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[MUSIC PLAYING]
- NARRATOR: CHRISTOPHER
CANE PRESENTS
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00:00:07,675 --> 00:00:10,552
AN EVENING WITH "VICTORIOUS."
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00:00:10,594 --> 00:00:13,305
[IN BRITISH ACCENT]
- GOOD EVENING AND WELCOME.
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00:00:13,347 --> 00:00:15,349
MY NAME IS CHRISTOPHER CANE.
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00:00:15,390 --> 00:00:17,601
I AM AN ACTOR.
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00:00:17,643 --> 00:00:19,311
[APPLAUSE]
7
00:00:19,353 --> 00:00:22,356
- MOST OF YOU MORE
LIKELY KNOW ME AS REX,
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00:00:22,397 --> 00:00:24,107
THE SASSY SIDEKICK TO ROBBIE
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00:00:24,149 --> 00:00:26,986
FROM THE TELEVISION PROGRAM
"VICTORIOUS."
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00:00:27,027 --> 00:00:29,321
TONIGHT, I WILL BE
INTERVIEWING MY CAST MATES
11
00:00:29,363 --> 00:00:31,448
FROM "VICTORIOUS,"
INCLUDING THE TRULY
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00:00:31,490 --> 00:00:36,077
MAGNIFICENT STAR OF THE SHOW,
MS. VICTORIA JUSTICE HERSELF.
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00:00:36,119 --> 00:00:38,205
YOU'LL ALSO BE SEEING SOME
OF THEIR "HIGH-LARIOUS"
14
00:00:38,246 --> 00:00:42,417
BLOOPERS AND BEHIND
THE SCENES SHENANIGANS.
15
00:00:42,459 --> 00:00:44,795
BUT FIRST, A SPECIAL TREAT.
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00:00:44,837 --> 00:00:46,588
PLEASE HAVE A LOOK
AT MY VERY FIRST
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00:00:46,630 --> 00:00:49,299
AUDITION FOR "VICTORIOUS."
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00:00:49,341 --> 00:00:51,343
- ACTRESS [OFFSCREEN]:
CAN YOU TELL ME WHERE
MR. SIKOWITZ'S CLASSROOM IS?
19
00:00:51,385 --> 00:00:54,137
- YOU WILL FIND MR. SIKOWITZ
DOWN THE HALL.
20
00:00:54,179 --> 00:00:55,806
SIMPLY TAKE A LEFT AT
THE WATER FOUNTAIN.
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00:00:55,848 --> 00:00:57,641
- DIRECTOR [OFFSCREEN]:
UM, HA-- HANG ON.
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00:00:57,683 --> 00:00:59,601
HANG ON A SECOND.
- YES?
23
00:00:59,643 --> 00:01:00,895
- DIRECTOR [OFFSCREEN]:
COULD YOU TRY IT AGAIN,
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00:01:00,936 --> 00:01:02,855
BUT LIKE WITH MORE ATTITUDE.
25
00:01:02,897 --> 00:01:07,985
AND, UM, CAN YOU DO A REALISTIC
AMERICAN URBAN ACCENT?
26
00:01:08,027 --> 00:01:10,779
- HM...
AMERICAN URBAN.
27
00:01:10,821 --> 00:01:14,282
ALL RIGHT, I'LL GIVE IT A GO.
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00:01:14,324 --> 00:01:15,743
[CLEARS THROAT]
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00:01:15,784 --> 00:01:17,452
[IN AMERICAN URBAN ACCENT]
SIKOWITZ, DOWN THE HALL,
30
00:01:17,494 --> 00:01:19,454
SWING A LEFT AT
THE WATER FOUNTAIN,
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00:01:19,496 --> 00:01:21,289
SECOND DOOR ON YOUR RIGHT.
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00:01:21,331 --> 00:01:23,166
[LAUGHTER]
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00:01:23,208 --> 00:01:24,793
[IN BRITISH ACCENT] WAS
THAT MORE IN THE ZONE?
34
00:01:24,835 --> 00:01:25,794
- DIRECTOR [OFFSCREEN]:
OH YEAH.
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00:01:25,836 --> 00:01:27,629
PERFECT, PERFECT.
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00:01:27,671 --> 00:01:30,507
- THAT AFTERNOON, I WAS
OFFERED THE ROLE OF REX,
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00:01:30,549 --> 00:01:32,718
WHICH I GRACIOUSLY ACCEPTED.
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00:01:32,760 --> 00:01:36,221
SOON THEREAFTER, I JOINED
A FANTASTIC BEVY OF ACTORS,
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00:01:36,263 --> 00:01:38,097
ONE OF WHOM YOU'RE
ABOUT TO MEET.
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00:01:38,139 --> 00:01:39,266
[CLEARS THROAT]
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00:01:39,307 --> 00:01:40,684
HE FIRST CAME TO PROMINENCE
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00:01:40,726 --> 00:01:42,310
AS YOUNG SIMBA
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00:01:42,352 --> 00:01:45,064
IN THE BROADWAY VERSION
OF "THE LION KING."
44
00:01:45,146 --> 00:01:47,274
HE FOLLOWED WITH A
MEMORABLE GUEST APPEARANCE
45
00:01:47,315 --> 00:01:51,361
ON "ICARLY" AND OTHER TELEVISION
SHOWS OF LESSER IMPORTANCE.
46
00:01:53,321 --> 00:01:56,742
TODAY, WE KNOW HIM
BEST AS ANDRE HARRIS,
47
00:01:56,784 --> 00:02:01,080
THE SENSITIVE "MUSISEEAN" AND
QUINTESSENTIAL BEST FRIEND
48
00:02:01,121 --> 00:02:04,165
TO TORI ON THE HIT
SHOW "VICTORIOUS."
49
00:02:04,207 --> 00:02:06,501
A WARM WELCOME TO LEON THOMAS.
50
00:02:06,543 --> 00:02:08,253
[APPLAUSE]
51
00:02:10,756 --> 00:02:11,924
GOOD TO SEE YOU, LEON.
52
00:02:11,966 --> 00:02:13,300
- NICE TO SEE YOU, TOO.
53
00:02:13,341 --> 00:02:14,802
- TELL ME A SECRET.
54
00:02:14,843 --> 00:02:16,595
- A SECRET?
- ANYTHING.
55
00:02:16,637 --> 00:02:17,679
- OK.
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00:02:17,721 --> 00:02:19,347
WELL UH, AH.
57
00:02:19,389 --> 00:02:21,475
SOMETIMES I PUT
MUSTARD ON MY PIZZA.
58
00:02:21,516 --> 00:02:23,393
- STOP IT.
- IT'S TRUE.
59
00:02:23,435 --> 00:02:25,562
- YOU MANIAC.
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00:02:25,604 --> 00:02:29,232
SO PLAYING ANDRE
ON "VICTORIOUS,"
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00:02:29,274 --> 00:02:30,776
IS IT A CHALLENGE?
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00:02:30,818 --> 00:02:32,611
- WELL, YOU KNOW, SOMETIMES
IT CAN DEFINITELY BE--
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00:02:32,653 --> 00:02:34,780
- LET'S TAKE A LOOK AT
SOME OF YOUR BLOOPERS.
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00:02:34,822 --> 00:02:36,197
- I'M SORRY, UH--
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00:02:36,239 --> 00:02:38,575
- YOUR BLOOPERS,
THE TIMES YOU WERE ACTING
66
00:02:38,617 --> 00:02:40,494
- BUT FAILED "HIGH-LARIOUSLY."
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00:02:40,535 --> 00:02:41,829
- SURE, WE CAN DO THAT.
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00:02:41,870 --> 00:02:44,539
- I WASN'T ASKING FOR
YOUR "PERMISEEON."
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00:02:44,581 --> 00:02:46,667
LET'S HAVE A LOOK.
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00:02:46,708 --> 00:02:50,211
- OK, PEOPLE.
FIND US AN S AND H. HOLD UP.
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00:02:50,253 --> 00:02:52,422
IF WE FIND-- OK, PEOPLE.
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00:02:52,464 --> 00:02:54,591
WE FOUND US AN S AND
AN H AND WE GOT US
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A PRIVATE CON-- CASH-- CONCERT.
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00:02:57,719 --> 00:02:59,178
MAN, I ALMOST HAD IT.
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00:02:59,220 --> 00:03:01,473
OK, PEOPLE.
WE FOUND US AN S AND H
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00:03:01,515 --> 00:03:02,766
AND WE GOT US A PRIVATE-- NOW--
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00:03:02,808 --> 00:03:05,268
NOW SEE, THE PRESSURE'S ON.
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00:03:05,310 --> 00:03:11,025
[SINGING] NEVER BEEN
WITH A GIRL LIKE YOU-HOO.
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00:03:12,484 --> 00:03:14,402
EVERY TREE-- WHOA, WHAT?
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00:03:14,444 --> 00:03:17,156
UH, ONE MORE TIME.
81
00:03:17,196 --> 00:03:18,532
DIRECTOR [OFFSCREEN]:
- CUT!
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00:03:18,573 --> 00:03:20,575
- WE'RE ALL GOING
TO COME DOWN TO SET
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00:03:20,617 --> 00:03:23,244
AND WATCH IT LAND.
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00:03:23,286 --> 00:03:24,830
DIRECTOR [OFFSCREEN]:
- LET'S HOLD.
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00:03:24,872 --> 00:03:28,458
- WE'RE ALL GOING TO COME
DOWN TO SET, WATCH IT--
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00:03:28,500 --> 00:03:30,377
DIRECTOR [OFFSCREEN]:
- START AGAIN, LEON.
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00:03:30,418 --> 00:03:33,212
- OOH!
ONE MORE TIME.
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00:03:33,254 --> 00:03:36,424
ONE MORE TIME.
I WASN'T EVEN READY FOR IT.
89
00:03:36,466 --> 00:03:37,509
SORRY, DOG.
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00:03:37,551 --> 00:03:39,594
HEY.
MM.
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00:03:39,636 --> 00:03:41,180
DIRECTOR [OFFSCREEN]:
- AND CUT.
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00:03:41,221 --> 00:03:43,015
- I'M NOT SUPPOSED
TO TALK THERE.
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00:03:43,057 --> 00:03:44,599
OK.
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00:03:44,641 --> 00:03:47,561
NICE VIDEO-- OH, NAH, REALLY?
95
00:03:47,602 --> 00:03:49,104
- DIRECTOR [OFFSCREEN]:
[INAUDIBLE], PLEASE.
- I KILLED YOU, DOG.
96
00:03:49,146 --> 00:03:50,689
I KILLED YOU.
97
00:03:50,731 --> 00:03:54,109
OH, I FEEL THAT
IN MY SOUL. OH.
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00:03:54,151 --> 00:03:55,485
[CHRISTOPHER LAUGHING]
99
00:03:55,527 --> 00:03:57,821
- MARVELOUS.
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00:03:57,863 --> 00:04:00,490
APPLE JUICE?
- NO THANKS.
101
00:04:00,532 --> 00:04:03,202
- YOU DON'T CARE
FOR JUICED APPLES?
102
00:04:03,243 --> 00:04:05,453
- NOT RIGHT NOW.
I'M GOOD.
103
00:04:05,495 --> 00:04:08,707
- SO TELL ME MORE
ABOUT "VICTORIOUS."
104
00:04:08,749 --> 00:04:10,375
- I ACTUALLY REMEMBER
THIS ONE TIME,
105
00:04:10,417 --> 00:04:12,211
I WAS DOING A SCENE WITH
VICTORIA AND ARIANA,
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00:04:12,252 --> 00:04:14,713
AND WE HAD JUST--
- YOU KNOW,
I'M EVEN MORE EXCITED
107
00:04:14,755 --> 00:04:16,924
TO CHAT WITH OUR NEXT GUEST.
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00:04:18,926 --> 00:04:23,764
SHE PLAYS A MOST UNIQUE TYPE
OF NASTY GIRL ON "VICTORIOUS."
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00:04:23,805 --> 00:04:26,725
I RECALL THE FIRST
TIME I MET ELIZABETH.
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00:04:26,767 --> 00:04:29,144
IT WAS AT OUR FINAL
AUDITION, AND SHE
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00:04:29,186 --> 00:04:33,565
ASKED ME IF I COULD POINT
HER TOWARD THE LADIES' LOO.
112
00:04:33,607 --> 00:04:35,943
PRIOR TO THAT,
I HAD THE GOOD FORTUNE
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00:04:35,984 --> 00:04:40,697
OF SEEING HER PERFORM ON
BROADWAY IN THE MUSICAL "13."
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00:04:40,739 --> 00:04:43,992
NOW SHE PLAYS JADE WEST,
A WICKED THORN IN
115
00:04:44,034 --> 00:04:46,787
THE SHAPELY RIBS OF TORI VEGA.
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00:04:46,828 --> 00:04:51,041
I GIVE YOU ELIZABETH, OR
DARE I SAY, LIZ GILLIES.
117
00:04:51,083 --> 00:04:52,709
[APPLAUSE]
118
00:04:54,544 --> 00:04:56,797
- THANK YOU FOR THAT
SWEET INTRODUCTION.
119
00:04:56,838 --> 00:04:58,715
- IF YOU WERE A
BOTTLE OF SHAMPOO,
120
00:04:58,757 --> 00:05:02,302
WHAT WOULD BE YOUR FRAGRANCE?
121
00:05:02,343 --> 00:05:04,012
- M-- M-- MY FRAGRANCE?
122
00:05:04,054 --> 00:05:07,224
- YES. IN A PERFECT WORLD,
YOU SMELL LIKE WHAT?
123
00:05:07,266 --> 00:05:08,934
- UH, I DON'T KNOW.
124
00:05:08,976 --> 00:05:11,979
MAYBE A COMBO OF,
LIKE, VANILLA AND MINT.
125
00:05:12,020 --> 00:05:14,189
- WRONG.
126
00:05:14,231 --> 00:05:15,565
- WRONG?
127
00:05:15,607 --> 00:05:19,820
- YOU WOULD SMELL OF
LILAC AND ROASTED NUTS.
128
00:05:19,861 --> 00:05:23,448
- UH, OK.
THAT SOUNDS PRETTY COOL TOO.
129
00:05:23,490 --> 00:05:26,326
- LET'S TALK ABOUT SOCKS.
- SOCKS?
130
00:05:26,367 --> 00:05:28,996
- SHOULD SOCKS BE MORE LIKE
GLOVES WITH SMALL SLEEVES
131
00:05:29,037 --> 00:05:31,165
INTO WHICH EACH TOE
COULD BE INSERTED?
132
00:05:31,206 --> 00:05:32,916
- UH, NO, NOT REALLY.
133
00:05:32,958 --> 00:05:34,334
I THINK-- I THINK NORMAL
SOCKS WORK PRETTY WELL.
134
00:05:34,375 --> 00:05:37,712
- SHALL WE VIEW YOUR BLOOPERS?
- OH, OK.
135
00:05:37,754 --> 00:05:39,338
YEAH, SURE.
136
00:05:39,380 --> 00:05:40,924
DO YOU HAVE-- DO YOU HAVE
THEM HERE, LIKE, QUEUED UP?
137
00:05:40,966 --> 00:05:42,926
- YES.
VIEW THEM WITH ME BY GAZING
138
00:05:42,968 --> 00:05:45,512
AT THIS HIGH DEFINITION MONITOR.
139
00:05:45,553 --> 00:05:47,388
- SURE.
140
00:05:47,430 --> 00:05:50,142
MEAN GIRL: YOU KNOW
- YOU CAN'T SING?
141
00:05:50,184 --> 00:05:52,060
[SIMULTANEOUSLY]
- WHY WOULD WE WANT TO?
142
00:05:52,102 --> 00:05:54,729
- I FORGOT.
I REMEMBER NOW.
143
00:05:54,771 --> 00:05:56,190
- I GOT TO TAKE CARE OF TRINA.
144
00:05:56,231 --> 00:05:57,691
- YOU WANT TO STAY
HERE AND [GIBBERISH]?
145
00:05:59,693 --> 00:06:03,488
YOU WANT TO STAY HERE AND HELP
"CATE TARE" OF-- I'M SO SORRY.
146
00:06:03,530 --> 00:06:05,115
YOU WANT TO STAY HERE
AND HA-- OH MY GOSH.
147
00:06:05,157 --> 00:06:06,533
I'M REALLY-- CAN I
JUST SEE THE LINE?
148
00:06:06,574 --> 00:06:08,243
I'M REALLY SORRY.
I FEEL AWFUL RIGHT NOW.
149
00:06:08,285 --> 00:06:10,245
I'M REALLY-- I'M SO SORRY.
150
00:06:10,287 --> 00:06:12,664
WELL, NOW MAYBE YOU
KNOW WHAT IT FEELS LIKE
151
00:06:12,706 --> 00:06:14,499
TO HAVE SOMEONE PLAN SOMETHING
152
00:06:14,541 --> 00:06:15,959
AND THEN YOU--
AND THEN SOMEONE RUINED IT TOO.
153
00:06:16,001 --> 00:06:18,003
- DIRECTOR [OFFSCREEN]:
LET'S HOLD.
- OK.
154
00:06:18,045 --> 00:06:19,754
[GRUFF VOICES] HOW
MANY PEOPLE [INAUDIBLE]?
155
00:06:22,423 --> 00:06:24,301
IT'S A TONGUE TWISTER,
I SWEAR.
156
00:06:24,343 --> 00:06:26,594
- THEY'RE BENT.
THEY'VE LOST THEIR SCISS.
157
00:06:30,389 --> 00:06:31,558
OH MY GOD.
158
00:06:31,599 --> 00:06:33,560
- UH--
- WHAT ARE YOU DOING?
159
00:06:33,601 --> 00:06:35,896
- [YELLING]
- WHAT? [INDISTINCT]
160
00:06:35,937 --> 00:06:37,272
- OH MY GOD.
161
00:06:40,150 --> 00:06:41,109
- HEY.
162
00:06:41,151 --> 00:06:43,111
[APPLAUSE]
163
00:06:44,654 --> 00:06:47,324
- WELL, LIZ, IT SEEMS THAT
EVEN A PROFESSIONAL ACTRESS
164
00:06:47,366 --> 00:06:50,035
SUCH AS YOURSELF OCCASIONALLY
FLUBS HER DIALOGUE.
165
00:06:50,077 --> 00:06:52,746
- UM, YOU KNOW, I THINK--
I THINK THE WHOLE CAST
OF "VICTORIOUS"
166
00:06:52,787 --> 00:06:54,581
IS USUALLY PRETTY GOOD
ABOUT KNOWING THEIR LINES,
167
00:06:54,622 --> 00:06:56,041
BUT SOMETIMES FOR
WHATEVER REASON--
168
00:06:56,083 --> 00:06:59,878
- NOW LET'S MEET SOMEONE
REALLY INTERESTING.
169
00:06:59,920 --> 00:07:02,672
HE PLAYS THE DASHING
YET BOYISHLY CHARMING
170
00:07:02,714 --> 00:07:04,465
YOUNG ACTOR ON "VICTORIOUS."
171
00:07:04,507 --> 00:07:09,804
HE WAS BORN IN CANADA BUT SOON
ESCAPED AND CAME TO AMERICA,
172
00:07:09,846 --> 00:07:11,973
WHERE HE PURSUED HIS DREAM
OF BECOMING A CHAMPION
173
00:07:12,015 --> 00:07:14,768
IN THE MIXED MARTIAL ARTS.
174
00:07:14,809 --> 00:07:18,897
BUT AFTER BEING BRUTALLY
BEATEN DOZENS OF TIMES,
175
00:07:18,939 --> 00:07:20,690
HE DECIDED TO TRY
HIS HAND AT ACTING
176
00:07:20,732 --> 00:07:24,861
AND PROMPTLY LANDED THE ROLE
OF BECK OLIVER ON "VICTORIOUS."
177
00:07:24,903 --> 00:07:27,989
I WELCOME HIM, AVAN JOGIA.
178
00:07:28,031 --> 00:07:29,490
- IT'S GREAT TO BE HERE.
179
00:07:29,532 --> 00:07:31,492
- WELL, WELL, IN LIGHT
OF YOUR GOOD LOOKS,
180
00:07:31,534 --> 00:07:34,579
I DARESAY I'M BEING
OUT-HANDSOMED RIGHT ABOUT NOW.
181
00:07:34,621 --> 00:07:36,497
- [CHUCKLING]
182
00:07:36,539 --> 00:07:38,792
- I KID, I KID.
183
00:07:38,833 --> 00:07:42,670
SO AVAN, WHAT KIND OF
LAST NAME IS JOGIA?
184
00:07:42,712 --> 00:07:45,173
- THAT'S ACTUALLY A
REALLY INTERESTING STORY.
185
00:07:45,215 --> 00:07:46,883
- UM--
IT CERTAINLY WAS.
186
00:07:49,094 --> 00:07:52,347
TELL ME THIS, IF YOU COULD
HAVE ONLY ONE SUPERPOWER,
187
00:07:52,389 --> 00:07:56,768
WOULD YOU CHOOSE THE ABILITY
TO FLY OR TO RIDE A BICYCLE?
188
00:07:56,810 --> 00:08:00,605
- WELL, UM, I ALREADY
KNOW HOW TO RIDE A BIKE.
189
00:08:00,647 --> 00:08:02,107
- THEN YOU'VE MADE YOUR CHOICE.
190
00:08:02,149 --> 00:08:04,025
- WELL, ACTUALLY,
I DIDN'T CHOOSE, UH--
191
00:08:04,067 --> 00:08:06,361
- I'M GOING TO SHOW THE
AUDIENCE YOUR BLOOPERS.
192
00:08:06,403 --> 00:08:08,863
- WHAT?
- YOUR BLOOPERS.
193
00:08:08,905 --> 00:08:10,907
- OH, FROM "VICTORIOUS."
194
00:08:10,949 --> 00:08:14,202
- WELL, I DON'T MEAN YOUR
BLOOPERS FROM THE BATHTUB.
195
00:08:16,537 --> 00:08:19,040
PLEASE, JUST
TRY NOT TO SPEAK.
196
00:08:19,082 --> 00:08:20,667
NOW LET'S HAVE A LOOK.
197
00:08:20,708 --> 00:08:23,211
[APPLAUSE]
198
00:08:23,253 --> 00:08:24,254
- GOOD EVENING.
199
00:08:24,296 --> 00:08:26,631
- WE'RE FROM HOLLYWOODS-- SORRY.
200
00:08:26,673 --> 00:08:28,175
- DIRECTOR [OFFSCREEN]:
CUT IT!
- SORRY.
201
00:08:28,216 --> 00:08:32,095
- SHE DIDN'T GET YOU
ANYTHING FOR YOUR BIRTHDAY?
202
00:08:32,137 --> 00:08:34,139
- SHE GOT ME A GLASS OF
LEMONADE, CANNED LEMONA--
203
00:08:34,181 --> 00:08:35,515
- [LAUGHS]
204
00:08:37,476 --> 00:08:40,312
- I'M NOT FOLLOWING
YOUR COOL GUY LOGIC.
205
00:08:40,354 --> 00:08:44,107
- GIRLS LIKE GUYS WHO
RIDE CA-- WHAT'S MY LINE?
206
00:08:44,149 --> 00:08:46,193
SO, I HEAR SOME OF YOU
GUYS ARE GOING TO CANCUN.
207
00:08:46,234 --> 00:08:47,527
NO?
I HEAR SOME OF YOU
GUYS ARE GOING--
208
00:08:47,568 --> 00:08:48,528
-YERBA.
-YERBA.
209
00:08:48,569 --> 00:08:49,904
YEAH.
ONE MORE TIME.
210
00:08:49,946 --> 00:08:51,198
- WHERE'S THE ICE CREAM?
- TORI: YEAH.
211
00:08:51,239 --> 00:08:52,657
DIDN'T YOU GET SOME MORE?
- NOPE.
212
00:08:52,699 --> 00:08:55,202
CHECK OUT-- CHECK--
213
00:08:55,243 --> 00:08:57,829
- WHERE'S THE ICE CREAM?
- YEAH, DIDN'T YOU
GET SOME MORE?
214
00:08:57,871 --> 00:09:00,999
- NOPE. CHECK OUT-- CAT'S
LATEST UPDATES-- LAST UPDATE.
215
00:09:01,041 --> 00:09:02,083
I'M SO SORRY.
216
00:09:02,125 --> 00:09:04,211
IT'S OK.
I GOT THIS.
217
00:09:04,252 --> 00:09:06,629
IF I CAN ONLY STAND
STRAIGHT IN THESE HEELS.
218
00:09:06,671 --> 00:09:08,382
[GRUNT]
219
00:09:14,679 --> 00:09:19,851
- WELL, YOU CERTAINLY
SCREW UP A LOT.
220
00:09:19,893 --> 00:09:22,145
APPLE JUICE.
221
00:09:22,187 --> 00:09:23,230
- NO THANKS.
222
00:09:23,271 --> 00:09:24,731
TALK TO ME ABOUT ACTING.
223
00:09:24,772 --> 00:09:26,858
- OH, UH, YOU KNOW
AS AN ACTOR,
224
00:09:26,900 --> 00:09:28,609
NO MATTER HOW MUCH,
UH, YOU PREPARE--
225
00:09:28,651 --> 00:09:33,198
- WHO'S READY TO MEET
SOMEONE TRULY SPECIAL,
226
00:09:33,240 --> 00:09:36,159
FOR THIS NEXT YOUNG LADY
IS AS "HIGH-LARIOUS"
227
00:09:36,201 --> 00:09:38,370
AS SHE IS EFFERVESCENT.
228
00:09:38,412 --> 00:09:41,415
WITH HER SPARKLING RED HAIR,
YOU CAN PRACTICALLY SPOT
229
00:09:41,456 --> 00:09:44,418
THIS GIRL FROM A "HELIOCOPTER."
230
00:09:44,459 --> 00:09:47,879
HER CHARACTER ON "VICTORIOUS"
IS WHIMSICAL AND OFTEN--
231
00:09:47,921 --> 00:09:51,550
[LAUGHS] --A BIT LACKING
IN THE OLD NOGGIN.
232
00:09:51,591 --> 00:09:54,886
BUT IN REAL LIFE,
SHE'S AS SHARP AS A SHITZU
233
00:09:54,928 --> 00:09:56,721
AND BURSTING WITH TALENT.
234
00:09:56,763 --> 00:10:01,142
I SPEAK OF THE DELIGHTFUL
RED HEADED ARIANA GRANDE.
235
00:10:01,184 --> 00:10:02,977
EUGH.
236
00:10:04,938 --> 00:10:08,942
- UH, I'M SORRY I'M
NOT ARIANA GRANDE.
237
00:10:08,983 --> 00:10:11,611
- CLEARLY.
238
00:10:11,652 --> 00:10:14,155
WOULD YOU PLEASE GET ARIANA?
239
00:10:14,197 --> 00:10:18,577
- UH, WELL, THEY-- THEY JUST
TOLD ME THAT I WAS NEXT
240
00:10:18,618 --> 00:10:20,537
AND ARIANA'S STILL
GETTING READY.
241
00:10:20,579 --> 00:10:24,374
- WELL THEN, I SUPPOSE
WE'LL JUST WAIT FOR HER.
242
00:10:33,174 --> 00:10:39,097
- UH, WHILE WE'RE WAITING, MAYBE
YOU'D LIKE TO INTERVIEW ME?
243
00:10:39,139 --> 00:10:40,474
- [HEAVY SIGH]
244
00:10:42,434 --> 00:10:44,227
ALL RIGHT.
245
00:10:44,269 --> 00:10:46,605
THIS IS VANILLA BONET.
246
00:10:46,646 --> 00:10:48,731
- DANIELLA MONET.
- YES.
247
00:10:48,773 --> 00:10:51,192
SHE PORTRAYS TRINA
ON "VICTORIOUS."
248
00:10:51,234 --> 00:10:52,819
- YEP.
I PLAY TRINA,
249
00:10:52,860 --> 00:10:54,862
WHO'S TORI'S OLDER SISTER ON--
250
00:10:54,904 --> 00:10:57,616
- TELL ME ABOUT ARIANA.
251
00:10:59,409 --> 00:11:01,953
- UH, WELL, ARIANA'S
A LOT OF FUN TO WORK WITH
252
00:11:01,995 --> 00:11:03,163
'CAUSE SHE'S EITHER LIKE--
253
00:11:03,204 --> 00:11:04,747
- QUESTION.
254
00:11:04,789 --> 00:11:06,166
- [SIGHS] OK.
255
00:11:06,207 --> 00:11:07,584
- DO YOU EVER SIT UP
IN YOUR BEDROOM AT NIGHT
256
00:11:07,626 --> 00:11:10,044
AND THINK TO YOURSELF,
WOULDN'T IT BE GRAND
257
00:11:10,086 --> 00:11:14,715
IF I, DANIELLA MONET,
WERE ACTUALLY ARIANA GRANDE?
258
00:11:16,801 --> 00:11:18,052
- NO.
259
00:11:18,094 --> 00:11:20,514
I'M VERY HAPPY BEING ME.
260
00:11:20,555 --> 00:11:22,265
- REALLY?
261
00:11:22,307 --> 00:11:24,851
- YEAH, UH, LISTEN, MAYBE WE CAN
JUST TAKE A LOOK AT MY BLOOPERS
262
00:11:24,892 --> 00:11:26,561
FROM "VICTORIOUS."
263
00:11:26,603 --> 00:11:31,608
- WELL, I SUPPOSE THAT'S AS
GOOD A WAY TO KILL TIME AS ANY.
264
00:11:31,650 --> 00:11:34,611
OFF WE GO.
265
00:11:34,653 --> 00:11:40,033
- FROM NOW ON, I'M CALLING
THIS CITY SHE-CAGO.
266
00:11:40,074 --> 00:11:41,576
I JUST SPIT.
267
00:11:44,037 --> 00:11:45,872
I KNOW.
I SHOULD HAVE KEPT GOING.
268
00:11:45,913 --> 00:11:48,625
BUT IT WAS JUST DROOL, YOU KNOW.
269
00:11:48,667 --> 00:11:51,002
NO, NO, NO, SERIOUSLY.
I'LL SING OR DANCE,
270
00:11:51,044 --> 00:11:54,422
OR I COULD JUST STAND ON FROAT--
[GIBBERISH]-- FLOAT,
271
00:11:54,464 --> 00:11:57,217
LIKE RIGHT
IN FRONT AND JUST-- SORRY.
272
00:11:57,258 --> 00:11:59,886
I TRIED TO KEEP GOING.
273
00:11:59,927 --> 00:12:04,765
FUZZINI BOOTS, GOT 'EM
AT SIMONE'S ON SALE!
274
00:12:04,807 --> 00:12:05,975
[SCREAM]
275
00:12:06,017 --> 00:12:07,435
- DIRECTOR [OFFSCREEN]: WHOA.
- SORRY.
276
00:12:07,477 --> 00:12:09,479
I MEAN,
I'M NOT GOING TO STOP.
277
00:12:12,357 --> 00:12:17,987
HI, UM, CAN I GET AT 5 O'CLOCK
APPOINTMENT FOR A "FLIPFF."
278
00:12:18,029 --> 00:12:20,448
SO LISTEN, I'M TOTALLY GOING
TO WIN TA-- [SINGING] DAH
279
00:12:20,490 --> 00:12:21,991
DAH DAH DAH DUH DUH DOO DOO.
280
00:12:22,033 --> 00:12:23,742
- DIRECTOR [OFFSCREEN]: CUT!
- SORRY.
281
00:12:23,784 --> 00:12:25,870
I TRIED TO, BUT THEN HE
CALLED THE FLIGHT ATTENDANT,
282
00:12:25,912 --> 00:12:28,998
WHO CALLED THE SKY MARSHAL,
AND THEN THEY ESCORTED ME
OUT OF CLASS.
283
00:12:30,875 --> 00:12:32,252
- OR IF YOU'RE DONE WITH IT,
KEEP YOUR GARBAGE ON--
284
00:12:32,293 --> 00:12:35,129
- HEY!
HEY KID, STOP KICKING MY SEAT.
285
00:12:35,171 --> 00:12:36,631
- [SIGHS]
286
00:12:36,673 --> 00:12:38,883
- WAIT, I DON'T KNOW HOW
I CAN STAY STILL TO THAT.
287
00:12:38,925 --> 00:12:42,512
- THAT, I'M-- MY TOTAL BAD.
- OH!
288
00:12:44,305 --> 00:12:47,058
YOU JUST GOT CALLED
OUT BY A NINE-YEAR-OLD.
289
00:12:50,895 --> 00:12:55,149
- WELL, WHY DON'T WE
GO TO COMMERCIAL?
290
00:12:55,191 --> 00:12:57,360
BUT DON'T STRAY,
FOR IN JUST A MOMENT,
291
00:12:57,402 --> 00:12:59,571
I'LL BE BACK WITH FAR
MORE COMPELLING STARS
292
00:12:59,613 --> 00:13:02,449
FROM "VICTORIOUS,"
INCLUDING ARIANA GRANDE,
293
00:13:02,490 --> 00:13:06,411
MATT BENNETT, AND THE
INCOMPARABLE VICTORIA JUSTICE.
294
00:13:06,453 --> 00:13:08,622
[APPLAUSE]
295
00:13:14,461 --> 00:13:16,254
AND WE'RE BACK.
296
00:13:16,296 --> 00:13:17,464
WE ARE BACK, ARE WE NOT?
297
00:13:17,505 --> 00:13:18,548
CREW MEMBER [OFFSCREEN]:
- WE ARE, SIR.
298
00:13:18,590 --> 00:13:19,924
- EXCELLENT.
299
00:13:21,800 --> 00:13:24,095
SO FAR, WE'VE MET SEVERAL
OF THE WONDERFUL ACTORS
300
00:13:24,137 --> 00:13:25,764
WHO BRING "VICTORIOUS" TO LIFE.
301
00:13:25,804 --> 00:13:29,142
AND NOW, THE TIME HAS COME
TO MEET ONE OF MY FAVORITES,
302
00:13:29,183 --> 00:13:31,645
AND I'M SURE ONE OF YOURS, TOO.
303
00:13:31,686 --> 00:13:36,524
I GIVE YOU THE INCOMPARABLE,
RED VELVETY ARIANA GRANDE.
304
00:13:36,566 --> 00:13:40,654
[APPLAUSE]
305
00:13:40,695 --> 00:13:41,904
- HI CHRISTOPHER.
306
00:13:41,946 --> 00:13:44,574
- HI INDEED.
307
00:13:44,616 --> 00:13:47,118
MY, WHAT A FETCHING DRESS.
308
00:13:47,160 --> 00:13:49,078
IS THAT AN ORIGINAL
CHRIS DANGLE?
309
00:13:49,120 --> 00:13:50,497
- UH, YES IT IS.
310
00:13:50,538 --> 00:13:51,498
- HMM.
311
00:13:51,539 --> 00:13:52,831
AND HOW MUCH DID THAT COST?
312
00:13:52,873 --> 00:13:54,875
- I REALLY DON'T KNOW.
313
00:13:54,917 --> 00:13:56,628
- COME ON, LIKE $1,000?
314
00:13:56,670 --> 00:13:58,672
WAS IT $1,000?
315
00:13:58,713 --> 00:14:01,382
- I DON'T THINK IT
COST NEARLY THAT MUCH.
316
00:14:01,424 --> 00:14:03,217
- YES, OF COURSE IT DID.
317
00:14:03,259 --> 00:14:05,011
APPLE JUICE?
- NO THANKS.
318
00:14:05,052 --> 00:14:06,638
- SO STUPID.
319
00:14:06,680 --> 00:14:09,641
SO YOU ALSO COME FROM A
BROADWAY THEATER BACKGROUND.
320
00:14:09,683 --> 00:14:12,393
- YES.
I WAS IN THE ORIGINAL
BROADWAY CAST
321
00:14:12,435 --> 00:14:14,729
OF "13" THE MUSICAL
WITH LIZ GILLIES.
322
00:14:14,771 --> 00:14:15,730
[APPLAUSE]
323
00:14:15,772 --> 00:14:17,816
- CURLY FRIES OR STRAIGHT?
324
00:14:17,856 --> 00:14:20,109
- WELL, I REALLY
LIKE WAFFLE FRIES.
325
00:14:20,151 --> 00:14:22,111
- DID I MENTION WAFFLE FRIES?
326
00:14:22,153 --> 00:14:23,363
- NO, BUT I THOUGHT THIS--
327
00:14:23,404 --> 00:14:25,239
- I DIDN'T ASK YOU
WHAT YOU THOUGHT.
328
00:14:25,281 --> 00:14:27,116
I ASKED IF YOU LIKE
CURLY FRIES OR STRAIGHT
329
00:14:27,158 --> 00:14:28,743
AND THEN YOU RUINED MY EVENING.
330
00:14:32,205 --> 00:14:34,374
FORGIVE ME.
331
00:14:34,415 --> 00:14:35,709
- IT'S OK.
332
00:14:35,750 --> 00:14:38,252
- I'VE BEEN HAVING
SOME PERSONAL ISSUES.
333
00:14:38,294 --> 00:14:40,129
- I TOTALLY UNDERSTAND.
334
00:14:40,171 --> 00:14:41,756
- [SIGH]
335
00:14:41,798 --> 00:14:45,677
SO, SHALL WE TAKE A LOOK AT
YOUR "VICTORIOUS" BLOOPERS?
336
00:14:45,719 --> 00:14:47,554
- SURE.
337
00:14:47,595 --> 00:14:48,763
- HERE WE ARE.
338
00:14:48,805 --> 00:14:51,307
- [INAUDIBLE], TAKE ONE.
339
00:14:51,349 --> 00:14:52,933
- TORI: OH, THAT'S INTERESTING.
- LOOK AT THE NEW COSTUME
I MADE.
340
00:14:52,975 --> 00:14:54,728
I'M LOOK-- I MEAN, I WAS
ABOUT TO SAY LITTLE BO PEEP.
341
00:14:54,769 --> 00:14:56,312
I ALMOST TOLD THEM. I'M SORRY.
342
00:14:56,354 --> 00:14:57,689
DIRECTOR [OFFSCREEN]:
- BACK UP, PLEASE. BACK TO ONE.
343
00:14:57,731 --> 00:14:59,399
- [MIMICKING GUNSHOTS]
344
00:15:01,317 --> 00:15:02,943
WHAT?
345
00:15:02,985 --> 00:15:04,320
I JUST FORGOT EVERYTHING.
- DIRECTOR [OFFSCREEN]: AND CUT.
346
00:15:04,362 --> 00:15:06,906
I WAS GOING TO SAY
DON'T TELL ANYONE.
347
00:15:06,947 --> 00:15:08,908
ME, ANDRE,
ROBBIE, BECK, AND CAT.
348
00:15:08,949 --> 00:15:11,578
WHOA, I'M CAT.
349
00:15:11,619 --> 00:15:14,789
OH YEAH.
AND THEN JADE WOULD
GET TO PLAY A ROLE.
350
00:15:14,831 --> 00:15:16,416
- YEAH, I--
- DIRECTOR [OFFSCREEN]:
PART, PART, PART.
351
00:15:16,457 --> 00:15:18,042
- PART. OH.
352
00:15:18,084 --> 00:15:21,796
OH, YEAH.
AND THEN JADE WOULD
GET TO PLAY A ROLE.
353
00:15:21,838 --> 00:15:22,881
DIRECTOR [OFFSCREEN]:
- PART.
354
00:15:22,922 --> 00:15:25,091
- OH MY GOD.
355
00:15:25,132 --> 00:15:27,886
OH YEAH.
AND THEN JADE WILL
GET TO PLAY A ROLE.
356
00:15:27,927 --> 00:15:29,095
DIRECTOR [OFFSCREEN]:
- PART!
357
00:15:29,136 --> 00:15:31,264
- I'M GOING TO KICK MYSELF.
OK.
358
00:15:32,766 --> 00:15:35,602
OH, AND THEN JADE WILL
GET TO PLAY A ROLE.
359
00:15:35,643 --> 00:15:37,270
PART!
360
00:15:37,311 --> 00:15:39,773
CAN I DO IT AGAIN?
- JADE [OFFSCREEN]:
CAN'T DO BOTH.
361
00:15:39,814 --> 00:15:44,402
- [LAUGHING]
362
00:15:45,779 --> 00:15:48,740
DIRECTOR [OFFSCREEN]:
- AND CUT IT.
363
00:15:48,782 --> 00:15:51,158
- IT SOAKS THROUGH.
- OH MY.
364
00:15:55,455 --> 00:15:57,373
- CONTRARY TO WHAT
MANY PEOPLE THINK,
365
00:15:57,415 --> 00:16:01,168
MY NEXT GUEST IS
NOT ANDY SAMBERG.
366
00:16:01,210 --> 00:16:03,671
ONE CAN KNOW THAT SIMPLY
BY LOOKING AT HIS PAYCHECK.
367
00:16:03,713 --> 00:16:07,091
[GIGGLES]
368
00:16:07,133 --> 00:16:09,260
NEVERTHELESS, THE ACTOR
YOU'RE ABOUT TO MEET
369
00:16:09,302 --> 00:16:10,470
IS MULTI-TALENTED.
370
00:16:10,511 --> 00:16:12,806
HE'S NOT ONLY A
MASTER AT COMEDY,
371
00:16:12,847 --> 00:16:14,766
BUT ALSO PLAYS
GUITAR AND CAN GIVE
372
00:16:14,808 --> 00:16:18,436
ANY HARMONICA A FIERCE BLOW.
373
00:16:18,478 --> 00:16:23,608
NOW HERE HE IS, AN AWKWARD YOUNG
MAN WHO CERTAINLY HAD A HAND
374
00:16:23,650 --> 00:16:28,154
IN MY SUCCESS--[CHUCKLES]
--MATTHEW BENNETT.
375
00:16:28,195 --> 00:16:30,197
[APPLAUSE]
376
00:16:30,239 --> 00:16:32,700
- HOW YOU DOING?
- QUITE WELL, QUITE WELL.
377
00:16:32,742 --> 00:16:35,077
SO I SUPPOSE THIS
IS THE FIRST TIME
378
00:16:35,119 --> 00:16:37,747
THE AUDIENCE IS SEEING
THE TWO OF US TOGETHER
379
00:16:37,789 --> 00:16:39,624
YET SEPARATE, AS IT WERE.
380
00:16:39,666 --> 00:16:40,875
- YUP-DEE-DO.
381
00:16:40,917 --> 00:16:42,209
- PLEASE DON'T SAY THAT.
382
00:16:42,251 --> 00:16:46,714
IT IRRITATES ME IN WAYS
I CAN'T UNDERSTAND.
383
00:16:46,756 --> 00:16:48,758
- SORRY.
- YES.
384
00:16:48,800 --> 00:16:51,761
NOW ON "VICTORIOUS,"
MY CHARACTER REX
385
00:16:51,803 --> 00:16:55,306
IS OFTEN RUDE AND INSULTING
TO YOUR CHARACTER ROBBIE.
386
00:16:55,348 --> 00:16:56,933
- NO.
YES, YEAH.
387
00:16:56,975 --> 00:17:00,019
- BUT IN REAL LIFE, MATTHEW
AND I ARE FAST FRIENDS.
388
00:17:00,060 --> 00:17:01,228
- EH, NO.
389
00:17:01,270 --> 00:17:04,273
IN REAL LIFE YOU'RE
ALSO VERY MEAN.
390
00:17:04,315 --> 00:17:06,985
- OH, STOP.
- NO, YOU ARE.
391
00:17:07,026 --> 00:17:09,696
- WELL, IF I AM, IT'S ONLY
BECAUSE YOU'RE AN IDIOT.
392
00:17:11,739 --> 00:17:12,907
- I SEE.
393
00:17:12,949 --> 00:17:16,035
- WHAT IS YOUR FAVORITE SNACK,
IDIOT?
394
00:17:16,076 --> 00:17:18,329
- UH, UH, POPCORN.
395
00:17:18,371 --> 00:17:21,040
- [MOCKING] MOWR, POPCORN, DEH.
396
00:17:22,416 --> 00:17:23,543
- YOU DON'T HAVE TO MOCK ME.
397
00:17:23,584 --> 00:17:25,169
- DON'T I, MATTHEW?
398
00:17:25,211 --> 00:17:26,921
SERIOUSLY, DON'T I?
399
00:17:28,130 --> 00:17:30,800
- CAN WE JUST WATCH MY BLOOPERS?
400
00:17:30,842 --> 00:17:33,219
- LET'S GIVE IT A PEEK.
401
00:17:33,260 --> 00:17:35,722
- YOUR LIFE WILL BE
A DISAPPOINTMENT.
402
00:17:35,763 --> 00:17:38,850
- DIRECTOR [OFFSCREEN]: CUT!
- THAT'S NOT THE LINE, IS IT?
403
00:17:38,892 --> 00:17:42,812
BECK WILL BE PLAYING A GUY
FROM ENGLAND WHOSE ACCENT--
404
00:17:42,854 --> 00:17:45,272
[SPEAKING GIBBERISH]
405
00:17:45,314 --> 00:17:47,859
- THANK YOU FOR WELCOMING US
INTO YOUR FINE HOME,
406
00:17:47,901 --> 00:17:49,986
BUT DON'T FORGET
TO THANK YOURSELF
407
00:17:50,028 --> 00:17:53,531
BECAUSE WITHOUT YOU,
NONE OF THIS WOULD BE POSSIBLE.
408
00:17:53,573 --> 00:17:58,077
WITHOUT YOU, SOMETHING,
DREAMS, AMERICA.
409
00:17:58,118 --> 00:18:00,204
I NEED TO READ THAT LINE AGAIN.
410
00:18:00,246 --> 00:18:04,083
YES.
THANKS FOR WELCOMING US
INTO YOUR FINE HOME.
411
00:18:04,124 --> 00:18:06,460
BUT DON'T FORGET
TO THANK YOURSELF,
412
00:18:06,502 --> 00:18:08,629
BECAUSE IF YOU JUST
BELIEVE IN YOUR DREAMS,
413
00:18:08,671 --> 00:18:12,466
THEN YOU CAN MAKE
THE WORLD COME TRUE.
414
00:18:12,508 --> 00:18:15,845
DIRECTOR [OFFSCREEN]:
- [LAUGHING] CUT!
415
00:18:15,887 --> 00:18:17,931
- ALL RIGHT, IT'S
STARTING TO GET IN HERE.
416
00:18:17,972 --> 00:18:21,017
- JUST SLAP THAT-- OH NO!
417
00:18:21,059 --> 00:18:23,519
NO.
NO.
418
00:18:23,561 --> 00:18:27,189
NO.
- DIRECTOR [OFFSCREEN]:
LET'S HOLD.
419
00:18:27,231 --> 00:18:30,651
ROCK AND ROLL.
I GOT SLIMED.
420
00:18:30,693 --> 00:18:33,362
- YOU FROM AROUND HERE,
OR YOU [GIBBERISH].
421
00:18:33,404 --> 00:18:35,114
WHOOPS.
422
00:18:35,155 --> 00:18:38,826
- WELL, YOU ARE A MESS.
423
00:18:38,868 --> 00:18:41,079
- UH, THAT LAST ONE WASN'T ME.
424
00:18:41,120 --> 00:18:42,204
- YES IT WAS.
425
00:18:42,246 --> 00:18:43,623
- UH, NO.
THAT WAS MIKEY REID.
426
00:18:43,664 --> 00:18:44,582
HE PLAYS SINJIN.
427
00:18:44,624 --> 00:18:46,333
- OH, WHAT'S THE DIFFERENCE?
428
00:18:46,375 --> 00:18:48,920
- UH, HE'S NOT ME.
429
00:18:48,962 --> 00:18:50,421
- PLEASE GO.
430
00:18:55,468 --> 00:18:58,596
WELL, NOW, MY NEXT GUEST
IS NO STRANGER TO ANYONE
431
00:18:58,638 --> 00:19:01,140
WITH EYES OR NOSTRILS.
432
00:19:01,181 --> 00:19:04,310
SHE CAN TURN THE WORLD
ON WITH HER SMILE.
433
00:19:04,351 --> 00:19:07,814
SHE COULD TAKE A NOTHING DAY
AND SUDDENLY MAKE IT SEEM
434
00:19:07,855 --> 00:19:10,817
LIKE A DELICIOUS CRAB SALAD.
435
00:19:10,858 --> 00:19:13,486
PEOPLE OF THE WORLD
AND WISCONSIN,
436
00:19:13,527 --> 00:19:18,282
I GIVE YOU THE PUSILLANIMOUS
MS. VICTORIA JUSTICE.
437
00:19:18,324 --> 00:19:19,951
[APPLAUSE]
438
00:19:21,410 --> 00:19:22,495
- HELLO.
439
00:19:22,536 --> 00:19:25,331
- GOOD HEAVENS, YOU'RE GORGEOUS.
440
00:19:25,372 --> 00:19:26,707
- COME ON, CHRISTOPHER.
441
00:19:26,749 --> 00:19:30,628
- LOOK AT THOSE GLORIOUS
LITTLE CHEEKBONES.
442
00:19:30,670 --> 00:19:32,463
- STOP, YOU'RE EMBARRASSING ME.
443
00:19:32,505 --> 00:19:35,008
- YES.
I'M A BAD BOY, AREN'T I?
444
00:19:36,884 --> 00:19:37,927
APPLE JUICE?
445
00:19:37,969 --> 00:19:39,512
- YEAH, THANKS.
I'D LOVE SOME.
446
00:19:39,553 --> 00:19:43,016
- I'M SORRY.
THIS IS THE LAST OF IT.
447
00:19:43,057 --> 00:19:45,143
- UM, OK.
448
00:19:45,184 --> 00:19:47,603
- YOU PLAYED LOLA ON "ZOEY 101."
449
00:19:47,645 --> 00:19:48,562
- I DID.
450
00:19:48,604 --> 00:19:50,606
- I NEVER WATCHED IT.
451
00:19:50,648 --> 00:19:53,359
- OH.
WELL, IT WAS A GOOD SHOW.
452
00:19:53,400 --> 00:19:57,113
- IF YOU WERE A FRUIT, WOULD YOU
WANT TO BE SLICED OR JUICED?
453
00:19:57,155 --> 00:19:58,823
- I DON'T KNOW.
454
00:19:58,865 --> 00:20:01,117
- JUICED.
- OF COURSE.
455
00:20:01,159 --> 00:20:03,243
FINALLY, SOMEONE WHO GETS IT.
456
00:20:05,454 --> 00:20:06,873
NOW, I'M GOING TO
SAY A WORD,
457
00:20:06,914 --> 00:20:09,000
THEN YOU SAY THE FIRST
WORD THAT COMES INTO
458
00:20:09,042 --> 00:20:10,501
YOUR BEAUTIFUL FEMININE HEAD.
459
00:20:10,543 --> 00:20:11,752
- OK.
460
00:20:11,794 --> 00:20:14,047
SOUNDS FUN.
461
00:20:14,088 --> 00:20:15,548
- I'M IN LOVE WITH YOU.
462
00:20:17,884 --> 00:20:20,970
- UH, I THOUGHT YOU WERE GOING
TO SAY A WORD AND THEN--
463
00:20:21,012 --> 00:20:24,557
- I'M NOT JOKING.
I'M DEADLY SERIOUS.
464
00:20:24,598 --> 00:20:27,852
I THINK ABOUT YOU
DAY AND NIGHT.
465
00:20:27,894 --> 00:20:31,189
- LOOK, I'M NOT REALLY LOOKING
TO DATE ANYONE RIGHT NOW.
466
00:20:31,230 --> 00:20:33,315
- I'M NOT SUGGESTING WE DATE.
467
00:20:33,357 --> 00:20:38,487
- I'M TALKING ABOUT THE TWO OF
US SPENDING OUR LIVES TOGETHER.
468
00:20:38,529 --> 00:20:41,574
- WELL--
- DON'T TOY WITH MY AFFECTIONS.
469
00:20:42,742 --> 00:20:45,244
- AREN'T YOU MARRIED?
- YES.
470
00:20:45,285 --> 00:20:48,288
SOMEONE CALL MY LAWYER.
I'M DONE WITH MY WIFE.
471
00:20:48,330 --> 00:20:49,540
I'M TRADING UP.
472
00:20:49,582 --> 00:20:50,958
- HEY-- HEY.
- YES.
473
00:20:51,000 --> 00:20:53,127
YES, MY SWEET.
474
00:20:53,169 --> 00:20:54,879
- FORGET IT.
475
00:20:54,921 --> 00:20:56,463
- OF COURSE.
476
00:20:56,505 --> 00:20:59,926
I'VE-- I'VE EMBARRASSED MYSELF.
477
00:20:59,967 --> 00:21:01,468
- YEAH, A LITTLE. .
478
00:21:01,510 --> 00:21:06,473
- I CAN'T BELIEVE I...
DIDN'T EDIT THIS OUT.
479
00:21:06,515 --> 00:21:11,896
BUT I MIGHT FEEL BETTER
IF YOU WERE TO KISS ME.
480
00:21:11,938 --> 00:21:13,272
- STOP.
481
00:21:13,313 --> 00:21:14,690
- YOU MEAN GO?
482
00:21:14,732 --> 00:21:15,733
- NO.
483
00:21:15,775 --> 00:21:17,026
- YOU MEAN YES?
484
00:21:17,068 --> 00:21:18,569
- I'M SERIOUS.
485
00:21:18,611 --> 00:21:19,612
- YOU'RE JOKING.
486
00:21:19,653 --> 00:21:20,696
- DUDE!
487
00:21:20,738 --> 00:21:22,073
- ALL RIGHT.
488
00:21:27,327 --> 00:21:29,496
SHALL WE TAKE A LOOK
AT YOUR BLOOPERS?
489
00:21:29,538 --> 00:21:31,373
- UH, YEAH.
490
00:21:31,415 --> 00:21:33,751
- THEN LET US PIVOT OUR HEADS.
491
00:21:33,793 --> 00:21:35,795
[APPLAUSE]
492
00:21:39,882 --> 00:21:40,925
[GRUNTING]
493
00:21:40,967 --> 00:21:42,342
DIRECTOR [OFFSCREEN]:
- HOLD!
494
00:21:42,384 --> 00:21:43,719
- SORRY, I ACTUALLY
COULDN'T TURN AROUND.
495
00:21:43,761 --> 00:21:45,138
SORRY.
496
00:21:45,179 --> 00:21:47,056
- HIT IT, MUCHACHA.
497
00:21:47,098 --> 00:21:48,182
- [CLEARS THROAT]
498
00:21:48,224 --> 00:21:50,309
[PLAYS HORN BADLY]
499
00:21:53,271 --> 00:21:56,690
[SINGING GRUFFLY] SUDDENLY,
MY CHOICE IS CLEAR.
500
00:21:56,732 --> 00:21:58,067
- [GRUFFLY] CLEAR.
501
00:21:58,109 --> 00:21:59,277
- [GRUFFLY] CLEAR.
502
00:21:59,318 --> 00:22:01,779
- [GRUFFLY] CLEAR.
503
00:22:01,821 --> 00:22:02,863
- NO.
504
00:22:02,905 --> 00:22:04,031
I CAN'T--
505
00:22:04,073 --> 00:22:06,784
- [INDISTINCT]
506
00:22:06,826 --> 00:22:08,119
- TRINA HAS BEEN DYING
FOR THESE.
507
00:22:08,161 --> 00:22:09,870
I HAD TO GET--
[SPEAKING GIBBERISH]
508
00:22:09,912 --> 00:22:11,831
LISTEN, IF I CAN--
[SPEAKING GIBBERISH]
509
00:22:13,540 --> 00:22:15,334
AND IF I DON'T CRAM-- MEH.
510
00:22:15,375 --> 00:22:16,961
[GIBBERISH] BLEGH.
511
00:22:17,003 --> 00:22:18,712
[SPEAKING GIBBERISH]
512
00:22:18,754 --> 00:22:22,967
FUNNY THING IS I'VE--- MEH.
LET'S DO THAT AGAIN.
513
00:22:23,009 --> 00:22:24,426
I SPOKE A DIFFERENT LANGUAGE.
514
00:22:24,468 --> 00:22:26,095
AWESOME.
515
00:22:27,847 --> 00:22:29,389
DIRECTOR [OFFSCREEN]:
- HOLD.
516
00:22:32,685 --> 00:22:34,770
- OK. SHOULD I WALK IN AGAIN?
- DIRECTOR [OFFSCREEN]: YEAH.
517
00:22:34,812 --> 00:22:35,771
- OK.
518
00:22:35,813 --> 00:22:37,606
[APPLAUSE]
519
00:22:39,984 --> 00:22:42,402
- THIS SHOW IS OVER.
520
00:22:42,444 --> 00:22:44,738
I THANK YOU ALL FOR JOINING ME
IN THIS BEHIND THE SCENES LOOK
521
00:22:44,780 --> 00:22:48,742
INTO THE INNER WORKINGS OF THE
TELEVISION SHOW, "VICTORIOUS."
522
00:22:48,784 --> 00:22:52,621
AND NOW, AS YOU MIGHT HEAR MY
ALTER EGO REX SAY ON THE SHOW,
523
00:22:52,663 --> 00:22:54,623
[IN AMERICAN ACCENT] I'M SPIKED
OUT, AND I HANDLED MY BUSINESS.
524
00:22:57,001 --> 00:22:58,085
GOOD NIGHT.
525
00:22:58,127 --> 00:23:00,838
[APPLAUSE]
526
00:23:04,217 --> 00:23:07,220
MY HEART'S GOT
A NICE BEAT GOING. [BEAT BOXING]
527
00:23:07,261 --> 00:23:09,680
DIRECTOR [OFFSCREEN]:
- HOLD. HEY, LEON. LEON.
528
00:23:09,722 --> 00:23:13,309
- GO OFF BEAT. HA-HA!
- DIRECTOR [OFFSCREEN]:
WHY WON'T HE STOP?
529
00:23:13,351 --> 00:23:14,601
- CREW MEMBER [OFFSCREEN]:
HE'S HAD THE THING IN HIS EARS.
530
00:23:14,643 --> 00:23:15,853
HE MIGHT NOT HAVE
BEEN HEARING YOU.
531
00:23:15,895 --> 00:23:17,688
- WH-- OH, I CAN'T
HEAR ANYTHING.
532
00:23:19,023 --> 00:23:20,774
- DIRECTOR [OFFSCREEN]: LEON.
- YES, SIR?
533
00:23:20,816 --> 00:23:22,026
DIRECTOR [OFFSCREEN]:
OK, FIRST OF ALL, WE STOPPED
534
00:23:22,068 --> 00:23:24,237
A HALF HOUR AGO.
- OK, COOL, COOL.
535
00:23:24,278 --> 00:23:25,238
I WAS JAMMING.
536
00:23:25,279 --> 00:23:26,488
[DING]
537
00:23:26,530 --> 00:23:28,241
MAN [VOICEOVER]: MM.
538
00:23:29,533 --> 00:23:31,285
REX [VOICEOVER]: I'M
A BAD BOY, AREN'T I?
539
00:23:31,327 --> 00:23:34,080
[MUSIC PLAYING]
38910
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