Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:04,862 --> 00:00:05,413
[ CHEERS AND APPLAUSE]
2
00:00:08,724 --> 00:00:11,172
>> Trevor: WELCOME TO THE 64th
ANNUAL GRAMMY AWARDS.
3
00:00:11,206 --> 00:00:13,448
I'M YOUR HOST, TREVOR NOAH, AND
TONIGHT, FOR THE FIRST TIME
4
00:00:13,482 --> 00:00:15,827
EVER, MUSIC'S BIGGEST NIGHT
IS COMING TO YOU FROM LAS VEGAS.
5
00:00:15,862 --> 00:00:19,827
VEGAS, BABY!
6
00:00:19,862 --> 00:00:22,551
[ CHEERS AND APPLAUSE]
I CAN SMELL THE BAD DECISIONS
7
00:00:22,586 --> 00:00:23,827
FROM UP HERE ALREADY!
8
00:00:23,862 --> 00:00:25,965
AND LIKE MOST PEOPLE WHO VISIT
VEGAS, WE MAY NOT KNOW WHERE WE
9
00:00:26,000 --> 00:00:27,827
ARE IN THE MORNING, BUT RIGHT
NOW WE'RE HERE AT THE M.G.M.
10
00:00:27,862 --> 00:00:28,689
GRAND!
11
00:00:28,724 --> 00:00:30,724
TONIGHT IS GOING TO BE A SPECIAL
NIGHT.
12
00:00:30,758 --> 00:00:32,448
WE HAVE ALL YOUR FAVORITE
ARTISTS PERFORMING, AND WE WILL
13
00:00:32,482 --> 00:00:35,172
BE GIVING OUT THE BIGGEST AWARD
IN MUSIC.
14
00:00:35,206 --> 00:00:36,689
SO, LET'S GET STRAIGHT INTO IT.
15
00:00:36,724 --> 00:00:41,172
KICKING FF TONIGHT FROM INSIDE
M.G.M. GRAND GARDEN ARENA IS A
16
00:00:41,206 --> 00:00:43,689
DYNAMIC DUO WHO ARE
SINGLEHANDEDLY BRINGING BACK
17
00:00:43,724 --> 00:00:46,379
THE '70s, WHICH MIGHT EXPLAIN
ALL THE INFLATION.
18
00:00:46,413 --> 00:00:51,827
IT'S BRUNO MARS AND ANDERSON
.PAAK IN SILK SONIC!
19
00:00:51,862 --> 00:00:59,206
[ CHEERS AND APPLAUSE]
♪ ♪
20
00:00:59,241 --> 00:01:14,137
♪ ♪
♪ ♪
21
00:01:14,172 --> 00:01:15,206
♪ ♪
♪ ♪
22
00:01:15,241 --> 00:01:23,896
♪ ♪
♪ ♪
23
00:01:23,931 --> 00:01:26,551
POPPA NEED A BRAND-NEW
♪ FOREIGN UH HOT HAND
24
00:01:26,586 --> 00:01:29,275
THEY NOT GON' BELIEVE ME
♪ BUT CHECK THE RECORDIN' OOH
25
00:01:29,310 --> 00:01:33,310
JUST TOUCHED DOWN
♪ DOWN
26
00:01:33,344 --> 00:01:35,275
I'M 'BOUT TO BUY LAS VEGAS
♪ AFTER THIS ROLL
27
00:01:35,310 --> 00:01:36,378
I'M 'BOUT TO BUY LAS VEGAS
♪ AFTER THIS ROLL, COME ON
28
00:01:36,413 --> 00:01:40,931
SEVEN, SEVEN, SEVEN
♪ LET'S GO
29
00:01:40,965 --> 00:01:43,896
♪ ♪
OOH WEE
30
00:01:43,931 --> 00:01:50,862
♪ ♪
♪ ♪
31
00:01:50,896 --> 00:01:51,896
♪ ♪
♪ AYY
32
00:01:51,931 --> 00:01:53,413
NOW WE MAKIN' MONEY
♪ NOW WE MAKIN' MONEY
33
00:01:53,448 --> 00:01:55,896
NOW WE MAKIN' MONEY
♪ ONE, TWO, THREE
34
00:01:55,931 --> 00:01:58,551
SPIN THE WHEEL FOR ME
♪ HOO, BLACKJACK
35
00:01:58,586 --> 00:01:59,896
BACCARAT
♪ DEALER WHERE YOU AT?
36
00:01:59,931 --> 00:02:02,344
DEAL FOR ME
♪ DEALER WHERE YOU AT
37
00:02:02,379 --> 00:02:03,275
WHERE YOU AT?
38
00:02:03,310 --> 00:02:04,310
♪ WOO, GIMME THE CHIPS,
GIVE ME THE CHIPS
39
00:02:04,344 --> 00:02:07,103
♪ GIVE IT SOME MAGIC
GO ALL IN
40
00:02:07,137 --> 00:02:08,344
♪ WHY
I CAN SEE THE
41
00:02:08,378 --> 00:02:11,310
♪ CHAMPAGNE FALLIN'
I GOT BILLS TO PAY
42
00:02:11,344 --> 00:02:14,000
♪ BUT BILLS CAN WAIT--
IT, WE BALLIN'
43
00:02:14,034 --> 00:02:15,137
♪ STACKS ON STACKS
STACKS
44
00:02:15,172 --> 00:02:16,862
♪ RACKS ON RACKS
RACKS
45
00:02:16,896 --> 00:02:18,103
♪ MOONWALK TO THE MONEY
LIKE I'M MIKE JACK', OW
46
00:02:18,137 --> 00:02:19,724
♪ YES, I'M FADED
AYY
47
00:02:19,758 --> 00:02:21,793
♪ PUPILS DILATED
BUT THE MAN IN THE MIRROR
48
00:02:21,827 --> 00:02:23,310
♪ SAYIN', "GON' GET YOUR PAPER"
GET IT
49
00:02:23,344 --> 00:02:25,275
♪ PRETTY MOTHER WITH SOME
MONEY TO BLOW
50
00:02:25,310 --> 00:02:27,206
♪ I'M 'BOUT TO BUY LAS VEGAS
AFTER THIS ROLL
51
00:02:27,241 --> 00:02:29,310
♪ I'M 'BOUT TO BUY LAS VEGAS
AFTER THIS ROLL, COME ON
52
00:02:29,344 --> 00:02:34,896
♪ SEVEN, SEVEN, SEVEN
LET'S GO
53
00:02:34,930 --> 00:02:39,103
♪ ♪
♪ OOH WEE
54
00:02:39,137 --> 00:02:45,034
♪ ♪
♪ ♪
55
00:02:45,067 --> 00:02:46,689
THIS THE BIG ONE
♪ BIG MONEY
56
00:02:46,724 --> 00:02:47,862
YOU GOTTA TRUST YOUR GUT
♪ YOU GOTTA TRUST YOUR GUT
57
00:02:47,896 --> 00:02:52,137
NOW, NOW
♪ CAN YOU FEEL IT
58
00:02:52,172 --> 00:02:53,896
♪ ♪
THIS THE BIG ONE
59
00:02:53,930 --> 00:02:55,896
♪ BIG MONEY
YOU GOTTA TRUST YOUR GUT
60
00:02:55,930 --> 00:02:58,310
♪ YOU GOTTA TRUST YOUR GUT
NOW, NOW
61
00:02:58,344 --> 00:03:04,034
♪ CAN YOU FEEL IT
WAIT A MINUTE
62
00:03:04,068 --> 00:03:08,034
♪ ♪
♪ ♪
63
00:03:08,068 --> 00:03:16,034
♪ ♪
♪ ♪
64
00:03:16,068 --> 00:03:17,965
♪ ♪
>> I'M GON' TELL YOU ONE TIME
65
00:03:18,000 --> 00:03:19,241
AND ONE TIME ONLY.
66
00:03:19,275 --> 00:03:23,379
♪ GET UP NOW
GET UP NOW
67
00:03:23,413 --> 00:03:27,517
♪ GET UP NOW
GET UP NOW
68
00:03:27,551 --> 00:03:32,034
LAS VEGAS WE HOT
♪ LAS VEGAS WE HOT
69
00:03:32,067 --> 00:03:38,103
LAS VEGAS WE HOT
SILK SONIC WE HOT
70
00:03:38,137 --> 00:03:40,034
PRETTY BROTHER WITH SOME
♪ MONEY TO BLOW
71
00:03:40,067 --> 00:03:41,551
I'M 'BOUT TO BUY
♪ LAS VEGAS AFTER THIS ROLL
72
00:03:41,586 --> 00:03:43,172
I'M 'BOUT TO BUY
♪ LAS VEGAS AFTER THIS ROLL
73
00:03:43,206 --> 00:03:44,275
COME ON
♪ SEVEN, SEVEN
74
00:03:44,310 --> 00:03:48,034
SEVEN, SEVEN
♪ SEVEN, LET'S GO
75
00:03:48,067 --> 00:03:52,034
♪ ♪
♪ ♪
76
00:03:52,067 --> 00:03:56,034
SEVEN, SEVEN
♪ SEVEN, SEVEN
77
00:03:56,067 --> 00:04:00,034
SEVEN, LET'S GO
♪ ♪
78
00:04:00,068 --> 00:04:14,965
♪ ♪
[ CHEERS AND APPLAUSE]
79
00:04:15,000 --> 00:04:17,206
♪ ♪
[ CHEERS AND APPLAUSE]
80
00:04:17,241 --> 00:04:19,481
>> Trevor: SILK SONIC,
EVERYBODY!
81
00:04:19,517 --> 00:04:22,275
KEEP IT GOING!
82
00:04:22,310 --> 00:04:24,448
[ CHEERS AND APPLAUSE]
MAN, THAT WAS AMAZING.
83
00:04:24,482 --> 00:04:25,586
EVEN IF YOU DOBTS HAVE A
GIRLFRIEND, THEY JUST STOLE HER
84
00:04:25,620 --> 00:04:27,379
FROM YOU.
85
00:04:27,413 --> 00:04:31,034
WELCOME, EVERYBODY, TO THE
64th ANNUAL GRAMMY AWARDS.
86
00:04:31,068 --> 00:04:33,689
WE MADE IT, PEOPLE!
87
00:04:33,724 --> 00:04:35,103
WE MADE IT!
88
00:04:35,137 --> 00:04:36,379
OH MAN.
89
00:04:36,413 --> 00:04:39,931
IT'S BEEN A LONG TIME COMING AND
ST HAS BEEN DELAYED BUT WE ARE
90
00:04:39,965 --> 00:04:41,931
OFFICIALLY HERE, BETTER LATE
THAN NEVER, RIGHT, AND LOOK AT
91
00:04:41,965 --> 00:04:44,448
THIS ROOM, THIS IS A PARTY,
EVERYONE IS HANGING OUT.
92
00:04:44,482 --> 00:04:46,034
WE'VE GOT THE TABLES.
93
00:04:46,068 --> 00:04:46,862
WE'RE IN VEGAS.
94
00:04:46,896 --> 00:04:49,724
LOOK AT THIS, PEOPLE ARE DOING
SHOTS.
95
00:04:49,758 --> 00:04:52,896
I MEAN LAST YEAR PEOPLE WERE
DOING SHODS BUT IT WAS MORE
96
00:04:52,931 --> 00:04:55,586
MODERN AND AND PFIZER, THIS TIME
WE'RE BACK IN THE MIX.
97
00:04:55,620 --> 00:05:00,137
AND EVERYONE IS HERE, EVERY
SINGLE PERSON IS HERE, OLIVIA
98
00:05:00,172 --> 00:05:01,413
RODRIGO, I SAW HER MYSELF, YEAH.
99
00:05:01,448 --> 00:05:05,827
SHE WAS GETS CARDED AND SHE HAD
TO SHOW A BOUNCER HER ACTUAL'S
100
00:05:05,862 --> 00:05:09,551
DRIVER'S LICENSE T WAS LIKE
HISTORY, YOU KNOW WHAT I ELSE I
101
00:05:09,586 --> 00:05:14,034
SAW, I SAW NAS STANDING TKES IN
LIL NAS X, HE WAS ACTUALLY
102
00:05:14,068 --> 00:05:17,344
TALLER, THEY DON'T TELL YOU
THIS, BILLIE EILISH AND HER
103
00:05:17,379 --> 00:05:19,620
BROTHER FINNEAS ARE HERE, YEP.
104
00:05:19,655 --> 00:05:21,827
AND I'M NOT GOING TO LIE THERE
IS ONLY ONE QUESTION I CAN'T
105
00:05:21,862 --> 00:05:23,482
WAIT TO ASK THEM.
106
00:05:23,517 --> 00:05:25,931
AND I THINK IT IS A QUESTION
THAT EVERYONE IS BUYING TO KNOW,
107
00:05:25,965 --> 00:05:27,517
WHAT IS FINNEAS'S LAST NAME.
108
00:05:27,551 --> 00:05:28,793
IS IT EILISH?
109
00:05:28,827 --> 00:05:32,482
IT HAS TO BE EILISH, RIGHT, WHY
WON'T YOU TELL US, FINIAS WHAT
110
00:05:32,517 --> 00:05:35,586
ARE YOU HEADING, FTS IS IN THE
HOUSE, PEOPLE.
111
00:05:35,620 --> 00:05:41,896
AND BEFORE WE FIGHT, I CALL DIBS
ON RM YOU CAN FIGHT OVER
112
00:05:41,931 --> 00:05:43,862
EVERYBODY ELSE WA, IS GOING ON,
BILLY PORTER, HOW YOU DOING.
113
00:05:43,896 --> 00:05:49,620
>> I GOT TO SHOW BTS SOME OF MY
DANCE MOVES AND HE SAID I WAS
114
00:05:49,655 --> 00:05:52,344
MISHUIN AND I DON'T SPEAK KOREAN
BUT I THINK IT MEANS PRETTY
115
00:05:52,379 --> 00:05:52,965
DOPE.
116
00:05:53,000 --> 00:05:56,551
LADY GAGA AND JARED LETO.
117
00:05:56,586 --> 00:06:03,172
MORE LIKE A GUCCI AIRBNB.
118
00:06:03,206 --> 00:06:07,344
THIS ROOM IS FULL OF MUSIC ROYAL
TEE, JUSTIN BIEBER, I SAW HIM
119
00:06:07,379 --> 00:06:07,965
SOMEWHERE.
120
00:06:08,000 --> 00:06:09,103
THAT'S RIGHT, THERE HE IS.
121
00:06:09,137 --> 00:06:10,344
JB IN THE HOUSE.
122
00:06:10,379 --> 00:06:13,241
THE BEST THING TO HAPPEN TO
BEACHES SINCE THAT TIMOTHEE CHAL
123
00:06:13,275 --> 00:06:17,896
O MAY MOVIE, AND THAT'S NOT ALL,
BRANDI CARLILE, CHRIS STAPLETON,
124
00:06:17,931 --> 00:06:21,862
BRANDI CARLILE, CHRIS STAPLETON,
BROTHERS OSBORNE, J BALVIN, JON
125
00:06:21,896 --> 00:06:25,379
BATISTE, JOHN LEGEND-- IT'S LIKE
A MUSICAL MADAME TUSSAUDS' IN
126
00:06:25,413 --> 00:06:26,551
HERE.
127
00:06:26,586 --> 00:06:27,241
IN HERE AND LATER TONIGHT YOU
HAVE TO STAY TUNED FOR AN
128
00:06:27,275 --> 00:06:30,482
AMAZING PERFORMANCE BY H.E.R.
129
00:06:30,517 --> 00:06:34,482
FEATURING JIMMY JAM, TERRY
LEWIS, TRAVIS BARKER AND LENNY
130
00:06:34,517 --> 00:06:37,448
KRAVITZ, ALL ON THE STAGE AT THE
SAME TIME IT WILL BE SUCH A
131
00:06:37,482 --> 00:06:38,655
BEAUTIFUL EVENING.
132
00:06:38,689 --> 00:06:41,275
DON'T EVEN THINK OF THIS AS AN
AWARD SHOW T SAY CON SETTER
133
00:06:41,310 --> 00:06:44,655
WHERE WE ARE GIVING OUT AWARDS,
WE WILL BE LISTENING TO MUSIC,
134
00:06:44,689 --> 00:06:49,103
DANCING, SING, KEEP'S PEOPLE'S
NAMES OUT OF OUR MOUTHS AND WE
135
00:06:49,137 --> 00:06:51,310
ARE GOING TO GIVE PEOPLE AWARDS
ALL THROUGHOUT THE NIGHT.
136
00:06:51,344 --> 00:06:53,965
SO LET'S GET STRAIGHT INTO IT.
137
00:06:54,000 --> 00:06:59,379
OUR NEXT PERFORMER AT ONLY 19 IS
NOMINATED FOR SEVEN GRAMMYS
138
00:06:59,413 --> 00:07:03,275
INCLUDING RECORD AND SONG AND
ALBUM OF THE YEAR AND BEST NEW
139
00:07:03,310 --> 00:07:04,482
ARTIST.
140
00:07:04,517 --> 00:07:06,068
WHEN I WAS 19 THE ONLY THING I
WAS NOMINATED FOR WAS LEAST
141
00:07:06,103 --> 00:07:09,172
LIKELY TO GET HIS ACNE UNDER
CONTROL.
142
00:07:09,206 --> 00:07:15,379
LADIES AND GENTLEMEN, WELCOME TO
THE GRAMMY STAGE, OLIVIA RODRIGO
143
00:07:15,413 --> 00:07:21,103
.
144
00:07:21,137 --> 00:07:33,206
[ CHEERS AND APPLAUSE]
♪ ♪
145
00:07:33,241 --> 00:07:37,620
>> ♪ I GOT MY DRIVERS LICENSE
LAST WEEK JUST LIKE WE ALWAYS
146
00:07:37,655 --> 00:07:43,379
♪ TALKED ABOUT 'CAUSE YOU WERE
SO EXCITED
147
00:07:43,413 --> 00:07:46,758
♪ FOR ME TO FINALLY DRIVE UP TO
YOUR HOUSE BUT TODAY I DROVE
148
00:07:46,793 --> 00:07:58,758
♪ THROUGH THE SUBURBS
CRYING 'CAUSE YOU WEREN'T AROUND
149
00:07:58,793 --> 00:08:09,793
♪ WHO ALWAYS MADE ME DOUBT
♪ SHE'S EVERYTHING I'M INSECURE
150
00:08:09,827 --> 00:08:11,137
ABOUT YEAH
♪ TODAY I DROVE THROUGH THE
151
00:08:11,172 --> 00:08:15,482
SUBURBS
♪ 'CAUSE HOW COULD I EVER LOVE
152
00:08:15,517 --> 00:08:19,448
SOMEONE ELSE?
153
00:08:19,482 --> 00:08:27,448
♪ AND I KNOW WE WEREN'T PERFECT
BUT I'VE NEVER FELT THIS WAY
154
00:08:27,482 --> 00:08:31,448
♪ FOR NO ONE
AND I JUST CAN'T IMAGINE
155
00:08:31,482 --> 00:08:38,655
♪ HOW YOU COULD BE SO OKAY
NOW THAT I'M GONE
156
00:08:38,688 --> 00:08:40,827
♪ GUESS YOU DIDN'T
MEAN WHAT YOU WROTE IN THAT
157
00:08:40,861 --> 00:08:46,862
♪ SONG ABOUT ME
'CAUSE YOU SAID FOREVER
158
00:08:46,896 --> 00:08:52,827
♪ NOW I DRIVE ALONE
PAST YOUR STREET
159
00:08:52,862 --> 00:08:58,896
♪ AND ALL MY FRIENDS ARE TIRED
OF HEARING HOW MUCH I MISS YOU
160
00:08:58,931 --> 00:09:01,137
♪ BUT I KINDA FEEL
SORRY FOR THEM
161
00:09:01,172 --> 00:09:04,896
♪ 'CAUSE THEY'LL NEVER KNOW YOU
THE WAY THAT I DO, YEAH
162
00:09:04,931 --> 00:09:10,034
♪ TODAY I DROVE THROUGH THE
SUBURBS
163
00:09:10,068 --> 00:09:15,482
♪ AND PICTURED I WAS DRIVING
HOME TO YOU
164
00:09:15,517 --> 00:09:19,517
♪ AND I KNOW
WE WEREN'T PERFECT BUT
165
00:09:19,551 --> 00:09:26,275
♪ I'VE NEVER FELT THIS WAY FOR
NO ONE OH
166
00:09:26,310 --> 00:09:28,931
♪ AND I JUST CAN'T IMAGINE
HOW YOU
167
00:09:28,965 --> 00:09:31,689
♪ COULD BE SO OKAY
NOW THAT
168
00:09:31,724 --> 00:09:35,517
♪ I'M GONE
I GUESS
169
00:09:35,551 --> 00:09:39,517
♪ YOU DIDN'T MEAN WHAT YOU WROTE
IN THAT
170
00:09:39,551 --> 00:09:43,517
♪ SONG ABOUT ME
'CAUSE YOU SAID FOR EVER, NOW I
171
00:09:43,551 --> 00:09:51,517
♪ DRIVE ALONE PAST YOUR
STREET
172
00:09:51,551 --> 00:09:54,448
RED LIGHTS STOP
SIGNS
173
00:09:54,482 --> 00:09:58,931
♪ I STILL SEE YOUR FACE IN THE
WHITE CARS FRONT YARDS
174
00:09:58,965 --> 00:10:04,344
♪ CAN'T DRIVE PAST THE PLACES
WE USED TO GO TO
175
00:10:04,379 --> 00:10:10,758
♪ 'CAUSE YOU KNOW I STILL LOVE
YOU, BABE
176
00:10:10,793 --> 00:10:15,517
♪ OOH
OOH
177
00:10:15,551 --> 00:10:22,034
♪ SIDEWALKS WE CROSSED
I STILL HEAR YOUR VOICE
178
00:10:22,068 --> 00:10:27,517
♪ IN THE TRAFFIC
WE'RE LAUGHING
179
00:10:27,551 --> 00:10:31,517
♪ OVER ALL THE NOISE GOD,
I'M SO BLUE, KNOW WE'RE THROUGH
180
00:10:31,551 --> 00:10:35,517
♪ BUT YOU KNOW I STILL
LOVE YOU BABE
181
00:10:35,551 --> 00:10:43,413
♪ OOH
OOH
182
00:10:43,448 --> 00:10:46,931
♪ QUIET I KNOW WE WEREN'T
PERFECT BUT I'VE NEVER
183
00:10:46,965 --> 00:10:51,517
♪ FELT THIS WAY
FOR NO ONE
184
00:10:51,551 --> 00:10:55,517
♪ AND I JUST CAN'T IMAGINE
HOW YOU
185
00:10:55,551 --> 00:10:58,931
♪ COULD BE SO OKAY
NOW THAT
186
00:10:58,965 --> 00:11:03,586
♪ I'M GONE
GUESS YOU DIDN'T MEAN WHAT
187
00:11:03,620 --> 00:11:09,241
♪ YOU WROTE IN THAT
SONG ABOUT ME
188
00:11:09,275 --> 00:11:11,000
♪ 'CAUSE YOU SAID FOREVER
NOW I DRIVE ALONE
189
00:11:11,034 --> 00:11:18,655
♪ PAST YOUR STREET
YEAH, YOU SAID FOREVER
190
00:11:18,689 --> 00:11:24,655
♪ NOW I DRIVE ALONE
PAST YOUR STREET ♪
191
00:11:24,689 --> 00:11:39,620
[ CHEERS AND APPLAUSE]
>> Trevor: THAT'S RIGHT, KEEP
192
00:11:39,655 --> 00:11:40,655
[ CHEERS AND APPLAUSE]
>> Trevor: THAT'S RIGHT, KEEP
193
00:11:40,689 --> 00:11:45,448
IT GOING, OLIVIA RODRIGO, THAT
WAS AMAZING, WOW!
194
00:11:45,482 --> 00:11:47,068
THAT WAS SO AMAZING.
195
00:11:47,103 --> 00:11:50,275
JUST
CAPTURING JUST HOW HEARTBREAKING
196
00:11:50,310 --> 00:11:51,448
IT IS GOING TO THE D.M.V.
197
00:11:51,482 --> 00:11:53,034
[ LAUGHTER]
AND NOW, ONE OF THE MOST-TALKED
198
00:11:53,068 --> 00:11:58,448
ABOUT ARTISTS ANYWHERE IN THE
WORLD TODAY, A GRAMMY AND LATIN
199
00:11:58,482 --> 00:12:04,517
GRAMMY-WINNING SUPERSTAR
NOMINATED THIS YEAR IN THE
200
00:12:04,551 --> 00:12:07,172
JOINED BY LATIN GRAMMY NOMINEE
MARIA BECCERA, THIS IS J BALVIN!
201
00:12:07,206 --> 00:12:15,103
[ CHEERS AND APPLAUSE]
>> ♪ ¿QUEÉ MAÁS
202
00:12:15,137 --> 00:12:16,551
PUES? ¿COÓMO TE HA IDO? ¿SIGUE'
SOLTERA
203
00:12:16,586 --> 00:12:18,034
♪ O YA TIENE' MARIDO?
204
00:12:18,068 --> 00:12:19,655
SEÉ QUE ES PERSONAL,
♪ PERDONA LO ATREVIDO TE PEDIÍ EN
205
00:12:19,689 --> 00:12:22,551
NAVIDAD
♪ Y SANTA NO TE HA TRAIÍDO PERO,
206
00:12:22,586 --> 00:12:24,965
¿QUEÉ MAÁS PUES?
207
00:12:25,000 --> 00:12:27,137
♪ ¿QUEÉ HA HABIDO? TE PERDIÍ EL
RASTRO POR DISTRAIÍDO LA FAMA
208
00:12:27,172 --> 00:12:31,137
♪ ESTO ME TIENE
PERO NO ME OLVIDO
209
00:12:31,172 --> 00:12:35,000
♪ DE LO SUCEDIDO
ME PERDISTE DE VISTA AHORA E'
210
00:12:35,034 --> 00:12:38,241
♪ CON OTRO CON QUIEN VACILO EN
LA PISTA, EY AY,
211
00:12:38,275 --> 00:12:39,482
♪ JOSEÉ, NO ME INSISTA' DAS
MUCHAS
212
00:12:39,517 --> 00:12:42,896
♪ VUELTA', PARECE' MOTOCICLISTA,
EY
213
00:12:42,931 --> 00:12:46,241
♪ NINGUNA CON ESTE PORTE TENGO
ESTE
214
00:12:46,275 --> 00:12:48,793
♪ BOOTY SIN HACER DEPORTE
NADA VA A HACER QUE ME IMPORTE'
215
00:12:48,827 --> 00:12:51,137
♪ PORQUE MI
BRUÚJULA YA CAMBIOÓ SU NORTE
216
00:12:51,172 --> 00:12:52,551
♪ iWUH!
217
00:12:52,586 --> 00:12:57,896
REGAÁLAME OTRA
♪ NOCHE, QUIERO VERTE
218
00:12:57,931 --> 00:13:00,551
QUE HAY QUE ACLARAR PAR
♪ DE COSAS PEN-DIENTE'
219
00:13:00,586 --> 00:13:04,620
MA', ¿QUEÉ LO QUE ? ¿DOÓNDE
♪ ESTAÁS? DIME, A VER QUE YO
220
00:13:04,655 --> 00:13:10,655
VOY
♪ VOY
221
00:13:10,689 --> 00:13:16,724
REGAÁLAME OTRA
♪ NOCHE, QUIERO VERTE
222
00:13:16,758 --> 00:13:20,689
QUE HAY QUE ACLARAR PAR
♪ DE COSAS PEN-DIENTE'
223
00:13:20,724 --> 00:13:24,724
MA', ¿QUEÉ LO QUE? ¿DOÓNDE
♪ ESTAÁS? DIME, A VER QUE YO
224
00:13:24,758 --> 00:13:30,103
VOY
VOY
225
00:13:30,137 --> 00:13:35,689
♪ OH
♪ TE LLAMEÉ EN AGOSTO APARE
226
00:13:35,724 --> 00:13:40,689
CISTE EN ENERO TUÚ DE
♪ VACACIONE' EN BOSTON Y OTRO
227
00:13:40,724 --> 00:13:44,724
APARECIOÓ PRIMERO Y ME
♪ ESTAÁ' EMPALAGANDO Y ESO
228
00:13:44,758 --> 00:13:48,103
QUE NO E' GOLOSINA TUÚ MU
♪ CHO ME ESTAÁ' MIRANDO Y ESO
229
00:13:48,137 --> 00:13:52,689
QUE NO SOY VITRINA
♪ ♪
230
00:13:52,724 --> 00:13:58,482
♪ ♪
[ CHEERS AND APPLAUSE]
231
00:13:58,517 --> 00:14:02,758
♪ PARTY IN DI GETTO
INNA
232
00:14:02,793 --> 00:14:04,551
♪ DI GETTO
ESTO SE
233
00:14:04,586 --> 00:14:07,103
♪ LA VECINA
NO SEÉ QUE BEBIOÓ
234
00:14:07,137 --> 00:14:09,241
♪ EL VECINO
NO SEÉ QUE PRENDIOÓ
235
00:14:09,275 --> 00:14:10,655
♪ A LA GENTE NO SEÉ QUE LE DIO,
PERO
236
00:14:10,689 --> 00:14:13,862
♪ TO' EL MUNDO ESTAÁ LOCO
TO' EL MUNDO, TO' EL MUNDO
237
00:14:13,896 --> 00:14:16,586
♪ ESTAÁ LOCO
TO' EL MUNDO RAYA'O DEL COCO
238
00:14:16,620 --> 00:14:20,793
♪ Y YO SOLO SEÉ QUE MONTARON
PARTY IN DI GETTO
239
00:14:20,827 --> 00:14:23,137
♪ INNA DI GETTO
PARTY IN DI GETTO
240
00:14:23,172 --> 00:14:27,137
♪ INNA DI GETTO
PARTY INNA DI GETTO
241
00:14:27,172 --> 00:14:31,137
♪ INNA DI GETTO
PARTY IN DI GETTO
242
00:14:31,172 --> 00:14:34,793
♪ INNA DI GETTO
EN EL GETTO HAY PARTY, TO'
243
00:14:34,827 --> 00:14:39,137
♪ EL MUNDO, EVERYBODY 'TAMO
FLOW RASTAFARI 'TAÁ PERFECTO
244
00:14:39,172 --> 00:14:43,137
♪ ESE BODY MAMI, TUÚ
ESTAÁS BIEN SALVAJE Y YO
245
00:14:43,172 --> 00:14:46,551
♪ QUE ESTOY DE SAFARI DJ,
NO LE BAJE', PONGAN LA DE
246
00:14:46,586 --> 00:14:50,965
♪ TEGO Y DE DADDY
ESE ES DE QUILATE'
247
00:14:51,000 --> 00:14:52,586
♪ SE TE NOTAN LOS PILATE'
HOY TUÚ GANA' O YO GANO NO LO
248
00:14:52,620 --> 00:14:55,517
♪ DEJAMO' EN EMPATE
EN MI CASA ES EL REMATE
249
00:14:55,551 --> 00:14:59,034
♪ NOS FUIMO'
CALLA'O, SIN DAR DETALLE'
250
00:14:59,068 --> 00:15:03,172
♪ LA GENTE YA SE DIO CUENTA, QUE
MONTAMO' LA DISCO EN LA CALLE
251
00:15:03,206 --> 00:15:03,896
♪ Y ESTO ES
INNA
252
00:15:03,931 --> 00:15:06,758
♪ DI GETTO
PARTY IN DI GETTO
253
00:15:06,793 --> 00:15:09,068
♪ INNA
DI GETTO
254
00:15:09,103 --> 00:15:10,655
♪ PARTY INNA DI GETTO
INNA
255
00:15:10,689 --> 00:15:15,206
♪ DI GETTO
PARTY IN DI GETTO
256
00:15:15,241 --> 00:15:22,068
♪ PARTY IN DI GET
IN DA GET
257
00:15:22,103 --> 00:15:27,206
♪ ♪
♪ ♪
258
00:15:27,241 --> 00:15:34,620
♪ ♪
♪ ♪
259
00:15:34,655 --> 00:15:39,206
PARTY IN DI GETTO
♪ ♪
260
00:15:39,241 --> 00:15:46,655
♪ ♪
♪ ♪
261
00:15:46,689 --> 00:16:01,620
♪ ♪
[ CHEERS AND APPLAUSE]
262
00:16:01,655 --> 00:16:06,413
♪ ♪
[ CHEERS AND APPLAUSE]
263
00:16:06,448 --> 00:16:09,275
>> UP NEXT: QUESTLOVE PRESENTS
THE GRAMMY FOR SONG OF THE YEAR.
264
00:16:09,310 --> 00:16:12,655
THEN, PERFORMANCES BY BTS, LIL
NAS X, BILLIE EILISH, JUSTIN
265
00:16:12,689 --> 00:16:14,482
BIEBER.
266
00:16:14,517 --> 00:16:18,931
AND LATER, NAS PERFORMS, AND
LADY GAGA SINGS FOR TONY
267
00:16:18,965 --> 00:16:20,655
BENNETT.
268
00:16:20,689 --> 00:16:21,206
ONLY ON THE GRAMMY AWARDS.
269
00:16:28,517 --> 00:16:31,793
♪ ♪
[ APPLAUSE]
270
00:16:31,827 --> 00:16:35,862
>> Trevor: WELCOME BACK TO THE
ANNUAL 64th GRAMMY AWARDS LIVE
271
00:16:35,896 --> 00:16:37,827
FROM THE M.G.M. GRAND.
272
00:16:37,862 --> 00:16:41,827
WE'RE HERE IN VEGAS!
273
00:16:41,862 --> 00:16:42,827
FOR THE FIRST TIME EVER!
274
00:16:42,862 --> 00:16:44,000
VEGAS: IF CRYPTO WERE A CITY.
275
00:16:44,034 --> 00:16:49,137
TO PRESENT OUR FIRST AWARD
TONIGHT, A SIX-TIME GRAMMY
276
00:16:49,172 --> 00:16:50,931
YOU JUST WON A BRAND NEW GRAMMY
EARLIER TODAY FOR SUMMER OF
277
00:16:50,965 --> 00:16:53,275
SOUL, ALSO THE BEATING HEART OF
THE ROOT.
278
00:16:53,310 --> 00:16:58,862
I DID MENTION IS HE NOW AN OSCAR
MINUTE WINNING
279
00:16:58,896 --> 00:16:59,586
OSCAR WINNING-DIRECTOR?
280
00:16:59,620 --> 00:17:00,655
GET ON YOUR FEET FOR QUESTLOVE!
281
00:17:00,689 --> 00:17:10,000
[ CHEERS AND APPLAUSE]
>> THANK YOU.
282
00:17:10,034 --> 00:17:12,413
ALL RIGHT, I AM GOING TO PRESENT
THIS AWARD AND I TRUST THAT YOU
283
00:17:12,448 --> 00:17:18,413
PEOPLE WILL STAY 500 FEET AWAY
FROM ME.
284
00:17:18,448 --> 00:17:21,517
AS
THEY SAY IT IS FAR BETTER TO
285
00:17:21,550 --> 00:17:22,758
GIVE THAN TO RECEIVE.
286
00:17:22,792 --> 00:17:26,964
WELL, I'M NOT SO SURE ABOUT THAT
BECAUSE LAST SUNDAY IT FELT
287
00:17:27,000 --> 00:17:30,379
PRETTY GOOD TO RECEIVE.
288
00:17:30,413 --> 00:17:33,310
YOU KNOW, AN AWARD.
289
00:17:33,344 --> 00:17:36,655
[ APPLAUSE]
BUT I WILL SAY THAT IT IS ALSO
290
00:17:36,689 --> 00:17:41,379
GREAT TO WIN A GRAMMY AWARD FOR
THIS-- FROM THIS PARTICULAR
291
00:17:41,413 --> 00:17:42,586
ACADEMY.
292
00:17:42,620 --> 00:17:47,034
YOU KNOW, FOR 22 YEARS, YOU
KNOW, THE ROOTS WON OUR FIRST
293
00:17:47,068 --> 00:17:49,827
AWARD AND YOU KNOW, IT WAS
EXCITING AS IF IT WERE THE FIRST
294
00:17:49,862 --> 00:17:50,620
TIME.
295
00:17:50,655 --> 00:17:52,068
YOU NEVER FORGET YOUR FIRST
TIME.
296
00:17:52,103 --> 00:17:56,206
AND YOU KNOW, THIS IS NOW A
SPECIAL MOMENT FOR SOMEONE.
297
00:17:56,241 --> 00:17:58,965
AND WE'RE GOING TO MAKE A MEMORY
FOR THEM TONIGHT.
298
00:17:59,000 --> 00:18:01,275
AND THESE ARE THE
THESE ARE THE OUTSTANDING
299
00:18:01,310 --> 00:18:09,344
NOMINATIONS FOR SONG OF THE
YEAR.
300
00:18:09,379 --> 00:18:13,379
>> Announcer: SONG OF THE YEAR.
301
00:18:13,413 --> 00:18:17,379
"BAD HABITS" BY FRED GIBSON,
JOHNNY McDAID, AND ED SHEERAN.
302
00:18:17,413 --> 00:18:24,965
ED SHEERAN, ARTIST.
303
00:18:25,000 --> 00:18:28,862
"A BEAUTIFUL NOISE" BY RUBY
AMANFU, BRANDI CARLILE, BRANDY
304
00:18:28,896 --> 00:18:31,413
CLARK, ALICIA KEYS, HILLARY
LINDSEY, LORI McKENNA, LINDA
305
00:18:31,448 --> 00:18:32,620
PERRY, AND HAILEY WHITTERS.
306
00:18:32,655 --> 00:18:37,379
ALICIA KEYS AND BRANDI CARLILE,
ARTIST.
307
00:18:37,413 --> 00:18:41,344
"DRIVERS LICENSE" BY DANIEL
NIGRO AND OLIVIA RODRIGO.
308
00:18:41,379 --> 00:18:45,482
OLIVIA RODRIGO, ARTIST.
309
00:18:45,517 --> 00:18:50,827
"FIGHT FOR YOU" BY DERNST EMILE
II, H.E.R., AND TIARA THOMAS.
310
00:18:50,862 --> 00:18:55,034
H.E.R., ARTIST.
311
00:18:55,068 --> 00:18:56,931
"HAPPIER THAN EVER" BY BILLIE
EILISH O'CONNELL AND FINNEAS
312
00:18:56,965 --> 00:19:01,448
O'CONNELL.
313
00:19:01,482 --> 00:19:02,896
BILLIE EILISH, ARTIST.
314
00:19:02,931 --> 00:19:08,896
"KISS ME MORE" BY ROGEÉT
CHAHAYED, AMALA ZANDILE DLAMINI,
315
00:19:08,931 --> 00:19:13,034
LUKASZ GOTTWALD, CARTER LANG,
GERARD A. POWELL II, SOLAÁNA
316
00:19:13,068 --> 00:19:13,758
ROWE, AND DAVID SPRECHER.
317
00:19:13,793 --> 00:19:19,103
DOJA CAT FEATURING SZA, ARTIST.
318
00:19:19,137 --> 00:19:21,241
"LEAVE THE DOOR OPEN" BY BRANDON
ANDERSON, CHRISTOPHER BRODY
319
00:19:21,275 --> 00:19:25,448
BROWN, DERNST EMILE II, AND
BRUNO MARS.
320
00:19:25,482 --> 00:19:29,448
SILK SONIC, ARTIST.
321
00:19:29,482 --> 00:19:33,034
"MONTERO [CALL ME BY YOUR NAME]"
BY DENZEL BAPTISTE, DAVID BIRAL,
322
00:19:33,068 --> 00:19:37,448
OMER FEDI, MONTERO HILL, AND ROY
LENZO.
323
00:19:37,482 --> 00:19:41,448
LIL NAS X, ARTIST.
324
00:19:41,482 --> 00:19:45,413
"PEACHES" BY LOUIS BELL, JUSTIN
BIEBER, GIVEON DEZMANN EVANS,
325
00:19:45,448 --> 00:19:52,379
BERNARD HARVEY, FELISHA "FURY"
KING, MATTHEW SEAN LEON, LUIS
326
00:19:52,413 --> 00:19:57,206
MANUEL MARTINEZ JR., AARON
SIMMONDS, ASHTON SIMMONDS,
327
00:19:57,241 --> 00:19:58,965
ANDREW WOTMAN, AND KEAVAN
YAZDANI.
328
00:19:59,000 --> 00:20:04,379
JUSTIN BIEBER FEATURING DANIEL
CAESAR AND GIVEON, ARTIST.
329
00:20:04,413 --> 00:20:10,000
"RIGHT ON TIME" BY BRANDI
CARLILE, DAVE COBB, PHIL
330
00:20:10,034 --> 00:20:10,586
HANSEROTH, AND TIM HANSEROTH.
331
00:20:10,620 --> 00:20:22,344
BRANDI CARLILE, ARTIST.
332
00:20:22,379 --> 00:20:33,724
>> AND THE GRAMMY GOES TO:
"LEAVE THE DOOR OPEN"
333
00:20:33,758 --> 00:20:37,103
BRANDON ANDERSON, CHRISTOPHER
BRODY BROWN, DERNST EMILE II,
334
00:20:37,137 --> 00:20:52,034
AND BRUNO MARS, SILK SONIC
[ CHEERS AND APPLAUSE]
335
00:20:52,068 --> 00:21:04,517
AND BRUNO MARS, SILK SONIC
[ CHEERS AND APPLAUSE]
336
00:21:04,551 --> 00:21:06,241
>> HI, HI.
337
00:21:06,275 --> 00:21:13,827
I JUST WANT TO SAY THANK YOU TO
MY TEAM AND MY FAMILY, MY
338
00:21:13,862 --> 00:21:16,034
BEAUTIFUL WIFE OUT THERE.
339
00:21:16,068 --> 00:21:20,655
THIS IS FOR MY MOM, SHE PASSED
ON WEDNESDAY.
340
00:21:20,689 --> 00:21:25,551
SO THIS IS FOR HER.
341
00:21:25,586 --> 00:21:27,034
[APPLAUSE]
>> COME HERE!
342
00:21:27,068 --> 00:21:32,206
I LOVE YOU, I WANT TO THANK
EVERYBODY THAT HELPED WITH US
343
00:21:32,241 --> 00:21:33,413
THIS ALBUM.
344
00:21:33,448 --> 00:21:38,034
WANT TO THANK CHARLES, ANDY,
COULDN'T BE PROUDER DOING THIS
345
00:21:38,068 --> 00:21:39,862
WITH YOU, THANK YOU SO MUCH.
346
00:21:39,896 --> 00:21:48,413
THANK YOU GUYS SO MUCH. AND YOU
KNOW IT IS BECAUSE OF YOU ME AND
347
00:21:48,448 --> 00:21:51,310
ANDY WILL BE SINGING THIS SONG
FOREVER, SO GOD BLESS YOU ALL.
348
00:21:51,344 --> 00:21:55,275
>> FOR THE REST OF OUR LIVES, WE
LOVE YOU.
349
00:21:55,310 --> 00:21:56,172
[APPLAUSE].
350
00:21:56,206 --> 00:21:59,068
>> Trevor: CONGRATULATIONS,
SILK SONIC.
351
00:21:59,103 --> 00:22:01,413
MAN, WE LOVE THAT SONG, JUST BY
THE WAY, TO EVERYONE IN THE
352
00:22:01,448 --> 00:22:04,586
ROOM, I NOTICED SOMETHING, I
KNOW WE ARE WATCHING A SHOW, I
353
00:22:04,620 --> 00:22:08,000
KNOW IT IS AN AWARD SHOW, BUT
WHEN THE MUSIC, YOU DON'T HAVE
354
00:22:08,034 --> 00:22:11,827
TO DANCE IN YOUR CHAIR, YOU KNOW
YOU CAN GET UP, I KNOW I SAW
355
00:22:11,862 --> 00:22:16,137
SOME OF YOU WRIGGLING, DON'T DO
IT, YOU LOOK WEIRD, STARNTION
356
00:22:16,172 --> 00:22:17,482
YOU WIGGLE BETTER ON TWO FEET.
357
00:22:17,517 --> 00:22:19,931
TO ALL THE NOMINEES IN THE
CATEGORY WHO DIDN'T WIN, I KNOW
358
00:22:19,965 --> 00:22:22,965
ARE YOU SAD RIGHT NOW, EVERYBODY
WANTS TO WIN, BUT PLEASE
359
00:22:23,000 --> 00:22:25,965
REMEMBER, TONIGHT IS NOT JUST
ABOUT WING, ARE YOU NOMINATED,
360
00:22:26,000 --> 00:22:28,413
YOU MIGHT NOT WIN BUT REMEMBER,
AT THE END OF THE DAY, YOU HAVE
361
00:22:28,448 --> 00:22:32,482
SOMETHING THAT NOT EVERYBODY
HAS.
362
00:22:32,517 --> 00:22:33,413
MONEY.
363
00:22:33,448 --> 00:22:35,068
[LAUGHTER]
I KNOW YOU WANT THE TROPHY BUT
364
00:22:35,103 --> 00:22:37,448
THE TROPHY WON'T HELP YOU PAY
FOR YOUR HOUSE, MONEY, PEOPLE.
365
00:22:37,482 --> 00:22:39,931
DON'T FORGET WHAT COUNTS IN
LIFE.
366
00:22:39,965 --> 00:22:40,724
ALL RIGHT.
367
00:22:40,758 --> 00:22:43,689
IT'S TIME FOR ANOTHER
PERFORMANCE.
368
00:22:43,724 --> 00:22:46,586
NOMINATED AGAIN THIS
NOMINATED AGAIN THIS YEAR FOR
369
00:22:46,620 --> 00:22:48,482
BEST POP DUO/GROUP PERFORMANCE,
LET'S MAKE SOME NOISE-- AS IF I
370
00:22:48,517 --> 00:22:52,482
REALLY HAD TO TELL YOU THAT--
FOR GLOBAL SUPERSTARS BTS!
371
00:22:52,517 --> 00:23:07,413
[ CHEERS AND APPLAUSE]
[ MODEM STATIC]
372
00:23:07,448 --> 00:23:10,862
[ CHEERS AND APPLAUSE]
[ MODEM STATIC]
373
00:23:10,896 --> 00:23:20,034
♪ ♪
[ CHEERS AND APPLAUSE]
374
00:23:20,068 --> 00:23:32,034
♪ ♪
♪ ♪
375
00:23:32,068 --> 00:23:44,034
[ CHEERS AND APPLAUSE]
♪ ♪
376
00:23:44,068 --> 00:23:59,000
♪ ♪
♪ ♪
377
00:23:59,034 --> 00:24:00,586
♪ ♪
♪ ♪
378
00:24:00,620 --> 00:24:02,068
[ CHEERS AND APPLAUSE]
>> ♪ SMOOTH LIKE
379
00:24:02,103 --> 00:24:07,413
BUTTER LIKE A
♪ CRIMINAL UNDER COVER GON'
380
00:24:07,448 --> 00:24:11,413
POP LIKE TROUBLE BREAKIN'
♪ INTO YOUR HEART LIKE THAT
381
00:24:11,448 --> 00:24:15,896
COOL SHADE STUNNER YEAH I
♪ OWE IT ALL TO MY MOTHER
382
00:24:15,931 --> 00:24:19,379
HOT LIKE SUMMER YEAH I'M
♪ MAKING YOU SWEAT LIKE THAT
383
00:24:19,413 --> 00:24:22,965
>> ♪ BREAK IT DOWN
OH WHEN I LOOK IN THE MIRROR
384
00:24:23,000 --> 00:24:27,379
♪ I'LL MELT YOUR HEART INTO TWO
I GOT THAT SUPERSTAR GLOW, SO
385
00:24:27,413 --> 00:24:29,137
>> ♪ OHH
DO THE BOOGIE, LIKE
386
00:24:29,172 --> 00:24:34,103
♪ SIDE STEP RIGHT
LEFT TO MY BEAT
387
00:24:34,137 --> 00:24:38,034
♪ HIGH LIKE THE MOON
ROCK WITH ME BABY
388
00:24:38,068 --> 00:24:39,586
♪ KNOW THAT I GOT
THAT HEAT LET ME
389
00:24:39,620 --> 00:24:45,931
♪ SHOW YOU 'CAUSE TALK IS CHEAP
SIDE STEP RIGHT LEFT TO MY
390
00:24:45,965 --> 00:24:47,379
♪ BEAT GET IT LET IT ROLL
SMOOTH LIKE BUTTER
391
00:24:47,413 --> 00:24:51,379
♪ PULL YOU IN LIKE
NO OTHER DON'T
392
00:24:51,413 --> 00:24:55,379
♪ NEED NO USHER TO
REMIND ME YOU GOT IT BAD
393
00:24:55,413 --> 00:24:59,379
♪ AIN'T NO OTHER THAT CAN
SWEEP YOU UP LIKE A ROBBER
394
00:24:59,413 --> 00:25:04,482
>> ♪ STRAIGHT UP I
GOT YA
395
00:25:04,517 --> 00:25:05,275
♪ MAKING YOU FALL LIKE THAT
BREAK IT DOWN
396
00:25:05,310 --> 00:25:06,586
>> ♪ OH WHEN I LOOK IN THE
MIRROR
397
00:25:06,620 --> 00:25:09,758
♪ I'LL MELT YOUR HEART INTO TWO
♪ I GOT THAT SUPERSTAR GLOW, SO
398
00:25:09,793 --> 00:25:12,724
OHH
♪ DO THE BOOGIE, LIKE
399
00:25:12,758 --> 00:25:15,724
♪ SIDE STEP RIGHT LEFT TO MY
BEAT
400
00:25:15,758 --> 00:25:20,862
♪ HIGH LIKE THE MOON ROCK WITH
ME BABY
401
00:25:20,896 --> 00:25:22,206
♪ KNOW THAT I GOT THAT HEAT LET
ME
402
00:25:22,241 --> 00:25:28,379
♪ SHOW YOU 'CAUSE TALK IS CHEAP
SIDE STEP RIGHT LEFT TO MY
403
00:25:28,413 --> 00:25:35,517
♪ BEAT GET IT LET IT ROLL
♪ ♪
404
00:25:35,551 --> 00:25:44,034
[ CHEERS AND APPLAUSE]
♪ ♪
405
00:25:44,068 --> 00:25:52,034
♪ ♪
♪ ♪
406
00:25:52,068 --> 00:25:59,517
♪ ♪
♪ ♪
407
00:25:59,551 --> 00:26:08,172
♪ ♪
♪ ♪
408
00:26:08,206 --> 00:26:16,068
♪ ♪
♪ ♪
409
00:26:16,103 --> 00:26:23,551
[ CHEERS AND APPLAUSE]
♪ ♪
410
00:26:23,586 --> 00:26:29,379
♪ ♪
>> ♪ GET IT LET IT ROLL
411
00:26:29,413 --> 00:26:31,172
♪ NO ICE ON MY WRIST
I'M THAT NICE GUY
412
00:26:31,206 --> 00:26:32,517
♪ GOT THAT RIGHT BODY
AND THAT RIGHT MIND
413
00:26:32,551 --> 00:26:34,931
♪ ROLLIN' UP TO PARTY
GOT THE RIGHT VIBE
414
00:26:34,965 --> 00:26:37,034
♪ SMOOTH LIKE BUTTER
HATE US
415
00:26:37,068 --> 00:26:38,758
♪ LOVE US
>> ♪ FRESH, BOY PULL UP
416
00:26:38,793 --> 00:26:40,068
AND WE LAY LOW
♪ ALL THE PLAYAS GET MOVIN'
417
00:26:40,103 --> 00:26:41,827
WHEN THE BASS LOW
♪ GOT ARMY RIGHT BEHIND US
418
00:26:41,862 --> 00:26:45,379
WHEN WE SAY SO
♪ OOH LET'S GO
419
00:26:45,413 --> 00:26:48,068
♪ SIDE STEP RIGHT
LEFT TO MY BEAT
420
00:26:48,103 --> 00:26:52,068
♪ HEART BEAT
HIGH LIKE THE MOON
421
00:26:52,103 --> 00:26:55,517
♪ ROCK WITH ME BABY
>> ♪ KNOW THAT I GOT THAT HEAT
422
00:26:55,551 --> 00:26:57,965
LET ME
♪ SHOW YOU 'CAUSE TALK IS CHEAP
423
00:26:58,000 --> 00:26:59,551
YOU KNOW THAT TALK IS CHEAP
♪ SIDE STEP RIGHT
424
00:26:59,586 --> 00:27:03,379
LEFT TO MY BEAT
GET IT LET IT ROLL
425
00:27:03,413 --> 00:27:05,655
♪ SMOOTH LIKE BUTTER
COOL SHADE STUNNER
426
00:27:05,689 --> 00:27:08,241
♪ AND YOU KNOW WE DON'T STOP
HOT LIKE SUMMER
427
00:27:08,275 --> 00:27:11,034
♪ AIN'T NO BUMMER
YOU'LL BE LIKE "OH MY GOD"
428
00:27:11,068 --> 00:27:13,724
♪ WE GON' MAKE YOU ROCK, AND YOU
SAY YEAH
429
00:27:13,758 --> 00:27:16,137
♪ WE GON' MAKE YOU BOUNCE, AND
YOU SAY YEAH
430
00:27:16,172 --> 00:27:17,655
♪ HOTTER? SWEETER! COOLER?
431
00:27:17,689 --> 00:27:20,137
BUTTER!
432
00:27:20,172 --> 00:27:35,068
♪ GET IT LET IT ROLL
[ CHEERS AND APPLAUSE]
433
00:27:35,103 --> 00:27:37,965
♪ GET IT LET IT ROLL
[ CHEERS AND APPLAUSE]
434
00:27:38,000 --> 00:27:38,965
>> Trevor: ARE YOU KIDDING ME?
435
00:27:39,000 --> 00:27:41,379
WHAT WAS THAT?
436
00:27:41,413 --> 00:27:42,000
BTS, EVERYBODY!
437
00:27:42,034 --> 00:27:43,068
OH MAN!
438
00:27:43,103 --> 00:27:55,206
ALL RIGHT, IT'S TIME FOR US TO
TAKE A QUICK BREAK.
439
00:27:55,241 --> 00:27:58,379
NOMINATED IN THE 86 DIFFERENT
GRAMMY CATEGORIES THIS YEAR.
440
00:27:58,413 --> 00:28:05,000
AROUND THE WORLD, NOMINATED
AGAIN THIS YEAR FOR BEST
441
00:28:05,034 --> 00:28:08,724
TROPICAL LATIN ALBUM: AYMEÉE
NUVIOLA!
442
00:28:08,758 --> 00:28:10,206
WE'LL BE RIGHT BACK.
443
00:28:10,241 --> 00:28:20,758
[ CHEERS AND APPLAUSE]
♪ ♪
444
00:28:20,793 --> 00:28:28,206
♪ ♪
[ SINGING IN SPANISH]
445
00:28:28,241 --> 00:28:34,206
♪ ♪
♪ ♪
446
00:28:34,241 --> 00:28:44,758
[ SINGING IN SPANISH]
♪ ♪
447
00:28:44,793 --> 00:28:48,758
♪ ♪
[ SINGING IN SPANISH]
448
00:28:48,793 --> 00:28:50,551
♪ ♪
449
00:29:01,551 --> 00:29:09,000
♪ ♪
[ SINGING IN SPANISH]
450
00:29:09,034 --> 00:29:17,517
♪ ♪
♪ ♪
451
00:29:17,551 --> 00:29:25,517
[ SINGING IN SPANISH]
♪ ♪
452
00:29:25,551 --> 00:29:33,034
♪ ♪
[ SINGING IN SPANISH]
453
00:29:33,068 --> 00:29:44,172
♪ ♪
[ CHEERS AND APPLAUSE]
454
00:29:44,206 --> 00:29:46,310
>> Trevor: AYMEÉE NUVIOLA,
EVERYBODY!
455
00:29:46,344 --> 00:29:47,379
AMAZING.
456
00:29:47,413 --> 00:29:51,275
YOU CAN SEE THE FULL
PERFORMANCES FROM OUR ROOFTOP
457
00:29:51,310 --> 00:29:54,655
ONLINE AFTER THE SHOW.
458
00:29:54,689 --> 00:29:56,793
ALL RIGHT, IT'S TIME FOR SOME
MUSIC DOWN HERE.
459
00:29:56,827 --> 00:30:03,206
OUR NEXT PERFORMER HAS FIVE
HE RAPS, HE SINGS, HE UPSETS
460
00:30:03,241 --> 00:30:08,172
YOUR HOMOPHOBIC UNCLE.
461
00:30:08,206 --> 00:30:11,724
JOINED BY JACK HARLOW, GIVE IT
UP FOR LIL NAS X!
462
00:30:11,758 --> 00:30:23,758
[ CHEERS AND APPLAUSE]
♪ ♪
463
00:30:23,793 --> 00:30:31,137
♪ ♪
♪ ♪
464
00:30:31,172 --> 00:30:33,931
2018, I WAS AT MY SISTER HOUSE
♪ THE WHOLE SUMMER
465
00:30:33,965 --> 00:30:36,344
SONGS WASN'T DOIN' NUMBERS
♪ WHOLE LIFE WAS GOIN' UNDER
466
00:30:36,379 --> 00:30:39,965
LEFT SCHOOL, THEN MY DAD AND I
♪ HAD A FACE-TO-FACE IN ATLANTA
467
00:30:40,000 --> 00:30:41,724
HE SAID, "IT'S ONE IN A MILLION
♪ CHANCE, SON"
468
00:30:41,758 --> 00:30:44,172
I TOLD HIM, "DADDY, I AM
♪ THAT ONE," UH, UH
469
00:30:44,206 --> 00:30:47,724
I AIN'T NEVER NEED HIM, HUH
♪ I AIN'T NEVER NEED NO
470
00:30:47,758 --> 00:30:49,344
I AIN'T NEVER NEED NO FEATURE
♪ IF I DIDN'T BLOW
471
00:30:49,379 --> 00:30:50,965
I WOULD'VE DIED
♪ TRYNA BE HERE
472
00:30:51,000 --> 00:30:52,275
IF IT DIDN'T GO
♪ SUICIDE, WOULDN'T BE HERE
473
00:30:52,310 --> 00:30:53,758
NOW THEY ALL COME AROUND
♪ LIKE THEY'VE BEEN HERE
474
00:30:53,793 --> 00:30:56,275
WHEN YOU GET THIS
♪ RICH AND FAMOUS, EVERYBODY
475
00:30:56,310 --> 00:30:59,793
COME UP TO YOU SINGIN'
♪ HALLELUJAH
476
00:30:59,827 --> 00:31:05,827
HOW'D YOU DO IT
♪ HALLELUJAH
477
00:31:05,862 --> 00:31:16,137
HOW'D YOU DO IT
♪ HOW'D YOU DO IT
478
00:31:16,172 --> 00:31:20,241
YEAH ♪
♪ ♪
479
00:31:20,275 --> 00:31:28,241
[ CHEERS AND APPLAUSE]
♪ ♪
480
00:31:28,275 --> 00:31:36,379
♪ ♪
>> CAUSED QUITE THE REACTION
481
00:31:36,413 --> 00:31:40,137
♪ ♪
♪ DRINKIN' WITH YOUR FRIENDS
482
00:31:40,172 --> 00:31:43,931
YOU LIVE IN THE DARK, BOY
♪ I CANNOT PRETEND
483
00:31:43,965 --> 00:31:46,724
I'M NOT PHASED
♪ ONLY HERE TO SIN
484
00:31:46,758 --> 00:31:49,413
IF EVE AIN'T IN YOUR GARDEN
♪ YOU KNOW THAT YOU CAN
485
00:31:49,448 --> 00:31:52,206
CALL ME WHEN YOU WANT
♪ CALL ME WHEN YOU NEED
486
00:31:52,241 --> 00:31:54,000
CALL ME IN THE MORNING
♪ I'LL BE ON THE WAY
487
00:31:54,034 --> 00:31:57,655
CALL ME WHEN YOU WANT
♪ CALL ME WHEN YOU NEED
488
00:31:57,689 --> 00:32:01,551
CALL ME OUT BY YOUR NAME
♪ I'LL BE ON THE WAY LIKE
489
00:32:01,586 --> 00:32:04,827
CALL ME BY YOUR NAME
♪ TELL ME YOU LOVED ME
490
00:32:04,862 --> 00:32:09,172
IN PRIVATE
♪ CALL ME BY YOUR NAME
491
00:32:09,206 --> 00:32:16,896
I DO NOT CARE IF YOU LYIN' ♪
♪ ♪
492
00:32:16,931 --> 00:32:24,758
♪ ♪
♪ ♪
493
00:32:24,793 --> 00:32:30,758
♪ ♪
♪ ♪
494
00:32:30,793 --> 00:32:36,758
HE THE NUMBER ONE SONG ON THE
BILLBOARD 100.
495
00:32:36,793 --> 00:32:42,758
♪ ♪
[ CHEERS AND APPLAUSE]
496
00:32:42,793 --> 00:32:45,310
♪ BABY BACK, AYY
COUPLE RACKS, AYY
497
00:32:45,344 --> 00:32:48,758
♪ COUPLE GRAMMYS ON HIM
COUPLE PLAQUES, AYY
498
00:32:48,793 --> 00:32:52,827
♪ THAT'S A FACT, AYY
THROW IT BACK, AYY
499
00:32:52,862 --> 00:32:54,758
♪ THROW IT BACK, AYY
AND THIS ONE IS FOR
500
00:32:54,793 --> 00:32:59,689
♪ THE CHAMPIONS
I AIN'T LOST SINCE I BEGAN
501
00:32:59,724 --> 00:33:03,206
♪ FUNNY HOW YOU SAID
IT WAS THE END
502
00:33:03,241 --> 00:33:12,620
♪ YEAH THEN I WENT
DID IT AGAIN
503
00:33:12,655 --> 00:33:15,758
[ CHEERS AND APPLAUSE]
♪ I TOLD YOU LONG AGO
504
00:33:15,793 --> 00:33:21,275
ON THE ROAD
♪ I GOT WHAT THEY WAITIN' FOR
505
00:33:21,310 --> 00:33:24,827
♪ I DON'T RUN FROM NOTHIN'
DOG GET YOUR SOLDIERS
506
00:33:24,862 --> 00:33:28,827
♪ TELL 'EM I AIN'T LAYIN' LOW
♪ YOU WAS NEVER REALLY ROOTIN'
507
00:33:28,862 --> 00:33:30,827
FOR ME ANYWAY
WHEN I'M BACK UP AT THE TOP
508
00:33:30,862 --> 00:33:35,103
♪ I WANNA HEAR YOU SAY
♪ HE DON'T RUN FROM NOTHIN'
509
00:33:35,137 --> 00:33:36,862
DOG GET YOUR SOLDIERS
♪ TELL 'EM THAT THE BREAK IS
510
00:33:36,896 --> 00:33:41,758
OVER, YEAH ♪
♪ MY TRACK RECORD SO CLEAN
511
00:33:41,793 --> 00:33:44,103
THEY COULDN'T WAIT TO
♪ JUST BASH ME
512
00:33:44,137 --> 00:33:45,758
I MUST BE GETTIN' TOO FLASHY
♪ Y'ALL SHOULDN'T HAVE
513
00:33:45,793 --> 00:33:47,758
LET THE WORLD GAS ME, WOO
♪ IT'S TOO LATE 'CAUSE I'M
514
00:33:47,793 --> 00:33:49,068
HERE TO STAY
♪ AND THESE GIRLS KNOW THAT
515
00:33:49,103 --> 00:33:53,275
I'M NASTY, MM
♪ I SENT HER BACK TO HER
516
00:33:53,310 --> 00:33:56,241
BOYFRIEND WITH MY HAND PRINT
CITY TALKIN, WE TAKIN' NOTES
517
00:33:56,275 --> 00:33:57,310
♪ TELL 'EM ALL TO KEEP
MAKIN' POSTS
518
00:33:57,344 --> 00:34:00,517
♪ WISH HE COULD
BUT HE CAN'T GET CLOSE
519
00:34:00,551 --> 00:34:01,551
♪ O.G. SO PROUD OF ME THAT
HE CHOKIN' UP WHILE HE
520
00:34:01,586 --> 00:34:03,344
♪ MAKIN' TOASTS
I'M THE TYPE THAT
521
00:34:03,379 --> 00:34:05,344
♪ YOU CAN'T CONTROL
SAID I WOULD THEN
522
00:34:05,379 --> 00:34:12,896
♪ I MADE IT, SO
♪ ♪
523
00:34:12,931 --> 00:34:20,206
♪ ♪
♪ ♪
524
00:34:20,241 --> 00:34:28,034
♪ ♪
♪ ♪
525
00:34:28,068 --> 00:34:30,172
♪ ♪
YOU WAS NEVER REALLY
526
00:34:30,206 --> 00:34:31,757
♪ ROOTIN' FOR ME ANYWAY
LIKE, OOH-OOH
527
00:34:31,793 --> 00:34:33,551
♪ WHEN I'M BACK UP AT THE TOP
I WANNA HEAR YOU SAY
528
00:34:33,585 --> 00:34:35,034
HE DON'T RUN FROM NOTHIN'
♪ DOG GET YOUR SOLDIERS
529
00:34:35,068 --> 00:34:38,551
TELL 'EM THAT THE BREAK IS
♪ OVER
530
00:34:38,585 --> 00:34:43,724
♪ ♪
♪ YEAH
531
00:34:43,757 --> 00:34:50,827
♪ ♪
I'M THE INDUSTRY BABY, MMM
532
00:34:50,862 --> 00:35:05,793
♪ I'M THE INDUSTRY BABY, YEAH
[ CHEERS AND APPLAUSE]
533
00:35:05,827 --> 00:35:12,896
♪ I'M THE INDUSTRY BABY, YEAH
[ CHEERS AND APPLAUSE]
534
00:35:12,931 --> 00:35:15,206
[ CHEERS AND APPLAUSE]
>> Announcer: SEE HOW THE NEW
535
00:35:15,241 --> 00:35:18,827
RECORDING ACADEMY CELEBRATES
THE BEST IN MUSIC YEAR-ROUND.
536
00:35:18,862 --> 00:35:22,241
GO BEHIND THE VOTE AT
www.recordingacademy.com
537
00:35:22,275 --> 00:35:25,862
UP NEXT: KELSEA BALLERINI AND
ANTHONY MACKIE PRESENT THE
538
00:35:25,896 --> 00:35:29,310
GRAMMY FOR BEST COUNTRY ALBUM;
THEN PERFORMANCES FROM BILLIE
539
00:35:29,344 --> 00:35:34,172
EILISH, BRANDI CARLILE, CHRIS
STAPLETON.
540
00:35:34,206 --> 00:35:36,896
AND LATER, H.E.R. WITH JAM AND
LEWIS, AND TRAVIS BARKER.
541
00:35:36,931 --> 00:35:37,827
THE GRAMMY AWARDS.
542
00:35:37,862 --> 00:35:38,655
THIS IS CBS.
543
00:35:51,586 --> 00:35:52,724
♪ ♪
>> Announcer: TO PRESENT THE
544
00:35:52,758 --> 00:35:54,896
GRAMMY FOR BEST COUNTRY
ALBUM, HERE ARE THE HOSTS OF THE
545
00:35:54,931 --> 00:36:01,137
C.M.T. MUSIC AWARDS AIRING APRIL
11 ON CBS: KELSEA BALLERINI AND
546
00:36:01,172 --> 00:36:02,517
ANTHONY MACKIE.
547
00:36:02,551 --> 00:36:07,172
[ CHEERS AND APPLAUSE]
>> THIS YEAR'S IMPRESSIVE GRAMMY
548
00:36:07,206 --> 00:36:13,172
NOMINATIONS FOR BEST COUNTRY
ALBUM REPRESENT THE EXCELLENCE,
549
00:36:13,206 --> 00:36:16,896
AMBITION AND RANGE OF COUNTRY
MUSIC TODAY.
550
00:36:16,931 --> 00:36:21,586
EACH OF THESE ARTISTS HAS MADE A
CONTRIBUTION TO A MUSICAL GENRE
551
00:36:21,620 --> 00:36:25,137
ANTHONY AND I BOTH LOVE.
552
00:36:25,172 --> 00:36:28,379
>> THESE ARTISTS ALL DISPLAYED
TREMENDOUS TALENT AND THE
553
00:36:28,413 --> 00:36:33,620
STRENGTH TO STAY TRUE TO THEIR
OWN SOUNDS AND VISIONS.
554
00:36:33,655 --> 00:36:37,172
SO, THESE ARE THE IMPRESSIVE
GRAMMY NOMINEES FOR BEST COUNTRY
555
00:36:37,206 --> 00:36:41,517
ALBUM.
556
00:36:47,310 --> 00:36:53,586
>> Announcer: BEST COUNTRY
ALBUM.
557
00:36:53,620 --> 00:37:01,275
"SKELETONS," BROTHERS OSBORNE.
558
00:37:01,310 --> 00:37:09,689
"REMEMBER HER NAME," MICKEY
GUYTON.
559
00:37:09,724 --> 00:37:13,551
"THE MARFA TAPES," MIRANDA
LAMBERT, JON RANDALL, AND JACK
560
00:37:13,586 --> 00:37:21,655
INGRAM.
561
00:37:21,689 --> 00:37:33,655
"THE BALLAD OF DOOD AND
JUANITA," STURGILL SIMPSON.
562
00:37:33,689 --> 00:37:48,620
"STARTING OVER," CHRIS
STAPLETON.
563
00:37:48,655 --> 00:37:53,655
"STARTING OVER," CHRIS
STAPLETON.
564
00:37:53,689 --> 00:38:05,724
>> AND THE GRAMMY GOES TO:
"STARTING OVER," CHRIS
565
00:38:05,758 --> 00:38:13,689
STAPLETON.
566
00:38:13,724 --> 00:38:28,620
[ CHEERS AND APPLAUSE]
>> I AM SITTING HERE, TALKING
567
00:38:28,655 --> 00:38:29,931
[ CHEERS AND APPLAUSE]
>> I AM SITTING HERE, TALKING
568
00:38:29,965 --> 00:38:35,896
TO-- DAD ABOUT MUSIC AND NOW HE
SAID HAVE I BEEN WORKING FOR 31
569
00:38:35,931 --> 00:38:41,103
YEARS S THAT RIGHT.
570
00:38:41,137 --> 00:38:45,137
I AM ABOUT FIVE AND TODAY IS MY
TWIN'S BIRTHDAY.
571
00:38:45,172 --> 00:38:52,275
THANK YOU.
572
00:38:52,310 --> 00:38:56,793
SO I THINK A LOT, I'M THINKING A
LOT ABOUT SACRIFICE CUZ I MISSED
573
00:38:56,827 --> 00:38:59,275
OUT ON SOME OF THE BIRTHDAYS.
574
00:38:59,310 --> 00:39:02,965
EVERYBODY IN THIS ROOM HAS MADE
SOME KIND OF A SACRIFICE TO BE
575
00:39:03,000 --> 00:39:04,344
UP HERE DOING THIS.
576
00:39:04,379 --> 00:39:10,344
AND I DON'T KNOW WHAT ST FOR
EVERYBODY BUT I KNOW THAT IT
577
00:39:10,379 --> 00:39:11,689
HURTS SOMETIMES.
578
00:39:11,724 --> 00:39:14,586
BUT HOPEFULLY WE'RE ALL DOING IT
SO WE MAKE THE WORLD A BETTER
579
00:39:14,620 --> 00:39:17,758
PLACE AND THE PEOPLE THAT LIVE
IN IT WILL LOVE EACH OTHER AND
580
00:39:17,793 --> 00:39:20,448
HAVE A GOOD TIME TOGETHER AND
COME TOGETHER.
581
00:39:20,482 --> 00:39:24,275
SO THANK YOU SO MUCH FOR THIS
AWARD.
582
00:39:24,310 --> 00:39:25,517
STAY KIND.
583
00:39:25,551 --> 00:39:29,551
I JUST WANT TO THANK GOD, MY
FAMILY, JOE, LYDIA, MY PARENTS,
584
00:39:29,586 --> 00:39:33,517
THANK YOU ALL.
585
00:39:33,551 --> 00:39:34,724
[APPLAUSE].
586
00:39:34,758 --> 00:39:39,034
>> Trevor: CONGRATULATIONS
CHRIS STAPLETON, DON'T FORGET IS
587
00:39:39,068 --> 00:39:40,724
HE PERFORMING LATER IN THE SHOW,
MAKE SURE YOU DON'T MISS THAT.
588
00:39:40,758 --> 00:39:42,793
LOOK,
LOOK, PEOPLE, I DON'T HAVE TO
589
00:39:42,827 --> 00:39:44,724
TELL YOU THE PANDEMIC HAS BEEN
HARD ON EVERYBODY.
590
00:39:44,758 --> 00:39:46,448
YOU KNOW IT'S ROUGH WHEN YOUR
FAVORITE ARTISTS GO FROM TRYING
591
00:39:46,482 --> 00:39:48,241
TO SELL YOU MUSIC TO TRYING TO
SELL YOU PICTURES OF DIGITAL
592
00:39:48,275 --> 00:39:49,517
MONKEYS.
593
00:39:49,551 --> 00:39:51,379
TONIGHT, WE'RE GOING TO PUT THE
GRAMMY SPOTLIGHT ON THE BEHIND
594
00:39:51,413 --> 00:39:55,655
THE SCENES WORKERS WHO MAKE LIVE
MUSIC SO SPECIAL.
595
00:39:55,689 --> 00:39:58,413
I'M TALKING ABOUT THE TOURING
TEAMS AND STAGE CREWS YOU CHEER
596
00:39:58,448 --> 00:40:00,862
FOR BY ACCIDENT BECAUSE YOU
THINK IT'S THE BAND TAKING THE
597
00:40:00,896 --> 00:40:02,172
STAGE.
598
00:40:02,206 --> 00:40:05,000
WELL, TONIGHT WE'RE GOING TO MIX
THINGS UP AND CHEER FOR THEM ON
599
00:40:05,034 --> 00:40:07,965
PURPOSE BECAUSE AFTER TWO YEARS
OF CANCELLED AND POSTPONED
600
00:40:08,000 --> 00:40:10,482
TOURS, NOBODY DESERVES THE
SPOTLIGHT MORE THAN THE PEOPLE
601
00:40:10,517 --> 00:40:14,793
WHO ACTUALLY PUT UP THAT
SPOTLIGHT.
602
00:40:14,827 --> 00:40:16,862
[ CHEERS AND APPLAUSE]
SO, WE'RE CELEBRATING THOSE
603
00:40:16,896 --> 00:40:19,931
WHO'VE DONE SO MUCH TO GET LIVE
MUSIC BACK ON OUR STAGES AND
604
00:40:19,965 --> 00:40:25,965
BACK INTO OUR LIVES, AND WE'VE
ASKED THEM TO INTRODUCE ARTISTS
605
00:40:26,000 --> 00:40:29,413
WITH WHOM THEY WORK.
606
00:40:29,448 --> 00:40:30,862
TO INTRODUCE HER TONIGHT, PLEASE
WELCOME THE PRODUCTION MANAGER
607
00:40:30,896 --> 00:40:34,034
WHO IS RESPONSIBLE FOR
ORGANIZING ALL HER MEGA-TOURS
608
00:40:34,068 --> 00:40:37,931
AND SHOWS ALL OVER THE WORLD:
NICOLE MASSEY.
609
00:40:37,965 --> 00:40:51,551
[ CHEERS AND APPLAUSE]
>> GOOD EVENING, EVERYBODY.
610
00:40:51,586 --> 00:40:52,862
WOW.
611
00:40:52,896 --> 00:40:54,413
I DON'T USUALLY GET INTRODUCED
BY TREVOR NOAH, BUT I FEEL VERY
612
00:40:54,448 --> 00:40:58,379
HONORED.
613
00:40:58,413 --> 00:41:04,379
I JUST RAN OVER HERE FROM MY DAY
JOB, DOING WHATEVER IT TAKES TO
614
00:41:04,413 --> 00:41:05,965
SUPPORT THIS NEXT AMAZING YOUNG
ARTIST'S PRODUCTION AND OUR
615
00:41:06,000 --> 00:41:08,862
TOURING CREW AROUND THE WORLD.
616
00:41:08,896 --> 00:41:10,620
I'VE BEEN ON THE ROAD FOR 23
YEARS NOW WITH EVERYONE FROM
617
00:41:10,655 --> 00:41:17,896
BETTE MIDLER TO BACKSTREET BOYS,
ROD STEWART TO COLDPLAY.
618
00:41:17,931 --> 00:41:19,137
I BECAME PRODUCTION MANAGER FOR
THIS NEXT INCREDIBLE YOUNG
619
00:41:19,172 --> 00:41:25,344
ARTIST, CONTINUING TO PAVE THE
WAY FOR THE NEXT GENERATION OF
620
00:41:25,379 --> 00:41:26,310
WOMEN IN TOURING.
621
00:41:26,344 --> 00:41:29,034
I LOVE MY JOB AND OUR WHOLE
TOURING FAMILY.
622
00:41:29,068 --> 00:41:32,206
HI GUYS.
623
00:41:32,241 --> 00:41:36,551
SOME OF WHOM WERE VERY
GENEROUSLY ASSISTED DURING THE
624
00:41:36,586 --> 00:41:40,034
PANDEMIC BY
I COULD NOT BE MORE PROUD TO
625
00:41:40,068 --> 00:41:43,724
INTRODUCE AN ARTIST WHO SPEAKS
SO POWERFULLY TO YOUNG WOMEN AND
626
00:41:43,758 --> 00:41:45,344
THE BEST 20-YEAR-OLD
BOSS IN THE WORLD, BILLIE
627
00:41:45,379 --> 00:41:47,724
EILISH!
628
00:41:47,758 --> 00:41:56,206
[ CHEERS AND APPLAUSE]
>> ♪ WHEN I'M AWAY FROM YOU
629
00:41:56,241 --> 00:42:04,172
I'M HAPPIER THAN EVER
♪ WISH I COULD EXPLAIN IT
630
00:42:04,206 --> 00:42:11,206
BETTER
♪ I WISH IT WASN'T
631
00:42:11,241 --> 00:42:20,620
TRUE
♪ GIVE ME A DAY OR TWO
632
00:42:20,655 --> 00:42:26,620
TO THINK OF SOMETHING
♪ CLEVER
633
00:42:26,655 --> 00:42:31,034
TO WRITE MYSELF A
♪ LETTER
634
00:42:31,068 --> 00:42:44,655
TO TELL ME WHAT TO DO
♪ DO YOU
635
00:42:44,689 --> 00:42:47,034
READ MY INTERVIEWS?
636
00:42:47,068 --> 00:42:51,034
♪ OR DO
YOU SKIP MY AVENUE?
637
00:42:51,068 --> 00:42:56,620
♪ WHEN YOU
SAID YOU WERE PASSIN' THROUGH
638
00:42:56,655 --> 00:43:02,689
♪ WAS I EVEN ON YOUR WAY?
639
00:43:02,724 --> 00:43:07,068
I KNEW
♪ WHEN I ASKED YOU TO
640
00:43:07,103 --> 00:43:11,068
♪ BE COOL ABOUT WHAT I WAS
TELLIN' YOU
641
00:43:11,103 --> 00:43:15,103
♪ YOU'D DO THE OPPOSITE OF WHAT
YOU SAID YOU'D DO
642
00:43:15,137 --> 00:43:23,103
♪ AND I'D END UP MORE AFRAID
DON'T SAY IT ISN'T FAIR
643
00:43:23,137 --> 00:43:26,689
♪ YOU CLEARLY WEREN'T AWARE
THAT YOU MADE ME
644
00:43:26,724 --> 00:43:38,689
♪ MISERABLE
SO, IF YOU REALLY WANNA KNOW
645
00:43:38,724 --> 00:43:50,103
♪ WHEN I'M AWAY FROM YOU
I'M HAPPIER THAN EVER
646
00:43:50,137 --> 00:43:55,103
♪ WISH I COULD EXPLAIN IT
BETTER
647
00:43:55,137 --> 00:44:08,758
♪ I WISH IT WASN'T TRUE
♪ ♪
648
00:44:08,793 --> 00:44:16,931
[ CHEERS AND APPLAUSE]
♪ ♪
649
00:44:16,965 --> 00:44:19,620
♪ ♪
♪ YOU CALL ME AGAIN
650
00:44:19,655 --> 00:44:23,689
DRUNK IN YOUR BENZ
♪ DRIVIN' HOME UNDER THE
651
00:44:23,724 --> 00:44:29,793
INFLUENCE
♪ YOU SCARED ME TO DEATH
652
00:44:29,827 --> 00:44:35,137
BUT I'M WASTIN' MY BREATH
♪ 'CAUSE YOU ONLY LISTEN TO
653
00:44:35,172 --> 00:44:38,758
YOUR
♪ I DON'T RELATE TO YOU
654
00:44:38,793 --> 00:44:43,689
I DON'T RELATE TO YOU, NO
♪ 'CAUSE I'D NEVER TREAT ME
655
00:44:43,724 --> 00:44:50,758
THIS--
YOU MADE ME HATE THIS CITY
656
00:44:50,793 --> 00:44:55,275
♪ AND I DON'T TALK--
ABOUT YOU ON THE INTERNET
657
00:44:55,310 --> 00:44:59,275
♪ NEVER TOLD ANYONE
ANYTHING BAD
658
00:44:59,310 --> 00:45:05,172
♪ 'CAUSE THAT'S-- EMBARRASSING
♪ YOU WERE MY EVERYTHING
659
00:45:05,206 --> 00:45:10,689
AND ALL THAT YOU DID WAS
MAKE ME-- SAD
660
00:45:10,724 --> 00:45:14,862
♪ SO DON'T WASTE THE TIME
I DON'T HAVE
661
00:45:14,896 --> 00:45:19,206
♪ AND DON'T TRY TO MAKE ME
FEEL BAD
662
00:45:19,241 --> 00:45:23,206
♪ I COULD TALK ABOUT EVERY TIME
THAT YOU SHOWED UP ON TIME
663
00:45:23,241 --> 00:45:26,862
♪ BUT I'D HAVE AN EMPTY LINE
'CAUSE YOU NEVER DID
664
00:45:26,896 --> 00:45:31,241
♪ NEVER PAID ANY MIND TO MY
MOTHER OR FRIENDS, SO I
665
00:45:31,275 --> 00:45:38,862
♪ SHUT 'EM ALL OUT FOR YOU
'CAUSE I WAS A KID
666
00:45:38,896 --> 00:45:43,206
♪ YOU RUINED EVERYTHING GOOD
ALWAYS SAID YOU WERE
667
00:45:43,241 --> 00:45:50,827
♪ MISUNDERSTOOD
MADE ALL MY MOMENTS YOUR OWN
668
00:45:50,862 --> 00:45:59,275
♪ JUST-- LEAVE ME ALONE
♪ ♪
669
00:45:59,310 --> 00:46:07,310
♪ ♪
[ CHEERS AND APPLAUSE]
670
00:46:07,344 --> 00:46:11,310
♪ ♪
♪ ♪
671
00:46:11,344 --> 00:46:19,275
[ CHEERS AND APPLAUSE]
♪ ♪
672
00:46:19,310 --> 00:46:23,275
♪ ♪
[ CHEERS AND APPLAUSE]
673
00:46:23,310 --> 00:46:31,275
♪ ♪
♪ ♪
674
00:46:31,310 --> 00:46:43,310
♪ ♪
[ CHEERS AND APPLAUSE]
675
00:46:43,344 --> 00:46:58,241
[ CHEERS AND APPLAUSE]
>> UP NEXT: DUA LIPA AND MEGAN
676
00:46:58,275 --> 00:47:07,034
[ CHEERS AND APPLAUSE]
>> UP NEXT: DUA LIPA AND MEGAN
677
00:47:07,068 --> 00:47:09,000
THEE STALLION PRESENT THE GRAMMY
FOR BEST NEW ARTIST.
678
00:47:09,034 --> 00:47:13,172
THEN, JONI MITCHELL AND BONNIE
RAITT INTRODUCE BRANDI CARLILE,
679
00:47:13,206 --> 00:47:15,379
AND HIP-HOP LEGEND NAS TAKES THE
GRAMMY STAGE.
680
00:47:15,413 --> 00:47:18,689
THIS IS THE GRAMMYS ON CBS.
681
00:47:21,551 --> 00:47:24,206
>> Announcer: BEHIND EVERY
GRAMMY NOMINEE, LIVE SHOW, AND
682
00:47:24,241 --> 00:47:28,034
NEW ARTIST IS A COMMUNITY OF
PEOPLE MAKING IT ALL POSSIBLE.
683
00:47:28,068 --> 00:47:31,103
MUSICARES PROVIDES CRITICAL
HEALTH AND WELFARE SERVICES TO
684
00:47:31,137 --> 00:47:33,413
EVERYONE WORKING IN MUSIC.
685
00:47:33,448 --> 00:47:36,931
FOLLOW US TO LEARN HOW YOU CAN
HELP.
686
00:47:36,965 --> 00:47:40,551
THE 64th GRAMMY AWARDS IS
SPONSORED BY:
687
00:47:40,586 --> 00:47:48,137
NEUTROGENA HYDRO BOOST-- FOR
SKIN SO SUPPLE, IT BOUNCES BACK.
688
00:47:48,172 --> 00:47:49,310
>> Announcer: NEXT, BRANDI
CARLILE RETURNS TO THE GRAMMY
689
00:47:49,344 --> 00:47:51,344
STAGE.
690
00:47:51,379 --> 00:47:51,655
THIS IS CBS.
691
00:48:02,965 --> 00:48:04,896
>> Trevor: WE'RE BACK PEOPLE
AT THE GRAMMYS AND AS YOU CAN
692
00:48:04,931 --> 00:48:10,172
SEE I'M SEATED WITH SILK SONIC,
YES, MULTIPLE GRAMMY AWARD
693
00:48:10,206 --> 00:48:13,068
WINNER, TONIGHT AND ANDERSON YOU
JUST CRUSHED IT MAN, I MEAN ARE
694
00:48:13,103 --> 00:48:16,241
YOU SILK SONIC, YOU KNOW?
695
00:48:16,275 --> 00:48:18,931
>> YOU KNOW, ME AND BRUNO ARE
HAVING A GOOD TIME, MAN.
696
00:48:18,965 --> 00:48:20,448
YOU KNOW, WE WORK REALLY HARD.
697
00:48:20,482 --> 00:48:23,586
>> Trevor: WE DON'T TALK ABOUT
BRUNO, I'M TALKING ABOUT YOU
698
00:48:23,620 --> 00:48:24,758
RIGHT NOW.
699
00:48:24,793 --> 00:48:28,310
YOU BEEN KILLING IT, YOU HAVE
GOT THE DRUMS, YOU ARE THE
700
00:48:28,344 --> 00:48:30,586
RHYTHM, ARE YOU THE SILK AND THE
SONIC, DO YOU KNOW WHAT I MEAN?
701
00:48:30,620 --> 00:48:31,965
>> TO GOD BE THE GLORY.
702
00:48:32,000 --> 00:48:35,068
>> Trevor: I FEEL YOU, YOU
KNOW, I'VE BEEN READING THE
703
00:48:35,103 --> 00:48:37,724
REVIEWS FOR THE SHOWS IN VEGAS,
O FOR THOSE THAT DON'T KNOW,
704
00:48:37,758 --> 00:48:42,793
THESE TWO MEN HAVE BEEN
PERFORMING IN VEGAS, ANDERSON
705
00:48:42,827 --> 00:48:46,482
PAAK AK IS KILLING, THEY SAID
IF ONLY IT COULD BE BETTER IS
706
00:48:46,517 --> 00:48:49,103
MAYBE A SOUTH AFRICAN ELEMENT
INCORPORATED.
707
00:48:49,137 --> 00:48:50,344
>> IS THAT WHAT THEY ARE SAYING.
708
00:48:50,379 --> 00:48:53,586
>> Trevor: THAT IS WHAT THEY
ARE SAYING, THAT IS WHAT I HEAR,
709
00:48:53,620 --> 00:48:55,931
YOU HAVE BEEN ALL RIGHT TOO,
B
710
00:48:55,965 --> 00:49:01,310
>> Trevor: AND NOW, A CATEGORY
THAT CELEBRATES ARTISTS WHO YOUR
711
00:49:01,344 --> 00:49:04,448
GRANDMA WILL BE ASKING ABOUT IN
FIVE YEARS.
712
00:49:04,482 --> 00:49:09,379
PLEASE WELCOME TOGETHER TONIGHT
HERE IN THE M.G.M. GRAND GARDEN
713
00:49:09,413 --> 00:49:10,655
ARENA, THE 2019 AND 2021 GRAMMY
WINNERS FOR BEST NEW ARTIST: DUA
714
00:49:10,689 --> 00:49:15,344
LIPA AND MEGAN THEE STALLION.
715
00:49:23,655 --> 00:49:26,241
I WAS TOLD I HAD THE EXCLUSIVE,
I'M GOING TO HAVE TO HAVE A TALK
716
00:49:26,275 --> 00:49:27,413
WITH DONATELLA.
717
00:49:27,448 --> 00:49:33,344
>> YEAH, CUZ I THOUGHT I WAS.
718
00:49:33,379 --> 00:49:36,241
>> YEAH, OKAY.
719
00:49:36,275 --> 00:49:36,758
WHAT'S HAPPENING.
720
00:49:36,793 --> 00:49:41,000
YOU KNOW WHAT?
721
00:49:41,034 --> 00:49:46,862
LET'S DO THIS.
722
00:49:46,896 --> 00:49:49,172
NOW THANK YOU DONATELLA!
723
00:49:49,206 --> 00:49:51,551
NOW WE BOTH LOOK LIKE WINNERS!
724
00:49:51,586 --> 00:49:55,379
BUT MEGAN, WE KNOW THAT THIS
MOMENTS IS NOT ABOUT US.
725
00:49:55,413 --> 00:49:57,413
OR ABOUT OUR OUTFITS.
726
00:49:57,448 --> 00:50:00,862
IT IS ABOUT A TRULY SWEET GRAMMY
AWARD THAT WE KNOW LOOKS EVEN
727
00:50:00,896 --> 00:50:02,241
BETTER WHEN YOU TAKE IT HOME.
728
00:50:02,275 --> 00:50:10,517
THESE ARE THE VERY TALENTED
NOMINEES FOR BEST NEW ARTIST.
729
00:50:17,068 --> 00:50:21,413
>> Announcer: BEST NEW ARTIST.
730
00:50:21,448 --> 00:50:29,275
AROOJ AFTAB.
731
00:50:29,310 --> 00:50:33,517
JIMMIE ALLEN.
732
00:50:49,344 --> 00:51:01,413
♪ ♪
♪ ♪
733
00:51:01,448 --> 00:51:07,034
♪ ♪
♪ ♪
734
00:51:25,344 --> 00:51:26,137
♪ ♪
♪ ♪
735
00:51:53,931 --> 00:52:03,965
♪ ♪
>> AND THE GRAMMY GOES TO:
736
00:52:04,000 --> 00:52:12,448
OLIVIA RODRIGO.
737
00:52:12,482 --> 00:52:27,379
[ CHEERS AND APPLAUSE]
>> OH MY GOD!
738
00:52:27,413 --> 00:52:30,827
[ CHEERS AND APPLAUSE]
>> OH MY GOD!
739
00:52:30,862 --> 00:52:33,758
WHOA, GOD, THANK YOU SO MUCH TO
THE RECORDING ACADEMY, THIS IS
740
00:52:33,793 --> 00:52:36,310
MY BIGGEST DREAM COME TRUE.
741
00:52:36,344 --> 00:52:39,034
THANK YOU SO MUCH.
742
00:52:39,068 --> 00:52:43,586
THANK YOU TO EVERYONE AT INTENT
SCOPE ESPECIALLY JOHN FOR
743
00:52:43,620 --> 00:52:48,379
BELIEVING IN ME AND MY SONG
WRITING BEFORE EVERYTHING US AND
744
00:52:48,413 --> 00:52:52,034
TO STEVE BERMAN AND THE REST OF
MY AMAZING TEAM.
745
00:52:52,068 --> 00:52:56,862
THANK MY AMAZING PARENTSES AND
MY BEST FRIENDS IRIS, MADDIE AND
746
00:52:56,896 --> 00:52:59,793
CONAN, I LOVE YOU GUYS AND
THANKS TO DAN WHO MADE ALL OF MY
747
00:52:59,827 --> 00:53:04,034
MUSIC TO ME, DAN, YOU ARE THE
BEST FRIEND CORKS LAB RATER,
748
00:53:04,068 --> 00:53:07,586
PERSON I COULD EVER ASK FOR.
749
00:53:07,620 --> 00:53:08,379
SO THIS IS ALL BECAUSE OF YOU.
750
00:53:08,413 --> 00:53:12,379
THANK YOU.
751
00:53:12,413 --> 00:53:16,379
[APPLAUSE].
752
00:53:16,413 --> 00:53:20,344
>> Trevor: CONGRATULATIONS
OLIVIA RODRIGO, WELL DESERVED.
753
00:53:20,379 --> 00:53:27,344
7
PLEASE WELCOME GRAMMY LIFETIME
754
00:53:27,379 --> 00:53:28,482
ACHIEVEMENT HONOREE BONNIE
RAITT; AND MUSICARES PERSON OF
755
00:53:28,517 --> 00:53:33,241
THE YEAR, JONI MITCHELL.
756
00:53:33,275 --> 00:53:38,482
WHO JUST WON A NEW GRAMMY IN
RAY CEREMONY EARLIER TODAY, JONI
757
00:53:38,517 --> 00:53:48,862
MITCHELL.
758
00:53:48,896 --> 00:53:50,068
>> THIS PAST FRIDAY NIGHT, THE
RECORDING ACADEMY PROUDLY
759
00:53:50,103 --> 00:53:53,793
CELEBRATED ONE OF THE TRUEST AND
MOST IMPORTANT ARTISTS IN
760
00:53:53,827 --> 00:53:56,034
HISTORY, A MUSICIAN WHO SET THE
STANDARD FOR ALL THOSE WHO HAVE
761
00:53:56,068 --> 00:54:05,241
FOLLOWED: THE ONE AND ONLY JONI
MITCHELL.
762
00:54:05,275 --> 00:54:08,379
[ CHEERS AND APPLAUSE]
>> THANK YOU, BONNIE.
763
00:54:08,413 --> 00:54:10,103
AND CONGRATULATIONS TO YOU ON
YOUR RICHLY-DESERVED LIFETIME
764
00:54:10,137 --> 00:54:15,620
ACHIEVEMENT AWARD.
765
00:54:15,655 --> 00:54:20,517
[ CHEERS AND APPLAUSE]
>> THANK YOU, JONI.
766
00:54:20,551 --> 00:54:21,758
WITH THE LIFETIME ACHIEVEMENT
AWARDS.
767
00:54:21,793 --> 00:54:22,965
THE RECORDING ACADEMY HELPS
ENSURE THE GRAMMYS CELEBRATE NOT
768
00:54:23,000 --> 00:54:27,379
ONY TODAY'S GREATEST ARTISTS,
BUT ALSO MANY OF THE MUSIC'S
769
00:54:27,413 --> 00:54:28,586
LEGENDS AND PIONEERS.
770
00:54:28,620 --> 00:54:32,620
AND NOW, WE ARE HONORED TO
INTRODUCE THIS NEXT BRILLIANT
771
00:54:32,655 --> 00:54:34,862
ARTIST WHO THREE YEARS AGO
MADE HER GRAMMY DEBUT WITH ONE
772
00:54:34,896 --> 00:54:42,275
OF THE MOST IMPACTFUL
PERFORMANCES EVER.
773
00:54:42,310 --> 00:54:44,000
>> PLEASE WELCOME AN
EXTRAORDINARY ARTIST AND
774
00:54:44,034 --> 00:54:51,310
BEAUTIFUL HUMAN BEING WITH A
STUNNING, BRAVE AND TRUTHFUL
775
00:54:51,344 --> 00:54:59,931
VOICE: MY BRILLIANT FRIEND,
BRANDI CARLILE!
776
00:54:59,965 --> 00:55:11,896
[ CHEERS AND APPLAUSE]
♪ ♪
777
00:55:11,931 --> 00:55:12,551
♪ ♪
♪ COME BACK NOW
778
00:55:12,586 --> 00:55:16,206
EVEN IF YOU
♪ CALL ME OUT
779
00:55:16,241 --> 00:55:25,517
YOU MIGHT BE ANGRY NOW
♪ OF COURSE YOU ARE
780
00:55:25,551 --> 00:55:31,551
I'M SCARED TOO
♪ DIDN'T MEAN TO TAKE IT
781
00:55:31,586 --> 00:55:35,620
OUT ON YOU
♪ I KNOW I
782
00:55:35,655 --> 00:55:39,896
ALWAYS DO
♪ YOU'RE THE STRONGEST PERSON
783
00:55:39,931 --> 00:55:47,896
IN THE ROOM
♪ TURN BACK TIME
784
00:55:47,931 --> 00:55:55,586
HELP ME TO REWIND AND WE CAN
♪ FIND OURSELVES AGAIN
785
00:55:55,620 --> 00:56:00,241
IT'S NOT TOO LATE
♪ EITHER WAY, I LOSE YOU
786
00:56:00,275 --> 00:56:11,965
IN THESE SILENT DAYS
♪ IT WASN'T RIGHT
787
00:56:12,000 --> 00:56:13,620
[ CHEERS AND APPLAUSE]
♪ BUT IT WAS
788
00:56:13,655 --> 00:56:23,965
RIGHT ON TIME
♪ ♪
789
00:56:24,000 --> 00:56:34,724
[ CHEERS AND APPLAUSE]
♪ DON'T LOOK DOWN
790
00:56:34,758 --> 00:56:39,931
I CAN FEEL IT WHEN YOUR
HEART STARTS POUNDING
791
00:56:39,965 --> 00:56:47,965
♪ IT'S BEYOND YOUR CONTROL
YOU KNOW IT IS
792
00:56:48,000 --> 00:56:52,034
♪ IT'S GETTING TO THE POINT
WHERE I CAN'T CARRY ON
793
00:56:52,068 --> 00:56:56,034
♪ I NEVER HELD MY BREATH FOR
QUITE THIS LONG
794
00:56:56,068 --> 00:57:05,655
♪ AND I DON'T TAKE IT BACK
I DID WHAT I HAD TO DO
795
00:57:05,689 --> 00:57:07,689
♪ IT'S NOT TOO LATE
EITHER WAY
796
00:57:07,724 --> 00:57:12,034
♪ I LOSE YOU IN THESE
SILENT DAYS
797
00:57:12,068 --> 00:57:19,931
♪ IT WASN'T RIGHT
[ CHEERS AND APPLAUSE]
798
00:57:19,965 --> 00:57:25,689
BUT IT WAS
♪ RIGHT ON TIME
799
00:57:25,724 --> 00:57:38,034
♪ ♪
♪ ♪
800
00:57:38,068 --> 00:57:46,275
♪ ♪
♪ ♪
801
00:57:46,310 --> 00:57:51,827
♪ IT'S NOT TOO LATE
EITHER WAY
802
00:57:51,862 --> 00:57:55,724
♪ I LOSE YOU IN THESE
SILENT DAYS
803
00:57:55,758 --> 00:58:07,758
♪ IT WASN'T RIGHT
[ CHEERS AND APPLAUSE]
804
00:58:07,793 --> 00:58:11,758
BUT IT WAS
♪ RIGHT
805
00:58:11,793 --> 00:58:15,793
ON TIME ♪
♪
806
00:58:15,827 --> 00:58:30,724
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
807
00:58:30,758 --> 00:58:36,482
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
808
00:58:36,517 --> 00:58:37,758
>> Announcer: NEXT UP: NAS
>> Announcer: NEXT UP: NAS
809
00:58:38,034 --> 00:58:41,344
PERFORMS, LADY GAGA SINGS FOR
TONY BENNETT, AND JOHN LEGEND
810
00:58:41,379 --> 00:58:45,034
LEADS A MUSICAL MOMENT FOR THE
PEOPLE OF UKRAINE.
811
00:58:45,068 --> 00:58:49,241
AND STILL TO COME, LENNY KRAVITZ
PRESENTS THE AWARD FOR ALBUM OF
812
00:58:49,275 --> 00:58:49,620
THE YEAR.
813
00:58:49,655 --> 00:58:53,413
THIS IS CBS.
814
00:59:00,344 --> 00:59:03,137
>> Trevor: WELCOME BACK TO THE
GRAMMY AWARDS, LIVE FROM THE
815
00:59:03,172 --> 00:59:05,655
M.G.M. GRAND GARDEN ARENA.
816
00:59:05,689 --> 00:59:07,689
WE'RE IN VEGAS, BABY
T IS LIKE DISNEY WORLD IF MICKEY
817
00:59:07,724 --> 00:59:10,551
WAS WILLING TO BREAK YOUR LEGS.
818
00:59:10,586 --> 00:59:12,000
THERE ARE FEW ARTISTS WHO HAVE
HAD MORE IMPACT ON THEIR GENRE
819
00:59:12,034 --> 00:59:13,310
THAN NAS HAS HAD ON HIP HOP.
820
00:59:13,344 --> 00:59:20,137
THIS GRAMMY WINNER ONLY NEEDS
ONE MIC, BUT HE'S GOT A WHOLE
821
00:59:20,172 --> 00:59:21,310
BAND.
822
00:59:21,344 --> 00:59:23,931
NOMINATED TODAY FOR BEST RAP
SONG AND BEST RAP ALBUM FOR
823
00:59:23,965 --> 00:59:26,620
"KING'S DISEASE II," THIS IS
NAS!
824
00:59:26,655 --> 00:59:27,172
[ CHEERS AND APPLAUSE]
♪ ♪
825
00:59:32,862 --> 00:59:33,758
♪ ♪
>> ♪ I KNOW I CAN
826
00:59:33,793 --> 00:59:40,000
BE WHAT I WANNA BE
♪ IF I WORK HARD AT IT
827
00:59:40,034 --> 00:59:41,034
I'LL BE WHERE I WANNA BE
♪ I KNOW I CAN
828
00:59:41,068 --> 00:59:43,137
I KNOW I CAN
♪ BE WHAT I WANNA BE
829
00:59:43,172 --> 00:59:44,758
BE WHAT I WANNA BE
♪ IF I WORK HARD AT IT
830
00:59:44,793 --> 00:59:47,655
IF I WORK HARD IT
♪ I'LL BE WHERE I WANNA BE
831
00:59:47,689 --> 00:59:53,103
I'LL BE WHERE I WANNA BE ♪
♪ ♪
832
00:59:53,137 --> 01:00:00,379
♪ ♪
♪ UH
833
01:00:00,413 --> 01:00:01,172
UH
♪ UH
834
01:00:01,206 --> 01:00:03,689
THEY SHOOTIN'
♪ AW MADE YOU LOOK
835
01:00:03,724 --> 01:00:05,862
YOU A SLAVE TO A PAGE
♪ IN MY RHYME BOOK
836
01:00:05,896 --> 01:00:08,413
GETTIN' BIG MONEY
♪ PLAYBOY YOUR TIME'S UP
837
01:00:08,448 --> 01:00:11,034
WHERE THEM GANGSTAS
♪ WHERE THEM DIMES AT?
838
01:00:11,068 --> 01:00:24,827
THEY SHOOTIN'
♪ YO ALL I NEED IS
839
01:00:24,862 --> 01:00:26,793
ONE MIC ONE BEAT
♪ ONE STAGE ONE FRONT
840
01:00:26,827 --> 01:00:30,586
MY FACE ON THE FRONT PAGE
♪ ONLY IF I HAD ONE GUN
841
01:00:30,620 --> 01:00:32,793
ONE GIRL AND ONE CRIB
♪ ONE GOD TO SHOW ME HOW TO DO
842
01:00:32,827 --> 01:00:37,034
THINGS HIS SON DID PURE
♪ LIKE A CUP OF VIRGIN BLOOD
843
01:00:37,068 --> 01:00:39,344
MIXED WITH 151
♪ ONE SIP'LL MAKE A-- FLIP
844
01:00:39,379 --> 01:00:43,827
WRITIN' NAMES ON MY HOLLOW TIPS
♪ PLOTTIN' MAD VIOLENCE
845
01:00:43,862 --> 01:00:44,931
WHO I'M GON' BODY
♪ THIS HOOD POLITICS
846
01:00:44,965 --> 01:00:47,103
ACKNOWLEDGE IT, LEAVE BODIES
♪ CHOPPED IN GARBAGE'S
847
01:00:47,137 --> 01:00:50,000
SEEDS WATCH US
♪ GROW UP AND TRY TO FOLLOW US
848
01:00:50,034 --> 01:00:53,206
POLICE WATCH US
♪ ROLL UP AND TRY KNOCKIN' US
849
01:00:53,241 --> 01:00:55,103
ONE KNEE I DUCKED
♪ COULD IT BE MY TIME IS UP
850
01:00:55,137 --> 01:00:59,068
BUT MY LUCK, I GOT UP
♪ THE COP SHOT AGAIN
851
01:00:59,103 --> 01:01:01,103
BUS STOP GLASS BURSTS
♪ A FIEND DROPS HIS HEINEKEN
852
01:01:01,137 --> 01:01:02,862
RICHOCHETIN' BETWEEN THE
♪ SPOTS THAT I'M HIDIN' IN
853
01:01:02,896 --> 01:01:06,241
BLACKIN' OUT AS I SHOOT BACK
♪ GETTIN' HIT
854
01:01:06,275 --> 01:01:08,448
THIS IS MY HOOD
♪ I'MA REP TO THE DEATH OF IT
855
01:01:08,482 --> 01:01:10,724
'TIL EVERYBODY COME HOME
♪ LITTLE-- IS GROWN HOOD
856
01:01:10,758 --> 01:01:13,517
RATS, DON'T ABORTION YOUR WOMB
♪ WE NEED MORE
857
01:01:13,551 --> 01:01:17,379
WARRIORS SOON SENT FROM
♪ THE STAR, SUN AND THE MOON
858
01:01:17,413 --> 01:01:18,586
IN THIS LIFE OF POLICE CHASES
♪ STREET SWEEPERS AND COPPERS
859
01:01:18,620 --> 01:01:19,827
STICK-UP KIDS WITH
♪ NO CONSCIENCE, LEAVIN'
860
01:01:19,862 --> 01:01:22,896
VICTIMS WITH DOCTORS
♪ IF YOU REALLY THINK YOU READY
861
01:01:22,931 --> 01:01:26,793
TO DIE WITH 9s OUT
♪ THIS IS WHAT NAS IS 'BOUT
862
01:01:26,827 --> 01:01:32,896
THE TIME IS NOW
♪ YO, ALL I NEED IS ONE MIC
863
01:01:32,931 --> 01:01:36,068
♪ ♪
♪ ♪
864
01:01:36,103 --> 01:01:44,448
YORK STATE OF MIND.
865
01:01:44,482 --> 01:01:48,275
THE FAKE ONES WON'T MAKE IT
BACK.
866
01:01:48,310 --> 01:01:50,551
THE DUNGEON.
867
01:01:50,586 --> 01:01:51,275
OH.
868
01:01:51,310 --> 01:01:56,000
LET'S
♪ YO, I'M IN RARE FORM
869
01:01:56,034 --> 01:01:57,758
RARE FORM
♪ SPEAK DOWN ON MY NAME
870
01:01:57,793 --> 01:01:58,965
LIKE I WASN'T THERE FOR 'EM
♪ THERE FOR 'EM
871
01:01:59,000 --> 01:02:02,206
TALK ABOUT BACK IN THE DAYS
♪ THIS ISN'T BACK IN THE DAYS
872
01:02:02,241 --> 01:02:06,586
THEY WANT ME BACK IN MY WAYS
♪ CHIPPED TOOTH AND THE FADE
873
01:02:06,620 --> 01:02:12,689
♪ UH I'M IN RARE FORM
LEVELS OF TARANTINO
874
01:02:12,724 --> 01:02:14,758
♪ CURVIN' MY EGO
EVEN THOUGH HE KNOW
875
01:02:14,793 --> 01:02:18,275
♪ EMPTY GLASS OF PINOT
CIGARS AND CASINOS
876
01:02:18,310 --> 01:02:20,241
♪ WHAT THEY ESPECIALLY PRAISE
IS THE ETHOS
877
01:02:20,275 --> 01:02:22,206
♪ STACKS ON BLACKJACK
MOVIN' MY CHIPS NO
878
01:02:22,241 --> 01:02:24,000
♪ SUPERSTITION TO MAKE
ME GET RICH
879
01:02:24,034 --> 01:02:26,379
♪ I'M WITH THIS CHICK
JUST ONE I BROUGHT TODAY
880
01:02:26,413 --> 01:02:29,586
♪ IN BETWEEN PLACIN' MY BETS
WE SHOP TO CARTIER ROSE GOLD
881
01:02:29,620 --> 01:02:30,689
♪ I COPPED HER A SET RUN WAY
HOPPED IN THE JET
882
01:02:30,724 --> 01:02:34,620
♪ FLIGHT ATTENDANT POPPIN' MO
I SAID I NEED THAT DOM
883
01:02:34,655 --> 01:02:36,931
♪ OFF THE RESPECT WE HAVIN'
CONVERSATIONS SHOW ME PROPERTY
884
01:02:36,965 --> 01:02:38,689
♪ THEN I CALL MY--
AND I TELL HIM,
885
01:02:38,724 --> 01:02:42,068
♪ "YO, I GOTTA BE THERE"
SALMON SHISH KEBAB
886
01:02:42,103 --> 01:02:43,896
♪ IN A MISTY FOG
ROLL A STICKY LOG
887
01:02:43,931 --> 01:02:46,655
♪ BIG DAWG AFFAIR
NO KIDS INVOLVED
888
01:02:46,689 --> 01:02:49,344
♪ ROUND-TABLE HAVIN' WAR COUNCIL
PRESS ONE BUTTON
889
01:02:49,379 --> 01:02:50,482
♪ IT'LL CHANGE THE WORLD
AROND YOU TOO
890
01:02:50,517 --> 01:02:52,965
♪ RARE, NOTHIN' TO SEE HERE
CUBAN OVER MY STREET WEAR
891
01:02:53,000 --> 01:02:56,344
♪ YOU'RE NOBODY 'TIL SOMEBODY
KILLS YOU, JUST TO BE FAIR
892
01:02:56,379 --> 01:02:58,655
♪ IT'S OKAY TO KEEP THE
MYSTIQUE, I LEARNED THAT
893
01:02:58,689 --> 01:03:02,448
♪ IN THE STREET ON ME
SOLO OR DEEP, I'M PUTTIN' ON
894
01:03:02,482 --> 01:03:04,034
♪ FOR THE G'S 2
♪ WE BEEN DOIN' GANGSTA--
895
01:03:04,068 --> 01:03:06,655
FOR A LONG TIME
♪ LOOK INSIDE MY MIND
896
01:03:06,689 --> 01:03:08,551
SEE A GOLD MINE
♪ I'M MY OWN COSIGN
897
01:03:08,586 --> 01:03:11,689
SHE TEXTIN' THE OLD LINE
♪ YOU KEEP STARIN' AT THE GLOW
898
01:03:11,724 --> 01:03:14,379
DON'T GO BLIND
♪ BRAVEHEART ENERGY
899
01:03:14,413 --> 01:03:16,241
ALL OF THE ENEMIES
♪ XO HENNESSY
900
01:03:16,275 --> 01:03:18,482
IT'S NOT ON ME
♪ IT'S IN ME
901
01:03:18,517 --> 01:03:20,379
I'M NOT HERE TO BE FRIENDLY
♪ THEY AIN'T EVEN PRETENDIN'
902
01:03:20,413 --> 01:03:26,379
COMPRENDE?
903
01:03:26,413 --> 01:03:32,379
[ CHEERS AND APPLAUSE]
♪ ♪
904
01:03:32,413 --> 01:03:36,206
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
905
01:03:52,068 --> 01:03:54,655
>> Announcer: MUSIC HAS A HOME
AT THE GRAMMY MUSEUM!
906
01:03:54,689 --> 01:03:58,655
VISIT TODAY TO EXPLORE OUR
SPECIAL EXHIBITIONS, AND SIGN-UP
907
01:03:58,689 --> 01:04:02,413
TO BE PART OF OUR NATIONAL MUSIC
EDUCATION PROGRAMS, INCLUDING
908
01:04:02,448 --> 01:04:03,241
GRAMMY CAMP!
909
01:04:03,275 --> 01:04:06,655
LEARN MORE AT
www.grammymuseum.org.
910
01:04:06,689 --> 01:04:10,655
UP NEXT, LUDACRIS PRESENTS THE
AWARD FOR BEST RAP ALBUM; CHRIS
911
01:04:10,689 --> 01:04:16,034
STAPLETON PERFORMS; A SALUTE TO
THE MUSIC LEGENDS WE LOST
912
01:04:16,068 --> 01:04:19,103
THIS PAST YEAR; AND LATER,
PERFORMANCES FROM JUSTIN BIEBER,
913
01:04:19,137 --> 01:04:22,758
H.E.R, AND CARRIE UNDERWOOD.
914
01:04:22,793 --> 01:04:23,137
THE GRAMMY AWARDS.
915
01:04:23,172 --> 01:04:25,793
THIS IS CBS.
916
01:04:27,310 --> 01:04:29,965
>> Announcer: CHRIS STAPLETON IS
ABOUT TO TAKE THE GRAMMY STAGE.
917
01:04:30,000 --> 01:04:32,000
THIS IS CBS.
918
01:04:38,620 --> 01:04:39,689
>> Announcer: TO PRESENT THE
GRAMMY FOR BEST RAP ALBUM:
919
01:04:39,724 --> 01:04:53,241
THREE-TIME GRAMMY WINNER,
LUDACRIS.
920
01:04:53,275 --> 01:04:55,758
>> THANK YOU, THANK YOU, NOW
LISTEN, JUST MOMENTS AGO ON THE
921
01:04:55,793 --> 01:04:57,000
GRAMMY STAGE WE ALL WITNESSED A
PHENOMENAL RAP PERFORMANCE BY BY
922
01:04:57,034 --> 01:04:59,793
A LEGEND WHO HAS BEEN DOING IT
FOR OVER THREE DECADE, AND IN
923
01:04:59,827 --> 01:05:03,241
RAP MUSIC I THINK THAT DESERVES
ANOTHER ROUND OF APPLAUSE,
924
01:05:03,275 --> 01:05:08,275
LADIES AND GENTLEMEN. MY VIRGO
BROTHER NAS.
925
01:05:08,310 --> 01:05:12,896
AND NOW I HAVE THE HONOR TO
PRESENT THE GRAMMY FOR BEST RAP
926
01:05:12,931 --> 01:05:24,000
PERFORMANCE AND THESE ARE THE
NOMINATIONS.
927
01:05:24,034 --> 01:05:27,655
>> Announcer: BEST RAP ALBUM.
928
01:05:50,413 --> 01:05:57,275
AND THE WINNER TREVOR NOAH DON'T
EVEN TRY IT, BRO.
929
01:05:57,310 --> 01:05:59,827
DON'T EVEN TRY.
930
01:05:59,862 --> 01:06:14,793
THE GRAMMY GOES TO FAMILY TIES
BABY KEEN AND KENDRICK LAMAR.
931
01:06:14,827 --> 01:06:29,724
THE GRAMMY GOES TO FAMILY TIES
BABY KEEN AND KENDRICK LAMAR.
932
01:06:29,758 --> 01:06:33,241
THE GRAMMY GOES TO FAMILY TIES
BABY KEEN AND KENDRICK LAMAR.
933
01:06:33,275 --> 01:06:34,862
>> WOW.
934
01:06:34,896 --> 01:06:35,896
WOW.
935
01:06:35,931 --> 01:06:42,379
NOTHING CAN PREPARE ME FOR THIS
MOMENT TONIGHT.
936
01:06:42,413 --> 01:06:48,344
I JUST WANT TO SAY THANK YOU TO
MY SUPPORT SYSTEM.
937
01:06:48,379 --> 01:06:53,448
THE CITY OF LAS VEGAS, MY
FAMILY, THE WOMEN THAT RAISED
938
01:06:53,482 --> 01:06:54,379
ME.
939
01:06:54,413 --> 01:06:59,931
THAT SHAPED ME TO BECOME THE MAN
MI TODAY.
940
01:06:59,965 --> 01:07:05,172
MY TEAM, MY INCREDIBLE TEAM, THE
WOMEN AND MEN THAT SHEP SHAPE
941
01:07:05,206 --> 01:07:08,344
EVERYTHING THAT WE GOT GOING ON
BEHIND THE SCENES.
942
01:07:08,379 --> 01:07:13,379
DAVE, KENDRICK, NYIAH, ANT AND
MANY MORE, I CAN'T EVEN, JUST
943
01:07:13,413 --> 01:07:16,931
THANK YOU EVERYBODY.
944
01:07:16,965 --> 01:07:21,379
AND IT'S A DREAM.
945
01:07:21,413 --> 01:07:25,103
[APPLAUSE].
946
01:07:25,137 --> 01:07:27,655
>> Trevor: CONGRATULATIONS
AGAIN, ALL RIGHT, OUR NEXT
947
01:07:27,689 --> 01:07:29,758
PERFORMER IS A COUNTRY MUSIC
SUPERSTAR WITH A LIST AV
948
01:07:29,793 --> 01:07:31,344
GRIEVEMENTS AS LONG AS HIS
BEARD.
949
01:07:31,379 --> 01:07:35,103
HE HAS ALREADY WON THREE NEW
GRAMMY AWARDS TODAY.
950
01:07:35,137 --> 01:07:39,793
AND HERE TO INTRODUCE HIM IS HIS
HARDWORKING ASSISTANT TOUR
951
01:07:39,827 --> 01:07:52,689
MANAGER KATIE WILKINSON. #R
>> HEY, I'M KATIE WILKINSON, AND
952
01:07:52,724 --> 01:07:54,000
I'M AN ASSISTANT TOUR MANAGER.
953
01:07:54,034 --> 01:07:59,310
AT ANY GIVEN MOMENT, THAT COULD
MEAN DOING TICKETING, WORKING ON
954
01:07:59,344 --> 01:08:03,206
THE ARCHIVES, AND EVEN DOING
SOME COOKING FOR CHRIS AND
955
01:08:03,241 --> 01:08:04,482
MORGANE.
956
01:08:04,517 --> 01:08:06,448
IT USUALLY COMES DOWN TO MAKING
SURE THE BACKSTAGE FEELS LIKE
957
01:08:06,482 --> 01:08:12,137
HOME, BECAUSE THE STAPLETONS ARE
REAL, DOWN-TO-EARTH GIVING
958
01:08:12,172 --> 01:08:16,758
PEOPLE WHO HAVE MADE IT FEEL
LIKE WE ARE ON TOUR WITH FAMILY.
959
01:08:16,792 --> 01:08:20,758
THAT FEELING HELPED US THROUGH
THE LAST FEW YEARS THAT WERE
960
01:08:20,792 --> 01:08:24,482
DIFFICULT FOR SO MANY PEOPLE.
961
01:08:24,517 --> 01:08:35,344
AND I COULD NOT FEEL MORE
HONORED TO STAND AT THE GRAMMYS,
962
01:08:35,379 --> 01:08:40,551
[ LAUGHS]
REPRESENT OUR TOURING FAMILY AND
963
01:08:40,586 --> 01:08:50,724
INTRODUCE TO YOU THE BEST
GRAMMY AWARD-WINNING SONG THAT
964
01:08:50,758 --> 01:08:54,344
HE WROTE WITH HIS LONG TIME BAND
MADE, THE BEST IN THE BUSINESS,
965
01:08:54,379 --> 01:08:58,689
CHRIS STAPLETON.
966
01:08:58,724 --> 01:08:59,517
[ CHEERS AND APPLAUSE]
♪ ♪
967
01:08:59,551 --> 01:09:07,033
♪ ♪
♪ ♪
968
01:09:19,379 --> 01:09:23,103
♪ GIRL, THE WAY YOU
BROKE MY HEART,
969
01:09:23,136 --> 01:09:35,136
♪ IT SHATTERED LIKE A ROCK
THROUGH A WINDOW
970
01:09:35,171 --> 01:09:50,068
♪ I THOUGHT WE HAD IT SO GOOD
I NEVER REALLY SAW THIS COMIN'
971
01:09:50,103 --> 01:09:50,827
♪ I THOUGHT WE HAD IT SO GOOD
I NEVER REALLY SAW THIS COMIN'
972
01:09:50,862 --> 01:09:55,103
♪ OH WHY YOU GOT TO BE SO COLD?
973
01:09:55,137 --> 01:10:02,862
WHY YOU GOT TO GO
♪ AND CUT ME LIKE A KNIFE
974
01:10:02,896 --> 01:10:07,103
AND PUT OUR LOVE ON ICE?
975
01:10:07,137 --> 01:10:10,620
♪ OH GIRL YOU KNOW
YOU LEFT THIS HOLE
976
01:10:10,655 --> 01:10:17,758
♪ RIGHT HERE
IN THE MIDDLE OF MY SOUL
977
01:10:17,793 --> 01:10:26,896
♪ OH
OH WHY YOU GOT TO BE SO COLD
978
01:10:26,931 --> 01:10:41,862
♪ ♪
♪ WHAT AM I SUPPOSED TO SAY
979
01:10:41,896 --> 01:10:43,172
♪ ♪
♪ WHAT AM I SUPPOSED TO SAY
980
01:10:43,206 --> 01:10:44,758
IF ANYBODY ASKS ME ABOUT YOU?
981
01:10:44,793 --> 01:10:54,862
♪ I GUESS I'LL TELL 'EM
I'M WITHOUT YOU
982
01:10:54,896 --> 01:11:00,379
♪ HOW AM I SUPPOSED TO LIVE
WHEN I BUILT MY LIFE AROUND YOU
983
01:11:00,413 --> 01:11:07,172
♪ TRY TO PUT YOURSELF
IN MY SHOES
984
01:11:07,206 --> 01:11:11,241
♪ OH WHY YOU GOT TO BE SO COLD?
985
01:11:11,275 --> 01:11:19,241
WHY YOU GOT TO GO AND
♪ CUT ME LIKE A KNIFE
986
01:11:19,275 --> 01:11:20,379
AND PUT OUR LOVE ON ICE?
987
01:11:20,413 --> 01:11:27,000
♪ OH GIRL YOU KNOW
YOU LEFT THIS HOLE
988
01:11:27,034 --> 01:11:33,000
♪ RIGHT HERE
IN THE MIDDLE OF MY SOUL
989
01:11:33,034 --> 01:11:39,034
♪ OH
OH WHY YOU GOT TO BE SO COLD
990
01:11:39,068 --> 01:11:42,241
♪ I CAN ONLY FEEL MY LOVE
HANGIN' ON
991
01:11:42,275 --> 01:11:47,241
♪ I DON'T FEEL
LIKE IT'S OVER
992
01:11:47,275 --> 01:11:59,206
♪ I'M STILL ON FIRE
WHY YOU GOT TO BE SO?
993
01:11:59,241 --> 01:12:11,310
♪ ♪
♪ ♪
994
01:12:11,344 --> 01:12:18,344
♪ ♪
♪ ♪
995
01:12:18,379 --> 01:12:19,310
♪ ♪
♪ OH WHY YOU GOT TO BE SO COLD?
996
01:12:29,655 --> 01:12:35,413
WHY YOU GOT TO GO
♪ AND CUT ME LIKE A KNIFE
997
01:12:35,448 --> 01:12:39,034
AND PUT OUR LOVE ON ICE?
998
01:12:39,068 --> 01:12:43,310
♪ OH GIRL YOU KNOW
YOU LEFT THIS HOLE
999
01:12:43,344 --> 01:12:45,068
♪ RIGHT HERE
IN THE MIDDLE OF MY
1000
01:12:45,103 --> 01:12:51,068
♪ SOUL
OH
1001
01:12:51,103 --> 01:12:59,310
♪ OH WHY YOU GOT TO BE SO COLD
♪ ♪
1002
01:12:59,344 --> 01:13:03,137
GOT TO BE SO COLD
♪ ♪
1003
01:13:03,172 --> 01:13:07,310
♪ ♪
♪ GOT TO BE SO
1004
01:13:07,344 --> 01:13:08,586
COLD
♪ ♪
1005
01:13:08,620 --> 01:13:13,344
♪ ♪
♪ GOT TO BE SO
1006
01:13:16,413 --> 01:13:19,379
COLD
♪ ♪
1007
01:13:19,413 --> 01:13:27,137
♪ ♪
♪ ♪
1008
01:13:27,172 --> 01:13:31,000
♪ ♪
♪
1009
01:13:39,000 --> 01:13:39,137
♪
[ CHEERS AND APPLAUSE]
1010
01:13:57,172 --> 01:14:02,448
[ CHEERS AND APPLAUSE]
>> Trevor: CHRIS STAPLETON,
1011
01:14:02,482 --> 01:14:04,379
EVERYONE.
1012
01:14:04,413 --> 01:14:06,724
THAT WAS AMAZING.
1013
01:14:06,758 --> 01:14:07,793
NOW, IT'S TIME TO TAKE A BREAK.
1014
01:14:07,827 --> 01:14:10,034
AND TO PLAY US OUT IS AN
UPLIFTING GROUP WITH FOUR
1015
01:14:10,068 --> 01:14:13,689
NOMINATIONS THIS YEAR INCLUDING
BEST CONTEMPORARY CHRISTIAN
1016
01:14:13,724 --> 01:14:17,482
MUSIC ALBUM AND BEST GOSPEL
ALBUM.
1017
01:14:17,517 --> 01:14:21,310
HERE TO DO THEIR THING AND
PERHAPS SAVE A FEW SOULS:
1018
01:14:21,344 --> 01:14:25,034
MAVERICK CITY MUSIC!
1019
01:14:29,862 --> 01:14:33,551
♪ ♪
♪ I'LL EVER BE MORE LOVED THAN I
1020
01:14:33,586 --> 01:14:34,517
AM RIGHT NOW.
1021
01:14:34,551 --> 01:14:40,896
♪ THERE'S NOTHING I CAN DO TO
LET YOU DOWN.
1022
01:14:40,931 --> 01:14:43,275
♪ DOESN'T TAKE A-- .
1023
01:14:43,310 --> 01:14:44,310
♪ TO MAKE YOU CRY.
1024
01:14:44,344 --> 01:14:49,344
♪ I'LL EVER BE MORE LOVED THAN I
AM RIGHT NOW.
1025
01:14:49,379 --> 01:14:51,620
♪ HEY.
1026
01:14:51,655 --> 01:14:55,103
♪
♪ GUIDE US.
1027
01:14:55,137 --> 01:15:06,137
♪ YOU ARE ENOUGH.
1028
01:15:06,172 --> 01:15:08,206
♪ IN EVERY CIRCUMSTANCES.
1029
01:15:08,241 --> 01:15:10,344
♪ GUIDE US.
1030
01:15:10,379 --> 01:15:14,793
♪ YOU ARE ENOUGH.
1031
01:15:14,827 --> 01:15:17,827
♪ MORE THAN ENOUGH.
1032
01:15:24,586 --> 01:15:27,344
♪ NEVER MET A PROBLEM GOD CAN'T
SOLVE.
1033
01:15:27,379 --> 01:15:29,517
♪ DON'T YOU WORRY.
1034
01:15:29,551 --> 01:15:31,724
♪ NEVER MET A PERSON GOD CAN'T
LOVE.
1035
01:15:31,758 --> 01:15:33,517
♪ DON'T WORRY WORRY.
1036
01:15:33,551 --> 01:15:38,034
♪ NEVER MET A PROBLEM THAT GOD
CAN'T SOLVE.
1037
01:15:38,068 --> 01:15:42,034
♪ DON'T WORRY.
1038
01:15:42,068 --> 01:15:48,034
♪ NEVER MET A PERSON THAT GOD
CAN'T LOVE.
1039
01:15:48,068 --> 01:15:59,034
♪
[CHEERS AND APPLAUSE].
1040
01:15:59,068 --> 01:16:00,620
>> Trevor: THAT'S RIGHT, KEEP
IT GOING F
1041
01:16:00,655 --> 01:16:05,586
>> Trevor: WHEW, MAVERICK CITY
TOOK US TO CHURCH!
1042
01:16:05,620 --> 01:16:07,310
WHERE'S THE COLLECTION PLATE?
1043
01:16:07,344 --> 01:16:08,517
PASS IT AROUND.
1044
01:16:08,551 --> 01:16:09,586
CONGRATULATIONS TO MAVERICK
CITY, BY THE WAY, AS THEY HAVE
1045
01:16:09,620 --> 01:16:12,758
WON THEIR FIRST EVER GRAMMY
AWARD JUST TODAY.
1046
01:16:12,793 --> 01:16:15,275
REALLY EXCITING.
1047
01:16:15,310 --> 01:16:19,862
[APPLAUSE]
YOU KNOW, ONE THING THAT HAS
1048
01:16:19,896 --> 01:16:23,517
ALWAYS MADE MUSIC SO POWERFUL IS
THE WAY IT RESPONDS TO THE
1049
01:16:23,551 --> 01:16:27,172
TIMES, EVEN IN THE DARKEST TIMES
MUSIC HAS THE POWER TO LIFT
1050
01:16:27,206 --> 01:16:29,241
SPIRITS AND GIVE YOU HOPE FOR A
BRIGHTER TOMORROW.
1051
01:16:29,275 --> 01:16:33,275
AND THERE IS NOBODY WHO COULD
USE A LITTLE HOPE RIGHT NOW MORE
1052
01:16:33,310 --> 01:16:39,137
THAN THE PEOPLE OF UKRAINE.
HERE TO INTRODUCE A VERY SPECIAL
1053
01:16:39,172 --> 01:16:43,965
PERFORMANCE LEAD BY JOHN LEGEND
IS THE PRESIDENT OF UKRAINE
1054
01:16:44,000 --> 01:16:46,344
VOLODYMYR ZELENSKYY.
1055
01:16:51,206 --> 01:16:51,724
>>
♪ ♪
1056
01:18:09,827 --> 01:18:22,000
♪ ♪
>> ♪ GO DOWN MOSES
1057
01:18:22,034 --> 01:18:29,758
WAY DOWN MOSES
♪ GO DOWN TO EGYPT LAND
1058
01:18:29,793 --> 01:18:34,000
LAY DOWN SOLDIERS
♪ LAY DOWN THOSE WEAPONS
1059
01:18:34,034 --> 01:18:41,827
LET PEACE RUSH IN
♪ LET IT WASH THROUGH THE VALLEY
1060
01:18:41,862 --> 01:18:52,103
SOAR TO THE MOUNTAINS
♪ FALL IN THE DEEPEST BLUE SEA
1061
01:18:52,137 --> 01:18:58,862
LET IT FLY 'CROSS THE SKY
♪ A BANNER SO HIGH
1062
01:18:58,896 --> 01:19:07,931
THAT EVEN THE ROCKETS
♪ WILL SEE THAT THERE IS A GOD
1063
01:19:07,965 --> 01:19:16,068
AND I'M JUST SAYIN' LAWD
♪ RAIN DOWN FREEDOM
1064
01:19:16,103 --> 01:19:31,034
RAIN DOWN 'TIL WE'RE ALL FREE
♪ FREE
1065
01:19:31,068 --> 01:19:31,931
RAIN DOWN 'TIL WE'RE ALL FREE
♪ FREE
1066
01:19:31,965 --> 01:19:43,034
FREE
♪ LOW DOWN, BROKEN
1067
01:19:43,068 --> 01:19:47,689
HOMELESS, FLOATIN'
♪ LOST AND THROWN TO CHANCE
1068
01:19:47,724 --> 01:19:51,344
YEAH
♪ CAGED BIRDS SINGING
1069
01:19:51,379 --> 01:20:06,310
BREAK CHAINS
♪ SO WE CAN DO OUR HOLY DANCE
1070
01:20:06,344 --> 01:20:07,931
BREAK CHAINS
♪ SO WE CAN DO OUR HOLY DANCE
1071
01:20:07,965 --> 01:20:10,793
LET 'EM SING
♪ CROSS THE SKY
1072
01:20:10,827 --> 01:20:14,000
A CHORUS SO HIGH
♪ THAT EVERYONE
1073
01:20:14,034 --> 01:20:26,034
WILL KNOW THEIR WORTH
♪ RAIN DOWN FREEDOM
1074
01:20:26,068 --> 01:20:36,172
RAIN DOWN 'TIL WE'RE ALL
♪ FREE
1075
01:20:36,206 --> 01:20:43,827
FREE
♪ FREE
1076
01:20:43,862 --> 01:20:46,413
OUR FATHER WHO ART IN HEAVEN, OF
THE FULL MOON AND HOLLOW SON.
1077
01:20:46,448 --> 01:20:52,172
IT IS A LINE OF FIRE, AND WHO
WON'T ABANDON ME LIKE A TOMB.
1078
01:20:52,206 --> 01:21:02,413
OUR DAILY BREAD, GIVE TO THE
HUNGRY AND LET THEM DO FOR ONE
1079
01:21:02,448 --> 01:21:05,206
ANOTHER AND FORGIVE US OUR
DESTROYED CITY, EVEN THOUGH WE
1080
01:21:05,241 --> 01:21:11,965
DO NOT FORGIVE FOR THEM OUR
ENEMY, SHOOT AND PROTECT MY
1081
01:21:12,000 --> 01:21:25,241
HUSBAND, MY FRIENDS MY CHILD AND
MY MOTHER LAND.
1082
01:21:25,275 --> 01:21:36,034
>> ♪ GO DOWN MOSES
WAY DOWN MOSES
1083
01:21:36,068 --> 01:21:38,172
♪ TELL THEM THERE IS I GOD.
1084
01:21:38,206 --> 01:21:44,827
♪ AND WE JUST PLAYING LA-WD.
1085
01:21:44,862 --> 01:21:50,827
RAIN DOWN FREEDOM RAIN DOWN.
1086
01:21:50,862 --> 01:21:52,517
♪ TILL
♪ RAIN DOWN FREEDOM
1087
01:21:52,551 --> 01:21:57,862
RAIN DOWN 'TIL WE'RE ALL FREE
♪ FREE
1088
01:21:57,896 --> 01:22:12,827
FREE
WE'RE ALL FREE
1089
01:22:12,862 --> 01:22:17,724
FREE
WE'RE ALL FREE
1090
01:22:17,758 --> 01:22:19,931
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1091
01:22:34,172 --> 01:22:36,620
>> Announcer: HERE ARE THREE
MEMBERS OF THE NEW GRAMMY-
1092
01:22:36,655 --> 01:22:37,482
PRODUCING TEAM.
1093
01:22:37,517 --> 01:22:38,586
THIS IS CBS.
1094
01:22:47,793 --> 01:22:49,758
♪ ♪
>> Trevor: WE'RE BACK AT THE
1095
01:22:49,793 --> 01:22:52,758
GRAMMYS, YOU KNEE MOST HOSTS GET
PAID TO DO THIS GIG.
1096
01:22:52,793 --> 01:22:56,206
I DECIDED TO TAKE MY
REMUNERATION IN MOMENTS WITH
1097
01:22:56,241 --> 01:22:57,068
BTS.
1098
01:22:57,103 --> 01:22:58,344
AND THAT IS WHAT I AM DOING
RIGHT NOW.
1099
01:22:58,379 --> 01:23:02,517
THE BIGGEST BAND IN THE WORLD,
LADIES AND GENTLEMEN, GIVE IT UP
1100
01:23:02,551 --> 01:23:04,724
FOR THEM, THIS IS BTS RIGHT NOW,
ARE YOU KIDDING.
1101
01:23:04,758 --> 01:23:08,448
FIRST OF ALL GUYS, GOOD TO YOU
HAVE HERE, LIKE WE DID THE
1102
01:23:08,482 --> 01:23:13,206
PREVIOUS GRAMMYS, YOU PERFORMED
IT ALL THE WAY FROM KOREA, BUT
1103
01:23:13,241 --> 01:23:15,275
NOW ARE YOU HERE, EVERYONE IS
HEALSE HEALTHY, HOW ARE YOU
1104
01:23:15,310 --> 01:23:16,000
FEELING?
1105
01:23:16,034 --> 01:23:17,517
>> HOW YOU FEEL, WE FEEL CRAZY.
1106
01:23:17,551 --> 01:23:18,896
>> Trevor: IS GREAT TO HAVE
YOU HERE.
1107
01:23:18,931 --> 01:23:24,241
THERE ARE SO MANY RUMORS I HEAR
BUT, I DON'T KNOW WHAT IS TRUE,
1108
01:23:24,275 --> 01:23:26,448
DO YOU REALLY LEARN HOW TO SPEAK
ENGLISH FROM WATCHING FRIENDS.
1109
01:23:26,482 --> 01:23:29,965
>> YES, FRIENDS IS MY ENGLISH
PARENT.
1110
01:23:30,000 --> 01:23:32,448
>> Trevor: SO ARE YOU MORE OF
A JOEY, WHO DO YOU THINK YOU
1111
01:23:32,482 --> 01:23:34,344
ARE.
1112
01:23:34,379 --> 01:23:34,862
>> I'M LIKE A CHANDLER.
1113
01:23:34,896 --> 01:23:37,517
>> Trevor: OKAY.
1114
01:23:37,551 --> 01:23:39,482
>> HE'S-- WHEN I SEE HIM I FEEL
SO SAD AND YOU KNOW.
1115
01:23:39,517 --> 01:23:42,586
>> Trevor: OH, WOW.
1116
01:23:42,620 --> 01:23:43,310
>> I LOVE HIM.
1117
01:23:43,344 --> 01:23:44,620
>> Trevor: I LIKE THAT.
1118
01:23:44,655 --> 01:23:50,379
I HEARD THAT AND I NEED TO LEARN
KOREAN WATCHING KOREAN TV SHOWS
1119
01:23:50,413 --> 01:23:52,000
T IS ALOT HARDER, I LEARNED A
LITTLE BIT.
1120
01:23:52,034 --> 01:24:05,758
I WILL PRACTICE A LITTLE THING I
LEARNED WHICH WAS-- [SINGING
1121
01:24:05,793 --> 01:24:08,310
KOREAN BLAK.
1122
01:24:08,344 --> 01:24:10,586
>> WILL THAT HELP ME IN AN
AIRPORT, WILL THAT HELP ME GET
1123
01:24:10,620 --> 01:24:11,241
AROUND.
1124
01:24:11,275 --> 01:24:12,310
>> WHAT ARE WE GOING TO DO.
1125
01:24:12,344 --> 01:24:13,206
>> WE'LL FIGURE IT OUT.
1126
01:24:13,241 --> 01:24:14,517
>> ONE OF
ONE OF THE ACCLAIMED ALBUMS OF
1127
01:24:14,551 --> 01:24:17,689
THE YEAR IS TONY BENNETT AND
LADY GAGA'S DUET ALBUM, "LOVE
1128
01:24:17,724 --> 01:24:18,793
FOR SALE."
1129
01:24:18,827 --> 01:24:20,517
YOU KNOW I'VE SEEN LOVE FOR SALE
ALL OVER LAS VEGAS.
1130
01:24:20,551 --> 01:24:24,310
BUT I'M NOT SURE THAT WAS ABOUT
THE ALBUM.
1131
01:24:24,344 --> 01:24:25,655
TONY BENNETT RETIRED FROM
PERFORMING LAST YEAR, HE IS A
1132
01:24:25,689 --> 01:24:32,965
LEGEND AND WHAT HE WANTED TO DO
WAS INTRODUCE HIS VERY DEER
1133
01:24:33,000 --> 01:24:34,000
FRIEND.
1134
01:24:34,034 --> 01:24:40,586
HI EVERYONE, PLEASE WELCOME LADY
GATIONA.-- GAGA.
1135
01:24:40,620 --> 01:24:43,206
>> WHAT'S
[ CHEERS AND APPLAUSE]
1136
01:24:43,241 --> 01:24:47,931
>> C'MON DANIEL FOOSE!
1137
01:24:47,965 --> 01:24:51,586
♪ ♪
♪ LOVE FOR SALE
1138
01:24:51,620 --> 01:24:54,034
APPETIZING YOUNG LOVE
♪ FOR SALE
1139
01:24:54,068 --> 01:24:57,034
LOVE THAT'S FRESH
♪ AND STILL UNSPOILED
1140
01:24:57,068 --> 01:25:00,034
LOVE THAT'S ONLY
♪ SLIGHTLY SOILED
1141
01:25:00,068 --> 01:25:07,482
LOVE FOR SALE
♪ WHO WILL BUY?
1142
01:25:07,517 --> 01:25:12,000
WHO'S PREPARED
♪ TO SAMPLE MY SUPPLY?
1143
01:25:12,034 --> 01:25:15,862
WHO'S PREPARED
♪ TO PAY THE PRICE
1144
01:25:15,896 --> 01:25:20,000
FOR A TRIP TO PARADISE?
1145
01:25:20,034 --> 01:25:21,862
♪ LOVE FOR SALE
LET THE POETS
1146
01:25:21,896 --> 01:25:27,172
♪ PIPE OF LOVE
IN THEIR CHILDISH WAY
1147
01:25:27,206 --> 01:25:31,275
♪ I KNOW EVERY TYPE OF LOVE
BETTER FAR THAN THEY
1148
01:25:31,310 --> 01:25:33,896
♪ IF YOU WANT THE THRILL
♪ I'VE BEEN THROUGH THE MILL
1149
01:25:33,931 --> 01:25:36,103
OF LOVE
♪ OLD LOVE, NEW LOVE
1150
01:25:36,137 --> 01:25:44,000
EVERY LOVE,
♪ BUT TRUE LOVE FOR SALE
1151
01:25:44,034 --> 01:25:48,000
APPETIZING YOUNG LOVE
♪ FOR SALE IF YOU WANT TO BUY
1152
01:25:48,034 --> 01:25:51,862
MY WARES
♪ FOLLOW ME
1153
01:25:51,896 --> 01:25:56,344
AND CLIMB THE STAIRS
♪ LOVE FOR SALE
1154
01:25:56,379 --> 01:26:04,034
♪ ♪
♪ ♪
1155
01:26:04,068 --> 01:26:14,068
[ CHEERS AND APPLAUSE]
COME ON, LET'S SWING IT. HELLO,
1156
01:26:14,103 --> 01:26:16,448
EVERYBODY, YOU KNOW WHAT, I FEEL
SO BLESSED TO BE A PART OF THIS
1157
01:26:16,482 --> 01:26:19,034
WONDERFUL COMMUNITY OF
MUSICIANS, TRULY.
1158
01:26:19,068 --> 01:26:26,241
AND I WANT THE WHOLE WORLD TO
KNOW THAT WE LOVEMAKING YOU
1159
01:26:26,275 --> 01:26:27,344
SMILE.
1160
01:26:27,379 --> 01:26:33,931
SO IF YOU ARE WONDERING, HOW WE
FEEL, DO I LOVE YOU?
1161
01:26:33,965 --> 01:26:41,413
OH BOY, DO I.
1162
01:26:41,448 --> 01:26:45,241
AFTER THAT SWEET SUMMER
AFTERNOON.
1163
01:26:45,275 --> 01:26:56,137
♪ WHEN I SAW YOU.
1164
01:26:56,172 --> 01:26:59,965
♪ DREAMING OF TONY.
1165
01:27:00,000 --> 01:27:06,793
♪ I COMPOSED A TUNE.
1166
01:27:06,827 --> 01:27:18,827
♪ OH WILL YOU LISTEN TO ME.
1167
01:27:18,862 --> 01:27:30,793
♪
♪ DO I LOVE YOU
1168
01:27:30,827 --> 01:27:32,655
DO I?
1169
01:27:32,689 --> 01:27:38,655
♪ DOESN'T ONE AND ONE
MAKE TWO?
1170
01:27:38,689 --> 01:27:46,827
♪ DO I LOVE YOU?
1171
01:27:46,862 --> 01:27:49,000
MM, DO I?
1172
01:27:49,034 --> 01:27:56,655
♪ DOES JULY NEED
A SKY OF BLUE?
1173
01:27:56,689 --> 01:28:06,068
♪ WOULD I MISS YOU
WOULD I?
1174
01:28:06,103 --> 01:28:14,724
♪ IF YOU EVER
SHOULD GO AWAY?
1175
01:28:14,758 --> 01:28:20,758
♪ IF THE SUN
SHOULD DESERT THE DAY
1176
01:28:20,793 --> 01:28:26,758
♪ WHAT WOULD LIFE BE?
1177
01:28:26,793 --> 01:28:30,862
WHAT WOULD LIFE BE?
1178
01:28:30,896 --> 01:28:45,793
♪ WILL I LEAVE YOU, NEVER
WOULD THE OCEAN LEAVE
1179
01:28:45,827 --> 01:28:49,827
♪ THE SHORE?
1180
01:28:49,862 --> 01:28:57,827
WILL I WORSHIP YOU
♪ FOREVER?
1181
01:28:57,862 --> 01:29:05,758
ISN'T HEAVEN FOREVER MORE?
1182
01:29:05,793 --> 01:29:11,724
♪ DO I LOVE YOU?
1183
01:29:11,758 --> 01:29:13,862
DO I?
1184
01:29:13,896 --> 01:29:21,862
♪ OH, MY DEAR,
IT'S SO EASY
1185
01:29:21,896 --> 01:29:29,758
TO SEE
♪ DON'T YOU KNOW I DO?
1186
01:29:29,793 --> 01:29:37,896
DON'T I SHOW YOU I DO
♪ JUST AS YOU
1187
01:29:37,931 --> 01:29:52,827
LOVE
[ CHEERS AND APPLAUSE]
1188
01:29:52,862 --> 01:29:56,448
LOVE
[ CHEERS AND APPLAUSE]
1189
01:29:56,482 --> 01:30:11,379
♪ ME
[ CHEERS AND APPLAUSE]
1190
01:30:11,413 --> 01:30:22,344
♪ ME
[ CHEERS AND APPLAUSE]
1191
01:30:22,379 --> 01:30:32,103
>> TONY, WE MISS YOU
[ APPLAUSE]
1192
01:30:32,137 --> 01:30:33,896
♪ ♪
>> Announcer: PLEASE WELCOME
1193
01:30:33,931 --> 01:30:47,275
GRAMMY, EMMY AND TONY WINNER
BILLY PORTER; AND THE GOLDEN
1194
01:30:47,310 --> 01:30:49,551
>> YOU CAN'T HAVE RHYTHM WITHOUT
THE BLUES!
1195
01:30:49,586 --> 01:30:54,827
AND I'M SO EXCITED AND I JUST
CAN'T HIDE IT.
1196
01:30:54,862 --> 01:31:00,241
♪ LIKE THE POINTER SISTERS, TO
PRESENT A GRAMMY THAT HAS SO
1197
01:31:00,275 --> 01:31:04,241
MANY OR THEISTS THAT I LOVE.
1198
01:31:04,275 --> 01:31:08,275
WHOEVER WIN THIS GRAMMY TONIGHT
WILL BE SHARING AN HONOR WITH
1199
01:31:08,310 --> 01:31:18,965
THE LIKES OF LEGENDS LIKE SHAKA
CHAN, LUTHER VANDROSE, YES, AND
1200
01:31:19,000 --> 01:31:21,310
JOHN LEGEND.
1201
01:31:21,344 --> 01:31:24,034
AND HE IS AN EGOT.
1202
01:31:24,068 --> 01:31:37,724
SO THESE ARE THE NOMINATIONS FOR
BEST R&B ALBUM.
1203
01:31:37,758 --> 01:31:44,379
>> Announcer: BEST R&B ALBUM.
1204
01:31:44,413 --> 01:31:52,517
"TEMPORARY HIGHS IN THE VIOLET
SKIES," SNOH AALEGRA.
1205
01:31:52,551 --> 01:32:01,862
"WE ARE," JON BATISTE.
1206
01:32:01,896 --> 01:32:12,586
"GOLD-DIGGERS SOUND," LEON
BRIDGES.
1207
01:32:12,620 --> 01:32:20,448
"BACK OF MY MIND," H.E.R.
1208
01:32:20,482 --> 01:32:35,275
"HEAUX TALES," JAZMINE SULLIVAN.
1209
01:32:35,310 --> 01:32:47,310
>> AND THE GRAMMY GOES TO:
"HEAUX TALES," JAZMINE SULLIVAN.
1210
01:32:47,344 --> 01:32:58,517
[ CHEERS AND APPLAUSE]
WHERE YOU AT, GIRL!
1211
01:32:58,551 --> 01:33:07,241
PICK UP YOUR COME ON, GIRL.
1212
01:33:07,275 --> 01:33:13,241
YES!
1213
01:33:13,275 --> 01:33:13,965
COME ON.
1214
01:33:14,000 --> 01:33:15,206
GET YOUR AWARD.
1215
01:33:15,241 --> 01:33:18,655
GET YOUR AWARD, GIRL, NO, YOU
HAVE TO HOLD THIS, YOU HAVE TO
1216
01:33:18,689 --> 01:33:25,413
HOLD IT WHILE YOU TALKING.
1217
01:33:25,448 --> 01:33:28,034
>> I DON'T KNOW WHAT I HEARD, I
ALMOST DIDN'T BELIEVE IT.
1218
01:33:28,068 --> 01:33:33,137
BUT I'M SO GRATEFUL TO BE UP
HERE.
1219
01:33:33,172 --> 01:33:40,137
SHOUT OUT TO H.E.R. FOR WEARING
THESE GLASSES, YOU ARE THE GOAT
1220
01:33:40,172 --> 01:33:41,275
FOR THAT.
1221
01:33:41,310 --> 01:33:51,551
I THINK THAT I WROTE THIS
PROJECT TO DEAL WITH MY OWN
1222
01:33:51,586 --> 01:33:56,965
THING AND FORGIVENESS FROM THE
DECISIONS THAT I MADE IN MY 20S
1223
01:33:57,000 --> 01:33:57,586
THAT WEREN'T FAVORABLE.
1224
01:33:57,620 --> 01:33:58,896
THANK YOU.
1225
01:33:58,931 --> 01:34:05,689
AND BUT WHAT IT END UP BEING WAS
A SAFE SPACE FOR BLACK WOMEN TO
1226
01:34:05,724 --> 01:34:06,413
TELL THEIR STORIES.
1227
01:34:06,448 --> 01:34:10,931
FOR US TO LEARN FROM EACH OTHER.
1228
01:34:10,965 --> 01:34:14,931
FOR US TO LEARN FROM EACH OTHER,
LAUGH WITH EACH OTHER, AND NOT
1229
01:34:14,965 --> 01:34:18,620
BE EXPLOITEDDED AT THE SAME
TIME.
1230
01:34:18,655 --> 01:34:21,586
AND THAT'S WHAT I'M MOST
GRATEFUL FOR, SO SHOUT OUT TO
1231
01:34:21,620 --> 01:34:26,068
ALL BLACK WOMEN WHO ARE JUST
LIVING THEIR LIVES AND BEING
1232
01:34:26,103 --> 01:34:26,517
BEAUTIFUL.
1233
01:34:26,551 --> 01:34:28,413
I LOVE YOU ALL.
1234
01:34:28,448 --> 01:34:33,172
THANK YOU TO EVERYBODY WHO
HELPED ME CREATE, TO THE
1235
01:34:33,206 --> 01:34:37,724
PRODUCERS, THE ADDITIONAL
WRITERS, RCA, SONY MUSIC, TO MY
1236
01:34:37,758 --> 01:34:40,172
MANAGEMENT, MY MOTHER AND FATHER
WHO I LOVE DEARLY.
1237
01:34:40,206 --> 01:34:41,931
I CAN'T WAIT TO SEE.
1238
01:34:41,965 --> 01:34:46,068
MY FRIENDS AND FAMILY, EVERYBODY
BACK IN PHILLIE, MY FANS, MY
1239
01:34:46,103 --> 01:34:47,068
MAN, EVERYBODY.
1240
01:34:47,103 --> 01:34:50,034
THANK YOU SO MUCH, I APPRECIATE
THIS SO MUCH.
1241
01:34:50,068 --> 01:35:00,758
[APPLAUSE]
TRZ WHAT A BEAUTIFUL MOMENT.
1242
01:35:00,793 --> 01:35:03,137
ALL RIGHT, IT IS TIME FOR US TO
TAKE A QUICK BREAK.
1243
01:35:03,172 --> 01:35:07,103
NOMINATED FOR BEST BLUEGRASS
ALBUM AND BEST AMERICAN ROOTS
1244
01:35:07,137 --> 01:35:11,413
PERFORMANCE: BILLY STRINGS!
1245
01:35:11,448 --> 01:35:17,413
[ CHEERS AND APPLAUSE]
♪ ♪
1246
01:35:17,448 --> 01:35:27,517
♪ ♪
♪ ♪
1247
01:35:27,551 --> 01:35:33,344
♪ ♪
♪ ♪
1248
01:35:44,620 --> 01:35:46,482
♪ ♪
♪ ♪
1249
01:35:46,517 --> 01:35:48,724
♪ ♪
♪ SNOALT NOTHING TO ACHIEVE.
1250
01:35:48,758 --> 01:35:52,689
♪ NOTHING HIDDEN UP MY SLEEVE.
1251
01:35:52,724 --> 01:35:56,034
♪ I REMEMBER.
1252
01:35:56,068 --> 01:35:59,482
♪ IT'S A DARK TIME.
1253
01:35:59,517 --> 01:36:00,344
♪ I DO BELIEVE.
1254
01:36:00,379 --> 01:36:04,827
♪ A COLD WIND IS BLOWING AT MY
DOOR.
1255
01:36:04,862 --> 01:36:06,655
♪ INCREDIBLE.
1256
01:36:06,689 --> 01:36:12,448
♪ I DON'T HAVE TO WORRY ANY
MORE.
1257
01:36:12,482 --> 01:36:14,172
♪ IT'S A DARK TIME.
1258
01:36:14,206 --> 01:36:17,137
♪ I DO BELIEVE.
1259
01:36:17,172 --> 01:36:20,275
♪ A COLD WIND BLOWING AT MY
DOOR.
1260
01:36:20,310 --> 01:36:21,655
♪ INCREDIBLE TIME.
1261
01:36:21,689 --> 01:36:23,206
♪ I'M GOING TO FIND.
1262
01:36:23,241 --> 01:36:30,586
♪ I DON'T HAVE TO WORRY ANY
MORE.
1263
01:36:30,620 --> 01:36:39,344
♪
[ CHEERS AND APPLAUSE]
1264
01:36:39,379 --> 01:36:43,862
>> Trevor: ALL RIGHT, WE'RE
BACK HERE AT THE M.G.M. GRAND
1265
01:36:43,896 --> 01:36:44,758
GARDEN ARENA.
1266
01:36:44,793 --> 01:36:48,931
I JUST WANTED TO WELCOME THIS
NEXT FORM
1267
01:36:48,965 --> 01:36:51,103
THE FRONTMAN OF THIRTY SECONDS
TO MARS AND THE STAR OF
1268
01:36:51,137 --> 01:36:54,931
"MORBIUS."
1269
01:36:54,965 --> 01:36:56,206
DON'T KNOW IF YOU HAVE SEEN HIM
DO IT BUT HE HAS TRANSFORMED FOR
1270
01:36:56,241 --> 01:36:58,034
ALL OF HIS ROLES, YOU DON'T EVEN
KNOW WHAT HE LOOKS LIKE ANY
1271
01:36:58,068 --> 01:36:58,931
MORE.
1272
01:36:58,965 --> 01:37:00,275
HE COULD BE AN ITALIAN FASHION
DESIGNER.
1273
01:37:00,310 --> 01:37:07,241
YOU KNOW, HE COULD BE LIKE A
MEGA VILAN, HE COULD BE ME RIGHT
1274
01:37:07,275 --> 01:37:07,896
NOW.
1275
01:37:07,931 --> 01:37:09,172
THAT WOULD HAVE BEEN CRAZY.
1276
01:37:09,206 --> 01:37:15,172
GIVE IT UP FOR JARED LETO.
1277
01:37:15,206 --> 01:37:27,172
[ CHEERS AND APPLAUSE]
>> JUSTIN BEIBER.
1278
01:37:27,206 --> 01:37:31,275
DOJA CAT.
1279
01:37:31,310 --> 01:37:33,103
BILLIE EILISH.
1280
01:37:33,137 --> 01:37:35,241
ARIANA GRANDE.
1281
01:37:35,275 --> 01:37:37,793
AND OLIVIA RODRIGO.
1282
01:37:37,827 --> 01:37:43,275
YOU HAVE ALL CREATED SOMETHING
THAT HAS AFFECTED PEOPLE DEEPLY.
1283
01:37:43,310 --> 01:37:48,620
IMPACTING CULTURE GREATLY AND
ULTIMATELY MADE THE WORLD A
1284
01:37:48,655 --> 01:37:49,275
RICHER PLACE.
1285
01:37:49,310 --> 01:37:55,965
ESPECIALLY FOR YOUR AGENTS.
1286
01:37:56,000 --> 01:37:59,724
A LIKE THE LATE GREAT DAVID
BOWIE SAID, I DON'T KNOW WHERE I
1287
01:37:59,758 --> 01:38:05,206
AM GOING FROM HERE BUT I PROMISE
YOU ONE THING, IT WON'T BE
1288
01:38:05,241 --> 01:38:06,482
BORING.
1289
01:38:06,517 --> 01:38:09,758
ONE THING IS FOR CERTAIN, YOU
HAVE ALL MADE THE WORLD SO MUCH
1290
01:38:09,793 --> 01:38:11,310
MORE FASCINATING.
1291
01:38:11,344 --> 01:38:25,620
HERE ARE THE NOMINATIONS FOR
BEST POP VOCAL
1292
01:38:25,655 --> 01:38:28,000
THE NOMINATIONS FOR BEST POP
VOCAL ALBUM.
1293
01:38:28,034 --> 01:38:32,206
>> Announcer: "JUSTICE [TRIPLE
CHUCKS DELUXE]," JUSTIN BIEBER.
1294
01:38:32,241 --> 01:38:33,034
"PLANET HER [DELUXE]," DOJA CAT.
1295
01:38:33,068 --> 01:38:36,344
"HAPPIER THAN EVER," BILLIE
EILISH.
1296
01:38:36,379 --> 01:38:40,241
"POSITIONS," ARIANA GRANDE.
1297
01:38:40,275 --> 01:38:50,275
"SOUR," OLIVIA RODRIGO.
1298
01:38:50,310 --> 01:39:00,448
>> AND THE GRAMMY GOES TO:
"SOUR," OLIVIA RODRIGO.
1299
01:39:00,482 --> 01:39:15,344
[ CHEERS AND APPLAUSE]
[ CHEERS AND APPLAUSE]
1300
01:39:15,379 --> 01:39:16,896
♪.
1301
01:39:16,931 --> 01:39:18,413
>> OH WOW.
1302
01:39:18,448 --> 01:39:19,310
OH MY GOSH.
1303
01:39:19,344 --> 01:39:20,827
THANK YOU AGAIN TO THE RECORDING
ACADEMY.
1304
01:39:20,862 --> 01:39:24,241
THANK YOU TO ALL THE FANS WHO
HAVE LISTENED TO MY MUSIC AND
1305
01:39:24,275 --> 01:39:26,758
COMPLETELY CHANGED MY LIFE OVER
THE PAST TWO YEARS.
1306
01:39:26,793 --> 01:39:30,413
I REALLY WANT TO DEDICATE THIS
AWARD TO MY PARENTS.
1307
01:39:30,448 --> 01:39:33,275
WHEN I WAS NINE YEARS OLD I TOLD
MY MOM I WAS GOING TO BE AN
1308
01:39:33,310 --> 01:39:41,931
OLYMPIC SWIMMER AND EVEN THEY I
COULD DO A CARTWHEEL, THE
1309
01:39:41,965 --> 01:39:44,931
NEGOTIATION WEEK WHEN I TOLD HER
I WAS GOING TO WIN A GRAMMY SHE
1310
01:39:44,965 --> 01:39:48,448
WAS VERY SUPPORTIVE EVEN THOUGH
SHE THOUGHT THIS WOULD BE A
1311
01:39:48,482 --> 01:39:49,724
LITTLE KID'S PIPEDREAM.
1312
01:39:49,758 --> 01:39:52,206
I WANT TO THANK MY MOM FOR BEING
SUPPORTIVE OF ALL OF MY DREAMS
1313
01:39:52,241 --> 01:39:55,379
NO MATTER HOW CRAZY AND MY MOM
AND DAD FOR BEING SO PROUD OF ME
1314
01:39:55,413 --> 01:39:58,413
FOR WINNING A GRAMMY AS THEY
WERE WHEN I LEARNED HOW TO DO A
1315
01:39:58,448 --> 01:39:59,965
BACK WALKOVER.
1316
01:40:00,000 --> 01:40:02,275
THIS IS FOR YOU GUYS AND BECAUSE
OF YOU GUYS.
1317
01:40:02,310 --> 01:40:05,379
THANK YOU.
1318
01:40:05,413 --> 01:40:14,172
[APPLAUSE]
[ CHEERS AND APPLAUSE]
1319
01:40:14,206 --> 01:40:16,137
>> Trevor: SO THIS WAS THE
MOMENT OF THE SHOW WHEN I WAS
1320
01:40:16,172 --> 01:40:18,379
SUPPOSED TO BE INTRODUCING THE
FOO FIGHTERS.
1321
01:40:18,413 --> 01:40:21,482
WE WOULD HAVE BEEN CELEBRATING
WITH THEM AS THEY WON THREE
1322
01:40:21,517 --> 01:40:25,413
GRAMMYS A ARD-- GRAMMY AWARDS
EARLIER TODAY.
1323
01:40:25,448 --> 01:40:29,310
BUT THEY OF ARE COURSE NOT HERE
DUE TO THE TRAGIC PASSING OF
1324
01:40:29,344 --> 01:40:31,517
THAT I LEGENDARY DRUMMER TAYE
LORE HAWKINS.
1325
01:40:31,551 --> 01:40:34,379
OUR THOUGHTS GO OUT TO TAY
OUR THOUGHTS GO OUT TO TAYLOR'S
1326
01:40:34,413 --> 01:40:36,068
FAMILY, HIS FRIENDS, AND THE FOO
FIGHTER'S FAMILY AND ALL THE
1327
01:40:36,103 --> 01:40:37,344
FANS AROUND THE GLOBE.
1328
01:40:37,379 --> 01:40:42,379
WE WOULD LIKE TO TAKE A MOMENT
NOW TO REMEMBER TAYLOR AND THOSE
1329
01:40:42,413 --> 01:40:56,310
IN THE MUSIC COMMUNITY WE LOST
THIS PAST YEAR.
1330
01:40:56,344 --> 01:41:00,931
♪ ♪
>> HE'S THE BEST DRUMMER IN THE
1331
01:41:00,965 --> 01:41:02,448
WORLD, WE LOVE HIM SO MUCH.
1332
01:41:02,482 --> 01:41:07,586
>> I REALIZE THAT TO BE A GOOD
DRUMMER YOU HAVE TO BE AN ACTOR.
1333
01:41:07,620 --> 01:41:12,689
THERE GOES MY HERO.
1334
01:41:12,724 --> 01:41:17,758
♪ WATCH HIM AS HE GOES.
1335
01:41:17,793 --> 01:41:26,379
♪
♪ THERE GOES MY HERO.
1336
01:41:26,413 --> 01:41:30,413
♪
♪ ♪
1337
01:41:30,448 --> 01:41:36,034
♪ ♪
TAYLOR HAWKINS ON THE DRUMS
1338
01:41:36,068 --> 01:41:38,068
RIGHT NOW.
1339
01:41:38,103 --> 01:41:42,448
♪ THERE GOES MY HERO.
1340
01:41:42,482 --> 01:41:50,379
♪ THERE GOES MY HERO.
1341
01:41:50,413 --> 01:42:02,517
♪ ♪
[ APPLAUSE]
1342
01:42:02,551 --> 01:42:14,413
♪ ♪
♪ ♪
1343
01:42:14,448 --> 01:42:18,517
♪ ♪
>> ♪ NOT A DAY
1344
01:42:18,551 --> 01:42:28,793
GOES BY
♪ NOT A SINGLE DAY
1345
01:42:28,827 --> 01:42:32,137
BUT YOU'RE SOMEWHERE A
♪ PART OF MY LIFE
1346
01:42:32,172 --> 01:42:45,931
AND IT LOOKS LIKE YOU'LL STAY
♪ AS THE DAYS GO BY
1347
01:42:45,965 --> 01:42:50,241
I KEEP THINKING,
♪ WHEN DOES IT END
1348
01:42:50,275 --> 01:42:54,034
WHERE'S THE DAY I'LL
♪ HAVE STARTED
1349
01:42:54,068 --> 01:42:57,931
FORGETTING?
1350
01:42:57,965 --> 01:43:00,103
♪ BUT I JUST GO ON THINKING
AND SWEATING
1351
01:43:00,137 --> 01:43:04,586
♪ AND CURSING AND CRYING
AND TURNING
1352
01:43:04,620 --> 01:43:06,172
♪ AND REACHING
AND WAKING
1353
01:43:06,206 --> 01:43:11,931
♪ AND DYING
AND, NO
1354
01:43:11,965 --> 01:43:22,000
♪ NOT A DAY GOES BY
NOT A BLESSED DAY
1355
01:43:22,034 --> 01:43:29,931
♪ BUT YOU'RE STILL SOMEHOW
PART OF MY LIFE
1356
01:43:29,965 --> 01:43:44,862
AND YOU WON'T GO AWAY ♪
♪ ISN'T IT RICH?
1357
01:43:44,896 --> 01:43:45,965
AND YOU WON'T GO AWAY ♪
♪ ISN'T IT RICH?
1358
01:43:46,000 --> 01:43:49,551
ARE WE A PAIR?
1359
01:43:49,586 --> 01:43:58,000
♪ ME HERE AT LAST ON THE GROUND
YOU IN MID-AIR
1360
01:43:58,034 --> 01:44:10,034
♪ SEND IN THE CLOWNS
ISN'T IT BLISS?
1361
01:44:10,068 --> 01:44:14,034
♪ NOT A DAY GOES BY
DON'T YOU APPROVE?
1362
01:44:14,068 --> 01:44:18,517
♪ NOT A SINGLE DAY
ONE WHO KEEPS TEARING AROUND
1363
01:44:18,551 --> 01:44:22,034
♪ ONE WHO CAN'T MOVE
BUT YOU'RE SOMEWHERE A
1364
01:44:22,068 --> 01:44:26,034
♪ PART OF MY LIFE
WHERE ARE THE CLOWNS?
1365
01:44:26,068 --> 01:44:41,000
♪ AND IT LOOKS LIKE YOU'LL STAY
SEND IN THE CLOWNS
1366
01:44:41,034 --> 01:44:50,034
♪ AND IT LOOKS LIKE YOU'LL STAY
SEND IN THE CLOWNS
1367
01:44:50,068 --> 01:45:01,517
♪ ♪
♪ BUT I JUST GO ON
1368
01:45:01,551 --> 01:45:03,344
JUST WHEN I'D STOPPED
♪ OPENING DOORS
1369
01:45:03,379 --> 01:45:05,689
THINKING AND SWEATING AND
CURSING AND CRYING
1370
01:45:05,724 --> 01:45:08,896
♪ THINKING AND REACHING AND
WAKING AND DYING
1371
01:45:08,931 --> 01:45:11,448
♪ FINALLY KNOWING THE ONE THAT I
WANTED WAS YOURS
1372
01:45:11,482 --> 01:45:13,827
I'LL DIE
♪ MAKING MY ENTRANCE AGAIN
1373
01:45:13,862 --> 01:45:21,413
WITH MY USUAL FLAIR
♪ DAY AFTER DAY AFTER DAY
1374
01:45:21,448 --> 01:45:25,275
AFTER DAY
♪ SURE OF MY LINES
1375
01:45:25,310 --> 01:45:33,241
TILL THE DAYS GO BY
♪ NO ONE IS THERE
1376
01:45:33,275 --> 01:45:37,275
TILL THE DAYS GO BY ♪
♪ THERE'S A
1377
01:45:37,310 --> 01:45:40,310
PLACE FOR US
♪ DON'T YOU LOVE FARCE
1378
01:45:40,344 --> 01:45:43,517
SOMEWHERE
♪ MY FAULT, I FEAR
1379
01:45:43,551 --> 01:45:45,206
A PLACE FOR US
♪ I THOUGHT THAT YOU'D WANT
1380
01:45:45,241 --> 01:45:49,275
PEACE AND QUIET
♪ WHAT I WANT
1381
01:45:49,310 --> 01:45:51,413
AND OPEN AIR
♪ SORRY, MY DEAR
1382
01:45:51,448 --> 01:45:57,068
WAITS FOR US
♪ BUT WHERE ARE THE CLOWNS?
1383
01:45:57,103 --> 01:45:59,586
SOMEWHERE
♪ QUICK, SEND IN THE CLOWNS
1384
01:45:59,620 --> 01:46:01,310
DON'T BOTHER
♪ THERE'S A
1385
01:46:01,344 --> 01:46:03,275
THERE'S A
THEY'RE HERE
1386
01:46:03,310 --> 01:46:08,034
♪ TIME FOR US
TIME FOR US
1387
01:46:08,068 --> 01:46:12,758
♪ SOMEDAY, A
♪ TIME FOR US
1388
01:46:12,793 --> 01:46:20,689
♪ TIME TOGETHER
WITH TIME TO SPARE
1389
01:46:20,724 --> 01:46:24,965
♪ TIME TO LEARN
TIME TO CARE
1390
01:46:25,000 --> 01:46:32,620
♪ SOMEDAY
SOMEWHERE
1391
01:46:32,655 --> 01:46:36,724
♪ WE'LL FIND A NEW
WAY OF LIVING
1392
01:46:36,758 --> 01:46:42,758
♪ WE'LL FIND A WAY
OF FORGIVING
1393
01:46:42,793 --> 01:46:54,724
♪ SOMEWHERE
THERE'S A
1394
01:46:54,758 --> 01:47:02,965
♪ PLACE FOR US
A TIME AND PLACE FOR US
1395
01:47:03,000 --> 01:47:10,482
♪ HOLD MY HAND AND
WE'RE HALFWAY THERE
1396
01:47:10,517 --> 01:47:14,862
♪ HOLD MY HAND AND
I'LL TAKE YOU THERE
1397
01:47:14,896 --> 01:47:22,862
♪ SOMEHOW
SOMEDAY
1398
01:47:22,896 --> 01:47:34,862
♪ SOMEWHERE
SOMEWHERE ♪
1399
01:47:34,896 --> 01:47:40,241
[ CHEERS AND APPLAUSE]
SW SPECIAL THANKS TO BEN PLATT,
1400
01:47:40,275 --> 01:47:43,034
CYNTHIA ENRIVO, RACHEL ZEGLER,
LESLEY
1401
01:47:50,068 --> 01:47:51,862
>> Announcer: THIS YEAR'S
LEADING NOMINEE, JON BATISTE,
1402
01:47:51,896 --> 01:47:52,586
PERFORMS NEXT.
1403
01:47:52,620 --> 01:47:54,620
THIS IS CBS.
1404
01:48:05,689 --> 01:48:08,241
[ APPLAUSE]
>> Trevor: OUR NEXT PERFORMER IS
1405
01:48:08,275 --> 01:48:13,137
UP FOR MORE GRAMMYS THAN ANY
OTHER ARTIST THIS YEAR.
1406
01:48:13,172 --> 01:48:15,482
. HE'S ALREADY WON FOUR
AWARDS JUST TODAY.
1407
01:48:15,517 --> 01:48:20,034
AND HE'S STILL UP FOR RECORD AND
HERE TO SHOW US ALL WHY: JON
1408
01:48:20,068 --> 01:48:20,827
ALBUM OF THE YEAR.
1409
01:48:20,862 --> 01:48:21,655
HERE TO SHOW US WHY IS THE ONE
AND
1410
01:48:21,689 --> 01:48:22,655
HERE TO SHOW US ALL WHY: JON
BATISTE!
1411
01:48:22,689 --> 01:48:37,517
[ CHEERS AND APPLAUSE]
♪ ♪
1412
01:48:37,551 --> 01:48:38,310
[ CHEERS AND APPLAUSE]
♪ ♪
1413
01:48:38,344 --> 01:48:46,344
♪ ♪
♪ ♪
1414
01:48:46,379 --> 01:48:54,379
♪ ♪
♪ ♪
1415
01:48:54,413 --> 01:49:02,448
♪ ♪
♪ ♪
1416
01:49:02,482 --> 01:49:14,379
♪ ♪
♪ ♪
1417
01:49:14,413 --> 01:49:19,793
♪ ♪
♪ ♪
1418
01:49:19,827 --> 01:49:25,034
♪ ♪
♪ WHEN I MOVE MY BODY
1419
01:49:25,068 --> 01:49:26,206
JUST LIKE THIS
♪ I DON'T KNOW WHY
1420
01:49:26,241 --> 01:49:29,793
BUT I FEEL LIKE
♪ ♪
1421
01:49:29,827 --> 01:49:31,896
♪ FREEDOM
I HEAR A SONG
1422
01:49:31,931 --> 01:49:34,344
♪ THAT TAKES ME BACK
AND I LET GO
1423
01:49:34,379 --> 01:49:38,379
♪ WITH SO MUCH
FREEDOM
1424
01:49:38,413 --> 01:49:41,137
♪ FREE TO LIVE
HOW I WANNA LIVE
1425
01:49:41,172 --> 01:49:42,482
♪ I'M GON GET
WHAT I'M GONNA GET
1426
01:49:42,517 --> 01:49:46,413
♪ 'CAUSE IT'S MY
FREEDOM
1427
01:49:46,448 --> 01:49:50,482
♪ I LOVE HOW YOU
SPEAKING MY LANGUAGE
1428
01:49:50,517 --> 01:49:56,137
♪ THE WAY THAT YOU WALK
YOU CAN'T CONTAIN IT
1429
01:49:56,172 --> 01:49:58,482
♪ IS IT THE SHOES
JUMPED UP KANGAROO
1430
01:49:58,517 --> 01:50:02,482
♪ WE'RE OVER DUE
FOR A LITTLE MORE
1431
01:50:02,517 --> 01:50:06,206
♪ PRANCING
NOW IT'S YOUR TIME
1432
01:50:06,241 --> 01:50:07,793
♪ IT'S YOUR RIGHT
YOU CAN SHINE
1433
01:50:07,827 --> 01:50:10,482
♪ IT'S ALRIGHT
IF YOU DO
1434
01:50:10,517 --> 01:50:16,931
♪ I'MA DO TOO
WHEN I MOVE MY BODY
1435
01:50:16,965 --> 01:50:18,931
♪ JUST LIKE THIS
I DON'T KNOW WHY
1436
01:50:18,965 --> 01:50:22,931
♪ BUT I FEEL LIKE
FREEDOM
1437
01:50:22,965 --> 01:50:25,896
♪ I HEAR A SONG
THAT TAKES ME BACK
1438
01:50:25,931 --> 01:50:28,931
♪ AND I LET GO
WITH SO MUCH
1439
01:50:28,965 --> 01:50:32,965
♪ FREEDOM
FREE TO LIVE
1440
01:50:33,000 --> 01:50:35,137
♪ HOW I WANNA LIVE
I'M GON GET
1441
01:50:35,172 --> 01:50:38,344
♪ WHAT I'M GONNA GET
'CAUSE IT'S MY
1442
01:50:38,379 --> 01:50:40,931
♪ FREEDOM
THE REASON WE GET DOWN
1443
01:50:40,965 --> 01:50:44,931
♪ IS TO GET BACK UP
IF SOMEONE'S AROUND
1444
01:50:44,965 --> 01:50:48,931
♪ GO ON LET THEM LOOK
YOU CAN'T STAND STILL
1445
01:50:48,965 --> 01:50:54,068
♪ THIS AIN'T NO DRILL
MORE THAN CHEAP THRILLS
1446
01:50:54,103 --> 01:50:56,931
♪ FEELS LIKE MONEY, MONEY
MONEY, MONEY, MONEY
1447
01:50:56,965 --> 01:50:58,689
♪ NOW IT'S YOUR TIME
IT'S YOUR RIGHT
1448
01:50:58,724 --> 01:51:01,034
♪ YOU CAN SHINE
IT'S ALRIGHT
1449
01:51:01,068 --> 01:51:05,068
♪ IF YOU DO
I'MA DO TOO
1450
01:51:05,103 --> 01:51:19,965
♪ 'CAUSE WHEN I LOOK UP TO THE
♪ ♪
1451
01:51:20,000 --> 01:51:26,068
♪ 'CAUSE WHEN I LOOK UP TO THE
♪ ♪
1452
01:51:26,103 --> 01:51:28,862
♪ 'CAUSE WHEN I LOOK UP TO THE
STARS
1453
01:51:28,896 --> 01:51:32,655
♪ STARS
I KNOW EXACTLY WHO WE ARE
1454
01:51:32,689 --> 01:51:34,413
♪ 'CAUSE THEN
OOH
1455
01:51:34,448 --> 01:51:41,034
♪ I SEE YOU SHINE YOU SHININ'
YOU SHININ' OH!
1456
01:51:41,068 --> 01:51:49,034
♪ ♪
♪ ♪
1457
01:51:49,068 --> 01:51:52,103
♪ ♪
♪ ♪
1458
01:51:52,137 --> 01:51:57,000
♪ EVERYBODY COME 'ROUND
EVERYBODY COME 'ROUND
1459
01:51:57,034 --> 01:52:03,206
♪ FREEDOM
♪ COME ON NOW,
1460
01:52:03,241 --> 01:52:11,172
♪ LET ME SEE YOU WOBBLE
EVERYTHING GET OFF YOUR SEAT, I
1461
01:52:11,206 --> 01:52:15,724
DON'T CARE IF YOU GOT MONEY, I
GOT MONEY TOO.
1462
01:52:15,758 --> 01:52:26,172
♪ ♪
♪ LET ME SEE YOU WOBBLE
1463
01:52:26,206 --> 01:52:29,551
♪ LET ME SEE YOU SHAKE
♪ I WANT YOU TO GIVE YOUR
1464
01:52:29,586 --> 01:52:34,172
BLESSING RIGHT NOW.
1465
01:52:34,206 --> 01:52:44,172
♪
♪ ♪
1466
01:52:44,206 --> 01:52:50,206
♪ ♪
♪ ♪
1467
01:52:50,241 --> 01:52:54,620
♪ LET ME SEE YOU WOBBLE
♪ LET ME SEE YOU SHAKE
1468
01:52:54,655 --> 01:52:56,206
♪ IF NOBODYEVER CHANGE, CONVINCE
YOU TO BE WHO ARE YOU.
1469
01:52:56,241 --> 01:52:58,827
♪ I'M GIVING IT TO YOU RIGHT
NOW.
1470
01:52:58,862 --> 01:53:03,758
BE YOURSELF.
1471
01:53:03,793 --> 01:53:07,034
♪
♪ LET ME SEE YOU WOBBLE
1472
01:53:07,068 --> 01:53:07,862
WHEN I MOVE MY BODY JUST LIKE
THIS.
1473
01:53:07,896 --> 01:53:11,482
♪ I DON'T KNOW WHY BUT I FEEL
LIKE.
1474
01:53:11,517 --> 01:53:15,724
♪
FREEDOM ♪
1475
01:53:15,758 --> 01:53:30,689
[ CHEERS AND APPLAUSE]
>> Announcer: FOLLOW AT THE
1476
01:53:30,724 --> 01:53:32,206
[ CHEERS AND APPLAUSE]
>> Announcer: FOLLOW AT THE
1477
01:53:35,379 --> 01:53:43,448
THE RECORDINGACADEMY
COMING UP, JUSTIN BIEBER
1478
01:53:43,482 --> 01:53:48,827
PERFORMS, AND H.E.R. TAKES THE
STAGE WITH JAM AND LEWIS AND
1479
01:53:48,862 --> 01:53:50,034
TRAVIS BARKER.
1480
01:53:50,068 --> 01:53:54,344
THE GRAMMY AWARDS FROM THE
M.G.M. GRAND GARDEN ARENA.
1481
01:53:54,379 --> 01:53:55,000
THIS IS CBS.
1482
01:53:59,068 --> 01:54:01,482
>> Announcer: ABOUT TO TAKE THE
GRAMMY STAGE, JUSTIN
1483
01:54:01,517 --> 01:54:02,793
BIEBER.
1484
01:54:02,827 --> 01:54:03,827
THIS IS CBS.
1485
01:54:09,137 --> 01:54:12,482
[ CHEERS AND APPLAUSE]
♪ ♪
1486
01:54:12,517 --> 01:54:13,758
>> Trevor: WE'RE BACK, WE'RE
STILL AT THE GRAMMYS HAVING A
1487
01:54:13,793 --> 01:54:16,724
GREAT TIME, ARE YOU GUYS HAVING
A GOOD TIME?
1488
01:54:16,758 --> 01:54:17,586
YEAH.
1489
01:54:17,620 --> 01:54:19,310
I THINK WE'RE ALL HAVING A GREAT
TIME.
1490
01:54:19,344 --> 01:54:22,724
I DON'T KNOW IF YOU REMEMBER
THIS BUT BEFORE COVID THERE WAS
1491
01:54:22,758 --> 01:54:26,068
BIEBER FEVER, AND I DON'T CARE
WHAT ANYBODY SAYS, MAN, THAT SLY
1492
01:54:26,103 --> 01:54:28,758
RUSS WAS A LOT MORE FUN.
1493
01:54:28,793 --> 01:54:34,758
NOMINATED FOR AN INCREDIBLE
EIGHT GRAMIES T IS TIME TO
1494
01:54:34,793 --> 01:54:40,758
WELCOME-- WELCOME DANIEL CAESAR,
GIVEON AND JUSTIN BIEBER.
1495
01:54:40,793 --> 01:54:54,241
[ CHEERS AND APPLAUSE]
♪ ♪
1496
01:54:54,275 --> 01:55:00,862
>> ♪ I GOT MY PEACHES OUT IN
GEORGIA
1497
01:55:00,896 --> 01:55:05,448
[ CHEERS AND APPLAUSE]
♪ OH, YEAH
1498
01:55:05,482 --> 01:55:13,448
I GET MY WEED FROM CALIFORNIA
♪ I TOOK MY CHICK UP TO THE
1499
01:55:13,482 --> 01:55:21,413
NORTH, YEAH, BADASS
♪ I GET MY LIGHT RIGHT FROM THE
1500
01:55:21,448 --> 01:55:28,896
SOURCE, YEAH
♪ YEAH, THAT'S IT
1501
01:55:28,931 --> 01:55:37,103
AND I SEE
♪ YOU THE WAY I BREATHE YOU IN
1502
01:55:37,137 --> 01:55:41,448
IT'S THE TEXTURE OF YOUR
♪ SKIN I WANNA WRAP MY ARMS
1503
01:55:41,482 --> 01:55:49,448
AROUND YOU, BABY
♪ NEVER LET YOU GO OH AND I SAY
1504
01:55:49,482 --> 01:55:57,413
OH THERE'S NOTHING LIKE YOUR
♪ TOUCH IT'S THE WAY
1505
01:55:57,448 --> 01:56:05,517
YOU LIFT ME UP
♪ AND I'LL BE
1506
01:56:05,551 --> 01:56:09,517
RIGHT HERE WITH YOU 'TIL THE END
♪ I GET MY PEACHES
1507
01:56:09,551 --> 01:56:24,448
OUT IN GEORGIA OH, YEAH,
♪ I GET MY WEED FROM CALIFORNIA
1508
01:56:24,482 --> 01:56:25,517
OUT IN GEORGIA OH, YEAH,
♪ I GET MY WEED FROM CALIFORNIA
1509
01:56:25,551 --> 01:56:31,517
I TOOK MY CHICK UP TO THE NORTH
♪ YEAH, BADASS
1510
01:56:31,551 --> 01:56:37,482
I GET MY LIGHT RIGHT FROM THE
♪ SOURCE, YEAH
1511
01:56:37,517 --> 01:56:49,103
YEAH, THAT'S IT
[ CHEERS AND APPLAUSE]
1512
01:56:49,137 --> 01:56:53,517
♪ ♪
♪ I GOT MY PEACHES OUT IN
1513
01:56:53,551 --> 01:56:54,827
GEORGIA
♪ OH, YEAH,
1514
01:56:54,862 --> 01:56:57,275
I GET MY WEED FROM CALIFORNIA
I TOOK MY CHICK UP TO THE
1515
01:56:57,310 --> 01:56:58,448
♪ NORTH, YEAH BADASS
I GET MY
1516
01:56:58,482 --> 01:56:59,965
♪ LIGHT RIGHT FROM THE
SOURCE, YEAH
1517
01:57:00,000 --> 01:57:01,551
♪ YEAH, THAT'S IT
AND I SEE
1518
01:57:01,586 --> 01:57:05,551
♪ YOU OH THE WAY
I BREATHE YOU IN
1519
01:57:05,586 --> 01:57:08,620
♪ IT'S THE TEXTURE OF YOUR
SKIN I WANNA WRAP MY ARMS
1520
01:57:08,655 --> 01:57:11,172
♪ AROUND YOU BABY
NEVER LET YOU GO OH AND I SAY
1521
01:57:11,206 --> 01:57:17,482
♪ OH THERE'S NOTHING LIKE YOUR
TOUCH IT'S THE WAY YOU
1522
01:57:17,517 --> 01:57:19,586
♪ LIFT ME UP
YEAH AND I'LL BE
1523
01:57:19,620 --> 01:57:21,551
♪ RIGHT HERE WITH YOU
'TIL THE END
1524
01:57:21,586 --> 01:57:23,793
♪ I GOT MY PEACHES
OUT IN GEORGIA
1525
01:57:23,827 --> 01:57:25,586
♪ OH, YEAH
I GET MY WEED FROM CALIFORNIA
1526
01:57:25,620 --> 01:57:28,758
♪ THAT'S THAT
I TOOK MY CHICK UP TO THE
1527
01:57:28,793 --> 01:57:30,758
♪ NORTH, YEAH BADASS
I GET MY LIGHT RIGHT FROM
1528
01:57:30,793 --> 01:57:36,103
♪ THE SOURCE, YEAH
YEAH, THAT'S IT
1529
01:57:36,137 --> 01:57:40,344
♪ YOU AIN'T SURE YET
BUT I'M FOR YA
1530
01:57:40,379 --> 01:57:43,551
♪ ALL I COULD WANT, ALL I CAN
WISH FOR NIGHTS ALONE
1531
01:57:43,586 --> 01:57:47,517
♪ THAT WE MISS MORE
AND DAYS WE SAVE AS SOUVENIRS
1532
01:57:47,551 --> 01:57:49,586
♪ THERE'S NO TIME
I WANNA MAKE MORE
1533
01:57:49,620 --> 01:57:53,586
♪ TIME AND GIVE YOU MY WHOLE
LIFE
1534
01:57:53,620 --> 01:57:58,896
♪ I LEFT MY GIRL, I'M IN
MALLORCA
1535
01:57:58,931 --> 01:58:04,413
♪ HATE TO LEAVE HER,
CALL IT TORTURE
1536
01:58:04,448 --> 01:58:09,655
♪ REMEMBER WHEN I COULDN'T
HOLD HER
1537
01:58:09,689 --> 01:58:16,620
♪ LEFT HER BAGGAGE FOR RIMOWA
♪ I GOT MY PEACHES
1538
01:58:16,655 --> 01:58:19,000
OUT IN GEORGIA
♪ OH, YEAH
1539
01:58:19,034 --> 01:58:21,000
I GET MY WEED FROM CALIFORNIA
♪ THAT'S THAT
1540
01:58:21,034 --> 01:58:22,689
I TOOK MY CHICK UP TO THE
♪ NORTH, YEAH
1541
01:58:22,724 --> 01:58:24,275
BADASS
♪ I GET MY LIGHT RIGHT FROM
1542
01:58:24,310 --> 01:58:25,965
THE SOURCE, YEAH
♪ YEAH, THAT'S IT
1543
01:58:26,000 --> 01:58:28,862
I GET THE FEELING, SO I'M
♪ SURE SURE
1544
01:58:28,896 --> 01:58:31,758
HAND IN MY HAND BECAUSE I'M
♪ YOURS I CAN'T I CAN'T PRETEND
1545
01:58:31,793 --> 01:58:33,758
I CAN'T IGNORE
♪ YOU'RE RIGHT FOR ME DON'T
1546
01:58:33,793 --> 01:58:38,034
THINK YOU WANNA
♪ KNOW JUST WHERE I'VE BEEN OH
1547
01:58:38,068 --> 01:58:41,620
DONE BEING DISTRACTED
♪ THE ONE I NEED IS RIGHT IN MY
1548
01:58:41,655 --> 01:58:43,655
ARMS OH YOUR
♪ KISSES TASTE THE SWEETEST
1549
01:58:43,689 --> 01:58:45,655
WITH MINE AND I'LL BE
♪ RIGHT HERE WITH YOU
1550
01:58:45,689 --> 01:58:48,275
'TIL END OF TIME
♪ I GOT MY PEACHES
1551
01:58:48,310 --> 01:58:49,689
OUT IN GEORGIA
♪ OH, YEAH,
1552
01:58:49,724 --> 01:58:54,827
I GET MY WEED FROM CALIFORNIA
I TOOK MY CHICK UP TO THE
1553
01:58:54,862 --> 01:58:56,482
♪ NORTH, YEAH BADASS I GET MY
LIGHT RIGHT FROM THE
1554
01:58:56,517 --> 01:58:57,724
♪ SOURCE, YEAH
YEAH, THAT'S IT
1555
01:58:57,758 --> 01:59:01,758
♪ I GOT MY PEACHES OUT IN
GEORGIA
1556
01:59:01,793 --> 01:59:03,896
I GET MY WEED FROM CALIFORNIA
♪ THAT'S THAT
1557
01:59:03,931 --> 01:59:05,724
I TOOK MY CHICK UP TO THE
♪ NORTH, YEAH BADASS
1558
01:59:05,758 --> 01:59:13,689
I GET MY LIGHT RIGHT FROM THE
♪ SOURCE, YEAH
1559
01:59:13,724 --> 01:59:19,724
♪ ♪
♪ ♪
1560
01:59:19,758 --> 01:59:29,724
♪ ♪
♪ ♪
1561
01:59:29,758 --> 01:59:34,344
♪ ♪
[ CHEERS AND APPLAUSE]
1562
01:59:34,379 --> 01:59:40,724
>> Trevor: GIVE IT UP.
1563
01:59:40,758 --> 01:59:46,689
[APPLAUSE]
[ CHEERS AND APPLAUSE]
1564
01:59:46,724 --> 01:59:53,482
>> Announcer: STILL TO COME:
H.E.R.; PLUS, THE GRAMMY AWARDS
1565
01:59:53,517 --> 01:59:56,172
FOR RECORD AND ALBUM OF THE
YEAR.
1566
01:59:56,206 --> 01:59:59,862
BUT UP NEXT, CARRIE UNDERWOOD;
AND LATER, BROTHERS OSBORNE
1567
01:59:59,896 --> 02:00:02,172
TAKES US HOME.
1568
02:00:02,206 --> 02:00:03,620
THIS IS CBS.
1569
02:00:10,896 --> 02:00:13,034
>> Announcer: SHE PERFORMED AT
THE GRAMMYS AND EARNED HER FIRST
1570
02:00:13,068 --> 02:00:22,724
NOMINATIONS BEFORE SHE EVEN
TURNED 20: AVRIL LAVIGNE.
1571
02:00:22,758 --> 02:00:23,896
>> AND NOW, A GRAMMY AWARD
THAT'S ALL ABOUT WHAT WE CAN DO
1572
02:00:23,931 --> 02:00:32,137
WHEN WE PUT OUR VOICES TOGETHER.
1573
02:00:32,172 --> 02:00:44,206
THESE ARE THE NOMINEES FOR BEST
POP DUO/GROUP PERFORMANCE.
1574
02:00:44,241 --> 02:00:56,137
>> Announcer: BEST POP DUO/GROUP
PERFORMANCE.
1575
02:00:56,172 --> 02:01:08,206
♪ ♪
♪ ♪
1576
02:01:08,241 --> 02:01:14,620
♪ ♪
♪ ♪
1577
02:01:41,793 --> 02:01:49,482
♪ ♪
>> AND THE GRAMMY GOES TO:
1578
02:01:49,517 --> 02:01:55,517
"KISS ME MORE," DOJA CAT & SZA.
1579
02:01:55,551 --> 02:02:10,448
[ CHEERS AND APPLAUSE]
♪ ♪
1580
02:02:10,482 --> 02:02:17,448
[ CHEERS AND APPLAUSE]
♪ ♪
1581
02:02:17,482 --> 02:02:22,620
>> YOU WENT TO THE BATHROOM FOR
FIVE MINUTES, ARE YOU SERIOUS?
1582
02:02:22,655 --> 02:02:28,655
COME ON NOW.
1583
02:02:28,689 --> 02:02:38,620
I HAVE NEVER TAKEN SUCH A
FAST-- IN MY WHOLE LIFE.
1584
02:02:38,655 --> 02:02:45,655
THANK YOU EVERYBODY.
1585
02:02:45,689 --> 02:02:47,586
[LAUGHTER]
I REALLY APPRECIATE IT.
1586
02:02:47,620 --> 02:02:55,724
THANK YOU TO EVERYBODY, MY
FAMILY, MY TEAM, I WOULDN'T BE
1587
02:02:55,758 --> 02:02:59,068
HERE WITHOUT YOU AND I WOULDN'T
BE HERE WITHOUT MY FANS.
1588
02:02:59,103 --> 02:03:03,931
AND YOU KNOW WHAT, SZA, YOU ARE
EVERYTHING TO ME.
1589
02:03:03,965 --> 02:03:05,103
YOU ARE INCREDIBLE.
1590
02:03:05,137 --> 02:03:11,482
YOU ARE THE EPITOME OF TALENT,
YOU'RE A LYRICIST, YOU ARE
1591
02:03:11,517 --> 02:03:11,896
EVERYTHING.
1592
02:03:11,931 --> 02:03:13,206
>> THANK YOU.
1593
02:03:13,241 --> 02:03:16,482
>> AND I NEED YOU, I NEED YOU TO
SAY SOMETHING, SOMETHING, PLEASE
1594
02:03:16,517 --> 02:03:17,758
GIVE THEM SOMETHING.
1595
02:03:17,793 --> 02:03:21,034
>> THANK YOU, DOJA, THANK YOU TO
MY MAMA, THANK YOU TO GOD AND
1596
02:03:21,068 --> 02:03:21,827
JUST THANK ALL OF Y'ALL.
1597
02:03:21,862 --> 02:03:26,034
I'M GLAD YOU MADE IT BACK IN
TIME.
1598
02:03:26,068 --> 02:03:38,034
[APPLAUSE]
[APPLAUSE]
1599
02:03:38,068 --> 02:03:44,758
>> DAMN..
1600
02:03:44,793 --> 02:03:59,724
>> I LIKE TO-- THIS IS A BIG
DEAL.
1601
02:03:59,758 --> 02:04:13,275
>> I LIKE TO-- THIS IS A BIG
DEAL.
1602
02:04:13,310 --> 02:04:14,965
[APPLAUSE]
THANK YOU EVERYBODY.
1603
02:04:15,000 --> 02:04:16,655
BE SAFE.
1604
02:04:16,689 --> 02:04:25,862
TAKE CARE.
1605
02:04:25,896 --> 02:04:26,689
[APPLAUSE].
1606
02:04:26,724 --> 02:04:27,965
>> Trevor: OH MAN, THAT WAS SO
TENSE.
1607
02:04:28,000 --> 02:04:32,655
I THOUGHT DOJA GOING TO AT
BATHROOM, ISN'T IT YOUR AWARD,
1608
02:04:32,689 --> 02:04:33,172
IT'S FINE WHAT?
1609
02:04:33,206 --> 02:04:34,344
S THAT WEIGH CRAZY.
1610
02:04:34,379 --> 02:04:37,620
ALL RIGHT TO INTRODUCE OUR NEXT
ARTIST IS HER ROAD TO A
1611
02:04:37,655 --> 02:04:40,448
>> Trevor: TO INTRODUCE OUR NEXT
ARTIST IS HER ROAD MANAGER.
1612
02:04:40,482 --> 02:04:41,724
TO ME, ROAD MANAGERS HAVE THE
HARDEST JOB IN THE BUSINESS.
1613
02:04:41,758 --> 02:04:44,931
THEY'RE THE ONE WHO HAVE TO GO
DOWN THE FRONT DESK AND PRETEND
1614
02:04:44,965 --> 02:04:53,965
THEIR BAND DIDN'T TRASH THEIR
HOTEL ROOMS.
1615
02:04:54,000 --> 02:04:57,965
IT'S NOW MY PLEASURE TO
INTRODUCE H.E.R.'S TOUR MANAGER,
1616
02:04:58,000 --> 02:05:04,586
MISHA HEDMAN MAYES.
1617
02:05:06,103 --> 02:05:08,758
>> BACK IN 2008, I MET THIS NEXT
EXTRAORDINARY ARTIST.
1618
02:05:08,793 --> 02:05:12,827
AT THE TIME, SHE WAS ONLY 11
YEARS OLD.
1619
02:05:12,862 --> 02:05:17,068
BACK THEN, SHE DIDN'T HAVE FIVE
BACK THEN, SHE DIDN'T HAVE SIX
1620
02:05:17,103 --> 02:05:18,344
GRAMMYS, AND NOT EVEN ONE OSCAR.
1621
02:05:18,379 --> 02:05:20,827
BUT IT WAS CLEAR TO ME SHE HAD
SOMETHING JUST AS PRECIOUS: THE
1622
02:05:20,862 --> 02:05:25,655
GIFTS, THE TALENT, AND THE DRIVE
TO PERHAPS BECOME ONE OF ALL-
1623
02:05:25,689 --> 02:05:28,793
TIME GREATS, WHICH IS WHO SHE IS
TODAY.
1624
02:05:28,827 --> 02:05:30,000
OVER THE YEARS, SHE'S BECOME
AND AS HER TOUR MANAGER, MY GOAL
1625
02:05:30,034 --> 02:05:31,482
AND MY DAY-TO-DAY JOB IS TO
ENSURE HER PERFORMANCES AND
1626
02:05:31,517 --> 02:05:34,689
TOURS GO SMOOTHLY AND HANDLE ANY
OBSTACLES IN HER WAY.
1627
02:05:34,724 --> 02:05:43,482
AND ON THE ROAD, THERE ARE
ALWAYS OBSTACLES.
1628
02:05:43,517 --> 02:05:48,827
SHE IS HERE TO TAKE US ON A
MUSICAL JOURNEY REFLECTING SOME
1629
02:05:48,862 --> 02:05:51,931
AS WITH THE HELP OF JIMMY JAM,
CARRIE LEWIS, TRAVIS BARKER AND
1630
02:05:51,965 --> 02:05:53,172
LENNY KRAVITZ.
1631
02:05:53,206 --> 02:05:53,793
LET'S HEAR IT FOR MY BEAUTIFUL
BOSS AND FRIEND WHO JUST WON A
1632
02:05:53,827 --> 02:06:00,586
NEW GRAMMY TONIGHT, H.E.R.
1633
02:06:00,620 --> 02:06:01,137
[ CHEERS AND APPLAUSE]
♪ ♪
1634
02:06:05,310 --> 02:06:09,241
♪ ♪
IF YOU GOT IT,
1635
02:06:09,275 --> 02:06:11,034
♪ IT AIN'T A QUESTION
OOH, IT AIN'T NO ROOM
1636
02:06:11,068 --> 02:06:13,241
♪ FOR GUESSING
NO MORE THAN
1637
02:06:13,275 --> 02:06:17,241
♪ EMOTIONALLY INVESTED
SHOWING YOU
1638
02:06:17,275 --> 02:06:21,241
♪ ALL MY IMPERFECTIONS
OH, IF I LET YOU
1639
02:06:21,275 --> 02:06:29,241
♪ YOU'LL TAKE ME FOR GRANTED
YEAH IF I'M WORTH MORE
1640
02:06:29,275 --> 02:06:31,275
♪ THAN YOU COULD MANAGE
MANAGE YEAH
1641
02:06:31,310 --> 02:06:34,379
♪ OPEN WITH ME,
OH WE COULD BE HONEST
1642
02:06:34,413 --> 02:06:37,206
♪ CLOSER TO ME,
OH GIVING ME SOLACE
1643
02:06:37,241 --> 02:06:43,310
♪ PROMISE
THAT YOU WON'T LET ME FALL--
1644
02:06:43,344 --> 02:06:46,310
♪ HOLDING ME TIGHT
LOVING ME RIGHT
1645
02:06:46,344 --> 02:06:47,793
♪ GIVING ME LIFE
ALL NIGHT
1646
02:06:47,827 --> 02:06:52,896
♪ YOU COULD BE
YOU COULD BE
1647
02:06:52,931 --> 02:06:55,620
♪ TELLING ME LIES
MAKING ME CRY
1648
02:06:55,655 --> 02:06:58,206
♪ WASTING MY TIME
THE WHOLE TIME
1649
02:06:58,241 --> 02:07:03,034
♪ SO JUST BE CAREFUL
WHAT YOU TAKE FOR GRANTED
1650
02:07:03,068 --> 02:07:04,896
♪ YEAH,
'CAUSE WITH ME
1651
02:07:04,931 --> 02:07:12,862
♪ KNOW YOU COULD DO DAMAGE
YOU COULD DO DAMAGE
1652
02:07:12,896 --> 02:07:20,862
♪ ♪
♪ ♪
1653
02:07:20,896 --> 02:07:35,793
♪ ♪
♪ ♪
1654
02:07:35,827 --> 02:07:45,344
♪ ♪
♪ ♪
1655
02:07:45,379 --> 02:08:00,379
♪ ♪
♪ ♪
1656
02:08:00,413 --> 02:08:08,931
♪ ♪
♪ ♪
1657
02:08:08,965 --> 02:08:10,965
[ MUSIC BUILDS ]
♪ ♪
1658
02:08:11,000 --> 02:08:25,931
♪ ♪
HOPIN' THAT WE'D FIND IT
1659
02:08:25,965 --> 02:08:27,172
♪ ♪
HOPIN' THAT WE'D FIND IT
1660
02:08:32,965 --> 02:08:34,862
♪ LOOKIN'
AT THE SKY LIKE THANK GOD
1661
02:08:34,896 --> 02:08:44,931
♪ THAT YOU'RE WITH ME
YOU'RE WITH ME
1662
02:08:44,965 --> 02:08:47,931
♪ RUN RED LIGHTS
AND FOLLOWING
1663
02:08:47,965 --> 02:08:51,896
♪ THE SIGNS
IT'S BEEN A LONG RIDE
1664
02:08:51,931 --> 02:08:56,689
♪ AND I JUST CAN'T BELIEVE
CAN'T BELIEVE
1665
02:08:56,724 --> 02:09:07,620
♪ WE MADE IT
♪ ♪
1666
02:09:07,655 --> 02:09:10,965
♪ ♪
♪ ♪
1667
02:09:11,000 --> 02:09:16,206
♪ ♪
♪ I WAS BORN
1668
02:09:16,241 --> 02:09:19,724
LONG AGO
♪ I AM THE CHOSEN
1669
02:09:19,758 --> 02:09:22,965
I'M THE ONE
♪ I HAVE COME
1670
02:09:23,000 --> 02:09:25,000
TO SAVE THE DAY
♪ AND I WON'T LEAVE
1671
02:09:25,034 --> 02:09:29,206
UNTIL I'M DONE
♪ SO THAT'S WHY
1672
02:09:29,241 --> 02:09:32,931
YOU'VE GOT TO TRY
♪ YOU GOT TO BREATHE
1673
02:09:32,965 --> 02:09:36,931
AND HAVE SOME FUN
♪ THOUGH I'M NOT PAID
1674
02:09:36,965 --> 02:09:40,931
I PLAY THIS GAME
♪ AND I WON'T LEAVE
1675
02:09:40,965 --> 02:09:44,931
UNTIL I'M DONE
♪ BUT WHAT I
1676
02:09:44,965 --> 02:09:46,482
REALLY
♪ WANT TO KNOW IS
1677
02:09:46,517 --> 02:09:50,793
ARE YOU GONNA GO MY WAY?
1678
02:09:50,827 --> 02:09:56,931
♪ SAID I GOT TO
GOT TO KNOW
1679
02:09:56,965 --> 02:09:58,344
♪ ♪
♪ ♪
1680
02:10:01,068 --> 02:10:04,000
♪ ♪
♪ ♪
1681
02:10:08,655 --> 02:10:17,000
♪ ♪
♪ ♪
1682
02:10:17,034 --> 02:10:28,172
♪ ♪
♪ ♪
1683
02:10:28,206 --> 02:10:32,206
♪ ♪
♪ ♪
1684
02:10:32,241 --> 02:10:39,758
♪ ♪
♪ ♪
1685
02:10:39,793 --> 02:10:43,000
♪ ARE YOU GONNA GO MY WAY?
1686
02:10:43,034 --> 02:10:45,275
SAID I GOT TO
♪ GOT TO KNOW
1687
02:10:45,310 --> 02:10:49,000
♪ ♪
♪ GOT TO KNOW
1688
02:10:49,034 --> 02:10:59,034
♪ ♪
♪ ♪
1689
02:10:59,068 --> 02:11:14,000
♪ ♪
[ CHEERS AND APPLAUSE]
1690
02:11:14,034 --> 02:11:15,275
♪ ♪
[ CHEERS AND APPLAUSE]
1691
02:11:28,206 --> 02:11:31,551
>> Announcer: TO PRESENT THE
GRAMMY FOR RECORD OF THE YEAR,
1692
02:11:31,586 --> 02:11:34,827
PLEASE WELCOME FOUR-TIME GRAMMY
WINNER, ARTIST, PRODUCER: KEITH
1693
02:11:34,862 --> 02:11:41,103
URBAN.
1694
02:11:41,137 --> 02:11:42,172
>> THANK YOU SO MUCH.
1695
02:11:42,206 --> 02:11:47,344
I'M SUPPOSED TO READ THIS BUT
HOW INSANE WAS THAT?
1696
02:11:47,379 --> 02:11:49,000
THAT WAS CRAZY.
1697
02:11:49,034 --> 02:11:49,793
GOD.
1698
02:11:49,827 --> 02:11:51,068
ALL
>> I HAVE THE HONOR OF SAYING
1699
02:11:51,103 --> 02:11:55,655
THAT EARLIER TODAY, THE GRAMMY
FOR BEST PRODUCER NON-CLASSICAL
1700
02:11:55,689 --> 02:11:57,896
WENT TO JACK ANTONOFF.
1701
02:11:57,931 --> 02:11:59,310
AND SPEAKING OF BIG HONORS, I'M
THRILLED TO NOW PRESENT THE
1702
02:11:59,344 --> 02:12:04,034
GRAMMY AWARD FOR RECORD OF THE
YEAR.
1703
02:12:04,068 --> 02:12:10,620
THIS YEAR'S NOMINEES SPAN
MULTIPLE GENRES AND MANY
1704
02:12:10,655 --> 02:12:16,586
GENERATIONS, FROM TONY BENNETT--
WHO WON THIS AWARD 59 YEARS AGO
1705
02:12:16,620 --> 02:12:21,137
IN 1963-- TO BILLIE EILISH, WHO
WASN'T EVEN BORN UNTIL 2001.
1706
02:12:21,172 --> 02:12:36,068
THESE ARE THE NOMINATIONS FOR
RECORD OF THE YEAR.
1707
02:12:36,103 --> 02:12:44,551
THESE ARE THE NOMINATIONS FOR
RECORD OF THE YEAR.
1708
02:12:44,586 --> 02:12:52,586
♪ ♪
♪ ♪
1709
02:12:52,620 --> 02:12:55,758
♪ ♪
♪ ♪
1710
02:13:04,758 --> 02:13:12,655
♪ ♪
♪ ♪
1711
02:13:12,689 --> 02:13:15,000
♪ ♪
♪ ♪
1712
02:13:29,310 --> 02:13:35,344
>> AND THE GRAMMY GOES TO:
"LEAVE THE DOOR OPEN," SILK
1713
02:13:35,379 --> 02:13:50,275
SONIC.
1714
02:13:50,310 --> 02:13:53,275
SONIC.
1715
02:13:53,310 --> 02:14:05,413
[ CHEERS AND APPLAUSE]
♪ ♪
1716
02:14:05,448 --> 02:14:13,344
>> .
1717
02:14:13,379 --> 02:14:17,896
>> COME ON, LISTEN, LISTEN,
LISTEN.
1718
02:14:17,931 --> 02:14:22,379
WE ARE REALLY TRYING OUR HARDEST
TO REMAIN HUMBLE AT THIS POINT,
1719
02:14:22,413 --> 02:14:25,517
OKAY.
1720
02:14:25,551 --> 02:14:36,034
BUT IN THE INDUSTRY WE CALL THAT
A CLEAN SWEEP.
1721
02:14:36,068 --> 02:14:39,620
[APPLAUSE]
>> ALL RIGHT?
1722
02:14:39,655 --> 02:14:43,241
FOR ALL THE OTHER NOMINEES, WE
ALL KNOW WE LOVE Y'ALL, WE LOVE
1723
02:14:43,275 --> 02:14:43,965
Y'ALL, ALL RIGHT.
1724
02:14:44,000 --> 02:14:48,103
DRINKS IS ON SILK SONIC TONIGHT.
1725
02:14:48,137 --> 02:14:49,551
WE GETTING DRUNK.
1726
02:14:49,586 --> 02:14:53,000
I KNOW A LOT OF Y'ALL FANS MIGHT
BE UPSET, WE ARE GOING TO GET
1727
02:14:53,034 --> 02:14:57,448
OUT OF HERE BEFORE THE INTERNET
GETS TO TALKING, BRUNO.
1728
02:14:57,482 --> 02:15:07,758
>> GOD BLESS YOU ALL, GOOD
NIGHT.
1729
02:15:07,793 --> 02:15:10,034
[CHEERS AND APPLAUSE]
>> OH MAN, HOW COULD YOU NOT
1730
02:15:10,068 --> 02:15:11,586
LOVE THESE GUYS,
CONGRATULATIONS, AGAIN.
1731
02:15:11,620 --> 02:15:16,931
YOU KNOW,
>> Trevor: ALMOST EVERY ARTIST
1732
02:15:16,965 --> 02:15:18,172
NOMINATED TONIGHT HAS ONE THING
IN COMMON: A MUSIC TEACHER WHO
1733
02:15:18,206 --> 02:15:19,310
CHANGED THEIR LIFE.
1734
02:15:19,344 --> 02:15:22,310
I'LL NEVER FORGET MY FOURTH
GRADE MUSIC TEACHER, MISS
1735
02:15:22,344 --> 02:15:26,172
REILLY, WHO ONCE TOLD ME,
"HEY, TREV, YOU KNOW TALKING CAN
1736
02:15:26,206 --> 02:15:27,965
ALSO BE A CAREER."
1737
02:15:28,000 --> 02:15:32,068
SO, IT'S MY HONOR RIGHT NOW TO
PUT THE BIG GRAMMY SPOTLIGHT ON
1738
02:15:32,103 --> 02:15:34,206
THE WINNER OF THE MUSIC EDUCATOR
OF THE YEAR AWARD, STEPHEN COX.
1739
02:15:34,241 --> 02:15:38,206
STEPHEN IS THE DIRECTOR OF BANDS
AT EASTLAND HIGH SCHOOL IN
1740
02:15:38,241 --> 02:15:42,206
TEXAS.
1741
02:15:42,241 --> 02:15:44,275
STEPHEN, CONGRATULATIONS.
1742
02:15:44,310 --> 02:15:48,758
I'D ALSO LIKE TO RECOGNIZE THIS
YEAR'S GRAMMY SALUTE TO INDUSTRY
1743
02:15:48,793 --> 02:15:52,793
ICONS AWARD HONOREE ROB
STRINGER, THE SONY MUSIC GROUP
1744
02:15:52,827 --> 02:15:56,517
CHAIRMAN.
1745
02:15:56,551 --> 02:15:58,586
CONGRATULATIONS, ROB.
1746
02:15:58,620 --> 02:16:01,137
NOW, IT'S MY PLEASURE TO
INTRODUCE THE CHIEF EXECUTIVE
1747
02:16:01,172 --> 02:16:04,655
OFFICER OF THE RECORDING
ACADEMY.
1748
02:16:04,689 --> 02:16:08,586
HE DOES IT ALL, FROM SHAPING THE
CULTURE OF THE MUSIC INDUSTRY,
1749
02:16:08,620 --> 02:16:11,965
TO HELPING ME DECIDE WHAT TO
WEAR TONIGHT.
1750
02:16:12,000 --> 02:16:14,655
AND HE WAS RIGHT-- A THONG IS
UNCOMFORTABLE IN A SUIT.
1751
02:16:14,689 --> 02:16:15,068
BUT YOU KNOW WHAT?
1752
02:16:15,103 --> 02:16:16,482
I'M OWNING IT.
1753
02:16:16,517 --> 02:16:20,586
PLEASE WELCOME HARVEY MASON,
JR.!
1754
02:16:20,620 --> 02:16:22,241
>> WHY ARE WE HERE?
1755
02:16:22,275 --> 02:16:22,862
>> AND THE GRAMMY GOES TO.
1756
02:16:22,896 --> 02:16:26,758
>> AND THE GRAMMY GOES TO.
1757
02:16:26,793 --> 02:16:27,620
>> I DON'T WANT TO CRY.
1758
02:16:27,655 --> 02:16:28,827
>> WHY DO WE DO THIS?
1759
02:16:28,862 --> 02:16:32,585
WHY ALL THE TROPHIES, THE RED
CARPET, THE TUXES AND GOWNS?
1760
02:16:32,620 --> 02:16:39,655
WHY THE EXCITEMENT AND EVEN ALL
THE GLITZ AND GLAM?
1761
02:16:39,689 --> 02:16:40,585
WHY DO PEOPLE CARE SO MUCH?
1762
02:16:40,620 --> 02:16:41,758
IT'S ALL BECAUSE MUSIC MATTERS.
1763
02:16:41,793 --> 02:16:44,585
>> I'VE BEEN LIKE PRETEND-
WINNING GRAMMY'S SINCE I WAS A
1764
02:16:44,620 --> 02:16:47,034
KID.
1765
02:16:47,067 --> 02:16:48,585
>> IT'S BECAUSE MUSIC CHANGES
THE WORLD.
1766
02:16:48,620 --> 02:16:49,826
>> IN THIS TIME AND ALL TIMES,
MUSIC SERVES THE HURTING AND THE
1767
02:16:49,861 --> 02:16:53,034
HOPEFUL, IT SERVES THE
CHANGEMAKERS. MUSIC SERVES THE
1768
02:16:53,067 --> 02:16:58,655
PURSUIT OF JUSTICE AND
RECOGNITION, OF RESPECT AND
1769
02:16:58,689 --> 02:17:00,689
HEALING, OF UNITY AND OF LOVE.
1770
02:17:00,724 --> 02:17:03,896
WE'RE HERE BECAUSE MUSIC SERVES
THE WORLD AND AT THE NEW
1771
02:17:03,931 --> 02:17:07,655
RECORDING ACADEMY, WE SERVE
MUSIC!
1772
02:17:07,689 --> 02:17:10,724
>> TONIGHT WE'VE NOT ONLY SEEN
GREAT ARTISTS, BUT ALSO SOME OF
1773
02:17:10,758 --> 02:17:12,793
THE PEOPLE BEHIND THOSE ARTISTS,
MEMBERS OF THEIR MUSIC FAMILY,
1774
02:17:12,826 --> 02:17:16,689
OF OUR MUSIC FAMILY.
1775
02:17:16,724 --> 02:17:20,585
EVERY YEAR, THE GRAMMY MUSEUM
PROVIDES MUSIC EDUCATION FOR
1776
02:17:20,620 --> 02:17:22,724
THOUSANDS OF UNDER-SERVED
STUDENTS.
1777
02:17:22,758 --> 02:17:27,137
AFTER BEING A PART OF THE MUSEUM
FOR YEARS, I WAS ABLE TO TAKE
1778
02:17:27,172 --> 02:17:30,896
WITH ME THE TOOLS I NEEDED TO
MAKE ME THE ARTIST I AM TODAY.
1779
02:17:30,931 --> 02:17:32,655
MY NAME IS GIVEON.
1780
02:17:32,689 --> 02:17:34,724
AND I AM THE ACADEMY.
1781
02:17:34,758 --> 02:17:38,137
>> THE PANDEMIC WAS HARD ON ALL
OF US.
1782
02:17:38,172 --> 02:17:40,655
BUT BECAUSE OF THE ACADEMY'S
ADVOCACY EFFORTS, GIG WORKERS
1783
02:17:40,689 --> 02:17:51,965
WERE ADDED TO THE UNEMPLOYMENT
BENEFITS PACKAGE.
1784
02:17:52,000 --> 02:17:52,620
THOSE BENEFITS KEPT ME AFLOAT.
1785
02:17:52,655 --> 02:17:53,102
>> MY NAME IS ANDREW JOSLYN.
1786
02:17:53,137 --> 02:17:54,309
I AM THE ACADEMY.
1787
02:17:54,343 --> 02:17:56,655
>> I'VE ALWAYS KNOWN I WANTED TO
BE IN THE MUSIC BUSINESS.
1788
02:17:56,689 --> 02:17:57,826
THROUGH MY PARTICIPATION IN
GRAMMY U., I NOT ONLY LEARNED
1789
02:17:57,861 --> 02:17:59,067
HOW TO BETTER NAVIGATE THE
INDUSTRY, BUT ALSO MADE
1790
02:17:59,102 --> 02:18:00,137
TREASURED FRIENDSHIPS THAT HAVE
HELPED PROPEL MY CAREER AND
1791
02:18:00,172 --> 02:18:02,896
GROWTH AS AN ARTIST.
1792
02:18:02,931 --> 02:18:04,793
>> MY NAME IS ALEX RITCHIE.
1793
02:18:04,826 --> 02:18:06,550
I AM THE ACADEMY.
1794
02:18:06,585 --> 02:18:10,826
>> AS AN INDEPENDENT ARTIST THAT
PROUDLY MAKES AFRO-BEATS MUSIC,
1795
02:18:10,861 --> 02:18:14,965
THE PANDEMIC WAS EXTREMELY TOUGH
ON ME, IT WAS TRULY ONE OF THE
1796
02:18:15,000 --> 02:18:16,379
LOWEST TIMES OF MY LIFE.
1797
02:18:16,413 --> 02:18:20,724
BUT BECAUSE OF MUSICARES, I WAS
ABLE TO CREATE NEW MUSIC.
1798
02:18:20,758 --> 02:18:22,826
MY NAME IS MICHAEL O.
1799
02:18:22,861 --> 02:18:27,585
I AM THE ACADEMY.
1800
02:18:27,620 --> 02:18:29,172
>> I SERVE ON THE RECORDING
ACADEMY'S BLACK MUSIC
1801
02:18:29,206 --> 02:18:34,275
COLLECTIVE, AN INITIATIVE THAT
IS LIFTING UP BLACK MUSIC
1802
02:18:34,309 --> 02:18:36,724
CREATORS, AND AMPLIFYING THEIR
VOICES, ONE OF THE MANY WAYS WE
1803
02:18:36,758 --> 02:18:40,724
ARE CHANGING THE MUSIC COMMUNITY
FOR GOOD.
1804
02:18:40,758 --> 02:18:43,275
MY NAME IS H.E.R.
1805
02:18:43,309 --> 02:18:44,724
I AM THE ACADEMY.
1806
02:18:44,758 --> 02:18:46,343
>> SO, WHY ARE WE HERE?
1807
02:18:46,379 --> 02:18:48,413
WE'RE HERE TO SERVE MUSIC, AND
ALL THE PEOPLE WHO MAKE IT
1808
02:18:48,448 --> 02:18:49,448
POSSIBLE.
1809
02:18:49,482 --> 02:18:58,826
MY NAME IS HARVEY MASON JR.
WE ARE THE ACADEMY.
1810
02:18:58,861 --> 02:19:04,724
[ CHEERS AND APPLAUSE]
>> Trevor: THE ARTIST ABOUT TO
1811
02:19:04,758 --> 02:19:08,034
TAKE THE STAGE HAS EIGHT GRAMMY
AWARDS INCLUDING A BRAND NEW ONE
1812
02:19:08,067 --> 02:19:09,343
THAT SHE WON TODAY.
1813
02:19:09,379 --> 02:19:12,724
TO MAKE THE INTRODUCTION PLEASE
WELCOME HER WARDROBE SUPERVISOR
1814
02:19:12,758 --> 02:19:20,413
JOAN LEE.
1815
02:19:20,448 --> 02:19:21,620
>> HI, MY NAME IS JOAN LEE.
1816
02:19:21,655 --> 02:19:25,931
FOR THE PAST 12 YEARS, I'VE
LOVED MY JOB AS TOUR WARDROBE
1817
02:19:25,965 --> 02:19:28,724
SUPERVISOR FOR THE HARD-WORKING
SUPERSTAR ABOUT TO TAKE THE
1818
02:19:28,758 --> 02:19:31,793
GRAMMY STAGE.
1819
02:19:31,826 --> 02:19:33,896
USUALLY, I'M BACKSTAGE WITH HER
STYLIST HELPING PREP HER STAGE
1820
02:19:33,931 --> 02:19:36,724
CLOTHES, SO WE'VE BEEN THROUGH
A LIFETIME OF COSTUME CHANGES
1821
02:19:36,758 --> 02:19:38,585
TOGETHER.
1822
02:19:38,620 --> 02:19:40,724
OUR CLOSE-KNIT TEAM LIKES TO
THINK WE HELP HER LOOK EVEN MORE
1823
02:19:40,758 --> 02:19:43,620
AMAZING ONSTAGE.
1824
02:19:43,655 --> 02:19:46,793
BUT I BELIEVE A MUCH HIGHER
POWER GAVE HER ONE OF THE MOST
1825
02:19:46,826 --> 02:19:48,620
STUNNING VOICES ON EARTH.
1826
02:19:48,655 --> 02:19:52,724
HERE TO PERFORM HER NEW SONG"“
GHOST STORY"” FOR THE FIRST TIME
1827
02:19:52,758 --> 02:19:56,724
ANYWHERE, A GREAT ARTIST AND A
BEAUTIFUL PERSON IN EVERY WAY:
1828
02:19:56,758 --> 02:19:58,793
MY BOSS, CARRIE UNDERWOOD!
1829
02:19:58,827 --> 02:20:02,172
[ CHEERS AND APPLAUSE]
♪ ♪
1830
02:20:10,931 --> 02:20:19,310
♪ ♪
♪ YOU'RE GONNA SEE A SHADOW
1831
02:20:19,344 --> 02:20:22,862
MIDNIGHT PLAYING TRICKS
♪ WITH YOUR HEAD
1832
02:20:22,896 --> 02:20:28,689
A SILHOUETTE FLOAT
♪ DOWN THE HALLWAY
1833
02:20:28,724 --> 02:20:32,758
AND YOU'LL REACH FOR THE
♪ LIGHT BY YOUR BED
1834
02:20:32,793 --> 02:20:35,172
YOU'LL HEAR A NOISE
♪ SWEAR YOU KNOW THE VOICE
1835
02:20:35,206 --> 02:20:38,689
AND YOU'LL CHASE IT
♪ DOWN THE STAIRS
1836
02:20:38,724 --> 02:20:40,379
YOU'LL LOOK AROUND
♪ NOT A SINGLE SOUND
1837
02:20:40,413 --> 02:20:44,793
CAUSE THERE'S NO ONE
♪ EVEN THERE
1838
02:20:44,827 --> 02:20:48,793
I'M GONNA BE YOUR
♪ GHOST STORY
1839
02:20:48,827 --> 02:20:52,793
THAT KEEPING YOU UP
♪ ALL NIGHT MEMORY
1840
02:20:52,827 --> 02:20:56,827
I'LL BE HAUNTING YOU
♪ YOU'LL BE WANTING ME
1841
02:20:56,862 --> 02:21:04,896
I'M GONNA BE
♪ YOUR GHOST STORY
1842
02:21:04,931 --> 02:21:15,931
YOUR GHOST STORY
♪ YOUR GHOST STORY
1843
02:21:15,965 --> 02:21:19,793
YOU'LL BE SITTING AT HOME
♪ DRINKING 'BOUT ME
1844
02:21:19,827 --> 02:21:24,862
WHEN I'M OUT WITH
♪ FRIENDS AT BAR
1845
02:21:24,896 --> 02:21:28,862
BUT THERE AIN'T ENOUGH
♪ WHISKEY FOR YOU
1846
02:21:28,896 --> 02:21:30,517
NOT TO MISS ME
♪ I'LL BE WAITING
1847
02:21:30,551 --> 02:21:32,862
AT THE BOTTOM
♪ OF THE BOTTLE
1848
02:21:32,896 --> 02:21:36,827
IN THE DARK
♪ I'M GONNA BE YOUR
1849
02:21:36,862 --> 02:21:40,931
GHOST STORY
♪ THAT KEEPING YOU UP
1850
02:21:40,965 --> 02:21:46,965
ALL NIGHT MEMORY
♪ I'LL BE HAUNTING YOU
1851
02:21:47,000 --> 02:21:52,862
YOU'LL BE WANTING ME
♪ I'M GONNA BE
1852
02:21:52,896 --> 02:21:58,931
YOUR GHOST STORY
♪ YOUR GHOST STORY
1853
02:21:58,965 --> 02:22:05,379
YOUR GHOST STORY
♪ YOU'LL WISH YOU
1854
02:22:05,413 --> 02:22:08,931
NEVER SAID GOODBYE
♪ WISH YOU'D NEVER
1855
02:22:08,965 --> 02:22:12,896
LET ME GO
♪ LET THE LOVE BETWEEN US DIE
1856
02:22:12,931 --> 02:22:19,689
YOU CAN CARVE IT INTO STONE
♪ I'M GONNA BE YOUR
1857
02:22:19,724 --> 02:22:23,034
GHOST STORY
♪ THAT KEEPING YOU UP
1858
02:22:23,068 --> 02:22:28,931
ALL NIGHT MEMORY
♪ I'LL BE HAUNTING YOU
1859
02:22:28,965 --> 02:22:32,931
YOU'LL BE WANTING ME
♪ I'M GONNA BE
1860
02:22:32,965 --> 02:22:40,931
YOUR GHOST STORY
♪ YOUR GHOST STORY
1861
02:22:40,965 --> 02:22:47,448
YOUR GHOST STORY
♪ I'LL BE HAUNTING YOU
1862
02:22:47,482 --> 02:22:52,931
YOU'LL BE WANTING ME
♪ I'M GONNA BE
1863
02:22:52,965 --> 02:22:58,172
YOUR GHOST STORY
♪ YOUR GHOST STORY
1864
02:22:58,206 --> 02:23:13,103
YOUR GHOST STORY
♪ ♪
1865
02:23:13,137 --> 02:23:20,413
YOUR GHOST STORY
♪ ♪
1866
02:23:20,448 --> 02:23:23,620
[ CHEERS AND APPLAUSE]
>> Announcer: STILL TO COME,
1867
02:23:23,655 --> 02:23:25,068
LENNY KRAVITZ PRESENTS THE AWARD
FOR ALBUM OF THE YEAR, AND
1868
02:23:25,103 --> 02:23:28,103
BROTHERS OSBORNE TAKES THE STAGE
AT THE M.G.M. GRAND GARDEN
1869
02:23:28,137 --> 02:23:29,068
ARENA-- ALL ONLY ON THE GRAMMYS.
1870
02:23:29,103 --> 02:23:32,379
THIS IS CBS.
1871
02:23:37,655 --> 02:23:38,862
>> Announcer: WHEREVER MUSIC
TAKES YOU, HILTON IS THERE.
1872
02:23:38,896 --> 02:23:50,172
HILTON, OFFICIAL HOTEL PARTNER
OF THE GRAMMY AWARDS.
1873
02:23:50,206 --> 02:23:52,275
TO PRESENT THE GRAMMY AWARD FOR
ALBUM OF THE YEAR: FOUR-TIME
1874
02:23:52,310 --> 02:24:01,068
GRAMMY WINNER, LENNY KRAVITZ.
1875
02:24:01,103 --> 02:24:04,931
>> GOOD EVENING, AND LET LOVE
THROW, FOR WELL OVER HALF A
1876
02:24:04,965 --> 02:24:10,172
CENTURY ARTISTS HAVE GIVEN
ALBUMS HAVE GIVEN ART IRSZS A
1877
02:24:10,206 --> 02:24:13,000
CHANCE TO SHARE EXPRESSION,
MUSIC HAS BECOME AN INTER MAT
1878
02:24:13,034 --> 02:24:16,793
PART OF OUR LIVES NAR RATING AND
TRANSFORMING THE CULTURE, HERE
1879
02:24:16,827 --> 02:24:25,000
ARE TEN ARTISTS WHO HAVE GIVEN
US THE BEST OF THEIR
1880
02:24:25,034 --> 02:24:27,827
CREATIVITY.
1881
02:25:03,068 --> 02:25:13,068
♪ ♪
♪ ♪
1882
02:25:13,103 --> 02:25:28,034
♪ ♪
♪ ♪
1883
02:25:28,068 --> 02:25:35,000
♪ ♪
♪ ♪
1884
02:25:35,034 --> 02:25:49,931
>> AND THE GRAMMY GOES TO:
"WE ARE," JON BATISTE.
1885
02:25:49,965 --> 02:26:00,000
>> AND THE GRAMMY GOES TO:
"WE ARE," JON BATISTE.
1886
02:26:00,000 --> 02:26:09,965
>> AND THE GRAMMY GOES TO:
"WE ARE," JON BATISTE.
1887
02:26:10,000 --> 02:26:21,896
>> AND THE GRAMMY GOES TO:
"WE ARE," JON BATISTE.
1888
02:26:21,931 --> 02:26:23,000
>> HEY!
1889
02:26:23,034 --> 02:26:31,000
WOW!
1890
02:26:31,034 --> 02:26:34,137
WOW!
1891
02:26:34,172 --> 02:26:35,344
THANK YOU.
1892
02:26:35,379 --> 02:26:43,034
YOU KNOW, I REALLY, I BELIEVE
THIS TO MY CORE, THERE IS NO
1893
02:26:43,068 --> 02:26:48,620
BEST MUSICIAN, BEST ARTIST, BEST
DANCER, BEST ACTOR.
1894
02:26:48,655 --> 02:26:54,172
THE CREATIVE ARTS ARE SUBJECTIVE
AND THEY REACH PEOPLE AT A POINT
1895
02:26:54,206 --> 02:26:59,034
IN THEIR LIVES WHEN THEY NEED IT
MOST.
1896
02:26:59,068 --> 02:27:03,103
LIKE A SONG OR AN ALBUM IS MADE
AND IT ALMOST HAS A RADAR TO
1897
02:27:03,137 --> 02:27:12,379
FIND THE PERSON WHEN THEY NEED
IT THE MOST.
1898
02:27:12,413 --> 02:27:17,137
I MEAN MAN, I LIKE THANK GOD, I
JUST PUT MY HEAD DOWN AND I WORK
1899
02:27:17,172 --> 02:27:19,310
ON THE CRAFT EVERY DAY, I LOVE
MUSIC.
1900
02:27:19,344 --> 02:27:20,965
HAVE I BEEN PLAYING SINCE I WAS
A LITTLE BOY.
1901
02:27:21,000 --> 02:27:26,172
ST MORE THAN ENTERTAINMENT FOR
ME, IT IS A SPIRITUAL PRACTICE.
1902
02:27:26,206 --> 02:27:30,034
AND IT IS SO MANY PEOPLE THAT
WENT INTO MAKING THIS ALBUM, MY
1903
02:27:30,068 --> 02:27:33,862
GRANDFATHER SON THE ALBUM, MY
NEPHEWS, MY DAD IS HERE.
1904
02:27:33,896 --> 02:27:37,137
MY EXECUTIVE PRODUCER RYAN LYNN,
RIGHT HERE, COME ON, MAN, I
1905
02:27:37,172 --> 02:27:38,689
DON'T WANT TO BE UP HERE BY
MYSELF.
1906
02:27:38,724 --> 02:27:41,586
I DIDN'T DO IT BY MYSELF.
1907
02:27:41,620 --> 02:27:45,689
EVERY SINGLE ARTIST THAT WAS
NOMINATED IN THIS CATEGORY, I
1908
02:27:45,724 --> 02:27:50,448
ACTUALLY LOVE AND HAVE HAD
EXPERIENCESES, OUT OF BODY
1909
02:27:50,482 --> 02:27:51,620
EXPERIENCES WITH YOUR MUSIC.
1910
02:27:51,655 --> 02:27:53,896
I HONOR YOU.
1911
02:27:53,931 --> 02:27:57,965
AND THIS IS FOR REAL ARTISTS,
REAL MUSICIANS, LET'S JUST KEEP
1912
02:27:58,000 --> 02:27:58,482
GOING.
1913
02:27:58,517 --> 02:28:00,000
BE YOU, THAT'S IT.
1914
02:28:00,034 --> 02:28:03,103
I LOVE YOU.
1915
02:28:03,137 --> 02:28:09,724
GOOD NIGHT.
1916
02:28:09,758 --> 02:28:11,103
HEY!
1917
02:28:11,137 --> 02:28:15,068
PLAWS PLAWS.
1918
02:28:15,103 --> 02:28:19,482
>> Trevor: JON BATISTE, A
WINNER ONCE AGAIN,
1919
02:28:19,517 --> 02:28:20,344
CONGRATULATIONS.
1920
02:28:20,379 --> 02:28:22,310
YOU KNOW, THIS NIGHT HAS GONE SO
WELL.
1921
02:28:22,344 --> 02:28:24,586
I JUST WANTED TO SAY THANK YOU
TO EVERYONE HERE, THANK YOU TO
1922
02:28:24,620 --> 02:28:25,551
EVERYONE AT HOME.
1923
02:28:25,586 --> 02:28:27,000
I FEEL LIKE WE ARE ALL ONE BIG
HAPPY FAMILY.
1924
02:28:27,034 --> 02:28:28,413
THIS HAS BEEN AMAZING.
1925
02:28:28,448 --> 02:28:31,103
AND LUCKY FOR US, WE HAVE GOT
ONE MORE PERFORMANCE BY A GROUP
1926
02:28:31,137 --> 02:28:33,068
THAT ACTUALLY IS FAMILY.
1927
02:28:33,103 --> 02:28:37,206
AND THESE BROTHERS ARE HAPPY
BECAUSE TODAY THEY HAVE JUST WON
1928
02:28:37,241 --> 02:28:40,931
THEIR FIRST EVER GRAMMY AWARD.
1929
02:28:40,965 --> 02:28:44,310
PLEASE WELCOME THE
[ CHEERS AND APPLAUSE]
1930
02:28:44,344 --> 02:28:50,206
ELECTRIC
BROTHERS OSBORNE.
1931
02:28:50,241 --> 02:29:02,103
♪ ♪
♪ ♪
1932
02:29:02,137 --> 02:29:11,413
♪ ♪
♪ ♪
1933
02:29:11,448 --> 02:29:17,379
♪ ♪
♪ ♪
1934
02:29:17,413 --> 02:29:19,620
♪ DADDY CALLED HER PRINCESS
COUNTY FAIR CALLED HER QUEEN
1935
02:29:19,655 --> 02:29:21,413
♪ HIGH SCHOOL
CALLED HER CUM LAUDE
1936
02:29:21,448 --> 02:29:24,758
♪ MOST LIKELY TO SUCCEED
HER DADDY'S BACKWOOD CRAZY
1937
02:29:24,793 --> 02:29:26,793
♪ SHE'S GOT TWO
SIX FOOT-FOUR BROTHERS
1938
02:29:26,827 --> 02:29:29,413
♪ YOU TAKE ONE STEP ONTO THAT
FRONT PORCH AND YOU'RE ONE
1939
02:29:29,448 --> 02:29:31,000
♪ CRAZY MOTHER
CHASE WILL
1940
02:29:31,034 --> 02:29:32,931
♪ LEAVE YOU BREATHLESS
EVERY BACK ROAD
1941
02:29:32,965 --> 02:29:34,482
♪ IN THIS TOWN SHE'LL
LOVE YOU LIKE A
1942
02:29:34,517 --> 02:29:35,862
♪ SUNDAY DRIVE
AND SHE'LL TAKE YOUR
1943
02:29:35,896 --> 02:29:37,448
♪ POOR HEART DOWN
DEAD MAN'S CURVE
1944
02:29:37,482 --> 02:29:39,724
♪ DEAD MAN'S CURVE
NO REDEMPTION
1945
02:29:39,758 --> 02:29:41,482
♪ NO RE-TURN
GOOD GOD ALL MIGHTY
1946
02:29:41,517 --> 02:29:43,896
♪ GONNA CRASH OR BURN DOWN
DEAD MAN'S CURVE
1947
02:29:43,931 --> 02:29:45,448
♪ DEADMAN'S CURVE
DEAD MAN'S CURVE
1948
02:29:45,482 --> 02:29:47,206
♪ COUNTRY BOYS
AIN'T NEVER GONNA LEARN
1949
02:29:47,241 --> 02:29:49,413
♪ NOBODY EVER
MAKES IT THROUGH THAT TURN
1950
02:29:49,448 --> 02:29:57,448
♪ DEAD MAN'S CURVE
DEAD MAN'S CURVE
1951
02:29:57,482 --> 02:29:59,586
♪ ♪
♪ EVERY MAN'S BEEN TEMPTED
1952
02:29:59,620 --> 02:30:02,724
GREATER MEN HAVE TRIED
♪ AT BEST YOU'LL WIND UP DENTED
1953
02:30:02,758 --> 02:30:04,793
IF YOU'RE LUCKY 'NUFF
♪ TO SURVIVE
1954
02:30:04,827 --> 02:30:05,965
NOW SHE'S THE FINGER
♪ THAT YOU'RE WRAPPED AROUND
1955
02:30:06,000 --> 02:30:08,034
SHE'S WHAT EVERY
♪ COUNTRY SONG'S ABOUT
1956
02:30:08,068 --> 02:30:09,482
SHE'S THE TROUBLE
♪ THAT YOU'RE LOOKING FOR
1957
02:30:09,517 --> 02:30:10,965
SHE'S GONNA TAKE YOU DOWN
♪ AND LEAVE YOU COMIN' BACK
1958
02:30:11,000 --> 02:30:11,931
FOR MORE
♪ DEAD MAN'S CURVE
1959
02:30:11,965 --> 02:30:15,000
NO REDEMPTION
♪ NO RETURN
1960
02:30:15,034 --> 02:30:16,620
GOOD GOD ALL MIGHTY
♪ GONNA CRASH OR BURN DOWN
1961
02:30:16,655 --> 02:30:17,931
DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1962
02:30:17,965 --> 02:30:20,034
DEAD MAN'S CURVE
DEAD MAN'S CURVE
1963
02:30:20,068 --> 02:30:21,482
♪ COUNTRY BOYS AIN'T
NEVER GONNA LEARN
1964
02:30:21,517 --> 02:30:23,586
♪ NOBODY EVER MAKES IT
THROUGH THAT TURN
1965
02:30:23,620 --> 02:30:38,551
♪ DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1966
02:30:38,586 --> 02:30:41,551
♪ DEAD MAN'S CURVE
♪ DEAD MAN'S CURVE
1967
02:30:41,586 --> 02:30:43,965
GET YOUR HANDS UP!
1968
02:30:44,000 --> 02:30:47,620
♪ ♪
♪ ♪
1969
02:30:47,655 --> 02:30:53,034
♪ ♪
♪ ♪
1970
02:30:53,068 --> 02:30:53,862
♪ ♪
♪ ♪
1971
02:30:53,896 --> 02:30:55,034
♪ WHATCHU DOING
WALKIN' UP HERE?
1972
02:30:55,068 --> 02:30:55,862
♪ YOU'RE A DEAD MAN
YEAH
1973
02:30:55,896 --> 02:30:56,517
♪ DEAD MAN'S CURVE
DEAD MAN'S CURVE
1974
02:30:56,551 --> 02:30:57,482
♪ NO REDEMPTION
NO RETURN
1975
02:30:57,517 --> 02:30:58,379
♪ NO BODY EVER
MAKES IT THROUGH THAT TURN
1976
02:30:58,413 --> 02:30:59,482
♪ DEAD MAN'S CURVE
DEAD MAN'S CURVE
1977
02:30:59,517 --> 02:31:01,586
♪ DEAD MAN'S CURVE
COUNTRY BOYS
1978
02:31:01,620 --> 02:31:04,034
♪ AIN'T NEVER GONNA LEARN
NOBODY EVER
1979
02:31:04,068 --> 02:31:05,586
♪ MAKES IT THROUGH THAT TURN
ON DEAD MAN'S CURVE
1980
02:31:05,620 --> 02:31:20,482
♪ DEAD MAN'S CURVE
YOU'RE COMIN' IN WAY TOO HOT
1981
02:31:20,517 --> 02:31:21,724
♪ DEAD MAN'S CURVE
YOU'RE COMIN' IN WAY TOO HOT
1982
02:31:21,758 --> 02:31:31,000
[ CHEERS AND APPLAUSE]
>> Trevor: THAT'S RIGHT.
1983
02:31:31,034 --> 02:31:32,586
BROTHERS OSBORNE, GOOD NIGHT
LADIES AND GENTLEMEN, THANK YOU
1984
02:31:32,620 --> 02:31:37,275
SO MUCH FOR JOINING US, YOU'VE
BEEN AMAZES, YOU'VE ALL BEEN
1985
02:31:37,310 --> 02:31:37,793
AMAZING.
1986
02:31:37,827 --> 02:31:45,586
HAVE A GREAT NIGHT.
1987
02:31:45,620 --> 02:31:47,724
♪ ♪
♪ ♪
1988
02:31:47,758 --> 02:31:53,586
♪ ♪
♪ ♪
1989
02:31:53,620 --> 02:31:57,586
[ CHEERS AND APPLAUSE]
♪ ♪
1990
02:31:57,620 --> 02:32:05,655
♪ ♪
[ DEAD MAN'S CURVE PLAYS ]
149839
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
