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1
00:00:02,543 --> 00:00:03,877
ONCE UPON A TIME,
2
00:00:04,170 --> 00:00:06,130
THERE WERE THREE
BEAUTIFUL GIRLS.
3
00:00:07,965 --> 00:00:10,008
TWO OF THEM GRADUATED
FROM THE POLICE ACADEMY.
4
00:00:11,677 --> 00:00:15,305
THE OTHER GRADUATED FROM
A TOP SCHOOL FOR MODELS.
5
00:00:16,682 --> 00:00:18,642
AND THEY EACH REAPED THE REWARDS
6
00:00:18,935 --> 00:00:20,978
OF THEIR EXCITING CAREERS.
7
00:00:22,772 --> 00:00:24,148
BUT I TOOK THEM
AWAY FROM ALL THAT
8
00:00:24,440 --> 00:00:26,275
AND NOW THEY WORK FOR ME.
9
00:00:26,567 --> 00:00:28,151
MY NAME IS CHARLIE.
10
00:01:37,471 --> 00:01:41,971
LADIES, MR. TUSTIN'S
GLASS LOOKS EMPTY.
11
00:01:50,818 --> 00:01:53,362
MAY I POUR MORE COGNAC, SIR?
12
00:01:57,283 --> 00:02:00,202
MAY I POUR MORE WINE, SIR? HMM.
13
00:02:01,621 --> 00:02:03,456
THANK YOU.
14
00:02:03,748 --> 00:02:06,375
NOW, LADIES, YOU MAY
GO ENJOY YOURSELVES.
15
00:02:08,753 --> 00:02:10,087
I DIDN'T COME HERE
16
00:02:10,379 --> 00:02:13,215
FOR A SOCIAL
FUNCTION, MR. REARDON.
17
00:02:13,507 --> 00:02:15,008
I'M HERE TO...
18
00:02:15,301 --> 00:02:17,052
YOU CAME HERE TO
HIRE AN ASSASSIN.
19
00:02:17,345 --> 00:02:19,096
SPEAK UP. YOU NEEDN'T WORRY.
20
00:02:19,388 --> 00:02:21,148
THEY WON'T REMEMBER
A THING THAT YOU'VE SAID.
21
00:02:24,977 --> 00:02:28,397
QUIET, PLEASE, LADIES.
22
00:02:30,316 --> 00:02:34,278
YOU'RE DISTURBING
MR. TUSTIN'S SENSIBILITIES.
23
00:02:36,530 --> 00:02:39,908
HE GETS VERY UNEASY
WITH TALK OF KILLING.
24
00:02:40,201 --> 00:02:42,620
SO YOU LADIES ARE NOT
TO REMEMBER A WORD
25
00:02:42,912 --> 00:02:44,204
OF WHAT YOU HEAR IN THIS ROOM.
26
00:02:44,497 --> 00:02:46,207
UNDERSTOOD? YES, SIR.
27
00:02:46,499 --> 00:02:49,001
OF COURSE, MR. REARDON.
28
00:02:49,293 --> 00:02:50,877
I UNDERSTAND, SIR.
29
00:02:51,170 --> 00:02:53,881
IMPRESSIVE FOR A FLOOR SHOW
30
00:02:54,173 --> 00:02:56,049
BUT I'M NOT HERE
FOR HYPNOTIC TRICKS.
31
00:02:56,342 --> 00:02:57,676
IT'S HARDLY A TRICK, MR. TUSTIN.
32
00:02:57,968 --> 00:02:59,344
HYPNOSIS, YES, SOME
33
00:02:59,637 --> 00:03:01,637
BUT WHAT YOU ARE WITNESSING
IS MUCH MORE THAN THAT.
34
00:03:01,847 --> 00:03:03,723
YOU'RE CERTAIN THEY CAN KILL?
35
00:03:04,016 --> 00:03:07,811
MUCH MORE EFFICIENTLY
THAN YOU CAN IMAGINE.
36
00:03:08,104 --> 00:03:10,147
WITHOUT FEAR, WITHOUT PASSION
37
00:03:10,439 --> 00:03:12,482
AND WITHOUT
MEMORY. THINK OF THAT.
38
00:03:12,775 --> 00:03:17,237
NOT EVEN THE ASSASSIN
KNOWS WHO HAS DONE THE WORK.
39
00:03:17,530 --> 00:03:20,074
WHERE'S THE PROOF
YOU PROMISED ME?
40
00:03:20,366 --> 00:03:23,452
ROBERT, MR. TUSTIN
WANTS SOME PROOF.
41
00:03:23,744 --> 00:03:28,244
FRANCINE HAS JUST COMPLETED
HER SECOND SENSORY PROGRAM.
42
00:03:28,624 --> 00:03:30,584
IF SHE CAN'T CONVINCE
HIM, NOBODY CAN.
43
00:03:30,876 --> 00:03:31,895
FRANCINE, MY DEAR,
44
00:03:31,919 --> 00:03:33,039
WOULD YOU COME HERE, PLEASE?
45
00:03:42,388 --> 00:03:44,640
YOU LOOK LOVELY TODAY.
46
00:03:44,932 --> 00:03:47,100
NOW, WATCH VERY
CAREFULLY WHAT I DO.
47
00:03:47,393 --> 00:03:48,435
YES, MR. REARDON.
48
00:03:49,603 --> 00:03:50,603
WELL.
49
00:04:29,435 --> 00:04:33,935
OUR SECURITY SYSTEM IS CHARGED
WITH MORE THAN 30,000 VOLTS.
50
00:04:34,315 --> 00:04:36,692
NOW, WOULD YOU BE CONVINCED
OF FRANCINE'S DEDICATION
51
00:04:36,984 --> 00:04:38,860
IF SHE THREW HERSELF
UPON THESE SAME BARS?
52
00:04:39,153 --> 00:04:40,654
YOU CAN'T BE SERIOUS.
53
00:04:40,946 --> 00:04:44,783
MR. TUSTIN, HE'S DEADLY SERIOUS.
54
00:05:13,145 --> 00:05:15,397
NOW, YOU'RE IN A TRANCE.
55
00:05:15,689 --> 00:05:18,650
DEEPER AND EVER DEEPER.
56
00:05:18,943 --> 00:05:22,112
YOU FEEL BETTER NOW,
FRANCINE, DON'T YOU?
57
00:05:22,404 --> 00:05:23,696
MUCH BETTER, SIR.
58
00:05:23,989 --> 00:05:25,740
GOOD.
59
00:05:29,829 --> 00:05:31,914
NOW, GO TO THE WINDOW
60
00:05:32,206 --> 00:05:35,876
AND REMOVE THOSE
BARS FOR ME, PLEASE.
61
00:05:38,796 --> 00:05:39,963
REARDON, YOU MUST STOP THIS.
62
00:05:40,256 --> 00:05:42,216
OH, NOW, YOU SAID
YOU WANTED PROOF.
63
00:05:51,851 --> 00:05:53,561
PLEASE, PLEASE, STOP HER.
64
00:05:55,062 --> 00:05:58,940
FRANCINE, YOU MAY STOP NOW.
65
00:06:00,150 --> 00:06:02,902
YOU SEE, IT ONLY
REQUIRES MY VOICE.
66
00:06:09,994 --> 00:06:12,079
THANK YOU, FRANCINE.
67
00:06:31,682 --> 00:06:33,892
NOW, MR. TUSTIN
68
00:06:34,184 --> 00:06:36,686
ARE YOU READY TO SIT
DOWN AND DISCUSS BUSINESS?
69
00:06:41,400 --> 00:06:45,320
NOW, YOU SAID YOU
WANT FOUR MEN KILLED.
70
00:06:45,613 --> 00:06:48,115
THAT WILL BE ONE
MILLION DOLLARS, PLEASE.
71
00:06:48,407 --> 00:06:50,158
THERE ARE FOUR NAMES HERE.
72
00:06:50,451 --> 00:06:54,037
AND THEY MUST ALL BE
ELIMINATED WITHIN SIX WEEKS.
73
00:06:54,330 --> 00:06:55,414
AND ALL FOUR OF THEM
74
00:06:55,706 --> 00:06:57,666
ARE MEMBERS IN THE BOARD
OF WESTERN TECHTRONICS.
75
00:06:58,959 --> 00:07:01,211
HOW DID YOU KNOW?
OH, IT'S QUITE SIMPLE.
76
00:07:01,503 --> 00:07:03,063
SEE, SOME OF MY LADIES
HAVE BEEN WORKING
77
00:07:03,297 --> 00:07:04,965
AT WESTERN
TECHTRONICS FOR WEEKS.
78
00:07:05,257 --> 00:07:07,801
YOUR COMPANY PLANS A TAKEOVER
OF WESTERN TECHTRONICS.
79
00:07:08,093 --> 00:07:09,719
AND THESE FOUR BOARD MEMBERS
80
00:07:10,012 --> 00:07:11,763
WILL DEFINITELY TRY TO STOP YOU.
81
00:07:18,103 --> 00:07:20,183
ANGELS, HOW FAMILIAR ARE YOU
82
00:07:20,439 --> 00:07:22,941
WITH THE NAME
WESTERN TECHTRONICS?
83
00:07:23,233 --> 00:07:25,985
I KNOW THE NAME IS WESTERN
TECHTRONICS, CHARLIE.
84
00:07:26,278 --> 00:07:28,029
BUT AREN'T THEIR
INTERESTS WORLDWIDE?
85
00:07:28,322 --> 00:07:30,282
YOU GO TO THE HEAD
OF THE CLASS, JULIE.
86
00:07:30,574 --> 00:07:32,742
LET'S SEE. COMPUTERS, SOFTWARES,
87
00:07:33,035 --> 00:07:34,786
SATELLITES, STEEL MILLS, OIL
88
00:07:35,079 --> 00:07:36,997
AND A BILLION-DOLLAR
GEOTHERMAL DEVELOPMENT.
89
00:07:37,289 --> 00:07:40,166
AND TWO OF WESTERN
TECHTRONICS PRIME EXECUTIVES
90
00:07:40,459 --> 00:07:42,586
HAVE BEEN KILLED
RECENTLY. THAT'S RIGHT.
91
00:07:42,878 --> 00:07:44,558
CHAIRMAN OF THE BOARD
AND A VICE PRESIDENT.
92
00:07:44,755 --> 00:07:46,298
THEY'VE GOT OTHER
BIG TROUBLES TOO.
93
00:07:46,590 --> 00:07:49,509
SINCE THEIR BREAKTHROUGH
IN GEOTHERMAL RESEARCH
94
00:07:49,802 --> 00:07:52,054
A NUMBER OF TAKEOVER
ATTEMPTS HAVE BEEN TRIED.
95
00:07:52,346 --> 00:07:53,346
LEGITIMATE?
96
00:07:53,555 --> 00:07:55,098
THE LEGITIMATE ONES
HAVE BEEN HANDLED.
97
00:07:55,391 --> 00:07:57,393
BUT IT APPEARS
WESTERN TECHTRONICS
98
00:07:57,685 --> 00:08:00,896
HAVE BECOME THE
TARGET OF DARKER FORCES.
99
00:08:01,188 --> 00:08:04,316
BUT, CHARLIE, WEREN'T
THOSE DEATHS ACCIDENTAL?
100
00:08:04,608 --> 00:08:06,401
WELL, THAT'S WHAT
WE HAVE TO FIND OUT.
101
00:08:06,694 --> 00:08:09,071
I'VE ARRANGED FOR KELLY
AND KRIS TO GO TO WORK
102
00:08:09,363 --> 00:08:12,449
FOR WESTERN TECHTRONICS
AS JUNIOR EXECUTIVES.
103
00:08:12,741 --> 00:08:14,826
EXECUTIVES? TRAINEES.
104
00:08:15,119 --> 00:08:16,245
IT'S AFFIRMATIVE ACTION.
105
00:08:16,537 --> 00:08:17,537
LOVE IT.
106
00:08:17,621 --> 00:08:19,039
THOUGHT YOU WOULD, KELLY.
107
00:08:19,331 --> 00:08:22,250
UH, JULIE, I HAVE ANOTHER
ASSIGNMENT IN MIND FOR YOU.
108
00:08:22,543 --> 00:08:25,212
IN THE ACCIDENT INVOLVING
THE VICE PRESIDENT
109
00:08:25,504 --> 00:08:27,255
THEY ALSO FOUND THE
BODY OF A YOUNG WOMAN,
110
00:08:27,548 --> 00:08:29,258
FRANCINE MILLER.
111
00:08:29,550 --> 00:08:32,553
SHE WAS A LOAN-OUT FROM A FIRM
CALLED REARDON AND COMPANY.
112
00:08:32,845 --> 00:08:34,805
BOSLEY HAS A PICTURE
OF BOTH OF THEM.
113
00:08:35,097 --> 00:08:36,264
REARDON AND COMPANY.
114
00:08:36,557 --> 00:08:38,684
THEY SUPPLY SECRETARIAL
HELP, RIGHT, CHARLIE?
115
00:08:38,976 --> 00:08:42,062
NOT EXACTLY, BOSLEY. MORE
LIKE EFFICIENCY ANALYSTS.
116
00:08:42,354 --> 00:08:45,440
THEY RENT PEOPLE TO FIRMS
LIKE WESTERN TECHTRONICS
117
00:08:45,733 --> 00:08:47,860
TO HELP SMOOTH OUT OPERATIONS.
118
00:08:48,152 --> 00:08:49,278
HOW'S YOUR TYPING, JULIE?
119
00:08:49,570 --> 00:08:53,115
WELL, CHARLIE, IF I
HAD TO PASS TESTS,
120
00:08:53,407 --> 00:08:55,242
I DON'T THINK I'D BE
WORKING FOR YOU.
121
00:08:55,534 --> 00:08:58,245
{ UNDERSTAND REARDON AND
COMPANY CAN WORK MIRACLES.
122
00:08:58,537 --> 00:09:01,248
BUT DON'T WORRY. IF YOU
DON'T PASS THEIR TEST,
123
00:09:01,540 --> 00:09:04,960
YOU CAN ALWAYS COME
BACK 70 WORK HERE.
124
00:09:05,252 --> 00:09:07,212
WELL, I HOPE THAT
GOES FOR ALL OF US.
125
00:09:08,797 --> 00:09:09,923
REALLY.
126
00:09:20,434 --> 00:09:22,185
WE'RE LATE, 15 MINUTES LATE.
127
00:09:22,478 --> 00:09:24,313
CAN YOU START AS AN
EXECUTIVE BY BEING LATE?
128
00:09:24,605 --> 00:09:26,148
I THINK THAT COMES
LATER. LET'S HURRY.
129
00:09:26,440 --> 00:09:27,732
WAIT, WAIT, WAIT. HOW DO I LOOK?
130
00:09:28,025 --> 00:09:29,860
KRIS.
131
00:09:30,152 --> 00:09:32,070
I'D SAY YOU LOOK JUST FINE.
132
00:09:32,362 --> 00:09:34,155
OH, THANK YOU.
133
00:09:34,448 --> 00:09:36,074
BUT YOUR OPINION
WON'T BE OF MUCH HELP
134
00:09:36,366 --> 00:09:37,806
UNLESS WE GET TO
ROOM 308 IN A HURRY.
135
00:09:38,077 --> 00:09:40,746
OH, THE ORIENTATION LECTURE
FOR JUNIOR EXECUTIVE TRAINEES.
136
00:09:41,038 --> 00:09:42,164
LET ME GUESS.
137
00:09:42,456 --> 00:09:45,083
YOU'RE KRIS MONROE
AND YOU'RE KELLY GARRET.
138
00:09:45,375 --> 00:09:46,584
HOW DID YOU KNOW THAT?
139
00:09:46,877 --> 00:09:48,753
I'M STEVE BRIGGS,
PRESIDENT OF THE COMPANY.
140
00:09:49,046 --> 00:09:50,606
CHARLIE SENT ME YOUR
PICTURES AND FILES.
141
00:09:50,798 --> 00:09:52,341
HE DID? STEVE: OH,
BUT DON'T WORRY, UH,
142
00:09:52,633 --> 00:09:55,594
I'M THE ONE WHO HAS SEEN THEM
AND I'M THE ONLY ONE WHO WILL.
143
00:09:55,886 --> 00:09:57,526
TO ANYONE ELSE HERE
AT WESTERN TECHTRONICS
144
00:09:57,638 --> 00:09:59,598
YOU'LL BE TRAINEES
AND TRAINEES ONLY.
145
00:09:59,890 --> 00:10:01,892
WELL, COME ON, I'll
SHOW YOU THE WAY.
146
00:10:07,106 --> 00:10:09,399
BE ASSURED THAT
WESTERN TECHTRONICS
147
00:10:09,691 --> 00:10:12,694
WANTS TO SEE THEIR EXECUTIVES
DIVERSIFY THEIR EXPERIENCE
148
00:10:12,986 --> 00:10:15,780
AS MUCH AS POSSIBLE
IN AN EFFORT TO CREATE
149
00:10:16,073 --> 00:10:17,157
THE MOST PLEASANT
150
00:10:17,449 --> 00:10:20,160
AND ENLIGHTENING
CAREER POSSIBLE.
151
00:10:20,452 --> 00:10:23,204
EXCUSE ME, CYNTHIA. EXCUSE ME.
152
00:10:23,497 --> 00:10:25,377
I HAVE A COUPLE OF OTHER
CANDIDATES HERE FOR YOU
153
00:10:25,666 --> 00:10:26,946
WHO SEEM TO HAVE LOST THEIR WAY.
154
00:10:27,209 --> 00:10:28,376
THIS IS KELLY GARRETT. HELLO.
155
00:10:28,669 --> 00:10:31,213
KRIS MONROE. HELLO.
I'M CYNTHIA WEAVER.
156
00:10:31,505 --> 00:10:33,965
WELL, PLEASE, COME IN AND
MAKE YOURSELVES AT HOME.
157
00:10:34,258 --> 00:10:35,738
UH, THERE'S COFFEE,
TEA AND DOUGHNUTS.
158
00:10:35,968 --> 00:10:38,345
INDULGE YOURSELF.
159
00:10:38,637 --> 00:10:41,681
WE ALSO HAVE A GYM AVAILABLE
SO YOU CAN KEEP IN SHAPE.
160
00:10:41,974 --> 00:10:43,350
HOW NICE.
161
00:10:43,642 --> 00:10:44,962
WELL, THAT'S ONE
OF OUR FACILITIES
162
00:10:45,185 --> 00:10:46,936
I DON'T THINK YOU'LL EVER NEED.
163
00:10:47,229 --> 00:10:49,397
UH, EXCUSE ME, LADIES.
164
00:10:53,318 --> 00:10:56,404
I THINK I'M GONNA
LIKE WORKING HERE.
165
00:11:05,497 --> 00:11:06,623
OH!
166
00:11:06,915 --> 00:11:08,166
ALL FINISHED?
167
00:11:08,458 --> 00:11:10,710
OH, I HAVEN'T SEEN SO
MANY LOOPS AND WHIRLS
168
00:11:11,003 --> 00:11:12,003
SINCE I TOOK PENMANSHIP.
169
00:11:12,171 --> 00:11:14,673
WELL, DON'T WORRY.
WHEN I CAME HERE
170
00:11:14,965 --> 00:11:17,325
I WAS AFRAID TO PUT FIVE WORDS
TOGETHER IN FRONT OF ANYBODY.
171
00:11:17,551 --> 00:11:19,219
MR. REARDON WAS
VERY PATIENT WITH ME.
172
00:11:19,511 --> 00:11:22,430
THAT'S ONE OF THE REASONS
I PUT IN AN APPLICATION.
173
00:11:22,723 --> 00:11:25,475
MY FRIEND, FRANCINE
MILLER, SAID THE SAME THING.
174
00:11:25,767 --> 00:11:27,727
SHE REALLY LOVED IT HERE
AT REARDON AND COMPANY.
175
00:11:28,020 --> 00:11:29,604
YOU KNEW FRANCINE?
176
00:11:29,897 --> 00:11:32,900
YEAH. WE WERE IN THE
SAME SORORITY AT STATE.
177
00:11:34,860 --> 00:11:37,279
SHE WAS SUCH A SWEET PERSON.
178
00:11:37,571 --> 00:11:38,947
WE ALL MISS HER VERY MUCH.
179
00:11:39,239 --> 00:11:40,990
IT WAS SUCH A TRAGEDY.
180
00:11:41,283 --> 00:11:42,784
HMM.
181
00:11:43,076 --> 00:11:44,596
WELL, I'll RUN THESE
THROUGH THE COMPUTER
182
00:11:44,620 --> 00:11:46,455
AND HAVE AN ANSWER
FOR YOU VERY QUICKLY.
183
00:11:46,747 --> 00:11:49,207
OKAY. OH, SHOULD I STAY HERE?
184
00:11:49,499 --> 00:11:51,042
YES, IT'LL JUST
BE A FEW MINUTES.
185
00:11:51,335 --> 00:11:53,420
OKAY. OH.
186
00:12:14,107 --> 00:12:16,234
SHE'S A LOOKER, JOHN.
187
00:12:23,575 --> 00:12:26,077
I SAY WE TAKE HER.
188
00:12:27,496 --> 00:12:29,998
I WOULD.
189
00:12:30,290 --> 00:12:31,791
IF LOOKS WERE ALL OF IT,
190
00:12:32,084 --> 00:12:35,587
WE COULD JUST PULLED
THEM IN OFF THE STREETS.
191
00:12:37,130 --> 00:12:38,673
COME IN.
192
00:12:38,966 --> 00:12:40,842
EXCUSE ME.
193
00:12:41,134 --> 00:12:45,634
MR. REARDON, THE TEST RESULTS
ON MISS ROGERS ARE QUITE GOOD.
194
00:12:49,601 --> 00:12:51,519
YOU'RE RIGHT.
195
00:12:51,812 --> 00:12:53,563
SHE'S NEARLY PERFECT
FOR OUR NEEDS.
196
00:12:53,855 --> 00:12:55,898
MISS ROGERS WAS A
FRIEND OF FRANCINE MILLER'S.
197
00:12:56,942 --> 00:12:57,984
FRANCINE?
198
00:12:58,277 --> 00:13:00,570
YES, THEY WERE SORORITY
SISTERS TOGETHER
199
00:13:00,862 --> 00:13:01,862
AND FRANCINE TOLD HER
200
00:13:01,989 --> 00:13:03,383
HOW WONDERFUL IT
WAS TO WORK HERE...
201
00:13:03,407 --> 00:13:05,367
JOHN. JOHN.
202
00:13:05,659 --> 00:13:07,285
QUIET, PLEASE.
203
00:13:11,581 --> 00:13:13,791
NOW, WHAT IS SHE TALKING ABOUT?
204
00:13:14,084 --> 00:13:16,002
FRANCINE WAS
NEVER IN A SORORITY.
205
00:13:16,295 --> 00:13:17,647
THAT WAS JUST PART
OF THE PHONY BIO
206
00:13:17,671 --> 00:13:19,214
SHE SUBMITTED TO
WESTERN TECHTRONICS.
207
00:13:19,506 --> 00:13:23,051
I KNOW. I KNOW.
208
00:13:23,343 --> 00:13:26,012
YOU KNOW? THEN JULIE
ROGERS MUST BE A PLANT.
209
00:13:26,305 --> 00:13:27,514
YES, BUT WHOSE.
210
00:13:27,806 --> 00:13:28,992
WHAT DIFFERENCE DOES IT MAKE?
211
00:13:29,016 --> 00:13:30,136
I SAY WE GET RID OF HER NOW.
212
00:13:30,267 --> 00:13:33,353
NO, I THINK WE CAN USE HER
213
00:13:33,645 --> 00:13:36,397
AND SHE THINKS SHE CAN USE US.
214
00:13:36,690 --> 00:13:38,858
YES.
215
00:13:39,151 --> 00:13:42,404
DARLENE, GO TELL MISS
ROGERS THAT SHE DID VERY WELL
216
00:13:42,696 --> 00:13:45,115
AND THAT WE WILL HAVE
THE DIGITAL SKILLS TEST NEXT.
217
00:13:45,407 --> 00:13:46,950
YES, SIR.
218
00:13:54,082 --> 00:13:58,419
SHE'S A PERFECT CANDIDATE.
BRIGHT, QUICK AND RECEPTIVE.
219
00:13:58,712 --> 00:14:01,256
I JUST HOPE YOU KNOW
WHAT YOU'RE DOING.
220
00:14:15,228 --> 00:14:17,647
NOW, THE ONLY TEST LEFT
IS THE DIGITAL APTITUDE.
221
00:14:17,939 --> 00:14:20,691
A LITTLE TYPING AND, OF
COURSE, THE LIGHT RESPONSE.
222
00:14:20,984 --> 00:14:24,779
OH, I UNDERSTAND THE TYPING,
BUT WHAT'S LIGHT RESPONSE?
223
00:14:25,072 --> 00:14:27,240
OH, THAT'S THE EASIEST
PART. YOU'LL SEE.
224
00:14:27,532 --> 00:14:29,784
NOW, JUST TYPE THE MATERIAL
225
00:14:30,077 --> 00:14:32,496
THAT YOU HEAR COMING THROUGH
THAT HEADSET OVER THERE.
226
00:14:32,788 --> 00:14:36,374
AND THE STROBE LIGHT WILL JUST
HELP YOU INCREASE YOUR SPEED.
227
00:14:36,666 --> 00:14:39,460
NO POINTS FOR NERVOUSNESS.
228
00:14:39,753 --> 00:14:43,131
DON'T WORRY. YOU JUST TYPE
WHAT THE VOICE TELLS YOU TO.
229
00:14:50,055 --> 00:14:54,017
NOW, JULIE, THE KEY TO ANY
GOAL IS TO BE ABLE TO RELAX.
230
00:14:54,309 --> 00:14:57,520
THE SAME IS TRUE WHEN YOU TYPE.
231
00:14:57,813 --> 00:15:00,065
YOU MUST ALLOW THE MIND 70 EASE.
232
00:15:03,735 --> 00:15:06,112
LET YOUR HANDS
RELAX ON THE KEYS.
233
00:15:06,405 --> 00:15:09,741
LET YOUR BODY COMPLETELY RELAX.
234
00:15:10,033 --> 00:15:12,827
LET THE LIGHT GUIDE
YOUR RHYTHM OF THE KEYS.
235
00:15:13,120 --> 00:15:15,080
FASTER AND LIGHTER.
236
00:15:15,372 --> 00:15:17,624
BREATHE SLOWLY AND DEEPLY.
237
00:15:17,916 --> 00:15:20,668
SLOWLY AND DEEPLY.
238
00:15:20,961 --> 00:15:25,048
HANDS FASTER AND LIGHTER.
239
00:15:35,934 --> 00:15:37,477
JULIE, THIS IS MR. REARDON.
240
00:15:37,769 --> 00:15:39,687
YOU MAY STOP NOW.
241
00:15:41,022 --> 00:15:42,857
I'VE STOPPED, SIR.
242
00:15:43,150 --> 00:15:45,610
THAT'S VERY GOOD. RELAX.
243
00:15:47,362 --> 00:15:48,863
YOU MAY REST NOW.
244
00:15:49,156 --> 00:15:51,449
CLOSE YOUR EYES.
245
00:16:29,946 --> 00:16:31,405
YOU DID VERY WELL, JULIE.
246
00:16:31,698 --> 00:16:32,949
YOU SHOULD BE HAPPY.
247
00:16:33,241 --> 00:16:35,076
YOU MAY OPEN YOUR EYES NOW.
248
00:16:35,368 --> 00:16:38,245
BUT YOU WILL ONLY
LISTEN TO MY VOICE.
249
00:16:38,538 --> 00:16:40,414
YOU WILL ONLY HEAR MY VOICE.
250
00:16:40,707 --> 00:16:43,418
DO YOU UNDERSTAND THAT?
251
00:16:43,710 --> 00:16:45,837
ALL RIGHT, NOW OPEN THE DRAWER.
252
00:16:46,129 --> 00:16:49,590
TAKE OUT THE
MIRROR. HAND IT TO ME.
253
00:17:02,437 --> 00:17:06,274
TAKE OUT THE CANDLE AND
PUT IT IN FRONT OF THE MIRROR.
254
00:17:13,281 --> 00:17:15,533
NOW, TAKE OUT THE MATCHES
255
00:17:16,701 --> 00:17:18,994
AND LIGHT THE CANDLE.
256
00:17:21,706 --> 00:17:23,040
SHE'S RESISTING YOU.
257
00:17:23,333 --> 00:17:24,333
I KNOW.
258
00:17:24,584 --> 00:17:26,460
NOW, LIGHT THE CANDLE.
259
00:17:47,899 --> 00:17:51,694
SHE MUST HAVE HAD TRAINING
IN HYPNOTIC RESISTANCE.
260
00:17:51,987 --> 00:17:54,447
BUT IT'S ALL RIGHT,
SHE'S DEEPER NOW.
261
00:17:54,739 --> 00:17:57,199
ARE YOU SURE? MM-HM.
262
00:17:59,244 --> 00:18:03,744
NOW, YOUR HANDS ARE VERY
COLD AND THE FLAME IS LIKE ICE.
263
00:18:04,332 --> 00:18:05,643
I WANT YOU TO TAKE
YOUR RIGHT HAND
264
00:18:05,667 --> 00:18:07,502
AND HOLD IT OVER THAT FLAME.
265
00:18:07,794 --> 00:18:11,506
YOU WILL NOT BE HURT AS
LONG AS YOU LOOK AT THE FLAME
266
00:18:11,798 --> 00:18:14,509
AND DO AS I SAY.
EVER DEEPER NOW.
267
00:18:14,801 --> 00:18:19,301
YOU'RE BEYOND TIME,
BEYOND PAIN, BEYOND MEMORY.
268
00:18:22,058 --> 00:18:25,436
NOW, JULIE, TELL ME,
WHY DID YOU COME HERE?
269
00:18:25,729 --> 00:18:30,229
I WORK FOR CHARLES
TOWNSEND AND ASSOCIATES.
270
00:18:30,817 --> 00:18:34,862
I WAS SENT HERE TO FIND
OUT ABOUT FRANCINE MILLER.
271
00:18:35,155 --> 00:18:36,739
WELL, THAT CUTS IT.
272
00:18:37,032 --> 00:18:40,035
TOWNSEND IS THE SLICKEST
DETECTIVE AGENCY ON THE COAST.
273
00:18:40,327 --> 00:18:41,953
SHE'S BIG TROUBLE, JOHN.
274
00:18:42,245 --> 00:18:44,956
MAYBE NOT, ROBERT.
275
00:18:45,248 --> 00:18:48,334
JULIE, OBVIOUSLY, YOU'RE
NOT WORKING ALONE ON THIS.
276
00:18:48,627 --> 00:18:51,087
NO, SIR.
277
00:18:51,379 --> 00:18:54,340
THERE'S KRIS AND KELLY.
278
00:18:54,633 --> 00:18:57,469
NOW, JULIE, I WANT YOU TO
WRITE DOWN THOSE NAMES
279
00:18:57,761 --> 00:18:58,970
AND A LIST OF EVERYONE ELSE
280
00:18:59,262 --> 00:19:00,763
WHO IS INVOLVED IN
THIS INVESTIGATION
281
00:19:01,056 --> 00:19:02,724
AND EVERYTHING YOU
KNOW ABOUT THEM.
282
00:19:03,016 --> 00:19:04,142
YES, SIR.
283
00:19:04,434 --> 00:19:06,561
YOU DON'T WANT TO
KEEP HER AROUND HERE.
284
00:19:06,853 --> 00:19:08,729
HER LOYALTIES ARE TO TOWNSEND.
285
00:19:09,022 --> 00:19:11,107
AND THAT'S WHY SHE'S VALUABLE.
286
00:19:11,608 --> 00:19:13,693
TOWNSEND THINKS THAT
SHE'S STILL HIS OPERATIVE.
287
00:19:13,985 --> 00:19:15,319
SHE BELONGS TO ME NOW.
288
00:19:15,612 --> 00:19:19,532
I COULDN'T HAVE ASKED FOR A
MORE BEAUTIFUL VOLUNTEER.
289
00:19:29,167 --> 00:19:30,585
BOSLEY HERE.
290
00:19:30,877 --> 00:19:32,355
HI, BOS. IT'S ME, JULIE.
291
00:19:32,379 --> 00:19:34,964
I JUST CALLED TO CHECK IN.
292
00:19:35,256 --> 00:19:36,757
WELL, IF YOU'RE NOT BUSY,
293
00:19:37,050 --> 00:19:38,490
WE COULD USE A
LITTLE HELP OVER HERE.
294
00:19:38,760 --> 00:19:40,529
IT LOOKS LIKE I'M GONNA
BE TIED UP FOR A WHILE.
295
00:19:40,553 --> 00:19:42,096
I STILL HAVE TO TAKE SOME TESTS.
296
00:19:42,389 --> 00:19:44,891
I SHOULD BE HOME
BY ABOUT 11 OR SO.
297
00:19:45,183 --> 00:19:46,559
ANYTHING ON FRANCINE MILLER?
298
00:19:46,851 --> 00:19:50,104
IF YOU MEAN BETWEEN HER
AND HER BOSS, I DOUBT IT.
299
00:19:50,397 --> 00:19:52,148
THEY DISCOURAGE
THAT KIND OF THING HERE.
300
00:19:52,440 --> 00:19:54,358
IT DOESN'T MAKE FOR GOOD
WORKING RELATIONSHIPS
301
00:19:54,651 --> 00:19:55,735
WITH THE CLIENT COMPANIES.
302
00:19:56,027 --> 00:19:57,713
SO EVERYTHING'S ALL RIGHT?
303
00:19:57,737 --> 00:20:00,573
YEAH, FINE. SHOULDN'T
TAKE MORE THAN A DAY OR SO.
304
00:20:00,865 --> 00:20:02,343
I THINK CHARLIE WILL
BE ABLE TO WRITE OFF
305
00:20:02,367 --> 00:20:03,567
REARDON AND COMPANY AS A LEAD.
306
00:20:03,743 --> 00:20:06,120
OH, WOW, YOU SHOULD SEE ME TYPE.
307
00:20:06,413 --> 00:20:08,540
THIS PROGRAM'S REALLY
INCREASED MY SPEED.
308
00:20:08,832 --> 00:20:10,917
WELL, ALL THAT'S INCREASED
HERE IS OUR WORKLOAD.
309
00:20:11,209 --> 00:20:12,460
IT'S A REAL PAPER CHASE.
310
00:20:12,752 --> 00:20:15,296
OH, THAT'S TOO BAD.
THIS PROGRAM'S GREAT.
311
00:20:15,588 --> 00:20:17,708
WELL, THIS YOUNG EXECUTIVE
IS GONNA TAKE IT EASY
312
00:20:17,799 --> 00:20:19,175
A LITTLE BIT LATER.
AND BY THE WAY,
313
00:20:19,467 --> 00:20:20,820
I WANTED TO BORROW
THAT MIND BOOK OF YOURS.
314
00:20:20,844 --> 00:20:22,929
CAN I COME GET IT? SURE, KRIS.
315
00:20:23,221 --> 00:20:25,514
LISTEN, I GOTTA GO,
COMPANY TIME AND ALL THAT.
316
00:20:25,807 --> 00:20:27,076
OKAY, SEE YOU LATER.
317
00:20:27,100 --> 00:20:29,477
BYE.
318
00:20:31,062 --> 00:20:33,647
WELL, AT LEAST IT
IS GOOD TO HEAR
319
00:20:33,940 --> 00:20:35,816
THAT SHE IS ENJOYING HER WORK.
320
00:20:41,573 --> 00:20:43,324
YOU DID VERY WELL.
321
00:20:50,165 --> 00:20:54,085
KELLY GARRETT, KRIS
MUNROE AND JOHN BOSLEY.
322
00:20:55,962 --> 00:20:57,463
YOU DID VERY WELL.
323
00:20:57,756 --> 00:21:00,133
DARLENE.
324
00:21:03,720 --> 00:21:06,848
TAKE MISS ROGERS FOR
SENSORY CONDITIONING.
325
00:21:07,140 --> 00:21:08,599
YES, SIR.
326
00:21:19,194 --> 00:21:20,653
IF YOU INTEND TO PROGRAM HER
327
00:21:20,945 --> 00:21:23,072
BEFORE SHE HAS
TO SEE HER FRIENDS
328
00:21:23,364 --> 00:21:24,573
THAT'S PUSHING IT, JOHN.
329
00:21:24,866 --> 00:21:26,367
EACH NEW SUGGESTION
THAT SHE ACCEPTS
330
00:21:26,659 --> 00:21:28,202
JUST RE-ENFORCES HER TRANCE.
331
00:21:32,707 --> 00:21:35,167
YOU HEAR ME NOW?
332
00:21:35,460 --> 00:21:38,212
YES, SIR. I CAN HEAR
YOU VERY WELL.
333
00:21:38,505 --> 00:21:40,882
ARE YOU COMFORTABLE?
334
00:21:41,174 --> 00:21:44,468
YES, VERY COMFORTABLE,
MR. REARDON.
335
00:21:44,761 --> 00:21:46,471
YOU'RE DOING VERY WELL, JULIE.
336
00:21:46,763 --> 00:21:49,098
I WANT YOU TO CONCENTRATE NOW.
337
00:21:49,390 --> 00:21:52,184
PICTURE THE CANDLE,
PICTURE THE FLAME.
338
00:21:52,477 --> 00:21:54,270
IT IS RIGHT BEFORE YOUR EYES.
339
00:21:54,562 --> 00:21:57,439
THE FLAME WILL
HELP YOU TO RELAX.
340
00:21:57,732 --> 00:22:02,069
I... I CAN'T. I DON'T SEE IT.
341
00:22:22,131 --> 00:22:23,924
YOU WILL LISTEN TO MY VOICE.
342
00:22:24,217 --> 00:22:26,928
ALWAYS ONLY LISTEN TO MY VOICE.
343
00:22:27,220 --> 00:22:28,554
IT IS PART OF YOU NOW.
344
00:22:28,847 --> 00:22:32,433
YOU MUST ALWAYS OBEY MY VOICE.
345
00:22:32,725 --> 00:22:34,560
DO YOU HEAR?
346
00:22:34,853 --> 00:22:38,606
YOU CAN RELAX WHEN
YOU SEE THE FLAME, JULIE.
347
00:22:42,026 --> 00:22:45,863
YES. YES, I SEE IT.
348
00:22:46,155 --> 00:22:48,949
I SEE THE FLAME.
349
00:22:51,953 --> 00:22:54,121
JULIE, THE FLAME
IS OURS TOGETHER.
350
00:22:54,414 --> 00:22:56,124
IT IS GROWING
COLDER NOW, ISN'T IT?
351
00:22:56,416 --> 00:23:00,336
YES. IT'S GETTING COLDER.
352
00:23:01,546 --> 00:23:03,881
IT'S GETTING MUCH COLDER.
353
00:23:08,511 --> 00:23:11,805
MR. REARDON, WILL
YOU PLEASE LET ME OUT?
354
00:23:12,098 --> 00:23:13,349
NO, NOT YET, JULIE.
355
00:23:13,641 --> 00:23:17,186
BREATHE DEEPLY AND
ONLY LISTEN TO MY VOICE.
356
00:23:17,478 --> 00:23:19,730
THE FLAME IS DIMMING NOW.
357
00:23:20,023 --> 00:23:23,317
IT IS GROWING DARKER AND DARKER.
358
00:23:25,945 --> 00:23:29,198
YES, IT'S GONE. GOOD.
359
00:23:29,490 --> 00:23:32,493
JUST RELAX NOW.
360
00:23:35,955 --> 00:23:37,957
IT'S TIME TO REST.
361
00:23:39,250 --> 00:23:43,671
COMPLETELY REST AND FORGET.
362
00:23:43,963 --> 00:23:46,173
FORGET EVERYTHING
363
00:23:46,466 --> 00:23:50,966
EXCEPT WHAT MY VOICE
INSTRUCTS YOU TO DO.
364
00:24:00,897 --> 00:24:03,190
HI.
365
00:24:03,483 --> 00:24:04,793
I DIDN'T THINK YOU
WERE GONNA SHOW UP,
366
00:24:04,817 --> 00:24:06,457
SO I LET MYSELF IN. I
HOPE YOU DON'T MIND.
367
00:24:06,486 --> 00:24:07,987
OH, THAT'S OKAY.
I'M SORRY I'M LATE.
368
00:24:08,279 --> 00:24:10,079
THE INDOCTRINATION TOOK
LONGER THAN I THOUGHT.
369
00:24:10,281 --> 00:24:11,323
LOOK AT THIS.
370
00:24:11,616 --> 00:24:14,327
- ISN'T IT BEAUTIFUL?
- IT'S TERRIFIC.
371
00:24:14,619 --> 00:24:16,871
YOU WANNA KNOW
WHAT KELLY AND I GOT?
372
00:24:17,163 --> 00:24:18,998
FILES. STACKS OF FILES.
373
00:24:21,501 --> 00:24:22,645
I GOTTA RUN. I'll SEE
YOU TOMORROW.
374
00:24:22,669 --> 00:24:24,754
OKAY. I'll CALL YOU
IN THE MORNING.
375
00:24:26,255 --> 00:24:29,132
OH, YOUR PURSE. OH, THANKS.
376
00:24:29,425 --> 00:24:30,825
AND THANKS FOR
THE BOOK. OKAY, SURE.
377
00:24:31,052 --> 00:24:33,220
NIGHT. NIGHT.
378
00:24:44,816 --> 00:24:48,402
YOU WILL ONLY HEAR MY VOICE
379
00:24:48,695 --> 00:24:51,155
AND YOU WILL ONLY
LISTEN TO MY VOICE.
380
00:24:51,447 --> 00:24:53,949
YOU WILL ONLY HEAR MY VOICE.
381
00:24:54,242 --> 00:24:56,244
NOW, LIGHT THE CANDLE.
382
00:25:23,855 --> 00:25:27,358
YOUR HANDS ARE VERY COLD NOW
383
00:25:27,650 --> 00:25:30,361
AND THE FLAME IS LIKE ICE.
384
00:25:30,653 --> 00:25:34,198
YOU WILL NOT BE HURT AS
LONG AS YOU LOOK AT THE FLAME.
385
00:25:36,367 --> 00:25:38,118
YOU WILL NOT BE HURT.
386
00:25:39,662 --> 00:25:42,081
AND THE FLAME IS LIKE ICE.
387
00:26:09,358 --> 00:26:10,758
IF I KNEW WHAT YOU
WERE LOOKING FOR,
388
00:26:11,027 --> 00:26:12,278
MAYBE I COULD HELP.
389
00:26:12,570 --> 00:26:14,113
WELL, A SUSPECT WOULD HELP.
390
00:26:14,405 --> 00:26:16,325
SOME HARD EVIDENCE TO
PROVE THAT THOSE TWO DEATHS
391
00:26:16,491 --> 00:26:18,826
WERE NOT JUST
ACCIDENTS WOULD HELP.
392
00:26:19,118 --> 00:26:22,204
TWO DEATHS IN THREE WEEKS
IS HARDLY COINCIDENTAL.
393
00:26:23,539 --> 00:26:26,750
AND THE MOTIVE,
THAT'S VERY STRONG.
394
00:26:27,043 --> 00:26:28,083
WE KNOW THE MOTIVE.
395
00:26:28,336 --> 00:26:29,879
A BILLION DOLLARS,
THAT'S THE MOTIVE.
396
00:26:30,171 --> 00:26:31,881
MEANS AND OPPORTUNITY
WE'RE SHORT ON.
397
00:26:32,173 --> 00:26:34,133
WE NEED THOSE TO
ESTABLISH MURDER.
398
00:26:34,425 --> 00:26:36,260
WE'VE BEEN THROUGH
ALL THE PERSONNEL FILES,
399
00:26:36,552 --> 00:26:37,752
ALL THE INVESTIGATION REPORTS.
400
00:26:37,929 --> 00:26:39,406
WE EVEN RAN IT THROUGH
THE COMPUTER AGAIN.
401
00:26:39,430 --> 00:26:40,889
NOTHING.
402
00:26:41,182 --> 00:26:42,641
WHAT, YOU THINK I'M PARANOID?
403
00:26:42,934 --> 00:26:44,435
EVEN THE INSURANCE
COMPANIES AGREE
404
00:26:44,727 --> 00:26:46,007
THAT BOTH DEATHS
WERE ACCIDENTAL.
405
00:26:46,229 --> 00:26:48,356
WELL, I DID TOO.
406
00:26:48,648 --> 00:26:49,688
UNTIL DANVERS CONVINCED ME
407
00:26:49,857 --> 00:26:51,275
IT MIGHT BE MORE
THAN A COINCIDENCE.
408
00:26:51,567 --> 00:26:52,651
DANVERS?
409
00:26:52,944 --> 00:26:55,571
HE'S THE ONLY ONE LEFT
ON THE BOARD ON MY SIDE.
410
00:26:55,863 --> 00:26:57,783
IT WAS DANVERS WHO MADE
OUR ORIGINAL BREAKTHROUGH
411
00:26:57,865 --> 00:26:59,074
IN GEOTHERMAL.
412
00:26:59,367 --> 00:27:02,078
HE'S BEEN FIGHTING TO
PROTECT HIS DISCOVERIES
413
00:27:02,370 --> 00:27:05,247
JUST AS I'VE BEEN FIGHTING
TO PROTECT THE COMPANY.
414
00:27:05,540 --> 00:27:08,084
KRIS, I THINK WE OUGHT
TO PAY MR. DANVERS A VISIT.
415
00:27:08,376 --> 00:27:09,376
WILL YOU EXCUSE US?
416
00:27:22,181 --> 00:27:23,307
WE'LL BE LOOKING FORWARD
417
00:27:23,599 --> 00:27:25,285
TO WORKING WITH YOU
GENTLEMEN ON THIS PROJECT.
418
00:27:25,309 --> 00:27:26,349
IT'S GOING TO BE EXCITING.
419
00:27:26,561 --> 00:27:28,001
AND DON'T FORGET
YOUR BUDGET FIGURES.
420
00:27:28,229 --> 00:27:30,064
I'll NEED THEM AS
SOON AS POSSIBLE.
421
00:27:34,986 --> 00:27:37,989
COFFEE, MR. DANVERS? PLEASE.
422
00:28:14,233 --> 00:28:17,194
HERE YOU ARE, SIR. HMM?
OH, THANK YOU, CYNTHIA.
423
00:28:54,023 --> 00:28:55,983
OKAY, THANK YOU.
424
00:28:56,275 --> 00:28:58,315
DANVERS' SECRETARY SAYS
HE'S IN THE CONFERENCE ROOM.
425
00:28:58,444 --> 00:29:01,363
GREAT. NOW, ALL WE
HAVE TO DO IS FIND IT.
426
00:29:01,656 --> 00:29:04,408
UH, DO YOU KNOW
WHERE THE, UH...?
427
00:29:04,700 --> 00:29:05,784
OH. I THINK WE FOUND IT.
428
00:29:06,077 --> 00:29:07,078
AH.
429
00:29:12,792 --> 00:29:16,045
IT'S MR. DANVERS. HE'S
HAD A HEART ATTACK.
430
00:29:17,713 --> 00:29:21,591
HE'S DEAD. I KNOW IT. HE'S DEAD.
431
00:29:21,884 --> 00:29:23,719
HE'S STILL ALIVE. CALL MEDICAL.
432
00:29:24,011 --> 00:29:26,430
GET SOMEONE DOWN
HERE IMMEDIATELY.
433
00:29:27,765 --> 00:29:29,308
ALIVE?
434
00:29:29,600 --> 00:29:31,018
BUT I...
435
00:29:31,310 --> 00:29:33,478
I DON'T KNOW THE NUMBER.
436
00:29:38,734 --> 00:29:40,402
YES, GET EMERGENCY TO
THE CONFERENCE ROOM.
437
00:29:40,695 --> 00:29:41,696
IT'S DANVERS.
438
00:29:41,988 --> 00:29:44,782
IT LOOKS LIKE A
HEART ATTACK. HURRY.
439
00:29:47,076 --> 00:29:51,576
THIS IS TERRIBLE. I DON'T
KNOW WHAT HAPPENED.
440
00:29:51,872 --> 00:29:53,999
I'M SUPPOSED TO BE
PREPARED FOR EMERGENCIES
441
00:29:54,292 --> 00:29:56,585
WITHIN THE CLIENT COMPANIES.
442
00:29:57,753 --> 00:29:59,629
YES?
443
00:29:59,922 --> 00:30:01,441
IT'S AN EMERGENCY.
444
00:30:01,465 --> 00:30:04,217
IT'S MR. DANVERS IN THE
CONFERENCE ROOM. HE...
445
00:30:12,435 --> 00:30:13,435
JOHN. WHAT HAPPENED?
446
00:30:13,686 --> 00:30:14,997
HEART ATTACK MAYBE.
IT'S HARD TO TELL.
447
00:30:15,021 --> 00:30:16,290
IF IT WASN'T FOR THOSE
TWO LADIES IN THERE,
448
00:30:16,314 --> 00:30:18,190
HE'D BE DEAD ALREADY.
449
00:30:20,026 --> 00:30:21,402
CYNTHIA.
450
00:30:21,694 --> 00:30:22,778
I'M SO SORRY.
451
00:30:23,070 --> 00:30:26,239
HE WAS GOING OVER
THE SURVEY MAPS
452
00:30:26,532 --> 00:30:29,660
AND THEN IN THE NEXT MINUTE
HE WAS JUST LYING ON THE FLOOR.
453
00:30:29,952 --> 00:30:32,871
IT'S ALL RIGHT, CYNTHIA.
IT'S NOT YOUR FAULT.
454
00:30:33,164 --> 00:30:34,957
NOTHING.
455
00:30:36,834 --> 00:30:39,628
MAYBE IT WAS A HEART ATTACK.
I CAN'T FIND ANYTHING EITHER.
456
00:30:39,920 --> 00:30:42,756
WELL, WE CAN'T BE TOO SURE.
WE BETTER KEEP LOOKING.
457
00:30:43,049 --> 00:30:44,967
STEVE, DID DANVERS
HAVE A HEART CONDITION?
458
00:30:45,259 --> 00:30:47,427
NO, WE PLAYED HANDBALL
THREE TIMES A WEEK.
459
00:30:47,720 --> 00:30:49,346
HE'S AS STRONG AS AN OX.
460
00:30:49,638 --> 00:30:50,638
YOU SOUND SO POSITIVE.
461
00:30:50,723 --> 00:30:52,099
I'D STAKE MY LIFE ON IT.
462
00:30:52,391 --> 00:30:53,433
YOU MIGHT HAVE TO.
463
00:30:53,726 --> 00:30:55,269
I DON'T GET IT.
464
00:30:56,687 --> 00:30:58,105
YOU'RE DEFINITELY
THE NEXT TARGET.
465
00:31:10,951 --> 00:31:12,911
MR. TUSTIN IS HERE TO
SEE YOU, MR. REARDON.
466
00:31:13,204 --> 00:31:15,456
HE SEEMS VERY IMPATIENT.
467
00:31:15,748 --> 00:31:17,588
THAT'S ALL RIGHT. TELL
HIM TO COME IN, DARLENE.
468
00:31:17,875 --> 00:31:19,626
YES, SIR.
469
00:31:21,379 --> 00:31:23,714
IS THERE ANYTHING ELSE,
SIR? NO, YOU MAY GO NOW.
470
00:31:24,006 --> 00:31:25,966
THANK YOU. THANK YOU.
471
00:31:28,219 --> 00:31:31,222
I HEARD ABOUT DANVERS.
472
00:31:31,514 --> 00:31:33,599
CYNTHIA DID EXACTLY AS
SHE WAS PROGRAMMED.
473
00:31:33,891 --> 00:31:35,142
NO SUSPICION ON ANYONE.
474
00:31:35,434 --> 00:31:38,311
BUT DANVERS IS STILL ALIVE.
THAT WASN'T OUR AGREEMENT.
475
00:31:38,604 --> 00:31:40,764
BUT HE'S OUT OF THE PICTURE
AND THAT'S WHAT YOU WANTED.
476
00:31:40,940 --> 00:31:42,524
NOT GOOD ENOUGH, REARDON.
477
00:31:45,945 --> 00:31:49,114
MR. TUSTIN, IF YOU WANT
WESTERN TECHTRONICS
478
00:31:49,407 --> 00:31:50,866
BY THE END OF THE WEEK,
479
00:31:51,158 --> 00:31:52,868
IT'S GONNA COST
YOU A LITTLE MORE.
480
00:31:53,160 --> 00:31:55,495
YOU'RE ALREADY GETTING A
MILLION DOLLARS, REARDON.
481
00:31:55,788 --> 00:31:57,831
MR. TUSTIN, FIRST, YOU
WANTED IT DOWN IN SIX WEEKS.
482
00:31:58,124 --> 00:31:59,625
NOW YOU WANT A RUSH JOB.
483
00:31:59,917 --> 00:32:02,252
I THINK STEVE BRIGGS IS
WORTH MORE THAN THAT.
484
00:32:02,545 --> 00:32:03,629
YOU'RE OUT OF YOUR MIND.
485
00:32:03,921 --> 00:32:05,505
I'VE GOT MY LIFE IN THIS.
486
00:32:05,798 --> 00:32:08,050
THAT'S WHY IT'S WORTH MORE.
487
00:32:08,342 --> 00:32:10,010
NOW, LISTEN TO ME.
488
00:32:10,302 --> 00:32:12,053
OUR WEAPON IS ALREADY IN PLACE.
489
00:32:12,346 --> 00:32:15,015
STEVE BRIGGS WILL
GO TODAY, IF I SAY SO.
490
00:32:15,307 --> 00:32:18,268
NOW, YOUR CHOICES ARE LIMITED.
491
00:32:18,561 --> 00:32:20,854
I JUST WANT $2
MILLION FOR THE JOB.
492
00:32:21,147 --> 00:32:23,190
OKAY.
493
00:32:23,482 --> 00:32:27,982
OKAY. YOU GET RID OF BRIGGS
IN A HURRY AND YOU'VE GOT IT.
494
00:32:30,281 --> 00:32:33,701
BUT I PROMISE YOU, IF
THINGS GET FOULED UP...
495
00:32:33,993 --> 00:32:36,870
THINGS HAVEN'T BEEN
FOULED UP, MR. TUSTIN.
496
00:32:37,163 --> 00:32:39,039
JUST TAKES A LITTLE
TIME TO DEVELOP
497
00:32:39,331 --> 00:32:43,251
CONFIDENCE BETWEEN
PARTNERS, THAT'S ALL.
498
00:32:59,143 --> 00:33:00,394
HI.
499
00:33:00,686 --> 00:33:01,895
JULIE? YEAH.
500
00:33:02,188 --> 00:33:03,939
I'M CYNTHIA. I KNEW
YOU WOULD BE.
501
00:33:04,231 --> 00:33:06,066
WOULD YOU SIT
DOWN WITH ME? SURE.
502
00:33:07,568 --> 00:33:10,779
MR. REARDON TOLD ME
YOU'D REPORT TODAY.
503
00:33:11,071 --> 00:33:12,739
IT'S NICE TO HAVE
YOU ON THE TEAM.
504
00:33:13,032 --> 00:33:15,743
WESTERN TECHTRONICS IS A
WONDERFUL PLACE TO WORK.
505
00:33:16,035 --> 00:33:17,995
I'M SURE YOU'LL LOVE IT.
506
00:33:18,287 --> 00:33:21,206
YOU KNOW, I HAVE
THE NICEST BOSS.
507
00:33:24,418 --> 00:33:27,629
AT LEAST, I DID.
508
00:33:27,922 --> 00:33:29,214
WELL, WHAT HAPPENED?
509
00:33:31,592 --> 00:33:35,679
HE HAD A HEART ATTACK
OR SOMETHING THIS MORNING.
510
00:33:36,889 --> 00:33:39,266
I FEEL SO AWFUL ABOUT IT.
511
00:33:39,558 --> 00:33:41,476
MAYBE YOU SHOULD GO HOME.
512
00:33:42,853 --> 00:33:44,396
MAYBE.
513
00:33:45,856 --> 00:33:49,776
IT WON'T BE THE SAME
WITHOUT MR. DANVERS.
514
00:33:50,069 --> 00:33:51,653
I FELT SO ATTACHED TO HIM.
515
00:33:51,946 --> 00:33:54,323
THAT'S STRANGE.
516
00:33:54,615 --> 00:33:56,575
I FEEL THE SAME WAY
ABOUT MY NEW BOSS
517
00:33:56,867 --> 00:33:58,107
AND I HAVEN'T EVEN MET HIM YET.
518
00:33:58,285 --> 00:33:59,577
OH, WHO IS IT?
519
00:33:59,870 --> 00:34:03,206
STEVEN BRIGGS, THE PRESIDENT
OF THE CLIENT COMPANY.
520
00:34:03,499 --> 00:34:05,542
I'M SUPPOSED TO CHECK
IN WITH HIM AT 1:15.
521
00:34:06,710 --> 00:34:08,461
WELL, YOU'D BETTER HURRY.
522
00:34:08,754 --> 00:34:09,754
IT'S NOT GOOD TO BE LATE
523
00:34:09,964 --> 00:34:11,548
THE FIRST DAY WITH
A CLIENT COMPANY.
524
00:34:11,840 --> 00:34:14,008
YEAH, I JUST WANTED TO
LOOK UP SOME OF MY FRIENDS
525
00:34:14,301 --> 00:34:15,969
WHO WORK HERE FIRST.
WOULD YOU KNOW THEM?
526
00:34:16,262 --> 00:34:17,462
KELLY GARRETT AND KRIS MUNROE.
527
00:34:17,513 --> 00:34:20,098
THEY'RE IN JUNIOR
EXECUTIVE TRAINING.
528
00:34:20,391 --> 00:34:21,892
OH, I MET THEM BOTH.
529
00:34:22,184 --> 00:34:24,811
THEY'RE WORKING VERY
CLOSELY WITH MR. BRIGGS.
530
00:34:25,104 --> 00:34:26,897
IN FACT, THEY MIGHT
BE IN HIS OFFICE.
531
00:34:27,189 --> 00:34:28,273
OH, I'll TRY THERE FIRST.
532
00:34:28,566 --> 00:34:30,651
YOU KNOW, YOU'RE LUCKY.
533
00:34:30,943 --> 00:34:33,862
WHEN I STARTED HERE, I DIDN'T
KNOW ANYONE EXCEPT FRANCINE.
534
00:34:36,740 --> 00:34:38,992
FRANCINE.
535
00:34:39,285 --> 00:34:43,330
SHE HAD THAT HORRIBLE ACCIDENT
536
00:34:43,622 --> 00:34:45,582
AFTER SHE STARTED HERE.
537
00:34:49,503 --> 00:34:51,213
I'M SORRY.
538
00:34:51,505 --> 00:34:54,633
I JUST CAN'T HANDLE
IT ALL AT ONCE.
539
00:34:54,925 --> 00:34:58,011
YOU SHOULD SEE MR. REARDON.
HE'LL BE ABLE TO HELP YOU.
540
00:34:58,304 --> 00:35:00,347
I KNOW.
541
00:35:01,390 --> 00:35:03,183
I KNOW.
542
00:35:12,401 --> 00:35:14,653
OKAY, LET'S GIVE IT
ONE MORE GOING OVER.
543
00:35:14,945 --> 00:35:17,530
I'M AFRAID IT'S GONNA
BE A COMPLETE WASHOUT.
544
00:35:17,823 --> 00:35:19,407
I DON'T THINK YOU
LEAVE FINGERPRINTS
545
00:35:19,700 --> 00:35:22,035
WHEN YOU GIVE
SOMEBODY A HEART ATTACK.
546
00:35:36,717 --> 00:35:38,969
"C.W."
547
00:35:39,261 --> 00:35:41,763
CYNTHIA WEAVER.
548
00:35:42,056 --> 00:35:45,225
IN ALL THE EXCITEMENT TODAY,
SHE MUST HAVE LEFT THIS BEHIND
549
00:36:00,824 --> 00:36:03,034
ISN'T IT BEAUTIFUL?
550
00:36:07,790 --> 00:36:10,209
KELLY, LOOK AT THIS.
551
00:36:10,501 --> 00:36:12,544
WELL, IT'S NOT EXACTLY
A SMOKING PISTOL, KRIS.
552
00:36:14,630 --> 00:36:16,430
JULIE HAS ONE JUST LIKE
THIS IN HER APARTMENT.
553
00:36:16,632 --> 00:36:18,352
WELL, MAYBE THEY WENT
TO THE SAME SWAP MEET.
554
00:36:19,843 --> 00:36:21,928
NO, SHE SAID IT WAS A GIFT
FROM THE REARDON COMPANY.
555
00:36:22,221 --> 00:36:23,597
I DON'T SEE THE CONNECTION.
556
00:36:23,889 --> 00:36:26,099
IT DOESN'T MAKE ANY SENSE.
557
00:36:26,392 --> 00:36:27,893
DANVERS NEARLY DIES TODAY,
558
00:36:28,185 --> 00:36:30,979
THE WOMAN WITH HIM HAS
A CANDLESTICK LIKE JULIE'S
559
00:36:31,271 --> 00:36:33,356
AND SHE ALSO WORKED
FOR THE REARDON COMPANY.
560
00:36:33,649 --> 00:36:35,692
DIDN'T BOSLEY SAY JULIE
HAD AN APPOINTMENT
561
00:36:35,984 --> 00:36:37,443
WITH STEVE BRIGGS TODAY?
562
00:36:37,736 --> 00:36:39,863
LET'S CHECK WITH MR. BRIGGS.
563
00:36:46,120 --> 00:36:47,204
COME IN.
564
00:36:51,208 --> 00:36:52,375
HI, I'M JULIE ROGERS.
565
00:36:53,460 --> 00:36:54,711
UH, HOLD ON.
566
00:36:55,003 --> 00:36:56,963
YEAH, YOU'RE THE ONLY
ANGEL I HAVEN'T MET.
567
00:36:57,256 --> 00:36:58,632
UH, I'll JUST BE A MINUTE.
568
00:36:58,924 --> 00:37:01,301
I'll GET BACK TO YOU, SAM.
569
00:37:05,055 --> 00:37:06,556
IT'S NICE TO MEET
YOU, MR. BRIGGS.
570
00:37:06,849 --> 00:37:07,849
OH, CALL ME STEVE.
571
00:37:08,100 --> 00:37:09,900
I CAN'T TELL YOU HOW I'VE
BEEN LOOKING FORWARD
572
00:37:10,060 --> 00:37:11,603
TO MEETING YOU.
573
00:37:17,735 --> 00:37:18,736
JULIE?
574
00:37:33,208 --> 00:37:34,626
JULIE, WHAT ARE YOU DOING?
575
00:37:34,918 --> 00:37:36,169
JULIE!
576
00:37:36,462 --> 00:37:38,464
JULIE.
577
00:37:43,844 --> 00:37:45,554
KRIS, WATCH HER.
578
00:37:52,728 --> 00:37:54,020
JULIE!
579
00:37:54,313 --> 00:37:55,605
WHY DID YOU ATTACK MR. BRIGGS?
580
00:37:55,898 --> 00:37:57,858
I DIDN'T ATTACK ANYONE!
I CAME HERE TO SEE
581
00:37:58,150 --> 00:38:00,777
TO THE PRESIDENT OF
THE CLIENT COMPANY.
582
00:38:01,069 --> 00:38:02,069
THE WHAT?
583
00:38:02,154 --> 00:38:05,323
THE CLIENT COMPANY? THAT'S YOU.
584
00:38:05,616 --> 00:38:07,784
YOU AND DANVERS
WERE THE TARGETS.
585
00:38:08,076 --> 00:38:12,038
JULIE AND CYNTHIA WERE
THE... THEY WERE THE WEAPONS.
586
00:38:27,846 --> 00:38:29,848
CHARLIE, I KNOW IT SOUNDS CRAZY
587
00:38:30,140 --> 00:38:33,935
BUT JULIE ACTUALLY
TRIED TO KILL STEVE BRIGGS.
588
00:38:34,228 --> 00:38:36,331
THAT JUST DOESN'T
MAKE SENSE, BOSLEY.
589
00:38:36,355 --> 00:38:37,731
I AGREE WITH YOU, CHARLIE.
590
00:38:38,023 --> 00:38:39,423
THERE'S SOMETHING
VERY STRANGE HERE.
591
00:38:39,650 --> 00:38:40,752
THAT'S WHY I HAD
THE PSYCHIATRIST
592
00:38:40,776 --> 00:38:42,068
EXAMINE HER AT OUR FACILITY.
593
00:38:42,361 --> 00:38:43,904
WHAT KIND OF EXAMINATION?
594
00:38:44,196 --> 00:38:45,956
WELL, I FIGURED SHE WAS
DRUGGED OR SOMETHING,
595
00:38:46,240 --> 00:38:47,449
BUT THE DOCTOR SAID NO.
596
00:38:47,741 --> 00:38:49,701
DR. LANTRY'S TRYING HYPNOSIS.
597
00:38:49,993 --> 00:38:51,577
WHAT ARE YOU
TALKING ABOUT ANYWAY?
598
00:38:51,870 --> 00:38:53,913
CHARLIE, JULIE HAS AMNESIA.
599
00:38:54,206 --> 00:38:55,582
SHE DOESN'T REMEMBER ANYTHING
600
00:38:55,874 --> 00:38:57,417
AFTER SHE ENTERED
STEVE'S OFFICE.
601
00:38:57,709 --> 00:38:59,627
LOOK, I'VE ANSWERED
ALL YOUR QUESTIONS.
602
00:38:59,920 --> 00:39:01,231
I'VE EVEN LET YOU
PUT ME IN A TRANCE
603
00:39:01,255 --> 00:39:02,295
AND NOW YOU WANNA DRUG ME?
604
00:39:02,548 --> 00:39:04,341
FORGET IT! ENOUGH'S ENOUGH.
605
00:39:04,633 --> 00:39:07,677
IT'S NOTHING MORE THAN A
TRANQUILIZER, A HYPNOTIC.
606
00:39:07,970 --> 00:39:10,764
THERE'S A MENTAL BLOCK.
PERHAPS IF WE TRIED TO...
607
00:39:11,056 --> 00:39:13,475
JULIE, DR. LANTRY IS
TRYING TO HELP YOU.
608
00:39:13,767 --> 00:39:14,768
YOU HAVE TO COOPERATE.
609
00:39:15,060 --> 00:39:16,978
WHY? AND COOPERATE WITH WHAT?
610
00:39:17,271 --> 00:39:19,940
WON'T SOMEBODY PLEASE TELL
ME WHAT'S GOING ON AROUND HERE?
611
00:39:20,232 --> 00:39:23,360
ABOUT TWO HOURS AGO, IF
KELLY AND I HADN'T STOPPED YOU
612
00:39:23,652 --> 00:39:24,972
YOU WOULD'VE
KILLED STEVEN BRIGGS.
613
00:39:25,028 --> 00:39:29,323
OH, COME ON, KRIS, I
DID NOT AND I WOULD NOT.
614
00:39:29,616 --> 00:39:32,535
I WENT TO SEE STEVE BRIGGS TO...
615
00:39:34,413 --> 00:39:36,123
TO...
616
00:39:42,921 --> 00:39:45,131
TO TELL HIM.
617
00:39:45,424 --> 00:39:46,800
TELL HIM ABOUT WHAT, JULIE?
618
00:39:52,556 --> 00:39:54,558
DR. LANTRY.
619
00:39:54,850 --> 00:39:56,977
I WENT TO JULIE'S
APARTMENT TO GET THIS.
620
00:39:57,269 --> 00:40:00,146
WE FOUND A SIMILAR ONE IN
CYNTHIA WEAVER'S BRIEFCASE.
621
00:40:00,439 --> 00:40:02,458
AND CYNTHIA'S NOT HERE AND
DOESN'T ANSWER HER PHONE.
622
00:40:02,482 --> 00:40:03,774
KELLY'S TRYING TO LOCATE HER.
623
00:40:04,067 --> 00:40:05,067
WHAT IS IT FOR?
624
00:40:05,319 --> 00:40:06,486
I DON'T KNOW.
625
00:40:06,778 --> 00:40:08,658
BUT WHEN WE FOUND THE
ONE IN CYNTHIA'S BRIEFCASE
626
00:40:08,906 --> 00:40:10,824
I REMEMBERED THAT JULIE
HAD BEEN GIVEN ONE TOO.
627
00:40:11,116 --> 00:40:13,118
BY WHOM?
628
00:40:13,410 --> 00:40:14,953
MR. REARDON.
629
00:40:15,245 --> 00:40:17,622
IT'S JUST A SHOT IN THE DARK.
630
00:40:17,915 --> 00:40:20,250
MAYBE NOT SO DARK.
631
00:40:20,542 --> 00:40:23,169
JULIE, WOULD YOU LIKE
TO SEE THE CANDLE BURN?
632
00:40:25,672 --> 00:40:28,424
CLOSE YOUR EYES.
633
00:40:28,717 --> 00:40:31,010
DO YOU SEE THE FLAME, JULIE?
634
00:40:32,763 --> 00:40:34,765
I DON'T GET IT.
635
00:40:36,266 --> 00:40:40,436
FIRE AND WATER ARE VERY
STRONG HYPNOTIC SYMBOLS.
636
00:40:40,729 --> 00:40:42,021
YOU'RE TELLING ME
637
00:40:42,314 --> 00:40:44,024
THAT SHE SEES A FLAME
WITH HER EYES CLOSED?
638
00:40:44,316 --> 00:40:48,816
YES. OPEN YOUR EYES NOW,
JULIE. WE'RE GOING TO TALK.
639
00:40:52,991 --> 00:40:56,035
GOOD. YOU CAN SEE THE FLAME.
640
00:40:56,328 --> 00:40:57,620
NOW, THIS TIME, JULIE,
641
00:40:57,913 --> 00:41:00,832
YOU'RE GOING TO
REMEMBER EVERYTHING.
642
00:41:13,053 --> 00:41:14,512
I DON'T LIKE IT, JULIE.
643
00:41:14,805 --> 00:41:16,223
KELLY, REARDON STILL THINKS
644
00:41:16,515 --> 00:41:17,867
HE HAS ME WRAPPED
AROUND HIS LITTLE FINGER
645
00:41:17,891 --> 00:41:19,434
AND I DESERVE A
CHANCE TO BREAK IT.
646
00:41:19,726 --> 00:41:22,645
BESIDES, DR. LANTRY TOLD ME
NOT TO WORRY ABOUT A THING.
647
00:41:22,938 --> 00:41:24,856
YEAH, BUT I DO WORRY.
648
00:41:25,148 --> 00:41:26,482
OKAY, YOU'VE GOT 10 MINUTES.
649
00:41:26,775 --> 00:41:28,336
YOU GO IN THERE, YOU
LOCATE YOUR EVIDENCE,
650
00:41:28,360 --> 00:41:29,760
AND THEN YOU COME
OUT OR WE COME IN.
651
00:41:29,820 --> 00:41:32,239
OKAY, 10 MINUTES. ALL RIGHT.
652
00:42:12,529 --> 00:42:16,407
UH, I DON'T UNDERSTAND,
MR. REARDON.
653
00:42:18,118 --> 00:42:21,287
SINCE THIS MORNING, I'VE
HAD THESE STRANGE FEELINGS
654
00:42:21,580 --> 00:42:26,080
LIKE I'M RESPONSIBLE FOR
WHAT HAPPENED TO MR. DENVERS.
655
00:42:26,376 --> 00:42:29,754
HMM. THAT'S QUITE
NATURAL, CYNTHIA.
656
00:42:30,047 --> 00:42:31,298
EVERYONE EXPERIENCES GUILT
657
00:42:31,590 --> 00:42:34,968
WHEN THEY'RE NEAR SOMEONE
WHO SUFFERS A CRISIS.
658
00:42:35,260 --> 00:42:37,637
DID YOU TRY MEDITATING
ON THE FLAME?
659
00:42:38,889 --> 00:42:40,432
MM-HM.
660
00:42:41,892 --> 00:42:45,478
UH, UM...
661
00:42:45,771 --> 00:42:48,023
I COULDN'T SEEM TO.
662
00:42:50,233 --> 00:42:52,068
I LOST IT.
663
00:42:53,445 --> 00:42:54,445
MM-HM.
664
00:42:54,571 --> 00:42:56,739
THAT'S WHY I HAD TO COME HERE.
665
00:42:59,743 --> 00:43:02,328
JUST CLOSE YOUR EYES NOW
666
00:43:02,621 --> 00:43:04,372
AND REST.
667
00:43:09,795 --> 00:43:12,547
WHAT'S THE MATTER WITH
HER? WHY IS SHE FALLING APART?
668
00:43:12,839 --> 00:43:14,674
IT'S GUILT.
669
00:43:14,966 --> 00:43:16,300
IT'S AN ATTACK OF CONSCIENCE
670
00:43:16,593 --> 00:43:18,029
WITHOUT THE SUPPORT
OF REINFORCEMENT.
671
00:43:18,053 --> 00:43:19,137
PUT HER IN THE TANK.
672
00:43:19,429 --> 00:43:20,847
ARE YOU REPROGRAMMING HER?
673
00:43:21,139 --> 00:43:23,850
NO, IT'S A PITY BUT SHE'S
REALLY SERVED HER PURPOSE.
674
00:43:24,142 --> 00:43:26,519
WHEN YOU TAKE THE OXYGEN DOWN,
675
00:43:26,812 --> 00:43:28,897
KEEP IT AT
HYPERVENTILATION LEVEL.
676
00:43:29,189 --> 00:43:30,732
DEATH BY NATURAL CAUSES
677
00:43:31,024 --> 00:43:32,775
WILL TAKE CARE OF
A LOT OF QUESTIONS.
678
00:44:09,938 --> 00:44:11,022
WHAT ARE YOU DOING HERE?
679
00:44:11,314 --> 00:44:14,066
I, UH, I TOLD DARLENE,
I'D BE WAITING FOR YOU.
680
00:44:14,359 --> 00:44:16,819
EVERYTHING WENT WELL?
681
00:44:17,112 --> 00:44:18,530
YES, SIR.
682
00:44:24,744 --> 00:44:27,413
DID YOU MEET STEVE BRIGGS?
683
00:44:27,706 --> 00:44:29,332
YES, SIR.
684
00:44:30,959 --> 00:44:31,959
DID YOU KILL HIM?
685
00:44:33,336 --> 00:44:37,089
WELL, I... I TRIED BUT
THERE WAS A PROBLEM.
686
00:44:37,382 --> 00:44:39,425
I'M SURE THERE WAS.
687
00:44:41,428 --> 00:44:43,263
IT'S A MISTAKE. YOU
SHOULDN'T HAVE ANSWERED.
688
00:44:45,932 --> 00:44:47,433
YOU ASKED ME.
689
00:44:47,726 --> 00:44:49,602
I KNOW I ASKED YOU.
690
00:44:49,895 --> 00:44:52,731
BUT YOU'RE NOT PROGRAMMED
TO REMEMBER KILLING
691
00:44:53,023 --> 00:44:55,066
UNLESS I TURNED THE KEY.
692
00:44:55,358 --> 00:44:58,277
THERE'S NO
PRETENDING IN HYPNOSIS.
693
00:45:00,488 --> 00:45:04,200
THERE'S NO PRETENDING IN DEATH.
694
00:45:13,960 --> 00:45:17,463
JULIE? JULIE, WHERE ARE YOU?
695
00:45:20,926 --> 00:45:23,261
WHO ARE YOU, GIRLS? WHAT
ARE YOU DOING DOWN HERE?
696
00:45:30,852 --> 00:45:32,132
MY GOD. THERE'S
SOMEONE IN THERE.
697
00:45:33,313 --> 00:45:34,314
SHE'S SUFFOCATING.
698
00:45:34,606 --> 00:45:37,233
IT'S CYNTHIA.
699
00:45:45,575 --> 00:45:48,578
CYNTHIA? CYNTHIA, COME ON.
700
00:46:19,192 --> 00:46:20,526
JULIE?
701
00:46:21,861 --> 00:46:23,779
JULIE?
702
00:46:24,072 --> 00:46:25,156
JULIE?
703
00:46:25,448 --> 00:46:26,699
IS THAT YOUR FRIEND?
704
00:46:26,992 --> 00:46:29,202
DON'T WORRY. I'M NOT
GONNA SHARE YOU WITH HER.
705
00:46:43,300 --> 00:46:46,303
UH, HI.
706
00:46:46,594 --> 00:46:48,714
THIS MUST BE THE DISCO ROOM
YOU WERE TELLING ME ABOUT.
707
00:46:48,847 --> 00:46:52,684
YEP, BUT I JUST, UH, CAN'T
SEEM TO KEEP A PARTNER.
708
00:47:06,990 --> 00:47:08,759
ANGELS, I'M VERY HAPPY TO HEAR
709
00:47:08,783 --> 00:47:09,909
THAT THERE WAS NO PROBLEM
710
00:47:10,201 --> 00:47:12,453
DEPROGRAMMING
MR. REARDON'S VICTIMS.
711
00:47:12,746 --> 00:47:15,665
NOT HALF AS HAPPY AS I
AM TO HEAR IT, CHARLIE.
712
00:47:15,957 --> 00:47:17,708
WELL, I'M REALLY SORRY
ABOUT THAT, JULIE.
713
00:47:18,001 --> 00:47:19,711
NOT NEARLY AS
SORRY AS MR. REARDON.
714
00:47:20,003 --> 00:47:21,421
HE HAS A NEW PROGRAM HIMSELF.
715
00:47:21,713 --> 00:47:23,506
MURDER ONE, SPECIAL
CIRCUMSTANCE.
716
00:47:23,798 --> 00:47:25,638
NOT TO MENTION THE
PROBLEMS OF HIS ACCOMPLICES,
717
00:47:25,800 --> 00:47:26,800
TUSTIN AND CARVER.
718
00:47:26,885 --> 00:47:28,094
LOOKS LIKE THEY'RE IN FOR SOME
719
00:47:28,386 --> 00:47:31,555
SENSORY DEPRIVATION OF
THEIR OWN. SAY, FOR 20 YEARS.
720
00:47:31,848 --> 00:47:34,100
IT WAS GOOD WORK, ANGELS,
721
00:47:34,392 --> 00:47:36,602
AND STEVE BRIGGS
WAS VERY APPRECIATIVE.
722
00:47:36,895 --> 00:47:38,396
YOU MEAN, WESTERN TECHTRONICS
723
00:47:38,688 --> 00:47:40,328
ISN'T GONNA BE PUT ON
THE MARKET, CHARLIE?
724
00:47:40,482 --> 00:47:41,608
NOT FOR A WHILE, AT LEAST.
725
00:47:41,900 --> 00:47:42,942
AN EMERGENCY BOARD MEETING
726
00:47:43,234 --> 00:47:45,778
ELECTED STEVE BRIGGS
CHIEF EXECUTIVE OFFICER.
727
00:47:46,071 --> 00:47:47,530
AND THANKS TO YOUR HELP
728
00:47:47,822 --> 00:47:50,115
WESTERN TECHTRONICS
IS PROCEEDING FULL SPEED
729
00:47:50,408 --> 00:47:52,576
70 DEVELOP THEIR
GEOTHERMAL RESOURCES.
730
00:47:52,869 --> 00:47:55,830
YOU MAY SOON BE
DINING BY LAMPLIGHT
731
00:47:56,122 --> 00:47:58,415
SUPPLIED BY WESTERN TECHTRONICS.
732
00:47:58,708 --> 00:48:01,961
AS LONG AS IT'S ELECTRIC,
IT'S FINE WITH ME, CHARLIE.
733
00:48:02,253 --> 00:48:06,423
SOMEHOW, CANDLELIGHT
SEEMS TO HAVE LOST ITS CHARM.
734
00:48:06,716 --> 00:48:08,134
OH, I DON'T KNOW.
735
00:48:08,426 --> 00:48:12,054
I'VE ALWAYS FOUND IT RELAXING.
736
00:48:16,393 --> 00:48:19,145
♪♪
737
00:48:23,566 --> 00:48:25,734
♪♪
52921
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