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>> WRESTLEMANIA 2.
WHAT THE WORLD HAS COME TO.
[ MUSIC ]
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WHAT THE WORLD HAS COME TO.
[ MUSIC ]
>> AND NOW, VINCE MCMAHON.
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[ MUSIC ]
>> AND NOW, VINCE MCMAHON.
>> HELLO, EVERYONE.
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>> AND NOW, VINCE MCMAHON.
>> HELLO, EVERYONE.
WELCOME TO THE GREATEST SPORTS
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>> HELLO, EVERYONE.
WELCOME TO THE GREATEST SPORTS
ENTERTAINMENT SPECTACULAR OF ALL
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WELCOME TO THE GREATEST SPORTS
ENTERTAINMENT SPECTACULAR OF ALL
TIME.
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ENTERTAINMENT SPECTACULAR OF ALL
TIME.
WELCOME TO WRESTLEMANIA!
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00:00:36,503 --> 00:00:41,440
TIME.
WELCOME TO WRESTLEMANIA!
[ APPLAUSE ]
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WELCOME TO WRESTLEMANIA!
[ APPLAUSE ]
>> IT IS NOW MY PLEASURE TO
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00:00:42,543 --> 00:00:44,643
[ APPLAUSE ]
>> IT IS NOW MY PLEASURE TO
INTRODUCE TO YOU MY COLORFUL
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00:00:44,645 --> 00:00:45,811
>> IT IS NOW MY PLEASURE TO
INTRODUCE TO YOU MY COLORFUL
HOST AND AMERICA'S NUMBER ONE
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INTRODUCE TO YOU MY COLORFUL
HOST AND AMERICA'S NUMBER ONE
ACTRESS TODAY.
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HOST AND AMERICA'S NUMBER ONE
ACTRESS TODAY.
WOULD YOU PLEASE WELCOME MS.
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00:00:49,049 --> 00:01:04,596
ACTRESS TODAY.
WOULD YOU PLEASE WELCOME MS.
SUSAN SAINT JAMES!
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00:01:04,598 --> 00:01:06,565
WOULD YOU PLEASE WELCOME MS.
SUSAN SAINT JAMES!
AND NOW, LADIES AND GENTLEMEN, A
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00:01:06,567 --> 00:01:09,468
SUSAN SAINT JAMES!
AND NOW, LADIES AND GENTLEMEN, A
MOMENT THAT WE HAVE BEEN WAITING
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AND NOW, LADIES AND GENTLEMEN, A
MOMENT THAT WE HAVE BEEN WAITING
HERE TO SEE.
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MOMENT THAT WE HAVE BEEN WAITING
HERE TO SEE.
"AMERICA THE BEAUTIFUL."
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HERE TO SEE.
"AMERICA THE BEAUTIFUL."
WOULD YOU PLEASE WELCOME THE
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"AMERICA THE BEAUTIFUL."
WOULD YOU PLEASE WELCOME THE
GREAT RAY CHARLES?
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WOULD YOU PLEASE WELCOME THE
GREAT RAY CHARLES?
[ APPLAUSE ]
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GREAT RAY CHARLES?
[ APPLAUSE ]
[ SINGING ]
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[ APPLAUSE ]
[ SINGING ]
[ LYRICS ]
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[ SINGING ]
[ LYRICS ]
O, BEAUTIFUL FOR HEROES PROVED
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[ LYRICS ]
O, BEAUTIFUL FOR HEROES PROVED
IN LIBERATING STRIFE WHO MORE
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00:02:10,864 --> 00:02:21,439
O, BEAUTIFUL FOR HEROES PROVED
IN LIBERATING STRIFE WHO MORE
THAN SELF, THEIR COUNTRY LOVED.
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IN LIBERATING STRIFE WHO MORE
THAN SELF, THEIR COUNTRY LOVED.
AND MERCY MORE THAN LIFE!
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THAN SELF, THEIR COUNTRY LOVED.
AND MERCY MORE THAN LIFE!
>> WHAT ARE WE SINGING ABOUT
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AND MERCY MORE THAN LIFE!
>> WHAT ARE WE SINGING ABOUT
TONIGHT?
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>> WHAT ARE WE SINGING ABOUT
TONIGHT?
AMERICA!
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TONIGHT?
AMERICA!
SWEET AMERICA!
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AMERICA!
SWEET AMERICA!
MAY GOD THY GOLD REFINE.
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SWEET AMERICA!
MAY GOD THY GOLD REFINE.
AND UNTIL ALL SUCCESS BE
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MAY GOD THY GOLD REFINE.
AND UNTIL ALL SUCCESS BE
NOBLENESS AND EVERY GAIN DIVINE!
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AND UNTIL ALL SUCCESS BE
NOBLENESS AND EVERY GAIN DIVINE!
>> AND, YOU KNOW, WHEN I WAS A
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00:03:02,816 --> 00:03:03,848
NOBLENESS AND EVERY GAIN DIVINE!
>> AND, YOU KNOW, WHEN I WAS A
LITTLE BOY, WE USED TO SING
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>> AND, YOU KNOW, WHEN I WAS A
LITTLE BOY, WE USED TO SING
THESE WORDS.
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LITTLE BOY, WE USED TO SING
THESE WORDS.
O, BEAUTIFUL FOR SPACIOUS SKIES.
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THESE WORDS.
O, BEAUTIFUL FOR SPACIOUS SKIES.
FOR AMBER WAVES OF GRAIN.
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O, BEAUTIFUL FOR SPACIOUS SKIES.
FOR AMBER WAVES OF GRAIN.
FOR PURPLE MOUNTAIN MAJESTIES
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FOR AMBER WAVES OF GRAIN.
FOR PURPLE MOUNTAIN MAJESTIES
ABOVE THE FRUITED PLAIN!
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FOR PURPLE MOUNTAIN MAJESTIES
ABOVE THE FRUITED PLAIN!
>> LISTEN TO ME.
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ABOVE THE FRUITED PLAIN!
>> LISTEN TO ME.
AMERICA!
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>> LISTEN TO ME.
AMERICA!
SWEET AMERICA!
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AMERICA!
SWEET AMERICA!
GOD SHED HIS GRACE ON THEE HE
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SWEET AMERICA!
GOD SHED HIS GRACE ON THEE HE
CROWNED THY GOOD, I REMEMBER,
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GOD SHED HIS GRACE ON THEE HE
CROWNED THY GOOD, I REMEMBER,
SAID -- WITH BROTHERHOOD FROM
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CROWNED THY GOOD, I REMEMBER,
SAID -- WITH BROTHERHOOD FROM
SEA TO SHINING SEA!
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SAID -- WITH BROTHERHOOD FROM
SEA TO SHINING SEA!
>> YOU KNOW, I WISH I HAD
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SEA TO SHINING SEA!
>> YOU KNOW, I WISH I HAD
SOMEBODY TO HELP ME SING THIS
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>> YOU KNOW, I WISH I HAD
SOMEBODY TO HELP ME SING THIS
THING.
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SOMEBODY TO HELP ME SING THIS
THING.
AMERICA.
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THING.
AMERICA.
OH, I LOVE YOU, AMERICA.
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AMERICA.
OH, I LOVE YOU, AMERICA.
WELL, MY GOD, HE SHED HIS GRACE
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OH, I LOVE YOU, AMERICA.
WELL, MY GOD, HE SHED HIS GRACE
ON THEE.
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WELL, MY GOD, HE SHED HIS GRACE
ON THEE.
AND, GOD, AND I LOVE YOU FOR IT,
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ON THEE.
AND, GOD, AND I LOVE YOU FOR IT,
'CAUSE HE CROWNED THY GOOD.
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AND, GOD, AND I LOVE YOU FOR IT,
'CAUSE HE CROWNED THY GOOD.
HE TOLD ME HE WOULD.
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'CAUSE HE CROWNED THY GOOD.
HE TOLD ME HE WOULD.
SINGING BROTHERHOOD FROM SEA TO
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HE TOLD ME HE WOULD.
SINGING BROTHERHOOD FROM SEA TO
SHINING SEA.
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SINGING BROTHERHOOD FROM SEA TO
SHINING SEA.
[ SCATTING ]
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SHINING SEA.
[ SCATTING ]
[ APPLAUSE ]
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[ SCATTING ]
[ APPLAUSE ]
>> OH, MY.
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[ APPLAUSE ]
>> OH, MY.
WHAT A WAY TO KICK OFF
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>> OH, MY.
WHAT A WAY TO KICK OFF
WRESTLEMANIA 2, WITH THE GREAT
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WHAT A WAY TO KICK OFF
WRESTLEMANIA 2, WITH THE GREAT
RAY CHARLES.
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WRESTLEMANIA 2, WITH THE GREAT
RAY CHARLES.
HI, EVERYBODY.
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RAY CHARLES.
HI, EVERYBODY.
MEAN GENE OKERLUND HERE AT THE
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00:05:50,851 --> 00:05:52,851
HI, EVERYBODY.
MEAN GENE OKERLUND HERE AT THE
ROSEMONT HORIZON IN SUBURBAN
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00:05:52,853 --> 00:05:54,819
MEAN GENE OKERLUND HERE AT THE
ROSEMONT HORIZON IN SUBURBAN
CHICAGO, ILLINOIS.
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ROSEMONT HORIZON IN SUBURBAN
CHICAGO, ILLINOIS.
WELL, LATER ON YOU'RE GONNA BE
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CHICAGO, ILLINOIS.
WELL, LATER ON YOU'RE GONNA BE
SEEING A GIGANTIC 20-MAN OVER
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WELL, LATER ON YOU'RE GONNA BE
SEEING A GIGANTIC 20-MAN OVER
THE TOP ROPE BATTLE ROYAL.
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00:06:00,027 --> 00:06:01,526
SEEING A GIGANTIC 20-MAN OVER
THE TOP ROPE BATTLE ROYAL.
YOU CAN CUT THE ELECTRICITY IN
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THE TOP ROPE BATTLE ROYAL.
YOU CAN CUT THE ELECTRICITY IN
THE AIR WITH A KNIFE.
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00:06:03,230 --> 00:06:04,496
YOU CAN CUT THE ELECTRICITY IN
THE AIR WITH A KNIFE.
IT IS SOMETHING ELSE.
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THE AIR WITH A KNIFE.
IT IS SOMETHING ELSE.
RIGHT NOW, I UNDERSTAND, BACK IN
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00:06:05,732 --> 00:06:07,932
IT IS SOMETHING ELSE.
RIGHT NOW, I UNDERSTAND, BACK IN
NEW YORK IN THE NASSAU COUNTY
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00:06:07,934 --> 00:06:10,702
RIGHT NOW, I UNDERSTAND, BACK IN
NEW YORK IN THE NASSAU COUNTY
COLISEUM, ROWDY RODDY PIPER IS
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00:06:10,704 --> 00:06:12,737
NEW YORK IN THE NASSAU COUNTY
COLISEUM, ROWDY RODDY PIPER IS
PSYCHING UP FOR HIS BOXING
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00:06:12,739 --> 00:06:16,741
COLISEUM, ROWDY RODDY PIPER IS
PSYCHING UP FOR HIS BOXING
MATCH.
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00:06:16,743 --> 00:06:17,842
PSYCHING UP FOR HIS BOXING
MATCH.
>> HERE'S A PROSPECT I THINK OF
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00:06:17,844 --> 00:06:19,711
MATCH.
>> HERE'S A PROSPECT I THINK OF
THE HEAVYWEIGHTS OUT THERE
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00:06:19,713 --> 00:06:19,978
>> HERE'S A PROSPECT I THINK OF
THE HEAVYWEIGHTS OUT THERE
TODAY.
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THE HEAVYWEIGHTS OUT THERE
TODAY.
THIS IS THE BEST PROSPECT GOING.
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TODAY.
THIS IS THE BEST PROSPECT GOING.
HE'S TRAINED DILIGENTLY.
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THIS IS THE BEST PROSPECT GOING.
HE'S TRAINED DILIGENTLY.
HE'S IN REAL GOOD SHAPE.
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HE'S TRAINED DILIGENTLY.
HE'S IN REAL GOOD SHAPE.
HEAVYWEIGHTS, ONE PUNCH AND IT'S
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HE'S IN REAL GOOD SHAPE.
HEAVYWEIGHTS, ONE PUNCH AND IT'S
ALL OVER.
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HEAVYWEIGHTS, ONE PUNCH AND IT'S
ALL OVER.
TONIGHT HE'S IN SHAPE AND HE'S
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ALL OVER.
TONIGHT HE'S IN SHAPE AND HE'S
GONNA DO HIS JOB.
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TONIGHT HE'S IN SHAPE AND HE'S
GONNA DO HIS JOB.
RIGHT, RODDY?
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GONNA DO HIS JOB.
RIGHT, RODDY?
>> I'M CUTE.
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RIGHT, RODDY?
>> I'M CUTE.
I GREW MY HAIR LONG THAT WAY,
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>> I'M CUTE.
I GREW MY HAIR LONG THAT WAY,
DURING THE FIGHT TONIGHT, YOU
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I GREW MY HAIR LONG THAT WAY,
DURING THE FIGHT TONIGHT, YOU
CAN TELL THE DIFFERENCE BETWEEN
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DURING THE FIGHT TONIGHT, YOU
CAN TELL THE DIFFERENCE BETWEEN
ME AND T.
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00:06:37,364 --> 00:06:38,530
CAN TELL THE DIFFERENCE BETWEEN
ME AND T.
I FIGURED SOME OF YOU FOLKS OUT
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ME AND T.
I FIGURED SOME OF YOU FOLKS OUT
THERE MAY GET A LITTLE CONFUSED.
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00:06:40,333 --> 00:06:41,833
I FIGURED SOME OF YOU FOLKS OUT
THERE MAY GET A LITTLE CONFUSED.
I HAVE GOT THE ABSOLUTE BEST
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THERE MAY GET A LITTLE CONFUSED.
I HAVE GOT THE ABSOLUTE BEST
COACH IN THE ENTIRE WORLD TO
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I HAVE GOT THE ABSOLUTE BEST
COACH IN THE ENTIRE WORLD TO
TRAIN ME.
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COACH IN THE ENTIRE WORLD TO
TRAIN ME.
I'VE BEEN DOWN WITH BIGGS,
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TRAIN ME.
I'VE BEEN DOWN WITH BIGGS,
TRAINING.
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I'VE BEEN DOWN WITH BIGGS,
TRAINING.
WITH SPIGS TRAINING.
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TRAINING.
WITH SPIGS TRAINING.
HE WENT AND GOT SMOKING JOE
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00:06:50,744 --> 00:06:52,778
WITH SPIGS TRAINING.
HE WENT AND GOT SMOKING JOE
FRAZIER IN HIS CORNER.
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HE WENT AND GOT SMOKING JOE
FRAZIER IN HIS CORNER.
ARE YOU RIBBING ME?
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FRAZIER IN HIS CORNER.
ARE YOU RIBBING ME?
HE THREW A MEDICINE BALL AT MY
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ARE YOU RIBBING ME?
HE THREW A MEDICINE BALL AT MY
BELLY.
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HE THREW A MEDICINE BALL AT MY
BELLY.
DIDN'T MOVE AN INCH.
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BELLY.
DIDN'T MOVE AN INCH.
I'M DOWN TO 219 POUNDS.
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DIDN'T MOVE AN INCH.
I'M DOWN TO 219 POUNDS.
IN 30 MINUTES YOU'LL SEE TALK'S
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I'M DOWN TO 219 POUNDS.
IN 30 MINUTES YOU'LL SEE TALK'S
CHEAP, SO YOU SAY, "RODDY, WELL,
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00:07:03,356 --> 00:07:04,089
IN 30 MINUTES YOU'LL SEE TALK'S
CHEAP, SO YOU SAY, "RODDY, WELL,
YOU'RE SITTING THERE TALKING."
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00:07:04,091 --> 00:07:05,223
CHEAP, SO YOU SAY, "RODDY, WELL,
YOU'RE SITTING THERE TALKING."
I SAY THIS TO YOU.
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YOU'RE SITTING THERE TALKING."
I SAY THIS TO YOU.
I SAY, IF MR. T CAN KNOCK ME OUT
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00:07:07,461 --> 00:07:09,360
I SAY THIS TO YOU.
I SAY, IF MR. T CAN KNOCK ME OUT
IN THIS FIGHT RIGHT HERE, I
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00:07:09,362 --> 00:07:11,262
I SAY, IF MR. T CAN KNOCK ME OUT
IN THIS FIGHT RIGHT HERE, I
WOULD NOT ONLY QUIT PROFESSIONAL
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00:07:11,264 --> 00:07:11,963
IN THIS FIGHT RIGHT HERE, I
WOULD NOT ONLY QUIT PROFESSIONAL
BOXING.
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00:07:11,965 --> 00:07:13,498
WOULD NOT ONLY QUIT PROFESSIONAL
BOXING.
I WOULD QUIT AND RETIRE
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00:07:13,500 --> 00:07:14,766
BOXING.
I WOULD QUIT AND RETIRE
PROFESSIONAL WRESTLING.
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00:07:14,768 --> 00:07:16,568
I WOULD QUIT AND RETIRE
PROFESSIONAL WRESTLING.
I WOULD QUIT TIDDLYWINKS.
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00:07:16,570 --> 00:07:18,570
PROFESSIONAL WRESTLING.
I WOULD QUIT TIDDLYWINKS.
I WOULD QUIT DATING GIRLS.
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I WOULD QUIT TIDDLYWINKS.
I WOULD QUIT DATING GIRLS.
>> THAT SOUNDS GOOD.
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00:07:19,440 --> 00:07:20,605
I WOULD QUIT DATING GIRLS.
>> THAT SOUNDS GOOD.
>> I'D STICK WITH YOU.
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00:07:20,607 --> 00:07:22,340
>> THAT SOUNDS GOOD.
>> I'D STICK WITH YOU.
I WOULD QUIT IT ALL.
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00:07:22,342 --> 00:07:23,575
>> I'D STICK WITH YOU.
I WOULD QUIT IT ALL.
I RIGHT NOW SAY IF HE CAN KNOCK
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00:07:23,577 --> 00:07:25,377
I WOULD QUIT IT ALL.
I RIGHT NOW SAY IF HE CAN KNOCK
ME OUT, I RETIRE AND I'M GONNA
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00:07:25,379 --> 00:07:27,813
I RIGHT NOW SAY IF HE CAN KNOCK
ME OUT, I RETIRE AND I'M GONNA
STICK MY HEAD OUT THERE ROUND
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00:07:27,815 --> 00:07:30,382
ME OUT, I RETIRE AND I'M GONNA
STICK MY HEAD OUT THERE ROUND
AFTER ROUND AFTER ROUND AND PUT
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00:07:30,384 --> 00:07:31,349
STICK MY HEAD OUT THERE ROUND
AFTER ROUND AFTER ROUND AND PUT
IT OUT THERE BECAUSE AS PRETTY
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00:07:31,351 --> 00:07:32,149
AFTER ROUND AFTER ROUND AND PUT
IT OUT THERE BECAUSE AS PRETTY
AS IT IS, HE'S GONNA SHOOT SOME
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00:07:32,151 --> 00:07:33,518
IT OUT THERE BECAUSE AS PRETTY
AS IT IS, HE'S GONNA SHOOT SOME
PUNCHES AND I'M GONNA BE MOVING
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00:07:33,520 --> 00:07:34,453
AS IT IS, HE'S GONNA SHOOT SOME
PUNCHES AND I'M GONNA BE MOVING
LIKE THAT, JUST LIKE COACH
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00:07:34,455 --> 00:07:35,753
PUNCHES AND I'M GONNA BE MOVING
LIKE THAT, JUST LIKE COACH
TAUGHT ME.
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00:07:35,755 --> 00:07:37,789
LIKE THAT, JUST LIKE COACH
TAUGHT ME.
HE'S GONNA SHOOT SOME MORE.
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00:07:37,791 --> 00:07:38,657
TAUGHT ME.
HE'S GONNA SHOOT SOME MORE.
I'M GONNA BE MOVING LIKE THAT.
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00:07:38,659 --> 00:07:39,724
HE'S GONNA SHOOT SOME MORE.
I'M GONNA BE MOVING LIKE THAT.
AND ANOTHER THING, YOU KNOW, MR.
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00:07:39,726 --> 00:07:40,692
I'M GONNA BE MOVING LIKE THAT.
AND ANOTHER THING, YOU KNOW, MR.
T, I KNOW YOU'RE A SMART ALECK.
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00:07:40,694 --> 00:07:42,694
AND ANOTHER THING, YOU KNOW, MR.
T, I KNOW YOU'RE A SMART ALECK.
YOU COME OUT WITH A KILT, BUT
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00:07:42,696 --> 00:07:44,395
T, I KNOW YOU'RE A SMART ALECK.
YOU COME OUT WITH A KILT, BUT
LET ME TELL YOU SOMETHING.
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00:07:44,397 --> 00:07:45,530
YOU COME OUT WITH A KILT, BUT
LET ME TELL YOU SOMETHING.
NEVER WILL I SHAVE MY HAIR LIKE
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00:07:45,532 --> 00:07:46,564
LET ME TELL YOU SOMETHING.
NEVER WILL I SHAVE MY HAIR LIKE
AN INDIAN AND PAINT MYSELF
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00:07:46,566 --> 00:07:48,466
NEVER WILL I SHAVE MY HAIR LIKE
AN INDIAN AND PAINT MYSELF
BLACK.
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00:07:48,468 --> 00:07:49,667
AN INDIAN AND PAINT MYSELF
BLACK.
>> LADIES AND GENTLEMEN, THIS
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00:07:49,669 --> 00:07:51,703
BLACK.
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR ONE
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00:07:51,705 --> 00:07:53,872
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR ONE
FALL WITH A 20-MINUTE TIME
149
00:07:53,874 --> 00:07:55,574
CONTEST IS SCHEDULED FOR ONE
FALL WITH A 20-MINUTE TIME
LIMIT.
150
00:07:55,576 --> 00:07:57,442
FALL WITH A 20-MINUTE TIME
LIMIT.
FIRST OF ALL, INTRODUCING TO MY
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00:07:57,444 --> 00:08:00,411
LIMIT.
FIRST OF ALL, INTRODUCING TO MY
LEFT, THE DISTINGUISHED MANAGER,
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00:08:00,413 --> 00:08:06,217
FIRST OF ALL, INTRODUCING TO MY
LEFT, THE DISTINGUISHED MANAGER,
MR. FUJI!
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00:08:06,219 --> 00:08:08,419
LEFT, THE DISTINGUISHED MANAGER,
MR. FUJI!
AND HE REPRESENTS, FROM SUNSET
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00:08:08,421 --> 00:08:12,891
MR. FUJI!
AND HE REPRESENTS, FROM SUNSET
BEACH, HAWAII, WEIGHING 267
155
00:08:12,893 --> 00:08:22,601
AND HE REPRESENTS, FROM SUNSET
BEACH, HAWAII, WEIGHING 267
POUNDS, THE MAGNIFICENT MURACO!
156
00:08:22,603 --> 00:08:25,436
BEACH, HAWAII, WEIGHING 267
POUNDS, THE MAGNIFICENT MURACO!
HIS OPPONENT, FROM TAMPA,
157
00:08:25,438 --> 00:08:30,642
POUNDS, THE MAGNIFICENT MURACO!
HIS OPPONENT, FROM TAMPA,
FLORIDA, WEIGHING 252 POUNDS,
158
00:08:30,644 --> 00:08:37,215
HIS OPPONENT, FROM TAMPA,
FLORIDA, WEIGHING 252 POUNDS,
MR. WONDERFUL PAUL ORNDORFF!
159
00:08:37,217 --> 00:08:58,269
FLORIDA, WEIGHING 252 POUNDS,
MR. WONDERFUL PAUL ORNDORFF!
[ APPLAUSE ]
160
00:08:58,271 --> 00:08:59,571
MR. WONDERFUL PAUL ORNDORFF!
[ APPLAUSE ]
>> ALL RIGHT.
161
00:08:59,573 --> 00:09:00,405
[ APPLAUSE ]
>> ALL RIGHT.
LET'S TAKE A LOOK NOW AT SOME OF
162
00:09:00,407 --> 00:09:01,506
>> ALL RIGHT.
LET'S TAKE A LOOK NOW AT SOME OF
THE COMMENTS AND SOME OF THE
163
00:09:01,508 --> 00:09:02,674
LET'S TAKE A LOOK NOW AT SOME OF
THE COMMENTS AND SOME OF THE
ACTIONS OF MURACO AND ORNDORFF
164
00:09:02,676 --> 00:09:04,442
THE COMMENTS AND SOME OF THE
ACTIONS OF MURACO AND ORNDORFF
EARLIER ON.
165
00:09:04,444 --> 00:09:06,511
ACTIONS OF MURACO AND ORNDORFF
EARLIER ON.
[ BELL RINGING ]
166
00:09:06,513 --> 00:09:07,579
EARLIER ON.
[ BELL RINGING ]
>> MR. WONDERFUL, THE
167
00:09:07,581 --> 00:09:09,347
[ BELL RINGING ]
>> MR. WONDERFUL, THE
EMBARRASSMENT OF WRESTLEMANIA 1.
168
00:09:09,349 --> 00:09:10,548
>> MR. WONDERFUL, THE
EMBARRASSMENT OF WRESTLEMANIA 1.
ALL OF A SUDDEN, YOU MEET
169
00:09:10,550 --> 00:09:11,850
EMBARRASSMENT OF WRESTLEMANIA 1.
ALL OF A SUDDEN, YOU MEET
MAGNIFICENT MURACO.
170
00:09:11,852 --> 00:09:13,685
ALL OF A SUDDEN, YOU MEET
MAGNIFICENT MURACO.
YOU ARE ABOUT TO BECOME, ONCE
171
00:09:13,687 --> 00:09:14,752
MAGNIFICENT MURACO.
YOU ARE ABOUT TO BECOME, ONCE
AGAIN, THE EMBARRASSMENT OF
172
00:09:14,754 --> 00:09:15,853
YOU ARE ABOUT TO BECOME, ONCE
AGAIN, THE EMBARRASSMENT OF
WRESTLEMANIA 2.
173
00:09:15,855 --> 00:09:17,322
AGAIN, THE EMBARRASSMENT OF
WRESTLEMANIA 2.
DON'T FORGET THE SINISTER MR.
174
00:09:17,324 --> 00:09:18,523
WRESTLEMANIA 2.
DON'T FORGET THE SINISTER MR.
FUJI IN MY CORNER.
175
00:09:18,525 --> 00:09:19,624
DON'T FORGET THE SINISTER MR.
FUJI IN MY CORNER.
NASSAU COLISEUM.
176
00:09:19,626 --> 00:09:23,828
FUJI IN MY CORNER.
NASSAU COLISEUM.
APRIL '86.
177
00:09:23,830 --> 00:09:24,896
NASSAU COLISEUM.
APRIL '86.
>> HELLO TO EVERYBODY OUT THERE
178
00:09:24,898 --> 00:09:26,598
APRIL '86.
>> HELLO TO EVERYBODY OUT THERE
IN TV LAND.
179
00:09:26,600 --> 00:09:27,298
>> HELLO TO EVERYBODY OUT THERE
IN TV LAND.
A LOT OF PEOPLE HAVE BEEN
180
00:09:27,300 --> 00:09:28,700
IN TV LAND.
A LOT OF PEOPLE HAVE BEEN
WANTING TO KNOW HOW MR.
181
00:09:28,702 --> 00:09:30,302
A LOT OF PEOPLE HAVE BEEN
WANTING TO KNOW HOW MR.
WONDERFUL'S BEEN FEELING.
182
00:09:30,304 --> 00:09:31,336
WANTING TO KNOW HOW MR.
WONDERFUL'S BEEN FEELING.
WHAT HAS HE BEEN UP TO?
183
00:09:31,338 --> 00:09:32,337
WONDERFUL'S BEEN FEELING.
WHAT HAS HE BEEN UP TO?
WELL, I'M GONNA TELL YOU WHAT
184
00:09:32,339 --> 00:09:33,371
WHAT HAS HE BEEN UP TO?
WELL, I'M GONNA TELL YOU WHAT
I'VE BEEN DOING.
185
00:09:33,373 --> 00:09:34,372
WELL, I'M GONNA TELL YOU WHAT
I'VE BEEN DOING.
I'VE BEEN GOING TO THE GYM MORE
186
00:09:34,374 --> 00:09:35,873
I'VE BEEN DOING.
I'VE BEEN GOING TO THE GYM MORE
THAN I EVER HAVE IN MY LIFE, AND
187
00:09:35,875 --> 00:09:37,542
I'VE BEEN GOING TO THE GYM MORE
THAN I EVER HAVE IN MY LIFE, AND
MURACO, TONIGHT YOU'RE GONNA BE
188
00:09:37,544 --> 00:09:43,915
THAN I EVER HAVE IN MY LIFE, AND
MURACO, TONIGHT YOU'RE GONNA BE
MINE.
189
00:09:43,917 --> 00:09:44,716
MURACO, TONIGHT YOU'RE GONNA BE
MINE.
>> ALL RIGHT.
190
00:09:44,718 --> 00:09:45,650
MINE.
>> ALL RIGHT.
THERE WERE COMMENTS EARLIER ON.
191
00:09:45,652 --> 00:09:47,552
>> ALL RIGHT.
THERE WERE COMMENTS EARLIER ON.
MR. WONDERFUL PAUL ...
192
00:09:47,554 --> 00:09:48,453
THERE WERE COMMENTS EARLIER ON.
MR. WONDERFUL PAUL ...
OH, LOOK AT THIS NOW.
193
00:09:48,455 --> 00:09:49,354
MR. WONDERFUL PAUL ...
OH, LOOK AT THIS NOW.
UP IN THE AIR.
194
00:09:49,356 --> 00:09:50,588
OH, LOOK AT THIS NOW.
UP IN THE AIR.
WHAT A BODY SLAM BY MURACO.
195
00:09:50,590 --> 00:09:52,457
UP IN THE AIR.
WHAT A BODY SLAM BY MURACO.
KICK OUT BY ORNDORFF.
196
00:09:52,459 --> 00:09:55,460
WHAT A BODY SLAM BY MURACO.
KICK OUT BY ORNDORFF.
SCOOP BY ORNDORFF, AND A SLAM,
197
00:09:55,462 --> 00:09:56,761
KICK OUT BY ORNDORFF.
SCOOP BY ORNDORFF, AND A SLAM,
AND WE HAVE ALL KIND OF ACTION
198
00:09:56,763 --> 00:10:01,366
SCOOP BY ORNDORFF, AND A SLAM,
AND WE HAVE ALL KIND OF ACTION
HERE IN THIS OPENING MATCH-UP.
199
00:10:01,368 --> 00:10:02,801
AND WE HAVE ALL KIND OF ACTION
HERE IN THIS OPENING MATCH-UP.
MR. FUJI APPARENTLY DOES NOT
200
00:10:02,803 --> 00:10:03,668
HERE IN THIS OPENING MATCH-UP.
MR. FUJI APPARENTLY DOES NOT
LIKE WHAT HE'S HEARING BY THIS
201
00:10:03,670 --> 00:10:04,802
MR. FUJI APPARENTLY DOES NOT
LIKE WHAT HE'S HEARING BY THIS
CAPACITY CROWD.
202
00:10:04,804 --> 00:10:06,037
LIKE WHAT HE'S HEARING BY THIS
CAPACITY CROWD.
NONETHELESS, NOW THINGS SETTLING
203
00:10:06,039 --> 00:10:06,804
CAPACITY CROWD.
NONETHELESS, NOW THINGS SETTLING
DOWN.
204
00:10:06,806 --> 00:10:07,572
NONETHELESS, NOW THINGS SETTLING
DOWN.
BOTH WRESTLERS HAVE FELT EACH
205
00:10:07,574 --> 00:10:08,673
DOWN.
BOTH WRESTLERS HAVE FELT EACH
OTHER OUT A LITTLE BIT AND READY
206
00:10:08,675 --> 00:10:09,907
BOTH WRESTLERS HAVE FELT EACH
OTHER OUT A LITTLE BIT AND READY
TO LOCK UP AGAIN.
207
00:10:09,909 --> 00:10:12,777
OTHER OUT A LITTLE BIT AND READY
TO LOCK UP AGAIN.
CLASSIC CONFRONTATION.
208
00:10:12,779 --> 00:10:14,679
TO LOCK UP AGAIN.
CLASSIC CONFRONTATION.
MURACO MOVING ORNDORFF BACK TO
209
00:10:14,681 --> 00:10:15,613
CLASSIC CONFRONTATION.
MURACO MOVING ORNDORFF BACK TO
THE CORNER.
210
00:10:15,615 --> 00:10:16,614
MURACO MOVING ORNDORFF BACK TO
THE CORNER.
NOT THE PLACE TO BE FOR MR.
211
00:10:16,616 --> 00:10:17,649
THE CORNER.
NOT THE PLACE TO BE FOR MR.
WONDERFUL.
212
00:10:17,651 --> 00:10:18,650
NOT THE PLACE TO BE FOR MR.
WONDERFUL.
NO CLEAN BREAK THERE.
213
00:10:18,652 --> 00:10:19,451
WONDERFUL.
NO CLEAN BREAK THERE.
THE KNEE RIGHT UP.
214
00:10:19,453 --> 00:10:20,652
NO CLEAN BREAK THERE.
THE KNEE RIGHT UP.
FOLLOW THROUGH WITH AN ELBOW.
215
00:10:20,654 --> 00:10:22,520
THE KNEE RIGHT UP.
FOLLOW THROUGH WITH AN ELBOW.
REFEREE ASKING TO MAINTAIN A
216
00:10:22,522 --> 00:10:23,721
FOLLOW THROUGH WITH AN ELBOW.
REFEREE ASKING TO MAINTAIN A
LITTLE ORDER, BUT MEANWHILE IT'S
217
00:10:23,723 --> 00:10:24,789
REFEREE ASKING TO MAINTAIN A
LITTLE ORDER, BUT MEANWHILE IT'S
ORNDORFF.
218
00:10:24,791 --> 00:10:25,723
LITTLE ORDER, BUT MEANWHILE IT'S
ORNDORFF.
NO, REVERSAL MURACO FOR THE
219
00:10:25,725 --> 00:10:26,591
ORNDORFF.
NO, REVERSAL MURACO FOR THE
RIDE!
220
00:10:26,593 --> 00:10:28,359
NO, REVERSAL MURACO FOR THE
RIDE!
OUT, UP, AND A BACK BODY DROP.
221
00:10:28,361 --> 00:10:29,828
RIDE!
OUT, UP, AND A BACK BODY DROP.
>> ALL RIGHT!
222
00:10:29,830 --> 00:10:32,864
OUT, UP, AND A BACK BODY DROP.
>> ALL RIGHT!
>> ARM DRIVE TAKEDOWN.
223
00:10:32,866 --> 00:10:33,631
>> ALL RIGHT!
>> ARM DRIVE TAKEDOWN.
STEP OVER.
224
00:10:33,633 --> 00:10:34,866
>> ARM DRIVE TAKEDOWN.
STEP OVER.
DROP TOEHOLD.
225
00:10:34,868 --> 00:10:36,401
STEP OVER.
DROP TOEHOLD.
NICELY DONE, AND NOW WORKING ON
226
00:10:36,403 --> 00:10:37,935
DROP TOEHOLD.
NICELY DONE, AND NOW WORKING ON
THE ARM BAR, AND BASED ON WHAT
227
00:10:37,937 --> 00:10:39,837
NICELY DONE, AND NOW WORKING ON
THE ARM BAR, AND BASED ON WHAT
WE HAVE SEEN THUS FAR, SUSAN, IT
228
00:10:39,839 --> 00:10:41,539
THE ARM BAR, AND BASED ON WHAT
WE HAVE SEEN THUS FAR, SUSAN, IT
LOOKS LIKE ORNDORFF JUST MAY
229
00:10:41,541 --> 00:10:42,707
WE HAVE SEEN THUS FAR, SUSAN, IT
LOOKS LIKE ORNDORFF JUST MAY
HAVE A SLIGHT ADVANTAGE.
230
00:10:42,709 --> 00:10:43,541
LOOKS LIKE ORNDORFF JUST MAY
HAVE A SLIGHT ADVANTAGE.
>> I THINK HE'S DEFINITELY
231
00:10:43,543 --> 00:10:44,475
HAVE A SLIGHT ADVANTAGE.
>> I THINK HE'S DEFINITELY
WINNING THIS.
232
00:10:44,477 --> 00:10:47,779
>> I THINK HE'S DEFINITELY
WINNING THIS.
THIS IS WITHOUT A DOUBT.
233
00:10:47,781 --> 00:10:48,913
WINNING THIS.
THIS IS WITHOUT A DOUBT.
>> AS FAR AS PHYSIQUES ARE
234
00:10:48,915 --> 00:10:50,682
THIS IS WITHOUT A DOUBT.
>> AS FAR AS PHYSIQUES ARE
CONCERNED, THERE'S NO DOUBT
235
00:10:50,684 --> 00:10:51,349
>> AS FAR AS PHYSIQUES ARE
CONCERNED, THERE'S NO DOUBT
ORNDORFF HAS AN EDGE THERE, BUT
236
00:10:51,351 --> 00:10:52,850
CONCERNED, THERE'S NO DOUBT
ORNDORFF HAS AN EDGE THERE, BUT
THEN AGAIN, THIS IS NO PHYSIQUE
237
00:10:52,852 --> 00:10:53,718
ORNDORFF HAS AN EDGE THERE, BUT
THEN AGAIN, THIS IS NO PHYSIQUE
CONTEST.
238
00:10:53,720 --> 00:10:54,786
THEN AGAIN, THIS IS NO PHYSIQUE
CONTEST.
IT'S OUT-AND-OUT WRESTLING,
239
00:10:54,788 --> 00:10:56,688
CONTEST.
IT'S OUT-AND-OUT WRESTLING,
SOMETHING THAT MURACO IS RATED
240
00:10:56,690 --> 00:10:59,624
IT'S OUT-AND-OUT WRESTLING,
SOMETHING THAT MURACO IS RATED
AMONG THE BEST AT.
241
00:10:59,626 --> 00:11:01,259
SOMETHING THAT MURACO IS RATED
AMONG THE BEST AT.
>> CLASSIC MANEUVER BY MURACO,
242
00:11:01,261 --> 00:11:02,227
AMONG THE BEST AT.
>> CLASSIC MANEUVER BY MURACO,
BUT ORNDORFF HANGS ON.
243
00:11:02,229 --> 00:11:04,762
>> CLASSIC MANEUVER BY MURACO,
BUT ORNDORFF HANGS ON.
NICELY DONE.
244
00:11:04,764 --> 00:11:05,664
BUT ORNDORFF HANGS ON.
NICELY DONE.
>> AND AGAIN WE SEE THE SHADOW
245
00:11:05,666 --> 00:11:07,432
NICELY DONE.
>> AND AGAIN WE SEE THE SHADOW
OF MR. FUJI.
246
00:11:07,434 --> 00:11:09,600
>> AND AGAIN WE SEE THE SHADOW
OF MR. FUJI.
>> UH OH.
247
00:11:09,602 --> 00:11:13,805
OF MR. FUJI.
>> UH OH.
WHAT'S GONNA HAPPEN HERE?
248
00:11:13,807 --> 00:11:14,673
>> UH OH.
WHAT'S GONNA HAPPEN HERE?
>> ORNDORFF WORKING ON THE ARM
249
00:11:14,675 --> 00:11:19,544
WHAT'S GONNA HAPPEN HERE?
>> ORNDORFF WORKING ON THE ARM
AND SHOULDER.
250
00:11:19,546 --> 00:11:20,612
>> ORNDORFF WORKING ON THE ARM
AND SHOULDER.
AND, AS YOU CAN SEE, MURACO
251
00:11:20,614 --> 00:11:24,515
AND SHOULDER.
AND, AS YOU CAN SEE, MURACO
SWEATING PROFUSELY.
252
00:11:24,517 --> 00:11:26,684
AND, AS YOU CAN SEE, MURACO
SWEATING PROFUSELY.
MURACO ...
253
00:11:26,686 --> 00:11:27,318
SWEATING PROFUSELY.
MURACO ...
>> WELL, HE'S GONNA HAVE TO DO
254
00:11:27,320 --> 00:11:27,986
MURACO ...
>> WELL, HE'S GONNA HAVE TO DO
SOMETHING HERE, VINCE, OR IT'S
255
00:11:27,988 --> 00:11:30,789
>> WELL, HE'S GONNA HAVE TO DO
SOMETHING HERE, VINCE, OR IT'S
GONNA BE OVER PRETTY QUICKLY.
256
00:11:30,791 --> 00:11:31,522
SOMETHING HERE, VINCE, OR IT'S
GONNA BE OVER PRETTY QUICKLY.
LOOKS LIKE PAUL'S GOT ...
257
00:11:31,524 --> 00:11:33,458
GONNA BE OVER PRETTY QUICKLY.
LOOKS LIKE PAUL'S GOT ...
>> MURACO A REAL CAGEY VETERAN
258
00:11:33,460 --> 00:11:42,600
LOOKS LIKE PAUL'S GOT ...
>> MURACO A REAL CAGEY VETERAN
AS MURACO NOW BACK TO HIS FEET.
259
00:11:42,602 --> 00:11:43,701
>> MURACO A REAL CAGEY VETERAN
AS MURACO NOW BACK TO HIS FEET.
AND MURACO TRYING TO SET HIM UP.
260
00:11:43,703 --> 00:11:44,302
AS MURACO NOW BACK TO HIS FEET.
AND MURACO TRYING TO SET HIM UP.
NO.
261
00:11:44,304 --> 00:11:44,836
AND MURACO TRYING TO SET HIM UP.
NO.
REVERSAL.
262
00:11:44,838 --> 00:11:46,704
NO.
REVERSAL.
LOOK AT THAT.
263
00:11:46,706 --> 00:11:47,538
REVERSAL.
LOOK AT THAT.
>> THOUGHT HE WAS GONNA COME UP
264
00:11:47,540 --> 00:11:48,773
LOOK AT THAT.
>> THOUGHT HE WAS GONNA COME UP
WITH SOMETHING THERE, BUT ...
265
00:11:48,775 --> 00:11:51,976
>> THOUGHT HE WAS GONNA COME UP
WITH SOMETHING THERE, BUT ...
OOH.
266
00:11:51,978 --> 00:11:52,677
WITH SOMETHING THERE, BUT ...
OOH.
>> AND FOR SURE WE CAN SEE THE
267
00:11:52,679 --> 00:11:55,513
OOH.
>> AND FOR SURE WE CAN SEE THE
MOMENTUM HERE CLEARLY ON THE
268
00:11:55,515 --> 00:11:57,348
>> AND FOR SURE WE CAN SEE THE
MOMENTUM HERE CLEARLY ON THE
SIDE OF MR. WONDERFUL PAUL
269
00:11:57,350 --> 00:11:58,282
MOMENTUM HERE CLEARLY ON THE
SIDE OF MR. WONDERFUL PAUL
ORNDORFF.
270
00:11:58,284 --> 00:11:59,451
SIDE OF MR. WONDERFUL PAUL
ORNDORFF.
THIS, I BELIEVE, THE VERY FIRST
271
00:11:59,453 --> 00:12:03,521
ORNDORFF.
THIS, I BELIEVE, THE VERY FIRST
TIME THESE TWO HAVE EVER MET.
272
00:12:03,523 --> 00:12:04,388
THIS, I BELIEVE, THE VERY FIRST
TIME THESE TWO HAVE EVER MET.
CERTAINLY, HOWEVER, EACH
273
00:12:04,390 --> 00:12:05,656
TIME THESE TWO HAVE EVER MET.
CERTAINLY, HOWEVER, EACH
WRESTLER HAS READ THE BOOK ON
274
00:12:05,658 --> 00:12:07,558
CERTAINLY, HOWEVER, EACH
WRESTLER HAS READ THE BOOK ON
THE OTHER.
275
00:12:07,560 --> 00:12:08,593
WRESTLER HAS READ THE BOOK ON
THE OTHER.
>> WELL, HE LOOKS LIKE HE'S
276
00:12:08,595 --> 00:12:09,827
THE OTHER.
>> WELL, HE LOOKS LIKE HE'S
USING SOME ANCIENT CHINESE
277
00:12:09,829 --> 00:12:11,863
>> WELL, HE LOOKS LIKE HE'S
USING SOME ANCIENT CHINESE
TECHNIQUES.
278
00:12:11,865 --> 00:12:12,630
USING SOME ANCIENT CHINESE
TECHNIQUES.
>> THERE'S NO TELLING WHAT MR.
279
00:12:12,632 --> 00:12:13,798
TECHNIQUES.
>> THERE'S NO TELLING WHAT MR.
FUJI ...
280
00:12:13,800 --> 00:12:14,599
>> THERE'S NO TELLING WHAT MR.
FUJI ...
>> SLOW TORTURE.
281
00:12:14,601 --> 00:12:15,399
FUJI ...
>> SLOW TORTURE.
>> YES.
282
00:12:15,401 --> 00:12:17,101
>> SLOW TORTURE.
>> YES.
>> MR. FUJI VERY, VERY CRAFTY.
283
00:12:17,103 --> 00:12:20,572
>> YES.
>> MR. FUJI VERY, VERY CRAFTY.
SHOUTING UP INSTRUCTIONS TO
284
00:12:20,574 --> 00:12:20,839
>> MR. FUJI VERY, VERY CRAFTY.
SHOUTING UP INSTRUCTIONS TO
MURACO.
285
00:12:20,841 --> 00:12:21,773
SHOUTING UP INSTRUCTIONS TO
MURACO.
LOOK AT THIS CRADLE.
286
00:12:21,775 --> 00:12:22,640
MURACO.
LOOK AT THIS CRADLE.
OH, NICE MANEUVER BY MURACO.
287
00:12:22,642 --> 00:12:26,310
LOOK AT THIS CRADLE.
OH, NICE MANEUVER BY MURACO.
VERY NICELY DONE.
288
00:12:26,312 --> 00:12:32,717
OH, NICE MANEUVER BY MURACO.
VERY NICELY DONE.
FUJI HAS TO LIKE THAT ONE.
289
00:12:32,719 --> 00:12:35,720
VERY NICELY DONE.
FUJI HAS TO LIKE THAT ONE.
AND A RIGHT HAND BY MURACO.
290
00:12:35,722 --> 00:12:36,721
FUJI HAS TO LIKE THAT ONE.
AND A RIGHT HAND BY MURACO.
MURACO STARTING TO ...
291
00:12:36,723 --> 00:12:38,790
AND A RIGHT HAND BY MURACO.
MURACO STARTING TO ...
WELL, RESORTING TO MORE
292
00:12:38,792 --> 00:12:40,691
MURACO STARTING TO ...
WELL, RESORTING TO MORE
AGGRESSIVE TACTICS NOW.
293
00:12:40,693 --> 00:12:41,893
WELL, RESORTING TO MORE
AGGRESSIVE TACTICS NOW.
>> UH OH.
294
00:12:41,895 --> 00:12:42,560
AGGRESSIVE TACTICS NOW.
>> UH OH.
I THINK THE TABLES HAVE TURNED
295
00:12:42,562 --> 00:12:43,494
>> UH OH.
I THINK THE TABLES HAVE TURNED
NOW.
296
00:12:43,496 --> 00:12:44,862
I THINK THE TABLES HAVE TURNED
NOW.
OH.
297
00:12:44,864 --> 00:12:45,496
NOW.
OH.
OOH.
298
00:12:45,498 --> 00:12:46,531
OH.
OOH.
>> HOWEVER, IF IT'S
299
00:12:46,533 --> 00:12:47,665
OOH.
>> HOWEVER, IF IT'S
AGGRESSIVENESS HE WANTS,
300
00:12:47,667 --> 00:12:48,399
>> HOWEVER, IF IT'S
AGGRESSIVENESS HE WANTS,
ORNDORFF CAN FIRE RIGHT BACK AT
301
00:12:48,401 --> 00:12:49,834
AGGRESSIVENESS HE WANTS,
ORNDORFF CAN FIRE RIGHT BACK AT
HIM.
302
00:12:49,836 --> 00:12:51,602
ORNDORFF CAN FIRE RIGHT BACK AT
HIM.
ELBOW TO THE CRANIUM.
303
00:12:51,604 --> 00:12:56,341
HIM.
ELBOW TO THE CRANIUM.
ANOTHER RIGHT HAND.
304
00:12:56,343 --> 00:12:56,841
ELBOW TO THE CRANIUM.
ANOTHER RIGHT HAND.
PAUL ...
305
00:12:56,843 --> 00:12:57,742
ANOTHER RIGHT HAND.
PAUL ...
EACH WRESTLER PAWING AT EACH
306
00:12:57,744 --> 00:12:58,543
PAUL ...
EACH WRESTLER PAWING AT EACH
OTHER.
307
00:12:58,545 --> 00:13:02,747
EACH WRESTLER PAWING AT EACH
OTHER.
OH, AND LOOK AT THAT.
308
00:13:02,749 --> 00:13:03,848
OTHER.
OH, AND LOOK AT THAT.
OVER THE ROPE.
309
00:13:03,850 --> 00:13:05,449
OH, AND LOOK AT THAT.
OVER THE ROPE.
MURACO WITH, I THINK, AN
310
00:13:05,451 --> 00:13:06,617
OVER THE ROPE.
MURACO WITH, I THINK, AN
ADVANTAGE.
311
00:13:06,619 --> 00:13:07,752
MURACO WITH, I THINK, AN
ADVANTAGE.
NOW BOTH MEN UP ON THEIR FEET.
312
00:13:07,754 --> 00:13:08,386
ADVANTAGE.
NOW BOTH MEN UP ON THEIR FEET.
MAYBE NOT FOR LONG, BUT ON THE
313
00:13:08,388 --> 00:13:18,596
NOW BOTH MEN UP ON THEIR FEET.
MAYBE NOT FOR LONG, BUT ON THE
OUTSIDE ON THE CONCRETE FLOOR.
314
00:13:18,598 --> 00:13:19,463
MAYBE NOT FOR LONG, BUT ON THE
OUTSIDE ON THE CONCRETE FLOOR.
GOT IN A HOLD.
315
00:13:19,465 --> 00:13:20,331
OUTSIDE ON THE CONCRETE FLOOR.
GOT IN A HOLD.
NO, NOT TO THE RING.
316
00:13:20,333 --> 00:13:21,566
GOT IN A HOLD.
NO, NOT TO THE RING.
OH, LOOK AT THAT.
317
00:13:21,568 --> 00:13:28,406
NO, NOT TO THE RING.
OH, LOOK AT THAT.
ORNDORFF PUT ON THE BRAKES.
318
00:13:28,408 --> 00:13:29,374
OH, LOOK AT THAT.
ORNDORFF PUT ON THE BRAKES.
ORNDORFF WANTING TO USE THAT
319
00:13:29,376 --> 00:13:31,342
ORNDORFF PUT ON THE BRAKES.
ORNDORFF WANTING TO USE THAT
CHAIR, PERHAPS JUSTIFIED, BUT
320
00:13:31,344 --> 00:13:32,176
ORNDORFF WANTING TO USE THAT
CHAIR, PERHAPS JUSTIFIED, BUT
NONETHELESS, IF HE USES IT, HE'S
321
00:13:32,178 --> 00:13:33,811
CHAIR, PERHAPS JUSTIFIED, BUT
NONETHELESS, IF HE USES IT, HE'S
GONNA BE DISQUALIFIED.
322
00:13:33,813 --> 00:13:40,751
NONETHELESS, IF HE USES IT, HE'S
GONNA BE DISQUALIFIED.
NO, THE CHAIR INTO THE RING NOW.
323
00:13:40,753 --> 00:13:41,920
GONNA BE DISQUALIFIED.
NO, THE CHAIR INTO THE RING NOW.
I'M NOT AT ALL CERTAIN WHAT THE
324
00:13:41,922 --> 00:13:43,321
NO, THE CHAIR INTO THE RING NOW.
I'M NOT AT ALL CERTAIN WHAT THE
REFEREE HAS DONE HERE IN THIS
325
00:13:43,323 --> 00:13:44,555
I'M NOT AT ALL CERTAIN WHAT THE
REFEREE HAS DONE HERE IN THIS
MATCH-UP.
326
00:13:44,557 --> 00:13:49,427
REFEREE HAS DONE HERE IN THIS
MATCH-UP.
[ BELL RINGING ]
327
00:13:49,429 --> 00:13:51,662
MATCH-UP.
[ BELL RINGING ]
>> FANS CERTAINLY NOT LIKING THE
328
00:13:51,664 --> 00:13:54,899
[ BELL RINGING ]
>> FANS CERTAINLY NOT LIKING THE
OUTCOME OF THIS ONE.
329
00:13:54,901 --> 00:13:56,868
>> FANS CERTAINLY NOT LIKING THE
OUTCOME OF THIS ONE.
LET'S GO UP AND GET THE OFFICIAL
330
00:13:56,870 --> 00:14:05,543
OUTCOME OF THIS ONE.
LET'S GO UP AND GET THE OFFICIAL
ANNOUNCEMENT.
331
00:14:05,545 --> 00:14:07,879
LET'S GO UP AND GET THE OFFICIAL
ANNOUNCEMENT.
THERE'S A LOOK AT MURACO ON HIS
332
00:14:07,881 --> 00:14:10,448
ANNOUNCEMENT.
THERE'S A LOOK AT MURACO ON HIS
WAY BACK TO THE DRESSING ROOM,
333
00:14:10,450 --> 00:14:11,515
THERE'S A LOOK AT MURACO ON HIS
WAY BACK TO THE DRESSING ROOM,
AND A LOOK HERE AT MR. WONDERFUL
334
00:14:11,517 --> 00:14:13,584
WAY BACK TO THE DRESSING ROOM,
AND A LOOK HERE AT MR. WONDERFUL
PAUL ORNDORFF.
335
00:14:13,586 --> 00:14:20,524
AND A LOOK HERE AT MR. WONDERFUL
PAUL ORNDORFF.
[ APPLAUSE ]
336
00:14:20,526 --> 00:14:21,559
PAUL ORNDORFF.
[ APPLAUSE ]
>> WELL, I GUESS HE'S DECLARING
337
00:14:21,561 --> 00:14:22,994
[ APPLAUSE ]
>> WELL, I GUESS HE'S DECLARING
HIMSELF THE WINNER.
338
00:14:22,996 --> 00:14:30,735
>> WELL, I GUESS HE'S DECLARING
HIMSELF THE WINNER.
>> PERHAPS WE HAVE THE REPLAY.
339
00:14:30,737 --> 00:14:32,570
HIMSELF THE WINNER.
>> PERHAPS WE HAVE THE REPLAY.
ALL RIGHT, HERE WE GO.
340
00:14:32,572 --> 00:14:33,738
>> PERHAPS WE HAVE THE REPLAY.
ALL RIGHT, HERE WE GO.
MORE ACTION ON THE OUTSIDE THAN
341
00:14:33,740 --> 00:14:38,476
ALL RIGHT, HERE WE GO.
MORE ACTION ON THE OUTSIDE THAN
ON THE INSIDE.
342
00:14:38,478 --> 00:14:39,677
MORE ACTION ON THE OUTSIDE THAN
ON THE INSIDE.
AND, I GUESS, BOTH MEN COUNTED
343
00:14:39,679 --> 00:14:40,478
ON THE INSIDE.
AND, I GUESS, BOTH MEN COUNTED
OUT.
344
00:14:40,480 --> 00:14:41,679
AND, I GUESS, BOTH MEN COUNTED
OUT.
LET'S GO BACK UP NOW AND GET THE
345
00:14:41,681 --> 00:14:53,892
OUT.
LET'S GO BACK UP NOW AND GET THE
OFFICIAL ANNOUNCEMENT.
346
00:14:53,894 --> 00:14:54,759
LET'S GO BACK UP NOW AND GET THE
OFFICIAL ANNOUNCEMENT.
WELL, WHILE WE'RE WAITING FOR
347
00:14:54,761 --> 00:14:56,594
OFFICIAL ANNOUNCEMENT.
WELL, WHILE WE'RE WAITING FOR
THE ANNOUNCEMENT, AND WE'LL TRY
348
00:14:56,596 --> 00:14:57,261
WELL, WHILE WE'RE WAITING FOR
THE ANNOUNCEMENT, AND WE'LL TRY
AND GET TO IT, THERE'S ALL KIND
349
00:14:57,263 --> 00:14:58,763
THE ANNOUNCEMENT, AND WE'LL TRY
AND GET TO IT, THERE'S ALL KIND
OF CONFUSION HERE.
350
00:14:58,765 --> 00:15:00,732
AND GET TO IT, THERE'S ALL KIND
OF CONFUSION HERE.
UH, STANDING BY IS MR. T IN HIS
351
00:15:00,734 --> 00:15:03,701
OF CONFUSION HERE.
UH, STANDING BY IS MR. T IN HIS
DRESSING ROOM, SO PERHAPS WE CAN
352
00:15:03,703 --> 00:15:08,372
UH, STANDING BY IS MR. T IN HIS
DRESSING ROOM, SO PERHAPS WE CAN
TAKE YOU NOW TO MR. T IN THE
353
00:15:08,374 --> 00:15:12,343
DRESSING ROOM, SO PERHAPS WE CAN
TAKE YOU NOW TO MR. T IN THE
LOCKER ROOM.
354
00:15:12,345 --> 00:15:13,144
TAKE YOU NOW TO MR. T IN THE
LOCKER ROOM.
>> FIRST OF ALL, LET ME TELL YOU
355
00:15:13,146 --> 00:15:14,445
LOCKER ROOM.
>> FIRST OF ALL, LET ME TELL YOU
PEOPLE OUT THERE SOMETHING.
356
00:15:14,447 --> 00:15:15,479
>> FIRST OF ALL, LET ME TELL YOU
PEOPLE OUT THERE SOMETHING.
IT'S NOT MY IDEA TO BE TALKING
357
00:15:15,481 --> 00:15:16,547
PEOPLE OUT THERE SOMETHING.
IT'S NOT MY IDEA TO BE TALKING
RIGHT BEFORE A BIG FIGHT.
358
00:15:16,549 --> 00:15:17,348
IT'S NOT MY IDEA TO BE TALKING
RIGHT BEFORE A BIG FIGHT.
I DON'T LIKE TO DO A LOT OF
359
00:15:17,350 --> 00:15:17,748
RIGHT BEFORE A BIG FIGHT.
I DON'T LIKE TO DO A LOT OF
TALKING.
360
00:15:17,750 --> 00:15:18,549
I DON'T LIKE TO DO A LOT OF
TALKING.
MY FISTS GONNA DO THE TALKING IN
361
00:15:18,551 --> 00:15:19,583
TALKING.
MY FISTS GONNA DO THE TALKING IN
THE RING.
362
00:15:19,585 --> 00:15:20,184
MY FISTS GONNA DO THE TALKING IN
THE RING.
YOU KNOW, WE CAN TALK ALL DAY.
363
00:15:20,186 --> 00:15:20,785
THE RING.
YOU KNOW, WE CAN TALK ALL DAY.
I DON'T KNOW WHAT I MIGHT DO TO
364
00:15:20,787 --> 00:15:21,719
YOU KNOW, WE CAN TALK ALL DAY.
I DON'T KNOW WHAT I MIGHT DO TO
PIPER, BUT I KNOW HE'S GONNA BE
365
00:15:21,721 --> 00:15:22,520
I DON'T KNOW WHAT I MIGHT DO TO
PIPER, BUT I KNOW HE'S GONNA BE
GETTING HURT OUT THERE.
366
00:15:22,522 --> 00:15:23,454
PIPER, BUT I KNOW HE'S GONNA BE
GETTING HURT OUT THERE.
I'M GONNA BE HITTING THE MAN
367
00:15:23,456 --> 00:15:23,854
GETTING HURT OUT THERE.
I'M GONNA BE HITTING THE MAN
EVERYWHERE.
368
00:15:23,856 --> 00:15:24,589
I'M GONNA BE HITTING THE MAN
EVERYWHERE.
ELBOW.
369
00:15:24,591 --> 00:15:25,523
EVERYWHERE.
ELBOW.
ARMS.
370
00:15:25,525 --> 00:15:25,856
ELBOW.
ARMS.
EVERYTHING.
371
00:15:25,858 --> 00:15:26,557
ARMS.
EVERYTHING.
HE START DOING DIRTY STUFF, I'M
372
00:15:26,559 --> 00:15:27,458
EVERYTHING.
HE START DOING DIRTY STUFF, I'M
GONNA START DOING SOME DIRTY
373
00:15:27,460 --> 00:15:27,792
HE START DOING DIRTY STUFF, I'M
GONNA START DOING SOME DIRTY
STUFF.
374
00:15:27,794 --> 00:15:28,726
GONNA START DOING SOME DIRTY
STUFF.
I WANT THIS MAN TOO LONG.
375
00:15:28,728 --> 00:15:29,727
STUFF.
I WANT THIS MAN TOO LONG.
LOOK WHAT HE DID TO MY BUDDY,
376
00:15:29,729 --> 00:15:30,662
I WANT THIS MAN TOO LONG.
LOOK WHAT HE DID TO MY BUDDY,
THE HAITI KID.
377
00:15:30,664 --> 00:15:31,629
LOOK WHAT HE DID TO MY BUDDY,
THE HAITI KID.
CUT HIS HAIR LIKE ME JUST
378
00:15:31,631 --> 00:15:32,563
THE HAITI KID.
CUT HIS HAIR LIKE ME JUST
BECAUSE OF A MAN LIKE ME.
379
00:15:32,565 --> 00:15:33,665
CUT HIS HAIR LIKE ME JUST
BECAUSE OF A MAN LIKE ME.
YOU KNOW, AND ALL THE DIRTY
380
00:15:33,667 --> 00:15:34,766
BECAUSE OF A MAN LIKE ME.
YOU KNOW, AND ALL THE DIRTY
THINGS HE DID.
381
00:15:34,768 --> 00:15:35,666
YOU KNOW, AND ALL THE DIRTY
THINGS HE DID.
>> LADIES AND GENTLEMEN ...
382
00:15:35,668 --> 00:15:36,500
THINGS HE DID.
>> LADIES AND GENTLEMEN ...
>> HIM AND ACE ...
383
00:15:36,502 --> 00:15:37,167
>> LADIES AND GENTLEMEN ...
>> HIM AND ACE ...
>> IN THE PREVIOUS BOUT, BOTH
384
00:15:37,169 --> 00:15:37,768
>> HIM AND ACE ...
>> IN THE PREVIOUS BOUT, BOTH
MR. WONDERFUL PAUL ORNDORFF AND
385
00:15:37,770 --> 00:15:38,469
>> IN THE PREVIOUS BOUT, BOTH
MR. WONDERFUL PAUL ORNDORFF AND
...
386
00:15:38,471 --> 00:15:39,337
MR. WONDERFUL PAUL ORNDORFF AND
...
>> WE'RE GONNA GIVE YOU GREEN.
387
00:15:39,339 --> 00:15:39,937
...
>> WE'RE GONNA GIVE YOU GREEN.
WHAT DO YOU SAY ...
388
00:15:39,939 --> 00:15:40,538
>> WE'RE GONNA GIVE YOU GREEN.
WHAT DO YOU SAY ...
>> WERE COUNTED OUT IN A REFEREE
389
00:15:40,540 --> 00:15:40,905
WHAT DO YOU SAY ...
>> WERE COUNTED OUT IN A REFEREE
...
390
00:15:40,907 --> 00:15:41,506
>> WERE COUNTED OUT IN A REFEREE
...
>> THAT'S RIGHT.
391
00:15:41,508 --> 00:15:42,039
...
>> THAT'S RIGHT.
WE'RE READY.
392
00:15:42,041 --> 00:15:42,640
>> THAT'S RIGHT.
WE'RE READY.
WE'RE GONNA DO IT.
393
00:15:42,642 --> 00:15:43,774
WE'RE READY.
WE'RE GONNA DO IT.
>> COUNT OUT.
394
00:15:43,776 --> 00:15:46,510
WE'RE GONNA DO IT.
>> COUNT OUT.
>> THIS IS THE END OF THIS
395
00:15:46,512 --> 00:15:46,910
>> COUNT OUT.
>> THIS IS THE END OF THIS
INTERVIEW.
396
00:15:46,912 --> 00:15:47,444
>> THIS IS THE END OF THIS
INTERVIEW.
FORGET ALL THE TALKING.
397
00:15:47,446 --> 00:15:48,446
INTERVIEW.
FORGET ALL THE TALKING.
GET ON OUT THERE AND GET IT.
398
00:15:48,448 --> 00:15:49,847
FORGET ALL THE TALKING.
GET ON OUT THERE AND GET IT.
[ BOOING ]
399
00:15:49,849 --> 00:15:50,481
GET ON OUT THERE AND GET IT.
[ BOOING ]
>> ALL RIGHT.
400
00:15:50,483 --> 00:15:51,649
[ BOOING ]
>> ALL RIGHT.
WHILE WE WERE WAITING ...
401
00:15:51,651 --> 00:15:52,850
>> ALL RIGHT.
WHILE WE WERE WAITING ...
>> THIS CONTEST IS FOR THE
402
00:15:52,852 --> 00:15:54,352
WHILE WE WERE WAITING ...
>> THIS CONTEST IS FOR THE
INTERCONTINENTAL HEAVYWEIGHT
403
00:15:54,354 --> 00:15:55,686
>> THIS CONTEST IS FOR THE
INTERCONTINENTAL HEAVYWEIGHT
CHAMPIONSHIP.
404
00:15:55,688 --> 00:15:57,622
INTERCONTINENTAL HEAVYWEIGHT
CHAMPIONSHIP.
IT IS SCHEDULED FOR ONE-FALL
405
00:15:57,624 --> 00:15:59,757
CHAMPIONSHIP.
IT IS SCHEDULED FOR ONE-FALL
WITH A ONE-HOUR TIME LIMIT.
406
00:15:59,759 --> 00:16:02,460
IT IS SCHEDULED FOR ONE-FALL
WITH A ONE-HOUR TIME LIMIT.
IN THE RING IS THE CHALLENGER
407
00:16:02,462 --> 00:16:04,562
WITH A ONE-HOUR TIME LIMIT.
IN THE RING IS THE CHALLENGER
FROM DETROIT, MICHIGAN.
408
00:16:04,564 --> 00:16:07,732
IN THE RING IS THE CHALLENGER
FROM DETROIT, MICHIGAN.
WEIGHING 288 POUNDS, GEORGE "THE
409
00:16:07,734 --> 00:16:10,568
FROM DETROIT, MICHIGAN.
WEIGHING 288 POUNDS, GEORGE "THE
ANIMAL" STEELE!
410
00:16:10,570 --> 00:16:14,772
WEIGHING 288 POUNDS, GEORGE "THE
ANIMAL" STEELE!
>> RIGHT.
411
00:16:14,774 --> 00:16:15,573
ANIMAL" STEELE!
>> RIGHT.
[ APPLAUSE ]
412
00:16:15,575 --> 00:16:21,746
>> RIGHT.
[ APPLAUSE ]
>> AND HIS OPPONENT TO BE LED
413
00:16:21,748 --> 00:16:24,582
[ APPLAUSE ]
>> AND HIS OPPONENT TO BE LED
TOWARDS THE RING BY ELIZABETH,
414
00:16:24,584 --> 00:16:27,818
>> AND HIS OPPONENT TO BE LED
TOWARDS THE RING BY ELIZABETH,
FROM SARASOTA, FLORIDA, WEIGHING
415
00:16:27,820 --> 00:16:31,756
TOWARDS THE RING BY ELIZABETH,
FROM SARASOTA, FLORIDA, WEIGHING
239 POUNDS, THE INTERCONTINENTAL
416
00:16:31,758 --> 00:16:36,227
FROM SARASOTA, FLORIDA, WEIGHING
239 POUNDS, THE INTERCONTINENTAL
HEAVYWEIGHT CHAMPION, RANDY
417
00:16:36,229 --> 00:16:41,899
239 POUNDS, THE INTERCONTINENTAL
HEAVYWEIGHT CHAMPION, RANDY
"MACHO MAN" SAVAGE!
418
00:16:41,901 --> 00:16:44,001
HEAVYWEIGHT CHAMPION, RANDY
"MACHO MAN" SAVAGE!
[ MUSIC ]
419
00:16:44,003 --> 00:16:46,170
"MACHO MAN" SAVAGE!
[ MUSIC ]
>> THE MACHO MAN MAKING HIS WAY
420
00:16:46,172 --> 00:16:47,571
[ MUSIC ]
>> THE MACHO MAN MAKING HIS WAY
TO THE SQUARED CIRCLE, LED, NO
421
00:16:47,573 --> 00:16:48,739
>> THE MACHO MAN MAKING HIS WAY
TO THE SQUARED CIRCLE, LED, NO
DOUBT, BY HIS LOVELY MANAGER
422
00:16:48,741 --> 00:16:51,442
TO THE SQUARED CIRCLE, LED, NO
DOUBT, BY HIS LOVELY MANAGER
ELIZABETH.
423
00:16:51,444 --> 00:16:52,610
DOUBT, BY HIS LOVELY MANAGER
ELIZABETH.
THERE'S A GOOD-LOOKING
424
00:16:52,612 --> 00:16:53,744
ELIZABETH.
THERE'S A GOOD-LOOKING
ELIZABETH.
425
00:16:53,746 --> 00:16:55,780
THERE'S A GOOD-LOOKING
ELIZABETH.
WOW, SHE IS A BEAUTY, ISN'T SHE,
426
00:16:55,782 --> 00:16:56,581
ELIZABETH.
WOW, SHE IS A BEAUTY, ISN'T SHE,
SUSAN?
427
00:16:56,583 --> 00:16:57,515
WOW, SHE IS A BEAUTY, ISN'T SHE,
SUSAN?
>> OH, SHE IS FANTASTIC.
428
00:16:57,517 --> 00:16:58,116
SUSAN?
>> OH, SHE IS FANTASTIC.
I'M REALLY ROOTING FOR THE
429
00:16:58,118 --> 00:16:58,749
>> OH, SHE IS FANTASTIC.
I'M REALLY ROOTING FOR THE
ANIMAL TONIGHT, VINCE, BECAUSE
430
00:16:58,751 --> 00:16:59,550
I'M REALLY ROOTING FOR THE
ANIMAL TONIGHT, VINCE, BECAUSE
THAT'S MY GUY.
431
00:16:59,552 --> 00:17:00,451
ANIMAL TONIGHT, VINCE, BECAUSE
THAT'S MY GUY.
HE'S GOT ...
432
00:17:00,453 --> 00:17:01,252
THAT'S MY GUY.
HE'S GOT ...
SOMEBODY'S GOT TO SHOW THIS
433
00:17:01,254 --> 00:17:02,353
HE'S GOT ...
SOMEBODY'S GOT TO SHOW THIS
MACHO MAN HOW TO TREAT PEOPLE.
434
00:17:02,355 --> 00:17:03,454
SOMEBODY'S GOT TO SHOW THIS
MACHO MAN HOW TO TREAT PEOPLE.
THIS GORGEOUS, NICE YOUNG GIRL
435
00:17:03,456 --> 00:17:06,524
MACHO MAN HOW TO TREAT PEOPLE.
THIS GORGEOUS, NICE YOUNG GIRL
AND HE TREATS HER SO BADLY.
436
00:17:06,526 --> 00:17:07,458
THIS GORGEOUS, NICE YOUNG GIRL
AND HE TREATS HER SO BADLY.
THIS IS MY MATCH.
437
00:17:07,460 --> 00:17:08,592
AND HE TREATS HER SO BADLY.
THIS IS MY MATCH.
THIS IS MY MATCH.
438
00:17:08,594 --> 00:17:09,493
THIS IS MY MATCH.
THIS IS MY MATCH.
>> ALL RIGHT.
439
00:17:09,495 --> 00:17:10,461
THIS IS MY MATCH.
>> ALL RIGHT.
WELL, EARLIER ON WE HAD AN
440
00:17:10,463 --> 00:17:11,595
>> ALL RIGHT.
WELL, EARLIER ON WE HAD AN
OCCASION TO CHAT WITH THE MACHO
441
00:17:11,597 --> 00:17:13,330
WELL, EARLIER ON WE HAD AN
OCCASION TO CHAT WITH THE MACHO
MAN AND ELIZABETH.
442
00:17:13,332 --> 00:17:14,632
OCCASION TO CHAT WITH THE MACHO
MAN AND ELIZABETH.
AS THEY MAKE THEIR WAY INTO THE
443
00:17:14,634 --> 00:17:16,534
MAN AND ELIZABETH.
AS THEY MAKE THEIR WAY INTO THE
RING NOW, LET'S GO BACK AND TAKE
444
00:17:16,536 --> 00:17:20,505
AS THEY MAKE THEIR WAY INTO THE
RING NOW, LET'S GO BACK AND TAKE
A LOOK AT WHAT WE SAW AND HEARD.
445
00:17:20,507 --> 00:17:20,972
RING NOW, LET'S GO BACK AND TAKE
A LOOK AT WHAT WE SAW AND HEARD.
>> FREAKED OUT.
446
00:17:20,974 --> 00:17:22,740
A LOOK AT WHAT WE SAW AND HEARD.
>> FREAKED OUT.
FREAKED OUT.
447
00:17:22,742 --> 00:17:24,375
>> FREAKED OUT.
FREAKED OUT.
MACHO MAN RANDY SAVAGE HERE.
448
00:17:24,377 --> 00:17:26,343
FREAKED OUT.
MACHO MAN RANDY SAVAGE HERE.
INTERCONTINENTAL HEAVYWEIGHT
449
00:17:26,345 --> 00:17:29,447
MACHO MAN RANDY SAVAGE HERE.
INTERCONTINENTAL HEAVYWEIGHT
CHAMPION OF THE WORLD TALKING TO
450
00:17:29,449 --> 00:17:30,047
INTERCONTINENTAL HEAVYWEIGHT
CHAMPION OF THE WORLD TALKING TO
YOU RIGHT NOW.
451
00:17:30,049 --> 00:17:30,648
CHAMPION OF THE WORLD TALKING TO
YOU RIGHT NOW.
GEORGE "THE ANIMAL" STEELE.
452
00:17:30,650 --> 00:17:31,682
YOU RIGHT NOW.
GEORGE "THE ANIMAL" STEELE.
BY THE END OF TONIGHT, YEAH, BY
453
00:17:31,684 --> 00:17:33,551
GEORGE "THE ANIMAL" STEELE.
BY THE END OF TONIGHT, YEAH, BY
THE END OF TONIGHT, HE'S GONNA
454
00:17:33,553 --> 00:17:34,285
BY THE END OF TONIGHT, YEAH, BY
THE END OF TONIGHT, HE'S GONNA
BE ABLE TO TALK.
455
00:17:34,287 --> 00:17:34,719
THE END OF TONIGHT, HE'S GONNA
BE ABLE TO TALK.
YEAH.
456
00:17:34,721 --> 00:17:35,553
BE ABLE TO TALK.
YEAH.
HE'S GONNA SAY, "EXCUSE ME,
457
00:17:35,555 --> 00:17:36,420
YEAH.
HE'S GONNA SAY, "EXCUSE ME,
MACHO MAN, YOU ARE THE GREATEST
458
00:17:36,422 --> 00:17:37,688
HE'S GONNA SAY, "EXCUSE ME,
MACHO MAN, YOU ARE THE GREATEST
IN THE WORLD.
459
00:17:37,690 --> 00:17:39,724
MACHO MAN, YOU ARE THE GREATEST
IN THE WORLD.
NO DOUBT ABOUT IT."
460
00:17:39,726 --> 00:17:41,459
IN THE WORLD.
NO DOUBT ABOUT IT."
YEAH, THE BIGGEST SPECTACLE IN
461
00:17:41,461 --> 00:17:41,859
NO DOUBT ABOUT IT."
YEAH, THE BIGGEST SPECTACLE IN
THE WORLD.
462
00:17:41,861 --> 00:17:43,794
YEAH, THE BIGGEST SPECTACLE IN
THE WORLD.
MACHO MAN AND MACHO MADNESS
463
00:17:43,796 --> 00:17:45,596
THE WORLD.
MACHO MAN AND MACHO MADNESS
ZEROING IN ON YOU, GEORGE
464
00:17:45,598 --> 00:17:46,630
MACHO MAN AND MACHO MADNESS
ZEROING IN ON YOU, GEORGE
STEELE.
465
00:17:46,632 --> 00:17:53,671
ZEROING IN ON YOU, GEORGE
STEELE.
OH, YEAH.
466
00:17:53,673 --> 00:17:54,738
STEELE.
OH, YEAH.
>> ALL RIGHT.
467
00:17:54,740 --> 00:17:56,307
OH, YEAH.
>> ALL RIGHT.
THE MACHO MAN AND GEORGE "THE
468
00:17:56,309 --> 00:17:57,441
>> ALL RIGHT.
THE MACHO MAN AND GEORGE "THE
ANIMAL" STEELE ABOUT READY TO
469
00:17:57,443 --> 00:17:58,742
THE MACHO MAN AND GEORGE "THE
ANIMAL" STEELE ABOUT READY TO
LOCK UP NOW, AND THIS WILL BE A
470
00:17:58,744 --> 00:18:00,411
ANIMAL" STEELE ABOUT READY TO
LOCK UP NOW, AND THIS WILL BE A
MOST UNIQUE MATCH-UP.
471
00:18:00,413 --> 00:18:01,679
LOCK UP NOW, AND THIS WILL BE A
MOST UNIQUE MATCH-UP.
>> WHO DOES THAT GUY THINK HE
472
00:18:01,681 --> 00:18:02,713
MOST UNIQUE MATCH-UP.
>> WHO DOES THAT GUY THINK HE
IS?
473
00:18:02,715 --> 00:18:04,348
>> WHO DOES THAT GUY THINK HE
IS?
LOOK AT THAT GORGEOUS MANAGER.
474
00:18:04,350 --> 00:18:05,649
IS?
LOOK AT THAT GORGEOUS MANAGER.
HE TREATS HER LIKE DIRT.
475
00:18:05,651 --> 00:18:07,451
LOOK AT THAT GORGEOUS MANAGER.
HE TREATS HER LIKE DIRT.
ANIMAL'S TOTALLY IN LOVE WITH
476
00:18:07,453 --> 00:18:08,519
HE TREATS HER LIKE DIRT.
ANIMAL'S TOTALLY IN LOVE WITH
HER, AS YOU PROBABLY KNOW.
477
00:18:08,521 --> 00:18:09,620
ANIMAL'S TOTALLY IN LOVE WITH
HER, AS YOU PROBABLY KNOW.
I'M LOOKING FORWARD TO THIS.
478
00:18:09,622 --> 00:18:10,688
HER, AS YOU PROBABLY KNOW.
I'M LOOKING FORWARD TO THIS.
I THINK ANIMAL CAN BEAT HIM.
479
00:18:10,690 --> 00:18:11,789
I'M LOOKING FORWARD TO THIS.
I THINK ANIMAL CAN BEAT HIM.
COME ON, GEORGE.
480
00:18:11,791 --> 00:18:13,457
I THINK ANIMAL CAN BEAT HIM.
COME ON, GEORGE.
[ BELL RINGING ]
481
00:18:13,459 --> 00:18:14,358
COME ON, GEORGE.
[ BELL RINGING ]
>> YES, AND OF COURSE, GEORGE
482
00:18:14,360 --> 00:18:15,493
[ BELL RINGING ]
>> YES, AND OF COURSE, GEORGE
"THE ANIMAL" STEELE CAN NOT ONLY
483
00:18:15,495 --> 00:18:16,627
>> YES, AND OF COURSE, GEORGE
"THE ANIMAL" STEELE CAN NOT ONLY
WIN THE INTERCONTINENTAL
484
00:18:16,629 --> 00:18:18,629
"THE ANIMAL" STEELE CAN NOT ONLY
WIN THE INTERCONTINENTAL
CHAMPIONSHIP HERE BUT HE JUST
485
00:18:18,631 --> 00:18:19,430
WIN THE INTERCONTINENTAL
CHAMPIONSHIP HERE BUT HE JUST
MIGHT WIN THE HAND OF ELIZABETH.
486
00:18:19,432 --> 00:18:20,764
CHAMPIONSHIP HERE BUT HE JUST
MIGHT WIN THE HAND OF ELIZABETH.
WHO KNOWS?
487
00:18:20,766 --> 00:18:22,333
MIGHT WIN THE HAND OF ELIZABETH.
WHO KNOWS?
>> WELL, IF SHE HAD ANY TASTE,
488
00:18:22,335 --> 00:18:24,635
WHO KNOWS?
>> WELL, IF SHE HAD ANY TASTE,
SHE'D CHANGE BOYFRIENDS
489
00:18:24,637 --> 00:18:25,769
>> WELL, IF SHE HAD ANY TASTE,
SHE'D CHANGE BOYFRIENDS
IMMEDIATELY.
490
00:18:25,771 --> 00:18:28,405
SHE'D CHANGE BOYFRIENDS
IMMEDIATELY.
JUST, SHE SHOULD MANAGE ANIMAL.
491
00:18:28,407 --> 00:18:29,440
IMMEDIATELY.
JUST, SHE SHOULD MANAGE ANIMAL.
UH OH.
492
00:18:29,442 --> 00:18:30,508
JUST, SHE SHOULD MANAGE ANIMAL.
UH OH.
>> AND RIGHT AWAY THE MACHO MAN
493
00:18:30,510 --> 00:18:31,676
UH OH.
>> AND RIGHT AWAY THE MACHO MAN
CANNOT ADAPT EARLY ON TO THE
494
00:18:31,678 --> 00:18:34,479
>> AND RIGHT AWAY THE MACHO MAN
CANNOT ADAPT EARLY ON TO THE
RATHER UNORTHODOX STYLE OF
495
00:18:34,481 --> 00:18:40,518
CANNOT ADAPT EARLY ON TO THE
RATHER UNORTHODOX STYLE OF
GEORGE "THE ANIMAL" STEELE.
496
00:18:40,520 --> 00:18:56,634
RATHER UNORTHODOX STYLE OF
GEORGE "THE ANIMAL" STEELE.
MACHO MAN VERY, VERY CRAFTY.
497
00:18:56,636 --> 00:18:58,636
GEORGE "THE ANIMAL" STEELE.
MACHO MAN VERY, VERY CRAFTY.
>> UH-OH.
498
00:18:58,638 --> 00:18:59,803
MACHO MAN VERY, VERY CRAFTY.
>> UH-OH.
>> AND THERE'S ANOTHER LOOK AT
499
00:18:59,805 --> 00:19:04,475
>> UH-OH.
>> AND THERE'S ANOTHER LOOK AT
GEORGE "THE ANIMAL" STEELE.
500
00:19:04,477 --> 00:19:05,676
>> AND THERE'S ANOTHER LOOK AT
GEORGE "THE ANIMAL" STEELE.
AND AGAIN, THE MACHO MAN LEAPS
501
00:19:05,678 --> 00:19:11,615
GEORGE "THE ANIMAL" STEELE.
AND AGAIN, THE MACHO MAN LEAPS
FROM THE RING.
502
00:19:11,617 --> 00:19:13,651
AND AGAIN, THE MACHO MAN LEAPS
FROM THE RING.
UM, AND THERE FIGHTING A LITTLE
503
00:19:13,653 --> 00:19:15,452
FROM THE RING.
UM, AND THERE FIGHTING A LITTLE
FIRE WITH FIRE.
504
00:19:15,454 --> 00:19:21,826
UM, AND THERE FIGHTING A LITTLE
FIRE WITH FIRE.
THE MACHO MAN.
505
00:19:21,828 --> 00:19:23,961
FIRE WITH FIRE.
THE MACHO MAN.
LOT OF FUR.
506
00:19:23,963 --> 00:19:24,962
THE MACHO MAN.
LOT OF FUR.
UH, IT LOOKS ...
507
00:19:24,964 --> 00:19:25,829
LOT OF FUR.
UH, IT LOOKS ...
OF COURSE, IT WOULD BE
508
00:19:25,831 --> 00:19:27,465
UH, IT LOOKS ...
OF COURSE, IT WOULD BE
CLASSIFIED AS HAIR, BUT IT LOOKS
509
00:19:27,467 --> 00:19:28,832
OF COURSE, IT WOULD BE
CLASSIFIED AS HAIR, BUT IT LOOKS
ALMOST LIKE FUR ON GEORGE "THE
510
00:19:28,834 --> 00:19:30,568
CLASSIFIED AS HAIR, BUT IT LOOKS
ALMOST LIKE FUR ON GEORGE "THE
ANIMAL" STEELE.
511
00:19:30,570 --> 00:19:31,302
ALMOST LIKE FUR ON GEORGE "THE
ANIMAL" STEELE.
THERE'S SO MUCH OF IT, WITH THE
512
00:19:31,304 --> 00:19:32,670
ANIMAL" STEELE.
THERE'S SO MUCH OF IT, WITH THE
EXCEPTION, OF COURSE, OF ...
513
00:19:32,672 --> 00:19:33,470
THERE'S SO MUCH OF IT, WITH THE
EXCEPTION, OF COURSE, OF ...
AND AGAIN, THE MACHO MAN ...
514
00:19:33,472 --> 00:19:34,505
EXCEPTION, OF COURSE, OF ...
AND AGAIN, THE MACHO MAN ...
THIS TIME HE'S COMING AFTER HIM!
515
00:19:34,507 --> 00:19:35,573
AND AGAIN, THE MACHO MAN ...
THIS TIME HE'S COMING AFTER HIM!
>> UH OH.
516
00:19:35,575 --> 00:19:36,473
THIS TIME HE'S COMING AFTER HIM!
>> UH OH.
>> GEORGE STEELE COMING AFTER
517
00:19:36,475 --> 00:19:37,608
>> UH OH.
>> GEORGE STEELE COMING AFTER
HIM.
518
00:19:37,610 --> 00:19:38,409
>> GEORGE STEELE COMING AFTER
HIM.
BACK IN NOW.
519
00:19:38,411 --> 00:19:39,710
HIM.
BACK IN NOW.
>> I'M TELLING YOU ...
520
00:19:39,712 --> 00:19:40,744
BACK IN NOW.
>> I'M TELLING YOU ...
>> AND AGAIN, RIGHT BACK OUT.
521
00:19:40,746 --> 00:19:41,679
>> I'M TELLING YOU ...
>> AND AGAIN, RIGHT BACK OUT.
>> HE UNNERVES, HE UNNERVES HIM
522
00:19:41,681 --> 00:19:42,546
>> AND AGAIN, RIGHT BACK OUT.
>> HE UNNERVES, HE UNNERVES HIM
EVERY TIME.
523
00:19:42,548 --> 00:19:43,714
>> HE UNNERVES, HE UNNERVES HIM
EVERY TIME.
I THINK HE'S SCARED OF THE
524
00:19:43,716 --> 00:19:45,316
EVERY TIME.
I THINK HE'S SCARED OF THE
ANIMAL.
525
00:19:45,318 --> 00:19:48,452
I THINK HE'S SCARED OF THE
ANIMAL.
WATCH THIS.
526
00:19:48,454 --> 00:19:49,186
ANIMAL.
WATCH THIS.
>> WELL, IF ANYONE HAS ANY
527
00:19:49,188 --> 00:19:50,321
WATCH THIS.
>> WELL, IF ANYONE HAS ANY
SENSE, THEY WILL BE AFRAID.
528
00:19:50,323 --> 00:19:51,556
>> WELL, IF ANYONE HAS ANY
SENSE, THEY WILL BE AFRAID.
AND THE ANIMAL ...
529
00:19:51,558 --> 00:19:52,656
SENSE, THEY WILL BE AFRAID.
AND THE ANIMAL ...
>> WHOA.
530
00:19:52,658 --> 00:19:53,924
AND THE ANIMAL ...
>> WHOA.
>> HAS THE MACHO MAN!
531
00:19:53,926 --> 00:19:56,827
>> WHOA.
>> HAS THE MACHO MAN!
OH, LOOK AT THAT!
532
00:19:56,829 --> 00:19:57,561
>> HAS THE MACHO MAN!
OH, LOOK AT THAT!
>> OH.
533
00:19:57,563 --> 00:19:58,596
OH, LOOK AT THAT!
>> OH.
ALL RIGHT, GEORGE.
534
00:19:58,598 --> 00:19:59,496
>> OH.
ALL RIGHT, GEORGE.
EAT HIS LEG.
535
00:19:59,498 --> 00:20:00,064
ALL RIGHT, GEORGE.
EAT HIS LEG.
>> THE ANIMAL, I BELIEVE,
536
00:20:00,066 --> 00:20:01,565
EAT HIS LEG.
>> THE ANIMAL, I BELIEVE,
GNAWING ON THE CALF.
537
00:20:01,567 --> 00:20:03,267
>> THE ANIMAL, I BELIEVE,
GNAWING ON THE CALF.
YES.
538
00:20:03,269 --> 00:20:04,635
GNAWING ON THE CALF.
YES.
>> DEFINITELY.
539
00:20:04,637 --> 00:20:05,436
YES.
>> DEFINITELY.
>> I WONDER WHAT ELIZABETH
540
00:20:05,438 --> 00:20:06,770
>> DEFINITELY.
>> I WONDER WHAT ELIZABETH
THINKS OF THAT.
541
00:20:06,772 --> 00:20:07,705
>> I WONDER WHAT ELIZABETH
THINKS OF THAT.
>> WELL, I KNOW IT'S DIRTY, BUT
542
00:20:07,707 --> 00:20:09,540
THINKS OF THAT.
>> WELL, I KNOW IT'S DIRTY, BUT
SOMEBODY'S GOT TO STICK UP FOR
543
00:20:09,542 --> 00:20:10,675
>> WELL, I KNOW IT'S DIRTY, BUT
SOMEBODY'S GOT TO STICK UP FOR
HER.
544
00:20:10,677 --> 00:20:11,709
SOMEBODY'S GOT TO STICK UP FOR
HER.
>> AND THE MACHO MAN MOVES RIGHT
545
00:20:11,711 --> 00:20:12,576
HER.
>> AND THE MACHO MAN MOVES RIGHT
IN NOW, AND GEORGE ...
546
00:20:12,578 --> 00:20:13,878
>> AND THE MACHO MAN MOVES RIGHT
IN NOW, AND GEORGE ...
OOH, LOOK AT THE STRENGTH OF
547
00:20:13,880 --> 00:20:17,882
IN NOW, AND GEORGE ...
OOH, LOOK AT THE STRENGTH OF
GEORGE "THE ANIMAL" STEELE!
548
00:20:17,884 --> 00:20:18,782
OOH, LOOK AT THE STRENGTH OF
GEORGE "THE ANIMAL" STEELE!
>> OOH.
549
00:20:18,784 --> 00:20:20,718
GEORGE "THE ANIMAL" STEELE!
>> OOH.
MACHO, HUH?
550
00:20:20,720 --> 00:20:24,488
>> OOH.
MACHO, HUH?
OOH.
551
00:20:24,490 --> 00:20:25,756
MACHO, HUH?
OOH.
KIND OF CHANGES THINGS THERE A
552
00:20:25,758 --> 00:20:27,358
OOH.
KIND OF CHANGES THINGS THERE A
LITTLE BIT, HUH?
553
00:20:27,360 --> 00:20:29,694
KIND OF CHANGES THINGS THERE A
LITTLE BIT, HUH?
>> CHANGES THINGS A LOT.
554
00:20:29,696 --> 00:20:31,862
LITTLE BIT, HUH?
>> CHANGES THINGS A LOT.
>> THAT A BOY, GEORGE.
555
00:20:31,864 --> 00:20:32,997
>> CHANGES THINGS A LOT.
>> THAT A BOY, GEORGE.
OOH.
556
00:20:32,999 --> 00:20:35,766
>> THAT A BOY, GEORGE.
OOH.
THAT A BOY, GEORGE.
557
00:20:35,768 --> 00:20:36,467
OOH.
THAT A BOY, GEORGE.
>> GEORGE STEELE LOOKING DOWN AT
558
00:20:36,469 --> 00:20:37,568
THAT A BOY, GEORGE.
>> GEORGE STEELE LOOKING DOWN AT
ELIZABETH.
559
00:20:37,570 --> 00:20:38,335
>> GEORGE STEELE LOOKING DOWN AT
ELIZABETH.
DISTRACTED.
560
00:20:38,337 --> 00:20:39,303
ELIZABETH.
DISTRACTED.
>> OH, DON'T, GEORGE.
561
00:20:39,305 --> 00:20:39,970
DISTRACTED.
>> OH, DON'T, GEORGE.
>> OH, NO.
562
00:20:39,972 --> 00:20:40,705
>> OH, DON'T, GEORGE.
>> OH, NO.
LOOK.
563
00:20:40,707 --> 00:20:41,439
>> OH, NO.
LOOK.
HE'S ALL HUNG UP IN THE ROPES.
564
00:20:41,441 --> 00:20:42,573
LOOK.
HE'S ALL HUNG UP IN THE ROPES.
>> OH, NO.
565
00:20:42,575 --> 00:20:43,407
HE'S ALL HUNG UP IN THE ROPES.
>> OH, NO.
>> THE ANIMAL HAS MADE THIS
566
00:20:43,409 --> 00:20:45,376
>> OH, NO.
>> THE ANIMAL HAS MADE THIS
MISTAKE ONCE BEFORE.
567
00:20:45,378 --> 00:20:46,543
>> THE ANIMAL HAS MADE THIS
MISTAKE ONCE BEFORE.
>> UH-OH.
568
00:20:46,545 --> 00:20:47,745
MISTAKE ONCE BEFORE.
>> UH-OH.
>> AND HERE, I MEAN, THE REFEREE
569
00:20:47,747 --> 00:20:49,747
>> UH-OH.
>> AND HERE, I MEAN, THE REFEREE
MUST ASK THE MACHO MAN TO MOVE
570
00:20:49,749 --> 00:20:50,648
>> AND HERE, I MEAN, THE REFEREE
MUST ASK THE MACHO MAN TO MOVE
BACK.
571
00:20:50,650 --> 00:20:51,682
MUST ASK THE MACHO MAN TO MOVE
BACK.
GEORGE STEELE CAUGHT IN THE
572
00:20:51,684 --> 00:20:53,917
BACK.
GEORGE STEELE CAUGHT IN THE
ROPES, HELPLESS.
573
00:20:53,919 --> 00:20:55,586
GEORGE STEELE CAUGHT IN THE
ROPES, HELPLESS.
>> NOW, DO YOU CALL THAT MACHO
574
00:20:55,588 --> 00:20:56,754
ROPES, HELPLESS.
>> NOW, DO YOU CALL THAT MACHO
WHEN YOU ATTACK SOMEBODY WHEN
575
00:20:56,756 --> 00:20:57,755
>> NOW, DO YOU CALL THAT MACHO
WHEN YOU ATTACK SOMEBODY WHEN
THEY'RE CAUGHT IN THE ROPES?
576
00:20:57,757 --> 00:20:58,555
WHEN YOU ATTACK SOMEBODY WHEN
THEY'RE CAUGHT IN THE ROPES?
>> DEFINITELY NOT.
577
00:20:58,557 --> 00:21:00,958
THEY'RE CAUGHT IN THE ROPES?
>> DEFINITELY NOT.
>> DEFINITELY NOT.
578
00:21:00,960 --> 00:21:01,892
>> DEFINITELY NOT.
>> DEFINITELY NOT.
COME ON, GEORGE.
579
00:21:01,894 --> 00:21:02,826
>> DEFINITELY NOT.
COME ON, GEORGE.
UH-OH.
580
00:21:02,828 --> 00:21:03,727
COME ON, GEORGE.
UH-OH.
>> AND AGAIN, FROM THE TOP ROPE,
581
00:21:03,729 --> 00:21:04,895
UH-OH.
>> AND AGAIN, FROM THE TOP ROPE,
THE MACHO MAN.
582
00:21:04,897 --> 00:21:06,497
>> AND AGAIN, FROM THE TOP ROPE,
THE MACHO MAN.
A LEAP.
583
00:21:06,499 --> 00:21:06,830
THE MACHO MAN.
A LEAP.
>> GEORGE.
584
00:21:06,832 --> 00:21:07,832
A LEAP.
>> GEORGE.
>> LOOK AT THAT.
585
00:21:07,834 --> 00:21:08,599
>> GEORGE.
>> LOOK AT THAT.
SHOULDERS ARE DOWN, AND THE
586
00:21:08,601 --> 00:21:10,334
>> LOOK AT THAT.
SHOULDERS ARE DOWN, AND THE
MACHO MAN, A MOMENT AGO ...
587
00:21:10,336 --> 00:21:11,335
SHOULDERS ARE DOWN, AND THE
MACHO MAN, A MOMENT AGO ...
AND GEORGE STEELE EASILY KICKS
588
00:21:11,337 --> 00:21:16,640
MACHO MAN, A MOMENT AGO ...
AND GEORGE STEELE EASILY KICKS
OUT.
589
00:21:16,642 --> 00:21:17,742
AND GEORGE STEELE EASILY KICKS
OUT.
>> OH, HE JUST GETS SO CAUGHT UP
590
00:21:17,744 --> 00:21:18,943
OUT.
>> OH, HE JUST GETS SO CAUGHT UP
LOOKING AT ELIZABETH THAT HE
591
00:21:18,945 --> 00:21:20,477
>> OH, HE JUST GETS SO CAUGHT UP
LOOKING AT ELIZABETH THAT HE
LOSES HIS CONCENTRATION.
592
00:21:20,479 --> 00:21:25,416
LOOKING AT ELIZABETH THAT HE
LOSES HIS CONCENTRATION.
COME ON, GEORGE.
593
00:21:25,418 --> 00:21:26,650
LOSES HIS CONCENTRATION.
COME ON, GEORGE.
>> RIGHT BACK THROUGH THE ROPES
594
00:21:26,652 --> 00:21:27,618
COME ON, GEORGE.
>> RIGHT BACK THROUGH THE ROPES
NOW, AND AGAIN THE ANIMAL GOES
595
00:21:27,620 --> 00:21:35,726
>> RIGHT BACK THROUGH THE ROPES
NOW, AND AGAIN THE ANIMAL GOES
TO WORK.
596
00:21:35,728 --> 00:21:37,528
NOW, AND AGAIN THE ANIMAL GOES
TO WORK.
THE MACHO MAN THROUGH THE ROPES!
597
00:21:37,530 --> 00:21:38,595
TO WORK.
THE MACHO MAN THROUGH THE ROPES!
>> OUT OF THE RING.
598
00:21:38,597 --> 00:21:40,698
THE MACHO MAN THROUGH THE ROPES!
>> OUT OF THE RING.
>> OUT ON A HARD CONCRETE FLOOR.
599
00:21:40,700 --> 00:21:42,533
>> OUT OF THE RING.
>> OUT ON A HARD CONCRETE FLOOR.
>> OH, LOOK AT THAT.
600
00:21:42,535 --> 00:21:43,734
>> OUT ON A HARD CONCRETE FLOOR.
>> OH, LOOK AT THAT.
MACHO MAN HIDING.
601
00:21:43,736 --> 00:21:44,768
>> OH, LOOK AT THAT.
MACHO MAN HIDING.
>> YES, INDEED.
602
00:21:44,770 --> 00:21:45,669
MACHO MAN HIDING.
>> YES, INDEED.
LITERALLY UNDER THE SKIRTS.
603
00:21:45,671 --> 00:21:46,637
>> YES, INDEED.
LITERALLY UNDER THE SKIRTS.
>> YEAH.
604
00:21:46,639 --> 00:21:47,838
LITERALLY UNDER THE SKIRTS.
>> YEAH.
MM-HMM.
605
00:21:47,840 --> 00:21:48,539
>> YEAH.
MM-HMM.
>> NOW HIS MANAGER, THE LOVELY
606
00:21:48,541 --> 00:21:49,807
MM-HMM.
>> NOW HIS MANAGER, THE LOVELY
ELIZABETH, FROM THE OTHER SIDE,
607
00:21:49,809 --> 00:21:51,742
>> NOW HIS MANAGER, THE LOVELY
ELIZABETH, FROM THE OTHER SIDE,
HOWEVER.
608
00:21:51,744 --> 00:21:52,543
ELIZABETH, FROM THE OTHER SIDE,
HOWEVER.
>> UH-OH.
609
00:21:52,545 --> 00:21:53,310
HOWEVER.
>> UH-OH.
COME ON!
610
00:21:53,312 --> 00:21:55,846
>> UH-OH.
COME ON!
>> OOH, NO.
611
00:21:55,848 --> 00:21:56,714
COME ON!
>> OOH, NO.
WELL, NO ONE EVER ACCUSED THE
612
00:21:56,716 --> 00:21:59,550
>> OOH, NO.
WELL, NO ONE EVER ACCUSED THE
ANIMAL OF BEING A MENTAL GIANT,
613
00:21:59,552 --> 00:22:01,685
WELL, NO ONE EVER ACCUSED THE
ANIMAL OF BEING A MENTAL GIANT,
BUT LOOK AT THIS!
614
00:22:01,687 --> 00:22:05,389
ANIMAL OF BEING A MENTAL GIANT,
BUT LOOK AT THIS!
THE ANIMAL BITING AGAIN.
615
00:22:05,391 --> 00:22:06,757
BUT LOOK AT THIS!
THE ANIMAL BITING AGAIN.
THERE'S NO HAIR THERE.
616
00:22:06,759 --> 00:22:08,425
THE ANIMAL BITING AGAIN.
THERE'S NO HAIR THERE.
MACHO MAN REACHING FOR THE HAIR
617
00:22:08,427 --> 00:22:09,660
THERE'S NO HAIR THERE.
MACHO MAN REACHING FOR THE HAIR
OF THE ANIMAL.
618
00:22:09,662 --> 00:22:10,728
MACHO MAN REACHING FOR THE HAIR
OF THE ANIMAL.
THERE IS NONE EXCEPT ALL OVER
619
00:22:10,730 --> 00:22:11,896
OF THE ANIMAL.
THERE IS NONE EXCEPT ALL OVER
HIS TORSO.
620
00:22:11,898 --> 00:22:12,697
THERE IS NONE EXCEPT ALL OVER
HIS TORSO.
NONE ON HIS HEAD.
621
00:22:12,699 --> 00:22:13,597
HIS TORSO.
NONE ON HIS HEAD.
>> OOH.
622
00:22:13,599 --> 00:22:14,398
NONE ON HIS HEAD.
>> OOH.
>> AND NOW THE ANIMAL STARTS TO
623
00:22:14,400 --> 00:22:16,500
>> OOH.
>> AND NOW THE ANIMAL STARTS TO
HAMMER AWAY.
624
00:22:16,502 --> 00:22:17,234
>> AND NOW THE ANIMAL STARTS TO
HAMMER AWAY.
>> I WONDER IF HE'S HAD HIS
625
00:22:17,236 --> 00:22:18,936
HAMMER AWAY.
>> I WONDER IF HE'S HAD HIS
SHOTS.
626
00:22:18,938 --> 00:22:20,771
>> I WONDER IF HE'S HAD HIS
SHOTS.
>> GOOD QUESTION.
627
00:22:20,773 --> 00:22:23,541
SHOTS.
>> GOOD QUESTION.
>> UH OH.
628
00:22:23,543 --> 00:22:24,308
>> GOOD QUESTION.
>> UH OH.
UH OH.
629
00:22:24,310 --> 00:22:25,543
>> UH OH.
UH OH.
>> NOT VERY MUCH IN THE WAY OF
630
00:22:25,545 --> 00:22:26,610
UH OH.
>> NOT VERY MUCH IN THE WAY OF
SCIENTIFIC WRESTLING MANEUVERS
631
00:22:26,612 --> 00:22:27,578
>> NOT VERY MUCH IN THE WAY OF
SCIENTIFIC WRESTLING MANEUVERS
THAT WE ARE SEEING HERE THUS
632
00:22:27,580 --> 00:22:28,445
SCIENTIFIC WRESTLING MANEUVERS
THAT WE ARE SEEING HERE THUS
FAR.
633
00:22:28,447 --> 00:22:29,747
THAT WE ARE SEEING HERE THUS
FAR.
IT'S ALL BRAWLING TECHNIQUES,
634
00:22:29,749 --> 00:22:31,382
FAR.
IT'S ALL BRAWLING TECHNIQUES,
AND AGAIN ANOTHER BOUQUET OF
635
00:22:31,384 --> 00:22:32,583
IT'S ALL BRAWLING TECHNIQUES,
AND AGAIN ANOTHER BOUQUET OF
FLOWERS THAT SOMEONE WANTED TO
636
00:22:32,585 --> 00:22:34,618
AND AGAIN ANOTHER BOUQUET OF
FLOWERS THAT SOMEONE WANTED TO
GIVE TO ELIZABETH, BUT THE MACHO
637
00:22:34,620 --> 00:22:35,519
FLOWERS THAT SOMEONE WANTED TO
GIVE TO ELIZABETH, BUT THE MACHO
...
638
00:22:35,521 --> 00:22:36,653
GIVE TO ELIZABETH, BUT THE MACHO
...
OOH!
639
00:22:36,655 --> 00:22:37,388
...
OOH!
>> OOH.
640
00:22:37,390 --> 00:22:37,754
OOH!
>> OOH.
>> WOW.
641
00:22:37,756 --> 00:22:38,489
>> OOH.
>> WOW.
>> OH.
642
00:22:38,491 --> 00:22:40,023
>> WOW.
>> OH.
>> RIGHT ACROSS THE FACE, AND
643
00:22:40,025 --> 00:22:40,758
>> OH.
>> RIGHT ACROSS THE FACE, AND
NOW THE MACHO MAN IN MAYBE A
644
00:22:40,760 --> 00:22:44,695
>> RIGHT ACROSS THE FACE, AND
NOW THE MACHO MAN IN MAYBE A
LITTLE BIT OF TROUBLE.
645
00:22:44,697 --> 00:22:46,663
NOW THE MACHO MAN IN MAYBE A
LITTLE BIT OF TROUBLE.
MACHO UP TO THE BUCKLE.
646
00:22:46,665 --> 00:22:48,932
LITTLE BIT OF TROUBLE.
MACHO UP TO THE BUCKLE.
GEORGE STEELE WITH THE FLOWERS.
647
00:22:48,934 --> 00:22:50,434
MACHO UP TO THE BUCKLE.
GEORGE STEELE WITH THE FLOWERS.
OH, LOOK AT THIS.
648
00:22:50,436 --> 00:22:51,668
GEORGE STEELE WITH THE FLOWERS.
OH, LOOK AT THIS.
>> UH-OH.
649
00:22:51,670 --> 00:22:54,705
OH, LOOK AT THIS.
>> UH-OH.
ALL RIGHT, GEORGE.
650
00:22:54,707 --> 00:22:55,806
>> UH-OH.
ALL RIGHT, GEORGE.
HE MAY NOT BE SMART, BUT HE HAS
651
00:22:55,808 --> 00:22:57,808
ALL RIGHT, GEORGE.
HE MAY NOT BE SMART, BUT HE HAS
RESPECT FOR WOMEN, VINCE.
652
00:22:57,810 --> 00:22:58,642
HE MAY NOT BE SMART, BUT HE HAS
RESPECT FOR WOMEN, VINCE.
THAT'S WHAT HE'S GOT.
653
00:22:58,644 --> 00:23:00,477
RESPECT FOR WOMEN, VINCE.
THAT'S WHAT HE'S GOT.
>> INDEED HE DOES.
654
00:23:00,479 --> 00:23:01,746
THAT'S WHAT HE'S GOT.
>> INDEED HE DOES.
AND YOU CAN BET THE MACHO MAN'S
655
00:23:01,748 --> 00:23:02,713
>> INDEED HE DOES.
AND YOU CAN BET THE MACHO MAN'S
GONNA HAVE A LITTLE MORE RESPECT
656
00:23:02,715 --> 00:23:04,381
AND YOU CAN BET THE MACHO MAN'S
GONNA HAVE A LITTLE MORE RESPECT
FOR THE ANIMAL AFTER THIS.
657
00:23:04,383 --> 00:23:04,915
GONNA HAVE A LITTLE MORE RESPECT
FOR THE ANIMAL AFTER THIS.
>> THAT'S RIGHT.
658
00:23:04,917 --> 00:23:05,849
FOR THE ANIMAL AFTER THIS.
>> THAT'S RIGHT.
LOOK AT THAT.
659
00:23:05,851 --> 00:23:07,217
>> THAT'S RIGHT.
LOOK AT THAT.
>> THE ANIMAL GOING OVER FOR
660
00:23:07,219 --> 00:23:09,387
LOOK AT THAT.
>> THE ANIMAL GOING OVER FOR
ELIZABETH AGAIN.
661
00:23:09,389 --> 00:23:10,488
>> THE ANIMAL GOING OVER FOR
ELIZABETH AGAIN.
>> OH, DON'T, DON'T GET CARRIED
662
00:23:10,490 --> 00:23:10,955
ELIZABETH AGAIN.
>> OH, DON'T, DON'T GET CARRIED
AWAY, GEORGE.
663
00:23:10,957 --> 00:23:11,688
>> OH, DON'T, DON'T GET CARRIED
AWAY, GEORGE.
>> NO, NO.
664
00:23:11,690 --> 00:23:12,489
AWAY, GEORGE.
>> NO, NO.
>> UH OH.
665
00:23:12,491 --> 00:23:13,323
>> NO, NO.
>> UH OH.
>> NOW HE'S REALLY GETTING
666
00:23:13,325 --> 00:23:13,857
>> UH OH.
>> NOW HE'S REALLY GETTING
CARRIED AWAY.
667
00:23:13,859 --> 00:23:14,591
>> NOW HE'S REALLY GETTING
CARRIED AWAY.
>> HE'S HAVING SOME BREAKFAST.
668
00:23:14,593 --> 00:23:15,592
CARRIED AWAY.
>> HE'S HAVING SOME BREAKFAST.
>> INTO THE BUCKLE.
669
00:23:15,594 --> 00:23:16,693
>> HE'S HAVING SOME BREAKFAST.
>> INTO THE BUCKLE.
MAKES NO RHYME, NO REASON, BUT
670
00:23:16,695 --> 00:23:18,495
>> INTO THE BUCKLE.
MAKES NO RHYME, NO REASON, BUT
YOU CAN SEE GEORGE "THE ANIMAL"
671
00:23:18,497 --> 00:23:19,663
MAKES NO RHYME, NO REASON, BUT
YOU CAN SEE GEORGE "THE ANIMAL"
STEELE ALL DOWN INTO THE
672
00:23:19,665 --> 00:23:20,330
YOU CAN SEE GEORGE "THE ANIMAL"
STEELE ALL DOWN INTO THE
STUFFING.
673
00:23:20,332 --> 00:23:21,632
STEELE ALL DOWN INTO THE
STUFFING.
NOW, WAIT A MINUTE.
674
00:23:21,634 --> 00:23:22,499
STUFFING.
NOW, WAIT A MINUTE.
NOW THE MACHO MAN'S BACK WITH
675
00:23:22,501 --> 00:23:23,701
NOW, WAIT A MINUTE.
NOW THE MACHO MAN'S BACK WITH
HIM.
676
00:23:23,703 --> 00:23:25,369
NOW THE MACHO MAN'S BACK WITH
HIM.
>> OH, HE'S STUFFING ...
677
00:23:25,371 --> 00:23:26,704
HIM.
>> OH, HE'S STUFFING ...
>> EACH MAN GETTING A TASTE, BUT
678
00:23:26,706 --> 00:23:27,371
>> OH, HE'S STUFFING ...
>> EACH MAN GETTING A TASTE, BUT
IT LOOKS LIKE THE MACHO MAN GOT
679
00:23:27,373 --> 00:23:29,406
>> EACH MAN GETTING A TASTE, BUT
IT LOOKS LIKE THE MACHO MAN GOT
A NICE BIG GULP.
680
00:23:29,408 --> 00:23:31,442
IT LOOKS LIKE THE MACHO MAN GOT
A NICE BIG GULP.
HERE'S ANOTHER SWALLOW COMING
681
00:23:31,444 --> 00:23:32,342
A NICE BIG GULP.
HERE'S ANOTHER SWALLOW COMING
UP.
682
00:23:32,344 --> 00:23:37,648
HERE'S ANOTHER SWALLOW COMING
UP.
>> UH OH.
683
00:23:37,650 --> 00:23:38,649
UP.
>> UH OH.
THIS IS NOT THE MACHO'S SHINING
684
00:23:38,651 --> 00:23:39,817
>> UH OH.
THIS IS NOT THE MACHO'S SHINING
FIGHT, I DON'T THINK.
685
00:23:39,819 --> 00:23:41,719
THIS IS NOT THE MACHO'S SHINING
FIGHT, I DON'T THINK.
UH OH.
686
00:23:41,721 --> 00:23:42,586
FIGHT, I DON'T THINK.
UH OH.
>> THE MACHO MAN HAS CERTAINLY
687
00:23:42,588 --> 00:23:43,687
UH OH.
>> THE MACHO MAN HAS CERTAINLY
LOOKED BETTER ...
688
00:23:43,689 --> 00:23:44,555
>> THE MACHO MAN HAS CERTAINLY
LOOKED BETTER ...
>> DEFINITELY.
689
00:23:44,557 --> 00:23:46,256
LOOKED BETTER ...
>> DEFINITELY.
>> IN OTHER MATCHES.
690
00:23:46,258 --> 00:23:47,357
>> DEFINITELY.
>> IN OTHER MATCHES.
>> UH OH.
691
00:23:47,359 --> 00:23:48,091
>> IN OTHER MATCHES.
>> UH OH.
>> AND THERE'S NO DOUBT THAT
692
00:23:48,093 --> 00:23:50,628
>> UH OH.
>> AND THERE'S NO DOUBT THAT
THIS REFEREE IS BENDING, OR
693
00:23:50,630 --> 00:23:51,695
>> AND THERE'S NO DOUBT THAT
THIS REFEREE IS BENDING, OR
ALLOWING THE BENDING, IF NOT THE
694
00:23:51,697 --> 00:23:53,497
THIS REFEREE IS BENDING, OR
ALLOWING THE BENDING, IF NOT THE
OUTRIGHT BREAKING OF THE RULES
695
00:23:53,499 --> 00:23:55,499
ALLOWING THE BENDING, IF NOT THE
OUTRIGHT BREAKING OF THE RULES
HERE.
696
00:23:55,501 --> 00:23:56,366
OUTRIGHT BREAKING OF THE RULES
HERE.
>> WELL, HE'S PROBABLY GOT SOME
697
00:23:56,368 --> 00:23:57,601
HERE.
>> WELL, HE'S PROBABLY GOT SOME
STRONG FEELINGS ABOUT ELIZABETH,
698
00:23:57,603 --> 00:23:59,703
>> WELL, HE'S PROBABLY GOT SOME
STRONG FEELINGS ABOUT ELIZABETH,
TOO.
699
00:23:59,705 --> 00:24:00,871
STRONG FEELINGS ABOUT ELIZABETH,
TOO.
>> LOOK AT THE HAIR ON THAT
700
00:24:00,873 --> 00:24:03,707
TOO.
>> LOOK AT THE HAIR ON THAT
TORSO.
701
00:24:03,709 --> 00:24:05,609
>> LOOK AT THE HAIR ON THAT
TORSO.
>> SOME DEFENDER.
702
00:24:05,611 --> 00:24:06,544
TORSO.
>> SOME DEFENDER.
>> AND YOU SEE THE MACHO MAN
703
00:24:06,546 --> 00:24:07,377
>> SOME DEFENDER.
>> AND YOU SEE THE MACHO MAN
CIRCLING THE RING, TRYING TO GET
704
00:24:07,379 --> 00:24:08,612
>> AND YOU SEE THE MACHO MAN
CIRCLING THE RING, TRYING TO GET
HIS ...
705
00:24:08,614 --> 00:24:09,446
CIRCLING THE RING, TRYING TO GET
HIS ...
OH, LOOK AT THIS.
706
00:24:09,448 --> 00:24:11,348
HIS ...
OH, LOOK AT THIS.
>> OH, NOT AGAIN.
707
00:24:11,350 --> 00:24:12,950
OH, LOOK AT THIS.
>> OH, NOT AGAIN.
COME ON, GEORGE.
708
00:24:12,952 --> 00:24:13,750
>> OH, NOT AGAIN.
COME ON, GEORGE.
PAY ATTENTION.
709
00:24:13,752 --> 00:24:14,518
COME ON, GEORGE.
PAY ATTENTION.
WATCH OUT!
710
00:24:14,520 --> 00:24:15,719
PAY ATTENTION.
WATCH OUT!
>> GEORGE ...
711
00:24:15,721 --> 00:24:16,620
WATCH OUT!
>> GEORGE ...
OH!
712
00:24:16,622 --> 00:24:17,688
>> GEORGE ...
OH!
FROM THE TOP ROPE!
713
00:24:17,690 --> 00:24:18,422
OH!
FROM THE TOP ROPE!
>> UH OH.
714
00:24:18,424 --> 00:24:19,923
FROM THE TOP ROPE!
>> UH OH.
>> DOWN ACROSS THE BACK.
715
00:24:19,925 --> 00:24:21,058
>> UH OH.
>> DOWN ACROSS THE BACK.
GEORGE STEELE IS ABSOLUTELY
716
00:24:21,060 --> 00:24:23,260
>> DOWN ACROSS THE BACK.
GEORGE STEELE IS ABSOLUTELY
ENAMORED WITH ELIZABETH.
717
00:24:23,262 --> 00:24:24,261
GEORGE STEELE IS ABSOLUTELY
ENAMORED WITH ELIZABETH.
>> HE CAN'T TAKE HIS EYES ...
718
00:24:24,263 --> 00:24:25,395
ENAMORED WITH ELIZABETH.
>> HE CAN'T TAKE HIS EYES ...
>> TO DISTRACTION, OBVIOUSLY.
719
00:24:25,397 --> 00:24:25,863
>> HE CAN'T TAKE HIS EYES ...
>> TO DISTRACTION, OBVIOUSLY.
>> ABSOLUTELY.
720
00:24:25,865 --> 00:24:29,666
>> TO DISTRACTION, OBVIOUSLY.
>> ABSOLUTELY.
ACTUALLY, SHE BECOMES A GOOD
721
00:24:29,668 --> 00:24:30,801
>> ABSOLUTELY.
ACTUALLY, SHE BECOMES A GOOD
WEAPON FOR THE MACHO MAN.
722
00:24:30,803 --> 00:24:31,902
ACTUALLY, SHE BECOMES A GOOD
WEAPON FOR THE MACHO MAN.
>> YES, AND THERE THE SLAM.
723
00:24:31,904 --> 00:24:33,670
WEAPON FOR THE MACHO MAN.
>> YES, AND THERE THE SLAM.
MACHO MAN NOW GOING OUT.
724
00:24:33,672 --> 00:24:33,871
>> YES, AND THERE THE SLAM.
MACHO MAN NOW GOING OUT.
UH OH.
725
00:24:33,873 --> 00:24:35,472
MACHO MAN NOW GOING OUT.
UH OH.
IF HE GETS UP THERE AND DELIVERS
726
00:24:35,474 --> 00:24:36,574
UH OH.
IF HE GETS UP THERE AND DELIVERS
THE ELBOW, IT'LL BE ALL OVER FOR
727
00:24:36,576 --> 00:24:38,576
IF HE GETS UP THERE AND DELIVERS
THE ELBOW, IT'LL BE ALL OVER FOR
GEORGE "THE ANIMAL" STEELE.
728
00:24:38,578 --> 00:24:39,877
THE ELBOW, IT'LL BE ALL OVER FOR
GEORGE "THE ANIMAL" STEELE.
>> UH OH.
729
00:24:39,879 --> 00:24:41,845
GEORGE "THE ANIMAL" STEELE.
>> UH OH.
>> WILL HE ...
730
00:24:41,847 --> 00:24:43,280
>> UH OH.
>> WILL HE ...
AND THE ELBOW.
731
00:24:43,282 --> 00:24:44,548
>> WILL HE ...
AND THE ELBOW.
WE'RE GONNA HAVE A THREE COUNT
732
00:24:44,550 --> 00:24:45,415
AND THE ELBOW.
WE'RE GONNA HAVE A THREE COUNT
HERE.
733
00:24:45,417 --> 00:24:46,550
WE'RE GONNA HAVE A THREE COUNT
HERE.
OH!
734
00:24:46,552 --> 00:24:47,784
HERE.
OH!
HOW ABOUT THAT?
735
00:24:47,786 --> 00:24:50,354
OH!
HOW ABOUT THAT?
>> ALL RIGHT, GEORGE.
736
00:24:50,356 --> 00:24:51,422
HOW ABOUT THAT?
>> ALL RIGHT, GEORGE.
>> THAT'S THE FIRST TIME I'VE
737
00:24:51,424 --> 00:24:53,757
>> ALL RIGHT, GEORGE.
>> THAT'S THE FIRST TIME I'VE
EVER SEEN ANYONE ESCAPE.
738
00:24:53,759 --> 00:24:55,559
>> THAT'S THE FIRST TIME I'VE
EVER SEEN ANYONE ESCAPE.
UH OH.
739
00:24:55,561 --> 00:24:56,860
EVER SEEN ANYONE ESCAPE.
UH OH.
THE ANIMAL NOW WITH A HANDFUL OF
740
00:24:56,862 --> 00:24:58,596
UH OH.
THE ANIMAL NOW WITH A HANDFUL OF
FACE.
741
00:24:58,598 --> 00:25:00,764
THE ANIMAL NOW WITH A HANDFUL OF
FACE.
WHAT'S HE GONNA DO WITH IT?
742
00:25:00,766 --> 00:25:01,498
FACE.
WHAT'S HE GONNA DO WITH IT?
>> I THINK HE'S GONNA EAT HIS
743
00:25:01,500 --> 00:25:02,699
WHAT'S HE GONNA DO WITH IT?
>> I THINK HE'S GONNA EAT HIS
NOSE.
744
00:25:02,701 --> 00:25:03,667
>> I THINK HE'S GONNA EAT HIS
NOSE.
UH OH.
745
00:25:03,669 --> 00:25:05,536
NOSE.
UH OH.
>> UPSIDE DOWN.
746
00:25:05,538 --> 00:25:06,470
UH OH.
>> UPSIDE DOWN.
DOWN ON HIS SHOULDER.
747
00:25:06,472 --> 00:25:07,471
>> UPSIDE DOWN.
DOWN ON HIS SHOULDER.
IT'S ALL GEORGE STEELE AT THE
748
00:25:07,473 --> 00:25:14,645
DOWN ON HIS SHOULDER.
IT'S ALL GEORGE STEELE AT THE
MOMENT.
749
00:25:14,647 --> 00:25:15,779
IT'S ALL GEORGE STEELE AT THE
MOMENT.
MIND THE REFEREE TRYING TO
750
00:25:15,781 --> 00:25:16,714
MOMENT.
MIND THE REFEREE TRYING TO
MAINTAIN A LITTLE ORDER, BUT THE
751
00:25:16,716 --> 00:25:17,714
MIND THE REFEREE TRYING TO
MAINTAIN A LITTLE ORDER, BUT THE
ANIMAL'S TAKEN RIGHT OFF HIS
752
00:25:17,716 --> 00:25:19,516
MAINTAIN A LITTLE ORDER, BUT THE
ANIMAL'S TAKEN RIGHT OFF HIS
FEET.
753
00:25:19,518 --> 00:25:20,518
ANIMAL'S TAKEN RIGHT OFF HIS
FEET.
MACHO MAN'S FEET ARE ON THE
754
00:25:20,520 --> 00:25:21,452
FEET.
MACHO MAN'S FEET ARE ON THE
ROPES!
755
00:25:21,454 --> 00:25:22,419
MACHO MAN'S FEET ARE ON THE
ROPES!
[ BELL RINGING ]
756
00:25:22,421 --> 00:25:23,020
ROPES!
[ BELL RINGING ]
>> I CAN'T BELIEVE HE GOT THE
757
00:25:23,022 --> 00:25:25,656
[ BELL RINGING ]
>> I CAN'T BELIEVE HE GOT THE
THREE-COUNT!
758
00:25:25,658 --> 00:25:28,992
>> I CAN'T BELIEVE HE GOT THE
THREE-COUNT!
>> I CAN'T BELIEVE THAT.
759
00:25:28,994 --> 00:25:30,994
THREE-COUNT!
>> I CAN'T BELIEVE THAT.
>> THE MACHO MAN.
760
00:25:30,996 --> 00:25:32,429
>> I CAN'T BELIEVE THAT.
>> THE MACHO MAN.
>> ONCE AGAIN.
761
00:25:32,431 --> 00:25:36,533
>> THE MACHO MAN.
>> ONCE AGAIN.
>> WITH BELT IN HAND.
762
00:25:36,535 --> 00:25:38,468
>> ONCE AGAIN.
>> WITH BELT IN HAND.
AS WE WILL GET THE OFFICIAL
763
00:25:38,470 --> 00:25:40,370
>> WITH BELT IN HAND.
AS WE WILL GET THE OFFICIAL
DECISION, AND THERE IS GEORGE
764
00:25:40,372 --> 00:25:41,638
AS WE WILL GET THE OFFICIAL
DECISION, AND THERE IS GEORGE
"THE ANIMAL" STEELE OBVIOUSLY
765
00:25:41,640 --> 00:25:43,640
DECISION, AND THERE IS GEORGE
"THE ANIMAL" STEELE OBVIOUSLY
VERY, VERY UPSET.
766
00:25:43,642 --> 00:25:44,808
"THE ANIMAL" STEELE OBVIOUSLY
VERY, VERY UPSET.
>> WELL, I DON'T BLAME HIM.
767
00:25:44,810 --> 00:25:45,742
VERY, VERY UPSET.
>> WELL, I DON'T BLAME HIM.
HE WAS BUSY GETTING WARNED, AND
768
00:25:45,744 --> 00:25:48,479
>> WELL, I DON'T BLAME HIM.
HE WAS BUSY GETTING WARNED, AND
NEXT THING HE WAS PINNED.
769
00:25:48,481 --> 00:25:49,813
HE WAS BUSY GETTING WARNED, AND
NEXT THING HE WAS PINNED.
UH OH.
770
00:25:49,815 --> 00:25:50,881
NEXT THING HE WAS PINNED.
UH OH.
OH.
771
00:25:50,883 --> 00:25:51,849
UH OH.
OH.
>> WELL, LITTLE CONSOLATION
772
00:25:51,851 --> 00:25:53,517
OH.
>> WELL, LITTLE CONSOLATION
PRIZE THERE WHERE THE ANIMAL
773
00:25:53,519 --> 00:25:54,218
>> WELL, LITTLE CONSOLATION
PRIZE THERE WHERE THE ANIMAL
GETS ANOTHER BUCKLE, I GUESS,
774
00:25:54,220 --> 00:25:56,787
PRIZE THERE WHERE THE ANIMAL
GETS ANOTHER BUCKLE, I GUESS,
BUT HE LEAVES THE RING WITHOUT
775
00:25:56,789 --> 00:25:59,823
GETS ANOTHER BUCKLE, I GUESS,
BUT HE LEAVES THE RING WITHOUT
ELIZABETH OR WITHOUT THE TITLE
776
00:25:59,825 --> 00:26:01,692
BUT HE LEAVES THE RING WITHOUT
ELIZABETH OR WITHOUT THE TITLE
BELT AS NOW WE TAKE A LOOK AT
777
00:26:01,694 --> 00:26:02,593
ELIZABETH OR WITHOUT THE TITLE
BELT AS NOW WE TAKE A LOOK AT
THE REPLAY, AND HERE ...
778
00:26:02,595 --> 00:26:03,827
BELT AS NOW WE TAKE A LOOK AT
THE REPLAY, AND HERE ...
SUSAN, YOU'LL BE ABLE TO SEE
779
00:26:03,829 --> 00:26:04,695
THE REPLAY, AND HERE ...
SUSAN, YOU'LL BE ABLE TO SEE
CLEARLY ...
780
00:26:04,697 --> 00:26:06,430
SUSAN, YOU'LL BE ABLE TO SEE
CLEARLY ...
>> YUP.
781
00:26:06,432 --> 00:26:07,264
CLEARLY ...
>> YUP.
>> WHAT HAPPENS.
782
00:26:07,266 --> 00:26:08,065
>> YUP.
>> WHAT HAPPENS.
REFEREE IS LOOKING RIGHT AT THE
783
00:26:08,067 --> 00:26:08,732
>> WHAT HAPPENS.
REFEREE IS LOOKING RIGHT AT THE
SHOULDERS OF GEORGE STEELE.
784
00:26:08,734 --> 00:26:10,400
REFEREE IS LOOKING RIGHT AT THE
SHOULDERS OF GEORGE STEELE.
DOES NOT SEE THE ADDITIONAL
785
00:26:10,402 --> 00:26:11,568
SHOULDERS OF GEORGE STEELE.
DOES NOT SEE THE ADDITIONAL
LEVERAGE OF THE MACHO MAN USING
786
00:26:11,570 --> 00:26:15,505
DOES NOT SEE THE ADDITIONAL
LEVERAGE OF THE MACHO MAN USING
THE SECOND ROPE.
787
00:26:15,507 --> 00:26:16,740
LEVERAGE OF THE MACHO MAN USING
THE SECOND ROPE.
>> THE ROPES.
788
00:26:16,742 --> 00:26:18,609
THE SECOND ROPE.
>> THE ROPES.
[ BOOING ]
789
00:26:18,611 --> 00:26:20,277
>> THE ROPES.
[ BOOING ]
>> I CAN'T BELIEVE IT.
790
00:26:20,279 --> 00:26:21,311
[ BOOING ]
>> I CAN'T BELIEVE IT.
I COULD'VE SWORN HE WOULD'VE
791
00:26:21,313 --> 00:26:22,413
>> I CAN'T BELIEVE IT.
I COULD'VE SWORN HE WOULD'VE
WON.
792
00:26:22,415 --> 00:26:23,079
I COULD'VE SWORN HE WOULD'VE
WON.
ESPECIALLY AFTER HE SURVIVED
793
00:26:23,081 --> 00:26:24,448
WON.
ESPECIALLY AFTER HE SURVIVED
THAT ELBOW.
794
00:26:24,450 --> 00:26:25,516
ESPECIALLY AFTER HE SURVIVED
THAT ELBOW.
>> AND NOW, LOOK AT THIS!
795
00:26:25,518 --> 00:26:27,751
THAT ELBOW.
>> AND NOW, LOOK AT THIS!
>> UH OH.
796
00:26:27,753 --> 00:26:29,453
>> AND NOW, LOOK AT THIS!
>> UH OH.
>> OH, MY GOODNESS.
797
00:26:29,455 --> 00:26:32,590
>> UH OH.
>> OH, MY GOODNESS.
THE ANIMAL GOING AFTER THE
798
00:26:32,592 --> 00:26:33,490
>> OH, MY GOODNESS.
THE ANIMAL GOING AFTER THE
OFFICIAL.
799
00:26:33,492 --> 00:26:34,591
THE ANIMAL GOING AFTER THE
OFFICIAL.
THERE'S NO TELLING WHAT GEORGE
800
00:26:34,593 --> 00:26:35,359
OFFICIAL.
THERE'S NO TELLING WHAT GEORGE
"THE ANIMAL" STEELE IS GOING TO
801
00:26:35,361 --> 00:26:37,494
THERE'S NO TELLING WHAT GEORGE
"THE ANIMAL" STEELE IS GOING TO
DO.
802
00:26:37,496 --> 00:26:38,095
"THE ANIMAL" STEELE IS GOING TO
DO.
>> WELL, I HOPE THAT OFFICIAL'S
803
00:26:38,097 --> 00:26:39,463
DO.
>> WELL, I HOPE THAT OFFICIAL'S
GOT HIS OWN BODYGUARD.
804
00:26:39,465 --> 00:26:41,531
>> WELL, I HOPE THAT OFFICIAL'S
GOT HIS OWN BODYGUARD.
>> STANDING BY, NOW, LADIES AND
805
00:26:41,533 --> 00:26:42,666
GOT HIS OWN BODYGUARD.
>> STANDING BY, NOW, LADIES AND
GENTLEMEN, WE ARE TOLD THAT
806
00:26:42,668 --> 00:26:44,534
>> STANDING BY, NOW, LADIES AND
GENTLEMEN, WE ARE TOLD THAT
MOMENTARILY WE WILL TAKE YOU TO
807
00:26:44,536 --> 00:26:46,503
GENTLEMEN, WE ARE TOLD THAT
MOMENTARILY WE WILL TAKE YOU TO
CHICAGO, BECAUSE STANDING BY
808
00:26:46,505 --> 00:26:49,539
MOMENTARILY WE WILL TAKE YOU TO
CHICAGO, BECAUSE STANDING BY
THERE IS OUR VERY OWN MEAN GENE
809
00:26:49,541 --> 00:26:50,874
CHICAGO, BECAUSE STANDING BY
THERE IS OUR VERY OWN MEAN GENE
OKERLUND.
810
00:26:50,876 --> 00:26:53,978
THERE IS OUR VERY OWN MEAN GENE
OKERLUND.
LET'S TAKE IT TO GENE.
811
00:26:53,980 --> 00:26:57,047
OKERLUND.
LET'S TAKE IT TO GENE.
>> COME ON, GENE!
812
00:26:57,049 --> 00:26:57,814
LET'S TAKE IT TO GENE.
>> COME ON, GENE!
>> ALL RIGHT.
813
00:26:57,816 --> 00:26:59,516
>> COME ON, GENE!
>> ALL RIGHT.
VINCE MCMAHON, I DON'T MIND
814
00:26:59,518 --> 00:26:59,916
>> ALL RIGHT.
VINCE MCMAHON, I DON'T MIND
TELLING YOU.
815
00:26:59,918 --> 00:27:01,318
VINCE MCMAHON, I DON'T MIND
TELLING YOU.
THIS PLACE IS PUMPING.
816
00:27:01,320 --> 00:27:02,319
TELLING YOU.
THIS PLACE IS PUMPING.
LOOKING FORWARD TO THE BIG
817
00:27:02,321 --> 00:27:03,720
THIS PLACE IS PUMPING.
LOOKING FORWARD TO THE BIG
20-MAN BATTLE ROYAL THAT'S GONNA
818
00:27:03,722 --> 00:27:05,822
LOOKING FORWARD TO THE BIG
20-MAN BATTLE ROYAL THAT'S GONNA
INVOLVE FOOTBALL GREAT FROM THE
819
00:27:05,824 --> 00:27:06,590
20-MAN BATTLE ROYAL THAT'S GONNA
INVOLVE FOOTBALL GREAT FROM THE
ATLANTA FALCONS, BILL FRALIC.
820
00:27:06,592 --> 00:27:08,525
INVOLVE FOOTBALL GREAT FROM THE
ATLANTA FALCONS, BILL FRALIC.
BILL, JUST MINUTES AWAY NOW, THE
821
00:27:08,527 --> 00:27:09,760
ATLANTA FALCONS, BILL FRALIC.
BILL, JUST MINUTES AWAY NOW, THE
GIGANTIC BATTLE ROYAL.
822
00:27:09,762 --> 00:27:10,828
BILL, JUST MINUTES AWAY NOW, THE
GIGANTIC BATTLE ROYAL.
YOUR THOUGHTS?
823
00:27:10,830 --> 00:27:11,628
GIGANTIC BATTLE ROYAL.
YOUR THOUGHTS?
>> WELL, ALL THE TALK'S DONE,
824
00:27:11,630 --> 00:27:12,763
YOUR THOUGHTS?
>> WELL, ALL THE TALK'S DONE,
GENE.
825
00:27:12,765 --> 00:27:13,697
>> WELL, ALL THE TALK'S DONE,
GENE.
I'M WAITING TO GET A HOLD OF THE
826
00:27:13,699 --> 00:27:14,831
GENE.
I'M WAITING TO GET A HOLD OF THE
STUDD HERE, OR WHATEVER.
827
00:27:14,833 --> 00:27:15,666
I'M WAITING TO GET A HOLD OF THE
STUDD HERE, OR WHATEVER.
THE DUD.
828
00:27:15,668 --> 00:27:16,700
STUDD HERE, OR WHATEVER.
THE DUD.
SEE WHAT HE'S MADE OF.
829
00:27:16,702 --> 00:27:17,401
THE DUD.
SEE WHAT HE'S MADE OF.
YEAH.
830
00:27:17,403 --> 00:27:18,368
SEE WHAT HE'S MADE OF.
YEAH.
>> HEY, WAIT A MINUTE.
831
00:27:18,370 --> 00:27:19,002
YEAH.
>> HEY, WAIT A MINUTE.
GENTLEMEN, PLEASE.
832
00:27:19,004 --> 00:27:19,436
>> HEY, WAIT A MINUTE.
GENTLEMEN, PLEASE.
HEY!
833
00:27:19,438 --> 00:27:20,437
GENTLEMEN, PLEASE.
HEY!
PLEASE.
834
00:27:20,439 --> 00:27:21,872
HEY!
PLEASE.
GENTLEMEN, JUST ...
835
00:27:21,874 --> 00:27:22,539
PLEASE.
GENTLEMEN, JUST ...
JUST A MINUTE HERE, GENTLEMEN.
836
00:27:22,541 --> 00:27:23,607
GENTLEMEN, JUST ...
JUST A MINUTE HERE, GENTLEMEN.
PLEASE.
837
00:27:23,609 --> 00:27:24,708
JUST A MINUTE HERE, GENTLEMEN.
PLEASE.
A LITTLE DECORUM.
838
00:27:24,710 --> 00:27:25,442
PLEASE.
A LITTLE DECORUM.
PLEASE RESERVE THESE ACTIONS FOR
839
00:27:25,444 --> 00:27:26,510
A LITTLE DECORUM.
PLEASE RESERVE THESE ACTIONS FOR
THE RING.
840
00:27:26,512 --> 00:27:27,144
PLEASE RESERVE THESE ACTIONS FOR
THE RING.
>> YEAH, HE HAS NO CLASS.
841
00:27:27,146 --> 00:27:28,245
THE RING.
>> YEAH, HE HAS NO CLASS.
HE'S A FOOTBALL PLAYER.
842
00:27:28,247 --> 00:27:29,646
>> YEAH, HE HAS NO CLASS.
HE'S A FOOTBALL PLAYER.
YOU KNOW WHAT, BARRY?
843
00:27:29,648 --> 00:27:30,581
HE'S A FOOTBALL PLAYER.
YOU KNOW WHAT, BARRY?
I'M GONNA GET BARRY RIGHT HERE
844
00:27:30,583 --> 00:27:32,315
YOU KNOW WHAT, BARRY?
I'M GONNA GET BARRY RIGHT HERE
IN YOUR HOMETOWN AND I'M GONNA
845
00:27:32,317 --> 00:27:33,617
I'M GONNA GET BARRY RIGHT HERE
IN YOUR HOMETOWN AND I'M GONNA
GET YOU, PUNK.
846
00:27:33,619 --> 00:27:34,652
IN YOUR HOMETOWN AND I'M GONNA
GET YOU, PUNK.
WHEN I THINK OF FOOTBALL
847
00:27:34,654 --> 00:27:35,719
GET YOU, PUNK.
WHEN I THINK OF FOOTBALL
PLAYERS, YOU DON'T PLAY WITH A
848
00:27:35,721 --> 00:27:36,386
WHEN I THINK OF FOOTBALL
PLAYERS, YOU DON'T PLAY WITH A
BALL, BUDDY.
849
00:27:36,388 --> 00:27:37,721
PLAYERS, YOU DON'T PLAY WITH A
BALL, BUDDY.
YOU'RE PLAYING WITH JOHN STUDD.
850
00:27:37,723 --> 00:27:38,689
BALL, BUDDY.
YOU'RE PLAYING WITH JOHN STUDD.
I TAKE FOOTBALL PLAYERS AND I
851
00:27:38,691 --> 00:27:39,790
YOU'RE PLAYING WITH JOHN STUDD.
I TAKE FOOTBALL PLAYERS AND I
SMASH THEM.
852
00:27:39,792 --> 00:27:41,591
I TAKE FOOTBALL PLAYERS AND I
SMASH THEM.
LOOK WHAT I DID TO THIS BALL.
853
00:27:41,593 --> 00:27:42,592
SMASH THEM.
LOOK WHAT I DID TO THIS BALL.
THIS IS WHAT I'M GONNA TRY TO DO
854
00:27:42,594 --> 00:27:43,560
LOOK WHAT I DID TO THIS BALL.
THIS IS WHAT I'M GONNA TRY TO DO
TO YOU, PUNK.
855
00:27:43,562 --> 00:27:44,528
THIS IS WHAT I'M GONNA TRY TO DO
TO YOU, PUNK.
THERE YOU GO.
856
00:27:44,530 --> 00:27:45,529
TO YOU, PUNK.
THERE YOU GO.
>> HEY, WAIT A MINUTE HERE.
857
00:27:45,531 --> 00:27:45,863
THERE YOU GO.
>> HEY, WAIT A MINUTE HERE.
JUST A SECOND.
858
00:27:45,865 --> 00:27:46,664
>> HEY, WAIT A MINUTE HERE.
JUST A SECOND.
THAT'S TOTALLY UNCALLED FOR,
859
00:27:46,666 --> 00:27:48,632
JUST A SECOND.
THAT'S TOTALLY UNCALLED FOR,
JOHN STUDD, AND ALL DUE RESPECT,
860
00:27:48,634 --> 00:27:50,667
THAT'S TOTALLY UNCALLED FOR,
JOHN STUDD, AND ALL DUE RESPECT,
BILL FRALIC, I APOLOGIZE.
861
00:27:50,669 --> 00:27:51,802
JOHN STUDD, AND ALL DUE RESPECT,
BILL FRALIC, I APOLOGIZE.
LADIES AND GENTLEMEN, I THANK
862
00:27:51,804 --> 00:27:52,502
BILL FRALIC, I APOLOGIZE.
LADIES AND GENTLEMEN, I THANK
YOU VERY ...
863
00:27:52,504 --> 00:27:53,570
LADIES AND GENTLEMEN, I THANK
YOU VERY ...
>> HERE COMES THE MATCH IN FIVE,
864
00:27:53,572 --> 00:27:54,672
YOU VERY ...
>> HERE COMES THE MATCH IN FIVE,
TEN, TWENTY MINUTES.
865
00:27:54,674 --> 00:27:55,806
>> HERE COMES THE MATCH IN FIVE,
TEN, TWENTY MINUTES.
WHATEVER, DUD.
866
00:27:55,808 --> 00:27:56,907
TEN, TWENTY MINUTES.
WHATEVER, DUD.
WE'LL SEE WHAT YOU'RE MADE OUT
867
00:27:56,909 --> 00:27:57,641
WHATEVER, DUD.
WE'LL SEE WHAT YOU'RE MADE OUT
OF THEN.
868
00:27:57,643 --> 00:27:58,375
WE'LL SEE WHAT YOU'RE MADE OUT
OF THEN.
>> THAT'S RIGHT.
869
00:27:58,377 --> 00:27:59,543
OF THEN.
>> THAT'S RIGHT.
WE'RE GONNA FIND OUT ...
870
00:27:59,545 --> 00:28:00,410
>> THAT'S RIGHT.
WE'RE GONNA FIND OUT ...
>> WELL, IT LOOKS LIKE IT'S
871
00:28:00,412 --> 00:28:01,278
WE'RE GONNA FIND OUT ...
>> WELL, IT LOOKS LIKE IT'S
REALLY COMING DOWN TO FOOTBALL
872
00:28:01,280 --> 00:28:02,780
>> WELL, IT LOOKS LIKE IT'S
REALLY COMING DOWN TO FOOTBALL
VERSUS PROFESSIONAL WRESTLING
873
00:28:02,782 --> 00:28:03,847
REALLY COMING DOWN TO FOOTBALL
VERSUS PROFESSIONAL WRESTLING
AND WE'RE GONNA FIND OUT.
874
00:28:03,849 --> 00:28:06,917
VERSUS PROFESSIONAL WRESTLING
AND WE'RE GONNA FIND OUT.
NOW, BACK TO NEW YORK.
875
00:28:06,919 --> 00:28:07,718
AND WE'RE GONNA FIND OUT.
NOW, BACK TO NEW YORK.
>> ALL RIGHT.
876
00:28:07,720 --> 00:28:08,819
NOW, BACK TO NEW YORK.
>> ALL RIGHT.
THANK YOU VERY MUCH, MEAN GENE
877
00:28:08,821 --> 00:28:09,820
>> ALL RIGHT.
THANK YOU VERY MUCH, MEAN GENE
OKERLUND.
878
00:28:09,822 --> 00:28:10,420
THANK YOU VERY MUCH, MEAN GENE
OKERLUND.
LOOKS LIKE WE'RE GONNA HAVE A
879
00:28:10,422 --> 00:28:11,621
OKERLUND.
LOOKS LIKE WE'RE GONNA HAVE A
LITTLE HAVOC OUT THERE IN
880
00:28:11,623 --> 00:28:12,656
LOOKS LIKE WE'RE GONNA HAVE A
LITTLE HAVOC OUT THERE IN
CHICAGO, BUT WE JUST SAW A
881
00:28:12,658 --> 00:28:13,724
LITTLE HAVOC OUT THERE IN
CHICAGO, BUT WE JUST SAW A
LITTLE HAVOC IN THE RING
882
00:28:13,726 --> 00:28:14,491
CHICAGO, BUT WE JUST SAW A
LITTLE HAVOC IN THE RING
EARLIER.
883
00:28:14,493 --> 00:28:15,492
LITTLE HAVOC IN THE RING
EARLIER.
LET ME ASK YOU A QUESTION,
884
00:28:15,494 --> 00:28:15,859
EARLIER.
LET ME ASK YOU A QUESTION,
SUSAN.
885
00:28:15,861 --> 00:28:16,626
LET ME ASK YOU A QUESTION,
SUSAN.
>> YES, SIR?
886
00:28:16,628 --> 00:28:17,728
SUSAN.
>> YES, SIR?
>> DO YOU LIKE SNAKES?
887
00:28:17,730 --> 00:28:18,829
>> YES, SIR?
>> DO YOU LIKE SNAKES?
>> YOU KNOW, THIS IS GONNA BE A
888
00:28:18,831 --> 00:28:20,330
>> DO YOU LIKE SNAKES?
>> YOU KNOW, THIS IS GONNA BE A
TOUGH ONE FOR ME BECAUSE I'M NOT
889
00:28:20,332 --> 00:28:21,498
>> YOU KNOW, THIS IS GONNA BE A
TOUGH ONE FOR ME BECAUSE I'M NOT
BIG ON SNAKES.
890
00:28:21,500 --> 00:28:22,599
TOUGH ONE FOR ME BECAUSE I'M NOT
BIG ON SNAKES.
BUT THERE'S ALWAYS A CHANCE
891
00:28:22,601 --> 00:28:23,567
BIG ON SNAKES.
BUT THERE'S ALWAYS A CHANCE
HE'LL LOSE AND WE WON'T HAVE TO
892
00:28:23,569 --> 00:28:25,335
BUT THERE'S ALWAYS A CHANCE
HE'LL LOSE AND WE WON'T HAVE TO
SEE THE SNAKE, RIGHT?
893
00:28:25,337 --> 00:28:26,703
HE'LL LOSE AND WE WON'T HAVE TO
SEE THE SNAKE, RIGHT?
>> WELL, THERE'S ALWAYS THAT
894
00:28:26,705 --> 00:28:27,404
SEE THE SNAKE, RIGHT?
>> WELL, THERE'S ALWAYS THAT
CHANCE, BUT ...
895
00:28:27,406 --> 00:28:28,705
>> WELL, THERE'S ALWAYS THAT
CHANCE, BUT ...
>> WELL, THAT'S WHAT I'M KIND OF
896
00:28:28,707 --> 00:28:30,474
CHANCE, BUT ...
>> WELL, THAT'S WHAT I'M KIND OF
HOPING FOR.
897
00:28:30,476 --> 00:28:31,108
>> WELL, THAT'S WHAT I'M KIND OF
HOPING FOR.
>> MY GUESS IS, WIN, LOSE, OR
898
00:28:31,110 --> 00:28:31,709
HOPING FOR.
>> MY GUESS IS, WIN, LOSE, OR
DRAW, WE'RE GONNA SEE THE SNAKE.
899
00:28:31,711 --> 00:28:32,276
>> MY GUESS IS, WIN, LOSE, OR
DRAW, WE'RE GONNA SEE THE SNAKE.
SPEAKING, OF COURSE, OF THE
900
00:28:32,278 --> 00:28:35,379
DRAW, WE'RE GONNA SEE THE SNAKE.
SPEAKING, OF COURSE, OF THE
SNAKE THAT JAKE THE SNAKE
901
00:28:35,381 --> 00:28:36,847
SPEAKING, OF COURSE, OF THE
SNAKE THAT JAKE THE SNAKE
ROBERTS BRINGS INTO THE RING.
902
00:28:36,849 --> 00:28:37,680
SNAKE THAT JAKE THE SNAKE
ROBERTS BRINGS INTO THE RING.
AS JAKE THE SNAKE IS READY TO
903
00:28:37,682 --> 00:28:39,850
ROBERTS BRINGS INTO THE RING.
AS JAKE THE SNAKE IS READY TO
LOCK UP WITH GEORGE WELLS.
904
00:28:39,852 --> 00:28:40,650
AS JAKE THE SNAKE IS READY TO
LOCK UP WITH GEORGE WELLS.
IT SHOULD BE AN OUTSTANDING
905
00:28:40,652 --> 00:28:42,919
LOCK UP WITH GEORGE WELLS.
IT SHOULD BE AN OUTSTANDING
MATCH-UP, AND RIGHT NOW ...
906
00:28:42,921 --> 00:28:43,620
IT SHOULD BE AN OUTSTANDING
MATCH-UP, AND RIGHT NOW ...
>> HOW DOES GEORGE FEEL ABOUT
907
00:28:43,622 --> 00:28:44,421
MATCH-UP, AND RIGHT NOW ...
>> HOW DOES GEORGE FEEL ABOUT
SNAKES?
908
00:28:44,423 --> 00:28:45,655
>> HOW DOES GEORGE FEEL ABOUT
SNAKES?
>> I DON'T THINK GEORGE WELLS
909
00:28:45,657 --> 00:28:46,857
SNAKES?
>> I DON'T THINK GEORGE WELLS
LIKES SNAKES EITHER.
910
00:28:46,859 --> 00:28:47,691
>> I DON'T THINK GEORGE WELLS
LIKES SNAKES EITHER.
>> WHO WANTS TO SEE THAT SNAKE?
911
00:28:47,693 --> 00:28:48,592
LIKES SNAKES EITHER.
>> WHO WANTS TO SEE THAT SNAKE?
I DON'T, EITHER.
912
00:28:48,594 --> 00:28:49,460
>> WHO WANTS TO SEE THAT SNAKE?
I DON'T, EITHER.
>> ALL RIGHT.
913
00:28:49,462 --> 00:28:50,127
I DON'T, EITHER.
>> ALL RIGHT.
LET'S GO UP NOW TO RING
914
00:28:50,129 --> 00:28:52,796
>> ALL RIGHT.
LET'S GO UP NOW TO RING
ANNOUNCER, HOWARD FINKEL.
915
00:28:52,798 --> 00:28:54,397
LET'S GO UP NOW TO RING
ANNOUNCER, HOWARD FINKEL.
[ BELL RINGING ]
916
00:28:54,399 --> 00:28:55,198
ANNOUNCER, HOWARD FINKEL.
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, THIS
917
00:28:55,200 --> 00:28:56,800
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR
918
00:28:56,802 --> 00:28:58,969
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR
ONE-FALL WITH A 20-MINUTE TIME
919
00:28:58,971 --> 00:28:59,603
CONTEST IS SCHEDULED FOR
ONE-FALL WITH A 20-MINUTE TIME
LIMIT.
920
00:28:59,605 --> 00:29:00,804
ONE-FALL WITH A 20-MINUTE TIME
LIMIT.
IN THE RING TO MY RIGHT, FROM
921
00:29:00,806 --> 00:29:03,473
LIMIT.
IN THE RING TO MY RIGHT, FROM
OAKLAND, CALIFORNIA, WEIGHING
922
00:29:03,475 --> 00:29:09,747
IN THE RING TO MY RIGHT, FROM
OAKLAND, CALIFORNIA, WEIGHING
270 POUNDS, GEORGE WELLS!
923
00:29:09,749 --> 00:29:11,681
OAKLAND, CALIFORNIA, WEIGHING
270 POUNDS, GEORGE WELLS!
HIS OPPONENT, MAKING HIS WAY
924
00:29:11,683 --> 00:29:14,618
270 POUNDS, GEORGE WELLS!
HIS OPPONENT, MAKING HIS WAY
TOWARDS THE RING, FROM STONE
925
00:29:14,620 --> 00:29:18,522
HIS OPPONENT, MAKING HIS WAY
TOWARDS THE RING, FROM STONE
MOUNTAIN, GEORGIA, WEIGHING 249
926
00:29:18,524 --> 00:29:22,459
TOWARDS THE RING, FROM STONE
MOUNTAIN, GEORGIA, WEIGHING 249
POUNDS, JAKE "THE SNAKE"
927
00:29:22,461 --> 00:29:23,860
MOUNTAIN, GEORGIA, WEIGHING 249
POUNDS, JAKE "THE SNAKE"
ROBERTS!
928
00:29:23,862 --> 00:29:36,706
POUNDS, JAKE "THE SNAKE"
ROBERTS!
[ APPLAUSE ]
929
00:29:36,708 --> 00:29:37,741
ROBERTS!
[ APPLAUSE ]
>> ALL RIGHT.
930
00:29:37,743 --> 00:29:38,608
[ APPLAUSE ]
>> ALL RIGHT.
THERE'S A LOOK.
931
00:29:38,610 --> 00:29:39,442
>> ALL RIGHT.
THERE'S A LOOK.
>> THERE IT IS, VINCE.
932
00:29:39,444 --> 00:29:39,876
THERE'S A LOOK.
>> THERE IT IS, VINCE.
IN THAT ...
933
00:29:39,878 --> 00:29:42,345
>> THERE IT IS, VINCE.
IN THAT ...
>> THAT'S JAKE "THE SNAKE."
934
00:29:42,347 --> 00:29:43,413
IN THAT ...
>> THAT'S JAKE "THE SNAKE."
>> THE FIRST TIME I SAW THIS
935
00:29:43,415 --> 00:29:44,147
>> THAT'S JAKE "THE SNAKE."
>> THE FIRST TIME I SAW THIS
GUY, I COULDN'T BELIEVE HE WAS
936
00:29:44,149 --> 00:29:44,848
>> THE FIRST TIME I SAW THIS
GUY, I COULDN'T BELIEVE HE WAS
GONNA REALLY PULL A SNAKE OUT OF
937
00:29:44,850 --> 00:29:46,583
GUY, I COULDN'T BELIEVE HE WAS
GONNA REALLY PULL A SNAKE OUT OF
THERE.
938
00:29:46,585 --> 00:29:47,350
GONNA REALLY PULL A SNAKE OUT OF
THERE.
UNBELIEVABLE.
939
00:29:47,352 --> 00:29:49,519
THERE.
UNBELIEVABLE.
>> IN THAT VERY BAG WE ARE TOLD
940
00:29:49,521 --> 00:29:52,622
UNBELIEVABLE.
>> IN THAT VERY BAG WE ARE TOLD
THAT HE HAS A PYTHON HERE WITH
941
00:29:52,624 --> 00:29:54,591
>> IN THAT VERY BAG WE ARE TOLD
THAT HE HAS A PYTHON HERE WITH
HIM TONIGHT.
942
00:29:54,593 --> 00:29:55,725
THAT HE HAS A PYTHON HERE WITH
HIM TONIGHT.
I DON'T SEE THE BAG MOVING.
943
00:29:55,727 --> 00:29:56,860
HIM TONIGHT.
I DON'T SEE THE BAG MOVING.
>> OH.
944
00:29:56,862 --> 00:29:57,427
I DON'T SEE THE BAG MOVING.
>> OH.
THERE IT DID.
945
00:29:57,429 --> 00:29:58,395
>> OH.
THERE IT DID.
IT DID.
946
00:29:58,397 --> 00:29:58,862
THERE IT DID.
IT DID.
DEFINITELY.
947
00:29:58,864 --> 00:29:59,729
IT DID.
DEFINITELY.
>> I THINK WE DO.
948
00:29:59,731 --> 00:30:00,564
DEFINITELY.
>> I THINK WE DO.
>> OH.
949
00:30:00,566 --> 00:30:01,264
>> I THINK WE DO.
>> OH.
OH!
950
00:30:01,266 --> 00:30:01,799
>> OH.
OH!
>> LOOK AT THAT.
951
00:30:01,801 --> 00:30:02,499
OH!
>> LOOK AT THAT.
WELLS GOING TO WORK RIGHT AWAY
952
00:30:02,501 --> 00:30:04,535
>> LOOK AT THAT.
WELLS GOING TO WORK RIGHT AWAY
ON JAKE "THE SNAKE."
953
00:30:04,537 --> 00:30:05,569
WELLS GOING TO WORK RIGHT AWAY
ON JAKE "THE SNAKE."
OFF THE ROPE.
954
00:30:05,571 --> 00:30:06,536
ON JAKE "THE SNAKE."
OFF THE ROPE.
CRACKED POT DROP BY GEORGE
955
00:30:06,538 --> 00:30:08,338
OFF THE ROPE.
CRACKED POT DROP BY GEORGE
WELLS.
956
00:30:08,340 --> 00:30:09,272
CRACKED POT DROP BY GEORGE
WELLS.
>> COME ON, GEORGE.
957
00:30:09,274 --> 00:30:10,541
WELLS.
>> COME ON, GEORGE.
>> A RIGHT HAND.
958
00:30:10,543 --> 00:30:12,442
>> COME ON, GEORGE.
>> A RIGHT HAND.
WELLS WITH A FOREARM UPPERCUT.
959
00:30:12,444 --> 00:30:13,777
>> A RIGHT HAND.
WELLS WITH A FOREARM UPPERCUT.
>> OH, MISS.
960
00:30:13,779 --> 00:30:16,580
WELLS WITH A FOREARM UPPERCUT.
>> OH, MISS.
MISS, JAKE.
961
00:30:16,582 --> 00:30:17,681
>> OH, MISS.
MISS, JAKE.
>> RIGHT NOW JAKE THE SNAKE
962
00:30:17,683 --> 00:30:18,448
MISS, JAKE.
>> RIGHT NOW JAKE THE SNAKE
RIGHT ON WELLS.
963
00:30:18,450 --> 00:30:19,549
>> RIGHT NOW JAKE THE SNAKE
RIGHT ON WELLS.
SENDS HIM FLYING THROUGH THE
964
00:30:19,551 --> 00:30:21,451
RIGHT ON WELLS.
SENDS HIM FLYING THROUGH THE
ROPES TO THE OUTSIDE.
965
00:30:21,453 --> 00:30:22,051
SENDS HIM FLYING THROUGH THE
ROPES TO THE OUTSIDE.
>> COME ON, GEORGE.
966
00:30:22,053 --> 00:30:23,720
ROPES TO THE OUTSIDE.
>> COME ON, GEORGE.
GET IN THERE.
967
00:30:23,722 --> 00:30:24,821
>> COME ON, GEORGE.
GET IN THERE.
>> JAKE THE SNAKE SLITHERING TO
968
00:30:24,823 --> 00:30:26,590
GET IN THERE.
>> JAKE THE SNAKE SLITHERING TO
THE OUTSIDE AND DID HE EVER
969
00:30:26,592 --> 00:30:29,960
>> JAKE THE SNAKE SLITHERING TO
THE OUTSIDE AND DID HE EVER
CATCH A RIGHT HAND BY WELLS.
970
00:30:29,962 --> 00:30:33,530
THE OUTSIDE AND DID HE EVER
CATCH A RIGHT HAND BY WELLS.
BACK THROUGH THE ROPES NOW, AND
971
00:30:33,532 --> 00:30:34,831
CATCH A RIGHT HAND BY WELLS.
BACK THROUGH THE ROPES NOW, AND
A SETUP FOR THE RIDE COMING OFF
972
00:30:34,833 --> 00:30:37,734
BACK THROUGH THE ROPES NOW, AND
A SETUP FOR THE RIDE COMING OFF
THE ROPES, LEAPFROG NICELY DONE.
973
00:30:37,736 --> 00:30:38,802
A SETUP FOR THE RIDE COMING OFF
THE ROPES, LEAPFROG NICELY DONE.
OH, LOOK AT THAT SHOULDER BLOCK
974
00:30:38,804 --> 00:30:42,806
THE ROPES, LEAPFROG NICELY DONE.
OH, LOOK AT THAT SHOULDER BLOCK
BY WELLS.
975
00:30:42,808 --> 00:30:43,473
OH, LOOK AT THAT SHOULDER BLOCK
BY WELLS.
SHADES OF HIS CANADIAN FOOTBALL
976
00:30:43,475 --> 00:30:45,909
BY WELLS.
SHADES OF HIS CANADIAN FOOTBALL
CAREER.
977
00:30:45,911 --> 00:30:47,577
SHADES OF HIS CANADIAN FOOTBALL
CAREER.
GEORGE WELLS, ONE OF THE GREATS
978
00:30:47,579 --> 00:30:48,712
CAREER.
GEORGE WELLS, ONE OF THE GREATS
FROM CANADA.
979
00:30:48,714 --> 00:30:49,846
GEORGE WELLS, ONE OF THE GREATS
FROM CANADA.
HEADBUTT BY GEORGE WELLS.
980
00:30:49,848 --> 00:30:51,514
FROM CANADA.
HEADBUTT BY GEORGE WELLS.
THIS, THUS FAR, IS THE TOUGHEST
981
00:30:51,516 --> 00:30:53,416
HEADBUTT BY GEORGE WELLS.
THIS, THUS FAR, IS THE TOUGHEST
MATCH TO DATE THAT JAKE THE
982
00:30:53,418 --> 00:30:54,751
THIS, THUS FAR, IS THE TOUGHEST
MATCH TO DATE THAT JAKE THE
SNAKE HAS HAD.
983
00:30:54,753 --> 00:30:56,653
MATCH TO DATE THAT JAKE THE
SNAKE HAS HAD.
>> YEAH, WE MAY NOT HAVE TO SEE
984
00:30:56,655 --> 00:30:58,788
SNAKE HAS HAD.
>> YEAH, WE MAY NOT HAVE TO SEE
THAT SNAKE AFTER ALL, VINCE.
985
00:30:58,790 --> 00:30:59,823
>> YEAH, WE MAY NOT HAVE TO SEE
THAT SNAKE AFTER ALL, VINCE.
>> ALL RIGHT, BACK TO THE CORNER
986
00:30:59,825 --> 00:31:01,424
THAT SNAKE AFTER ALL, VINCE.
>> ALL RIGHT, BACK TO THE CORNER
AND WHIPPED TO THE FAR SIDE.
987
00:31:01,426 --> 00:31:03,861
>> ALL RIGHT, BACK TO THE CORNER
AND WHIPPED TO THE FAR SIDE.
>> OH, BOY!
988
00:31:03,863 --> 00:31:05,462
AND WHIPPED TO THE FAR SIDE.
>> OH, BOY!
>> SLOUCHING IN THE CORNER THERE
989
00:31:05,464 --> 00:31:07,364
>> OH, BOY!
>> SLOUCHING IN THE CORNER THERE
AS, NOW, GEORGE WELLS MOVES BACK
990
00:31:07,366 --> 00:31:08,832
>> SLOUCHING IN THE CORNER THERE
AS, NOW, GEORGE WELLS MOVES BACK
IN AND SETS HIM UP AGAIN.
991
00:31:08,834 --> 00:31:09,900
AS, NOW, GEORGE WELLS MOVES BACK
IN AND SETS HIM UP AGAIN.
MMM!
992
00:31:09,902 --> 00:31:11,368
IN AND SETS HIM UP AGAIN.
MMM!
RIGHT BACK OUT, LOOK AT THE
993
00:31:11,370 --> 00:31:13,770
MMM!
RIGHT BACK OUT, LOOK AT THE
HEADSCISSORS.
994
00:31:13,772 --> 00:31:15,539
RIGHT BACK OUT, LOOK AT THE
HEADSCISSORS.
FANCY MANEUVER...
995
00:31:15,541 --> 00:31:16,005
HEADSCISSORS.
FANCY MANEUVER...
>> OH, TIMEOUT ...
996
00:31:16,007 --> 00:31:16,873
FANCY MANEUVER...
>> OH, TIMEOUT ...
GIVE ME A BREAK.
997
00:31:16,875 --> 00:31:17,641
>> OH, TIMEOUT ...
GIVE ME A BREAK.
[ CHUCKLING ]
998
00:31:17,643 --> 00:31:18,708
GIVE ME A BREAK.
[ CHUCKLING ]
>> NO SUCH THING HERE.
999
00:31:18,710 --> 00:31:20,644
[ CHUCKLING ]
>> NO SUCH THING HERE.
>> SORRY, SORRY, KID.
1000
00:31:20,646 --> 00:31:22,712
>> NO SUCH THING HERE.
>> SORRY, SORRY, KID.
>> ALL RIGHT, NOW, WELLS WITH A
1001
00:31:22,714 --> 00:31:26,483
>> SORRY, SORRY, KID.
>> ALL RIGHT, NOW, WELLS WITH A
LOT OF MOMENTUM HERE.
1002
00:31:26,485 --> 00:31:27,584
>> ALL RIGHT, NOW, WELLS WITH A
LOT OF MOMENTUM HERE.
AND NOW, THE SCOOP ...
1003
00:31:27,586 --> 00:31:28,418
LOT OF MOMENTUM HERE.
AND NOW, THE SCOOP ...
DOES HE GET HIM UP?
1004
00:31:28,420 --> 00:31:30,954
AND NOW, THE SCOOP ...
DOES HE GET HIM UP?
YES, HE DOES, AND A BODYSLAM.
1005
00:31:30,956 --> 00:31:32,789
DOES HE GET HIM UP?
YES, HE DOES, AND A BODYSLAM.
GEORGE WELLS HAS GAINED ABOUT 20
1006
00:31:32,791 --> 00:31:34,691
YES, HE DOES, AND A BODYSLAM.
GEORGE WELLS HAS GAINED ABOUT 20
TO 30 POUNDS OVER THE LAST SIX
1007
00:31:34,693 --> 00:31:38,462
GEORGE WELLS HAS GAINED ABOUT 20
TO 30 POUNDS OVER THE LAST SIX
MONTHS BULKING UP.
1008
00:31:38,464 --> 00:31:40,864
TO 30 POUNDS OVER THE LAST SIX
MONTHS BULKING UP.
CHOP RIGHT TO THE THROAT AREA.
1009
00:31:40,866 --> 00:31:41,698
MONTHS BULKING UP.
CHOP RIGHT TO THE THROAT AREA.
>> WOW!
1010
00:31:41,700 --> 00:31:43,533
CHOP RIGHT TO THE THROAT AREA.
>> WOW!
THIS IS ALL ONE-SIDED SO FAR.
1011
00:31:43,535 --> 00:31:44,201
>> WOW!
THIS IS ALL ONE-SIDED SO FAR.
>> YES, BUT I WONDER WHY THERE
1012
00:31:44,203 --> 00:31:44,701
THIS IS ALL ONE-SIDED SO FAR.
>> YES, BUT I WONDER WHY THERE
WELLS DID NOT GO FOR A COVER?
1013
00:31:44,703 --> 00:31:46,770
>> YES, BUT I WONDER WHY THERE
WELLS DID NOT GO FOR A COVER?
HE HAD JAKE THE SNAKE DOWN ON
1014
00:31:46,772 --> 00:31:47,804
WELLS DID NOT GO FOR A COVER?
HE HAD JAKE THE SNAKE DOWN ON
THE CANVAS.
1015
00:31:47,806 --> 00:31:49,005
HE HAD JAKE THE SNAKE DOWN ON
THE CANVAS.
>> IF I WERE HIM I'D GET IT OVER
1016
00:31:49,007 --> 00:31:50,840
THE CANVAS.
>> IF I WERE HIM I'D GET IT OVER
WITH REALLY QUICKLY.
1017
00:31:50,842 --> 00:31:51,608
>> IF I WERE HIM I'D GET IT OVER
WITH REALLY QUICKLY.
>> KNEE-LIFT!
1018
00:31:51,610 --> 00:31:52,409
WITH REALLY QUICKLY.
>> KNEE-LIFT!
>> COME ON!
1019
00:31:52,411 --> 00:31:54,511
>> KNEE-LIFT!
>> COME ON!
MOVE IN NOW, OH!
1020
00:31:54,513 --> 00:31:55,679
>> COME ON!
MOVE IN NOW, OH!
>> AND JAKE THE SNAKE IS HAVING
1021
00:31:55,681 --> 00:31:57,314
MOVE IN NOW, OH!
>> AND JAKE THE SNAKE IS HAVING
ALL KIND OF PROBLEMS, BUT AGAIN
1022
00:31:57,316 --> 00:31:58,548
>> AND JAKE THE SNAKE IS HAVING
ALL KIND OF PROBLEMS, BUT AGAIN
YOU SEE THE RATHER METHODICAL
1023
00:31:58,550 --> 00:31:59,983
ALL KIND OF PROBLEMS, BUT AGAIN
YOU SEE THE RATHER METHODICAL
APPROACH OF GEORGE WELLS, QUITE
1024
00:31:59,985 --> 00:32:01,718
YOU SEE THE RATHER METHODICAL
APPROACH OF GEORGE WELLS, QUITE
SURPRISING.
1025
00:32:01,720 --> 00:32:03,353
APPROACH OF GEORGE WELLS, QUITE
SURPRISING.
APPARENTLY, HE FEELS AS THOUGH
1026
00:32:03,355 --> 00:32:05,855
SURPRISING.
APPARENTLY, HE FEELS AS THOUGH
HE HAS THE MATCH WELL IN HAND.
1027
00:32:05,857 --> 00:32:06,656
APPARENTLY, HE FEELS AS THOUGH
HE HAS THE MATCH WELL IN HAND.
>> MAYBE HE JUST WANTS TO SHOW
1028
00:32:06,658 --> 00:32:07,724
HE HAS THE MATCH WELL IN HAND.
>> MAYBE HE JUST WANTS TO SHOW
US SOME GOOD MOVES BEFORE
1029
00:32:07,726 --> 00:32:08,959
>> MAYBE HE JUST WANTS TO SHOW
US SOME GOOD MOVES BEFORE
FINISHING HIM OFF.
1030
00:32:08,961 --> 00:32:09,659
US SOME GOOD MOVES BEFORE
FINISHING HIM OFF.
WHOA ...
1031
00:32:09,661 --> 00:32:11,428
FINISHING HIM OFF.
WHOA ...
>> AND LOOK AT THAT POWERSLAM,
1032
00:32:11,430 --> 00:32:11,961
WHOA ...
>> AND LOOK AT THAT POWERSLAM,
THAT SHOULD DO IT.
1033
00:32:11,963 --> 00:32:13,463
>> AND LOOK AT THAT POWERSLAM,
THAT SHOULD DO IT.
HE HAS HIM CRADLED, COUNT OF TWO
1034
00:32:13,465 --> 00:32:20,437
THAT SHOULD DO IT.
HE HAS HIM CRADLED, COUNT OF TWO
AND ALMOST THREE.
1035
00:32:20,439 --> 00:32:22,539
HE HAS HIM CRADLED, COUNT OF TWO
AND ALMOST THREE.
>> AND SORT OF A SLASHING RIGHT
1036
00:32:22,541 --> 00:32:23,440
AND ALMOST THREE.
>> AND SORT OF A SLASHING RIGHT
HAND MAYBE, I BELIEVE, TO THE
1037
00:32:23,442 --> 00:32:25,809
>> AND SORT OF A SLASHING RIGHT
HAND MAYBE, I BELIEVE, TO THE
EYE OF GEORGE WELLS.
1038
00:32:25,811 --> 00:32:26,576
HAND MAYBE, I BELIEVE, TO THE
EYE OF GEORGE WELLS.
>> COME ON, GEORGE.
1039
00:32:26,578 --> 00:32:28,445
EYE OF GEORGE WELLS.
>> COME ON, GEORGE.
SHAKE IT OFF.
1040
00:32:28,447 --> 00:32:30,580
>> COME ON, GEORGE.
SHAKE IT OFF.
OPEN YOUR EYES UP, GEORGE.
1041
00:32:30,582 --> 00:32:31,548
SHAKE IT OFF.
OPEN YOUR EYES UP, GEORGE.
>> BACK ON HIS FEET NOW, JAKE
1042
00:32:31,550 --> 00:32:35,719
OPEN YOUR EYES UP, GEORGE.
>> BACK ON HIS FEET NOW, JAKE
THE SNAKE STILL BACKING OFF,
1043
00:32:35,721 --> 00:32:36,920
>> BACK ON HIS FEET NOW, JAKE
THE SNAKE STILL BACKING OFF,
LUNGING NOW AND ALMOST ...
1044
00:32:36,922 --> 00:32:37,787
THE SNAKE STILL BACKING OFF,
LUNGING NOW AND ALMOST ...
WELL, YES, SLIDING ...
1045
00:32:37,789 --> 00:32:38,889
LUNGING NOW AND ALMOST ...
WELL, YES, SLIDING ...
ALMOST SLITHERING TO THE
1046
00:32:38,891 --> 00:32:39,789
WELL, YES, SLIDING ...
ALMOST SLITHERING TO THE
OUTSIDE.
1047
00:32:39,791 --> 00:32:40,757
ALMOST SLITHERING TO THE
OUTSIDE.
WELLS IS OUT THERE WITH HIM, AND
1048
00:32:40,759 --> 00:32:43,794
OUTSIDE.
WELLS IS OUT THERE WITH HIM, AND
HERE KILLING TIME, AND I MIGHT
1049
00:32:43,796 --> 00:32:45,462
WELLS IS OUT THERE WITH HIM, AND
HERE KILLING TIME, AND I MIGHT
ADD QUITE SUCCESSFULLY, LOOK AT
1050
00:32:45,464 --> 00:32:45,729
HERE KILLING TIME, AND I MIGHT
ADD QUITE SUCCESSFULLY, LOOK AT
THAT.
1051
00:32:45,731 --> 00:32:47,597
ADD QUITE SUCCESSFULLY, LOOK AT
THAT.
CAUGHT WELLS OFF BALANCE COMING
1052
00:32:47,599 --> 00:32:48,598
THAT.
CAUGHT WELLS OFF BALANCE COMING
THROUGH THE ROPES, DELIVERED A
1053
00:32:48,600 --> 00:32:49,700
CAUGHT WELLS OFF BALANCE COMING
THROUGH THE ROPES, DELIVERED A
KNEE-LIFT.
1054
00:32:49,702 --> 00:32:51,835
THROUGH THE ROPES, DELIVERED A
KNEE-LIFT.
>> THAT WAS A PRETTY SHARP MOVE.
1055
00:32:51,837 --> 00:32:53,470
KNEE-LIFT.
>> THAT WAS A PRETTY SHARP MOVE.
GOT A LITTLE BREATHER, CAME IN
1056
00:32:53,472 --> 00:32:53,870
>> THAT WAS A PRETTY SHARP MOVE.
GOT A LITTLE BREATHER, CAME IN
...
1057
00:32:53,872 --> 00:32:54,771
GOT A LITTLE BREATHER, CAME IN
...
>> YES INDEED.
1058
00:32:54,773 --> 00:32:55,638
...
>> YES INDEED.
OH, WHAT'S HE DOIN' NOW?
1059
00:32:55,640 --> 00:32:58,608
>> YES INDEED.
OH, WHAT'S HE DOIN' NOW?
>> UH-OH, UH-OH ...
1060
00:32:58,610 --> 00:32:59,576
OH, WHAT'S HE DOIN' NOW?
>> UH-OH, UH-OH ...
>> RIGHT BACK ON HIS MAN, OH,
1061
00:32:59,578 --> 00:33:00,377
>> UH-OH, UH-OH ...
>> RIGHT BACK ON HIS MAN, OH,
NO!
1062
00:33:00,379 --> 00:33:01,511
>> RIGHT BACK ON HIS MAN, OH,
NO!
LOOK AT THAT, DUMPED HIM RIGHT
1063
00:33:01,513 --> 00:33:02,612
NO!
LOOK AT THAT, DUMPED HIM RIGHT
ON HIS HEAD.
1064
00:33:02,614 --> 00:33:03,814
LOOK AT THAT, DUMPED HIM RIGHT
ON HIS HEAD.
THAT'S THE MANEUVER THAT'S
1065
00:33:03,816 --> 00:33:05,782
ON HIS HEAD.
THAT'S THE MANEUVER THAT'S
KNOCKED OUT MANY AN OPPONENT AND
1066
00:33:05,784 --> 00:33:07,417
THAT'S THE MANEUVER THAT'S
KNOCKED OUT MANY AN OPPONENT AND
THE THREE COUNT.
1067
00:33:07,419 --> 00:33:08,485
KNOCKED OUT MANY AN OPPONENT AND
THE THREE COUNT.
GEORGE WELLS NOT ...
1068
00:33:08,487 --> 00:33:09,652
THE THREE COUNT.
GEORGE WELLS NOT ...
OH, NO!
1069
00:33:09,654 --> 00:33:10,654
GEORGE WELLS NOT ...
OH, NO!
>> OH, NO!
1070
00:33:10,656 --> 00:33:11,788
OH, NO!
>> OH, NO!
>> WE'RE NOT GONNA SEE...
1071
00:33:11,790 --> 00:33:14,725
>> OH, NO!
>> WE'RE NOT GONNA SEE...
>> I CAN'T WATCH THIS.
1072
00:33:14,727 --> 00:33:15,525
>> WE'RE NOT GONNA SEE...
>> I CAN'T WATCH THIS.
WELL, MAYBE GEORGE WILL STAY
1073
00:33:15,527 --> 00:33:16,593
>> I CAN'T WATCH THIS.
WELL, MAYBE GEORGE WILL STAY
UNCONSCIOUS ...
1074
00:33:16,595 --> 00:33:17,360
WELL, MAYBE GEORGE WILL STAY
UNCONSCIOUS ...
UH-OH.
1075
00:33:17,362 --> 00:33:18,095
UNCONSCIOUS ...
UH-OH.
>> MAYBE THERE'S NOTHING IN THE
1076
00:33:18,097 --> 00:33:19,496
UH-OH.
>> MAYBE THERE'S NOTHING IN THE
BAG.
1077
00:33:19,498 --> 00:33:20,530
>> MAYBE THERE'S NOTHING IN THE
BAG.
>> OH, YEAH.
1078
00:33:20,532 --> 00:33:21,865
BAG.
>> OH, YEAH.
>> WE HOPE NOT.
1079
00:33:21,867 --> 00:33:22,699
>> OH, YEAH.
>> WE HOPE NOT.
>> UH-OH.
1080
00:33:22,701 --> 00:33:24,434
>> WE HOPE NOT.
>> UH-OH.
>> UH-OH.
1081
00:33:24,436 --> 00:33:24,734
>> UH-OH.
>> UH-OH.
>> IT ...
1082
00:33:24,736 --> 00:33:26,536
>> UH-OH.
>> IT ...
GEORGE WELLS IS, I BELIEVE,
1083
00:33:26,538 --> 00:33:27,838
>> IT ...
GEORGE WELLS IS, I BELIEVE,
STILL UNCONSCIOUS.
1084
00:33:27,840 --> 00:33:29,472
GEORGE WELLS IS, I BELIEVE,
STILL UNCONSCIOUS.
LET'S SEE WHAT ...
1085
00:33:29,474 --> 00:33:31,374
STILL UNCONSCIOUS.
LET'S SEE WHAT ...
>> OH, MY GOODNESS!
1086
00:33:31,376 --> 00:33:32,709
LET'S SEE WHAT ...
>> OH, MY GOODNESS!
>> OH, GOD!
1087
00:33:32,711 --> 00:33:34,611
>> OH, MY GOODNESS!
>> OH, GOD!
>> LOOK AT THAT!
1088
00:33:34,613 --> 00:33:35,678
>> OH, GOD!
>> LOOK AT THAT!
THE SNAKE LITERALLY SLITHERING
1089
00:33:35,680 --> 00:33:36,880
>> LOOK AT THAT!
THE SNAKE LITERALLY SLITHERING
RIGHT OVER TO GEORGE WELLS'
1090
00:33:36,882 --> 00:33:38,581
THE SNAKE LITERALLY SLITHERING
RIGHT OVER TO GEORGE WELLS'
HEAD, LOOK AT THAT...
1091
00:33:38,583 --> 00:33:41,718
RIGHT OVER TO GEORGE WELLS'
HEAD, LOOK AT THAT...
>> GEORGE!
1092
00:33:41,720 --> 00:33:43,420
HEAD, LOOK AT THAT...
>> GEORGE!
>> OH, HE'S NOT GONNA PUT IT ON
1093
00:33:43,422 --> 00:33:45,488
>> GEORGE!
>> OH, HE'S NOT GONNA PUT IT ON
HIM.
1094
00:33:45,490 --> 00:33:47,590
>> OH, HE'S NOT GONNA PUT IT ON
HIM.
>> NO!
1095
00:33:47,592 --> 00:33:48,391
HIM.
>> NO!
>> OH, HE WRAPPED IT UNDERNEATH
1096
00:33:48,393 --> 00:33:49,492
>> NO!
>> OH, HE WRAPPED IT UNDERNEATH
HIM AND BACK AROUND, LOOK AT
1097
00:33:49,494 --> 00:33:49,793
>> OH, HE WRAPPED IT UNDERNEATH
HIM AND BACK AROUND, LOOK AT
THAT ...
1098
00:33:49,795 --> 00:33:50,560
HIM AND BACK AROUND, LOOK AT
THAT ...
IT'S A PYTHON.
1099
00:33:50,562 --> 00:33:51,394
THAT ...
IT'S A PYTHON.
HE HAS IT WRAPPED ALL OVER
1100
00:33:51,396 --> 00:33:51,895
IT'S A PYTHON.
HE HAS IT WRAPPED ALL OVER
GEORGE WELLS!
1101
00:33:51,897 --> 00:33:52,462
HE HAS IT WRAPPED ALL OVER
GEORGE WELLS!
>> OH, NO.
1102
00:33:52,464 --> 00:33:53,530
GEORGE WELLS!
>> OH, NO.
LOOK AT THAT.
1103
00:33:53,532 --> 00:33:54,564
>> OH, NO.
LOOK AT THAT.
IMAGINE THE CONSTRICTING OF THE
1104
00:33:54,566 --> 00:33:57,667
LOOK AT THAT.
IMAGINE THE CONSTRICTING OF THE
SNAKE ACROSS THE THROAT OF
1105
00:33:57,669 --> 00:34:00,504
IMAGINE THE CONSTRICTING OF THE
SNAKE ACROSS THE THROAT OF
GEORGE WELLS.
1106
00:34:00,506 --> 00:34:01,604
SNAKE ACROSS THE THROAT OF
GEORGE WELLS.
>> I JUST HOPE IF JAKE EVER
1107
00:34:01,606 --> 00:34:02,605
GEORGE WELLS.
>> I JUST HOPE IF JAKE EVER
LOSES, THAT SOMEBODY DOES THIS
1108
00:34:02,607 --> 00:34:04,607
>> I JUST HOPE IF JAKE EVER
LOSES, THAT SOMEBODY DOES THIS
TO HIM.
1109
00:34:04,609 --> 00:34:05,708
LOSES, THAT SOMEBODY DOES THIS
TO HIM.
>> LOOK AT THIS.
1110
00:34:05,710 --> 00:34:09,712
TO HIM.
>> LOOK AT THIS.
>> THIS IS REALLY ...
1111
00:34:09,714 --> 00:34:11,515
>> LOOK AT THIS.
>> THIS IS REALLY ...
OH, MY.
1112
00:34:11,517 --> 00:34:12,882
>> THIS IS REALLY ...
OH, MY.
OH, LOOK AT THAT!
1113
00:34:12,884 --> 00:34:15,585
OH, MY.
OH, LOOK AT THAT!
>> LOOK AT THAT.
1114
00:34:15,587 --> 00:34:16,553
OH, LOOK AT THAT!
>> LOOK AT THAT.
>> OH, VINCE, THIS IS ...
1115
00:34:16,555 --> 00:34:17,353
>> LOOK AT THAT.
>> OH, VINCE, THIS IS ...
WHERE'S THE REFEREE?
1116
00:34:17,355 --> 00:34:18,155
>> OH, VINCE, THIS IS ...
WHERE'S THE REFEREE?
HE'S PROBABLY TOO SCARED TO
1117
00:34:18,157 --> 00:34:18,722
WHERE'S THE REFEREE?
HE'S PROBABLY TOO SCARED TO
TOUCH THAT THING.
1118
00:34:18,724 --> 00:34:19,622
HE'S PROBABLY TOO SCARED TO
TOUCH THAT THING.
>> AND THE SNAKE TIGHTENING ITS
1119
00:34:19,624 --> 00:34:21,425
TOUCH THAT THING.
>> AND THE SNAKE TIGHTENING ITS
GRIP.
1120
00:34:21,427 --> 00:34:22,559
>> AND THE SNAKE TIGHTENING ITS
GRIP.
CLEARLY, I THINK ...
1121
00:34:22,561 --> 00:34:23,460
GRIP.
CLEARLY, I THINK ...
>> OH, COME ON.
1122
00:34:23,462 --> 00:34:24,060
CLEARLY, I THINK ...
>> OH, COME ON.
>> LOOK AT THAT.
1123
00:34:24,062 --> 00:34:24,594
>> OH, COME ON.
>> LOOK AT THAT.
HOPEFULLY ...
1124
00:34:24,596 --> 00:34:25,728
>> LOOK AT THAT.
HOPEFULLY ...
>> OH, OH, OH!
1125
00:34:25,730 --> 00:34:26,496
HOPEFULLY ...
>> OH, OH, OH!
>> OH, MY GOODNESS.
1126
00:34:26,498 --> 00:34:28,398
>> OH, OH, OH!
>> OH, MY GOODNESS.
LOOK AT THIS.
1127
00:34:28,400 --> 00:34:29,332
>> OH, MY GOODNESS.
LOOK AT THIS.
>> OH [CHUCKLES] .
1128
00:34:29,334 --> 00:34:30,467
LOOK AT THIS.
>> OH [CHUCKLES] .
>> IS THAT DISGUSTING OR WHAT?
1129
00:34:30,469 --> 00:34:31,501
>> OH [CHUCKLES] .
>> IS THAT DISGUSTING OR WHAT?
>> PUT THAT THING BACK IN THE
1130
00:34:31,503 --> 00:34:33,436
>> IS THAT DISGUSTING OR WHAT?
>> PUT THAT THING BACK IN THE
BAG.
1131
00:34:33,438 --> 00:34:33,903
>> PUT THAT THING BACK IN THE
BAG.
>> I'LL SAY.
1132
00:34:33,905 --> 00:34:35,572
BAG.
>> I'LL SAY.
>> OH, REALLY.
1133
00:34:35,574 --> 00:34:36,539
>> I'LL SAY.
>> OH, REALLY.
>> DOES HE REMIND YOU OF ANYONE
1134
00:34:36,541 --> 00:34:38,541
>> OH, REALLY.
>> DOES HE REMIND YOU OF ANYONE
YOU KNOW, SUSAN?
1135
00:34:38,543 --> 00:34:39,776
>> DOES HE REMIND YOU OF ANYONE
YOU KNOW, SUSAN?
>> OH, MOST CERTAINLY NOT.
1136
00:34:39,778 --> 00:34:40,510
YOU KNOW, SUSAN?
>> OH, MOST CERTAINLY NOT.
>> UGH!
1137
00:34:40,512 --> 00:34:42,745
>> OH, MOST CERTAINLY NOT.
>> UGH!
>> UGH.
1138
00:34:42,747 --> 00:34:43,513
>> UGH!
>> UGH.
ALL RIGHT.
1139
00:34:43,515 --> 00:34:46,716
>> UGH.
ALL RIGHT.
WE GOT THE POINT, JAKE.
1140
00:34:46,718 --> 00:34:48,718
ALL RIGHT.
WE GOT THE POINT, JAKE.
POOR GEORGE.
1141
00:34:48,720 --> 00:34:49,819
WE GOT THE POINT, JAKE.
POOR GEORGE.
HE BETTER WORK ON ...
1142
00:34:49,821 --> 00:34:51,521
POOR GEORGE.
HE BETTER WORK ON ...
HE SHOULD'VE TAKEN HIM OUT
1143
00:34:51,523 --> 00:34:52,656
HE BETTER WORK ON ...
HE SHOULD'VE TAKEN HIM OUT
EARLIER IN THE MATCH WHEN HE HAD
1144
00:34:52,658 --> 00:34:53,656
HE SHOULD'VE TAKEN HIM OUT
EARLIER IN THE MATCH WHEN HE HAD
THE ADVANTAGE, AND NOT LET THIS
1145
00:34:53,658 --> 00:34:54,791
EARLIER IN THE MATCH WHEN HE HAD
THE ADVANTAGE, AND NOT LET THIS
COME TO THIS.
1146
00:34:54,793 --> 00:34:55,725
THE ADVANTAGE, AND NOT LET THIS
COME TO THIS.
>> GOOD POINT, HE CERTAINLY HAD
1147
00:34:55,727 --> 00:34:57,660
COME TO THIS.
>> GOOD POINT, HE CERTAINLY HAD
HIS OPPORTUNITY EARLIER ON.
1148
00:34:57,662 --> 00:34:58,628
>> GOOD POINT, HE CERTAINLY HAD
HIS OPPORTUNITY EARLIER ON.
>> HE REALLY DID.
1149
00:34:58,630 --> 00:34:59,662
HIS OPPORTUNITY EARLIER ON.
>> HE REALLY DID.
>> NONETHELESS, IT'LL GO DOWN AS
1150
00:34:59,664 --> 00:35:01,431
>> HE REALLY DID.
>> NONETHELESS, IT'LL GO DOWN AS
A VICTORY, ONCE AGAIN, FOR JAKE
1151
00:35:01,433 --> 00:35:03,733
>> NONETHELESS, IT'LL GO DOWN AS
A VICTORY, ONCE AGAIN, FOR JAKE
THE SNAKE ROBERTS, AND THUS FAR,
1152
00:35:03,735 --> 00:35:10,507
A VICTORY, ONCE AGAIN, FOR JAKE
THE SNAKE ROBERTS, AND THUS FAR,
JAKE THE SNAKE IS UNDEFEATED.
1153
00:35:10,509 --> 00:35:11,508
THE SNAKE ROBERTS, AND THUS FAR,
JAKE THE SNAKE IS UNDEFEATED.
ALL RIGHT.
1154
00:35:11,510 --> 00:35:13,543
JAKE THE SNAKE IS UNDEFEATED.
ALL RIGHT.
WE GO BACK TO THE REPLAY NOW.
1155
00:35:13,545 --> 00:35:15,445
ALL RIGHT.
WE GO BACK TO THE REPLAY NOW.
AND THERE, THAT WAS THE MANEUVER
1156
00:35:15,447 --> 00:35:16,779
WE GO BACK TO THE REPLAY NOW.
AND THERE, THAT WAS THE MANEUVER
THAT KNOCKED GEORGE WELLS
1157
00:35:16,781 --> 00:35:17,680
AND THERE, THAT WAS THE MANEUVER
THAT KNOCKED GEORGE WELLS
UNCONSCIOUS.
1158
00:35:17,682 --> 00:35:18,615
THAT KNOCKED GEORGE WELLS
UNCONSCIOUS.
AFTER WHICH, OF COURSE, WE SAW
1159
00:35:18,617 --> 00:35:21,518
UNCONSCIOUS.
AFTER WHICH, OF COURSE, WE SAW
THE FRIEND.
1160
00:35:21,520 --> 00:35:22,485
AFTER WHICH, OF COURSE, WE SAW
THE FRIEND.
>> BOUNCED HIM -- BOUNCED HIM
1161
00:35:22,487 --> 00:35:23,152
THE FRIEND.
>> BOUNCED HIM -- BOUNCED HIM
RIGHT OFF HIS HEAD.
1162
00:35:23,154 --> 00:35:23,786
>> BOUNCED HIM -- BOUNCED HIM
RIGHT OFF HIS HEAD.
>> YES, HE DID, INDEED.
1163
00:35:23,788 --> 00:35:25,421
RIGHT OFF HIS HEAD.
>> YES, HE DID, INDEED.
AND UNFORTUNATELY FOR GEORGE
1164
00:35:25,423 --> 00:35:26,423
>> YES, HE DID, INDEED.
AND UNFORTUNATELY FOR GEORGE
WELLS, A BOWING TO DEFEAT, AND
1165
00:35:26,425 --> 00:35:28,525
AND UNFORTUNATELY FOR GEORGE
WELLS, A BOWING TO DEFEAT, AND
THUS, AS WE STATED EARLIER ON,
1166
00:35:28,527 --> 00:35:29,526
WELLS, A BOWING TO DEFEAT, AND
THUS, AS WE STATED EARLIER ON,
THE UNDEFEATED STREAK REMAINS
1167
00:35:29,528 --> 00:35:30,960
THUS, AS WE STATED EARLIER ON,
THE UNDEFEATED STREAK REMAINS
INTACT.
1168
00:35:30,962 --> 00:35:32,762
THE UNDEFEATED STREAK REMAINS
INTACT.
AND JAKE THE SNAKE AND HIS
1169
00:35:32,764 --> 00:35:33,696
INTACT.
AND JAKE THE SNAKE AND HIS
FRIEND, THE SNAKE, CONTINUE
1170
00:35:33,698 --> 00:35:35,899
AND JAKE THE SNAKE AND HIS
FRIEND, THE SNAKE, CONTINUE
THEIR VICTORIOUS REIGN.
1171
00:35:35,901 --> 00:35:36,533
FRIEND, THE SNAKE, CONTINUE
THEIR VICTORIOUS REIGN.
WE'RE GONNA TAKE YOU NOW, LADIES
1172
00:35:36,535 --> 00:35:38,801
THEIR VICTORIOUS REIGN.
WE'RE GONNA TAKE YOU NOW, LADIES
AND GENTLEMEN, TO SOME
1173
00:35:38,803 --> 00:35:40,737
WE'RE GONNA TAKE YOU NOW, LADIES
AND GENTLEMEN, TO SOME
VIDEOTAPED FOOTAGE, AS A MATTER
1174
00:35:40,739 --> 00:35:41,671
AND GENTLEMEN, TO SOME
VIDEOTAPED FOOTAGE, AS A MATTER
OF FACT.
1175
00:35:41,673 --> 00:35:43,540
VIDEOTAPED FOOTAGE, AS A MATTER
OF FACT.
IT'S SOMEWHAT OF A HISTORY OF
1176
00:35:43,542 --> 00:35:44,807
OF FACT.
IT'S SOMEWHAT OF A HISTORY OF
HOW ROWDY RODDY PIPER AND MR. T
1177
00:35:44,809 --> 00:35:46,676
IT'S SOMEWHAT OF A HISTORY OF
HOW ROWDY RODDY PIPER AND MR. T
STARTED THEIR FEUD.
1178
00:35:46,678 --> 00:35:47,810
HOW ROWDY RODDY PIPER AND MR. T
STARTED THEIR FEUD.
SO, LET'S TAKE YOU NOW, IF WE
1179
00:35:47,812 --> 00:35:49,646
STARTED THEIR FEUD.
SO, LET'S TAKE YOU NOW, IF WE
MAY, TO THAT FOOTAGE AND MAYBE A
1180
00:35:49,648 --> 00:35:50,547
SO, LET'S TAKE YOU NOW, IF WE
MAY, TO THAT FOOTAGE AND MAYBE A
LITTLE UNDERSTANDING.
1181
00:35:50,549 --> 00:35:52,916
MAY, TO THAT FOOTAGE AND MAYBE A
LITTLE UNDERSTANDING.
WE'LL FIRST BEGIN IN PHOENIX.
1182
00:35:52,918 --> 00:35:53,717
LITTLE UNDERSTANDING.
WE'LL FIRST BEGIN IN PHOENIX.
>> ALL RIGHT.
1183
00:35:53,719 --> 00:35:55,552
WE'LL FIRST BEGIN IN PHOENIX.
>> ALL RIGHT.
TREMENDOUS OVATION FOR THE ONE
1184
00:35:55,554 --> 00:35:57,320
>> ALL RIGHT.
TREMENDOUS OVATION FOR THE ONE
AND ONLY MR. T.
1185
00:35:57,322 --> 00:35:58,721
TREMENDOUS OVATION FOR THE ONE
AND ONLY MR. T.
WAIT, HERE COME PIPER.
1186
00:35:58,723 --> 00:35:59,522
AND ONLY MR. T.
WAIT, HERE COME PIPER.
WAIT A MINUTE.
1187
00:35:59,524 --> 00:36:00,623
WAIT, HERE COME PIPER.
WAIT A MINUTE.
RODDY COMING INTO THE RING.
1188
00:36:00,625 --> 00:36:01,691
WAIT A MINUTE.
RODDY COMING INTO THE RING.
YES, AND YOU CAN BET HE'S NOT
1189
00:36:01,693 --> 00:36:02,659
RODDY COMING INTO THE RING.
YES, AND YOU CAN BET HE'S NOT
PLEASED AT ALL WITH THIS
1190
00:36:02,661 --> 00:36:03,693
YES, AND YOU CAN BET HE'S NOT
PLEASED AT ALL WITH THIS
OUTCOME.
1191
00:36:03,695 --> 00:36:05,862
PLEASED AT ALL WITH THIS
OUTCOME.
NOT AT ALL.
1192
00:36:05,864 --> 00:36:06,629
OUTCOME.
NOT AT ALL.
THE TRIP ...
1193
00:36:06,631 --> 00:36:07,497
NOT AT ALL.
THE TRIP ...
OH, WHAT?
1194
00:36:07,499 --> 00:36:08,098
THE TRIP ...
OH, WHAT?
PIPER HAVING NO LOVE LOST FOR
1195
00:36:08,100 --> 00:36:09,699
OH, WHAT?
PIPER HAVING NO LOVE LOST FOR
MR. T, AND YOU CAN BET THE
1196
00:36:09,701 --> 00:36:10,901
PIPER HAVING NO LOVE LOST FOR
MR. T, AND YOU CAN BET THE
FEELING IS MUTUAL.
1197
00:36:10,903 --> 00:36:12,402
MR. T, AND YOU CAN BET THE
FEELING IS MUTUAL.
AND WHAT'S -- WHAT'S HAPPENING
1198
00:36:12,404 --> 00:36:13,503
FEELING IS MUTUAL.
AND WHAT'S -- WHAT'S HAPPENING
HERE?
1199
00:36:13,505 --> 00:36:14,404
AND WHAT'S -- WHAT'S HAPPENING
HERE?
>> I BELIEVE -- I BELIEVE T IS
1200
00:36:14,406 --> 00:36:15,505
HERE?
>> I BELIEVE -- I BELIEVE T IS
ASKING THE REFEREE TO STEP OUT
1201
00:36:15,507 --> 00:36:16,706
>> I BELIEVE -- I BELIEVE T IS
ASKING THE REFEREE TO STEP OUT
OF THE RING, MCMAHON.
1202
00:36:16,708 --> 00:36:17,607
ASKING THE REFEREE TO STEP OUT
OF THE RING, MCMAHON.
I'VE NEVER HEARD OF SUCH
1203
00:36:17,609 --> 00:36:19,409
OF THE RING, MCMAHON.
I'VE NEVER HEARD OF SUCH
NONSENSE BEFORE.
1204
00:36:19,411 --> 00:36:20,844
I'VE NEVER HEARD OF SUCH
NONSENSE BEFORE.
DON'T TELL ME THEY'RE ...
1205
00:36:20,846 --> 00:36:22,546
NONSENSE BEFORE.
DON'T TELL ME THEY'RE ...
I THINK -- I THINK PIPER HAS
1206
00:36:22,548 --> 00:36:23,446
DON'T TELL ME THEY'RE ...
I THINK -- I THINK PIPER HAS
ISSUED A CHALLENGE TO MR. T.
1207
00:36:23,448 --> 00:36:26,449
I THINK -- I THINK PIPER HAS
ISSUED A CHALLENGE TO MR. T.
PIPER HAS NO GLOVES ON
1208
00:36:26,451 --> 00:36:27,684
ISSUED A CHALLENGE TO MR. T.
PIPER HAS NO GLOVES ON
WHATSOEVER.
1209
00:36:27,686 --> 00:36:29,552
PIPER HAS NO GLOVES ON
WHATSOEVER.
BARE-KNUCKLED PIPER.
1210
00:36:29,554 --> 00:36:29,953
WHATSOEVER.
BARE-KNUCKLED PIPER.
YES!
1211
00:36:29,955 --> 00:36:31,387
BARE-KNUCKLED PIPER.
YES!
PIPER WANTS TO SHOW HIS SKILLS
1212
00:36:31,389 --> 00:36:32,255
YES!
PIPER WANTS TO SHOW HIS SKILLS
HERE, AND T, I THINK, IS GONNA
1213
00:36:32,257 --> 00:36:35,525
PIPER WANTS TO SHOW HIS SKILLS
HERE, AND T, I THINK, IS GONNA
FALL FOR IT.
1214
00:36:35,527 --> 00:36:36,459
HERE, AND T, I THINK, IS GONNA
FALL FOR IT.
>> THIS IS UNBELIEVABLE,
1215
00:36:36,461 --> 00:36:37,493
FALL FOR IT.
>> THIS IS UNBELIEVABLE,
MCMAHON.
1216
00:36:37,495 --> 00:36:38,395
>> THIS IS UNBELIEVABLE,
MCMAHON.
WHAT A MATCHUP.
1217
00:36:38,397 --> 00:36:39,329
MCMAHON.
WHAT A MATCHUP.
WHAT A MATCHUP.
1218
00:36:39,331 --> 00:36:40,330
WHAT A MATCHUP.
WHAT A MATCHUP.
PIPER AND T.
1219
00:36:40,332 --> 00:36:40,930
WHAT A MATCHUP.
PIPER AND T.
>> WAIT A MINUTE.
1220
00:36:40,932 --> 00:36:42,232
PIPER AND T.
>> WAIT A MINUTE.
FROM BEHIND, THE KNEE OF ORTON
1221
00:36:42,234 --> 00:36:43,466
>> WAIT A MINUTE.
FROM BEHIND, THE KNEE OF ORTON
INTO THE BACK OF MR. T.
1222
00:36:43,468 --> 00:36:44,467
FROM BEHIND, THE KNEE OF ORTON
INTO THE BACK OF MR. T.
>> THAT'S ONE WAY TO PUT HIM
1223
00:36:44,469 --> 00:36:46,102
INTO THE BACK OF MR. T.
>> THAT'S ONE WAY TO PUT HIM
DOWN.
1224
00:36:46,104 --> 00:36:47,503
>> THAT'S ONE WAY TO PUT HIM
DOWN.
>> YES, THERE'S NO DOUBT WE ARE
1225
00:36:47,505 --> 00:36:48,238
DOWN.
>> YES, THERE'S NO DOUBT WE ARE
LOOKING FORWARD TO THE MATCHUP
1226
00:36:48,240 --> 00:36:49,472
>> YES, THERE'S NO DOUBT WE ARE
LOOKING FORWARD TO THE MATCHUP
WITH MR. T AND ROWDY RODDY
1227
00:36:49,474 --> 00:36:51,007
LOOKING FORWARD TO THE MATCHUP
WITH MR. T AND ROWDY RODDY
PIPER.
1228
00:36:51,009 --> 00:36:51,507
WITH MR. T AND ROWDY RODDY
PIPER.
TEN ROUNDS OF BOXING.
1229
00:36:51,509 --> 00:36:52,509
PIPER.
TEN ROUNDS OF BOXING.
BUT, STANDING BY RIGHT NOW,
1230
00:36:52,511 --> 00:36:53,576
TEN ROUNDS OF BOXING.
BUT, STANDING BY RIGHT NOW,
LADIES AND GENTLEMEN, THE WORLD
1231
00:36:53,578 --> 00:36:54,243
BUT, STANDING BY RIGHT NOW,
LADIES AND GENTLEMEN, THE WORLD
WRESTLING ENTERTAINMENT
1232
00:36:54,245 --> 00:36:55,478
LADIES AND GENTLEMEN, THE WORLD
WRESTLING ENTERTAINMENT
HEAVYWEIGHT CHAMPION,
1233
00:36:55,480 --> 00:36:56,813
WRESTLING ENTERTAINMENT
HEAVYWEIGHT CHAMPION,
HULK HOGAN, AND
1234
00:36:56,815 --> 00:36:57,780
HEAVYWEIGHT CHAMPION,
HULK HOGAN, AND
JESSE THE BODY VENTURA.
1235
00:36:57,782 --> 00:36:59,048
HULK HOGAN, AND
JESSE THE BODY VENTURA.
LET'S TAKE YOU, NOW, TO LOS
1236
00:36:59,050 --> 00:37:01,818
JESSE THE BODY VENTURA.
LET'S TAKE YOU, NOW, TO LOS
ANGELES.
1237
00:37:01,820 --> 00:37:02,886
LET'S TAKE YOU, NOW, TO LOS
ANGELES.
>> MCMAHON, YOU DON'T HAVE TO
1238
00:37:02,888 --> 00:37:03,586
ANGELES.
>> MCMAHON, YOU DON'T HAVE TO
THROW NOTHING TO ME.
1239
00:37:03,588 --> 00:37:04,821
>> MCMAHON, YOU DON'T HAVE TO
THROW NOTHING TO ME.
THIS IS JESSE THE BODY OUT IN
1240
00:37:04,823 --> 00:37:06,422
THROW NOTHING TO ME.
THIS IS JESSE THE BODY OUT IN
LOS ANGELES WITH WRESTLEMANIA 2.
1241
00:37:06,424 --> 00:37:08,725
THIS IS JESSE THE BODY OUT IN
LOS ANGELES WITH WRESTLEMANIA 2.
WITH ME, WORLD HEAVYWEIGHT
1242
00:37:08,727 --> 00:37:10,627
LOS ANGELES WITH WRESTLEMANIA 2.
WITH ME, WORLD HEAVYWEIGHT
CHAMPION HULK HOGAN.
1243
00:37:10,629 --> 00:37:12,795
WITH ME, WORLD HEAVYWEIGHT
CHAMPION HULK HOGAN.
HOGAN, YOUR RIBS ARE INJURED.
1244
00:37:12,797 --> 00:37:13,663
CHAMPION HULK HOGAN.
HOGAN, YOUR RIBS ARE INJURED.
YOU'RE FACING THE BIGGEST,
1245
00:37:13,665 --> 00:37:15,498
HOGAN, YOUR RIBS ARE INJURED.
YOU'RE FACING THE BIGGEST,
TOUGHEST MAN, I BELIEVE, YOU'VE
1246
00:37:15,500 --> 00:37:16,165
YOU'RE FACING THE BIGGEST,
TOUGHEST MAN, I BELIEVE, YOU'VE
EVER FACED IN YOUR CAREER IN
1247
00:37:16,167 --> 00:37:17,600
TOUGHEST MAN, I BELIEVE, YOU'VE
EVER FACED IN YOUR CAREER IN
KING KONG BUNDY, INSIDE A STEEL
1248
00:37:17,602 --> 00:37:19,502
EVER FACED IN YOUR CAREER IN
KING KONG BUNDY, INSIDE A STEEL
CAGE.
1249
00:37:19,504 --> 00:37:20,470
KING KONG BUNDY, INSIDE A STEEL
CAGE.
MAN, I CAN'T BELIEVE YOU'D DO
1250
00:37:20,472 --> 00:37:21,437
CAGE.
MAN, I CAN'T BELIEVE YOU'D DO
SOMETHING LIKE THAT AS CHAMPION
1251
00:37:21,439 --> 00:37:22,672
MAN, I CAN'T BELIEVE YOU'D DO
SOMETHING LIKE THAT AS CHAMPION
OF THE WORLD.
1252
00:37:22,674 --> 00:37:23,439
SOMETHING LIKE THAT AS CHAMPION
OF THE WORLD.
>> WELL, YOU KNOW VENTURA, I
1253
00:37:23,441 --> 00:37:24,507
OF THE WORLD.
>> WELL, YOU KNOW VENTURA, I
DON'T CARE WHAT YOU BELIEVE,
1254
00:37:24,509 --> 00:37:25,508
>> WELL, YOU KNOW VENTURA, I
DON'T CARE WHAT YOU BELIEVE,
BROTHER, YOU'RE GETTING PAID TO
1255
00:37:25,510 --> 00:37:26,643
DON'T CARE WHAT YOU BELIEVE,
BROTHER, YOU'RE GETTING PAID TO
ASK THE QUESTIONS.
1256
00:37:26,645 --> 00:37:27,877
BROTHER, YOU'RE GETTING PAID TO
ASK THE QUESTIONS.
WHETHER MY RIBS ARE BUSTED UP OR
1257
00:37:27,879 --> 00:37:29,813
ASK THE QUESTIONS.
WHETHER MY RIBS ARE BUSTED UP OR
NOT, I'M GONNA DEFEND THIS WORLD
1258
00:37:29,815 --> 00:37:31,547
WHETHER MY RIBS ARE BUSTED UP OR
NOT, I'M GONNA DEFEND THIS WORLD
HEAVYWEIGHT TITLE, MAN.
1259
00:37:31,549 --> 00:37:32,749
NOT, I'M GONNA DEFEND THIS WORLD
HEAVYWEIGHT TITLE, MAN.
IT'S EVERYTHING I BELIEVE IN,
1260
00:37:32,751 --> 00:37:34,384
HEAVYWEIGHT TITLE, MAN.
IT'S EVERYTHING I BELIEVE IN,
ALL THOSE LITTLE HULKSTERS, AND
1261
00:37:34,386 --> 00:37:35,785
IT'S EVERYTHING I BELIEVE IN,
ALL THOSE LITTLE HULKSTERS, AND
IT STANDS FOR AMERICA, BROTHER.
1262
00:37:35,787 --> 00:37:37,420
ALL THOSE LITTLE HULKSTERS, AND
IT STANDS FOR AMERICA, BROTHER.
BUNDY'S GOING DOWN.
1263
00:37:37,422 --> 00:37:38,488
IT STANDS FOR AMERICA, BROTHER.
BUNDY'S GOING DOWN.
IT DOESN'T MATTER ABOUT THE
1264
00:37:38,490 --> 00:37:39,456
BUNDY'S GOING DOWN.
IT DOESN'T MATTER ABOUT THE
RIBS, VENTURA.
1265
00:37:39,458 --> 00:37:41,691
IT DOESN'T MATTER ABOUT THE
RIBS, VENTURA.
AND AS FAR AS MR. T AND ROWDY
1266
00:37:41,693 --> 00:37:43,627
RIBS, VENTURA.
AND AS FAR AS MR. T AND ROWDY
RODDY PIPER, I'M GONNA MAKE A
1267
00:37:43,629 --> 00:37:45,461
AND AS FAR AS MR. T AND ROWDY
RODDY PIPER, I'M GONNA MAKE A
PREDICTION THAT MR. T IS GONNA
1268
00:37:45,463 --> 00:37:46,729
RODDY PIPER, I'M GONNA MAKE A
PREDICTION THAT MR. T IS GONNA
COME OUT ON TOP BECAUSE HE'S
1269
00:37:46,731 --> 00:37:47,697
PREDICTION THAT MR. T IS GONNA
COME OUT ON TOP BECAUSE HE'S
FIGHTING FOR WHAT HE BELIEVES
1270
00:37:47,699 --> 00:37:49,499
COME OUT ON TOP BECAUSE HE'S
FIGHTING FOR WHAT HE BELIEVES
IN, TOO.
1271
00:37:49,501 --> 00:37:50,533
FIGHTING FOR WHAT HE BELIEVES
IN, TOO.
AND PIPER, JUST LIKE A LOT OF
1272
00:37:50,535 --> 00:37:51,567
IN, TOO.
AND PIPER, JUST LIKE A LOT OF
OTHER DUDES AROUND HERE, LIKE
1273
00:37:51,569 --> 00:37:53,603
AND PIPER, JUST LIKE A LOT OF
OTHER DUDES AROUND HERE, LIKE
YOU, VENTURA, TAKE A LOT OF
1274
00:37:53,605 --> 00:37:54,671
OTHER DUDES AROUND HERE, LIKE
YOU, VENTURA, TAKE A LOT OF
SHORTCUTS, AND GO DOWN AWFUL
1275
00:37:54,673 --> 00:37:56,572
YOU, VENTURA, TAKE A LOT OF
SHORTCUTS, AND GO DOWN AWFUL
QUICK.
1276
00:37:56,574 --> 00:37:57,974
SHORTCUTS, AND GO DOWN AWFUL
QUICK.
>> I'LL JUST SAY THIS, GOOD GUYS
1277
00:37:57,976 --> 00:38:00,543
QUICK.
>> I'LL JUST SAY THIS, GOOD GUYS
DON'T ALWAYS FINISH FIRST
1278
00:38:00,545 --> 00:38:02,412
>> I'LL JUST SAY THIS, GOOD GUYS
DON'T ALWAYS FINISH FIRST
[LAUGHS] .
1279
00:38:02,414 --> 00:38:03,746
DON'T ALWAYS FINISH FIRST
[LAUGHS] .
>> THERE'S NO DOUBT WE'RE GOING
1280
00:38:03,748 --> 00:38:04,781
[LAUGHS] .
>> THERE'S NO DOUBT WE'RE GOING
TO BE LOOKING FORWARD TO THAT
1281
00:38:04,783 --> 00:38:05,515
>> THERE'S NO DOUBT WE'RE GOING
TO BE LOOKING FORWARD TO THAT
MATCHUP AS WELL, SUSAN.
1282
00:38:05,517 --> 00:38:06,582
TO BE LOOKING FORWARD TO THAT
MATCHUP AS WELL, SUSAN.
OF COURSE, THE WORLD WRESTLING
1283
00:38:06,584 --> 00:38:07,584
MATCHUP AS WELL, SUSAN.
OF COURSE, THE WORLD WRESTLING
ENTERTAINMENT TITLE ON THE LINE
1284
00:38:07,586 --> 00:38:09,585
OF COURSE, THE WORLD WRESTLING
ENTERTAINMENT TITLE ON THE LINE
IN THAT STEEL CAGE MATCHUP.
1285
00:38:09,587 --> 00:38:10,553
ENTERTAINMENT TITLE ON THE LINE
IN THAT STEEL CAGE MATCHUP.
>> I KNOW, AND WITH HIS RIBS
1286
00:38:10,555 --> 00:38:11,621
IN THAT STEEL CAGE MATCHUP.
>> I KNOW, AND WITH HIS RIBS
HURT?
1287
00:38:11,623 --> 00:38:12,455
>> I KNOW, AND WITH HIS RIBS
HURT?
I SAW THAT MATCH.
1288
00:38:12,457 --> 00:38:13,523
HURT?
I SAW THAT MATCH.
I CAN'T BELIEVE IT.
1289
00:38:13,525 --> 00:38:14,857
I SAW THAT MATCH.
I CAN'T BELIEVE IT.
I'M REALLY ROOTING FOR HULK.
1290
00:38:14,859 --> 00:38:15,692
I CAN'T BELIEVE IT.
I'M REALLY ROOTING FOR HULK.
>> ALL RIGHT.
1291
00:38:15,694 --> 00:38:16,559
I'M REALLY ROOTING FOR HULK.
>> ALL RIGHT.
WELL, STANDING BY, NOW, LADIES
1292
00:38:16,561 --> 00:38:17,460
>> ALL RIGHT.
WELL, STANDING BY, NOW, LADIES
AND GENTLEMEN, OUR RING
1293
00:38:17,462 --> 00:38:18,661
WELL, STANDING BY, NOW, LADIES
AND GENTLEMEN, OUR RING
ANNOUNCER, HOWARD FINKEL, JUST
1294
00:38:18,663 --> 00:38:19,796
AND GENTLEMEN, OUR RING
ANNOUNCER, HOWARD FINKEL, JUST
ABOUT READY TO INTRODUCE ALL THE
1295
00:38:19,798 --> 00:38:22,532
ANNOUNCER, HOWARD FINKEL, JUST
ABOUT READY TO INTRODUCE ALL THE
GUEST CELEBRITIES.
1296
00:38:22,534 --> 00:38:24,600
ABOUT READY TO INTRODUCE ALL THE
GUEST CELEBRITIES.
>> LADIES AND GENTLEMEN, AT THIS
1297
00:38:24,602 --> 00:38:25,535
GUEST CELEBRITIES.
>> LADIES AND GENTLEMEN, AT THIS
TIME I SHOULD LIKE TO INTRODUCE
1298
00:38:25,537 --> 00:38:28,604
>> LADIES AND GENTLEMEN, AT THIS
TIME I SHOULD LIKE TO INTRODUCE
OUR GUEST RING ANNOUNCER.
1299
00:38:28,606 --> 00:38:29,839
TIME I SHOULD LIKE TO INTRODUCE
OUR GUEST RING ANNOUNCER.
SHE IS, WITHOUT A QUESTION OF A
1300
00:38:29,841 --> 00:38:32,608
OUR GUEST RING ANNOUNCER.
SHE IS, WITHOUT A QUESTION OF A
DOUBT, THE PREMIER COMEDIAN IN
1301
00:38:32,610 --> 00:38:34,377
SHE IS, WITHOUT A QUESTION OF A
DOUBT, THE PREMIER COMEDIAN IN
THE WORLD TODAY.
1302
00:38:34,379 --> 00:38:35,978
DOUBT, THE PREMIER COMEDIAN IN
THE WORLD TODAY.
LADIES AND GENTLEMEN, THE
1303
00:38:35,980 --> 00:38:49,626
THE WORLD TODAY.
LADIES AND GENTLEMEN, THE
INCULPABLE JOAN RIVERS!
1304
00:38:49,628 --> 00:38:52,529
LADIES AND GENTLEMEN, THE
INCULPABLE JOAN RIVERS!
>> FIRST OF ALL, IS THIS
1305
00:38:52,531 --> 00:38:53,496
INCULPABLE JOAN RIVERS!
>> FIRST OF ALL, IS THIS
WONDERFUL?
1306
00:38:53,498 --> 00:38:56,666
>> FIRST OF ALL, IS THIS
WONDERFUL?
IT'S JUST INCREDIBLE.
1307
00:38:56,668 --> 00:38:57,600
WONDERFUL?
IT'S JUST INCREDIBLE.
OH, I AM THRILLED TO BE AT
1308
00:38:57,602 --> 00:39:02,438
IT'S JUST INCREDIBLE.
OH, I AM THRILLED TO BE AT
WRESTLEMANIA 2.
1309
00:39:02,440 --> 00:39:03,706
OH, I AM THRILLED TO BE AT
WRESTLEMANIA 2.
I WOULD LIKE TO INTRODUCE THE
1310
00:39:03,708 --> 00:39:06,676
WRESTLEMANIA 2.
I WOULD LIKE TO INTRODUCE THE
JUDGES TO YOU.
1311
00:39:06,678 --> 00:39:10,213
I WOULD LIKE TO INTRODUCE THE
JUDGES TO YOU.
OUR FIRST JUDGE, THE MAN WHO IS
1312
00:39:10,215 --> 00:39:11,647
JUDGES TO YOU.
OUR FIRST JUDGE, THE MAN WHO IS
BEST KNOWN FOR SLAMMING AND
1313
00:39:11,649 --> 00:39:14,917
OUR FIRST JUDGE, THE MAN WHO IS
BEST KNOWN FOR SLAMMING AND
JAMMING THE BASKETBALL, FROM NBA
1314
00:39:14,919 --> 00:39:17,854
BEST KNOWN FOR SLAMMING AND
JAMMING THE BASKETBALL, FROM NBA
NEW JERSEY NETS, CHOCOLATE
1315
00:39:17,856 --> 00:39:27,530
JAMMING THE BASKETBALL, FROM NBA
NEW JERSEY NETS, CHOCOLATE
THUNDER, DARRYL DAWKINS!
1316
00:39:27,532 --> 00:39:41,577
NEW JERSEY NETS, CHOCOLATE
THUNDER, DARRYL DAWKINS!
[ CHEERING ]
1317
00:39:41,579 --> 00:39:48,752
THUNDER, DARRYL DAWKINS!
[ CHEERING ]
>> WAVE TO THE PEOPLE.
1318
00:39:48,754 --> 00:39:51,554
[ CHEERING ]
>> WAVE TO THE PEOPLE.
>> OKAY, OUR NEXT JUDGE IS ONE
1319
00:39:51,556 --> 00:39:54,490
>> WAVE TO THE PEOPLE.
>> OKAY, OUR NEXT JUDGE IS ONE
OF SHOW BUSINESS'S LEGENDS, THE
1320
00:39:54,492 --> 00:39:58,628
>> OKAY, OUR NEXT JUDGE IS ONE
OF SHOW BUSINESS'S LEGENDS, THE
HI DE HI MAN, CAB CALLOWAY.
1321
00:39:58,630 --> 00:40:08,938
OF SHOW BUSINESS'S LEGENDS, THE
HI DE HI MAN, CAB CALLOWAY.
[ CHEERING ]
1322
00:40:08,940 --> 00:40:11,674
HI DE HI MAN, CAB CALLOWAY.
[ CHEERING ]
>> OUR THIRD JUDGE, ONE OF MY
1323
00:40:11,676 --> 00:40:15,011
[ CHEERING ]
>> OUR THIRD JUDGE, ONE OF MY
FAVORITE WATERGATE JUDGES, G.
1324
00:40:15,013 --> 00:40:28,691
>> OUR THIRD JUDGE, ONE OF MY
FAVORITE WATERGATE JUDGES, G.
GORDON LIDDY.
1325
00:40:28,693 --> 00:40:33,563
FAVORITE WATERGATE JUDGES, G.
GORDON LIDDY.
[ BOOING ]
1326
00:40:33,565 --> 00:40:34,831
GORDON LIDDY.
[ BOOING ]
>> AND NOW, SOMEONE I HAVE BEEN
1327
00:40:34,833 --> 00:40:38,868
[ BOOING ]
>> AND NOW, SOMEONE I HAVE BEEN
DYING TO MEET, THE TIMEKEEPER,
1328
00:40:38,870 --> 00:40:59,422
>> AND NOW, SOMEONE I HAVE BEEN
DYING TO MEET, THE TIMEKEEPER,
HERB!
1329
00:40:59,424 --> 00:41:01,724
DYING TO MEET, THE TIMEKEEPER,
HERB!
AND NOW, IT'S TIME FOR THE MAIN
1330
00:41:01,726 --> 00:41:05,795
HERB!
AND NOW, IT'S TIME FOR THE MAIN
EVENT, A SCHEDULED 10 ROUNDS OF
1331
00:41:05,797 --> 00:41:11,801
AND NOW, IT'S TIME FOR THE MAIN
EVENT, A SCHEDULED 10 ROUNDS OF
BOXING.
1332
00:41:11,803 --> 00:41:13,369
EVENT, A SCHEDULED 10 ROUNDS OF
BOXING.
>> ALL RIGHT, ANXIOUSLY AWAITING
1333
00:41:13,371 --> 00:41:16,672
BOXING.
>> ALL RIGHT, ANXIOUSLY AWAITING
NOW THE PARTICIPANTS IN THE MAIN
1334
00:41:16,674 --> 00:41:19,576
>> ALL RIGHT, ANXIOUSLY AWAITING
NOW THE PARTICIPANTS IN THE MAIN
EVENT, AND YOU CAN BET THAT
1335
00:41:19,578 --> 00:41:21,878
NOW THE PARTICIPANTS IN THE MAIN
EVENT, AND YOU CAN BET THAT
WE'RE GONNA SEE THE FUR FLY IN
1336
00:41:21,880 --> 00:41:23,646
EVENT, AND YOU CAN BET THAT
WE'RE GONNA SEE THE FUR FLY IN
THIS ONE, SUSAN, AS ROWDY RODDY
1337
00:41:23,648 --> 00:41:26,483
WE'RE GONNA SEE THE FUR FLY IN
THIS ONE, SUSAN, AS ROWDY RODDY
PIPER BOXES WITH MR. T.
1338
00:41:26,485 --> 00:41:27,717
THIS ONE, SUSAN, AS ROWDY RODDY
PIPER BOXES WITH MR. T.
>> I'VE BEEN WAITING FOR THIS
1339
00:41:27,719 --> 00:41:30,687
PIPER BOXES WITH MR. T.
>> I'VE BEEN WAITING FOR THIS
FOR TWO MONTHS.
1340
00:41:30,689 --> 00:41:31,687
>> I'VE BEEN WAITING FOR THIS
FOR TWO MONTHS.
IT'S ABOUT TIME THAT MR. T HAD
1341
00:41:31,689 --> 00:41:33,623
FOR TWO MONTHS.
IT'S ABOUT TIME THAT MR. T HAD
HIS MOMENT IN THE SUN HERE
1342
00:41:33,625 --> 00:41:36,559
IT'S ABOUT TIME THAT MR. T HAD
HIS MOMENT IN THE SUN HERE
TONIGHT.
1343
00:41:36,561 --> 00:41:37,393
HIS MOMENT IN THE SUN HERE
TONIGHT.
>> CARE TO LOOK AT SOME OF THE
1344
00:41:37,395 --> 00:41:38,728
TONIGHT.
>> CARE TO LOOK AT SOME OF THE
CAPACITY CROWD HERE AT THE
1345
00:41:38,730 --> 00:41:40,429
>> CARE TO LOOK AT SOME OF THE
CAPACITY CROWD HERE AT THE
NASSAU COUNTY COLISEUM IN
1346
00:41:40,431 --> 00:41:42,732
CAPACITY CROWD HERE AT THE
NASSAU COUNTY COLISEUM IN
UNIONDALE, LONG ISLAND IN THE
1347
00:41:42,734 --> 00:41:45,968
NASSAU COUNTY COLISEUM IN
UNIONDALE, LONG ISLAND IN THE
SHADOW OF NEW YORK CITY, AND YOU
1348
00:41:45,970 --> 00:41:48,404
UNIONDALE, LONG ISLAND IN THE
SHADOW OF NEW YORK CITY, AND YOU
WONDER JUST HOW MANY ROUNDS THIS
1349
00:41:48,406 --> 00:41:50,139
SHADOW OF NEW YORK CITY, AND YOU
WONDER JUST HOW MANY ROUNDS THIS
FIGHT WILL GO.
1350
00:41:50,141 --> 00:41:51,307
WONDER JUST HOW MANY ROUNDS THIS
FIGHT WILL GO.
YOU WONDER, WILL IT GO THE
1351
00:41:51,309 --> 00:41:52,508
FIGHT WILL GO.
YOU WONDER, WILL IT GO THE
DISTANCE OF 10 ROUNDS, SUSAN?
1352
00:41:52,510 --> 00:41:53,609
YOU WONDER, WILL IT GO THE
DISTANCE OF 10 ROUNDS, SUSAN?
>> WELL, I DON'T KNOW IF IT WILL
1353
00:41:53,611 --> 00:41:54,677
DISTANCE OF 10 ROUNDS, SUSAN?
>> WELL, I DON'T KNOW IF IT WILL
GO THE DISTANCE.
1354
00:41:54,679 --> 00:41:55,678
>> WELL, I DON'T KNOW IF IT WILL
GO THE DISTANCE.
I'M JUST HOPING THOSE REFEREES
1355
00:41:55,680 --> 00:41:56,613
GO THE DISTANCE.
I'M JUST HOPING THOSE REFEREES
WILL KEEP THEIR EYES OPEN AND
1356
00:41:56,615 --> 00:41:57,680
I'M JUST HOPING THOSE REFEREES
WILL KEEP THEIR EYES OPEN AND
NOT LET THE SAME THING HAPPEN
1357
00:41:57,682 --> 00:41:58,581
WILL KEEP THEIR EYES OPEN AND
NOT LET THE SAME THING HAPPEN
AGAIN, WHERE SOMEBODY SLIPS IN
1358
00:41:58,583 --> 00:41:59,782
NOT LET THE SAME THING HAPPEN
AGAIN, WHERE SOMEBODY SLIPS IN
BACKWARDS AND TAKES ADVANTAGE OF
1359
00:41:59,784 --> 00:42:01,451
AGAIN, WHERE SOMEBODY SLIPS IN
BACKWARDS AND TAKES ADVANTAGE OF
THE MR. T WHEN HE'S NOT LOOKING.
1360
00:42:01,453 --> 00:42:03,586
BACKWARDS AND TAKES ADVANTAGE OF
THE MR. T WHEN HE'S NOT LOOKING.
>> NOW, WE'RE GOING TO INTRODUCE
1361
00:42:03,588 --> 00:42:05,788
THE MR. T WHEN HE'S NOT LOOKING.
>> NOW, WE'RE GOING TO INTRODUCE
OUR REFEREE, JACK LOTZ ...
1362
00:42:05,790 --> 00:42:07,290
>> NOW, WE'RE GOING TO INTRODUCE
OUR REFEREE, JACK LOTZ ...
>> IF IT ACTUALLY GOES FOR 10,
1363
00:42:07,292 --> 00:42:08,090
OUR REFEREE, JACK LOTZ ...
>> IF IT ACTUALLY GOES FOR 10,
THERE'S NO WAY THAT ROWDY RODDY
1364
00:42:08,092 --> 00:42:09,292
>> IF IT ACTUALLY GOES FOR 10,
THERE'S NO WAY THAT ROWDY RODDY
CAN WIN STRAIGHT AND FAIR LIKE
1365
00:42:09,294 --> 00:42:12,562
THERE'S NO WAY THAT ROWDY RODDY
CAN WIN STRAIGHT AND FAIR LIKE
THAT, HE'S NOT A BOXER.
1366
00:42:12,564 --> 00:42:14,764
CAN WIN STRAIGHT AND FAIR LIKE
THAT, HE'S NOT A BOXER.
>> ALL RIGHT ...
1367
00:42:14,766 --> 00:42:15,865
THAT, HE'S NOT A BOXER.
>> ALL RIGHT ...
>> AND NOW, COMING IN.
1368
00:42:15,867 --> 00:42:18,801
>> ALL RIGHT ...
>> AND NOW, COMING IN.
FIRST THE SECONDS, THE ACE
1369
00:42:18,803 --> 00:42:25,842
>> AND NOW, COMING IN.
FIRST THE SECONDS, THE ACE
COMEDY FUNNY MAN, MR. BOB ORTON.
1370
00:42:25,844 --> 00:42:27,577
FIRST THE SECONDS, THE ACE
COMEDY FUNNY MAN, MR. BOB ORTON.
>> ACE COWBOY ORTON.
1371
00:42:27,579 --> 00:42:28,477
COMEDY FUNNY MAN, MR. BOB ORTON.
>> ACE COWBOY ORTON.
>> OLYMPIC TRAINER
1372
00:42:28,479 --> 00:42:31,414
>> ACE COWBOY ORTON.
>> OLYMPIC TRAINER
EXTRAORDINAIRE, LOU DUVA.
1373
00:42:31,416 --> 00:42:34,483
>> OLYMPIC TRAINER
EXTRAORDINAIRE, LOU DUVA.
>> LOU DUVA BEHIND RODDY PIPER.
1374
00:42:34,485 --> 00:42:36,686
EXTRAORDINAIRE, LOU DUVA.
>> LOU DUVA BEHIND RODDY PIPER.
>> AND FROM GLASGOW, SCOTLAND,
1375
00:42:36,688 --> 00:42:40,423
>> LOU DUVA BEHIND RODDY PIPER.
>> AND FROM GLASGOW, SCOTLAND,
WEIGHING 235 POUNDS...
1376
00:42:40,425 --> 00:42:41,424
>> AND FROM GLASGOW, SCOTLAND,
WEIGHING 235 POUNDS...
>> HERE HE COMES ...
1377
00:42:41,426 --> 00:42:45,962
WEIGHING 235 POUNDS...
>> HERE HE COMES ...
>> ROWDY RODDY PIPER!
1378
00:42:45,964 --> 00:42:47,563
>> HERE HE COMES ...
>> ROWDY RODDY PIPER!
>> PIPER INTRODUCED BUT WHAT
1379
00:42:47,565 --> 00:42:50,433
>> ROWDY RODDY PIPER!
>> PIPER INTRODUCED BUT WHAT
WE'RE LOOKING AT NOW IS JOE
1380
00:42:50,435 --> 00:42:52,735
>> PIPER INTRODUCED BUT WHAT
WE'RE LOOKING AT NOW IS JOE
FRAZIER, AND MR. T BEHIND
1381
00:42:52,737 --> 00:42:55,771
WE'RE LOOKING AT NOW IS JOE
FRAZIER, AND MR. T BEHIND
SMOKIN' JOE, AND JIM CONNOLLY
1382
00:42:55,773 --> 00:42:57,573
FRAZIER, AND MR. T BEHIND
SMOKIN' JOE, AND JIM CONNOLLY
BEHIND MR. T.
1383
00:42:57,575 --> 00:42:58,674
SMOKIN' JOE, AND JIM CONNOLLY
BEHIND MR. T.
>> AND NOW, IN THE OPPOSITE
1384
00:42:58,676 --> 00:43:01,777
BEHIND MR. T.
>> AND NOW, IN THE OPPOSITE
CORNER, FIRST, THE HAITI KID.
1385
00:43:01,779 --> 00:43:04,514
>> AND NOW, IN THE OPPOSITE
CORNER, FIRST, THE HAITI KID.
NEXT, MANAGER OF CHAMPIONS, JIM
1386
00:43:04,516 --> 00:43:06,515
CORNER, FIRST, THE HAITI KID.
NEXT, MANAGER OF CHAMPIONS, JIM
CONNOLLY.
1387
00:43:06,517 --> 00:43:08,851
NEXT, MANAGER OF CHAMPIONS, JIM
CONNOLLY.
THIRD, FORMER HEAVYWEIGHT BOXING
1388
00:43:08,853 --> 00:43:10,653
CONNOLLY.
THIRD, FORMER HEAVYWEIGHT BOXING
CHAMPION OF THE WORLD, SMOKIN'
1389
00:43:10,655 --> 00:43:13,723
THIRD, FORMER HEAVYWEIGHT BOXING
CHAMPION OF THE WORLD, SMOKIN'
JOE FRAZIER.
1390
00:43:13,725 --> 00:43:15,591
CHAMPION OF THE WORLD, SMOKIN'
JOE FRAZIER.
AND FROM CHICAGO ILLINOIS,
1391
00:43:15,593 --> 00:43:21,330
JOE FRAZIER.
AND FROM CHICAGO ILLINOIS,
WEIGHING 236 POUNDS, MR. T!
1392
00:43:21,332 --> 00:43:23,466
AND FROM CHICAGO ILLINOIS,
WEIGHING 236 POUNDS, MR. T!
[ CHEERING ]
1393
00:43:23,468 --> 00:43:26,969
WEIGHING 236 POUNDS, MR. T!
[ CHEERING ]
>> ALWAYS GRACIOUS.
1394
00:43:26,971 --> 00:43:27,637
[ CHEERING ]
>> ALWAYS GRACIOUS.
>> WHAT WAS THAT?
1395
00:43:27,639 --> 00:43:29,472
>> ALWAYS GRACIOUS.
>> WHAT WAS THAT?
THE ALWAYS GRACIOUS MR. T?
1396
00:43:29,474 --> 00:43:31,474
>> WHAT WAS THAT?
THE ALWAYS GRACIOUS MR. T?
>> THE ALWAYS GRACIOUS.
1397
00:43:31,476 --> 00:43:32,408
THE ALWAYS GRACIOUS MR. T?
>> THE ALWAYS GRACIOUS.
WELL, I SAW T.
1398
00:43:32,410 --> 00:43:33,509
>> THE ALWAYS GRACIOUS.
WELL, I SAW T.
EARLIER, HE LOOKS LIKE HE'S IN
1399
00:43:33,511 --> 00:43:34,677
WELL, I SAW T.
EARLIER, HE LOOKS LIKE HE'S IN
INCREDIBLE SHAPE, BETTER SHAPE
1400
00:43:34,679 --> 00:43:35,878
EARLIER, HE LOOKS LIKE HE'S IN
INCREDIBLE SHAPE, BETTER SHAPE
THAN THE LAST TIME.
1401
00:43:35,880 --> 00:43:36,613
INCREDIBLE SHAPE, BETTER SHAPE
THAN THE LAST TIME.
>> OH, YES.
1402
00:43:36,615 --> 00:43:37,613
THAN THE LAST TIME.
>> OH, YES.
MR. T IS REALLY READY, BUT THEN
1403
00:43:37,615 --> 00:43:40,282
>> OH, YES.
MR. T IS REALLY READY, BUT THEN
AGAIN, SO IS ROWDY RODDY PIPER,
1404
00:43:40,284 --> 00:43:41,417
MR. T IS REALLY READY, BUT THEN
AGAIN, SO IS ROWDY RODDY PIPER,
AS WE TAKE A LOOK AT MR. T WHO'S
1405
00:43:41,419 --> 00:43:43,519
AGAIN, SO IS ROWDY RODDY PIPER,
AS WE TAKE A LOOK AT MR. T WHO'S
HAD QUITE A BIT MORE BOXING
1406
00:43:43,521 --> 00:43:44,620
AS WE TAKE A LOOK AT MR. T WHO'S
HAD QUITE A BIT MORE BOXING
EXPERIENCE THAN THIS MAN, ROWDY
1407
00:43:44,622 --> 00:43:45,354
HAD QUITE A BIT MORE BOXING
EXPERIENCE THAN THIS MAN, ROWDY
RODDY PIPER.
1408
00:43:45,356 --> 00:43:49,525
EXPERIENCE THAN THIS MAN, ROWDY
RODDY PIPER.
COWBOY BOB ORTON, NOW, LOOSENING
1409
00:43:49,527 --> 00:43:52,462
RODDY PIPER.
COWBOY BOB ORTON, NOW, LOOSENING
UP ROWDY RODDY PIPER, AND LOU
1410
00:43:52,464 --> 00:43:54,664
COWBOY BOB ORTON, NOW, LOOSENING
UP ROWDY RODDY PIPER, AND LOU
DUVA HAS TRAINED MR. PIPER WELL,
1411
00:43:54,666 --> 00:43:58,668
UP ROWDY RODDY PIPER, AND LOU
DUVA HAS TRAINED MR. PIPER WELL,
VERY WELL.
1412
00:43:58,670 --> 00:43:59,869
DUVA HAS TRAINED MR. PIPER WELL,
VERY WELL.
>> A LITTLE CONSULTATION GOING
1413
00:43:59,871 --> 00:44:03,606
VERY WELL.
>> A LITTLE CONSULTATION GOING
ON AND I THINK THE REFEREE IS
1414
00:44:03,608 --> 00:44:04,874
>> A LITTLE CONSULTATION GOING
ON AND I THINK THE REFEREE IS
ABOUT READY TO BRING THE
1415
00:44:04,876 --> 00:44:05,741
ON AND I THINK THE REFEREE IS
ABOUT READY TO BRING THE
PARTICIPANTS OUT ...
1416
00:44:05,743 --> 00:44:07,443
ABOUT READY TO BRING THE
PARTICIPANTS OUT ...
>> COME ON.
1417
00:44:07,445 --> 00:44:09,679
PARTICIPANTS OUT ...
>> COME ON.
>> FOR THE INSTRUCTIONS.
1418
00:44:09,681 --> 00:44:10,479
>> COME ON.
>> FOR THE INSTRUCTIONS.
>> COME OVER HERE.
1419
00:44:10,481 --> 00:44:11,681
>> FOR THE INSTRUCTIONS.
>> COME OVER HERE.
>> HUH?
1420
00:44:11,683 --> 00:44:12,649
>> COME OVER HERE.
>> HUH?
>> ALL RIGHT, BOTH YOU GENTLEMEN
1421
00:44:12,651 --> 00:44:13,749
>> HUH?
>> ALL RIGHT, BOTH YOU GENTLEMEN
KNOW THE RULES OF THE STATE
1422
00:44:13,751 --> 00:44:15,518
>> ALL RIGHT, BOTH YOU GENTLEMEN
KNOW THE RULES OF THE STATE
ATHLETIC COMMISSION, NO HITTING
1423
00:44:15,520 --> 00:44:18,821
KNOW THE RULES OF THE STATE
ATHLETIC COMMISSION, NO HITTING
ON THE BREAK, NO HITTING LOW, NO
1424
00:44:18,823 --> 00:44:21,257
ATHLETIC COMMISSION, NO HITTING
ON THE BREAK, NO HITTING LOW, NO
HITTING BELOW THE BELT.
1425
00:44:21,259 --> 00:44:22,458
ON THE BREAK, NO HITTING LOW, NO
HITTING BELOW THE BELT.
THE THREE KNOCKDOWN RULE IS IN
1426
00:44:22,460 --> 00:44:23,526
HITTING BELOW THE BELT.
THE THREE KNOCKDOWN RULE IS IN
EFFECT.
1427
00:44:23,528 --> 00:44:24,727
THE THREE KNOCKDOWN RULE IS IN
EFFECT.
THE FIGHTER STANDING REMAINS
1428
00:44:24,729 --> 00:44:26,763
EFFECT.
THE FIGHTER STANDING REMAINS
STANDING AND THE PLAYERS MOVE TO
1429
00:44:26,765 --> 00:44:27,630
THE FIGHTER STANDING REMAINS
STANDING AND THE PLAYERS MOVE TO
THE FRONT.
1430
00:44:27,632 --> 00:44:29,665
STANDING AND THE PLAYERS MOVE TO
THE FRONT.
YOU'LL COME OUT WHEN I CALL YA.
1431
00:44:29,667 --> 00:44:30,666
THE FRONT.
YOU'LL COME OUT WHEN I CALL YA.
>> YOU LOOK AT ME WHEN I TALK TO
1432
00:44:30,668 --> 00:44:31,567
YOU'LL COME OUT WHEN I CALL YA.
>> YOU LOOK AT ME WHEN I TALK TO
YOU.
1433
00:44:31,569 --> 00:44:32,401
>> YOU LOOK AT ME WHEN I TALK TO
YOU.
>> DO YOU UNDERSTAND ME?
1434
00:44:32,403 --> 00:44:33,503
YOU.
>> DO YOU UNDERSTAND ME?
>> OH!
1435
00:44:33,505 --> 00:44:34,570
>> DO YOU UNDERSTAND ME?
>> OH!
LOOK AT THAT!
1436
00:44:34,572 --> 00:44:35,538
>> OH!
LOOK AT THAT!
>> HEY, I DON'T WANT NONE OF
1437
00:44:35,540 --> 00:44:36,472
LOOK AT THAT!
>> HEY, I DON'T WANT NONE OF
THAT.
1438
00:44:36,474 --> 00:44:37,773
>> HEY, I DON'T WANT NONE OF
THAT.
HEY, I DON'T WANT NONE OF THAT.
1439
00:44:37,775 --> 00:44:39,475
THAT.
HEY, I DON'T WANT NONE OF THAT.
>> I THINK THAT IT'S UNDERSTOOD
1440
00:44:39,477 --> 00:44:40,176
HEY, I DON'T WANT NONE OF THAT.
>> I THINK THAT IT'S UNDERSTOOD
VERY WELL, THE INSTRUCTIONS
1441
00:44:40,178 --> 00:44:42,611
>> I THINK THAT IT'S UNDERSTOOD
VERY WELL, THE INSTRUCTIONS
WERE.
1442
00:44:42,613 --> 00:44:43,446
VERY WELL, THE INSTRUCTIONS
WERE.
>> WE DON'T NEED ANY OF THAT
1443
00:44:43,448 --> 00:44:44,647
WERE.
>> WE DON'T NEED ANY OF THAT
CRAP IN HERE.
1444
00:44:44,649 --> 00:44:45,514
>> WE DON'T NEED ANY OF THAT
CRAP IN HERE.
>> AS YOU SEE THE LOOK ON MR.
1445
00:44:45,516 --> 00:44:46,615
CRAP IN HERE.
>> AS YOU SEE THE LOOK ON MR.
T'S FACE WHEN HE FINALLY LOOKED
1446
00:44:46,617 --> 00:44:50,419
>> AS YOU SEE THE LOOK ON MR.
T'S FACE WHEN HE FINALLY LOOKED
INTO THE EYES OF RODDY PIPER.
1447
00:44:50,421 --> 00:44:52,421
T'S FACE WHEN HE FINALLY LOOKED
INTO THE EYES OF RODDY PIPER.
ALL RIGHT ...
1448
00:44:52,423 --> 00:44:53,790
INTO THE EYES OF RODDY PIPER.
ALL RIGHT ...
>> I'M GLAD I'M UP HERE.
1449
00:44:53,792 --> 00:44:55,825
ALL RIGHT ...
>> I'M GLAD I'M UP HERE.
>> YES, INDEED.
1450
00:44:55,827 --> 00:44:57,493
>> I'M GLAD I'M UP HERE.
>> YES, INDEED.
[ CHUCKLING ]
1451
00:44:57,495 --> 00:44:58,528
>> YES, INDEED.
[ CHUCKLING ]
>> AND THERE'S A GOOD LOOK AT
1452
00:44:58,530 --> 00:44:59,795
[ CHUCKLING ]
>> AND THERE'S A GOOD LOOK AT
ROWDY RODDY PIPER, LAST MINUTE
1453
00:44:59,797 --> 00:45:01,430
>> AND THERE'S A GOOD LOOK AT
ROWDY RODDY PIPER, LAST MINUTE
INSTRUCTION, AND THERE IS MR. T
1454
00:45:01,432 --> 00:45:02,698
ROWDY RODDY PIPER, LAST MINUTE
INSTRUCTION, AND THERE IS MR. T
OVER AT HIS CORNER.
1455
00:45:02,700 --> 00:45:03,733
INSTRUCTION, AND THERE IS MR. T
OVER AT HIS CORNER.
[ BELL RINGING ]
1456
00:45:03,735 --> 00:45:04,600
OVER AT HIS CORNER.
[ BELL RINGING ]
>> ALL RIGHT ...
1457
00:45:04,602 --> 00:45:05,701
[ BELL RINGING ]
>> ALL RIGHT ...
>> COME ON, T.
1458
00:45:05,703 --> 00:45:07,303
>> ALL RIGHT ...
>> COME ON, T.
>> THE BEGINNING OF ROUND 1, MR.
1459
00:45:07,305 --> 00:45:08,671
>> COME ON, T.
>> THE BEGINNING OF ROUND 1, MR.
T THE SOUTHPAW AGAINST ROWDY
1460
00:45:08,673 --> 00:45:10,706
>> THE BEGINNING OF ROUND 1, MR.
T THE SOUTHPAW AGAINST ROWDY
RODDY PIPER.
1461
00:45:10,708 --> 00:45:12,541
T THE SOUTHPAW AGAINST ROWDY
RODDY PIPER.
PIPER WITH A DECIDED REACH
1462
00:45:12,543 --> 00:45:13,743
RODDY PIPER.
PIPER WITH A DECIDED REACH
ADVANTAGE, MR. T WILL HAVE TO
1463
00:45:13,745 --> 00:45:15,311
PIPER WITH A DECIDED REACH
ADVANTAGE, MR. T WILL HAVE TO
GET TO THE INSIDE.
1464
00:45:15,313 --> 00:45:18,781
ADVANTAGE, MR. T WILL HAVE TO
GET TO THE INSIDE.
BOTH FIGHTERS SOMEWHAT FEELING
1465
00:45:18,783 --> 00:45:21,350
GET TO THE INSIDE.
BOTH FIGHTERS SOMEWHAT FEELING
EACH OTHER OUT NOW.
1466
00:45:21,352 --> 00:45:22,184
BOTH FIGHTERS SOMEWHAT FEELING
EACH OTHER OUT NOW.
MR. T SOMEWHAT OF A PEEK-A-BOO
1467
00:45:22,186 --> 00:45:24,353
EACH OTHER OUT NOW.
MR. T SOMEWHAT OF A PEEK-A-BOO
STYLE AS RODDY BEGINS TO THROW
1468
00:45:24,355 --> 00:45:26,856
MR. T SOMEWHAT OF A PEEK-A-BOO
STYLE AS RODDY BEGINS TO THROW
LEFT JABS, AND T GOING
1469
00:45:26,858 --> 00:45:28,657
STYLE AS RODDY BEGINS TO THROW
LEFT JABS, AND T GOING
DOWNSTAIRS TO THE MIDSECTION
1470
00:45:28,659 --> 00:45:29,726
LEFT JABS, AND T GOING
DOWNSTAIRS TO THE MIDSECTION
HITTING NOTHING BUT GLOVES.
1471
00:45:29,728 --> 00:45:30,493
DOWNSTAIRS TO THE MIDSECTION
HITTING NOTHING BUT GLOVES.
NEITHER INDIVIDUAL ...
1472
00:45:30,495 --> 00:45:30,926
HITTING NOTHING BUT GLOVES.
NEITHER INDIVIDUAL ...
LOOK AT THIS.
1473
00:45:30,928 --> 00:45:32,661
NEITHER INDIVIDUAL ...
LOOK AT THIS.
INSIDE NOW, MR. T UP AGAINST THE
1474
00:45:32,663 --> 00:45:33,596
LOOK AT THIS.
INSIDE NOW, MR. T UP AGAINST THE
ROPE...
1475
00:45:33,598 --> 00:45:34,530
INSIDE NOW, MR. T UP AGAINST THE
ROPE...
>> HEY, HEY, BREAK THAT!
1476
00:45:34,532 --> 00:45:35,464
ROPE...
>> HEY, HEY, BREAK THAT!
BREAK THAT!
1477
00:45:35,466 --> 00:45:36,198
>> HEY, HEY, BREAK THAT!
BREAK THAT!
>> REFEREE ASKING FOR THE CLEAN
1478
00:45:36,200 --> 00:45:36,665
BREAK THAT!
>> REFEREE ASKING FOR THE CLEAN
BREAK.
1479
00:45:36,667 --> 00:45:37,400
>> REFEREE ASKING FOR THE CLEAN
BREAK.
>> YOU'LL BREAK WHEN I TELL YOU
1480
00:45:37,402 --> 00:45:38,467
BREAK.
>> YOU'LL BREAK WHEN I TELL YOU
TO.
1481
00:45:38,469 --> 00:45:39,668
>> YOU'LL BREAK WHEN I TELL YOU
TO.
>> YEAH, SURE.
1482
00:45:39,670 --> 00:45:41,604
TO.
>> YEAH, SURE.
>> AND THE OFFICIAL HOPING TO
1483
00:45:41,606 --> 00:45:42,571
>> YEAH, SURE.
>> AND THE OFFICIAL HOPING TO
MAINTAIN ORDER ALL THE WAY
1484
00:45:42,573 --> 00:45:46,308
>> AND THE OFFICIAL HOPING TO
MAINTAIN ORDER ALL THE WAY
THROUGH THE MATCHUP.
1485
00:45:46,310 --> 00:45:47,610
MAINTAIN ORDER ALL THE WAY
THROUGH THE MATCHUP.
PIPER HAS A VERY SHORT LEFT JAB,
1486
00:45:47,612 --> 00:45:48,577
THROUGH THE MATCHUP.
PIPER HAS A VERY SHORT LEFT JAB,
BUT HE KEEPS IT A LITTLE BIT
1487
00:45:48,579 --> 00:45:50,813
PIPER HAS A VERY SHORT LEFT JAB,
BUT HE KEEPS IT A LITTLE BIT
LOW.
1488
00:45:50,815 --> 00:45:52,415
BUT HE KEEPS IT A LITTLE BIT
LOW.
MR. T AGAIN GOING DOWNSTAIRS AND
1489
00:45:52,417 --> 00:45:53,649
LOW.
MR. T AGAIN GOING DOWNSTAIRS AND
NOW AGAINST THE ROPE.
1490
00:45:53,651 --> 00:45:54,750
MR. T AGAIN GOING DOWNSTAIRS AND
NOW AGAINST THE ROPE.
>> HEY, PUSH OUT ...
1491
00:45:54,752 --> 00:45:55,417
NOW AGAINST THE ROPE.
>> HEY, PUSH OUT ...
BREAK IT.
1492
00:45:55,419 --> 00:45:56,752
>> HEY, PUSH OUT ...
BREAK IT.
>> OH, COME ON!
1493
00:45:56,754 --> 00:46:00,723
BREAK IT.
>> OH, COME ON!
>> OH, COME ON, REF!
1494
00:46:00,725 --> 00:46:01,390
>> OH, COME ON!
>> OH, COME ON, REF!
>> WHEN I TELL YOU TO BREAK,
1495
00:46:01,392 --> 00:46:02,759
>> OH, COME ON, REF!
>> WHEN I TELL YOU TO BREAK,
YOU'RE STILL PUNCHING HIM.
1496
00:46:02,761 --> 00:46:03,726
>> WHEN I TELL YOU TO BREAK,
YOU'RE STILL PUNCHING HIM.
I WANT THAT ...
1497
00:46:03,728 --> 00:46:04,594
YOU'RE STILL PUNCHING HIM.
I WANT THAT ...
>> A WARNING NOW TO ROWDY RODDY
1498
00:46:04,596 --> 00:46:07,463
I WANT THAT ...
>> A WARNING NOW TO ROWDY RODDY
PIPER.
1499
00:46:07,465 --> 00:46:08,264
>> A WARNING NOW TO ROWDY RODDY
PIPER.
>> OKAY..
1500
00:46:08,266 --> 00:46:09,432
PIPER.
>> OKAY..
>> OH ...
1501
00:46:09,434 --> 00:46:09,799
>> OKAY..
>> OH ...
MMM.
1502
00:46:09,801 --> 00:46:10,666
>> OH ...
MMM.
SEE THAT?
1503
00:46:10,668 --> 00:46:11,767
MMM.
SEE THAT?
THAT ROWDY ...
1504
00:46:11,769 --> 00:46:13,502
SEE THAT?
THAT ROWDY ...
>> HE'S AN INTIMIDATING SORT.
1505
00:46:13,504 --> 00:46:14,503
THAT ROWDY ...
>> HE'S AN INTIMIDATING SORT.
>> YEP.
1506
00:46:14,505 --> 00:46:15,504
>> HE'S AN INTIMIDATING SORT.
>> YEP.
>> T MOVING IN NOW.
1507
00:46:15,506 --> 00:46:16,505
>> YEP.
>> T MOVING IN NOW.
>> COME ON, T.
1508
00:46:16,507 --> 00:46:17,640
>> T MOVING IN NOW.
>> COME ON, T.
>> TRYING TO BACK PIPER UP IN
1509
00:46:17,642 --> 00:46:20,576
>> COME ON, T.
>> TRYING TO BACK PIPER UP IN
THE CORNER.
1510
00:46:20,578 --> 00:46:21,577
>> TRYING TO BACK PIPER UP IN
THE CORNER.
>> HEY, HEY, HEY, BREAK THAT.
1511
00:46:21,579 --> 00:46:22,678
THE CORNER.
>> HEY, HEY, HEY, BREAK THAT.
BREAK THAT.
1512
00:46:22,680 --> 00:46:24,647
>> HEY, HEY, HEY, BREAK THAT.
BREAK THAT.
>> ASKING FOR THE BREAK AND YES,
1513
00:46:24,649 --> 00:46:25,581
BREAK THAT.
>> ASKING FOR THE BREAK AND YES,
MR. T BACKS OFF.
1514
00:46:25,583 --> 00:46:26,482
>> ASKING FOR THE BREAK AND YES,
MR. T BACKS OFF.
>> OF COURSE, 'CAUSE MR. T'S A
1515
00:46:26,484 --> 00:46:27,850
MR. T BACKS OFF.
>> OF COURSE, 'CAUSE MR. T'S A
BOXER, HE PLAYS BY THE RULES.
1516
00:46:27,852 --> 00:46:28,617
>> OF COURSE, 'CAUSE MR. T'S A
BOXER, HE PLAYS BY THE RULES.
WATCH THIS ...
1517
00:46:28,619 --> 00:46:30,452
BOXER, HE PLAYS BY THE RULES.
WATCH THIS ...
>> MOVING IN, PIPER ...
1518
00:46:30,454 --> 00:46:31,487
WATCH THIS ...
>> MOVING IN, PIPER ...
LOOK AT THIS, T WITH A
1519
00:46:31,489 --> 00:46:32,755
>> MOVING IN, PIPER ...
LOOK AT THIS, T WITH A
PEEK-A-BOO, LOOK AT THIS, NOT
1520
00:46:32,757 --> 00:46:33,689
LOOK AT THIS, T WITH A
PEEK-A-BOO, LOOK AT THIS, NOT
GETTING HIT AT ALL LOOK AT THAT
1521
00:46:33,691 --> 00:46:34,757
PEEK-A-BOO, LOOK AT THIS, NOT
GETTING HIT AT ALL LOOK AT THAT
TAG ON MR. T.
1522
00:46:34,759 --> 00:46:35,558
GETTING HIT AT ALL LOOK AT THAT
TAG ON MR. T.
>> ALL RIGHT.
1523
00:46:35,560 --> 00:46:40,530
TAG ON MR. T.
>> ALL RIGHT.
OOH, SHAKE THAT OFF, HUH, RODDY?
1524
00:46:40,532 --> 00:46:41,797
>> ALL RIGHT.
OOH, SHAKE THAT OFF, HUH, RODDY?
>> AND AGAIN, PEEK-A-BOO STYLE,
1525
00:46:41,799 --> 00:46:43,699
OOH, SHAKE THAT OFF, HUH, RODDY?
>> AND AGAIN, PEEK-A-BOO STYLE,
PIPER SWINGING WITH THOSE WILD
1526
00:46:43,701 --> 00:46:45,601
>> AND AGAIN, PEEK-A-BOO STYLE,
PIPER SWINGING WITH THOSE WILD
RIGHTS AND LEFTS, AND T GOING
1527
00:46:45,603 --> 00:46:47,403
PIPER SWINGING WITH THOSE WILD
RIGHTS AND LEFTS, AND T GOING
DOWNSTAIRS.
1528
00:46:47,405 --> 00:46:48,537
RIGHTS AND LEFTS, AND T GOING
DOWNSTAIRS.
>> YEAH, BUT ROWDY'S GONNA WEAR
1529
00:46:48,539 --> 00:46:49,639
DOWNSTAIRS.
>> YEAH, BUT ROWDY'S GONNA WEAR
HIMSELF OUT DOING ALL THAT
1530
00:46:49,641 --> 00:46:51,640
>> YEAH, BUT ROWDY'S GONNA WEAR
HIMSELF OUT DOING ALL THAT
STUFF, NOT DOING ANY DAMAGE.
1531
00:46:51,642 --> 00:46:52,641
HIMSELF OUT DOING ALL THAT
STUFF, NOT DOING ANY DAMAGE.
>> HE MIGHT.
1532
00:46:52,643 --> 00:46:53,809
STUFF, NOT DOING ANY DAMAGE.
>> HE MIGHT.
THEN, AT T, LOOK AT THIS, SPINS
1533
00:46:53,811 --> 00:46:56,645
>> HE MIGHT.
THEN, AT T, LOOK AT THIS, SPINS
HIM AROUND NOW AND AGAIN ...
1534
00:46:56,647 --> 00:47:00,683
THEN, AT T, LOOK AT THIS, SPINS
HIM AROUND NOW AND AGAIN ...
OH, COME ON, PIPER.
1535
00:47:00,685 --> 00:47:01,684
HIM AROUND NOW AND AGAIN ...
OH, COME ON, PIPER.
MY GOODNESS THOSE ARE THUMBLESS
1536
00:47:01,686 --> 00:47:06,389
OH, COME ON, PIPER.
MY GOODNESS THOSE ARE THUMBLESS
GLOVES.
1537
00:47:06,391 --> 00:47:07,456
MY GOODNESS THOSE ARE THUMBLESS
GLOVES.
>> WATCH OUT, RODDY ...
1538
00:47:07,458 --> 00:47:09,692
GLOVES.
>> WATCH OUT, RODDY ...
DON'T GET OVER CONFIDENT.
1539
00:47:09,694 --> 00:47:10,492
>> WATCH OUT, RODDY ...
DON'T GET OVER CONFIDENT.
>> PIPER TRYING TO MEASURE MR.
1540
00:47:10,494 --> 00:47:12,394
DON'T GET OVER CONFIDENT.
>> PIPER TRYING TO MEASURE MR.
T.
1541
00:47:12,396 --> 00:47:15,497
>> PIPER TRYING TO MEASURE MR.
T.
>> COME ON, T.
1542
00:47:15,499 --> 00:47:16,365
T.
>> COME ON, T.
>> OH!
1543
00:47:16,367 --> 00:47:18,334
>> COME ON, T.
>> OH!
RIGHT HAND BY PIPER LANDING AND
1544
00:47:18,336 --> 00:47:19,401
>> OH!
RIGHT HAND BY PIPER LANDING AND
MOVING IN ON T, COMING RIGHT
1545
00:47:19,403 --> 00:47:21,403
RIGHT HAND BY PIPER LANDING AND
MOVING IN ON T, COMING RIGHT
BACK AT HIM.
1546
00:47:21,405 --> 00:47:21,737
MOVING IN ON T, COMING RIGHT
BACK AT HIM.
LOOK AT THIS.
1547
00:47:21,739 --> 00:47:22,538
BACK AT HIM.
LOOK AT THIS.
BOTH FIGHTERS SWUNG AROUND NOW
1548
00:47:22,540 --> 00:47:23,606
LOOK AT THIS.
BOTH FIGHTERS SWUNG AROUND NOW
TO THE CORNER.
1549
00:47:23,608 --> 00:47:24,673
BOTH FIGHTERS SWUNG AROUND NOW
TO THE CORNER.
>> HEY, GIVE ME A BREAK.
1550
00:47:24,675 --> 00:47:25,774
TO THE CORNER.
>> HEY, GIVE ME A BREAK.
BREAK IT!
1551
00:47:25,776 --> 00:47:26,709
>> HEY, GIVE ME A BREAK.
BREAK IT!
BREAK THAT HOLD!
1552
00:47:26,711 --> 00:47:28,310
BREAK IT!
BREAK THAT HOLD!
>> REFEREE HAVING SOME
1553
00:47:28,312 --> 00:47:28,811
BREAK THAT HOLD!
>> REFEREE HAVING SOME
DIFFICULTY.
1554
00:47:28,813 --> 00:47:29,679
>> REFEREE HAVING SOME
DIFFICULTY.
>> WATCH RODDY HERE, ALWAYS GETS
1555
00:47:29,681 --> 00:47:30,579
DIFFICULTY.
>> WATCH RODDY HERE, ALWAYS GETS
A COUPLE MORE IN ON THE BREAK.
1556
00:47:30,581 --> 00:47:31,447
>> WATCH RODDY HERE, ALWAYS GETS
A COUPLE MORE IN ON THE BREAK.
>> HE DOES INDEED.
1557
00:47:31,449 --> 00:47:33,349
A COUPLE MORE IN ON THE BREAK.
>> HE DOES INDEED.
>> YEP.
1558
00:47:33,351 --> 00:47:34,650
>> HE DOES INDEED.
>> YEP.
>> THIRTY SECONDS!
1559
00:47:34,652 --> 00:47:35,918
>> YEP.
>> THIRTY SECONDS!
[ GRUNTING ]
1560
00:47:35,920 --> 00:47:37,653
>> THIRTY SECONDS!
[ GRUNTING ]
>> ONLY 30 SECONDS LEFT IN ROUND
1561
00:47:37,655 --> 00:47:38,487
[ GRUNTING ]
>> ONLY 30 SECONDS LEFT IN ROUND
1.
1562
00:47:38,489 --> 00:47:39,388
>> ONLY 30 SECONDS LEFT IN ROUND
1.
OH, COME ON.
1563
00:47:39,390 --> 00:47:46,428
1.
OH, COME ON.
>> OH, COME ON!
1564
00:47:46,430 --> 00:47:46,895
OH, COME ON.
>> OH, COME ON!
>> HEY, LET HIM OUT.
1565
00:47:46,897 --> 00:47:47,430
>> OH, COME ON!
>> HEY, LET HIM OUT.
>> MAYBE HE GOT IN GOOD SHAPE
1566
00:47:47,432 --> 00:47:48,364
>> HEY, LET HIM OUT.
>> MAYBE HE GOT IN GOOD SHAPE
AND TRAINED, BUT HE DOESN'T HAVE
1567
00:47:48,366 --> 00:47:49,031
>> MAYBE HE GOT IN GOOD SHAPE
AND TRAINED, BUT HE DOESN'T HAVE
ENOUGH CONFIDENCE TO FIGHT
1568
00:47:49,033 --> 00:47:49,565
AND TRAINED, BUT HE DOESN'T HAVE
ENOUGH CONFIDENCE TO FIGHT
SQUARE, DOES HE?
1569
00:47:49,567 --> 00:47:51,867
ENOUGH CONFIDENCE TO FIGHT
SQUARE, DOES HE?
>> A BRAWLING-TYPE MATCHUP HERE.
1570
00:47:51,869 --> 00:47:52,868
SQUARE, DOES HE?
>> A BRAWLING-TYPE MATCHUP HERE.
OH, MY!
1571
00:47:52,870 --> 00:47:56,606
>> A BRAWLING-TYPE MATCHUP HERE.
OH, MY!
>> OH!
1572
00:47:56,608 --> 00:47:58,474
OH, MY!
>> OH!
>> HEY!
1573
00:47:58,476 --> 00:47:59,575
>> OH!
>> HEY!
>> REFEREE HAS SPENT MORE TIME
1574
00:47:59,577 --> 00:48:01,410
>> HEY!
>> REFEREE HAS SPENT MORE TIME
TRYING TO GET THESE FIGHTERS TO
1575
00:48:01,412 --> 00:48:02,578
>> REFEREE HAS SPENT MORE TIME
TRYING TO GET THESE FIGHTERS TO
BREAK IT UP NOW.
1576
00:48:02,580 --> 00:48:03,913
TRYING TO GET THESE FIGHTERS TO
BREAK IT UP NOW.
[ BELL RINGING ]
1577
00:48:03,915 --> 00:48:09,551
BREAK IT UP NOW.
[ BELL RINGING ]
>> BELL HAS ENDED ...
1578
00:48:09,553 --> 00:48:10,552
[ BELL RINGING ]
>> BELL HAS ENDED ...
BELL HAS ENDED AND THESE TWO ARE
1579
00:48:10,554 --> 00:48:12,488
>> BELL HAS ENDED ...
BELL HAS ENDED AND THESE TWO ARE
STILL GOING AT IT.
1580
00:48:12,490 --> 00:48:15,624
BELL HAS ENDED AND THESE TWO ARE
STILL GOING AT IT.
LOTZ GETS IN THERE TRYING TO ...
1581
00:48:15,626 --> 00:48:17,459
STILL GOING AT IT.
LOTZ GETS IN THERE TRYING TO ...
>> UH-OH, JOE'S IN THERE.
1582
00:48:17,461 --> 00:48:19,261
LOTZ GETS IN THERE TRYING TO ...
>> UH-OH, JOE'S IN THERE.
>> SMOKIN' JOE FRAZIER...
1583
00:48:19,263 --> 00:48:20,229
>> UH-OH, JOE'S IN THERE.
>> SMOKIN' JOE FRAZIER...
>> GET HIM OUT OF THERE!
1584
00:48:20,231 --> 00:48:20,963
>> SMOKIN' JOE FRAZIER...
>> GET HIM OUT OF THERE!
>> AND JIM CONNOLLY ...
1585
00:48:20,965 --> 00:48:21,898
>> GET HIM OUT OF THERE!
>> AND JIM CONNOLLY ...
>> OH, THERE'S COWBOY.
1586
00:48:21,900 --> 00:48:22,631
>> AND JIM CONNOLLY ...
>> OH, THERE'S COWBOY.
>> ALL RIGHT, FINALLY NOW WE
1587
00:48:22,633 --> 00:48:23,666
>> OH, THERE'S COWBOY.
>> ALL RIGHT, FINALLY NOW WE
WILL HAVE SOME ORDER.
1588
00:48:23,668 --> 00:48:25,367
>> ALL RIGHT, FINALLY NOW WE
WILL HAVE SOME ORDER.
[ SIGHING ]
1589
00:48:25,369 --> 00:48:25,901
WILL HAVE SOME ORDER.
[ SIGHING ]
>> I'M A WRECK.
1590
00:48:25,903 --> 00:48:26,702
[ SIGHING ]
>> I'M A WRECK.
>> AS SMOKIN' JOE FRAZIER,
1591
00:48:26,704 --> 00:48:27,837
>> I'M A WRECK.
>> AS SMOKIN' JOE FRAZIER,
WORKING ON MR. T.
1592
00:48:27,839 --> 00:48:29,872
>> AS SMOKIN' JOE FRAZIER,
WORKING ON MR. T.
ROUND 1, FIGHTERS PRETTY MUCH
1593
00:48:29,874 --> 00:48:36,779
WORKING ON MR. T.
ROUND 1, FIGHTERS PRETTY MUCH
FEELING EACH OTHER OUT, AND WAIT
1594
00:48:36,781 --> 00:48:39,281
ROUND 1, FIGHTERS PRETTY MUCH
FEELING EACH OTHER OUT, AND WAIT
A MINUTE, WHAT'S THIS NOW?
1595
00:48:39,283 --> 00:48:41,750
FEELING EACH OTHER OUT, AND WAIT
A MINUTE, WHAT'S THIS NOW?
>> OH, RODDY, GO SIT DOWN!
1596
00:48:41,752 --> 00:48:42,451
A MINUTE, WHAT'S THIS NOW?
>> OH, RODDY, GO SIT DOWN!
>> LET'S GO ON OVER HERE.
1597
00:48:42,453 --> 00:48:43,819
>> OH, RODDY, GO SIT DOWN!
>> LET'S GO ON OVER HERE.
TAKE CARE OF YOUR MAN, DUVA.
1598
00:48:43,821 --> 00:48:44,553
>> LET'S GO ON OVER HERE.
TAKE CARE OF YOUR MAN, DUVA.
I DON'T WANT TO SEE HIM OVER
1599
00:48:44,555 --> 00:48:47,423
TAKE CARE OF YOUR MAN, DUVA.
I DON'T WANT TO SEE HIM OVER
HERE.
1600
00:48:47,425 --> 00:48:49,692
I DON'T WANT TO SEE HIM OVER
HERE.
>> RODDY PIPER NOT TAKING
1601
00:48:49,694 --> 00:48:50,826
HERE.
>> RODDY PIPER NOT TAKING
ADVANTAGE OF THE ONE MINUTE REST
1602
00:48:50,828 --> 00:48:52,261
>> RODDY PIPER NOT TAKING
ADVANTAGE OF THE ONE MINUTE REST
PERIOD.
1603
00:48:52,263 --> 00:48:53,495
ADVANTAGE OF THE ONE MINUTE REST
PERIOD.
I WONDER IF THAT WILL TELL AGAIN
1604
00:48:53,497 --> 00:48:55,431
PERIOD.
I WONDER IF THAT WILL TELL AGAIN
IN THE NEXT ROUND.
1605
00:48:55,433 --> 00:48:56,598
I WONDER IF THAT WILL TELL AGAIN
IN THE NEXT ROUND.
[ WHISTLE BLOWING ]
1606
00:48:56,600 --> 00:48:57,733
IN THE NEXT ROUND.
[ WHISTLE BLOWING ]
>> HE BETTER TAKE ADVANTAGE OF
1607
00:48:57,735 --> 00:48:59,702
[ WHISTLE BLOWING ]
>> HE BETTER TAKE ADVANTAGE OF
THESE SIT-DOWNS HERE.
1608
00:48:59,704 --> 00:49:03,639
>> HE BETTER TAKE ADVANTAGE OF
THESE SIT-DOWNS HERE.
[ BELL RINGING ]
1609
00:49:03,641 --> 00:49:04,640
THESE SIT-DOWNS HERE.
[ BELL RINGING ]
>> ALL RIGHT, HERE THEY GO, THE
1610
00:49:04,642 --> 00:49:08,644
[ BELL RINGING ]
>> ALL RIGHT, HERE THEY GO, THE
BEGINNING OF ROUND 2.
1611
00:49:08,646 --> 00:49:10,446
>> ALL RIGHT, HERE THEY GO, THE
BEGINNING OF ROUND 2.
>> WELL, SUSAN ...
1612
00:49:10,448 --> 00:49:11,147
BEGINNING OF ROUND 2.
>> WELL, SUSAN ...
WHO WOULD YOU GIVE THE FIRST
1613
00:49:11,149 --> 00:49:13,382
>> WELL, SUSAN ...
WHO WOULD YOU GIVE THE FIRST
ROUND TO?
1614
00:49:13,384 --> 00:49:14,617
WHO WOULD YOU GIVE THE FIRST
ROUND TO?
>> WELL, I THINK RODDY MADE THE
1615
00:49:14,619 --> 00:49:15,618
ROUND TO?
>> WELL, I THINK RODDY MADE THE
MOST MOVES, BUT I THINK T WAS
1616
00:49:15,620 --> 00:49:16,752
>> WELL, I THINK RODDY MADE THE
MOST MOVES, BUT I THINK T WAS
THE SMARTER FIGHTER.
1617
00:49:16,754 --> 00:49:17,586
MOST MOVES, BUT I THINK T WAS
THE SMARTER FIGHTER.
>> WAIT A MINUTE ...
1618
00:49:17,588 --> 00:49:19,388
THE SMARTER FIGHTER.
>> WAIT A MINUTE ...
HERE, I MEAN, THERE'S SO MUCH
1619
00:49:19,390 --> 00:49:20,389
>> WAIT A MINUTE ...
HERE, I MEAN, THERE'S SO MUCH
...
1620
00:49:20,391 --> 00:49:22,458
HERE, I MEAN, THERE'S SO MUCH
...
LOOKS LIKE THERE'S A LOT OF THAT
1621
00:49:22,460 --> 00:49:24,326
...
LOOKS LIKE THERE'S A LOT OF THAT
SALVE AND WHATEVER, A GREAT BIG
1622
00:49:24,328 --> 00:49:25,193
LOOKS LIKE THERE'S A LOT OF THAT
SALVE AND WHATEVER, A GREAT BIG
GOB OF IT ON THE FACE, I THINK,
1623
00:49:25,195 --> 00:49:27,830
SALVE AND WHATEVER, A GREAT BIG
GOB OF IT ON THE FACE, I THINK,
OF MR. PIPER.
1624
00:49:27,832 --> 00:49:28,798
GOB OF IT ON THE FACE, I THINK,
OF MR. PIPER.
A GREAT BIG ...
1625
00:49:28,800 --> 00:49:30,366
OF MR. PIPER.
A GREAT BIG ...
YES.
1626
00:49:30,368 --> 00:49:30,899
A GREAT BIG ...
YES.
>> OH, COME ON, RODDY.
1627
00:49:30,901 --> 00:49:31,700
YES.
>> OH, COME ON, RODDY.
>> HE'S GOT ALL KINDS OF GREASE
1628
00:49:31,702 --> 00:49:32,701
>> OH, COME ON, RODDY.
>> HE'S GOT ALL KINDS OF GREASE
ALL OVER HIM.
1629
00:49:32,703 --> 00:49:33,702
>> HE'S GOT ALL KINDS OF GREASE
ALL OVER HIM.
WHAT IS THIS HERE?
1630
00:49:33,704 --> 00:49:34,704
ALL OVER HIM.
WHAT IS THIS HERE?
>> ALL RIGHT, LOU DUVA UP NOW
1631
00:49:34,706 --> 00:49:35,537
WHAT IS THIS HERE?
>> ALL RIGHT, LOU DUVA UP NOW
CHECKING RODDY PIPER, AND
1632
00:49:35,539 --> 00:49:37,406
>> ALL RIGHT, LOU DUVA UP NOW
CHECKING RODDY PIPER, AND
APPARENTLY HE HAD QUITE A BIT OF
1633
00:49:37,408 --> 00:49:37,706
CHECKING RODDY PIPER, AND
APPARENTLY HE HAD QUITE A BIT OF
IT.
1634
00:49:37,708 --> 00:49:38,741
APPARENTLY HE HAD QUITE A BIT OF
IT.
>> WELL, SURE, THAT MAKES THE
1635
00:49:38,743 --> 00:49:39,742
IT.
>> WELL, SURE, THAT MAKES THE
GLOVES SLIDE RIGHT OFF, RIGHT?
1636
00:49:39,744 --> 00:49:41,710
>> WELL, SURE, THAT MAKES THE
GLOVES SLIDE RIGHT OFF, RIGHT?
THAT'S ...
1637
00:49:41,712 --> 00:49:43,445
GLOVES SLIDE RIGHT OFF, RIGHT?
THAT'S ...
>> EXACTLY.
1638
00:49:43,447 --> 00:49:44,880
THAT'S ...
>> EXACTLY.
>> SNEAKY TRICK.
1639
00:49:44,882 --> 00:49:45,781
>> EXACTLY.
>> SNEAKY TRICK.
>> MR. T WILL TAKE ADVANTAGE OF
1640
00:49:45,783 --> 00:49:46,715
>> SNEAKY TRICK.
>> MR. T WILL TAKE ADVANTAGE OF
EVERY OPPORTUNITY, AND THEN
1641
00:49:46,717 --> 00:49:47,783
>> MR. T WILL TAKE ADVANTAGE OF
EVERY OPPORTUNITY, AND THEN
AGAIN, SO WILL RODDY PIPER.
1642
00:49:47,785 --> 00:49:48,617
EVERY OPPORTUNITY, AND THEN
AGAIN, SO WILL RODDY PIPER.
T TRYING TO STAY DOWN LOW.
1643
00:49:48,619 --> 00:49:49,551
AGAIN, SO WILL RODDY PIPER.
T TRYING TO STAY DOWN LOW.
>> COME ON, T.
1644
00:49:49,553 --> 00:49:50,252
T TRYING TO STAY DOWN LOW.
>> COME ON, T.
THAT'S IT!
1645
00:49:50,254 --> 00:49:51,053
>> COME ON, T.
THAT'S IT!
SCORE SOME POINTS HERE, T.
1646
00:49:51,055 --> 00:49:52,788
THAT'S IT!
SCORE SOME POINTS HERE, T.
UH-OH.
1647
00:49:52,790 --> 00:49:54,490
SCORE SOME POINTS HERE, T.
UH-OH.
>> PIPER GETTING UP ...
1648
00:49:54,492 --> 00:49:55,157
UH-OH.
>> PIPER GETTING UP ...
>> HE'S PULLED HIS PUNCHES UP
1649
00:49:55,159 --> 00:49:57,460
>> PIPER GETTING UP ...
>> HE'S PULLED HIS PUNCHES UP
THERE, GOING FOR THE HEAD MORE,
1650
00:49:57,462 --> 00:49:57,826
>> HE'S PULLED HIS PUNCHES UP
THERE, GOING FOR THE HEAD MORE,
UH-OH!
1651
00:49:57,828 --> 00:49:58,761
THERE, GOING FOR THE HEAD MORE,
UH-OH!
>> LOOK AT ...
1652
00:49:58,763 --> 00:50:00,529
UH-OH!
>> LOOK AT ...
THERE'S PIPER HAMMERING AWAY!
1653
00:50:00,531 --> 00:50:01,897
>> LOOK AT ...
THERE'S PIPER HAMMERING AWAY!
>> COME ON, T!
1654
00:50:01,899 --> 00:50:03,365
THERE'S PIPER HAMMERING AWAY!
>> COME ON, T!
THERE YOU GO!
1655
00:50:03,367 --> 00:50:04,500
>> COME ON, T!
THERE YOU GO!
>> T FIGHTING BACK, PIPER HAS
1656
00:50:04,502 --> 00:50:05,534
THERE YOU GO!
>> T FIGHTING BACK, PIPER HAS
HIM AGAINST THE ROPE, SPINS HIM
1657
00:50:05,536 --> 00:50:06,301
>> T FIGHTING BACK, PIPER HAS
HIM AGAINST THE ROPE, SPINS HIM
AROUND ...
1658
00:50:06,303 --> 00:50:09,638
HIM AGAINST THE ROPE, SPINS HIM
AROUND ...
OH, MY!
1659
00:50:09,640 --> 00:50:10,205
AROUND ...
OH, MY!
>> HEY, OUT OF THE CORNER.
1660
00:50:10,207 --> 00:50:11,473
OH, MY!
>> HEY, OUT OF THE CORNER.
BREAK, YOU'LL BREAK WHEN I TELL
1661
00:50:11,475 --> 00:50:12,474
>> HEY, OUT OF THE CORNER.
BREAK, YOU'LL BREAK WHEN I TELL
YOU TO BREAK.
1662
00:50:12,476 --> 00:50:13,509
BREAK, YOU'LL BREAK WHEN I TELL
YOU TO BREAK.
>> AND AGAIN THE OFFICIAL HAVING
1663
00:50:13,511 --> 00:50:14,576
YOU TO BREAK.
>> AND AGAIN THE OFFICIAL HAVING
SOME DIFFICULTY.
1664
00:50:14,578 --> 00:50:15,611
>> AND AGAIN THE OFFICIAL HAVING
SOME DIFFICULTY.
OH, OKAY, NOW RODDY WANTS HIM TO
1665
00:50:15,613 --> 00:50:21,684
SOME DIFFICULTY.
OH, OKAY, NOW RODDY WANTS HIM TO
COME STRAIGHT IN.
1666
00:50:21,686 --> 00:50:22,718
OH, OKAY, NOW RODDY WANTS HIM TO
COME STRAIGHT IN.
>> GOT TO HAND IT TO RODDY, BOY.
1667
00:50:22,720 --> 00:50:23,452
COME STRAIGHT IN.
>> GOT TO HAND IT TO RODDY, BOY.
HE'S UP FOR THIS.
1668
00:50:23,454 --> 00:50:24,553
>> GOT TO HAND IT TO RODDY, BOY.
HE'S UP FOR THIS.
LOOK AT THAT?
1669
00:50:24,555 --> 00:50:25,454
HE'S UP FOR THIS.
LOOK AT THAT?
>> HE REALLY IS, HE'S BEEN
1670
00:50:25,456 --> 00:50:26,522
LOOK AT THAT?
>> HE REALLY IS, HE'S BEEN
THROWING THE LEATHER, MR. PIPER
1671
00:50:26,524 --> 00:50:26,789
>> HE REALLY IS, HE'S BEEN
THROWING THE LEATHER, MR. PIPER
HAS.
1672
00:50:26,791 --> 00:50:27,523
THROWING THE LEATHER, MR. PIPER
HAS.
>> HEY!
1673
00:50:27,525 --> 00:50:28,824
HAS.
>> HEY!
HEY!
1674
00:50:28,826 --> 00:50:29,658
>> HEY!
HEY!
>> OH, MY!
1675
00:50:29,660 --> 00:50:30,760
HEY!
>> OH, MY!
>> HE'S PUTTING ON A GOOD FIGHT.
1676
00:50:30,762 --> 00:50:31,494
>> OH, MY!
>> HE'S PUTTING ON A GOOD FIGHT.
>> PIPER HAS HIM BENT OVER.
1677
00:50:31,496 --> 00:50:33,729
>> HE'S PUTTING ON A GOOD FIGHT.
>> PIPER HAS HIM BENT OVER.
PIPE -- MR. T'S IN TROUBLE.
1678
00:50:33,731 --> 00:50:34,730
>> PIPER HAS HIM BENT OVER.
PIPE -- MR. T'S IN TROUBLE.
MR. T'S IN ...
1679
00:50:34,732 --> 00:50:37,866
PIPE -- MR. T'S IN TROUBLE.
MR. T'S IN ...
T FIGHTING BACK.
1680
00:50:37,868 --> 00:50:39,668
MR. T'S IN ...
T FIGHTING BACK.
GOING UPSTAIRS, DOWNSTAIRS, AND
1681
00:50:39,670 --> 00:50:44,874
T FIGHTING BACK.
GOING UPSTAIRS, DOWNSTAIRS, AND
RODDY PIPER NOW CONTINUING ...
1682
00:50:44,876 --> 00:50:46,642
GOING UPSTAIRS, DOWNSTAIRS, AND
RODDY PIPER NOW CONTINUING ...
OH, AND A RIGHT HAND BY PIPER!
1683
00:50:46,644 --> 00:50:50,446
RODDY PIPER NOW CONTINUING ...
OH, AND A RIGHT HAND BY PIPER!
>> COME ON, T.
1684
00:50:50,448 --> 00:50:51,847
OH, AND A RIGHT HAND BY PIPER!
>> COME ON, T.
>> OH, COME ON, T!
1685
00:50:51,849 --> 00:50:53,816
>> COME ON, T.
>> OH, COME ON, T!
>> PIPER ...
1686
00:50:53,818 --> 00:50:54,750
>> OH, COME ON, T!
>> PIPER ...
T IS CAUGHT IN A CORNER THERE
1687
00:50:54,752 --> 00:50:56,785
>> PIPER ...
T IS CAUGHT IN A CORNER THERE
AND HE'S NOT GOING ANYWHERE.
1688
00:50:56,787 --> 00:50:57,586
T IS CAUGHT IN A CORNER THERE
AND HE'S NOT GOING ANYWHERE.
RODDY PIPER IS LETTING HIM HAVE
1689
00:50:57,588 --> 00:50:58,787
AND HE'S NOT GOING ANYWHERE.
RODDY PIPER IS LETTING HIM HAVE
IT.
1690
00:50:58,789 --> 00:50:59,922
RODDY PIPER IS LETTING HIM HAVE
IT.
>> UH-OH, HIS LEGS ARE TIRED.
1691
00:50:59,924 --> 00:51:00,589
IT.
>> UH-OH, HIS LEGS ARE TIRED.
>> PIPER WITH A RIGHT HAND,
1692
00:51:00,591 --> 00:51:02,491
>> UH-OH, HIS LEGS ARE TIRED.
>> PIPER WITH A RIGHT HAND,
CAUGHT HIM BEHIND THE EAR.
1693
00:51:02,493 --> 00:51:04,493
>> PIPER WITH A RIGHT HAND,
CAUGHT HIM BEHIND THE EAR.
RODDY PIPER WARMING UP ...
1694
00:51:04,495 --> 00:51:06,528
CAUGHT HIM BEHIND THE EAR.
RODDY PIPER WARMING UP ...
AND DOWN GOES MR. T!
1695
00:51:06,530 --> 00:51:09,665
RODDY PIPER WARMING UP ...
AND DOWN GOES MR. T!
I'M SHOCKED, I'M SHOCKED!
1696
00:51:09,667 --> 00:51:11,433
AND DOWN GOES MR. T!
I'M SHOCKED, I'M SHOCKED!
>> COME ON, T.
1697
00:51:11,435 --> 00:51:12,301
I'M SHOCKED, I'M SHOCKED!
>> COME ON, T.
>> GET OVER HERE, PIPER.
1698
00:51:12,303 --> 00:51:13,635
>> COME ON, T.
>> GET OVER HERE, PIPER.
GET IN THE CORNER.
1699
00:51:13,637 --> 00:51:14,503
>> GET OVER HERE, PIPER.
GET IN THE CORNER.
>> REFEREE TRYING TO GET PIPER
1700
00:51:14,505 --> 00:51:15,504
GET IN THE CORNER.
>> REFEREE TRYING TO GET PIPER
TO GO INTO THE CORNER.
1701
00:51:15,506 --> 00:51:16,538
>> REFEREE TRYING TO GET PIPER
TO GO INTO THE CORNER.
>> COME ON, RODDY.
1702
00:51:16,540 --> 00:51:17,339
TO GO INTO THE CORNER.
>> COME ON, RODDY.
GET OUT OF THERE.
1703
00:51:17,341 --> 00:51:18,974
>> COME ON, RODDY.
GET OUT OF THERE.
>> OH, COME ON.
1704
00:51:18,976 --> 00:51:19,641
GET OUT OF THERE.
>> OH, COME ON.
>> I WANT YOU IN THE CORNER, YOU
1705
00:51:19,643 --> 00:51:20,542
>> OH, COME ON.
>> I WANT YOU IN THE CORNER, YOU
UNDERSTAND ME?
1706
00:51:20,544 --> 00:51:21,743
>> I WANT YOU IN THE CORNER, YOU
UNDERSTAND ME?
>> COME ON, T PULL A HAWK, UP
1707
00:51:21,745 --> 00:51:23,312
UNDERSTAND ME?
>> COME ON, T PULL A HAWK, UP
YOU GO!
1708
00:51:23,314 --> 00:51:24,646
>> COME ON, T PULL A HAWK, UP
YOU GO!
LET'S GO, UP, UP, UP, UP, UP ...
1709
00:51:24,648 --> 00:51:28,851
YOU GO!
LET'S GO, UP, UP, UP, UP, UP ...
>> ONE, TWO, THREE, FOUR ...
1710
00:51:28,853 --> 00:51:29,652
LET'S GO, UP, UP, UP, UP, UP ...
>> ONE, TWO, THREE, FOUR ...
>> NOW, THREE AND THEN FOUR, MR.
1711
00:51:29,654 --> 00:51:30,419
>> ONE, TWO, THREE, FOUR ...
>> NOW, THREE AND THEN FOUR, MR.
T WAS HURT AND HURT BADLY BY
1712
00:51:30,421 --> 00:51:32,454
>> NOW, THREE AND THEN FOUR, MR.
T WAS HURT AND HURT BADLY BY
RODDY PIPER.
1713
00:51:32,456 --> 00:51:33,689
T WAS HURT AND HURT BADLY BY
RODDY PIPER.
PIPER, PRECIOUS ADVANTAGE, A
1714
00:51:33,691 --> 00:51:36,625
RODDY PIPER.
PIPER, PRECIOUS ADVANTAGE, A
COUNT OF SEVEN!
1715
00:51:36,627 --> 00:51:37,759
PIPER, PRECIOUS ADVANTAGE, A
COUNT OF SEVEN!
>> EIGHT, ARE YOU ALL RIGHT, T?
1716
00:51:37,761 --> 00:51:39,728
COUNT OF SEVEN!
>> EIGHT, ARE YOU ALL RIGHT, T?
ARE YOU ALL RIGHT?
1717
00:51:39,730 --> 00:51:41,497
>> EIGHT, ARE YOU ALL RIGHT, T?
ARE YOU ALL RIGHT?
WHERE ARE YA?
1718
00:51:41,499 --> 00:51:42,698
ARE YOU ALL RIGHT?
WHERE ARE YA?
OKAY, LET'S GO.
1719
00:51:42,700 --> 00:51:43,499
WHERE ARE YA?
OKAY, LET'S GO.
BOX!
1720
00:51:43,501 --> 00:51:44,399
OKAY, LET'S GO.
BOX!
>> OKAY, HERE THEY GO, T AND
1721
00:51:44,401 --> 00:51:45,701
BOX!
>> OKAY, HERE THEY GO, T AND
RODDY PIPER NOW.
1722
00:51:45,703 --> 00:51:48,337
>> OKAY, HERE THEY GO, T AND
RODDY PIPER NOW.
>> GEEZ, COME ON, T.
1723
00:51:48,339 --> 00:51:49,071
RODDY PIPER NOW.
>> GEEZ, COME ON, T.
[ CROWD CHANTING: RODDY!
1724
00:51:49,073 --> 00:51:49,538
>> GEEZ, COME ON, T.
[ CROWD CHANTING: RODDY!
RODDY!
1725
00:51:49,540 --> 00:51:49,805
[ CROWD CHANTING: RODDY!
RODDY!
RODDY! ]
1726
00:51:49,807 --> 00:51:50,839
RODDY!
RODDY! ]
>> IF HE CAN HOLD ON FOR THOSE
1727
00:51:50,841 --> 00:51:51,574
RODDY! ]
>> IF HE CAN HOLD ON FOR THOSE
16 SECONDS ...
1728
00:51:51,576 --> 00:51:52,841
>> IF HE CAN HOLD ON FOR THOSE
16 SECONDS ...
COME ON, T!
1729
00:51:52,843 --> 00:51:53,876
16 SECONDS ...
COME ON, T!
HOLD ON, T!
1730
00:51:53,878 --> 00:51:56,778
COME ON, T!
HOLD ON, T!
>> T HAMMERING AWAY.
1731
00:51:56,780 --> 00:51:57,779
HOLD ON, T!
>> T HAMMERING AWAY.
PIPER HAS HIM AGAINST THE ROPE
1732
00:51:57,781 --> 00:51:59,648
>> T HAMMERING AWAY.
PIPER HAS HIM AGAINST THE ROPE
AND AGAIN, SERIES OF RIGHTS AND
1733
00:51:59,650 --> 00:52:02,551
PIPER HAS HIM AGAINST THE ROPE
AND AGAIN, SERIES OF RIGHTS AND
LEFTS.
1734
00:52:02,553 --> 00:52:04,487
AND AGAIN, SERIES OF RIGHTS AND
LEFTS.
PIPER CONNECTING, MISSING WITH A
1735
00:52:04,489 --> 00:52:05,354
LEFTS.
PIPER CONNECTING, MISSING WITH A
LEFT.
1736
00:52:05,356 --> 00:52:07,456
PIPER CONNECTING, MISSING WITH A
LEFT.
[BELL RINGING ]
1737
00:52:07,458 --> 00:52:08,590
LEFT.
[BELL RINGING ]
>> UH-OH!
1738
00:52:08,592 --> 00:52:10,692
[BELL RINGING ]
>> UH-OH!
>> MR. T IS DOWN.
1739
00:52:10,694 --> 00:52:13,462
>> UH-OH!
>> MR. T IS DOWN.
>> GET IN YOUR CORNER, WAIT 'TIL
1740
00:52:13,464 --> 00:52:13,762
>> MR. T IS DOWN.
>> GET IN YOUR CORNER, WAIT 'TIL
I COUNT.
1741
00:52:13,764 --> 00:52:14,563
>> GET IN YOUR CORNER, WAIT 'TIL
I COUNT.
>> OH, COME ON!
1742
00:52:14,565 --> 00:52:15,430
I COUNT.
>> OH, COME ON!
>> OH, COME ON, RODDY!
1743
00:52:15,432 --> 00:52:16,064
>> OH, COME ON!
>> OH, COME ON, RODDY!
>> THREE, FOUR ...
1744
00:52:16,066 --> 00:52:16,732
>> OH, COME ON, RODDY!
>> THREE, FOUR ...
OKAY.
1745
00:52:16,734 --> 00:52:17,366
>> THREE, FOUR ...
OKAY.
>> WHAT DOES HE DO THAT FOR?
1746
00:52:17,368 --> 00:52:18,567
OKAY.
>> WHAT DOES HE DO THAT FOR?
HE'S WINNING IT FAIR AND SQUARE,
1747
00:52:18,569 --> 00:52:19,602
>> WHAT DOES HE DO THAT FOR?
HE'S WINNING IT FAIR AND SQUARE,
KIND OF.
1748
00:52:19,604 --> 00:52:20,602
HE'S WINNING IT FAIR AND SQUARE,
KIND OF.
>> MR. T DID NOT KNOW WHERE HE
1749
00:52:20,604 --> 00:52:23,639
KIND OF.
>> MR. T DID NOT KNOW WHERE HE
WAS AT THE END OF THAT ROUND AND
1750
00:52:23,641 --> 00:52:24,640
>> MR. T DID NOT KNOW WHERE HE
WAS AT THE END OF THAT ROUND AND
THEY HAVE HIM BACK OVER NOW ON
1751
00:52:24,642 --> 00:52:27,409
WAS AT THE END OF THAT ROUND AND
THEY HAVE HIM BACK OVER NOW ON
THE STOOL.
1752
00:52:27,411 --> 00:52:33,515
THEY HAVE HIM BACK OVER NOW ON
THE STOOL.
[ CHEERING ]
1753
00:52:33,517 --> 00:52:34,583
THE STOOL.
[ CHEERING ]
>> I TELL YOU, I'M SORT OF IN
1754
00:52:34,585 --> 00:52:35,618
[ CHEERING ]
>> I TELL YOU, I'M SORT OF IN
SHOCK OVER THAT.
1755
00:52:35,620 --> 00:52:36,752
>> I TELL YOU, I'M SORT OF IN
SHOCK OVER THAT.
>> I AM TOO.
1756
00:52:36,754 --> 00:52:38,521
SHOCK OVER THAT.
>> I AM TOO.
T GOING DOWN AFTER A SERIES OF
1757
00:52:38,523 --> 00:52:39,721
>> I AM TOO.
T GOING DOWN AFTER A SERIES OF
RIGHT HANDS, PIPER WAS WINDING
1758
00:52:39,723 --> 00:52:41,423
T GOING DOWN AFTER A SERIES OF
RIGHT HANDS, PIPER WAS WINDING
UP.
1759
00:52:41,425 --> 00:52:42,224
RIGHT HANDS, PIPER WAS WINDING
UP.
>> HIS KNEES WERE JUST GOING ...
1760
00:52:42,226 --> 00:52:44,560
UP.
>> HIS KNEES WERE JUST GOING ...
>> OH, WAIT A MINUTE ...
1761
00:52:44,562 --> 00:52:47,529
>> HIS KNEES WERE JUST GOING ...
>> OH, WAIT A MINUTE ...
>> OH, COME ON!
1762
00:52:47,531 --> 00:52:49,598
>> OH, WAIT A MINUTE ...
>> OH, COME ON!
>> BOB ORTON ...
1763
00:52:49,600 --> 00:52:50,399
>> OH, COME ON!
>> BOB ORTON ...
>> WHAT'S THE MATTER WITH YOU,
1764
00:52:50,401 --> 00:52:50,666
>> BOB ORTON ...
>> WHAT'S THE MATTER WITH YOU,
HUH?
1765
00:52:50,668 --> 00:52:51,834
>> WHAT'S THE MATTER WITH YOU,
HUH?
WHAT'S THE MATTER WITH YOU?
1766
00:52:51,836 --> 00:52:54,670
HUH?
WHAT'S THE MATTER WITH YOU?
>> APPARENTLY THROWING WATER
1767
00:52:54,672 --> 00:52:59,675
WHAT'S THE MATTER WITH YOU?
>> APPARENTLY THROWING WATER
OVER IN THE CORNER.
1768
00:52:59,677 --> 00:53:00,408
>> APPARENTLY THROWING WATER
OVER IN THE CORNER.
>> WHAT'S THE MATTER WITH THOSE
1769
00:53:00,410 --> 00:53:00,642
OVER IN THE CORNER.
>> WHAT'S THE MATTER WITH THOSE
GUYS?
1770
00:53:00,644 --> 00:53:01,510
>> WHAT'S THE MATTER WITH THOSE
GUYS?
THEY SHOULD TAKE A BREAK.
1771
00:53:01,512 --> 00:53:01,944
GUYS?
THEY SHOULD TAKE A BREAK.
>> ALL RIGHT.
1772
00:53:01,946 --> 00:53:02,744
THEY SHOULD TAKE A BREAK.
>> ALL RIGHT.
SECONDS OUT.
1773
00:53:02,746 --> 00:53:03,812
>> ALL RIGHT.
SECONDS OUT.
SECONDS OUT.
1774
00:53:03,814 --> 00:53:05,480
SECONDS OUT.
SECONDS OUT.
[ BELL RINGING ]
1775
00:53:05,482 --> 00:53:05,848
SECONDS OUT.
[ BELL RINGING ]
>> COME ON, T.
1776
00:53:05,850 --> 00:53:07,015
[ BELL RINGING ]
>> COME ON, T.
>> ALL RIGHT.
1777
00:53:07,017 --> 00:53:08,750
>> COME ON, T.
>> ALL RIGHT.
NOW, RODDY PIPER MUST FEEL VERY,
1778
00:53:08,752 --> 00:53:09,851
>> ALL RIGHT.
NOW, RODDY PIPER MUST FEEL VERY,
VERY GOOD.
1779
00:53:09,853 --> 00:53:10,552
NOW, RODDY PIPER MUST FEEL VERY,
VERY GOOD.
>> UH-OH.
1780
00:53:10,554 --> 00:53:11,554
VERY GOOD.
>> UH-OH.
UH-OH.
1781
00:53:11,556 --> 00:53:12,387
>> UH-OH.
UH-OH.
THE ALI SHUFFLE.
1782
00:53:12,389 --> 00:53:13,689
UH-OH.
THE ALI SHUFFLE.
>> YES, BEGINNING OF ROUND 3,
1783
00:53:13,691 --> 00:53:15,524
THE ALI SHUFFLE.
>> YES, BEGINNING OF ROUND 3,
AND PIPER VERY, VERY COCKY AFTER
1784
00:53:15,526 --> 00:53:17,559
>> YES, BEGINNING OF ROUND 3,
AND PIPER VERY, VERY COCKY AFTER
HAVING KNOCKED MR. T DOWN IN THE
1785
00:53:17,561 --> 00:53:21,664
AND PIPER VERY, VERY COCKY AFTER
HAVING KNOCKED MR. T DOWN IN THE
SECOND ROUND.
1786
00:53:21,666 --> 00:53:23,299
HAVING KNOCKED MR. T DOWN IN THE
SECOND ROUND.
>> I'M BAFFLED.
1787
00:53:23,301 --> 00:53:23,799
SECOND ROUND.
>> I'M BAFFLED.
COME ON, T.
1788
00:53:23,801 --> 00:53:24,700
>> I'M BAFFLED.
COME ON, T.
ALL RIGHT, T.
1789
00:53:24,702 --> 00:53:26,368
COME ON, T.
ALL RIGHT, T.
>> KEEP MOVING BACK IN.
1790
00:53:26,370 --> 00:53:27,469
ALL RIGHT, T.
>> KEEP MOVING BACK IN.
>> ALL RIGHT.
1791
00:53:27,471 --> 00:53:28,003
>> KEEP MOVING BACK IN.
>> ALL RIGHT.
THAT'S THE WAY ...
1792
00:53:28,005 --> 00:53:28,704
>> ALL RIGHT.
THAT'S THE WAY ...
COME ON.
1793
00:53:28,706 --> 00:53:29,538
THAT'S THE WAY ...
COME ON.
WORK ON HIS BODY A LITTLE.
1794
00:53:29,540 --> 00:53:30,539
COME ON.
WORK ON HIS BODY A LITTLE.
TIRE UP HIS ARMS.
1795
00:53:30,541 --> 00:53:31,673
WORK ON HIS BODY A LITTLE.
TIRE UP HIS ARMS.
OH, LIFTING HIM UP.
1796
00:53:31,675 --> 00:53:33,775
TIRE UP HIS ARMS.
OH, LIFTING HIM UP.
LIFTING HIM UP.
1797
00:53:33,777 --> 00:53:34,710
OH, LIFTING HIM UP.
LIFTING HIM UP.
UH-OH.
1798
00:53:34,712 --> 00:53:36,545
LIFTING HIM UP.
UH-OH.
>> T FIGHTING RIGHT BACK.
1799
00:53:36,547 --> 00:53:37,613
UH-OH.
>> T FIGHTING RIGHT BACK.
>> OH, THAT A WAY ...
1800
00:53:37,615 --> 00:53:38,447
>> T FIGHTING RIGHT BACK.
>> OH, THAT A WAY ...
T'S GOT HIM IN THE CORNER NOW,
1801
00:53:38,449 --> 00:53:39,815
>> OH, THAT A WAY ...
T'S GOT HIM IN THE CORNER NOW,
BODY SHOTS.
1802
00:53:39,817 --> 00:53:43,318
T'S GOT HIM IN THE CORNER NOW,
BODY SHOTS.
LOTS OF BODY SHOTS.
1803
00:53:43,320 --> 00:53:44,319
BODY SHOTS.
LOTS OF BODY SHOTS.
COME ON, TAKE ADVANTAGE OF IT,
1804
00:53:44,321 --> 00:53:44,720
LOTS OF BODY SHOTS.
COME ON, TAKE ADVANTAGE OF IT,
T.
1805
00:53:44,722 --> 00:53:45,554
COME ON, TAKE ADVANTAGE OF IT,
T.
>> LOOK AT THIS.
1806
00:53:45,556 --> 00:53:49,424
T.
>> LOOK AT THIS.
PIPER IS DOWN IN THE CORNER.
1807
00:53:49,426 --> 00:53:51,460
>> LOOK AT THIS.
PIPER IS DOWN IN THE CORNER.
I'M NOT TOO SURE WHETHER IT'S
1808
00:53:51,462 --> 00:53:52,628
PIPER IS DOWN IN THE CORNER.
I'M NOT TOO SURE WHETHER IT'S
BECAUSE OF T LEANING RIGHT ...
1809
00:53:52,630 --> 00:53:54,529
I'M NOT TOO SURE WHETHER IT'S
BECAUSE OF T LEANING RIGHT ...
OH, AND A LEFT HAND.
1810
00:53:54,531 --> 00:53:59,534
BECAUSE OF T LEANING RIGHT ...
OH, AND A LEFT HAND.
>> OH, THAT WAS A GOOD ONE.
1811
00:53:59,536 --> 00:54:00,769
OH, AND A LEFT HAND.
>> OH, THAT WAS A GOOD ONE.
>> MR. T LOOKS ARM WEARY, BUT
1812
00:54:00,771 --> 00:54:02,404
>> OH, THAT WAS A GOOD ONE.
>> MR. T LOOKS ARM WEARY, BUT
NONETHELESS, HE HAD ENOUGH TO
1813
00:54:02,406 --> 00:54:07,576
>> MR. T LOOKS ARM WEARY, BUT
NONETHELESS, HE HAD ENOUGH TO
KNOCK PIPER DOWN.
1814
00:54:07,578 --> 00:54:09,711
NONETHELESS, HE HAD ENOUGH TO
KNOCK PIPER DOWN.
AN UNLIKELY SIGHT, RODDY PIPER
1815
00:54:09,713 --> 00:54:12,681
KNOCK PIPER DOWN.
AN UNLIKELY SIGHT, RODDY PIPER
RIGHT ON HIS KEISTER.
1816
00:54:12,683 --> 00:54:13,515
AN UNLIKELY SIGHT, RODDY PIPER
RIGHT ON HIS KEISTER.
>> MAYBE HE THINKS THIS IS THE
1817
00:54:13,517 --> 00:54:15,484
RIGHT ON HIS KEISTER.
>> MAYBE HE THINKS THIS IS THE
MINUTE BREAK.
1818
00:54:15,486 --> 00:54:16,184
>> MAYBE HE THINKS THIS IS THE
MINUTE BREAK.
>> IT COULD BE THE BREAK FOR THE
1819
00:54:16,186 --> 00:54:17,419
MINUTE BREAK.
>> IT COULD BE THE BREAK FOR THE
WHOLE FIGHT IF HE DOESN'T GET
1820
00:54:17,421 --> 00:54:18,620
>> IT COULD BE THE BREAK FOR THE
WHOLE FIGHT IF HE DOESN'T GET
BACK UP.
1821
00:54:18,622 --> 00:54:23,726
WHOLE FIGHT IF HE DOESN'T GET
BACK UP.
>> COME ON, ROWDY.
1822
00:54:23,728 --> 00:54:24,426
BACK UP.
>> COME ON, ROWDY.
>> BACK UP WITH A COUNT OF
1823
00:54:24,428 --> 00:54:25,761
>> COME ON, ROWDY.
>> BACK UP WITH A COUNT OF
EIGHT.
1824
00:54:25,763 --> 00:54:27,429
>> BACK UP WITH A COUNT OF
EIGHT.
>> YOU ALL RIGHT?
1825
00:54:27,431 --> 00:54:28,697
EIGHT.
>> YOU ALL RIGHT?
ALL RIGHT, BOX.
1826
00:54:28,699 --> 00:54:29,431
>> YOU ALL RIGHT?
ALL RIGHT, BOX.
LET'S GO.
1827
00:54:29,433 --> 00:54:29,831
ALL RIGHT, BOX.
LET'S GO.
>> ALL RIGHT.
1828
00:54:29,833 --> 00:54:31,667
LET'S GO.
>> ALL RIGHT.
THEY'RE GONNA LET HIM BOX SOME
1829
00:54:31,669 --> 00:54:37,473
>> ALL RIGHT.
THEY'RE GONNA LET HIM BOX SOME
MORE.
1830
00:54:37,475 --> 00:54:38,707
THEY'RE GONNA LET HIM BOX SOME
MORE.
T MOVING OUT HERE CAUGHT HIM
1831
00:54:38,709 --> 00:54:42,678
MORE.
T MOVING OUT HERE CAUGHT HIM
WITH A RIGHT HAND.
1832
00:54:42,680 --> 00:54:43,646
T MOVING OUT HERE CAUGHT HIM
WITH A RIGHT HAND.
PIPER -- LOOK AT THIS.
1833
00:54:43,648 --> 00:54:44,580
WITH A RIGHT HAND.
PIPER -- LOOK AT THIS.
PIPER WIDE OPEN NOW.
1834
00:54:44,582 --> 00:54:45,547
PIPER -- LOOK AT THIS.
PIPER WIDE OPEN NOW.
HE'S CATCHING PUNCHES FROM T.
1835
00:54:45,549 --> 00:54:46,815
PIPER WIDE OPEN NOW.
HE'S CATCHING PUNCHES FROM T.
[ CROWD CHANTING: T!
1836
00:54:46,817 --> 00:54:47,382
HE'S CATCHING PUNCHES FROM T.
[ CROWD CHANTING: T!
T!
1837
00:54:47,384 --> 00:54:49,518
[ CROWD CHANTING: T!
T!
T! ]
1838
00:54:49,520 --> 00:54:50,485
T!
T! ]
>> WELL, THESE GUYS HAVE A NEW
1839
00:54:50,487 --> 00:54:51,620
T! ]
>> WELL, THESE GUYS HAVE A NEW
RESPECT FOR PROFESSIONAL BOXERS,
1840
00:54:51,622 --> 00:54:53,455
>> WELL, THESE GUYS HAVE A NEW
RESPECT FOR PROFESSIONAL BOXERS,
HOW TIRED THEY GET FROM A
1841
00:54:53,457 --> 00:54:54,623
RESPECT FOR PROFESSIONAL BOXERS,
HOW TIRED THEY GET FROM A
POUNDING LIKE THAT.
1842
00:54:54,625 --> 00:54:54,890
HOW TIRED THEY GET FROM A
POUNDING LIKE THAT.
>> INDEED.
1843
00:54:54,892 --> 00:54:57,459
POUNDING LIKE THAT.
>> INDEED.
T, NOW, WITH PIPER IN TROUBLE.
1844
00:54:57,461 --> 00:55:00,696
>> INDEED.
T, NOW, WITH PIPER IN TROUBLE.
>> COME ON, T.
1845
00:55:00,698 --> 00:55:01,596
T, NOW, WITH PIPER IN TROUBLE.
>> COME ON, T.
>> PUSHING HIM TO THE CORNER.
1846
00:55:01,598 --> 00:55:02,631
>> COME ON, T.
>> PUSHING HIM TO THE CORNER.
OH!
1847
00:55:02,633 --> 00:55:04,299
>> PUSHING HIM TO THE CORNER.
OH!
>> OH!
1848
00:55:04,301 --> 00:55:06,301
OH!
>> OH!
OH, RIGHT OUT OF THE RING.
1849
00:55:06,303 --> 00:55:10,339
>> OH!
OH, RIGHT OUT OF THE RING.
RIGHT OUT OF THE RING.
1850
00:55:10,341 --> 00:55:13,575
OH, RIGHT OUT OF THE RING.
RIGHT OUT OF THE RING.
>> ORTON RIGHT OVER THERE.
1851
00:55:13,577 --> 00:55:14,743
RIGHT OUT OF THE RING.
>> ORTON RIGHT OVER THERE.
AND THERE WE SEE MR. T A MOMENT
1852
00:55:14,745 --> 00:55:20,549
>> ORTON RIGHT OVER THERE.
AND THERE WE SEE MR. T A MOMENT
AGO, AND NOW ...
1853
00:55:20,551 --> 00:55:22,417
AND THERE WE SEE MR. T A MOMENT
AGO, AND NOW ...
>> HERE HE COMES.
1854
00:55:22,419 --> 00:55:23,318
AGO, AND NOW ...
>> HERE HE COMES.
>> THEY'RE DOING EVERYTHING
1855
00:55:23,320 --> 00:55:24,653
>> HERE HE COMES.
>> THEY'RE DOING EVERYTHING
POSSIBLE TO GET PIPER BACK INTO
1856
00:55:24,655 --> 00:55:26,722
>> THEY'RE DOING EVERYTHING
POSSIBLE TO GET PIPER BACK INTO
THE RING.
1857
00:55:26,724 --> 00:55:28,490
POSSIBLE TO GET PIPER BACK INTO
THE RING.
PIPER HAS BEEN KNOCKED DOWN
1858
00:55:28,492 --> 00:55:29,424
THE RING.
PIPER HAS BEEN KNOCKED DOWN
TWICE NOW.
1859
00:55:29,426 --> 00:55:30,559
PIPER HAS BEEN KNOCKED DOWN
TWICE NOW.
ONE MORE TIME AND THE FIGHT IS
1860
00:55:30,561 --> 00:55:34,763
TWICE NOW.
ONE MORE TIME AND THE FIGHT IS
OVER.
1861
00:55:34,765 --> 00:55:39,568
ONE MORE TIME AND THE FIGHT IS
OVER.
>> WELL, HE SAYS HE CAN DO IT.
1862
00:55:39,570 --> 00:55:40,102
OVER.
>> WELL, HE SAYS HE CAN DO IT.
>> WELL, FRED'S GOT ...
1863
00:55:40,104 --> 00:55:41,270
>> WELL, HE SAYS HE CAN DO IT.
>> WELL, FRED'S GOT ...
I CAN'T ...
1864
00:55:41,272 --> 00:55:44,706
>> WELL, FRED'S GOT ...
I CAN'T ...
PIPER IS ALMOST OUT ON HIS FEET.
1865
00:55:44,708 --> 00:55:45,707
I CAN'T ...
PIPER IS ALMOST OUT ON HIS FEET.
ONE MORE TIME HE GOES DOWN, THE
1866
00:55:45,709 --> 00:55:46,641
PIPER IS ALMOST OUT ON HIS FEET.
ONE MORE TIME HE GOES DOWN, THE
FIGHT IS OVER.
1867
00:55:46,643 --> 00:55:48,777
ONE MORE TIME HE GOES DOWN, THE
FIGHT IS OVER.
T HAS ABOUT 25 SECONDS, NOW, TO
1868
00:55:48,779 --> 00:55:49,711
FIGHT IS OVER.
T HAS ABOUT 25 SECONDS, NOW, TO
GET HIM DOWN.
1869
00:55:49,713 --> 00:55:50,679
T HAS ABOUT 25 SECONDS, NOW, TO
GET HIM DOWN.
>> COME ON, T.
1870
00:55:50,681 --> 00:55:52,414
GET HIM DOWN.
>> COME ON, T.
HE COULD PROBABLY THROW HIM DOWN
1871
00:55:52,416 --> 00:55:52,747
>> COME ON, T.
HE COULD PROBABLY THROW HIM DOWN
RIGHT NOW.
1872
00:55:52,749 --> 00:55:54,249
HE COULD PROBABLY THROW HIM DOWN
RIGHT NOW.
WHOA.
1873
00:55:54,251 --> 00:55:55,150
RIGHT NOW.
WHOA.
>> THERE'S NO DOUBT, THIS IS THE
1874
00:55:55,152 --> 00:55:58,286
WHOA.
>> THERE'S NO DOUBT, THIS IS THE
BEST ROUND YET FOR MR. T.
1875
00:55:58,288 --> 00:55:59,621
>> THERE'S NO DOUBT, THIS IS THE
BEST ROUND YET FOR MR. T.
BOTH FIGHTERS ARE WEARY AT THIS
1876
00:55:59,623 --> 00:56:02,724
BEST ROUND YET FOR MR. T.
BOTH FIGHTERS ARE WEARY AT THIS
JUNCTURE.
1877
00:56:02,726 --> 00:56:03,592
BOTH FIGHTERS ARE WEARY AT THIS
JUNCTURE.
LOOK AT ...
1878
00:56:03,594 --> 00:56:05,461
JUNCTURE.
LOOK AT ...
YOU CAN SEE PIPER HOLDING ON.
1879
00:56:05,463 --> 00:56:06,428
LOOK AT ...
YOU CAN SEE PIPER HOLDING ON.
[ BELL RINGING ]
1880
00:56:06,430 --> 00:56:09,731
YOU CAN SEE PIPER HOLDING ON.
[ BELL RINGING ]
>> END OF THE ROUND.
1881
00:56:09,733 --> 00:56:11,233
[ BELL RINGING ]
>> END OF THE ROUND.
AND THEY'LL BRING MR. T BACK,
1882
00:56:11,235 --> 00:56:12,634
>> END OF THE ROUND.
AND THEY'LL BRING MR. T BACK,
AND ALSO RODDY PIPER BACK IN
1883
00:56:12,636 --> 00:56:14,336
AND THEY'LL BRING MR. T BACK,
AND ALSO RODDY PIPER BACK IN
THEIR RESPECTIVE CORNERS.
1884
00:56:14,338 --> 00:56:15,337
AND ALSO RODDY PIPER BACK IN
THEIR RESPECTIVE CORNERS.
>> NOW, THIS IS WHERE WE HAVE TO
1885
00:56:15,339 --> 00:56:16,705
THEIR RESPECTIVE CORNERS.
>> NOW, THIS IS WHERE WE HAVE TO
BE CAREFUL, BECAUSE THIS IS WHEN
1886
00:56:16,707 --> 00:56:17,739
>> NOW, THIS IS WHERE WE HAVE TO
BE CAREFUL, BECAUSE THIS IS WHEN
ROWDY COULD GET DESPERATE DO
1887
00:56:17,741 --> 00:56:21,577
BE CAREFUL, BECAUSE THIS IS WHEN
ROWDY COULD GET DESPERATE DO
SOMETHING PRETTY UNSAVORY.
1888
00:56:21,579 --> 00:56:25,614
ROWDY COULD GET DESPERATE DO
SOMETHING PRETTY UNSAVORY.
>> YES.
1889
00:56:25,616 --> 00:56:27,416
SOMETHING PRETTY UNSAVORY.
>> YES.
MR. T BEING WORKED ON, AND THERE
1890
00:56:27,418 --> 00:56:31,553
>> YES.
MR. T BEING WORKED ON, AND THERE
IS ONE OF THE ROUND CARD GIRLS
1891
00:56:31,555 --> 00:56:33,489
MR. T BEING WORKED ON, AND THERE
IS ONE OF THE ROUND CARD GIRLS
[INDISTINCT]
1892
00:56:33,491 --> 00:56:35,424
IS ONE OF THE ROUND CARD GIRLS
[INDISTINCT]
, WE DIDN'T SEE 'EM EARLIER
1893
00:56:35,426 --> 00:56:39,561
[INDISTINCT]
, WE DIDN'T SEE 'EM EARLIER
BECAUSE OF THE ACTION, I'M SURE.
1894
00:56:39,563 --> 00:56:40,695
, WE DIDN'T SEE 'EM EARLIER
BECAUSE OF THE ACTION, I'M SURE.
BUT NOW, LOOK AT T OVER IN THE
1895
00:56:40,697 --> 00:56:43,499
BECAUSE OF THE ACTION, I'M SURE.
BUT NOW, LOOK AT T OVER IN THE
CORNER OF RODDY PIPER.
1896
00:56:43,501 --> 00:56:44,533
BUT NOW, LOOK AT T OVER IN THE
CORNER OF RODDY PIPER.
>> I THINK T'S FEELING A LITTLE
1897
00:56:44,535 --> 00:56:46,601
CORNER OF RODDY PIPER.
>> I THINK T'S FEELING A LITTLE
BETTER NOW.
1898
00:56:46,603 --> 00:56:47,469
>> I THINK T'S FEELING A LITTLE
BETTER NOW.
THAT LAST ROUND GAVE HIM SOME
1899
00:56:47,471 --> 00:56:49,438
BETTER NOW.
THAT LAST ROUND GAVE HIM SOME
PEP.
1900
00:56:49,440 --> 00:56:50,572
THAT LAST ROUND GAVE HIM SOME
PEP.
>> GAVE HIM A GREAT DEAL OF PEP.
1901
00:56:50,574 --> 00:56:51,473
PEP.
>> GAVE HIM A GREAT DEAL OF PEP.
>> YEP.
1902
00:56:51,475 --> 00:56:55,511
>> GAVE HIM A GREAT DEAL OF PEP.
>> YEP.
>> AND DUVA REALLY LAYING THE
1903
00:56:55,513 --> 00:56:57,879
>> YEP.
>> AND DUVA REALLY LAYING THE
WRAP ON RODDY PIPER.
1904
00:56:57,881 --> 00:57:01,349
>> AND DUVA REALLY LAYING THE
WRAP ON RODDY PIPER.
SECONDS OUT!
1905
00:57:01,351 --> 00:57:01,817
WRAP ON RODDY PIPER.
SECONDS OUT!
>> UH-OH!
1906
00:57:01,819 --> 00:57:02,517
SECONDS OUT!
>> UH-OH!
UH-OH!
1907
00:57:02,519 --> 00:57:03,585
>> UH-OH!
UH-OH!
I TOLD YOU, VINCE.
1908
00:57:03,587 --> 00:57:04,686
UH-OH!
I TOLD YOU, VINCE.
>> OH, MY.
1909
00:57:04,688 --> 00:57:05,788
I TOLD YOU, VINCE.
>> OH, MY.
>> I TOLD YOU.
1910
00:57:05,790 --> 00:57:09,458
>> OH, MY.
>> I TOLD YOU.
[ BELL RINGING ]
1911
00:57:09,460 --> 00:57:12,561
>> I TOLD YOU.
[ BELL RINGING ]
>> LOOK AT THIS NOW.
1912
00:57:12,563 --> 00:57:15,464
[ BELL RINGING ]
>> LOOK AT THIS NOW.
THE BEGINNING OF ROUND 4.
1913
00:57:15,466 --> 00:57:16,765
>> LOOK AT THIS NOW.
THE BEGINNING OF ROUND 4.
OH, AND A RIGHT HAND BY PIPER.
1914
00:57:16,767 --> 00:57:17,699
THE BEGINNING OF ROUND 4.
OH, AND A RIGHT HAND BY PIPER.
>> COME ON.
1915
00:57:17,701 --> 00:57:18,500
OH, AND A RIGHT HAND BY PIPER.
>> COME ON.
OH.
1916
00:57:18,502 --> 00:57:21,369
>> COME ON.
OH.
>> AND ONE BY T.
1917
00:57:21,371 --> 00:57:21,904
OH.
>> AND ONE BY T.
OH, ANOTHER ONE.
1918
00:57:21,906 --> 00:57:23,438
>> AND ONE BY T.
OH, ANOTHER ONE.
T IS BACKED UP.
1919
00:57:23,440 --> 00:57:24,339
OH, ANOTHER ONE.
T IS BACKED UP.
>> OH, KNOCKED HIS MOUTHPIECE
1920
00:57:24,341 --> 00:57:24,739
T IS BACKED UP.
>> OH, KNOCKED HIS MOUTHPIECE
...
1921
00:57:24,741 --> 00:57:25,674
>> OH, KNOCKED HIS MOUTHPIECE
...
ALMOST KNOCKED HIS MOUTH ...
1922
00:57:25,676 --> 00:57:27,643
...
ALMOST KNOCKED HIS MOUTH ...
UH-OH.
1923
00:57:27,645 --> 00:57:28,677
ALMOST KNOCKED HIS MOUTH ...
UH-OH.
>> BOTH FIGHTERS SO ARM WEARY,
1924
00:57:28,679 --> 00:57:30,645
UH-OH.
>> BOTH FIGHTERS SO ARM WEARY,
BUT PIPER IS FIRING OFF.
1925
00:57:30,647 --> 00:57:31,746
>> BOTH FIGHTERS SO ARM WEARY,
BUT PIPER IS FIRING OFF.
T, ALSO WITH A RIGHT HAND A
1926
00:57:31,748 --> 00:57:33,482
BUT PIPER IS FIRING OFF.
T, ALSO WITH A RIGHT HAND A
MOMENT AGO.
1927
00:57:33,484 --> 00:57:34,416
T, ALSO WITH A RIGHT HAND A
MOMENT AGO.
AND A RIGHT BY PIPER.
1928
00:57:34,418 --> 00:57:36,518
MOMENT AGO.
AND A RIGHT BY PIPER.
AND A LEFT.
1929
00:57:36,520 --> 00:57:36,852
AND A RIGHT BY PIPER.
AND A LEFT.
>> UH-OH!
1930
00:57:36,854 --> 00:57:37,586
AND A LEFT.
>> UH-OH!
UH-OH!
1931
00:57:37,588 --> 00:57:38,386
>> UH-OH!
UH-OH!
COME ON, T.
1932
00:57:38,388 --> 00:57:42,691
UH-OH!
COME ON, T.
YOUR TURN, T.
1933
00:57:42,693 --> 00:57:51,733
COME ON, T.
YOUR TURN, T.
>> ROUNDHOUSE RIGHTS AND LEFTS.
1934
00:57:51,735 --> 00:57:52,734
YOUR TURN, T.
>> ROUNDHOUSE RIGHTS AND LEFTS.
BOTH MEN VERY ...
1935
00:57:52,736 --> 00:57:53,902
>> ROUNDHOUSE RIGHTS AND LEFTS.
BOTH MEN VERY ...
OH, MY.
1936
00:57:53,904 --> 00:57:55,537
BOTH MEN VERY ...
OH, MY.
WHAT A RIGHT HAND BY RODDY
1937
00:57:55,539 --> 00:57:56,538
OH, MY.
WHAT A RIGHT HAND BY RODDY
PIPER.
1938
00:57:56,540 --> 00:57:57,272
WHAT A RIGHT HAND BY RODDY
PIPER.
KNOCKED MR. T'S MOUTHPIECE RIGHT
1939
00:57:57,274 --> 00:57:58,840
PIPER.
KNOCKED MR. T'S MOUTHPIECE RIGHT
OUT.
1940
00:57:58,842 --> 00:58:02,677
KNOCKED MR. T'S MOUTHPIECE RIGHT
OUT.
>> UH-OH!
1941
00:58:02,679 --> 00:58:04,713
OUT.
>> UH-OH!
>> AND PIPER'S MOUTHPIECE OUT.
1942
00:58:04,715 --> 00:58:05,747
>> UH-OH!
>> AND PIPER'S MOUTHPIECE OUT.
>> WELL, HOW MUCH OF THIS CAN
1943
00:58:05,749 --> 00:58:07,382
>> AND PIPER'S MOUTHPIECE OUT.
>> WELL, HOW MUCH OF THIS CAN
THEY TAKE, VINCE?
1944
00:58:07,384 --> 00:58:08,717
>> WELL, HOW MUCH OF THIS CAN
THEY TAKE, VINCE?
THIS IS VICIOUS.
1945
00:58:08,719 --> 00:58:10,719
THEY TAKE, VINCE?
THIS IS VICIOUS.
>> A BRUTAL FIGHT, BOTH MEN SO
1946
00:58:10,721 --> 00:58:14,389
THIS IS VICIOUS.
>> A BRUTAL FIGHT, BOTH MEN SO
ARM WEARY, BUT MOVING IN NOW.
1947
00:58:14,391 --> 00:58:15,457
>> A BRUTAL FIGHT, BOTH MEN SO
ARM WEARY, BUT MOVING IN NOW.
THE REFEREE TRYING TO GET
1948
00:58:15,459 --> 00:58:16,658
ARM WEARY, BUT MOVING IN NOW.
THE REFEREE TRYING TO GET
BETWEEN NOW, BRING 'EM BACK OUT.
1949
00:58:16,660 --> 00:58:18,360
THE REFEREE TRYING TO GET
BETWEEN NOW, BRING 'EM BACK OUT.
OH, WAIT A MINUTE.
1950
00:58:18,362 --> 00:58:18,927
BETWEEN NOW, BRING 'EM BACK OUT.
OH, WAIT A MINUTE.
>> OH, WAIT A MINUTE.
1951
00:58:18,929 --> 00:58:19,628
OH, WAIT A MINUTE.
>> OH, WAIT A MINUTE.
COME ON.
1952
00:58:19,630 --> 00:58:20,462
>> OH, WAIT A MINUTE.
COME ON.
UH-OH!
1953
00:58:20,464 --> 00:58:21,697
COME ON.
UH-OH!
OH, WAIT A MINUTE.
1954
00:58:21,699 --> 00:58:23,298
UH-OH!
OH, WAIT A MINUTE.
I KNEW THIS WAS COMING.
1955
00:58:23,300 --> 00:58:23,865
OH, WAIT A MINUTE.
I KNEW THIS WAS COMING.
[ BELL RINGING ]
1956
00:58:23,867 --> 00:58:25,433
I KNEW THIS WAS COMING.
[ BELL RINGING ]
>> I KNEW IT.
1957
00:58:25,435 --> 00:58:25,734
[ BELL RINGING ]
>> I KNEW IT.
WHAT?
1958
00:58:25,736 --> 00:58:27,236
>> I KNEW IT.
WHAT?
WHY ISN'T GORDON LIDDY ...
1959
00:58:27,238 --> 00:58:28,803
WHAT?
WHY ISN'T GORDON LIDDY ...
ISN'T HE A JUDGE?
1960
00:58:28,805 --> 00:58:29,604
WHY ISN'T GORDON LIDDY ...
ISN'T HE A JUDGE?
COME ON.
1961
00:58:29,606 --> 00:58:30,805
ISN'T HE A JUDGE?
COME ON.
>> PIPER RESORTING TO THE
1962
00:58:30,807 --> 00:58:31,640
COME ON.
>> PIPER RESORTING TO THE
WRESTLING.
1963
00:58:31,642 --> 00:58:32,574
>> PIPER RESORTING TO THE
WRESTLING.
LOOK AT THIS.
1964
00:58:32,576 --> 00:58:33,808
WRESTLING.
LOOK AT THIS.
ALL THE MEN IN THERE.
1965
00:58:33,810 --> 00:58:35,310
LOOK AT THIS.
ALL THE MEN IN THERE.
>> OH, COME ON.
1966
00:58:35,312 --> 00:58:38,614
ALL THE MEN IN THERE.
>> OH, COME ON.
[ BELL RINGING ]
1967
00:58:38,616 --> 00:58:44,553
>> OH, COME ON.
[ BELL RINGING ]
>> WE HAVE A MELEE IN THERE.
1968
00:58:44,555 --> 00:58:46,755
[ BELL RINGING ]
>> WE HAVE A MELEE IN THERE.
A MELEE GOING ON.
1969
00:58:46,757 --> 00:58:50,392
>> WE HAVE A MELEE IN THERE.
A MELEE GOING ON.
>> AND JOE'S GOT A HOLD OF DUVA.
1970
00:58:50,394 --> 00:58:53,595
A MELEE GOING ON.
>> AND JOE'S GOT A HOLD OF DUVA.
>> PIPER IS BACK ON HIS FEET,
1971
00:58:53,597 --> 00:58:56,598
>> AND JOE'S GOT A HOLD OF DUVA.
>> PIPER IS BACK ON HIS FEET,
BACK TO HIS CORNER.
1972
00:58:56,600 --> 00:58:57,399
>> PIPER IS BACK ON HIS FEET,
BACK TO HIS CORNER.
>> UH-OH.
1973
00:58:57,401 --> 00:58:58,633
BACK TO HIS CORNER.
>> UH-OH.
THEY CAN'T JOE OFF OF COWBOY
1974
00:58:58,635 --> 00:58:59,635
>> UH-OH.
THEY CAN'T JOE OFF OF COWBOY
THERE.
1975
00:58:59,637 --> 00:59:01,403
THEY CAN'T JOE OFF OF COWBOY
THERE.
JOE'S GOT THE COWBOY.
1976
00:59:01,405 --> 00:59:02,204
THERE.
JOE'S GOT THE COWBOY.
>> WELL, THEY'RE TRYING TO GET
1977
00:59:02,206 --> 00:59:03,405
JOE'S GOT THE COWBOY.
>> WELL, THEY'RE TRYING TO GET
THESE FIGHTERS APART.
1978
00:59:03,407 --> 00:59:03,972
>> WELL, THEY'RE TRYING TO GET
THESE FIGHTERS APART.
OH, LOOK AT THAT.
1979
00:59:03,974 --> 00:59:07,442
THESE FIGHTERS APART.
OH, LOOK AT THAT.
MR. T GETS THE GOAT.
1980
00:59:07,444 --> 00:59:08,443
OH, LOOK AT THAT.
MR. T GETS THE GOAT.
BUT, PIPER IS RIGHT BACK ON TOP
1981
00:59:08,445 --> 00:59:11,513
MR. T GETS THE GOAT.
BUT, PIPER IS RIGHT BACK ON TOP
OF HIM.
1982
00:59:11,515 --> 00:59:12,881
BUT, PIPER IS RIGHT BACK ON TOP
OF HIM.
>> LADIES AND GENTLEMEN, IN THE
1983
00:59:12,883 --> 00:59:14,683
OF HIM.
>> LADIES AND GENTLEMEN, IN THE
FOURTH ROUND, THE REFEREE STOPS
1984
00:59:14,685 --> 00:59:16,451
>> LADIES AND GENTLEMEN, IN THE
FOURTH ROUND, THE REFEREE STOPS
THIS BOUT.
1985
00:59:16,453 --> 00:59:18,453
FOURTH ROUND, THE REFEREE STOPS
THIS BOUT.
HE AWARDS THE DECISION, AS A
1986
00:59:18,455 --> 00:59:21,690
THIS BOUT.
HE AWARDS THE DECISION, AS A
RESULT OF A DISQUALIFICATION, TO
1987
00:59:21,692 --> 00:59:23,491
HE AWARDS THE DECISION, AS A
RESULT OF A DISQUALIFICATION, TO
MR. T.
1988
00:59:23,493 --> 00:59:29,398
RESULT OF A DISQUALIFICATION, TO
MR. T.
[ CHEERING ]
1989
00:59:29,400 --> 00:59:29,797
MR. T.
[ CHEERING ]
>> ALL RIGHT.
1990
00:59:29,799 --> 00:59:30,699
[ CHEERING ]
>> ALL RIGHT.
LET'S TAKE A LOOK AT RODDY
1991
00:59:30,701 --> 00:59:32,868
>> ALL RIGHT.
LET'S TAKE A LOOK AT RODDY
PIPER.
1992
00:59:32,870 --> 00:59:33,936
LET'S TAKE A LOOK AT RODDY
PIPER.
AND THERE'S NO DOUBT MR. PIPER
1993
00:59:33,938 --> 00:59:35,303
PIPER.
AND THERE'S NO DOUBT MR. PIPER
WAS BENDING AND BREAKING THE
1994
00:59:35,305 --> 00:59:36,705
AND THERE'S NO DOUBT MR. PIPER
WAS BENDING AND BREAKING THE
RULES ALL THE WAY THROUGH THE
1995
00:59:36,707 --> 00:59:37,773
WAS BENDING AND BREAKING THE
RULES ALL THE WAY THROUGH THE
MATCHUP.
1996
00:59:37,775 --> 00:59:39,274
RULES ALL THE WAY THROUGH THE
MATCHUP.
>> HE ASKED FOR IT.
1997
00:59:39,276 --> 00:59:40,275
MATCHUP.
>> HE ASKED FOR IT.
IT'S ABOUT TIME THE REFEREES
1998
00:59:40,277 --> 00:59:42,577
>> HE ASKED FOR IT.
IT'S ABOUT TIME THE REFEREES
GAVE HIM WHAT HE DESERVED.
1999
00:59:42,579 --> 00:59:44,512
IT'S ABOUT TIME THE REFEREES
GAVE HIM WHAT HE DESERVED.
>> SO, FINALLY, PIPER
2000
00:59:44,514 --> 00:59:46,815
GAVE HIM WHAT HE DESERVED.
>> SO, FINALLY, PIPER
DISQUALIFIED, BUT IT TOOK HIM
2001
00:59:46,817 --> 00:59:48,383
>> SO, FINALLY, PIPER
DISQUALIFIED, BUT IT TOOK HIM
...
2002
00:59:48,385 --> 00:59:49,351
DISQUALIFIED, BUT IT TOOK HIM
...
AND WE'LL GO BACK, NOW, TO THE
2003
00:59:49,353 --> 00:59:50,852
...
AND WE'LL GO BACK, NOW, TO THE
REPLAY.
2004
00:59:50,854 --> 00:59:52,520
AND WE'LL GO BACK, NOW, TO THE
REPLAY.
AND THERE, THE REFEREE SHOVED
2005
00:59:52,522 --> 00:59:53,321
REPLAY.
AND THERE, THE REFEREE SHOVED
DOWN.
2006
00:59:53,323 --> 00:59:54,756
AND THERE, THE REFEREE SHOVED
DOWN.
THAT, IN AND OF ITSELF, WAS
2007
00:59:54,758 --> 00:59:55,791
DOWN.
THAT, IN AND OF ITSELF, WAS
ENOUGH FOR DISQUALIFICATION, BUT
2008
00:59:55,793 --> 00:59:57,325
THAT, IN AND OF ITSELF, WAS
ENOUGH FOR DISQUALIFICATION, BUT
THAT.
2009
00:59:57,327 --> 00:59:58,526
ENOUGH FOR DISQUALIFICATION, BUT
THAT.
PIPER, I THINK, WAS DAZED,
2010
00:59:58,528 --> 01:00:00,562
THAT.
PIPER, I THINK, WAS DAZED,
SUSAN, AND AUTOMATICALLY
2011
01:00:00,564 --> 01:00:01,730
PIPER, I THINK, WAS DAZED,
SUSAN, AND AUTOMATICALLY
RESORTED TO HIS WRESTLING
2012
01:00:01,732 --> 01:00:03,298
SUSAN, AND AUTOMATICALLY
RESORTED TO HIS WRESTLING
SKILLS.
2013
01:00:03,300 --> 01:00:04,532
RESORTED TO HIS WRESTLING
SKILLS.
>> I HAVE TO GIVE HIM CREDIT FOR
2014
01:00:04,534 --> 01:00:06,167
SKILLS.
>> I HAVE TO GIVE HIM CREDIT FOR
THE FIRST TWO ROUNDS.
2015
01:00:06,169 --> 01:00:06,801
>> I HAVE TO GIVE HIM CREDIT FOR
THE FIRST TWO ROUNDS.
I WAS REALLY IMPRESSED WITH HIS
2016
01:00:06,803 --> 01:00:07,869
THE FIRST TWO ROUNDS.
I WAS REALLY IMPRESSED WITH HIS
SKILLS.
2017
01:00:07,871 --> 01:00:08,770
I WAS REALLY IMPRESSED WITH HIS
SKILLS.
HE GOT IN GOOD SHAPE.
2018
01:00:08,772 --> 01:00:09,838
SKILLS.
HE GOT IN GOOD SHAPE.
AND IF HE HADN'T GOTTEN SO
2019
01:00:09,840 --> 01:00:11,039
HE GOT IN GOOD SHAPE.
AND IF HE HADN'T GOTTEN SO
DESPERATE AT THE END, HE MIGHT
2020
01:00:11,041 --> 01:00:12,741
AND IF HE HADN'T GOTTEN SO
DESPERATE AT THE END, HE MIGHT
HAVE BEEN ABLE TO PULL IT OUT.
2021
01:00:12,743 --> 01:00:14,643
DESPERATE AT THE END, HE MIGHT
HAVE BEEN ABLE TO PULL IT OUT.
>> COULD VERY WELL HAVE, UH,
2022
01:00:14,645 --> 01:00:15,777
HAVE BEEN ABLE TO PULL IT OUT.
>> COULD VERY WELL HAVE, UH,
PULLED IT OUT THERE.
2023
01:00:15,779 --> 01:00:16,745
>> COULD VERY WELL HAVE, UH,
PULLED IT OUT THERE.
BUT, IN THE END, NONETHELESS,
2024
01:00:16,747 --> 01:00:18,880
PULLED IT OUT THERE.
BUT, IN THE END, NONETHELESS,
IT'LL GO DOWN AS A VICTORY FOR
2025
01:00:18,882 --> 01:00:20,782
BUT, IN THE END, NONETHELESS,
IT'LL GO DOWN AS A VICTORY FOR
MR. T.
2026
01:00:20,784 --> 01:00:22,417
IT'LL GO DOWN AS A VICTORY FOR
MR. T.
STANDING BY NOW, LADIES AND
2027
01:00:22,419 --> 01:00:23,619
MR. T.
STANDING BY NOW, LADIES AND
GENTLEMEN, WE'RE GOING TO TAKE
2028
01:00:23,621 --> 01:00:24,786
STANDING BY NOW, LADIES AND
GENTLEMEN, WE'RE GOING TO TAKE
YOU TO THE CHICAGO PORTION OF
2029
01:00:24,788 --> 01:00:26,821
GENTLEMEN, WE'RE GOING TO TAKE
YOU TO THE CHICAGO PORTION OF
WRESTLEMANIA.
2030
01:00:26,823 --> 01:00:27,689
YOU TO THE CHICAGO PORTION OF
WRESTLEMANIA.
>> THANK YOU, VINCE.
2031
01:00:27,691 --> 01:00:28,923
WRESTLEMANIA.
>> THANK YOU, VINCE.
AND HELLO, EVERYBODY, AND
2032
01:00:28,925 --> 01:00:29,591
>> THANK YOU, VINCE.
AND HELLO, EVERYBODY, AND
WELCOME TO THE BEAUTIFUL
2033
01:00:29,593 --> 01:00:31,826
AND HELLO, EVERYBODY, AND
WELCOME TO THE BEAUTIFUL
ROSEMONT HORIZON HERE IN CHICAGO
2034
01:00:31,828 --> 01:00:34,462
WELCOME TO THE BEAUTIFUL
ROSEMONT HORIZON HERE IN CHICAGO
FOR THIS PORTION OF WRESTLEMANIA
2035
01:00:34,464 --> 01:00:35,630
ROSEMONT HORIZON HERE IN CHICAGO
FOR THIS PORTION OF WRESTLEMANIA
2.
2036
01:00:35,632 --> 01:00:36,632
FOR THIS PORTION OF WRESTLEMANIA
2.
IT GIVES ME GREAT PLEASURE AT
2037
01:00:36,634 --> 01:00:38,600
2.
IT GIVES ME GREAT PLEASURE AT
THIS TIME TO INTRODUCE A DEAR
2038
01:00:38,602 --> 01:00:40,535
IT GIVES ME GREAT PLEASURE AT
THIS TIME TO INTRODUCE A DEAR
FRIEND OF MINE, WHOSE NAME IS
2039
01:00:40,537 --> 01:00:41,370
THIS TIME TO INTRODUCE A DEAR
FRIEND OF MINE, WHOSE NAME IS
SYNONYMOUS WITH PROFESSIONAL
2040
01:00:41,372 --> 01:00:43,338
FRIEND OF MINE, WHOSE NAME IS
SYNONYMOUS WITH PROFESSIONAL
WRESTLING, THE ONE AND ONLY MEAN
2041
01:00:43,340 --> 01:00:44,739
SYNONYMOUS WITH PROFESSIONAL
WRESTLING, THE ONE AND ONLY MEAN
GENE OKERLUND.
2042
01:00:44,741 --> 01:00:45,540
WRESTLING, THE ONE AND ONLY MEAN
GENE OKERLUND.
>> ALL RIGHT.
2043
01:00:45,542 --> 01:00:46,374
GENE OKERLUND.
>> ALL RIGHT.
I THANK YOU VERY MUCH, GORILLA
2044
01:00:46,376 --> 01:00:46,908
>> ALL RIGHT.
I THANK YOU VERY MUCH, GORILLA
MONSOON.
2045
01:00:46,910 --> 01:00:48,410
I THANK YOU VERY MUCH, GORILLA
MONSOON.
THIS PLACE COMING UNGLUED AS WE
2046
01:00:48,412 --> 01:00:49,811
MONSOON.
THIS PLACE COMING UNGLUED AS WE
WORK UP TO THIS GIGANTIC BATTLE
2047
01:00:49,813 --> 01:00:51,580
THIS PLACE COMING UNGLUED AS WE
WORK UP TO THIS GIGANTIC BATTLE
ROYAL.
2048
01:00:51,582 --> 01:00:52,447
WORK UP TO THIS GIGANTIC BATTLE
ROYAL.
TWENTY MEN IN THE RING,
2049
01:00:52,449 --> 01:00:53,749
ROYAL.
TWENTY MEN IN THE RING,
INCLUDING SIX OF THE BEST FROM
2050
01:00:53,751 --> 01:00:54,749
TWENTY MEN IN THE RING,
INCLUDING SIX OF THE BEST FROM
THE NATIONAL FOOTBALL LEAGUE,
2051
01:00:54,751 --> 01:00:56,484
INCLUDING SIX OF THE BEST FROM
THE NATIONAL FOOTBALL LEAGUE,
AND OF COURSE, 14 OF THE VERY
2052
01:00:56,486 --> 01:00:57,852
THE NATIONAL FOOTBALL LEAGUE,
AND OF COURSE, 14 OF THE VERY
BEST FROM THE WORLD OF
2053
01:00:57,854 --> 01:00:58,720
AND OF COURSE, 14 OF THE VERY
BEST FROM THE WORLD OF
PROFESSIONAL WRESTLING.
2054
01:00:58,722 --> 01:00:59,888
BEST FROM THE WORLD OF
PROFESSIONAL WRESTLING.
I THINK IT COMES DOWN TO
2055
01:00:59,890 --> 01:01:01,389
PROFESSIONAL WRESTLING.
I THINK IT COMES DOWN TO
FOOTBALL VERSUS WRESTLING.
2056
01:01:01,391 --> 01:01:02,557
I THINK IT COMES DOWN TO
FOOTBALL VERSUS WRESTLING.
>> UNBELIEVABLE.
2057
01:01:02,559 --> 01:01:03,758
FOOTBALL VERSUS WRESTLING.
>> UNBELIEVABLE.
UNREAL SITUATION HERE AT THE
2058
01:01:03,760 --> 01:01:04,592
>> UNBELIEVABLE.
UNREAL SITUATION HERE AT THE
ROSEMONT.
2059
01:01:04,594 --> 01:01:06,428
UNREAL SITUATION HERE AT THE
ROSEMONT.
AND RIGHT NOW, IT IS MY VERY
2060
01:01:06,430 --> 01:01:08,329
ROSEMONT.
AND RIGHT NOW, IT IS MY VERY
DEAR PLEASURE TO INTRODUCE TO
2061
01:01:08,331 --> 01:01:10,432
AND RIGHT NOW, IT IS MY VERY
DEAR PLEASURE TO INTRODUCE TO
YOU A VERY, VERY SPECIAL PERSON
2062
01:01:10,434 --> 01:01:11,667
DEAR PLEASURE TO INTRODUCE TO
YOU A VERY, VERY SPECIAL PERSON
WHO WILL BE SITTING WITH ME
2063
01:01:11,669 --> 01:01:13,635
YOU A VERY, VERY SPECIAL PERSON
WHO WILL BE SITTING WITH ME
DOING COLOR COMMENTARY, THE VERY
2064
01:01:13,637 --> 01:01:15,737
WHO WILL BE SITTING WITH ME
DOING COLOR COMMENTARY, THE VERY
BEAUTIFUL, TALENTED ACTRESS,
2065
01:01:15,739 --> 01:01:18,273
DOING COLOR COMMENTARY, THE VERY
BEAUTIFUL, TALENTED ACTRESS,
CATHY LEE CROSBY.
2066
01:01:18,275 --> 01:01:18,940
BEAUTIFUL, TALENTED ACTRESS,
CATHY LEE CROSBY.
CATHY, WELCOME.
2067
01:01:18,942 --> 01:01:19,741
CATHY LEE CROSBY.
CATHY, WELCOME.
>> IT'S WONDERFUL TO BE HERE IN
2068
01:01:19,743 --> 01:01:20,575
CATHY, WELCOME.
>> IT'S WONDERFUL TO BE HERE IN
CHICAGO.
2069
01:01:20,577 --> 01:01:21,409
>> IT'S WONDERFUL TO BE HERE IN
CHICAGO.
I LOVE THE CITY.
2070
01:01:21,411 --> 01:01:22,577
CHICAGO.
I LOVE THE CITY.
>> WELCOME TO THE WORLD OF
2071
01:01:22,579 --> 01:01:23,645
I LOVE THE CITY.
>> WELCOME TO THE WORLD OF
PROFESSIONAL WRESTLING.
2072
01:01:23,647 --> 01:01:24,746
>> WELCOME TO THE WORLD OF
PROFESSIONAL WRESTLING.
>> OH, WELL, THIS IS MY FIRST
2073
01:01:24,748 --> 01:01:26,414
PROFESSIONAL WRESTLING.
>> OH, WELL, THIS IS MY FIRST
WRESTLING MATCH ACTUALLY IN
2074
01:01:26,416 --> 01:01:27,549
>> OH, WELL, THIS IS MY FIRST
WRESTLING MATCH ACTUALLY IN
PERSON.
2075
01:01:27,551 --> 01:01:27,883
WRESTLING MATCH ACTUALLY IN
PERSON.
SO, I'M ...
2076
01:01:27,885 --> 01:01:28,617
PERSON.
SO, I'M ...
>> IT'S TREMENDOUS TO HAVE YOU
2077
01:01:28,619 --> 01:01:29,517
SO, I'M ...
>> IT'S TREMENDOUS TO HAVE YOU
HERE.
2078
01:01:29,519 --> 01:01:30,118
>> IT'S TREMENDOUS TO HAVE YOU
HERE.
WE HAVE PLENTY OF ACTION AND
2079
01:01:30,120 --> 01:01:31,820
HERE.
WE HAVE PLENTY OF ACTION AND
EXCITEMENT PERSONIFIED HERE, AS
2080
01:01:31,822 --> 01:01:32,554
WE HAVE PLENTY OF ACTION AND
EXCITEMENT PERSONIFIED HERE, AS
ONLY THE WORLD WRESTLING
2081
01:01:32,556 --> 01:01:34,389
EXCITEMENT PERSONIFIED HERE, AS
ONLY THE WORLD WRESTLING
ENTERTAINMENT CAN DELIVER IT.
2082
01:01:34,391 --> 01:01:35,890
ONLY THE WORLD WRESTLING
ENTERTAINMENT CAN DELIVER IT.
SO, WITHOUT ANY FURTHER ADO,
2083
01:01:35,892 --> 01:01:37,292
ENTERTAINMENT CAN DELIVER IT.
SO, WITHOUT ANY FURTHER ADO,
LET'S DO UP TO OUR RING
2084
01:01:37,294 --> 01:01:38,960
SO, WITHOUT ANY FURTHER ADO,
LET'S DO UP TO OUR RING
ANNOUNCER, CHET COPPOCK.
2085
01:01:38,962 --> 01:01:40,595
LET'S DO UP TO OUR RING
ANNOUNCER, CHET COPPOCK.
>> THANK YOU VERY ...
2086
01:01:40,597 --> 01:01:43,531
ANNOUNCER, CHET COPPOCK.
>> THANK YOU VERY ...
[ BELL RINGING ]
2087
01:01:43,533 --> 01:01:44,132
>> THANK YOU VERY ...
[ BELL RINGING ]
>> THANK YOU VERY MUCH, GORILLA
2088
01:01:44,134 --> 01:01:45,533
[ BELL RINGING ]
>> THANK YOU VERY MUCH, GORILLA
MONSOON.
2089
01:01:45,535 --> 01:01:46,467
>> THANK YOU VERY MUCH, GORILLA
MONSOON.
GOOD EVENING, LADIES AND
2090
01:01:46,469 --> 01:01:47,635
MONSOON.
GOOD EVENING, LADIES AND
GENTLEMEN, AND WELCOME TO THE
2091
01:01:47,637 --> 01:01:48,870
GOOD EVENING, LADIES AND
GENTLEMEN, AND WELCOME TO THE
ROSEMONT HORIZON.
2092
01:01:48,872 --> 01:01:50,672
GENTLEMEN, AND WELCOME TO THE
ROSEMONT HORIZON.
THIS EVENT FOR THE WORLD
2093
01:01:50,674 --> 01:01:52,874
ROSEMONT HORIZON.
THIS EVENT FOR THE WORLD
WRESTLING ENTERTAINMENT LADIES'
2094
01:01:52,876 --> 01:01:55,577
THIS EVENT FOR THE WORLD
WRESTLING ENTERTAINMENT LADIES'
CHAMPIONSHIP, ONE FALL,
2095
01:01:55,579 --> 01:01:57,645
WRESTLING ENTERTAINMENT LADIES'
CHAMPIONSHIP, ONE FALL,
A 60-MINUTE TIME LIMIT.
2096
01:01:57,647 --> 01:01:59,814
CHAMPIONSHIP, ONE FALL,
A 60-MINUTE TIME LIMIT.
THE CHALLENGER, FROM CORK
2097
01:01:59,816 --> 01:02:03,585
A 60-MINUTE TIME LIMIT.
THE CHALLENGER, FROM CORK
COUNTY, IRELAND, SHE WEIGHS 144
2098
01:02:03,587 --> 01:02:04,820
THE CHALLENGER, FROM CORK
COUNTY, IRELAND, SHE WEIGHS 144
POUNDS.
2099
01:02:04,822 --> 01:02:06,855
COUNTY, IRELAND, SHE WEIGHS 144
POUNDS.
LADIES AND GENTLEMEN, VELVET
2100
01:02:06,857 --> 01:02:15,630
POUNDS.
LADIES AND GENTLEMEN, VELVET
MCINTYRE, VELVET MCINTYRE.
2101
01:02:15,632 --> 01:02:19,434
LADIES AND GENTLEMEN, VELVET
MCINTYRE, VELVET MCINTYRE.
AND HER OPPONENT, WEIGHING 160
2102
01:02:19,436 --> 01:02:22,804
MCINTYRE, VELVET MCINTYRE.
AND HER OPPONENT, WEIGHING 160
POUNDS, FROM COLUMBIA, SOUTH
2103
01:02:22,806 --> 01:02:26,407
AND HER OPPONENT, WEIGHING 160
POUNDS, FROM COLUMBIA, SOUTH
CAROLINA, SHE IS THE WORLD
2104
01:02:26,409 --> 01:02:28,477
POUNDS, FROM COLUMBIA, SOUTH
CAROLINA, SHE IS THE WORLD
WRESTLING ENTERTAINMENT
2105
01:02:28,479 --> 01:02:29,711
CAROLINA, SHE IS THE WORLD
WRESTLING ENTERTAINMENT
CHAMPION.
2106
01:02:29,713 --> 01:02:30,712
WRESTLING ENTERTAINMENT
CHAMPION.
LADIES AND GENTLEMEN, THE
2107
01:02:30,714 --> 01:02:34,783
CHAMPION.
LADIES AND GENTLEMEN, THE
FABULOUS MOOLAH.
2108
01:02:34,785 --> 01:02:38,753
LADIES AND GENTLEMEN, THE
FABULOUS MOOLAH.
ONE-FALL, 60 MINUTES.
2109
01:02:38,755 --> 01:02:39,521
FABULOUS MOOLAH.
ONE-FALL, 60 MINUTES.
>> WOMEN'S TITLE ON THE LINE
2110
01:02:39,523 --> 01:02:40,722
ONE-FALL, 60 MINUTES.
>> WOMEN'S TITLE ON THE LINE
HERE IN THE ROSEMONT HORIZON,
2111
01:02:40,724 --> 01:02:41,757
>> WOMEN'S TITLE ON THE LINE
HERE IN THE ROSEMONT HORIZON,
GENE.
2112
01:02:41,759 --> 01:02:42,757
HERE IN THE ROSEMONT HORIZON,
GENE.
AND IT'S NOT TOO LONG AGO THAT
2113
01:02:42,759 --> 01:02:44,793
GENE.
AND IT'S NOT TOO LONG AGO THAT
MOOLAH GOT THE TITLE BACK.
2114
01:02:44,795 --> 01:02:45,861
AND IT'S NOT TOO LONG AGO THAT
MOOLAH GOT THE TITLE BACK.
>> AND SHE STARTED WITH A ...
2115
01:02:45,863 --> 01:02:49,531
MOOLAH GOT THE TITLE BACK.
>> AND SHE STARTED WITH A ...
>> LOOK AT THIS ACTION, RIGHT
2116
01:02:49,533 --> 01:02:50,532
>> AND SHE STARTED WITH A ...
>> LOOK AT THIS ACTION, RIGHT
OFF THE BAT.
2117
01:02:50,534 --> 01:02:51,633
>> LOOK AT THIS ACTION, RIGHT
OFF THE BAT.
A HANDFUL OF HAIR, AS VELVET
2118
01:02:51,635 --> 01:02:53,635
OFF THE BAT.
A HANDFUL OF HAIR, AS VELVET
MCINTYRE GETS RAMMED TIME AND
2119
01:02:53,637 --> 01:02:55,704
A HANDFUL OF HAIR, AS VELVET
MCINTYRE GETS RAMMED TIME AND
TIME AGAIN.
2120
01:02:55,706 --> 01:02:56,704
MCINTYRE GETS RAMMED TIME AND
TIME AGAIN.
AND MOOLAH NOT WASTING ANY TIME.
2121
01:02:56,706 --> 01:02:58,506
TIME AGAIN.
AND MOOLAH NOT WASTING ANY TIME.
LOOK OUT.
2122
01:02:58,508 --> 01:02:59,407
AND MOOLAH NOT WASTING ANY TIME.
LOOK OUT.
VELVET IN FOR THE RIDE.
2123
01:02:59,409 --> 01:03:03,344
LOOK OUT.
VELVET IN FOR THE RIDE.
HOLY MACKEREL.
2124
01:03:03,346 --> 01:03:04,479
VELVET IN FOR THE RIDE.
HOLY MACKEREL.
>> CATHY LEE, I'M VERY CURIOUS.
2125
01:03:04,481 --> 01:03:06,381
HOLY MACKEREL.
>> CATHY LEE, I'M VERY CURIOUS.
YOU'RE QUITE AN ATHLETE IN YOUR
2126
01:03:06,383 --> 01:03:07,449
>> CATHY LEE, I'M VERY CURIOUS.
YOU'RE QUITE AN ATHLETE IN YOUR
OWN RIGHT.
2127
01:03:07,451 --> 01:03:08,115
YOU'RE QUITE AN ATHLETE IN YOUR
OWN RIGHT.
WHAT DO YOU THINK OF THESE
2128
01:03:08,117 --> 01:03:08,750
OWN RIGHT.
WHAT DO YOU THINK OF THESE
PROFESSIONALS?
2129
01:03:08,752 --> 01:03:09,417
WHAT DO YOU THINK OF THESE
PROFESSIONALS?
>> OH, LOOK AT THAT.
2130
01:03:09,419 --> 01:03:10,552
PROFESSIONALS?
>> OH, LOOK AT THAT.
>> I AM IMPRESSED.
2131
01:03:10,554 --> 01:03:11,386
>> OH, LOOK AT THAT.
>> I AM IMPRESSED.
I HAVE NEVER SEEN ANYTHING LIKE
2132
01:03:11,388 --> 01:03:12,587
>> I AM IMPRESSED.
I HAVE NEVER SEEN ANYTHING LIKE
THIS IN MY LIFE.
2133
01:03:12,589 --> 01:03:13,822
I HAVE NEVER SEEN ANYTHING LIKE
THIS IN MY LIFE.
>> BEAUTIFUL ONE-FOOTED DROPKICK
2134
01:03:13,824 --> 01:03:16,424
THIS IN MY LIFE.
>> BEAUTIFUL ONE-FOOTED DROPKICK
BY VELVET MCINTYRE, AS MOOLAH IS
2135
01:03:16,426 --> 01:03:18,794
>> BEAUTIFUL ONE-FOOTED DROPKICK
BY VELVET MCINTYRE, AS MOOLAH IS
STUNNED RIGHT OFF THE BAT.
2136
01:03:18,796 --> 01:03:20,595
BY VELVET MCINTYRE, AS MOOLAH IS
STUNNED RIGHT OFF THE BAT.
CHAMPIONSHIP ON THE LINE HERE,
2137
01:03:20,597 --> 01:03:22,664
STUNNED RIGHT OFF THE BAT.
CHAMPIONSHIP ON THE LINE HERE,
AS PART OF WRESTLEMANIA 2.
2138
01:03:22,666 --> 01:03:24,732
CHAMPIONSHIP ON THE LINE HERE,
AS PART OF WRESTLEMANIA 2.
LOOK OUT.
2139
01:03:24,734 --> 01:03:26,734
AS PART OF WRESTLEMANIA 2.
LOOK OUT.
BIG SLAM.
2140
01:03:26,736 --> 01:03:27,802
LOOK OUT.
BIG SLAM.
VELVET GOING TO THE CORNER, UP
2141
01:03:27,804 --> 01:03:28,770
BIG SLAM.
VELVET GOING TO THE CORNER, UP
ON TOP OF THE SECOND TURNBUCKLE
2142
01:03:28,772 --> 01:03:30,672
VELVET GOING TO THE CORNER, UP
ON TOP OF THE SECOND TURNBUCKLE
ON THE INSIDE.
2143
01:03:30,674 --> 01:03:31,806
ON TOP OF THE SECOND TURNBUCKLE
ON THE INSIDE.
>> OH, SHE MISSES.
2144
01:03:31,808 --> 01:03:33,474
ON THE INSIDE.
>> OH, SHE MISSES.
RIGHT ON HER STOMACH.
2145
01:03:33,476 --> 01:03:34,709
>> OH, SHE MISSES.
RIGHT ON HER STOMACH.
>> THERE'S THAT TREMENDOUS RING
2146
01:03:34,711 --> 01:03:36,545
RIGHT ON HER STOMACH.
>> THERE'S THAT TREMENDOUS RING
EXPERIENCE BY THE VETERAN, THE
2147
01:03:36,547 --> 01:03:38,680
>> THERE'S THAT TREMENDOUS RING
EXPERIENCE BY THE VETERAN, THE
FABULOUS ONE, FABULOUS MOOLAH.
2148
01:03:38,682 --> 01:03:39,781
EXPERIENCE BY THE VETERAN, THE
FABULOUS ONE, FABULOUS MOOLAH.
OVER FOR THE COUNT.
2149
01:03:39,783 --> 01:03:41,482
FABULOUS ONE, FABULOUS MOOLAH.
OVER FOR THE COUNT.
ONE, TWO, AND IT'S ALL OVER.
2150
01:03:41,484 --> 01:03:41,883
OVER FOR THE COUNT.
ONE, TWO, AND IT'S ALL OVER.
>> SHE HAS IT!
2151
01:03:41,885 --> 01:03:42,550
ONE, TWO, AND IT'S ALL OVER.
>> SHE HAS IT!
SHE HAS IT.
2152
01:03:42,552 --> 01:03:43,418
>> SHE HAS IT!
SHE HAS IT.
[ BELL RINGING ]
2153
01:03:43,420 --> 01:03:43,885
SHE HAS IT.
[ BELL RINGING ]
>> IT'S ALL OVER?
2154
01:03:43,887 --> 01:03:44,452
[ BELL RINGING ]
>> IT'S ALL OVER?
YOU'VE GOT TO BE KIDDING ME.
2155
01:03:44,454 --> 01:03:45,286
>> IT'S ALL OVER?
YOU'VE GOT TO BE KIDDING ME.
>> IT'S -- IT'S POSSIBLY A
2156
01:03:45,288 --> 01:03:47,555
YOU'VE GOT TO BE KIDDING ME.
>> IT'S -- IT'S POSSIBLY A
RECORD HERE.
2157
01:03:47,557 --> 01:03:48,690
>> IT'S -- IT'S POSSIBLY A
RECORD HERE.
>> SHE WAS AWESOME.
2158
01:03:48,692 --> 01:03:50,859
RECORD HERE.
>> SHE WAS AWESOME.
>> HOLY MACKEREL.
2159
01:03:50,861 --> 01:03:52,360
>> SHE WAS AWESOME.
>> HOLY MACKEREL.
>> FABULOUS MOOLAH WAS JUST
2160
01:03:52,362 --> 01:03:53,528
>> HOLY MACKEREL.
>> FABULOUS MOOLAH WAS JUST
THAT.
2161
01:03:53,530 --> 01:03:54,762
>> FABULOUS MOOLAH WAS JUST
THAT.
>> THAT'S UNBELIEVABLE.
2162
01:03:54,764 --> 01:03:57,666
THAT.
>> THAT'S UNBELIEVABLE.
>> ONLY A COUPLE OF MINUTES AT
2163
01:03:57,668 --> 01:03:59,668
>> THAT'S UNBELIEVABLE.
>> ONLY A COUPLE OF MINUTES AT
THE MOST GONE BY HERE IN
2164
01:03:59,670 --> 01:04:00,702
>> ONLY A COUPLE OF MINUTES AT
THE MOST GONE BY HERE IN
WRESTLEMANIA 2.
2165
01:04:00,704 --> 01:04:02,737
THE MOST GONE BY HERE IN
WRESTLEMANIA 2.
AND WOMAN'S WORLD CHAMPION,
2166
01:04:02,739 --> 01:04:03,805
WRESTLEMANIA 2.
AND WOMAN'S WORLD CHAMPION,
FABULOUS MOOLAH ...
2167
01:04:03,807 --> 01:04:04,672
AND WOMAN'S WORLD CHAMPION,
FABULOUS MOOLAH ...
[ BELL RINGING ]
2168
01:04:04,674 --> 01:04:05,540
FABULOUS MOOLAH ...
[ BELL RINGING ]
>> OBVIOUSLY RETAINING HER
2169
01:04:05,542 --> 01:04:08,443
[ BELL RINGING ]
>> OBVIOUSLY RETAINING HER
TITLE.
2170
01:04:08,445 --> 01:04:09,077
>> OBVIOUSLY RETAINING HER
TITLE.
>> DOES SHE NORMALLY COME OUT
2171
01:04:09,079 --> 01:04:09,845
TITLE.
>> DOES SHE NORMALLY COME OUT
THAT FAST?
2172
01:04:09,847 --> 01:04:10,745
>> DOES SHE NORMALLY COME OUT
THAT FAST?
>> ABSOLUTELY NOT.
2173
01:04:10,747 --> 01:04:11,813
THAT FAST?
>> ABSOLUTELY NOT.
THIS IS A BIG UPSET.
2174
01:04:11,815 --> 01:04:13,448
>> ABSOLUTELY NOT.
THIS IS A BIG UPSET.
LET'S GO TO THE RING ANNOUNCER.
2175
01:04:13,450 --> 01:04:14,616
THIS IS A BIG UPSET.
LET'S GO TO THE RING ANNOUNCER.
>> LADIES AND GENTLEMEN, YOUR
2176
01:04:14,618 --> 01:04:15,717
LET'S GO TO THE RING ANNOUNCER.
>> LADIES AND GENTLEMEN, YOUR
WINNER, AND STILL WWE LADIES'
2177
01:04:15,719 --> 01:04:19,387
>> LADIES AND GENTLEMEN, YOUR
WINNER, AND STILL WWE LADIES'
CHAMPION, THE FABULOUS MOOLAH.
2178
01:04:19,389 --> 01:04:21,789
WINNER, AND STILL WWE LADIES'
CHAMPION, THE FABULOUS MOOLAH.
MOOLAH.
2179
01:04:21,791 --> 01:04:23,691
CHAMPION, THE FABULOUS MOOLAH.
MOOLAH.
>> MOOLAH VICTORIOUS HERE IN THE
2180
01:04:23,693 --> 01:04:25,460
MOOLAH.
>> MOOLAH VICTORIOUS HERE IN THE
ROSEMONT HORIZON, COULD BE IN
2181
01:04:25,462 --> 01:04:27,395
>> MOOLAH VICTORIOUS HERE IN THE
ROSEMONT HORIZON, COULD BE IN
RECORD TIME, AS WELL.
2182
01:04:27,397 --> 01:04:29,564
ROSEMONT HORIZON, COULD BE IN
RECORD TIME, AS WELL.
JUST UNBELIEVABLE SITUATION HERE
2183
01:04:29,566 --> 01:04:30,765
RECORD TIME, AS WELL.
JUST UNBELIEVABLE SITUATION HERE
IN THE HORIZON.
2184
01:04:30,767 --> 01:04:31,733
JUST UNBELIEVABLE SITUATION HERE
IN THE HORIZON.
RIGHT OFF THE BAT, THE FABULOUS
2185
01:04:31,735 --> 01:04:33,601
IN THE HORIZON.
RIGHT OFF THE BAT, THE FABULOUS
MOOLAH CHALKING UP A QUICK
2186
01:04:33,603 --> 01:04:34,636
RIGHT OFF THE BAT, THE FABULOUS
MOOLAH CHALKING UP A QUICK
VICTORY.
2187
01:04:34,638 --> 01:04:35,837
MOOLAH CHALKING UP A QUICK
VICTORY.
BUT, PLENTY MORE ACTION STILL TO
2188
01:04:35,839 --> 01:04:36,738
VICTORY.
BUT, PLENTY MORE ACTION STILL TO
COME, GENE.
2189
01:04:36,740 --> 01:04:37,672
BUT, PLENTY MORE ACTION STILL TO
COME, GENE.
>> YOU HAD BETTER BELIEVE IT.
2190
01:04:37,674 --> 01:04:38,673
COME, GENE.
>> YOU HAD BETTER BELIEVE IT.
OF COURSE, WE'VE GOT TAG TEAM
2191
01:04:38,675 --> 01:04:39,641
>> YOU HAD BETTER BELIEVE IT.
OF COURSE, WE'VE GOT TAG TEAM
CHAMPIONS VALENTINE AND BEEFCAKE
2192
01:04:39,643 --> 01:04:41,709
OF COURSE, WE'VE GOT TAG TEAM
CHAMPIONS VALENTINE AND BEEFCAKE
WITH A TITLE DEFENSE AGAINST THE
2193
01:04:41,711 --> 01:04:42,543
CHAMPIONS VALENTINE AND BEEFCAKE
WITH A TITLE DEFENSE AGAINST THE
BRITISH BULLDOGS.
2194
01:04:42,545 --> 01:04:43,611
WITH A TITLE DEFENSE AGAINST THE
BRITISH BULLDOGS.
>> WITH TWO REFEREES.
2195
01:04:43,613 --> 01:04:44,779
BRITISH BULLDOGS.
>> WITH TWO REFEREES.
>> AND IT'S ABOUT TIME.
2196
01:04:44,781 --> 01:04:46,114
>> WITH TWO REFEREES.
>> AND IT'S ABOUT TIME.
YOU KNOW THE REASONS FOR THAT.
2197
01:04:46,116 --> 01:04:47,148
>> AND IT'S ABOUT TIME.
YOU KNOW THE REASONS FOR THAT.
>> ABSOLUTELY SO.
2198
01:04:47,150 --> 01:04:47,882
YOU KNOW THE REASONS FOR THAT.
>> ABSOLUTELY SO.
AND OF COURSE, EVERYONE KNOWS
2199
01:04:47,884 --> 01:04:50,718
>> ABSOLUTELY SO.
AND OF COURSE, EVERYONE KNOWS
THAT FANTASTIC, 20-MAN, OVER THE
2200
01:04:50,720 --> 01:04:52,687
AND OF COURSE, EVERYONE KNOWS
THAT FANTASTIC, 20-MAN, OVER THE
TOP, OPEN INVITATIONAL BATTLE
2201
01:04:52,689 --> 01:04:53,488
THAT FANTASTIC, 20-MAN, OVER THE
TOP, OPEN INVITATIONAL BATTLE
ROYAL.
2202
01:04:53,490 --> 01:04:54,289
TOP, OPEN INVITATIONAL BATTLE
ROYAL.
>> I'M VERY CURIOUS, CATHY LEE
2203
01:04:54,291 --> 01:04:55,590
ROYAL.
>> I'M VERY CURIOUS, CATHY LEE
CROSBY.
2204
01:04:55,592 --> 01:04:56,824
>> I'M VERY CURIOUS, CATHY LEE
CROSBY.
CATHY LEE ...
2205
01:04:56,826 --> 01:04:57,892
CROSBY.
CATHY LEE ...
>> I'VE NEVER HEARD THIS CROWD.
2206
01:04:57,894 --> 01:04:59,294
CATHY LEE ...
>> I'VE NEVER HEARD THIS CROWD.
THIS IS UNBELIEVABLE.
2207
01:04:59,296 --> 01:05:00,195
>> I'VE NEVER HEARD THIS CROWD.
THIS IS UNBELIEVABLE.
>> YOU'VE BEEN ALIGNED WITH A
2208
01:05:00,197 --> 01:05:01,462
THIS IS UNBELIEVABLE.
>> YOU'VE BEEN ALIGNED WITH A
FOOTBALL PLAYER OR TWO.
2209
01:05:01,464 --> 01:05:02,964
>> YOU'VE BEEN ALIGNED WITH A
FOOTBALL PLAYER OR TWO.
SPECULATE ON THE CHANCES OF THE
2210
01:05:02,966 --> 01:05:04,599
FOOTBALL PLAYER OR TWO.
SPECULATE ON THE CHANCES OF THE
FOOTBALL PLAYERS TONIGHT IN THE
2211
01:05:04,601 --> 01:05:05,400
SPECULATE ON THE CHANCES OF THE
FOOTBALL PLAYERS TONIGHT IN THE
BATTLE ROYAL.
2212
01:05:05,402 --> 01:05:06,001
FOOTBALL PLAYERS TONIGHT IN THE
BATTLE ROYAL.
>> YOU KNOW WHAT?
2213
01:05:06,003 --> 01:05:06,768
BATTLE ROYAL.
>> YOU KNOW WHAT?
I PICKED THE FOOTBALL PLAYERS
2214
01:05:06,770 --> 01:05:08,436
>> YOU KNOW WHAT?
I PICKED THE FOOTBALL PLAYERS
ORIGINALLY.
2215
01:05:08,438 --> 01:05:09,337
I PICKED THE FOOTBALL PLAYERS
ORIGINALLY.
BUT HAVING SEEN THE WRESTLERS IN
2216
01:05:09,339 --> 01:05:11,406
ORIGINALLY.
BUT HAVING SEEN THE WRESTLERS IN
PERSON, I HAVE TO REVISE THAT.
2217
01:05:11,408 --> 01:05:12,707
BUT HAVING SEEN THE WRESTLERS IN
PERSON, I HAVE TO REVISE THAT.
BECAUSE I DON'T THINK THAT THE
2218
01:05:12,709 --> 01:05:14,542
PERSON, I HAVE TO REVISE THAT.
BECAUSE I DON'T THINK THAT THE
FOOTBALL PLAYERS HAVE A CHANCE.
2219
01:05:14,544 --> 01:05:15,810
BECAUSE I DON'T THINK THAT THE
FOOTBALL PLAYERS HAVE A CHANCE.
I MEAN, I'M SURPRISED.
2220
01:05:15,812 --> 01:05:18,380
FOOTBALL PLAYERS HAVE A CHANCE.
I MEAN, I'M SURPRISED.
THESE WRESTLERS ARE HUGE.
2221
01:05:18,382 --> 01:05:19,714
I MEAN, I'M SURPRISED.
THESE WRESTLERS ARE HUGE.
>> IT CERTAINLY WON'T TAKE LONG
2222
01:05:19,716 --> 01:05:21,282
THESE WRESTLERS ARE HUGE.
>> IT CERTAINLY WON'T TAKE LONG
TO FIND OUT WHETHER THEY DO OR
2223
01:05:21,284 --> 01:05:22,717
>> IT CERTAINLY WON'T TAKE LONG
TO FIND OUT WHETHER THEY DO OR
NOT, BECAUSE THAT BIG ONE IS
2224
01:05:22,719 --> 01:05:24,619
TO FIND OUT WHETHER THEY DO OR
NOT, BECAUSE THAT BIG ONE IS
COMING UP VERY SHORTLY, RIGHT
2225
01:05:24,621 --> 01:05:25,787
NOT, BECAUSE THAT BIG ONE IS
COMING UP VERY SHORTLY, RIGHT
HERE IN THE VERY BEAUTIFUL
2226
01:05:25,789 --> 01:05:27,655
COMING UP VERY SHORTLY, RIGHT
HERE IN THE VERY BEAUTIFUL
ROSEMONT HORIZON.
2227
01:05:27,657 --> 01:05:28,456
HERE IN THE VERY BEAUTIFUL
ROSEMONT HORIZON.
WITH THAT, LET'S GO UP TO OUR
2228
01:05:28,458 --> 01:05:29,557
ROSEMONT HORIZON.
WITH THAT, LET'S GO UP TO OUR
RING ANNOUNCER.
2229
01:05:29,559 --> 01:05:31,660
WITH THAT, LET'S GO UP TO OUR
RING ANNOUNCER.
>> LADIES AND GENTLEMEN, THE
2230
01:05:31,662 --> 01:05:33,662
RING ANNOUNCER.
>> LADIES AND GENTLEMEN, THE
FOLLOWING CONTEST IS A FLAG
2231
01:05:33,664 --> 01:05:36,531
>> LADIES AND GENTLEMEN, THE
FOLLOWING CONTEST IS A FLAG
MATCH.
2232
01:05:36,533 --> 01:05:39,367
FOLLOWING CONTEST IS A FLAG
MATCH.
THE WINNER OF THIS BOUT WILL GET
2233
01:05:39,369 --> 01:05:40,768
MATCH.
THE WINNER OF THIS BOUT WILL GET
TO RAISE HIS COLORS HIGH.
2234
01:05:40,770 --> 01:05:42,804
THE WINNER OF THIS BOUT WILL GET
TO RAISE HIS COLORS HIGH.
ONE-FALL WITH A 20-MINUTE TIME
2235
01:05:42,806 --> 01:05:43,504
TO RAISE HIS COLORS HIGH.
ONE-FALL WITH A 20-MINUTE TIME
LIMIT.
2236
01:05:43,506 --> 01:05:46,607
ONE-FALL WITH A 20-MINUTE TIME
LIMIT.
INTRODUCING FIRST, THE MANAGER,
2237
01:05:46,609 --> 01:05:51,612
LIMIT.
INTRODUCING FIRST, THE MANAGER,
"CLASSY" FREDDIE BLASSIE.
2238
01:05:51,614 --> 01:05:54,449
INTRODUCING FIRST, THE MANAGER,
"CLASSY" FREDDIE BLASSIE.
HE REPRESENTS, FROM THE SOVIET
2239
01:05:54,451 --> 01:05:57,819
"CLASSY" FREDDIE BLASSIE.
HE REPRESENTS, FROM THE SOVIET
UNION, WEIGHING 313 POUNDS,
2240
01:05:57,821 --> 01:06:00,455
HE REPRESENTS, FROM THE SOVIET
UNION, WEIGHING 313 POUNDS,
LADIES AND GENTLEMEN, NIKOLAI
2241
01:06:00,457 --> 01:06:14,269
UNION, WEIGHING 313 POUNDS,
LADIES AND GENTLEMEN, NIKOLAI
VOLKOFF.
2242
01:06:14,271 --> 01:06:16,804
LADIES AND GENTLEMEN, NIKOLAI
VOLKOFF.
LADIES AND GENTLEMEN, NIKOLAI
2243
01:06:16,806 --> 01:06:19,941
VOLKOFF.
LADIES AND GENTLEMEN, NIKOLAI
VOLKOFF REQUESTS THAT YOU ALL
2244
01:06:19,943 --> 01:06:24,679
LADIES AND GENTLEMEN, NIKOLAI
VOLKOFF REQUESTS THAT YOU ALL
STAND AND REMAIN SILENT FOR HIS
2245
01:06:24,681 --> 01:06:27,515
VOLKOFF REQUESTS THAT YOU ALL
STAND AND REMAIN SILENT FOR HIS
SINGING OF THE SOVIET NATIONAL
2246
01:06:27,517 --> 01:06:28,716
STAND AND REMAIN SILENT FOR HIS
SINGING OF THE SOVIET NATIONAL
ANTHEM.
2247
01:06:28,718 --> 01:06:36,858
SINGING OF THE SOVIET NATIONAL
ANTHEM.
[ FOREIGN SINGING ]
2248
01:06:36,860 --> 01:06:52,607
ANTHEM.
[ FOREIGN SINGING ]
>> OH, WOW.
2249
01:06:52,609 --> 01:07:14,629
[ FOREIGN SINGING ]
>> OH, WOW.
[ PATRIOTIC MUSIC ]
2250
01:07:14,631 --> 01:07:22,503
>> OH, WOW.
[ PATRIOTIC MUSIC ]
>> AND LISTEN TO THAT CROWD.
2251
01:07:22,505 --> 01:07:23,271
[ PATRIOTIC MUSIC ]
>> AND LISTEN TO THAT CROWD.
>> AND HIS OPPONENT, FROM FORT
2252
01:07:23,273 --> 01:07:24,072
>> AND LISTEN TO THAT CROWD.
>> AND HIS OPPONENT, FROM FORT
BRAGG, NORTH CAROLINA, WEIGHING
2253
01:07:24,074 --> 01:07:24,739
>> AND HIS OPPONENT, FROM FORT
BRAGG, NORTH CAROLINA, WEIGHING
263 POUNDS, LADIES AND
2254
01:07:24,741 --> 01:07:28,709
BRAGG, NORTH CAROLINA, WEIGHING
263 POUNDS, LADIES AND
GENTLEMEN, CORPORAL KIRCHNER.
2255
01:07:28,711 --> 01:07:31,412
263 POUNDS, LADIES AND
GENTLEMEN, CORPORAL KIRCHNER.
CORPORAL KIRCHNER.
2256
01:07:31,414 --> 01:08:03,411
GENTLEMEN, CORPORAL KIRCHNER.
CORPORAL KIRCHNER.
A FLAG MATCH, ONE-FALL.
2257
01:08:03,413 --> 01:08:04,245
CORPORAL KIRCHNER.
A FLAG MATCH, ONE-FALL.
>> FREDDIE BLASSIE MAKING HIS
2258
01:08:04,247 --> 01:08:05,580
A FLAG MATCH, ONE-FALL.
>> FREDDIE BLASSIE MAKING HIS
WAY OUT OF THE RING.
2259
01:08:05,582 --> 01:08:06,714
>> FREDDIE BLASSIE MAKING HIS
WAY OUT OF THE RING.
WE'LL HAVE TO KEEP AN EYE ON
2260
01:08:06,716 --> 01:08:07,548
WAY OUT OF THE RING.
WE'LL HAVE TO KEEP AN EYE ON
HIM, GENE, AS WELL.
2261
01:08:07,550 --> 01:08:09,517
WE'LL HAVE TO KEEP AN EYE ON
HIM, GENE, AS WELL.
CATHY IS NOT -- CATHY LEE IS NOT
2262
01:08:09,519 --> 01:08:10,618
HIM, GENE, AS WELL.
CATHY IS NOT -- CATHY LEE IS NOT
FAMILIAR WITH WHAT THE INFAMOUS
2263
01:08:10,620 --> 01:08:12,286
CATHY IS NOT -- CATHY LEE IS NOT
FAMILIAR WITH WHAT THE INFAMOUS
ONE, FREDDIE BLASSIE, CAN DO AT
2264
01:08:12,288 --> 01:08:13,321
FAMILIAR WITH WHAT THE INFAMOUS
ONE, FREDDIE BLASSIE, CAN DO AT
RINGSIDE.
2265
01:08:13,323 --> 01:08:14,456
ONE, FREDDIE BLASSIE, CAN DO AT
RINGSIDE.
>> I JUST HEARD A FEW THINGS,
2266
01:08:14,458 --> 01:08:15,690
RINGSIDE.
>> I JUST HEARD A FEW THINGS,
AND I DON'T THINK IT'S GOOD.
2267
01:08:15,692 --> 01:08:20,294
>> I JUST HEARD A FEW THINGS,
AND I DON'T THINK IT'S GOOD.
>> NO, IT'S DEFINITELY NOT GOOD.
2268
01:08:20,296 --> 01:08:21,663
AND I DON'T THINK IT'S GOOD.
>> NO, IT'S DEFINITELY NOT GOOD.
WELL, IF NIKOLAI WAS TO LOSE
2269
01:08:21,665 --> 01:08:22,597
>> NO, IT'S DEFINITELY NOT GOOD.
WELL, IF NIKOLAI WAS TO LOSE
THIS MATCH, GENE, IT COULD MEAN
2270
01:08:22,599 --> 01:08:25,600
WELL, IF NIKOLAI WAS TO LOSE
THIS MATCH, GENE, IT COULD MEAN
SOME TIME IN SIBERIA FOR HIM.
2271
01:08:25,602 --> 01:08:26,467
THIS MATCH, GENE, IT COULD MEAN
SOME TIME IN SIBERIA FOR HIM.
>> AND THAT'S NOT GOING TO GO
2272
01:08:26,469 --> 01:08:28,236
SOME TIME IN SIBERIA FOR HIM.
>> AND THAT'S NOT GOING TO GO
OVER, UH, VERY BIG WITH THE
2273
01:08:28,238 --> 01:08:31,339
>> AND THAT'S NOT GOING TO GO
OVER, UH, VERY BIG WITH THE
PARTY, AS YOU KNOW, GORILLA.
2274
01:08:31,341 --> 01:08:32,574
OVER, UH, VERY BIG WITH THE
PARTY, AS YOU KNOW, GORILLA.
>> WHAT A VENDETTA THIS IS.
2275
01:08:32,576 --> 01:08:33,775
PARTY, AS YOU KNOW, GORILLA.
>> WHAT A VENDETTA THIS IS.
AND WHAT A TREMENDOUS MATCH-UP
2276
01:08:33,777 --> 01:08:35,610
>> WHAT A VENDETTA THIS IS.
AND WHAT A TREMENDOUS MATCH-UP
AS PART OF WRESTLEMANIA 2.
2277
01:08:35,612 --> 01:08:37,412
AND WHAT A TREMENDOUS MATCH-UP
AS PART OF WRESTLEMANIA 2.
AS THE BIG NIKOLAI ATTACKING
2278
01:08:37,414 --> 01:08:39,480
AS PART OF WRESTLEMANIA 2.
AS THE BIG NIKOLAI ATTACKING
IMMEDIATELY.
2279
01:08:39,482 --> 01:08:40,882
AS THE BIG NIKOLAI ATTACKING
IMMEDIATELY.
>> A TREMENDOUS CRESCENT KICK ON
2280
01:08:40,884 --> 01:08:42,417
IMMEDIATELY.
>> A TREMENDOUS CRESCENT KICK ON
THE PART OF NIKOLAI VOLKOFF,
2281
01:08:42,419 --> 01:08:43,584
>> A TREMENDOUS CRESCENT KICK ON
THE PART OF NIKOLAI VOLKOFF,
SPINNING, FOR A BIG MAN OF 313
2282
01:08:43,586 --> 01:08:44,886
THE PART OF NIKOLAI VOLKOFF,
SPINNING, FOR A BIG MAN OF 313
POUNDS.
2283
01:08:44,888 --> 01:08:46,454
SPINNING, FOR A BIG MAN OF 313
POUNDS.
>> LOOK OUT!
2284
01:08:46,456 --> 01:08:47,255
POUNDS.
>> LOOK OUT!
THE CORPORAL OUT ON THE HARD
2285
01:08:47,257 --> 01:08:48,790
>> LOOK OUT!
THE CORPORAL OUT ON THE HARD
CONCRETE HERE IN THE ROSEMONT
2286
01:08:48,792 --> 01:08:50,358
THE CORPORAL OUT ON THE HARD
CONCRETE HERE IN THE ROSEMONT
HORIZON.
2287
01:08:50,360 --> 01:08:51,792
CONCRETE HERE IN THE ROSEMONT
HORIZON.
AND WATCH OUT.
2288
01:08:51,794 --> 01:08:52,727
HORIZON.
AND WATCH OUT.
RAMMED RIGHT INTO THE STEEL
2289
01:08:52,729 --> 01:08:55,630
AND WATCH OUT.
RAMMED RIGHT INTO THE STEEL
POST.
2290
01:08:55,632 --> 01:08:57,565
RAMMED RIGHT INTO THE STEEL
POST.
NIKOLAI NOT WASTING ANY TIME.
2291
01:08:57,567 --> 01:08:58,533
POST.
NIKOLAI NOT WASTING ANY TIME.
HE WANTS THE UPPER HAND IN THIS
2292
01:08:58,535 --> 01:08:59,467
NIKOLAI NOT WASTING ANY TIME.
HE WANTS THE UPPER HAND IN THIS
MATCH.
2293
01:08:59,469 --> 01:09:00,401
HE WANTS THE UPPER HAND IN THIS
MATCH.
>> HE'S BITING HIM!
2294
01:09:00,403 --> 01:09:00,768
MATCH.
>> HE'S BITING HIM!
IS THAT FAIR?
2295
01:09:00,770 --> 01:09:02,336
>> HE'S BITING HIM!
IS THAT FAIR?
>> HE'S ACTUALLY TRYING TO
2296
01:09:02,338 --> 01:09:03,371
IS THAT FAIR?
>> HE'S ACTUALLY TRYING TO
REARRANGE HIS FACIAL EXPRESSION,
2297
01:09:03,373 --> 01:09:05,773
>> HE'S ACTUALLY TRYING TO
REARRANGE HIS FACIAL EXPRESSION,
CATHY LEE.
2298
01:09:05,775 --> 01:09:06,574
REARRANGE HIS FACIAL EXPRESSION,
CATHY LEE.
>> AND ALL THE TIME, FRED
2299
01:09:06,576 --> 01:09:07,642
CATHY LEE.
>> AND ALL THE TIME, FRED
BLASSIE ENCOURAGING IT VERY
2300
01:09:07,644 --> 01:09:09,377
>> AND ALL THE TIME, FRED
BLASSIE ENCOURAGING IT VERY
STRONGLY.
2301
01:09:09,379 --> 01:09:10,678
BLASSIE ENCOURAGING IT VERY
STRONGLY.
WE WOULD EXPECT THAT, THOUGH.
2302
01:09:10,680 --> 01:09:12,480
STRONGLY.
WE WOULD EXPECT THAT, THOUGH.
>> ABSOLUTELY.
2303
01:09:12,482 --> 01:09:14,749
WE WOULD EXPECT THAT, THOUGH.
>> ABSOLUTELY.
AND ONCE AGAIN, FOREHEAD-FIRST
2304
01:09:14,751 --> 01:09:16,251
>> ABSOLUTELY.
AND ONCE AGAIN, FOREHEAD-FIRST
RIGHT INTO THE STEEL POST.
2305
01:09:16,253 --> 01:09:17,618
AND ONCE AGAIN, FOREHEAD-FIRST
RIGHT INTO THE STEEL POST.
AND KIRCHNER IN A WHOLE LOT OF
2306
01:09:17,620 --> 01:09:19,453
RIGHT INTO THE STEEL POST.
AND KIRCHNER IN A WHOLE LOT OF
TROUBLE EARLY IN THIS MATCH.
2307
01:09:19,455 --> 01:09:23,158
AND KIRCHNER IN A WHOLE LOT OF
TROUBLE EARLY IN THIS MATCH.
LOOK AT BLASSIE TAUNTING HIM.
2308
01:09:23,160 --> 01:09:24,525
TROUBLE EARLY IN THIS MATCH.
LOOK AT BLASSIE TAUNTING HIM.
>> GET IN THERE, YOU YELLOW DOG!
2309
01:09:24,527 --> 01:09:25,793
LOOK AT BLASSIE TAUNTING HIM.
>> GET IN THERE, YOU YELLOW DOG!
>> BLASSIE'S NOT ABOVE PUTTING
2310
01:09:25,795 --> 01:09:26,594
>> GET IN THERE, YOU YELLOW DOG!
>> BLASSIE'S NOT ABOVE PUTTING
THE BOOT TO SOMEBODY OUT THERE,
2311
01:09:26,596 --> 01:09:27,295
>> BLASSIE'S NOT ABOVE PUTTING
THE BOOT TO SOMEBODY OUT THERE,
GENE.
2312
01:09:27,297 --> 01:09:27,896
THE BOOT TO SOMEBODY OUT THERE,
GENE.
>> ABSOLUTELY NOT.
2313
01:09:27,898 --> 01:09:28,829
GENE.
>> ABSOLUTELY NOT.
WE'VE SEEN IT BEFORE.
2314
01:09:28,831 --> 01:09:31,465
>> ABSOLUTELY NOT.
WE'VE SEEN IT BEFORE.
AND CERTAINLY, IF AN OPPORTUNITY
2315
01:09:31,467 --> 01:09:34,635
WE'VE SEEN IT BEFORE.
AND CERTAINLY, IF AN OPPORTUNITY
ARISES FOR FRED BLASSIE, HE'LL
2316
01:09:34,637 --> 01:09:35,236
AND CERTAINLY, IF AN OPPORTUNITY
ARISES FOR FRED BLASSIE, HE'LL
...
2317
01:09:35,238 --> 01:09:36,237
ARISES FOR FRED BLASSIE, HE'LL
...
>> OH, CORPORAL WITH A BIG RIGHT
2318
01:09:36,239 --> 01:09:37,438
...
>> OH, CORPORAL WITH A BIG RIGHT
HAND, STOPPED THE BIG RUSSIAN.
2319
01:09:37,440 --> 01:09:38,573
>> OH, CORPORAL WITH A BIG RIGHT
HAND, STOPPED THE BIG RUSSIAN.
AND ANOTHER ONE.
2320
01:09:38,575 --> 01:09:39,640
HAND, STOPPED THE BIG RUSSIAN.
AND ANOTHER ONE.
AND A THIRD ONE.
2321
01:09:39,642 --> 01:09:41,242
AND ANOTHER ONE.
AND A THIRD ONE.
AND HE GOES DOWN TO ONE KNEE.
2322
01:09:41,244 --> 01:09:42,343
AND A THIRD ONE.
AND HE GOES DOWN TO ONE KNEE.
>> WAIT A MINUTE.
2323
01:09:42,345 --> 01:09:43,878
AND HE GOES DOWN TO ONE KNEE.
>> WAIT A MINUTE.
WAIT A MINUTE, GENE-O, GORILLA
2324
01:09:43,880 --> 01:09:44,946
>> WAIT A MINUTE.
WAIT A MINUTE, GENE-O, GORILLA
MONSOON.
2325
01:09:44,948 --> 01:09:46,581
WAIT A MINUTE, GENE-O, GORILLA
MONSOON.
CORPORAL KIRCHNER IS -- IS
2326
01:09:46,583 --> 01:09:47,515
MONSOON.
CORPORAL KIRCHNER IS -- IS
BLEEDING FROM THE FOREHEAD.
2327
01:09:47,517 --> 01:09:48,649
CORPORAL KIRCHNER IS -- IS
BLEEDING FROM THE FOREHEAD.
>> WELL, I DON'T -- IT'S NOT
2328
01:09:48,651 --> 01:09:49,550
BLEEDING FROM THE FOREHEAD.
>> WELL, I DON'T -- IT'S NOT
HARD TO UNDERSTAND.
2329
01:09:49,552 --> 01:09:50,484
>> WELL, I DON'T -- IT'S NOT
HARD TO UNDERSTAND.
HE GOT RAMMED RIGHT IN THAT ...
2330
01:09:50,486 --> 01:09:51,519
HARD TO UNDERSTAND.
HE GOT RAMMED RIGHT IN THAT ...
LOOK OUT.
2331
01:09:51,521 --> 01:09:52,520
HE GOT RAMMED RIGHT IN THAT ...
LOOK OUT.
REFEREE WENT DOWN.
2332
01:09:52,522 --> 01:09:56,390
LOOK OUT.
REFEREE WENT DOWN.
REFEREE DOWN.
2333
01:09:56,392 --> 01:09:57,458
REFEREE WENT DOWN.
REFEREE DOWN.
AND BOTH MEN SLUGGING AWAY,
2334
01:09:57,460 --> 01:09:58,726
REFEREE DOWN.
AND BOTH MEN SLUGGING AWAY,
LEFTS AND RIGHTS.
2335
01:09:58,728 --> 01:09:59,560
AND BOTH MEN SLUGGING AWAY,
LEFTS AND RIGHTS.
OH, LOOK AT THIS.
2336
01:09:59,562 --> 01:10:01,563
LEFTS AND RIGHTS.
OH, LOOK AT THIS.
BLASSIE THREW THE CANE IN.
2337
01:10:01,565 --> 01:10:02,863
OH, LOOK AT THIS.
BLASSIE THREW THE CANE IN.
HE GOT IT.
2338
01:10:02,865 --> 01:10:04,666
BLASSIE THREW THE CANE IN.
HE GOT IT.
[ BELL RINGING ]
2339
01:10:04,668 --> 01:10:07,602
HE GOT IT.
[ BELL RINGING ]
>> HE DID IT!
2340
01:10:07,604 --> 01:10:08,903
[ BELL RINGING ]
>> HE DID IT!
>> TALK ABOUT YOUR DOUBLE-CROSS
2341
01:10:08,905 --> 01:10:11,672
>> HE DID IT!
>> TALK ABOUT YOUR DOUBLE-CROSS
AND BACKFIRES.
2342
01:10:11,674 --> 01:10:13,942
>> TALK ABOUT YOUR DOUBLE-CROSS
AND BACKFIRES.
IT HAPPENED RIGHT HERE.
2343
01:10:13,944 --> 01:10:15,610
AND BACKFIRES.
IT HAPPENED RIGHT HERE.
>> BLASSIE ASKED FOR THAT ONE,
2344
01:10:15,612 --> 01:10:17,578
IT HAPPENED RIGHT HERE.
>> BLASSIE ASKED FOR THAT ONE,
DON'T YOU AGREE, CATHY LEE?
2345
01:10:17,580 --> 01:10:18,713
>> BLASSIE ASKED FOR THAT ONE,
DON'T YOU AGREE, CATHY LEE?
>> BLEEDING FROM THE FOREHEAD AS
2346
01:10:18,715 --> 01:10:20,448
DON'T YOU AGREE, CATHY LEE?
>> BLEEDING FROM THE FOREHEAD AS
WELL.
2347
01:10:20,450 --> 01:10:21,416
>> BLEEDING FROM THE FOREHEAD AS
WELL.
>> FRED BLASSIE MAKING AN
2348
01:10:21,418 --> 01:10:22,950
WELL.
>> FRED BLASSIE MAKING AN
ATTEMPT TO THROW THE CANE INTO
2349
01:10:22,952 --> 01:10:23,818
>> FRED BLASSIE MAKING AN
ATTEMPT TO THROW THE CANE INTO
HIS MAN.
2350
01:10:23,820 --> 01:10:25,486
ATTEMPT TO THROW THE CANE INTO
HIS MAN.
THE CORPORAL INTERCEPTING IT.
2351
01:10:25,488 --> 01:10:25,820
HIS MAN.
THE CORPORAL INTERCEPTING IT.
WOW.
2352
01:10:25,822 --> 01:10:26,687
THE CORPORAL INTERCEPTING IT.
WOW.
>> LADIES AND GENTLEMEN, YOUR
2353
01:10:26,689 --> 01:10:28,789
WOW.
>> LADIES AND GENTLEMEN, YOUR
WINNER.
2354
01:10:28,791 --> 01:10:30,558
>> LADIES AND GENTLEMEN, YOUR
WINNER.
HE MAY DISPLAY THE COLORS OF THE
2355
01:10:30,560 --> 01:10:32,693
WINNER.
HE MAY DISPLAY THE COLORS OF THE
RED, WHITE, AND BLUE, YOUR
2356
01:10:32,695 --> 01:10:34,829
HE MAY DISPLAY THE COLORS OF THE
RED, WHITE, AND BLUE, YOUR
WINNER, CORPORAL KIRCHNER.
2357
01:10:34,831 --> 01:11:41,862
RED, WHITE, AND BLUE, YOUR
WINNER, CORPORAL KIRCHNER.
[ PATRIOTIC MUSIC ]
2358
01:11:41,864 --> 01:11:42,630
WINNER, CORPORAL KIRCHNER.
[ PATRIOTIC MUSIC ]
>> IT'S AN UNBELIEVABLE
2359
01:11:42,632 --> 01:11:43,764
[ PATRIOTIC MUSIC ]
>> IT'S AN UNBELIEVABLE
HAPPENING.
2360
01:11:43,766 --> 01:11:44,532
>> IT'S AN UNBELIEVABLE
HAPPENING.
LET'S GO UP TO OUR RING
2361
01:11:44,534 --> 01:11:45,599
HAPPENING.
LET'S GO UP TO OUR RING
ANNOUNCER.
2362
01:11:45,601 --> 01:11:46,801
LET'S GO UP TO OUR RING
ANNOUNCER.
>> THANK YOU VERY MUCH, GORILLA
2363
01:11:46,803 --> 01:11:48,736
ANNOUNCER.
>> THANK YOU VERY MUCH, GORILLA
MONSOON.
2364
01:11:48,738 --> 01:11:49,937
>> THANK YOU VERY MUCH, GORILLA
MONSOON.
LADIES AND GENTLEMEN, IT IS TIME
2365
01:11:49,939 --> 01:11:52,573
MONSOON.
LADIES AND GENTLEMEN, IT IS TIME
FOR THE CHICAGO PORTION OF OUR
2366
01:11:52,575 --> 01:11:54,308
LADIES AND GENTLEMEN, IT IS TIME
FOR THE CHICAGO PORTION OF OUR
MAIN EVENT, AND WITH THAT IN
2367
01:11:54,310 --> 01:11:58,713
FOR THE CHICAGO PORTION OF OUR
MAIN EVENT, AND WITH THAT IN
MIND, WE WELCOME TO RING SIDE A
2368
01:11:58,715 --> 01:12:01,749
MAIN EVENT, AND WITH THAT IN
MIND, WE WELCOME TO RING SIDE A
GREAT CHICAGO FAVORITE, A GREAT
2369
01:12:01,751 --> 01:12:02,850
MIND, WE WELCOME TO RING SIDE A
GREAT CHICAGO FAVORITE, A GREAT
TELEVISION STAR IN HIS OWN
2370
01:12:02,852 --> 01:12:05,419
GREAT CHICAGO FAVORITE, A GREAT
TELEVISION STAR IN HIS OWN
RIGHT, LADIES AND GENTLEMEN,
2371
01:12:05,421 --> 01:12:08,723
TELEVISION STAR IN HIS OWN
RIGHT, LADIES AND GENTLEMEN,
THERE IS ONLY ONE MEAN GENE
2372
01:12:08,725 --> 01:12:20,568
RIGHT, LADIES AND GENTLEMEN,
THERE IS ONLY ONE MEAN GENE
OKERLUND.
2373
01:12:20,570 --> 01:12:21,302
THERE IS ONLY ONE MEAN GENE
OKERLUND.
>> ALL RIGHT, LADIES AND
2374
01:12:21,304 --> 01:12:22,370
OKERLUND.
>> ALL RIGHT, LADIES AND
GENTLEMEN, IT'S TIME FOR THE
2375
01:12:22,372 --> 01:12:23,471
>> ALL RIGHT, LADIES AND
GENTLEMEN, IT'S TIME FOR THE
20-MAN OVER THE TOP ROPE BATTLE
2376
01:12:23,473 --> 01:12:24,572
GENTLEMEN, IT'S TIME FOR THE
20-MAN OVER THE TOP ROPE BATTLE
ROYAL.
2377
01:12:24,574 --> 01:12:28,409
20-MAN OVER THE TOP ROPE BATTLE
ROYAL.
HERE ARE THE RULES.
2378
01:12:28,411 --> 01:12:29,711
ROYAL.
HERE ARE THE RULES.
WITH ALL MEN IN THE RING, THE
2379
01:12:29,713 --> 01:12:31,545
HERE ARE THE RULES.
WITH ALL MEN IN THE RING, THE
PROCESS OF ELIMINATION OCCURS
2380
01:12:31,547 --> 01:12:32,646
WITH ALL MEN IN THE RING, THE
PROCESS OF ELIMINATION OCCURS
WHEN AN INDIVIDUAL IS THROWN
2381
01:12:32,648 --> 01:12:34,282
PROCESS OF ELIMINATION OCCURS
WHEN AN INDIVIDUAL IS THROWN
OVER THE TOP ROPE AND ONTO THE
2382
01:12:34,284 --> 01:12:35,649
WHEN AN INDIVIDUAL IS THROWN
OVER THE TOP ROPE AND ONTO THE
FLOOR.
2383
01:12:35,651 --> 01:12:37,651
OVER THE TOP ROPE AND ONTO THE
FLOOR.
THIS PROCESS CONTINUES UNTIL
2384
01:12:37,653 --> 01:12:40,455
FLOOR.
THIS PROCESS CONTINUES UNTIL
THERE IS ONE MAN LEFT AND HE
2385
01:12:40,457 --> 01:12:47,795
THIS PROCESS CONTINUES UNTIL
THERE IS ONE MAN LEFT AND HE
WILL BE DECLARED THE WINNER, AND
2386
01:12:47,797 --> 01:12:48,896
THERE IS ONE MAN LEFT AND HE
WILL BE DECLARED THE WINNER, AND
NOW ALLOW ME TO INTRODUCE TO YOU
2387
01:12:48,898 --> 01:12:50,398
WILL BE DECLARED THE WINNER, AND
NOW ALLOW ME TO INTRODUCE TO YOU
THE OFFICIALS FOR THE BATTLE
2388
01:12:50,400 --> 01:12:51,432
NOW ALLOW ME TO INTRODUCE TO YOU
THE OFFICIALS FOR THE BATTLE
ROYAL.
2389
01:12:51,434 --> 01:12:54,802
THE OFFICIALS FOR THE BATTLE
ROYAL.
FIRST THE TIME KEEPER, A LADY
2390
01:12:54,804 --> 01:12:58,639
ROYAL.
FIRST THE TIME KEEPER, A LADY
WHO HAS INDEED FOUND THE BEEF,
2391
01:12:58,641 --> 01:13:08,582
FIRST THE TIME KEEPER, A LADY
WHO HAS INDEED FOUND THE BEEF,
CLAIRE PILLAR, AND NOW THE GUEST
2392
01:13:08,584 --> 01:13:10,551
WHO HAS INDEED FOUND THE BEEF,
CLAIRE PILLAR, AND NOW THE GUEST
REFEREES.
2393
01:13:10,553 --> 01:13:12,586
CLAIRE PILLAR, AND NOW THE GUEST
REFEREES.
HERE IS A MAN WHO IS TRULY A
2394
01:13:12,588 --> 01:13:14,688
REFEREES.
HERE IS A MAN WHO IS TRULY A
LEGEND IN CHICAGO BEARS FOOTBALL
2395
01:13:14,690 --> 01:13:32,373
HERE IS A MAN WHO IS TRULY A
LEGEND IN CHICAGO BEARS FOOTBALL
HISTORY, THE GREAT DICK BUTKUS,
2396
01:13:32,375 --> 01:13:33,474
LEGEND IN CHICAGO BEARS FOOTBALL
HISTORY, THE GREAT DICK BUTKUS,
AND NOW INTRODUCING THE STAR
2397
01:13:33,476 --> 01:13:34,575
HISTORY, THE GREAT DICK BUTKUS,
AND NOW INTRODUCING THE STAR
DEFENSIVE END OF THE DALLAS
2398
01:13:34,577 --> 01:13:47,422
AND NOW INTRODUCING THE STAR
DEFENSIVE END OF THE DALLAS
COWBOYS, TOO TALL JONES, AND
2399
01:13:47,424 --> 01:13:49,657
DEFENSIVE END OF THE DALLAS
COWBOYS, TOO TALL JONES, AND
NOW, LADIES AND GENTLEMEN, HERE
2400
01:13:49,659 --> 01:13:54,929
COWBOYS, TOO TALL JONES, AND
NOW, LADIES AND GENTLEMEN, HERE
ARE THE PARTICIPANTS.
2401
01:13:54,931 --> 01:13:56,564
NOW, LADIES AND GENTLEMEN, HERE
ARE THE PARTICIPANTS.
FROM THE SUPER BOWL CHAMPION
2402
01:13:56,566 --> 01:14:01,469
ARE THE PARTICIPANTS.
FROM THE SUPER BOWL CHAMPION
CHICAGO BEARS, WEIGHING 275
2403
01:14:01,471 --> 01:14:02,803
FROM THE SUPER BOWL CHAMPION
CHICAGO BEARS, WEIGHING 275
POUNDS, THE OUTSTANDING
2404
01:14:02,805 --> 01:14:13,614
CHICAGO BEARS, WEIGHING 275
POUNDS, THE OUTSTANDING
OFFENSIVE TACKLE, JIMBO COVERT.
2405
01:14:13,616 --> 01:14:14,748
POUNDS, THE OUTSTANDING
OFFENSIVE TACKLE, JIMBO COVERT.
FROM CULEBRA, PUERTO RICO,
2406
01:14:14,750 --> 01:14:17,585
OFFENSIVE TACKLE, JIMBO COVERT.
FROM CULEBRA, PUERTO RICO,
WEIGHING 240 POUNDS, THE ONLY
2407
01:14:17,587 --> 01:14:20,421
FROM CULEBRA, PUERTO RICO,
WEIGHING 240 POUNDS, THE ONLY
MAN TO HOLD ALL THREE RECOGNIZED
2408
01:14:20,423 --> 01:14:26,360
WEIGHING 240 POUNDS, THE ONLY
MAN TO HOLD ALL THREE RECOGNIZED
MEN'S TITLES, PEDRO MORALES.
2409
01:14:26,362 --> 01:14:27,728
MAN TO HOLD ALL THREE RECOGNIZED
MEN'S TITLES, PEDRO MORALES.
FROM ROANOKE, VIRGINIA, WEIGHING
2410
01:14:27,730 --> 01:14:36,804
MEN'S TITLES, PEDRO MORALES.
FROM ROANOKE, VIRGINIA, WEIGHING
250 POUNDS, MR. USA, TONY ATLAS.
2411
01:14:36,806 --> 01:14:39,406
FROM ROANOKE, VIRGINIA, WEIGHING
250 POUNDS, MR. USA, TONY ATLAS.
FROM BOSTON, MASSACHUSETTS,
2412
01:14:39,408 --> 01:14:42,543
250 POUNDS, MR. USA, TONY ATLAS.
FROM BOSTON, MASSACHUSETTS,
WEIGHING 285 POUNDS, STRONGEST
2413
01:14:42,545 --> 01:14:48,549
FROM BOSTON, MASSACHUSETTS,
WEIGHING 285 POUNDS, STRONGEST
MAN IN THE WORLD, TED ARCIDI.
2414
01:14:48,551 --> 01:14:50,718
WEIGHING 285 POUNDS, STRONGEST
MAN IN THE WORLD, TED ARCIDI.
FROM THE DALLAS COWBOYS,
2415
01:14:50,720 --> 01:14:53,621
MAN IN THE WORLD, TED ARCIDI.
FROM THE DALLAS COWBOYS,
WEIGHING 260 POUNDS, ONE OF THE
2416
01:14:53,623 --> 01:14:55,623
FROM THE DALLAS COWBOYS,
WEIGHING 260 POUNDS, ONE OF THE
GREATEST DEFENSIVE ENDS EVER TO
2417
01:14:55,625 --> 01:14:57,825
WEIGHING 260 POUNDS, ONE OF THE
GREATEST DEFENSIVE ENDS EVER TO
PLAY PRO FOOTBALL, HARVEY
2418
01:14:57,827 --> 01:15:02,330
GREATEST DEFENSIVE ENDS EVER TO
PLAY PRO FOOTBALL, HARVEY
MARTIN.
2419
01:15:02,332 --> 01:15:04,431
PLAY PRO FOOTBALL, HARVEY
MARTIN.
FROM TAMPA, FLORIDA, WEIGHING
2420
01:15:04,433 --> 01:15:08,569
MARTIN.
FROM TAMPA, FLORIDA, WEIGHING
268 POUNDS, GOLDEN BOY DAN
2421
01:15:08,571 --> 01:15:13,240
FROM TAMPA, FLORIDA, WEIGHING
268 POUNDS, GOLDEN BOY DAN
SPIVEY.
2422
01:15:13,242 --> 01:15:15,543
268 POUNDS, GOLDEN BOY DAN
SPIVEY.
FROM MUDLICK, KENTUCKY, WEIGHING
2423
01:15:15,545 --> 01:15:28,622
SPIVEY.
FROM MUDLICK, KENTUCKY, WEIGHING
286 POUNDS, HILLBILLY JIM.
2424
01:15:28,624 --> 01:15:31,525
FROM MUDLICK, KENTUCKY, WEIGHING
286 POUNDS, HILLBILLY JIM.
FROM THE ISLE OF TONGA, WEIGHING
2425
01:15:31,527 --> 01:15:43,337
286 POUNDS, HILLBILLY JIM.
FROM THE ISLE OF TONGA, WEIGHING
AT 273 POUNDS, KING TONGA.
2426
01:15:43,339 --> 01:15:46,740
FROM THE ISLE OF TONGA, WEIGHING
AT 273 POUNDS, KING TONGA.
FROM TEHRAN, IRAN, WEIGHING 258
2427
01:15:46,742 --> 01:15:49,577
AT 273 POUNDS, KING TONGA.
FROM TEHRAN, IRAN, WEIGHING 258
POUNDS, FORMER WORLD WRESTLING
2428
01:15:49,579 --> 01:15:50,978
FROM TEHRAN, IRAN, WEIGHING 258
POUNDS, FORMER WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
2429
01:15:50,980 --> 01:16:02,556
POUNDS, FORMER WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
CHAMPION, THE IRON SHEIK.
2430
01:16:02,558 --> 01:16:04,858
ENTERTAINMENT HEAVYWEIGHT
CHAMPION, THE IRON SHEIK.
FROM THE PITTSBURGH STEELERS,
2431
01:16:04,860 --> 01:16:07,494
CHAMPION, THE IRON SHEIK.
FROM THE PITTSBURGH STEELERS,
WEIGHING 280 POUNDS, A FORMER
2432
01:16:07,496 --> 01:16:09,997
FROM THE PITTSBURGH STEELERS,
WEIGHING 280 POUNDS, A FORMER
MEMBER OF THE FABLED STEEL
2433
01:16:09,999 --> 01:16:16,637
WEIGHING 280 POUNDS, A FORMER
MEMBER OF THE FABLED STEEL
CURTAIN, ERNIE HOLMES.
2434
01:16:16,639 --> 01:16:18,606
MEMBER OF THE FABLED STEEL
CURTAIN, ERNIE HOLMES.
FROM TAMPA, FLORIDA, AND WHITE
2435
01:16:18,608 --> 01:16:19,740
CURTAIN, ERNIE HOLMES.
FROM TAMPA, FLORIDA, AND WHITE
BEAR LAKE, MINNESOTA,
2436
01:16:19,742 --> 01:16:21,475
FROM TAMPA, FLORIDA, AND WHITE
BEAR LAKE, MINNESOTA,
RESPECTIVELY, AT A TOTAL
2437
01:16:21,477 --> 01:16:25,646
BEAR LAKE, MINNESOTA,
RESPECTIVELY, AT A TOTAL
COMBINED WEIGHT OF 468 POUNDS, B
2438
01:16:25,648 --> 01:16:27,514
RESPECTIVELY, AT A TOTAL
COMBINED WEIGHT OF 468 POUNDS, B
BRIAN BLAIR AND JUMPIN JIM
2439
01:16:27,516 --> 01:16:36,657
COMBINED WEIGHT OF 468 POUNDS, B
BRIAN BLAIR AND JUMPIN JIM
BRUNZELL, THE KILLER BEES.
2440
01:16:36,659 --> 01:16:40,695
BRIAN BLAIR AND JUMPIN JIM
BRUNZELL, THE KILLER BEES.
FROM LOS ANGELES, CALIFORNIA,
2441
01:16:40,697 --> 01:16:45,666
BRUNZELL, THE KILLER BEES.
FROM LOS ANGELES, CALIFORNIA,
WEIGHING IN AT 364 POUNDS, BIG
2442
01:16:45,668 --> 01:16:55,643
FROM LOS ANGELES, CALIFORNIA,
WEIGHING IN AT 364 POUNDS, BIG
JOHN STUDD, AND LADIES AND
2443
01:16:55,645 --> 01:16:59,780
WEIGHING IN AT 364 POUNDS, BIG
JOHN STUDD, AND LADIES AND
GENTLEMEN, FROM THE ATLANTA
2444
01:16:59,782 --> 01:17:03,917
JOHN STUDD, AND LADIES AND
GENTLEMEN, FROM THE ATLANTA
FALCONS, HE WEIGHS 280 POUNDS,
2445
01:17:03,919 --> 01:17:07,688
GENTLEMEN, FROM THE ATLANTA
FALCONS, HE WEIGHS 280 POUNDS,
THE 1985 NFL ROOKIE OF THE YEAR,
2446
01:17:07,690 --> 01:17:18,365
FALCONS, HE WEIGHS 280 POUNDS,
THE 1985 NFL ROOKIE OF THE YEAR,
BILL FRALIC.
2447
01:17:18,367 --> 01:17:20,601
THE 1985 NFL ROOKIE OF THE YEAR,
BILL FRALIC.
FROM CALGARY, ALBERTA, CANADA,
2448
01:17:20,603 --> 01:17:23,371
BILL FRALIC.
FROM CALGARY, ALBERTA, CANADA,
AND RENO, NEVADA, RESPECTIVELY,
2449
01:17:23,373 --> 01:17:25,439
FROM CALGARY, ALBERTA, CANADA,
AND RENO, NEVADA, RESPECTIVELY,
AT A TOTAL COMBINED WEIGHT AT
2450
01:17:25,441 --> 01:17:28,709
AND RENO, NEVADA, RESPECTIVELY,
AT A TOTAL COMBINED WEIGHT AT
514 POUNDS, MEMBERS OF THE HART
2451
01:17:28,711 --> 01:17:30,878
AT A TOTAL COMBINED WEIGHT AT
514 POUNDS, MEMBERS OF THE HART
FOUNDATION, BRET THE HIT MAN
2452
01:17:30,880 --> 01:17:34,615
514 POUNDS, MEMBERS OF THE HART
FOUNDATION, BRET THE HIT MAN
HART AND JIM THE ANVIL NEIDHART.
2453
01:17:34,617 --> 01:17:39,586
FOUNDATION, BRET THE HIT MAN
HART AND JIM THE ANVIL NEIDHART.
>> WOO-HOO.
2454
01:17:39,588 --> 01:17:45,592
HART AND JIM THE ANVIL NEIDHART.
>> WOO-HOO.
YEAH, BABY.
2455
01:17:45,594 --> 01:17:48,562
>> WOO-HOO.
YEAH, BABY.
>> FROM THE SAN FRANCISCO 49ERS,
2456
01:17:48,564 --> 01:17:52,533
YEAH, BABY.
>> FROM THE SAN FRANCISCO 49ERS,
WEIGHING IN AT 242 POUNDS,
2457
01:17:52,535 --> 01:17:55,602
>> FROM THE SAN FRANCISCO 49ERS,
WEIGHING IN AT 242 POUNDS,
TONIGHT HE WALKS IN THE SHOES OF
2458
01:17:55,604 --> 01:17:57,471
WEIGHING IN AT 242 POUNDS,
TONIGHT HE WALKS IN THE SHOES OF
HIS LEGENDARY FATHER, SIR EDMUND
2459
01:17:57,473 --> 01:17:59,606
TONIGHT HE WALKS IN THE SHOES OF
HIS LEGENDARY FATHER, SIR EDMUND
FRANCIS, THE OUTSTANDING TIGHT
2460
01:17:59,608 --> 01:18:01,575
HIS LEGENDARY FATHER, SIR EDMUND
FRANCIS, THE OUTSTANDING TIGHT
END, A THREE-TIME PRO-BOWL
2461
01:18:01,577 --> 01:18:07,682
FRANCIS, THE OUTSTANDING TIGHT
END, A THREE-TIME PRO-BOWL
SELECTION, RUSS FRANCIS.
2462
01:18:07,684 --> 01:18:09,416
END, A THREE-TIME PRO-BOWL
SELECTION, RUSS FRANCIS.
FROM THE PITTSBURGH,
2463
01:18:09,418 --> 01:18:11,485
SELECTION, RUSS FRANCIS.
FROM THE PITTSBURGH,
PENNSYLVANIA, WEIGHING 245
2464
01:18:11,487 --> 01:18:13,754
FROM THE PITTSBURGH,
PENNSYLVANIA, WEIGHING 245
POUNDS, PROFESSIONAL WRESTLING'S
2465
01:18:13,756 --> 01:18:16,623
PENNSYLVANIA, WEIGHING 245
POUNDS, PROFESSIONAL WRESTLING'S
ONLY LIVING LEGEND, BRUNO
2466
01:18:16,625 --> 01:18:27,434
POUNDS, PROFESSIONAL WRESTLING'S
ONLY LIVING LEGEND, BRUNO
SAMMARTINO.
2467
01:18:27,436 --> 01:18:33,540
ONLY LIVING LEGEND, BRUNO
SAMMARTINO.
FROM THE CHICAGO BEARS, WEIGHING
2468
01:18:33,542 --> 01:18:38,412
SAMMARTINO.
FROM THE CHICAGO BEARS, WEIGHING
304 POUNDS, THE ONE, THE ONLY,
2469
01:18:38,414 --> 01:18:58,699
FROM THE CHICAGO BEARS, WEIGHING
304 POUNDS, THE ONE, THE ONLY,
THE REFRIGERATOR WILLIAM PERRY,
2470
01:18:58,701 --> 01:19:00,467
304 POUNDS, THE ONE, THE ONLY,
THE REFRIGERATOR WILLIAM PERRY,
AND LAST, BUT CERTAINLY NOT
2471
01:19:00,469 --> 01:19:02,369
THE REFRIGERATOR WILLIAM PERRY,
AND LAST, BUT CERTAINLY NOT
LEAST, FROM GRENOBLE, FRANCE, IN
2472
01:19:02,371 --> 01:19:06,273
AND LAST, BUT CERTAINLY NOT
LEAST, FROM GRENOBLE, FRANCE, IN
THE FRENCH ALPS, WEIGHING 520
2473
01:19:06,275 --> 01:19:09,409
LEAST, FROM GRENOBLE, FRANCE, IN
THE FRENCH ALPS, WEIGHING 520
POUNDS, THE EIGHTH WONDER OF THE
2474
01:19:09,411 --> 01:19:27,494
THE FRENCH ALPS, WEIGHING 520
POUNDS, THE EIGHTH WONDER OF THE
WORLD, ANDRE THE GIANT.
2475
01:19:27,496 --> 01:19:28,629
POUNDS, THE EIGHTH WONDER OF THE
WORLD, ANDRE THE GIANT.
>> ANDRE THE GIANT, THE EIGHTH
2476
01:19:28,631 --> 01:19:30,397
WORLD, ANDRE THE GIANT.
>> ANDRE THE GIANT, THE EIGHTH
WONDER OF THE WORLD, MAKING HIS
2477
01:19:30,399 --> 01:19:31,532
>> ANDRE THE GIANT, THE EIGHTH
WONDER OF THE WORLD, MAKING HIS
WAY DOWN TO THE RING.
2478
01:19:31,534 --> 01:19:34,535
WONDER OF THE WORLD, MAKING HIS
WAY DOWN TO THE RING.
LADIES AND GENTLEMEN, JOINING US
2479
01:19:34,537 --> 01:19:35,736
WAY DOWN TO THE RING.
LADIES AND GENTLEMEN, JOINING US
NOW IN OUR ANNOUNCE POSITION,
2480
01:19:35,738 --> 01:19:37,771
LADIES AND GENTLEMEN, JOINING US
NOW IN OUR ANNOUNCE POSITION,
ONE OF MY DEAREST FRIENDS AND
2481
01:19:37,773 --> 01:19:39,239
NOW IN OUR ANNOUNCE POSITION,
ONE OF MY DEAREST FRIENDS AND
ONE OF THE ALL-TIME GREATS IN
2482
01:19:39,241 --> 01:19:40,674
ONE OF MY DEAREST FRIENDS AND
ONE OF THE ALL-TIME GREATS IN
THE NFL, ESPECIALLY WITH THE
2483
01:19:40,676 --> 01:19:43,510
ONE OF THE ALL-TIME GREATS IN
THE NFL, ESPECIALLY WITH THE
KANSAS CITY CHIEFS, AND ALL-TIME
2484
01:19:43,512 --> 01:19:45,546
THE NFL, ESPECIALLY WITH THE
KANSAS CITY CHIEFS, AND ALL-TIME
TREMENDOUS SUPERSTAR IN THE
2485
01:19:45,548 --> 01:19:47,448
KANSAS CITY CHIEFS, AND ALL-TIME
TREMENDOUS SUPERSTAR IN THE
WORLD OF PROFESSIONAL WRESTLING,
2486
01:19:47,450 --> 01:19:49,517
TREMENDOUS SUPERSTAR IN THE
WORLD OF PROFESSIONAL WRESTLING,
THE ONE AND ONLY, THE CAT, ERNIE
2487
01:19:49,519 --> 01:19:50,351
WORLD OF PROFESSIONAL WRESTLING,
THE ONE AND ONLY, THE CAT, ERNIE
LADD.
2488
01:19:50,353 --> 01:19:50,884
THE ONE AND ONLY, THE CAT, ERNIE
LADD.
WELCOME, ERNIE.
2489
01:19:50,886 --> 01:19:51,552
LADD.
WELCOME, ERNIE.
>> INDEED.
2490
01:19:51,554 --> 01:19:52,386
WELCOME, ERNIE.
>> INDEED.
IT'S GREAT TO SEE ONE OF THE
2491
01:19:52,388 --> 01:19:53,721
>> INDEED.
IT'S GREAT TO SEE ONE OF THE
GREAT SPECTACULARS OF THE WORLD.
2492
01:19:53,723 --> 01:19:54,621
IT'S GREAT TO SEE ONE OF THE
GREAT SPECTACULARS OF THE WORLD.
IT LOOKED LIKE THEY'RE TRYING TO
2493
01:19:54,623 --> 01:19:55,756
GREAT SPECTACULARS OF THE WORLD.
IT LOOKED LIKE THEY'RE TRYING TO
PUT WILLIAM THE REFRIGERATOR OUT
2494
01:19:55,758 --> 01:19:56,690
IT LOOKED LIKE THEY'RE TRYING TO
PUT WILLIAM THE REFRIGERATOR OUT
FIRST.
2495
01:19:56,692 --> 01:19:57,591
PUT WILLIAM THE REFRIGERATOR OUT
FIRST.
>> AND THIS BATTLE ROYAL IS
2496
01:19:57,593 --> 01:19:59,660
FIRST.
>> AND THIS BATTLE ROYAL IS
UNDERWAY.
2497
01:19:59,662 --> 01:20:01,829
>> AND THIS BATTLE ROYAL IS
UNDERWAY.
MAYHEM AS THESE GUYS WEIGHED IN
2498
01:20:01,831 --> 01:20:05,766
UNDERWAY.
MAYHEM AS THESE GUYS WEIGHED IN
A TOTAL COMBINED WEIGHT 5,612
2499
01:20:05,768 --> 01:20:07,534
MAYHEM AS THESE GUYS WEIGHED IN
A TOTAL COMBINED WEIGHT 5,612
POUNDS.
2500
01:20:07,536 --> 01:20:08,602
A TOTAL COMBINED WEIGHT 5,612
POUNDS.
CATHY LEE, HOW ABOUT IT?
2501
01:20:08,604 --> 01:20:10,504
POUNDS.
CATHY LEE, HOW ABOUT IT?
>> I HAVE NEVER SEEN ANYTHING
2502
01:20:10,506 --> 01:20:11,572
CATHY LEE, HOW ABOUT IT?
>> I HAVE NEVER SEEN ANYTHING
LIKE THIS.
2503
01:20:11,574 --> 01:20:12,639
>> I HAVE NEVER SEEN ANYTHING
LIKE THIS.
>> IT'S HAPPENING.
2504
01:20:12,641 --> 01:20:13,607
LIKE THIS.
>> IT'S HAPPENING.
THE MOST DANGEROUS MATCH OF ALL
2505
01:20:13,609 --> 01:20:14,441
>> IT'S HAPPENING.
THE MOST DANGEROUS MATCH OF ALL
OF PROFESSIONAL WRESTLING.
2506
01:20:14,443 --> 01:20:15,375
THE MOST DANGEROUS MATCH OF ALL
OF PROFESSIONAL WRESTLING.
>> LOOK HERE, THEY'RE TRYING TO
2507
01:20:15,377 --> 01:20:16,510
OF PROFESSIONAL WRESTLING.
>> LOOK HERE, THEY'RE TRYING TO
GET REFRIGERATOR OUT.
2508
01:20:16,512 --> 01:20:17,778
>> LOOK HERE, THEY'RE TRYING TO
GET REFRIGERATOR OUT.
>> FOUR OR FIVE OF THEM GOING TO
2509
01:20:17,780 --> 01:20:18,879
GET REFRIGERATOR OUT.
>> FOUR OR FIVE OF THEM GOING TO
WORK ON THE REFRIGERATOR.
2510
01:20:18,881 --> 01:20:20,647
>> FOUR OR FIVE OF THEM GOING TO
WORK ON THE REFRIGERATOR.
HE MANAGING TO BREAK LOOSE,
2511
01:20:20,649 --> 01:20:22,683
WORK ON THE REFRIGERATOR.
HE MANAGING TO BREAK LOOSE,
THOUGH.
2512
01:20:22,685 --> 01:20:23,650
HE MANAGING TO BREAK LOOSE,
THOUGH.
VERY IMPORTANT TO REALIZE THAT
2513
01:20:23,652 --> 01:20:25,519
THOUGH.
VERY IMPORTANT TO REALIZE THAT
THE ONLY WAY CAN BE ELIMINATED
2514
01:20:25,521 --> 01:20:27,321
VERY IMPORTANT TO REALIZE THAT
THE ONLY WAY CAN BE ELIMINATED
IS OVER THE TOP ROPE AND YOU
2515
01:20:27,323 --> 01:20:29,490
THE ONLY WAY CAN BE ELIMINATED
IS OVER THE TOP ROPE AND YOU
MUST REACH THE ARENA FLOOR.
2516
01:20:29,492 --> 01:20:30,891
IS OVER THE TOP ROPE AND YOU
MUST REACH THE ARENA FLOOR.
IF YOU GO OVER THE TOP ROPE AND
2517
01:20:30,893 --> 01:20:32,459
MUST REACH THE ARENA FLOOR.
IF YOU GO OVER THE TOP ROPE AND
LAND ON THE APRON, YOU'RE STILL
2518
01:20:32,461 --> 01:20:34,495
IF YOU GO OVER THE TOP ROPE AND
LAND ON THE APRON, YOU'RE STILL
ELIGIBLE TO GET BACK IN THERE.
2519
01:20:34,497 --> 01:20:35,930
LAND ON THE APRON, YOU'RE STILL
ELIGIBLE TO GET BACK IN THERE.
ERNIE, GIVE US BOTH SIDES, A
2520
01:20:35,932 --> 01:20:37,731
ELIGIBLE TO GET BACK IN THERE.
ERNIE, GIVE US BOTH SIDES, A
PROFESSIONAL FOOTBALL AND A
2521
01:20:37,733 --> 01:20:39,399
ERNIE, GIVE US BOTH SIDES, A
PROFESSIONAL FOOTBALL AND A
PROFESSIONAL WRESTLING SIDE OF
2522
01:20:39,401 --> 01:20:39,733
PROFESSIONAL FOOTBALL AND A
PROFESSIONAL WRESTLING SIDE OF
THIS.
2523
01:20:39,735 --> 01:20:40,701
PROFESSIONAL WRESTLING SIDE OF
THIS.
>> AS LONG AS I'VE PLAYED PRO
2524
01:20:40,703 --> 01:20:41,835
THIS.
>> AS LONG AS I'VE PLAYED PRO
FOOTBALL, I'VE NEVER...
2525
01:20:41,837 --> 01:20:42,769
>> AS LONG AS I'VE PLAYED PRO
FOOTBALL, I'VE NEVER...
>> OH, LOOK OUT.
2526
01:20:42,771 --> 01:20:43,837
FOOTBALL, I'VE NEVER...
>> OH, LOOK OUT.
>> TWO OUT, TWO'S OUT.
2527
01:20:43,839 --> 01:20:45,405
>> OH, LOOK OUT.
>> TWO OUT, TWO'S OUT.
>> COVERT'S OUT AND SO IS KING
2528
01:20:45,407 --> 01:20:46,540
>> TWO OUT, TWO'S OUT.
>> COVERT'S OUT AND SO IS KING
TONGA.
2529
01:20:46,542 --> 01:20:48,542
>> COVERT'S OUT AND SO IS KING
TONGA.
>> LOOK AT TOO TALL JONES AND
2530
01:20:48,544 --> 01:20:49,476
TONGA.
>> LOOK AT TOO TALL JONES AND
MIKE DITKA.
2531
01:20:49,478 --> 01:20:50,077
>> LOOK AT TOO TALL JONES AND
MIKE DITKA.
HE'S PUT THEM OUT OF THERE, PUT
2532
01:20:50,079 --> 01:20:50,477
MIKE DITKA.
HE'S PUT THEM OUT OF THERE, PUT
THEM OUT OF HERE.
2533
01:20:50,479 --> 01:20:51,211
HE'S PUT THEM OUT OF THERE, PUT
THEM OUT OF HERE.
ONCE YOU GO OVER THE TOP, IT'S
2534
01:20:51,213 --> 01:20:54,548
THEM OUT OF HERE.
ONCE YOU GO OVER THE TOP, IT'S
ALL OVER FOR YOU.
2535
01:20:54,550 --> 01:20:55,716
ONCE YOU GO OVER THE TOP, IT'S
ALL OVER FOR YOU.
WELL, BEING ON BOTH SIDES OF THE
2536
01:20:55,718 --> 01:20:57,718
ALL OVER FOR YOU.
WELL, BEING ON BOTH SIDES OF THE
FENCE, GORILLA MONSOON, I
2537
01:20:57,720 --> 01:20:58,685
WELL, BEING ON BOTH SIDES OF THE
FENCE, GORILLA MONSOON, I
ENJOYED FOOTBALL.
2538
01:20:58,687 --> 01:20:59,854
FENCE, GORILLA MONSOON, I
ENJOYED FOOTBALL.
THE MOST DANGEROUS PART OF IT IS
2539
01:20:59,856 --> 01:21:00,888
ENJOYED FOOTBALL.
THE MOST DANGEROUS PART OF IT IS
WRESTLING.
2540
01:21:00,890 --> 01:21:01,555
THE MOST DANGEROUS PART OF IT IS
WRESTLING.
AN INDIVIDUAL SPORT.
2541
01:21:01,557 --> 01:21:03,457
WRESTLING.
AN INDIVIDUAL SPORT.
ALL YOU CAN SAY YOU'VE BEEN BEAT
2542
01:21:03,459 --> 01:21:05,425
AN INDIVIDUAL SPORT.
ALL YOU CAN SAY YOU'VE BEEN BEAT
BY THE BEST MAN WHEN YOU GET
2543
01:21:05,427 --> 01:21:05,759
ALL YOU CAN SAY YOU'VE BEEN BEAT
BY THE BEST MAN WHEN YOU GET
BEATEN.
2544
01:21:05,761 --> 01:21:06,593
BY THE BEST MAN WHEN YOU GET
BEATEN.
THAT'S ALL PROFESSIONAL
2545
01:21:06,595 --> 01:21:07,494
BEATEN.
THAT'S ALL PROFESSIONAL
WRESTLING.
2546
01:21:07,496 --> 01:21:08,629
THAT'S ALL PROFESSIONAL
WRESTLING.
>> LOOK AT THAT, BIG JOHN STUDD
2547
01:21:08,631 --> 01:21:09,797
WRESTLING.
>> LOOK AT THAT, BIG JOHN STUDD
HAS GOT THE REFRIGERATOR IN THE
2548
01:21:09,799 --> 01:21:11,632
>> LOOK AT THAT, BIG JOHN STUDD
HAS GOT THE REFRIGERATOR IN THE
CORNER.
2549
01:21:11,634 --> 01:21:12,532
HAS GOT THE REFRIGERATOR IN THE
CORNER.
>> I DON'T THINK THERE'S
2550
01:21:12,534 --> 01:21:13,667
CORNER.
>> I DON'T THINK THERE'S
STRATEGY HERE, DO YOU, GORILLA?
2551
01:21:13,669 --> 01:21:15,535
>> I DON'T THINK THERE'S
STRATEGY HERE, DO YOU, GORILLA?
I THINK THIS IS JUST MAN AGAINST
2552
01:21:15,537 --> 01:21:15,769
STRATEGY HERE, DO YOU, GORILLA?
I THINK THIS IS JUST MAN AGAINST
MAN.
2553
01:21:15,771 --> 01:21:17,471
I THINK THIS IS JUST MAN AGAINST
MAN.
>> WELL, YOU'VE GOT TWO
2554
01:21:17,473 --> 01:21:18,706
MAN.
>> WELL, YOU'VE GOT TWO
EXCEPTIONALLY GOOD TAG TEAMS IN
2555
01:21:18,708 --> 01:21:19,873
>> WELL, YOU'VE GOT TWO
EXCEPTIONALLY GOOD TAG TEAMS IN
THERE, THE KILLER BEES AND THE
2556
01:21:19,875 --> 01:21:20,874
EXCEPTIONALLY GOOD TAG TEAMS IN
THERE, THE KILLER BEES AND THE
HART FOUNDATION.
2557
01:21:20,876 --> 01:21:21,742
THERE, THE KILLER BEES AND THE
HART FOUNDATION.
THEY ARE DEFINITELY USING
2558
01:21:21,744 --> 01:21:22,843
HART FOUNDATION.
THEY ARE DEFINITELY USING
TEAMWORK.
2559
01:21:22,845 --> 01:21:24,511
THEY ARE DEFINITELY USING
TEAMWORK.
>> NO ONE WANTS ANDRE THE GIANT.
2560
01:21:24,513 --> 01:21:28,649
TEAMWORK.
>> NO ONE WANTS ANDRE THE GIANT.
LOOK AT AND -- BIG GIANT.
2561
01:21:28,651 --> 01:21:29,850
>> NO ONE WANTS ANDRE THE GIANT.
LOOK AT AND -- BIG GIANT.
>> OH, LOOK OUT.
2562
01:21:29,852 --> 01:21:31,718
LOOK AT AND -- BIG GIANT.
>> OH, LOOK OUT.
>> HE'S OUT.
2563
01:21:31,720 --> 01:21:32,853
>> OH, LOOK OUT.
>> HE'S OUT.
>> ERNIE HOLMES IS OUT OF THIS
2564
01:21:32,855 --> 01:21:34,821
>> HE'S OUT.
>> ERNIE HOLMES IS OUT OF THIS
ONE.
2565
01:21:34,823 --> 01:21:36,290
>> ERNIE HOLMES IS OUT OF THIS
ONE.
REFEREE DICK BUTKUS COMING
2566
01:21:36,292 --> 01:21:37,958
ONE.
REFEREE DICK BUTKUS COMING
AROUND TO MAKE SURE HE DOES.
2567
01:21:37,960 --> 01:21:38,692
REFEREE DICK BUTKUS COMING
AROUND TO MAKE SURE HE DOES.
>> NOW IT'S ANDRE THE GIANT WITH
2568
01:21:38,694 --> 01:21:40,861
AROUND TO MAKE SURE HE DOES.
>> NOW IT'S ANDRE THE GIANT WITH
BIG JOHN STUDD.
2569
01:21:40,863 --> 01:21:41,695
>> NOW IT'S ANDRE THE GIANT WITH
BIG JOHN STUDD.
>> THAT'S HEAT.
2570
01:21:41,697 --> 01:21:43,397
BIG JOHN STUDD.
>> THAT'S HEAT.
ANDRE THE GIANT AND BIG -- BIG
2571
01:21:43,399 --> 01:21:44,431
>> THAT'S HEAT.
ANDRE THE GIANT AND BIG -- BIG
JOHN STUDD.
2572
01:21:44,433 --> 01:21:45,465
ANDRE THE GIANT AND BIG -- BIG
JOHN STUDD.
THEY'RE GOING AT IT, TOOTH AND
2573
01:21:45,467 --> 01:21:47,634
JOHN STUDD.
THEY'RE GOING AT IT, TOOTH AND
NAIL, RIGHT NOW.
2574
01:21:47,636 --> 01:21:49,536
THEY'RE GOING AT IT, TOOTH AND
NAIL, RIGHT NOW.
>> ACTION PERSONIFIED HERE IN
2575
01:21:49,538 --> 01:21:51,405
NAIL, RIGHT NOW.
>> ACTION PERSONIFIED HERE IN
THIS TREMENDOUS 29 OVER THE TOP
2576
01:21:51,407 --> 01:21:52,573
>> ACTION PERSONIFIED HERE IN
THIS TREMENDOUS 29 OVER THE TOP
BATTLE ROYAL.
2577
01:21:52,575 --> 01:21:53,407
THIS TREMENDOUS 29 OVER THE TOP
BATTLE ROYAL.
ANYTHING AND EVERYTHING WILL
2578
01:21:53,409 --> 01:21:55,309
BATTLE ROYAL.
ANYTHING AND EVERYTHING WILL
HAPPEN.
2579
01:21:55,311 --> 01:21:56,376
ANYTHING AND EVERYTHING WILL
HAPPEN.
IT'S JUST UNBELIEVABLE THE
2580
01:21:56,378 --> 01:21:57,511
HAPPEN.
IT'S JUST UNBELIEVABLE THE
AMOUNT OF ACTION THAT'S GOING
2581
01:21:57,513 --> 01:21:58,412
IT'S JUST UNBELIEVABLE THE
AMOUNT OF ACTION THAT'S GOING
ON.
2582
01:21:58,414 --> 01:21:59,914
AMOUNT OF ACTION THAT'S GOING
ON.
>> THE GREATEST ARRAY OF TALENT,
2583
01:21:59,916 --> 01:22:01,415
ON.
>> THE GREATEST ARRAY OF TALENT,
PROBABLY THE MOST EXPENSIVE
2584
01:22:01,417 --> 01:22:03,350
>> THE GREATEST ARRAY OF TALENT,
PROBABLY THE MOST EXPENSIVE
AMOUNT OF TALENT EVER, ASSEMBLED
2585
01:22:03,352 --> 01:22:04,484
PROBABLY THE MOST EXPENSIVE
AMOUNT OF TALENT EVER, ASSEMBLED
IN ONE RING AT ONE TIME.
2586
01:22:04,486 --> 01:22:05,552
AMOUNT OF TALENT EVER, ASSEMBLED
IN ONE RING AT ONE TIME.
YOU'VE GOT SOME MILLION DOLLAR
2587
01:22:05,554 --> 01:22:06,653
IN ONE RING AT ONE TIME.
YOU'VE GOT SOME MILLION DOLLAR
CONTRACTS IN THAT RING.
2588
01:22:06,655 --> 01:22:07,587
YOU'VE GOT SOME MILLION DOLLAR
CONTRACTS IN THAT RING.
>> THEY'VE GOT THREE AGAINST
2589
01:22:07,589 --> 01:22:08,588
CONTRACTS IN THAT RING.
>> THEY'VE GOT THREE AGAINST
ONE, OVER HERE IN THE CORNER
2590
01:22:08,590 --> 01:22:09,790
>> THEY'VE GOT THREE AGAINST
ONE, OVER HERE IN THE CORNER
WITH REFRIGERATOR.
2591
01:22:09,792 --> 01:22:10,724
ONE, OVER HERE IN THE CORNER
WITH REFRIGERATOR.
>> LOOK AT ANDRE GOING TO WORK
2592
01:22:10,726 --> 01:22:11,892
WITH REFRIGERATOR.
>> LOOK AT ANDRE GOING TO WORK
ON FRALIC.
2593
01:22:11,894 --> 01:22:12,659
>> LOOK AT ANDRE GOING TO WORK
ON FRALIC.
HE'S HOLDING ON TO THAT ROPE FOR
2594
01:22:12,661 --> 01:22:14,661
ON FRALIC.
HE'S HOLDING ON TO THAT ROPE FOR
DEAR LIFE.
2595
01:22:14,663 --> 01:22:15,562
HE'S HOLDING ON TO THAT ROPE FOR
DEAR LIFE.
>> FRALIC, HE ACT LIKE HE'S BEEN
2596
01:22:15,564 --> 01:22:17,431
DEAR LIFE.
>> FRALIC, HE ACT LIKE HE'S BEEN
WRESTLING BEFORE.
2597
01:22:17,433 --> 01:22:18,565
>> FRALIC, HE ACT LIKE HE'S BEEN
WRESTLING BEFORE.
>> UH OH, LOOK OUT.
2598
01:22:18,567 --> 01:22:19,599
WRESTLING BEFORE.
>> UH OH, LOOK OUT.
>> THE KILLER BEES OUT.
2599
01:22:19,601 --> 01:22:21,501
>> UH OH, LOOK OUT.
>> THE KILLER BEES OUT.
>> JUMPIN JIM BRUNZELL JUST HIT
2600
01:22:21,503 --> 01:22:22,469
>> THE KILLER BEES OUT.
>> JUMPIN JIM BRUNZELL JUST HIT
THE CANVAS.
2601
01:22:22,471 --> 01:22:26,674
>> JUMPIN JIM BRUNZELL JUST HIT
THE CANVAS.
HE'S OUT OF THIS ONE.
2602
01:22:26,676 --> 01:22:28,575
THE CANVAS.
HE'S OUT OF THIS ONE.
WOW, SOME BIG ROUND HOUSE LEFTS
2603
01:22:28,577 --> 01:22:31,378
HE'S OUT OF THIS ONE.
WOW, SOME BIG ROUND HOUSE LEFTS
THERE BY THE GOLDEN BOY.
2604
01:22:31,380 --> 01:22:32,512
WOW, SOME BIG ROUND HOUSE LEFTS
THERE BY THE GOLDEN BOY.
>> ANDRE JUST CUT HARD ON MARTIN
2605
01:22:32,514 --> 01:22:34,614
THERE BY THE GOLDEN BOY.
>> ANDRE JUST CUT HARD ON MARTIN
ACROSS THE BACK AND LET HIM KNOW
2606
01:22:34,616 --> 01:22:35,649
>> ANDRE JUST CUT HARD ON MARTIN
ACROSS THE BACK AND LET HIM KNOW
WHAT IT'S LIKE TO PLAY FOOTBALL
2607
01:22:35,651 --> 01:22:40,320
ACROSS THE BACK AND LET HIM KNOW
WHAT IT'S LIKE TO PLAY FOOTBALL
WITHOUT A UNIFORM ON.
2608
01:22:40,322 --> 01:22:40,788
WHAT IT'S LIKE TO PLAY FOOTBALL
WITHOUT A UNIFORM ON.
>> LOOK AT THIS.
2609
01:22:40,790 --> 01:22:42,356
WITHOUT A UNIFORM ON.
>> LOOK AT THIS.
ANDRE'S GOT THREE OR FOUR GUYS,
2610
01:22:42,358 --> 01:22:43,557
>> LOOK AT THIS.
ANDRE'S GOT THREE OR FOUR GUYS,
WHO WENT OUT THERE.
2611
01:22:43,559 --> 01:22:45,659
ANDRE'S GOT THREE OR FOUR GUYS,
WHO WENT OUT THERE.
TONY ATLAS IS GONE.
2612
01:22:45,661 --> 01:22:47,461
WHO WENT OUT THERE.
TONY ATLAS IS GONE.
HISTORY IN THIS BATTLE ROYAL.
2613
01:22:47,463 --> 01:22:48,428
TONY ATLAS IS GONE.
HISTORY IN THIS BATTLE ROYAL.
>> THE REFRIGERATOR'S GOT BIG
2614
01:22:48,430 --> 01:22:50,597
HISTORY IN THIS BATTLE ROYAL.
>> THE REFRIGERATOR'S GOT BIG
JOHN STUDD HELD UP IN THE CORNER
2615
01:22:50,599 --> 01:22:51,465
>> THE REFRIGERATOR'S GOT BIG
JOHN STUDD HELD UP IN THE CORNER
AND GOING AFTER HIM TOOTH AND
2616
01:22:51,467 --> 01:22:54,568
JOHN STUDD HELD UP IN THE CORNER
AND GOING AFTER HIM TOOTH AND
NAIL.
2617
01:22:54,570 --> 01:22:55,669
AND GOING AFTER HIM TOOTH AND
NAIL.
>> TWO OR THREE GUYS POUNDING
2618
01:22:55,671 --> 01:22:59,673
NAIL.
>> TWO OR THREE GUYS POUNDING
AWAY AT ANDRE THE GIANT.
2619
01:22:59,675 --> 01:23:00,507
>> TWO OR THREE GUYS POUNDING
AWAY AT ANDRE THE GIANT.
>> WOW.
2620
01:23:00,509 --> 01:23:01,475
AWAY AT ANDRE THE GIANT.
>> WOW.
>> HARVEY MARTIN JUST GOT AN
2621
01:23:01,477 --> 01:23:02,642
>> WOW.
>> HARVEY MARTIN JUST GOT AN
EDUCATION, ERNIE.
2622
01:23:02,644 --> 01:23:03,777
>> HARVEY MARTIN JUST GOT AN
EDUCATION, ERNIE.
>> BUT I'M LOOKING AT THE
2623
01:23:03,779 --> 01:23:05,479
EDUCATION, ERNIE.
>> BUT I'M LOOKING AT THE
REFRIGERATOR AND BIG JOHN STUDD
2624
01:23:05,481 --> 01:23:07,647
>> BUT I'M LOOKING AT THE
REFRIGERATOR AND BIG JOHN STUDD
IN THE CORNER.
2625
01:23:07,649 --> 01:23:09,450
REFRIGERATOR AND BIG JOHN STUDD
IN THE CORNER.
JOHN STUDD DOESN'T PARTICULARLY
2626
01:23:09,452 --> 01:23:10,784
IN THE CORNER.
JOHN STUDD DOESN'T PARTICULARLY
CARE FOR THE REFRIGERATOR AND
2627
01:23:10,786 --> 01:23:12,486
JOHN STUDD DOESN'T PARTICULARLY
CARE FOR THE REFRIGERATOR AND
THE REFRIGERATOR MADE IT KNOWN
2628
01:23:12,488 --> 01:23:13,487
CARE FOR THE REFRIGERATOR AND
THE REFRIGERATOR MADE IT KNOWN
THAT HE DOESN'T PARTICULARLY
2629
01:23:13,489 --> 01:23:14,621
THE REFRIGERATOR MADE IT KNOWN
THAT HE DOESN'T PARTICULARLY
CARE FOR BIG JOHN STUDD.
2630
01:23:14,623 --> 01:23:16,490
THAT HE DOESN'T PARTICULARLY
CARE FOR BIG JOHN STUDD.
>> BILL FRALIC, HE DOESN'T CARE
2631
01:23:16,492 --> 01:23:18,692
CARE FOR BIG JOHN STUDD.
>> BILL FRALIC, HE DOESN'T CARE
FOR ANYBODY.
2632
01:23:18,694 --> 01:23:20,527
>> BILL FRALIC, HE DOESN'T CARE
FOR ANYBODY.
JOHN STUDD JUST POUNDING AWAY
2633
01:23:20,529 --> 01:23:21,862
FOR ANYBODY.
JOHN STUDD JUST POUNDING AWAY
NOW, UNLOADING WITH THE HEAVY
2634
01:23:21,864 --> 01:23:25,699
JOHN STUDD JUST POUNDING AWAY
NOW, UNLOADING WITH THE HEAVY
ARTILLERY ON THE REFRIGERATOR.
2635
01:23:25,701 --> 01:23:26,800
NOW, UNLOADING WITH THE HEAVY
ARTILLERY ON THE REFRIGERATOR.
>> WELL, I TELL YOU, AS A GREAT
2636
01:23:26,802 --> 01:23:27,801
ARTILLERY ON THE REFRIGERATOR.
>> WELL, I TELL YOU, AS A GREAT
FOOTBALL PLAYER, THE
2637
01:23:27,803 --> 01:23:29,369
>> WELL, I TELL YOU, AS A GREAT
FOOTBALL PLAYER, THE
REFRIGERATOR, HE WON'T LET THAT
2638
01:23:29,371 --> 01:23:30,437
FOOTBALL PLAYER, THE
REFRIGERATOR, HE WON'T LET THAT
GO ALONG, I CAN ASSURE YOU THAT.
2639
01:23:30,439 --> 01:23:32,506
REFRIGERATOR, HE WON'T LET THAT
GO ALONG, I CAN ASSURE YOU THAT.
BIG JOHN...
2640
01:23:32,508 --> 01:23:33,473
GO ALONG, I CAN ASSURE YOU THAT.
BIG JOHN...
>> THAT WAS A GREAT SHOT AND OH,
2641
01:23:33,475 --> 01:23:34,742
BIG JOHN...
>> THAT WAS A GREAT SHOT AND OH,
THERE GOES TWO GUYS OUT.
2642
01:23:34,744 --> 01:23:35,609
>> THAT WAS A GREAT SHOT AND OH,
THERE GOES TWO GUYS OUT.
THEY REACHED THE FLOOR.
2643
01:23:35,611 --> 01:23:36,710
THERE GOES TWO GUYS OUT.
THEY REACHED THE FLOOR.
>> HARVEY MARTIN.
2644
01:23:36,712 --> 01:23:38,912
THEY REACHED THE FLOOR.
>> HARVEY MARTIN.
>> AND PEDRO MORALES.
2645
01:23:38,914 --> 01:23:40,313
>> HARVEY MARTIN.
>> AND PEDRO MORALES.
>> THE REFRIGERATOR'S GOING ON
2646
01:23:40,315 --> 01:23:42,349
>> AND PEDRO MORALES.
>> THE REFRIGERATOR'S GOING ON
JOHN STUDD, AND ANDRE THE GIANT
2647
01:23:42,351 --> 01:23:44,651
>> THE REFRIGERATOR'S GOING ON
JOHN STUDD, AND ANDRE THE GIANT
HAS GOT HIM IN THE REAR.
2648
01:23:44,653 --> 01:23:47,354
JOHN STUDD, AND ANDRE THE GIANT
HAS GOT HIM IN THE REAR.
>> LOOK AT THIS, TED ARCIDI WITH
2649
01:23:47,356 --> 01:23:51,525
HAS GOT HIM IN THE REAR.
>> LOOK AT THIS, TED ARCIDI WITH
B BRIAN BLAIR HIGH IN THE AIR.
2650
01:23:51,527 --> 01:23:52,826
>> LOOK AT THIS, TED ARCIDI WITH
B BRIAN BLAIR HIGH IN THE AIR.
BRIAN IS A GONER RIGHT NOW, I'LL
2651
01:23:52,828 --> 01:23:55,762
B BRIAN BLAIR HIGH IN THE AIR.
BRIAN IS A GONER RIGHT NOW, I'LL
TELL YOU THAT FOR SURE.
2652
01:23:55,764 --> 01:23:56,597
BRIAN IS A GONER RIGHT NOW, I'LL
TELL YOU THAT FOR SURE.
WELL, HE DID NOT REACH THE
2653
01:23:56,599 --> 01:23:57,698
TELL YOU THAT FOR SURE.
WELL, HE DID NOT REACH THE
FLOOR.
2654
01:23:57,700 --> 01:23:58,765
WELL, HE DID NOT REACH THE
FLOOR.
HE STUCK IN UNDER THE BOTTOM
2655
01:23:58,767 --> 01:24:00,467
FLOOR.
HE STUCK IN UNDER THE BOTTOM
ROPE AND HE'S STILL LEGALLY IN
2656
01:24:00,469 --> 01:24:01,335
HE STUCK IN UNDER THE BOTTOM
ROPE AND HE'S STILL LEGALLY IN
THERE.
2657
01:24:01,337 --> 01:24:02,002
ROPE AND HE'S STILL LEGALLY IN
THERE.
>> THAT'S WHAT YOU CALL A VERY
2658
01:24:02,004 --> 01:24:04,538
THERE.
>> THAT'S WHAT YOU CALL A VERY
SMART MOVE, GORILLA.
2659
01:24:04,540 --> 01:24:05,605
>> THAT'S WHAT YOU CALL A VERY
SMART MOVE, GORILLA.
THE BOY FROM ANOTHER IS GOING
2660
01:24:05,607 --> 01:24:07,407
SMART MOVE, GORILLA.
THE BOY FROM ANOTHER IS GOING
AFTER REFRIGERATOR.
2661
01:24:07,409 --> 01:24:08,575
THE BOY FROM ANOTHER IS GOING
AFTER REFRIGERATOR.
>> OH, ARCIDI'S GONE, OVER THE
2662
01:24:08,577 --> 01:24:10,410
AFTER REFRIGERATOR.
>> OH, ARCIDI'S GONE, OVER THE
TOP ROPE.
2663
01:24:10,412 --> 01:24:11,478
>> OH, ARCIDI'S GONE, OVER THE
TOP ROPE.
>> BILL FRALIC WORKS THE
2664
01:24:11,480 --> 01:24:11,779
TOP ROPE.
>> BILL FRALIC WORKS THE
REFRIGERATOR.
2665
01:24:11,781 --> 01:24:13,480
>> BILL FRALIC WORKS THE
REFRIGERATOR.
LOOK IN THE CORNER, TWO FOOTBALL
2666
01:24:13,482 --> 01:24:16,817
REFRIGERATOR.
LOOK IN THE CORNER, TWO FOOTBALL
PLAYERS GOING AT IT.
2667
01:24:16,819 --> 01:24:17,784
LOOK IN THE CORNER, TWO FOOTBALL
PLAYERS GOING AT IT.
>> NO LOVE LOST HERE BETWEEN
2668
01:24:17,786 --> 01:24:19,586
PLAYERS GOING AT IT.
>> NO LOVE LOST HERE BETWEEN
FRALIC AND THE REFRIGERATOR FOR
2669
01:24:19,588 --> 01:24:22,322
>> NO LOVE LOST HERE BETWEEN
FRALIC AND THE REFRIGERATOR FOR
SURE, AND BIG JOHN...
2670
01:24:22,324 --> 01:24:23,123
FRALIC AND THE REFRIGERATOR FOR
SURE, AND BIG JOHN...
>> BIG JOHN STUDD'S ABOUT TO GO
2671
01:24:23,125 --> 01:24:25,559
SURE, AND BIG JOHN...
>> BIG JOHN STUDD'S ABOUT TO GO
OUT.
2672
01:24:25,561 --> 01:24:26,193
>> BIG JOHN STUDD'S ABOUT TO GO
OUT.
>> ANDRE'S GOT BIG JOHN STUDD
2673
01:24:26,195 --> 01:24:26,794
OUT.
>> ANDRE'S GOT BIG JOHN STUDD
WRAPPED UP, AND THE GOLDEN BOY
2674
01:24:26,796 --> 01:24:27,461
>> ANDRE'S GOT BIG JOHN STUDD
WRAPPED UP, AND THE GOLDEN BOY
IS GONE.
2675
01:24:27,463 --> 01:24:28,528
WRAPPED UP, AND THE GOLDEN BOY
IS GONE.
>> THE REFRIGERATOR CAN NEVER
2676
01:24:28,530 --> 01:24:29,663
IS GONE.
>> THE REFRIGERATOR CAN NEVER
SAY HE'S NEVER HAD A HEADLOCK
2677
01:24:29,665 --> 01:24:30,964
>> THE REFRIGERATOR CAN NEVER
SAY HE'S NEVER HAD A HEADLOCK
THROWN ON HIM BEFORE.
2678
01:24:30,966 --> 01:24:32,599
SAY HE'S NEVER HAD A HEADLOCK
THROWN ON HIM BEFORE.
>> LOOK OUT.
2679
01:24:32,601 --> 01:24:33,266
THROWN ON HIM BEFORE.
>> LOOK OUT.
WOW.
2680
01:24:33,268 --> 01:24:34,000
>> LOOK OUT.
WOW.
>> HILLBILLY JIM IS OUT.
2681
01:24:34,002 --> 01:24:35,635
WOW.
>> HILLBILLY JIM IS OUT.
>> HILLBILLY JIM JUST HIT LIKE A
2682
01:24:35,637 --> 01:24:36,703
>> HILLBILLY JIM IS OUT.
>> HILLBILLY JIM JUST HIT LIKE A
TON OF BRICKS ALONG WITH B BRIAN
2683
01:24:36,705 --> 01:24:40,707
>> HILLBILLY JIM JUST HIT LIKE A
TON OF BRICKS ALONG WITH B BRIAN
BLAIR, AND NOW WE'RE GETTING
2684
01:24:40,709 --> 01:24:41,775
TON OF BRICKS ALONG WITH B BRIAN
BLAIR, AND NOW WE'RE GETTING
DOWN TO THE NITTY GRITTY AND THE
2685
01:24:41,777 --> 01:24:43,743
BLAIR, AND NOW WE'RE GETTING
DOWN TO THE NITTY GRITTY AND THE
REFRIGERATOR'S STILL IN THERE.
2686
01:24:43,745 --> 01:24:46,913
DOWN TO THE NITTY GRITTY AND THE
REFRIGERATOR'S STILL IN THERE.
>> JIM NEIDHART.
2687
01:24:46,915 --> 01:24:48,549
REFRIGERATOR'S STILL IN THERE.
>> JIM NEIDHART.
>> RUSS FRANCIS STILL IN THERE,
2688
01:24:48,551 --> 01:24:50,383
>> JIM NEIDHART.
>> RUSS FRANCIS STILL IN THERE,
BIG JOHN STUDD STILL IN HERE,
2689
01:24:50,385 --> 01:24:52,385
>> RUSS FRANCIS STILL IN THERE,
BIG JOHN STUDD STILL IN HERE,
THE HART FOUNDATION IN THERE,
2690
01:24:52,387 --> 01:24:53,687
BIG JOHN STUDD STILL IN HERE,
THE HART FOUNDATION IN THERE,
BRUNO SAMMARTINO, AND THE IRON
2691
01:24:53,689 --> 01:24:54,888
THE HART FOUNDATION IN THERE,
BRUNO SAMMARTINO, AND THE IRON
SHEIK.
2692
01:24:54,890 --> 01:24:56,523
BRUNO SAMMARTINO, AND THE IRON
SHEIK.
LOOK OUT, FRALIC HIGH IN THE
2693
01:24:56,525 --> 01:24:57,424
SHEIK.
LOOK OUT, FRALIC HIGH IN THE
AIR.
2694
01:24:57,426 --> 01:25:00,327
LOOK OUT, FRALIC HIGH IN THE
AIR.
FRALIC IS GONE.
2695
01:25:00,329 --> 01:25:01,328
AIR.
FRALIC IS GONE.
LOOK AT THE LOOK OF DISGUST ON
2696
01:25:01,330 --> 01:25:03,297
FRALIC IS GONE.
LOOK AT THE LOOK OF DISGUST ON
HIS FACE.
2697
01:25:03,299 --> 01:25:05,532
LOOK AT THE LOOK OF DISGUST ON
HIS FACE.
>> FRALIC DOES NOT LIKE THAT.
2698
01:25:05,534 --> 01:25:07,400
HIS FACE.
>> FRALIC DOES NOT LIKE THAT.
>> SAMMARTINO WAILING AWAY AT
2699
01:25:07,402 --> 01:25:08,735
>> FRALIC DOES NOT LIKE THAT.
>> SAMMARTINO WAILING AWAY AT
THE SHEIK.
2700
01:25:08,737 --> 01:25:09,603
>> SAMMARTINO WAILING AWAY AT
THE SHEIK.
>> THE SHEIK.
2701
01:25:09,605 --> 01:25:11,371
THE SHEIK.
>> THE SHEIK.
>> IS A GONER.
2702
01:25:11,373 --> 01:25:12,372
>> THE SHEIK.
>> IS A GONER.
>> HE TOOK A BUMP RIGHT ON HIS
2703
01:25:12,374 --> 01:25:13,406
>> IS A GONER.
>> HE TOOK A BUMP RIGHT ON HIS
HEAD.
2704
01:25:13,408 --> 01:25:14,341
>> HE TOOK A BUMP RIGHT ON HIS
HEAD.
HE HIT THE FLOOR ON HIS HEAD,
2705
01:25:14,343 --> 01:25:15,676
HEAD.
HE HIT THE FLOOR ON HIS HEAD,
THE SHEIK DID.
2706
01:25:15,678 --> 01:25:17,677
HE HIT THE FLOOR ON HIS HEAD,
THE SHEIK DID.
>> LOOK AT THIS, RUSS FRANCIS
2707
01:25:17,679 --> 01:25:18,545
THE SHEIK DID.
>> LOOK AT THIS, RUSS FRANCIS
THROWING TACKLES AT ANDRE THE
2708
01:25:18,547 --> 01:25:21,915
>> LOOK AT THIS, RUSS FRANCIS
THROWING TACKLES AT ANDRE THE
GIANT AND THE HART FOUNDATION
2709
01:25:21,917 --> 01:25:23,784
THROWING TACKLES AT ANDRE THE
GIANT AND THE HART FOUNDATION
WORKING OVER THE REFRIGERATOR IN
2710
01:25:23,786 --> 01:25:24,684
GIANT AND THE HART FOUNDATION
WORKING OVER THE REFRIGERATOR IN
THE CORNER.
2711
01:25:24,686 --> 01:25:26,319
WORKING OVER THE REFRIGERATOR IN
THE CORNER.
>> AND THAT'S SOME HEAVY
2712
01:25:26,321 --> 01:25:27,521
THE CORNER.
>> AND THAT'S SOME HEAVY
ARTILLERY HE'S DROPPING
2713
01:25:27,523 --> 01:25:27,854
>> AND THAT'S SOME HEAVY
ARTILLERY HE'S DROPPING
[INDISTINCT]
2714
01:25:27,856 --> 01:25:28,855
ARTILLERY HE'S DROPPING
[INDISTINCT]
>> SAMMARTINO TRYING TO GET BIG
2715
01:25:28,857 --> 01:25:29,823
[INDISTINCT]
>> SAMMARTINO TRYING TO GET BIG
JOHN STUDD'S LEGS OVER THE TOP
2716
01:25:29,825 --> 01:25:31,324
>> SAMMARTINO TRYING TO GET BIG
JOHN STUDD'S LEGS OVER THE TOP
ROPE.
2717
01:25:31,326 --> 01:25:33,760
JOHN STUDD'S LEGS OVER THE TOP
ROPE.
EASIER SAID THAN DONE.
2718
01:25:33,762 --> 01:25:34,828
ROPE.
EASIER SAID THAN DONE.
SAMMARTINO CAUGHT ONE RIGHT IN
2719
01:25:34,830 --> 01:25:38,398
EASIER SAID THAN DONE.
SAMMARTINO CAUGHT ONE RIGHT IN
THE EYE, AND THERE GOES BRUNO.
2720
01:25:38,400 --> 01:25:41,635
SAMMARTINO CAUGHT ONE RIGHT IN
THE EYE, AND THERE GOES BRUNO.
HE'S ELIMINATED, AND WE'RE DOWN
2721
01:25:41,637 --> 01:25:42,569
THE EYE, AND THERE GOES BRUNO.
HE'S ELIMINATED, AND WE'RE DOWN
TO SIX.
2722
01:25:42,571 --> 01:25:44,604
HE'S ELIMINATED, AND WE'RE DOWN
TO SIX.
ANDRE THE GIANT, BIG JOHN STUDD,
2723
01:25:44,606 --> 01:25:46,507
TO SIX.
ANDRE THE GIANT, BIG JOHN STUDD,
RUSS FRANCIS.
2724
01:25:46,509 --> 01:25:47,707
ANDRE THE GIANT, BIG JOHN STUDD,
RUSS FRANCIS.
>> TWO FOOTBALLERS, THAT'S IT.
2725
01:25:47,709 --> 01:25:48,775
RUSS FRANCIS.
>> TWO FOOTBALLERS, THAT'S IT.
>> WILLIAM PERRY, AND THE HART
2726
01:25:48,777 --> 01:25:49,576
>> TWO FOOTBALLERS, THAT'S IT.
>> WILLIAM PERRY, AND THE HART
FOUNDATION.
2727
01:25:49,578 --> 01:25:51,778
>> WILLIAM PERRY, AND THE HART
FOUNDATION.
A DOUBLE BILL LOOKING TO TAP
2728
01:25:51,780 --> 01:25:53,480
FOUNDATION.
A DOUBLE BILL LOOKING TO TAP
OUT.
2729
01:25:53,482 --> 01:25:57,417
A DOUBLE BILL LOOKING TO TAP
OUT.
KNOCKING BY THE REFRIGERATOR.
2730
01:25:57,419 --> 01:25:58,485
OUT.
KNOCKING BY THE REFRIGERATOR.
HE THROW BOTH MEN OVER THE TOP
2731
01:25:58,487 --> 01:25:59,586
KNOCKING BY THE REFRIGERATOR.
HE THROW BOTH MEN OVER THE TOP
ROPE, BUT THEY DID NOT REACH THE
2732
01:25:59,588 --> 01:26:01,688
HE THROW BOTH MEN OVER THE TOP
ROPE, BUT THEY DID NOT REACH THE
ARENA FLOOR.
2733
01:26:01,690 --> 01:26:03,657
ROPE, BUT THEY DID NOT REACH THE
ARENA FLOOR.
ALL SIX ARE STILL IN IT.
2734
01:26:03,659 --> 01:26:04,758
ARENA FLOOR.
ALL SIX ARE STILL IN IT.
>> THE REFRIGERATOR CAUSED BY
2735
01:26:04,760 --> 01:26:05,659
ALL SIX ARE STILL IN IT.
>> THE REFRIGERATOR CAUSED BY
TACKLE.
2736
01:26:05,661 --> 01:26:07,527
>> THE REFRIGERATOR CAUSED BY
TACKLE.
HE JUST HIT JOHN STUDD AND
2737
01:26:07,529 --> 01:26:08,795
TACKLE.
HE JUST HIT JOHN STUDD AND
KNOCKED HIM RIGHT INTO THE
2738
01:26:08,797 --> 01:26:09,529
HE JUST HIT JOHN STUDD AND
KNOCKED HIM RIGHT INTO THE
CORNER.
2739
01:26:09,531 --> 01:26:11,532
KNOCKED HIM RIGHT INTO THE
CORNER.
>> HE'S COMING FOR ANOTHER ONE.
2740
01:26:11,534 --> 01:26:12,465
CORNER.
>> HE'S COMING FOR ANOTHER ONE.
LOOK OUT.
2741
01:26:12,467 --> 01:26:13,567
>> HE'S COMING FOR ANOTHER ONE.
LOOK OUT.
OH.
2742
01:26:13,569 --> 01:26:15,402
LOOK OUT.
OH.
STUDD'S MET HIM WITH A BIG ELBOW
2743
01:26:15,404 --> 01:26:16,603
OH.
STUDD'S MET HIM WITH A BIG ELBOW
AND THERE GOES REFRIGERATOR.
2744
01:26:16,605 --> 01:26:17,404
STUDD'S MET HIM WITH A BIG ELBOW
AND THERE GOES REFRIGERATOR.
>> THERE WE GO.
2745
01:26:17,406 --> 01:26:18,572
AND THERE GOES REFRIGERATOR.
>> THERE WE GO.
HE'S OUT.
2746
01:26:18,574 --> 01:26:19,506
>> THERE WE GO.
HE'S OUT.
>> BIG JOHN STUDD JUST SUC --
2747
01:26:19,508 --> 01:26:20,807
HE'S OUT.
>> BIG JOHN STUDD JUST SUC --
SUCCEEDED IN THROWING THE
2748
01:26:20,809 --> 01:26:22,509
>> BIG JOHN STUDD JUST SUC --
SUCCEEDED IN THROWING THE
REFRIGE RIGHT OVER THE TOP.
2749
01:26:22,511 --> 01:26:23,777
SUCCEEDED IN THROWING THE
REFRIGE RIGHT OVER THE TOP.
THE REFRIGE IS VERY DISPLEASED
2750
01:26:23,779 --> 01:26:24,645
REFRIGE RIGHT OVER THE TOP.
THE REFRIGE IS VERY DISPLEASED
ABOUT IT.
2751
01:26:24,647 --> 01:26:25,579
THE REFRIGE IS VERY DISPLEASED
ABOUT IT.
>> REFRIGERATOR WANTS A
2752
01:26:25,581 --> 01:26:26,379
ABOUT IT.
>> REFRIGERATOR WANTS A
HANDSHAKE.
2753
01:26:26,381 --> 01:26:27,414
>> REFRIGERATOR WANTS A
HANDSHAKE.
HE SAID ALL RIGHT, YOU GOT RID
2754
01:26:27,416 --> 01:26:28,815
HANDSHAKE.
HE SAID ALL RIGHT, YOU GOT RID
OF ME.
2755
01:26:28,817 --> 01:26:30,317
HE SAID ALL RIGHT, YOU GOT RID
OF ME.
LET'S MAKE A HANDSHAKE HERE.
2756
01:26:30,319 --> 01:26:31,551
OF ME.
LET'S MAKE A HANDSHAKE HERE.
I WANT TO BE FRIENDS.
2757
01:26:31,553 --> 01:26:32,619
LET'S MAKE A HANDSHAKE HERE.
I WANT TO BE FRIENDS.
THE MATCH IS OVER AS FAR AS I'M
2758
01:26:32,621 --> 01:26:33,753
I WANT TO BE FRIENDS.
THE MATCH IS OVER AS FAR AS I'M
CONCERNED.
2759
01:26:33,755 --> 01:26:35,755
THE MATCH IS OVER AS FAR AS I'M
CONCERNED.
OH, LOOK AT THAT.
2760
01:26:35,757 --> 01:26:36,923
CONCERNED.
OH, LOOK AT THAT.
HE PULLED BIG JOHN RIGHT OUT OF
2761
01:26:36,925 --> 01:26:39,392
OH, LOOK AT THAT.
HE PULLED BIG JOHN RIGHT OUT OF
THERE.
2762
01:26:39,394 --> 01:26:40,760
HE PULLED BIG JOHN RIGHT OUT OF
THERE.
>> BIG JOHN STUDD'S AN OLD PRO.
2763
01:26:40,762 --> 01:26:42,596
THERE.
>> BIG JOHN STUDD'S AN OLD PRO.
HE'S TOO SMART FOR A ROOKIE TO
2764
01:26:42,598 --> 01:26:43,463
>> BIG JOHN STUDD'S AN OLD PRO.
HE'S TOO SMART FOR A ROOKIE TO
THROW HIM LIKE THAT.
2765
01:26:43,465 --> 01:26:44,798
HE'S TOO SMART FOR A ROOKIE TO
THROW HIM LIKE THAT.
THE OLDEST TRICK IN THE BOOK.
2766
01:26:44,800 --> 01:26:46,900
THROW HIM LIKE THAT.
THE OLDEST TRICK IN THE BOOK.
THE REFRIGE JUST UPSET BIG JOHN
2767
01:26:46,902 --> 01:26:49,502
THE OLDEST TRICK IN THE BOOK.
THE REFRIGE JUST UPSET BIG JOHN
STUDD.
2768
01:26:49,504 --> 01:26:50,904
THE REFRIGE JUST UPSET BIG JOHN
STUDD.
>> JOHN STUDD DOUBLE CROSSED
2769
01:26:50,906 --> 01:26:52,305
STUDD.
>> JOHN STUDD DOUBLE CROSSED
HERE BY THE REFRIGERATOR WHO
2770
01:26:52,307 --> 01:26:54,308
>> JOHN STUDD DOUBLE CROSSED
HERE BY THE REFRIGERATOR WHO
WENT TO THE WELL ONE TOO MANY
2771
01:26:54,310 --> 01:26:55,375
HERE BY THE REFRIGERATOR WHO
WENT TO THE WELL ONE TOO MANY
TIMES AND BIG JOHN GOT RID OF
2772
01:26:55,377 --> 01:26:56,509
WENT TO THE WELL ONE TOO MANY
TIMES AND BIG JOHN GOT RID OF
HIM.
2773
01:26:56,511 --> 01:26:57,811
TIMES AND BIG JOHN GOT RID OF
HIM.
UH OH, LOOK AT THIS NOW.
2774
01:26:57,813 --> 01:27:00,513
HIM.
UH OH, LOOK AT THIS NOW.
IT'S ANDRE PLUS FRANCIS AND THE
2775
01:27:00,515 --> 01:27:02,382
UH OH, LOOK AT THIS NOW.
IT'S ANDRE PLUS FRANCIS AND THE
HART FOUNDATION, THE ANVIL AND
2776
01:27:02,384 --> 01:27:04,818
IT'S ANDRE PLUS FRANCIS AND THE
HART FOUNDATION, THE ANVIL AND
THE HIT MAN.
2777
01:27:04,820 --> 01:27:06,386
HART FOUNDATION, THE ANVIL AND
THE HIT MAN.
ANDRE THE GIANT, THE WINNER OF
2778
01:27:06,388 --> 01:27:07,721
THE HIT MAN.
ANDRE THE GIANT, THE WINNER OF
MORE BATTLE ROYALS THAN ANYONE
2779
01:27:07,723 --> 01:27:09,289
ANDRE THE GIANT, THE WINNER OF
MORE BATTLE ROYALS THAN ANYONE
IN THE HISTORY OF PROFESSIONAL
2780
01:27:09,291 --> 01:27:10,591
MORE BATTLE ROYALS THAN ANYONE
IN THE HISTORY OF PROFESSIONAL
WRESTLING.
2781
01:27:10,593 --> 01:27:11,592
IN THE HISTORY OF PROFESSIONAL
WRESTLING.
>> THEY WOULD HAVE NEVER MADE
2782
01:27:11,594 --> 01:27:13,493
WRESTLING.
>> THEY WOULD HAVE NEVER MADE
THE CLAIM THAT RUSS FRANCIS
2783
01:27:13,495 --> 01:27:16,463
>> THEY WOULD HAVE NEVER MADE
THE CLAIM THAT RUSS FRANCIS
WOULD BE AMONG THE LAST FOUR.
2784
01:27:16,465 --> 01:27:17,230
THE CLAIM THAT RUSS FRANCIS
WOULD BE AMONG THE LAST FOUR.
>> WELL, RUSS FRANCIS WITH THAT
2785
01:27:17,232 --> 01:27:19,533
WOULD BE AMONG THE LAST FOUR.
>> WELL, RUSS FRANCIS WITH THAT
WRESTLING ABILITY, ERNIE.
2786
01:27:19,535 --> 01:27:20,700
>> WELL, RUSS FRANCIS WITH THAT
WRESTLING ABILITY, ERNIE.
>> THAT GUY HAS JUST DEFIED TWO
2787
01:27:20,702 --> 01:27:21,735
WRESTLING ABILITY, ERNIE.
>> THAT GUY HAS JUST DEFIED TWO
WRESTLERS.
2788
01:27:21,737 --> 01:27:24,504
>> THAT GUY HAS JUST DEFIED TWO
WRESTLERS.
>> LOOK AT THAT, THEY'VE GOT
2789
01:27:24,506 --> 01:27:26,339
WRESTLERS.
>> LOOK AT THAT, THEY'VE GOT
ANDRE TIED UP BETWEEN THE TOP
2790
01:27:26,341 --> 01:27:27,607
>> LOOK AT THAT, THEY'VE GOT
ANDRE TIED UP BETWEEN THE TOP
AND MIDDLE ROPES, AND NOW
2791
01:27:27,609 --> 01:27:28,441
ANDRE TIED UP BETWEEN THE TOP
AND MIDDLE ROPES, AND NOW
THEY'RE GOING TO WORK ON RUSS
2792
01:27:28,443 --> 01:27:29,609
AND MIDDLE ROPES, AND NOW
THEY'RE GOING TO WORK ON RUSS
FRANCIS, A DOUBLE TEAM EFFORT BY
2793
01:27:29,611 --> 01:27:30,744
THEY'RE GOING TO WORK ON RUSS
FRANCIS, A DOUBLE TEAM EFFORT BY
THE HART FOUNDATION.
2794
01:27:30,746 --> 01:27:31,812
FRANCIS, A DOUBLE TEAM EFFORT BY
THE HART FOUNDATION.
THEY ARE DEFINITELY IN THERE,
2795
01:27:31,814 --> 01:27:33,480
THE HART FOUNDATION.
THEY ARE DEFINITELY IN THERE,
CATHY LEE, WORKING AS A TEAM.
2796
01:27:33,482 --> 01:27:34,214
THEY ARE DEFINITELY IN THERE,
CATHY LEE, WORKING AS A TEAM.
>> THEY ARE DEFINITELY A TEAM.
2797
01:27:34,216 --> 01:27:34,748
CATHY LEE, WORKING AS A TEAM.
>> THEY ARE DEFINITELY A TEAM.
>> OH, THERE GOES RUSS.
2798
01:27:34,750 --> 01:27:36,816
>> THEY ARE DEFINITELY A TEAM.
>> OH, THERE GOES RUSS.
HE'S GONE.
2799
01:27:36,818 --> 01:27:38,585
>> OH, THERE GOES RUSS.
HE'S GONE.
>> HE'S OUT.
2800
01:27:38,587 --> 01:27:39,519
HE'S GONE.
>> HE'S OUT.
>> UH OH.
2801
01:27:39,521 --> 01:27:41,755
>> HE'S OUT.
>> UH OH.
TWO AGAINST ONE NOW.
2802
01:27:41,757 --> 01:27:42,622
>> UH OH.
TWO AGAINST ONE NOW.
ANDRE THE GIANT HAS SEEN THIS
2803
01:27:42,624 --> 01:27:43,690
TWO AGAINST ONE NOW.
ANDRE THE GIANT HAS SEEN THIS
SITUATION BEFORE, ERNIE.
2804
01:27:43,692 --> 01:27:44,724
ANDRE THE GIANT HAS SEEN THIS
SITUATION BEFORE, ERNIE.
>> NOT A SHADOW OF A DOUBT.
2805
01:27:44,726 --> 01:27:45,892
SITUATION BEFORE, ERNIE.
>> NOT A SHADOW OF A DOUBT.
THOSE GUYS ARE TWO MEN THAT HAVE
2806
01:27:45,894 --> 01:27:47,427
>> NOT A SHADOW OF A DOUBT.
THOSE GUYS ARE TWO MEN THAT HAVE
WORKED TOGETHER FOR A LONG TIME
2807
01:27:47,429 --> 01:27:48,595
THOSE GUYS ARE TWO MEN THAT HAVE
WORKED TOGETHER FOR A LONG TIME
AS A TEAM, THAT'S THE HART
2808
01:27:48,597 --> 01:27:49,929
WORKED TOGETHER FOR A LONG TIME
AS A TEAM, THAT'S THE HART
FOUNDATION.
2809
01:27:49,931 --> 01:27:50,964
AS A TEAM, THAT'S THE HART
FOUNDATION.
>> HART FOUNDATION GOING TO
2810
01:27:50,966 --> 01:27:51,698
FOUNDATION.
>> HART FOUNDATION GOING TO
WORK.
2811
01:27:51,700 --> 01:27:53,600
>> HART FOUNDATION GOING TO
WORK.
BRET THE HIT MAN.
2812
01:27:53,602 --> 01:27:54,534
WORK.
BRET THE HIT MAN.
LOOK AT THIS NOW, DOUBLE TEAMED
2813
01:27:54,536 --> 01:27:56,703
BRET THE HIT MAN.
LOOK AT THIS NOW, DOUBLE TEAMED
BY THIS TEAM, AND NOW HE SHOOTS
2814
01:27:56,705 --> 01:27:57,604
LOOK AT THIS NOW, DOUBLE TEAMED
BY THIS TEAM, AND NOW HE SHOOTS
THE ANVIL.
2815
01:27:57,606 --> 01:27:59,673
BY THIS TEAM, AND NOW HE SHOOTS
THE ANVIL.
WOW, WHAT A TACKLE, FORMER
2816
01:27:59,675 --> 01:28:01,508
THE ANVIL.
WOW, WHAT A TACKLE, FORMER
FOOTBALL PLAYER AS WELL.
2817
01:28:01,510 --> 01:28:02,609
WOW, WHAT A TACKLE, FORMER
FOOTBALL PLAYER AS WELL.
>> NOT A SHADOW OF A DOUBT IT
2818
01:28:02,611 --> 01:28:03,610
FOOTBALL PLAYER AS WELL.
>> NOT A SHADOW OF A DOUBT IT
WILL TAKE ITS TOLL ON ANDRE THE
2819
01:28:03,612 --> 01:28:04,645
>> NOT A SHADOW OF A DOUBT IT
WILL TAKE ITS TOLL ON ANDRE THE
GIANT.
2820
01:28:04,647 --> 01:28:05,345
WILL TAKE ITS TOLL ON ANDRE THE
GIANT.
>> LOOK AT ANDRE.
2821
01:28:05,347 --> 01:28:07,247
GIANT.
>> LOOK AT ANDRE.
THEY EACH GOT A LEG.
2822
01:28:07,249 --> 01:28:10,583
>> LOOK AT ANDRE.
THEY EACH GOT A LEG.
OH, HE KICKED THEM BOTH OFF.
2823
01:28:10,585 --> 01:28:11,418
THEY EACH GOT A LEG.
OH, HE KICKED THEM BOTH OFF.
>> THEY'RE GOING BACK AND
2824
01:28:11,420 --> 01:28:12,652
OH, HE KICKED THEM BOTH OFF.
>> THEY'RE GOING BACK AND
REGROUPING TO GET THEIR STRATEGY
2825
01:28:12,654 --> 01:28:13,320
>> THEY'RE GOING BACK AND
REGROUPING TO GET THEIR STRATEGY
TOGETHER.
2826
01:28:13,322 --> 01:28:14,888
REGROUPING TO GET THEIR STRATEGY
TOGETHER.
ONE MORE TACKLE.
2827
01:28:14,890 --> 01:28:15,655
TOGETHER.
ONE MORE TACKLE.
>> LOOK OUT.
2828
01:28:15,657 --> 01:28:16,723
ONE MORE TACKLE.
>> LOOK OUT.
OH, WENT TO THE RAIL ONE TOO
2829
01:28:16,725 --> 01:28:18,692
>> LOOK OUT.
OH, WENT TO THE RAIL ONE TOO
MANY TIMES.
2830
01:28:18,694 --> 01:28:20,727
OH, WENT TO THE RAIL ONE TOO
MANY TIMES.
ANDRE PICKED UP THE BIG SIZE 21
2831
01:28:20,729 --> 01:28:21,995
MANY TIMES.
ANDRE PICKED UP THE BIG SIZE 21
AND STUCK IT RIGHT IN THE
2832
01:28:21,997 --> 01:28:23,463
ANDRE PICKED UP THE BIG SIZE 21
AND STUCK IT RIGHT IN THE
KISSER.
2833
01:28:23,465 --> 01:28:24,197
AND STUCK IT RIGHT IN THE
KISSER.
>> HE'S GOT HIM BY THE BEARD.
2834
01:28:24,199 --> 01:28:24,831
KISSER.
>> HE'S GOT HIM BY THE BEARD.
>> HE'S GOT HIM RIGHT BY THE
2835
01:28:24,833 --> 01:28:25,665
>> HE'S GOT HIM BY THE BEARD.
>> HE'S GOT HIM RIGHT BY THE
GOATEE.
2836
01:28:25,667 --> 01:28:26,866
>> HE'S GOT HIM RIGHT BY THE
GOATEE.
YOU'RE RIGHT, CATHY LEE.
2837
01:28:26,868 --> 01:28:28,502
GOATEE.
YOU'RE RIGHT, CATHY LEE.
ANDRE THE GIANT GOING TO WORK,
2838
01:28:28,504 --> 01:28:31,605
YOU'RE RIGHT, CATHY LEE.
ANDRE THE GIANT GOING TO WORK,
DOUBLE KNOCKING OUT HERE.
2839
01:28:31,607 --> 01:28:32,672
ANDRE THE GIANT GOING TO WORK,
DOUBLE KNOCKING OUT HERE.
>> THEY'LL HAVE A HEADACHE FOR A
2840
01:28:32,674 --> 01:28:33,640
DOUBLE KNOCKING OUT HERE.
>> THEY'LL HAVE A HEADACHE FOR A
WEEK.
2841
01:28:33,642 --> 01:28:34,541
>> THEY'LL HAVE A HEADACHE FOR A
WEEK.
>> ANDRE THE GIANT DOING A
2842
01:28:34,543 --> 01:28:35,809
WEEK.
>> ANDRE THE GIANT DOING A
NUMBER RIGHT NOW ON THE HART
2843
01:28:35,811 --> 01:28:36,476
>> ANDRE THE GIANT DOING A
NUMBER RIGHT NOW ON THE HART
FOUNDATION.
2844
01:28:36,478 --> 01:28:37,477
NUMBER RIGHT NOW ON THE HART
FOUNDATION.
BUT DON'T FORGET, IT'S STILL TWO
2845
01:28:37,479 --> 01:28:39,512
FOUNDATION.
BUT DON'T FORGET, IT'S STILL TWO
AGAINST ONE.
2846
01:28:39,514 --> 01:28:40,547
BUT DON'T FORGET, IT'S STILL TWO
AGAINST ONE.
THE ANVIL SHOT IN, OH, THE BIG
2847
01:28:40,549 --> 01:28:43,616
AGAINST ONE.
THE ANVIL SHOT IN, OH, THE BIG
BOOT, AND THE ANVIL OVER THE TOP
2848
01:28:43,618 --> 01:28:44,684
THE ANVIL SHOT IN, OH, THE BIG
BOOT, AND THE ANVIL OVER THE TOP
AND HE'S GONE.
2849
01:28:44,686 --> 01:28:46,586
BOOT, AND THE ANVIL OVER THE TOP
AND HE'S GONE.
LOOK AT THE HIT MAN, ON THE TOP
2850
01:28:46,588 --> 01:28:48,522
AND HE'S GONE.
LOOK AT THE HIT MAN, ON THE TOP
TURNBUCKLE.
2851
01:28:48,524 --> 01:28:50,690
LOOK AT THE HIT MAN, ON THE TOP
TURNBUCKLE.
HE'S CAUGHT.
2852
01:28:50,692 --> 01:28:52,359
TURNBUCKLE.
HE'S CAUGHT.
WHAT'S ANDRE GOING TO DO WITH
2853
01:28:52,361 --> 01:28:53,526
HE'S CAUGHT.
WHAT'S ANDRE GOING TO DO WITH
HIM?
2854
01:28:53,528 --> 01:28:54,394
WHAT'S ANDRE GOING TO DO WITH
HIM?
>> OH, HE'S GOT HIM.
2855
01:28:54,396 --> 01:28:55,395
HIM?
>> OH, HE'S GOT HIM.
THAT'S IT.
2856
01:28:55,397 --> 01:28:57,297
>> OH, HE'S GOT HIM.
THAT'S IT.
>> OH, HE THREW HIM RIGHT DOWN
2857
01:28:57,299 --> 01:28:58,798
THAT'S IT.
>> OH, HE THREW HIM RIGHT DOWN
ON THE ANVIL.
2858
01:28:58,800 --> 01:29:01,501
>> OH, HE THREW HIM RIGHT DOWN
ON THE ANVIL.
IT'S ALL OVER.
2859
01:29:01,503 --> 01:29:03,370
ON THE ANVIL.
IT'S ALL OVER.
>> HE IS THE GIANT.
2860
01:29:03,372 --> 01:29:04,104
IT'S ALL OVER.
>> HE IS THE GIANT.
>> ANDRE THE GIANT, THE WINNER
2861
01:29:04,106 --> 01:29:05,271
>> HE IS THE GIANT.
>> ANDRE THE GIANT, THE WINNER
HERE IN THIS TREMENDOUS
2862
01:29:05,273 --> 01:29:06,840
>> ANDRE THE GIANT, THE WINNER
HERE IN THIS TREMENDOUS
UNBELIEVABLE 20 MEN OVER THE TOP
2863
01:29:06,842 --> 01:29:09,509
HERE IN THIS TREMENDOUS
UNBELIEVABLE 20 MEN OVER THE TOP
INVITATIONAL BATTLE ROYAL.
2864
01:29:09,511 --> 01:29:11,544
UNBELIEVABLE 20 MEN OVER THE TOP
INVITATIONAL BATTLE ROYAL.
>> IF I HAD TO PICK A WINNER
2865
01:29:11,546 --> 01:29:12,479
INVITATIONAL BATTLE ROYAL.
>> IF I HAD TO PICK A WINNER
BEFOREHAND, THAT'S THE GUY I
2866
01:29:12,481 --> 01:29:13,045
>> IF I HAD TO PICK A WINNER
BEFOREHAND, THAT'S THE GUY I
WOULD HAVE PICKED.
2867
01:29:13,047 --> 01:29:13,713
BEFOREHAND, THAT'S THE GUY I
WOULD HAVE PICKED.
>> YEAH, HE'S THE GREATEST
2868
01:29:13,715 --> 01:29:14,714
WOULD HAVE PICKED.
>> YEAH, HE'S THE GREATEST
BATTLE ROYAL MAN AROUND.
2869
01:29:14,716 --> 01:29:15,915
>> YEAH, HE'S THE GREATEST
BATTLE ROYAL MAN AROUND.
WELL, GENE-O, YOU'RE NOT IN THE
2870
01:29:15,917 --> 01:29:16,883
BATTLE ROYAL MAN AROUND.
WELL, GENE-O, YOU'RE NOT IN THE
BATTLE ROYALS ANY MORE, NEITHER
2871
01:29:16,885 --> 01:29:17,650
WELL, GENE-O, YOU'RE NOT IN THE
BATTLE ROYALS ANY MORE, NEITHER
AM I.
2872
01:29:17,652 --> 01:29:18,818
BATTLE ROYALS ANY MORE, NEITHER
AM I.
>> THANK GOD.
2873
01:29:18,820 --> 01:29:20,220
AM I.
>> THANK GOD.
>> THANK GOD, YOU'RE RIGHT.
2874
01:29:20,222 --> 01:29:21,388
>> THANK GOD.
>> THANK GOD, YOU'RE RIGHT.
>> LET'S GO UP AND GET THE
2875
01:29:21,390 --> 01:29:23,556
>> THANK GOD, YOU'RE RIGHT.
>> LET'S GO UP AND GET THE
OFFICIAL ANNOUNCEMENT.
2876
01:29:23,558 --> 01:29:25,358
>> LET'S GO UP AND GET THE
OFFICIAL ANNOUNCEMENT.
>> LADIES AND GENTLEMEN, YOUR
2877
01:29:25,360 --> 01:29:27,827
OFFICIAL ANNOUNCEMENT.
>> LADIES AND GENTLEMEN, YOUR
WINNER OF THIS 20 MAN BATTLE
2878
01:29:27,829 --> 01:29:31,664
>> LADIES AND GENTLEMEN, YOUR
WINNER OF THIS 20 MAN BATTLE
ROYAL, THE ONE, THE ONLY, ANDRE
2879
01:29:31,666 --> 01:29:34,334
WINNER OF THIS 20 MAN BATTLE
ROYAL, THE ONE, THE ONLY, ANDRE
THE GIANT.
2880
01:29:34,336 --> 01:29:35,402
ROYAL, THE ONE, THE ONLY, ANDRE
THE GIANT.
>> ANDRE THE GIANT, THE WINNER
2881
01:29:35,404 --> 01:29:37,270
THE GIANT.
>> ANDRE THE GIANT, THE WINNER
OF MORE BATTLE ROYALS THAN ANY
2882
01:29:37,272 --> 01:29:38,772
>> ANDRE THE GIANT, THE WINNER
OF MORE BATTLE ROYALS THAN ANY
GUY IN THE HISTORY OF
2883
01:29:38,774 --> 01:29:40,374
OF MORE BATTLE ROYALS THAN ANY
GUY IN THE HISTORY OF
PROFESSIONAL WRESTLING.
2884
01:29:40,376 --> 01:29:41,541
GUY IN THE HISTORY OF
PROFESSIONAL WRESTLING.
AND HE'S HURT, THOUGH, YOU CAN
2885
01:29:41,543 --> 01:29:43,376
PROFESSIONAL WRESTLING.
AND HE'S HURT, THOUGH, YOU CAN
TELL THAT, AS EVERYONE IN THIS
2886
01:29:43,378 --> 01:29:44,544
AND HE'S HURT, THOUGH, YOU CAN
TELL THAT, AS EVERYONE IN THIS
BATTLE ROYAL CERTAINLY TOOK A
2887
01:29:44,546 --> 01:29:49,583
TELL THAT, AS EVERYONE IN THIS
BATTLE ROYAL CERTAINLY TOOK A
TREMENDOUS BEATING.
2888
01:29:49,585 --> 01:29:50,750
BATTLE ROYAL CERTAINLY TOOK A
TREMENDOUS BEATING.
ANDRE THE GIANT WAVING TO THE
2889
01:29:50,752 --> 01:29:52,419
TREMENDOUS BEATING.
ANDRE THE GIANT WAVING TO THE
FANS, BUT HE'S HURT, HIS RIBS
2890
01:29:52,421 --> 01:29:54,888
ANDRE THE GIANT WAVING TO THE
FANS, BUT HE'S HURT, HIS RIBS
ARE HURT, HIS STERNUM, BUT HE --
2891
01:29:54,890 --> 01:29:57,157
FANS, BUT HE'S HURT, HIS RIBS
ARE HURT, HIS STERNUM, BUT HE --
HE WALKS OUT HERE A VERY, VERY
2892
01:29:57,159 --> 01:29:57,757
ARE HURT, HIS STERNUM, BUT HE --
HE WALKS OUT HERE A VERY, VERY
PROUD MAN.
2893
01:29:57,759 --> 01:29:59,726
HE WALKS OUT HERE A VERY, VERY
PROUD MAN.
RIGHT NOW, LET'S GO TO VINCE AND
2894
01:29:59,728 --> 01:30:02,462
PROUD MAN.
RIGHT NOW, LET'S GO TO VINCE AND
SUSAN IN NEW YORK.
2895
01:30:02,464 --> 01:30:03,130
RIGHT NOW, LET'S GO TO VINCE AND
SUSAN IN NEW YORK.
>> ALL RIGHT, GORILLA, THANK YOU
2896
01:30:03,132 --> 01:30:03,863
SUSAN IN NEW YORK.
>> ALL RIGHT, GORILLA, THANK YOU
VERY MUCH.
2897
01:30:03,865 --> 01:30:05,899
>> ALL RIGHT, GORILLA, THANK YOU
VERY MUCH.
WE HAVE HERE ROWDY RODDY PIPER
2898
01:30:05,901 --> 01:30:07,300
VERY MUCH.
WE HAVE HERE ROWDY RODDY PIPER
AND I MUST SAY, YOUR CONDUCT WAS
2899
01:30:07,302 --> 01:30:09,602
WE HAVE HERE ROWDY RODDY PIPER
AND I MUST SAY, YOUR CONDUCT WAS
SOMETHING LESS THAN BECOMING, AS
2900
01:30:09,604 --> 01:30:11,638
AND I MUST SAY, YOUR CONDUCT WAS
SOMETHING LESS THAN BECOMING, AS
FAR AS AN ATHLETE IS CONCERNED.
2901
01:30:11,640 --> 01:30:12,939
SOMETHING LESS THAN BECOMING, AS
FAR AS AN ATHLETE IS CONCERNED.
>> SEE, I DIDN'T UNDERSTAND,
2902
01:30:12,941 --> 01:30:14,607
FAR AS AN ATHLETE IS CONCERNED.
>> SEE, I DIDN'T UNDERSTAND,
OBVIOUSLY ...
2903
01:30:14,609 --> 01:30:15,575
>> SEE, I DIDN'T UNDERSTAND,
OBVIOUSLY ...
I DIDN'T ...
2904
01:30:15,577 --> 01:30:16,510
OBVIOUSLY ...
I DIDN'T ...
IF I WANTED TO COME FOR A
2905
01:30:16,512 --> 01:30:18,545
I DIDN'T ...
IF I WANTED TO COME FOR A
PICNIC, T, I WOULD'VE PACKED A
2906
01:30:18,547 --> 01:30:19,546
IF I WANTED TO COME FOR A
PICNIC, T, I WOULD'VE PACKED A
LUNCH.
2907
01:30:19,548 --> 01:30:21,515
PICNIC, T, I WOULD'VE PACKED A
LUNCH.
I'VE COME TO FIGHT, AND JUST AS
2908
01:30:21,517 --> 01:30:23,417
LUNCH.
I'VE COME TO FIGHT, AND JUST AS
I'M GETTING INTO THE FIGHTING,
2909
01:30:23,419 --> 01:30:24,451
I'VE COME TO FIGHT, AND JUST AS
I'M GETTING INTO THE FIGHTING,
YOU HAVE ALL ...
2910
01:30:24,453 --> 01:30:25,819
I'M GETTING INTO THE FIGHTING,
YOU HAVE ALL ...
YOU KNOW, YOU AND PERRY
2911
01:30:25,821 --> 01:30:28,688
YOU HAVE ALL ...
YOU KNOW, YOU AND PERRY
OBVIOUSLY COME FROM THE SAME
2912
01:30:28,690 --> 01:30:30,657
YOU KNOW, YOU AND PERRY
OBVIOUSLY COME FROM THE SAME
MOLD 'CAUSE YOU BOTH CHEAT.
2913
01:30:30,659 --> 01:30:32,725
OBVIOUSLY COME FROM THE SAME
MOLD 'CAUSE YOU BOTH CHEAT.
I SAW PERRY PULLING JOHN STUDD
2914
01:30:32,727 --> 01:30:33,693
MOLD 'CAUSE YOU BOTH CHEAT.
I SAW PERRY PULLING JOHN STUDD
OVER LIKE THAT.
2915
01:30:33,695 --> 01:30:35,728
I SAW PERRY PULLING JOHN STUDD
OVER LIKE THAT.
I SAW T RUBBING HIS HEAD.
2916
01:30:35,730 --> 01:30:36,997
OVER LIKE THAT.
I SAW T RUBBING HIS HEAD.
RUBBING THEM GNARLY BRISTLES
2917
01:30:36,999 --> 01:30:38,765
I SAW T RUBBING HIS HEAD.
RUBBING THEM GNARLY BRISTLES
INSIDE MY EYES, BUT NOTHING HE
2918
01:30:38,767 --> 01:30:41,601
RUBBING THEM GNARLY BRISTLES
INSIDE MY EYES, BUT NOTHING HE
COULD DO COULD HURT ME.
2919
01:30:41,603 --> 01:30:42,602
INSIDE MY EYES, BUT NOTHING HE
COULD DO COULD HURT ME.
THERE'S NOTHING.
2920
01:30:42,604 --> 01:30:43,636
COULD DO COULD HURT ME.
THERE'S NOTHING.
I SAID IF HE COULD KNOCK ME OUT
2921
01:30:43,638 --> 01:30:45,572
THERE'S NOTHING.
I SAID IF HE COULD KNOCK ME OUT
I WILL RETIRE.
2922
01:30:45,574 --> 01:30:46,673
I SAID IF HE COULD KNOCK ME OUT
I WILL RETIRE.
I HAVE FIGHT AFTER FIGHT AFTER
2923
01:30:46,675 --> 01:30:49,642
I WILL RETIRE.
I HAVE FIGHT AFTER FIGHT AFTER
FIGHT LEFT AND I DON'T HAVE TO
2924
01:30:49,644 --> 01:30:51,778
I HAVE FIGHT AFTER FIGHT AFTER
FIGHT LEFT AND I DON'T HAVE TO
CUT MY HAIR LIKE AN INDIAN AND I
2925
01:30:51,780 --> 01:30:53,847
FIGHT LEFT AND I DON'T HAVE TO
CUT MY HAIR LIKE AN INDIAN AND I
DON'T HAVE TO DYE MYSELF BLACK
2926
01:30:53,849 --> 01:30:55,849
CUT MY HAIR LIKE AN INDIAN AND I
DON'T HAVE TO DYE MYSELF BLACK
AND I SAW YOU COMING IN WITH JOE
2927
01:30:55,851 --> 01:30:57,818
DON'T HAVE TO DYE MYSELF BLACK
AND I SAW YOU COMING IN WITH JOE
FRAZIER IN A NICE, LITTLE KILT.
2928
01:30:57,820 --> 01:30:59,619
AND I SAW YOU COMING IN WITH JOE
FRAZIER IN A NICE, LITTLE KILT.
JOE FRAZIER, I'VE NEVER SEEN YOU
2929
01:30:59,621 --> 01:31:01,888
FRAZIER IN A NICE, LITTLE KILT.
JOE FRAZIER, I'VE NEVER SEEN YOU
LOOK BETTER IN YOUR ENTIRE LIFE
2930
01:31:01,890 --> 01:31:03,656
JOE FRAZIER, I'VE NEVER SEEN YOU
LOOK BETTER IN YOUR ENTIRE LIFE
FROM THE WAIST DOWN.
2931
01:31:03,658 --> 01:31:04,858
LOOK BETTER IN YOUR ENTIRE LIFE
FROM THE WAIST DOWN.
>> ALL RIGHT.
2932
01:31:04,860 --> 01:31:06,693
FROM THE WAIST DOWN.
>> ALL RIGHT.
SUSAN, A COMMENT, PLEASE?
2933
01:31:06,695 --> 01:31:07,561
>> ALL RIGHT.
SUSAN, A COMMENT, PLEASE?
>> WELL, I DON'T KNOW, RODDY.
2934
01:31:07,563 --> 01:31:08,895
SUSAN, A COMMENT, PLEASE?
>> WELL, I DON'T KNOW, RODDY.
THAT SOUNDS LIKE A BUNCH OF
2935
01:31:08,897 --> 01:31:09,729
>> WELL, I DON'T KNOW, RODDY.
THAT SOUNDS LIKE A BUNCH OF
BLARNEY TO ME.
2936
01:31:09,731 --> 01:31:11,364
THAT SOUNDS LIKE A BUNCH OF
BLARNEY TO ME.
>> AREN'T I THE HANDSOMEST THING
2937
01:31:11,366 --> 01:31:12,432
BLARNEY TO ME.
>> AREN'T I THE HANDSOMEST THING
YOU EVER DID SEE?
2938
01:31:12,434 --> 01:31:13,533
>> AREN'T I THE HANDSOMEST THING
YOU EVER DID SEE?
>> GIVE ME A BREAK.
2939
01:31:13,535 --> 01:31:14,601
YOU EVER DID SEE?
>> GIVE ME A BREAK.
>> ALL RIGHT, HERE WE GO BACK TO
2940
01:31:14,603 --> 01:31:15,702
>> GIVE ME A BREAK.
>> ALL RIGHT, HERE WE GO BACK TO
THE REPLAY.
2941
01:31:15,704 --> 01:31:17,370
>> ALL RIGHT, HERE WE GO BACK TO
THE REPLAY.
YOU TAKE A LOOK AT IT FOR
2942
01:31:17,372 --> 01:31:18,538
THE REPLAY.
YOU TAKE A LOOK AT IT FOR
YOURSELF, AND HERE YOU WILL SEE
2943
01:31:18,540 --> 01:31:19,105
YOU TAKE A LOOK AT IT FOR
YOURSELF, AND HERE YOU WILL SEE
YOU BLATANTLY PUSHING THE
2944
01:31:19,107 --> 01:31:20,707
YOURSELF, AND HERE YOU WILL SEE
YOU BLATANTLY PUSHING THE
REFEREE.
2945
01:31:20,709 --> 01:31:21,574
YOU BLATANTLY PUSHING THE
REFEREE.
OBVIOUSLY YOU FELT AT THIS
2946
01:31:21,576 --> 01:31:22,442
REFEREE.
OBVIOUSLY YOU FELT AT THIS
JUNCTURE THAT YOU WERE LOSING
2947
01:31:22,444 --> 01:31:22,975
OBVIOUSLY YOU FELT AT THIS
JUNCTURE THAT YOU WERE LOSING
THE MATCHUP.
2948
01:31:22,977 --> 01:31:23,810
JUNCTURE THAT YOU WERE LOSING
THE MATCHUP.
YOU WERE LOSING THE FIGHT.
2949
01:31:23,812 --> 01:31:24,678
THE MATCHUP.
YOU WERE LOSING THE FIGHT.
LOOK AT THIS.
2950
01:31:24,680 --> 01:31:25,412
YOU WERE LOSING THE FIGHT.
LOOK AT THIS.
A BLATANT SHOVE ON THE REFEREE.
2951
01:31:25,414 --> 01:31:26,179
LOOK AT THIS.
A BLATANT SHOVE ON THE REFEREE.
>> I WASN'T LOSING NOTHING.
2952
01:31:26,181 --> 01:31:26,913
A BLATANT SHOVE ON THE REFEREE.
>> I WASN'T LOSING NOTHING.
HE KEPT STICKING HIS NOSE IN MY
2953
01:31:26,915 --> 01:31:27,680
>> I WASN'T LOSING NOTHING.
HE KEPT STICKING HIS NOSE IN MY
BUSINESS.
2954
01:31:27,682 --> 01:31:28,682
HE KEPT STICKING HIS NOSE IN MY
BUSINESS.
I COME TO FIGHT, T.
2955
01:31:28,684 --> 01:31:29,583
BUSINESS.
I COME TO FIGHT, T.
I END UP HAVING TO FIGHT THE
2956
01:31:29,585 --> 01:31:30,717
I COME TO FIGHT, T.
I END UP HAVING TO FIGHT THE
ENTIRE NASSAU ...
2957
01:31:30,719 --> 01:31:32,519
I END UP HAVING TO FIGHT THE
ENTIRE NASSAU ...
HE DIDN'T LOOK TOO SHARP THERE,
2958
01:31:32,521 --> 01:31:33,553
ENTIRE NASSAU ...
HE DIDN'T LOOK TOO SHARP THERE,
DID HE?
2959
01:31:33,555 --> 01:31:34,621
HE DIDN'T LOOK TOO SHARP THERE,
DID HE?
I LIKE THE WAY HE DROPS ON HIS
2960
01:31:34,623 --> 01:31:36,322
DID HE?
I LIKE THE WAY HE DROPS ON HIS
HEAD.
2961
01:31:36,324 --> 01:31:37,591
I LIKE THE WAY HE DROPS ON HIS
HEAD.
IT'S TOO BAD I DROPPED HIM ON
2962
01:31:37,593 --> 01:31:38,892
HEAD.
IT'S TOO BAD I DROPPED HIM ON
HIS HEAD BECAUSE DROPPING HIM ON
2963
01:31:38,894 --> 01:31:39,759
IT'S TOO BAD I DROPPED HIM ON
HIS HEAD BECAUSE DROPPING HIM ON
HIS HEAD REALLY DOESN'T DO A LOT
2964
01:31:39,761 --> 01:31:41,628
HIS HEAD BECAUSE DROPPING HIM ON
HIS HEAD REALLY DOESN'T DO A LOT
OF DAMAGE.
2965
01:31:41,630 --> 01:31:42,529
HIS HEAD REALLY DOESN'T DO A LOT
OF DAMAGE.
THAT'S WHY DUVA HAD ME GOING
2966
01:31:42,531 --> 01:31:42,996
OF DAMAGE.
THAT'S WHY DUVA HAD ME GOING
MOSTLY FOR THE BODY.
2967
01:31:42,998 --> 01:31:45,665
THAT'S WHY DUVA HAD ME GOING
MOSTLY FOR THE BODY.
DID YOU NOTICE THE WAY I WAS
2968
01:31:45,667 --> 01:31:46,533
MOSTLY FOR THE BODY.
DID YOU NOTICE THE WAY I WAS
STEPPING ON HIS TONGUE AS I WAS
2969
01:31:46,535 --> 01:31:48,535
DID YOU NOTICE THE WAY I WAS
STEPPING ON HIS TONGUE AS I WAS
BOXING HIM, CAUSING ME TO SLIP
2970
01:31:48,537 --> 01:31:49,636
STEPPING ON HIS TONGUE AS I WAS
BOXING HIM, CAUSING ME TO SLIP
ALL OVER THE PLACE?
2971
01:31:49,638 --> 01:31:50,837
BOXING HIM, CAUSING ME TO SLIP
ALL OVER THE PLACE?
>> ALL RIGHT.
2972
01:31:50,839 --> 01:31:52,939
ALL OVER THE PLACE?
>> ALL RIGHT.
>> DID YOU NOTICE THE WAY THAT
2973
01:31:52,941 --> 01:31:53,974
>> ALL RIGHT.
>> DID YOU NOTICE THE WAY THAT
THERE WAS NOTHING LEFT OF T?
2974
01:31:53,976 --> 01:31:55,375
>> DID YOU NOTICE THE WAY THAT
THERE WAS NOTHING LEFT OF T?
HOW THEY WERE HOLDING HIM AND
2975
01:31:55,377 --> 01:31:56,142
THERE WAS NOTHING LEFT OF T?
HOW THEY WERE HOLDING HIM AND
CARRYING HIM OUT, AND THE BIG
2976
01:31:56,144 --> 01:31:57,544
HOW THEY WERE HOLDING HIM AND
CARRYING HIM OUT, AND THE BIG
TEAR IN HIS EYE?
2977
01:31:57,546 --> 01:31:58,879
CARRYING HIM OUT, AND THE BIG
TEAR IN HIS EYE?
>> THE UNROUSABLE ROWDY RODDY
2978
01:31:58,881 --> 01:32:00,447
TEAR IN HIS EYE?
>> THE UNROUSABLE ROWDY RODDY
PIPER.
2979
01:32:00,449 --> 01:32:02,582
>> THE UNROUSABLE ROWDY RODDY
PIPER.
LET'S TAKE YOU NOW, LADIES AND
2980
01:32:02,584 --> 01:32:03,816
PIPER.
LET'S TAKE YOU NOW, LADIES AND
GENTLEMEN, BACK TO CHICAGO AND
2981
01:32:03,818 --> 01:32:06,286
LET'S TAKE YOU NOW, LADIES AND
GENTLEMEN, BACK TO CHICAGO AND
MEAN GENE OKERLUND.
2982
01:32:06,288 --> 01:32:07,219
GENTLEMEN, BACK TO CHICAGO AND
MEAN GENE OKERLUND.
>> THANK YOU VERY MUCH, VINCE
2983
01:32:07,221 --> 01:32:07,453
MEAN GENE OKERLUND.
>> THANK YOU VERY MUCH, VINCE
MCMAHON.
2984
01:32:07,455 --> 01:32:08,655
>> THANK YOU VERY MUCH, VINCE
MCMAHON.
THE ROSEMONT HORIZON IN SUBURBAN
2985
01:32:08,657 --> 01:32:09,322
MCMAHON.
THE ROSEMONT HORIZON IN SUBURBAN
CHICAGO STILL BUZZING ABOUT THIS
2986
01:32:09,324 --> 01:32:10,690
THE ROSEMONT HORIZON IN SUBURBAN
CHICAGO STILL BUZZING ABOUT THIS
20-MAN OVER THE TOP ROPE BATTLE
2987
01:32:10,692 --> 01:32:11,524
CHICAGO STILL BUZZING ABOUT THIS
20-MAN OVER THE TOP ROPE BATTLE
ROYAL.
2988
01:32:11,526 --> 01:32:12,725
20-MAN OVER THE TOP ROPE BATTLE
ROYAL.
WITH ME AT THIS TIME SUPER BOWL
2989
01:32:12,727 --> 01:32:14,794
ROYAL.
WITH ME AT THIS TIME SUPER BOWL
CHAMPION, CHICAGO BEAR, JIMBO
2990
01:32:14,796 --> 01:32:16,296
WITH ME AT THIS TIME SUPER BOWL
CHAMPION, CHICAGO BEAR, JIMBO
COVERT, AND WHAT A BAD
2991
01:32:16,298 --> 01:32:17,497
CHAMPION, CHICAGO BEAR, JIMBO
COVERT, AND WHAT A BAD
[INDISTINCT]
2992
01:32:17,499 --> 01:32:18,532
COVERT, AND WHAT A BAD
[INDISTINCT]
INTO PROFESSIONAL WRESTLING FOR
2993
01:32:18,534 --> 01:32:18,798
[INDISTINCT]
INTO PROFESSIONAL WRESTLING FOR
YOU.
2994
01:32:18,800 --> 01:32:19,666
INTO PROFESSIONAL WRESTLING FOR
YOU.
>> I TELL YOU WHAT, MEAN GENE.
2995
01:32:19,668 --> 01:32:20,567
YOU.
>> I TELL YOU WHAT, MEAN GENE.
I GOT CHEATED.
2996
01:32:20,569 --> 01:32:21,668
>> I TELL YOU WHAT, MEAN GENE.
I GOT CHEATED.
I GOT CHEATED BECAUSE I CAME TO
2997
01:32:21,670 --> 01:32:22,735
I GOT CHEATED.
I GOT CHEATED BECAUSE I CAME TO
HELP HIM.
2998
01:32:22,737 --> 01:32:24,404
I GOT CHEATED BECAUSE I CAME TO
HELP HIM.
WILLIAM "THE REFRIGERATOR"
2999
01:32:24,406 --> 01:32:25,639
HELP HIM.
WILLIAM "THE REFRIGERATOR"
PERRY, HE WAS GETTING GANGED UP
3000
01:32:25,641 --> 01:32:26,773
WILLIAM "THE REFRIGERATOR"
PERRY, HE WAS GETTING GANGED UP
ON IN THE BEGINNING.
3001
01:32:26,775 --> 01:32:27,641
PERRY, HE WAS GETTING GANGED UP
ON IN THE BEGINNING.
I GOT CHEATED BECAUSE I THREW
3002
01:32:27,643 --> 01:32:29,542
ON IN THE BEGINNING.
I GOT CHEATED BECAUSE I THREW
OUT KING TONGA AS I USUALLY CAN
3003
01:32:29,544 --> 01:32:30,644
I GOT CHEATED BECAUSE I THREW
OUT KING TONGA AS I USUALLY CAN
THROW OUT ANYBODY, AND HERE
3004
01:32:30,646 --> 01:32:31,711
OUT KING TONGA AS I USUALLY CAN
THROW OUT ANYBODY, AND HERE
COMES FRANTIC FROM THE BACK WHEN
3005
01:32:31,713 --> 01:32:32,512
THROW OUT ANYBODY, AND HERE
COMES FRANTIC FROM THE BACK WHEN
I WASN'T EVEN LOOKING AND THREW
3006
01:32:32,514 --> 01:32:34,581
COMES FRANTIC FROM THE BACK WHEN
I WASN'T EVEN LOOKING AND THREW
ME OUT AND HE CHEATED.
3007
01:32:34,583 --> 01:32:35,715
I WASN'T EVEN LOOKING AND THREW
ME OUT AND HE CHEATED.
>> ALL RIGHT.
3008
01:32:35,717 --> 01:32:36,983
ME OUT AND HE CHEATED.
>> ALL RIGHT.
I THANK YOU VERY MUCH, JIMBO.
3009
01:32:36,985 --> 01:32:39,686
>> ALL RIGHT.
I THANK YOU VERY MUCH, JIMBO.
COME ON, AND IF YOU WOULD,
3010
01:32:39,688 --> 01:32:40,353
I THANK YOU VERY MUCH, JIMBO.
COME ON, AND IF YOU WOULD,
PLEASE.
3011
01:32:40,355 --> 01:32:41,254
COME ON, AND IF YOU WOULD,
PLEASE.
IRON SHEIK, YOU'VE GOT A TASTE
3012
01:32:41,256 --> 01:32:41,855
PLEASE.
IRON SHEIK, YOU'VE GOT A TASTE
OF PROFESSIONAL FOOTBALL AT ITS
3013
01:32:41,857 --> 01:32:42,922
IRON SHEIK, YOU'VE GOT A TASTE
OF PROFESSIONAL FOOTBALL AT ITS
FINEST IN THIS GIGANTIC BATTLE
3014
01:32:42,924 --> 01:32:44,024
OF PROFESSIONAL FOOTBALL AT ITS
FINEST IN THIS GIGANTIC BATTLE
ROYAL AS PART OF WRESTLEMANIA 2.
3015
01:32:44,026 --> 01:32:45,758
FINEST IN THIS GIGANTIC BATTLE
ROYAL AS PART OF WRESTLEMANIA 2.
>> GENE MEAN, WE WILL PROVE IT
3016
01:32:45,760 --> 01:32:47,727
ROYAL AS PART OF WRESTLEMANIA 2.
>> GENE MEAN, WE WILL PROVE IT
TO ALL AMERICA.
3017
01:32:47,729 --> 01:32:49,896
>> GENE MEAN, WE WILL PROVE IT
TO ALL AMERICA.
WRESTLER IS BETTER THAN FOOTBALL
3018
01:32:49,898 --> 01:32:51,598
TO ALL AMERICA.
WRESTLER IS BETTER THAN FOOTBALL
PLAYER.
3019
01:32:51,600 --> 01:32:53,767
WRESTLER IS BETTER THAN FOOTBALL
PLAYER.
I WISH MY PARTNER NIKOLA WAS
3020
01:32:53,769 --> 01:32:55,735
PLAYER.
I WISH MY PARTNER NIKOLA WAS
OVER.
3021
01:32:55,737 --> 01:32:56,736
I WISH MY PARTNER NIKOLA WAS
OVER.
FOR SURE WE'RE GONNA WIN THE
3022
01:32:56,738 --> 01:32:57,737
OVER.
FOR SURE WE'RE GONNA WIN THE
BATTLE ROYAL.
3023
01:32:57,739 --> 01:32:59,639
FOR SURE WE'RE GONNA WIN THE
BATTLE ROYAL.
LOOK AT ME, CAMERA MAN.
3024
01:32:59,641 --> 01:33:00,640
BATTLE ROYAL.
LOOK AT ME, CAMERA MAN.
>> I THANK YOU VERY MUCH, IRON
3025
01:33:00,642 --> 01:33:02,408
LOOK AT ME, CAMERA MAN.
>> I THANK YOU VERY MUCH, IRON
SHEIK.
3026
01:33:02,410 --> 01:33:03,843
>> I THANK YOU VERY MUCH, IRON
SHEIK.
JIMBO COVERT FROM THE CHICAGO
3027
01:33:03,845 --> 01:33:06,412
SHEIK.
JIMBO COVERT FROM THE CHICAGO
BEARS ...
3028
01:33:06,414 --> 01:33:07,013
JIMBO COVERT FROM THE CHICAGO
BEARS ...
>> IRAN NO.
3029
01:33:07,015 --> 01:33:07,947
BEARS ...
>> IRAN NO.
1.
3030
01:33:07,949 --> 01:33:08,514
>> IRAN NO.
1.
RUSSIA.
3031
01:33:08,516 --> 01:33:09,515
1.
RUSSIA.
>> BACK TO GORILLA MONSOON.
3032
01:33:09,517 --> 01:33:10,516
RUSSIA.
>> BACK TO GORILLA MONSOON.
>> HOW TREMENDOUS.
3033
01:33:10,518 --> 01:33:11,350
>> BACK TO GORILLA MONSOON.
>> HOW TREMENDOUS.
LET'S GO BACK AND TAKE A LOOK AT
3034
01:33:11,352 --> 01:33:11,951
>> HOW TREMENDOUS.
LET'S GO BACK AND TAKE A LOOK AT
THAT TREMENDOUS ACTION THAT TOOK
3035
01:33:11,953 --> 01:33:12,819
LET'S GO BACK AND TAKE A LOOK AT
THAT TREMENDOUS ACTION THAT TOOK
PLACE AT THAT END OF THE BATTLE
3036
01:33:12,821 --> 01:33:13,620
THAT TREMENDOUS ACTION THAT TOOK
PLACE AT THAT END OF THE BATTLE
ROYAL.
3037
01:33:13,622 --> 01:33:14,654
PLACE AT THAT END OF THE BATTLE
ROYAL.
HERE IT COMES RIGHT HERE.
3038
01:33:14,656 --> 01:33:16,756
ROYAL.
HERE IT COMES RIGHT HERE.
ANDRE HAD ALREADY ELIMINATED JIM
3039
01:33:16,758 --> 01:33:19,592
HERE IT COMES RIGHT HERE.
ANDRE HAD ALREADY ELIMINATED JIM
"THE ANVIL" NEIDHART, AND NOW
3040
01:33:19,594 --> 01:33:21,761
ANDRE HAD ALREADY ELIMINATED JIM
"THE ANVIL" NEIDHART, AND NOW
BRET "THE HIT MAN" TRYING TO GET
3041
01:33:21,763 --> 01:33:23,763
"THE ANVIL" NEIDHART, AND NOW
BRET "THE HIT MAN" TRYING TO GET
UP ON TOP, AND ANDRE PICKS HIM
3042
01:33:23,765 --> 01:33:24,697
BRET "THE HIT MAN" TRYING TO GET
UP ON TOP, AND ANDRE PICKS HIM
UP.
3043
01:33:24,699 --> 01:33:25,765
UP ON TOP, AND ANDRE PICKS HIM
UP.
LOOK OUT BECAUSE THE ANVIL IS
3044
01:33:25,767 --> 01:33:26,866
UP.
LOOK OUT BECAUSE THE ANVIL IS
STILL DOWN THERE ON THE CONCRETE
3045
01:33:26,868 --> 01:33:28,534
LOOK OUT BECAUSE THE ANVIL IS
STILL DOWN THERE ON THE CONCRETE
AND ANDRE'S GONNA DEPOSIT HIM
3046
01:33:28,536 --> 01:33:29,502
STILL DOWN THERE ON THE CONCRETE
AND ANDRE'S GONNA DEPOSIT HIM
RIGHT THERE ON TOP OF HIS
3047
01:33:29,504 --> 01:33:30,603
AND ANDRE'S GONNA DEPOSIT HIM
RIGHT THERE ON TOP OF HIS
PARTNER.
3048
01:33:30,605 --> 01:33:32,639
RIGHT THERE ON TOP OF HIS
PARTNER.
ONTO VICTORY IN THE BATTLE
3049
01:33:32,641 --> 01:33:36,509
PARTNER.
ONTO VICTORY IN THE BATTLE
ROYAL, THE ONE AND ONLY ANDRE
3050
01:33:36,511 --> 01:33:37,510
ONTO VICTORY IN THE BATTLE
ROYAL, THE ONE AND ONLY ANDRE
THE GIANT.
3051
01:33:37,512 --> 01:33:38,611
ROYAL, THE ONE AND ONLY ANDRE
THE GIANT.
>> WELL DESERVED AND WELL
3052
01:33:38,613 --> 01:33:40,747
THE GIANT.
>> WELL DESERVED AND WELL
FOUGHT.
3053
01:33:40,749 --> 01:33:41,681
>> WELL DESERVED AND WELL
FOUGHT.
>> HERE'S ANOTHER ONE.
3054
01:33:41,683 --> 01:33:42,816
FOUGHT.
>> HERE'S ANOTHER ONE.
THE REFRIGERATOR COMING ONE TOO
3055
01:33:42,818 --> 01:33:44,484
>> HERE'S ANOTHER ONE.
THE REFRIGERATOR COMING ONE TOO
MANY TIMES TO THE WELL.
3056
01:33:44,486 --> 01:33:45,685
THE REFRIGERATOR COMING ONE TOO
MANY TIMES TO THE WELL.
BIG TACKLE.
3057
01:33:45,687 --> 01:33:46,586
MANY TIMES TO THE WELL.
BIG TACKLE.
LAID OUT BIG JOHN STUDD.
3058
01:33:46,588 --> 01:33:47,887
BIG TACKLE.
LAID OUT BIG JOHN STUDD.
HE DID A TREMENDOUS JOB HERE IN
3059
01:33:47,889 --> 01:33:49,555
LAID OUT BIG JOHN STUDD.
HE DID A TREMENDOUS JOB HERE IN
THE BATTLE ROYAL BUT HE, AS WELL
3060
01:33:49,557 --> 01:33:51,824
HE DID A TREMENDOUS JOB HERE IN
THE BATTLE ROYAL BUT HE, AS WELL
AS ALL THE OTHER FOOTBALL
3061
01:33:51,826 --> 01:33:53,493
THE BATTLE ROYAL BUT HE, AS WELL
AS ALL THE OTHER FOOTBALL
PLAYERS, WERE ELIMINATED.
3062
01:33:53,495 --> 01:33:55,428
AS ALL THE OTHER FOOTBALL
PLAYERS, WERE ELIMINATED.
LOOK AT THIS.
3063
01:33:55,430 --> 01:33:56,663
PLAYERS, WERE ELIMINATED.
LOOK AT THIS.
JOHN STUDD NAILS HIM, AND ONE
3064
01:33:56,665 --> 01:33:58,465
LOOK AT THIS.
JOHN STUDD NAILS HIM, AND ONE
TOO MANY TIMES.
3065
01:33:58,467 --> 01:33:59,565
JOHN STUDD NAILS HIM, AND ONE
TOO MANY TIMES.
HIP LOCK RIGHT OVER THE TOP
3066
01:33:59,567 --> 01:34:00,366
TOO MANY TIMES.
HIP LOCK RIGHT OVER THE TOP
ROPE.
3067
01:34:00,368 --> 01:34:03,770
HIP LOCK RIGHT OVER THE TOP
ROPE.
THE REFRIGERATOR OUT OF IT.
3068
01:34:03,772 --> 01:34:05,572
ROPE.
THE REFRIGERATOR OUT OF IT.
UNBELIEVABLE ACTION PERSONIFIED
3069
01:34:05,574 --> 01:34:06,873
THE REFRIGERATOR OUT OF IT.
UNBELIEVABLE ACTION PERSONIFIED
HERE IN THE ROSEMONT HORIZON.
3070
01:34:06,875 --> 01:34:09,342
UNBELIEVABLE ACTION PERSONIFIED
HERE IN THE ROSEMONT HORIZON.
>> THE RAW ...
3071
01:34:09,344 --> 01:34:10,577
HERE IN THE ROSEMONT HORIZON.
>> THE RAW ...
>> CATHY LEE, YOU ARE EXCITED,
3072
01:34:10,579 --> 01:34:11,811
>> THE RAW ...
>> CATHY LEE, YOU ARE EXCITED,
ARE YOU NOT?
3073
01:34:11,813 --> 01:34:12,612
>> CATHY LEE, YOU ARE EXCITED,
ARE YOU NOT?
>> I AM SO EXCITED, AND YOU KNOW
3074
01:34:12,614 --> 01:34:13,546
ARE YOU NOT?
>> I AM SO EXCITED, AND YOU KNOW
SOMETHING?
3075
01:34:13,548 --> 01:34:14,881
>> I AM SO EXCITED, AND YOU KNOW
SOMETHING?
I REALLY ADMIRE THE FOOTBALL
3076
01:34:14,883 --> 01:34:16,616
SOMETHING?
I REALLY ADMIRE THE FOOTBALL
PLAYERS FOR GETTING IN THE RING
3077
01:34:16,618 --> 01:34:18,217
I REALLY ADMIRE THE FOOTBALL
PLAYERS FOR GETTING IN THE RING
AT ALL.
3078
01:34:18,219 --> 01:34:19,185
PLAYERS FOR GETTING IN THE RING
AT ALL.
I MEAN, THIS IS UNBELIEVABLE.
3079
01:34:19,187 --> 01:34:19,719
AT ALL.
I MEAN, THIS IS UNBELIEVABLE.
>> WELL, THEY CERTAINLY GOT AN
3080
01:34:19,721 --> 01:34:20,453
I MEAN, THIS IS UNBELIEVABLE.
>> WELL, THEY CERTAINLY GOT AN
EDUCATION AS TO WHAT
3081
01:34:20,455 --> 01:34:21,554
>> WELL, THEY CERTAINLY GOT AN
EDUCATION AS TO WHAT
PROFESSIONAL WRESTLING IS REALLY
3082
01:34:21,556 --> 01:34:23,690
EDUCATION AS TO WHAT
PROFESSIONAL WRESTLING IS REALLY
ALL ABOUT, AND WE HAVE PLENTY OF
3083
01:34:23,692 --> 01:34:25,458
PROFESSIONAL WRESTLING IS REALLY
ALL ABOUT, AND WE HAVE PLENTY OF
ACTION STILL TO COME AS THIS
3084
01:34:25,460 --> 01:34:27,326
ALL ABOUT, AND WE HAVE PLENTY OF
ACTION STILL TO COME AS THIS
TREMENDOUS TAG TEAM TITLE MATCH
3085
01:34:27,328 --> 01:34:28,461
ACTION STILL TO COME AS THIS
TREMENDOUS TAG TEAM TITLE MATCH
COMING UP.
3086
01:34:28,463 --> 01:34:29,362
TREMENDOUS TAG TEAM TITLE MATCH
COMING UP.
LET'S GO TO OUR RING ANNOUNCER
3087
01:34:29,364 --> 01:34:30,830
COMING UP.
LET'S GO TO OUR RING ANNOUNCER
RIGHT NOW.
3088
01:34:30,832 --> 01:34:31,431
LET'S GO TO OUR RING ANNOUNCER
RIGHT NOW.
[ BELL RINGING ]
3089
01:34:31,433 --> 01:34:32,899
RIGHT NOW.
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, ONE
3090
01:34:32,901 --> 01:34:34,401
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, ONE
FALL.
3091
01:34:34,403 --> 01:34:38,404
>> LADIES AND GENTLEMEN, ONE
FALL.
SIXTY-MINUTE TIME LIMIT.
3092
01:34:38,406 --> 01:34:39,505
FALL.
SIXTY-MINUTE TIME LIMIT.
THE TAG TEAM CHAMPIONSHIP ON THE
3093
01:34:39,507 --> 01:34:40,606
SIXTY-MINUTE TIME LIMIT.
THE TAG TEAM CHAMPIONSHIP ON THE
LINE.
3094
01:34:40,608 --> 01:34:42,742
THE TAG TEAM CHAMPIONSHIP ON THE
LINE.
THIS BOUT WILL CARRY TWO
3095
01:34:42,744 --> 01:34:44,677
LINE.
THIS BOUT WILL CARRY TWO
OFFICIALS.
3096
01:34:44,679 --> 01:34:47,647
THIS BOUT WILL CARRY TWO
OFFICIALS.
NOT ONE, BUT TWO OFFICIALS.
3097
01:34:47,649 --> 01:34:48,481
OFFICIALS.
NOT ONE, BUT TWO OFFICIALS.
ONE FALL.
3098
01:34:48,483 --> 01:34:49,916
NOT ONE, BUT TWO OFFICIALS.
ONE FALL.
SIXTY MINUTES.
3099
01:34:49,918 --> 01:34:52,518
ONE FALL.
SIXTY MINUTES.
INTRODUCING FIRST, FROM THE BIG
3100
01:34:52,520 --> 01:34:54,520
SIXTY MINUTES.
INTRODUCING FIRST, FROM THE BIG
APPLE, NEW YORK CITY, NEW YORK,
3101
01:34:54,522 --> 01:34:57,790
INTRODUCING FIRST, FROM THE BIG
APPLE, NEW YORK CITY, NEW YORK,
THE MANAGER: HE IS "LUSCIOUS"
3102
01:34:57,792 --> 01:35:08,634
APPLE, NEW YORK CITY, NEW YORK,
THE MANAGER: HE IS "LUSCIOUS"
JOHNNY VALIANT.
3103
01:35:08,636 --> 01:35:10,369
THE MANAGER: HE IS "LUSCIOUS"
JOHNNY VALIANT.
AND NOW INTRODUCING THE WORLD
3104
01:35:10,371 --> 01:35:12,605
JOHNNY VALIANT.
AND NOW INTRODUCING THE WORLD
WRESTLING ENTERTAINMENT TAG TEAM
3105
01:35:12,607 --> 01:35:13,306
AND NOW INTRODUCING THE WORLD
WRESTLING ENTERTAINMENT TAG TEAM
CHAMPIONS.
3106
01:35:13,308 --> 01:35:15,575
WRESTLING ENTERTAINMENT TAG TEAM
CHAMPIONS.
WEIGHING 248 POUNDS, FROM
3107
01:35:15,577 --> 01:35:17,610
CHAMPIONS.
WEIGHING 248 POUNDS, FROM
SEATTLE, WASHINGTON.
3108
01:35:17,612 --> 01:35:20,313
WEIGHING 248 POUNDS, FROM
SEATTLE, WASHINGTON.
LADIES AND GENTLEMEN, GREG "THE
3109
01:35:20,315 --> 01:35:22,749
SEATTLE, WASHINGTON.
LADIES AND GENTLEMEN, GREG "THE
HAMMER" VALENTINE.
3110
01:35:22,751 --> 01:35:26,652
LADIES AND GENTLEMEN, GREG "THE
HAMMER" VALENTINE.
VALENTINE.
3111
01:35:26,654 --> 01:35:29,656
HAMMER" VALENTINE.
VALENTINE.
HIS PARTNER, FROM SAN FRANCISCO,
3112
01:35:29,658 --> 01:35:36,796
VALENTINE.
HIS PARTNER, FROM SAN FRANCISCO,
CALIFORNIA, WEIGHING 273 POUNDS:
3113
01:35:36,798 --> 01:35:40,333
HIS PARTNER, FROM SAN FRANCISCO,
CALIFORNIA, WEIGHING 273 POUNDS:
BRUTUS BEEFCAKE.
3114
01:35:40,335 --> 01:35:56,516
CALIFORNIA, WEIGHING 273 POUNDS:
BRUTUS BEEFCAKE.
BRUTUS BEEFCAKE.
3115
01:35:56,518 --> 01:35:57,450
BRUTUS BEEFCAKE.
BRUTUS BEEFCAKE.
>> WE'RE AWAITING HERE PATIENTLY
3116
01:35:57,452 --> 01:35:58,684
BRUTUS BEEFCAKE.
>> WE'RE AWAITING HERE PATIENTLY
THE ARRIVAL OF THE BRITISH
3117
01:35:58,686 --> 01:36:02,789
>> WE'RE AWAITING HERE PATIENTLY
THE ARRIVAL OF THE BRITISH
BULLDOGS, AS "BRITANNIA RULES
3118
01:36:02,791 --> 01:36:05,458
THE ARRIVAL OF THE BRITISH
BULLDOGS, AS "BRITANNIA RULES
THE WAVES" HAS BEEN PLAYING.
3119
01:36:05,460 --> 01:36:06,726
BULLDOGS, AS "BRITANNIA RULES
THE WAVES" HAS BEEN PLAYING.
>> AND HERE THEY COME WITH OZZY
3120
01:36:06,728 --> 01:36:08,494
THE WAVES" HAS BEEN PLAYING.
>> AND HERE THEY COME WITH OZZY
OSBOURNE IN THE BACK.
3121
01:36:08,496 --> 01:36:09,562
>> AND HERE THEY COME WITH OZZY
OSBOURNE IN THE BACK.
THAT LOOKS LIKE OZZY OSBOURNE.
3122
01:36:09,564 --> 01:36:10,496
OSBOURNE IN THE BACK.
THAT LOOKS LIKE OZZY OSBOURNE.
>> THERE IT IS.
3123
01:36:10,498 --> 01:36:11,397
THAT LOOKS LIKE OZZY OSBOURNE.
>> THERE IT IS.
>> THEIR OPPONENTS AND
3124
01:36:11,399 --> 01:36:12,532
>> THERE IT IS.
>> THEIR OPPONENTS AND
CHALLENGERS ARE LED TOWARD THE
3125
01:36:12,534 --> 01:36:13,833
>> THEIR OPPONENTS AND
CHALLENGERS ARE LED TOWARD THE
RING BY THEIR MANAGER, CAPTAIN
3126
01:36:13,835 --> 01:36:15,568
CHALLENGERS ARE LED TOWARD THE
RING BY THEIR MANAGER, CAPTAIN
LOUIS ALBANO, AND A VERY SPECIAL
3127
01:36:15,570 --> 01:36:18,337
RING BY THEIR MANAGER, CAPTAIN
LOUIS ALBANO, AND A VERY SPECIAL
CORNER MAN: THE DYNAMIC, THE
3128
01:36:18,339 --> 01:36:21,474
LOUIS ALBANO, AND A VERY SPECIAL
CORNER MAN: THE DYNAMIC, THE
ULTIMATE OZZY OSBOURNE.
3129
01:36:21,476 --> 01:36:24,778
CORNER MAN: THE DYNAMIC, THE
ULTIMATE OZZY OSBOURNE.
WITH A COMBINED WEIGHT OF 464
3130
01:36:24,780 --> 01:36:27,446
ULTIMATE OZZY OSBOURNE.
WITH A COMBINED WEIGHT OF 464
POUNDS, LADIES AND GENTLEMEN,
3131
01:36:27,448 --> 01:36:29,782
WITH A COMBINED WEIGHT OF 464
POUNDS, LADIES AND GENTLEMEN,
THE CHALLENGERS: THE BRITISH
3132
01:36:29,784 --> 01:36:30,850
POUNDS, LADIES AND GENTLEMEN,
THE CHALLENGERS: THE BRITISH
BULLDOGS.
3133
01:36:30,852 --> 01:36:32,585
THE CHALLENGERS: THE BRITISH
BULLDOGS.
TAG TEAM CHAMPIONSHIP.
3134
01:36:32,587 --> 01:36:33,719
BULLDOGS.
TAG TEAM CHAMPIONSHIP.
ONE FALL.
3135
01:36:33,721 --> 01:36:36,289
TAG TEAM CHAMPIONSHIP.
ONE FALL.
SIXTY MINUTES.
3136
01:36:36,291 --> 01:36:37,423
ONE FALL.
SIXTY MINUTES.
>> WELL, GENE, ASIDE FROM BEING
3137
01:36:37,425 --> 01:36:39,625
SIXTY MINUTES.
>> WELL, GENE, ASIDE FROM BEING
BRITISH HIMSELF, WHAT IS OZZY
3138
01:36:39,627 --> 01:36:40,593
>> WELL, GENE, ASIDE FROM BEING
BRITISH HIMSELF, WHAT IS OZZY
OSBOURNE GONNA DO FOR THE
3139
01:36:40,595 --> 01:36:47,367
BRITISH HIMSELF, WHAT IS OZZY
OSBOURNE GONNA DO FOR THE
BRITISH BULLDOGS?
3140
01:36:47,369 --> 01:36:48,801
OSBOURNE GONNA DO FOR THE
BRITISH BULLDOGS?
>> I WOULD HAVE TO SAY FOR THE
3141
01:36:48,803 --> 01:36:50,603
BRITISH BULLDOGS?
>> I WOULD HAVE TO SAY FOR THE
BRITISH BULLDOGS, OF COURSE OZZY
3142
01:36:50,605 --> 01:36:52,572
>> I WOULD HAVE TO SAY FOR THE
BRITISH BULLDOGS, OF COURSE OZZY
OSBOURNE IS FROM MANCHESTER, IN
3143
01:36:52,574 --> 01:36:54,507
BRITISH BULLDOGS, OF COURSE OZZY
OSBOURNE IS FROM MANCHESTER, IN
THE NORTH OF ENGLAND.
3144
01:36:54,509 --> 01:36:56,442
OSBOURNE IS FROM MANCHESTER, IN
THE NORTH OF ENGLAND.
THAT'S THEIR STOMPING GROUNDS.
3145
01:36:56,444 --> 01:36:57,543
THE NORTH OF ENGLAND.
THAT'S THEIR STOMPING GROUNDS.
>> I BELIEVE IS THAT NOT WHERE,
3146
01:36:57,545 --> 01:36:59,545
THAT'S THEIR STOMPING GROUNDS.
>> I BELIEVE IS THAT NOT WHERE,
UH, LORD ALFRED IS FROM?
3147
01:36:59,547 --> 01:37:00,513
>> I BELIEVE IS THAT NOT WHERE,
UH, LORD ALFRED IS FROM?
>> NO, LORD ALFRED HAYES IS FROM
3148
01:37:00,515 --> 01:37:01,414
UH, LORD ALFRED IS FROM?
>> NO, LORD ALFRED HAYES IS FROM
WINDERMERE.
3149
01:37:01,416 --> 01:37:02,515
>> NO, LORD ALFRED HAYES IS FROM
WINDERMERE.
>> OH, THAT'S RIGHT.
3150
01:37:02,517 --> 01:37:03,583
WINDERMERE.
>> OH, THAT'S RIGHT.
THAT'S CORRECT.
3151
01:37:03,585 --> 01:37:04,684
>> OH, THAT'S RIGHT.
THAT'S CORRECT.
WHAT A TREMENDOUS CONFRONTATION
3152
01:37:04,686 --> 01:37:05,652
THAT'S CORRECT.
WHAT A TREMENDOUS CONFRONTATION
THIS IS GONNA BE.
3153
01:37:05,654 --> 01:37:07,286
WHAT A TREMENDOUS CONFRONTATION
THIS IS GONNA BE.
NOT TOO LONG AGO, ON NATIONAL
3154
01:37:07,288 --> 01:37:08,621
THIS IS GONNA BE.
NOT TOO LONG AGO, ON NATIONAL
TELEVISION, THE BRITISH BULLDOGS
3155
01:37:08,623 --> 01:37:10,356
NOT TOO LONG AGO, ON NATIONAL
TELEVISION, THE BRITISH BULLDOGS
GOT A VICTORY, GENE.
3156
01:37:10,358 --> 01:37:11,657
TELEVISION, THE BRITISH BULLDOGS
GOT A VICTORY, GENE.
OF COURSE, IT WAS A NON-TITLE
3157
01:37:11,659 --> 01:37:12,759
GOT A VICTORY, GENE.
OF COURSE, IT WAS A NON-TITLE
MATCHUP.
3158
01:37:12,761 --> 01:37:13,793
OF COURSE, IT WAS A NON-TITLE
MATCHUP.
>> NOW, THAT HAPPENED ABOUT SIX
3159
01:37:13,795 --> 01:37:15,595
MATCHUP.
>> NOW, THAT HAPPENED ABOUT SIX
OR SEVEN WEEKS AGO.
3160
01:37:15,597 --> 01:37:16,796
>> NOW, THAT HAPPENED ABOUT SIX
OR SEVEN WEEKS AGO.
TONIGHT THE TITLES ARE GONNA BE
3161
01:37:16,798 --> 01:37:17,730
OR SEVEN WEEKS AGO.
TONIGHT THE TITLES ARE GONNA BE
ON THE LINE AND I'M CERTAIN
3162
01:37:17,732 --> 01:37:18,832
TONIGHT THE TITLES ARE GONNA BE
ON THE LINE AND I'M CERTAIN
YOU'RE GONNA SEE A DIFFERENT
3163
01:37:18,834 --> 01:37:21,734
ON THE LINE AND I'M CERTAIN
YOU'RE GONNA SEE A DIFFERENT
GREG VALENTINE AND BRUTUS
3164
01:37:21,736 --> 01:37:22,569
YOU'RE GONNA SEE A DIFFERENT
GREG VALENTINE AND BRUTUS
BEEFCAKE.
3165
01:37:22,571 --> 01:37:23,135
GREG VALENTINE AND BRUTUS
BEEFCAKE.
>> WELL, I THINK A VERY
3166
01:37:23,137 --> 01:37:23,770
BEEFCAKE.
>> WELL, I THINK A VERY
INTERESTING POINT ALSO, CATHY
3167
01:37:23,772 --> 01:37:24,704
>> WELL, I THINK A VERY
INTERESTING POINT ALSO, CATHY
LEE, TO BE MADE HERE, IS THAT
3168
01:37:24,706 --> 01:37:25,771
INTERESTING POINT ALSO, CATHY
LEE, TO BE MADE HERE, IS THAT
TWO REFEREES, ONE INSIDE THE
3169
01:37:25,773 --> 01:37:27,406
LEE, TO BE MADE HERE, IS THAT
TWO REFEREES, ONE INSIDE THE
RING AND ONE OUTSIDE THE RING
3170
01:37:27,408 --> 01:37:28,574
TWO REFEREES, ONE INSIDE THE
RING AND ONE OUTSIDE THE RING
FOR THIS SPECIAL TITLE MATCH.
3171
01:37:28,576 --> 01:37:29,642
RING AND ONE OUTSIDE THE RING
FOR THIS SPECIAL TITLE MATCH.
>> AND WHY IS THAT?
3172
01:37:29,644 --> 01:37:31,844
FOR THIS SPECIAL TITLE MATCH.
>> AND WHY IS THAT?
>> WELL, THAT'S SO THAT NOTHING
3173
01:37:31,846 --> 01:37:33,579
>> AND WHY IS THAT?
>> WELL, THAT'S SO THAT NOTHING
OUT OF THE ORDINARY CAN OCCUR
3174
01:37:33,581 --> 01:37:34,714
>> WELL, THAT'S SO THAT NOTHING
OUT OF THE ORDINARY CAN OCCUR
OUTSIDE THE RING.
3175
01:37:34,716 --> 01:37:35,581
OUT OF THE ORDINARY CAN OCCUR
OUTSIDE THE RING.
>> OH, I SEE.
3176
01:37:35,583 --> 01:37:36,415
OUTSIDE THE RING.
>> OH, I SEE.
I SEE.
3177
01:37:36,417 --> 01:37:37,483
>> OH, I SEE.
I SEE.
>> WHEN YOU'VE GOT THE LIKES OF
3178
01:37:37,485 --> 01:37:38,651
I SEE.
>> WHEN YOU'VE GOT THE LIKES OF
THE "LUSCIOUS" JOHN VALIANT, THE
3179
01:37:38,653 --> 01:37:39,552
>> WHEN YOU'VE GOT THE LIKES OF
THE "LUSCIOUS" JOHN VALIANT, THE
MANAGER OF THE CHAMPIONS, AND
3180
01:37:39,554 --> 01:37:41,287
THE "LUSCIOUS" JOHN VALIANT, THE
MANAGER OF THE CHAMPIONS, AND
CAPTAIN LOUIS OUTSIDE AS WELL AS
3181
01:37:41,289 --> 01:37:42,488
MANAGER OF THE CHAMPIONS, AND
CAPTAIN LOUIS OUTSIDE AS WELL AS
OZZY OSBOURNE.
3182
01:37:42,490 --> 01:37:44,757
CAPTAIN LOUIS OUTSIDE AS WELL AS
OZZY OSBOURNE.
>> YOU CAN WATCH THEM INSIDE AND
3183
01:37:44,759 --> 01:37:45,524
OZZY OSBOURNE.
>> YOU CAN WATCH THEM INSIDE AND
OUT.
3184
01:37:45,526 --> 01:37:46,726
>> YOU CAN WATCH THEM INSIDE AND
OUT.
>> ABSOLUTELY.
3185
01:37:46,728 --> 01:37:48,628
OUT.
>> ABSOLUTELY.
TITLE'S ON THE LINE.
3186
01:37:48,630 --> 01:37:50,830
>> ABSOLUTELY.
TITLE'S ON THE LINE.
HERE AT WRESTLEMANIA 2.
3187
01:37:50,832 --> 01:37:52,431
TITLE'S ON THE LINE.
HERE AT WRESTLEMANIA 2.
REFEREE CALLING FOR THE BELL.
3188
01:37:52,433 --> 01:38:04,544
HERE AT WRESTLEMANIA 2.
REFEREE CALLING FOR THE BELL.
LAST MINUTE INSTRUCTIONS BEING
3189
01:38:04,546 --> 01:38:08,548
REFEREE CALLING FOR THE BELL.
LAST MINUTE INSTRUCTIONS BEING
GIVEN HERE TO HIS MEN.
3190
01:38:08,550 --> 01:38:10,616
LAST MINUTE INSTRUCTIONS BEING
GIVEN HERE TO HIS MEN.
BRUTUS BEEFCAKE AND GREG "THE
3191
01:38:10,618 --> 01:38:12,318
GIVEN HERE TO HIS MEN.
BRUTUS BEEFCAKE AND GREG "THE
HAMMER" VALENTINE.
3192
01:38:12,320 --> 01:38:13,552
BRUTUS BEEFCAKE AND GREG "THE
HAMMER" VALENTINE.
BOY, THEY HAVE TAKEN ON ALL
3193
01:38:13,554 --> 01:38:14,854
HAMMER" VALENTINE.
BOY, THEY HAVE TAKEN ON ALL
COMERS, GENE.
3194
01:38:14,856 --> 01:38:15,621
BOY, THEY HAVE TAKEN ON ALL
COMERS, GENE.
>> THE REASON THEY HAVE NOT
3195
01:38:15,623 --> 01:38:16,856
COMERS, GENE.
>> THE REASON THEY HAVE NOT
SOUNDED THE BELL DUE TO THE FACT
3196
01:38:16,858 --> 01:38:18,324
>> THE REASON THEY HAVE NOT
SOUNDED THE BELL DUE TO THE FACT
THAT JOHNNY VALIANT WAS STILL IN
3197
01:38:18,326 --> 01:38:19,692
SOUNDED THE BELL DUE TO THE FACT
THAT JOHNNY VALIANT WAS STILL IN
THE RING AT THAT POINT IN TIME.
3198
01:38:19,694 --> 01:38:20,359
THAT JOHNNY VALIANT WAS STILL IN
THE RING AT THAT POINT IN TIME.
[ BELL RINGING ]
3199
01:38:20,361 --> 01:38:25,364
THE RING AT THAT POINT IN TIME.
[ BELL RINGING ]
>> HERE WE GO.
3200
01:38:25,366 --> 01:38:26,532
[ BELL RINGING ]
>> HERE WE GO.
IT LOOKS LIKE IT'S GONNA BE
3201
01:38:26,534 --> 01:38:27,667
>> HERE WE GO.
IT LOOKS LIKE IT'S GONNA BE
DAVEY BOY SMITH AND GREG "THE
3202
01:38:27,669 --> 01:38:28,768
IT LOOKS LIKE IT'S GONNA BE
DAVEY BOY SMITH AND GREG "THE
HAMMER" VALENTINE KICKING IT
3203
01:38:28,770 --> 01:38:30,369
DAVEY BOY SMITH AND GREG "THE
HAMMER" VALENTINE KICKING IT
OFF.
3204
01:38:30,371 --> 01:38:31,971
HAMMER" VALENTINE KICKING IT
OFF.
>> CERTAINLY IS.
3205
01:38:31,973 --> 01:38:33,372
OFF.
>> CERTAINLY IS.
THE POWERHOUSE FOR THAT TEAM,
3206
01:38:33,374 --> 01:38:34,607
>> CERTAINLY IS.
THE POWERHOUSE FOR THAT TEAM,
THE BRITISH BULLDOGS.
3207
01:38:34,609 --> 01:38:37,643
THE POWERHOUSE FOR THAT TEAM,
THE BRITISH BULLDOGS.
HE'S SHOWN YOU THAT POWER.
3208
01:38:37,645 --> 01:38:38,778
THE BRITISH BULLDOGS.
HE'S SHOWN YOU THAT POWER.
THE HAMMER A LITTLE BIT
3209
01:38:38,780 --> 01:38:39,846
HE'S SHOWN YOU THAT POWER.
THE HAMMER A LITTLE BIT
SURPRISED.
3210
01:38:39,848 --> 01:38:42,748
THE HAMMER A LITTLE BIT
SURPRISED.
>> "I'M FINE."
3211
01:38:42,750 --> 01:38:43,916
SURPRISED.
>> "I'M FINE."
>> BUT THEY KNOW WHAT TO EXPECT
3212
01:38:43,918 --> 01:38:45,551
>> "I'M FINE."
>> BUT THEY KNOW WHAT TO EXPECT
FROM THE BRITISH BULLDOGS AND
3213
01:38:45,553 --> 01:38:46,686
>> BUT THEY KNOW WHAT TO EXPECT
FROM THE BRITISH BULLDOGS AND
VICE VERSA, THE BULLDOGS KNOW
3214
01:38:46,688 --> 01:38:47,687
FROM THE BRITISH BULLDOGS AND
VICE VERSA, THE BULLDOGS KNOW
WHAT TO EXPECT FROM THE
3215
01:38:47,689 --> 01:38:49,655
VICE VERSA, THE BULLDOGS KNOW
WHAT TO EXPECT FROM THE
CHAMPIONS.
3216
01:38:49,657 --> 01:38:52,692
WHAT TO EXPECT FROM THE
CHAMPIONS.
>> OH, WHAT A SHOT.
3217
01:38:52,694 --> 01:38:53,626
CHAMPIONS.
>> OH, WHAT A SHOT.
>> TREMENDOUS CLASSIC
3218
01:38:53,628 --> 01:38:54,594
>> OH, WHAT A SHOT.
>> TREMENDOUS CLASSIC
CONFRONTATION HERE AS THE WORLD
3219
01:38:54,596 --> 01:38:56,362
>> TREMENDOUS CLASSIC
CONFRONTATION HERE AS THE WORLD
WRESTLING ENTERTAINMENT
3220
01:38:56,364 --> 01:38:57,430
CONFRONTATION HERE AS THE WORLD
WRESTLING ENTERTAINMENT
SUPERSTARS OUT TO REIGN IN
3221
01:38:57,432 --> 01:38:59,565
WRESTLING ENTERTAINMENT
SUPERSTARS OUT TO REIGN IN
WRESTLEMANIA 2.
3222
01:38:59,567 --> 01:39:00,599
SUPERSTARS OUT TO REIGN IN
WRESTLEMANIA 2.
YOU WON'T FIND ANY BETTER ACTION
3223
01:39:00,601 --> 01:39:02,502
WRESTLEMANIA 2.
YOU WON'T FIND ANY BETTER ACTION
ANYWHERE.
3224
01:39:02,504 --> 01:39:04,437
YOU WON'T FIND ANY BETTER ACTION
ANYWHERE.
>> YOU KNOW, GORILLA MONSOON,
3225
01:39:04,439 --> 01:39:06,839
ANYWHERE.
>> YOU KNOW, GORILLA MONSOON,
THIS MATCH WAS JUST SIGNED PRIOR
3226
01:39:06,841 --> 01:39:08,541
>> YOU KNOW, GORILLA MONSOON,
THIS MATCH WAS JUST SIGNED PRIOR
TO THE ANNOUNCEMENT OF
3227
01:39:08,543 --> 01:39:10,409
THIS MATCH WAS JUST SIGNED PRIOR
TO THE ANNOUNCEMENT OF
WRESTLEMANIA 2 AND THE DATE.
3228
01:39:10,411 --> 01:39:11,577
TO THE ANNOUNCEMENT OF
WRESTLEMANIA 2 AND THE DATE.
THIS HAS BEEN A LONG TIME IN THE
3229
01:39:11,579 --> 01:39:12,845
WRESTLEMANIA 2 AND THE DATE.
THIS HAS BEEN A LONG TIME IN THE
MAKING BECAUSE THESE TWO TEAMS
3230
01:39:12,847 --> 01:39:14,647
THIS HAS BEEN A LONG TIME IN THE
MAKING BECAUSE THESE TWO TEAMS
HAVE BEEN AT IT TOOTH AND NAIL
3231
01:39:14,649 --> 01:39:16,549
MAKING BECAUSE THESE TWO TEAMS
HAVE BEEN AT IT TOOTH AND NAIL
FOR QUITE SOME TIME.
3232
01:39:16,551 --> 01:39:17,516
HAVE BEEN AT IT TOOTH AND NAIL
FOR QUITE SOME TIME.
>> THEY CERTAINLY HAVE.
3233
01:39:17,518 --> 01:39:19,618
FOR QUITE SOME TIME.
>> THEY CERTAINLY HAVE.
THE CHAMPIONS, OF COURSE, ALWAYS
3234
01:39:19,620 --> 01:39:20,620
>> THEY CERTAINLY HAVE.
THE CHAMPIONS, OF COURSE, ALWAYS
NUMBER ONE, AND THE BRITISH
3235
01:39:20,622 --> 01:39:22,388
THE CHAMPIONS, OF COURSE, ALWAYS
NUMBER ONE, AND THE BRITISH
BULLDOGS THE NUMBER ONE
3236
01:39:22,390 --> 01:39:23,456
NUMBER ONE, AND THE BRITISH
BULLDOGS THE NUMBER ONE
CHALLENGING TEAM.
3237
01:39:23,458 --> 01:39:24,490
BULLDOGS THE NUMBER ONE
CHALLENGING TEAM.
LOOK OUT.
3238
01:39:24,492 --> 01:39:25,291
CHALLENGING TEAM.
LOOK OUT.
NICE HIP LOCK BY THE HAMMER.
3239
01:39:25,293 --> 01:39:26,525
LOOK OUT.
NICE HIP LOCK BY THE HAMMER.
RIGHT OFF THE ROPES.
3240
01:39:26,527 --> 01:39:28,427
NICE HIP LOCK BY THE HAMMER.
RIGHT OFF THE ROPES.
AND HE DROPS ONE, BUT DAVEY BOY
3241
01:39:28,429 --> 01:39:29,695
RIGHT OFF THE ROPES.
AND HE DROPS ONE, BUT DAVEY BOY
SMITH NOT ANYWHERE IN SIGHT.
3242
01:39:29,697 --> 01:39:31,330
AND HE DROPS ONE, BUT DAVEY BOY
SMITH NOT ANYWHERE IN SIGHT.
THERE'S THE QUICK TAG.
3243
01:39:31,332 --> 01:39:32,398
SMITH NOT ANYWHERE IN SIGHT.
THERE'S THE QUICK TAG.
THE CONTINUITY OF THE BRITISH
3244
01:39:32,400 --> 01:39:35,434
THERE'S THE QUICK TAG.
THE CONTINUITY OF THE BRITISH
BULLDOGS SHOWING.
3245
01:39:35,436 --> 01:39:36,602
THE CONTINUITY OF THE BRITISH
BULLDOGS SHOWING.
AND DYNAMITE KID NOW GOING TO
3246
01:39:36,604 --> 01:39:37,670
BULLDOGS SHOWING.
AND DYNAMITE KID NOW GOING TO
WORK ON THE HAMMER.
3247
01:39:37,672 --> 01:39:41,607
AND DYNAMITE KID NOW GOING TO
WORK ON THE HAMMER.
HE NEEDS TO MAKE A TAG.
3248
01:39:41,609 --> 01:39:42,608
WORK ON THE HAMMER.
HE NEEDS TO MAKE A TAG.
ROLL OVER.
3249
01:39:42,610 --> 01:39:43,542
HE NEEDS TO MAKE A TAG.
ROLL OVER.
ONE COUNT, TWO, BUT THAT'S ABOUT
3250
01:39:43,544 --> 01:39:44,711
ROLL OVER.
ONE COUNT, TWO, BUT THAT'S ABOUT
IT.
3251
01:39:44,713 --> 01:39:45,444
ONE COUNT, TWO, BUT THAT'S ABOUT
IT.
>> WELL, THAT'S CAPTAIN LOU
3252
01:39:45,446 --> 01:39:46,812
IT.
>> WELL, THAT'S CAPTAIN LOU
ALBANO AND OZZY OSBOURNE ON THE
3253
01:39:46,814 --> 01:39:48,714
>> WELL, THAT'S CAPTAIN LOU
ALBANO AND OZZY OSBOURNE ON THE
EXTERIOR OF THE RING, AND THAT'S
3254
01:39:48,716 --> 01:39:50,549
ALBANO AND OZZY OSBOURNE ON THE
EXTERIOR OF THE RING, AND THAT'S
TREMENDOUS MORAL SUPPORT.
3255
01:39:50,551 --> 01:39:51,650
EXTERIOR OF THE RING, AND THAT'S
TREMENDOUS MORAL SUPPORT.
THEY'RE CHEERLEADERS OF SORTS
3256
01:39:51,652 --> 01:39:52,485
TREMENDOUS MORAL SUPPORT.
THEY'RE CHEERLEADERS OF SORTS
FOR THE BRITISH BULLDOGS.
3257
01:39:52,487 --> 01:39:53,419
THEY'RE CHEERLEADERS OF SORTS
FOR THE BRITISH BULLDOGS.
>> QUICK OVER THE TOP GOES
3258
01:39:53,421 --> 01:39:54,387
FOR THE BRITISH BULLDOGS.
>> QUICK OVER THE TOP GOES
DYNAMITE.
3259
01:39:54,389 --> 01:39:55,321
>> QUICK OVER THE TOP GOES
DYNAMITE.
HE WAS MOVING A HUNDRED MILES AN
3260
01:39:55,323 --> 01:39:57,357
DYNAMITE.
HE WAS MOVING A HUNDRED MILES AN
HOUR.
3261
01:39:57,359 --> 01:39:58,724
HE WAS MOVING A HUNDRED MILES AN
HOUR.
AND THE HAMMER GETS AN EDUCATION
3262
01:39:58,726 --> 01:40:00,826
HOUR.
AND THE HAMMER GETS AN EDUCATION
RIGHT QUICK AS TO THE SPEED AND
3263
01:40:00,828 --> 01:40:03,496
AND THE HAMMER GETS AN EDUCATION
RIGHT QUICK AS TO THE SPEED AND
AGILITY OF THE BRITISH BULLDOGS.
3264
01:40:03,498 --> 01:40:04,597
RIGHT QUICK AS TO THE SPEED AND
AGILITY OF THE BRITISH BULLDOGS.
>> CATHY LEE, YOU'VE GOTTEN THE
3265
01:40:04,599 --> 01:40:06,799
AGILITY OF THE BRITISH BULLDOGS.
>> CATHY LEE, YOU'VE GOTTEN THE
IMPRESSION THEY'RE NOT HOLDING
3266
01:40:06,801 --> 01:40:07,500
>> CATHY LEE, YOU'VE GOTTEN THE
IMPRESSION THEY'RE NOT HOLDING
BACK.
3267
01:40:07,502 --> 01:40:08,735
IMPRESSION THEY'RE NOT HOLDING
BACK.
>> WHAT A TREMENDOUS SNAPPED
3268
01:40:08,737 --> 01:40:10,370
BACK.
>> WHAT A TREMENDOUS SNAPPED
SUPLEX BY THE DYNAMITE KID, AND
3269
01:40:10,372 --> 01:40:11,637
>> WHAT A TREMENDOUS SNAPPED
SUPLEX BY THE DYNAMITE KID, AND
HE MAKES ANOTHER TAG AS DAVEY
3270
01:40:11,639 --> 01:40:12,838
SUPLEX BY THE DYNAMITE KID, AND
HE MAKES ANOTHER TAG AS DAVEY
BOY STEPS IN.
3271
01:40:12,840 --> 01:40:13,740
HE MAKES ANOTHER TAG AS DAVEY
BOY STEPS IN.
YET TO GET INVOLVED IN THIS
3272
01:40:13,742 --> 01:40:16,442
BOY STEPS IN.
YET TO GET INVOLVED IN THIS
MATCH: BRUTUS BEEFCAKE.
3273
01:40:16,444 --> 01:40:17,410
YET TO GET INVOLVED IN THIS
MATCH: BRUTUS BEEFCAKE.
LOOK OUT.
3274
01:40:17,412 --> 01:40:18,611
MATCH: BRUTUS BEEFCAKE.
LOOK OUT.
ANOTHER SUPLEX COMING UP.
3275
01:40:18,613 --> 01:40:20,446
LOOK OUT.
ANOTHER SUPLEX COMING UP.
OH, NICE BLOCK BY VALENTINE.
3276
01:40:20,448 --> 01:40:21,314
ANOTHER SUPLEX COMING UP.
OH, NICE BLOCK BY VALENTINE.
>> BEAUTIFUL COUNTER.
3277
01:40:21,316 --> 01:40:22,048
OH, NICE BLOCK BY VALENTINE.
>> BEAUTIFUL COUNTER.
>> AS HE STICKS THE LEG IN
3278
01:40:22,050 --> 01:40:22,481
>> BEAUTIFUL COUNTER.
>> AS HE STICKS THE LEG IN
THERE.
3279
01:40:22,483 --> 01:40:22,915
>> AS HE STICKS THE LEG IN
THERE.
>> BEAUTIFUL COUNTER.
3280
01:40:22,917 --> 01:40:23,949
THERE.
>> BEAUTIFUL COUNTER.
>> AND ANOTHER COUNTER.
3281
01:40:23,951 --> 01:40:24,784
>> BEAUTIFUL COUNTER.
>> AND ANOTHER COUNTER.
VALENTINE'S GONNA TRY TO GET ONE
3282
01:40:24,786 --> 01:40:25,851
>> AND ANOTHER COUNTER.
VALENTINE'S GONNA TRY TO GET ONE
OF HIS OWN HERE.
3283
01:40:25,853 --> 01:40:27,453
VALENTINE'S GONNA TRY TO GET ONE
OF HIS OWN HERE.
YES.
3284
01:40:27,455 --> 01:40:28,454
OF HIS OWN HERE.
YES.
OH, HE COULDN'T GET HIM UP IN
3285
01:40:28,456 --> 01:40:29,455
YES.
OH, HE COULDN'T GET HIM UP IN
THAT VERTICAL POSITION, BUT
3286
01:40:29,457 --> 01:40:31,758
OH, HE COULDN'T GET HIM UP IN
THAT VERTICAL POSITION, BUT
DAVEY BOY DOES.
3287
01:40:31,760 --> 01:40:34,693
THAT VERTICAL POSITION, BUT
DAVEY BOY DOES.
HIGH IN THE AIR.
3288
01:40:34,695 --> 01:40:36,028
DAVEY BOY DOES.
HIGH IN THE AIR.
IMAGINE THE IMPACT.
3289
01:40:36,030 --> 01:40:36,862
HIGH IN THE AIR.
IMAGINE THE IMPACT.
TWO COUNT.
3290
01:40:36,864 --> 01:40:39,632
IMAGINE THE IMPACT.
TWO COUNT.
NO, HE COULDN'T GET HIM.
3291
01:40:39,634 --> 01:40:40,766
TWO COUNT.
NO, HE COULDN'T GET HIM.
VALENTINE IN THERE MAYBE LONGER
3292
01:40:40,768 --> 01:40:43,669
NO, HE COULDN'T GET HIM.
VALENTINE IN THERE MAYBE LONGER
THAN HE SHOULD BE, GENE.
3293
01:40:43,671 --> 01:40:44,637
VALENTINE IN THERE MAYBE LONGER
THAN HE SHOULD BE, GENE.
>> IT WOULD BE PRUDENT FOR HIM
3294
01:40:44,639 --> 01:40:45,705
THAN HE SHOULD BE, GENE.
>> IT WOULD BE PRUDENT FOR HIM
RIGHT NOW TO GET A TAG TO
3295
01:40:45,707 --> 01:40:46,639
>> IT WOULD BE PRUDENT FOR HIM
RIGHT NOW TO GET A TAG TO
BEEFCAKE SO HE CAN GET A
3296
01:40:46,641 --> 01:40:48,674
RIGHT NOW TO GET A TAG TO
BEEFCAKE SO HE CAN GET A
RESPITE.
3297
01:40:48,676 --> 01:40:49,509
BEEFCAKE SO HE CAN GET A
RESPITE.
HE'S BEEN IN THERE WAY TOO LONG,
3298
01:40:49,511 --> 01:40:50,643
RESPITE.
HE'S BEEN IN THERE WAY TOO LONG,
AS YOU HAD MENTIONED.
3299
01:40:50,645 --> 01:40:51,477
HE'S BEEN IN THERE WAY TOO LONG,
AS YOU HAD MENTIONED.
MATTER OF FACT, THERE'S A LITTLE
3300
01:40:51,479 --> 01:40:52,612
AS YOU HAD MENTIONED.
MATTER OF FACT, THERE'S A LITTLE
TIME OUT.
3301
01:40:52,614 --> 01:40:54,514
MATTER OF FACT, THERE'S A LITTLE
TIME OUT.
JOHNNY VALIANT.
3302
01:40:54,516 --> 01:40:55,715
TIME OUT.
JOHNNY VALIANT.
>> VERY SMART MOVE ON THE PART
3303
01:40:55,717 --> 01:40:57,850
JOHNNY VALIANT.
>> VERY SMART MOVE ON THE PART
OF GREG "THE HAMMER."
3304
01:40:57,852 --> 01:40:59,385
>> VERY SMART MOVE ON THE PART
OF GREG "THE HAMMER."
CAPTAIN LOU CHALLENGING
3305
01:40:59,387 --> 01:41:01,354
OF GREG "THE HAMMER."
CAPTAIN LOU CHALLENGING
"LUSCIOUS" JOHNNY, BUT THAT'S
3306
01:41:01,356 --> 01:41:02,688
CAPTAIN LOU CHALLENGING
"LUSCIOUS" JOHNNY, BUT THAT'S
NOT GONNA HAPPEN.
3307
01:41:02,690 --> 01:41:04,857
"LUSCIOUS" JOHNNY, BUT THAT'S
NOT GONNA HAPPEN.
BUT VERY, VERY CLEVER MANEUVER
3308
01:41:04,859 --> 01:41:05,758
NOT GONNA HAPPEN.
BUT VERY, VERY CLEVER MANEUVER
BY THE RING VETERAN GREG "THE
3309
01:41:05,760 --> 01:41:06,725
BUT VERY, VERY CLEVER MANEUVER
BY THE RING VETERAN GREG "THE
HAMMER" VALENTINE AS HE SEES AN
3310
01:41:06,727 --> 01:41:09,328
BY THE RING VETERAN GREG "THE
HAMMER" VALENTINE AS HE SEES AN
OPPORTUNITY TO STEP OUT HERE AND
3311
01:41:09,330 --> 01:41:10,596
HAMMER" VALENTINE AS HE SEES AN
OPPORTUNITY TO STEP OUT HERE AND
BREAK THE MOMENTUM OF DAVEY BOY
3312
01:41:10,598 --> 01:41:12,531
OPPORTUNITY TO STEP OUT HERE AND
BREAK THE MOMENTUM OF DAVEY BOY
SMITH.
3313
01:41:12,533 --> 01:41:13,499
BREAK THE MOMENTUM OF DAVEY BOY
SMITH.
HE'S RIGHT NEAR HIS CORNER.
3314
01:41:13,501 --> 01:41:14,267
SMITH.
HE'S RIGHT NEAR HIS CORNER.
NOW WOULD'VE BEEN A GOOD TIME TO
3315
01:41:14,269 --> 01:41:15,268
HE'S RIGHT NEAR HIS CORNER.
NOW WOULD'VE BEEN A GOOD TIME TO
TAG, GENE.
3316
01:41:15,270 --> 01:41:16,635
NOW WOULD'VE BEEN A GOOD TIME TO
TAG, GENE.
>> SHOULD'VE DONE IT.
3317
01:41:16,637 --> 01:41:17,570
TAG, GENE.
>> SHOULD'VE DONE IT.
I CAN'T BELIEVE THAT JOHNNY
3318
01:41:17,572 --> 01:41:19,405
>> SHOULD'VE DONE IT.
I CAN'T BELIEVE THAT JOHNNY
VALIANT WOULD'VE ADVISED HIM TO
3319
01:41:19,407 --> 01:41:19,705
I CAN'T BELIEVE THAT JOHNNY
VALIANT WOULD'VE ADVISED HIM TO
DO SO.
3320
01:41:19,707 --> 01:41:20,639
VALIANT WOULD'VE ADVISED HIM TO
DO SO.
>> ME NEITHER.
3321
01:41:20,641 --> 01:41:21,774
DO SO.
>> ME NEITHER.
NOT WITH HIS EXPERIENCE.
3322
01:41:21,776 --> 01:41:23,442
>> ME NEITHER.
NOT WITH HIS EXPERIENCE.
OH, FOREARM.
3323
01:41:23,444 --> 01:41:25,444
NOT WITH HIS EXPERIENCE.
OH, FOREARM.
BEAUTIFUL FOREARM UPPERCUT AS
3324
01:41:25,446 --> 01:41:26,879
OH, FOREARM.
BEAUTIFUL FOREARM UPPERCUT AS
ONLY THE HAMMER CAN DELIVER.
3325
01:41:26,881 --> 01:41:27,680
BEAUTIFUL FOREARM UPPERCUT AS
ONLY THE HAMMER CAN DELIVER.
LOOK OUT, NOW.
3326
01:41:27,682 --> 01:41:29,648
ONLY THE HAMMER CAN DELIVER.
LOOK OUT, NOW.
DAVEY BOY REVERSES IT.
3327
01:41:29,650 --> 01:41:31,417
LOOK OUT, NOW.
DAVEY BOY REVERSES IT.
AND HARD INTO THE TURNBUCKLE.
3328
01:41:31,419 --> 01:41:32,751
DAVEY BOY REVERSES IT.
AND HARD INTO THE TURNBUCKLE.
>> WOW.
3329
01:41:32,753 --> 01:41:34,420
AND HARD INTO THE TURNBUCKLE.
>> WOW.
>> HE CAUGHT HIM SLEEPING.
3330
01:41:34,422 --> 01:41:35,788
>> WOW.
>> HE CAUGHT HIM SLEEPING.
>> OUCH.
3331
01:41:35,790 --> 01:41:36,789
>> HE CAUGHT HIM SLEEPING.
>> OUCH.
>> AND HOW QUICK THE TIDE CAN
3332
01:41:36,791 --> 01:41:37,790
>> OUCH.
>> AND HOW QUICK THE TIDE CAN
TURN IN THE WORLD OF
3333
01:41:37,792 --> 01:41:38,591
>> AND HOW QUICK THE TIDE CAN
TURN IN THE WORLD OF
PROFESSIONAL WRESTLING.
3334
01:41:38,593 --> 01:41:40,559
TURN IN THE WORLD OF
PROFESSIONAL WRESTLING.
THERE'S THE TAG.
3335
01:41:40,561 --> 01:41:41,627
PROFESSIONAL WRESTLING.
THERE'S THE TAG.
AND THE FRESH BRUTUS BEEFCAKE
3336
01:41:41,629 --> 01:41:45,431
THERE'S THE TAG.
AND THE FRESH BRUTUS BEEFCAKE
STEPPING IN.
3337
01:41:45,433 --> 01:41:46,165
AND THE FRESH BRUTUS BEEFCAKE
STEPPING IN.
>> NOW IT CAN BE JUST THE
3338
01:41:46,167 --> 01:41:46,532
STEPPING IN.
>> NOW IT CAN BE JUST THE
OPPOSITE.
3339
01:41:46,534 --> 01:41:47,633
>> NOW IT CAN BE JUST THE
OPPOSITE.
DAVEY BOY SMITH PERHAPS IN THERE
3340
01:41:47,635 --> 01:41:48,601
OPPOSITE.
DAVEY BOY SMITH PERHAPS IN THERE
A LITTLE LONGER THAN HE
3341
01:41:48,603 --> 01:41:49,569
DAVEY BOY SMITH PERHAPS IN THERE
A LITTLE LONGER THAN HE
SHOULD'VE BEEN.
3342
01:41:49,571 --> 01:41:50,436
A LITTLE LONGER THAN HE
SHOULD'VE BEEN.
>> WELL, HE COULD'VE MADE A TAG
3343
01:41:50,438 --> 01:41:51,670
SHOULD'VE BEEN.
>> WELL, HE COULD'VE MADE A TAG
TO DYNAMITE.
3344
01:41:51,672 --> 01:41:53,072
>> WELL, HE COULD'VE MADE A TAG
TO DYNAMITE.
THE SPEED ON THAT TEAM IS JUST
3345
01:41:53,074 --> 01:41:54,140
TO DYNAMITE.
THE SPEED ON THAT TEAM IS JUST
ENORMOUS.
3346
01:41:54,142 --> 01:41:55,108
THE SPEED ON THAT TEAM IS JUST
ENORMOUS.
>> THE SECRET, THOUGH, TO THE
3347
01:41:55,110 --> 01:41:56,676
ENORMOUS.
>> THE SECRET, THOUGH, TO THE
BULLDOGS THUS FAR AS I CAN SEE
3348
01:41:56,678 --> 01:41:57,743
>> THE SECRET, THOUGH, TO THE
BULLDOGS THUS FAR AS I CAN SEE
HAS BEEN THEIR TREMENDOUS
3349
01:41:57,745 --> 01:41:58,577
BULLDOGS THUS FAR AS I CAN SEE
HAS BEEN THEIR TREMENDOUS
TEAMWORK, CATHY LEE.
3350
01:41:58,579 --> 01:42:00,646
HAS BEEN THEIR TREMENDOUS
TEAMWORK, CATHY LEE.
>> ABSOLUTELY.
3351
01:42:00,648 --> 01:42:02,481
TEAMWORK, CATHY LEE.
>> ABSOLUTELY.
CATHY LEE IS ASTOUNDED.
3352
01:42:02,483 --> 01:42:02,882
>> ABSOLUTELY.
CATHY LEE IS ASTOUNDED.
>> I'M AMAZED.
3353
01:42:02,884 --> 01:42:03,683
CATHY LEE IS ASTOUNDED.
>> I'M AMAZED.
I AM STUNNED.
3354
01:42:03,685 --> 01:42:04,817
>> I'M AMAZED.
I AM STUNNED.
>> OH, LOOK AT THIS PRESS SLAM.
3355
01:42:04,819 --> 01:42:07,419
I AM STUNNED.
>> OH, LOOK AT THIS PRESS SLAM.
WOW.
3356
01:42:07,421 --> 01:42:08,020
>> OH, LOOK AT THIS PRESS SLAM.
WOW.
>> THAT'S INCREDIBLE.
3357
01:42:08,022 --> 01:42:09,355
WOW.
>> THAT'S INCREDIBLE.
>> POWER MOVE.
3358
01:42:09,357 --> 01:42:10,289
>> THAT'S INCREDIBLE.
>> POWER MOVE.
>> THAT IS MORE THAN INCREDIBLE.
3359
01:42:10,291 --> 01:42:11,624
>> POWER MOVE.
>> THAT IS MORE THAN INCREDIBLE.
HERE THEY ARE AGAIN.
3360
01:42:11,626 --> 01:42:12,625
>> THAT IS MORE THAN INCREDIBLE.
HERE THEY ARE AGAIN.
>> QUICK TAG MADE THERE AS THE
3361
01:42:12,627 --> 01:42:13,959
HERE THEY ARE AGAIN.
>> QUICK TAG MADE THERE AS THE
DYNAMITE KID STEPS IN.
3362
01:42:13,961 --> 01:42:14,793
>> QUICK TAG MADE THERE AS THE
DYNAMITE KID STEPS IN.
LOOK OUT.
3363
01:42:14,795 --> 01:42:16,629
DYNAMITE KID STEPS IN.
LOOK OUT.
BEEFER IN FOR THE RIDE.
3364
01:42:16,631 --> 01:42:18,564
LOOK OUT.
BEEFER IN FOR THE RIDE.
NICE CLOTHESLINE, AND DYNAMITE
3365
01:42:18,566 --> 01:42:20,399
BEEFER IN FOR THE RIDE.
NICE CLOTHESLINE, AND DYNAMITE
WITH A REVERSE KNIFE EDGE SENDS
3366
01:42:20,401 --> 01:42:21,634
NICE CLOTHESLINE, AND DYNAMITE
WITH A REVERSE KNIFE EDGE SENDS
HIM DOWN.
3367
01:42:21,636 --> 01:42:24,537
WITH A REVERSE KNIFE EDGE SENDS
HIM DOWN.
LITTLE PREMATURE FOR THAT COVER.
3368
01:42:24,539 --> 01:42:25,571
HIM DOWN.
LITTLE PREMATURE FOR THAT COVER.
LOOK IT.
3369
01:42:25,573 --> 01:42:26,572
LITTLE PREMATURE FOR THAT COVER.
LOOK IT.
SMALL PACKAGE.
3370
01:42:26,574 --> 01:42:26,972
LOOK IT.
SMALL PACKAGE.
TIES HIM UP.
3371
01:42:26,974 --> 01:42:27,706
SMALL PACKAGE.
TIES HIM UP.
BOTH LEGS.
3372
01:42:27,708 --> 01:42:28,707
TIES HIM UP.
BOTH LEGS.
>> OH.
3373
01:42:28,709 --> 01:42:29,709
BOTH LEGS.
>> OH.
>> BRUTUS STILL FRESH ENOUGH TO
3374
01:42:29,711 --> 01:42:30,610
>> OH.
>> BRUTUS STILL FRESH ENOUGH TO
BE ABLE TO KICK OUT OF THERE,
3375
01:42:30,612 --> 01:42:31,577
>> BRUTUS STILL FRESH ENOUGH TO
BE ABLE TO KICK OUT OF THERE,
GENE.
3376
01:42:31,579 --> 01:42:32,244
BE ABLE TO KICK OUT OF THERE,
GENE.
>> NOW, THAT WAS NOT GONNA DO
3377
01:42:32,246 --> 01:42:32,578
GENE.
>> NOW, THAT WAS NOT GONNA DO
IT.
3378
01:42:32,580 --> 01:42:33,712
>> NOW, THAT WAS NOT GONNA DO
IT.
WATCH THIS SUPERB TEAMWORK ON
3379
01:42:33,714 --> 01:42:34,680
IT.
WATCH THIS SUPERB TEAMWORK ON
THE PART OF THE BULLDOGS.
3380
01:42:34,682 --> 01:42:37,416
WATCH THIS SUPERB TEAMWORK ON
THE PART OF THE BULLDOGS.
THEY ARE GOOD.
3381
01:42:37,418 --> 01:42:38,017
THE PART OF THE BULLDOGS.
THEY ARE GOOD.
>> DAVEY BOY SMITH BACK IN
3382
01:42:38,019 --> 01:42:38,784
THEY ARE GOOD.
>> DAVEY BOY SMITH BACK IN
THERE.
3383
01:42:38,786 --> 01:42:39,785
>> DAVEY BOY SMITH BACK IN
THERE.
THE POWERHOUSE ON HIS TEAM.
3384
01:42:39,787 --> 01:42:42,555
THERE.
THE POWERHOUSE ON HIS TEAM.
SUPLEX PERHAPS COMING UP.
3385
01:42:42,557 --> 01:42:43,355
THE POWERHOUSE ON HIS TEAM.
SUPLEX PERHAPS COMING UP.
OH, NOW.
3386
01:42:43,357 --> 01:42:43,989
SUPLEX PERHAPS COMING UP.
OH, NOW.
IT'S A CRADLE.
3387
01:42:43,991 --> 01:42:44,690
OH, NOW.
IT'S A CRADLE.
HE HOLDS ON TO HIM WITH A
3388
01:42:44,692 --> 01:42:45,424
IT'S A CRADLE.
HE HOLDS ON TO HIM WITH A
CRADLE.
3389
01:42:45,426 --> 01:42:45,892
HE HOLDS ON TO HIM WITH A
CRADLE.
TWO.
3390
01:42:45,894 --> 01:42:46,792
CRADLE.
TWO.
TWO.
3391
01:42:46,794 --> 01:42:47,459
TWO.
TWO.
WHOA, WAS THAT CLOSE.
3392
01:42:47,461 --> 01:42:48,628
TWO.
WHOA, WAS THAT CLOSE.
>> WHAT ABOUT THAT BRIDGE?
3393
01:42:48,630 --> 01:42:49,962
WHOA, WAS THAT CLOSE.
>> WHAT ABOUT THAT BRIDGE?
>> TREMENDOUS EFFORT ON THE PART
3394
01:42:49,964 --> 01:42:51,864
>> WHAT ABOUT THAT BRIDGE?
>> TREMENDOUS EFFORT ON THE PART
OF BRUTUS TO GET OUT OF THERE,
3395
01:42:51,866 --> 01:42:53,633
>> TREMENDOUS EFFORT ON THE PART
OF BRUTUS TO GET OUT OF THERE,
AND HE NEEDS TO GET BACK INTO
3396
01:42:53,635 --> 01:42:54,567
OF BRUTUS TO GET OUT OF THERE,
AND HE NEEDS TO GET BACK INTO
HIS CORNER AND MAKE A TAG TO THE
3397
01:42:54,569 --> 01:42:56,736
AND HE NEEDS TO GET BACK INTO
HIS CORNER AND MAKE A TAG TO THE
HAMMER IF THEY WANT TO SURVIVE
3398
01:42:56,738 --> 01:42:57,803
HIS CORNER AND MAKE A TAG TO THE
HAMMER IF THEY WANT TO SURVIVE
HERE.
3399
01:42:57,805 --> 01:42:59,672
HAMMER IF THEY WANT TO SURVIVE
HERE.
>> THE BULLDOGS ARE REALLY
3400
01:42:59,674 --> 01:43:00,573
HERE.
>> THE BULLDOGS ARE REALLY
SHOWING TEAMWORK.
3401
01:43:00,575 --> 01:43:01,407
>> THE BULLDOGS ARE REALLY
SHOWING TEAMWORK.
I'M REALLY IMPRESSED WITH THAT.
3402
01:43:01,409 --> 01:43:02,675
SHOWING TEAMWORK.
I'M REALLY IMPRESSED WITH THAT.
>> THEY HAVE TREMENDOUS ...
3403
01:43:02,677 --> 01:43:03,209
I'M REALLY IMPRESSED WITH THAT.
>> THEY HAVE TREMENDOUS ...
>> THEY'RE VERY SMOOTH.
3404
01:43:03,211 --> 01:43:03,775
>> THEY HAVE TREMENDOUS ...
>> THEY'RE VERY SMOOTH.
>> THEY CERTAINLY DO.
3405
01:43:03,777 --> 01:43:04,577
>> THEY'RE VERY SMOOTH.
>> THEY CERTAINLY DO.
THAT'S ONE OF THEIR BIGGEST
3406
01:43:04,579 --> 01:43:06,445
>> THEY CERTAINLY DO.
THAT'S ONE OF THEIR BIGGEST
FORTES.
3407
01:43:06,447 --> 01:43:07,746
THAT'S ONE OF THEIR BIGGEST
FORTES.
CAPTAIN LOU SHOUTING
3408
01:43:07,748 --> 01:43:08,781
FORTES.
CAPTAIN LOU SHOUTING
INSTRUCTIONS IN.
3409
01:43:08,783 --> 01:43:10,349
CAPTAIN LOU SHOUTING
INSTRUCTIONS IN.
>> NOW BEEFCAKE ...
3410
01:43:10,351 --> 01:43:10,849
INSTRUCTIONS IN.
>> NOW BEEFCAKE ...
>> THERE IT IS.
3411
01:43:10,851 --> 01:43:11,550
>> NOW BEEFCAKE ...
>> THERE IT IS.
>> FINALLY GETS A TAG OFF TO
3412
01:43:11,552 --> 01:43:12,552
>> THERE IT IS.
>> FINALLY GETS A TAG OFF TO
VALENTINE.
3413
01:43:12,554 --> 01:43:12,951
>> FINALLY GETS A TAG OFF TO
VALENTINE.
LOOK AT THIS.
3414
01:43:12,953 --> 01:43:13,486
VALENTINE.
LOOK AT THIS.
THE HAMMER GOING UP TO THE TOP
3415
01:43:13,488 --> 01:43:14,286
LOOK AT THIS.
THE HAMMER GOING UP TO THE TOP
ROPE.
3416
01:43:14,288 --> 01:43:14,854
THE HAMMER GOING UP TO THE TOP
ROPE.
>> WOW.
3417
01:43:14,856 --> 01:43:17,389
ROPE.
>> WOW.
>> DID HE UNLOAD ONE ON DAVEY
3418
01:43:17,391 --> 01:43:18,657
>> WOW.
>> DID HE UNLOAD ONE ON DAVEY
BOY SMITH.
3419
01:43:18,659 --> 01:43:22,762
>> DID HE UNLOAD ONE ON DAVEY
BOY SMITH.
RIGHT ON THE BACK OF THE NECK.
3420
01:43:22,764 --> 01:43:23,562
BOY SMITH.
RIGHT ON THE BACK OF THE NECK.
NOW HE'S SETTING HIM UP.
3421
01:43:23,564 --> 01:43:24,463
RIGHT ON THE BACK OF THE NECK.
NOW HE'S SETTING HIM UP.
HE'LL GET HIM UP THIS TIME.
3422
01:43:24,465 --> 01:43:25,598
NOW HE'S SETTING HIM UP.
HE'LL GET HIM UP THIS TIME.
NO QUESTION.
3423
01:43:25,600 --> 01:43:26,499
HE'LL GET HIM UP THIS TIME.
NO QUESTION.
HE'S GOT HIM STUNNED.
3424
01:43:26,501 --> 01:43:27,666
NO QUESTION.
HE'S GOT HIM STUNNED.
YES.
3425
01:43:27,668 --> 01:43:28,801
HE'S GOT HIM STUNNED.
YES.
WELL EXECUTED SUPLEX BY THE
3426
01:43:28,803 --> 01:43:29,735
YES.
WELL EXECUTED SUPLEX BY THE
HAMMER.
3427
01:43:29,737 --> 01:43:30,502
WELL EXECUTED SUPLEX BY THE
HAMMER.
GOING FOR THE COVER.
3428
01:43:30,504 --> 01:43:31,637
HAMMER.
GOING FOR THE COVER.
NO.
3429
01:43:31,639 --> 01:43:33,305
GOING FOR THE COVER.
NO.
>> PRETTY FAIR COUNTRY SUPLEX ON
3430
01:43:33,307 --> 01:43:34,473
NO.
>> PRETTY FAIR COUNTRY SUPLEX ON
THE PART OF GREG "THE HAMMER"
3431
01:43:34,475 --> 01:43:35,474
>> PRETTY FAIR COUNTRY SUPLEX ON
THE PART OF GREG "THE HAMMER"
VALENTINE HIMSELF.
3432
01:43:35,476 --> 01:43:36,509
THE PART OF GREG "THE HAMMER"
VALENTINE HIMSELF.
>> GREG "THE HAMMER" CAN DO IT
3433
01:43:36,511 --> 01:43:37,810
VALENTINE HIMSELF.
>> GREG "THE HAMMER" CAN DO IT
ALL, GENE.
3434
01:43:37,812 --> 01:43:40,680
>> GREG "THE HAMMER" CAN DO IT
ALL, GENE.
GOT THE EXPERIENCE, THE STAMINA,
3435
01:43:40,682 --> 01:43:41,847
ALL, GENE.
GOT THE EXPERIENCE, THE STAMINA,
AND A TREMENDOUS, FIERCE
3436
01:43:41,849 --> 01:43:42,848
GOT THE EXPERIENCE, THE STAMINA,
AND A TREMENDOUS, FIERCE
COMPETITOR.
3437
01:43:42,850 --> 01:43:43,749
AND A TREMENDOUS, FIERCE
COMPETITOR.
>> ANOTHER GREAT SECOND
3438
01:43:43,751 --> 01:43:45,017
COMPETITOR.
>> ANOTHER GREAT SECOND
GENERATION WRESTLER.
3439
01:43:45,019 --> 01:43:45,618
>> ANOTHER GREAT SECOND
GENERATION WRESTLER.
>> OH.
3440
01:43:45,620 --> 01:43:46,585
GENERATION WRESTLER.
>> OH.
FATHER OF JOHNNY VALENTINE NEVER
3441
01:43:46,587 --> 01:43:48,454
>> OH.
FATHER OF JOHNNY VALENTINE NEVER
TOOK THE BACK SEAT TO ANYBODY.
3442
01:43:48,456 --> 01:43:49,488
FATHER OF JOHNNY VALENTINE NEVER
TOOK THE BACK SEAT TO ANYBODY.
>> WELL, CATHY LEE WAS MAYBE A
3443
01:43:49,490 --> 01:43:50,823
TOOK THE BACK SEAT TO ANYBODY.
>> WELL, CATHY LEE WAS MAYBE A
LITTLE TOO YOUNG FOR THE LIKES
3444
01:43:50,825 --> 01:43:51,857
>> WELL, CATHY LEE WAS MAYBE A
LITTLE TOO YOUNG FOR THE LIKES
OF JOHNNY VALENTINE, OR NOT, BUT
3445
01:43:51,859 --> 01:43:53,892
LITTLE TOO YOUNG FOR THE LIKES
OF JOHNNY VALENTINE, OR NOT, BUT
HE WAS TRULY ONE OF THE ALL TIME
3446
01:43:53,894 --> 01:43:54,693
OF JOHNNY VALENTINE, OR NOT, BUT
HE WAS TRULY ONE OF THE ALL TIME
GREATS.
3447
01:43:54,695 --> 01:43:55,795
HE WAS TRULY ONE OF THE ALL TIME
GREATS.
>> I ACTUALLY, THIS IS THE FIRST
3448
01:43:55,797 --> 01:43:56,929
GREATS.
>> I ACTUALLY, THIS IS THE FIRST
WRESTLING MATCH I'VE SEEN LIVE.
3449
01:43:56,931 --> 01:43:58,831
>> I ACTUALLY, THIS IS THE FIRST
WRESTLING MATCH I'VE SEEN LIVE.
I GREW UP IN WRESTLING, WITH
3450
01:43:58,833 --> 01:43:59,765
WRESTLING MATCH I'VE SEEN LIVE.
I GREW UP IN WRESTLING, WITH
WRESTLING.
3451
01:43:59,767 --> 01:44:00,766
I GREW UP IN WRESTLING, WITH
WRESTLING.
MY GRANDFATHER USED TO WATCH IT
3452
01:44:00,768 --> 01:44:01,734
WRESTLING.
MY GRANDFATHER USED TO WATCH IT
AND USED TO REMIND ME ABOUT
3453
01:44:01,736 --> 01:44:02,668
MY GRANDFATHER USED TO WATCH IT
AND USED TO REMIND ME ABOUT
GORGEOUS GEORGE AND ...
3454
01:44:02,670 --> 01:44:03,335
AND USED TO REMIND ME ABOUT
GORGEOUS GEORGE AND ...
>> UH-OH.
3455
01:44:03,337 --> 01:44:04,503
GORGEOUS GEORGE AND ...
>> UH-OH.
LOOK AT THIS.
3456
01:44:04,505 --> 01:44:05,104
>> UH-OH.
LOOK AT THIS.
>> TELL ME ALL ABOUT GREAT
3457
01:44:05,106 --> 01:44:05,471
LOOK AT THIS.
>> TELL ME ALL ABOUT GREAT
STORIES.
3458
01:44:05,473 --> 01:44:06,005
>> TELL ME ALL ABOUT GREAT
STORIES.
>> ANOTHER TAG MADE AND WIDE
3459
01:44:06,007 --> 01:44:07,606
STORIES.
>> ANOTHER TAG MADE AND WIDE
OPEN TO HAMMER, BUT THE BLOWS GO
3460
01:44:07,608 --> 01:44:08,841
>> ANOTHER TAG MADE AND WIDE
OPEN TO HAMMER, BUT THE BLOWS GO
BACK AND FORTH NOW AS THE
3461
01:44:08,843 --> 01:44:10,576
OPEN TO HAMMER, BUT THE BLOWS GO
BACK AND FORTH NOW AS THE
DYNAMITE KID AND THE HAMMER
3462
01:44:10,578 --> 01:44:12,612
BACK AND FORTH NOW AS THE
DYNAMITE KID AND THE HAMMER
SLUGGING IT OUT, AND DYNAMITE'S
3463
01:44:12,614 --> 01:44:15,314
DYNAMITE KID AND THE HAMMER
SLUGGING IT OUT, AND DYNAMITE'S
TAKING THE UPPER HAND.
3464
01:44:15,316 --> 01:44:16,549
SLUGGING IT OUT, AND DYNAMITE'S
TAKING THE UPPER HAND.
OH, LOOK AT THAT FOREARM
3465
01:44:16,551 --> 01:44:17,616
TAKING THE UPPER HAND.
OH, LOOK AT THAT FOREARM
UPPERCUT.
3466
01:44:17,618 --> 01:44:18,617
OH, LOOK AT THAT FOREARM
UPPERCUT.
>> WHAT A SHOWDOWN IN CHICAGO'S
3467
01:44:18,619 --> 01:44:19,752
UPPERCUT.
>> WHAT A SHOWDOWN IN CHICAGO'S
ROSEMONT HORIZON, GORILLA
3468
01:44:19,754 --> 01:44:21,420
>> WHAT A SHOWDOWN IN CHICAGO'S
ROSEMONT HORIZON, GORILLA
MONSOON.
3469
01:44:21,422 --> 01:44:22,788
ROSEMONT HORIZON, GORILLA
MONSOON.
>> TREMENDOUS SHOULDER BLOCKS
3470
01:44:22,790 --> 01:44:24,590
MONSOON.
>> TREMENDOUS SHOULDER BLOCKS
BEING APPLIED HERE BY THE
3471
01:44:24,592 --> 01:44:25,658
>> TREMENDOUS SHOULDER BLOCKS
BEING APPLIED HERE BY THE
DYNAMITE KID IN THE CORNER, AND
3472
01:44:25,660 --> 01:44:27,393
BEING APPLIED HERE BY THE
DYNAMITE KID IN THE CORNER, AND
THE HAMMER GOES DOWN.
3473
01:44:27,395 --> 01:44:28,627
DYNAMITE KID IN THE CORNER, AND
THE HAMMER GOES DOWN.
>> NOW, THOSE SHOULDER BLOCKS
3474
01:44:28,629 --> 01:44:30,629
THE HAMMER GOES DOWN.
>> NOW, THOSE SHOULDER BLOCKS
CERTAINLY HAVE GOT TO TAKE THEIR
3475
01:44:30,631 --> 01:44:31,497
>> NOW, THOSE SHOULDER BLOCKS
CERTAINLY HAVE GOT TO TAKE THEIR
TOLL AT THIS JUNCTURE WITH THIS
3476
01:44:31,499 --> 01:44:31,897
CERTAINLY HAVE GOT TO TAKE THEIR
TOLL AT THIS JUNCTURE WITH THIS
MATCH.
3477
01:44:31,899 --> 01:44:32,765
TOLL AT THIS JUNCTURE WITH THIS
MATCH.
>> THEY CERTAINLY HAVE AND
3478
01:44:32,767 --> 01:44:34,066
MATCH.
>> THEY CERTAINLY HAVE AND
THAT'S WHAT HE'S LEARNING RIGHT
3479
01:44:34,068 --> 01:44:35,901
>> THEY CERTAINLY HAVE AND
THAT'S WHAT HE'S LEARNING RIGHT
NOW AS HE JUST TOOK A HEADER.
3480
01:44:35,903 --> 01:44:37,670
THAT'S WHAT HE'S LEARNING RIGHT
NOW AS HE JUST TOOK A HEADER.
>> JOHNNY VALIANT VOICING
3481
01:44:37,672 --> 01:44:38,570
NOW AS HE JUST TOOK A HEADER.
>> JOHNNY VALIANT VOICING
TREMENDOUS CONCERN ON THE
3482
01:44:38,572 --> 01:44:39,405
>> JOHNNY VALIANT VOICING
TREMENDOUS CONCERN ON THE
OUTSIDE OF THE RING.
3483
01:44:39,407 --> 01:44:39,672
TREMENDOUS CONCERN ON THE
OUTSIDE OF THE RING.
WOW.
3484
01:44:39,674 --> 01:44:41,340
OUTSIDE OF THE RING.
WOW.
THAT WAS CLOSE.
3485
01:44:41,342 --> 01:44:47,479
WOW.
THAT WAS CLOSE.
>> LOOK OUT.
3486
01:44:47,481 --> 01:44:48,781
THAT WAS CLOSE.
>> LOOK OUT.
ANOTHER QUICK TAG MADE.
3487
01:44:48,783 --> 01:44:50,583
>> LOOK OUT.
ANOTHER QUICK TAG MADE.
DOUBLE SLINGSHOT NOW AS THE
3488
01:44:50,585 --> 01:44:51,817
ANOTHER QUICK TAG MADE.
DOUBLE SLINGSHOT NOW AS THE
HAMMER GOES IN.
3489
01:44:51,819 --> 01:44:52,618
DOUBLE SLINGSHOT NOW AS THE
HAMMER GOES IN.
WHOA.
3490
01:44:52,620 --> 01:44:54,420
HAMMER GOES IN.
WHOA.
THEY NAIL HIM.
3491
01:44:54,422 --> 01:44:56,522
WHOA.
THEY NAIL HIM.
DOWN FOR THE COVER.
3492
01:44:56,524 --> 01:44:56,922
THEY NAIL HIM.
DOWN FOR THE COVER.
NOT GONNA GET IT.
3493
01:44:56,924 --> 01:44:57,523
DOWN FOR THE COVER.
NOT GONNA GET IT.
HE'S GOT THAT RIGHT ARM STICKING
3494
01:44:57,525 --> 01:44:58,390
NOT GONNA GET IT.
HE'S GOT THAT RIGHT ARM STICKING
OUT OF THERE.
3495
01:44:58,392 --> 01:44:59,425
HE'S GOT THAT RIGHT ARM STICKING
OUT OF THERE.
>> HE DIDN'T HOOK A LEG, EITHER.
3496
01:44:59,427 --> 01:44:59,692
OUT OF THERE.
>> HE DIDN'T HOOK A LEG, EITHER.
>> NOPE.
3497
01:44:59,694 --> 01:45:00,326
>> HE DIDN'T HOOK A LEG, EITHER.
>> NOPE.
>> FUNDAMENTAL.
3498
01:45:00,328 --> 01:45:01,860
>> NOPE.
>> FUNDAMENTAL.
HE DID NOT HOOK THE LEG.
3499
01:45:01,862 --> 01:45:02,761
>> FUNDAMENTAL.
HE DID NOT HOOK THE LEG.
>> OH, HERE COMES BRUTUS.
3500
01:45:02,763 --> 01:45:05,764
HE DID NOT HOOK THE LEG.
>> OH, HERE COMES BRUTUS.
I DIDN'T SEE ANY TAG MADE THERE.
3501
01:45:05,766 --> 01:45:06,799
>> OH, HERE COMES BRUTUS.
I DIDN'T SEE ANY TAG MADE THERE.
>> A LITTLE DOUBLE TEAMING.
3502
01:45:06,801 --> 01:45:10,469
I DIDN'T SEE ANY TAG MADE THERE.
>> A LITTLE DOUBLE TEAMING.
>> REFEREE PUTTING THEM OUT.
3503
01:45:10,471 --> 01:45:12,705
>> A LITTLE DOUBLE TEAMING.
>> REFEREE PUTTING THEM OUT.
>> CERTAINLY JOHNNY VALIANT'S
3504
01:45:12,707 --> 01:45:14,506
>> REFEREE PUTTING THEM OUT.
>> CERTAINLY JOHNNY VALIANT'S
DREAM TEAM NEED A BETTER
3505
01:45:14,508 --> 01:45:15,641
>> CERTAINLY JOHNNY VALIANT'S
DREAM TEAM NEED A BETTER
REPUTATION FOR THAT.
3506
01:45:15,643 --> 01:45:16,742
DREAM TEAM NEED A BETTER
REPUTATION FOR THAT.
>> SUNSET FLIP.
3507
01:45:16,744 --> 01:45:17,510
REPUTATION FOR THAT.
>> SUNSET FLIP.
WILL HE GET HIM OVER?
3508
01:45:17,512 --> 01:45:18,544
>> SUNSET FLIP.
WILL HE GET HIM OVER?
YES.
3509
01:45:18,546 --> 01:45:19,445
WILL HE GET HIM OVER?
YES.
CAN'T HOOK ...
3510
01:45:19,447 --> 01:45:19,845
YES.
CAN'T HOOK ...
WAIT A MINUTE.
3511
01:45:19,847 --> 01:45:20,713
CAN'T HOOK ...
WAIT A MINUTE.
HIS LEGS AREN'T LONG ENOUGH,
3512
01:45:20,715 --> 01:45:21,480
WAIT A MINUTE.
HIS LEGS AREN'T LONG ENOUGH,
GENE.
3513
01:45:21,482 --> 01:45:21,914
HIS LEGS AREN'T LONG ENOUGH,
GENE.
>> NO WAY.
3514
01:45:21,916 --> 01:45:22,748
GENE.
>> NO WAY.
>> TO REACH THE SHOULDERS.
3515
01:45:22,750 --> 01:45:23,782
>> NO WAY.
>> TO REACH THE SHOULDERS.
>> NO WAY.
3516
01:45:23,784 --> 01:45:26,352
>> TO REACH THE SHOULDERS.
>> NO WAY.
>> COUNT OF TWO AGAIN.
3517
01:45:26,354 --> 01:45:26,952
>> NO WAY.
>> COUNT OF TWO AGAIN.
>> CLOSE ONLY COUNTS IN
3518
01:45:26,954 --> 01:45:28,520
>> COUNT OF TWO AGAIN.
>> CLOSE ONLY COUNTS IN
HORSESHOES AND HAND GRENADES,
3519
01:45:28,522 --> 01:45:29,688
>> CLOSE ONLY COUNTS IN
HORSESHOES AND HAND GRENADES,
CATHY LEE.
3520
01:45:29,690 --> 01:45:30,422
HORSESHOES AND HAND GRENADES,
CATHY LEE.
>> THAT'S RIGHT.
3521
01:45:30,424 --> 01:45:30,890
CATHY LEE.
>> THAT'S RIGHT.
>> LOOK OUT.
3522
01:45:30,892 --> 01:45:32,391
>> THAT'S RIGHT.
>> LOOK OUT.
BACKBREAKER COMING UP.
3523
01:45:32,393 --> 01:45:33,459
>> LOOK OUT.
BACKBREAKER COMING UP.
OH, AND WELL EXECUTED.
3524
01:45:33,461 --> 01:45:35,394
BACKBREAKER COMING UP.
OH, AND WELL EXECUTED.
THE DYNAMITE KID OVER FOR THE
3525
01:45:35,396 --> 01:45:37,229
OH, AND WELL EXECUTED.
THE DYNAMITE KID OVER FOR THE
COVER, AND BEEFCAKE MAKING THE
3526
01:45:37,231 --> 01:45:37,863
THE DYNAMITE KID OVER FOR THE
COVER, AND BEEFCAKE MAKING THE
SAVE.
3527
01:45:37,865 --> 01:45:40,599
COVER, AND BEEFCAKE MAKING THE
SAVE.
>> THAT WAS A SAVE.
3528
01:45:40,601 --> 01:45:41,400
SAVE.
>> THAT WAS A SAVE.
I DON'T KNOW.
3529
01:45:41,402 --> 01:45:42,634
>> THAT WAS A SAVE.
I DON'T KNOW.
COULD IT BE THAT THE BRITISH
3530
01:45:42,636 --> 01:45:43,535
I DON'T KNOW.
COULD IT BE THAT THE BRITISH
BULLDOGS WERE CHOSEN TO WEAR THE
3531
01:45:43,537 --> 01:45:44,570
COULD IT BE THAT THE BRITISH
BULLDOGS WERE CHOSEN TO WEAR THE
GLASS SLIPPER?
3532
01:45:44,572 --> 01:45:45,637
BULLDOGS WERE CHOSEN TO WEAR THE
GLASS SLIPPER?
CERTAINLY THEY ARE THE
3533
01:45:45,639 --> 01:45:46,638
GLASS SLIPPER?
CERTAINLY THEY ARE THE
CINDERELLA TEAM OF THE WORLD
3534
01:45:46,640 --> 01:45:47,639
CERTAINLY THEY ARE THE
CINDERELLA TEAM OF THE WORLD
WRESTLING ENTERTAINMENT.
3535
01:45:47,641 --> 01:45:48,474
CINDERELLA TEAM OF THE WORLD
WRESTLING ENTERTAINMENT.
>> THEY ARE CERTAINLY ARE.
3536
01:45:48,476 --> 01:45:49,575
WRESTLING ENTERTAINMENT.
>> THEY ARE CERTAINLY ARE.
THEY'RE THE ONGOING FAVORITES
3537
01:45:49,577 --> 01:45:51,310
>> THEY ARE CERTAINLY ARE.
THEY'RE THE ONGOING FAVORITES
HERE IN THIS MATCH.
3538
01:45:51,312 --> 01:45:52,644
THEY'RE THE ONGOING FAVORITES
HERE IN THIS MATCH.
ANOTHER TWO COUNT, BUT AGAIN
3539
01:45:52,646 --> 01:45:54,547
HERE IN THIS MATCH.
ANOTHER TWO COUNT, BUT AGAIN
VALENTINE ABLE TO GET THAT RIGHT
3540
01:45:54,549 --> 01:45:56,482
ANOTHER TWO COUNT, BUT AGAIN
VALENTINE ABLE TO GET THAT RIGHT
ARM SHOT OUT UNDERNEATH THERE,
3541
01:45:56,484 --> 01:45:59,952
VALENTINE ABLE TO GET THAT RIGHT
ARM SHOT OUT UNDERNEATH THERE,
ENABLING HIM TO BREAK THE COUNT.
3542
01:45:59,954 --> 01:46:01,253
ARM SHOT OUT UNDERNEATH THERE,
ENABLING HIM TO BREAK THE COUNT.
>> OZZY OSBOURNE IS SHAKING AT
3543
01:46:01,255 --> 01:46:03,422
ENABLING HIM TO BREAK THE COUNT.
>> OZZY OSBOURNE IS SHAKING AT
RINGSIDE.
3544
01:46:03,424 --> 01:46:04,690
>> OZZY OSBOURNE IS SHAKING AT
RINGSIDE.
>> OH, LOOK AT THAT SHOT BY THE
3545
01:46:04,692 --> 01:46:06,558
RINGSIDE.
>> OH, LOOK AT THAT SHOT BY THE
HAMMER OFF THE ROPES, AND NOW
3546
01:46:06,560 --> 01:46:07,526
>> OH, LOOK AT THAT SHOT BY THE
HAMMER OFF THE ROPES, AND NOW
IT'S THE DYNAMITE KID WHO'S IN
3547
01:46:07,528 --> 01:46:08,627
HAMMER OFF THE ROPES, AND NOW
IT'S THE DYNAMITE KID WHO'S IN
TROUBLE.
3548
01:46:08,629 --> 01:46:09,695
IT'S THE DYNAMITE KID WHO'S IN
TROUBLE.
HE'S GONNA TRY TO GET HIM UP FOR
3549
01:46:09,697 --> 01:46:12,531
TROUBLE.
HE'S GONNA TRY TO GET HIM UP FOR
A PILEDRIVER.
3550
01:46:12,533 --> 01:46:13,565
HE'S GONNA TRY TO GET HIM UP FOR
A PILEDRIVER.
YES!
3551
01:46:13,567 --> 01:46:14,066
A PILEDRIVER.
YES!
>> HE'S GOT HIM.
3552
01:46:14,068 --> 01:46:14,433
YES!
>> HE'S GOT HIM.
YES!
3553
01:46:14,435 --> 01:46:15,667
>> HE'S GOT HIM.
YES!
>> HE'S GOT HIM.
3554
01:46:15,669 --> 01:46:16,535
YES!
>> HE'S GOT HIM.
>> WHOA!
3555
01:46:16,537 --> 01:46:17,336
>> HE'S GOT HIM.
>> WHOA!
>> OH.
3556
01:46:17,338 --> 01:46:18,103
>> WHOA!
>> OH.
DROPPED HIM RIGHT ON HIS
3557
01:46:18,105 --> 01:46:19,638
>> OH.
DROPPED HIM RIGHT ON HIS
CRANIUM.
3558
01:46:19,640 --> 01:46:20,606
DROPPED HIM RIGHT ON HIS
CRANIUM.
DYNAMITE IN A WHOLE HEAP OF
3559
01:46:20,608 --> 01:46:21,574
CRANIUM.
DYNAMITE IN A WHOLE HEAP OF
TROUBLE.
3560
01:46:21,576 --> 01:46:22,374
DYNAMITE IN A WHOLE HEAP OF
TROUBLE.
THIS COULD BE IT.
3561
01:46:22,376 --> 01:46:22,741
TROUBLE.
THIS COULD BE IT.
ONE.
3562
01:46:22,743 --> 01:46:23,509
THIS COULD BE IT.
ONE.
TWO.
3563
01:46:23,511 --> 01:46:23,776
ONE.
TWO.
IT'S ...
3564
01:46:23,778 --> 01:46:25,511
TWO.
IT'S ...
NO.
3565
01:46:25,513 --> 01:46:27,279
IT'S ...
NO.
TWO COUNT ONLY.
3566
01:46:27,281 --> 01:46:27,947
NO.
TWO COUNT ONLY.
ACTUALLY, TWO AND
3567
01:46:27,949 --> 01:46:29,415
TWO COUNT ONLY.
ACTUALLY, TWO AND
THREE-QUARTERS.
3568
01:46:29,417 --> 01:46:30,248
ACTUALLY, TWO AND
THREE-QUARTERS.
>> IT'S AS CLOSE AS YOU CAN BE.
3569
01:46:30,250 --> 01:46:36,622
THREE-QUARTERS.
>> IT'S AS CLOSE AS YOU CAN BE.
>> ABSOLUTELY.
3570
01:46:36,624 --> 01:46:37,456
>> IT'S AS CLOSE AS YOU CAN BE.
>> ABSOLUTELY.
>> DYNAMITE ...
3571
01:46:37,458 --> 01:46:38,357
>> ABSOLUTELY.
>> DYNAMITE ...
>> DOCTOR LOU MOVING AROUND,
3572
01:46:38,359 --> 01:46:38,723
>> DYNAMITE ...
>> DOCTOR LOU MOVING AROUND,
GENE.
3573
01:46:38,725 --> 01:46:39,525
>> DOCTOR LOU MOVING AROUND,
GENE.
ALL THE TIME.
3574
01:46:39,527 --> 01:46:40,459
GENE.
ALL THE TIME.
>> DYNAMITE KID HAS GOT TO GET
3575
01:46:40,461 --> 01:46:43,562
ALL THE TIME.
>> DYNAMITE KID HAS GOT TO GET
BACK ON HIS FEET AND GET A TAG.
3576
01:46:43,564 --> 01:46:44,262
>> DYNAMITE KID HAS GOT TO GET
BACK ON HIS FEET AND GET A TAG.
>> HE PICKED THE ARM UP, BUT NOT
3577
01:46:44,264 --> 01:46:45,597
BACK ON HIS FEET AND GET A TAG.
>> HE PICKED THE ARM UP, BUT NOT
THE SHOULDER THAT TIME.
3578
01:46:45,599 --> 01:46:47,833
>> HE PICKED THE ARM UP, BUT NOT
THE SHOULDER THAT TIME.
OH, HE CAUGHT VALENTINE ON THAT
3579
01:46:47,835 --> 01:46:50,536
THE SHOULDER THAT TIME.
OH, HE CAUGHT VALENTINE ON THAT
NICE BRIDGE EFFORT, AND THE
3580
01:46:50,538 --> 01:46:54,706
OH, HE CAUGHT VALENTINE ON THAT
NICE BRIDGE EFFORT, AND THE
HAMMER'S HURT.
3581
01:46:54,708 --> 01:46:55,674
NICE BRIDGE EFFORT, AND THE
HAMMER'S HURT.
>> I SAW THE EXPRESSION ON CATHY
3582
01:46:55,676 --> 01:46:57,643
HAMMER'S HURT.
>> I SAW THE EXPRESSION ON CATHY
LEE'S FACE AND SHE SAW THE
3583
01:46:57,645 --> 01:46:59,745
>> I SAW THE EXPRESSION ON CATHY
LEE'S FACE AND SHE SAW THE
EXPRESSION ON GREG VALENTINE'S
3584
01:46:59,747 --> 01:47:01,613
LEE'S FACE AND SHE SAW THE
EXPRESSION ON GREG VALENTINE'S
VISAGE.
3585
01:47:01,615 --> 01:47:03,015
EXPRESSION ON GREG VALENTINE'S
VISAGE.
>> GREG "THE HAMMER" OBVIOUSLY
3586
01:47:03,017 --> 01:47:03,949
VISAGE.
>> GREG "THE HAMMER" OBVIOUSLY
IN A LOT OF TROUBLE, BUT HE'S
3587
01:47:03,951 --> 01:47:04,750
>> GREG "THE HAMMER" OBVIOUSLY
IN A LOT OF TROUBLE, BUT HE'S
OUT THERE.
3588
01:47:04,752 --> 01:47:05,818
IN A LOT OF TROUBLE, BUT HE'S
OUT THERE.
GOING UP.
3589
01:47:05,820 --> 01:47:06,919
OUT THERE.
GOING UP.
ALL THE WAY UP TO THE TOP.
3590
01:47:06,921 --> 01:47:08,687
GOING UP.
ALL THE WAY UP TO THE TOP.
HE GETS CAUGHT BY DYNAMITE.
3591
01:47:08,689 --> 01:47:10,689
ALL THE WAY UP TO THE TOP.
HE GETS CAUGHT BY DYNAMITE.
WHAT A SLAM.
3592
01:47:10,691 --> 01:47:11,790
HE GETS CAUGHT BY DYNAMITE.
WHAT A SLAM.
THREE-QUARTERS OF THE WAY ACROSS
3593
01:47:11,792 --> 01:47:13,959
WHAT A SLAM.
THREE-QUARTERS OF THE WAY ACROSS
THE RING AND VALENTINE MOTIONING
3594
01:47:13,961 --> 01:47:18,764
THREE-QUARTERS OF THE WAY ACROSS
THE RING AND VALENTINE MOTIONING
FOR THE BEEFER TO COME IN.
3595
01:47:18,766 --> 01:47:19,765
THE RING AND VALENTINE MOTIONING
FOR THE BEEFER TO COME IN.
HE DOES COME IN, BUT DAVEY BOY
3596
01:47:19,767 --> 01:47:21,533
FOR THE BEEFER TO COME IN.
HE DOES COME IN, BUT DAVEY BOY
COMES IN AND BEATS HIM AS WELL,
3597
01:47:21,535 --> 01:47:23,335
HE DOES COME IN, BUT DAVEY BOY
COMES IN AND BEATS HIM AS WELL,
AND NOW ALL FOUR MEN MAY HAVE
3598
01:47:23,337 --> 01:47:28,474
COMES IN AND BEATS HIM AS WELL,
AND NOW ALL FOUR MEN MAY HAVE
BROKEN LOOSE HERE.
3599
01:47:28,476 --> 01:47:30,509
AND NOW ALL FOUR MEN MAY HAVE
BROKEN LOOSE HERE.
LOOK OUT.
3600
01:47:30,511 --> 01:47:31,410
BROKEN LOOSE HERE.
LOOK OUT.
PRESS SLAM.
3601
01:47:31,412 --> 01:47:32,445
LOOK OUT.
PRESS SLAM.
WE'VE SEEN THIS BEFORE.
3602
01:47:32,447 --> 01:47:33,512
PRESS SLAM.
WE'VE SEEN THIS BEFORE.
NO.
3603
01:47:33,514 --> 01:47:35,314
WE'VE SEEN THIS BEFORE.
NO.
VALENTINE WISELY ROLLED OUT OF
3604
01:47:35,316 --> 01:47:37,416
NO.
VALENTINE WISELY ROLLED OUT OF
THE WAY, AND THE DYNAMITE KID
3605
01:47:37,418 --> 01:47:38,550
VALENTINE WISELY ROLLED OUT OF
THE WAY, AND THE DYNAMITE KID
RIGHT AFTER HIM.
3606
01:47:38,552 --> 01:47:39,918
THE WAY, AND THE DYNAMITE KID
RIGHT AFTER HIM.
HE WANTS THEM INSIDE.
3607
01:47:39,920 --> 01:47:40,686
RIGHT AFTER HIM.
HE WANTS THEM INSIDE.
OH.
3608
01:47:40,688 --> 01:47:42,855
HE WANTS THEM INSIDE.
OH.
DID HE GET THERE.
3609
01:47:42,857 --> 01:47:46,458
OH.
DID HE GET THERE.
WHERE'S THE BEEFER?
3610
01:47:46,460 --> 01:47:47,826
DID HE GET THERE.
WHERE'S THE BEEFER?
BEEFCAKE BACK IN HIS CORNER ONCE
3611
01:47:47,828 --> 01:47:51,396
WHERE'S THE BEEFER?
BEEFCAKE BACK IN HIS CORNER ONCE
AGAIN, AND THE HAMMER LOWERED
3612
01:47:51,398 --> 01:47:53,565
BEEFCAKE BACK IN HIS CORNER ONCE
AGAIN, AND THE HAMMER LOWERED
THE FOLDING ON THE DYNAMITE KID,
3613
01:47:53,567 --> 01:47:56,268
AGAIN, AND THE HAMMER LOWERED
THE FOLDING ON THE DYNAMITE KID,
BUT THE TAG MADE AS DAVEY BOY
3614
01:47:56,270 --> 01:47:56,935
THE FOLDING ON THE DYNAMITE KID,
BUT THE TAG MADE AS DAVEY BOY
STEPS IN THERE.
3615
01:47:56,937 --> 01:47:57,669
BUT THE TAG MADE AS DAVEY BOY
STEPS IN THERE.
WATCH OUT.
3616
01:47:57,671 --> 01:48:00,472
STEPS IN THERE.
WATCH OUT.
POWERSLAM PERHAPS.
3617
01:48:00,474 --> 01:48:02,241
WATCH OUT.
POWERSLAM PERHAPS.
YES, AND A BEAUTY.
3618
01:48:02,243 --> 01:48:03,242
POWERSLAM PERHAPS.
YES, AND A BEAUTY.
>> DID YOU SEE THEY'RE GIVING
3619
01:48:03,244 --> 01:48:04,276
YES, AND A BEAUTY.
>> DID YOU SEE THEY'RE GIVING
THE RING ...
3620
01:48:04,278 --> 01:48:05,711
>> DID YOU SEE THEY'RE GIVING
THE RING ...
GORILLA MONSOON, THAT RING, I'M
3621
01:48:05,713 --> 01:48:06,411
THE RING ...
GORILLA MONSOON, THAT RING, I'M
CERTAIN ...
3622
01:48:06,413 --> 01:48:07,412
GORILLA MONSOON, THAT RING, I'M
CERTAIN ...
>> IT EXPLODED.
3623
01:48:07,414 --> 01:48:08,280
CERTAIN ...
>> IT EXPLODED.
>> A FULL SIX INCHES.
3624
01:48:08,282 --> 01:48:10,483
>> IT EXPLODED.
>> A FULL SIX INCHES.
>> ABSOLUTELY EXPLODED, BUT ONCE
3625
01:48:10,485 --> 01:48:12,584
>> A FULL SIX INCHES.
>> ABSOLUTELY EXPLODED, BUT ONCE
AGAIN NOT BOTHERING TO HOOK
3626
01:48:12,586 --> 01:48:13,585
>> ABSOLUTELY EXPLODED, BUT ONCE
AGAIN NOT BOTHERING TO HOOK
ANYTHING.
3627
01:48:13,587 --> 01:48:16,421
AGAIN NOT BOTHERING TO HOOK
ANYTHING.
VALENTINE ABLE TO KICK OUT.
3628
01:48:16,423 --> 01:48:18,457
ANYTHING.
VALENTINE ABLE TO KICK OUT.
SUPLEX ONCE MORE BY DAVEY BOY.
3629
01:48:18,459 --> 01:48:19,424
VALENTINE ABLE TO KICK OUT.
SUPLEX ONCE MORE BY DAVEY BOY.
WELL EXECUTED.
3630
01:48:19,426 --> 01:48:20,159
SUPLEX ONCE MORE BY DAVEY BOY.
WELL EXECUTED.
>> I'VE NEVER SEEN AERIAL LOOK
3631
01:48:20,161 --> 01:48:20,726
WELL EXECUTED.
>> I'VE NEVER SEEN AERIAL LOOK
LIKE THIS.
3632
01:48:20,728 --> 01:48:23,829
>> I'VE NEVER SEEN AERIAL LOOK
LIKE THIS.
>> THE HAMMER IS HURT.
3633
01:48:23,831 --> 01:48:25,364
LIKE THIS.
>> THE HAMMER IS HURT.
>> THE GYMNASTIC STYLE OF THE
3634
01:48:25,366 --> 01:48:26,532
>> THE HAMMER IS HURT.
>> THE GYMNASTIC STYLE OF THE
BRITISH BULLDOGS, ALONG WITH
3635
01:48:26,534 --> 01:48:27,599
>> THE GYMNASTIC STYLE OF THE
BRITISH BULLDOGS, ALONG WITH
THEIR SPEED ADVANTAGE RIGHT NOW
3636
01:48:27,601 --> 01:48:29,434
BRITISH BULLDOGS, ALONG WITH
THEIR SPEED ADVANTAGE RIGHT NOW
SEEMS TO BE ...
3637
01:48:29,436 --> 01:48:30,369
THEIR SPEED ADVANTAGE RIGHT NOW
SEEMS TO BE ...
>> UH-OH.
3638
01:48:30,371 --> 01:48:31,303
SEEMS TO BE ...
>> UH-OH.
REVERSAL.
3639
01:48:31,305 --> 01:48:32,538
>> UH-OH.
REVERSAL.
SHOVED SHOULDER FIRST RIGHT INTO
3640
01:48:32,540 --> 01:48:33,739
REVERSAL.
SHOVED SHOULDER FIRST RIGHT INTO
THE STEEL POST.
3641
01:48:33,741 --> 01:48:34,707
SHOVED SHOULDER FIRST RIGHT INTO
THE STEEL POST.
>> SEEMS TO BE THE DIFFERENCE IN
3642
01:48:34,709 --> 01:48:36,308
THE STEEL POST.
>> SEEMS TO BE THE DIFFERENCE IN
THIS MATCH THUS FAR.
3643
01:48:36,310 --> 01:48:37,409
>> SEEMS TO BE THE DIFFERENCE IN
THIS MATCH THUS FAR.
>> YES, IT IS, GENE.
3644
01:48:37,411 --> 01:48:39,545
THIS MATCH THUS FAR.
>> YES, IT IS, GENE.
FOR SURE.
3645
01:48:39,547 --> 01:48:40,479
>> YES, IT IS, GENE.
FOR SURE.
DAVEY BOY HURT.
3646
01:48:40,481 --> 01:48:42,548
FOR SURE.
DAVEY BOY HURT.
DYNAMITE SCREAMING OVER TO HIM
3647
01:48:42,550 --> 01:48:43,616
DAVEY BOY HURT.
DYNAMITE SCREAMING OVER TO HIM
TO COME OVER AND MAKE THE TAG,
3648
01:48:43,618 --> 01:48:47,519
DYNAMITE SCREAMING OVER TO HIM
TO COME OVER AND MAKE THE TAG,
BUT I'M SURE HE CAN'T HEAR HIM.
3649
01:48:47,521 --> 01:48:48,621
TO COME OVER AND MAKE THE TAG,
BUT I'M SURE HE CAN'T HEAR HIM.
YOU CAN FEEL THE ELECTRICITY IN
3650
01:48:48,623 --> 01:48:49,788
BUT I'M SURE HE CAN'T HEAR HIM.
YOU CAN FEEL THE ELECTRICITY IN
THE AIR HERE.
3651
01:48:49,790 --> 01:48:50,722
YOU CAN FEEL THE ELECTRICITY IN
THE AIR HERE.
>> AS I SAID EARLIER, YOU CAN
3652
01:48:50,724 --> 01:48:51,757
THE AIR HERE.
>> AS I SAID EARLIER, YOU CAN
CUT IT WITH A KNIFE.
3653
01:48:51,759 --> 01:48:53,725
>> AS I SAID EARLIER, YOU CAN
CUT IT WITH A KNIFE.
>> OH.
3654
01:48:53,727 --> 01:48:54,593
CUT IT WITH A KNIFE.
>> OH.
THE HAMMER NOW WITH A HAMMER
3655
01:48:54,595 --> 01:48:55,727
>> OH.
THE HAMMER NOW WITH A HAMMER
LOCK.
3656
01:48:55,729 --> 01:48:57,563
THE HAMMER NOW WITH A HAMMER
LOCK.
TURNED IT INTO A CHICKEN WING,
3657
01:48:57,565 --> 01:49:00,465
LOCK.
TURNED IT INTO A CHICKEN WING,
AND NOW HE MAKES A TAG AS BRUTUS
3658
01:49:00,467 --> 01:49:02,534
TURNED IT INTO A CHICKEN WING,
AND NOW HE MAKES A TAG AS BRUTUS
STEPS IN.
3659
01:49:02,536 --> 01:49:03,569
AND NOW HE MAKES A TAG AS BRUTUS
STEPS IN.
PERCHED ON THAT SECOND ROPE.
3660
01:49:03,571 --> 01:49:06,171
STEPS IN.
PERCHED ON THAT SECOND ROPE.
WOW, WIDE OPEN.
3661
01:49:06,173 --> 01:49:06,738
PERCHED ON THAT SECOND ROPE.
WOW, WIDE OPEN.
DAVEY BOY SMITH.
3662
01:49:06,740 --> 01:49:07,639
WOW, WIDE OPEN.
DAVEY BOY SMITH.
HE NEEDS DESPERATELY, CATHY LEE,
3663
01:49:07,641 --> 01:49:09,675
DAVEY BOY SMITH.
HE NEEDS DESPERATELY, CATHY LEE,
TO MAKE A TAG HERE.
3664
01:49:09,677 --> 01:49:12,311
HE NEEDS DESPERATELY, CATHY LEE,
TO MAKE A TAG HERE.
HE'S IN A LOT OF TROUBLE.
3665
01:49:12,313 --> 01:49:12,778
TO MAKE A TAG HERE.
HE'S IN A LOT OF TROUBLE.
SNAP MARE.
3666
01:49:12,780 --> 01:49:13,512
HE'S IN A LOT OF TROUBLE.
SNAP MARE.
NO.
3667
01:49:13,514 --> 01:49:15,547
SNAP MARE.
NO.
OH, LOOK AT THAT MOVE BY
3668
01:49:15,549 --> 01:49:16,481
NO.
OH, LOOK AT THAT MOVE BY
BEEFCAKE.
3669
01:49:16,483 --> 01:49:17,649
OH, LOOK AT THAT MOVE BY
BEEFCAKE.
HE DROPPED HIM JUST LIKE A BAD
3670
01:49:17,651 --> 01:49:19,451
BEEFCAKE.
HE DROPPED HIM JUST LIKE A BAD
HABIT.
3671
01:49:19,453 --> 01:49:20,553
HE DROPPED HIM JUST LIKE A BAD
HABIT.
>> WELL, THAT BROUGHT HIS
3672
01:49:20,555 --> 01:49:22,854
HABIT.
>> WELL, THAT BROUGHT HIS
CAPACITY CROWD TO THEIR FEET.
3673
01:49:22,856 --> 01:49:24,289
>> WELL, THAT BROUGHT HIS
CAPACITY CROWD TO THEIR FEET.
>> DAVEY BOY TRIED TO GO OVER
3674
01:49:24,291 --> 01:49:25,291
CAPACITY CROWD TO THEIR FEET.
>> DAVEY BOY TRIED TO GO OVER
THE BACK, GENE, BUT HE DIDN'T
3675
01:49:25,293 --> 01:49:25,691
>> DAVEY BOY TRIED TO GO OVER
THE BACK, GENE, BUT HE DIDN'T
MAKE IT.
3676
01:49:25,693 --> 01:49:26,491
THE BACK, GENE, BUT HE DIDN'T
MAKE IT.
>> I DID NOT SEE THAT.
3677
01:49:26,493 --> 01:49:28,427
MAKE IT.
>> I DID NOT SEE THAT.
I HAVE NOT SEEN THAT BEFORE FROM
3678
01:49:28,429 --> 01:49:28,894
>> I DID NOT SEE THAT.
I HAVE NOT SEEN THAT BEFORE FROM
BRUTUS BEEFCAKE.
3679
01:49:28,896 --> 01:49:30,362
I HAVE NOT SEEN THAT BEFORE FROM
BRUTUS BEEFCAKE.
THAT IS QUITE A MOVE INDEED.
3680
01:49:30,364 --> 01:49:31,363
BRUTUS BEEFCAKE.
THAT IS QUITE A MOVE INDEED.
>> BRUTUS BEEFCAKE HAS COME AN
3681
01:49:31,365 --> 01:49:32,665
THAT IS QUITE A MOVE INDEED.
>> BRUTUS BEEFCAKE HAS COME AN
AWFUL LONG WAY HERE IN THE WORLD
3682
01:49:32,667 --> 01:49:34,600
>> BRUTUS BEEFCAKE HAS COME AN
AWFUL LONG WAY HERE IN THE WORLD
WRESTLING ENTERTAINMENT AND HE
3683
01:49:34,602 --> 01:49:35,601
AWFUL LONG WAY HERE IN THE WORLD
WRESTLING ENTERTAINMENT AND HE
GOES WITH A HAMMER LOCK AND RAMS
3684
01:49:35,603 --> 01:49:37,669
WRESTLING ENTERTAINMENT AND HE
GOES WITH A HAMMER LOCK AND RAMS
THE SHOULDER OF DAVEY BOY RIGHT
3685
01:49:37,671 --> 01:49:39,471
GOES WITH A HAMMER LOCK AND RAMS
THE SHOULDER OF DAVEY BOY RIGHT
INTO THAT TOP TURNBUCKLE AND
3686
01:49:39,473 --> 01:49:42,341
THE SHOULDER OF DAVEY BOY RIGHT
INTO THAT TOP TURNBUCKLE AND
MAKES THE TAG TO THE HAMMER, AND
3687
01:49:42,343 --> 01:49:43,542
INTO THAT TOP TURNBUCKLE AND
MAKES THE TAG TO THE HAMMER, AND
THE HAMMER UNLOADING WITH A
3688
01:49:43,544 --> 01:49:44,610
MAKES THE TAG TO THE HAMMER, AND
THE HAMMER UNLOADING WITH A
BEAUTIFUL ELBOW RIGHT OFF THE
3689
01:49:44,612 --> 01:49:47,312
THE HAMMER UNLOADING WITH A
BEAUTIFUL ELBOW RIGHT OFF THE
TOP TURNBUCKLE.
3690
01:49:47,314 --> 01:49:48,747
BEAUTIFUL ELBOW RIGHT OFF THE
TOP TURNBUCKLE.
THE TIDE HAS TURNED HERE.
3691
01:49:48,749 --> 01:49:50,449
TOP TURNBUCKLE.
THE TIDE HAS TURNED HERE.
THE PENDULUM HAS SHIFTED.
3692
01:49:50,451 --> 01:49:51,450
THE TIDE HAS TURNED HERE.
THE PENDULUM HAS SHIFTED.
IT IS NOW IN FAVOR OF THE
3693
01:49:51,452 --> 01:49:52,651
THE PENDULUM HAS SHIFTED.
IT IS NOW IN FAVOR OF THE
CHAMPIONS.
3694
01:49:52,653 --> 01:49:53,685
IT IS NOW IN FAVOR OF THE
CHAMPIONS.
>> AND JUST THAT QUICK, TOO.
3695
01:49:53,687 --> 01:49:54,620
CHAMPIONS.
>> AND JUST THAT QUICK, TOO.
THAT'S THE AMAZING PART OF THIS
3696
01:49:54,622 --> 01:49:55,821
>> AND JUST THAT QUICK, TOO.
THAT'S THE AMAZING PART OF THIS
GREAT SPORT.
3697
01:49:55,823 --> 01:49:57,489
THAT'S THE AMAZING PART OF THIS
GREAT SPORT.
>> PERHAPS SHOULDER BREAKER.
3698
01:49:57,491 --> 01:49:58,557
GREAT SPORT.
>> PERHAPS SHOULDER BREAKER.
OH, YES.
3699
01:49:58,559 --> 01:49:59,725
>> PERHAPS SHOULDER BREAKER.
OH, YES.
AND WELL EXECUTED.
3700
01:49:59,727 --> 01:50:02,227
OH, YES.
AND WELL EXECUTED.
>> YOU CALLED IT, GORILLA.
3701
01:50:02,229 --> 01:50:02,961
AND WELL EXECUTED.
>> YOU CALLED IT, GORILLA.
>> OH, LOOK AT THAT.
3702
01:50:02,963 --> 01:50:03,662
>> YOU CALLED IT, GORILLA.
>> OH, LOOK AT THAT.
HE DIDN'T WANT THE THREE COUNT.
3703
01:50:03,664 --> 01:50:04,730
>> OH, LOOK AT THAT.
HE DIDN'T WANT THE THREE COUNT.
I CAN'T BELIEVE IT.
3704
01:50:04,732 --> 01:50:06,531
HE DIDN'T WANT THE THREE COUNT.
I CAN'T BELIEVE IT.
>> YOU'VE GOT TO BE KIDDING ME.
3705
01:50:06,533 --> 01:50:07,499
I CAN'T BELIEVE IT.
>> YOU'VE GOT TO BE KIDDING ME.
>> THE HAMMER TAKING A BIG
3706
01:50:07,501 --> 01:50:08,967
>> YOU'VE GOT TO BE KIDDING ME.
>> THE HAMMER TAKING A BIG
CHANCE HERE.
3707
01:50:08,969 --> 01:50:09,801
>> THE HAMMER TAKING A BIG
CHANCE HERE.
PROBABLY COULD'VE HAD A THREE
3708
01:50:09,803 --> 01:50:12,738
CHANCE HERE.
PROBABLY COULD'VE HAD A THREE
COUNT.
3709
01:50:12,740 --> 01:50:13,805
PROBABLY COULD'VE HAD A THREE
COUNT.
DAVEY BOY PERCHED UP ON THAT
3710
01:50:13,807 --> 01:50:14,806
COUNT.
DAVEY BOY PERCHED UP ON THAT
SECOND ROPE.
3711
01:50:14,808 --> 01:50:15,741
DAVEY BOY PERCHED UP ON THAT
SECOND ROPE.
WHAT'S HE THINKING ABOUT?
3712
01:50:15,743 --> 01:50:17,376
SECOND ROPE.
WHAT'S HE THINKING ABOUT?
OH.
3713
01:50:17,378 --> 01:50:18,644
WHAT'S HE THINKING ABOUT?
OH.
HOLY MOSES.
3714
01:50:18,646 --> 01:50:20,612
OH.
HOLY MOSES.
RAMMED RIGHT HEADFIRST, AND
3715
01:50:20,614 --> 01:50:21,613
HOLY MOSES.
RAMMED RIGHT HEADFIRST, AND
COUNT.
3716
01:50:21,615 --> 01:50:22,414
RAMMED RIGHT HEADFIRST, AND
COUNT.
IT'S OVER!
3717
01:50:22,416 --> 01:50:23,482
COUNT.
IT'S OVER!
[ BELL RINGING ]
3718
01:50:23,484 --> 01:50:24,116
IT'S OVER!
[ BELL RINGING ]
>> OH, MY GOODNESS.
3719
01:50:24,118 --> 01:50:24,583
[ BELL RINGING ]
>> OH, MY GOODNESS.
>> GUESS WHAT?
3720
01:50:24,585 --> 01:50:25,717
>> OH, MY GOODNESS.
>> GUESS WHAT?
THAT IS OVER!
3721
01:50:25,719 --> 01:50:26,652
>> GUESS WHAT?
THAT IS OVER!
>> UNBELIEVABLE!
3722
01:50:26,654 --> 01:50:27,352
THAT IS OVER!
>> UNBELIEVABLE!
>> I CAN'T BELIEVE IT.
3723
01:50:27,354 --> 01:50:28,787
>> UNBELIEVABLE!
>> I CAN'T BELIEVE IT.
>> HISTORY MADE HERE AT
3724
01:50:28,789 --> 01:50:30,522
>> I CAN'T BELIEVE IT.
>> HISTORY MADE HERE AT
WRESTLEMANIA 2.
3725
01:50:30,524 --> 01:50:31,490
>> HISTORY MADE HERE AT
WRESTLEMANIA 2.
>> YOU HAVE GOT TO BE KIDDING
3726
01:50:31,492 --> 01:50:34,627
WRESTLEMANIA 2.
>> YOU HAVE GOT TO BE KIDDING
ME.
3727
01:50:34,629 --> 01:50:36,695
>> YOU HAVE GOT TO BE KIDDING
ME.
THIS PLACE IS COMING APART.
3728
01:50:36,697 --> 01:50:37,963
ME.
THIS PLACE IS COMING APART.
>> PANDEMONIUM BROKEN LOOSE HERE
3729
01:50:37,965 --> 01:50:39,665
THIS PLACE IS COMING APART.
>> PANDEMONIUM BROKEN LOOSE HERE
IN THE ROSEMONT HORIZON AS
3730
01:50:39,667 --> 01:50:42,734
>> PANDEMONIUM BROKEN LOOSE HERE
IN THE ROSEMONT HORIZON AS
HISTORY MADE IN WRESTLEMANIA 2
3731
01:50:42,736 --> 01:50:45,370
IN THE ROSEMONT HORIZON AS
HISTORY MADE IN WRESTLEMANIA 2
AS WE HAVE NEW WORLD WRESTLING
3732
01:50:45,372 --> 01:50:47,539
HISTORY MADE IN WRESTLEMANIA 2
AS WE HAVE NEW WORLD WRESTLING
ENTERTAINMENT TAG TEAM
3733
01:50:47,541 --> 01:50:49,675
AS WE HAVE NEW WORLD WRESTLING
ENTERTAINMENT TAG TEAM
CHAMPIONS.
3734
01:50:49,677 --> 01:50:53,545
ENTERTAINMENT TAG TEAM
CHAMPIONS.
THE BRITISH BULLDOGS!
3735
01:50:53,547 --> 01:50:54,113
CHAMPIONS.
THE BRITISH BULLDOGS!
AND LOOK AT BRUTUS.
3736
01:50:54,115 --> 01:50:55,580
THE BRITISH BULLDOGS!
AND LOOK AT BRUTUS.
HE CAN'T BELIEVE IT, AND THERE'S
3737
01:50:55,582 --> 01:50:56,682
AND LOOK AT BRUTUS.
HE CAN'T BELIEVE IT, AND THERE'S
CAPTAIN LOU ALONG WITH OZZY
3738
01:50:56,684 --> 01:51:03,755
HE CAN'T BELIEVE IT, AND THERE'S
CAPTAIN LOU ALONG WITH OZZY
OSBOURNE.
3739
01:51:03,757 --> 01:51:05,857
CAPTAIN LOU ALONG WITH OZZY
OSBOURNE.
PANDEMONIUM DEFINITELY BROKEN
3740
01:51:05,859 --> 01:51:06,659
OSBOURNE.
PANDEMONIUM DEFINITELY BROKEN
LOOSE.
3741
01:51:06,661 --> 01:51:09,628
PANDEMONIUM DEFINITELY BROKEN
LOOSE.
LET'S GO TO THE RING ANNOUNCER.
3742
01:51:09,630 --> 01:51:11,663
LOOSE.
LET'S GO TO THE RING ANNOUNCER.
>> LADIES AND GENTLEMEN, YOUR
3743
01:51:11,665 --> 01:51:15,467
LET'S GO TO THE RING ANNOUNCER.
>> LADIES AND GENTLEMEN, YOUR
WINNERS AND NEW WWE TAG TEAM
3744
01:51:15,469 --> 01:51:18,303
>> LADIES AND GENTLEMEN, YOUR
WINNERS AND NEW WWE TAG TEAM
CHAMPIONS, ATTENDED BY THEIR
3745
01:51:18,305 --> 01:51:20,806
WINNERS AND NEW WWE TAG TEAM
CHAMPIONS, ATTENDED BY THEIR
MANAGER CAPTAIN LOUIS ALBANO AND
3746
01:51:20,808 --> 01:51:22,708
CHAMPIONS, ATTENDED BY THEIR
MANAGER CAPTAIN LOUIS ALBANO AND
OZZY OSBOURNE.
3747
01:51:22,710 --> 01:51:24,609
MANAGER CAPTAIN LOUIS ALBANO AND
OZZY OSBOURNE.
LADIES AND GENTLEMEN, THE
3748
01:51:24,611 --> 01:51:29,415
OZZY OSBOURNE.
LADIES AND GENTLEMEN, THE
BRITISH BULLDOGS!
3749
01:51:29,417 --> 01:51:32,518
LADIES AND GENTLEMEN, THE
BRITISH BULLDOGS!
THE BRITISH BULLDOGS.
3750
01:51:32,520 --> 01:51:33,685
BRITISH BULLDOGS!
THE BRITISH BULLDOGS.
>> DYNAMITE KID BLEEDING.
3751
01:51:33,687 --> 01:51:35,888
THE BRITISH BULLDOGS.
>> DYNAMITE KID BLEEDING.
HE'S STILL OUT ON THE FLOOR.
3752
01:51:35,890 --> 01:51:36,755
>> DYNAMITE KID BLEEDING.
HE'S STILL OUT ON THE FLOOR.
DAVEY BOY TRYING TO GET HIM UP
3753
01:51:36,757 --> 01:51:38,356
HE'S STILL OUT ON THE FLOOR.
DAVEY BOY TRYING TO GET HIM UP
INTO THE RING.
3754
01:51:38,358 --> 01:51:39,692
DAVEY BOY TRYING TO GET HIM UP
INTO THE RING.
WE'VE GOT GENE OKERLUND IN THE
3755
01:51:39,694 --> 01:51:41,393
INTO THE RING.
WE'VE GOT GENE OKERLUND IN THE
RING.
3756
01:51:41,395 --> 01:51:41,894
WE'VE GOT GENE OKERLUND IN THE
RING.
>> ALL RIGHT.
3757
01:51:41,896 --> 01:51:42,528
RING.
>> ALL RIGHT.
THANK YOU, GORILLA MONSOON.
3758
01:51:42,530 --> 01:51:43,695
>> ALL RIGHT.
THANK YOU, GORILLA MONSOON.
WITH ME RIGHT NOW FOR THE 16TH
3759
01:51:43,697 --> 01:51:45,864
THANK YOU, GORILLA MONSOON.
WITH ME RIGHT NOW FOR THE 16TH
TIME: CAPTAIN LOU ALBANO WITH
3760
01:51:45,866 --> 01:51:47,666
WITH ME RIGHT NOW FOR THE 16TH
TIME: CAPTAIN LOU ALBANO WITH
YOUR NEW TAG TEAM CHAMPIONS.
3761
01:51:47,668 --> 01:51:48,600
TIME: CAPTAIN LOU ALBANO WITH
YOUR NEW TAG TEAM CHAMPIONS.
>> WELL, GENE, I MADE A
3762
01:51:48,602 --> 01:51:50,302
YOUR NEW TAG TEAM CHAMPIONS.
>> WELL, GENE, I MADE A
PREDICTION SOMETIME AGO.
3763
01:51:50,304 --> 01:51:51,703
>> WELL, GENE, I MADE A
PREDICTION SOMETIME AGO.
I SAID IT WOULD BE DONE AND NOW
3764
01:51:51,705 --> 01:51:53,739
PREDICTION SOMETIME AGO.
I SAID IT WOULD BE DONE AND NOW
I'VE GOT THE 16TH CHAMPIONS OF
3765
01:51:53,741 --> 01:51:54,640
I SAID IT WOULD BE DONE AND NOW
I'VE GOT THE 16TH CHAMPIONS OF
THE WORLD.
3766
01:51:54,642 --> 01:51:55,340
I'VE GOT THE 16TH CHAMPIONS OF
THE WORLD.
GOT IT ALL TOGETHER, BABY.
3767
01:51:55,342 --> 01:51:56,408
THE WORLD.
GOT IT ALL TOGETHER, BABY.
I FEEL SO GOOD, SO PROUD, SO
3768
01:51:56,410 --> 01:51:56,875
GOT IT ALL TOGETHER, BABY.
I FEEL SO GOOD, SO PROUD, SO
FINE.
3769
01:51:56,877 --> 01:51:58,443
I FEEL SO GOOD, SO PROUD, SO
FINE.
>> THANK YOU.
3770
01:51:58,445 --> 01:51:59,310
FINE.
>> THANK YOU.
>> OZZY AT MY SIDE, AND CATHY
3771
01:51:59,312 --> 01:51:59,711
>> THANK YOU.
>> OZZY AT MY SIDE, AND CATHY
LEE CROSBY.
3772
01:51:59,713 --> 01:52:00,712
>> OZZY AT MY SIDE, AND CATHY
LEE CROSBY.
SO PROUD.
3773
01:52:00,714 --> 01:52:02,347
LEE CROSBY.
SO PROUD.
>> THANK YOU.
3774
01:52:02,349 --> 01:52:03,015
SO PROUD.
>> THANK YOU.
OZZY OSBOURNE, WHAT AN
3775
01:52:03,017 --> 01:52:03,648
>> THANK YOU.
OZZY OSBOURNE, WHAT AN
EXPLOSION.
3776
01:52:03,650 --> 01:52:04,583
OZZY OSBOURNE, WHAT AN
EXPLOSION.
YOU HAD TO BE A TREMENDOUS
3777
01:52:04,585 --> 01:52:05,484
EXPLOSION.
YOU HAD TO BE A TREMENDOUS
INSPIRATIONAL SOURCE FOR BOTH OF
3778
01:52:05,486 --> 01:52:05,751
YOU HAD TO BE A TREMENDOUS
INSPIRATIONAL SOURCE FOR BOTH OF
THEM.
3779
01:52:05,753 --> 01:52:07,419
INSPIRATIONAL SOURCE FOR BOTH OF
THEM.
>> AH, IT'S FANTASTIC, MAN.
3780
01:52:07,421 --> 01:52:09,722
THEM.
>> AH, IT'S FANTASTIC, MAN.
THE BRITISH BULLDOGS FOREVER!
3781
01:52:09,724 --> 01:52:12,557
>> AH, IT'S FANTASTIC, MAN.
THE BRITISH BULLDOGS FOREVER!
>> A WILD MAN!
3782
01:52:12,559 --> 01:52:13,358
THE BRITISH BULLDOGS FOREVER!
>> A WILD MAN!
FOREVER.
3783
01:52:13,360 --> 01:52:14,459
>> A WILD MAN!
FOREVER.
YOU HEARD THAT, CATHY LEE.
3784
01:52:14,461 --> 01:52:15,060
FOREVER.
YOU HEARD THAT, CATHY LEE.
>> ABSOLUTELY.
3785
01:52:15,062 --> 01:52:16,361
YOU HEARD THAT, CATHY LEE.
>> ABSOLUTELY.
SO, OZZY, YOU'RE GONNA COME BACK
3786
01:52:16,363 --> 01:52:17,262
>> ABSOLUTELY.
SO, OZZY, YOU'RE GONNA COME BACK
IN THEIR CORNER.
3787
01:52:17,264 --> 01:52:18,630
SO, OZZY, YOU'RE GONNA COME BACK
IN THEIR CORNER.
THIS IS GONNA BE A FUTURE FOR
3788
01:52:18,632 --> 01:52:19,698
IN THEIR CORNER.
THIS IS GONNA BE A FUTURE FOR
YOU?
3789
01:52:19,700 --> 01:52:20,499
THIS IS GONNA BE A FUTURE FOR
YOU?
>> YEAH, YEAH.
3790
01:52:20,501 --> 01:52:20,866
YOU?
>> YEAH, YEAH.
MANY MORE TIMES.
3791
01:52:20,868 --> 01:52:21,499
>> YEAH, YEAH.
MANY MORE TIMES.
>> YOU HEARD IT FIRST, THEN.
3792
01:52:21,501 --> 01:52:22,100
MANY MORE TIMES.
>> YOU HEARD IT FIRST, THEN.
>> LET'S SEE IF WE CAN GET THESE
3793
01:52:22,102 --> 01:52:22,801
>> YOU HEARD IT FIRST, THEN.
>> LET'S SEE IF WE CAN GET THESE
GENTLEMEN UP HERE.
3794
01:52:22,803 --> 01:52:25,404
>> LET'S SEE IF WE CAN GET THESE
GENTLEMEN UP HERE.
BULLDOGS, WE HAVE THE DYNAMITE
3795
01:52:25,406 --> 01:52:26,471
GENTLEMEN UP HERE.
BULLDOGS, WE HAVE THE DYNAMITE
KID, WHO IS BLEEDING.
3796
01:52:26,473 --> 01:52:27,706
BULLDOGS, WE HAVE THE DYNAMITE
KID, WHO IS BLEEDING.
CAPTAIN LOU, YOU MIGHT WANT TO
3797
01:52:27,708 --> 01:52:28,607
KID, WHO IS BLEEDING.
CAPTAIN LOU, YOU MIGHT WANT TO
GIVE HIM A HAND.
3798
01:52:28,609 --> 01:52:29,775
CAPTAIN LOU, YOU MIGHT WANT TO
GIVE HIM A HAND.
THERE WE GO.
3799
01:52:29,777 --> 01:52:31,577
GIVE HIM A HAND.
THERE WE GO.
ALL RIGHT.
3800
01:52:31,579 --> 01:52:32,444
THERE WE GO.
ALL RIGHT.
CATHY LEE, HAVE YOU EVER SEEN A
3801
01:52:32,446 --> 01:52:34,346
ALL RIGHT.
CATHY LEE, HAVE YOU EVER SEEN A
MATCH LIKE THIS?
3802
01:52:34,348 --> 01:52:34,913
CATHY LEE, HAVE YOU EVER SEEN A
MATCH LIKE THIS?
>> I HAVE NEVER.
3803
01:52:34,915 --> 01:52:36,414
MATCH LIKE THIS?
>> I HAVE NEVER.
THIS IS UNBELIEVABLE.
3804
01:52:36,416 --> 01:52:37,449
>> I HAVE NEVER.
THIS IS UNBELIEVABLE.
SO FAST.
3805
01:52:37,451 --> 01:52:38,417
THIS IS UNBELIEVABLE.
SO FAST.
>> I DON'T KNOW IF WE'RE GONNA
3806
01:52:38,419 --> 01:52:40,452
SO FAST.
>> I DON'T KNOW IF WE'RE GONNA
GET ANYTHING OUT OF THEM.
3807
01:52:40,454 --> 01:52:41,653
>> I DON'T KNOW IF WE'RE GONNA
GET ANYTHING OUT OF THEM.
THESE MEN ARE JUST ABSOLUTELY
3808
01:52:41,655 --> 01:52:42,587
GET ANYTHING OUT OF THEM.
THESE MEN ARE JUST ABSOLUTELY
PHYSICALLY AND MENTALLY
3809
01:52:42,589 --> 01:52:44,422
THESE MEN ARE JUST ABSOLUTELY
PHYSICALLY AND MENTALLY
EXHAUSTED AFTER THIS ONE.
3810
01:52:44,424 --> 01:52:45,457
PHYSICALLY AND MENTALLY
EXHAUSTED AFTER THIS ONE.
DAVEY BOY SMITH, OUR
3811
01:52:45,459 --> 01:52:46,625
EXHAUSTED AFTER THIS ONE.
DAVEY BOY SMITH, OUR
CONGRATULATIONS.
3812
01:52:46,627 --> 01:52:47,459
DAVEY BOY SMITH, OUR
CONGRATULATIONS.
>> THANK YOU VERY MUCH, MEAN
3813
01:52:47,461 --> 01:52:49,361
CONGRATULATIONS.
>> THANK YOU VERY MUCH, MEAN
GENE.
3814
01:52:49,363 --> 01:52:51,363
>> THANK YOU VERY MUCH, MEAN
GENE.
AS WE TOLD ALL THE PEOPLE IN THE
3815
01:52:51,365 --> 01:52:53,465
GENE.
AS WE TOLD ALL THE PEOPLE IN THE
UNITED STATES OF AMERICA, IF WE
3816
01:52:53,467 --> 01:52:54,866
AS WE TOLD ALL THE PEOPLE IN THE
UNITED STATES OF AMERICA, IF WE
BECAME THE WORLD TAG TEAM
3817
01:52:54,868 --> 01:52:57,669
UNITED STATES OF AMERICA, IF WE
BECAME THE WORLD TAG TEAM
CHAMPIONS, WE WOULD STAY IN THE
3818
01:52:57,671 --> 01:52:59,738
BECAME THE WORLD TAG TEAM
CHAMPIONS, WE WOULD STAY IN THE
UNITED STATES OF AMERICA.
3819
01:52:59,740 --> 01:53:03,208
CHAMPIONS, WE WOULD STAY IN THE
UNITED STATES OF AMERICA.
THIS IS WHERE WE'RE GONNA STAYI.
3820
01:53:03,210 --> 01:53:04,476
UNITED STATES OF AMERICA.
THIS IS WHERE WE'RE GONNA STAYI.
THE DYNAMITE KID, AS YOU CAN
3821
01:53:04,478 --> 01:53:05,644
THIS IS WHERE WE'RE GONNA STAYI.
THE DYNAMITE KID, AS YOU CAN
SEE, UNABLE TO TALK.
3822
01:53:05,646 --> 01:53:06,711
THE DYNAMITE KID, AS YOU CAN
SEE, UNABLE TO TALK.
GORILLA MONSOON, LET'S GO BACK
3823
01:53:06,713 --> 01:53:07,512
SEE, UNABLE TO TALK.
GORILLA MONSOON, LET'S GO BACK
TO YOU.
3824
01:53:07,514 --> 01:53:08,446
GORILLA MONSOON, LET'S GO BACK
TO YOU.
THANK YOU.
3825
01:53:08,448 --> 01:53:09,081
TO YOU.
THANK YOU.
>> UNBELIEVABLE.
3826
01:53:09,083 --> 01:53:11,750
THANK YOU.
>> UNBELIEVABLE.
THANK YOU, GENE AND CATHY LEE.
3827
01:53:11,752 --> 01:53:14,519
>> UNBELIEVABLE.
THANK YOU, GENE AND CATHY LEE.
TREMENDOUS HAPPENING HERE IN THE
3828
01:53:14,521 --> 01:53:16,354
THANK YOU, GENE AND CATHY LEE.
TREMENDOUS HAPPENING HERE IN THE
ROSEMONT HORIZON.
3829
01:53:16,356 --> 01:53:17,956
TREMENDOUS HAPPENING HERE IN THE
ROSEMONT HORIZON.
HISTORY MADE AS PART OF
3830
01:53:17,958 --> 01:53:20,725
ROSEMONT HORIZON.
HISTORY MADE AS PART OF
WRESTLEMANIA 2, AS WE HAVE NEW
3831
01:53:20,727 --> 01:53:23,962
HISTORY MADE AS PART OF
WRESTLEMANIA 2, AS WE HAVE NEW
WORLD WRESTLING ENTERTAINMENT
3832
01:53:23,964 --> 01:53:24,997
WRESTLEMANIA 2, AS WE HAVE NEW
WORLD WRESTLING ENTERTAINMENT
TAG TEAM CHAMPIONS.
3833
01:53:24,999 --> 01:53:27,465
WORLD WRESTLING ENTERTAINMENT
TAG TEAM CHAMPIONS.
HERE'S HOW IT ALL WENT DOWN.
3834
01:53:27,467 --> 01:53:28,600
TAG TEAM CHAMPIONS.
HERE'S HOW IT ALL WENT DOWN.
LOOK AT THIS.
3835
01:53:28,602 --> 01:53:31,536
HERE'S HOW IT ALL WENT DOWN.
LOOK AT THIS.
DAVEY BOY RAMS THE HEAD OF THE
3836
01:53:31,538 --> 01:53:32,504
LOOK AT THIS.
DAVEY BOY RAMS THE HEAD OF THE
HAMMER RIGHT INTO HIS OWN
3837
01:53:32,506 --> 01:53:34,606
DAVEY BOY RAMS THE HEAD OF THE
HAMMER RIGHT INTO HIS OWN
PARTNER, THE DYNAMITE KID.
3838
01:53:34,608 --> 01:53:36,708
HAMMER RIGHT INTO HIS OWN
PARTNER, THE DYNAMITE KID.
BRUTUS NOT ABLE TO MAKE IT IN AS
3839
01:53:36,710 --> 01:53:38,376
PARTNER, THE DYNAMITE KID.
BRUTUS NOT ABLE TO MAKE IT IN AS
HE GOT HOOKED UP IN THAT BOTTOM
3840
01:53:38,378 --> 01:53:39,511
BRUTUS NOT ABLE TO MAKE IT IN AS
HE GOT HOOKED UP IN THAT BOTTOM
ROPE.
3841
01:53:39,513 --> 01:53:40,812
HE GOT HOOKED UP IN THAT BOTTOM
ROPE.
THE COUNT WENT DOWN.
3842
01:53:40,814 --> 01:53:43,281
ROPE.
THE COUNT WENT DOWN.
ONE, TWO, THREE.
3843
01:53:43,283 --> 01:53:44,416
THE COUNT WENT DOWN.
ONE, TWO, THREE.
IT WAS AN UNBELIEVABLE
3844
01:53:44,418 --> 01:53:45,617
ONE, TWO, THREE.
IT WAS AN UNBELIEVABLE
HAPPENING.
3845
01:53:45,619 --> 01:53:47,652
IT WAS AN UNBELIEVABLE
HAPPENING.
THE DYNAMITE KID JUST LITERALLY
3846
01:53:47,654 --> 01:53:50,589
HAPPENING.
THE DYNAMITE KID JUST LITERALLY
COLLAPSING OFF THE TURNBUCKLE
3847
01:53:50,591 --> 01:53:51,823
THE DYNAMITE KID JUST LITERALLY
COLLAPSING OFF THE TURNBUCKLE
AND HIT HIS HEAD RIGHT ON THE
3848
01:53:51,825 --> 01:53:53,592
COLLAPSING OFF THE TURNBUCKLE
AND HIT HIS HEAD RIGHT ON THE
CONCRETE FLOOR HERE IN THE
3849
01:53:53,594 --> 01:53:56,294
AND HIT HIS HEAD RIGHT ON THE
CONCRETE FLOOR HERE IN THE
ROSEMONT HORIZON, BUT THERE GO
3850
01:53:56,296 --> 01:53:58,597
CONCRETE FLOOR HERE IN THE
ROSEMONT HORIZON, BUT THERE GO
TWO VERY, VERY HAPPY
3851
01:53:58,599 --> 01:54:00,565
ROSEMONT HORIZON, BUT THERE GO
TWO VERY, VERY HAPPY
INDIVIDUALS, AND DAVEY BOY SMITH
3852
01:54:00,567 --> 01:54:02,401
TWO VERY, VERY HAPPY
INDIVIDUALS, AND DAVEY BOY SMITH
AND THE DYNAMITE KID, GORILLA
3853
01:54:02,403 --> 01:54:04,769
INDIVIDUALS, AND DAVEY BOY SMITH
AND THE DYNAMITE KID, GORILLA
MONSOON SAYING GOODBYE HERE FROM
3854
01:54:04,771 --> 01:54:06,572
AND THE DYNAMITE KID, GORILLA
MONSOON SAYING GOODBYE HERE FROM
THE BEAUTIFUL ROSEMONT HORIZON.
3855
01:54:06,574 --> 01:54:08,540
MONSOON SAYING GOODBYE HERE FROM
THE BEAUTIFUL ROSEMONT HORIZON.
LET'S GO TO VINCE AND SUSAN IN
3856
01:54:08,542 --> 01:54:09,341
THE BEAUTIFUL ROSEMONT HORIZON.
LET'S GO TO VINCE AND SUSAN IN
NEW YORK.
3857
01:54:09,343 --> 01:54:12,444
LET'S GO TO VINCE AND SUSAN IN
NEW YORK.
>> AND THANK YOU, GORILLA.
3858
01:54:12,446 --> 01:54:13,545
NEW YORK.
>> AND THANK YOU, GORILLA.
>> ALL RIGHT.
3859
01:54:13,547 --> 01:54:14,379
>> AND THANK YOU, GORILLA.
>> ALL RIGHT.
OFFICIAL NOW, SUSAN.
3860
01:54:14,381 --> 01:54:15,680
>> ALL RIGHT.
OFFICIAL NOW, SUSAN.
WE HAVE NEW TAG TEAM CHAMPIONS.
3861
01:54:15,682 --> 01:54:16,581
OFFICIAL NOW, SUSAN.
WE HAVE NEW TAG TEAM CHAMPIONS.
THE BRITISH BULLDOGS.
3862
01:54:16,583 --> 01:54:17,482
WE HAVE NEW TAG TEAM CHAMPIONS.
THE BRITISH BULLDOGS.
>> FANTASTIC.
3863
01:54:17,484 --> 01:54:18,783
THE BRITISH BULLDOGS.
>> FANTASTIC.
WHAT A MATCH.
3864
01:54:18,785 --> 01:54:19,651
>> FANTASTIC.
WHAT A MATCH.
IT WAS GREAT.
3865
01:54:19,653 --> 01:54:20,518
WHAT A MATCH.
IT WAS GREAT.
>> IT WAS INDEED A FABULOUS
3866
01:54:20,520 --> 01:54:21,253
IT WAS GREAT.
>> IT WAS INDEED A FABULOUS
MATCHUP.
3867
01:54:21,255 --> 01:54:22,154
>> IT WAS INDEED A FABULOUS
MATCHUP.
WE, OF COURSE, ARE LOOKING
3868
01:54:22,156 --> 01:54:23,488
MATCHUP.
WE, OF COURSE, ARE LOOKING
FORWARD TO THE LOS ANGELES
3869
01:54:23,490 --> 01:54:26,458
WE, OF COURSE, ARE LOOKING
FORWARD TO THE LOS ANGELES
PORTION COMING UP MOMENTARILY,
3870
01:54:26,460 --> 01:54:28,093
FORWARD TO THE LOS ANGELES
PORTION COMING UP MOMENTARILY,
AND OF COURSE, HULK HOGAN AND
3871
01:54:28,095 --> 01:54:28,961
PORTION COMING UP MOMENTARILY,
AND OF COURSE, HULK HOGAN AND
THE WORLD WRESTLING
3872
01:54:28,963 --> 01:54:31,630
AND OF COURSE, HULK HOGAN AND
THE WORLD WRESTLING
ENTERTAINMENT TITLE DEFENSE AS
3873
01:54:31,632 --> 01:54:33,565
THE WORLD WRESTLING
ENTERTAINMENT TITLE DEFENSE AS
THE HULKSTER SQUARES OFF AGAINST
3874
01:54:33,567 --> 01:54:34,532
ENTERTAINMENT TITLE DEFENSE AS
THE HULKSTER SQUARES OFF AGAINST
KING KONG BUNDY.
3875
01:54:34,534 --> 01:54:36,334
THE HULKSTER SQUARES OFF AGAINST
KING KONG BUNDY.
WE'LL LOOK FORWARD TO THAT AS
3876
01:54:36,336 --> 01:54:37,702
KING KONG BUNDY.
WE'LL LOOK FORWARD TO THAT AS
THE MAIN EVENT EMANATING FROM
3877
01:54:37,704 --> 01:54:38,536
WE'LL LOOK FORWARD TO THAT AS
THE MAIN EVENT EMANATING FROM
LOS ANGELES.
3878
01:54:38,538 --> 01:54:39,604
THE MAIN EVENT EMANATING FROM
LOS ANGELES.
ANY IDEA WHO'S GONNA WIN?
3879
01:54:39,606 --> 01:54:40,672
LOS ANGELES.
ANY IDEA WHO'S GONNA WIN?
>> WELL, THE HULK.
3880
01:54:40,674 --> 01:54:41,539
ANY IDEA WHO'S GONNA WIN?
>> WELL, THE HULK.
COME ON.
3881
01:54:41,541 --> 01:54:42,374
>> WELL, THE HULK.
COME ON.
FOR SURE.
3882
01:54:42,376 --> 01:54:43,375
COME ON.
FOR SURE.
DEFINITELY.
3883
01:54:43,377 --> 01:54:44,375
FOR SURE.
DEFINITELY.
>> WE WILL ALSO SEE, OF COURSE,
3884
01:54:44,377 --> 01:54:46,645
DEFINITELY.
>> WE WILL ALSO SEE, OF COURSE,
BOBBY THE BRAIN HEENAN AT THE
3885
01:54:46,647 --> 01:54:48,046
>> WE WILL ALSO SEE, OF COURSE,
BOBBY THE BRAIN HEENAN AT THE
SIDE OF KING KONG BUNDY.
3886
01:54:48,048 --> 01:54:48,714
BOBBY THE BRAIN HEENAN AT THE
SIDE OF KING KONG BUNDY.
I WONDER IF HE WILL BE A FACTOR
3887
01:54:48,716 --> 01:54:50,349
SIDE OF KING KONG BUNDY.
I WONDER IF HE WILL BE A FACTOR
IN THE MATCHUP.
3888
01:54:50,351 --> 01:54:51,383
I WONDER IF HE WILL BE A FACTOR
IN THE MATCHUP.
>> WELL, MAYBE HE'LL BE A
3889
01:54:51,385 --> 01:54:52,784
IN THE MATCHUP.
>> WELL, MAYBE HE'LL BE A
FACTOR, BUT I DON'T HAVE MY
3890
01:54:52,786 --> 01:54:54,386
>> WELL, MAYBE HE'LL BE A
FACTOR, BUT I DON'T HAVE MY
DOUBTS.
3891
01:54:54,388 --> 01:54:55,687
FACTOR, BUT I DON'T HAVE MY
DOUBTS.
>> WELL, NONETHELESS, IT'S A
3892
01:54:55,689 --> 01:54:57,722
DOUBTS.
>> WELL, NONETHELESS, IT'S A
STEEL CAGE MATCHUP, AND IN A
3893
01:54:57,724 --> 01:54:59,925
>> WELL, NONETHELESS, IT'S A
STEEL CAGE MATCHUP, AND IN A
STEEL CAGE, ANYTHING CAN HAPPEN.
3894
01:54:59,927 --> 01:55:01,559
STEEL CAGE MATCHUP, AND IN A
STEEL CAGE, ANYTHING CAN HAPPEN.
IT'S CLEARLY THE FIRST MAN OUT
3895
01:55:01,561 --> 01:55:02,861
STEEL CAGE, ANYTHING CAN HAPPEN.
IT'S CLEARLY THE FIRST MAN OUT
OF THE STEEL CAGE THE VICTOR,
3896
01:55:02,863 --> 01:55:03,728
IT'S CLEARLY THE FIRST MAN OUT
OF THE STEEL CAGE THE VICTOR,
AND IT COULD VERY WELL BE KING
3897
01:55:03,730 --> 01:55:05,497
OF THE STEEL CAGE THE VICTOR,
AND IT COULD VERY WELL BE KING
KONG WHO GOES THROUGH THE CAGE.
3898
01:55:05,499 --> 01:55:06,565
AND IT COULD VERY WELL BE KING
KONG WHO GOES THROUGH THE CAGE.
WHO KNOWS?
3899
01:55:06,567 --> 01:55:07,766
KONG WHO GOES THROUGH THE CAGE.
WHO KNOWS?
>> THIS IS TRUE.
3900
01:55:07,768 --> 01:55:08,467
WHO KNOWS?
>> THIS IS TRUE.
I CAN'T WAIT.
3901
01:55:08,469 --> 01:55:09,634
>> THIS IS TRUE.
I CAN'T WAIT.
>> THEN AGAIN, THE HULKSTER
3902
01:55:09,636 --> 01:55:10,769
I CAN'T WAIT.
>> THEN AGAIN, THE HULKSTER
COULD CLIMB TO THE TOP OF THE
3903
01:55:10,771 --> 01:55:11,503
>> THEN AGAIN, THE HULKSTER
COULD CLIMB TO THE TOP OF THE
MOUNTAIN.
3904
01:55:11,505 --> 01:55:12,337
COULD CLIMB TO THE TOP OF THE
MOUNTAIN.
HE'S BEEN THERE BEFORE, AND
3905
01:55:12,339 --> 01:55:14,539
MOUNTAIN.
HE'S BEEN THERE BEFORE, AND
INDEED HE HAS LOOKED BOTH WAYS.
3906
01:55:14,541 --> 01:55:16,775
HE'S BEEN THERE BEFORE, AND
INDEED HE HAS LOOKED BOTH WAYS.
HULK HOGAN UPCOMING IN LOS
3907
01:55:16,777 --> 01:55:17,742
INDEED HE HAS LOOKED BOTH WAYS.
HULK HOGAN UPCOMING IN LOS
ANGELES.
3908
01:55:17,744 --> 01:55:18,610
HULK HOGAN UPCOMING IN LOS
ANGELES.
THE WORLD WRESTLING
3909
01:55:18,612 --> 01:55:19,978
ANGELES.
THE WORLD WRESTLING
ENTERTAINMENT TITLE DEFENSE AS
3910
01:55:19,980 --> 01:55:21,446
THE WORLD WRESTLING
ENTERTAINMENT TITLE DEFENSE AS
THE HULKSTER PREPARES TO DEFEND
3911
01:55:21,448 --> 01:55:23,481
ENTERTAINMENT TITLE DEFENSE AS
THE HULKSTER PREPARES TO DEFEND
THE TITLE IN THE STEEL CAGE MAIN
3912
01:55:23,483 --> 01:55:25,884
THE HULKSTER PREPARES TO DEFEND
THE TITLE IN THE STEEL CAGE MAIN
EVENT AGAINST KING KONG BUNDY.
3913
01:55:25,886 --> 01:55:27,686
THE TITLE IN THE STEEL CAGE MAIN
EVENT AGAINST KING KONG BUNDY.
WE ANXIOUSLY AWAIT THAT.
3914
01:55:27,688 --> 01:55:28,720
EVENT AGAINST KING KONG BUNDY.
WE ANXIOUSLY AWAIT THAT.
>> THIS IS JESSE THE BODY
3915
01:55:28,722 --> 01:55:29,854
WE ANXIOUSLY AWAIT THAT.
>> THIS IS JESSE THE BODY
VENTURA.
3916
01:55:29,856 --> 01:55:31,523
>> THIS IS JESSE THE BODY
VENTURA.
WELCOME TO WRESTLEMANIA 2.
3917
01:55:31,525 --> 01:55:33,458
VENTURA.
WELCOME TO WRESTLEMANIA 2.
RIGHT HERE IN LOS ANGELES,
3918
01:55:33,460 --> 01:55:34,293
WELCOME TO WRESTLEMANIA 2.
RIGHT HERE IN LOS ANGELES,
CALIFORNIA.
3919
01:55:34,295 --> 01:55:36,594
RIGHT HERE IN LOS ANGELES,
CALIFORNIA.
JOINING ME TONIGHT, HIS LORDSHIP
3920
01:55:36,596 --> 01:55:39,297
CALIFORNIA.
JOINING ME TONIGHT, HIS LORDSHIP
LORD ALFRED HAYES, ALONG WITH
3921
01:55:39,299 --> 01:55:41,599
JOINING ME TONIGHT, HIS LORDSHIP
LORD ALFRED HAYES, ALONG WITH
BEAUTIFUL ELVIRA.
3922
01:55:41,601 --> 01:55:43,635
LORD ALFRED HAYES, ALONG WITH
BEAUTIFUL ELVIRA.
WHAT A PAIR WE MAKE RIGHT HERE
3923
01:55:43,637 --> 01:55:44,502
BEAUTIFUL ELVIRA.
WHAT A PAIR WE MAKE RIGHT HERE
AT RINGSIDE.
3924
01:55:44,504 --> 01:55:45,603
WHAT A PAIR WE MAKE RIGHT HERE
AT RINGSIDE.
WE'VE GOT SOME OF THE GREATEST
3925
01:55:45,605 --> 01:55:47,505
AT RINGSIDE.
WE'VE GOT SOME OF THE GREATEST
MATCHES, LORD ALFRED HAYES,
3926
01:55:47,507 --> 01:55:48,440
WE'VE GOT SOME OF THE GREATEST
MATCHES, LORD ALFRED HAYES,
STARTING OFF WITH RICKY "THE
3927
01:55:48,442 --> 01:55:50,342
MATCHES, LORD ALFRED HAYES,
STARTING OFF WITH RICKY "THE
DRAGON" STEAMBOAT GOING AGAINST
3928
01:55:50,344 --> 01:55:51,476
STARTING OFF WITH RICKY "THE
DRAGON" STEAMBOAT GOING AGAINST
HERCULES HERNANDEZ.
3929
01:55:51,478 --> 01:55:53,378
DRAGON" STEAMBOAT GOING AGAINST
HERCULES HERNANDEZ.
>> YEP, AND WE HAVE A WORLD
3930
01:55:53,380 --> 01:55:54,813
HERCULES HERNANDEZ.
>> YEP, AND WE HAVE A WORLD
HEAVYWEIGHT CHAMPIONSHIP IN A
3931
01:55:54,815 --> 01:55:56,581
>> YEP, AND WE HAVE A WORLD
HEAVYWEIGHT CHAMPIONSHIP IN A
CAGE, AND YOU KNOW WHO THAT'S
3932
01:55:56,583 --> 01:55:57,549
HEAVYWEIGHT CHAMPIONSHIP IN A
CAGE, AND YOU KNOW WHO THAT'S
BETWEEN, DON'T YOU?
3933
01:55:57,551 --> 01:55:58,450
CAGE, AND YOU KNOW WHO THAT'S
BETWEEN, DON'T YOU?
>> THAT'S RIGHT.
3934
01:55:58,452 --> 01:55:59,618
BETWEEN, DON'T YOU?
>> THAT'S RIGHT.
HULK HOGAN AGAINST KING KONG
3935
01:55:59,620 --> 01:56:01,219
>> THAT'S RIGHT.
HULK HOGAN AGAINST KING KONG
BUNDY, ALONG WITH A TREMENDOUS
3936
01:56:01,221 --> 01:56:03,655
HULK HOGAN AGAINST KING KONG
BUNDY, ALONG WITH A TREMENDOUS
TAG MATCH: THE FUNK BROTHERS
3937
01:56:03,657 --> 01:56:05,357
BUNDY, ALONG WITH A TREMENDOUS
TAG MATCH: THE FUNK BROTHERS
AGAINST THE JUNKYARD DOG AND
3938
01:56:05,359 --> 01:56:06,725
TAG MATCH: THE FUNK BROTHERS
AGAINST THE JUNKYARD DOG AND
TITO SANTANA.
3939
01:56:06,727 --> 01:56:07,859
AGAINST THE JUNKYARD DOG AND
TITO SANTANA.
>> AND DON'T FORGET WE HAVE
3940
01:56:07,861 --> 01:56:09,761
TITO SANTANA.
>> AND DON'T FORGET WE HAVE
ADORABLE ADONIS.
3941
01:56:09,763 --> 01:56:11,496
>> AND DON'T FORGET WE HAVE
ADORABLE ADONIS.
>> ADORABLE ADRIAN WILL TAKE ON
3942
01:56:11,498 --> 01:56:12,664
ADORABLE ADONIS.
>> ADORABLE ADRIAN WILL TAKE ON
UNCLE ELMER.
3943
01:56:12,666 --> 01:56:13,565
>> ADORABLE ADRIAN WILL TAKE ON
UNCLE ELMER.
ELVIRA, HOW DO YOU FEEL TONIGHT?
3944
01:56:13,567 --> 01:56:14,633
UNCLE ELMER.
ELVIRA, HOW DO YOU FEEL TONIGHT?
ARE YOU READY?
3945
01:56:14,635 --> 01:56:15,434
ELVIRA, HOW DO YOU FEEL TONIGHT?
ARE YOU READY?
>> YEAH.
3946
01:56:15,436 --> 01:56:16,234
ARE YOU READY?
>> YEAH.
I THINK IT'S GREAT TO BE HERE
3947
01:56:16,236 --> 01:56:17,602
>> YEAH.
I THINK IT'S GREAT TO BE HERE
WITH SO MUCH FLESH AND VIOLENCE.
3948
01:56:17,604 --> 01:56:19,304
I THINK IT'S GREAT TO BE HERE
WITH SO MUCH FLESH AND VIOLENCE.
WHAT PLACE [INDISTINCT] .
3949
01:56:19,306 --> 01:56:20,706
WITH SO MUCH FLESH AND VIOLENCE.
WHAT PLACE [INDISTINCT] .
IT'S VERY IMPRESSIVE.
3950
01:56:20,708 --> 01:56:21,606
WHAT PLACE [INDISTINCT] .
IT'S VERY IMPRESSIVE.
>> ALL RIGHT.
3951
01:56:21,608 --> 01:56:23,675
IT'S VERY IMPRESSIVE.
>> ALL RIGHT.
GET READY BECAUSE WE'RE GETTING
3952
01:56:23,677 --> 01:56:25,910
>> ALL RIGHT.
GET READY BECAUSE WE'RE GETTING
READY TO GO WRESTLEMANIA 2 LIVE
3953
01:56:25,912 --> 01:56:31,783
GET READY BECAUSE WE'RE GETTING
READY TO GO WRESTLEMANIA 2 LIVE
FROM LOS ANGELES.
3954
01:56:31,785 --> 01:56:33,018
READY TO GO WRESTLEMANIA 2 LIVE
FROM LOS ANGELES.
[ BELL RINGING ]
3955
01:56:33,020 --> 01:56:35,420
FROM LOS ANGELES.
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, THIS
3956
01:56:35,422 --> 01:56:36,588
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR ONE
3957
01:56:36,590 --> 01:56:38,657
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR ONE
FALL WITH A 20-MINUTE TIME
3958
01:56:38,659 --> 01:56:40,459
CONTEST IS SCHEDULED FOR ONE
FALL WITH A 20-MINUTE TIME
LIMIT.
3959
01:56:40,461 --> 01:56:42,494
FALL WITH A 20-MINUTE TIME
LIMIT.
INTRODUCING FIRST, TO MY LEFT,
3960
01:56:42,496 --> 01:56:44,929
LIMIT.
INTRODUCING FIRST, TO MY LEFT,
FROM TAMPA, FLORIDA, WEIGHING
3961
01:56:44,931 --> 01:56:51,736
INTRODUCING FIRST, TO MY LEFT,
FROM TAMPA, FLORIDA, WEIGHING
265 POUNDS: HERCULES HERNANDEZ!
3962
01:56:51,738 --> 01:56:56,641
FROM TAMPA, FLORIDA, WEIGHING
265 POUNDS: HERCULES HERNANDEZ!
[ BELL RINGING ]
3963
01:56:56,643 --> 01:56:57,676
265 POUNDS: HERCULES HERNANDEZ!
[ BELL RINGING ]
>> AND HIS OPPONENT, FROM
3964
01:56:57,678 --> 01:57:01,679
[ BELL RINGING ]
>> AND HIS OPPONENT, FROM
HAWAII, WEIGHING 237 POUNDS:
3965
01:57:01,681 --> 01:57:06,551
>> AND HIS OPPONENT, FROM
HAWAII, WEIGHING 237 POUNDS:
RICKY "THE DRAGON" STEAMBOAT!
3966
01:57:06,553 --> 01:57:17,495
HAWAII, WEIGHING 237 POUNDS:
RICKY "THE DRAGON" STEAMBOAT!
[ BELL RINGING ]
3967
01:57:17,497 --> 01:57:19,464
RICKY "THE DRAGON" STEAMBOAT!
[ BELL RINGING ]
>> WE HAVE HERCULES HERNANDEZ,
3968
01:57:19,466 --> 01:57:20,799
[ BELL RINGING ]
>> WE HAVE HERCULES HERNANDEZ,
AND HE'S REALLY GOING TO TOWN ON
3969
01:57:20,801 --> 01:57:23,335
>> WE HAVE HERCULES HERNANDEZ,
AND HE'S REALLY GOING TO TOWN ON
RICKY STEAMBOAT.
3970
01:57:23,337 --> 01:57:25,403
AND HE'S REALLY GOING TO TOWN ON
RICKY STEAMBOAT.
NOT GIVING STEAMBOAT A CHANCE IN
3971
01:57:25,405 --> 01:57:26,471
RICKY STEAMBOAT.
NOT GIVING STEAMBOAT A CHANCE IN
THE BEGINNING.
3972
01:57:26,473 --> 01:57:26,938
NOT GIVING STEAMBOAT A CHANCE IN
THE BEGINNING.
>> THAT'S RIGHT.
3973
01:57:26,940 --> 01:57:28,473
THE BEGINNING.
>> THAT'S RIGHT.
I'LL TELL YOU, LORD ALFRED
3974
01:57:28,475 --> 01:57:29,474
>> THAT'S RIGHT.
I'LL TELL YOU, LORD ALFRED
HAYES: HERCULES HERNANDEZ JUMPED
3975
01:57:29,476 --> 01:57:31,576
I'LL TELL YOU, LORD ALFRED
HAYES: HERCULES HERNANDEZ JUMPED
THE DRAGON RIGHT OFF THE START
3976
01:57:31,578 --> 01:57:33,611
HAYES: HERCULES HERNANDEZ JUMPED
THE DRAGON RIGHT OFF THE START
AND I BELIEVE HE'S GOING OUT FOR
3977
01:57:33,613 --> 01:57:34,612
THE DRAGON RIGHT OFF THE START
AND I BELIEVE HE'S GOING OUT FOR
A QUICK WIN TONIGHT.
3978
01:57:34,614 --> 01:57:35,647
AND I BELIEVE HE'S GOING OUT FOR
A QUICK WIN TONIGHT.
>> WELL, I THINK HE TOOK A VERY
3979
01:57:35,649 --> 01:57:38,583
A QUICK WIN TONIGHT.
>> WELL, I THINK HE TOOK A VERY
UNFAIR ADVANTAGE THERE, JESSE,
3980
01:57:38,585 --> 01:57:40,585
>> WELL, I THINK HE TOOK A VERY
UNFAIR ADVANTAGE THERE, JESSE,
AND LOOK AT THAT LOVELY MOVE.
3981
01:57:40,587 --> 01:57:40,852
UNFAIR ADVANTAGE THERE, JESSE,
AND LOOK AT THAT LOVELY MOVE.
>> HEY.
3982
01:57:40,854 --> 01:57:42,420
AND LOOK AT THAT LOVELY MOVE.
>> HEY.
>> STEAMBOAT COMING BACK TWICE
3983
01:57:42,422 --> 01:57:43,355
>> HEY.
>> STEAMBOAT COMING BACK TWICE
ON THE REFLEX.
3984
01:57:43,357 --> 01:57:44,790
>> STEAMBOAT COMING BACK TWICE
ON THE REFLEX.
PUT TWO MOVES TOGETHER, AND NOW
3985
01:57:44,792 --> 01:57:46,591
ON THE REFLEX.
PUT TWO MOVES TOGETHER, AND NOW
STRONG, HAS DEALT WITH HIM.
3986
01:57:46,593 --> 01:57:50,328
PUT TWO MOVES TOGETHER, AND NOW
STRONG, HAS DEALT WITH HIM.
A CLOTHESLINE OFF THE ROPES.
3987
01:57:50,330 --> 01:57:51,596
STRONG, HAS DEALT WITH HIM.
A CLOTHESLINE OFF THE ROPES.
A TURNOVER WITH AN ARM DRIVE.
3988
01:57:51,598 --> 01:57:53,631
A CLOTHESLINE OFF THE ROPES.
A TURNOVER WITH AN ARM DRIVE.
TWO ARM DRIVES.
3989
01:57:53,633 --> 01:57:54,833
A TURNOVER WITH AN ARM DRIVE.
TWO ARM DRIVES.
AND NOW TAKING CONTROL OF THIS
3990
01:57:54,835 --> 01:57:58,636
TWO ARM DRIVES.
AND NOW TAKING CONTROL OF THIS
MATCH IS RICKY STEAMBOAT.
3991
01:57:58,638 --> 01:58:00,639
AND NOW TAKING CONTROL OF THIS
MATCH IS RICKY STEAMBOAT.
>> WELL, I'LL TELL YOU, LORD,
3992
01:58:00,641 --> 01:58:01,506
MATCH IS RICKY STEAMBOAT.
>> WELL, I'LL TELL YOU, LORD,
I'VE SAID IT BEFORE.
3993
01:58:01,508 --> 01:58:02,574
>> WELL, I'LL TELL YOU, LORD,
I'VE SAID IT BEFORE.
I'LL SAY IT AGAIN.
3994
01:58:02,576 --> 01:58:03,708
I'VE SAID IT BEFORE.
I'LL SAY IT AGAIN.
ALL IS FAIR IN LOVE AND WAR, AND
3995
01:58:03,710 --> 01:58:05,710
I'LL SAY IT AGAIN.
ALL IS FAIR IN LOVE AND WAR, AND
I'M SURE ENOUGH YOU'RE WITH ME
3996
01:58:05,712 --> 01:58:06,644
ALL IS FAIR IN LOVE AND WAR, AND
I'M SURE ENOUGH YOU'RE WITH ME
ON THERE.
3997
01:58:06,646 --> 01:58:09,380
I'M SURE ENOUGH YOU'RE WITH ME
ON THERE.
>> YOU MAY THINK THAT'S FAIR,
3998
01:58:09,382 --> 01:58:10,548
ON THERE.
>> YOU MAY THINK THAT'S FAIR,
JESSE, BUT WHAT'S HAPPENING
3999
01:58:10,550 --> 01:58:12,384
>> YOU MAY THINK THAT'S FAIR,
JESSE, BUT WHAT'S HAPPENING
RIGHT NOW IS A LITTLE LESS THAN
4000
01:58:12,386 --> 01:58:14,586
JESSE, BUT WHAT'S HAPPENING
RIGHT NOW IS A LITTLE LESS THAN
FAIR BECAUSE STEAMBOAT HAS JUST
4001
01:58:14,588 --> 01:58:16,521
RIGHT NOW IS A LITTLE LESS THAN
FAIR BECAUSE STEAMBOAT HAS JUST
PRACTICALLY TAKEN THE ARM OUT OF
4002
01:58:16,523 --> 01:58:18,323
FAIR BECAUSE STEAMBOAT HAS JUST
PRACTICALLY TAKEN THE ARM OUT OF
THE SOCKET OF HERCULES
4003
01:58:18,325 --> 01:58:23,395
PRACTICALLY TAKEN THE ARM OUT OF
THE SOCKET OF HERCULES
HERNANDEZ.
4004
01:58:23,397 --> 01:58:24,362
THE SOCKET OF HERCULES
HERNANDEZ.
A LOVER'S STATE FOR BOTH THESE
4005
01:58:24,364 --> 01:58:27,799
HERNANDEZ.
A LOVER'S STATE FOR BOTH THESE
MEN AS THEY BATTLE EACH OTHER,
4006
01:58:27,801 --> 01:58:28,600
A LOVER'S STATE FOR BOTH THESE
MEN AS THEY BATTLE EACH OTHER,
BECAUSE EACH OF THEM IS A
4007
01:58:28,602 --> 01:58:30,702
MEN AS THEY BATTLE EACH OTHER,
BECAUSE EACH OF THEM IS A
LOGICAL CONTENDER FOR THAT
4008
01:58:30,704 --> 01:58:32,470
BECAUSE EACH OF THEM IS A
LOGICAL CONTENDER FOR THAT
INTERCONTINENTAL HEAVYWEIGHT
4009
01:58:32,472 --> 01:58:37,409
LOGICAL CONTENDER FOR THAT
INTERCONTINENTAL HEAVYWEIGHT
CHAMPIONSHIP, AND A WIN OR A
4010
01:58:37,411 --> 01:58:38,743
INTERCONTINENTAL HEAVYWEIGHT
CHAMPIONSHIP, AND A WIN OR A
LOSS COULD BE ABSOLUTELY
4011
01:58:38,745 --> 01:58:39,477
CHAMPIONSHIP, AND A WIN OR A
LOSS COULD BE ABSOLUTELY
CRITICAL.
4012
01:58:39,479 --> 01:58:41,613
LOSS COULD BE ABSOLUTELY
CRITICAL.
A NICE MOVE BY STEAMBOAT.
4013
01:58:41,615 --> 01:58:43,615
CRITICAL.
A NICE MOVE BY STEAMBOAT.
A SCISSOR BY STEAMBOAT, AND DOWN
4014
01:58:43,617 --> 01:58:47,419
A NICE MOVE BY STEAMBOAT.
A SCISSOR BY STEAMBOAT, AND DOWN
GOES HERNANDEZ.
4015
01:58:47,421 --> 01:58:48,486
A SCISSOR BY STEAMBOAT, AND DOWN
GOES HERNANDEZ.
STEAMBOAT WITH ANOTHER ARM
4016
01:58:48,488 --> 01:58:49,521
GOES HERNANDEZ.
STEAMBOAT WITH ANOTHER ARM
DRIVE.
4017
01:58:49,523 --> 01:58:50,321
STEAMBOAT WITH ANOTHER ARM
DRIVE.
>> WELL, I'LL TELL YOU, LORD,
4018
01:58:50,323 --> 01:58:51,857
DRIVE.
>> WELL, I'LL TELL YOU, LORD,
YOU KNOW, RICKY STEAMBOAT'S
4019
01:58:51,859 --> 01:58:53,791
>> WELL, I'LL TELL YOU, LORD,
YOU KNOW, RICKY STEAMBOAT'S
USING HIS SPEED TO HIS ADVANTAGE
4020
01:58:53,793 --> 01:58:54,526
YOU KNOW, RICKY STEAMBOAT'S
USING HIS SPEED TO HIS ADVANTAGE
RIGHT NOW.
4021
01:58:54,528 --> 01:58:55,894
USING HIS SPEED TO HIS ADVANTAGE
RIGHT NOW.
WHAT HERNANDEZ HAS GOT TO DO:
4022
01:58:55,896 --> 01:58:57,295
RIGHT NOW.
WHAT HERNANDEZ HAS GOT TO DO:
HE'S GOT TO GET STEAMBOAT DOWN
4023
01:58:57,297 --> 01:58:58,630
WHAT HERNANDEZ HAS GOT TO DO:
HE'S GOT TO GET STEAMBOAT DOWN
ON THAT MAT AND HE'S GOT TO USE
4024
01:58:58,632 --> 01:59:00,198
HE'S GOT TO GET STEAMBOAT DOWN
ON THAT MAT AND HE'S GOT TO USE
THAT POWERFUL STRIKE OF HIS
4025
01:59:00,200 --> 01:59:01,600
ON THAT MAT AND HE'S GOT TO USE
THAT POWERFUL STRIKE OF HIS
AGAINST RICKY "THE DRAGON."
4026
01:59:01,602 --> 01:59:03,434
THAT POWERFUL STRIKE OF HIS
AGAINST RICKY "THE DRAGON."
IF HE TRIES TO GO MOVE FOR MOVE
4027
01:59:03,436 --> 01:59:04,569
AGAINST RICKY "THE DRAGON."
IF HE TRIES TO GO MOVE FOR MOVE
WITH HIM IT'S NOT GONNA WORK FOR
4028
01:59:04,571 --> 01:59:05,737
IF HE TRIES TO GO MOVE FOR MOVE
WITH HIM IT'S NOT GONNA WORK FOR
HIM.
4029
01:59:05,739 --> 01:59:08,439
WITH HIM IT'S NOT GONNA WORK FOR
HIM.
>> AT THE MOMENT, JESSE,
4030
01:59:08,441 --> 01:59:10,508
HIM.
>> AT THE MOMENT, JESSE,
STEAMBOAT IS IN FULL CONTROL OF
4031
01:59:10,510 --> 01:59:12,410
>> AT THE MOMENT, JESSE,
STEAMBOAT IS IN FULL CONTROL OF
THIS MATCH, AND HERCULES
4032
01:59:12,412 --> 01:59:14,445
STEAMBOAT IS IN FULL CONTROL OF
THIS MATCH, AND HERCULES
HERNANDEZ HAS NOT BEEN ABLE TO
4033
01:59:14,447 --> 01:59:16,648
THIS MATCH, AND HERCULES
HERNANDEZ HAS NOT BEEN ABLE TO
MUSTER ANY SORT OF OFFENSIVE AT
4034
01:59:16,650 --> 01:59:19,417
HERNANDEZ HAS NOT BEEN ABLE TO
MUSTER ANY SORT OF OFFENSIVE AT
ALL AGAINST HIM.
4035
01:59:19,419 --> 01:59:21,419
MUSTER ANY SORT OF OFFENSIVE AT
ALL AGAINST HIM.
NOW WE HAVE STEAMBOAT JUST GOING
4036
01:59:21,421 --> 01:59:23,788
ALL AGAINST HIM.
NOW WE HAVE STEAMBOAT JUST GOING
TO TOWN ON THE LEFT ARM OF
4037
01:59:23,790 --> 01:59:26,625
NOW WE HAVE STEAMBOAT JUST GOING
TO TOWN ON THE LEFT ARM OF
HERNANDEZ, AND EVEN THAT
4038
01:59:26,627 --> 01:59:28,726
TO TOWN ON THE LEFT ARM OF
HERNANDEZ, AND EVEN THAT
TREMENDOUS, TOWERING STRENGTH OF
4039
01:59:28,728 --> 01:59:30,629
HERNANDEZ, AND EVEN THAT
TREMENDOUS, TOWERING STRENGTH OF
HERNANDEZ DOESN'T SEEM TO BE
4040
01:59:30,631 --> 01:59:33,798
TREMENDOUS, TOWERING STRENGTH OF
HERNANDEZ DOESN'T SEEM TO BE
HOLDING TOO MUCH AVAIL AGAINST
4041
01:59:33,800 --> 01:59:36,367
HERNANDEZ DOESN'T SEEM TO BE
HOLDING TOO MUCH AVAIL AGAINST
STEAMBOAT, WHO'S OBVIOUSLY VERY
4042
01:59:36,369 --> 01:59:38,536
HOLDING TOO MUCH AVAIL AGAINST
STEAMBOAT, WHO'S OBVIOUSLY VERY
MUCH ON FIRE FOR THIS MATCH.
4043
01:59:38,538 --> 01:59:39,971
STEAMBOAT, WHO'S OBVIOUSLY VERY
MUCH ON FIRE FOR THIS MATCH.
>> ALFRED HAYES, I HAVE TO ASK
4044
01:59:39,973 --> 01:59:41,506
MUCH ON FIRE FOR THIS MATCH.
>> ALFRED HAYES, I HAVE TO ASK
ELVIRA SOMETHING HERE.
4045
01:59:41,508 --> 01:59:42,607
>> ALFRED HAYES, I HAVE TO ASK
ELVIRA SOMETHING HERE.
WHAT IS THE PURPOSE, DO YOU
4046
01:59:42,609 --> 01:59:44,409
ELVIRA SOMETHING HERE.
WHAT IS THE PURPOSE, DO YOU
THINK, FOR STEAMBOAT, AND THAT
4047
01:59:44,411 --> 01:59:46,311
WHAT IS THE PURPOSE, DO YOU
THINK, FOR STEAMBOAT, AND THAT
LITTLE SCARF AROUND HIS KNEE?
4048
01:59:46,313 --> 01:59:46,844
THINK, FOR STEAMBOAT, AND THAT
LITTLE SCARF AROUND HIS KNEE?
>> I DON'T KNOW.
4049
01:59:46,846 --> 01:59:47,679
LITTLE SCARF AROUND HIS KNEE?
>> I DON'T KNOW.
HE LOOKS KIND OF LIKE A WIMP TO
4050
01:59:47,681 --> 01:59:48,713
>> I DON'T KNOW.
HE LOOKS KIND OF LIKE A WIMP TO
ME WITH THAT ON.
4051
01:59:48,715 --> 01:59:49,781
HE LOOKS KIND OF LIKE A WIMP TO
ME WITH THAT ON.
WOULDN'T YOU SAY SO, JESSE?
4052
01:59:49,783 --> 01:59:50,715
ME WITH THAT ON.
WOULDN'T YOU SAY SO, JESSE?
>> YEAH.
4053
01:59:50,717 --> 01:59:51,649
WOULDN'T YOU SAY SO, JESSE?
>> YEAH.
HE LOOKS PRETTY WIMPY TO ME,
4054
01:59:51,651 --> 01:59:52,283
>> YEAH.
HE LOOKS PRETTY WIMPY TO ME,
HAYES.
4055
01:59:52,285 --> 01:59:53,218
HE LOOKS PRETTY WIMPY TO ME,
HAYES.
WHAT'S YOUR COMMENT ON THAT?
4056
01:59:53,220 --> 01:59:53,818
HAYES.
WHAT'S YOUR COMMENT ON THAT?
>> OH!
4057
01:59:53,820 --> 01:59:54,485
WHAT'S YOUR COMMENT ON THAT?
>> OH!
>> JUST LOOK AT HIM GOING TO
4058
01:59:54,487 --> 01:59:55,386
>> OH!
>> JUST LOOK AT HIM GOING TO
TOWN.
4059
01:59:55,388 --> 01:59:55,987
>> JUST LOOK AT HIM GOING TO
TOWN.
NOW, THERE'S ANOTHER WHIP.
4060
01:59:55,989 --> 01:59:56,588
TOWN.
NOW, THERE'S ANOTHER WHIP.
BEAUTIFUL.
4061
01:59:56,590 --> 01:59:58,590
NOW, THERE'S ANOTHER WHIP.
BEAUTIFUL.
BY STEAMBOAT.
4062
01:59:58,592 --> 02:00:01,593
BEAUTIFUL.
BY STEAMBOAT.
ANOTHER LEAP BY STEAMBOAT.
4063
02:00:01,595 --> 02:00:03,595
BY STEAMBOAT.
ANOTHER LEAP BY STEAMBOAT.
A BACKHAND DONE BY STEAMBOAT.
4064
02:00:03,597 --> 02:00:04,729
ANOTHER LEAP BY STEAMBOAT.
A BACKHAND DONE BY STEAMBOAT.
HERNANDEZ IS DOWN AND HE'S MADE
4065
02:00:04,731 --> 02:00:05,830
A BACKHAND DONE BY STEAMBOAT.
HERNANDEZ IS DOWN AND HE'S MADE
IT TO THE HIGH GROUND.
4066
02:00:05,832 --> 02:00:06,664
HERNANDEZ IS DOWN AND HE'S MADE
IT TO THE HIGH GROUND.
>> YEAH.
4067
02:00:06,666 --> 02:00:07,498
IT TO THE HIGH GROUND.
>> YEAH.
>> HE GOT CAUGHT WITH A VICIOUS
4068
02:00:07,500 --> 02:00:08,766
>> YEAH.
>> HE GOT CAUGHT WITH A VICIOUS
ELBOW THERE.
4069
02:00:08,768 --> 02:00:09,601
>> HE GOT CAUGHT WITH A VICIOUS
ELBOW THERE.
>> HE SURE DID, HE'S FLIPPIN'
4070
02:00:09,603 --> 02:00:10,802
ELBOW THERE.
>> HE SURE DID, HE'S FLIPPIN'
LIKE A FISH THE MIDDLE OF THE
4071
02:00:10,804 --> 02:00:12,370
>> HE SURE DID, HE'S FLIPPIN'
LIKE A FISH THE MIDDLE OF THE
RING NOW.
4072
02:00:12,372 --> 02:00:14,439
LIKE A FISH THE MIDDLE OF THE
RING NOW.
>> NICE BACKWARD SUPLEX BY
4073
02:00:14,441 --> 02:00:15,707
RING NOW.
>> NICE BACKWARD SUPLEX BY
STEAMBOAT.
4074
02:00:15,709 --> 02:00:16,941
>> NICE BACKWARD SUPLEX BY
STEAMBOAT.
THAT COULD BE VERY DAMAGING,
4075
02:00:16,943 --> 02:00:17,642
STEAMBOAT.
THAT COULD BE VERY DAMAGING,
INDEED!
4076
02:00:17,644 --> 02:00:19,711
THAT COULD BE VERY DAMAGING,
INDEED!
IN FACT, HERNANDEZ, SO FAR, HAS
4077
02:00:19,713 --> 02:00:21,813
INDEED!
IN FACT, HERNANDEZ, SO FAR, HAS
BEEN REALLY INEFFECTIVE.
4078
02:00:21,815 --> 02:00:23,548
IN FACT, HERNANDEZ, SO FAR, HAS
BEEN REALLY INEFFECTIVE.
>> WELL, HE GOT OFF TO A FAST
4079
02:00:23,550 --> 02:00:24,782
BEEN REALLY INEFFECTIVE.
>> WELL, HE GOT OFF TO A FAST
START, ALFRED HAYES, BUT THEN
4080
02:00:24,784 --> 02:00:26,585
>> WELL, HE GOT OFF TO A FAST
START, ALFRED HAYES, BUT THEN
STEAMBOAT HAS SLOWED HIM DOWN,
4081
02:00:26,587 --> 02:00:27,852
START, ALFRED HAYES, BUT THEN
STEAMBOAT HAS SLOWED HIM DOWN,
AND IT'S BEEN ALL RICKY
4082
02:00:27,854 --> 02:00:28,686
STEAMBOAT HAS SLOWED HIM DOWN,
AND IT'S BEEN ALL RICKY
STEAMBOAT RIGHT NOW.
4083
02:00:28,688 --> 02:00:30,088
AND IT'S BEEN ALL RICKY
STEAMBOAT RIGHT NOW.
HERNANDEZ IS GONNA HAVE TO GO TO
4084
02:00:30,090 --> 02:00:31,656
STEAMBOAT RIGHT NOW.
HERNANDEZ IS GONNA HAVE TO GO TO
SOME VIOLENT RULE BREAKING.
4085
02:00:31,658 --> 02:00:32,624
HERNANDEZ IS GONNA HAVE TO GO TO
SOME VIOLENT RULE BREAKING.
>> HE SURE IS.
4086
02:00:32,626 --> 02:00:33,625
SOME VIOLENT RULE BREAKING.
>> HE SURE IS.
HE BETTER GET IN THERE RIGHT
4087
02:00:33,627 --> 02:00:34,626
>> HE SURE IS.
HE BETTER GET IN THERE RIGHT
AWAY.
4088
02:00:34,628 --> 02:00:35,627
HE BETTER GET IN THERE RIGHT
AWAY.
>> OH!
4089
02:00:35,629 --> 02:00:35,960
AWAY.
>> OH!
>> OOH!
4090
02:00:35,962 --> 02:00:36,694
>> OH!
>> OOH!
>> OH, MY!
4091
02:00:36,696 --> 02:00:37,662
>> OOH!
>> OH, MY!
>> OH, WOW!
4092
02:00:37,664 --> 02:00:38,730
>> OH, MY!
>> OH, WOW!
>> THAT WAS A VICIOUS, VICIOUS
4093
02:00:38,732 --> 02:00:40,732
>> OH, WOW!
>> THAT WAS A VICIOUS, VICIOUS
HERCULES HERNANDEZ CLOTHESLINE
4094
02:00:40,734 --> 02:00:42,400
>> THAT WAS A VICIOUS, VICIOUS
HERCULES HERNANDEZ CLOTHESLINE
RIGHT THERE, ALFRED HAYES.
4095
02:00:42,402 --> 02:00:43,468
HERCULES HERNANDEZ CLOTHESLINE
RIGHT THERE, ALFRED HAYES.
>> NEARLY TOOK THE HEAD OF
4096
02:00:43,470 --> 02:00:44,535
RIGHT THERE, ALFRED HAYES.
>> NEARLY TOOK THE HEAD OF
STEAMBOAT RIGHT OFF.
4097
02:00:44,537 --> 02:00:45,169
>> NEARLY TOOK THE HEAD OF
STEAMBOAT RIGHT OFF.
>> THAT'S WHAT HE'S GOT TO DO
4098
02:00:45,171 --> 02:00:45,737
STEAMBOAT RIGHT OFF.
>> THAT'S WHAT HE'S GOT TO DO
NOW.
4099
02:00:45,739 --> 02:00:46,771
>> THAT'S WHAT HE'S GOT TO DO
NOW.
HE'S GOT HIM DOWN ON THE MAT,
4100
02:00:46,773 --> 02:00:47,739
NOW.
HE'S GOT HIM DOWN ON THE MAT,
HE'S GOT TO GET NASTY WITH HIM
4101
02:00:47,741 --> 02:00:49,274
HE'S GOT HIM DOWN ON THE MAT,
HE'S GOT TO GET NASTY WITH HIM
HERE.
4102
02:00:49,276 --> 02:00:50,575
HE'S GOT TO GET NASTY WITH HIM
HERE.
>> BOOM!
4103
02:00:50,577 --> 02:00:53,711
HERE.
>> BOOM!
>> AND GET NASTY HE IS, JESSE.
4104
02:00:53,713 --> 02:00:54,846
>> BOOM!
>> AND GET NASTY HE IS, JESSE.
>> OW, THAT IS AWESOME!
4105
02:00:54,848 --> 02:00:55,847
>> AND GET NASTY HE IS, JESSE.
>> OW, THAT IS AWESOME!
>> BIG KNEES TO THE SIDE OF THE
4106
02:00:55,849 --> 02:00:56,848
>> OW, THAT IS AWESOME!
>> BIG KNEES TO THE SIDE OF THE
HEAD.
4107
02:00:56,850 --> 02:00:58,416
>> BIG KNEES TO THE SIDE OF THE
HEAD.
>> YOU GOT TO LIKE THOSE BODIES
4108
02:00:58,418 --> 02:00:59,350
HEAD.
>> YOU GOT TO LIKE THOSE BODIES
OUT THERE, DON'T YOU LOVE THEM
4109
02:00:59,352 --> 02:00:59,918
>> YOU GOT TO LIKE THOSE BODIES
OUT THERE, DON'T YOU LOVE THEM
ELVIRA?
4110
02:00:59,920 --> 02:01:00,785
OUT THERE, DON'T YOU LOVE THEM
ELVIRA?
>> I SURE DO!
4111
02:01:00,787 --> 02:01:01,786
ELVIRA?
>> I SURE DO!
I MUST SAY, I'M A LITTLE IN AWE
4112
02:01:01,788 --> 02:01:02,754
>> I SURE DO!
I MUST SAY, I'M A LITTLE IN AWE
HERE.
4113
02:01:02,756 --> 02:01:03,688
I MUST SAY, I'M A LITTLE IN AWE
HERE.
I CAN'T HARDLY TAKE MY EYES OFF
4114
02:01:03,690 --> 02:01:05,456
HERE.
I CAN'T HARDLY TAKE MY EYES OFF
OF THAT.
4115
02:01:05,458 --> 02:01:06,591
I CAN'T HARDLY TAKE MY EYES OFF
OF THAT.
>> THE REFEREE HERE REPRIMANDING
4116
02:01:06,593 --> 02:01:09,527
OF THAT.
>> THE REFEREE HERE REPRIMANDING
HERNANDEZ FOR WHAT HE OBVIOUSLY
4117
02:01:09,529 --> 02:01:11,629
>> THE REFEREE HERE REPRIMANDING
HERNANDEZ FOR WHAT HE OBVIOUSLY
THOUGHT WAS ...
4118
02:01:11,631 --> 02:01:12,330
HERNANDEZ FOR WHAT HE OBVIOUSLY
THOUGHT WAS ...
OH, MY WORD!
4119
02:01:12,332 --> 02:01:13,398
THOUGHT WAS ...
OH, MY WORD!
>> OOH, WHAT A MOVE BY
4120
02:01:13,400 --> 02:01:15,333
OH, MY WORD!
>> OOH, WHAT A MOVE BY
HERNANDEZ, PICKING STEAMBOAT OUT
4121
02:01:15,335 --> 02:01:17,335
>> OOH, WHAT A MOVE BY
HERNANDEZ, PICKING STEAMBOAT OUT
4122
02:01:17,337 --> 02:01:18,569
HERNANDEZ, PICKING STEAMBOAT OUT
CLOTHESLINING HIM OFF THAT TOP
4123
02:01:18,571 --> 02:01:23,441
CLOTHESLINING HIM OFF THAT TOP
ROPE.
>> HERNANDEZ NOW HAS THE
4124
02:01:23,443 --> 02:01:26,411
ROPE.
>> HERNANDEZ NOW HAS THE
PENDULUM SWINGING IN HIS FAVOR,
4125
02:01:26,413 --> 02:01:27,512
>> HERNANDEZ NOW HAS THE
PENDULUM SWINGING IN HIS FAVOR,
AND HE'S REALLY PILING THE
4126
02:01:27,514 --> 02:01:29,414
PENDULUM SWINGING IN HIS FAVOR,
AND HE'S REALLY PILING THE
PRESSURE ON HIM.
4127
02:01:29,416 --> 02:01:30,749
AND HE'S REALLY PILING THE
PRESSURE ON HIM.
ONE THING I MUST SAY FOR
4128
02:01:30,751 --> 02:01:31,616
PRESSURE ON HIM.
ONE THING I MUST SAY FOR
HERNANDEZ IS THAT WHEN HE GETS
4129
02:01:31,618 --> 02:01:34,452
ONE THING I MUST SAY FOR
HERNANDEZ IS THAT WHEN HE GETS
IN FRONT, HE STAYS THERE.
4130
02:01:34,454 --> 02:01:35,620
HERNANDEZ IS THAT WHEN HE GETS
IN FRONT, HE STAYS THERE.
>> CHANT GOING UP FROM THE FANS
4131
02:01:35,622 --> 02:01:37,789
IN FRONT, HE STAYS THERE.
>> CHANT GOING UP FROM THE FANS
HERE IN LA, STEAMBOAT!
4132
02:01:37,791 --> 02:01:38,523
>> CHANT GOING UP FROM THE FANS
HERE IN LA, STEAMBOAT!
STEAMBOAT!
4133
02:01:38,525 --> 02:01:39,591
HERE IN LA, STEAMBOAT!
STEAMBOAT!
AND I'LL SAY IT, YOU KNOW,
4134
02:01:39,593 --> 02:01:40,124
STEAMBOAT!
AND I'LL SAY IT, YOU KNOW,
STEAMBOAT'S ONE OF THEM
4135
02:01:40,126 --> 02:01:41,526
AND I'LL SAY IT, YOU KNOW,
STEAMBOAT'S ONE OF THEM
WRESTLERS, HE NEEDS FAN
4136
02:01:41,528 --> 02:01:44,562
STEAMBOAT'S ONE OF THEM
WRESTLERS, HE NEEDS FAN
APPROVAL.
4137
02:01:44,564 --> 02:01:46,698
WRESTLERS, HE NEEDS FAN
APPROVAL.
>> STEAMBOAT JUST COULD NOT HOLD
4138
02:01:46,700 --> 02:01:47,598
APPROVAL.
>> STEAMBOAT JUST COULD NOT HOLD
HIS FEET THERE.
4139
02:01:47,600 --> 02:01:49,667
>> STEAMBOAT JUST COULD NOT HOLD
HIS FEET THERE.
AND A VERY, VERY CLOSE COUNT.
4140
02:01:49,669 --> 02:01:51,703
HIS FEET THERE.
AND A VERY, VERY CLOSE COUNT.
AS A MATTER OF FACT, STEAMBOAT
4141
02:01:51,705 --> 02:01:53,638
AND A VERY, VERY CLOSE COUNT.
AS A MATTER OF FACT, STEAMBOAT
JUST MANAGED TO AVOID BEING
4142
02:01:53,640 --> 02:01:56,708
AS A MATTER OF FACT, STEAMBOAT
JUST MANAGED TO AVOID BEING
DEFEATED RIGHT THERE AND THEN.
4143
02:01:56,710 --> 02:01:57,809
JUST MANAGED TO AVOID BEING
DEFEATED RIGHT THERE AND THEN.
>> I'LL TELL YOU, I'M USED TO
4144
02:01:57,811 --> 02:02:00,445
DEFEATED RIGHT THERE AND THEN.
>> I'LL TELL YOU, I'M USED TO
VICIOUS HORROR AND VIOLENCE, BUT
4145
02:02:00,447 --> 02:02:05,650
>> I'LL TELL YOU, I'M USED TO
VICIOUS HORROR AND VIOLENCE, BUT
THIS IS GETTING EVEN TO ME.
4146
02:02:05,652 --> 02:02:07,252
VICIOUS HORROR AND VIOLENCE, BUT
THIS IS GETTING EVEN TO ME.
>> ELVIRA, YOU STAY WITH THAT,
4147
02:02:07,254 --> 02:02:08,620
THIS IS GETTING EVEN TO ME.
>> ELVIRA, YOU STAY WITH THAT,
BECAUSE YOU'RE GONNA SEE A LOT
4148
02:02:08,622 --> 02:02:09,821
>> ELVIRA, YOU STAY WITH THAT,
BECAUSE YOU'RE GONNA SEE A LOT
MORE THAN THIS, BELIEVE ME.
4149
02:02:09,823 --> 02:02:11,589
BECAUSE YOU'RE GONNA SEE A LOT
MORE THAN THIS, BELIEVE ME.
>> THIS IS JUST THE BEGINNING.
4150
02:02:11,591 --> 02:02:12,657
MORE THAN THIS, BELIEVE ME.
>> THIS IS JUST THE BEGINNING.
WE'VE GOT A CHAMPIONSHIP MATCH
4151
02:02:12,659 --> 02:02:14,425
>> THIS IS JUST THE BEGINNING.
WE'VE GOT A CHAMPIONSHIP MATCH
INSIDE OF A STEEL CAGE.
4152
02:02:14,427 --> 02:02:16,461
WE'VE GOT A CHAMPIONSHIP MATCH
INSIDE OF A STEEL CAGE.
IT'S NEVER BEEN HELD BEFORE, AND
4153
02:02:16,463 --> 02:02:18,696
INSIDE OF A STEEL CAGE.
IT'S NEVER BEEN HELD BEFORE, AND
I THINK HULK HOGAN, PERSONALLY,
4154
02:02:18,698 --> 02:02:20,531
IT'S NEVER BEEN HELD BEFORE, AND
I THINK HULK HOGAN, PERSONALLY,
WAS LETTING HIS EGO GET IN THE
4155
02:02:20,533 --> 02:02:21,666
I THINK HULK HOGAN, PERSONALLY,
WAS LETTING HIS EGO GET IN THE
WAY.
4156
02:02:21,668 --> 02:02:23,501
WAS LETTING HIS EGO GET IN THE
WAY.
HE SHOULD'VE NEVER SIGNED WITH
4157
02:02:23,503 --> 02:02:25,737
WAY.
HE SHOULD'VE NEVER SIGNED WITH
BUNDY INSIDE OF A CAGE.
4158
02:02:25,739 --> 02:02:26,537
HE SHOULD'VE NEVER SIGNED WITH
BUNDY INSIDE OF A CAGE.
>> NEVERTHELESS, JESSE, HE HAS.
4159
02:02:26,539 --> 02:02:27,638
BUNDY INSIDE OF A CAGE.
>> NEVERTHELESS, JESSE, HE HAS.
AND WE'RE GOING TO SEE THAT
4160
02:02:27,640 --> 02:02:29,774
>> NEVERTHELESS, JESSE, HE HAS.
AND WE'RE GOING TO SEE THAT
PARTICULAR MATCH, AND WE'RE ALSO
4161
02:02:29,776 --> 02:02:31,476
AND WE'RE GOING TO SEE THAT
PARTICULAR MATCH, AND WE'RE ALSO
GOING TO SEE THOSE CRAZY, WILD
4162
02:02:31,478 --> 02:02:33,378
PARTICULAR MATCH, AND WE'RE ALSO
GOING TO SEE THOSE CRAZY, WILD
BROTHERS FROM TEXAS, THE FUNK
4163
02:02:33,380 --> 02:02:33,911
GOING TO SEE THOSE CRAZY, WILD
BROTHERS FROM TEXAS, THE FUNK
BROTHERS.
4164
02:02:33,913 --> 02:02:35,413
BROTHERS FROM TEXAS, THE FUNK
BROTHERS.
ALSO, TAG ...
4165
02:02:35,415 --> 02:02:36,547
BROTHERS.
ALSO, TAG ...
OH, TREMENDOUS BACK ELBOW BY
4166
02:02:36,549 --> 02:02:38,649
ALSO, TAG ...
OH, TREMENDOUS BACK ELBOW BY
THERE BY HERNANDEZ.
4167
02:02:38,651 --> 02:02:39,617
OH, TREMENDOUS BACK ELBOW BY
THERE BY HERNANDEZ.
AND HE'S LOOKING TO FINISH
4168
02:02:39,619 --> 02:02:40,685
THERE BY HERNANDEZ.
AND HE'S LOOKING TO FINISH
STEAMBOAT OFF NOW.
4169
02:02:40,687 --> 02:02:42,721
AND HE'S LOOKING TO FINISH
STEAMBOAT OFF NOW.
STEAMBOAT FLAT ON HIS BACK,
4170
02:02:42,723 --> 02:02:44,389
STEAMBOAT OFF NOW.
STEAMBOAT FLAT ON HIS BACK,
DOESN'T SEEM TO BE ABLE TO AVOID
4171
02:02:44,391 --> 02:02:46,758
STEAMBOAT FLAT ON HIS BACK,
DOESN'T SEEM TO BE ABLE TO AVOID
THE ATTACK NOW OF HERNANDEZ.
4172
02:02:46,760 --> 02:02:49,827
DOESN'T SEEM TO BE ABLE TO AVOID
THE ATTACK NOW OF HERNANDEZ.
>> SEE, HERCULES' CLOSING'S
4173
02:02:49,829 --> 02:02:50,795
THE ATTACK NOW OF HERNANDEZ.
>> SEE, HERCULES' CLOSING'S
GREAT, ALFRED.
4174
02:02:50,797 --> 02:02:51,763
>> SEE, HERCULES' CLOSING'S
GREAT, ALFRED.
I LOVE THE CLOSE TUBE, AND
4175
02:02:51,765 --> 02:02:53,531
GREAT, ALFRED.
I LOVE THE CLOSE TUBE, AND
HERCULES NEEDS TO PUT A
4176
02:02:53,533 --> 02:02:57,602
I LOVE THE CLOSE TUBE, AND
HERCULES NEEDS TO PUT A
FINISHING MOVE ON HERE.
4177
02:02:57,604 --> 02:03:00,572
HERCULES NEEDS TO PUT A
FINISHING MOVE ON HERE.
>> WELL, HE'S GETTIN' MAD NOW.
4178
02:03:00,574 --> 02:03:01,639
FINISHING MOVE ON HERE.
>> WELL, HE'S GETTIN' MAD NOW.
>> I THINK THAT WAS HIS CHANCE
4179
02:03:01,641 --> 02:03:02,473
>> WELL, HE'S GETTIN' MAD NOW.
>> I THINK THAT WAS HIS CHANCE
AND HE DIDN'T GRAB A LEG AND
4180
02:03:02,475 --> 02:03:04,609
>> I THINK THAT WAS HIS CHANCE
AND HE DIDN'T GRAB A LEG AND
MAKE SURE THAT HE HAD THAT MOVE
4181
02:03:04,611 --> 02:03:06,411
AND HE DIDN'T GRAB A LEG AND
MAKE SURE THAT HE HAD THAT MOVE
...
4182
02:03:06,413 --> 02:03:08,546
MAKE SURE THAT HE HAD THAT MOVE
...
OH [LAUGHS] !
4183
02:03:08,548 --> 02:03:09,647
...
OH [LAUGHS] !
>> YOU CAN HEAR THAT ONE IN THE
4184
02:03:09,649 --> 02:03:11,482
OH [LAUGHS] !
>> YOU CAN HEAR THAT ONE IN THE
RAFTERS, LORDSHIP.
4185
02:03:11,484 --> 02:03:12,683
>> YOU CAN HEAR THAT ONE IN THE
RAFTERS, LORDSHIP.
>> AND ANOTHER ONE YOU COULD
4186
02:03:12,685 --> 02:03:13,551
RAFTERS, LORDSHIP.
>> AND ANOTHER ONE YOU COULD
HEAR IN THE RAFTERS.
4187
02:03:13,553 --> 02:03:14,852
>> AND ANOTHER ONE YOU COULD
HEAR IN THE RAFTERS.
THAT MAKES TWO.
4188
02:03:14,854 --> 02:03:20,725
HEAR IN THE RAFTERS.
THAT MAKES TWO.
OH, MY WORD!
4189
02:03:20,727 --> 02:03:24,295
THAT MAKES TWO.
OH, MY WORD!
ONE MUST COMPLIMENT HERNANDEZ
4190
02:03:24,297 --> 02:03:26,798
OH, MY WORD!
ONE MUST COMPLIMENT HERNANDEZ
FROM THAT VERY, VERY SLOW START,
4191
02:03:26,800 --> 02:03:28,566
ONE MUST COMPLIMENT HERNANDEZ
FROM THAT VERY, VERY SLOW START,
HE'S MANAGING TO GET HIS WAY
4192
02:03:28,568 --> 02:03:29,634
FROM THAT VERY, VERY SLOW START,
HE'S MANAGING TO GET HIS WAY
BACK ON TOP AGAIN.
4193
02:03:29,636 --> 02:03:30,802
HE'S MANAGING TO GET HIS WAY
BACK ON TOP AGAIN.
>> NOW, ELVIRA, JUST LIKE LORD
4194
02:03:30,804 --> 02:03:32,470
BACK ON TOP AGAIN.
>> NOW, ELVIRA, JUST LIKE LORD
ALFRED HAYES SAID, HE SHOULD BE
4195
02:03:32,472 --> 02:03:33,638
>> NOW, ELVIRA, JUST LIKE LORD
ALFRED HAYES SAID, HE SHOULD BE
GRABBING A LEG THERE, THAT'S A
4196
02:03:33,640 --> 02:03:35,340
ALFRED HAYES SAID, HE SHOULD BE
GRABBING A LEG THERE, THAT'S A
SLOPPY COVER.
4197
02:03:35,342 --> 02:03:36,073
GRABBING A LEG THERE, THAT'S A
SLOPPY COVER.
IF HE'S GONNA TRY AND RIP THE
4198
02:03:36,075 --> 02:03:37,776
SLOPPY COVER.
IF HE'S GONNA TRY AND RIP THE
MATCH, YOU GOT TO GO FOR IT.
4199
02:03:37,778 --> 02:03:38,709
IF HE'S GONNA TRY AND RIP THE
MATCH, YOU GOT TO GO FOR IT.
WOW!
4200
02:03:38,711 --> 02:03:40,612
MATCH, YOU GOT TO GO FOR IT.
WOW!
PRESS BODY.
4201
02:03:40,614 --> 02:03:41,546
WOW!
PRESS BODY.
>> LOOK AT THE POWER OF
4202
02:03:41,548 --> 02:03:44,549
PRESS BODY.
>> LOOK AT THE POWER OF
HERNANDEZ, AS HE JUST RAMS
4203
02:03:44,551 --> 02:03:46,951
>> LOOK AT THE POWER OF
HERNANDEZ, AS HE JUST RAMS
STEAMBOAT WITH A SORT OF A POWER
4204
02:03:46,953 --> 02:03:54,692
HERNANDEZ, AS HE JUST RAMS
STEAMBOAT WITH A SORT OF A POWER
DRIVE INTO THE CANVAS, THERE.
4205
02:03:54,694 --> 02:03:55,894
STEAMBOAT WITH A SORT OF A POWER
DRIVE INTO THE CANVAS, THERE.
HERNANDEZ, A LITTLE COMPLACENT
4206
02:03:55,896 --> 02:03:57,995
DRIVE INTO THE CANVAS, THERE.
HERNANDEZ, A LITTLE COMPLACENT
NOW, SHOWING THEM EVERYTHING IS
4207
02:03:57,997 --> 02:03:59,730
HERNANDEZ, A LITTLE COMPLACENT
NOW, SHOWING THEM EVERYTHING IS
GOING HIS WAY.
4208
02:03:59,732 --> 02:04:02,500
NOW, SHOWING THEM EVERYTHING IS
GOING HIS WAY.
AND STEAMBOAT REALLY IS GASPING
4209
02:04:02,502 --> 02:04:04,535
GOING HIS WAY.
AND STEAMBOAT REALLY IS GASPING
AND SUCKING IN SOME AIR, AND
4210
02:04:04,537 --> 02:04:05,770
AND STEAMBOAT REALLY IS GASPING
AND SUCKING IN SOME AIR, AND
TRYING TO GET A LITTLE OXYGEN
4211
02:04:05,772 --> 02:04:07,939
AND SUCKING IN SOME AIR, AND
TRYING TO GET A LITTLE OXYGEN
RELIEF, TOO.
4212
02:04:07,941 --> 02:04:08,673
TRYING TO GET A LITTLE OXYGEN
RELIEF, TOO.
BOTH OF THESE GUYS ARE IN
4213
02:04:08,675 --> 02:04:10,575
RELIEF, TOO.
BOTH OF THESE GUYS ARE IN
MAGNIFICENT SHAPE.
4214
02:04:10,577 --> 02:04:11,676
BOTH OF THESE GUYS ARE IN
MAGNIFICENT SHAPE.
UNBELIEVABLE CONDITION FOR THIS
4215
02:04:11,678 --> 02:04:12,777
MAGNIFICENT SHAPE.
UNBELIEVABLE CONDITION FOR THIS
MATCH.
4216
02:04:12,779 --> 02:04:13,945
UNBELIEVABLE CONDITION FOR THIS
MATCH.
>> HERNANDEZ, GOING TO THE TOP
4217
02:04:13,947 --> 02:04:14,679
MATCH.
>> HERNANDEZ, GOING TO THE TOP
ROPE!
4218
02:04:14,681 --> 02:04:15,980
>> HERNANDEZ, GOING TO THE TOP
ROPE!
>> OH, NO!
4219
02:04:15,982 --> 02:04:16,848
ROPE!
>> OH, NO!
WHAT'S HE GONNA DO?
4220
02:04:16,850 --> 02:04:17,615
>> OH, NO!
WHAT'S HE GONNA DO?
>> I'VE NEVER SEEN HERNANDEZ GO
4221
02:04:17,617 --> 02:04:18,883
WHAT'S HE GONNA DO?
>> I'VE NEVER SEEN HERNANDEZ GO
TO THE TOP BEFORE!
4222
02:04:18,885 --> 02:04:23,554
>> I'VE NEVER SEEN HERNANDEZ GO
TO THE TOP BEFORE!
>> OH!
4223
02:04:23,556 --> 02:04:24,522
TO THE TOP BEFORE!
>> OH!
>> HE TELEGRAPHED THE MOVE,
4224
02:04:24,524 --> 02:04:26,458
>> OH!
>> HE TELEGRAPHED THE MOVE,
LORD, AND RICKY STEAMBOAT WAS
4225
02:04:26,460 --> 02:04:28,226
>> HE TELEGRAPHED THE MOVE,
LORD, AND RICKY STEAMBOAT WAS
ABLE TO LIFT THOSE KNEES AND
4226
02:04:28,228 --> 02:04:29,561
LORD, AND RICKY STEAMBOAT WAS
ABLE TO LIFT THOSE KNEES AND
DRILL 'EM INTO HIS ABDOMINALS.
4227
02:04:29,563 --> 02:04:30,528
ABLE TO LIFT THOSE KNEES AND
DRILL 'EM INTO HIS ABDOMINALS.
>> YOU CAN SAY THAT.
4228
02:04:30,530 --> 02:04:31,529
DRILL 'EM INTO HIS ABDOMINALS.
>> YOU CAN SAY THAT.
AND NOW LOOK AT STEAMBOAT!
4229
02:04:31,531 --> 02:04:32,830
>> YOU CAN SAY THAT.
AND NOW LOOK AT STEAMBOAT!
>> STEAMBOAT'S HEADIN' FOR THE
4230
02:04:32,832 --> 02:04:33,564
AND NOW LOOK AT STEAMBOAT!
>> STEAMBOAT'S HEADIN' FOR THE
TOP NOW.
4231
02:04:33,566 --> 02:04:37,768
>> STEAMBOAT'S HEADIN' FOR THE
TOP NOW.
DRIVIN' HIM TO THE TOP ROPE.
4232
02:04:37,770 --> 02:04:41,339
TOP NOW.
DRIVIN' HIM TO THE TOP ROPE.
HE PUT THAT UP!
4233
02:04:41,341 --> 02:04:45,776
DRIVIN' HIM TO THE TOP ROPE.
HE PUT THAT UP!
HE GOT HIM!
4234
02:04:45,778 --> 02:04:46,511
HE PUT THAT UP!
HE GOT HIM!
>> AND IT'S ALL OVER!
4235
02:04:46,513 --> 02:04:47,111
HE GOT HIM!
>> AND IT'S ALL OVER!
[ BELL RINGING ]
4236
02:04:47,113 --> 02:04:47,778
>> AND IT'S ALL OVER!
[ BELL RINGING ]
>> A ONE, TWO, THREE COUNT,
4237
02:04:47,780 --> 02:04:48,646
[ BELL RINGING ]
>> A ONE, TWO, THREE COUNT,
THERE.
4238
02:04:48,648 --> 02:04:50,548
>> A ONE, TWO, THREE COUNT,
THERE.
AND I MUST SAY, THAT WAS A
4239
02:04:50,550 --> 02:04:51,616
THERE.
AND I MUST SAY, THAT WAS A
MAGNIFICENT EFFORT BY RICKY
4240
02:04:51,618 --> 02:04:52,850
AND I MUST SAY, THAT WAS A
MAGNIFICENT EFFORT BY RICKY
STEAMBOAT, JESSE.
4241
02:04:52,852 --> 02:04:53,551
MAGNIFICENT EFFORT BY RICKY
STEAMBOAT, JESSE.
DON'T YOU AGREE?
4242
02:04:53,553 --> 02:04:54,752
STEAMBOAT, JESSE.
DON'T YOU AGREE?
>> IT WAS A MAGNIFICENT EFFORT,
4243
02:04:54,754 --> 02:04:55,620
DON'T YOU AGREE?
>> IT WAS A MAGNIFICENT EFFORT,
LORD, BUT I FELT THE REFEREE WAS
4244
02:04:55,622 --> 02:04:56,621
>> IT WAS A MAGNIFICENT EFFORT,
LORD, BUT I FELT THE REFEREE WAS
A BIT QUICK ON THAT COUNT.
4245
02:04:56,623 --> 02:04:58,356
LORD, BUT I FELT THE REFEREE WAS
A BIT QUICK ON THAT COUNT.
HE WAS SLOWER EARLY IN THE
4246
02:04:58,358 --> 02:04:58,990
A BIT QUICK ON THAT COUNT.
HE WAS SLOWER EARLY IN THE
MATCH.
4247
02:04:58,992 --> 02:05:00,291
HE WAS SLOWER EARLY IN THE
MATCH.
YOU GOT TO BE CONSISTENT IN
4248
02:05:00,293 --> 02:05:01,225
MATCH.
YOU GOT TO BE CONSISTENT IN
THERE!
4249
02:05:01,227 --> 02:05:02,460
YOU GOT TO BE CONSISTENT IN
THERE!
>> HE HAD HIS SHOULDERS DOWN,
4250
02:05:02,462 --> 02:05:03,327
THERE!
>> HE HAD HIS SHOULDERS DOWN,
JESSE.
4251
02:05:03,329 --> 02:05:04,529
>> HE HAD HIS SHOULDERS DOWN,
JESSE.
HE MAY HAVE BEEN ABLE TO COUNT
4252
02:05:04,531 --> 02:05:05,430
JESSE.
HE MAY HAVE BEEN ABLE TO COUNT
FOUR THERE, FOR ALL WE KNOW.
4253
02:05:05,432 --> 02:05:06,731
HE MAY HAVE BEEN ABLE TO COUNT
FOUR THERE, FOR ALL WE KNOW.
>> DON'T YOU START FIGHTIN' WITH
4254
02:05:06,733 --> 02:05:10,434
FOUR THERE, FOR ALL WE KNOW.
>> DON'T YOU START FIGHTIN' WITH
ME, ALFRED HAYES.
4255
02:05:10,436 --> 02:05:13,538
>> DON'T YOU START FIGHTIN' WITH
ME, ALFRED HAYES.
>> LET'S GET THE OFFICIAL WORD
4256
02:05:13,540 --> 02:05:15,439
ME, ALFRED HAYES.
>> LET'S GET THE OFFICIAL WORD
FROM OUR ANNOUNCER, WHO'S
4257
02:05:15,441 --> 02:05:17,441
>> LET'S GET THE OFFICIAL WORD
FROM OUR ANNOUNCER, WHO'S
PATIENTLY WAITING FOR THE
4258
02:05:17,443 --> 02:05:19,544
FROM OUR ANNOUNCER, WHO'S
PATIENTLY WAITING FOR THE
REFEREE TO GIVE HIM HIS VERDICT.
4259
02:05:19,546 --> 02:05:20,912
PATIENTLY WAITING FOR THE
REFEREE TO GIVE HIM HIS VERDICT.
>> LADIES AND GENTLEMEN, YOUR
4260
02:05:20,914 --> 02:05:23,881
REFEREE TO GIVE HIM HIS VERDICT.
>> LADIES AND GENTLEMEN, YOUR
WINNER, RICKY "THE DRAGON"
4261
02:05:23,883 --> 02:05:26,518
>> LADIES AND GENTLEMEN, YOUR
WINNER, RICKY "THE DRAGON"
STEAMBOAT!
4262
02:05:26,520 --> 02:05:27,752
WINNER, RICKY "THE DRAGON"
STEAMBOAT!
[ CROWD CHEERING ]
4263
02:05:27,754 --> 02:05:30,655
STEAMBOAT!
[ CROWD CHEERING ]
[ BELL RINGING ]
4264
02:05:30,657 --> 02:05:31,656
[ CROWD CHEERING ]
[ BELL RINGING ]
>> WHOA-HO.
4265
02:05:31,658 --> 02:05:32,623
[ BELL RINGING ]
>> WHOA-HO.
>> THERE YOU HAVE IT, JESSE.
4266
02:05:32,625 --> 02:05:33,624
>> WHOA-HO.
>> THERE YOU HAVE IT, JESSE.
>> THAT IS ONE ANGRY DUDE UP
4267
02:05:33,626 --> 02:05:34,225
>> THERE YOU HAVE IT, JESSE.
>> THAT IS ONE ANGRY DUDE UP
THERE.
4268
02:05:34,227 --> 02:05:35,259
>> THAT IS ONE ANGRY DUDE UP
THERE.
>> THAT'S RIGHT.
4269
02:05:35,261 --> 02:05:38,696
THERE.
>> THAT'S RIGHT.
HERCULES IS NOT HAPPY.
4270
02:05:38,698 --> 02:05:39,897
>> THAT'S RIGHT.
HERCULES IS NOT HAPPY.
>> I WOULDN'T WANT TO BE IN HIS
4271
02:05:39,899 --> 02:05:40,665
HERCULES IS NOT HAPPY.
>> I WOULDN'T WANT TO BE IN HIS
WAY IF HE STARTS MOVIN' THIS
4272
02:05:40,667 --> 02:05:43,834
>> I WOULDN'T WANT TO BE IN HIS
WAY IF HE STARTS MOVIN' THIS
DIRECTION.
4273
02:05:43,836 --> 02:05:54,646
WAY IF HE STARTS MOVIN' THIS
DIRECTION.
[ CROWD CHEERING ]
4274
02:05:54,648 --> 02:05:55,613
DIRECTION.
[ CROWD CHEERING ]
>> WE'RE BACK.
4275
02:05:55,615 --> 02:05:56,548
[ CROWD CHEERING ]
>> WE'RE BACK.
WE'RE BACK IN LA FOR
4276
02:05:56,550 --> 02:05:58,416
>> WE'RE BACK.
WE'RE BACK IN LA FOR
WRESTLEMANIA 2.
4277
02:05:58,418 --> 02:05:59,750
WE'RE BACK IN LA FOR
WRESTLEMANIA 2.
AND WE GOT COMIN' UP, ALFRED
4278
02:05:59,752 --> 02:06:02,620
WRESTLEMANIA 2.
AND WE GOT COMIN' UP, ALFRED
HAYES, THE ADORABLE ONE, ADRIAN
4279
02:06:02,622 --> 02:06:05,423
AND WE GOT COMIN' UP, ALFRED
HAYES, THE ADORABLE ONE, ADRIAN
ADONIS, AND HE'S GONNA SQUARE
4280
02:06:05,425 --> 02:06:07,291
HAYES, THE ADORABLE ONE, ADRIAN
ADONIS, AND HE'S GONNA SQUARE
OFF WITH UNCLE ELMER.
4281
02:06:07,293 --> 02:06:14,899
ADONIS, AND HE'S GONNA SQUARE
OFF WITH UNCLE ELMER.
LET'S GO UP TO RINGSIDE.
4282
02:06:14,901 --> 02:06:16,367
OFF WITH UNCLE ELMER.
LET'S GO UP TO RINGSIDE.
>> LADIES AND GENTLEMEN, THIS
4283
02:06:16,369 --> 02:06:17,669
LET'S GO UP TO RINGSIDE.
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR ONE
4284
02:06:17,671 --> 02:06:19,503
>> LADIES AND GENTLEMEN, THIS
CONTEST IS SCHEDULED FOR ONE
FALL, WITH A 20 MINUTE TIME
4285
02:06:19,505 --> 02:06:21,305
CONTEST IS SCHEDULED FOR ONE
FALL, WITH A 20 MINUTE TIME
LIMIT.
4286
02:06:21,307 --> 02:06:23,341
FALL, WITH A 20 MINUTE TIME
LIMIT.
INTRODUCING FIRST, THE MANAGER,
4287
02:06:23,343 --> 02:06:25,509
LIMIT.
INTRODUCING FIRST, THE MANAGER,
THE MOUTH OF THE SOUTH, JIMMY
4288
02:06:25,511 --> 02:06:29,814
INTRODUCING FIRST, THE MANAGER,
THE MOUTH OF THE SOUTH, JIMMY
HART.
4289
02:06:29,816 --> 02:06:33,417
THE MOUTH OF THE SOUTH, JIMMY
HART.
[ CROWD BOOING ]
4290
02:06:33,419 --> 02:06:34,285
HART.
[ CROWD BOOING ]
>> AND NOW, INTRODUCING, FROM
4291
02:06:34,287 --> 02:06:37,488
[ CROWD BOOING ]
>> AND NOW, INTRODUCING, FROM
NEW YORK CITY, WEIGHING 284
4292
02:06:37,490 --> 02:06:42,627
>> AND NOW, INTRODUCING, FROM
NEW YORK CITY, WEIGHING 284
POUNDS, THE ADORABLE ADRIAN
4293
02:06:42,629 --> 02:06:44,795
NEW YORK CITY, WEIGHING 284
POUNDS, THE ADORABLE ADRIAN
ADONIS.
4294
02:06:44,797 --> 02:06:51,469
POUNDS, THE ADORABLE ADRIAN
ADONIS.
[ CROWD BOOING ]
4295
02:06:51,471 --> 02:06:51,969
ADONIS.
[ CROWD BOOING ]
>> AND NOW, LADIES AND
4296
02:06:51,971 --> 02:06:53,371
[ CROWD BOOING ]
>> AND NOW, LADIES AND
GENTLEMEN, MAKING HIS WAY INTO
4297
02:06:53,373 --> 02:06:56,541
>> AND NOW, LADIES AND
GENTLEMEN, MAKING HIS WAY INTO
THE RING, HIS OPPONENT, FROM
4298
02:06:56,543 --> 02:06:58,709
GENTLEMEN, MAKING HIS WAY INTO
THE RING, HIS OPPONENT, FROM
PHILADELPHIA, WEIGHING IN
4299
02:06:58,711 --> 02:07:05,416
THE RING, HIS OPPONENT, FROM
PHILADELPHIA, WEIGHING IN
TONIGHT AT 427 POUNDS, UNCLE
4300
02:07:05,418 --> 02:07:07,485
PHILADELPHIA, WEIGHING IN
TONIGHT AT 427 POUNDS, UNCLE
ELMER.
4301
02:07:07,487 --> 02:07:08,753
TONIGHT AT 427 POUNDS, UNCLE
ELMER.
[ CROWD CHEERING ]
4302
02:07:08,755 --> 02:07:18,630
ELMER.
[ CROWD CHEERING ]
[ MUSIC ]
4303
02:07:18,632 --> 02:07:20,398
[ CROWD CHEERING ]
[ MUSIC ]
>> WELL, HERE HE COMES, LORD,
4304
02:07:20,400 --> 02:07:22,400
[ MUSIC ]
>> WELL, HERE HE COMES, LORD,
UNCLE ELMER, STEPPIN' IN NOW
4305
02:07:22,402 --> 02:07:24,268
>> WELL, HERE HE COMES, LORD,
UNCLE ELMER, STEPPIN' IN NOW
WITH ADORABLE ADRIAN ADONIS.
4306
02:07:24,270 --> 02:07:25,670
UNCLE ELMER, STEPPIN' IN NOW
WITH ADORABLE ADRIAN ADONIS.
TELL ME, LORD, HOW DO YOU LIKE
4307
02:07:25,672 --> 02:07:26,637
WITH ADORABLE ADRIAN ADONIS.
TELL ME, LORD, HOW DO YOU LIKE
ADORABLE ADRIAN'S FACETS
4308
02:07:26,639 --> 02:07:29,440
TELL ME, LORD, HOW DO YOU LIKE
ADORABLE ADRIAN'S FACETS
TONIGHT?
4309
02:07:29,442 --> 02:07:31,509
ADORABLE ADRIAN'S FACETS
TONIGHT?
>> YOU UNDERSTAND THAT, JESSE, I
4310
02:07:31,511 --> 02:07:32,677
TONIGHT?
>> YOU UNDERSTAND THAT, JESSE, I
REALLY CANNOT UNDERSTAND WHY ANY
4311
02:07:32,679 --> 02:07:34,345
>> YOU UNDERSTAND THAT, JESSE, I
REALLY CANNOT UNDERSTAND WHY ANY
WRESTLER WOULD HAVE DONE SUCH AN
4312
02:07:34,347 --> 02:07:36,514
REALLY CANNOT UNDERSTAND WHY ANY
WRESTLER WOULD HAVE DONE SUCH AN
ATTITUDE AND WEAR SUCH
4313
02:07:36,516 --> 02:07:41,652
WRESTLER WOULD HAVE DONE SUCH AN
ATTITUDE AND WEAR SUCH
INCREDIBLE DOCKS.
4314
02:07:41,654 --> 02:08:30,434
ATTITUDE AND WEAR SUCH
INCREDIBLE DOCKS.
[ MUSIC ]
4315
02:08:30,436 --> 02:08:31,702
INCREDIBLE DOCKS.
[ MUSIC ]
>> JESSE, HAVE YOU EVER SEEN
4316
02:08:31,704 --> 02:08:32,703
[ MUSIC ]
>> JESSE, HAVE YOU EVER SEEN
ANYTHING LIKE THAT BEFORE?
4317
02:08:32,705 --> 02:08:33,637
>> JESSE, HAVE YOU EVER SEEN
ANYTHING LIKE THAT BEFORE?
WHAT IS THAT THING HE'S GOT ON
4318
02:08:33,639 --> 02:08:35,673
ANYTHING LIKE THAT BEFORE?
WHAT IS THAT THING HE'S GOT ON
TOP OF HIS HEAD, THERE?
4319
02:08:35,675 --> 02:08:36,574
WHAT IS THAT THING HE'S GOT ON
TOP OF HIS HEAD, THERE?
>> I THINK IT'S A BOW OF SOME
4320
02:08:36,576 --> 02:08:37,742
TOP OF HIS HEAD, THERE?
>> I THINK IT'S A BOW OF SOME
SORT.
4321
02:08:37,744 --> 02:08:39,477
>> I THINK IT'S A BOW OF SOME
SORT.
>> WELL, I TELL YOU, THAT IS A
4322
02:08:39,479 --> 02:08:40,578
SORT.
>> WELL, I TELL YOU, THAT IS A
LOT OF MAN OR ...
4323
02:08:40,580 --> 02:08:46,383
>> WELL, I TELL YOU, THAT IS A
LOT OF MAN OR ...
OR SOMETHIN', I DON'T KNOW.
4324
02:08:46,385 --> 02:08:47,518
LOT OF MAN OR ...
OR SOMETHIN', I DON'T KNOW.
>> MAYBE YOU'D BE MORE SPECIFIC
4325
02:08:47,520 --> 02:08:49,754
OR SOMETHIN', I DON'T KNOW.
>> MAYBE YOU'D BE MORE SPECIFIC
ABOUT THE "OR SOMETHING?"
4326
02:08:49,756 --> 02:08:50,588
>> MAYBE YOU'D BE MORE SPECIFIC
ABOUT THE "OR SOMETHING?"
>> [LAUGHS]
4327
02:08:50,590 --> 02:08:51,656
ABOUT THE "OR SOMETHING?"
>> [LAUGHS]
I DON'T THINK I CAN GET MORE
4328
02:08:51,658 --> 02:08:52,857
>> [LAUGHS]
I DON'T THINK I CAN GET MORE
SPECIFIC HERE, UH, WE'RE ON LIVE
4329
02:08:52,859 --> 02:08:53,691
I DON'T THINK I CAN GET MORE
SPECIFIC HERE, UH, WE'RE ON LIVE
RIGHT NOW.
4330
02:08:53,693 --> 02:08:54,726
SPECIFIC HERE, UH, WE'RE ON LIVE
RIGHT NOW.
I THINK I'LL SAVE THAT 'TIL
4331
02:08:54,728 --> 02:08:55,559
RIGHT NOW.
I THINK I'LL SAVE THAT 'TIL
AFTERWARDS.
4332
02:08:55,561 --> 02:08:56,894
I THINK I'LL SAVE THAT 'TIL
AFTERWARDS.
>> OH, RUB IT IN!
4333
02:08:56,896 --> 02:08:57,495
AFTERWARDS.
>> OH, RUB IT IN!
OH!
4334
02:08:57,497 --> 02:08:58,696
>> OH, RUB IT IN!
OH!
>> WOW, AND ELMER WITH A CHEAP
4335
02:08:58,698 --> 02:08:59,630
OH!
>> WOW, AND ELMER WITH A CHEAP
SHOT WHEN ADORABLE ADRIAN CAME
4336
02:08:59,632 --> 02:09:00,465
>> WOW, AND ELMER WITH A CHEAP
SHOT WHEN ADORABLE ADRIAN CAME
INTO THE RING.
4337
02:09:00,467 --> 02:09:01,599
SHOT WHEN ADORABLE ADRIAN CAME
INTO THE RING.
ELMER WASTED NO TIME BLASTING
4338
02:09:01,601 --> 02:09:02,600
INTO THE RING.
ELMER WASTED NO TIME BLASTING
HIM INTO THE TURNBUCKLE IRISH
4339
02:09:02,602 --> 02:09:03,901
ELMER WASTED NO TIME BLASTING
HIM INTO THE TURNBUCKLE IRISH
WHIP.
4340
02:09:03,903 --> 02:09:05,469
HIM INTO THE TURNBUCKLE IRISH
WHIP.
WHOA, UPSIDE DOWN INTO THE
4341
02:09:05,471 --> 02:09:06,871
WHIP.
WHOA, UPSIDE DOWN INTO THE
CORNER, AND THE ADORABLE ONE'S
4342
02:09:06,873 --> 02:09:08,506
WHOA, UPSIDE DOWN INTO THE
CORNER, AND THE ADORABLE ONE'S
BOUNCING AROUND LIKE A PING PONG
4343
02:09:08,508 --> 02:09:09,507
CORNER, AND THE ADORABLE ONE'S
BOUNCING AROUND LIKE A PING PONG
BALL.
4344
02:09:09,509 --> 02:09:10,808
BOUNCING AROUND LIKE A PING PONG
BALL.
BIG RIGHT HAND.
4345
02:09:10,810 --> 02:09:12,810
BALL.
BIG RIGHT HAND.
>> THAT IS NOT A PRETTY PICTURE.
4346
02:09:12,812 --> 02:09:13,844
BIG RIGHT HAND.
>> THAT IS NOT A PRETTY PICTURE.
>> ELMER THREW THAT SO HARD HE
4347
02:09:13,846 --> 02:09:15,747
>> THAT IS NOT A PRETTY PICTURE.
>> ELMER THREW THAT SO HARD HE
FELL DOWN HIMSELF.
4348
02:09:15,749 --> 02:09:16,414
>> ELMER THREW THAT SO HARD HE
FELL DOWN HIMSELF.
AND NOW ADONIS OUT ONTO THE
4349
02:09:16,416 --> 02:09:17,448
FELL DOWN HIMSELF.
AND NOW ADONIS OUT ONTO THE
FLOOR.
4350
02:09:17,450 --> 02:09:18,649
AND NOW ADONIS OUT ONTO THE
FLOOR.
THE MOUTH OF THE SOUTH IS GONNA
4351
02:09:18,651 --> 02:09:20,618
FLOOR.
THE MOUTH OF THE SOUTH IS GONNA
HAVE TO GET THINGS TOGETHER.
4352
02:09:20,620 --> 02:09:21,552
THE MOUTH OF THE SOUTH IS GONNA
HAVE TO GET THINGS TOGETHER.
>> AT THE MOMENT, ADONIS IS
4353
02:09:21,554 --> 02:09:23,387
HAVE TO GET THINGS TOGETHER.
>> AT THE MOMENT, ADONIS IS
RIGHT OUT OF IT.
4354
02:09:23,389 --> 02:09:24,254
>> AT THE MOMENT, ADONIS IS
RIGHT OUT OF IT.
HE'S NOT SURE EXACTLY WHAT HE'S
4355
02:09:24,256 --> 02:09:27,625
RIGHT OUT OF IT.
HE'S NOT SURE EXACTLY WHAT HE'S
DOING OR WHERE HE IS.
4356
02:09:27,627 --> 02:09:28,726
HE'S NOT SURE EXACTLY WHAT HE'S
DOING OR WHERE HE IS.
ON WRESTLEMANIA 2 HERE IN LOS
4357
02:09:28,728 --> 02:09:30,694
DOING OR WHERE HE IS.
ON WRESTLEMANIA 2 HERE IN LOS
ANGELES, CALIFORNIA, DOESN'T
4358
02:09:30,696 --> 02:09:32,563
ON WRESTLEMANIA 2 HERE IN LOS
ANGELES, CALIFORNIA, DOESN'T
SEEM THE PLACE FOR ADONIS TO BE
4359
02:09:32,565 --> 02:09:34,365
ANGELES, CALIFORNIA, DOESN'T
SEEM THE PLACE FOR ADONIS TO BE
RIGHT AT THIS MOMENT.
4360
02:09:34,367 --> 02:09:35,065
SEEM THE PLACE FOR ADONIS TO BE
RIGHT AT THIS MOMENT.
>> WELL, THE WORST PART ABOUT
4361
02:09:35,067 --> 02:09:36,501
RIGHT AT THIS MOMENT.
>> WELL, THE WORST PART ABOUT
THE WHOLE THING, I THINK, LORD,
4362
02:09:36,503 --> 02:09:38,469
>> WELL, THE WORST PART ABOUT
THE WHOLE THING, I THINK, LORD,
IS HE'S GETTING HIS DRESS DIRTY.
4363
02:09:38,471 --> 02:09:39,437
THE WHOLE THING, I THINK, LORD,
IS HE'S GETTING HIS DRESS DIRTY.
>> COME ON, ADRIAN!
4364
02:09:39,439 --> 02:09:40,437
IS HE'S GETTING HIS DRESS DIRTY.
>> COME ON, ADRIAN!
WATCH THE THING.
4365
02:09:40,439 --> 02:09:41,072
>> COME ON, ADRIAN!
WATCH THE THING.
YOU CAME OUT AND USE SOME FISTS,
4366
02:09:41,074 --> 02:09:41,672
WATCH THE THING.
YOU CAME OUT AND USE SOME FISTS,
MAN!
4367
02:09:41,674 --> 02:09:42,607
YOU CAME OUT AND USE SOME FISTS,
MAN!
COME ON, ADRIAN!
4368
02:09:42,609 --> 02:09:43,508
MAN!
COME ON, ADRIAN!
>> HE'S GOT THAT BEAUTIFUL
4369
02:09:43,510 --> 02:09:44,608
COME ON, ADRIAN!
>> HE'S GOT THAT BEAUTIFUL
DRESS, AND THERE HE IS WALLOWING
4370
02:09:44,610 --> 02:09:46,410
>> HE'S GOT THAT BEAUTIFUL
DRESS, AND THERE HE IS WALLOWING
AROUND ON THAT BEER-LADEN FLOOR,
4371
02:09:46,412 --> 02:09:47,478
DRESS, AND THERE HE IS WALLOWING
AROUND ON THAT BEER-LADEN FLOOR,
LORD.
4372
02:09:47,480 --> 02:09:48,279
AROUND ON THAT BEER-LADEN FLOOR,
LORD.
>> YES, AND HE LOOKS LIKE ENDING
4373
02:09:48,281 --> 02:09:49,413
LORD.
>> YES, AND HE LOOKS LIKE ENDING
HIS RECORD DIRTY AS WELL IF HE
4374
02:09:49,415 --> 02:09:52,383
>> YES, AND HE LOOKS LIKE ENDING
HIS RECORD DIRTY AS WELL IF HE
CONTINUES IT THIS WAY.
4375
02:09:52,385 --> 02:09:53,084
HIS RECORD DIRTY AS WELL IF HE
CONTINUES IT THIS WAY.
>> I THINK IF I WAS HIM, I'D
4376
02:09:53,086 --> 02:09:53,851
CONTINUES IT THIS WAY.
>> I THINK IF I WAS HIM, I'D
JUST THROW THAT DRESS AWAY AFTER
4377
02:09:53,853 --> 02:09:58,422
>> I THINK IF I WAS HIM, I'D
JUST THROW THAT DRESS AWAY AFTER
THIS MATCH.
4378
02:09:58,424 --> 02:09:59,490
JUST THROW THAT DRESS AWAY AFTER
THIS MATCH.
>> THE ADORABLE ADRIAN OFF TO A
4379
02:09:59,492 --> 02:10:01,526
THIS MATCH.
>> THE ADORABLE ADRIAN OFF TO A
SLOW START HERE, AND THE MOUTH
4380
02:10:01,528 --> 02:10:02,893
>> THE ADORABLE ADRIAN OFF TO A
SLOW START HERE, AND THE MOUTH
OF THE SOUTH, JIMMY HART, TRYIN'
4381
02:10:02,895 --> 02:10:05,296
SLOW START HERE, AND THE MOUTH
OF THE SOUTH, JIMMY HART, TRYIN'
TO GET THINGS BACK TOGETHER.
4382
02:10:05,298 --> 02:10:06,497
OF THE SOUTH, JIMMY HART, TRYIN'
TO GET THINGS BACK TOGETHER.
>> HE LOOKS LIKE HE'S HURT.
4383
02:10:06,499 --> 02:10:07,765
TO GET THINGS BACK TOGETHER.
>> HE LOOKS LIKE HE'S HURT.
>> HE'S DEFINITELY HURTING.
4384
02:10:07,767 --> 02:10:09,433
>> HE LOOKS LIKE HE'S HURT.
>> HE'S DEFINITELY HURTING.
>> ELVIRA, I WOULD LIKE TO SEE
4385
02:10:09,435 --> 02:10:10,668
>> HE'S DEFINITELY HURTING.
>> ELVIRA, I WOULD LIKE TO SEE
YOU IN THAT DRESS.
4386
02:10:10,670 --> 02:10:12,970
>> ELVIRA, I WOULD LIKE TO SEE
YOU IN THAT DRESS.
>> [LAUGHS]
4387
02:10:12,972 --> 02:10:14,505
YOU IN THAT DRESS.
>> [LAUGHS]
NOPE, DON'T HOLD YOUR BREATH,
4388
02:10:14,507 --> 02:10:15,673
>> [LAUGHS]
NOPE, DON'T HOLD YOUR BREATH,
OKAY?
4389
02:10:15,675 --> 02:10:16,440
NOPE, DON'T HOLD YOUR BREATH,
OKAY?
>> OH!
4390
02:10:16,442 --> 02:10:17,474
OKAY?
>> OH!
>> AND HERE, IT'S COMING OFF!
4391
02:10:17,476 --> 02:10:18,776
>> OH!
>> AND HERE, IT'S COMING OFF!
>> OH, NO!
4392
02:10:18,778 --> 02:10:19,710
>> AND HERE, IT'S COMING OFF!
>> OH, NO!
>> IT'S BEING RIPPED OFF BY
4393
02:10:19,712 --> 02:10:21,478
>> OH, NO!
>> IT'S BEING RIPPED OFF BY
UNCLE ELMER.
4394
02:10:21,480 --> 02:10:22,814
>> IT'S BEING RIPPED OFF BY
UNCLE ELMER.
ELMER'S HAD ENOUGH OF THAT
4395
02:10:22,816 --> 02:10:24,415
UNCLE ELMER.
ELMER'S HAD ENOUGH OF THAT
FINERY.
4396
02:10:24,417 --> 02:10:25,516
ELMER'S HAD ENOUGH OF THAT
FINERY.
HE'S GONNA SHOW HIM HOW A
4397
02:10:25,518 --> 02:10:38,662
FINERY.
HE'S GONNA SHOW HIM HOW A
COUNTRY BOY DOES IT.
4398
02:10:38,664 --> 02:10:40,965
HE'S GONNA SHOW HIM HOW A
COUNTRY BOY DOES IT.
>> ALL RIGHT.
4399
02:10:40,967 --> 02:10:42,933
COUNTRY BOY DOES IT.
>> ALL RIGHT.
>> NOW ADONIS REALLY IS IN
4400
02:10:42,935 --> 02:10:43,834
>> ALL RIGHT.
>> NOW ADONIS REALLY IS IN
TROUBLE.
4401
02:10:43,836 --> 02:10:45,636
>> NOW ADONIS REALLY IS IN
TROUBLE.
HE'S LOCKED IN THOSE ROPES.
4402
02:10:45,638 --> 02:10:46,837
TROUBLE.
HE'S LOCKED IN THOSE ROPES.
>> WHILE THE REFEREE SHOULD BE
4403
02:10:46,839 --> 02:10:48,505
HE'S LOCKED IN THOSE ROPES.
>> WHILE THE REFEREE SHOULD BE
STEPPIN' IN THERE AND GETTIN'
4404
02:10:48,507 --> 02:10:49,540
>> WHILE THE REFEREE SHOULD BE
STEPPIN' IN THERE AND GETTIN'
HIM LOOSE, JIMMY HART'S TRYING
4405
02:10:49,542 --> 02:10:50,774
STEPPIN' IN THERE AND GETTIN'
HIM LOOSE, JIMMY HART'S TRYING
TO DO IT HIMSELF RIGHT THERE.
4406
02:10:50,776 --> 02:10:51,909
HIM LOOSE, JIMMY HART'S TRYING
TO DO IT HIMSELF RIGHT THERE.
NOW ADORABLE'S LOOSE.
4407
02:10:51,911 --> 02:10:53,678
TO DO IT HIMSELF RIGHT THERE.
NOW ADORABLE'S LOOSE.
ADONIS HAS HAD VIRTUALLY NO
4408
02:10:53,680 --> 02:10:55,779
NOW ADORABLE'S LOOSE.
ADONIS HAS HAD VIRTUALLY NO
OFFENSE, BUT I'LL TELL YOU WHAT,
4409
02:10:55,781 --> 02:10:57,849
ADONIS HAS HAD VIRTUALLY NO
OFFENSE, BUT I'LL TELL YOU WHAT,
ALFRED, FOR ALL THAT HE LOOKS
4410
02:10:57,851 --> 02:10:58,950
OFFENSE, BUT I'LL TELL YOU WHAT,
ALFRED, FOR ALL THAT HE LOOKS
LIKE, HE'S STILL A VERY
4411
02:10:58,952 --> 02:11:00,451
ALFRED, FOR ALL THAT HE LOOKS
LIKE, HE'S STILL A VERY
DANGEROUS MAN.
4412
02:11:00,453 --> 02:11:01,518
LIKE, HE'S STILL A VERY
DANGEROUS MAN.
>> WELL, YES HE IS, JESSE.
4413
02:11:01,520 --> 02:11:02,587
DANGEROUS MAN.
>> WELL, YES HE IS, JESSE.
I MUST GIVE YOU THAT, BECAUSE
4414
02:11:02,589 --> 02:11:03,688
>> WELL, YES HE IS, JESSE.
I MUST GIVE YOU THAT, BECAUSE
LOOK WHAT HE'S DONE.
4415
02:11:03,690 --> 02:11:05,522
I MUST GIVE YOU THAT, BECAUSE
LOOK WHAT HE'S DONE.
HE'S FLOORED ELMER WITH JUST ONE
4416
02:11:05,524 --> 02:11:07,524
LOOK WHAT HE'S DONE.
HE'S FLOORED ELMER WITH JUST ONE
MIGHTY LEFT TO THE MIDSECTION,
4417
02:11:07,526 --> 02:11:09,460
HE'S FLOORED ELMER WITH JUST ONE
MIGHTY LEFT TO THE MIDSECTION,
AND I'M AFRAID ELMER IS DOWN ON
4418
02:11:09,462 --> 02:11:11,395
MIGHTY LEFT TO THE MIDSECTION,
AND I'M AFRAID ELMER IS DOWN ON
HIS KNEES, AND HE DOESN'T LOOK
4419
02:11:11,397 --> 02:11:16,600
AND I'M AFRAID ELMER IS DOWN ON
HIS KNEES, AND HE DOESN'T LOOK
TO GOOD AT THE MOMENT.
4420
02:11:16,602 --> 02:11:17,534
HIS KNEES, AND HE DOESN'T LOOK
TO GOOD AT THE MOMENT.
>> PUT THE DRESS BACK ON, PUT
4421
02:11:17,536 --> 02:11:19,303
TO GOOD AT THE MOMENT.
>> PUT THE DRESS BACK ON, PUT
THE DRESS BACK ON!
4422
02:11:19,305 --> 02:11:21,639
>> PUT THE DRESS BACK ON, PUT
THE DRESS BACK ON!
OH, WHAT JESSE?
4423
02:11:21,641 --> 02:11:22,306
THE DRESS BACK ON!
OH, WHAT JESSE?
>> [LAUGHS]
4424
02:11:22,308 --> 02:11:23,107
OH, WHAT JESSE?
>> [LAUGHS]
LORD, ELVIRA WANTS THE DRESS
4425
02:11:23,109 --> 02:11:24,609
>> [LAUGHS]
LORD, ELVIRA WANTS THE DRESS
PUT BACK ON.
4426
02:11:24,611 --> 02:11:25,843
LORD, ELVIRA WANTS THE DRESS
PUT BACK ON.
>> DRESS WAS BAD, BUT NOT AS BAD
4427
02:11:25,845 --> 02:11:27,678
PUT BACK ON.
>> DRESS WAS BAD, BUT NOT AS BAD
AS THIS.
4428
02:11:27,680 --> 02:11:28,579
>> DRESS WAS BAD, BUT NOT AS BAD
AS THIS.
>> OH, MY WORD!
4429
02:11:28,581 --> 02:11:29,780
AS THIS.
>> OH, MY WORD!
LOOK OUT, ELMER LAUNCH.
4430
02:11:29,782 --> 02:11:32,650
>> OH, MY WORD!
LOOK OUT, ELMER LAUNCH.
OOH!
4431
02:11:32,652 --> 02:11:34,518
LOOK OUT, ELMER LAUNCH.
OOH!
LOOK OUT!
4432
02:11:34,520 --> 02:11:35,820
OOH!
LOOK OUT!
SPLASH COMING!
4433
02:11:35,822 --> 02:11:36,687
LOOK OUT!
SPLASH COMING!
HERE HE COMES!
4434
02:11:36,689 --> 02:11:38,289
SPLASH COMING!
HERE HE COMES!
I'M AFRAID THIS IS THE END FOR
4435
02:11:38,291 --> 02:11:39,523
HERE HE COMES!
I'M AFRAID THIS IS THE END FOR
ADONIS!
4436
02:11:39,525 --> 02:11:42,326
I'M AFRAID THIS IS THE END FOR
ADONIS!
OH, NO!
4437
02:11:42,328 --> 02:11:43,394
ADONIS!
OH, NO!
>> I'LL TELL YOU, JESSE, I'VE
4438
02:11:43,396 --> 02:11:44,595
OH, NO!
>> I'LL TELL YOU, JESSE, I'VE
NEVER SEEN SO MUCH SAGGY LEAN IN
4439
02:11:44,597 --> 02:11:46,430
>> I'LL TELL YOU, JESSE, I'VE
NEVER SEEN SO MUCH SAGGY LEAN IN
ONE PLACE AT ONE TIME, I DON'T
4440
02:11:46,432 --> 02:11:47,698
NEVER SEEN SO MUCH SAGGY LEAN IN
ONE PLACE AT ONE TIME, I DON'T
THING, LIKE I SAID.
4441
02:11:47,700 --> 02:11:49,333
ONE PLACE AT ONE TIME, I DON'T
THING, LIKE I SAID.
>> BETWEEN THE BOTH OF 'EM?
4442
02:11:49,335 --> 02:11:50,567
THING, LIKE I SAID.
>> BETWEEN THE BOTH OF 'EM?
>> OH, NO, I WAS JUST TALKIN'
4443
02:11:50,569 --> 02:11:51,602
>> BETWEEN THE BOTH OF 'EM?
>> OH, NO, I WAS JUST TALKIN'
ABOUT ADONIS.
4444
02:11:51,604 --> 02:11:52,670
>> OH, NO, I WAS JUST TALKIN'
ABOUT ADONIS.
>> ADONIS GOING TO THE TOP ROPE.
4445
02:11:52,672 --> 02:11:53,604
ABOUT ADONIS.
>> ADONIS GOING TO THE TOP ROPE.
HE'S ...
4446
02:11:53,606 --> 02:11:55,639
>> ADONIS GOING TO THE TOP ROPE.
HE'S ...
A SPLASH FROM ADONIS, AND A KIND
4447
02:11:55,641 --> 02:11:56,707
HE'S ...
A SPLASH FROM ADONIS, AND A KIND
OF A HEADBUTT.
4448
02:11:56,709 --> 02:11:58,409
A SPLASH FROM ADONIS, AND A KIND
OF A HEADBUTT.
HE'S HOLDING HIM DOWN.
4449
02:11:58,411 --> 02:12:00,644
OF A HEADBUTT.
HE'S HOLDING HIM DOWN.
>> HE GOT HIM!
4450
02:12:00,646 --> 02:12:01,712
HE'S HOLDING HIM DOWN.
>> HE GOT HIM!
I'LL TELL YOU WHAT, FOR ALL YOU
4451
02:12:01,714 --> 02:12:03,514
>> HE GOT HIM!
I'LL TELL YOU WHAT, FOR ALL YOU
MIGHT NOT LIKE ADRIAN ADONIS,
4452
02:12:03,516 --> 02:12:05,649
I'LL TELL YOU WHAT, FOR ALL YOU
MIGHT NOT LIKE ADRIAN ADONIS,
BUT WHEN IT COMES TO WRESTLING,
4453
02:12:05,651 --> 02:12:06,784
MIGHT NOT LIKE ADRIAN ADONIS,
BUT WHEN IT COMES TO WRESTLING,
LEG WARMERS AND ALL, HE'S A VERY
4454
02:12:06,786 --> 02:12:08,619
BUT WHEN IT COMES TO WRESTLING,
LEG WARMERS AND ALL, HE'S A VERY
DANGEROUS MAN.
4455
02:12:08,621 --> 02:12:11,389
LEG WARMERS AND ALL, HE'S A VERY
DANGEROUS MAN.
>> HE CERTAINLY IS THERE, JESSE.
4456
02:12:11,391 --> 02:12:12,456
DANGEROUS MAN.
>> HE CERTAINLY IS THERE, JESSE.
AND THAT WAS A DESERVED VICTORY
4457
02:12:12,458 --> 02:12:13,824
>> HE CERTAINLY IS THERE, JESSE.
AND THAT WAS A DESERVED VICTORY
NOW.
4458
02:12:13,826 --> 02:12:14,892
AND THAT WAS A DESERVED VICTORY
NOW.
A VERY HARD EARNED VICTORY FOR
4459
02:12:14,894 --> 02:12:15,793
NOW.
A VERY HARD EARNED VICTORY FOR
ADONIS.
4460
02:12:15,795 --> 02:12:17,494
A VERY HARD EARNED VICTORY FOR
ADONIS.
LOOK AT HIM NOW, HE'S PUT THAT
4461
02:12:17,496 --> 02:12:18,495
ADONIS.
LOOK AT HIM NOW, HE'S PUT THAT
ROSE ON THE BACK OF THE COUNTRY
4462
02:12:18,497 --> 02:12:19,830
LOOK AT HIM NOW, HE'S PUT THAT
ROSE ON THE BACK OF THE COUNTRY
BOY.
4463
02:12:19,832 --> 02:12:20,931
ROSE ON THE BACK OF THE COUNTRY
BOY.
>> ONE THING I CAN SAY IS, I
4464
02:12:20,933 --> 02:12:23,367
BOY.
>> ONE THING I CAN SAY IS, I
NEVER TRUST A MAN WHO WEARS PINK
4465
02:12:23,369 --> 02:12:24,768
>> ONE THING I CAN SAY IS, I
NEVER TRUST A MAN WHO WEARS PINK
LEG WARMERS.
4466
02:12:24,770 --> 02:12:26,603
NEVER TRUST A MAN WHO WEARS PINK
LEG WARMERS.
>> YOU NEVER DO.
4467
02:12:26,605 --> 02:12:27,938
LEG WARMERS.
>> YOU NEVER DO.
>> NO, I'VE MADE THAT ONE OF MY
4468
02:12:27,940 --> 02:12:28,839
>> YOU NEVER DO.
>> NO, I'VE MADE THAT ONE OF MY
RULES OF MY LIFE.
4469
02:12:28,841 --> 02:12:29,974
>> NO, I'VE MADE THAT ONE OF MY
RULES OF MY LIFE.
>> WELL, THERE YOU GOT IT, LORD.
4470
02:12:29,976 --> 02:12:30,674
RULES OF MY LIFE.
>> WELL, THERE YOU GOT IT, LORD.
>> LET'S GO TO OUR ANNOUNCER FOR
4471
02:12:30,676 --> 02:12:32,510
>> WELL, THERE YOU GOT IT, LORD.
>> LET'S GO TO OUR ANNOUNCER FOR
THE OFFICIAL VERDICT.
4472
02:12:32,512 --> 02:12:34,878
>> LET'S GO TO OUR ANNOUNCER FOR
THE OFFICIAL VERDICT.
>> LADIES AND GENTLEMEN, HERE IS
4473
02:12:34,880 --> 02:12:39,650
THE OFFICIAL VERDICT.
>> LADIES AND GENTLEMEN, HERE IS
YOUR WINNER, THE ADORABLE ADRIAN
4474
02:12:39,652 --> 02:12:41,618
>> LADIES AND GENTLEMEN, HERE IS
YOUR WINNER, THE ADORABLE ADRIAN
ADONIS.
4475
02:12:41,620 --> 02:12:44,788
YOUR WINNER, THE ADORABLE ADRIAN
ADONIS.
[ BELL RINGING ]
4476
02:12:44,790 --> 02:12:45,856
ADONIS.
[ BELL RINGING ]
>> THERE'S THE WINNER, ADRIAN
4477
02:12:45,858 --> 02:12:49,760
[ BELL RINGING ]
>> THERE'S THE WINNER, ADRIAN
ADONIS.
4478
02:12:49,762 --> 02:12:51,429
>> THERE'S THE WINNER, ADRIAN
ADONIS.
AND HE'S NOT FINISHED WITH THE
4479
02:12:51,431 --> 02:12:53,564
ADONIS.
AND HE'S NOT FINISHED WITH THE
BIG COUNTRY BOY, LORD.
4480
02:12:53,566 --> 02:12:54,665
AND HE'S NOT FINISHED WITH THE
BIG COUNTRY BOY, LORD.
>> NOPE, HE GAVE HIM ANOTHER ONE
4481
02:12:54,667 --> 02:12:55,699
BIG COUNTRY BOY, LORD.
>> NOPE, HE GAVE HIM ANOTHER ONE
FOR GOOD MEASURE, THERE.
4482
02:12:55,701 --> 02:12:56,434
>> NOPE, HE GAVE HIM ANOTHER ONE
FOR GOOD MEASURE, THERE.
>> COME ON, ADRIAN, COME ON,
4483
02:12:56,436 --> 02:12:58,736
FOR GOOD MEASURE, THERE.
>> COME ON, ADRIAN, COME ON,
BABY, COME ON.
4484
02:12:58,738 --> 02:12:59,803
>> COME ON, ADRIAN, COME ON,
BABY, COME ON.
>> ELVIRA SAID -- ELVIRA SAID,
4485
02:12:59,805 --> 02:13:00,637
BABY, COME ON.
>> ELVIRA SAID -- ELVIRA SAID,
"NEVER TRUST A MAN WITH PINK LEG
4486
02:13:00,639 --> 02:13:01,772
>> ELVIRA SAID -- ELVIRA SAID,
"NEVER TRUST A MAN WITH PINK LEG
WARMERS."
4487
02:13:01,774 --> 02:13:03,474
"NEVER TRUST A MAN WITH PINK LEG
WARMERS."
>> WE GOT HIM GOOD, PAL!
4488
02:13:03,476 --> 02:13:03,941
WARMERS."
>> WE GOT HIM GOOD, PAL!
>> AND I WAS RIGHT.
4489
02:13:03,943 --> 02:13:04,542
>> WE GOT HIM GOOD, PAL!
>> AND I WAS RIGHT.
>> YOU'LL HAVE TO REMEMBER THAT,
4490
02:13:04,544 --> 02:13:05,542
>> AND I WAS RIGHT.
>> YOU'LL HAVE TO REMEMBER THAT,
LORD.
4491
02:13:05,544 --> 02:13:06,043
>> YOU'LL HAVE TO REMEMBER THAT,
LORD.
DON'T WEAR PINK ONES.
4492
02:13:06,045 --> 02:13:06,910
LORD.
DON'T WEAR PINK ONES.
>> [LAUGHS]
4493
02:13:06,912 --> 02:13:09,580
DON'T WEAR PINK ONES.
>> [LAUGHS]
JESSE, HOW COULD YOU SAY THAT?
4494
02:13:09,582 --> 02:13:11,649
>> [LAUGHS]
JESSE, HOW COULD YOU SAY THAT?
I'M AFRAID UNCLE ELMER IS NOT
4495
02:13:11,651 --> 02:13:13,684
JESSE, HOW COULD YOU SAY THAT?
I'M AFRAID UNCLE ELMER IS NOT
LOOKING TOO STEADY THERE.
4496
02:13:13,686 --> 02:13:16,487
I'M AFRAID UNCLE ELMER IS NOT
LOOKING TOO STEADY THERE.
HE TOOK A TREMENDOUS BEATING.
4497
02:13:16,489 --> 02:13:17,588
LOOKING TOO STEADY THERE.
HE TOOK A TREMENDOUS BEATING.
>> YOU KNOW, IT'S A SHAME TO SEE
4498
02:13:17,590 --> 02:13:19,356
HE TOOK A TREMENDOUS BEATING.
>> YOU KNOW, IT'S A SHAME TO SEE
A MAN THAT SIZE HAVE TO SUFFER
4499
02:13:19,358 --> 02:13:20,791
>> YOU KNOW, IT'S A SHAME TO SEE
A MAN THAT SIZE HAVE TO SUFFER
SO MUCH PAIN.
4500
02:13:20,793 --> 02:13:22,593
A MAN THAT SIZE HAVE TO SUFFER
SO MUCH PAIN.
WOULDN'T YOU SAY, JESSE?
4501
02:13:22,595 --> 02:13:23,260
SO MUCH PAIN.
WOULDN'T YOU SAY, JESSE?
>> OH, I DON'T KNOW, I DON'T
4502
02:13:23,262 --> 02:13:24,695
WOULDN'T YOU SAY, JESSE?
>> OH, I DON'T KNOW, I DON'T
MIND IT MYSELF.
4503
02:13:24,697 --> 02:13:25,863
>> OH, I DON'T KNOW, I DON'T
MIND IT MYSELF.
>> I'VE HEARD.
4504
02:13:25,865 --> 02:13:27,498
MIND IT MYSELF.
>> I'VE HEARD.
>> HE'S A WRESTLER, ELVIRA, AND
4505
02:13:27,500 --> 02:13:32,703
>> I'VE HEARD.
>> HE'S A WRESTLER, ELVIRA, AND
THAT'S WHAT HE'S HERE FOR.
4506
02:13:32,705 --> 02:13:33,704
>> HE'S A WRESTLER, ELVIRA, AND
THAT'S WHAT HE'S HERE FOR.
>> NOW, WE'RE GONNA TAKE TIME
4507
02:13:33,706 --> 02:13:34,638
THAT'S WHAT HE'S HERE FOR.
>> NOW, WE'RE GONNA TAKE TIME
OUT, WE'RE GONNA GO TO MY
4508
02:13:34,640 --> 02:13:37,541
>> NOW, WE'RE GONNA TAKE TIME
OUT, WE'RE GONNA GO TO MY
COLLEAGUE, LORD ALFRED HAYES,
4509
02:13:37,543 --> 02:13:39,510
OUT, WE'RE GONNA GO TO MY
COLLEAGUE, LORD ALFRED HAYES,
WITH A BIG, BIG INTERVIEW WITH
4510
02:13:39,512 --> 02:13:40,577
COLLEAGUE, LORD ALFRED HAYES,
WITH A BIG, BIG INTERVIEW WITH
THE WORLD HEAVYWEIGHT CHAMPION,
4511
02:13:40,579 --> 02:13:43,847
WITH A BIG, BIG INTERVIEW WITH
THE WORLD HEAVYWEIGHT CHAMPION,
HULK HOGAN.
4512
02:13:43,849 --> 02:13:45,582
THE WORLD HEAVYWEIGHT CHAMPION,
HULK HOGAN.
>> STANDING NEXT TO ME, THE
4513
02:13:45,584 --> 02:13:46,650
HULK HOGAN.
>> STANDING NEXT TO ME, THE
WORLD HEAVYWEIGHT CHAMPION, HULK
4514
02:13:46,652 --> 02:13:48,319
>> STANDING NEXT TO ME, THE
WORLD HEAVYWEIGHT CHAMPION, HULK
HOGAN.
4515
02:13:48,321 --> 02:13:50,588
WORLD HEAVYWEIGHT CHAMPION, HULK
HOGAN.
HULK, THIS WILL UNDOUBTEDLY BE
4516
02:13:50,590 --> 02:13:52,356
HOGAN.
HULK, THIS WILL UNDOUBTEDLY BE
YOUR TOUGHEST TITLE DEFENSE YET.
4517
02:13:52,358 --> 02:13:53,724
HULK, THIS WILL UNDOUBTEDLY BE
YOUR TOUGHEST TITLE DEFENSE YET.
IT'S RUMORED THAT YOU'RE NOT
4518
02:13:53,726 --> 02:13:55,526
YOUR TOUGHEST TITLE DEFENSE YET.
IT'S RUMORED THAT YOU'RE NOT
EXACTLY 100 PERCENT FIT, AND
4519
02:13:55,528 --> 02:13:57,495
IT'S RUMORED THAT YOU'RE NOT
EXACTLY 100 PERCENT FIT, AND
IT'S ALSO SAID THAT BUNDY MAY
4520
02:13:57,497 --> 02:13:58,796
EXACTLY 100 PERCENT FIT, AND
IT'S ALSO SAID THAT BUNDY MAY
HAVE A PSYCHOLOGICAL EDGE
4521
02:13:58,798 --> 02:14:00,464
IT'S ALSO SAID THAT BUNDY MAY
HAVE A PSYCHOLOGICAL EDGE
AGAINST YOU, HAVING PUT YOU IN
4522
02:14:00,466 --> 02:14:01,765
HAVE A PSYCHOLOGICAL EDGE
AGAINST YOU, HAVING PUT YOU IN
THE HOSPITAL ONCE BEFORE.
4523
02:14:01,767 --> 02:14:03,734
AGAINST YOU, HAVING PUT YOU IN
THE HOSPITAL ONCE BEFORE.
NOW, THIS IS A STEAL CAGE.
4524
02:14:03,736 --> 02:14:04,802
THE HOSPITAL ONCE BEFORE.
NOW, THIS IS A STEAL CAGE.
HOW DO YOU FEEL?
4525
02:14:04,804 --> 02:14:05,802
NOW, THIS IS A STEAL CAGE.
HOW DO YOU FEEL?
>> WELL, YOU KNOW SOMETHING
4526
02:14:05,804 --> 02:14:06,837
HOW DO YOU FEEL?
>> WELL, YOU KNOW SOMETHING
AWFUL, ALFRED?
4527
02:14:06,839 --> 02:14:08,539
>> WELL, YOU KNOW SOMETHING
AWFUL, ALFRED?
THERE'S A LOT OF RUMORS GOING
4528
02:14:08,541 --> 02:14:09,673
AWFUL, ALFRED?
THERE'S A LOT OF RUMORS GOING
AROUND, MAN, THAT THE HULKSTER'S
4529
02:14:09,675 --> 02:14:11,308
THERE'S A LOT OF RUMORS GOING
AROUND, MAN, THAT THE HULKSTER'S
ALL BUSTED UP AND LAID UP.
4530
02:14:11,310 --> 02:14:12,242
AROUND, MAN, THAT THE HULKSTER'S
ALL BUSTED UP AND LAID UP.
SO WHAT?
4531
02:14:12,244 --> 02:14:12,910
ALL BUSTED UP AND LAID UP.
SO WHAT?
THIS IS FOR THE WORLD
4532
02:14:12,912 --> 02:14:14,411
SO WHAT?
THIS IS FOR THE WORLD
HEAVYWEIGHT TITLE.
4533
02:14:14,413 --> 02:14:14,945
THIS IS FOR THE WORLD
HEAVYWEIGHT TITLE.
WE'VE BEEN LIVIN' THIS
4534
02:14:14,947 --> 02:14:16,781
HEAVYWEIGHT TITLE.
WE'VE BEEN LIVIN' THIS
HULKAMANIA THING ONE DAY AT A
4535
02:14:16,783 --> 02:14:17,781
WE'VE BEEN LIVIN' THIS
HULKAMANIA THING ONE DAY AT A
TIME.
4536
02:14:17,783 --> 02:14:19,249
HULKAMANIA THING ONE DAY AT A
TIME.
AND NOW THAT WE'VE GOT SO MANY
4537
02:14:19,251 --> 02:14:20,417
TIME.
AND NOW THAT WE'VE GOT SO MANY
BELIEVERS, SO MANY NEW
4538
02:14:20,419 --> 02:14:21,585
AND NOW THAT WE'VE GOT SO MANY
BELIEVERS, SO MANY NEW
GENERATIONS TO FOLLOW, IT'S
4539
02:14:21,587 --> 02:14:22,653
BELIEVERS, SO MANY NEW
GENERATIONS TO FOLLOW, IT'S
GONNA LIVE FOREVER.
4540
02:14:22,655 --> 02:14:24,555
GENERATIONS TO FOLLOW, IT'S
GONNA LIVE FOREVER.
SO, AWFUL ALFRED HAYES, EVEN IF
4541
02:14:24,557 --> 02:14:25,790
GONNA LIVE FOREVER.
SO, AWFUL ALFRED HAYES, EVEN IF
I HAD TO CRAWL TO THE RING WITH
4542
02:14:25,792 --> 02:14:28,625
SO, AWFUL ALFRED HAYES, EVEN IF
I HAD TO CRAWL TO THE RING WITH
ONE GOOD ARM, BROTHER, I'D STILL
4543
02:14:28,627 --> 02:14:30,494
I HAD TO CRAWL TO THE RING WITH
ONE GOOD ARM, BROTHER, I'D STILL
TIE HIM IN THAT CAGE, MAN.
4544
02:14:30,496 --> 02:14:31,829
ONE GOOD ARM, BROTHER, I'D STILL
TIE HIM IN THAT CAGE, MAN.
I'D STILL STAND BEHIND THIS
4545
02:14:31,831 --> 02:14:33,497
TIE HIM IN THAT CAGE, MAN.
I'D STILL STAND BEHIND THIS
WORLD TITLE LIKE A MAN.
4546
02:14:33,499 --> 02:14:35,766
I'D STILL STAND BEHIND THIS
WORLD TITLE LIKE A MAN.
AND AS FAR AS THAT LONG, SLOW
4547
02:14:35,768 --> 02:14:37,768
WORLD TITLE LIKE A MAN.
AND AS FAR AS THAT LONG, SLOW
ROLLIN' RIDE IN THAT COFFIN, SO
4548
02:14:37,770 --> 02:14:39,570
AND AS FAR AS THAT LONG, SLOW
ROLLIN' RIDE IN THAT COFFIN, SO
CALLED AMBULANCE, I'VE BEEN
4549
02:14:39,572 --> 02:14:40,771
ROLLIN' RIDE IN THAT COFFIN, SO
CALLED AMBULANCE, I'VE BEEN
THINKING ABOUT IT NIGHT AND DAY,
4550
02:14:40,773 --> 02:14:41,672
CALLED AMBULANCE, I'VE BEEN
THINKING ABOUT IT NIGHT AND DAY,
BROTHER.
4551
02:14:41,674 --> 02:14:43,374
THINKING ABOUT IT NIGHT AND DAY,
BROTHER.
I'VE BEEN THINKING ABOUT THE
4552
02:14:43,376 --> 02:14:44,541
BROTHER.
I'VE BEEN THINKING ABOUT THE
ANIMOSITY, THE WAY I FEEL, THE
4553
02:14:44,543 --> 02:14:46,743
I'VE BEEN THINKING ABOUT THE
ANIMOSITY, THE WAY I FEEL, THE
AGGRESSIVENESS.
4554
02:14:46,745 --> 02:14:47,678
ANIMOSITY, THE WAY I FEEL, THE
AGGRESSIVENESS.
AND WHEN I STEP IN THAT CAGE,
4555
02:14:47,680 --> 02:14:48,779
AGGRESSIVENESS.
AND WHEN I STEP IN THAT CAGE,
WITH THE WHOLE WORLD WATCHIN',
4556
02:14:48,781 --> 02:14:51,482
AND WHEN I STEP IN THAT CAGE,
WITH THE WHOLE WORLD WATCHIN',
MAN, WRESTLEMANIA 2, HULKAMANIA
4557
02:14:51,484 --> 02:14:53,851
WITH THE WHOLE WORLD WATCHIN',
MAN, WRESTLEMANIA 2, HULKAMANIA
RUNNIN' AWILD AROUND THE WORLD,
4558
02:14:53,853 --> 02:14:55,519
MAN, WRESTLEMANIA 2, HULKAMANIA
RUNNIN' AWILD AROUND THE WORLD,
I KIND OF FEEL SORRY FOR KING
4559
02:14:55,521 --> 02:14:56,553
RUNNIN' AWILD AROUND THE WORLD,
I KIND OF FEEL SORRY FOR KING
KONG BUNDY.
4560
02:14:56,555 --> 02:14:57,921
I KIND OF FEEL SORRY FOR KING
KONG BUNDY.
I'MA TAKE ALL THOSE FEELINGS OF
4561
02:14:57,923 --> 02:14:59,523
KONG BUNDY.
I'MA TAKE ALL THOSE FEELINGS OF
HIM, SLAP THOSE FEELINGS AROUND,
4562
02:14:59,525 --> 02:15:01,492
I'MA TAKE ALL THOSE FEELINGS OF
HIM, SLAP THOSE FEELINGS AROUND,
TAKE AWAY HIS PRIDE, MAN, AND
4563
02:15:01,494 --> 02:15:02,759
HIM, SLAP THOSE FEELINGS AROUND,
TAKE AWAY HIS PRIDE, MAN, AND
PUT THE PRIDE BACK IN THE WORLD
4564
02:15:02,761 --> 02:15:04,828
TAKE AWAY HIS PRIDE, MAN, AND
PUT THE PRIDE BACK IN THE WORLD
TITLE, BECAUSE I'M CLIMBIN' OUT
4565
02:15:04,830 --> 02:15:06,597
PUT THE PRIDE BACK IN THE WORLD
TITLE, BECAUSE I'M CLIMBIN' OUT
OF THAT CAGE.
4566
02:15:06,599 --> 02:15:07,698
TITLE, BECAUSE I'M CLIMBIN' OUT
OF THAT CAGE.
I'M GONNA WIN THAT MATCH, AND
4567
02:15:07,700 --> 02:15:09,666
OF THAT CAGE.
I'M GONNA WIN THAT MATCH, AND
ALL I CAN HOPE FOR IS BOBBY "THE
4568
02:15:09,668 --> 02:15:11,301
I'M GONNA WIN THAT MATCH, AND
ALL I CAN HOPE FOR IS BOBBY "THE
WEASEL" HEENAN, PLEASE STICK
4569
02:15:11,303 --> 02:15:12,436
ALL I CAN HOPE FOR IS BOBBY "THE
WEASEL" HEENAN, PLEASE STICK
YOUR NOSE IN MY BUSINESS.
4570
02:15:12,438 --> 02:15:13,370
WEASEL" HEENAN, PLEASE STICK
YOUR NOSE IN MY BUSINESS.
>> EVERYBODY'S WAITING TO SAY,
4571
02:15:13,372 --> 02:15:14,138
YOUR NOSE IN MY BUSINESS.
>> EVERYBODY'S WAITING TO SAY,
"GOOD LUCK" TO YOU ON YOUR TITLE
4572
02:15:14,140 --> 02:15:14,671
>> EVERYBODY'S WAITING TO SAY,
"GOOD LUCK" TO YOU ON YOUR TITLE
FIGHTS.
4573
02:15:14,673 --> 02:15:18,742
"GOOD LUCK" TO YOU ON YOUR TITLE
FIGHTS.
>> OH, MAN!
4574
02:15:18,744 --> 02:15:19,576
FIGHTS.
>> OH, MAN!
>> WELL, WE'RE BACK HERE AT
4575
02:15:19,578 --> 02:15:20,677
>> OH, MAN!
>> WELL, WE'RE BACK HERE AT
RINGSIDE, AND THERE YOU SEE 'EM,
4576
02:15:20,679 --> 02:15:22,646
>> WELL, WE'RE BACK HERE AT
RINGSIDE, AND THERE YOU SEE 'EM,
THE FUNK BROTHERS, WITH THEIR
4577
02:15:22,648 --> 02:15:24,281
RINGSIDE, AND THERE YOU SEE 'EM,
THE FUNK BROTHERS, WITH THEIR
MANAGER, JIMMY HART, AND I'LL
4578
02:15:24,283 --> 02:15:25,549
THE FUNK BROTHERS, WITH THEIR
MANAGER, JIMMY HART, AND I'LL
TELL YOU SOMETHING, LORD, THESE
4579
02:15:25,551 --> 02:15:26,683
MANAGER, JIMMY HART, AND I'LL
TELL YOU SOMETHING, LORD, THESE
GUYS NEED TAKE A BACKSEAT TO NO
4580
02:15:26,685 --> 02:15:28,819
TELL YOU SOMETHING, LORD, THESE
GUYS NEED TAKE A BACKSEAT TO NO
ONE FOR JUST BEIN' DOWNRIGHT
4581
02:15:28,821 --> 02:15:30,488
GUYS NEED TAKE A BACKSEAT TO NO
ONE FOR JUST BEIN' DOWNRIGHT
NASTY.
4582
02:15:30,490 --> 02:15:31,622
ONE FOR JUST BEIN' DOWNRIGHT
NASTY.
>> THEY REALLY ARE, AND THEY'VE
4583
02:15:31,624 --> 02:15:32,389
NASTY.
>> THEY REALLY ARE, AND THEY'VE
CERTAINLY MADE THEIR MARK IN A
4584
02:15:32,391 --> 02:15:37,394
>> THEY REALLY ARE, AND THEY'VE
CERTAINLY MADE THEIR MARK IN A
VERY, VERY SHORT PERIOD OF TIME.
4585
02:15:37,396 --> 02:15:38,395
CERTAINLY MADE THEIR MARK IN A
VERY, VERY SHORT PERIOD OF TIME.
>> CONTEST IS SCHEDULED FOR ONE
4586
02:15:38,397 --> 02:15:40,497
VERY, VERY SHORT PERIOD OF TIME.
>> CONTEST IS SCHEDULED FOR ONE
FALL, WITH A 30 MINUTE TIME
4587
02:15:40,499 --> 02:15:42,866
>> CONTEST IS SCHEDULED FOR ONE
FALL, WITH A 30 MINUTE TIME
LIMIT.
4588
02:15:42,868 --> 02:15:44,501
FALL, WITH A 30 MINUTE TIME
LIMIT.
INTRODUCING IN THE RING, FIRST
4589
02:15:44,503 --> 02:15:46,403
LIMIT.
INTRODUCING IN THE RING, FIRST
OF ALL, HERE IS THE MANAGER, THE
4590
02:15:46,405 --> 02:15:52,676
INTRODUCING IN THE RING, FIRST
OF ALL, HERE IS THE MANAGER, THE
MOUTH OF THE SOUTH, JIMMY HART.
4591
02:15:52,678 --> 02:15:54,478
OF ALL, HERE IS THE MANAGER, THE
MOUTH OF THE SOUTH, JIMMY HART.
AND HE REPRESENTS, FROM THE
4592
02:15:54,480 --> 02:15:56,380
MOUTH OF THE SOUTH, JIMMY HART.
AND HE REPRESENTS, FROM THE
DOUBLE CROSS RANCH IN AMARILLO,
4593
02:15:56,382 --> 02:15:58,449
AND HE REPRESENTS, FROM THE
DOUBLE CROSS RANCH IN AMARILLO,
TEXAS, WITH A TOTAL COMBINED
4594
02:15:58,451 --> 02:16:01,485
DOUBLE CROSS RANCH IN AMARILLO,
TEXAS, WITH A TOTAL COMBINED
WEIGHT OF 519 POUNDS, TERRY AND
4595
02:16:01,487 --> 02:16:06,524
TEXAS, WITH A TOTAL COMBINED
WEIGHT OF 519 POUNDS, TERRY AND
HOSS, THE FUNK BROTHERS.
4596
02:16:06,526 --> 02:16:10,494
WEIGHT OF 519 POUNDS, TERRY AND
HOSS, THE FUNK BROTHERS.
[ BELL RINGING ]
4597
02:16:10,496 --> 02:16:12,462
HOSS, THE FUNK BROTHERS.
[ BELL RINGING ]
>> AND THEIR OPPONENTS, NOW
4598
02:16:12,464 --> 02:16:17,701
[ BELL RINGING ]
>> AND THEIR OPPONENTS, NOW
ENTERING THE RING, FROM TACULA,
4599
02:16:17,703 --> 02:16:22,639
>> AND THEIR OPPONENTS, NOW
ENTERING THE RING, FROM TACULA,
MEXICO, WEIGHING 244 POUNDS,
4600
02:16:22,641 --> 02:16:28,445
ENTERING THE RING, FROM TACULA,
MEXICO, WEIGHING 244 POUNDS,
CHICO SANTANA.
4601
02:16:28,447 --> 02:16:29,746
MEXICO, WEIGHING 244 POUNDS,
CHICO SANTANA.
AND HIS PARTNER FROM CHARLOTTE,
4602
02:16:29,748 --> 02:16:33,484
CHICO SANTANA.
AND HIS PARTNER FROM CHARLOTTE,
NORTH CAROLINA, WEIGHING 250
4603
02:16:33,486 --> 02:16:58,542
AND HIS PARTNER FROM CHARLOTTE,
NORTH CAROLINA, WEIGHING 250
POUNDS, THE JUNKYARD DOG.
4604
02:16:58,544 --> 02:16:59,476
NORTH CAROLINA, WEIGHING 250
POUNDS, THE JUNKYARD DOG.
>> AND THERE'S THE JYD, I'LL
4605
02:16:59,478 --> 02:17:00,644
POUNDS, THE JUNKYARD DOG.
>> AND THERE'S THE JYD, I'LL
TELL YOU SOMETHING, ALFRED
4606
02:17:00,646 --> 02:17:04,448
>> AND THERE'S THE JYD, I'LL
TELL YOU SOMETHING, ALFRED
HAYES, I'VE SAID IT BEFORE, AND
4607
02:17:04,450 --> 02:17:05,782
TELL YOU SOMETHING, ALFRED
HAYES, I'VE SAID IT BEFORE, AND
THE JUNKYARD DOG, SHOULD NOT BE
4608
02:17:05,784 --> 02:17:07,451
HAYES, I'VE SAID IT BEFORE, AND
THE JUNKYARD DOG, SHOULD NOT BE
ALLOWED TO CARRY THAT CHAIN INTO
4609
02:17:07,453 --> 02:17:08,719
THE JUNKYARD DOG, SHOULD NOT BE
ALLOWED TO CARRY THAT CHAIN INTO
A RING.
4610
02:17:08,721 --> 02:17:09,853
ALLOWED TO CARRY THAT CHAIN INTO
A RING.
THAT'S A LETHAL WEAPON, THERE'S
4611
02:17:09,855 --> 02:17:11,622
A RING.
THAT'S A LETHAL WEAPON, THERE'S
NO PLACE FOR IT, HAYES.
4612
02:17:11,624 --> 02:17:12,756
THAT'S A LETHAL WEAPON, THERE'S
NO PLACE FOR IT, HAYES.
>> JESSE, HE'S DONE NOTHING WITH
4613
02:17:12,758 --> 02:17:13,591
NO PLACE FOR IT, HAYES.
>> JESSE, HE'S DONE NOTHING WITH
THE CHAIN.
4614
02:17:13,593 --> 02:17:15,726
>> JESSE, HE'S DONE NOTHING WITH
THE CHAIN.
IT'S JUST AN EMBLEM OF WHAT HE
4615
02:17:15,728 --> 02:17:16,760
THE CHAIN.
IT'S JUST AN EMBLEM OF WHAT HE
IS.
4616
02:17:16,762 --> 02:17:18,295
IT'S JUST AN EMBLEM OF WHAT HE
IS.
NOW LOOK AT THE FUNK BROTHERS
4617
02:17:18,297 --> 02:17:19,396
IS.
NOW LOOK AT THE FUNK BROTHERS
THROWING STEEL CHAIRS INTO THE
4618
02:17:19,398 --> 02:17:19,863
NOW LOOK AT THE FUNK BROTHERS
THROWING STEEL CHAIRS INTO THE
RING, JESSE.
4619
02:17:19,865 --> 02:17:21,498
THROWING STEEL CHAIRS INTO THE
RING, JESSE.
>> WHAT WOULD YOU EXPECT?
4620
02:17:21,500 --> 02:17:22,566
RING, JESSE.
>> WHAT WOULD YOU EXPECT?
I'D THROW A CHAIR IN THERE, TOO,
4621
02:17:22,568 --> 02:17:23,533
>> WHAT WOULD YOU EXPECT?
I'D THROW A CHAIR IN THERE, TOO,
IF SOMEBODY WALKED IN WITH A BIG
4622
02:17:23,535 --> 02:17:25,435
I'D THROW A CHAIR IN THERE, TOO,
IF SOMEBODY WALKED IN WITH A BIG
CHAIN INTO THE RING.
4623
02:17:25,437 --> 02:17:26,637
IF SOMEBODY WALKED IN WITH A BIG
CHAIN INTO THE RING.
WELL, I'LL TELL YOU, THIS IS
4624
02:17:26,639 --> 02:17:27,871
CHAIN INTO THE RING.
WELL, I'LL TELL YOU, THIS IS
GONNA BE ONE HECK OF TAG TEAM
4625
02:17:27,873 --> 02:17:28,605
WELL, I'LL TELL YOU, THIS IS
GONNA BE ONE HECK OF TAG TEAM
MATCH.
4626
02:17:28,607 --> 02:17:30,741
GONNA BE ONE HECK OF TAG TEAM
MATCH.
CHICO SANTANA AND THE JYD
4627
02:17:30,743 --> 02:17:32,776
MATCH.
CHICO SANTANA AND THE JYD
AGAINST, FROM THE DOUBLE CROSS
4628
02:17:32,778 --> 02:17:38,615
CHICO SANTANA AND THE JYD
AGAINST, FROM THE DOUBLE CROSS
RANCH, TERRY AND HOSS FUNK.
4629
02:17:38,617 --> 02:17:39,483
AGAINST, FROM THE DOUBLE CROSS
RANCH, TERRY AND HOSS FUNK.
AND DON'T FORGET THE MOUTH EDGE.
4630
02:17:39,485 --> 02:17:40,751
RANCH, TERRY AND HOSS FUNK.
AND DON'T FORGET THE MOUTH EDGE.
DO YOU LIKE THE MOUSE SOUP,
4631
02:17:40,753 --> 02:17:41,852
AND DON'T FORGET THE MOUTH EDGE.
DO YOU LIKE THE MOUSE SOUP,
ELVIRA?
4632
02:17:41,854 --> 02:17:43,487
DO YOU LIKE THE MOUSE SOUP,
ELVIRA?
HOW DO YOU LIKE THE MOUTH?
4633
02:17:43,489 --> 02:17:44,087
ELVIRA?
HOW DO YOU LIKE THE MOUTH?
YOU THINK THE MOUSE DRESSED
4634
02:17:44,089 --> 02:17:44,554
HOW DO YOU LIKE THE MOUTH?
YOU THINK THE MOUSE DRESSED
OKAY?
4635
02:17:44,556 --> 02:17:45,489
YOU THINK THE MOUSE DRESSED
OKAY?
>> YEAH, I TELL YOU, I WOULDN'T
4636
02:17:45,491 --> 02:17:46,490
OKAY?
>> YEAH, I TELL YOU, I WOULDN'T
WANT TO RUN INTO ANY OF THESE
4637
02:17:46,492 --> 02:17:47,758
>> YEAH, I TELL YOU, I WOULDN'T
WANT TO RUN INTO ANY OF THESE
DUDES IN A DARK ALLEY ANY NIGHT,
4638
02:17:47,760 --> 02:17:58,502
WANT TO RUN INTO ANY OF THESE
DUDES IN A DARK ALLEY ANY NIGHT,
JESSE, YOU KNOW.
4639
02:17:58,504 --> 02:18:00,471
DUDES IN A DARK ALLEY ANY NIGHT,
JESSE, YOU KNOW.
>> AND THERE'S HOSS FUNK BACKING
4640
02:18:00,473 --> 02:18:01,838
JESSE, YOU KNOW.
>> AND THERE'S HOSS FUNK BACKING
THE JYD INTO THE CORNER, COUPLE
4641
02:18:01,840 --> 02:18:04,241
>> AND THERE'S HOSS FUNK BACKING
THE JYD INTO THE CORNER, COUPLE
OF BIG FOREARMS, AND GOES FOR AN
4642
02:18:04,243 --> 02:18:05,376
THE JYD INTO THE CORNER, COUPLE
OF BIG FOREARMS, AND GOES FOR AN
IRISH WHIP.
4643
02:18:05,378 --> 02:18:06,610
OF BIG FOREARMS, AND GOES FOR AN
IRISH WHIP.
REVERSES IT.
4644
02:18:06,612 --> 02:18:07,744
IRISH WHIP.
REVERSES IT.
WOW, AND FLOWS THE FUNK BROTHERS
4645
02:18:07,746 --> 02:18:11,415
REVERSES IT.
WOW, AND FLOWS THE FUNK BROTHERS
TOGETHER.
4646
02:18:11,417 --> 02:18:12,616
WOW, AND FLOWS THE FUNK BROTHERS
TOGETHER.
AND BODY SLAM.
4647
02:18:12,618 --> 02:18:15,452
TOGETHER.
AND BODY SLAM.
TERRY FUNK, ANOTHER BODY SLAM.
4648
02:18:15,454 --> 02:18:18,522
AND BODY SLAM.
TERRY FUNK, ANOTHER BODY SLAM.
HOSS FUNK, A THIRD BODY SLAM.
4649
02:18:18,524 --> 02:18:20,691
TERRY FUNK, ANOTHER BODY SLAM.
HOSS FUNK, A THIRD BODY SLAM.
CHICO SANTANA'S INTO THE RING.
4650
02:18:20,693 --> 02:18:22,326
HOSS FUNK, A THIRD BODY SLAM.
CHICO SANTANA'S INTO THE RING.
AND BOTH THE FUNKS ARE OUT ONTO
4651
02:18:22,328 --> 02:18:23,593
CHICO SANTANA'S INTO THE RING.
AND BOTH THE FUNKS ARE OUT ONTO
THE FLOOR, AND JIMMY HART'S
4652
02:18:23,595 --> 02:18:25,595
AND BOTH THE FUNKS ARE OUT ONTO
THE FLOOR, AND JIMMY HART'S
GONNA HAVE TO GET THEM OUT
4653
02:18:25,597 --> 02:18:31,935
THE FLOOR, AND JIMMY HART'S
GONNA HAVE TO GET THEM OUT
THERE, REGROUP 'EM, LORD.
4654
02:18:31,937 --> 02:18:33,737
GONNA HAVE TO GET THEM OUT
THERE, REGROUP 'EM, LORD.
REFEREE, DAVID HEBNER'S GOT TO
4655
02:18:33,739 --> 02:18:34,671
THERE, REGROUP 'EM, LORD.
REFEREE, DAVID HEBNER'S GOT TO
GET SOME CONTROL OF HIS TAG TEAM
4656
02:18:34,673 --> 02:18:35,606
REFEREE, DAVID HEBNER'S GOT TO
GET SOME CONTROL OF HIS TAG TEAM
MATCH.
4657
02:18:35,608 --> 02:18:36,640
GET SOME CONTROL OF HIS TAG TEAM
MATCH.
IT'LL BE TOUGH, THOUGH, WITH THE
4658
02:18:36,642 --> 02:18:37,708
MATCH.
IT'LL BE TOUGH, THOUGH, WITH THE
FUNK BROTHERS AND JYB AND CHICO
4659
02:18:37,710 --> 02:18:39,609
IT'LL BE TOUGH, THOUGH, WITH THE
FUNK BROTHERS AND JYB AND CHICO
SANTANA.
4660
02:18:39,611 --> 02:18:40,744
FUNK BROTHERS AND JYB AND CHICO
SANTANA.
>> HE'S DEFINITELY GONNA HAVE
4661
02:18:40,746 --> 02:18:42,312
SANTANA.
>> HE'S DEFINITELY GONNA HAVE
HIS HANDS FULL, JESSE, TRYING TO
4662
02:18:42,314 --> 02:18:44,481
>> HE'S DEFINITELY GONNA HAVE
HIS HANDS FULL, JESSE, TRYING TO
CONTROL THESE TWO WILD BOYS FROM
4663
02:18:44,483 --> 02:18:48,685
HIS HANDS FULL, JESSE, TRYING TO
CONTROL THESE TWO WILD BOYS FROM
AMARILLO, TEXAS.
4664
02:18:48,687 --> 02:18:50,454
CONTROL THESE TWO WILD BOYS FROM
AMARILLO, TEXAS.
>> JYD AND HOSS FUNK.
4665
02:18:50,456 --> 02:18:53,757
AMARILLO, TEXAS.
>> JYD AND HOSS FUNK.
THERE YOU SEE HOSS GOING OVER
4666
02:18:53,759 --> 02:18:55,559
>> JYD AND HOSS FUNK.
THERE YOU SEE HOSS GOING OVER
THROWIN' A FLAGRANT KICK THERE
4667
02:18:55,561 --> 02:18:56,560
THERE YOU SEE HOSS GOING OVER
THROWIN' A FLAGRANT KICK THERE
AT CHICO SANTANA.
4668
02:18:56,562 --> 02:18:57,594
THROWIN' A FLAGRANT KICK THERE
AT CHICO SANTANA.
LET CHICO KNOW HE DOESN'T LIKE
4669
02:18:57,596 --> 02:18:58,629
AT CHICO SANTANA.
LET CHICO KNOW HE DOESN'T LIKE
HIS PARTICIPATION THE LAST
4670
02:18:58,631 --> 02:19:02,466
LET CHICO KNOW HE DOESN'T LIKE
HIS PARTICIPATION THE LAST
COUPLE OF MINUTES.
4671
02:19:02,468 --> 02:19:03,267
HIS PARTICIPATION THE LAST
COUPLE OF MINUTES.
THERE'S A TAG AND IN COMES TITO
4672
02:19:03,269 --> 02:19:03,767
COUPLE OF MINUTES.
THERE'S A TAG AND IN COMES TITO
SANTANA.
4673
02:19:03,769 --> 02:19:04,568
THERE'S A TAG AND IN COMES TITO
SANTANA.
>> SENSIBLE TURN AT THAT POINT,
4674
02:19:04,570 --> 02:19:05,435
SANTANA.
>> SENSIBLE TURN AT THAT POINT,
BECAUSE JUNKYARD DOG HAS BEEN IN
4675
02:19:05,437 --> 02:19:07,237
>> SENSIBLE TURN AT THAT POINT,
BECAUSE JUNKYARD DOG HAS BEEN IN
THERE, MADE HIS MARK, AND HE
4676
02:19:07,239 --> 02:19:09,306
BECAUSE JUNKYARD DOG HAS BEEN IN
THERE, MADE HIS MARK, AND HE
CERTAINLY THREW THOSE TWO FUNK
4677
02:19:09,308 --> 02:19:10,574
THERE, MADE HIS MARK, AND HE
CERTAINLY THREW THOSE TWO FUNK
BOYS AROUND THE RING, AND
4678
02:19:10,576 --> 02:19:12,409
CERTAINLY THREW THOSE TWO FUNK
BOYS AROUND THE RING, AND
EVENTUALLY OUT OF THE RING.
4679
02:19:12,411 --> 02:19:14,578
BOYS AROUND THE RING, AND
EVENTUALLY OUT OF THE RING.
SANTANA, A MORE REFINED STYLE OF
4680
02:19:14,580 --> 02:19:16,613
EVENTUALLY OUT OF THE RING.
SANTANA, A MORE REFINED STYLE OF
WRESTLING, BUT HE CAN CERTAINLY
4681
02:19:16,615 --> 02:19:18,281
SANTANA, A MORE REFINED STYLE OF
WRESTLING, BUT HE CAN CERTAINLY
LOOK AFTER HIMSELF.
4682
02:19:18,283 --> 02:19:19,483
WRESTLING, BUT HE CAN CERTAINLY
LOOK AFTER HIMSELF.
>> WELL, HE'S GONNA HAVE TO WITH
4683
02:19:19,485 --> 02:19:20,450
LOOK AFTER HIMSELF.
>> WELL, HE'S GONNA HAVE TO WITH
THE FUNK BROTHERS.
4684
02:19:20,452 --> 02:19:21,618
>> WELL, HE'S GONNA HAVE TO WITH
THE FUNK BROTHERS.
TERRY FUNK BACKED TITO INTO THE
4685
02:19:21,620 --> 02:19:23,520
THE FUNK BROTHERS.
TERRY FUNK BACKED TITO INTO THE
CORNER.
4686
02:19:23,522 --> 02:19:24,821
TERRY FUNK BACKED TITO INTO THE
CORNER.
BIG CHOP, SECOND ONE, THIRD ONE,
4687
02:19:24,823 --> 02:19:26,323
CORNER.
BIG CHOP, SECOND ONE, THIRD ONE,
FOURTH ONE.
4688
02:19:26,325 --> 02:19:27,458
BIG CHOP, SECOND ONE, THIRD ONE,
FOURTH ONE.
BIG ELBOW, AND CHICO'S IN
4689
02:19:27,460 --> 02:19:28,658
FOURTH ONE.
BIG ELBOW, AND CHICO'S IN
TROUBLE.
4690
02:19:28,660 --> 02:19:30,361
BIG ELBOW, AND CHICO'S IN
TROUBLE.
SANTANA FIRING FUNK OF THE
4691
02:19:30,363 --> 02:19:32,295
TROUBLE.
SANTANA FIRING FUNK OF THE
ROPES, DROPPED OUT, AND FUNK
4692
02:19:32,297 --> 02:19:33,330
SANTANA FIRING FUNK OF THE
ROPES, DROPPED OUT, AND FUNK
CAUGHT HIMSELF ON THE ROPES AND
4693
02:19:33,332 --> 02:19:34,865
ROPES, DROPPED OUT, AND FUNK
CAUGHT HIMSELF ON THE ROPES AND
HUNG HIMSELF UP.
4694
02:19:34,867 --> 02:19:36,466
CAUGHT HIMSELF ON THE ROPES AND
HUNG HIMSELF UP.
WHOA!
4695
02:19:36,468 --> 02:19:37,701
HUNG HIMSELF UP.
WHOA!
GOT CLOTHESLINED BY SANTANA, AND
4696
02:19:37,703 --> 02:19:40,470
WHOA!
GOT CLOTHESLINED BY SANTANA, AND
TERRY FUNK IS OUT ON THE FLOOR.
4697
02:19:40,472 --> 02:19:41,772
GOT CLOTHESLINED BY SANTANA, AND
TERRY FUNK IS OUT ON THE FLOOR.
BUT WAIT, COME IN THE RING.
4698
02:19:41,774 --> 02:19:43,607
TERRY FUNK IS OUT ON THE FLOOR.
BUT WAIT, COME IN THE RING.
DOWN GOES HOSS FUNK, HE'LL SEEK
4699
02:19:43,609 --> 02:19:44,741
BUT WAIT, COME IN THE RING.
DOWN GOES HOSS FUNK, HE'LL SEEK
A DROPKICK.
4700
02:19:44,743 --> 02:19:46,576
DOWN GOES HOSS FUNK, HE'LL SEEK
A DROPKICK.
AND HOSS FUNK BAILING OUT.
4701
02:19:46,578 --> 02:19:47,711
A DROPKICK.
AND HOSS FUNK BAILING OUT.
AND I GOT TO SAY, CREDIT WHERE
4702
02:19:47,713 --> 02:19:48,745
AND HOSS FUNK BAILING OUT.
AND I GOT TO SAY, CREDIT WHERE
CREDIT'S DUE, TITO SANTANA AND
4703
02:19:48,747 --> 02:19:51,615
AND I GOT TO SAY, CREDIT WHERE
CREDIT'S DUE, TITO SANTANA AND
THE JYD LOOKIN' AWFUL TOUGH,
4704
02:19:51,617 --> 02:19:53,517
CREDIT'S DUE, TITO SANTANA AND
THE JYD LOOKIN' AWFUL TOUGH,
LORD ALFRED.
4705
02:19:53,519 --> 02:19:54,351
THE JYD LOOKIN' AWFUL TOUGH,
LORD ALFRED.
>> SANTANA LOOKIN' JUST
4706
02:19:54,353 --> 02:19:55,719
LORD ALFRED.
>> SANTANA LOOKIN' JUST
ABSOLUTELY FANTASTIC.
4707
02:19:55,721 --> 02:19:58,555
>> SANTANA LOOKIN' JUST
ABSOLUTELY FANTASTIC.
WHAT A WONDERFUL DROPKICK THAT
4708
02:19:58,557 --> 02:20:01,224
ABSOLUTELY FANTASTIC.
WHAT A WONDERFUL DROPKICK THAT
WAS THAT FLOORED THE BIGGER OF
4709
02:20:01,226 --> 02:20:02,726
WHAT A WONDERFUL DROPKICK THAT
WAS THAT FLOORED THE BIGGER OF
THE TWO FUNK BROTHERS, THE OLDER
4710
02:20:02,728 --> 02:20:04,227
WAS THAT FLOORED THE BIGGER OF
THE TWO FUNK BROTHERS, THE OLDER
OF THE TWO FUNK BROTHERS, HOSS
4711
02:20:04,229 --> 02:20:04,728
THE TWO FUNK BROTHERS, THE OLDER
OF THE TWO FUNK BROTHERS, HOSS
FUNK.
4712
02:20:04,730 --> 02:20:05,695
OF THE TWO FUNK BROTHERS, HOSS
FUNK.
HE HAD NO RIGHT TO BE IN THE
4713
02:20:05,697 --> 02:20:06,663
FUNK.
HE HAD NO RIGHT TO BE IN THE
RING.
4714
02:20:06,665 --> 02:20:07,397
HE HAD NO RIGHT TO BE IN THE
RING.
SANTANA CERTAINLY DISPATCHED
4715
02:20:07,399 --> 02:20:11,902
RING.
SANTANA CERTAINLY DISPATCHED
HIM.
4716
02:20:11,904 --> 02:20:13,703
SANTANA CERTAINLY DISPATCHED
HIM.
>> WE GOT HIM, JESSE, WE GOT
4717
02:20:13,705 --> 02:20:15,539
HIM.
>> WE GOT HIM, JESSE, WE GOT
HIM, BABY, WE GOT HIM, BABY, I'M
4718
02:20:15,541 --> 02:20:15,906
>> WE GOT HIM, JESSE, WE GOT
HIM, BABY, WE GOT HIM, BABY, I'M
TELLIN' YA.
4719
02:20:15,908 --> 02:20:16,573
HIM, BABY, WE GOT HIM, BABY, I'M
TELLIN' YA.
>> THERE YOU SEE THE MOUTH
4720
02:20:16,575 --> 02:20:17,775
TELLIN' YA.
>> THERE YOU SEE THE MOUTH
COMIN' OVER TO TELL ME AND YOU,
4721
02:20:17,777 --> 02:20:20,043
>> THERE YOU SEE THE MOUTH
COMIN' OVER TO TELL ME AND YOU,
LORD.
4722
02:20:20,045 --> 02:20:20,777
COMIN' OVER TO TELL ME AND YOU,
LORD.
HE SAYS, "WE GOT 'EM, WE GOT
4723
02:20:20,779 --> 02:20:21,478
LORD.
HE SAYS, "WE GOT 'EM, WE GOT
'EM.
4724
02:20:21,480 --> 02:20:22,579
HE SAYS, "WE GOT 'EM, WE GOT
'EM.
I'LL TELL YA."
4725
02:20:22,581 --> 02:20:23,279
'EM.
I'LL TELL YA."
RIGHT NOW, TELLIN' IT LIKE IT
4726
02:20:23,281 --> 02:20:23,914
I'LL TELL YA."
RIGHT NOW, TELLIN' IT LIKE IT
IS, IT'S PROBABLY JYD AND CHICO
4727
02:20:23,916 --> 02:20:24,748
RIGHT NOW, TELLIN' IT LIKE IT
IS, IT'S PROBABLY JYD AND CHICO
SANTANA WITH THE EARLY ADVANTAGE
4728
02:20:24,750 --> 02:20:27,818
IS, IT'S PROBABLY JYD AND CHICO
SANTANA WITH THE EARLY ADVANTAGE
HERE.
4729
02:20:27,820 --> 02:20:29,453
SANTANA WITH THE EARLY ADVANTAGE
HERE.
THERE'S A TAG MADE BY SANTANA,
4730
02:20:29,455 --> 02:20:31,354
HERE.
THERE'S A TAG MADE BY SANTANA,
AND IN COMES THE JUNKYARD DOG,
4731
02:20:31,356 --> 02:20:33,723
THERE'S A TAG MADE BY SANTANA,
AND IN COMES THE JUNKYARD DOG,
AGAINST TERRIBLE TERRY FUNK, AND
4732
02:20:33,725 --> 02:20:34,724
AND IN COMES THE JUNKYARD DOG,
AGAINST TERRIBLE TERRY FUNK, AND
EVERYBODY KNOWS, ELVIRA, THERE'S
4733
02:20:34,726 --> 02:20:37,561
AGAINST TERRIBLE TERRY FUNK, AND
EVERYBODY KNOWS, ELVIRA, THERE'S
NO LOVE LOST BETWEEN THESE TWO.
4734
02:20:37,563 --> 02:20:38,728
EVERYBODY KNOWS, ELVIRA, THERE'S
NO LOVE LOST BETWEEN THESE TWO.
>> YEAH, UH ...
4735
02:20:38,730 --> 02:20:40,464
NO LOVE LOST BETWEEN THESE TWO.
>> YEAH, UH ...
[LAUGHS]
4736
02:20:40,466 --> 02:20:41,898
>> YEAH, UH ...
[LAUGHS]
I THINK IT WAS A LOVE EVEN
4737
02:20:41,900 --> 02:20:44,334
[LAUGHS]
I THINK IT WAS A LOVE EVEN
FOUND BETWEEN THESE TWO, JESSE.
4738
02:20:44,336 --> 02:20:46,570
I THINK IT WAS A LOVE EVEN
FOUND BETWEEN THESE TWO, JESSE.
>> JYD RAMMIN' FUNK HEADFIRST
4739
02:20:46,572 --> 02:20:48,439
FOUND BETWEEN THESE TWO, JESSE.
>> JYD RAMMIN' FUNK HEADFIRST
INTO THE TOP OF THE FOUR, FIVE,
4740
02:20:48,441 --> 02:20:50,340
>> JYD RAMMIN' FUNK HEADFIRST
INTO THE TOP OF THE FOUR, FIVE,
SIX, SEVEN, EIGHT, NINE, TEN
4741
02:20:50,342 --> 02:20:51,608
INTO THE TOP OF THE FOUR, FIVE,
SIX, SEVEN, EIGHT, NINE, TEN
TIMES, THE CROWD'S COUNTIN',
4742
02:20:51,610 --> 02:20:52,609
SIX, SEVEN, EIGHT, NINE, TEN
TIMES, THE CROWD'S COUNTIN',
LORD.
4743
02:20:52,611 --> 02:20:54,277
TIMES, THE CROWD'S COUNTIN',
LORD.
>> AND THE FUNKS AREN'T LOOKIN'
4744
02:20:54,279 --> 02:20:55,545
LORD.
>> AND THE FUNKS AREN'T LOOKIN'
TOO COMFORTABLE AT THE MOMENT.
4745
02:20:55,547 --> 02:20:57,614
>> AND THE FUNKS AREN'T LOOKIN'
TOO COMFORTABLE AT THE MOMENT.
IN FACT, THEY'RE WELL ON THEIR
4746
02:20:57,616 --> 02:20:58,815
TOO COMFORTABLE AT THE MOMENT.
IN FACT, THEY'RE WELL ON THEIR
WAY, JESSE, TO BEING APPARENTLY
4747
02:20:58,817 --> 02:21:02,686
IN FACT, THEY'RE WELL ON THEIR
WAY, JESSE, TO BEING APPARENTLY
LOSERS IN THIS CONTEST.
4748
02:21:02,688 --> 02:21:03,687
WAY, JESSE, TO BEING APPARENTLY
LOSERS IN THIS CONTEST.
>> TERRY FUNK DEFINITELY IS.
4749
02:21:03,689 --> 02:21:05,388
LOSERS IN THIS CONTEST.
>> TERRY FUNK DEFINITELY IS.
I'M NOT SURE WHERE HE'S AT, AT
4750
02:21:05,390 --> 02:21:07,524
>> TERRY FUNK DEFINITELY IS.
I'M NOT SURE WHERE HE'S AT, AT
THIS POINT IN TIME.
4751
02:21:07,526 --> 02:21:09,359
I'M NOT SURE WHERE HE'S AT, AT
THIS POINT IN TIME.
AND JYD, THE TOUGH GUY HE IS, HE
4752
02:21:09,361 --> 02:21:10,393
THIS POINT IN TIME.
AND JYD, THE TOUGH GUY HE IS, HE
DEFINITELY WON'T LET HIM OFF THE
4753
02:21:10,395 --> 02:21:11,394
AND JYD, THE TOUGH GUY HE IS, HE
DEFINITELY WON'T LET HIM OFF THE
HOOK, RIGHT WITHOUT HANDING HIM
4754
02:21:11,396 --> 02:21:12,696
DEFINITELY WON'T LET HIM OFF THE
HOOK, RIGHT WITHOUT HANDING HIM
THE BUCKLE AGAIN.
4755
02:21:12,698 --> 02:21:13,563
HOOK, RIGHT WITHOUT HANDING HIM
THE BUCKLE AGAIN.
AND LOOK AT THE TURNBUCKLE'S
4756
02:21:13,565 --> 02:21:15,499
THE BUCKLE AGAIN.
AND LOOK AT THE TURNBUCKLE'S
ACTUALLY COMIN' LOOSE, LORD.
4757
02:21:15,501 --> 02:21:16,533
AND LOOK AT THE TURNBUCKLE'S
ACTUALLY COMIN' LOOSE, LORD.
>> YES, IT IS.
4758
02:21:16,535 --> 02:21:17,601
ACTUALLY COMIN' LOOSE, LORD.
>> YES, IT IS.
BUT, MIND YOU, IT IS FUNK.
4759
02:21:17,603 --> 02:21:18,635
>> YES, IT IS.
BUT, MIND YOU, IT IS FUNK.
>> A BLOW LIKE THAT CANNOT HELP
4760
02:21:18,637 --> 02:21:19,836
BUT, MIND YOU, IT IS FUNK.
>> A BLOW LIKE THAT CANNOT HELP
ANYBODY'S IQ, I DON'T THINK, DO
4761
02:21:19,838 --> 02:21:21,538
>> A BLOW LIKE THAT CANNOT HELP
ANYBODY'S IQ, I DON'T THINK, DO
YOU?
4762
02:21:21,540 --> 02:21:22,573
ANYBODY'S IQ, I DON'T THINK, DO
YOU?
>> NO, I DON'T BELIEVE SO,
4763
02:21:22,575 --> 02:21:24,474
YOU?
>> NO, I DON'T BELIEVE SO,
ELVIRA.
4764
02:21:24,476 --> 02:21:25,742
>> NO, I DON'T BELIEVE SO,
ELVIRA.
>> TERRY FUNK IS A TENACIOUS
4765
02:21:25,744 --> 02:21:26,677
ELVIRA.
>> TERRY FUNK IS A TENACIOUS
BATTLER, THOUGH, AND I DON'T SEE
4766
02:21:26,679 --> 02:21:28,545
>> TERRY FUNK IS A TENACIOUS
BATTLER, THOUGH, AND I DON'T SEE
THAT REALLY NECESSARILY BEATING
4767
02:21:28,547 --> 02:21:29,847
BATTLER, THOUGH, AND I DON'T SEE
THAT REALLY NECESSARILY BEATING
HIM.
4768
02:21:29,849 --> 02:21:30,914
THAT REALLY NECESSARILY BEATING
HIM.
I'VE SEEN HIM TAKE TREMENDOUS
4769
02:21:30,916 --> 02:21:32,616
HIM.
I'VE SEEN HIM TAKE TREMENDOUS
...
4770
02:21:32,618 --> 02:21:33,483
I'VE SEEN HIM TAKE TREMENDOUS
...
>> OH, THERE HE GOES!
4771
02:21:33,485 --> 02:21:34,485
...
>> OH, THERE HE GOES!
>> RIGHT OVER THE TOP ROPE.
4772
02:21:34,487 --> 02:21:38,488
>> OH, THERE HE GOES!
>> RIGHT OVER THE TOP ROPE.
>> COME ON, YOU PIN HEAD!
4773
02:21:38,490 --> 02:21:40,457
>> RIGHT OVER THE TOP ROPE.
>> COME ON, YOU PIN HEAD!
>> ACTUALLY, THOUGH, I FORGOT IS
4774
02:21:40,459 --> 02:21:41,825
>> COME ON, YOU PIN HEAD!
>> ACTUALLY, THOUGH, I FORGOT IS
A STUPID MOVE ON THE PART OF THE
4775
02:21:41,827 --> 02:21:43,427
>> ACTUALLY, THOUGH, I FORGOT IS
A STUPID MOVE ON THE PART OF THE
JYD, 'CAUSE HE'S GONNA TERRY
4776
02:21:43,429 --> 02:21:44,928
A STUPID MOVE ON THE PART OF THE
JYD, 'CAUSE HE'S GONNA TERRY
CHANCE NOW ...
4777
02:21:44,930 --> 02:21:46,429
JYD, 'CAUSE HE'S GONNA TERRY
CHANCE NOW ...
TERRY FUNK A CHANCE TO RECOVER,
4778
02:21:46,431 --> 02:21:47,898
CHANCE NOW ...
TERRY FUNK A CHANCE TO RECOVER,
LORD.
4779
02:21:47,900 --> 02:21:48,732
TERRY FUNK A CHANCE TO RECOVER,
LORD.
>> I DON'T KNOW SO MUCH ABOUT
4780
02:21:48,734 --> 02:21:49,900
LORD.
>> I DON'T KNOW SO MUCH ABOUT
THAT.
4781
02:21:49,902 --> 02:21:51,568
>> I DON'T KNOW SO MUCH ABOUT
THAT.
THIS IS A CONCRETE FLOOR OUTSIDE
4782
02:21:51,570 --> 02:21:53,604
THAT.
THIS IS A CONCRETE FLOOR OUTSIDE
HERE, JESSE, AND THAT BUMP
4783
02:21:53,606 --> 02:21:54,671
THIS IS A CONCRETE FLOOR OUTSIDE
HERE, JESSE, AND THAT BUMP
COULD'VE REALLY PUT HIM OUT FOR
4784
02:21:54,673 --> 02:21:56,540
HERE, JESSE, AND THAT BUMP
COULD'VE REALLY PUT HIM OUT FOR
THE REST OF THE EVENING, AND
4785
02:21:56,542 --> 02:21:57,841
COULD'VE REALLY PUT HIM OUT FOR
THE REST OF THE EVENING, AND
THAT WOULD'VE LEFT ONLY HOSS TO
4786
02:21:57,843 --> 02:22:00,611
THE REST OF THE EVENING, AND
THAT WOULD'VE LEFT ONLY HOSS TO
FACE JYD AND TITO SANTANA.
4787
02:22:00,613 --> 02:22:09,553
THAT WOULD'VE LEFT ONLY HOSS TO
FACE JYD AND TITO SANTANA.
PRETTY GOOD.
4788
02:22:09,555 --> 02:22:11,521
FACE JYD AND TITO SANTANA.
PRETTY GOOD.
>> SANTANA WITH THE SACK ...
4789
02:22:11,523 --> 02:22:12,455
PRETTY GOOD.
>> SANTANA WITH THE SACK ...
WHOA, AND FUNK CAUGHT HIM WITH A
4790
02:22:12,457 --> 02:22:13,423
>> SANTANA WITH THE SACK ...
WHOA, AND FUNK CAUGHT HIM WITH A
BIG KNEE AND A BIG UPPERCUT.
4791
02:22:13,425 --> 02:22:14,624
WHOA, AND FUNK CAUGHT HIM WITH A
BIG KNEE AND A BIG UPPERCUT.
CHICO'S IN TROUBLE NOW, A SECOND
4792
02:22:14,626 --> 02:22:17,561
BIG KNEE AND A BIG UPPERCUT.
CHICO'S IN TROUBLE NOW, A SECOND
UP THE GUT.
4793
02:22:17,563 --> 02:22:18,828
CHICO'S IN TROUBLE NOW, A SECOND
UP THE GUT.
HOSS FUNK THROWING THOSE
4794
02:22:18,830 --> 02:22:23,333
UP THE GUT.
HOSS FUNK THROWING THOSE
PATENTED TEXAS-STYLE UPPERCUTS,
4795
02:22:23,335 --> 02:22:23,901
HOSS FUNK THROWING THOSE
PATENTED TEXAS-STYLE UPPERCUTS,
A KICK TO THE STOMACH.
4796
02:22:23,903 --> 02:22:25,335
PATENTED TEXAS-STYLE UPPERCUTS,
A KICK TO THE STOMACH.
NOW THEY'RE GOING TO WORK ON HIM
4797
02:22:25,337 --> 02:22:26,403
A KICK TO THE STOMACH.
NOW THEY'RE GOING TO WORK ON HIM
FUNK-STYLE.
4798
02:22:26,405 --> 02:22:27,537
NOW THEY'RE GOING TO WORK ON HIM
FUNK-STYLE.
SANTANA INTO THE ROPES, AND LEAP
4799
02:22:27,539 --> 02:22:29,706
FUNK-STYLE.
SANTANA INTO THE ROPES, AND LEAP
FROG OVER THE TOP.
4800
02:22:29,708 --> 02:22:31,475
SANTANA INTO THE ROPES, AND LEAP
FROG OVER THE TOP.
SECOND LEAP FROG, OFF THE ROPES.
4801
02:22:31,477 --> 02:22:31,808
FROG OVER THE TOP.
SECOND LEAP FROG, OFF THE ROPES.
WHOA!
4802
02:22:31,810 --> 02:22:33,877
SECOND LEAP FROG, OFF THE ROPES.
WHOA!
TITO SANTANA FOR A COVER.
4803
02:22:33,879 --> 02:22:36,613
WHOA!
TITO SANTANA FOR A COVER.
ONE, TWO, TERRY FUNK FLYING IN
4804
02:22:36,615 --> 02:22:38,482
TITO SANTANA FOR A COVER.
ONE, TWO, TERRY FUNK FLYING IN
TO MAKE THE SAVE.
4805
02:22:38,484 --> 02:22:39,649
ONE, TWO, TERRY FUNK FLYING IN
TO MAKE THE SAVE.
>> WELL, WHO'S THAT VICIOUS,
4806
02:22:39,651 --> 02:22:40,417
TO MAKE THE SAVE.
>> WELL, WHO'S THAT VICIOUS,
WOW!
4807
02:22:40,419 --> 02:22:41,818
>> WELL, WHO'S THAT VICIOUS,
WOW!
>> TITO SANTANA NEARLY PUT THAT
4808
02:22:41,820 --> 02:22:44,454
WOW!
>> TITO SANTANA NEARLY PUT THAT
FINISH TO THAT BUMP, JESSE.
4809
02:22:44,456 --> 02:22:46,856
>> TITO SANTANA NEARLY PUT THAT
FINISH TO THAT BUMP, JESSE.
YOU MUST ADMIT, RIGHT NOW, THAT
4810
02:22:46,858 --> 02:22:48,892
FINISH TO THAT BUMP, JESSE.
YOU MUST ADMIT, RIGHT NOW, THAT
SANTANA AND JUNKYARD DOG ARE
4811
02:22:48,894 --> 02:22:51,294
YOU MUST ADMIT, RIGHT NOW, THAT
SANTANA AND JUNKYARD DOG ARE
LOOKING PRETTY GOOD.
4812
02:22:51,296 --> 02:22:52,629
SANTANA AND JUNKYARD DOG ARE
LOOKING PRETTY GOOD.
>> THEY'RE LOOKING GOOD, BUT
4813
02:22:52,631 --> 02:22:53,630
LOOKING PRETTY GOOD.
>> THEY'RE LOOKING GOOD, BUT
I'LL TELL YOU WHAT, LORD.
4814
02:22:53,632 --> 02:22:54,998
>> THEY'RE LOOKING GOOD, BUT
I'LL TELL YOU WHAT, LORD.
THE MOUTH OF THE SOUTH IS GONNA
4815
02:22:55,000 --> 02:22:56,700
I'LL TELL YOU WHAT, LORD.
THE MOUTH OF THE SOUTH IS GONNA
RALLY HIS GUYS, AND THEY'RE NOT
4816
02:22:56,702 --> 02:22:58,602
THE MOUTH OF THE SOUTH IS GONNA
RALLY HIS GUYS, AND THEY'RE NOT
DONE YET.
4817
02:22:58,604 --> 02:23:00,671
RALLY HIS GUYS, AND THEY'RE NOT
DONE YET.
HERE'S SANTANA DRAGGING HOSS
4818
02:23:00,673 --> 02:23:01,638
DONE YET.
HERE'S SANTANA DRAGGING HOSS
FUNK IN THE RING, TERRY TRYIN'
4819
02:23:01,640 --> 02:23:03,673
HERE'S SANTANA DRAGGING HOSS
FUNK IN THE RING, TERRY TRYIN'
TO HOLD ON, DOESN'T DO ANY GOOD.
4820
02:23:03,675 --> 02:23:05,342
FUNK IN THE RING, TERRY TRYIN'
TO HOLD ON, DOESN'T DO ANY GOOD.
FIRE SANTANA IN CRISSCROSS, BACK
4821
02:23:05,344 --> 02:23:06,443
TO HOLD ON, DOESN'T DO ANY GOOD.
FIRE SANTANA IN CRISSCROSS, BACK
AND FORTH.
4822
02:23:06,445 --> 02:23:07,544
FIRE SANTANA IN CRISSCROSS, BACK
AND FORTH.
LET'S SEE WHICH ONE STOPS IN THE
4823
02:23:07,546 --> 02:23:08,645
AND FORTH.
LET'S SEE WHICH ONE STOPS IN THE
CENTER.
4824
02:23:08,647 --> 02:23:11,214
LET'S SEE WHICH ONE STOPS IN THE
CENTER.
WHOA!
4825
02:23:11,216 --> 02:23:12,181
CENTER.
WHOA!
>> NOW, WHAT ABOUT THAT, JESSE?
4826
02:23:12,183 --> 02:23:13,516
WHOA!
>> NOW, WHAT ABOUT THAT, JESSE?
NOW, CAN YOU TELL ME THAT THAT
4827
02:23:13,518 --> 02:23:15,418
>> NOW, WHAT ABOUT THAT, JESSE?
NOW, CAN YOU TELL ME THAT THAT
WAS AN ILLEGAL MOVE OR NOT?
4828
02:23:15,420 --> 02:23:17,520
NOW, CAN YOU TELL ME THAT THAT
WAS AN ILLEGAL MOVE OR NOT?
>> WHAT A BEAUTIFUL MOVE BY
4829
02:23:17,522 --> 02:23:18,588
WAS AN ILLEGAL MOVE OR NOT?
>> WHAT A BEAUTIFUL MOVE BY
TERRIBLE TERRY FUNK.
4830
02:23:18,590 --> 02:23:19,656
>> WHAT A BEAUTIFUL MOVE BY
TERRIBLE TERRY FUNK.
>> OOH, SANTANA LOOKS LIKE HE'S
4831
02:23:19,658 --> 02:23:20,790
TERRIBLE TERRY FUNK.
>> OOH, SANTANA LOOKS LIKE HE'S
REALLY HURT, THERE.
4832
02:23:20,792 --> 02:23:21,658
>> OOH, SANTANA LOOKS LIKE HE'S
REALLY HURT, THERE.
REALLY GOT IT IN THE BACK.
4833
02:23:21,660 --> 02:23:22,692
REALLY HURT, THERE.
REALLY GOT IT IN THE BACK.
>> TERRY FUNK CAUGHT HIM WITH A
4834
02:23:22,694 --> 02:23:25,495
REALLY GOT IT IN THE BACK.
>> TERRY FUNK CAUGHT HIM WITH A
KNEE FROM OUTSIDE THE RING.
4835
02:23:25,497 --> 02:23:26,630
>> TERRY FUNK CAUGHT HIM WITH A
KNEE FROM OUTSIDE THE RING.
SMART TAG TEAM MOVE BY TERRY
4836
02:23:26,632 --> 02:23:29,699
KNEE FROM OUTSIDE THE RING.
SMART TAG TEAM MOVE BY TERRY
FUNK.
4837
02:23:29,701 --> 02:23:30,701
SMART TAG TEAM MOVE BY TERRY
FUNK.
>> JUST AS SANTANA AND JUNKYARD
4838
02:23:30,703 --> 02:23:32,769
FUNK.
>> JUST AS SANTANA AND JUNKYARD
DOG WERE DOING SO WELL ...
4839
02:23:32,771 --> 02:23:35,639
>> JUST AS SANTANA AND JUNKYARD
DOG WERE DOING SO WELL ...
>> MAN, YOU COULD HEAR THAT SO
4840
02:23:35,641 --> 02:23:36,406
DOG WERE DOING SO WELL ...
>> MAN, YOU COULD HEAR THAT SO
-- OH!
4841
02:23:36,408 --> 02:23:37,140
>> MAN, YOU COULD HEAR THAT SO
-- OH!
>> OH, AND YOU SEE THE MOUTH OF
4842
02:23:37,142 --> 02:23:37,807
-- OH!
>> OH, AND YOU SEE THE MOUTH OF
THE SOUTH GETTIN' IN HIS MIX,
4843
02:23:37,809 --> 02:23:38,675
>> OH, AND YOU SEE THE MOUTH OF
THE SOUTH GETTIN' IN HIS MIX,
LORD.
4844
02:23:38,677 --> 02:23:40,977
THE SOUTH GETTIN' IN HIS MIX,
LORD.
>> DID YOU SEE HIM RUN WHEN
4845
02:23:40,979 --> 02:23:42,946
LORD.
>> DID YOU SEE HIM RUN WHEN
JUNKYARD DOG CAME OUT AFTER HIM?
4846
02:23:42,948 --> 02:23:43,713
>> DID YOU SEE HIM RUN WHEN
JUNKYARD DOG CAME OUT AFTER HIM?
>> YEAH.
4847
02:23:43,715 --> 02:23:44,781
JUNKYARD DOG CAME OUT AFTER HIM?
>> YEAH.
THE JYD WAS TOO LITTLE TOO LATE.
4848
02:23:44,783 --> 02:23:46,383
>> YEAH.
THE JYD WAS TOO LITTLE TOO LATE.
THE MOUTH ALREADY DID HIS
4849
02:23:46,385 --> 02:23:48,452
THE JYD WAS TOO LITTLE TOO LATE.
THE MOUTH ALREADY DID HIS
DAMAGE.
4850
02:23:48,454 --> 02:23:49,586
THE MOUTH ALREADY DID HIS
DAMAGE.
>> TWO, THREE, FOUR ...
4851
02:23:49,588 --> 02:23:50,454
DAMAGE.
>> TWO, THREE, FOUR ...
>> AND THERE'S THE MOUTH GOING
4852
02:23:50,456 --> 02:23:51,421
>> TWO, THREE, FOUR ...
>> AND THERE'S THE MOUTH GOING
WITH THE MEGAPHONE, AND HOSS
4853
02:23:51,423 --> 02:23:52,623
>> AND THERE'S THE MOUTH GOING
WITH THE MEGAPHONE, AND HOSS
FUNK DELIVERING THE BOOTS, TERRY
4854
02:23:52,625 --> 02:23:56,893
WITH THE MEGAPHONE, AND HOSS
FUNK DELIVERING THE BOOTS, TERRY
FUNK, KICK TO THE HEAD.
4855
02:23:56,895 --> 02:23:57,627
FUNK DELIVERING THE BOOTS, TERRY
FUNK, KICK TO THE HEAD.
>> STAY ON HIM, BABY!
4856
02:23:57,629 --> 02:23:58,695
FUNK, KICK TO THE HEAD.
>> STAY ON HIM, BABY!
COME ON, SANTANA, GIVE IT UP,
4857
02:23:58,697 --> 02:23:59,796
>> STAY ON HIM, BABY!
COME ON, SANTANA, GIVE IT UP,
BABY!
4858
02:23:59,798 --> 02:24:00,730
COME ON, SANTANA, GIVE IT UP,
BABY!
GIVE IT UP, SANTANA!
4859
02:24:00,732 --> 02:24:02,298
BABY!
GIVE IT UP, SANTANA!
>> WHY DOESN'T SOMEBODY GET THAT
4860
02:24:02,300 --> 02:24:03,366
GIVE IT UP, SANTANA!
>> WHY DOESN'T SOMEBODY GET THAT
GUY OUT OF HERE, THAT MANAGER?
4861
02:24:03,368 --> 02:24:04,401
>> WHY DOESN'T SOMEBODY GET THAT
GUY OUT OF HERE, THAT MANAGER?
WHY DON'T THEY GIVE HIM ...
4862
02:24:04,403 --> 02:24:05,535
GUY OUT OF HERE, THAT MANAGER?
WHY DON'T THEY GIVE HIM ...
IS HE ALLOWED TO DO ALL THIS?
4863
02:24:05,537 --> 02:24:06,336
WHY DON'T THEY GIVE HIM ...
IS HE ALLOWED TO DO ALL THIS?
>> SURE HE IS, HE HELPS US WITH
4864
02:24:06,338 --> 02:24:06,836
IS HE ALLOWED TO DO ALL THIS?
>> SURE HE IS, HE HELPS US WITH
THE PLAY-BY-PLAY WITH THAT
4865
02:24:06,838 --> 02:24:08,571
>> SURE HE IS, HE HELPS US WITH
THE PLAY-BY-PLAY WITH THAT
MEGAPHONE.
4866
02:24:08,573 --> 02:24:09,539
THE PLAY-BY-PLAY WITH THAT
MEGAPHONE.
>> YEAH, BUT HE WAS KICKING THAT
4867
02:24:09,541 --> 02:24:10,840
MEGAPHONE.
>> YEAH, BUT HE WAS KICKING THAT
GUY!
4868
02:24:10,842 --> 02:24:11,641
>> YEAH, BUT HE WAS KICKING THAT
GUY!
>> WELL, THE REFEREE DON'T SEE
4869
02:24:11,643 --> 02:24:12,442
GUY!
>> WELL, THE REFEREE DON'T SEE
IT!
4870
02:24:12,444 --> 02:24:13,643
>> WELL, THE REFEREE DON'T SEE
IT!
>> ANOTHER HIT AND RUN, WITH
4871
02:24:13,645 --> 02:24:14,377
IT!
>> ANOTHER HIT AND RUN, WITH
JUNKYARD DOG CHASING HIM.
4872
02:24:14,379 --> 02:24:15,479
>> ANOTHER HIT AND RUN, WITH
JUNKYARD DOG CHASING HIM.
JUNKYARD DOG ROUND TO HELP
4873
02:24:15,481 --> 02:24:16,546
JUNKYARD DOG CHASING HIM.
JUNKYARD DOG ROUND TO HELP
SANTANA.
4874
02:24:16,548 --> 02:24:17,514
JUNKYARD DOG ROUND TO HELP
SANTANA.
AND HE BETTER GET HIM BACK
4875
02:24:17,516 --> 02:24:18,515
SANTANA.
AND HE BETTER GET HIM BACK
QUICKLY.
4876
02:24:18,517 --> 02:24:19,650
AND HE BETTER GET HIM BACK
QUICKLY.
>> YOU'RE NO BETTER THAN ANYONE.
4877
02:24:19,652 --> 02:24:21,685
QUICKLY.
>> YOU'RE NO BETTER THAN ANYONE.
ALL IS FAIR IN LOVE AND WAR.
4878
02:24:21,687 --> 02:24:23,754
>> YOU'RE NO BETTER THAN ANYONE.
ALL IS FAIR IN LOVE AND WAR.
AND THIS IS WAR.
4879
02:24:23,756 --> 02:24:24,688
ALL IS FAIR IN LOVE AND WAR.
AND THIS IS WAR.
>> WELL, I'LL SAY THAT FOR LOVE,
4880
02:24:24,690 --> 02:24:28,458
AND THIS IS WAR.
>> WELL, I'LL SAY THAT FOR LOVE,
BUT I DON'T ABOUT WAR, JESSE.
4881
02:24:28,460 --> 02:24:29,559
>> WELL, I'LL SAY THAT FOR LOVE,
BUT I DON'T ABOUT WAR, JESSE.
>> FUNK GOING FOR THE BIG
4882
02:24:29,561 --> 02:24:31,428
BUT I DON'T ABOUT WAR, JESSE.
>> FUNK GOING FOR THE BIG
SUPLEX, HERE.
4883
02:24:31,430 --> 02:24:33,463
>> FUNK GOING FOR THE BIG
SUPLEX, HERE.
YOU GOT HIM UP.
4884
02:24:33,465 --> 02:24:38,535
SUPLEX, HERE.
YOU GOT HIM UP.
THIS COULD BE IT, LORD HAYES.
4885
02:24:38,537 --> 02:24:40,336
YOU GOT HIM UP.
THIS COULD BE IT, LORD HAYES.
>> YOU GOT HIM, YOU GOT HIM!
4886
02:24:40,338 --> 02:24:40,904
THIS COULD BE IT, LORD HAYES.
>> YOU GOT HIM, YOU GOT HIM!
>> OH!
4887
02:24:40,906 --> 02:24:42,772
>> YOU GOT HIM, YOU GOT HIM!
>> OH!
SAN -- SO, SANTANA MANAGED TO
4888
02:24:42,774 --> 02:24:43,707
>> OH!
SAN -- SO, SANTANA MANAGED TO
KICK OUT OF THERE, AND THERE YOU
4889
02:24:43,709 --> 02:24:47,610
SAN -- SO, SANTANA MANAGED TO
KICK OUT OF THERE, AND THERE YOU
SEE FUNK GOING AFTER THE
4890
02:24:47,612 --> 02:24:48,712
KICK OUT OF THERE, AND THERE YOU
SEE FUNK GOING AFTER THE
REFEREE, DAVE HEBNER.
4891
02:24:48,714 --> 02:24:51,948
SEE FUNK GOING AFTER THE
REFEREE, DAVE HEBNER.
NOT HAPPY WITH HOW ...
4892
02:24:51,950 --> 02:24:52,615
REFEREE, DAVE HEBNER.
NOT HAPPY WITH HOW ...
WITH THE COUNT RIGHT THERE.
4893
02:24:52,617 --> 02:24:53,517
NOT HAPPY WITH HOW ...
WITH THE COUNT RIGHT THERE.
HE FELT HE WAS SLOW COUNTED, I
4894
02:24:53,519 --> 02:24:53,850
WITH THE COUNT RIGHT THERE.
HE FELT HE WAS SLOW COUNTED, I
BELIEVE.
4895
02:24:53,852 --> 02:24:54,517
HE FELT HE WAS SLOW COUNTED, I
BELIEVE.
>> AND HE'S IN DANGER OF GETTING
4896
02:24:54,519 --> 02:24:55,585
BELIEVE.
>> AND HE'S IN DANGER OF GETTING
HIMSELF DISQUALIFIED, BECAUSE
4897
02:24:55,587 --> 02:24:56,753
>> AND HE'S IN DANGER OF GETTING
HIMSELF DISQUALIFIED, BECAUSE
DAVE HEBNER IS A VERY GOOD
4898
02:24:56,755 --> 02:24:57,687
HIMSELF DISQUALIFIED, BECAUSE
DAVE HEBNER IS A VERY GOOD
REFEREE AND HE WON'T DO IT.
4899
02:24:57,689 --> 02:24:58,788
DAVE HEBNER IS A VERY GOOD
REFEREE AND HE WON'T DO IT.
>> WOW, FUNK COULDN'T GET
4900
02:24:58,790 --> 02:24:59,723
REFEREE AND HE WON'T DO IT.
>> WOW, FUNK COULDN'T GET
ANOTHER ...
4901
02:24:59,725 --> 02:25:00,523
>> WOW, FUNK COULDN'T GET
ANOTHER ...
SANTANA COMES BACK WITH A SUPLEX
4902
02:25:00,525 --> 02:25:02,525
ANOTHER ...
SANTANA COMES BACK WITH A SUPLEX
OF HIS OWN.
4903
02:25:02,527 --> 02:25:03,159
SANTANA COMES BACK WITH A SUPLEX
OF HIS OWN.
>> WELL, I HOPE THEY'RE WEARING
4904
02:25:03,161 --> 02:25:03,860
OF HIS OWN.
>> WELL, I HOPE THEY'RE WEARING
STRONG TRUNKS, BECAUSE THEY KEEP
4905
02:25:03,862 --> 02:25:05,228
>> WELL, I HOPE THEY'RE WEARING
STRONG TRUNKS, BECAUSE THEY KEEP
GRABBIN' HIM BY THOSE TRUNKS.
4906
02:25:05,230 --> 02:25:07,430
STRONG TRUNKS, BECAUSE THEY KEEP
GRABBIN' HIM BY THOSE TRUNKS.
I HOPE THEY DON'T BREAK AWAY.
4907
02:25:07,432 --> 02:25:07,764
GRABBIN' HIM BY THOSE TRUNKS.
I HOPE THEY DON'T BREAK AWAY.
[LAUGHS]
4908
02:25:07,766 --> 02:25:08,632
I HOPE THEY DON'T BREAK AWAY.
[LAUGHS]
>> WELL, IF THEY BREAK AWAY,
4909
02:25:08,634 --> 02:25:10,667
[LAUGHS]
>> WELL, IF THEY BREAK AWAY,
YOU'LL GET A REAL SHOW, ELVIRA.
4910
02:25:10,669 --> 02:25:13,503
>> WELL, IF THEY BREAK AWAY,
YOU'LL GET A REAL SHOW, ELVIRA.
>> WOO!
4911
02:25:13,505 --> 02:25:14,270
YOU'LL GET A REAL SHOW, ELVIRA.
>> WOO!
ALL RIGHT, THAT'S WHAT I CAME
4912
02:25:14,272 --> 02:25:14,738
>> WOO!
ALL RIGHT, THAT'S WHAT I CAME
HERE FOR.
4913
02:25:14,740 --> 02:25:15,605
ALL RIGHT, THAT'S WHAT I CAME
HERE FOR.
>> BOTH MEN ON RUBBER LEGS.
4914
02:25:15,607 --> 02:25:16,372
HERE FOR.
>> BOTH MEN ON RUBBER LEGS.
HERE COMES FUNK, WHAM!
4915
02:25:16,374 --> 02:25:17,440
>> BOTH MEN ON RUBBER LEGS.
HERE COMES FUNK, WHAM!
THAT LOOKED LIKE HEAD TO HEAD,
4916
02:25:17,442 --> 02:25:18,742
HERE COMES FUNK, WHAM!
THAT LOOKED LIKE HEAD TO HEAD,
ALFRED HAYES.
4917
02:25:18,744 --> 02:25:19,476
THAT LOOKED LIKE HEAD TO HEAD,
ALFRED HAYES.
FUNK ...
4918
02:25:19,478 --> 02:25:20,744
ALFRED HAYES.
FUNK ...
>> THAT WAS HEAD TO HEAD INDEED,
4919
02:25:20,746 --> 02:25:22,579
FUNK ...
>> THAT WAS HEAD TO HEAD INDEED,
AND NOW SANTANA IS IN TROUBLE.
4920
02:25:22,581 --> 02:25:23,646
>> THAT WAS HEAD TO HEAD INDEED,
AND NOW SANTANA IS IN TROUBLE.
>> YEAH, FUNK FORTUNATELY FELL
4921
02:25:23,648 --> 02:25:24,614
AND NOW SANTANA IS IN TROUBLE.
>> YEAH, FUNK FORTUNATELY FELL
INTO HIS CORNER, WAS ABLE TO TAG
4922
02:25:24,616 --> 02:25:26,449
>> YEAH, FUNK FORTUNATELY FELL
INTO HIS CORNER, WAS ABLE TO TAG
BROTHER, HOSS.
4923
02:25:26,451 --> 02:25:28,718
INTO HIS CORNER, WAS ABLE TO TAG
BROTHER, HOSS.
HERE IT GOES, DOUBLE ARM SUPLEX.
4924
02:25:28,720 --> 02:25:30,820
BROTHER, HOSS.
HERE IT GOES, DOUBLE ARM SUPLEX.
REAL POWER BOOM ...
4925
02:25:30,822 --> 02:25:31,454
HERE IT GOES, DOUBLE ARM SUPLEX.
REAL POWER BOOM ...
WHAM!
4926
02:25:31,456 --> 02:25:32,689
REAL POWER BOOM ...
WHAM!
HOSS FUNK GOES FOR THE COVER.
4927
02:25:32,691 --> 02:25:35,759
WHAM!
HOSS FUNK GOES FOR THE COVER.
ONE, TWO, AND SANTANA MANAGES TO
4928
02:25:35,761 --> 02:25:37,393
HOSS FUNK GOES FOR THE COVER.
ONE, TWO, AND SANTANA MANAGES TO
ROLL THAT SHOULDER.
4929
02:25:37,395 --> 02:25:39,362
ONE, TWO, AND SANTANA MANAGES TO
ROLL THAT SHOULDER.
HOW HE DID IT, I DON'T KNOW.
4930
02:25:39,364 --> 02:25:40,564
ROLL THAT SHOULDER.
HOW HE DID IT, I DON'T KNOW.
>> WELL EXECUTED SUPLEX THERE BY
4931
02:25:40,566 --> 02:25:44,601
HOW HE DID IT, I DON'T KNOW.
>> WELL EXECUTED SUPLEX THERE BY
HOSS FUNK, AND A NICE UPPERCUT.
4932
02:25:44,603 --> 02:25:46,469
>> WELL EXECUTED SUPLEX THERE BY
HOSS FUNK, AND A NICE UPPERCUT.
FOREARM SMASH.
4933
02:25:46,471 --> 02:25:47,637
HOSS FUNK, AND A NICE UPPERCUT.
FOREARM SMASH.
AND NOW SANTANA'S STRUGGLING TO
4934
02:25:47,639 --> 02:25:49,439
FOREARM SMASH.
AND NOW SANTANA'S STRUGGLING TO
MAKE HIS CORNER, AND HE MUST TAG
4935
02:25:49,441 --> 02:25:51,407
AND NOW SANTANA'S STRUGGLING TO
MAKE HIS CORNER, AND HE MUST TAG
JUNKYARD DOG IN NOW, BECAUSE HE
4936
02:25:51,409 --> 02:25:53,610
MAKE HIS CORNER, AND HE MUST TAG
JUNKYARD DOG IN NOW, BECAUSE HE
IS IN TROUBLE.
4937
02:25:53,612 --> 02:25:54,644
JUNKYARD DOG IN NOW, BECAUSE HE
IS IN TROUBLE.
>> WELL, IT LOOKS LIKE SANTANA'S
4938
02:25:54,646 --> 02:25:56,479
IS IN TROUBLE.
>> WELL, IT LOOKS LIKE SANTANA'S
NOT GONNA MAKE IT HERE.
4939
02:25:56,481 --> 02:25:57,614
>> WELL, IT LOOKS LIKE SANTANA'S
NOT GONNA MAKE IT HERE.
>> I DON'T THINK SO, ELVIRA.
4940
02:25:57,616 --> 02:25:58,548
NOT GONNA MAKE IT HERE.
>> I DON'T THINK SO, ELVIRA.
>> I'M SORRY, 'CAUSE I LIKE
4941
02:25:58,550 --> 02:25:59,682
>> I DON'T THINK SO, ELVIRA.
>> I'M SORRY, 'CAUSE I LIKE
THOSE TALL, DARK AND HANDSOME
4942
02:25:59,684 --> 02:26:01,618
>> I'M SORRY, 'CAUSE I LIKE
THOSE TALL, DARK AND HANDSOME
KIND OF GUYS, TOO.
4943
02:26:01,620 --> 02:26:02,685
THOSE TALL, DARK AND HANDSOME
KIND OF GUYS, TOO.
>> OKAY, NOW, WAIT A MINUTE.
4944
02:26:02,687 --> 02:26:03,620
KIND OF GUYS, TOO.
>> OKAY, NOW, WAIT A MINUTE.
YOU'RE AT THE TABLE.
4945
02:26:03,622 --> 02:26:05,455
>> OKAY, NOW, WAIT A MINUTE.
YOU'RE AT THE TABLE.
YOU CAN'T BE BIASED DOWN HERE.
4946
02:26:05,457 --> 02:26:07,490
YOU'RE AT THE TABLE.
YOU CAN'T BE BIASED DOWN HERE.
>> OH, I'M SORRY, I'M SORRY, UH
4947
02:26:07,492 --> 02:26:07,791
YOU CAN'T BE BIASED DOWN HERE.
>> OH, I'M SORRY, I'M SORRY, UH
...
4948
02:26:07,793 --> 02:26:08,658
>> OH, I'M SORRY, I'M SORRY, UH
...
I LIKE THE LIGHT COLORED ONES,
4949
02:26:08,660 --> 02:26:09,692
...
I LIKE THE LIGHT COLORED ONES,
TOO, THE BLONDS, LIKE YOU,
4950
02:26:09,694 --> 02:26:11,628
I LIKE THE LIGHT COLORED ONES,
TOO, THE BLONDS, LIKE YOU,
JESSE.
4951
02:26:11,630 --> 02:26:12,529
TOO, THE BLONDS, LIKE YOU,
JESSE.
>> DOUBLE CLOTHESLINE BY THE
4952
02:26:12,531 --> 02:26:13,429
JESSE.
>> DOUBLE CLOTHESLINE BY THE
FUNK BROTHERS ON SANTANA LEAVES
4953
02:26:13,431 --> 02:26:14,798
>> DOUBLE CLOTHESLINE BY THE
FUNK BROTHERS ON SANTANA LEAVES
SANTANA IN EVEN MORE TROUBLE.
4954
02:26:14,800 --> 02:26:15,665
FUNK BROTHERS ON SANTANA LEAVES
SANTANA IN EVEN MORE TROUBLE.
>> BIG NIGHT DROP.
4955
02:26:15,667 --> 02:26:16,699
SANTANA IN EVEN MORE TROUBLE.
>> BIG NIGHT DROP.
BIG NIGHT DROP BY TERRY FUNK.
4956
02:26:16,701 --> 02:26:17,767
>> BIG NIGHT DROP.
BIG NIGHT DROP BY TERRY FUNK.
HE'S GOT A COVER.
4957
02:26:17,769 --> 02:26:18,468
BIG NIGHT DROP BY TERRY FUNK.
HE'S GOT A COVER.
NOW, LET'S SEE IF HEBNER COUNTS
4958
02:26:18,470 --> 02:26:19,803
HE'S GOT A COVER.
NOW, LET'S SEE IF HEBNER COUNTS
A LITTLE QUICKER.
4959
02:26:19,805 --> 02:26:20,737
NOW, LET'S SEE IF HEBNER COUNTS
A LITTLE QUICKER.
OOH!
4960
02:26:20,739 --> 02:26:24,541
A LITTLE QUICKER.
OOH!
>> OH, THAT WAS SO CLOSE!
4961
02:26:24,543 --> 02:26:25,408
OOH!
>> OH, THAT WAS SO CLOSE!
>> OUT A KNEE, THAT WAS AS CLOSE
4962
02:26:25,410 --> 02:26:26,709
>> OH, THAT WAS SO CLOSE!
>> OUT A KNEE, THAT WAS AS CLOSE
AS IT COULD POSSIBLY BE, ALFRED
4963
02:26:26,711 --> 02:26:28,512
>> OUT A KNEE, THAT WAS AS CLOSE
AS IT COULD POSSIBLY BE, ALFRED
HAYES.
4964
02:26:28,514 --> 02:26:30,246
AS IT COULD POSSIBLY BE, ALFRED
HAYES.
FUNK OFF THE ROPES.
4965
02:26:30,248 --> 02:26:31,447
HAYES.
FUNK OFF THE ROPES.
OH!
4966
02:26:31,449 --> 02:26:32,549
FUNK OFF THE ROPES.
OH!
SANTANA SOMEHOW MANAGES TO ROLL
4967
02:26:32,551 --> 02:26:33,650
OH!
SANTANA SOMEHOW MANAGES TO ROLL
OUT OF THE WAY.
4968
02:26:33,652 --> 02:26:36,553
SANTANA SOMEHOW MANAGES TO ROLL
OUT OF THE WAY.
FUNK DROPPING.
4969
02:26:36,555 --> 02:26:37,687
OUT OF THE WAY.
FUNK DROPPING.
>> SANTANA HAS TO MAKE THAT TAG
4970
02:26:37,689 --> 02:26:38,655
FUNK DROPPING.
>> SANTANA HAS TO MAKE THAT TAG
NOW.
4971
02:26:38,657 --> 02:26:40,824
>> SANTANA HAS TO MAKE THAT TAG
NOW.
IT IS CRITICAL THAT HE MAKES HIS
4972
02:26:40,826 --> 02:26:42,592
NOW.
IT IS CRITICAL THAT HE MAKES HIS
TAG TO JUNKYARD DOG.
4973
02:26:42,594 --> 02:26:43,893
IT IS CRITICAL THAT HE MAKES HIS
TAG TO JUNKYARD DOG.
>> IF SANTANA DOESN'T TAG OUT
4974
02:26:43,895 --> 02:26:45,695
TAG TO JUNKYARD DOG.
>> IF SANTANA DOESN'T TAG OUT
SOON, HE'S FINISHED.
4975
02:26:45,697 --> 02:26:46,729
>> IF SANTANA DOESN'T TAG OUT
SOON, HE'S FINISHED.
BIG RIGHT HAND.
4976
02:26:46,731 --> 02:26:47,864
SOON, HE'S FINISHED.
BIG RIGHT HAND.
HE'S FIGHTING TO GET OVER THERE.
4977
02:26:47,866 --> 02:26:50,567
BIG RIGHT HAND.
HE'S FIGHTING TO GET OVER THERE.
SECOND RIGHT HAND.
4978
02:26:50,569 --> 02:26:51,634
HE'S FIGHTING TO GET OVER THERE.
SECOND RIGHT HAND.
>> THAT'S A BAD PLACE TO HIT
4979
02:26:51,636 --> 02:26:53,537
SECOND RIGHT HAND.
>> THAT'S A BAD PLACE TO HIT
HIM.
4980
02:26:53,539 --> 02:26:55,572
>> THAT'S A BAD PLACE TO HIT
HIM.
>> FUNK COME BACK AND CUT HIM
4981
02:26:55,574 --> 02:26:57,473
HIM.
>> FUNK COME BACK AND CUT HIM
BACK WITH A HEADBUTT OF HIS OWN,
4982
02:26:57,475 --> 02:27:00,443
>> FUNK COME BACK AND CUT HIM
BACK WITH A HEADBUTT OF HIS OWN,
AND SANTANA FLAT TO HIS BACK.
4983
02:27:00,445 --> 02:27:01,377
BACK WITH A HEADBUTT OF HIS OWN,
AND SANTANA FLAT TO HIS BACK.
CHICO NEEDS TO FIGHT TO GET TO
4984
02:27:01,379 --> 02:27:02,879
AND SANTANA FLAT TO HIS BACK.
CHICO NEEDS TO FIGHT TO GET TO
THAT CORNER.
4985
02:27:02,881 --> 02:27:04,514
CHICO NEEDS TO FIGHT TO GET TO
THAT CORNER.
THE QUESTION IS, "CAN HE MAKE
4986
02:27:04,516 --> 02:27:05,515
THAT CORNER.
THE QUESTION IS, "CAN HE MAKE
IT?
4987
02:27:05,517 --> 02:27:06,649
THE QUESTION IS, "CAN HE MAKE
IT?
CAN HE MAKE IT BY TERRY FUNK?"
4988
02:27:06,651 --> 02:27:08,752
IT?
CAN HE MAKE IT BY TERRY FUNK?"
HE'S TRYIN'.
4989
02:27:08,754 --> 02:27:09,652
CAN HE MAKE IT BY TERRY FUNK?"
HE'S TRYIN'.
>> OOH!
4990
02:27:09,654 --> 02:27:11,654
HE'S TRYIN'.
>> OOH!
>> SPINNIN' AROUND.
4991
02:27:11,656 --> 02:27:13,657
>> OOH!
>> SPINNIN' AROUND.
TAG HAS GONE SMOOTH.
4992
02:27:13,659 --> 02:27:15,392
>> SPINNIN' AROUND.
TAG HAS GONE SMOOTH.
IN COMES THE JYD.
4993
02:27:15,394 --> 02:27:16,760
TAG HAS GONE SMOOTH.
IN COMES THE JYD.
LEFT, RIGHT, LEFT, RIGHT.
4994
02:27:16,762 --> 02:27:18,461
IN COMES THE JYD.
LEFT, RIGHT, LEFT, RIGHT.
HOSS FUNK HAD DITCHED THE SAME
4995
02:27:18,463 --> 02:27:19,796
LEFT, RIGHT, LEFT, RIGHT.
HOSS FUNK HAD DITCHED THE SAME
THING.
4996
02:27:19,798 --> 02:27:20,730
HOSS FUNK HAD DITCHED THE SAME
THING.
WOW, DOUBLE HEADBUTT FOR BOTH
4997
02:27:20,732 --> 02:27:25,669
THING.
WOW, DOUBLE HEADBUTT FOR BOTH
MEN GOING DOWN.
4998
02:27:25,671 --> 02:27:27,437
WOW, DOUBLE HEADBUTT FOR BOTH
MEN GOING DOWN.
JYD WHEELING FUNK INTO THE
4999
02:27:27,439 --> 02:27:28,371
MEN GOING DOWN.
JYD WHEELING FUNK INTO THE
ROPES, WHERE YOU SEE HOSS CAUGHT
5000
02:27:28,373 --> 02:27:29,639
JYD WHEELING FUNK INTO THE
ROPES, WHERE YOU SEE HOSS CAUGHT
IN THE ROPE.
5001
02:27:29,641 --> 02:27:30,807
ROPES, WHERE YOU SEE HOSS CAUGHT
IN THE ROPE.
BIG CLOTHESLINE BY THE JUNKYARD
5002
02:27:30,809 --> 02:27:32,575
IN THE ROPE.
BIG CLOTHESLINE BY THE JUNKYARD
DOG.
5003
02:27:32,577 --> 02:27:33,643
BIG CLOTHESLINE BY THE JUNKYARD
DOG.
>> THAT'S JUST WHAT THEY NEEDED.
5004
02:27:33,645 --> 02:27:34,510
DOG.
>> THAT'S JUST WHAT THEY NEEDED.
>> POWERFUL CLOTHESLINE BY
5005
02:27:34,512 --> 02:27:35,579
>> THAT'S JUST WHAT THEY NEEDED.
>> POWERFUL CLOTHESLINE BY
JUNKYARD DOG.
5006
02:27:35,581 --> 02:27:36,479
>> POWERFUL CLOTHESLINE BY
JUNKYARD DOG.
>> BIG RIGHT HAND.
5007
02:27:36,481 --> 02:27:37,780
JUNKYARD DOG.
>> BIG RIGHT HAND.
DROPS HOSS FUNK.
5008
02:27:37,782 --> 02:27:38,882
>> BIG RIGHT HAND.
DROPS HOSS FUNK.
>> HEY!
5009
02:27:38,884 --> 02:27:40,283
DROPS HOSS FUNK.
>> HEY!
USING THE ...
5010
02:27:40,285 --> 02:27:41,217
>> HEY!
USING THE ...
>> AND TERRY FUNK HAS SOMETHING
5011
02:27:41,219 --> 02:27:43,620
USING THE ...
>> AND TERRY FUNK HAS SOMETHING
THERE.
5012
02:27:43,622 --> 02:27:45,555
>> AND TERRY FUNK HAS SOMETHING
THERE.
>> THE MEAN TIME, ON THE SIDE OF
5013
02:27:45,557 --> 02:27:46,422
THERE.
>> THE MEAN TIME, ON THE SIDE OF
THE RING IS THAT NASTY LITTLE
5014
02:27:46,424 --> 02:27:47,790
>> THE MEAN TIME, ON THE SIDE OF
THE RING IS THAT NASTY LITTLE
JIMMY HART.
5015
02:27:47,792 --> 02:27:48,658
THE RING IS THAT NASTY LITTLE
JIMMY HART.
HE'S TRYING TO HAVE A LOOK ...
5016
02:27:48,660 --> 02:27:49,726
JIMMY HART.
HE'S TRYING TO HAVE A LOOK ...
FUNK, CLEAN OVER THE TOP ROPE
5017
02:27:49,728 --> 02:27:51,728
HE'S TRYING TO HAVE A LOOK ...
FUNK, CLEAN OVER THE TOP ROPE
AND OUT ONTO THIS HARD CONCRETE
5018
02:27:51,730 --> 02:27:53,263
FUNK, CLEAN OVER THE TOP ROPE
AND OUT ONTO THIS HARD CONCRETE
FLOOR.
5019
02:27:53,265 --> 02:27:54,497
AND OUT ONTO THIS HARD CONCRETE
FLOOR.
>> TERRY FUNK OUT ON THE FLOOR.
5020
02:27:54,499 --> 02:27:55,565
FLOOR.
>> TERRY FUNK OUT ON THE FLOOR.
HE'S HURTIN' OUT ON THAT FLOOR.
5021
02:27:55,567 --> 02:27:58,935
>> TERRY FUNK OUT ON THE FLOOR.
HE'S HURTIN' OUT ON THAT FLOOR.
HERE COMES HOSS.
5022
02:27:58,937 --> 02:28:00,570
HE'S HURTIN' OUT ON THAT FLOOR.
HERE COMES HOSS.
BIG HEADBUTT DRIVES HOSS BACK.
5023
02:28:00,572 --> 02:28:03,673
HERE COMES HOSS.
BIG HEADBUTT DRIVES HOSS BACK.
>> THE REFEREE'S CONTINUING THE
5024
02:28:03,675 --> 02:28:04,641
BIG HEADBUTT DRIVES HOSS BACK.
>> THE REFEREE'S CONTINUING THE
COUNT.
5025
02:28:04,643 --> 02:28:07,443
>> THE REFEREE'S CONTINUING THE
COUNT.
HE'S GONNA SLAM HIM.
5026
02:28:07,445 --> 02:28:08,645
COUNT.
HE'S GONNA SLAM HIM.
>> JYD SLAMMING TERRY FUNK ON
5027
02:28:08,647 --> 02:28:10,380
HE'S GONNA SLAM HIM.
>> JYD SLAMMING TERRY FUNK ON
THE TABLE.
5028
02:28:10,382 --> 02:28:11,714
>> JYD SLAMMING TERRY FUNK ON
THE TABLE.
THERE'S NO CAUSE FOR ANYTHING
5029
02:28:11,716 --> 02:28:12,715
THE TABLE.
THERE'S NO CAUSE FOR ANYTHING
LIKE THAT.
5030
02:28:12,717 --> 02:28:14,451
THERE'S NO CAUSE FOR ANYTHING
LIKE THAT.
SANTANA LOOKING OVER HIS FUNK
5031
02:28:14,453 --> 02:28:16,419
LIKE THAT.
SANTANA LOOKING OVER HIS FUNK
OUTSIDE THE RING.
5032
02:28:16,421 --> 02:28:17,086
SANTANA LOOKING OVER HIS FUNK
OUTSIDE THE RING.
>> I'M AFRAID THE REFEREE HAS
5033
02:28:17,088 --> 02:28:19,789
OUTSIDE THE RING.
>> I'M AFRAID THE REFEREE HAS
LOST ALL CONTROL OF THIS MATCH.
5034
02:28:19,791 --> 02:28:21,424
>> I'M AFRAID THE REFEREE HAS
LOST ALL CONTROL OF THIS MATCH.
>> TERRY FUNK IN PAIN.
5035
02:28:21,426 --> 02:28:22,425
LOST ALL CONTROL OF THIS MATCH.
>> TERRY FUNK IN PAIN.
HE DOESN'T KNOW WHERE HE IS,
5036
02:28:22,427 --> 02:28:23,693
>> TERRY FUNK IN PAIN.
HE DOESN'T KNOW WHERE HE IS,
SLAMMED IN THE TABLE.
5037
02:28:23,695 --> 02:28:25,495
HE DOESN'T KNOW WHERE HE IS,
SLAMMED IN THE TABLE.
LOOKS AT THE RING.
5038
02:28:25,497 --> 02:28:26,696
SLAMMED IN THE TABLE.
LOOKS AT THE RING.
SOMEHOW FUNK'S MANAGED TO GET
5039
02:28:26,698 --> 02:28:27,564
LOOKS AT THE RING.
SOMEHOW FUNK'S MANAGED TO GET
BACK INTO THE RING.
5040
02:28:27,566 --> 02:28:29,532
SOMEHOW FUNK'S MANAGED TO GET
BACK INTO THE RING.
WE'VE GOT TOTAL CHAOS, ELVIRA.
5041
02:28:29,534 --> 02:28:30,533
BACK INTO THE RING.
WE'VE GOT TOTAL CHAOS, ELVIRA.
>> THERE'S MORE ACTION HAPPENING
5042
02:28:30,535 --> 02:28:31,467
WE'VE GOT TOTAL CHAOS, ELVIRA.
>> THERE'S MORE ACTION HAPPENING
OUTSIDE THE RING, HERE, THAN
5043
02:28:31,469 --> 02:28:34,404
>> THERE'S MORE ACTION HAPPENING
OUTSIDE THE RING, HERE, THAN
THERE IS ON THE RING.
5044
02:28:34,406 --> 02:28:35,738
OUTSIDE THE RING, HERE, THAN
THERE IS ON THE RING.
OR IN IT.
5045
02:28:35,740 --> 02:28:36,706
THERE IS ON THE RING.
OR IN IT.
>> JUNKYARD DOG LOOKING VERY,
5046
02:28:36,708 --> 02:28:38,641
OR IN IT.
>> JUNKYARD DOG LOOKING VERY,
VERY GOOD RIGHT NOW, GRABBING AT
5047
02:28:38,643 --> 02:28:40,710
>> JUNKYARD DOG LOOKING VERY,
VERY GOOD RIGHT NOW, GRABBING AT
HART, PULLING HIM UP.
5048
02:28:40,712 --> 02:28:42,445
VERY GOOD RIGHT NOW, GRABBING AT
HART, PULLING HIM UP.
>> JYD PUNCH ON THE MOUTH OF THE
5049
02:28:42,447 --> 02:28:46,616
HART, PULLING HIM UP.
>> JYD PUNCH ON THE MOUTH OF THE
SOUTH, JIMMY HART.
5050
02:28:46,618 --> 02:28:47,717
>> JYD PUNCH ON THE MOUTH OF THE
SOUTH, JIMMY HART.
>> AND NOW BOTH FUNK BROTHERS
5051
02:28:47,719 --> 02:28:49,819
SOUTH, JIMMY HART.
>> AND NOW BOTH FUNK BROTHERS
ARE DOWN, AND JUNKYARD DOG
5052
02:28:49,821 --> 02:28:51,654
>> AND NOW BOTH FUNK BROTHERS
ARE DOWN, AND JUNKYARD DOG
LOOKING VERY GOOD, BRINGING
5053
02:28:51,656 --> 02:28:52,555
ARE DOWN, AND JUNKYARD DOG
LOOKING VERY GOOD, BRINGING
SANTANA INTO THE RING.
5054
02:28:52,557 --> 02:28:59,662
LOOKING VERY GOOD, BRINGING
SANTANA INTO THE RING.
SANTANA OUT AGAIN.
5055
02:28:59,664 --> 02:29:01,497
SANTANA INTO THE RING.
SANTANA OUT AGAIN.
>> SMALL PACKAGE.
5056
02:29:01,499 --> 02:29:02,665
SANTANA OUT AGAIN.
>> SMALL PACKAGE.
HOSS FUNK IN TO MAKE THE SAVE.
5057
02:29:02,667 --> 02:29:05,401
>> SMALL PACKAGE.
HOSS FUNK IN TO MAKE THE SAVE.
>> FOUR MEN IN THE RING AGAIN.
5058
02:29:05,403 --> 02:29:06,602
HOSS FUNK IN TO MAKE THE SAVE.
>> FOUR MEN IN THE RING AGAIN.
>> LOOK AT CHICO, HE'S PUTTING
5059
02:29:06,604 --> 02:29:07,537
>> FOUR MEN IN THE RING AGAIN.
>> LOOK AT CHICO, HE'S PUTTING
ON THE FIGURE-FOUR.
5060
02:29:07,539 --> 02:29:09,439
>> LOOK AT CHICO, HE'S PUTTING
ON THE FIGURE-FOUR.
HE'S GOT THE FIGURE-FOUR ON
5061
02:29:09,441 --> 02:29:10,373
ON THE FIGURE-FOUR.
HE'S GOT THE FIGURE-FOUR ON
HOSS' FOOT, NEITHER OF THEM
5062
02:29:10,375 --> 02:29:14,510
HE'S GOT THE FIGURE-FOUR ON
HOSS' FOOT, NEITHER OF THEM
LEGAL IN THE RING.
5063
02:29:14,512 --> 02:29:16,446
HOSS' FOOT, NEITHER OF THEM
LEGAL IN THE RING.
>> JUNKYARD DOG NOW HAS GOT HIS
5064
02:29:16,448 --> 02:29:17,681
LEGAL IN THE RING.
>> JUNKYARD DOG NOW HAS GOT HIS
BACK TURNED TO TERRY FUNK ...
5065
02:29:17,683 --> 02:29:19,516
>> JUNKYARD DOG NOW HAS GOT HIS
BACK TURNED TO TERRY FUNK ...
AND HART THROWS HIM THAT
5066
02:29:19,518 --> 02:29:20,483
BACK TURNED TO TERRY FUNK ...
AND HART THROWS HIM THAT
INFERNAL INSTRUMENT.
5067
02:29:20,485 --> 02:29:22,719
AND HART THROWS HIM THAT
INFERNAL INSTRUMENT.
>> OH!
5068
02:29:22,721 --> 02:29:24,854
INFERNAL INSTRUMENT.
>> OH!
BRILLIANT.
5069
02:29:24,856 --> 02:29:26,389
>> OH!
BRILLIANT.
>> OH!
5070
02:29:26,391 --> 02:29:27,290
BRILLIANT.
>> OH!
FUNK HIT HIM, NOW THAT IS NOT
5071
02:29:27,292 --> 02:29:28,491
>> OH!
FUNK HIT HIM, NOW THAT IS NOT
RIGHT, JESSE.
5072
02:29:28,493 --> 02:29:29,459
FUNK HIT HIM, NOW THAT IS NOT
RIGHT, JESSE.
I DON'T CARE WHAT YOU SAY, THAT
5073
02:29:29,461 --> 02:29:30,627
RIGHT, JESSE.
I DON'T CARE WHAT YOU SAY, THAT
IS NOT RIGHT.
5074
02:29:30,629 --> 02:29:31,895
I DON'T CARE WHAT YOU SAY, THAT
IS NOT RIGHT.
>> TWO, THREE, HE GOT HIM!
5075
02:29:31,897 --> 02:29:32,628
IS NOT RIGHT.
>> TWO, THREE, HE GOT HIM!
LOOK!
5076
02:29:32,630 --> 02:29:34,597
>> TWO, THREE, HE GOT HIM!
LOOK!
I'LL TELL YOU, THAT JIMMY HART
5077
02:29:34,599 --> 02:29:35,532
LOOK!
I'LL TELL YOU, THAT JIMMY HART
AND THE FUNKS, THEY'RE
5078
02:29:35,534 --> 02:29:36,599
I'LL TELL YOU, THAT JIMMY HART
AND THE FUNKS, THEY'RE
BRILLIANT, AREN'T THEY, LORD?
5079
02:29:36,601 --> 02:29:37,700
AND THE FUNKS, THEY'RE
BRILLIANT, AREN'T THEY, LORD?
>> I DON'T CARE WHAT YOU SAY,
5080
02:29:37,702 --> 02:29:38,701
BRILLIANT, AREN'T THEY, LORD?
>> I DON'T CARE WHAT YOU SAY,
JESSE.
5081
02:29:38,703 --> 02:29:41,571
>> I DON'T CARE WHAT YOU SAY,
JESSE.
THAT WAS NOT RIGHT AT ALL.
5082
02:29:41,573 --> 02:29:42,672
JESSE.
THAT WAS NOT RIGHT AT ALL.
AND THEY HAVE CHEATED THEIR WAY
5083
02:29:42,674 --> 02:29:43,673
THAT WAS NOT RIGHT AT ALL.
AND THEY HAVE CHEATED THEIR WAY
TO ANOTHER VICTORY, THERE,
5084
02:29:43,675 --> 02:29:44,540
AND THEY HAVE CHEATED THEIR WAY
TO ANOTHER VICTORY, THERE,
JESSE.
5085
02:29:44,542 --> 02:29:45,608
TO ANOTHER VICTORY, THERE,
JESSE.
>> ELVIRA SAID IT HERSELF, ALL'S
5086
02:29:45,610 --> 02:29:47,377
JESSE.
>> ELVIRA SAID IT HERSELF, ALL'S
FAIR IN LOVE IN WAR, ALFRED
5087
02:29:47,379 --> 02:29:48,444
>> ELVIRA SAID IT HERSELF, ALL'S
FAIR IN LOVE IN WAR, ALFRED
HAYES, THAT'S A WAR GOING ON OUT
5088
02:29:48,446 --> 02:29:49,479
FAIR IN LOVE IN WAR, ALFRED
HAYES, THAT'S A WAR GOING ON OUT
THERE.
5089
02:29:49,481 --> 02:29:50,480
HAYES, THAT'S A WAR GOING ON OUT
THERE.
>> I SAID SOMETHING LIKE THAT,
5090
02:29:50,482 --> 02:29:55,752
THERE.
>> I SAID SOMETHING LIKE THAT,
ANYWAY, JESSE.
5091
02:29:55,754 --> 02:29:57,587
>> I SAID SOMETHING LIKE THAT,
ANYWAY, JESSE.
OOH, THAT LOOKS THAT DUDE IS
5092
02:29:57,589 --> 02:29:58,721
ANYWAY, JESSE.
OOH, THAT LOOKS THAT DUDE IS
REALLY HURT.
5093
02:29:58,723 --> 02:30:00,390
OOH, THAT LOOKS THAT DUDE IS
REALLY HURT.
>> TERRY FUNK OUTSIDE THE RING,
5094
02:30:00,392 --> 02:30:01,557
REALLY HURT.
>> TERRY FUNK OUTSIDE THE RING,
HOLDING, AND HE DEFINITELY IN
5095
02:30:01,559 --> 02:30:03,426
>> TERRY FUNK OUTSIDE THE RING,
HOLDING, AND HE DEFINITELY IN
TROUBLE, BUT A BRILLIANT
5096
02:30:03,428 --> 02:30:04,727
HOLDING, AND HE DEFINITELY IN
TROUBLE, BUT A BRILLIANT
TACTICAL MOVE ON THE PART OF THE
5097
02:30:04,729 --> 02:30:06,562
TROUBLE, BUT A BRILLIANT
TACTICAL MOVE ON THE PART OF THE
MOUTH OF THE SOUTH, JIMMY HART.
5098
02:30:06,564 --> 02:30:07,397
TACTICAL MOVE ON THE PART OF THE
MOUTH OF THE SOUTH, JIMMY HART.
>> LADIES AND GENTLEMEN, HERE
5099
02:30:07,399 --> 02:30:08,732
MOUTH OF THE SOUTH, JIMMY HART.
>> LADIES AND GENTLEMEN, HERE
ARE YOUR WINNERS, TERRY, HOSS,
5100
02:30:08,734 --> 02:30:10,767
>> LADIES AND GENTLEMEN, HERE
ARE YOUR WINNERS, TERRY, HOSS,
THE FUNK BROTHERS.
5101
02:30:10,769 --> 02:30:17,607
ARE YOUR WINNERS, TERRY, HOSS,
THE FUNK BROTHERS.
[ BELL RINGING ]
5102
02:30:17,609 --> 02:30:19,442
THE FUNK BROTHERS.
[ BELL RINGING ]
>> THERE YOU SEE TERRY AND HOSS
5103
02:30:19,444 --> 02:30:20,576
[ BELL RINGING ]
>> THERE YOU SEE TERRY AND HOSS
FUNK AND THE MOUTH OF THE SOUTH,
5104
02:30:20,578 --> 02:30:21,677
>> THERE YOU SEE TERRY AND HOSS
FUNK AND THE MOUTH OF THE SOUTH,
JIMMY HART, TRYING TO GET OUT OF
5105
02:30:21,679 --> 02:30:23,680
FUNK AND THE MOUTH OF THE SOUTH,
JIMMY HART, TRYING TO GET OUT OF
THE BUILDING, HERE WRESTLEMANIA
5106
02:30:23,682 --> 02:30:27,750
JIMMY HART, TRYING TO GET OUT OF
THE BUILDING, HERE WRESTLEMANIA
2, LOS ANGELES SPORTS ARENA.
5107
02:30:27,752 --> 02:30:29,519
THE BUILDING, HERE WRESTLEMANIA
2, LOS ANGELES SPORTS ARENA.
BRILLIANT MOVE, LORD, WHAT DO
5108
02:30:29,521 --> 02:30:30,653
2, LOS ANGELES SPORTS ARENA.
BRILLIANT MOVE, LORD, WHAT DO
YOU GOT TO SAY ABOUT IT.
5109
02:30:30,655 --> 02:30:32,355
BRILLIANT MOVE, LORD, WHAT DO
YOU GOT TO SAY ABOUT IT.
>> WELL, I THINK THAT WAS, UH,
5110
02:30:32,357 --> 02:30:33,823
YOU GOT TO SAY ABOUT IT.
>> WELL, I THINK THAT WAS, UH,
VERY, VERY UNFAIR.
5111
02:30:33,825 --> 02:30:35,725
>> WELL, I THINK THAT WAS, UH,
VERY, VERY UNFAIR.
IT WAS A TRAVESTY OF JUSTICE,
5112
02:30:35,727 --> 02:30:36,893
VERY, VERY UNFAIR.
IT WAS A TRAVESTY OF JUSTICE,
BUT IT WILL, UNFORTUNATELY, GO
5113
02:30:36,895 --> 02:30:39,529
IT WAS A TRAVESTY OF JUSTICE,
BUT IT WILL, UNFORTUNATELY, GO
IN THE RECORD BOOK AS A WIN,
5114
02:30:39,531 --> 02:30:40,864
BUT IT WILL, UNFORTUNATELY, GO
IN THE RECORD BOOK AS A WIN,
ANOTHER WIN, FOR THE FUNK
5115
02:30:40,866 --> 02:30:42,766
IN THE RECORD BOOK AS A WIN,
ANOTHER WIN, FOR THE FUNK
BROTHERS WHO, AT THE MOMENT,
5116
02:30:42,768 --> 02:30:44,667
ANOTHER WIN, FOR THE FUNK
BROTHERS WHO, AT THE MOMENT,
HAVE A 100 PERCENT RECORD.
5117
02:30:44,669 --> 02:30:46,536
BROTHERS WHO, AT THE MOMENT,
HAVE A 100 PERCENT RECORD.
>> WELL, THAT DEFINITELY HAS GOT
5118
02:30:46,538 --> 02:30:47,503
HAVE A 100 PERCENT RECORD.
>> WELL, THAT DEFINITELY HAS GOT
TO SHOOT THE FUNK BROTHERS UP IN
5119
02:30:47,505 --> 02:30:48,838
>> WELL, THAT DEFINITELY HAS GOT
TO SHOOT THE FUNK BROTHERS UP IN
LINE FOR A WORLD TAG TEAM TITLE
5120
02:30:48,840 --> 02:30:50,573
TO SHOOT THE FUNK BROTHERS UP IN
LINE FOR A WORLD TAG TEAM TITLE
MATCH.
5121
02:30:50,575 --> 02:30:51,707
LINE FOR A WORLD TAG TEAM TITLE
MATCH.
THERE YOU SEE THE JYD AND CHICO
5122
02:30:51,709 --> 02:30:52,642
MATCH.
THERE YOU SEE THE JYD AND CHICO
SANTANA.
5123
02:30:52,644 --> 02:30:53,676
THERE YOU SEE THE JYD AND CHICO
SANTANA.
CHICO TRYING TO CONSOLE THE JYD.
5124
02:30:53,678 --> 02:30:56,412
SANTANA.
CHICO TRYING TO CONSOLE THE JYD.
JYD JUST PLAIN DON'T KNOW WHAT
5125
02:30:56,414 --> 02:30:57,880
CHICO TRYING TO CONSOLE THE JYD.
JYD JUST PLAIN DON'T KNOW WHAT
HIT HIM IN THAT HARD HEAD OF
5126
02:30:57,882 --> 02:30:59,382
JYD JUST PLAIN DON'T KNOW WHAT
HIT HIM IN THAT HARD HEAD OF
HIS.
5127
02:30:59,384 --> 02:31:00,150
HIT HIM IN THAT HARD HEAD OF
HIS.
LET'S SEE IF WE GET AN INSTANT
5128
02:31:00,152 --> 02:31:02,218
HIS.
LET'S SEE IF WE GET AN INSTANT
REPLAY.
5129
02:31:02,220 --> 02:31:02,752
LET'S SEE IF WE GET AN INSTANT
REPLAY.
THERE IT IS.
5130
02:31:02,754 --> 02:31:04,620
REPLAY.
THERE IT IS.
JYD HIT HOSS FUNK AND YOU CAN
5131
02:31:04,622 --> 02:31:07,723
THERE IT IS.
JYD HIT HOSS FUNK AND YOU CAN
SEE THE MOUTH FIRES IN THE
5132
02:31:07,725 --> 02:31:08,524
JYD HIT HOSS FUNK AND YOU CAN
SEE THE MOUTH FIRES IN THE
MEGAPHONE.
5133
02:31:08,526 --> 02:31:09,426
SEE THE MOUTH FIRES IN THE
MEGAPHONE.
WHAM.
5134
02:31:09,428 --> 02:31:11,794
MEGAPHONE.
WHAM.
FUNK UP FROM BEHIND HITS THE JYD
5135
02:31:11,796 --> 02:31:13,596
WHAM.
FUNK UP FROM BEHIND HITS THE JYD
SQUARE IN THE HEAD WITH IT.
5136
02:31:13,598 --> 02:31:14,664
FUNK UP FROM BEHIND HITS THE JYD
SQUARE IN THE HEAD WITH IT.
BRILLIANT TACTICAL MOVE ON THE
5137
02:31:14,666 --> 02:31:16,633
SQUARE IN THE HEAD WITH IT.
BRILLIANT TACTICAL MOVE ON THE
PART OF JIMMY HART.
5138
02:31:16,635 --> 02:31:17,733
BRILLIANT TACTICAL MOVE ON THE
PART OF JIMMY HART.
TERRY FUNK ROLLING OVER, HOLDING
5139
02:31:17,735 --> 02:31:19,669
PART OF JIMMY HART.
TERRY FUNK ROLLING OVER, HOLDING
ONTO THAT LEAD, COVERS THE DOG,
5140
02:31:19,671 --> 02:31:22,806
TERRY FUNK ROLLING OVER, HOLDING
ONTO THAT LEAD, COVERS THE DOG,
ONE, TWO, THREE, AND THERE IT
5141
02:31:22,808 --> 02:31:23,706
ONTO THAT LEAD, COVERS THE DOG,
ONE, TWO, THREE, AND THERE IT
IS.
5142
02:31:23,708 --> 02:31:24,907
ONE, TWO, THREE, AND THERE IT
IS.
YOU MIGHT NOT LIKE IT, BUT THE
5143
02:31:24,909 --> 02:31:33,349
IS.
YOU MIGHT NOT LIKE IT, BUT THE
FUNK BROTHERS WON.
5144
02:31:33,351 --> 02:31:34,817
YOU MIGHT NOT LIKE IT, BUT THE
FUNK BROTHERS WON.
HERE -- HERE IT COMES, LORD
5145
02:31:34,819 --> 02:31:35,919
FUNK BROTHERS WON.
HERE -- HERE IT COMES, LORD
ALFRED HAYES, THE STEEL CAGE.
5146
02:31:35,921 --> 02:31:37,420
HERE -- HERE IT COMES, LORD
ALFRED HAYES, THE STEEL CAGE.
>> JESSE, THIS CAGE IS A
5147
02:31:37,422 --> 02:31:39,655
ALFRED HAYES, THE STEEL CAGE.
>> JESSE, THIS CAGE IS A
SPECIALLY REINFORCED CAGE
5148
02:31:39,657 --> 02:31:40,857
>> JESSE, THIS CAGE IS A
SPECIALLY REINFORCED CAGE
BECAUSE AN ORDINARY CAGE WOULD
5149
02:31:40,859 --> 02:31:42,692
SPECIALLY REINFORCED CAGE
BECAUSE AN ORDINARY CAGE WOULD
NEVER HAVE STOPPED SOMETHING
5150
02:31:42,694 --> 02:31:46,262
BECAUSE AN ORDINARY CAGE WOULD
NEVER HAVE STOPPED SOMETHING
LIKE 450 POUNDS, KING KONG
5151
02:31:46,264 --> 02:31:47,497
NEVER HAVE STOPPED SOMETHING
LIKE 450 POUNDS, KING KONG
BUNDY.
5152
02:31:47,499 --> 02:31:48,631
LIKE 450 POUNDS, KING KONG
BUNDY.
HE WOULD HAVE JUST GONE STRAIGHT
5153
02:31:48,633 --> 02:31:49,799
BUNDY.
HE WOULD HAVE JUST GONE STRAIGHT
THROUGH THE SIDES OF THAT AND
5154
02:31:49,801 --> 02:31:51,767
HE WOULD HAVE JUST GONE STRAIGHT
THROUGH THE SIDES OF THAT AND
THAT WOULD HAVE BEEN FOOLISH.
5155
02:31:51,769 --> 02:31:52,635
THROUGH THE SIDES OF THAT AND
THAT WOULD HAVE BEEN FOOLISH.
LOOK AT THE SIZE AND THE HEIGHT
5156
02:31:52,637 --> 02:31:53,503
THAT WOULD HAVE BEEN FOOLISH.
LOOK AT THE SIZE AND THE HEIGHT
AND THE WEIGHT OF THAT PIECE --
5157
02:31:53,505 --> 02:31:54,871
LOOK AT THE SIZE AND THE HEIGHT
AND THE WEIGHT OF THAT PIECE --
THAT ONE SIDE THEY'RE BRINGING
5158
02:31:54,873 --> 02:31:55,738
AND THE WEIGHT OF THAT PIECE --
THAT ONE SIDE THEY'RE BRINGING
IN.
5159
02:31:55,740 --> 02:31:57,607
THAT ONE SIDE THEY'RE BRINGING
IN.
IT'S TAKING SIX MEN TO CARRY IT.
5160
02:31:57,609 --> 02:31:58,508
IN.
IT'S TAKING SIX MEN TO CARRY IT.
>> I TELL -- ELVIRA, DOES THIS
5161
02:31:58,510 --> 02:31:59,675
IT'S TAKING SIX MEN TO CARRY IT.
>> I TELL -- ELVIRA, DOES THIS
CAGE AT ALL LOOK LIKE YOUR
5162
02:31:59,677 --> 02:32:01,444
>> I TELL -- ELVIRA, DOES THIS
CAGE AT ALL LOOK LIKE YOUR
HOUSE?
5163
02:32:01,446 --> 02:32:02,445
CAGE AT ALL LOOK LIKE YOUR
HOUSE?
>> UH, LOOKS LIKE ONE OF THE
5164
02:32:02,447 --> 02:32:03,746
HOUSE?
>> UH, LOOKS LIKE ONE OF THE
ROOMS IN MY HOUSE, YES, JESSE,
5165
02:32:03,748 --> 02:32:04,714
>> UH, LOOKS LIKE ONE OF THE
ROOMS IN MY HOUSE, YES, JESSE,
THE ONE WITH ALL THE BATS IN IT,
5166
02:32:04,716 --> 02:32:06,315
ROOMS IN MY HOUSE, YES, JESSE,
THE ONE WITH ALL THE BATS IN IT,
RIGHT?
5167
02:32:06,317 --> 02:32:07,584
THE ONE WITH ALL THE BATS IN IT,
RIGHT?
>> YEAH, THE ONE, UH, WHERE
5168
02:32:07,586 --> 02:32:08,785
RIGHT?
>> YEAH, THE ONE, UH, WHERE
[LAUGHS]
5169
02:32:08,787 --> 02:32:12,522
>> YEAH, THE ONE, UH, WHERE
[LAUGHS]
YEAH, SOMETHING LIKE THAT.
5170
02:32:12,524 --> 02:32:13,723
[LAUGHS]
YEAH, SOMETHING LIKE THAT.
>> OKAY, LET'S GO -- LET'S GO
5171
02:32:13,725 --> 02:32:16,493
YEAH, SOMETHING LIKE THAT.
>> OKAY, LET'S GO -- LET'S GO
BACK IN TIME AND SEE JUST HOW
5172
02:32:16,495 --> 02:32:18,528
>> OKAY, LET'S GO -- LET'S GO
BACK IN TIME AND SEE JUST HOW
THIS CAGE MATCH CAME ABOUT, HULK
5173
02:32:18,530 --> 02:32:21,864
BACK IN TIME AND SEE JUST HOW
THIS CAGE MATCH CAME ABOUT, HULK
HOGAN AND KING KONG BUNDY ON
5174
02:32:21,866 --> 02:32:27,737
THIS CAGE MATCH CAME ABOUT, HULK
HOGAN AND KING KONG BUNDY ON
SATURDAY NIGHT MAIN EVENT.
5175
02:32:27,739 --> 02:32:29,472
HOGAN AND KING KONG BUNDY ON
SATURDAY NIGHT MAIN EVENT.
>> ALL RIGHT, LADIES AND
5176
02:32:29,474 --> 02:32:30,573
SATURDAY NIGHT MAIN EVENT.
>> ALL RIGHT, LADIES AND
GENTLEMEN, WE ARE IN HULK
5177
02:32:30,575 --> 02:32:32,875
>> ALL RIGHT, LADIES AND
GENTLEMEN, WE ARE IN HULK
HOGAN'S PRIVATE GYM WHERE HE
5178
02:32:32,877 --> 02:32:34,911
GENTLEMEN, WE ARE IN HULK
HOGAN'S PRIVATE GYM WHERE HE
RIGHT NOW IS GOING THROUGH
5179
02:32:34,913 --> 02:32:36,746
HOGAN'S PRIVATE GYM WHERE HE
RIGHT NOW IS GOING THROUGH
WORKOUTS IN PREPARATION FOR HIS
5180
02:32:36,748 --> 02:32:38,481
RIGHT NOW IS GOING THROUGH
WORKOUTS IN PREPARATION FOR HIS
TITLE DEFENSE AS PART OF
5181
02:32:38,483 --> 02:32:39,649
WORKOUTS IN PREPARATION FOR HIS
TITLE DEFENSE AS PART OF
WRESTLEMANIA AGAINST KING KONG
5182
02:32:39,651 --> 02:32:41,450
TITLE DEFENSE AS PART OF
WRESTLEMANIA AGAINST KING KONG
BUNDY.
5183
02:32:41,452 --> 02:32:42,618
WRESTLEMANIA AGAINST KING KONG
BUNDY.
IN CASE YOU DON'T KNOW THE
5184
02:32:42,620 --> 02:32:44,654
BUNDY.
IN CASE YOU DON'T KNOW THE
REASONS FOR THIS MATCH, LET ME
5185
02:32:44,656 --> 02:32:45,588
IN CASE YOU DON'T KNOW THE
REASONS FOR THIS MATCH, LET ME
TAKE YOU BACK TO PHOENIX,
5186
02:32:45,590 --> 02:32:47,456
REASONS FOR THIS MATCH, LET ME
TAKE YOU BACK TO PHOENIX,
ARIZONA, THE VETERAN'S MEMORIAL
5187
02:32:47,458 --> 02:32:49,525
TAKE YOU BACK TO PHOENIX,
ARIZONA, THE VETERAN'S MEMORIAL
COLISEUM, ON THAT OCCASION HULK
5188
02:32:49,527 --> 02:32:50,793
ARIZONA, THE VETERAN'S MEMORIAL
COLISEUM, ON THAT OCCASION HULK
HOGAN HAD A VERY, VERY IMPORTANT
5189
02:32:50,795 --> 02:32:52,896
COLISEUM, ON THAT OCCASION HULK
HOGAN HAD A VERY, VERY IMPORTANT
TITLE DEFENSE ON SATURDAY
5190
02:32:52,898 --> 02:32:54,764
HOGAN HAD A VERY, VERY IMPORTANT
TITLE DEFENSE ON SATURDAY
NIGHT'S MAIN EVENT.
5191
02:32:54,766 --> 02:32:57,767
TITLE DEFENSE ON SATURDAY
NIGHT'S MAIN EVENT.
>> FROM BEHIND, THERE'S BUNDY.
5192
02:32:57,769 --> 02:32:58,901
NIGHT'S MAIN EVENT.
>> FROM BEHIND, THERE'S BUNDY.
WHERE DID HE COME FROM?
5193
02:32:58,903 --> 02:32:59,669
>> FROM BEHIND, THERE'S BUNDY.
WHERE DID HE COME FROM?
>> WHAM.
5194
02:32:59,671 --> 02:33:01,271
WHERE DID HE COME FROM?
>> WHAM.
KING KONG BUNDY TO THE RESCUE.
5195
02:33:01,273 --> 02:33:02,505
>> WHAM.
KING KONG BUNDY TO THE RESCUE.
HE LOOKS LIKE THE CAVALRY,
5196
02:33:02,507 --> 02:33:05,441
KING KONG BUNDY TO THE RESCUE.
HE LOOKS LIKE THE CAVALRY,
MCMAHON.
5197
02:33:05,443 --> 02:33:06,576
HE LOOKS LIKE THE CAVALRY,
MCMAHON.
>> BUNDY OUT OF THE BLUE.
5198
02:33:06,578 --> 02:33:09,478
MCMAHON.
>> BUNDY OUT OF THE BLUE.
WE SAW HIM EARLIER AND LOOK ...
5199
02:33:09,480 --> 02:33:10,546
>> BUNDY OUT OF THE BLUE.
WE SAW HIM EARLIER AND LOOK ...
>> OH, NO.
5200
02:33:10,548 --> 02:33:11,614
WE SAW HIM EARLIER AND LOOK ...
>> OH, NO.
>> DOUBLE TEAM COMING UP, LOOK.
5201
02:33:11,616 --> 02:33:12,615
>> OH, NO.
>> DOUBLE TEAM COMING UP, LOOK.
MURACO HOLDING ONTO THE
5202
02:33:12,617 --> 02:33:13,616
>> DOUBLE TEAM COMING UP, LOOK.
MURACO HOLDING ONTO THE
HULKSTER'S ARMS.
5203
02:33:13,618 --> 02:33:14,817
MURACO HOLDING ONTO THE
HULKSTER'S ARMS.
>> BUT MURACO'S GOT THE CHAMPION
5204
02:33:14,819 --> 02:33:16,652
HULKSTER'S ARMS.
>> BUT MURACO'S GOT THE CHAMPION
HELD AGAINST THE -- I LOVE IT.
5205
02:33:16,654 --> 02:33:18,521
>> BUT MURACO'S GOT THE CHAMPION
HELD AGAINST THE -- I LOVE IT.
I LOVE IT.
5206
02:33:18,523 --> 02:33:20,623
HELD AGAINST THE -- I LOVE IT.
I LOVE IT.
THE AVALANCHE.
5207
02:33:20,625 --> 02:33:21,691
I LOVE IT.
THE AVALANCHE.
>> HEENAN GIVING INSTRUCTIONS IN
5208
02:33:21,693 --> 02:33:23,526
THE AVALANCHE.
>> HEENAN GIVING INSTRUCTIONS IN
THERE AND HERE COMES ...
5209
02:33:23,528 --> 02:33:23,926
>> HEENAN GIVING INSTRUCTIONS IN
THERE AND HERE COMES ...
>> OH, NO.
5210
02:33:23,928 --> 02:33:24,894
THERE AND HERE COMES ...
>> OH, NO.
>> THE REFEREE THROUGH THE
5211
02:33:24,896 --> 02:33:26,629
>> OH, NO.
>> THE REFEREE THROUGH THE
ROPES.
5212
02:33:26,631 --> 02:33:28,231
>> THE REFEREE THROUGH THE
ROPES.
RIGHT AT THE HULKSTER, ANOTHER
5213
02:33:28,233 --> 02:33:29,298
ROPES.
RIGHT AT THE HULKSTER, ANOTHER
AVALANCHE.
5214
02:33:29,300 --> 02:33:30,733
RIGHT AT THE HULKSTER, ANOTHER
AVALANCHE.
>> THIS IS BRUTAL, BRUTAL,
5215
02:33:30,735 --> 02:33:31,434
AVALANCHE.
>> THIS IS BRUTAL, BRUTAL,
MCMAHON.
5216
02:33:31,436 --> 02:33:31,934
>> THIS IS BRUTAL, BRUTAL,
MCMAHON.
LOOK AT BUNDY.
5217
02:33:31,936 --> 02:33:33,536
MCMAHON.
LOOK AT BUNDY.
HE'S JUST MEASURING HIM OFF.
5218
02:33:33,538 --> 02:33:35,438
LOOK AT BUNDY.
HE'S JUST MEASURING HIM OFF.
HE'S MEASURING HOGAN OFF.
5219
02:33:35,440 --> 02:33:36,872
HE'S JUST MEASURING HIM OFF.
HE'S MEASURING HOGAN OFF.
>> MURACO HOLDING ONTO THE ARMS
5220
02:33:36,874 --> 02:33:38,708
HE'S MEASURING HOGAN OFF.
>> MURACO HOLDING ONTO THE ARMS
THE HULKSTER IS LIMP, BUT MURACO
5221
02:33:38,710 --> 02:33:40,376
>> MURACO HOLDING ONTO THE ARMS
THE HULKSTER IS LIMP, BUT MURACO
HOLDS HIM UP, BUT NOW THE
5222
02:33:40,378 --> 02:33:43,680
THE HULKSTER IS LIMP, BUT MURACO
HOLDS HIM UP, BUT NOW THE
HULKSTER DOWN ON THE CANVAS.
5223
02:33:43,682 --> 02:33:44,847
HOLDS HIM UP, BUT NOW THE
HULKSTER DOWN ON THE CANVAS.
>> AND HE IS HURT.
5224
02:33:44,849 --> 02:33:45,648
HULKSTER DOWN ON THE CANVAS.
>> AND HE IS HURT.
>> WHAT'D HE SAY?
5225
02:33:45,650 --> 02:33:46,716
>> AND HE IS HURT.
>> WHAT'D HE SAY?
>> HE SAID THERE'S YOUR
5226
02:33:46,718 --> 02:33:48,618
>> WHAT'D HE SAY?
>> HE SAID THERE'S YOUR
CHAMPION, MCMAHON.
5227
02:33:48,620 --> 02:33:51,587
>> HE SAID THERE'S YOUR
CHAMPION, MCMAHON.
>> WELL LOOK IT, I THINK --
5228
02:33:51,589 --> 02:33:52,155
CHAMPION, MCMAHON.
>> WELL LOOK IT, I THINK --
JESSE, I'VE NEVER SEEN THE
5229
02:33:52,157 --> 02:33:53,456
>> WELL LOOK IT, I THINK --
JESSE, I'VE NEVER SEEN THE
HULKSTER IN THIS STATE BEFORE.
5230
02:33:53,458 --> 02:33:54,457
JESSE, I'VE NEVER SEEN THE
HULKSTER IN THIS STATE BEFORE.
HE LOOKS UNCONSCIOUS.
5231
02:33:54,459 --> 02:33:55,725
HULKSTER IN THIS STATE BEFORE.
HE LOOKS UNCONSCIOUS.
LOOK WHAT MURACO'S DOING.
5232
02:33:55,727 --> 02:33:56,826
HE LOOKS UNCONSCIOUS.
LOOK WHAT MURACO'S DOING.
>> I BELIEVE YOU'RE RIGHT.
5233
02:33:56,828 --> 02:33:59,528
LOOK WHAT MURACO'S DOING.
>> I BELIEVE YOU'RE RIGHT.
I BELIEVE HE IS UNCONSCIOUS.
5234
02:33:59,530 --> 02:34:00,596
>> I BELIEVE YOU'RE RIGHT.
I BELIEVE HE IS UNCONSCIOUS.
>> OH, WAIT.
5235
02:34:00,598 --> 02:34:04,467
I BELIEVE HE IS UNCONSCIOUS.
>> OH, WAIT.
>> OH, OH NO.
5236
02:34:04,469 --> 02:34:09,572
>> OH, WAIT.
>> OH, OH NO.
BUNDY WITH YET ANOTHER AVALANCHE
5237
02:34:09,574 --> 02:34:10,473
>> OH, OH NO.
BUNDY WITH YET ANOTHER AVALANCHE
AND HEENAN GIVING INSTRUCTION
5238
02:34:10,475 --> 02:34:14,844
BUNDY WITH YET ANOTHER AVALANCHE
AND HEENAN GIVING INSTRUCTION
ON, UH, MURACO TO TURN HIM OVER.
5239
02:34:14,846 --> 02:34:20,483
AND HEENAN GIVING INSTRUCTION
ON, UH, MURACO TO TURN HIM OVER.
OH, NO.
5240
02:34:20,485 --> 02:34:24,520
ON, UH, MURACO TO TURN HIM OVER.
OH, NO.
>> THIS IS -- I'VE NEVER SEEN
5241
02:34:24,522 --> 02:34:27,390
OH, NO.
>> THIS IS -- I'VE NEVER SEEN
ANYTHING QUITE LIKE THIS BEFORE.
5242
02:34:27,392 --> 02:34:29,825
>> THIS IS -- I'VE NEVER SEEN
ANYTHING QUITE LIKE THIS BEFORE.
CHECK IT, HULK HOGAN TOTALLY
5243
02:34:29,827 --> 02:34:31,560
ANYTHING QUITE LIKE THIS BEFORE.
CHECK IT, HULK HOGAN TOTALLY
UNCONSCIOUS.
5244
02:34:31,562 --> 02:34:33,462
CHECK IT, HULK HOGAN TOTALLY
UNCONSCIOUS.
>> THAT WAS PHOENIX.
5245
02:34:33,464 --> 02:34:35,631
UNCONSCIOUS.
>> THAT WAS PHOENIX.
THIS IS WRESTLEMANIA.
5246
02:34:35,633 --> 02:34:36,766
>> THAT WAS PHOENIX.
THIS IS WRESTLEMANIA.
HILLBILLY JIM AND DR. BOB
5247
02:34:36,768 --> 02:34:38,734
THIS IS WRESTLEMANIA.
HILLBILLY JIM AND DR. BOB
PONOVICH RIGHT NOW AT THE SIDE
5248
02:34:38,736 --> 02:34:39,502
HILLBILLY JIM AND DR. BOB
PONOVICH RIGHT NOW AT THE SIDE
OF THE HEAVYWEIGHT CHAMPION OF
5249
02:34:39,504 --> 02:34:41,371
PONOVICH RIGHT NOW AT THE SIDE
OF THE HEAVYWEIGHT CHAMPION OF
THE WORLD, HULK HOGAN, AS HE
5250
02:34:41,373 --> 02:34:42,872
OF THE HEAVYWEIGHT CHAMPION OF
THE WORLD, HULK HOGAN, AS HE
PREPARES FOR HIS BIG TITLE
5251
02:34:42,874 --> 02:34:46,575
THE WORLD, HULK HOGAN, AS HE
PREPARES FOR HIS BIG TITLE
DEFENSE AGAINST KING KONG BUNDY.
5252
02:34:46,577 --> 02:34:48,411
PREPARES FOR HIS BIG TITLE
DEFENSE AGAINST KING KONG BUNDY.
DR. PONOVICH, IF I CAN PREVAIL
5253
02:34:48,413 --> 02:34:49,712
DEFENSE AGAINST KING KONG BUNDY.
DR. PONOVICH, IF I CAN PREVAIL
UPON YOU, SIR.
5254
02:34:49,714 --> 02:34:51,381
DR. PONOVICH, IF I CAN PREVAIL
UPON YOU, SIR.
FIRST OF ALL WE HAVE DISCUSSED
5255
02:34:51,383 --> 02:34:52,848
UPON YOU, SIR.
FIRST OF ALL WE HAVE DISCUSSED
THE PHYSICAL CONDITION OF HULK
5256
02:34:52,850 --> 02:34:53,683
FIRST OF ALL WE HAVE DISCUSSED
THE PHYSICAL CONDITION OF HULK
HOGAN.
5257
02:34:53,685 --> 02:34:54,784
THE PHYSICAL CONDITION OF HULK
HOGAN.
AS I UNDERSTAND IT, YOU HAVE
5258
02:34:54,786 --> 02:34:56,519
HOGAN.
AS I UNDERSTAND IT, YOU HAVE
ADVISED THE MAN NOT TO GO AHEAD
5259
02:34:56,521 --> 02:34:57,320
AS I UNDERSTAND IT, YOU HAVE
ADVISED THE MAN NOT TO GO AHEAD
WITH THIS TITLE DEFENSE.
5260
02:34:57,322 --> 02:34:58,021
ADVISED THE MAN NOT TO GO AHEAD
WITH THIS TITLE DEFENSE.
>> YES, THAT'S CORRECT.
5261
02:34:58,023 --> 02:34:58,688
WITH THIS TITLE DEFENSE.
>> YES, THAT'S CORRECT.
I HAVE ADVISED HIM NOT TO
5262
02:34:58,690 --> 02:35:00,423
>> YES, THAT'S CORRECT.
I HAVE ADVISED HIM NOT TO
PARTICIPATE IN WRESTLEMANIA.
5263
02:35:00,425 --> 02:35:01,524
I HAVE ADVISED HIM NOT TO
PARTICIPATE IN WRESTLEMANIA.
>> WHAT ARE THE RISKS,
5264
02:35:01,526 --> 02:35:02,625
PARTICIPATE IN WRESTLEMANIA.
>> WHAT ARE THE RISKS,
SPECIFICALLY, DOCTOR?
5265
02:35:02,627 --> 02:35:03,626
>> WHAT ARE THE RISKS,
SPECIFICALLY, DOCTOR?
>> WELL, I WORRY ABOUT THE
5266
02:35:03,628 --> 02:35:04,760
SPECIFICALLY, DOCTOR?
>> WELL, I WORRY ABOUT THE
POSSIBILITY OF A DISC PROBLEM IN
5267
02:35:04,762 --> 02:35:05,561
>> WELL, I WORRY ABOUT THE
POSSIBILITY OF A DISC PROBLEM IN
HIS BACK.
5268
02:35:05,563 --> 02:35:06,729
POSSIBILITY OF A DISC PROBLEM IN
HIS BACK.
MAYBE HE -- PERHAPS A HERNIATED
5269
02:35:06,731 --> 02:35:08,397
HIS BACK.
MAYBE HE -- PERHAPS A HERNIATED
DISC IN HIS LOW BACK.
5270
02:35:08,399 --> 02:35:09,399
MAYBE HE -- PERHAPS A HERNIATED
DISC IN HIS LOW BACK.
>> WOULD THAT -- WOULD THAT
5271
02:35:09,401 --> 02:35:10,466
DISC IN HIS LOW BACK.
>> WOULD THAT -- WOULD THAT
RESULT, PERHAPS, IN PERMANENT
5272
02:35:10,468 --> 02:35:11,200
>> WOULD THAT -- WOULD THAT
RESULT, PERHAPS, IN PERMANENT
INJURY?
5273
02:35:11,202 --> 02:35:12,034
RESULT, PERHAPS, IN PERMANENT
INJURY?
>> IT COULD RESULT IN PERMANENT
5274
02:35:12,036 --> 02:35:12,735
INJURY?
>> IT COULD RESULT IN PERMANENT
INJURY AND ALSO SURGERY.
5275
02:35:12,737 --> 02:35:14,804
>> IT COULD RESULT IN PERMANENT
INJURY AND ALSO SURGERY.
>> ALL RIGHT, HULK HOGAN, YOU'RE
5276
02:35:14,806 --> 02:35:16,272
INJURY AND ALSO SURGERY.
>> ALL RIGHT, HULK HOGAN, YOU'RE
DRIVING YOURSELF.
5277
02:35:16,274 --> 02:35:17,473
>> ALL RIGHT, HULK HOGAN, YOU'RE
DRIVING YOURSELF.
APPARENTLY YOU'VE MADE THE
5278
02:35:17,475 --> 02:35:18,507
DRIVING YOURSELF.
APPARENTLY YOU'VE MADE THE
DECISION TO GO FORTH WITH THIS
5279
02:35:18,509 --> 02:35:19,508
APPARENTLY YOU'VE MADE THE
DECISION TO GO FORTH WITH THIS
TITLE DEFENSE AGAINST KING KONG
5280
02:35:19,510 --> 02:35:20,609
DECISION TO GO FORTH WITH THIS
TITLE DEFENSE AGAINST KING KONG
BUNDY.
5281
02:35:20,611 --> 02:35:21,410
TITLE DEFENSE AGAINST KING KONG
BUNDY.
>> WELL, YOU KNOW SOMETHING,
5282
02:35:21,412 --> 02:35:21,744
BUNDY.
>> WELL, YOU KNOW SOMETHING,
MEAN GENE?
5283
02:35:21,746 --> 02:35:23,346
>> WELL, YOU KNOW SOMETHING,
MEAN GENE?
JUST BECAUSE I GET SICK,
5284
02:35:23,348 --> 02:35:24,480
MEAN GENE?
JUST BECAUSE I GET SICK,
BROTHER, I DON'T GET CALM AND
5285
02:35:24,482 --> 02:35:25,615
JUST BECAUSE I GET SICK,
BROTHER, I DON'T GET CALM AND
TIRED FROM THE JOB, MAN.
5286
02:35:25,617 --> 02:35:26,615
BROTHER, I DON'T GET CALM AND
TIRED FROM THE JOB, MAN.
I'M THE WORLD ...
5287
02:35:26,617 --> 02:35:28,318
TIRED FROM THE JOB, MAN.
I'M THE WORLD ...
OH, DR. BOB, A LITTLE LOWER,
5288
02:35:28,320 --> 02:35:28,851
I'M THE WORLD ...
OH, DR. BOB, A LITTLE LOWER,
MAN.
5289
02:35:28,853 --> 02:35:30,353
OH, DR. BOB, A LITTLE LOWER,
MAN.
>> WAIT A MINUTE, HULK, YOU'RE
5290
02:35:30,355 --> 02:35:31,154
MAN.
>> WAIT A MINUTE, HULK, YOU'RE
NOT STILL EXPERIENCING PAIN BACK
5291
02:35:31,156 --> 02:35:31,821
>> WAIT A MINUTE, HULK, YOU'RE
NOT STILL EXPERIENCING PAIN BACK
THERE.
5292
02:35:31,823 --> 02:35:32,588
NOT STILL EXPERIENCING PAIN BACK
THERE.
>> WELL, FIVE AND A HALF WEEKS,
5293
02:35:32,590 --> 02:35:33,589
THERE.
>> WELL, FIVE AND A HALF WEEKS,
BROTHER, I'VE BEEN LIVING THIS
5294
02:35:33,591 --> 02:35:34,824
>> WELL, FIVE AND A HALF WEEKS,
BROTHER, I'VE BEEN LIVING THIS
THING, MAN.
5295
02:35:34,826 --> 02:35:35,491
BROTHER, I'VE BEEN LIVING THIS
THING, MAN.
AFTER THAT SLOW ROLLING RIDE IN
5296
02:35:35,493 --> 02:35:36,559
THING, MAN.
AFTER THAT SLOW ROLLING RIDE IN
THAT COFFIN, MAN, THE AMBULANCE,
5297
02:35:36,561 --> 02:35:38,461
AFTER THAT SLOW ROLLING RIDE IN
THAT COFFIN, MAN, THE AMBULANCE,
AND A MADE A DECISION THEN, EVEN
5298
02:35:38,463 --> 02:35:40,363
THAT COFFIN, MAN, THE AMBULANCE,
AND A MADE A DECISION THEN, EVEN
THOUGH DR. BOB PONOVICH SAID,
5299
02:35:40,365 --> 02:35:41,897
AND A MADE A DECISION THEN, EVEN
THOUGH DR. BOB PONOVICH SAID,
"HULKSTER, YOU'RE IN NO
5300
02:35:41,899 --> 02:35:43,532
THOUGH DR. BOB PONOVICH SAID,
"HULKSTER, YOU'RE IN NO
CONDITION TO DO IT," I HAVE A
5301
02:35:43,534 --> 02:35:44,567
"HULKSTER, YOU'RE IN NO
CONDITION TO DO IT," I HAVE A
COMMITMENT TO ALL THOSE
5302
02:35:44,569 --> 02:35:46,302
CONDITION TO DO IT," I HAVE A
COMMITMENT TO ALL THOSE
HULKAMANIACS OUT THERE TO DEFEND
5303
02:35:46,304 --> 02:35:47,370
COMMITMENT TO ALL THOSE
HULKAMANIACS OUT THERE TO DEFEND
THIS WORLD TITLE.
5304
02:35:47,372 --> 02:35:48,638
HULKAMANIACS OUT THERE TO DEFEND
THIS WORLD TITLE.
WE'VE BEEN TRAINING FOR FIVE AND
5305
02:35:48,640 --> 02:35:50,573
THIS WORLD TITLE.
WE'VE BEEN TRAINING FOR FIVE AND
A HALF WEEKS, STILL-LEGGED
5306
02:35:50,575 --> 02:35:51,774
WE'VE BEEN TRAINING FOR FIVE AND
A HALF WEEKS, STILL-LEGGED
DEADLIFTS TO WARM UP.
5307
02:35:51,776 --> 02:35:52,808
A HALF WEEKS, STILL-LEGGED
DEADLIFTS TO WARM UP.
DR. BOB, LET'S GO FOR THOSE
5308
02:35:52,810 --> 02:35:53,743
DEADLIFTS TO WARM UP.
DR. BOB, LET'S GO FOR THOSE
HEAVY CHINS, BROTHER, JUST TO
5309
02:35:53,745 --> 02:35:54,711
DR. BOB, LET'S GO FOR THOSE
HEAVY CHINS, BROTHER, JUST TO
FIND OUT WHERE IT'S ALL.
5310
02:35:54,713 --> 02:35:56,312
HEAVY CHINS, BROTHER, JUST TO
FIND OUT WHERE IT'S ALL.
>> ALL RIGHT, HULK, I'M GOING TO
5311
02:35:56,314 --> 02:35:58,614
FIND OUT WHERE IT'S ALL.
>> ALL RIGHT, HULK, I'M GOING TO
ASK YOU TO EXPLAIN AS WE GO OVER
5312
02:35:58,616 --> 02:35:59,648
>> ALL RIGHT, HULK, I'M GOING TO
ASK YOU TO EXPLAIN AS WE GO OVER
HERE JUST EXACTLY WHAT IS A
5313
02:35:59,650 --> 02:36:01,450
ASK YOU TO EXPLAIN AS WE GO OVER
HERE JUST EXACTLY WHAT IS A
HEAVY CHIN?
5314
02:36:01,452 --> 02:36:02,151
HERE JUST EXACTLY WHAT IS A
HEAVY CHIN?
>> WELL, MEAN GENE, WHEN YOU SEE
5315
02:36:02,153 --> 02:36:03,486
HEAVY CHIN?
>> WELL, MEAN GENE, WHEN YOU SEE
THIS 100 POUND DUMBBELL STRAPPED
5316
02:36:03,488 --> 02:36:05,321
>> WELL, MEAN GENE, WHEN YOU SEE
THIS 100 POUND DUMBBELL STRAPPED
AROUND MY NECK, BROTHER, YOU'LL
5317
02:36:05,323 --> 02:36:07,656
THIS 100 POUND DUMBBELL STRAPPED
AROUND MY NECK, BROTHER, YOU'LL
REALIZE KING KONG BUNDY AND
5318
02:36:07,658 --> 02:36:08,491
AROUND MY NECK, BROTHER, YOU'LL
REALIZE KING KONG BUNDY AND
HEAVY CHINS, THERE'S NO
5319
02:36:08,493 --> 02:36:09,258
REALIZE KING KONG BUNDY AND
HEAVY CHINS, THERE'S NO
EXPLANATION.
5320
02:36:09,260 --> 02:36:09,992
HEAVY CHINS, THERE'S NO
EXPLANATION.
KING KONG BUNDY'S GOING DOWN,
5321
02:36:09,994 --> 02:36:11,660
EXPLANATION.
KING KONG BUNDY'S GOING DOWN,
THE CHINS ARE GOING UP, BROTHER.
5322
02:36:11,662 --> 02:36:13,229
KING KONG BUNDY'S GOING DOWN,
THE CHINS ARE GOING UP, BROTHER.
>> WAIT -- WAIT A MINUTE NOW,
5323
02:36:13,231 --> 02:36:16,332
THE CHINS ARE GOING UP, BROTHER.
>> WAIT -- WAIT A MINUTE NOW,
HULK HOGAN AT 310, 312 POUNDS,
5324
02:36:16,334 --> 02:36:19,468
>> WAIT -- WAIT A MINUTE NOW,
HULK HOGAN AT 310, 312 POUNDS,
WITH ANOTHER 100 POUNDS.
5325
02:36:19,470 --> 02:36:20,803
HULK HOGAN AT 310, 312 POUNDS,
WITH ANOTHER 100 POUNDS.
YOU'RE GOING TO DO CHIN-UPS?
5326
02:36:20,805 --> 02:36:22,672
WITH ANOTHER 100 POUNDS.
YOU'RE GOING TO DO CHIN-UPS?
I DON'T KNOW, MAN.
5327
02:36:22,674 --> 02:36:25,741
YOU'RE GOING TO DO CHIN-UPS?
I DON'T KNOW, MAN.
>> HE CAN DO IT.
5328
02:36:25,743 --> 02:36:28,444
I DON'T KNOW, MAN.
>> HE CAN DO IT.
THIS IS FOR KING KONG BUNDY, THE
5329
02:36:28,446 --> 02:36:32,448
>> HE CAN DO IT.
THIS IS FOR KING KONG BUNDY, THE
500 POUND MAN.
5330
02:36:32,450 --> 02:36:33,249
THIS IS FOR KING KONG BUNDY, THE
500 POUND MAN.
[ GROANING ]
5331
02:36:33,251 --> 02:36:33,782
500 POUND MAN.
[ GROANING ]
>> THAT'S IT.
5332
02:36:33,784 --> 02:36:34,317
[ GROANING ]
>> THAT'S IT.
ALL RIGHT.
5333
02:36:34,319 --> 02:36:34,751
>> THAT'S IT.
ALL RIGHT.
LOOKING GOOD.
5334
02:36:34,753 --> 02:36:35,484
ALL RIGHT.
LOOKING GOOD.
LOOKING GOOD, BROTHER.
5335
02:36:35,486 --> 02:36:36,486
LOOKING GOOD.
LOOKING GOOD, BROTHER.
>> GENTLEMEN, DR. BOB IS -- IS
5336
02:36:36,488 --> 02:36:37,520
LOOKING GOOD, BROTHER.
>> GENTLEMEN, DR. BOB IS -- IS
HE PUTTING TOO MUCH STRAIN ON
5337
02:36:37,522 --> 02:36:38,654
>> GENTLEMEN, DR. BOB IS -- IS
HE PUTTING TOO MUCH STRAIN ON
THAT LOWER BACK?
5338
02:36:38,656 --> 02:36:39,722
HE PUTTING TOO MUCH STRAIN ON
THAT LOWER BACK?
>> HE'S LOOKING AWFULLY STRONG
5339
02:36:39,724 --> 02:36:41,357
THAT LOWER BACK?
>> HE'S LOOKING AWFULLY STRONG
AT THIS TIME RIGHT NOW.
5340
02:36:41,359 --> 02:36:43,459
>> HE'S LOOKING AWFULLY STRONG
AT THIS TIME RIGHT NOW.
>> OVER 400 POUNDS.
5341
02:36:43,461 --> 02:36:45,528
AT THIS TIME RIGHT NOW.
>> OVER 400 POUNDS.
>> COME ON, COME ON, HULKSTER.
5342
02:36:45,530 --> 02:36:47,530
>> OVER 400 POUNDS.
>> COME ON, COME ON, HULKSTER.
>> HILLBILLY JIM, YOU, AS AN
5343
02:36:47,532 --> 02:36:49,632
>> COME ON, COME ON, HULKSTER.
>> HILLBILLY JIM, YOU, AS AN
ATHLETE, KNOW ABOUT THIS.
5344
02:36:49,634 --> 02:36:50,166
>> HILLBILLY JIM, YOU, AS AN
ATHLETE, KNOW ABOUT THIS.
>> THAT'S A STRONG MAN RIGHT
5345
02:36:50,168 --> 02:36:50,766
ATHLETE, KNOW ABOUT THIS.
>> THAT'S A STRONG MAN RIGHT
THERE.
5346
02:36:50,768 --> 02:36:51,634
>> THAT'S A STRONG MAN RIGHT
THERE.
>> HULK, ENOUGH IS ENOUGH.
5347
02:36:51,636 --> 02:36:52,701
THERE.
>> HULK, ENOUGH IS ENOUGH.
YOU'RE PROVING YOUR POINT.
5348
02:36:52,703 --> 02:36:55,704
>> HULK, ENOUGH IS ENOUGH.
YOU'RE PROVING YOUR POINT.
>> I'LL DO 1,000, BROTHER, TO
5349
02:36:55,706 --> 02:36:56,806
YOU'RE PROVING YOUR POINT.
>> I'LL DO 1,000, BROTHER, TO
BEAT KING KONG BUNDY.
5350
02:36:56,808 --> 02:37:01,444
>> I'LL DO 1,000, BROTHER, TO
BEAT KING KONG BUNDY.
[ GROANING ]
5351
02:37:01,446 --> 02:37:03,546
BEAT KING KONG BUNDY.
[ GROANING ]
>> HULK, PLEASE.
5352
02:37:03,548 --> 02:37:07,417
[ GROANING ]
>> HULK, PLEASE.
PLEASE.
5353
02:37:07,419 --> 02:37:08,017
>> HULK, PLEASE.
PLEASE.
YOU HAVE PROVEN YOUR POINT.
5354
02:37:08,019 --> 02:37:08,617
PLEASE.
YOU HAVE PROVEN YOUR POINT.
HELP HIM IF YOU COULD THERE,
5355
02:37:08,619 --> 02:37:09,018
YOU HAVE PROVEN YOUR POINT.
HELP HIM IF YOU COULD THERE,
HILLBILLY JIM.
5356
02:37:09,020 --> 02:37:10,453
HELP HIM IF YOU COULD THERE,
HILLBILLY JIM.
>> I'M ALL RIGHT, BROTHER.
5357
02:37:10,455 --> 02:37:10,853
HILLBILLY JIM.
>> I'M ALL RIGHT, BROTHER.
I'M ALL RIGHT.
5358
02:37:10,855 --> 02:37:11,521
>> I'M ALL RIGHT, BROTHER.
I'M ALL RIGHT.
>> ALL RIGHT.
5359
02:37:11,523 --> 02:37:12,588
I'M ALL RIGHT.
>> ALL RIGHT.
HULK, THIS IS IT.
5360
02:37:12,590 --> 02:37:13,088
>> ALL RIGHT.
HULK, THIS IS IT.
IT'S KING KONG BUNDY AND
5361
02:37:13,090 --> 02:37:13,689
HULK, THIS IS IT.
IT'S KING KONG BUNDY AND
YOURSELF IN A STEEL CAGE AS PART
5362
02:37:13,691 --> 02:37:14,423
IT'S KING KONG BUNDY AND
YOURSELF IN A STEEL CAGE AS PART
OF WRESTLEMANIA.
5363
02:37:14,425 --> 02:37:15,258
YOURSELF IN A STEEL CAGE AS PART
OF WRESTLEMANIA.
>> WELL, YOU KNOW, BROTHER, THIS
5364
02:37:15,260 --> 02:37:15,725
OF WRESTLEMANIA.
>> WELL, YOU KNOW, BROTHER, THIS
IS WHAT IT'S ALL ABOUT.
5365
02:37:15,727 --> 02:37:16,592
>> WELL, YOU KNOW, BROTHER, THIS
IS WHAT IT'S ALL ABOUT.
A WINNER AND A LOSER.
5366
02:37:16,594 --> 02:37:17,460
IS WHAT IT'S ALL ABOUT.
A WINNER AND A LOSER.
NO WAY IN, NO WAY OUT.
5367
02:37:17,462 --> 02:37:18,093
A WINNER AND A LOSER.
NO WAY IN, NO WAY OUT.
FIVE AND A HALF WEEKS, BROTHER.
5368
02:37:18,095 --> 02:37:18,694
NO WAY IN, NO WAY OUT.
FIVE AND A HALF WEEKS, BROTHER.
FIVE AND A HALF WEEKS I'VE BEEN
5369
02:37:18,696 --> 02:37:19,662
FIVE AND A HALF WEEKS, BROTHER.
FIVE AND A HALF WEEKS I'VE BEEN
LIVING THE PAIN, NOW I FEEL NO
5370
02:37:19,664 --> 02:37:20,663
FIVE AND A HALF WEEKS I'VE BEEN
LIVING THE PAIN, NOW I FEEL NO
PAIN.
5371
02:37:20,665 --> 02:37:22,465
LIVING THE PAIN, NOW I FEEL NO
PAIN.
I FEAR NO MAN.
5372
02:37:22,467 --> 02:37:24,633
PAIN.
I FEAR NO MAN.
BUNDY, YOU'RE MINE IN THE STEEL
5373
02:37:24,635 --> 02:37:26,602
I FEAR NO MAN.
BUNDY, YOU'RE MINE IN THE STEEL
CAGE.
5374
02:37:26,604 --> 02:37:27,637
BUNDY, YOU'RE MINE IN THE STEEL
CAGE.
>> THIS IS JESSE THE BODY
5375
02:37:27,639 --> 02:37:28,571
CAGE.
>> THIS IS JESSE THE BODY
VENTURA COMING AT YOU WITH
5376
02:37:28,573 --> 02:37:30,339
>> THIS IS JESSE THE BODY
VENTURA COMING AT YOU WITH
WRESTLEMANIA 2 RIGHT OUT OF LOS
5377
02:37:30,341 --> 02:37:31,674
VENTURA COMING AT YOU WITH
WRESTLEMANIA 2 RIGHT OUT OF LOS
ANGELES.
5378
02:37:31,676 --> 02:37:33,576
WRESTLEMANIA 2 RIGHT OUT OF LOS
ANGELES.
BOBBY THE BRAIN HEENAN, GOT TO
5379
02:37:33,578 --> 02:37:34,677
ANGELES.
BOBBY THE BRAIN HEENAN, GOT TO
BE THE BIGGEST DAY OF YOUR LIFE.
5380
02:37:34,679 --> 02:37:35,578
BOBBY THE BRAIN HEENAN, GOT TO
BE THE BIGGEST DAY OF YOUR LIFE.
>> THIS IS THE BIGGEST DAY OF MY
5381
02:37:35,580 --> 02:37:36,745
BE THE BIGGEST DAY OF YOUR LIFE.
>> THIS IS THE BIGGEST DAY OF MY
LIFE AND I'M THE MOST PROUDEST
5382
02:37:36,747 --> 02:37:38,514
>> THIS IS THE BIGGEST DAY OF MY
LIFE AND I'M THE MOST PROUDEST
MAN WALKING THE FACE OF THIS
5383
02:37:38,516 --> 02:37:39,482
LIFE AND I'M THE MOST PROUDEST
MAN WALKING THE FACE OF THIS
EARTH, BECAUSE IN SOME VERY
5384
02:37:39,484 --> 02:37:40,749
MAN WALKING THE FACE OF THIS
EARTH, BECAUSE IN SOME VERY
SHORT TIME RIGHT NOW I AM GOING
5385
02:37:40,751 --> 02:37:42,318
EARTH, BECAUSE IN SOME VERY
SHORT TIME RIGHT NOW I AM GOING
TO BE THE THAT'S GOING TO BE
5386
02:37:42,320 --> 02:37:43,652
SHORT TIME RIGHT NOW I AM GOING
TO BE THE THAT'S GOING TO BE
PACKING THE GOLD.
5387
02:37:43,654 --> 02:37:44,753
TO BE THE THAT'S GOING TO BE
PACKING THE GOLD.
THAT'S RIGHT.
5388
02:37:44,755 --> 02:37:46,355
PACKING THE GOLD.
THAT'S RIGHT.
I'M GOING TO BE PACKING THE
5389
02:37:46,357 --> 02:37:47,623
THAT'S RIGHT.
I'M GOING TO BE PACKING THE
WORLD CHAMPIONSHIP BELT IN THIS
5390
02:37:47,625 --> 02:37:48,757
I'M GOING TO BE PACKING THE
WORLD CHAMPIONSHIP BELT IN THIS
MAN'S LUGGAGE BECAUSE THIS IS
5391
02:37:48,759 --> 02:37:50,493
WORLD CHAMPIONSHIP BELT IN THIS
MAN'S LUGGAGE BECAUSE THIS IS
THE NEW HEAVYWEIGHT CHAMPION OF
5392
02:37:50,495 --> 02:37:51,694
MAN'S LUGGAGE BECAUSE THIS IS
THE NEW HEAVYWEIGHT CHAMPION OF
THE WORLD, KING KONG BUNDY.
5393
02:37:51,696 --> 02:37:53,329
THE NEW HEAVYWEIGHT CHAMPION OF
THE WORLD, KING KONG BUNDY.
>> NOW, KING KONG, I'M WORRIED.
5394
02:37:53,331 --> 02:37:54,463
THE WORLD, KING KONG BUNDY.
>> NOW, KING KONG, I'M WORRIED.
YOU KNOW, I'M THE MAN WHO TELLS
5395
02:37:54,465 --> 02:37:55,631
>> NOW, KING KONG, I'M WORRIED.
YOU KNOW, I'M THE MAN WHO TELLS
IT LIKE IT IS, BUNDY, AND I'M
5396
02:37:55,633 --> 02:37:57,533
YOU KNOW, I'M THE MAN WHO TELLS
IT LIKE IT IS, BUNDY, AND I'M
WORRIED THAT'S A CAGE MATCH.
5397
02:37:57,535 --> 02:37:58,467
IT LIKE IT IS, BUNDY, AND I'M
WORRIED THAT'S A CAGE MATCH.
YOUR BEAUTIFUL FACE IS ON THE
5398
02:37:58,469 --> 02:37:59,668
WORRIED THAT'S A CAGE MATCH.
YOUR BEAUTIFUL FACE IS ON THE
LINE IN THERE.
5399
02:37:59,670 --> 02:38:01,237
YOUR BEAUTIFUL FACE IS ON THE
LINE IN THERE.
>> WELL, JESS, WORRY NO MORE,
5400
02:38:01,239 --> 02:38:02,872
LINE IN THERE.
>> WELL, JESS, WORRY NO MORE,
BECAUSE YOUR FEARS ARE TOTALLY
5401
02:38:02,874 --> 02:38:04,407
>> WELL, JESS, WORRY NO MORE,
BECAUSE YOUR FEARS ARE TOTALLY
UNFOUNDED.
5402
02:38:04,409 --> 02:38:06,309
BECAUSE YOUR FEARS ARE TOTALLY
UNFOUNDED.
YOU KNOW, IT'S BEEN PROVEN BY
5403
02:38:06,311 --> 02:38:07,543
UNFOUNDED.
YOU KNOW, IT'S BEEN PROVEN BY
HISTORICAL FACT THAT EVERY TIME
5404
02:38:07,545 --> 02:38:08,478
YOU KNOW, IT'S BEEN PROVEN BY
HISTORICAL FACT THAT EVERY TIME
KING KONG BUNDY AND HULK HOGAN
5405
02:38:08,480 --> 02:38:09,778
HISTORICAL FACT THAT EVERY TIME
KING KONG BUNDY AND HULK HOGAN
GET IN A RING TOGETHER, THAT
5406
02:38:09,780 --> 02:38:10,779
KING KONG BUNDY AND HULK HOGAN
GET IN A RING TOGETHER, THAT
IT'S HULK HOGAN THAT WINDS UP
5407
02:38:10,781 --> 02:38:11,714
GET IN A RING TOGETHER, THAT
IT'S HULK HOGAN THAT WINDS UP
LAYING THERE HELPLESS LIKE A
5408
02:38:11,716 --> 02:38:13,549
IT'S HULK HOGAN THAT WINDS UP
LAYING THERE HELPLESS LIKE A
FISH OUT OF WATER AND IT'S HULK
5409
02:38:13,551 --> 02:38:15,618
LAYING THERE HELPLESS LIKE A
FISH OUT OF WATER AND IT'S HULK
HOGAN THAT WINDS UP BEING CARTED
5410
02:38:15,620 --> 02:38:16,452
FISH OUT OF WATER AND IT'S HULK
HOGAN THAT WINDS UP BEING CARTED
OFF TO THE HOSPITAL AND TONIGHT
5411
02:38:16,454 --> 02:38:17,419
HOGAN THAT WINDS UP BEING CARTED
OFF TO THE HOSPITAL AND TONIGHT
AIN'T GOING TO BE NO DIFFERENT,
5412
02:38:17,421 --> 02:38:18,687
OFF TO THE HOSPITAL AND TONIGHT
AIN'T GOING TO BE NO DIFFERENT,
HOGAN.
5413
02:38:18,689 --> 02:38:20,222
AIN'T GOING TO BE NO DIFFERENT,
HOGAN.
FIRE UP THE AMBULANCES, GET THEM
5414
02:38:20,224 --> 02:38:21,457
HOGAN.
FIRE UP THE AMBULANCES, GET THEM
READY TO GO, BECAUSE HOGAN'S
5415
02:38:21,459 --> 02:38:22,424
FIRE UP THE AMBULANCES, GET THEM
READY TO GO, BECAUSE HOGAN'S
GOING TO THE HOSPITAL AGAIN AND
5416
02:38:22,426 --> 02:38:23,692
READY TO GO, BECAUSE HOGAN'S
GOING TO THE HOSPITAL AGAIN AND
LIKE THE MAN SAID, BOBBY THE
5417
02:38:23,694 --> 02:38:25,461
GOING TO THE HOSPITAL AGAIN AND
LIKE THE MAN SAID, BOBBY THE
BRAIN HEENAN, THE GREATEST MIND
5418
02:38:25,463 --> 02:38:27,697
LIKE THE MAN SAID, BOBBY THE
BRAIN HEENAN, THE GREATEST MIND
OF PROFESSIONAL SPORTS, I'M
5419
02:38:27,699 --> 02:38:28,631
BRAIN HEENAN, THE GREATEST MIND
OF PROFESSIONAL SPORTS, I'M
GOING TO BE THE NEXT HEAVYWEIGHT
5420
02:38:28,633 --> 02:38:29,665
OF PROFESSIONAL SPORTS, I'M
GOING TO BE THE NEXT HEAVYWEIGHT
CHAMPION OF THE WORLD.
5421
02:38:29,667 --> 02:38:30,399
GOING TO BE THE NEXT HEAVYWEIGHT
CHAMPION OF THE WORLD.
IT DOESN'T MATTER WHO LIKES IT.
5422
02:38:30,401 --> 02:38:31,467
CHAMPION OF THE WORLD.
IT DOESN'T MATTER WHO LIKES IT.
HULK HOGAN DOESN'T HAVE TO LIKE
5423
02:38:31,469 --> 02:38:32,801
IT DOESN'T MATTER WHO LIKES IT.
HULK HOGAN DOESN'T HAVE TO LIKE
IT, THE MAN'S GOING DOWN.
5424
02:38:32,803 --> 02:38:34,737
HULK HOGAN DOESN'T HAVE TO LIKE
IT, THE MAN'S GOING DOWN.
YOU KNOW, IT'S LIKE YOU SAID.
5425
02:38:34,739 --> 02:38:36,405
IT, THE MAN'S GOING DOWN.
YOU KNOW, IT'S LIKE YOU SAID.
THE HEENAN FAMILY, YOU DON'T
5426
02:38:36,407 --> 02:38:37,273
YOU KNOW, IT'S LIKE YOU SAID.
THE HEENAN FAMILY, YOU DON'T
MESS WITH US.
5427
02:38:37,275 --> 02:38:38,641
THE HEENAN FAMILY, YOU DON'T
MESS WITH US.
THAT'S RIGHT, BOBBY THE BRAIN,
5428
02:38:38,643 --> 02:38:40,476
MESS WITH US.
THAT'S RIGHT, BOBBY THE BRAIN,
KING KONG BUNDY, WE'RE THE NEXT
5429
02:38:40,478 --> 02:38:41,544
THAT'S RIGHT, BOBBY THE BRAIN,
KING KONG BUNDY, WE'RE THE NEXT
HEAVYWEIGHT CHAMPIONS OF THE
5430
02:38:41,546 --> 02:38:42,311
KING KONG BUNDY, WE'RE THE NEXT
HEAVYWEIGHT CHAMPIONS OF THE
WORLD.
5431
02:38:42,313 --> 02:38:43,079
HEAVYWEIGHT CHAMPIONS OF THE
WORLD.
WE'RE THE DOMINANT FORCE OF
5432
02:38:43,081 --> 02:38:43,812
WORLD.
WE'RE THE DOMINANT FORCE OF
PROFESSIONAL WRESTLING, RIGHT,
5433
02:38:43,814 --> 02:38:44,613
WE'RE THE DOMINANT FORCE OF
PROFESSIONAL WRESTLING, RIGHT,
BOBBY?
5434
02:38:44,615 --> 02:38:45,481
PROFESSIONAL WRESTLING, RIGHT,
BOBBY?
>> YOU KNOW, THE DOCTORS IN
5435
02:38:45,483 --> 02:38:46,482
BOBBY?
>> YOU KNOW, THE DOCTORS IN
PHOENIX PUT H -- HULK BACK
5436
02:38:46,484 --> 02:38:47,516
>> YOU KNOW, THE DOCTORS IN
PHOENIX PUT H -- HULK BACK
TOGETHER AGAIN.
5437
02:38:47,518 --> 02:38:48,484
PHOENIX PUT H -- HULK BACK
TOGETHER AGAIN.
WELL, I DON'T KNOW IF HE'S BACK
5438
02:38:48,486 --> 02:38:49,418
TOGETHER AGAIN.
WELL, I DON'T KNOW IF HE'S BACK
TOGETHER 100 PERCENT, BUT THE
5439
02:38:49,420 --> 02:38:50,619
WELL, I DON'T KNOW IF HE'S BACK
TOGETHER 100 PERCENT, BUT THE
DOCTORS HERE IN LA ARE GOING TO
5440
02:38:50,621 --> 02:38:51,554
TOGETHER 100 PERCENT, BUT THE
DOCTORS HERE IN LA ARE GOING TO
HAVE THEIR HANDS FULL, BECAUSE
5441
02:38:51,556 --> 02:38:52,521
DOCTORS HERE IN LA ARE GOING TO
HAVE THEIR HANDS FULL, BECAUSE
HE'S GOING TO BE PUT IN
5442
02:38:52,523 --> 02:38:53,789
HAVE THEIR HANDS FULL, BECAUSE
HE'S GOING TO BE PUT IN
DIFFERENT PIECES BECAUSE THERE'S
5443
02:38:53,791 --> 02:38:54,590
HE'S GOING TO BE PUT IN
DIFFERENT PIECES BECAUSE THERE'S
GOING TO BE A BRAND NEW
5444
02:38:54,592 --> 02:38:55,891
DIFFERENT PIECES BECAUSE THERE'S
GOING TO BE A BRAND NEW
HEAVYWEIGHT CHAMPION AND HIS
5445
02:38:55,893 --> 02:38:57,459
GOING TO BE A BRAND NEW
HEAVYWEIGHT CHAMPION AND HIS
NAME IS BUNDY, GET USED TO IT.
5446
02:38:57,461 --> 02:38:58,627
HEAVYWEIGHT CHAMPION AND HIS
NAME IS BUNDY, GET USED TO IT.
KING KONG BUNDY.
5447
02:38:58,629 --> 02:38:59,629
NAME IS BUNDY, GET USED TO IT.
KING KONG BUNDY.
NO MORE HULKAMANIA.
5448
02:38:59,631 --> 02:39:01,330
KING KONG BUNDY.
NO MORE HULKAMANIA.
NO MORE HULK THIS, HULK THAT.
5449
02:39:01,332 --> 02:39:03,266
NO MORE HULKAMANIA.
NO MORE HULK THIS, HULK THAT.
IT'S BUNDYMANIA FROM NOW ON.
5450
02:39:03,268 --> 02:39:04,400
NO MORE HULK THIS, HULK THAT.
IT'S BUNDYMANIA FROM NOW ON.
THE WORLD'S BIGGEST AND
5451
02:39:04,402 --> 02:39:06,368
IT'S BUNDYMANIA FROM NOW ON.
THE WORLD'S BIGGEST AND
STRONGEST, TOUGHEST CHAMPION THE
5452
02:39:06,370 --> 02:39:07,303
THE WORLD'S BIGGEST AND
STRONGEST, TOUGHEST CHAMPION THE
WORLD OF PROFESSIONAL WRESTLING
5453
02:39:07,305 --> 02:39:08,804
STRONGEST, TOUGHEST CHAMPION THE
WORLD OF PROFESSIONAL WRESTLING
HAS EVER HAD AND IT'S MY
5454
02:39:08,806 --> 02:39:10,539
WORLD OF PROFESSIONAL WRESTLING
HAS EVER HAD AND IT'S MY
PRIVILEGE TO MANAGE THAT
5455
02:39:10,541 --> 02:39:11,340
HAS EVER HAD AND IT'S MY
PRIVILEGE TO MANAGE THAT
GENTLEMAN.
5456
02:39:11,342 --> 02:39:12,441
PRIVILEGE TO MANAGE THAT
GENTLEMAN.
>> WELL, I GOT TO TELL YOU THIS,
5457
02:39:12,443 --> 02:39:13,276
GENTLEMAN.
>> WELL, I GOT TO TELL YOU THIS,
THE MAN WHO TELLS IT LIKE IT IS,
5458
02:39:13,278 --> 02:39:15,444
>> WELL, I GOT TO TELL YOU THIS,
THE MAN WHO TELLS IT LIKE IT IS,
I BELIEVE BUNDY'S READY.
5459
02:39:15,446 --> 02:39:17,413
THE MAN WHO TELLS IT LIKE IT IS,
I BELIEVE BUNDY'S READY.
I BELIEVE HOGAN, YOU'RE IN FOR
5460
02:39:17,415 --> 02:39:19,715
I BELIEVE BUNDY'S READY.
I BELIEVE HOGAN, YOU'RE IN FOR
THE FIGHT OF YOUR LIFE.
5461
02:39:19,717 --> 02:39:20,416
I BELIEVE HOGAN, YOU'RE IN FOR
THE FIGHT OF YOUR LIFE.
>> AND JESS, WE'RE GOING TO TURN
5462
02:39:20,418 --> 02:39:21,383
THE FIGHT OF YOUR LIFE.
>> AND JESS, WE'RE GOING TO TURN
THIS TOWN ON ITS EAR TONIGHT,
5463
02:39:21,385 --> 02:39:22,351
>> AND JESS, WE'RE GOING TO TURN
THIS TOWN ON ITS EAR TONIGHT,
DADDY.
5464
02:39:22,353 --> 02:39:24,353
THIS TOWN ON ITS EAR TONIGHT,
DADDY.
WHEN I WALK OUT OF THAT CAGE AND
5465
02:39:24,355 --> 02:39:25,454
DADDY.
WHEN I WALK OUT OF THAT CAGE AND
SEE HOGAN LAYING THERE, LA LOOK
5466
02:39:25,456 --> 02:39:26,422
WHEN I WALK OUT OF THAT CAGE AND
SEE HOGAN LAYING THERE, LA LOOK
OUT.
5467
02:39:26,424 --> 02:39:27,423
SEE HOGAN LAYING THERE, LA LOOK
OUT.
>> BEVERLY HILLS, LET'S GO.
5468
02:39:27,425 --> 02:39:29,224
OUT.
>> BEVERLY HILLS, LET'S GO.
COME ON.
5469
02:39:29,226 --> 02:39:29,926
>> BEVERLY HILLS, LET'S GO.
COME ON.
>> SOUNDS GOOD TO ME.
5470
02:39:29,928 --> 02:39:30,726
COME ON.
>> SOUNDS GOOD TO ME.
>> HI, I'M ELVIRA.
5471
02:39:30,728 --> 02:39:31,827
>> SOUNDS GOOD TO ME.
>> HI, I'M ELVIRA.
I'M HERE AT LA AT THE SPORTS
5472
02:39:31,829 --> 02:39:33,696
>> HI, I'M ELVIRA.
I'M HERE AT LA AT THE SPORTS
ARENA STARING AT THIS GIANT
5473
02:39:33,698 --> 02:39:36,332
I'M HERE AT LA AT THE SPORTS
ARENA STARING AT THIS GIANT
STEEL CAGE.
5474
02:39:36,334 --> 02:39:37,066
ARENA STARING AT THIS GIANT
STEEL CAGE.
RIGHT NOW WE'RE GOING LIVE TO
5475
02:39:37,068 --> 02:39:37,766
STEEL CAGE.
RIGHT NOW WE'RE GOING LIVE TO
NEW YORK WITH SUSAN SAINT JAMES
5476
02:39:37,768 --> 02:39:39,669
RIGHT NOW WE'RE GOING LIVE TO
NEW YORK WITH SUSAN SAINT JAMES
AND VINCE MCMAHON.
5477
02:39:39,671 --> 02:39:41,470
NEW YORK WITH SUSAN SAINT JAMES
AND VINCE MCMAHON.
>> ALL RIGHT, SUSAN.
5478
02:39:41,472 --> 02:39:43,505
AND VINCE MCMAHON.
>> ALL RIGHT, SUSAN.
LET ME ASK YOU ...
5479
02:39:43,507 --> 02:39:44,106
>> ALL RIGHT, SUSAN.
LET ME ASK YOU ...
>> BUNDYMANIA, GIVE ME A BREAK.
5480
02:39:44,108 --> 02:39:45,207
LET ME ASK YOU ...
>> BUNDYMANIA, GIVE ME A BREAK.
>> WHAT IS THE FUTURE OF
5481
02:39:45,209 --> 02:39:45,941
>> BUNDYMANIA, GIVE ME A BREAK.
>> WHAT IS THE FUTURE OF
BUNDYMANIA?
5482
02:39:45,943 --> 02:39:47,643
>> WHAT IS THE FUTURE OF
BUNDYMANIA?
>> IT'S ZERO.
5483
02:39:47,645 --> 02:39:48,677
BUNDYMANIA?
>> IT'S ZERO.
NEVER GOING TO HAPPEN.
5484
02:39:48,679 --> 02:39:49,445
>> IT'S ZERO.
NEVER GOING TO HAPPEN.
COME ON.
5485
02:39:49,447 --> 02:39:50,279
NEVER GOING TO HAPPEN.
COME ON.
>> WELL, THEN AGAIN YOU HAVE A
5486
02:39:50,281 --> 02:39:51,414
COME ON.
>> WELL, THEN AGAIN YOU HAVE A
SITUATION OF THAT 400 PLUS POUND
5487
02:39:51,416 --> 02:39:54,750
>> WELL, THEN AGAIN YOU HAVE A
SITUATION OF THAT 400 PLUS POUND
KING KONG BUNDY, AS WAS
5488
02:39:54,752 --> 02:39:56,485
SITUATION OF THAT 400 PLUS POUND
KING KONG BUNDY, AS WAS
MENTIONED EARLIER, THE STEEL
5489
02:39:56,487 --> 02:39:57,386
KING KONG BUNDY, AS WAS
MENTIONED EARLIER, THE STEEL
CAGE HAS BEEN INDEED REINFORCED
5490
02:39:57,388 --> 02:39:58,687
MENTIONED EARLIER, THE STEEL
CAGE HAS BEEN INDEED REINFORCED
AGAINST THE 300 POUND HULK
5491
02:39:58,689 --> 02:40:00,356
CAGE HAS BEEN INDEED REINFORCED
AGAINST THE 300 POUND HULK
HOGAN, SOMETHING WILL HAVE TO
5492
02:40:00,358 --> 02:40:01,523
AGAINST THE 300 POUND HULK
HOGAN, SOMETHING WILL HAVE TO
GIVE.
5493
02:40:01,525 --> 02:40:02,625
HOGAN, SOMETHING WILL HAVE TO
GIVE.
>> ABS -- I AGREE THERE.
5494
02:40:02,627 --> 02:40:03,458
GIVE.
>> ABS -- I AGREE THERE.
IT'S PRETTY SCARY LOOKING.
5495
02:40:03,460 --> 02:40:04,694
>> ABS -- I AGREE THERE.
IT'S PRETTY SCARY LOOKING.
I'VE NEVER SEEN ANYTHING LIKE
5496
02:40:04,696 --> 02:40:06,495
IT'S PRETTY SCARY LOOKING.
I'VE NEVER SEEN ANYTHING LIKE
THAT, BUT ALL MY CONFIDENCE.
5497
02:40:06,497 --> 02:40:07,596
I'VE NEVER SEEN ANYTHING LIKE
THAT, BUT ALL MY CONFIDENCE.
DID YOU SEE THOSE HOW MANY
5498
02:40:07,598 --> 02:40:09,398
THAT, BUT ALL MY CONFIDENCE.
DID YOU SEE THOSE HOW MANY
HUNDRED POUNDS UP AND UP AND UP?
5499
02:40:09,400 --> 02:40:10,566
DID YOU SEE THOSE HOW MANY
HUNDRED POUNDS UP AND UP AND UP?
GIVE ME A -- BUNDYMANIA, IT
5500
02:40:10,568 --> 02:40:12,401
HUNDRED POUNDS UP AND UP AND UP?
GIVE ME A -- BUNDYMANIA, IT
DOESN'T EVEN SOUND GOOD.
5501
02:40:12,403 --> 02:40:13,235
GIVE ME A -- BUNDYMANIA, IT
DOESN'T EVEN SOUND GOOD.
>> IT DOESN'T SOUND VERY GOOD,
5502
02:40:13,237 --> 02:40:13,903
DOESN'T EVEN SOUND GOOD.
>> IT DOESN'T SOUND VERY GOOD,
BUT WE COULD VERY WELL GET USED
5503
02:40:13,905 --> 02:40:15,904
>> IT DOESN'T SOUND VERY GOOD,
BUT WE COULD VERY WELL GET USED
TO, UH, KING KONG BUNDY BECOMING
5504
02:40:15,906 --> 02:40:16,572
BUT WE COULD VERY WELL GET USED
TO, UH, KING KONG BUNDY BECOMING
THE NEXT WORLD WRESTLING
5505
02:40:16,574 --> 02:40:18,540
TO, UH, KING KONG BUNDY BECOMING
THE NEXT WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
5506
02:40:18,542 --> 02:40:19,675
THE NEXT WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
CHAMPION.
5507
02:40:19,677 --> 02:40:20,810
ENTERTAINMENT HEAVYWEIGHT
CHAMPION.
STRANGER THINGS THAN THAT HAVE
5508
02:40:20,812 --> 02:40:22,378
CHAMPION.
STRANGER THINGS THAN THAT HAVE
HAPPENED IN THE PAST.
5509
02:40:22,380 --> 02:40:23,679
STRANGER THINGS THAN THAT HAVE
HAPPENED IN THE PAST.
>> THIS IS TRUE, ELVIRA, FOR
5510
02:40:23,681 --> 02:40:24,680
HAPPENED IN THE PAST.
>> THIS IS TRUE, ELVIRA, FOR
EXAMPLE.
5511
02:40:24,682 --> 02:40:25,648
>> THIS IS TRUE, ELVIRA, FOR
EXAMPLE.
>> UH, WELL YES.
5512
02:40:25,650 --> 02:40:27,349
EXAMPLE.
>> UH, WELL YES.
AS A MATTER OF FACT, UH,
5513
02:40:27,351 --> 02:40:28,450
>> UH, WELL YES.
AS A MATTER OF FACT, UH,
SPEAKING OF THAT, WE'LL TAKE YOU
5514
02:40:28,452 --> 02:40:29,952
AS A MATTER OF FACT, UH,
SPEAKING OF THAT, WE'LL TAKE YOU
BACK NOW TO ELVIRA.
5515
02:40:29,954 --> 02:40:31,687
SPEAKING OF THAT, WE'LL TAKE YOU
BACK NOW TO ELVIRA.
WE'LL TAKE YOU BACK TO JESSE
5516
02:40:31,689 --> 02:40:33,623
BACK NOW TO ELVIRA.
WE'LL TAKE YOU BACK TO JESSE
ALONG WITH LORD ALFRED HAYES AND
5517
02:40:33,625 --> 02:40:34,857
WE'LL TAKE YOU BACK TO JESSE
ALONG WITH LORD ALFRED HAYES AND
PERHAPS NOW WE ARE READY FOR THE
5518
02:40:34,859 --> 02:40:36,558
ALONG WITH LORD ALFRED HAYES AND
PERHAPS NOW WE ARE READY FOR THE
WORLD WRESTLING ENTERTAINMENT
5519
02:40:36,560 --> 02:40:38,560
PERHAPS NOW WE ARE READY FOR THE
WORLD WRESTLING ENTERTAINMENT
TITLE DEFENSE, CHAMPION HULK
5520
02:40:38,562 --> 02:40:40,663
WORLD WRESTLING ENTERTAINMENT
TITLE DEFENSE, CHAMPION HULK
HOGAN TO MEET KING KONG BUNDY IN
5521
02:40:40,665 --> 02:40:41,797
TITLE DEFENSE, CHAMPION HULK
HOGAN TO MEET KING KONG BUNDY IN
LOS ANGELES.
5522
02:40:41,799 --> 02:40:44,366
HOGAN TO MEET KING KONG BUNDY IN
LOS ANGELES.
LET'S TAKE YOU BACK TO LA.
5523
02:40:44,368 --> 02:40:45,668
LOS ANGELES.
LET'S TAKE YOU BACK TO LA.
>> WELL, LORD ALFRED HAYES,
5524
02:40:45,670 --> 02:40:47,770
LET'S TAKE YOU BACK TO LA.
>> WELL, LORD ALFRED HAYES,
THERE IT IS, A STEEL CAGE.
5525
02:40:47,772 --> 02:40:48,570
>> WELL, LORD ALFRED HAYES,
THERE IT IS, A STEEL CAGE.
ELVIRA, YOU EVER SEE ANYTHING
5526
02:40:48,572 --> 02:40:49,805
THERE IT IS, A STEEL CAGE.
ELVIRA, YOU EVER SEE ANYTHING
LIKE THAT?
5527
02:40:49,807 --> 02:40:50,940
ELVIRA, YOU EVER SEE ANYTHING
LIKE THAT?
>> UH, NO I HAVEN'T, BUT I'M
5528
02:40:50,942 --> 02:40:52,541
LIKE THAT?
>> UH, NO I HAVEN'T, BUT I'M
GLAD I'M SEEING IT NOW, BECAUSE,
5529
02:40:52,543 --> 02:40:53,776
>> UH, NO I HAVEN'T, BUT I'M
GLAD I'M SEEING IT NOW, BECAUSE,
I'LL TELL YOU, I, FOR ONE, AM
5530
02:40:53,778 --> 02:40:54,643
GLAD I'M SEEING IT NOW, BECAUSE,
I'LL TELL YOU, I, FOR ONE, AM
GLAD THE STEEL CAGE IS UP
5531
02:40:54,645 --> 02:40:55,878
I'LL TELL YOU, I, FOR ONE, AM
GLAD THE STEEL CAGE IS UP
BECAUSE WE'RE SITTING HERE SO
5532
02:40:55,880 --> 02:40:56,979
GLAD THE STEEL CAGE IS UP
BECAUSE WE'RE SITTING HERE SO
CLOSE TO IT.
5533
02:40:56,981 --> 02:40:57,713
BECAUSE WE'RE SITTING HERE SO
CLOSE TO IT.
>> WELL, WHAT THEY'VE DONE, THIS
5534
02:40:57,715 --> 02:40:58,914
CLOSE TO IT.
>> WELL, WHAT THEY'VE DONE, THIS
ISN'T EXACTLY A NORMAL STEEL
5535
02:40:58,916 --> 02:40:59,682
>> WELL, WHAT THEY'VE DONE, THIS
ISN'T EXACTLY A NORMAL STEEL
CAGE.
5536
02:40:59,684 --> 02:41:01,283
ISN'T EXACTLY A NORMAL STEEL
CAGE.
USUALLY IT'S A CYCLONE FENCE,
5537
02:41:01,285 --> 02:41:02,251
CAGE.
USUALLY IT'S A CYCLONE FENCE,
BUT IN THE CASE OF KING KONG
5538
02:41:02,253 --> 02:41:05,287
USUALLY IT'S A CYCLONE FENCE,
BUT IN THE CASE OF KING KONG
BUNDY, HE'S ABOUT 450 POUNDS.
5539
02:41:05,289 --> 02:41:06,488
BUT IN THE CASE OF KING KONG
BUNDY, HE'S ABOUT 450 POUNDS.
HE NEEDS A REINFORCED CAGE.
5540
02:41:06,490 --> 02:41:07,155
BUNDY, HE'S ABOUT 450 POUNDS.
HE NEEDS A REINFORCED CAGE.
LET'S GO UP TO THE RING
5541
02:41:07,157 --> 02:41:10,359
HE NEEDS A REINFORCED CAGE.
LET'S GO UP TO THE RING
ANNOUNCER FOR ANNOUNCEMENTS.
5542
02:41:10,361 --> 02:41:12,461
LET'S GO UP TO THE RING
ANNOUNCER FOR ANNOUNCEMENTS.
>> LADIES AND GENTLEMEN, THIS IS
5543
02:41:12,463 --> 02:41:17,600
ANNOUNCER FOR ANNOUNCEMENTS.
>> LADIES AND GENTLEMEN, THIS IS
THE MAIN EVENT.
5544
02:41:17,602 --> 02:41:21,570
>> LADIES AND GENTLEMEN, THIS IS
THE MAIN EVENT.
[ BELL RINGING ]
5545
02:41:21,572 --> 02:41:22,705
THE MAIN EVENT.
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, IT
5546
02:41:22,707 --> 02:41:23,539
[ BELL RINGING ]
>> LADIES AND GENTLEMEN, IT
GIVES ME A GREAT DEAL OF
5547
02:41:23,541 --> 02:41:26,475
>> LADIES AND GENTLEMEN, IT
GIVES ME A GREAT DEAL OF
PLEASURE TO INTRODUCE YOU TO OUR
5548
02:41:26,477 --> 02:41:28,811
GIVES ME A GREAT DEAL OF
PLEASURE TO INTRODUCE YOU TO OUR
GUEST RING ANNOUNCER.
5549
02:41:28,813 --> 02:41:30,679
PLEASURE TO INTRODUCE YOU TO OUR
GUEST RING ANNOUNCER.
HE IS TRULY A LEGEND IN THIS
5550
02:41:30,681 --> 02:41:32,615
GUEST RING ANNOUNCER.
HE IS TRULY A LEGEND IN THIS
AREA AND IS KNOWN NATIONWIDE AS
5551
02:41:32,617 --> 02:41:34,717
HE IS TRULY A LEGEND IN THIS
AREA AND IS KNOWN NATIONWIDE AS
ONE OF THE BRIGHTEST BASEBALL
5552
02:41:34,719 --> 02:41:37,419
AREA AND IS KNOWN NATIONWIDE AS
ONE OF THE BRIGHTEST BASEBALL
MINDS TODAY, LADIES AND
5553
02:41:37,421 --> 02:41:38,654
ONE OF THE BRIGHTEST BASEBALL
MINDS TODAY, LADIES AND
GENTLEMEN, THE MANAGER OF THE
5554
02:41:38,656 --> 02:41:41,790
MINDS TODAY, LADIES AND
GENTLEMEN, THE MANAGER OF THE
LOS ANGELES DODGERS, TOMMY
5555
02:41:41,792 --> 02:41:44,660
GENTLEMEN, THE MANAGER OF THE
LOS ANGELES DODGERS, TOMMY
LASORDA.
5556
02:41:44,662 --> 02:41:57,907
LOS ANGELES DODGERS, TOMMY
LASORDA.
[ BELL RINGING ]
5557
02:41:57,909 --> 02:41:59,441
LASORDA.
[ BELL RINGING ]
>> GOOD EVENING, LADIES AND
5558
02:41:59,443 --> 02:42:02,644
[ BELL RINGING ]
>> GOOD EVENING, LADIES AND
GENTLEMEN.
5559
02:42:02,646 --> 02:42:06,482
>> GOOD EVENING, LADIES AND
GENTLEMEN.
MAY I INTRODUCE THE OFFICIALS
5560
02:42:06,484 --> 02:42:08,617
GENTLEMEN.
MAY I INTRODUCE THE OFFICIALS
FOR THE MAIN EVENT.
5561
02:42:08,619 --> 02:42:13,388
MAY I INTRODUCE THE OFFICIALS
FOR THE MAIN EVENT.
FIRST OF ALL, THE TIME KEEPER, A
5562
02:42:13,390 --> 02:42:16,525
FOR THE MAIN EVENT.
FIRST OF ALL, THE TIME KEEPER, A
BRILLIANT YOUNG ACTOR AND THE
5563
02:42:16,527 --> 02:42:20,696
FIRST OF ALL, THE TIME KEEPER, A
BRILLIANT YOUNG ACTOR AND THE
STAR OF TV SERIES SILVER SPOONS,
5564
02:42:20,698 --> 02:42:23,565
BRILLIANT YOUNG ACTOR AND THE
STAR OF TV SERIES SILVER SPOONS,
RICKY SCHRODER.
5565
02:42:23,567 --> 02:42:44,520
STAR OF TV SERIES SILVER SPOONS,
RICKY SCHRODER.
[ BELL RINGING ]
5566
02:42:44,522 --> 02:42:47,556
RICKY SCHRODER.
[ BELL RINGING ]
>> AND NOW, YOUR REFEREE FOR
5567
02:42:47,558 --> 02:42:51,593
[ BELL RINGING ]
>> AND NOW, YOUR REFEREE FOR
TONIGHT, ONE OF HOLLYWOOD'S BEST
5568
02:42:51,595 --> 02:42:55,364
>> AND NOW, YOUR REFEREE FOR
TONIGHT, ONE OF HOLLYWOOD'S BEST
KNOWN STARS, THIS MAN'S
5569
02:42:55,366 --> 02:42:57,699
TONIGHT, ONE OF HOLLYWOOD'S BEST
KNOWN STARS, THIS MAN'S
CREDENTIALS INCLUDE THE TV
5570
02:42:57,701 --> 02:43:00,469
KNOWN STARS, THIS MAN'S
CREDENTIALS INCLUDE THE TV
SERIES HAWAIIAN EYE, THE WILD
5571
02:43:00,471 --> 02:43:04,573
CREDENTIALS INCLUDE THE TV
SERIES HAWAIIAN EYE, THE WILD
WILD WEST, AND CENTENNIAL.
5572
02:43:04,575 --> 02:43:07,276
SERIES HAWAIIAN EYE, THE WILD
WILD WEST, AND CENTENNIAL.
LADIES AND GENTLEMEN, THE ONE
5573
02:43:07,278 --> 02:43:10,479
WILD WEST, AND CENTENNIAL.
LADIES AND GENTLEMEN, THE ONE
AND ONLY ROBERT CONRAD.
5574
02:43:10,481 --> 02:43:25,427
LADIES AND GENTLEMEN, THE ONE
AND ONLY ROBERT CONRAD.
[ BELL RINGING ]
5575
02:43:25,429 --> 02:43:28,464
AND ONLY ROBERT CONRAD.
[ BELL RINGING ]
>> THIS IS THE MAIN EVENT AND IT
5576
02:43:28,466 --> 02:43:30,599
[ BELL RINGING ]
>> THIS IS THE MAIN EVENT AND IT
WILL BE HELD INSIDE THE STEEL
5577
02:43:30,601 --> 02:43:36,572
>> THIS IS THE MAIN EVENT AND IT
WILL BE HELD INSIDE THE STEEL
CAGE FOR THE WORLD WRESTLING
5578
02:43:36,574 --> 02:43:38,707
WILL BE HELD INSIDE THE STEEL
CAGE FOR THE WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
5579
02:43:38,709 --> 02:43:41,710
CAGE FOR THE WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
CHAMPIONSHIP.
5580
02:43:41,712 --> 02:43:44,680
ENTERTAINMENT HEAVYWEIGHT
CHAMPIONSHIP.
THE WINNER OF THIS MATCH WILL BE
5581
02:43:44,682 --> 02:43:47,583
CHAMPIONSHIP.
THE WINNER OF THIS MATCH WILL BE
THE FIRST MAN TO EXIT THE CAGE,
5582
02:43:47,585 --> 02:43:49,819
THE WINNER OF THIS MATCH WILL BE
THE FIRST MAN TO EXIT THE CAGE,
EITHER THROUGH THE DOOR OR OVER
5583
02:43:49,821 --> 02:43:54,590
THE FIRST MAN TO EXIT THE CAGE,
EITHER THROUGH THE DOOR OR OVER
THE TOP AND NOW HERE ARE THE
5584
02:43:54,592 --> 02:44:02,497
EITHER THROUGH THE DOOR OR OVER
THE TOP AND NOW HERE ARE THE
PARTICIPANTS.
5585
02:44:02,499 --> 02:44:04,500
THE TOP AND NOW HERE ARE THE
PARTICIPANTS.
LED TOWARD THE RING BY HIS
5586
02:44:04,502 --> 02:44:08,804
PARTICIPANTS.
LED TOWARD THE RING BY HIS
MANAGER, BOBBY THE BRAIN HEENAN,
5587
02:44:08,806 --> 02:44:11,707
LED TOWARD THE RING BY HIS
MANAGER, BOBBY THE BRAIN HEENAN,
IS THE CHALLENGER FROM ATLANTIC
5588
02:44:11,709 --> 02:44:16,411
MANAGER, BOBBY THE BRAIN HEENAN,
IS THE CHALLENGER FROM ATLANTIC
CITY, NEW JERSEY, WEIGHING 468
5589
02:44:16,413 --> 02:44:20,349
IS THE CHALLENGER FROM ATLANTIC
CITY, NEW JERSEY, WEIGHING 468
POUNDS, KING KONG BUNDY.
5590
02:44:20,351 --> 02:45:20,475
CITY, NEW JERSEY, WEIGHING 468
POUNDS, KING KONG BUNDY.
[ BELL RINGING ]
5591
02:45:20,477 --> 02:45:25,580
POUNDS, KING KONG BUNDY.
[ BELL RINGING ]
>> AND HIS OPPONENT FROM VENICE
5592
02:45:25,582 --> 02:45:31,420
[ BELL RINGING ]
>> AND HIS OPPONENT FROM VENICE
BEACH, CALIFORNIA, WEIGHING 302
5593
02:45:31,422 --> 02:45:34,823
>> AND HIS OPPONENT FROM VENICE
BEACH, CALIFORNIA, WEIGHING 302
POUNDS, THE WORLD WRESTLING
5594
02:45:34,825 --> 02:45:37,726
BEACH, CALIFORNIA, WEIGHING 302
POUNDS, THE WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
5595
02:45:37,728 --> 02:45:40,429
POUNDS, THE WORLD WRESTLING
ENTERTAINMENT HEAVYWEIGHT
CHAMPION, HULK HOGAN.
5596
02:45:40,431 --> 02:45:42,364
ENTERTAINMENT HEAVYWEIGHT
CHAMPION, HULK HOGAN.
[ BELL RINGING ]
5597
02:45:42,366 --> 02:45:45,567
CHAMPION, HULK HOGAN.
[ BELL RINGING ]
[ LYRICS ]
5598
02:45:45,569 --> 02:45:47,469
[ BELL RINGING ]
[ LYRICS ]
YA' GOTTA TAKE A STAND, IT
5599
02:45:47,471 --> 02:45:50,605
[ LYRICS ]
YA' GOTTA TAKE A STAND, IT
DON'T HELP TO HIDE.
5600
02:45:50,607 --> 02:45:52,774
YA' GOTTA TAKE A STAND, IT
DON'T HELP TO HIDE.
WELL, YOU HURT MY FRIENDS, AND
5601
02:45:52,776 --> 02:45:55,477
DON'T HELP TO HIDE.
WELL, YOU HURT MY FRIENDS, AND
YOU HURT MY PRIDE.
5602
02:45:55,479 --> 02:45:57,680
WELL, YOU HURT MY FRIENDS, AND
YOU HURT MY PRIDE.
I GOTTA BE A MAN, I CAN'T LET IT
5603
02:45:57,682 --> 02:45:59,681
YOU HURT MY PRIDE.
I GOTTA BE A MAN, I CAN'T LET IT
SLIDE.
5604
02:45:59,683 --> 02:46:01,850
I GOTTA BE A MAN, I CAN'T LET IT
SLIDE.
I AM A REAL AMERICAN.
5605
02:46:01,852 --> 02:46:05,654
SLIDE.
I AM A REAL AMERICAN.
FIGHT FOR THE RIGHTS OF EVERY
5606
02:46:05,656 --> 02:46:07,389
I AM A REAL AMERICAN.
FIGHT FOR THE RIGHTS OF EVERY
MAN.
5607
02:46:07,391 --> 02:46:08,757
FIGHT FOR THE RIGHTS OF EVERY
MAN.
I AM A REAL AMERICAN.
5608
02:46:08,759 --> 02:46:12,627
MAN.
I AM A REAL AMERICAN.
FIGHT WHAT'S RIGHT.
5609
02:46:12,629 --> 02:46:23,572
I AM A REAL AMERICAN.
FIGHT WHAT'S RIGHT.
FIGHT FOR YOUR LIFE.
5610
02:46:23,574 --> 02:46:24,639
FIGHT WHAT'S RIGHT.
FIGHT FOR YOUR LIFE.
I FEEL STRONG ABOUT RIGHT AND
5611
02:46:24,641 --> 02:46:28,243
FIGHT FOR YOUR LIFE.
I FEEL STRONG ABOUT RIGHT AND
WRONG, AND I DON'T TAKE TROUBLE
5612
02:46:28,245 --> 02:46:38,721
I FEEL STRONG ABOUT RIGHT AND
WRONG, AND I DON'T TAKE TROUBLE
FOR VERY LONG.
5613
02:46:38,723 --> 02:46:39,588
WRONG, AND I DON'T TAKE TROUBLE
FOR VERY LONG.
>> OH, HERE YOU GOT IT.
5614
02:46:39,590 --> 02:46:40,589
FOR VERY LONG.
>> OH, HERE YOU GOT IT.
HOGAN AND BUNDY INSIDE THE STEEL
5615
02:46:40,591 --> 02:46:42,791
>> OH, HERE YOU GOT IT.
HOGAN AND BUNDY INSIDE THE STEEL
CAGE.
5616
02:46:42,793 --> 02:46:44,493
HOGAN AND BUNDY INSIDE THE STEEL
CAGE.
ROBERT CONRAD MADE BOBBY THE
5617
02:46:44,495 --> 02:46:45,827
CAGE.
ROBERT CONRAD MADE BOBBY THE
BRAIN HEENAN GET OUT OF THERE.
5618
02:46:45,829 --> 02:46:47,363
ROBERT CONRAD MADE BOBBY THE
BRAIN HEENAN GET OUT OF THERE.
>> JESSE, THIS IS WHAT THE WORLD
5619
02:46:47,365 --> 02:46:48,830
BRAIN HEENAN GET OUT OF THERE.
>> JESSE, THIS IS WHAT THE WORLD
HAS COME TO.
5620
02:46:48,832 --> 02:46:50,632
>> JESSE, THIS IS WHAT THE WORLD
HAS COME TO.
LOOK AT HULK HOGAN, THE GREATEST
5621
02:46:50,634 --> 02:46:53,402
HAS COME TO.
LOOK AT HULK HOGAN, THE GREATEST
PROFESSIONAL ATHLETE IN THE
5622
02:46:53,404 --> 02:46:54,936
LOOK AT HULK HOGAN, THE GREATEST
PROFESSIONAL ATHLETE IN THE
WHOLE OF THE WORLD.
5623
02:46:54,938 --> 02:46:56,371
PROFESSIONAL ATHLETE IN THE
WHOLE OF THE WORLD.
ISN'T HE A MAGNIFICENT SIGHT,
5624
02:46:56,373 --> 02:46:57,472
WHOLE OF THE WORLD.
ISN'T HE A MAGNIFICENT SIGHT,
JESSE?
5625
02:46:57,474 --> 02:46:58,874
ISN'T HE A MAGNIFICENT SIGHT,
JESSE?
>> THAT'S YOUR OPINION, HAYES.
5626
02:46:58,876 --> 02:47:00,242
JESSE?
>> THAT'S YOUR OPINION, HAYES.
WE MAY SEE A NEW CHAMPION.
5627
02:47:00,244 --> 02:47:01,443
>> THAT'S YOUR OPINION, HAYES.
WE MAY SEE A NEW CHAMPION.
YOU CAN SEE THE RIBS ARE TAPED
5628
02:47:01,445 --> 02:47:03,478
WE MAY SEE A NEW CHAMPION.
YOU CAN SEE THE RIBS ARE TAPED
UP HEAVILY.
5629
02:47:03,480 --> 02:47:04,513
YOU CAN SEE THE RIBS ARE TAPED
UP HEAVILY.
KING KONG BUNDY DID THE DAMAGE
5630
02:47:04,515 --> 02:47:05,881
UP HEAVILY.
KING KONG BUNDY DID THE DAMAGE
TO HIM IN PHOENIX.
5631
02:47:05,883 --> 02:47:07,249
KING KONG BUNDY DID THE DAMAGE
TO HIM IN PHOENIX.
I PERSONALLY DON'T THINK HOGAN.
5632
02:47:07,251 --> 02:47:08,417
TO HIM IN PHOENIX.
I PERSONALLY DON'T THINK HOGAN.
HE'S COMING BACK TOO SOON.
5633
02:47:08,419 --> 02:47:09,718
I PERSONALLY DON'T THINK HOGAN.
HE'S COMING BACK TOO SOON.
AND THEY'RE GOING AT IT RIGHT
5634
02:47:09,720 --> 02:47:10,652
HE'S COMING BACK TOO SOON.
AND THEY'RE GOING AT IT RIGHT
AND A LEFT TO RIGHT.
5635
02:47:10,654 --> 02:47:11,653
AND THEY'RE GOING AT IT RIGHT
AND A LEFT TO RIGHT.
EXCHANGING RIGHT HANDS.
5636
02:47:11,655 --> 02:47:13,889
AND A LEFT TO RIGHT.
EXCHANGING RIGHT HANDS.
HOGAN'S GETTING THE BETTER.
5637
02:47:13,891 --> 02:47:15,391
EXCHANGING RIGHT HANDS.
HOGAN'S GETTING THE BETTER.
HE'S ROCKING BUNDY BACK INTO THE
5638
02:47:15,393 --> 02:47:16,658
HOGAN'S GETTING THE BETTER.
HE'S ROCKING BUNDY BACK INTO THE
CAGE, OFF THE ROPES, BIG RIGHT
5639
02:47:16,660 --> 02:47:19,528
HE'S ROCKING BUNDY BACK INTO THE
CAGE, OFF THE ROPES, BIG RIGHT
HAND DRIVING BUNDY INTO THE
5640
02:47:19,530 --> 02:47:20,529
CAGE, OFF THE ROPES, BIG RIGHT
HAND DRIVING BUNDY INTO THE
CAGE.
5641
02:47:20,531 --> 02:47:22,664
HAND DRIVING BUNDY INTO THE
CAGE.
ELVIRA, HOW DO YOU FEEL ABOUT
5642
02:47:22,666 --> 02:47:23,799
CAGE.
ELVIRA, HOW DO YOU FEEL ABOUT
THIS?
5643
02:47:23,801 --> 02:47:25,400
ELVIRA, HOW DO YOU FEEL ABOUT
THIS?
TWO MEN LOCKED INSIDE OF A STEEL
5644
02:47:25,402 --> 02:47:26,402
THIS?
TWO MEN LOCKED INSIDE OF A STEEL
CAGE.
5645
02:47:26,404 --> 02:47:26,701
TWO MEN LOCKED INSIDE OF A STEEL
CAGE.
BIG FOOD.
5646
02:47:26,703 --> 02:47:28,570
CAGE.
BIG FOOD.
BUNDY'S IN TROUBLE EARLY.
5647
02:47:28,572 --> 02:47:29,571
BIG FOOD.
BUNDY'S IN TROUBLE EARLY.
>> WELL, I'LL TELL YOU.
5648
02:47:29,573 --> 02:47:30,672
BUNDY'S IN TROUBLE EARLY.
>> WELL, I'LL TELL YOU.
JUST SEEING THIS AMOUNT OF FLESH
5649
02:47:30,674 --> 02:47:32,441
>> WELL, I'LL TELL YOU.
JUST SEEING THIS AMOUNT OF FLESH
IN ONE PLACE IS TOTALLY AWESOME.
5650
02:47:32,443 --> 02:47:34,743
JUST SEEING THIS AMOUNT OF FLESH
IN ONE PLACE IS TOTALLY AWESOME.
I HAVEN'T SEEN THIS MUCH EXPOSED
5651
02:47:34,745 --> 02:47:36,678
IN ONE PLACE IS TOTALLY AWESOME.
I HAVEN'T SEEN THIS MUCH EXPOSED
FLESH SINCE I WAS IN LAS VEGAS
5652
02:47:36,680 --> 02:47:38,447
I HAVEN'T SEEN THIS MUCH EXPOSED
FLESH SINCE I WAS IN LAS VEGAS
AND SAW A SHOW THERE.
5653
02:47:38,449 --> 02:47:40,515
FLESH SINCE I WAS IN LAS VEGAS
AND SAW A SHOW THERE.
IT'S FRIGHTENING.
5654
02:47:40,517 --> 02:47:41,483
AND SAW A SHOW THERE.
IT'S FRIGHTENING.
>> ALREADY, JESSE, THERE'S BUNDY
5655
02:47:41,485 --> 02:47:43,619
IT'S FRIGHTENING.
>> ALREADY, JESSE, THERE'S BUNDY
TRYING TO GO FOR THE GATE BUT,
5656
02:47:43,621 --> 02:47:45,821
>> ALREADY, JESSE, THERE'S BUNDY
TRYING TO GO FOR THE GATE BUT,
UH, HULK SOON STOPPED THAT.
5657
02:47:45,823 --> 02:47:48,323
TRYING TO GO FOR THE GATE BUT,
UH, HULK SOON STOPPED THAT.
>> YEAH, HULK HOGAN USING, OF
5658
02:47:48,325 --> 02:47:49,591
UH, HULK SOON STOPPED THAT.
>> YEAH, HULK HOGAN USING, OF
COURSE THIS IS A CAGE MATCH, SO
5659
02:47:49,593 --> 02:47:52,427
>> YEAH, HULK HOGAN USING, OF
COURSE THIS IS A CAGE MATCH, SO
RULES DON'T REALLY PREVAIL.
5660
02:47:52,429 --> 02:47:53,061
COURSE THIS IS A CAGE MATCH, SO
RULES DON'T REALLY PREVAIL.
>> THIS LOOKS LIKE ONE OF MY
5661
02:47:53,063 --> 02:47:54,529
RULES DON'T REALLY PREVAIL.
>> THIS LOOKS LIKE ONE OF MY
HORROR MOVIES THAT I'VE BEEN
5662
02:47:54,531 --> 02:47:56,431
>> THIS LOOKS LIKE ONE OF MY
HORROR MOVIES THAT I'VE BEEN
SHOWING ON MY SHOW.
5663
02:47:56,433 --> 02:47:57,566
HORROR MOVIES THAT I'VE BEEN
SHOWING ON MY SHOW.
>> IT COULD VERY WELL TURN INTO
5664
02:47:57,568 --> 02:47:58,333
SHOWING ON MY SHOW.
>> IT COULD VERY WELL TURN INTO
A HORROR MOVIE BEFORE IT'S OVER.
5665
02:47:58,335 --> 02:47:59,401
>> IT COULD VERY WELL TURN INTO
A HORROR MOVIE BEFORE IT'S OVER.
HOGAN WITH A BIG SHOT DRIVING
5666
02:47:59,403 --> 02:48:00,469
A HORROR MOVIE BEFORE IT'S OVER.
HOGAN WITH A BIG SHOT DRIVING
BUNDY AND IT'S BEEN ALL THE
5667
02:48:00,471 --> 02:48:01,170
HOGAN WITH A BIG SHOT DRIVING
BUNDY AND IT'S BEEN ALL THE
CHAMPION ONLY.
5668
02:48:01,172 --> 02:48:02,037
BUNDY AND IT'S BEEN ALL THE
CHAMPION ONLY.
TURNBUCKLE AND ANOTHER BIG, FULL
5669
02:48:02,039 --> 02:48:05,640
CHAMPION ONLY.
TURNBUCKLE AND ANOTHER BIG, FULL
KNEE.
5670
02:48:05,642 --> 02:48:07,242
TURNBUCKLE AND ANOTHER BIG, FULL
KNEE.
A KICK THAT LOOKED A LITTLE LOW.
5671
02:48:07,244 --> 02:48:08,477
KNEE.
A KICK THAT LOOKED A LITTLE LOW.
BIG SHOT.
5672
02:48:08,479 --> 02:48:09,644
A KICK THAT LOOKED A LITTLE LOW.
BIG SHOT.
BUNDY'S GOING TO HAVE TO GO
5673
02:48:09,646 --> 02:48:12,314
BIG SHOT.
BUNDY'S GOING TO HAVE TO GO
AFTER THOSE RIBS, ALFRED HAYES.
5674
02:48:12,316 --> 02:48:15,517
BUNDY'S GOING TO HAVE TO GO
AFTER THOSE RIBS, ALFRED HAYES.
>> JESSE, THAT'S WHAT HE'S GOT
5675
02:48:15,519 --> 02:48:16,585
AFTER THOSE RIBS, ALFRED HAYES.
>> JESSE, THAT'S WHAT HE'S GOT
TO DO BECAUSE BUNDY'S STRATEGY
5676
02:48:16,587 --> 02:48:17,652
>> JESSE, THAT'S WHAT HE'S GOT
TO DO BECAUSE BUNDY'S STRATEGY
NO DOUBT IS TO HIT HIM WITH ONE
5677
02:48:17,654 --> 02:48:22,357
TO DO BECAUSE BUNDY'S STRATEGY
NO DOUBT IS TO HIT HIM WITH ONE
OF THOSE BIG AVALANCHES AND TRY
5678
02:48:22,359 --> 02:48:23,025
NO DOUBT IS TO HIT HIM WITH ONE
OF THOSE BIG AVALANCHES AND TRY
AND KNOCK HIM OUT AND THEN
5679
02:48:23,027 --> 02:48:23,825
OF THOSE BIG AVALANCHES AND TRY
AND KNOCK HIM OUT AND THEN
ESCAPE, BECAUSE I CAN'T SEE
5680
02:48:23,827 --> 02:48:24,560
AND KNOCK HIM OUT AND THEN
ESCAPE, BECAUSE I CAN'T SEE
BUNDY BEING ABLE TO GET OVER THE
5681
02:48:24,562 --> 02:48:25,494
ESCAPE, BECAUSE I CAN'T SEE
BUNDY BEING ABLE TO GET OVER THE
TOP.
5682
02:48:25,496 --> 02:48:26,761
BUNDY BEING ABLE TO GET OVER THE
TOP.
BUNDY'S GOING TO HAVE TO GO OUT
5683
02:48:26,763 --> 02:48:27,696
TOP.
BUNDY'S GOING TO HAVE TO GO OUT
THROUGH THE GATE.
5684
02:48:27,698 --> 02:48:28,830
BUNDY'S GOING TO HAVE TO GO OUT
THROUGH THE GATE.
>> WELL, HE SHOWED US HE COULD
5685
02:48:28,832 --> 02:48:29,631
THROUGH THE GATE.
>> WELL, HE SHOWED US HE COULD
FIT IN WHEN HE WALKED IN, SO WE
5686
02:48:29,633 --> 02:48:30,398
>> WELL, HE SHOWED US HE COULD
FIT IN WHEN HE WALKED IN, SO WE
KNOW HE CAN GET OUT.
5687
02:48:30,400 --> 02:48:31,600
FIT IN WHEN HE WALKED IN, SO WE
KNOW HE CAN GET OUT.
>> WELL, WE KNOW HE CAN GO THAT
5688
02:48:31,602 --> 02:48:32,634
KNOW HE CAN GET OUT.
>> WELL, WE KNOW HE CAN GO THAT
WAY, JESSE, BUT THE CHAMPION IS
5689
02:48:32,636 --> 02:48:33,802
>> WELL, WE KNOW HE CAN GO THAT
WAY, JESSE, BUT THE CHAMPION IS
A VERY, VERY VERSATILE WRESTLER
5690
02:48:33,804 --> 02:48:35,871
WAY, JESSE, BUT THE CHAMPION IS
A VERY, VERY VERSATILE WRESTLER
AND HE CAN IMPROVISE.
5691
02:48:35,873 --> 02:48:37,506
A VERY, VERY VERSATILE WRESTLER
AND HE CAN IMPROVISE.
HE DOESN'T HAVE TO BE TIED DOWN
5692
02:48:37,508 --> 02:48:38,773
AND HE CAN IMPROVISE.
HE DOESN'T HAVE TO BE TIED DOWN
BY ANYTHING.
5693
02:48:38,775 --> 02:48:39,708
HE DOESN'T HAVE TO BE TIED DOWN
BY ANYTHING.
>> ALFRED BUNDY GOT A SHOT IN.
5694
02:48:39,710 --> 02:48:40,742
BY ANYTHING.
>> ALFRED BUNDY GOT A SHOT IN.
HE GOT IT INTO THE SHORT RIBS
5695
02:48:40,744 --> 02:48:42,711
>> ALFRED BUNDY GOT A SHOT IN.
HE GOT IT INTO THE SHORT RIBS
AND HOGAN'S HURT.
5696
02:48:42,713 --> 02:48:45,680
HE GOT IT INTO THE SHORT RIBS
AND HOGAN'S HURT.
OH, THERE'S A KICK.
5697
02:48:45,682 --> 02:48:46,615
AND HOGAN'S HURT.
OH, THERE'S A KICK.
>> WHAT A LEFT BOOT RUN INTO THE
5698
02:48:46,617 --> 02:48:48,750
OH, THERE'S A KICK.
>> WHAT A LEFT BOOT RUN INTO THE
MIDSECTION OF HOGAN.
5699
02:48:48,752 --> 02:48:49,718
>> WHAT A LEFT BOOT RUN INTO THE
MIDSECTION OF HOGAN.
>> I TOLD YOU HOGAN WAS NOT
5700
02:48:49,720 --> 02:48:51,520
MIDSECTION OF HOGAN.
>> I TOLD YOU HOGAN WAS NOT
RECOVERED FROM THOSE RIBS.
5701
02:48:51,522 --> 02:48:53,455
>> I TOLD YOU HOGAN WAS NOT
RECOVERED FROM THOSE RIBS.
YOU SAW IT.
5702
02:48:53,457 --> 02:48:54,689
RECOVERED FROM THOSE RIBS.
YOU SAW IT.
BUNDY GOT A SHORT SHOT IN AND IT
5703
02:48:54,691 --> 02:48:56,424
YOU SAW IT.
BUNDY GOT A SHORT SHOT IN AND IT
BUCKLED THE CHAMPION OVER.
5704
02:48:56,426 --> 02:48:57,726
BUNDY GOT A SHORT SHOT IN AND IT
BUCKLED THE CHAMPION OVER.
HOGAN'S IN A LOT OF TROUBLE AND
5705
02:48:57,728 --> 02:48:59,594
BUCKLED THE CHAMPION OVER.
HOGAN'S IN A LOT OF TROUBLE AND
BUNDY'S DRIVING THEM LEGS IN,
5706
02:48:59,596 --> 02:49:01,296
HOGAN'S IN A LOT OF TROUBLE AND
BUNDY'S DRIVING THEM LEGS IN,
DRIVING THOSE ELBOWS IN.
5707
02:49:01,298 --> 02:49:02,597
BUNDY'S DRIVING THEM LEGS IN,
DRIVING THOSE ELBOWS IN.
HE'S GOING AFTER IT.
5708
02:49:02,599 --> 02:49:04,466
DRIVING THOSE ELBOWS IN.
HE'S GOING AFTER IT.
HE CAN SMELL THE CHAMPIONSHIP OF
5709
02:49:04,468 --> 02:49:06,168
HE'S GOING AFTER IT.
HE CAN SMELL THE CHAMPIONSHIP OF
THE WORLD RIGHT HERE.
5710
02:49:06,170 --> 02:49:07,369
HE CAN SMELL THE CHAMPIONSHIP OF
THE WORLD RIGHT HERE.
>> WORD, YOU'RE RIGHT, JESSE.
5711
02:49:07,371 --> 02:49:08,803
THE WORLD RIGHT HERE.
>> WORD, YOU'RE RIGHT, JESSE.
I DO BELIEVE THAT HOGAN IS
5712
02:49:08,805 --> 02:49:10,739
>> WORD, YOU'RE RIGHT, JESSE.
I DO BELIEVE THAT HOGAN IS
SUFFERING WITH THOSE RIBS, I
5713
02:49:10,741 --> 02:49:11,773
I DO BELIEVE THAT HOGAN IS
SUFFERING WITH THOSE RIBS, I
THINK.
5714
02:49:11,775 --> 02:49:13,408
SUFFERING WITH THOSE RIBS, I
THINK.
>> BIG BODY SLAM AND HOGAN IS
5715
02:49:13,410 --> 02:49:14,543
THINK.
>> BIG BODY SLAM AND HOGAN IS
HURT.
5716
02:49:14,545 --> 02:49:15,310
>> BIG BODY SLAM AND HOGAN IS
HURT.
HE'S IN PAIN.
5717
02:49:15,312 --> 02:49:16,378
HURT.
HE'S IN PAIN.
I SAID IT BEFORE.
5718
02:49:16,380 --> 02:49:17,512
HE'S IN PAIN.
I SAID IT BEFORE.
I BELIEVE HE CAME BACK TOO
5719
02:49:17,514 --> 02:49:18,547
I SAID IT BEFORE.
I BELIEVE HE CAME BACK TOO
QUICKLY.
5720
02:49:18,549 --> 02:49:19,614
I BELIEVE HE CAME BACK TOO
QUICKLY.
HE LET HIS EGO GET IN THE WAY.
5721
02:49:19,616 --> 02:49:20,682
QUICKLY.
HE LET HIS EGO GET IN THE WAY.
LOOK AT THAT.
5722
02:49:20,684 --> 02:49:21,783
HE LET HIS EGO GET IN THE WAY.
LOOK AT THAT.
BUNDY DRIVING THE FOOT, PUSHING
5723
02:49:21,785 --> 02:49:24,753
LOOK AT THAT.
BUNDY DRIVING THE FOOT, PUSHING
HOGAN'S FACE INTO THAT MAT.
5724
02:49:24,755 --> 02:49:26,521
BUNDY DRIVING THE FOOT, PUSHING
HOGAN'S FACE INTO THAT MAT.
>> I'M GLAD THEY'RE IN A CAGE,
5725
02:49:26,523 --> 02:49:27,756
HOGAN'S FACE INTO THAT MAT.
>> I'M GLAD THEY'RE IN A CAGE,
BECAUSE BUNDY IS AN ANIMAL.
5726
02:49:27,758 --> 02:49:28,690
>> I'M GLAD THEY'RE IN A CAGE,
BECAUSE BUNDY IS AN ANIMAL.
>> BUNDY'S AN ANIMAL, I'LL TELL
5727
02:49:28,692 --> 02:49:29,658
BECAUSE BUNDY IS AN ANIMAL.
>> BUNDY'S AN ANIMAL, I'LL TELL
YOU WHAT, ELVIRA.
5728
02:49:29,660 --> 02:49:31,226
>> BUNDY'S AN ANIMAL, I'LL TELL
YOU WHAT, ELVIRA.
WHEN HE BECOMES CHAMPION OF THE
5729
02:49:31,228 --> 02:49:32,294
YOU WHAT, ELVIRA.
WHEN HE BECOMES CHAMPION OF THE
WORLD, YOU MIGHT WANT HIM IN THE
5730
02:49:32,296 --> 02:49:32,861
WHEN HE BECOMES CHAMPION OF THE
WORLD, YOU MIGHT WANT HIM IN THE
HORROR SHOW.
5731
02:49:32,863 --> 02:49:34,296
WORLD, YOU MIGHT WANT HIM IN THE
HORROR SHOW.
BUNDY'S GOING FOR THE DOOR.
5732
02:49:34,298 --> 02:49:35,864
HORROR SHOW.
BUNDY'S GOING FOR THE DOOR.
IF HE GETS OUT THE DOOR, HE'S
5733
02:49:35,866 --> 02:49:37,666
BUNDY'S GOING FOR THE DOOR.
IF HE GETS OUT THE DOOR, HE'S
THE NEW HEAVYWEIGHT CHAMPION.
5734
02:49:37,668 --> 02:49:39,901
IF HE GETS OUT THE DOOR, HE'S
THE NEW HEAVYWEIGHT CHAMPION.
HOGAN LEAPING ACROSS THE RING,
5735
02:49:39,903 --> 02:49:41,770
THE NEW HEAVYWEIGHT CHAMPION.
HOGAN LEAPING ACROSS THE RING,
GRABBING BUNDY BY THE LEG.
5736
02:49:41,772 --> 02:49:43,838
HOGAN LEAPING ACROSS THE RING,
GRABBING BUNDY BY THE LEG.
>> I'M AFRAID THAT WAS ALL
5737
02:49:43,840 --> 02:49:45,540
GRABBING BUNDY BY THE LEG.
>> I'M AFRAID THAT WAS ALL
PREMATURE, JESSE, BECAUSE HE
5738
02:49:45,542 --> 02:49:47,776
>> I'M AFRAID THAT WAS ALL
PREMATURE, JESSE, BECAUSE HE
CERTAINLY HASN'T STUNNED THE
5739
02:49:47,778 --> 02:49:49,311
PREMATURE, JESSE, BECAUSE HE
CERTAINLY HASN'T STUNNED THE
CHAMPION.
5740
02:49:49,313 --> 02:49:50,412
CERTAINLY HASN'T STUNNED THE
CHAMPION.
HE MAY HAVE HURT HIM, BUT HIS
5741
02:49:50,414 --> 02:49:51,713
CHAMPION.
HE MAY HAVE HURT HIM, BUT HIS
HEAD IS STILL QUITE CLEAR.
5742
02:49:51,715 --> 02:49:53,315
HE MAY HAVE HURT HIM, BUT HIS
HEAD IS STILL QUITE CLEAR.
>> UP HE GOES AGAIN.
5743
02:49:53,317 --> 02:49:54,249
HEAD IS STILL QUITE CLEAR.
>> UP HE GOES AGAIN.
WHOA.
5744
02:49:54,251 --> 02:49:56,651
>> UP HE GOES AGAIN.
WHOA.
HE DRIVES HOGAN BACK FIRST WITH
5745
02:49:56,653 --> 02:49:58,754
WHOA.
HE DRIVES HOGAN BACK FIRST WITH
THOSE RIBS RIGHT INTO THE FENCE.
5746
02:49:58,756 --> 02:50:00,488
HE DRIVES HOGAN BACK FIRST WITH
THOSE RIBS RIGHT INTO THE FENCE.
BOBBY HEENAN TELLING BUNDY LET'S
5747
02:50:00,490 --> 02:50:01,556
THOSE RIBS RIGHT INTO THE FENCE.
BOBBY HEENAN TELLING BUNDY LET'S
GET OUT OF HERE QUICK.
5748
02:50:01,558 --> 02:50:03,391
BOBBY HEENAN TELLING BUNDY LET'S
GET OUT OF HERE QUICK.
LET'S TAKE THE CHAMPIONSHIP.
5749
02:50:03,393 --> 02:50:04,459
GET OUT OF HERE QUICK.
LET'S TAKE THE CHAMPIONSHIP.
BUNDY'S GOING FOR THE DOOR.
5750
02:50:04,461 --> 02:50:06,394
LET'S TAKE THE CHAMPIONSHIP.
BUNDY'S GOING FOR THE DOOR.
THIS COULD BE IT.
5751
02:50:06,396 --> 02:50:08,663
BUNDY'S GOING FOR THE DOOR.
THIS COULD BE IT.
HOGAN DIVING IN HOLDING BUNDY.
5752
02:50:08,665 --> 02:50:09,598
THIS COULD BE IT.
HOGAN DIVING IN HOLDING BUNDY.
REMEMBER, A MAN CAN GET OUT THE
5753
02:50:09,600 --> 02:50:11,433
HOGAN DIVING IN HOLDING BUNDY.
REMEMBER, A MAN CAN GET OUT THE
DOOR, BUT HIS FEET HAVE TO TOUCH
5754
02:50:11,435 --> 02:50:13,435
REMEMBER, A MAN CAN GET OUT THE
DOOR, BUT HIS FEET HAVE TO TOUCH
THE FLOOR.
5755
02:50:13,437 --> 02:50:16,438
DOOR, BUT HIS FEET HAVE TO TOUCH
THE FLOOR.
BOTH FEET MUST GET TO THE FLOOR.
5756
02:50:16,440 --> 02:50:17,739
THE FLOOR.
BOTH FEET MUST GET TO THE FLOOR.
>> AND THE GIANT BUNDY IS A
5757
02:50:17,741 --> 02:50:19,874
BOTH FEET MUST GET TO THE FLOOR.
>> AND THE GIANT BUNDY IS A
LITTLE PONDEROUS AT THE MOMENT,
5758
02:50:19,876 --> 02:50:20,775
>> AND THE GIANT BUNDY IS A
LITTLE PONDEROUS AT THE MOMENT,
ALTHOUGH HE'S CERTAINLY
5759
02:50:20,777 --> 02:50:22,844
LITTLE PONDEROUS AT THE MOMENT,
ALTHOUGH HE'S CERTAINLY
PUNISHING THE CHAMPION.
5760
02:50:22,846 --> 02:50:24,379
ALTHOUGH HE'S CERTAINLY
PUNISHING THE CHAMPION.
>> WELL, THE QUESTION IS, HOW
5761
02:50:24,381 --> 02:50:26,448
PUNISHING THE CHAMPION.
>> WELL, THE QUESTION IS, HOW
MANY TIMES CAN HOGAN STOP BUNDY
5762
02:50:26,450 --> 02:50:27,649
>> WELL, THE QUESTION IS, HOW
MANY TIMES CAN HOGAN STOP BUNDY
FROM MAKING IT OUT THAT DOOR,
5763
02:50:27,651 --> 02:50:29,751
MANY TIMES CAN HOGAN STOP BUNDY
FROM MAKING IT OUT THAT DOOR,
ALFRED HAYES.
5764
02:50:29,753 --> 02:50:30,885
FROM MAKING IT OUT THAT DOOR,
ALFRED HAYES.
>> OH, HE'S TAKING OFF MORE
5765
02:50:30,887 --> 02:50:32,354
ALFRED HAYES.
>> OH, HE'S TAKING OFF MORE
CLOTHES.
5766
02:50:32,356 --> 02:50:33,755
>> OH, HE'S TAKING OFF MORE
CLOTHES.
>> WHILE HE'S DISTRACTING ...
5767
02:50:33,757 --> 02:50:35,657
CLOTHES.
>> WHILE HE'S DISTRACTING ...
>> OH, HIS -- HIS BELT.
5768
02:50:35,659 --> 02:50:36,691
>> WHILE HE'S DISTRACTING ...
>> OH, HIS -- HIS BELT.
>> THE CHAMPION WITH MAYBE
5769
02:50:36,693 --> 02:50:39,427
>> OH, HIS -- HIS BELT.
>> THE CHAMPION WITH MAYBE
TAKING THAT OFF.
5770
02:50:39,429 --> 02:50:40,528
>> THE CHAMPION WITH MAYBE
TAKING THAT OFF.
DON'T WORRY.
5771
02:50:40,530 --> 02:50:42,397
TAKING THAT OFF.
DON'T WORRY.
HOGAN HAS A STRATEGY OF HIS OWN.
5772
02:50:42,399 --> 02:50:43,431
DON'T WORRY.
HOGAN HAS A STRATEGY OF HIS OWN.
>> WELL, HOGAN BETTER HAVE THE
5773
02:50:43,433 --> 02:50:45,400
HOGAN HAS A STRATEGY OF HIS OWN.
>> WELL, HOGAN BETTER HAVE THE
STRATEGY QUICK, BECAUSE BUNDY'S
5774
02:50:45,402 --> 02:50:46,601
>> WELL, HOGAN BETTER HAVE THE
STRATEGY QUICK, BECAUSE BUNDY'S
CHOKING HIM OUT WITH HIS OWN
5775
02:50:46,603 --> 02:50:48,604
STRATEGY QUICK, BECAUSE BUNDY'S
CHOKING HIM OUT WITH HIS OWN
TAPE THAT HE USED ON HIS RIBS.
5776
02:50:48,606 --> 02:50:49,304
CHOKING HIM OUT WITH HIS OWN
TAPE THAT HE USED ON HIS RIBS.
>> WAIT, YOU CAN'T DO THAT, CAN
5777
02:50:49,306 --> 02:50:49,838
TAPE THAT HE USED ON HIS RIBS.
>> WAIT, YOU CAN'T DO THAT, CAN
HE?
5778
02:50:49,840 --> 02:50:50,605
>> WAIT, YOU CAN'T DO THAT, CAN
HE?
>> HE CAN DO IT.
5779
02:50:50,607 --> 02:50:51,773
HE?
>> HE CAN DO IT.
THIS IS A CAGE MATCH.
5780
02:50:51,775 --> 02:50:52,841
>> HE CAN DO IT.
THIS IS A CAGE MATCH.
ANYTHING GOES IN A CAGE MATCH.
5781
02:50:52,843 --> 02:50:54,509
THIS IS A CAGE MATCH.
ANYTHING GOES IN A CAGE MATCH.
IT'S A FIGHT.
5782
02:50:54,511 --> 02:50:55,410
ANYTHING GOES IN A CAGE MATCH.
IT'S A FIGHT.
IT'S PLAIN AND SIMPLE.
5783
02:50:55,412 --> 02:50:56,544
IT'S A FIGHT.
IT'S PLAIN AND SIMPLE.
IT'S A FIGHT.
5784
02:50:56,546 --> 02:50:57,579
IT'S PLAIN AND SIMPLE.
IT'S A FIGHT.
THEY'RE LOCKED IN A CAGE.
5785
02:50:57,581 --> 02:50:58,780
IT'S A FIGHT.
THEY'RE LOCKED IN A CAGE.
THERE'S NO REFEREE, AND LOOK AT
5786
02:50:58,782 --> 02:50:59,714
THEY'RE LOCKED IN A CAGE.
THERE'S NO REFEREE, AND LOOK AT
THIS.
5787
02:50:59,716 --> 02:51:01,683
THERE'S NO REFEREE, AND LOOK AT
THIS.
HE'S TYING HOGAN TO THE ROPE.
5788
02:51:01,685 --> 02:51:03,585
THIS.
HE'S TYING HOGAN TO THE ROPE.
>> THAT'S A VERY CLEVER MOVE BY
5789
02:51:03,587 --> 02:51:05,487
HE'S TYING HOGAN TO THE ROPE.
>> THAT'S A VERY CLEVER MOVE BY
BUNDY IF IT WORKS.
5790
02:51:05,489 --> 02:51:06,421
>> THAT'S A VERY CLEVER MOVE BY
BUNDY IF IT WORKS.
>> ALL BUNDY'S GOT TO DO IS GET
5791
02:51:06,423 --> 02:51:07,623
BUNDY IF IT WORKS.
>> ALL BUNDY'S GOT TO DO IS GET
OUT THE DOOR AND IT'S ALL OVER.
5792
02:51:07,625 --> 02:51:11,459
>> ALL BUNDY'S GOT TO DO IS GET
OUT THE DOOR AND IT'S ALL OVER.
HE'S GOT HOGAN TIED TO THE ROPE.
5793
02:51:11,461 --> 02:51:15,630
OUT THE DOOR AND IT'S ALL OVER.
HE'S GOT HOGAN TIED TO THE ROPE.
BUNDY GOING FOR THE DOOR.
5794
02:51:15,632 --> 02:51:17,432
HE'S GOT HOGAN TIED TO THE ROPE.
BUNDY GOING FOR THE DOOR.
HOGAN MANAGES TO GET FREE AND
5795
02:51:17,434 --> 02:51:18,667
BUNDY GOING FOR THE DOOR.
HOGAN MANAGES TO GET FREE AND
STOPS BUNDY MOMENTARILY AT THE
5796
02:51:18,669 --> 02:51:20,168
HOGAN MANAGES TO GET FREE AND
STOPS BUNDY MOMENTARILY AT THE
DOOR.
5797
02:51:20,170 --> 02:51:21,503
STOPS BUNDY MOMENTARILY AT THE
DOOR.
BOBBY HEENAN TRYING TO PULL
5798
02:51:21,505 --> 02:51:22,871
DOOR.
BOBBY HEENAN TRYING TO PULL
BUNDY OUT THE DOOR.
5799
02:51:22,873 --> 02:51:24,572
BOBBY HEENAN TRYING TO PULL
BUNDY OUT THE DOOR.
REFEREE DAVE HEBNER WAVING
5800
02:51:24,574 --> 02:51:26,574
BUNDY OUT THE DOOR.
REFEREE DAVE HEBNER WAVING
HEENAN OFF.
5801
02:51:26,576 --> 02:51:27,375
REFEREE DAVE HEBNER WAVING
HEENAN OFF.
>> AND I DON'T CARE WHAT YOU
5802
02:51:27,377 --> 02:51:28,610
HEENAN OFF.
>> AND I DON'T CARE WHAT YOU
SAY, JESSE, THAT IS NOT RIGHT.
5803
02:51:28,612 --> 02:51:29,878
>> AND I DON'T CARE WHAT YOU
SAY, JESSE, THAT IS NOT RIGHT.
IT SHOULD BE JUST BUNDY AND
5804
02:51:29,880 --> 02:51:32,847
SAY, JESSE, THAT IS NOT RIGHT.
IT SHOULD BE JUST BUNDY AND
HOGAN.
5805
02:51:32,849 --> 02:51:33,581
IT SHOULD BE JUST BUNDY AND
HOGAN.
>> IT LOOKS LIKE HE'S GOING TO
5806
02:51:33,583 --> 02:51:34,750
HOGAN.
>> IT LOOKS LIKE HE'S GOING TO
MAKE IT OUT OF THE DOOR IN A
5807
02:51:34,752 --> 02:51:36,584
>> IT LOOKS LIKE HE'S GOING TO
MAKE IT OUT OF THE DOOR IN A
MINUTE IF HE -- OH, HULKSTER
5808
02:51:36,586 --> 02:51:37,118
MAKE IT OUT OF THE DOOR IN A
MINUTE IF HE -- OH, HULKSTER
DOESN'T GET A HOLD OF HIM.
5809
02:51:37,120 --> 02:51:39,821
MINUTE IF HE -- OH, HULKSTER
DOESN'T GET A HOLD OF HIM.
HE GOT HIM.
5810
02:51:39,823 --> 02:51:40,855
DOESN'T GET A HOLD OF HIM.
HE GOT HIM.
>> HOGAN COMING BACK WITH RIGHT
5811
02:51:40,857 --> 02:51:41,857
HE GOT HIM.
>> HOGAN COMING BACK WITH RIGHT
HANDS DRIVING BUNDY BACK INTO
5812
02:51:41,859 --> 02:51:43,658
>> HOGAN COMING BACK WITH RIGHT
HANDS DRIVING BUNDY BACK INTO
THE RING.
5813
02:51:43,660 --> 02:51:45,593
HANDS DRIVING BUNDY BACK INTO
THE RING.
>> THREE TREMENDOUS RIGHT HANDS
5814
02:51:45,595 --> 02:51:46,795
THE RING.
>> THREE TREMENDOUS RIGHT HANDS
BY HOGAN AND NOW IT'S -- OH.
5815
02:51:46,797 --> 02:51:48,630
>> THREE TREMENDOUS RIGHT HANDS
BY HOGAN AND NOW IT'S -- OH.
>> TURNED HIM WITH A GREAT
5816
02:51:48,632 --> 02:51:49,698
BY HOGAN AND NOW IT'S -- OH.
>> TURNED HIM WITH A GREAT
ELBOW.
5817
02:51:49,700 --> 02:51:50,732
>> TURNED HIM WITH A GREAT
ELBOW.
HE STAGGERED BUNDY.
5818
02:51:50,734 --> 02:51:52,734
ELBOW.
HE STAGGERED BUNDY.
A BIG SHOT AND THE CHAMPION.
5819
02:51:52,736 --> 02:51:54,369
HE STAGGERED BUNDY.
A BIG SHOT AND THE CHAMPION.
I DON'T KNOW HOW HE DID IT, BUT
5820
02:51:54,371 --> 02:51:57,472
A BIG SHOT AND THE CHAMPION.
I DON'T KNOW HOW HE DID IT, BUT
HE'S MANAGED TO COME BACK.
5821
02:51:57,474 --> 02:51:58,707
I DON'T KNOW HOW HE DID IT, BUT
HE'S MANAGED TO COME BACK.
>> HE DOESN'T SEEM TO BE
5822
02:51:58,709 --> 02:51:59,908
HE'S MANAGED TO COME BACK.
>> HE DOESN'T SEEM TO BE
SUFFERING TOO MUCH WITH THOSE
5823
02:51:59,910 --> 02:52:02,510
>> HE DOESN'T SEEM TO BE
SUFFERING TOO MUCH WITH THOSE
RIBS, JESSE.
5824
02:52:02,512 --> 02:52:03,645
SUFFERING TOO MUCH WITH THOSE
RIBS, JESSE.
>> BIG RIGHT HAND AND HE
5825
02:52:03,647 --> 02:52:07,515
RIBS, JESSE.
>> BIG RIGHT HAND AND HE
STAGGERS BIG KING KONG BUNDY.
5826
02:52:07,517 --> 02:52:14,890
>> BIG RIGHT HAND AND HE
STAGGERS BIG KING KONG BUNDY.
>> INTO THOSE IRON BARS.
5827
02:52:14,892 --> 02:52:15,624
STAGGERS BIG KING KONG BUNDY.
>> INTO THOSE IRON BARS.
SMASHED HIS FACE RIGHT INTO THE
5828
02:52:15,626 --> 02:52:16,591
>> INTO THOSE IRON BARS.
SMASHED HIS FACE RIGHT INTO THE
IRON BARS.
5829
02:52:16,593 --> 02:52:17,592
SMASHED HIS FACE RIGHT INTO THE
IRON BARS.
>> HE DROVE BUNDY HEAD FIRST
5830
02:52:17,594 --> 02:52:18,360
IRON BARS.
>> HE DROVE BUNDY HEAD FIRST
INTO THE IRON STEEL OF THE BARS.
5831
02:52:18,362 --> 02:52:19,193
>> HE DROVE BUNDY HEAD FIRST
INTO THE IRON STEEL OF THE BARS.
>> AND LOOK AT THAT, JESSE,
5832
02:52:19,195 --> 02:52:19,728
INTO THE IRON STEEL OF THE BARS.
>> AND LOOK AT THAT, JESSE,
HOGAN IS MAKING NO ATTEMPT TO
5833
02:52:19,730 --> 02:52:20,061
>> AND LOOK AT THAT, JESSE,
HOGAN IS MAKING NO ATTEMPT TO
GET OUT.
5834
02:52:20,063 --> 02:52:20,929
HOGAN IS MAKING NO ATTEMPT TO
GET OUT.
HE WANTS A MEASURE OF REVENGE.
5835
02:52:20,931 --> 02:52:21,496
GET OUT.
HE WANTS A MEASURE OF REVENGE.
>> I DON'T KNOW IF WE'RE EVEN
5836
02:52:21,498 --> 02:52:24,466
HE WANTS A MEASURE OF REVENGE.
>> I DON'T KNOW IF WE'RE EVEN
SAFE WITH THESE BARS HERE.
5837
02:52:24,468 --> 02:52:25,433
>> I DON'T KNOW IF WE'RE EVEN
SAFE WITH THESE BARS HERE.
THEY LOOK LIKE THEY'RE GOING TO
5838
02:52:25,435 --> 02:52:33,541
SAFE WITH THESE BARS HERE.
THEY LOOK LIKE THEY'RE GOING TO
COME DOWN IN A MINUTE.
5839
02:52:33,543 --> 02:52:34,442
THEY LOOK LIKE THEY'RE GOING TO
COME DOWN IN A MINUTE.
>> HE IS BLEEDING.
5840
02:52:34,444 --> 02:52:34,876
COME DOWN IN A MINUTE.
>> HE IS BLEEDING.
>> BUNDY'S FACE.
5841
02:52:34,878 --> 02:52:36,578
>> HE IS BLEEDING.
>> BUNDY'S FACE.
>> HE SPLIT BUNDY OPEN.
5842
02:52:36,580 --> 02:52:37,512
>> BUNDY'S FACE.
>> HE SPLIT BUNDY OPEN.
HE RAMMED HIM INTO THE STEEL
5843
02:52:37,514 --> 02:52:38,646
>> HE SPLIT BUNDY OPEN.
HE RAMMED HIM INTO THE STEEL
BARS AND HE SPLIT KING KONG
5844
02:52:38,648 --> 02:52:40,449
HE RAMMED HIM INTO THE STEEL
BARS AND HE SPLIT KING KONG
BUNDY'S HEAD.
5845
02:52:40,451 --> 02:52:42,450
BARS AND HE SPLIT KING KONG
BUNDY'S HEAD.
HOGAN GOING TO WORK DRIVING
5846
02:52:42,452 --> 02:52:43,151
BUNDY'S HEAD.
HOGAN GOING TO WORK DRIVING
RIGHT HANDS INTO BUNDY'S HEAD.
5847
02:52:43,153 --> 02:52:47,656
HOGAN GOING TO WORK DRIVING
RIGHT HANDS INTO BUNDY'S HEAD.
YOU CAN SEE BUNDY'S BLEEDING.
5848
02:52:47,658 --> 02:52:48,557
RIGHT HANDS INTO BUNDY'S HEAD.
YOU CAN SEE BUNDY'S BLEEDING.
>> AND HERE'S A GOOD SHOT BY OUR
5849
02:52:48,559 --> 02:52:49,891
YOU CAN SEE BUNDY'S BLEEDING.
>> AND HERE'S A GOOD SHOT BY OUR
CAMERAS SHOWING JUST THE
5850
02:52:49,893 --> 02:52:52,327
>> AND HERE'S A GOOD SHOT BY OUR
CAMERAS SHOWING JUST THE
SITUATION.
5851
02:52:52,329 --> 02:52:53,661
CAMERAS SHOWING JUST THE
SITUATION.
BUNDY IN A CORNER AND HOGAN
5852
02:52:53,663 --> 02:52:56,598
SITUATION.
BUNDY IN A CORNER AND HOGAN
COMPLETELY ON TOP OF HIM.
5853
02:52:56,600 --> 02:52:57,665
BUNDY IN A CORNER AND HOGAN
COMPLETELY ON TOP OF HIM.
>> HULK HOGAN PULLING OUT ALL
5854
02:52:57,667 --> 02:52:58,299
COMPLETELY ON TOP OF HIM.
>> HULK HOGAN PULLING OUT ALL
THE STOPS.
5855
02:52:58,301 --> 02:52:59,501
>> HULK HOGAN PULLING OUT ALL
THE STOPS.
HE'S GOT BIG BUNDY BLEEDING
5856
02:52:59,503 --> 02:53:01,936
THE STOPS.
HE'S GOT BIG BUNDY BLEEDING
SCRATCHING WITH THE FINGERNAILS.
5857
02:53:01,938 --> 02:53:02,771
HE'S GOT BIG BUNDY BLEEDING
SCRATCHING WITH THE FINGERNAILS.
>> AND HE'S COMING IN THE IRON
5858
02:53:02,773 --> 02:53:03,671
SCRATCHING WITH THE FINGERNAILS.
>> AND HE'S COMING IN THE IRON
BARS AGAIN.
5859
02:53:03,673 --> 02:53:06,408
>> AND HE'S COMING IN THE IRON
BARS AGAIN.
>> INTO THE BARS, WHAM.
5860
02:53:06,410 --> 02:53:07,842
BARS AGAIN.
>> INTO THE BARS, WHAM.
>> WHY DON'T THEY STOP THIS?
5861
02:53:07,844 --> 02:53:09,744
>> INTO THE BARS, WHAM.
>> WHY DON'T THEY STOP THIS?
>> IT CAN'T BE STOPPED.
5862
02:53:09,746 --> 02:53:11,413
>> WHY DON'T THEY STOP THIS?
>> IT CAN'T BE STOPPED.
IT'S UNTIL ONE MAN LEAVES THE
5863
02:53:11,415 --> 02:53:12,580
>> IT CAN'T BE STOPPED.
IT'S UNTIL ONE MAN LEAVES THE
CAGE.
5864
02:53:12,582 --> 02:53:14,883
IT'S UNTIL ONE MAN LEAVES THE
CAGE.
BUNDY BLEEDING PROFUSELY NOW
5865
02:53:14,885 --> 02:53:16,418
CAGE.
BUNDY BLEEDING PROFUSELY NOW
HOGAN HAS TURNED IT AROUND AND
5866
02:53:16,420 --> 02:53:17,819
BUNDY BLEEDING PROFUSELY NOW
HOGAN HAS TURNED IT AROUND AND
THE CHAMPION THROW INTO THE CA
5867
02:53:17,821 --> 02:53:19,721
HOGAN HAS TURNED IT AROUND AND
THE CHAMPION THROW INTO THE CA
-- INTO THE STEEL BARS AGAIN.
5868
02:53:19,723 --> 02:53:21,389
THE CHAMPION THROW INTO THE CA
-- INTO THE STEEL BARS AGAIN.
>> JESSE, IT LOOKS TO ME AS IF
5869
02:53:21,391 --> 02:53:22,290
-- INTO THE STEEL BARS AGAIN.
>> JESSE, IT LOOKS TO ME AS IF
HOGAN COULD COME OUT OF THAT
5870
02:53:22,292 --> 02:53:23,725
>> JESSE, IT LOOKS TO ME AS IF
HOGAN COULD COME OUT OF THAT
RING ANY TIME HE WANTS TO.
5871
02:53:23,727 --> 02:53:24,859
HOGAN COULD COME OUT OF THAT
RING ANY TIME HE WANTS TO.
IN FACT THAT'S EXACTLY WHAT HE'S
5872
02:53:24,861 --> 02:53:28,696
RING ANY TIME HE WANTS TO.
IN FACT THAT'S EXACTLY WHAT HE'S
DOING, BUT JUST ANOTHER SHOT AT
5873
02:53:28,698 --> 02:53:30,565
IN FACT THAT'S EXACTLY WHAT HE'S
DOING, BUT JUST ANOTHER SHOT AT
BUNDY BEFORE HE LEAVES.
5874
02:53:30,567 --> 02:53:32,434
DOING, BUT JUST ANOTHER SHOT AT
BUNDY BEFORE HE LEAVES.
>> OH, AND HE'S CHOKING BUNDY
5875
02:53:32,436 --> 02:53:34,736
BUNDY BEFORE HE LEAVES.
>> OH, AND HE'S CHOKING BUNDY
OUT ON THE TOP ROPES.
5876
02:53:34,738 --> 02:53:35,704
>> OH, AND HE'S CHOKING BUNDY
OUT ON THE TOP ROPES.
>> USING HIS HEAD AS A STEPPING
5877
02:53:35,706 --> 02:53:37,238
OUT ON THE TOP ROPES.
>> USING HIS HEAD AS A STEPPING
STONE.
5878
02:53:37,240 --> 02:53:38,072
>> USING HIS HEAD AS A STEPPING
STONE.
>> THAT'S A GOOD WAY TO PUT IT.
5879
02:53:38,074 --> 02:53:40,642
STONE.
>> THAT'S A GOOD WAY TO PUT IT.
BUNDY BLEEDING.
5880
02:53:40,644 --> 02:53:41,743
>> THAT'S A GOOD WAY TO PUT IT.
BUNDY BLEEDING.
BIG RIGHT HAND DRIVEN INTO THE
5881
02:53:41,745 --> 02:53:43,678
BUNDY BLEEDING.
BIG RIGHT HAND DRIVEN INTO THE
HEAD OF KING KONG BUNDY.
5882
02:53:43,680 --> 02:53:44,613
BIG RIGHT HAND DRIVEN INTO THE
HEAD OF KING KONG BUNDY.
>> AND HOGAN LOVING EVERY MINUTE
5883
02:53:44,615 --> 02:53:46,448
HEAD OF KING KONG BUNDY.
>> AND HOGAN LOVING EVERY MINUTE
OF IT, TOO.
5884
02:53:46,450 --> 02:53:47,315
>> AND HOGAN LOVING EVERY MINUTE
OF IT, TOO.
>> HOGAN'S MEASURING HIM OFF.
5885
02:53:47,317 --> 02:53:48,817
OF IT, TOO.
>> HOGAN'S MEASURING HIM OFF.
HURT HIS HAND WITH THAT ONE, BUT
5886
02:53:48,819 --> 02:53:50,418
>> HOGAN'S MEASURING HIM OFF.
HURT HIS HAND WITH THAT ONE, BUT
IT'S AMAZING BUNDY'S STILL
5887
02:53:50,420 --> 02:53:51,386
HURT HIS HAND WITH THAT ONE, BUT
IT'S AMAZING BUNDY'S STILL
STANDING.
5888
02:53:51,388 --> 02:53:52,554
IT'S AMAZING BUNDY'S STILL
STANDING.
>> FOUR HUNDRED AND FIFTY
5889
02:53:52,556 --> 02:53:53,421
STANDING.
>> FOUR HUNDRED AND FIFTY
POUNDS.
5890
02:53:53,423 --> 02:53:54,422
>> FOUR HUNDRED AND FIFTY
POUNDS.
LOOK AT THAT.
5891
02:53:54,424 --> 02:53:54,856
POUNDS.
LOOK AT THAT.
>> OH.
5892
02:53:54,858 --> 02:53:56,758
LOOK AT THAT.
>> OH.
COULD NOT HOLD BUNDY.
5893
02:53:56,760 --> 02:53:57,792
>> OH.
COULD NOT HOLD BUNDY.
DUMB MOVE ON THE PART OF THE
5894
02:53:57,794 --> 02:53:59,461
COULD NOT HOLD BUNDY.
DUMB MOVE ON THE PART OF THE
CHAMPION WITH INJURED RIBS TO
5895
02:53:59,463 --> 02:54:02,597
DUMB MOVE ON THE PART OF THE
CHAMPION WITH INJURED RIBS TO
TRY TO SLAM A MAN 450 POUNDS ON
5896
02:54:02,599 --> 02:54:03,631
CHAMPION WITH INJURED RIBS TO
TRY TO SLAM A MAN 450 POUNDS ON
KING KONG BUNDY.
5897
02:54:03,633 --> 02:54:05,433
TRY TO SLAM A MAN 450 POUNDS ON
KING KONG BUNDY.
>> THAT IS A LOT OF MAN.
5898
02:54:05,435 --> 02:54:07,035
KING KONG BUNDY.
>> THAT IS A LOT OF MAN.
>> I THINK MAYBE THE RIBS GAVE
5899
02:54:07,037 --> 02:54:08,503
>> THAT IS A LOT OF MAN.
>> I THINK MAYBE THE RIBS GAVE
AWAY THERE, JESSE, BECAUSE HOGAN
5900
02:54:08,505 --> 02:54:10,205
>> I THINK MAYBE THE RIBS GAVE
AWAY THERE, JESSE, BECAUSE HOGAN
NORMALLY, I'M SURE, WOULD HAVE
5901
02:54:10,207 --> 02:54:11,272
AWAY THERE, JESSE, BECAUSE HOGAN
NORMALLY, I'M SURE, WOULD HAVE
SLAMMED HIM, AND LOOK AT BUNDY
5902
02:54:11,274 --> 02:54:12,807
NORMALLY, I'M SURE, WOULD HAVE
SLAMMED HIM, AND LOOK AT BUNDY
NOW.
5903
02:54:12,809 --> 02:54:15,743
SLAMMED HIM, AND LOOK AT BUNDY
NOW.
>> DEFIN
5904
02:54:15,745 --> 02:54:18,480
NOW.
>> DEFIN
BUNDY'S GOING FOR THE DOOR.
5905
02:54:18,482 --> 02:54:19,581
>> DEFIN
BUNDY'S GOING FOR THE DOOR.
HOGAN'S CAUGHT IN THE RING.
5906
02:54:19,583 --> 02:54:20,682
BUNDY'S GOING FOR THE DOOR.
HOGAN'S CAUGHT IN THE RING.
HE'S HOLDING HIS RIBS.
5907
02:54:20,684 --> 02:54:21,816
HOGAN'S CAUGHT IN THE RING.
HE'S HOLDING HIS RIBS.
IF BUNDY CAN GET IT TOGETHER AND
5908
02:54:21,818 --> 02:54:23,585
HE'S HOLDING HIS RIBS.
IF BUNDY CAN GET IT TOGETHER AND
SLIDE OUT OF THAT BOTTOM, HE'S
5909
02:54:23,587 --> 02:54:25,687
IF BUNDY CAN GET IT TOGETHER AND
SLIDE OUT OF THAT BOTTOM, HE'S
WON THE WORLD HEAVYWEIGHT TITLE.
5910
02:54:25,689 --> 02:54:26,421
SLIDE OUT OF THAT BOTTOM, HE'S
WON THE WORLD HEAVYWEIGHT TITLE.
>> WHAT'S THE MATTER WITH THE
5911
02:54:26,423 --> 02:54:27,388
WON THE WORLD HEAVYWEIGHT TITLE.
>> WHAT'S THE MATTER WITH THE
HULKSTER?
5912
02:54:27,390 --> 02:54:28,222
>> WHAT'S THE MATTER WITH THE
HULKSTER?
>> HULK IS COMING BACK WITH THE
5913
02:54:28,224 --> 02:54:29,724
HULKSTER?
>> HULK IS COMING BACK WITH THE
TAPE OF HIS OWN.
5914
02:54:29,726 --> 02:54:30,625
>> HULK IS COMING BACK WITH THE
TAPE OF HIS OWN.
NOW ALFRED HAYES, WHAT DO YOU
5915
02:54:30,627 --> 02:54:31,759
TAPE OF HIS OWN.
NOW ALFRED HAYES, WHAT DO YOU
GOT TO SAY ABOUT THE CHAMPION?
5916
02:54:31,761 --> 02:54:33,495
NOW ALFRED HAYES, WHAT DO YOU
GOT TO SAY ABOUT THE CHAMPION?
>> WELL, THAT'S TIT FOR TAT,
5917
02:54:33,497 --> 02:54:34,295
GOT TO SAY ABOUT THE CHAMPION?
>> WELL, THAT'S TIT FOR TAT,
JESSE.
5918
02:54:34,297 --> 02:54:34,996
>> WELL, THAT'S TIT FOR TAT,
JESSE.
WHAT'S GOOD FOR THE GOOSE IS
5919
02:54:34,998 --> 02:54:35,864
JESSE.
WHAT'S GOOD FOR THE GOOSE IS
GOOD FOR THE GANDER.
5920
02:54:35,866 --> 02:54:37,432
WHAT'S GOOD FOR THE GOOSE IS
GOOD FOR THE GANDER.
>> I FIGURED AN ENGLISHMAN LIKE
5921
02:54:37,434 --> 02:54:38,399
GOOD FOR THE GANDER.
>> I FIGURED AN ENGLISHMAN LIKE
YOU WOULD COME UP WITH SOMETHING
5922
02:54:38,401 --> 02:54:39,601
>> I FIGURED AN ENGLISHMAN LIKE
YOU WOULD COME UP WITH SOMETHING
LIKE THAT.
5923
02:54:39,603 --> 02:54:40,469
YOU WOULD COME UP WITH SOMETHING
LIKE THAT.
>> YOU'RE JEALOUS BECAUSE YOU
5924
02:54:40,471 --> 02:54:42,303
LIKE THAT.
>> YOU'RE JEALOUS BECAUSE YOU
DON'T HAVE A CARTOON SHOW,
5925
02:54:42,305 --> 02:54:42,904
>> YOU'RE JEALOUS BECAUSE YOU
DON'T HAVE A CARTOON SHOW,
JESSE?
5926
02:54:42,906 --> 02:54:44,606
DON'T HAVE A CARTOON SHOW,
JESSE?
>> DON'T YOU GET IN MY CASE
5927
02:54:44,608 --> 02:54:46,808
JESSE?
>> DON'T YOU GET IN MY CASE
EITHER, ELVIRA, OR YOU WON'T GO
5928
02:54:46,810 --> 02:54:47,742
>> DON'T YOU GET IN MY CASE
EITHER, ELVIRA, OR YOU WON'T GO
OUT WITH ME LATER ON.
5929
02:54:47,744 --> 02:54:48,810
EITHER, ELVIRA, OR YOU WON'T GO
OUT WITH ME LATER ON.
>> RIGHT HAND.
5930
02:54:48,812 --> 02:54:49,611
OUT WITH ME LATER ON.
>> RIGHT HAND.
>> BIG RIGHT.
5931
02:54:49,613 --> 02:54:51,246
>> RIGHT HAND.
>> BIG RIGHT.
BUNDY GOING FOR THE EYES.
5932
02:54:51,248 --> 02:54:52,113
>> BIG RIGHT.
BUNDY GOING FOR THE EYES.
>> BLOCKED BY BUNDY AND I THINK
5933
02:54:52,115 --> 02:54:52,747
BUNDY GOING FOR THE EYES.
>> BLOCKED BY BUNDY AND I THINK
HOGAN IS GOING INTO THE STEEL
5934
02:54:52,749 --> 02:54:55,350
>> BLOCKED BY BUNDY AND I THINK
HOGAN IS GOING INTO THE STEEL
BARS NOW.
5935
02:54:55,352 --> 02:54:56,651
HOGAN IS GOING INTO THE STEEL
BARS NOW.
>> HE'S SETTING HIM UP.
5936
02:54:56,653 --> 02:54:58,487
BARS NOW.
>> HE'S SETTING HIM UP.
>> AVALANCHE.
5937
02:54:58,489 --> 02:54:59,821
>> HE'S SETTING HIM UP.
>> AVALANCHE.
>> AVALANCHE.
5938
02:54:59,823 --> 02:55:00,655
>> AVALANCHE.
>> AVALANCHE.
>> OH, THAT'S HIS GAME PLAN,
5939
02:55:00,657 --> 02:55:01,523
>> AVALANCHE.
>> OH, THAT'S HIS GAME PLAN,
JESSE.
5940
02:55:01,525 --> 02:55:02,690
>> OH, THAT'S HIS GAME PLAN,
JESSE.
>> HE GOT IT IN.
5941
02:55:02,692 --> 02:55:04,726
JESSE.
>> HE GOT IT IN.
BUNDY BLEEDING.
5942
02:55:04,728 --> 02:55:07,662
>> HE GOT IT IN.
BUNDY BLEEDING.
>> OH, AND THOSE RIBS.
5943
02:55:07,664 --> 02:55:09,097
BUNDY BLEEDING.
>> OH, AND THOSE RIBS.
>> OH, NO.
5944
02:55:09,099 --> 02:55:10,498
>> OH, AND THOSE RIBS.
>> OH, NO.
>> SMACK ON THOSE RIBS.
5945
02:55:10,500 --> 02:55:11,198
>> OH, NO.
>> SMACK ON THOSE RIBS.
>> HURTS, THAT HURTS EVEN ME.
5946
02:55:11,200 --> 02:55:12,000
>> SMACK ON THOSE RIBS.
>> HURTS, THAT HURTS EVEN ME.
>> AND NOW HOGAN NOT MOVING.
5947
02:55:12,002 --> 02:55:13,635
>> HURTS, THAT HURTS EVEN ME.
>> AND NOW HOGAN NOT MOVING.
YES, HE'S BEGINNING TO SHUDDER
5948
02:55:13,637 --> 02:55:14,703
>> AND NOW HOGAN NOT MOVING.
YES, HE'S BEGINNING TO SHUDDER
THERE, JESSE.
5949
02:55:14,705 --> 02:55:17,472
YES, HE'S BEGINNING TO SHUDDER
THERE, JESSE.
>> BUNDY, BUNDY TRYING TO ROLL
5950
02:55:17,474 --> 02:55:18,706
THERE, JESSE.
>> BUNDY, BUNDY TRYING TO ROLL
TOWARDS THE DOOR.
5951
02:55:18,708 --> 02:55:19,674
>> BUNDY, BUNDY TRYING TO ROLL
TOWARDS THE DOOR.
BOBBY HEENAN METHODICALLY
5952
02:55:19,676 --> 02:55:22,577
TOWARDS THE DOOR.
BOBBY HEENAN METHODICALLY
YELLING TO BUNDY GET OUT THE
5953
02:55:22,579 --> 02:55:23,512
BOBBY HEENAN METHODICALLY
YELLING TO BUNDY GET OUT THE
DOOR, BUNDY, GET OUT THE DOOR.
5954
02:55:23,514 --> 02:55:24,646
YELLING TO BUNDY GET OUT THE
DOOR, BUNDY, GET OUT THE DOOR.
BECOME CHAMPION OF THE WORLD.
5955
02:55:24,648 --> 02:55:29,284
DOOR, BUNDY, GET OUT THE DOOR.
BECOME CHAMPION OF THE WORLD.
>> THE CROWD ON THEIR FEET,
5956
02:55:29,286 --> 02:55:29,750
BECOME CHAMPION OF THE WORLD.
>> THE CROWD ON THEIR FEET,
JESSE.
5957
02:55:29,752 --> 02:55:30,685
>> THE CROWD ON THEIR FEET,
JESSE.
>> HE MIGHT DO IT.
5958
02:55:30,687 --> 02:55:31,353
JESSE.
>> HE MIGHT DO IT.
HOGAN DIVING, GRABBING BUNDY.
5959
02:55:31,355 --> 02:55:32,019
>> HE MIGHT DO IT.
HOGAN DIVING, GRABBING BUNDY.
HEENAN TRYING TO PULL HIM OUT
5960
02:55:32,021 --> 02:55:32,687
HOGAN DIVING, GRABBING BUNDY.
HEENAN TRYING TO PULL HIM OUT
THROUGH THAT DOOR AND I'M LOSING
5961
02:55:32,689 --> 02:55:33,454
HEENAN TRYING TO PULL HIM OUT
THROUGH THAT DOOR AND I'M LOSING
MY VOICE, ALFRED HAYES.
5962
02:55:33,456 --> 02:55:34,856
THROUGH THAT DOOR AND I'M LOSING
MY VOICE, ALFRED HAYES.
>> THE WHOLE OF THE PEOPLE IN
5963
02:55:34,858 --> 02:55:37,825
MY VOICE, ALFRED HAYES.
>> THE WHOLE OF THE PEOPLE IN
THIS LOS ANGELES ARENA ARE JUST
5964
02:55:37,827 --> 02:55:38,727
>> THE WHOLE OF THE PEOPLE IN
THIS LOS ANGELES ARENA ARE JUST
URGING HOGAN ON TO STOP BUNDY
5965
02:55:38,729 --> 02:55:39,661
THIS LOS ANGELES ARENA ARE JUST
URGING HOGAN ON TO STOP BUNDY
GETTING OUT AND TAKING THAT
5966
02:55:39,663 --> 02:55:40,328
URGING HOGAN ON TO STOP BUNDY
GETTING OUT AND TAKING THAT
CHAMPIONSHIP FROM HOGAN.
5967
02:55:40,330 --> 02:55:41,696
GETTING OUT AND TAKING THAT
CHAMPIONSHIP FROM HOGAN.
>> I'M AFRAID HE'S GOING TO MAKE
5968
02:55:41,698 --> 02:55:43,264
CHAMPIONSHIP FROM HOGAN.
>> I'M AFRAID HE'S GOING TO MAKE
IT, IT LOOKS LIKE -- OH, NO.
5969
02:55:43,266 --> 02:55:44,466
>> I'M AFRAID HE'S GOING TO MAKE
IT, IT LOOKS LIKE -- OH, NO.
HE'S GOT HIM.
5970
02:55:44,468 --> 02:55:45,266
IT, IT LOOKS LIKE -- OH, NO.
HE'S GOT HIM.
>> YOU KNOW, I HATE TO SAY IT,
5971
02:55:45,268 --> 02:55:46,301
HE'S GOT HIM.
>> YOU KNOW, I HATE TO SAY IT,
ALFRED HAYES, BUT ELVIRA'S MOUTH
5972
02:55:46,303 --> 02:55:47,669
>> YOU KNOW, I HATE TO SAY IT,
ALFRED HAYES, BUT ELVIRA'S MOUTH
IS WATERING LOOKING AT THAT
5973
02:55:47,671 --> 02:55:49,737
ALFRED HAYES, BUT ELVIRA'S MOUTH
IS WATERING LOOKING AT THAT
BLOOD IN THERE.
5974
02:55:49,739 --> 02:55:54,609
IS WATERING LOOKING AT THAT
BLOOD IN THERE.
>> IT'S MAKING ME HUNGRY.
5975
02:55:54,611 --> 02:55:55,544
BLOOD IN THERE.
>> IT'S MAKING ME HUNGRY.
>> HERE HE GOES IN FOR THE RIDE,
5976
02:55:55,546 --> 02:55:55,910
>> IT'S MAKING ME HUNGRY.
>> HERE HE GOES IN FOR THE RIDE,
JESSE.
5977
02:55:55,912 --> 02:55:56,844
>> HERE HE GOES IN FOR THE RIDE,
JESSE.
>> BUNDY IF HE HITS HIM WITH
5978
02:55:56,846 --> 02:55:57,712
JESSE.
>> BUNDY IF HE HITS HIM WITH
ANOTHER AVALANCHE.
5979
02:55:57,714 --> 02:55:58,613
>> BUNDY IF HE HITS HIM WITH
ANOTHER AVALANCHE.
>> AVALANCHE.
5980
02:55:58,615 --> 02:55:59,614
ANOTHER AVALANCHE.
>> AVALANCHE.
>> WHAM.
5981
02:55:59,616 --> 02:56:00,582
>> AVALANCHE.
>> WHAM.
HE GOT IT AGAIN.
5982
02:56:00,584 --> 02:56:02,317
>> WHAM.
HE GOT IT AGAIN.
>> OH.
5983
02:56:02,319 --> 02:56:03,384
HE GOT IT AGAIN.
>> OH.
A BOOT TO THOSE RIBS.
5984
02:56:03,386 --> 02:56:04,419
>> OH.
A BOOT TO THOSE RIBS.
>> AND NOW I KNOW WHY THEY CALL
5985
02:56:04,421 --> 02:56:06,387
A BOOT TO THOSE RIBS.
>> AND NOW I KNOW WHY THEY CALL
IT THE AVALANCHE.
5986
02:56:06,389 --> 02:56:07,556
>> AND NOW I KNOW WHY THEY CALL
IT THE AVALANCHE.
>> REVERSAL.
5987
02:56:07,558 --> 02:56:09,357
IT THE AVALANCHE.
>> REVERSAL.
HOGAN FIRES BUNDY AND ...
5988
02:56:09,359 --> 02:56:10,491
>> REVERSAL.
HOGAN FIRES BUNDY AND ...
>> A SCOOP SLAM.
5989
02:56:10,493 --> 02:56:12,293
HOGAN FIRES BUNDY AND ...
>> A SCOOP SLAM.
>> HE DID IT.
5990
02:56:12,295 --> 02:56:13,695
>> A SCOOP SLAM.
>> HE DID IT.
HE BODY SLAMMED KING KONG BUNDY.
5991
02:56:13,697 --> 02:56:14,495
>> HE DID IT.
HE BODY SLAMMED KING KONG BUNDY.
I CAN'T BELIEVE IT.
5992
02:56:14,497 --> 02:56:15,530
HE BODY SLAMMED KING KONG BUNDY.
I CAN'T BELIEVE IT.
OFF THE ROPES.
5993
02:56:15,532 --> 02:56:21,402
I CAN'T BELIEVE IT.
OFF THE ROPES.
HOGAN WITH A BIG LEG DROP AND
5994
02:56:21,404 --> 02:56:22,904
OFF THE ROPES.
HOGAN WITH A BIG LEG DROP AND
HOGAN'S PROCLAIMING HE'S LEAVING
5995
02:56:22,906 --> 02:56:24,506
HOGAN WITH A BIG LEG DROP AND
HOGAN'S PROCLAIMING HE'S LEAVING
THE CAGE.
5996
02:56:24,508 --> 02:56:25,406
HOGAN'S PROCLAIMING HE'S LEAVING
THE CAGE.
>> AND THERE'S NO ONE PERSON IN
5997
02:56:25,408 --> 02:56:26,708
THE CAGE.
>> AND THERE'S NO ONE PERSON IN
THE WHOLE OF THIS ARENA SITTING
5998
02:56:26,710 --> 02:56:28,243
>> AND THERE'S NO ONE PERSON IN
THE WHOLE OF THIS ARENA SITTING
DOWN, JESSE.
5999
02:56:28,245 --> 02:56:29,544
THE WHOLE OF THIS ARENA SITTING
DOWN, JESSE.
JUST LOOK AT THEM.
6000
02:56:29,546 --> 02:56:31,279
DOWN, JESSE.
JUST LOOK AT THEM.
>> BOBBY HEENAN, BOBBY HEENAN'S
6001
02:56:31,281 --> 02:56:32,747
JUST LOOK AT THEM.
>> BOBBY HEENAN, BOBBY HEENAN'S
TRYING TO DO SOMETHING OUT
6002
02:56:32,749 --> 02:56:34,382
>> BOBBY HEENAN, BOBBY HEENAN'S
TRYING TO DO SOMETHING OUT
THERE, BUT I DON'T KNOW IF
6003
02:56:34,384 --> 02:56:35,717
TRYING TO DO SOMETHING OUT
THERE, BUT I DON'T KNOW IF
HEENAN CAN -- HEENAN'S TRYING TO
6004
02:56:35,719 --> 02:56:37,251
THERE, BUT I DON'T KNOW IF
HEENAN CAN -- HEENAN'S TRYING TO
COME UP THE OTHER SIDE.
6005
02:56:37,253 --> 02:56:39,654
HEENAN CAN -- HEENAN'S TRYING TO
COME UP THE OTHER SIDE.
HERE COMES BUNDY.
6006
02:56:39,656 --> 02:56:41,489
COME UP THE OTHER SIDE.
HERE COMES BUNDY.
>> HOGAN NEARLY OUT.
6007
02:56:41,491 --> 02:56:42,557
HERE COMES BUNDY.
>> HOGAN NEARLY OUT.
BUNDY TAKING A HANDFUL OF HIS
6008
02:56:42,559 --> 02:56:44,525
>> HOGAN NEARLY OUT.
BUNDY TAKING A HANDFUL OF HIS
TIGHTS.
6009
02:56:44,527 --> 02:56:46,361
BUNDY TAKING A HANDFUL OF HIS
TIGHTS.
>> HOGAN HAMMERING BUNDY.
6010
02:56:46,363 --> 02:56:47,795
TIGHTS.
>> HOGAN HAMMERING BUNDY.
BOTH MEN STANDING.
6011
02:56:47,797 --> 02:56:49,898
>> HOGAN HAMMERING BUNDY.
BOTH MEN STANDING.
HOGAN WITH A BIG PUSH SENDS
6012
02:56:49,900 --> 02:56:51,566
BOTH MEN STANDING.
HOGAN WITH A BIG PUSH SENDS
BUNDY OUTSIDE.
6013
02:56:51,568 --> 02:56:52,701
HOGAN WITH A BIG PUSH SENDS
BUNDY OUTSIDE.
THE CHAMPION'S GOING UP OVER THE
6014
02:56:52,703 --> 02:56:53,768
BUNDY OUTSIDE.
THE CHAMPION'S GOING UP OVER THE
TOP.
6015
02:56:53,770 --> 02:56:55,537
THE CHAMPION'S GOING UP OVER THE
TOP.
IF HE GETS OUT TO THE FLOOR, HE
6016
02:56:55,539 --> 02:56:57,772
TOP.
IF HE GETS OUT TO THE FLOOR, HE
WILL WIN.
6017
02:56:57,774 --> 02:56:59,507
IF HE GETS OUT TO THE FLOOR, HE
WILL WIN.
>> HE'S GETTING OUT.
6018
02:56:59,509 --> 02:57:01,542
WILL WIN.
>> HE'S GETTING OUT.
>> AND KEEPS TITLE.
6019
02:57:01,544 --> 02:57:02,277
>> HE'S GETTING OUT.
>> AND KEEPS TITLE.
>> BOBBY HEENAN TRYING TO STOP
6020
02:57:02,279 --> 02:57:04,279
>> AND KEEPS TITLE.
>> BOBBY HEENAN TRYING TO STOP
HULK HOGAN.
6021
02:57:04,281 --> 02:57:05,747
>> BOBBY HEENAN TRYING TO STOP
HULK HOGAN.
>> HE'S GOING TO MAKE IT.
6022
02:57:05,749 --> 02:57:06,748
HULK HOGAN.
>> HE'S GOING TO MAKE IT.
HE'S MAKING IT.
6023
02:57:06,750 --> 02:57:10,418
>> HE'S GOING TO MAKE IT.
HE'S MAKING IT.
ALL RIGHT, HE'S GOING TO WIN.
6024
02:57:10,420 --> 02:57:15,790
HE'S MAKING IT.
ALL RIGHT, HE'S GOING TO WIN.
>> BUNDY GOING TO THE DOOR.
6025
02:57:15,792 --> 02:57:17,258
ALL RIGHT, HE'S GOING TO WIN.
>> BUNDY GOING TO THE DOOR.
HOGAN'S OUT FIRST.
6026
02:57:17,260 --> 02:57:17,825
>> BUNDY GOING TO THE DOOR.
HOGAN'S OUT FIRST.
>> HE GOT IT.
6027
02:57:17,827 --> 02:57:18,426
HOGAN'S OUT FIRST.
>> HE GOT IT.
[ BELL RINGING ]
6028
02:57:18,428 --> 02:57:21,463
>> HE GOT IT.
[ BELL RINGING ]
>> HOGAN IS OUT, BUT IT'S STILL
6029
02:57:21,465 --> 02:57:23,464
[ BELL RINGING ]
>> HOGAN IS OUT, BUT IT'S STILL
NOT CLEAR WHETHER THE REFEREE
6030
02:57:23,466 --> 02:57:23,898
>> HOGAN IS OUT, BUT IT'S STILL
NOT CLEAR WHETHER THE REFEREE
HAS SEEN THAT OR NOT.
6031
02:57:23,900 --> 02:57:25,466
NOT CLEAR WHETHER THE REFEREE
HAS SEEN THAT OR NOT.
HOGAN CHASING HEENAN AND
6032
02:57:25,468 --> 02:57:26,000
HAS SEEN THAT OR NOT.
HOGAN CHASING HEENAN AND
HEENAN'S BACK IN.
6033
02:57:26,002 --> 02:57:26,734
HOGAN CHASING HEENAN AND
HEENAN'S BACK IN.
>> HEENAN TRYING TO SHUT THE
6034
02:57:26,736 --> 02:57:27,769
HEENAN'S BACK IN.
>> HEENAN TRYING TO SHUT THE
DOOR ON HULK HOGAN.
6035
02:57:27,771 --> 02:57:29,570
>> HEENAN TRYING TO SHUT THE
DOOR ON HULK HOGAN.
HE GOT IT SHUT.
6036
02:57:29,572 --> 02:57:30,505
DOOR ON HULK HOGAN.
HE GOT IT SHUT.
>> WATCH, WATCH THIS.
6037
02:57:30,507 --> 02:57:33,642
HE GOT IT SHUT.
>> WATCH, WATCH THIS.
>> WHAT HAPPENED, JESSE?
6038
02:57:33,644 --> 02:57:34,609
>> WATCH, WATCH THIS.
>> WHAT HAPPENED, JESSE?
>> IT LOOKS LIKE THERE'S A BOUT
6039
02:57:34,611 --> 02:57:35,309
>> WHAT HAPPENED, JESSE?
>> IT LOOKS LIKE THERE'S A BOUT
OF STRENGTH BETWEEN HOGAN AND
6040
02:57:35,311 --> 02:57:36,344
>> IT LOOKS LIKE THERE'S A BOUT
OF STRENGTH BETWEEN HOGAN AND
HEENAN.
6041
02:57:36,346 --> 02:57:37,278
OF STRENGTH BETWEEN HOGAN AND
HEENAN.
>> HOGAN TRYING TO PULL OPEN THE
6042
02:57:37,280 --> 02:57:38,646
HEENAN.
>> HOGAN TRYING TO PULL OPEN THE
DOOR AND GET AT BUNDY.
6043
02:57:38,648 --> 02:57:39,547
>> HOGAN TRYING TO PULL OPEN THE
DOOR AND GET AT BUNDY.
NOW THERE'S NO CALL FOR ANYTHING
6044
02:57:39,549 --> 02:57:41,616
DOOR AND GET AT BUNDY.
NOW THERE'S NO CALL FOR ANYTHING
LIKE THIS, ALFRED HAYES.
6045
02:57:41,618 --> 02:57:42,717
NOW THERE'S NO CALL FOR ANYTHING
LIKE THIS, ALFRED HAYES.
NO CALL WHATSOEVER FOR HULK
6046
02:57:42,719 --> 02:57:43,785
LIKE THIS, ALFRED HAYES.
NO CALL WHATSOEVER FOR HULK
HOGAN.
6047
02:57:43,787 --> 02:57:45,620
NO CALL WHATSOEVER FOR HULK
HOGAN.
BOBBY HEENAN IS A MANAGER.
6048
02:57:45,622 --> 02:57:47,622
HOGAN.
BOBBY HEENAN IS A MANAGER.
HE DID NOTHING TO INTERFERE IN
6049
02:57:47,624 --> 02:57:49,290
BOBBY HEENAN IS A MANAGER.
HE DID NOTHING TO INTERFERE IN
THIS MATCH.
6050
02:57:49,292 --> 02:57:50,425
HE DID NOTHING TO INTERFERE IN
THIS MATCH.
THIS IS RIDICULOUS WHAT HOGAN IS
6051
02:57:50,427 --> 02:57:50,892
THIS MATCH.
THIS IS RIDICULOUS WHAT HOGAN IS
TRYING TO DO HERE.
6052
02:57:50,894 --> 02:57:51,893
THIS IS RIDICULOUS WHAT HOGAN IS
TRYING TO DO HERE.
>> HEENAN BROUGHT THIS UPON
6053
02:57:51,895 --> 02:57:55,530
TRYING TO DO HERE.
>> HEENAN BROUGHT THIS UPON
HIMSELF AND HE'S GOING TO PAY.
6054
02:57:55,532 --> 02:57:56,564
>> HEENAN BROUGHT THIS UPON
HIMSELF AND HE'S GOING TO PAY.
HE IS THE ONE WHO'S INSTIGATED
6055
02:57:56,566 --> 02:57:59,333
HIMSELF AND HE'S GOING TO PAY.
HE IS THE ONE WHO'S INSTIGATED
ALL THE TROUBLE AND THIS IS
6056
02:57:59,335 --> 02:58:03,738
HE IS THE ONE WHO'S INSTIGATED
ALL THE TROUBLE AND THIS IS
PAYBACK TIME.
6057
02:58:03,740 --> 02:58:06,207
ALL THE TROUBLE AND THIS IS
PAYBACK TIME.
>> THIS IS TERRIBLE.
6058
02:58:06,209 --> 02:58:07,676
PAYBACK TIME.
>> THIS IS TERRIBLE.
>> STEEL BARS FOR HEENAN.
6059
02:58:07,678 --> 02:58:12,780
>> THIS IS TERRIBLE.
>> STEEL BARS FOR HEENAN.
>> RIGHT AGAINST A STEEL CAGE.
6060
02:58:12,782 --> 02:58:15,483
>> STEEL BARS FOR HEENAN.
>> RIGHT AGAINST A STEEL CAGE.
>> THIS IS HORRIBLE, ALFRED
6061
02:58:15,485 --> 02:58:15,784
>> RIGHT AGAINST A STEEL CAGE.
>> THIS IS HORRIBLE, ALFRED
HAYES.
6062
02:58:15,786 --> 02:58:17,452
>> THIS IS HORRIBLE, ALFRED
HAYES.
>> IT'S PAYBACK TIME, JESSE.
6063
02:58:17,454 --> 02:58:32,400
HAYES.
>> IT'S PAYBACK TIME, JESSE.
>> PAYBACK TIME, NOTHING.
6064
02:58:32,402 --> 02:58:37,872
>> IT'S PAYBACK TIME, JESSE.
>> PAYBACK TIME, NOTHING.
>> OF THE WORLD, HULK HOGAN.
6065
02:58:37,874 --> 02:58:39,841
>> PAYBACK TIME, NOTHING.
>> OF THE WORLD, HULK HOGAN.
>> HOGAN, RETAINS HIS TITLE,
6066
02:58:39,843 --> 02:58:41,809
>> OF THE WORLD, HULK HOGAN.
>> HOGAN, RETAINS HIS TITLE,
ALFRED HAYES.
6067
02:58:41,811 --> 02:58:43,444
>> HOGAN, RETAINS HIS TITLE,
ALFRED HAYES.
>> AND THEY LOVE THE CHAMPION,
6068
02:58:43,446 --> 02:58:44,645
ALFRED HAYES.
>> AND THEY LOVE THE CHAMPION,
JESSE.
6069
02:58:44,647 --> 02:58:46,681
>> AND THEY LOVE THE CHAMPION,
JESSE.
WRESTLEMANIA 2 LOVES THEIR
6070
02:58:46,683 --> 02:58:48,717
JESSE.
WRESTLEMANIA 2 LOVES THEIR
CHAMPION AS WELL, JESSE.
6071
02:58:48,719 --> 02:58:49,550
WRESTLEMANIA 2 LOVES THEIR
CHAMPION AS WELL, JESSE.
>> FROM WHAT I HEAR ABOUT YOU
6072
02:58:49,552 --> 02:58:51,552
CHAMPION AS WELL, JESSE.
>> FROM WHAT I HEAR ABOUT YOU
AND, UH, HULK, JESSE, YOU'RE
6073
02:58:51,554 --> 02:58:52,420
>> FROM WHAT I HEAR ABOUT YOU
AND, UH, HULK, JESSE, YOU'RE
PROBABLY NOT TOO HAPPY RIGHT
6074
02:58:52,422 --> 02:58:53,521
AND, UH, HULK, JESSE, YOU'RE
PROBABLY NOT TOO HAPPY RIGHT
NOW, RIGHT?
6075
02:58:53,523 --> 02:58:55,590
PROBABLY NOT TOO HAPPY RIGHT
NOW, RIGHT?
>> WELL, I TELL YOU WHAT,
6076
02:58:55,592 --> 02:58:56,691
NOW, RIGHT?
>> WELL, I TELL YOU WHAT,
ELVIRA, SOMEDAY, SOMETIME HE'S
6077
02:58:56,693 --> 02:59:01,329
>> WELL, I TELL YOU WHAT,
ELVIRA, SOMEDAY, SOMETIME HE'S
GOING TO SHOWDOWN WITH ME.
6078
02:59:01,331 --> 02:59:02,697
ELVIRA, SOMEDAY, SOMETIME HE'S
GOING TO SHOWDOWN WITH ME.
>> IF YOU WIN, I'LL GO OUT WITH
6079
02:59:02,699 --> 02:59:08,403
GOING TO SHOWDOWN WITH ME.
>> IF YOU WIN, I'LL GO OUT WITH
YOU.
6080
02:59:08,405 --> 02:59:10,571
>> IF YOU WIN, I'LL GO OUT WITH
YOU.
>> LOOK AT HIM, JESSE.
6081
02:59:10,573 --> 02:59:11,439
YOU.
>> LOOK AT HIM, JESSE.
>> THERE YOU SEE THE FACE OF
6082
02:59:11,441 --> 02:59:13,407
>> LOOK AT HIM, JESSE.
>> THERE YOU SEE THE FACE OF
BUNDY, A MASK OF BLOOD.
6083
02:59:13,409 --> 02:59:15,676
>> THERE YOU SEE THE FACE OF
BUNDY, A MASK OF BLOOD.
KING KONG BUNDY SO CLOSE, YET SO
6084
02:59:15,678 --> 02:59:19,748
BUNDY, A MASK OF BLOOD.
KING KONG BUNDY SO CLOSE, YET SO
FAR FROM WINNING THE
6085
02:59:19,750 --> 02:59:20,414
KING KONG BUNDY SO CLOSE, YET SO
FAR FROM WINNING THE
CHAMPIONSHIP OF THE WORLD.
6086
02:59:20,416 --> 02:59:21,516
FAR FROM WINNING THE
CHAMPIONSHIP OF THE WORLD.
WHAT A MATCH, ALFRED HAYES, WHAT
6087
02:59:21,518 --> 02:59:23,251
CHAMPIONSHIP OF THE WORLD.
WHAT A MATCH, ALFRED HAYES, WHAT
A MATCH.
6088
02:59:23,253 --> 02:59:24,486
WHAT A MATCH, ALFRED HAYES, WHAT
A MATCH.
>> I HAVE TO AGREE WITH YOU,
6089
02:59:24,488 --> 02:59:24,852
A MATCH.
>> I HAVE TO AGREE WITH YOU,
JESSE.
6090
02:59:24,854 --> 02:59:26,587
>> I HAVE TO AGREE WITH YOU,
JESSE.
THAT WAS JUST A TREMENDOUS
6091
02:59:26,589 --> 02:59:29,557
JESSE.
THAT WAS JUST A TREMENDOUS
POWERFUL STRUGGLE, A BRUTAL, AND
6092
02:59:29,559 --> 02:59:30,324
THAT WAS JUST A TREMENDOUS
POWERFUL STRUGGLE, A BRUTAL, AND
A VERY DANGEROUS STRUGGLE.
6093
02:59:30,326 --> 02:59:31,659
POWERFUL STRUGGLE, A BRUTAL, AND
A VERY DANGEROUS STRUGGLE.
>> THIS IS THE WRESTLING MATCH
6094
02:59:31,661 --> 02:59:32,527
A VERY DANGEROUS STRUGGLE.
>> THIS IS THE WRESTLING MATCH
OF THE DECADE.
6095
02:59:32,529 --> 02:59:37,465
>> THIS IS THE WRESTLING MATCH
OF THE DECADE.
WRESTLEMANIA 2.
6096
02:59:37,467 --> 02:59:38,032
OF THE DECADE.
WRESTLEMANIA 2.
>> THERE YOU SEE HULK AS THE
6097
02:59:38,034 --> 02:59:39,534
WRESTLEMANIA 2.
>> THERE YOU SEE HULK AS THE
EGOMANIAC HE IS.
6098
02:59:39,536 --> 02:59:40,869
>> THERE YOU SEE HULK AS THE
EGOMANIAC HE IS.
HE HAS TO STOP AND POSE, ALFRED
6099
02:59:40,871 --> 02:59:42,337
EGOMANIAC HE IS.
HE HAS TO STOP AND POSE, ALFRED
HAYES.
6100
02:59:42,339 --> 02:59:44,238
HE HAS TO STOP AND POSE, ALFRED
HAYES.
>> WHAT A MAGNIFICENT MAN,
6101
02:59:44,240 --> 02:59:45,406
HAYES.
>> WHAT A MAGNIFICENT MAN,
JESSE.
6102
02:59:45,408 --> 02:59:46,073
>> WHAT A MAGNIFICENT MAN,
JESSE.
>> YOU'D NEVER SEE ME DO NOTHING
6103
02:59:46,075 --> 02:59:46,541
JESSE.
>> YOU'D NEVER SEE ME DO NOTHING
LIKE THAT.
6104
02:59:46,543 --> 02:59:47,475
>> YOU'D NEVER SEE ME DO NOTHING
LIKE THAT.
>> THE WORLD'S GREATEST
6105
02:59:47,477 --> 02:59:48,509
LIKE THAT.
>> THE WORLD'S GREATEST
PROFESSIONAL ATHLETE, LOOK AT
6106
02:59:48,511 --> 02:59:50,311
>> THE WORLD'S GREATEST
PROFESSIONAL ATHLETE, LOOK AT
HIM.
6107
02:59:50,313 --> 02:59:54,782
PROFESSIONAL ATHLETE, LOOK AT
HIM.
THERE'S NONE BETTER.
6108
02:59:54,784 --> 02:59:56,517
HIM.
THERE'S NONE BETTER.
>> WHOA, LOOK AT THOSE MUSCLES.
6109
02:59:56,519 --> 03:00:01,689
THERE'S NONE BETTER.
>> WHOA, LOOK AT THOSE MUSCLES.
HE'S SHOOTING THE CRAB.
6110
03:00:01,691 --> 03:00:03,558
>> WHOA, LOOK AT THOSE MUSCLES.
HE'S SHOOTING THE CRAB.
>> OH, OH.
6111
03:00:03,560 --> 03:00:21,709
HE'S SHOOTING THE CRAB.
>> OH, OH.
LISTEN TO THE PEOPLE.
6112
03:00:21,711 --> 03:00:22,543
>> OH, OH.
LISTEN TO THE PEOPLE.
>> WELL, THAT'S IT HERE FROM LOS
6113
03:00:22,545 --> 03:00:23,545
LISTEN TO THE PEOPLE.
>> WELL, THAT'S IT HERE FROM LOS
ANGELES.
6114
03:00:23,547 --> 03:00:26,347
>> WELL, THAT'S IT HERE FROM LOS
ANGELES.
ON BEHALF OF LORD ALFRED HAYES,
6115
03:00:26,349 --> 03:00:27,882
ANGELES.
ON BEHALF OF LORD ALFRED HAYES,
THE ONE AND ONLY ELVIRA AND
6116
03:00:27,884 --> 03:00:30,551
ON BEHALF OF LORD ALFRED HAYES,
THE ONE AND ONLY ELVIRA AND
JESSE THE BODY SAYING "SO LONG"
6117
03:00:30,553 --> 03:00:32,453
THE ONE AND ONLY ELVIRA AND
JESSE THE BODY SAYING "SO LONG"
TO ALL YOU WRESTLING FANS FROM
6118
03:00:32,455 --> 03:00:33,487
JESSE THE BODY SAYING "SO LONG"
TO ALL YOU WRESTLING FANS FROM
ME, THE BODY.
6119
03:00:33,489 --> 03:00:35,389
TO ALL YOU WRESTLING FANS FROM
ME, THE BODY.
IT'S TIME FOR MOVIES NOW.
6120
03:00:35,391 --> 03:00:36,724
ME, THE BODY.
IT'S TIME FOR MOVIES NOW.
>> AND BACK TO VINCE MCMAHON.
6121
03:00:36,726 --> 03:00:38,426
IT'S TIME FOR MOVIES NOW.
>> AND BACK TO VINCE MCMAHON.
>> BACK TO VINCE MCMAHON AND
6122
03:00:38,428 --> 03:00:40,428
>> AND BACK TO VINCE MCMAHON.
>> BACK TO VINCE MCMAHON AND
SUSAN SAINT JAMES IN NEW YORK
6123
03:00:40,430 --> 03:00:43,698
>> BACK TO VINCE MCMAHON AND
SUSAN SAINT JAMES IN NEW YORK
CITY.
6124
03:00:43,700 --> 03:00:44,765
SUSAN SAINT JAMES IN NEW YORK
CITY.
>> ALL RIGHT.
6125
03:00:44,767 --> 03:00:45,766
CITY.
>> ALL RIGHT.
FOR THOSE OF US HERE ON THE EAST
6126
03:00:45,768 --> 03:00:47,569
>> ALL RIGHT.
FOR THOSE OF US HERE ON THE EAST
COAST, AND, OF COURSE, IN
6127
03:00:47,571 --> 03:00:48,703
FOR THOSE OF US HERE ON THE EAST
COAST, AND, OF COURSE, IN
CHICAGO AREA IN CENTRAL TIME
6128
03:00:48,705 --> 03:00:49,537
COAST, AND, OF COURSE, IN
CHICAGO AREA IN CENTRAL TIME
ZONE, WE CERTAINLY HOPE YOU'VE
6129
03:00:49,539 --> 03:00:54,642
CHICAGO AREA IN CENTRAL TIME
ZONE, WE CERTAINLY HOPE YOU'VE
ENJOYED WRESTLEMANIA 2.
6130
03:00:54,644 --> 03:01:07,722
ZONE, WE CERTAINLY HOPE YOU'VE
ENJOYED WRESTLEMANIA 2.
[ CROWD CHANTING ]
6131
03:01:07,724 --> 03:01:10,925
ENJOYED WRESTLEMANIA 2.
[ CROWD CHANTING ]
>> HULK!
6132
03:01:10,927 --> 03:01:12,727
[ CROWD CHANTING ]
>> HULK!
HULK!
863437
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