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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:01:33,405 --> 00:01:35,042 Man: WHERE'S MY GREATEST HITS OF THE SIXITES? 2 00:01:35,092 --> 00:01:36,164 I JUST LISTENED TO IT LAST WEEK. 3 00:01:40,290 --> 00:01:41,028 DID YOU LEAVE IT AT HOME? 4 00:01:46,223 --> 00:01:48,622 WHOA! 5 00:01:51,189 --> 00:01:52,923 WHOA. HUH. 6 00:01:55,390 --> 00:01:57,056 SORRY. SORRY. 7 00:01:58,089 --> 00:02:00,056 TOO MUCH LIPSTICK? 8 00:02:00,123 --> 00:02:02,589 OH, MAN. GOOD GIRL, SALLY. GOOD GIRL. 9 00:02:02,656 --> 00:02:04,622 MMM. OH. 10 00:02:04,689 --> 00:02:07,555 SO MUCH FOR OUR PRISTINE WILDERNESS EXPERIENCE. 11 00:02:07,622 --> 00:02:10,522 YEAH, WELL, I TOLD YOU THIS IS AN ADVENTURE, 12 00:02:10,589 --> 00:02:13,256 WHICH BASICALLY IS A VACATION WITH MEAT ON IT. 13 00:02:13,323 --> 00:02:16,422 AND I WANT YOU TO HAVE YOUR MEAT, DARLING, I REALLY DO. 14 00:02:16,489 --> 00:02:19,589 I WAS JUST HOPING FOR SOME ROOM SERVICE AND A GOOD WINE. 15 00:02:22,622 --> 00:02:24,089 [SOFT ROCK PLAYS] 16 00:02:24,156 --> 00:02:25,489 WHAT IS IT WITH YOU 17 00:02:25,555 --> 00:02:27,622 AND THESE SKINNY LITTLE WHITE BOY SINGERS YOU LIKE SO MUCH? 18 00:02:27,689 --> 00:02:28,956 MARRIED ONE, DIDN'T I? 19 00:02:29,023 --> 00:02:30,123 YEAH, BUT I DON'T SING THAT NEW CRAP 20 00:02:30,189 --> 00:02:32,455 IN THE SHOWER, DO I, HUH? 21 00:02:32,522 --> 00:02:34,422 DAD ALWAYS SAID THE GREAT MUSIC DIED-- 22 00:02:34,489 --> 00:02:36,956 Both: THE DAY THEY DREAMED UP DISCO. 23 00:02:37,023 --> 00:02:38,956 THAT'S RIGHT. 24 00:02:41,722 --> 00:02:45,123 I--I COULD LICK THAT OFF. 25 00:02:45,189 --> 00:02:47,422 AND KEEP BOTH EYES ON THE ROAD? 26 00:02:47,489 --> 00:02:49,522 I DON'T THINK SO. 27 00:02:49,589 --> 00:02:51,589 I'M STILL JIGGY FROM LAST NIGHT. 28 00:02:53,123 --> 00:02:55,689 PINEY WOOD, STARRY SKIES. 29 00:02:55,756 --> 00:02:57,489 IT'S JUST--JUST THE RIGHT TIMING 30 00:02:57,555 --> 00:02:59,422 TO MAKE A BABY, I THINK. 31 00:02:59,489 --> 00:03:01,023 YEAH. 32 00:03:01,089 --> 00:03:03,123 WE BOTH KEEP SINGING THAT SONG, HUH? 33 00:03:03,189 --> 00:03:04,356 MM-HMM. 34 00:03:20,656 --> 00:03:21,923 Mary: HERE WE ARE. 35 00:03:21,989 --> 00:03:23,123 AH, BOY. 36 00:03:23,189 --> 00:03:25,056 BACON, EGGS, HOMEMADE BISCUITS. 37 00:03:26,323 --> 00:03:27,555 I CAN EAT THIS WAY EVERY MORNING 38 00:03:27,622 --> 00:03:28,856 FOR THE REST OF MY LIFE. 39 00:03:28,923 --> 00:03:31,256 UNTIL THE DAY YOU DIE, NEXT YEAR. 40 00:03:32,356 --> 00:03:33,290 THIS IS IT. 41 00:03:33,356 --> 00:03:35,489 THIS IS THE REAL OREGON, BABY. OH, YEAH. 42 00:03:35,555 --> 00:03:36,589 IF THE RUMORS ARE TRUE 43 00:03:36,656 --> 00:03:38,323 AND I TAKE A TRANSFER TO JERSEY, 44 00:03:38,390 --> 00:03:40,589 AT LEAST WE'LL HAVE THIS TRIP, HUH? MM-HMM. 45 00:03:42,789 --> 00:03:45,156 [YOUNG MAN CACKLES] 46 00:03:50,390 --> 00:03:52,822 SO GLAD WE GOT A TASTE OF THE WILDLIFE. 47 00:04:01,589 --> 00:04:05,622 Man: HEY, YOU KNOW, WE COULD TAKE A SHORTCUT TO TOKETEE FALLS. 48 00:04:05,689 --> 00:04:08,589 CLARK. YEAH, WE TAKE 58 TWO MILES EAST, 49 00:04:08,656 --> 00:04:11,390 AND GO SOUTH ON THIS COUNTY ROAD. 50 00:04:11,455 --> 00:04:14,689 OH, THAT LOOKS PRETTY EMPTY. 51 00:04:14,756 --> 00:04:16,156 THINK THE WORD IS WILDERNESS, 52 00:04:16,223 --> 00:04:18,889 AS IN NO GAS STATIONS, NO RESTROOMS, 53 00:04:18,956 --> 00:04:21,555 NO MOTELS WITH SOFT BEDS. 54 00:04:21,622 --> 00:04:23,522 NO, NO, WE'LL FIND ONE. WE'LL FIND ONE. HERE. 55 00:04:23,589 --> 00:04:25,555 JUST CUT ACROSS THIS HIGHWAY HERE. 56 00:04:25,622 --> 00:04:27,223 CAN'T BE MUCH FURTHER TO TOKETEE. 57 00:04:27,290 --> 00:04:28,622 SEE? 58 00:04:30,089 --> 00:04:31,756 HUH? 59 00:04:31,822 --> 00:04:34,089 IT'S ALL ABOUT THE ROADS WITH NO NUMBERS, MAN. 60 00:04:34,156 --> 00:04:36,555 BLAZE A TRAIL. FEEL THE LAND. 61 00:04:37,589 --> 00:04:39,256 YEAH, LIKE WE'RE PIONEER STOCK. 62 00:04:39,323 --> 00:04:41,323 YOU'RE A COMPUTER PROGRAMMER, CLARK. 63 00:04:42,622 --> 00:04:45,589 THAT'S WHAT I DO, HONEY. THAT'S NOT WHAT I AM. 64 00:04:45,656 --> 00:04:47,923 SORRY, YOU COME FROM A LONG LINE 65 00:04:47,989 --> 00:04:49,489 OF HUNTER-GATHERERS. 66 00:05:49,056 --> 00:05:51,223 JUST SOME GUY'S BODY 67 00:05:51,290 --> 00:05:53,756 BROKEN FOR YOU AND FOR MANY. 68 00:05:53,822 --> 00:05:58,089 OH, WE'RE TALKING MASS CULTURE, SUGAR MUFFIN. 69 00:06:22,123 --> 00:06:24,189 YOU KIDDING ME? 70 00:06:24,256 --> 00:06:27,056 NOW WHAT? 71 00:06:44,856 --> 00:06:48,522 CLARK, I GAVE UP TEACHING SUMMER SCHOOL FOR THIS. 72 00:06:48,589 --> 00:06:50,189 PLEASE TELL ME WE'RE NOT LOST. 73 00:06:50,256 --> 00:06:51,356 WE'RE NOT LOST. 74 00:06:51,422 --> 00:06:53,023 WE'RE JUST IN MID-PROCESS. 75 00:06:53,089 --> 00:06:56,223 I'VE NEVER SEEN A ROAD MARKED LIKE THAT. 76 00:06:57,555 --> 00:06:59,856 WHERE ARE THE PHONE LINES? 77 00:07:01,822 --> 00:07:03,323 I DON'T KNOW. 78 00:07:03,390 --> 00:07:04,656 YOU DON'T KNOW? 79 00:07:04,722 --> 00:07:07,789 UH, NO, I HAVEN'T SEEN THEM IN A WHILE. 80 00:07:07,856 --> 00:07:09,989 WELL, HOW LONG IS A WHILE? 81 00:07:10,056 --> 00:07:13,989 I DON'T KNOW, YOU KNOW, 10, 20 MILES. 82 00:07:14,056 --> 00:07:15,522 WANT MY ADVICE? 83 00:07:15,589 --> 00:07:17,522 NO, BUT I SUPPOSE I'LL GET IT ANYWAY. 84 00:07:17,589 --> 00:07:20,023 YOU KNOW, I REALLY CAN'T STAND IT WHEN YOU ROLL YOUR EYES LIKE THAT. 85 00:07:20,089 --> 00:07:21,089 ROLL MY EYES LIKE WHAT? 86 00:07:21,156 --> 00:07:22,689 OH, YOU KNOW, LIKE I'M SOME OLD DOG 87 00:07:22,756 --> 00:07:24,323 THAT FARTED UNDER THE DINNER TABLE. 88 00:07:24,390 --> 00:07:25,956 GO ON, GO ON. IT'S YOUR NICKEL. 89 00:07:26,023 --> 00:07:27,622 TELL ME WHAT YOU'RE THINKING. 90 00:07:27,689 --> 00:07:29,390 LET'S GO BACK WHILE THERE'S STILL TIME. 91 00:07:29,455 --> 00:07:30,756 [CHUCKLES] 92 00:07:30,822 --> 00:07:33,323 YEAH, SURE, NOW ALL YOU NEED IS A SIGN THAT SAYS "REPENT." 93 00:07:33,390 --> 00:07:34,689 THAT'S THE PROBLEM WITH YOU TEACHERS. 94 00:07:34,756 --> 00:07:38,056 YOU'RE ALWAYS TIED TO YOUR LESSON PLANS. 95 00:07:38,123 --> 00:07:39,023 THAT'S IT. 96 00:07:39,089 --> 00:07:40,923 IT'S GOT TO BE THE RIGHT FORK. 97 00:07:40,989 --> 00:07:43,656 THIS IS-- THAT'S SOUTH. 98 00:07:43,722 --> 00:07:46,356 YEAH, I CAN SMELL TOKETEE FALLS FROM HERE. 99 00:07:46,422 --> 00:07:49,589 THAT'S THE RANCH ROAD. MUST BE. 100 00:07:49,656 --> 00:07:51,889 A RANCH ROAD WITH A STRIPED LINE? 101 00:07:51,956 --> 00:07:55,290 WELL, YOU'D BE SURPRISED HOW WELL-OFF SOME OF THESE RANCHERS ARE. 102 00:07:55,356 --> 00:07:58,455 MONEY IN THE LAND, MY DAD ALWAYS SAID. 103 00:08:00,622 --> 00:08:02,722 BABY... 104 00:08:02,789 --> 00:08:05,223 LET'S GO BACK AND FIND A NICE HOT TUB 105 00:08:05,290 --> 00:08:08,223 AND A COLD MOJITO. [ENGINE STARTS] 106 00:08:08,290 --> 00:08:09,722 REVERSE IS RIGHT THERE, BABY. I KNOW, HONEY. 107 00:08:09,789 --> 00:08:11,555 WRONG--REVERSE IS JUST ANOTHER WORD 108 00:08:11,622 --> 00:08:13,555 FOR GOING BACKWARDS. OK? 109 00:08:13,622 --> 00:08:16,156 BESIDES, IT'S NOT LIKE THE YELLOW LINE IS GONNA RUN OUT. 110 00:08:16,223 --> 00:08:18,323 Radio: * WHOO * 111 00:08:20,256 --> 00:08:22,622 * HEY, HEY, HEY, HEY * 112 00:08:22,689 --> 00:08:24,056 * WHOO! * 113 00:08:24,123 --> 00:08:26,822 * SHAKE IT UP, PRETTY BABY * 114 00:08:26,889 --> 00:08:28,589 WELL, OK, HUH. 115 00:08:28,656 --> 00:08:29,822 DOESN'T MATTER. 116 00:08:29,889 --> 00:08:31,123 THERE'LL ALWAYS BE A COUNTY ROAD. 117 00:08:31,189 --> 00:08:33,422 WE'LL JUST HEAD-- KEEP HEADING SOUTH, SOUTHEAST. 118 00:08:50,422 --> 00:08:51,455 OH, CLARK! 119 00:08:51,522 --> 00:08:53,822 DON'T SAY ANYTHING, OK? 120 00:08:53,889 --> 00:08:56,422 WE'RE NOT LOST. WE'RE NOT LOST! 121 00:08:56,489 --> 00:08:57,622 THE ROAD'LL OPEN UP AGAIN 122 00:08:57,689 --> 00:08:59,123 OVER THE NEXT HILL PROBABLY. 123 00:09:00,856 --> 00:09:02,689 WE'RE NOT LOST. 124 00:09:29,156 --> 00:09:31,123 OH! 125 00:09:31,189 --> 00:09:32,455 THAT'S IT. 126 00:09:32,522 --> 00:09:33,822 I'M CALLING THE AUTO CLUB. 127 00:09:33,889 --> 00:09:35,589 IN 15 YEARS OF MARRIAGE, 128 00:09:35,656 --> 00:09:37,822 YOU'VE NEVER ASKED FOR DIRECTIONS EVER. 129 00:09:37,889 --> 00:09:39,489 JUST LIKE YOUR FATHER. 130 00:09:39,555 --> 00:09:41,256 GAVE YOU THIS CAR OF HIS, AND THE DAY HE DID, 131 00:09:41,323 --> 00:09:43,223 THERE MUST HAVE BEEN 50,000 EXTRA MILES 132 00:09:43,290 --> 00:09:44,656 FROM GOING AROUND IN CIRCLES. 133 00:09:44,722 --> 00:09:46,089 WELL, YOU KNOW, ONE MAN'S CIRCLE 134 00:09:46,156 --> 00:09:47,923 IS ANOTHER MAN'S WANDERLUST. 135 00:09:47,989 --> 00:09:50,089 YEAH, WELL, I'M ALL OUT OF LUST, 136 00:09:50,156 --> 00:09:52,756 AND WE'VE WANDERED LONG ENOUGH. 137 00:10:18,056 --> 00:10:20,256 CLARK. 138 00:10:20,323 --> 00:10:21,789 CLARK, I GIVE. 139 00:10:21,856 --> 00:10:23,555 OK? 140 00:10:23,622 --> 00:10:25,722 YOU'RE A MAN AMONG MEN. 141 00:10:25,789 --> 00:10:27,689 I SAY THIS WITH THE GREATEST RESPECT. 142 00:10:27,756 --> 00:10:29,356 TURN THE DAMN CAR AROUND. 143 00:10:29,422 --> 00:10:30,722 HONEY, HONEY, HONEY, 144 00:10:30,789 --> 00:10:32,722 I CAN'T RISK TURNING THE CAR AROUND NOW. 145 00:10:32,789 --> 00:10:34,722 THE ROAD IS TOO NARROW, THE SHOULDERS ARE SOFT. 146 00:10:34,789 --> 00:10:35,989 WE'LL GET STUCK. 147 00:10:36,056 --> 00:10:39,455 OK? I GOT US INTO THIS, I WILL GET US OUT. 148 00:10:41,589 --> 00:10:43,455 TRUST ME. 149 00:12:10,522 --> 00:12:12,589 CLARK, IT'S UM-- 150 00:12:12,656 --> 00:12:15,023 IT'S GETTING LATE. WE'VE GOT TO TURN BACK. 151 00:12:15,089 --> 00:12:17,123 OH, JUST STOP IT, MARY, ALL RIGHT? 152 00:12:17,189 --> 00:12:19,422 JUST PUT DOWN THE CHALK, WILL YOU? 153 00:12:19,489 --> 00:12:21,123 NOT SOME TOLKIEN FANTASY HERE. 154 00:12:21,189 --> 00:12:22,323 WE'LL BE FINE. 155 00:12:22,390 --> 00:12:23,889 WE JUST GOT TO STAY THE COURSE. 156 00:12:23,956 --> 00:12:25,722 STAY THE COURSE. 157 00:12:25,789 --> 00:12:26,923 YOU CAN'T FIND THE COURSE, CLARK. 158 00:12:26,989 --> 00:12:28,889 I MEAN, WHAT ARE YOU TRYING TO PROVE? 159 00:12:28,956 --> 00:12:31,256 WE'RE IN TROUBLE HERE. JUST LOOK. 160 00:12:31,323 --> 00:12:32,489 CAN'T YOU SEE IT? 161 00:12:32,555 --> 00:12:34,722 UH, I SEE A SIGN. 162 00:12:36,223 --> 00:12:39,089 CAN YOU READ IT? CAN YOU READ IT? 163 00:12:39,156 --> 00:12:41,856 YEAH, IT SAYS, "IF YOU CAME THIS FAR, 164 00:12:41,923 --> 00:12:43,923 YOU REALLY SCREWED UP." 165 00:13:00,989 --> 00:13:02,023 HUH. 166 00:13:11,422 --> 00:13:12,989 Mary: THIS HAS TO BE A JOKE. 167 00:13:13,056 --> 00:13:14,156 WELL, MAYBE NOT. 168 00:13:14,223 --> 00:13:16,323 A TOWN CALLED ROCK AND ROLL HEAVEN? 169 00:13:16,390 --> 00:13:17,756 WELL, WHY NOT? 170 00:13:17,822 --> 00:13:19,290 THERE'S TRUTH AND CONSEQUENCES, NEW MEXICO, 171 00:13:19,356 --> 00:13:20,722 THERE'S SHARK, NEVADA, 172 00:13:20,789 --> 00:13:23,123 THERE'S EVEN A TOWN IN PENNSYLVANIA CALLED INTERCOURSE. 173 00:13:23,189 --> 00:13:25,422 I MEAN, WHY NOT ROCK AND ROLL HEAVEN? 174 00:13:25,489 --> 00:13:28,756 I MEAN, MAYBE IT WAS BUILT BY HIPPIES BACK IN THE 60s. 175 00:13:28,822 --> 00:13:29,956 I DON'T KNOW, IT DOESN'T MATTER. 176 00:13:30,023 --> 00:13:31,356 WHAT MATTERS IS THAT WE'VE FOUND SOME 177 00:13:31,422 --> 00:13:33,089 HONEST-TO-GOD PAVEMENT AGAIN, HONEY. 178 00:13:35,290 --> 00:13:36,223 YOU MADE THAT UP. 179 00:13:36,290 --> 00:13:37,656 WHAT? 180 00:13:37,722 --> 00:13:39,356 INTERCOURSE, PENNSYLVANIA. 181 00:13:39,422 --> 00:13:41,023 NO, NO, NO, I SWEAR, IT'S-- 182 00:13:41,089 --> 00:13:42,489 I'VE DONE INTERCOURSE... 183 00:13:42,555 --> 00:13:44,156 PENNSYLVANIA. 184 00:13:44,223 --> 00:13:45,189 HUH? YEAH. 185 00:13:46,789 --> 00:13:49,156 WE'LL DO THE NEW ROAD. 186 00:13:49,223 --> 00:13:50,223 BE CAREFUL. 187 00:14:09,233 --> 00:14:11,038 OOH. AH. 188 00:14:11,338 --> 00:14:13,591 AH, NORMAN ROCKWELL'S BIRTHPLACE. 189 00:14:14,139 --> 00:14:14,912 HAS TO BE. 190 00:14:23,972 --> 00:14:25,204 HUH. 191 00:14:25,271 --> 00:14:26,605 WHERE'S THE SMOKE? 192 00:14:26,672 --> 00:14:29,338 THERE SHOULD BE SMOKE FROM A CHIMNEY SOMEWHERE. 193 00:14:29,405 --> 00:14:30,605 YOU KNOW, WE COULD WIN 194 00:14:30,672 --> 00:14:32,438 A CONDO IN THE GARDEN OF EDEN, 195 00:14:32,505 --> 00:14:34,304 AND YOU'D BE WORRYING ABOUT APHIDS. 196 00:14:37,972 --> 00:14:39,204 LET'S TURN AROUND. 197 00:14:39,271 --> 00:14:41,338 WHAT? WHY? 198 00:14:41,405 --> 00:14:44,371 I DON'T LIKE IT. THAT'S ALL. 199 00:14:44,438 --> 00:14:46,538 LOOK AT THAT HOUSE. 200 00:14:48,972 --> 00:14:50,638 UH, YEAH, IT'S BEAUTIFUL. 201 00:14:50,705 --> 00:14:53,872 YEAH. IT'S LIKE THE CANDY HOUSE IN HANSEL AND GRETEL. 202 00:14:53,938 --> 00:14:54,938 OH, COME ON. 203 00:14:55,005 --> 00:14:57,304 NO, I HID UNDER MY BED FOR A WEEK 204 00:14:57,371 --> 00:14:58,905 AFTER MOM READ ME THAT STORY. 205 00:15:00,505 --> 00:15:02,738 LET'S JUST TURN AROUND. THE ROADS ARE WIDE ENOUGH. 206 00:15:02,805 --> 00:15:04,638 LOOK AT THE CHARACTER OF THE PLACE, HUH? 207 00:15:05,872 --> 00:15:08,605 I MEAN, IF YOU WANNA BUY A SOUVENIR, 208 00:15:08,672 --> 00:15:09,872 BUY A T-SHIRT. 209 00:15:09,938 --> 00:15:10,972 A T-SHIRT! 210 00:15:11,039 --> 00:15:12,605 THAT'S HOW YOU DO IT, CLARK. 211 00:15:12,672 --> 00:15:14,238 THAT'S HOW MEN ALWAYS DO IT. 212 00:15:14,304 --> 00:15:15,838 DO WHAT? 213 00:15:15,905 --> 00:15:17,538 GET YOUR WAY. 214 00:15:17,605 --> 00:15:21,238 NOT BY BEING RIGHT, BY BEING RELENTLESS. 215 00:15:21,304 --> 00:15:24,171 OH, YOU'RE GETTING OUT NOW? YEAH! 216 00:15:24,238 --> 00:15:25,171 OK. ALL RIGHT. YEAH. 217 00:15:26,405 --> 00:15:28,405 YEAH. ALL RIGHT. 218 00:15:33,838 --> 00:15:35,471 ONE T-SHIRT. 5 MINUTES. 219 00:15:35,538 --> 00:15:37,271 NO. WHEN DO I GET TO CHOOSE, CLARK, HUH? 220 00:15:37,338 --> 00:15:38,772 WHEN DO WE TAKE THE TRIP I'D LIKE? 221 00:15:38,838 --> 00:15:41,438 WHEN DO WE MOVE TO A DIFFERENT PLACE FOR MY JOB? 222 00:15:41,505 --> 00:15:42,772 YOU CAN TEACH ANYWHERE. 223 00:15:42,838 --> 00:15:44,204 I'M GETTING A HEADACHE. 224 00:15:44,271 --> 00:15:46,672 COME ON. IT'S 19 MILES BACK TO HIGHWAY 58 225 00:15:46,738 --> 00:15:48,471 OVER THE SAME CRAPPY ROAD-- 226 00:15:48,538 --> 00:15:49,938 19 MILES ISN'T SO MUCH. 227 00:15:50,005 --> 00:15:52,139 BUT WHEN YOU TACK ON 50 MILES IT'S GONNA TAKE 228 00:15:52,204 --> 00:15:53,772 TO GO AROUND THE FOREST, 229 00:15:53,838 --> 00:15:55,039 ONCE WE GET TO HIGHWAY 58-- 230 00:15:55,105 --> 00:15:57,605 YOU MAKE IT SOUND LIKE WE HAVE A PLANE TO CATCH. 231 00:15:57,672 --> 00:16:00,139 WELL, THIS TICKS ME OFF, YOU KNOW? 232 00:16:00,204 --> 00:16:03,438 I MEAN, YOU TAKE ONE LOOK-- IT'S A NICE LITTLE TOWN. 233 00:16:03,505 --> 00:16:05,238 IT'S GOT A CUTE LITTLE NAME. 234 00:16:05,304 --> 00:16:07,338 AND SUDDENLY, YOU'RE REMINDED OF--OF LIKE... 235 00:16:07,405 --> 00:16:09,204 MYSTIC RIVER OR SOME DAMN THING, 236 00:16:09,271 --> 00:16:10,438 AND YOU WANNA GO BACK. YEAH. 237 00:16:10,505 --> 00:16:12,805 WHERE IF WE JUST STAYED ON THE SAME ROAD THROUGH TOWN, 238 00:16:12,872 --> 00:16:15,271 WE JUST CUT SOUTH, DUE SOUTH... 239 00:16:15,338 --> 00:16:16,872 IT'S PROBABLY NOT EVEN A HALF AN HOUR TO TOKETEE FALLS-- 240 00:16:16,938 --> 00:16:19,338 THAT'S WHAT YOU SAID BACK AT THE DINER, REMEMBER? 241 00:16:22,072 --> 00:16:24,972 WHOO! 242 00:16:30,905 --> 00:16:33,039 PEACE! WE LOVE YOU! 243 00:16:33,105 --> 00:16:34,805 MAKE LOVE, NOT WAR! 244 00:16:40,271 --> 00:16:42,571 FAR OUT. 245 00:16:42,638 --> 00:16:44,571 WHAT WAS THAT ABOUT? 246 00:16:44,638 --> 00:16:48,238 I DON'T KNOW. SOMETHING FOR THE TOURISTS, I'M THINKING. 247 00:16:52,005 --> 00:16:55,238 ALL RIGHT. ONE SOUVENIR AND WE'RE GONE, PROMISE. 248 00:16:55,304 --> 00:16:57,371 FIRST WICKED WITCH WE SEE, 249 00:16:57,438 --> 00:17:00,338 I'M GONNA BACK UP MUSTANG SALLY ALL THE WAY TO PORTLAND. 250 00:17:00,405 --> 00:17:02,204 NO QUESTIONS ASKED. 251 00:17:02,271 --> 00:17:04,938 PLEASE? PLEASE? 252 00:17:14,405 --> 00:17:17,638 OK. ONE T-SHIRT, NOTHING MORE. 253 00:17:17,705 --> 00:17:18,805 OK. 254 00:17:18,872 --> 00:17:21,005 NOTHING MORE! ALL RIGHT! OK. 255 00:17:21,072 --> 00:17:22,371 BUT ONLY IF YOU'RE SURE. 256 00:17:22,438 --> 00:17:26,072 CLARK, I SAID OK. THAT DOESN'T CHANGE HOW I FEEL. 257 00:17:26,139 --> 00:17:27,838 SO YOU'LL HAVE TO EXCUSE ME IF I DECLINE 258 00:17:27,905 --> 00:17:31,438 TO PUT MY CHEERLEADER SKIRT ON AND YELL, "GO, CLARK, GO." 259 00:17:31,505 --> 00:17:35,571 JEEZ. YOU ARE IN SOME MOOD, BOY. 260 00:17:35,638 --> 00:17:38,738 YOU WOULD LOOK CUTE IN A CHEERLEADING SKIRT, THOUGH. 261 00:18:17,204 --> 00:18:18,738 HEY! 262 00:18:21,072 --> 00:18:22,772 LOOK AT THAT. 263 00:18:30,538 --> 00:18:32,338 HUH. HMM! 264 00:18:42,805 --> 00:18:44,171 HOW YOU DOING? 265 00:18:49,638 --> 00:18:50,772 OK. 266 00:18:58,605 --> 00:19:00,538 NO, NO. COME THIS WAY. 267 00:19:05,238 --> 00:19:08,471 YOU HAVE TO SEE IT, CLARK. I KNOW YOU DO. 268 00:19:08,538 --> 00:19:10,505 WHAT? 269 00:19:10,571 --> 00:19:14,171 IT'S LIKE THE TOWN IN THE TWILIGHT ZONE. 270 00:19:14,238 --> 00:19:15,938 "A PECULIAR LITTLE TOWN." 271 00:19:16,005 --> 00:19:17,772 REMEMBER? 272 00:19:17,838 --> 00:19:21,838 COME ON. YOU WATCH TV-LAND CONSTANTLY. 273 00:19:21,905 --> 00:19:23,139 AAH. 274 00:19:23,238 --> 00:19:25,171 CLARK. 275 00:19:31,705 --> 00:19:33,738 WHAT ARE YOU DOING? 276 00:19:33,805 --> 00:19:35,838 I WANT A COKE. 277 00:19:35,905 --> 00:19:37,471 CLARK. 278 00:19:37,538 --> 00:19:39,505 WHAT'S THE MATTER? 279 00:19:39,571 --> 00:19:41,005 I KNOW YOU. 280 00:19:41,072 --> 00:19:42,772 YOU'VE NO INTENTION OF LEAVING THIS PLACE 281 00:19:42,838 --> 00:19:45,039 UNTIL YOU CONVINCE YOURSELF YOU'RE NOT INTIMIDATED. 282 00:19:45,105 --> 00:19:46,638 CAN I GET YOU SOMETHING? ICED TEA, OR-- 283 00:19:46,705 --> 00:19:47,772 I WANNA LEAVE. 284 00:19:47,838 --> 00:19:50,972 WHAT'S TO BE AFRAID OF, HONEY? 285 00:19:51,039 --> 00:19:53,772 WHO KNOWS WHAT GOES ON IN THE BACKWOODS HERE. 286 00:19:53,838 --> 00:19:56,204 THESE GUYS, THEY COULD HAVE 12 WIVES, DATE THEIR SISTERS-- 287 00:19:56,271 --> 00:19:57,705 I DON'T KNOW! I'LL BE RIGHT BACK. 288 00:19:57,772 --> 00:20:00,338 CLARK, I'M NOT STAYING HERE BY MYSELF. 289 00:20:00,405 --> 00:20:01,905 CLARK. 290 00:20:03,405 --> 00:20:04,872 OK. 291 00:20:04,938 --> 00:20:07,605 GO PISS ON YOUR HYDRANT, THEN WE'RE GETTING OUT OF HERE. 292 00:20:16,438 --> 00:20:18,838 THEY LOOK FAMILIAR. 293 00:20:21,005 --> 00:20:22,705 [BOTH LAUGH] 294 00:20:22,772 --> 00:20:26,605 WHO DO WE KNOW'S MOVED TO ROCK AND ROLL, OREGON, TO BE STREET PEOPLE? 295 00:20:35,371 --> 00:20:37,505 HA HA! LOOK AT THIS. 296 00:20:37,571 --> 00:20:38,571 HA HA! 297 00:20:39,872 --> 00:20:41,405 COME ON IN, FOLKS. 298 00:20:41,471 --> 00:20:44,304 TAKE THE FIRST AVAILABLE BOOTH, HA HA! 299 00:20:46,505 --> 00:20:48,271 OH. 300 00:20:48,338 --> 00:20:49,905 WOW. 301 00:20:49,972 --> 00:20:52,905 THIS IS FABULOUS. LOOK AT THIS. 302 00:20:52,972 --> 00:20:54,105 LOOK, LOOK, LOOK... 303 00:20:54,171 --> 00:20:55,405 THEY HAVE THE MOONGLOWS, 304 00:20:55,471 --> 00:20:57,705 FRANKIE LYMON AND THE TEENAGERS, 305 00:20:57,772 --> 00:20:58,872 TWEEDLE-DEE-DEE. 306 00:20:58,938 --> 00:21:04,204 OH, TWEEDLE-DEE-DEE. WOW! OH, GOD, 307 00:21:04,271 --> 00:21:07,838 I HAVEN'T HEARD THAT SINCE MY DAD PLAYED IT WHEN I WAS A KID. 308 00:21:09,204 --> 00:21:11,471 JUST TAKEOUT DRINKS, REMEMBER? 309 00:21:11,538 --> 00:21:13,838 YEAH. MM-HMM. YEAH. 310 00:21:13,905 --> 00:21:15,238 ALL RIGHT. BUT--BUT... 311 00:21:15,304 --> 00:21:17,405 MARY, I MEAN, LOOK AT THIS PLACE. 312 00:21:17,471 --> 00:21:19,905 LOOK AT THE MENU. I MEAN,YOU GOT 313 00:21:19,972 --> 00:21:23,304 BIG BOPPER BURGER AND SUZIE CUE FRIES. 314 00:21:23,371 --> 00:21:26,171 COME ON, WOMAN. WHERE'S YOUR DAMN SOUL, HUH? 315 00:21:26,238 --> 00:21:28,204 DRINKS, CLARK. 316 00:21:29,338 --> 00:21:30,605 WE DISCUSSED THIS IN THE CAR. 317 00:21:30,672 --> 00:21:33,105 DRINKS ONLY. 318 00:21:33,171 --> 00:21:35,805 UH--AHEM-- WHAT'LL IT BE? 319 00:21:37,438 --> 00:21:40,905 CAN I HAVE A COKE, PLEASE? LARGE. 320 00:21:40,972 --> 00:21:43,471 YOU OUGHT TO TRY THE CHERRY PIE. 321 00:21:43,538 --> 00:21:45,039 RICK JUST MADE IT. 322 00:21:45,105 --> 00:21:48,405 AH. ALL RIGHT. SOUNDS GOOD. 323 00:21:53,905 --> 00:21:58,338 * I KNOW SHE TOLD YOU * 324 00:21:58,405 --> 00:21:59,905 JUST A COKE...TO GO. 325 00:22:06,705 --> 00:22:09,072 THAT REDHEAD OVER THERE. 326 00:22:09,139 --> 00:22:12,505 * ALL I KNOW IS THAT SHE LEFT YOU * 327 00:22:12,571 --> 00:22:16,505 STOP STARING AT HER. 328 00:22:16,571 --> 00:22:19,571 YOU'RE LIKE A LITTLE BOY TRYING TO PEEK UP SOMEBODY'S SKIRT IN STUDY HALL. 329 00:22:19,638 --> 00:22:23,538 NO. IS SHE, LIKE, THE SPLITTING IMAGE OF JANIS JOPLIN, 330 00:22:23,605 --> 00:22:24,938 OR AM I CRAZY? 331 00:22:31,538 --> 00:22:35,872 * CRY BABY * 332 00:22:35,938 --> 00:22:39,672 * CRY BABY * 333 00:22:39,738 --> 00:22:43,271 * OH, HONEY, WELCOME BACK HOME * 334 00:22:45,072 --> 00:22:48,039 * DON'T YOU KNOW * 335 00:22:50,338 --> 00:22:53,039 HEY, MARY? YOU ALL RIGHT? 336 00:22:55,838 --> 00:22:57,805 WHAT? 337 00:22:57,872 --> 00:23:00,872 YOU'RE SWEATING, FOR CRYIN' OUT LOUD. 338 00:23:00,938 --> 00:23:04,039 IT'S NOT ANYTHING TO HAVE A PANIC ATTACK OVER. 339 00:23:04,105 --> 00:23:05,605 LOSING MY MOTHER'S DIAMONDS LAST YEAR, 340 00:23:05,672 --> 00:23:08,638 THAT'S WORTH HAVING A PANIC ATTACK OVER. 341 00:23:08,705 --> 00:23:13,271 JANIS JOPLIN IS DEAD, IN L.A., AN OVERDOSE. 342 00:23:13,338 --> 00:23:16,039 WHAT ARE THESE PEOPLE? THE JONESTOWN GLEE CLUB? 343 00:23:16,105 --> 00:23:19,072 UH...SHE'S A GROUPIE, 344 00:23:19,139 --> 00:23:20,605 AND THIS IS LIKE A FIFTIES PLACE. 345 00:23:20,672 --> 00:23:23,872 THEY'RE PLAYING DRESS-UP, THAT'S ALL. 346 00:23:23,938 --> 00:23:26,772 TELL YOU WHAT, WE'LL ENJOY OUR PIE 347 00:23:26,838 --> 00:23:29,171 AND WE'LL GET OUT OF HERE, ALL RIGHT? 348 00:23:33,438 --> 00:23:37,105 HI. COULD I MAKE MY COKE A MALT? 349 00:23:37,171 --> 00:23:40,805 WELL, YOU CAN DO ANYTHING YOU WANT, STUD. 350 00:23:40,872 --> 00:23:43,705 WELL, IN THAT CASE, MAKE MINE VANILLA. 351 00:23:43,772 --> 00:23:45,238 AND HOW DID I KNOW THAT? 352 00:23:47,838 --> 00:23:49,338 Clark: I MEAN, NOBODY MAKES MALTS ANYMORE, YOU KNOW? 353 00:23:49,405 --> 00:23:52,972 IT'S ALL LATTE, MOCHA, GELATO. 354 00:23:53,039 --> 00:23:55,538 ANY OLD EXCUSE TO CHARGE YOU 5 BUCKS A POP. 355 00:24:15,986 --> 00:24:17,084 GO ON, DOLL, SERVE 'EM UP. 356 00:24:19,691 --> 00:24:21,225 JUST THE ONES WITH THE BIG BICEPS. 357 00:24:21,275 --> 00:24:21,954 Clark: YEAH? 358 00:24:28,847 --> 00:24:29,401 THANK YOU. 359 00:24:29,986 --> 00:24:31,262 DON'T MENTION IT. 360 00:24:32,670 --> 00:24:35,539 SO HOW DO YOU GET YOUR LIPSTICK TO MATCH YOUR HAIR LIKE THAT? 361 00:24:36,802 --> 00:24:39,016 YOU START WITH THE LIPSTICK, ALWAYS. 362 00:24:41,202 --> 00:24:41,694 CLARK... 363 00:24:42,802 --> 00:24:44,403 YOUR PIE IS HERE. 364 00:24:44,469 --> 00:24:46,036 AH! GREAT. 365 00:24:46,102 --> 00:24:48,736 YOU DON'T HAVE TO CALL THIS COWBOY TWICE. 366 00:24:48,802 --> 00:24:50,703 YEAH. WHOO! 367 00:24:51,935 --> 00:24:53,102 OH, YEAH. 368 00:24:56,503 --> 00:24:58,670 OH! 369 00:24:58,736 --> 00:25:01,869 OH! THAT'S INCREDIBLE! 370 00:25:01,935 --> 00:25:05,569 MMM. WHO MADE IT? 371 00:25:08,436 --> 00:25:10,369 RICK, TAKE A BOW. 372 00:25:17,202 --> 00:25:19,603 HELL OF A PIE, MAN. 373 00:25:19,670 --> 00:25:21,869 WOW. WHERE DID YOU LEARN TO MAKE PIE LIKE THAT? 374 00:25:21,935 --> 00:25:25,636 ME AND MOM, WE HUNG AROUND THE KITCHEN A LOT. 375 00:25:25,703 --> 00:25:28,536 THAT'S YOU IN A NUTSHELL, RICK. MAMA'S BOY. 376 00:25:28,603 --> 00:25:29,670 GIVE ME MY HAT BACK! 377 00:25:29,736 --> 00:25:31,002 GIVE ME THAT HAT. NEVER! 378 00:25:31,069 --> 00:25:33,002 COME HERE! WHOO! 379 00:25:33,069 --> 00:25:34,236 OH, AND YOU RUN LIKE A MAMA'S BOY. 380 00:25:34,303 --> 00:25:35,636 RICK? 381 00:25:38,403 --> 00:25:39,835 OZZIE AND HARRIET? RICKY-- 382 00:25:39,902 --> 00:25:42,236 NELSON. RICKY NELSON. 383 00:25:42,303 --> 00:25:44,636 GOTTA CATCH ME FIRST! 384 00:25:45,902 --> 00:25:48,202 THAT'S IMPOSSIBLE. THAT'S IMPOSSIBLE. 385 00:25:48,269 --> 00:25:49,436 HE'S-- DEAD. 386 00:25:50,469 --> 00:25:51,536 I THINK, LIKE, 20 YEARS. 387 00:25:51,603 --> 00:25:53,636 A PLANE CRASH, HIM AND HIS WHOLE BAND. 388 00:25:53,703 --> 00:25:55,569 HEY! WHOO! 389 00:25:55,636 --> 00:25:56,802 CUT THAT OUT. 390 00:25:58,002 --> 00:26:00,136 CLARK, UH... 391 00:26:00,202 --> 00:26:02,102 I THINK I LEFT MY WALLET IN THE CAR. 392 00:26:02,169 --> 00:26:04,136 WOULD YOU GO GET IT FOR ME, PLEASE? 393 00:26:04,202 --> 00:26:06,902 THE PINK ONE. IT MIGHT BE UNDER THE SEAT. 394 00:26:06,969 --> 00:26:08,636 YOU GO. 395 00:26:08,703 --> 00:26:11,002 IF YOU CAN'T FIND IT, I'LL COME HELP YOU. 396 00:26:11,069 --> 00:26:12,736 RIGHT. I'LL GO LOOK IN THE CAR. 397 00:26:12,802 --> 00:26:14,202 MM-HMM. 398 00:26:17,935 --> 00:26:20,136 DON'T LET THAT PIE GET COLD NOW. 399 00:26:44,136 --> 00:26:45,503 DON'T LET IT GET TO YOU, HONEY. 400 00:26:45,569 --> 00:26:48,770 THEY'RE JUST STARTING TO TUNE UP FOR THE CONCERT TONIGHT. 401 00:26:48,869 --> 00:26:51,202 WE HAVE A CONCERT HERE IN TOWN ALMOST EVERY NIGHT. 402 00:26:52,536 --> 00:26:53,503 I'LL BET YOU DO. 403 00:27:04,369 --> 00:27:06,036 EXCUSE ME, SIR. 404 00:27:07,636 --> 00:27:08,935 HEY. 405 00:27:11,002 --> 00:27:12,169 HOWDY, MA'AM. 406 00:27:18,136 --> 00:27:21,603 * PRETTY WOMAN WALKING DOWN THE STREET * 407 00:27:21,670 --> 00:27:24,902 THAT'S ROY ORBISON AND BUDDY HOLLY. 408 00:27:24,969 --> 00:27:26,935 SOLID TUNE, I'LL GIVE YOU THAT. 409 00:27:27,002 --> 00:27:28,835 BUT IT AIN'T NO RAVE ON. 410 00:27:28,902 --> 00:27:31,835 * I DON'T BELIEVE YOU, YOU'RE NOT THE TRUTH * 411 00:27:55,935 --> 00:27:57,336 THEY CALL THAT LOSING YOUR CHERRY. 412 00:28:01,536 --> 00:28:05,403 WELL, DON'T WORRY YOURSELF ABOUT THAT, SWEET THING. 413 00:28:05,469 --> 00:28:06,670 WELCOME. 414 00:28:06,736 --> 00:28:08,636 I AIN'T SEEN YOU AROUND THESE PARTS BEFORE. 415 00:28:08,703 --> 00:28:13,036 I, UM--MY HUSBAND AND I, WE'RE JUST TOURISTS VISITING. 416 00:28:14,536 --> 00:28:15,703 WE--WE HAVE TO LEAVE. 417 00:28:15,770 --> 00:28:17,736 YOU AND YOUR MAN OUGHT TO HANG AROUND A WHILE. 418 00:28:17,802 --> 00:28:19,503 YOU OUGHT TO STAY FOR THE CONCERT TONIGHT. 419 00:28:19,569 --> 00:28:23,569 WE PUT ON ONE HELL OF A SHOW IF I DO SAY SO MYSELF. 420 00:28:37,403 --> 00:28:41,202 WE'D LOVE TO HAVE YOU, MA'AM, AND NOT JUST FOR THE NIGHT. 421 00:28:41,269 --> 00:28:43,336 STAY A SPELL. WHAT DO YOU SAY? 422 00:28:44,835 --> 00:28:46,269 LET ME, UM... 423 00:28:46,336 --> 00:28:48,303 LET ME ASK MY HUSBAND. 424 00:28:49,336 --> 00:28:50,902 WHOO! AAH! 425 00:29:05,902 --> 00:29:07,802 OH, MY GOD. OH! 426 00:29:07,869 --> 00:29:11,369 HEY! SO YOU DINE AND DASH, ROTTEN CROTCH? 427 00:29:13,835 --> 00:29:14,869 GET HER, BOYS. 428 00:29:14,935 --> 00:29:16,436 GET IN THE CAR, MARY! 429 00:29:23,069 --> 00:29:24,869 GO! 430 00:29:30,469 --> 00:29:32,036 OH, MY GOD. 431 00:29:33,802 --> 00:29:35,036 I REMEMBER WHO THEY ARE NOW. 432 00:29:35,102 --> 00:29:37,670 IT'S RONNIE VAN ZANT AND DUANE ALLMAN. 433 00:29:37,736 --> 00:29:39,002 CLARK, BACK UP. 434 00:29:56,169 --> 00:29:58,636 CLARK, GO! I'M TRYING. 435 00:30:00,069 --> 00:30:01,336 AHH! AHH! 436 00:30:03,902 --> 00:30:05,169 YOU'RE COMING TO THE SHOW. 437 00:30:05,236 --> 00:30:06,336 CLARK! 438 00:30:06,403 --> 00:30:08,436 SCREW YOU! 439 00:30:08,503 --> 00:30:09,703 WOO! 440 00:30:09,770 --> 00:30:13,269 HA HA HA HA HA HA! OH! WHOA! 441 00:30:43,236 --> 00:30:44,369 WOO! 442 00:30:52,670 --> 00:30:54,869 FASTEN YOUR SEAT BELT. 443 00:31:08,902 --> 00:31:11,169 OH, GREAT. 444 00:31:14,736 --> 00:31:16,770 CLARK, THEY'RE COMING. 445 00:31:31,969 --> 00:31:33,303 STILL ALIVE. 446 00:31:33,369 --> 00:31:35,069 ALL OF THEM. 447 00:31:51,403 --> 00:31:52,835 NOW WHAT? 448 00:31:52,902 --> 00:31:54,536 BOY LOOKS LIKE ROAD KILL. 449 00:32:00,136 --> 00:32:01,736 OH, MY GOD. 450 00:32:03,069 --> 00:32:05,703 LET'S DO THIS, OK? 451 00:32:31,670 --> 00:32:33,336 HEY, WHO HURT YOU? 452 00:32:44,969 --> 00:32:46,236 CHERRY PIE. 453 00:32:49,036 --> 00:32:50,703 CLARK. 454 00:32:52,369 --> 00:32:54,536 GET US OUT OF HERE. 455 00:32:56,569 --> 00:32:58,002 WE'LL BE FINE. 456 00:33:45,736 --> 00:33:47,969 NOT A SINGLE ONE. 457 00:33:49,236 --> 00:33:50,336 WHAT? 458 00:33:50,403 --> 00:33:51,835 POWER LINES. 459 00:33:51,902 --> 00:33:53,336 WHEREVER THEY GET THEIR POWER, 460 00:33:53,403 --> 00:33:54,489 IT'S NOT FROM OREGON POWER AND LIGHT. 461 00:34:26,834 --> 00:34:27,916 YOU ALL RIGHT? HUH? 462 00:34:28,066 --> 00:34:29,385 BACK UP. TURN AROUND. 463 00:34:30,766 --> 00:34:32,044 GO--GO AROUND. 464 00:34:36,866 --> 00:34:38,366 GO ON, GO AROUND! 465 00:34:43,300 --> 00:34:45,632 Mary: WHAT ARE YOU DOING? 466 00:34:45,699 --> 00:34:47,266 YOU'VE SEEN 'EM. 467 00:34:47,333 --> 00:34:49,100 DO YOU WANT TO BE THEM? 468 00:35:39,166 --> 00:35:41,899 WELCOME TO TOWN, BOTH OF YOU. 469 00:35:41,966 --> 00:35:44,999 HOPE YOU CAN, UH, STAY A WHILE. 470 00:35:45,066 --> 00:35:47,066 WE'RE REAL NEIGHBORLY, 471 00:35:47,133 --> 00:35:49,567 AND WE TAKE CARE OF OUR OWN. 472 00:35:49,632 --> 00:35:52,533 I'M THE MAYOR AROUND THESE PARTS. 473 00:35:54,533 --> 00:35:56,500 THE NAME'S ELVIS PRESLEY. 474 00:36:06,100 --> 00:36:08,699 DRIVING AWAY WOULDN'T HAVE DONE YOU NO GOOD ANYHOW. 475 00:36:08,766 --> 00:36:12,533 HIGHWAY DON'T GO NOWHERE BUT THE UNICOI SWAMP. 476 00:36:12,599 --> 00:36:14,333 NO ROADS IN THERE, MA'AM. 477 00:36:14,400 --> 00:36:16,133 THERE'S A LOT OF POLK SALAD 478 00:36:16,200 --> 00:36:18,266 AND QUICKSAND AND OTHER THINGS. 479 00:36:18,333 --> 00:36:19,366 BEARS. 480 00:36:19,433 --> 00:36:21,632 BEARS. YEP. 481 00:36:21,699 --> 00:36:23,467 AND OTHER THINGS. 482 00:36:27,999 --> 00:36:29,567 IF WE STAY FOR THE SHOW-- 483 00:36:29,632 --> 00:36:30,666 THE SHOW? 484 00:36:30,732 --> 00:36:33,066 OH, YOU GOT TO STAY FOR THE SHOW. 485 00:36:33,133 --> 00:36:34,400 WE REALLY ROCK. 486 00:36:34,467 --> 00:36:36,066 YOU'LL SEE IF WE DON'T. 487 00:36:36,133 --> 00:36:38,433 AIN'T NOTHING BUT A STONE FACT. 488 00:36:38,500 --> 00:36:40,833 IF WE STAY FOR THE SHOW, 489 00:36:40,899 --> 00:36:43,599 CAN WE GO WHEN IT'S OVER? 490 00:36:43,666 --> 00:36:44,732 YOU KNOW, MA'AM, 491 00:36:44,799 --> 00:36:46,333 WE'RE WAY OUT IN THE BOONIES OUT HERE, 492 00:36:46,400 --> 00:36:50,233 AND ATTRACTING AN AUDIENCE CAN BE KIND OF SLOW WORK, 493 00:36:50,300 --> 00:36:52,599 ALTHOUGH ONCE THEY HEAR US, 494 00:36:52,666 --> 00:36:55,200 EVERYBODY STAYS AROUND FOR MORE. 495 00:36:55,266 --> 00:36:56,599 WE WAS KIND OF HOPING 496 00:36:56,666 --> 00:36:59,033 YOU MIGHT STICK AROUND YOURSELVES FOR A WHILE, 497 00:36:59,100 --> 00:37:00,599 SEE A FEW SHOWS, 498 00:37:00,666 --> 00:37:03,632 AND JUST KIND OF... 499 00:37:03,699 --> 00:37:05,467 ENJOY OUR HOSPITALITY. 500 00:37:19,366 --> 00:37:21,632 I THINK YOU MIGHT EVEN DECIDE... 501 00:37:21,699 --> 00:37:24,133 YOU WANT TO SETTLE DOWN. 502 00:38:17,732 --> 00:38:19,567 SO WHERE DO YOU WANT TO SIT? 503 00:38:25,266 --> 00:38:26,933 OVER THERE. 504 00:38:32,899 --> 00:38:33,933 HMM. 505 00:38:35,567 --> 00:38:36,999 HI. 506 00:38:38,467 --> 00:38:40,666 HI. 507 00:38:40,732 --> 00:38:42,999 I--I'M CECE PRYOR. 508 00:38:43,066 --> 00:38:44,866 MARY RIVINGHAM. 509 00:38:44,933 --> 00:38:46,366 THIS IS MY HUSBAND CLARK. 510 00:38:46,433 --> 00:38:47,833 HI. 511 00:38:54,166 --> 00:38:55,799 PLEASED TO MEET YOU. 512 00:38:55,866 --> 00:38:58,333 YOUR HAND. 513 00:38:58,400 --> 00:39:00,500 FRANKIE DID IT. 514 00:39:00,567 --> 00:39:03,599 FRANKIE LYMAN. 515 00:39:03,666 --> 00:39:05,866 EVERYONE SAYS HE WAS THE SWEETEST GUY 516 00:39:05,933 --> 00:39:07,366 YOU'D EVER WANT TO MEET... 517 00:39:08,567 --> 00:39:10,533 WHEN HE WAS ALIVE. 518 00:39:10,599 --> 00:39:15,467 HE ONLY TURNED MEAN WHEN HE CAME HERE. 519 00:39:15,533 --> 00:39:18,166 YOU KNOW, I DON'T CARE. 520 00:39:18,233 --> 00:39:21,233 I JUST WISH HE HAD GOTTEN AWAY. 521 00:39:21,300 --> 00:39:24,732 AND I'D DO IT AGAIN. 522 00:39:26,533 --> 00:39:29,200 BESIDES... 523 00:39:29,266 --> 00:39:31,866 CRYSTAL TAKES CARE OF ME. 524 00:39:34,799 --> 00:39:39,200 YOU KNOW, SHE'LL FIX YOU UP IF YOU WANT. 525 00:39:39,266 --> 00:39:41,033 YOU DON'T NEED TO LOSE NO FINGERS 526 00:39:41,100 --> 00:39:43,266 TO WANT TO GET STONED IN THIS TOWN. 527 00:39:43,333 --> 00:39:45,500 OH, MY WIFE AND I DON'T USE DRUGS. 528 00:39:47,567 --> 00:39:49,200 YOU WILL. 529 00:39:57,200 --> 00:40:00,966 GOOD EVENING, ROCK AND ROLL HEAVEN! 530 00:40:01,033 --> 00:40:03,366 GET YOUR SEATS FAST, LADIES AND GENTLEMEN, 531 00:40:03,433 --> 00:40:04,799 AND HOLD ONTO YOUR CHAIRS, 532 00:40:04,866 --> 00:40:08,233 BECAUSE THERE'S GOOD ROCKIN' TONIGHT. 533 00:40:08,300 --> 00:40:11,400 HOW LONG DO THEY GO ON? 534 00:40:11,467 --> 00:40:13,833 A LONG TIME. 535 00:40:13,899 --> 00:40:16,567 I MEAN, THE SHOW WILL BE OVER AT MIDNIGHT. 536 00:40:16,632 --> 00:40:18,666 IT'S A TOWN ORDINANCE. 537 00:40:18,732 --> 00:40:22,200 BUT TIME IS DIFFERENT HERE. 538 00:40:22,266 --> 00:40:24,366 I MEAN, IF THE GUYS GET COOKING, 539 00:40:24,433 --> 00:40:27,333 SOMETIMES GO FOR A YEAR OR MORE. 540 00:40:27,400 --> 00:40:29,632 WELL... 541 00:40:29,699 --> 00:40:31,467 WE GOT JOBS. 542 00:40:31,533 --> 00:40:33,833 OH, YEAH. 543 00:40:33,899 --> 00:40:38,133 MAYOR SAID MARY CAN GO WORK AT THE BEBOP BEAUTY SHOP. 544 00:40:38,200 --> 00:40:40,666 I HAVE AN ENGLISH DEGREE. 545 00:40:40,732 --> 00:40:42,567 A TEACHER'S CERTIFICATE, FOR GOD'S SAKE. 546 00:40:42,632 --> 00:40:44,200 AND I'M A SOFTWARE EXPERT. 547 00:40:44,266 --> 00:40:46,400 YOU DON'T HEAR ME COMPLAINING ABOUT IT, DO YOU? 548 00:40:46,467 --> 00:40:47,899 I SAID TO THE MAYOR, 549 00:40:47,966 --> 00:40:50,166 "YOUR HONOR, I'M A COMPUTER EXPERT," 550 00:40:50,233 --> 00:40:52,400 AND HE SAYS, "WELL, SON, 551 00:40:52,467 --> 00:40:54,766 THERE'S NO COMPUTERS IN THIS HERE TOWN," HE SAYS, 552 00:40:54,833 --> 00:40:56,066 "ALTHOUGH WE COULD USE 553 00:40:56,133 --> 00:40:58,233 A COUPLE OF TICKETRON OUTLETS." 554 00:40:59,400 --> 00:41:00,666 SO YOU KNOW, 555 00:41:00,732 --> 00:41:04,266 I GUESS I'LL... STACK SHELVES FOR A WHILE. 556 00:41:04,333 --> 00:41:06,766 WASN'T TOO GOOD FOR DAD... 557 00:41:06,833 --> 00:41:09,799 ONCE UPON A TIME, HMM? 558 00:41:13,033 --> 00:41:14,500 HOW DO YOU REACH THESE PEOPLE? 559 00:41:14,567 --> 00:41:16,166 THIS IS A NIGHTMARE. 560 00:41:16,233 --> 00:41:18,666 I'M SUPPOSED TO SPEND THE NEXT GOD KNOWS HOW LONG 561 00:41:18,732 --> 00:41:19,966 AS A SHAMPOO GIRL? 562 00:41:20,033 --> 00:41:21,799 DON'T THEY HEAR YOU? 563 00:41:21,866 --> 00:41:23,166 "I'LL BET YOU CAN WASH AND RINSE 564 00:41:23,233 --> 00:41:24,500 WITH THE BEST OF 'EM, LITTLE LADY." 565 00:41:24,567 --> 00:41:25,966 THAT'S WHAT HE SAYS TO ME. 566 00:41:26,033 --> 00:41:27,533 HEY, YOU HADN'T OUGHT TO MAKE FUN. 567 00:41:27,599 --> 00:41:30,632 MAKING FUN CAN GET YOU INTO TROUBLE AROUND HERE. 568 00:41:30,699 --> 00:41:33,100 OK, CLARK, WE HAVE TO GO. 569 00:41:33,166 --> 00:41:35,500 MY GOD, NOW. WE HAVE TO GET OUT OF HERE. 570 00:41:35,567 --> 00:41:36,666 MARY-- 571 00:41:36,732 --> 00:41:38,366 NO, LET'S GO. WE GOTTA RUN. 572 00:41:52,533 --> 00:41:53,799 COME ON, MARY. 573 00:41:55,966 --> 00:41:57,100 COME ON. 574 00:41:59,066 --> 00:42:00,166 COME ON. 575 00:42:12,033 --> 00:42:14,100 WHOA! 576 00:42:14,166 --> 00:42:17,233 ROCK AND ROLL HEAVEN, ARE YOU READY? 577 00:42:17,300 --> 00:42:19,533 WE GOT A GREAT SHOW FOR YOU TONIGHT, 578 00:42:19,599 --> 00:42:21,933 A GALAXY OF STARS, ALL BACKSTAGE. 579 00:42:21,999 --> 00:42:23,433 AND WHO'S THAT GUY? 580 00:42:23,500 --> 00:42:26,166 WE GOT FREDDIE MERCURY JUST IN FROM LONDON TOWN, 581 00:42:26,233 --> 00:42:27,467 JIM CROCE, 582 00:42:27,533 --> 00:42:29,266 MY MAIN MAN, JOHNNY ACE... 583 00:42:29,333 --> 00:42:31,166 SOME OLD-TIME DISC JOCKEY. 584 00:42:31,233 --> 00:42:32,699 ALAN FREED. 585 00:42:32,766 --> 00:42:34,333 YEAH, I KNEW I REMEMBERED HIM. 586 00:42:34,400 --> 00:42:37,266 JIM MORRISON ON THE RED EYE FLIGHT FROM PARIS... 587 00:42:37,333 --> 00:42:39,033 TAKE IT EASY, MARY. 588 00:42:39,100 --> 00:42:40,366 PATSY CLINE... 589 00:42:40,433 --> 00:42:41,766 HOW BAD COULD IT BE? 590 00:42:41,833 --> 00:42:43,200 KEITH MOON OF THE WHO, 591 00:42:43,266 --> 00:42:45,433 BRIAN JONES OF THE STONES, 592 00:42:45,500 --> 00:42:47,066 THAT CUTE LITTLE FLORENCE BALLARD 593 00:42:47,133 --> 00:42:48,366 OF THE SUPREMES, 594 00:42:48,433 --> 00:42:49,666 MARY WELLS... 595 00:42:49,732 --> 00:42:51,266 HOW LONG HAVE YOU BEEN HERE? 596 00:42:51,333 --> 00:42:53,899 I DON'T KNOW. 597 00:42:53,966 --> 00:42:55,799 IT'S EASY TO LOSE TRACK OF TIME. 598 00:42:55,866 --> 00:42:58,300 ALL YOUR FAVORITES, JUST FOR YOU. 599 00:42:58,366 --> 00:42:59,699 12 YEARS, AT LEAST. 600 00:42:59,766 --> 00:43:00,766 MARVIN GAYE... 601 00:43:00,833 --> 00:43:02,066 MAYBE MORE. 602 00:43:02,133 --> 00:43:04,632 CASS ELLIOT, JANIS JOPLIN, 603 00:43:04,699 --> 00:43:08,233 JOHN BONHAM-- HE'LL GET THE LED OUT OF YOUR ZEPPELIN. 604 00:43:08,300 --> 00:43:09,599 WE GOT LOST. 605 00:43:09,666 --> 00:43:11,467 GEORGE HARRISON, JOHN LENNON... 606 00:43:11,533 --> 00:43:13,567 WE JUST GOT LOST IN THE WOODS. 607 00:43:13,632 --> 00:43:16,666 KURT COBAIN... 608 00:43:16,732 --> 00:43:19,300 THIS WHAT HAPPENS TO PEOPLE WHO GET LOST? 609 00:43:19,366 --> 00:43:22,666 STEVIE RAY VAUGHN! THE GIANTS OF MUSIC! 610 00:43:22,732 --> 00:43:26,699 SO, ROCK AND ROLL HEAVEN, ARE YOU READY TO BOOGIE? 611 00:43:26,766 --> 00:43:28,300 THEN LET'S GO, 612 00:43:28,366 --> 00:43:32,799 BECAUSE ROCK AND ROLL WILL NEVER DIE! 613 00:43:32,866 --> 00:43:35,766 THAT'S WHAT I'M AFRAID OF. 614 00:43:40,999 --> 00:43:43,333 COME ON, EVERYBODY! WHOO! 615 00:43:49,732 --> 00:43:54,467 * HEY, PEOPLE TRY TO TELL ME * 616 00:43:54,533 --> 00:43:58,599 * THAT I'VE BEEN WASTING MY TIME * 617 00:43:58,666 --> 00:44:01,766 * I KNOW I'M BETTER WITHOUT YOU * 618 00:44:01,833 --> 00:44:03,966 * I'M HANGIN' ON * 619 00:44:04,033 --> 00:44:06,066 * HANGIN' ON * 620 00:44:06,133 --> 00:44:07,467 * I'M HANGIN' ON * 41767

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