS 2258 01:08:04,247 --> 01:08:05,580 A FLAG MATCH, ONE-FALL. >> FREDDIE BLASSIE MAKING HIS WAY OUT OF THE RING. 2259 01:08:05,582 --> 01:08:06,714 >> FREDDIE BLASSIE MAKING HIS WAY OUT OF THE RING. WE'LL HAVE TO KEEP AN EYE ON 2260 01:08:06,716 --> 01:08:07,548 WAY OUT OF THE RING. WE'LL HAVE TO KEEP AN EYE ON HIM, GENE, AS WELL. 2261 01:08:07,550 --> 01:08:09,517 WE'LL HAVE TO KEEP AN EYE ON HIM, GENE, AS WELL. CATHY IS NOT -- CATHY LEE IS NOT 2262 01:08:09,519 --> 01:08:10,618 HIM, GENE, AS WELL. CATHY IS NOT -- CATHY LEE IS NOT FAMILIAR WITH WHAT THE INFAMOUS 2263 01:08:10,620 --> 01:08:12,286 CATHY IS NOT -- CATHY LEE IS NOT FAMILIAR WITH WHAT THE INFAMOUS ONE, FREDDIE BLASSIE, CAN DO AT 2264 01:08:12,288 --> 01:08:13,321 FAMILIAR WITH WHAT THE INFAMOUS ONE, FREDDIE BLASSIE, CAN DO AT RINGSIDE. 2265 01:08:13,323 --> 01:08:14,456 ONE, FREDDIE BLASSIE, CAN DO AT RINGSIDE. >> I JUST HEARD A FEW THINGS, 2266 01:08:14,458 --> 01:08:15,690 RINGSIDE. >> I JUST HEARD A FEW THINGS, AND I DON'T THINK IT'S GOOD. 2267 01:08:15,692 --> 01:08:20,294 >> I JUST HEARD A FEW THINGS, AND I DON'T THINK IT'S GOOD. >> NO, IT'S DEFINITELY NOT GOOD. 2268 01:08:20,296 --> 01:08:21,663 AND I DON'T THINK IT'S GOOD. >> NO, IT'S DEFINITELY NOT GOOD. WELL, IF NIKOLAI WAS TO LOSE 2269 01:08:21,665 --> 01:08:22,597 >> NO, IT'S DEFINITELY NOT GOOD. WELL, IF NIKOLAI WAS TO LOSE THIS MATCH, GENE, IT COULD MEAN 2270 01:08:22,599 --> 01:08:25,600 WELL, IF NIKOLAI WAS TO LOSE THIS MATCH, GENE, IT COULD MEAN SOME TIME IN SIBERIA FOR HIM. 2271 01:08:25,602 --> 01:08:26,467 THIS MATCH, GENE, IT COULD MEAN SOME TIME IN SIBERIA FOR HIM. >> AND THAT'S NOT GOING TO GO 2272 01:08:26,469 --> 01:08:28,236 SOME TIME IN SIBERIA FOR HIM. >> AND THAT'S NOT GOING TO GO OVER, UH, VERY BIG WITH THE 2273 01:08:28,238 --> 01:08:31,339 >> AND THAT'S NOT GOING TO GO OVER, UH, VERY BIG WITH THE PARTY, AS YOU KNOW, GORILLA. 2274 01:08:31,341 --> 01:08:32,574 OVER, UH, VERY BIG WITH THE PARTY, AS YOU KNOW, GORILLA. >> WHAT A VENDETTA THIS IS. 2275 01:08:32,576 --> 01:08:33,775 PARTY, AS YOU KNOW, GORILLA. >> WHAT A VENDETTA THIS IS. AND WHAT A TREMENDOUS MATCH-UP 2276 01:08:33,777 --> 01:08:35,610 >> WHAT A VENDETTA THIS IS. AND WHAT A TREMENDOUS MATCH-UP AS PART OF WRESTLEMANIA 2. 2277 01:08:35,612 --> 01:08:37,412 AND WHAT A TREMENDOUS MATCH-UP AS PART OF WRESTLEMANIA 2. AS THE BIG NIKOLAI ATTACKING 2278 01:08:37,414 --> 01:08:39,480 AS PART OF WRESTLEMANIA 2. AS THE BIG NIKOLAI ATTACKING IMMEDIATELY. 2279 01:08:39,482 --> 01:08:40,882 AS THE BIG NIKOLAI ATTACKING IMMEDIATELY. >> A TREMENDOUS CRESCENT KICK ON 2280 01:08:40,884 --> 01:08:42,417 IMMEDIATELY. >> A TREMENDOUS CRESCENT KICK ON THE PART OF NIKOLAI VOLKOFF, 2281 01:08:42,419 --> 01:08:43,584 >> A TREMENDOUS CRESCENT KICK ON THE PART OF NIKOLAI VOLKOFF, SPINNING, FOR A BIG MAN OF 313 2282 01:08:43,586 --> 01:08:44,886 THE PART OF NIKOLAI VOLKOFF, SPINNING, FOR A BIG MAN OF 313 POUNDS. 2283 01:08:44,888 --> 01:08:46,454 SPINNING, FOR A BIG MAN OF 313 POUNDS. >> LOOK OUT! 2284 01:08:46,456 --> 01:08:47,255 POUNDS. >> LOOK OUT! THE CORPORAL OUT ON THE HARD 2285 01:08:47,257 --> 01:08:48,790 >> LOOK OUT! THE CORPORAL OUT ON THE HARD CONCRETE HERE IN THE ROSEMONT 2286 01:08:48,792 --> 01:08:50,358 THE CORPORAL OUT ON THE HARD CONCRETE HERE IN THE ROSEMONT HORIZON. 2287 01:08:50,360 --> 01:08:51,792 CONCRETE HERE IN THE ROSEMONT HORIZON. AND WATCH OUT. 2288 01:08:51,794 --> 01:08:52,727 HORIZON. AND WATCH OUT. RAMMED RIGHT INTO THE STEEL 2289 01:08:52,729 --> 01:08:55,630 AND WATCH OUT. RAMMED RIGHT INTO THE STEEL POST. 2290 01:08:55,632 --> 01:08:57,565 RAMMED RIGHT INTO THE STEEL POST. NIKOLAI NOT WASTING ANY TIME. 2291 01:08:57,567 --> 01:08:58,533 POST. NIKOLAI NOT WASTING ANY TIME. HE WANTS THE UPPER HAND IN THIS 2292 01:08:58,535 --> 01:08:59,467 NIKOLAI NOT WASTING ANY TIME. HE WANTS THE UPPER HAND IN THIS MATCH. 2293 01:08:59,469 --> 01:09:00,401 HE WANTS THE UPPER HAND IN THIS MATCH. >> HE'S BITING HIM! 2294 01:09:00,403 --> 01:09:00,768 MATCH. >> HE'S BITING HIM! IS THAT FAIR? 2295 01:09:00,770 --> 01:09:02,336 >> HE'S BITING HIM! IS THAT FAIR? >> HE'S ACTUALLY TRYING TO 2296 01:09:02,338 --> 01:09:03,371 IS THAT FAIR? >> HE'S ACTUALLY TRYING TO REARRANGE HIS FACIAL EXPRESSION, 2297 01:09:03,373 --> 01:09:05,773 >> HE'S ACTUALLY TRYING TO REARRANGE HIS FACIAL EXPRESSION, CATHY LEE. 2298 01:09:05,775 --> 01:09:06,574 REARRANGE HIS FACIAL EXPRESSION, CATHY LEE. >> AND ALL THE TIME, FRED 2299 01:09:06,576 --> 01:09:07,642 CATHY LEE. >> AND ALL THE TIME, FRED BLASSIE ENCOURAGING IT VERY 2300 01:09:07,644 --> 01:09:09,377 >> AND ALL THE TIME, FRED BLASSIE ENCOURAGING IT VERY STRONGLY. 2301 01:09:09,379 --> 01:09:10,678 BLASSIE ENCOURAGING IT VERY STRONGLY. WE WOULD EXPECT THAT, THOUGH. 2302 01:09:10,680 --> 01:09:12,480 STRONGLY. WE WOULD EXPECT THAT, THOUGH. >> ABSOLUTELY. 2303 01:09:12,482 --> 01:09:14,749 WE WOULD EXPECT THAT, THOUGH. >> ABSOLUTELY. AND ONCE AGAIN, FOREHEAD-FIRST 2304 01:09:14,751 --> 01:09:16,251 >> ABSOLUTELY. AND ONCE AGAIN, FOREHEAD-FIRST RIGHT INTO THE STEEL POST. 2305 01:09:16,253 --> 01:09:17,618 AND ONCE AGAIN, FOREHEAD-FIRST RIGHT INTO THE STEEL POST. AND KIRCHNER IN A WHOLE LOT OF 2306 01:09:17,620 --> 01:09:19,453 RIGHT INTO THE STEEL POST. AND KIRCHNER IN A WHOLE LOT OF TROUBLE EARLY IN THIS MATCH. 2307 01:09:19,455 --> 01:09:23,158 AND KIRCHNER IN A WHOLE LOT OF TROUBLE EARLY IN THIS MATCH. LOOK AT BLASSIE TAUNTING HIM. 2308 01:09:23,160 --> 01:09:24,525 TROUBLE EARLY IN THIS MATCH. LOOK AT BLASSIE TAUNTING HIM. >> GET IN THERE, YOU YELLOW DOG! 2309 01:09:24,527 --> 01:09:25,793 LOOK AT BLASSIE TAUNTING HIM. >> GET IN THERE, YOU YELLOW DOG! >> BLASSIE'S NOT ABOVE PUTTING 2310 01:09:25,795 --> 01:09:26,594 >> GET IN THERE, YOU YELLOW DOG! >> BLASSIE'S NOT ABOVE PUTTING THE BOOT TO SOMEBODY OUT THERE, 2311 01:09:26,596 --> 01:09:27,295 >> BLASSIE'S NOT ABOVE PUTTING THE BOOT TO SOMEBODY OUT THERE, GENE. 2312 01:09:27,297 --> 01:09:27,896 THE BOOT TO SOMEBODY OUT THERE, GENE. >> ABSOLUTELY NOT. 2313 01:09:27,898 --> 01:09:28,829 GENE. >> ABSOLUTELY NOT. WE'VE SEEN IT BEFORE. 2314 01:09:28,831 --> 01:09:31,465 >> ABSOLUTELY NOT. WE'VE SEEN IT BEFORE. AND CERTAINLY, IF AN OPPORTUNITY 2315 01:09:31,467 --> 01:09:34,635 WE'VE SEEN IT BEFORE. AND CERTAINLY, IF AN OPPORTUNITY ARISES FOR FRED BLASSIE, HE'LL 2316 01:09:34,637 --> 01:09:35,236 AND CERTAINLY, IF AN OPPORTUNITY ARISES FOR FRED BLASSIE, HE'LL ... 2317 01:09:35,238 --> 01:09:36,237 ARISES FOR FRED BLASSIE, HE'LL ... >> OH, CORPORAL WITH A BIG RIGHT 2318 01:09:36,239 --> 01:09:37,438 ... >> OH, CORPORAL WITH A BIG RIGHT HAND, STOPPED THE BIG RUSSIAN. 2319 01:09:37,440 --> 01:09:38,573 >> OH, CORPORAL WITH A BIG RIGHT HAND, STOPPED THE BIG RUSSIAN. AND ANOTHER ONE. 2320 01:09:38,575 --> 01:09:39,640 HAND, STOPPED THE BIG RUSSIAN. AND ANOTHER ONE. AND A THIRD ONE. 2321 01:09:39,642 --> 01:09:41,242 AND ANOTHER ONE. AND A THIRD ONE. AND HE GOES DOWN TO ONE KNEE. 2322 01:09:41,244 --> 01:09:42,343 AND A THIRD ONE. AND HE GOES DOWN TO ONE KNEE. >> WAIT A MINUTE. 2323 01:09:42,345 --> 01:09:43,878 AND HE GOES DOWN TO ONE KNEE. >> WAIT A MINUTE. WAIT A MINUTE, GENE-O, GORILLA 2324 01:09:43,880 --> 01:09:44,946 >> WAIT A MINUTE. WAIT A MINUTE, GENE-O, GORILLA MONSOON. 2325 01:09:44,948 --> 01:09:46,581 WAIT A MINUTE, GENE-O, GORILLA MONSOON. CORPORAL KIRCHNER IS -- IS 2326 01:09:46,583 --> 01:09:47,515 MONSOON. CORPORAL KIRCHNER IS -- IS BLEEDING FROM THE FOREHEAD. 2327 01:09:47,517 --> 01:09:48,649 CORPORAL KIRCHNER IS -- IS BLEEDING FROM THE FOREHEAD. >> WELL, I DON'T -- IT'S NOT 2328 01:09:48,651 --> 01:09:49,550 BLEEDING FROM THE FOREHEAD. >> WELL, I DON'T -- IT'S NOT HARD TO UNDERSTAND. 2329 01:09:49,552 --> 01:09:50,484 >> WELL, I DON'T -- IT'S NOT HARD TO UNDERSTAND. HE GOT RAMMED RIGHT IN THAT ... 2330 01:09:50,486 --> 01:09:51,519 HARD TO UNDERSTAND. HE GOT RAMMED RIGHT IN THAT ... LOOK OUT. 2331 01:09:51,521 --> 01:09:52,520 HE GOT RAMMED RIGHT IN THAT ... LOOK OUT. REFEREE WENT DOWN. 2332 01:09:52,522 --> 01:09:56,390 LOOK OUT. REFEREE WENT DOWN. REFEREE DOWN. 2333 01:09:56,392 --> 01:09:57,458 REFEREE WENT DOWN. REFEREE DOWN. AND BOTH MEN SLUGGING AWAY, 2334 01:09:57,460 --> 01:09:58,726 REFEREE DOWN. AND BOTH MEN SLUGGING AWAY, LEFTS AND RIGHTS. 2335 01:09:58,728 --> 01:09:59,560 AND BOTH MEN SLUGGING AWAY, LEFTS AND RIGHTS. OH, LOOK AT THIS. 2336 01:09:59,562 --> 01:10:01,563 LEFTS AND RIGHTS. OH, LOOK AT THIS. BLASSIE THREW THE CANE IN. 2337 01:10:01,565 --> 01:10:02,863 OH, LOOK AT THIS. BLASSIE THREW THE CANE IN. HE GOT IT. 2338 01:10:02,865 --> 01:10:04,666 BLASSIE THREW THE CANE IN. HE GOT IT. [ BELL RINGING ] 2339 01:10:04,668 --> 01:10:07,602 HE GOT IT. [ BELL RINGING ] >> HE DID IT! 2340 01:10:07,604 --> 01:10:08,903 [ BELL RINGING ] >> HE DID IT! >> TALK ABOUT YOUR DOUBLE-CROSS 2341 01:10:08,905 --> 01:10:11,672 >> HE DID IT! >> TALK ABOUT YOUR DOUBLE-CROSS AND BACKFIRES. 2342 01:10:11,674 --> 01:10:13,942 >> TALK ABOUT YOUR DOUBLE-CROSS AND BACKFIRES. IT HAPPENED RIGHT HERE. 2343 01:10:13,944 --> 01:10:15,610 AND BACKFIRES. IT HAPPENED RIGHT HERE. >> BLASSIE ASKED FOR THAT ONE, 2344 01:10:15,612 --> 01:10:17,578 IT HAPPENED RIGHT HERE. >> BLASSIE ASKED FOR THAT ONE, DON'T YOU AGREE, CATHY LEE? 2345 01:10:17,580 --> 01:10:18,713 >> BLASSIE ASKED FOR THAT ONE, DON'T YOU AGREE, CATHY LEE? >> BLEEDING FROM THE FOREHEAD AS 2346 01:10:18,715 --> 01:10:20,448 DON'T YOU AGREE, CATHY LEE? >> BLEEDING FROM THE FOREHEAD AS WELL. 2347 01:10:20,450 --> 01:10:21,416 >> BLEEDING FROM THE FOREHEAD AS WELL. >> FRED BLASSIE MAKING AN 2348 01:10:21,418 --> 01:10:22,950 WELL. >> FRED BLASSIE MAKING AN ATTEMPT TO THROW THE CANE INTO 2349 01:10:22,952 --> 01:10:23,818 >> FRED BLASSIE MAKING AN ATTEMPT TO THROW THE CANE INTO HIS MAN. 2350 01:10:23,820 --> 01:10:25,486 ATTEMPT TO THROW THE CANE INTO HIS MAN. THE CORPORAL INTERCEPTING IT. 2351 01:10:25,488 --> 01:10:25,820 HIS MAN. THE CORPORAL INTERCEPTING IT. WOW. 2352 01:10:25,822 --> 01:10:26,687 THE CORPORAL INTERCEPTING IT. WOW. >> LADIES AND GENTLEMEN, YOUR 2353 01:10:26,689 --> 01:10:28,789 WOW. >> LADIES AND GENTLEMEN, YOUR WINNER. 2354 01:10:28,791 --> 01:10:30,558 >> LADIES AND GENTLEMEN, YOUR WINNER. HE MAY DISPLAY THE COLORS OF THE 2355 01:10:30,560 --> 01:10:32,693 WINNER. HE MAY DISPLAY THE COLORS OF THE RED, WHITE, AND BLUE, YOUR 2356 01:10:32,695 --> 01:10:34,829 HE MAY DISPLAY THE COLORS OF THE RED, WHITE, AND BLUE, YOUR WINNER, CORPORAL KIRCHNER. 2357 01:10:34,831 --> 01:11:41,862 RED, WHITE, AND BLUE, YOUR WINNER, CORPORAL KIRCHNER. [ PATRIOTIC MUSIC ] 2358 01:11:41,864 --> 01:11:42,630 WINNER, CORPORAL KIRCHNER. [ PATRIOTIC MUSIC ] >> IT'S AN UNBELIEVABLE 2359 01:11:42,632 --> 01:11:43,764 [ PATRIOTIC MUSIC ] >> IT'S AN UNBELIEVABLE HAPPENING. 2360 01:11:43,766 --> 01:11:44,532 >> IT'S AN UNBELIEVABLE HAPPENING. LET'S GO UP TO OUR RING 2361 01:11:44,534 --> 01:11:45,599 HAPPENING. LET'S GO UP TO OUR RING ANNOUNCER. 2362 01:11:45,601 --> 01:11:46,801 LET'S GO UP TO OUR RING ANNOUNCER. >> THANK YOU VERY MUCH, GORILLA 2363 01:11:46,803 --> 01:11:48,736 ANNOUNCER. >> THANK YOU VERY MUCH, GORILLA MONSOON. 2364 01:11:48,738 --> 01:11:49,937 >> THANK YOU VERY MUCH, GORILLA MONSOON. LADIES AND GENTLEMEN, IT IS TIME 2365 01:11:49,939 --> 01:11:52,573 MONSOON. LADIES AND GENTLEMEN, IT IS TIME FOR THE CHICAGO PORTION OF OUR 2366 01:11:52,575 --> 01:11:54,308 LADIES AND GENTLEMEN, IT IS TIME FOR THE CHICAGO PORTION OF OUR MAIN EVENT, AND WITH THAT IN 2367 01:11:54,310 --> 01:11:58,713 FOR THE CHICAGO PORTION OF OUR MAIN EVENT, AND WITH THAT IN MIND, WE WELCOME TO RING SIDE A 2368 01:11:58,715 --> 01:12:01,749 MAIN EVENT, AND WITH THAT IN MIND, WE WELCOME TO RING SIDE A GREAT CHICAGO FAVORITE, A GREAT 2369 01:12:01,751 --> 01:12:02,850 MIND, WE WELCOME TO RING SIDE A GREAT CHICAGO FAVORITE, A GREAT TELEVISION STAR IN HIS OWN 2370 01:12:02,852 --> 01:12:05,419 GREAT CHICAGO FAVORITE, A GREAT TELEVISION STAR IN HIS OWN RIGHT, LADIES AND GENTLEMEN, 2371 01:12:05,421 --> 01:12:08,723 TELEVISION STAR IN HIS OWN RIGHT, LADIES AND GENTLEMEN, THERE IS ONLY ONE MEAN GENE 2372 01:12:08,725 --> 01:12:20,568 RIGHT, LADIES AND GENTLEMEN, THERE IS ONLY ONE MEAN GENE OKERLUND. 2373 01:12:20,570 --> 01:12:21,302 THERE IS ONLY ONE MEAN GENE OKERLUND. >> ALL RIGHT, LADIES AND 2374 01:12:21,304 --> 01:12:22,370 OKERLUND. >> ALL RIGHT, LADIES AND GENTLEMEN, IT'S TIME FOR THE 2375 01:12:22,372 --> 01:12:23,471 >> ALL RIGHT, LADIES AND GENTLEMEN, IT'S TIME FOR THE 20-MAN OVER THE TOP ROPE BATTLE 2376 01:12:23,473 --> 01:12:24,572 GENTLEMEN, IT'S TIME FOR THE 20-MAN OVER THE TOP ROPE BATTLE ROYAL. 2377 01:12:24,574 --> 01:12:28,409 20-MAN OVER THE TOP ROPE BATTLE ROYAL. HERE ARE THE RULES. 2378 01:12:28,411 --> 01:12:29,711 ROYAL. HERE ARE THE RULES. WITH ALL MEN IN THE RING, THE 2379 01:12:29,713 --> 01:12:31,545 HERE ARE THE RULES. WITH ALL MEN IN THE RING, THE PROCESS OF ELIMINATION OCCURS 2380 01:12:31,547 --> 01:12:32,646 WITH ALL MEN IN THE RING, THE PROCESS OF ELIMINATION OCCURS WHEN AN INDIVIDUAL IS THROWN 2381 01:12:32,648 --> 01:12:34,282 PROCESS OF ELIMINATION OCCURS WHEN AN INDIVIDUAL IS THROWN OVER THE TOP ROPE AND ONTO THE 2382 01:12:34,284 --> 01:12:35,649 WHEN AN INDIVIDUAL IS THROWN OVER THE TOP ROPE AND ONTO THE FLOOR. 2383 01:12:35,651 --> 01:12:37,651 OVER THE TOP ROPE AND ONTO THE FLOOR. THIS PROCESS CONTINUES UNTIL 2384 01:12:37,653 --> 01:12:40,455 FLOOR. THIS PROCESS CONTINUES UNTIL THERE IS ONE MAN LEFT AND HE 2385 01:12:40,457 --> 01:12:47,795 THIS PROCESS CONTINUES UNTIL THERE IS ONE MAN LEFT AND HE WILL BE DECLARED THE WINNER, AND 2386 01:12:47,797 --> 01:12:48,896 THERE IS ONE MAN LEFT AND HE WILL BE DECLARED THE WINNER, AND NOW ALLOW ME TO INTRODUCE TO YOU 2387 01:12:48,898 --> 01:12:50,398 WILL BE DECLARED THE WINNER, AND NOW ALLOW ME TO INTRODUCE TO YOU THE OFFICIALS FOR THE BATTLE 2388 01:12:50,400 --> 01:12:51,432 NOW ALLOW ME TO INTRODUCE TO YOU THE OFFICIALS FOR THE BATTLE ROYAL. 2389 01:12:51,434 --> 01:12:54,802 THE OFFICIALS FOR THE BATTLE ROYAL. FIRST THE TIME KEEPER, A LADY 2390 01:12:54,804 --> 01:12:58,639 ROYAL. FIRST THE TIME KEEPER, A LADY WHO HAS INDEED FOUND THE BEEF, 2391 01:12:58,641 --> 01:13:08,582 FIRST THE TIME KEEPER, A LADY WHO HAS INDEED FOUND THE BEEF, CLAIRE PILLAR, AND NOW THE GUEST 2392 01:13:08,584 --> 01:13:10,551 WHO HAS INDEED FOUND THE BEEF, CLAIRE PILLAR, AND NOW THE GUEST REFEREES. 2393 01:13:10,553 --> 01:13:12,586 CLAIRE PILLAR, AND NOW THE GUEST REFEREES. HERE IS A MAN WHO IS TRULY A 2394 01:13:12,588 --> 01:13:14,688 REFEREES. HERE IS A MAN WHO IS TRULY A LEGEND IN CHICAGO BEARS FOOTBALL 2395 01:13:14,690 --> 01:13:32,373 HERE IS A MAN WHO IS TRULY A LEGEND IN CHICAGO BEARS FOOTBALL HISTORY, THE GREAT DICK BUTKUS, 2396 01:13:32,375 --> 01:13:33,474 LEGEND IN CHICAGO BEARS FOOTBALL HISTORY, THE GREAT DICK BUTKUS, AND NOW INTRODUCING THE STAR 2397 01:13:33,476 --> 01:13:34,575 HISTORY, THE GREAT DICK BUTKUS, AND NOW INTRODUCING THE STAR DEFENSIVE END OF THE DALLAS 2398 01:13:34,577 --> 01:13:47,422 AND NOW INTRODUCING THE STAR DEFENSIVE END OF THE DALLAS COWBOYS, TOO TALL JONES, AND 2399 01:13:47,424 --> 01:13:49,657 DEFENSIVE END OF THE DALLAS COWBOYS, TOO TALL JONES, AND NOW, LADIES AND GENTLEMEN, HERE 2400 01:13:49,659 --> 01:13:54,929 COWBOYS, TOO TALL JONES, AND NOW, LADIES AND GENTLEMEN, HERE ARE THE PARTICIPANTS. 2401 01:13:54,931 --> 01:13:56,564 NOW, LADIES AND GENTLEMEN, HERE ARE THE PARTICIPANTS. FROM THE SUPER BOWL CHAMPION 2402 01:13:56,566 --> 01:14:01,469 ARE THE PARTICIPANTS. FROM THE SUPER BOWL CHAMPION CHICAGO BEARS, WEIGHING 275 2403 01:14:01,471 --> 01:14:02,803 FROM THE SUPER BOWL CHAMPION CHICAGO BEARS, WEIGHING 275 POUNDS, THE OUTSTANDING 2404 01:14:02,805 --> 01:14:13,614 CHICAGO BEARS, WEIGHING 275 POUNDS, THE OUTSTANDING OFFENSIVE TACKLE, JIMBO COVERT. 2405 01:14:13,616 --> 01:14:14,748 POUNDS, THE OUTSTANDING OFFENSIVE TACKLE, JIMBO COVERT. FROM CULEBRA, PUERTO RICO, 2406 01:14:14,750 --> 01:14:17,585 OFFENSIVE TACKLE, JIMBO COVERT. FROM CULEBRA, PUERTO RICO, WEIGHING 240 POUNDS, THE ONLY 2407 01:14:17,587 --> 01:14:20,421 FROM CULEBRA, PUERTO RICO, WEIGHING 240 POUNDS, THE ONLY MAN TO HOLD ALL THREE RECOGNIZED 2408 01:14:20,423 --> 01:14:26,360 WEIGHING 240 POUNDS, THE ONLY MAN TO HOLD ALL THREE RECOGNIZED MEN'S TITLES, PEDRO MORALES. 2409 01:14:26,362 --> 01:14:27,728 MAN TO HOLD ALL THREE RECOGNIZED MEN'S TITLES, PEDRO MORALES. FROM ROANOKE, VIRGINIA, WEIGHING 2410 01:14:27,730 --> 01:14:36,804 MEN'S TITLES, PEDRO MORALES. FROM ROANOKE, VIRGINIA, WEIGHING 250 POUNDS, MR. USA, TONY ATLAS. 2411 01:14:36,806 --> 01:14:39,406 FROM ROANOKE, VIRGINIA, WEIGHING 250 POUNDS, MR. USA, TONY ATLAS. FROM BOSTON, MASSACHUSETTS, 2412 01:14:39,408 --> 01:14:42,543 250 POUNDS, MR. USA, TONY ATLAS. FROM BOSTON, MASSACHUSETTS, WEIGHING 285 POUNDS, STRONGEST 2413 01:14:42,545 --> 01:14:48,549 FROM BOSTON, MASSACHUSETTS, WEIGHING 285 POUNDS, STRONGEST MAN IN THE WORLD, TED ARCIDI. 2414 01:14:48,551 --> 01:14:50,718 WEIGHING 285 POUNDS, STRONGEST MAN IN THE WORLD, TED ARCIDI. FROM THE DALLAS COWBOYS, 2415 01:14:50,720 --> 01:14:53,621 MAN IN THE WORLD, TED ARCIDI. FROM THE DALLAS COWBOYS, WEIGHING 260 POUNDS, ONE OF THE 2416 01:14:53,623 --> 01:14:55,623 FROM THE DALLAS COWBOYS, WEIGHING 260 POUNDS, ONE OF THE GREATEST DEFENSIVE ENDS EVER TO 2417 01:14:55,625 --> 01:14:57,825 WEIGHING 260 POUNDS, ONE OF THE GREATEST DEFENSIVE ENDS EVER TO PLAY PRO FOOTBALL, HARVEY 2418 01:14:57,827 --> 01:15:02,330 GREATEST DEFENSIVE ENDS EVER TO PLAY PRO FOOTBALL, HARVEY MARTIN. 2419 01:15:02,332 --> 01:15:04,431 PLAY PRO FOOTBALL, HARVEY MARTIN. FROM TAMPA, FLORIDA, WEIGHING 2420 01:15:04,433 --> 01:15:08,569 MARTIN. FROM TAMPA, FLORIDA, WEIGHING 268 POUNDS, GOLDEN BOY DAN 2421 01:15:08,571 --> 01:15:13,240 FROM TAMPA, FLORIDA, WEIGHING 268 POUNDS, GOLDEN BOY DAN SPIVEY. 2422 01:15:13,242 --> 01:15:15,543 268 POUNDS, GOLDEN BOY DAN SPIVEY. FROM MUDLICK, KENTUCKY, WEIGHING 2423 01:15:15,545 --> 01:15:28,622 SPIVEY. FROM MUDLICK, KENTUCKY, WEIGHING 286 POUNDS, HILLBILLY JIM. 2424 01:15:28,624 --> 01:15:31,525 FROM MUDLICK, KENTUCKY, WEIGHING 286 POUNDS, HILLBILLY JIM. FROM THE ISLE OF TONGA, WEIGHING 2425 01:15:31,527 --> 01:15:43,337 286 POUNDS, HILLBILLY JIM. FROM THE ISLE OF TONGA, WEIGHING AT 273 POUNDS, KING TONGA. 2426 01:15:43,339 --> 01:15:46,740 FROM THE ISLE OF TONGA, WEIGHING AT 273 POUNDS, KING TONGA. FROM TEHRAN, IRAN, WEIGHING 258 2427 01:15:46,742 --> 01:15:49,577 AT 273 POUNDS, KING TONGA. FROM TEHRAN, IRAN, WEIGHING 258 POUNDS, FORMER WORLD WRESTLING 2428 01:15:49,579 --> 01:15:50,978 FROM TEHRAN, IRAN, WEIGHING 258 POUNDS, FORMER WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT 2429 01:15:50,980 --> 01:16:02,556 POUNDS, FORMER WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT CHAMPION, THE IRON SHEIK. 2430 01:16:02,558 --> 01:16:04,858 ENTERTAINMENT HEAVYWEIGHT CHAMPION, THE IRON SHEIK. FROM THE PITTSBURGH STEELERS, 2431 01:16:04,860 --> 01:16:07,494 CHAMPION, THE IRON SHEIK. FROM THE PITTSBURGH STEELERS, WEIGHING 280 POUNDS, A FORMER 2432 01:16:07,496 --> 01:16:09,997 FROM THE PITTSBURGH STEELERS, WEIGHING 280 POUNDS, A FORMER MEMBER OF THE FABLED STEEL 2433 01:16:09,999 --> 01:16:16,637 WEIGHING 280 POUNDS, A FORMER MEMBER OF THE FABLED STEEL CURTAIN, ERNIE HOLMES. 2434 01:16:16,639 --> 01:16:18,606 MEMBER OF THE FABLED STEEL CURTAIN, ERNIE HOLMES. FROM TAMPA, FLORIDA, AND WHITE 2435 01:16:18,608 --> 01:16:19,740 CURTAIN, ERNIE HOLMES. FROM TAMPA, FLORIDA, AND WHITE BEAR LAKE, MINNESOTA, 2436 01:16:19,742 --> 01:16:21,475 FROM TAMPA, FLORIDA, AND WHITE BEAR LAKE, MINNESOTA, RESPECTIVELY, AT A TOTAL 2437 01:16:21,477 --> 01:16:25,646 BEAR LAKE, MINNESOTA, RESPECTIVELY, AT A TOTAL COMBINED WEIGHT OF 468 POUNDS, B 2438 01:16:25,648 --> 01:16:27,514 RESPECTIVELY, AT A TOTAL COMBINED WEIGHT OF 468 POUNDS, B BRIAN BLAIR AND JUMPIN JIM 2439 01:16:27,516 --> 01:16:36,657 COMBINED WEIGHT OF 468 POUNDS, B BRIAN BLAIR AND JUMPIN JIM BRUNZELL, THE KILLER BEES. 2440 01:16:36,659 --> 01:16:40,695 BRIAN BLAIR AND JUMPIN JIM BRUNZELL, THE KILLER BEES. FROM LOS ANGELES, CALIFORNIA, 2441 01:16:40,697 --> 01:16:45,666 BRUNZELL, THE KILLER BEES. FROM LOS ANGELES, CALIFORNIA, WEIGHING IN AT 364 POUNDS, BIG 2442 01:16:45,668 --> 01:16:55,643 FROM LOS ANGELES, CALIFORNIA, WEIGHING IN AT 364 POUNDS, BIG JOHN STUDD, AND LADIES AND 2443 01:16:55,645 --> 01:16:59,780 WEIGHING IN AT 364 POUNDS, BIG JOHN STUDD, AND LADIES AND GENTLEMEN, FROM THE ATLANTA 2444 01:16:59,782 --> 01:17:03,917 JOHN STUDD, AND LADIES AND GENTLEMEN, FROM THE ATLANTA FALCONS, HE WEIGHS 280 POUNDS, 2445 01:17:03,919 --> 01:17:07,688 GENTLEMEN, FROM THE ATLANTA FALCONS, HE WEIGHS 280 POUNDS, THE 1985 NFL ROOKIE OF THE YEAR, 2446 01:17:07,690 --> 01:17:18,365 FALCONS, HE WEIGHS 280 POUNDS, THE 1985 NFL ROOKIE OF THE YEAR, BILL FRALIC. 2447 01:17:18,367 --> 01:17:20,601 THE 1985 NFL ROOKIE OF THE YEAR, BILL FRALIC. FROM CALGARY, ALBERTA, CANADA, 2448 01:17:20,603 --> 01:17:23,371 BILL FRALIC. FROM CALGARY, ALBERTA, CANADA, AND RENO, NEVADA, RESPECTIVELY, 2449 01:17:23,373 --> 01:17:25,439 FROM CALGARY, ALBERTA, CANADA, AND RENO, NEVADA, RESPECTIVELY, AT A TOTAL COMBINED WEIGHT AT 2450 01:17:25,441 --> 01:17:28,709 AND RENO, NEVADA, RESPECTIVELY, AT A TOTAL COMBINED WEIGHT AT 514 POUNDS, MEMBERS OF THE HART 2451 01:17:28,711 --> 01:17:30,878 AT A TOTAL COMBINED WEIGHT AT 514 POUNDS, MEMBERS OF THE HART FOUNDATION, BRET THE HIT MAN 2452 01:17:30,880 --> 01:17:34,615 514 POUNDS, MEMBERS OF THE HART FOUNDATION, BRET THE HIT MAN HART AND JIM THE ANVIL NEIDHART. 2453 01:17:34,617 --> 01:17:39,586 FOUNDATION, BRET THE HIT MAN HART AND JIM THE ANVIL NEIDHART. >> WOO-HOO. 2454 01:17:39,588 --> 01:17:45,592 HART AND JIM THE ANVIL NEIDHART. >> WOO-HOO. YEAH, BABY. 2455 01:17:45,594 --> 01:17:48,562 >> WOO-HOO. YEAH, BABY. >> FROM THE SAN FRANCISCO 49ERS, 2456 01:17:48,564 --> 01:17:52,533 YEAH, BABY. >> FROM THE SAN FRANCISCO 49ERS, WEIGHING IN AT 242 POUNDS, 2457 01:17:52,535 --> 01:17:55,602 >> FROM THE SAN FRANCISCO 49ERS, WEIGHING IN AT 242 POUNDS, TONIGHT HE WALKS IN THE SHOES OF 2458 01:17:55,604 --> 01:17:57,471 WEIGHING IN AT 242 POUNDS, TONIGHT HE WALKS IN THE SHOES OF HIS LEGENDARY FATHER, SIR EDMUND 2459 01:17:57,473 --> 01:17:59,606 TONIGHT HE WALKS IN THE SHOES OF HIS LEGENDARY FATHER, SIR EDMUND FRANCIS, THE OUTSTANDING TIGHT 2460 01:17:59,608 --> 01:18:01,575 HIS LEGENDARY FATHER, SIR EDMUND FRANCIS, THE OUTSTANDING TIGHT END, A THREE-TIME PRO-BOWL 2461 01:18:01,577 --> 01:18:07,682 FRANCIS, THE OUTSTANDING TIGHT END, A THREE-TIME PRO-BOWL SELECTION, RUSS FRANCIS. 2462 01:18:07,684 --> 01:18:09,416 END, A THREE-TIME PRO-BOWL SELECTION, RUSS FRANCIS. FROM THE PITTSBURGH, 2463 01:18:09,418 --> 01:18:11,485 SELECTION, RUSS FRANCIS. FROM THE PITTSBURGH, PENNSYLVANIA, WEIGHING 245 2464 01:18:11,487 --> 01:18:13,754 FROM THE PITTSBURGH, PENNSYLVANIA, WEIGHING 245 POUNDS, PROFESSIONAL WRESTLING'S 2465 01:18:13,756 --> 01:18:16,623 PENNSYLVANIA, WEIGHING 245 POUNDS, PROFESSIONAL WRESTLING'S ONLY LIVING LEGEND, BRUNO 2466 01:18:16,625 --> 01:18:27,434 POUNDS, PROFESSIONAL WRESTLING'S ONLY LIVING LEGEND, BRUNO SAMMARTINO. 2467 01:18:27,436 --> 01:18:33,540 ONLY LIVING LEGEND, BRUNO SAMMARTINO. FROM THE CHICAGO BEARS, WEIGHING 2468 01:18:33,542 --> 01:18:38,412 SAMMARTINO. FROM THE CHICAGO BEARS, WEIGHING 304 POUNDS, THE ONE, THE ONLY, 2469 01:18:38,414 --> 01:18:58,699 FROM THE CHICAGO BEARS, WEIGHING 304 POUNDS, THE ONE, THE ONLY, THE REFRIGERATOR WILLIAM PERRY, 2470 01:18:58,701 --> 01:19:00,467 304 POUNDS, THE ONE, THE ONLY, THE REFRIGERATOR WILLIAM PERRY, AND LAST, BUT CERTAINLY NOT 2471 01:19:00,469 --> 01:19:02,369 THE REFRIGERATOR WILLIAM PERRY, AND LAST, BUT CERTAINLY NOT LEAST, FROM GRENOBLE, FRANCE, IN 2472 01:19:02,371 --> 01:19:06,273 AND LAST, BUT CERTAINLY NOT LEAST, FROM GRENOBLE, FRANCE, IN THE FRENCH ALPS, WEIGHING 520 2473 01:19:06,275 --> 01:19:09,409 LEAST, FROM GRENOBLE, FRANCE, IN THE FRENCH ALPS, WEIGHING 520 POUNDS, THE EIGHTH WONDER OF THE 2474 01:19:09,411 --> 01:19:27,494 THE FRENCH ALPS, WEIGHING 520 POUNDS, THE EIGHTH WONDER OF THE WORLD, ANDRE THE GIANT. 2475 01:19:27,496 --> 01:19:28,629 POUNDS, THE EIGHTH WONDER OF THE WORLD, ANDRE THE GIANT. >> ANDRE THE GIANT, THE EIGHTH 2476 01:19:28,631 --> 01:19:30,397 WORLD, ANDRE THE GIANT. >> ANDRE THE GIANT, THE EIGHTH WONDER OF THE WORLD, MAKING HIS 2477 01:19:30,399 --> 01:19:31,532 >> ANDRE THE GIANT, THE EIGHTH WONDER OF THE WORLD, MAKING HIS WAY DOWN TO THE RING. 2478 01:19:31,534 --> 01:19:34,535 WONDER OF THE WORLD, MAKING HIS WAY DOWN TO THE RING. LADIES AND GENTLEMEN, JOINING US 2479 01:19:34,537 --> 01:19:35,736 WAY DOWN TO THE RING. LADIES AND GENTLEMEN, JOINING US NOW IN OUR ANNOUNCE POSITION, 2480 01:19:35,738 --> 01:19:37,771 LADIES AND GENTLEMEN, JOINING US NOW IN OUR ANNOUNCE POSITION, ONE OF MY DEAREST FRIENDS AND 2481 01:19:37,773 --> 01:19:39,239 NOW IN OUR ANNOUNCE POSITION, ONE OF MY DEAREST FRIENDS AND ONE OF THE ALL-TIME GREATS IN 2482 01:19:39,241 --> 01:19:40,674 ONE OF MY DEAREST FRIENDS AND ONE OF THE ALL-TIME GREATS IN THE NFL, ESPECIALLY WITH THE 2483 01:19:40,676 --> 01:19:43,510 ONE OF THE ALL-TIME GREATS IN THE NFL, ESPECIALLY WITH THE KANSAS CITY CHIEFS, AND ALL-TIME 2484 01:19:43,512 --> 01:19:45,546 THE NFL, ESPECIALLY WITH THE KANSAS CITY CHIEFS, AND ALL-TIME TREMENDOUS SUPERSTAR IN THE 2485 01:19:45,548 --> 01:19:47,448 KANSAS CITY CHIEFS, AND ALL-TIME TREMENDOUS SUPERSTAR IN THE WORLD OF PROFESSIONAL WRESTLING, 2486 01:19:47,450 --> 01:19:49,517 TREMENDOUS SUPERSTAR IN THE WORLD OF PROFESSIONAL WRESTLING, THE ONE AND ONLY, THE CAT, ERNIE 2487 01:19:49,519 --> 01:19:50,351 WORLD OF PROFESSIONAL WRESTLING, THE ONE AND ONLY, THE CAT, ERNIE LADD. 2488 01:19:50,353 --> 01:19:50,884 THE ONE AND ONLY, THE CAT, ERNIE LADD. WELCOME, ERNIE. 2489 01:19:50,886 --> 01:19:51,552 LADD. WELCOME, ERNIE. >> INDEED. 2490 01:19:51,554 --> 01:19:52,386 WELCOME, ERNIE. >> INDEED. IT'S GREAT TO SEE ONE OF THE 2491 01:19:52,388 --> 01:19:53,721 >> INDEED. IT'S GREAT TO SEE ONE OF THE GREAT SPECTACULARS OF THE WORLD. 2492 01:19:53,723 --> 01:19:54,621 IT'S GREAT TO SEE ONE OF THE GREAT SPECTACULARS OF THE WORLD. IT LOOKED LIKE THEY'RE TRYING TO 2493 01:19:54,623 --> 01:19:55,756 GREAT SPECTACULARS OF THE WORLD. IT LOOKED LIKE THEY'RE TRYING TO PUT WILLIAM THE REFRIGERATOR OUT 2494 01:19:55,758 --> 01:19:56,690 IT LOOKED LIKE THEY'RE TRYING TO PUT WILLIAM THE REFRIGERATOR OUT FIRST. 2495 01:19:56,692 --> 01:19:57,591 PUT WILLIAM THE REFRIGERATOR OUT FIRST. >> AND THIS BATTLE ROYAL IS 2496 01:19:57,593 --> 01:19:59,660 FIRST. >> AND THIS BATTLE ROYAL IS UNDERWAY. 2497 01:19:59,662 --> 01:20:01,829 >> AND THIS BATTLE ROYAL IS UNDERWAY. MAYHEM AS THESE GUYS WEIGHED IN 2498 01:20:01,831 --> 01:20:05,766 UNDERWAY. MAYHEM AS THESE GUYS WEIGHED IN A TOTAL COMBINED WEIGHT 5,612 2499 01:20:05,768 --> 01:20:07,534 MAYHEM AS THESE GUYS WEIGHED IN A TOTAL COMBINED WEIGHT 5,612 POUNDS. 2500 01:20:07,536 --> 01:20:08,602 A TOTAL COMBINED WEIGHT 5,612 POUNDS. CATHY LEE, HOW ABOUT IT? 2501 01:20:08,604 --> 01:20:10,504 POUNDS. CATHY LEE, HOW ABOUT IT? >> I HAVE NEVER SEEN ANYTHING 2502 01:20:10,506 --> 01:20:11,572 CATHY LEE, HOW ABOUT IT? >> I HAVE NEVER SEEN ANYTHING LIKE THIS. 2503 01:20:11,574 --> 01:20:12,639 >> I HAVE NEVER SEEN ANYTHING LIKE THIS. >> IT'S HAPPENING. 2504 01:20:12,641 --> 01:20:13,607 LIKE THIS. >> IT'S HAPPENING. THE MOST DANGEROUS MATCH OF ALL 2505 01:20:13,609 --> 01:20:14,441 >> IT'S HAPPENING. THE MOST DANGEROUS MATCH OF ALL OF PROFESSIONAL WRESTLING. 2506 01:20:14,443 --> 01:20:15,375 THE MOST DANGEROUS MATCH OF ALL OF PROFESSIONAL WRESTLING. >> LOOK HERE, THEY'RE TRYING TO 2507 01:20:15,377 --> 01:20:16,510 OF PROFESSIONAL WRESTLING. >> LOOK HERE, THEY'RE TRYING TO GET REFRIGERATOR OUT. 2508 01:20:16,512 --> 01:20:17,778 >> LOOK HERE, THEY'RE TRYING TO GET REFRIGERATOR OUT. >> FOUR OR FIVE OF THEM GOING TO 2509 01:20:17,780 --> 01:20:18,879 GET REFRIGERATOR OUT. >> FOUR OR FIVE OF THEM GOING TO WORK ON THE REFRIGERATOR. 2510 01:20:18,881 --> 01:20:20,647 >> FOUR OR FIVE OF THEM GOING TO WORK ON THE REFRIGERATOR. HE MANAGING TO BREAK LOOSE, 2511 01:20:20,649 --> 01:20:22,683 WORK ON THE REFRIGERATOR. HE MANAGING TO BREAK LOOSE, THOUGH. 2512 01:20:22,685 --> 01:20:23,650 HE MANAGING TO BREAK LOOSE, THOUGH. VERY IMPORTANT TO REALIZE THAT 2513 01:20:23,652 --> 01:20:25,519 THOUGH. VERY IMPORTANT TO REALIZE THAT THE ONLY WAY CAN BE ELIMINATED 2514 01:20:25,521 --> 01:20:27,321 VERY IMPORTANT TO REALIZE THAT THE ONLY WAY CAN BE ELIMINATED IS OVER THE TOP ROPE AND YOU 2515 01:20:27,323 --> 01:20:29,490 THE ONLY WAY CAN BE ELIMINATED IS OVER THE TOP ROPE AND YOU MUST REACH THE ARENA FLOOR. 2516 01:20:29,492 --> 01:20:30,891 IS OVER THE TOP ROPE AND YOU MUST REACH THE ARENA FLOOR. IF YOU GO OVER THE TOP ROPE AND 2517 01:20:30,893 --> 01:20:32,459 MUST REACH THE ARENA FLOOR. IF YOU GO OVER THE TOP ROPE AND LAND ON THE APRON, YOU'RE STILL 2518 01:20:32,461 --> 01:20:34,495 IF YOU GO OVER THE TOP ROPE AND LAND ON THE APRON, YOU'RE STILL ELIGIBLE TO GET BACK IN THERE. 2519 01:20:34,497 --> 01:20:35,930 LAND ON THE APRON, YOU'RE STILL ELIGIBLE TO GET BACK IN THERE. ERNIE, GIVE US BOTH SIDES, A 2520 01:20:35,932 --> 01:20:37,731 ELIGIBLE TO GET BACK IN THERE. ERNIE, GIVE US BOTH SIDES, A PROFESSIONAL FOOTBALL AND A 2521 01:20:37,733 --> 01:20:39,399 ERNIE, GIVE US BOTH SIDES, A PROFESSIONAL FOOTBALL AND A PROFESSIONAL WRESTLING SIDE OF 2522 01:20:39,401 --> 01:20:39,733 PROFESSIONAL FOOTBALL AND A PROFESSIONAL WRESTLING SIDE OF THIS. 2523 01:20:39,735 --> 01:20:40,701 PROFESSIONAL WRESTLING SIDE OF THIS. >> AS LONG AS I'VE PLAYED PRO 2524 01:20:40,703 --> 01:20:41,835 THIS. >> AS LONG AS I'VE PLAYED PRO FOOTBALL, I'VE NEVER... 2525 01:20:41,837 --> 01:20:42,769 >> AS LONG AS I'VE PLAYED PRO FOOTBALL, I'VE NEVER... >> OH, LOOK OUT. 2526 01:20:42,771 --> 01:20:43,837 FOOTBALL, I'VE NEVER... >> OH, LOOK OUT. >> TWO OUT, TWO'S OUT. 2527 01:20:43,839 --> 01:20:45,405 >> OH, LOOK OUT. >> TWO OUT, TWO'S OUT. >> COVERT'S OUT AND SO IS KING 2528 01:20:45,407 --> 01:20:46,540 >> TWO OUT, TWO'S OUT. >> COVERT'S OUT AND SO IS KING TONGA. 2529 01:20:46,542 --> 01:20:48,542 >> COVERT'S OUT AND SO IS KING TONGA. >> LOOK AT TOO TALL JONES AND 2530 01:20:48,544 --> 01:20:49,476 TONGA. >> LOOK AT TOO TALL JONES AND MIKE DITKA. 2531 01:20:49,478 --> 01:20:50,077 >> LOOK AT TOO TALL JONES AND MIKE DITKA. HE'S PUT THEM OUT OF THERE, PUT 2532 01:20:50,079 --> 01:20:50,477 MIKE DITKA. HE'S PUT THEM OUT OF THERE, PUT THEM OUT OF HERE. 2533 01:20:50,479 --> 01:20:51,211 HE'S PUT THEM OUT OF THERE, PUT THEM OUT OF HERE. ONCE YOU GO OVER THE TOP, IT'S 2534 01:20:51,213 --> 01:20:54,548 THEM OUT OF HERE. ONCE YOU GO OVER THE TOP, IT'S ALL OVER FOR YOU. 2535 01:20:54,550 --> 01:20:55,716 ONCE YOU GO OVER THE TOP, IT'S ALL OVER FOR YOU. WELL, BEING ON BOTH SIDES OF THE 2536 01:20:55,718 --> 01:20:57,718 ALL OVER FOR YOU. WELL, BEING ON BOTH SIDES OF THE FENCE, GORILLA MONSOON, I 2537 01:20:57,720 --> 01:20:58,685 WELL, BEING ON BOTH SIDES OF THE FENCE, GORILLA MONSOON, I ENJOYED FOOTBALL. 2538 01:20:58,687 --> 01:20:59,854 FENCE, GORILLA MONSOON, I ENJOYED FOOTBALL. THE MOST DANGEROUS PART OF IT IS 2539 01:20:59,856 --> 01:21:00,888 ENJOYED FOOTBALL. THE MOST DANGEROUS PART OF IT IS WRESTLING. 2540 01:21:00,890 --> 01:21:01,555 THE MOST DANGEROUS PART OF IT IS WRESTLING. AN INDIVIDUAL SPORT. 2541 01:21:01,557 --> 01:21:03,457 WRESTLING. AN INDIVIDUAL SPORT. ALL YOU CAN SAY YOU'VE BEEN BEAT 2542 01:21:03,459 --> 01:21:05,425 AN INDIVIDUAL SPORT. ALL YOU CAN SAY YOU'VE BEEN BEAT BY THE BEST MAN WHEN YOU GET 2543 01:21:05,427 --> 01:21:05,759 ALL YOU CAN SAY YOU'VE BEEN BEAT BY THE BEST MAN WHEN YOU GET BEATEN. 2544 01:21:05,761 --> 01:21:06,593 BY THE BEST MAN WHEN YOU GET BEATEN. THAT'S ALL PROFESSIONAL 2545 01:21:06,595 --> 01:21:07,494 BEATEN. THAT'S ALL PROFESSIONAL WRESTLING. 2546 01:21:07,496 --> 01:21:08,629 THAT'S ALL PROFESSIONAL WRESTLING. >> LOOK AT THAT, BIG JOHN STUDD 2547 01:21:08,631 --> 01:21:09,797 WRESTLING. >> LOOK AT THAT, BIG JOHN STUDD HAS GOT THE REFRIGERATOR IN THE 2548 01:21:09,799 --> 01:21:11,632 >> LOOK AT THAT, BIG JOHN STUDD HAS GOT THE REFRIGERATOR IN THE CORNER. 2549 01:21:11,634 --> 01:21:12,532 HAS GOT THE REFRIGERATOR IN THE CORNER. >> I DON'T THINK THERE'S 2550 01:21:12,534 --> 01:21:13,667 CORNER. >> I DON'T THINK THERE'S STRATEGY HERE, DO YOU, GORILLA? 2551 01:21:13,669 --> 01:21:15,535 >> I DON'T THINK THERE'S STRATEGY HERE, DO YOU, GORILLA? I THINK THIS IS JUST MAN AGAINST 2552 01:21:15,537 --> 01:21:15,769 STRATEGY HERE, DO YOU, GORILLA? I THINK THIS IS JUST MAN AGAINST MAN. 2553 01:21:15,771 --> 01:21:17,471 I THINK THIS IS JUST MAN AGAINST MAN. >> WELL, YOU'VE GOT TWO 2554 01:21:17,473 --> 01:21:18,706 MAN. >> WELL, YOU'VE GOT TWO EXCEPTIONALLY GOOD TAG TEAMS IN 2555 01:21:18,708 --> 01:21:19,873 >> WELL, YOU'VE GOT TWO EXCEPTIONALLY GOOD TAG TEAMS IN THERE, THE KILLER BEES AND THE 2556 01:21:19,875 --> 01:21:20,874 EXCEPTIONALLY GOOD TAG TEAMS IN THERE, THE KILLER BEES AND THE HART FOUNDATION. 2557 01:21:20,876 --> 01:21:21,742 THERE, THE KILLER BEES AND THE HART FOUNDATION. THEY ARE DEFINITELY USING 2558 01:21:21,744 --> 01:21:22,843 HART FOUNDATION. THEY ARE DEFINITELY USING TEAMWORK. 2559 01:21:22,845 --> 01:21:24,511 THEY ARE DEFINITELY USING TEAMWORK. >> NO ONE WANTS ANDRE THE GIANT. 2560 01:21:24,513 --> 01:21:28,649 TEAMWORK. >> NO ONE WANTS ANDRE THE GIANT. LOOK AT AND -- BIG GIANT. 2561 01:21:28,651 --> 01:21:29,850 >> NO ONE WANTS ANDRE THE GIANT. LOOK AT AND -- BIG GIANT. >> OH, LOOK OUT. 2562 01:21:29,852 --> 01:21:31,718 LOOK AT AND -- BIG GIANT. >> OH, LOOK OUT. >> HE'S OUT. 2563 01:21:31,720 --> 01:21:32,853 >> OH, LOOK OUT. >> HE'S OUT. >> ERNIE HOLMES IS OUT OF THIS 2564 01:21:32,855 --> 01:21:34,821 >> HE'S OUT. >> ERNIE HOLMES IS OUT OF THIS ONE. 2565 01:21:34,823 --> 01:21:36,290 >> ERNIE HOLMES IS OUT OF THIS ONE. REFEREE DICK BUTKUS COMING 2566 01:21:36,292 --> 01:21:37,958 ONE. REFEREE DICK BUTKUS COMING AROUND TO MAKE SURE HE DOES. 2567 01:21:37,960 --> 01:21:38,692 REFEREE DICK BUTKUS COMING AROUND TO MAKE SURE HE DOES. >> NOW IT'S ANDRE THE GIANT WITH 2568 01:21:38,694 --> 01:21:40,861 AROUND TO MAKE SURE HE DOES. >> NOW IT'S ANDRE THE GIANT WITH BIG JOHN STUDD. 2569 01:21:40,863 --> 01:21:41,695 >> NOW IT'S ANDRE THE GIANT WITH BIG JOHN STUDD. >> THAT'S HEAT. 2570 01:21:41,697 --> 01:21:43,397 BIG JOHN STUDD. >> THAT'S HEAT. ANDRE THE GIANT AND BIG -- BIG 2571 01:21:43,399 --> 01:21:44,431 >> THAT'S HEAT. ANDRE THE GIANT AND BIG -- BIG JOHN STUDD. 2572 01:21:44,433 --> 01:21:45,465 ANDRE THE GIANT AND BIG -- BIG JOHN STUDD. THEY'RE GOING AT IT, TOOTH AND 2573 01:21:45,467 --> 01:21:47,634 JOHN STUDD. THEY'RE GOING AT IT, TOOTH AND NAIL, RIGHT NOW. 2574 01:21:47,636 --> 01:21:49,536 THEY'RE GOING AT IT, TOOTH AND NAIL, RIGHT NOW. >> ACTION PERSONIFIED HERE IN 2575 01:21:49,538 --> 01:21:51,405 NAIL, RIGHT NOW. >> ACTION PERSONIFIED HERE IN THIS TREMENDOUS 29 OVER THE TOP 2576 01:21:51,407 --> 01:21:52,573 >> ACTION PERSONIFIED HERE IN THIS TREMENDOUS 29 OVER THE TOP BATTLE ROYAL. 2577 01:21:52,575 --> 01:21:53,407 THIS TREMENDOUS 29 OVER THE TOP BATTLE ROYAL. ANYTHING AND EVERYTHING WILL 2578 01:21:53,409 --> 01:21:55,309 BATTLE ROYAL. ANYTHING AND EVERYTHING WILL HAPPEN. 2579 01:21:55,311 --> 01:21:56,376 ANYTHING AND EVERYTHING WILL HAPPEN. IT'S JUST UNBELIEVABLE THE 2580 01:21:56,378 --> 01:21:57,511 HAPPEN. IT'S JUST UNBELIEVABLE THE AMOUNT OF ACTION THAT'S GOING 2581 01:21:57,513 --> 01:21:58,412 IT'S JUST UNBELIEVABLE THE AMOUNT OF ACTION THAT'S GOING ON. 2582 01:21:58,414 --> 01:21:59,914 AMOUNT OF ACTION THAT'S GOING ON. >> THE GREATEST ARRAY OF TALENT, 2583 01:21:59,916 --> 01:22:01,415 ON. >> THE GREATEST ARRAY OF TALENT, PROBABLY THE MOST EXPENSIVE 2584 01:22:01,417 --> 01:22:03,350 >> THE GREATEST ARRAY OF TALENT, PROBABLY THE MOST EXPENSIVE AMOUNT OF TALENT EVER, ASSEMBLED 2585 01:22:03,352 --> 01:22:04,484 PROBABLY THE MOST EXPENSIVE AMOUNT OF TALENT EVER, ASSEMBLED IN ONE RING AT ONE TIME. 2586 01:22:04,486 --> 01:22:05,552 AMOUNT OF TALENT EVER, ASSEMBLED IN ONE RING AT ONE TIME. YOU'VE GOT SOME MILLION DOLLAR 2587 01:22:05,554 --> 01:22:06,653 IN ONE RING AT ONE TIME. YOU'VE GOT SOME MILLION DOLLAR CONTRACTS IN THAT RING. 2588 01:22:06,655 --> 01:22:07,587 YOU'VE GOT SOME MILLION DOLLAR CONTRACTS IN THAT RING. >> THEY'VE GOT THREE AGAINST 2589 01:22:07,589 --> 01:22:08,588 CONTRACTS IN THAT RING. >> THEY'VE GOT THREE AGAINST ONE, OVER HERE IN THE CORNER 2590 01:22:08,590 --> 01:22:09,790 >> THEY'VE GOT THREE AGAINST ONE, OVER HERE IN THE CORNER WITH REFRIGERATOR. 2591 01:22:09,792 --> 01:22:10,724 ONE, OVER HERE IN THE CORNER WITH REFRIGERATOR. >> LOOK AT ANDRE GOING TO WORK 2592 01:22:10,726 --> 01:22:11,892 WITH REFRIGERATOR. >> LOOK AT ANDRE GOING TO WORK ON FRALIC. 2593 01:22:11,894 --> 01:22:12,659 >> LOOK AT ANDRE GOING TO WORK ON FRALIC. HE'S HOLDING ON TO THAT ROPE FOR 2594 01:22:12,661 --> 01:22:14,661 ON FRALIC. HE'S HOLDING ON TO THAT ROPE FOR DEAR LIFE. 2595 01:22:14,663 --> 01:22:15,562 HE'S HOLDING ON TO THAT ROPE FOR DEAR LIFE. >> FRALIC, HE ACT LIKE HE'S BEEN 2596 01:22:15,564 --> 01:22:17,431 DEAR LIFE. >> FRALIC, HE ACT LIKE HE'S BEEN WRESTLING BEFORE. 2597 01:22:17,433 --> 01:22:18,565 >> FRALIC, HE ACT LIKE HE'S BEEN WRESTLING BEFORE. >> UH OH, LOOK OUT. 2598 01:22:18,567 --> 01:22:19,599 WRESTLING BEFORE. >> UH OH, LOOK OUT. >> THE KILLER BEES OUT. 2599 01:22:19,601 --> 01:22:21,501 >> UH OH, LOOK OUT. >> THE KILLER BEES OUT. >> JUMPIN JIM BRUNZELL JUST HIT 2600 01:22:21,503 --> 01:22:22,469 >> THE KILLER BEES OUT. >> JUMPIN JIM BRUNZELL JUST HIT THE CANVAS. 2601 01:22:22,471 --> 01:22:26,674 >> JUMPIN JIM BRUNZELL JUST HIT THE CANVAS. HE'S OUT OF THIS ONE. 2602 01:22:26,676 --> 01:22:28,575 THE CANVAS. HE'S OUT OF THIS ONE. WOW, SOME BIG ROUND HOUSE LEFTS 2603 01:22:28,577 --> 01:22:31,378 HE'S OUT OF THIS ONE. WOW, SOME BIG ROUND HOUSE LEFTS THERE BY THE GOLDEN BOY. 2604 01:22:31,380 --> 01:22:32,512 WOW, SOME BIG ROUND HOUSE LEFTS THERE BY THE GOLDEN BOY. >> ANDRE JUST CUT HARD ON MARTIN 2605 01:22:32,514 --> 01:22:34,614 THERE BY THE GOLDEN BOY. >> ANDRE JUST CUT HARD ON MARTIN ACROSS THE BACK AND LET HIM KNOW 2606 01:22:34,616 --> 01:22:35,649 >> ANDRE JUST CUT HARD ON MARTIN ACROSS THE BACK AND LET HIM KNOW WHAT IT'S LIKE TO PLAY FOOTBALL 2607 01:22:35,651 --> 01:22:40,320 ACROSS THE BACK AND LET HIM KNOW WHAT IT'S LIKE TO PLAY FOOTBALL WITHOUT A UNIFORM ON. 2608 01:22:40,322 --> 01:22:40,788 WHAT IT'S LIKE TO PLAY FOOTBALL WITHOUT A UNIFORM ON. >> LOOK AT THIS. 2609 01:22:40,790 --> 01:22:42,356 WITHOUT A UNIFORM ON. >> LOOK AT THIS. ANDRE'S GOT THREE OR FOUR GUYS, 2610 01:22:42,358 --> 01:22:43,557 >> LOOK AT THIS. ANDRE'S GOT THREE OR FOUR GUYS, WHO WENT OUT THERE. 2611 01:22:43,559 --> 01:22:45,659 ANDRE'S GOT THREE OR FOUR GUYS, WHO WENT OUT THERE. TONY ATLAS IS GONE. 2612 01:22:45,661 --> 01:22:47,461 WHO WENT OUT THERE. TONY ATLAS IS GONE. HISTORY IN THIS BATTLE ROYAL. 2613 01:22:47,463 --> 01:22:48,428 TONY ATLAS IS GONE. HISTORY IN THIS BATTLE ROYAL. >> THE REFRIGERATOR'S GOT BIG 2614 01:22:48,430 --> 01:22:50,597 HISTORY IN THIS BATTLE ROYAL. >> THE REFRIGERATOR'S GOT BIG JOHN STUDD HELD UP IN THE CORNER 2615 01:22:50,599 --> 01:22:51,465 >> THE REFRIGERATOR'S GOT BIG JOHN STUDD HELD UP IN THE CORNER AND GOING AFTER HIM TOOTH AND 2616 01:22:51,467 --> 01:22:54,568 JOHN STUDD HELD UP IN THE CORNER AND GOING AFTER HIM TOOTH AND NAIL. 2617 01:22:54,570 --> 01:22:55,669 AND GOING AFTER HIM TOOTH AND NAIL. >> TWO OR THREE GUYS POUNDING 2618 01:22:55,671 --> 01:22:59,673 NAIL. >> TWO OR THREE GUYS POUNDING AWAY AT ANDRE THE GIANT. 2619 01:22:59,675 --> 01:23:00,507 >> TWO OR THREE GUYS POUNDING AWAY AT ANDRE THE GIANT. >> WOW. 2620 01:23:00,509 --> 01:23:01,475 AWAY AT ANDRE THE GIANT. >> WOW. >> HARVEY MARTIN JUST GOT AN 2621 01:23:01,477 --> 01:23:02,642 >> WOW. >> HARVEY MARTIN JUST GOT AN EDUCATION, ERNIE. 2622 01:23:02,644 --> 01:23:03,777 >> HARVEY MARTIN JUST GOT AN EDUCATION, ERNIE. >> BUT I'M LOOKING AT THE 2623 01:23:03,779 --> 01:23:05,479 EDUCATION, ERNIE. >> BUT I'M LOOKING AT THE REFRIGERATOR AND BIG JOHN STUDD 2624 01:23:05,481 --> 01:23:07,647 >> BUT I'M LOOKING AT THE REFRIGERATOR AND BIG JOHN STUDD IN THE CORNER. 2625 01:23:07,649 --> 01:23:09,450 REFRIGERATOR AND BIG JOHN STUDD IN THE CORNER. JOHN STUDD DOESN'T PARTICULARLY 2626 01:23:09,452 --> 01:23:10,784 IN THE CORNER. JOHN STUDD DOESN'T PARTICULARLY CARE FOR THE REFRIGERATOR AND 2627 01:23:10,786 --> 01:23:12,486 JOHN STUDD DOESN'T PARTICULARLY CARE FOR THE REFRIGERATOR AND THE REFRIGERATOR MADE IT KNOWN 2628 01:23:12,488 --> 01:23:13,487 CARE FOR THE REFRIGERATOR AND THE REFRIGERATOR MADE IT KNOWN THAT HE DOESN'T PARTICULARLY 2629 01:23:13,489 --> 01:23:14,621 THE REFRIGERATOR MADE IT KNOWN THAT HE DOESN'T PARTICULARLY CARE FOR BIG JOHN STUDD. 2630 01:23:14,623 --> 01:23:16,490 THAT HE DOESN'T PARTICULARLY CARE FOR BIG JOHN STUDD. >> BILL FRALIC, HE DOESN'T CARE 2631 01:23:16,492 --> 01:23:18,692 CARE FOR BIG JOHN STUDD. >> BILL FRALIC, HE DOESN'T CARE FOR ANYBODY. 2632 01:23:18,694 --> 01:23:20,527 >> BILL FRALIC, HE DOESN'T CARE FOR ANYBODY. JOHN STUDD JUST POUNDING AWAY 2633 01:23:20,529 --> 01:23:21,862 FOR ANYBODY. JOHN STUDD JUST POUNDING AWAY NOW, UNLOADING WITH THE HEAVY 2634 01:23:21,864 --> 01:23:25,699 JOHN STUDD JUST POUNDING AWAY NOW, UNLOADING WITH THE HEAVY ARTILLERY ON THE REFRIGERATOR. 2635 01:23:25,701 --> 01:23:26,800 NOW, UNLOADING WITH THE HEAVY ARTILLERY ON THE REFRIGERATOR. >> WELL, I TELL YOU, AS A GREAT 2636 01:23:26,802 --> 01:23:27,801 ARTILLERY ON THE REFRIGERATOR. >> WELL, I TELL YOU, AS A GREAT FOOTBALL PLAYER, THE 2637 01:23:27,803 --> 01:23:29,369 >> WELL, I TELL YOU, AS A GREAT FOOTBALL PLAYER, THE REFRIGERATOR, HE WON'T LET THAT 2638 01:23:29,371 --> 01:23:30,437 FOOTBALL PLAYER, THE REFRIGERATOR, HE WON'T LET THAT GO ALONG, I CAN ASSURE YOU THAT. 2639 01:23:30,439 --> 01:23:32,506 REFRIGERATOR, HE WON'T LET THAT GO ALONG, I CAN ASSURE YOU THAT. BIG JOHN... 2640 01:23:32,508 --> 01:23:33,473 GO ALONG, I CAN ASSURE YOU THAT. BIG JOHN... >> THAT WAS A GREAT SHOT AND OH, 2641 01:23:33,475 --> 01:23:34,742 BIG JOHN... >> THAT WAS A GREAT SHOT AND OH, THERE GOES TWO GUYS OUT. 2642 01:23:34,744 --> 01:23:35,609 >> THAT WAS A GREAT SHOT AND OH, THERE GOES TWO GUYS OUT. THEY REACHED THE FLOOR. 2643 01:23:35,611 --> 01:23:36,710 THERE GOES TWO GUYS OUT. THEY REACHED THE FLOOR. >> HARVEY MARTIN. 2644 01:23:36,712 --> 01:23:38,912 THEY REACHED THE FLOOR. >> HARVEY MARTIN. >> AND PEDRO MORALES. 2645 01:23:38,914 --> 01:23:40,313 >> HARVEY MARTIN. >> AND PEDRO MORALES. >> THE REFRIGERATOR'S GOING ON 2646 01:23:40,315 --> 01:23:42,349 >> AND PEDRO MORALES. >> THE REFRIGERATOR'S GOING ON JOHN STUDD, AND ANDRE THE GIANT 2647 01:23:42,351 --> 01:23:44,651 >> THE REFRIGERATOR'S GOING ON JOHN STUDD, AND ANDRE THE GIANT HAS GOT HIM IN THE REAR. 2648 01:23:44,653 --> 01:23:47,354 JOHN STUDD, AND ANDRE THE GIANT HAS GOT HIM IN THE REAR. >> LOOK AT THIS, TED ARCIDI WITH 2649 01:23:47,356 --> 01:23:51,525 HAS GOT HIM IN THE REAR. >> LOOK AT THIS, TED ARCIDI WITH B BRIAN BLAIR HIGH IN THE AIR. 2650 01:23:51,527 --> 01:23:52,826 >> LOOK AT THIS, TED ARCIDI WITH B BRIAN BLAIR HIGH IN THE AIR. BRIAN IS A GONER RIGHT NOW, I'LL 2651 01:23:52,828 --> 01:23:55,762 B BRIAN BLAIR HIGH IN THE AIR. BRIAN IS A GONER RIGHT NOW, I'LL TELL YOU THAT FOR SURE. 2652 01:23:55,764 --> 01:23:56,597 BRIAN IS A GONER RIGHT NOW, I'LL TELL YOU THAT FOR SURE. WELL, HE DID NOT REACH THE 2653 01:23:56,599 --> 01:23:57,698 TELL YOU THAT FOR SURE. WELL, HE DID NOT REACH THE FLOOR. 2654 01:23:57,700 --> 01:23:58,765 WELL, HE DID NOT REACH THE FLOOR. HE STUCK IN UNDER THE BOTTOM 2655 01:23:58,767 --> 01:24:00,467 FLOOR. HE STUCK IN UNDER THE BOTTOM ROPE AND HE'S STILL LEGALLY IN 2656 01:24:00,469 --> 01:24:01,335 HE STUCK IN UNDER THE BOTTOM ROPE AND HE'S STILL LEGALLY IN THERE. 2657 01:24:01,337 --> 01:24:02,002 ROPE AND HE'S STILL LEGALLY IN THERE. >> THAT'S WHAT YOU CALL A VERY 2658 01:24:02,004 --> 01:24:04,538 THERE. >> THAT'S WHAT YOU CALL A VERY SMART MOVE, GORILLA. 2659 01:24:04,540 --> 01:24:05,605 >> THAT'S WHAT YOU CALL A VERY SMART MOVE, GORILLA. THE BOY FROM ANOTHER IS GOING 2660 01:24:05,607 --> 01:24:07,407 SMART MOVE, GORILLA. THE BOY FROM ANOTHER IS GOING AFTER REFRIGERATOR. 2661 01:24:07,409 --> 01:24:08,575 THE BOY FROM ANOTHER IS GOING AFTER REFRIGERATOR. >> OH, ARCIDI'S GONE, OVER THE 2662 01:24:08,577 --> 01:24:10,410 AFTER REFRIGERATOR. >> OH, ARCIDI'S GONE, OVER THE TOP ROPE. 2663 01:24:10,412 --> 01:24:11,478 >> OH, ARCIDI'S GONE, OVER THE TOP ROPE. >> BILL FRALIC WORKS THE 2664 01:24:11,480 --> 01:24:11,779 TOP ROPE. >> BILL FRALIC WORKS THE REFRIGERATOR. 2665 01:24:11,781 --> 01:24:13,480 >> BILL FRALIC WORKS THE REFRIGERATOR. LOOK IN THE CORNER, TWO FOOTBALL 2666 01:24:13,482 --> 01:24:16,817 REFRIGERATOR. LOOK IN THE CORNER, TWO FOOTBALL PLAYERS GOING AT IT. 2667 01:24:16,819 --> 01:24:17,784 LOOK IN THE CORNER, TWO FOOTBALL PLAYERS GOING AT IT. >> NO LOVE LOST HERE BETWEEN 2668 01:24:17,786 --> 01:24:19,586 PLAYERS GOING AT IT. >> NO LOVE LOST HERE BETWEEN FRALIC AND THE REFRIGERATOR FOR 2669 01:24:19,588 --> 01:24:22,322 >> NO LOVE LOST HERE BETWEEN FRALIC AND THE REFRIGERATOR FOR SURE, AND BIG JOHN... 2670 01:24:22,324 --> 01:24:23,123 FRALIC AND THE REFRIGERATOR FOR SURE, AND BIG JOHN... >> BIG JOHN STUDD'S ABOUT TO GO 2671 01:24:23,125 --> 01:24:25,559 SURE, AND BIG JOHN... >> BIG JOHN STUDD'S ABOUT TO GO OUT. 2672 01:24:25,561 --> 01:24:26,193 >> BIG JOHN STUDD'S ABOUT TO GO OUT. >> ANDRE'S GOT BIG JOHN STUDD 2673 01:24:26,195 --> 01:24:26,794 OUT. >> ANDRE'S GOT BIG JOHN STUDD WRAPPED UP, AND THE GOLDEN BOY 2674 01:24:26,796 --> 01:24:27,461 >> ANDRE'S GOT BIG JOHN STUDD WRAPPED UP, AND THE GOLDEN BOY IS GONE. 2675 01:24:27,463 --> 01:24:28,528 WRAPPED UP, AND THE GOLDEN BOY IS GONE. >> THE REFRIGERATOR CAN NEVER 2676 01:24:28,530 --> 01:24:29,663 IS GONE. >> THE REFRIGERATOR CAN NEVER SAY HE'S NEVER HAD A HEADLOCK 2677 01:24:29,665 --> 01:24:30,964 >> THE REFRIGERATOR CAN NEVER SAY HE'S NEVER HAD A HEADLOCK THROWN ON HIM BEFORE. 2678 01:24:30,966 --> 01:24:32,599 SAY HE'S NEVER HAD A HEADLOCK THROWN ON HIM BEFORE. >> LOOK OUT. 2679 01:24:32,601 --> 01:24:33,266 THROWN ON HIM BEFORE. >> LOOK OUT. WOW. 2680 01:24:33,268 --> 01:24:34,000 >> LOOK OUT. WOW. >> HILLBILLY JIM IS OUT. 2681 01:24:34,002 --> 01:24:35,635 WOW. >> HILLBILLY JIM IS OUT. >> HILLBILLY JIM JUST HIT LIKE A 2682 01:24:35,637 --> 01:24:36,703 >> HILLBILLY JIM IS OUT. >> HILLBILLY JIM JUST HIT LIKE A TON OF BRICKS ALONG WITH B BRIAN 2683 01:24:36,705 --> 01:24:40,707 >> HILLBILLY JIM JUST HIT LIKE A TON OF BRICKS ALONG WITH B BRIAN BLAIR, AND NOW WE'RE GETTING 2684 01:24:40,709 --> 01:24:41,775 TON OF BRICKS ALONG WITH B BRIAN BLAIR, AND NOW WE'RE GETTING DOWN TO THE NITTY GRITTY AND THE 2685 01:24:41,777 --> 01:24:43,743 BLAIR, AND NOW WE'RE GETTING DOWN TO THE NITTY GRITTY AND THE REFRIGERATOR'S STILL IN THERE. 2686 01:24:43,745 --> 01:24:46,913 DOWN TO THE NITTY GRITTY AND THE REFRIGERATOR'S STILL IN THERE. >> JIM NEIDHART. 2687 01:24:46,915 --> 01:24:48,549 REFRIGERATOR'S STILL IN THERE. >> JIM NEIDHART. >> RUSS FRANCIS STILL IN THERE, 2688 01:24:48,551 --> 01:24:50,383 >> JIM NEIDHART. >> RUSS FRANCIS STILL IN THERE, BIG JOHN STUDD STILL IN HERE, 2689 01:24:50,385 --> 01:24:52,385 >> RUSS FRANCIS STILL IN THERE, BIG JOHN STUDD STILL IN HERE, THE HART FOUNDATION IN THERE, 2690 01:24:52,387 --> 01:24:53,687 BIG JOHN STUDD STILL IN HERE, THE HART FOUNDATION IN THERE, BRUNO SAMMARTINO, AND THE IRON 2691 01:24:53,689 --> 01:24:54,888 THE HART FOUNDATION IN THERE, BRUNO SAMMARTINO, AND THE IRON SHEIK. 2692 01:24:54,890 --> 01:24:56,523 BRUNO SAMMARTINO, AND THE IRON SHEIK. LOOK OUT, FRALIC HIGH IN THE 2693 01:24:56,525 --> 01:24:57,424 SHEIK. LOOK OUT, FRALIC HIGH IN THE AIR. 2694 01:24:57,426 --> 01:25:00,327 LOOK OUT, FRALIC HIGH IN THE AIR. FRALIC IS GONE. 2695 01:25:00,329 --> 01:25:01,328 AIR. FRALIC IS GONE. LOOK AT THE LOOK OF DISGUST ON 2696 01:25:01,330 --> 01:25:03,297 FRALIC IS GONE. LOOK AT THE LOOK OF DISGUST ON HIS FACE. 2697 01:25:03,299 --> 01:25:05,532 LOOK AT THE LOOK OF DISGUST ON HIS FACE. >> FRALIC DOES NOT LIKE THAT. 2698 01:25:05,534 --> 01:25:07,400 HIS FACE. >> FRALIC DOES NOT LIKE THAT. >> SAMMARTINO WAILING AWAY AT 2699 01:25:07,402 --> 01:25:08,735 >> FRALIC DOES NOT LIKE THAT. >> SAMMARTINO WAILING AWAY AT THE SHEIK. 2700 01:25:08,737 --> 01:25:09,603 >> SAMMARTINO WAILING AWAY AT THE SHEIK. >> THE SHEIK. 2701 01:25:09,605 --> 01:25:11,371 THE SHEIK. >> THE SHEIK. >> IS A GONER. 2702 01:25:11,373 --> 01:25:12,372 >> THE SHEIK. >> IS A GONER. >> HE TOOK A BUMP RIGHT ON HIS 2703 01:25:12,374 --> 01:25:13,406 >> IS A GONER. >> HE TOOK A BUMP RIGHT ON HIS HEAD. 2704 01:25:13,408 --> 01:25:14,341 >> HE TOOK A BUMP RIGHT ON HIS HEAD. HE HIT THE FLOOR ON HIS HEAD, 2705 01:25:14,343 --> 01:25:15,676 HEAD. HE HIT THE FLOOR ON HIS HEAD, THE SHEIK DID. 2706 01:25:15,678 --> 01:25:17,677 HE HIT THE FLOOR ON HIS HEAD, THE SHEIK DID. >> LOOK AT THIS, RUSS FRANCIS 2707 01:25:17,679 --> 01:25:18,545 THE SHEIK DID. >> LOOK AT THIS, RUSS FRANCIS THROWING TACKLES AT ANDRE THE 2708 01:25:18,547 --> 01:25:21,915 >> LOOK AT THIS, RUSS FRANCIS THROWING TACKLES AT ANDRE THE GIANT AND THE HART FOUNDATION 2709 01:25:21,917 --> 01:25:23,784 THROWING TACKLES AT ANDRE THE GIANT AND THE HART FOUNDATION WORKING OVER THE REFRIGERATOR IN 2710 01:25:23,786 --> 01:25:24,684 GIANT AND THE HART FOUNDATION WORKING OVER THE REFRIGERATOR IN THE CORNER. 2711 01:25:24,686 --> 01:25:26,319 WORKING OVER THE REFRIGERATOR IN THE CORNER. >> AND THAT'S SOME HEAVY 2712 01:25:26,321 --> 01:25:27,521 THE CORNER. >> AND THAT'S SOME HEAVY ARTILLERY HE'S DROPPING 2713 01:25:27,523 --> 01:25:27,854 >> AND THAT'S SOME HEAVY ARTILLERY HE'S DROPPING [INDISTINCT] 2714 01:25:27,856 --> 01:25:28,855 ARTILLERY HE'S DROPPING [INDISTINCT] >> SAMMARTINO TRYING TO GET BIG 2715 01:25:28,857 --> 01:25:29,823 [INDISTINCT] >> SAMMARTINO TRYING TO GET BIG JOHN STUDD'S LEGS OVER THE TOP 2716 01:25:29,825 --> 01:25:31,324 >> SAMMARTINO TRYING TO GET BIG JOHN STUDD'S LEGS OVER THE TOP ROPE. 2717 01:25:31,326 --> 01:25:33,760 JOHN STUDD'S LEGS OVER THE TOP ROPE. EASIER SAID THAN DONE. 2718 01:25:33,762 --> 01:25:34,828 ROPE. EASIER SAID THAN DONE. SAMMARTINO CAUGHT ONE RIGHT IN 2719 01:25:34,830 --> 01:25:38,398 EASIER SAID THAN DONE. SAMMARTINO CAUGHT ONE RIGHT IN THE EYE, AND THERE GOES BRUNO. 2720 01:25:38,400 --> 01:25:41,635 SAMMARTINO CAUGHT ONE RIGHT IN THE EYE, AND THERE GOES BRUNO. HE'S ELIMINATED, AND WE'RE DOWN 2721 01:25:41,637 --> 01:25:42,569 THE EYE, AND THERE GOES BRUNO. HE'S ELIMINATED, AND WE'RE DOWN TO SIX. 2722 01:25:42,571 --> 01:25:44,604 HE'S ELIMINATED, AND WE'RE DOWN TO SIX. ANDRE THE GIANT, BIG JOHN STUDD, 2723 01:25:44,606 --> 01:25:46,507 TO SIX. ANDRE THE GIANT, BIG JOHN STUDD, RUSS FRANCIS. 2724 01:25:46,509 --> 01:25:47,707 ANDRE THE GIANT, BIG JOHN STUDD, RUSS FRANCIS. >> TWO FOOTBALLERS, THAT'S IT. 2725 01:25:47,709 --> 01:25:48,775 RUSS FRANCIS. >> TWO FOOTBALLERS, THAT'S IT. >> WILLIAM PERRY, AND THE HART 2726 01:25:48,777 --> 01:25:49,576 >> TWO FOOTBALLERS, THAT'S IT. >> WILLIAM PERRY, AND THE HART FOUNDATION. 2727 01:25:49,578 --> 01:25:51,778 >> WILLIAM PERRY, AND THE HART FOUNDATION. A DOUBLE BILL LOOKING TO TAP 2728 01:25:51,780 --> 01:25:53,480 FOUNDATION. A DOUBLE BILL LOOKING TO TAP OUT. 2729 01:25:53,482 --> 01:25:57,417 A DOUBLE BILL LOOKING TO TAP OUT. KNOCKING BY THE REFRIGERATOR. 2730 01:25:57,419 --> 01:25:58,485 OUT. KNOCKING BY THE REFRIGERATOR. HE THROW BOTH MEN OVER THE TOP 2731 01:25:58,487 --> 01:25:59,586 KNOCKING BY THE REFRIGERATOR. HE THROW BOTH MEN OVER THE TOP ROPE, BUT THEY DID NOT REACH THE 2732 01:25:59,588 --> 01:26:01,688 HE THROW BOTH MEN OVER THE TOP ROPE, BUT THEY DID NOT REACH THE ARENA FLOOR. 2733 01:26:01,690 --> 01:26:03,657 ROPE, BUT THEY DID NOT REACH THE ARENA FLOOR. ALL SIX ARE STILL IN IT. 2734 01:26:03,659 --> 01:26:04,758 ARENA FLOOR. ALL SIX ARE STILL IN IT. >> THE REFRIGERATOR CAUSED BY 2735 01:26:04,760 --> 01:26:05,659 ALL SIX ARE STILL IN IT. >> THE REFRIGERATOR CAUSED BY TACKLE. 2736 01:26:05,661 --> 01:26:07,527 >> THE REFRIGERATOR CAUSED BY TACKLE. HE JUST HIT JOHN STUDD AND 2737 01:26:07,529 --> 01:26:08,795 TACKLE. HE JUST HIT JOHN STUDD AND KNOCKED HIM RIGHT INTO THE 2738 01:26:08,797 --> 01:26:09,529 HE JUST HIT JOHN STUDD AND KNOCKED HIM RIGHT INTO THE CORNER. 2739 01:26:09,531 --> 01:26:11,532 KNOCKED HIM RIGHT INTO THE CORNER. >> HE'S COMING FOR ANOTHER ONE. 2740 01:26:11,534 --> 01:26:12,465 CORNER. >> HE'S COMING FOR ANOTHER ONE. LOOK OUT. 2741 01:26:12,467 --> 01:26:13,567 >> HE'S COMING FOR ANOTHER ONE. LOOK OUT. OH. 2742 01:26:13,569 --> 01:26:15,402 LOOK OUT. OH. STUDD'S MET HIM WITH A BIG ELBOW 2743 01:26:15,404 --> 01:26:16,603 OH. STUDD'S MET HIM WITH A BIG ELBOW AND THERE GOES REFRIGERATOR. 2744 01:26:16,605 --> 01:26:17,404 STUDD'S MET HIM WITH A BIG ELBOW AND THERE GOES REFRIGERATOR. >> THERE WE GO. 2745 01:26:17,406 --> 01:26:18,572 AND THERE GOES REFRIGERATOR. >> THERE WE GO. HE'S OUT. 2746 01:26:18,574 --> 01:26:19,506 >> THERE WE GO. HE'S OUT. >> BIG JOHN STUDD JUST SUC -- 2747 01:26:19,508 --> 01:26:20,807 HE'S OUT. >> BIG JOHN STUDD JUST SUC -- SUCCEEDED IN THROWING THE 2748 01:26:20,809 --> 01:26:22,509 >> BIG JOHN STUDD JUST SUC -- SUCCEEDED IN THROWING THE REFRIGE RIGHT OVER THE TOP. 2749 01:26:22,511 --> 01:26:23,777 SUCCEEDED IN THROWING THE REFRIGE RIGHT OVER THE TOP. THE REFRIGE IS VERY DISPLEASED 2750 01:26:23,779 --> 01:26:24,645 REFRIGE RIGHT OVER THE TOP. THE REFRIGE IS VERY DISPLEASED ABOUT IT. 2751 01:26:24,647 --> 01:26:25,579 THE REFRIGE IS VERY DISPLEASED ABOUT IT. >> REFRIGERATOR WANTS A 2752 01:26:25,581 --> 01:26:26,379 ABOUT IT. >> REFRIGERATOR WANTS A HANDSHAKE. 2753 01:26:26,381 --> 01:26:27,414 >> REFRIGERATOR WANTS A HANDSHAKE. HE SAID ALL RIGHT, YOU GOT RID 2754 01:26:27,416 --> 01:26:28,815 HANDSHAKE. HE SAID ALL RIGHT, YOU GOT RID OF ME. 2755 01:26:28,817 --> 01:26:30,317 HE SAID ALL RIGHT, YOU GOT RID OF ME. LET'S MAKE A HANDSHAKE HERE. 2756 01:26:30,319 --> 01:26:31,551 OF ME. LET'S MAKE A HANDSHAKE HERE. I WANT TO BE FRIENDS. 2757 01:26:31,553 --> 01:26:32,619 LET'S MAKE A HANDSHAKE HERE. I WANT TO BE FRIENDS. THE MATCH IS OVER AS FAR AS I'M 2758 01:26:32,621 --> 01:26:33,753 I WANT TO BE FRIENDS. THE MATCH IS OVER AS FAR AS I'M CONCERNED. 2759 01:26:33,755 --> 01:26:35,755 THE MATCH IS OVER AS FAR AS I'M CONCERNED. OH, LOOK AT THAT. 2760 01:26:35,757 --> 01:26:36,923 CONCERNED. OH, LOOK AT THAT. HE PULLED BIG JOHN RIGHT OUT OF 2761 01:26:36,925 --> 01:26:39,392 OH, LOOK AT THAT. HE PULLED BIG JOHN RIGHT OUT OF THERE. 2762 01:26:39,394 --> 01:26:40,760 HE PULLED BIG JOHN RIGHT OUT OF THERE. >> BIG JOHN STUDD'S AN OLD PRO. 2763 01:26:40,762 --> 01:26:42,596 THERE. >> BIG JOHN STUDD'S AN OLD PRO. HE'S TOO SMART FOR A ROOKIE TO 2764 01:26:42,598 --> 01:26:43,463 >> BIG JOHN STUDD'S AN OLD PRO. HE'S TOO SMART FOR A ROOKIE TO THROW HIM LIKE THAT. 2765 01:26:43,465 --> 01:26:44,798 HE'S TOO SMART FOR A ROOKIE TO THROW HIM LIKE THAT. THE OLDEST TRICK IN THE BOOK. 2766 01:26:44,800 --> 01:26:46,900 THROW HIM LIKE THAT. THE OLDEST TRICK IN THE BOOK. THE REFRIGE JUST UPSET BIG JOHN 2767 01:26:46,902 --> 01:26:49,502 THE OLDEST TRICK IN THE BOOK. THE REFRIGE JUST UPSET BIG JOHN STUDD. 2768 01:26:49,504 --> 01:26:50,904 THE REFRIGE JUST UPSET BIG JOHN STUDD. >> JOHN STUDD DOUBLE CROSSED 2769 01:26:50,906 --> 01:26:52,305 STUDD. >> JOHN STUDD DOUBLE CROSSED HERE BY THE REFRIGERATOR WHO 2770 01:26:52,307 --> 01:26:54,308 >> JOHN STUDD DOUBLE CROSSED HERE BY THE REFRIGERATOR WHO WENT TO THE WELL ONE TOO MANY 2771 01:26:54,310 --> 01:26:55,375 HERE BY THE REFRIGERATOR WHO WENT TO THE WELL ONE TOO MANY TIMES AND BIG JOHN GOT RID OF 2772 01:26:55,377 --> 01:26:56,509 WENT TO THE WELL ONE TOO MANY TIMES AND BIG JOHN GOT RID OF HIM. 2773 01:26:56,511 --> 01:26:57,811 TIMES AND BIG JOHN GOT RID OF HIM. UH OH, LOOK AT THIS NOW. 2774 01:26:57,813 --> 01:27:00,513 HIM. UH OH, LOOK AT THIS NOW. IT'S ANDRE PLUS FRANCIS AND THE 2775 01:27:00,515 --> 01:27:02,382 UH OH, LOOK AT THIS NOW. IT'S ANDRE PLUS FRANCIS AND THE HART FOUNDATION, THE ANVIL AND 2776 01:27:02,384 --> 01:27:04,818 IT'S ANDRE PLUS FRANCIS AND THE HART FOUNDATION, THE ANVIL AND THE HIT MAN. 2777 01:27:04,820 --> 01:27:06,386 HART FOUNDATION, THE ANVIL AND THE HIT MAN. ANDRE THE GIANT, THE WINNER OF 2778 01:27:06,388 --> 01:27:07,721 THE HIT MAN. ANDRE THE GIANT, THE WINNER OF MORE BATTLE ROYALS THAN ANYONE 2779 01:27:07,723 --> 01:27:09,289 ANDRE THE GIANT, THE WINNER OF MORE BATTLE ROYALS THAN ANYONE IN THE HISTORY OF PROFESSIONAL 2780 01:27:09,291 --> 01:27:10,591 MORE BATTLE ROYALS THAN ANYONE IN THE HISTORY OF PROFESSIONAL WRESTLING. 2781 01:27:10,593 --> 01:27:11,592 IN THE HISTORY OF PROFESSIONAL WRESTLING. >> THEY WOULD HAVE NEVER MADE 2782 01:27:11,594 --> 01:27:13,493 WRESTLING. >> THEY WOULD HAVE NEVER MADE THE CLAIM THAT RUSS FRANCIS 2783 01:27:13,495 --> 01:27:16,463 >> THEY WOULD HAVE NEVER MADE THE CLAIM THAT RUSS FRANCIS WOULD BE AMONG THE LAST FOUR. 2784 01:27:16,465 --> 01:27:17,230 THE CLAIM THAT RUSS FRANCIS WOULD BE AMONG THE LAST FOUR. >> WELL, RUSS FRANCIS WITH THAT 2785 01:27:17,232 --> 01:27:19,533 WOULD BE AMONG THE LAST FOUR. >> WELL, RUSS FRANCIS WITH THAT WRESTLING ABILITY, ERNIE. 2786 01:27:19,535 --> 01:27:20,700 >> WELL, RUSS FRANCIS WITH THAT WRESTLING ABILITY, ERNIE. >> THAT GUY HAS JUST DEFIED TWO 2787 01:27:20,702 --> 01:27:21,735 WRESTLING ABILITY, ERNIE. >> THAT GUY HAS JUST DEFIED TWO WRESTLERS. 2788 01:27:21,737 --> 01:27:24,504 >> THAT GUY HAS JUST DEFIED TWO WRESTLERS. >> LOOK AT THAT, THEY'VE GOT 2789 01:27:24,506 --> 01:27:26,339 WRESTLERS. >> LOOK AT THAT, THEY'VE GOT ANDRE TIED UP BETWEEN THE TOP 2790 01:27:26,341 --> 01:27:27,607 >> LOOK AT THAT, THEY'VE GOT ANDRE TIED UP BETWEEN THE TOP AND MIDDLE ROPES, AND NOW 2791 01:27:27,609 --> 01:27:28,441 ANDRE TIED UP BETWEEN THE TOP AND MIDDLE ROPES, AND NOW THEY'RE GOING TO WORK ON RUSS 2792 01:27:28,443 --> 01:27:29,609 AND MIDDLE ROPES, AND NOW THEY'RE GOING TO WORK ON RUSS FRANCIS, A DOUBLE TEAM EFFORT BY 2793 01:27:29,611 --> 01:27:30,744 THEY'RE GOING TO WORK ON RUSS FRANCIS, A DOUBLE TEAM EFFORT BY THE HART FOUNDATION. 2794 01:27:30,746 --> 01:27:31,812 FRANCIS, A DOUBLE TEAM EFFORT BY THE HART FOUNDATION. THEY ARE DEFINITELY IN THERE, 2795 01:27:31,814 --> 01:27:33,480 THE HART FOUNDATION. THEY ARE DEFINITELY IN THERE, CATHY LEE, WORKING AS A TEAM. 2796 01:27:33,482 --> 01:27:34,214 THEY ARE DEFINITELY IN THERE, CATHY LEE, WORKING AS A TEAM. >> THEY ARE DEFINITELY A TEAM. 2797 01:27:34,216 --> 01:27:34,748 CATHY LEE, WORKING AS A TEAM. >> THEY ARE DEFINITELY A TEAM. >> OH, THERE GOES RUSS. 2798 01:27:34,750 --> 01:27:36,816 >> THEY ARE DEFINITELY A TEAM. >> OH, THERE GOES RUSS. HE'S GONE. 2799 01:27:36,818 --> 01:27:38,585 >> OH, THERE GOES RUSS. HE'S GONE. >> HE'S OUT. 2800 01:27:38,587 --> 01:27:39,519 HE'S GONE. >> HE'S OUT. >> UH OH. 2801 01:27:39,521 --> 01:27:41,755 >> HE'S OUT. >> UH OH. TWO AGAINST ONE NOW. 2802 01:27:41,757 --> 01:27:42,622 >> UH OH. TWO AGAINST ONE NOW. ANDRE THE GIANT HAS SEEN THIS 2803 01:27:42,624 --> 01:27:43,690 TWO AGAINST ONE NOW. ANDRE THE GIANT HAS SEEN THIS SITUATION BEFORE, ERNIE. 2804 01:27:43,692 --> 01:27:44,724 ANDRE THE GIANT HAS SEEN THIS SITUATION BEFORE, ERNIE. >> NOT A SHADOW OF A DOUBT. 2805 01:27:44,726 --> 01:27:45,892 SITUATION BEFORE, ERNIE. >> NOT A SHADOW OF A DOUBT. THOSE GUYS ARE TWO MEN THAT HAVE 2806 01:27:45,894 --> 01:27:47,427 >> NOT A SHADOW OF A DOUBT. THOSE GUYS ARE TWO MEN THAT HAVE WORKED TOGETHER FOR A LONG TIME 2807 01:27:47,429 --> 01:27:48,595 THOSE GUYS ARE TWO MEN THAT HAVE WORKED TOGETHER FOR A LONG TIME AS A TEAM, THAT'S THE HART 2808 01:27:48,597 --> 01:27:49,929 WORKED TOGETHER FOR A LONG TIME AS A TEAM, THAT'S THE HART FOUNDATION. 2809 01:27:49,931 --> 01:27:50,964 AS A TEAM, THAT'S THE HART FOUNDATION. >> HART FOUNDATION GOING TO 2810 01:27:50,966 --> 01:27:51,698 FOUNDATION. >> HART FOUNDATION GOING TO WORK. 2811 01:27:51,700 --> 01:27:53,600 >> HART FOUNDATION GOING TO WORK. BRET THE HIT MAN. 2812 01:27:53,602 --> 01:27:54,534 WORK. BRET THE HIT MAN. LOOK AT THIS NOW, DOUBLE TEAMED 2813 01:27:54,536 --> 01:27:56,703 BRET THE HIT MAN. LOOK AT THIS NOW, DOUBLE TEAMED BY THIS TEAM, AND NOW HE SHOOTS 2814 01:27:56,705 --> 01:27:57,604 LOOK AT THIS NOW, DOUBLE TEAMED BY THIS TEAM, AND NOW HE SHOOTS THE ANVIL. 2815 01:27:57,606 --> 01:27:59,673 BY THIS TEAM, AND NOW HE SHOOTS THE ANVIL. WOW, WHAT A TACKLE, FORMER 2816 01:27:59,675 --> 01:28:01,508 THE ANVIL. WOW, WHAT A TACKLE, FORMER FOOTBALL PLAYER AS WELL. 2817 01:28:01,510 --> 01:28:02,609 WOW, WHAT A TACKLE, FORMER FOOTBALL PLAYER AS WELL. >> NOT A SHADOW OF A DOUBT IT 2818 01:28:02,611 --> 01:28:03,610 FOOTBALL PLAYER AS WELL. >> NOT A SHADOW OF A DOUBT IT WILL TAKE ITS TOLL ON ANDRE THE 2819 01:28:03,612 --> 01:28:04,645 >> NOT A SHADOW OF A DOUBT IT WILL TAKE ITS TOLL ON ANDRE THE GIANT. 2820 01:28:04,647 --> 01:28:05,345 WILL TAKE ITS TOLL ON ANDRE THE GIANT. >> LOOK AT ANDRE. 2821 01:28:05,347 --> 01:28:07,247 GIANT. >> LOOK AT ANDRE. THEY EACH GOT A LEG. 2822 01:28:07,249 --> 01:28:10,583 >> LOOK AT ANDRE. THEY EACH GOT A LEG. OH, HE KICKED THEM BOTH OFF. 2823 01:28:10,585 --> 01:28:11,418 THEY EACH GOT A LEG. OH, HE KICKED THEM BOTH OFF. >> THEY'RE GOING BACK AND 2824 01:28:11,420 --> 01:28:12,652 OH, HE KICKED THEM BOTH OFF. >> THEY'RE GOING BACK AND REGROUPING TO GET THEIR STRATEGY 2825 01:28:12,654 --> 01:28:13,320 >> THEY'RE GOING BACK AND REGROUPING TO GET THEIR STRATEGY TOGETHER. 2826 01:28:13,322 --> 01:28:14,888 REGROUPING TO GET THEIR STRATEGY TOGETHER. ONE MORE TACKLE. 2827 01:28:14,890 --> 01:28:15,655 TOGETHER. ONE MORE TACKLE. >> LOOK OUT. 2828 01:28:15,657 --> 01:28:16,723 ONE MORE TACKLE. >> LOOK OUT. OH, WENT TO THE RAIL ONE TOO 2829 01:28:16,725 --> 01:28:18,692 >> LOOK OUT. OH, WENT TO THE RAIL ONE TOO MANY TIMES. 2830 01:28:18,694 --> 01:28:20,727 OH, WENT TO THE RAIL ONE TOO MANY TIMES. ANDRE PICKED UP THE BIG SIZE 21 2831 01:28:20,729 --> 01:28:21,995 MANY TIMES. ANDRE PICKED UP THE BIG SIZE 21 AND STUCK IT RIGHT IN THE 2832 01:28:21,997 --> 01:28:23,463 ANDRE PICKED UP THE BIG SIZE 21 AND STUCK IT RIGHT IN THE KISSER. 2833 01:28:23,465 --> 01:28:24,197 AND STUCK IT RIGHT IN THE KISSER. >> HE'S GOT HIM BY THE BEARD. 2834 01:28:24,199 --> 01:28:24,831 KISSER. >> HE'S GOT HIM BY THE BEARD. >> HE'S GOT HIM RIGHT BY THE 2835 01:28:24,833 --> 01:28:25,665 >> HE'S GOT HIM BY THE BEARD. >> HE'S GOT HIM RIGHT BY THE GOATEE. 2836 01:28:25,667 --> 01:28:26,866 >> HE'S GOT HIM RIGHT BY THE GOATEE. YOU'RE RIGHT, CATHY LEE. 2837 01:28:26,868 --> 01:28:28,502 GOATEE. YOU'RE RIGHT, CATHY LEE. ANDRE THE GIANT GOING TO WORK, 2838 01:28:28,504 --> 01:28:31,605 YOU'RE RIGHT, CATHY LEE. ANDRE THE GIANT GOING TO WORK, DOUBLE KNOCKING OUT HERE. 2839 01:28:31,607 --> 01:28:32,672 ANDRE THE GIANT GOING TO WORK, DOUBLE KNOCKING OUT HERE. >> THEY'LL HAVE A HEADACHE FOR A 2840 01:28:32,674 --> 01:28:33,640 DOUBLE KNOCKING OUT HERE. >> THEY'LL HAVE A HEADACHE FOR A WEEK. 2841 01:28:33,642 --> 01:28:34,541 >> THEY'LL HAVE A HEADACHE FOR A WEEK. >> ANDRE THE GIANT DOING A 2842 01:28:34,543 --> 01:28:35,809 WEEK. >> ANDRE THE GIANT DOING A NUMBER RIGHT NOW ON THE HART 2843 01:28:35,811 --> 01:28:36,476 >> ANDRE THE GIANT DOING A NUMBER RIGHT NOW ON THE HART FOUNDATION. 2844 01:28:36,478 --> 01:28:37,477 NUMBER RIGHT NOW ON THE HART FOUNDATION. BUT DON'T FORGET, IT'S STILL TWO 2845 01:28:37,479 --> 01:28:39,512 FOUNDATION. BUT DON'T FORGET, IT'S STILL TWO AGAINST ONE. 2846 01:28:39,514 --> 01:28:40,547 BUT DON'T FORGET, IT'S STILL TWO AGAINST ONE. THE ANVIL SHOT IN, OH, THE BIG 2847 01:28:40,549 --> 01:28:43,616 AGAINST ONE. THE ANVIL SHOT IN, OH, THE BIG BOOT, AND THE ANVIL OVER THE TOP 2848 01:28:43,618 --> 01:28:44,684 THE ANVIL SHOT IN, OH, THE BIG BOOT, AND THE ANVIL OVER THE TOP AND HE'S GONE. 2849 01:28:44,686 --> 01:28:46,586 BOOT, AND THE ANVIL OVER THE TOP AND HE'S GONE. LOOK AT THE HIT MAN, ON THE TOP 2850 01:28:46,588 --> 01:28:48,522 AND HE'S GONE. LOOK AT THE HIT MAN, ON THE TOP TURNBUCKLE. 2851 01:28:48,524 --> 01:28:50,690 LOOK AT THE HIT MAN, ON THE TOP TURNBUCKLE. HE'S CAUGHT. 2852 01:28:50,692 --> 01:28:52,359 TURNBUCKLE. HE'S CAUGHT. WHAT'S ANDRE GOING TO DO WITH 2853 01:28:52,361 --> 01:28:53,526 HE'S CAUGHT. WHAT'S ANDRE GOING TO DO WITH HIM? 2854 01:28:53,528 --> 01:28:54,394 WHAT'S ANDRE GOING TO DO WITH HIM? >> OH, HE'S GOT HIM. 2855 01:28:54,396 --> 01:28:55,395 HIM? >> OH, HE'S GOT HIM. THAT'S IT. 2856 01:28:55,397 --> 01:28:57,297 >> OH, HE'S GOT HIM. THAT'S IT. >> OH, HE THREW HIM RIGHT DOWN 2857 01:28:57,299 --> 01:28:58,798 THAT'S IT. >> OH, HE THREW HIM RIGHT DOWN ON THE ANVIL. 2858 01:28:58,800 --> 01:29:01,501 >> OH, HE THREW HIM RIGHT DOWN ON THE ANVIL. IT'S ALL OVER. 2859 01:29:01,503 --> 01:29:03,370 ON THE ANVIL. IT'S ALL OVER. >> HE IS THE GIANT. 2860 01:29:03,372 --> 01:29:04,104 IT'S ALL OVER. >> HE IS THE GIANT. >> ANDRE THE GIANT, THE WINNER 2861 01:29:04,106 --> 01:29:05,271 >> HE IS THE GIANT. >> ANDRE THE GIANT, THE WINNER HERE IN THIS TREMENDOUS 2862 01:29:05,273 --> 01:29:06,840 >> ANDRE THE GIANT, THE WINNER HERE IN THIS TREMENDOUS UNBELIEVABLE 20 MEN OVER THE TOP 2863 01:29:06,842 --> 01:29:09,509 HERE IN THIS TREMENDOUS UNBELIEVABLE 20 MEN OVER THE TOP INVITATIONAL BATTLE ROYAL. 2864 01:29:09,511 --> 01:29:11,544 UNBELIEVABLE 20 MEN OVER THE TOP INVITATIONAL BATTLE ROYAL. >> IF I HAD TO PICK A WINNER 2865 01:29:11,546 --> 01:29:12,479 INVITATIONAL BATTLE ROYAL. >> IF I HAD TO PICK A WINNER BEFOREHAND, THAT'S THE GUY I 2866 01:29:12,481 --> 01:29:13,045 >> IF I HAD TO PICK A WINNER BEFOREHAND, THAT'S THE GUY I WOULD HAVE PICKED. 2867 01:29:13,047 --> 01:29:13,713 BEFOREHAND, THAT'S THE GUY I WOULD HAVE PICKED. >> YEAH, HE'S THE GREATEST 2868 01:29:13,715 --> 01:29:14,714 WOULD HAVE PICKED. >> YEAH, HE'S THE GREATEST BATTLE ROYAL MAN AROUND. 2869 01:29:14,716 --> 01:29:15,915 >> YEAH, HE'S THE GREATEST BATTLE ROYAL MAN AROUND. WELL, GENE-O, YOU'RE NOT IN THE 2870 01:29:15,917 --> 01:29:16,883 BATTLE ROYAL MAN AROUND. WELL, GENE-O, YOU'RE NOT IN THE BATTLE ROYALS ANY MORE, NEITHER 2871 01:29:16,885 --> 01:29:17,650 WELL, GENE-O, YOU'RE NOT IN THE BATTLE ROYALS ANY MORE, NEITHER AM I. 2872 01:29:17,652 --> 01:29:18,818 BATTLE ROYALS ANY MORE, NEITHER AM I. >> THANK GOD. 2873 01:29:18,820 --> 01:29:20,220 AM I. >> THANK GOD. >> THANK GOD, YOU'RE RIGHT. 2874 01:29:20,222 --> 01:29:21,388 >> THANK GOD. >> THANK GOD, YOU'RE RIGHT. >> LET'S GO UP AND GET THE 2875 01:29:21,390 --> 01:29:23,556 >> THANK GOD, YOU'RE RIGHT. >> LET'S GO UP AND GET THE OFFICIAL ANNOUNCEMENT. 2876 01:29:23,558 --> 01:29:25,358 >> LET'S GO UP AND GET THE OFFICIAL ANNOUNCEMENT. >> LADIES AND GENTLEMEN, YOUR 2877 01:29:25,360 --> 01:29:27,827 OFFICIAL ANNOUNCEMENT. >> LADIES AND GENTLEMEN, YOUR WINNER OF THIS 20 MAN BATTLE 2878 01:29:27,829 --> 01:29:31,664 >> LADIES AND GENTLEMEN, YOUR WINNER OF THIS 20 MAN BATTLE ROYAL, THE ONE, THE ONLY, ANDRE 2879 01:29:31,666 --> 01:29:34,334 WINNER OF THIS 20 MAN BATTLE ROYAL, THE ONE, THE ONLY, ANDRE THE GIANT. 2880 01:29:34,336 --> 01:29:35,402 ROYAL, THE ONE, THE ONLY, ANDRE THE GIANT. >> ANDRE THE GIANT, THE WINNER 2881 01:29:35,404 --> 01:29:37,270 THE GIANT. >> ANDRE THE GIANT, THE WINNER OF MORE BATTLE ROYALS THAN ANY 2882 01:29:37,272 --> 01:29:38,772 >> ANDRE THE GIANT, THE WINNER OF MORE BATTLE ROYALS THAN ANY GUY IN THE HISTORY OF 2883 01:29:38,774 --> 01:29:40,374 OF MORE BATTLE ROYALS THAN ANY GUY IN THE HISTORY OF PROFESSIONAL WRESTLING. 2884 01:29:40,376 --> 01:29:41,541 GUY IN THE HISTORY OF PROFESSIONAL WRESTLING. AND HE'S HURT, THOUGH, YOU CAN 2885 01:29:41,543 --> 01:29:43,376 PROFESSIONAL WRESTLING. AND HE'S HURT, THOUGH, YOU CAN TELL THAT, AS EVERYONE IN THIS 2886 01:29:43,378 --> 01:29:44,544 AND HE'S HURT, THOUGH, YOU CAN TELL THAT, AS EVERYONE IN THIS BATTLE ROYAL CERTAINLY TOOK A 2887 01:29:44,546 --> 01:29:49,583 TELL THAT, AS EVERYONE IN THIS BATTLE ROYAL CERTAINLY TOOK A TREMENDOUS BEATING. 2888 01:29:49,585 --> 01:29:50,750 BATTLE ROYAL CERTAINLY TOOK A TREMENDOUS BEATING. ANDRE THE GIANT WAVING TO THE 2889 01:29:50,752 --> 01:29:52,419 TREMENDOUS BEATING. ANDRE THE GIANT WAVING TO THE FANS, BUT HE'S HURT, HIS RIBS 2890 01:29:52,421 --> 01:29:54,888 ANDRE THE GIANT WAVING TO THE FANS, BUT HE'S HURT, HIS RIBS ARE HURT, HIS STERNUM, BUT HE -- 2891 01:29:54,890 --> 01:29:57,157 FANS, BUT HE'S HURT, HIS RIBS ARE HURT, HIS STERNUM, BUT HE -- HE WALKS OUT HERE A VERY, VERY 2892 01:29:57,159 --> 01:29:57,757 ARE HURT, HIS STERNUM, BUT HE -- HE WALKS OUT HERE A VERY, VERY PROUD MAN. 2893 01:29:57,759 --> 01:29:59,726 HE WALKS OUT HERE A VERY, VERY PROUD MAN. RIGHT NOW, LET'S GO TO VINCE AND 2894 01:29:59,728 --> 01:30:02,462 PROUD MAN. RIGHT NOW, LET'S GO TO VINCE AND SUSAN IN NEW YORK. 2895 01:30:02,464 --> 01:30:03,130 RIGHT NOW, LET'S GO TO VINCE AND SUSAN IN NEW YORK. >> ALL RIGHT, GORILLA, THANK YOU 2896 01:30:03,132 --> 01:30:03,863 SUSAN IN NEW YORK. >> ALL RIGHT, GORILLA, THANK YOU VERY MUCH. 2897 01:30:03,865 --> 01:30:05,899 >> ALL RIGHT, GORILLA, THANK YOU VERY MUCH. WE HAVE HERE ROWDY RODDY PIPER 2898 01:30:05,901 --> 01:30:07,300 VERY MUCH. WE HAVE HERE ROWDY RODDY PIPER AND I MUST SAY, YOUR CONDUCT WAS 2899 01:30:07,302 --> 01:30:09,602 WE HAVE HERE ROWDY RODDY PIPER AND I MUST SAY, YOUR CONDUCT WAS SOMETHING LESS THAN BECOMING, AS 2900 01:30:09,604 --> 01:30:11,638 AND I MUST SAY, YOUR CONDUCT WAS SOMETHING LESS THAN BECOMING, AS FAR AS AN ATHLETE IS CONCERNED. 2901 01:30:11,640 --> 01:30:12,939 SOMETHING LESS THAN BECOMING, AS FAR AS AN ATHLETE IS CONCERNED. >> SEE, I DIDN'T UNDERSTAND, 2902 01:30:12,941 --> 01:30:14,607 FAR AS AN ATHLETE IS CONCERNED. >> SEE, I DIDN'T UNDERSTAND, OBVIOUSLY ... 2903 01:30:14,609 --> 01:30:15,575 >> SEE, I DIDN'T UNDERSTAND, OBVIOUSLY ... I DIDN'T ... 2904 01:30:15,577 --> 01:30:16,510 OBVIOUSLY ... I DIDN'T ... IF I WANTED TO COME FOR A 2905 01:30:16,512 --> 01:30:18,545 I DIDN'T ... IF I WANTED TO COME FOR A PICNIC, T, I WOULD'VE PACKED A 2906 01:30:18,547 --> 01:30:19,546 IF I WANTED TO COME FOR A PICNIC, T, I WOULD'VE PACKED A LUNCH. 2907 01:30:19,548 --> 01:30:21,515 PICNIC, T, I WOULD'VE PACKED A LUNCH. I'VE COME TO FIGHT, AND JUST AS 2908 01:30:21,517 --> 01:30:23,417 LUNCH. I'VE COME TO FIGHT, AND JUST AS I'M GETTING INTO THE FIGHTING, 2909 01:30:23,419 --> 01:30:24,451 I'VE COME TO FIGHT, AND JUST AS I'M GETTING INTO THE FIGHTING, YOU HAVE ALL ... 2910 01:30:24,453 --> 01:30:25,819 I'M GETTING INTO THE FIGHTING, YOU HAVE ALL ... YOU KNOW, YOU AND PERRY 2911 01:30:25,821 --> 01:30:28,688 YOU HAVE ALL ... YOU KNOW, YOU AND PERRY OBVIOUSLY COME FROM THE SAME 2912 01:30:28,690 --> 01:30:30,657 YOU KNOW, YOU AND PERRY OBVIOUSLY COME FROM THE SAME MOLD 'CAUSE YOU BOTH CHEAT. 2913 01:30:30,659 --> 01:30:32,725 OBVIOUSLY COME FROM THE SAME MOLD 'CAUSE YOU BOTH CHEAT. I SAW PERRY PULLING JOHN STUDD 2914 01:30:32,727 --> 01:30:33,693 MOLD 'CAUSE YOU BOTH CHEAT. I SAW PERRY PULLING JOHN STUDD OVER LIKE THAT. 2915 01:30:33,695 --> 01:30:35,728 I SAW PERRY PULLING JOHN STUDD OVER LIKE THAT. I SAW T RUBBING HIS HEAD. 2916 01:30:35,730 --> 01:30:36,997 OVER LIKE THAT. I SAW T RUBBING HIS HEAD. RUBBING THEM GNARLY BRISTLES 2917 01:30:36,999 --> 01:30:38,765 I SAW T RUBBING HIS HEAD. RUBBING THEM GNARLY BRISTLES INSIDE MY EYES, BUT NOTHING HE 2918 01:30:38,767 --> 01:30:41,601 RUBBING THEM GNARLY BRISTLES INSIDE MY EYES, BUT NOTHING HE COULD DO COULD HURT ME. 2919 01:30:41,603 --> 01:30:42,602 INSIDE MY EYES, BUT NOTHING HE COULD DO COULD HURT ME. THERE'S NOTHING. 2920 01:30:42,604 --> 01:30:43,636 COULD DO COULD HURT ME. THERE'S NOTHING. I SAID IF HE COULD KNOCK ME OUT 2921 01:30:43,638 --> 01:30:45,572 THERE'S NOTHING. I SAID IF HE COULD KNOCK ME OUT I WILL RETIRE. 2922 01:30:45,574 --> 01:30:46,673 I SAID IF HE COULD KNOCK ME OUT I WILL RETIRE. I HAVE FIGHT AFTER FIGHT AFTER 2923 01:30:46,675 --> 01:30:49,642 I WILL RETIRE. I HAVE FIGHT AFTER FIGHT AFTER FIGHT LEFT AND I DON'T HAVE TO 2924 01:30:49,644 --> 01:30:51,778 I HAVE FIGHT AFTER FIGHT AFTER FIGHT LEFT AND I DON'T HAVE TO CUT MY HAIR LIKE AN INDIAN AND I 2925 01:30:51,780 --> 01:30:53,847 FIGHT LEFT AND I DON'T HAVE TO CUT MY HAIR LIKE AN INDIAN AND I DON'T HAVE TO DYE MYSELF BLACK 2926 01:30:53,849 --> 01:30:55,849 CUT MY HAIR LIKE AN INDIAN AND I DON'T HAVE TO DYE MYSELF BLACK AND I SAW YOU COMING IN WITH JOE 2927 01:30:55,851 --> 01:30:57,818 DON'T HAVE TO DYE MYSELF BLACK AND I SAW YOU COMING IN WITH JOE FRAZIER IN A NICE, LITTLE KILT. 2928 01:30:57,820 --> 01:30:59,619 AND I SAW YOU COMING IN WITH JOE FRAZIER IN A NICE, LITTLE KILT. JOE FRAZIER, I'VE NEVER SEEN YOU 2929 01:30:59,621 --> 01:31:01,888 FRAZIER IN A NICE, LITTLE KILT. JOE FRAZIER, I'VE NEVER SEEN YOU LOOK BETTER IN YOUR ENTIRE LIFE 2930 01:31:01,890 --> 01:31:03,656 JOE FRAZIER, I'VE NEVER SEEN YOU LOOK BETTER IN YOUR ENTIRE LIFE FROM THE WAIST DOWN. 2931 01:31:03,658 --> 01:31:04,858 LOOK BETTER IN YOUR ENTIRE LIFE FROM THE WAIST DOWN. >> ALL RIGHT. 2932 01:31:04,860 --> 01:31:06,693 FROM THE WAIST DOWN. >> ALL RIGHT. SUSAN, A COMMENT, PLEASE? 2933 01:31:06,695 --> 01:31:07,561 >> ALL RIGHT. SUSAN, A COMMENT, PLEASE? >> WELL, I DON'T KNOW, RODDY. 2934 01:31:07,563 --> 01:31:08,895 SUSAN, A COMMENT, PLEASE? >> WELL, I DON'T KNOW, RODDY. THAT SOUNDS LIKE A BUNCH OF 2935 01:31:08,897 --> 01:31:09,729 >> WELL, I DON'T KNOW, RODDY. THAT SOUNDS LIKE A BUNCH OF BLARNEY TO ME. 2936 01:31:09,731 --> 01:31:11,364 THAT SOUNDS LIKE A BUNCH OF BLARNEY TO ME. >> AREN'T I THE HANDSOMEST THING 2937 01:31:11,366 --> 01:31:12,432 BLARNEY TO ME. >> AREN'T I THE HANDSOMEST THING YOU EVER DID SEE? 2938 01:31:12,434 --> 01:31:13,533 >> AREN'T I THE HANDSOMEST THING YOU EVER DID SEE? >> GIVE ME A BREAK. 2939 01:31:13,535 --> 01:31:14,601 YOU EVER DID SEE? >> GIVE ME A BREAK. >> ALL RIGHT, HERE WE GO BACK TO 2940 01:31:14,603 --> 01:31:15,702 >> GIVE ME A BREAK. >> ALL RIGHT, HERE WE GO BACK TO THE REPLAY. 2941 01:31:15,704 --> 01:31:17,370 >> ALL RIGHT, HERE WE GO BACK TO THE REPLAY. YOU TAKE A LOOK AT IT FOR 2942 01:31:17,372 --> 01:31:18,538 THE REPLAY. YOU TAKE A LOOK AT IT FOR YOURSELF, AND HERE YOU WILL SEE 2943 01:31:18,540 --> 01:31:19,105 YOU TAKE A LOOK AT IT FOR YOURSELF, AND HERE YOU WILL SEE YOU BLATANTLY PUSHING THE 2944 01:31:19,107 --> 01:31:20,707 YOURSELF, AND HERE YOU WILL SEE YOU BLATANTLY PUSHING THE REFEREE. 2945 01:31:20,709 --> 01:31:21,574 YOU BLATANTLY PUSHING THE REFEREE. OBVIOUSLY YOU FELT AT THIS 2946 01:31:21,576 --> 01:31:22,442 REFEREE. OBVIOUSLY YOU FELT AT THIS JUNCTURE THAT YOU WERE LOSING 2947 01:31:22,444 --> 01:31:22,975 OBVIOUSLY YOU FELT AT THIS JUNCTURE THAT YOU WERE LOSING THE MATCHUP. 2948 01:31:22,977 --> 01:31:23,810 JUNCTURE THAT YOU WERE LOSING THE MATCHUP. YOU WERE LOSING THE FIGHT. 2949 01:31:23,812 --> 01:31:24,678 THE MATCHUP. YOU WERE LOSING THE FIGHT. LOOK AT THIS. 2950 01:31:24,680 --> 01:31:25,412 YOU WERE LOSING THE FIGHT. LOOK AT THIS. A BLATANT SHOVE ON THE REFEREE. 2951 01:31:25,414 --> 01:31:26,179 LOOK AT THIS. A BLATANT SHOVE ON THE REFEREE. >> I WASN'T LOSING NOTHING. 2952 01:31:26,181 --> 01:31:26,913 A BLATANT SHOVE ON THE REFEREE. >> I WASN'T LOSING NOTHING. HE KEPT STICKING HIS NOSE IN MY 2953 01:31:26,915 --> 01:31:27,680 >> I WASN'T LOSING NOTHING. HE KEPT STICKING HIS NOSE IN MY BUSINESS. 2954 01:31:27,682 --> 01:31:28,682 HE KEPT STICKING HIS NOSE IN MY BUSINESS. I COME TO FIGHT, T. 2955 01:31:28,684 --> 01:31:29,583 BUSINESS. I COME TO FIGHT, T. I END UP HAVING TO FIGHT THE 2956 01:31:29,585 --> 01:31:30,717 I COME TO FIGHT, T. I END UP HAVING TO FIGHT THE ENTIRE NASSAU ... 2957 01:31:30,719 --> 01:31:32,519 I END UP HAVING TO FIGHT THE ENTIRE NASSAU ... HE DIDN'T LOOK TOO SHARP THERE, 2958 01:31:32,521 --> 01:31:33,553 ENTIRE NASSAU ... HE DIDN'T LOOK TOO SHARP THERE, DID HE? 2959 01:31:33,555 --> 01:31:34,621 HE DIDN'T LOOK TOO SHARP THERE, DID HE? I LIKE THE WAY HE DROPS ON HIS 2960 01:31:34,623 --> 01:31:36,322 DID HE? I LIKE THE WAY HE DROPS ON HIS HEAD. 2961 01:31:36,324 --> 01:31:37,591 I LIKE THE WAY HE DROPS ON HIS HEAD. IT'S TOO BAD I DROPPED HIM ON 2962 01:31:37,593 --> 01:31:38,892 HEAD. IT'S TOO BAD I DROPPED HIM ON HIS HEAD BECAUSE DROPPING HIM ON 2963 01:31:38,894 --> 01:31:39,759 IT'S TOO BAD I DROPPED HIM ON HIS HEAD BECAUSE DROPPING HIM ON HIS HEAD REALLY DOESN'T DO A LOT 2964 01:31:39,761 --> 01:31:41,628 HIS HEAD BECAUSE DROPPING HIM ON HIS HEAD REALLY DOESN'T DO A LOT OF DAMAGE. 2965 01:31:41,630 --> 01:31:42,529 HIS HEAD REALLY DOESN'T DO A LOT OF DAMAGE. THAT'S WHY DUVA HAD ME GOING 2966 01:31:42,531 --> 01:31:42,996 OF DAMAGE. THAT'S WHY DUVA HAD ME GOING MOSTLY FOR THE BODY. 2967 01:31:42,998 --> 01:31:45,665 THAT'S WHY DUVA HAD ME GOING MOSTLY FOR THE BODY. DID YOU NOTICE THE WAY I WAS 2968 01:31:45,667 --> 01:31:46,533 MOSTLY FOR THE BODY. DID YOU NOTICE THE WAY I WAS STEPPING ON HIS TONGUE AS I WAS 2969 01:31:46,535 --> 01:31:48,535 DID YOU NOTICE THE WAY I WAS STEPPING ON HIS TONGUE AS I WAS BOXING HIM, CAUSING ME TO SLIP 2970 01:31:48,537 --> 01:31:49,636 STEPPING ON HIS TONGUE AS I WAS BOXING HIM, CAUSING ME TO SLIP ALL OVER THE PLACE? 2971 01:31:49,638 --> 01:31:50,837 BOXING HIM, CAUSING ME TO SLIP ALL OVER THE PLACE? >> ALL RIGHT. 2972 01:31:50,839 --> 01:31:52,939 ALL OVER THE PLACE? >> ALL RIGHT. >> DID YOU NOTICE THE WAY THAT 2973 01:31:52,941 --> 01:31:53,974 >> ALL RIGHT. >> DID YOU NOTICE THE WAY THAT THERE WAS NOTHING LEFT OF T? 2974 01:31:53,976 --> 01:31:55,375 >> DID YOU NOTICE THE WAY THAT THERE WAS NOTHING LEFT OF T? HOW THEY WERE HOLDING HIM AND 2975 01:31:55,377 --> 01:31:56,142 THERE WAS NOTHING LEFT OF T? HOW THEY WERE HOLDING HIM AND CARRYING HIM OUT, AND THE BIG 2976 01:31:56,144 --> 01:31:57,544 HOW THEY WERE HOLDING HIM AND CARRYING HIM OUT, AND THE BIG TEAR IN HIS EYE? 2977 01:31:57,546 --> 01:31:58,879 CARRYING HIM OUT, AND THE BIG TEAR IN HIS EYE? >> THE UNROUSABLE ROWDY RODDY 2978 01:31:58,881 --> 01:32:00,447 TEAR IN HIS EYE? >> THE UNROUSABLE ROWDY RODDY PIPER. 2979 01:32:00,449 --> 01:32:02,582 >> THE UNROUSABLE ROWDY RODDY PIPER. LET'S TAKE YOU NOW, LADIES AND 2980 01:32:02,584 --> 01:32:03,816 PIPER. LET'S TAKE YOU NOW, LADIES AND GENTLEMEN, BACK TO CHICAGO AND 2981 01:32:03,818 --> 01:32:06,286 LET'S TAKE YOU NOW, LADIES AND GENTLEMEN, BACK TO CHICAGO AND MEAN GENE OKERLUND. 2982 01:32:06,288 --> 01:32:07,219 GENTLEMEN, BACK TO CHICAGO AND MEAN GENE OKERLUND. >> THANK YOU VERY MUCH, VINCE 2983 01:32:07,221 --> 01:32:07,453 MEAN GENE OKERLUND. >> THANK YOU VERY MUCH, VINCE MCMAHON. 2984 01:32:07,455 --> 01:32:08,655 >> THANK YOU VERY MUCH, VINCE MCMAHON. THE ROSEMONT HORIZON IN SUBURBAN 2985 01:32:08,657 --> 01:32:09,322 MCMAHON. THE ROSEMONT HORIZON IN SUBURBAN CHICAGO STILL BUZZING ABOUT THIS 2986 01:32:09,324 --> 01:32:10,690 THE ROSEMONT HORIZON IN SUBURBAN CHICAGO STILL BUZZING ABOUT THIS 20-MAN OVER THE TOP ROPE BATTLE 2987 01:32:10,692 --> 01:32:11,524 CHICAGO STILL BUZZING ABOUT THIS 20-MAN OVER THE TOP ROPE BATTLE ROYAL. 2988 01:32:11,526 --> 01:32:12,725 20-MAN OVER THE TOP ROPE BATTLE ROYAL. WITH ME AT THIS TIME SUPER BOWL 2989 01:32:12,727 --> 01:32:14,794 ROYAL. WITH ME AT THIS TIME SUPER BOWL CHAMPION, CHICAGO BEAR, JIMBO 2990 01:32:14,796 --> 01:32:16,296 WITH ME AT THIS TIME SUPER BOWL CHAMPION, CHICAGO BEAR, JIMBO COVERT, AND WHAT A BAD 2991 01:32:16,298 --> 01:32:17,497 CHAMPION, CHICAGO BEAR, JIMBO COVERT, AND WHAT A BAD [INDISTINCT] 2992 01:32:17,499 --> 01:32:18,532 COVERT, AND WHAT A BAD [INDISTINCT] INTO PROFESSIONAL WRESTLING FOR 2993 01:32:18,534 --> 01:32:18,798 [INDISTINCT] INTO PROFESSIONAL WRESTLING FOR YOU. 2994 01:32:18,800 --> 01:32:19,666 INTO PROFESSIONAL WRESTLING FOR YOU. >> I TELL YOU WHAT, MEAN GENE. 2995 01:32:19,668 --> 01:32:20,567 YOU. >> I TELL YOU WHAT, MEAN GENE. I GOT CHEATED. 2996 01:32:20,569 --> 01:32:21,668 >> I TELL YOU WHAT, MEAN GENE. I GOT CHEATED. I GOT CHEATED BECAUSE I CAME TO 2997 01:32:21,670 --> 01:32:22,735 I GOT CHEATED. I GOT CHEATED BECAUSE I CAME TO HELP HIM. 2998 01:32:22,737 --> 01:32:24,404 I GOT CHEATED BECAUSE I CAME TO HELP HIM. WILLIAM "THE REFRIGERATOR" 2999 01:32:24,406 --> 01:32:25,639 HELP HIM. WILLIAM "THE REFRIGERATOR" PERRY, HE WAS GETTING GANGED UP 3000 01:32:25,641 --> 01:32:26,773 WILLIAM "THE REFRIGERATOR" PERRY, HE WAS GETTING GANGED UP ON IN THE BEGINNING. 3001 01:32:26,775 --> 01:32:27,641 PERRY, HE WAS GETTING GANGED UP ON IN THE BEGINNING. I GOT CHEATED BECAUSE I THREW 3002 01:32:27,643 --> 01:32:29,542 ON IN THE BEGINNING. I GOT CHEATED BECAUSE I THREW OUT KING TONGA AS I USUALLY CAN 3003 01:32:29,544 --> 01:32:30,644 I GOT CHEATED BECAUSE I THREW OUT KING TONGA AS I USUALLY CAN THROW OUT ANYBODY, AND HERE 3004 01:32:30,646 --> 01:32:31,711 OUT KING TONGA AS I USUALLY CAN THROW OUT ANYBODY, AND HERE COMES FRANTIC FROM THE BACK WHEN 3005 01:32:31,713 --> 01:32:32,512 THROW OUT ANYBODY, AND HERE COMES FRANTIC FROM THE BACK WHEN I WASN'T EVEN LOOKING AND THREW 3006 01:32:32,514 --> 01:32:34,581 COMES FRANTIC FROM THE BACK WHEN I WASN'T EVEN LOOKING AND THREW ME OUT AND HE CHEATED. 3007 01:32:34,583 --> 01:32:35,715 I WASN'T EVEN LOOKING AND THREW ME OUT AND HE CHEATED. >> ALL RIGHT. 3008 01:32:35,717 --> 01:32:36,983 ME OUT AND HE CHEATED. >> ALL RIGHT. I THANK YOU VERY MUCH, JIMBO. 3009 01:32:36,985 --> 01:32:39,686 >> ALL RIGHT. I THANK YOU VERY MUCH, JIMBO. COME ON, AND IF YOU WOULD, 3010 01:32:39,688 --> 01:32:40,353 I THANK YOU VERY MUCH, JIMBO. COME ON, AND IF YOU WOULD, PLEASE. 3011 01:32:40,355 --> 01:32:41,254 COME ON, AND IF YOU WOULD, PLEASE. IRON SHEIK, YOU'VE GOT A TASTE 3012 01:32:41,256 --> 01:32:41,855 PLEASE. IRON SHEIK, YOU'VE GOT A TASTE OF PROFESSIONAL FOOTBALL AT ITS 3013 01:32:41,857 --> 01:32:42,922 IRON SHEIK, YOU'VE GOT A TASTE OF PROFESSIONAL FOOTBALL AT ITS FINEST IN THIS GIGANTIC BATTLE 3014 01:32:42,924 --> 01:32:44,024 OF PROFESSIONAL FOOTBALL AT ITS FINEST IN THIS GIGANTIC BATTLE ROYAL AS PART OF WRESTLEMANIA 2. 3015 01:32:44,026 --> 01:32:45,758 FINEST IN THIS GIGANTIC BATTLE ROYAL AS PART OF WRESTLEMANIA 2. >> GENE MEAN, WE WILL PROVE IT 3016 01:32:45,760 --> 01:32:47,727 ROYAL AS PART OF WRESTLEMANIA 2. >> GENE MEAN, WE WILL PROVE IT TO ALL AMERICA. 3017 01:32:47,729 --> 01:32:49,896 >> GENE MEAN, WE WILL PROVE IT TO ALL AMERICA. WRESTLER IS BETTER THAN FOOTBALL 3018 01:32:49,898 --> 01:32:51,598 TO ALL AMERICA. WRESTLER IS BETTER THAN FOOTBALL PLAYER. 3019 01:32:51,600 --> 01:32:53,767 WRESTLER IS BETTER THAN FOOTBALL PLAYER. I WISH MY PARTNER NIKOLA WAS 3020 01:32:53,769 --> 01:32:55,735 PLAYER. I WISH MY PARTNER NIKOLA WAS OVER. 3021 01:32:55,737 --> 01:32:56,736 I WISH MY PARTNER NIKOLA WAS OVER. FOR SURE WE'RE GONNA WIN THE 3022 01:32:56,738 --> 01:32:57,737 OVER. FOR SURE WE'RE GONNA WIN THE BATTLE ROYAL. 3023 01:32:57,739 --> 01:32:59,639 FOR SURE WE'RE GONNA WIN THE BATTLE ROYAL. LOOK AT ME, CAMERA MAN. 3024 01:32:59,641 --> 01:33:00,640 BATTLE ROYAL. LOOK AT ME, CAMERA MAN. >> I THANK YOU VERY MUCH, IRON 3025 01:33:00,642 --> 01:33:02,408 LOOK AT ME, CAMERA MAN. >> I THANK YOU VERY MUCH, IRON SHEIK. 3026 01:33:02,410 --> 01:33:03,843 >> I THANK YOU VERY MUCH, IRON SHEIK. JIMBO COVERT FROM THE CHICAGO 3027 01:33:03,845 --> 01:33:06,412 SHEIK. JIMBO COVERT FROM THE CHICAGO BEARS ... 3028 01:33:06,414 --> 01:33:07,013 JIMBO COVERT FROM THE CHICAGO BEARS ... >> IRAN NO. 3029 01:33:07,015 --> 01:33:07,947 BEARS ... >> IRAN NO. 1. 3030 01:33:07,949 --> 01:33:08,514 >> IRAN NO. 1. RUSSIA. 3031 01:33:08,516 --> 01:33:09,515 1. RUSSIA. >> BACK TO GORILLA MONSOON. 3032 01:33:09,517 --> 01:33:10,516 RUSSIA. >> BACK TO GORILLA MONSOON. >> HOW TREMENDOUS. 3033 01:33:10,518 --> 01:33:11,350 >> BACK TO GORILLA MONSOON. >> HOW TREMENDOUS. LET'S GO BACK AND TAKE A LOOK AT 3034 01:33:11,352 --> 01:33:11,951 >> HOW TREMENDOUS. LET'S GO BACK AND TAKE A LOOK AT THAT TREMENDOUS ACTION THAT TOOK 3035 01:33:11,953 --> 01:33:12,819 LET'S GO BACK AND TAKE A LOOK AT THAT TREMENDOUS ACTION THAT TOOK PLACE AT THAT END OF THE BATTLE 3036 01:33:12,821 --> 01:33:13,620 THAT TREMENDOUS ACTION THAT TOOK PLACE AT THAT END OF THE BATTLE ROYAL. 3037 01:33:13,622 --> 01:33:14,654 PLACE AT THAT END OF THE BATTLE ROYAL. HERE IT COMES RIGHT HERE. 3038 01:33:14,656 --> 01:33:16,756 ROYAL. HERE IT COMES RIGHT HERE. ANDRE HAD ALREADY ELIMINATED JIM 3039 01:33:16,758 --> 01:33:19,592 HERE IT COMES RIGHT HERE. ANDRE HAD ALREADY ELIMINATED JIM "THE ANVIL" NEIDHART, AND NOW 3040 01:33:19,594 --> 01:33:21,761 ANDRE HAD ALREADY ELIMINATED JIM "THE ANVIL" NEIDHART, AND NOW BRET "THE HIT MAN" TRYING TO GET 3041 01:33:21,763 --> 01:33:23,763 "THE ANVIL" NEIDHART, AND NOW BRET "THE HIT MAN" TRYING TO GET UP ON TOP, AND ANDRE PICKS HIM 3042 01:33:23,765 --> 01:33:24,697 BRET "THE HIT MAN" TRYING TO GET UP ON TOP, AND ANDRE PICKS HIM UP. 3043 01:33:24,699 --> 01:33:25,765 UP ON TOP, AND ANDRE PICKS HIM UP. LOOK OUT BECAUSE THE ANVIL IS 3044 01:33:25,767 --> 01:33:26,866 UP. LOOK OUT BECAUSE THE ANVIL IS STILL DOWN THERE ON THE CONCRETE 3045 01:33:26,868 --> 01:33:28,534 LOOK OUT BECAUSE THE ANVIL IS STILL DOWN THERE ON THE CONCRETE AND ANDRE'S GONNA DEPOSIT HIM 3046 01:33:28,536 --> 01:33:29,502 STILL DOWN THERE ON THE CONCRETE AND ANDRE'S GONNA DEPOSIT HIM RIGHT THERE ON TOP OF HIS 3047 01:33:29,504 --> 01:33:30,603 AND ANDRE'S GONNA DEPOSIT HIM RIGHT THERE ON TOP OF HIS PARTNER. 3048 01:33:30,605 --> 01:33:32,639 RIGHT THERE ON TOP OF HIS PARTNER. ONTO VICTORY IN THE BATTLE 3049 01:33:32,641 --> 01:33:36,509 PARTNER. ONTO VICTORY IN THE BATTLE ROYAL, THE ONE AND ONLY ANDRE 3050 01:33:36,511 --> 01:33:37,510 ONTO VICTORY IN THE BATTLE ROYAL, THE ONE AND ONLY ANDRE THE GIANT. 3051 01:33:37,512 --> 01:33:38,611 ROYAL, THE ONE AND ONLY ANDRE THE GIANT. >> WELL DESERVED AND WELL 3052 01:33:38,613 --> 01:33:40,747 THE GIANT. >> WELL DESERVED AND WELL FOUGHT. 3053 01:33:40,749 --> 01:33:41,681 >> WELL DESERVED AND WELL FOUGHT. >> HERE'S ANOTHER ONE. 3054 01:33:41,683 --> 01:33:42,816 FOUGHT. >> HERE'S ANOTHER ONE. THE REFRIGERATOR COMING ONE TOO 3055 01:33:42,818 --> 01:33:44,484 >> HERE'S ANOTHER ONE. THE REFRIGERATOR COMING ONE TOO MANY TIMES TO THE WELL. 3056 01:33:44,486 --> 01:33:45,685 THE REFRIGERATOR COMING ONE TOO MANY TIMES TO THE WELL. BIG TACKLE. 3057 01:33:45,687 --> 01:33:46,586 MANY TIMES TO THE WELL. BIG TACKLE. LAID OUT BIG JOHN STUDD. 3058 01:33:46,588 --> 01:33:47,887 BIG TACKLE. LAID OUT BIG JOHN STUDD. HE DID A TREMENDOUS JOB HERE IN 3059 01:33:47,889 --> 01:33:49,555 LAID OUT BIG JOHN STUDD. HE DID A TREMENDOUS JOB HERE IN THE BATTLE ROYAL BUT HE, AS WELL 3060 01:33:49,557 --> 01:33:51,824 HE DID A TREMENDOUS JOB HERE IN THE BATTLE ROYAL BUT HE, AS WELL AS ALL THE OTHER FOOTBALL 3061 01:33:51,826 --> 01:33:53,493 THE BATTLE ROYAL BUT HE, AS WELL AS ALL THE OTHER FOOTBALL PLAYERS, WERE ELIMINATED. 3062 01:33:53,495 --> 01:33:55,428 AS ALL THE OTHER FOOTBALL PLAYERS, WERE ELIMINATED. LOOK AT THIS. 3063 01:33:55,430 --> 01:33:56,663 PLAYERS, WERE ELIMINATED. LOOK AT THIS. JOHN STUDD NAILS HIM, AND ONE 3064 01:33:56,665 --> 01:33:58,465 LOOK AT THIS. JOHN STUDD NAILS HIM, AND ONE TOO MANY TIMES. 3065 01:33:58,467 --> 01:33:59,565 JOHN STUDD NAILS HIM, AND ONE TOO MANY TIMES. HIP LOCK RIGHT OVER THE TOP 3066 01:33:59,567 --> 01:34:00,366 TOO MANY TIMES. HIP LOCK RIGHT OVER THE TOP ROPE. 3067 01:34:00,368 --> 01:34:03,770 HIP LOCK RIGHT OVER THE TOP ROPE. THE REFRIGERATOR OUT OF IT. 3068 01:34:03,772 --> 01:34:05,572 ROPE. THE REFRIGERATOR OUT OF IT. UNBELIEVABLE ACTION PERSONIFIED 3069 01:34:05,574 --> 01:34:06,873 THE REFRIGERATOR OUT OF IT. UNBELIEVABLE ACTION PERSONIFIED HERE IN THE ROSEMONT HORIZON. 3070 01:34:06,875 --> 01:34:09,342 UNBELIEVABLE ACTION PERSONIFIED HERE IN THE ROSEMONT HORIZON. >> THE RAW ... 3071 01:34:09,344 --> 01:34:10,577 HERE IN THE ROSEMONT HORIZON. >> THE RAW ... >> CATHY LEE, YOU ARE EXCITED, 3072 01:34:10,579 --> 01:34:11,811 >> THE RAW ... >> CATHY LEE, YOU ARE EXCITED, ARE YOU NOT? 3073 01:34:11,813 --> 01:34:12,612 >> CATHY LEE, YOU ARE EXCITED, ARE YOU NOT? >> I AM SO EXCITED, AND YOU KNOW 3074 01:34:12,614 --> 01:34:13,546 ARE YOU NOT? >> I AM SO EXCITED, AND YOU KNOW SOMETHING? 3075 01:34:13,548 --> 01:34:14,881 >> I AM SO EXCITED, AND YOU KNOW SOMETHING? I REALLY ADMIRE THE FOOTBALL 3076 01:34:14,883 --> 01:34:16,616 SOMETHING? I REALLY ADMIRE THE FOOTBALL PLAYERS FOR GETTING IN THE RING 3077 01:34:16,618 --> 01:34:18,217 I REALLY ADMIRE THE FOOTBALL PLAYERS FOR GETTING IN THE RING AT ALL. 3078 01:34:18,219 --> 01:34:19,185 PLAYERS FOR GETTING IN THE RING AT ALL. I MEAN, THIS IS UNBELIEVABLE. 3079 01:34:19,187 --> 01:34:19,719 AT ALL. I MEAN, THIS IS UNBELIEVABLE. >> WELL, THEY CERTAINLY GOT AN 3080 01:34:19,721 --> 01:34:20,453 I MEAN, THIS IS UNBELIEVABLE. >> WELL, THEY CERTAINLY GOT AN EDUCATION AS TO WHAT 3081 01:34:20,455 --> 01:34:21,554 >> WELL, THEY CERTAINLY GOT AN EDUCATION AS TO WHAT PROFESSIONAL WRESTLING IS REALLY 3082 01:34:21,556 --> 01:34:23,690 EDUCATION AS TO WHAT PROFESSIONAL WRESTLING IS REALLY ALL ABOUT, AND WE HAVE PLENTY OF 3083 01:34:23,692 --> 01:34:25,458 PROFESSIONAL WRESTLING IS REALLY ALL ABOUT, AND WE HAVE PLENTY OF ACTION STILL TO COME AS THIS 3084 01:34:25,460 --> 01:34:27,326 ALL ABOUT, AND WE HAVE PLENTY OF ACTION STILL TO COME AS THIS TREMENDOUS TAG TEAM TITLE MATCH 3085 01:34:27,328 --> 01:34:28,461 ACTION STILL TO COME AS THIS TREMENDOUS TAG TEAM TITLE MATCH COMING UP. 3086 01:34:28,463 --> 01:34:29,362 TREMENDOUS TAG TEAM TITLE MATCH COMING UP. LET'S GO TO OUR RING ANNOUNCER 3087 01:34:29,364 --> 01:34:30,830 COMING UP. LET'S GO TO OUR RING ANNOUNCER RIGHT NOW. 3088 01:34:30,832 --> 01:34:31,431 LET'S GO TO OUR RING ANNOUNCER RIGHT NOW. [ BELL RINGING ] 3089 01:34:31,433 --> 01:34:32,899 RIGHT NOW. [ BELL RINGING ] >> LADIES AND GENTLEMEN, ONE 3090 01:34:32,901 --> 01:34:34,401 [ BELL RINGING ] >> LADIES AND GENTLEMEN, ONE FALL. 3091 01:34:34,403 --> 01:34:38,404 >> LADIES AND GENTLEMEN, ONE FALL. SIXTY-MINUTE TIME LIMIT. 3092 01:34:38,406 --> 01:34:39,505 FALL. SIXTY-MINUTE TIME LIMIT. THE TAG TEAM CHAMPIONSHIP ON THE 3093 01:34:39,507 --> 01:34:40,606 SIXTY-MINUTE TIME LIMIT. THE TAG TEAM CHAMPIONSHIP ON THE LINE. 3094 01:34:40,608 --> 01:34:42,742 THE TAG TEAM CHAMPIONSHIP ON THE LINE. THIS BOUT WILL CARRY TWO 3095 01:34:42,744 --> 01:34:44,677 LINE. THIS BOUT WILL CARRY TWO OFFICIALS. 3096 01:34:44,679 --> 01:34:47,647 THIS BOUT WILL CARRY TWO OFFICIALS. NOT ONE, BUT TWO OFFICIALS. 3097 01:34:47,649 --> 01:34:48,481 OFFICIALS. NOT ONE, BUT TWO OFFICIALS. ONE FALL. 3098 01:34:48,483 --> 01:34:49,916 NOT ONE, BUT TWO OFFICIALS. ONE FALL. SIXTY MINUTES. 3099 01:34:49,918 --> 01:34:52,518 ONE FALL. SIXTY MINUTES. INTRODUCING FIRST, FROM THE BIG 3100 01:34:52,520 --> 01:34:54,520 SIXTY MINUTES. INTRODUCING FIRST, FROM THE BIG APPLE, NEW YORK CITY, NEW YORK, 3101 01:34:54,522 --> 01:34:57,790 INTRODUCING FIRST, FROM THE BIG APPLE, NEW YORK CITY, NEW YORK, THE MANAGER: HE IS "LUSCIOUS" 3102 01:34:57,792 --> 01:35:08,634 APPLE, NEW YORK CITY, NEW YORK, THE MANAGER: HE IS "LUSCIOUS" JOHNNY VALIANT. 3103 01:35:08,636 --> 01:35:10,369 THE MANAGER: HE IS "LUSCIOUS" JOHNNY VALIANT. AND NOW INTRODUCING THE WORLD 3104 01:35:10,371 --> 01:35:12,605 JOHNNY VALIANT. AND NOW INTRODUCING THE WORLD WRESTLING ENTERTAINMENT TAG TEAM 3105 01:35:12,607 --> 01:35:13,306 AND NOW INTRODUCING THE WORLD WRESTLING ENTERTAINMENT TAG TEAM CHAMPIONS. 3106 01:35:13,308 --> 01:35:15,575 WRESTLING ENTERTAINMENT TAG TEAM CHAMPIONS. WEIGHING 248 POUNDS, FROM 3107 01:35:15,577 --> 01:35:17,610 CHAMPIONS. WEIGHING 248 POUNDS, FROM SEATTLE, WASHINGTON. 3108 01:35:17,612 --> 01:35:20,313 WEIGHING 248 POUNDS, FROM SEATTLE, WASHINGTON. LADIES AND GENTLEMEN, GREG "THE 3109 01:35:20,315 --> 01:35:22,749 SEATTLE, WASHINGTON. LADIES AND GENTLEMEN, GREG "THE HAMMER" VALENTINE. 3110 01:35:22,751 --> 01:35:26,652 LADIES AND GENTLEMEN, GREG "THE HAMMER" VALENTINE. VALENTINE. 3111 01:35:26,654 --> 01:35:29,656 HAMMER" VALENTINE. VALENTINE. HIS PARTNER, FROM SAN FRANCISCO, 3112 01:35:29,658 --> 01:35:36,796 VALENTINE. HIS PARTNER, FROM SAN FRANCISCO, CALIFORNIA, WEIGHING 273 POUNDS: 3113 01:35:36,798 --> 01:35:40,333 HIS PARTNER, FROM SAN FRANCISCO, CALIFORNIA, WEIGHING 273 POUNDS: BRUTUS BEEFCAKE. 3114 01:35:40,335 --> 01:35:56,516 CALIFORNIA, WEIGHING 273 POUNDS: BRUTUS BEEFCAKE. BRUTUS BEEFCAKE. 3115 01:35:56,518 --> 01:35:57,450 BRUTUS BEEFCAKE. BRUTUS BEEFCAKE. >> WE'RE AWAITING HERE PATIENTLY 3116 01:35:57,452 --> 01:35:58,684 BRUTUS BEEFCAKE. >> WE'RE AWAITING HERE PATIENTLY THE ARRIVAL OF THE BRITISH 3117 01:35:58,686 --> 01:36:02,789 >> WE'RE AWAITING HERE PATIENTLY THE ARRIVAL OF THE BRITISH BULLDOGS, AS "BRITANNIA RULES 3118 01:36:02,791 --> 01:36:05,458 THE ARRIVAL OF THE BRITISH BULLDOGS, AS "BRITANNIA RULES THE WAVES" HAS BEEN PLAYING. 3119 01:36:05,460 --> 01:36:06,726 BULLDOGS, AS "BRITANNIA RULES THE WAVES" HAS BEEN PLAYING. >> AND HERE THEY COME WITH OZZY 3120 01:36:06,728 --> 01:36:08,494 THE WAVES" HAS BEEN PLAYING. >> AND HERE THEY COME WITH OZZY OSBOURNE IN THE BACK. 3121 01:36:08,496 --> 01:36:09,562 >> AND HERE THEY COME WITH OZZY OSBOURNE IN THE BACK. THAT LOOKS LIKE OZZY OSBOURNE. 3122 01:36:09,564 --> 01:36:10,496 OSBOURNE IN THE BACK. THAT LOOKS LIKE OZZY OSBOURNE. >> THERE IT IS. 3123 01:36:10,498 --> 01:36:11,397 THAT LOOKS LIKE OZZY OSBOURNE. >> THERE IT IS. >> THEIR OPPONENTS AND 3124 01:36:11,399 --> 01:36:12,532 >> THERE IT IS. >> THEIR OPPONENTS AND CHALLENGERS ARE LED TOWARD THE 3125 01:36:12,534 --> 01:36:13,833 >> THEIR OPPONENTS AND CHALLENGERS ARE LED TOWARD THE RING BY THEIR MANAGER, CAPTAIN 3126 01:36:13,835 --> 01:36:15,568 CHALLENGERS ARE LED TOWARD THE RING BY THEIR MANAGER, CAPTAIN LOUIS ALBANO, AND A VERY SPECIAL 3127 01:36:15,570 --> 01:36:18,337 RING BY THEIR MANAGER, CAPTAIN LOUIS ALBANO, AND A VERY SPECIAL CORNER MAN: THE DYNAMIC, THE 3128 01:36:18,339 --> 01:36:21,474 LOUIS ALBANO, AND A VERY SPECIAL CORNER MAN: THE DYNAMIC, THE ULTIMATE OZZY OSBOURNE. 3129 01:36:21,476 --> 01:36:24,778 CORNER MAN: THE DYNAMIC, THE ULTIMATE OZZY OSBOURNE. WITH A COMBINED WEIGHT OF 464 3130 01:36:24,780 --> 01:36:27,446 ULTIMATE OZZY OSBOURNE. WITH A COMBINED WEIGHT OF 464 POUNDS, LADIES AND GENTLEMEN, 3131 01:36:27,448 --> 01:36:29,782 WITH A COMBINED WEIGHT OF 464 POUNDS, LADIES AND GENTLEMEN, THE CHALLENGERS: THE BRITISH 3132 01:36:29,784 --> 01:36:30,850 POUNDS, LADIES AND GENTLEMEN, THE CHALLENGERS: THE BRITISH BULLDOGS. 3133 01:36:30,852 --> 01:36:32,585 THE CHALLENGERS: THE BRITISH BULLDOGS. TAG TEAM CHAMPIONSHIP. 3134 01:36:32,587 --> 01:36:33,719 BULLDOGS. TAG TEAM CHAMPIONSHIP. ONE FALL. 3135 01:36:33,721 --> 01:36:36,289 TAG TEAM CHAMPIONSHIP. ONE FALL. SIXTY MINUTES. 3136 01:36:36,291 --> 01:36:37,423 ONE FALL. SIXTY MINUTES. >> WELL, GENE, ASIDE FROM BEING 3137 01:36:37,425 --> 01:36:39,625 SIXTY MINUTES. >> WELL, GENE, ASIDE FROM BEING BRITISH HIMSELF, WHAT IS OZZY 3138 01:36:39,627 --> 01:36:40,593 >> WELL, GENE, ASIDE FROM BEING BRITISH HIMSELF, WHAT IS OZZY OSBOURNE GONNA DO FOR THE 3139 01:36:40,595 --> 01:36:47,367 BRITISH HIMSELF, WHAT IS OZZY OSBOURNE GONNA DO FOR THE BRITISH BULLDOGS? 3140 01:36:47,369 --> 01:36:48,801 OSBOURNE GONNA DO FOR THE BRITISH BULLDOGS? >> I WOULD HAVE TO SAY FOR THE 3141 01:36:48,803 --> 01:36:50,603 BRITISH BULLDOGS? >> I WOULD HAVE TO SAY FOR THE BRITISH BULLDOGS, OF COURSE OZZY 3142 01:36:50,605 --> 01:36:52,572 >> I WOULD HAVE TO SAY FOR THE BRITISH BULLDOGS, OF COURSE OZZY OSBOURNE IS FROM MANCHESTER, IN 3143 01:36:52,574 --> 01:36:54,507 BRITISH BULLDOGS, OF COURSE OZZY OSBOURNE IS FROM MANCHESTER, IN THE NORTH OF ENGLAND. 3144 01:36:54,509 --> 01:36:56,442 OSBOURNE IS FROM MANCHESTER, IN THE NORTH OF ENGLAND. THAT'S THEIR STOMPING GROUNDS. 3145 01:36:56,444 --> 01:36:57,543 THE NORTH OF ENGLAND. THAT'S THEIR STOMPING GROUNDS. >> I BELIEVE IS THAT NOT WHERE, 3146 01:36:57,545 --> 01:36:59,545 THAT'S THEIR STOMPING GROUNDS. >> I BELIEVE IS THAT NOT WHERE, UH, LORD ALFRED IS FROM? 3147 01:36:59,547 --> 01:37:00,513 >> I BELIEVE IS THAT NOT WHERE, UH, LORD ALFRED IS FROM? >> NO, LORD ALFRED HAYES IS FROM 3148 01:37:00,515 --> 01:37:01,414 UH, LORD ALFRED IS FROM? >> NO, LORD ALFRED HAYES IS FROM WINDERMERE. 3149 01:37:01,416 --> 01:37:02,515 >> NO, LORD ALFRED HAYES IS FROM WINDERMERE. >> OH, THAT'S RIGHT. 3150 01:37:02,517 --> 01:37:03,583 WINDERMERE. >> OH, THAT'S RIGHT. THAT'S CORRECT. 3151 01:37:03,585 --> 01:37:04,684 >> OH, THAT'S RIGHT. THAT'S CORRECT. WHAT A TREMENDOUS CONFRONTATION 3152 01:37:04,686 --> 01:37:05,652 THAT'S CORRECT. WHAT A TREMENDOUS CONFRONTATION THIS IS GONNA BE. 3153 01:37:05,654 --> 01:37:07,286 WHAT A TREMENDOUS CONFRONTATION THIS IS GONNA BE. NOT TOO LONG AGO, ON NATIONAL 3154 01:37:07,288 --> 01:37:08,621 THIS IS GONNA BE. NOT TOO LONG AGO, ON NATIONAL TELEVISION, THE BRITISH BULLDOGS 3155 01:37:08,623 --> 01:37:10,356 NOT TOO LONG AGO, ON NATIONAL TELEVISION, THE BRITISH BULLDOGS GOT A VICTORY, GENE. 3156 01:37:10,358 --> 01:37:11,657 TELEVISION, THE BRITISH BULLDOGS GOT A VICTORY, GENE. OF COURSE, IT WAS A NON-TITLE 3157 01:37:11,659 --> 01:37:12,759 GOT A VICTORY, GENE. OF COURSE, IT WAS A NON-TITLE MATCHUP. 3158 01:37:12,761 --> 01:37:13,793 OF COURSE, IT WAS A NON-TITLE MATCHUP. >> NOW, THAT HAPPENED ABOUT SIX 3159 01:37:13,795 --> 01:37:15,595 MATCHUP. >> NOW, THAT HAPPENED ABOUT SIX OR SEVEN WEEKS AGO. 3160 01:37:15,597 --> 01:37:16,796 >> NOW, THAT HAPPENED ABOUT SIX OR SEVEN WEEKS AGO. TONIGHT THE TITLES ARE GONNA BE 3161 01:37:16,798 --> 01:37:17,730 OR SEVEN WEEKS AGO. TONIGHT THE TITLES ARE GONNA BE ON THE LINE AND I'M CERTAIN 3162 01:37:17,732 --> 01:37:18,832 TONIGHT THE TITLES ARE GONNA BE ON THE LINE AND I'M CERTAIN YOU'RE GONNA SEE A DIFFERENT 3163 01:37:18,834 --> 01:37:21,734 ON THE LINE AND I'M CERTAIN YOU'RE GONNA SEE A DIFFERENT GREG VALENTINE AND BRUTUS 3164 01:37:21,736 --> 01:37:22,569 YOU'RE GONNA SEE A DIFFERENT GREG VALENTINE AND BRUTUS BEEFCAKE. 3165 01:37:22,571 --> 01:37:23,135 GREG VALENTINE AND BRUTUS BEEFCAKE. >> WELL, I THINK A VERY 3166 01:37:23,137 --> 01:37:23,770 BEEFCAKE. >> WELL, I THINK A VERY INTERESTING POINT ALSO, CATHY 3167 01:37:23,772 --> 01:37:24,704 >> WELL, I THINK A VERY INTERESTING POINT ALSO, CATHY LEE, TO BE MADE HERE, IS THAT 3168 01:37:24,706 --> 01:37:25,771 INTERESTING POINT ALSO, CATHY LEE, TO BE MADE HERE, IS THAT TWO REFEREES, ONE INSIDE THE 3169 01:37:25,773 --> 01:37:27,406 LEE, TO BE MADE HERE, IS THAT TWO REFEREES, ONE INSIDE THE RING AND ONE OUTSIDE THE RING 3170 01:37:27,408 --> 01:37:28,574 TWO REFEREES, ONE INSIDE THE RING AND ONE OUTSIDE THE RING FOR THIS SPECIAL TITLE MATCH. 3171 01:37:28,576 --> 01:37:29,642 RING AND ONE OUTSIDE THE RING FOR THIS SPECIAL TITLE MATCH. >> AND WHY IS THAT? 3172 01:37:29,644 --> 01:37:31,844 FOR THIS SPECIAL TITLE MATCH. >> AND WHY IS THAT? >> WELL, THAT'S SO THAT NOTHING 3173 01:37:31,846 --> 01:37:33,579 >> AND WHY IS THAT? >> WELL, THAT'S SO THAT NOTHING OUT OF THE ORDINARY CAN OCCUR 3174 01:37:33,581 --> 01:37:34,714 >> WELL, THAT'S SO THAT NOTHING OUT OF THE ORDINARY CAN OCCUR OUTSIDE THE RING. 3175 01:37:34,716 --> 01:37:35,581 OUT OF THE ORDINARY CAN OCCUR OUTSIDE THE RING. >> OH, I SEE. 3176 01:37:35,583 --> 01:37:36,415 OUTSIDE THE RING. >> OH, I SEE. I SEE. 3177 01:37:36,417 --> 01:37:37,483 >> OH, I SEE. I SEE. >> WHEN YOU'VE GOT THE LIKES OF 3178 01:37:37,485 --> 01:37:38,651 I SEE. >> WHEN YOU'VE GOT THE LIKES OF THE "LUSCIOUS" JOHN VALIANT, THE 3179 01:37:38,653 --> 01:37:39,552 >> WHEN YOU'VE GOT THE LIKES OF THE "LUSCIOUS" JOHN VALIANT, THE MANAGER OF THE CHAMPIONS, AND 3180 01:37:39,554 --> 01:37:41,287 THE "LUSCIOUS" JOHN VALIANT, THE MANAGER OF THE CHAMPIONS, AND CAPTAIN LOUIS OUTSIDE AS WELL AS 3181 01:37:41,289 --> 01:37:42,488 MANAGER OF THE CHAMPIONS, AND CAPTAIN LOUIS OUTSIDE AS WELL AS OZZY OSBOURNE. 3182 01:37:42,490 --> 01:37:44,757 CAPTAIN LOUIS OUTSIDE AS WELL AS OZZY OSBOURNE. >> YOU CAN WATCH THEM INSIDE AND 3183 01:37:44,759 --> 01:37:45,524 OZZY OSBOURNE. >> YOU CAN WATCH THEM INSIDE AND OUT. 3184 01:37:45,526 --> 01:37:46,726 >> YOU CAN WATCH THEM INSIDE AND OUT. >> ABSOLUTELY. 3185 01:37:46,728 --> 01:37:48,628 OUT. >> ABSOLUTELY. TITLE'S ON THE LINE. 3186 01:37:48,630 --> 01:37:50,830 >> ABSOLUTELY. TITLE'S ON THE LINE. HERE AT WRESTLEMANIA 2. 3187 01:37:50,832 --> 01:37:52,431 TITLE'S ON THE LINE. HERE AT WRESTLEMANIA 2. REFEREE CALLING FOR THE BELL. 3188 01:37:52,433 --> 01:38:04,544 HERE AT WRESTLEMANIA 2. REFEREE CALLING FOR THE BELL. LAST MINUTE INSTRUCTIONS BEING 3189 01:38:04,546 --> 01:38:08,548 REFEREE CALLING FOR THE BELL. LAST MINUTE INSTRUCTIONS BEING GIVEN HERE TO HIS MEN. 3190 01:38:08,550 --> 01:38:10,616 LAST MINUTE INSTRUCTIONS BEING GIVEN HERE TO HIS MEN. BRUTUS BEEFCAKE AND GREG "THE 3191 01:38:10,618 --> 01:38:12,318 GIVEN HERE TO HIS MEN. BRUTUS BEEFCAKE AND GREG "THE HAMMER" VALENTINE. 3192 01:38:12,320 --> 01:38:13,552 BRUTUS BEEFCAKE AND GREG "THE HAMMER" VALENTINE. BOY, THEY HAVE TAKEN ON ALL 3193 01:38:13,554 --> 01:38:14,854 HAMMER" VALENTINE. BOY, THEY HAVE TAKEN ON ALL COMERS, GENE. 3194 01:38:14,856 --> 01:38:15,621 BOY, THEY HAVE TAKEN ON ALL COMERS, GENE. >> THE REASON THEY HAVE NOT 3195 01:38:15,623 --> 01:38:16,856 COMERS, GENE. >> THE REASON THEY HAVE NOT SOUNDED THE BELL DUE TO THE FACT 3196 01:38:16,858 --> 01:38:18,324 >> THE REASON THEY HAVE NOT SOUNDED THE BELL DUE TO THE FACT THAT JOHNNY VALIANT WAS STILL IN 3197 01:38:18,326 --> 01:38:19,692 SOUNDED THE BELL DUE TO THE FACT THAT JOHNNY VALIANT WAS STILL IN THE RING AT THAT POINT IN TIME. 3198 01:38:19,694 --> 01:38:20,359 THAT JOHNNY VALIANT WAS STILL IN THE RING AT THAT POINT IN TIME. [ BELL RINGING ] 3199 01:38:20,361 --> 01:38:25,364 THE RING AT THAT POINT IN TIME. [ BELL RINGING ] >> HERE WE GO. 3200 01:38:25,366 --> 01:38:26,532 [ BELL RINGING ] >> HERE WE GO. IT LOOKS LIKE IT'S GONNA BE 3201 01:38:26,534 --> 01:38:27,667 >> HERE WE GO. IT LOOKS LIKE IT'S GONNA BE DAVEY BOY SMITH AND GREG "THE 3202 01:38:27,669 --> 01:38:28,768 IT LOOKS LIKE IT'S GONNA BE DAVEY BOY SMITH AND GREG "THE HAMMER" VALENTINE KICKING IT 3203 01:38:28,770 --> 01:38:30,369 DAVEY BOY SMITH AND GREG "THE HAMMER" VALENTINE KICKING IT OFF. 3204 01:38:30,371 --> 01:38:31,971 HAMMER" VALENTINE KICKING IT OFF. >> CERTAINLY IS. 3205 01:38:31,973 --> 01:38:33,372 OFF. >> CERTAINLY IS. THE POWERHOUSE FOR THAT TEAM, 3206 01:38:33,374 --> 01:38:34,607 >> CERTAINLY IS. THE POWERHOUSE FOR THAT TEAM, THE BRITISH BULLDOGS. 3207 01:38:34,609 --> 01:38:37,643 THE POWERHOUSE FOR THAT TEAM, THE BRITISH BULLDOGS. HE'S SHOWN YOU THAT POWER. 3208 01:38:37,645 --> 01:38:38,778 THE BRITISH BULLDOGS. HE'S SHOWN YOU THAT POWER. THE HAMMER A LITTLE BIT 3209 01:38:38,780 --> 01:38:39,846 HE'S SHOWN YOU THAT POWER. THE HAMMER A LITTLE BIT SURPRISED. 3210 01:38:39,848 --> 01:38:42,748 THE HAMMER A LITTLE BIT SURPRISED. >> "I'M FINE." 3211 01:38:42,750 --> 01:38:43,916 SURPRISED. >> "I'M FINE." >> BUT THEY KNOW WHAT TO EXPECT 3212 01:38:43,918 --> 01:38:45,551 >> "I'M FINE." >> BUT THEY KNOW WHAT TO EXPECT FROM THE BRITISH BULLDOGS AND 3213 01:38:45,553 --> 01:38:46,686 >> BUT THEY KNOW WHAT TO EXPECT FROM THE BRITISH BULLDOGS AND VICE VERSA, THE BULLDOGS KNOW 3214 01:38:46,688 --> 01:38:47,687 FROM THE BRITISH BULLDOGS AND VICE VERSA, THE BULLDOGS KNOW WHAT TO EXPECT FROM THE 3215 01:38:47,689 --> 01:38:49,655 VICE VERSA, THE BULLDOGS KNOW WHAT TO EXPECT FROM THE CHAMPIONS. 3216 01:38:49,657 --> 01:38:52,692 WHAT TO EXPECT FROM THE CHAMPIONS. >> OH, WHAT A SHOT. 3217 01:38:52,694 --> 01:38:53,626 CHAMPIONS. >> OH, WHAT A SHOT. >> TREMENDOUS CLASSIC 3218 01:38:53,628 --> 01:38:54,594 >> OH, WHAT A SHOT. >> TREMENDOUS CLASSIC CONFRONTATION HERE AS THE WORLD 3219 01:38:54,596 --> 01:38:56,362 >> TREMENDOUS CLASSIC CONFRONTATION HERE AS THE WORLD WRESTLING ENTERTAINMENT 3220 01:38:56,364 --> 01:38:57,430 CONFRONTATION HERE AS THE WORLD WRESTLING ENTERTAINMENT SUPERSTARS OUT TO REIGN IN 3221 01:38:57,432 --> 01:38:59,565 WRESTLING ENTERTAINMENT SUPERSTARS OUT TO REIGN IN WRESTLEMANIA 2. 3222 01:38:59,567 --> 01:39:00,599 SUPERSTARS OUT TO REIGN IN WRESTLEMANIA 2. YOU WON'T FIND ANY BETTER ACTION 3223 01:39:00,601 --> 01:39:02,502 WRESTLEMANIA 2. YOU WON'T FIND ANY BETTER ACTION ANYWHERE. 3224 01:39:02,504 --> 01:39:04,437 YOU WON'T FIND ANY BETTER ACTION ANYWHERE. >> YOU KNOW, GORILLA MONSOON, 3225 01:39:04,439 --> 01:39:06,839 ANYWHERE. >> YOU KNOW, GORILLA MONSOON, THIS MATCH WAS JUST SIGNED PRIOR 3226 01:39:06,841 --> 01:39:08,541 >> YOU KNOW, GORILLA MONSOON, THIS MATCH WAS JUST SIGNED PRIOR TO THE ANNOUNCEMENT OF 3227 01:39:08,543 --> 01:39:10,409 THIS MATCH WAS JUST SIGNED PRIOR TO THE ANNOUNCEMENT OF WRESTLEMANIA 2 AND THE DATE. 3228 01:39:10,411 --> 01:39:11,577 TO THE ANNOUNCEMENT OF WRESTLEMANIA 2 AND THE DATE. THIS HAS BEEN A LONG TIME IN THE 3229 01:39:11,579 --> 01:39:12,845 WRESTLEMANIA 2 AND THE DATE. THIS HAS BEEN A LONG TIME IN THE MAKING BECAUSE THESE TWO TEAMS 3230 01:39:12,847 --> 01:39:14,647 THIS HAS BEEN A LONG TIME IN THE MAKING BECAUSE THESE TWO TEAMS HAVE BEEN AT IT TOOTH AND NAIL 3231 01:39:14,649 --> 01:39:16,549 MAKING BECAUSE THESE TWO TEAMS HAVE BEEN AT IT TOOTH AND NAIL FOR QUITE SOME TIME. 3232 01:39:16,551 --> 01:39:17,516 HAVE BEEN AT IT TOOTH AND NAIL FOR QUITE SOME TIME. >> THEY CERTAINLY HAVE. 3233 01:39:17,518 --> 01:39:19,618 FOR QUITE SOME TIME. >> THEY CERTAINLY HAVE. THE CHAMPIONS, OF COURSE, ALWAYS 3234 01:39:19,620 --> 01:39:20,620 >> THEY CERTAINLY HAVE. THE CHAMPIONS, OF COURSE, ALWAYS NUMBER ONE, AND THE BRITISH 3235 01:39:20,622 --> 01:39:22,388 THE CHAMPIONS, OF COURSE, ALWAYS NUMBER ONE, AND THE BRITISH BULLDOGS THE NUMBER ONE 3236 01:39:22,390 --> 01:39:23,456 NUMBER ONE, AND THE BRITISH BULLDOGS THE NUMBER ONE CHALLENGING TEAM. 3237 01:39:23,458 --> 01:39:24,490 BULLDOGS THE NUMBER ONE CHALLENGING TEAM. LOOK OUT. 3238 01:39:24,492 --> 01:39:25,291 CHALLENGING TEAM. LOOK OUT. NICE HIP LOCK BY THE HAMMER. 3239 01:39:25,293 --> 01:39:26,525 LOOK OUT. NICE HIP LOCK BY THE HAMMER. RIGHT OFF THE ROPES. 3240 01:39:26,527 --> 01:39:28,427 NICE HIP LOCK BY THE HAMMER. RIGHT OFF THE ROPES. AND HE DROPS ONE, BUT DAVEY BOY 3241 01:39:28,429 --> 01:39:29,695 RIGHT OFF THE ROPES. AND HE DROPS ONE, BUT DAVEY BOY SMITH NOT ANYWHERE IN SIGHT. 3242 01:39:29,697 --> 01:39:31,330 AND HE DROPS ONE, BUT DAVEY BOY SMITH NOT ANYWHERE IN SIGHT. THERE'S THE QUICK TAG. 3243 01:39:31,332 --> 01:39:32,398 SMITH NOT ANYWHERE IN SIGHT. THERE'S THE QUICK TAG. THE CONTINUITY OF THE BRITISH 3244 01:39:32,400 --> 01:39:35,434 THERE'S THE QUICK TAG. THE CONTINUITY OF THE BRITISH BULLDOGS SHOWING. 3245 01:39:35,436 --> 01:39:36,602 THE CONTINUITY OF THE BRITISH BULLDOGS SHOWING. AND DYNAMITE KID NOW GOING TO 3246 01:39:36,604 --> 01:39:37,670 BULLDOGS SHOWING. AND DYNAMITE KID NOW GOING TO WORK ON THE HAMMER. 3247 01:39:37,672 --> 01:39:41,607 AND DYNAMITE KID NOW GOING TO WORK ON THE HAMMER. HE NEEDS TO MAKE A TAG. 3248 01:39:41,609 --> 01:39:42,608 WORK ON THE HAMMER. HE NEEDS TO MAKE A TAG. ROLL OVER. 3249 01:39:42,610 --> 01:39:43,542 HE NEEDS TO MAKE A TAG. ROLL OVER. ONE COUNT, TWO, BUT THAT'S ABOUT 3250 01:39:43,544 --> 01:39:44,711 ROLL OVER. ONE COUNT, TWO, BUT THAT'S ABOUT IT. 3251 01:39:44,713 --> 01:39:45,444 ONE COUNT, TWO, BUT THAT'S ABOUT IT. >> WELL, THAT'S CAPTAIN LOU 3252 01:39:45,446 --> 01:39:46,812 IT. >> WELL, THAT'S CAPTAIN LOU ALBANO AND OZZY OSBOURNE ON THE 3253 01:39:46,814 --> 01:39:48,714 >> WELL, THAT'S CAPTAIN LOU ALBANO AND OZZY OSBOURNE ON THE EXTERIOR OF THE RING, AND THAT'S 3254 01:39:48,716 --> 01:39:50,549 ALBANO AND OZZY OSBOURNE ON THE EXTERIOR OF THE RING, AND THAT'S TREMENDOUS MORAL SUPPORT. 3255 01:39:50,551 --> 01:39:51,650 EXTERIOR OF THE RING, AND THAT'S TREMENDOUS MORAL SUPPORT. THEY'RE CHEERLEADERS OF SORTS 3256 01:39:51,652 --> 01:39:52,485 TREMENDOUS MORAL SUPPORT. THEY'RE CHEERLEADERS OF SORTS FOR THE BRITISH BULLDOGS. 3257 01:39:52,487 --> 01:39:53,419 THEY'RE CHEERLEADERS OF SORTS FOR THE BRITISH BULLDOGS. >> QUICK OVER THE TOP GOES 3258 01:39:53,421 --> 01:39:54,387 FOR THE BRITISH BULLDOGS. >> QUICK OVER THE TOP GOES DYNAMITE. 3259 01:39:54,389 --> 01:39:55,321 >> QUICK OVER THE TOP GOES DYNAMITE. HE WAS MOVING A HUNDRED MILES AN 3260 01:39:55,323 --> 01:39:57,357 DYNAMITE. HE WAS MOVING A HUNDRED MILES AN HOUR. 3261 01:39:57,359 --> 01:39:58,724 HE WAS MOVING A HUNDRED MILES AN HOUR. AND THE HAMMER GETS AN EDUCATION 3262 01:39:58,726 --> 01:40:00,826 HOUR. AND THE HAMMER GETS AN EDUCATION RIGHT QUICK AS TO THE SPEED AND 3263 01:40:00,828 --> 01:40:03,496 AND THE HAMMER GETS AN EDUCATION RIGHT QUICK AS TO THE SPEED AND AGILITY OF THE BRITISH BULLDOGS. 3264 01:40:03,498 --> 01:40:04,597 RIGHT QUICK AS TO THE SPEED AND AGILITY OF THE BRITISH BULLDOGS. >> CATHY LEE, YOU'VE GOTTEN THE 3265 01:40:04,599 --> 01:40:06,799 AGILITY OF THE BRITISH BULLDOGS. >> CATHY LEE, YOU'VE GOTTEN THE IMPRESSION THEY'RE NOT HOLDING 3266 01:40:06,801 --> 01:40:07,500 >> CATHY LEE, YOU'VE GOTTEN THE IMPRESSION THEY'RE NOT HOLDING BACK. 3267 01:40:07,502 --> 01:40:08,735 IMPRESSION THEY'RE NOT HOLDING BACK. >> WHAT A TREMENDOUS SNAPPED 3268 01:40:08,737 --> 01:40:10,370 BACK. >> WHAT A TREMENDOUS SNAPPED SUPLEX BY THE DYNAMITE KID, AND 3269 01:40:10,372 --> 01:40:11,637 >> WHAT A TREMENDOUS SNAPPED SUPLEX BY THE DYNAMITE KID, AND HE MAKES ANOTHER TAG AS DAVEY 3270 01:40:11,639 --> 01:40:12,838 SUPLEX BY THE DYNAMITE KID, AND HE MAKES ANOTHER TAG AS DAVEY BOY STEPS IN. 3271 01:40:12,840 --> 01:40:13,740 HE MAKES ANOTHER TAG AS DAVEY BOY STEPS IN. YET TO GET INVOLVED IN THIS 3272 01:40:13,742 --> 01:40:16,442 BOY STEPS IN. YET TO GET INVOLVED IN THIS MATCH: BRUTUS BEEFCAKE. 3273 01:40:16,444 --> 01:40:17,410 YET TO GET INVOLVED IN THIS MATCH: BRUTUS BEEFCAKE. LOOK OUT. 3274 01:40:17,412 --> 01:40:18,611 MATCH: BRUTUS BEEFCAKE. LOOK OUT. ANOTHER SUPLEX COMING UP. 3275 01:40:18,613 --> 01:40:20,446 LOOK OUT. ANOTHER SUPLEX COMING UP. OH, NICE BLOCK BY VALENTINE. 3276 01:40:20,448 --> 01:40:21,314 ANOTHER SUPLEX COMING UP. OH, NICE BLOCK BY VALENTINE. >> BEAUTIFUL COUNTER. 3277 01:40:21,316 --> 01:40:22,048 OH, NICE BLOCK BY VALENTINE. >> BEAUTIFUL COUNTER. >> AS HE STICKS THE LEG IN 3278 01:40:22,050 --> 01:40:22,481 >> BEAUTIFUL COUNTER. >> AS HE STICKS THE LEG IN THERE. 3279 01:40:22,483 --> 01:40:22,915 >> AS HE STICKS THE LEG IN THERE. >> BEAUTIFUL COUNTER. 3280 01:40:22,917 --> 01:40:23,949 THERE. >> BEAUTIFUL COUNTER. >> AND ANOTHER COUNTER. 3281 01:40:23,951 --> 01:40:24,784 >> BEAUTIFUL COUNTER. >> AND ANOTHER COUNTER. VALENTINE'S GONNA TRY TO GET ONE 3282 01:40:24,786 --> 01:40:25,851 >> AND ANOTHER COUNTER. VALENTINE'S GONNA TRY TO GET ONE OF HIS OWN HERE. 3283 01:40:25,853 --> 01:40:27,453 VALENTINE'S GONNA TRY TO GET ONE OF HIS OWN HERE. YES. 3284 01:40:27,455 --> 01:40:28,454 OF HIS OWN HERE. YES. OH, HE COULDN'T GET HIM UP IN 3285 01:40:28,456 --> 01:40:29,455 YES. OH, HE COULDN'T GET HIM UP IN THAT VERTICAL POSITION, BUT 3286 01:40:29,457 --> 01:40:31,758 OH, HE COULDN'T GET HIM UP IN THAT VERTICAL POSITION, BUT DAVEY BOY DOES. 3287 01:40:31,760 --> 01:40:34,693 THAT VERTICAL POSITION, BUT DAVEY BOY DOES. HIGH IN THE AIR. 3288 01:40:34,695 --> 01:40:36,028 DAVEY BOY DOES. HIGH IN THE AIR. IMAGINE THE IMPACT. 3289 01:40:36,030 --> 01:40:36,862 HIGH IN THE AIR. IMAGINE THE IMPACT. TWO COUNT. 3290 01:40:36,864 --> 01:40:39,632 IMAGINE THE IMPACT. TWO COUNT. NO, HE COULDN'T GET HIM. 3291 01:40:39,634 --> 01:40:40,766 TWO COUNT. NO, HE COULDN'T GET HIM. VALENTINE IN THERE MAYBE LONGER 3292 01:40:40,768 --> 01:40:43,669 NO, HE COULDN'T GET HIM. VALENTINE IN THERE MAYBE LONGER THAN HE SHOULD BE, GENE. 3293 01:40:43,671 --> 01:40:44,637 VALENTINE IN THERE MAYBE LONGER THAN HE SHOULD BE, GENE. >> IT WOULD BE PRUDENT FOR HIM 3294 01:40:44,639 --> 01:40:45,705 THAN HE SHOULD BE, GENE. >> IT WOULD BE PRUDENT FOR HIM RIGHT NOW TO GET A TAG TO 3295 01:40:45,707 --> 01:40:46,639 >> IT WOULD BE PRUDENT FOR HIM RIGHT NOW TO GET A TAG TO BEEFCAKE SO HE CAN GET A 3296 01:40:46,641 --> 01:40:48,674 RIGHT NOW TO GET A TAG TO BEEFCAKE SO HE CAN GET A RESPITE. 3297 01:40:48,676 --> 01:40:49,509 BEEFCAKE SO HE CAN GET A RESPITE. HE'S BEEN IN THERE WAY TOO LONG, 3298 01:40:49,511 --> 01:40:50,643 RESPITE. HE'S BEEN IN THERE WAY TOO LONG, AS YOU HAD MENTIONED. 3299 01:40:50,645 --> 01:40:51,477 HE'S BEEN IN THERE WAY TOO LONG, AS YOU HAD MENTIONED. MATTER OF FACT, THERE'S A LITTLE 3300 01:40:51,479 --> 01:40:52,612 AS YOU HAD MENTIONED. MATTER OF FACT, THERE'S A LITTLE TIME OUT. 3301 01:40:52,614 --> 01:40:54,514 MATTER OF FACT, THERE'S A LITTLE TIME OUT. JOHNNY VALIANT. 3302 01:40:54,516 --> 01:40:55,715 TIME OUT. JOHNNY VALIANT. >> VERY SMART MOVE ON THE PART 3303 01:40:55,717 --> 01:40:57,850 JOHNNY VALIANT. >> VERY SMART MOVE ON THE PART OF GREG "THE HAMMER." 3304 01:40:57,852 --> 01:40:59,385 >> VERY SMART MOVE ON THE PART OF GREG "THE HAMMER." CAPTAIN LOU CHALLENGING 3305 01:40:59,387 --> 01:41:01,354 OF GREG "THE HAMMER." CAPTAIN LOU CHALLENGING "LUSCIOUS" JOHNNY, BUT THAT'S 3306 01:41:01,356 --> 01:41:02,688 CAPTAIN LOU CHALLENGING "LUSCIOUS" JOHNNY, BUT THAT'S NOT GONNA HAPPEN. 3307 01:41:02,690 --> 01:41:04,857 "LUSCIOUS" JOHNNY, BUT THAT'S NOT GONNA HAPPEN. BUT VERY, VERY CLEVER MANEUVER 3308 01:41:04,859 --> 01:41:05,758 NOT GONNA HAPPEN. BUT VERY, VERY CLEVER MANEUVER BY THE RING VETERAN GREG "THE 3309 01:41:05,760 --> 01:41:06,725 BUT VERY, VERY CLEVER MANEUVER BY THE RING VETERAN GREG "THE HAMMER" VALENTINE AS HE SEES AN 3310 01:41:06,727 --> 01:41:09,328 BY THE RING VETERAN GREG "THE HAMMER" VALENTINE AS HE SEES AN OPPORTUNITY TO STEP OUT HERE AND 3311 01:41:09,330 --> 01:41:10,596 HAMMER" VALENTINE AS HE SEES AN OPPORTUNITY TO STEP OUT HERE AND BREAK THE MOMENTUM OF DAVEY BOY 3312 01:41:10,598 --> 01:41:12,531 OPPORTUNITY TO STEP OUT HERE AND BREAK THE MOMENTUM OF DAVEY BOY SMITH. 3313 01:41:12,533 --> 01:41:13,499 BREAK THE MOMENTUM OF DAVEY BOY SMITH. HE'S RIGHT NEAR HIS CORNER. 3314 01:41:13,501 --> 01:41:14,267 SMITH. HE'S RIGHT NEAR HIS CORNER. NOW WOULD'VE BEEN A GOOD TIME TO 3315 01:41:14,269 --> 01:41:15,268 HE'S RIGHT NEAR HIS CORNER. NOW WOULD'VE BEEN A GOOD TIME TO TAG, GENE. 3316 01:41:15,270 --> 01:41:16,635 NOW WOULD'VE BEEN A GOOD TIME TO TAG, GENE. >> SHOULD'VE DONE IT. 3317 01:41:16,637 --> 01:41:17,570 TAG, GENE. >> SHOULD'VE DONE IT. I CAN'T BELIEVE THAT JOHNNY 3318 01:41:17,572 --> 01:41:19,405 >> SHOULD'VE DONE IT. I CAN'T BELIEVE THAT JOHNNY VALIANT WOULD'VE ADVISED HIM TO 3319 01:41:19,407 --> 01:41:19,705 I CAN'T BELIEVE THAT JOHNNY VALIANT WOULD'VE ADVISED HIM TO DO SO. 3320 01:41:19,707 --> 01:41:20,639 VALIANT WOULD'VE ADVISED HIM TO DO SO. >> ME NEITHER. 3321 01:41:20,641 --> 01:41:21,774 DO SO. >> ME NEITHER. NOT WITH HIS EXPERIENCE. 3322 01:41:21,776 --> 01:41:23,442 >> ME NEITHER. NOT WITH HIS EXPERIENCE. OH, FOREARM. 3323 01:41:23,444 --> 01:41:25,444 NOT WITH HIS EXPERIENCE. OH, FOREARM. BEAUTIFUL FOREARM UPPERCUT AS 3324 01:41:25,446 --> 01:41:26,879 OH, FOREARM. BEAUTIFUL FOREARM UPPERCUT AS ONLY THE HAMMER CAN DELIVER. 3325 01:41:26,881 --> 01:41:27,680 BEAUTIFUL FOREARM UPPERCUT AS ONLY THE HAMMER CAN DELIVER. LOOK OUT, NOW. 3326 01:41:27,682 --> 01:41:29,648 ONLY THE HAMMER CAN DELIVER. LOOK OUT, NOW. DAVEY BOY REVERSES IT. 3327 01:41:29,650 --> 01:41:31,417 LOOK OUT, NOW. DAVEY BOY REVERSES IT. AND HARD INTO THE TURNBUCKLE. 3328 01:41:31,419 --> 01:41:32,751 DAVEY BOY REVERSES IT. AND HARD INTO THE TURNBUCKLE. >> WOW. 3329 01:41:32,753 --> 01:41:34,420 AND HARD INTO THE TURNBUCKLE. >> WOW. >> HE CAUGHT HIM SLEEPING. 3330 01:41:34,422 --> 01:41:35,788 >> WOW. >> HE CAUGHT HIM SLEEPING. >> OUCH. 3331 01:41:35,790 --> 01:41:36,789 >> HE CAUGHT HIM SLEEPING. >> OUCH. >> AND HOW QUICK THE TIDE CAN 3332 01:41:36,791 --> 01:41:37,790 >> OUCH. >> AND HOW QUICK THE TIDE CAN TURN IN THE WORLD OF 3333 01:41:37,792 --> 01:41:38,591 >> AND HOW QUICK THE TIDE CAN TURN IN THE WORLD OF PROFESSIONAL WRESTLING. 3334 01:41:38,593 --> 01:41:40,559 TURN IN THE WORLD OF PROFESSIONAL WRESTLING. THERE'S THE TAG. 3335 01:41:40,561 --> 01:41:41,627 PROFESSIONAL WRESTLING. THERE'S THE TAG. AND THE FRESH BRUTUS BEEFCAKE 3336 01:41:41,629 --> 01:41:45,431 THERE'S THE TAG. AND THE FRESH BRUTUS BEEFCAKE STEPPING IN. 3337 01:41:45,433 --> 01:41:46,165 AND THE FRESH BRUTUS BEEFCAKE STEPPING IN. >> NOW IT CAN BE JUST THE 3338 01:41:46,167 --> 01:41:46,532 STEPPING IN. >> NOW IT CAN BE JUST THE OPPOSITE. 3339 01:41:46,534 --> 01:41:47,633 >> NOW IT CAN BE JUST THE OPPOSITE. DAVEY BOY SMITH PERHAPS IN THERE 3340 01:41:47,635 --> 01:41:48,601 OPPOSITE. DAVEY BOY SMITH PERHAPS IN THERE A LITTLE LONGER THAN HE 3341 01:41:48,603 --> 01:41:49,569 DAVEY BOY SMITH PERHAPS IN THERE A LITTLE LONGER THAN HE SHOULD'VE BEEN. 3342 01:41:49,571 --> 01:41:50,436 A LITTLE LONGER THAN HE SHOULD'VE BEEN. >> WELL, HE COULD'VE MADE A TAG 3343 01:41:50,438 --> 01:41:51,670 SHOULD'VE BEEN. >> WELL, HE COULD'VE MADE A TAG TO DYNAMITE. 3344 01:41:51,672 --> 01:41:53,072 >> WELL, HE COULD'VE MADE A TAG TO DYNAMITE. THE SPEED ON THAT TEAM IS JUST 3345 01:41:53,074 --> 01:41:54,140 TO DYNAMITE. THE SPEED ON THAT TEAM IS JUST ENORMOUS. 3346 01:41:54,142 --> 01:41:55,108 THE SPEED ON THAT TEAM IS JUST ENORMOUS. >> THE SECRET, THOUGH, TO THE 3347 01:41:55,110 --> 01:41:56,676 ENORMOUS. >> THE SECRET, THOUGH, TO THE BULLDOGS THUS FAR AS I CAN SEE 3348 01:41:56,678 --> 01:41:57,743 >> THE SECRET, THOUGH, TO THE BULLDOGS THUS FAR AS I CAN SEE HAS BEEN THEIR TREMENDOUS 3349 01:41:57,745 --> 01:41:58,577 BULLDOGS THUS FAR AS I CAN SEE HAS BEEN THEIR TREMENDOUS TEAMWORK, CATHY LEE. 3350 01:41:58,579 --> 01:42:00,646 HAS BEEN THEIR TREMENDOUS TEAMWORK, CATHY LEE. >> ABSOLUTELY. 3351 01:42:00,648 --> 01:42:02,481 TEAMWORK, CATHY LEE. >> ABSOLUTELY. CATHY LEE IS ASTOUNDED. 3352 01:42:02,483 --> 01:42:02,882 >> ABSOLUTELY. CATHY LEE IS ASTOUNDED. >> I'M AMAZED. 3353 01:42:02,884 --> 01:42:03,683 CATHY LEE IS ASTOUNDED. >> I'M AMAZED. I AM STUNNED. 3354 01:42:03,685 --> 01:42:04,817 >> I'M AMAZED. I AM STUNNED. >> OH, LOOK AT THIS PRESS SLAM. 3355 01:42:04,819 --> 01:42:07,419 I AM STUNNED. >> OH, LOOK AT THIS PRESS SLAM. WOW. 3356 01:42:07,421 --> 01:42:08,020 >> OH, LOOK AT THIS PRESS SLAM. WOW. >> THAT'S INCREDIBLE. 3357 01:42:08,022 --> 01:42:09,355 WOW. >> THAT'S INCREDIBLE. >> POWER MOVE. 3358 01:42:09,357 --> 01:42:10,289 >> THAT'S INCREDIBLE. >> POWER MOVE. >> THAT IS MORE THAN INCREDIBLE. 3359 01:42:10,291 --> 01:42:11,624 >> POWER MOVE. >> THAT IS MORE THAN INCREDIBLE. HERE THEY ARE AGAIN. 3360 01:42:11,626 --> 01:42:12,625 >> THAT IS MORE THAN INCREDIBLE. HERE THEY ARE AGAIN. >> QUICK TAG MADE THERE AS THE 3361 01:42:12,627 --> 01:42:13,959 HERE THEY ARE AGAIN. >> QUICK TAG MADE THERE AS THE DYNAMITE KID STEPS IN. 3362 01:42:13,961 --> 01:42:14,793 >> QUICK TAG MADE THERE AS THE DYNAMITE KID STEPS IN. LOOK OUT. 3363 01:42:14,795 --> 01:42:16,629 DYNAMITE KID STEPS IN. LOOK OUT. BEEFER IN FOR THE RIDE. 3364 01:42:16,631 --> 01:42:18,564 LOOK OUT. BEEFER IN FOR THE RIDE. NICE CLOTHESLINE, AND DYNAMITE 3365 01:42:18,566 --> 01:42:20,399 BEEFER IN FOR THE RIDE. NICE CLOTHESLINE, AND DYNAMITE WITH A REVERSE KNIFE EDGE SENDS 3366 01:42:20,401 --> 01:42:21,634 NICE CLOTHESLINE, AND DYNAMITE WITH A REVERSE KNIFE EDGE SENDS HIM DOWN. 3367 01:42:21,636 --> 01:42:24,537 WITH A REVERSE KNIFE EDGE SENDS HIM DOWN. LITTLE PREMATURE FOR THAT COVER. 3368 01:42:24,539 --> 01:42:25,571 HIM DOWN. LITTLE PREMATURE FOR THAT COVER. LOOK IT. 3369 01:42:25,573 --> 01:42:26,572 LITTLE PREMATURE FOR THAT COVER. LOOK IT. SMALL PACKAGE. 3370 01:42:26,574 --> 01:42:26,972 LOOK IT. SMALL PACKAGE. TIES HIM UP. 3371 01:42:26,974 --> 01:42:27,706 SMALL PACKAGE. TIES HIM UP. BOTH LEGS. 3372 01:42:27,708 --> 01:42:28,707 TIES HIM UP. BOTH LEGS. >> OH. 3373 01:42:28,709 --> 01:42:29,709 BOTH LEGS. >> OH. >> BRUTUS STILL FRESH ENOUGH TO 3374 01:42:29,711 --> 01:42:30,610 >> OH. >> BRUTUS STILL FRESH ENOUGH TO BE ABLE TO KICK OUT OF THERE, 3375 01:42:30,612 --> 01:42:31,577 >> BRUTUS STILL FRESH ENOUGH TO BE ABLE TO KICK OUT OF THERE, GENE. 3376 01:42:31,579 --> 01:42:32,244 BE ABLE TO KICK OUT OF THERE, GENE. >> NOW, THAT WAS NOT GONNA DO 3377 01:42:32,246 --> 01:42:32,578 GENE. >> NOW, THAT WAS NOT GONNA DO IT. 3378 01:42:32,580 --> 01:42:33,712 >> NOW, THAT WAS NOT GONNA DO IT. WATCH THIS SUPERB TEAMWORK ON 3379 01:42:33,714 --> 01:42:34,680 IT. WATCH THIS SUPERB TEAMWORK ON THE PART OF THE BULLDOGS. 3380 01:42:34,682 --> 01:42:37,416 WATCH THIS SUPERB TEAMWORK ON THE PART OF THE BULLDOGS. THEY ARE GOOD. 3381 01:42:37,418 --> 01:42:38,017 THE PART OF THE BULLDOGS. THEY ARE GOOD. >> DAVEY BOY SMITH BACK IN 3382 01:42:38,019 --> 01:42:38,784 THEY ARE GOOD. >> DAVEY BOY SMITH BACK IN THERE. 3383 01:42:38,786 --> 01:42:39,785 >> DAVEY BOY SMITH BACK IN THERE. THE POWERHOUSE ON HIS TEAM. 3384 01:42:39,787 --> 01:42:42,555 THERE. THE POWERHOUSE ON HIS TEAM. SUPLEX PERHAPS COMING UP. 3385 01:42:42,557 --> 01:42:43,355 THE POWERHOUSE ON HIS TEAM. SUPLEX PERHAPS COMING UP. OH, NOW. 3386 01:42:43,357 --> 01:42:43,989 SUPLEX PERHAPS COMING UP. OH, NOW. IT'S A CRADLE. 3387 01:42:43,991 --> 01:42:44,690 OH, NOW. IT'S A CRADLE. HE HOLDS ON TO HIM WITH A 3388 01:42:44,692 --> 01:42:45,424 IT'S A CRADLE. HE HOLDS ON TO HIM WITH A CRADLE. 3389 01:42:45,426 --> 01:42:45,892 HE HOLDS ON TO HIM WITH A CRADLE. TWO. 3390 01:42:45,894 --> 01:42:46,792 CRADLE. TWO. TWO. 3391 01:42:46,794 --> 01:42:47,459 TWO. TWO. WHOA, WAS THAT CLOSE. 3392 01:42:47,461 --> 01:42:48,628 TWO. WHOA, WAS THAT CLOSE. >> WHAT ABOUT THAT BRIDGE? 3393 01:42:48,630 --> 01:42:49,962 WHOA, WAS THAT CLOSE. >> WHAT ABOUT THAT BRIDGE? >> TREMENDOUS EFFORT ON THE PART 3394 01:42:49,964 --> 01:42:51,864 >> WHAT ABOUT THAT BRIDGE? >> TREMENDOUS EFFORT ON THE PART OF BRUTUS TO GET OUT OF THERE, 3395 01:42:51,866 --> 01:42:53,633 >> TREMENDOUS EFFORT ON THE PART OF BRUTUS TO GET OUT OF THERE, AND HE NEEDS TO GET BACK INTO 3396 01:42:53,635 --> 01:42:54,567 OF BRUTUS TO GET OUT OF THERE, AND HE NEEDS TO GET BACK INTO HIS CORNER AND MAKE A TAG TO THE 3397 01:42:54,569 --> 01:42:56,736 AND HE NEEDS TO GET BACK INTO HIS CORNER AND MAKE A TAG TO THE HAMMER IF THEY WANT TO SURVIVE 3398 01:42:56,738 --> 01:42:57,803 HIS CORNER AND MAKE A TAG TO THE HAMMER IF THEY WANT TO SURVIVE HERE. 3399 01:42:57,805 --> 01:42:59,672 HAMMER IF THEY WANT TO SURVIVE HERE. >> THE BULLDOGS ARE REALLY 3400 01:42:59,674 --> 01:43:00,573 HERE. >> THE BULLDOGS ARE REALLY SHOWING TEAMWORK. 3401 01:43:00,575 --> 01:43:01,407 >> THE BULLDOGS ARE REALLY SHOWING TEAMWORK. I'M REALLY IMPRESSED WITH THAT. 3402 01:43:01,409 --> 01:43:02,675 SHOWING TEAMWORK. I'M REALLY IMPRESSED WITH THAT. >> THEY HAVE TREMENDOUS ... 3403 01:43:02,677 --> 01:43:03,209 I'M REALLY IMPRESSED WITH THAT. >> THEY HAVE TREMENDOUS ... >> THEY'RE VERY SMOOTH. 3404 01:43:03,211 --> 01:43:03,775 >> THEY HAVE TREMENDOUS ... >> THEY'RE VERY SMOOTH. >> THEY CERTAINLY DO. 3405 01:43:03,777 --> 01:43:04,577 >> THEY'RE VERY SMOOTH. >> THEY CERTAINLY DO. THAT'S ONE OF THEIR BIGGEST 3406 01:43:04,579 --> 01:43:06,445 >> THEY CERTAINLY DO. THAT'S ONE OF THEIR BIGGEST FORTES. 3407 01:43:06,447 --> 01:43:07,746 THAT'S ONE OF THEIR BIGGEST FORTES. CAPTAIN LOU SHOUTING 3408 01:43:07,748 --> 01:43:08,781 FORTES. CAPTAIN LOU SHOUTING INSTRUCTIONS IN. 3409 01:43:08,783 --> 01:43:10,349 CAPTAIN LOU SHOUTING INSTRUCTIONS IN. >> NOW BEEFCAKE ... 3410 01:43:10,351 --> 01:43:10,849 INSTRUCTIONS IN. >> NOW BEEFCAKE ... >> THERE IT IS. 3411 01:43:10,851 --> 01:43:11,550 >> NOW BEEFCAKE ... >> THERE IT IS. >> FINALLY GETS A TAG OFF TO 3412 01:43:11,552 --> 01:43:12,552 >> THERE IT IS. >> FINALLY GETS A TAG OFF TO VALENTINE. 3413 01:43:12,554 --> 01:43:12,951 >> FINALLY GETS A TAG OFF TO VALENTINE. LOOK AT THIS. 3414 01:43:12,953 --> 01:43:13,486 VALENTINE. LOOK AT THIS. THE HAMMER GOING UP TO THE TOP 3415 01:43:13,488 --> 01:43:14,286 LOOK AT THIS. THE HAMMER GOING UP TO THE TOP ROPE. 3416 01:43:14,288 --> 01:43:14,854 THE HAMMER GOING UP TO THE TOP ROPE. >> WOW. 3417 01:43:14,856 --> 01:43:17,389 ROPE. >> WOW. >> DID HE UNLOAD ONE ON DAVEY 3418 01:43:17,391 --> 01:43:18,657 >> WOW. >> DID HE UNLOAD ONE ON DAVEY BOY SMITH. 3419 01:43:18,659 --> 01:43:22,762 >> DID HE UNLOAD ONE ON DAVEY BOY SMITH. RIGHT ON THE BACK OF THE NECK. 3420 01:43:22,764 --> 01:43:23,562 BOY SMITH. RIGHT ON THE BACK OF THE NECK. NOW HE'S SETTING HIM UP. 3421 01:43:23,564 --> 01:43:24,463 RIGHT ON THE BACK OF THE NECK. NOW HE'S SETTING HIM UP. HE'LL GET HIM UP THIS TIME. 3422 01:43:24,465 --> 01:43:25,598 NOW HE'S SETTING HIM UP. HE'LL GET HIM UP THIS TIME. NO QUESTION. 3423 01:43:25,600 --> 01:43:26,499 HE'LL GET HIM UP THIS TIME. NO QUESTION. HE'S GOT HIM STUNNED. 3424 01:43:26,501 --> 01:43:27,666 NO QUESTION. HE'S GOT HIM STUNNED. YES. 3425 01:43:27,668 --> 01:43:28,801 HE'S GOT HIM STUNNED. YES. WELL EXECUTED SUPLEX BY THE 3426 01:43:28,803 --> 01:43:29,735 YES. WELL EXECUTED SUPLEX BY THE HAMMER. 3427 01:43:29,737 --> 01:43:30,502 WELL EXECUTED SUPLEX BY THE HAMMER. GOING FOR THE COVER. 3428 01:43:30,504 --> 01:43:31,637 HAMMER. GOING FOR THE COVER. NO. 3429 01:43:31,639 --> 01:43:33,305 GOING FOR THE COVER. NO. >> PRETTY FAIR COUNTRY SUPLEX ON 3430 01:43:33,307 --> 01:43:34,473 NO. >> PRETTY FAIR COUNTRY SUPLEX ON THE PART OF GREG "THE HAMMER" 3431 01:43:34,475 --> 01:43:35,474 >> PRETTY FAIR COUNTRY SUPLEX ON THE PART OF GREG "THE HAMMER" VALENTINE HIMSELF. 3432 01:43:35,476 --> 01:43:36,509 THE PART OF GREG "THE HAMMER" VALENTINE HIMSELF. >> GREG "THE HAMMER" CAN DO IT 3433 01:43:36,511 --> 01:43:37,810 VALENTINE HIMSELF. >> GREG "THE HAMMER" CAN DO IT ALL, GENE. 3434 01:43:37,812 --> 01:43:40,680 >> GREG "THE HAMMER" CAN DO IT ALL, GENE. GOT THE EXPERIENCE, THE STAMINA, 3435 01:43:40,682 --> 01:43:41,847 ALL, GENE. GOT THE EXPERIENCE, THE STAMINA, AND A TREMENDOUS, FIERCE 3436 01:43:41,849 --> 01:43:42,848 GOT THE EXPERIENCE, THE STAMINA, AND A TREMENDOUS, FIERCE COMPETITOR. 3437 01:43:42,850 --> 01:43:43,749 AND A TREMENDOUS, FIERCE COMPETITOR. >> ANOTHER GREAT SECOND 3438 01:43:43,751 --> 01:43:45,017 COMPETITOR. >> ANOTHER GREAT SECOND GENERATION WRESTLER. 3439 01:43:45,019 --> 01:43:45,618 >> ANOTHER GREAT SECOND GENERATION WRESTLER. >> OH. 3440 01:43:45,620 --> 01:43:46,585 GENERATION WRESTLER. >> OH. FATHER OF JOHNNY VALENTINE NEVER 3441 01:43:46,587 --> 01:43:48,454 >> OH. FATHER OF JOHNNY VALENTINE NEVER TOOK THE BACK SEAT TO ANYBODY. 3442 01:43:48,456 --> 01:43:49,488 FATHER OF JOHNNY VALENTINE NEVER TOOK THE BACK SEAT TO ANYBODY. >> WELL, CATHY LEE WAS MAYBE A 3443 01:43:49,490 --> 01:43:50,823 TOOK THE BACK SEAT TO ANYBODY. >> WELL, CATHY LEE WAS MAYBE A LITTLE TOO YOUNG FOR THE LIKES 3444 01:43:50,825 --> 01:43:51,857 >> WELL, CATHY LEE WAS MAYBE A LITTLE TOO YOUNG FOR THE LIKES OF JOHNNY VALENTINE, OR NOT, BUT 3445 01:43:51,859 --> 01:43:53,892 LITTLE TOO YOUNG FOR THE LIKES OF JOHNNY VALENTINE, OR NOT, BUT HE WAS TRULY ONE OF THE ALL TIME 3446 01:43:53,894 --> 01:43:54,693 OF JOHNNY VALENTINE, OR NOT, BUT HE WAS TRULY ONE OF THE ALL TIME GREATS. 3447 01:43:54,695 --> 01:43:55,795 HE WAS TRULY ONE OF THE ALL TIME GREATS. >> I ACTUALLY, THIS IS THE FIRST 3448 01:43:55,797 --> 01:43:56,929 GREATS. >> I ACTUALLY, THIS IS THE FIRST WRESTLING MATCH I'VE SEEN LIVE. 3449 01:43:56,931 --> 01:43:58,831 >> I ACTUALLY, THIS IS THE FIRST WRESTLING MATCH I'VE SEEN LIVE. I GREW UP IN WRESTLING, WITH 3450 01:43:58,833 --> 01:43:59,765 WRESTLING MATCH I'VE SEEN LIVE. I GREW UP IN WRESTLING, WITH WRESTLING. 3451 01:43:59,767 --> 01:44:00,766 I GREW UP IN WRESTLING, WITH WRESTLING. MY GRANDFATHER USED TO WATCH IT 3452 01:44:00,768 --> 01:44:01,734 WRESTLING. MY GRANDFATHER USED TO WATCH IT AND USED TO REMIND ME ABOUT 3453 01:44:01,736 --> 01:44:02,668 MY GRANDFATHER USED TO WATCH IT AND USED TO REMIND ME ABOUT GORGEOUS GEORGE AND ... 3454 01:44:02,670 --> 01:44:03,335 AND USED TO REMIND ME ABOUT GORGEOUS GEORGE AND ... >> UH-OH. 3455 01:44:03,337 --> 01:44:04,503 GORGEOUS GEORGE AND ... >> UH-OH. LOOK AT THIS. 3456 01:44:04,505 --> 01:44:05,104 >> UH-OH. LOOK AT THIS. >> TELL ME ALL ABOUT GREAT 3457 01:44:05,106 --> 01:44:05,471 LOOK AT THIS. >> TELL ME ALL ABOUT GREAT STORIES. 3458 01:44:05,473 --> 01:44:06,005 >> TELL ME ALL ABOUT GREAT STORIES. >> ANOTHER TAG MADE AND WIDE 3459 01:44:06,007 --> 01:44:07,606 STORIES. >> ANOTHER TAG MADE AND WIDE OPEN TO HAMMER, BUT THE BLOWS GO 3460 01:44:07,608 --> 01:44:08,841 >> ANOTHER TAG MADE AND WIDE OPEN TO HAMMER, BUT THE BLOWS GO BACK AND FORTH NOW AS THE 3461 01:44:08,843 --> 01:44:10,576 OPEN TO HAMMER, BUT THE BLOWS GO BACK AND FORTH NOW AS THE DYNAMITE KID AND THE HAMMER 3462 01:44:10,578 --> 01:44:12,612 BACK AND FORTH NOW AS THE DYNAMITE KID AND THE HAMMER SLUGGING IT OUT, AND DYNAMITE'S 3463 01:44:12,614 --> 01:44:15,314 DYNAMITE KID AND THE HAMMER SLUGGING IT OUT, AND DYNAMITE'S TAKING THE UPPER HAND. 3464 01:44:15,316 --> 01:44:16,549 SLUGGING IT OUT, AND DYNAMITE'S TAKING THE UPPER HAND. OH, LOOK AT THAT FOREARM 3465 01:44:16,551 --> 01:44:17,616 TAKING THE UPPER HAND. OH, LOOK AT THAT FOREARM UPPERCUT. 3466 01:44:17,618 --> 01:44:18,617 OH, LOOK AT THAT FOREARM UPPERCUT. >> WHAT A SHOWDOWN IN CHICAGO'S 3467 01:44:18,619 --> 01:44:19,752 UPPERCUT. >> WHAT A SHOWDOWN IN CHICAGO'S ROSEMONT HORIZON, GORILLA 3468 01:44:19,754 --> 01:44:21,420 >> WHAT A SHOWDOWN IN CHICAGO'S ROSEMONT HORIZON, GORILLA MONSOON. 3469 01:44:21,422 --> 01:44:22,788 ROSEMONT HORIZON, GORILLA MONSOON. >> TREMENDOUS SHOULDER BLOCKS 3470 01:44:22,790 --> 01:44:24,590 MONSOON. >> TREMENDOUS SHOULDER BLOCKS BEING APPLIED HERE BY THE 3471 01:44:24,592 --> 01:44:25,658 >> TREMENDOUS SHOULDER BLOCKS BEING APPLIED HERE BY THE DYNAMITE KID IN THE CORNER, AND 3472 01:44:25,660 --> 01:44:27,393 BEING APPLIED HERE BY THE DYNAMITE KID IN THE CORNER, AND THE HAMMER GOES DOWN. 3473 01:44:27,395 --> 01:44:28,627 DYNAMITE KID IN THE CORNER, AND THE HAMMER GOES DOWN. >> NOW, THOSE SHOULDER BLOCKS 3474 01:44:28,629 --> 01:44:30,629 THE HAMMER GOES DOWN. >> NOW, THOSE SHOULDER BLOCKS CERTAINLY HAVE GOT TO TAKE THEIR 3475 01:44:30,631 --> 01:44:31,497 >> NOW, THOSE SHOULDER BLOCKS CERTAINLY HAVE GOT TO TAKE THEIR TOLL AT THIS JUNCTURE WITH THIS 3476 01:44:31,499 --> 01:44:31,897 CERTAINLY HAVE GOT TO TAKE THEIR TOLL AT THIS JUNCTURE WITH THIS MATCH. 3477 01:44:31,899 --> 01:44:32,765 TOLL AT THIS JUNCTURE WITH THIS MATCH. >> THEY CERTAINLY HAVE AND 3478 01:44:32,767 --> 01:44:34,066 MATCH. >> THEY CERTAINLY HAVE AND THAT'S WHAT HE'S LEARNING RIGHT 3479 01:44:34,068 --> 01:44:35,901 >> THEY CERTAINLY HAVE AND THAT'S WHAT HE'S LEARNING RIGHT NOW AS HE JUST TOOK A HEADER. 3480 01:44:35,903 --> 01:44:37,670 THAT'S WHAT HE'S LEARNING RIGHT NOW AS HE JUST TOOK A HEADER. >> JOHNNY VALIANT VOICING 3481 01:44:37,672 --> 01:44:38,570 NOW AS HE JUST TOOK A HEADER. >> JOHNNY VALIANT VOICING TREMENDOUS CONCERN ON THE 3482 01:44:38,572 --> 01:44:39,405 >> JOHNNY VALIANT VOICING TREMENDOUS CONCERN ON THE OUTSIDE OF THE RING. 3483 01:44:39,407 --> 01:44:39,672 TREMENDOUS CONCERN ON THE OUTSIDE OF THE RING. WOW. 3484 01:44:39,674 --> 01:44:41,340 OUTSIDE OF THE RING. WOW. THAT WAS CLOSE. 3485 01:44:41,342 --> 01:44:47,479 WOW. THAT WAS CLOSE. >> LOOK OUT. 3486 01:44:47,481 --> 01:44:48,781 THAT WAS CLOSE. >> LOOK OUT. ANOTHER QUICK TAG MADE. 3487 01:44:48,783 --> 01:44:50,583 >> LOOK OUT. ANOTHER QUICK TAG MADE. DOUBLE SLINGSHOT NOW AS THE 3488 01:44:50,585 --> 01:44:51,817 ANOTHER QUICK TAG MADE. DOUBLE SLINGSHOT NOW AS THE HAMMER GOES IN. 3489 01:44:51,819 --> 01:44:52,618 DOUBLE SLINGSHOT NOW AS THE HAMMER GOES IN. WHOA. 3490 01:44:52,620 --> 01:44:54,420 HAMMER GOES IN. WHOA. THEY NAIL HIM. 3491 01:44:54,422 --> 01:44:56,522 WHOA. THEY NAIL HIM. DOWN FOR THE COVER. 3492 01:44:56,524 --> 01:44:56,922 THEY NAIL HIM. DOWN FOR THE COVER. NOT GONNA GET IT. 3493 01:44:56,924 --> 01:44:57,523 DOWN FOR THE COVER. NOT GONNA GET IT. HE'S GOT THAT RIGHT ARM STICKING 3494 01:44:57,525 --> 01:44:58,390 NOT GONNA GET IT. HE'S GOT THAT RIGHT ARM STICKING OUT OF THERE. 3495 01:44:58,392 --> 01:44:59,425 HE'S GOT THAT RIGHT ARM STICKING OUT OF THERE. >> HE DIDN'T HOOK A LEG, EITHER. 3496 01:44:59,427 --> 01:44:59,692 OUT OF THERE. >> HE DIDN'T HOOK A LEG, EITHER. >> NOPE. 3497 01:44:59,694 --> 01:45:00,326 >> HE DIDN'T HOOK A LEG, EITHER. >> NOPE. >> FUNDAMENTAL. 3498 01:45:00,328 --> 01:45:01,860 >> NOPE. >> FUNDAMENTAL. HE DID NOT HOOK THE LEG. 3499 01:45:01,862 --> 01:45:02,761 >> FUNDAMENTAL. HE DID NOT HOOK THE LEG. >> OH, HERE COMES BRUTUS. 3500 01:45:02,763 --> 01:45:05,764 HE DID NOT HOOK THE LEG. >> OH, HERE COMES BRUTUS. I DIDN'T SEE ANY TAG MADE THERE. 3501 01:45:05,766 --> 01:45:06,799 >> OH, HERE COMES BRUTUS. I DIDN'T SEE ANY TAG MADE THERE. >> A LITTLE DOUBLE TEAMING. 3502 01:45:06,801 --> 01:45:10,469 I DIDN'T SEE ANY TAG MADE THERE. >> A LITTLE DOUBLE TEAMING. >> REFEREE PUTTING THEM OUT. 3503 01:45:10,471 --> 01:45:12,705 >> A LITTLE DOUBLE TEAMING. >> REFEREE PUTTING THEM OUT. >> CERTAINLY JOHNNY VALIANT'S 3504 01:45:12,707 --> 01:45:14,506 >> REFEREE PUTTING THEM OUT. >> CERTAINLY JOHNNY VALIANT'S DREAM TEAM NEED A BETTER 3505 01:45:14,508 --> 01:45:15,641 >> CERTAINLY JOHNNY VALIANT'S DREAM TEAM NEED A BETTER REPUTATION FOR THAT. 3506 01:45:15,643 --> 01:45:16,742 DREAM TEAM NEED A BETTER REPUTATION FOR THAT. >> SUNSET FLIP. 3507 01:45:16,744 --> 01:45:17,510 REPUTATION FOR THAT. >> SUNSET FLIP. WILL HE GET HIM OVER? 3508 01:45:17,512 --> 01:45:18,544 >> SUNSET FLIP. WILL HE GET HIM OVER? YES. 3509 01:45:18,546 --> 01:45:19,445 WILL HE GET HIM OVER? YES. CAN'T HOOK ... 3510 01:45:19,447 --> 01:45:19,845 YES. CAN'T HOOK ... WAIT A MINUTE. 3511 01:45:19,847 --> 01:45:20,713 CAN'T HOOK ... WAIT A MINUTE. HIS LEGS AREN'T LONG ENOUGH, 3512 01:45:20,715 --> 01:45:21,480 WAIT A MINUTE. HIS LEGS AREN'T LONG ENOUGH, GENE. 3513 01:45:21,482 --> 01:45:21,914 HIS LEGS AREN'T LONG ENOUGH, GENE. >> NO WAY. 3514 01:45:21,916 --> 01:45:22,748 GENE. >> NO WAY. >> TO REACH THE SHOULDERS. 3515 01:45:22,750 --> 01:45:23,782 >> NO WAY. >> TO REACH THE SHOULDERS. >> NO WAY. 3516 01:45:23,784 --> 01:45:26,352 >> TO REACH THE SHOULDERS. >> NO WAY. >> COUNT OF TWO AGAIN. 3517 01:45:26,354 --> 01:45:26,952 >> NO WAY. >> COUNT OF TWO AGAIN. >> CLOSE ONLY COUNTS IN 3518 01:45:26,954 --> 01:45:28,520 >> COUNT OF TWO AGAIN. >> CLOSE ONLY COUNTS IN HORSESHOES AND HAND GRENADES, 3519 01:45:28,522 --> 01:45:29,688 >> CLOSE ONLY COUNTS IN HORSESHOES AND HAND GRENADES, CATHY LEE. 3520 01:45:29,690 --> 01:45:30,422 HORSESHOES AND HAND GRENADES, CATHY LEE. >> THAT'S RIGHT. 3521 01:45:30,424 --> 01:45:30,890 CATHY LEE. >> THAT'S RIGHT. >> LOOK OUT. 3522 01:45:30,892 --> 01:45:32,391 >> THAT'S RIGHT. >> LOOK OUT. BACKBREAKER COMING UP. 3523 01:45:32,393 --> 01:45:33,459 >> LOOK OUT. BACKBREAKER COMING UP. OH, AND WELL EXECUTED. 3524 01:45:33,461 --> 01:45:35,394 BACKBREAKER COMING UP. OH, AND WELL EXECUTED. THE DYNAMITE KID OVER FOR THE 3525 01:45:35,396 --> 01:45:37,229 OH, AND WELL EXECUTED. THE DYNAMITE KID OVER FOR THE COVER, AND BEEFCAKE MAKING THE 3526 01:45:37,231 --> 01:45:37,863 THE DYNAMITE KID OVER FOR THE COVER, AND BEEFCAKE MAKING THE SAVE. 3527 01:45:37,865 --> 01:45:40,599 COVER, AND BEEFCAKE MAKING THE SAVE. >> THAT WAS A SAVE. 3528 01:45:40,601 --> 01:45:41,400 SAVE. >> THAT WAS A SAVE. I DON'T KNOW. 3529 01:45:41,402 --> 01:45:42,634 >> THAT WAS A SAVE. I DON'T KNOW. COULD IT BE THAT THE BRITISH 3530 01:45:42,636 --> 01:45:43,535 I DON'T KNOW. COULD IT BE THAT THE BRITISH BULLDOGS WERE CHOSEN TO WEAR THE 3531 01:45:43,537 --> 01:45:44,570 COULD IT BE THAT THE BRITISH BULLDOGS WERE CHOSEN TO WEAR THE GLASS SLIPPER? 3532 01:45:44,572 --> 01:45:45,637 BULLDOGS WERE CHOSEN TO WEAR THE GLASS SLIPPER? CERTAINLY THEY ARE THE 3533 01:45:45,639 --> 01:45:46,638 GLASS SLIPPER? CERTAINLY THEY ARE THE CINDERELLA TEAM OF THE WORLD 3534 01:45:46,640 --> 01:45:47,639 CERTAINLY THEY ARE THE CINDERELLA TEAM OF THE WORLD WRESTLING ENTERTAINMENT. 3535 01:45:47,641 --> 01:45:48,474 CINDERELLA TEAM OF THE WORLD WRESTLING ENTERTAINMENT. >> THEY ARE CERTAINLY ARE. 3536 01:45:48,476 --> 01:45:49,575 WRESTLING ENTERTAINMENT. >> THEY ARE CERTAINLY ARE. THEY'RE THE ONGOING FAVORITES 3537 01:45:49,577 --> 01:45:51,310 >> THEY ARE CERTAINLY ARE. THEY'RE THE ONGOING FAVORITES HERE IN THIS MATCH. 3538 01:45:51,312 --> 01:45:52,644 THEY'RE THE ONGOING FAVORITES HERE IN THIS MATCH. ANOTHER TWO COUNT, BUT AGAIN 3539 01:45:52,646 --> 01:45:54,547 HERE IN THIS MATCH. ANOTHER TWO COUNT, BUT AGAIN VALENTINE ABLE TO GET THAT RIGHT 3540 01:45:54,549 --> 01:45:56,482 ANOTHER TWO COUNT, BUT AGAIN VALENTINE ABLE TO GET THAT RIGHT ARM SHOT OUT UNDERNEATH THERE, 3541 01:45:56,484 --> 01:45:59,952 VALENTINE ABLE TO GET THAT RIGHT ARM SHOT OUT UNDERNEATH THERE, ENABLING HIM TO BREAK THE COUNT. 3542 01:45:59,954 --> 01:46:01,253 ARM SHOT OUT UNDERNEATH THERE, ENABLING HIM TO BREAK THE COUNT. >> OZZY OSBOURNE IS SHAKING AT 3543 01:46:01,255 --> 01:46:03,422 ENABLING HIM TO BREAK THE COUNT. >> OZZY OSBOURNE IS SHAKING AT RINGSIDE. 3544 01:46:03,424 --> 01:46:04,690 >> OZZY OSBOURNE IS SHAKING AT RINGSIDE. >> OH, LOOK AT THAT SHOT BY THE 3545 01:46:04,692 --> 01:46:06,558 RINGSIDE. >> OH, LOOK AT THAT SHOT BY THE HAMMER OFF THE ROPES, AND NOW 3546 01:46:06,560 --> 01:46:07,526 >> OH, LOOK AT THAT SHOT BY THE HAMMER OFF THE ROPES, AND NOW IT'S THE DYNAMITE KID WHO'S IN 3547 01:46:07,528 --> 01:46:08,627 HAMMER OFF THE ROPES, AND NOW IT'S THE DYNAMITE KID WHO'S IN TROUBLE. 3548 01:46:08,629 --> 01:46:09,695 IT'S THE DYNAMITE KID WHO'S IN TROUBLE. HE'S GONNA TRY TO GET HIM UP FOR 3549 01:46:09,697 --> 01:46:12,531 TROUBLE. HE'S GONNA TRY TO GET HIM UP FOR A PILEDRIVER. 3550 01:46:12,533 --> 01:46:13,565 HE'S GONNA TRY TO GET HIM UP FOR A PILEDRIVER. YES! 3551 01:46:13,567 --> 01:46:14,066 A PILEDRIVER. YES! >> HE'S GOT HIM. 3552 01:46:14,068 --> 01:46:14,433 YES! >> HE'S GOT HIM. YES! 3553 01:46:14,435 --> 01:46:15,667 >> HE'S GOT HIM. YES! >> HE'S GOT HIM. 3554 01:46:15,669 --> 01:46:16,535 YES! >> HE'S GOT HIM. >> WHOA! 3555 01:46:16,537 --> 01:46:17,336 >> HE'S GOT HIM. >> WHOA! >> OH. 3556 01:46:17,338 --> 01:46:18,103 >> WHOA! >> OH. DROPPED HIM RIGHT ON HIS 3557 01:46:18,105 --> 01:46:19,638 >> OH. DROPPED HIM RIGHT ON HIS CRANIUM. 3558 01:46:19,640 --> 01:46:20,606 DROPPED HIM RIGHT ON HIS CRANIUM. DYNAMITE IN A WHOLE HEAP OF 3559 01:46:20,608 --> 01:46:21,574 CRANIUM. DYNAMITE IN A WHOLE HEAP OF TROUBLE. 3560 01:46:21,576 --> 01:46:22,374 DYNAMITE IN A WHOLE HEAP OF TROUBLE. THIS COULD BE IT. 3561 01:46:22,376 --> 01:46:22,741 TROUBLE. THIS COULD BE IT. ONE. 3562 01:46:22,743 --> 01:46:23,509 THIS COULD BE IT. ONE. TWO. 3563 01:46:23,511 --> 01:46:23,776 ONE. TWO. IT'S ... 3564 01:46:23,778 --> 01:46:25,511 TWO. IT'S ... NO. 3565 01:46:25,513 --> 01:46:27,279 IT'S ... NO. TWO COUNT ONLY. 3566 01:46:27,281 --> 01:46:27,947 NO. TWO COUNT ONLY. ACTUALLY, TWO AND 3567 01:46:27,949 --> 01:46:29,415 TWO COUNT ONLY. ACTUALLY, TWO AND THREE-QUARTERS. 3568 01:46:29,417 --> 01:46:30,248 ACTUALLY, TWO AND THREE-QUARTERS. >> IT'S AS CLOSE AS YOU CAN BE. 3569 01:46:30,250 --> 01:46:36,622 THREE-QUARTERS. >> IT'S AS CLOSE AS YOU CAN BE. >> ABSOLUTELY. 3570 01:46:36,624 --> 01:46:37,456 >> IT'S AS CLOSE AS YOU CAN BE. >> ABSOLUTELY. >> DYNAMITE ... 3571 01:46:37,458 --> 01:46:38,357 >> ABSOLUTELY. >> DYNAMITE ... >> DOCTOR LOU MOVING AROUND, 3572 01:46:38,359 --> 01:46:38,723 >> DYNAMITE ... >> DOCTOR LOU MOVING AROUND, GENE. 3573 01:46:38,725 --> 01:46:39,525 >> DOCTOR LOU MOVING AROUND, GENE. ALL THE TIME. 3574 01:46:39,527 --> 01:46:40,459 GENE. ALL THE TIME. >> DYNAMITE KID HAS GOT TO GET 3575 01:46:40,461 --> 01:46:43,562 ALL THE TIME. >> DYNAMITE KID HAS GOT TO GET BACK ON HIS FEET AND GET A TAG. 3576 01:46:43,564 --> 01:46:44,262 >> DYNAMITE KID HAS GOT TO GET BACK ON HIS FEET AND GET A TAG. >> HE PICKED THE ARM UP, BUT NOT 3577 01:46:44,264 --> 01:46:45,597 BACK ON HIS FEET AND GET A TAG. >> HE PICKED THE ARM UP, BUT NOT THE SHOULDER THAT TIME. 3578 01:46:45,599 --> 01:46:47,833 >> HE PICKED THE ARM UP, BUT NOT THE SHOULDER THAT TIME. OH, HE CAUGHT VALENTINE ON THAT 3579 01:46:47,835 --> 01:46:50,536 THE SHOULDER THAT TIME. OH, HE CAUGHT VALENTINE ON THAT NICE BRIDGE EFFORT, AND THE 3580 01:46:50,538 --> 01:46:54,706 OH, HE CAUGHT VALENTINE ON THAT NICE BRIDGE EFFORT, AND THE HAMMER'S HURT. 3581 01:46:54,708 --> 01:46:55,674 NICE BRIDGE EFFORT, AND THE HAMMER'S HURT. >> I SAW THE EXPRESSION ON CATHY 3582 01:46:55,676 --> 01:46:57,643 HAMMER'S HURT. >> I SAW THE EXPRESSION ON CATHY LEE'S FACE AND SHE SAW THE 3583 01:46:57,645 --> 01:46:59,745 >> I SAW THE EXPRESSION ON CATHY LEE'S FACE AND SHE SAW THE EXPRESSION ON GREG VALENTINE'S 3584 01:46:59,747 --> 01:47:01,613 LEE'S FACE AND SHE SAW THE EXPRESSION ON GREG VALENTINE'S VISAGE. 3585 01:47:01,615 --> 01:47:03,015 EXPRESSION ON GREG VALENTINE'S VISAGE. >> GREG "THE HAMMER" OBVIOUSLY 3586 01:47:03,017 --> 01:47:03,949 VISAGE. >> GREG "THE HAMMER" OBVIOUSLY IN A LOT OF TROUBLE, BUT HE'S 3587 01:47:03,951 --> 01:47:04,750 >> GREG "THE HAMMER" OBVIOUSLY IN A LOT OF TROUBLE, BUT HE'S OUT THERE. 3588 01:47:04,752 --> 01:47:05,818 IN A LOT OF TROUBLE, BUT HE'S OUT THERE. GOING UP. 3589 01:47:05,820 --> 01:47:06,919 OUT THERE. GOING UP. ALL THE WAY UP TO THE TOP. 3590 01:47:06,921 --> 01:47:08,687 GOING UP. ALL THE WAY UP TO THE TOP. HE GETS CAUGHT BY DYNAMITE. 3591 01:47:08,689 --> 01:47:10,689 ALL THE WAY UP TO THE TOP. HE GETS CAUGHT BY DYNAMITE. WHAT A SLAM. 3592 01:47:10,691 --> 01:47:11,790 HE GETS CAUGHT BY DYNAMITE. WHAT A SLAM. THREE-QUARTERS OF THE WAY ACROSS 3593 01:47:11,792 --> 01:47:13,959 WHAT A SLAM. THREE-QUARTERS OF THE WAY ACROSS THE RING AND VALENTINE MOTIONING 3594 01:47:13,961 --> 01:47:18,764 THREE-QUARTERS OF THE WAY ACROSS THE RING AND VALENTINE MOTIONING FOR THE BEEFER TO COME IN. 3595 01:47:18,766 --> 01:47:19,765 THE RING AND VALENTINE MOTIONING FOR THE BEEFER TO COME IN. HE DOES COME IN, BUT DAVEY BOY 3596 01:47:19,767 --> 01:47:21,533 FOR THE BEEFER TO COME IN. HE DOES COME IN, BUT DAVEY BOY COMES IN AND BEATS HIM AS WELL, 3597 01:47:21,535 --> 01:47:23,335 HE DOES COME IN, BUT DAVEY BOY COMES IN AND BEATS HIM AS WELL, AND NOW ALL FOUR MEN MAY HAVE 3598 01:47:23,337 --> 01:47:28,474 COMES IN AND BEATS HIM AS WELL, AND NOW ALL FOUR MEN MAY HAVE BROKEN LOOSE HERE. 3599 01:47:28,476 --> 01:47:30,509 AND NOW ALL FOUR MEN MAY HAVE BROKEN LOOSE HERE. LOOK OUT. 3600 01:47:30,511 --> 01:47:31,410 BROKEN LOOSE HERE. LOOK OUT. PRESS SLAM. 3601 01:47:31,412 --> 01:47:32,445 LOOK OUT. PRESS SLAM. WE'VE SEEN THIS BEFORE. 3602 01:47:32,447 --> 01:47:33,512 PRESS SLAM. WE'VE SEEN THIS BEFORE. NO. 3603 01:47:33,514 --> 01:47:35,314 WE'VE SEEN THIS BEFORE. NO. VALENTINE WISELY ROLLED OUT OF 3604 01:47:35,316 --> 01:47:37,416 NO. VALENTINE WISELY ROLLED OUT OF THE WAY, AND THE DYNAMITE KID 3605 01:47:37,418 --> 01:47:38,550 VALENTINE WISELY ROLLED OUT OF THE WAY, AND THE DYNAMITE KID RIGHT AFTER HIM. 3606 01:47:38,552 --> 01:47:39,918 THE WAY, AND THE DYNAMITE KID RIGHT AFTER HIM. HE WANTS THEM INSIDE. 3607 01:47:39,920 --> 01:47:40,686 RIGHT AFTER HIM. HE WANTS THEM INSIDE. OH. 3608 01:47:40,688 --> 01:47:42,855 HE WANTS THEM INSIDE. OH. DID HE GET THERE. 3609 01:47:42,857 --> 01:47:46,458 OH. DID HE GET THERE. WHERE'S THE BEEFER? 3610 01:47:46,460 --> 01:47:47,826 DID HE GET THERE. WHERE'S THE BEEFER? BEEFCAKE BACK IN HIS CORNER ONCE 3611 01:47:47,828 --> 01:47:51,396 WHERE'S THE BEEFER? BEEFCAKE BACK IN HIS CORNER ONCE AGAIN, AND THE HAMMER LOWERED 3612 01:47:51,398 --> 01:47:53,565 BEEFCAKE BACK IN HIS CORNER ONCE AGAIN, AND THE HAMMER LOWERED THE FOLDING ON THE DYNAMITE KID, 3613 01:47:53,567 --> 01:47:56,268 AGAIN, AND THE HAMMER LOWERED THE FOLDING ON THE DYNAMITE KID, BUT THE TAG MADE AS DAVEY BOY 3614 01:47:56,270 --> 01:47:56,935 THE FOLDING ON THE DYNAMITE KID, BUT THE TAG MADE AS DAVEY BOY STEPS IN THERE. 3615 01:47:56,937 --> 01:47:57,669 BUT THE TAG MADE AS DAVEY BOY STEPS IN THERE. WATCH OUT. 3616 01:47:57,671 --> 01:48:00,472 STEPS IN THERE. WATCH OUT. POWERSLAM PERHAPS. 3617 01:48:00,474 --> 01:48:02,241 WATCH OUT. POWERSLAM PERHAPS. YES, AND A BEAUTY. 3618 01:48:02,243 --> 01:48:03,242 POWERSLAM PERHAPS. YES, AND A BEAUTY. >> DID YOU SEE THEY'RE GIVING 3619 01:48:03,244 --> 01:48:04,276 YES, AND A BEAUTY. >> DID YOU SEE THEY'RE GIVING THE RING ... 3620 01:48:04,278 --> 01:48:05,711 >> DID YOU SEE THEY'RE GIVING THE RING ... GORILLA MONSOON, THAT RING, I'M 3621 01:48:05,713 --> 01:48:06,411 THE RING ... GORILLA MONSOON, THAT RING, I'M CERTAIN ... 3622 01:48:06,413 --> 01:48:07,412 GORILLA MONSOON, THAT RING, I'M CERTAIN ... >> IT EXPLODED. 3623 01:48:07,414 --> 01:48:08,280 CERTAIN ... >> IT EXPLODED. >> A FULL SIX INCHES. 3624 01:48:08,282 --> 01:48:10,483 >> IT EXPLODED. >> A FULL SIX INCHES. >> ABSOLUTELY EXPLODED, BUT ONCE 3625 01:48:10,485 --> 01:48:12,584 >> A FULL SIX INCHES. >> ABSOLUTELY EXPLODED, BUT ONCE AGAIN NOT BOTHERING TO HOOK 3626 01:48:12,586 --> 01:48:13,585 >> ABSOLUTELY EXPLODED, BUT ONCE AGAIN NOT BOTHERING TO HOOK ANYTHING. 3627 01:48:13,587 --> 01:48:16,421 AGAIN NOT BOTHERING TO HOOK ANYTHING. VALENTINE ABLE TO KICK OUT. 3628 01:48:16,423 --> 01:48:18,457 ANYTHING. VALENTINE ABLE TO KICK OUT. SUPLEX ONCE MORE BY DAVEY BOY. 3629 01:48:18,459 --> 01:48:19,424 VALENTINE ABLE TO KICK OUT. SUPLEX ONCE MORE BY DAVEY BOY. WELL EXECUTED. 3630 01:48:19,426 --> 01:48:20,159 SUPLEX ONCE MORE BY DAVEY BOY. WELL EXECUTED. >> I'VE NEVER SEEN AERIAL LOOK 3631 01:48:20,161 --> 01:48:20,726 WELL EXECUTED. >> I'VE NEVER SEEN AERIAL LOOK LIKE THIS. 3632 01:48:20,728 --> 01:48:23,829 >> I'VE NEVER SEEN AERIAL LOOK LIKE THIS. >> THE HAMMER IS HURT. 3633 01:48:23,831 --> 01:48:25,364 LIKE THIS. >> THE HAMMER IS HURT. >> THE GYMNASTIC STYLE OF THE 3634 01:48:25,366 --> 01:48:26,532 >> THE HAMMER IS HURT. >> THE GYMNASTIC STYLE OF THE BRITISH BULLDOGS, ALONG WITH 3635 01:48:26,534 --> 01:48:27,599 >> THE GYMNASTIC STYLE OF THE BRITISH BULLDOGS, ALONG WITH THEIR SPEED ADVANTAGE RIGHT NOW 3636 01:48:27,601 --> 01:48:29,434 BRITISH BULLDOGS, ALONG WITH THEIR SPEED ADVANTAGE RIGHT NOW SEEMS TO BE ... 3637 01:48:29,436 --> 01:48:30,369 THEIR SPEED ADVANTAGE RIGHT NOW SEEMS TO BE ... >> UH-OH. 3638 01:48:30,371 --> 01:48:31,303 SEEMS TO BE ... >> UH-OH. REVERSAL. 3639 01:48:31,305 --> 01:48:32,538 >> UH-OH. REVERSAL. SHOVED SHOULDER FIRST RIGHT INTO 3640 01:48:32,540 --> 01:48:33,739 REVERSAL. SHOVED SHOULDER FIRST RIGHT INTO THE STEEL POST. 3641 01:48:33,741 --> 01:48:34,707 SHOVED SHOULDER FIRST RIGHT INTO THE STEEL POST. >> SEEMS TO BE THE DIFFERENCE IN 3642 01:48:34,709 --> 01:48:36,308 THE STEEL POST. >> SEEMS TO BE THE DIFFERENCE IN THIS MATCH THUS FAR. 3643 01:48:36,310 --> 01:48:37,409 >> SEEMS TO BE THE DIFFERENCE IN THIS MATCH THUS FAR. >> YES, IT IS, GENE. 3644 01:48:37,411 --> 01:48:39,545 THIS MATCH THUS FAR. >> YES, IT IS, GENE. FOR SURE. 3645 01:48:39,547 --> 01:48:40,479 >> YES, IT IS, GENE. FOR SURE. DAVEY BOY HURT. 3646 01:48:40,481 --> 01:48:42,548 FOR SURE. DAVEY BOY HURT. DYNAMITE SCREAMING OVER TO HIM 3647 01:48:42,550 --> 01:48:43,616 DAVEY BOY HURT. DYNAMITE SCREAMING OVER TO HIM TO COME OVER AND MAKE THE TAG, 3648 01:48:43,618 --> 01:48:47,519 DYNAMITE SCREAMING OVER TO HIM TO COME OVER AND MAKE THE TAG, BUT I'M SURE HE CAN'T HEAR HIM. 3649 01:48:47,521 --> 01:48:48,621 TO COME OVER AND MAKE THE TAG, BUT I'M SURE HE CAN'T HEAR HIM. YOU CAN FEEL THE ELECTRICITY IN 3650 01:48:48,623 --> 01:48:49,788 BUT I'M SURE HE CAN'T HEAR HIM. YOU CAN FEEL THE ELECTRICITY IN THE AIR HERE. 3651 01:48:49,790 --> 01:48:50,722 YOU CAN FEEL THE ELECTRICITY IN THE AIR HERE. >> AS I SAID EARLIER, YOU CAN 3652 01:48:50,724 --> 01:48:51,757 THE AIR HERE. >> AS I SAID EARLIER, YOU CAN CUT IT WITH A KNIFE. 3653 01:48:51,759 --> 01:48:53,725 >> AS I SAID EARLIER, YOU CAN CUT IT WITH A KNIFE. >> OH. 3654 01:48:53,727 --> 01:48:54,593 CUT IT WITH A KNIFE. >> OH. THE HAMMER NOW WITH A HAMMER 3655 01:48:54,595 --> 01:48:55,727 >> OH. THE HAMMER NOW WITH A HAMMER LOCK. 3656 01:48:55,729 --> 01:48:57,563 THE HAMMER NOW WITH A HAMMER LOCK. TURNED IT INTO A CHICKEN WING, 3657 01:48:57,565 --> 01:49:00,465 LOCK. TURNED IT INTO A CHICKEN WING, AND NOW HE MAKES A TAG AS BRUTUS 3658 01:49:00,467 --> 01:49:02,534 TURNED IT INTO A CHICKEN WING, AND NOW HE MAKES A TAG AS BRUTUS STEPS IN. 3659 01:49:02,536 --> 01:49:03,569 AND NOW HE MAKES A TAG AS BRUTUS STEPS IN. PERCHED ON THAT SECOND ROPE. 3660 01:49:03,571 --> 01:49:06,171 STEPS IN. PERCHED ON THAT SECOND ROPE. WOW, WIDE OPEN. 3661 01:49:06,173 --> 01:49:06,738 PERCHED ON THAT SECOND ROPE. WOW, WIDE OPEN. DAVEY BOY SMITH. 3662 01:49:06,740 --> 01:49:07,639 WOW, WIDE OPEN. DAVEY BOY SMITH. HE NEEDS DESPERATELY, CATHY LEE, 3663 01:49:07,641 --> 01:49:09,675 DAVEY BOY SMITH. HE NEEDS DESPERATELY, CATHY LEE, TO MAKE A TAG HERE. 3664 01:49:09,677 --> 01:49:12,311 HE NEEDS DESPERATELY, CATHY LEE, TO MAKE A TAG HERE. HE'S IN A LOT OF TROUBLE. 3665 01:49:12,313 --> 01:49:12,778 TO MAKE A TAG HERE. HE'S IN A LOT OF TROUBLE. SNAP MARE. 3666 01:49:12,780 --> 01:49:13,512 HE'S IN A LOT OF TROUBLE. SNAP MARE. NO. 3667 01:49:13,514 --> 01:49:15,547 SNAP MARE. NO. OH, LOOK AT THAT MOVE BY 3668 01:49:15,549 --> 01:49:16,481 NO. OH, LOOK AT THAT MOVE BY BEEFCAKE. 3669 01:49:16,483 --> 01:49:17,649 OH, LOOK AT THAT MOVE BY BEEFCAKE. HE DROPPED HIM JUST LIKE A BAD 3670 01:49:17,651 --> 01:49:19,451 BEEFCAKE. HE DROPPED HIM JUST LIKE A BAD HABIT. 3671 01:49:19,453 --> 01:49:20,553 HE DROPPED HIM JUST LIKE A BAD HABIT. >> WELL, THAT BROUGHT HIS 3672 01:49:20,555 --> 01:49:22,854 HABIT. >> WELL, THAT BROUGHT HIS CAPACITY CROWD TO THEIR FEET. 3673 01:49:22,856 --> 01:49:24,289 >> WELL, THAT BROUGHT HIS CAPACITY CROWD TO THEIR FEET. >> DAVEY BOY TRIED TO GO OVER 3674 01:49:24,291 --> 01:49:25,291 CAPACITY CROWD TO THEIR FEET. >> DAVEY BOY TRIED TO GO OVER THE BACK, GENE, BUT HE DIDN'T 3675 01:49:25,293 --> 01:49:25,691 >> DAVEY BOY TRIED TO GO OVER THE BACK, GENE, BUT HE DIDN'T MAKE IT. 3676 01:49:25,693 --> 01:49:26,491 THE BACK, GENE, BUT HE DIDN'T MAKE IT. >> I DID NOT SEE THAT. 3677 01:49:26,493 --> 01:49:28,427 MAKE IT. >> I DID NOT SEE THAT. I HAVE NOT SEEN THAT BEFORE FROM 3678 01:49:28,429 --> 01:49:28,894 >> I DID NOT SEE THAT. I HAVE NOT SEEN THAT BEFORE FROM BRUTUS BEEFCAKE. 3679 01:49:28,896 --> 01:49:30,362 I HAVE NOT SEEN THAT BEFORE FROM BRUTUS BEEFCAKE. THAT IS QUITE A MOVE INDEED. 3680 01:49:30,364 --> 01:49:31,363 BRUTUS BEEFCAKE. THAT IS QUITE A MOVE INDEED. >> BRUTUS BEEFCAKE HAS COME AN 3681 01:49:31,365 --> 01:49:32,665 THAT IS QUITE A MOVE INDEED. >> BRUTUS BEEFCAKE HAS COME AN AWFUL LONG WAY HERE IN THE WORLD 3682 01:49:32,667 --> 01:49:34,600 >> BRUTUS BEEFCAKE HAS COME AN AWFUL LONG WAY HERE IN THE WORLD WRESTLING ENTERTAINMENT AND HE 3683 01:49:34,602 --> 01:49:35,601 AWFUL LONG WAY HERE IN THE WORLD WRESTLING ENTERTAINMENT AND HE GOES WITH A HAMMER LOCK AND RAMS 3684 01:49:35,603 --> 01:49:37,669 WRESTLING ENTERTAINMENT AND HE GOES WITH A HAMMER LOCK AND RAMS THE SHOULDER OF DAVEY BOY RIGHT 3685 01:49:37,671 --> 01:49:39,471 GOES WITH A HAMMER LOCK AND RAMS THE SHOULDER OF DAVEY BOY RIGHT INTO THAT TOP TURNBUCKLE AND 3686 01:49:39,473 --> 01:49:42,341 THE SHOULDER OF DAVEY BOY RIGHT INTO THAT TOP TURNBUCKLE AND MAKES THE TAG TO THE HAMMER, AND 3687 01:49:42,343 --> 01:49:43,542 INTO THAT TOP TURNBUCKLE AND MAKES THE TAG TO THE HAMMER, AND THE HAMMER UNLOADING WITH A 3688 01:49:43,544 --> 01:49:44,610 MAKES THE TAG TO THE HAMMER, AND THE HAMMER UNLOADING WITH A BEAUTIFUL ELBOW RIGHT OFF THE 3689 01:49:44,612 --> 01:49:47,312 THE HAMMER UNLOADING WITH A BEAUTIFUL ELBOW RIGHT OFF THE TOP TURNBUCKLE. 3690 01:49:47,314 --> 01:49:48,747 BEAUTIFUL ELBOW RIGHT OFF THE TOP TURNBUCKLE. THE TIDE HAS TURNED HERE. 3691 01:49:48,749 --> 01:49:50,449 TOP TURNBUCKLE. THE TIDE HAS TURNED HERE. THE PENDULUM HAS SHIFTED. 3692 01:49:50,451 --> 01:49:51,450 THE TIDE HAS TURNED HERE. THE PENDULUM HAS SHIFTED. IT IS NOW IN FAVOR OF THE 3693 01:49:51,452 --> 01:49:52,651 THE PENDULUM HAS SHIFTED. IT IS NOW IN FAVOR OF THE CHAMPIONS. 3694 01:49:52,653 --> 01:49:53,685 IT IS NOW IN FAVOR OF THE CHAMPIONS. >> AND JUST THAT QUICK, TOO. 3695 01:49:53,687 --> 01:49:54,620 CHAMPIONS. >> AND JUST THAT QUICK, TOO. THAT'S THE AMAZING PART OF THIS 3696 01:49:54,622 --> 01:49:55,821 >> AND JUST THAT QUICK, TOO. THAT'S THE AMAZING PART OF THIS GREAT SPORT. 3697 01:49:55,823 --> 01:49:57,489 THAT'S THE AMAZING PART OF THIS GREAT SPORT. >> PERHAPS SHOULDER BREAKER. 3698 01:49:57,491 --> 01:49:58,557 GREAT SPORT. >> PERHAPS SHOULDER BREAKER. OH, YES. 3699 01:49:58,559 --> 01:49:59,725 >> PERHAPS SHOULDER BREAKER. OH, YES. AND WELL EXECUTED. 3700 01:49:59,727 --> 01:50:02,227 OH, YES. AND WELL EXECUTED. >> YOU CALLED IT, GORILLA. 3701 01:50:02,229 --> 01:50:02,961 AND WELL EXECUTED. >> YOU CALLED IT, GORILLA. >> OH, LOOK AT THAT. 3702 01:50:02,963 --> 01:50:03,662 >> YOU CALLED IT, GORILLA. >> OH, LOOK AT THAT. HE DIDN'T WANT THE THREE COUNT. 3703 01:50:03,664 --> 01:50:04,730 >> OH, LOOK AT THAT. HE DIDN'T WANT THE THREE COUNT. I CAN'T BELIEVE IT. 3704 01:50:04,732 --> 01:50:06,531 HE DIDN'T WANT THE THREE COUNT. I CAN'T BELIEVE IT. >> YOU'VE GOT TO BE KIDDING ME. 3705 01:50:06,533 --> 01:50:07,499 I CAN'T BELIEVE IT. >> YOU'VE GOT TO BE KIDDING ME. >> THE HAMMER TAKING A BIG 3706 01:50:07,501 --> 01:50:08,967 >> YOU'VE GOT TO BE KIDDING ME. >> THE HAMMER TAKING A BIG CHANCE HERE. 3707 01:50:08,969 --> 01:50:09,801 >> THE HAMMER TAKING A BIG CHANCE HERE. PROBABLY COULD'VE HAD A THREE 3708 01:50:09,803 --> 01:50:12,738 CHANCE HERE. PROBABLY COULD'VE HAD A THREE COUNT. 3709 01:50:12,740 --> 01:50:13,805 PROBABLY COULD'VE HAD A THREE COUNT. DAVEY BOY PERCHED UP ON THAT 3710 01:50:13,807 --> 01:50:14,806 COUNT. DAVEY BOY PERCHED UP ON THAT SECOND ROPE. 3711 01:50:14,808 --> 01:50:15,741 DAVEY BOY PERCHED UP ON THAT SECOND ROPE. WHAT'S HE THINKING ABOUT? 3712 01:50:15,743 --> 01:50:17,376 SECOND ROPE. WHAT'S HE THINKING ABOUT? OH. 3713 01:50:17,378 --> 01:50:18,644 WHAT'S HE THINKING ABOUT? OH. HOLY MOSES. 3714 01:50:18,646 --> 01:50:20,612 OH. HOLY MOSES. RAMMED RIGHT HEADFIRST, AND 3715 01:50:20,614 --> 01:50:21,613 HOLY MOSES. RAMMED RIGHT HEADFIRST, AND COUNT. 3716 01:50:21,615 --> 01:50:22,414 RAMMED RIGHT HEADFIRST, AND COUNT. IT'S OVER! 3717 01:50:22,416 --> 01:50:23,482 COUNT. IT'S OVER! [ BELL RINGING ] 3718 01:50:23,484 --> 01:50:24,116 IT'S OVER! [ BELL RINGING ] >> OH, MY GOODNESS. 3719 01:50:24,118 --> 01:50:24,583 [ BELL RINGING ] >> OH, MY GOODNESS. >> GUESS WHAT? 3720 01:50:24,585 --> 01:50:25,717 >> OH, MY GOODNESS. >> GUESS WHAT? THAT IS OVER! 3721 01:50:25,719 --> 01:50:26,652 >> GUESS WHAT? THAT IS OVER! >> UNBELIEVABLE! 3722 01:50:26,654 --> 01:50:27,352 THAT IS OVER! >> UNBELIEVABLE! >> I CAN'T BELIEVE IT. 3723 01:50:27,354 --> 01:50:28,787 >> UNBELIEVABLE! >> I CAN'T BELIEVE IT. >> HISTORY MADE HERE AT 3724 01:50:28,789 --> 01:50:30,522 >> I CAN'T BELIEVE IT. >> HISTORY MADE HERE AT WRESTLEMANIA 2. 3725 01:50:30,524 --> 01:50:31,490 >> HISTORY MADE HERE AT WRESTLEMANIA 2. >> YOU HAVE GOT TO BE KIDDING 3726 01:50:31,492 --> 01:50:34,627 WRESTLEMANIA 2. >> YOU HAVE GOT TO BE KIDDING ME. 3727 01:50:34,629 --> 01:50:36,695 >> YOU HAVE GOT TO BE KIDDING ME. THIS PLACE IS COMING APART. 3728 01:50:36,697 --> 01:50:37,963 ME. THIS PLACE IS COMING APART. >> PANDEMONIUM BROKEN LOOSE HERE 3729 01:50:37,965 --> 01:50:39,665 THIS PLACE IS COMING APART. >> PANDEMONIUM BROKEN LOOSE HERE IN THE ROSEMONT HORIZON AS 3730 01:50:39,667 --> 01:50:42,734 >> PANDEMONIUM BROKEN LOOSE HERE IN THE ROSEMONT HORIZON AS HISTORY MADE IN WRESTLEMANIA 2 3731 01:50:42,736 --> 01:50:45,370 IN THE ROSEMONT HORIZON AS HISTORY MADE IN WRESTLEMANIA 2 AS WE HAVE NEW WORLD WRESTLING 3732 01:50:45,372 --> 01:50:47,539 HISTORY MADE IN WRESTLEMANIA 2 AS WE HAVE NEW WORLD WRESTLING ENTERTAINMENT TAG TEAM 3733 01:50:47,541 --> 01:50:49,675 AS WE HAVE NEW WORLD WRESTLING ENTERTAINMENT TAG TEAM CHAMPIONS. 3734 01:50:49,677 --> 01:50:53,545 ENTERTAINMENT TAG TEAM CHAMPIONS. THE BRITISH BULLDOGS! 3735 01:50:53,547 --> 01:50:54,113 CHAMPIONS. THE BRITISH BULLDOGS! AND LOOK AT BRUTUS. 3736 01:50:54,115 --> 01:50:55,580 THE BRITISH BULLDOGS! AND LOOK AT BRUTUS. HE CAN'T BELIEVE IT, AND THERE'S 3737 01:50:55,582 --> 01:50:56,682 AND LOOK AT BRUTUS. HE CAN'T BELIEVE IT, AND THERE'S CAPTAIN LOU ALONG WITH OZZY 3738 01:50:56,684 --> 01:51:03,755 HE CAN'T BELIEVE IT, AND THERE'S CAPTAIN LOU ALONG WITH OZZY OSBOURNE. 3739 01:51:03,757 --> 01:51:05,857 CAPTAIN LOU ALONG WITH OZZY OSBOURNE. PANDEMONIUM DEFINITELY BROKEN 3740 01:51:05,859 --> 01:51:06,659 OSBOURNE. PANDEMONIUM DEFINITELY BROKEN LOOSE. 3741 01:51:06,661 --> 01:51:09,628 PANDEMONIUM DEFINITELY BROKEN LOOSE. LET'S GO TO THE RING ANNOUNCER. 3742 01:51:09,630 --> 01:51:11,663 LOOSE. LET'S GO TO THE RING ANNOUNCER. >> LADIES AND GENTLEMEN, YOUR 3743 01:51:11,665 --> 01:51:15,467 LET'S GO TO THE RING ANNOUNCER. >> LADIES AND GENTLEMEN, YOUR WINNERS AND NEW WWE TAG TEAM 3744 01:51:15,469 --> 01:51:18,303 >> LADIES AND GENTLEMEN, YOUR WINNERS AND NEW WWE TAG TEAM CHAMPIONS, ATTENDED BY THEIR 3745 01:51:18,305 --> 01:51:20,806 WINNERS AND NEW WWE TAG TEAM CHAMPIONS, ATTENDED BY THEIR MANAGER CAPTAIN LOUIS ALBANO AND 3746 01:51:20,808 --> 01:51:22,708 CHAMPIONS, ATTENDED BY THEIR MANAGER CAPTAIN LOUIS ALBANO AND OZZY OSBOURNE. 3747 01:51:22,710 --> 01:51:24,609 MANAGER CAPTAIN LOUIS ALBANO AND OZZY OSBOURNE. LADIES AND GENTLEMEN, THE 3748 01:51:24,611 --> 01:51:29,415 OZZY OSBOURNE. LADIES AND GENTLEMEN, THE BRITISH BULLDOGS! 3749 01:51:29,417 --> 01:51:32,518 LADIES AND GENTLEMEN, THE BRITISH BULLDOGS! THE BRITISH BULLDOGS. 3750 01:51:32,520 --> 01:51:33,685 BRITISH BULLDOGS! THE BRITISH BULLDOGS. >> DYNAMITE KID BLEEDING. 3751 01:51:33,687 --> 01:51:35,888 THE BRITISH BULLDOGS. >> DYNAMITE KID BLEEDING. HE'S STILL OUT ON THE FLOOR. 3752 01:51:35,890 --> 01:51:36,755 >> DYNAMITE KID BLEEDING. HE'S STILL OUT ON THE FLOOR. DAVEY BOY TRYING TO GET HIM UP 3753 01:51:36,757 --> 01:51:38,356 HE'S STILL OUT ON THE FLOOR. DAVEY BOY TRYING TO GET HIM UP INTO THE RING. 3754 01:51:38,358 --> 01:51:39,692 DAVEY BOY TRYING TO GET HIM UP INTO THE RING. WE'VE GOT GENE OKERLUND IN THE 3755 01:51:39,694 --> 01:51:41,393 INTO THE RING. WE'VE GOT GENE OKERLUND IN THE RING. 3756 01:51:41,395 --> 01:51:41,894 WE'VE GOT GENE OKERLUND IN THE RING. >> ALL RIGHT. 3757 01:51:41,896 --> 01:51:42,528 RING. >> ALL RIGHT. THANK YOU, GORILLA MONSOON. 3758 01:51:42,530 --> 01:51:43,695 >> ALL RIGHT. THANK YOU, GORILLA MONSOON. WITH ME RIGHT NOW FOR THE 16TH 3759 01:51:43,697 --> 01:51:45,864 THANK YOU, GORILLA MONSOON. WITH ME RIGHT NOW FOR THE 16TH TIME: CAPTAIN LOU ALBANO WITH 3760 01:51:45,866 --> 01:51:47,666 WITH ME RIGHT NOW FOR THE 16TH TIME: CAPTAIN LOU ALBANO WITH YOUR NEW TAG TEAM CHAMPIONS. 3761 01:51:47,668 --> 01:51:48,600 TIME: CAPTAIN LOU ALBANO WITH YOUR NEW TAG TEAM CHAMPIONS. >> WELL, GENE, I MADE A 3762 01:51:48,602 --> 01:51:50,302 YOUR NEW TAG TEAM CHAMPIONS. >> WELL, GENE, I MADE A PREDICTION SOMETIME AGO. 3763 01:51:50,304 --> 01:51:51,703 >> WELL, GENE, I MADE A PREDICTION SOMETIME AGO. I SAID IT WOULD BE DONE AND NOW 3764 01:51:51,705 --> 01:51:53,739 PREDICTION SOMETIME AGO. I SAID IT WOULD BE DONE AND NOW I'VE GOT THE 16TH CHAMPIONS OF 3765 01:51:53,741 --> 01:51:54,640 I SAID IT WOULD BE DONE AND NOW I'VE GOT THE 16TH CHAMPIONS OF THE WORLD. 3766 01:51:54,642 --> 01:51:55,340 I'VE GOT THE 16TH CHAMPIONS OF THE WORLD. GOT IT ALL TOGETHER, BABY. 3767 01:51:55,342 --> 01:51:56,408 THE WORLD. GOT IT ALL TOGETHER, BABY. I FEEL SO GOOD, SO PROUD, SO 3768 01:51:56,410 --> 01:51:56,875 GOT IT ALL TOGETHER, BABY. I FEEL SO GOOD, SO PROUD, SO FINE. 3769 01:51:56,877 --> 01:51:58,443 I FEEL SO GOOD, SO PROUD, SO FINE. >> THANK YOU. 3770 01:51:58,445 --> 01:51:59,310 FINE. >> THANK YOU. >> OZZY AT MY SIDE, AND CATHY 3771 01:51:59,312 --> 01:51:59,711 >> THANK YOU. >> OZZY AT MY SIDE, AND CATHY LEE CROSBY. 3772 01:51:59,713 --> 01:52:00,712 >> OZZY AT MY SIDE, AND CATHY LEE CROSBY. SO PROUD. 3773 01:52:00,714 --> 01:52:02,347 LEE CROSBY. SO PROUD. >> THANK YOU. 3774 01:52:02,349 --> 01:52:03,015 SO PROUD. >> THANK YOU. OZZY OSBOURNE, WHAT AN 3775 01:52:03,017 --> 01:52:03,648 >> THANK YOU. OZZY OSBOURNE, WHAT AN EXPLOSION. 3776 01:52:03,650 --> 01:52:04,583 OZZY OSBOURNE, WHAT AN EXPLOSION. YOU HAD TO BE A TREMENDOUS 3777 01:52:04,585 --> 01:52:05,484 EXPLOSION. YOU HAD TO BE A TREMENDOUS INSPIRATIONAL SOURCE FOR BOTH OF 3778 01:52:05,486 --> 01:52:05,751 YOU HAD TO BE A TREMENDOUS INSPIRATIONAL SOURCE FOR BOTH OF THEM. 3779 01:52:05,753 --> 01:52:07,419 INSPIRATIONAL SOURCE FOR BOTH OF THEM. >> AH, IT'S FANTASTIC, MAN. 3780 01:52:07,421 --> 01:52:09,722 THEM. >> AH, IT'S FANTASTIC, MAN. THE BRITISH BULLDOGS FOREVER! 3781 01:52:09,724 --> 01:52:12,557 >> AH, IT'S FANTASTIC, MAN. THE BRITISH BULLDOGS FOREVER! >> A WILD MAN! 3782 01:52:12,559 --> 01:52:13,358 THE BRITISH BULLDOGS FOREVER! >> A WILD MAN! FOREVER. 3783 01:52:13,360 --> 01:52:14,459 >> A WILD MAN! FOREVER. YOU HEARD THAT, CATHY LEE. 3784 01:52:14,461 --> 01:52:15,060 FOREVER. YOU HEARD THAT, CATHY LEE. >> ABSOLUTELY. 3785 01:52:15,062 --> 01:52:16,361 YOU HEARD THAT, CATHY LEE. >> ABSOLUTELY. SO, OZZY, YOU'RE GONNA COME BACK 3786 01:52:16,363 --> 01:52:17,262 >> ABSOLUTELY. SO, OZZY, YOU'RE GONNA COME BACK IN THEIR CORNER. 3787 01:52:17,264 --> 01:52:18,630 SO, OZZY, YOU'RE GONNA COME BACK IN THEIR CORNER. THIS IS GONNA BE A FUTURE FOR 3788 01:52:18,632 --> 01:52:19,698 IN THEIR CORNER. THIS IS GONNA BE A FUTURE FOR YOU? 3789 01:52:19,700 --> 01:52:20,499 THIS IS GONNA BE A FUTURE FOR YOU? >> YEAH, YEAH. 3790 01:52:20,501 --> 01:52:20,866 YOU? >> YEAH, YEAH. MANY MORE TIMES. 3791 01:52:20,868 --> 01:52:21,499 >> YEAH, YEAH. MANY MORE TIMES. >> YOU HEARD IT FIRST, THEN. 3792 01:52:21,501 --> 01:52:22,100 MANY MORE TIMES. >> YOU HEARD IT FIRST, THEN. >> LET'S SEE IF WE CAN GET THESE 3793 01:52:22,102 --> 01:52:22,801 >> YOU HEARD IT FIRST, THEN. >> LET'S SEE IF WE CAN GET THESE GENTLEMEN UP HERE. 3794 01:52:22,803 --> 01:52:25,404 >> LET'S SEE IF WE CAN GET THESE GENTLEMEN UP HERE. BULLDOGS, WE HAVE THE DYNAMITE 3795 01:52:25,406 --> 01:52:26,471 GENTLEMEN UP HERE. BULLDOGS, WE HAVE THE DYNAMITE KID, WHO IS BLEEDING. 3796 01:52:26,473 --> 01:52:27,706 BULLDOGS, WE HAVE THE DYNAMITE KID, WHO IS BLEEDING. CAPTAIN LOU, YOU MIGHT WANT TO 3797 01:52:27,708 --> 01:52:28,607 KID, WHO IS BLEEDING. CAPTAIN LOU, YOU MIGHT WANT TO GIVE HIM A HAND. 3798 01:52:28,609 --> 01:52:29,775 CAPTAIN LOU, YOU MIGHT WANT TO GIVE HIM A HAND. THERE WE GO. 3799 01:52:29,777 --> 01:52:31,577 GIVE HIM A HAND. THERE WE GO. ALL RIGHT. 3800 01:52:31,579 --> 01:52:32,444 THERE WE GO. ALL RIGHT. CATHY LEE, HAVE YOU EVER SEEN A 3801 01:52:32,446 --> 01:52:34,346 ALL RIGHT. CATHY LEE, HAVE YOU EVER SEEN A MATCH LIKE THIS? 3802 01:52:34,348 --> 01:52:34,913 CATHY LEE, HAVE YOU EVER SEEN A MATCH LIKE THIS? >> I HAVE NEVER. 3803 01:52:34,915 --> 01:52:36,414 MATCH LIKE THIS? >> I HAVE NEVER. THIS IS UNBELIEVABLE. 3804 01:52:36,416 --> 01:52:37,449 >> I HAVE NEVER. THIS IS UNBELIEVABLE. SO FAST. 3805 01:52:37,451 --> 01:52:38,417 THIS IS UNBELIEVABLE. SO FAST. >> I DON'T KNOW IF WE'RE GONNA 3806 01:52:38,419 --> 01:52:40,452 SO FAST. >> I DON'T KNOW IF WE'RE GONNA GET ANYTHING OUT OF THEM. 3807 01:52:40,454 --> 01:52:41,653 >> I DON'T KNOW IF WE'RE GONNA GET ANYTHING OUT OF THEM. THESE MEN ARE JUST ABSOLUTELY 3808 01:52:41,655 --> 01:52:42,587 GET ANYTHING OUT OF THEM. THESE MEN ARE JUST ABSOLUTELY PHYSICALLY AND MENTALLY 3809 01:52:42,589 --> 01:52:44,422 THESE MEN ARE JUST ABSOLUTELY PHYSICALLY AND MENTALLY EXHAUSTED AFTER THIS ONE. 3810 01:52:44,424 --> 01:52:45,457 PHYSICALLY AND MENTALLY EXHAUSTED AFTER THIS ONE. DAVEY BOY SMITH, OUR 3811 01:52:45,459 --> 01:52:46,625 EXHAUSTED AFTER THIS ONE. DAVEY BOY SMITH, OUR CONGRATULATIONS. 3812 01:52:46,627 --> 01:52:47,459 DAVEY BOY SMITH, OUR CONGRATULATIONS. >> THANK YOU VERY MUCH, MEAN 3813 01:52:47,461 --> 01:52:49,361 CONGRATULATIONS. >> THANK YOU VERY MUCH, MEAN GENE. 3814 01:52:49,363 --> 01:52:51,363 >> THANK YOU VERY MUCH, MEAN GENE. AS WE TOLD ALL THE PEOPLE IN THE 3815 01:52:51,365 --> 01:52:53,465 GENE. AS WE TOLD ALL THE PEOPLE IN THE UNITED STATES OF AMERICA, IF WE 3816 01:52:53,467 --> 01:52:54,866 AS WE TOLD ALL THE PEOPLE IN THE UNITED STATES OF AMERICA, IF WE BECAME THE WORLD TAG TEAM 3817 01:52:54,868 --> 01:52:57,669 UNITED STATES OF AMERICA, IF WE BECAME THE WORLD TAG TEAM CHAMPIONS, WE WOULD STAY IN THE 3818 01:52:57,671 --> 01:52:59,738 BECAME THE WORLD TAG TEAM CHAMPIONS, WE WOULD STAY IN THE UNITED STATES OF AMERICA. 3819 01:52:59,740 --> 01:53:03,208 CHAMPIONS, WE WOULD STAY IN THE UNITED STATES OF AMERICA. THIS IS WHERE WE'RE GONNA STAYI. 3820 01:53:03,210 --> 01:53:04,476 UNITED STATES OF AMERICA. THIS IS WHERE WE'RE GONNA STAYI. THE DYNAMITE KID, AS YOU CAN 3821 01:53:04,478 --> 01:53:05,644 THIS IS WHERE WE'RE GONNA STAYI. THE DYNAMITE KID, AS YOU CAN SEE, UNABLE TO TALK. 3822 01:53:05,646 --> 01:53:06,711 THE DYNAMITE KID, AS YOU CAN SEE, UNABLE TO TALK. GORILLA MONSOON, LET'S GO BACK 3823 01:53:06,713 --> 01:53:07,512 SEE, UNABLE TO TALK. GORILLA MONSOON, LET'S GO BACK TO YOU. 3824 01:53:07,514 --> 01:53:08,446 GORILLA MONSOON, LET'S GO BACK TO YOU. THANK YOU. 3825 01:53:08,448 --> 01:53:09,081 TO YOU. THANK YOU. >> UNBELIEVABLE. 3826 01:53:09,083 --> 01:53:11,750 THANK YOU. >> UNBELIEVABLE. THANK YOU, GENE AND CATHY LEE. 3827 01:53:11,752 --> 01:53:14,519 >> UNBELIEVABLE. THANK YOU, GENE AND CATHY LEE. TREMENDOUS HAPPENING HERE IN THE 3828 01:53:14,521 --> 01:53:16,354 THANK YOU, GENE AND CATHY LEE. TREMENDOUS HAPPENING HERE IN THE ROSEMONT HORIZON. 3829 01:53:16,356 --> 01:53:17,956 TREMENDOUS HAPPENING HERE IN THE ROSEMONT HORIZON. HISTORY MADE AS PART OF 3830 01:53:17,958 --> 01:53:20,725 ROSEMONT HORIZON. HISTORY MADE AS PART OF WRESTLEMANIA 2, AS WE HAVE NEW 3831 01:53:20,727 --> 01:53:23,962 HISTORY MADE AS PART OF WRESTLEMANIA 2, AS WE HAVE NEW WORLD WRESTLING ENTERTAINMENT 3832 01:53:23,964 --> 01:53:24,997 WRESTLEMANIA 2, AS WE HAVE NEW WORLD WRESTLING ENTERTAINMENT TAG TEAM CHAMPIONS. 3833 01:53:24,999 --> 01:53:27,465 WORLD WRESTLING ENTERTAINMENT TAG TEAM CHAMPIONS. HERE'S HOW IT ALL WENT DOWN. 3834 01:53:27,467 --> 01:53:28,600 TAG TEAM CHAMPIONS. HERE'S HOW IT ALL WENT DOWN. LOOK AT THIS. 3835 01:53:28,602 --> 01:53:31,536 HERE'S HOW IT ALL WENT DOWN. LOOK AT THIS. DAVEY BOY RAMS THE HEAD OF THE 3836 01:53:31,538 --> 01:53:32,504 LOOK AT THIS. DAVEY BOY RAMS THE HEAD OF THE HAMMER RIGHT INTO HIS OWN 3837 01:53:32,506 --> 01:53:34,606 DAVEY BOY RAMS THE HEAD OF THE HAMMER RIGHT INTO HIS OWN PARTNER, THE DYNAMITE KID. 3838 01:53:34,608 --> 01:53:36,708 HAMMER RIGHT INTO HIS OWN PARTNER, THE DYNAMITE KID. BRUTUS NOT ABLE TO MAKE IT IN AS 3839 01:53:36,710 --> 01:53:38,376 PARTNER, THE DYNAMITE KID. BRUTUS NOT ABLE TO MAKE IT IN AS HE GOT HOOKED UP IN THAT BOTTOM 3840 01:53:38,378 --> 01:53:39,511 BRUTUS NOT ABLE TO MAKE IT IN AS HE GOT HOOKED UP IN THAT BOTTOM ROPE. 3841 01:53:39,513 --> 01:53:40,812 HE GOT HOOKED UP IN THAT BOTTOM ROPE. THE COUNT WENT DOWN. 3842 01:53:40,814 --> 01:53:43,281 ROPE. THE COUNT WENT DOWN. ONE, TWO, THREE. 3843 01:53:43,283 --> 01:53:44,416 THE COUNT WENT DOWN. ONE, TWO, THREE. IT WAS AN UNBELIEVABLE 3844 01:53:44,418 --> 01:53:45,617 ONE, TWO, THREE. IT WAS AN UNBELIEVABLE HAPPENING. 3845 01:53:45,619 --> 01:53:47,652 IT WAS AN UNBELIEVABLE HAPPENING. THE DYNAMITE KID JUST LITERALLY 3846 01:53:47,654 --> 01:53:50,589 HAPPENING. THE DYNAMITE KID JUST LITERALLY COLLAPSING OFF THE TURNBUCKLE 3847 01:53:50,591 --> 01:53:51,823 THE DYNAMITE KID JUST LITERALLY COLLAPSING OFF THE TURNBUCKLE AND HIT HIS HEAD RIGHT ON THE 3848 01:53:51,825 --> 01:53:53,592 COLLAPSING OFF THE TURNBUCKLE AND HIT HIS HEAD RIGHT ON THE CONCRETE FLOOR HERE IN THE 3849 01:53:53,594 --> 01:53:56,294 AND HIT HIS HEAD RIGHT ON THE CONCRETE FLOOR HERE IN THE ROSEMONT HORIZON, BUT THERE GO 3850 01:53:56,296 --> 01:53:58,597 CONCRETE FLOOR HERE IN THE ROSEMONT HORIZON, BUT THERE GO TWO VERY, VERY HAPPY 3851 01:53:58,599 --> 01:54:00,565 ROSEMONT HORIZON, BUT THERE GO TWO VERY, VERY HAPPY INDIVIDUALS, AND DAVEY BOY SMITH 3852 01:54:00,567 --> 01:54:02,401 TWO VERY, VERY HAPPY INDIVIDUALS, AND DAVEY BOY SMITH AND THE DYNAMITE KID, GORILLA 3853 01:54:02,403 --> 01:54:04,769 INDIVIDUALS, AND DAVEY BOY SMITH AND THE DYNAMITE KID, GORILLA MONSOON SAYING GOODBYE HERE FROM 3854 01:54:04,771 --> 01:54:06,572 AND THE DYNAMITE KID, GORILLA MONSOON SAYING GOODBYE HERE FROM THE BEAUTIFUL ROSEMONT HORIZON. 3855 01:54:06,574 --> 01:54:08,540 MONSOON SAYING GOODBYE HERE FROM THE BEAUTIFUL ROSEMONT HORIZON. LET'S GO TO VINCE AND SUSAN IN 3856 01:54:08,542 --> 01:54:09,341 THE BEAUTIFUL ROSEMONT HORIZON. LET'S GO TO VINCE AND SUSAN IN NEW YORK. 3857 01:54:09,343 --> 01:54:12,444 LET'S GO TO VINCE AND SUSAN IN NEW YORK. >> AND THANK YOU, GORILLA. 3858 01:54:12,446 --> 01:54:13,545 NEW YORK. >> AND THANK YOU, GORILLA. >> ALL RIGHT. 3859 01:54:13,547 --> 01:54:14,379 >> AND THANK YOU, GORILLA. >> ALL RIGHT. OFFICIAL NOW, SUSAN. 3860 01:54:14,381 --> 01:54:15,680 >> ALL RIGHT. OFFICIAL NOW, SUSAN. WE HAVE NEW TAG TEAM CHAMPIONS. 3861 01:54:15,682 --> 01:54:16,581 OFFICIAL NOW, SUSAN. WE HAVE NEW TAG TEAM CHAMPIONS. THE BRITISH BULLDOGS. 3862 01:54:16,583 --> 01:54:17,482 WE HAVE NEW TAG TEAM CHAMPIONS. THE BRITISH BULLDOGS. >> FANTASTIC. 3863 01:54:17,484 --> 01:54:18,783 THE BRITISH BULLDOGS. >> FANTASTIC. WHAT A MATCH. 3864 01:54:18,785 --> 01:54:19,651 >> FANTASTIC. WHAT A MATCH. IT WAS GREAT. 3865 01:54:19,653 --> 01:54:20,518 WHAT A MATCH. IT WAS GREAT. >> IT WAS INDEED A FABULOUS 3866 01:54:20,520 --> 01:54:21,253 IT WAS GREAT. >> IT WAS INDEED A FABULOUS MATCHUP. 3867 01:54:21,255 --> 01:54:22,154 >> IT WAS INDEED A FABULOUS MATCHUP. WE, OF COURSE, ARE LOOKING 3868 01:54:22,156 --> 01:54:23,488 MATCHUP. WE, OF COURSE, ARE LOOKING FORWARD TO THE LOS ANGELES 3869 01:54:23,490 --> 01:54:26,458 WE, OF COURSE, ARE LOOKING FORWARD TO THE LOS ANGELES PORTION COMING UP MOMENTARILY, 3870 01:54:26,460 --> 01:54:28,093 FORWARD TO THE LOS ANGELES PORTION COMING UP MOMENTARILY, AND OF COURSE, HULK HOGAN AND 3871 01:54:28,095 --> 01:54:28,961 PORTION COMING UP MOMENTARILY, AND OF COURSE, HULK HOGAN AND THE WORLD WRESTLING 3872 01:54:28,963 --> 01:54:31,630 AND OF COURSE, HULK HOGAN AND THE WORLD WRESTLING ENTERTAINMENT TITLE DEFENSE AS 3873 01:54:31,632 --> 01:54:33,565 THE WORLD WRESTLING ENTERTAINMENT TITLE DEFENSE AS THE HULKSTER SQUARES OFF AGAINST 3874 01:54:33,567 --> 01:54:34,532 ENTERTAINMENT TITLE DEFENSE AS THE HULKSTER SQUARES OFF AGAINST KING KONG BUNDY. 3875 01:54:34,534 --> 01:54:36,334 THE HULKSTER SQUARES OFF AGAINST KING KONG BUNDY. WE'LL LOOK FORWARD TO THAT AS 3876 01:54:36,336 --> 01:54:37,702 KING KONG BUNDY. WE'LL LOOK FORWARD TO THAT AS THE MAIN EVENT EMANATING FROM 3877 01:54:37,704 --> 01:54:38,536 WE'LL LOOK FORWARD TO THAT AS THE MAIN EVENT EMANATING FROM LOS ANGELES. 3878 01:54:38,538 --> 01:54:39,604 THE MAIN EVENT EMANATING FROM LOS ANGELES. ANY IDEA WHO'S GONNA WIN? 3879 01:54:39,606 --> 01:54:40,672 LOS ANGELES. ANY IDEA WHO'S GONNA WIN? >> WELL, THE HULK. 3880 01:54:40,674 --> 01:54:41,539 ANY IDEA WHO'S GONNA WIN? >> WELL, THE HULK. COME ON. 3881 01:54:41,541 --> 01:54:42,374 >> WELL, THE HULK. COME ON. FOR SURE. 3882 01:54:42,376 --> 01:54:43,375 COME ON. FOR SURE. DEFINITELY. 3883 01:54:43,377 --> 01:54:44,375 FOR SURE. DEFINITELY. >> WE WILL ALSO SEE, OF COURSE, 3884 01:54:44,377 --> 01:54:46,645 DEFINITELY. >> WE WILL ALSO SEE, OF COURSE, BOBBY THE BRAIN HEENAN AT THE 3885 01:54:46,647 --> 01:54:48,046 >> WE WILL ALSO SEE, OF COURSE, BOBBY THE BRAIN HEENAN AT THE SIDE OF KING KONG BUNDY. 3886 01:54:48,048 --> 01:54:48,714 BOBBY THE BRAIN HEENAN AT THE SIDE OF KING KONG BUNDY. I WONDER IF HE WILL BE A FACTOR 3887 01:54:48,716 --> 01:54:50,349 SIDE OF KING KONG BUNDY. I WONDER IF HE WILL BE A FACTOR IN THE MATCHUP. 3888 01:54:50,351 --> 01:54:51,383 I WONDER IF HE WILL BE A FACTOR IN THE MATCHUP. >> WELL, MAYBE HE'LL BE A 3889 01:54:51,385 --> 01:54:52,784 IN THE MATCHUP. >> WELL, MAYBE HE'LL BE A FACTOR, BUT I DON'T HAVE MY 3890 01:54:52,786 --> 01:54:54,386 >> WELL, MAYBE HE'LL BE A FACTOR, BUT I DON'T HAVE MY DOUBTS. 3891 01:54:54,388 --> 01:54:55,687 FACTOR, BUT I DON'T HAVE MY DOUBTS. >> WELL, NONETHELESS, IT'S A 3892 01:54:55,689 --> 01:54:57,722 DOUBTS. >> WELL, NONETHELESS, IT'S A STEEL CAGE MATCHUP, AND IN A 3893 01:54:57,724 --> 01:54:59,925 >> WELL, NONETHELESS, IT'S A STEEL CAGE MATCHUP, AND IN A STEEL CAGE, ANYTHING CAN HAPPEN. 3894 01:54:59,927 --> 01:55:01,559 STEEL CAGE MATCHUP, AND IN A STEEL CAGE, ANYTHING CAN HAPPEN. IT'S CLEARLY THE FIRST MAN OUT 3895 01:55:01,561 --> 01:55:02,861 STEEL CAGE, ANYTHING CAN HAPPEN. IT'S CLEARLY THE FIRST MAN OUT OF THE STEEL CAGE THE VICTOR, 3896 01:55:02,863 --> 01:55:03,728 IT'S CLEARLY THE FIRST MAN OUT OF THE STEEL CAGE THE VICTOR, AND IT COULD VERY WELL BE KING 3897 01:55:03,730 --> 01:55:05,497 OF THE STEEL CAGE THE VICTOR, AND IT COULD VERY WELL BE KING KONG WHO GOES THROUGH THE CAGE. 3898 01:55:05,499 --> 01:55:06,565 AND IT COULD VERY WELL BE KING KONG WHO GOES THROUGH THE CAGE. WHO KNOWS? 3899 01:55:06,567 --> 01:55:07,766 KONG WHO GOES THROUGH THE CAGE. WHO KNOWS? >> THIS IS TRUE. 3900 01:55:07,768 --> 01:55:08,467 WHO KNOWS? >> THIS IS TRUE. I CAN'T WAIT. 3901 01:55:08,469 --> 01:55:09,634 >> THIS IS TRUE. I CAN'T WAIT. >> THEN AGAIN, THE HULKSTER 3902 01:55:09,636 --> 01:55:10,769 I CAN'T WAIT. >> THEN AGAIN, THE HULKSTER COULD CLIMB TO THE TOP OF THE 3903 01:55:10,771 --> 01:55:11,503 >> THEN AGAIN, THE HULKSTER COULD CLIMB TO THE TOP OF THE MOUNTAIN. 3904 01:55:11,505 --> 01:55:12,337 COULD CLIMB TO THE TOP OF THE MOUNTAIN. HE'S BEEN THERE BEFORE, AND 3905 01:55:12,339 --> 01:55:14,539 MOUNTAIN. HE'S BEEN THERE BEFORE, AND INDEED HE HAS LOOKED BOTH WAYS. 3906 01:55:14,541 --> 01:55:16,775 HE'S BEEN THERE BEFORE, AND INDEED HE HAS LOOKED BOTH WAYS. HULK HOGAN UPCOMING IN LOS 3907 01:55:16,777 --> 01:55:17,742 INDEED HE HAS LOOKED BOTH WAYS. HULK HOGAN UPCOMING IN LOS ANGELES. 3908 01:55:17,744 --> 01:55:18,610 HULK HOGAN UPCOMING IN LOS ANGELES. THE WORLD WRESTLING 3909 01:55:18,612 --> 01:55:19,978 ANGELES. THE WORLD WRESTLING ENTERTAINMENT TITLE DEFENSE AS 3910 01:55:19,980 --> 01:55:21,446 THE WORLD WRESTLING ENTERTAINMENT TITLE DEFENSE AS THE HULKSTER PREPARES TO DEFEND 3911 01:55:21,448 --> 01:55:23,481 ENTERTAINMENT TITLE DEFENSE AS THE HULKSTER PREPARES TO DEFEND THE TITLE IN THE STEEL CAGE MAIN 3912 01:55:23,483 --> 01:55:25,884 THE HULKSTER PREPARES TO DEFEND THE TITLE IN THE STEEL CAGE MAIN EVENT AGAINST KING KONG BUNDY. 3913 01:55:25,886 --> 01:55:27,686 THE TITLE IN THE STEEL CAGE MAIN EVENT AGAINST KING KONG BUNDY. WE ANXIOUSLY AWAIT THAT. 3914 01:55:27,688 --> 01:55:28,720 EVENT AGAINST KING KONG BUNDY. WE ANXIOUSLY AWAIT THAT. >> THIS IS JESSE THE BODY 3915 01:55:28,722 --> 01:55:29,854 WE ANXIOUSLY AWAIT THAT. >> THIS IS JESSE THE BODY VENTURA. 3916 01:55:29,856 --> 01:55:31,523 >> THIS IS JESSE THE BODY VENTURA. WELCOME TO WRESTLEMANIA 2. 3917 01:55:31,525 --> 01:55:33,458 VENTURA. WELCOME TO WRESTLEMANIA 2. RIGHT HERE IN LOS ANGELES, 3918 01:55:33,460 --> 01:55:34,293 WELCOME TO WRESTLEMANIA 2. RIGHT HERE IN LOS ANGELES, CALIFORNIA. 3919 01:55:34,295 --> 01:55:36,594 RIGHT HERE IN LOS ANGELES, CALIFORNIA. JOINING ME TONIGHT, HIS LORDSHIP 3920 01:55:36,596 --> 01:55:39,297 CALIFORNIA. JOINING ME TONIGHT, HIS LORDSHIP LORD ALFRED HAYES, ALONG WITH 3921 01:55:39,299 --> 01:55:41,599 JOINING ME TONIGHT, HIS LORDSHIP LORD ALFRED HAYES, ALONG WITH BEAUTIFUL ELVIRA. 3922 01:55:41,601 --> 01:55:43,635 LORD ALFRED HAYES, ALONG WITH BEAUTIFUL ELVIRA. WHAT A PAIR WE MAKE RIGHT HERE 3923 01:55:43,637 --> 01:55:44,502 BEAUTIFUL ELVIRA. WHAT A PAIR WE MAKE RIGHT HERE AT RINGSIDE. 3924 01:55:44,504 --> 01:55:45,603 WHAT A PAIR WE MAKE RIGHT HERE AT RINGSIDE. WE'VE GOT SOME OF THE GREATEST 3925 01:55:45,605 --> 01:55:47,505 AT RINGSIDE. WE'VE GOT SOME OF THE GREATEST MATCHES, LORD ALFRED HAYES, 3926 01:55:47,507 --> 01:55:48,440 WE'VE GOT SOME OF THE GREATEST MATCHES, LORD ALFRED HAYES, STARTING OFF WITH RICKY "THE 3927 01:55:48,442 --> 01:55:50,342 MATCHES, LORD ALFRED HAYES, STARTING OFF WITH RICKY "THE DRAGON" STEAMBOAT GOING AGAINST 3928 01:55:50,344 --> 01:55:51,476 STARTING OFF WITH RICKY "THE DRAGON" STEAMBOAT GOING AGAINST HERCULES HERNANDEZ. 3929 01:55:51,478 --> 01:55:53,378 DRAGON" STEAMBOAT GOING AGAINST HERCULES HERNANDEZ. >> YEP, AND WE HAVE A WORLD 3930 01:55:53,380 --> 01:55:54,813 HERCULES HERNANDEZ. >> YEP, AND WE HAVE A WORLD HEAVYWEIGHT CHAMPIONSHIP IN A 3931 01:55:54,815 --> 01:55:56,581 >> YEP, AND WE HAVE A WORLD HEAVYWEIGHT CHAMPIONSHIP IN A CAGE, AND YOU KNOW WHO THAT'S 3932 01:55:56,583 --> 01:55:57,549 HEAVYWEIGHT CHAMPIONSHIP IN A CAGE, AND YOU KNOW WHO THAT'S BETWEEN, DON'T YOU? 3933 01:55:57,551 --> 01:55:58,450 CAGE, AND YOU KNOW WHO THAT'S BETWEEN, DON'T YOU? >> THAT'S RIGHT. 3934 01:55:58,452 --> 01:55:59,618 BETWEEN, DON'T YOU? >> THAT'S RIGHT. HULK HOGAN AGAINST KING KONG 3935 01:55:59,620 --> 01:56:01,219 >> THAT'S RIGHT. HULK HOGAN AGAINST KING KONG BUNDY, ALONG WITH A TREMENDOUS 3936 01:56:01,221 --> 01:56:03,655 HULK HOGAN AGAINST KING KONG BUNDY, ALONG WITH A TREMENDOUS TAG MATCH: THE FUNK BROTHERS 3937 01:56:03,657 --> 01:56:05,357 BUNDY, ALONG WITH A TREMENDOUS TAG MATCH: THE FUNK BROTHERS AGAINST THE JUNKYARD DOG AND 3938 01:56:05,359 --> 01:56:06,725 TAG MATCH: THE FUNK BROTHERS AGAINST THE JUNKYARD DOG AND TITO SANTANA. 3939 01:56:06,727 --> 01:56:07,859 AGAINST THE JUNKYARD DOG AND TITO SANTANA. >> AND DON'T FORGET WE HAVE 3940 01:56:07,861 --> 01:56:09,761 TITO SANTANA. >> AND DON'T FORGET WE HAVE ADORABLE ADONIS. 3941 01:56:09,763 --> 01:56:11,496 >> AND DON'T FORGET WE HAVE ADORABLE ADONIS. >> ADORABLE ADRIAN WILL TAKE ON 3942 01:56:11,498 --> 01:56:12,664 ADORABLE ADONIS. >> ADORABLE ADRIAN WILL TAKE ON UNCLE ELMER. 3943 01:56:12,666 --> 01:56:13,565 >> ADORABLE ADRIAN WILL TAKE ON UNCLE ELMER. ELVIRA, HOW DO YOU FEEL TONIGHT? 3944 01:56:13,567 --> 01:56:14,633 UNCLE ELMER. ELVIRA, HOW DO YOU FEEL TONIGHT? ARE YOU READY? 3945 01:56:14,635 --> 01:56:15,434 ELVIRA, HOW DO YOU FEEL TONIGHT? ARE YOU READY? >> YEAH. 3946 01:56:15,436 --> 01:56:16,234 ARE YOU READY? >> YEAH. I THINK IT'S GREAT TO BE HERE 3947 01:56:16,236 --> 01:56:17,602 >> YEAH. I THINK IT'S GREAT TO BE HERE WITH SO MUCH FLESH AND VIOLENCE. 3948 01:56:17,604 --> 01:56:19,304 I THINK IT'S GREAT TO BE HERE WITH SO MUCH FLESH AND VIOLENCE. WHAT PLACE [INDISTINCT] . 3949 01:56:19,306 --> 01:56:20,706 WITH SO MUCH FLESH AND VIOLENCE. WHAT PLACE [INDISTINCT] . IT'S VERY IMPRESSIVE. 3950 01:56:20,708 --> 01:56:21,606 WHAT PLACE [INDISTINCT] . IT'S VERY IMPRESSIVE. >> ALL RIGHT. 3951 01:56:21,608 --> 01:56:23,675 IT'S VERY IMPRESSIVE. >> ALL RIGHT. GET READY BECAUSE WE'RE GETTING 3952 01:56:23,677 --> 01:56:25,910 >> ALL RIGHT. GET READY BECAUSE WE'RE GETTING READY TO GO WRESTLEMANIA 2 LIVE 3953 01:56:25,912 --> 01:56:31,783 GET READY BECAUSE WE'RE GETTING READY TO GO WRESTLEMANIA 2 LIVE FROM LOS ANGELES. 3954 01:56:31,785 --> 01:56:33,018 READY TO GO WRESTLEMANIA 2 LIVE FROM LOS ANGELES. [ BELL RINGING ] 3955 01:56:33,020 --> 01:56:35,420 FROM LOS ANGELES. [ BELL RINGING ] >> LADIES AND GENTLEMEN, THIS 3956 01:56:35,422 --> 01:56:36,588 [ BELL RINGING ] >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE 3957 01:56:36,590 --> 01:56:38,657 >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE FALL WITH A 20-MINUTE TIME 3958 01:56:38,659 --> 01:56:40,459 CONTEST IS SCHEDULED FOR ONE FALL WITH A 20-MINUTE TIME LIMIT. 3959 01:56:40,461 --> 01:56:42,494 FALL WITH A 20-MINUTE TIME LIMIT. INTRODUCING FIRST, TO MY LEFT, 3960 01:56:42,496 --> 01:56:44,929 LIMIT. INTRODUCING FIRST, TO MY LEFT, FROM TAMPA, FLORIDA, WEIGHING 3961 01:56:44,931 --> 01:56:51,736 INTRODUCING FIRST, TO MY LEFT, FROM TAMPA, FLORIDA, WEIGHING 265 POUNDS: HERCULES HERNANDEZ! 3962 01:56:51,738 --> 01:56:56,641 FROM TAMPA, FLORIDA, WEIGHING 265 POUNDS: HERCULES HERNANDEZ! [ BELL RINGING ] 3963 01:56:56,643 --> 01:56:57,676 265 POUNDS: HERCULES HERNANDEZ! [ BELL RINGING ] >> AND HIS OPPONENT, FROM 3964 01:56:57,678 --> 01:57:01,679 [ BELL RINGING ] >> AND HIS OPPONENT, FROM HAWAII, WEIGHING 237 POUNDS: 3965 01:57:01,681 --> 01:57:06,551 >> AND HIS OPPONENT, FROM HAWAII, WEIGHING 237 POUNDS: RICKY "THE DRAGON" STEAMBOAT! 3966 01:57:06,553 --> 01:57:17,495 HAWAII, WEIGHING 237 POUNDS: RICKY "THE DRAGON" STEAMBOAT! [ BELL RINGING ] 3967 01:57:17,497 --> 01:57:19,464 RICKY "THE DRAGON" STEAMBOAT! [ BELL RINGING ] >> WE HAVE HERCULES HERNANDEZ, 3968 01:57:19,466 --> 01:57:20,799 [ BELL RINGING ] >> WE HAVE HERCULES HERNANDEZ, AND HE'S REALLY GOING TO TOWN ON 3969 01:57:20,801 --> 01:57:23,335 >> WE HAVE HERCULES HERNANDEZ, AND HE'S REALLY GOING TO TOWN ON RICKY STEAMBOAT. 3970 01:57:23,337 --> 01:57:25,403 AND HE'S REALLY GOING TO TOWN ON RICKY STEAMBOAT. NOT GIVING STEAMBOAT A CHANCE IN 3971 01:57:25,405 --> 01:57:26,471 RICKY STEAMBOAT. NOT GIVING STEAMBOAT A CHANCE IN THE BEGINNING. 3972 01:57:26,473 --> 01:57:26,938 NOT GIVING STEAMBOAT A CHANCE IN THE BEGINNING. >> THAT'S RIGHT. 3973 01:57:26,940 --> 01:57:28,473 THE BEGINNING. >> THAT'S RIGHT. I'LL TELL YOU, LORD ALFRED 3974 01:57:28,475 --> 01:57:29,474 >> THAT'S RIGHT. I'LL TELL YOU, LORD ALFRED HAYES: HERCULES HERNANDEZ JUMPED 3975 01:57:29,476 --> 01:57:31,576 I'LL TELL YOU, LORD ALFRED HAYES: HERCULES HERNANDEZ JUMPED THE DRAGON RIGHT OFF THE START 3976 01:57:31,578 --> 01:57:33,611 HAYES: HERCULES HERNANDEZ JUMPED THE DRAGON RIGHT OFF THE START AND I BELIEVE HE'S GOING OUT FOR 3977 01:57:33,613 --> 01:57:34,612 THE DRAGON RIGHT OFF THE START AND I BELIEVE HE'S GOING OUT FOR A QUICK WIN TONIGHT. 3978 01:57:34,614 --> 01:57:35,647 AND I BELIEVE HE'S GOING OUT FOR A QUICK WIN TONIGHT. >> WELL, I THINK HE TOOK A VERY 3979 01:57:35,649 --> 01:57:38,583 A QUICK WIN TONIGHT. >> WELL, I THINK HE TOOK A VERY UNFAIR ADVANTAGE THERE, JESSE, 3980 01:57:38,585 --> 01:57:40,585 >> WELL, I THINK HE TOOK A VERY UNFAIR ADVANTAGE THERE, JESSE, AND LOOK AT THAT LOVELY MOVE. 3981 01:57:40,587 --> 01:57:40,852 UNFAIR ADVANTAGE THERE, JESSE, AND LOOK AT THAT LOVELY MOVE. >> HEY. 3982 01:57:40,854 --> 01:57:42,420 AND LOOK AT THAT LOVELY MOVE. >> HEY. >> STEAMBOAT COMING BACK TWICE 3983 01:57:42,422 --> 01:57:43,355 >> HEY. >> STEAMBOAT COMING BACK TWICE ON THE REFLEX. 3984 01:57:43,357 --> 01:57:44,790 >> STEAMBOAT COMING BACK TWICE ON THE REFLEX. PUT TWO MOVES TOGETHER, AND NOW 3985 01:57:44,792 --> 01:57:46,591 ON THE REFLEX. PUT TWO MOVES TOGETHER, AND NOW STRONG, HAS DEALT WITH HIM. 3986 01:57:46,593 --> 01:57:50,328 PUT TWO MOVES TOGETHER, AND NOW STRONG, HAS DEALT WITH HIM. A CLOTHESLINE OFF THE ROPES. 3987 01:57:50,330 --> 01:57:51,596 STRONG, HAS DEALT WITH HIM. A CLOTHESLINE OFF THE ROPES. A TURNOVER WITH AN ARM DRIVE. 3988 01:57:51,598 --> 01:57:53,631 A CLOTHESLINE OFF THE ROPES. A TURNOVER WITH AN ARM DRIVE. TWO ARM DRIVES. 3989 01:57:53,633 --> 01:57:54,833 A TURNOVER WITH AN ARM DRIVE. TWO ARM DRIVES. AND NOW TAKING CONTROL OF THIS 3990 01:57:54,835 --> 01:57:58,636 TWO ARM DRIVES. AND NOW TAKING CONTROL OF THIS MATCH IS RICKY STEAMBOAT. 3991 01:57:58,638 --> 01:58:00,639 AND NOW TAKING CONTROL OF THIS MATCH IS RICKY STEAMBOAT. >> WELL, I'LL TELL YOU, LORD, 3992 01:58:00,641 --> 01:58:01,506 MATCH IS RICKY STEAMBOAT. >> WELL, I'LL TELL YOU, LORD, I'VE SAID IT BEFORE. 3993 01:58:01,508 --> 01:58:02,574 >> WELL, I'LL TELL YOU, LORD, I'VE SAID IT BEFORE. I'LL SAY IT AGAIN. 3994 01:58:02,576 --> 01:58:03,708 I'VE SAID IT BEFORE. I'LL SAY IT AGAIN. ALL IS FAIR IN LOVE AND WAR, AND 3995 01:58:03,710 --> 01:58:05,710 I'LL SAY IT AGAIN. ALL IS FAIR IN LOVE AND WAR, AND I'M SURE ENOUGH YOU'RE WITH ME 3996 01:58:05,712 --> 01:58:06,644 ALL IS FAIR IN LOVE AND WAR, AND I'M SURE ENOUGH YOU'RE WITH ME ON THERE. 3997 01:58:06,646 --> 01:58:09,380 I'M SURE ENOUGH YOU'RE WITH ME ON THERE. >> YOU MAY THINK THAT'S FAIR, 3998 01:58:09,382 --> 01:58:10,548 ON THERE. >> YOU MAY THINK THAT'S FAIR, JESSE, BUT WHAT'S HAPPENING 3999 01:58:10,550 --> 01:58:12,384 >> YOU MAY THINK THAT'S FAIR, JESSE, BUT WHAT'S HAPPENING RIGHT NOW IS A LITTLE LESS THAN 4000 01:58:12,386 --> 01:58:14,586 JESSE, BUT WHAT'S HAPPENING RIGHT NOW IS A LITTLE LESS THAN FAIR BECAUSE STEAMBOAT HAS JUST 4001 01:58:14,588 --> 01:58:16,521 RIGHT NOW IS A LITTLE LESS THAN FAIR BECAUSE STEAMBOAT HAS JUST PRACTICALLY TAKEN THE ARM OUT OF 4002 01:58:16,523 --> 01:58:18,323 FAIR BECAUSE STEAMBOAT HAS JUST PRACTICALLY TAKEN THE ARM OUT OF THE SOCKET OF HERCULES 4003 01:58:18,325 --> 01:58:23,395 PRACTICALLY TAKEN THE ARM OUT OF THE SOCKET OF HERCULES HERNANDEZ. 4004 01:58:23,397 --> 01:58:24,362 THE SOCKET OF HERCULES HERNANDEZ. A LOVER'S STATE FOR BOTH THESE 4005 01:58:24,364 --> 01:58:27,799 HERNANDEZ. A LOVER'S STATE FOR BOTH THESE MEN AS THEY BATTLE EACH OTHER, 4006 01:58:27,801 --> 01:58:28,600 A LOVER'S STATE FOR BOTH THESE MEN AS THEY BATTLE EACH OTHER, BECAUSE EACH OF THEM IS A 4007 01:58:28,602 --> 01:58:30,702 MEN AS THEY BATTLE EACH OTHER, BECAUSE EACH OF THEM IS A LOGICAL CONTENDER FOR THAT 4008 01:58:30,704 --> 01:58:32,470 BECAUSE EACH OF THEM IS A LOGICAL CONTENDER FOR THAT INTERCONTINENTAL HEAVYWEIGHT 4009 01:58:32,472 --> 01:58:37,409 LOGICAL CONTENDER FOR THAT INTERCONTINENTAL HEAVYWEIGHT CHAMPIONSHIP, AND A WIN OR A 4010 01:58:37,411 --> 01:58:38,743 INTERCONTINENTAL HEAVYWEIGHT CHAMPIONSHIP, AND A WIN OR A LOSS COULD BE ABSOLUTELY 4011 01:58:38,745 --> 01:58:39,477 CHAMPIONSHIP, AND A WIN OR A LOSS COULD BE ABSOLUTELY CRITICAL. 4012 01:58:39,479 --> 01:58:41,613 LOSS COULD BE ABSOLUTELY CRITICAL. A NICE MOVE BY STEAMBOAT. 4013 01:58:41,615 --> 01:58:43,615 CRITICAL. A NICE MOVE BY STEAMBOAT. A SCISSOR BY STEAMBOAT, AND DOWN 4014 01:58:43,617 --> 01:58:47,419 A NICE MOVE BY STEAMBOAT. A SCISSOR BY STEAMBOAT, AND DOWN GOES HERNANDEZ. 4015 01:58:47,421 --> 01:58:48,486 A SCISSOR BY STEAMBOAT, AND DOWN GOES HERNANDEZ. STEAMBOAT WITH ANOTHER ARM 4016 01:58:48,488 --> 01:58:49,521 GOES HERNANDEZ. STEAMBOAT WITH ANOTHER ARM DRIVE. 4017 01:58:49,523 --> 01:58:50,321 STEAMBOAT WITH ANOTHER ARM DRIVE. >> WELL, I'LL TELL YOU, LORD, 4018 01:58:50,323 --> 01:58:51,857 DRIVE. >> WELL, I'LL TELL YOU, LORD, YOU KNOW, RICKY STEAMBOAT'S 4019 01:58:51,859 --> 01:58:53,791 >> WELL, I'LL TELL YOU, LORD, YOU KNOW, RICKY STEAMBOAT'S USING HIS SPEED TO HIS ADVANTAGE 4020 01:58:53,793 --> 01:58:54,526 YOU KNOW, RICKY STEAMBOAT'S USING HIS SPEED TO HIS ADVANTAGE RIGHT NOW. 4021 01:58:54,528 --> 01:58:55,894 USING HIS SPEED TO HIS ADVANTAGE RIGHT NOW. WHAT HERNANDEZ HAS GOT TO DO: 4022 01:58:55,896 --> 01:58:57,295 RIGHT NOW. WHAT HERNANDEZ HAS GOT TO DO: HE'S GOT TO GET STEAMBOAT DOWN 4023 01:58:57,297 --> 01:58:58,630 WHAT HERNANDEZ HAS GOT TO DO: HE'S GOT TO GET STEAMBOAT DOWN ON THAT MAT AND HE'S GOT TO USE 4024 01:58:58,632 --> 01:59:00,198 HE'S GOT TO GET STEAMBOAT DOWN ON THAT MAT AND HE'S GOT TO USE THAT POWERFUL STRIKE OF HIS 4025 01:59:00,200 --> 01:59:01,600 ON THAT MAT AND HE'S GOT TO USE THAT POWERFUL STRIKE OF HIS AGAINST RICKY "THE DRAGON." 4026 01:59:01,602 --> 01:59:03,434 THAT POWERFUL STRIKE OF HIS AGAINST RICKY "THE DRAGON." IF HE TRIES TO GO MOVE FOR MOVE 4027 01:59:03,436 --> 01:59:04,569 AGAINST RICKY "THE DRAGON." IF HE TRIES TO GO MOVE FOR MOVE WITH HIM IT'S NOT GONNA WORK FOR 4028 01:59:04,571 --> 01:59:05,737 IF HE TRIES TO GO MOVE FOR MOVE WITH HIM IT'S NOT GONNA WORK FOR HIM. 4029 01:59:05,739 --> 01:59:08,439 WITH HIM IT'S NOT GONNA WORK FOR HIM. >> AT THE MOMENT, JESSE, 4030 01:59:08,441 --> 01:59:10,508 HIM. >> AT THE MOMENT, JESSE, STEAMBOAT IS IN FULL CONTROL OF 4031 01:59:10,510 --> 01:59:12,410 >> AT THE MOMENT, JESSE, STEAMBOAT IS IN FULL CONTROL OF THIS MATCH, AND HERCULES 4032 01:59:12,412 --> 01:59:14,445 STEAMBOAT IS IN FULL CONTROL OF THIS MATCH, AND HERCULES HERNANDEZ HAS NOT BEEN ABLE TO 4033 01:59:14,447 --> 01:59:16,648 THIS MATCH, AND HERCULES HERNANDEZ HAS NOT BEEN ABLE TO MUSTER ANY SORT OF OFFENSIVE AT 4034 01:59:16,650 --> 01:59:19,417 HERNANDEZ HAS NOT BEEN ABLE TO MUSTER ANY SORT OF OFFENSIVE AT ALL AGAINST HIM. 4035 01:59:19,419 --> 01:59:21,419 MUSTER ANY SORT OF OFFENSIVE AT ALL AGAINST HIM. NOW WE HAVE STEAMBOAT JUST GOING 4036 01:59:21,421 --> 01:59:23,788 ALL AGAINST HIM. NOW WE HAVE STEAMBOAT JUST GOING TO TOWN ON THE LEFT ARM OF 4037 01:59:23,790 --> 01:59:26,625 NOW WE HAVE STEAMBOAT JUST GOING TO TOWN ON THE LEFT ARM OF HERNANDEZ, AND EVEN THAT 4038 01:59:26,627 --> 01:59:28,726 TO TOWN ON THE LEFT ARM OF HERNANDEZ, AND EVEN THAT TREMENDOUS, TOWERING STRENGTH OF 4039 01:59:28,728 --> 01:59:30,629 HERNANDEZ, AND EVEN THAT TREMENDOUS, TOWERING STRENGTH OF HERNANDEZ DOESN'T SEEM TO BE 4040 01:59:30,631 --> 01:59:33,798 TREMENDOUS, TOWERING STRENGTH OF HERNANDEZ DOESN'T SEEM TO BE HOLDING TOO MUCH AVAIL AGAINST 4041 01:59:33,800 --> 01:59:36,367 HERNANDEZ DOESN'T SEEM TO BE HOLDING TOO MUCH AVAIL AGAINST STEAMBOAT, WHO'S OBVIOUSLY VERY 4042 01:59:36,369 --> 01:59:38,536 HOLDING TOO MUCH AVAIL AGAINST STEAMBOAT, WHO'S OBVIOUSLY VERY MUCH ON FIRE FOR THIS MATCH. 4043 01:59:38,538 --> 01:59:39,971 STEAMBOAT, WHO'S OBVIOUSLY VERY MUCH ON FIRE FOR THIS MATCH. >> ALFRED HAYES, I HAVE TO ASK 4044 01:59:39,973 --> 01:59:41,506 MUCH ON FIRE FOR THIS MATCH. >> ALFRED HAYES, I HAVE TO ASK ELVIRA SOMETHING HERE. 4045 01:59:41,508 --> 01:59:42,607 >> ALFRED HAYES, I HAVE TO ASK ELVIRA SOMETHING HERE. WHAT IS THE PURPOSE, DO YOU 4046 01:59:42,609 --> 01:59:44,409 ELVIRA SOMETHING HERE. WHAT IS THE PURPOSE, DO YOU THINK, FOR STEAMBOAT, AND THAT 4047 01:59:44,411 --> 01:59:46,311 WHAT IS THE PURPOSE, DO YOU THINK, FOR STEAMBOAT, AND THAT LITTLE SCARF AROUND HIS KNEE? 4048 01:59:46,313 --> 01:59:46,844 THINK, FOR STEAMBOAT, AND THAT LITTLE SCARF AROUND HIS KNEE? >> I DON'T KNOW. 4049 01:59:46,846 --> 01:59:47,679 LITTLE SCARF AROUND HIS KNEE? >> I DON'T KNOW. HE LOOKS KIND OF LIKE A WIMP TO 4050 01:59:47,681 --> 01:59:48,713 >> I DON'T KNOW. HE LOOKS KIND OF LIKE A WIMP TO ME WITH THAT ON. 4051 01:59:48,715 --> 01:59:49,781 HE LOOKS KIND OF LIKE A WIMP TO ME WITH THAT ON. WOULDN'T YOU SAY SO, JESSE? 4052 01:59:49,783 --> 01:59:50,715 ME WITH THAT ON. WOULDN'T YOU SAY SO, JESSE? >> YEAH. 4053 01:59:50,717 --> 01:59:51,649 WOULDN'T YOU SAY SO, JESSE? >> YEAH. HE LOOKS PRETTY WIMPY TO ME, 4054 01:59:51,651 --> 01:59:52,283 >> YEAH. HE LOOKS PRETTY WIMPY TO ME, HAYES. 4055 01:59:52,285 --> 01:59:53,218 HE LOOKS PRETTY WIMPY TO ME, HAYES. WHAT'S YOUR COMMENT ON THAT? 4056 01:59:53,220 --> 01:59:53,818 HAYES. WHAT'S YOUR COMMENT ON THAT? >> OH! 4057 01:59:53,820 --> 01:59:54,485 WHAT'S YOUR COMMENT ON THAT? >> OH! >> JUST LOOK AT HIM GOING TO 4058 01:59:54,487 --> 01:59:55,386 >> OH! >> JUST LOOK AT HIM GOING TO TOWN. 4059 01:59:55,388 --> 01:59:55,987 >> JUST LOOK AT HIM GOING TO TOWN. NOW, THERE'S ANOTHER WHIP. 4060 01:59:55,989 --> 01:59:56,588 TOWN. NOW, THERE'S ANOTHER WHIP. BEAUTIFUL. 4061 01:59:56,590 --> 01:59:58,590 NOW, THERE'S ANOTHER WHIP. BEAUTIFUL. BY STEAMBOAT. 4062 01:59:58,592 --> 02:00:01,593 BEAUTIFUL. BY STEAMBOAT. ANOTHER LEAP BY STEAMBOAT. 4063 02:00:01,595 --> 02:00:03,595 BY STEAMBOAT. ANOTHER LEAP BY STEAMBOAT. A BACKHAND DONE BY STEAMBOAT. 4064 02:00:03,597 --> 02:00:04,729 ANOTHER LEAP BY STEAMBOAT. A BACKHAND DONE BY STEAMBOAT. HERNANDEZ IS DOWN AND HE'S MADE 4065 02:00:04,731 --> 02:00:05,830 A BACKHAND DONE BY STEAMBOAT. HERNANDEZ IS DOWN AND HE'S MADE IT TO THE HIGH GROUND. 4066 02:00:05,832 --> 02:00:06,664 HERNANDEZ IS DOWN AND HE'S MADE IT TO THE HIGH GROUND. >> YEAH. 4067 02:00:06,666 --> 02:00:07,498 IT TO THE HIGH GROUND. >> YEAH. >> HE GOT CAUGHT WITH A VICIOUS 4068 02:00:07,500 --> 02:00:08,766 >> YEAH. >> HE GOT CAUGHT WITH A VICIOUS ELBOW THERE. 4069 02:00:08,768 --> 02:00:09,601 >> HE GOT CAUGHT WITH A VICIOUS ELBOW THERE. >> HE SURE DID, HE'S FLIPPIN' 4070 02:00:09,603 --> 02:00:10,802 ELBOW THERE. >> HE SURE DID, HE'S FLIPPIN' LIKE A FISH THE MIDDLE OF THE 4071 02:00:10,804 --> 02:00:12,370 >> HE SURE DID, HE'S FLIPPIN' LIKE A FISH THE MIDDLE OF THE RING NOW. 4072 02:00:12,372 --> 02:00:14,439 LIKE A FISH THE MIDDLE OF THE RING NOW. >> NICE BACKWARD SUPLEX BY 4073 02:00:14,441 --> 02:00:15,707 RING NOW. >> NICE BACKWARD SUPLEX BY STEAMBOAT. 4074 02:00:15,709 --> 02:00:16,941 >> NICE BACKWARD SUPLEX BY STEAMBOAT. THAT COULD BE VERY DAMAGING, 4075 02:00:16,943 --> 02:00:17,642 STEAMBOAT. THAT COULD BE VERY DAMAGING, INDEED! 4076 02:00:17,644 --> 02:00:19,711 THAT COULD BE VERY DAMAGING, INDEED! IN FACT, HERNANDEZ, SO FAR, HAS 4077 02:00:19,713 --> 02:00:21,813 INDEED! IN FACT, HERNANDEZ, SO FAR, HAS BEEN REALLY INEFFECTIVE. 4078 02:00:21,815 --> 02:00:23,548 IN FACT, HERNANDEZ, SO FAR, HAS BEEN REALLY INEFFECTIVE. >> WELL, HE GOT OFF TO A FAST 4079 02:00:23,550 --> 02:00:24,782 BEEN REALLY INEFFECTIVE. >> WELL, HE GOT OFF TO A FAST START, ALFRED HAYES, BUT THEN 4080 02:00:24,784 --> 02:00:26,585 >> WELL, HE GOT OFF TO A FAST START, ALFRED HAYES, BUT THEN STEAMBOAT HAS SLOWED HIM DOWN, 4081 02:00:26,587 --> 02:00:27,852 START, ALFRED HAYES, BUT THEN STEAMBOAT HAS SLOWED HIM DOWN, AND IT'S BEEN ALL RICKY 4082 02:00:27,854 --> 02:00:28,686 STEAMBOAT HAS SLOWED HIM DOWN, AND IT'S BEEN ALL RICKY STEAMBOAT RIGHT NOW. 4083 02:00:28,688 --> 02:00:30,088 AND IT'S BEEN ALL RICKY STEAMBOAT RIGHT NOW. HERNANDEZ IS GONNA HAVE TO GO TO 4084 02:00:30,090 --> 02:00:31,656 STEAMBOAT RIGHT NOW. HERNANDEZ IS GONNA HAVE TO GO TO SOME VIOLENT RULE BREAKING. 4085 02:00:31,658 --> 02:00:32,624 HERNANDEZ IS GONNA HAVE TO GO TO SOME VIOLENT RULE BREAKING. >> HE SURE IS. 4086 02:00:32,626 --> 02:00:33,625 SOME VIOLENT RULE BREAKING. >> HE SURE IS. HE BETTER GET IN THERE RIGHT 4087 02:00:33,627 --> 02:00:34,626 >> HE SURE IS. HE BETTER GET IN THERE RIGHT AWAY. 4088 02:00:34,628 --> 02:00:35,627 HE BETTER GET IN THERE RIGHT AWAY. >> OH! 4089 02:00:35,629 --> 02:00:35,960 AWAY. >> OH! >> OOH! 4090 02:00:35,962 --> 02:00:36,694 >> OH! >> OOH! >> OH, MY! 4091 02:00:36,696 --> 02:00:37,662 >> OOH! >> OH, MY! >> OH, WOW! 4092 02:00:37,664 --> 02:00:38,730 >> OH, MY! >> OH, WOW! >> THAT WAS A VICIOUS, VICIOUS 4093 02:00:38,732 --> 02:00:40,732 >> OH, WOW! >> THAT WAS A VICIOUS, VICIOUS HERCULES HERNANDEZ CLOTHESLINE 4094 02:00:40,734 --> 02:00:42,400 >> THAT WAS A VICIOUS, VICIOUS HERCULES HERNANDEZ CLOTHESLINE RIGHT THERE, ALFRED HAYES. 4095 02:00:42,402 --> 02:00:43,468 HERCULES HERNANDEZ CLOTHESLINE RIGHT THERE, ALFRED HAYES. >> NEARLY TOOK THE HEAD OF 4096 02:00:43,470 --> 02:00:44,535 RIGHT THERE, ALFRED HAYES. >> NEARLY TOOK THE HEAD OF STEAMBOAT RIGHT OFF. 4097 02:00:44,537 --> 02:00:45,169 >> NEARLY TOOK THE HEAD OF STEAMBOAT RIGHT OFF. >> THAT'S WHAT HE'S GOT TO DO 4098 02:00:45,171 --> 02:00:45,737 STEAMBOAT RIGHT OFF. >> THAT'S WHAT HE'S GOT TO DO NOW. 4099 02:00:45,739 --> 02:00:46,771 >> THAT'S WHAT HE'S GOT TO DO NOW. HE'S GOT HIM DOWN ON THE MAT, 4100 02:00:46,773 --> 02:00:47,739 NOW. HE'S GOT HIM DOWN ON THE MAT, HE'S GOT TO GET NASTY WITH HIM 4101 02:00:47,741 --> 02:00:49,274 HE'S GOT HIM DOWN ON THE MAT, HE'S GOT TO GET NASTY WITH HIM HERE. 4102 02:00:49,276 --> 02:00:50,575 HE'S GOT TO GET NASTY WITH HIM HERE. >> BOOM! 4103 02:00:50,577 --> 02:00:53,711 HERE. >> BOOM! >> AND GET NASTY HE IS, JESSE. 4104 02:00:53,713 --> 02:00:54,846 >> BOOM! >> AND GET NASTY HE IS, JESSE. >> OW, THAT IS AWESOME! 4105 02:00:54,848 --> 02:00:55,847 >> AND GET NASTY HE IS, JESSE. >> OW, THAT IS AWESOME! >> BIG KNEES TO THE SIDE OF THE 4106 02:00:55,849 --> 02:00:56,848 >> OW, THAT IS AWESOME! >> BIG KNEES TO THE SIDE OF THE HEAD. 4107 02:00:56,850 --> 02:00:58,416 >> BIG KNEES TO THE SIDE OF THE HEAD. >> YOU GOT TO LIKE THOSE BODIES 4108 02:00:58,418 --> 02:00:59,350 HEAD. >> YOU GOT TO LIKE THOSE BODIES OUT THERE, DON'T YOU LOVE THEM 4109 02:00:59,352 --> 02:00:59,918 >> YOU GOT TO LIKE THOSE BODIES OUT THERE, DON'T YOU LOVE THEM ELVIRA? 4110 02:00:59,920 --> 02:01:00,785 OUT THERE, DON'T YOU LOVE THEM ELVIRA? >> I SURE DO! 4111 02:01:00,787 --> 02:01:01,786 ELVIRA? >> I SURE DO! I MUST SAY, I'M A LITTLE IN AWE 4112 02:01:01,788 --> 02:01:02,754 >> I SURE DO! I MUST SAY, I'M A LITTLE IN AWE HERE. 4113 02:01:02,756 --> 02:01:03,688 I MUST SAY, I'M A LITTLE IN AWE HERE. I CAN'T HARDLY TAKE MY EYES OFF 4114 02:01:03,690 --> 02:01:05,456 HERE. I CAN'T HARDLY TAKE MY EYES OFF OF THAT. 4115 02:01:05,458 --> 02:01:06,591 I CAN'T HARDLY TAKE MY EYES OFF OF THAT. >> THE REFEREE HERE REPRIMANDING 4116 02:01:06,593 --> 02:01:09,527 OF THAT. >> THE REFEREE HERE REPRIMANDING HERNANDEZ FOR WHAT HE OBVIOUSLY 4117 02:01:09,529 --> 02:01:11,629 >> THE REFEREE HERE REPRIMANDING HERNANDEZ FOR WHAT HE OBVIOUSLY THOUGHT WAS ... 4118 02:01:11,631 --> 02:01:12,330 HERNANDEZ FOR WHAT HE OBVIOUSLY THOUGHT WAS ... OH, MY WORD! 4119 02:01:12,332 --> 02:01:13,398 THOUGHT WAS ... OH, MY WORD! >> OOH, WHAT A MOVE BY 4120 02:01:13,400 --> 02:01:15,333 OH, MY WORD! >> OOH, WHAT A MOVE BY HERNANDEZ, PICKING STEAMBOAT OUT 4121 02:01:15,335 --> 02:01:17,335 >> OOH, WHAT A MOVE BY HERNANDEZ, PICKING STEAMBOAT OUT 4122 02:01:17,337 --> 02:01:18,569 HERNANDEZ, PICKING STEAMBOAT OUT CLOTHESLINING HIM OFF THAT TOP 4123 02:01:18,571 --> 02:01:23,441 CLOTHESLINING HIM OFF THAT TOP ROPE. >> HERNANDEZ NOW HAS THE 4124 02:01:23,443 --> 02:01:26,411 ROPE. >> HERNANDEZ NOW HAS THE PENDULUM SWINGING IN HIS FAVOR, 4125 02:01:26,413 --> 02:01:27,512 >> HERNANDEZ NOW HAS THE PENDULUM SWINGING IN HIS FAVOR, AND HE'S REALLY PILING THE 4126 02:01:27,514 --> 02:01:29,414 PENDULUM SWINGING IN HIS FAVOR, AND HE'S REALLY PILING THE PRESSURE ON HIM. 4127 02:01:29,416 --> 02:01:30,749 AND HE'S REALLY PILING THE PRESSURE ON HIM. ONE THING I MUST SAY FOR 4128 02:01:30,751 --> 02:01:31,616 PRESSURE ON HIM. ONE THING I MUST SAY FOR HERNANDEZ IS THAT WHEN HE GETS 4129 02:01:31,618 --> 02:01:34,452 ONE THING I MUST SAY FOR HERNANDEZ IS THAT WHEN HE GETS IN FRONT, HE STAYS THERE. 4130 02:01:34,454 --> 02:01:35,620 HERNANDEZ IS THAT WHEN HE GETS IN FRONT, HE STAYS THERE. >> CHANT GOING UP FROM THE FANS 4131 02:01:35,622 --> 02:01:37,789 IN FRONT, HE STAYS THERE. >> CHANT GOING UP FROM THE FANS HERE IN LA, STEAMBOAT! 4132 02:01:37,791 --> 02:01:38,523 >> CHANT GOING UP FROM THE FANS HERE IN LA, STEAMBOAT! STEAMBOAT! 4133 02:01:38,525 --> 02:01:39,591 HERE IN LA, STEAMBOAT! STEAMBOAT! AND I'LL SAY IT, YOU KNOW, 4134 02:01:39,593 --> 02:01:40,124 STEAMBOAT! AND I'LL SAY IT, YOU KNOW, STEAMBOAT'S ONE OF THEM 4135 02:01:40,126 --> 02:01:41,526 AND I'LL SAY IT, YOU KNOW, STEAMBOAT'S ONE OF THEM WRESTLERS, HE NEEDS FAN 4136 02:01:41,528 --> 02:01:44,562 STEAMBOAT'S ONE OF THEM WRESTLERS, HE NEEDS FAN APPROVAL. 4137 02:01:44,564 --> 02:01:46,698 WRESTLERS, HE NEEDS FAN APPROVAL. >> STEAMBOAT JUST COULD NOT HOLD 4138 02:01:46,700 --> 02:01:47,598 APPROVAL. >> STEAMBOAT JUST COULD NOT HOLD HIS FEET THERE. 4139 02:01:47,600 --> 02:01:49,667 >> STEAMBOAT JUST COULD NOT HOLD HIS FEET THERE. AND A VERY, VERY CLOSE COUNT. 4140 02:01:49,669 --> 02:01:51,703 HIS FEET THERE. AND A VERY, VERY CLOSE COUNT. AS A MATTER OF FACT, STEAMBOAT 4141 02:01:51,705 --> 02:01:53,638 AND A VERY, VERY CLOSE COUNT. AS A MATTER OF FACT, STEAMBOAT JUST MANAGED TO AVOID BEING 4142 02:01:53,640 --> 02:01:56,708 AS A MATTER OF FACT, STEAMBOAT JUST MANAGED TO AVOID BEING DEFEATED RIGHT THERE AND THEN. 4143 02:01:56,710 --> 02:01:57,809 JUST MANAGED TO AVOID BEING DEFEATED RIGHT THERE AND THEN. >> I'LL TELL YOU, I'M USED TO 4144 02:01:57,811 --> 02:02:00,445 DEFEATED RIGHT THERE AND THEN. >> I'LL TELL YOU, I'M USED TO VICIOUS HORROR AND VIOLENCE, BUT 4145 02:02:00,447 --> 02:02:05,650 >> I'LL TELL YOU, I'M USED TO VICIOUS HORROR AND VIOLENCE, BUT THIS IS GETTING EVEN TO ME. 4146 02:02:05,652 --> 02:02:07,252 VICIOUS HORROR AND VIOLENCE, BUT THIS IS GETTING EVEN TO ME. >> ELVIRA, YOU STAY WITH THAT, 4147 02:02:07,254 --> 02:02:08,620 THIS IS GETTING EVEN TO ME. >> ELVIRA, YOU STAY WITH THAT, BECAUSE YOU'RE GONNA SEE A LOT 4148 02:02:08,622 --> 02:02:09,821 >> ELVIRA, YOU STAY WITH THAT, BECAUSE YOU'RE GONNA SEE A LOT MORE THAN THIS, BELIEVE ME. 4149 02:02:09,823 --> 02:02:11,589 BECAUSE YOU'RE GONNA SEE A LOT MORE THAN THIS, BELIEVE ME. >> THIS IS JUST THE BEGINNING. 4150 02:02:11,591 --> 02:02:12,657 MORE THAN THIS, BELIEVE ME. >> THIS IS JUST THE BEGINNING. WE'VE GOT A CHAMPIONSHIP MATCH 4151 02:02:12,659 --> 02:02:14,425 >> THIS IS JUST THE BEGINNING. WE'VE GOT A CHAMPIONSHIP MATCH INSIDE OF A STEEL CAGE. 4152 02:02:14,427 --> 02:02:16,461 WE'VE GOT A CHAMPIONSHIP MATCH INSIDE OF A STEEL CAGE. IT'S NEVER BEEN HELD BEFORE, AND 4153 02:02:16,463 --> 02:02:18,696 INSIDE OF A STEEL CAGE. IT'S NEVER BEEN HELD BEFORE, AND I THINK HULK HOGAN, PERSONALLY, 4154 02:02:18,698 --> 02:02:20,531 IT'S NEVER BEEN HELD BEFORE, AND I THINK HULK HOGAN, PERSONALLY, WAS LETTING HIS EGO GET IN THE 4155 02:02:20,533 --> 02:02:21,666 I THINK HULK HOGAN, PERSONALLY, WAS LETTING HIS EGO GET IN THE WAY. 4156 02:02:21,668 --> 02:02:23,501 WAS LETTING HIS EGO GET IN THE WAY. HE SHOULD'VE NEVER SIGNED WITH 4157 02:02:23,503 --> 02:02:25,737 WAY. HE SHOULD'VE NEVER SIGNED WITH BUNDY INSIDE OF A CAGE. 4158 02:02:25,739 --> 02:02:26,537 HE SHOULD'VE NEVER SIGNED WITH BUNDY INSIDE OF A CAGE. >> NEVERTHELESS, JESSE, HE HAS. 4159 02:02:26,539 --> 02:02:27,638 BUNDY INSIDE OF A CAGE. >> NEVERTHELESS, JESSE, HE HAS. AND WE'RE GOING TO SEE THAT 4160 02:02:27,640 --> 02:02:29,774 >> NEVERTHELESS, JESSE, HE HAS. AND WE'RE GOING TO SEE THAT PARTICULAR MATCH, AND WE'RE ALSO 4161 02:02:29,776 --> 02:02:31,476 AND WE'RE GOING TO SEE THAT PARTICULAR MATCH, AND WE'RE ALSO GOING TO SEE THOSE CRAZY, WILD 4162 02:02:31,478 --> 02:02:33,378 PARTICULAR MATCH, AND WE'RE ALSO GOING TO SEE THOSE CRAZY, WILD BROTHERS FROM TEXAS, THE FUNK 4163 02:02:33,380 --> 02:02:33,911 GOING TO SEE THOSE CRAZY, WILD BROTHERS FROM TEXAS, THE FUNK BROTHERS. 4164 02:02:33,913 --> 02:02:35,413 BROTHERS FROM TEXAS, THE FUNK BROTHERS. ALSO, TAG ... 4165 02:02:35,415 --> 02:02:36,547 BROTHERS. ALSO, TAG ... OH, TREMENDOUS BACK ELBOW BY 4166 02:02:36,549 --> 02:02:38,649 ALSO, TAG ... OH, TREMENDOUS BACK ELBOW BY THERE BY HERNANDEZ. 4167 02:02:38,651 --> 02:02:39,617 OH, TREMENDOUS BACK ELBOW BY THERE BY HERNANDEZ. AND HE'S LOOKING TO FINISH 4168 02:02:39,619 --> 02:02:40,685 THERE BY HERNANDEZ. AND HE'S LOOKING TO FINISH STEAMBOAT OFF NOW. 4169 02:02:40,687 --> 02:02:42,721 AND HE'S LOOKING TO FINISH STEAMBOAT OFF NOW. STEAMBOAT FLAT ON HIS BACK, 4170 02:02:42,723 --> 02:02:44,389 STEAMBOAT OFF NOW. STEAMBOAT FLAT ON HIS BACK, DOESN'T SEEM TO BE ABLE TO AVOID 4171 02:02:44,391 --> 02:02:46,758 STEAMBOAT FLAT ON HIS BACK, DOESN'T SEEM TO BE ABLE TO AVOID THE ATTACK NOW OF HERNANDEZ. 4172 02:02:46,760 --> 02:02:49,827 DOESN'T SEEM TO BE ABLE TO AVOID THE ATTACK NOW OF HERNANDEZ. >> SEE, HERCULES' CLOSING'S 4173 02:02:49,829 --> 02:02:50,795 THE ATTACK NOW OF HERNANDEZ. >> SEE, HERCULES' CLOSING'S GREAT, ALFRED. 4174 02:02:50,797 --> 02:02:51,763 >> SEE, HERCULES' CLOSING'S GREAT, ALFRED. I LOVE THE CLOSE TUBE, AND 4175 02:02:51,765 --> 02:02:53,531 GREAT, ALFRED. I LOVE THE CLOSE TUBE, AND HERCULES NEEDS TO PUT A 4176 02:02:53,533 --> 02:02:57,602 I LOVE THE CLOSE TUBE, AND HERCULES NEEDS TO PUT A FINISHING MOVE ON HERE. 4177 02:02:57,604 --> 02:03:00,572 HERCULES NEEDS TO PUT A FINISHING MOVE ON HERE. >> WELL, HE'S GETTIN' MAD NOW. 4178 02:03:00,574 --> 02:03:01,639 FINISHING MOVE ON HERE. >> WELL, HE'S GETTIN' MAD NOW. >> I THINK THAT WAS HIS CHANCE 4179 02:03:01,641 --> 02:03:02,473 >> WELL, HE'S GETTIN' MAD NOW. >> I THINK THAT WAS HIS CHANCE AND HE DIDN'T GRAB A LEG AND 4180 02:03:02,475 --> 02:03:04,609 >> I THINK THAT WAS HIS CHANCE AND HE DIDN'T GRAB A LEG AND MAKE SURE THAT HE HAD THAT MOVE 4181 02:03:04,611 --> 02:03:06,411 AND HE DIDN'T GRAB A LEG AND MAKE SURE THAT HE HAD THAT MOVE ... 4182 02:03:06,413 --> 02:03:08,546 MAKE SURE THAT HE HAD THAT MOVE ... OH [LAUGHS] ! 4183 02:03:08,548 --> 02:03:09,647 ... OH [LAUGHS] ! >> YOU CAN HEAR THAT ONE IN THE 4184 02:03:09,649 --> 02:03:11,482 OH [LAUGHS] ! >> YOU CAN HEAR THAT ONE IN THE RAFTERS, LORDSHIP. 4185 02:03:11,484 --> 02:03:12,683 >> YOU CAN HEAR THAT ONE IN THE RAFTERS, LORDSHIP. >> AND ANOTHER ONE YOU COULD 4186 02:03:12,685 --> 02:03:13,551 RAFTERS, LORDSHIP. >> AND ANOTHER ONE YOU COULD HEAR IN THE RAFTERS. 4187 02:03:13,553 --> 02:03:14,852 >> AND ANOTHER ONE YOU COULD HEAR IN THE RAFTERS. THAT MAKES TWO. 4188 02:03:14,854 --> 02:03:20,725 HEAR IN THE RAFTERS. THAT MAKES TWO. OH, MY WORD! 4189 02:03:20,727 --> 02:03:24,295 THAT MAKES TWO. OH, MY WORD! ONE MUST COMPLIMENT HERNANDEZ 4190 02:03:24,297 --> 02:03:26,798 OH, MY WORD! ONE MUST COMPLIMENT HERNANDEZ FROM THAT VERY, VERY SLOW START, 4191 02:03:26,800 --> 02:03:28,566 ONE MUST COMPLIMENT HERNANDEZ FROM THAT VERY, VERY SLOW START, HE'S MANAGING TO GET HIS WAY 4192 02:03:28,568 --> 02:03:29,634 FROM THAT VERY, VERY SLOW START, HE'S MANAGING TO GET HIS WAY BACK ON TOP AGAIN. 4193 02:03:29,636 --> 02:03:30,802 HE'S MANAGING TO GET HIS WAY BACK ON TOP AGAIN. >> NOW, ELVIRA, JUST LIKE LORD 4194 02:03:30,804 --> 02:03:32,470 BACK ON TOP AGAIN. >> NOW, ELVIRA, JUST LIKE LORD ALFRED HAYES SAID, HE SHOULD BE 4195 02:03:32,472 --> 02:03:33,638 >> NOW, ELVIRA, JUST LIKE LORD ALFRED HAYES SAID, HE SHOULD BE GRABBING A LEG THERE, THAT'S A 4196 02:03:33,640 --> 02:03:35,340 ALFRED HAYES SAID, HE SHOULD BE GRABBING A LEG THERE, THAT'S A SLOPPY COVER. 4197 02:03:35,342 --> 02:03:36,073 GRABBING A LEG THERE, THAT'S A SLOPPY COVER. IF HE'S GONNA TRY AND RIP THE 4198 02:03:36,075 --> 02:03:37,776 SLOPPY COVER. IF HE'S GONNA TRY AND RIP THE MATCH, YOU GOT TO GO FOR IT. 4199 02:03:37,778 --> 02:03:38,709 IF HE'S GONNA TRY AND RIP THE MATCH, YOU GOT TO GO FOR IT. WOW! 4200 02:03:38,711 --> 02:03:40,612 MATCH, YOU GOT TO GO FOR IT. WOW! PRESS BODY. 4201 02:03:40,614 --> 02:03:41,546 WOW! PRESS BODY. >> LOOK AT THE POWER OF 4202 02:03:41,548 --> 02:03:44,549 PRESS BODY. >> LOOK AT THE POWER OF HERNANDEZ, AS HE JUST RAMS 4203 02:03:44,551 --> 02:03:46,951 >> LOOK AT THE POWER OF HERNANDEZ, AS HE JUST RAMS STEAMBOAT WITH A SORT OF A POWER 4204 02:03:46,953 --> 02:03:54,692 HERNANDEZ, AS HE JUST RAMS STEAMBOAT WITH A SORT OF A POWER DRIVE INTO THE CANVAS, THERE. 4205 02:03:54,694 --> 02:03:55,894 STEAMBOAT WITH A SORT OF A POWER DRIVE INTO THE CANVAS, THERE. HERNANDEZ, A LITTLE COMPLACENT 4206 02:03:55,896 --> 02:03:57,995 DRIVE INTO THE CANVAS, THERE. HERNANDEZ, A LITTLE COMPLACENT NOW, SHOWING THEM EVERYTHING IS 4207 02:03:57,997 --> 02:03:59,730 HERNANDEZ, A LITTLE COMPLACENT NOW, SHOWING THEM EVERYTHING IS GOING HIS WAY. 4208 02:03:59,732 --> 02:04:02,500 NOW, SHOWING THEM EVERYTHING IS GOING HIS WAY. AND STEAMBOAT REALLY IS GASPING 4209 02:04:02,502 --> 02:04:04,535 GOING HIS WAY. AND STEAMBOAT REALLY IS GASPING AND SUCKING IN SOME AIR, AND 4210 02:04:04,537 --> 02:04:05,770 AND STEAMBOAT REALLY IS GASPING AND SUCKING IN SOME AIR, AND TRYING TO GET A LITTLE OXYGEN 4211 02:04:05,772 --> 02:04:07,939 AND SUCKING IN SOME AIR, AND TRYING TO GET A LITTLE OXYGEN RELIEF, TOO. 4212 02:04:07,941 --> 02:04:08,673 TRYING TO GET A LITTLE OXYGEN RELIEF, TOO. BOTH OF THESE GUYS ARE IN 4213 02:04:08,675 --> 02:04:10,575 RELIEF, TOO. BOTH OF THESE GUYS ARE IN MAGNIFICENT SHAPE. 4214 02:04:10,577 --> 02:04:11,676 BOTH OF THESE GUYS ARE IN MAGNIFICENT SHAPE. UNBELIEVABLE CONDITION FOR THIS 4215 02:04:11,678 --> 02:04:12,777 MAGNIFICENT SHAPE. UNBELIEVABLE CONDITION FOR THIS MATCH. 4216 02:04:12,779 --> 02:04:13,945 UNBELIEVABLE CONDITION FOR THIS MATCH. >> HERNANDEZ, GOING TO THE TOP 4217 02:04:13,947 --> 02:04:14,679 MATCH. >> HERNANDEZ, GOING TO THE TOP ROPE! 4218 02:04:14,681 --> 02:04:15,980 >> HERNANDEZ, GOING TO THE TOP ROPE! >> OH, NO! 4219 02:04:15,982 --> 02:04:16,848 ROPE! >> OH, NO! WHAT'S HE GONNA DO? 4220 02:04:16,850 --> 02:04:17,615 >> OH, NO! WHAT'S HE GONNA DO? >> I'VE NEVER SEEN HERNANDEZ GO 4221 02:04:17,617 --> 02:04:18,883 WHAT'S HE GONNA DO? >> I'VE NEVER SEEN HERNANDEZ GO TO THE TOP BEFORE! 4222 02:04:18,885 --> 02:04:23,554 >> I'VE NEVER SEEN HERNANDEZ GO TO THE TOP BEFORE! >> OH! 4223 02:04:23,556 --> 02:04:24,522 TO THE TOP BEFORE! >> OH! >> HE TELEGRAPHED THE MOVE, 4224 02:04:24,524 --> 02:04:26,458 >> OH! >> HE TELEGRAPHED THE MOVE, LORD, AND RICKY STEAMBOAT WAS 4225 02:04:26,460 --> 02:04:28,226 >> HE TELEGRAPHED THE MOVE, LORD, AND RICKY STEAMBOAT WAS ABLE TO LIFT THOSE KNEES AND 4226 02:04:28,228 --> 02:04:29,561 LORD, AND RICKY STEAMBOAT WAS ABLE TO LIFT THOSE KNEES AND DRILL 'EM INTO HIS ABDOMINALS. 4227 02:04:29,563 --> 02:04:30,528 ABLE TO LIFT THOSE KNEES AND DRILL 'EM INTO HIS ABDOMINALS. >> YOU CAN SAY THAT. 4228 02:04:30,530 --> 02:04:31,529 DRILL 'EM INTO HIS ABDOMINALS. >> YOU CAN SAY THAT. AND NOW LOOK AT STEAMBOAT! 4229 02:04:31,531 --> 02:04:32,830 >> YOU CAN SAY THAT. AND NOW LOOK AT STEAMBOAT! >> STEAMBOAT'S HEADIN' FOR THE 4230 02:04:32,832 --> 02:04:33,564 AND NOW LOOK AT STEAMBOAT! >> STEAMBOAT'S HEADIN' FOR THE TOP NOW. 4231 02:04:33,566 --> 02:04:37,768 >> STEAMBOAT'S HEADIN' FOR THE TOP NOW. DRIVIN' HIM TO THE TOP ROPE. 4232 02:04:37,770 --> 02:04:41,339 TOP NOW. DRIVIN' HIM TO THE TOP ROPE. HE PUT THAT UP! 4233 02:04:41,341 --> 02:04:45,776 DRIVIN' HIM TO THE TOP ROPE. HE PUT THAT UP! HE GOT HIM! 4234 02:04:45,778 --> 02:04:46,511 HE PUT THAT UP! HE GOT HIM! >> AND IT'S ALL OVER! 4235 02:04:46,513 --> 02:04:47,111 HE GOT HIM! >> AND IT'S ALL OVER! [ BELL RINGING ] 4236 02:04:47,113 --> 02:04:47,778 >> AND IT'S ALL OVER! [ BELL RINGING ] >> A ONE, TWO, THREE COUNT, 4237 02:04:47,780 --> 02:04:48,646 [ BELL RINGING ] >> A ONE, TWO, THREE COUNT, THERE. 4238 02:04:48,648 --> 02:04:50,548 >> A ONE, TWO, THREE COUNT, THERE. AND I MUST SAY, THAT WAS A 4239 02:04:50,550 --> 02:04:51,616 THERE. AND I MUST SAY, THAT WAS A MAGNIFICENT EFFORT BY RICKY 4240 02:04:51,618 --> 02:04:52,850 AND I MUST SAY, THAT WAS A MAGNIFICENT EFFORT BY RICKY STEAMBOAT, JESSE. 4241 02:04:52,852 --> 02:04:53,551 MAGNIFICENT EFFORT BY RICKY STEAMBOAT, JESSE. DON'T YOU AGREE? 4242 02:04:53,553 --> 02:04:54,752 STEAMBOAT, JESSE. DON'T YOU AGREE? >> IT WAS A MAGNIFICENT EFFORT, 4243 02:04:54,754 --> 02:04:55,620 DON'T YOU AGREE? >> IT WAS A MAGNIFICENT EFFORT, LORD, BUT I FELT THE REFEREE WAS 4244 02:04:55,622 --> 02:04:56,621 >> IT WAS A MAGNIFICENT EFFORT, LORD, BUT I FELT THE REFEREE WAS A BIT QUICK ON THAT COUNT. 4245 02:04:56,623 --> 02:04:58,356 LORD, BUT I FELT THE REFEREE WAS A BIT QUICK ON THAT COUNT. HE WAS SLOWER EARLY IN THE 4246 02:04:58,358 --> 02:04:58,990 A BIT QUICK ON THAT COUNT. HE WAS SLOWER EARLY IN THE MATCH. 4247 02:04:58,992 --> 02:05:00,291 HE WAS SLOWER EARLY IN THE MATCH. YOU GOT TO BE CONSISTENT IN 4248 02:05:00,293 --> 02:05:01,225 MATCH. YOU GOT TO BE CONSISTENT IN THERE! 4249 02:05:01,227 --> 02:05:02,460 YOU GOT TO BE CONSISTENT IN THERE! >> HE HAD HIS SHOULDERS DOWN, 4250 02:05:02,462 --> 02:05:03,327 THERE! >> HE HAD HIS SHOULDERS DOWN, JESSE. 4251 02:05:03,329 --> 02:05:04,529 >> HE HAD HIS SHOULDERS DOWN, JESSE. HE MAY HAVE BEEN ABLE TO COUNT 4252 02:05:04,531 --> 02:05:05,430 JESSE. HE MAY HAVE BEEN ABLE TO COUNT FOUR THERE, FOR ALL WE KNOW. 4253 02:05:05,432 --> 02:05:06,731 HE MAY HAVE BEEN ABLE TO COUNT FOUR THERE, FOR ALL WE KNOW. >> DON'T YOU START FIGHTIN' WITH 4254 02:05:06,733 --> 02:05:10,434 FOUR THERE, FOR ALL WE KNOW. >> DON'T YOU START FIGHTIN' WITH ME, ALFRED HAYES. 4255 02:05:10,436 --> 02:05:13,538 >> DON'T YOU START FIGHTIN' WITH ME, ALFRED HAYES. >> LET'S GET THE OFFICIAL WORD 4256 02:05:13,540 --> 02:05:15,439 ME, ALFRED HAYES. >> LET'S GET THE OFFICIAL WORD FROM OUR ANNOUNCER, WHO'S 4257 02:05:15,441 --> 02:05:17,441 >> LET'S GET THE OFFICIAL WORD FROM OUR ANNOUNCER, WHO'S PATIENTLY WAITING FOR THE 4258 02:05:17,443 --> 02:05:19,544 FROM OUR ANNOUNCER, WHO'S PATIENTLY WAITING FOR THE REFEREE TO GIVE HIM HIS VERDICT. 4259 02:05:19,546 --> 02:05:20,912 PATIENTLY WAITING FOR THE REFEREE TO GIVE HIM HIS VERDICT. >> LADIES AND GENTLEMEN, YOUR 4260 02:05:20,914 --> 02:05:23,881 REFEREE TO GIVE HIM HIS VERDICT. >> LADIES AND GENTLEMEN, YOUR WINNER, RICKY "THE DRAGON" 4261 02:05:23,883 --> 02:05:26,518 >> LADIES AND GENTLEMEN, YOUR WINNER, RICKY "THE DRAGON" STEAMBOAT! 4262 02:05:26,520 --> 02:05:27,752 WINNER, RICKY "THE DRAGON" STEAMBOAT! [ CROWD CHEERING ] 4263 02:05:27,754 --> 02:05:30,655 STEAMBOAT! [ CROWD CHEERING ] [ BELL RINGING ] 4264 02:05:30,657 --> 02:05:31,656 [ CROWD CHEERING ] [ BELL RINGING ] >> WHOA-HO. 4265 02:05:31,658 --> 02:05:32,623 [ BELL RINGING ] >> WHOA-HO. >> THERE YOU HAVE IT, JESSE. 4266 02:05:32,625 --> 02:05:33,624 >> WHOA-HO. >> THERE YOU HAVE IT, JESSE. >> THAT IS ONE ANGRY DUDE UP 4267 02:05:33,626 --> 02:05:34,225 >> THERE YOU HAVE IT, JESSE. >> THAT IS ONE ANGRY DUDE UP THERE. 4268 02:05:34,227 --> 02:05:35,259 >> THAT IS ONE ANGRY DUDE UP THERE. >> THAT'S RIGHT. 4269 02:05:35,261 --> 02:05:38,696 THERE. >> THAT'S RIGHT. HERCULES IS NOT HAPPY. 4270 02:05:38,698 --> 02:05:39,897 >> THAT'S RIGHT. HERCULES IS NOT HAPPY. >> I WOULDN'T WANT TO BE IN HIS 4271 02:05:39,899 --> 02:05:40,665 HERCULES IS NOT HAPPY. >> I WOULDN'T WANT TO BE IN HIS WAY IF HE STARTS MOVIN' THIS 4272 02:05:40,667 --> 02:05:43,834 >> I WOULDN'T WANT TO BE IN HIS WAY IF HE STARTS MOVIN' THIS DIRECTION. 4273 02:05:43,836 --> 02:05:54,646 WAY IF HE STARTS MOVIN' THIS DIRECTION. [ CROWD CHEERING ] 4274 02:05:54,648 --> 02:05:55,613 DIRECTION. [ CROWD CHEERING ] >> WE'RE BACK. 4275 02:05:55,615 --> 02:05:56,548 [ CROWD CHEERING ] >> WE'RE BACK. WE'RE BACK IN LA FOR 4276 02:05:56,550 --> 02:05:58,416 >> WE'RE BACK. WE'RE BACK IN LA FOR WRESTLEMANIA 2. 4277 02:05:58,418 --> 02:05:59,750 WE'RE BACK IN LA FOR WRESTLEMANIA 2. AND WE GOT COMIN' UP, ALFRED 4278 02:05:59,752 --> 02:06:02,620 WRESTLEMANIA 2. AND WE GOT COMIN' UP, ALFRED HAYES, THE ADORABLE ONE, ADRIAN 4279 02:06:02,622 --> 02:06:05,423 AND WE GOT COMIN' UP, ALFRED HAYES, THE ADORABLE ONE, ADRIAN ADONIS, AND HE'S GONNA SQUARE 4280 02:06:05,425 --> 02:06:07,291 HAYES, THE ADORABLE ONE, ADRIAN ADONIS, AND HE'S GONNA SQUARE OFF WITH UNCLE ELMER. 4281 02:06:07,293 --> 02:06:14,899 ADONIS, AND HE'S GONNA SQUARE OFF WITH UNCLE ELMER. LET'S GO UP TO RINGSIDE. 4282 02:06:14,901 --> 02:06:16,367 OFF WITH UNCLE ELMER. LET'S GO UP TO RINGSIDE. >> LADIES AND GENTLEMEN, THIS 4283 02:06:16,369 --> 02:06:17,669 LET'S GO UP TO RINGSIDE. >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE 4284 02:06:17,671 --> 02:06:19,503 >> LADIES AND GENTLEMEN, THIS CONTEST IS SCHEDULED FOR ONE FALL, WITH A 20 MINUTE TIME 4285 02:06:19,505 --> 02:06:21,305 CONTEST IS SCHEDULED FOR ONE FALL, WITH A 20 MINUTE TIME LIMIT. 4286 02:06:21,307 --> 02:06:23,341 FALL, WITH A 20 MINUTE TIME LIMIT. INTRODUCING FIRST, THE MANAGER, 4287 02:06:23,343 --> 02:06:25,509 LIMIT. INTRODUCING FIRST, THE MANAGER, THE MOUTH OF THE SOUTH, JIMMY 4288 02:06:25,511 --> 02:06:29,814 INTRODUCING FIRST, THE MANAGER, THE MOUTH OF THE SOUTH, JIMMY HART. 4289 02:06:29,816 --> 02:06:33,417 THE MOUTH OF THE SOUTH, JIMMY HART. [ CROWD BOOING ] 4290 02:06:33,419 --> 02:06:34,285 HART. [ CROWD BOOING ] >> AND NOW, INTRODUCING, FROM 4291 02:06:34,287 --> 02:06:37,488 [ CROWD BOOING ] >> AND NOW, INTRODUCING, FROM NEW YORK CITY, WEIGHING 284 4292 02:06:37,490 --> 02:06:42,627 >> AND NOW, INTRODUCING, FROM NEW YORK CITY, WEIGHING 284 POUNDS, THE ADORABLE ADRIAN 4293 02:06:42,629 --> 02:06:44,795 NEW YORK CITY, WEIGHING 284 POUNDS, THE ADORABLE ADRIAN ADONIS. 4294 02:06:44,797 --> 02:06:51,469 POUNDS, THE ADORABLE ADRIAN ADONIS. [ CROWD BOOING ] 4295 02:06:51,471 --> 02:06:51,969 ADONIS. [ CROWD BOOING ] >> AND NOW, LADIES AND 4296 02:06:51,971 --> 02:06:53,371 [ CROWD BOOING ] >> AND NOW, LADIES AND GENTLEMEN, MAKING HIS WAY INTO 4297 02:06:53,373 --> 02:06:56,541 >> AND NOW, LADIES AND GENTLEMEN, MAKING HIS WAY INTO THE RING, HIS OPPONENT, FROM 4298 02:06:56,543 --> 02:06:58,709 GENTLEMEN, MAKING HIS WAY INTO THE RING, HIS OPPONENT, FROM PHILADELPHIA, WEIGHING IN 4299 02:06:58,711 --> 02:07:05,416 THE RING, HIS OPPONENT, FROM PHILADELPHIA, WEIGHING IN TONIGHT AT 427 POUNDS, UNCLE 4300 02:07:05,418 --> 02:07:07,485 PHILADELPHIA, WEIGHING IN TONIGHT AT 427 POUNDS, UNCLE ELMER. 4301 02:07:07,487 --> 02:07:08,753 TONIGHT AT 427 POUNDS, UNCLE ELMER. [ CROWD CHEERING ] 4302 02:07:08,755 --> 02:07:18,630 ELMER. [ CROWD CHEERING ] [ MUSIC ] 4303 02:07:18,632 --> 02:07:20,398 [ CROWD CHEERING ] [ MUSIC ] >> WELL, HERE HE COMES, LORD, 4304 02:07:20,400 --> 02:07:22,400 [ MUSIC ] >> WELL, HERE HE COMES, LORD, UNCLE ELMER, STEPPIN' IN NOW 4305 02:07:22,402 --> 02:07:24,268 >> WELL, HERE HE COMES, LORD, UNCLE ELMER, STEPPIN' IN NOW WITH ADORABLE ADRIAN ADONIS. 4306 02:07:24,270 --> 02:07:25,670 UNCLE ELMER, STEPPIN' IN NOW WITH ADORABLE ADRIAN ADONIS. TELL ME, LORD, HOW DO YOU LIKE 4307 02:07:25,672 --> 02:07:26,637 WITH ADORABLE ADRIAN ADONIS. TELL ME, LORD, HOW DO YOU LIKE ADORABLE ADRIAN'S FACETS 4308 02:07:26,639 --> 02:07:29,440 TELL ME, LORD, HOW DO YOU LIKE ADORABLE ADRIAN'S FACETS TONIGHT? 4309 02:07:29,442 --> 02:07:31,509 ADORABLE ADRIAN'S FACETS TONIGHT? >> YOU UNDERSTAND THAT, JESSE, I 4310 02:07:31,511 --> 02:07:32,677 TONIGHT? >> YOU UNDERSTAND THAT, JESSE, I REALLY CANNOT UNDERSTAND WHY ANY 4311 02:07:32,679 --> 02:07:34,345 >> YOU UNDERSTAND THAT, JESSE, I REALLY CANNOT UNDERSTAND WHY ANY WRESTLER WOULD HAVE DONE SUCH AN 4312 02:07:34,347 --> 02:07:36,514 REALLY CANNOT UNDERSTAND WHY ANY WRESTLER WOULD HAVE DONE SUCH AN ATTITUDE AND WEAR SUCH 4313 02:07:36,516 --> 02:07:41,652 WRESTLER WOULD HAVE DONE SUCH AN ATTITUDE AND WEAR SUCH INCREDIBLE DOCKS. 4314 02:07:41,654 --> 02:08:30,434 ATTITUDE AND WEAR SUCH INCREDIBLE DOCKS. [ MUSIC ] 4315 02:08:30,436 --> 02:08:31,702 INCREDIBLE DOCKS. [ MUSIC ] >> JESSE, HAVE YOU EVER SEEN 4316 02:08:31,704 --> 02:08:32,703 [ MUSIC ] >> JESSE, HAVE YOU EVER SEEN ANYTHING LIKE THAT BEFORE? 4317 02:08:32,705 --> 02:08:33,637 >> JESSE, HAVE YOU EVER SEEN ANYTHING LIKE THAT BEFORE? WHAT IS THAT THING HE'S GOT ON 4318 02:08:33,639 --> 02:08:35,673 ANYTHING LIKE THAT BEFORE? WHAT IS THAT THING HE'S GOT ON TOP OF HIS HEAD, THERE? 4319 02:08:35,675 --> 02:08:36,574 WHAT IS THAT THING HE'S GOT ON TOP OF HIS HEAD, THERE? >> I THINK IT'S A BOW OF SOME 4320 02:08:36,576 --> 02:08:37,742 TOP OF HIS HEAD, THERE? >> I THINK IT'S A BOW OF SOME SORT. 4321 02:08:37,744 --> 02:08:39,477 >> I THINK IT'S A BOW OF SOME SORT. >> WELL, I TELL YOU, THAT IS A 4322 02:08:39,479 --> 02:08:40,578 SORT. >> WELL, I TELL YOU, THAT IS A LOT OF MAN OR ... 4323 02:08:40,580 --> 02:08:46,383 >> WELL, I TELL YOU, THAT IS A LOT OF MAN OR ... OR SOMETHIN', I DON'T KNOW. 4324 02:08:46,385 --> 02:08:47,518 LOT OF MAN OR ... OR SOMETHIN', I DON'T KNOW. >> MAYBE YOU'D BE MORE SPECIFIC 4325 02:08:47,520 --> 02:08:49,754 OR SOMETHIN', I DON'T KNOW. >> MAYBE YOU'D BE MORE SPECIFIC ABOUT THE "OR SOMETHING?" 4326 02:08:49,756 --> 02:08:50,588 >> MAYBE YOU'D BE MORE SPECIFIC ABOUT THE "OR SOMETHING?" >> [LAUGHS] 4327 02:08:50,590 --> 02:08:51,656 ABOUT THE "OR SOMETHING?" >> [LAUGHS] I DON'T THINK I CAN GET MORE 4328 02:08:51,658 --> 02:08:52,857 >> [LAUGHS] I DON'T THINK I CAN GET MORE SPECIFIC HERE, UH, WE'RE ON LIVE 4329 02:08:52,859 --> 02:08:53,691 I DON'T THINK I CAN GET MORE SPECIFIC HERE, UH, WE'RE ON LIVE RIGHT NOW. 4330 02:08:53,693 --> 02:08:54,726 SPECIFIC HERE, UH, WE'RE ON LIVE RIGHT NOW. I THINK I'LL SAVE THAT 'TIL 4331 02:08:54,728 --> 02:08:55,559 RIGHT NOW. I THINK I'LL SAVE THAT 'TIL AFTERWARDS. 4332 02:08:55,561 --> 02:08:56,894 I THINK I'LL SAVE THAT 'TIL AFTERWARDS. >> OH, RUB IT IN! 4333 02:08:56,896 --> 02:08:57,495 AFTERWARDS. >> OH, RUB IT IN! OH! 4334 02:08:57,497 --> 02:08:58,696 >> OH, RUB IT IN! OH! >> WOW, AND ELMER WITH A CHEAP 4335 02:08:58,698 --> 02:08:59,630 OH! >> WOW, AND ELMER WITH A CHEAP SHOT WHEN ADORABLE ADRIAN CAME 4336 02:08:59,632 --> 02:09:00,465 >> WOW, AND ELMER WITH A CHEAP SHOT WHEN ADORABLE ADRIAN CAME INTO THE RING. 4337 02:09:00,467 --> 02:09:01,599 SHOT WHEN ADORABLE ADRIAN CAME INTO THE RING. ELMER WASTED NO TIME BLASTING 4338 02:09:01,601 --> 02:09:02,600 INTO THE RING. ELMER WASTED NO TIME BLASTING HIM INTO THE TURNBUCKLE IRISH 4339 02:09:02,602 --> 02:09:03,901 ELMER WASTED NO TIME BLASTING HIM INTO THE TURNBUCKLE IRISH WHIP. 4340 02:09:03,903 --> 02:09:05,469 HIM INTO THE TURNBUCKLE IRISH WHIP. WHOA, UPSIDE DOWN INTO THE 4341 02:09:05,471 --> 02:09:06,871 WHIP. WHOA, UPSIDE DOWN INTO THE CORNER, AND THE ADORABLE ONE'S 4342 02:09:06,873 --> 02:09:08,506 WHOA, UPSIDE DOWN INTO THE CORNER, AND THE ADORABLE ONE'S BOUNCING AROUND LIKE A PING PONG 4343 02:09:08,508 --> 02:09:09,507 CORNER, AND THE ADORABLE ONE'S BOUNCING AROUND LIKE A PING PONG BALL. 4344 02:09:09,509 --> 02:09:10,808 BOUNCING AROUND LIKE A PING PONG BALL. BIG RIGHT HAND. 4345 02:09:10,810 --> 02:09:12,810 BALL. BIG RIGHT HAND. >> THAT IS NOT A PRETTY PICTURE. 4346 02:09:12,812 --> 02:09:13,844 BIG RIGHT HAND. >> THAT IS NOT A PRETTY PICTURE. >> ELMER THREW THAT SO HARD HE 4347 02:09:13,846 --> 02:09:15,747 >> THAT IS NOT A PRETTY PICTURE. >> ELMER THREW THAT SO HARD HE FELL DOWN HIMSELF. 4348 02:09:15,749 --> 02:09:16,414 >> ELMER THREW THAT SO HARD HE FELL DOWN HIMSELF. AND NOW ADONIS OUT ONTO THE 4349 02:09:16,416 --> 02:09:17,448 FELL DOWN HIMSELF. AND NOW ADONIS OUT ONTO THE FLOOR. 4350 02:09:17,450 --> 02:09:18,649 AND NOW ADONIS OUT ONTO THE FLOOR. THE MOUTH OF THE SOUTH IS GONNA 4351 02:09:18,651 --> 02:09:20,618 FLOOR. THE MOUTH OF THE SOUTH IS GONNA HAVE TO GET THINGS TOGETHER. 4352 02:09:20,620 --> 02:09:21,552 THE MOUTH OF THE SOUTH IS GONNA HAVE TO GET THINGS TOGETHER. >> AT THE MOMENT, ADONIS IS 4353 02:09:21,554 --> 02:09:23,387 HAVE TO GET THINGS TOGETHER. >> AT THE MOMENT, ADONIS IS RIGHT OUT OF IT. 4354 02:09:23,389 --> 02:09:24,254 >> AT THE MOMENT, ADONIS IS RIGHT OUT OF IT. HE'S NOT SURE EXACTLY WHAT HE'S 4355 02:09:24,256 --> 02:09:27,625 RIGHT OUT OF IT. HE'S NOT SURE EXACTLY WHAT HE'S DOING OR WHERE HE IS. 4356 02:09:27,627 --> 02:09:28,726 HE'S NOT SURE EXACTLY WHAT HE'S DOING OR WHERE HE IS. ON WRESTLEMANIA 2 HERE IN LOS 4357 02:09:28,728 --> 02:09:30,694 DOING OR WHERE HE IS. ON WRESTLEMANIA 2 HERE IN LOS ANGELES, CALIFORNIA, DOESN'T 4358 02:09:30,696 --> 02:09:32,563 ON WRESTLEMANIA 2 HERE IN LOS ANGELES, CALIFORNIA, DOESN'T SEEM THE PLACE FOR ADONIS TO BE 4359 02:09:32,565 --> 02:09:34,365 ANGELES, CALIFORNIA, DOESN'T SEEM THE PLACE FOR ADONIS TO BE RIGHT AT THIS MOMENT. 4360 02:09:34,367 --> 02:09:35,065 SEEM THE PLACE FOR ADONIS TO BE RIGHT AT THIS MOMENT. >> WELL, THE WORST PART ABOUT 4361 02:09:35,067 --> 02:09:36,501 RIGHT AT THIS MOMENT. >> WELL, THE WORST PART ABOUT THE WHOLE THING, I THINK, LORD, 4362 02:09:36,503 --> 02:09:38,469 >> WELL, THE WORST PART ABOUT THE WHOLE THING, I THINK, LORD, IS HE'S GETTING HIS DRESS DIRTY. 4363 02:09:38,471 --> 02:09:39,437 THE WHOLE THING, I THINK, LORD, IS HE'S GETTING HIS DRESS DIRTY. >> COME ON, ADRIAN! 4364 02:09:39,439 --> 02:09:40,437 IS HE'S GETTING HIS DRESS DIRTY. >> COME ON, ADRIAN! WATCH THE THING. 4365 02:09:40,439 --> 02:09:41,072 >> COME ON, ADRIAN! WATCH THE THING. YOU CAME OUT AND USE SOME FISTS, 4366 02:09:41,074 --> 02:09:41,672 WATCH THE THING. YOU CAME OUT AND USE SOME FISTS, MAN! 4367 02:09:41,674 --> 02:09:42,607 YOU CAME OUT AND USE SOME FISTS, MAN! COME ON, ADRIAN! 4368 02:09:42,609 --> 02:09:43,508 MAN! COME ON, ADRIAN! >> HE'S GOT THAT BEAUTIFUL 4369 02:09:43,510 --> 02:09:44,608 COME ON, ADRIAN! >> HE'S GOT THAT BEAUTIFUL DRESS, AND THERE HE IS WALLOWING 4370 02:09:44,610 --> 02:09:46,410 >> HE'S GOT THAT BEAUTIFUL DRESS, AND THERE HE IS WALLOWING AROUND ON THAT BEER-LADEN FLOOR, 4371 02:09:46,412 --> 02:09:47,478 DRESS, AND THERE HE IS WALLOWING AROUND ON THAT BEER-LADEN FLOOR, LORD. 4372 02:09:47,480 --> 02:09:48,279 AROUND ON THAT BEER-LADEN FLOOR, LORD. >> YES, AND HE LOOKS LIKE ENDING 4373 02:09:48,281 --> 02:09:49,413 LORD. >> YES, AND HE LOOKS LIKE ENDING HIS RECORD DIRTY AS WELL IF HE 4374 02:09:49,415 --> 02:09:52,383 >> YES, AND HE LOOKS LIKE ENDING HIS RECORD DIRTY AS WELL IF HE CONTINUES IT THIS WAY. 4375 02:09:52,385 --> 02:09:53,084 HIS RECORD DIRTY AS WELL IF HE CONTINUES IT THIS WAY. >> I THINK IF I WAS HIM, I'D 4376 02:09:53,086 --> 02:09:53,851 CONTINUES IT THIS WAY. >> I THINK IF I WAS HIM, I'D JUST THROW THAT DRESS AWAY AFTER 4377 02:09:53,853 --> 02:09:58,422 >> I THINK IF I WAS HIM, I'D JUST THROW THAT DRESS AWAY AFTER THIS MATCH. 4378 02:09:58,424 --> 02:09:59,490 JUST THROW THAT DRESS AWAY AFTER THIS MATCH. >> THE ADORABLE ADRIAN OFF TO A 4379 02:09:59,492 --> 02:10:01,526 THIS MATCH. >> THE ADORABLE ADRIAN OFF TO A SLOW START HERE, AND THE MOUTH 4380 02:10:01,528 --> 02:10:02,893 >> THE ADORABLE ADRIAN OFF TO A SLOW START HERE, AND THE MOUTH OF THE SOUTH, JIMMY HART, TRYIN' 4381 02:10:02,895 --> 02:10:05,296 SLOW START HERE, AND THE MOUTH OF THE SOUTH, JIMMY HART, TRYIN' TO GET THINGS BACK TOGETHER. 4382 02:10:05,298 --> 02:10:06,497 OF THE SOUTH, JIMMY HART, TRYIN' TO GET THINGS BACK TOGETHER. >> HE LOOKS LIKE HE'S HURT. 4383 02:10:06,499 --> 02:10:07,765 TO GET THINGS BACK TOGETHER. >> HE LOOKS LIKE HE'S HURT. >> HE'S DEFINITELY HURTING. 4384 02:10:07,767 --> 02:10:09,433 >> HE LOOKS LIKE HE'S HURT. >> HE'S DEFINITELY HURTING. >> ELVIRA, I WOULD LIKE TO SEE 4385 02:10:09,435 --> 02:10:10,668 >> HE'S DEFINITELY HURTING. >> ELVIRA, I WOULD LIKE TO SEE YOU IN THAT DRESS. 4386 02:10:10,670 --> 02:10:12,970 >> ELVIRA, I WOULD LIKE TO SEE YOU IN THAT DRESS. >> [LAUGHS] 4387 02:10:12,972 --> 02:10:14,505 YOU IN THAT DRESS. >> [LAUGHS] NOPE, DON'T HOLD YOUR BREATH, 4388 02:10:14,507 --> 02:10:15,673 >> [LAUGHS] NOPE, DON'T HOLD YOUR BREATH, OKAY? 4389 02:10:15,675 --> 02:10:16,440 NOPE, DON'T HOLD YOUR BREATH, OKAY? >> OH! 4390 02:10:16,442 --> 02:10:17,474 OKAY? >> OH! >> AND HERE, IT'S COMING OFF! 4391 02:10:17,476 --> 02:10:18,776 >> OH! >> AND HERE, IT'S COMING OFF! >> OH, NO! 4392 02:10:18,778 --> 02:10:19,710 >> AND HERE, IT'S COMING OFF! >> OH, NO! >> IT'S BEING RIPPED OFF BY 4393 02:10:19,712 --> 02:10:21,478 >> OH, NO! >> IT'S BEING RIPPED OFF BY UNCLE ELMER. 4394 02:10:21,480 --> 02:10:22,814 >> IT'S BEING RIPPED OFF BY UNCLE ELMER. ELMER'S HAD ENOUGH OF THAT 4395 02:10:22,816 --> 02:10:24,415 UNCLE ELMER. ELMER'S HAD ENOUGH OF THAT FINERY. 4396 02:10:24,417 --> 02:10:25,516 ELMER'S HAD ENOUGH OF THAT FINERY. HE'S GONNA SHOW HIM HOW A 4397 02:10:25,518 --> 02:10:38,662 FINERY. HE'S GONNA SHOW HIM HOW A COUNTRY BOY DOES IT. 4398 02:10:38,664 --> 02:10:40,965 HE'S GONNA SHOW HIM HOW A COUNTRY BOY DOES IT. >> ALL RIGHT. 4399 02:10:40,967 --> 02:10:42,933 COUNTRY BOY DOES IT. >> ALL RIGHT. >> NOW ADONIS REALLY IS IN 4400 02:10:42,935 --> 02:10:43,834 >> ALL RIGHT. >> NOW ADONIS REALLY IS IN TROUBLE. 4401 02:10:43,836 --> 02:10:45,636 >> NOW ADONIS REALLY IS IN TROUBLE. HE'S LOCKED IN THOSE ROPES. 4402 02:10:45,638 --> 02:10:46,837 TROUBLE. HE'S LOCKED IN THOSE ROPES. >> WHILE THE REFEREE SHOULD BE 4403 02:10:46,839 --> 02:10:48,505 HE'S LOCKED IN THOSE ROPES. >> WHILE THE REFEREE SHOULD BE STEPPIN' IN THERE AND GETTIN' 4404 02:10:48,507 --> 02:10:49,540 >> WHILE THE REFEREE SHOULD BE STEPPIN' IN THERE AND GETTIN' HIM LOOSE, JIMMY HART'S TRYING 4405 02:10:49,542 --> 02:10:50,774 STEPPIN' IN THERE AND GETTIN' HIM LOOSE, JIMMY HART'S TRYING TO DO IT HIMSELF RIGHT THERE. 4406 02:10:50,776 --> 02:10:51,909 HIM LOOSE, JIMMY HART'S TRYING TO DO IT HIMSELF RIGHT THERE. NOW ADORABLE'S LOOSE. 4407 02:10:51,911 --> 02:10:53,678 TO DO IT HIMSELF RIGHT THERE. NOW ADORABLE'S LOOSE. ADONIS HAS HAD VIRTUALLY NO 4408 02:10:53,680 --> 02:10:55,779 NOW ADORABLE'S LOOSE. ADONIS HAS HAD VIRTUALLY NO OFFENSE, BUT I'LL TELL YOU WHAT, 4409 02:10:55,781 --> 02:10:57,849 ADONIS HAS HAD VIRTUALLY NO OFFENSE, BUT I'LL TELL YOU WHAT, ALFRED, FOR ALL THAT HE LOOKS 4410 02:10:57,851 --> 02:10:58,950 OFFENSE, BUT I'LL TELL YOU WHAT, ALFRED, FOR ALL THAT HE LOOKS LIKE, HE'S STILL A VERY 4411 02:10:58,952 --> 02:11:00,451 ALFRED, FOR ALL THAT HE LOOKS LIKE, HE'S STILL A VERY DANGEROUS MAN. 4412 02:11:00,453 --> 02:11:01,518 LIKE, HE'S STILL A VERY DANGEROUS MAN. >> WELL, YES HE IS, JESSE. 4413 02:11:01,520 --> 02:11:02,587 DANGEROUS MAN. >> WELL, YES HE IS, JESSE. I MUST GIVE YOU THAT, BECAUSE 4414 02:11:02,589 --> 02:11:03,688 >> WELL, YES HE IS, JESSE. I MUST GIVE YOU THAT, BECAUSE LOOK WHAT HE'S DONE. 4415 02:11:03,690 --> 02:11:05,522 I MUST GIVE YOU THAT, BECAUSE LOOK WHAT HE'S DONE. HE'S FLOORED ELMER WITH JUST ONE 4416 02:11:05,524 --> 02:11:07,524 LOOK WHAT HE'S DONE. HE'S FLOORED ELMER WITH JUST ONE MIGHTY LEFT TO THE MIDSECTION, 4417 02:11:07,526 --> 02:11:09,460 HE'S FLOORED ELMER WITH JUST ONE MIGHTY LEFT TO THE MIDSECTION, AND I'M AFRAID ELMER IS DOWN ON 4418 02:11:09,462 --> 02:11:11,395 MIGHTY LEFT TO THE MIDSECTION, AND I'M AFRAID ELMER IS DOWN ON HIS KNEES, AND HE DOESN'T LOOK 4419 02:11:11,397 --> 02:11:16,600 AND I'M AFRAID ELMER IS DOWN ON HIS KNEES, AND HE DOESN'T LOOK TO GOOD AT THE MOMENT. 4420 02:11:16,602 --> 02:11:17,534 HIS KNEES, AND HE DOESN'T LOOK TO GOOD AT THE MOMENT. >> PUT THE DRESS BACK ON, PUT 4421 02:11:17,536 --> 02:11:19,303 TO GOOD AT THE MOMENT. >> PUT THE DRESS BACK ON, PUT THE DRESS BACK ON! 4422 02:11:19,305 --> 02:11:21,639 >> PUT THE DRESS BACK ON, PUT THE DRESS BACK ON! OH, WHAT JESSE? 4423 02:11:21,641 --> 02:11:22,306 THE DRESS BACK ON! OH, WHAT JESSE? >> [LAUGHS] 4424 02:11:22,308 --> 02:11:23,107 OH, WHAT JESSE? >> [LAUGHS] LORD, ELVIRA WANTS THE DRESS 4425 02:11:23,109 --> 02:11:24,609 >> [LAUGHS] LORD, ELVIRA WANTS THE DRESS PUT BACK ON. 4426 02:11:24,611 --> 02:11:25,843 LORD, ELVIRA WANTS THE DRESS PUT BACK ON. >> DRESS WAS BAD, BUT NOT AS BAD 4427 02:11:25,845 --> 02:11:27,678 PUT BACK ON. >> DRESS WAS BAD, BUT NOT AS BAD AS THIS. 4428 02:11:27,680 --> 02:11:28,579 >> DRESS WAS BAD, BUT NOT AS BAD AS THIS. >> OH, MY WORD! 4429 02:11:28,581 --> 02:11:29,780 AS THIS. >> OH, MY WORD! LOOK OUT, ELMER LAUNCH. 4430 02:11:29,782 --> 02:11:32,650 >> OH, MY WORD! LOOK OUT, ELMER LAUNCH. OOH! 4431 02:11:32,652 --> 02:11:34,518 LOOK OUT, ELMER LAUNCH. OOH! LOOK OUT! 4432 02:11:34,520 --> 02:11:35,820 OOH! LOOK OUT! SPLASH COMING! 4433 02:11:35,822 --> 02:11:36,687 LOOK OUT! SPLASH COMING! HERE HE COMES! 4434 02:11:36,689 --> 02:11:38,289 SPLASH COMING! HERE HE COMES! I'M AFRAID THIS IS THE END FOR 4435 02:11:38,291 --> 02:11:39,523 HERE HE COMES! I'M AFRAID THIS IS THE END FOR ADONIS! 4436 02:11:39,525 --> 02:11:42,326 I'M AFRAID THIS IS THE END FOR ADONIS! OH, NO! 4437 02:11:42,328 --> 02:11:43,394 ADONIS! OH, NO! >> I'LL TELL YOU, JESSE, I'VE 4438 02:11:43,396 --> 02:11:44,595 OH, NO! >> I'LL TELL YOU, JESSE, I'VE NEVER SEEN SO MUCH SAGGY LEAN IN 4439 02:11:44,597 --> 02:11:46,430 >> I'LL TELL YOU, JESSE, I'VE NEVER SEEN SO MUCH SAGGY LEAN IN ONE PLACE AT ONE TIME, I DON'T 4440 02:11:46,432 --> 02:11:47,698 NEVER SEEN SO MUCH SAGGY LEAN IN ONE PLACE AT ONE TIME, I DON'T THING, LIKE I SAID. 4441 02:11:47,700 --> 02:11:49,333 ONE PLACE AT ONE TIME, I DON'T THING, LIKE I SAID. >> BETWEEN THE BOTH OF 'EM? 4442 02:11:49,335 --> 02:11:50,567 THING, LIKE I SAID. >> BETWEEN THE BOTH OF 'EM? >> OH, NO, I WAS JUST TALKIN' 4443 02:11:50,569 --> 02:11:51,602 >> BETWEEN THE BOTH OF 'EM? >> OH, NO, I WAS JUST TALKIN' ABOUT ADONIS. 4444 02:11:51,604 --> 02:11:52,670 >> OH, NO, I WAS JUST TALKIN' ABOUT ADONIS. >> ADONIS GOING TO THE TOP ROPE. 4445 02:11:52,672 --> 02:11:53,604 ABOUT ADONIS. >> ADONIS GOING TO THE TOP ROPE. HE'S ... 4446 02:11:53,606 --> 02:11:55,639 >> ADONIS GOING TO THE TOP ROPE. HE'S ... A SPLASH FROM ADONIS, AND A KIND 4447 02:11:55,641 --> 02:11:56,707 HE'S ... A SPLASH FROM ADONIS, AND A KIND OF A HEADBUTT. 4448 02:11:56,709 --> 02:11:58,409 A SPLASH FROM ADONIS, AND A KIND OF A HEADBUTT. HE'S HOLDING HIM DOWN. 4449 02:11:58,411 --> 02:12:00,644 OF A HEADBUTT. HE'S HOLDING HIM DOWN. >> HE GOT HIM! 4450 02:12:00,646 --> 02:12:01,712 HE'S HOLDING HIM DOWN. >> HE GOT HIM! I'LL TELL YOU WHAT, FOR ALL YOU 4451 02:12:01,714 --> 02:12:03,514 >> HE GOT HIM! I'LL TELL YOU WHAT, FOR ALL YOU MIGHT NOT LIKE ADRIAN ADONIS, 4452 02:12:03,516 --> 02:12:05,649 I'LL TELL YOU WHAT, FOR ALL YOU MIGHT NOT LIKE ADRIAN ADONIS, BUT WHEN IT COMES TO WRESTLING, 4453 02:12:05,651 --> 02:12:06,784 MIGHT NOT LIKE ADRIAN ADONIS, BUT WHEN IT COMES TO WRESTLING, LEG WARMERS AND ALL, HE'S A VERY 4454 02:12:06,786 --> 02:12:08,619 BUT WHEN IT COMES TO WRESTLING, LEG WARMERS AND ALL, HE'S A VERY DANGEROUS MAN. 4455 02:12:08,621 --> 02:12:11,389 LEG WARMERS AND ALL, HE'S A VERY DANGEROUS MAN. >> HE CERTAINLY IS THERE, JESSE. 4456 02:12:11,391 --> 02:12:12,456 DANGEROUS MAN. >> HE CERTAINLY IS THERE, JESSE. AND THAT WAS A DESERVED VICTORY 4457 02:12:12,458 --> 02:12:13,824 >> HE CERTAINLY IS THERE, JESSE. AND THAT WAS A DESERVED VICTORY NOW. 4458 02:12:13,826 --> 02:12:14,892 AND THAT WAS A DESERVED VICTORY NOW. A VERY HARD EARNED VICTORY FOR 4459 02:12:14,894 --> 02:12:15,793 NOW. A VERY HARD EARNED VICTORY FOR ADONIS. 4460 02:12:15,795 --> 02:12:17,494 A VERY HARD EARNED VICTORY FOR ADONIS. LOOK AT HIM NOW, HE'S PUT THAT 4461 02:12:17,496 --> 02:12:18,495 ADONIS. LOOK AT HIM NOW, HE'S PUT THAT ROSE ON THE BACK OF THE COUNTRY 4462 02:12:18,497 --> 02:12:19,830 LOOK AT HIM NOW, HE'S PUT THAT ROSE ON THE BACK OF THE COUNTRY BOY. 4463 02:12:19,832 --> 02:12:20,931 ROSE ON THE BACK OF THE COUNTRY BOY. >> ONE THING I CAN SAY IS, I 4464 02:12:20,933 --> 02:12:23,367 BOY. >> ONE THING I CAN SAY IS, I NEVER TRUST A MAN WHO WEARS PINK 4465 02:12:23,369 --> 02:12:24,768 >> ONE THING I CAN SAY IS, I NEVER TRUST A MAN WHO WEARS PINK LEG WARMERS. 4466 02:12:24,770 --> 02:12:26,603 NEVER TRUST A MAN WHO WEARS PINK LEG WARMERS. >> YOU NEVER DO. 4467 02:12:26,605 --> 02:12:27,938 LEG WARMERS. >> YOU NEVER DO. >> NO, I'VE MADE THAT ONE OF MY 4468 02:12:27,940 --> 02:12:28,839 >> YOU NEVER DO. >> NO, I'VE MADE THAT ONE OF MY RULES OF MY LIFE. 4469 02:12:28,841 --> 02:12:29,974 >> NO, I'VE MADE THAT ONE OF MY RULES OF MY LIFE. >> WELL, THERE YOU GOT IT, LORD. 4470 02:12:29,976 --> 02:12:30,674 RULES OF MY LIFE. >> WELL, THERE YOU GOT IT, LORD. >> LET'S GO TO OUR ANNOUNCER FOR 4471 02:12:30,676 --> 02:12:32,510 >> WELL, THERE YOU GOT IT, LORD. >> LET'S GO TO OUR ANNOUNCER FOR THE OFFICIAL VERDICT. 4472 02:12:32,512 --> 02:12:34,878 >> LET'S GO TO OUR ANNOUNCER FOR THE OFFICIAL VERDICT. >> LADIES AND GENTLEMEN, HERE IS 4473 02:12:34,880 --> 02:12:39,650 THE OFFICIAL VERDICT. >> LADIES AND GENTLEMEN, HERE IS YOUR WINNER, THE ADORABLE ADRIAN 4474 02:12:39,652 --> 02:12:41,618 >> LADIES AND GENTLEMEN, HERE IS YOUR WINNER, THE ADORABLE ADRIAN ADONIS. 4475 02:12:41,620 --> 02:12:44,788 YOUR WINNER, THE ADORABLE ADRIAN ADONIS. [ BELL RINGING ] 4476 02:12:44,790 --> 02:12:45,856 ADONIS. [ BELL RINGING ] >> THERE'S THE WINNER, ADRIAN 4477 02:12:45,858 --> 02:12:49,760 [ BELL RINGING ] >> THERE'S THE WINNER, ADRIAN ADONIS. 4478 02:12:49,762 --> 02:12:51,429 >> THERE'S THE WINNER, ADRIAN ADONIS. AND HE'S NOT FINISHED WITH THE 4479 02:12:51,431 --> 02:12:53,564 ADONIS. AND HE'S NOT FINISHED WITH THE BIG COUNTRY BOY, LORD. 4480 02:12:53,566 --> 02:12:54,665 AND HE'S NOT FINISHED WITH THE BIG COUNTRY BOY, LORD. >> NOPE, HE GAVE HIM ANOTHER ONE 4481 02:12:54,667 --> 02:12:55,699 BIG COUNTRY BOY, LORD. >> NOPE, HE GAVE HIM ANOTHER ONE FOR GOOD MEASURE, THERE. 4482 02:12:55,701 --> 02:12:56,434 >> NOPE, HE GAVE HIM ANOTHER ONE FOR GOOD MEASURE, THERE. >> COME ON, ADRIAN, COME ON, 4483 02:12:56,436 --> 02:12:58,736 FOR GOOD MEASURE, THERE. >> COME ON, ADRIAN, COME ON, BABY, COME ON. 4484 02:12:58,738 --> 02:12:59,803 >> COME ON, ADRIAN, COME ON, BABY, COME ON. >> ELVIRA SAID -- ELVIRA SAID, 4485 02:12:59,805 --> 02:13:00,637 BABY, COME ON. >> ELVIRA SAID -- ELVIRA SAID, "NEVER TRUST A MAN WITH PINK LEG 4486 02:13:00,639 --> 02:13:01,772 >> ELVIRA SAID -- ELVIRA SAID, "NEVER TRUST A MAN WITH PINK LEG WARMERS." 4487 02:13:01,774 --> 02:13:03,474 "NEVER TRUST A MAN WITH PINK LEG WARMERS." >> WE GOT HIM GOOD, PAL! 4488 02:13:03,476 --> 02:13:03,941 WARMERS." >> WE GOT HIM GOOD, PAL! >> AND I WAS RIGHT. 4489 02:13:03,943 --> 02:13:04,542 >> WE GOT HIM GOOD, PAL! >> AND I WAS RIGHT. >> YOU'LL HAVE TO REMEMBER THAT, 4490 02:13:04,544 --> 02:13:05,542 >> AND I WAS RIGHT. >> YOU'LL HAVE TO REMEMBER THAT, LORD. 4491 02:13:05,544 --> 02:13:06,043 >> YOU'LL HAVE TO REMEMBER THAT, LORD. DON'T WEAR PINK ONES. 4492 02:13:06,045 --> 02:13:06,910 LORD. DON'T WEAR PINK ONES. >> [LAUGHS] 4493 02:13:06,912 --> 02:13:09,580 DON'T WEAR PINK ONES. >> [LAUGHS] JESSE, HOW COULD YOU SAY THAT? 4494 02:13:09,582 --> 02:13:11,649 >> [LAUGHS] JESSE, HOW COULD YOU SAY THAT? I'M AFRAID UNCLE ELMER IS NOT 4495 02:13:11,651 --> 02:13:13,684 JESSE, HOW COULD YOU SAY THAT? I'M AFRAID UNCLE ELMER IS NOT LOOKING TOO STEADY THERE. 4496 02:13:13,686 --> 02:13:16,487 I'M AFRAID UNCLE ELMER IS NOT LOOKING TOO STEADY THERE. HE TOOK A TREMENDOUS BEATING. 4497 02:13:16,489 --> 02:13:17,588 LOOKING TOO STEADY THERE. HE TOOK A TREMENDOUS BEATING. >> YOU KNOW, IT'S A SHAME TO SEE 4498 02:13:17,590 --> 02:13:19,356 HE TOOK A TREMENDOUS BEATING. >> YOU KNOW, IT'S A SHAME TO SEE A MAN THAT SIZE HAVE TO SUFFER 4499 02:13:19,358 --> 02:13:20,791 >> YOU KNOW, IT'S A SHAME TO SEE A MAN THAT SIZE HAVE TO SUFFER SO MUCH PAIN. 4500 02:13:20,793 --> 02:13:22,593 A MAN THAT SIZE HAVE TO SUFFER SO MUCH PAIN. WOULDN'T YOU SAY, JESSE? 4501 02:13:22,595 --> 02:13:23,260 SO MUCH PAIN. WOULDN'T YOU SAY, JESSE? >> OH, I DON'T KNOW, I DON'T 4502 02:13:23,262 --> 02:13:24,695 WOULDN'T YOU SAY, JESSE? >> OH, I DON'T KNOW, I DON'T MIND IT MYSELF. 4503 02:13:24,697 --> 02:13:25,863 >> OH, I DON'T KNOW, I DON'T MIND IT MYSELF. >> I'VE HEARD. 4504 02:13:25,865 --> 02:13:27,498 MIND IT MYSELF. >> I'VE HEARD. >> HE'S A WRESTLER, ELVIRA, AND 4505 02:13:27,500 --> 02:13:32,703 >> I'VE HEARD. >> HE'S A WRESTLER, ELVIRA, AND THAT'S WHAT HE'S HERE FOR. 4506 02:13:32,705 --> 02:13:33,704 >> HE'S A WRESTLER, ELVIRA, AND THAT'S WHAT HE'S HERE FOR. >> NOW, WE'RE GONNA TAKE TIME 4507 02:13:33,706 --> 02:13:34,638 THAT'S WHAT HE'S HERE FOR. >> NOW, WE'RE GONNA TAKE TIME OUT, WE'RE GONNA GO TO MY 4508 02:13:34,640 --> 02:13:37,541 >> NOW, WE'RE GONNA TAKE TIME OUT, WE'RE GONNA GO TO MY COLLEAGUE, LORD ALFRED HAYES, 4509 02:13:37,543 --> 02:13:39,510 OUT, WE'RE GONNA GO TO MY COLLEAGUE, LORD ALFRED HAYES, WITH A BIG, BIG INTERVIEW WITH 4510 02:13:39,512 --> 02:13:40,577 COLLEAGUE, LORD ALFRED HAYES, WITH A BIG, BIG INTERVIEW WITH THE WORLD HEAVYWEIGHT CHAMPION, 4511 02:13:40,579 --> 02:13:43,847 WITH A BIG, BIG INTERVIEW WITH THE WORLD HEAVYWEIGHT CHAMPION, HULK HOGAN. 4512 02:13:43,849 --> 02:13:45,582 THE WORLD HEAVYWEIGHT CHAMPION, HULK HOGAN. >> STANDING NEXT TO ME, THE 4513 02:13:45,584 --> 02:13:46,650 HULK HOGAN. >> STANDING NEXT TO ME, THE WORLD HEAVYWEIGHT CHAMPION, HULK 4514 02:13:46,652 --> 02:13:48,319 >> STANDING NEXT TO ME, THE WORLD HEAVYWEIGHT CHAMPION, HULK HOGAN. 4515 02:13:48,321 --> 02:13:50,588 WORLD HEAVYWEIGHT CHAMPION, HULK HOGAN. HULK, THIS WILL UNDOUBTEDLY BE 4516 02:13:50,590 --> 02:13:52,356 HOGAN. HULK, THIS WILL UNDOUBTEDLY BE YOUR TOUGHEST TITLE DEFENSE YET. 4517 02:13:52,358 --> 02:13:53,724 HULK, THIS WILL UNDOUBTEDLY BE YOUR TOUGHEST TITLE DEFENSE YET. IT'S RUMORED THAT YOU'RE NOT 4518 02:13:53,726 --> 02:13:55,526 YOUR TOUGHEST TITLE DEFENSE YET. IT'S RUMORED THAT YOU'RE NOT EXACTLY 100 PERCENT FIT, AND 4519 02:13:55,528 --> 02:13:57,495 IT'S RUMORED THAT YOU'RE NOT EXACTLY 100 PERCENT FIT, AND IT'S ALSO SAID THAT BUNDY MAY 4520 02:13:57,497 --> 02:13:58,796 EXACTLY 100 PERCENT FIT, AND IT'S ALSO SAID THAT BUNDY MAY HAVE A PSYCHOLOGICAL EDGE 4521 02:13:58,798 --> 02:14:00,464 IT'S ALSO SAID THAT BUNDY MAY HAVE A PSYCHOLOGICAL EDGE AGAINST YOU, HAVING PUT YOU IN 4522 02:14:00,466 --> 02:14:01,765 HAVE A PSYCHOLOGICAL EDGE AGAINST YOU, HAVING PUT YOU IN THE HOSPITAL ONCE BEFORE. 4523 02:14:01,767 --> 02:14:03,734 AGAINST YOU, HAVING PUT YOU IN THE HOSPITAL ONCE BEFORE. NOW, THIS IS A STEAL CAGE. 4524 02:14:03,736 --> 02:14:04,802 THE HOSPITAL ONCE BEFORE. NOW, THIS IS A STEAL CAGE. HOW DO YOU FEEL? 4525 02:14:04,804 --> 02:14:05,802 NOW, THIS IS A STEAL CAGE. HOW DO YOU FEEL? >> WELL, YOU KNOW SOMETHING 4526 02:14:05,804 --> 02:14:06,837 HOW DO YOU FEEL? >> WELL, YOU KNOW SOMETHING AWFUL, ALFRED? 4527 02:14:06,839 --> 02:14:08,539 >> WELL, YOU KNOW SOMETHING AWFUL, ALFRED? THERE'S A LOT OF RUMORS GOING 4528 02:14:08,541 --> 02:14:09,673 AWFUL, ALFRED? THERE'S A LOT OF RUMORS GOING AROUND, MAN, THAT THE HULKSTER'S 4529 02:14:09,675 --> 02:14:11,308 THERE'S A LOT OF RUMORS GOING AROUND, MAN, THAT THE HULKSTER'S ALL BUSTED UP AND LAID UP. 4530 02:14:11,310 --> 02:14:12,242 AROUND, MAN, THAT THE HULKSTER'S ALL BUSTED UP AND LAID UP. SO WHAT? 4531 02:14:12,244 --> 02:14:12,910 ALL BUSTED UP AND LAID UP. SO WHAT? THIS IS FOR THE WORLD 4532 02:14:12,912 --> 02:14:14,411 SO WHAT? THIS IS FOR THE WORLD HEAVYWEIGHT TITLE. 4533 02:14:14,413 --> 02:14:14,945 THIS IS FOR THE WORLD HEAVYWEIGHT TITLE. WE'VE BEEN LIVIN' THIS 4534 02:14:14,947 --> 02:14:16,781 HEAVYWEIGHT TITLE. WE'VE BEEN LIVIN' THIS HULKAMANIA THING ONE DAY AT A 4535 02:14:16,783 --> 02:14:17,781 WE'VE BEEN LIVIN' THIS HULKAMANIA THING ONE DAY AT A TIME. 4536 02:14:17,783 --> 02:14:19,249 HULKAMANIA THING ONE DAY AT A TIME. AND NOW THAT WE'VE GOT SO MANY 4537 02:14:19,251 --> 02:14:20,417 TIME. AND NOW THAT WE'VE GOT SO MANY BELIEVERS, SO MANY NEW 4538 02:14:20,419 --> 02:14:21,585 AND NOW THAT WE'VE GOT SO MANY BELIEVERS, SO MANY NEW GENERATIONS TO FOLLOW, IT'S 4539 02:14:21,587 --> 02:14:22,653 BELIEVERS, SO MANY NEW GENERATIONS TO FOLLOW, IT'S GONNA LIVE FOREVER. 4540 02:14:22,655 --> 02:14:24,555 GENERATIONS TO FOLLOW, IT'S GONNA LIVE FOREVER. SO, AWFUL ALFRED HAYES, EVEN IF 4541 02:14:24,557 --> 02:14:25,790 GONNA LIVE FOREVER. SO, AWFUL ALFRED HAYES, EVEN IF I HAD TO CRAWL TO THE RING WITH 4542 02:14:25,792 --> 02:14:28,625 SO, AWFUL ALFRED HAYES, EVEN IF I HAD TO CRAWL TO THE RING WITH ONE GOOD ARM, BROTHER, I'D STILL 4543 02:14:28,627 --> 02:14:30,494 I HAD TO CRAWL TO THE RING WITH ONE GOOD ARM, BROTHER, I'D STILL TIE HIM IN THAT CAGE, MAN. 4544 02:14:30,496 --> 02:14:31,829 ONE GOOD ARM, BROTHER, I'D STILL TIE HIM IN THAT CAGE, MAN. I'D STILL STAND BEHIND THIS 4545 02:14:31,831 --> 02:14:33,497 TIE HIM IN THAT CAGE, MAN. I'D STILL STAND BEHIND THIS WORLD TITLE LIKE A MAN. 4546 02:14:33,499 --> 02:14:35,766 I'D STILL STAND BEHIND THIS WORLD TITLE LIKE A MAN. AND AS FAR AS THAT LONG, SLOW 4547 02:14:35,768 --> 02:14:37,768 WORLD TITLE LIKE A MAN. AND AS FAR AS THAT LONG, SLOW ROLLIN' RIDE IN THAT COFFIN, SO 4548 02:14:37,770 --> 02:14:39,570 AND AS FAR AS THAT LONG, SLOW ROLLIN' RIDE IN THAT COFFIN, SO CALLED AMBULANCE, I'VE BEEN 4549 02:14:39,572 --> 02:14:40,771 ROLLIN' RIDE IN THAT COFFIN, SO CALLED AMBULANCE, I'VE BEEN THINKING ABOUT IT NIGHT AND DAY, 4550 02:14:40,773 --> 02:14:41,672 CALLED AMBULANCE, I'VE BEEN THINKING ABOUT IT NIGHT AND DAY, BROTHER. 4551 02:14:41,674 --> 02:14:43,374 THINKING ABOUT IT NIGHT AND DAY, BROTHER. I'VE BEEN THINKING ABOUT THE 4552 02:14:43,376 --> 02:14:44,541 BROTHER. I'VE BEEN THINKING ABOUT THE ANIMOSITY, THE WAY I FEEL, THE 4553 02:14:44,543 --> 02:14:46,743 I'VE BEEN THINKING ABOUT THE ANIMOSITY, THE WAY I FEEL, THE AGGRESSIVENESS. 4554 02:14:46,745 --> 02:14:47,678 ANIMOSITY, THE WAY I FEEL, THE AGGRESSIVENESS. AND WHEN I STEP IN THAT CAGE, 4555 02:14:47,680 --> 02:14:48,779 AGGRESSIVENESS. AND WHEN I STEP IN THAT CAGE, WITH THE WHOLE WORLD WATCHIN', 4556 02:14:48,781 --> 02:14:51,482 AND WHEN I STEP IN THAT CAGE, WITH THE WHOLE WORLD WATCHIN', MAN, WRESTLEMANIA 2, HULKAMANIA 4557 02:14:51,484 --> 02:14:53,851 WITH THE WHOLE WORLD WATCHIN', MAN, WRESTLEMANIA 2, HULKAMANIA RUNNIN' AWILD AROUND THE WORLD, 4558 02:14:53,853 --> 02:14:55,519 MAN, WRESTLEMANIA 2, HULKAMANIA RUNNIN' AWILD AROUND THE WORLD, I KIND OF FEEL SORRY FOR KING 4559 02:14:55,521 --> 02:14:56,553 RUNNIN' AWILD AROUND THE WORLD, I KIND OF FEEL SORRY FOR KING KONG BUNDY. 4560 02:14:56,555 --> 02:14:57,921 I KIND OF FEEL SORRY FOR KING KONG BUNDY. I'MA TAKE ALL THOSE FEELINGS OF 4561 02:14:57,923 --> 02:14:59,523 KONG BUNDY. I'MA TAKE ALL THOSE FEELINGS OF HIM, SLAP THOSE FEELINGS AROUND, 4562 02:14:59,525 --> 02:15:01,492 I'MA TAKE ALL THOSE FEELINGS OF HIM, SLAP THOSE FEELINGS AROUND, TAKE AWAY HIS PRIDE, MAN, AND 4563 02:15:01,494 --> 02:15:02,759 HIM, SLAP THOSE FEELINGS AROUND, TAKE AWAY HIS PRIDE, MAN, AND PUT THE PRIDE BACK IN THE WORLD 4564 02:15:02,761 --> 02:15:04,828 TAKE AWAY HIS PRIDE, MAN, AND PUT THE PRIDE BACK IN THE WORLD TITLE, BECAUSE I'M CLIMBIN' OUT 4565 02:15:04,830 --> 02:15:06,597 PUT THE PRIDE BACK IN THE WORLD TITLE, BECAUSE I'M CLIMBIN' OUT OF THAT CAGE. 4566 02:15:06,599 --> 02:15:07,698 TITLE, BECAUSE I'M CLIMBIN' OUT OF THAT CAGE. I'M GONNA WIN THAT MATCH, AND 4567 02:15:07,700 --> 02:15:09,666 OF THAT CAGE. I'M GONNA WIN THAT MATCH, AND ALL I CAN HOPE FOR IS BOBBY "THE 4568 02:15:09,668 --> 02:15:11,301 I'M GONNA WIN THAT MATCH, AND ALL I CAN HOPE FOR IS BOBBY "THE WEASEL" HEENAN, PLEASE STICK 4569 02:15:11,303 --> 02:15:12,436 ALL I CAN HOPE FOR IS BOBBY "THE WEASEL" HEENAN, PLEASE STICK YOUR NOSE IN MY BUSINESS. 4570 02:15:12,438 --> 02:15:13,370 WEASEL" HEENAN, PLEASE STICK YOUR NOSE IN MY BUSINESS. >> EVERYBODY'S WAITING TO SAY, 4571 02:15:13,372 --> 02:15:14,138 YOUR NOSE IN MY BUSINESS. >> EVERYBODY'S WAITING TO SAY, "GOOD LUCK" TO YOU ON YOUR TITLE 4572 02:15:14,140 --> 02:15:14,671 >> EVERYBODY'S WAITING TO SAY, "GOOD LUCK" TO YOU ON YOUR TITLE FIGHTS. 4573 02:15:14,673 --> 02:15:18,742 "GOOD LUCK" TO YOU ON YOUR TITLE FIGHTS. >> OH, MAN! 4574 02:15:18,744 --> 02:15:19,576 FIGHTS. >> OH, MAN! >> WELL, WE'RE BACK HERE AT 4575 02:15:19,578 --> 02:15:20,677 >> OH, MAN! >> WELL, WE'RE BACK HERE AT RINGSIDE, AND THERE YOU SEE 'EM, 4576 02:15:20,679 --> 02:15:22,646 >> WELL, WE'RE BACK HERE AT RINGSIDE, AND THERE YOU SEE 'EM, THE FUNK BROTHERS, WITH THEIR 4577 02:15:22,648 --> 02:15:24,281 RINGSIDE, AND THERE YOU SEE 'EM, THE FUNK BROTHERS, WITH THEIR MANAGER, JIMMY HART, AND I'LL 4578 02:15:24,283 --> 02:15:25,549 THE FUNK BROTHERS, WITH THEIR MANAGER, JIMMY HART, AND I'LL TELL YOU SOMETHING, LORD, THESE 4579 02:15:25,551 --> 02:15:26,683 MANAGER, JIMMY HART, AND I'LL TELL YOU SOMETHING, LORD, THESE GUYS NEED TAKE A BACKSEAT TO NO 4580 02:15:26,685 --> 02:15:28,819 TELL YOU SOMETHING, LORD, THESE GUYS NEED TAKE A BACKSEAT TO NO ONE FOR JUST BEIN' DOWNRIGHT 4581 02:15:28,821 --> 02:15:30,488 GUYS NEED TAKE A BACKSEAT TO NO ONE FOR JUST BEIN' DOWNRIGHT NASTY. 4582 02:15:30,490 --> 02:15:31,622 ONE FOR JUST BEIN' DOWNRIGHT NASTY. >> THEY REALLY ARE, AND THEY'VE 4583 02:15:31,624 --> 02:15:32,389 NASTY. >> THEY REALLY ARE, AND THEY'VE CERTAINLY MADE THEIR MARK IN A 4584 02:15:32,391 --> 02:15:37,394 >> THEY REALLY ARE, AND THEY'VE CERTAINLY MADE THEIR MARK IN A VERY, VERY SHORT PERIOD OF TIME. 4585 02:15:37,396 --> 02:15:38,395 CERTAINLY MADE THEIR MARK IN A VERY, VERY SHORT PERIOD OF TIME. >> CONTEST IS SCHEDULED FOR ONE 4586 02:15:38,397 --> 02:15:40,497 VERY, VERY SHORT PERIOD OF TIME. >> CONTEST IS SCHEDULED FOR ONE FALL, WITH A 30 MINUTE TIME 4587 02:15:40,499 --> 02:15:42,866 >> CONTEST IS SCHEDULED FOR ONE FALL, WITH A 30 MINUTE TIME LIMIT. 4588 02:15:42,868 --> 02:15:44,501 FALL, WITH A 30 MINUTE TIME LIMIT. INTRODUCING IN THE RING, FIRST 4589 02:15:44,503 --> 02:15:46,403 LIMIT. INTRODUCING IN THE RING, FIRST OF ALL, HERE IS THE MANAGER, THE 4590 02:15:46,405 --> 02:15:52,676 INTRODUCING IN THE RING, FIRST OF ALL, HERE IS THE MANAGER, THE MOUTH OF THE SOUTH, JIMMY HART. 4591 02:15:52,678 --> 02:15:54,478 OF ALL, HERE IS THE MANAGER, THE MOUTH OF THE SOUTH, JIMMY HART. AND HE REPRESENTS, FROM THE 4592 02:15:54,480 --> 02:15:56,380 MOUTH OF THE SOUTH, JIMMY HART. AND HE REPRESENTS, FROM THE DOUBLE CROSS RANCH IN AMARILLO, 4593 02:15:56,382 --> 02:15:58,449 AND HE REPRESENTS, FROM THE DOUBLE CROSS RANCH IN AMARILLO, TEXAS, WITH A TOTAL COMBINED 4594 02:15:58,451 --> 02:16:01,485 DOUBLE CROSS RANCH IN AMARILLO, TEXAS, WITH A TOTAL COMBINED WEIGHT OF 519 POUNDS, TERRY AND 4595 02:16:01,487 --> 02:16:06,524 TEXAS, WITH A TOTAL COMBINED WEIGHT OF 519 POUNDS, TERRY AND HOSS, THE FUNK BROTHERS. 4596 02:16:06,526 --> 02:16:10,494 WEIGHT OF 519 POUNDS, TERRY AND HOSS, THE FUNK BROTHERS. [ BELL RINGING ] 4597 02:16:10,496 --> 02:16:12,462 HOSS, THE FUNK BROTHERS. [ BELL RINGING ] >> AND THEIR OPPONENTS, NOW 4598 02:16:12,464 --> 02:16:17,701 [ BELL RINGING ] >> AND THEIR OPPONENTS, NOW ENTERING THE RING, FROM TACULA, 4599 02:16:17,703 --> 02:16:22,639 >> AND THEIR OPPONENTS, NOW ENTERING THE RING, FROM TACULA, MEXICO, WEIGHING 244 POUNDS, 4600 02:16:22,641 --> 02:16:28,445 ENTERING THE RING, FROM TACULA, MEXICO, WEIGHING 244 POUNDS, CHICO SANTANA. 4601 02:16:28,447 --> 02:16:29,746 MEXICO, WEIGHING 244 POUNDS, CHICO SANTANA. AND HIS PARTNER FROM CHARLOTTE, 4602 02:16:29,748 --> 02:16:33,484 CHICO SANTANA. AND HIS PARTNER FROM CHARLOTTE, NORTH CAROLINA, WEIGHING 250 4603 02:16:33,486 --> 02:16:58,542 AND HIS PARTNER FROM CHARLOTTE, NORTH CAROLINA, WEIGHING 250 POUNDS, THE JUNKYARD DOG. 4604 02:16:58,544 --> 02:16:59,476 NORTH CAROLINA, WEIGHING 250 POUNDS, THE JUNKYARD DOG. >> AND THERE'S THE JYD, I'LL 4605 02:16:59,478 --> 02:17:00,644 POUNDS, THE JUNKYARD DOG. >> AND THERE'S THE JYD, I'LL TELL YOU SOMETHING, ALFRED 4606 02:17:00,646 --> 02:17:04,448 >> AND THERE'S THE JYD, I'LL TELL YOU SOMETHING, ALFRED HAYES, I'VE SAID IT BEFORE, AND 4607 02:17:04,450 --> 02:17:05,782 TELL YOU SOMETHING, ALFRED HAYES, I'VE SAID IT BEFORE, AND THE JUNKYARD DOG, SHOULD NOT BE 4608 02:17:05,784 --> 02:17:07,451 HAYES, I'VE SAID IT BEFORE, AND THE JUNKYARD DOG, SHOULD NOT BE ALLOWED TO CARRY THAT CHAIN INTO 4609 02:17:07,453 --> 02:17:08,719 THE JUNKYARD DOG, SHOULD NOT BE ALLOWED TO CARRY THAT CHAIN INTO A RING. 4610 02:17:08,721 --> 02:17:09,853 ALLOWED TO CARRY THAT CHAIN INTO A RING. THAT'S A LETHAL WEAPON, THERE'S 4611 02:17:09,855 --> 02:17:11,622 A RING. THAT'S A LETHAL WEAPON, THERE'S NO PLACE FOR IT, HAYES. 4612 02:17:11,624 --> 02:17:12,756 THAT'S A LETHAL WEAPON, THERE'S NO PLACE FOR IT, HAYES. >> JESSE, HE'S DONE NOTHING WITH 4613 02:17:12,758 --> 02:17:13,591 NO PLACE FOR IT, HAYES. >> JESSE, HE'S DONE NOTHING WITH THE CHAIN. 4614 02:17:13,593 --> 02:17:15,726 >> JESSE, HE'S DONE NOTHING WITH THE CHAIN. IT'S JUST AN EMBLEM OF WHAT HE 4615 02:17:15,728 --> 02:17:16,760 THE CHAIN. IT'S JUST AN EMBLEM OF WHAT HE IS. 4616 02:17:16,762 --> 02:17:18,295 IT'S JUST AN EMBLEM OF WHAT HE IS. NOW LOOK AT THE FUNK BROTHERS 4617 02:17:18,297 --> 02:17:19,396 IS. NOW LOOK AT THE FUNK BROTHERS THROWING STEEL CHAIRS INTO THE 4618 02:17:19,398 --> 02:17:19,863 NOW LOOK AT THE FUNK BROTHERS THROWING STEEL CHAIRS INTO THE RING, JESSE. 4619 02:17:19,865 --> 02:17:21,498 THROWING STEEL CHAIRS INTO THE RING, JESSE. >> WHAT WOULD YOU EXPECT? 4620 02:17:21,500 --> 02:17:22,566 RING, JESSE. >> WHAT WOULD YOU EXPECT? I'D THROW A CHAIR IN THERE, TOO, 4621 02:17:22,568 --> 02:17:23,533 >> WHAT WOULD YOU EXPECT? I'D THROW A CHAIR IN THERE, TOO, IF SOMEBODY WALKED IN WITH A BIG 4622 02:17:23,535 --> 02:17:25,435 I'D THROW A CHAIR IN THERE, TOO, IF SOMEBODY WALKED IN WITH A BIG CHAIN INTO THE RING. 4623 02:17:25,437 --> 02:17:26,637 IF SOMEBODY WALKED IN WITH A BIG CHAIN INTO THE RING. WELL, I'LL TELL YOU, THIS IS 4624 02:17:26,639 --> 02:17:27,871 CHAIN INTO THE RING. WELL, I'LL TELL YOU, THIS IS GONNA BE ONE HECK OF TAG TEAM 4625 02:17:27,873 --> 02:17:28,605 WELL, I'LL TELL YOU, THIS IS GONNA BE ONE HECK OF TAG TEAM MATCH. 4626 02:17:28,607 --> 02:17:30,741 GONNA BE ONE HECK OF TAG TEAM MATCH. CHICO SANTANA AND THE JYD 4627 02:17:30,743 --> 02:17:32,776 MATCH. CHICO SANTANA AND THE JYD AGAINST, FROM THE DOUBLE CROSS 4628 02:17:32,778 --> 02:17:38,615 CHICO SANTANA AND THE JYD AGAINST, FROM THE DOUBLE CROSS RANCH, TERRY AND HOSS FUNK. 4629 02:17:38,617 --> 02:17:39,483 AGAINST, FROM THE DOUBLE CROSS RANCH, TERRY AND HOSS FUNK. AND DON'T FORGET THE MOUTH EDGE. 4630 02:17:39,485 --> 02:17:40,751 RANCH, TERRY AND HOSS FUNK. AND DON'T FORGET THE MOUTH EDGE. DO YOU LIKE THE MOUSE SOUP, 4631 02:17:40,753 --> 02:17:41,852 AND DON'T FORGET THE MOUTH EDGE. DO YOU LIKE THE MOUSE SOUP, ELVIRA? 4632 02:17:41,854 --> 02:17:43,487 DO YOU LIKE THE MOUSE SOUP, ELVIRA? HOW DO YOU LIKE THE MOUTH? 4633 02:17:43,489 --> 02:17:44,087 ELVIRA? HOW DO YOU LIKE THE MOUTH? YOU THINK THE MOUSE DRESSED 4634 02:17:44,089 --> 02:17:44,554 HOW DO YOU LIKE THE MOUTH? YOU THINK THE MOUSE DRESSED OKAY? 4635 02:17:44,556 --> 02:17:45,489 YOU THINK THE MOUSE DRESSED OKAY? >> YEAH, I TELL YOU, I WOULDN'T 4636 02:17:45,491 --> 02:17:46,490 OKAY? >> YEAH, I TELL YOU, I WOULDN'T WANT TO RUN INTO ANY OF THESE 4637 02:17:46,492 --> 02:17:47,758 >> YEAH, I TELL YOU, I WOULDN'T WANT TO RUN INTO ANY OF THESE DUDES IN A DARK ALLEY ANY NIGHT, 4638 02:17:47,760 --> 02:17:58,502 WANT TO RUN INTO ANY OF THESE DUDES IN A DARK ALLEY ANY NIGHT, JESSE, YOU KNOW. 4639 02:17:58,504 --> 02:18:00,471 DUDES IN A DARK ALLEY ANY NIGHT, JESSE, YOU KNOW. >> AND THERE'S HOSS FUNK BACKING 4640 02:18:00,473 --> 02:18:01,838 JESSE, YOU KNOW. >> AND THERE'S HOSS FUNK BACKING THE JYD INTO THE CORNER, COUPLE 4641 02:18:01,840 --> 02:18:04,241 >> AND THERE'S HOSS FUNK BACKING THE JYD INTO THE CORNER, COUPLE OF BIG FOREARMS, AND GOES FOR AN 4642 02:18:04,243 --> 02:18:05,376 THE JYD INTO THE CORNER, COUPLE OF BIG FOREARMS, AND GOES FOR AN IRISH WHIP. 4643 02:18:05,378 --> 02:18:06,610 OF BIG FOREARMS, AND GOES FOR AN IRISH WHIP. REVERSES IT. 4644 02:18:06,612 --> 02:18:07,744 IRISH WHIP. REVERSES IT. WOW, AND FLOWS THE FUNK BROTHERS 4645 02:18:07,746 --> 02:18:11,415 REVERSES IT. WOW, AND FLOWS THE FUNK BROTHERS TOGETHER. 4646 02:18:11,417 --> 02:18:12,616 WOW, AND FLOWS THE FUNK BROTHERS TOGETHER. AND BODY SLAM. 4647 02:18:12,618 --> 02:18:15,452 TOGETHER. AND BODY SLAM. TERRY FUNK, ANOTHER BODY SLAM. 4648 02:18:15,454 --> 02:18:18,522 AND BODY SLAM. TERRY FUNK, ANOTHER BODY SLAM. HOSS FUNK, A THIRD BODY SLAM. 4649 02:18:18,524 --> 02:18:20,691 TERRY FUNK, ANOTHER BODY SLAM. HOSS FUNK, A THIRD BODY SLAM. CHICO SANTANA'S INTO THE RING. 4650 02:18:20,693 --> 02:18:22,326 HOSS FUNK, A THIRD BODY SLAM. CHICO SANTANA'S INTO THE RING. AND BOTH THE FUNKS ARE OUT ONTO 4651 02:18:22,328 --> 02:18:23,593 CHICO SANTANA'S INTO THE RING. AND BOTH THE FUNKS ARE OUT ONTO THE FLOOR, AND JIMMY HART'S 4652 02:18:23,595 --> 02:18:25,595 AND BOTH THE FUNKS ARE OUT ONTO THE FLOOR, AND JIMMY HART'S GONNA HAVE TO GET THEM OUT 4653 02:18:25,597 --> 02:18:31,935 THE FLOOR, AND JIMMY HART'S GONNA HAVE TO GET THEM OUT THERE, REGROUP 'EM, LORD. 4654 02:18:31,937 --> 02:18:33,737 GONNA HAVE TO GET THEM OUT THERE, REGROUP 'EM, LORD. REFEREE, DAVID HEBNER'S GOT TO 4655 02:18:33,739 --> 02:18:34,671 THERE, REGROUP 'EM, LORD. REFEREE, DAVID HEBNER'S GOT TO GET SOME CONTROL OF HIS TAG TEAM 4656 02:18:34,673 --> 02:18:35,606 REFEREE, DAVID HEBNER'S GOT TO GET SOME CONTROL OF HIS TAG TEAM MATCH. 4657 02:18:35,608 --> 02:18:36,640 GET SOME CONTROL OF HIS TAG TEAM MATCH. IT'LL BE TOUGH, THOUGH, WITH THE 4658 02:18:36,642 --> 02:18:37,708 MATCH. IT'LL BE TOUGH, THOUGH, WITH THE FUNK BROTHERS AND JYB AND CHICO 4659 02:18:37,710 --> 02:18:39,609 IT'LL BE TOUGH, THOUGH, WITH THE FUNK BROTHERS AND JYB AND CHICO SANTANA. 4660 02:18:39,611 --> 02:18:40,744 FUNK BROTHERS AND JYB AND CHICO SANTANA. >> HE'S DEFINITELY GONNA HAVE 4661 02:18:40,746 --> 02:18:42,312 SANTANA. >> HE'S DEFINITELY GONNA HAVE HIS HANDS FULL, JESSE, TRYING TO 4662 02:18:42,314 --> 02:18:44,481 >> HE'S DEFINITELY GONNA HAVE HIS HANDS FULL, JESSE, TRYING TO CONTROL THESE TWO WILD BOYS FROM 4663 02:18:44,483 --> 02:18:48,685 HIS HANDS FULL, JESSE, TRYING TO CONTROL THESE TWO WILD BOYS FROM AMARILLO, TEXAS. 4664 02:18:48,687 --> 02:18:50,454 CONTROL THESE TWO WILD BOYS FROM AMARILLO, TEXAS. >> JYD AND HOSS FUNK. 4665 02:18:50,456 --> 02:18:53,757 AMARILLO, TEXAS. >> JYD AND HOSS FUNK. THERE YOU SEE HOSS GOING OVER 4666 02:18:53,759 --> 02:18:55,559 >> JYD AND HOSS FUNK. THERE YOU SEE HOSS GOING OVER THROWIN' A FLAGRANT KICK THERE 4667 02:18:55,561 --> 02:18:56,560 THERE YOU SEE HOSS GOING OVER THROWIN' A FLAGRANT KICK THERE AT CHICO SANTANA. 4668 02:18:56,562 --> 02:18:57,594 THROWIN' A FLAGRANT KICK THERE AT CHICO SANTANA. LET CHICO KNOW HE DOESN'T LIKE 4669 02:18:57,596 --> 02:18:58,629 AT CHICO SANTANA. LET CHICO KNOW HE DOESN'T LIKE HIS PARTICIPATION THE LAST 4670 02:18:58,631 --> 02:19:02,466 LET CHICO KNOW HE DOESN'T LIKE HIS PARTICIPATION THE LAST COUPLE OF MINUTES. 4671 02:19:02,468 --> 02:19:03,267 HIS PARTICIPATION THE LAST COUPLE OF MINUTES. THERE'S A TAG AND IN COMES TITO 4672 02:19:03,269 --> 02:19:03,767 COUPLE OF MINUTES. THERE'S A TAG AND IN COMES TITO SANTANA. 4673 02:19:03,769 --> 02:19:04,568 THERE'S A TAG AND IN COMES TITO SANTANA. >> SENSIBLE TURN AT THAT POINT, 4674 02:19:04,570 --> 02:19:05,435 SANTANA. >> SENSIBLE TURN AT THAT POINT, BECAUSE JUNKYARD DOG HAS BEEN IN 4675 02:19:05,437 --> 02:19:07,237 >> SENSIBLE TURN AT THAT POINT, BECAUSE JUNKYARD DOG HAS BEEN IN THERE, MADE HIS MARK, AND HE 4676 02:19:07,239 --> 02:19:09,306 BECAUSE JUNKYARD DOG HAS BEEN IN THERE, MADE HIS MARK, AND HE CERTAINLY THREW THOSE TWO FUNK 4677 02:19:09,308 --> 02:19:10,574 THERE, MADE HIS MARK, AND HE CERTAINLY THREW THOSE TWO FUNK BOYS AROUND THE RING, AND 4678 02:19:10,576 --> 02:19:12,409 CERTAINLY THREW THOSE TWO FUNK BOYS AROUND THE RING, AND EVENTUALLY OUT OF THE RING. 4679 02:19:12,411 --> 02:19:14,578 BOYS AROUND THE RING, AND EVENTUALLY OUT OF THE RING. SANTANA, A MORE REFINED STYLE OF 4680 02:19:14,580 --> 02:19:16,613 EVENTUALLY OUT OF THE RING. SANTANA, A MORE REFINED STYLE OF WRESTLING, BUT HE CAN CERTAINLY 4681 02:19:16,615 --> 02:19:18,281 SANTANA, A MORE REFINED STYLE OF WRESTLING, BUT HE CAN CERTAINLY LOOK AFTER HIMSELF. 4682 02:19:18,283 --> 02:19:19,483 WRESTLING, BUT HE CAN CERTAINLY LOOK AFTER HIMSELF. >> WELL, HE'S GONNA HAVE TO WITH 4683 02:19:19,485 --> 02:19:20,450 LOOK AFTER HIMSELF. >> WELL, HE'S GONNA HAVE TO WITH THE FUNK BROTHERS. 4684 02:19:20,452 --> 02:19:21,618 >> WELL, HE'S GONNA HAVE TO WITH THE FUNK BROTHERS. TERRY FUNK BACKED TITO INTO THE 4685 02:19:21,620 --> 02:19:23,520 THE FUNK BROTHERS. TERRY FUNK BACKED TITO INTO THE CORNER. 4686 02:19:23,522 --> 02:19:24,821 TERRY FUNK BACKED TITO INTO THE CORNER. BIG CHOP, SECOND ONE, THIRD ONE, 4687 02:19:24,823 --> 02:19:26,323 CORNER. BIG CHOP, SECOND ONE, THIRD ONE, FOURTH ONE. 4688 02:19:26,325 --> 02:19:27,458 BIG CHOP, SECOND ONE, THIRD ONE, FOURTH ONE. BIG ELBOW, AND CHICO'S IN 4689 02:19:27,460 --> 02:19:28,658 FOURTH ONE. BIG ELBOW, AND CHICO'S IN TROUBLE. 4690 02:19:28,660 --> 02:19:30,361 BIG ELBOW, AND CHICO'S IN TROUBLE. SANTANA FIRING FUNK OF THE 4691 02:19:30,363 --> 02:19:32,295 TROUBLE. SANTANA FIRING FUNK OF THE ROPES, DROPPED OUT, AND FUNK 4692 02:19:32,297 --> 02:19:33,330 SANTANA FIRING FUNK OF THE ROPES, DROPPED OUT, AND FUNK CAUGHT HIMSELF ON THE ROPES AND 4693 02:19:33,332 --> 02:19:34,865 ROPES, DROPPED OUT, AND FUNK CAUGHT HIMSELF ON THE ROPES AND HUNG HIMSELF UP. 4694 02:19:34,867 --> 02:19:36,466 CAUGHT HIMSELF ON THE ROPES AND HUNG HIMSELF UP. WHOA! 4695 02:19:36,468 --> 02:19:37,701 HUNG HIMSELF UP. WHOA! GOT CLOTHESLINED BY SANTANA, AND 4696 02:19:37,703 --> 02:19:40,470 WHOA! GOT CLOTHESLINED BY SANTANA, AND TERRY FUNK IS OUT ON THE FLOOR. 4697 02:19:40,472 --> 02:19:41,772 GOT CLOTHESLINED BY SANTANA, AND TERRY FUNK IS OUT ON THE FLOOR. BUT WAIT, COME IN THE RING. 4698 02:19:41,774 --> 02:19:43,607 TERRY FUNK IS OUT ON THE FLOOR. BUT WAIT, COME IN THE RING. DOWN GOES HOSS FUNK, HE'LL SEEK 4699 02:19:43,609 --> 02:19:44,741 BUT WAIT, COME IN THE RING. DOWN GOES HOSS FUNK, HE'LL SEEK A DROPKICK. 4700 02:19:44,743 --> 02:19:46,576 DOWN GOES HOSS FUNK, HE'LL SEEK A DROPKICK. AND HOSS FUNK BAILING OUT. 4701 02:19:46,578 --> 02:19:47,711 A DROPKICK. AND HOSS FUNK BAILING OUT. AND I GOT TO SAY, CREDIT WHERE 4702 02:19:47,713 --> 02:19:48,745 AND HOSS FUNK BAILING OUT. AND I GOT TO SAY, CREDIT WHERE CREDIT'S DUE, TITO SANTANA AND 4703 02:19:48,747 --> 02:19:51,615 AND I GOT TO SAY, CREDIT WHERE CREDIT'S DUE, TITO SANTANA AND THE JYD LOOKIN' AWFUL TOUGH, 4704 02:19:51,617 --> 02:19:53,517 CREDIT'S DUE, TITO SANTANA AND THE JYD LOOKIN' AWFUL TOUGH, LORD ALFRED. 4705 02:19:53,519 --> 02:19:54,351 THE JYD LOOKIN' AWFUL TOUGH, LORD ALFRED. >> SANTANA LOOKIN' JUST 4706 02:19:54,353 --> 02:19:55,719 LORD ALFRED. >> SANTANA LOOKIN' JUST ABSOLUTELY FANTASTIC. 4707 02:19:55,721 --> 02:19:58,555 >> SANTANA LOOKIN' JUST ABSOLUTELY FANTASTIC. WHAT A WONDERFUL DROPKICK THAT 4708 02:19:58,557 --> 02:20:01,224 ABSOLUTELY FANTASTIC. WHAT A WONDERFUL DROPKICK THAT WAS THAT FLOORED THE BIGGER OF 4709 02:20:01,226 --> 02:20:02,726 WHAT A WONDERFUL DROPKICK THAT WAS THAT FLOORED THE BIGGER OF THE TWO FUNK BROTHERS, THE OLDER 4710 02:20:02,728 --> 02:20:04,227 WAS THAT FLOORED THE BIGGER OF THE TWO FUNK BROTHERS, THE OLDER OF THE TWO FUNK BROTHERS, HOSS 4711 02:20:04,229 --> 02:20:04,728 THE TWO FUNK BROTHERS, THE OLDER OF THE TWO FUNK BROTHERS, HOSS FUNK. 4712 02:20:04,730 --> 02:20:05,695 OF THE TWO FUNK BROTHERS, HOSS FUNK. HE HAD NO RIGHT TO BE IN THE 4713 02:20:05,697 --> 02:20:06,663 FUNK. HE HAD NO RIGHT TO BE IN THE RING. 4714 02:20:06,665 --> 02:20:07,397 HE HAD NO RIGHT TO BE IN THE RING. SANTANA CERTAINLY DISPATCHED 4715 02:20:07,399 --> 02:20:11,902 RING. SANTANA CERTAINLY DISPATCHED HIM. 4716 02:20:11,904 --> 02:20:13,703 SANTANA CERTAINLY DISPATCHED HIM. >> WE GOT HIM, JESSE, WE GOT 4717 02:20:13,705 --> 02:20:15,539 HIM. >> WE GOT HIM, JESSE, WE GOT HIM, BABY, WE GOT HIM, BABY, I'M 4718 02:20:15,541 --> 02:20:15,906 >> WE GOT HIM, JESSE, WE GOT HIM, BABY, WE GOT HIM, BABY, I'M TELLIN' YA. 4719 02:20:15,908 --> 02:20:16,573 HIM, BABY, WE GOT HIM, BABY, I'M TELLIN' YA. >> THERE YOU SEE THE MOUTH 4720 02:20:16,575 --> 02:20:17,775 TELLIN' YA. >> THERE YOU SEE THE MOUTH COMIN' OVER TO TELL ME AND YOU, 4721 02:20:17,777 --> 02:20:20,043 >> THERE YOU SEE THE MOUTH COMIN' OVER TO TELL ME AND YOU, LORD. 4722 02:20:20,045 --> 02:20:20,777 COMIN' OVER TO TELL ME AND YOU, LORD. HE SAYS, "WE GOT 'EM, WE GOT 4723 02:20:20,779 --> 02:20:21,478 LORD. HE SAYS, "WE GOT 'EM, WE GOT 'EM. 4724 02:20:21,480 --> 02:20:22,579 HE SAYS, "WE GOT 'EM, WE GOT 'EM. I'LL TELL YA." 4725 02:20:22,581 --> 02:20:23,279 'EM. I'LL TELL YA." RIGHT NOW, TELLIN' IT LIKE IT 4726 02:20:23,281 --> 02:20:23,914 I'LL TELL YA." RIGHT NOW, TELLIN' IT LIKE IT IS, IT'S PROBABLY JYD AND CHICO 4727 02:20:23,916 --> 02:20:24,748 RIGHT NOW, TELLIN' IT LIKE IT IS, IT'S PROBABLY JYD AND CHICO SANTANA WITH THE EARLY ADVANTAGE 4728 02:20:24,750 --> 02:20:27,818 IS, IT'S PROBABLY JYD AND CHICO SANTANA WITH THE EARLY ADVANTAGE HERE. 4729 02:20:27,820 --> 02:20:29,453 SANTANA WITH THE EARLY ADVANTAGE HERE. THERE'S A TAG MADE BY SANTANA, 4730 02:20:29,455 --> 02:20:31,354 HERE. THERE'S A TAG MADE BY SANTANA, AND IN COMES THE JUNKYARD DOG, 4731 02:20:31,356 --> 02:20:33,723 THERE'S A TAG MADE BY SANTANA, AND IN COMES THE JUNKYARD DOG, AGAINST TERRIBLE TERRY FUNK, AND 4732 02:20:33,725 --> 02:20:34,724 AND IN COMES THE JUNKYARD DOG, AGAINST TERRIBLE TERRY FUNK, AND EVERYBODY KNOWS, ELVIRA, THERE'S 4733 02:20:34,726 --> 02:20:37,561 AGAINST TERRIBLE TERRY FUNK, AND EVERYBODY KNOWS, ELVIRA, THERE'S NO LOVE LOST BETWEEN THESE TWO. 4734 02:20:37,563 --> 02:20:38,728 EVERYBODY KNOWS, ELVIRA, THERE'S NO LOVE LOST BETWEEN THESE TWO. >> YEAH, UH ... 4735 02:20:38,730 --> 02:20:40,464 NO LOVE LOST BETWEEN THESE TWO. >> YEAH, UH ... [LAUGHS] 4736 02:20:40,466 --> 02:20:41,898 >> YEAH, UH ... [LAUGHS] I THINK IT WAS A LOVE EVEN 4737 02:20:41,900 --> 02:20:44,334 [LAUGHS] I THINK IT WAS A LOVE EVEN FOUND BETWEEN THESE TWO, JESSE. 4738 02:20:44,336 --> 02:20:46,570 I THINK IT WAS A LOVE EVEN FOUND BETWEEN THESE TWO, JESSE. >> JYD RAMMIN' FUNK HEADFIRST 4739 02:20:46,572 --> 02:20:48,439 FOUND BETWEEN THESE TWO, JESSE. >> JYD RAMMIN' FUNK HEADFIRST INTO THE TOP OF THE FOUR, FIVE, 4740 02:20:48,441 --> 02:20:50,340 >> JYD RAMMIN' FUNK HEADFIRST INTO THE TOP OF THE FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, TEN 4741 02:20:50,342 --> 02:20:51,608 INTO THE TOP OF THE FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, TEN TIMES, THE CROWD'S COUNTIN', 4742 02:20:51,610 --> 02:20:52,609 SIX, SEVEN, EIGHT, NINE, TEN TIMES, THE CROWD'S COUNTIN', LORD. 4743 02:20:52,611 --> 02:20:54,277 TIMES, THE CROWD'S COUNTIN', LORD. >> AND THE FUNKS AREN'T LOOKIN' 4744 02:20:54,279 --> 02:20:55,545 LORD. >> AND THE FUNKS AREN'T LOOKIN' TOO COMFORTABLE AT THE MOMENT. 4745 02:20:55,547 --> 02:20:57,614 >> AND THE FUNKS AREN'T LOOKIN' TOO COMFORTABLE AT THE MOMENT. IN FACT, THEY'RE WELL ON THEIR 4746 02:20:57,616 --> 02:20:58,815 TOO COMFORTABLE AT THE MOMENT. IN FACT, THEY'RE WELL ON THEIR WAY, JESSE, TO BEING APPARENTLY 4747 02:20:58,817 --> 02:21:02,686 IN FACT, THEY'RE WELL ON THEIR WAY, JESSE, TO BEING APPARENTLY LOSERS IN THIS CONTEST. 4748 02:21:02,688 --> 02:21:03,687 WAY, JESSE, TO BEING APPARENTLY LOSERS IN THIS CONTEST. >> TERRY FUNK DEFINITELY IS. 4749 02:21:03,689 --> 02:21:05,388 LOSERS IN THIS CONTEST. >> TERRY FUNK DEFINITELY IS. I'M NOT SURE WHERE HE'S AT, AT 4750 02:21:05,390 --> 02:21:07,524 >> TERRY FUNK DEFINITELY IS. I'M NOT SURE WHERE HE'S AT, AT THIS POINT IN TIME. 4751 02:21:07,526 --> 02:21:09,359 I'M NOT SURE WHERE HE'S AT, AT THIS POINT IN TIME. AND JYD, THE TOUGH GUY HE IS, HE 4752 02:21:09,361 --> 02:21:10,393 THIS POINT IN TIME. AND JYD, THE TOUGH GUY HE IS, HE DEFINITELY WON'T LET HIM OFF THE 4753 02:21:10,395 --> 02:21:11,394 AND JYD, THE TOUGH GUY HE IS, HE DEFINITELY WON'T LET HIM OFF THE HOOK, RIGHT WITHOUT HANDING HIM 4754 02:21:11,396 --> 02:21:12,696 DEFINITELY WON'T LET HIM OFF THE HOOK, RIGHT WITHOUT HANDING HIM THE BUCKLE AGAIN. 4755 02:21:12,698 --> 02:21:13,563 HOOK, RIGHT WITHOUT HANDING HIM THE BUCKLE AGAIN. AND LOOK AT THE TURNBUCKLE'S 4756 02:21:13,565 --> 02:21:15,499 THE BUCKLE AGAIN. AND LOOK AT THE TURNBUCKLE'S ACTUALLY COMIN' LOOSE, LORD. 4757 02:21:15,501 --> 02:21:16,533 AND LOOK AT THE TURNBUCKLE'S ACTUALLY COMIN' LOOSE, LORD. >> YES, IT IS. 4758 02:21:16,535 --> 02:21:17,601 ACTUALLY COMIN' LOOSE, LORD. >> YES, IT IS. BUT, MIND YOU, IT IS FUNK. 4759 02:21:17,603 --> 02:21:18,635 >> YES, IT IS. BUT, MIND YOU, IT IS FUNK. >> A BLOW LIKE THAT CANNOT HELP 4760 02:21:18,637 --> 02:21:19,836 BUT, MIND YOU, IT IS FUNK. >> A BLOW LIKE THAT CANNOT HELP ANYBODY'S IQ, I DON'T THINK, DO 4761 02:21:19,838 --> 02:21:21,538 >> A BLOW LIKE THAT CANNOT HELP ANYBODY'S IQ, I DON'T THINK, DO YOU? 4762 02:21:21,540 --> 02:21:22,573 ANYBODY'S IQ, I DON'T THINK, DO YOU? >> NO, I DON'T BELIEVE SO, 4763 02:21:22,575 --> 02:21:24,474 YOU? >> NO, I DON'T BELIEVE SO, ELVIRA. 4764 02:21:24,476 --> 02:21:25,742 >> NO, I DON'T BELIEVE SO, ELVIRA. >> TERRY FUNK IS A TENACIOUS 4765 02:21:25,744 --> 02:21:26,677 ELVIRA. >> TERRY FUNK IS A TENACIOUS BATTLER, THOUGH, AND I DON'T SEE 4766 02:21:26,679 --> 02:21:28,545 >> TERRY FUNK IS A TENACIOUS BATTLER, THOUGH, AND I DON'T SEE THAT REALLY NECESSARILY BEATING 4767 02:21:28,547 --> 02:21:29,847 BATTLER, THOUGH, AND I DON'T SEE THAT REALLY NECESSARILY BEATING HIM. 4768 02:21:29,849 --> 02:21:30,914 THAT REALLY NECESSARILY BEATING HIM. I'VE SEEN HIM TAKE TREMENDOUS 4769 02:21:30,916 --> 02:21:32,616 HIM. I'VE SEEN HIM TAKE TREMENDOUS ... 4770 02:21:32,618 --> 02:21:33,483 I'VE SEEN HIM TAKE TREMENDOUS ... >> OH, THERE HE GOES! 4771 02:21:33,485 --> 02:21:34,485 ... >> OH, THERE HE GOES! >> RIGHT OVER THE TOP ROPE. 4772 02:21:34,487 --> 02:21:38,488 >> OH, THERE HE GOES! >> RIGHT OVER THE TOP ROPE. >> COME ON, YOU PIN HEAD! 4773 02:21:38,490 --> 02:21:40,457 >> RIGHT OVER THE TOP ROPE. >> COME ON, YOU PIN HEAD! >> ACTUALLY, THOUGH, I FORGOT IS 4774 02:21:40,459 --> 02:21:41,825 >> COME ON, YOU PIN HEAD! >> ACTUALLY, THOUGH, I FORGOT IS A STUPID MOVE ON THE PART OF THE 4775 02:21:41,827 --> 02:21:43,427 >> ACTUALLY, THOUGH, I FORGOT IS A STUPID MOVE ON THE PART OF THE JYD, 'CAUSE HE'S GONNA TERRY 4776 02:21:43,429 --> 02:21:44,928 A STUPID MOVE ON THE PART OF THE JYD, 'CAUSE HE'S GONNA TERRY CHANCE NOW ... 4777 02:21:44,930 --> 02:21:46,429 JYD, 'CAUSE HE'S GONNA TERRY CHANCE NOW ... TERRY FUNK A CHANCE TO RECOVER, 4778 02:21:46,431 --> 02:21:47,898 CHANCE NOW ... TERRY FUNK A CHANCE TO RECOVER, LORD. 4779 02:21:47,900 --> 02:21:48,732 TERRY FUNK A CHANCE TO RECOVER, LORD. >> I DON'T KNOW SO MUCH ABOUT 4780 02:21:48,734 --> 02:21:49,900 LORD. >> I DON'T KNOW SO MUCH ABOUT THAT. 4781 02:21:49,902 --> 02:21:51,568 >> I DON'T KNOW SO MUCH ABOUT THAT. THIS IS A CONCRETE FLOOR OUTSIDE 4782 02:21:51,570 --> 02:21:53,604 THAT. THIS IS A CONCRETE FLOOR OUTSIDE HERE, JESSE, AND THAT BUMP 4783 02:21:53,606 --> 02:21:54,671 THIS IS A CONCRETE FLOOR OUTSIDE HERE, JESSE, AND THAT BUMP COULD'VE REALLY PUT HIM OUT FOR 4784 02:21:54,673 --> 02:21:56,540 HERE, JESSE, AND THAT BUMP COULD'VE REALLY PUT HIM OUT FOR THE REST OF THE EVENING, AND 4785 02:21:56,542 --> 02:21:57,841 COULD'VE REALLY PUT HIM OUT FOR THE REST OF THE EVENING, AND THAT WOULD'VE LEFT ONLY HOSS TO 4786 02:21:57,843 --> 02:22:00,611 THE REST OF THE EVENING, AND THAT WOULD'VE LEFT ONLY HOSS TO FACE JYD AND TITO SANTANA. 4787 02:22:00,613 --> 02:22:09,553 THAT WOULD'VE LEFT ONLY HOSS TO FACE JYD AND TITO SANTANA. PRETTY GOOD. 4788 02:22:09,555 --> 02:22:11,521 FACE JYD AND TITO SANTANA. PRETTY GOOD. >> SANTANA WITH THE SACK ... 4789 02:22:11,523 --> 02:22:12,455 PRETTY GOOD. >> SANTANA WITH THE SACK ... WHOA, AND FUNK CAUGHT HIM WITH A 4790 02:22:12,457 --> 02:22:13,423 >> SANTANA WITH THE SACK ... WHOA, AND FUNK CAUGHT HIM WITH A BIG KNEE AND A BIG UPPERCUT. 4791 02:22:13,425 --> 02:22:14,624 WHOA, AND FUNK CAUGHT HIM WITH A BIG KNEE AND A BIG UPPERCUT. CHICO'S IN TROUBLE NOW, A SECOND 4792 02:22:14,626 --> 02:22:17,561 BIG KNEE AND A BIG UPPERCUT. CHICO'S IN TROUBLE NOW, A SECOND UP THE GUT. 4793 02:22:17,563 --> 02:22:18,828 CHICO'S IN TROUBLE NOW, A SECOND UP THE GUT. HOSS FUNK THROWING THOSE 4794 02:22:18,830 --> 02:22:23,333 UP THE GUT. HOSS FUNK THROWING THOSE PATENTED TEXAS-STYLE UPPERCUTS, 4795 02:22:23,335 --> 02:22:23,901 HOSS FUNK THROWING THOSE PATENTED TEXAS-STYLE UPPERCUTS, A KICK TO THE STOMACH. 4796 02:22:23,903 --> 02:22:25,335 PATENTED TEXAS-STYLE UPPERCUTS, A KICK TO THE STOMACH. NOW THEY'RE GOING TO WORK ON HIM 4797 02:22:25,337 --> 02:22:26,403 A KICK TO THE STOMACH. NOW THEY'RE GOING TO WORK ON HIM FUNK-STYLE. 4798 02:22:26,405 --> 02:22:27,537 NOW THEY'RE GOING TO WORK ON HIM FUNK-STYLE. SANTANA INTO THE ROPES, AND LEAP 4799 02:22:27,539 --> 02:22:29,706 FUNK-STYLE. SANTANA INTO THE ROPES, AND LEAP FROG OVER THE TOP. 4800 02:22:29,708 --> 02:22:31,475 SANTANA INTO THE ROPES, AND LEAP FROG OVER THE TOP. SECOND LEAP FROG, OFF THE ROPES. 4801 02:22:31,477 --> 02:22:31,808 FROG OVER THE TOP. SECOND LEAP FROG, OFF THE ROPES. WHOA! 4802 02:22:31,810 --> 02:22:33,877 SECOND LEAP FROG, OFF THE ROPES. WHOA! TITO SANTANA FOR A COVER. 4803 02:22:33,879 --> 02:22:36,613 WHOA! TITO SANTANA FOR A COVER. ONE, TWO, TERRY FUNK FLYING IN 4804 02:22:36,615 --> 02:22:38,482 TITO SANTANA FOR A COVER. ONE, TWO, TERRY FUNK FLYING IN TO MAKE THE SAVE. 4805 02:22:38,484 --> 02:22:39,649 ONE, TWO, TERRY FUNK FLYING IN TO MAKE THE SAVE. >> WELL, WHO'S THAT VICIOUS, 4806 02:22:39,651 --> 02:22:40,417 TO MAKE THE SAVE. >> WELL, WHO'S THAT VICIOUS, WOW! 4807 02:22:40,419 --> 02:22:41,818 >> WELL, WHO'S THAT VICIOUS, WOW! >> TITO SANTANA NEARLY PUT THAT 4808 02:22:41,820 --> 02:22:44,454 WOW! >> TITO SANTANA NEARLY PUT THAT FINISH TO THAT BUMP, JESSE. 4809 02:22:44,456 --> 02:22:46,856 >> TITO SANTANA NEARLY PUT THAT FINISH TO THAT BUMP, JESSE. YOU MUST ADMIT, RIGHT NOW, THAT 4810 02:22:46,858 --> 02:22:48,892 FINISH TO THAT BUMP, JESSE. YOU MUST ADMIT, RIGHT NOW, THAT SANTANA AND JUNKYARD DOG ARE 4811 02:22:48,894 --> 02:22:51,294 YOU MUST ADMIT, RIGHT NOW, THAT SANTANA AND JUNKYARD DOG ARE LOOKING PRETTY GOOD. 4812 02:22:51,296 --> 02:22:52,629 SANTANA AND JUNKYARD DOG ARE LOOKING PRETTY GOOD. >> THEY'RE LOOKING GOOD, BUT 4813 02:22:52,631 --> 02:22:53,630 LOOKING PRETTY GOOD. >> THEY'RE LOOKING GOOD, BUT I'LL TELL YOU WHAT, LORD. 4814 02:22:53,632 --> 02:22:54,998 >> THEY'RE LOOKING GOOD, BUT I'LL TELL YOU WHAT, LORD. THE MOUTH OF THE SOUTH IS GONNA 4815 02:22:55,000 --> 02:22:56,700 I'LL TELL YOU WHAT, LORD. THE MOUTH OF THE SOUTH IS GONNA RALLY HIS GUYS, AND THEY'RE NOT 4816 02:22:56,702 --> 02:22:58,602 THE MOUTH OF THE SOUTH IS GONNA RALLY HIS GUYS, AND THEY'RE NOT DONE YET. 4817 02:22:58,604 --> 02:23:00,671 RALLY HIS GUYS, AND THEY'RE NOT DONE YET. HERE'S SANTANA DRAGGING HOSS 4818 02:23:00,673 --> 02:23:01,638 DONE YET. HERE'S SANTANA DRAGGING HOSS FUNK IN THE RING, TERRY TRYIN' 4819 02:23:01,640 --> 02:23:03,673 HERE'S SANTANA DRAGGING HOSS FUNK IN THE RING, TERRY TRYIN' TO HOLD ON, DOESN'T DO ANY GOOD. 4820 02:23:03,675 --> 02:23:05,342 FUNK IN THE RING, TERRY TRYIN' TO HOLD ON, DOESN'T DO ANY GOOD. FIRE SANTANA IN CRISSCROSS, BACK 4821 02:23:05,344 --> 02:23:06,443 TO HOLD ON, DOESN'T DO ANY GOOD. FIRE SANTANA IN CRISSCROSS, BACK AND FORTH. 4822 02:23:06,445 --> 02:23:07,544 FIRE SANTANA IN CRISSCROSS, BACK AND FORTH. LET'S SEE WHICH ONE STOPS IN THE 4823 02:23:07,546 --> 02:23:08,645 AND FORTH. LET'S SEE WHICH ONE STOPS IN THE CENTER. 4824 02:23:08,647 --> 02:23:11,214 LET'S SEE WHICH ONE STOPS IN THE CENTER. WHOA! 4825 02:23:11,216 --> 02:23:12,181 CENTER. WHOA! >> NOW, WHAT ABOUT THAT, JESSE? 4826 02:23:12,183 --> 02:23:13,516 WHOA! >> NOW, WHAT ABOUT THAT, JESSE? NOW, CAN YOU TELL ME THAT THAT 4827 02:23:13,518 --> 02:23:15,418 >> NOW, WHAT ABOUT THAT, JESSE? NOW, CAN YOU TELL ME THAT THAT WAS AN ILLEGAL MOVE OR NOT? 4828 02:23:15,420 --> 02:23:17,520 NOW, CAN YOU TELL ME THAT THAT WAS AN ILLEGAL MOVE OR NOT? >> WHAT A BEAUTIFUL MOVE BY 4829 02:23:17,522 --> 02:23:18,588 WAS AN ILLEGAL MOVE OR NOT? >> WHAT A BEAUTIFUL MOVE BY TERRIBLE TERRY FUNK. 4830 02:23:18,590 --> 02:23:19,656 >> WHAT A BEAUTIFUL MOVE BY TERRIBLE TERRY FUNK. >> OOH, SANTANA LOOKS LIKE HE'S 4831 02:23:19,658 --> 02:23:20,790 TERRIBLE TERRY FUNK. >> OOH, SANTANA LOOKS LIKE HE'S REALLY HURT, THERE. 4832 02:23:20,792 --> 02:23:21,658 >> OOH, SANTANA LOOKS LIKE HE'S REALLY HURT, THERE. REALLY GOT IT IN THE BACK. 4833 02:23:21,660 --> 02:23:22,692 REALLY HURT, THERE. REALLY GOT IT IN THE BACK. >> TERRY FUNK CAUGHT HIM WITH A 4834 02:23:22,694 --> 02:23:25,495 REALLY GOT IT IN THE BACK. >> TERRY FUNK CAUGHT HIM WITH A KNEE FROM OUTSIDE THE RING. 4835 02:23:25,497 --> 02:23:26,630 >> TERRY FUNK CAUGHT HIM WITH A KNEE FROM OUTSIDE THE RING. SMART TAG TEAM MOVE BY TERRY 4836 02:23:26,632 --> 02:23:29,699 KNEE FROM OUTSIDE THE RING. SMART TAG TEAM MOVE BY TERRY FUNK. 4837 02:23:29,701 --> 02:23:30,701 SMART TAG TEAM MOVE BY TERRY FUNK. >> JUST AS SANTANA AND JUNKYARD 4838 02:23:30,703 --> 02:23:32,769 FUNK. >> JUST AS SANTANA AND JUNKYARD DOG WERE DOING SO WELL ... 4839 02:23:32,771 --> 02:23:35,639 >> JUST AS SANTANA AND JUNKYARD DOG WERE DOING SO WELL ... >> MAN, YOU COULD HEAR THAT SO 4840 02:23:35,641 --> 02:23:36,406 DOG WERE DOING SO WELL ... >> MAN, YOU COULD HEAR THAT SO -- OH! 4841 02:23:36,408 --> 02:23:37,140 >> MAN, YOU COULD HEAR THAT SO -- OH! >> OH, AND YOU SEE THE MOUTH OF 4842 02:23:37,142 --> 02:23:37,807 -- OH! >> OH, AND YOU SEE THE MOUTH OF THE SOUTH GETTIN' IN HIS MIX, 4843 02:23:37,809 --> 02:23:38,675 >> OH, AND YOU SEE THE MOUTH OF THE SOUTH GETTIN' IN HIS MIX, LORD. 4844 02:23:38,677 --> 02:23:40,977 THE SOUTH GETTIN' IN HIS MIX, LORD. >> DID YOU SEE HIM RUN WHEN 4845 02:23:40,979 --> 02:23:42,946 LORD. >> DID YOU SEE HIM RUN WHEN JUNKYARD DOG CAME OUT AFTER HIM? 4846 02:23:42,948 --> 02:23:43,713 >> DID YOU SEE HIM RUN WHEN JUNKYARD DOG CAME OUT AFTER HIM? >> YEAH. 4847 02:23:43,715 --> 02:23:44,781 JUNKYARD DOG CAME OUT AFTER HIM? >> YEAH. THE JYD WAS TOO LITTLE TOO LATE. 4848 02:23:44,783 --> 02:23:46,383 >> YEAH. THE JYD WAS TOO LITTLE TOO LATE. THE MOUTH ALREADY DID HIS 4849 02:23:46,385 --> 02:23:48,452 THE JYD WAS TOO LITTLE TOO LATE. THE MOUTH ALREADY DID HIS DAMAGE. 4850 02:23:48,454 --> 02:23:49,586 THE MOUTH ALREADY DID HIS DAMAGE. >> TWO, THREE, FOUR ... 4851 02:23:49,588 --> 02:23:50,454 DAMAGE. >> TWO, THREE, FOUR ... >> AND THERE'S THE MOUTH GOING 4852 02:23:50,456 --> 02:23:51,421 >> TWO, THREE, FOUR ... >> AND THERE'S THE MOUTH GOING WITH THE MEGAPHONE, AND HOSS 4853 02:23:51,423 --> 02:23:52,623 >> AND THERE'S THE MOUTH GOING WITH THE MEGAPHONE, AND HOSS FUNK DELIVERING THE BOOTS, TERRY 4854 02:23:52,625 --> 02:23:56,893 WITH THE MEGAPHONE, AND HOSS FUNK DELIVERING THE BOOTS, TERRY FUNK, KICK TO THE HEAD. 4855 02:23:56,895 --> 02:23:57,627 FUNK DELIVERING THE BOOTS, TERRY FUNK, KICK TO THE HEAD. >> STAY ON HIM, BABY! 4856 02:23:57,629 --> 02:23:58,695 FUNK, KICK TO THE HEAD. >> STAY ON HIM, BABY! COME ON, SANTANA, GIVE IT UP, 4857 02:23:58,697 --> 02:23:59,796 >> STAY ON HIM, BABY! COME ON, SANTANA, GIVE IT UP, BABY! 4858 02:23:59,798 --> 02:24:00,730 COME ON, SANTANA, GIVE IT UP, BABY! GIVE IT UP, SANTANA! 4859 02:24:00,732 --> 02:24:02,298 BABY! GIVE IT UP, SANTANA! >> WHY DOESN'T SOMEBODY GET THAT 4860 02:24:02,300 --> 02:24:03,366 GIVE IT UP, SANTANA! >> WHY DOESN'T SOMEBODY GET THAT GUY OUT OF HERE, THAT MANAGER? 4861 02:24:03,368 --> 02:24:04,401 >> WHY DOESN'T SOMEBODY GET THAT GUY OUT OF HERE, THAT MANAGER? WHY DON'T THEY GIVE HIM ... 4862 02:24:04,403 --> 02:24:05,535 GUY OUT OF HERE, THAT MANAGER? WHY DON'T THEY GIVE HIM ... IS HE ALLOWED TO DO ALL THIS? 4863 02:24:05,537 --> 02:24:06,336 WHY DON'T THEY GIVE HIM ... IS HE ALLOWED TO DO ALL THIS? >> SURE HE IS, HE HELPS US WITH 4864 02:24:06,338 --> 02:24:06,836 IS HE ALLOWED TO DO ALL THIS? >> SURE HE IS, HE HELPS US WITH THE PLAY-BY-PLAY WITH THAT 4865 02:24:06,838 --> 02:24:08,571 >> SURE HE IS, HE HELPS US WITH THE PLAY-BY-PLAY WITH THAT MEGAPHONE. 4866 02:24:08,573 --> 02:24:09,539 THE PLAY-BY-PLAY WITH THAT MEGAPHONE. >> YEAH, BUT HE WAS KICKING THAT 4867 02:24:09,541 --> 02:24:10,840 MEGAPHONE. >> YEAH, BUT HE WAS KICKING THAT GUY! 4868 02:24:10,842 --> 02:24:11,641 >> YEAH, BUT HE WAS KICKING THAT GUY! >> WELL, THE REFEREE DON'T SEE 4869 02:24:11,643 --> 02:24:12,442 GUY! >> WELL, THE REFEREE DON'T SEE IT! 4870 02:24:12,444 --> 02:24:13,643 >> WELL, THE REFEREE DON'T SEE IT! >> ANOTHER HIT AND RUN, WITH 4871 02:24:13,645 --> 02:24:14,377 IT! >> ANOTHER HIT AND RUN, WITH JUNKYARD DOG CHASING HIM. 4872 02:24:14,379 --> 02:24:15,479 >> ANOTHER HIT AND RUN, WITH JUNKYARD DOG CHASING HIM. JUNKYARD DOG ROUND TO HELP 4873 02:24:15,481 --> 02:24:16,546 JUNKYARD DOG CHASING HIM. JUNKYARD DOG ROUND TO HELP SANTANA. 4874 02:24:16,548 --> 02:24:17,514 JUNKYARD DOG ROUND TO HELP SANTANA. AND HE BETTER GET HIM BACK 4875 02:24:17,516 --> 02:24:18,515 SANTANA. AND HE BETTER GET HIM BACK QUICKLY. 4876 02:24:18,517 --> 02:24:19,650 AND HE BETTER GET HIM BACK QUICKLY. >> YOU'RE NO BETTER THAN ANYONE. 4877 02:24:19,652 --> 02:24:21,685 QUICKLY. >> YOU'RE NO BETTER THAN ANYONE. ALL IS FAIR IN LOVE AND WAR. 4878 02:24:21,687 --> 02:24:23,754 >> YOU'RE NO BETTER THAN ANYONE. ALL IS FAIR IN LOVE AND WAR. AND THIS IS WAR. 4879 02:24:23,756 --> 02:24:24,688 ALL IS FAIR IN LOVE AND WAR. AND THIS IS WAR. >> WELL, I'LL SAY THAT FOR LOVE, 4880 02:24:24,690 --> 02:24:28,458 AND THIS IS WAR. >> WELL, I'LL SAY THAT FOR LOVE, BUT I DON'T ABOUT WAR, JESSE. 4881 02:24:28,460 --> 02:24:29,559 >> WELL, I'LL SAY THAT FOR LOVE, BUT I DON'T ABOUT WAR, JESSE. >> FUNK GOING FOR THE BIG 4882 02:24:29,561 --> 02:24:31,428 BUT I DON'T ABOUT WAR, JESSE. >> FUNK GOING FOR THE BIG SUPLEX, HERE. 4883 02:24:31,430 --> 02:24:33,463 >> FUNK GOING FOR THE BIG SUPLEX, HERE. YOU GOT HIM UP. 4884 02:24:33,465 --> 02:24:38,535 SUPLEX, HERE. YOU GOT HIM UP. THIS COULD BE IT, LORD HAYES. 4885 02:24:38,537 --> 02:24:40,336 YOU GOT HIM UP. THIS COULD BE IT, LORD HAYES. >> YOU GOT HIM, YOU GOT HIM! 4886 02:24:40,338 --> 02:24:40,904 THIS COULD BE IT, LORD HAYES. >> YOU GOT HIM, YOU GOT HIM! >> OH! 4887 02:24:40,906 --> 02:24:42,772 >> YOU GOT HIM, YOU GOT HIM! >> OH! SAN -- SO, SANTANA MANAGED TO 4888 02:24:42,774 --> 02:24:43,707 >> OH! SAN -- SO, SANTANA MANAGED TO KICK OUT OF THERE, AND THERE YOU 4889 02:24:43,709 --> 02:24:47,610 SAN -- SO, SANTANA MANAGED TO KICK OUT OF THERE, AND THERE YOU SEE FUNK GOING AFTER THE 4890 02:24:47,612 --> 02:24:48,712 KICK OUT OF THERE, AND THERE YOU SEE FUNK GOING AFTER THE REFEREE, DAVE HEBNER. 4891 02:24:48,714 --> 02:24:51,948 SEE FUNK GOING AFTER THE REFEREE, DAVE HEBNER. NOT HAPPY WITH HOW ... 4892 02:24:51,950 --> 02:24:52,615 REFEREE, DAVE HEBNER. NOT HAPPY WITH HOW ... WITH THE COUNT RIGHT THERE. 4893 02:24:52,617 --> 02:24:53,517 NOT HAPPY WITH HOW ... WITH THE COUNT RIGHT THERE. HE FELT HE WAS SLOW COUNTED, I 4894 02:24:53,519 --> 02:24:53,850 WITH THE COUNT RIGHT THERE. HE FELT HE WAS SLOW COUNTED, I BELIEVE. 4895 02:24:53,852 --> 02:24:54,517 HE FELT HE WAS SLOW COUNTED, I BELIEVE. >> AND HE'S IN DANGER OF GETTING 4896 02:24:54,519 --> 02:24:55,585 BELIEVE. >> AND HE'S IN DANGER OF GETTING HIMSELF DISQUALIFIED, BECAUSE 4897 02:24:55,587 --> 02:24:56,753 >> AND HE'S IN DANGER OF GETTING HIMSELF DISQUALIFIED, BECAUSE DAVE HEBNER IS A VERY GOOD 4898 02:24:56,755 --> 02:24:57,687 HIMSELF DISQUALIFIED, BECAUSE DAVE HEBNER IS A VERY GOOD REFEREE AND HE WON'T DO IT. 4899 02:24:57,689 --> 02:24:58,788 DAVE HEBNER IS A VERY GOOD REFEREE AND HE WON'T DO IT. >> WOW, FUNK COULDN'T GET 4900 02:24:58,790 --> 02:24:59,723 REFEREE AND HE WON'T DO IT. >> WOW, FUNK COULDN'T GET ANOTHER ... 4901 02:24:59,725 --> 02:25:00,523 >> WOW, FUNK COULDN'T GET ANOTHER ... SANTANA COMES BACK WITH A SUPLEX 4902 02:25:00,525 --> 02:25:02,525 ANOTHER ... SANTANA COMES BACK WITH A SUPLEX OF HIS OWN. 4903 02:25:02,527 --> 02:25:03,159 SANTANA COMES BACK WITH A SUPLEX OF HIS OWN. >> WELL, I HOPE THEY'RE WEARING 4904 02:25:03,161 --> 02:25:03,860 OF HIS OWN. >> WELL, I HOPE THEY'RE WEARING STRONG TRUNKS, BECAUSE THEY KEEP 4905 02:25:03,862 --> 02:25:05,228 >> WELL, I HOPE THEY'RE WEARING STRONG TRUNKS, BECAUSE THEY KEEP GRABBIN' HIM BY THOSE TRUNKS. 4906 02:25:05,230 --> 02:25:07,430 STRONG TRUNKS, BECAUSE THEY KEEP GRABBIN' HIM BY THOSE TRUNKS. I HOPE THEY DON'T BREAK AWAY. 4907 02:25:07,432 --> 02:25:07,764 GRABBIN' HIM BY THOSE TRUNKS. I HOPE THEY DON'T BREAK AWAY. [LAUGHS] 4908 02:25:07,766 --> 02:25:08,632 I HOPE THEY DON'T BREAK AWAY. [LAUGHS] >> WELL, IF THEY BREAK AWAY, 4909 02:25:08,634 --> 02:25:10,667 [LAUGHS] >> WELL, IF THEY BREAK AWAY, YOU'LL GET A REAL SHOW, ELVIRA. 4910 02:25:10,669 --> 02:25:13,503 >> WELL, IF THEY BREAK AWAY, YOU'LL GET A REAL SHOW, ELVIRA. >> WOO! 4911 02:25:13,505 --> 02:25:14,270 YOU'LL GET A REAL SHOW, ELVIRA. >> WOO! ALL RIGHT, THAT'S WHAT I CAME 4912 02:25:14,272 --> 02:25:14,738 >> WOO! ALL RIGHT, THAT'S WHAT I CAME HERE FOR. 4913 02:25:14,740 --> 02:25:15,605 ALL RIGHT, THAT'S WHAT I CAME HERE FOR. >> BOTH MEN ON RUBBER LEGS. 4914 02:25:15,607 --> 02:25:16,372 HERE FOR. >> BOTH MEN ON RUBBER LEGS. HERE COMES FUNK, WHAM! 4915 02:25:16,374 --> 02:25:17,440 >> BOTH MEN ON RUBBER LEGS. HERE COMES FUNK, WHAM! THAT LOOKED LIKE HEAD TO HEAD, 4916 02:25:17,442 --> 02:25:18,742 HERE COMES FUNK, WHAM! THAT LOOKED LIKE HEAD TO HEAD, ALFRED HAYES. 4917 02:25:18,744 --> 02:25:19,476 THAT LOOKED LIKE HEAD TO HEAD, ALFRED HAYES. FUNK ... 4918 02:25:19,478 --> 02:25:20,744 ALFRED HAYES. FUNK ... >> THAT WAS HEAD TO HEAD INDEED, 4919 02:25:20,746 --> 02:25:22,579 FUNK ... >> THAT WAS HEAD TO HEAD INDEED, AND NOW SANTANA IS IN TROUBLE. 4920 02:25:22,581 --> 02:25:23,646 >> THAT WAS HEAD TO HEAD INDEED, AND NOW SANTANA IS IN TROUBLE. >> YEAH, FUNK FORTUNATELY FELL 4921 02:25:23,648 --> 02:25:24,614 AND NOW SANTANA IS IN TROUBLE. >> YEAH, FUNK FORTUNATELY FELL INTO HIS CORNER, WAS ABLE TO TAG 4922 02:25:24,616 --> 02:25:26,449 >> YEAH, FUNK FORTUNATELY FELL INTO HIS CORNER, WAS ABLE TO TAG BROTHER, HOSS. 4923 02:25:26,451 --> 02:25:28,718 INTO HIS CORNER, WAS ABLE TO TAG BROTHER, HOSS. HERE IT GOES, DOUBLE ARM SUPLEX. 4924 02:25:28,720 --> 02:25:30,820 BROTHER, HOSS. HERE IT GOES, DOUBLE ARM SUPLEX. REAL POWER BOOM ... 4925 02:25:30,822 --> 02:25:31,454 HERE IT GOES, DOUBLE ARM SUPLEX. REAL POWER BOOM ... WHAM! 4926 02:25:31,456 --> 02:25:32,689 REAL POWER BOOM ... WHAM! HOSS FUNK GOES FOR THE COVER. 4927 02:25:32,691 --> 02:25:35,759 WHAM! HOSS FUNK GOES FOR THE COVER. ONE, TWO, AND SANTANA MANAGES TO 4928 02:25:35,761 --> 02:25:37,393 HOSS FUNK GOES FOR THE COVER. ONE, TWO, AND SANTANA MANAGES TO ROLL THAT SHOULDER. 4929 02:25:37,395 --> 02:25:39,362 ONE, TWO, AND SANTANA MANAGES TO ROLL THAT SHOULDER. HOW HE DID IT, I DON'T KNOW. 4930 02:25:39,364 --> 02:25:40,564 ROLL THAT SHOULDER. HOW HE DID IT, I DON'T KNOW. >> WELL EXECUTED SUPLEX THERE BY 4931 02:25:40,566 --> 02:25:44,601 HOW HE DID IT, I DON'T KNOW. >> WELL EXECUTED SUPLEX THERE BY HOSS FUNK, AND A NICE UPPERCUT. 4932 02:25:44,603 --> 02:25:46,469 >> WELL EXECUTED SUPLEX THERE BY HOSS FUNK, AND A NICE UPPERCUT. FOREARM SMASH. 4933 02:25:46,471 --> 02:25:47,637 HOSS FUNK, AND A NICE UPPERCUT. FOREARM SMASH. AND NOW SANTANA'S STRUGGLING TO 4934 02:25:47,639 --> 02:25:49,439 FOREARM SMASH. AND NOW SANTANA'S STRUGGLING TO MAKE HIS CORNER, AND HE MUST TAG 4935 02:25:49,441 --> 02:25:51,407 AND NOW SANTANA'S STRUGGLING TO MAKE HIS CORNER, AND HE MUST TAG JUNKYARD DOG IN NOW, BECAUSE HE 4936 02:25:51,409 --> 02:25:53,610 MAKE HIS CORNER, AND HE MUST TAG JUNKYARD DOG IN NOW, BECAUSE HE IS IN TROUBLE. 4937 02:25:53,612 --> 02:25:54,644 JUNKYARD DOG IN NOW, BECAUSE HE IS IN TROUBLE. >> WELL, IT LOOKS LIKE SANTANA'S 4938 02:25:54,646 --> 02:25:56,479 IS IN TROUBLE. >> WELL, IT LOOKS LIKE SANTANA'S NOT GONNA MAKE IT HERE. 4939 02:25:56,481 --> 02:25:57,614 >> WELL, IT LOOKS LIKE SANTANA'S NOT GONNA MAKE IT HERE. >> I DON'T THINK SO, ELVIRA. 4940 02:25:57,616 --> 02:25:58,548 NOT GONNA MAKE IT HERE. >> I DON'T THINK SO, ELVIRA. >> I'M SORRY, 'CAUSE I LIKE 4941 02:25:58,550 --> 02:25:59,682 >> I DON'T THINK SO, ELVIRA. >> I'M SORRY, 'CAUSE I LIKE THOSE TALL, DARK AND HANDSOME 4942 02:25:59,684 --> 02:26:01,618 >> I'M SORRY, 'CAUSE I LIKE THOSE TALL, DARK AND HANDSOME KIND OF GUYS, TOO. 4943 02:26:01,620 --> 02:26:02,685 THOSE TALL, DARK AND HANDSOME KIND OF GUYS, TOO. >> OKAY, NOW, WAIT A MINUTE. 4944 02:26:02,687 --> 02:26:03,620 KIND OF GUYS, TOO. >> OKAY, NOW, WAIT A MINUTE. YOU'RE AT THE TABLE. 4945 02:26:03,622 --> 02:26:05,455 >> OKAY, NOW, WAIT A MINUTE. YOU'RE AT THE TABLE. YOU CAN'T BE BIASED DOWN HERE. 4946 02:26:05,457 --> 02:26:07,490 YOU'RE AT THE TABLE. YOU CAN'T BE BIASED DOWN HERE. >> OH, I'M SORRY, I'M SORRY, UH 4947 02:26:07,492 --> 02:26:07,791 YOU CAN'T BE BIASED DOWN HERE. >> OH, I'M SORRY, I'M SORRY, UH ... 4948 02:26:07,793 --> 02:26:08,658 >> OH, I'M SORRY, I'M SORRY, UH ... I LIKE THE LIGHT COLORED ONES, 4949 02:26:08,660 --> 02:26:09,692 ... I LIKE THE LIGHT COLORED ONES, TOO, THE BLONDS, LIKE YOU, 4950 02:26:09,694 --> 02:26:11,628 I LIKE THE LIGHT COLORED ONES, TOO, THE BLONDS, LIKE YOU, JESSE. 4951 02:26:11,630 --> 02:26:12,529 TOO, THE BLONDS, LIKE YOU, JESSE. >> DOUBLE CLOTHESLINE BY THE 4952 02:26:12,531 --> 02:26:13,429 JESSE. >> DOUBLE CLOTHESLINE BY THE FUNK BROTHERS ON SANTANA LEAVES 4953 02:26:13,431 --> 02:26:14,798 >> DOUBLE CLOTHESLINE BY THE FUNK BROTHERS ON SANTANA LEAVES SANTANA IN EVEN MORE TROUBLE. 4954 02:26:14,800 --> 02:26:15,665 FUNK BROTHERS ON SANTANA LEAVES SANTANA IN EVEN MORE TROUBLE. >> BIG NIGHT DROP. 4955 02:26:15,667 --> 02:26:16,699 SANTANA IN EVEN MORE TROUBLE. >> BIG NIGHT DROP. BIG NIGHT DROP BY TERRY FUNK. 4956 02:26:16,701 --> 02:26:17,767 >> BIG NIGHT DROP. BIG NIGHT DROP BY TERRY FUNK. HE'S GOT A COVER. 4957 02:26:17,769 --> 02:26:18,468 BIG NIGHT DROP BY TERRY FUNK. HE'S GOT A COVER. NOW, LET'S SEE IF HEBNER COUNTS 4958 02:26:18,470 --> 02:26:19,803 HE'S GOT A COVER. NOW, LET'S SEE IF HEBNER COUNTS A LITTLE QUICKER. 4959 02:26:19,805 --> 02:26:20,737 NOW, LET'S SEE IF HEBNER COUNTS A LITTLE QUICKER. OOH! 4960 02:26:20,739 --> 02:26:24,541 A LITTLE QUICKER. OOH! >> OH, THAT WAS SO CLOSE! 4961 02:26:24,543 --> 02:26:25,408 OOH! >> OH, THAT WAS SO CLOSE! >> OUT A KNEE, THAT WAS AS CLOSE 4962 02:26:25,410 --> 02:26:26,709 >> OH, THAT WAS SO CLOSE! >> OUT A KNEE, THAT WAS AS CLOSE AS IT COULD POSSIBLY BE, ALFRED 4963 02:26:26,711 --> 02:26:28,512 >> OUT A KNEE, THAT WAS AS CLOSE AS IT COULD POSSIBLY BE, ALFRED HAYES. 4964 02:26:28,514 --> 02:26:30,246 AS IT COULD POSSIBLY BE, ALFRED HAYES. FUNK OFF THE ROPES. 4965 02:26:30,248 --> 02:26:31,447 HAYES. FUNK OFF THE ROPES. OH! 4966 02:26:31,449 --> 02:26:32,549 FUNK OFF THE ROPES. OH! SANTANA SOMEHOW MANAGES TO ROLL 4967 02:26:32,551 --> 02:26:33,650 OH! SANTANA SOMEHOW MANAGES TO ROLL OUT OF THE WAY. 4968 02:26:33,652 --> 02:26:36,553 SANTANA SOMEHOW MANAGES TO ROLL OUT OF THE WAY. FUNK DROPPING. 4969 02:26:36,555 --> 02:26:37,687 OUT OF THE WAY. FUNK DROPPING. >> SANTANA HAS TO MAKE THAT TAG 4970 02:26:37,689 --> 02:26:38,655 FUNK DROPPING. >> SANTANA HAS TO MAKE THAT TAG NOW. 4971 02:26:38,657 --> 02:26:40,824 >> SANTANA HAS TO MAKE THAT TAG NOW. IT IS CRITICAL THAT HE MAKES HIS 4972 02:26:40,826 --> 02:26:42,592 NOW. IT IS CRITICAL THAT HE MAKES HIS TAG TO JUNKYARD DOG. 4973 02:26:42,594 --> 02:26:43,893 IT IS CRITICAL THAT HE MAKES HIS TAG TO JUNKYARD DOG. >> IF SANTANA DOESN'T TAG OUT 4974 02:26:43,895 --> 02:26:45,695 TAG TO JUNKYARD DOG. >> IF SANTANA DOESN'T TAG OUT SOON, HE'S FINISHED. 4975 02:26:45,697 --> 02:26:46,729 >> IF SANTANA DOESN'T TAG OUT SOON, HE'S FINISHED. BIG RIGHT HAND. 4976 02:26:46,731 --> 02:26:47,864 SOON, HE'S FINISHED. BIG RIGHT HAND. HE'S FIGHTING TO GET OVER THERE. 4977 02:26:47,866 --> 02:26:50,567 BIG RIGHT HAND. HE'S FIGHTING TO GET OVER THERE. SECOND RIGHT HAND. 4978 02:26:50,569 --> 02:26:51,634 HE'S FIGHTING TO GET OVER THERE. SECOND RIGHT HAND. >> THAT'S A BAD PLACE TO HIT 4979 02:26:51,636 --> 02:26:53,537 SECOND RIGHT HAND. >> THAT'S A BAD PLACE TO HIT HIM. 4980 02:26:53,539 --> 02:26:55,572 >> THAT'S A BAD PLACE TO HIT HIM. >> FUNK COME BACK AND CUT HIM 4981 02:26:55,574 --> 02:26:57,473 HIM. >> FUNK COME BACK AND CUT HIM BACK WITH A HEADBUTT OF HIS OWN, 4982 02:26:57,475 --> 02:27:00,443 >> FUNK COME BACK AND CUT HIM BACK WITH A HEADBUTT OF HIS OWN, AND SANTANA FLAT TO HIS BACK. 4983 02:27:00,445 --> 02:27:01,377 BACK WITH A HEADBUTT OF HIS OWN, AND SANTANA FLAT TO HIS BACK. CHICO NEEDS TO FIGHT TO GET TO 4984 02:27:01,379 --> 02:27:02,879 AND SANTANA FLAT TO HIS BACK. CHICO NEEDS TO FIGHT TO GET TO THAT CORNER. 4985 02:27:02,881 --> 02:27:04,514 CHICO NEEDS TO FIGHT TO GET TO THAT CORNER. THE QUESTION IS, "CAN HE MAKE 4986 02:27:04,516 --> 02:27:05,515 THAT CORNER. THE QUESTION IS, "CAN HE MAKE IT? 4987 02:27:05,517 --> 02:27:06,649 THE QUESTION IS, "CAN HE MAKE IT? CAN HE MAKE IT BY TERRY FUNK?" 4988 02:27:06,651 --> 02:27:08,752 IT? CAN HE MAKE IT BY TERRY FUNK?" HE'S TRYIN'. 4989 02:27:08,754 --> 02:27:09,652 CAN HE MAKE IT BY TERRY FUNK?" HE'S TRYIN'. >> OOH! 4990 02:27:09,654 --> 02:27:11,654 HE'S TRYIN'. >> OOH! >> SPINNIN' AROUND. 4991 02:27:11,656 --> 02:27:13,657 >> OOH! >> SPINNIN' AROUND. TAG HAS GONE SMOOTH. 4992 02:27:13,659 --> 02:27:15,392 >> SPINNIN' AROUND. TAG HAS GONE SMOOTH. IN COMES THE JYD. 4993 02:27:15,394 --> 02:27:16,760 TAG HAS GONE SMOOTH. IN COMES THE JYD. LEFT, RIGHT, LEFT, RIGHT. 4994 02:27:16,762 --> 02:27:18,461 IN COMES THE JYD. LEFT, RIGHT, LEFT, RIGHT. HOSS FUNK HAD DITCHED THE SAME 4995 02:27:18,463 --> 02:27:19,796 LEFT, RIGHT, LEFT, RIGHT. HOSS FUNK HAD DITCHED THE SAME THING. 4996 02:27:19,798 --> 02:27:20,730 HOSS FUNK HAD DITCHED THE SAME THING. WOW, DOUBLE HEADBUTT FOR BOTH 4997 02:27:20,732 --> 02:27:25,669 THING. WOW, DOUBLE HEADBUTT FOR BOTH MEN GOING DOWN. 4998 02:27:25,671 --> 02:27:27,437 WOW, DOUBLE HEADBUTT FOR BOTH MEN GOING DOWN. JYD WHEELING FUNK INTO THE 4999 02:27:27,439 --> 02:27:28,371 MEN GOING DOWN. JYD WHEELING FUNK INTO THE ROPES, WHERE YOU SEE HOSS CAUGHT 5000 02:27:28,373 --> 02:27:29,639 JYD WHEELING FUNK INTO THE ROPES, WHERE YOU SEE HOSS CAUGHT IN THE ROPE. 5001 02:27:29,641 --> 02:27:30,807 ROPES, WHERE YOU SEE HOSS CAUGHT IN THE ROPE. BIG CLOTHESLINE BY THE JUNKYARD 5002 02:27:30,809 --> 02:27:32,575 IN THE ROPE. BIG CLOTHESLINE BY THE JUNKYARD DOG. 5003 02:27:32,577 --> 02:27:33,643 BIG CLOTHESLINE BY THE JUNKYARD DOG. >> THAT'S JUST WHAT THEY NEEDED. 5004 02:27:33,645 --> 02:27:34,510 DOG. >> THAT'S JUST WHAT THEY NEEDED. >> POWERFUL CLOTHESLINE BY 5005 02:27:34,512 --> 02:27:35,579 >> THAT'S JUST WHAT THEY NEEDED. >> POWERFUL CLOTHESLINE BY JUNKYARD DOG. 5006 02:27:35,581 --> 02:27:36,479 >> POWERFUL CLOTHESLINE BY JUNKYARD DOG. >> BIG RIGHT HAND. 5007 02:27:36,481 --> 02:27:37,780 JUNKYARD DOG. >> BIG RIGHT HAND. DROPS HOSS FUNK. 5008 02:27:37,782 --> 02:27:38,882 >> BIG RIGHT HAND. DROPS HOSS FUNK. >> HEY! 5009 02:27:38,884 --> 02:27:40,283 DROPS HOSS FUNK. >> HEY! USING THE ... 5010 02:27:40,285 --> 02:27:41,217 >> HEY! USING THE ... >> AND TERRY FUNK HAS SOMETHING 5011 02:27:41,219 --> 02:27:43,620 USING THE ... >> AND TERRY FUNK HAS SOMETHING THERE. 5012 02:27:43,622 --> 02:27:45,555 >> AND TERRY FUNK HAS SOMETHING THERE. >> THE MEAN TIME, ON THE SIDE OF 5013 02:27:45,557 --> 02:27:46,422 THERE. >> THE MEAN TIME, ON THE SIDE OF THE RING IS THAT NASTY LITTLE 5014 02:27:46,424 --> 02:27:47,790 >> THE MEAN TIME, ON THE SIDE OF THE RING IS THAT NASTY LITTLE JIMMY HART. 5015 02:27:47,792 --> 02:27:48,658 THE RING IS THAT NASTY LITTLE JIMMY HART. HE'S TRYING TO HAVE A LOOK ... 5016 02:27:48,660 --> 02:27:49,726 JIMMY HART. HE'S TRYING TO HAVE A LOOK ... FUNK, CLEAN OVER THE TOP ROPE 5017 02:27:49,728 --> 02:27:51,728 HE'S TRYING TO HAVE A LOOK ... FUNK, CLEAN OVER THE TOP ROPE AND OUT ONTO THIS HARD CONCRETE 5018 02:27:51,730 --> 02:27:53,263 FUNK, CLEAN OVER THE TOP ROPE AND OUT ONTO THIS HARD CONCRETE FLOOR. 5019 02:27:53,265 --> 02:27:54,497 AND OUT ONTO THIS HARD CONCRETE FLOOR. >> TERRY FUNK OUT ON THE FLOOR. 5020 02:27:54,499 --> 02:27:55,565 FLOOR. >> TERRY FUNK OUT ON THE FLOOR. HE'S HURTIN' OUT ON THAT FLOOR. 5021 02:27:55,567 --> 02:27:58,935 >> TERRY FUNK OUT ON THE FLOOR. HE'S HURTIN' OUT ON THAT FLOOR. HERE COMES HOSS. 5022 02:27:58,937 --> 02:28:00,570 HE'S HURTIN' OUT ON THAT FLOOR. HERE COMES HOSS. BIG HEADBUTT DRIVES HOSS BACK. 5023 02:28:00,572 --> 02:28:03,673 HERE COMES HOSS. BIG HEADBUTT DRIVES HOSS BACK. >> THE REFEREE'S CONTINUING THE 5024 02:28:03,675 --> 02:28:04,641 BIG HEADBUTT DRIVES HOSS BACK. >> THE REFEREE'S CONTINUING THE COUNT. 5025 02:28:04,643 --> 02:28:07,443 >> THE REFEREE'S CONTINUING THE COUNT. HE'S GONNA SLAM HIM. 5026 02:28:07,445 --> 02:28:08,645 COUNT. HE'S GONNA SLAM HIM. >> JYD SLAMMING TERRY FUNK ON 5027 02:28:08,647 --> 02:28:10,380 HE'S GONNA SLAM HIM. >> JYD SLAMMING TERRY FUNK ON THE TABLE. 5028 02:28:10,382 --> 02:28:11,714 >> JYD SLAMMING TERRY FUNK ON THE TABLE. THERE'S NO CAUSE FOR ANYTHING 5029 02:28:11,716 --> 02:28:12,715 THE TABLE. THERE'S NO CAUSE FOR ANYTHING LIKE THAT. 5030 02:28:12,717 --> 02:28:14,451 THERE'S NO CAUSE FOR ANYTHING LIKE THAT. SANTANA LOOKING OVER HIS FUNK 5031 02:28:14,453 --> 02:28:16,419 LIKE THAT. SANTANA LOOKING OVER HIS FUNK OUTSIDE THE RING. 5032 02:28:16,421 --> 02:28:17,086 SANTANA LOOKING OVER HIS FUNK OUTSIDE THE RING. >> I'M AFRAID THE REFEREE HAS 5033 02:28:17,088 --> 02:28:19,789 OUTSIDE THE RING. >> I'M AFRAID THE REFEREE HAS LOST ALL CONTROL OF THIS MATCH. 5034 02:28:19,791 --> 02:28:21,424 >> I'M AFRAID THE REFEREE HAS LOST ALL CONTROL OF THIS MATCH. >> TERRY FUNK IN PAIN. 5035 02:28:21,426 --> 02:28:22,425 LOST ALL CONTROL OF THIS MATCH. >> TERRY FUNK IN PAIN. HE DOESN'T KNOW WHERE HE IS, 5036 02:28:22,427 --> 02:28:23,693 >> TERRY FUNK IN PAIN. HE DOESN'T KNOW WHERE HE IS, SLAMMED IN THE TABLE. 5037 02:28:23,695 --> 02:28:25,495 HE DOESN'T KNOW WHERE HE IS, SLAMMED IN THE TABLE. LOOKS AT THE RING. 5038 02:28:25,497 --> 02:28:26,696 SLAMMED IN THE TABLE. LOOKS AT THE RING. SOMEHOW FUNK'S MANAGED TO GET 5039 02:28:26,698 --> 02:28:27,564 LOOKS AT THE RING. SOMEHOW FUNK'S MANAGED TO GET BACK INTO THE RING. 5040 02:28:27,566 --> 02:28:29,532 SOMEHOW FUNK'S MANAGED TO GET BACK INTO THE RING. WE'VE GOT TOTAL CHAOS, ELVIRA. 5041 02:28:29,534 --> 02:28:30,533 BACK INTO THE RING. WE'VE GOT TOTAL CHAOS, ELVIRA. >> THERE'S MORE ACTION HAPPENING 5042 02:28:30,535 --> 02:28:31,467 WE'VE GOT TOTAL CHAOS, ELVIRA. >> THERE'S MORE ACTION HAPPENING OUTSIDE THE RING, HERE, THAN 5043 02:28:31,469 --> 02:28:34,404 >> THERE'S MORE ACTION HAPPENING OUTSIDE THE RING, HERE, THAN THERE IS ON THE RING. 5044 02:28:34,406 --> 02:28:35,738 OUTSIDE THE RING, HERE, THAN THERE IS ON THE RING. OR IN IT. 5045 02:28:35,740 --> 02:28:36,706 THERE IS ON THE RING. OR IN IT. >> JUNKYARD DOG LOOKING VERY, 5046 02:28:36,708 --> 02:28:38,641 OR IN IT. >> JUNKYARD DOG LOOKING VERY, VERY GOOD RIGHT NOW, GRABBING AT 5047 02:28:38,643 --> 02:28:40,710 >> JUNKYARD DOG LOOKING VERY, VERY GOOD RIGHT NOW, GRABBING AT HART, PULLING HIM UP. 5048 02:28:40,712 --> 02:28:42,445 VERY GOOD RIGHT NOW, GRABBING AT HART, PULLING HIM UP. >> JYD PUNCH ON THE MOUTH OF THE 5049 02:28:42,447 --> 02:28:46,616 HART, PULLING HIM UP. >> JYD PUNCH ON THE MOUTH OF THE SOUTH, JIMMY HART. 5050 02:28:46,618 --> 02:28:47,717 >> JYD PUNCH ON THE MOUTH OF THE SOUTH, JIMMY HART. >> AND NOW BOTH FUNK BROTHERS 5051 02:28:47,719 --> 02:28:49,819 SOUTH, JIMMY HART. >> AND NOW BOTH FUNK BROTHERS ARE DOWN, AND JUNKYARD DOG 5052 02:28:49,821 --> 02:28:51,654 >> AND NOW BOTH FUNK BROTHERS ARE DOWN, AND JUNKYARD DOG LOOKING VERY GOOD, BRINGING 5053 02:28:51,656 --> 02:28:52,555 ARE DOWN, AND JUNKYARD DOG LOOKING VERY GOOD, BRINGING SANTANA INTO THE RING. 5054 02:28:52,557 --> 02:28:59,662 LOOKING VERY GOOD, BRINGING SANTANA INTO THE RING. SANTANA OUT AGAIN. 5055 02:28:59,664 --> 02:29:01,497 SANTANA INTO THE RING. SANTANA OUT AGAIN. >> SMALL PACKAGE. 5056 02:29:01,499 --> 02:29:02,665 SANTANA OUT AGAIN. >> SMALL PACKAGE. HOSS FUNK IN TO MAKE THE SAVE. 5057 02:29:02,667 --> 02:29:05,401 >> SMALL PACKAGE. HOSS FUNK IN TO MAKE THE SAVE. >> FOUR MEN IN THE RING AGAIN. 5058 02:29:05,403 --> 02:29:06,602 HOSS FUNK IN TO MAKE THE SAVE. >> FOUR MEN IN THE RING AGAIN. >> LOOK AT CHICO, HE'S PUTTING 5059 02:29:06,604 --> 02:29:07,537 >> FOUR MEN IN THE RING AGAIN. >> LOOK AT CHICO, HE'S PUTTING ON THE FIGURE-FOUR. 5060 02:29:07,539 --> 02:29:09,439 >> LOOK AT CHICO, HE'S PUTTING ON THE FIGURE-FOUR. HE'S GOT THE FIGURE-FOUR ON 5061 02:29:09,441 --> 02:29:10,373 ON THE FIGURE-FOUR. HE'S GOT THE FIGURE-FOUR ON HOSS' FOOT, NEITHER OF THEM 5062 02:29:10,375 --> 02:29:14,510 HE'S GOT THE FIGURE-FOUR ON HOSS' FOOT, NEITHER OF THEM LEGAL IN THE RING. 5063 02:29:14,512 --> 02:29:16,446 HOSS' FOOT, NEITHER OF THEM LEGAL IN THE RING. >> JUNKYARD DOG NOW HAS GOT HIS 5064 02:29:16,448 --> 02:29:17,681 LEGAL IN THE RING. >> JUNKYARD DOG NOW HAS GOT HIS BACK TURNED TO TERRY FUNK ... 5065 02:29:17,683 --> 02:29:19,516 >> JUNKYARD DOG NOW HAS GOT HIS BACK TURNED TO TERRY FUNK ... AND HART THROWS HIM THAT 5066 02:29:19,518 --> 02:29:20,483 BACK TURNED TO TERRY FUNK ... AND HART THROWS HIM THAT INFERNAL INSTRUMENT. 5067 02:29:20,485 --> 02:29:22,719 AND HART THROWS HIM THAT INFERNAL INSTRUMENT. >> OH! 5068 02:29:22,721 --> 02:29:24,854 INFERNAL INSTRUMENT. >> OH! BRILLIANT. 5069 02:29:24,856 --> 02:29:26,389 >> OH! BRILLIANT. >> OH! 5070 02:29:26,391 --> 02:29:27,290 BRILLIANT. >> OH! FUNK HIT HIM, NOW THAT IS NOT 5071 02:29:27,292 --> 02:29:28,491 >> OH! FUNK HIT HIM, NOW THAT IS NOT RIGHT, JESSE. 5072 02:29:28,493 --> 02:29:29,459 FUNK HIT HIM, NOW THAT IS NOT RIGHT, JESSE. I DON'T CARE WHAT YOU SAY, THAT 5073 02:29:29,461 --> 02:29:30,627 RIGHT, JESSE. I DON'T CARE WHAT YOU SAY, THAT IS NOT RIGHT. 5074 02:29:30,629 --> 02:29:31,895 I DON'T CARE WHAT YOU SAY, THAT IS NOT RIGHT. >> TWO, THREE, HE GOT HIM! 5075 02:29:31,897 --> 02:29:32,628 IS NOT RIGHT. >> TWO, THREE, HE GOT HIM! LOOK! 5076 02:29:32,630 --> 02:29:34,597 >> TWO, THREE, HE GOT HIM! LOOK! I'LL TELL YOU, THAT JIMMY HART 5077 02:29:34,599 --> 02:29:35,532 LOOK! I'LL TELL YOU, THAT JIMMY HART AND THE FUNKS, THEY'RE 5078 02:29:35,534 --> 02:29:36,599 I'LL TELL YOU, THAT JIMMY HART AND THE FUNKS, THEY'RE BRILLIANT, AREN'T THEY, LORD? 5079 02:29:36,601 --> 02:29:37,700 AND THE FUNKS, THEY'RE BRILLIANT, AREN'T THEY, LORD? >> I DON'T CARE WHAT YOU SAY, 5080 02:29:37,702 --> 02:29:38,701 BRILLIANT, AREN'T THEY, LORD? >> I DON'T CARE WHAT YOU SAY, JESSE. 5081 02:29:38,703 --> 02:29:41,571 >> I DON'T CARE WHAT YOU SAY, JESSE. THAT WAS NOT RIGHT AT ALL. 5082 02:29:41,573 --> 02:29:42,672 JESSE. THAT WAS NOT RIGHT AT ALL. AND THEY HAVE CHEATED THEIR WAY 5083 02:29:42,674 --> 02:29:43,673 THAT WAS NOT RIGHT AT ALL. AND THEY HAVE CHEATED THEIR WAY TO ANOTHER VICTORY, THERE, 5084 02:29:43,675 --> 02:29:44,540 AND THEY HAVE CHEATED THEIR WAY TO ANOTHER VICTORY, THERE, JESSE. 5085 02:29:44,542 --> 02:29:45,608 TO ANOTHER VICTORY, THERE, JESSE. >> ELVIRA SAID IT HERSELF, ALL'S 5086 02:29:45,610 --> 02:29:47,377 JESSE. >> ELVIRA SAID IT HERSELF, ALL'S FAIR IN LOVE IN WAR, ALFRED 5087 02:29:47,379 --> 02:29:48,444 >> ELVIRA SAID IT HERSELF, ALL'S FAIR IN LOVE IN WAR, ALFRED HAYES, THAT'S A WAR GOING ON OUT 5088 02:29:48,446 --> 02:29:49,479 FAIR IN LOVE IN WAR, ALFRED HAYES, THAT'S A WAR GOING ON OUT THERE. 5089 02:29:49,481 --> 02:29:50,480 HAYES, THAT'S A WAR GOING ON OUT THERE. >> I SAID SOMETHING LIKE THAT, 5090 02:29:50,482 --> 02:29:55,752 THERE. >> I SAID SOMETHING LIKE THAT, ANYWAY, JESSE. 5091 02:29:55,754 --> 02:29:57,587 >> I SAID SOMETHING LIKE THAT, ANYWAY, JESSE. OOH, THAT LOOKS THAT DUDE IS 5092 02:29:57,589 --> 02:29:58,721 ANYWAY, JESSE. OOH, THAT LOOKS THAT DUDE IS REALLY HURT. 5093 02:29:58,723 --> 02:30:00,390 OOH, THAT LOOKS THAT DUDE IS REALLY HURT. >> TERRY FUNK OUTSIDE THE RING, 5094 02:30:00,392 --> 02:30:01,557 REALLY HURT. >> TERRY FUNK OUTSIDE THE RING, HOLDING, AND HE DEFINITELY IN 5095 02:30:01,559 --> 02:30:03,426 >> TERRY FUNK OUTSIDE THE RING, HOLDING, AND HE DEFINITELY IN TROUBLE, BUT A BRILLIANT 5096 02:30:03,428 --> 02:30:04,727 HOLDING, AND HE DEFINITELY IN TROUBLE, BUT A BRILLIANT TACTICAL MOVE ON THE PART OF THE 5097 02:30:04,729 --> 02:30:06,562 TROUBLE, BUT A BRILLIANT TACTICAL MOVE ON THE PART OF THE MOUTH OF THE SOUTH, JIMMY HART. 5098 02:30:06,564 --> 02:30:07,397 TACTICAL MOVE ON THE PART OF THE MOUTH OF THE SOUTH, JIMMY HART. >> LADIES AND GENTLEMEN, HERE 5099 02:30:07,399 --> 02:30:08,732 MOUTH OF THE SOUTH, JIMMY HART. >> LADIES AND GENTLEMEN, HERE ARE YOUR WINNERS, TERRY, HOSS, 5100 02:30:08,734 --> 02:30:10,767 >> LADIES AND GENTLEMEN, HERE ARE YOUR WINNERS, TERRY, HOSS, THE FUNK BROTHERS. 5101 02:30:10,769 --> 02:30:17,607 ARE YOUR WINNERS, TERRY, HOSS, THE FUNK BROTHERS. [ BELL RINGING ] 5102 02:30:17,609 --> 02:30:19,442 THE FUNK BROTHERS. [ BELL RINGING ] >> THERE YOU SEE TERRY AND HOSS 5103 02:30:19,444 --> 02:30:20,576 [ BELL RINGING ] >> THERE YOU SEE TERRY AND HOSS FUNK AND THE MOUTH OF THE SOUTH, 5104 02:30:20,578 --> 02:30:21,677 >> THERE YOU SEE TERRY AND HOSS FUNK AND THE MOUTH OF THE SOUTH, JIMMY HART, TRYING TO GET OUT OF 5105 02:30:21,679 --> 02:30:23,680 FUNK AND THE MOUTH OF THE SOUTH, JIMMY HART, TRYING TO GET OUT OF THE BUILDING, HERE WRESTLEMANIA 5106 02:30:23,682 --> 02:30:27,750 JIMMY HART, TRYING TO GET OUT OF THE BUILDING, HERE WRESTLEMANIA 2, LOS ANGELES SPORTS ARENA. 5107 02:30:27,752 --> 02:30:29,519 THE BUILDING, HERE WRESTLEMANIA 2, LOS ANGELES SPORTS ARENA. BRILLIANT MOVE, LORD, WHAT DO 5108 02:30:29,521 --> 02:30:30,653 2, LOS ANGELES SPORTS ARENA. BRILLIANT MOVE, LORD, WHAT DO YOU GOT TO SAY ABOUT IT. 5109 02:30:30,655 --> 02:30:32,355 BRILLIANT MOVE, LORD, WHAT DO YOU GOT TO SAY ABOUT IT. >> WELL, I THINK THAT WAS, UH, 5110 02:30:32,357 --> 02:30:33,823 YOU GOT TO SAY ABOUT IT. >> WELL, I THINK THAT WAS, UH, VERY, VERY UNFAIR. 5111 02:30:33,825 --> 02:30:35,725 >> WELL, I THINK THAT WAS, UH, VERY, VERY UNFAIR. IT WAS A TRAVESTY OF JUSTICE, 5112 02:30:35,727 --> 02:30:36,893 VERY, VERY UNFAIR. IT WAS A TRAVESTY OF JUSTICE, BUT IT WILL, UNFORTUNATELY, GO 5113 02:30:36,895 --> 02:30:39,529 IT WAS A TRAVESTY OF JUSTICE, BUT IT WILL, UNFORTUNATELY, GO IN THE RECORD BOOK AS A WIN, 5114 02:30:39,531 --> 02:30:40,864 BUT IT WILL, UNFORTUNATELY, GO IN THE RECORD BOOK AS A WIN, ANOTHER WIN, FOR THE FUNK 5115 02:30:40,866 --> 02:30:42,766 IN THE RECORD BOOK AS A WIN, ANOTHER WIN, FOR THE FUNK BROTHERS WHO, AT THE MOMENT, 5116 02:30:42,768 --> 02:30:44,667 ANOTHER WIN, FOR THE FUNK BROTHERS WHO, AT THE MOMENT, HAVE A 100 PERCENT RECORD. 5117 02:30:44,669 --> 02:30:46,536 BROTHERS WHO, AT THE MOMENT, HAVE A 100 PERCENT RECORD. >> WELL, THAT DEFINITELY HAS GOT 5118 02:30:46,538 --> 02:30:47,503 HAVE A 100 PERCENT RECORD. >> WELL, THAT DEFINITELY HAS GOT TO SHOOT THE FUNK BROTHERS UP IN 5119 02:30:47,505 --> 02:30:48,838 >> WELL, THAT DEFINITELY HAS GOT TO SHOOT THE FUNK BROTHERS UP IN LINE FOR A WORLD TAG TEAM TITLE 5120 02:30:48,840 --> 02:30:50,573 TO SHOOT THE FUNK BROTHERS UP IN LINE FOR A WORLD TAG TEAM TITLE MATCH. 5121 02:30:50,575 --> 02:30:51,707 LINE FOR A WORLD TAG TEAM TITLE MATCH. THERE YOU SEE THE JYD AND CHICO 5122 02:30:51,709 --> 02:30:52,642 MATCH. THERE YOU SEE THE JYD AND CHICO SANTANA. 5123 02:30:52,644 --> 02:30:53,676 THERE YOU SEE THE JYD AND CHICO SANTANA. CHICO TRYING TO CONSOLE THE JYD. 5124 02:30:53,678 --> 02:30:56,412 SANTANA. CHICO TRYING TO CONSOLE THE JYD. JYD JUST PLAIN DON'T KNOW WHAT 5125 02:30:56,414 --> 02:30:57,880 CHICO TRYING TO CONSOLE THE JYD. JYD JUST PLAIN DON'T KNOW WHAT HIT HIM IN THAT HARD HEAD OF 5126 02:30:57,882 --> 02:30:59,382 JYD JUST PLAIN DON'T KNOW WHAT HIT HIM IN THAT HARD HEAD OF HIS. 5127 02:30:59,384 --> 02:31:00,150 HIT HIM IN THAT HARD HEAD OF HIS. LET'S SEE IF WE GET AN INSTANT 5128 02:31:00,152 --> 02:31:02,218 HIS. LET'S SEE IF WE GET AN INSTANT REPLAY. 5129 02:31:02,220 --> 02:31:02,752 LET'S SEE IF WE GET AN INSTANT REPLAY. THERE IT IS. 5130 02:31:02,754 --> 02:31:04,620 REPLAY. THERE IT IS. JYD HIT HOSS FUNK AND YOU CAN 5131 02:31:04,622 --> 02:31:07,723 THERE IT IS. JYD HIT HOSS FUNK AND YOU CAN SEE THE MOUTH FIRES IN THE 5132 02:31:07,725 --> 02:31:08,524 JYD HIT HOSS FUNK AND YOU CAN SEE THE MOUTH FIRES IN THE MEGAPHONE. 5133 02:31:08,526 --> 02:31:09,426 SEE THE MOUTH FIRES IN THE MEGAPHONE. WHAM. 5134 02:31:09,428 --> 02:31:11,794 MEGAPHONE. WHAM. FUNK UP FROM BEHIND HITS THE JYD 5135 02:31:11,796 --> 02:31:13,596 WHAM. FUNK UP FROM BEHIND HITS THE JYD SQUARE IN THE HEAD WITH IT. 5136 02:31:13,598 --> 02:31:14,664 FUNK UP FROM BEHIND HITS THE JYD SQUARE IN THE HEAD WITH IT. BRILLIANT TACTICAL MOVE ON THE 5137 02:31:14,666 --> 02:31:16,633 SQUARE IN THE HEAD WITH IT. BRILLIANT TACTICAL MOVE ON THE PART OF JIMMY HART. 5138 02:31:16,635 --> 02:31:17,733 BRILLIANT TACTICAL MOVE ON THE PART OF JIMMY HART. TERRY FUNK ROLLING OVER, HOLDING 5139 02:31:17,735 --> 02:31:19,669 PART OF JIMMY HART. TERRY FUNK ROLLING OVER, HOLDING ONTO THAT LEAD, COVERS THE DOG, 5140 02:31:19,671 --> 02:31:22,806 TERRY FUNK ROLLING OVER, HOLDING ONTO THAT LEAD, COVERS THE DOG, ONE, TWO, THREE, AND THERE IT 5141 02:31:22,808 --> 02:31:23,706 ONTO THAT LEAD, COVERS THE DOG, ONE, TWO, THREE, AND THERE IT IS. 5142 02:31:23,708 --> 02:31:24,907 ONE, TWO, THREE, AND THERE IT IS. YOU MIGHT NOT LIKE IT, BUT THE 5143 02:31:24,909 --> 02:31:33,349 IS. YOU MIGHT NOT LIKE IT, BUT THE FUNK BROTHERS WON. 5144 02:31:33,351 --> 02:31:34,817 YOU MIGHT NOT LIKE IT, BUT THE FUNK BROTHERS WON. HERE -- HERE IT COMES, LORD 5145 02:31:34,819 --> 02:31:35,919 FUNK BROTHERS WON. HERE -- HERE IT COMES, LORD ALFRED HAYES, THE STEEL CAGE. 5146 02:31:35,921 --> 02:31:37,420 HERE -- HERE IT COMES, LORD ALFRED HAYES, THE STEEL CAGE. >> JESSE, THIS CAGE IS A 5147 02:31:37,422 --> 02:31:39,655 ALFRED HAYES, THE STEEL CAGE. >> JESSE, THIS CAGE IS A SPECIALLY REINFORCED CAGE 5148 02:31:39,657 --> 02:31:40,857 >> JESSE, THIS CAGE IS A SPECIALLY REINFORCED CAGE BECAUSE AN ORDINARY CAGE WOULD 5149 02:31:40,859 --> 02:31:42,692 SPECIALLY REINFORCED CAGE BECAUSE AN ORDINARY CAGE WOULD NEVER HAVE STOPPED SOMETHING 5150 02:31:42,694 --> 02:31:46,262 BECAUSE AN ORDINARY CAGE WOULD NEVER HAVE STOPPED SOMETHING LIKE 450 POUNDS, KING KONG 5151 02:31:46,264 --> 02:31:47,497 NEVER HAVE STOPPED SOMETHING LIKE 450 POUNDS, KING KONG BUNDY. 5152 02:31:47,499 --> 02:31:48,631 LIKE 450 POUNDS, KING KONG BUNDY. HE WOULD HAVE JUST GONE STRAIGHT 5153 02:31:48,633 --> 02:31:49,799 BUNDY. HE WOULD HAVE JUST GONE STRAIGHT THROUGH THE SIDES OF THAT AND 5154 02:31:49,801 --> 02:31:51,767 HE WOULD HAVE JUST GONE STRAIGHT THROUGH THE SIDES OF THAT AND THAT WOULD HAVE BEEN FOOLISH. 5155 02:31:51,769 --> 02:31:52,635 THROUGH THE SIDES OF THAT AND THAT WOULD HAVE BEEN FOOLISH. LOOK AT THE SIZE AND THE HEIGHT 5156 02:31:52,637 --> 02:31:53,503 THAT WOULD HAVE BEEN FOOLISH. LOOK AT THE SIZE AND THE HEIGHT AND THE WEIGHT OF THAT PIECE -- 5157 02:31:53,505 --> 02:31:54,871 LOOK AT THE SIZE AND THE HEIGHT AND THE WEIGHT OF THAT PIECE -- THAT ONE SIDE THEY'RE BRINGING 5158 02:31:54,873 --> 02:31:55,738 AND THE WEIGHT OF THAT PIECE -- THAT ONE SIDE THEY'RE BRINGING IN. 5159 02:31:55,740 --> 02:31:57,607 THAT ONE SIDE THEY'RE BRINGING IN. IT'S TAKING SIX MEN TO CARRY IT. 5160 02:31:57,609 --> 02:31:58,508 IN. IT'S TAKING SIX MEN TO CARRY IT. >> I TELL -- ELVIRA, DOES THIS 5161 02:31:58,510 --> 02:31:59,675 IT'S TAKING SIX MEN TO CARRY IT. >> I TELL -- ELVIRA, DOES THIS CAGE AT ALL LOOK LIKE YOUR 5162 02:31:59,677 --> 02:32:01,444 >> I TELL -- ELVIRA, DOES THIS CAGE AT ALL LOOK LIKE YOUR HOUSE? 5163 02:32:01,446 --> 02:32:02,445 CAGE AT ALL LOOK LIKE YOUR HOUSE? >> UH, LOOKS LIKE ONE OF THE 5164 02:32:02,447 --> 02:32:03,746 HOUSE? >> UH, LOOKS LIKE ONE OF THE ROOMS IN MY HOUSE, YES, JESSE, 5165 02:32:03,748 --> 02:32:04,714 >> UH, LOOKS LIKE ONE OF THE ROOMS IN MY HOUSE, YES, JESSE, THE ONE WITH ALL THE BATS IN IT, 5166 02:32:04,716 --> 02:32:06,315 ROOMS IN MY HOUSE, YES, JESSE, THE ONE WITH ALL THE BATS IN IT, RIGHT? 5167 02:32:06,317 --> 02:32:07,584 THE ONE WITH ALL THE BATS IN IT, RIGHT? >> YEAH, THE ONE, UH, WHERE 5168 02:32:07,586 --> 02:32:08,785 RIGHT? >> YEAH, THE ONE, UH, WHERE [LAUGHS] 5169 02:32:08,787 --> 02:32:12,522 >> YEAH, THE ONE, UH, WHERE [LAUGHS] YEAH, SOMETHING LIKE THAT. 5170 02:32:12,524 --> 02:32:13,723 [LAUGHS] YEAH, SOMETHING LIKE THAT. >> OKAY, LET'S GO -- LET'S GO 5171 02:32:13,725 --> 02:32:16,493 YEAH, SOMETHING LIKE THAT. >> OKAY, LET'S GO -- LET'S GO BACK IN TIME AND SEE JUST HOW 5172 02:32:16,495 --> 02:32:18,528 >> OKAY, LET'S GO -- LET'S GO BACK IN TIME AND SEE JUST HOW THIS CAGE MATCH CAME ABOUT, HULK 5173 02:32:18,530 --> 02:32:21,864 BACK IN TIME AND SEE JUST HOW THIS CAGE MATCH CAME ABOUT, HULK HOGAN AND KING KONG BUNDY ON 5174 02:32:21,866 --> 02:32:27,737 THIS CAGE MATCH CAME ABOUT, HULK HOGAN AND KING KONG BUNDY ON SATURDAY NIGHT MAIN EVENT. 5175 02:32:27,739 --> 02:32:29,472 HOGAN AND KING KONG BUNDY ON SATURDAY NIGHT MAIN EVENT. >> ALL RIGHT, LADIES AND 5176 02:32:29,474 --> 02:32:30,573 SATURDAY NIGHT MAIN EVENT. >> ALL RIGHT, LADIES AND GENTLEMEN, WE ARE IN HULK 5177 02:32:30,575 --> 02:32:32,875 >> ALL RIGHT, LADIES AND GENTLEMEN, WE ARE IN HULK HOGAN'S PRIVATE GYM WHERE HE 5178 02:32:32,877 --> 02:32:34,911 GENTLEMEN, WE ARE IN HULK HOGAN'S PRIVATE GYM WHERE HE RIGHT NOW IS GOING THROUGH 5179 02:32:34,913 --> 02:32:36,746 HOGAN'S PRIVATE GYM WHERE HE RIGHT NOW IS GOING THROUGH WORKOUTS IN PREPARATION FOR HIS 5180 02:32:36,748 --> 02:32:38,481 RIGHT NOW IS GOING THROUGH WORKOUTS IN PREPARATION FOR HIS TITLE DEFENSE AS PART OF 5181 02:32:38,483 --> 02:32:39,649 WORKOUTS IN PREPARATION FOR HIS TITLE DEFENSE AS PART OF WRESTLEMANIA AGAINST KING KONG 5182 02:32:39,651 --> 02:32:41,450 TITLE DEFENSE AS PART OF WRESTLEMANIA AGAINST KING KONG BUNDY. 5183 02:32:41,452 --> 02:32:42,618 WRESTLEMANIA AGAINST KING KONG BUNDY. IN CASE YOU DON'T KNOW THE 5184 02:32:42,620 --> 02:32:44,654 BUNDY. IN CASE YOU DON'T KNOW THE REASONS FOR THIS MATCH, LET ME 5185 02:32:44,656 --> 02:32:45,588 IN CASE YOU DON'T KNOW THE REASONS FOR THIS MATCH, LET ME TAKE YOU BACK TO PHOENIX, 5186 02:32:45,590 --> 02:32:47,456 REASONS FOR THIS MATCH, LET ME TAKE YOU BACK TO PHOENIX, ARIZONA, THE VETERAN'S MEMORIAL 5187 02:32:47,458 --> 02:32:49,525 TAKE YOU BACK TO PHOENIX, ARIZONA, THE VETERAN'S MEMORIAL COLISEUM, ON THAT OCCASION HULK 5188 02:32:49,527 --> 02:32:50,793 ARIZONA, THE VETERAN'S MEMORIAL COLISEUM, ON THAT OCCASION HULK HOGAN HAD A VERY, VERY IMPORTANT 5189 02:32:50,795 --> 02:32:52,896 COLISEUM, ON THAT OCCASION HULK HOGAN HAD A VERY, VERY IMPORTANT TITLE DEFENSE ON SATURDAY 5190 02:32:52,898 --> 02:32:54,764 HOGAN HAD A VERY, VERY IMPORTANT TITLE DEFENSE ON SATURDAY NIGHT'S MAIN EVENT. 5191 02:32:54,766 --> 02:32:57,767 TITLE DEFENSE ON SATURDAY NIGHT'S MAIN EVENT. >> FROM BEHIND, THERE'S BUNDY. 5192 02:32:57,769 --> 02:32:58,901 NIGHT'S MAIN EVENT. >> FROM BEHIND, THERE'S BUNDY. WHERE DID HE COME FROM? 5193 02:32:58,903 --> 02:32:59,669 >> FROM BEHIND, THERE'S BUNDY. WHERE DID HE COME FROM? >> WHAM. 5194 02:32:59,671 --> 02:33:01,271 WHERE DID HE COME FROM? >> WHAM. KING KONG BUNDY TO THE RESCUE. 5195 02:33:01,273 --> 02:33:02,505 >> WHAM. KING KONG BUNDY TO THE RESCUE. HE LOOKS LIKE THE CAVALRY, 5196 02:33:02,507 --> 02:33:05,441 KING KONG BUNDY TO THE RESCUE. HE LOOKS LIKE THE CAVALRY, MCMAHON. 5197 02:33:05,443 --> 02:33:06,576 HE LOOKS LIKE THE CAVALRY, MCMAHON. >> BUNDY OUT OF THE BLUE. 5198 02:33:06,578 --> 02:33:09,478 MCMAHON. >> BUNDY OUT OF THE BLUE. WE SAW HIM EARLIER AND LOOK ... 5199 02:33:09,480 --> 02:33:10,546 >> BUNDY OUT OF THE BLUE. WE SAW HIM EARLIER AND LOOK ... >> OH, NO. 5200 02:33:10,548 --> 02:33:11,614 WE SAW HIM EARLIER AND LOOK ... >> OH, NO. >> DOUBLE TEAM COMING UP, LOOK. 5201 02:33:11,616 --> 02:33:12,615 >> OH, NO. >> DOUBLE TEAM COMING UP, LOOK. MURACO HOLDING ONTO THE 5202 02:33:12,617 --> 02:33:13,616 >> DOUBLE TEAM COMING UP, LOOK. MURACO HOLDING ONTO THE HULKSTER'S ARMS. 5203 02:33:13,618 --> 02:33:14,817 MURACO HOLDING ONTO THE HULKSTER'S ARMS. >> BUT MURACO'S GOT THE CHAMPION 5204 02:33:14,819 --> 02:33:16,652 HULKSTER'S ARMS. >> BUT MURACO'S GOT THE CHAMPION HELD AGAINST THE -- I LOVE IT. 5205 02:33:16,654 --> 02:33:18,521 >> BUT MURACO'S GOT THE CHAMPION HELD AGAINST THE -- I LOVE IT. I LOVE IT. 5206 02:33:18,523 --> 02:33:20,623 HELD AGAINST THE -- I LOVE IT. I LOVE IT. THE AVALANCHE. 5207 02:33:20,625 --> 02:33:21,691 I LOVE IT. THE AVALANCHE. >> HEENAN GIVING INSTRUCTIONS IN 5208 02:33:21,693 --> 02:33:23,526 THE AVALANCHE. >> HEENAN GIVING INSTRUCTIONS IN THERE AND HERE COMES ... 5209 02:33:23,528 --> 02:33:23,926 >> HEENAN GIVING INSTRUCTIONS IN THERE AND HERE COMES ... >> OH, NO. 5210 02:33:23,928 --> 02:33:24,894 THERE AND HERE COMES ... >> OH, NO. >> THE REFEREE THROUGH THE 5211 02:33:24,896 --> 02:33:26,629 >> OH, NO. >> THE REFEREE THROUGH THE ROPES. 5212 02:33:26,631 --> 02:33:28,231 >> THE REFEREE THROUGH THE ROPES. RIGHT AT THE HULKSTER, ANOTHER 5213 02:33:28,233 --> 02:33:29,298 ROPES. RIGHT AT THE HULKSTER, ANOTHER AVALANCHE. 5214 02:33:29,300 --> 02:33:30,733 RIGHT AT THE HULKSTER, ANOTHER AVALANCHE. >> THIS IS BRUTAL, BRUTAL, 5215 02:33:30,735 --> 02:33:31,434 AVALANCHE. >> THIS IS BRUTAL, BRUTAL, MCMAHON. 5216 02:33:31,436 --> 02:33:31,934 >> THIS IS BRUTAL, BRUTAL, MCMAHON. LOOK AT BUNDY. 5217 02:33:31,936 --> 02:33:33,536 MCMAHON. LOOK AT BUNDY. HE'S JUST MEASURING HIM OFF. 5218 02:33:33,538 --> 02:33:35,438 LOOK AT BUNDY. HE'S JUST MEASURING HIM OFF. HE'S MEASURING HOGAN OFF. 5219 02:33:35,440 --> 02:33:36,872 HE'S JUST MEASURING HIM OFF. HE'S MEASURING HOGAN OFF. >> MURACO HOLDING ONTO THE ARMS 5220 02:33:36,874 --> 02:33:38,708 HE'S MEASURING HOGAN OFF. >> MURACO HOLDING ONTO THE ARMS THE HULKSTER IS LIMP, BUT MURACO 5221 02:33:38,710 --> 02:33:40,376 >> MURACO HOLDING ONTO THE ARMS THE HULKSTER IS LIMP, BUT MURACO HOLDS HIM UP, BUT NOW THE 5222 02:33:40,378 --> 02:33:43,680 THE HULKSTER IS LIMP, BUT MURACO HOLDS HIM UP, BUT NOW THE HULKSTER DOWN ON THE CANVAS. 5223 02:33:43,682 --> 02:33:44,847 HOLDS HIM UP, BUT NOW THE HULKSTER DOWN ON THE CANVAS. >> AND HE IS HURT. 5224 02:33:44,849 --> 02:33:45,648 HULKSTER DOWN ON THE CANVAS. >> AND HE IS HURT. >> WHAT'D HE SAY? 5225 02:33:45,650 --> 02:33:46,716 >> AND HE IS HURT. >> WHAT'D HE SAY? >> HE SAID THERE'S YOUR 5226 02:33:46,718 --> 02:33:48,618 >> WHAT'D HE SAY? >> HE SAID THERE'S YOUR CHAMPION, MCMAHON. 5227 02:33:48,620 --> 02:33:51,587 >> HE SAID THERE'S YOUR CHAMPION, MCMAHON. >> WELL LOOK IT, I THINK -- 5228 02:33:51,589 --> 02:33:52,155 CHAMPION, MCMAHON. >> WELL LOOK IT, I THINK -- JESSE, I'VE NEVER SEEN THE 5229 02:33:52,157 --> 02:33:53,456 >> WELL LOOK IT, I THINK -- JESSE, I'VE NEVER SEEN THE HULKSTER IN THIS STATE BEFORE. 5230 02:33:53,458 --> 02:33:54,457 JESSE, I'VE NEVER SEEN THE HULKSTER IN THIS STATE BEFORE. HE LOOKS UNCONSCIOUS. 5231 02:33:54,459 --> 02:33:55,725 HULKSTER IN THIS STATE BEFORE. HE LOOKS UNCONSCIOUS. LOOK WHAT MURACO'S DOING. 5232 02:33:55,727 --> 02:33:56,826 HE LOOKS UNCONSCIOUS. LOOK WHAT MURACO'S DOING. >> I BELIEVE YOU'RE RIGHT. 5233 02:33:56,828 --> 02:33:59,528 LOOK WHAT MURACO'S DOING. >> I BELIEVE YOU'RE RIGHT. I BELIEVE HE IS UNCONSCIOUS. 5234 02:33:59,530 --> 02:34:00,596 >> I BELIEVE YOU'RE RIGHT. I BELIEVE HE IS UNCONSCIOUS. >> OH, WAIT. 5235 02:34:00,598 --> 02:34:04,467 I BELIEVE HE IS UNCONSCIOUS. >> OH, WAIT. >> OH, OH NO. 5236 02:34:04,469 --> 02:34:09,572 >> OH, WAIT. >> OH, OH NO. BUNDY WITH YET ANOTHER AVALANCHE 5237 02:34:09,574 --> 02:34:10,473 >> OH, OH NO. BUNDY WITH YET ANOTHER AVALANCHE AND HEENAN GIVING INSTRUCTION 5238 02:34:10,475 --> 02:34:14,844 BUNDY WITH YET ANOTHER AVALANCHE AND HEENAN GIVING INSTRUCTION ON, UH, MURACO TO TURN HIM OVER. 5239 02:34:14,846 --> 02:34:20,483 AND HEENAN GIVING INSTRUCTION ON, UH, MURACO TO TURN HIM OVER. OH, NO. 5240 02:34:20,485 --> 02:34:24,520 ON, UH, MURACO TO TURN HIM OVER. OH, NO. >> THIS IS -- I'VE NEVER SEEN 5241 02:34:24,522 --> 02:34:27,390 OH, NO. >> THIS IS -- I'VE NEVER SEEN ANYTHING QUITE LIKE THIS BEFORE. 5242 02:34:27,392 --> 02:34:29,825 >> THIS IS -- I'VE NEVER SEEN ANYTHING QUITE LIKE THIS BEFORE. CHECK IT, HULK HOGAN TOTALLY 5243 02:34:29,827 --> 02:34:31,560 ANYTHING QUITE LIKE THIS BEFORE. CHECK IT, HULK HOGAN TOTALLY UNCONSCIOUS. 5244 02:34:31,562 --> 02:34:33,462 CHECK IT, HULK HOGAN TOTALLY UNCONSCIOUS. >> THAT WAS PHOENIX. 5245 02:34:33,464 --> 02:34:35,631 UNCONSCIOUS. >> THAT WAS PHOENIX. THIS IS WRESTLEMANIA. 5246 02:34:35,633 --> 02:34:36,766 >> THAT WAS PHOENIX. THIS IS WRESTLEMANIA. HILLBILLY JIM AND DR. BOB 5247 02:34:36,768 --> 02:34:38,734 THIS IS WRESTLEMANIA. HILLBILLY JIM AND DR. BOB PONOVICH RIGHT NOW AT THE SIDE 5248 02:34:38,736 --> 02:34:39,502 HILLBILLY JIM AND DR. BOB PONOVICH RIGHT NOW AT THE SIDE OF THE HEAVYWEIGHT CHAMPION OF 5249 02:34:39,504 --> 02:34:41,371 PONOVICH RIGHT NOW AT THE SIDE OF THE HEAVYWEIGHT CHAMPION OF THE WORLD, HULK HOGAN, AS HE 5250 02:34:41,373 --> 02:34:42,872 OF THE HEAVYWEIGHT CHAMPION OF THE WORLD, HULK HOGAN, AS HE PREPARES FOR HIS BIG TITLE 5251 02:34:42,874 --> 02:34:46,575 THE WORLD, HULK HOGAN, AS HE PREPARES FOR HIS BIG TITLE DEFENSE AGAINST KING KONG BUNDY. 5252 02:34:46,577 --> 02:34:48,411 PREPARES FOR HIS BIG TITLE DEFENSE AGAINST KING KONG BUNDY. DR. PONOVICH, IF I CAN PREVAIL 5253 02:34:48,413 --> 02:34:49,712 DEFENSE AGAINST KING KONG BUNDY. DR. PONOVICH, IF I CAN PREVAIL UPON YOU, SIR. 5254 02:34:49,714 --> 02:34:51,381 DR. PONOVICH, IF I CAN PREVAIL UPON YOU, SIR. FIRST OF ALL WE HAVE DISCUSSED 5255 02:34:51,383 --> 02:34:52,848 UPON YOU, SIR. FIRST OF ALL WE HAVE DISCUSSED THE PHYSICAL CONDITION OF HULK 5256 02:34:52,850 --> 02:34:53,683 FIRST OF ALL WE HAVE DISCUSSED THE PHYSICAL CONDITION OF HULK HOGAN. 5257 02:34:53,685 --> 02:34:54,784 THE PHYSICAL CONDITION OF HULK HOGAN. AS I UNDERSTAND IT, YOU HAVE 5258 02:34:54,786 --> 02:34:56,519 HOGAN. AS I UNDERSTAND IT, YOU HAVE ADVISED THE MAN NOT TO GO AHEAD 5259 02:34:56,521 --> 02:34:57,320 AS I UNDERSTAND IT, YOU HAVE ADVISED THE MAN NOT TO GO AHEAD WITH THIS TITLE DEFENSE. 5260 02:34:57,322 --> 02:34:58,021 ADVISED THE MAN NOT TO GO AHEAD WITH THIS TITLE DEFENSE. >> YES, THAT'S CORRECT. 5261 02:34:58,023 --> 02:34:58,688 WITH THIS TITLE DEFENSE. >> YES, THAT'S CORRECT. I HAVE ADVISED HIM NOT TO 5262 02:34:58,690 --> 02:35:00,423 >> YES, THAT'S CORRECT. I HAVE ADVISED HIM NOT TO PARTICIPATE IN WRESTLEMANIA. 5263 02:35:00,425 --> 02:35:01,524 I HAVE ADVISED HIM NOT TO PARTICIPATE IN WRESTLEMANIA. >> WHAT ARE THE RISKS, 5264 02:35:01,526 --> 02:35:02,625 PARTICIPATE IN WRESTLEMANIA. >> WHAT ARE THE RISKS, SPECIFICALLY, DOCTOR? 5265 02:35:02,627 --> 02:35:03,626 >> WHAT ARE THE RISKS, SPECIFICALLY, DOCTOR? >> WELL, I WORRY ABOUT THE 5266 02:35:03,628 --> 02:35:04,760 SPECIFICALLY, DOCTOR? >> WELL, I WORRY ABOUT THE POSSIBILITY OF A DISC PROBLEM IN 5267 02:35:04,762 --> 02:35:05,561 >> WELL, I WORRY ABOUT THE POSSIBILITY OF A DISC PROBLEM IN HIS BACK. 5268 02:35:05,563 --> 02:35:06,729 POSSIBILITY OF A DISC PROBLEM IN HIS BACK. MAYBE HE -- PERHAPS A HERNIATED 5269 02:35:06,731 --> 02:35:08,397 HIS BACK. MAYBE HE -- PERHAPS A HERNIATED DISC IN HIS LOW BACK. 5270 02:35:08,399 --> 02:35:09,399 MAYBE HE -- PERHAPS A HERNIATED DISC IN HIS LOW BACK. >> WOULD THAT -- WOULD THAT 5271 02:35:09,401 --> 02:35:10,466 DISC IN HIS LOW BACK. >> WOULD THAT -- WOULD THAT RESULT, PERHAPS, IN PERMANENT 5272 02:35:10,468 --> 02:35:11,200 >> WOULD THAT -- WOULD THAT RESULT, PERHAPS, IN PERMANENT INJURY? 5273 02:35:11,202 --> 02:35:12,034 RESULT, PERHAPS, IN PERMANENT INJURY? >> IT COULD RESULT IN PERMANENT 5274 02:35:12,036 --> 02:35:12,735 INJURY? >> IT COULD RESULT IN PERMANENT INJURY AND ALSO SURGERY. 5275 02:35:12,737 --> 02:35:14,804 >> IT COULD RESULT IN PERMANENT INJURY AND ALSO SURGERY. >> ALL RIGHT, HULK HOGAN, YOU'RE 5276 02:35:14,806 --> 02:35:16,272 INJURY AND ALSO SURGERY. >> ALL RIGHT, HULK HOGAN, YOU'RE DRIVING YOURSELF. 5277 02:35:16,274 --> 02:35:17,473 >> ALL RIGHT, HULK HOGAN, YOU'RE DRIVING YOURSELF. APPARENTLY YOU'VE MADE THE 5278 02:35:17,475 --> 02:35:18,507 DRIVING YOURSELF. APPARENTLY YOU'VE MADE THE DECISION TO GO FORTH WITH THIS 5279 02:35:18,509 --> 02:35:19,508 APPARENTLY YOU'VE MADE THE DECISION TO GO FORTH WITH THIS TITLE DEFENSE AGAINST KING KONG 5280 02:35:19,510 --> 02:35:20,609 DECISION TO GO FORTH WITH THIS TITLE DEFENSE AGAINST KING KONG BUNDY. 5281 02:35:20,611 --> 02:35:21,410 TITLE DEFENSE AGAINST KING KONG BUNDY. >> WELL, YOU KNOW SOMETHING, 5282 02:35:21,412 --> 02:35:21,744 BUNDY. >> WELL, YOU KNOW SOMETHING, MEAN GENE? 5283 02:35:21,746 --> 02:35:23,346 >> WELL, YOU KNOW SOMETHING, MEAN GENE? JUST BECAUSE I GET SICK, 5284 02:35:23,348 --> 02:35:24,480 MEAN GENE? JUST BECAUSE I GET SICK, BROTHER, I DON'T GET CALM AND 5285 02:35:24,482 --> 02:35:25,615 JUST BECAUSE I GET SICK, BROTHER, I DON'T GET CALM AND TIRED FROM THE JOB, MAN. 5286 02:35:25,617 --> 02:35:26,615 BROTHER, I DON'T GET CALM AND TIRED FROM THE JOB, MAN. I'M THE WORLD ... 5287 02:35:26,617 --> 02:35:28,318 TIRED FROM THE JOB, MAN. I'M THE WORLD ... OH, DR. BOB, A LITTLE LOWER, 5288 02:35:28,320 --> 02:35:28,851 I'M THE WORLD ... OH, DR. BOB, A LITTLE LOWER, MAN. 5289 02:35:28,853 --> 02:35:30,353 OH, DR. BOB, A LITTLE LOWER, MAN. >> WAIT A MINUTE, HULK, YOU'RE 5290 02:35:30,355 --> 02:35:31,154 MAN. >> WAIT A MINUTE, HULK, YOU'RE NOT STILL EXPERIENCING PAIN BACK 5291 02:35:31,156 --> 02:35:31,821 >> WAIT A MINUTE, HULK, YOU'RE NOT STILL EXPERIENCING PAIN BACK THERE. 5292 02:35:31,823 --> 02:35:32,588 NOT STILL EXPERIENCING PAIN BACK THERE. >> WELL, FIVE AND A HALF WEEKS, 5293 02:35:32,590 --> 02:35:33,589 THERE. >> WELL, FIVE AND A HALF WEEKS, BROTHER, I'VE BEEN LIVING THIS 5294 02:35:33,591 --> 02:35:34,824 >> WELL, FIVE AND A HALF WEEKS, BROTHER, I'VE BEEN LIVING THIS THING, MAN. 5295 02:35:34,826 --> 02:35:35,491 BROTHER, I'VE BEEN LIVING THIS THING, MAN. AFTER THAT SLOW ROLLING RIDE IN 5296 02:35:35,493 --> 02:35:36,559 THING, MAN. AFTER THAT SLOW ROLLING RIDE IN THAT COFFIN, MAN, THE AMBULANCE, 5297 02:35:36,561 --> 02:35:38,461 AFTER THAT SLOW ROLLING RIDE IN THAT COFFIN, MAN, THE AMBULANCE, AND A MADE A DECISION THEN, EVEN 5298 02:35:38,463 --> 02:35:40,363 THAT COFFIN, MAN, THE AMBULANCE, AND A MADE A DECISION THEN, EVEN THOUGH DR. BOB PONOVICH SAID, 5299 02:35:40,365 --> 02:35:41,897 AND A MADE A DECISION THEN, EVEN THOUGH DR. BOB PONOVICH SAID, "HULKSTER, YOU'RE IN NO 5300 02:35:41,899 --> 02:35:43,532 THOUGH DR. BOB PONOVICH SAID, "HULKSTER, YOU'RE IN NO CONDITION TO DO IT," I HAVE A 5301 02:35:43,534 --> 02:35:44,567 "HULKSTER, YOU'RE IN NO CONDITION TO DO IT," I HAVE A COMMITMENT TO ALL THOSE 5302 02:35:44,569 --> 02:35:46,302 CONDITION TO DO IT," I HAVE A COMMITMENT TO ALL THOSE HULKAMANIACS OUT THERE TO DEFEND 5303 02:35:46,304 --> 02:35:47,370 COMMITMENT TO ALL THOSE HULKAMANIACS OUT THERE TO DEFEND THIS WORLD TITLE. 5304 02:35:47,372 --> 02:35:48,638 HULKAMANIACS OUT THERE TO DEFEND THIS WORLD TITLE. WE'VE BEEN TRAINING FOR FIVE AND 5305 02:35:48,640 --> 02:35:50,573 THIS WORLD TITLE. WE'VE BEEN TRAINING FOR FIVE AND A HALF WEEKS, STILL-LEGGED 5306 02:35:50,575 --> 02:35:51,774 WE'VE BEEN TRAINING FOR FIVE AND A HALF WEEKS, STILL-LEGGED DEADLIFTS TO WARM UP. 5307 02:35:51,776 --> 02:35:52,808 A HALF WEEKS, STILL-LEGGED DEADLIFTS TO WARM UP. DR. BOB, LET'S GO FOR THOSE 5308 02:35:52,810 --> 02:35:53,743 DEADLIFTS TO WARM UP. DR. BOB, LET'S GO FOR THOSE HEAVY CHINS, BROTHER, JUST TO 5309 02:35:53,745 --> 02:35:54,711 DR. BOB, LET'S GO FOR THOSE HEAVY CHINS, BROTHER, JUST TO FIND OUT WHERE IT'S ALL. 5310 02:35:54,713 --> 02:35:56,312 HEAVY CHINS, BROTHER, JUST TO FIND OUT WHERE IT'S ALL. >> ALL RIGHT, HULK, I'M GOING TO 5311 02:35:56,314 --> 02:35:58,614 FIND OUT WHERE IT'S ALL. >> ALL RIGHT, HULK, I'M GOING TO ASK YOU TO EXPLAIN AS WE GO OVER 5312 02:35:58,616 --> 02:35:59,648 >> ALL RIGHT, HULK, I'M GOING TO ASK YOU TO EXPLAIN AS WE GO OVER HERE JUST EXACTLY WHAT IS A 5313 02:35:59,650 --> 02:36:01,450 ASK YOU TO EXPLAIN AS WE GO OVER HERE JUST EXACTLY WHAT IS A HEAVY CHIN? 5314 02:36:01,452 --> 02:36:02,151 HERE JUST EXACTLY WHAT IS A HEAVY CHIN? >> WELL, MEAN GENE, WHEN YOU SEE 5315 02:36:02,153 --> 02:36:03,486 HEAVY CHIN? >> WELL, MEAN GENE, WHEN YOU SEE THIS 100 POUND DUMBBELL STRAPPED 5316 02:36:03,488 --> 02:36:05,321 >> WELL, MEAN GENE, WHEN YOU SEE THIS 100 POUND DUMBBELL STRAPPED AROUND MY NECK, BROTHER, YOU'LL 5317 02:36:05,323 --> 02:36:07,656 THIS 100 POUND DUMBBELL STRAPPED AROUND MY NECK, BROTHER, YOU'LL REALIZE KING KONG BUNDY AND 5318 02:36:07,658 --> 02:36:08,491 AROUND MY NECK, BROTHER, YOU'LL REALIZE KING KONG BUNDY AND HEAVY CHINS, THERE'S NO 5319 02:36:08,493 --> 02:36:09,258 REALIZE KING KONG BUNDY AND HEAVY CHINS, THERE'S NO EXPLANATION. 5320 02:36:09,260 --> 02:36:09,992 HEAVY CHINS, THERE'S NO EXPLANATION. KING KONG BUNDY'S GOING DOWN, 5321 02:36:09,994 --> 02:36:11,660 EXPLANATION. KING KONG BUNDY'S GOING DOWN, THE CHINS ARE GOING UP, BROTHER. 5322 02:36:11,662 --> 02:36:13,229 KING KONG BUNDY'S GOING DOWN, THE CHINS ARE GOING UP, BROTHER. >> WAIT -- WAIT A MINUTE NOW, 5323 02:36:13,231 --> 02:36:16,332 THE CHINS ARE GOING UP, BROTHER. >> WAIT -- WAIT A MINUTE NOW, HULK HOGAN AT 310, 312 POUNDS, 5324 02:36:16,334 --> 02:36:19,468 >> WAIT -- WAIT A MINUTE NOW, HULK HOGAN AT 310, 312 POUNDS, WITH ANOTHER 100 POUNDS. 5325 02:36:19,470 --> 02:36:20,803 HULK HOGAN AT 310, 312 POUNDS, WITH ANOTHER 100 POUNDS. YOU'RE GOING TO DO CHIN-UPS? 5326 02:36:20,805 --> 02:36:22,672 WITH ANOTHER 100 POUNDS. YOU'RE GOING TO DO CHIN-UPS? I DON'T KNOW, MAN. 5327 02:36:22,674 --> 02:36:25,741 YOU'RE GOING TO DO CHIN-UPS? I DON'T KNOW, MAN. >> HE CAN DO IT. 5328 02:36:25,743 --> 02:36:28,444 I DON'T KNOW, MAN. >> HE CAN DO IT. THIS IS FOR KING KONG BUNDY, THE 5329 02:36:28,446 --> 02:36:32,448 >> HE CAN DO IT. THIS IS FOR KING KONG BUNDY, THE 500 POUND MAN. 5330 02:36:32,450 --> 02:36:33,249 THIS IS FOR KING KONG BUNDY, THE 500 POUND MAN. [ GROANING ] 5331 02:36:33,251 --> 02:36:33,782 500 POUND MAN. [ GROANING ] >> THAT'S IT. 5332 02:36:33,784 --> 02:36:34,317 [ GROANING ] >> THAT'S IT. ALL RIGHT. 5333 02:36:34,319 --> 02:36:34,751 >> THAT'S IT. ALL RIGHT. LOOKING GOOD. 5334 02:36:34,753 --> 02:36:35,484 ALL RIGHT. LOOKING GOOD. LOOKING GOOD, BROTHER. 5335 02:36:35,486 --> 02:36:36,486 LOOKING GOOD. LOOKING GOOD, BROTHER. >> GENTLEMEN, DR. BOB IS -- IS 5336 02:36:36,488 --> 02:36:37,520 LOOKING GOOD, BROTHER. >> GENTLEMEN, DR. BOB IS -- IS HE PUTTING TOO MUCH STRAIN ON 5337 02:36:37,522 --> 02:36:38,654 >> GENTLEMEN, DR. BOB IS -- IS HE PUTTING TOO MUCH STRAIN ON THAT LOWER BACK? 5338 02:36:38,656 --> 02:36:39,722 HE PUTTING TOO MUCH STRAIN ON THAT LOWER BACK? >> HE'S LOOKING AWFULLY STRONG 5339 02:36:39,724 --> 02:36:41,357 THAT LOWER BACK? >> HE'S LOOKING AWFULLY STRONG AT THIS TIME RIGHT NOW. 5340 02:36:41,359 --> 02:36:43,459 >> HE'S LOOKING AWFULLY STRONG AT THIS TIME RIGHT NOW. >> OVER 400 POUNDS. 5341 02:36:43,461 --> 02:36:45,528 AT THIS TIME RIGHT NOW. >> OVER 400 POUNDS. >> COME ON, COME ON, HULKSTER. 5342 02:36:45,530 --> 02:36:47,530 >> OVER 400 POUNDS. >> COME ON, COME ON, HULKSTER. >> HILLBILLY JIM, YOU, AS AN 5343 02:36:47,532 --> 02:36:49,632 >> COME ON, COME ON, HULKSTER. >> HILLBILLY JIM, YOU, AS AN ATHLETE, KNOW ABOUT THIS. 5344 02:36:49,634 --> 02:36:50,166 >> HILLBILLY JIM, YOU, AS AN ATHLETE, KNOW ABOUT THIS. >> THAT'S A STRONG MAN RIGHT 5345 02:36:50,168 --> 02:36:50,766 ATHLETE, KNOW ABOUT THIS. >> THAT'S A STRONG MAN RIGHT THERE. 5346 02:36:50,768 --> 02:36:51,634 >> THAT'S A STRONG MAN RIGHT THERE. >> HULK, ENOUGH IS ENOUGH. 5347 02:36:51,636 --> 02:36:52,701 THERE. >> HULK, ENOUGH IS ENOUGH. YOU'RE PROVING YOUR POINT. 5348 02:36:52,703 --> 02:36:55,704 >> HULK, ENOUGH IS ENOUGH. YOU'RE PROVING YOUR POINT. >> I'LL DO 1,000, BROTHER, TO 5349 02:36:55,706 --> 02:36:56,806 YOU'RE PROVING YOUR POINT. >> I'LL DO 1,000, BROTHER, TO BEAT KING KONG BUNDY. 5350 02:36:56,808 --> 02:37:01,444 >> I'LL DO 1,000, BROTHER, TO BEAT KING KONG BUNDY. [ GROANING ] 5351 02:37:01,446 --> 02:37:03,546 BEAT KING KONG BUNDY. [ GROANING ] >> HULK, PLEASE. 5352 02:37:03,548 --> 02:37:07,417 [ GROANING ] >> HULK, PLEASE. PLEASE. 5353 02:37:07,419 --> 02:37:08,017 >> HULK, PLEASE. PLEASE. YOU HAVE PROVEN YOUR POINT. 5354 02:37:08,019 --> 02:37:08,617 PLEASE. YOU HAVE PROVEN YOUR POINT. HELP HIM IF YOU COULD THERE, 5355 02:37:08,619 --> 02:37:09,018 YOU HAVE PROVEN YOUR POINT. HELP HIM IF YOU COULD THERE, HILLBILLY JIM. 5356 02:37:09,020 --> 02:37:10,453 HELP HIM IF YOU COULD THERE, HILLBILLY JIM. >> I'M ALL RIGHT, BROTHER. 5357 02:37:10,455 --> 02:37:10,853 HILLBILLY JIM. >> I'M ALL RIGHT, BROTHER. I'M ALL RIGHT. 5358 02:37:10,855 --> 02:37:11,521 >> I'M ALL RIGHT, BROTHER. I'M ALL RIGHT. >> ALL RIGHT. 5359 02:37:11,523 --> 02:37:12,588 I'M ALL RIGHT. >> ALL RIGHT. HULK, THIS IS IT. 5360 02:37:12,590 --> 02:37:13,088 >> ALL RIGHT. HULK, THIS IS IT. IT'S KING KONG BUNDY AND 5361 02:37:13,090 --> 02:37:13,689 HULK, THIS IS IT. IT'S KING KONG BUNDY AND YOURSELF IN A STEEL CAGE AS PART 5362 02:37:13,691 --> 02:37:14,423 IT'S KING KONG BUNDY AND YOURSELF IN A STEEL CAGE AS PART OF WRESTLEMANIA. 5363 02:37:14,425 --> 02:37:15,258 YOURSELF IN A STEEL CAGE AS PART OF WRESTLEMANIA. >> WELL, YOU KNOW, BROTHER, THIS 5364 02:37:15,260 --> 02:37:15,725 OF WRESTLEMANIA. >> WELL, YOU KNOW, BROTHER, THIS IS WHAT IT'S ALL ABOUT. 5365 02:37:15,727 --> 02:37:16,592 >> WELL, YOU KNOW, BROTHER, THIS IS WHAT IT'S ALL ABOUT. A WINNER AND A LOSER. 5366 02:37:16,594 --> 02:37:17,460 IS WHAT IT'S ALL ABOUT. A WINNER AND A LOSER. NO WAY IN, NO WAY OUT. 5367 02:37:17,462 --> 02:37:18,093 A WINNER AND A LOSER. NO WAY IN, NO WAY OUT. FIVE AND A HALF WEEKS, BROTHER. 5368 02:37:18,095 --> 02:37:18,694 NO WAY IN, NO WAY OUT. FIVE AND A HALF WEEKS, BROTHER. FIVE AND A HALF WEEKS I'VE BEEN 5369 02:37:18,696 --> 02:37:19,662 FIVE AND A HALF WEEKS, BROTHER. FIVE AND A HALF WEEKS I'VE BEEN LIVING THE PAIN, NOW I FEEL NO 5370 02:37:19,664 --> 02:37:20,663 FIVE AND A HALF WEEKS I'VE BEEN LIVING THE PAIN, NOW I FEEL NO PAIN. 5371 02:37:20,665 --> 02:37:22,465 LIVING THE PAIN, NOW I FEEL NO PAIN. I FEAR NO MAN. 5372 02:37:22,467 --> 02:37:24,633 PAIN. I FEAR NO MAN. BUNDY, YOU'RE MINE IN THE STEEL 5373 02:37:24,635 --> 02:37:26,602 I FEAR NO MAN. BUNDY, YOU'RE MINE IN THE STEEL CAGE. 5374 02:37:26,604 --> 02:37:27,637 BUNDY, YOU'RE MINE IN THE STEEL CAGE. >> THIS IS JESSE THE BODY 5375 02:37:27,639 --> 02:37:28,571 CAGE. >> THIS IS JESSE THE BODY VENTURA COMING AT YOU WITH 5376 02:37:28,573 --> 02:37:30,339 >> THIS IS JESSE THE BODY VENTURA COMING AT YOU WITH WRESTLEMANIA 2 RIGHT OUT OF LOS 5377 02:37:30,341 --> 02:37:31,674 VENTURA COMING AT YOU WITH WRESTLEMANIA 2 RIGHT OUT OF LOS ANGELES. 5378 02:37:31,676 --> 02:37:33,576 WRESTLEMANIA 2 RIGHT OUT OF LOS ANGELES. BOBBY THE BRAIN HEENAN, GOT TO 5379 02:37:33,578 --> 02:37:34,677 ANGELES. BOBBY THE BRAIN HEENAN, GOT TO BE THE BIGGEST DAY OF YOUR LIFE. 5380 02:37:34,679 --> 02:37:35,578 BOBBY THE BRAIN HEENAN, GOT TO BE THE BIGGEST DAY OF YOUR LIFE. >> THIS IS THE BIGGEST DAY OF MY 5381 02:37:35,580 --> 02:37:36,745 BE THE BIGGEST DAY OF YOUR LIFE. >> THIS IS THE BIGGEST DAY OF MY LIFE AND I'M THE MOST PROUDEST 5382 02:37:36,747 --> 02:37:38,514 >> THIS IS THE BIGGEST DAY OF MY LIFE AND I'M THE MOST PROUDEST MAN WALKING THE FACE OF THIS 5383 02:37:38,516 --> 02:37:39,482 LIFE AND I'M THE MOST PROUDEST MAN WALKING THE FACE OF THIS EARTH, BECAUSE IN SOME VERY 5384 02:37:39,484 --> 02:37:40,749 MAN WALKING THE FACE OF THIS EARTH, BECAUSE IN SOME VERY SHORT TIME RIGHT NOW I AM GOING 5385 02:37:40,751 --> 02:37:42,318 EARTH, BECAUSE IN SOME VERY SHORT TIME RIGHT NOW I AM GOING TO BE THE THAT'S GOING TO BE 5386 02:37:42,320 --> 02:37:43,652 SHORT TIME RIGHT NOW I AM GOING TO BE THE THAT'S GOING TO BE PACKING THE GOLD. 5387 02:37:43,654 --> 02:37:44,753 TO BE THE THAT'S GOING TO BE PACKING THE GOLD. THAT'S RIGHT. 5388 02:37:44,755 --> 02:37:46,355 PACKING THE GOLD. THAT'S RIGHT. I'M GOING TO BE PACKING THE 5389 02:37:46,357 --> 02:37:47,623 THAT'S RIGHT. I'M GOING TO BE PACKING THE WORLD CHAMPIONSHIP BELT IN THIS 5390 02:37:47,625 --> 02:37:48,757 I'M GOING TO BE PACKING THE WORLD CHAMPIONSHIP BELT IN THIS MAN'S LUGGAGE BECAUSE THIS IS 5391 02:37:48,759 --> 02:37:50,493 WORLD CHAMPIONSHIP BELT IN THIS MAN'S LUGGAGE BECAUSE THIS IS THE NEW HEAVYWEIGHT CHAMPION OF 5392 02:37:50,495 --> 02:37:51,694 MAN'S LUGGAGE BECAUSE THIS IS THE NEW HEAVYWEIGHT CHAMPION OF THE WORLD, KING KONG BUNDY. 5393 02:37:51,696 --> 02:37:53,329 THE NEW HEAVYWEIGHT CHAMPION OF THE WORLD, KING KONG BUNDY. >> NOW, KING KONG, I'M WORRIED. 5394 02:37:53,331 --> 02:37:54,463 THE WORLD, KING KONG BUNDY. >> NOW, KING KONG, I'M WORRIED. YOU KNOW, I'M THE MAN WHO TELLS 5395 02:37:54,465 --> 02:37:55,631 >> NOW, KING KONG, I'M WORRIED. YOU KNOW, I'M THE MAN WHO TELLS IT LIKE IT IS, BUNDY, AND I'M 5396 02:37:55,633 --> 02:37:57,533 YOU KNOW, I'M THE MAN WHO TELLS IT LIKE IT IS, BUNDY, AND I'M WORRIED THAT'S A CAGE MATCH. 5397 02:37:57,535 --> 02:37:58,467 IT LIKE IT IS, BUNDY, AND I'M WORRIED THAT'S A CAGE MATCH. YOUR BEAUTIFUL FACE IS ON THE 5398 02:37:58,469 --> 02:37:59,668 WORRIED THAT'S A CAGE MATCH. YOUR BEAUTIFUL FACE IS ON THE LINE IN THERE. 5399 02:37:59,670 --> 02:38:01,237 YOUR BEAUTIFUL FACE IS ON THE LINE IN THERE. >> WELL, JESS, WORRY NO MORE, 5400 02:38:01,239 --> 02:38:02,872 LINE IN THERE. >> WELL, JESS, WORRY NO MORE, BECAUSE YOUR FEARS ARE TOTALLY 5401 02:38:02,874 --> 02:38:04,407 >> WELL, JESS, WORRY NO MORE, BECAUSE YOUR FEARS ARE TOTALLY UNFOUNDED. 5402 02:38:04,409 --> 02:38:06,309 BECAUSE YOUR FEARS ARE TOTALLY UNFOUNDED. YOU KNOW, IT'S BEEN PROVEN BY 5403 02:38:06,311 --> 02:38:07,543 UNFOUNDED. YOU KNOW, IT'S BEEN PROVEN BY HISTORICAL FACT THAT EVERY TIME 5404 02:38:07,545 --> 02:38:08,478 YOU KNOW, IT'S BEEN PROVEN BY HISTORICAL FACT THAT EVERY TIME KING KONG BUNDY AND HULK HOGAN 5405 02:38:08,480 --> 02:38:09,778 HISTORICAL FACT THAT EVERY TIME KING KONG BUNDY AND HULK HOGAN GET IN A RING TOGETHER, THAT 5406 02:38:09,780 --> 02:38:10,779 KING KONG BUNDY AND HULK HOGAN GET IN A RING TOGETHER, THAT IT'S HULK HOGAN THAT WINDS UP 5407 02:38:10,781 --> 02:38:11,714 GET IN A RING TOGETHER, THAT IT'S HULK HOGAN THAT WINDS UP LAYING THERE HELPLESS LIKE A 5408 02:38:11,716 --> 02:38:13,549 IT'S HULK HOGAN THAT WINDS UP LAYING THERE HELPLESS LIKE A FISH OUT OF WATER AND IT'S HULK 5409 02:38:13,551 --> 02:38:15,618 LAYING THERE HELPLESS LIKE A FISH OUT OF WATER AND IT'S HULK HOGAN THAT WINDS UP BEING CARTED 5410 02:38:15,620 --> 02:38:16,452 FISH OUT OF WATER AND IT'S HULK HOGAN THAT WINDS UP BEING CARTED OFF TO THE HOSPITAL AND TONIGHT 5411 02:38:16,454 --> 02:38:17,419 HOGAN THAT WINDS UP BEING CARTED OFF TO THE HOSPITAL AND TONIGHT AIN'T GOING TO BE NO DIFFERENT, 5412 02:38:17,421 --> 02:38:18,687 OFF TO THE HOSPITAL AND TONIGHT AIN'T GOING TO BE NO DIFFERENT, HOGAN. 5413 02:38:18,689 --> 02:38:20,222 AIN'T GOING TO BE NO DIFFERENT, HOGAN. FIRE UP THE AMBULANCES, GET THEM 5414 02:38:20,224 --> 02:38:21,457 HOGAN. FIRE UP THE AMBULANCES, GET THEM READY TO GO, BECAUSE HOGAN'S 5415 02:38:21,459 --> 02:38:22,424 FIRE UP THE AMBULANCES, GET THEM READY TO GO, BECAUSE HOGAN'S GOING TO THE HOSPITAL AGAIN AND 5416 02:38:22,426 --> 02:38:23,692 READY TO GO, BECAUSE HOGAN'S GOING TO THE HOSPITAL AGAIN AND LIKE THE MAN SAID, BOBBY THE 5417 02:38:23,694 --> 02:38:25,461 GOING TO THE HOSPITAL AGAIN AND LIKE THE MAN SAID, BOBBY THE BRAIN HEENAN, THE GREATEST MIND 5418 02:38:25,463 --> 02:38:27,697 LIKE THE MAN SAID, BOBBY THE BRAIN HEENAN, THE GREATEST MIND OF PROFESSIONAL SPORTS, I'M 5419 02:38:27,699 --> 02:38:28,631 BRAIN HEENAN, THE GREATEST MIND OF PROFESSIONAL SPORTS, I'M GOING TO BE THE NEXT HEAVYWEIGHT 5420 02:38:28,633 --> 02:38:29,665 OF PROFESSIONAL SPORTS, I'M GOING TO BE THE NEXT HEAVYWEIGHT CHAMPION OF THE WORLD. 5421 02:38:29,667 --> 02:38:30,399 GOING TO BE THE NEXT HEAVYWEIGHT CHAMPION OF THE WORLD. IT DOESN'T MATTER WHO LIKES IT. 5422 02:38:30,401 --> 02:38:31,467 CHAMPION OF THE WORLD. IT DOESN'T MATTER WHO LIKES IT. HULK HOGAN DOESN'T HAVE TO LIKE 5423 02:38:31,469 --> 02:38:32,801 IT DOESN'T MATTER WHO LIKES IT. HULK HOGAN DOESN'T HAVE TO LIKE IT, THE MAN'S GOING DOWN. 5424 02:38:32,803 --> 02:38:34,737 HULK HOGAN DOESN'T HAVE TO LIKE IT, THE MAN'S GOING DOWN. YOU KNOW, IT'S LIKE YOU SAID. 5425 02:38:34,739 --> 02:38:36,405 IT, THE MAN'S GOING DOWN. YOU KNOW, IT'S LIKE YOU SAID. THE HEENAN FAMILY, YOU DON'T 5426 02:38:36,407 --> 02:38:37,273 YOU KNOW, IT'S LIKE YOU SAID. THE HEENAN FAMILY, YOU DON'T MESS WITH US. 5427 02:38:37,275 --> 02:38:38,641 THE HEENAN FAMILY, YOU DON'T MESS WITH US. THAT'S RIGHT, BOBBY THE BRAIN, 5428 02:38:38,643 --> 02:38:40,476 MESS WITH US. THAT'S RIGHT, BOBBY THE BRAIN, KING KONG BUNDY, WE'RE THE NEXT 5429 02:38:40,478 --> 02:38:41,544 THAT'S RIGHT, BOBBY THE BRAIN, KING KONG BUNDY, WE'RE THE NEXT HEAVYWEIGHT CHAMPIONS OF THE 5430 02:38:41,546 --> 02:38:42,311 KING KONG BUNDY, WE'RE THE NEXT HEAVYWEIGHT CHAMPIONS OF THE WORLD. 5431 02:38:42,313 --> 02:38:43,079 HEAVYWEIGHT CHAMPIONS OF THE WORLD. WE'RE THE DOMINANT FORCE OF 5432 02:38:43,081 --> 02:38:43,812 WORLD. WE'RE THE DOMINANT FORCE OF PROFESSIONAL WRESTLING, RIGHT, 5433 02:38:43,814 --> 02:38:44,613 WE'RE THE DOMINANT FORCE OF PROFESSIONAL WRESTLING, RIGHT, BOBBY? 5434 02:38:44,615 --> 02:38:45,481 PROFESSIONAL WRESTLING, RIGHT, BOBBY? >> YOU KNOW, THE DOCTORS IN 5435 02:38:45,483 --> 02:38:46,482 BOBBY? >> YOU KNOW, THE DOCTORS IN PHOENIX PUT H -- HULK BACK 5436 02:38:46,484 --> 02:38:47,516 >> YOU KNOW, THE DOCTORS IN PHOENIX PUT H -- HULK BACK TOGETHER AGAIN. 5437 02:38:47,518 --> 02:38:48,484 PHOENIX PUT H -- HULK BACK TOGETHER AGAIN. WELL, I DON'T KNOW IF HE'S BACK 5438 02:38:48,486 --> 02:38:49,418 TOGETHER AGAIN. WELL, I DON'T KNOW IF HE'S BACK TOGETHER 100 PERCENT, BUT THE 5439 02:38:49,420 --> 02:38:50,619 WELL, I DON'T KNOW IF HE'S BACK TOGETHER 100 PERCENT, BUT THE DOCTORS HERE IN LA ARE GOING TO 5440 02:38:50,621 --> 02:38:51,554 TOGETHER 100 PERCENT, BUT THE DOCTORS HERE IN LA ARE GOING TO HAVE THEIR HANDS FULL, BECAUSE 5441 02:38:51,556 --> 02:38:52,521 DOCTORS HERE IN LA ARE GOING TO HAVE THEIR HANDS FULL, BECAUSE HE'S GOING TO BE PUT IN 5442 02:38:52,523 --> 02:38:53,789 HAVE THEIR HANDS FULL, BECAUSE HE'S GOING TO BE PUT IN DIFFERENT PIECES BECAUSE THERE'S 5443 02:38:53,791 --> 02:38:54,590 HE'S GOING TO BE PUT IN DIFFERENT PIECES BECAUSE THERE'S GOING TO BE A BRAND NEW 5444 02:38:54,592 --> 02:38:55,891 DIFFERENT PIECES BECAUSE THERE'S GOING TO BE A BRAND NEW HEAVYWEIGHT CHAMPION AND HIS 5445 02:38:55,893 --> 02:38:57,459 GOING TO BE A BRAND NEW HEAVYWEIGHT CHAMPION AND HIS NAME IS BUNDY, GET USED TO IT. 5446 02:38:57,461 --> 02:38:58,627 HEAVYWEIGHT CHAMPION AND HIS NAME IS BUNDY, GET USED TO IT. KING KONG BUNDY. 5447 02:38:58,629 --> 02:38:59,629 NAME IS BUNDY, GET USED TO IT. KING KONG BUNDY. NO MORE HULKAMANIA. 5448 02:38:59,631 --> 02:39:01,330 KING KONG BUNDY. NO MORE HULKAMANIA. NO MORE HULK THIS, HULK THAT. 5449 02:39:01,332 --> 02:39:03,266 NO MORE HULKAMANIA. NO MORE HULK THIS, HULK THAT. IT'S BUNDYMANIA FROM NOW ON. 5450 02:39:03,268 --> 02:39:04,400 NO MORE HULK THIS, HULK THAT. IT'S BUNDYMANIA FROM NOW ON. THE WORLD'S BIGGEST AND 5451 02:39:04,402 --> 02:39:06,368 IT'S BUNDYMANIA FROM NOW ON. THE WORLD'S BIGGEST AND STRONGEST, TOUGHEST CHAMPION THE 5452 02:39:06,370 --> 02:39:07,303 THE WORLD'S BIGGEST AND STRONGEST, TOUGHEST CHAMPION THE WORLD OF PROFESSIONAL WRESTLING 5453 02:39:07,305 --> 02:39:08,804 STRONGEST, TOUGHEST CHAMPION THE WORLD OF PROFESSIONAL WRESTLING HAS EVER HAD AND IT'S MY 5454 02:39:08,806 --> 02:39:10,539 WORLD OF PROFESSIONAL WRESTLING HAS EVER HAD AND IT'S MY PRIVILEGE TO MANAGE THAT 5455 02:39:10,541 --> 02:39:11,340 HAS EVER HAD AND IT'S MY PRIVILEGE TO MANAGE THAT GENTLEMAN. 5456 02:39:11,342 --> 02:39:12,441 PRIVILEGE TO MANAGE THAT GENTLEMAN. >> WELL, I GOT TO TELL YOU THIS, 5457 02:39:12,443 --> 02:39:13,276 GENTLEMAN. >> WELL, I GOT TO TELL YOU THIS, THE MAN WHO TELLS IT LIKE IT IS, 5458 02:39:13,278 --> 02:39:15,444 >> WELL, I GOT TO TELL YOU THIS, THE MAN WHO TELLS IT LIKE IT IS, I BELIEVE BUNDY'S READY. 5459 02:39:15,446 --> 02:39:17,413 THE MAN WHO TELLS IT LIKE IT IS, I BELIEVE BUNDY'S READY. I BELIEVE HOGAN, YOU'RE IN FOR 5460 02:39:17,415 --> 02:39:19,715 I BELIEVE BUNDY'S READY. I BELIEVE HOGAN, YOU'RE IN FOR THE FIGHT OF YOUR LIFE. 5461 02:39:19,717 --> 02:39:20,416 I BELIEVE HOGAN, YOU'RE IN FOR THE FIGHT OF YOUR LIFE. >> AND JESS, WE'RE GOING TO TURN 5462 02:39:20,418 --> 02:39:21,383 THE FIGHT OF YOUR LIFE. >> AND JESS, WE'RE GOING TO TURN THIS TOWN ON ITS EAR TONIGHT, 5463 02:39:21,385 --> 02:39:22,351 >> AND JESS, WE'RE GOING TO TURN THIS TOWN ON ITS EAR TONIGHT, DADDY. 5464 02:39:22,353 --> 02:39:24,353 THIS TOWN ON ITS EAR TONIGHT, DADDY. WHEN I WALK OUT OF THAT CAGE AND 5465 02:39:24,355 --> 02:39:25,454 DADDY. WHEN I WALK OUT OF THAT CAGE AND SEE HOGAN LAYING THERE, LA LOOK 5466 02:39:25,456 --> 02:39:26,422 WHEN I WALK OUT OF THAT CAGE AND SEE HOGAN LAYING THERE, LA LOOK OUT. 5467 02:39:26,424 --> 02:39:27,423 SEE HOGAN LAYING THERE, LA LOOK OUT. >> BEVERLY HILLS, LET'S GO. 5468 02:39:27,425 --> 02:39:29,224 OUT. >> BEVERLY HILLS, LET'S GO. COME ON. 5469 02:39:29,226 --> 02:39:29,926 >> BEVERLY HILLS, LET'S GO. COME ON. >> SOUNDS GOOD TO ME. 5470 02:39:29,928 --> 02:39:30,726 COME ON. >> SOUNDS GOOD TO ME. >> HI, I'M ELVIRA. 5471 02:39:30,728 --> 02:39:31,827 >> SOUNDS GOOD TO ME. >> HI, I'M ELVIRA. I'M HERE AT LA AT THE SPORTS 5472 02:39:31,829 --> 02:39:33,696 >> HI, I'M ELVIRA. I'M HERE AT LA AT THE SPORTS ARENA STARING AT THIS GIANT 5473 02:39:33,698 --> 02:39:36,332 I'M HERE AT LA AT THE SPORTS ARENA STARING AT THIS GIANT STEEL CAGE. 5474 02:39:36,334 --> 02:39:37,066 ARENA STARING AT THIS GIANT STEEL CAGE. RIGHT NOW WE'RE GOING LIVE TO 5475 02:39:37,068 --> 02:39:37,766 STEEL CAGE. RIGHT NOW WE'RE GOING LIVE TO NEW YORK WITH SUSAN SAINT JAMES 5476 02:39:37,768 --> 02:39:39,669 RIGHT NOW WE'RE GOING LIVE TO NEW YORK WITH SUSAN SAINT JAMES AND VINCE MCMAHON. 5477 02:39:39,671 --> 02:39:41,470 NEW YORK WITH SUSAN SAINT JAMES AND VINCE MCMAHON. >> ALL RIGHT, SUSAN. 5478 02:39:41,472 --> 02:39:43,505 AND VINCE MCMAHON. >> ALL RIGHT, SUSAN. LET ME ASK YOU ... 5479 02:39:43,507 --> 02:39:44,106 >> ALL RIGHT, SUSAN. LET ME ASK YOU ... >> BUNDYMANIA, GIVE ME A BREAK. 5480 02:39:44,108 --> 02:39:45,207 LET ME ASK YOU ... >> BUNDYMANIA, GIVE ME A BREAK. >> WHAT IS THE FUTURE OF 5481 02:39:45,209 --> 02:39:45,941 >> BUNDYMANIA, GIVE ME A BREAK. >> WHAT IS THE FUTURE OF BUNDYMANIA? 5482 02:39:45,943 --> 02:39:47,643 >> WHAT IS THE FUTURE OF BUNDYMANIA? >> IT'S ZERO. 5483 02:39:47,645 --> 02:39:48,677 BUNDYMANIA? >> IT'S ZERO. NEVER GOING TO HAPPEN. 5484 02:39:48,679 --> 02:39:49,445 >> IT'S ZERO. NEVER GOING TO HAPPEN. COME ON. 5485 02:39:49,447 --> 02:39:50,279 NEVER GOING TO HAPPEN. COME ON. >> WELL, THEN AGAIN YOU HAVE A 5486 02:39:50,281 --> 02:39:51,414 COME ON. >> WELL, THEN AGAIN YOU HAVE A SITUATION OF THAT 400 PLUS POUND 5487 02:39:51,416 --> 02:39:54,750 >> WELL, THEN AGAIN YOU HAVE A SITUATION OF THAT 400 PLUS POUND KING KONG BUNDY, AS WAS 5488 02:39:54,752 --> 02:39:56,485 SITUATION OF THAT 400 PLUS POUND KING KONG BUNDY, AS WAS MENTIONED EARLIER, THE STEEL 5489 02:39:56,487 --> 02:39:57,386 KING KONG BUNDY, AS WAS MENTIONED EARLIER, THE STEEL CAGE HAS BEEN INDEED REINFORCED 5490 02:39:57,388 --> 02:39:58,687 MENTIONED EARLIER, THE STEEL CAGE HAS BEEN INDEED REINFORCED AGAINST THE 300 POUND HULK 5491 02:39:58,689 --> 02:40:00,356 CAGE HAS BEEN INDEED REINFORCED AGAINST THE 300 POUND HULK HOGAN, SOMETHING WILL HAVE TO 5492 02:40:00,358 --> 02:40:01,523 AGAINST THE 300 POUND HULK HOGAN, SOMETHING WILL HAVE TO GIVE. 5493 02:40:01,525 --> 02:40:02,625 HOGAN, SOMETHING WILL HAVE TO GIVE. >> ABS -- I AGREE THERE. 5494 02:40:02,627 --> 02:40:03,458 GIVE. >> ABS -- I AGREE THERE. IT'S PRETTY SCARY LOOKING. 5495 02:40:03,460 --> 02:40:04,694 >> ABS -- I AGREE THERE. IT'S PRETTY SCARY LOOKING. I'VE NEVER SEEN ANYTHING LIKE 5496 02:40:04,696 --> 02:40:06,495 IT'S PRETTY SCARY LOOKING. I'VE NEVER SEEN ANYTHING LIKE THAT, BUT ALL MY CONFIDENCE. 5497 02:40:06,497 --> 02:40:07,596 I'VE NEVER SEEN ANYTHING LIKE THAT, BUT ALL MY CONFIDENCE. DID YOU SEE THOSE HOW MANY 5498 02:40:07,598 --> 02:40:09,398 THAT, BUT ALL MY CONFIDENCE. DID YOU SEE THOSE HOW MANY HUNDRED POUNDS UP AND UP AND UP? 5499 02:40:09,400 --> 02:40:10,566 DID YOU SEE THOSE HOW MANY HUNDRED POUNDS UP AND UP AND UP? GIVE ME A -- BUNDYMANIA, IT 5500 02:40:10,568 --> 02:40:12,401 HUNDRED POUNDS UP AND UP AND UP? GIVE ME A -- BUNDYMANIA, IT DOESN'T EVEN SOUND GOOD. 5501 02:40:12,403 --> 02:40:13,235 GIVE ME A -- BUNDYMANIA, IT DOESN'T EVEN SOUND GOOD. >> IT DOESN'T SOUND VERY GOOD, 5502 02:40:13,237 --> 02:40:13,903 DOESN'T EVEN SOUND GOOD. >> IT DOESN'T SOUND VERY GOOD, BUT WE COULD VERY WELL GET USED 5503 02:40:13,905 --> 02:40:15,904 >> IT DOESN'T SOUND VERY GOOD, BUT WE COULD VERY WELL GET USED TO, UH, KING KONG BUNDY BECOMING 5504 02:40:15,906 --> 02:40:16,572 BUT WE COULD VERY WELL GET USED TO, UH, KING KONG BUNDY BECOMING THE NEXT WORLD WRESTLING 5505 02:40:16,574 --> 02:40:18,540 TO, UH, KING KONG BUNDY BECOMING THE NEXT WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT 5506 02:40:18,542 --> 02:40:19,675 THE NEXT WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT CHAMPION. 5507 02:40:19,677 --> 02:40:20,810 ENTERTAINMENT HEAVYWEIGHT CHAMPION. STRANGER THINGS THAN THAT HAVE 5508 02:40:20,812 --> 02:40:22,378 CHAMPION. STRANGER THINGS THAN THAT HAVE HAPPENED IN THE PAST. 5509 02:40:22,380 --> 02:40:23,679 STRANGER THINGS THAN THAT HAVE HAPPENED IN THE PAST. >> THIS IS TRUE, ELVIRA, FOR 5510 02:40:23,681 --> 02:40:24,680 HAPPENED IN THE PAST. >> THIS IS TRUE, ELVIRA, FOR EXAMPLE. 5511 02:40:24,682 --> 02:40:25,648 >> THIS IS TRUE, ELVIRA, FOR EXAMPLE. >> UH, WELL YES. 5512 02:40:25,650 --> 02:40:27,349 EXAMPLE. >> UH, WELL YES. AS A MATTER OF FACT, UH, 5513 02:40:27,351 --> 02:40:28,450 >> UH, WELL YES. AS A MATTER OF FACT, UH, SPEAKING OF THAT, WE'LL TAKE YOU 5514 02:40:28,452 --> 02:40:29,952 AS A MATTER OF FACT, UH, SPEAKING OF THAT, WE'LL TAKE YOU BACK NOW TO ELVIRA. 5515 02:40:29,954 --> 02:40:31,687 SPEAKING OF THAT, WE'LL TAKE YOU BACK NOW TO ELVIRA. WE'LL TAKE YOU BACK TO JESSE 5516 02:40:31,689 --> 02:40:33,623 BACK NOW TO ELVIRA. WE'LL TAKE YOU BACK TO JESSE ALONG WITH LORD ALFRED HAYES AND 5517 02:40:33,625 --> 02:40:34,857 WE'LL TAKE YOU BACK TO JESSE ALONG WITH LORD ALFRED HAYES AND PERHAPS NOW WE ARE READY FOR THE 5518 02:40:34,859 --> 02:40:36,558 ALONG WITH LORD ALFRED HAYES AND PERHAPS NOW WE ARE READY FOR THE WORLD WRESTLING ENTERTAINMENT 5519 02:40:36,560 --> 02:40:38,560 PERHAPS NOW WE ARE READY FOR THE WORLD WRESTLING ENTERTAINMENT TITLE DEFENSE, CHAMPION HULK 5520 02:40:38,562 --> 02:40:40,663 WORLD WRESTLING ENTERTAINMENT TITLE DEFENSE, CHAMPION HULK HOGAN TO MEET KING KONG BUNDY IN 5521 02:40:40,665 --> 02:40:41,797 TITLE DEFENSE, CHAMPION HULK HOGAN TO MEET KING KONG BUNDY IN LOS ANGELES. 5522 02:40:41,799 --> 02:40:44,366 HOGAN TO MEET KING KONG BUNDY IN LOS ANGELES. LET'S TAKE YOU BACK TO LA. 5523 02:40:44,368 --> 02:40:45,668 LOS ANGELES. LET'S TAKE YOU BACK TO LA. >> WELL, LORD ALFRED HAYES, 5524 02:40:45,670 --> 02:40:47,770 LET'S TAKE YOU BACK TO LA. >> WELL, LORD ALFRED HAYES, THERE IT IS, A STEEL CAGE. 5525 02:40:47,772 --> 02:40:48,570 >> WELL, LORD ALFRED HAYES, THERE IT IS, A STEEL CAGE. ELVIRA, YOU EVER SEE ANYTHING 5526 02:40:48,572 --> 02:40:49,805 THERE IT IS, A STEEL CAGE. ELVIRA, YOU EVER SEE ANYTHING LIKE THAT? 5527 02:40:49,807 --> 02:40:50,940 ELVIRA, YOU EVER SEE ANYTHING LIKE THAT? >> UH, NO I HAVEN'T, BUT I'M 5528 02:40:50,942 --> 02:40:52,541 LIKE THAT? >> UH, NO I HAVEN'T, BUT I'M GLAD I'M SEEING IT NOW, BECAUSE, 5529 02:40:52,543 --> 02:40:53,776 >> UH, NO I HAVEN'T, BUT I'M GLAD I'M SEEING IT NOW, BECAUSE, I'LL TELL YOU, I, FOR ONE, AM 5530 02:40:53,778 --> 02:40:54,643 GLAD I'M SEEING IT NOW, BECAUSE, I'LL TELL YOU, I, FOR ONE, AM GLAD THE STEEL CAGE IS UP 5531 02:40:54,645 --> 02:40:55,878 I'LL TELL YOU, I, FOR ONE, AM GLAD THE STEEL CAGE IS UP BECAUSE WE'RE SITTING HERE SO 5532 02:40:55,880 --> 02:40:56,979 GLAD THE STEEL CAGE IS UP BECAUSE WE'RE SITTING HERE SO CLOSE TO IT. 5533 02:40:56,981 --> 02:40:57,713 BECAUSE WE'RE SITTING HERE SO CLOSE TO IT. >> WELL, WHAT THEY'VE DONE, THIS 5534 02:40:57,715 --> 02:40:58,914 CLOSE TO IT. >> WELL, WHAT THEY'VE DONE, THIS ISN'T EXACTLY A NORMAL STEEL 5535 02:40:58,916 --> 02:40:59,682 >> WELL, WHAT THEY'VE DONE, THIS ISN'T EXACTLY A NORMAL STEEL CAGE. 5536 02:40:59,684 --> 02:41:01,283 ISN'T EXACTLY A NORMAL STEEL CAGE. USUALLY IT'S A CYCLONE FENCE, 5537 02:41:01,285 --> 02:41:02,251 CAGE. USUALLY IT'S A CYCLONE FENCE, BUT IN THE CASE OF KING KONG 5538 02:41:02,253 --> 02:41:05,287 USUALLY IT'S A CYCLONE FENCE, BUT IN THE CASE OF KING KONG BUNDY, HE'S ABOUT 450 POUNDS. 5539 02:41:05,289 --> 02:41:06,488 BUT IN THE CASE OF KING KONG BUNDY, HE'S ABOUT 450 POUNDS. HE NEEDS A REINFORCED CAGE. 5540 02:41:06,490 --> 02:41:07,155 BUNDY, HE'S ABOUT 450 POUNDS. HE NEEDS A REINFORCED CAGE. LET'S GO UP TO THE RING 5541 02:41:07,157 --> 02:41:10,359 HE NEEDS A REINFORCED CAGE. LET'S GO UP TO THE RING ANNOUNCER FOR ANNOUNCEMENTS. 5542 02:41:10,361 --> 02:41:12,461 LET'S GO UP TO THE RING ANNOUNCER FOR ANNOUNCEMENTS. >> LADIES AND GENTLEMEN, THIS IS 5543 02:41:12,463 --> 02:41:17,600 ANNOUNCER FOR ANNOUNCEMENTS. >> LADIES AND GENTLEMEN, THIS IS THE MAIN EVENT. 5544 02:41:17,602 --> 02:41:21,570 >> LADIES AND GENTLEMEN, THIS IS THE MAIN EVENT. [ BELL RINGING ] 5545 02:41:21,572 --> 02:41:22,705 THE MAIN EVENT. [ BELL RINGING ] >> LADIES AND GENTLEMEN, IT 5546 02:41:22,707 --> 02:41:23,539 [ BELL RINGING ] >> LADIES AND GENTLEMEN, IT GIVES ME A GREAT DEAL OF 5547 02:41:23,541 --> 02:41:26,475 >> LADIES AND GENTLEMEN, IT GIVES ME A GREAT DEAL OF PLEASURE TO INTRODUCE YOU TO OUR 5548 02:41:26,477 --> 02:41:28,811 GIVES ME A GREAT DEAL OF PLEASURE TO INTRODUCE YOU TO OUR GUEST RING ANNOUNCER. 5549 02:41:28,813 --> 02:41:30,679 PLEASURE TO INTRODUCE YOU TO OUR GUEST RING ANNOUNCER. HE IS TRULY A LEGEND IN THIS 5550 02:41:30,681 --> 02:41:32,615 GUEST RING ANNOUNCER. HE IS TRULY A LEGEND IN THIS AREA AND IS KNOWN NATIONWIDE AS 5551 02:41:32,617 --> 02:41:34,717 HE IS TRULY A LEGEND IN THIS AREA AND IS KNOWN NATIONWIDE AS ONE OF THE BRIGHTEST BASEBALL 5552 02:41:34,719 --> 02:41:37,419 AREA AND IS KNOWN NATIONWIDE AS ONE OF THE BRIGHTEST BASEBALL MINDS TODAY, LADIES AND 5553 02:41:37,421 --> 02:41:38,654 ONE OF THE BRIGHTEST BASEBALL MINDS TODAY, LADIES AND GENTLEMEN, THE MANAGER OF THE 5554 02:41:38,656 --> 02:41:41,790 MINDS TODAY, LADIES AND GENTLEMEN, THE MANAGER OF THE LOS ANGELES DODGERS, TOMMY 5555 02:41:41,792 --> 02:41:44,660 GENTLEMEN, THE MANAGER OF THE LOS ANGELES DODGERS, TOMMY LASORDA. 5556 02:41:44,662 --> 02:41:57,907 LOS ANGELES DODGERS, TOMMY LASORDA. [ BELL RINGING ] 5557 02:41:57,909 --> 02:41:59,441 LASORDA. [ BELL RINGING ] >> GOOD EVENING, LADIES AND 5558 02:41:59,443 --> 02:42:02,644 [ BELL RINGING ] >> GOOD EVENING, LADIES AND GENTLEMEN. 5559 02:42:02,646 --> 02:42:06,482 >> GOOD EVENING, LADIES AND GENTLEMEN. MAY I INTRODUCE THE OFFICIALS 5560 02:42:06,484 --> 02:42:08,617 GENTLEMEN. MAY I INTRODUCE THE OFFICIALS FOR THE MAIN EVENT. 5561 02:42:08,619 --> 02:42:13,388 MAY I INTRODUCE THE OFFICIALS FOR THE MAIN EVENT. FIRST OF ALL, THE TIME KEEPER, A 5562 02:42:13,390 --> 02:42:16,525 FOR THE MAIN EVENT. FIRST OF ALL, THE TIME KEEPER, A BRILLIANT YOUNG ACTOR AND THE 5563 02:42:16,527 --> 02:42:20,696 FIRST OF ALL, THE TIME KEEPER, A BRILLIANT YOUNG ACTOR AND THE STAR OF TV SERIES SILVER SPOONS, 5564 02:42:20,698 --> 02:42:23,565 BRILLIANT YOUNG ACTOR AND THE STAR OF TV SERIES SILVER SPOONS, RICKY SCHRODER. 5565 02:42:23,567 --> 02:42:44,520 STAR OF TV SERIES SILVER SPOONS, RICKY SCHRODER. [ BELL RINGING ] 5566 02:42:44,522 --> 02:42:47,556 RICKY SCHRODER. [ BELL RINGING ] >> AND NOW, YOUR REFEREE FOR 5567 02:42:47,558 --> 02:42:51,593 [ BELL RINGING ] >> AND NOW, YOUR REFEREE FOR TONIGHT, ONE OF HOLLYWOOD'S BEST 5568 02:42:51,595 --> 02:42:55,364 >> AND NOW, YOUR REFEREE FOR TONIGHT, ONE OF HOLLYWOOD'S BEST KNOWN STARS, THIS MAN'S 5569 02:42:55,366 --> 02:42:57,699 TONIGHT, ONE OF HOLLYWOOD'S BEST KNOWN STARS, THIS MAN'S CREDENTIALS INCLUDE THE TV 5570 02:42:57,701 --> 02:43:00,469 KNOWN STARS, THIS MAN'S CREDENTIALS INCLUDE THE TV SERIES HAWAIIAN EYE, THE WILD 5571 02:43:00,471 --> 02:43:04,573 CREDENTIALS INCLUDE THE TV SERIES HAWAIIAN EYE, THE WILD WILD WEST, AND CENTENNIAL. 5572 02:43:04,575 --> 02:43:07,276 SERIES HAWAIIAN EYE, THE WILD WILD WEST, AND CENTENNIAL. LADIES AND GENTLEMEN, THE ONE 5573 02:43:07,278 --> 02:43:10,479 WILD WEST, AND CENTENNIAL. LADIES AND GENTLEMEN, THE ONE AND ONLY ROBERT CONRAD. 5574 02:43:10,481 --> 02:43:25,427 LADIES AND GENTLEMEN, THE ONE AND ONLY ROBERT CONRAD. [ BELL RINGING ] 5575 02:43:25,429 --> 02:43:28,464 AND ONLY ROBERT CONRAD. [ BELL RINGING ] >> THIS IS THE MAIN EVENT AND IT 5576 02:43:28,466 --> 02:43:30,599 [ BELL RINGING ] >> THIS IS THE MAIN EVENT AND IT WILL BE HELD INSIDE THE STEEL 5577 02:43:30,601 --> 02:43:36,572 >> THIS IS THE MAIN EVENT AND IT WILL BE HELD INSIDE THE STEEL CAGE FOR THE WORLD WRESTLING 5578 02:43:36,574 --> 02:43:38,707 WILL BE HELD INSIDE THE STEEL CAGE FOR THE WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT 5579 02:43:38,709 --> 02:43:41,710 CAGE FOR THE WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT CHAMPIONSHIP. 5580 02:43:41,712 --> 02:43:44,680 ENTERTAINMENT HEAVYWEIGHT CHAMPIONSHIP. THE WINNER OF THIS MATCH WILL BE 5581 02:43:44,682 --> 02:43:47,583 CHAMPIONSHIP. THE WINNER OF THIS MATCH WILL BE THE FIRST MAN TO EXIT THE CAGE, 5582 02:43:47,585 --> 02:43:49,819 THE WINNER OF THIS MATCH WILL BE THE FIRST MAN TO EXIT THE CAGE, EITHER THROUGH THE DOOR OR OVER 5583 02:43:49,821 --> 02:43:54,590 THE FIRST MAN TO EXIT THE CAGE, EITHER THROUGH THE DOOR OR OVER THE TOP AND NOW HERE ARE THE 5584 02:43:54,592 --> 02:44:02,497 EITHER THROUGH THE DOOR OR OVER THE TOP AND NOW HERE ARE THE PARTICIPANTS. 5585 02:44:02,499 --> 02:44:04,500 THE TOP AND NOW HERE ARE THE PARTICIPANTS. LED TOWARD THE RING BY HIS 5586 02:44:04,502 --> 02:44:08,804 PARTICIPANTS. LED TOWARD THE RING BY HIS MANAGER, BOBBY THE BRAIN HEENAN, 5587 02:44:08,806 --> 02:44:11,707 LED TOWARD THE RING BY HIS MANAGER, BOBBY THE BRAIN HEENAN, IS THE CHALLENGER FROM ATLANTIC 5588 02:44:11,709 --> 02:44:16,411 MANAGER, BOBBY THE BRAIN HEENAN, IS THE CHALLENGER FROM ATLANTIC CITY, NEW JERSEY, WEIGHING 468 5589 02:44:16,413 --> 02:44:20,349 IS THE CHALLENGER FROM ATLANTIC CITY, NEW JERSEY, WEIGHING 468 POUNDS, KING KONG BUNDY. 5590 02:44:20,351 --> 02:45:20,475 CITY, NEW JERSEY, WEIGHING 468 POUNDS, KING KONG BUNDY. [ BELL RINGING ] 5591 02:45:20,477 --> 02:45:25,580 POUNDS, KING KONG BUNDY. [ BELL RINGING ] >> AND HIS OPPONENT FROM VENICE 5592 02:45:25,582 --> 02:45:31,420 [ BELL RINGING ] >> AND HIS OPPONENT FROM VENICE BEACH, CALIFORNIA, WEIGHING 302 5593 02:45:31,422 --> 02:45:34,823 >> AND HIS OPPONENT FROM VENICE BEACH, CALIFORNIA, WEIGHING 302 POUNDS, THE WORLD WRESTLING 5594 02:45:34,825 --> 02:45:37,726 BEACH, CALIFORNIA, WEIGHING 302 POUNDS, THE WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT 5595 02:45:37,728 --> 02:45:40,429 POUNDS, THE WORLD WRESTLING ENTERTAINMENT HEAVYWEIGHT CHAMPION, HULK HOGAN. 5596 02:45:40,431 --> 02:45:42,364 ENTERTAINMENT HEAVYWEIGHT CHAMPION, HULK HOGAN. [ BELL RINGING ] 5597 02:45:42,366 --> 02:45:45,567 CHAMPION, HULK HOGAN. [ BELL RINGING ] [ LYRICS ] 5598 02:45:45,569 --> 02:45:47,469 [ BELL RINGING ] [ LYRICS ] YA' GOTTA TAKE A STAND, IT 5599 02:45:47,471 --> 02:45:50,605 [ LYRICS ] YA' GOTTA TAKE A STAND, IT DON'T HELP TO HIDE. 5600 02:45:50,607 --> 02:45:52,774 YA' GOTTA TAKE A STAND, IT DON'T HELP TO HIDE. WELL, YOU HURT MY FRIENDS, AND 5601 02:45:52,776 --> 02:45:55,477 DON'T HELP TO HIDE. WELL, YOU HURT MY FRIENDS, AND YOU HURT MY PRIDE. 5602 02:45:55,479 --> 02:45:57,680 WELL, YOU HURT MY FRIENDS, AND YOU HURT MY PRIDE. I GOTTA BE A MAN, I CAN'T LET IT 5603 02:45:57,682 --> 02:45:59,681 YOU HURT MY PRIDE. I GOTTA BE A MAN, I CAN'T LET IT SLIDE. 5604 02:45:59,683 --> 02:46:01,850 I GOTTA BE A MAN, I CAN'T LET IT SLIDE. I AM A REAL AMERICAN. 5605 02:46:01,852 --> 02:46:05,654 SLIDE. I AM A REAL AMERICAN. FIGHT FOR THE RIGHTS OF EVERY 5606 02:46:05,656 --> 02:46:07,389 I AM A REAL AMERICAN. FIGHT FOR THE RIGHTS OF EVERY MAN. 5607 02:46:07,391 --> 02:46:08,757 FIGHT FOR THE RIGHTS OF EVERY MAN. I AM A REAL AMERICAN. 5608 02:46:08,759 --> 02:46:12,627 MAN. I AM A REAL AMERICAN. FIGHT WHAT'S RIGHT. 5609 02:46:12,629 --> 02:46:23,572 I AM A REAL AMERICAN. FIGHT WHAT'S RIGHT. FIGHT FOR YOUR LIFE. 5610 02:46:23,574 --> 02:46:24,639 FIGHT WHAT'S RIGHT. FIGHT FOR YOUR LIFE. I FEEL STRONG ABOUT RIGHT AND 5611 02:46:24,641 --> 02:46:28,243 FIGHT FOR YOUR LIFE. I FEEL STRONG ABOUT RIGHT AND WRONG, AND I DON'T TAKE TROUBLE 5612 02:46:28,245 --> 02:46:38,721 I FEEL STRONG ABOUT RIGHT AND WRONG, AND I DON'T TAKE TROUBLE FOR VERY LONG. 5613 02:46:38,723 --> 02:46:39,588 WRONG, AND I DON'T TAKE TROUBLE FOR VERY LONG. >> OH, HERE YOU GOT IT. 5614 02:46:39,590 --> 02:46:40,589 FOR VERY LONG. >> OH, HERE YOU GOT IT. HOGAN AND BUNDY INSIDE THE STEEL 5615 02:46:40,591 --> 02:46:42,791 >> OH, HERE YOU GOT IT. HOGAN AND BUNDY INSIDE THE STEEL CAGE. 5616 02:46:42,793 --> 02:46:44,493 HOGAN AND BUNDY INSIDE THE STEEL CAGE. ROBERT CONRAD MADE BOBBY THE 5617 02:46:44,495 --> 02:46:45,827 CAGE. ROBERT CONRAD MADE BOBBY THE BRAIN HEENAN GET OUT OF THERE. 5618 02:46:45,829 --> 02:46:47,363 ROBERT CONRAD MADE BOBBY THE BRAIN HEENAN GET OUT OF THERE. >> JESSE, THIS IS WHAT THE WORLD 5619 02:46:47,365 --> 02:46:48,830 BRAIN HEENAN GET OUT OF THERE. >> JESSE, THIS IS WHAT THE WORLD HAS COME TO. 5620 02:46:48,832 --> 02:46:50,632 >> JESSE, THIS IS WHAT THE WORLD HAS COME TO. LOOK AT HULK HOGAN, THE GREATEST 5621 02:46:50,634 --> 02:46:53,402 HAS COME TO. LOOK AT HULK HOGAN, THE GREATEST PROFESSIONAL ATHLETE IN THE 5622 02:46:53,404 --> 02:46:54,936 LOOK AT HULK HOGAN, THE GREATEST PROFESSIONAL ATHLETE IN THE WHOLE OF THE WORLD. 5623 02:46:54,938 --> 02:46:56,371 PROFESSIONAL ATHLETE IN THE WHOLE OF THE WORLD. ISN'T HE A MAGNIFICENT SIGHT, 5624 02:46:56,373 --> 02:46:57,472 WHOLE OF THE WORLD. ISN'T HE A MAGNIFICENT SIGHT, JESSE? 5625 02:46:57,474 --> 02:46:58,874 ISN'T HE A MAGNIFICENT SIGHT, JESSE? >> THAT'S YOUR OPINION, HAYES. 5626 02:46:58,876 --> 02:47:00,242 JESSE? >> THAT'S YOUR OPINION, HAYES. WE MAY SEE A NEW CHAMPION. 5627 02:47:00,244 --> 02:47:01,443 >> THAT'S YOUR OPINION, HAYES. WE MAY SEE A NEW CHAMPION. YOU CAN SEE THE RIBS ARE TAPED 5628 02:47:01,445 --> 02:47:03,478 WE MAY SEE A NEW CHAMPION. YOU CAN SEE THE RIBS ARE TAPED UP HEAVILY. 5629 02:47:03,480 --> 02:47:04,513 YOU CAN SEE THE RIBS ARE TAPED UP HEAVILY. KING KONG BUNDY DID THE DAMAGE 5630 02:47:04,515 --> 02:47:05,881 UP HEAVILY. KING KONG BUNDY DID THE DAMAGE TO HIM IN PHOENIX. 5631 02:47:05,883 --> 02:47:07,249 KING KONG BUNDY DID THE DAMAGE TO HIM IN PHOENIX. I PERSONALLY DON'T THINK HOGAN. 5632 02:47:07,251 --> 02:47:08,417 TO HIM IN PHOENIX. I PERSONALLY DON'T THINK HOGAN. HE'S COMING BACK TOO SOON. 5633 02:47:08,419 --> 02:47:09,718 I PERSONALLY DON'T THINK HOGAN. HE'S COMING BACK TOO SOON. AND THEY'RE GOING AT IT RIGHT 5634 02:47:09,720 --> 02:47:10,652 HE'S COMING BACK TOO SOON. AND THEY'RE GOING AT IT RIGHT AND A LEFT TO RIGHT. 5635 02:47:10,654 --> 02:47:11,653 AND THEY'RE GOING AT IT RIGHT AND A LEFT TO RIGHT. EXCHANGING RIGHT HANDS. 5636 02:47:11,655 --> 02:47:13,889 AND A LEFT TO RIGHT. EXCHANGING RIGHT HANDS. HOGAN'S GETTING THE BETTER. 5637 02:47:13,891 --> 02:47:15,391 EXCHANGING RIGHT HANDS. HOGAN'S GETTING THE BETTER. HE'S ROCKING BUNDY BACK INTO THE 5638 02:47:15,393 --> 02:47:16,658 HOGAN'S GETTING THE BETTER. HE'S ROCKING BUNDY BACK INTO THE CAGE, OFF THE ROPES, BIG RIGHT 5639 02:47:16,660 --> 02:47:19,528 HE'S ROCKING BUNDY BACK INTO THE CAGE, OFF THE ROPES, BIG RIGHT HAND DRIVING BUNDY INTO THE 5640 02:47:19,530 --> 02:47:20,529 CAGE, OFF THE ROPES, BIG RIGHT HAND DRIVING BUNDY INTO THE CAGE. 5641 02:47:20,531 --> 02:47:22,664 HAND DRIVING BUNDY INTO THE CAGE. ELVIRA, HOW DO YOU FEEL ABOUT 5642 02:47:22,666 --> 02:47:23,799 CAGE. ELVIRA, HOW DO YOU FEEL ABOUT THIS? 5643 02:47:23,801 --> 02:47:25,400 ELVIRA, HOW DO YOU FEEL ABOUT THIS? TWO MEN LOCKED INSIDE OF A STEEL 5644 02:47:25,402 --> 02:47:26,402 THIS? TWO MEN LOCKED INSIDE OF A STEEL CAGE. 5645 02:47:26,404 --> 02:47:26,701 TWO MEN LOCKED INSIDE OF A STEEL CAGE. BIG FOOD. 5646 02:47:26,703 --> 02:47:28,570 CAGE. BIG FOOD. BUNDY'S IN TROUBLE EARLY. 5647 02:47:28,572 --> 02:47:29,571 BIG FOOD. BUNDY'S IN TROUBLE EARLY. >> WELL, I'LL TELL YOU. 5648 02:47:29,573 --> 02:47:30,672 BUNDY'S IN TROUBLE EARLY. >> WELL, I'LL TELL YOU. JUST SEEING THIS AMOUNT OF FLESH 5649 02:47:30,674 --> 02:47:32,441 >> WELL, I'LL TELL YOU. JUST SEEING THIS AMOUNT OF FLESH IN ONE PLACE IS TOTALLY AWESOME. 5650 02:47:32,443 --> 02:47:34,743 JUST SEEING THIS AMOUNT OF FLESH IN ONE PLACE IS TOTALLY AWESOME. I HAVEN'T SEEN THIS MUCH EXPOSED 5651 02:47:34,745 --> 02:47:36,678 IN ONE PLACE IS TOTALLY AWESOME. I HAVEN'T SEEN THIS MUCH EXPOSED FLESH SINCE I WAS IN LAS VEGAS 5652 02:47:36,680 --> 02:47:38,447 I HAVEN'T SEEN THIS MUCH EXPOSED FLESH SINCE I WAS IN LAS VEGAS AND SAW A SHOW THERE. 5653 02:47:38,449 --> 02:47:40,515 FLESH SINCE I WAS IN LAS VEGAS AND SAW A SHOW THERE. IT'S FRIGHTENING. 5654 02:47:40,517 --> 02:47:41,483 AND SAW A SHOW THERE. IT'S FRIGHTENING. >> ALREADY, JESSE, THERE'S BUNDY 5655 02:47:41,485 --> 02:47:43,619 IT'S FRIGHTENING. >> ALREADY, JESSE, THERE'S BUNDY TRYING TO GO FOR THE GATE BUT, 5656 02:47:43,621 --> 02:47:45,821 >> ALREADY, JESSE, THERE'S BUNDY TRYING TO GO FOR THE GATE BUT, UH, HULK SOON STOPPED THAT. 5657 02:47:45,823 --> 02:47:48,323 TRYING TO GO FOR THE GATE BUT, UH, HULK SOON STOPPED THAT. >> YEAH, HULK HOGAN USING, OF 5658 02:47:48,325 --> 02:47:49,591 UH, HULK SOON STOPPED THAT. >> YEAH, HULK HOGAN USING, OF COURSE THIS IS A CAGE MATCH, SO 5659 02:47:49,593 --> 02:47:52,427 >> YEAH, HULK HOGAN USING, OF COURSE THIS IS A CAGE MATCH, SO RULES DON'T REALLY PREVAIL. 5660 02:47:52,429 --> 02:47:53,061 COURSE THIS IS A CAGE MATCH, SO RULES DON'T REALLY PREVAIL. >> THIS LOOKS LIKE ONE OF MY 5661 02:47:53,063 --> 02:47:54,529 RULES DON'T REALLY PREVAIL. >> THIS LOOKS LIKE ONE OF MY HORROR MOVIES THAT I'VE BEEN 5662 02:47:54,531 --> 02:47:56,431 >> THIS LOOKS LIKE ONE OF MY HORROR MOVIES THAT I'VE BEEN SHOWING ON MY SHOW. 5663 02:47:56,433 --> 02:47:57,566 HORROR MOVIES THAT I'VE BEEN SHOWING ON MY SHOW. >> IT COULD VERY WELL TURN INTO 5664 02:47:57,568 --> 02:47:58,333 SHOWING ON MY SHOW. >> IT COULD VERY WELL TURN INTO A HORROR MOVIE BEFORE IT'S OVER. 5665 02:47:58,335 --> 02:47:59,401 >> IT COULD VERY WELL TURN INTO A HORROR MOVIE BEFORE IT'S OVER. HOGAN WITH A BIG SHOT DRIVING 5666 02:47:59,403 --> 02:48:00,469 A HORROR MOVIE BEFORE IT'S OVER. HOGAN WITH A BIG SHOT DRIVING BUNDY AND IT'S BEEN ALL THE 5667 02:48:00,471 --> 02:48:01,170 HOGAN WITH A BIG SHOT DRIVING BUNDY AND IT'S BEEN ALL THE CHAMPION ONLY. 5668 02:48:01,172 --> 02:48:02,037 BUNDY AND IT'S BEEN ALL THE CHAMPION ONLY. TURNBUCKLE AND ANOTHER BIG, FULL 5669 02:48:02,039 --> 02:48:05,640 CHAMPION ONLY. TURNBUCKLE AND ANOTHER BIG, FULL KNEE. 5670 02:48:05,642 --> 02:48:07,242 TURNBUCKLE AND ANOTHER BIG, FULL KNEE. A KICK THAT LOOKED A LITTLE LOW. 5671 02:48:07,244 --> 02:48:08,477 KNEE. A KICK THAT LOOKED A LITTLE LOW. BIG SHOT. 5672 02:48:08,479 --> 02:48:09,644 A KICK THAT LOOKED A LITTLE LOW. BIG SHOT. BUNDY'S GOING TO HAVE TO GO 5673 02:48:09,646 --> 02:48:12,314 BIG SHOT. BUNDY'S GOING TO HAVE TO GO AFTER THOSE RIBS, ALFRED HAYES. 5674 02:48:12,316 --> 02:48:15,517 BUNDY'S GOING TO HAVE TO GO AFTER THOSE RIBS, ALFRED HAYES. >> JESSE, THAT'S WHAT HE'S GOT 5675 02:48:15,519 --> 02:48:16,585 AFTER THOSE RIBS, ALFRED HAYES. >> JESSE, THAT'S WHAT HE'S GOT TO DO BECAUSE BUNDY'S STRATEGY 5676 02:48:16,587 --> 02:48:17,652 >> JESSE, THAT'S WHAT HE'S GOT TO DO BECAUSE BUNDY'S STRATEGY NO DOUBT IS TO HIT HIM WITH ONE 5677 02:48:17,654 --> 02:48:22,357 TO DO BECAUSE BUNDY'S STRATEGY NO DOUBT IS TO HIT HIM WITH ONE OF THOSE BIG AVALANCHES AND TRY 5678 02:48:22,359 --> 02:48:23,025 NO DOUBT IS TO HIT HIM WITH ONE OF THOSE BIG AVALANCHES AND TRY AND KNOCK HIM OUT AND THEN 5679 02:48:23,027 --> 02:48:23,825 OF THOSE BIG AVALANCHES AND TRY AND KNOCK HIM OUT AND THEN ESCAPE, BECAUSE I CAN'T SEE 5680 02:48:23,827 --> 02:48:24,560 AND KNOCK HIM OUT AND THEN ESCAPE, BECAUSE I CAN'T SEE BUNDY BEING ABLE TO GET OVER THE 5681 02:48:24,562 --> 02:48:25,494 ESCAPE, BECAUSE I CAN'T SEE BUNDY BEING ABLE TO GET OVER THE TOP. 5682 02:48:25,496 --> 02:48:26,761 BUNDY BEING ABLE TO GET OVER THE TOP. BUNDY'S GOING TO HAVE TO GO OUT 5683 02:48:26,763 --> 02:48:27,696 TOP. BUNDY'S GOING TO HAVE TO GO OUT THROUGH THE GATE. 5684 02:48:27,698 --> 02:48:28,830 BUNDY'S GOING TO HAVE TO GO OUT THROUGH THE GATE. >> WELL, HE SHOWED US HE COULD 5685 02:48:28,832 --> 02:48:29,631 THROUGH THE GATE. >> WELL, HE SHOWED US HE COULD FIT IN WHEN HE WALKED IN, SO WE 5686 02:48:29,633 --> 02:48:30,398 >> WELL, HE SHOWED US HE COULD FIT IN WHEN HE WALKED IN, SO WE KNOW HE CAN GET OUT. 5687 02:48:30,400 --> 02:48:31,600 FIT IN WHEN HE WALKED IN, SO WE KNOW HE CAN GET OUT. >> WELL, WE KNOW HE CAN GO THAT 5688 02:48:31,602 --> 02:48:32,634 KNOW HE CAN GET OUT. >> WELL, WE KNOW HE CAN GO THAT WAY, JESSE, BUT THE CHAMPION IS 5689 02:48:32,636 --> 02:48:33,802 >> WELL, WE KNOW HE CAN GO THAT WAY, JESSE, BUT THE CHAMPION IS A VERY, VERY VERSATILE WRESTLER 5690 02:48:33,804 --> 02:48:35,871 WAY, JESSE, BUT THE CHAMPION IS A VERY, VERY VERSATILE WRESTLER AND HE CAN IMPROVISE. 5691 02:48:35,873 --> 02:48:37,506 A VERY, VERY VERSATILE WRESTLER AND HE CAN IMPROVISE. HE DOESN'T HAVE TO BE TIED DOWN 5692 02:48:37,508 --> 02:48:38,773 AND HE CAN IMPROVISE. HE DOESN'T HAVE TO BE TIED DOWN BY ANYTHING. 5693 02:48:38,775 --> 02:48:39,708 HE DOESN'T HAVE TO BE TIED DOWN BY ANYTHING. >> ALFRED BUNDY GOT A SHOT IN. 5694 02:48:39,710 --> 02:48:40,742 BY ANYTHING. >> ALFRED BUNDY GOT A SHOT IN. HE GOT IT INTO THE SHORT RIBS 5695 02:48:40,744 --> 02:48:42,711 >> ALFRED BUNDY GOT A SHOT IN. HE GOT IT INTO THE SHORT RIBS AND HOGAN'S HURT. 5696 02:48:42,713 --> 02:48:45,680 HE GOT IT INTO THE SHORT RIBS AND HOGAN'S HURT. OH, THERE'S A KICK. 5697 02:48:45,682 --> 02:48:46,615 AND HOGAN'S HURT. OH, THERE'S A KICK. >> WHAT A LEFT BOOT RUN INTO THE 5698 02:48:46,617 --> 02:48:48,750 OH, THERE'S A KICK. >> WHAT A LEFT BOOT RUN INTO THE MIDSECTION OF HOGAN. 5699 02:48:48,752 --> 02:48:49,718 >> WHAT A LEFT BOOT RUN INTO THE MIDSECTION OF HOGAN. >> I TOLD YOU HOGAN WAS NOT 5700 02:48:49,720 --> 02:48:51,520 MIDSECTION OF HOGAN. >> I TOLD YOU HOGAN WAS NOT RECOVERED FROM THOSE RIBS. 5701 02:48:51,522 --> 02:48:53,455 >> I TOLD YOU HOGAN WAS NOT RECOVERED FROM THOSE RIBS. YOU SAW IT. 5702 02:48:53,457 --> 02:48:54,689 RECOVERED FROM THOSE RIBS. YOU SAW IT. BUNDY GOT A SHORT SHOT IN AND IT 5703 02:48:54,691 --> 02:48:56,424 YOU SAW IT. BUNDY GOT A SHORT SHOT IN AND IT BUCKLED THE CHAMPION OVER. 5704 02:48:56,426 --> 02:48:57,726 BUNDY GOT A SHORT SHOT IN AND IT BUCKLED THE CHAMPION OVER. HOGAN'S IN A LOT OF TROUBLE AND 5705 02:48:57,728 --> 02:48:59,594 BUCKLED THE CHAMPION OVER. HOGAN'S IN A LOT OF TROUBLE AND BUNDY'S DRIVING THEM LEGS IN, 5706 02:48:59,596 --> 02:49:01,296 HOGAN'S IN A LOT OF TROUBLE AND BUNDY'S DRIVING THEM LEGS IN, DRIVING THOSE ELBOWS IN. 5707 02:49:01,298 --> 02:49:02,597 BUNDY'S DRIVING THEM LEGS IN, DRIVING THOSE ELBOWS IN. HE'S GOING AFTER IT. 5708 02:49:02,599 --> 02:49:04,466 DRIVING THOSE ELBOWS IN. HE'S GOING AFTER IT. HE CAN SMELL THE CHAMPIONSHIP OF 5709 02:49:04,468 --> 02:49:06,168 HE'S GOING AFTER IT. HE CAN SMELL THE CHAMPIONSHIP OF THE WORLD RIGHT HERE. 5710 02:49:06,170 --> 02:49:07,369 HE CAN SMELL THE CHAMPIONSHIP OF THE WORLD RIGHT HERE. >> WORD, YOU'RE RIGHT, JESSE. 5711 02:49:07,371 --> 02:49:08,803 THE WORLD RIGHT HERE. >> WORD, YOU'RE RIGHT, JESSE. I DO BELIEVE THAT HOGAN IS 5712 02:49:08,805 --> 02:49:10,739 >> WORD, YOU'RE RIGHT, JESSE. I DO BELIEVE THAT HOGAN IS SUFFERING WITH THOSE RIBS, I 5713 02:49:10,741 --> 02:49:11,773 I DO BELIEVE THAT HOGAN IS SUFFERING WITH THOSE RIBS, I THINK. 5714 02:49:11,775 --> 02:49:13,408 SUFFERING WITH THOSE RIBS, I THINK. >> BIG BODY SLAM AND HOGAN IS 5715 02:49:13,410 --> 02:49:14,543 THINK. >> BIG BODY SLAM AND HOGAN IS HURT. 5716 02:49:14,545 --> 02:49:15,310 >> BIG BODY SLAM AND HOGAN IS HURT. HE'S IN PAIN. 5717 02:49:15,312 --> 02:49:16,378 HURT. HE'S IN PAIN. I SAID IT BEFORE. 5718 02:49:16,380 --> 02:49:17,512 HE'S IN PAIN. I SAID IT BEFORE. I BELIEVE HE CAME BACK TOO 5719 02:49:17,514 --> 02:49:18,547 I SAID IT BEFORE. I BELIEVE HE CAME BACK TOO QUICKLY. 5720 02:49:18,549 --> 02:49:19,614 I BELIEVE HE CAME BACK TOO QUICKLY. HE LET HIS EGO GET IN THE WAY. 5721 02:49:19,616 --> 02:49:20,682 QUICKLY. HE LET HIS EGO GET IN THE WAY. LOOK AT THAT. 5722 02:49:20,684 --> 02:49:21,783 HE LET HIS EGO GET IN THE WAY. LOOK AT THAT. BUNDY DRIVING THE FOOT, PUSHING 5723 02:49:21,785 --> 02:49:24,753 LOOK AT THAT. BUNDY DRIVING THE FOOT, PUSHING HOGAN'S FACE INTO THAT MAT. 5724 02:49:24,755 --> 02:49:26,521 BUNDY DRIVING THE FOOT, PUSHING HOGAN'S FACE INTO THAT MAT. >> I'M GLAD THEY'RE IN A CAGE, 5725 02:49:26,523 --> 02:49:27,756 HOGAN'S FACE INTO THAT MAT. >> I'M GLAD THEY'RE IN A CAGE, BECAUSE BUNDY IS AN ANIMAL. 5726 02:49:27,758 --> 02:49:28,690 >> I'M GLAD THEY'RE IN A CAGE, BECAUSE BUNDY IS AN ANIMAL. >> BUNDY'S AN ANIMAL, I'LL TELL 5727 02:49:28,692 --> 02:49:29,658 BECAUSE BUNDY IS AN ANIMAL. >> BUNDY'S AN ANIMAL, I'LL TELL YOU WHAT, ELVIRA. 5728 02:49:29,660 --> 02:49:31,226 >> BUNDY'S AN ANIMAL, I'LL TELL YOU WHAT, ELVIRA. WHEN HE BECOMES CHAMPION OF THE 5729 02:49:31,228 --> 02:49:32,294 YOU WHAT, ELVIRA. WHEN HE BECOMES CHAMPION OF THE WORLD, YOU MIGHT WANT HIM IN THE 5730 02:49:32,296 --> 02:49:32,861 WHEN HE BECOMES CHAMPION OF THE WORLD, YOU MIGHT WANT HIM IN THE HORROR SHOW. 5731 02:49:32,863 --> 02:49:34,296 WORLD, YOU MIGHT WANT HIM IN THE HORROR SHOW. BUNDY'S GOING FOR THE DOOR. 5732 02:49:34,298 --> 02:49:35,864 HORROR SHOW. BUNDY'S GOING FOR THE DOOR. IF HE GETS OUT THE DOOR, HE'S 5733 02:49:35,866 --> 02:49:37,666 BUNDY'S GOING FOR THE DOOR. IF HE GETS OUT THE DOOR, HE'S THE NEW HEAVYWEIGHT CHAMPION. 5734 02:49:37,668 --> 02:49:39,901 IF HE GETS OUT THE DOOR, HE'S THE NEW HEAVYWEIGHT CHAMPION. HOGAN LEAPING ACROSS THE RING, 5735 02:49:39,903 --> 02:49:41,770 THE NEW HEAVYWEIGHT CHAMPION. HOGAN LEAPING ACROSS THE RING, GRABBING BUNDY BY THE LEG. 5736 02:49:41,772 --> 02:49:43,838 HOGAN LEAPING ACROSS THE RING, GRABBING BUNDY BY THE LEG. >> I'M AFRAID THAT WAS ALL 5737 02:49:43,840 --> 02:49:45,540 GRABBING BUNDY BY THE LEG. >> I'M AFRAID THAT WAS ALL PREMATURE, JESSE, BECAUSE HE 5738 02:49:45,542 --> 02:49:47,776 >> I'M AFRAID THAT WAS ALL PREMATURE, JESSE, BECAUSE HE CERTAINLY HASN'T STUNNED THE 5739 02:49:47,778 --> 02:49:49,311 PREMATURE, JESSE, BECAUSE HE CERTAINLY HASN'T STUNNED THE CHAMPION. 5740 02:49:49,313 --> 02:49:50,412 CERTAINLY HASN'T STUNNED THE CHAMPION. HE MAY HAVE HURT HIM, BUT HIS 5741 02:49:50,414 --> 02:49:51,713 CHAMPION. HE MAY HAVE HURT HIM, BUT HIS HEAD IS STILL QUITE CLEAR. 5742 02:49:51,715 --> 02:49:53,315 HE MAY HAVE HURT HIM, BUT HIS HEAD IS STILL QUITE CLEAR. >> UP HE GOES AGAIN. 5743 02:49:53,317 --> 02:49:54,249 HEAD IS STILL QUITE CLEAR. >> UP HE GOES AGAIN. WHOA. 5744 02:49:54,251 --> 02:49:56,651 >> UP HE GOES AGAIN. WHOA. HE DRIVES HOGAN BACK FIRST WITH 5745 02:49:56,653 --> 02:49:58,754 WHOA. HE DRIVES HOGAN BACK FIRST WITH THOSE RIBS RIGHT INTO THE FENCE. 5746 02:49:58,756 --> 02:50:00,488 HE DRIVES HOGAN BACK FIRST WITH THOSE RIBS RIGHT INTO THE FENCE. BOBBY HEENAN TELLING BUNDY LET'S 5747 02:50:00,490 --> 02:50:01,556 THOSE RIBS RIGHT INTO THE FENCE. BOBBY HEENAN TELLING BUNDY LET'S GET OUT OF HERE QUICK. 5748 02:50:01,558 --> 02:50:03,391 BOBBY HEENAN TELLING BUNDY LET'S GET OUT OF HERE QUICK. LET'S TAKE THE CHAMPIONSHIP. 5749 02:50:03,393 --> 02:50:04,459 GET OUT OF HERE QUICK. LET'S TAKE THE CHAMPIONSHIP. BUNDY'S GOING FOR THE DOOR. 5750 02:50:04,461 --> 02:50:06,394 LET'S TAKE THE CHAMPIONSHIP. BUNDY'S GOING FOR THE DOOR. THIS COULD BE IT. 5751 02:50:06,396 --> 02:50:08,663 BUNDY'S GOING FOR THE DOOR. THIS COULD BE IT. HOGAN DIVING IN HOLDING BUNDY. 5752 02:50:08,665 --> 02:50:09,598 THIS COULD BE IT. HOGAN DIVING IN HOLDING BUNDY. REMEMBER, A MAN CAN GET OUT THE 5753 02:50:09,600 --> 02:50:11,433 HOGAN DIVING IN HOLDING BUNDY. REMEMBER, A MAN CAN GET OUT THE DOOR, BUT HIS FEET HAVE TO TOUCH 5754 02:50:11,435 --> 02:50:13,435 REMEMBER, A MAN CAN GET OUT THE DOOR, BUT HIS FEET HAVE TO TOUCH THE FLOOR. 5755 02:50:13,437 --> 02:50:16,438 DOOR, BUT HIS FEET HAVE TO TOUCH THE FLOOR. BOTH FEET MUST GET TO THE FLOOR. 5756 02:50:16,440 --> 02:50:17,739 THE FLOOR. BOTH FEET MUST GET TO THE FLOOR. >> AND THE GIANT BUNDY IS A 5757 02:50:17,741 --> 02:50:19,874 BOTH FEET MUST GET TO THE FLOOR. >> AND THE GIANT BUNDY IS A LITTLE PONDEROUS AT THE MOMENT, 5758 02:50:19,876 --> 02:50:20,775 >> AND THE GIANT BUNDY IS A LITTLE PONDEROUS AT THE MOMENT, ALTHOUGH HE'S CERTAINLY 5759 02:50:20,777 --> 02:50:22,844 LITTLE PONDEROUS AT THE MOMENT, ALTHOUGH HE'S CERTAINLY PUNISHING THE CHAMPION. 5760 02:50:22,846 --> 02:50:24,379 ALTHOUGH HE'S CERTAINLY PUNISHING THE CHAMPION. >> WELL, THE QUESTION IS, HOW 5761 02:50:24,381 --> 02:50:26,448 PUNISHING THE CHAMPION. >> WELL, THE QUESTION IS, HOW MANY TIMES CAN HOGAN STOP BUNDY 5762 02:50:26,450 --> 02:50:27,649 >> WELL, THE QUESTION IS, HOW MANY TIMES CAN HOGAN STOP BUNDY FROM MAKING IT OUT THAT DOOR, 5763 02:50:27,651 --> 02:50:29,751 MANY TIMES CAN HOGAN STOP BUNDY FROM MAKING IT OUT THAT DOOR, ALFRED HAYES. 5764 02:50:29,753 --> 02:50:30,885 FROM MAKING IT OUT THAT DOOR, ALFRED HAYES. >> OH, HE'S TAKING OFF MORE 5765 02:50:30,887 --> 02:50:32,354 ALFRED HAYES. >> OH, HE'S TAKING OFF MORE CLOTHES. 5766 02:50:32,356 --> 02:50:33,755 >> OH, HE'S TAKING OFF MORE CLOTHES. >> WHILE HE'S DISTRACTING ... 5767 02:50:33,757 --> 02:50:35,657 CLOTHES. >> WHILE HE'S DISTRACTING ... >> OH, HIS -- HIS BELT. 5768 02:50:35,659 --> 02:50:36,691 >> WHILE HE'S DISTRACTING ... >> OH, HIS -- HIS BELT. >> THE CHAMPION WITH MAYBE 5769 02:50:36,693 --> 02:50:39,427 >> OH, HIS -- HIS BELT. >> THE CHAMPION WITH MAYBE TAKING THAT OFF. 5770 02:50:39,429 --> 02:50:40,528 >> THE CHAMPION WITH MAYBE TAKING THAT OFF. DON'T WORRY. 5771 02:50:40,530 --> 02:50:42,397 TAKING THAT OFF. DON'T WORRY. HOGAN HAS A STRATEGY OF HIS OWN. 5772 02:50:42,399 --> 02:50:43,431 DON'T WORRY. HOGAN HAS A STRATEGY OF HIS OWN. >> WELL, HOGAN BETTER HAVE THE 5773 02:50:43,433 --> 02:50:45,400 HOGAN HAS A STRATEGY OF HIS OWN. >> WELL, HOGAN BETTER HAVE THE STRATEGY QUICK, BECAUSE BUNDY'S 5774 02:50:45,402 --> 02:50:46,601 >> WELL, HOGAN BETTER HAVE THE STRATEGY QUICK, BECAUSE BUNDY'S CHOKING HIM OUT WITH HIS OWN 5775 02:50:46,603 --> 02:50:48,604 STRATEGY QUICK, BECAUSE BUNDY'S CHOKING HIM OUT WITH HIS OWN TAPE THAT HE USED ON HIS RIBS. 5776 02:50:48,606 --> 02:50:49,304 CHOKING HIM OUT WITH HIS OWN TAPE THAT HE USED ON HIS RIBS. >> WAIT, YOU CAN'T DO THAT, CAN 5777 02:50:49,306 --> 02:50:49,838 TAPE THAT HE USED ON HIS RIBS. >> WAIT, YOU CAN'T DO THAT, CAN HE? 5778 02:50:49,840 --> 02:50:50,605 >> WAIT, YOU CAN'T DO THAT, CAN HE? >> HE CAN DO IT. 5779 02:50:50,607 --> 02:50:51,773 HE? >> HE CAN DO IT. THIS IS A CAGE MATCH. 5780 02:50:51,775 --> 02:50:52,841 >> HE CAN DO IT. THIS IS A CAGE MATCH. ANYTHING GOES IN A CAGE MATCH. 5781 02:50:52,843 --> 02:50:54,509 THIS IS A CAGE MATCH. ANYTHING GOES IN A CAGE MATCH. IT'S A FIGHT. 5782 02:50:54,511 --> 02:50:55,410 ANYTHING GOES IN A CAGE MATCH. IT'S A FIGHT. IT'S PLAIN AND SIMPLE. 5783 02:50:55,412 --> 02:50:56,544 IT'S A FIGHT. IT'S PLAIN AND SIMPLE. IT'S A FIGHT. 5784 02:50:56,546 --> 02:50:57,579 IT'S PLAIN AND SIMPLE. IT'S A FIGHT. THEY'RE LOCKED IN A CAGE. 5785 02:50:57,581 --> 02:50:58,780 IT'S A FIGHT. THEY'RE LOCKED IN A CAGE. THERE'S NO REFEREE, AND LOOK AT 5786 02:50:58,782 --> 02:50:59,714 THEY'RE LOCKED IN A CAGE. THERE'S NO REFEREE, AND LOOK AT THIS. 5787 02:50:59,716 --> 02:51:01,683 THERE'S NO REFEREE, AND LOOK AT THIS. HE'S TYING HOGAN TO THE ROPE. 5788 02:51:01,685 --> 02:51:03,585 THIS. HE'S TYING HOGAN TO THE ROPE. >> THAT'S A VERY CLEVER MOVE BY 5789 02:51:03,587 --> 02:51:05,487 HE'S TYING HOGAN TO THE ROPE. >> THAT'S A VERY CLEVER MOVE BY BUNDY IF IT WORKS. 5790 02:51:05,489 --> 02:51:06,421 >> THAT'S A VERY CLEVER MOVE BY BUNDY IF IT WORKS. >> ALL BUNDY'S GOT TO DO IS GET 5791 02:51:06,423 --> 02:51:07,623 BUNDY IF IT WORKS. >> ALL BUNDY'S GOT TO DO IS GET OUT THE DOOR AND IT'S ALL OVER. 5792 02:51:07,625 --> 02:51:11,459 >> ALL BUNDY'S GOT TO DO IS GET OUT THE DOOR AND IT'S ALL OVER. HE'S GOT HOGAN TIED TO THE ROPE. 5793 02:51:11,461 --> 02:51:15,630 OUT THE DOOR AND IT'S ALL OVER. HE'S GOT HOGAN TIED TO THE ROPE. BUNDY GOING FOR THE DOOR. 5794 02:51:15,632 --> 02:51:17,432 HE'S GOT HOGAN TIED TO THE ROPE. BUNDY GOING FOR THE DOOR. HOGAN MANAGES TO GET FREE AND 5795 02:51:17,434 --> 02:51:18,667 BUNDY GOING FOR THE DOOR. HOGAN MANAGES TO GET FREE AND STOPS BUNDY MOMENTARILY AT THE 5796 02:51:18,669 --> 02:51:20,168 HOGAN MANAGES TO GET FREE AND STOPS BUNDY MOMENTARILY AT THE DOOR. 5797 02:51:20,170 --> 02:51:21,503 STOPS BUNDY MOMENTARILY AT THE DOOR. BOBBY HEENAN TRYING TO PULL 5798 02:51:21,505 --> 02:51:22,871 DOOR. BOBBY HEENAN TRYING TO PULL BUNDY OUT THE DOOR. 5799 02:51:22,873 --> 02:51:24,572 BOBBY HEENAN TRYING TO PULL BUNDY OUT THE DOOR. REFEREE DAVE HEBNER WAVING 5800 02:51:24,574 --> 02:51:26,574 BUNDY OUT THE DOOR. REFEREE DAVE HEBNER WAVING HEENAN OFF. 5801 02:51:26,576 --> 02:51:27,375 REFEREE DAVE HEBNER WAVING HEENAN OFF. >> AND I DON'T CARE WHAT YOU 5802 02:51:27,377 --> 02:51:28,610 HEENAN OFF. >> AND I DON'T CARE WHAT YOU SAY, JESSE, THAT IS NOT RIGHT. 5803 02:51:28,612 --> 02:51:29,878 >> AND I DON'T CARE WHAT YOU SAY, JESSE, THAT IS NOT RIGHT. IT SHOULD BE JUST BUNDY AND 5804 02:51:29,880 --> 02:51:32,847 SAY, JESSE, THAT IS NOT RIGHT. IT SHOULD BE JUST BUNDY AND HOGAN. 5805 02:51:32,849 --> 02:51:33,581 IT SHOULD BE JUST BUNDY AND HOGAN. >> IT LOOKS LIKE HE'S GOING TO 5806 02:51:33,583 --> 02:51:34,750 HOGAN. >> IT LOOKS LIKE HE'S GOING TO MAKE IT OUT OF THE DOOR IN A 5807 02:51:34,752 --> 02:51:36,584 >> IT LOOKS LIKE HE'S GOING TO MAKE IT OUT OF THE DOOR IN A MINUTE IF HE -- OH, HULKSTER 5808 02:51:36,586 --> 02:51:37,118 MAKE IT OUT OF THE DOOR IN A MINUTE IF HE -- OH, HULKSTER DOESN'T GET A HOLD OF HIM. 5809 02:51:37,120 --> 02:51:39,821 MINUTE IF HE -- OH, HULKSTER DOESN'T GET A HOLD OF HIM. HE GOT HIM. 5810 02:51:39,823 --> 02:51:40,855 DOESN'T GET A HOLD OF HIM. HE GOT HIM. >> HOGAN COMING BACK WITH RIGHT 5811 02:51:40,857 --> 02:51:41,857 HE GOT HIM. >> HOGAN COMING BACK WITH RIGHT HANDS DRIVING BUNDY BACK INTO 5812 02:51:41,859 --> 02:51:43,658 >> HOGAN COMING BACK WITH RIGHT HANDS DRIVING BUNDY BACK INTO THE RING. 5813 02:51:43,660 --> 02:51:45,593 HANDS DRIVING BUNDY BACK INTO THE RING. >> THREE TREMENDOUS RIGHT HANDS 5814 02:51:45,595 --> 02:51:46,795 THE RING. >> THREE TREMENDOUS RIGHT HANDS BY HOGAN AND NOW IT'S -- OH. 5815 02:51:46,797 --> 02:51:48,630 >> THREE TREMENDOUS RIGHT HANDS BY HOGAN AND NOW IT'S -- OH. >> TURNED HIM WITH A GREAT 5816 02:51:48,632 --> 02:51:49,698 BY HOGAN AND NOW IT'S -- OH. >> TURNED HIM WITH A GREAT ELBOW. 5817 02:51:49,700 --> 02:51:50,732 >> TURNED HIM WITH A GREAT ELBOW. HE STAGGERED BUNDY. 5818 02:51:50,734 --> 02:51:52,734 ELBOW. HE STAGGERED BUNDY. A BIG SHOT AND THE CHAMPION. 5819 02:51:52,736 --> 02:51:54,369 HE STAGGERED BUNDY. A BIG SHOT AND THE CHAMPION. I DON'T KNOW HOW HE DID IT, BUT 5820 02:51:54,371 --> 02:51:57,472 A BIG SHOT AND THE CHAMPION. I DON'T KNOW HOW HE DID IT, BUT HE'S MANAGED TO COME BACK. 5821 02:51:57,474 --> 02:51:58,707 I DON'T KNOW HOW HE DID IT, BUT HE'S MANAGED TO COME BACK. >> HE DOESN'T SEEM TO BE 5822 02:51:58,709 --> 02:51:59,908 HE'S MANAGED TO COME BACK. >> HE DOESN'T SEEM TO BE SUFFERING TOO MUCH WITH THOSE 5823 02:51:59,910 --> 02:52:02,510 >> HE DOESN'T SEEM TO BE SUFFERING TOO MUCH WITH THOSE RIBS, JESSE. 5824 02:52:02,512 --> 02:52:03,645 SUFFERING TOO MUCH WITH THOSE RIBS, JESSE. >> BIG RIGHT HAND AND HE 5825 02:52:03,647 --> 02:52:07,515 RIBS, JESSE. >> BIG RIGHT HAND AND HE STAGGERS BIG KING KONG BUNDY. 5826 02:52:07,517 --> 02:52:14,890 >> BIG RIGHT HAND AND HE STAGGERS BIG KING KONG BUNDY. >> INTO THOSE IRON BARS. 5827 02:52:14,892 --> 02:52:15,624 STAGGERS BIG KING KONG BUNDY. >> INTO THOSE IRON BARS. SMASHED HIS FACE RIGHT INTO THE 5828 02:52:15,626 --> 02:52:16,591 >> INTO THOSE IRON BARS. SMASHED HIS FACE RIGHT INTO THE IRON BARS. 5829 02:52:16,593 --> 02:52:17,592 SMASHED HIS FACE RIGHT INTO THE IRON BARS. >> HE DROVE BUNDY HEAD FIRST 5830 02:52:17,594 --> 02:52:18,360 IRON BARS. >> HE DROVE BUNDY HEAD FIRST INTO THE IRON STEEL OF THE BARS. 5831 02:52:18,362 --> 02:52:19,193 >> HE DROVE BUNDY HEAD FIRST INTO THE IRON STEEL OF THE BARS. >> AND LOOK AT THAT, JESSE, 5832 02:52:19,195 --> 02:52:19,728 INTO THE IRON STEEL OF THE BARS. >> AND LOOK AT THAT, JESSE, HOGAN IS MAKING NO ATTEMPT TO 5833 02:52:19,730 --> 02:52:20,061 >> AND LOOK AT THAT, JESSE, HOGAN IS MAKING NO ATTEMPT TO GET OUT. 5834 02:52:20,063 --> 02:52:20,929 HOGAN IS MAKING NO ATTEMPT TO GET OUT. HE WANTS A MEASURE OF REVENGE. 5835 02:52:20,931 --> 02:52:21,496 GET OUT. HE WANTS A MEASURE OF REVENGE. >> I DON'T KNOW IF WE'RE EVEN 5836 02:52:21,498 --> 02:52:24,466 HE WANTS A MEASURE OF REVENGE. >> I DON'T KNOW IF WE'RE EVEN SAFE WITH THESE BARS HERE. 5837 02:52:24,468 --> 02:52:25,433 >> I DON'T KNOW IF WE'RE EVEN SAFE WITH THESE BARS HERE. THEY LOOK LIKE THEY'RE GOING TO 5838 02:52:25,435 --> 02:52:33,541 SAFE WITH THESE BARS HERE. THEY LOOK LIKE THEY'RE GOING TO COME DOWN IN A MINUTE. 5839 02:52:33,543 --> 02:52:34,442 THEY LOOK LIKE THEY'RE GOING TO COME DOWN IN A MINUTE. >> HE IS BLEEDING. 5840 02:52:34,444 --> 02:52:34,876 COME DOWN IN A MINUTE. >> HE IS BLEEDING. >> BUNDY'S FACE. 5841 02:52:34,878 --> 02:52:36,578 >> HE IS BLEEDING. >> BUNDY'S FACE. >> HE SPLIT BUNDY OPEN. 5842 02:52:36,580 --> 02:52:37,512 >> BUNDY'S FACE. >> HE SPLIT BUNDY OPEN. HE RAMMED HIM INTO THE STEEL 5843 02:52:37,514 --> 02:52:38,646 >> HE SPLIT BUNDY OPEN. HE RAMMED HIM INTO THE STEEL BARS AND HE SPLIT KING KONG 5844 02:52:38,648 --> 02:52:40,449 HE RAMMED HIM INTO THE STEEL BARS AND HE SPLIT KING KONG BUNDY'S HEAD. 5845 02:52:40,451 --> 02:52:42,450 BARS AND HE SPLIT KING KONG BUNDY'S HEAD. HOGAN GOING TO WORK DRIVING 5846 02:52:42,452 --> 02:52:43,151 BUNDY'S HEAD. HOGAN GOING TO WORK DRIVING RIGHT HANDS INTO BUNDY'S HEAD. 5847 02:52:43,153 --> 02:52:47,656 HOGAN GOING TO WORK DRIVING RIGHT HANDS INTO BUNDY'S HEAD. YOU CAN SEE BUNDY'S BLEEDING. 5848 02:52:47,658 --> 02:52:48,557 RIGHT HANDS INTO BUNDY'S HEAD. YOU CAN SEE BUNDY'S BLEEDING. >> AND HERE'S A GOOD SHOT BY OUR 5849 02:52:48,559 --> 02:52:49,891 YOU CAN SEE BUNDY'S BLEEDING. >> AND HERE'S A GOOD SHOT BY OUR CAMERAS SHOWING JUST THE 5850 02:52:49,893 --> 02:52:52,327 >> AND HERE'S A GOOD SHOT BY OUR CAMERAS SHOWING JUST THE SITUATION. 5851 02:52:52,329 --> 02:52:53,661 CAMERAS SHOWING JUST THE SITUATION. BUNDY IN A CORNER AND HOGAN 5852 02:52:53,663 --> 02:52:56,598 SITUATION. BUNDY IN A CORNER AND HOGAN COMPLETELY ON TOP OF HIM. 5853 02:52:56,600 --> 02:52:57,665 BUNDY IN A CORNER AND HOGAN COMPLETELY ON TOP OF HIM. >> HULK HOGAN PULLING OUT ALL 5854 02:52:57,667 --> 02:52:58,299 COMPLETELY ON TOP OF HIM. >> HULK HOGAN PULLING OUT ALL THE STOPS. 5855 02:52:58,301 --> 02:52:59,501 >> HULK HOGAN PULLING OUT ALL THE STOPS. HE'S GOT BIG BUNDY BLEEDING 5856 02:52:59,503 --> 02:53:01,936 THE STOPS. HE'S GOT BIG BUNDY BLEEDING SCRATCHING WITH THE FINGERNAILS. 5857 02:53:01,938 --> 02:53:02,771 HE'S GOT BIG BUNDY BLEEDING SCRATCHING WITH THE FINGERNAILS. >> AND HE'S COMING IN THE IRON 5858 02:53:02,773 --> 02:53:03,671 SCRATCHING WITH THE FINGERNAILS. >> AND HE'S COMING IN THE IRON BARS AGAIN. 5859 02:53:03,673 --> 02:53:06,408 >> AND HE'S COMING IN THE IRON BARS AGAIN. >> INTO THE BARS, WHAM. 5860 02:53:06,410 --> 02:53:07,842 BARS AGAIN. >> INTO THE BARS, WHAM. >> WHY DON'T THEY STOP THIS? 5861 02:53:07,844 --> 02:53:09,744 >> INTO THE BARS, WHAM. >> WHY DON'T THEY STOP THIS? >> IT CAN'T BE STOPPED. 5862 02:53:09,746 --> 02:53:11,413 >> WHY DON'T THEY STOP THIS? >> IT CAN'T BE STOPPED. IT'S UNTIL ONE MAN LEAVES THE 5863 02:53:11,415 --> 02:53:12,580 >> IT CAN'T BE STOPPED. IT'S UNTIL ONE MAN LEAVES THE CAGE. 5864 02:53:12,582 --> 02:53:14,883 IT'S UNTIL ONE MAN LEAVES THE CAGE. BUNDY BLEEDING PROFUSELY NOW 5865 02:53:14,885 --> 02:53:16,418 CAGE. BUNDY BLEEDING PROFUSELY NOW HOGAN HAS TURNED IT AROUND AND 5866 02:53:16,420 --> 02:53:17,819 BUNDY BLEEDING PROFUSELY NOW HOGAN HAS TURNED IT AROUND AND THE CHAMPION THROW INTO THE CA 5867 02:53:17,821 --> 02:53:19,721 HOGAN HAS TURNED IT AROUND AND THE CHAMPION THROW INTO THE CA -- INTO THE STEEL BARS AGAIN. 5868 02:53:19,723 --> 02:53:21,389 THE CHAMPION THROW INTO THE CA -- INTO THE STEEL BARS AGAIN. >> JESSE, IT LOOKS TO ME AS IF 5869 02:53:21,391 --> 02:53:22,290 -- INTO THE STEEL BARS AGAIN. >> JESSE, IT LOOKS TO ME AS IF HOGAN COULD COME OUT OF THAT 5870 02:53:22,292 --> 02:53:23,725 >> JESSE, IT LOOKS TO ME AS IF HOGAN COULD COME OUT OF THAT RING ANY TIME HE WANTS TO. 5871 02:53:23,727 --> 02:53:24,859 HOGAN COULD COME OUT OF THAT RING ANY TIME HE WANTS TO. IN FACT THAT'S EXACTLY WHAT HE'S 5872 02:53:24,861 --> 02:53:28,696 RING ANY TIME HE WANTS TO. IN FACT THAT'S EXACTLY WHAT HE'S DOING, BUT JUST ANOTHER SHOT AT 5873 02:53:28,698 --> 02:53:30,565 IN FACT THAT'S EXACTLY WHAT HE'S DOING, BUT JUST ANOTHER SHOT AT BUNDY BEFORE HE LEAVES. 5874 02:53:30,567 --> 02:53:32,434 DOING, BUT JUST ANOTHER SHOT AT BUNDY BEFORE HE LEAVES. >> OH, AND HE'S CHOKING BUNDY 5875 02:53:32,436 --> 02:53:34,736 BUNDY BEFORE HE LEAVES. >> OH, AND HE'S CHOKING BUNDY OUT ON THE TOP ROPES. 5876 02:53:34,738 --> 02:53:35,704 >> OH, AND HE'S CHOKING BUNDY OUT ON THE TOP ROPES. >> USING HIS HEAD AS A STEPPING 5877 02:53:35,706 --> 02:53:37,238 OUT ON THE TOP ROPES. >> USING HIS HEAD AS A STEPPING STONE. 5878 02:53:37,240 --> 02:53:38,072 >> USING HIS HEAD AS A STEPPING STONE. >> THAT'S A GOOD WAY TO PUT IT. 5879 02:53:38,074 --> 02:53:40,642 STONE. >> THAT'S A GOOD WAY TO PUT IT. BUNDY BLEEDING. 5880 02:53:40,644 --> 02:53:41,743 >> THAT'S A GOOD WAY TO PUT IT. BUNDY BLEEDING. BIG RIGHT HAND DRIVEN INTO THE 5881 02:53:41,745 --> 02:53:43,678 BUNDY BLEEDING. BIG RIGHT HAND DRIVEN INTO THE HEAD OF KING KONG BUNDY. 5882 02:53:43,680 --> 02:53:44,613 BIG RIGHT HAND DRIVEN INTO THE HEAD OF KING KONG BUNDY. >> AND HOGAN LOVING EVERY MINUTE 5883 02:53:44,615 --> 02:53:46,448 HEAD OF KING KONG BUNDY. >> AND HOGAN LOVING EVERY MINUTE OF IT, TOO. 5884 02:53:46,450 --> 02:53:47,315 >> AND HOGAN LOVING EVERY MINUTE OF IT, TOO. >> HOGAN'S MEASURING HIM OFF. 5885 02:53:47,317 --> 02:53:48,817 OF IT, TOO. >> HOGAN'S MEASURING HIM OFF. HURT HIS HAND WITH THAT ONE, BUT 5886 02:53:48,819 --> 02:53:50,418 >> HOGAN'S MEASURING HIM OFF. HURT HIS HAND WITH THAT ONE, BUT IT'S AMAZING BUNDY'S STILL 5887 02:53:50,420 --> 02:53:51,386 HURT HIS HAND WITH THAT ONE, BUT IT'S AMAZING BUNDY'S STILL STANDING. 5888 02:53:51,388 --> 02:53:52,554 IT'S AMAZING BUNDY'S STILL STANDING. >> FOUR HUNDRED AND FIFTY 5889 02:53:52,556 --> 02:53:53,421 STANDING. >> FOUR HUNDRED AND FIFTY POUNDS. 5890 02:53:53,423 --> 02:53:54,422 >> FOUR HUNDRED AND FIFTY POUNDS. LOOK AT THAT. 5891 02:53:54,424 --> 02:53:54,856 POUNDS. LOOK AT THAT. >> OH. 5892 02:53:54,858 --> 02:53:56,758 LOOK AT THAT. >> OH. COULD NOT HOLD BUNDY. 5893 02:53:56,760 --> 02:53:57,792 >> OH. COULD NOT HOLD BUNDY. DUMB MOVE ON THE PART OF THE 5894 02:53:57,794 --> 02:53:59,461 COULD NOT HOLD BUNDY. DUMB MOVE ON THE PART OF THE CHAMPION WITH INJURED RIBS TO 5895 02:53:59,463 --> 02:54:02,597 DUMB MOVE ON THE PART OF THE CHAMPION WITH INJURED RIBS TO TRY TO SLAM A MAN 450 POUNDS ON 5896 02:54:02,599 --> 02:54:03,631 CHAMPION WITH INJURED RIBS TO TRY TO SLAM A MAN 450 POUNDS ON KING KONG BUNDY. 5897 02:54:03,633 --> 02:54:05,433 TRY TO SLAM A MAN 450 POUNDS ON KING KONG BUNDY. >> THAT IS A LOT OF MAN. 5898 02:54:05,435 --> 02:54:07,035 KING KONG BUNDY. >> THAT IS A LOT OF MAN. >> I THINK MAYBE THE RIBS GAVE 5899 02:54:07,037 --> 02:54:08,503 >> THAT IS A LOT OF MAN. >> I THINK MAYBE THE RIBS GAVE AWAY THERE, JESSE, BECAUSE HOGAN 5900 02:54:08,505 --> 02:54:10,205 >> I THINK MAYBE THE RIBS GAVE AWAY THERE, JESSE, BECAUSE HOGAN NORMALLY, I'M SURE, WOULD HAVE 5901 02:54:10,207 --> 02:54:11,272 AWAY THERE, JESSE, BECAUSE HOGAN NORMALLY, I'M SURE, WOULD HAVE SLAMMED HIM, AND LOOK AT BUNDY 5902 02:54:11,274 --> 02:54:12,807 NORMALLY, I'M SURE, WOULD HAVE SLAMMED HIM, AND LOOK AT BUNDY NOW. 5903 02:54:12,809 --> 02:54:15,743 SLAMMED HIM, AND LOOK AT BUNDY NOW. >> DEFIN 5904 02:54:15,745 --> 02:54:18,480 NOW. >> DEFIN BUNDY'S GOING FOR THE DOOR. 5905 02:54:18,482 --> 02:54:19,581 >> DEFIN BUNDY'S GOING FOR THE DOOR. HOGAN'S CAUGHT IN THE RING. 5906 02:54:19,583 --> 02:54:20,682 BUNDY'S GOING FOR THE DOOR. HOGAN'S CAUGHT IN THE RING. HE'S HOLDING HIS RIBS. 5907 02:54:20,684 --> 02:54:21,816 HOGAN'S CAUGHT IN THE RING. HE'S HOLDING HIS RIBS. IF BUNDY CAN GET IT TOGETHER AND 5908 02:54:21,818 --> 02:54:23,585 HE'S HOLDING HIS RIBS. IF BUNDY CAN GET IT TOGETHER AND SLIDE OUT OF THAT BOTTOM, HE'S 5909 02:54:23,587 --> 02:54:25,687 IF BUNDY CAN GET IT TOGETHER AND SLIDE OUT OF THAT BOTTOM, HE'S WON THE WORLD HEAVYWEIGHT TITLE. 5910 02:54:25,689 --> 02:54:26,421 SLIDE OUT OF THAT BOTTOM, HE'S WON THE WORLD HEAVYWEIGHT TITLE. >> WHAT'S THE MATTER WITH THE 5911 02:54:26,423 --> 02:54:27,388 WON THE WORLD HEAVYWEIGHT TITLE. >> WHAT'S THE MATTER WITH THE HULKSTER? 5912 02:54:27,390 --> 02:54:28,222 >> WHAT'S THE MATTER WITH THE HULKSTER? >> HULK IS COMING BACK WITH THE 5913 02:54:28,224 --> 02:54:29,724 HULKSTER? >> HULK IS COMING BACK WITH THE TAPE OF HIS OWN. 5914 02:54:29,726 --> 02:54:30,625 >> HULK IS COMING BACK WITH THE TAPE OF HIS OWN. NOW ALFRED HAYES, WHAT DO YOU 5915 02:54:30,627 --> 02:54:31,759 TAPE OF HIS OWN. NOW ALFRED HAYES, WHAT DO YOU GOT TO SAY ABOUT THE CHAMPION? 5916 02:54:31,761 --> 02:54:33,495 NOW ALFRED HAYES, WHAT DO YOU GOT TO SAY ABOUT THE CHAMPION? >> WELL, THAT'S TIT FOR TAT, 5917 02:54:33,497 --> 02:54:34,295 GOT TO SAY ABOUT THE CHAMPION? >> WELL, THAT'S TIT FOR TAT, JESSE. 5918 02:54:34,297 --> 02:54:34,996 >> WELL, THAT'S TIT FOR TAT, JESSE. WHAT'S GOOD FOR THE GOOSE IS 5919 02:54:34,998 --> 02:54:35,864 JESSE. WHAT'S GOOD FOR THE GOOSE IS GOOD FOR THE GANDER. 5920 02:54:35,866 --> 02:54:37,432 WHAT'S GOOD FOR THE GOOSE IS GOOD FOR THE GANDER. >> I FIGURED AN ENGLISHMAN LIKE 5921 02:54:37,434 --> 02:54:38,399 GOOD FOR THE GANDER. >> I FIGURED AN ENGLISHMAN LIKE YOU WOULD COME UP WITH SOMETHING 5922 02:54:38,401 --> 02:54:39,601 >> I FIGURED AN ENGLISHMAN LIKE YOU WOULD COME UP WITH SOMETHING LIKE THAT. 5923 02:54:39,603 --> 02:54:40,469 YOU WOULD COME UP WITH SOMETHING LIKE THAT. >> YOU'RE JEALOUS BECAUSE YOU 5924 02:54:40,471 --> 02:54:42,303 LIKE THAT. >> YOU'RE JEALOUS BECAUSE YOU DON'T HAVE A CARTOON SHOW, 5925 02:54:42,305 --> 02:54:42,904 >> YOU'RE JEALOUS BECAUSE YOU DON'T HAVE A CARTOON SHOW, JESSE? 5926 02:54:42,906 --> 02:54:44,606 DON'T HAVE A CARTOON SHOW, JESSE? >> DON'T YOU GET IN MY CASE 5927 02:54:44,608 --> 02:54:46,808 JESSE? >> DON'T YOU GET IN MY CASE EITHER, ELVIRA, OR YOU WON'T GO 5928 02:54:46,810 --> 02:54:47,742 >> DON'T YOU GET IN MY CASE EITHER, ELVIRA, OR YOU WON'T GO OUT WITH ME LATER ON. 5929 02:54:47,744 --> 02:54:48,810 EITHER, ELVIRA, OR YOU WON'T GO OUT WITH ME LATER ON. >> RIGHT HAND. 5930 02:54:48,812 --> 02:54:49,611 OUT WITH ME LATER ON. >> RIGHT HAND. >> BIG RIGHT. 5931 02:54:49,613 --> 02:54:51,246 >> RIGHT HAND. >> BIG RIGHT. BUNDY GOING FOR THE EYES. 5932 02:54:51,248 --> 02:54:52,113 >> BIG RIGHT. BUNDY GOING FOR THE EYES. >> BLOCKED BY BUNDY AND I THINK 5933 02:54:52,115 --> 02:54:52,747 BUNDY GOING FOR THE EYES. >> BLOCKED BY BUNDY AND I THINK HOGAN IS GOING INTO THE STEEL 5934 02:54:52,749 --> 02:54:55,350 >> BLOCKED BY BUNDY AND I THINK HOGAN IS GOING INTO THE STEEL BARS NOW. 5935 02:54:55,352 --> 02:54:56,651 HOGAN IS GOING INTO THE STEEL BARS NOW. >> HE'S SETTING HIM UP. 5936 02:54:56,653 --> 02:54:58,487 BARS NOW. >> HE'S SETTING HIM UP. >> AVALANCHE. 5937 02:54:58,489 --> 02:54:59,821 >> HE'S SETTING HIM UP. >> AVALANCHE. >> AVALANCHE. 5938 02:54:59,823 --> 02:55:00,655 >> AVALANCHE. >> AVALANCHE. >> OH, THAT'S HIS GAME PLAN, 5939 02:55:00,657 --> 02:55:01,523 >> AVALANCHE. >> OH, THAT'S HIS GAME PLAN, JESSE. 5940 02:55:01,525 --> 02:55:02,690 >> OH, THAT'S HIS GAME PLAN, JESSE. >> HE GOT IT IN. 5941 02:55:02,692 --> 02:55:04,726 JESSE. >> HE GOT IT IN. BUNDY BLEEDING. 5942 02:55:04,728 --> 02:55:07,662 >> HE GOT IT IN. BUNDY BLEEDING. >> OH, AND THOSE RIBS. 5943 02:55:07,664 --> 02:55:09,097 BUNDY BLEEDING. >> OH, AND THOSE RIBS. >> OH, NO. 5944 02:55:09,099 --> 02:55:10,498 >> OH, AND THOSE RIBS. >> OH, NO. >> SMACK ON THOSE RIBS. 5945 02:55:10,500 --> 02:55:11,198 >> OH, NO. >> SMACK ON THOSE RIBS. >> HURTS, THAT HURTS EVEN ME. 5946 02:55:11,200 --> 02:55:12,000 >> SMACK ON THOSE RIBS. >> HURTS, THAT HURTS EVEN ME. >> AND NOW HOGAN NOT MOVING. 5947 02:55:12,002 --> 02:55:13,635 >> HURTS, THAT HURTS EVEN ME. >> AND NOW HOGAN NOT MOVING. YES, HE'S BEGINNING TO SHUDDER 5948 02:55:13,637 --> 02:55:14,703 >> AND NOW HOGAN NOT MOVING. YES, HE'S BEGINNING TO SHUDDER THERE, JESSE. 5949 02:55:14,705 --> 02:55:17,472 YES, HE'S BEGINNING TO SHUDDER THERE, JESSE. >> BUNDY, BUNDY TRYING TO ROLL 5950 02:55:17,474 --> 02:55:18,706 THERE, JESSE. >> BUNDY, BUNDY TRYING TO ROLL TOWARDS THE DOOR. 5951 02:55:18,708 --> 02:55:19,674 >> BUNDY, BUNDY TRYING TO ROLL TOWARDS THE DOOR. BOBBY HEENAN METHODICALLY 5952 02:55:19,676 --> 02:55:22,577 TOWARDS THE DOOR. BOBBY HEENAN METHODICALLY YELLING TO BUNDY GET OUT THE 5953 02:55:22,579 --> 02:55:23,512 BOBBY HEENAN METHODICALLY YELLING TO BUNDY GET OUT THE DOOR, BUNDY, GET OUT THE DOOR. 5954 02:55:23,514 --> 02:55:24,646 YELLING TO BUNDY GET OUT THE DOOR, BUNDY, GET OUT THE DOOR. BECOME CHAMPION OF THE WORLD. 5955 02:55:24,648 --> 02:55:29,284 DOOR, BUNDY, GET OUT THE DOOR. BECOME CHAMPION OF THE WORLD. >> THE CROWD ON THEIR FEET, 5956 02:55:29,286 --> 02:55:29,750 BECOME CHAMPION OF THE WORLD. >> THE CROWD ON THEIR FEET, JESSE. 5957 02:55:29,752 --> 02:55:30,685 >> THE CROWD ON THEIR FEET, JESSE. >> HE MIGHT DO IT. 5958 02:55:30,687 --> 02:55:31,353 JESSE. >> HE MIGHT DO IT. HOGAN DIVING, GRABBING BUNDY. 5959 02:55:31,355 --> 02:55:32,019 >> HE MIGHT DO IT. HOGAN DIVING, GRABBING BUNDY. HEENAN TRYING TO PULL HIM OUT 5960 02:55:32,021 --> 02:55:32,687 HOGAN DIVING, GRABBING BUNDY. HEENAN TRYING TO PULL HIM OUT THROUGH THAT DOOR AND I'M LOSING 5961 02:55:32,689 --> 02:55:33,454 HEENAN TRYING TO PULL HIM OUT THROUGH THAT DOOR AND I'M LOSING MY VOICE, ALFRED HAYES. 5962 02:55:33,456 --> 02:55:34,856 THROUGH THAT DOOR AND I'M LOSING MY VOICE, ALFRED HAYES. >> THE WHOLE OF THE PEOPLE IN 5963 02:55:34,858 --> 02:55:37,825 MY VOICE, ALFRED HAYES. >> THE WHOLE OF THE PEOPLE IN THIS LOS ANGELES ARENA ARE JUST 5964 02:55:37,827 --> 02:55:38,727 >> THE WHOLE OF THE PEOPLE IN THIS LOS ANGELES ARENA ARE JUST URGING HOGAN ON TO STOP BUNDY 5965 02:55:38,729 --> 02:55:39,661 THIS LOS ANGELES ARENA ARE JUST URGING HOGAN ON TO STOP BUNDY GETTING OUT AND TAKING THAT 5966 02:55:39,663 --> 02:55:40,328 URGING HOGAN ON TO STOP BUNDY GETTING OUT AND TAKING THAT CHAMPIONSHIP FROM HOGAN. 5967 02:55:40,330 --> 02:55:41,696 GETTING OUT AND TAKING THAT CHAMPIONSHIP FROM HOGAN. >> I'M AFRAID HE'S GOING TO MAKE 5968 02:55:41,698 --> 02:55:43,264 CHAMPIONSHIP FROM HOGAN. >> I'M AFRAID HE'S GOING TO MAKE IT, IT LOOKS LIKE -- OH, NO. 5969 02:55:43,266 --> 02:55:44,466 >> I'M AFRAID HE'S GOING TO MAKE IT, IT LOOKS LIKE -- OH, NO. HE'S GOT HIM. 5970 02:55:44,468 --> 02:55:45,266 IT, IT LOOKS LIKE -- OH, NO. HE'S GOT HIM. >> YOU KNOW, I HATE TO SAY IT, 5971 02:55:45,268 --> 02:55:46,301 HE'S GOT HIM. >> YOU KNOW, I HATE TO SAY IT, ALFRED HAYES, BUT ELVIRA'S MOUTH 5972 02:55:46,303 --> 02:55:47,669 >> YOU KNOW, I HATE TO SAY IT, ALFRED HAYES, BUT ELVIRA'S MOUTH IS WATERING LOOKING AT THAT 5973 02:55:47,671 --> 02:55:49,737 ALFRED HAYES, BUT ELVIRA'S MOUTH IS WATERING LOOKING AT THAT BLOOD IN THERE. 5974 02:55:49,739 --> 02:55:54,609 IS WATERING LOOKING AT THAT BLOOD IN THERE. >> IT'S MAKING ME HUNGRY. 5975 02:55:54,611 --> 02:55:55,544 BLOOD IN THERE. >> IT'S MAKING ME HUNGRY. >> HERE HE GOES IN FOR THE RIDE, 5976 02:55:55,546 --> 02:55:55,910 >> IT'S MAKING ME HUNGRY. >> HERE HE GOES IN FOR THE RIDE, JESSE. 5977 02:55:55,912 --> 02:55:56,844 >> HERE HE GOES IN FOR THE RIDE, JESSE. >> BUNDY IF HE HITS HIM WITH 5978 02:55:56,846 --> 02:55:57,712 JESSE. >> BUNDY IF HE HITS HIM WITH ANOTHER AVALANCHE. 5979 02:55:57,714 --> 02:55:58,613 >> BUNDY IF HE HITS HIM WITH ANOTHER AVALANCHE. >> AVALANCHE. 5980 02:55:58,615 --> 02:55:59,614 ANOTHER AVALANCHE. >> AVALANCHE. >> WHAM. 5981 02:55:59,616 --> 02:56:00,582 >> AVALANCHE. >> WHAM. HE GOT IT AGAIN. 5982 02:56:00,584 --> 02:56:02,317 >> WHAM. HE GOT IT AGAIN. >> OH. 5983 02:56:02,319 --> 02:56:03,384 HE GOT IT AGAIN. >> OH. A BOOT TO THOSE RIBS. 5984 02:56:03,386 --> 02:56:04,419 >> OH. A BOOT TO THOSE RIBS. >> AND NOW I KNOW WHY THEY CALL 5985 02:56:04,421 --> 02:56:06,387 A BOOT TO THOSE RIBS. >> AND NOW I KNOW WHY THEY CALL IT THE AVALANCHE. 5986 02:56:06,389 --> 02:56:07,556 >> AND NOW I KNOW WHY THEY CALL IT THE AVALANCHE. >> REVERSAL. 5987 02:56:07,558 --> 02:56:09,357 IT THE AVALANCHE. >> REVERSAL. HOGAN FIRES BUNDY AND ... 5988 02:56:09,359 --> 02:56:10,491 >> REVERSAL. HOGAN FIRES BUNDY AND ... >> A SCOOP SLAM. 5989 02:56:10,493 --> 02:56:12,293 HOGAN FIRES BUNDY AND ... >> A SCOOP SLAM. >> HE DID IT. 5990 02:56:12,295 --> 02:56:13,695 >> A SCOOP SLAM. >> HE DID IT. HE BODY SLAMMED KING KONG BUNDY. 5991 02:56:13,697 --> 02:56:14,495 >> HE DID IT. HE BODY SLAMMED KING KONG BUNDY. I CAN'T BELIEVE IT. 5992 02:56:14,497 --> 02:56:15,530 HE BODY SLAMMED KING KONG BUNDY. I CAN'T BELIEVE IT. OFF THE ROPES. 5993 02:56:15,532 --> 02:56:21,402 I CAN'T BELIEVE IT. OFF THE ROPES. HOGAN WITH A BIG LEG DROP AND 5994 02:56:21,404 --> 02:56:22,904 OFF THE ROPES. HOGAN WITH A BIG LEG DROP AND HOGAN'S PROCLAIMING HE'S LEAVING 5995 02:56:22,906 --> 02:56:24,506 HOGAN WITH A BIG LEG DROP AND HOGAN'S PROCLAIMING HE'S LEAVING THE CAGE. 5996 02:56:24,508 --> 02:56:25,406 HOGAN'S PROCLAIMING HE'S LEAVING THE CAGE. >> AND THERE'S NO ONE PERSON IN 5997 02:56:25,408 --> 02:56:26,708 THE CAGE. >> AND THERE'S NO ONE PERSON IN THE WHOLE OF THIS ARENA SITTING 5998 02:56:26,710 --> 02:56:28,243 >> AND THERE'S NO ONE PERSON IN THE WHOLE OF THIS ARENA SITTING DOWN, JESSE. 5999 02:56:28,245 --> 02:56:29,544 THE WHOLE OF THIS ARENA SITTING DOWN, JESSE. JUST LOOK AT THEM. 6000 02:56:29,546 --> 02:56:31,279 DOWN, JESSE. JUST LOOK AT THEM. >> BOBBY HEENAN, BOBBY HEENAN'S 6001 02:56:31,281 --> 02:56:32,747 JUST LOOK AT THEM. >> BOBBY HEENAN, BOBBY HEENAN'S TRYING TO DO SOMETHING OUT 6002 02:56:32,749 --> 02:56:34,382 >> BOBBY HEENAN, BOBBY HEENAN'S TRYING TO DO SOMETHING OUT THERE, BUT I DON'T KNOW IF 6003 02:56:34,384 --> 02:56:35,717 TRYING TO DO SOMETHING OUT THERE, BUT I DON'T KNOW IF HEENAN CAN -- HEENAN'S TRYING TO 6004 02:56:35,719 --> 02:56:37,251 THERE, BUT I DON'T KNOW IF HEENAN CAN -- HEENAN'S TRYING TO COME UP THE OTHER SIDE. 6005 02:56:37,253 --> 02:56:39,654 HEENAN CAN -- HEENAN'S TRYING TO COME UP THE OTHER SIDE. HERE COMES BUNDY. 6006 02:56:39,656 --> 02:56:41,489 COME UP THE OTHER SIDE. HERE COMES BUNDY. >> HOGAN NEARLY OUT. 6007 02:56:41,491 --> 02:56:42,557 HERE COMES BUNDY. >> HOGAN NEARLY OUT. BUNDY TAKING A HANDFUL OF HIS 6008 02:56:42,559 --> 02:56:44,525 >> HOGAN NEARLY OUT. BUNDY TAKING A HANDFUL OF HIS TIGHTS. 6009 02:56:44,527 --> 02:56:46,361 BUNDY TAKING A HANDFUL OF HIS TIGHTS. >> HOGAN HAMMERING BUNDY. 6010 02:56:46,363 --> 02:56:47,795 TIGHTS. >> HOGAN HAMMERING BUNDY. BOTH MEN STANDING. 6011 02:56:47,797 --> 02:56:49,898 >> HOGAN HAMMERING BUNDY. BOTH MEN STANDING. HOGAN WITH A BIG PUSH SENDS 6012 02:56:49,900 --> 02:56:51,566 BOTH MEN STANDING. HOGAN WITH A BIG PUSH SENDS BUNDY OUTSIDE. 6013 02:56:51,568 --> 02:56:52,701 HOGAN WITH A BIG PUSH SENDS BUNDY OUTSIDE. THE CHAMPION'S GOING UP OVER THE 6014 02:56:52,703 --> 02:56:53,768 BUNDY OUTSIDE. THE CHAMPION'S GOING UP OVER THE TOP. 6015 02:56:53,770 --> 02:56:55,537 THE CHAMPION'S GOING UP OVER THE TOP. IF HE GETS OUT TO THE FLOOR, HE 6016 02:56:55,539 --> 02:56:57,772 TOP. IF HE GETS OUT TO THE FLOOR, HE WILL WIN. 6017 02:56:57,774 --> 02:56:59,507 IF HE GETS OUT TO THE FLOOR, HE WILL WIN. >> HE'S GETTING OUT. 6018 02:56:59,509 --> 02:57:01,542 WILL WIN. >> HE'S GETTING OUT. >> AND KEEPS TITLE. 6019 02:57:01,544 --> 02:57:02,277 >> HE'S GETTING OUT. >> AND KEEPS TITLE. >> BOBBY HEENAN TRYING TO STOP 6020 02:57:02,279 --> 02:57:04,279 >> AND KEEPS TITLE. >> BOBBY HEENAN TRYING TO STOP HULK HOGAN. 6021 02:57:04,281 --> 02:57:05,747 >> BOBBY HEENAN TRYING TO STOP HULK HOGAN. >> HE'S GOING TO MAKE IT. 6022 02:57:05,749 --> 02:57:06,748 HULK HOGAN. >> HE'S GOING TO MAKE IT. HE'S MAKING IT. 6023 02:57:06,750 --> 02:57:10,418 >> HE'S GOING TO MAKE IT. HE'S MAKING IT. ALL RIGHT, HE'S GOING TO WIN. 6024 02:57:10,420 --> 02:57:15,790 HE'S MAKING IT. ALL RIGHT, HE'S GOING TO WIN. >> BUNDY GOING TO THE DOOR. 6025 02:57:15,792 --> 02:57:17,258 ALL RIGHT, HE'S GOING TO WIN. >> BUNDY GOING TO THE DOOR. HOGAN'S OUT FIRST. 6026 02:57:17,260 --> 02:57:17,825 >> BUNDY GOING TO THE DOOR. HOGAN'S OUT FIRST. >> HE GOT IT. 6027 02:57:17,827 --> 02:57:18,426 HOGAN'S OUT FIRST. >> HE GOT IT. [ BELL RINGING ] 6028 02:57:18,428 --> 02:57:21,463 >> HE GOT IT. [ BELL RINGING ] >> HOGAN IS OUT, BUT IT'S STILL 6029 02:57:21,465 --> 02:57:23,464 [ BELL RINGING ] >> HOGAN IS OUT, BUT IT'S STILL NOT CLEAR WHETHER THE REFEREE 6030 02:57:23,466 --> 02:57:23,898 >> HOGAN IS OUT, BUT IT'S STILL NOT CLEAR WHETHER THE REFEREE HAS SEEN THAT OR NOT. 6031 02:57:23,900 --> 02:57:25,466 NOT CLEAR WHETHER THE REFEREE HAS SEEN THAT OR NOT. HOGAN CHASING HEENAN AND 6032 02:57:25,468 --> 02:57:26,000 HAS SEEN THAT OR NOT. HOGAN CHASING HEENAN AND HEENAN'S BACK IN. 6033 02:57:26,002 --> 02:57:26,734 HOGAN CHASING HEENAN AND HEENAN'S BACK IN. >> HEENAN TRYING TO SHUT THE 6034 02:57:26,736 --> 02:57:27,769 HEENAN'S BACK IN. >> HEENAN TRYING TO SHUT THE DOOR ON HULK HOGAN. 6035 02:57:27,771 --> 02:57:29,570 >> HEENAN TRYING TO SHUT THE DOOR ON HULK HOGAN. HE GOT IT SHUT. 6036 02:57:29,572 --> 02:57:30,505 DOOR ON HULK HOGAN. HE GOT IT SHUT. >> WATCH, WATCH THIS. 6037 02:57:30,507 --> 02:57:33,642 HE GOT IT SHUT. >> WATCH, WATCH THIS. >> WHAT HAPPENED, JESSE? 6038 02:57:33,644 --> 02:57:34,609 >> WATCH, WATCH THIS. >> WHAT HAPPENED, JESSE? >> IT LOOKS LIKE THERE'S A BOUT 6039 02:57:34,611 --> 02:57:35,309 >> WHAT HAPPENED, JESSE? >> IT LOOKS LIKE THERE'S A BOUT OF STRENGTH BETWEEN HOGAN AND 6040 02:57:35,311 --> 02:57:36,344 >> IT LOOKS LIKE THERE'S A BOUT OF STRENGTH BETWEEN HOGAN AND HEENAN. 6041 02:57:36,346 --> 02:57:37,278 OF STRENGTH BETWEEN HOGAN AND HEENAN. >> HOGAN TRYING TO PULL OPEN THE 6042 02:57:37,280 --> 02:57:38,646 HEENAN. >> HOGAN TRYING TO PULL OPEN THE DOOR AND GET AT BUNDY. 6043 02:57:38,648 --> 02:57:39,547 >> HOGAN TRYING TO PULL OPEN THE DOOR AND GET AT BUNDY. NOW THERE'S NO CALL FOR ANYTHING 6044 02:57:39,549 --> 02:57:41,616 DOOR AND GET AT BUNDY. NOW THERE'S NO CALL FOR ANYTHING LIKE THIS, ALFRED HAYES. 6045 02:57:41,618 --> 02:57:42,717 NOW THERE'S NO CALL FOR ANYTHING LIKE THIS, ALFRED HAYES. NO CALL WHATSOEVER FOR HULK 6046 02:57:42,719 --> 02:57:43,785 LIKE THIS, ALFRED HAYES. NO CALL WHATSOEVER FOR HULK HOGAN. 6047 02:57:43,787 --> 02:57:45,620 NO CALL WHATSOEVER FOR HULK HOGAN. BOBBY HEENAN IS A MANAGER. 6048 02:57:45,622 --> 02:57:47,622 HOGAN. BOBBY HEENAN IS A MANAGER. HE DID NOTHING TO INTERFERE IN 6049 02:57:47,624 --> 02:57:49,290 BOBBY HEENAN IS A MANAGER. HE DID NOTHING TO INTERFERE IN THIS MATCH. 6050 02:57:49,292 --> 02:57:50,425 HE DID NOTHING TO INTERFERE IN THIS MATCH. THIS IS RIDICULOUS WHAT HOGAN IS 6051 02:57:50,427 --> 02:57:50,892 THIS MATCH. THIS IS RIDICULOUS WHAT HOGAN IS TRYING TO DO HERE. 6052 02:57:50,894 --> 02:57:51,893 THIS IS RIDICULOUS WHAT HOGAN IS TRYING TO DO HERE. >> HEENAN BROUGHT THIS UPON 6053 02:57:51,895 --> 02:57:55,530 TRYING TO DO HERE. >> HEENAN BROUGHT THIS UPON HIMSELF AND HE'S GOING TO PAY. 6054 02:57:55,532 --> 02:57:56,564 >> HEENAN BROUGHT THIS UPON HIMSELF AND HE'S GOING TO PAY. HE IS THE ONE WHO'S INSTIGATED 6055 02:57:56,566 --> 02:57:59,333 HIMSELF AND HE'S GOING TO PAY. HE IS THE ONE WHO'S INSTIGATED ALL THE TROUBLE AND THIS IS 6056 02:57:59,335 --> 02:58:03,738 HE IS THE ONE WHO'S INSTIGATED ALL THE TROUBLE AND THIS IS PAYBACK TIME. 6057 02:58:03,740 --> 02:58:06,207 ALL THE TROUBLE AND THIS IS PAYBACK TIME. >> THIS IS TERRIBLE. 6058 02:58:06,209 --> 02:58:07,676 PAYBACK TIME. >> THIS IS TERRIBLE. >> STEEL BARS FOR HEENAN. 6059 02:58:07,678 --> 02:58:12,780 >> THIS IS TERRIBLE. >> STEEL BARS FOR HEENAN. >> RIGHT AGAINST A STEEL CAGE. 6060 02:58:12,782 --> 02:58:15,483 >> STEEL BARS FOR HEENAN. >> RIGHT AGAINST A STEEL CAGE. >> THIS IS HORRIBLE, ALFRED 6061 02:58:15,485 --> 02:58:15,784 >> RIGHT AGAINST A STEEL CAGE. >> THIS IS HORRIBLE, ALFRED HAYES. 6062 02:58:15,786 --> 02:58:17,452 >> THIS IS HORRIBLE, ALFRED HAYES. >> IT'S PAYBACK TIME, JESSE. 6063 02:58:17,454 --> 02:58:32,400 HAYES. >> IT'S PAYBACK TIME, JESSE. >> PAYBACK TIME, NOTHING. 6064 02:58:32,402 --> 02:58:37,872 >> IT'S PAYBACK TIME, JESSE. >> PAYBACK TIME, NOTHING. >> OF THE WORLD, HULK HOGAN. 6065 02:58:37,874 --> 02:58:39,841 >> PAYBACK TIME, NOTHING. >> OF THE WORLD, HULK HOGAN. >> HOGAN, RETAINS HIS TITLE, 6066 02:58:39,843 --> 02:58:41,809 >> OF THE WORLD, HULK HOGAN. >> HOGAN, RETAINS HIS TITLE, ALFRED HAYES. 6067 02:58:41,811 --> 02:58:43,444 >> HOGAN, RETAINS HIS TITLE, ALFRED HAYES. >> AND THEY LOVE THE CHAMPION, 6068 02:58:43,446 --> 02:58:44,645 ALFRED HAYES. >> AND THEY LOVE THE CHAMPION, JESSE. 6069 02:58:44,647 --> 02:58:46,681 >> AND THEY LOVE THE CHAMPION, JESSE. WRESTLEMANIA 2 LOVES THEIR 6070 02:58:46,683 --> 02:58:48,717 JESSE. WRESTLEMANIA 2 LOVES THEIR CHAMPION AS WELL, JESSE. 6071 02:58:48,719 --> 02:58:49,550 WRESTLEMANIA 2 LOVES THEIR CHAMPION AS WELL, JESSE. >> FROM WHAT I HEAR ABOUT YOU 6072 02:58:49,552 --> 02:58:51,552 CHAMPION AS WELL, JESSE. >> FROM WHAT I HEAR ABOUT YOU AND, UH, HULK, JESSE, YOU'RE 6073 02:58:51,554 --> 02:58:52,420 >> FROM WHAT I HEAR ABOUT YOU AND, UH, HULK, JESSE, YOU'RE PROBABLY NOT TOO HAPPY RIGHT 6074 02:58:52,422 --> 02:58:53,521 AND, UH, HULK, JESSE, YOU'RE PROBABLY NOT TOO HAPPY RIGHT NOW, RIGHT? 6075 02:58:53,523 --> 02:58:55,590 PROBABLY NOT TOO HAPPY RIGHT NOW, RIGHT? >> WELL, I TELL YOU WHAT, 6076 02:58:55,592 --> 02:58:56,691 NOW, RIGHT? >> WELL, I TELL YOU WHAT, ELVIRA, SOMEDAY, SOMETIME HE'S 6077 02:58:56,693 --> 02:59:01,329 >> WELL, I TELL YOU WHAT, ELVIRA, SOMEDAY, SOMETIME HE'S GOING TO SHOWDOWN WITH ME. 6078 02:59:01,331 --> 02:59:02,697 ELVIRA, SOMEDAY, SOMETIME HE'S GOING TO SHOWDOWN WITH ME. >> IF YOU WIN, I'LL GO OUT WITH 6079 02:59:02,699 --> 02:59:08,403 GOING TO SHOWDOWN WITH ME. >> IF YOU WIN, I'LL GO OUT WITH YOU. 6080 02:59:08,405 --> 02:59:10,571 >> IF YOU WIN, I'LL GO OUT WITH YOU. >> LOOK AT HIM, JESSE. 6081 02:59:10,573 --> 02:59:11,439 YOU. >> LOOK AT HIM, JESSE. >> THERE YOU SEE THE FACE OF 6082 02:59:11,441 --> 02:59:13,407 >> LOOK AT HIM, JESSE. >> THERE YOU SEE THE FACE OF BUNDY, A MASK OF BLOOD. 6083 02:59:13,409 --> 02:59:15,676 >> THERE YOU SEE THE FACE OF BUNDY, A MASK OF BLOOD. KING KONG BUNDY SO CLOSE, YET SO 6084 02:59:15,678 --> 02:59:19,748 BUNDY, A MASK OF BLOOD. KING KONG BUNDY SO CLOSE, YET SO FAR FROM WINNING THE 6085 02:59:19,750 --> 02:59:20,414 KING KONG BUNDY SO CLOSE, YET SO FAR FROM WINNING THE CHAMPIONSHIP OF THE WORLD. 6086 02:59:20,416 --> 02:59:21,516 FAR FROM WINNING THE CHAMPIONSHIP OF THE WORLD. WHAT A MATCH, ALFRED HAYES, WHAT 6087 02:59:21,518 --> 02:59:23,251 CHAMPIONSHIP OF THE WORLD. WHAT A MATCH, ALFRED HAYES, WHAT A MATCH. 6088 02:59:23,253 --> 02:59:24,486 WHAT A MATCH, ALFRED HAYES, WHAT A MATCH. >> I HAVE TO AGREE WITH YOU, 6089 02:59:24,488 --> 02:59:24,852 A MATCH. >> I HAVE TO AGREE WITH YOU, JESSE. 6090 02:59:24,854 --> 02:59:26,587 >> I HAVE TO AGREE WITH YOU, JESSE. THAT WAS JUST A TREMENDOUS 6091 02:59:26,589 --> 02:59:29,557 JESSE. THAT WAS JUST A TREMENDOUS POWERFUL STRUGGLE, A BRUTAL, AND 6092 02:59:29,559 --> 02:59:30,324 THAT WAS JUST A TREMENDOUS POWERFUL STRUGGLE, A BRUTAL, AND A VERY DANGEROUS STRUGGLE. 6093 02:59:30,326 --> 02:59:31,659 POWERFUL STRUGGLE, A BRUTAL, AND A VERY DANGEROUS STRUGGLE. >> THIS IS THE WRESTLING MATCH 6094 02:59:31,661 --> 02:59:32,527 A VERY DANGEROUS STRUGGLE. >> THIS IS THE WRESTLING MATCH OF THE DECADE. 6095 02:59:32,529 --> 02:59:37,465 >> THIS IS THE WRESTLING MATCH OF THE DECADE. WRESTLEMANIA 2. 6096 02:59:37,467 --> 02:59:38,032 OF THE DECADE. WRESTLEMANIA 2. >> THERE YOU SEE HULK AS THE 6097 02:59:38,034 --> 02:59:39,534 WRESTLEMANIA 2. >> THERE YOU SEE HULK AS THE EGOMANIAC HE IS. 6098 02:59:39,536 --> 02:59:40,869 >> THERE YOU SEE HULK AS THE EGOMANIAC HE IS. HE HAS TO STOP AND POSE, ALFRED 6099 02:59:40,871 --> 02:59:42,337 EGOMANIAC HE IS. HE HAS TO STOP AND POSE, ALFRED HAYES. 6100 02:59:42,339 --> 02:59:44,238 HE HAS TO STOP AND POSE, ALFRED HAYES. >> WHAT A MAGNIFICENT MAN, 6101 02:59:44,240 --> 02:59:45,406 HAYES. >> WHAT A MAGNIFICENT MAN, JESSE. 6102 02:59:45,408 --> 02:59:46,073 >> WHAT A MAGNIFICENT MAN, JESSE. >> YOU'D NEVER SEE ME DO NOTHING 6103 02:59:46,075 --> 02:59:46,541 JESSE. >> YOU'D NEVER SEE ME DO NOTHING LIKE THAT. 6104 02:59:46,543 --> 02:59:47,475 >> YOU'D NEVER SEE ME DO NOTHING LIKE THAT. >> THE WORLD'S GREATEST 6105 02:59:47,477 --> 02:59:48,509 LIKE THAT. >> THE WORLD'S GREATEST PROFESSIONAL ATHLETE, LOOK AT 6106 02:59:48,511 --> 02:59:50,311 >> THE WORLD'S GREATEST PROFESSIONAL ATHLETE, LOOK AT HIM. 6107 02:59:50,313 --> 02:59:54,782 PROFESSIONAL ATHLETE, LOOK AT HIM. THERE'S NONE BETTER. 6108 02:59:54,784 --> 02:59:56,517 HIM. THERE'S NONE BETTER. >> WHOA, LOOK AT THOSE MUSCLES. 6109 02:59:56,519 --> 03:00:01,689 THERE'S NONE BETTER. >> WHOA, LOOK AT THOSE MUSCLES. HE'S SHOOTING THE CRAB. 6110 03:00:01,691 --> 03:00:03,558 >> WHOA, LOOK AT THOSE MUSCLES. HE'S SHOOTING THE CRAB. >> OH, OH. 6111 03:00:03,560 --> 03:00:21,709 HE'S SHOOTING THE CRAB. >> OH, OH. LISTEN TO THE PEOPLE. 6112 03:00:21,711 --> 03:00:22,543 >> OH, OH. LISTEN TO THE PEOPLE. >> WELL, THAT'S IT HERE FROM LOS 6113 03:00:22,545 --> 03:00:23,545 LISTEN TO THE PEOPLE. >> WELL, THAT'S IT HERE FROM LOS ANGELES. 6114 03:00:23,547 --> 03:00:26,347 >> WELL, THAT'S IT HERE FROM LOS ANGELES. ON BEHALF OF LORD ALFRED HAYES, 6115 03:00:26,349 --> 03:00:27,882 ANGELES. ON BEHALF OF LORD ALFRED HAYES, THE ONE AND ONLY ELVIRA AND 6116 03:00:27,884 --> 03:00:30,551 ON BEHALF OF LORD ALFRED HAYES, THE ONE AND ONLY ELVIRA AND JESSE THE BODY SAYING "SO LONG" 6117 03:00:30,553 --> 03:00:32,453 THE ONE AND ONLY ELVIRA AND JESSE THE BODY SAYING "SO LONG" TO ALL YOU WRESTLING FANS FROM 6118 03:00:32,455 --> 03:00:33,487 JESSE THE BODY SAYING "SO LONG" TO ALL YOU WRESTLING FANS FROM ME, THE BODY. 6119 03:00:33,489 --> 03:00:35,389 TO ALL YOU WRESTLING FANS FROM ME, THE BODY. IT'S TIME FOR MOVIES NOW. 6120 03:00:35,391 --> 03:00:36,724 ME, THE BODY. IT'S TIME FOR MOVIES NOW. >> AND BACK TO VINCE MCMAHON. 6121 03:00:36,726 --> 03:00:38,426 IT'S TIME FOR MOVIES NOW. >> AND BACK TO VINCE MCMAHON. >> BACK TO VINCE MCMAHON AND 6122 03:00:38,428 --> 03:00:40,428 >> AND BACK TO VINCE MCMAHON. >> BACK TO VINCE MCMAHON AND SUSAN SAINT JAMES IN NEW YORK 6123 03:00:40,430 --> 03:00:43,698 >> BACK TO VINCE MCMAHON AND SUSAN SAINT JAMES IN NEW YORK CITY. 6124 03:00:43,700 --> 03:00:44,765 SUSAN SAINT JAMES IN NEW YORK CITY. >> ALL RIGHT. 6125 03:00:44,767 --> 03:00:45,766 CITY. >> ALL RIGHT. FOR THOSE OF US HERE ON THE EAST 6126 03:00:45,768 --> 03:00:47,569 >> ALL RIGHT. FOR THOSE OF US HERE ON THE EAST COAST, AND, OF COURSE, IN 6127 03:00:47,571 --> 03:00:48,703 FOR THOSE OF US HERE ON THE EAST COAST, AND, OF COURSE, IN CHICAGO AREA IN CENTRAL TIME 6128 03:00:48,705 --> 03:00:49,537 COAST, AND, OF COURSE, IN CHICAGO AREA IN CENTRAL TIME ZONE, WE CERTAINLY HOPE YOU'VE 6129 03:00:49,539 --> 03:00:54,642 CHICAGO AREA IN CENTRAL TIME ZONE, WE CERTAINLY HOPE YOU'VE ENJOYED WRESTLEMANIA 2. 6130 03:00:54,644 --> 03:01:07,722 ZONE, WE CERTAINLY HOPE YOU'VE ENJOYED WRESTLEMANIA 2. [ CROWD CHANTING ] 6131 03:01:07,724 --> 03:01:10,925 ENJOYED WRESTLEMANIA 2. [ CROWD CHANTING ] >> HULK! 6132 03:01:10,927 --> 03:01:12,727 [ CROWD CHANTING ] >> HULK! HULK! 863437

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