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1
00:00:02,770 --> 00:00:04,470
EVIL IS SEDUCTIVE...
2
00:00:04,505 --> 00:00:05,865
Woman: MM.
3
00:00:05,906 --> 00:00:07,976
...BECAUSE SATAN IS CLEVER.
4
00:00:08,008 --> 00:00:09,008
Man: YES.
5
00:00:09,043 --> 00:00:11,583
TEMPTATION IS BEAUTIFUL.
6
00:00:11,612 --> 00:00:13,582
THAT'S WHAT MAKES IT
TEMPTING.
7
00:00:13,614 --> 00:00:15,424
[ LAUGHTER ]
8
00:00:15,449 --> 00:00:19,419
IN ORDER TO TEMPT US,
THE DEVIL DRESSES EVIL UP,
9
00:00:19,453 --> 00:00:20,753
MAKES IT LOOK GOOD.
10
00:00:20,788 --> 00:00:21,718
YES, HE DOES.
11
00:00:21,755 --> 00:00:25,185
EVIL SPARKLES, SHINES...
12
00:00:25,226 --> 00:00:26,226
YEAH.
13
00:00:26,260 --> 00:00:27,860
...WHILE GOOD...
14
00:00:27,895 --> 00:00:29,195
UH-OH. HERE WE GO.
15
00:00:29,230 --> 00:00:30,330
[ INDISTINCT CONVERSATIONS ]
16
00:00:30,364 --> 00:00:31,334
NOT AGAIN.
17
00:00:31,365 --> 00:00:33,525
...AVOIDS THE SPOTLIGHT.
18
00:00:33,567 --> 00:00:34,897
[ CHUCKLES ]
19
00:00:34,935 --> 00:00:37,205
DID YOU FORGET TO PAY
YOUR POWER BILL,
20
00:00:37,238 --> 00:00:38,738
DETECTIVE PASTOR ALMOND?
21
00:00:38,772 --> 00:00:40,742
GOOD WILL ALWAYS
FIND THE LIGHT.
22
00:00:40,774 --> 00:00:42,344
All: AMEN.
23
00:00:42,376 --> 00:00:44,276
AND I THANK YOU FOR THAT.
24
00:00:56,890 --> 00:00:58,260
THAT IS...
25
00:00:59,160 --> 00:01:00,290
STOLEN PROPERTY.
26
00:01:00,328 --> 00:01:01,858
NO, IT'S NOT.
27
00:01:01,895 --> 00:01:04,765
20 BUCKS SAYS YOU CAN'T UNLOAD
THAT BRONZE OTTER.
28
00:01:04,798 --> 00:01:07,368
DEAL.
I CAN UNLOAD ANYTHING.
29
00:01:07,401 --> 00:01:09,271
UH-HUH.
30
00:01:09,303 --> 00:01:13,373
PORTLAND POLICE BUREAU ALERTS --
BRONZE OTTER.
31
00:01:13,407 --> 00:01:15,277
BRONZE OTTER STATUE --
32
00:01:15,309 --> 00:01:17,809
"ICONIC BRONZE OTTER STATUE
33
00:01:17,845 --> 00:01:20,605
STOLEN FROM PORTLAND'S
WORLD-FAMOUS
34
00:01:20,648 --> 00:01:22,318
'ANIMALS IN THE POND.'"
35
00:01:22,350 --> 00:01:24,650
DAMN IT. HOW COULD I
NOT HAVE KNOWN THAT?
36
00:01:24,685 --> 00:01:26,315
COME ON.
37
00:01:26,354 --> 00:01:27,364
OH.
38
00:01:28,656 --> 00:01:29,816
TALK TOO MUCH.
39
00:01:29,857 --> 00:01:31,227
[ LAPTOP BEEPS ]
40
00:01:31,259 --> 00:01:32,489
PBBBHT.
41
00:01:45,806 --> 00:01:47,506
I NEED YOU TO DRIVE ME
TO WORK.
42
00:01:47,541 --> 00:01:49,241
WHY? WHAT'S WRONG?
43
00:01:49,277 --> 00:01:50,307
HE'S BACK.
44
00:01:50,344 --> 00:01:52,154
WHO'S BACK?
45
00:01:52,180 --> 00:01:53,480
[ CELLPHONE BEEPS, RINGING ]
46
00:01:53,514 --> 00:01:56,424
HEY, GET EVERYONE IN --
NOW.
47
00:01:56,450 --> 00:01:58,690
NO, I KNOW IT'S
SUNDAY AFTERNOON.
48
00:01:58,719 --> 00:02:00,449
Jennifer: TALIA DIDN'T
COME HOME LAST NIGHT.
49
00:02:00,488 --> 00:02:03,958
AND I CALLED THE POLICE,
BUT THEY SAID SHE'S 14,
50
00:02:03,991 --> 00:02:06,661
SO TO CALL BACK IF SHE DOESN'T
COME HOME IN A COUPLE OF DAYS.
51
00:02:06,694 --> 00:02:08,104
MISSING PERSONS SAY
THAT SHE'S A RUNAWAY
52
00:02:08,128 --> 00:02:09,598
BECAUSE SHE LEFT A NOTE.
53
00:02:09,630 --> 00:02:12,700
SO THE LIEUTENANT WANTS US
TO CHASE A RUNAWAY?
54
00:02:12,733 --> 00:02:14,373
LIEUTENANT SAYS
IT'S AN ABDUCTION
55
00:02:14,402 --> 00:02:16,102
BY A PREDATOR
WHO'S DONE IT BEFORE.
56
00:02:16,136 --> 00:02:18,806
WHEN'S THE LAST TIME YOU SAW
YOUR DAUGHTER, MRS. LENNOX?
57
00:02:18,839 --> 00:02:20,769
UH, YESTERDAY --
SATURDAY.
58
00:02:20,808 --> 00:02:22,278
AROUND NOON.
SHE GOT UP AROUND NOON.
59
00:02:22,310 --> 00:02:24,210
SO, BASICALLY, YOU LET
YOUR 14-YEAR-OLD DAUGHTER
60
00:02:24,245 --> 00:02:25,775
STAY UP ALL NIGHT
AND GET UP AT NOON.
61
00:02:25,813 --> 00:02:27,523
I DON'T "LET" TALIA
DO ANYTHING.
62
00:02:27,548 --> 00:02:28,848
TALIA DOES WHAT SHE WANTS.
63
00:02:28,882 --> 00:02:30,652
[ SIGHS ]
64
00:02:30,684 --> 00:02:33,554
THIS NOTE -- IS IT
TALIA'S HANDWRITING?
65
00:02:35,155 --> 00:02:36,555
IT SAYS ON THE NOTE
THAT SHE'S GOING TO
LIVE WITH HER FATHER.
66
00:02:36,590 --> 00:02:39,860
YES, YES. THAT'S --
THAT'S TALIA'S HANDWRITING.
67
00:02:39,893 --> 00:02:41,303
TALIA'S FATHER, ROGER,
68
00:02:41,329 --> 00:02:42,999
LIVES IN LOS ANGELES
69
00:02:43,030 --> 00:02:46,700
[SNIFFLES] BUT HE HASN'T
TALKED TO HER SINCE CHRISTMAS.
70
00:02:46,734 --> 00:02:49,904
BUT HE PROMISED HE WOULD
LET ME KNOW IF SHE SHOWS UP.
71
00:02:49,937 --> 00:02:51,837
ARE YOU SAYING THIS NOTE
IS A LIE?
72
00:02:51,872 --> 00:02:53,912
TALIA LIES.
SHE LIES ALL THE TIME.
73
00:02:53,941 --> 00:02:55,511
WHAT HAPPENS WHEN
YOU CALL HER CELL?
74
00:02:55,543 --> 00:02:58,753
I...UM...
75
00:02:58,779 --> 00:03:00,809
I DON'T -- I DON'T
KNOW THE NUMBER.
76
00:03:00,848 --> 00:03:03,148
IT'S, UM --
IT'S BLOCKED. SHE...
77
00:03:03,183 --> 00:03:07,023
SHE PAYS FOR IT HERSELF
SO SHE DOESN'T HAVE
TO TELL ME ANYTHING.
78
00:03:07,054 --> 00:03:09,824
SO, BASICALLY, YOU'VE
GIVEN UP ALL SUPERVISION
OF YOUR OWN DAUGHTER.
79
00:03:09,857 --> 00:03:12,227
MAYBE ONE OF HER FRIENDS
KNOWS THE NUMBER?
80
00:03:12,260 --> 00:03:14,030
FORGET IT, GRAVELY.
81
00:03:14,061 --> 00:03:16,201
SHE DOESN'T HAVE A CLUE ABOUT
HER DAUGHTER'S FRIENDS.
82
00:03:16,230 --> 00:03:18,230
I'M NOT EVEN GONNA BOTHER
ASKING
83
00:03:18,266 --> 00:03:20,626
WHAT KIND OF DRUGS SHE WAS ON
OR WHO SHE WAS SLEEPING WITH.
84
00:03:21,802 --> 00:03:23,442
I KNOW WHAT THIS IS ABOUT.
85
00:03:23,471 --> 00:03:25,271
WHAT DO YOU GOT?
[ KEYBOARD CLACKING ]
86
00:03:25,306 --> 00:03:27,276
SEVEN YEARS AGO,
ANOTHER GIRL WENT MISSING --
87
00:03:27,308 --> 00:03:30,178
ONE GREEN EYE, ONE BLUE.
LACY SIDDON.
88
00:03:30,210 --> 00:03:32,510
"PRESUMED MURDERED.
BODY NEVER FOUND."
89
00:03:32,546 --> 00:03:35,746
WELL, IF THE BODY WASN'T FOUND,
HOW DO WE KNOW WHAT HAPPENED?
90
00:03:35,783 --> 00:03:37,183
THE LIEUTENANT
KNOWS WHAT HE KNOWS.
91
00:03:37,217 --> 00:03:38,517
BACKSTROM WAS LEAD ON THE CASE,
92
00:03:38,552 --> 00:03:40,092
BUT WHEN THEY CALLED OFF
THE INVESTIGATION,
93
00:03:40,120 --> 00:03:41,560
HE STOPPED BEING A COP.
94
00:03:41,589 --> 00:03:43,719
IT WAS CHIEF CERVANTES
WHO FOUND HIM HOLED UP
95
00:03:43,757 --> 00:03:45,627
IN A MOTEL IN PORT ORFORD,
96
00:03:45,659 --> 00:03:47,229
TRYING TO DRINK HIMSELF
TO DEATH.
97
00:03:47,261 --> 00:03:50,401
WE DON'T FIND THIS GIRL
IN THE NEXT 24 HOURS,
98
00:03:50,431 --> 00:03:52,631
SHE'S DEAD.
WHY 24 HOURS?
99
00:03:52,666 --> 00:03:57,236
MOTO, IF TALIA IS IN THE HANDS
OF A SEXUAL PREDATOR,
100
00:03:57,271 --> 00:04:01,741
A SADIST, SHE WILL BE RAPED
AND TORTURED UNTIL SHE IS DEAD.
101
00:04:01,775 --> 00:04:04,705
AND THAT DOESN'T TAKE LONG
WITH A KID.
102
00:04:04,745 --> 00:04:06,275
AND HE'LL DISPOSE
OF THE BODY.
103
00:04:06,314 --> 00:04:08,054
NO ONE WILL EVER KNOW
WHAT HAPPENED TO HER.
104
00:04:08,081 --> 00:04:09,921
LIEUTENANT,
YOU THINKING LACY SIDDON?
105
00:04:09,950 --> 00:04:11,450
ISN'T IT OBVIOUS?
106
00:04:11,485 --> 00:04:13,385
TO PLAY DEVIL'S ADVOCATE,
IF I MAY,
107
00:04:13,421 --> 00:04:16,461
IT IS BAD POLICE WORK TO ASSUME
THESE CASES ARE LINKED.
108
00:04:16,490 --> 00:04:18,960
WELL, THEN I'M THE POSTER BOY
FOR BAD POLICE.
109
00:04:18,992 --> 00:04:20,992
GO GET ME TALIA'S
PHONE RECORDS.
110
00:04:21,028 --> 00:04:23,158
I'M GONNA MAKE A LIST OF SEX
OFFENDERS WHO FIT THE PROFILE.
111
00:04:23,196 --> 00:04:25,226
PULL TOGETHER
THE LACY SIDDON FILE.
112
00:04:25,265 --> 00:04:27,565
GRAVELY, I'M GONNA CHECK OUT
THE GIRL'S ROOM.
113
00:04:27,601 --> 00:04:29,071
YOU IN OR OUT?
114
00:04:29,102 --> 00:04:32,742
IT JUST MAKES ME UNCOMFORTABLE
TO JUMP TO CONCLUSIONS
115
00:04:32,773 --> 00:04:34,413
BASED ON AN OLD OBSESSION.
116
00:04:34,442 --> 00:04:37,682
DO YOU --
TODAY, GRAVELY!
117
00:04:47,855 --> 00:04:51,625
THIS IS A NICE ROOM.
118
00:04:55,496 --> 00:05:00,226
CASCADIA GIRLS' SCHOOL.
IT'S FOR PROBLEM KIDS.
119
00:05:06,540 --> 00:05:08,440
LIEUTENANT?
120
00:05:08,476 --> 00:05:12,146
UNICORNS AND RAINBOWS
AND STUFFED ANIMALS IN HER ROOM,
121
00:05:12,179 --> 00:05:14,049
BUT OPEN HER CLOSET DOOR...
122
00:05:14,081 --> 00:05:16,621
THERE'S NOTHING BUT
BLACK CLOTHES,
123
00:05:16,650 --> 00:05:18,450
STINK OF CIGARETTES.
124
00:05:18,486 --> 00:05:20,816
UH, GIRLS GROW UP.
KIDS GO THROUGH PHASES.
125
00:05:20,854 --> 00:05:23,724
SAME THING
WITH LACY SIDDON.
126
00:05:23,757 --> 00:05:27,227
ROOMFUL OF RAINBOWS...
127
00:05:27,260 --> 00:05:31,260
SEA OF BLACK
IN THE CLOSET.
128
00:06:05,566 --> 00:06:07,096
Gravely:
PRINCIPAL LARSEN,
129
00:06:07,134 --> 00:06:09,404
WOULD YOU DESCRIBE TALIA LENNOX
AS A GOOD STUDENT?
130
00:06:09,437 --> 00:06:11,937
WE DON'T USE THE TERMS
"GOOD," "BAD," "STUDENTS."
131
00:06:11,972 --> 00:06:13,842
WE LIKE TO REFER TO
THE GIRLS AS "PUNKINS" --
132
00:06:13,874 --> 00:06:15,384
"PUNKS" FOR SHORT.
133
00:06:15,409 --> 00:06:18,049
IT ACKNOWLEDGES WHERE THEY
COME FROM, BUT IN A FUN WAY.
134
00:06:18,078 --> 00:06:20,548
TALIA'S MOTHER BELIEVES
THAT SHE WAS DOING DRUGS.
135
00:06:20,581 --> 00:06:24,021
MOST CHILDREN EXPERIMENT WITH
SUBSTANCES. IT'S UNAVOIDABLE.
136
00:06:24,051 --> 00:06:26,951
WE BELIEVE IN ALLOWING
OUR PUNKS TO FIND THEMSELVES
137
00:06:26,987 --> 00:06:28,957
THROUGH TRIAL AND ERROR
IN A SAFE ENVIRONS.
138
00:06:28,989 --> 00:06:31,529
WE'RE GONNA HAVE TO TALK
TO TALIA'S FRIENDS.
139
00:06:31,559 --> 00:06:33,759
ESPECIALLY THE BAD,
STUPID ONES.
140
00:06:33,794 --> 00:06:35,234
WELL, THERE'S AN ANNEX
THROUGH THERE
141
00:06:35,262 --> 00:06:37,432
WHERE THE PUNKINS GATHER
FREE FROM SCRUTINY.
142
00:06:37,465 --> 00:06:39,365
IT'S CALLED
THE LAISSEZ-FAIRE GROUND.
143
00:06:39,399 --> 00:06:41,939
BUT I CANNOT LET YOU IN
THERE WITHOUT A WARRANT.
144
00:06:41,969 --> 00:06:44,039
SO YOU ARE GONNA
HAVE TO WAIT HERE.
145
00:06:44,071 --> 00:06:46,071
WE'RE GONNA GO THROUGH
THAT DOOR.
146
00:06:46,106 --> 00:06:48,236
THERE'S GONNA BE KIDS WITH DRUGS
ON THE OTHER SIDE,
147
00:06:48,275 --> 00:06:50,275
BECAUSE YOU'RE TOO
STUPID AND LAZY
148
00:06:50,310 --> 00:06:52,150
TO BE A REAL PRINCIPAL
OF A REAL SCHOOL.
149
00:06:52,179 --> 00:06:54,479
AND IF YOU REFUSE US PERMISSION,
WE'LL ARREST EVERY ONE OF 'EM.
150
00:06:55,415 --> 00:06:57,045
WE'LL TAKE THAT
AS A "YES."
151
00:06:57,084 --> 00:06:58,824
[ INDISTINCT CONVERSATIONS ]
152
00:06:58,852 --> 00:07:01,092
CHECK THIS OUT.
Girl: EW. GROSS.
153
00:07:01,121 --> 00:07:03,961
Gravely: OH, MY GOD.
IT'S PERVERT HEAVEN.
154
00:07:03,991 --> 00:07:05,761
[ CHUCKLES ]
155
00:07:05,793 --> 00:07:07,933
DOES ANYONE HERE
KNOW TALIA LENNOX?
156
00:07:07,961 --> 00:07:09,101
Young woman: NOPE.
157
00:07:09,129 --> 00:07:11,629
ANYONE?
158
00:07:11,665 --> 00:07:12,625
NO?
159
00:07:12,666 --> 00:07:13,566
NOT ANSWERING.
LOSER.
160
00:07:13,601 --> 00:07:14,331
REALLY?
161
00:07:14,367 --> 00:07:15,597
[ CHUCKLES ]
162
00:07:15,636 --> 00:07:17,666
BLACK HOODIES.
163
00:07:18,706 --> 00:07:21,436
H-HEY! BAD TOUCHING.
164
00:07:21,475 --> 00:07:22,905
Gravely:
PORTLAND POLICE.
165
00:07:22,943 --> 00:07:25,283
THOSE ARE JUST VITAMINS.
THEY AREN'T EVEN MINE.
166
00:07:25,312 --> 00:07:26,912
SHOULD WE CHECK ALL OF YOU
FOR VITAMINS?
167
00:07:26,947 --> 00:07:29,177
IF WE TELL YOU WE
KNOW TALIA LENNOX,
WILL YOU GO AWAY?
168
00:07:29,216 --> 00:07:31,786
THAT'S GONNA BE
YOUR BEST CHANCE.
TALIA RAN AWAY TO HER DAD'S.
169
00:07:31,819 --> 00:07:34,249
NO, SHE DIDN'T.
THAT'S WHAT SHE TOLD US.
170
00:07:34,287 --> 00:07:36,687
DID SHE EVER MENTION ANYTHING
ABOUT A CREEPY GUY?
171
00:07:37,525 --> 00:07:39,285
I MEAN, ONLY CLAUDIO.
172
00:07:39,326 --> 00:07:42,356
YEAH, CLAUDIO'S THICK CREEPY.
CLAUDIO WHO?
173
00:07:42,395 --> 00:07:44,865
TALIA BROKE UP WITH CLAUDIO, AND
HE SAID HE WAS GONNA KILL HER.
174
00:07:44,898 --> 00:07:47,028
HOW OLD IS CLAUDIO?
16?
175
00:07:47,067 --> 00:07:48,837
SEVEN YEARS AGO,
THICK CREEPY CLAUDIO WAS 9.
176
00:07:48,869 --> 00:07:50,039
NOT OUR GUY.
177
00:07:50,070 --> 00:07:53,540
I'M GONNA NEED CLAUDIO'S
LAST NAME.
178
00:07:53,574 --> 00:07:55,784
I'M GONNA NEED
TALIA'S PHONE NUMBER.
179
00:07:55,809 --> 00:07:57,949
CLAUDIO MORETTI.
180
00:07:57,978 --> 00:07:59,678
HEY! COME ON!
181
00:07:59,713 --> 00:08:02,523
GRAVELY, CHASE AFTER THEM.
GET TALIA'S NUMBER.
182
00:08:02,550 --> 00:08:04,050
GO.
183
00:08:04,084 --> 00:08:06,124
MOTO AND NIEDERMAYER WILL
GO PICK UP CLAUDIO MORETTI,
184
00:08:06,153 --> 00:08:08,423
AND HE WILL GIVE US
TALIA'S PHONE NUMBER.
185
00:08:14,194 --> 00:08:17,034
I NEED YOU TO WRITE DOWN
TALIA'S CELLPHONE NUMBER.
186
00:08:18,165 --> 00:08:19,825
WHATEVER.
187
00:08:24,504 --> 00:08:26,014
Backstrom: GOT IT.
188
00:08:26,039 --> 00:08:27,679
WHEN IS THE LAST TIME
YOU SAW TALIA?
189
00:08:27,708 --> 00:08:29,708
FRIDAY NIGHT.
KID DOESN'T FIT
YOUR THEORY.
190
00:08:29,743 --> 00:08:32,083
PAQUET AND I'LL WORK
TALIA'S PHONE.
191
00:08:32,112 --> 00:08:33,382
I'LL WATCH
THE REST OF THIS.
192
00:08:33,413 --> 00:08:34,923
IS THAT WHEN SHE
BROKE UP WITH YOU?
193
00:08:34,948 --> 00:08:36,678
YES. WELL, OKAY, NO.
I BROKE UP WITH HER.
194
00:08:36,717 --> 00:08:38,017
DO YOU MIND TELLING US
WHAT HAPPENED?
195
00:08:38,051 --> 00:08:39,721
L-L-LOOK,
IS THAT WHY I'M HERE?
196
00:08:39,753 --> 00:08:42,163
BECAUSE I HONESTLY DID NOT KNOW
THAT TALIA WAS 14. OKAY?
197
00:08:42,189 --> 00:08:44,729
SH-SHE SAID SHE WAS 16,
SAME AS ME.
198
00:08:44,758 --> 00:08:46,928
SHE LOOKS 16, RIGHT?
199
00:08:46,960 --> 00:08:49,360
DID YOU ENGAGE
IN COITUS WITH TALIA?
200
00:08:51,364 --> 00:08:53,074
M-MAYBE.
201
00:08:53,100 --> 00:08:55,240
COITUS IS
SEXUAL INTERCOURSE.
202
00:08:56,870 --> 00:08:58,740
THAT'S WHEN YOU PUT
YOUR PENIS INSIDE --
203
00:08:58,772 --> 00:09:00,212
OH, MY.
OKAY, NO, NO, NO.
204
00:09:00,240 --> 00:09:02,880
I DID NOT HAVE
SEXUAL INTERCOURSE WITH TALIA.
205
00:09:02,910 --> 00:09:05,680
I'VE...NEVER HAD
SEXUAL INTERCOURSE WITH ANYONE.
206
00:09:05,713 --> 00:09:07,953
I-IF THERE'S, LIKE,
A TEST FOR THAT,
207
00:09:07,981 --> 00:09:10,781
I WILL GLADLY TAKE IT
FOR PROOF.
208
00:09:10,818 --> 00:09:13,718
IS SHE LEAVING TO GET
THE TEST, OR...?
209
00:09:13,754 --> 00:09:18,094
SO, H-HOW DID YOU FIND OUT
TALIA'S REAL AGE?
210
00:09:18,125 --> 00:09:21,025
UH, I MET TALIA ONLINE.
YOU KNOW WHAT I MEAN?
211
00:09:21,061 --> 00:09:22,561
YOU SEXTED EACH OTHER?
212
00:09:22,596 --> 00:09:25,266
IT'S BACKSTROM'S THEORY
THAT LACY SIDDON'S ABDUCTOR
213
00:09:25,298 --> 00:09:27,028
STALKED HER ONLINE.
214
00:09:27,067 --> 00:09:28,967
BUT -- BUT THEN, WE MEET
IN PERSON AND I SEE HER BINDER.
215
00:09:29,002 --> 00:09:30,772
IT'S EIGHTH GRADE.
216
00:09:30,804 --> 00:09:32,914
LIKE, MY DAD SAID I COULD GET
BRANDED FOR LIFE A SEX OFFENDER.
217
00:09:32,940 --> 00:09:34,780
WHAT DID TALIA DO
WHEN YOU BROKE UP?
218
00:09:34,808 --> 00:09:38,108
WELL, SHE SAID SHE'D FIND
SOMEBODY BETTER ONLINE.
219
00:09:38,145 --> 00:09:39,645
SOMEBODY BETTER?
220
00:09:39,680 --> 00:09:41,880
YEAH, SHE SAID NOT
REGULAR BORING LIKE ME.
221
00:09:41,915 --> 00:09:43,275
SOMEBODY BAD.
222
00:09:43,316 --> 00:09:45,216
SO SHE ACTUALLY SAID,
"SOMEBODY BAD"?
223
00:09:45,252 --> 00:09:46,592
YES, SIR.
224
00:09:46,620 --> 00:09:47,990
SHE SAID,
225
00:09:48,021 --> 00:09:50,591
"GOOD IS GOOD,
BUT BAD IS BETTER."
226
00:09:53,026 --> 00:09:55,426
OKAY, SO TALIA'S PHONE
WENT OFF THE NETWORK
227
00:09:55,462 --> 00:09:56,632
JUST AFTER MIDNIGHT.
228
00:09:56,664 --> 00:09:57,904
LAST-KNOWN LOCATION?
229
00:09:57,931 --> 00:09:59,471
[ KEYBOARD CLACKING ]
230
00:09:59,499 --> 00:10:01,599
TUNNEL UNDER
TRAIN TRACKS HERE.
231
00:10:01,635 --> 00:10:04,665
AND ALL HER OUTGOING CALLS
WENT TO HER SCHOOL FRIENDS,
232
00:10:04,705 --> 00:10:06,465
AMBER, BETHANY, AND HARPER.
233
00:10:06,506 --> 00:10:10,076
OH, AND THAT BOY --
TALIA ALSO TEXTED THOSE PEOPLE.
234
00:10:10,110 --> 00:10:12,750
BUT WITHOUT THE ACTUAL PHONE,
I CANNOT ACCESS THE CONTENTS.
235
00:10:12,780 --> 00:10:14,450
NO COMMUNICATIONS
WITH HER FATHER?
236
00:10:14,481 --> 00:10:15,981
NO. NONE.
THE FATHER AND THE BOY
237
00:10:16,016 --> 00:10:18,146
HAVE NOTHING TO DO WITH
TALIA'S DISAPPEARANCE.
238
00:10:18,185 --> 00:10:21,415
SHE WAS ABDUCTED BY A MAN
OBSESSED WITH MISMATCHED EYES.
239
00:10:21,454 --> 00:10:25,134
ALL MY FOSTER KIDS SURF THE WEB
MORE THAN E-MAIL OR TEXTING.
240
00:10:25,158 --> 00:10:26,858
WELL, HER PHONE RECORDS
INDICATE THAT TALIA
241
00:10:26,894 --> 00:10:28,634
USED THE INTERNET
EXTENSIVELY.
242
00:10:28,662 --> 00:10:31,032
BUT, AGAIN, NO PHONE,
NO DETAILS.
243
00:10:31,064 --> 00:10:33,774
HE GOT TO HER
OVER THE INTERNET.
244
00:10:33,801 --> 00:10:35,841
I'M GONNA FIND
TALIA'S PHONE.
245
00:10:35,869 --> 00:10:38,209
NIEDERMAYER CAN TAKE A TEAM
TO SEARCH BY THE TUNNEL.
246
00:10:38,238 --> 00:10:40,138
Jennifer: HELLO? HELLO?
I GOT A RANSOM NOTE.
247
00:10:40,173 --> 00:10:42,683
IT WAS UNDER
MY WINDSHIELD WIPER.
248
00:10:42,710 --> 00:10:44,680
"I HAVE TALIA LENNOX.
249
00:10:44,712 --> 00:10:47,552
"$50,000 IN M-PAYMENT
TO THE NUMBER BELOW
250
00:10:47,580 --> 00:10:49,050
"OR I WILL BURN HER ALIVE.
251
00:10:49,082 --> 00:10:51,022
YOU WILL NEVER FIND
HER REMAINS."
252
00:10:51,051 --> 00:10:52,191
WE HAVE TO CALL THE FBI.
253
00:10:52,219 --> 00:10:53,619
GREAT. WHEN YOU
CALL THE FBI,
254
00:10:53,653 --> 00:10:55,723
THEY'LL PUSH US ASIDE
AND TAKE OVER THIS CASE.
255
00:10:55,756 --> 00:10:57,886
KIDNAPPING IS
THE FBI's JURISDICTION.
256
00:10:57,925 --> 00:11:00,685
THIS NOTE IS BOGUS!
257
00:11:00,728 --> 00:11:03,528
I'M SORRY, LIEUTENANT.
IT'S THE LAW.
258
00:11:03,563 --> 00:11:05,733
[ SIGHS ]
259
00:11:07,567 --> 00:11:09,367
[ DOOR SLAMS ]
260
00:11:13,874 --> 00:11:15,184
[ INDISTINCT CONVERSATIONS ]
261
00:11:15,208 --> 00:11:19,648
[ TELEPHONE RINGING ]
262
00:11:19,679 --> 00:11:21,179
[ SIGHS ]
263
00:11:26,954 --> 00:11:29,094
[ KNOCK ON GLASS ]
264
00:11:30,123 --> 00:11:31,493
I'M GONNA LOSE MY CHURCH.
265
00:11:31,524 --> 00:11:33,694
I'M THREE MONTHS BEHIND
ON MY RENT,
266
00:11:33,727 --> 00:11:35,857
AND THEY TURNED OFF
MY ELECTRICITY.
267
00:11:35,896 --> 00:11:38,996
[ SIGHS ] THAT'S GOD TELLING YOU
YOU'RE A CRAPPY PASTOR.
268
00:11:39,032 --> 00:11:41,432
IT'S GOD TELLING ME
I NEED A SECOND JOB.
269
00:11:41,468 --> 00:11:44,738
YOU GET A SECOND JOB...
270
00:11:44,772 --> 00:11:46,742
YOU CAN'T WORK AT SCU.
271
00:11:46,774 --> 00:11:49,184
EXACTLY.
272
00:11:49,209 --> 00:11:51,679
LISTEN, I DON'T CARE
WHAT YOU DO.
273
00:11:51,711 --> 00:11:53,851
YOU LEAVE, YOU TAKE
GRAVELY WITH YOU.
274
00:11:53,881 --> 00:11:55,951
[ BOTTLES CLINK ]
DON'T HOLD IT AGAINST HER.
275
00:11:55,983 --> 00:11:58,723
SHE CALLED THE FBI.
IT'S PROTOCOL.
276
00:11:58,752 --> 00:12:01,452
YOU GOT TO UNDERSTAND THAT
THERE NEVER WAS ANY PROOF
277
00:12:01,488 --> 00:12:03,958
THAT LACY WAS TAKEN
BY A SEXUAL PREDATOR.
278
00:12:03,991 --> 00:12:05,531
FOR ALL YOU KNOW,
279
00:12:05,558 --> 00:12:06,958
SHE WAS A VICTIM
OF A HIT AND RUN
280
00:12:06,994 --> 00:12:08,604
AND BURIED IN
A SHALLOW GRAVE.
281
00:12:08,628 --> 00:12:11,228
WHEN A GIRL LIKE THAT
DISAPPEARS SO COMPLETELY,
282
00:12:11,264 --> 00:12:14,104
NO SIGN ANYWHERE --
SOMEBODY BAD DID IT.
283
00:12:14,134 --> 00:12:16,374
WHOEVER TOOK LACY
TOOK TALIA.
284
00:12:16,403 --> 00:12:17,643
I AGREE WITH YOU.
285
00:12:19,272 --> 00:12:20,742
WHAT?
286
00:12:20,774 --> 00:12:22,914
I BELIEVED YOUR THEORY
ON THE CRIME SEVEN YEARS AGO,
287
00:12:22,943 --> 00:12:24,853
AND I'M NOT GONNA RISK
YOU BEING WRONG NOW.
288
00:12:26,780 --> 00:12:29,620
THE FBI IS GONNA GO AFTER
WHOEVER LEFT THAT RANSOM NOTE,
289
00:12:29,649 --> 00:12:31,989
AND THEY'RE GONNA
FIND AN OPPORTUNIST,
290
00:12:32,019 --> 00:12:34,959
SOMEONE HITCHING A RIDE ON
TALIA LENNOX'S ABDUCTION.
291
00:12:34,988 --> 00:12:36,758
LEAVING US TO FIND
THE PREDATOR.
292
00:12:36,790 --> 00:12:38,830
HUH.
293
00:12:40,928 --> 00:12:44,968
HEY, YOU REALIZE
IF THE FBI
294
00:12:44,998 --> 00:12:47,398
FIND OUT THAT YOU'RE WORKING
THEIR KIDNAPPING CASE,
295
00:12:47,434 --> 00:12:49,404
YOU'LL GET SUSPENDED.
296
00:12:49,436 --> 00:12:52,166
I'M NOT WORKING
THE FBI KIDNAPPING.
297
00:12:52,205 --> 00:12:55,435
I'M WORKING
YOUR PREDATOR ABDUCTION.
298
00:12:57,444 --> 00:12:58,554
[ BOTTLES CLINK ]
299
00:13:00,613 --> 00:13:01,453
NO, I GOT IT.
300
00:13:01,481 --> 00:13:02,921
YOU SURE?
301
00:13:02,950 --> 00:13:04,420
REALLY. I'M GOOD.
302
00:13:04,451 --> 00:13:05,791
GOOD.
303
00:13:07,120 --> 00:13:09,020
SO, I HAVE BEEN APPOINTED
THE POLICE BUREAU LIAISON
304
00:13:09,056 --> 00:13:10,516
TO THE FBI.
305
00:13:10,557 --> 00:13:13,027
OH, WELL, THAT'LL LOOK GOOD
ON YOUR RéSUMé.
306
00:13:13,060 --> 00:13:15,130
YOU KNOW THAT THE PRESENCE
OF A RANSOM NOTE
307
00:13:15,162 --> 00:13:17,602
PROVES THAT BACKSTROM'S THEORY
ABOUT A SEXUAL PREDATOR
308
00:13:17,630 --> 00:13:19,030
IN THE PAST IS FALSE,
RIGHT?
309
00:13:19,066 --> 00:13:21,266
THAT IS CERTAINLY
THE FBI's OPINION.
310
00:13:21,301 --> 00:13:23,701
YOU THINK THAT BACKSTROM IS
RIGHT AND THE NOTE IS FAKE?
311
00:13:23,736 --> 00:13:25,306
If Backstrom is right,
312
00:13:25,338 --> 00:13:28,008
then the real search
for Talia Lennox is over,
313
00:13:28,041 --> 00:13:29,811
and she hasn't long to live.
314
00:13:29,843 --> 00:13:31,513
OKAY.
315
00:13:31,544 --> 00:13:34,354
I'M STUCK HERE OBSERVING.
316
00:13:34,381 --> 00:13:36,721
YOU AND THE REST OF THE TEAM
REPORT TO JOHN ALMOND.
317
00:13:36,749 --> 00:13:38,049
YOU DO KNOW THAT
DETECTIVE ALMOND
318
00:13:38,085 --> 00:13:39,415
BELIEVES THE LIEUTENANT,
RIGHT?
319
00:13:42,022 --> 00:13:44,162
[ CHUCKLES ]
320
00:13:46,493 --> 00:13:49,863
[ FOOTSTEPS APPROACHING ]
321
00:13:51,764 --> 00:13:54,204
LACY SIDDON'S FILES
FROM SEVEN YEARS AGO,
322
00:13:54,234 --> 00:13:55,544
COURTESY OF DETECTIVE ALMOND.
323
00:13:55,568 --> 00:13:57,138
Nadia: I'M HERE.
324
00:13:57,170 --> 00:13:58,670
[ PANTING ]
325
00:13:58,705 --> 00:14:01,235
I ACTUALLY HAD TO STEAL
MY OWN WORK FROM THE FBI.
326
00:14:01,274 --> 00:14:02,714
OH, THANKS.
327
00:14:02,742 --> 00:14:04,812
SO, NIEDERMAYER HAS GONE OUT
TO THE TUNNEL
328
00:14:04,844 --> 00:14:06,584
TO LOOK FOR THE GIRL'S PHONE,
329
00:14:06,613 --> 00:14:09,483
AND DETECTIVE ALMOND IS GOING
THROUGH THE GIRL'S ROOM AGAIN.
330
00:14:09,516 --> 00:14:11,316
GO HELP NIEDERMAYER.
331
00:14:11,351 --> 00:14:15,691
OKAY, SO, I NEED A CLOTHESLINE,
A TABLE, A PLUG,
332
00:14:15,722 --> 00:14:17,522
AND A COGNAC
TO SETTLE MY THOUGHTS.
333
00:14:17,557 --> 00:14:20,057
I'LL GET THE COGNAC.
334
00:14:42,649 --> 00:14:45,949
SHOULD WE START BY FINDING
EVERY SINGLE SIMILARITY
335
00:14:45,986 --> 00:14:48,116
BETWEEN LACY SIDDON
AND TALIA LENNOX?
336
00:14:48,155 --> 00:14:50,385
NO. WASTE OF TIME. WE DON'T
NEED EVERY SINGLE SIMILARITY.
337
00:14:50,423 --> 00:14:51,623
WE JUST NEED ONE.
338
00:14:51,658 --> 00:14:53,028
SOUNDS LIKE YOU ALREADY KNOW
WHICH ONE.
339
00:14:53,060 --> 00:14:55,030
LACY SIDDON WAS OBSESSED
WITH VAMPIRES.
340
00:14:55,062 --> 00:14:56,862
SHE WOULD SPEND HOURS ONLINE
341
00:14:56,896 --> 00:14:59,066
LOOKING FOR A VAMPIRE BOY
TO TURN HER.
342
00:14:59,099 --> 00:15:01,369
IS "TURN" A EUPHEMISM
FOR SEX?
343
00:15:01,401 --> 00:15:03,701
SHE WANTED TO BE IMMORTAL,
AND THERE WAS A WEBSITE
344
00:15:03,736 --> 00:15:05,936
THAT WOULD CONNECT MORTAL GIRLS
WITH VAMPIRE BOYS
345
00:15:05,973 --> 00:15:08,283
WHO WOULD AGREE TO BITE
THE RIGHT GIRL ON THE NECK
346
00:15:08,308 --> 00:15:09,808
AND TURN THEM INTO
A VAMPIRE.
347
00:15:09,842 --> 00:15:11,242
JUST MAKING SURE --
348
00:15:11,278 --> 00:15:13,248
YOU DO KNOW THAT VAMPIRES
AREN'T REAL, CORRECT?
349
00:15:13,280 --> 00:15:14,880
THANKS FOR THAT,
VALENTINE.
350
00:15:14,914 --> 00:15:16,284
HEY, YOU'RE WELCOME.
351
00:15:16,316 --> 00:15:18,246
THE POINT IS,
SHE THOUGHT THEY WERE REAL,
352
00:15:18,285 --> 00:15:20,915
WHICH MADE IT EASIER FOR
THE PREDATOR TO FIND HER.
353
00:15:20,954 --> 00:15:23,764
SO A MAN PRETENDING TO BE
A VAMPIRE BOY ONLINE --
354
00:15:23,790 --> 00:15:25,660
YEAH, HE'S DOING
THE SAME THING AGAIN,
355
00:15:25,692 --> 00:15:27,962
ONLY NOT WITH VAMPIRES,
WITH SOMETHING ELSE.
356
00:15:27,995 --> 00:15:30,055
WELL, NIEDERMAYER
MUST FIND TALIA'S PHONE.
357
00:15:30,097 --> 00:15:32,767
MM! MM-MM!
Man: WE CONTINUE TO INVESTIGATE
AS WE NOW GO LIVE
358
00:15:32,799 --> 00:15:34,399
TO PORTLAND POLICE
HEADQUARTERS.
359
00:15:34,434 --> 00:15:36,904
Jennifer: LAW ENFORCEMENT
JUST NEEDS TO KNOW
360
00:15:36,936 --> 00:15:40,406
THAT SHE'S OUT THERE,
THAT SHE'S ALIVE,
361
00:15:40,440 --> 00:15:43,680
AND THAT IT'S REALLY HER.
362
00:15:43,710 --> 00:15:46,910
[ Voice breaking ]
SO I SAY TO MY DAUGHTER'S...
363
00:15:46,946 --> 00:15:52,616
KIDNAPPER, PLEASE, JUST --
JUST PROVE THAT MY TALIA
364
00:15:52,652 --> 00:15:54,192
IS ALIVE AND WELL,
365
00:15:54,221 --> 00:15:56,491
AND WE WILL GIVE YOU
WHATEVER YOU ASK.
366
00:15:56,523 --> 00:15:58,693
AND, UM...
367
00:15:58,725 --> 00:16:02,255
WELCOME [SIGHS]
MY DAUGHTER'S SAFE RETURN.
368
00:16:02,295 --> 00:16:03,825
THANK YOU.
369
00:16:03,863 --> 00:16:06,203
THE FBI IS DEMANDING
FOR PROOF OF LIFE.
370
00:16:06,233 --> 00:16:08,803
THEY'RE NOT GONNA
GET IT.
371
00:16:08,835 --> 00:16:10,835
[ SIGHS ]
372
00:16:21,048 --> 00:16:24,618
THE LIEUTENANT SENT ME TO
HELP YOU LOOK FOR THE PHONE.
373
00:16:24,651 --> 00:16:27,051
30 FBI TECHS JUST WRAPPED
A SEARCH OF THE ENTIRE AREA.
374
00:16:27,087 --> 00:16:28,387
THEY FOUND NOTHING.
375
00:16:28,421 --> 00:16:29,521
IT'S A PERFECT PLACE FOR
AN ABDUCTION --
376
00:16:29,556 --> 00:16:31,156
ISOLATED, LOTS OF COVER.
377
00:16:31,191 --> 00:16:34,061
THERE'S AN UNLIT ACCESS ROAD
ABOUT A HUNDRED YARDS AWAY.
378
00:16:34,094 --> 00:16:36,534
TWO OF THE THREE LIGHTS
BUSTED.
379
00:16:36,563 --> 00:16:40,673
THE ABDUCTOR STANDS OVER THERE
IN THE DARKNESS
380
00:16:40,700 --> 00:16:43,470
AND HE WATCHES THE GIRL
UNDER THIS LIGHT...
381
00:16:43,503 --> 00:16:46,343
MAKING SURE THAT
SHE'S ALONE.
382
00:16:48,408 --> 00:16:51,038
THE LIEUTENANT SAID
WE HAVE 24 HOURS.
383
00:16:51,078 --> 00:16:54,248
YEAH. AND WE'RE
RUNNING OUT OF TIME.
384
00:16:54,281 --> 00:16:58,351
SHE SAID, "GOOD IS GOOD,
BUT BAD IS BETTER."
385
00:16:58,385 --> 00:17:02,185
[ CELLPHONE RINGS ]
386
00:17:02,222 --> 00:17:04,892
[ CELLPHONE BEEPS ]
387
00:17:04,924 --> 00:17:06,234
YEAH?
388
00:17:06,259 --> 00:17:07,989
TELL PAQUET
TO CHECK HER E-MAIL.
389
00:17:08,027 --> 00:17:09,327
PAQUET!
MM!
390
00:17:09,362 --> 00:17:11,902
CHECK YOUR COMPUTER.
391
00:17:11,931 --> 00:17:13,201
WHAT'S GOING ON?
392
00:17:13,233 --> 00:17:14,873
WE GOT PROOF OF LIFE.
393
00:17:14,901 --> 00:17:16,541
WHAT?!
394
00:17:16,569 --> 00:17:20,409
I am sending you
a restricted video file.
395
00:17:20,440 --> 00:17:23,310
I HOPE THAT YOU WILL COME
VISIT ME WHEN I AM LEAVENWORTH.
396
00:17:25,645 --> 00:17:27,205
I GOT IT!
397
00:17:27,247 --> 00:17:29,517
The video file is time-stamped
11:23 on Saturday night.
398
00:17:29,549 --> 00:17:31,719
The FBI says that the time stamp
is genuine.
399
00:17:31,751 --> 00:17:32,921
WHERE'D THEY GET IT?
400
00:17:32,952 --> 00:17:34,622
IT WAS POSTED TO
THE FBI WEBSITE,
401
00:17:34,654 --> 00:17:36,594
AND THEY TRACED IT TO
AN INTERNET CAFE ON HAWTHORNE --
402
00:17:36,623 --> 00:17:37,793
CYBER JOE.
403
00:17:37,824 --> 00:17:39,694
OH, THAT --
THAT'LL BE A DEAD END.
404
00:17:39,726 --> 00:17:40,886
I KNOW THIS PLACE WELL.
405
00:17:40,927 --> 00:17:42,727
IT'S FOR ANARCHIST,
TECHNO GEEKS,
406
00:17:42,762 --> 00:17:43,932
MEMBERS OF "ANONYMOUS."
407
00:17:43,963 --> 00:17:45,703
I-I'VE USED IT
MANY TIMES MYSELF.
408
00:17:45,732 --> 00:17:47,302
WHY?
YEAH, WHY?
409
00:17:47,334 --> 00:17:48,874
O-OH,
THAT'S NOT IMPORTANT.
410
00:17:48,901 --> 00:17:52,141
JUST TRUST ME,
THE INTERNET TRAIL ENDS THERE.
411
00:17:52,172 --> 00:17:54,742
PLAY IT AGAIN.
412
00:17:54,774 --> 00:17:56,044
WAIT. WHAT'S THAT?
413
00:17:56,075 --> 00:17:56,875
WHAT?
414
00:17:56,909 --> 00:17:58,179
THE TATTOO.
415
00:18:02,282 --> 00:18:04,682
THAT'S DEFINITELY NOT A VAMPIRE,
IF THAT'S WHAT YOU'RE THINKING.
416
00:18:05,985 --> 00:18:08,285
I'M THINKING
THAT'S EXACTLY WHAT IT IS.
417
00:18:14,994 --> 00:18:18,474
WHERE YOU BEEN ALL NIGHT?
WASTING TIME PRAYING FOR TALIA?
418
00:18:18,498 --> 00:18:21,968
A LITTLE OF THAT, BUT MOSTLY
GOING THROUGH TALIA'S ROOM.
419
00:18:22,001 --> 00:18:23,741
AND I FOUND SOMETHING
INTERESTING.
420
00:18:23,770 --> 00:18:25,170
[ CELLPHONE CLICKS ]
421
00:18:28,375 --> 00:18:30,175
Nadia: "G-- GIGBBIB"?
422
00:18:30,210 --> 00:18:31,680
IS THAT ENGLISH?
423
00:18:31,711 --> 00:18:32,981
ONCE YOU SEE IT,
IT'S EVERYWHERE.
424
00:18:33,012 --> 00:18:34,352
WHAT DOES IT MEAN?
425
00:18:34,381 --> 00:18:36,921
PERHAPS IT'S A CODE
OR AN ACRONYM.
426
00:18:36,949 --> 00:18:40,149
IT MIGHT GO WITH THIS.
427
00:18:40,187 --> 00:18:43,317
AH. HIM AGAIN.
428
00:18:43,356 --> 00:18:44,416
YOU'VE SEEN IT
SOMEWHERE ELSE?
429
00:18:44,457 --> 00:18:46,057
YES. WATCH.
430
00:18:49,962 --> 00:18:51,932
AND HERE.
431
00:18:51,964 --> 00:18:54,374
THIS IS A PILL I TOOK FROM
TALIA'S FRIEND AMBER MORROW.
432
00:18:54,401 --> 00:18:55,671
SERIOUSLY?
433
00:18:55,702 --> 00:18:56,542
[ SCOFFS ]
434
00:18:56,569 --> 00:18:57,969
FOR EVIDENCE.
435
00:18:59,972 --> 00:19:01,512
BRAND OF ECSTASY?
WELL, DEALING ECSTASY'S
436
00:19:01,541 --> 00:19:04,441
A GOOD WAY TO STALK
TROUBLED YOUNG GIRLS.
437
00:19:04,477 --> 00:19:06,477
I'LL TALK TO A COUPLE OF BUDDIES
IN NARCOTICS -- SEE WHAT I GET.
438
00:19:06,513 --> 00:19:07,953
WE'RE LOOKING FOR SOMEONE
439
00:19:07,980 --> 00:19:09,850
WHO DEALS TO GIRLS
AT THE CASCADIA SCHOOL.
440
00:19:09,882 --> 00:19:11,882
TAKE MOTO, FIND THE SUSPECT,
BRING HIM BACK HERE.
441
00:19:11,918 --> 00:19:14,488
LIEUTENANT, I CAN'T BRING
A DRUG DEALER BACK TO YOUR HOME.
442
00:19:14,521 --> 00:19:18,231
OKAY, WELL,
THEN BRING HIM TO THE SCU.
443
00:19:18,258 --> 00:19:21,158
IF THE FBI ASKS, WE'RE ON
A SEPARATE DRUG CASE.
444
00:19:21,194 --> 00:19:22,904
GOT IT.
445
00:19:22,929 --> 00:19:24,529
SHOULD I PACK UP?
446
00:19:24,564 --> 00:19:27,434
YEAH. I WANT
MY OFFICE BACK.
447
00:19:29,202 --> 00:19:30,802
COMFORTABLE, GRAVELY?
448
00:19:30,837 --> 00:19:32,807
YOU WANT MY JOB,
OR ARE YOU JOINING THE FBI?
449
00:19:32,839 --> 00:19:35,479
LIEUTENANT, I RISKED MY JOB
TO SEND YOU THAT E-MAIL.
450
00:19:35,508 --> 00:19:36,808
OH, YOU'RE A REGULAR
JOAN OF ARC.
451
00:19:36,843 --> 00:19:38,183
DETECTIVE GRAVELY,
452
00:19:38,211 --> 00:19:39,481
WE'VE GOT AGENTS WORKING
THE INTERNET CAFE.
453
00:19:39,512 --> 00:19:40,912
GET OUT OF MY OFFICE!
454
00:19:40,947 --> 00:19:42,647
OKAY, THAT'S HOURS OF BONDING
DOWN THE DRAIN.
455
00:19:42,682 --> 00:19:43,952
NIEDERMAYER!
456
00:19:46,419 --> 00:19:48,219
YES, SIR?
457
00:19:48,255 --> 00:19:50,515
THE GUY IN THE HOOD --
HE'S THE KEY TO THIS ABDUCTION.
458
00:19:50,557 --> 00:19:52,357
AND THIS, TOO.
459
00:19:56,396 --> 00:19:58,096
IT'S EVERYWHERE.
460
00:19:58,130 --> 00:20:00,230
I SAW THAT STRING OF LETTERS
LAST NIGHT AT THE TUNNEL.
461
00:20:00,267 --> 00:20:01,997
WHAT DOES IT MEAN?
IT'S NOT A WORD.
462
00:20:02,034 --> 00:20:03,504
SOME KIND OF CODE?
I DON'T KNOW.
463
00:20:03,536 --> 00:20:05,096
MAYBE IT'S AN ACRONYM
LIKE LOL?
464
00:20:05,137 --> 00:20:07,407
MAYBE IT'S A PHONETIC SPELLING
OF A FOREIGN LANGUAGE?
465
00:20:07,440 --> 00:20:08,880
OR A MADE-UP LANGUAGE?
466
00:20:08,908 --> 00:20:10,378
OKAY, GO TALK TO PAQUET.
CHECK IT OUT.
467
00:20:10,410 --> 00:20:12,450
Almond:
MEET DERRICK COTTON.
468
00:20:12,479 --> 00:20:15,879
HE SELLS ECSTASY TO SCHOOLGIRLS.
TELL THEM WHAT YOU TOLD ME.
469
00:20:15,915 --> 00:20:19,245
UH, THEM PILLS, W-WHICH
I DON'T KNOW ANYTHING ABOUT,
470
00:20:19,286 --> 00:20:21,086
UH, ARE CALLED "HOODED MAN."
471
00:20:21,120 --> 00:20:25,190
HOODED MAN. THAT'S A THING?
IS HE GOOD OR BAD?
472
00:20:25,224 --> 00:20:26,434
WELL, YOU KNOW WHAT THEY SAY --
473
00:20:26,459 --> 00:20:29,499
"GOOD IS GOOD,
BUT, UH, BAD IS BETTER."
474
00:20:31,998 --> 00:20:33,768
LET'S GET HIM TO HOLDING.
475
00:20:33,800 --> 00:20:35,030
NIEDERMAYER!
476
00:20:35,067 --> 00:20:36,867
YEAH?
477
00:20:36,903 --> 00:20:39,213
REMEMBER WHAT THAT KID SAID,
THE ONE YOU WERE INTERROGATING?
478
00:20:39,238 --> 00:20:41,368
UH, THE COITUS VIRGIN?
YEAH.
479
00:20:41,408 --> 00:20:43,738
UH, HE SAID THAT TALIA MET
SOMEBODY NEW ON THE INTERNET,
480
00:20:43,776 --> 00:20:46,976
UM, NOT REGULAR LIKE HIM,
SOMEBODY BAD.
481
00:20:47,013 --> 00:20:48,983
SHE SAID THAT
GOOD IS GOOD...
482
00:20:49,015 --> 00:20:52,285
BUT BAD IS BETTER.
483
00:20:52,319 --> 00:20:55,789
OKAY, SO WHAT -- SO,
THE HOODED MAN'S SLOGAN
484
00:20:55,822 --> 00:20:57,422
IS "GOOD IS GOOD,
BUT BAD IS BETTER,"
485
00:20:57,457 --> 00:20:59,427
AND THE VICTIM IS INVOLVED
IN THAT IN SOME WAY?
486
00:20:59,459 --> 00:21:01,789
HOLD ON. SO THAT'S WHAT WE'RE
CALLING HIM -- THE HOODED MAN?
487
00:21:01,828 --> 00:21:06,168
THE HOODED MAN IS MY VAMPIRE.
FIND HIM.
488
00:21:07,500 --> 00:21:11,170
Nadia: ALL RIGHT,
SO, THE HOODED MAN STARTED
489
00:21:11,203 --> 00:21:16,443
AS CREEPY AND MYSTERIOUS FICTION
ONLINE BY ONE GUY,
490
00:21:16,476 --> 00:21:18,106
BUT THEN HUNDREDS JOINED IN.
491
00:21:18,144 --> 00:21:21,984
"THE HOODED MAN UNDERSTANDS."
492
00:21:22,014 --> 00:21:24,284
ALL ADOLESCENTS ARE VULNERABLE
TO A PROMISE LIKE THAT.
493
00:21:24,317 --> 00:21:26,817
SO THE HOODED MAN LOOKS
FOR SPECIAL KIDS,
494
00:21:26,853 --> 00:21:29,993
KIDS WHO ARE "WILLING TO FALL
IN ORDER TO RISE."
495
00:21:30,022 --> 00:21:31,862
THEY ARE CALLED "THE FALLEN."
496
00:21:31,891 --> 00:21:35,631
AND THE FALLEN MUST PROVE THEIR
ALLEGIANCE TO THE HOODED MAN.
497
00:21:35,662 --> 00:21:36,762
WHAT'S THE REWARD?
498
00:21:36,796 --> 00:21:38,366
"TO BE INITIATED INTO
499
00:21:38,398 --> 00:21:41,798
THE DARK MYSTERIES
OF THE TRUE UNIVERSE,"
500
00:21:41,834 --> 00:21:43,104
BLAH, BLAH, BLAH.
501
00:21:43,135 --> 00:21:45,095
THIS IS WHY TALIA
WAS TAKING ECSTASY
502
00:21:45,137 --> 00:21:47,207
AND DEMANDING SEX
FROM CLAUDIO MORETTI.
503
00:21:47,239 --> 00:21:49,339
SHE WANTED TO BE
ONE OF THE FALLEN.
504
00:21:49,376 --> 00:21:51,106
YEAH,
THE LIEUTENANT'S RIGHT.
505
00:21:51,143 --> 00:21:53,413
THIS IS VERY CLOSE
TO THE VAMPIRE MEME.
506
00:21:54,581 --> 00:21:56,651
I DON'T KNOW ANYTHING
ABOUT FALLEN PEOPLE.
507
00:21:56,683 --> 00:21:58,623
YOU MADE A BIG MISTAKE,
AMBER.
508
00:21:58,651 --> 00:22:00,991
I DON'T APPRECIATE YOUR TONE,
DETECTIVE ALMOND.
509
00:22:01,020 --> 00:22:03,490
YOUR DAUGHTER'S A DRUG USER
AND AN EXTORTIONIST.
510
00:22:03,523 --> 00:22:05,893
I'M NOT SURE I APPRECIATE
YOUR PARENTING SKILLS.
511
00:22:05,925 --> 00:22:08,025
WHAT'S AN EXTORTIONIST?
512
00:22:09,496 --> 00:22:11,296
WHY AM I WATCHING THIS?
Nadia: YOU WENT TO CYBER JOE'S
513
00:22:11,330 --> 00:22:13,200
BECAUSE YOU COULD POST
THE VIDEO OF TALIA
514
00:22:13,232 --> 00:22:14,802
WITHOUT ANYONE KNOWING.
515
00:22:14,834 --> 00:22:18,544
YOU SENT A TEXT TO YOUR FRIENDS
HARPER AND BETHANY
516
00:22:18,571 --> 00:22:20,971
FROM INSIDE THE CAFE.
517
00:22:21,007 --> 00:22:23,137
A SINGLE EMOTICON.
518
00:22:23,175 --> 00:22:25,675
THIS IS NOT A HAPPY FACE.
519
00:22:25,712 --> 00:22:27,582
I DON'T UNDERSTAND.
520
00:22:27,614 --> 00:22:29,754
YOUR DAUGHTER'S FRIEND
WENT MISSING,
521
00:22:29,782 --> 00:22:32,252
AND SHE TRIED
TO COLLECT A RANSOM.
522
00:22:34,554 --> 00:22:36,824
IS THAT TRUE?
523
00:22:36,856 --> 00:22:39,526
AMBER, IS THAT TRUE?
524
00:22:42,028 --> 00:22:45,428
WE FIGURED TALIA WAS RUNNING
AWAY TO BE WITH HER FATHER.
525
00:22:45,465 --> 00:22:47,425
I MEAN, WHY NOT GET
SOME MONEY OUT OF IT?
526
00:22:48,735 --> 00:22:50,595
[ SIGHS ]
527
00:22:50,637 --> 00:22:53,907
SO I PUT THE RANSOM NOTE UNDER
MRS. LENNOX'S WINDSHIELD.
528
00:22:53,940 --> 00:22:55,940
AND THE PROOF-OF-LIFE VIDEO?
529
00:22:55,975 --> 00:22:59,345
TALIA AND I GOT INTO A FIGHT
BEFORE SHE RAN AWAY.
530
00:22:59,378 --> 00:23:01,208
I HIT HER,
AND HARPER RECORDED IT.
531
00:23:01,247 --> 00:23:02,947
CAN I GO HOME NOW?
532
00:23:02,982 --> 00:23:05,352
NOW YOU HAVE TO TALK TO MY BOSS.
533
00:23:05,384 --> 00:23:08,424
HE'S NOT AS NICE AS I AM.
534
00:23:11,323 --> 00:23:14,963
ALL RIGHT, EVERYBODY --
HEY, WE'RE DONE HERE.
535
00:23:14,994 --> 00:23:16,864
THERE'S NO KIDNAPPING.
536
00:23:16,896 --> 00:23:18,426
WAIT A SECOND.
JUST LIKE THAT?
537
00:23:18,465 --> 00:23:20,195
FBI DOESN'T DO RUNAWAYS.
538
00:23:20,232 --> 00:23:21,272
Man: ALL RIGHT,
LET'S WRAP IT UP.
539
00:23:21,300 --> 00:23:23,140
[ INDISTINCT CONVERSATIONS ]
540
00:23:23,169 --> 00:23:24,869
[ SIGHS ]
541
00:23:24,904 --> 00:23:27,774
AND YOU ADMIT
TO HITTING TALIA?
542
00:23:30,309 --> 00:23:32,279
DID YOU KILL HER?
543
00:23:34,947 --> 00:23:36,217
TAKE OFF YOUR HOODIE.
544
00:23:36,248 --> 00:23:37,148
I DON'T WANT TO.
545
00:23:37,183 --> 00:23:38,823
TAKE OFF YOUR DAMN HOODIE.
546
00:23:38,851 --> 00:23:40,321
[ SCOFFS ]
547
00:23:40,352 --> 00:23:41,422
[ GRUNTING ]
548
00:23:41,454 --> 00:23:45,194
NO! NO! NO!
549
00:23:51,430 --> 00:23:53,900
HER CELLPHONE BILL --
YOU PAY IT OR SHE DOES?
550
00:23:53,933 --> 00:23:54,973
I DO.
551
00:23:55,001 --> 00:23:56,001
I'D LIKE TO TAKE IT.
552
00:23:56,035 --> 00:23:57,965
NO. NO!
553
00:23:58,004 --> 00:24:01,174
NO! NO! NO! NO! NO!
554
00:24:01,207 --> 00:24:02,267
[ SCREAMS ]
[ GRUNTS ]
555
00:24:02,308 --> 00:24:03,578
HEY! HEY! HEY! HEY! HEY!
556
00:24:03,610 --> 00:24:05,310
NO!
NO, YOU DON'T UNDERSTAND!
557
00:24:05,344 --> 00:24:09,084
YOU CAN'T EVEN COMPREHEND
WHAT HE CAN DO!
558
00:24:09,115 --> 00:24:10,515
LISTEN, NO ONE'S
GONNA DO ANYTHING, HONEY.
559
00:24:10,550 --> 00:24:11,620
I WON'T LET THEM.
560
00:24:11,651 --> 00:24:13,151
NO! YOU DON'T UNDERSTAND.
561
00:24:13,185 --> 00:24:16,255
IF YOU FIND HIM THROUGH ME,
HE'LL NEVER TAKE ME.
562
00:24:16,288 --> 00:24:18,158
HE'LL LEAVE ME HERE
IN THE NORMAL WORLD
563
00:24:18,190 --> 00:24:20,490
WITH NORMAL PEOPLE,
AND I CAN'T LIVE HERE.
564
00:24:20,527 --> 00:24:23,027
[ SNIFFLES ]
I DESERVE SOMETHING BETTER.
565
00:24:23,062 --> 00:24:26,772
[ Crying ] I'M GONNA DIE
IF I STAY HERE.
566
00:24:35,808 --> 00:24:39,708
DETECTIVE ALMOND,
I DON'T THINK THIS IS GOOD NEWS.
567
00:24:41,013 --> 00:24:43,453
HEY, ERIC.
568
00:24:43,482 --> 00:24:45,152
YOU HERE TO EVICT ME?
569
00:24:45,184 --> 00:24:46,554
I CAN'T AFFORD
TO CARRY YOU, JOHN.
570
00:24:46,586 --> 00:24:48,216
I'M NOT EVEN A MEMBER
OF YOUR CHURCH.
571
00:24:48,254 --> 00:24:50,824
YOU SHOULD GO.
HE'S REALLY GOOD.
572
00:24:50,857 --> 00:24:51,887
MOTO.
573
00:24:53,526 --> 00:24:55,796
OKAY.
574
00:24:55,828 --> 00:24:57,828
YOU'RE THREE MONTHS IN ARREARS.
575
00:24:57,864 --> 00:24:59,874
PEOPLE ARE HAVING A TOUGH TIME
IN THIS ECONOMY.
576
00:24:59,899 --> 00:25:01,469
I'M ONE OF THEM.
577
00:25:01,500 --> 00:25:03,470
YOU KNOW, MAYBE GOD'S TRYING
TO TELL YOU SOMETHING, JOHN.
578
00:25:03,502 --> 00:25:06,842
WHAT? GET A SECOND JOB?
KEEP MY CHURCH ALIVE?
579
00:25:06,873 --> 00:25:09,513
THAT FELLA TOLD ME YOU'RE
BUSY SAVING A GIRL'S LIFE.
580
00:25:09,542 --> 00:25:11,382
MAYBE GOD'S TRYING TO
TELL YOU YOU'RE DOING
581
00:25:11,410 --> 00:25:13,610
EXACTLY WHAT HE WANTS YOU
TO BE DOING.
582
00:25:16,783 --> 00:25:19,223
NO HARD FEELINGS, MAN.
583
00:25:27,259 --> 00:25:29,529
PAQUET CRACKED
AMBER MORROW'S PHONE.
584
00:25:31,363 --> 00:25:33,833
THANKS TO AMBER'S SMARTPHONE,
585
00:25:33,866 --> 00:25:36,336
I WAS ABLE TO DISCOVER
THE WEBSITE OF THE HOODED MAN
586
00:25:36,368 --> 00:25:37,838
THAT THE HOODIE GIRLS LOVE.
587
00:25:37,870 --> 00:25:39,240
Moto: THAT'S CREEPY.
588
00:25:39,271 --> 00:25:41,271
AND THAT'S THE OUTSIDE --
TO GET INSIDE,
589
00:25:41,307 --> 00:25:43,407
YOU NEED AN INVITATION
FROM ONE OF THE FALLEN.
590
00:25:43,442 --> 00:25:44,382
WAS AMBER INVITED?
591
00:25:44,410 --> 00:25:45,750
NO. JUST TALIA.
592
00:25:45,778 --> 00:25:48,008
AND TALIA GOT AN INVITATION
593
00:25:48,047 --> 00:25:52,277
FROM A FALLEN BOY WHO
CALLS HIMSELF "MINUS."
594
00:25:54,086 --> 00:25:56,186
Man: [ Distorted ]
I INVITE YOU TO ENTER
595
00:25:56,222 --> 00:25:58,792
THE REALM OF THE FALLEN
IF YOU KNOW THE INCANTATION.
596
00:25:58,825 --> 00:26:00,025
Almond:
WHAT'S THE CODE?
597
00:26:00,059 --> 00:26:02,899
TRY OUR OLD FRIEND
GIGBBIB.
598
00:26:02,929 --> 00:26:06,769
Niedermayer: "GOOD IS GOOD,
BUT BAD IS BETTER."
599
00:26:06,799 --> 00:26:09,269
I'M GONNA HAVE
NIGHTMARES.
600
00:26:09,301 --> 00:26:11,071
Nadia: THIS IS MINUS.
601
00:26:11,103 --> 00:26:13,773
THAT'S OUR PREDATOR.
602
00:26:13,806 --> 00:26:15,876
IN REAL LIFE,
HE'S NOT A PRETTY BOY.
603
00:26:15,908 --> 00:26:17,978
IS THERE ANY WAY TO TRACE
HIS REAL-LIFE WHEREABOUTS?
604
00:26:18,010 --> 00:26:20,280
NO. HE'S USING
AN ANONYMIZER.
605
00:26:20,312 --> 00:26:24,122
MAYBE AMBER STRUCK TALIA TO KEEP
HER FROM GOING TO MEET MINUS.
606
00:26:24,150 --> 00:26:25,990
[ CHUCKLES ]
AMBER STRUCK TALIA
607
00:26:26,018 --> 00:26:28,048
BECAUSE TALIA GOT INVITED
AND AMBER DIDN'T.
608
00:26:28,087 --> 00:26:29,917
SHE WAS JEALOUS.
609
00:26:29,956 --> 00:26:31,886
ALWAYS LOOKING FOR
THE GOOD IN PEOPLE
610
00:26:31,924 --> 00:26:33,964
IS PROBABLY WHY YOUR CHURCH
IS IN THE CRAPPER.
611
00:26:33,993 --> 00:26:37,103
I WANT YOU TO GO ONLINE.
PRETEND TO BE MINUS.
612
00:26:37,129 --> 00:26:39,429
YOU WANT TO INVITE AMBER
IN THIS WORLD?
613
00:26:39,465 --> 00:26:41,095
Gravely:
HOLD ON A SECOND.
614
00:26:41,133 --> 00:26:44,943
YOU WANT PAQUET TO POSE AS
A PEDERAST POSING AS A MINOR BOY
615
00:26:44,971 --> 00:26:46,941
TO ENTRAP A MINOR GIRL?
616
00:26:46,973 --> 00:26:48,843
SHE'LL BE POSING, GRAVELY.
617
00:26:48,875 --> 00:26:51,775
SHE WON'T ACTUALLY BE TORTURING
SOMEONE TO DEATH IN A BASEMENT.
618
00:26:51,811 --> 00:26:53,011
[ SIGHS ]
619
00:26:53,045 --> 00:26:56,245
[ BUTTONS CLICKING ]
620
00:26:56,282 --> 00:26:58,622
[ Distorted ]
AMBER, ARE YOU READY TO FALL?
621
00:27:09,628 --> 00:27:11,828
[ SIGHS ]
622
00:27:18,004 --> 00:27:21,844
[ COMPUTER BEEPING ]
623
00:27:21,874 --> 00:27:23,314
HEY, IT'S AMBER.
624
00:27:23,342 --> 00:27:25,642
SHE WANTS TO MEET MINUS
IN PERSON.
625
00:27:25,678 --> 00:27:27,208
I WANT TO SEE YOU AGAIN.
626
00:27:27,246 --> 00:27:29,346
I CAN COME TO THE SAME PLACE.
PLEASE, MINUS.
627
00:27:29,381 --> 00:27:31,981
SAY YES.
WAIT. AMBER'S MET
WITH MINUS BEFORE?
628
00:27:32,018 --> 00:27:34,118
HOW?
MM, LET'S FIND OUT.
SAY YES.
629
00:27:34,153 --> 00:27:35,993
BUT WE DON'T KNOW
"THE SAME PLACE."
630
00:27:36,022 --> 00:27:37,362
WE KNOW THE PLACE.
631
00:27:37,389 --> 00:27:39,629
IT'S WHERE TALIA'S PHONE
WENT OFF THE GRID.
632
00:27:39,658 --> 00:27:41,488
YES.
TELL AMBER ONE HOUR.
633
00:27:41,527 --> 00:27:45,127
YES. SAME PLACE.
ONE HOUR.
634
00:27:45,164 --> 00:27:46,904
YES!
ALL RIGHT,
I'M COMING WITH YOU.
635
00:27:46,933 --> 00:27:49,573
UH, NO. I'M GONNA NEED SOMEONE
A LITTLE MORE FALLEN.
636
00:27:51,270 --> 00:27:53,710
Valentine: YOU KNOW, I KNOW WHAT
IT IS WITH YOU AND THIS CASE.
637
00:27:53,740 --> 00:27:56,410
IT'S NOT JUST THE GIRL
FROM SEVEN YEARS AGO.
638
00:27:56,442 --> 00:27:58,212
MY MOM TOLD ME.
639
00:27:58,244 --> 00:28:01,314
About your brothers
and the bogeyman.
640
00:28:01,347 --> 00:28:03,177
They told you he was
gonna come get you
641
00:28:03,215 --> 00:28:06,885
when you fell asleep,
didn't they?
642
00:28:06,919 --> 00:28:09,159
AND I BELIEVED THEM.
643
00:28:09,188 --> 00:28:10,918
HOW MANY DAYS
DID YOU STAY AWAKE?
644
00:28:10,957 --> 00:28:15,057
FOR THREE DAYS.
645
00:28:15,094 --> 00:28:20,234
I WENT PSYCHOTIC.
I ACTUALLY SAW THE BOGEYMAN.
646
00:28:20,266 --> 00:28:23,596
THEY PUT ME IN A KIDS'
PSYCH WARD FOR SIX WEEKS.
647
00:28:23,635 --> 00:28:25,595
[ DOOR HINGES CREAK ]
648
00:28:31,477 --> 00:28:34,877
MINUS, I CAME.
THANK YOU.
649
00:28:34,914 --> 00:28:38,284
I'M READY.
I'MREADY.
650
00:28:39,618 --> 00:28:42,188
WHERE'S YOUR CANE?
651
00:28:42,221 --> 00:28:45,891
[ SIGHS ]
652
00:28:45,925 --> 00:28:47,725
I'M NOT
WHO YOU THINK I AM.
653
00:28:47,760 --> 00:28:50,800
WELL, WHO ARE YOU?
DID -- DID MINUS SEND YOU?
654
00:28:50,830 --> 00:28:55,130
NOPE. HE'S JUST A GUY...
NAMED VAL.
655
00:28:55,167 --> 00:28:57,137
NO.
656
00:28:57,169 --> 00:29:00,539
NO!
657
00:29:00,572 --> 00:29:01,442
[ GRUNTS ]
658
00:29:01,473 --> 00:29:02,943
I'M YOU.
659
00:29:02,975 --> 00:29:07,545
I'M A BORED, JADED GIRL
LIVING IN A WORLD
660
00:29:07,579 --> 00:29:09,479
THAT'S BORING HER TO DEATH.
661
00:29:11,317 --> 00:29:13,287
DRUGS DON'T MAKE IT
MORE EXCITING.
662
00:29:13,319 --> 00:29:15,749
SEX DOESN'T MAKE IT
MORE EXCITING.
663
00:29:15,788 --> 00:29:17,318
THE ONLY THING
THAT EXCITES ME
664
00:29:17,356 --> 00:29:21,386
IS THE IDEA THAT THERE'S
A GATE TO ANOTHER WORLD,
665
00:29:21,427 --> 00:29:24,557
A BETTER WORLD
WHERE EVERYTHING...
666
00:29:24,596 --> 00:29:29,436
ISN'T SO DULL.
667
00:29:29,468 --> 00:29:34,768
BUT THEN TALIA GETS
INVITED THERE, NOT ME.
668
00:29:34,807 --> 00:29:38,977
BY THE BEAUTIFUL BOY WITH
THE BIG EYES AND THE PALE FACE.
669
00:29:39,011 --> 00:29:41,151
[ SIGHS ]
670
00:29:41,180 --> 00:29:44,420
SO I KNOCK HER DOWN
AND TAKE HER PLACE.
671
00:29:44,450 --> 00:29:46,650
BUT THERE IS
NO BEAUTIFUL BOY.
672
00:29:46,685 --> 00:29:49,785
NO. NO, I SAW HIM.
I SAW HIM RIGHT THERE.
673
00:29:49,822 --> 00:29:50,762
NO.
674
00:29:50,789 --> 00:29:54,459
IT WAS JUST A GUY LIKE ME
675
00:29:54,493 --> 00:29:57,003
WHO FOOLED HER
AND TOOK HER...
676
00:29:57,029 --> 00:29:58,129
[ Voice breaking ] NO.
677
00:29:58,164 --> 00:30:01,474
...AND IS RAPING, TORTURING,
678
00:30:01,500 --> 00:30:04,440
AND MURDERING
YOUR FRIEND AS WE SPEAK.
679
00:30:04,470 --> 00:30:06,610
[ Crying ] NO.
680
00:30:06,638 --> 00:30:09,178
SHE'S CRYING
'CAUSE SHE FEELS GUILTY.
681
00:30:09,208 --> 00:30:13,108
NO. SHE'S CRYING BECAUSE
SHE KNOWS YOU'RE RIGHT.
682
00:30:13,145 --> 00:30:15,605
YOU'RE CRYING
BECAUSE YOU KNOW
683
00:30:15,647 --> 00:30:19,017
THERE IS NO BETTER WORLD THAN
THIS. THIS IS ALL WE GET.
684
00:30:19,051 --> 00:30:21,651
AND SHE'S HEARTBROKEN.
685
00:30:23,890 --> 00:30:24,660
HEY, GIRLY.
686
00:30:26,325 --> 00:30:28,555
HE REJECTED YOU,
DIDN'T HE?
687
00:30:28,594 --> 00:30:31,464
HE WAS SO BEAUTIFUL.
688
00:30:31,497 --> 00:30:35,167
NOT IN THE LIGHT.
NOT WITH HIS HOOD OFF.
689
00:30:35,201 --> 00:30:38,271
I TRIED TO FOLLOW HIM,
BUT HE DISAPPEARED.
690
00:30:39,205 --> 00:30:41,035
WHY DIDN'T HE WANT ME?
691
00:30:41,073 --> 00:30:42,883
YOU HAD THE WRONG EYES.
692
00:30:44,010 --> 00:30:46,180
SO HE HAD A CANE?
693
00:30:46,212 --> 00:30:49,022
YES. WITH A HOODED MAN
ON TOP.
694
00:30:49,048 --> 00:30:50,178
HOW STYLISH.
695
00:30:50,216 --> 00:30:51,676
NO, NO. HE LIMPED.
696
00:30:51,717 --> 00:30:52,917
ANY OF YOUR SUSPECTS
HAVE A LIMP?
697
00:30:52,952 --> 00:30:55,592
NO. WHAT ELSE?
698
00:30:55,621 --> 00:30:57,691
WHAT ELSE CAN YOU TELL US
TO HELP US FIND HIM?
699
00:30:57,723 --> 00:30:59,633
I'VE TOLD YOU EVERYTHING.
700
00:31:01,360 --> 00:31:04,900
[ SIGHS ]
THEN YOUR FRIEND IS DEAD.
701
00:31:15,942 --> 00:31:17,612
MAYBE YOUR BOGEYMAN
HURT HIS LEG LATER.
702
00:31:17,643 --> 00:31:21,513
OR I NEVER GOT ANYWHERE CLOSE
TO HIM SEVEN YEARS AGO.
703
00:31:21,547 --> 00:31:25,017
I DON'T KNOW.
704
00:31:25,051 --> 00:31:27,291
[ SIGHS ]
705
00:31:27,319 --> 00:31:29,459
WHAT AM I MISSING?
706
00:31:29,488 --> 00:31:31,718
[ SCOFFS ]
707
00:31:31,757 --> 00:31:33,387
WHY ARE YOU ASKING ME?
708
00:31:36,762 --> 00:31:38,462
WE ALL HAVE
OUR OWN BOGEYMEN.
709
00:31:38,497 --> 00:31:43,437
I KNOW WHAT HAPPENED TO YOU.
I READ THE POLICE REPORT.
710
00:31:43,469 --> 00:31:45,469
WELL, THEN, YOU ALREADY
KNOW EVERYTHING.
711
00:31:45,504 --> 00:31:47,214
I KNOW HUSTLERS
AND I KNOW YOU,
712
00:31:47,239 --> 00:31:51,139
AND I KNOW YOU TOLD THE POLICE
AS LITTLE AS POSSIBLE.
713
00:31:51,177 --> 00:31:52,577
FINE.
714
00:31:52,611 --> 00:31:56,321
I WAS FRESH ON THE STREET,
AND...
715
00:31:56,348 --> 00:31:59,548
HE GOT HIS HANDS ON ME
BEFORE I DEVELOPED
716
00:31:59,585 --> 00:32:02,115
MY SURVIVAL INSTINCTS.
717
00:32:02,154 --> 00:32:04,624
MY STORY'S NO USE TO YOU.
MY BOGEYMAN DIED 10 YEARS AGO.
718
00:32:04,656 --> 00:32:06,056
HE DOESN'T HAVE
TALIA LENNOX.
719
00:32:06,092 --> 00:32:07,762
THEY'RE ALL THE SAME
EVIL BASTARD.
720
00:32:07,793 --> 00:32:11,163
HE HAD YOU
FOR THREE DAYS.
721
00:32:13,365 --> 00:32:15,595
YOU LOOKED STRAIGHT
INTO HIS EYES
722
00:32:15,634 --> 00:32:17,644
WHILE HE DID THE THINGS
HE DID TO YOU.
723
00:32:19,271 --> 00:32:20,941
HELP ME CATCH HIM.
724
00:32:23,675 --> 00:32:26,905
THE BOGEYMAN
STARTS OUT KIND.
725
00:32:26,945 --> 00:32:34,345
HE MAKES YOU FEEL SPECIAL
FOR BEING CHOSEN.
726
00:32:34,386 --> 00:32:36,316
THEN HE TELLS YOU
HE LOVES YOU.
727
00:32:36,355 --> 00:32:37,185
WHICH IS A LIE.
728
00:32:37,223 --> 00:32:38,693
NO.
729
00:32:38,724 --> 00:32:41,294
NOT TO HIM, IT'S NOT.
730
00:32:41,327 --> 00:32:42,857
HE MEANS IT.
731
00:32:42,894 --> 00:32:46,834
BELIEVE ME WHEN I SAY...
732
00:32:46,865 --> 00:32:49,865
I NEVER BEEN LOOKED AT
WITH SO MUCH LOVE.
733
00:32:49,901 --> 00:32:53,971
EVEN WHEN HE MARKED ME.
734
00:32:54,006 --> 00:32:55,366
HE TATTOOED YOU?
735
00:32:55,407 --> 00:32:56,977
NO. HE BRANDED ME
WITH HIS CIGARETTE
736
00:32:57,009 --> 00:32:58,439
OVER AND OVER.
737
00:32:58,477 --> 00:33:01,447
I GOT TATTOOS
TO COVER THE SCARS
738
00:33:01,480 --> 00:33:03,480
SO I WOULDN'T HAVE
TO REMEMBER HIM EVERY DAY
739
00:33:03,515 --> 00:33:04,715
FOR THE REST OF MY LIFE.
740
00:33:06,352 --> 00:33:07,992
BUT YOU GOT AWAY.
741
00:33:08,020 --> 00:33:10,560
[ SIGHS ]
742
00:33:10,589 --> 00:33:13,029
I WAS FAST...
743
00:33:13,059 --> 00:33:15,659
AND LUCKY.
744
00:33:15,694 --> 00:33:18,864
ALL IN ALL, HE WASN'T
SO BAD, YOU KNOW?
745
00:33:18,897 --> 00:33:20,897
[ SIGHS ]
746
00:33:20,932 --> 00:33:22,372
THERE ARE WORSE BOGEYMEN.
747
00:33:22,401 --> 00:33:24,471
[ CELLPHONE CLICKS, BEEPS ]
748
00:33:24,503 --> 00:33:26,243
[ Ringing ]
749
00:33:26,272 --> 00:33:28,312
MR. MORROW, THIS IS
LIEUTENANT EVERETT BACKSTROM.
750
00:33:28,340 --> 00:33:29,680
SORRY TO BOTHER YOU SO EARLY.
751
00:33:29,708 --> 00:33:31,378
I'VE GOT ONE MORE QUESTION
FOR YOUR DAUGHTER.
752
00:33:31,410 --> 00:33:34,650
HER AND HER FRIENDS -- WHERE
DID THEY GET THEIR TATTOOS?
753
00:33:34,680 --> 00:33:36,650
[ INDISTINCT CONVERSATIONS ]
754
00:33:36,682 --> 00:33:39,052
ALMOND: Lieutenant,
we're in position.
755
00:33:39,085 --> 00:33:40,545
Gravely:
SOMEBODY'S COMING.
756
00:33:42,721 --> 00:33:44,721
[ MONITOR BEEPS ]
757
00:33:44,756 --> 00:33:46,326
HE'S LIMPING.
758
00:33:46,358 --> 00:33:49,358
THAT'S HIM.
ALMOND, TAKE HIM DOWN.
759
00:33:53,865 --> 00:33:55,325
[ GRUNTS ]
760
00:33:55,367 --> 00:33:56,597
LET'S GO.
761
00:33:56,635 --> 00:33:59,935
ALL RIGHT. JUST TAKE
IT EASY. WE GOT HIM.
762
00:33:59,971 --> 00:34:03,441
Wesley Lewis, we're taking
you in for questioning.
763
00:34:04,743 --> 00:34:07,553
* THROWN
764
00:34:07,579 --> 00:34:11,179
* FROM THE FADING SKY
765
00:34:11,217 --> 00:34:13,387
[ DOGS BARKING ]
766
00:34:13,419 --> 00:34:17,559
* OUR HOPE
767
00:34:17,589 --> 00:34:20,129
* WILL FIND US
768
00:34:22,428 --> 00:34:24,628
* OUR HOPE
769
00:34:27,299 --> 00:34:32,069
* FROM THE WAY WE FLY
770
00:34:32,104 --> 00:34:34,944
* WILL RISE
771
00:34:36,975 --> 00:34:39,575
* LIKE MOUNTAINS
772
00:34:39,611 --> 00:34:42,951
Man: PORTLAND POLICE HOPE TO
FIND MISSING TEEN TALIA LENNOX
773
00:34:42,981 --> 00:34:45,721
AT THIS VIRTUALLY ABANDONED
FORMER JUNKYARD.
774
00:34:45,751 --> 00:34:47,921
WHY AREN'T THEY
FINDING ANYTHING?
775
00:34:47,953 --> 00:34:49,593
UNCONFIRMED SOURCES IDENTIFY
776
00:34:49,621 --> 00:34:51,891
BURNSIDE TATTOO ARTIST
WESLEY LEWIS
777
00:34:51,923 --> 00:34:54,433
AS THE MAIN SUSPECT
IN THE GIRL'S ABDUCTION.
778
00:34:54,460 --> 00:34:57,260
YOU KNOW. TALK.
779
00:34:59,265 --> 00:35:00,665
WE FOUND SOME
WOMEN'S CLOTHING IN A CLOSET
780
00:35:00,699 --> 00:35:02,469
AND EVIDENCE OF A BABY.
781
00:35:02,501 --> 00:35:05,971
MY WIFE LEFT WITH
OUR DAUGHTER MONTHS AGO.
782
00:35:06,004 --> 00:35:07,474
SHE REALIZED YOU WERE
A HOMICIDAL FREAK?
783
00:35:07,506 --> 00:35:09,276
CAN YOU PROVIDE
HER WHEREABOUTS?
784
00:35:09,308 --> 00:35:11,508
I WOULD LOVE TO KNOW
WHERE SHE IS.
785
00:35:11,543 --> 00:35:14,053
LYING IN A SHALLOW GRAVE
NEXT TO LACY SIDDON.
786
00:35:15,714 --> 00:35:18,254
AH.
787
00:35:18,284 --> 00:35:19,924
DETECTIVE DUNN,
788
00:35:19,951 --> 00:35:23,191
DID YOU OR YOUR TEAM DISCOVER
A CANE WITH A HOODED MAN
789
00:35:23,222 --> 00:35:24,192
ON THE HANDLE?
790
00:35:24,223 --> 00:35:26,193
I'LL GO CHECK.
791
00:35:26,225 --> 00:35:28,825
PUT HIM IN THE BACK
OF A CRUISER, PLEASE.
792
00:35:32,331 --> 00:35:34,471
IS THIS WHAT
YOU'RE LOOKING FOR?
793
00:35:36,335 --> 00:35:39,435
THAT'S IT.
BUT THERE'S NO LAW AGAINST
OWNING A CREEPY CANE.
794
00:35:39,471 --> 00:35:40,771
WE HAVEN'T FOUND ANYTHING
TO HOLD HIM ON.
795
00:35:40,806 --> 00:35:42,506
TELL YOU SOMETHING ELSE --
796
00:35:42,541 --> 00:35:44,511
10 MINUTES AFTER THAT GUY GETS
A LAWYER, HE'S A FREE MAN.
797
00:35:44,543 --> 00:35:47,213
AND HE'LL KILL TALIA.
798
00:35:47,246 --> 00:35:49,676
WE'LL NEVER FIND HER --
SAME AS LACY SIDDON.
799
00:35:49,715 --> 00:35:51,475
LIEUTENANT,
WE'RE RUNNING OUT OF TIME.
800
00:35:51,517 --> 00:35:53,487
WE HAVE TO THINK
OF SOMETHING FAST.
801
00:35:53,519 --> 00:35:54,789
DAMN IT!
NO.
802
00:35:54,820 --> 00:35:57,560
IT'S TIME TO THINK
OF SOMETHING SLOW.
803
00:35:58,590 --> 00:35:59,790
WE NEED TO PRAY.
804
00:35:59,825 --> 00:36:01,225
[ LAUGHS ]
805
00:36:04,330 --> 00:36:08,330
SERIOUSLY? OKAY, GOOD.
KNOCK YOURSELVES OUT.
806
00:36:08,367 --> 00:36:10,697
LIEUTENANT, YOU SAID THAT
YOU'D DO WHATEVER IT TAKES
807
00:36:10,736 --> 00:36:12,036
TO CATCH THAT BOGEYMAN.
808
00:36:25,384 --> 00:36:26,754
[ GROANS ]
809
00:36:30,021 --> 00:36:32,421
AS OPTIONS DWINDLE IN
THE SEARCH FOR TALIA LENNOX...
810
00:36:32,458 --> 00:36:34,258
WHAT IS HAPPENING HERE?
811
00:36:34,293 --> 00:36:37,063
...THE PRINCIPAL INVESTIGATORS
OF THE SPECIAL CRIME UNIT
812
00:36:37,095 --> 00:36:39,595
ARE EITHER LOOKING FOR SOLACE
OR A MIRACLE.
813
00:36:39,631 --> 00:36:42,831
BACKSTROM IS IN A PRAYER CIRCLE?
[ CHUCKLES ]
814
00:36:42,868 --> 00:36:44,168
BEING LED IN PRAYER
BY DETECTIVE JOHN ALMOND,
815
00:36:44,202 --> 00:36:45,572
WHO I'M TOLD PREACHES
816
00:36:45,604 --> 00:36:47,774
AT THE JOY OF EVERLASTING LIGHT
CHURCH.
817
00:36:47,806 --> 00:36:51,506
Almond: LORD, WE ASK YOU,
PLEASE DELIVER TALIA LENNOX
818
00:36:51,543 --> 00:36:55,853
INTO THE HANDS OF HER MOTHER
IF IT BE YOUR WILL,
819
00:36:55,881 --> 00:36:58,381
FOR SHE IS ONLY A CHILD.
820
00:36:58,417 --> 00:37:01,747
LORD. HA HA.
821
00:37:01,787 --> 00:37:05,517
WE THANK YOU FOR
DETECTIVE JOHN ALMOND
822
00:37:05,557 --> 00:37:08,727
REMINDING ME THAT TALIA
IS ONLY A CHILD,
823
00:37:08,760 --> 00:37:11,400
AND THERE IS A LAW
IN THE STATE OF OREGON
824
00:37:11,430 --> 00:37:14,430
AGAINST TATTOOING
UNDERAGE CHILDREN!
825
00:37:14,466 --> 00:37:17,366
I CAN HOLD THAT SON OF A BITCH
FOR 72 HOURS,
826
00:37:17,403 --> 00:37:18,673
LAWYER OR NO LAWYER!
827
00:37:19,971 --> 00:37:21,941
YOU SEE THAT?
DID YOU SEE HIM CLAP?
828
00:37:21,973 --> 00:37:23,313
MM-HMM.
829
00:37:23,342 --> 00:37:26,142
THAT'S THE CLOSEST THING
HE GETS TO HAPPY.
830
00:37:31,283 --> 00:37:32,653
HOW LONG WILL THIS TAKE?
831
00:37:32,684 --> 00:37:36,464
I'M A SOCIOPATHIC
CHILD RAPIST
832
00:37:36,488 --> 00:37:40,058
WHO PREYS ON
LONELY GIRLS.
833
00:37:40,091 --> 00:37:43,461
NO, I GET IT.
YOU'RE A FREAK.
834
00:37:43,495 --> 00:37:45,625
YEAH, SURE, YOU'RE A PERV.
835
00:37:45,664 --> 00:37:50,304
BUT WHAT'S WITH
THE DIFFERENT-COLORED EYES?
836
00:37:50,336 --> 00:37:52,836
I MEAN, THAT'S
PRETTY RARE, RIGHT?
837
00:37:52,871 --> 00:37:56,911
MAKES IT A HELL OF A LOT
HARDER TO FIND YOUR VICTIMS.
838
00:37:56,942 --> 00:37:59,782
CAN'T I JUST PAY A FINE
FOR TATTOOING THOSE GIRLS?
839
00:37:59,811 --> 00:38:01,781
IT DOESN'T HAVE TO DO
WITH SOME CREEPY,
840
00:38:01,813 --> 00:38:03,683
MOTHER/SON STUFF, DOES IT?
841
00:38:03,715 --> 00:38:08,015
STEPMOM WITH DIFFERENT-COLORED
EYES GAVE LITTLE WESLEY A BATH?
842
00:38:08,053 --> 00:38:12,293
HELL, I'LL LEAVE THAT ONE
FOR THE PRISON PSYCHIATRISTS.
843
00:38:12,324 --> 00:38:14,334
I'D LIKE TO GO HOME.
844
00:38:14,360 --> 00:38:16,830
I HAVE YOU FOR
A 72-HOUR HOLD.
845
00:38:16,862 --> 00:38:19,032
I PLAN ON US SPENDING EVERY
MINUTE OF THAT TOGETHER.
846
00:38:19,064 --> 00:38:21,304
CRUEL AND UNUSUAL
PUNISHMENT.
847
00:38:21,333 --> 00:38:24,043
DO YOU BELIEVE IN LOVE
AT FIRST SIGHT?
848
00:38:25,537 --> 00:38:26,837
YES.
849
00:38:26,872 --> 00:38:29,312
YEAH.
850
00:38:29,341 --> 00:38:32,511
EXCEPT IT'S NOT LOVE,
IS IT?
851
00:38:34,179 --> 00:38:36,209
YOU DON'T KNOW HOW TO LOVE.
852
00:38:36,247 --> 00:38:38,377
[ CHUCKLES ]
853
00:38:38,417 --> 00:38:44,387
YOU'VE NEVER LOVED ANYTHING
MORE THAN YOURSELF.
854
00:38:44,423 --> 00:38:48,233
YOU'LL NEVER HAVE A WIFE,
NEVER HAVE A CHILD.
855
00:38:48,259 --> 00:38:49,959
LOOK AT YOU.
856
00:38:49,995 --> 00:38:52,055
WHO'S THE OUTCAST?
857
00:38:52,097 --> 00:38:53,727
WHO'S THE PERV?
858
00:38:56,568 --> 00:38:57,838
[ SIGHS ]
859
00:38:57,869 --> 00:38:59,969
WE SEARCHED
YOUR PROPERTY.
860
00:39:00,005 --> 00:39:01,735
AND PROBLEM IS,
861
00:39:01,773 --> 00:39:04,313
WE WERE LOOKING FOR PLACES
WHERE YOU'D KEEP A LIVE PERSON.
862
00:39:04,342 --> 00:39:06,852
YOU KNOW, A VENTILATION PIPE
OR AIR SHAFT.
863
00:39:06,878 --> 00:39:09,048
WE SHOULD'VE BEEN
LOOKING FOR GRAVES.
864
00:39:09,080 --> 00:39:11,550
YOU SEE,
IF TALIA'S DEAD,
865
00:39:11,583 --> 00:39:14,093
IT DOESN'T MATTER HOW LONG
IT TAKES FOR US TO FIND HER.
866
00:39:14,119 --> 00:39:18,589
BUT IF SHE'S ALIVE,
IT MATTERS.
867
00:39:18,624 --> 00:39:20,934
SHE MIGHT BE RUNNING
OUT OF AIR.
868
00:39:20,959 --> 00:39:22,829
SO IF YOU TELL US
869
00:39:22,861 --> 00:39:28,701
WHERE TALIA IS
BEFORE SHE DIES,
870
00:39:28,734 --> 00:39:32,704
YOU'LL JUST BE CHARGED WITH
KIDNAPPING AND YOU'LL LIVE.
871
00:39:32,738 --> 00:39:36,938
BUT IF WE DIG UP
YOUR ENTIRE PROPERTY --
872
00:39:36,975 --> 00:39:40,545
AND, OH, WE WILL --
AND WE FIND HER DEAD,
873
00:39:40,579 --> 00:39:42,549
LETHAL INJECTION.
874
00:39:42,581 --> 00:39:47,451
IF SH DIES, IT'S ON YOU.
875
00:39:47,486 --> 00:39:51,016
MAYBE SO.
876
00:39:51,056 --> 00:39:53,086
LIKE YOU SAID...
877
00:39:53,124 --> 00:39:56,434
I'M ME -- WORSE THAN YOU.
878
00:39:56,462 --> 00:39:58,562
I'VE NEVER LOVED ANYBODY.
879
00:39:58,597 --> 00:40:00,567
I NEVER WILL.
880
00:40:00,599 --> 00:40:03,129
WHILE THE WORLD IS FILLED
WITH WALKING CORPSES
881
00:40:03,168 --> 00:40:04,938
WHO DON'T EVEN KNOW
THEY'RE DEAD.
882
00:40:04,970 --> 00:40:09,070
WELL, WHAT'S
ONE MORE LITTLE GIRL?
883
00:40:10,141 --> 00:40:11,241
[ DOOR SLAMS ]
884
00:40:16,448 --> 00:40:18,078
[ DOOR CLOSES ]
885
00:40:18,116 --> 00:40:19,546
WOW.
HE DIDN'T MEAN IT.
886
00:40:19,585 --> 00:40:22,085
HE WAS JUST PUTTING
INTENSE PRESSURE ON LEWIS.
887
00:40:32,097 --> 00:40:34,097
WELL, I SAY WE GET A TEAM
OUT THERE TO START DIGGING.
888
00:40:34,132 --> 00:40:34,932
WE COULD GET LUCKY.
889
00:40:34,966 --> 00:40:36,266
GROUND-PIERCING RADAR.
890
00:40:36,301 --> 00:40:37,441
WAIT.
WHAT'S HE DOING?
891
00:40:39,505 --> 00:40:41,205
CIRCLING SOMETHING.
892
00:40:42,608 --> 00:40:45,478
IT'S THE DOGS.
893
00:40:45,511 --> 00:40:50,421
* WHEN YOU HIDE IN THE MEADOWS
894
00:40:50,448 --> 00:40:52,748
* FEELIN' BLACK AND BLUE
895
00:40:52,784 --> 00:40:55,954
[ DOGS BARKING,
INDISTINCT CONVERSATIONS ]
896
00:40:55,987 --> 00:40:58,417
* BE TRUE TO YOUR SPIRIT
897
00:40:58,456 --> 00:41:02,326
* HOLD
898
00:41:02,360 --> 00:41:03,860
[ GRUNTS ]
899
00:41:03,895 --> 00:41:07,365
HEY, LOOK! LOOK.
900
00:41:07,398 --> 00:41:09,668
THIS MOVES.
901
00:41:12,538 --> 00:41:14,168
WE NEED BOLT CUTTERS.
902
00:41:14,205 --> 00:41:15,835
COME ON!
903
00:41:16,908 --> 00:41:17,908
[ GRUNTS ]
904
00:41:23,582 --> 00:41:25,982
WE'VE GOT TALIA.
IS THAT LACY?
905
00:41:26,017 --> 00:41:27,217
OH, DEAR GOD.
906
00:41:48,840 --> 00:41:50,380
LIEUTENANT!
907
00:41:50,408 --> 00:41:51,978
THEY'RE ALIVE!
908
00:41:52,010 --> 00:41:54,880
WE'RE GONNA NEED
A LADDER HERE.
909
00:42:04,389 --> 00:42:08,889
DEAR LORD, WE THANK YOU
FOR THE SAFE RETURN
910
00:42:08,927 --> 00:42:12,397
OF TALIA LENNOX
911
00:42:12,430 --> 00:42:14,700
INTO THE LOVING ARMS
OF HER MOTHER.
912
00:42:14,733 --> 00:42:16,673
All: AMEN.
913
00:42:16,702 --> 00:42:18,602
Almond: AMEN.
Man: AMEN.
914
00:42:18,637 --> 00:42:22,837
AND WE THANK YOU FOR
THE SAFE RETURN OF LACY SIDDON
915
00:42:22,874 --> 00:42:26,754
AND HER CHILD TO
YOUR BEAUTIFUL, WIDE WORLD.
916
00:42:26,778 --> 00:42:28,208
All: AMEN.
917
00:42:28,246 --> 00:42:30,116
BEAUTIFUL, YES.
918
00:42:30,148 --> 00:42:32,018
AMEN.
919
00:42:32,050 --> 00:42:35,720
THANKS TO THE POWER
OF PRAYER -- AND TELEVISION --
920
00:42:35,754 --> 00:42:37,864
THE PEOPLE OF PORTLAND, OREGON,
921
00:42:37,889 --> 00:42:41,429
OPENED THEIR HEARTS TO THIS
CHURCH AND TO THIS CONGREGATION
922
00:42:41,459 --> 00:42:45,099
TO THE TUNE OF ONE YEAR'S RENT.
923
00:42:45,130 --> 00:42:46,060
[ CHUCKLES ]
924
00:42:46,097 --> 00:42:47,127
[ CHEERS AND APPLAUSE ]
925
00:42:47,165 --> 00:42:50,295
Woman: AH, YEAH.
926
00:42:50,335 --> 00:42:53,035
PRAISE JESUS!
927
00:42:53,071 --> 00:42:57,811
BUT WE HAVE ONE MORE THING
TO BE THANKFUL FOR.
928
00:42:57,843 --> 00:43:01,313
DEAR LORD,
THANK YOU FOR EVERETT BACKSTROM.
929
00:43:01,346 --> 00:43:05,546
WE ALL KNOW THAT EVIL
CAN CLOAK ITSELF IN BEAUTY.
930
00:43:05,583 --> 00:43:08,453
YES, IT CAN.
931
00:43:08,486 --> 00:43:10,586
BUT GOOD CAN ALSO CONFUSE US...
932
00:43:10,622 --> 00:43:13,832
[ BELCHES ]
...IN DEPORTMENT AND APPEARANCE.
933
00:43:16,494 --> 00:43:17,934
AMEN.
63336