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1
00:01:33,405 --> 00:01:35,042
Man: WHERE'S MY
GREATEST HITS OF THE SIXITES?
2
00:01:35,092 --> 00:01:36,164
I JUST LISTENED
TO IT LAST WEEK.
3
00:01:40,290 --> 00:01:41,028
DID YOU
LEAVE IT AT HOME?
4
00:01:46,223 --> 00:01:48,622
WHOA!
5
00:01:51,189 --> 00:01:52,923
WHOA.
HUH.
6
00:01:55,390 --> 00:01:57,056
SORRY. SORRY.
7
00:01:58,089 --> 00:02:00,056
TOO MUCH LIPSTICK?
8
00:02:00,123 --> 00:02:02,589
OH, MAN. GOOD GIRL,
SALLY. GOOD GIRL.
9
00:02:02,656 --> 00:02:04,622
MMM. OH.
10
00:02:04,689 --> 00:02:07,555
SO MUCH FOR OUR PRISTINE
WILDERNESS EXPERIENCE.
11
00:02:07,622 --> 00:02:10,522
YEAH, WELL, I TOLD YOU
THIS IS AN ADVENTURE,
12
00:02:10,589 --> 00:02:13,256
WHICH BASICALLY
IS A VACATION
WITH MEAT ON IT.
13
00:02:13,323 --> 00:02:16,422
AND I WANT YOU
TO HAVE YOUR MEAT,
DARLING, I REALLY DO.
14
00:02:16,489 --> 00:02:19,589
I WAS JUST HOPING
FOR SOME ROOM SERVICE
AND A GOOD WINE.
15
00:02:22,622 --> 00:02:24,089
[SOFT ROCK PLAYS]
16
00:02:24,156 --> 00:02:25,489
WHAT IS IT WITH YOU
17
00:02:25,555 --> 00:02:27,622
AND THESE SKINNY LITTLE
WHITE BOY SINGERS
YOU LIKE SO MUCH?
18
00:02:27,689 --> 00:02:28,956
MARRIED ONE,
DIDN'T I?
19
00:02:29,023 --> 00:02:30,123
YEAH, BUT I DON'T
SING THAT NEW CRAP
20
00:02:30,189 --> 00:02:32,455
IN THE SHOWER,
DO I, HUH?
21
00:02:32,522 --> 00:02:34,422
DAD ALWAYS SAID
THE GREAT MUSIC DIED--
22
00:02:34,489 --> 00:02:36,956
Both: THE DAY THEY
DREAMED UP DISCO.
23
00:02:37,023 --> 00:02:38,956
THAT'S RIGHT.
24
00:02:41,722 --> 00:02:45,123
I--I COULD LICK
THAT OFF.
25
00:02:45,189 --> 00:02:47,422
AND KEEP BOTH EYES
ON THE ROAD?
26
00:02:47,489 --> 00:02:49,522
I DON'T THINK SO.
27
00:02:49,589 --> 00:02:51,589
I'M STILL JIGGY
FROM LAST NIGHT.
28
00:02:53,123 --> 00:02:55,689
PINEY WOOD,
STARRY SKIES.
29
00:02:55,756 --> 00:02:57,489
IT'S JUST--JUST
THE RIGHT TIMING
30
00:02:57,555 --> 00:02:59,422
TO MAKE A BABY,
I THINK.
31
00:02:59,489 --> 00:03:01,023
YEAH.
32
00:03:01,089 --> 00:03:03,123
WE BOTH KEEP
SINGING THAT SONG, HUH?
33
00:03:03,189 --> 00:03:04,356
MM-HMM.
34
00:03:20,656 --> 00:03:21,923
Mary: HERE WE ARE.
35
00:03:21,989 --> 00:03:23,123
AH, BOY.
36
00:03:23,189 --> 00:03:25,056
BACON, EGGS,
HOMEMADE BISCUITS.
37
00:03:26,323 --> 00:03:27,555
I CAN EAT THIS WAY
EVERY MORNING
38
00:03:27,622 --> 00:03:28,856
FOR THE REST
OF MY LIFE.
39
00:03:28,923 --> 00:03:31,256
UNTIL THE DAY YOU
DIE, NEXT YEAR.
40
00:03:32,356 --> 00:03:33,290
THIS IS IT.
41
00:03:33,356 --> 00:03:35,489
THIS IS THE REAL OREGON,
BABY. OH, YEAH.
42
00:03:35,555 --> 00:03:36,589
IF THE RUMORS ARE TRUE
43
00:03:36,656 --> 00:03:38,323
AND I TAKE
A TRANSFER TO JERSEY,
44
00:03:38,390 --> 00:03:40,589
AT LEAST WE'LL HAVE
THIS TRIP, HUH?
MM-HMM.
45
00:03:42,789 --> 00:03:45,156
[YOUNG MAN CACKLES]
46
00:03:50,390 --> 00:03:52,822
SO GLAD WE GOT A TASTE
OF THE WILDLIFE.
47
00:04:01,589 --> 00:04:05,622
Man: HEY, YOU KNOW,
WE COULD TAKE A SHORTCUT
TO TOKETEE FALLS.
48
00:04:05,689 --> 00:04:08,589
CLARK.
YEAH, WE TAKE 58
TWO MILES EAST,
49
00:04:08,656 --> 00:04:11,390
AND GO SOUTH ON
THIS COUNTY ROAD.
50
00:04:11,455 --> 00:04:14,689
OH, THAT LOOKS
PRETTY EMPTY.
51
00:04:14,756 --> 00:04:16,156
THINK THE WORD
IS WILDERNESS,
52
00:04:16,223 --> 00:04:18,889
AS IN NO GAS STATIONS,
NO RESTROOMS,
53
00:04:18,956 --> 00:04:21,555
NO MOTELS
WITH SOFT BEDS.
54
00:04:21,622 --> 00:04:23,522
NO, NO, WE'LL FIND ONE.
WE'LL FIND ONE. HERE.
55
00:04:23,589 --> 00:04:25,555
JUST CUT ACROSS
THIS HIGHWAY HERE.
56
00:04:25,622 --> 00:04:27,223
CAN'T BE MUCH FURTHER
TO TOKETEE.
57
00:04:27,290 --> 00:04:28,622
SEE?
58
00:04:30,089 --> 00:04:31,756
HUH?
59
00:04:31,822 --> 00:04:34,089
IT'S ALL ABOUT THE ROADS
WITH NO NUMBERS, MAN.
60
00:04:34,156 --> 00:04:36,555
BLAZE A TRAIL.
FEEL THE LAND.
61
00:04:37,589 --> 00:04:39,256
YEAH, LIKE WE'RE
PIONEER STOCK.
62
00:04:39,323 --> 00:04:41,323
YOU'RE A COMPUTER
PROGRAMMER, CLARK.
63
00:04:42,622 --> 00:04:45,589
THAT'S WHAT I DO, HONEY.
THAT'S NOT WHAT I AM.
64
00:04:45,656 --> 00:04:47,923
SORRY, YOU COME
FROM A LONG LINE
65
00:04:47,989 --> 00:04:49,489
OF HUNTER-GATHERERS.
66
00:05:49,056 --> 00:05:51,223
JUST SOME GUY'S BODY
67
00:05:51,290 --> 00:05:53,756
BROKEN FOR YOU
AND FOR MANY.
68
00:05:53,822 --> 00:05:58,089
OH, WE'RE TALKING
MASS CULTURE,
SUGAR MUFFIN.
69
00:06:22,123 --> 00:06:24,189
YOU KIDDING ME?
70
00:06:24,256 --> 00:06:27,056
NOW WHAT?
71
00:06:44,856 --> 00:06:48,522
CLARK, I GAVE UP TEACHING
SUMMER SCHOOL FOR THIS.
72
00:06:48,589 --> 00:06:50,189
PLEASE TELL ME
WE'RE NOT LOST.
73
00:06:50,256 --> 00:06:51,356
WE'RE NOT LOST.
74
00:06:51,422 --> 00:06:53,023
WE'RE JUST IN
MID-PROCESS.
75
00:06:53,089 --> 00:06:56,223
I'VE NEVER SEEN A ROAD
MARKED LIKE THAT.
76
00:06:57,555 --> 00:06:59,856
WHERE ARE
THE PHONE LINES?
77
00:07:01,822 --> 00:07:03,323
I DON'T KNOW.
78
00:07:03,390 --> 00:07:04,656
YOU DON'T KNOW?
79
00:07:04,722 --> 00:07:07,789
UH, NO, I HAVEN'T
SEEN THEM IN A WHILE.
80
00:07:07,856 --> 00:07:09,989
WELL, HOW LONG
IS A WHILE?
81
00:07:10,056 --> 00:07:13,989
I DON'T KNOW, YOU KNOW,
10, 20 MILES.
82
00:07:14,056 --> 00:07:15,522
WANT MY ADVICE?
83
00:07:15,589 --> 00:07:17,522
NO, BUT I SUPPOSE
I'LL GET IT ANYWAY.
84
00:07:17,589 --> 00:07:20,023
YOU KNOW, I REALLY
CAN'T STAND IT WHEN YOU
ROLL YOUR EYES LIKE THAT.
85
00:07:20,089 --> 00:07:21,089
ROLL MY EYES
LIKE WHAT?
86
00:07:21,156 --> 00:07:22,689
OH, YOU KNOW,
LIKE I'M SOME OLD DOG
87
00:07:22,756 --> 00:07:24,323
THAT FARTED UNDER
THE DINNER TABLE.
88
00:07:24,390 --> 00:07:25,956
GO ON, GO ON.
IT'S YOUR NICKEL.
89
00:07:26,023 --> 00:07:27,622
TELL ME WHAT
YOU'RE THINKING.
90
00:07:27,689 --> 00:07:29,390
LET'S GO BACK WHILE
THERE'S STILL TIME.
91
00:07:29,455 --> 00:07:30,756
[CHUCKLES]
92
00:07:30,822 --> 00:07:33,323
YEAH, SURE, NOW ALL
YOU NEED IS A SIGN
THAT SAYS "REPENT."
93
00:07:33,390 --> 00:07:34,689
THAT'S THE PROBLEM
WITH YOU TEACHERS.
94
00:07:34,756 --> 00:07:38,056
YOU'RE ALWAYS TIED
TO YOUR LESSON PLANS.
95
00:07:38,123 --> 00:07:39,023
THAT'S IT.
96
00:07:39,089 --> 00:07:40,923
IT'S GOT TO BE
THE RIGHT FORK.
97
00:07:40,989 --> 00:07:43,656
THIS IS--
THAT'S SOUTH.
98
00:07:43,722 --> 00:07:46,356
YEAH, I CAN SMELL
TOKETEE FALLS FROM HERE.
99
00:07:46,422 --> 00:07:49,589
THAT'S THE RANCH ROAD.
MUST BE.
100
00:07:49,656 --> 00:07:51,889
A RANCH ROAD
WITH A STRIPED LINE?
101
00:07:51,956 --> 00:07:55,290
WELL, YOU'D BE SURPRISED
HOW WELL-OFF SOME OF
THESE RANCHERS ARE.
102
00:07:55,356 --> 00:07:58,455
MONEY IN THE LAND,
MY DAD ALWAYS SAID.
103
00:08:00,622 --> 00:08:02,722
BABY...
104
00:08:02,789 --> 00:08:05,223
LET'S GO BACK AND FIND
A NICE HOT TUB
105
00:08:05,290 --> 00:08:08,223
AND A COLD MOJITO.
[ENGINE STARTS]
106
00:08:08,290 --> 00:08:09,722
REVERSE IS RIGHT
THERE, BABY.
I KNOW, HONEY.
107
00:08:09,789 --> 00:08:11,555
WRONG--REVERSE
IS JUST ANOTHER WORD
108
00:08:11,622 --> 00:08:13,555
FOR GOING BACKWARDS.
OK?
109
00:08:13,622 --> 00:08:16,156
BESIDES, IT'S NOT
LIKE THE YELLOW LINE
IS GONNA RUN OUT.
110
00:08:16,223 --> 00:08:18,323
Radio: * WHOO *
111
00:08:20,256 --> 00:08:22,622
* HEY, HEY, HEY, HEY *
112
00:08:22,689 --> 00:08:24,056
* WHOO! *
113
00:08:24,123 --> 00:08:26,822
* SHAKE IT UP,
PRETTY BABY *
114
00:08:26,889 --> 00:08:28,589
WELL, OK, HUH.
115
00:08:28,656 --> 00:08:29,822
DOESN'T MATTER.
116
00:08:29,889 --> 00:08:31,123
THERE'LL ALWAYS
BE A COUNTY ROAD.
117
00:08:31,189 --> 00:08:33,422
WE'LL JUST HEAD--
KEEP HEADING SOUTH,
SOUTHEAST.
118
00:08:50,422 --> 00:08:51,455
OH, CLARK!
119
00:08:51,522 --> 00:08:53,822
DON'T SAY
ANYTHING, OK?
120
00:08:53,889 --> 00:08:56,422
WE'RE NOT LOST.
WE'RE NOT LOST!
121
00:08:56,489 --> 00:08:57,622
THE ROAD'LL
OPEN UP AGAIN
122
00:08:57,689 --> 00:08:59,123
OVER THE NEXT
HILL PROBABLY.
123
00:09:00,856 --> 00:09:02,689
WE'RE NOT LOST.
124
00:09:29,156 --> 00:09:31,123
OH!
125
00:09:31,189 --> 00:09:32,455
THAT'S IT.
126
00:09:32,522 --> 00:09:33,822
I'M CALLING
THE AUTO CLUB.
127
00:09:33,889 --> 00:09:35,589
IN 15 YEARS
OF MARRIAGE,
128
00:09:35,656 --> 00:09:37,822
YOU'VE NEVER ASKED
FOR DIRECTIONS EVER.
129
00:09:37,889 --> 00:09:39,489
JUST LIKE
YOUR FATHER.
130
00:09:39,555 --> 00:09:41,256
GAVE YOU THIS CAR OF HIS,
AND THE DAY HE DID,
131
00:09:41,323 --> 00:09:43,223
THERE MUST HAVE BEEN
50,000 EXTRA MILES
132
00:09:43,290 --> 00:09:44,656
FROM GOING AROUND
IN CIRCLES.
133
00:09:44,722 --> 00:09:46,089
WELL, YOU KNOW,
ONE MAN'S CIRCLE
134
00:09:46,156 --> 00:09:47,923
IS ANOTHER MAN'S
WANDERLUST.
135
00:09:47,989 --> 00:09:50,089
YEAH, WELL,
I'M ALL OUT OF LUST,
136
00:09:50,156 --> 00:09:52,756
AND WE'VE WANDERED
LONG ENOUGH.
137
00:10:18,056 --> 00:10:20,256
CLARK.
138
00:10:20,323 --> 00:10:21,789
CLARK, I GIVE.
139
00:10:21,856 --> 00:10:23,555
OK?
140
00:10:23,622 --> 00:10:25,722
YOU'RE A MAN
AMONG MEN.
141
00:10:25,789 --> 00:10:27,689
I SAY THIS WITH
THE GREATEST RESPECT.
142
00:10:27,756 --> 00:10:29,356
TURN THE DAMN
CAR AROUND.
143
00:10:29,422 --> 00:10:30,722
HONEY, HONEY, HONEY,
144
00:10:30,789 --> 00:10:32,722
I CAN'T RISK TURNING
THE CAR AROUND NOW.
145
00:10:32,789 --> 00:10:34,722
THE ROAD IS TOO NARROW,
THE SHOULDERS ARE SOFT.
146
00:10:34,789 --> 00:10:35,989
WE'LL GET STUCK.
147
00:10:36,056 --> 00:10:39,455
OK? I GOT US INTO THIS,
I WILL GET US OUT.
148
00:10:41,589 --> 00:10:43,455
TRUST ME.
149
00:12:10,522 --> 00:12:12,589
CLARK, IT'S UM--
150
00:12:12,656 --> 00:12:15,023
IT'S GETTING LATE.
WE'VE GOT TO TURN BACK.
151
00:12:15,089 --> 00:12:17,123
OH, JUST STOP IT,
MARY, ALL RIGHT?
152
00:12:17,189 --> 00:12:19,422
JUST PUT DOWN
THE CHALK, WILL YOU?
153
00:12:19,489 --> 00:12:21,123
NOT SOME TOLKIEN
FANTASY HERE.
154
00:12:21,189 --> 00:12:22,323
WE'LL BE FINE.
155
00:12:22,390 --> 00:12:23,889
WE JUST GOT TO
STAY THE COURSE.
156
00:12:23,956 --> 00:12:25,722
STAY THE COURSE.
157
00:12:25,789 --> 00:12:26,923
YOU CAN'T FIND
THE COURSE, CLARK.
158
00:12:26,989 --> 00:12:28,889
I MEAN, WHAT ARE YOU
TRYING TO PROVE?
159
00:12:28,956 --> 00:12:31,256
WE'RE IN TROUBLE HERE.
JUST LOOK.
160
00:12:31,323 --> 00:12:32,489
CAN'T YOU SEE IT?
161
00:12:32,555 --> 00:12:34,722
UH, I SEE A SIGN.
162
00:12:36,223 --> 00:12:39,089
CAN YOU READ IT?
CAN YOU READ IT?
163
00:12:39,156 --> 00:12:41,856
YEAH, IT SAYS,
"IF YOU CAME THIS FAR,
164
00:12:41,923 --> 00:12:43,923
YOU REALLY SCREWED UP."
165
00:13:00,989 --> 00:13:02,023
HUH.
166
00:13:11,422 --> 00:13:12,989
Mary: THIS HAS
TO BE A JOKE.
167
00:13:13,056 --> 00:13:14,156
WELL, MAYBE NOT.
168
00:13:14,223 --> 00:13:16,323
A TOWN CALLED
ROCK AND ROLL HEAVEN?
169
00:13:16,390 --> 00:13:17,756
WELL, WHY NOT?
170
00:13:17,822 --> 00:13:19,290
THERE'S TRUTH
AND CONSEQUENCES,
NEW MEXICO,
171
00:13:19,356 --> 00:13:20,722
THERE'S SHARK,
NEVADA,
172
00:13:20,789 --> 00:13:23,123
THERE'S EVEN A TOWN
IN PENNSYLVANIA
CALLED INTERCOURSE.
173
00:13:23,189 --> 00:13:25,422
I MEAN, WHY NOT
ROCK AND ROLL HEAVEN?
174
00:13:25,489 --> 00:13:28,756
I MEAN, MAYBE IT
WAS BUILT BY HIPPIES
BACK IN THE 60s.
175
00:13:28,822 --> 00:13:29,956
I DON'T KNOW,
IT DOESN'T MATTER.
176
00:13:30,023 --> 00:13:31,356
WHAT MATTERS IS THAT
WE'VE FOUND SOME
177
00:13:31,422 --> 00:13:33,089
HONEST-TO-GOD PAVEMENT
AGAIN, HONEY.
178
00:13:35,290 --> 00:13:36,223
YOU MADE THAT UP.
179
00:13:36,290 --> 00:13:37,656
WHAT?
180
00:13:37,722 --> 00:13:39,356
INTERCOURSE,
PENNSYLVANIA.
181
00:13:39,422 --> 00:13:41,023
NO, NO, NO,
I SWEAR, IT'S--
182
00:13:41,089 --> 00:13:42,489
I'VE DONE
INTERCOURSE...
183
00:13:42,555 --> 00:13:44,156
PENNSYLVANIA.
184
00:13:44,223 --> 00:13:45,189
HUH?
YEAH.
185
00:13:46,789 --> 00:13:49,156
WE'LL DO THE NEW ROAD.
186
00:13:49,223 --> 00:13:50,223
BE CAREFUL.
187
00:14:09,233 --> 00:14:11,038
OOH.
AH.
188
00:14:11,338 --> 00:14:13,591
AH, NORMAN ROCKWELL'S
BIRTHPLACE.
189
00:14:14,139 --> 00:14:14,912
HAS TO BE.
190
00:14:23,972 --> 00:14:25,204
HUH.
191
00:14:25,271 --> 00:14:26,605
WHERE'S THE SMOKE?
192
00:14:26,672 --> 00:14:29,338
THERE SHOULD BE SMOKE
FROM A CHIMNEY SOMEWHERE.
193
00:14:29,405 --> 00:14:30,605
YOU KNOW,
WE COULD WIN
194
00:14:30,672 --> 00:14:32,438
A CONDO IN
THE GARDEN OF EDEN,
195
00:14:32,505 --> 00:14:34,304
AND YOU'D BE WORRYING
ABOUT APHIDS.
196
00:14:37,972 --> 00:14:39,204
LET'S TURN AROUND.
197
00:14:39,271 --> 00:14:41,338
WHAT? WHY?
198
00:14:41,405 --> 00:14:44,371
I DON'T LIKE IT.
THAT'S ALL.
199
00:14:44,438 --> 00:14:46,538
LOOK AT THAT HOUSE.
200
00:14:48,972 --> 00:14:50,638
UH, YEAH,
IT'S BEAUTIFUL.
201
00:14:50,705 --> 00:14:53,872
YEAH. IT'S LIKE
THE CANDY HOUSE
IN HANSEL AND GRETEL.
202
00:14:53,938 --> 00:14:54,938
OH, COME ON.
203
00:14:55,005 --> 00:14:57,304
NO, I HID UNDER
MY BED FOR A WEEK
204
00:14:57,371 --> 00:14:58,905
AFTER MOM
READ ME THAT STORY.
205
00:15:00,505 --> 00:15:02,738
LET'S JUST TURN AROUND.
THE ROADS ARE WIDE ENOUGH.
206
00:15:02,805 --> 00:15:04,638
LOOK AT THE CHARACTER
OF THE PLACE, HUH?
207
00:15:05,872 --> 00:15:08,605
I MEAN, IF YOU WANNA
BUY A SOUVENIR,
208
00:15:08,672 --> 00:15:09,872
BUY A T-SHIRT.
209
00:15:09,938 --> 00:15:10,972
A T-SHIRT!
210
00:15:11,039 --> 00:15:12,605
THAT'S HOW
YOU DO IT, CLARK.
211
00:15:12,672 --> 00:15:14,238
THAT'S HOW MEN
ALWAYS DO IT.
212
00:15:14,304 --> 00:15:15,838
DO WHAT?
213
00:15:15,905 --> 00:15:17,538
GET YOUR WAY.
214
00:15:17,605 --> 00:15:21,238
NOT BY BEING RIGHT,
BY BEING RELENTLESS.
215
00:15:21,304 --> 00:15:24,171
OH, YOU'RE GETTING
OUT NOW?
YEAH!
216
00:15:24,238 --> 00:15:25,171
OK. ALL RIGHT. YEAH.
217
00:15:26,405 --> 00:15:28,405
YEAH. ALL RIGHT.
218
00:15:33,838 --> 00:15:35,471
ONE T-SHIRT.
5 MINUTES.
219
00:15:35,538 --> 00:15:37,271
NO. WHEN DO I GET
TO CHOOSE, CLARK, HUH?
220
00:15:37,338 --> 00:15:38,772
WHEN DO WE TAKE
THE TRIP I'D LIKE?
221
00:15:38,838 --> 00:15:41,438
WHEN DO WE MOVE TO
A DIFFERENT PLACE
FOR MY JOB?
222
00:15:41,505 --> 00:15:42,772
YOU CAN TEACH ANYWHERE.
223
00:15:42,838 --> 00:15:44,204
I'M GETTING A HEADACHE.
224
00:15:44,271 --> 00:15:46,672
COME ON. IT'S 19 MILES
BACK TO HIGHWAY 58
225
00:15:46,738 --> 00:15:48,471
OVER THE SAME
CRAPPY ROAD--
226
00:15:48,538 --> 00:15:49,938
19 MILES ISN'T SO MUCH.
227
00:15:50,005 --> 00:15:52,139
BUT WHEN YOU TACK ON
50 MILES IT'S GONNA TAKE
228
00:15:52,204 --> 00:15:53,772
TO GO AROUND
THE FOREST,
229
00:15:53,838 --> 00:15:55,039
ONCE WE GET
TO HIGHWAY 58--
230
00:15:55,105 --> 00:15:57,605
YOU MAKE IT SOUND
LIKE WE HAVE A PLANE
TO CATCH.
231
00:15:57,672 --> 00:16:00,139
WELL, THIS TICKS ME OFF,
YOU KNOW?
232
00:16:00,204 --> 00:16:03,438
I MEAN, YOU TAKE ONE LOOK--
IT'S A NICE LITTLE TOWN.
233
00:16:03,505 --> 00:16:05,238
IT'S GOT A CUTE
LITTLE NAME.
234
00:16:05,304 --> 00:16:07,338
AND SUDDENLY,
YOU'RE REMINDED
OF--OF LIKE...
235
00:16:07,405 --> 00:16:09,204
MYSTIC RIVER
OR SOME DAMN THING,
236
00:16:09,271 --> 00:16:10,438
AND YOU WANNA GO BACK.
YEAH.
237
00:16:10,505 --> 00:16:12,805
WHERE IF WE JUST STAYED ON
THE SAME ROAD THROUGH TOWN,
238
00:16:12,872 --> 00:16:15,271
WE JUST CUT SOUTH,
DUE SOUTH...
239
00:16:15,338 --> 00:16:16,872
IT'S PROBABLY NOT EVEN
A HALF AN HOUR
TO TOKETEE FALLS--
240
00:16:16,938 --> 00:16:19,338
THAT'S WHAT YOU SAID
BACK AT THE DINER,
REMEMBER?
241
00:16:22,072 --> 00:16:24,972
WHOO!
242
00:16:30,905 --> 00:16:33,039
PEACE!
WE LOVE YOU!
243
00:16:33,105 --> 00:16:34,805
MAKE LOVE,
NOT WAR!
244
00:16:40,271 --> 00:16:42,571
FAR OUT.
245
00:16:42,638 --> 00:16:44,571
WHAT WAS THAT ABOUT?
246
00:16:44,638 --> 00:16:48,238
I DON'T KNOW. SOMETHING FOR
THE TOURISTS, I'M THINKING.
247
00:16:52,005 --> 00:16:55,238
ALL RIGHT. ONE SOUVENIR
AND WE'RE GONE, PROMISE.
248
00:16:55,304 --> 00:16:57,371
FIRST WICKED WITCH
WE SEE,
249
00:16:57,438 --> 00:17:00,338
I'M GONNA
BACK UP MUSTANG SALLY
ALL THE WAY TO PORTLAND.
250
00:17:00,405 --> 00:17:02,204
NO QUESTIONS ASKED.
251
00:17:02,271 --> 00:17:04,938
PLEASE? PLEASE?
252
00:17:14,405 --> 00:17:17,638
OK. ONE T-SHIRT,
NOTHING MORE.
253
00:17:17,705 --> 00:17:18,805
OK.
254
00:17:18,872 --> 00:17:21,005
NOTHING MORE!
ALL RIGHT! OK.
255
00:17:21,072 --> 00:17:22,371
BUT ONLY IF
YOU'RE SURE.
256
00:17:22,438 --> 00:17:26,072
CLARK, I SAID OK.
THAT DOESN'T CHANGE HOW I FEEL.
257
00:17:26,139 --> 00:17:27,838
SO YOU'LL HAVE TO
EXCUSE ME IF I DECLINE
258
00:17:27,905 --> 00:17:31,438
TO PUT MY CHEERLEADER SKIRT ON
AND YELL, "GO, CLARK, GO."
259
00:17:31,505 --> 00:17:35,571
JEEZ. YOU ARE IN
SOME MOOD, BOY.
260
00:17:35,638 --> 00:17:38,738
YOU WOULD LOOK CUTE IN
A CHEERLEADING SKIRT,
THOUGH.
261
00:18:17,204 --> 00:18:18,738
HEY!
262
00:18:21,072 --> 00:18:22,772
LOOK AT THAT.
263
00:18:30,538 --> 00:18:32,338
HUH.
HMM!
264
00:18:42,805 --> 00:18:44,171
HOW YOU DOING?
265
00:18:49,638 --> 00:18:50,772
OK.
266
00:18:58,605 --> 00:19:00,538
NO, NO.
COME THIS WAY.
267
00:19:05,238 --> 00:19:08,471
YOU HAVE TO SEE IT, CLARK.
I KNOW YOU DO.
268
00:19:08,538 --> 00:19:10,505
WHAT?
269
00:19:10,571 --> 00:19:14,171
IT'S LIKE THE TOWN
IN THE TWILIGHT ZONE.
270
00:19:14,238 --> 00:19:15,938
"A PECULIAR
LITTLE TOWN."
271
00:19:16,005 --> 00:19:17,772
REMEMBER?
272
00:19:17,838 --> 00:19:21,838
COME ON. YOU WATCH
TV-LAND CONSTANTLY.
273
00:19:21,905 --> 00:19:23,139
AAH.
274
00:19:23,238 --> 00:19:25,171
CLARK.
275
00:19:31,705 --> 00:19:33,738
WHAT ARE YOU DOING?
276
00:19:33,805 --> 00:19:35,838
I WANT A COKE.
277
00:19:35,905 --> 00:19:37,471
CLARK.
278
00:19:37,538 --> 00:19:39,505
WHAT'S THE MATTER?
279
00:19:39,571 --> 00:19:41,005
I KNOW YOU.
280
00:19:41,072 --> 00:19:42,772
YOU'VE NO INTENTION
OF LEAVING THIS PLACE
281
00:19:42,838 --> 00:19:45,039
UNTIL YOU CONVINCE YOURSELF
YOU'RE NOT INTIMIDATED.
282
00:19:45,105 --> 00:19:46,638
CAN I GET YOU SOMETHING?
ICED TEA, OR--
283
00:19:46,705 --> 00:19:47,772
I WANNA LEAVE.
284
00:19:47,838 --> 00:19:50,972
WHAT'S TO BE
AFRAID OF, HONEY?
285
00:19:51,039 --> 00:19:53,772
WHO KNOWS WHAT GOES ON
IN THE BACKWOODS HERE.
286
00:19:53,838 --> 00:19:56,204
THESE GUYS, THEY COULD HAVE
12 WIVES, DATE THEIR SISTERS--
287
00:19:56,271 --> 00:19:57,705
I DON'T KNOW!
I'LL BE RIGHT BACK.
288
00:19:57,772 --> 00:20:00,338
CLARK, I'M NOT
STAYING HERE BY MYSELF.
289
00:20:00,405 --> 00:20:01,905
CLARK.
290
00:20:03,405 --> 00:20:04,872
OK.
291
00:20:04,938 --> 00:20:07,605
GO PISS ON YOUR HYDRANT,
THEN WE'RE GETTING OUT OF HERE.
292
00:20:16,438 --> 00:20:18,838
THEY LOOK FAMILIAR.
293
00:20:21,005 --> 00:20:22,705
[BOTH LAUGH]
294
00:20:22,772 --> 00:20:26,605
WHO DO WE KNOW'S MOVED
TO ROCK AND ROLL, OREGON,
TO BE STREET PEOPLE?
295
00:20:35,371 --> 00:20:37,505
HA HA! LOOK AT THIS.
296
00:20:37,571 --> 00:20:38,571
HA HA!
297
00:20:39,872 --> 00:20:41,405
COME ON IN, FOLKS.
298
00:20:41,471 --> 00:20:44,304
TAKE THE FIRST
AVAILABLE BOOTH, HA HA!
299
00:20:46,505 --> 00:20:48,271
OH.
300
00:20:48,338 --> 00:20:49,905
WOW.
301
00:20:49,972 --> 00:20:52,905
THIS IS FABULOUS.
LOOK AT THIS.
302
00:20:52,972 --> 00:20:54,105
LOOK, LOOK, LOOK...
303
00:20:54,171 --> 00:20:55,405
THEY HAVE
THE MOONGLOWS,
304
00:20:55,471 --> 00:20:57,705
FRANKIE LYMON
AND THE TEENAGERS,
305
00:20:57,772 --> 00:20:58,872
TWEEDLE-DEE-DEE.
306
00:20:58,938 --> 00:21:04,204
OH, TWEEDLE-DEE-DEE.
WOW! OH, GOD,
307
00:21:04,271 --> 00:21:07,838
I HAVEN'T HEARD THAT
SINCE MY DAD PLAYED IT
WHEN I WAS A KID.
308
00:21:09,204 --> 00:21:11,471
JUST TAKEOUT DRINKS,
REMEMBER?
309
00:21:11,538 --> 00:21:13,838
YEAH.
MM-HMM. YEAH.
310
00:21:13,905 --> 00:21:15,238
ALL RIGHT. BUT--BUT...
311
00:21:15,304 --> 00:21:17,405
MARY, I MEAN,
LOOK AT THIS PLACE.
312
00:21:17,471 --> 00:21:19,905
LOOK AT THE MENU.
I MEAN,YOU GOT
313
00:21:19,972 --> 00:21:23,304
BIG BOPPER BURGER
AND SUZIE CUE FRIES.
314
00:21:23,371 --> 00:21:26,171
COME ON, WOMAN. WHERE'S
YOUR DAMN SOUL, HUH?
315
00:21:26,238 --> 00:21:28,204
DRINKS, CLARK.
316
00:21:29,338 --> 00:21:30,605
WE DISCUSSED THIS
IN THE CAR.
317
00:21:30,672 --> 00:21:33,105
DRINKS ONLY.
318
00:21:33,171 --> 00:21:35,805
UH--AHEM--
WHAT'LL IT BE?
319
00:21:37,438 --> 00:21:40,905
CAN I HAVE A COKE,
PLEASE? LARGE.
320
00:21:40,972 --> 00:21:43,471
YOU OUGHT TO TRY
THE CHERRY PIE.
321
00:21:43,538 --> 00:21:45,039
RICK JUST MADE IT.
322
00:21:45,105 --> 00:21:48,405
AH. ALL RIGHT.
SOUNDS GOOD.
323
00:21:53,905 --> 00:21:58,338
* I KNOW SHE TOLD YOU *
324
00:21:58,405 --> 00:21:59,905
JUST A COKE...TO GO.
325
00:22:06,705 --> 00:22:09,072
THAT REDHEAD OVER THERE.
326
00:22:09,139 --> 00:22:12,505
* ALL I KNOW IS THAT
SHE LEFT YOU *
327
00:22:12,571 --> 00:22:16,505
STOP STARING AT HER.
328
00:22:16,571 --> 00:22:19,571
YOU'RE LIKE A LITTLE BOY
TRYING TO PEEK UP SOMEBODY'S
SKIRT IN STUDY HALL.
329
00:22:19,638 --> 00:22:23,538
NO. IS SHE, LIKE,
THE SPLITTING IMAGE
OF JANIS JOPLIN,
330
00:22:23,605 --> 00:22:24,938
OR AM I CRAZY?
331
00:22:31,538 --> 00:22:35,872
* CRY BABY *
332
00:22:35,938 --> 00:22:39,672
* CRY BABY *
333
00:22:39,738 --> 00:22:43,271
* OH, HONEY,
WELCOME BACK HOME *
334
00:22:45,072 --> 00:22:48,039
* DON'T YOU KNOW *
335
00:22:50,338 --> 00:22:53,039
HEY, MARY?
YOU ALL RIGHT?
336
00:22:55,838 --> 00:22:57,805
WHAT?
337
00:22:57,872 --> 00:23:00,872
YOU'RE SWEATING,
FOR CRYIN' OUT LOUD.
338
00:23:00,938 --> 00:23:04,039
IT'S NOT ANYTHING
TO HAVE A PANIC
ATTACK OVER.
339
00:23:04,105 --> 00:23:05,605
LOSING MY MOTHER'S
DIAMONDS LAST YEAR,
340
00:23:05,672 --> 00:23:08,638
THAT'S WORTH HAVING
A PANIC ATTACK OVER.
341
00:23:08,705 --> 00:23:13,271
JANIS JOPLIN IS DEAD,
IN L.A., AN OVERDOSE.
342
00:23:13,338 --> 00:23:16,039
WHAT ARE THESE PEOPLE?
THE JONESTOWN GLEE CLUB?
343
00:23:16,105 --> 00:23:19,072
UH...SHE'S A GROUPIE,
344
00:23:19,139 --> 00:23:20,605
AND THIS IS LIKE
A FIFTIES PLACE.
345
00:23:20,672 --> 00:23:23,872
THEY'RE PLAYING
DRESS-UP, THAT'S ALL.
346
00:23:23,938 --> 00:23:26,772
TELL YOU WHAT,
WE'LL ENJOY OUR PIE
347
00:23:26,838 --> 00:23:29,171
AND WE'LL GET OUT
OF HERE, ALL RIGHT?
348
00:23:33,438 --> 00:23:37,105
HI. COULD I MAKE
MY COKE A MALT?
349
00:23:37,171 --> 00:23:40,805
WELL, YOU CAN DO
ANYTHING YOU WANT, STUD.
350
00:23:40,872 --> 00:23:43,705
WELL, IN THAT CASE,
MAKE MINE VANILLA.
351
00:23:43,772 --> 00:23:45,238
AND HOW DID I KNOW THAT?
352
00:23:47,838 --> 00:23:49,338
Clark: I MEAN,
NOBODY MAKES MALTS
ANYMORE, YOU KNOW?
353
00:23:49,405 --> 00:23:52,972
IT'S ALL LATTE,
MOCHA, GELATO.
354
00:23:53,039 --> 00:23:55,538
ANY OLD EXCUSE TO CHARGE
YOU 5 BUCKS A POP.
355
00:24:15,986 --> 00:24:17,084
GO ON, DOLL,
SERVE 'EM UP.
356
00:24:19,691 --> 00:24:21,225
JUST THE ONES WITH
THE BIG BICEPS.
357
00:24:21,275 --> 00:24:21,954
Clark:
YEAH?
358
00:24:28,847 --> 00:24:29,401
THANK YOU.
359
00:24:29,986 --> 00:24:31,262
DON'T MENTION IT.
360
00:24:32,670 --> 00:24:35,539
SO HOW DO YOU GET
YOUR LIPSTICK TO MATCH
YOUR HAIR LIKE THAT?
361
00:24:36,802 --> 00:24:39,016
YOU START WITH
THE LIPSTICK, ALWAYS.
362
00:24:41,202 --> 00:24:41,694
CLARK...
363
00:24:42,802 --> 00:24:44,403
YOUR PIE IS HERE.
364
00:24:44,469 --> 00:24:46,036
AH! GREAT.
365
00:24:46,102 --> 00:24:48,736
YOU DON'T HAVE TO CALL
THIS COWBOY TWICE.
366
00:24:48,802 --> 00:24:50,703
YEAH. WHOO!
367
00:24:51,935 --> 00:24:53,102
OH, YEAH.
368
00:24:56,503 --> 00:24:58,670
OH!
369
00:24:58,736 --> 00:25:01,869
OH! THAT'S INCREDIBLE!
370
00:25:01,935 --> 00:25:05,569
MMM. WHO MADE IT?
371
00:25:08,436 --> 00:25:10,369
RICK, TAKE A BOW.
372
00:25:17,202 --> 00:25:19,603
HELL OF A PIE, MAN.
373
00:25:19,670 --> 00:25:21,869
WOW. WHERE DID YOU LEARN
TO MAKE PIE LIKE THAT?
374
00:25:21,935 --> 00:25:25,636
ME AND MOM, WE HUNG AROUND
THE KITCHEN A LOT.
375
00:25:25,703 --> 00:25:28,536
THAT'S YOU IN
A NUTSHELL, RICK.
MAMA'S BOY.
376
00:25:28,603 --> 00:25:29,670
GIVE ME MY HAT BACK!
377
00:25:29,736 --> 00:25:31,002
GIVE ME THAT HAT.
NEVER!
378
00:25:31,069 --> 00:25:33,002
COME HERE!
WHOO!
379
00:25:33,069 --> 00:25:34,236
OH, AND YOU RUN
LIKE A MAMA'S BOY.
380
00:25:34,303 --> 00:25:35,636
RICK?
381
00:25:38,403 --> 00:25:39,835
OZZIE AND HARRIET?
RICKY--
382
00:25:39,902 --> 00:25:42,236
NELSON. RICKY NELSON.
383
00:25:42,303 --> 00:25:44,636
GOTTA CATCH ME FIRST!
384
00:25:45,902 --> 00:25:48,202
THAT'S IMPOSSIBLE.
THAT'S IMPOSSIBLE.
385
00:25:48,269 --> 00:25:49,436
HE'S--
DEAD.
386
00:25:50,469 --> 00:25:51,536
I THINK,
LIKE, 20 YEARS.
387
00:25:51,603 --> 00:25:53,636
A PLANE CRASH,
HIM AND HIS WHOLE BAND.
388
00:25:53,703 --> 00:25:55,569
HEY!
WHOO!
389
00:25:55,636 --> 00:25:56,802
CUT THAT OUT.
390
00:25:58,002 --> 00:26:00,136
CLARK, UH...
391
00:26:00,202 --> 00:26:02,102
I THINK I LEFT
MY WALLET IN THE CAR.
392
00:26:02,169 --> 00:26:04,136
WOULD YOU GO GET IT
FOR ME, PLEASE?
393
00:26:04,202 --> 00:26:06,902
THE PINK ONE.
IT MIGHT BE
UNDER THE SEAT.
394
00:26:06,969 --> 00:26:08,636
YOU GO.
395
00:26:08,703 --> 00:26:11,002
IF YOU CAN'T FIND IT,
I'LL COME HELP YOU.
396
00:26:11,069 --> 00:26:12,736
RIGHT. I'LL GO LOOK
IN THE CAR.
397
00:26:12,802 --> 00:26:14,202
MM-HMM.
398
00:26:17,935 --> 00:26:20,136
DON'T LET THAT PIE
GET COLD NOW.
399
00:26:44,136 --> 00:26:45,503
DON'T LET IT
GET TO YOU, HONEY.
400
00:26:45,569 --> 00:26:48,770
THEY'RE JUST STARTING
TO TUNE UP FOR
THE CONCERT TONIGHT.
401
00:26:48,869 --> 00:26:51,202
WE HAVE A CONCERT
HERE IN TOWN
ALMOST EVERY NIGHT.
402
00:26:52,536 --> 00:26:53,503
I'LL BET YOU DO.
403
00:27:04,369 --> 00:27:06,036
EXCUSE ME, SIR.
404
00:27:07,636 --> 00:27:08,935
HEY.
405
00:27:11,002 --> 00:27:12,169
HOWDY, MA'AM.
406
00:27:18,136 --> 00:27:21,603
* PRETTY WOMAN
WALKING DOWN THE STREET *
407
00:27:21,670 --> 00:27:24,902
THAT'S ROY ORBISON
AND BUDDY HOLLY.
408
00:27:24,969 --> 00:27:26,935
SOLID TUNE,
I'LL GIVE YOU THAT.
409
00:27:27,002 --> 00:27:28,835
BUT IT AIN'T NO
RAVE ON.
410
00:27:28,902 --> 00:27:31,835
* I DON'T BELIEVE YOU,
YOU'RE NOT THE TRUTH *
411
00:27:55,935 --> 00:27:57,336
THEY CALL THAT
LOSING YOUR CHERRY.
412
00:28:01,536 --> 00:28:05,403
WELL, DON'T WORRY
YOURSELF ABOUT THAT,
SWEET THING.
413
00:28:05,469 --> 00:28:06,670
WELCOME.
414
00:28:06,736 --> 00:28:08,636
I AIN'T SEEN YOU AROUND
THESE PARTS BEFORE.
415
00:28:08,703 --> 00:28:13,036
I, UM--MY HUSBAND AND I,
WE'RE JUST TOURISTS VISITING.
416
00:28:14,536 --> 00:28:15,703
WE--WE HAVE TO LEAVE.
417
00:28:15,770 --> 00:28:17,736
YOU AND YOUR MAN OUGHT
TO HANG AROUND A WHILE.
418
00:28:17,802 --> 00:28:19,503
YOU OUGHT TO STAY FOR
THE CONCERT TONIGHT.
419
00:28:19,569 --> 00:28:23,569
WE PUT ON ONE HELL
OF A SHOW IF I DO
SAY SO MYSELF.
420
00:28:37,403 --> 00:28:41,202
WE'D LOVE TO HAVE YOU,
MA'AM, AND NOT JUST
FOR THE NIGHT.
421
00:28:41,269 --> 00:28:43,336
STAY A SPELL.
WHAT DO YOU SAY?
422
00:28:44,835 --> 00:28:46,269
LET ME, UM...
423
00:28:46,336 --> 00:28:48,303
LET ME ASK MY HUSBAND.
424
00:28:49,336 --> 00:28:50,902
WHOO!
AAH!
425
00:29:05,902 --> 00:29:07,802
OH, MY GOD. OH!
426
00:29:07,869 --> 00:29:11,369
HEY! SO YOU DINE AND DASH,
ROTTEN CROTCH?
427
00:29:13,835 --> 00:29:14,869
GET HER, BOYS.
428
00:29:14,935 --> 00:29:16,436
GET IN THE CAR, MARY!
429
00:29:23,069 --> 00:29:24,869
GO!
430
00:29:30,469 --> 00:29:32,036
OH, MY GOD.
431
00:29:33,802 --> 00:29:35,036
I REMEMBER
WHO THEY ARE NOW.
432
00:29:35,102 --> 00:29:37,670
IT'S RONNIE VAN ZANT
AND DUANE ALLMAN.
433
00:29:37,736 --> 00:29:39,002
CLARK, BACK UP.
434
00:29:56,169 --> 00:29:58,636
CLARK, GO!
I'M TRYING.
435
00:30:00,069 --> 00:30:01,336
AHH!
AHH!
436
00:30:03,902 --> 00:30:05,169
YOU'RE COMING
TO THE SHOW.
437
00:30:05,236 --> 00:30:06,336
CLARK!
438
00:30:06,403 --> 00:30:08,436
SCREW YOU!
439
00:30:08,503 --> 00:30:09,703
WOO!
440
00:30:09,770 --> 00:30:13,269
HA HA HA HA HA HA!
OH! WHOA!
441
00:30:43,236 --> 00:30:44,369
WOO!
442
00:30:52,670 --> 00:30:54,869
FASTEN
YOUR SEAT BELT.
443
00:31:08,902 --> 00:31:11,169
OH, GREAT.
444
00:31:14,736 --> 00:31:16,770
CLARK, THEY'RE COMING.
445
00:31:31,969 --> 00:31:33,303
STILL ALIVE.
446
00:31:33,369 --> 00:31:35,069
ALL OF THEM.
447
00:31:51,403 --> 00:31:52,835
NOW WHAT?
448
00:31:52,902 --> 00:31:54,536
BOY LOOKS
LIKE ROAD KILL.
449
00:32:00,136 --> 00:32:01,736
OH, MY GOD.
450
00:32:03,069 --> 00:32:05,703
LET'S
DO THIS, OK?
451
00:32:31,670 --> 00:32:33,336
HEY, WHO HURT YOU?
452
00:32:44,969 --> 00:32:46,236
CHERRY PIE.
453
00:32:49,036 --> 00:32:50,703
CLARK.
454
00:32:52,369 --> 00:32:54,536
GET US OUT OF HERE.
455
00:32:56,569 --> 00:32:58,002
WE'LL BE FINE.
456
00:33:45,736 --> 00:33:47,969
NOT A SINGLE ONE.
457
00:33:49,236 --> 00:33:50,336
WHAT?
458
00:33:50,403 --> 00:33:51,835
POWER LINES.
459
00:33:51,902 --> 00:33:53,336
WHEREVER
THEY GET THEIR POWER,
460
00:33:53,403 --> 00:33:54,489
IT'S NOT FROM OREGON
POWER AND LIGHT.
461
00:34:26,834 --> 00:34:27,916
YOU ALL RIGHT? HUH?
462
00:34:28,066 --> 00:34:29,385
BACK UP. TURN AROUND.
463
00:34:30,766 --> 00:34:32,044
GO--GO AROUND.
464
00:34:36,866 --> 00:34:38,366
GO ON, GO AROUND!
465
00:34:43,300 --> 00:34:45,632
Mary:
WHAT ARE YOU DOING?
466
00:34:45,699 --> 00:34:47,266
YOU'VE SEEN 'EM.
467
00:34:47,333 --> 00:34:49,100
DO YOU WANT TO BE THEM?
468
00:35:39,166 --> 00:35:41,899
WELCOME TO TOWN,
BOTH OF YOU.
469
00:35:41,966 --> 00:35:44,999
HOPE YOU CAN,
UH, STAY A WHILE.
470
00:35:45,066 --> 00:35:47,066
WE'RE REAL NEIGHBORLY,
471
00:35:47,133 --> 00:35:49,567
AND WE TAKE CARE
OF OUR OWN.
472
00:35:49,632 --> 00:35:52,533
I'M THE MAYOR
AROUND THESE PARTS.
473
00:35:54,533 --> 00:35:56,500
THE NAME'S
ELVIS PRESLEY.
474
00:36:06,100 --> 00:36:08,699
DRIVING AWAY WOULDN'T HAVE
DONE YOU NO GOOD ANYHOW.
475
00:36:08,766 --> 00:36:12,533
HIGHWAY DON'T GO NOWHERE
BUT THE UNICOI SWAMP.
476
00:36:12,599 --> 00:36:14,333
NO ROADS IN THERE, MA'AM.
477
00:36:14,400 --> 00:36:16,133
THERE'S A LOT
OF POLK SALAD
478
00:36:16,200 --> 00:36:18,266
AND QUICKSAND
AND OTHER THINGS.
479
00:36:18,333 --> 00:36:19,366
BEARS.
480
00:36:19,433 --> 00:36:21,632
BEARS. YEP.
481
00:36:21,699 --> 00:36:23,467
AND OTHER THINGS.
482
00:36:27,999 --> 00:36:29,567
IF WE STAY FOR THE SHOW--
483
00:36:29,632 --> 00:36:30,666
THE SHOW?
484
00:36:30,732 --> 00:36:33,066
OH, YOU GOT TO STAY
FOR THE SHOW.
485
00:36:33,133 --> 00:36:34,400
WE REALLY ROCK.
486
00:36:34,467 --> 00:36:36,066
YOU'LL SEE
IF WE DON'T.
487
00:36:36,133 --> 00:36:38,433
AIN'T NOTHING
BUT A STONE FACT.
488
00:36:38,500 --> 00:36:40,833
IF WE STAY FOR THE SHOW,
489
00:36:40,899 --> 00:36:43,599
CAN WE GO WHEN IT'S OVER?
490
00:36:43,666 --> 00:36:44,732
YOU KNOW, MA'AM,
491
00:36:44,799 --> 00:36:46,333
WE'RE WAY OUT
IN THE BOONIES OUT HERE,
492
00:36:46,400 --> 00:36:50,233
AND ATTRACTING AN AUDIENCE
CAN BE KIND OF SLOW WORK,
493
00:36:50,300 --> 00:36:52,599
ALTHOUGH ONCE THEY HEAR US,
494
00:36:52,666 --> 00:36:55,200
EVERYBODY
STAYS AROUND FOR MORE.
495
00:36:55,266 --> 00:36:56,599
WE WAS KIND OF HOPING
496
00:36:56,666 --> 00:36:59,033
YOU MIGHT STICK AROUND
YOURSELVES FOR A WHILE,
497
00:36:59,100 --> 00:37:00,599
SEE A FEW SHOWS,
498
00:37:00,666 --> 00:37:03,632
AND JUST KIND OF...
499
00:37:03,699 --> 00:37:05,467
ENJOY OUR HOSPITALITY.
500
00:37:19,366 --> 00:37:21,632
I THINK YOU MIGHT
EVEN DECIDE...
501
00:37:21,699 --> 00:37:24,133
YOU WANT TO SETTLE DOWN.
502
00:38:17,732 --> 00:38:19,567
SO WHERE DO YOU WANT TO SIT?
503
00:38:25,266 --> 00:38:26,933
OVER THERE.
504
00:38:32,899 --> 00:38:33,933
HMM.
505
00:38:35,567 --> 00:38:36,999
HI.
506
00:38:38,467 --> 00:38:40,666
HI.
507
00:38:40,732 --> 00:38:42,999
I--I'M CECE PRYOR.
508
00:38:43,066 --> 00:38:44,866
MARY RIVINGHAM.
509
00:38:44,933 --> 00:38:46,366
THIS IS
MY HUSBAND CLARK.
510
00:38:46,433 --> 00:38:47,833
HI.
511
00:38:54,166 --> 00:38:55,799
PLEASED TO MEET YOU.
512
00:38:55,866 --> 00:38:58,333
YOUR HAND.
513
00:38:58,400 --> 00:39:00,500
FRANKIE DID IT.
514
00:39:00,567 --> 00:39:03,599
FRANKIE LYMAN.
515
00:39:03,666 --> 00:39:05,866
EVERYONE SAYS HE WAS
THE SWEETEST GUY
516
00:39:05,933 --> 00:39:07,366
YOU'D EVER WANT
TO MEET...
517
00:39:08,567 --> 00:39:10,533
WHEN HE WAS ALIVE.
518
00:39:10,599 --> 00:39:15,467
HE ONLY TURNED MEAN
WHEN HE CAME HERE.
519
00:39:15,533 --> 00:39:18,166
YOU KNOW, I DON'T CARE.
520
00:39:18,233 --> 00:39:21,233
I JUST WISH
HE HAD GOTTEN AWAY.
521
00:39:21,300 --> 00:39:24,732
AND I'D DO IT AGAIN.
522
00:39:26,533 --> 00:39:29,200
BESIDES...
523
00:39:29,266 --> 00:39:31,866
CRYSTAL TAKES CARE
OF ME.
524
00:39:34,799 --> 00:39:39,200
YOU KNOW,
SHE'LL FIX YOU UP
IF YOU WANT.
525
00:39:39,266 --> 00:39:41,033
YOU DON'T NEED
TO LOSE NO FINGERS
526
00:39:41,100 --> 00:39:43,266
TO WANT TO GET STONED
IN THIS TOWN.
527
00:39:43,333 --> 00:39:45,500
OH, MY WIFE AND I
DON'T USE DRUGS.
528
00:39:47,567 --> 00:39:49,200
YOU WILL.
529
00:39:57,200 --> 00:40:00,966
GOOD EVENING,
ROCK AND ROLL HEAVEN!
530
00:40:01,033 --> 00:40:03,366
GET YOUR SEATS FAST,
LADIES AND GENTLEMEN,
531
00:40:03,433 --> 00:40:04,799
AND HOLD ONTO YOUR CHAIRS,
532
00:40:04,866 --> 00:40:08,233
BECAUSE THERE'S
GOOD ROCKIN' TONIGHT.
533
00:40:08,300 --> 00:40:11,400
HOW LONG
DO THEY GO ON?
534
00:40:11,467 --> 00:40:13,833
A LONG TIME.
535
00:40:13,899 --> 00:40:16,567
I MEAN, THE SHOW WILL
BE OVER AT MIDNIGHT.
536
00:40:16,632 --> 00:40:18,666
IT'S A TOWN ORDINANCE.
537
00:40:18,732 --> 00:40:22,200
BUT TIME
IS DIFFERENT HERE.
538
00:40:22,266 --> 00:40:24,366
I MEAN, IF THE GUYS
GET COOKING,
539
00:40:24,433 --> 00:40:27,333
SOMETIMES GO
FOR A YEAR OR MORE.
540
00:40:27,400 --> 00:40:29,632
WELL...
541
00:40:29,699 --> 00:40:31,467
WE GOT JOBS.
542
00:40:31,533 --> 00:40:33,833
OH, YEAH.
543
00:40:33,899 --> 00:40:38,133
MAYOR SAID MARY CAN GO WORK
AT THE BEBOP BEAUTY SHOP.
544
00:40:38,200 --> 00:40:40,666
I HAVE
AN ENGLISH DEGREE.
545
00:40:40,732 --> 00:40:42,567
A TEACHER'S CERTIFICATE,
FOR GOD'S SAKE.
546
00:40:42,632 --> 00:40:44,200
AND I'M
A SOFTWARE EXPERT.
547
00:40:44,266 --> 00:40:46,400
YOU DON'T HEAR ME
COMPLAINING ABOUT IT, DO YOU?
548
00:40:46,467 --> 00:40:47,899
I SAID TO THE MAYOR,
549
00:40:47,966 --> 00:40:50,166
"YOUR HONOR,
I'M A COMPUTER EXPERT,"
550
00:40:50,233 --> 00:40:52,400
AND HE SAYS, "WELL, SON,
551
00:40:52,467 --> 00:40:54,766
THERE'S NO COMPUTERS
IN THIS HERE TOWN," HE SAYS,
552
00:40:54,833 --> 00:40:56,066
"ALTHOUGH WE COULD USE
553
00:40:56,133 --> 00:40:58,233
A COUPLE OF
TICKETRON OUTLETS."
554
00:40:59,400 --> 00:41:00,666
SO YOU KNOW,
555
00:41:00,732 --> 00:41:04,266
I GUESS I'LL...
STACK SHELVES FOR A WHILE.
556
00:41:04,333 --> 00:41:06,766
WASN'T TOO GOOD FOR DAD...
557
00:41:06,833 --> 00:41:09,799
ONCE UPON A TIME, HMM?
558
00:41:13,033 --> 00:41:14,500
HOW DO YOU
REACH THESE PEOPLE?
559
00:41:14,567 --> 00:41:16,166
THIS IS A NIGHTMARE.
560
00:41:16,233 --> 00:41:18,666
I'M SUPPOSED TO SPEND
THE NEXT GOD KNOWS HOW LONG
561
00:41:18,732 --> 00:41:19,966
AS A SHAMPOO GIRL?
562
00:41:20,033 --> 00:41:21,799
DON'T THEY HEAR YOU?
563
00:41:21,866 --> 00:41:23,166
"I'LL BET
YOU CAN WASH AND RINSE
564
00:41:23,233 --> 00:41:24,500
WITH THE BEST OF 'EM,
LITTLE LADY."
565
00:41:24,567 --> 00:41:25,966
THAT'S
WHAT HE SAYS TO ME.
566
00:41:26,033 --> 00:41:27,533
HEY, YOU HADN'T
OUGHT TO MAKE FUN.
567
00:41:27,599 --> 00:41:30,632
MAKING FUN CAN
GET YOU INTO TROUBLE
AROUND HERE.
568
00:41:30,699 --> 00:41:33,100
OK, CLARK,
WE HAVE TO GO.
569
00:41:33,166 --> 00:41:35,500
MY GOD, NOW.
WE HAVE TO GET OUT
OF HERE.
570
00:41:35,567 --> 00:41:36,666
MARY--
571
00:41:36,732 --> 00:41:38,366
NO, LET'S GO.
WE GOTTA RUN.
572
00:41:52,533 --> 00:41:53,799
COME ON, MARY.
573
00:41:55,966 --> 00:41:57,100
COME ON.
574
00:41:59,066 --> 00:42:00,166
COME ON.
575
00:42:12,033 --> 00:42:14,100
WHOA!
576
00:42:14,166 --> 00:42:17,233
ROCK AND ROLL HEAVEN,
ARE YOU READY?
577
00:42:17,300 --> 00:42:19,533
WE GOT A GREAT SHOW
FOR YOU TONIGHT,
578
00:42:19,599 --> 00:42:21,933
A GALAXY OF STARS,
ALL BACKSTAGE.
579
00:42:21,999 --> 00:42:23,433
AND WHO'S THAT GUY?
580
00:42:23,500 --> 00:42:26,166
WE GOT FREDDIE MERCURY
JUST IN FROM LONDON TOWN,
581
00:42:26,233 --> 00:42:27,467
JIM CROCE,
582
00:42:27,533 --> 00:42:29,266
MY MAIN MAN,
JOHNNY ACE...
583
00:42:29,333 --> 00:42:31,166
SOME OLD-TIME
DISC JOCKEY.
584
00:42:31,233 --> 00:42:32,699
ALAN FREED.
585
00:42:32,766 --> 00:42:34,333
YEAH, I KNEW
I REMEMBERED HIM.
586
00:42:34,400 --> 00:42:37,266
JIM MORRISON ON THE RED EYE
FLIGHT FROM PARIS...
587
00:42:37,333 --> 00:42:39,033
TAKE IT EASY, MARY.
588
00:42:39,100 --> 00:42:40,366
PATSY CLINE...
589
00:42:40,433 --> 00:42:41,766
HOW BAD COULD IT BE?
590
00:42:41,833 --> 00:42:43,200
KEITH MOON OF THE WHO,
591
00:42:43,266 --> 00:42:45,433
BRIAN JONES OF THE STONES,
592
00:42:45,500 --> 00:42:47,066
THAT CUTE LITTLE
FLORENCE BALLARD
593
00:42:47,133 --> 00:42:48,366
OF THE SUPREMES,
594
00:42:48,433 --> 00:42:49,666
MARY WELLS...
595
00:42:49,732 --> 00:42:51,266
HOW LONG
HAVE YOU BEEN HERE?
596
00:42:51,333 --> 00:42:53,899
I DON'T KNOW.
597
00:42:53,966 --> 00:42:55,799
IT'S EASY TO LOSE
TRACK OF TIME.
598
00:42:55,866 --> 00:42:58,300
ALL YOUR FAVORITES,
JUST FOR YOU.
599
00:42:58,366 --> 00:42:59,699
12 YEARS, AT LEAST.
600
00:42:59,766 --> 00:43:00,766
MARVIN GAYE...
601
00:43:00,833 --> 00:43:02,066
MAYBE MORE.
602
00:43:02,133 --> 00:43:04,632
CASS ELLIOT,
JANIS JOPLIN,
603
00:43:04,699 --> 00:43:08,233
JOHN BONHAM--
HE'LL GET THE LED
OUT OF YOUR ZEPPELIN.
604
00:43:08,300 --> 00:43:09,599
WE GOT LOST.
605
00:43:09,666 --> 00:43:11,467
GEORGE HARRISON,
JOHN LENNON...
606
00:43:11,533 --> 00:43:13,567
WE JUST GOT LOST
IN THE WOODS.
607
00:43:13,632 --> 00:43:16,666
KURT COBAIN...
608
00:43:16,732 --> 00:43:19,300
THIS WHAT HAPPENS
TO PEOPLE WHO GET LOST?
609
00:43:19,366 --> 00:43:22,666
STEVIE RAY VAUGHN!
THE GIANTS OF MUSIC!
610
00:43:22,732 --> 00:43:26,699
SO, ROCK AND ROLL HEAVEN,
ARE YOU READY TO BOOGIE?
611
00:43:26,766 --> 00:43:28,300
THEN LET'S GO,
612
00:43:28,366 --> 00:43:32,799
BECAUSE ROCK AND ROLL
WILL NEVER DIE!
613
00:43:32,866 --> 00:43:35,766
THAT'S WHAT
I'M AFRAID OF.
614
00:43:40,999 --> 00:43:43,333
COME ON, EVERYBODY! WHOO!
615
00:43:49,732 --> 00:43:54,467
* HEY, PEOPLE TRY
TO TELL ME *
616
00:43:54,533 --> 00:43:58,599
* THAT I'VE BEEN WASTING
MY TIME *
617
00:43:58,666 --> 00:44:01,766
* I KNOW I'M BETTER
WITHOUT YOU *
618
00:44:01,833 --> 00:44:03,966
* I'M HANGIN' ON *
619
00:44:04,033 --> 00:44:06,066
* HANGIN' ON *
620
00:44:06,133 --> 00:44:07,467
* I'M HANGIN' ON *
41767
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