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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:40,916 --> 00:00:43,333 - [crew 1] Run it. - [footsteps] 2 00:00:43,416 --> 00:00:45,833 - Cut. - [footsteps] 3 00:00:45,916 --> 00:00:48,000 Again. No, cut. 4 00:00:49,166 --> 00:00:50,166 - Ready? - Okay. 5 00:00:50,250 --> 00:00:54,208 [crew members chattering] 6 00:01:06,166 --> 00:01:07,666 [chattering continues] 7 00:01:20,958 --> 00:01:22,375 [laughter] 8 00:01:24,541 --> 00:01:26,958 - [crew 1] Turn over. - [crew 2] Turn over, lads. Thank you. 9 00:01:28,625 --> 00:01:29,833 [crew 3] Turn over. 10 00:01:40,791 --> 00:01:43,226 - [Michael] Sit down over here... - [Ringo] Shall we sit over here? 11 00:01:43,250 --> 00:01:44,250 Yeah. 12 00:01:47,375 --> 00:01:48,375 Hi. 13 00:01:49,333 --> 00:01:55,291 [Ringo] ♪ You're my world You are my only love ♪ 14 00:02:05,416 --> 00:02:06,791 How was the meeting? 15 00:02:07,875 --> 00:02:09,166 The meeting was fine. 16 00:02:10,041 --> 00:02:11,761 A lot of good things, but then, you know... 17 00:02:14,041 --> 00:02:16,208 they all sort of fell apart in the end. 18 00:02:17,041 --> 00:02:19,921 [Michael] I just spoke to Neil, who's calling a couple of your colleagues 19 00:02:20,250 --> 00:02:22,375 to see if they're also gonna come. 20 00:02:24,375 --> 00:02:26,250 [Ringo] Couple of colleagues told me last night 21 00:02:26,333 --> 00:02:28,625 that they would be there the same time. [chuckles] 22 00:02:28,708 --> 00:02:30,934 [Michael] Neil expressed an opinion that no one was coming. 23 00:02:30,958 --> 00:02:34,000 [Ringo] Well, phone Neil and tell him I'm here for lunch. 24 00:02:34,083 --> 00:02:35,875 [all chuckling] 25 00:02:35,958 --> 00:02:38,000 Have you got enough for a good documentary? 26 00:02:38,083 --> 00:02:40,333 [Michael] It depends how liquid the situation is. 27 00:02:40,833 --> 00:02:42,625 Use it all. 28 00:02:42,708 --> 00:02:45,416 Well, in other words, if we tell it like it is, 29 00:02:45,500 --> 00:02:47,625 then we've got a very good documentary. 30 00:02:47,708 --> 00:02:48,708 But if... 31 00:02:48,791 --> 00:02:50,083 We're hiding. 32 00:02:50,166 --> 00:02:52,684 [Michael] If we're hiding, then we don't have much of a documentary. 33 00:02:52,708 --> 00:02:56,416 We just have a couple of days when things didn't work out, that's it. 34 00:02:58,333 --> 00:03:01,791 - Yeah. - [laughing] 35 00:03:01,875 --> 00:03:03,041 Yeah, I'll take it. 36 00:03:03,125 --> 00:03:04,791 - [Ringo] I'll take them for him. - Okay. 37 00:03:05,875 --> 00:03:08,101 [delivery man] I had strict instructions to bring them on the set. 38 00:03:08,125 --> 00:03:09,375 Yeah, okay. 39 00:03:21,833 --> 00:03:24,000 - Harry who? - Hare Krishna. 40 00:03:24,666 --> 00:03:26,208 Do you like India? 41 00:03:26,291 --> 00:03:27,416 No, not really. 42 00:03:30,333 --> 00:03:33,041 [chattering] 43 00:03:34,250 --> 00:03:35,625 [coughing] 44 00:03:35,708 --> 00:03:38,708 [chattering continues] 45 00:03:44,750 --> 00:03:47,500 [Glyn] Did I tell you my wife's definitely confirmed pregnant? 46 00:03:47,583 --> 00:03:48,583 - [Tony] Oh, good. - Yeah. 47 00:03:48,666 --> 00:03:51,375 - Congratulations. - Well pleased, yes. 48 00:03:53,041 --> 00:03:54,750 [Tony] I wouldn't mind knocking one out. 49 00:03:55,916 --> 00:03:57,876 - I really love kids. - [Glyn] "Knocking one out." 50 00:03:59,416 --> 00:04:01,833 - Morning, morning, morning. - Morning, morning. 51 00:04:01,916 --> 00:04:02,750 Thank you. 52 00:04:02,833 --> 00:04:04,333 - Hello. - Hello. 53 00:04:04,416 --> 00:04:07,208 - [Ringo] Morning, Linda. - [Linda] Morning. 54 00:04:07,291 --> 00:04:08,500 - It's... - From The Circus. 55 00:04:08,583 --> 00:04:11,625 - [Ringo] Here we are. - [Michael] Neil spoke to me and he said... 56 00:04:12,666 --> 00:04:15,333 He, A, said he'd call me back at 11:15. 57 00:04:18,000 --> 00:04:19,958 Then when I arrived back RS was here. 58 00:04:20,625 --> 00:04:22,125 [Paul] And PM was on his way. 59 00:04:22,208 --> 00:04:24,125 [Michael] PM was on his way. And, uh... 60 00:04:24,208 --> 00:04:25,208 [Paul] JL was in bed. 61 00:04:25,250 --> 00:04:27,166 JL was in bed. 62 00:04:27,250 --> 00:04:28,583 Morning, Neil. 63 00:04:28,666 --> 00:04:30,000 Good morning, Glyn. 64 00:04:32,666 --> 00:04:35,146 - [Ringo] Did you get in touch with John? - I couldn't get him. 65 00:04:37,166 --> 00:04:38,166 I don't know. 66 00:04:39,916 --> 00:04:42,197 Mal couldn't get him either. You can only get the machine. 67 00:04:45,916 --> 00:04:49,125 [Linda] 'Cause I have a feeling that half the stuff Yoko said yesterday isn't... 68 00:04:49,208 --> 00:04:51,125 She was talking for John. 69 00:04:51,208 --> 00:04:54,958 And I don't think he really believed any of that, you know? 70 00:04:55,541 --> 00:04:56,416 No, so, it's... 71 00:04:56,500 --> 00:04:59,791 John didn't talk, so Yoko talked for John. 72 00:05:01,000 --> 00:05:02,520 In the middle of all that, actually... 73 00:05:06,458 --> 00:05:08,916 See, but their point is that they're trying to, 74 00:05:09,000 --> 00:05:11,166 like, be as near together as they can. 75 00:05:12,000 --> 00:05:14,125 They wanna stay together, those two. 76 00:05:14,208 --> 00:05:16,184 So it's all right. Let the young lovers stay together. 77 00:05:16,208 --> 00:05:17,750 But it's not that bad, you know. 78 00:05:17,833 --> 00:05:21,875 We got a lot out of Beatles, so that if... I think John's thing now... 79 00:05:29,375 --> 00:05:31,000 - [chattering] - All right. 80 00:05:31,083 --> 00:05:32,125 Are we running? 81 00:05:32,208 --> 00:05:34,500 ♪ Why do you build me up ♪ 82 00:05:34,583 --> 00:05:38,208 ♪ Build me up Buttercup baby, just... ♪ 83 00:05:40,583 --> 00:05:41,583 [Michael] Yeah. 84 00:05:41,666 --> 00:05:43,586 Funny enough, the other day when we were talking, 85 00:05:43,625 --> 00:05:46,666 John had said that he really did not want not to be a Beatle. 86 00:05:47,333 --> 00:05:48,791 Yes. 87 00:05:52,625 --> 00:05:53,875 - Oh, yeah. Sure. - Are you... 88 00:05:53,958 --> 00:05:56,166 We'd cooled it because we were not playing together. 89 00:05:56,250 --> 00:05:58,916 'Cause we lived together when we played together. 90 00:05:59,000 --> 00:06:00,166 We were in the same hotel, 91 00:06:00,250 --> 00:06:02,333 up at the same time every morning, all day. 92 00:06:03,000 --> 00:06:05,916 As long as you're this close all day, so something grows. 93 00:06:06,000 --> 00:06:08,833 And then when you're not this close, just physically, something goes. 94 00:06:08,916 --> 00:06:10,000 Right. 95 00:06:10,083 --> 00:06:14,041 [Paul] Actually, musically, we can play better than we've ever been able to play. 96 00:06:14,125 --> 00:06:16,333 You know, we're all right on that. 97 00:06:16,416 --> 00:06:18,333 It's just that being together thing. 98 00:06:18,416 --> 00:06:21,125 It's difficult starting right from scratch with Yoko there. 99 00:06:21,208 --> 00:06:23,791 'Cause I start out writing songs about white walls. 100 00:06:23,875 --> 00:06:24,934 - [laughing] - Just 'cause I... 101 00:06:24,958 --> 00:06:28,291 You know, just 'cause I think John and Yoko would like that. 102 00:06:28,375 --> 00:06:29,541 And they wouldn't. 103 00:06:34,458 --> 00:06:37,916 So, I just think it's just silly of me or anyone 104 00:06:38,000 --> 00:06:40,416 to try and say to 'em, "No, you can't." 105 00:06:40,500 --> 00:06:44,958 It's like... It's like that we're striking 'cause work conditions aren't right. 106 00:06:45,041 --> 00:06:46,666 But it shouldn't be. 107 00:06:46,750 --> 00:06:49,708 "Can't operate under these conditions, boy. We're coming out." 108 00:06:50,291 --> 00:06:52,958 It's like they're going overboard about it. 109 00:06:53,041 --> 00:06:54,416 But John always does, you know. 110 00:06:54,500 --> 00:06:58,208 You can't go saying, "Be sensible about it and don't bring her to meetings." 111 00:06:58,708 --> 00:07:00,375 It's his decision, that. 112 00:07:00,458 --> 00:07:02,791 It's none of our business, like, interfering in that. 113 00:07:08,541 --> 00:07:10,583 Well, I think for them to be able to compromise, 114 00:07:10,666 --> 00:07:12,666 I have to be able to compromise first. 115 00:07:12,750 --> 00:07:14,000 Then they'll be able to. 116 00:07:14,083 --> 00:07:16,833 But it's silly, neither of us compromising. 117 00:07:17,458 --> 00:07:19,041 We probably do need... 118 00:07:20,333 --> 00:07:22,666 really, sort of a central daddy figure 119 00:07:22,750 --> 00:07:27,458 to say, you know, "Nine o'clock, leave your girls at home, lads." 120 00:07:27,541 --> 00:07:28,708 You know, we're all... 121 00:07:31,125 --> 00:07:37,541 But it's gonna be such an incredible sort of comical thing, like, in 50 years' time. 122 00:07:39,500 --> 00:07:41,750 "They broke up 'cause Yoko sat on an amp." 123 00:07:41,833 --> 00:07:44,625 - [chattering] - Just something like that. "What?" 124 00:07:45,958 --> 00:07:48,291 "You see, John kept bringing this girl along." 125 00:07:50,250 --> 00:07:51,333 What? 126 00:07:51,416 --> 00:07:56,625 It's not as though there's any sort of earth-splitting rows or anything. 127 00:08:10,125 --> 00:08:11,291 [whistling] 128 00:08:11,375 --> 00:08:13,083 [Michael] Lid on the parrot's cage. 129 00:08:16,708 --> 00:08:18,333 [whistling continues] 130 00:08:25,375 --> 00:08:28,125 [Michael] Uh, if we were gonna take a ship's pool 131 00:08:28,208 --> 00:08:30,041 on what our communal life is gonna be 132 00:08:30,125 --> 00:08:32,208 in the next two weeks, what are we all betting? 133 00:08:32,291 --> 00:08:34,750 We should cancel that 18th day. 134 00:08:34,833 --> 00:08:37,250 'Cause it should definitely be the 19th. 135 00:08:37,875 --> 00:08:40,291 I mean, already, 'cause we're gonna lose today. 136 00:08:40,375 --> 00:08:43,041 I think we see the end of this week out 137 00:08:43,125 --> 00:08:46,000 and something will have happened, definitely. 138 00:08:46,083 --> 00:08:47,434 [Michael] Even if it's only nothing? 139 00:08:47,458 --> 00:08:53,083 I was talking to Neil last night about an idea I thought of for a TV show. 140 00:08:53,166 --> 00:08:57,250 We should get, like, say, the editor of The Daily Mirror, 141 00:08:58,333 --> 00:09:04,208 a real hard news nut, rehearsing a team of really hard, incredible newsmen. 142 00:09:04,833 --> 00:09:09,000 So that on the night of the show, in between all our songs is news, 143 00:09:09,083 --> 00:09:12,208 but the fastest and the hottest from every corner of the Earth. 144 00:09:12,291 --> 00:09:14,434 "We just heard there's been an earthquake"... filming it. 145 00:09:14,458 --> 00:09:16,625 So it's like a red-hot news program. 146 00:09:17,166 --> 00:09:21,291 And at the end, the final bulletin is that The Beatles have broken up. 147 00:09:24,208 --> 00:09:26,875 [Michael] But do you think if you put any pressure on him, 148 00:09:26,958 --> 00:09:28,958 that he'd go your way a bit more? 149 00:09:29,708 --> 00:09:31,041 I don't know. 150 00:10:09,375 --> 00:10:13,125 - Speak to John? Yeah, okay. - [Linda] Hey, you know, it's that thing... 151 00:10:13,208 --> 00:10:16,000 The world's dying to see them. That's the thing. 152 00:10:16,083 --> 00:10:18,208 And if I were there, I'd be staring at them. 153 00:10:18,291 --> 00:10:21,708 Yeah, not only them, you know, and they were 40 miles away. 154 00:10:21,791 --> 00:10:23,791 But the audience, the screams, the lights... 155 00:10:23,875 --> 00:10:26,041 Look, we looked at Help! The other night again 156 00:10:26,125 --> 00:10:29,041 and, like, A Hard Day's Night, and that was them playing. 157 00:10:29,125 --> 00:10:31,250 Right. But it was them over an hour and a half... 158 00:10:31,333 --> 00:10:32,375 It was them. Just... 159 00:10:32,458 --> 00:10:34,541 I'm speaking like a fan. I really am. 160 00:10:37,750 --> 00:10:40,708 - Oh, okay. Should we fight about that? - Yeah. 161 00:10:40,791 --> 00:10:42,017 [Neil] Did you take a photograph? 162 00:10:42,041 --> 00:10:44,681 - [Linda] I was gonna say there are only... - [Michael] What's new? 163 00:10:46,208 --> 00:10:49,041 - [Linda] So is he lighting his, uh... - [Paul] Lighting up a Players. 164 00:10:49,125 --> 00:10:50,416 [Neil] And jumping on his hands. 165 00:10:50,500 --> 00:10:53,017 [Michael] You see, Paul, I was saying to Linda when you were out 166 00:10:53,041 --> 00:10:55,458 that I can do it any way, 167 00:10:55,541 --> 00:10:59,291 except I gotta keep saying you're wrong when I think you're wrong. 168 00:10:59,875 --> 00:11:02,083 Yeah. Sure. Great. 169 00:11:02,166 --> 00:11:04,059 I'll just keep saying I'm right when I think I'm right. 170 00:11:04,083 --> 00:11:05,333 [Michael] Yeah, of course. 171 00:11:05,916 --> 00:11:10,791 Because otherwise I abdicate both my fanship and also my, uh... 172 00:11:12,875 --> 00:11:14,208 [all laugh] 173 00:11:21,958 --> 00:11:23,833 [laughing] 174 00:11:31,166 --> 00:11:33,166 No, come on. You stay out of this, Yoko. 175 00:11:33,250 --> 00:11:34,375 [Linda laughs] 176 00:11:39,375 --> 00:11:41,333 - [chattering] - [dishes clattering] 177 00:15:57,875 --> 00:16:00,125 [guitar, bass playing] 178 00:16:00,208 --> 00:16:02,250 [crew, indistinct] 179 00:16:04,583 --> 00:16:05,666 And you're right. 180 00:16:15,750 --> 00:16:17,500 - [John] You got any pep pills? - Okay, Mal. 181 00:16:17,583 --> 00:16:18,625 Could I have a couple? 182 00:16:18,708 --> 00:16:20,291 [Paul] We've got an hour. 183 00:16:20,375 --> 00:16:21,875 Yeah, none of that, I reckon. 184 00:16:21,958 --> 00:16:23,208 Do an hour, just so, uh... 185 00:16:23,291 --> 00:16:25,166 [Linda] I just knew it has to be... 186 00:16:45,750 --> 00:16:47,416 Okay. Sweet Loretta Marsh. 187 00:16:48,416 --> 00:16:51,625 ♪ Sweet Loretta Marsh, she thought... ♪ 188 00:16:51,708 --> 00:16:54,166 Marsh isn't nice, is it? Marsh is too... 189 00:16:55,333 --> 00:16:56,333 ♪ Loretta Mare ♪ 190 00:16:57,166 --> 00:16:59,791 ♪ Sweet Loretta Mare thought she was... ♪ 191 00:17:00,375 --> 00:17:03,208 Loretta Mary... I mean, it's gotta be a name... 192 00:17:03,291 --> 00:17:06,875 ♪ Sweet Loretta Mary Thought she was a woman... ♪ 193 00:17:06,958 --> 00:17:09,291 ♪ But she was another man ♪ 194 00:17:10,750 --> 00:17:11,833 [Mal] What's that one? 195 00:17:13,750 --> 00:17:14,833 Marsh. 196 00:17:16,875 --> 00:17:20,125 Uh, but we're not sure about that, but put it in. 197 00:17:23,875 --> 00:17:28,250 It's gotta be, like, one of those hard, "night," "bite," "right." 198 00:17:28,333 --> 00:17:31,875 ♪ Sweet Loretta Mare... Mare... ♪ 199 00:17:31,958 --> 00:17:35,416 ♪ Sweet Loretta Marety Thought she was a woman ♪ 200 00:17:35,500 --> 00:17:38,041 ♪ But she was another man ♪ 201 00:17:43,291 --> 00:17:47,000 Leave that verse, eh, 'cause it's... It could be all right, that verse. 202 00:17:47,083 --> 00:17:48,291 It sings all right. 203 00:17:49,166 --> 00:17:51,541 - Okay, the next verse. - Jo Jo Jackson. 204 00:17:51,625 --> 00:17:52,875 [groans] 205 00:17:53,625 --> 00:17:56,791 ♪ Jo Jo Jackson left his home in Arizona ♪ 206 00:17:56,875 --> 00:17:59,291 - "Left his home in Arizona," is it? - That's all right. 207 00:17:59,375 --> 00:18:01,916 - Yeah, "home in Arizona." - "But he knew it couldn't last." 208 00:18:02,000 --> 00:18:04,166 No that's not good. "But he knew it couldn't last." 209 00:18:04,250 --> 00:18:07,541 ♪ Jo Jo Jackson left his home in Arizona ♪ 210 00:18:08,208 --> 00:18:10,500 [indistinct] 211 00:18:14,708 --> 00:18:18,208 ♪ Jo Jo left his home In nuh-nuh, Arizona ♪ 212 00:18:18,291 --> 00:18:20,791 [mumbles] 213 00:18:24,958 --> 00:18:28,541 ♪ Jo Jo left his home in Tucson, Arizona ♪ 214 00:18:28,625 --> 00:18:33,166 [grunts] "Jo left his home in Tucson, Arizona." 215 00:18:33,250 --> 00:18:35,291 - Is Tucson in Arizona? - Yeah. It is, yeah. 216 00:18:39,041 --> 00:18:42,541 ♪ Jo Jo left his home in Tucson, Arizona ♪ 217 00:18:42,625 --> 00:18:45,375 ♪ Thought it's gonna be a... ♪ 218 00:18:45,958 --> 00:18:47,000 I can make sense of it. 219 00:18:47,083 --> 00:18:49,375 Jo Jo left his home, hoping it would be a blast. 220 00:18:49,458 --> 00:18:52,041 Pretty soon he found that he'd have to be a loner 221 00:18:52,125 --> 00:18:54,083 with some California grass in America. 222 00:18:54,166 --> 00:18:57,458 You make that make sense, but it doesn't sing good. 223 00:18:58,166 --> 00:19:00,041 - ♪ Jo Jo left his ♪ - [John] Is it Jo Jo? 224 00:19:00,125 --> 00:19:03,833 ♪ ...in Tucson, Arizona But he thought it couldn't last ♪ 225 00:19:03,916 --> 00:19:05,416 Looking for a what? What is it? 226 00:19:05,500 --> 00:19:06,833 ♪ Looking for a home to last ♪ 227 00:19:06,916 --> 00:19:08,166 [John] No, looking for a... 228 00:19:08,250 --> 00:19:10,333 [Ringo] ♪ Looking for a blast from the past ♪ 229 00:19:11,041 --> 00:19:12,541 [Paul] One, two, three. 230 00:19:16,416 --> 00:19:22,500 ♪ Jo Jo left his home in Tucson, Arizona But he knew it couldn't last ♪ 231 00:19:23,875 --> 00:19:25,208 [indistinct] 232 00:19:25,291 --> 00:19:27,291 ♪ Thought he was a loner ♪ 233 00:19:27,375 --> 00:19:29,583 ♪ For some California grass ♪ 234 00:19:30,666 --> 00:19:34,083 ♪ Get back Get back ♪ 235 00:19:34,166 --> 00:19:37,250 ♪ Get back to where you once belonged ♪ 236 00:19:39,375 --> 00:19:41,309 - [playing stops] - [Paul] Okay. Can we go home now? 237 00:19:41,333 --> 00:19:43,892 [Michael] I think at some point we should talk conceptually about the show. 238 00:19:43,916 --> 00:19:47,666 [Paul] Okay, we have to be flexible, but we're gonna have to be very flexible now. 239 00:19:47,750 --> 00:19:51,916 Which is like, the 18th today has changed to the 19th. 240 00:19:52,000 --> 00:19:53,583 'Cause we lost a day today. 241 00:19:53,666 --> 00:19:55,791 Tomorrow it will change to the 20th. 242 00:19:55,875 --> 00:19:57,555 The day after, it will change to the 21st. 243 00:19:59,000 --> 00:20:01,500 [Paul] Well, exactly. If George comes back, yeah. 244 00:20:01,583 --> 00:20:02,783 Put it back a full week, yeah. 245 00:20:02,833 --> 00:20:04,059 [Michael] Put it back a full week. 246 00:20:04,083 --> 00:20:06,309 But book it for a full week and then cancel it next week. 247 00:20:06,333 --> 00:20:08,333 Not to say changeable. 248 00:20:20,041 --> 00:20:22,333 "Baby's in Black," "If I Needed," "Tripper." 249 00:20:22,416 --> 00:20:24,142 [John] I mean, that's how flexible we can get. 250 00:20:24,166 --> 00:20:26,416 [Paul] "I Feel Fine," "Yesterday," "I Wanna Be," 251 00:20:26,500 --> 00:20:28,416 "Nowhere Man," "Paperback," "Long Tall." 252 00:20:28,500 --> 00:20:30,980 - [Michael] What's it from? - [John] That's from the old shows. 253 00:20:34,875 --> 00:20:38,416 [Paul] And, like, lot of old tunes had just set chord patterns. 254 00:20:38,500 --> 00:20:40,916 'Cause that's the great thing. Once... 255 00:20:41,000 --> 00:20:44,375 Once you start trying to find out chord patterns, you really suss 256 00:20:44,458 --> 00:20:46,500 what people are doing, what musicians are doing. 257 00:20:46,583 --> 00:20:47,583 And they really, it's... 258 00:20:47,666 --> 00:20:48,708 [playing chord] 259 00:20:48,791 --> 00:20:52,166 - You know, it's like... [vocalizing] - [playing] 260 00:20:58,666 --> 00:20:59,833 [piano stops] 261 00:20:59,916 --> 00:21:03,541 Like, old tunes, you know, they had just a certain way of going. 262 00:21:03,625 --> 00:21:05,333 And they hardly ever varied from that. 263 00:21:05,416 --> 00:21:08,416 I don't really know it, you know? My dad knows that better. 264 00:21:08,500 --> 00:21:10,916 The great thing about a piano is that, there it all is. 265 00:21:11,000 --> 00:21:13,583 There's all the music ever. That's it, you know? 266 00:21:13,666 --> 00:21:16,791 All this that's ever been written is all there. 267 00:21:16,875 --> 00:21:18,916 [playing "Martha My Dear"] 268 00:21:37,166 --> 00:21:41,166 [vocalizing] 269 00:21:41,250 --> 00:21:43,750 See, it's still basically only one, two, three, four... 270 00:21:43,833 --> 00:21:44,833 [Paul Bond] Yeah. 271 00:21:45,416 --> 00:21:48,583 You know, okay, so that's getting more complicated than the three, 272 00:21:48,666 --> 00:21:50,458 - but it's still only... - Yeah, sure. 273 00:21:50,541 --> 00:21:52,791 - Used the same way, presumably? - Yeah. 274 00:21:53,375 --> 00:21:56,125 And from there, you know, like, there's no... 275 00:21:56,208 --> 00:21:58,101 Unless you stop yourself, there's no stopping yourself. 276 00:21:58,125 --> 00:21:59,125 No. 277 00:22:00,625 --> 00:22:02,125 - Yeah. - [Paul Bond chuckles] 278 00:22:04,625 --> 00:22:05,708 And then there was one. 279 00:22:05,791 --> 00:22:08,750 ♪ Eee, by gummy-o ♪ 280 00:22:08,833 --> 00:22:11,083 [Ringo] Good! I'm glad to hear that. 281 00:22:11,833 --> 00:22:13,833 - Morning, Paul! - Good morning, Rich! 282 00:22:13,916 --> 00:22:15,875 - How are you this morning? - Okay! 283 00:22:15,958 --> 00:22:18,708 [playing boogie-woogie blues piano] 284 00:22:25,916 --> 00:22:27,083 It's fine, thanks. 285 00:22:32,583 --> 00:22:36,125 ♪ Well, I bought a piano the other day ♪ 286 00:22:36,208 --> 00:22:38,416 ♪ I didn't know... ♪ 287 00:22:39,083 --> 00:22:41,250 ♪ You had to play the goddamn thing ♪ 288 00:22:43,958 --> 00:22:45,208 ♪ Oh, baby ♪ 289 00:22:47,875 --> 00:22:49,250 Use two hands. 290 00:23:00,583 --> 00:23:01,750 [song ends] 291 00:23:01,833 --> 00:23:03,333 [all chuckling] 292 00:23:04,625 --> 00:23:06,208 [Ringo] Well, that's me finished. 293 00:23:07,208 --> 00:23:08,833 [Paul] At least we're keeping together. 294 00:23:08,916 --> 00:23:10,333 [piano playing] 295 00:23:10,416 --> 00:23:14,208 - [Ringo vocalizing] - [Paul] ♪ Woman, do you love me? ♪ 296 00:23:15,791 --> 00:23:20,083 ♪ Woman, if you need me then ♪ 297 00:23:20,166 --> 00:23:24,500 ♪ Believe me I need you ♪ 298 00:23:24,583 --> 00:23:27,541 ♪ To be my woman ♪ 299 00:23:28,833 --> 00:23:31,583 I wonder if Peter's still got the original thing of that. 300 00:23:32,375 --> 00:23:35,059 First time we did it, it was little. It was great, you know. It was really... 301 00:23:35,083 --> 00:23:38,375 - ♪ Woman, do you love me? ♪ - [playing piano] 302 00:23:40,666 --> 00:23:44,208 ♪ Woman, do you need me? ♪ 303 00:23:45,666 --> 00:23:50,083 ♪ Woman, if you need me then ♪ 304 00:23:50,166 --> 00:23:51,666 That is the great bit Gordon did. 305 00:23:51,750 --> 00:23:57,833 ♪ If you need me then Believe me I need you ♪ 306 00:23:57,916 --> 00:24:00,791 [imitating Gordon Waller] ♪ To be my woman ♪ 307 00:24:02,708 --> 00:24:05,958 Gordon couldn't get the high notes, and he would sort of... 308 00:24:06,041 --> 00:24:09,333 And he'd just let them go and do it again. But they did it the next time. 309 00:24:09,416 --> 00:24:11,333 It was a mammoth Peter and Gordon treatment. 310 00:24:11,416 --> 00:24:12,416 That's right. Yeah. 311 00:24:12,500 --> 00:24:14,583 [vocalizing] 312 00:24:17,708 --> 00:24:19,188 [Paul] Whatever I'm around, you know? 313 00:24:22,041 --> 00:24:23,791 [Paul] Yeah, sure. 314 00:24:23,875 --> 00:24:25,875 In fact, I had one this morning. 315 00:24:25,958 --> 00:24:28,083 - ♪ We were just busy driving ♪ - [playing piano] 316 00:24:29,250 --> 00:24:35,291 ♪ Driving in the back seat of my car ♪ 317 00:24:35,375 --> 00:24:38,500 ♪ Ooh ♪ 318 00:24:38,583 --> 00:24:40,833 ♪ Honey, I'm busy riding ♪ 319 00:24:41,708 --> 00:24:47,125 ♪ Sitting in the back seat of my car ♪ 320 00:24:48,041 --> 00:24:52,500 - [vocalizing] - [laughing] 321 00:25:01,208 --> 00:25:02,958 ♪ It's just for you ♪ 322 00:25:04,000 --> 00:25:08,041 ♪ That I sing a song of Spring ♪ 323 00:25:10,208 --> 00:25:15,958 ♪ And every time the raindrops fall ♪ 324 00:25:16,041 --> 00:25:19,541 ♪ I think of Summer ♪ 325 00:25:19,625 --> 00:25:22,041 - [piano stops] - ♪ It's just for you ♪ 326 00:25:22,125 --> 00:25:23,958 - [resumes] - [chuckles] 327 00:25:24,041 --> 00:25:29,416 ♪ That I sing a song of love ♪ 328 00:25:30,083 --> 00:25:33,166 ♪ Sing a song of love ♪ 329 00:25:34,625 --> 00:25:38,583 ♪ Sing a song of love ♪ 330 00:25:38,666 --> 00:25:43,166 [holds note] 331 00:25:43,250 --> 00:25:44,559 - [piano stops] - It's just for you. 332 00:25:44,583 --> 00:25:45,833 [Michael] Nice. 333 00:25:47,291 --> 00:25:49,291 Thank you, Michael Lindsay-Hogg. 334 00:25:50,208 --> 00:25:51,958 Director of this epic. 335 00:25:53,208 --> 00:25:55,142 [Michael] That's the first thing you ever said to me. 336 00:25:55,166 --> 00:25:56,166 [Ringo] What? 337 00:25:56,250 --> 00:25:58,351 [Michael] At Chiswick Park, years ago, when we did something, 338 00:25:58,375 --> 00:26:00,892 you said, "What kind of tree is that?" and I said, "It's a yew." 339 00:26:00,916 --> 00:26:03,916 - And you said, "No, it's not. It's a me." - Did I really? 340 00:26:04,000 --> 00:26:06,041 - I thought, "Beatles humor." - Yeah. 341 00:26:06,625 --> 00:26:08,708 [Mal] I see the sets are arriving, fellas. 342 00:26:08,791 --> 00:26:11,500 - [Paul] Yeah, the sets are coming in. - [Michael] Yeah, nice. 343 00:26:11,583 --> 00:26:14,125 Hey, should we shoot the train coming in, chug-chug. 344 00:26:14,208 --> 00:26:15,666 - [Tony] No, no, no. - Why not? 345 00:26:15,750 --> 00:26:17,083 [Mal] It's copyrighted. 346 00:26:17,166 --> 00:26:18,666 Well, it's a documentary. 347 00:26:20,458 --> 00:26:22,250 Just turn your lights around. 348 00:26:22,333 --> 00:26:24,666 But it's a good shot for the part of the atmosphere. 349 00:26:24,750 --> 00:26:29,375 - Oh, come on, Tony. Oh, fuck. Oh, no. - [Paul] Jean-Luc Godard? 350 00:26:30,125 --> 00:26:31,916 We could make a film, you know? 351 00:26:32,625 --> 00:26:36,416 Just get a script and all that, and really not waste all this camera time. 352 00:26:36,500 --> 00:26:38,380 - Do a little sort of film. - [Mal] Yeah, right. 353 00:26:38,416 --> 00:26:40,056 [Michael] Yeah, we can make train movies. 354 00:26:40,083 --> 00:26:42,203 [Mal] We've got a spare few thousand feet, haven't we? 355 00:26:42,250 --> 00:26:44,684 We've got a spare few thousand feet. We won't tell Denis we're doing it. 356 00:26:44,708 --> 00:26:46,916 - Let's make a silent movie. - Yeah. 357 00:26:47,000 --> 00:26:49,083 Slow so it's speeded up when we play it back, 358 00:26:49,166 --> 00:26:50,666 'cause they're always funny to watch. 359 00:26:50,750 --> 00:26:51,750 [Michael] Yeah. 360 00:26:51,833 --> 00:26:55,666 [Paul] Can we have it in a club? You know, the atmosphere is a club, and... 361 00:26:56,333 --> 00:26:58,333 That's it. We're in a band. 362 00:26:58,416 --> 00:27:00,916 We're in a band who sell drugs. 363 00:27:01,000 --> 00:27:03,625 - Do you want to be a goody then, Glyn? - Uh... 364 00:27:03,708 --> 00:27:05,833 [Paul] Come on. Now, you're sulking, aren't you? 365 00:27:05,916 --> 00:27:07,267 - [laughter] - Wants to be a goody. 366 00:27:07,291 --> 00:27:09,059 - [Ringo] The roughneck that changes. - [Paul] Yeah. 367 00:27:09,083 --> 00:27:11,476 - [Glyn] Bit of sentimentality. - [Paul] The hard drug-peddling yob... 368 00:27:11,500 --> 00:27:13,726 - [Ringo] With a good heart. - [Paul] ...who turned to religion. 369 00:27:13,750 --> 00:27:15,125 [laughter] 370 00:27:15,208 --> 00:27:17,833 Ringo's the teacher... The schoolteacher who goes to see him. 371 00:27:17,916 --> 00:27:20,250 - [Ringo] Mal's the policeman gone wrong. - [laughter] 372 00:27:22,666 --> 00:27:24,506 [Paul] We shouldn't waste all this camera time. 373 00:27:24,583 --> 00:27:26,500 Tony can shoot it. We can do a movie today. 374 00:27:26,583 --> 00:27:28,208 [Paul] No, Tony's in it. He's the fence. 375 00:27:28,291 --> 00:27:31,041 - [Michael] Can I be in it? - Where Glyn gets rid of the drugs. 376 00:27:31,125 --> 00:27:33,625 Just so long as I look thin, Tony, I don't care. 377 00:27:33,708 --> 00:27:35,666 - [Paul] Then go through there? - No. 378 00:27:35,750 --> 00:27:38,750 No, if you do it that way, it's like hanging yourself by your arse. 379 00:27:38,833 --> 00:27:39,833 [laughter] 380 00:27:39,916 --> 00:27:41,708 [groaning] 381 00:27:41,791 --> 00:27:43,625 - [Kevin] Help, no legs. - [chuckles] 382 00:27:43,708 --> 00:27:45,351 [Paul] Seen The Good, the Bad and the Ugly? 383 00:27:45,375 --> 00:27:46,434 - [Ringo] No. - That's great. 384 00:27:46,458 --> 00:27:49,333 [chains rattling] 385 00:27:49,416 --> 00:27:52,750 [Paul] That's the trouble. You get the panic about halfway up. 386 00:27:52,833 --> 00:27:54,559 [Ringo] When you realize you can't stand heights. 387 00:27:54,583 --> 00:27:56,791 [Paul] ♪ Those were the days, my friend ♪ 388 00:27:56,875 --> 00:27:58,833 ♪ We thought they'd... ♪ [yelps] 389 00:27:58,916 --> 00:28:01,541 - There's no business like show business. - [laughter] 390 00:28:01,625 --> 00:28:03,375 What is it? Straight up to the top and back? 391 00:28:03,458 --> 00:28:05,338 In the old days, boys, you used to be able to... 392 00:28:09,333 --> 00:28:10,916 In the old days... That was me! 393 00:28:11,791 --> 00:28:13,791 [Mal] Any minute now, it gets dangerous. 394 00:28:14,541 --> 00:28:16,291 - [Ringo] Well, good night. - [laughter] 395 00:28:16,375 --> 00:28:18,750 - It's a wrap. - [laughter] 396 00:28:18,833 --> 00:28:23,250 Well, that's all for this evening. [hums] 397 00:28:25,666 --> 00:28:27,458 Funny you should've said that... [indistinct] 398 00:28:27,541 --> 00:28:29,958 Very good. I think... It was nice when the camera came up. 399 00:28:30,041 --> 00:28:31,708 - I think they got... - What you said. 400 00:28:31,791 --> 00:28:32,892 - Exactly what you mean. - All right. 401 00:28:32,916 --> 00:28:34,500 Well, it's a chance to speak. 402 00:28:34,583 --> 00:28:36,875 I know. It's the only chance we get. We... 403 00:28:36,958 --> 00:28:39,416 There's only Cliff doing his bit, really and... 404 00:28:39,500 --> 00:28:41,833 Well, I left the clergy about '59, you know. 405 00:28:41,916 --> 00:28:43,916 I thought I better get in with the kids. 406 00:28:44,000 --> 00:28:46,250 It all started with Rosie. 407 00:28:46,333 --> 00:28:48,142 - Well, a lot of us did. - She was in the congregation. 408 00:28:48,166 --> 00:28:50,142 - A lot of us started with Rosie, actually. - [laughs] 409 00:28:50,166 --> 00:28:52,500 - [chuckles] - It was rehearsal rooms. 410 00:28:53,291 --> 00:28:56,458 Also leaving for the Midem Song Festival is John Rowles. 411 00:28:56,541 --> 00:28:58,208 - Oh, he's not? - [Paul chuckles] 412 00:28:58,291 --> 00:29:00,166 - [Paul] He's flying out. - [coughs] 413 00:29:00,250 --> 00:29:01,809 [John] See you've given up smoking, Richie. 414 00:29:01,833 --> 00:29:03,000 Yes, I have. 415 00:29:03,916 --> 00:29:06,000 [John] Now, we were going to discuss this afternoon 416 00:29:06,083 --> 00:29:09,541 what religion meant to a pop star. 417 00:29:09,625 --> 00:29:11,250 And the pop star we've chosen 418 00:29:11,333 --> 00:29:13,791 is Tumble Starker, who's sitting here. 419 00:29:17,291 --> 00:29:19,684 [Michael] Tony, Denis is gonna worry about the footage again. 420 00:29:19,708 --> 00:29:21,083 Don't tell him you're shooting. 421 00:29:21,166 --> 00:29:22,726 - [John] How are you? - [Peter Sellers] All right. 422 00:29:22,750 --> 00:29:23,833 Welcome to Panorama. 423 00:29:23,916 --> 00:29:24,833 - Hello. - [Peter] Hello. 424 00:29:24,916 --> 00:29:26,750 How are you? Pleased to meet you. 425 00:29:26,833 --> 00:29:29,125 - [chattering] - We've been lucky enough this evening 426 00:29:29,208 --> 00:29:32,958 to secure the, uh, talents of Mr. Peter Sellers here 427 00:29:33,541 --> 00:29:35,458 who is going to give us number three. 428 00:29:36,458 --> 00:29:37,541 [Peter] Yes. 429 00:29:37,625 --> 00:29:39,875 Number three, folks, number three. 430 00:29:39,958 --> 00:29:41,476 - Number three. - How about that, folks? 431 00:29:41,500 --> 00:29:43,500 That was number three from Peter Sellers. 432 00:29:43,583 --> 00:29:45,416 - Now on to the next round. - Number three. 433 00:29:45,500 --> 00:29:46,416 [chuckles] 434 00:29:46,500 --> 00:29:49,375 [John] Well, if we ask him really nicely, 435 00:29:49,458 --> 00:29:52,333 - he'll probably do a number five. - [Peter] Yes, I might. 436 00:29:52,416 --> 00:29:53,416 [chuckles] 437 00:29:54,458 --> 00:29:56,291 [John] Long, tall Sally, pretty sweet. 438 00:29:56,375 --> 00:29:59,416 She got everything Uncle John need. Oh, boy. Baby. 439 00:30:01,083 --> 00:30:03,416 Your chance to win a fab, free Beatle. 440 00:30:03,500 --> 00:30:06,541 - [Paul chuckles] - Send in 39 disk tops. 441 00:30:08,541 --> 00:30:11,708 - [Paul] Wake up, Lennon. - [John] Wake up, Lennon. It's about time. 442 00:30:13,125 --> 00:30:16,250 What, uh... What are we discussing at this moment? What's the, uh... 443 00:30:16,333 --> 00:30:17,851 - [Paul] The film. - [Yoko] Issue. [chuckles] 444 00:30:17,875 --> 00:30:18,875 Ah. 445 00:30:19,833 --> 00:30:21,250 This is the impromptu mic. 446 00:30:21,333 --> 00:30:23,125 It's a documentary of how The Beatles work. 447 00:30:23,208 --> 00:30:26,083 [Michael] It's a spontaneous... A spontaneous documentary. 448 00:30:26,166 --> 00:30:28,246 'Cause we feel we shouldn't keep it all to ourselves. 449 00:30:28,291 --> 00:30:30,500 We should spread it out, you know? 450 00:30:30,583 --> 00:30:34,541 We want to share with the world what we have, Peter. 451 00:30:34,625 --> 00:30:38,541 - And... And this is what we have. - [Yoko] Or what we haven't. [chuckles] 452 00:30:38,625 --> 00:30:40,083 [Peter] Ah. 453 00:30:40,166 --> 00:30:41,892 [Paul] Well, this is... We just sort of sit here 454 00:30:41,916 --> 00:30:43,583 and allow ourselves to be embarrassed 455 00:30:43,666 --> 00:30:46,083 - about this time every day. - [chuckles] 456 00:30:46,166 --> 00:30:48,541 - [John] Oh, yes. - [Paul] Number nine. 457 00:30:48,625 --> 00:30:53,208 You're talking to the ninth-best-dressed male pop singer in the world, you know? 458 00:30:53,291 --> 00:30:56,708 - No mean city. Yes. - [Paul] And Judy Garland. 459 00:30:57,625 --> 00:30:59,625 Look out, Tom Jones, I say. 460 00:30:59,708 --> 00:31:01,333 - [chuckles] - Over to you, Peter. 461 00:31:03,916 --> 00:31:06,458 Very kind of you, but I... I must be off. 462 00:31:08,125 --> 00:31:09,125 Mm-hmm. 463 00:31:10,666 --> 00:31:12,416 Well, nice to have met you, fellas. 464 00:31:12,500 --> 00:31:13,541 Other guys. 465 00:31:13,625 --> 00:31:14,684 - See you. - [John] Bye-bye. 466 00:31:14,708 --> 00:31:15,767 - Bye. - [Paul] Too much, Pete. 467 00:31:15,791 --> 00:31:17,500 - Bye-bye. - [chuckles] 468 00:31:17,583 --> 00:31:19,125 - Way out. - All right. 469 00:31:19,208 --> 00:31:21,208 - [Peter] All right. Way out. - [Joe] Exit. 470 00:31:21,291 --> 00:31:23,041 - It's that way. - Yeah, wrong way. 471 00:31:23,125 --> 00:31:24,541 It's that way. [chuckles] 472 00:31:24,625 --> 00:31:26,541 - [all chuckling] - All right. 473 00:31:26,625 --> 00:31:29,166 [John] Just don't leave the needles lying around. 474 00:31:29,250 --> 00:31:33,250 We've got a bad reputation now with John getting busted and that. 475 00:31:33,333 --> 00:31:35,416 - [Peter, indistinct] - [Yoko chuckles] 476 00:31:35,500 --> 00:31:38,140 - [Michael] Do you really not feel well? - No, I just feel a bit... 477 00:31:38,166 --> 00:31:40,892 I don't feel well, but I can't say, 'cause I'm the captain of the ship. 478 00:31:40,916 --> 00:31:42,791 [John] Nowadays, the captain gets off first. 479 00:31:43,750 --> 00:31:45,291 No, I'd go down with the ship. 480 00:31:46,125 --> 00:31:49,000 [Paul] If we hang around a bit longer, we'll get Ringo being sick. 481 00:31:50,083 --> 00:31:52,958 [John] See you missed me this morning. I did it for CBS. 482 00:31:53,041 --> 00:31:55,142 - Leapt off in the middle of the interview. - Did you? 483 00:31:55,166 --> 00:31:57,750 Actually I'm just recovering from the day, you know? 484 00:31:58,875 --> 00:32:00,541 [Yoko] From the night. 485 00:32:01,125 --> 00:32:03,541 [John] No reason at all, except that I'm mistreating my body. 486 00:32:04,583 --> 00:32:07,625 Yes. I just was up late, you know. 487 00:32:07,708 --> 00:32:10,083 I was sort of stoned and high and watching films. 488 00:32:10,166 --> 00:32:11,666 And I wouldn't have made it anyway. 489 00:32:11,750 --> 00:32:14,083 Is there any need to do this in public, Mr. Lennon? 490 00:32:14,166 --> 00:32:16,017 [Michael] At the moment you're a guest for lunch. 491 00:32:16,041 --> 00:32:17,250 Yeah. But it's not good. 492 00:32:17,333 --> 00:32:20,208 If I'm gonna come at 10:00 I should come at 10:00. 493 00:32:20,291 --> 00:32:22,166 [Paul] Up with the dawn, down with the sun. 494 00:32:22,708 --> 00:32:24,375 Ringo ever, Eric never. 495 00:32:24,458 --> 00:32:25,458 Okay. 496 00:32:26,041 --> 00:32:27,601 Shall we knock off early today, or not? 497 00:32:27,625 --> 00:32:28,750 [Paul] Probably, yeah. 498 00:32:28,833 --> 00:32:30,791 [Michael] Shall we knock on early tomorrow? 499 00:32:32,500 --> 00:32:33,875 Yes, I'll do that. 500 00:32:35,583 --> 00:32:36,583 Yeah. 501 00:32:36,666 --> 00:32:38,826 [John] "When I was younger, so much younger than today, 502 00:32:38,875 --> 00:32:41,583 I never needed anybody's help in any way. 503 00:32:43,500 --> 00:32:45,916 But now my life has changed in oh so many ways." 504 00:32:48,208 --> 00:32:51,000 A wop-bop-a-loo-ma. Ba-lim-bam-boo. 505 00:32:53,166 --> 00:32:55,250 We can't carry on like this indefinitely. 506 00:32:55,750 --> 00:32:57,351 - [Ringo] We seem to be. - [Paul] Doing this. 507 00:32:57,375 --> 00:32:58,791 We seem to, but we can't. 508 00:33:00,125 --> 00:33:03,250 See, what you need is a serious program of work. 509 00:33:04,291 --> 00:33:08,000 Not an aimless rambling amongst the canyons of your mind. 510 00:33:09,958 --> 00:33:11,125 An aim in life. 511 00:33:11,750 --> 00:33:14,083 Trip upon that golden ship of shores. 512 00:33:15,333 --> 00:33:16,583 We all together, boy. 513 00:33:16,666 --> 00:33:19,625 To wander aimlessly is very un-swinging. 514 00:33:22,500 --> 00:33:23,583 Unhip. 515 00:33:23,666 --> 00:33:25,791 Well, "When I touch you, I feel happy inside. 516 00:33:25,875 --> 00:33:27,458 I can't hide. I can't hide." 517 00:33:30,208 --> 00:33:32,848 - "Ask me why, I'll say I love you." - What you need is a schedule. 518 00:33:33,625 --> 00:33:35,583 Achieve something every day. 519 00:33:39,458 --> 00:33:42,178 - [Yoko] It's so hard, right? - It's rather hard to live up to, Paul. 520 00:33:44,500 --> 00:33:45,666 [John] I'm planning on 11. 521 00:33:46,833 --> 00:33:48,541 [Paul] It's 12 to 14, Mal. 522 00:33:50,916 --> 00:33:52,166 [John] It's a choice of six. 523 00:33:52,750 --> 00:33:55,166 Some ready to wear and some made to measure. 524 00:33:55,250 --> 00:33:56,333 [clears throat] 525 00:34:03,083 --> 00:34:05,041 [Michael] We were talking earlier. 526 00:34:05,125 --> 00:34:06,500 About the space between us? 527 00:34:07,416 --> 00:34:08,809 [Michael] About the gap between us. 528 00:34:08,833 --> 00:34:12,291 But about also the documentary, which is grinding to a halt. How do we do it? 529 00:34:12,375 --> 00:34:14,458 Grinding to a halt? I think it's taking off. 530 00:34:14,541 --> 00:34:15,833 Exactly. Here we go. 531 00:34:15,916 --> 00:34:19,250 "Loop de loop," as Frankie Vaughan once said. 532 00:34:19,333 --> 00:34:20,333 The one-legged wonder. 533 00:34:20,416 --> 00:34:22,500 [all chuckling] 534 00:34:22,583 --> 00:34:25,875 Ringo said that he thought we ought to just tell it like it is. 535 00:34:28,916 --> 00:34:29,916 I think we are. 536 00:34:31,458 --> 00:34:33,041 [John] Once upon a tarmac, 537 00:34:33,125 --> 00:34:37,000 there lived a small baggage who suffered incredible distortion on his right leg. 538 00:34:38,583 --> 00:34:41,333 He took it to all the doctors, and they said... 539 00:34:43,416 --> 00:34:44,416 But one day... 540 00:34:47,708 --> 00:34:48,750 Happy ever after. 541 00:34:48,833 --> 00:34:49,833 [Yoko chuckles] 542 00:34:49,916 --> 00:34:52,291 - [phone rings] - Ah! 543 00:34:52,375 --> 00:34:55,041 - [chuckles] - Sir Joseph. 544 00:34:55,125 --> 00:34:56,250 [laughs] 545 00:34:56,333 --> 00:34:58,458 It's about this deal with FBI. 546 00:34:59,500 --> 00:35:00,958 I need another million... 547 00:35:02,625 --> 00:35:06,250 and the written acclamation of Dick James. 548 00:35:07,541 --> 00:35:09,291 I know it's hard. I know it's hard. 549 00:35:09,375 --> 00:35:11,083 They died that we might wank. 550 00:35:11,583 --> 00:35:14,791 [all laughing] 551 00:35:17,291 --> 00:35:19,559 I'm talking about the Boy Scouts who aren't allowed to masturbate. 552 00:35:19,583 --> 00:35:20,666 Oh. 553 00:35:20,750 --> 00:35:23,125 It's very tempting when you're wearing shorts. 554 00:35:23,833 --> 00:35:27,416 If they only wore long trousers, maybe they'd stand a chance, you know? 555 00:35:28,208 --> 00:35:31,375 But I can tell you, you don't go blind but very shortsighted. 556 00:35:31,458 --> 00:35:35,458 [all laughing] 557 00:35:35,541 --> 00:35:38,291 [Yoko] Are you talking from experience then, John? 558 00:35:39,125 --> 00:35:40,976 - [song playing] - [John] ♪ Mean Mister Mustard ♪ 559 00:35:41,000 --> 00:35:43,833 ♪ Sleeps in the park Shaves in the dark ♪ 560 00:35:43,916 --> 00:35:46,291 ♪ Trying to save paper ♪ 561 00:35:47,541 --> 00:35:50,958 ♪ He sleeps in a hole in the road ♪ 562 00:35:52,125 --> 00:35:55,208 ♪ He keeps a ten-bob note up his nose ♪ 563 00:35:56,666 --> 00:36:00,000 ♪ He's saving up to buy some clothes ♪ 564 00:36:00,083 --> 00:36:02,916 ♪ He's such a mean old man ♪ 565 00:36:04,916 --> 00:36:06,750 - [song fades] - [John] Right. Guitars? 566 00:36:06,833 --> 00:36:10,041 - I thought that's what they do. - That is what they do, but you can't... 567 00:36:10,125 --> 00:36:12,250 Could even sing you half a song I was writing. 568 00:36:12,333 --> 00:36:14,541 - [music playing] - [Paul] Come on. 569 00:36:18,166 --> 00:36:24,041 [John] ♪ Don't you know that there's a Madman-a-comin' gonna do you no harm ♪ 570 00:36:24,125 --> 00:36:29,166 ♪ He's wearin' pink pajamas 'Cause he comes from a farm ♪ 571 00:36:29,250 --> 00:36:34,333 ♪ He's got to get somewhere To go and be so happy on his own ♪ 572 00:36:36,916 --> 00:36:40,041 ♪ But every place you go is low ♪ 573 00:36:41,416 --> 00:36:44,583 ♪ Every place you go is low ♪ 574 00:36:45,541 --> 00:36:48,208 ♪ The place you go is low ♪ 575 00:36:49,291 --> 00:36:51,166 - [song fades] - Well, it's been lots of fun. 576 00:36:51,250 --> 00:36:53,851 [Michael] We ought to figure out, like, do you wanna go on rehearsing? 577 00:36:53,875 --> 00:36:57,125 Or do you want to move into EMI and just maybe do an album? 578 00:36:57,791 --> 00:37:00,625 [John] Well, it all rests on when we see... 579 00:37:00,708 --> 00:37:02,875 I think we stop filming now. As a matter of policy. 580 00:37:02,958 --> 00:37:04,791 - [Michael] I mean, I know... - But... 581 00:37:04,875 --> 00:37:07,675 - [Paul] That's a wrap for you, lads. - [crew] Let's take it home, Jim. 582 00:37:13,333 --> 00:37:14,625 - [Paul] Yeah. - [chattering] 583 00:38:12,291 --> 00:38:14,166 [crew chattering] 584 00:38:14,250 --> 00:38:16,041 - [Michael] You right, lads? - Yeah. 585 00:38:16,125 --> 00:38:17,458 - [beep] - Running up here. 586 00:38:17,541 --> 00:38:19,791 - [Michael] Running. Running. Ready. - Speed. 587 00:38:24,750 --> 00:38:26,083 [crew 2] Pretty sure we're going. 588 00:38:32,083 --> 00:38:33,916 [Tony] Switch off your two green, Steve. 589 00:38:34,000 --> 00:38:36,520 - [Michael] And just here. - [Glyn] Hold on. Hold on, everybody. 590 00:38:44,208 --> 00:38:45,916 [playing piano] 591 00:38:48,416 --> 00:38:50,958 [with reverb] ♪ Oh, darling ♪ 592 00:38:51,041 --> 00:38:52,458 [volume increases] 593 00:38:52,541 --> 00:38:54,541 ♪ Please believe me ♪ 594 00:38:55,041 --> 00:38:56,208 Please believe me, darling. 595 00:38:57,125 --> 00:39:01,875 ♪ I'll never do you no harm ♪ 596 00:39:04,166 --> 00:39:08,125 ♪ Believe me when I tell you Whoo ♪ 597 00:39:08,208 --> 00:39:13,166 ♪ I'll never do you no harm ♪ 598 00:39:19,666 --> 00:39:21,041 Oh, darling. 599 00:39:22,041 --> 00:39:23,541 Please believe me. 600 00:39:24,583 --> 00:39:25,916 Yes, sirree. 601 00:39:26,791 --> 00:39:30,375 I'll never do you no harm. 602 00:39:35,625 --> 00:39:38,375 ♪ When you told me When you told me ♪ 603 00:39:39,125 --> 00:39:41,916 ♪ You didn't need me anymore ♪ 604 00:39:42,666 --> 00:39:43,875 ♪ Well, you know ♪ 605 00:39:44,875 --> 00:39:50,375 ♪ I nearly broke down and cried ♪ 606 00:39:50,458 --> 00:39:51,916 ♪ When you told me ♪ 607 00:39:53,291 --> 00:39:56,541 ♪ You didn't need me anymore ♪ 608 00:39:57,583 --> 00:40:03,208 ♪ You know I nearly broke down and died ♪ 609 00:40:04,125 --> 00:40:06,333 ♪ Oh, darling ♪ 610 00:40:07,958 --> 00:40:09,708 ♪ Please believe me ♪ 611 00:40:12,625 --> 00:40:14,458 ♪ I'll never do you ♪ 612 00:40:14,541 --> 00:40:17,041 ♪ I'll never do you no harm ♪ 613 00:40:45,916 --> 00:40:48,708 [George Martin over distorted speaker, indistinct] 614 00:40:49,208 --> 00:40:51,309 One, two, three, four, five, six, seven, eight, nine, ten. 615 00:40:51,333 --> 00:40:53,916 One, two, three, four, five, six, seven, eight, nine, ten. 616 00:40:57,541 --> 00:40:59,250 [engineer] This... This is not controlled. 617 00:40:59,333 --> 00:41:01,601 - [George Martin] If somebody is upstairs... - [Magic Alex] No, we don't have control. 618 00:41:01,625 --> 00:41:03,309 We've got to know how to record. Listen to that. 619 00:41:03,333 --> 00:41:05,541 One, two, three, four, five, six, seven. 620 00:41:08,041 --> 00:41:10,958 - [chattering] - [feedback] 621 00:41:17,250 --> 00:41:20,916 [George Martin] Dave, why don't we use this one? 622 00:41:21,000 --> 00:41:22,625 [continues, indistinct] 623 00:41:22,708 --> 00:41:24,625 [Dave, indistinct] 624 00:41:24,708 --> 00:41:27,416 We can't record without doing it. 625 00:41:30,416 --> 00:41:32,059 [George Martin] In the meantime, can we have... 626 00:41:32,083 --> 00:41:33,541 [Dave] Yes. [indistinct] 627 00:41:33,625 --> 00:41:35,745 - [engineer] Cheers, man. - [George Martin] Thank you. 628 00:41:36,583 --> 00:41:38,750 [George Martin] Now, Dave, can you control it in there? 629 00:41:38,833 --> 00:41:39,833 [Dave] Yes. 630 00:42:19,250 --> 00:42:20,583 [indistinct] 631 00:42:29,125 --> 00:42:32,000 [Tony] We've been doing this film for the last, sort of, two weeks, 632 00:42:32,083 --> 00:42:36,125 and we've noticed you every day at Twickenham Studios and also here. 633 00:42:36,208 --> 00:42:38,791 You stand outside all day long. Can you tell us why? 634 00:42:56,250 --> 00:42:59,625 What do you think of John Lennon and the relationship with Yoko Ono? 635 00:43:06,208 --> 00:43:08,375 - It doesn't worry you at all? - No. 636 00:43:08,458 --> 00:43:10,916 It's got nothing to do with anybody else really, has it? 637 00:43:11,833 --> 00:43:13,153 Not really. That's a good answer. 638 00:43:24,333 --> 00:43:27,666 And you've obviously read in the papers about the possible split of The Beatles. 639 00:43:27,750 --> 00:43:29,416 I mean, how does that sort of affect you? 640 00:43:37,916 --> 00:43:40,166 As long as I can see him it's all right. 641 00:43:45,166 --> 00:43:47,916 What would you like to see The Beatles do now? 642 00:43:48,000 --> 00:43:49,184 - God, what a question. - A show. 643 00:43:49,208 --> 00:43:51,625 Yeah. A live show. 644 00:43:51,708 --> 00:43:53,125 - Any show. - Yeah. 645 00:43:59,583 --> 00:44:02,541 [piano playing] 646 00:44:10,333 --> 00:44:14,583 [Ringo] It was lovely walking in here yesterday after Twickenham. It really was. 647 00:44:14,666 --> 00:44:16,791 [Michael] In retrospect, I'm glad we got out. 648 00:44:16,875 --> 00:44:19,250 Something queer about Twickenham, I don't know what it was. 649 00:44:19,333 --> 00:44:20,666 - [Ringo] Too big. - Too big? 650 00:44:20,750 --> 00:44:22,541 [Ringo] For what we were doing, you know. 651 00:44:22,625 --> 00:44:23,958 And this is nicer. 652 00:44:24,625 --> 00:44:25,958 [both chuckling] 653 00:44:27,541 --> 00:44:29,166 I'm on a special diet as of today. 654 00:44:29,250 --> 00:44:30,791 - What are you on? - No food. 655 00:44:30,875 --> 00:44:32,791 Oh, poor, why? 656 00:44:32,875 --> 00:44:34,833 I just feel a little heavy. 657 00:44:34,916 --> 00:44:38,416 When you get out the bath and find you're not admiring yourself in the mirror. 658 00:44:38,500 --> 00:44:39,559 [Ringo] Too much to admire. 659 00:44:39,583 --> 00:44:42,263 You going to do everything in here? Rather than go to EMI in future? 660 00:44:42,291 --> 00:44:45,833 - Unless you mean big orchestrations. - [Ringo] Don't know till we hear it. 661 00:44:45,916 --> 00:44:48,517 George was saying good thing you have to fight certain things at EMI, 662 00:44:48,541 --> 00:44:50,291 so it's much better when it hits the record. 663 00:44:50,375 --> 00:44:51,375 - Aye. - Mmm. 664 00:44:51,458 --> 00:44:53,625 It's a much more real sound, what the customer buys. 665 00:44:59,416 --> 00:45:01,208 Have you said good morning to Fred? 666 00:45:01,291 --> 00:45:04,250 You'll be able to get rid of these things once we get set up. 667 00:45:04,333 --> 00:45:06,250 - [Ringo] What things? - The boom mics. 668 00:45:06,333 --> 00:45:09,166 This is for intimate, unobserved conversation 669 00:45:09,250 --> 00:45:10,625 in the middle of the room, though. 670 00:45:10,708 --> 00:45:12,017 [chuckles] Unobserved conversation? 671 00:45:12,041 --> 00:45:13,708 [all chuckling] 672 00:45:15,208 --> 00:45:17,250 We should get really underway today, I think. 673 00:45:17,333 --> 00:45:19,773 We really got underway yesterday. It was a good day yesterday. 674 00:45:19,833 --> 00:45:22,476 Yeah. From your point of view. I'm talking about from my point of view. 675 00:45:22,500 --> 00:45:24,208 Oh, yeah, you should get on with it. 676 00:45:24,291 --> 00:45:25,892 [Michael] How late did you work last night? 677 00:45:25,916 --> 00:45:27,500 [Ringo] About twenty past seven. 678 00:45:28,000 --> 00:45:30,333 It's just that. But it could have gone longer too. 679 00:45:30,416 --> 00:45:31,559 [Ringo] Mmm. You get me a small... 680 00:45:31,583 --> 00:45:32,976 - [George] Morning. - [all] Morning, George. 681 00:45:33,000 --> 00:45:34,642 - [George] You're looking very... - [Michael] Pink. 682 00:45:34,666 --> 00:45:37,875 - Yes, very clean and in order. - [Michael] And even washed and in order. 683 00:45:37,958 --> 00:45:39,375 - I hear yesterday was good? - Mmm. 684 00:45:39,458 --> 00:45:40,666 - Work-wise. - Yeah. 685 00:45:40,750 --> 00:45:42,041 [Michael] Good. 686 00:45:42,125 --> 00:45:44,041 - Good vibes, man. - Yeah. 687 00:45:44,125 --> 00:45:45,791 [Michael] Morning, Glyn. How are you? 688 00:45:45,875 --> 00:45:47,375 - Morning, Glyn. - Morning, Glyn. 689 00:45:47,458 --> 00:45:49,434 - [Glyn] Morning, George. - [George Martin] What are we doing? 690 00:45:49,458 --> 00:45:50,833 What are all these people doing? 691 00:45:51,375 --> 00:45:53,226 [George Martin] They've come to look at you, John. 692 00:45:53,250 --> 00:45:56,125 Now, who can we find to switch off this ventilation? Mal? 693 00:45:56,625 --> 00:45:58,000 It's so freezing in here. 694 00:45:58,083 --> 00:46:00,958 [Ringo] I was listening to... I've told everybody. 695 00:46:01,041 --> 00:46:04,458 You know the Around the Beatles thing? 696 00:46:04,541 --> 00:46:07,375 - [Glyn] Oh, yeah. - You did the sound. Great sound. 697 00:46:07,458 --> 00:46:11,708 I just heard it over the weekend. And we were great as well, you know? 698 00:46:11,791 --> 00:46:14,791 - You were, actually. Yes. - [chattering] 699 00:46:14,875 --> 00:46:18,833 [Ringo] The acetate's great, 'cause we got all the sort of rockers first half, 700 00:46:18,916 --> 00:46:22,208 and all, you know, "Love Me Dos" and "Please Please Me" the second half. 701 00:46:22,291 --> 00:46:25,041 The rockers are so great, all the kids screaming. 702 00:46:25,708 --> 00:46:26,916 But the sound was great. 703 00:46:27,416 --> 00:46:29,416 [Michael] I love when you play rock and roll. 704 00:46:29,500 --> 00:46:32,166 Oh, George, before I forget it. Where do you... 705 00:46:39,375 --> 00:46:42,375 [George Martin] Ah, well, any good music shop. There are a couple near here. 706 00:46:43,666 --> 00:46:44,726 Chappell's will have it, yeah. 707 00:46:44,750 --> 00:46:46,208 [guitar playing] 708 00:46:55,958 --> 00:46:58,198 [Michael] But I think, you see, we ought to get together. 709 00:46:58,250 --> 00:47:01,041 See if we're gonna have it out of doors, whether people just turn up. 710 00:47:01,125 --> 00:47:07,041 [George] Uh, are you still trying to do it with all people, audience, all in one go? 711 00:47:07,125 --> 00:47:10,666 Yes. Shall we say we'll do it this weekend week? 712 00:47:24,125 --> 00:47:25,851 [George Martin] The problem with Glyn, I'd like him... 713 00:47:25,875 --> 00:47:28,267 You know, if he's starting the thing, I'd like him to finish it. 714 00:47:28,291 --> 00:47:30,017 It's silly, really, to change horses midstream. 715 00:47:30,041 --> 00:47:31,041 [John] I know. 716 00:47:32,666 --> 00:47:34,666 [Tony] "Drugs, divorce and a slipping image." 717 00:47:34,750 --> 00:47:40,500 And it says, "But it wasn't the first time they've traded a few punches." 718 00:47:40,583 --> 00:47:41,625 [John] Yeah. 719 00:47:42,583 --> 00:47:45,500 [all chuckling] 720 00:47:45,583 --> 00:47:47,976 [John] There's only one guy I'd like to get, and that's Housego. 721 00:47:48,000 --> 00:47:50,434 [Glyn] It's really extraordinary, the last week's press, isn't it? 722 00:47:50,458 --> 00:47:54,041 [George] Because there's nothing to it except that it's a lie. 723 00:47:54,125 --> 00:47:56,434 [John] Hope it doesn't come out about me beating up Maharishi. 724 00:47:56,458 --> 00:47:59,458 No doubt Derek will have read it before it got in there 725 00:47:59,541 --> 00:48:01,625 and has sent them their telegrams and things. 726 00:48:01,708 --> 00:48:03,000 [John] Congratulating them. 727 00:48:04,958 --> 00:48:06,250 [John] Morning, Denis. 728 00:48:09,166 --> 00:48:11,625 - Don't you think it's suable? - No. 729 00:48:11,708 --> 00:48:14,541 - What about the fisticuffs? - [George] Yeah, none of that. 730 00:48:14,625 --> 00:48:16,166 He said it didn't take place, right? 731 00:48:16,250 --> 00:48:17,666 - He said it did. - No. 732 00:48:17,750 --> 00:48:19,500 - [John] Oh, crumbs. - [George] Yes, he did. 733 00:48:20,125 --> 00:48:21,458 [Ringo] He said "might have." 734 00:48:21,541 --> 00:48:24,250 [John] Yes. In the past, well, that's false too. 735 00:48:24,833 --> 00:48:28,791 It's never got to that, except for a plate of dinner in Hamburg. 736 00:48:28,875 --> 00:48:31,125 The picture's great, yeah. 737 00:48:31,208 --> 00:48:33,708 George Harrison, the sane one, speaks out. 738 00:48:33,791 --> 00:48:36,791 I read it before the riddles. 739 00:48:37,375 --> 00:48:43,833 ♪ You are my sunshine, my only sunshine ♪ 740 00:48:43,916 --> 00:48:48,250 ♪ You make me happy when skies are gray ♪ 741 00:48:49,625 --> 00:48:55,791 [George] ♪ You'll never know, dear How much I love you ♪ 742 00:48:55,875 --> 00:48:59,458 ♪ Please don't take my sunshine away ♪ 743 00:49:05,125 --> 00:49:08,791 Would you like to do the link into The Stones for The Circus? 744 00:49:08,875 --> 00:49:11,333 - Or would you not like to? - What's that? 745 00:49:11,416 --> 00:49:14,416 [Michael] We've found we haven't shot anybody announcing The Rolling Stones. 746 00:49:14,708 --> 00:49:16,166 [John] Oh, I see. 747 00:49:16,250 --> 00:49:19,333 - Well, what kind of... - It would just be, uh... 748 00:49:19,416 --> 00:49:22,576 "And now, ladies and gentlemen, your host for this evening, The Rolling Stones," 749 00:49:22,625 --> 00:49:23,625 or words to that effect. 750 00:49:23,708 --> 00:49:25,642 - If it's straight, then I'll do it. - Yeah, it's straight. 751 00:49:25,666 --> 00:49:31,958 And now, your host this evening, Rolling Stones. 752 00:49:32,041 --> 00:49:33,541 [Ringo chuckles] 753 00:49:33,625 --> 00:49:35,125 - [Ringo] Did you see Hancock? - Yeah. 754 00:49:35,208 --> 00:49:36,208 [chuckles] 755 00:49:36,291 --> 00:49:38,000 [crew] I'm playing it right. 756 00:49:38,083 --> 00:49:39,958 [Michael] That's Keith Moon. 757 00:49:43,000 --> 00:49:46,000 [vocalizing] 758 00:49:47,291 --> 00:49:49,833 See that? With the sound on, I... 759 00:49:51,583 --> 00:49:53,291 [John] Turn me on, man, will you? 760 00:49:54,541 --> 00:49:55,625 [Michael] Can you juggle? 761 00:49:56,375 --> 00:49:57,851 - It's the one thing I really... - Watch. 762 00:49:57,875 --> 00:49:59,458 [drumroll] 763 00:49:59,541 --> 00:50:02,208 [Michael, chuckling] So uncoordinated. 764 00:50:02,291 --> 00:50:03,666 [John] No, I can't juggle. 765 00:50:03,750 --> 00:50:05,250 [Michael] Can you juggle, RS? 766 00:50:05,875 --> 00:50:08,291 [John] While he juggled, I knifed up the wall. 767 00:50:11,916 --> 00:50:13,791 [Ringo] Ready for three. 768 00:50:13,875 --> 00:50:18,000 [John] ♪ My rock and roll finger is bleeding ♪ 769 00:50:18,708 --> 00:50:21,875 ♪ My rock and roll finger is hurt ♪ 770 00:50:44,250 --> 00:50:47,458 [John] "Beatle George Harrison, above, is due in court here today 771 00:50:47,541 --> 00:50:48,708 to answer assault charges. 772 00:50:48,791 --> 00:50:51,500 If he does not appear, he will be given an immediate jail sentence. 773 00:50:52,208 --> 00:50:55,583 Harrison is accused of assaulting a photographer last May, 774 00:50:55,666 --> 00:50:57,625 as he and Beatle Ringo Starr left a nightclub." 775 00:50:58,666 --> 00:50:59,750 Hey! 776 00:51:13,833 --> 00:51:16,250 [Glyn] Does the PA come before or after the limiters? 777 00:51:17,416 --> 00:51:18,666 After, isn't it? 778 00:51:20,458 --> 00:51:25,333 [Glyn] Can you move the speakers behind Paul a little bit further round? 779 00:51:25,416 --> 00:51:27,625 [Paul] Glyn? 780 00:51:27,708 --> 00:51:29,791 When will you be set up to tape something? 781 00:51:29,875 --> 00:51:31,267 [George] Haven't they got it plugged up? 782 00:51:31,291 --> 00:51:33,000 [John] Are we not in that situation yet? 783 00:51:34,958 --> 00:51:36,500 [chuckles] No answer. 784 00:51:36,583 --> 00:51:39,125 It's all right. Not yet, you mean? 785 00:51:49,291 --> 00:51:50,571 [Mal] It's been made up by Alex. 786 00:51:55,208 --> 00:51:56,500 How do you tune it? 787 00:51:59,708 --> 00:52:00,708 What? 788 00:52:01,750 --> 00:52:02,809 [John] It looks like he's... 789 00:52:02,833 --> 00:52:04,625 [George] Let's give him half a million quid. 790 00:52:04,708 --> 00:52:06,083 It looks a good idea. 791 00:52:06,166 --> 00:52:07,500 - Yeah! - Two-sided bass/rhythm... 792 00:52:07,583 --> 00:52:09,583 [John] And let's give it him just for this! 793 00:52:10,166 --> 00:52:11,458 I'll put it on show. 794 00:52:11,541 --> 00:52:14,541 [all chuckling] 795 00:52:15,625 --> 00:52:18,250 He might have something in that though. 796 00:52:18,333 --> 00:52:19,541 You never... 797 00:52:19,625 --> 00:52:22,041 He'd have to just have less sides. 798 00:52:22,125 --> 00:52:24,083 [George] There it is now. 799 00:52:24,166 --> 00:52:25,726 - Yeah, two sides. - Two sides and one... 800 00:52:25,750 --> 00:52:28,270 [George] You're gonna get all your strings rubbing on your hand. 801 00:52:28,666 --> 00:52:30,458 [John] Tell him to build a prototype. 802 00:52:30,541 --> 00:52:31,833 [George] Better be good! 803 00:52:34,875 --> 00:52:37,791 - Glyn, can you look into the PA thing? - Let's think in terms of... 804 00:52:37,875 --> 00:52:40,500 We still haven't had a really good PA sound yet. 805 00:52:41,125 --> 00:52:45,500 You know? If we're gonna do it here, let's try and get one in this room. 806 00:52:45,583 --> 00:52:49,666 'Cause we still haven't had that, where we're knocked out with what we hear yet. 807 00:52:54,833 --> 00:52:58,583 - I say it now so we can get on with it. - No idea. 808 00:53:03,708 --> 00:53:05,000 [Paul shouting in German] 809 00:53:08,000 --> 00:53:09,291 [German continues] 810 00:53:09,375 --> 00:53:11,125 ♪ Yeah, yeah ♪ 811 00:53:11,208 --> 00:53:14,666 - ♪ I said, hey now, child ♪ - ♪ Yeah, yeah ♪ 812 00:53:15,375 --> 00:53:18,250 ♪ C'mon everybody, take a trip with me ♪ 813 00:53:19,208 --> 00:53:20,208 [Paul] All right! 814 00:53:21,208 --> 00:53:23,541 ♪ Oh, way downtown ♪ 815 00:53:23,625 --> 00:53:25,708 ♪ Way down there ♪ 816 00:53:25,791 --> 00:53:29,375 ♪ I got a girl who's such a girl ♪ 817 00:53:29,458 --> 00:53:31,583 ♪ Well, she's my queen ♪ 818 00:53:33,583 --> 00:53:35,833 ♪ And you know what I mean ♪ 819 00:53:37,833 --> 00:53:40,333 ♪ Hey ♪ 820 00:53:42,000 --> 00:53:44,208 ♪ Oh, yeah ♪ 821 00:53:45,416 --> 00:53:47,125 [John] ♪ In a tiny house ♪ 822 00:53:48,416 --> 00:53:50,416 ♪ By a tiny stream ♪ 823 00:53:51,208 --> 00:53:52,416 ♪ Lived a little girl ♪ 824 00:53:52,500 --> 00:53:53,750 Drop me off tonight? 825 00:53:53,833 --> 00:53:55,208 Will you drop me off tonight? 826 00:53:55,291 --> 00:53:56,458 ♪ Had a little dream ♪ 827 00:53:56,541 --> 00:53:58,000 It's on your way, is it? 828 00:53:58,083 --> 00:54:01,291 ♪ And the dream came true ♪ 829 00:54:01,375 --> 00:54:04,625 ♪ So unexpectedly ♪ 830 00:54:04,708 --> 00:54:10,458 [John, Paul] ♪ In Gilly Gilly Ossenfeffer Katzenellen Bogen By The Sea ♪ 831 00:54:13,041 --> 00:54:15,833 [John] ♪ Hula, hula, hula, hula 40 days ♪ 832 00:54:15,916 --> 00:54:16,916 A-ruff! 833 00:54:17,416 --> 00:54:19,541 ♪ Oh, they say they had satisfaction ♪ 834 00:54:19,625 --> 00:54:21,666 ♪ I'm gonna take it To the United Nation ♪ 835 00:54:23,208 --> 00:54:24,500 [Paul] Okay. 836 00:54:24,583 --> 00:54:26,916 - Do something for them. - [John] Okay, boys. 837 00:54:27,000 --> 00:54:28,680 [Paul, imitating Elvis Presley] Okay, boys. 838 00:54:28,708 --> 00:54:31,791 Let's cool it for once and get it real going for a change. 839 00:54:32,500 --> 00:54:35,125 Hold it now and don't move. 840 00:54:35,208 --> 00:54:37,375 [babbling] 841 00:54:37,458 --> 00:54:40,250 -[John] Another Lennon/ - McCartney original entitled... 842 00:54:40,333 --> 00:54:45,333 [Paul] ♪ Too bad about sorrow ♪ 843 00:54:47,333 --> 00:54:52,958 ♪ Too bad about love ♪ 844 00:54:53,708 --> 00:54:58,333 [together] ♪ There'll be no tomorrow ♪ 845 00:55:00,333 --> 00:55:04,750 ♪ For all of your love ♪ 846 00:55:05,625 --> 00:55:09,208 - ♪ Ah, ah, ah, ooh ♪ - ♪ Ooh, ooh ♪ 847 00:55:12,958 --> 00:55:14,226 - [Kevin] Yeah. Okay. - [Paul] Thank you. 848 00:55:14,250 --> 00:55:18,000 "All I Want Is You," "The Long And Winding Road," 849 00:55:18,750 --> 00:55:21,583 "Bathroom Window," "Let It Be." 850 00:55:21,666 --> 00:55:23,833 - "Bathroom Window"? - "Across the Universe," 851 00:55:23,916 --> 00:55:28,875 "Get Back To Where You Once Belonged," "Two Of Us On Our Way Home," 852 00:55:28,958 --> 00:55:31,875 "Maxwell's Silver Hammer," "I Got A Feeling," 853 00:55:31,958 --> 00:55:34,083 "Sunrise," "I Me Mine." 854 00:55:34,166 --> 00:55:35,309 - [John] "Sunrise"? - [George] "Sunrise"? 855 00:55:35,333 --> 00:55:39,083 Uh, "Sun"... "All Things Shall Pass." 856 00:55:39,166 --> 00:55:40,708 - Oh, my... - [Paul] They mean... 857 00:55:40,791 --> 00:55:41,875 You threw me there. 858 00:55:41,958 --> 00:55:43,892 I thought, I was away a day, they learned a fucking tune. 859 00:55:43,916 --> 00:55:45,333 They learned a fucking tune. 860 00:55:47,500 --> 00:55:48,500 [crew] Over there. 861 00:55:48,583 --> 00:55:49,666 [John] Over there. 862 00:55:49,750 --> 00:55:51,601 [George] If we're just trying to make the album, 863 00:55:51,625 --> 00:55:53,666 I think we should just start it straightaway. 864 00:55:54,291 --> 00:55:57,166 I think we're just gonna sing them live to the camera. 865 00:55:57,958 --> 00:55:59,958 So we'll probably just do about half an hour. 866 00:56:00,041 --> 00:56:04,166 ♪ I, a, hi, hi, a, hi, hi ♪ 867 00:56:05,541 --> 00:56:08,125 - ♪ Dig a pony ♪ - [feedback] 868 00:56:08,208 --> 00:56:11,625 ♪ Well, you can celebrate Anything you want ♪ 869 00:56:12,791 --> 00:56:17,083 ♪ Yes, you can celebrate Anything you want ♪ 870 00:56:17,666 --> 00:56:23,250 ♪ Oh, I, a, hi, hi, a, hi, hi ♪ 871 00:56:24,333 --> 00:56:26,416 ♪ Take a skylight ♪ 872 00:56:27,208 --> 00:56:29,958 ♪ Well, you can penetrate Any place you go ♪ 873 00:56:30,041 --> 00:56:31,041 [feedback continues] 874 00:56:31,125 --> 00:56:33,625 ♪ Whoo hoo hoo, ooh ♪ 875 00:56:33,708 --> 00:56:34,916 It's not me, is it? 876 00:56:35,000 --> 00:56:36,208 - ♪ Ooh, ooh ♪ - Is it me? 877 00:56:36,291 --> 00:56:38,541 [Paul] It seems to be this mic feeding back. 878 00:56:38,625 --> 00:56:41,875 - [George, indistinct] - [Paul] ♪ A ha ha, ooh ♪ 879 00:56:41,958 --> 00:56:44,625 It stops when I talk on this mic, so... 880 00:56:44,708 --> 00:56:46,416 - ♪ Ooh, ooh ♪ - [microphone feedback] 881 00:56:46,583 --> 00:56:47,958 - Can you turn? - [Paul] Sure. 882 00:56:48,666 --> 00:56:53,000 [John] I'm going to have road hog instead of skylight, however pretty it may be. 883 00:56:53,083 --> 00:56:55,434 I keep telling you not to, and you won't listen to what I say. 884 00:56:55,458 --> 00:56:56,708 - You're right. - I know. 885 00:56:56,791 --> 00:56:58,083 What is it? 886 00:56:58,166 --> 00:56:59,541 [Paul] A fragile Leslie. 887 00:57:00,875 --> 00:57:04,500 I con a Lowrey, but it didn't sing well. 888 00:57:04,583 --> 00:57:06,666 - [Michael] Yeah. - [John] ♪ Con a Lowrey... ♪ 889 00:57:06,750 --> 00:57:09,625 There wasn't... So I changed it to Paul's "dog a boney." 890 00:57:09,708 --> 00:57:11,416 [George] "Cadge a Leslie," you had as well. 891 00:57:11,500 --> 00:57:13,125 [John] Yeah, "cadge a Leslie," that. 892 00:57:13,625 --> 00:57:15,791 It's gotta be Ds and Bs, you know? 893 00:57:15,875 --> 00:57:17,875 [feedback] 894 00:57:17,958 --> 00:57:20,958 - Are they ready to take any yet? - [feedback continues] 895 00:57:26,291 --> 00:57:27,916 Glyn can hear us. Can't you, Glyn? 896 00:57:30,750 --> 00:57:32,041 In fact, he's coming out. 897 00:57:32,666 --> 00:57:33,666 Yes, Glyn? 898 00:57:34,833 --> 00:57:38,166 There's lots missing yet. This afternoon, late... 899 00:57:38,250 --> 00:57:41,530 [John] 'Cause it's got to the point where we don't know what anything's like there. 900 00:57:42,125 --> 00:57:43,125 [Glyn] In fact... 901 00:57:51,666 --> 00:57:53,666 - [John] Oh, no, you're not! - Oh, yes, I am! 902 00:57:58,041 --> 00:58:02,708 ♪ Well, since my baby left me Never said a word ♪ 903 00:58:02,791 --> 00:58:04,250 ♪ Was it something that I done ♪ 904 00:58:04,333 --> 00:58:05,708 ♪ Or something that she heard? ♪ 905 00:58:05,791 --> 00:58:07,416 ♪ You know, she left ♪ 906 00:58:08,375 --> 00:58:09,708 ♪ Yeah, left me ♪ 907 00:58:09,791 --> 00:58:12,458 ♪ So she even left me ♪ 908 00:58:12,541 --> 00:58:15,208 ♪ Never saying a word ♪ 909 00:58:15,291 --> 00:58:18,458 ♪ Put on your hi-heel sneakers ♪ 910 00:58:20,458 --> 00:58:23,125 ♪ 'Cause we're going out tonight ♪ 911 00:58:29,916 --> 00:58:32,708 ♪ Better take your shotgun ♪ 912 00:58:33,541 --> 00:58:36,666 ♪ In case some fool might wanna fight ♪ 913 00:58:39,541 --> 00:58:42,708 ♪ Every morning when the sun comes up ♪ 914 00:58:43,958 --> 00:58:46,125 ♪ Said that old milk cow ♪ 915 00:58:46,208 --> 00:58:48,708 ♪ The lazy way she walks ♪ 916 00:58:48,791 --> 00:58:51,458 ♪ You know, the moo... ♪ 917 00:58:53,625 --> 00:58:55,708 ♪ That old milk cow ♪ 918 00:59:02,000 --> 00:59:03,625 ♪ Yeah, that old milk cow... ♪ 919 00:59:03,708 --> 00:59:04,916 ♪ Don't hurt me ♪ 920 00:59:06,083 --> 00:59:08,541 ♪ Ooh, ah ♪ 921 00:59:16,541 --> 00:59:18,083 ♪ I woke up this morning ♪ 922 00:59:19,708 --> 00:59:21,250 ♪ And I looked out my door ♪ 923 00:59:22,875 --> 00:59:25,250 ♪ I can tell that old milk cow ♪ 924 00:59:25,333 --> 00:59:27,958 ♪ I can tell the way she walks ♪ 925 00:59:28,041 --> 00:59:30,541 ♪ She's gonna leave ♪ 926 00:59:31,708 --> 00:59:35,708 [Paul] ♪ "The End of a Beautiful Friendship" ♪ 927 00:59:35,791 --> 00:59:38,708 ♪ By Michael House-go-home ♪ 928 00:59:41,541 --> 00:59:45,041 "The awful tension of being locked in each other's arms 929 00:59:45,125 --> 00:59:47,875 snapped last night at a TV rehearsal. 930 00:59:48,416 --> 00:59:51,875 And Beatles John, George, Paul and Harold, at very least... 931 00:59:52,583 --> 00:59:54,958 a few vicious phrases took place. 932 00:59:57,750 --> 01:00:01,666 He, the mystical one who lost so much of The Beatles' magic. 933 01:00:02,708 --> 01:00:03,958 She, the nudie. 934 01:00:05,666 --> 01:00:10,791 It's only the suddenness of their decline from the status of 'boys next door' 935 01:00:10,875 --> 01:00:15,583 to the category of 'weirdies' that has left most people agog." 936 01:00:15,666 --> 01:00:17,416 [Denis] I heard he just played that. 937 01:00:17,500 --> 01:00:20,166 "It would be about the middle of 1960 938 01:00:20,250 --> 01:00:22,875 that the personal luster of The Beatles 939 01:00:22,958 --> 01:00:26,708 began to show a few spots of rust. 940 01:00:26,791 --> 01:00:29,708 I will deliberately leave Ringo out of it, 941 01:00:29,791 --> 01:00:32,916 because he has never developed an inclination 942 01:00:33,000 --> 01:00:34,375 towards the bizarre. 943 01:00:34,458 --> 01:00:36,500 Lennon was married, happily. 944 01:00:36,583 --> 01:00:41,000 McCartney was going steady, and George Harrison was about to marry. 945 01:00:41,541 --> 01:00:44,458 Everything in the Beatle garden was rosy. 946 01:00:44,541 --> 01:00:46,500 But that was a long time ago. 947 01:00:46,583 --> 01:00:51,000 They went their own private ways, found their own friends 948 01:00:51,083 --> 01:00:56,708 and became less reliant on each other for guidance and comradeship." 949 01:00:56,791 --> 01:00:58,875 ♪ Early in the morning I'm a-giving you the warning ♪ 950 01:00:58,958 --> 01:01:01,838 - "Where did it all lead to?" - ♪ Don't you step on my blue suede shoes ♪ 951 01:01:01,875 --> 01:01:08,458 "I suppose it is fair to say that it led pretty close to disaster 952 01:01:08,541 --> 01:01:11,625 at one time or another. 953 01:01:11,708 --> 01:01:16,166 Today all of them find acute embarrassment 954 01:01:16,250 --> 01:01:19,166 at the stories of one another's 955 01:01:19,250 --> 01:01:23,666 odd-ball adventures and conduct. 956 01:01:23,750 --> 01:01:28,666 Harrison's escapades with his favorite mystic from India 957 01:01:28,750 --> 01:01:31,059 - left Paul and Ringo aghast..." - ♪ I'm a-giving you the warning ♪ 958 01:01:31,083 --> 01:01:36,000 - ♪ Don't you step on my blue suede shoes ♪ - "...and both felt obliged to try him out 959 01:01:36,083 --> 01:01:39,791 to see if they were missing anything." 960 01:01:39,875 --> 01:01:41,583 ♪ Nothing to lose, and hey ♪ 961 01:01:41,666 --> 01:01:44,750 "Drugs, divorce and a slipping image 962 01:01:45,333 --> 01:01:50,041 played desperately on their minds and it appeared to them all 963 01:01:50,125 --> 01:01:52,708 that the public was being encouraged 964 01:01:52,791 --> 01:01:54,291 to hate them." 965 01:01:54,375 --> 01:01:57,625 ♪ You don't need no rhythm and blues ♪ 966 01:01:57,708 --> 01:02:00,458 ♪ I got nothing to lose ♪ 967 01:02:01,666 --> 01:02:04,666 ♪ Early in the morning I'm a-giving you the warning ♪ 968 01:02:04,750 --> 01:02:07,666 ♪ Don't you step on my blue suede shoes ♪ 969 01:02:07,750 --> 01:02:12,500 "But that still doesn't amount to a complete break-up of the group. 970 01:02:12,583 --> 01:02:16,041 Whatever talent they have as individuals, 971 01:02:16,125 --> 01:02:18,291 and who can deny it, 972 01:02:18,375 --> 01:02:24,125 their capacity to earn is largely tied up 973 01:02:24,208 --> 01:02:26,875 in their performances as a group." 974 01:02:54,458 --> 01:02:58,041 "They will never be exactly the same again." 975 01:02:58,125 --> 01:03:00,458 ♪ Everybody's rockin' tonight ♪ 976 01:03:04,041 --> 01:03:05,791 - [Paul] Okay. - [John] Okay. 977 01:03:05,875 --> 01:03:07,875 - [Paul] Okay then. - [John] Are you ready, George? 978 01:03:08,375 --> 01:03:10,208 [Paul] Here we go, Glyn. 979 01:03:10,291 --> 01:03:11,708 Coming, ready or not. 980 01:03:11,791 --> 01:03:13,750 - [John] Glyn. - [Glyn] You're on. 981 01:03:14,333 --> 01:03:17,041 - Okay, boys and girls. - [Paul] Okay. 982 01:03:17,708 --> 01:03:18,791 "All I Want Is You." 983 01:03:18,875 --> 01:03:20,041 Take one. 984 01:03:23,166 --> 01:03:25,958 And now, your hosts for this evening, The Bottles. 985 01:03:26,041 --> 01:03:28,041 ♪ Oh ♪ 986 01:03:28,125 --> 01:03:32,208 ♪ I, a, hi, hi, a, hi, hi ♪ 987 01:03:33,125 --> 01:03:35,708 ♪ Roll a stoney ♪ 988 01:03:35,791 --> 01:03:36,791 ♪ Whoa ♪ 989 01:03:36,875 --> 01:03:40,208 [John] ♪ You can imitate everyone you know ♪ 990 01:03:41,375 --> 01:03:45,958 ♪ Yes, you can imitate everyone you know ♪ 991 01:03:46,041 --> 01:03:48,291 ♪ I told you so ♪ 992 01:03:48,375 --> 01:03:51,416 ♪ All I want is you ♪ 993 01:03:53,833 --> 01:03:59,458 ♪ Everything has got to be Just like you want it to ♪ 994 01:04:00,083 --> 01:04:02,083 ♪ Because ♪ 995 01:04:23,583 --> 01:04:28,041 ♪ Oh, I, a, hi, hi, a, hi, hi ♪ 996 01:04:29,583 --> 01:04:31,875 ♪ Feel the wind love ♪ 997 01:04:32,666 --> 01:04:36,583 ♪ Well, you can indicate Anything you see ♪ 998 01:04:37,250 --> 01:04:42,541 ♪ Yes, you can indicate Anything you see ♪ 999 01:04:42,625 --> 01:04:49,000 ♪ Oh, I, a, hi, hi, a, hi, hi ♪ 1000 01:04:50,250 --> 01:04:52,833 ♪ Dug a bony ♪ 1001 01:04:53,416 --> 01:04:57,291 ♪ Well, you can syndicate Any boat you row ♪ 1002 01:04:58,166 --> 01:05:02,958 ♪ Yes, you can syndicate Any boat you row ♪ 1003 01:05:03,041 --> 01:05:05,375 ♪ I told you so ♪ 1004 01:05:05,458 --> 01:05:11,083 ♪ All I want is you ♪ 1005 01:05:11,166 --> 01:05:12,166 [Paul] ♪ Girl ♪ 1006 01:05:12,750 --> 01:05:15,041 [John] ♪ You're gonna shag that girl ♪ 1007 01:05:17,041 --> 01:05:18,333 ♪ Shag ♪ 1008 01:05:18,416 --> 01:05:21,208 ♪ Everybody shag now Everybody shag ♪ 1009 01:05:22,291 --> 01:05:25,250 [Paul] ♪ Move a little bit harder now Move a little bit softer now ♪ 1010 01:05:29,416 --> 01:05:30,416 [Ringo] Gonna hear that. 1011 01:05:30,500 --> 01:05:31,791 - What, where? - There. 1012 01:05:31,875 --> 01:05:33,458 - Go in there? - In there. 1013 01:05:33,541 --> 01:05:34,583 Sure. Why not? 1014 01:05:37,416 --> 01:05:39,184 - [John] No, no, don't... - Oh, no, no, no, John. 1015 01:05:39,208 --> 01:05:40,833 Please don't put the mockers on it. 1016 01:05:40,916 --> 01:05:42,458 [George] ♪ Oh, no, no, no ♪ 1017 01:05:42,541 --> 01:05:45,791 ["Dig a Pony" playback] 1018 01:05:45,875 --> 01:05:48,041 ♪ Because ♪ 1019 01:05:49,500 --> 01:05:51,250 [playback continues] 1020 01:06:05,666 --> 01:06:09,083 ♪ All I want is you ♪ 1021 01:06:11,375 --> 01:06:13,708 [George] That sounds very nice, really. 1022 01:06:13,791 --> 01:06:15,392 [Glyn] I'm really pleased with the sound. 1023 01:06:15,416 --> 01:06:17,892 I thought, "Well, fuck me. If they don't like that, what do they want?" 1024 01:06:17,916 --> 01:06:19,250 [John] It's just like we sound. 1025 01:06:19,333 --> 01:06:21,500 ♪ Lodge Sam Wrapper Is the place you gotta go ♪ 1026 01:06:22,375 --> 01:06:26,666 And now, our hosts for this evening, The Bony Rolls. 1027 01:06:26,750 --> 01:06:31,375 "I Dig A Pygmy" by Charles Hawtrey and the Deaf-Aids! 1028 01:06:31,458 --> 01:06:32,541 [laughing] 1029 01:06:32,625 --> 01:06:35,958 Phase one, in which Doris gets her oats. 1030 01:06:36,458 --> 01:06:37,541 Ringo! 1031 01:06:37,625 --> 01:06:39,500 [coughing] Richie! 1032 01:06:40,750 --> 01:06:42,500 Scab head! Come in! 1033 01:06:43,208 --> 01:06:44,208 One more. 1034 01:06:45,333 --> 01:06:48,083 [Paul, posh accent] Glyn would like us to do it one more time. 1035 01:06:48,166 --> 01:06:49,916 Shall we oblige him? 1036 01:06:50,000 --> 01:06:51,250 [John, American accent] Okay. 1037 01:06:51,333 --> 01:06:53,583 I think we could still take it a little quieter. 1038 01:06:53,666 --> 01:06:55,266 [Paul, American accent] I think I agree. 1039 01:06:55,833 --> 01:06:59,458 [John, normal voice] And when I go, "Oh," I want you to go, "Oh." 1040 01:06:59,541 --> 01:07:00,541 [Paul] Got it! 1041 01:07:00,625 --> 01:07:02,875 ♪ Oh ♪ 1042 01:07:02,958 --> 01:07:05,333 [both] ♪ Oh ♪ 1043 01:07:05,416 --> 01:07:06,958 [playing "Dig A Pony"] 1044 01:07:08,625 --> 01:07:11,791 ♪ All I want is you ♪ 1045 01:07:11,875 --> 01:07:15,208 ♪ I, a, hi, hi, a, hi, hi ♪ 1046 01:07:17,000 --> 01:07:19,083 ♪ Dig a pony ♪ 1047 01:07:19,750 --> 01:07:23,500 ♪ Well, you can celebrate Anything you want ♪ 1048 01:07:24,083 --> 01:07:27,083 After we got to "a wind love," I went berserk. 1049 01:07:27,166 --> 01:07:29,458 [laughing] 1050 01:07:29,541 --> 01:07:31,666 [Paul] Like the wind, he blew away. 1051 01:07:31,750 --> 01:07:33,833 - His thoughts scattered... - I blew a windstorm. 1052 01:07:33,916 --> 01:07:35,958 [Paul] ...tumbling like a paper cup. 1053 01:07:37,333 --> 01:07:39,333 "Blew a road hog." That's better. 1054 01:07:40,291 --> 01:07:41,625 Blew a road hog. 1055 01:07:41,708 --> 01:07:44,583 [Paul] Slither wildly like a blind dog. 1056 01:07:45,416 --> 01:07:48,083 As it creeps away across my underpants. 1057 01:07:48,166 --> 01:07:49,875 [Paul laughs] 1058 01:07:53,000 --> 01:07:55,708 - [John] I'm a lyricist in my own right. - [Paul] He is, you know. 1059 01:07:55,791 --> 01:07:58,833 [Paul] Yes, Richard Rodgers has got nothing on this boy. 1060 01:07:58,916 --> 01:08:00,892 - [all chattering] - [John] ♪ Oh, Paul, sometimes... ♪ 1061 01:08:00,916 --> 01:08:02,833 [Paul] ♪ Aye, sometimes, John, I don't know... ♪ 1062 01:08:02,916 --> 01:08:05,166 [John] That tongue will be the death of you! 1063 01:08:05,916 --> 01:08:07,583 "I feel a wind love"? 1064 01:08:07,666 --> 01:08:09,958 Yeah, I've changed it to "wind love" now. 1065 01:08:10,041 --> 01:08:13,458 - I just make it up as I go along. - [Paul] Oh, is that how you do it? 1066 01:08:28,250 --> 01:08:30,416 [playback] 1067 01:08:32,666 --> 01:08:35,083 See, I want it so that it goes... 1068 01:08:35,166 --> 01:08:36,916 [imitates drums] 1069 01:08:37,000 --> 01:08:38,458 The bass is going that bit. 1070 01:08:38,541 --> 01:08:41,101 Try doing it so you're almost playing four in a bar. So you go... 1071 01:08:41,166 --> 01:08:46,250 [imitates drums] 1072 01:08:46,333 --> 01:08:47,708 on those bits. 1073 01:08:47,791 --> 01:08:50,583 [Ringo] Well, that's the beginning of the verses, isn't it? 1074 01:08:50,666 --> 01:08:53,583 Yeah. ♪ I dig a pony ♪ 1075 01:08:53,666 --> 01:08:55,041 [Ringo] That's what I'm doing now. 1076 01:08:55,125 --> 01:08:56,208 This one isn't going... 1077 01:08:56,875 --> 01:08:58,541 high or heavy. You can hear the... 1078 01:08:59,125 --> 01:09:01,916 There's none for that one. Only the bass is doing that. 1079 01:09:02,000 --> 01:09:03,760 [George] We haven't got the double bass drum. 1080 01:09:03,833 --> 01:09:05,208 The other bass drum. 1081 01:09:05,291 --> 01:09:07,726 [John] So what would that be, Paul? Would that be four in the bar? 1082 01:09:07,750 --> 01:09:10,083 - Are you using high hats? - [Ringo] Mmm. 1083 01:09:10,166 --> 01:09:12,333 - [John humming] - Don't know, maybe a... 1084 01:09:14,291 --> 01:09:16,708 If you did... Are you doing the big cymbal on that? 1085 01:09:17,208 --> 01:09:20,541 [imitates drums] 1086 01:09:20,625 --> 01:09:22,226 - That's the way I'm doing it. - [John] Yeah. 1087 01:09:22,250 --> 01:09:26,125 ♪ After 40 years in the desert He couldn't find his balls ♪ 1088 01:09:27,375 --> 01:09:28,851 [Mal] What time are you working till? 1089 01:09:28,875 --> 01:09:30,517 - [Ringo] What time is it? - [Mal] Seven o'clock. 1090 01:09:30,541 --> 01:09:31,750 [Ringo] That's time enough. 1091 01:09:33,375 --> 01:09:36,291 [John] ♪ Well, don't you know That there's a madman a-comin' ♪ 1092 01:09:36,375 --> 01:09:38,291 ♪ Gonna do you no harm ♪ 1093 01:09:38,375 --> 01:09:42,500 ♪ He's wearin' pink pajamas And he lives on a farm ♪ 1094 01:09:42,583 --> 01:09:46,500 ♪ He's got to get somewhere So that he can be on his own ♪ 1095 01:09:48,500 --> 01:09:53,166 ♪ I got a feeling A feeling deep inside ♪ 1096 01:09:53,250 --> 01:09:54,250 ♪ Oh, yeah ♪ 1097 01:09:56,041 --> 01:09:57,541 - ♪ Oh, yeah ♪ - [John] ♪ Oh, yeah ♪ 1098 01:10:00,000 --> 01:10:04,791 ♪ I got a feeling A feeling I can't hide ♪ 1099 01:10:04,875 --> 01:10:06,666 ♪ Oh, no ♪ 1100 01:10:07,666 --> 01:10:08,916 - ♪ Oh, no ♪ - ♪ Oh, no ♪ 1101 01:10:10,666 --> 01:10:12,583 - ♪ Oh, yeah ♪ - ♪ Oh, yeah ♪ 1102 01:10:13,666 --> 01:10:15,125 [Paul] ♪ Oh, no ♪ 1103 01:10:15,208 --> 01:10:20,541 - [song continues on playback] - ♪ Yeah, yeah, I got a feeling ♪ 1104 01:10:20,625 --> 01:10:24,250 ♪ Don't let me down ♪ 1105 01:10:27,083 --> 01:10:30,291 ♪ Don't let me down ♪ 1106 01:10:31,916 --> 01:10:34,000 One, two, five, six! 1107 01:10:35,791 --> 01:10:37,541 [Paul] Sounds all right in here, doesn't it? 1108 01:10:37,625 --> 01:10:39,065 Doesn't really make much difference. 1109 01:10:39,125 --> 01:10:41,583 [Glyn] Oh, yeah. But with everything being so close-mic'ed, 1110 01:10:41,666 --> 01:10:43,916 you don't notice it on the tapes much. 1111 01:10:44,000 --> 01:10:48,500 This is really good for strings or anything... You'd mic more distanced. 1112 01:10:48,583 --> 01:10:50,000 - [Paul] Is it? - Know what I mean? 1113 01:10:50,958 --> 01:10:53,184 [John] Imagine if we could have played like this at The Cavern. 1114 01:10:53,208 --> 01:10:54,208 It would've been great. 1115 01:10:54,291 --> 01:10:56,583 Eh, we were there, weren't we? 1116 01:10:56,666 --> 01:10:57,875 [George] Got another toy. 1117 01:10:57,958 --> 01:11:00,125 [Paul] See, would you have piano on it? 1118 01:11:00,833 --> 01:11:02,226 [John] Yeah, but how do we do that? 1119 01:11:02,250 --> 01:11:04,416 'Cause then it just leaves one guitar, doesn't it? 1120 01:11:04,500 --> 01:11:06,017 - We need somebody else. - [Paul] Yeah. 1121 01:11:06,041 --> 01:11:09,125 [John] Probably be like a guy that plays piano all the time. 1122 01:11:09,208 --> 01:11:10,708 That one that plays with The Stones. 1123 01:11:10,791 --> 01:11:12,471 - Or anybody. Yeah. - [Paul] Nicky Hopkins. 1124 01:11:17,333 --> 01:11:19,375 ♪ Don't you know it's gonna last? ♪ 1125 01:11:21,125 --> 01:11:23,208 ♪ It's a love that lasts forever ♪ 1126 01:11:24,916 --> 01:11:27,416 ♪ It's a love that has no past ♪ 1127 01:11:32,291 --> 01:11:34,625 [deep voice] ♪ Don't let me down ♪ 1128 01:11:34,708 --> 01:11:37,333 Plop, plop, plop. Plop. Plop. 1129 01:11:38,708 --> 01:11:40,625 [normal voice] Don't let me down, baby! 1130 01:11:40,708 --> 01:11:42,500 [Paul babbling] 1131 01:11:46,708 --> 01:11:50,500 ♪ I'm in love for the first time ♪ 1132 01:11:50,583 --> 01:11:52,875 ♪ A wop-bop-a-loo-bop, oh ♪ 1133 01:11:52,958 --> 01:11:56,291 ♪ It's a love that has no past ♪ 1134 01:11:58,791 --> 01:12:01,833 [scatting] ♪ Don't let me down ♪ 1135 01:12:01,916 --> 01:12:05,625 ♪ I'm in love for the first time ♪ 1136 01:12:05,708 --> 01:12:07,788 - ♪ Dicky Murdoch ♪ - ["Don't Let Me Down" continues] 1137 01:12:10,708 --> 01:12:13,208 ♪ Dicky, Dicky, Dicky Doo ♪ 1138 01:12:16,500 --> 01:12:20,000 ♪ Dicky, Dicky, Dicky, Dicky Dicky, Dicky, Dicky Murdoch ♪ 1139 01:12:22,791 --> 01:12:25,833 ♪ Dicky, Dicky, Dicky Doo ♪ 1140 01:12:28,625 --> 01:12:29,750 [blows raspberry] 1141 01:12:30,791 --> 01:12:33,458 [Paul] "She Came In Through The Bathroom Window." 1142 01:12:33,541 --> 01:12:34,541 [John] No idea. 1143 01:12:34,625 --> 01:12:36,750 [Paul] A... "Diana" chords in A. 1144 01:12:38,291 --> 01:12:40,416 - [John] I'm on piano for this one. - Yeah. 1145 01:12:40,500 --> 01:12:41,958 It's a great piano. 1146 01:12:45,708 --> 01:12:48,125 - It's the best one here. - Oh, yeah. But you had one. 1147 01:12:48,208 --> 01:12:49,892 - I know, but it wasn't like... - Your Fender. 1148 01:12:49,916 --> 01:12:51,516 Nicky Hopkins has just got one of these. 1149 01:12:51,541 --> 01:12:54,101 [John] I've had one about two years at home, but it's not as good as this. 1150 01:12:54,125 --> 01:12:57,625 Must've been the prototype, you know? It's all buzzy like the old one. 1151 01:13:01,125 --> 01:13:04,875 ♪ By the banks of her own... ♪ 1152 01:13:04,958 --> 01:13:06,333 Just like that. [vocalizing] 1153 01:13:06,416 --> 01:13:09,083 [Paul] ♪ But she could not rob ♪ 1154 01:13:09,583 --> 01:13:13,750 ♪ Didn't anybody tell her? ♪ 1155 01:13:13,833 --> 01:13:15,625 [George vocalizing] 1156 01:13:49,500 --> 01:13:52,333 On the chorus... Just need it to be a bit more solid. 1157 01:13:53,125 --> 01:13:54,291 So, like... 1158 01:13:55,416 --> 01:13:56,916 Sing on the top of it. 1159 01:13:57,000 --> 01:13:59,208 ♪ Didn't anybody tell her? ♪ 1160 01:14:00,083 --> 01:14:02,750 Yes, they're all like that. They're all like that. 1161 01:14:03,666 --> 01:14:07,500 ♪ Didn't anybody tell her? ♪ 1162 01:14:10,625 --> 01:14:12,750 ♪ Didn't anybody ♪ 1163 01:14:12,833 --> 01:14:16,750 It should be like three-part, and very close, very tight. 1164 01:14:16,833 --> 01:14:18,166 And with a sort of... 1165 01:14:18,250 --> 01:14:21,625 ♪ She could steal, but she could not rob ♪ 1166 01:14:22,291 --> 01:14:26,041 ♪ Didn't anybody tell her? ♪ 1167 01:14:26,833 --> 01:14:29,833 Just very, sort of... In the background, it should be... 1168 01:14:29,916 --> 01:14:33,375 [imitates beat] Very plain. 1169 01:14:36,125 --> 01:14:40,208 ♪ Didn't anybody tell her? ♪ 1170 01:14:42,791 --> 01:14:46,250 ♪ Didn't anybody see? ♪ 1171 01:14:48,916 --> 01:14:53,458 ♪ Sunday's on the phone to Monday ♪ 1172 01:14:53,541 --> 01:14:56,017 [John] We've got to start on all them other ones we've learned now. 1173 01:14:56,041 --> 01:14:57,841 - Yeah, little bits... - And start doing them. 1174 01:14:59,625 --> 01:15:02,250 Well, shall we do it tomorrow? The harmonies? 1175 01:15:02,333 --> 01:15:04,916 ♪ Didn't anybody tell her? ♪ 1176 01:15:06,958 --> 01:15:10,500 [John] We must be able to have it so that we can play with an electric piano. 1177 01:15:10,583 --> 01:15:12,543 I mean, look, other groups play on stage with 'em. 1178 01:15:13,208 --> 01:15:15,875 I mean, I've seen people on telly playing them, you know? 1179 01:15:18,458 --> 01:15:19,833 [John] That's what it is. 1180 01:15:19,916 --> 01:15:21,041 Come along. 1181 01:15:21,125 --> 01:15:22,750 - Oh, yeah. - Come on. Get home. 1182 01:15:22,833 --> 01:15:24,166 We're going with Ringo. 1183 01:15:25,833 --> 01:15:28,125 Goodbye, goodbye. See you tomorrow. 1184 01:15:28,208 --> 01:15:30,291 [Michael] Okay. What time are you coming? 1185 01:15:31,166 --> 01:15:33,166 At 11:00 on the nose. 1186 01:15:34,625 --> 01:15:35,833 Or one o'clock. 1187 01:15:35,916 --> 01:15:37,500 But on the nose. 1188 01:15:37,583 --> 01:15:39,625 I had a good idea for the TV show. 1189 01:15:39,708 --> 01:15:41,000 The only way we ever did them... 1190 01:15:41,083 --> 01:15:43,333 - Harmony? You're right. - You're right, John. 1191 01:15:43,416 --> 01:15:45,416 Riffs on guitar, Paul. Harmony on piano. 1192 01:15:45,500 --> 01:15:48,541 I'd like to... What we did today, it was the same story. 1193 01:15:48,625 --> 01:15:50,291 - Same story. - Same story exactly. 1194 01:15:50,375 --> 01:15:51,958 - For the voices, you mean? - Yeah. 1195 01:15:52,041 --> 01:15:53,041 - Sure. - Yeah. 1196 01:15:53,083 --> 01:15:54,708 We gotta get those voices cleaned up. 1197 01:15:54,791 --> 01:15:56,875 Well, let's get 'em all into the riff stage. 1198 01:15:57,958 --> 01:16:00,375 'Cause I do like the riff stage, you know? 1199 01:16:00,458 --> 01:16:01,458 Yeah. 1200 01:16:01,541 --> 01:16:03,333 - Okay, see you tomorrow. - Yes. Good night. 1201 01:16:03,416 --> 01:16:04,708 - Yeah. - At eleven o'clock. 1202 01:16:04,791 --> 01:16:05,875 [Michael] Good night. 1203 01:16:05,958 --> 01:16:07,291 Bye. 1204 01:16:07,375 --> 01:16:10,083 [chattering] 1205 01:16:10,166 --> 01:16:12,125 Ta-ta. Good night. 1206 01:16:12,208 --> 01:16:16,833 [chattering] 1207 01:16:16,916 --> 01:16:18,392 [John] "'So be it, ' says George Harrison." 1208 01:16:18,416 --> 01:16:19,476 [Yoko] Is that Michael Housego? 1209 01:16:19,500 --> 01:16:20,559 - Have you seen that? - [George] No. 1210 01:16:20,583 --> 01:16:23,125 In the Mail, there's a picture of you inside the next page. 1211 01:16:23,208 --> 01:16:24,916 And you said about France, 1212 01:16:25,000 --> 01:16:27,583 "'So be it, ' says Beatle George Harrison, 1213 01:16:27,666 --> 01:16:31,208 who smashed, ruined the fellow's evening suit and his cameras, and"... 1214 01:16:31,291 --> 01:16:32,726 [Glyn] Had seven stitches in his knee. 1215 01:16:32,750 --> 01:16:37,458 [George] "Harrison has already agreed to pay Bebert £425 compensation." 1216 01:16:37,541 --> 01:16:40,750 It's amazing the way it goes on without even 1217 01:16:40,833 --> 01:16:42,375 - anything to do with you. - Yeah. 1218 01:16:42,458 --> 01:16:45,375 [George] It's like, as if you can just give 'em a plastic dummy of you 1219 01:16:45,458 --> 01:16:48,541 to, you know, to push around and play with. 1220 01:16:49,166 --> 01:16:53,416 Morning. Morning, everybody. Another bright day. Morning, camera. 1221 01:16:54,250 --> 01:16:58,708 And now, your host for this evening, The Rolling Stones. 1222 01:16:59,208 --> 01:17:01,625 [Glyn] Lovely warm air coming through here. It's great. 1223 01:17:07,500 --> 01:17:10,625 [Paul] Neil thinks they'll want to print their own in America. 1224 01:17:10,708 --> 01:17:11,958 [Derek] Yeah. Well, they will. 1225 01:17:12,041 --> 01:17:13,726 [Paul] It's like... I don't like that thing 1226 01:17:13,750 --> 01:17:15,392 where it goes cheap when it goes to America 1227 01:17:15,416 --> 01:17:17,958 - and they do the reprint. - [Derek] I know what you mean. 1228 01:17:18,041 --> 01:17:20,083 Because the album's gonna be called Postcard. 1229 01:17:23,125 --> 01:17:24,333 [Paul] By Mary Hopkin. 1230 01:17:24,416 --> 01:17:27,458 So we're just getting Valentine's, the people who make postcards, 1231 01:17:27,541 --> 01:17:30,166 to put one of them on the cover of the LP. 1232 01:17:30,250 --> 01:17:32,875 - There's no, sort of, sleeve notes... - And a picture of her. 1233 01:17:32,958 --> 01:17:35,083 [Paul] Yeah. And just a few pictures of her in it all. 1234 01:17:35,666 --> 01:17:37,041 - Postcard? - Yes. 1235 01:17:37,125 --> 01:17:38,565 - [George] Next of Hopkin. - [laughs] 1236 01:17:40,041 --> 01:17:41,458 - Does this work? - Yeah. 1237 01:17:41,541 --> 01:17:42,875 [Glyn] Goodness me. 1238 01:17:42,958 --> 01:17:45,166 - Should be a good day. - [laughs] 1239 01:17:45,250 --> 01:17:47,375 [George] Bring your tambourine next time you come. 1240 01:17:47,458 --> 01:17:48,458 All right. 1241 01:17:48,541 --> 01:17:51,125 - [John] Is that old toast that you had... - Yeah. 1242 01:17:51,208 --> 01:17:53,642 - They're bringing some more. - [George] With a bit of marmalade, Kev? 1243 01:17:53,666 --> 01:17:57,250 [John] ♪ Has taken my love away from me Oh, now ♪ 1244 01:17:57,833 --> 01:17:59,333 ♪ Some other guy now ♪ 1245 01:18:00,250 --> 01:18:01,833 John, could you give us an E? 1246 01:18:01,916 --> 01:18:03,833 - Yes. - [plays note on piano] 1247 01:18:15,958 --> 01:18:16,958 Wow, that's great. 1248 01:18:17,041 --> 01:18:18,583 [John] Michael, do you want this? 1249 01:18:18,666 --> 01:18:19,851 - [Michael] Those walls? - Yeah. 1250 01:18:19,875 --> 01:18:23,166 - We don't have to have them anymore. - They're reflecting it all back on us. 1251 01:18:23,250 --> 01:18:24,541 - [Paul] The heat? - Yeah. 1252 01:18:25,583 --> 01:18:27,666 - You're so right. - Oh, Paul, I... 1253 01:18:27,750 --> 01:18:29,791 I know you've probably lived in a glass house. 1254 01:18:33,458 --> 01:18:37,416 [vocalizing] 1255 01:18:38,000 --> 01:18:39,434 [Michael] Paul, what I'd like to do now 1256 01:18:39,458 --> 01:18:42,083 is go and talk to Neil about seeing if Primrose Hill is free. 1257 01:18:42,166 --> 01:18:43,166 Can I do that? 1258 01:18:43,791 --> 01:18:46,000 [Paul] It would be nice almost not to tell 'em. 1259 01:18:46,083 --> 01:18:47,851 [Michael] That's why I wanted to do it in Africa. 1260 01:18:47,875 --> 01:18:50,809 You just start playing, and one by one they come, one by one, ten by ten... 1261 01:18:50,833 --> 01:18:54,583 [Paul] Well, to me that's okay. Primrose Hill. And I dig it. 1262 01:19:10,750 --> 01:19:13,625 [Michael] So, but just roughly, timewise, you'd say in about a week? 1263 01:19:13,708 --> 01:19:14,708 [Paul] Yeah. 1264 01:19:14,791 --> 01:19:19,208 [John] Mal, could you buy some cooling fans? Just loose ones. 1265 01:19:19,291 --> 01:19:21,891 - [Mal] The engineer's coming over. - [Ringo] We need the blowers. 1266 01:19:28,333 --> 01:19:29,500 [John] Oh, yeah. 1267 01:19:29,583 --> 01:19:32,625 See, we're never gonna be the same two days running, you know? 1268 01:19:32,708 --> 01:19:34,916 - It's impossible to remember. - [Glyn] Sure. 1269 01:19:36,291 --> 01:19:38,791 The amp... The amp, I'm not bothered about at all. 1270 01:19:38,875 --> 01:19:40,791 It's just the bass itself. 1271 01:19:40,875 --> 01:19:43,958 [John] Did you see Fleetwood Mac on Late Night Live? 1272 01:19:44,041 --> 01:19:46,041 - They were so sweet, man. - Were they? 1273 01:19:46,125 --> 01:19:48,958 [John] And the lead singer's great. You know, looks great. 1274 01:19:49,041 --> 01:19:51,041 And he just, sort of, sings very quiet as well. 1275 01:19:51,125 --> 01:19:52,750 He's not a shouter. 1276 01:19:52,833 --> 01:19:56,125 - And they were just like... [hums] - [George, indistinct] 1277 01:19:58,166 --> 01:19:59,806 [John] Yeah, but better than Canned Heat. 1278 01:20:02,333 --> 01:20:03,601 Yeah, they're really good though. 1279 01:20:03,625 --> 01:20:06,041 It's just that sweeter, just the guitar hanging. 1280 01:20:06,125 --> 01:20:09,750 [Paul] ♪ Well, the more we ran Won't be back again ♪ 1281 01:20:11,083 --> 01:20:13,291 That's like the Canned Heat one. I love that one. 1282 01:20:13,375 --> 01:20:15,250 ♪ Well, I'm going down the country ♪ 1283 01:20:15,333 --> 01:20:17,416 ♪ Down the country way ♪ 1284 01:20:19,666 --> 01:20:21,291 ♪ Going down the country ♪ 1285 01:20:21,375 --> 01:20:23,666 ♪ Don't have what to... ♪ 1286 01:20:25,916 --> 01:20:27,416 ♪ And I won't be back ♪ 1287 01:20:27,500 --> 01:20:29,666 ♪ For a while with all the loving here ♪ 1288 01:20:34,000 --> 01:20:35,708 Okay, Glynis. 1289 01:20:35,791 --> 01:20:37,750 - Shall we do it? - Okay. 1290 01:20:37,833 --> 01:20:40,500 Okay. Let's try it now. 1291 01:20:40,583 --> 01:20:42,833 Give up Canned Heat. We're The Beatles now. 1292 01:20:42,916 --> 01:20:44,625 - Do it like The Beatles. - [Glyn] Running. 1293 01:20:44,708 --> 01:20:46,500 ♪ I told you so ♪ 1294 01:20:46,583 --> 01:20:50,375 ♪ All I want is you ♪ 1295 01:20:52,666 --> 01:20:54,458 ♪ Everything has got to be ♪ 1296 01:20:54,541 --> 01:21:00,291 ♪ Just like you want it to, because ♪ 1297 01:21:18,583 --> 01:21:23,541 ♪ All I want is you ♪ 1298 01:21:27,083 --> 01:21:28,642 - [George] It certainly... - We improve with time. 1299 01:21:28,666 --> 01:21:31,041 You're not talking to Ricky and the Red Streaks, you know? 1300 01:21:31,125 --> 01:21:32,351 [Paul] Like a fine wine, really. 1301 01:21:32,375 --> 01:21:34,041 [John] Ooh, it's a strain of a song. 1302 01:21:34,125 --> 01:21:36,666 It's such a heavy one to go through all these times. 1303 01:21:36,750 --> 01:21:39,041 Yeah. There's no time for a breath. 1304 01:21:39,625 --> 01:21:41,208 I'm trying it all different ways. 1305 01:21:41,291 --> 01:21:43,166 Okay, let's change the format. 1306 01:21:43,250 --> 01:21:45,791 - Let's run through "I've Got a Feeling." - Okay. 1307 01:21:46,791 --> 01:21:51,125 ♪ ...wandering around Wondering how come nobody told me ♪ 1308 01:21:51,208 --> 01:21:54,375 ♪ All that I've been looking for was Somebody who looked like you ♪ 1309 01:21:54,458 --> 01:21:56,291 ♪ Ooh ♪ 1310 01:21:56,375 --> 01:21:57,375 We go to D. 1311 01:21:57,458 --> 01:21:59,708 I just had a harmony. It just came, just like... 1312 01:21:59,791 --> 01:22:01,671 - [Paul] ♪ That everybody knows ♪ - [Glyn] John? 1313 01:22:13,250 --> 01:22:14,250 [Paul] More. 1314 01:22:14,791 --> 01:22:17,208 Let me tell you about the feeling I've got. 1315 01:22:17,291 --> 01:22:18,291 [Paul] Bit more. 1316 01:22:19,958 --> 01:22:25,041 ♪ Everybody had a hard year Everybody had a good time ♪ 1317 01:22:28,833 --> 01:22:31,750 See, it's not as good, man, as when it was bassy. 1318 01:22:32,375 --> 01:22:33,583 What's the matter with you? 1319 01:22:34,500 --> 01:22:36,208 - I can't hear you. - [Glyn] Be bassy. 1320 01:22:36,291 --> 01:22:37,375 - What? - Be bassy! 1321 01:22:37,458 --> 01:22:42,083 You know, 'cause I get a drone going without being loud, you know? 1322 01:22:42,166 --> 01:22:43,166 Right. 1323 01:22:44,791 --> 01:22:47,000 - [Glyn] Ringo? - Yeah? What? 1324 01:22:47,083 --> 01:22:49,375 Is there a damper on your floor tom-tom? 1325 01:22:49,458 --> 01:22:50,625 - A damper? - Yeah. 1326 01:22:50,708 --> 01:22:51,541 No. 1327 01:22:51,625 --> 01:22:54,000 The only damper around here is you, Glyn Johns! 1328 01:22:54,083 --> 01:22:56,083 - [Ringo] You want one? - [Glyn] Yeah. 1329 01:22:56,166 --> 01:22:57,809 - [Paul] It should do that. - [George vocalizing] 1330 01:22:57,833 --> 01:23:00,958 [Paul] At the eight. 1331 01:23:01,041 --> 01:23:02,833 [John] Yes! Yes! 1332 01:23:02,916 --> 01:23:04,500 - Yeah, okay. - Okay. 1333 01:23:05,083 --> 01:23:06,875 [John] Let's take the song and hear it. 1334 01:23:13,708 --> 01:23:16,625 - ♪ Everybody had a hard year ♪ - [Paul] ♪ I have a dream ♪ 1335 01:23:16,708 --> 01:23:18,791 ♪ Everybody had a soft shine ♪ 1336 01:23:19,750 --> 01:23:23,125 ♪ Everybody had a wet dream Every... ♪ 1337 01:23:23,208 --> 01:23:24,375 Sing, Paul! 1338 01:23:25,041 --> 01:23:28,083 - [Paul] ♪ Oh, yeah ♪ - ♪ Everybody had a hard year ♪ 1339 01:23:28,166 --> 01:23:30,791 - ♪ Oh, yeah ♪ - [John] ♪ Everybody had a wet dream ♪ 1340 01:23:31,625 --> 01:23:34,083 - ♪ I've got a feeling ♪ - [John] ♪ Everybody had a... ♪ 1341 01:23:34,166 --> 01:23:36,851 - [Paul] ♪ That keeps me on my toes ♪ - ♪ Everybody put their foot down ♪ 1342 01:23:36,875 --> 01:23:37,875 [both] ♪ Oh, yeah ♪ 1343 01:23:41,375 --> 01:23:44,958 - [Paul] I have a dream... - I had a dream this afternoon. 1344 01:23:45,708 --> 01:23:47,291 Yeah, I had a dream. 1345 01:23:47,375 --> 01:23:49,833 [John] I had a dream this afternoon. 1346 01:23:50,416 --> 01:23:52,541 - Yeah, I had a dream. - Great, wasn't it? 1347 01:23:54,000 --> 01:23:56,083 When all people... 1348 01:23:58,208 --> 01:23:59,458 shall be united. 1349 01:24:00,625 --> 01:24:01,934 - [George] No. - [John] Fantastic. 1350 01:24:01,958 --> 01:24:05,041 [Imitating Martin Luther King Junior] I had a dream this afternoon, children. 1351 01:24:05,125 --> 01:24:07,625 I dreamed the Black and the white kids are gonna be together. 1352 01:24:07,708 --> 01:24:09,166 [Paul] Walk together, hand in hand. 1353 01:24:09,250 --> 01:24:11,010 [John, normal voice] Like a big poem, it was. 1354 01:24:13,208 --> 01:24:15,541 - Yeah. - Just like a poet. 1355 01:24:15,625 --> 01:24:18,059 - [Michael] And his voice... - Just like Tennyson on that whole thing. 1356 01:24:18,083 --> 01:24:20,208 "I had a dream this afternoon." 1357 01:24:20,291 --> 01:24:21,458 [music starts] 1358 01:24:21,541 --> 01:24:23,625 ♪ Yeah ♪ 1359 01:24:23,708 --> 01:24:29,708 ♪ Oh, I've got a feeling Ooh, ooh ♪ 1360 01:24:32,166 --> 01:24:35,000 ♪ All these years I've been wandering around ♪ 1361 01:24:35,083 --> 01:24:38,125 ♪ Wondering how come nobody told me ♪ 1362 01:24:38,208 --> 01:24:42,000 ♪ All that I've been looking for Was somebody who looked like you ♪ 1363 01:24:44,583 --> 01:24:47,750 [John] Have we taped any of these that we can hear back, Glynis? 1364 01:24:47,833 --> 01:24:49,583 - Did you tape the last one? - Yes. 1365 01:24:49,666 --> 01:24:53,666 [screeching] 1366 01:24:54,625 --> 01:24:56,541 I'd just like to say... 1367 01:24:57,208 --> 01:25:00,248 - [Paul] It's all right, this studio. - [George] It's gonna be a good studio. 1368 01:25:06,750 --> 01:25:09,541 - [person] What's this? - [George] It's only the decorators... 1369 01:25:09,625 --> 01:25:12,250 [John] I'm gonna say, "I Wanna Hold Your Hand. Disk 1932." 1370 01:25:12,333 --> 01:25:13,666 [chuckling] 1371 01:25:20,125 --> 01:25:22,041 [John] If you can get 'em off Mimi's wall. 1372 01:25:23,208 --> 01:25:26,583 - ♪ All I want is you ♪ - It just doesn't happen. 1373 01:25:26,666 --> 01:25:29,250 - I mean, he's not going... [imitates drums] - Yeah. 1374 01:25:29,333 --> 01:25:30,458 To the end one. 1375 01:25:30,541 --> 01:25:32,875 I think maybe you could do... 1376 01:25:32,958 --> 01:25:35,375 Yeah, well, now we've got... You can alternate through 'em. 1377 01:25:35,458 --> 01:25:37,125 Alternate everything now. 1378 01:25:37,208 --> 01:25:39,333 You know, uh, really fill it out a bit. 1379 01:25:39,416 --> 01:25:42,916 And on the "all I need, all I want, everything has got to be," he can go... 1380 01:25:43,000 --> 01:25:45,541 [imitates drums] 1381 01:25:45,625 --> 01:25:48,208 - That one. - It's like where we are now. 1382 01:25:48,291 --> 01:25:52,541 We normally record it, put it down like that, just get that sort of a bit okay. 1383 01:25:52,625 --> 01:25:53,875 Then do all the voices, 1384 01:25:53,958 --> 01:25:55,798 - then finish it off. - Then start laying on... 1385 01:25:55,875 --> 01:25:57,291 And then make it into a record. 1386 01:25:57,375 --> 01:26:00,295 And then you think, "Yeah, we should have played it a bit more like that." 1387 01:26:00,375 --> 01:26:02,375 - Yes. - And it's like that really. 1388 01:26:02,458 --> 01:26:05,083 - It's just trying to jump ahead. - Yeah. 1389 01:26:05,166 --> 01:26:07,375 Yeah. I think this will do, might do it. 1390 01:26:07,458 --> 01:26:11,666 I've just gotta be sort of different on the rhythm. 1391 01:26:11,750 --> 01:26:14,750 It's gotta be either one thing... It's neither one thing nor the other now. 1392 01:26:16,000 --> 01:26:19,000 And there's something we need for the... 1393 01:26:31,458 --> 01:26:33,541 How you doing? How are you? How you doing, baby? 1394 01:26:33,625 --> 01:26:36,791 - Good to see you. Hi. - Hi. Good to see you. 1395 01:26:37,500 --> 01:26:38,726 [George] He was this big last time. 1396 01:26:38,750 --> 01:26:40,750 - Hello. - How you doing, Ringo? Good to see you. 1397 01:26:40,833 --> 01:26:42,041 - You too. - Yeah. 1398 01:26:42,125 --> 01:26:43,416 Out of sight, man. 1399 01:26:50,291 --> 01:26:53,250 Every number's got a piano part, or a... 1400 01:26:53,333 --> 01:26:55,500 And normally we overdub it. 1401 01:26:55,583 --> 01:26:57,625 But this time we wanna do it live. 1402 01:26:57,708 --> 01:26:59,083 Yeah. That'd be nice. 1403 01:26:59,166 --> 01:27:00,846 - I mean, just live to ourselves... - Yeah. 1404 01:27:00,916 --> 01:27:03,041 Straight off, one number after the other. 1405 01:27:03,125 --> 01:27:05,125 And that means having somebody in on it. 1406 01:27:05,208 --> 01:27:08,583 - If you'd like to do that you're welcome. - Sure. Beautiful. 1407 01:27:08,666 --> 01:27:11,416 - Right. And then you'd be on the album. - You're kidding. [chuckles] 1408 01:27:11,500 --> 01:27:12,666 Well, that's good then. 1409 01:27:13,708 --> 01:27:19,375 We've taped a few. The thing is to get some tapes made of what we've done, 1410 01:27:20,333 --> 01:27:22,267 and let him have a listen, take 'em home at night. 1411 01:27:22,291 --> 01:27:24,691 He'll probably pick them up much quicker hearing us play 'em. 1412 01:27:24,750 --> 01:27:26,291 [Paul] Yeah, just rehearsing them. 1413 01:27:27,375 --> 01:27:29,517 - [John] Have you met Billy, George? - How do you do, Billy? 1414 01:27:29,541 --> 01:27:32,291 That's George Martin, our A&R man. That's Billy. 1415 01:27:32,375 --> 01:27:36,208 We played with him in Hamburg. He was backing Little Richard. 1416 01:27:36,291 --> 01:27:37,541 - Did you... - In Hamburg. 1417 01:27:37,625 --> 01:27:38,625 [George] Yes. 1418 01:27:38,708 --> 01:27:39,833 [Paul] In the old days. 1419 01:27:41,000 --> 01:27:44,375 ♪ A taste of honey ♪ 1420 01:27:44,458 --> 01:27:47,916 [vocalizing] ♪ Much sweeter ♪ 1421 01:27:53,458 --> 01:27:55,250 The piano behind here. 1422 01:28:05,166 --> 01:28:07,166 [George] Who's controlling the PA? 1423 01:28:08,625 --> 01:28:10,625 - Hello? - [George] And this one isn't on. 1424 01:28:10,708 --> 01:28:12,666 - Is that one on? - [Ringo] One isn't on, Glyn. 1425 01:28:17,250 --> 01:28:18,666 [George] You got all them chords? 1426 01:28:19,375 --> 01:28:23,250 And now, your hosts for this evening, The Rolling Stones. 1427 01:28:24,125 --> 01:28:25,583 [Paul] ♪ No, no, no ♪ 1428 01:28:25,666 --> 01:28:28,000 ♪ Yeah ♪ 1429 01:28:28,083 --> 01:28:29,208 ♪ Oh ♪ 1430 01:28:29,291 --> 01:28:31,666 ♪ I've got a feeling ♪ 1431 01:28:36,583 --> 01:28:39,500 ♪ All these years I've been wandering around ♪ 1432 01:28:39,583 --> 01:28:42,458 ♪ Wondering how come nobody told me ♪ 1433 01:28:42,541 --> 01:28:45,791 ♪ All that I've been looking for Was somebody who looked like you ♪ 1434 01:28:51,541 --> 01:28:53,208 ♪ I've got a feeling ♪ 1435 01:28:53,291 --> 01:28:54,416 [John] Yes, you have. 1436 01:28:54,500 --> 01:28:56,000 ♪ That keeps me on my toes ♪ 1437 01:28:56,083 --> 01:28:57,083 [John] On your what? 1438 01:28:57,166 --> 01:29:00,583 - ♪ Oh, yeah ♪ - [both] ♪ Oh, yeah ♪ 1439 01:29:03,208 --> 01:29:05,958 ♪ I've got a feeling I think that ♪ 1440 01:29:06,041 --> 01:29:08,166 [both] ♪ Everybody knows ♪ 1441 01:29:08,250 --> 01:29:09,250 ♪ Oh, yeah ♪ 1442 01:29:11,083 --> 01:29:12,583 [both] ♪ Oh, yeah ♪ 1443 01:29:13,875 --> 01:29:15,250 ♪ Oh, yeah ♪ 1444 01:29:15,333 --> 01:29:18,791 ♪ Woo, woo-oo, woo-oo ♪ 1445 01:29:20,708 --> 01:29:25,833 ♪ Woo, woo-oo, woo-oo ♪ 1446 01:29:30,583 --> 01:29:32,125 - All right. - Yes. 1447 01:29:32,208 --> 01:29:34,458 [George] Electric piano has such a great sound. 1448 01:29:35,958 --> 01:29:38,625 It's only... Is there a speaker facing you as well? 1449 01:29:38,708 --> 01:29:40,348 [Billy] Yeah, I'm getting it played back. 1450 01:29:40,708 --> 01:29:41,875 Okay. 1451 01:29:42,458 --> 01:29:43,976 Do a nice, big... [imitates cymbal crash] 1452 01:29:44,000 --> 01:29:46,559 for me, you know, to give me the courage to come screaming in. 1453 01:29:46,583 --> 01:29:47,791 [Ringo] Okay. 1454 01:29:48,375 --> 01:29:50,708 ♪ Don't let me down ♪ 1455 01:29:54,750 --> 01:29:57,125 ♪ Don't let me down ♪ 1456 01:29:59,958 --> 01:30:01,000 [John] It's great! 1457 01:30:01,583 --> 01:30:03,184 - You're giving us a lift, Bill! - All right. 1458 01:30:03,208 --> 01:30:05,333 We've been doing this for days, you know. 1459 01:30:05,416 --> 01:30:06,541 Weeks. 1460 01:30:06,625 --> 01:30:08,458 - Just choking. - Years. 1461 01:30:08,541 --> 01:30:10,166 My voice is choking. 1462 01:30:10,833 --> 01:30:14,083 I just wish I had yesterday's voice but today's backing. 1463 01:30:14,750 --> 01:30:15,916 I was swinging yesterday. 1464 01:30:16,541 --> 01:30:19,041 Voice-wise, that is. I've just gone over the top. 1465 01:30:20,208 --> 01:30:23,500 - ♪ Don't let me down ♪ - ♪ Down ♪ 1466 01:30:26,083 --> 01:30:28,541 ♪ Don't let me down ♪ 1467 01:30:31,416 --> 01:30:36,125 ♪ And from the first time That she really done me ♪ 1468 01:30:37,083 --> 01:30:42,125 ♪ Ooh, she done me, she done me good ♪ 1469 01:30:42,208 --> 01:30:45,083 [George] Some tea and sandwiches came. 1470 01:30:45,166 --> 01:30:46,625 - Yeah. - [John] Sandwiches? 1471 01:30:46,708 --> 01:30:52,291 [John, Paul] ♪ And if somebody ever really loved me ♪ 1472 01:30:53,333 --> 01:30:55,208 ♪ Like she love me ♪ 1473 01:30:56,708 --> 01:30:58,541 ♪ Yes, she does ♪ 1474 01:30:58,625 --> 01:31:00,375 All right, Glynis. We're off again. 1475 01:31:00,458 --> 01:31:03,291 ♪ Don't let me down ♪ 1476 01:31:06,625 --> 01:31:09,125 ♪ Don't let me down ♪ 1477 01:31:11,458 --> 01:31:12,500 [John] Take it, Billy! 1478 01:31:19,291 --> 01:31:20,375 Can you dig it? 1479 01:31:20,916 --> 01:31:22,916 ♪ Ooh, ooh ♪ 1480 01:31:28,833 --> 01:31:31,208 [John] I had a dream this afternoon. 1481 01:31:35,500 --> 01:31:37,041 Don't let me down. 1482 01:31:38,750 --> 01:31:41,833 Well, ladies and gentlemen, we'd like to change up the tempo a little. 1483 01:31:42,333 --> 01:31:45,083 Okay. Let's do the next song then. 1484 01:31:45,750 --> 01:31:49,125 - You right? I'm doing my intro. - Sorry. 1485 01:31:49,208 --> 01:31:50,625 Do you mind? 1486 01:31:50,708 --> 01:31:53,500 I'm getting a bit dafter with every song. This... 1487 01:31:53,583 --> 01:31:56,267 - Come on, son. Now try your hardest. - It's getting... Look at them. 1488 01:31:56,291 --> 01:31:57,291 I don't... 1489 01:31:58,791 --> 01:32:00,434 - [George] Was he taping them? - [John] Yeah. 1490 01:32:00,458 --> 01:32:02,618 We'll do "Dig a Pony" straight into "I've Got A Fever." 1491 01:32:07,208 --> 01:32:09,000 Piss on your boots. 1492 01:32:09,583 --> 01:32:11,375 ♪ You can dance ♪ 1493 01:32:11,458 --> 01:32:15,708 ♪ Every dance with the guy Holding you tight ♪ 1494 01:32:15,791 --> 01:32:18,125 ♪ Let him hold you tight ♪ 1495 01:32:19,958 --> 01:32:21,458 ♪ You can dance ♪ 1496 01:32:22,208 --> 01:32:26,583 [indistinct] ♪ In the pale moonlight ♪ 1497 01:32:27,750 --> 01:32:31,791 ♪ But don't forget who's takin' you home ♪ 1498 01:32:31,875 --> 01:32:35,000 ♪ And in whose arms you want to stay ♪ 1499 01:32:36,708 --> 01:32:38,458 ♪ Oh, darlin' ♪ 1500 01:32:38,541 --> 01:32:42,333 ♪ Save the last dance for me ♪ 1501 01:32:45,333 --> 01:32:48,166 ♪ Back when I loved a lovely girl ♪ 1502 01:32:48,250 --> 01:32:51,708 ♪ And I lived on as I lived on ♪ 1503 01:32:54,208 --> 01:32:57,166 ♪ Every time I wanna... ♪ 1504 01:32:57,250 --> 01:33:00,041 ♪ Just on and on and put me down ♪ 1505 01:33:00,125 --> 01:33:03,583 ♪ With a cupcake, baby Chocolate, yeah, yeah ♪ 1506 01:33:05,458 --> 01:33:07,166 ♪ I told you so ♪ 1507 01:33:07,250 --> 01:33:11,291 ♪ All I want is you ♪ 1508 01:33:13,458 --> 01:33:18,916 ♪ Everything has got to be Just like you want it to ♪ 1509 01:33:19,583 --> 01:33:21,458 ♪ Because ♪ 1510 01:33:39,458 --> 01:33:44,875 ♪ All I want is you ♪ 1511 01:33:50,833 --> 01:33:52,083 [John] No, keep 'em. 1512 01:33:52,166 --> 01:33:54,125 I mean, what, was something wrong with 'em? 1513 01:33:54,208 --> 01:33:55,351 [Paul] There's nothing to keep. 1514 01:33:55,375 --> 01:33:57,267 [John] They've improved on this morning, haven't they? 1515 01:33:57,291 --> 01:33:58,500 Haven't you got three now? 1516 01:33:58,583 --> 01:33:59,684 [Glyn] You're talking about... 1517 01:33:59,708 --> 01:34:02,541 Do you have "Don't Let Me Down" as well? The three. 1518 01:34:02,625 --> 01:34:06,583 Yeah, you got the last three with two takes of "I've Got A Feeling." 1519 01:34:06,666 --> 01:34:07,666 [Glyn] Oh, yeah. 1520 01:34:07,750 --> 01:34:11,458 We want to hear what we've done to 'em. The waltzes and bits. So keep 'em. 1521 01:34:11,541 --> 01:34:14,041 - What, have you got no more tape? - [Glyn] Yeah. 1522 01:34:14,125 --> 01:34:16,625 Well, we don't need to record any more, so keep 'em. 1523 01:34:16,708 --> 01:34:18,708 Can we hear "Don't Let Me Down"? I wanna hear that. 1524 01:34:23,833 --> 01:34:26,353 You heard the drums are on two tracks. So, like, when he goes... 1525 01:34:26,416 --> 01:34:29,458 [imitates drumming] it goes right across the room. 1526 01:34:29,541 --> 01:34:30,625 Sweet, man. 1527 01:34:31,625 --> 01:34:34,708 [George] You know, when he asked for four speakers, the EMI guy said, 1528 01:34:34,791 --> 01:34:37,041 "What do you want four for? You've only got two ears." 1529 01:34:37,125 --> 01:34:40,375 [all chuckling] 1530 01:34:41,166 --> 01:34:45,750 ♪ Nobody ever loved me like she does ♪ 1531 01:34:47,458 --> 01:34:49,041 ♪ Ooh, she does ♪ 1532 01:34:50,375 --> 01:34:51,833 ♪ Yes, she does ♪ 1533 01:34:54,708 --> 01:34:59,166 ♪ And if somebody ever really loved me ♪ 1534 01:35:00,791 --> 01:35:02,541 ♪ Ooh, she loves me ♪ 1535 01:35:03,875 --> 01:35:05,208 ♪ Yes, she does ♪ 1536 01:35:19,041 --> 01:35:21,166 - Can you play violin? - No. 1537 01:35:21,250 --> 01:35:22,125 - [beep] - [crew] 2-9-0. 1538 01:35:22,208 --> 01:35:24,267 - [Paul] What time is it? - [John, George Martin] Five past 6:00. 1539 01:35:24,291 --> 01:35:25,916 - Thank you. - We work to the clock. 1540 01:35:26,000 --> 01:35:27,000 [chuckles] 1541 01:35:29,125 --> 01:35:31,125 It's good all his fills on the... 1542 01:35:31,208 --> 01:35:34,208 ♪ Don't let me down Doo doo doo doo doo doo doo ♪ 1543 01:35:34,291 --> 01:35:36,333 - [Michael] I had a word with Neil. - [John] Yeah. 1544 01:35:36,416 --> 01:35:40,541 What he indicates is that we'll do something early next week. 1545 01:35:40,625 --> 01:35:43,125 [John] And it'll be great. Soon as we got them off... 1546 01:36:18,625 --> 01:36:20,065 [Michael] If it's good enough, yeah. 1547 01:36:22,041 --> 01:36:24,541 [George] When you record, you know, you settle on something, 1548 01:36:24,625 --> 01:36:27,250 and you say, "Okay, that's how it's gonna be for now." 1549 01:36:27,333 --> 01:36:32,583 But when you're on the road, say, doing it all the time, it slowly changes. 1550 01:36:32,666 --> 01:36:37,041 So, I mean, that means we may go on rehearsing forever. [chuckles] 1551 01:36:37,125 --> 01:36:38,166 Yeah. 1552 01:36:38,250 --> 01:36:39,833 - [indistinct] - [Yoko] Oh, yes. 1553 01:36:39,916 --> 01:36:41,625 The thing is that, um... 1554 01:36:41,708 --> 01:36:44,541 [bluesy instrumental music playing] 1555 01:36:53,333 --> 01:36:55,666 I think... Weren't we doing something on Friday night? 1556 01:36:55,750 --> 01:36:56,791 [Yoko] Friday night, yes. 1557 01:37:03,083 --> 01:37:04,166 [John] Monday night. 1558 01:37:20,250 --> 01:37:22,333 [drums playing] 1559 01:37:32,541 --> 01:37:35,541 [Yoko vocalizing] 1560 01:38:21,000 --> 01:38:22,416 [vocalizing stops] 1561 01:38:22,500 --> 01:38:24,226 - [laughing] - [George] The lights are working. 1562 01:38:24,250 --> 01:38:25,666 [John] You missed it! 1563 01:38:25,750 --> 01:38:28,166 [George] Yeah, I felt it as I left the second floor. 1564 01:38:28,250 --> 01:38:29,375 [John] It was great. 1565 01:38:29,458 --> 01:38:33,166 Yoko, John and Paul and Billy were doing their freak-out. 1566 01:38:33,250 --> 01:38:34,892 - [Michael] The Beatles, yeah. - [John] No, no. 1567 01:38:34,916 --> 01:38:35,916 [Michael] Yes, go on. 1568 01:38:36,000 --> 01:38:37,892 - [Yoko chuckles] - [John] Billy, Yoko, John and Paul. 1569 01:38:37,916 --> 01:38:39,556 - [John] Is it all on film? - [crew] Yeah. 1570 01:38:39,625 --> 01:38:40,916 [John] What a great bit of film! 1571 01:38:41,000 --> 01:38:43,833 - The whole place was zooming. - It was. It was beautiful. 1572 01:38:43,916 --> 01:38:46,041 I'd like it to be part of her new LP. [chuckles] 1573 01:38:46,125 --> 01:38:48,375 - [Michael] Glyn! - Or our new LP. 1574 01:38:48,458 --> 01:38:49,791 [Yoko chuckles] 1575 01:38:49,875 --> 01:38:51,595 [Paul] I think you're nuts, the pair of you. 1576 01:38:51,625 --> 01:38:52,791 [all chuckling] 1577 01:38:53,625 --> 01:38:55,208 [Michael] Well, the current thought 1578 01:38:55,291 --> 01:38:58,208 is that we'll try to do it at the end of next week, maybe. 1579 01:38:58,291 --> 01:39:00,958 [Ringo] You know, if we did ten days straight from now... 1580 01:39:01,041 --> 01:39:03,916 [George Martin] Well, you're working so well together now. 1581 01:39:04,000 --> 01:39:05,958 - [John] Yes. - Let's keep it going. 1582 01:39:06,041 --> 01:39:09,166 - [John] Well, you know, I won't say no. - [Michael] Mightn't be able to speak. 1583 01:39:09,250 --> 01:39:11,010 [Ringo] You know, I'd rather work the weekend 1584 01:39:11,041 --> 01:39:13,041 than make it last out an extra week or so. 1585 01:39:13,125 --> 01:39:15,184 [Michael] I think the thing is we'll aim for Thursday, 1586 01:39:15,208 --> 01:39:18,125 'cause if we don't make Thursday, just as a... 1587 01:39:18,208 --> 01:39:20,416 [Ringo] Then we won't get outside, will we? 1588 01:39:20,500 --> 01:39:23,375 [John] Michael was talking in terms of next Thursday. 1589 01:39:23,458 --> 01:39:24,458 [Paul] Yes. 1590 01:39:24,958 --> 01:39:27,375 - [John] And working over the weekend. - [indistinct] 1591 01:39:27,458 --> 01:39:29,291 [John] So, it's gonna be stupid. 1592 01:39:29,375 --> 01:39:30,375 [Paul, indistinct] 1593 01:39:30,458 --> 01:39:33,791 Yeah, let's work Saturday, but not Sunday. Just to have one day. 1594 01:39:33,875 --> 01:39:36,708 - 'Cause it does help next week... - [John] Oh, yeah. 1595 01:39:36,791 --> 01:39:38,000 If you get one day. 1596 01:39:38,083 --> 01:39:40,166 [John] I'm so tired though. It's amazing. 1597 01:39:40,750 --> 01:39:42,910 Could we have some more tea, Mal, like a pot, you know? 1598 01:39:44,125 --> 01:39:46,458 ♪ Oh, well, I've got a girl With a record machine ♪ 1599 01:39:46,541 --> 01:39:49,625 ♪ When it comes to rockin' She's the queen ♪ 1600 01:39:49,708 --> 01:39:52,458 ♪ We love to dance on a Saturday night ♪ 1601 01:39:52,541 --> 01:39:55,083 ♪ All alone where I can hold her tight ♪ 1602 01:39:55,166 --> 01:39:58,000 ♪ But she lives On the twentieth floor uptown ♪ 1603 01:39:58,083 --> 01:40:00,125 ♪ The elevator's broken down ♪ 1604 01:40:00,208 --> 01:40:03,458 ♪ So I walked one, two flight Three flight, four ♪ 1605 01:40:03,541 --> 01:40:05,833 ♪ Five, six, flight seven Flight, more ♪ 1606 01:40:06,500 --> 01:40:08,458 ♪ By the twelfth, I'm ready to drag ♪ 1607 01:40:08,541 --> 01:40:11,250 ♪ Fifteenth floor, I'm a-startin' to sag ♪ 1608 01:40:14,958 --> 01:40:16,541 [John] Yeah, like rockers! 1609 01:40:16,625 --> 01:40:18,458 [George] Way back in the '50s. 1610 01:40:18,541 --> 01:40:21,333 'Course, you probably don't remember the '50s. 1611 01:40:21,416 --> 01:40:23,458 When the great names were around. 1612 01:40:24,250 --> 01:40:27,208 Eddie Cochran, Gene Burke. 1613 01:40:27,291 --> 01:40:31,291 - George Hemingway, Frida Starr. - Foster Dulles. 1614 01:40:32,333 --> 01:40:33,583 [George] Mal? 1615 01:40:33,666 --> 01:40:39,625 Can you send somebody to buy me a... You know those lace bow ties? 1616 01:40:39,708 --> 01:40:41,791 - [John] Like a cowboy? - [George] A black one. 1617 01:40:41,875 --> 01:40:43,315 - A cowboy one? - [Mal] A string tie? 1618 01:40:43,375 --> 01:40:46,375 Yeah, but they get 'em. They just clip on under your collar. 1619 01:40:47,708 --> 01:40:49,750 So what should we do that's fun? 1620 01:40:49,833 --> 01:40:51,208 Besides work? 1621 01:40:52,375 --> 01:40:54,541 - [George] Are we doing that one? - [Paul] Yeah. 1622 01:40:54,625 --> 01:40:57,250 - "Across the Universe"? - No, no. 'Cause it's going out on an EP. 1623 01:40:57,833 --> 01:40:59,416 There's always Mal's instrument. 1624 01:41:01,916 --> 01:41:04,916 ♪ Bang, bang, Maxwell's silver hammer ♪ 1625 01:41:05,000 --> 01:41:09,666 It's just a reminder to remind you about "Maxwell's Silver Hammer" all the time. 1626 01:41:10,458 --> 01:41:13,666 [John] I'd like to do a song today that I don't have to sing so much, 1627 01:41:13,750 --> 01:41:15,958 - 'cause it's really stupid, that. - Yes. 1628 01:41:16,833 --> 01:41:19,000 ♪ Oh, darling ♪ 1629 01:41:20,708 --> 01:41:22,791 ♪ Please believe me ♪ 1630 01:41:22,875 --> 01:41:25,583 ♪ Oh, yeah ♪ 1631 01:41:25,666 --> 01:41:30,375 ♪ I'll never do you no harm ♪ 1632 01:41:32,833 --> 01:41:36,833 ♪ Believe me when I tell you ♪ 1633 01:41:36,916 --> 01:41:41,625 ♪ I'll never do you no harm ♪ 1634 01:41:46,500 --> 01:41:48,666 ♪ Oh, when you told me ♪ 1635 01:41:50,958 --> 01:41:54,416 ♪ You didn't need me anymore ♪ 1636 01:41:55,500 --> 01:42:01,166 ♪ You know I nearly broke down and cried ♪ 1637 01:42:02,208 --> 01:42:04,291 ♪ When you told me ♪ 1638 01:42:05,625 --> 01:42:07,665 - Did you know that? - [Paul] It's very interesting. 1639 01:42:07,708 --> 01:42:11,500 With the Twin Reverb amp, Paul, I find myself satisfied completely. 1640 01:42:12,125 --> 01:42:15,916 And now your hosts for this evening, The Rolling Stones. 1641 01:42:20,250 --> 01:42:21,250 Whoo! 1642 01:42:22,333 --> 01:42:23,416 Yeah. 1643 01:42:24,125 --> 01:42:26,958 ♪ Get back to where you once belonged ♪ 1644 01:42:27,041 --> 01:42:28,081 How many verses are there? 1645 01:42:29,041 --> 01:42:32,916 [Paul] Well, see... see, it started off as a protest song... 1646 01:42:33,000 --> 01:42:34,041 But, you know... 1647 01:42:34,583 --> 01:42:37,833 I think it works okay with just the two verses 1648 01:42:38,458 --> 01:42:40,625 about sweet Loretta Martin, the first verse... 1649 01:42:40,708 --> 01:42:42,500 - [John] Just have two for now. - Yeah. 1650 01:42:42,583 --> 01:42:45,017 [George] But, I mean... I don't mean really how many verses... 1651 01:42:45,041 --> 01:42:47,642 - Okay, I'll sing it through. - How many times will you do a verse? 1652 01:42:47,666 --> 01:42:51,166 I'll sing it through and shout where I think it should go, 1653 01:42:51,250 --> 01:42:54,416 and then if you don't agree, remember it and we'll change it. 1654 01:42:54,500 --> 01:42:57,500 Well, maybe if we had an intro, a verse, a chorus, 1655 01:42:57,583 --> 01:42:59,666 of "Get Back," and then there's a bit with... 1656 01:42:59,750 --> 01:43:02,750 [Paul] Solo. Yes, solo. Get back, Jo. 1657 01:43:03,708 --> 01:43:06,291 Then there's a bit of chorus on the end of that solo though. 1658 01:43:06,375 --> 01:43:09,708 Yeah. And then the doo-dah-dum. Then the next verse, 1659 01:43:10,250 --> 01:43:14,083 the next chorus, the next solo, the next chorus. 1660 01:43:14,166 --> 01:43:16,416 Well, let's have one guitar solo and one piano solo then. 1661 01:43:16,500 --> 01:43:17,333 [Paul] Okay. 1662 01:43:17,416 --> 01:43:19,416 'Cause I'm only gonna be able to work one out. 1663 01:43:20,625 --> 01:43:22,958 [Paul] Who do you wanna be, Jo Jo or Loretta? 1664 01:43:23,791 --> 01:43:25,375 Get back to sweet Loretta. 1665 01:43:26,125 --> 01:43:27,625 He's waiting for you. [chuckles] 1666 01:43:29,500 --> 01:43:32,541 This old drag queen back on the ranch. 1667 01:43:32,625 --> 01:43:33,833 Tucson. 1668 01:43:33,916 --> 01:43:36,125 Wearing his high-heeled shoes. 1669 01:43:37,333 --> 01:43:41,333 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1670 01:43:41,416 --> 01:43:44,208 - ♪ Looking for California grass ♪ - [chattering] 1671 01:43:45,333 --> 01:43:47,708 ♪ On California grass ♪ 1672 01:43:49,125 --> 01:43:52,791 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1673 01:43:52,875 --> 01:43:55,666 ♪ For some California grass ♪ 1674 01:43:55,750 --> 01:43:57,750 ♪ Oh, get back ♪ 1675 01:43:58,250 --> 01:43:59,916 ♪ Oh, get back ♪ 1676 01:44:01,166 --> 01:44:02,958 Get back, Jo Jo. 1677 01:44:03,041 --> 01:44:04,708 - [Paul] One, two, three. - Two. 1678 01:44:05,791 --> 01:44:08,125 [Paul] Sorry. One, two, three, four. 1679 01:44:11,500 --> 01:44:13,958 It's like on "Reach Out." Do you remember? 1680 01:44:14,916 --> 01:44:18,041 You know, "Reach Out," where everything stops, and you just have... 1681 01:44:19,041 --> 01:44:21,375 - That beat going da, da, da, da. - [Paul] Whoo-hoo! 1682 01:44:21,458 --> 01:44:23,666 ♪ Oh, get back ♪ 1683 01:44:23,750 --> 01:44:25,250 [Paul] Get back, Jo Jo! 1684 01:44:25,333 --> 01:44:27,250 [vocalizing] 1685 01:44:33,916 --> 01:44:35,291 ♪ Ah ♪ 1686 01:44:35,375 --> 01:44:36,791 ♪ Get back ♪ 1687 01:44:37,458 --> 01:44:41,083 ♪ With a love... ♪ 1688 01:44:41,666 --> 01:44:44,041 - [George] ♪ Ah ♪ - [Paul] ♪ Get back ♪ 1689 01:44:44,125 --> 01:44:48,208 [John] So you do the beginning, then my solo, then you and me singing, 1690 01:44:48,291 --> 01:44:51,208 and then he comes in, does his break and a solo, 1691 01:44:51,291 --> 01:44:54,750 then you sing a verse, and one last, long "Get back" and out. 1692 01:44:54,833 --> 01:44:57,208 - A match, Ring... - [Paul] Okay. So... 1693 01:44:57,291 --> 01:44:58,375 But that break... 1694 01:44:58,458 --> 01:45:01,500 [John] It's almost natural, like, rock and roll, except for the break. 1695 01:45:01,583 --> 01:45:02,708 It's just a break before... 1696 01:45:02,791 --> 01:45:05,333 [Paul] See, that's it. If we make too much of a break, 1697 01:45:05,416 --> 01:45:07,416 we start getting it into, like, an arranged song. 1698 01:45:07,500 --> 01:45:08,642 [John] Yeah, it just should go... 1699 01:45:08,666 --> 01:45:11,017 [Paul] It's better just to have, like, a rock and roll song. 1700 01:45:11,041 --> 01:45:13,666 [John] But, I mean, they did have breaks in the old days. 1701 01:45:13,750 --> 01:45:14,976 [Paul] That's what I mean, yeah. 1702 01:45:15,000 --> 01:45:16,226 [John] Okay. Well, for now I'll vamp. 1703 01:45:16,250 --> 01:45:18,101 [George] The arrangement is only enough to know. 1704 01:45:18,125 --> 01:45:20,541 One, two, three, four. 1705 01:45:28,291 --> 01:45:30,708 - It just, like, resolves the thing. - Yeah. 1706 01:45:30,791 --> 01:45:31,791 I do like... 1707 01:45:31,875 --> 01:45:33,875 It'd be nice, for the bit going into the solo, 1708 01:45:33,958 --> 01:45:36,083 the last verse before the solo, 1709 01:45:36,166 --> 01:45:41,166 if we stop that thing we're doing and maybe you just keep doing that. 1710 01:45:42,375 --> 01:45:46,125 - Yeah. - You do... And Ringo and I. Just that... 1711 01:45:46,208 --> 01:45:47,291 Go ahead. Do it. 1712 01:45:47,375 --> 01:45:48,708 Just sing a verse... 1713 01:45:48,791 --> 01:45:49,958 [Paul] Yeah, great. 1714 01:45:52,166 --> 01:45:53,458 ♪ Get back ♪ 1715 01:45:54,250 --> 01:45:55,250 ♪ Get back ♪ 1716 01:45:56,250 --> 01:45:59,375 ♪ Get back to where you once belonged ♪ 1717 01:46:00,125 --> 01:46:01,583 ♪ Get back ♪ 1718 01:46:01,666 --> 01:46:04,458 - About there we should have the thing. - Yeah. 1719 01:46:04,541 --> 01:46:07,517 - Like, before we go into the second verse. - [John] Are we having two solos? 1720 01:46:07,541 --> 01:46:10,041 Yeah, see, we should just have a real formula, you know? 1721 01:46:10,125 --> 01:46:13,583 Just like a beginning. Da, da, da. 1722 01:46:13,666 --> 01:46:16,791 - [John] Beginning, verse, chorus, solo. - Into the verse then the chorus. 1723 01:46:16,875 --> 01:46:20,333 Da... "Back." Da... "Back to where you once belonged." 1724 01:46:20,416 --> 01:46:21,916 "Get back." Dum. 1725 01:46:22,000 --> 01:46:24,166 Then the low one. 1726 01:46:24,250 --> 01:46:27,166 "Get back. Get back. Back to where you once belonged. 1727 01:46:27,250 --> 01:46:29,541 Get back. Back to where you once belonged." 1728 01:46:29,625 --> 01:46:31,916 - ♪ Get back ♪ - ♪ Get back ♪ 1729 01:46:32,000 --> 01:46:35,000 ♪ Back to where you once belonged ♪ 1730 01:46:35,708 --> 01:46:36,791 ♪ Get back ♪ 1731 01:46:37,666 --> 01:46:38,708 ♪ Get back ♪ 1732 01:46:39,625 --> 01:46:42,791 ♪ Get back to where you once belonged ♪ 1733 01:46:43,333 --> 01:46:46,083 So then it's like it's more in the register we're in. 1734 01:46:46,166 --> 01:46:48,625 ♪ Back to where you once belonged ♪ 1735 01:46:48,708 --> 01:46:51,125 [vocalizes] 1736 01:46:52,833 --> 01:46:53,892 [George] Why don't we have... 1737 01:46:53,916 --> 01:46:56,500 Weren't we gonna have, like, a verse, chorus, then solo, 1738 01:46:56,583 --> 01:46:58,976 - then verse, chorus, and then the solo? - [Paul] Yeah. Well, see... 1739 01:46:59,000 --> 01:47:02,458 We are trying to just get a break, weren't we, after the solo? 1740 01:47:02,541 --> 01:47:04,708 - Yeah. - We're trying to get a break to separate. 1741 01:47:04,791 --> 01:47:07,708 Yeah, but we've got, like, a bit of a break and another solo now. 1742 01:47:07,791 --> 01:47:09,833 - So there's gonna be three solos? - [John] No, two? 1743 01:47:09,916 --> 01:47:11,517 - 'Cause it would be nice just to... - Three? 1744 01:47:11,541 --> 01:47:13,458 Like the bit we were starting to have. 1745 01:47:13,541 --> 01:47:14,958 [Paul] I like solos. 1746 01:47:15,041 --> 01:47:17,166 [John] So do I, but I've only got one. 1747 01:47:17,250 --> 01:47:20,291 - The bit that we were... - I was thinking of you doing two. 1748 01:47:20,375 --> 01:47:21,892 And Billy doing one in the middle of it. 1749 01:47:21,916 --> 01:47:24,833 You doing the both, "Get back Jo Jo." 1750 01:47:25,541 --> 01:47:27,125 [John] Just do the same one twice? 1751 01:47:27,208 --> 01:47:30,088 - [George] Oh, yeah, you could. - [John] Do that and rock and roll a bit. 1752 01:47:31,291 --> 01:47:32,351 - [Paul] Okay, so... - Okay. 1753 01:47:32,375 --> 01:47:35,666 [John] So, I'm... I'm lost now. Do you want to start writing it down? 1754 01:47:35,750 --> 01:47:37,666 Just write it down. Verse, solo, verse. 1755 01:47:38,291 --> 01:47:40,666 ♪ Get back to where you once belonged ♪ 1756 01:47:40,750 --> 01:47:41,625 [John] What did I do? Uh... 1757 01:47:41,708 --> 01:47:43,083 ♪ Get back ♪ 1758 01:47:43,166 --> 01:47:45,726 [Paul] The trouble is, you're on a harmony, then you go to the melody. 1759 01:47:45,750 --> 01:47:47,392 - [John] Yes. - So, you should really go... 1760 01:47:47,416 --> 01:47:48,416 ♪ Get back ♪ 1761 01:47:48,500 --> 01:47:49,500 ♪ Get back ♪ 1762 01:47:49,583 --> 01:47:50,666 ♪ Get back ♪ 1763 01:47:51,791 --> 01:47:54,666 ♪ Back to where you once belonged ♪ 1764 01:47:54,750 --> 01:47:58,250 If you could give us that chord that we... 1765 01:47:58,333 --> 01:47:59,833 [vocalizes] Yeah. 1766 01:48:00,583 --> 01:48:02,183 At the end of John's solo, so it goes... 1767 01:48:02,250 --> 01:48:04,708 ♪ Doo-doo-doo-doo-doo-doo-doo ♪ 1768 01:48:04,791 --> 01:48:05,791 At the end of his solo. 1769 01:48:05,875 --> 01:48:08,916 [vocalizes] 1770 01:48:09,500 --> 01:48:11,458 There. [vocalizes] 1771 01:48:11,541 --> 01:48:12,625 ♪ Get back ♪ 1772 01:48:12,708 --> 01:48:14,541 So I'll pick it up off you then. 1773 01:48:14,625 --> 01:48:17,166 So, I'll just keep doing it, and I'll join in when I can. 1774 01:48:17,250 --> 01:48:19,010 But presume that's the verse where I come in. 1775 01:48:19,041 --> 01:48:22,083 End the solo not in a flurry. 1776 01:48:22,166 --> 01:48:23,375 'Cause then, you know, 1777 01:48:23,458 --> 01:48:26,041 "I gotta get all my notes in before the end of the solo," 1778 01:48:26,125 --> 01:48:27,916 but don't, you know, just end it just... 1779 01:48:28,000 --> 01:48:29,400 [John] Well, I have to work it out. 1780 01:48:29,833 --> 01:48:32,541 - [Paul] Or even don't go right to the end. - [indistinct] 1781 01:48:37,041 --> 01:48:38,476 - [Paul] No, just do... - ♪ Get back ♪ 1782 01:48:38,500 --> 01:48:40,208 - Yeah. - I can do it if I go... 1783 01:48:40,291 --> 01:48:41,809 You were well in time. That's the thing. 1784 01:48:41,833 --> 01:48:42,976 - Oh, was I? - Yeah. Oh, plenty... 1785 01:48:43,000 --> 01:48:45,291 - You got hours if you finish there. - [John] I see. 1786 01:48:45,375 --> 01:48:47,166 [Paul] In fact, we'd have to fill that a bit. 1787 01:48:47,250 --> 01:48:49,726 - It's just that singing one throws me. - [Glyn] We're going to scrub out. 1788 01:48:49,750 --> 01:48:51,267 - [Paul] Okay. - [Glyn] I'll give you a shout. 1789 01:48:51,291 --> 01:48:53,291 I wish I could just not have to sing that bit. 1790 01:48:53,375 --> 01:48:54,500 No, you've got to sing. 1791 01:48:54,583 --> 01:48:55,726 - Okay. - Don't worry about it. 1792 01:48:55,750 --> 01:48:57,476 It's just nice to be a guitarist for a change... 1793 01:48:57,500 --> 01:48:59,226 - Yeah, I know. - And not think about vocals. 1794 01:48:59,250 --> 01:49:02,500 Well, you're a guitarist until there, that one little line. 1795 01:49:02,583 --> 01:49:05,416 ♪ Back to where you once belonged ♪ 1796 01:49:06,541 --> 01:49:07,541 ♪ Get back ♪ 1797 01:49:09,416 --> 01:49:11,458 ♪ Back to where you once belonged ♪ 1798 01:49:11,541 --> 01:49:13,416 [John] No, on the bit... "Belonged." 1799 01:49:13,500 --> 01:49:16,875 Maybe for the "get back" bits, we should do it twice, 1800 01:49:16,958 --> 01:49:19,458 - the going to A. - I'm sorry! I'm sorry! 1801 01:49:20,166 --> 01:49:21,766 [John] I thought I was playing the tune. 1802 01:49:22,458 --> 01:49:24,000 [Paul] I'm getting a bit confused 1803 01:49:24,083 --> 01:49:25,883 - with all the little bits now. - [John] Yeah. 1804 01:49:27,291 --> 01:49:29,416 - [Paul] Shit. - [John] "Shit Back." 1805 01:49:29,500 --> 01:49:30,750 - "Shit," take one. - Thank you. 1806 01:49:32,208 --> 01:49:33,333 "Get Back." 1807 01:49:33,416 --> 01:49:37,583 ♪ Said she got it coming But she get it while she can ♪ 1808 01:49:38,583 --> 01:49:39,583 ♪ Get back ♪ 1809 01:49:40,333 --> 01:49:41,416 ♪ Get back ♪ 1810 01:49:41,958 --> 01:49:43,583 [John] I don't feel as bad as yesterday. 1811 01:49:43,666 --> 01:49:46,333 - It was really throbbing. - [Ringo] I'm really tired today. 1812 01:49:46,416 --> 01:49:48,041 Yesterday was the worst for me. 1813 01:49:48,125 --> 01:49:50,541 - Just aching. - Just that screaming all day. 1814 01:49:50,625 --> 01:49:52,833 - [Yoko chuckles] Poor John. - Yes, it's so terrible. 1815 01:49:52,916 --> 01:49:54,166 ♪ Get back ♪ 1816 01:49:54,250 --> 01:49:56,166 - Paul? - [Paul] Yes, Glyn? 1817 01:50:03,166 --> 01:50:04,625 - No, no, no. - [Glyn] What? 1818 01:50:12,375 --> 01:50:14,708 I like this one. It's lighter. [chuckles] 1819 01:50:16,125 --> 01:50:17,601 - Okay. - Are you sure you're gonna do that? 1820 01:50:17,625 --> 01:50:19,666 - One, two, three, four. - So the answer's no. 1821 01:50:20,250 --> 01:50:21,541 ♪ Get back ♪ 1822 01:50:21,625 --> 01:50:22,625 ♪ Get back to where ♪ 1823 01:50:22,708 --> 01:50:24,267 ♪ Get back to where you once belonged ♪ 1824 01:50:24,291 --> 01:50:28,166 Okay, now, one time. A bit cooler this time. 1825 01:50:31,000 --> 01:50:32,500 - One, two... - Take? 1826 01:50:32,583 --> 01:50:33,583 - Yes. - Yeah. 1827 01:50:33,666 --> 01:50:35,833 - Here we go. - Just a sec. 1828 01:50:35,916 --> 01:50:38,000 - A second, you mean? - One sec. 1829 01:50:47,625 --> 01:50:51,083 ♪ Jo Jo was a man Who thought he was a loner ♪ 1830 01:50:51,166 --> 01:50:52,333 [vocalizes] 1831 01:50:52,416 --> 01:50:55,184 [John] It doesn't matter for the last one, 'cause I don't have to come in singing. 1832 01:50:55,208 --> 01:50:56,851 - Yeah, but there's still... - You know, I can go... 1833 01:50:56,875 --> 01:51:00,041 Yeah, but it means that you're going on to D when we're still on A. 1834 01:51:00,125 --> 01:51:01,250 That's all right. 1835 01:51:01,333 --> 01:51:03,416 It's only the one when I've gotta come in singing. 1836 01:51:03,500 --> 01:51:06,041 No, well, I thought you'd do two solos twice, don't you? 1837 01:51:06,125 --> 01:51:08,125 - What? - Slightly varied second time. 1838 01:51:08,208 --> 01:51:10,750 Oh, second time. Yes. I rather... 1839 01:51:10,833 --> 01:51:12,458 [guitar playing] 1840 01:51:15,166 --> 01:51:18,166 Now I remember why I stopped getting solos. 1841 01:51:18,791 --> 01:51:20,311 'Cause this would happen all the time. 1842 01:51:24,625 --> 01:51:25,458 Just... 1843 01:51:25,541 --> 01:51:26,541 Oh, yeah! 1844 01:51:34,458 --> 01:51:36,666 [all chuckling] 1845 01:51:39,916 --> 01:51:40,958 A one, two. 1846 01:51:44,000 --> 01:51:45,083 A one, two. 1847 01:51:47,291 --> 01:51:48,458 In Sweden, yeah. 1848 01:51:57,291 --> 01:51:59,211 - [all chuckling] - And we just went, "One, two!" 1849 01:51:59,291 --> 01:52:00,625 [all chuckling] 1850 01:52:03,541 --> 01:52:05,208 Then he'd just go... 1851 01:52:05,791 --> 01:52:08,500 [all chuckling] 1852 01:52:11,958 --> 01:52:14,000 - I keep missing that D bit. - Okay. Yeah. 1853 01:52:14,750 --> 01:52:17,041 - I'll shout when it's the end. - Three, four. 1854 01:52:19,083 --> 01:52:20,333 Let's build up. 1855 01:52:20,416 --> 01:52:22,666 - Yeah. - Two, three, four... 1856 01:52:24,833 --> 01:52:27,541 [cooing, trilling] 1857 01:52:37,166 --> 01:52:42,375 ♪ Imagine I'm in love with you ♪ 1858 01:52:42,458 --> 01:52:44,416 ♪ It's easy... ♪ 1859 01:52:46,791 --> 01:52:47,791 [John] Are you? 1860 01:52:48,500 --> 01:52:49,875 [Michael] Are you really? 1861 01:52:49,958 --> 01:52:53,375 We're gonna do it through one more time, and it's just gonna be the greatest ever. 1862 01:52:53,458 --> 01:52:55,666 - We should have, like... - [plays guitar] 1863 01:52:55,750 --> 01:52:58,166 when you take your solo, you stand up, and, uh... 1864 01:52:58,250 --> 01:52:59,916 - Okay. - Yeah? 1865 01:53:01,083 --> 01:53:02,083 You've convinced me. 1866 01:53:02,166 --> 01:53:04,541 - [chuckles] - The boys are ready for action. 1867 01:53:04,625 --> 01:53:06,125 The boys is ready. 1868 01:53:06,958 --> 01:53:08,958 - I can't play standing up. - I can't either. 1869 01:53:09,041 --> 01:53:10,833 - [Yoko chuckles] - I can't. 1870 01:53:12,416 --> 01:53:13,583 Hello. 1871 01:53:18,541 --> 01:53:19,708 No, you gotta... 1872 01:53:19,791 --> 01:53:21,625 - Yeah. - Okay, Barney. 1873 01:53:23,833 --> 01:53:26,166 One, two. 1874 01:53:26,250 --> 01:53:28,625 One, two, three, four. 1875 01:53:30,666 --> 01:53:31,875 Go on, Al. 1876 01:53:32,666 --> 01:53:34,750 What? You what? 1877 01:53:34,833 --> 01:53:36,583 [Glyn] I just said, "Go on, Al." That's all. 1878 01:53:37,625 --> 01:53:40,000 Don't interrupt stars when they're recording. 1879 01:53:40,083 --> 01:53:42,625 - Hey. Hey. - We're bloody stars, you know? 1880 01:53:42,708 --> 01:53:44,041 Look, fuckface. 1881 01:53:45,083 --> 01:53:46,875 - Don't comment. - Fucking cheek. 1882 01:53:53,000 --> 01:53:54,125 Well, thank you very much. 1883 01:53:54,208 --> 01:53:55,916 ♪ I've got a feeling ♪ 1884 01:53:56,500 --> 01:53:59,458 ♪ Rocks me off my bones Oh, yeah ♪ 1885 01:54:01,583 --> 01:54:03,208 Whoo! 1886 01:54:07,208 --> 01:54:12,166 ♪ When I was younger So much younger than today ♪ 1887 01:54:12,875 --> 01:54:16,875 ♪ I never needed anybody's help in any ♪ 1888 01:54:18,625 --> 01:54:20,833 ♪ But now these days are gone I'm not so self-assured ♪ 1889 01:54:20,916 --> 01:54:24,333 - ♪ I'm not so self-assured ♪ - ♪ Self-assured ♪ 1890 01:54:24,416 --> 01:54:26,791 ♪ Now I find I've changed my mind ♪ 1891 01:54:26,875 --> 01:54:28,958 ♪ I've opened up the door ♪ 1892 01:54:29,708 --> 01:54:31,791 - ♪ Help! ♪ - ♪ Help me if you can ♪ 1893 01:54:31,875 --> 01:54:33,416 ♪ Down! ♪ 1894 01:54:35,541 --> 01:54:36,541 ♪ Need! ♪ 1895 01:54:38,375 --> 01:54:39,375 ♪ Round! ♪ 1896 01:54:44,666 --> 01:54:47,166 ♪ Last night I said these words to ♪ 1897 01:54:47,750 --> 01:54:50,166 ♪ Last night I said these words to ♪ 1898 01:54:50,250 --> 01:54:51,500 ♪ My girl ♪ 1899 01:54:51,583 --> 01:54:53,250 [vocalizing] 1900 01:54:53,333 --> 01:54:55,333 - We'll have to do it sitting down... - Oh, yeah. 1901 01:54:55,416 --> 01:54:57,541 - Or we get too excited. - [all chuckling] 1902 01:55:02,625 --> 01:55:06,041 ♪ Jo Jo was a man Who thought he was a loner ♪ 1903 01:55:06,125 --> 01:55:09,333 ♪ But he knew it couldn't last ♪ 1904 01:55:10,458 --> 01:55:14,375 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1905 01:55:14,458 --> 01:55:17,375 ♪ For some California grass ♪ 1906 01:55:18,291 --> 01:55:19,375 ♪ Get back ♪ 1907 01:55:20,250 --> 01:55:21,458 ♪ Get back ♪ 1908 01:55:22,333 --> 01:55:26,333 ♪ Get back To where you once belonged, Jo Jo ♪ 1909 01:55:26,416 --> 01:55:28,041 ♪ Get back ♪ 1910 01:55:28,125 --> 01:55:29,708 ♪ Get back ♪ 1911 01:55:30,291 --> 01:55:32,750 ♪ Get back to where you once belonged ♪ 1912 01:55:33,416 --> 01:55:35,000 ♪ Get back, Jo Jo ♪ 1913 01:55:50,041 --> 01:55:51,125 ♪ Get back ♪ 1914 01:55:51,916 --> 01:55:53,125 ♪ Get back ♪ 1915 01:55:53,916 --> 01:55:57,125 ♪ Get back to where you once belonged ♪ 1916 01:55:57,875 --> 01:55:59,208 ♪ Get back ♪ 1917 01:55:59,833 --> 01:56:00,833 ♪ Get back ♪ 1918 01:56:01,791 --> 01:56:04,666 ♪ Get back to where you once belonged ♪ 1919 01:56:07,166 --> 01:56:08,833 ♪ Get back, Jo ♪ 1920 01:56:24,000 --> 01:56:27,625 ♪ Sweet Loretta Martin Thought she was a woman ♪ 1921 01:56:27,708 --> 01:56:30,833 ♪ But she was another man ♪ 1922 01:56:31,708 --> 01:56:35,625 ♪ All the girls around They said she got it coming ♪ 1923 01:56:35,708 --> 01:56:38,166 ♪ But she get it while she can ♪ 1924 01:56:38,250 --> 01:56:40,416 It'd be nice to just put it out as a single. 1925 01:56:41,041 --> 01:56:43,375 - Yeah. - Just do a single of it now. 1926 01:56:43,458 --> 01:56:45,833 - Okay. - Let's knock it off for a single maybe. 1927 01:56:45,916 --> 01:56:47,833 - Let's finish it off... - Just make it now 1928 01:56:47,916 --> 01:56:50,291 and have it as a single, put it out next week. 1929 01:56:50,375 --> 01:56:51,958 - Oh, yeah? - It's easy. 1930 01:56:52,041 --> 01:56:53,761 Just take it in there, cut it in the master. 1931 01:56:53,833 --> 01:56:55,375 You have the master back tomorrow. 1932 01:56:55,458 --> 01:56:56,458 Master. 1933 01:56:58,041 --> 01:57:00,041 - I'm easy, lads. - [all chuckling] 1934 01:57:08,750 --> 01:57:09,750 Yeah. 1935 01:57:11,583 --> 01:57:13,184 It's great. Remember how we used to have it? 1936 01:57:13,208 --> 01:57:16,083 One record would be coming out, and we'd put another one out. 1937 01:57:16,166 --> 01:57:18,083 - Like in the old hustling days. - Yeah. 1938 01:57:18,166 --> 01:57:21,291 - [chuckles] - It'd be great. "Get back" in time. 1939 01:57:21,375 --> 01:57:23,541 ♪ Doo doo doo doo doo doo doo doo doo ♪ 1940 01:57:25,125 --> 01:57:26,684 [Paul] Well, I'm going home now. Knocking off. 1941 01:57:26,708 --> 01:57:29,083 - All right, Paul. Right. - [Paul] Put this on. 1942 01:57:29,166 --> 01:57:30,916 - Okay. - I'm coming in tomorrow. 1943 01:57:31,000 --> 01:57:33,541 Let's do some instrumentals, you know, to do the... 1944 01:57:33,625 --> 01:57:35,083 You know, for the album, like. 1945 01:57:35,750 --> 01:57:38,000 Hey, you look like a Victorian miner now, you know? 1946 01:57:38,083 --> 01:57:39,184 - [all chuckling] - It's true. 1947 01:57:39,208 --> 01:57:40,625 - Aye? - A DH Lawrence. 1948 01:57:40,708 --> 01:57:43,208 All right, well, I can't afford to mess around here, you know? 1949 01:57:43,291 --> 01:57:45,583 ♪ I'm a golden garter ♪ 1950 01:57:48,291 --> 01:57:50,916 - [John] Did you hear about the book idea? - [Paul] Yeah. 1951 01:57:51,000 --> 01:57:53,541 [John] They're great, man. Really great. 1952 01:57:56,416 --> 01:57:57,750 It'll be a book of the film. 1953 01:57:57,833 --> 01:58:00,166 They can have it out almost simultaneously. 1954 01:58:00,250 --> 01:58:02,875 The book of the film, the book of the... All that. 1955 01:58:02,958 --> 01:58:04,458 - The package is great. - It's good. 1956 01:58:04,541 --> 01:58:05,741 They'll have slides, you know. 1957 01:58:05,791 --> 01:58:07,791 And I'll talk to John Kosh on Monday. 1958 01:58:07,875 --> 01:58:10,208 'Cause I think he'd be a nice guy to design it. 1959 01:58:10,875 --> 01:58:12,708 Will you have any new ones today? 1960 01:58:14,458 --> 01:58:17,125 [Yoko] I'm trying without the marmalade today, you know? 1961 01:58:17,208 --> 01:58:18,708 - [John] Very good. - [Yoko] Ah. 1962 01:58:18,791 --> 01:58:20,125 [John] You see what happens? 1963 01:58:20,208 --> 01:58:22,750 They're gonna concentrate on our legs and toast today. 1964 01:58:22,833 --> 01:58:25,166 It'll be great. "Get Back" will be coming out. 1965 01:58:25,250 --> 01:58:26,500 Are we gonna do a single? 1966 01:58:27,333 --> 01:58:31,375 I don't know, you know? I'm just sort of still rehearsing. 1967 01:58:31,458 --> 01:58:33,250 - Yeah. - And if we hit one, great. 1968 01:58:33,333 --> 01:58:34,333 The thing is, 1969 01:58:34,416 --> 01:58:37,791 this is the first song we've really sort of got into that we dig. 1970 01:58:37,875 --> 01:58:38,916 But there's a... 1971 01:58:39,000 --> 01:58:42,083 I dig "Don't Let Me Down" and "I Dig A Pony," 1972 01:58:42,166 --> 01:58:43,833 personally speaking. 1973 01:58:43,916 --> 01:58:45,500 Well, yeah. I mean... 1974 01:58:45,583 --> 01:58:49,291 I still haven't done "Don't Let Me Down" satisfactorily for myself yet. 1975 01:58:49,375 --> 01:58:51,083 Oh, yeah? Well, we're all great on it, 1976 01:58:51,166 --> 01:58:53,500 so just get yourself together, will you? 1977 01:58:53,583 --> 01:58:56,125 Did you tell Paul we've got Billy a contract? 1978 01:58:56,208 --> 01:58:59,750 - No, not yet. - We've got him off Capitol. 1979 01:58:59,833 --> 01:59:01,041 Just like that. 1980 01:59:01,125 --> 01:59:02,958 And George will produce him. 1981 01:59:03,041 --> 01:59:04,750 I was just talking to him about that. 1982 01:59:10,625 --> 01:59:12,875 And he sort of had a couple groups together. 1983 01:59:12,958 --> 01:59:15,291 - But he's never, sort of, done his thing. - [John] Yes. 1984 01:59:15,375 --> 01:59:18,791 The main thing, Billy just really is so knocked out, 1985 01:59:18,875 --> 01:59:20,250 so thrilled doing it. 1986 01:59:20,333 --> 01:59:23,125 And also he sees it's his great opportunity. 1987 01:59:23,208 --> 01:59:24,267 [John] Yeah, and produce him. 1988 01:59:24,291 --> 01:59:27,375 [Paul] Then he puts his name and The Beatles. Like, it's Billy Preston! 1989 01:59:27,458 --> 01:59:28,778 [George] I didn't think about it. 1990 01:59:31,500 --> 01:59:33,708 'Cause, if we were having Nicky Hopkins playing, 1991 01:59:33,791 --> 01:59:36,083 we'd have to pay him session musician rates. 1992 01:59:36,166 --> 01:59:37,541 - [John] Yeah. - Which will be... 1993 01:59:37,625 --> 01:59:40,208 This is, like, to be in the film and that. 1994 01:59:40,291 --> 01:59:43,250 Yeah, we'll just say to Ron, "Look, will you talk to Billy?" 1995 01:59:43,333 --> 01:59:45,041 On the film it happened so great. 1996 01:59:54,375 --> 01:59:55,375 [laughter] 1997 01:59:55,458 --> 01:59:57,208 We can do that, as well. 1998 01:59:57,291 --> 02:00:00,750 If I asked Dylan to join The Beatles, and he would, as well, you know, 1999 02:00:00,833 --> 02:00:02,416 and we get 'em all in here! 2000 02:00:02,500 --> 02:00:04,625 Yeah, but they don't need to join The Beatles. 2001 02:00:04,708 --> 02:00:07,000 We'd call it The Beatles & Co. That'll be our band. 2002 02:00:07,625 --> 02:00:10,291 I mean, it's Sergeant Pepper's Lonely Hearts Club Band, innit? 2003 02:00:10,375 --> 02:00:11,666 - Yeah. - We could get 'em all. 2004 02:00:11,750 --> 02:00:14,833 [Paul] I just don't, because it's just bad enough with four. 2005 02:00:14,916 --> 02:00:16,083 [all chuckling] 2006 02:00:16,166 --> 02:00:17,351 - Okay. - [John] Mal, can we have... 2007 02:00:17,375 --> 02:00:18,291 [instruments tuning] 2008 02:00:18,375 --> 02:00:21,083 We haven't got the PA. Do they know that? 2009 02:00:21,166 --> 02:00:23,416 - PA is not on. - [John] Hello... 2010 02:00:23,500 --> 02:00:25,541 Okay. What should we do, Paul? 2011 02:00:25,625 --> 02:00:28,083 [Michael] Do you have anything more that you're writing? 2012 02:00:29,458 --> 02:00:31,559 [George Martin] You're writing all the time, aren't you, John? 2013 02:00:31,583 --> 02:00:32,583 [John] Sure I am. 2014 02:00:32,666 --> 02:00:36,416 I'd do "On The Road To Marrakesh," which is a sweet number, baby. 2015 02:00:36,500 --> 02:00:37,726 - [Michael] Sweet number? - Sweet number. 2016 02:00:37,750 --> 02:00:39,541 I was gonna do a big '30s orchestra bit. 2017 02:00:39,625 --> 02:00:45,375 [strumming on instruments] 2018 02:00:47,625 --> 02:00:52,041 ♪ On the road to Marrakesh ♪ 2019 02:00:55,041 --> 02:00:58,250 ♪ I was dreaming more or less ♪ 2020 02:01:01,916 --> 02:01:05,250 ♪ And the dream I had was you ♪ 2021 02:01:09,041 --> 02:01:12,625 ♪ And the dream I had was you ♪ 2022 02:01:15,500 --> 02:01:19,375 ♪ I'm just a child of nature ♪ 2023 02:01:20,625 --> 02:01:23,333 - [instruments stop] - Forget where we end. 2024 02:01:23,416 --> 02:01:25,083 - [Glyn] Paul? - [Paul] Yes? 2025 02:01:25,166 --> 02:01:28,166 [Glyn] What's the possibility of you using another bass? 2026 02:01:28,250 --> 02:01:29,666 You wanna try the bass on its own? 2027 02:01:31,250 --> 02:01:32,250 Oh, yeah. 2028 02:01:48,583 --> 02:01:49,916 Uh-huh. 2029 02:01:50,500 --> 02:01:52,375 [guitar plays] 2030 02:01:54,500 --> 02:01:56,458 ♪ Hail, hail, rock and roll ♪ 2031 02:01:57,916 --> 02:02:00,125 [vocalization] 2032 02:02:01,583 --> 02:02:03,708 ♪ Long live rock and roll ♪ 2033 02:02:03,791 --> 02:02:08,666 The only trouble is the strings slip off this, 'cause it's left-handed, 2034 02:02:08,750 --> 02:02:11,458 and the nut is for right-handed, you know? 2035 02:02:11,541 --> 02:02:14,666 - So, you know, I'm not as keen on it. - Well, I'll try that. 2036 02:02:14,750 --> 02:02:17,791 ♪ Oh, oh, oh, oh Stand ♪ 2037 02:02:18,666 --> 02:02:19,833 ♪ Stand by me ♪ 2038 02:02:19,916 --> 02:02:21,875 - ♪ Stand by me ♪ - ♪ Oh ♪ 2039 02:02:21,958 --> 02:02:23,666 ♪ Stand by me ♪ 2040 02:02:26,375 --> 02:02:30,166 - ♪ Stand by me ♪ - [Paul] ♪ Stand by me, darling, darling ♪ 2041 02:02:32,083 --> 02:02:33,601 - So I'll get that fixed. - Proper drag, yeah. 2042 02:02:33,625 --> 02:02:34,958 Yeah, but I will get it fixed. 2043 02:02:35,041 --> 02:02:36,541 I'd like to hear more bass still. 2044 02:02:37,541 --> 02:02:38,708 [laughs] 2045 02:02:39,625 --> 02:02:42,375 See, I just don't know what these knobs do, actually. 2046 02:02:42,458 --> 02:02:44,708 We seem to be at a loss without Billy. 2047 02:02:44,791 --> 02:02:45,875 What should we do? 2048 02:02:45,958 --> 02:02:48,083 [Paul] Just ones we don't know. 2049 02:02:48,166 --> 02:02:49,875 - Yes. - [Paul, indistinct] 2050 02:02:49,958 --> 02:02:51,791 Let's try to get "Two Of Us." 2051 02:02:51,875 --> 02:02:54,708 - [John] Okay. Am I still singing it? - Yeah. 2052 02:02:54,791 --> 02:02:56,250 [John] Yeah? Okay. 2053 02:02:56,333 --> 02:02:58,125 [Paul] Now, what kind of thing was it? 2054 02:02:58,208 --> 02:03:01,250 [John] I don't know, it's just... We're all very stiff, like... 2055 02:03:01,333 --> 02:03:02,208 Yes. 2056 02:03:02,291 --> 02:03:04,958 ♪ Two of us riding nowhere ♪ 2057 02:03:05,041 --> 02:03:09,750 ♪ Spending someone's hard-earned pay... ♪ 2058 02:03:09,833 --> 02:03:11,666 [John] When I heard Stevie Wonder... 2059 02:03:11,750 --> 02:03:15,208 I don't know what his backing would be, but then you'd sing it looser. 2060 02:03:15,291 --> 02:03:16,333 But I can't... 2061 02:03:16,416 --> 02:03:18,583 ♪ Two of us riding nowhere ♪ 2062 02:03:18,666 --> 02:03:20,125 Maybe it's just soft. 2063 02:03:20,208 --> 02:03:22,708 ♪ Two of us riding nowhere ♪ 2064 02:03:22,791 --> 02:03:24,125 You know what I mean? 2065 02:03:24,208 --> 02:03:26,625 Mal, have you got my acoustic? 2066 02:03:26,708 --> 02:03:27,708 Martin? 2067 02:03:27,791 --> 02:03:30,375 [George] And a packet of ciggys, Mal. 2068 02:03:30,458 --> 02:03:31,916 And a packet of ciggys, Mal. 2069 02:03:32,833 --> 02:03:37,041 See, I'd like not to be playing bass on these ones, 'cause it's just silly. 2070 02:03:37,125 --> 02:03:39,791 It's silly, 'cause I wrote it on my own guitar, you know? 2071 02:03:39,875 --> 02:03:40,875 And it's just... 2072 02:03:41,500 --> 02:03:42,875 A bit like "Peggy Sue." 2073 02:03:45,750 --> 02:03:48,541 [John] Well, I can't play bass and sing, you see? 2074 02:03:48,625 --> 02:03:51,291 Let's all stay on guitar until we have to have bass. 2075 02:03:51,375 --> 02:03:52,750 And then I'll get back on it. 2076 02:03:52,833 --> 02:03:54,083 Bass is, uh... 2077 02:03:54,166 --> 02:03:55,916 It's a bit of a drag, bass, isn't it? 2078 02:03:56,000 --> 02:03:58,041 Bass is a drag when there's no bass. 2079 02:03:58,125 --> 02:03:59,583 But, you know, uh... 2080 02:04:01,250 --> 02:04:02,291 That's it. Play. 2081 02:04:02,375 --> 02:04:04,541 - [strums guitar] - [drums playing] 2082 02:04:04,625 --> 02:04:07,875 See, I quite like those ones where there isn't bass. 2083 02:04:07,958 --> 02:04:09,125 I've never heard one. 2084 02:04:09,208 --> 02:04:11,125 - We've done a few. - What? 2085 02:04:11,208 --> 02:04:14,041 "I'll Follow The Sun." They've all tended to be that kind. 2086 02:04:14,125 --> 02:04:15,750 But they're nice. 2087 02:04:17,125 --> 02:04:18,916 They lose a big bottom. 2088 02:04:19,541 --> 02:04:22,958 But they gain a... slim, lithe look. 2089 02:04:23,041 --> 02:04:24,208 [John] Okay. 2090 02:04:27,541 --> 02:04:29,541 ["Two Of Us" playing] 2091 02:04:32,083 --> 02:04:33,875 ♪ Desmond had a bar ♪ 2092 02:04:34,458 --> 02:04:36,791 ♪ Oh, oh ♪ 2093 02:04:36,875 --> 02:04:37,875 ♪ Oh ♪ 2094 02:04:38,958 --> 02:04:41,208 ♪ We're on our way home ♪ 2095 02:04:42,541 --> 02:04:44,583 ♪ We're on our way home ♪ 2096 02:04:45,833 --> 02:04:49,583 ♪ We're going home ♪ 2097 02:04:50,541 --> 02:04:52,166 - Whoo! - Yeah! 2098 02:04:53,125 --> 02:04:55,125 ♪ Writing postcards ♪ 2099 02:04:55,208 --> 02:04:57,541 [indistinct] 2100 02:04:57,625 --> 02:05:00,833 ♪ On my wall ♪ 2101 02:05:02,250 --> 02:05:05,250 ♪ You and the PTA ♪ 2102 02:05:05,333 --> 02:05:07,500 ♪ The Harper Bazaar ♪ 2103 02:05:07,583 --> 02:05:11,458 ♪ Won't let go ♪ 2104 02:05:11,541 --> 02:05:13,000 ♪ Back home ♪ 2105 02:05:14,041 --> 02:05:16,333 ♪ We're on our way home ♪ 2106 02:05:17,708 --> 02:05:20,250 ♪ We're on our way home ♪ 2107 02:05:20,833 --> 02:05:24,750 ♪ We're going home ♪ 2108 02:05:25,458 --> 02:05:26,666 [George] Yeah! I like that. 2109 02:05:35,666 --> 02:05:38,375 [Mal chuckles] "I'm a cheat." 2110 02:05:38,458 --> 02:05:41,184 [John] Because, I mean, if we'd recorded it then tried to do it onstage, 2111 02:05:41,208 --> 02:05:43,416 we'd have to modify it, like we always did, you know? 2112 02:05:43,500 --> 02:05:45,000 [Paul] What do you want for lunch? 2113 02:05:45,083 --> 02:05:46,000 Take one. 2114 02:05:46,083 --> 02:05:48,267 - [Mal] Yeah, what's your order? - [Ringo] And just some steak. 2115 02:05:48,291 --> 02:05:50,083 Sparrow on toast. 2116 02:05:50,166 --> 02:05:52,041 [Paul] Boiled testicle. 2117 02:05:52,125 --> 02:05:54,041 - Uh, Mal? - Yes? 2118 02:05:54,125 --> 02:05:56,625 So I'll just... We'll have whatever the vegetables are. 2119 02:05:56,708 --> 02:05:59,625 If they've got any cheese sauce for the cauliflower... 2120 02:05:59,708 --> 02:06:01,708 - Let's have a mushroom omelet then. - Cauliflower. 2121 02:06:03,083 --> 02:06:05,583 Don't do it, Richie. Don't do it. 2122 02:06:05,666 --> 02:06:06,833 He used to eat chips. 2123 02:06:06,916 --> 02:06:08,208 [inaudible] 2124 02:06:09,666 --> 02:06:12,833 It's like after "Get Back," 2125 02:06:12,916 --> 02:06:14,791 - "We're on our way home." - Yeah. 2126 02:06:14,875 --> 02:06:15,875 So there's a story. 2127 02:06:15,958 --> 02:06:17,718 And there's another one, "Don't Let Me Down." 2128 02:06:17,750 --> 02:06:20,708 ♪ Oh, darling I'll never let you down ♪ 2129 02:06:20,791 --> 02:06:23,291 - Yeah. It's like you and me are lovers. - Yeah. 2130 02:06:23,375 --> 02:06:25,333 We shall have to camp it up for those two. 2131 02:06:25,416 --> 02:06:26,458 [George] Thanks, Mal. 2132 02:06:28,458 --> 02:06:29,958 [John] Oh, isn't that pretty? 2133 02:06:32,125 --> 02:06:33,375 Didn't have a black one? 2134 02:06:33,458 --> 02:06:35,416 I'd like one like the purple one in black. 2135 02:06:35,500 --> 02:06:36,500 Yeah. 2136 02:06:37,250 --> 02:06:38,250 It's lovely. 2137 02:06:44,750 --> 02:06:46,470 - Purple dicky bow. - [Yoko] It's very nice. 2138 02:06:53,208 --> 02:06:54,267 - [George] Yeah. - [John] Okay. 2139 02:06:54,291 --> 02:06:55,875 [George] "Funky Pudding," take one. 2140 02:06:55,958 --> 02:06:57,458 - Are you on? - [Glyn] Okay. 2141 02:06:57,541 --> 02:07:02,708 ["Two Of Us" playing] 2142 02:07:06,916 --> 02:07:10,000 ♪ Two of us riding nowhere ♪ 2143 02:07:10,083 --> 02:07:15,375 ♪ Spending someone's hard-earned pay ♪ 2144 02:07:16,791 --> 02:07:20,208 ♪ You and me Sunday driving ♪ 2145 02:07:20,291 --> 02:07:22,541 ♪ Not arriving ♪ 2146 02:07:22,625 --> 02:07:27,750 ♪ On our way back home ♪ 2147 02:07:34,250 --> 02:07:36,750 - ♪ Yes, very nice ♪ - Well, it's part of the pudding. 2148 02:07:36,833 --> 02:07:37,833 Oh, yeah. 2149 02:07:37,916 --> 02:07:39,125 Shall we hear it? 2150 02:07:39,208 --> 02:07:42,000 - Come on, let's hear it. - Track it. Put the violins on. Let's go. 2151 02:07:43,250 --> 02:07:44,625 Just release it. 2152 02:07:45,541 --> 02:07:46,958 [John] Release it in Italy only. 2153 02:07:47,041 --> 02:07:50,125 Let's just make a different single for every country. 2154 02:07:50,208 --> 02:07:54,208 ♪ Wearing raincoats Standing solo ♪ 2155 02:07:54,291 --> 02:07:57,750 ♪ In the sun ♪ 2156 02:07:57,833 --> 02:08:00,000 [John] Phyllis Lindsay-Hogg. 2157 02:08:00,083 --> 02:08:01,833 Instead of Mal picking us up, 2158 02:08:01,916 --> 02:08:04,583 on one day, should be all from each of our houses for this. 2159 02:08:04,666 --> 02:08:08,500 You should get, each day, one of us coming straight from home, 2160 02:08:08,583 --> 02:08:11,125 even right into the bedroom, you know. Let's make it... 2161 02:08:15,791 --> 02:08:16,791 [Michael] Yeah. 2162 02:08:20,250 --> 02:08:21,958 [chuckling] 2163 02:08:22,041 --> 02:08:24,208 Well, we are rather uncouth. 2164 02:08:24,791 --> 02:08:26,458 We're not your elite, you know. 2165 02:08:28,333 --> 02:08:30,541 ♪ You should see Polythene Pam ♪ 2166 02:08:31,041 --> 02:08:33,250 ♪ She's not good looking But she looks like a man ♪ 2167 02:08:33,750 --> 02:08:36,500 ♪ You should see her in drag Dressed in her polythene bag ♪ 2168 02:08:36,583 --> 02:08:38,625 ♪ Yes, you should see Polythene Pam ♪ 2169 02:08:39,833 --> 02:08:41,583 ♪ See Poly... ♪ 2170 02:08:41,666 --> 02:08:42,666 ♪ See... ♪ 2171 02:08:43,875 --> 02:08:46,041 ♪ See Polythene Pam ♪ 2172 02:08:47,041 --> 02:08:48,041 [indistinct] 2173 02:08:48,125 --> 02:08:51,416 ♪ Dressed in her polythene bag Yes, you should see Polythene Pam ♪ 2174 02:08:51,500 --> 02:08:53,166 ♪ See Poly... ♪ 2175 02:08:53,250 --> 02:08:54,708 ♪ Polythene Pam ♪ 2176 02:08:55,625 --> 02:08:56,708 ♪ See... ♪ 2177 02:08:57,208 --> 02:08:59,333 ♪ See Polythene Pam ♪ 2178 02:09:02,958 --> 02:09:04,291 ♪ Yes ♪ 2179 02:09:04,375 --> 02:09:05,916 ♪ Well, you should see her ♪ 2180 02:09:06,000 --> 02:09:07,280 ♪ Should see her when she's... ♪ 2181 02:09:07,333 --> 02:09:08,791 [John] What is it? 2182 02:09:14,208 --> 02:09:16,041 Mal, what about the Hawaiian? 2183 02:09:17,875 --> 02:09:19,375 [John] No, it's not like that. 2184 02:09:19,458 --> 02:09:21,583 I might have a little stand, you know. 2185 02:09:21,666 --> 02:09:23,833 See, one goes into the amplifier, 2186 02:09:23,916 --> 02:09:25,750 the other goes to the foot pedal. 2187 02:09:26,250 --> 02:09:28,750 A lead from the guitar to a foot pedal to the amp. 2188 02:09:28,833 --> 02:09:32,291 -[George] Take it to Alex, and he- -[John] Get some fucking wires, man. 2189 02:09:32,375 --> 02:09:34,791 ["Her Majesty" playing] 2190 02:09:34,875 --> 02:09:39,416 ♪ Her Majesty's a pretty nice girl But she changes from day to day ♪ 2191 02:09:40,875 --> 02:09:43,208 That's the cheapest one, actually. 2192 02:09:43,291 --> 02:09:46,250 But if he gets any good on it we'll give him a good one. 2193 02:09:46,333 --> 02:09:48,541 ♪ I wanna tell her that I love her a lot ♪ 2194 02:09:48,625 --> 02:09:51,375 ♪ But I gotta get a belly full of wine ♪ 2195 02:09:52,208 --> 02:09:56,541 ♪ Her Majesty's a pretty nice girl Someday I'm gonna make her mine ♪ 2196 02:09:56,625 --> 02:09:59,750 ♪ Yeah, someday I'm gonna make her mine ♪ 2197 02:09:59,833 --> 02:10:01,000 ["Teddy Boy" playing] 2198 02:10:01,083 --> 02:10:04,083 [indistinct] ♪ Tell her he'd be twice as good ♪ 2199 02:10:04,166 --> 02:10:05,875 ♪ And he knew he could ♪ 2200 02:10:05,958 --> 02:10:09,041 ♪ 'Cause in his head He said... ♪ 2201 02:10:10,208 --> 02:10:13,750 ♪ "Mommy, don't worry Now Teddy Boy's here ♪ 2202 02:10:13,833 --> 02:10:16,791 ♪ Taking good care of you ♪ 2203 02:10:16,875 --> 02:10:20,208 ♪ Mommy, don't worry Your Teddy Boy's here ♪ 2204 02:10:20,291 --> 02:10:22,541 ♪ Teddy's gonna see you through" ♪ 2205 02:10:22,625 --> 02:10:27,166 ♪ And she said, "Teddy, don't worry Now Mommy is here ♪ 2206 02:10:28,041 --> 02:10:30,416 ♪ Taking good care of you ♪ 2207 02:10:30,500 --> 02:10:33,791 ♪ Teddy, don't worry Now your mama is here ♪ 2208 02:10:33,875 --> 02:10:36,208 ♪ Mama's gonna see you through" ♪ 2209 02:10:36,291 --> 02:10:40,666 ♪ And he said, "Mommy, don't worry 'Cause Teddy Boy's here ♪ 2210 02:10:40,750 --> 02:10:43,583 ♪ Taking good care of you ♪ 2211 02:10:43,666 --> 02:10:47,291 ♪ Mommy, don't worry now Teddy Boy's here ♪ 2212 02:10:47,375 --> 02:10:49,416 ♪ Teddy's gonna see us through" ♪ 2213 02:10:50,708 --> 02:10:53,958 ♪ Take your partners And do-si-do ♪ 2214 02:10:54,041 --> 02:10:56,708 ♪ Hold them tight And don't let go ♪ 2215 02:10:57,291 --> 02:10:59,833 ♪ When you got it Jump up ♪ 2216 02:11:00,500 --> 02:11:03,458 ♪ Take your partners And do-si-do ♪ 2217 02:11:03,541 --> 02:11:06,500 ♪ And when you've got it Let it go ♪ 2218 02:11:07,000 --> 02:11:08,500 ♪ Hold them tight and... ♪ 2219 02:11:11,500 --> 02:11:13,791 ♪ Oh, dirty Maggie Mae ♪ 2220 02:11:13,875 --> 02:11:16,083 ♪ They have taken her away ♪ 2221 02:11:16,166 --> 02:11:19,250 ♪ And she'll never walk down Lime Street anymore ♪ 2222 02:11:20,666 --> 02:11:22,791 ♪ Well, the judge, he guilty found her ♪ 2223 02:11:22,875 --> 02:11:25,000 ♪ Of robbin' the homeward bounder ♪ 2224 02:11:25,083 --> 02:11:27,916 ♪ That dirty, no good Robbin' Maggie Mae ♪ 2225 02:11:29,291 --> 02:11:31,708 ♪ 'Tis the part of Liverpool ♪ 2226 02:11:31,791 --> 02:11:34,000 [indistinct] 2227 02:11:34,083 --> 02:11:37,458 ♪ And two pound ten a week That was my pay ♪ 2228 02:11:38,625 --> 02:11:43,000 [singing indistinctly] 2229 02:11:43,083 --> 02:11:46,208 ♪ That dirty, no good Robbin' Maggie Mae ♪ 2230 02:11:47,041 --> 02:11:49,666 ♪ Oh, dirty Maggie Mae ♪ 2231 02:11:49,750 --> 02:11:51,791 ♪ They have taken her away ♪ 2232 02:11:51,875 --> 02:11:55,083 ♪ And she'll never walk down Lime Street anymore ♪ 2233 02:11:56,416 --> 02:11:58,708 ♪ Oh, the judge, he guilty found her ♪ 2234 02:11:58,791 --> 02:12:00,916 ♪ Of robbin' the homeward bounder ♪ 2235 02:12:01,000 --> 02:12:03,791 ♪ That dirty, no good No good Maggie Mae ♪ 2236 02:12:04,666 --> 02:12:05,666 [Paul] Take it, Maggie! 2237 02:12:05,750 --> 02:12:07,375 ["Fancy Me Chances With You" playing] 2238 02:12:08,708 --> 02:12:10,416 ♪ Oh, I fancy me chances with you ♪ 2239 02:12:11,041 --> 02:12:12,625 ♪ I fancy me chances with you ♪ 2240 02:12:13,291 --> 02:12:15,333 ♪ I fancy me chances Fancy me chances ♪ 2241 02:12:15,416 --> 02:12:17,000 ♪ Oh, fancy me chances with you ♪ 2242 02:12:17,708 --> 02:12:19,250 ♪ Fancy me chances at the lock ♪ 2243 02:12:19,958 --> 02:12:22,041 ♪ Fancy me chances with your frock ♪ 2244 02:12:22,125 --> 02:12:24,333 ♪ Fancy me chances Fancy me chances ♪ 2245 02:12:24,416 --> 02:12:26,041 ♪ Fancy me chances with you ♪ 2246 02:12:26,125 --> 02:12:28,250 ♪ I fancy me chances with you ♪ 2247 02:12:29,000 --> 02:12:30,500 ♪ I fancy me chances with you ♪ 2248 02:12:31,250 --> 02:12:33,375 ♪ Oh, fancy me chances I fancy me chances ♪ 2249 02:12:33,458 --> 02:12:35,083 ♪ I fancy me chances with you ♪ 2250 02:12:35,166 --> 02:12:36,291 [song ends] 2251 02:12:36,375 --> 02:12:38,041 Yeah! 2252 02:12:40,083 --> 02:12:41,208 [chattering] 2253 02:12:41,291 --> 02:12:42,291 Yeah. 2254 02:12:42,375 --> 02:12:43,458 - You know... - What? 2255 02:12:43,541 --> 02:12:45,500 No one's asked you if you mind coming every day. 2256 02:12:49,208 --> 02:12:50,408 I just thought you never know. 2257 02:12:50,458 --> 02:12:53,583 Like, coming along every day and saying, "When am I getting paid?" 2258 02:12:53,666 --> 02:12:56,583 ["Dig It" playing] 2259 02:13:03,500 --> 02:13:04,708 ♪ Well, can you dig it now? ♪ 2260 02:13:06,916 --> 02:13:08,516 - ♪ Oh, can you dig it? Yeah ♪ - ♪ Yeah ♪ 2261 02:13:10,333 --> 02:13:11,958 ♪ Well, can you dig it now? ♪ 2262 02:13:13,791 --> 02:13:15,875 ♪ Well, can you dig it right now? ♪ 2263 02:13:15,958 --> 02:13:16,958 ♪ Yeah ♪ 2264 02:13:17,041 --> 02:13:19,458 ♪ Well, you can dig it every morning ♪ 2265 02:13:19,541 --> 02:13:21,041 ♪ Dig it every evening ♪ 2266 02:13:21,125 --> 02:13:23,333 ♪ Dig it every time of day ♪ 2267 02:13:24,750 --> 02:13:27,041 ♪ Dig it every time of day ♪ 2268 02:13:27,125 --> 02:13:28,625 [inaudible] 2269 02:13:32,958 --> 02:13:35,833 [in high voice] That was "Can You Dig It?" by Georgie Wood. 2270 02:13:35,916 --> 02:13:39,166 And now we'd like to do "Hark, the Angels Come." 2271 02:13:41,166 --> 02:13:43,625 - How long you had the camera? - Nearly six months. 2272 02:13:43,708 --> 02:13:45,375 They're fantastic, those things. 2273 02:13:46,416 --> 02:13:48,976 [George Martin] What do you do? You put it on a replay, which is plugged... 2274 02:13:49,000 --> 02:13:50,458 [chattering] 2275 02:13:50,541 --> 02:13:53,791 - [George] Magnetic tape? - [Ringo] Yeah, it's a videotape. 2276 02:13:53,875 --> 02:13:56,142 [George Martin] I feel like a drink. Shall we go to a nearby pub? 2277 02:13:56,166 --> 02:13:58,750 - [Glyn] There is a boozer. - There is? Lead me to it. 2278 02:14:02,250 --> 02:14:03,916 [George Martin] Fine, thank you, George. 2279 02:14:18,875 --> 02:14:20,916 [Paul] ♪ Life is happening every day ♪ 2280 02:14:21,000 --> 02:14:22,666 [John] It's all right. I'll sit on this. 2281 02:14:27,000 --> 02:14:32,208 - ["Dehra Dun" playing] - [guitar playing] 2282 02:14:39,166 --> 02:14:44,125 ♪ Many roads can take you there Many different ways ♪ 2283 02:14:45,625 --> 02:14:48,333 ♪ One direction takes you years ♪ 2284 02:14:48,416 --> 02:14:51,041 ♪ Another takes you days ♪ 2285 02:14:51,125 --> 02:14:52,708 Been to India, have you? 2286 02:14:52,791 --> 02:14:55,750 - Oh, yeah. I've been there. - I looked at mine last night, 2287 02:14:55,833 --> 02:14:57,166 next to me Pepper suit. 2288 02:14:57,250 --> 02:14:58,250 [chuckles] 2289 02:15:00,708 --> 02:15:02,125 [John] Me too. 2290 02:15:04,083 --> 02:15:06,683 - ["Within You Without You" playing] - [George] ♪ Ga, Ma, Pa, Ni ♪ 2291 02:15:08,083 --> 02:15:11,916 ♪ Ni, Dha, Ga, Pa ♪ 2292 02:15:12,000 --> 02:15:15,625 ♪ Re, Pa, Ma, Ga ♪ 2293 02:15:15,708 --> 02:15:19,125 ♪ Ga, Ma, Pa, Ni ♪ [fades] 2294 02:15:19,208 --> 02:15:21,583 - [Paul] I saw the film last night. - [John] What? 2295 02:15:21,666 --> 02:15:24,250 Of us at the Maharishi's. I've got all the film of it. 2296 02:15:24,750 --> 02:15:26,708 The opening is great. It's just incredible. 2297 02:15:26,791 --> 02:15:27,958 It opens with Cyn... 2298 02:15:29,958 --> 02:15:31,375 and Pattie, 2299 02:15:32,458 --> 02:15:33,666 Jane. 2300 02:15:33,750 --> 02:15:36,875 You know. And it goes through all sorts of changes and stuff. 2301 02:15:36,958 --> 02:15:38,541 It's all the people who were there. 2302 02:15:38,625 --> 02:15:42,958 Jeffrey. Uh, the little American girl. 2303 02:15:43,041 --> 02:15:44,375 You know, it's all of them. 2304 02:15:44,458 --> 02:15:47,041 And they're just all the same shot and against the sky. 2305 02:15:47,125 --> 02:15:48,750 And it changes to someone else. 2306 02:15:48,833 --> 02:15:53,458 And it's a great opening. It's like, "The cast for this evening is..." And then... 2307 02:15:54,458 --> 02:15:55,500 [Paul] But then it goes... 2308 02:15:55,583 --> 02:15:57,666 Then there's a big, sort of, white flare out thing, 2309 02:15:57,750 --> 02:15:59,958 'cause it's change of reel. 2310 02:16:00,041 --> 02:16:01,541 It's great, that. It really works. 2311 02:16:01,625 --> 02:16:04,375 Then the soundtrack should start with a... 2312 02:16:04,458 --> 02:16:05,625 Uh... 2313 02:16:07,916 --> 02:16:10,958 Yeah, it is like that, because Mike Love comes on, 2314 02:16:11,041 --> 02:16:13,250 and he's... you know, and he's... 2315 02:16:13,333 --> 02:16:16,375 And then he's just sitting with Cyn and Jane, waving. 2316 02:16:16,458 --> 02:16:17,583 Mike Love and Cyn. 2317 02:16:17,666 --> 02:16:21,708 And you just sort of see us, what we're doing. It's unbelievable. 2318 02:16:22,625 --> 02:16:23,745 [George] What were we doing? 2319 02:16:23,791 --> 02:16:26,541 - [John] Yes, what were we doing? - [Paul] We, uh... 2320 02:16:27,291 --> 02:16:28,666 I don't really know, you know? 2321 02:16:28,750 --> 02:16:34,250 But it's like we totally, sort of, put our own personalities under, 2322 02:16:34,333 --> 02:16:35,625 for the sake of it. 2323 02:16:35,708 --> 02:16:37,750 And you can really see, you know, we're all... 2324 02:16:37,833 --> 02:16:39,333 [John] Who's writing all them songs? 2325 02:16:40,916 --> 02:16:42,851 - That was probably when we did... - [John] In your room. 2326 02:16:42,875 --> 02:16:43,916 Yeah. Right. 2327 02:16:44,000 --> 02:16:45,416 I remember, yeah. 2328 02:16:46,041 --> 02:16:48,000 But just sort of... There's a... 2329 02:16:50,375 --> 02:16:52,000 No, no. Oh, no. 2330 02:16:53,833 --> 02:16:57,666 [Paul] I just think, what we did there, we weren't really very truthful there. 2331 02:16:57,750 --> 02:17:00,666 You know, things like sneaking behind his back and sort of saying, 2332 02:17:00,750 --> 02:17:02,333 "It's a bit like school, isn't it?" 2333 02:17:02,416 --> 02:17:05,041 But you can see on the film that it is very like school. 2334 02:17:06,541 --> 02:17:09,416 You want to call it What We Did On Our Holidays? 2335 02:17:09,500 --> 02:17:10,666 But it is very like that. 2336 02:17:10,750 --> 02:17:13,333 There's a long shot of you, sort of, walking with him. 2337 02:17:13,416 --> 02:17:15,000 And it's just not you, you know? 2338 02:17:15,083 --> 02:17:17,958 It's just... Yeah. Yeah. [chuckles] 2339 02:17:18,041 --> 02:17:20,208 [chattering] 2340 02:17:20,291 --> 02:17:22,666 - [Paul] It's got a great opening. - [John] Yeah. 2341 02:17:23,708 --> 02:17:24,708 [Paul] Incredible. 2342 02:17:25,458 --> 02:17:27,750 [John] I've got a couple of reels if you want some more. 2343 02:17:28,541 --> 02:17:30,458 The helicopter one, up in the sky. 2344 02:17:30,541 --> 02:17:32,851 [Paul] I noticed you taking it, so I thought, "I'll get that." 2345 02:17:32,875 --> 02:17:35,395 Well, that was the idea. 'Cause you said you were making a film. 2346 02:17:36,125 --> 02:17:40,333 I want "By John Lennon Productions" written on those two reels. 2347 02:17:40,416 --> 02:17:43,208 But each of my reels have got "By John Lennon" all through 'em, 2348 02:17:43,291 --> 02:17:44,666 - like subtitles. - [Paul] Yeah. 2349 02:17:44,750 --> 02:17:45,916 [John] "John Lennon's reel." 2350 02:17:46,000 --> 02:17:47,666 [Paul] "Shot by..." 2351 02:17:47,750 --> 02:17:49,333 And if I remember I'll bring 'em in. 2352 02:17:49,416 --> 02:17:51,791 And Linda remembered that thing you said the other night 2353 02:17:51,875 --> 02:17:53,767 about when you went up in the helicopter with him. 2354 02:17:53,791 --> 02:17:56,083 You just thought he might slip you the answer. 2355 02:18:02,875 --> 02:18:04,291 Tell me, Old Master. 2356 02:18:05,625 --> 02:18:07,208 [chuckling] 2357 02:18:12,875 --> 02:18:14,166 [all laugh] 2358 02:18:15,666 --> 02:18:17,250 I wouldn't mind having... 2359 02:18:17,333 --> 02:18:19,041 Wouldn't mind having his money. 2360 02:18:19,125 --> 02:18:20,458 [laughs] 2361 02:18:20,541 --> 02:18:21,708 I wouldn't mind having... 2362 02:18:22,416 --> 02:18:26,041 two months out of every four months... 2363 02:18:26,125 --> 02:18:27,500 in a place like that though. 2364 02:18:27,583 --> 02:18:29,416 Linda was saying, sitting up on his roof 2365 02:18:29,500 --> 02:18:33,625 and looking at that view, didn't you ever really feel like going out in it? 2366 02:18:33,708 --> 02:18:36,000 - [guitar playing] - Well, we were out in it, weren't we? 2367 02:18:36,583 --> 02:18:40,125 Yeah, but I mean the bit in the villages and stuff. 2368 02:18:40,208 --> 02:18:43,416 The bit that everyone else, 95% of them, were doing around there, 2369 02:18:43,500 --> 02:18:45,916 except for the converts on the hill. 2370 02:18:46,000 --> 02:18:47,000 You know? 2371 02:18:47,083 --> 02:18:48,166 It's incredible stuff. 2372 02:18:48,250 --> 02:18:49,541 [guitar continues] 2373 02:18:50,208 --> 02:18:54,166 Uh. And then, uh, then the next scene burns out white again. 2374 02:18:54,250 --> 02:18:56,666 And the next scene is just this monkey, 2375 02:18:56,750 --> 02:18:58,958 just comes up and humps this other monkey. 2376 02:19:02,333 --> 02:19:07,791 ♪ People will be watching us Why don't we do it in the road? ♪ 2377 02:19:08,833 --> 02:19:10,142 [Paul] And then they just jump off. 2378 02:19:10,166 --> 02:19:12,083 Then they just start picking each other. 2379 02:19:12,166 --> 02:19:13,166 It's great stuff. 2380 02:19:13,750 --> 02:19:15,375 And then there's a great one of you. 2381 02:19:15,458 --> 02:19:18,208 It's like you come up and wander onto the roof, 2382 02:19:18,291 --> 02:19:21,083 and you walk up, and you look like a student of philosophy 2383 02:19:21,166 --> 02:19:22,375 with your tape recorder. 2384 02:19:22,875 --> 02:19:23,875 And then... 2385 02:19:23,958 --> 02:19:26,916 - [guitar playing] - Yeah, I've got all the soundtracks too. 2386 02:19:30,541 --> 02:19:32,625 [guitar playing] 2387 02:19:34,125 --> 02:19:35,291 [drums playing] 2388 02:19:36,625 --> 02:19:39,583 It's that thing, we probably should have sort of just... 2389 02:19:41,291 --> 02:19:43,625 - Been ourselves. - Yeah, a lot more. Yeah. 2390 02:19:45,416 --> 02:19:46,416 [chattering] 2391 02:19:46,500 --> 02:19:48,875 [instruments continue playing] 2392 02:19:48,958 --> 02:19:54,208 That is the biggest joke, to be yourselves. 2393 02:19:54,291 --> 02:19:56,250 'Cause that was the purpose of going there, 2394 02:19:56,333 --> 02:19:59,041 to try and find who yourself really is. 2395 02:19:59,125 --> 02:20:00,666 Yes. We found out, didn't we? 2396 02:20:00,750 --> 02:20:04,625 And if you were really yourself, you wouldn't be any of who we are now. 2397 02:20:10,041 --> 02:20:11,541 ["Act Naturally" playing on guitar] 2398 02:20:15,458 --> 02:20:18,500 [John] ♪ If you're gonna put me In the movies ♪ 2399 02:20:19,500 --> 02:20:22,291 ♪ They're gonna make a big star Out of me ♪ 2400 02:20:24,125 --> 02:20:26,208 [George] No, he's doing a TV show. 2401 02:20:26,291 --> 02:20:27,916 - [John] All day? - [George] Yeah. 2402 02:20:28,000 --> 02:20:29,208 [John] ♪ Bye-bye, love ♪ 2403 02:20:29,708 --> 02:20:32,166 ♪ Bye-bye, happiness ♪ 2404 02:20:32,666 --> 02:20:34,500 ♪ Hello, loneliness ♪ 2405 02:20:35,000 --> 02:20:37,416 ♪ I think I'm a-gonna die ♪ 2406 02:20:38,000 --> 02:20:40,375 [Paul, John] ♪ Bye, my love, goodbye ♪ 2407 02:20:41,208 --> 02:20:46,458 ♪ I'm through with romance I'm through with love ♪ 2408 02:20:47,375 --> 02:20:52,166 ♪ And through with counting The stars above ♪ 2409 02:20:53,166 --> 02:20:58,791 ♪ And here's the reason Why I'm so free ♪ 2410 02:20:58,875 --> 02:21:04,541 ♪ My loving baby Is through with me ♪ 2411 02:21:06,083 --> 02:21:08,083 ♪ Bye-bye, love ♪ 2412 02:21:09,291 --> 02:21:11,833 ♪ Bye-bye, happiness ♪ 2413 02:21:11,916 --> 02:21:14,708 ♪ Hello, loneliness ♪ 2414 02:21:14,791 --> 02:21:17,166 ♪ I think I'm a-gonna cry ♪ 2415 02:21:17,666 --> 02:21:20,208 ♪ Bye, my love, goodbye ♪ 2416 02:21:21,750 --> 02:21:25,541 Okay. Four of us on our way home. 2417 02:21:25,625 --> 02:21:26,666 [Paul] Right. 2418 02:21:27,541 --> 02:21:31,500 ♪ You and I have memories ♪ 2419 02:21:31,583 --> 02:21:38,041 [Paul, John] ♪ Long before the road That stretches out ahead ♪ 2420 02:21:38,625 --> 02:21:39,708 ♪ Out ahead ♪ 2421 02:21:41,250 --> 02:21:44,958 ♪ You and I have memories ♪ 2422 02:21:45,625 --> 02:21:49,500 [Paul, John] ♪ Long before the road That stretches... ♪ 2423 02:21:49,583 --> 02:21:50,750 [Paul] Take it slowly. 2424 02:21:50,833 --> 02:21:53,083 ♪ Long... Longer than ♪ 2425 02:21:53,166 --> 02:21:54,000 Oh, yeah. 2426 02:21:54,083 --> 02:22:00,750 ♪ Longer than the road that stretches... ♪ 2427 02:22:00,833 --> 02:22:02,708 You just... You're underneath it. 2428 02:22:02,791 --> 02:22:08,000 [Paul, John] ♪ Longer than the road ♪ 2429 02:22:08,083 --> 02:22:11,125 ♪ That stretches... ♪ 2430 02:22:11,208 --> 02:22:12,333 [Paul] It's funny. 2431 02:22:12,416 --> 02:22:16,541 ♪ Road that stretches out ahead ♪ 2432 02:22:16,625 --> 02:22:17,625 That's mine. 2433 02:22:17,708 --> 02:22:19,375 ♪ Longer than... ♪ 2434 02:22:19,458 --> 02:22:25,166 ♪ Longer than the road that stretches Out ahead ♪ 2435 02:22:25,250 --> 02:22:27,166 Just keep it down for that bit. 2436 02:22:27,250 --> 02:22:32,458 [George, John] ♪ Longer than the road That stretches out ahead ♪ 2437 02:22:33,291 --> 02:22:35,125 [vocalizing] 2438 02:22:35,208 --> 02:22:38,416 [John, Paul] ♪ Two of us wearing raincoats ♪ 2439 02:22:38,500 --> 02:22:44,041 ♪ Standing solo in the sun ♪ 2440 02:22:45,083 --> 02:22:48,625 - [John] ♪ You and I chasing paper ♪ - [Paul] ♪ You and me chasing paper ♪ 2441 02:22:48,708 --> 02:22:50,375 [John, Paul] ♪ Getting nowhere ♪ 2442 02:22:50,458 --> 02:22:56,166 ♪ On our way back home ♪ 2443 02:22:57,333 --> 02:23:03,000 ♪ We're on our way home We're on our way home ♪ 2444 02:23:04,000 --> 02:23:06,666 ♪ We are going home ♪ 2445 02:23:08,250 --> 02:23:09,333 [vocalizing] 2446 02:23:09,416 --> 02:23:12,708 [John, Paul] ♪ Two of us wearing raincoats ♪ 2447 02:23:12,791 --> 02:23:17,958 ♪ Standing solo in the sun ♪ 2448 02:23:18,041 --> 02:23:19,500 [John] You're doing well. 2449 02:23:19,583 --> 02:23:22,458 ♪ You and me chasing paper ♪ 2450 02:23:22,541 --> 02:23:24,666 ♪ Getting nowhere ♪ 2451 02:23:24,750 --> 02:23:30,041 ♪ On our way back home ♪ 2452 02:23:31,708 --> 02:23:37,041 ♪ We're on our way home We're on our way home ♪ 2453 02:23:38,125 --> 02:23:41,875 ♪ We're going home ♪ 2454 02:23:43,000 --> 02:23:47,291 - [Paul] ♪ You and I have memories, yeah ♪ - [John vocalizes] 2455 02:23:47,375 --> 02:23:54,041 [Paul] ♪ Longer than the road That stretches out ahead ♪ 2456 02:23:54,125 --> 02:23:55,916 - [John vocalizes] - [Paul] ♪ Out ahead ♪ 2457 02:23:56,666 --> 02:24:00,000 [John, Paul] ♪ Two of us wearing raincoats ♪ 2458 02:24:00,083 --> 02:24:05,166 ♪ Standing solo in the sun ♪ 2459 02:24:05,250 --> 02:24:06,375 [John] ♪ The moon ♪ 2460 02:24:06,875 --> 02:24:09,916 [John, Paul] ♪ You and me chasing paper ♪ 2461 02:24:10,000 --> 02:24:12,000 ♪ Getting nowhere ♪ 2462 02:24:12,083 --> 02:24:17,541 ♪ On our way back home ♪ 2463 02:24:17,625 --> 02:24:18,833 ♪ Home ♪ 2464 02:24:18,916 --> 02:24:24,583 ♪ We're on our way home We're on our way home ♪ 2465 02:24:25,708 --> 02:24:27,291 ♪ We're going home ♪ 2466 02:24:31,041 --> 02:24:34,541 ♪ You and I have memories ♪ 2467 02:24:35,541 --> 02:24:41,458 ♪ Longer than the road That stretches out ahead ♪ 2468 02:24:41,958 --> 02:24:43,291 ♪ We're gwan home ♪ 2469 02:24:43,375 --> 02:24:44,500 Oh, yes, now. 2470 02:24:44,583 --> 02:24:47,541 [John, Paul] ♪ Two of us wearing raincoats ♪ 2471 02:24:47,625 --> 02:24:53,416 ♪ Standing solo in the sun ♪ 2472 02:24:53,500 --> 02:24:54,500 Yes, boy. 2473 02:24:54,583 --> 02:24:57,625 [John, Paul] ♪ You and me chasing paper ♪ 2474 02:24:58,250 --> 02:25:05,208 ♪ Getting nowhere On our way back home ♪ 2475 02:25:06,625 --> 02:25:08,208 ♪ We're on our way home ♪ 2476 02:25:08,291 --> 02:25:09,291 We are, yes. 2477 02:25:09,916 --> 02:25:11,916 ♪ We on our way home ♪ 2478 02:25:12,833 --> 02:25:16,916 ♪ We going home ♪ 2479 02:25:36,833 --> 02:25:37,875 [coughs] 2480 02:25:37,958 --> 02:25:40,083 Is that the idea? We're just gonna record them all 2481 02:25:40,166 --> 02:25:43,333 until we've got them all before Tuesday when Glyn goes? 2482 02:25:43,416 --> 02:25:44,708 Is that it? 2483 02:25:46,875 --> 02:25:49,666 [George] I see. So we'll have time... 2484 02:25:49,750 --> 02:25:52,142 - So Wednesday night, we've recorded... - [John] Yeah, do them all. 2485 02:25:52,166 --> 02:25:54,226 I've gotta mix... I'd like to mix 'em before I go too... 2486 02:25:54,250 --> 02:25:55,434 - [George] Doing the show. - Somehow. 2487 02:25:55,458 --> 02:25:56,750 Are we still doing the show? 2488 02:25:56,833 --> 02:25:58,250 I don't know, really. 2489 02:25:58,333 --> 02:26:03,958 [John] Say we did eight or nine, he'll come back after about a week or something. 2490 02:26:06,083 --> 02:26:08,666 That's if we don't get 14 done by Tuesday. 2491 02:26:09,625 --> 02:26:12,208 - [guitar plays] - Okay. Uh... 2492 02:26:12,791 --> 02:26:17,458 The piano. It'd be nice to make the piano, like, one of those bad pianos. 2493 02:26:17,541 --> 02:26:18,541 [Paul] Yes. 2494 02:26:18,625 --> 02:26:19,625 'Cause it... 2495 02:26:20,500 --> 02:26:25,041 Glyn, how can we make the piano like one of those very bad old honky-tonks? 2496 02:26:25,125 --> 02:26:27,833 Rather than like a Blüthner grand. 2497 02:26:28,375 --> 02:26:29,375 [piano playing] 2498 02:26:29,458 --> 02:26:30,500 [piano playing] 2499 02:26:30,583 --> 02:26:32,059 [Michael] What does the paper do to the piano? 2500 02:26:32,083 --> 02:26:33,642 - Just make it tinnier? - [George] Tinny the sound. 2501 02:26:33,666 --> 02:26:35,976 - Yeah, just tinnier. - [George] More like, yeah, honky-tonk. 2502 02:26:36,000 --> 02:26:37,684 [George Martin] Less like a Blüthner, in short. 2503 02:26:37,708 --> 02:26:39,476 - [Michael] What? - [George Martin] Less like a Blüthner. 2504 02:26:39,500 --> 02:26:41,140 [Michael] Less like a Blüthner, in short. 2505 02:26:41,208 --> 02:26:42,541 [Glyn] A fucked-up Blüthner. 2506 02:26:42,625 --> 02:26:43,625 [chuckles] 2507 02:26:43,708 --> 02:26:46,208 [George] The main thing with this, in my head it's like, 2508 02:26:46,291 --> 02:26:48,375 influenced by those old fellas, 2509 02:26:48,458 --> 02:26:51,166 you know, where nothing was professional at all. 2510 02:26:51,250 --> 02:26:54,375 So it's really just like a one-take wonder. 2511 02:26:54,458 --> 02:26:56,583 But we may have a four-take wonder. 2512 02:26:56,666 --> 02:26:58,208 ["For You Blue" playing] 2513 02:26:58,291 --> 02:27:02,541 ♪ I feel it now I hope you feel it too ♪ 2514 02:27:05,625 --> 02:27:11,291 ♪ Because you're sweet and lovely I love you ♪ 2515 02:27:13,083 --> 02:27:17,583 ♪ Because you're sweet and lovely, girl I do ♪ 2516 02:27:20,708 --> 02:27:25,083 ♪ I'm living every moment, girl, for you ♪ 2517 02:27:26,958 --> 02:27:29,083 - That's all. - [song ends] 2518 02:27:29,166 --> 02:27:30,833 Personally, I was a phenomenon. 2519 02:27:30,916 --> 02:27:31,833 [chattering] 2520 02:27:31,916 --> 02:27:34,083 Another slug of whiskey, Mama. 2521 02:27:34,750 --> 02:27:37,125 Does this guitar sound in tune, Glyn? 2522 02:27:37,208 --> 02:27:38,291 [guitar tunes] 2523 02:27:41,375 --> 02:27:43,291 - [piano plays] - Yeah, was it all right? 2524 02:27:43,875 --> 02:27:46,375 - [Yoko chuckles] - I mean, me solo was out of this world. 2525 02:27:47,541 --> 02:27:49,375 - What's it like, Glyn? - [Glyn] All right. 2526 02:27:49,458 --> 02:27:51,351 - Should we keep it and do another? - [Glyn, indistinct] 2527 02:27:51,375 --> 02:27:53,916 Yeah. George? 2528 02:27:54,000 --> 02:27:55,458 How are you? 2529 02:27:55,541 --> 02:27:57,000 Should we keep that and do another? 2530 02:27:59,500 --> 02:28:00,860 - [Paul] Right back. - [John] Okay. 2531 02:28:01,333 --> 02:28:03,833 'Cause I'm gonna go over me peak in a minute. [chuckles] 2532 02:28:03,916 --> 02:28:05,791 I think I'm hitting me best now. 2533 02:28:05,875 --> 02:28:06,875 Okay! 2534 02:28:08,458 --> 02:28:11,375 ["For You Blue" playing] 2535 02:28:11,458 --> 02:28:12,958 Start again, hey. 2536 02:28:13,041 --> 02:28:15,291 Just don't talk when he's playing there, gang. 2537 02:28:16,958 --> 02:28:18,541 ["For You Blue" continues] 2538 02:28:27,083 --> 02:28:32,541 ♪ Because you're sweet and lovely, girl I love you ♪ 2539 02:28:34,708 --> 02:28:39,125 ♪ Because you're sweet and lovely, girl It's true ♪ 2540 02:28:42,083 --> 02:28:46,625 ♪ I love you more than ever, girl, I do ♪ 2541 02:28:50,250 --> 02:28:55,541 ♪ I want you in the morning, girl I love you ♪ 2542 02:28:58,458 --> 02:29:00,500 So let's keep that and do one more. 2543 02:29:00,583 --> 02:29:01,833 [Glyn chuckles] 2544 02:29:01,916 --> 02:29:04,583 - What for? What for? - Next time, please. 2545 02:29:04,666 --> 02:29:06,833 - So he can do the guitar like he wants it. - Come on. 2546 02:29:08,416 --> 02:29:12,625 ♪ I want you at the moment I feel blue ♪ 2547 02:29:15,916 --> 02:29:20,708 ♪ I'm living every moment, girl, for you ♪ 2548 02:29:49,916 --> 02:29:51,875 [George] But I think, uh... 2549 02:29:51,958 --> 02:29:54,875 I think we're getting a good sound in Apple Studios. 2550 02:29:54,958 --> 02:29:56,318 - Yeah. - Yeah. I think we are too. 2551 02:29:59,666 --> 02:30:01,083 [Paul] We're taking our... 2552 02:30:07,125 --> 02:30:08,166 [chattering] 2553 02:30:08,250 --> 02:30:10,166 [George] Okay, can you play us the other one? 2554 02:30:10,250 --> 02:30:15,250 I'll just take this after the first one and just bring it on after "I love you." 2555 02:30:15,333 --> 02:30:17,250 - Yeah, you just... - And leave it in there. 2556 02:30:17,333 --> 02:30:18,373 [Paul] That's a good idea. 2557 02:30:18,416 --> 02:30:19,833 Yeah, I'm full of ideas like that. 2558 02:30:19,916 --> 02:30:21,142 - I'm famous for 'em. - [Paul] Yeah. 2559 02:30:21,166 --> 02:30:23,958 - [John] Literary Beatle, you know? - [George] Hail to the captain. 2560 02:30:24,041 --> 02:30:27,583 This is one that Alex at Apple Electronics has brought out. 2561 02:30:27,666 --> 02:30:30,250 - And there isn't another one in the world. - It's a mixer! 2562 02:30:30,333 --> 02:30:32,083 - Yeah. - It's a 20-channel mixer. 2563 02:30:32,166 --> 02:30:35,625 Or a radar screen, or a tail of an aeroplane. 2564 02:30:36,500 --> 02:30:39,000 - [George Martin laughs] Aeroplane. - Or... 2565 02:30:39,083 --> 02:30:41,323 [George Martin] Just as uncomfortable as the rest of 'em. 2566 02:30:41,916 --> 02:30:46,000 - [imitating airplane] - [tape rewinding] 2567 02:31:02,583 --> 02:31:05,625 - I would dig to play onstage, you know? - [Paul] Yeah. 2568 02:31:05,708 --> 02:31:08,666 I mean, if it was all... everything was all right and there was no messing 2569 02:31:08,750 --> 02:31:10,916 and we're just gonna play onstage. 2570 02:31:11,000 --> 02:31:13,541 You know, that's why I said yes to the TV show. 2571 02:31:13,625 --> 02:31:15,250 I didn't want the hell of doing it, 2572 02:31:16,625 --> 02:31:20,208 but nobody else wants to go on the stage or do a TV show. 2573 02:31:20,833 --> 02:31:25,625 You know, that's what it's about. Nobody wants to get out there. You know? 2574 02:31:25,708 --> 02:31:27,541 I suppose that's true, you know? 2575 02:31:27,625 --> 02:31:31,583 I think so, you know? I'm only going by what's happened. 2576 02:31:31,666 --> 02:31:33,333 Yeah, yeah. 2577 02:31:34,166 --> 02:31:36,541 What are you trying to make a show out of now? 2578 02:31:37,958 --> 02:31:39,541 - I can't answer it, you know? - I know. 2579 02:31:39,625 --> 02:31:42,625 I know that there's no sort of answer for it, but... 2580 02:31:43,333 --> 02:31:46,375 The things that have worked out best ever for us 2581 02:31:46,458 --> 02:31:49,041 haven't really been planned any more than this has. 2582 02:31:49,125 --> 02:31:54,333 It's just, you know, it's like you just go into something and it does it itself. 2583 02:31:54,416 --> 02:31:57,916 You know, whatever it's gonna be, it becomes that, you know? 2584 02:31:58,000 --> 02:32:00,833 [John] See, it's turned out it's not what Paul wants. 2585 02:32:00,916 --> 02:32:04,125 It's like if it's... Say it's his number, this whole show. 2586 02:32:04,208 --> 02:32:07,583 It's actually turned into our number more than his number. 2587 02:32:07,666 --> 02:32:09,666 That's all. And, uh... 2588 02:32:11,458 --> 02:32:13,166 It's just that, really. 2589 02:32:13,250 --> 02:32:16,041 Yeah, I know, it is majority decisions and all. Yeah. 2590 02:32:16,666 --> 02:32:20,375 We're presuming that we are gonna make this LP anyway as one whole piece, 2591 02:32:20,458 --> 02:32:22,333 like as if the cameras aren't here. 2592 02:32:23,916 --> 02:32:26,500 But it might be an idea to sort of face 'em... 2593 02:32:26,583 --> 02:32:27,583 [Paul] Mmm. 2594 02:32:27,666 --> 02:32:29,041 [John] ...for the singing. 2595 02:32:29,125 --> 02:32:34,125 The point of doing it all in one go is that we're aware of the camera. 2596 02:32:34,208 --> 02:32:36,208 So we should look at the camera. 2597 02:32:36,291 --> 02:32:38,666 And we sing it straight to 'em. You know? 2598 02:32:38,750 --> 02:32:39,750 - Yeah. - [John] And... 2599 02:32:39,833 --> 02:32:42,375 The finale'd just be us doing the numbers well. 2600 02:32:48,208 --> 02:32:49,291 What do you think? 2601 02:32:49,875 --> 02:32:51,875 The main thing is to do the change 2602 02:32:51,958 --> 02:32:54,250 from the acoustic numbers to the electric numbers. 2603 02:32:54,875 --> 02:32:57,125 I mean, if we're doing a stage show, we'd have to... 2604 02:32:57,208 --> 02:33:01,208 "Hold on a sec, ladies and gentlemen, George just getting on his Rickenbacker." 2605 02:33:01,291 --> 02:33:04,250 As far as I'm concerned, I would need one run-through on each number 2606 02:33:04,333 --> 02:33:07,708 to get the balance set for it, 'cause it's all... everything's changing. 2607 02:33:07,791 --> 02:33:11,291 We'll know that better as soon as we've got an order. 2608 02:33:15,083 --> 02:33:16,708 Soon as we've got a story. 2609 02:33:16,791 --> 02:33:19,208 It's all right, but I'd meant to sort of 2610 02:33:19,291 --> 02:33:21,291 put the songs to some other framework this time. 2611 02:33:21,375 --> 02:33:22,875 That's what I'd sort of thought. 2612 02:33:23,750 --> 02:33:28,583 That we'd just keep to the same environment, totally... always, you know? 2613 02:33:28,666 --> 02:33:30,791 We don't ever attempt to break out of it. 2614 02:33:30,875 --> 02:33:35,208 We... We're in a recording studio again in London making another album, you know? 2615 02:33:35,291 --> 02:33:39,083 I think this is the nicest place I've been for a long time, this studio. 2616 02:33:39,166 --> 02:33:41,416 - Yeah, it is. - [George] No, really, you know, I mean. 2617 02:33:41,500 --> 02:33:43,125 And also we've played... 2618 02:33:43,208 --> 02:33:46,708 This is the most I've ever played by playing every day. 2619 02:33:46,791 --> 02:33:51,625 And I can just feel meself getting... Me fingers getting loose a bit. 2620 02:33:51,708 --> 02:33:52,916 Yeah. 2621 02:33:53,000 --> 02:33:55,166 Because we don't get the chance to do that. 2622 02:33:55,250 --> 02:33:57,642 - But really I just want to play. - [John] That's what it was about. 2623 02:33:57,666 --> 02:34:02,916 What we've got is you all playing live in one room. 2624 02:34:03,000 --> 02:34:05,750 That in itself is a fresh thing for The Beatles. 2625 02:34:05,833 --> 02:34:06,833 Mmm. 2626 02:34:08,000 --> 02:34:09,916 Are you gonna just stay around in a circle? 2627 02:34:10,000 --> 02:34:12,267 Unless we felt like standing up 'cause it was a shouter, you know? 2628 02:34:12,291 --> 02:34:13,531 [Michael] No matter what we do, 2629 02:34:13,583 --> 02:34:16,303 it's still gonna look like you're sitting in a room making the album. 2630 02:34:16,375 --> 02:34:18,101 - It's not per se a show. - [George playing guitar] 2631 02:34:18,125 --> 02:34:22,875 All we've got is us, and the documentary, where we happen to be singing. 2632 02:34:24,416 --> 02:34:27,017 I mean, you see what happens when we're just grooving to the music. 2633 02:34:27,041 --> 02:34:29,750 - The whole place changes. - [Paul] Yeah, that's true. 2634 02:34:29,833 --> 02:34:32,666 And that... If we're doing them well on the day, 2635 02:34:32,750 --> 02:34:33,916 without anything... 2636 02:34:35,166 --> 02:34:37,458 it should come over. We've gotta do it, you know? 2637 02:34:39,250 --> 02:34:42,375 [Michael] And also, remember, the original idea was a TV show 2638 02:34:42,458 --> 02:34:44,000 and then a documentary about it. 2639 02:34:44,083 --> 02:34:46,083 And now it's changed to being a movie. 2640 02:34:46,166 --> 02:34:49,916 It's like, really, if we're gonna do a film for cinema, 2641 02:34:50,000 --> 02:34:52,083 it should've been done on 35 millimeters, 2642 02:34:52,166 --> 02:34:54,166 which is just the best quality. 2643 02:34:54,875 --> 02:34:57,666 We shot this on 16 because it's a television thing. 2644 02:34:57,750 --> 02:35:00,708 Just the still photos would make a UA movie 2645 02:35:00,791 --> 02:35:02,708 with soundtrack on it, you know? 2646 02:35:03,291 --> 02:35:07,541 I think we should blow it up to 35 and if they don't take it, 2647 02:35:07,625 --> 02:35:09,145 - they're fucking fools. - [Paul] Yeah. 2648 02:35:09,208 --> 02:35:11,476 [laughing] Because they're not gonna get anything else, are they? 2649 02:35:11,500 --> 02:35:13,750 Unless we've got incredible quality on this, 2650 02:35:13,833 --> 02:35:16,208 16 blown to 35 is a mess. 2651 02:35:16,291 --> 02:35:17,731 - [George] No, it's not. - Generally. 2652 02:35:17,791 --> 02:35:20,458 There's a certain stock that blows up better. 2653 02:35:20,541 --> 02:35:21,958 Ektachrome 500. 2654 02:35:22,041 --> 02:35:23,916 Yeah, this will blow up all right, this film. 2655 02:35:24,000 --> 02:35:25,458 Yeah? 2656 02:35:25,541 --> 02:35:28,541 I don't know what it is that I'm moaning about, but it's just sort of... 2657 02:35:28,625 --> 02:35:31,333 I must admit I can't really see it either, because it's... 2658 02:35:31,416 --> 02:35:34,017 It just seems the last two days everything's gone so ridiculously well. 2659 02:35:34,041 --> 02:35:36,375 - He's right, you know. - It is good. It's going great. 2660 02:35:36,458 --> 02:35:37,791 It really is something. 2661 02:35:37,875 --> 02:35:39,155 - [Yoko] It's true though. - Mmm. 2662 02:35:39,958 --> 02:35:43,250 I just have a feeling that we... It's all right, you know? 2663 02:35:43,333 --> 02:35:45,208 It's nothing to complain about, but... 2664 02:35:46,083 --> 02:35:49,333 But it's just funny to sort of realize that after this is all over, 2665 02:35:49,416 --> 02:35:53,291 you'll be off in a black bag somewhere on the Albert Hall, you know? 2666 02:35:53,375 --> 02:35:54,833 Yeah. 2667 02:35:57,000 --> 02:35:59,041 What you're moaning about is there's no payoff. 2668 02:35:59,791 --> 02:36:02,083 I think all I wanna do is, like, uh... 2669 02:36:02,708 --> 02:36:05,916 I probably, you know, having got it together, 2670 02:36:06,000 --> 02:36:08,125 I probably just wanna go and have fun with it. 2671 02:36:08,208 --> 02:36:12,291 Rather than just, sort of, finish off exactly as we started. 2672 02:36:12,375 --> 02:36:15,250 And I'd like to sort of do a... [exclaims] ...for the finish. 2673 02:36:15,333 --> 02:36:17,375 - Mmm. - And we just get out in the open, 2674 02:36:17,458 --> 02:36:18,583 change of scene, 2675 02:36:18,666 --> 02:36:23,083 and go and do it somewhere else, do it on a live show, do it on a stage. 2676 02:36:23,166 --> 02:36:24,833 You know, I'd like to light a rocket 2677 02:36:24,916 --> 02:36:27,375 and really sort of take off for the end of it. 2678 02:36:27,458 --> 02:36:29,666 And, uh, you know... 2679 02:36:29,750 --> 02:36:32,541 but that's going a bit, like, overboard, I suppose. 2680 02:36:32,625 --> 02:36:34,125 [Michael] Still could do that. 2681 02:36:34,625 --> 02:36:36,500 But that's me, you know? I always do that. 2682 02:36:47,791 --> 02:36:50,041 [John] ♪ I woke up late this morning ♪ 2683 02:36:52,541 --> 02:36:54,666 ♪ My head was in a whirl ♪ 2684 02:36:55,208 --> 02:36:56,541 ♪ Yes, it was ♪ 2685 02:36:57,291 --> 02:36:59,791 ♪ It was only then I realized ♪ 2686 02:37:01,000 --> 02:37:02,416 [chattering] 2687 02:37:02,500 --> 02:37:03,625 ♪ I'd lost my little girl ♪ 2688 02:37:03,708 --> 02:37:05,916 ♪ Yes, I had That very last evening, Friday night ♪ 2689 02:37:12,000 --> 02:37:14,458 ♪ I woke up late this morning ♪ 2690 02:37:16,958 --> 02:37:18,958 ♪ My head was in a whirl ♪ 2691 02:37:21,625 --> 02:37:23,791 ♪ Only then I realized ♪ 2692 02:37:26,416 --> 02:37:28,958 ♪ Lost my little girl Ladies and gentlemen ♪ 2693 02:37:29,041 --> 02:37:31,083 ♪ Is there a doctor in the house? Yeah ♪ 2694 02:37:34,041 --> 02:37:35,375 ♪ I want you to tell me ♪ 2695 02:37:36,291 --> 02:37:38,083 [vehicles passing] 2696 02:37:38,166 --> 02:37:39,375 [vehicle honks] 2697 02:37:48,791 --> 02:37:51,125 [Paul] Yeah. Or maybe we don't have to do it on a... 2698 02:37:51,208 --> 02:37:53,250 You'd get the week people, the mothers and... 2699 02:37:53,333 --> 02:37:54,333 [Michael] Yeah, great. 2700 02:37:54,416 --> 02:37:56,750 The only thing is we've got to get some permission, Paul. 2701 02:37:56,833 --> 02:37:57,833 Yes, yes, yes. 2702 02:37:57,916 --> 02:38:00,250 So the cops don't come and throw us off, that's all. 2703 02:38:00,333 --> 02:38:02,708 What happens if we go on top of the other roof? 2704 02:38:02,791 --> 02:38:03,851 If it's somebody else's roof, 2705 02:38:03,875 --> 02:38:06,958 then we can get had not only for disturbing the peace and the noise, 2706 02:38:07,041 --> 02:38:08,125 but also for trespassing. 2707 02:38:08,875 --> 02:38:10,583 Now, um, good. 2708 02:38:11,083 --> 02:38:13,916 So, but just roughly timewise, so I can look into gear... 2709 02:38:14,000 --> 02:38:17,750 [Paul] Yeah. So, okay, look, if we say like on Friday or something. 2710 02:38:18,375 --> 02:38:19,833 - You know? - [Michael] Right. 2711 02:38:19,916 --> 02:38:21,083 ["Mean Mr. Mustard" playing] 2712 02:38:22,250 --> 02:38:25,958 [John] ♪ Shaves in the dark Trying to save paper ♪ 2713 02:38:27,708 --> 02:38:31,291 ♪ Sleeps in a hole in the road ♪ 2714 02:38:32,458 --> 02:38:35,750 ♪ Saving up to buy some clothes ♪ 2715 02:38:37,333 --> 02:38:40,833 ♪ Keeps a ten-bob note up his nose ♪ 2716 02:38:41,416 --> 02:38:43,958 ♪ Such a mean old man ♪ 2717 02:38:46,791 --> 02:38:48,541 [John, Paul] ♪ Mean old man ♪ 2718 02:38:48,625 --> 02:38:50,666 John? 2719 02:38:51,250 --> 02:38:53,083 That's a bit powerful, man. 2720 02:38:53,166 --> 02:38:55,250 I think the thing is we'll aim for Thursday. 2721 02:38:55,333 --> 02:38:56,973 [George] Are we gonna do it all here now? 2722 02:38:57,000 --> 02:38:59,101 I think you should aim for a little earlier than Thursday. 2723 02:38:59,125 --> 02:39:01,142 'Cause if you aim for Thursday, it's not gonna be Thursday. 2724 02:39:01,166 --> 02:39:05,000 [Paul] See, we have to give them a chance to get their other cameras in. 2725 02:39:05,083 --> 02:39:06,203 [Michael] Aim for Wednesday. 2726 02:39:07,250 --> 02:39:10,130 [Paul] It'll be pretty quick, but it'll still give us some time to do it. 2727 02:39:10,208 --> 02:39:11,333 [chattering] 2728 02:39:11,416 --> 02:39:14,458 [John] ♪ His sister, Shirley Works in the shop ♪ 2729 02:39:14,541 --> 02:39:18,791 ♪ She never stops She's a go-getter ♪ 2730 02:39:20,583 --> 02:39:23,750 ♪ She takes him out to look at the queen ♪ 2731 02:39:24,958 --> 02:39:28,083 ♪ It's the only place That he's ever been ♪ 2732 02:39:29,750 --> 02:39:33,250 ♪ He always shouts out something obscene ♪ 2733 02:39:33,833 --> 02:39:36,541 ♪ He's such a mean old man ♪ 2734 02:39:38,291 --> 02:39:41,416 ♪ He's such a dirty old man ♪ 2735 02:39:43,041 --> 02:39:45,916 ♪ Oh, Mean Mister Mustard ♪ 2736 02:39:46,958 --> 02:39:49,416 - Okay, Paul. - [playing piano] 2737 02:39:49,500 --> 02:39:51,934 - [George] How does it start? - [Paul] Yeah, I don't really see... 2738 02:39:51,958 --> 02:39:54,458 - How does it start? - [John] Any order will be all right. 2739 02:39:54,541 --> 02:39:56,559 - [George] How does it start? - [John] The longer the better. 2740 02:39:56,583 --> 02:39:57,767 - Okay. Um... - All right then. 2741 02:39:57,791 --> 02:39:58,875 - Um... - [George] Go on. 2742 02:39:58,958 --> 02:40:00,916 - [playing "Let It Be"] - [vocalizing] 2743 02:40:01,000 --> 02:40:03,476 - So just straight into the first verse? - Well, that's... Yeah. 2744 02:40:03,500 --> 02:40:04,583 Or an intro. 2745 02:40:05,583 --> 02:40:08,083 - Well, I'll probably do... - [continues playing piano] 2746 02:40:12,750 --> 02:40:16,291 ♪ When I find myself In times of trouble ♪ 2747 02:40:16,375 --> 02:40:19,250 ♪ Mother Mary comes to me ♪ 2748 02:40:19,333 --> 02:40:21,833 ♪ Speaking words of wisdom ♪ 2749 02:40:22,333 --> 02:40:24,333 ♪ Let it be ♪ 2750 02:40:24,416 --> 02:40:26,958 - [laughter] - All right. 2751 02:40:27,666 --> 02:40:29,416 Come on, I only get two notes in this song. 2752 02:40:29,500 --> 02:40:31,458 [laughter] 2753 02:40:31,541 --> 02:40:33,666 ["Let It Be" continues playing] 2754 02:40:40,625 --> 02:40:43,541 ♪ Let it be Let it be ♪ 2755 02:40:44,041 --> 02:40:47,791 - ♪ Let it be, let it be ♪ - [John] ♪ Ooh ♪ 2756 02:40:47,875 --> 02:40:50,083 [coughs] 2757 02:40:50,166 --> 02:40:52,666 [imitating popping sound] 2758 02:40:54,583 --> 02:40:57,291 [vocalizing "Let It Be"] 2759 02:41:02,583 --> 02:41:05,250 [laughter] 2760 02:41:08,041 --> 02:41:14,791 ♪ Well, when all the broken hearted people Living in the world agree ♪ 2761 02:41:14,875 --> 02:41:17,041 ♪ There will be an answer ♪ 2762 02:41:17,708 --> 02:41:19,583 ♪ Let it be ♪ 2763 02:41:21,458 --> 02:41:23,916 ♪ For though they may be parted ♪ 2764 02:41:24,416 --> 02:41:28,125 ♪ There is still a chance That they will see ♪ 2765 02:41:28,208 --> 02:41:30,708 ♪ There will be an answer ♪ 2766 02:41:30,791 --> 02:41:33,666 ♪ Let it be ♪ 2767 02:41:33,750 --> 02:41:37,541 - ♪ Oh, let it be, let it be ♪ - [John, George] ♪ Ooh ♪ 2768 02:41:37,625 --> 02:41:40,791 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2769 02:41:41,750 --> 02:41:44,125 ♪ There will be an answer ♪ 2770 02:41:44,208 --> 02:41:47,750 ♪ Let it be ♪ 2771 02:41:49,250 --> 02:41:51,375 ♪ Ah, here's to Robert Fraser ♪ 2772 02:41:51,916 --> 02:41:55,208 ♪ There's still a chance For them to see ♪ 2773 02:41:55,291 --> 02:41:57,708 ♪ There will be an answer ♪ 2774 02:41:57,791 --> 02:42:00,666 [imitating popping sound] 2775 02:42:00,750 --> 02:42:03,250 After two then. One, two. 2776 02:42:03,333 --> 02:42:05,583 ["Let It Be" continues playing] 2777 02:42:11,125 --> 02:42:12,500 [vocalizing] 2778 02:42:12,583 --> 02:42:14,476 [George] And if it was that length, it would be okay. 2779 02:42:14,500 --> 02:42:17,125 [Paul] Yes, right. You were right about another verse. 2780 02:42:17,208 --> 02:42:18,968 - He's right, you know. - [Paul] He is right. 2781 02:42:19,000 --> 02:42:21,083 [George] "Captain Marvel comes to me." 2782 02:42:21,166 --> 02:42:22,541 - [laughter] - [exhales] 2783 02:42:22,625 --> 02:42:23,791 [chattering] 2784 02:42:26,000 --> 02:42:27,000 Yeah. 2785 02:42:27,083 --> 02:42:29,625 [Paul] Come on, now. Back to the drudgery. Thank you. 2786 02:42:29,708 --> 02:42:31,184 [John] It's you that's making it like this. 2787 02:42:31,208 --> 02:42:32,916 It's you that's bloody making it like this. 2788 02:42:33,000 --> 02:42:34,958 [Paul] The real meaning of Christmas. 2789 02:42:35,041 --> 02:42:36,125 Come on. 2790 02:42:37,291 --> 02:42:38,291 Come on. 2791 02:42:39,083 --> 02:42:40,416 Okay. 2792 02:42:44,166 --> 02:42:46,166 - [John] "Bloody Mary comes to me." - [laughter] 2793 02:42:47,291 --> 02:42:50,250 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2794 02:42:50,333 --> 02:42:51,750 - ♪ Let it be ♪ - ♪ Ooh ♪ 2795 02:42:52,750 --> 02:42:55,541 - Glyn said it's all happening too quickly. - [John] Yeah. 2796 02:42:55,625 --> 02:42:57,500 - Yeah. We're very excitable. - It is in a way. 2797 02:42:57,583 --> 02:42:59,666 No, you're right. It's coming in all too soon. 2798 02:42:59,750 --> 02:43:01,291 Okay, do it exactly then. 2799 02:43:01,375 --> 02:43:03,375 As we... As was. 2800 02:43:03,458 --> 02:43:04,791 - Oh? - [John] I like the solo... 2801 02:43:04,875 --> 02:43:06,791 - Isn't it as it was? - [John] I don't know. 2802 02:43:06,875 --> 02:43:09,475 [Paul] But, I mean, that's the end of the song, as much as I know. 2803 02:43:09,541 --> 02:43:11,392 [John] Think what Vera Lynn would do to it, Paul. 2804 02:43:11,416 --> 02:43:12,666 [laughing] Let's see, yeah. 2805 02:43:15,416 --> 02:43:16,666 [Paul] Glyn? 2806 02:43:16,750 --> 02:43:19,458 Why is this microphone very quiet? 2807 02:43:21,125 --> 02:43:22,333 [laughter] 2808 02:43:22,416 --> 02:43:25,375 [Paul] See, there's only those two verses... Watch me. 2809 02:43:25,458 --> 02:43:27,058 [John] We'll write some more, should we? 2810 02:43:28,916 --> 02:43:30,583 That's a possibility, I suppose. 2811 02:43:30,666 --> 02:43:32,250 [John] Have we had "hour of darkness"? 2812 02:43:32,333 --> 02:43:34,750 - Yeah. - [John] Oh. I thought it came quick. 2813 02:43:34,833 --> 02:43:37,541 [microphone feedback] 2814 02:43:37,625 --> 02:43:40,125 Goddamn you, little microphone. 2815 02:43:40,208 --> 02:43:45,791 [John screams] 2816 02:43:45,875 --> 02:43:48,000 [Paul] Okay, you watch us. We're gonna do this now. 2817 02:43:48,083 --> 02:43:50,059 - [John] You just watch us. - [Paul] Okay, boys. Come on. 2818 02:43:50,083 --> 02:43:52,208 - Pull yourselves together. - [John] Ha! 2819 02:43:52,291 --> 02:43:53,708 - Talking to me? - That's it. 2820 02:43:53,791 --> 02:43:55,000 Talking to me? 2821 02:43:55,083 --> 02:43:57,416 He's the most together man in Garston. 2822 02:43:57,500 --> 02:43:59,333 [laughter] 2823 02:43:59,416 --> 02:44:01,833 [chattering] 2824 02:44:05,916 --> 02:44:07,208 Yeah, let it develop. 2825 02:44:08,333 --> 02:44:12,125 - ♪ Yeah, let it be, let it be ♪ - [John, George] ♪ Ooh ♪ 2826 02:44:12,208 --> 02:44:14,958 - ♪ Let it be, let it be ♪ - ♪ Ooh ♪ 2827 02:44:15,041 --> 02:44:16,125 [John] We've gone off. 2828 02:44:16,208 --> 02:44:19,833 Are you doing it like we rehearsed it at Twickenham? Or are you changing it? 2829 02:44:19,916 --> 02:44:21,708 [Paul] I'm not sure. I can't remember. 2830 02:44:21,791 --> 02:44:25,833 I'm just doing the whole thing twice, which is, like, two verses. 2831 02:44:25,916 --> 02:44:27,083 "Can you dig it?" 2832 02:44:27,875 --> 02:44:30,041 - Take this one then. - [John] Yeah, take it home. 2833 02:44:31,458 --> 02:44:34,500 This'll... This is gonna knock you out, boy. 2834 02:44:34,583 --> 02:44:36,166 ["Let It Be" playing] 2835 02:44:39,458 --> 02:44:42,541 [indistinct] 2836 02:44:42,625 --> 02:44:46,083 ♪ And you know that it was meant to be ♪ 2837 02:44:47,041 --> 02:44:51,916 ♪ There's a word of wisdom Let it be ♪ 2838 02:44:52,541 --> 02:44:54,833 - ♪ Oh, let it be ♪ - ♪ Ooh ♪ 2839 02:44:54,916 --> 02:44:56,333 - ♪ Let it be ♪ - ♪ Ooh ♪ 2840 02:44:56,958 --> 02:44:59,625 [Paul] ♪ Sing it, children Let it be ♪ 2841 02:45:02,708 --> 02:45:03,916 [laughter] 2842 02:45:04,833 --> 02:45:08,333 [John] Especially like to thank you for all the birthday presents. 2843 02:45:09,041 --> 02:45:10,333 [Paul] ♪ When I find myself ♪ 2844 02:45:10,416 --> 02:45:11,583 All moody. 2845 02:45:11,666 --> 02:45:12,833 ♪ Trouble... ♪ 2846 02:45:12,916 --> 02:45:16,666 ♪ When I find myself in times of trouble ♪ 2847 02:45:17,791 --> 02:45:20,250 [sings faster] ♪ When I find myself in times of trouble ♪ 2848 02:45:20,333 --> 02:45:22,416 ♪ Mother Mary comes to me ♪ 2849 02:45:22,500 --> 02:45:25,708 ♪ Speaking words of wisdom Let it be ♪ 2850 02:45:25,791 --> 02:45:27,625 [John] Okay, this is your last chance. 2851 02:45:27,708 --> 02:45:30,333 [Paul] Now look, boys. Now, come on. Enthuse a little. 2852 02:45:30,416 --> 02:45:33,958 I can't. I don't even get up to my bit, you keep finishing. 2853 02:45:34,041 --> 02:45:35,625 [laughter] 2854 02:45:37,166 --> 02:45:38,458 [John] Shut up, will you? 2855 02:45:38,541 --> 02:45:40,916 I'll have you banned from bloody Apple if you don't shut up. 2856 02:45:41,625 --> 02:45:42,708 ♪ Let it be ♪ 2857 02:45:42,791 --> 02:45:45,958 ♪ Let it be, let it be ♪ 2858 02:45:46,041 --> 02:45:47,250 ♪ Yeah ♪ 2859 02:45:47,333 --> 02:45:49,375 ♪ Oh-oh-oh ♪ 2860 02:45:49,458 --> 02:45:53,625 - [John] ♪ Let it be, let it be ♪ - ♪ Let it be ♪ 2861 02:45:55,041 --> 02:45:58,166 [John vocalizing] 2862 02:45:58,250 --> 02:46:00,666 I couldn't, you see? I've got to force it. [vocalizes] 2863 02:46:00,750 --> 02:46:01,583 Yes. 2864 02:46:01,666 --> 02:46:03,666 [John] After all that, I came in too soon. 2865 02:46:03,750 --> 02:46:04,875 [exhales] 2866 02:46:05,500 --> 02:46:06,934 [Paul] Can we carry this on tomorrow? 2867 02:46:06,958 --> 02:46:08,875 - I feel a bit tired now. - Yes, all right. 2868 02:46:09,750 --> 02:46:11,416 [Paul] Darling. [chuckles] 2869 02:46:11,500 --> 02:46:13,375 No, you don't mind if we finish now, do you? 2870 02:46:13,458 --> 02:46:16,250 I'm just trying to get the group working, you know, like every day... 2871 02:46:16,333 --> 02:46:18,958 I know, but office hours. [chuckles] 2872 02:46:19,041 --> 02:46:22,541 Yes, Paul, you have to be strict. Some discipline. 2873 02:46:22,625 --> 02:46:25,208 Get a shave, get your fucking hair cut, you know? 2874 02:46:25,291 --> 02:46:26,833 - [Yoko laughs] - Live, man. 2875 02:46:26,916 --> 02:46:29,750 - Are we coming tomorrow? - What? 2876 02:46:29,833 --> 02:46:31,392 - [George] Are we coming in tomorrow? - Yeah. 2877 02:46:31,416 --> 02:46:32,416 [chattering] 2878 02:46:32,500 --> 02:46:33,750 [John] Can we come too? 2879 02:46:33,833 --> 02:46:34,958 [chattering] 2880 02:46:35,041 --> 02:46:36,458 - [John] Yeah, sure. - Okay. Bye. 2881 02:46:36,541 --> 02:46:37,541 Okay. Got it. 2882 02:46:38,833 --> 02:46:40,125 [chattering continues] 2883 02:46:40,208 --> 02:46:42,583 [instruments playing] 2884 02:46:48,416 --> 02:46:53,041 ["Blues Jam" playing] 2885 02:47:43,250 --> 02:47:44,916 [ends] 2886 02:47:45,000 --> 02:47:46,920 - ["The Walk" playing] - [Paul] ♪ Then you walk ♪ 2887 02:47:49,500 --> 02:47:50,708 ♪ Then you walk ♪ 2888 02:47:53,750 --> 02:47:55,166 ♪ Yeah, you walk ♪ 2889 02:47:58,166 --> 02:47:59,416 ♪ Yeah, you walk ♪ 2890 02:48:02,541 --> 02:48:03,541 ♪ And you talk ♪ 2891 02:48:06,041 --> 02:48:09,250 ♪ Boy, you will... ♪ [indistinct] 2892 02:48:09,333 --> 02:48:12,208 ♪ No, I can't give you what I gotta give ♪ 2893 02:48:16,375 --> 02:48:18,166 [mock growling] 2894 02:48:19,875 --> 02:48:21,541 ♪ I can't give you what I got ♪ 2895 02:48:24,750 --> 02:48:26,625 ♪ You can't get me that way ♪ 2896 02:48:28,458 --> 02:48:32,791 - [singing, indistinct] - [ends] 2897 02:48:34,000 --> 02:48:35,541 Yeah. [chuckles] 2898 02:48:35,625 --> 02:48:37,833 ["Without a Song" playing] 2899 02:48:39,625 --> 02:48:41,958 [Billy] ♪ That field of corn ♪ 2900 02:48:44,208 --> 02:48:47,416 ♪ Whoa, would never see a plow ♪ 2901 02:48:51,125 --> 02:48:52,875 ♪ That field of corn ♪ 2902 02:48:56,041 --> 02:48:59,000 ♪ Whoa, whoa Would be deserted now ♪ 2903 02:49:02,750 --> 02:49:04,583 ♪ A man is born ♪ 2904 02:49:07,541 --> 02:49:11,375 ♪ Whoa, he ain't got no friends no how ♪ 2905 02:49:11,458 --> 02:49:13,250 ♪ No how ♪ 2906 02:49:14,250 --> 02:49:16,208 ♪ Unless he has a song ♪ 2907 02:49:17,000 --> 02:49:18,875 ♪ No, no, no, no, no, no, no ♪ 2908 02:49:21,250 --> 02:49:22,250 ♪ Yeah ♪ 2909 02:49:24,791 --> 02:49:26,541 [indistinct] 2910 02:49:30,833 --> 02:49:33,750 [song continues] 2911 02:49:48,875 --> 02:49:50,250 ♪ A man is born ♪ 2912 02:49:53,166 --> 02:49:56,583 ♪ He ain't got no friends no how ♪ 2913 02:49:56,666 --> 02:49:58,583 ♪ Whoa ♪ 2914 02:49:59,833 --> 02:50:01,416 ♪ Unless he has a song ♪ 2915 02:50:03,041 --> 02:50:04,833 ♪ Whoa ♪ 2916 02:50:10,958 --> 02:50:12,083 [laughing] 2917 02:50:15,041 --> 02:50:16,750 [song continues] 2918 02:50:27,375 --> 02:50:30,541 ♪ Whoa ♪ 2919 02:50:32,291 --> 02:50:33,416 ♪ Huh ♪ 2920 02:50:34,291 --> 02:50:36,375 ♪ I said a man don't ♪ 2921 02:50:38,666 --> 02:50:41,791 ♪ Whoa he ain't got no friends ♪ 2922 02:50:41,875 --> 02:50:43,916 ♪ Nowhere, nowhere ♪ 2923 02:50:45,041 --> 02:50:47,333 ♪ Unless he has a song ♪ 2924 02:50:48,625 --> 02:50:50,125 [vocalizing] 2925 02:50:51,333 --> 02:50:53,375 [indistinct] 2926 02:50:54,250 --> 02:50:55,750 ♪ A song ♪ 2927 02:50:56,458 --> 02:50:58,583 ♪ Yeah, yeah ♪ 2928 02:50:59,458 --> 02:51:00,708 [vocalizing] 2929 02:51:02,166 --> 02:51:06,041 ♪ Whoa ♪ [chuckles] 2930 02:51:12,791 --> 02:51:14,583 [song ends] 2931 02:51:15,958 --> 02:51:17,541 ["Love Me Do" playing] 2932 02:51:23,708 --> 02:51:26,000 [John, Paul] ♪ Love, love me do ♪ 2933 02:51:27,708 --> 02:51:30,208 ♪ You know I love you ♪ 2934 02:51:31,375 --> 02:51:34,333 ♪ I'll always be true ♪ 2935 02:51:35,250 --> 02:51:40,000 ♪ So please ♪ 2936 02:51:40,083 --> 02:51:42,958 - [John scatting] - [Paul] ♪ Love me do ♪ 2937 02:51:50,333 --> 02:51:52,958 ♪ Love, love me do, yeah ♪ 2938 02:51:53,625 --> 02:51:58,500 ♪ You know I love you ♪ 2939 02:51:58,583 --> 02:52:00,583 ♪ I'll always be true ♪ 2940 02:52:01,208 --> 02:52:05,041 ♪ So please ♪ 2941 02:52:06,750 --> 02:52:10,916 ♪ Love me do ♪ 2942 02:52:15,791 --> 02:52:18,750 ♪ Someone to love ♪ 2943 02:52:19,833 --> 02:52:22,625 ♪ Somebody new ♪ 2944 02:52:24,333 --> 02:52:26,625 ♪ Someone to love ♪ 2945 02:52:27,791 --> 02:52:30,583 ♪ Someone like you ♪ 2946 02:52:31,916 --> 02:52:34,750 ♪ Love, love me do ♪ 2947 02:52:35,833 --> 02:52:38,833 ♪ You know I love you ♪ 2948 02:52:39,875 --> 02:52:42,833 ♪ I'll always be true ♪ 2949 02:52:43,541 --> 02:52:48,458 ♪ So please ♪ 2950 02:52:49,041 --> 02:52:52,833 ♪ Love me do ♪ 2951 02:53:01,583 --> 02:53:02,791 [Paul] Okay. 2952 02:53:04,625 --> 02:53:07,166 ♪ Love me do, love me do ♪ 2953 02:53:07,250 --> 02:53:08,500 [song ends] 2954 02:53:08,524 --> 02:53:10,524 >>>>oakislandtk<<<<< www.opensubtitles.org 237930