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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:37,730 --> 00:00:40,860 [George] ♪ I once knew a beautiful girl ♪ 2 00:00:40,940 --> 00:00:41,940 [Mal] Go on. 3 00:00:42,020 --> 00:00:44,850 ♪ She had long blonde hair and a curl ♪ 4 00:00:44,940 --> 00:00:45,940 [Mal] A curl? 5 00:00:46,020 --> 00:00:49,690 ♪ She looked after me And I looked before her ♪ 6 00:00:49,770 --> 00:00:52,440 ♪ At that time, we hadn't a care ♪ 7 00:00:52,940 --> 00:00:54,270 [Mal] A care? [laughing] 8 00:00:54,350 --> 00:00:57,100 ♪ As time turned my head and my mind ♪ 9 00:00:58,480 --> 00:01:01,360 ♪ The pleasure seemed harder to find ♪ 10 00:01:02,520 --> 00:01:04,350 ♪ By then, it was such ♪ 11 00:01:04,440 --> 00:01:06,440 ♪ That I knew far too much ♪ 12 00:01:06,520 --> 00:01:09,600 ♪ Now I stay home and slowly unwind ♪ 13 00:01:12,310 --> 00:01:14,140 [Ringo] Didn't you get to bed last night, Glyn? 14 00:01:14,230 --> 00:01:16,940 Sorry. You just look this morning like you didn't go at all. 15 00:01:17,020 --> 00:01:18,230 [Glyn laughs] 16 00:01:18,310 --> 00:01:21,230 -[Ringo] Have you heard the "Octopus" one? -[George] No. 17 00:01:21,310 --> 00:01:23,310 ["Octopus's Garden" playing] 18 00:01:25,350 --> 00:01:27,310 You learned A minor, then? 19 00:01:27,400 --> 00:01:31,650 ♪ I'd like to be underneath the sea ♪ 20 00:01:31,730 --> 00:01:34,110 ♪ In an octopus's garden ♪ 21 00:01:34,190 --> 00:01:35,400 ♪ In the shade ♪ 22 00:01:35,480 --> 00:01:37,610 [chuckling] 23 00:01:37,690 --> 00:01:39,110 ♪ It would be nice ♪ 24 00:01:40,440 --> 00:01:42,190 ♪ In paradise ♪ 25 00:01:42,270 --> 00:01:44,600 ♪ In an octopus's garden ♪ 26 00:01:44,690 --> 00:01:45,770 ♪ In the shade ♪ 27 00:01:47,060 --> 00:01:48,230 That's all I've got. 28 00:01:48,310 --> 00:01:50,140 [all laughing] 29 00:01:51,810 --> 00:01:53,100 [clears throat] 30 00:01:53,190 --> 00:01:55,650 After the two times, the second time… 31 00:01:55,730 --> 00:01:57,610 [vocalizing] 32 00:02:00,560 --> 00:02:05,020 ♪ In an octopus's garden in the shade ♪ 33 00:02:05,100 --> 00:02:08,230 Then to get to the G one, a bit, uh… 34 00:02:08,310 --> 00:02:10,480 Let's go from the beginning. 35 00:02:10,560 --> 00:02:11,850 -From the beginning. -Right. 36 00:02:18,020 --> 00:02:20,560 ♪ In an octopus's garden ♪ 37 00:02:20,650 --> 00:02:21,820 ♪ In the shade ♪ 38 00:02:24,980 --> 00:02:26,440 ♪ It would be nice ♪ 39 00:02:27,690 --> 00:02:29,270 ♪ Paradise ♪ 40 00:02:29,350 --> 00:02:30,350 ♪ In an oc-- ♪ 41 00:02:30,440 --> 00:02:31,820 Then stay on F. 42 00:02:31,900 --> 00:02:33,730 ♪ In the shade ♪ 43 00:02:33,810 --> 00:02:35,310 Then that, then this, uh… 44 00:02:35,400 --> 00:02:36,400 What one's that? 45 00:02:36,480 --> 00:02:37,860 [vocalizing] 46 00:02:37,940 --> 00:02:39,610 Uh-- [vocalizes] 47 00:02:39,690 --> 00:02:43,690 ♪ In an octopus's garden in the shade… ♪ 48 00:02:46,310 --> 00:02:49,310 [vocalizes] 49 00:02:55,270 --> 00:02:58,270 [vocalizing continues] 50 00:02:59,190 --> 00:03:02,110 Just, I mean, something to sort of get back to where you-- 51 00:03:02,190 --> 00:03:03,190 Where we started. 52 00:03:03,270 --> 00:03:05,270 ♪ Wouldn't it be nice ♪ 53 00:03:06,850 --> 00:03:08,560 ♪ Paradise ♪ 54 00:03:08,650 --> 00:03:12,360 ♪ In an octopus's garden in the shade ♪ 55 00:03:12,440 --> 00:03:14,360 -It's a little bit-- -[George clears throat] 56 00:03:15,020 --> 00:03:17,730 [vocalizing] 57 00:03:19,600 --> 00:03:22,600 [vocalizing continues] 58 00:03:25,940 --> 00:03:28,610 ♪ So wouldn't it be nice ♪ 59 00:03:29,270 --> 00:03:30,270 [vocalizing] 60 00:03:30,350 --> 00:03:31,560 ♪ Paradise ♪ 61 00:03:31,650 --> 00:03:35,570 ♪ In an octopus's garden By the shade ♪ 62 00:03:35,650 --> 00:03:37,280 -So it resolves itself. -Yeah. 63 00:03:37,980 --> 00:03:40,060 Well, I'll have to put words in that bit, then. 64 00:03:40,150 --> 00:03:41,570 ♪ In the shade ♪ 65 00:03:43,770 --> 00:03:45,440 ♪ It would be nice ♪ 66 00:03:45,520 --> 00:03:46,690 [vocalizing] 67 00:03:46,770 --> 00:03:48,560 ♪ Paradise ♪ 68 00:03:48,650 --> 00:03:52,530 ♪ In an octopus's garden in the shade ♪ 69 00:03:54,310 --> 00:03:55,520 [chattering] 70 00:03:55,600 --> 00:03:56,770 ♪ Wouldn't it be nice ♪ 71 00:03:58,190 --> 00:03:59,440 ♪ Paradise ♪ 72 00:04:02,980 --> 00:04:04,650 -[John] Oh, drums, right. -[Yoko chuckles] 73 00:04:04,730 --> 00:04:08,480 [John] I think Paul would wanna do drums, wouldn't he? With his strong left arm. 74 00:04:08,560 --> 00:04:10,640 I'm not getting on that kit without a ciggy. 75 00:04:10,730 --> 00:04:11,980 [all laughing] 76 00:04:12,060 --> 00:04:14,060 ["Octopus's Garden" playing] 77 00:04:20,400 --> 00:04:22,070 I've never been up here before. 78 00:04:23,900 --> 00:04:25,400 ♪ I'd like to be ♪ 79 00:04:26,350 --> 00:04:28,270 ♪ Underneath the sea ♪ 80 00:04:28,350 --> 00:04:31,100 ♪ In an octopus's garden By the shade ♪ 81 00:04:31,190 --> 00:04:32,650 Very strong one. 82 00:04:33,230 --> 00:04:34,770 -Okay! -[plays drums] 83 00:04:37,060 --> 00:04:40,480 -[Heather] I'm a tame tiger. Meow. -I'm cool with that. 84 00:04:44,350 --> 00:04:46,350 -Are you going to eat them? -No! 85 00:04:46,440 --> 00:04:47,940 [John] Lots of people do, you know. 86 00:04:51,100 --> 00:04:52,350 [Paul] On toast? 87 00:04:52,440 --> 00:04:54,860 [John] You put pastry around them, and you have cat pie. 88 00:04:57,440 --> 00:04:59,610 [John] You better wait a week or two before you eat them. 89 00:05:00,730 --> 00:05:02,650 -[John] That's very good. -[Ringo] We'll put on the meat. 90 00:05:06,940 --> 00:05:09,440 [John] Oh, you don't eat them if they have black spots. 91 00:05:11,980 --> 00:05:14,230 [John] You don't eat them if they're like tigers, either. 92 00:05:17,690 --> 00:05:22,110 [Heather] And anyway, I'm just a pussycat that was just born. 93 00:05:22,850 --> 00:05:23,850 [chattering] 94 00:05:28,900 --> 00:05:30,400 ["Let It Be" playing] 95 00:05:30,480 --> 00:05:32,310 ♪ Oh, let it be ♪ 96 00:05:32,400 --> 00:05:33,480 ♪ Let it be ♪ 97 00:05:34,060 --> 00:05:37,230 ♪ Let it be Let it be ♪ 98 00:05:38,350 --> 00:05:41,270 ♪ Whisper words of wisdom ♪ 99 00:05:41,350 --> 00:05:44,180 ♪ Let it be ♪ 100 00:05:44,270 --> 00:05:46,020 ♪ Yeah, let it be ♪ 101 00:05:46,100 --> 00:05:49,350 ♪ Let it be Let it be ♪ 102 00:05:49,440 --> 00:05:50,820 ♪ Let it be ♪ 103 00:05:52,440 --> 00:05:57,070 ♪ There will be an answer Let it be, yeah ♪ 104 00:05:58,190 --> 00:05:59,360 ♪ Let it be ♪ 105 00:05:59,440 --> 00:06:01,400 [vocalizing] 106 00:06:07,270 --> 00:06:10,350 ♪ There will be an answer Let it… ♪ 107 00:06:10,440 --> 00:06:11,480 [George] Kevin? 108 00:06:11,560 --> 00:06:14,440 What was the… Do that old gospel ending. 109 00:06:14,520 --> 00:06:17,350 -Sunday morning. Sunday morning. Church. -Sunday morning. Definitely, yeah. 110 00:06:17,440 --> 00:06:20,770 -And we'll all kneel as we do it. -We can do a gospel ending that Elvis did. 111 00:06:21,350 --> 00:06:23,180 ♪ Be-e-e ♪ 112 00:06:23,270 --> 00:06:24,270 [Paul] Yeah. 113 00:06:24,350 --> 00:06:25,930 We all was gonna do it. 114 00:06:26,020 --> 00:06:28,190 -We did it just fine. It was just that… -Yeah. 115 00:06:29,940 --> 00:06:31,610 [laughs] 116 00:06:31,690 --> 00:06:34,860 ["Let It Be" playing] 117 00:06:42,520 --> 00:06:46,020 ♪ Let it be, let it be ♪ 118 00:06:46,100 --> 00:06:49,270 ♪ Let it be, let it be ♪ 119 00:06:50,100 --> 00:06:52,810 ♪ There will be an answer ♪ 120 00:06:52,900 --> 00:06:55,650 ♪ Let it be ♪ 121 00:06:58,900 --> 00:07:00,030 I'll tell you one thing. 122 00:07:00,600 --> 00:07:02,480 Do it lighter. Don't do sort of-- 123 00:07:02,560 --> 00:07:04,600 [imitates rapid drumming] 124 00:07:04,690 --> 00:07:06,570 Do it more-- [imitates slow drumming] 125 00:07:06,650 --> 00:07:08,730 [George] ♪ Somewhere in the Himalayas ♪ 126 00:07:08,810 --> 00:07:10,940 [Paul] And so a bit lighter offbeat, and maybe… 127 00:07:11,020 --> 00:07:12,730 [George] ♪ Lives a man called Babaji ♪ 128 00:07:12,810 --> 00:07:15,140 ♪ Singing words of wisdom ♪ 129 00:07:15,230 --> 00:07:18,110 ♪ Let it be ♪ 130 00:07:19,310 --> 00:07:20,560 ♪ Somewhere out in Weybridge ♪ 131 00:07:20,650 --> 00:07:23,480 Keep it light. So it's not going heavy again. 132 00:07:23,560 --> 00:07:25,940 ♪ Lives the cat whose name is Babaji ♪ 133 00:07:26,020 --> 00:07:28,940 ♪ Singing words of wisdom ♪ 134 00:07:29,020 --> 00:07:32,480 ♪ Let it be, H, I, J, K ♪ 135 00:07:32,560 --> 00:07:35,060 I don't know what you are saying. 136 00:07:36,020 --> 00:07:37,270 Uh… 137 00:07:37,350 --> 00:07:38,850 Hello. [giggles] 138 00:07:38,940 --> 00:07:41,360 Is anybody… [giggles] 139 00:07:41,440 --> 00:07:44,360 Let me sing. Hello. Is anybody home? 140 00:07:53,520 --> 00:07:57,940 ♪ Aah ♪ 141 00:08:01,440 --> 00:08:03,570 [no audible dialogue] 142 00:08:05,770 --> 00:08:08,600 ♪ I did it again You got me again ♪ 143 00:08:08,690 --> 00:08:10,070 ♪ In love with me ♪ 144 00:08:15,770 --> 00:08:18,100 [no audible dialogue] 145 00:08:21,400 --> 00:08:23,110 [vocalizing] 146 00:08:23,190 --> 00:08:24,480 Hi. 147 00:08:24,560 --> 00:08:26,350 -[vocalizing] -[Heather] Aah! 148 00:08:31,520 --> 00:08:33,690 [Heather] ♪ Aah ♪ 149 00:08:33,770 --> 00:08:34,850 Yoko! 150 00:08:36,270 --> 00:08:40,730 [Heather] ♪ Aah ♪ 151 00:08:41,400 --> 00:08:43,690 ♪ Aah ♪ 152 00:08:46,230 --> 00:08:47,810 ♪ Come on, Heather ♪ 153 00:08:47,900 --> 00:08:50,820 [Heather] ♪ Aah ♪ 154 00:08:50,900 --> 00:08:52,530 [John] ♪ Yeah, yeah, yeah ♪ 155 00:08:52,600 --> 00:08:55,770 [Heather] ♪ Aah ♪ 156 00:08:55,850 --> 00:08:58,430 [John] ♪ Shake it up, baby, now ♪ 157 00:08:58,520 --> 00:09:00,650 ♪ Shake it up, baby, now ♪ 158 00:09:00,730 --> 00:09:03,150 ♪ Twist and shout ♪ 159 00:09:03,230 --> 00:09:05,650 ♪ Twist and shout ♪ 160 00:09:05,730 --> 00:09:08,060 ♪ Come on, twist and shout now ♪ 161 00:09:08,150 --> 00:09:09,860 -♪ Come on ♪ -♪ Aah… ♪ 162 00:09:09,940 --> 00:09:12,320 ♪ Come on and work it on out ♪ 163 00:09:12,400 --> 00:09:14,400 ♪ Come on and work it on out ♪ 164 00:09:15,730 --> 00:09:17,060 ♪ Well, can you dig it? ♪ 165 00:09:17,150 --> 00:09:18,230 [Heather] ♪ Aah ♪ 166 00:09:18,310 --> 00:09:22,310 ♪ Can you dig it? Yeah, dig it ♪ 167 00:09:22,400 --> 00:09:24,820 ♪ I like how you dig it ♪ 168 00:09:24,900 --> 00:09:26,980 ♪ Yeah, so dig it ♪ 169 00:09:27,650 --> 00:09:29,940 ♪ You can get it if you want it ♪ 170 00:09:30,020 --> 00:09:33,440 ♪ And if you want it you can get it So come on ♪ 171 00:09:34,980 --> 00:09:37,150 [Paul] ♪ If you want it You can dig it, oh ♪ 172 00:09:37,230 --> 00:09:38,230 ♪ Come on ♪ 173 00:09:38,310 --> 00:09:41,390 [Paul] ♪ Dig it up, dig it up, dig it up ♪ 174 00:09:41,480 --> 00:09:43,440 [John] ♪ For Christ's sake, come on! ♪ 175 00:09:43,520 --> 00:09:45,730 [Paul] ♪ Dig it up, dig it up ♪ 176 00:09:45,810 --> 00:09:47,100 ♪ Dig it up ♪ 177 00:09:47,190 --> 00:09:49,230 [John, Paul] ♪ Dig it up, dig it up ♪ 178 00:09:49,310 --> 00:09:51,600 ♪ Dig it up, dig it up ♪ 179 00:09:51,690 --> 00:09:53,730 [John] ♪ Oh, you dig it up again ♪ 180 00:09:53,810 --> 00:09:57,060 -[Paul] ♪ If you want it you can dig it ♪ -[John] ♪ Like a rolling stone ♪ 181 00:09:57,150 --> 00:09:59,030 [Paul] ♪ Dig it, dig it ♪ 182 00:09:59,100 --> 00:10:01,230 ♪ Like the FBI ♪ 183 00:10:02,100 --> 00:10:03,850 ♪ Dig it, dig it ♪ 184 00:10:03,940 --> 00:10:06,110 ♪ And the CIA ♪ 185 00:10:08,310 --> 00:10:10,770 ♪ And the BBC ♪ 186 00:10:13,600 --> 00:10:14,980 ♪ B.B. King ♪ 187 00:10:17,230 --> 00:10:18,730 ♪ And Doris Day ♪ 188 00:10:21,770 --> 00:10:23,730 ♪ Matt Busby ♪ 189 00:10:23,810 --> 00:10:28,020 ♪ Dig it, dig it, dig it, dig it ♪ 190 00:10:28,100 --> 00:10:30,140 ♪ If you want it you can dig it ♪ 191 00:10:30,230 --> 00:10:32,560 ♪ If you want it you can dig it up ♪ 192 00:10:32,650 --> 00:10:34,780 ♪ If you want it you can dig it ♪ 193 00:10:34,850 --> 00:10:38,480 ♪ If you want it you can dig it up ♪ 194 00:10:42,100 --> 00:10:43,600 Yeah! 195 00:10:47,230 --> 00:10:48,230 [song ends] 196 00:10:48,310 --> 00:10:49,310 [John] Oh, sorry. 197 00:10:50,020 --> 00:10:51,190 ♪ Oh ♪ 198 00:10:51,270 --> 00:10:52,810 [George Martin] Come on, let it be. 199 00:10:59,770 --> 00:11:01,150 What ones haven't you done yet? 200 00:11:01,230 --> 00:11:03,110 A little thing that goes something like this. 201 00:11:03,190 --> 00:11:04,860 ♪ It's one for the money ♪ 202 00:11:05,650 --> 00:11:07,650 [John, Paul] ♪ Two for the show ♪ 203 00:11:07,730 --> 00:11:10,230 ♪ Three to get ready Now go, cat, go ♪ 204 00:11:10,310 --> 00:11:14,310 ♪ Well, don't you Step on my blue suede shoes ♪ 205 00:11:15,900 --> 00:11:20,320 ♪ You can do anything But lay off them blue suede shoes ♪ 206 00:11:22,190 --> 00:11:23,940 ♪ Well, you can knock me down ♪ 207 00:11:24,020 --> 00:11:25,560 ♪ Step on my face ♪ 208 00:11:25,650 --> 00:11:28,690 ♪ Slander my name All over the place ♪ 209 00:11:28,770 --> 00:11:31,520 ♪ Do anything that you want to do ♪ 210 00:11:31,600 --> 00:11:34,350 ♪ Uh-uh, honey Lay off of them shoes ♪ 211 00:11:34,440 --> 00:11:35,860 ♪ But don't you ♪ 212 00:11:37,400 --> 00:11:40,610 [fast piano playing] 213 00:11:46,440 --> 00:11:49,230 ♪ One-eyed cat Peepin' in a seafood store ♪ 214 00:11:51,150 --> 00:11:55,070 ♪ I'm like a one-eyed cat Peepin' in a seafood store ♪ 215 00:11:57,060 --> 00:12:00,270 ♪ And I'll do anything Till you don't love me no more ♪ 216 00:12:01,980 --> 00:12:03,900 ♪ I said, shake, rattle and roll ♪ 217 00:12:04,730 --> 00:12:07,190 ♪ I said, shake, rattle and roll ♪ 218 00:12:07,270 --> 00:12:10,060 ♪ I said, shake, rattle and roll ♪ 219 00:12:10,150 --> 00:12:12,650 ♪ I said, shake, rattle and roll ♪ 220 00:12:13,150 --> 00:12:16,440 ♪ You never do a thing To save your doggone soul ♪ 221 00:12:23,020 --> 00:12:24,350 [song ends] 222 00:12:24,440 --> 00:12:26,020 [Paul] ♪ A long, long time ago ♪ 223 00:12:27,980 --> 00:12:29,900 ♪ Don't leave me standing here ♪ 224 00:12:30,850 --> 00:12:32,270 ♪ Lead me to your door ♪ 225 00:12:32,980 --> 00:12:35,400 [George vocalizing] 226 00:12:35,480 --> 00:12:37,270 [guitar strumming] 227 00:12:39,810 --> 00:12:40,940 -[George vocalizes] -No. No. 228 00:12:41,020 --> 00:12:43,150 No, see, you've gotta wait a lot longer than that. 229 00:12:43,230 --> 00:12:46,020 [vocalizing] 230 00:13:04,400 --> 00:13:05,690 [shutter clicks] 231 00:13:05,770 --> 00:13:10,190 [Paul] ♪ The long and winding road ♪ 232 00:13:11,440 --> 00:13:17,270 ♪ That leads to your door ♪ 233 00:13:20,400 --> 00:13:23,980 ♪ Will never disappear ♪ 234 00:13:27,730 --> 00:13:31,900 ♪ I've seen that road before ♪ 235 00:13:35,020 --> 00:13:38,480 ♪ Don't-- It always leads me here ♪ 236 00:13:38,560 --> 00:13:40,730 -[John] You done left me. -You done left me. 237 00:13:40,810 --> 00:13:45,980 ♪ Now lead me to your door ♪ 238 00:13:47,850 --> 00:13:51,810 ♪ The wild and windy night ♪ 239 00:13:53,730 --> 00:13:59,480 ♪ The rain washed away ♪ 240 00:14:04,150 --> 00:14:07,400 ♪ La, la, la, la, la, la ♪ 241 00:14:07,480 --> 00:14:09,730 There wouldn't be much drumming, would there? 242 00:14:11,150 --> 00:14:12,730 Go around a bit, you know? 243 00:14:12,810 --> 00:14:13,810 [John] What? 244 00:14:14,350 --> 00:14:16,730 [Paul] It sounds a bit like a sort of dance orchestra. 245 00:14:17,650 --> 00:14:19,780 And the slow foxtrot… [chuckles] 246 00:14:19,850 --> 00:14:22,270 Like Rita and Thomas Williams. 247 00:14:22,350 --> 00:14:23,680 [George Martin, indistinct] 248 00:14:23,770 --> 00:14:26,650 Rita is wearing a dark sombrero and a beard. 249 00:14:26,730 --> 00:14:28,230 [George Martin] The chord there. I mean-- 250 00:14:30,770 --> 00:14:33,730 Her husband is wearing a crinoline skirt which he made himself. 251 00:14:33,810 --> 00:14:36,310 [George Martin, indistinct] 252 00:14:36,400 --> 00:14:37,980 [indistinct] 253 00:14:52,440 --> 00:14:53,940 [Ringo] Still no idea where I come in. 254 00:14:54,020 --> 00:14:56,810 -[John] Off the top of your head. -[Paul] John, yours doesn't sound as much… 255 00:14:57,400 --> 00:14:59,070 It sounds like you're doing too many notes. 256 00:14:59,150 --> 00:15:01,900 -Yeah, all right. Well, it just gets-- -[Paul] It's too, sort of, regular. 257 00:15:02,560 --> 00:15:06,690 ♪ Dum, dum, dum ♪ 258 00:15:07,310 --> 00:15:08,810 But you're doing… 259 00:15:08,900 --> 00:15:11,320 ♪ Dum, dum… ♪ 260 00:15:11,400 --> 00:15:12,610 I've been going… 261 00:15:12,690 --> 00:15:13,900 ♪ Dum, dum ♪ 262 00:15:13,980 --> 00:15:15,770 -You just want the one? -Don't do that. 263 00:15:15,850 --> 00:15:18,270 No, but I mean, don't do any note there. Just go… 264 00:15:18,350 --> 00:15:19,430 ♪ Dum ♪ 265 00:15:19,520 --> 00:15:22,770 ♪ Dum, dum ♪ 266 00:15:22,850 --> 00:15:24,060 [George humming] 267 00:15:24,150 --> 00:15:25,150 ♪ Dum ♪ 268 00:15:25,230 --> 00:15:27,150 That's what I'm really doing. I've been going-- 269 00:15:27,730 --> 00:15:29,190 ♪ Dum ♪ 270 00:15:30,850 --> 00:15:31,850 Hello? 271 00:15:35,650 --> 00:15:38,190 [George vocalizing to "The Long And Winding Road"] 272 00:15:38,270 --> 00:15:39,270 [John] Great! 273 00:15:39,350 --> 00:15:41,140 [all laughing] 274 00:15:42,690 --> 00:15:46,860 -[vocalizing continues] -[all laughing] 275 00:15:49,560 --> 00:15:52,980 [vocalizing] 276 00:15:53,060 --> 00:15:54,440 [George] Amazing. 277 00:15:56,900 --> 00:15:58,480 [muffled nasal vocalizing] 278 00:15:58,560 --> 00:15:59,560 [laughs] 279 00:16:16,730 --> 00:16:20,360 ♪ The long and winding road ♪ 280 00:16:21,940 --> 00:16:25,070 ♪ Yes, Glyn Johns? ♪ 281 00:16:26,100 --> 00:16:27,100 ♪ What do you want? ♪ 282 00:16:30,900 --> 00:16:31,900 Okay. 283 00:16:33,900 --> 00:16:35,070 [Glyn] One. 284 00:16:36,150 --> 00:16:40,650 [Paul] ♪ The long and winding road ♪ 285 00:16:41,770 --> 00:16:47,980 ♪ That leads to your door ♪ 286 00:16:51,310 --> 00:16:55,310 ♪ Will never disappear ♪ 287 00:16:58,270 --> 00:17:03,100 ♪ I've seen that road before ♪ 288 00:17:03,190 --> 00:17:05,440 -[chattering] -[laughter] 289 00:17:05,520 --> 00:17:10,270 [Paul] ♪ It always leads me here ♪ 290 00:17:12,900 --> 00:17:17,690 ♪ Lead me to your door ♪ 291 00:17:17,770 --> 00:17:21,150 When it's mixed, as it is, I'm sure with a mix on it, it'll be all right. 292 00:17:21,230 --> 00:17:22,360 I know what-- 293 00:17:32,480 --> 00:17:34,440 Paul, are you gonna have strings? 294 00:17:41,850 --> 00:17:43,430 -[Paul] Yeah. -[George] Well, it's like-- 295 00:17:43,520 --> 00:17:44,520 Ooh! 296 00:17:44,600 --> 00:17:45,600 Yeah, there's parts-- 297 00:17:45,690 --> 00:17:48,820 There's only parts where you can hear the electric piano properly, 298 00:17:48,900 --> 00:17:50,610 -or the piano properly. -[Paul] Yes. 299 00:17:50,690 --> 00:17:53,480 Most of the time, you know, like, they mix together. 300 00:17:59,310 --> 00:18:01,940 [Paul] Yeah. I think it needs, like, a lot of, uh… 301 00:18:02,020 --> 00:18:03,900 -[Ringo] Cleaning. -Cleaning, yeah. 302 00:18:05,270 --> 00:18:07,440 [George Martin] Actually, the thing is, it's a nice feel to it, 303 00:18:07,520 --> 00:18:09,440 but it's rather like everything else we've done. 304 00:18:09,520 --> 00:18:11,060 And this particular song doesn't need that. 305 00:18:12,980 --> 00:18:16,270 See, the only way I've ever heard it is, like, in my head, 306 00:18:16,350 --> 00:18:19,180 -is, like, Ray Charles's band. -[Heather] I'm supposed to marry you. 307 00:18:19,270 --> 00:18:21,310 And I don't-- I haven't really even listened to them. 308 00:18:21,400 --> 00:18:25,650 [George] It would be nice with some brass just doing the sustaining chord thing. 309 00:18:25,730 --> 00:18:27,730 -[Paul] Yeah. -[hums chord] 310 00:18:27,810 --> 00:18:31,390 -[Glyn] Yeah. -Moving and just holding notes. 311 00:18:33,900 --> 00:18:35,940 -Yeah. We probably, yeah-- -[Glyn] If I pull yours up… 312 00:18:36,020 --> 00:18:38,810 We were planning to do it anyway for a couple of numbers, 313 00:18:38,900 --> 00:18:41,070 just to have a bit of brass and bit of strings. 314 00:18:41,150 --> 00:18:42,610 That's what George was saying before. 315 00:18:42,690 --> 00:18:44,570 That's the bit where The Raelettes'd sing it. 316 00:18:44,650 --> 00:18:49,030 ♪ The long and winding road ♪ 317 00:18:49,560 --> 00:18:54,980 ♪ That leads me to your door ♪ 318 00:18:56,190 --> 00:18:59,070 Great. Sorry, man. Oh, that's nice. 319 00:18:59,560 --> 00:19:01,140 That's nice of what? 320 00:19:01,230 --> 00:19:02,400 It's nice of you. 321 00:19:03,150 --> 00:19:04,900 -For what? -Very nice of you. 322 00:19:04,980 --> 00:19:06,980 -For what? -Just to come here. 323 00:19:07,900 --> 00:19:08,900 We're going home. 324 00:19:08,980 --> 00:19:10,480 -When? -Now. 325 00:19:11,020 --> 00:19:12,020 No. 326 00:19:12,100 --> 00:19:13,390 [chuckles] 327 00:19:13,480 --> 00:19:15,190 Am I gonna eat now? I'm going back. 328 00:19:15,270 --> 00:19:17,980 She's so worried now. "I gotta eat for three hours, 329 00:19:18,560 --> 00:19:20,480 then maybe go to bed around 1:00." 330 00:19:21,850 --> 00:19:24,390 You're just going back in your box. That's where you're going. 331 00:19:24,480 --> 00:19:26,690 -[all laughing] -Don't tell. Don't tell. 332 00:19:26,770 --> 00:19:29,060 Aren't I gonna have anything to eat? 333 00:19:29,150 --> 00:19:31,070 Hey, I've got a present for you. 334 00:19:31,150 --> 00:19:33,400 -See you tomorrow. -[Heather] Bye. 335 00:19:33,480 --> 00:19:36,020 -[Heather] Aren't you going, George? -[Paul] I said yes, George. 336 00:19:36,100 --> 00:19:38,730 [John, Paul] ♪ I said shake, rattle and roll ♪ 337 00:19:38,810 --> 00:19:41,520 ♪ I said shake, rattle and roll ♪ 338 00:19:41,600 --> 00:19:44,230 ♪ I said shake, rattle and roll ♪ 339 00:19:44,310 --> 00:19:48,770 ♪ You never do a thing To save your doggone soul ♪ 340 00:19:50,020 --> 00:19:53,600 [fast piano playing] 341 00:19:53,690 --> 00:19:55,690 [no audible dialogue] 342 00:19:58,150 --> 00:20:01,440 ♪ One-eyed cat Peepin' in a seafood store ♪ 343 00:20:03,150 --> 00:20:06,940 ♪ I'm like a one-eyed cat Peepin' in a seafood store ♪ 344 00:20:08,690 --> 00:20:12,980 -[John] ♪ I do believe… ♪ -I never done, done before ♪ 345 00:20:14,480 --> 00:20:15,690 ♪ Goin' to Kansas City ♪ 346 00:20:18,270 --> 00:20:20,020 [Paul] ♪ I might take a boat ♪ 347 00:20:20,100 --> 00:20:21,930 I might take a train ♪ 348 00:20:22,020 --> 00:20:25,520 ♪ And if I have to walk I'm gonna get there just the same ♪ 349 00:20:25,600 --> 00:20:26,770 ♪ Going to Kansas City ♪ 350 00:20:32,440 --> 00:20:35,440 [Paul] ♪ Oh, Miss Ann ♪ 351 00:20:36,400 --> 00:20:38,650 ♪ You're doing something no one can ♪ 352 00:20:39,350 --> 00:20:44,100 ♪ Because believing and deceiving Driving me to leave you now ♪ 353 00:20:44,690 --> 00:20:48,230 ♪ You can knock me down Step on my face ♪ 354 00:20:48,310 --> 00:20:51,060 ♪ Slander my name all over the place ♪ 355 00:20:51,150 --> 00:20:53,820 ♪ Do anything that you wanna do ♪ 356 00:20:54,400 --> 00:20:57,070 ♪ Uh-uh, honey Lay off of them shoes ♪ 357 00:20:57,150 --> 00:21:00,980 ♪ But don't you Step on my blue suede shoes ♪ 358 00:21:02,940 --> 00:21:06,860 ♪ Well, you can do anything But lay off them blue suede shoes ♪ 359 00:21:17,100 --> 00:21:19,600 -[song ends] -[chattering] 360 00:21:19,690 --> 00:21:21,360 I don't know. You didn't get the other one? 361 00:21:21,440 --> 00:21:22,440 -[Glyn] No. -[George] No. 362 00:21:22,520 --> 00:21:24,690 -Well, we'll remember that another day. -[Michael] Yeah. 363 00:21:24,770 --> 00:21:27,020 [John] I'm just so high when I get in at night. 364 00:21:28,480 --> 00:21:29,480 [John] I couldn't sleep. 365 00:21:38,900 --> 00:21:39,980 [Paul] Tea or toast. 366 00:21:54,770 --> 00:21:56,730 [laughter] 367 00:22:00,270 --> 00:22:02,020 -[Paul] Yeah. -[piano playing] 368 00:22:02,100 --> 00:22:05,520 What's this chord, Billy? E with a C? 369 00:22:05,600 --> 00:22:07,520 [Billy] Yeah. Just loading the E. 370 00:22:08,270 --> 00:22:09,650 -[George] Yeah. That's like E7. -Yeah. 371 00:22:09,730 --> 00:22:11,230 This one. 372 00:22:12,100 --> 00:22:14,430 -Yeah. Um, E with a raised… -[both chuckle] 373 00:22:15,980 --> 00:22:17,860 E with a C. E. 374 00:22:18,600 --> 00:22:21,390 -Yeah, E with a C. -E with a C. What's that? 375 00:22:21,980 --> 00:22:22,980 [laughs] 376 00:22:23,730 --> 00:22:26,230 I've had an E with an F, which is pretty good. 377 00:22:26,310 --> 00:22:27,310 [chuckles] 378 00:22:29,020 --> 00:22:30,440 [playing chords] 379 00:22:30,520 --> 00:22:34,230 [George] ♪ And now I'm stepping out This old brown shoe ♪ 380 00:22:35,230 --> 00:22:37,310 ♪ And, baby, I'm in love with you ♪ 381 00:22:37,400 --> 00:22:39,980 ♪ And I'm so, so glad you came here ♪ 382 00:22:41,940 --> 00:22:44,110 ♪ And, baby, I'm in love with you ♪ 383 00:22:44,190 --> 00:22:47,610 ♪ And I'm so glad you came here It won't be the same here ♪ 384 00:22:47,690 --> 00:22:49,020 ♪ I'm telling you ♪ 385 00:22:55,940 --> 00:23:00,610 ♪ You know you hold me up From where some try to drag me down ♪ 386 00:23:05,770 --> 00:23:07,270 What's this chord then, Billy? 387 00:23:09,980 --> 00:23:14,270 -It's F, but raising the F to F sharp. -[Billy] Yeah. F sharp. Diminished. 388 00:23:14,350 --> 00:23:17,520 [George] And then F with that, like the 7th. 389 00:23:18,730 --> 00:23:21,310 It's great on piano 'cause I don't know anything about it. 390 00:23:21,400 --> 00:23:22,230 [Billy] Yeah. 391 00:23:22,310 --> 00:23:25,770 But it's great, because I wouldn't have been able to do that on the guitar. 392 00:23:40,480 --> 00:23:42,980 [scatting] 393 00:24:01,730 --> 00:24:03,560 [scatting] 394 00:24:14,810 --> 00:24:15,810 [song ends] 395 00:24:15,900 --> 00:24:19,190 -[George] Yeah, sorry, that bit comes… -It does work, the bit-- 396 00:24:19,270 --> 00:24:20,900 -[George] But it-- -In the bit before that bit. 397 00:24:20,980 --> 00:24:24,980 [George] Yeah, but then it's, uh-- Then it stays too long on the other one. 398 00:24:25,060 --> 00:24:29,060 -But it's like a natural on there. -[Paul] Yeah. Well, you don't know… 399 00:24:29,150 --> 00:24:31,400 [scatting] 400 00:24:31,480 --> 00:24:34,440 ♪ Wearing rings on every finger ♪ 401 00:24:34,520 --> 00:24:38,310 ♪ Not worrying what they or you say ♪ 402 00:24:38,400 --> 00:24:41,610 ♪ I'll live and love and maybe some day ♪ 403 00:24:41,690 --> 00:24:46,270 ♪ Who knows, baby You will comfort me ♪ 404 00:24:50,440 --> 00:24:52,270 [scatting] 405 00:25:02,190 --> 00:25:05,020 -Pianos are very difficult, aren't they? -[Billy laughs] 406 00:25:05,100 --> 00:25:09,600 [Paul] ♪ There will be the answer Let it be ♪ 407 00:25:10,770 --> 00:25:13,730 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 408 00:25:13,810 --> 00:25:16,060 -♪ Let it be, let it be ♪ -[George] ♪ Ooh ♪ 409 00:25:16,150 --> 00:25:18,070 -[microphone feedback] -[Ringo] Mal? Mal? 410 00:25:18,150 --> 00:25:19,780 The drums are on PA anyway. 411 00:25:19,850 --> 00:25:21,480 [George Martin] When we connect it, I could hear Ringo. 412 00:25:21,560 --> 00:25:23,060 [John] The drums are on PA! 413 00:25:23,560 --> 00:25:26,190 -It's not my idea of a personal assistant. -[Paul] No. 414 00:25:26,270 --> 00:25:29,900 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 415 00:25:29,980 --> 00:25:32,980 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 416 00:25:41,190 --> 00:25:45,190 [organ playing] 417 00:25:48,100 --> 00:25:50,230 [snare drum playing] 418 00:25:50,810 --> 00:25:51,810 [John] Hello? Hello? 419 00:25:54,600 --> 00:25:56,180 'Cause coming from the north of England, 420 00:25:56,270 --> 00:25:58,560 it doesn't come too easy, you know, all the soul. 421 00:25:58,650 --> 00:26:00,190 -[laughs] -[John] Let's take one now. 422 00:26:00,270 --> 00:26:01,350 [Ringo] Yeah, right. 423 00:26:01,440 --> 00:26:04,190 ♪ Can we have our microphones? Oh, mister, can we please? ♪ 424 00:26:04,270 --> 00:26:05,900 Ask 'em to put the mics on, will you? 425 00:26:05,980 --> 00:26:07,400 Hello. 426 00:26:07,480 --> 00:26:08,980 And get one for Billy too. 427 00:26:09,060 --> 00:26:11,060 ["Let It Be" playing] 428 00:26:15,520 --> 00:26:17,560 -[Paul] It's a bit ploddy. -What? 429 00:26:18,520 --> 00:26:21,980 [Paul] You know, just-- It sort of plods along a bit. A bit much. 430 00:26:22,060 --> 00:26:25,390 -It's just mourning and slow, slow. -[Paul] Mourning and… 431 00:26:25,480 --> 00:26:28,770 [John] And a slow song. It takes a long time to get out of it. 432 00:26:28,850 --> 00:26:31,390 [Paul] Yeah. That'll do for the time being. 433 00:26:31,480 --> 00:26:33,480 "The Wrong and Winding Box." 434 00:26:34,060 --> 00:26:38,770 [John, Paul] ♪ But still they lead me back ♪ 435 00:26:39,850 --> 00:26:46,180 ♪ To the long winding road ♪ 436 00:26:49,650 --> 00:26:53,650 ♪ You left me waiting here ♪ 437 00:26:54,810 --> 00:26:57,140 [Paul humming] 438 00:26:57,980 --> 00:27:00,440 All those little melodic things, you know? 439 00:27:00,520 --> 00:27:01,940 It's a-- It's a-- 440 00:27:02,770 --> 00:27:05,850 It's like the other one, you know. They're sort of slow, ballady, 441 00:27:05,940 --> 00:27:07,730 and they're plodding a bit. 442 00:27:07,810 --> 00:27:09,270 [piano playing] 443 00:27:09,350 --> 00:27:13,350 -[Paul humming] -[John whistling] 444 00:27:16,400 --> 00:27:19,730 See, that's the kind of thing. Yeah. It needs to go like that. 445 00:27:20,400 --> 00:27:23,400 [Paul vocalizing] 446 00:27:27,440 --> 00:27:29,730 [vocalizing continues] 447 00:27:32,440 --> 00:27:33,570 Oh, just a second. 448 00:27:33,650 --> 00:27:36,440 When it goes, um-- On that bit, it goes… 449 00:27:36,520 --> 00:27:38,060 ♪ Has left a-- ♪ 450 00:27:38,150 --> 00:27:39,280 Hang on. 451 00:27:40,060 --> 00:27:42,190 [George] Can we make the bridge… 452 00:27:43,350 --> 00:27:44,350 heavy? 453 00:27:45,850 --> 00:27:48,560 I can't sort of think how to do this one at all, you know. 454 00:27:48,650 --> 00:27:50,480 Just, mind's a blank on it. 455 00:27:50,560 --> 00:27:51,690 I don't know. 456 00:27:52,850 --> 00:27:54,270 I don't know. 457 00:27:55,100 --> 00:27:56,100 Give up. 458 00:27:56,770 --> 00:27:58,310 [George] It's nice though. 459 00:27:58,400 --> 00:28:00,570 -[John] Have you turned me down? -[George Martin] No. 460 00:28:00,650 --> 00:28:01,650 [chattering] 461 00:28:01,730 --> 00:28:03,520 [Paul humming] 462 00:28:03,600 --> 00:28:05,480 [chattering] 463 00:28:06,150 --> 00:28:08,480 [Paul] It's funny though. You can't hear the piano either. 464 00:28:13,440 --> 00:28:15,110 [Paul] We only asked for the piano. 465 00:28:21,400 --> 00:28:23,190 No. I said, "Oh, Ringo is on PA." 466 00:28:25,310 --> 00:28:29,020 [Paul] A great sound in here will improve what we do. 467 00:28:29,730 --> 00:28:33,150 No, but I mean, it's like when we played in clubs in Hamburg. 468 00:28:34,440 --> 00:28:35,860 [Paul] We sounded great. 469 00:28:45,560 --> 00:28:46,560 [Paul] So you get… 470 00:28:53,600 --> 00:28:55,680 Let's do that. It'll help you anyway to begin with. 471 00:28:55,770 --> 00:28:57,310 -Thank you, George. -You're welcome. 472 00:28:57,850 --> 00:29:00,430 See, 'cause that'd be good if we could get all that, 473 00:29:01,100 --> 00:29:03,100 get the sound in this room. 474 00:29:03,190 --> 00:29:06,190 It's, like, remember that night we tried tape echo with George? 475 00:29:06,270 --> 00:29:07,520 On a bit of vocal. 476 00:29:28,270 --> 00:29:30,600 They have bloody big speakers or something, 477 00:29:31,190 --> 00:29:32,400 to shout through. 478 00:29:33,100 --> 00:29:35,390 They should be at least as big as a bass amp. 479 00:29:35,480 --> 00:29:36,480 -[Paul] Yeah. -Paul. 480 00:29:36,560 --> 00:29:37,730 Yeah. [chuckling] 481 00:29:41,270 --> 00:29:43,560 [John] Thing is, they're both facing each other for a kickoff. 482 00:29:43,650 --> 00:29:46,400 They're all facing-- They're all right next to the amps. 483 00:29:53,020 --> 00:29:55,350 [John] I mean, get them up there, they come down to us. 484 00:29:55,440 --> 00:29:58,650 Nail 'em on them sticks up there and shoot 'em down to us, 485 00:29:58,730 --> 00:30:02,150 and we'll all face that way if you like. We'll face any way. 486 00:30:02,980 --> 00:30:05,610 Well, then, let's-- I don't know who to tell to do that. 487 00:30:05,690 --> 00:30:07,400 [George Martin] Right, okay. Yeah. I'll do something about it. 488 00:30:07,480 --> 00:30:09,900 [Paul] Somehow if we can each hear what the others are playing. 489 00:30:13,350 --> 00:30:15,680 [Paul] Yes, it does. [laughs] 490 00:30:15,770 --> 00:30:20,850 ♪ I'll never do you no harm ♪ 491 00:30:23,100 --> 00:30:25,890 -♪ Believe me when I tell you ♪ -♪ Oh, I do! ♪ 492 00:30:28,020 --> 00:30:32,520 ♪ I'll never do you no harm ♪ 493 00:30:36,440 --> 00:30:40,320 -♪ No, darling, no harm ♪ -♪ Yeah, yeah, yeah ♪ 494 00:30:42,520 --> 00:30:43,520 [song ends] 495 00:30:43,600 --> 00:30:44,600 -Uh… -[Paul] Ow! 496 00:30:45,190 --> 00:30:48,440 Just heard that Yoko's divorce has just gone through. 497 00:30:48,520 --> 00:30:49,850 -[Yoko chuckles] -[Paul vocalizes] 498 00:30:49,940 --> 00:30:50,940 [John] Free at last. 499 00:30:51,020 --> 00:30:52,560 ♪ I'm free ♪ 500 00:30:52,650 --> 00:30:54,230 [Paul] ♪ Oh ♪ 501 00:30:55,900 --> 00:30:56,900 ♪ This morning ♪ 502 00:30:59,730 --> 00:31:03,060 ♪ My baby told the lawyer ♪ 503 00:31:03,770 --> 00:31:06,350 -♪ It's okay ♪ -[Paul] ♪ Yeah, yeah ♪ 504 00:31:08,440 --> 00:31:12,480 ♪ Believe me when I tell you ♪ 505 00:31:13,020 --> 00:31:18,480 ♪ I'll never never do you no harm ♪ 506 00:31:22,560 --> 00:31:25,310 [Paul] ♪ Yeah ♪ 507 00:31:25,400 --> 00:31:30,190 ♪ And if somebody ever loved me Like she does ♪ 508 00:31:30,270 --> 00:31:31,520 Did we… "And if"? 509 00:31:31,600 --> 00:31:32,600 Start again. 510 00:31:33,100 --> 00:31:38,140 ♪ And if somebody ever really loved me Like she does ♪ 511 00:31:38,230 --> 00:31:41,310 I've just got written down here, "If somebody ever loved me." 512 00:31:41,400 --> 00:31:45,320 [John] Oh, I've got, "If somebody ever really loved me, like as she do me." 513 00:31:45,400 --> 00:31:46,400 [Paul] Ah. 514 00:31:46,480 --> 00:31:49,860 ♪ And if somebody ever loved me Like she does ♪ 515 00:31:49,940 --> 00:31:53,070 [John] Maybe we should have, "I guess nobody ever loved me." 516 00:31:53,150 --> 00:31:55,440 -[chattering] -[laughter] 517 00:31:55,520 --> 00:31:59,270 ♪ I guess nobody ever really ♪ 518 00:31:59,350 --> 00:32:01,600 ♪ Done me, done me, done me ♪ 519 00:32:01,690 --> 00:32:03,190 ♪ Oh, she done me ♪ 520 00:32:04,770 --> 00:32:06,190 ♪ Yeah, she good ♪ 521 00:32:09,270 --> 00:32:12,100 ♪ Don't let me down, yeah ♪ 522 00:32:15,690 --> 00:32:18,270 ♪ Don't let me down ♪ 523 00:32:20,480 --> 00:32:22,230 ♪ Oh, Little Willy! Yeah! ♪ 524 00:32:27,480 --> 00:32:30,190 [Paul vocalizes] 525 00:32:33,810 --> 00:32:36,230 ♪ Don't let me down ♪ 526 00:32:39,850 --> 00:32:42,060 ♪ Please don't let me down ♪ 527 00:32:43,850 --> 00:32:45,140 [song ends] 528 00:32:45,230 --> 00:32:46,900 [chattering] 529 00:32:50,940 --> 00:32:52,900 George. George. George. 530 00:32:52,980 --> 00:32:54,650 [chattering continues] 531 00:32:54,730 --> 00:32:57,810 -[laughing] -[chattering] 532 00:33:01,770 --> 00:33:05,650 [instruments playing] 533 00:33:19,310 --> 00:33:21,230 -[song ends] -[chattering] 534 00:33:21,310 --> 00:33:23,310 [laughing] 535 00:33:26,600 --> 00:33:29,430 [John] The layout of the book's really good, though, the way he's done it. 536 00:33:30,020 --> 00:33:31,560 [Paul] This is it. Is this the layout? 537 00:33:31,650 --> 00:33:33,320 [John] No, this is just the bit. That bit. 538 00:33:33,980 --> 00:33:38,730 "Beatle John Lennon hugged Japanese actress Yoko Ono last night and said, 539 00:33:38,810 --> 00:33:41,440 'My marriage is over. I am in love with Yoko.'" 540 00:33:41,520 --> 00:33:43,690 -[Yoko] It's amazing. [laughs] -[John] Sinceriously. 541 00:33:43,770 --> 00:33:47,190 "How much does he love Yoko? 'Much more than I love the Queen.'" 542 00:33:47,270 --> 00:33:50,060 [all laughing] 543 00:33:50,150 --> 00:33:51,940 ["Strawberry Fields Forever" playing] 544 00:33:58,650 --> 00:34:02,280 ♪ Well, let me take you down ♪ 545 00:34:02,350 --> 00:34:05,020 ♪ 'Cause I'm going… ♪ 546 00:34:06,560 --> 00:34:08,890 ♪ Strawberry Fields ♪ 547 00:34:13,020 --> 00:34:15,020 ♪ Nothing is real ♪ 548 00:34:17,810 --> 00:34:21,060 ♪ Nothing to get hung about ♪ 549 00:34:22,480 --> 00:34:25,690 ♪ Strawberry Fields forever ♪ 550 00:34:27,400 --> 00:34:30,150 [George] Let's record it all this afternoon, now. 551 00:34:30,230 --> 00:34:31,230 [laughing] 552 00:34:31,310 --> 00:34:34,730 The show on Wednesday, which is up on the roof, we can get, uh, 553 00:34:34,810 --> 00:34:37,690 no worse than a 4-shot on the roof out toward London, 554 00:34:38,310 --> 00:34:40,730 -which I think is worth it. -[John] Yes. How much does it cost? 555 00:34:42,520 --> 00:34:44,770 Well, just send the helicopter up. No film. 556 00:34:44,850 --> 00:34:48,060 -It's too much, film and a… -Helicopter. 557 00:34:48,150 --> 00:34:49,570 Uh, what do you say, lads? 558 00:34:49,650 --> 00:34:51,030 -Have it on Paul! -[Yoko] Yeah. 559 00:34:51,100 --> 00:34:52,390 -[Ringo] Yeah. -[Michael] Yes. 560 00:34:53,270 --> 00:34:54,850 -Is that a yes? -[Paul] That's a no-no. 561 00:34:54,940 --> 00:34:57,980 [John] ♪ Sweet Loretta Fart She thought she was a cleaner ♪ 562 00:34:58,060 --> 00:35:00,060 ♪ But she was a frying pan ♪ 563 00:35:00,150 --> 00:35:02,360 One, two, three, four. 564 00:35:10,150 --> 00:35:13,940 ♪ Jo Jo was a man Who thought he was a loner ♪ 565 00:35:14,020 --> 00:35:16,650 ♪ But he knew it couldn't last… ♪ 566 00:35:18,230 --> 00:35:21,230 Not too loud though. It's nice, quiet. Oh, yeah. 567 00:35:21,310 --> 00:35:25,100 It settled into it, though, after where we started in, but much, much faster. 568 00:35:25,190 --> 00:35:27,520 One, two, three, four. 569 00:35:28,020 --> 00:35:31,020 ["Get Back" playing] 570 00:35:35,100 --> 00:35:36,890 ♪ Jo Jo was a man… ♪ 571 00:35:36,980 --> 00:35:38,860 Bit faster, do you think? Bit faster now. 572 00:35:39,560 --> 00:35:41,390 One, two, three, four. 573 00:35:45,520 --> 00:35:46,520 Hello. 574 00:35:49,060 --> 00:35:52,350 ♪ Jo Jo was a man Who thought he was a loner ♪ 575 00:35:52,440 --> 00:35:55,270 ♪ But he knew it couldn't last ♪ 576 00:35:56,310 --> 00:36:00,140 ♪ Jo Jo left his home in Tucson, Arizona ♪ 577 00:36:00,230 --> 00:36:02,560 -Little bit slower. -It seems it's picking up speed, I think. 578 00:36:02,650 --> 00:36:03,650 [Glyn] Yeah. 579 00:36:03,730 --> 00:36:05,860 'Cause I find myself starting off, going… 580 00:36:05,940 --> 00:36:06,940 [Paul] We get excited. 581 00:36:07,940 --> 00:36:09,110 [John] And then ended up… 582 00:36:15,850 --> 00:36:18,730 Ah, this here's the story about Sweet Loretta Martin 583 00:36:19,480 --> 00:36:20,980 and Jo Jo McCartney. 584 00:36:23,310 --> 00:36:24,440 [Paul] ♪ Oh, get back ♪ 585 00:36:25,350 --> 00:36:26,350 ♪ Oh, get back ♪ 586 00:36:27,520 --> 00:36:30,940 ♪ Get back to where you once belonged Yeah ♪ 587 00:36:31,020 --> 00:36:36,650 ♪ Sweet Loretta Martin Thought she was a woman ♪ 588 00:36:37,480 --> 00:36:40,860 ♪ But she was another man ♪ 589 00:36:41,650 --> 00:36:42,780 [vocalizing] 590 00:36:42,850 --> 00:36:45,270 All right, boy. All right, John. I've gotta call order, John. 591 00:36:45,350 --> 00:36:47,180 -All right, Paul. -You know, valuable time here, son. 592 00:36:48,150 --> 00:36:49,320 Cool down, son. 593 00:36:49,400 --> 00:36:50,940 [John] Don't let me down, babe. 594 00:36:52,810 --> 00:36:57,310 [Paul] ♪ Take these chains And set me free ♪ 595 00:36:58,520 --> 00:37:03,270 ♪ Take these chains away And set me free ♪ 596 00:37:10,230 --> 00:37:13,190 -[John] They can afford it. -Costing EMI. We're EMI artists, man, no? 597 00:37:13,270 --> 00:37:14,270 [Glyn laughs] 598 00:37:14,350 --> 00:37:17,680 ♪ Get back, get back ♪ 599 00:37:18,690 --> 00:37:21,860 ♪ Get back to where you once belonged ♪ 600 00:37:21,940 --> 00:37:23,230 ♪ Get back home Jo Jo ♪ 601 00:37:31,940 --> 00:37:34,480 -[Billy] …together at the beginning. -You were very good, Bill. 602 00:37:34,560 --> 00:37:37,390 [Glyn] Bill, you were just great. [laughs] 603 00:37:39,600 --> 00:37:40,730 [Glyn] What are you gonna do? 604 00:37:40,810 --> 00:37:42,520 -Play it again. -Sing a bit. 605 00:37:42,600 --> 00:37:44,980 -[Glyn] J? -Just keep 'em. Keep 'em. 606 00:37:45,060 --> 00:37:46,600 -[Glyn] Do another one? -Yeah. 607 00:37:46,690 --> 00:37:48,940 [Paul] Well, tell us if you think we've got it, you know? 608 00:37:49,020 --> 00:37:50,230 [Glyn] Well, yeah. 609 00:37:50,310 --> 00:37:52,020 Let's keep doing them then, you know? 610 00:37:52,100 --> 00:37:54,430 'Cause if we keep doing that and going in and then saying, "Oh." 611 00:37:54,520 --> 00:37:57,020 [George Martin] I think you ought to do something else, 'cause I think you might-- 612 00:37:57,100 --> 00:37:58,810 If you keep doing it, you'll go stale on it. 613 00:37:58,900 --> 00:38:00,730 -[John] No, no. Let's do it. -You can always go back to it. 614 00:38:00,810 --> 00:38:03,060 -Do you want your head kicked in? -You know what I mean, though. 615 00:38:04,520 --> 00:38:06,900 -[Paul] Do you wanna do it once more then? -[John] Yes, yes. 616 00:38:06,980 --> 00:38:10,150 At least once more. We'll never get a chance to do it again. 617 00:38:10,230 --> 00:38:13,400 [George Martin] It is the final performance. You've got an audience now. 618 00:38:13,480 --> 00:38:16,480 [Paul] Okay, honeybunch. Let's hit it one time, tutti-frutti. 619 00:38:17,060 --> 00:38:18,520 One, two… 620 00:38:18,600 --> 00:38:21,850 ♪ Get back, get back ♪ 621 00:38:22,440 --> 00:38:25,610 ♪ Get back to where you once belonged ♪ 622 00:38:27,270 --> 00:38:29,100 [Glyn] That last take was extremely good though. 623 00:38:29,190 --> 00:38:31,270 Okay. Keep it extremely good then. We'll carry on. 624 00:38:34,350 --> 00:38:38,060 [Paul] ♪ Oh, get back, Loretta Martin, back ♪ 625 00:38:38,980 --> 00:38:41,610 ♪ Back to where you once belonged ♪ 626 00:38:41,690 --> 00:38:43,610 [Glyn] Why not go straight into another number then? 627 00:38:43,690 --> 00:38:46,110 We were trying to go into "Don't Let Me Down" if we made it, 628 00:38:46,190 --> 00:38:48,190 but we haven't made it once yet, you know? 629 00:38:48,270 --> 00:38:51,770 We think of everything and we're even gonna go on to "I've Got a Fever." 630 00:38:51,850 --> 00:38:53,180 If we really know. 631 00:38:53,270 --> 00:38:55,060 [Glyn] In that case, I'm gonna change tape. 632 00:38:55,150 --> 00:38:56,150 Are you? Okay. 633 00:38:56,230 --> 00:38:58,150 ["Get Back" playing] 634 00:39:04,190 --> 00:39:07,690 ♪ Sweet Loretta Martin Thought she was a woman ♪ 635 00:39:07,770 --> 00:39:10,400 ♪ But she was another man ♪ 636 00:39:10,480 --> 00:39:12,480 Was the other one before better than that? 637 00:39:13,730 --> 00:39:17,270 [Glyn] Yes. There was one better than that earlier on. Hang on, we'll just… 638 00:39:17,350 --> 00:39:18,930 The one before this was better for me. 639 00:39:19,020 --> 00:39:21,350 Should we have another ciggy, another cup of tea, or… 640 00:39:21,440 --> 00:39:23,110 -[John] Okay, yeah after this. -…ciggy after the wine. 641 00:39:23,190 --> 00:39:26,270 Oh, ready? One, two three, four. 642 00:39:26,350 --> 00:39:28,350 ["Get Back" playing] 643 00:39:34,150 --> 00:39:37,440 ♪ Jo Jo was a man Who thought he was a loner ♪ 644 00:39:37,520 --> 00:39:38,980 There's one where everything was right… 645 00:39:39,060 --> 00:39:41,190 -[Glyn] What's the next reel? -…except the last bit of my guitar solo. 646 00:39:41,270 --> 00:39:43,690 [Paul] Well, remember the one before that that we all said was all right? 647 00:39:43,770 --> 00:39:45,230 -[Glyn] Yeah. -[George Martin] That's Take 11. 648 00:39:45,310 --> 00:39:46,350 You can always edit. 649 00:39:46,440 --> 00:39:48,690 -[Glyn] Yeah, I'm just getting it. -Edit? 650 00:39:48,770 --> 00:39:50,440 You're talking to the Bootles. 651 00:39:57,940 --> 00:40:01,110 [Paul] Yeah, right. Now, see the thing is, we need another week to do it. 652 00:40:01,850 --> 00:40:03,480 [Paul] ♪ Get back, Jo ♪ 653 00:40:18,770 --> 00:40:22,480 ♪ Sweet Loretta Martin Thought she was a woman ♪ 654 00:40:22,560 --> 00:40:25,310 ♪ But she was another man ♪ 655 00:40:26,650 --> 00:40:30,530 ♪ All the girls around her Say she's got it coming ♪ 656 00:40:30,600 --> 00:40:32,890 ♪ But she gets it while she can ♪ 657 00:40:34,020 --> 00:40:35,310 ♪ Oh, get back ♪ 658 00:40:36,190 --> 00:40:37,190 ♪ Get back ♪ 659 00:40:38,150 --> 00:40:41,150 ♪ Get back to where you once belonged ♪ 660 00:40:42,060 --> 00:40:43,100 ♪ Get back ♪ 661 00:40:43,980 --> 00:40:44,980 ♪ Get back ♪ 662 00:40:45,060 --> 00:40:46,310 ♪ Oh, yeah ♪ 663 00:40:48,600 --> 00:40:49,850 ♪ Oh, yeah ♪ 664 00:40:49,940 --> 00:40:51,440 Miles out, aren't we? 665 00:40:51,520 --> 00:40:52,940 -[George] Tune. -Yeah. 666 00:40:53,020 --> 00:40:54,060 It was A, Bill. 667 00:40:54,150 --> 00:41:00,150 Billy, instead of giving us, like, one note, give us a riff like… 668 00:41:01,850 --> 00:41:03,680 That's easier to tune to. 669 00:41:22,480 --> 00:41:25,400 [Paul] ♪ All these years I've been wandering around ♪ 670 00:41:25,480 --> 00:41:28,440 ♪ Wondering how come nobody told me ♪ 671 00:41:28,520 --> 00:41:31,150 -[Glyn] Hold up. Hold up. -[John] Okay. Let me just-- 672 00:41:31,230 --> 00:41:33,060 [John clears throat, vocalizes] 673 00:41:35,270 --> 00:41:38,350 [John cackles] Not giving 'em that! 674 00:41:38,440 --> 00:41:40,360 Oh, fucking right. 675 00:41:40,440 --> 00:41:42,360 [chuckling] 676 00:41:44,020 --> 00:41:46,480 Something happened. I don't know what it was though. 677 00:41:47,100 --> 00:41:48,140 Something happened. 678 00:41:48,230 --> 00:41:49,860 ["I've Got A Feeling" playing] 679 00:41:49,940 --> 00:41:50,940 ♪ Oh, yeah ♪ 680 00:41:52,190 --> 00:41:53,690 [Paul] ♪ No, no, no ♪ 681 00:41:54,230 --> 00:41:56,310 ♪ Yeah ♪ 682 00:41:56,400 --> 00:41:59,610 ♪ I've got a feeling ♪ 683 00:42:04,600 --> 00:42:07,430 ♪ Well, all of these years I've been wandering around ♪ 684 00:42:07,520 --> 00:42:10,440 ♪ Wondering how come nobody told me ♪ 685 00:42:10,520 --> 00:42:14,230 ♪ All that I've been looking for Was somebody who looked like you ♪ 686 00:42:19,850 --> 00:42:22,270 -♪ I've got a feeling ♪ -[John] ♪ Oh, yeah ♪ 687 00:42:22,350 --> 00:42:25,600 ♪ That keeps me on my toes Oh, yeah ♪ 688 00:42:27,520 --> 00:42:28,850 [Paul, John] ♪ Oh, yeah ♪ 689 00:42:31,520 --> 00:42:33,650 ♪ I've got a feeling ♪ 690 00:42:33,730 --> 00:42:36,650 ♪ I think that everybody knows ♪ 691 00:42:36,730 --> 00:42:38,190 -♪ Oh, no ♪ -[John] ♪ Yeah ♪ 692 00:42:39,850 --> 00:42:41,390 [Paul, John] ♪ Oh, yeah ♪ 693 00:42:42,650 --> 00:42:44,110 [Paul] ♪ Oh, yeah ♪ 694 00:42:44,690 --> 00:42:46,940 ♪ Yeah ♪ 695 00:42:47,020 --> 00:42:50,560 ♪ Yeah, I've got a feeling ♪ 696 00:42:50,650 --> 00:42:52,320 ♪ Yeah, yeah, yeah ♪ 697 00:42:55,850 --> 00:42:58,060 ♪ Everybody had a hard year ♪ 698 00:42:59,020 --> 00:43:01,270 ♪ Everybody had a good time ♪ 699 00:43:02,100 --> 00:43:04,350 ♪ Everybody had a wet dream ♪ 700 00:43:05,190 --> 00:43:07,230 ♪ Everybody saw the sunshine ♪ 701 00:43:07,310 --> 00:43:09,060 -♪ Oh, yeah ♪ -[Paul] ♪ Oh, yeah ♪ 702 00:43:09,150 --> 00:43:11,940 -♪ Oh yeah, oh yeah ♪ -[Paul] ♪ Oh, yeah ♪ 703 00:43:14,400 --> 00:43:17,360 -♪ Everybody had a good year ♪ -[Paul] ♪ Yeah ♪ 704 00:43:17,440 --> 00:43:20,400 -♪ Everybody had their hair down ♪ -[Paul] ♪ Yeah ♪ 705 00:43:20,480 --> 00:43:23,360 -♪ Everybody pulled their socks up ♪ -[Paul] ♪ Oh, yeah ♪ 706 00:43:23,440 --> 00:43:26,730 ♪ Everybody put their foot down Oh, yeah ♪ 707 00:43:35,060 --> 00:43:36,060 [song ends] 708 00:43:37,730 --> 00:43:40,190 Glyn? What does that sound like? 709 00:43:40,270 --> 00:43:41,900 [laughter] 710 00:43:41,980 --> 00:43:43,900 [Glyn] Probably lucky… [indistinct] 711 00:43:43,980 --> 00:43:45,020 -What? -[Glyn] Yeah. 712 00:43:45,100 --> 00:43:46,140 -All right? -[Glyn] Yeah. 713 00:43:46,230 --> 00:43:49,150 [instruments playing] 714 00:43:51,980 --> 00:43:54,400 [no audible dialogue] 715 00:44:00,150 --> 00:44:02,030 -[chattering] -[laughter] 716 00:44:02,100 --> 00:44:03,680 -Not bad. -Got it. 717 00:44:05,020 --> 00:44:07,560 -[John] Oh, the last two will do me. -[Glyn] That's what I thought. 718 00:44:07,650 --> 00:44:10,110 -It was just about diabolical enough. -[Paul] You see, the thing is… 719 00:44:10,190 --> 00:44:13,520 I don't feel as though I'm singing it any good. 720 00:44:13,600 --> 00:44:16,060 -The other day I was singing better. -'Cause you're standing up. 721 00:44:16,150 --> 00:44:18,110 -And you're trying to do a thing. -Maybe. 722 00:44:18,190 --> 00:44:19,440 You should sit down. 723 00:44:19,520 --> 00:44:20,690 -Enjoy yourself. -Yeah. 724 00:44:21,600 --> 00:44:25,100 Maybe. No, but even so today, I just feel as though… 725 00:44:25,810 --> 00:44:26,940 Hobson's is a bit… 726 00:44:28,190 --> 00:44:29,190 [Glyn] That reel on? 727 00:44:29,270 --> 00:44:31,690 We've still got a lot more songs we haven't even rehearsed. 728 00:44:32,560 --> 00:44:37,020 The two slow ones we're doing, "Mother Mary" and… "Brother Jesus." 729 00:44:37,100 --> 00:44:38,730 -[George] Have we recorded? -[laughter] 730 00:44:38,810 --> 00:44:40,600 [George] Have we recorded the "Mother Mary" one? 731 00:44:40,690 --> 00:44:41,940 Haven't happened yet, have they? 732 00:44:42,020 --> 00:44:43,020 -[Glyn] No. -[George] Haven't they? 733 00:44:43,100 --> 00:44:44,600 -[Glyn] One has. One has. -Well… 734 00:44:44,690 --> 00:44:46,400 -Which one? -[Glyn] I can never get it. 735 00:44:46,480 --> 00:44:48,020 -"Long, Long, Winding"-- -"Long and Winding Road"? 736 00:44:48,100 --> 00:44:49,180 [Glyn] "Long and Winding Scrotum." 737 00:44:49,270 --> 00:44:51,440 -Really? -[Glyn] I think it's very tasty. 738 00:44:51,520 --> 00:44:52,600 Très tasty, in fact. 739 00:44:52,690 --> 00:44:54,020 Oh, the little version we had-- 740 00:44:54,100 --> 00:44:56,100 -He's so good for your morale, this boy. -Yeah, yeah. 741 00:44:56,190 --> 00:44:57,610 -[chuckles] -[Glyn] No, really. 742 00:44:57,690 --> 00:44:59,940 -We can do-- -I'm not saying you can't do it better. 743 00:45:00,020 --> 00:45:01,480 But, I mean, it's very together. 744 00:45:02,190 --> 00:45:04,860 See, that's a bit like the old "Get Back." 745 00:45:04,940 --> 00:45:07,190 It's together until you think you can do it better. 746 00:45:08,060 --> 00:45:10,270 We should arrange what's happening around lunchtime tomorrow. 747 00:45:10,350 --> 00:45:12,520 John's got something at 1:30, and so have I. 748 00:45:12,600 --> 00:45:15,480 [Glyn] I'll take these tonight. You can have a mix of these tomorrow. 749 00:45:16,230 --> 00:45:18,190 -I'm meeting a fella. -Oh, right. 750 00:45:19,400 --> 00:45:23,280 No, uh, at 1:30 though. We're both going at 1:30, so can you… 751 00:45:23,350 --> 00:45:26,850 We'll do something, all right. I'll do Ringo at 1:30. 752 00:45:26,940 --> 00:45:29,360 -[laughs] -Let's say 12:00. 753 00:45:29,440 --> 00:45:31,940 [George] We'll be coming in before 1:30? 754 00:45:32,020 --> 00:45:34,020 -Yeah. Coming in at 11:00. -[George] Okay. 755 00:45:34,100 --> 00:45:35,100 Then work till 1:30. 756 00:45:35,190 --> 00:45:36,900 [Paul on tape] Okay, honeybunch. Let's hit it one time. 757 00:45:36,980 --> 00:45:39,060 -What time are you starting? -11:00. 758 00:45:39,650 --> 00:45:41,230 -[George Martin] 11:00 to 1:30? -10:30, yeah. 759 00:45:41,310 --> 00:45:42,640 [Paul on tape] Dig, man. 760 00:45:42,730 --> 00:45:44,980 [George Martin] And then how long are you having off from 1:30? 761 00:45:45,060 --> 00:45:47,310 [Ringo] Till 3:00. Good night, everybody. 762 00:45:47,400 --> 00:45:49,440 -[George Martin] Good night, Rich. -[crew] Good night, Richie. 763 00:45:49,520 --> 00:45:51,400 -[John] I think I'm gonna go. -[Ringo] Will you? 764 00:45:51,480 --> 00:45:53,360 [Paul] I think the one you said was best… 765 00:45:53,440 --> 00:45:54,690 -[George Martin] Nine? -…is best. 766 00:45:54,770 --> 00:45:56,850 [Glyn] Yeah. But it still doesn't make it. 767 00:45:57,730 --> 00:45:59,730 -We'll keep it anyway. -[Paul] Keep it in. 768 00:45:59,810 --> 00:46:03,230 ♪ Jo Jo was a man Who thought he was a loner ♪ 769 00:46:03,310 --> 00:46:04,520 -[Glyn] Good? -[Paul] Yeah. 770 00:46:04,600 --> 00:46:08,600 -[Glyn] Right. New reel. -[chattering, laughter] 771 00:46:08,690 --> 00:46:10,570 [Paul] Well, the air-conditioning works. 772 00:46:11,560 --> 00:46:14,140 -[Linda] God, feel like I'm in the army. -[George Martin] It must be terrible. 773 00:46:14,230 --> 00:46:16,440 [Linda] That was the only good thing about being a girl. 774 00:46:16,520 --> 00:46:18,440 [George Martin] Can you imagine being drafted to Vietnam? 775 00:46:18,520 --> 00:46:20,600 [Michael] George, of the ones they've done so far, 776 00:46:20,690 --> 00:46:22,820 which do you think we can do on the roof? 777 00:46:22,900 --> 00:46:24,820 -Anything without the grand piano. -Oh! 778 00:46:25,810 --> 00:46:27,810 -[Mike] Morning. -You're embarrassing me. 779 00:46:31,600 --> 00:46:33,850 [Michael] Should we write down what we could do on the roof? 780 00:46:34,400 --> 00:46:36,780 [George Martin] You haven't got a concise list of titles, have we, Alan? 781 00:46:36,850 --> 00:46:39,020 -[Alan] No. I can make one. -[Michael] Well, I… 782 00:46:39,100 --> 00:46:41,020 One is "I Dig a Pony." We can do that on the roof. 783 00:46:41,100 --> 00:46:42,100 "Let It Be." 784 00:46:42,690 --> 00:46:45,860 [Michael] Which is "Let It Be"? Oh, no. I think "Let It Be" should be down here. 785 00:46:46,730 --> 00:46:48,230 [George Martin] Yeah, with the piano on that. 786 00:46:48,310 --> 00:46:49,310 ♪ Let it be ♪ 787 00:46:50,190 --> 00:46:52,900 [Paul] Is anyone sort of thinking of this like making an album 788 00:46:52,980 --> 00:46:55,360 or more like sort of doing a lot of numbers then 789 00:46:55,440 --> 00:46:59,110 to be able to play them all one after the other? 790 00:46:59,190 --> 00:47:00,230 [John] Let's pick the five-- 791 00:47:06,150 --> 00:47:07,190 Uh… 792 00:47:08,270 --> 00:47:09,770 I don't see much point in doing 793 00:47:09,850 --> 00:47:12,100 "Don't Let Me Down," "I've Got A Feeling" and that now. 794 00:47:13,100 --> 00:47:14,310 Yeah… 795 00:47:14,400 --> 00:47:16,110 'Cause you lose it. 796 00:47:16,190 --> 00:47:18,690 So let's pick up on the ones that are all in pieces. 797 00:47:19,690 --> 00:47:22,690 I'm trying to get us to do one of George's for the first batch. 798 00:47:22,770 --> 00:47:24,520 Oh, ah. Yeah. 799 00:47:24,600 --> 00:47:27,850 ♪ What do you know now, Mr. Show? ♪ 800 00:47:29,310 --> 00:47:30,940 [John] ♪ I don't know ♪ 801 00:47:32,520 --> 00:47:34,100 [John, Paul] ♪ I don't know ♪ 802 00:47:34,190 --> 00:47:36,900 Then you can have the next one, "Did you know, missed the show?" 803 00:47:36,980 --> 00:47:39,770 ♪ Do you know who missed the show? ♪ 804 00:47:41,810 --> 00:47:43,390 ♪ No, I don't know ♪ 805 00:47:44,440 --> 00:47:46,110 ♪ I don't know ♪ 806 00:47:46,190 --> 00:47:49,400 ♪ Dun, dun, dun Dun, dun ♪ 807 00:47:49,480 --> 00:47:52,440 ♪ Do you know now, Mr. Joe? ♪ 808 00:47:53,650 --> 00:47:57,900 ♪ Something in the way she moves ♪ 809 00:48:00,560 --> 00:48:04,480 ♪ Attracts me like a moth to candlelight ♪ 810 00:48:06,560 --> 00:48:09,100 ♪ Something in the way… ♪ 811 00:48:11,230 --> 00:48:12,230 [song ends] 812 00:48:12,310 --> 00:48:13,850 [George] What could it be, Paul? 813 00:48:13,940 --> 00:48:15,770 -"Something in the way she moves." -[Paul] Hmm? 814 00:48:15,850 --> 00:48:17,270 [George] What attracted me at all? 815 00:48:17,350 --> 00:48:19,560 Just say whatever comes into your head each time. 816 00:48:19,650 --> 00:48:22,900 "Attracts me like a cauliflower," until you get the word, you know? 817 00:48:22,980 --> 00:48:26,310 Yeah, but I've been through this one, like, for about six months. 818 00:48:26,400 --> 00:48:29,070 ♪ Attracts me like a pomegranate ♪ 819 00:48:29,150 --> 00:48:30,610 [chuckles] 820 00:48:30,690 --> 00:48:31,690 ♪ Something in the… ♪ 821 00:48:31,770 --> 00:48:34,690 [George] We could have that. "Attracts me like a pomegranate." 822 00:48:34,770 --> 00:48:39,100 ♪ Something in the way she moves ♪ 823 00:48:41,900 --> 00:48:44,730 ♪ Attracts me like a moth to candlelight-- To pomegranate ♪ 824 00:48:44,810 --> 00:48:46,140 ♪ Pomegranate ♪ 825 00:48:46,230 --> 00:48:47,520 "Cauliflower" is better. 826 00:48:47,600 --> 00:48:52,890 ♪ Something in the way she woos me ♪ 827 00:48:53,900 --> 00:48:55,860 ♪ I don't want to leave her now ♪ 828 00:48:56,730 --> 00:48:58,900 ♪ You know I believe and how ♪ 829 00:49:02,730 --> 00:49:04,690 [laughter] 830 00:49:07,600 --> 00:49:10,520 ♪ Da, da, da Da, da, da ♪ 831 00:49:12,350 --> 00:49:13,520 ♪ I don't know ♪ 832 00:49:13,600 --> 00:49:15,350 [scatting] 833 00:49:15,440 --> 00:49:16,900 ♪ Da, da, da ♪ 834 00:49:20,230 --> 00:49:23,060 ♪ Da, da, da Da, da, da ♪ 835 00:49:24,730 --> 00:49:28,400 ♪ I don't know ♪ 836 00:49:28,480 --> 00:49:30,190 -[George] Okay. -[John] What was that? 837 00:49:30,270 --> 00:49:33,060 [George] Yeah, but say we got a really good one of "Love Me Do." 838 00:49:33,150 --> 00:49:36,070 -[Paul] Well, yeah. That's true. -[John] Yeah. Okay. 839 00:49:39,600 --> 00:49:42,100 ♪ Love, love me do ♪ 840 00:49:43,440 --> 00:49:46,020 ♪ You know I love you ♪ 841 00:49:47,190 --> 00:49:50,020 ♪ I'll always be true ♪ 842 00:49:50,980 --> 00:49:55,730 ♪ So please ♪ 843 00:49:55,810 --> 00:49:56,850 [John scatting] 844 00:49:56,940 --> 00:49:58,730 ♪ Love me do ♪ 845 00:49:58,810 --> 00:50:02,890 [Paul] Is it 1:30? I've got this-- to go to this meeting. 846 00:50:02,980 --> 00:50:03,980 So, can you do it? 847 00:50:04,650 --> 00:50:07,320 [John] Will you ring down for us? And we'll keep going through this. 848 00:50:07,400 --> 00:50:09,070 Yeah. Okay. 849 00:50:12,600 --> 00:50:15,020 [instruments playing] 850 00:50:25,440 --> 00:50:26,610 [Ringo] Shall we do it? 851 00:50:28,020 --> 00:50:29,690 ♪ I've got a feeling ♪ 852 00:50:30,600 --> 00:50:32,930 ♪ A feeling deep inside ♪ 853 00:50:33,020 --> 00:50:34,190 ♪ Oh, yeah ♪ 854 00:50:35,560 --> 00:50:37,730 -[John] Glyn? -Send an engineer. 855 00:50:37,810 --> 00:50:38,810 [John] Glyn. 856 00:50:40,480 --> 00:50:43,690 Can you come and fix my microphone? It keeps falling down. 857 00:50:44,850 --> 00:50:47,810 ♪ Everybody had a hard year ♪ 858 00:50:47,900 --> 00:50:48,900 ♪ Everybody… ♪ 859 00:50:58,440 --> 00:51:00,230 See, can I change from going… 860 00:51:00,310 --> 00:51:02,640 [guitar playing] 861 00:51:02,730 --> 00:51:05,230 Because I can't do it. I go into that folk bit. 862 00:51:05,310 --> 00:51:06,390 Have a ciggy, Billy. 863 00:51:06,480 --> 00:51:08,310 ♪ I've got a feeling ♪ 864 00:51:09,100 --> 00:51:11,430 ♪ Everybody knows ♪ 865 00:51:11,520 --> 00:51:12,600 ♪ Oh, yeah ♪ 866 00:51:14,350 --> 00:51:15,430 ♪ Oh, yeah ♪ 867 00:51:17,940 --> 00:51:19,020 ♪ Yeah ♪ 868 00:51:22,980 --> 00:51:24,480 ♪ Oh, I've got a feeling ♪ 869 00:51:24,560 --> 00:51:25,890 Two, three, four. 870 00:51:27,600 --> 00:51:28,890 ♪ I've got a feeling ♪ 871 00:51:34,850 --> 00:51:37,640 ♪ All these years I've been wandering around ♪ 872 00:51:37,730 --> 00:51:40,900 ♪ Wondering how come nobody told me ♪ 873 00:51:40,980 --> 00:51:44,310 ♪ All that I was looking for Was somebody who looked like you ♪ 874 00:51:44,400 --> 00:51:45,570 ♪ You know that ♪ 875 00:51:51,400 --> 00:51:54,360 I'll sing it a bit different than that. I'll sing… 876 00:51:54,440 --> 00:51:57,730 ♪ Everybody had a good year Everybody let their hair down ♪ 877 00:51:57,810 --> 00:51:58,810 -All that bit. -Yeah. 878 00:51:58,900 --> 00:52:00,480 Okay. Should we go from the last verse again? 879 00:52:00,560 --> 00:52:02,060 That's the bit still, isn't it? 880 00:52:02,150 --> 00:52:03,150 [George] I still think that-- 881 00:52:03,230 --> 00:52:05,810 I'm not sure about that syncopation bit, but leave that to Paul. 882 00:52:05,900 --> 00:52:10,440 Well, that's okay if we just do it in between, you know, where the riff… 883 00:52:10,520 --> 00:52:11,520 Uh… 884 00:52:12,350 --> 00:52:14,310 It seems to be going through every verse now. 885 00:52:14,400 --> 00:52:16,400 Yeah, that's the riff. Goes… 886 00:52:17,020 --> 00:52:18,770 -I mean that… -It should change. 887 00:52:18,850 --> 00:52:20,520 No, that just comes at the end. 888 00:52:21,600 --> 00:52:23,230 Oh, in the middle of every verse? 889 00:52:23,310 --> 00:52:26,890 ♪ A feeling deep inside Oh, yeah ♪ 890 00:52:36,230 --> 00:52:40,900 But also we need somebody that's gonna tune everything in here to one pitch. 891 00:52:40,980 --> 00:52:42,520 Uh, the piano people do that. 892 00:52:42,600 --> 00:52:44,810 [John] Okay, well, we'll play about for a bit then. 893 00:52:44,900 --> 00:52:47,190 -How do you tune an electric piano? -[Billy] I don't know. 894 00:52:47,270 --> 00:52:49,020 ♪ How do you tune an electric piano ♪ 895 00:52:49,100 --> 00:52:51,520 [Billy] There's got to be a way though. Probably here somewhere. 896 00:52:53,310 --> 00:52:54,730 [George] What did you wanna talk about? 897 00:52:54,810 --> 00:52:56,940 [John] Uh, well, just that I saw Klein, and that. 898 00:52:57,020 --> 00:52:58,690 -Oh, Klein? -Yeah, yeah. Klein. 899 00:52:58,770 --> 00:53:00,100 -Allen Klein. -[George] Oh, I see. 900 00:53:00,190 --> 00:53:02,190 [John] Yeah. And it's-- You know, it's very interesting. 901 00:53:02,270 --> 00:53:03,270 Yeah. 902 00:53:03,350 --> 00:53:05,480 -[John] You know, from a lot of angles. -[George] Hmm. 903 00:53:05,560 --> 00:53:09,390 And the-- But I want to tell you all at once, you know, so as it's not… 904 00:53:10,690 --> 00:53:14,110 But just, um-- I just think he's fantastic. 905 00:53:14,190 --> 00:53:15,610 -[George] Really? -Yeah. 906 00:53:16,850 --> 00:53:19,850 A lot of interesting news that we don't know half about, 907 00:53:19,940 --> 00:53:21,320 -just about-- -[George] About us? 908 00:53:21,400 --> 00:53:24,730 Well, I'll tell-- You know, he'll tell you all that, 'cause it's… 909 00:53:24,810 --> 00:53:26,810 You know, he knows everything about everything. 910 00:53:26,900 --> 00:53:28,030 Very interesting guy. 911 00:53:28,100 --> 00:53:30,810 -I was there till 2:00 in the morning. -Oh, you went last night? 912 00:53:30,900 --> 00:53:34,150 I went there thinking, "Well, I've got to see him. I put it off last time." 913 00:53:34,230 --> 00:53:35,480 You know? 914 00:53:35,560 --> 00:53:37,440 I keep hearing about him all these years. 915 00:53:37,520 --> 00:53:40,400 Things that you just… you can't believe, you know. 916 00:53:40,480 --> 00:53:44,150 Right down to where-- where it's gone, 917 00:53:45,520 --> 00:53:46,690 and how to get it. 918 00:53:47,980 --> 00:53:51,690 So, I, you know-- Well, I didn't really wanna say it to sort of half o'ya. 919 00:53:51,770 --> 00:53:54,440 I thought, "He's gonna look after me, whatever." 920 00:53:54,520 --> 00:53:56,060 That's… it's just like that. 921 00:53:58,100 --> 00:54:00,890 And he knows-- He even knows what we're like, you know? 922 00:54:00,980 --> 00:54:03,400 The way he described each one of us, you know, 923 00:54:03,480 --> 00:54:05,860 and what we've done and what we're gonna do and that. 924 00:54:05,940 --> 00:54:09,150 But just, like, he knows me as much as you do. 925 00:54:10,810 --> 00:54:12,140 Incredible guy. 926 00:54:12,650 --> 00:54:14,900 He's got a great idea for Biafra. 927 00:54:14,980 --> 00:54:16,860 He's like-- He says, "I'm a practical man." 928 00:54:16,940 --> 00:54:19,900 And his thing-- You know The Stones' Circus we did? 929 00:54:19,980 --> 00:54:21,860 -So he arranges those things for them. -[George] Yeah. 930 00:54:21,940 --> 00:54:27,070 All we heard about that and the-- the-- the royalty from way back… 931 00:54:27,150 --> 00:54:28,900 -Yeah. -…they get much more than us. 932 00:54:28,980 --> 00:54:31,400 However many we sell, they cop. 933 00:54:32,020 --> 00:54:35,850 You know, so, The Stones show, he's gonna make an LP out of it. 934 00:54:35,940 --> 00:54:38,190 They're making a book of it and everything, of course, you know? 935 00:54:38,270 --> 00:54:39,940 Like, everybody is into that. 936 00:54:40,020 --> 00:54:45,100 And he's gonna, uh, make an LP of it, of everybody that was on… 937 00:54:45,810 --> 00:54:48,560 to buy food for Biafra. 938 00:54:48,650 --> 00:54:50,650 Yeah, I was telling him about your idea for that film. 939 00:54:50,730 --> 00:54:51,980 -[George] Oh, yeah. -[John] The thing is, 940 00:54:52,060 --> 00:54:55,890 I mean, if we took the food to that place, with the money we've all earned-- 941 00:54:55,980 --> 00:54:57,980 He'd do it completely himself, arrange it all. 942 00:54:58,060 --> 00:55:01,480 I didn't mean to get into all this, but he's so fascinating. 943 00:55:04,810 --> 00:55:06,810 Do you want to do this one more time? 944 00:55:06,900 --> 00:55:08,280 -Yeah. -[John] Eh? 945 00:55:08,940 --> 00:55:11,940 'Cause I'd like to learn "On the Road to Marrakesh" or something. 946 00:55:14,650 --> 00:55:15,820 Or "Mr. Mustard." 947 00:55:16,350 --> 00:55:18,810 Must do another number, I've decided. 948 00:55:18,900 --> 00:55:23,150 ♪ I want a short-haired girl Who sometimes wears it twice as long ♪ 949 00:55:25,560 --> 00:55:29,230 ♪ Now I'm steppin' out This old brown shoe ♪ 950 00:55:29,310 --> 00:55:31,560 [no audible dialogue] 951 00:55:31,650 --> 00:55:34,780 [George] Mal, what was the name of that shoe shop somebody said is in Bond Street? 952 00:55:34,850 --> 00:55:37,480 The good one. Do you know a good shoe shop near? 953 00:55:37,560 --> 00:55:39,560 [Mal] There's a lot of shoe shops in Bond Street. 954 00:55:39,650 --> 00:55:44,070 [George] Yeah. But I just want, you know, like ordinary black leather shoes. 955 00:55:44,650 --> 00:55:47,900 It's just that I never get any, you know, 'cause I'm never in shoe shops. 956 00:55:48,650 --> 00:55:50,480 [Kevin] Do you want me to bring the bloke over? 957 00:55:50,560 --> 00:55:52,730 If you can con somebody into coming 958 00:55:52,810 --> 00:55:56,770 with, you know, a selection of black slip-on size eights. 959 00:55:56,850 --> 00:55:57,890 [Kevin] Yeah, okay. 960 00:55:57,980 --> 00:56:01,310 ♪ I'm so glad you came here It won't be the same now ♪ 961 00:56:01,400 --> 00:56:02,480 ♪ I'm telling you ♪ 962 00:56:04,350 --> 00:56:05,350 ♪ Yeah ♪ 963 00:56:07,600 --> 00:56:08,730 ♪ Dun, de, da, dun ♪ 964 00:56:08,810 --> 00:56:11,730 ♪ Now I'm steppin' out This old brown shoe ♪ 965 00:56:12,440 --> 00:56:14,320 ♪ Baby, I'm in love with you ♪ 966 00:56:14,400 --> 00:56:16,400 ♪ I'm so glad you came here ♪ 967 00:56:16,480 --> 00:56:18,480 [piano playing] 968 00:56:28,100 --> 00:56:32,890 ♪ I like a love that's right When right is only half of what's wrong ♪ 969 00:56:35,270 --> 00:56:39,900 ♪ I want a short-haired girl Who sometimes wears it twice as long ♪ 970 00:56:41,810 --> 00:56:45,560 ♪ Now I'm steppin' out This old brown shoe ♪ 971 00:56:45,650 --> 00:56:47,900 -What? -[Stylophone mini organ playing] 972 00:56:47,980 --> 00:56:50,190 [George] Where's it from? Who makes it? 973 00:56:50,270 --> 00:56:51,690 -[Billy] Wow. -[George] Japanese? 974 00:56:51,770 --> 00:56:53,850 I saw it on the television. 975 00:56:56,190 --> 00:56:58,020 Too much! Whoo. 976 00:56:59,230 --> 00:57:00,230 Nice sound. 977 00:57:00,310 --> 00:57:02,560 -[George] Could you transpose that to D? -Yeah. 978 00:57:02,650 --> 00:57:05,940 -All on one note, huh? -[John] Yeah, you can change it. 979 00:57:08,100 --> 00:57:09,930 [Billy laughs] 980 00:57:10,020 --> 00:57:12,020 [John] One at a time. It's a little organ. 981 00:57:13,310 --> 00:57:14,640 [Billy chuckles] 982 00:57:15,560 --> 00:57:16,560 That's better. 983 00:57:17,100 --> 00:57:19,640 Yeah. It's too much, man. 984 00:57:19,730 --> 00:57:21,730 [Stylophone mini organ playing] 985 00:57:48,060 --> 00:57:50,140 [playing continues] 986 00:57:53,940 --> 00:57:56,440 [George Martin] I love that song. That's beautiful. I couldn't… 987 00:57:56,520 --> 00:57:57,520 [Glyn] You've won a prize. 988 00:57:57,600 --> 00:57:59,680 [George Martin] Couldn't have asked for better. Can we have something else now? 989 00:57:59,770 --> 00:58:01,560 Another song, right. Okay, George? 990 00:58:02,230 --> 00:58:04,730 How about, uh… What have you got up your sleeve, John? 991 00:58:05,940 --> 00:58:07,270 [George Martin] How about "Love Me Do" again? 992 00:58:07,350 --> 00:58:09,770 What about "Don't Let Me Down"? That's a bloody good one, that. 993 00:58:09,850 --> 00:58:12,270 Very high though. But never mind. We'll practice the backing. 994 00:58:12,350 --> 00:58:13,430 -What is it now? -Just-- 995 00:58:13,520 --> 00:58:16,100 "And if somebody ever loved me like she does," that's all. 996 00:58:16,190 --> 00:58:17,440 Just the "really" out. 997 00:58:18,900 --> 00:58:24,730 ♪ And if somebody ever loved me Like she does ♪ 998 00:58:25,940 --> 00:58:27,650 ♪ Ooh, she does ♪ 999 00:58:29,150 --> 00:58:31,570 ♪ Yes, she does ♪ 1000 00:58:32,270 --> 00:58:33,270 Same guitar? 1001 00:58:33,350 --> 00:58:34,480 ♪ I'm in love for the… ♪ 1002 00:58:35,100 --> 00:58:38,100 [Paul, John vocalizing] 1003 00:58:42,770 --> 00:58:44,190 Okay, George. Come on. 1004 00:58:45,020 --> 00:58:46,400 One… 1005 00:58:46,480 --> 00:58:48,400 [Paul] The Krishna chronicle. [chuckles] 1006 00:58:49,480 --> 00:58:50,980 The Krishna Christmas club. 1007 00:58:51,060 --> 00:58:53,520 [laughter] 1008 00:58:53,600 --> 00:58:55,350 [George Martin] A little bit of a tune-up, I think. 1009 00:58:55,440 --> 00:58:56,860 No, I don't think so, George. 1010 00:58:56,940 --> 00:58:58,770 Yeah, John. Don't, John. Don't. 1011 00:58:58,850 --> 00:59:01,230 I've had some wine, you know? Remember Bob Wooler. 1012 00:59:01,310 --> 00:59:03,020 Fucking right. 1013 00:59:03,100 --> 00:59:04,180 Peace on Earth. 1014 00:59:04,810 --> 00:59:07,600 "Don't Let Me Down the Road Again Blues." 1015 00:59:07,690 --> 00:59:10,110 "Short, fat Fanny, you're my desire." 1016 00:59:11,810 --> 00:59:14,060 One, two, three, four. 1017 00:59:14,150 --> 00:59:15,650 ["Don't Let Me Down" playing] 1018 00:59:18,850 --> 00:59:21,600 ♪ Don't let me down ♪ 1019 00:59:25,020 --> 00:59:27,850 ♪ Don't let me down ♪ 1020 00:59:30,810 --> 00:59:34,140 ♪ Don't let me down ♪ 1021 00:59:37,230 --> 00:59:39,900 ♪ Don't let me down ♪ 1022 00:59:42,350 --> 00:59:46,730 ♪ Nobody ever loved me like she does ♪ 1023 00:59:48,270 --> 00:59:50,810 ♪ Ooh, she does ♪ 1024 00:59:50,900 --> 00:59:53,360 ♪ Yes, she does ♪ 1025 00:59:53,440 --> 00:59:55,230 ♪ I need you ♪ 1026 00:59:56,480 --> 00:59:58,940 ♪ I need you so bad ♪ 1027 01:00:00,100 --> 01:00:01,350 ♪ I need you ♪ 1028 01:00:02,650 --> 01:00:06,110 ♪ I need you so bad It's driving me mad ♪ 1029 01:00:06,190 --> 01:00:08,190 ♪ It's driving me mad ♪ 1030 01:00:10,190 --> 01:00:13,520 ♪ Oh, oh, oh, oh ♪ 1031 01:00:13,600 --> 01:00:16,350 ♪ Half a pound of greasepaint On your face ♪ 1032 01:00:16,440 --> 01:00:19,020 ♪ That's the life Let's face it, chums ♪ 1033 01:00:19,560 --> 01:00:21,600 ♪ All the rest are a gang of bums ♪ 1034 01:00:21,690 --> 01:00:24,230 ♪ Oh, half a pound of greasepaint On your face ♪ 1035 01:00:24,310 --> 01:00:27,230 ♪ Get your togs and get in quick ♪ 1036 01:00:27,310 --> 01:00:32,190 ♪ Get that pancake on your head And get out on the boards ♪ 1037 01:00:32,770 --> 01:00:35,270 ♪ Sock it to 'em, sock it to 'em One more time ♪ 1038 01:00:35,350 --> 01:00:37,890 ♪ Till the closing curtain falls ♪ 1039 01:00:37,980 --> 01:00:40,940 ♪ Go and do your act And get it right ♪ 1040 01:00:41,020 --> 01:00:43,730 ♪ Don't let 'em down In the old limelight ♪ 1041 01:00:43,810 --> 01:00:46,480 ♪ Oh, half a pound of greasepaint On your face ♪ 1042 01:00:46,560 --> 01:00:48,850 ♪ That's a little kind of thing You can't erase ♪ 1043 01:00:48,940 --> 01:00:51,860 ♪ It gets in your blood It gets in your stream ♪ 1044 01:00:51,940 --> 01:00:54,570 ♪ So get onto the boards And let 'em hear you scream ♪ 1045 01:00:56,730 --> 01:00:58,480 ♪ Half a pound of greasepaint ♪ 1046 01:00:59,520 --> 01:01:00,940 ♪ Half a pound of greasepaint ♪ 1047 01:01:02,310 --> 01:01:03,480 [John] ♪ Mr. Show ♪ 1048 01:01:05,690 --> 01:01:09,940 [Paul] ♪ Oh, go into song and dances ♪ 1049 01:01:11,310 --> 01:01:15,480 ♪ Oh, go into funny prances ♪ 1050 01:01:16,770 --> 01:01:21,230 ♪ Let me hear you do the new Oh, newest dance ♪ 1051 01:01:21,310 --> 01:01:22,980 ♪ And in the greasepaint pants ♪ 1052 01:01:23,940 --> 01:01:25,650 ♪ The man in the greasepaint pants ♪ 1053 01:01:26,310 --> 01:01:27,520 [John] Allen Klein's here. 1054 01:01:28,480 --> 01:01:29,940 [George] Where's he gonna be? 1055 01:01:30,730 --> 01:01:32,310 [John] Should we go up to our room? 1056 01:01:32,400 --> 01:01:34,480 -[Paul] Yeah. -[George] Oh, fuck it. 1057 01:01:34,560 --> 01:01:36,770 [laughing] 1058 01:01:36,850 --> 01:01:39,230 [John] ♪ I want you so bad ♪ 1059 01:01:39,310 --> 01:01:40,640 [chattering] 1060 01:01:46,150 --> 01:01:47,860 -[Ringo] Morning, Michael. -[Michael] Morning, R.S. 1061 01:01:47,940 --> 01:01:51,020 How many numbers do you think you'll have by tomorrow at 1:00 1062 01:01:51,100 --> 01:01:52,770 -before you go up on the roof? -[Ringo] About six. 1063 01:01:53,650 --> 01:01:54,820 [Michael] Yes, it's gonna be great. 1064 01:01:56,520 --> 01:01:57,520 [Yoko laughs] 1065 01:02:05,100 --> 01:02:06,100 [Yoko chuckles] 1066 01:02:27,650 --> 01:02:28,650 [John] Yeah. 1067 01:02:29,400 --> 01:02:30,900 [Glyn] But strange, man. [laughs] 1068 01:02:37,270 --> 01:02:38,270 [Yoko] Yes. 1069 01:02:59,650 --> 01:03:00,650 [Yoko] Mmm. 1070 01:03:00,730 --> 01:03:03,980 Tomorrow, with the nine cameras, if we do tomorrow, 1071 01:03:04,060 --> 01:03:05,980 there is a kind of, "Something will happen." 1072 01:03:06,060 --> 01:03:08,020 No, it's the best bit of us, 1073 01:03:08,100 --> 01:03:09,890 always has been and always will be, 1074 01:03:09,980 --> 01:03:12,900 is when we've got-- when we're backs against the wall 1075 01:03:12,980 --> 01:03:14,940 and we've been rehearsing, rehearsing, rehearsing. 1076 01:03:15,020 --> 01:03:17,600 And he knows it's a take on the dub. And he does it great. 1077 01:03:17,690 --> 01:03:20,820 No, the organization has gotta come from either you 1078 01:03:20,900 --> 01:03:22,030 or from you doing an audience. 1079 01:03:22,100 --> 01:03:24,730 But that's not true, you see? There is a difference. 1080 01:03:24,810 --> 01:03:27,390 -Like when we came here from Twickenham. -Mmm. 1081 01:03:27,480 --> 01:03:29,110 It's a whole other thing, you know? 1082 01:03:30,060 --> 01:03:34,480 If we went into a TV studio now, in one of those big, bare TV studios 1083 01:03:34,560 --> 01:03:36,850 and you sat us down, just with our songs and amps, 1084 01:03:36,940 --> 01:03:38,520 we'd do 'em and we'd do 'em great. 1085 01:03:39,560 --> 01:03:41,520 I think what we need is an audience of some sort. 1086 01:03:41,600 --> 01:03:43,100 Either a surprise audience-- 1087 01:03:43,690 --> 01:03:46,020 Tomorrow, or, uh… I'll light my cigar. 1088 01:03:49,690 --> 01:03:50,690 [laughter] 1089 01:03:52,810 --> 01:03:56,190 If we've got like everything set for tomorrow, we just go ahead and do it and-- 1090 01:03:56,270 --> 01:03:58,440 [Paul] The roof is like too far out. 1091 01:03:58,520 --> 01:03:59,850 If we do an open air thing… 1092 01:04:00,600 --> 01:04:03,230 That's-- that's really all I can say about this whole scene. 1093 01:04:03,310 --> 01:04:05,940 We should learn all the numbers. All of them. 1094 01:04:06,020 --> 01:04:07,900 All the ones that are gonna be on the album. 1095 01:04:07,980 --> 01:04:09,810 I know it literally takes a bit more time. 1096 01:04:09,900 --> 01:04:11,780 [George Martin] That's why I wanna go through with you today, the ones-- 1097 01:04:11,850 --> 01:04:14,060 But we haven't got the end thing. 1098 01:04:14,150 --> 01:04:17,030 I've got a feeling that we're gonna just, sort of, go off… 1099 01:04:18,100 --> 01:04:19,100 ♪ Got a feeling ♪ 1100 01:04:19,190 --> 01:04:22,020 We're just gonna go off like we did after the end of the last album. 1101 01:04:22,650 --> 01:04:25,400 And just sort of think, "Oh, not another fucking album." 1102 01:04:25,480 --> 01:04:27,810 You know? Because this is-- this is what this is, you know. 1103 01:04:27,900 --> 01:04:30,360 -I can't wait to work it, you know? -Yeah. 1104 01:04:30,440 --> 01:04:33,860 But it's like we got much better takes after we moved from Twickenham to here. 1105 01:04:33,940 --> 01:04:36,320 Oh, yeah, but I mean here I like. It's like home. 1106 01:04:36,400 --> 01:04:41,860 But, like, we still haven't got any aim for it, except an album again. 1107 01:04:41,940 --> 01:04:44,820 -Yeah. -Our only aim ever is an album, you know? 1108 01:04:44,900 --> 01:04:47,110 Which is like a very nonvisual thing. 1109 01:04:47,190 --> 01:04:49,440 But albums is what we're doing at the moment. 1110 01:04:49,520 --> 01:04:51,230 I mean, you gotta be sneaky with The Beatles, 1111 01:04:51,310 --> 01:04:53,940 or else we'll just go on forever in a circle, you know? 1112 01:04:54,020 --> 01:04:56,770 Whenever we talk about it, we have certain rules. 1113 01:04:56,850 --> 01:05:00,310 Like George saying, "What do you wanna do?" And he says, "No films." 1114 01:05:00,400 --> 01:05:02,980 You know, but it's wrong, that. It's very wrong, that. 1115 01:05:03,060 --> 01:05:04,730 Because you don't know. 1116 01:05:04,810 --> 01:05:07,850 He says-- What he means is, no Help, Hard Day's Night. 1117 01:05:07,940 --> 01:05:10,400 'Cause this is a film. And he now he doesn't mind this. 1118 01:05:10,480 --> 01:05:12,440 It's us going silly again. 1119 01:05:14,400 --> 01:05:16,860 [Paul] See, it's like when we came back from Hamburg, 1120 01:05:16,940 --> 01:05:20,690 and did Leicester, De Montfort Hall and we had the worst first night thing, 1121 01:05:20,770 --> 01:05:22,770 and we're all nervous, and it was terrible. 1122 01:05:22,850 --> 01:05:25,390 Then we played another the next night. We just went right into it. 1123 01:05:25,480 --> 01:05:28,020 We're good at that once we get over the nervousness. 1124 01:05:28,100 --> 01:05:31,640 But it's like there's the hurdle of that nervousness is there now. 1125 01:05:36,980 --> 01:05:40,150 [Paul] Yes, but for who is tomorrow the day? Not for me. 1126 01:05:40,230 --> 01:05:42,020 You know, it's like there's this thing 1127 01:05:42,100 --> 01:05:45,730 where there is a show to be had out of what we've got here, 1128 01:05:45,810 --> 01:05:48,810 which is just so incredible. That's unbelievable. 1129 01:05:48,900 --> 01:05:51,690 And you don't have to go on the roof. You don't have to go anywhere. 1130 01:05:51,770 --> 01:05:53,900 -You really only have to sing 'em. -Well, even if we stay here-- 1131 01:05:53,980 --> 01:05:56,400 [George Martin] This business of a deadline though is up to you really, 1132 01:05:56,480 --> 01:05:58,110 because we've given you deadlines already. 1133 01:05:58,190 --> 01:06:01,270 Yeah, well, that's why I'm talking to John, not you. 1134 01:06:02,560 --> 01:06:07,480 The easiest way to finish the show, is just to sit here for another few days 1135 01:06:07,560 --> 01:06:10,980 and start rehearsing them one after the other and do three numbers at a time. 1136 01:06:11,060 --> 01:06:13,730 And like George said, get a program of where we're gonna do 'em, 1137 01:06:13,810 --> 01:06:15,640 what's gonna follow what. 1138 01:06:15,730 --> 01:06:17,650 And just start playing them right through. 1139 01:06:17,730 --> 01:06:19,440 And then just knock it off. 1140 01:06:19,520 --> 01:06:22,400 [George Martin] Like you used to, and have all your titles on your guitar, you know. 1141 01:06:22,480 --> 01:06:24,810 Yes, yes. I mean, I thought that's what we're doing. 1142 01:06:24,900 --> 01:06:26,360 [George Martin] It's just that you say you're not ready. 1143 01:06:26,440 --> 01:06:27,820 We're not ready, yeah, sure. 1144 01:06:27,900 --> 01:06:29,360 We're not ready to do 14. 1145 01:06:29,440 --> 01:06:33,400 See, the only trouble is, we really have to want to do a show at the end of it. 1146 01:06:33,480 --> 01:06:35,270 That's the thing. That's the trouble. 1147 01:06:35,350 --> 01:06:37,230 None of us have an aim. 1148 01:06:37,310 --> 01:06:39,770 We don't have a thing at the end of it that we wanna do. 1149 01:06:39,850 --> 01:06:42,100 We could have had a De Montfort Hall show… 1150 01:06:42,190 --> 01:06:43,730 This would have been De Montfort Hall 1151 01:06:43,810 --> 01:06:46,690 if we'd have done the dress rehearsal here. 1152 01:06:46,770 --> 01:06:48,980 And get over the nervousness of an audience, 1153 01:06:49,060 --> 01:06:52,310 and stop, sort of, playing to show off to them and-- [hums] 1154 01:06:53,020 --> 01:06:54,310 Just play it. 1155 01:06:55,100 --> 01:06:56,310 [Paul] Yeah. Yeah. 1156 01:06:56,400 --> 01:06:59,280 The voices are going in my head, which way we're gonna-- which way we are-- 1157 01:06:59,350 --> 01:07:04,180 What's your, sort of, practical answer to the problem now, regarding tomorrow? 1158 01:07:07,560 --> 01:07:09,980 I think we'd be daft just not to do it-- 1159 01:07:10,060 --> 01:07:12,230 -Well, try and do something tomorrow… -[George] Sorry I'm late. 1160 01:07:12,310 --> 01:07:16,440 …even if it's a grand dress rehearsal, and see how it went. 1161 01:07:16,520 --> 01:07:18,770 -Morning, George. -[John] And then, you know… 1162 01:07:19,730 --> 01:07:22,060 I mean, if we had another six weeks… 1163 01:07:22,150 --> 01:07:24,150 [chattering] 1164 01:07:27,560 --> 01:07:29,480 [George inhales] Six weeks. 1165 01:07:30,850 --> 01:07:33,850 [John] I mean, you know, if we had another month to play with 1166 01:07:33,940 --> 01:07:39,520 to really, I think, get 14 straight off, it'd be nice, 1167 01:07:39,600 --> 01:07:41,640 you know, to still do the seven we've got. 1168 01:07:42,560 --> 01:07:45,560 -[crew] Do you plan on playing the… -What, what? 1169 01:07:45,650 --> 01:07:48,780 [George] I just don't-- You know, I think it's gonna take months doing it like that. 1170 01:07:49,940 --> 01:07:52,270 So how do you think we should do it then? 1171 01:07:52,350 --> 01:07:54,640 [George] You can film some while we're recording them 1172 01:07:54,730 --> 01:07:56,520 at the same time, okay, but-- 1173 01:07:56,600 --> 01:07:58,770 [Paul] Yeah, see, that's what I wanna get in me head. 1174 01:07:58,850 --> 01:08:02,430 Is it a documentary of us doing another album? Which it is. 1175 01:08:02,520 --> 01:08:05,150 Except, we're doing them one after the other. 1176 01:08:05,230 --> 01:08:07,980 No, but, I mean, we're not doing a payoff. 1177 01:08:08,060 --> 01:08:13,310 We're not doing the 11 numbers straight off for an album. 1178 01:08:13,400 --> 01:08:15,530 We're gonna have to, sort off, join 'em. 1179 01:08:15,600 --> 01:08:18,230 [John] I agree with that. I think it's disappointing but, all right, 1180 01:08:18,310 --> 01:08:20,690 we've only got to seven. Let's do seven. 1181 01:08:23,440 --> 01:08:24,440 Yeah. 1182 01:08:24,940 --> 01:08:27,400 [John] 'Cause otherwise-- We haven't enough time to do 14, 1183 01:08:27,480 --> 01:08:29,480 'cause Ringo's gotta go, you know? 1184 01:08:29,560 --> 01:08:32,850 But we might be able to get another seven off by the end of two weeks. 1185 01:08:33,520 --> 01:08:34,690 I mean, we will, but… 1186 01:08:34,770 --> 01:08:37,270 The only trouble is that the only people, 1187 01:08:37,350 --> 01:08:40,770 like, who need to agree on what it is we're doing is the four of us, 1188 01:08:40,850 --> 01:08:43,350 and we're the only ones who haven't even talked about it. 1189 01:08:43,440 --> 01:08:46,400 Because we had the meeting before all this and said, "TV show." 1190 01:08:46,480 --> 01:08:47,860 That's what I've gotta get in my head. 1191 01:08:47,940 --> 01:08:49,230 It's an album. 1192 01:08:49,310 --> 01:08:52,390 [George] All that footage of film which could make about half a dozen films. 1193 01:08:52,480 --> 01:08:54,810 Yeah. It's a film of us making an album. 1194 01:08:54,900 --> 01:08:56,480 Yeah, but that's visual. 1195 01:08:56,560 --> 01:08:58,190 [Paul] Yes. Yeah. 1196 01:08:58,270 --> 01:09:01,600 Yeah. I've got no complaints about it. But I just gotta get that in my head. 1197 01:09:10,060 --> 01:09:13,350 This TV show was supposed to be a TV show of the last album. 1198 01:09:14,440 --> 01:09:15,730 -[Glyn] The last album? -Yes. 1199 01:09:15,810 --> 01:09:18,730 But when we came to do it we said, "We'll write new songs." 1200 01:09:18,810 --> 01:09:20,060 [Paul] 'Cause that's it, you see. We always-- 1201 01:09:20,150 --> 01:09:22,320 We never-- We always get ahead of ourselves. 1202 01:09:22,400 --> 01:09:26,150 The thing is that, like, yesterday, which wasn't a particularly good day, 1203 01:09:26,230 --> 01:09:28,060 and the day before, which wasn't a particularly good day either. 1204 01:09:28,150 --> 01:09:29,150 Mmm. 1205 01:09:29,230 --> 01:09:31,230 The reason is obviously the fact that you're playing 1206 01:09:31,310 --> 01:09:34,730 the same three or four songs for a week or whatever, 1207 01:09:34,810 --> 01:09:36,100 you know, and you're flogging them to death. 1208 01:09:36,190 --> 01:09:37,730 Obviously you're getting bored with them, you know, like, 1209 01:09:37,810 --> 01:09:39,600 -it can't be any other way. -Yeah. 1210 01:09:39,690 --> 01:09:42,020 That was why George and I were trying to get you yesterday 1211 01:09:42,100 --> 01:09:45,560 to do three in one go, straight through, so you had to think, 1212 01:09:45,650 --> 01:09:48,030 "Oh, yeah, what's the key? Why isn't it right?" 1213 01:09:48,100 --> 01:09:50,350 [George] How many have we already recorded good enough? 1214 01:09:50,440 --> 01:09:51,440 None. 1215 01:09:51,520 --> 01:09:55,480 None? Well, what about all those times we've done "Get Back"? 1216 01:09:55,560 --> 01:09:57,440 Oh, well, I mean, one of them's all right, isn't it? 1217 01:09:57,520 --> 01:09:59,350 There's that one of yours we did. 1218 01:10:00,020 --> 01:10:01,310 And "Get Back." 1219 01:10:01,400 --> 01:10:04,320 [George Martin] But they're at a stage where it's dress rehearsal stage, 1220 01:10:04,400 --> 01:10:06,030 -Yes. -Where if you did a performance, 1221 01:10:06,100 --> 01:10:07,180 it probably would be it. 1222 01:10:08,520 --> 01:10:10,850 -Yes. -Yesterday you got terribly close to it 1223 01:10:10,940 --> 01:10:13,070 on a couple of the numbers you were trying to do. 1224 01:10:13,150 --> 01:10:16,690 -One more take and you've had it. -It's just physical tiredness on my part. 1225 01:10:16,770 --> 01:10:18,100 You know, it took great strain 1226 01:10:18,190 --> 01:10:20,770 to get through "Don't Let Me Down" and the other one. 1227 01:10:20,850 --> 01:10:23,640 Just physically singing at that pace, I'm being so tired. 1228 01:10:23,730 --> 01:10:25,940 [George] Well, that's the thing, if you're planning on working up 1229 01:10:26,020 --> 01:10:29,310 till Ringo does the film, doing it like this, 1230 01:10:29,400 --> 01:10:31,070 you know, we're just gonna drop. 1231 01:10:32,310 --> 01:10:34,310 I think-- I think yesterday… 1232 01:10:36,150 --> 01:10:39,070 -At least we could've recorded all those. -Was the result of not having the weekend. 1233 01:10:39,150 --> 01:10:42,030 If we hadn't had the weekend, we wouldn't have been able to even attempt yesterday. 1234 01:10:42,100 --> 01:10:43,350 That's the paradox. 1235 01:10:43,440 --> 01:10:45,690 [George] But if we had just been recording them, you know… 1236 01:10:45,770 --> 01:10:48,600 [Michael] And at the moment the documentary is really like No Exit. 1237 01:10:48,690 --> 01:10:51,400 It's just going around and around and around with no payoff. 1238 01:10:51,480 --> 01:10:52,480 There's no story. 1239 01:10:52,560 --> 01:10:54,890 There's a lot of good stuff that we shot in the documentary, 1240 01:10:54,980 --> 01:10:56,270 but there's no story yet. 1241 01:10:56,350 --> 01:11:01,680 [Paul] Now I know how to get this TV show together in about a week. 1242 01:11:01,770 --> 01:11:04,310 But I can't do it with you. I can't produce you. 1243 01:11:04,400 --> 01:11:06,400 -[John] Neither can anybody else. -No, right. 1244 01:11:06,480 --> 01:11:08,110 'Cause we don't allow it, you know. 1245 01:11:08,690 --> 01:11:10,980 We don't allow people to come and say, "You do that." 1246 01:11:11,060 --> 01:11:13,770 [Paul] That's why I'm creating artificial frameworks for us to do it-- 1247 01:11:13,850 --> 01:11:16,520 [Michael] We've got a lot of good stuff, like with some of the days at Twickenham. 1248 01:11:16,600 --> 01:11:19,520 We've got great stuff, counterpoint thing. But at the moment haven't got an ending. 1249 01:11:19,600 --> 01:11:20,890 See, 'cause they've got the film, you know. 1250 01:11:20,980 --> 01:11:22,400 -I just wanna get out now. -[John] Yes. 1251 01:11:22,480 --> 01:11:25,480 [Paul] We've done the film. We've done the numbers enough, you know? 1252 01:11:25,560 --> 01:11:26,690 And we begin together-- 1253 01:11:26,770 --> 01:11:29,270 But, I mean, if George wants to think while we're doing it 1254 01:11:29,350 --> 01:11:30,520 that he's making a record. 1255 01:11:30,600 --> 01:11:33,180 -[Paul] Yes. -And you wanna think we're rehearsing. 1256 01:11:33,270 --> 01:11:34,480 It makes no odds, you know. 1257 01:11:34,560 --> 01:11:35,770 [Paul] So we've gotta decide 1258 01:11:35,850 --> 01:11:38,180 that we mustn't then go on "Get Back" for three hours. 1259 01:11:42,480 --> 01:11:45,310 Or else I really feel like I'm trying to produce The Beatles, 1260 01:11:45,400 --> 01:11:46,980 and I know it's hopeless. 1261 01:11:47,060 --> 01:11:48,350 I just can't do it, you know. 1262 01:11:48,440 --> 01:11:49,650 And no one can do it 1263 01:11:49,730 --> 01:11:52,940 'cause the four individuals are too strong individually. 1264 01:11:53,020 --> 01:11:55,940 -Yes, we know. -So you want us to record these songs? 1265 01:11:56,020 --> 01:11:59,600 Yeah. Get it together now instead of talking about the show. 1266 01:11:59,690 --> 01:12:01,440 Get it, so that we've got 14 songs. 1267 01:12:01,520 --> 01:12:04,190 [Paul] We're talking about this abstract thing we hope to get, 1268 01:12:04,270 --> 01:12:05,850 and by talking about, we're not getting it. 1269 01:12:05,940 --> 01:12:07,020 [John] Okay, let's do it. 1270 01:12:07,100 --> 01:12:09,980 But, man, physically, yesterday we tried to learn the next half. 1271 01:12:10,060 --> 01:12:11,390 But physically we were too tired. 1272 01:12:11,480 --> 01:12:13,020 -That's all it was. -[Paul] Yeah, that's right. 1273 01:12:13,100 --> 01:12:14,560 And we're trying to do what you're saying, 1274 01:12:14,650 --> 01:12:17,190 and we might have done what he was saying at the same time, 1275 01:12:17,270 --> 01:12:18,810 but we couldn't do it 'cause we're tired. 1276 01:12:18,900 --> 01:12:19,900 -That's all. -[Paul] Yeah. 1277 01:12:19,980 --> 01:12:22,110 So we had-- We might have had a bit more sleep-- 1278 01:12:22,190 --> 01:12:26,020 You mean you're still expecting us to be on the chimney with a lot of people, 1279 01:12:26,100 --> 01:12:27,350 or something like that? 1280 01:12:27,440 --> 01:12:29,900 Well, anyway, we won't worry about that. Don't give us that one. 1281 01:12:29,980 --> 01:12:32,060 [Michael] "Expecting" is not a word we use anymore. 1282 01:12:32,150 --> 01:12:33,150 Uh, "thinking about." 1283 01:12:33,230 --> 01:12:35,480 -"Praying"? -[Michael] "Praying. Hoping." 1284 01:12:36,520 --> 01:12:38,400 Uh… well, now, what about the roof tomorrow? 1285 01:12:38,480 --> 01:12:40,270 -Do you wanna collectively do it or not? -No, let's-- 1286 01:12:40,350 --> 01:12:43,640 Let's-- Let's decide on that, sort of, a bit later. 1287 01:12:43,730 --> 01:12:45,730 Let's us keep off that. 1288 01:12:45,810 --> 01:12:47,350 -We'll do the numbers, you know? -[laughter] 1289 01:12:47,440 --> 01:12:48,820 We're the band. 1290 01:12:48,900 --> 01:12:51,440 -[George chuckles] -[George Martin] "You're fucking right." 1291 01:12:51,520 --> 01:12:54,060 No, you know, I-- You know, whatever. 1292 01:12:54,150 --> 01:12:56,190 I'll do it if we've got to go on the roof. 1293 01:12:56,270 --> 01:12:57,650 -You're the band now… -You know, I mean… 1294 01:13:04,600 --> 01:13:05,770 [Paul] You would like to? 1295 01:13:06,690 --> 01:13:07,690 [Paul chuckles] 1296 01:13:08,900 --> 01:13:10,730 Very diverse people. 1297 01:13:10,810 --> 01:13:13,020 -One second. -[John] But, I mean if… See, I don't mind… 1298 01:13:13,100 --> 01:13:16,020 -That's all right. We won't discuss it. -…if anybody doesn't wanna go on it. 1299 01:13:16,100 --> 01:13:18,140 -It wasn't that I-- -[Paul] So what songs have we got? 1300 01:13:18,230 --> 01:13:20,560 Have we got a sort of list of what we've got, 'cause-- 1301 01:13:20,650 --> 01:13:23,320 [George Martin] A lot of them are… I mean, there's too much of a list there. 1302 01:13:23,400 --> 01:13:25,690 -But there's certainly everything here. -[Paul] Okay. 1303 01:13:25,770 --> 01:13:28,730 [Paul] "I've Got a Feeling," "Don't Let Me Down," "Get Back." 1304 01:13:28,810 --> 01:13:31,600 -[George Martin] Don't know what that is. -[Paul] "I'd Like a Love That's Right." 1305 01:13:31,690 --> 01:13:32,820 ♪ I'd like a love that… ♪ 1306 01:13:34,190 --> 01:13:36,770 [Paul] "Long and Winding Road," "Let it Be," "For You Blue." 1307 01:13:41,350 --> 01:13:44,520 -I love "Yer Blue." -[Paul] "Two of Us," "All I Want is You," 1308 01:13:44,600 --> 01:13:46,890 "Across The Universe," "Maxwell's Silver Hammer." 1309 01:13:46,980 --> 01:13:49,270 -[Michael] "Route 999." -"One After 909." 1310 01:13:49,350 --> 01:13:50,890 -[laughter] -[Paul] "One After 909." 1311 01:13:50,980 --> 01:13:52,940 [Paul] Listen, there's no surprise numbers even in this. 1312 01:13:53,020 --> 01:13:54,020 Surprises? 1313 01:13:54,100 --> 01:13:56,560 I mean, there's nothing that'd throw us to do it straight. 1314 01:13:56,650 --> 01:13:58,530 "Bathroom Window," "Teddy Boy." 1315 01:13:58,600 --> 01:14:00,600 We haven't gone through "Maxwell's" since Twickenham. 1316 01:14:00,690 --> 01:14:03,520 [Paul] No. "All Things Must Pass." That's lucky 13. 1317 01:14:03,600 --> 01:14:05,480 [Glyn] There's "Dig It", as well, which is very long. 1318 01:14:06,900 --> 01:14:08,980 It's like all these new ones we've gotta do 1319 01:14:09,060 --> 01:14:11,390 to make up the number don't exist. 1320 01:14:11,480 --> 01:14:12,480 -[Glyn] Right. -[Yoko] Great. 1321 01:14:12,560 --> 01:14:13,810 We've got 'em all. 1322 01:14:13,900 --> 01:14:15,110 And you've got the live album. 1323 01:14:15,190 --> 01:14:16,980 -[Paul] Yeah. -If you wanna do it, if we just find out-- 1324 01:14:17,060 --> 01:14:18,890 We should just collect all the thoughts on these 1325 01:14:18,980 --> 01:14:20,560 and just check through every song, 1326 01:14:20,650 --> 01:14:24,440 like to know, say, make sure you know all the chords, I know all the bass notes. 1327 01:14:26,060 --> 01:14:27,890 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1328 01:14:27,980 --> 01:14:29,440 ♪ Don't Let Me Down ♪ 1329 01:14:29,520 --> 01:14:31,940 [Paul] ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1330 01:14:32,020 --> 01:14:33,060 [John] ♪ Get Back ♪ 1331 01:14:33,150 --> 01:14:35,730 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1332 01:14:35,810 --> 01:14:37,390 ♪ I've Got A Feeling ♪ 1333 01:14:37,480 --> 01:14:40,060 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1334 01:14:40,150 --> 01:14:42,030 ♪ Two Of Us (On Our Way Home) ♪ 1335 01:14:42,100 --> 01:14:44,230 [Paul] ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1336 01:14:44,310 --> 01:14:47,060 [John] ♪ All I Want Is You, Teddy Boy ♪ 1337 01:14:48,440 --> 01:14:50,610 ♪ One After 909 ♪ 1338 01:14:50,690 --> 01:14:52,770 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1339 01:14:52,850 --> 01:14:54,770 ♪ All Things Must Pass ♪ 1340 01:14:54,850 --> 01:14:56,890 ♪ Oh… ♪ 1341 01:14:56,980 --> 01:14:58,810 ♪ Well Can You Dig It ♪ 1342 01:15:01,730 --> 01:15:03,310 ♪ Let It Be ♪ 1343 01:15:04,980 --> 01:15:07,440 ♪ The Long And Winding Road ♪ 1344 01:15:09,350 --> 01:15:11,430 ♪ Also, For You Blue ♪ 1345 01:15:11,520 --> 01:15:13,060 ♪ Oh… ♪ 1346 01:15:13,150 --> 01:15:15,360 ♪ Across The Universe ♪ 1347 01:15:15,440 --> 01:15:17,360 [vocalizing] 1348 01:15:17,440 --> 01:15:20,110 ♪ With Maxwell's Silver Hammer ♪ 1349 01:15:22,690 --> 01:15:24,110 ♪ I Me Mine ♪ 1350 01:15:25,850 --> 01:15:28,350 ♪ Through the Bathroom Window ♪ 1351 01:15:30,190 --> 01:15:31,400 ♪ I'd Like a Life ♪ 1352 01:15:31,480 --> 01:15:35,770 ♪ B, C, D, F, G, A-flat, A ♪ 1353 01:15:35,850 --> 01:15:38,930 ♪ A, C, D, F, G, A-flat, A ♪ 1354 01:15:42,810 --> 01:15:46,020 ♪ Dig it, dig it, dig it, dig it Dig it, dig it, dig it, dig it ♪ 1355 01:15:46,100 --> 01:15:47,930 ♪ Dig it, dig it, dig it, dig it, dig it ♪ 1356 01:15:50,650 --> 01:15:51,650 [song ends] 1357 01:15:55,690 --> 01:15:56,900 [Paul] Are we having lunch soon? 1358 01:15:58,310 --> 01:16:00,390 -See you later. -[John] Ta-ra, girls. 1359 01:16:00,480 --> 01:16:01,480 See ya. 1360 01:16:04,690 --> 01:16:06,690 [guitars tuning] 1361 01:16:07,940 --> 01:16:10,820 [George] John, I'll tell you what I'd like to do. 1362 01:16:11,520 --> 01:16:12,650 Um… 1363 01:16:12,730 --> 01:16:17,270 You know, I've got so many songs that I've got me, like, 1364 01:16:17,350 --> 01:16:22,680 my quota of tunes for the next ten years or albums. 1365 01:16:23,310 --> 01:16:29,640 I'd just like to maybe do an album of songs. 1366 01:16:30,560 --> 01:16:31,640 -[George] Yeah. -[John] Yeah. 1367 01:16:31,730 --> 01:16:34,730 [George] But, I mean, I'd like it so that if, uh… 1368 01:16:38,150 --> 01:16:41,820 'Cause it would be nice. It would be nice to mainly get them all out the way. 1369 01:16:41,900 --> 01:16:42,730 [John] Yes. 1370 01:16:44,190 --> 01:16:48,820 [George] And secondly, just to hear what all mine are like all together. 1371 01:16:53,270 --> 01:16:58,900 [George] Yeah, but it'd be nice if any of us can do separate things as well. 1372 01:16:58,980 --> 01:17:04,650 That way it also preserves this, the Beatle bit of it, more. 1373 01:17:04,730 --> 01:17:05,730 Because then-- 1374 01:17:05,810 --> 01:17:07,940 [John] Have an outlet for every little note you want. 1375 01:17:08,020 --> 01:17:10,480 [George] You know, 'cause all these songs of mine, 1376 01:17:10,560 --> 01:17:12,940 I could give to people who could do 'em good. 1377 01:17:13,020 --> 01:17:15,650 But I suddenly realized, "You know, fuck all that. 1378 01:17:15,730 --> 01:17:18,730 I'm just gonna do me for a bit. You know?" 1379 01:17:18,810 --> 01:17:21,020 -[Billy] That's the real thing. -[Yoko] It's great. That's a good idea. 1380 01:17:21,100 --> 01:17:22,640 And, you know… 1381 01:17:23,440 --> 01:17:25,320 ♪ I had a dream ♪ 1382 01:17:26,770 --> 01:17:29,810 ♪ I had a good dream ♪ 1383 01:17:30,980 --> 01:17:32,610 ♪ I had a dream ♪ 1384 01:17:34,190 --> 01:17:36,110 ♪ I had a good dream… ♪ 1385 01:17:36,190 --> 01:17:40,440 ♪ You're Black or you're white Do you wanna go right ♪ 1386 01:17:40,520 --> 01:17:41,850 [chuckles] 1387 01:17:43,100 --> 01:17:44,600 ♪ I had a dream ♪ 1388 01:17:46,310 --> 01:17:48,350 ♪ A very good dream last night ♪ 1389 01:17:49,810 --> 01:17:52,060 ♪ I said I got a dream ♪ 1390 01:17:54,060 --> 01:18:00,230 ♪ I said wrong or right, Black or white We all deserve our equal rights ♪ 1391 01:18:02,100 --> 01:18:03,890 ♪ I had a dream ♪ 1392 01:18:05,060 --> 01:18:07,730 -♪ A very good dream ♪ -♪ Yes, I did ♪ 1393 01:18:09,310 --> 01:18:10,890 ♪ I had a dream ♪ 1394 01:18:12,650 --> 01:18:15,320 ♪ A very good dream, y'all ♪ 1395 01:18:16,560 --> 01:18:18,770 ♪ I had a dream ♪ 1396 01:18:19,650 --> 01:18:22,610 ♪ A very good dream Every man born deserves a dream ♪ 1397 01:18:22,690 --> 01:18:24,820 [John] ♪ If you're Black or white We want equal rights ♪ 1398 01:18:24,900 --> 01:18:27,150 -♪ Yeah ♪ -♪ It's very hard to get those words in ♪ 1399 01:19:33,810 --> 01:19:34,810 [song ends] 1400 01:19:35,400 --> 01:19:36,400 [Paul] This one. 1401 01:19:37,020 --> 01:19:40,690 ♪ You and I have memories ♪ 1402 01:19:41,650 --> 01:19:46,150 ♪ Longer than the road that stretches ♪ 1403 01:19:46,230 --> 01:19:49,110 ♪ Out ahead ♪ 1404 01:19:50,480 --> 01:19:53,940 -[Paul] ♪ Two of us wearing raincoats ♪ -[John] ♪ You and me wearing raincoats ♪ 1405 01:19:54,020 --> 01:19:59,270 ♪ Standing solo in the sun ♪ 1406 01:20:00,730 --> 01:20:03,980 ♪ You and me chasing paper ♪ 1407 01:20:04,060 --> 01:20:06,140 ♪ Getting nowhere ♪ 1408 01:20:06,230 --> 01:20:11,400 ♪ On our way back home ♪ 1409 01:20:12,690 --> 01:20:15,360 ♪ We're on our way home ♪ 1410 01:20:16,020 --> 01:20:18,270 ♪ We're on our way home ♪ 1411 01:20:19,350 --> 01:20:22,230 ♪ We're going home ♪ 1412 01:20:22,310 --> 01:20:23,560 -[John] Take it. -Yes, sir. 1413 01:20:24,520 --> 01:20:28,150 ♪ You and I have memories ♪ 1414 01:20:29,270 --> 01:20:33,940 ♪ Longer than the road that stretches ♪ 1415 01:20:34,020 --> 01:20:35,150 [John] ♪ Out ahead ♪ 1416 01:20:35,230 --> 01:20:38,110 [Paul] ♪ Gottle of geer Gottle of geer, gottle of geer ♪ 1417 01:20:38,190 --> 01:20:41,270 ♪ Two of us wearing raincoats ♪ 1418 01:20:41,350 --> 01:20:43,680 ♪ Standing solo ♪ 1419 01:20:43,770 --> 01:20:46,980 ♪ In the sun ♪ 1420 01:20:48,310 --> 01:20:51,310 ♪ You and me chasing paper ♪ 1421 01:20:51,400 --> 01:20:53,780 ♪ Getting nowhere ♪ 1422 01:20:53,850 --> 01:20:59,310 ♪ On our way back home ♪ 1423 01:21:00,310 --> 01:21:02,390 ♪ We're on our way home ♪ 1424 01:21:03,690 --> 01:21:05,860 ♪ We're on our way home ♪ 1425 01:21:07,020 --> 01:21:10,350 ♪ We're going home ♪ 1426 01:21:15,650 --> 01:21:16,650 [Paul] I'm going home. 1427 01:21:19,690 --> 01:21:20,690 ♪ Goodbye ♪ 1428 01:21:20,770 --> 01:21:21,940 [John] ♪ Goodbye ♪ 1429 01:21:23,850 --> 01:21:25,770 A, B, C, D, E, F, G, 1430 01:21:25,850 --> 01:21:28,390 -H, I, J, K, L, M, N, O, P… -[John] Greta Garbo. 1431 01:21:28,480 --> 01:21:31,230 -…Q, S, R, T. -[John] Greta Garbo. Greta Garbo. 1432 01:21:31,310 --> 01:21:32,310 Greta Garbo. 1433 01:21:33,770 --> 01:21:35,100 [John] No, that's not. 1434 01:21:37,730 --> 01:21:39,980 Put the ones we know in a hat. 1435 01:21:40,060 --> 01:21:42,440 Shuffle them out to see which order we do 'em in. 1436 01:21:44,810 --> 01:21:46,690 [Mal] We'll all be here bright and early. 1437 01:21:46,770 --> 01:21:48,020 [Michael] 11:30. 1438 01:21:48,100 --> 01:21:50,770 We're all sleeping at George's tonight. Get in the mood. 1439 01:21:50,850 --> 01:21:52,480 We're all ready for tomorrow. 1440 01:21:52,560 --> 01:21:54,390 So you're doing the show on the roof tomorrow? 1441 01:21:57,020 --> 01:22:00,270 Oh, sure, Albert Hall. Sure. Five o'clock. See you there. 1442 01:22:01,440 --> 01:22:02,360 [Paul] Mm-hmm. 1443 01:22:04,600 --> 01:22:06,350 [chuckling] 1444 01:22:09,690 --> 01:22:11,480 -You'll go as well? -[John] Yeah. 1445 01:22:11,560 --> 01:22:14,310 I think John and, uh, Ringo are on the roof. 1446 01:22:16,190 --> 01:22:18,150 In a green bag on the roof. 1447 01:22:20,850 --> 01:22:22,230 Who knows, Yoko? [chuckles] 1448 01:22:24,770 --> 01:22:26,810 Supposed to be, yeah. Yeah. 1449 01:22:26,900 --> 01:22:28,780 [chattering] 1450 01:22:28,850 --> 01:22:30,770 -[person] Okay. -[John] Oh, yeah. Let's do that. 1451 01:22:30,850 --> 01:22:32,020 Go on the roof. 1452 01:22:32,100 --> 01:22:34,350 -Good night, Mike. -[Mike] Good night. [chuckles] 1453 01:22:34,440 --> 01:22:36,520 -[Michael] Seven come 11. Good night. -[Ringo] The others are from… 1454 01:22:36,600 --> 01:22:37,730 -Good night. -[Michael] Good night. 1455 01:22:37,810 --> 01:22:39,520 -[Ringo] Good night! -[chattering] 1456 01:22:39,600 --> 01:22:40,600 [Ringo] From your show. 1457 01:22:40,690 --> 01:22:42,440 -[Michael] Night, George. -[Mike] Good night, George! 1458 01:22:43,190 --> 01:22:44,690 Good night, Sir Richard. 1459 01:22:44,770 --> 01:22:47,020 I'll be here tomorrow to film in the church. 1460 01:22:54,940 --> 01:22:55,940 [horn honks] 1461 01:22:59,980 --> 01:23:02,230 [Michael] And then Tony and I are gonna split downstairs. 1462 01:23:04,100 --> 01:23:06,100 [chattering] 1463 01:23:24,230 --> 01:23:25,230 [horn honks] 1464 01:23:40,230 --> 01:23:43,060 -[phone ringing] -[crew] Yeah? 1465 01:23:48,850 --> 01:23:50,850 [Debbie] Would you like to go up when you're ready? 1466 01:23:51,650 --> 01:23:54,230 -[crew] What time is he expecting you? -[crew 2] You can give them to Debbie. 1467 01:23:54,310 --> 01:23:57,350 [crew 3] You know, it's exclusive. It's gotta work for whoever does it. 1468 01:23:59,100 --> 01:24:00,230 Thank you. 1469 01:24:01,560 --> 01:24:04,560 [engine revving] 1470 01:24:08,900 --> 01:24:11,230 [Michael] Let's get a camera down in the hall now too. 1471 01:24:17,060 --> 01:24:18,480 [chattering] 1472 01:24:19,980 --> 01:24:21,480 Yeah, I heard about that. 1473 01:24:27,100 --> 01:24:28,390 [chattering] 1474 01:24:34,400 --> 01:24:36,230 -[crew] Yes. -[Michael] Is that the same kind of… 1475 01:24:37,060 --> 01:24:39,230 [chattering] 1476 01:24:39,310 --> 01:24:40,480 [Michael] Okay, hold it. 1477 01:24:41,770 --> 01:24:44,350 Three, two, one. All right. 1478 01:24:49,310 --> 01:24:50,310 [horn honks] 1479 01:24:53,560 --> 01:24:54,810 [person] Hi. Can we come in? 1480 01:24:55,730 --> 01:24:58,190 -Who you here for? -[person] Tony Richmond. Is he-- 1481 01:24:58,270 --> 01:25:00,270 [chattering] 1482 01:25:06,520 --> 01:25:08,150 [crew] There's a special lead that goes under. 1483 01:25:10,310 --> 01:25:11,560 [Michael] Tony's ready, isn't he? 1484 01:25:13,190 --> 01:25:14,520 Uh, with cameras? 1485 01:25:14,600 --> 01:25:16,310 -[crew] Yeah. -[crew 2] Yeah. 1486 01:25:24,850 --> 01:25:26,430 [Michael] Okay. Let's go. 1487 01:25:27,560 --> 01:25:29,140 -Is it running? -[crew] Yes. 1488 01:25:29,230 --> 01:25:30,690 -[crew 2] We're running. -[crew] Running. 1489 01:25:30,770 --> 01:25:32,100 -[crew 3] What's going on? -All right. 1490 01:25:33,060 --> 01:25:34,690 All cameras, take one! 1491 01:25:36,230 --> 01:25:37,980 [George] Where's the best way out of the way? 1492 01:25:38,060 --> 01:25:39,190 [Michael] Over here, I think. 1493 01:25:39,270 --> 01:25:41,270 -[person] Yeah, you would think that. -[person 2] With Maureen. 1494 01:25:42,270 --> 01:25:44,270 [Paul] See, you can never tell what he's doing. 1495 01:25:45,480 --> 01:25:46,480 [person 3] Sorry. 1496 01:25:47,310 --> 01:25:49,020 -Hey. -[person 4] You know you're around back. 1497 01:25:51,480 --> 01:25:52,730 Which is you here. 1498 01:25:54,980 --> 01:25:56,480 -We may find-- -[person 5] All right, yeah? 1499 01:25:56,560 --> 01:25:58,480 -It's a bit cold, isn't it? -[person 6] What's going on? 1500 01:25:58,560 --> 01:26:00,390 [Michael] It's, uh, great. 1501 01:26:05,060 --> 01:26:07,140 -[crew] You're all right playing there? -I don't know. 1502 01:26:07,810 --> 01:26:09,810 [boards creaking] 1503 01:26:10,900 --> 01:26:12,440 -[crew 2] Good shot there. -[crew 3] Yeah. 1504 01:26:13,020 --> 01:26:14,100 Where's the instruments? 1505 01:26:15,190 --> 01:26:17,110 -Mal? -[laughs] 1506 01:26:17,190 --> 01:26:18,940 Nailed me down in the wrong place. 1507 01:26:19,480 --> 01:26:21,060 [Paul] That's the last of it, yeah. 1508 01:26:21,730 --> 01:26:23,980 The three-- First, second and third. 1509 01:26:24,940 --> 01:26:27,440 -[George] First of all, that seems to… -I think if we have some… 1510 01:26:28,270 --> 01:26:29,400 [crew] Are you sure? 1511 01:26:29,480 --> 01:26:31,400 [Michael] We've worked that out. 1512 01:26:31,900 --> 01:26:33,400 -Let's set them up. -[Mal] Yeah. 1513 01:26:35,230 --> 01:26:37,440 [chattering] 1514 01:26:39,060 --> 01:26:41,850 [crew 2] There's piping along there. That's where you put them back in. 1515 01:26:42,850 --> 01:26:45,060 [siren wailing] 1516 01:26:45,650 --> 01:26:46,820 Yeah, well that goes in here. 1517 01:26:46,900 --> 01:26:48,440 -That should do it, really. -Yeah. 1518 01:26:48,520 --> 01:26:50,350 [guitar strumming] 1519 01:26:50,440 --> 01:26:52,770 -[Mal] What's that? A perfect fit. -[Paul] Yeah, man. 1520 01:26:53,770 --> 01:26:55,770 [chuckling] 1521 01:26:56,480 --> 01:26:57,560 What is it? 1522 01:26:59,440 --> 01:27:00,940 Hands are getting the feel of it. 1523 01:27:02,100 --> 01:27:03,480 [George Martin] It's gotta be like it is. 1524 01:27:03,560 --> 01:27:05,230 Just record the song. 1525 01:27:08,690 --> 01:27:10,440 [crew] Glyn, are you getting this down there? 1526 01:27:12,600 --> 01:27:14,230 -[Paul] Oh, it's right-handed. -[George] Is it? 1527 01:27:14,310 --> 01:27:15,980 -[Paul] Yeah. -[George] Kevin? 1528 01:27:16,650 --> 01:27:19,480 -[guitar tuning] -I missed the start. George-- 1529 01:27:19,560 --> 01:27:22,100 -Just look down. Must have had a few. -Well, they're gonna hear it. 1530 01:27:24,270 --> 01:27:26,560 -[crew] Final checks. Roll sound. -[crew 2] Right. 1531 01:27:26,650 --> 01:27:28,530 [George] One, two, three, four… 1532 01:27:28,600 --> 01:27:31,430 ["Get Back" playing] 1533 01:27:40,730 --> 01:27:43,560 ♪ Get back, get back ♪ 1534 01:27:44,730 --> 01:27:47,730 ♪ Get back to where you once belonged ♪ 1535 01:27:48,310 --> 01:27:51,020 ♪ Get back, get back ♪ 1536 01:27:51,810 --> 01:27:54,810 ♪ Get back to where you once belonged ♪ 1537 01:27:57,730 --> 01:27:58,940 -[beeps] -[crew] Rolling. 1538 01:27:59,900 --> 01:28:01,690 -♪ Jo Jo was a man ♪ -Rolling. Is the door shut? 1539 01:28:01,770 --> 01:28:03,020 -Come on. -We're good to go. 1540 01:28:03,100 --> 01:28:04,430 -[crew 2] Glyn, this one? -[Glyn] No. 1541 01:28:04,520 --> 01:28:06,270 The one at the bottom of the spirals. 1542 01:28:06,350 --> 01:28:08,100 It's gotta be wedged. 1543 01:28:08,190 --> 01:28:10,440 -[Michael] Get the clapper. -[John] Come on, you idiot. 1544 01:28:10,520 --> 01:28:11,900 [Michael] Get the clapper here. 1545 01:28:11,980 --> 01:28:13,310 -Okay? -Okay. 1546 01:28:18,440 --> 01:28:19,480 [John] Okay. 1547 01:28:19,560 --> 01:28:21,060 [George] One, two, three, four… 1548 01:28:21,150 --> 01:28:22,730 ["Get Back" playing] 1549 01:28:22,810 --> 01:28:23,810 Yeah. 1550 01:28:28,900 --> 01:28:32,360 ♪ Jo Jo was a man Who thought he was a loner ♪ 1551 01:28:32,440 --> 01:28:35,270 ♪ But he knew it couldn't last ♪ 1552 01:28:36,270 --> 01:28:40,100 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1553 01:28:40,190 --> 01:28:42,820 ♪ For some California grass ♪ 1554 01:28:43,690 --> 01:28:46,690 ♪ Get back, get back ♪ 1555 01:28:47,600 --> 01:28:50,600 ♪ Get back to where you once belonged ♪ 1556 01:28:51,440 --> 01:28:54,270 ♪ Get back, get back ♪ 1557 01:28:55,020 --> 01:28:58,270 ♪ Get back to where you once belonged ♪ 1558 01:28:58,350 --> 01:28:59,350 ♪ Get back, Jo Jo ♪ 1559 01:29:05,270 --> 01:29:06,600 ♪ Go home ♪ 1560 01:29:14,650 --> 01:29:17,480 ♪ Get back, get back ♪ 1561 01:29:18,520 --> 01:29:21,440 ♪ Get back to where you once belonged ♪ 1562 01:29:22,400 --> 01:29:24,480 ♪ Get back, yeah ♪ 1563 01:29:24,560 --> 01:29:26,140 ♪ Get back ♪ 1564 01:29:26,230 --> 01:29:29,270 ♪ Get back to where you once belonged ♪ 1565 01:29:31,560 --> 01:29:32,640 ♪ Get back, Jo ♪ 1566 01:29:38,850 --> 01:29:40,680 ♪ Whoo, get back! ♪ 1567 01:29:47,850 --> 01:29:51,480 ♪ Sweet Loretta Martin Thought she was a woman ♪ 1568 01:29:51,560 --> 01:29:54,230 ♪ But she was another man ♪ 1569 01:29:55,350 --> 01:29:59,230 ♪ All the girls around her Say she's got it coming ♪ 1570 01:29:59,310 --> 01:30:01,940 ♪ But she get it while she can ♪ 1571 01:30:02,940 --> 01:30:05,770 ♪ Get back, get back ♪ 1572 01:30:06,810 --> 01:30:10,020 ♪ Get back to where you once belonged ♪ 1573 01:30:10,520 --> 01:30:13,560 ♪ Oh, get back, yeah Get back ♪ 1574 01:30:14,810 --> 01:30:17,100 ♪ Get back to where you once belonged ♪ 1575 01:30:17,190 --> 01:30:18,480 ♪ Get back, Loretta ♪ 1576 01:30:24,900 --> 01:30:27,980 ♪ Go home Your mommy's waiting for you ♪ 1577 01:30:30,310 --> 01:30:32,600 ♪ In her high-heel shoes And her low-neck sweater ♪ 1578 01:30:32,690 --> 01:30:33,940 ♪ Get back, Loretta! ♪ 1579 01:30:34,020 --> 01:30:37,020 ♪ Get back, yeah Get back ♪ 1580 01:30:37,850 --> 01:30:40,850 ♪ Get back to where you once belonged ♪ 1581 01:30:41,520 --> 01:30:44,690 ♪ Oh, get back, get back ♪ 1582 01:30:45,560 --> 01:30:49,060 ♪ Get back to where you once belonged ♪ 1583 01:30:50,810 --> 01:30:52,890 ♪ Ooh, ooh, ow! 1584 01:30:57,900 --> 01:30:59,320 ♪ Go home ♪ 1585 01:31:00,770 --> 01:31:01,940 ♪ She's waiting for you ♪ 1586 01:31:04,190 --> 01:31:05,480 ♪ The tea's on ♪ 1587 01:31:05,560 --> 01:31:07,390 ♪ Oh, get back ♪ 1588 01:31:08,770 --> 01:31:09,770 ♪ Get back ♪ 1589 01:31:10,600 --> 01:31:13,390 ♪ Get back to where you once belonged ♪ 1590 01:31:14,310 --> 01:31:18,100 ♪ Oh, get back, get back Get back ♪ 1591 01:31:18,650 --> 01:31:21,230 ♪ Get back to where you once belonged ♪ 1592 01:31:22,400 --> 01:31:23,900 Whoo-hoo! 1593 01:31:25,600 --> 01:31:26,850 [applause] 1594 01:31:26,940 --> 01:31:28,820 -Thank you very much. -Thank you very much. 1595 01:31:28,900 --> 01:31:31,440 It looks like Ted Dexter has scored another. 1596 01:31:31,520 --> 01:31:33,850 We've had a request from Martin and Luther. 1597 01:31:33,940 --> 01:31:35,980 We need more voice on the PA, yes, Glyn? 1598 01:31:36,060 --> 01:31:39,730 -[John] No, we don't need any more. -That's all right. Hello? Hello? 1599 01:31:39,810 --> 01:31:43,060 [Michael] Glyn, any more voice on the Fenders? 1600 01:31:43,150 --> 01:31:44,150 [guitar strumming] 1601 01:31:44,230 --> 01:31:45,940 [Glyn on PA] Do it there. 1602 01:31:46,020 --> 01:31:48,190 -[Michael] What? -[Glyn] Do it from up there. 1603 01:31:48,270 --> 01:31:50,020 [John] No, they would have had to turn off the whole roof. 1604 01:31:50,100 --> 01:31:51,100 [Michael] Okay, cut it. 1605 01:31:51,190 --> 01:31:52,230 ♪ Get back! ♪ 1606 01:31:52,310 --> 01:31:53,390 [Glyn] Mike, have you cut? 1607 01:31:53,480 --> 01:31:55,110 -♪ Get back ♪ -[Michael] Yeah, we'll cut. 1608 01:31:55,190 --> 01:31:56,730 Where's the noise coming from? 1609 01:31:56,810 --> 01:31:58,350 [interviewer] It's coming from the roof. 1610 01:31:58,440 --> 01:31:59,650 Do you know who it is? 1611 01:31:59,730 --> 01:32:01,980 Yeah, The Beatles, ain't it? Yeah. [chuckles] 1612 01:32:02,060 --> 01:32:03,190 [interviewer] You like it? 1613 01:32:03,270 --> 01:32:04,350 Yeah, it's okay. 1614 01:32:04,440 --> 01:32:06,270 [interviewer] What do you think of it? It's The Beatles. 1615 01:32:06,350 --> 01:32:08,060 Oh, I think jolly good. 1616 01:32:08,150 --> 01:32:09,150 [interviewer] Enjoying it? 1617 01:32:09,230 --> 01:32:12,650 Yeah, very much. Nice, bright thing to see at the end of the day. 1618 01:32:12,730 --> 01:32:14,060 [interviewer] Do you like the idea? 1619 01:32:14,150 --> 01:32:16,030 I don't know what they're supposed to be doing. 1620 01:32:16,100 --> 01:32:18,560 -[George] Right, stop-- -[Tony] All cameras, three! 1621 01:32:18,650 --> 01:32:20,110 [Michael] Okay. When you're ready, guys. 1622 01:32:20,190 --> 01:32:21,190 All right, Billy. 1623 01:32:21,770 --> 01:32:23,480 One, two, three, four. 1624 01:32:23,560 --> 01:32:25,560 ["Get Back" playing] 1625 01:32:31,270 --> 01:32:34,850 ♪ Jo Jo was a man Who thought he was a loner ♪ 1626 01:32:34,940 --> 01:32:37,690 ♪ But he knew it couldn't last ♪ 1627 01:32:38,730 --> 01:32:42,560 ♪ Jo Jo left his home in Tucson, Arizona ♪ 1628 01:32:42,650 --> 01:32:45,730 ♪ For some California grass ♪ 1629 01:32:46,310 --> 01:32:49,140 ♪ Get back, get back ♪ 1630 01:32:49,940 --> 01:32:53,110 ♪ Get back to where you once belonged ♪ 1631 01:32:53,770 --> 01:32:56,690 ♪ Get back, get back ♪ 1632 01:32:57,650 --> 01:33:00,070 ♪ Get back to where you once belonged ♪ 1633 01:33:00,650 --> 01:33:01,650 Get back, Jo Jo. 1634 01:33:08,150 --> 01:33:09,230 Go home. 1635 01:33:12,650 --> 01:33:13,650 Yeah. 1636 01:33:17,190 --> 01:33:18,770 [interviewer] 1637 01:33:18,850 --> 01:33:20,890 You could say so, yes. I think they're great. 1638 01:33:20,980 --> 01:33:23,730 ♪ Get back to where you once belonged ♪ 1639 01:33:24,400 --> 01:33:27,190 ♪ Get back, get back ♪ 1640 01:33:28,230 --> 01:33:31,310 ♪ Get back to where you once belonged ♪ 1641 01:33:32,810 --> 01:33:34,480 ♪ Oh, get back, Jo ♪ 1642 01:33:49,350 --> 01:33:52,930 ♪ Sweet Loretta Martin Thought she was a woman ♪ 1643 01:33:53,020 --> 01:33:55,150 ♪ But she was another man ♪ 1644 01:33:56,520 --> 01:34:00,650 ♪ All the girls around her Say she's got it coming ♪ 1645 01:34:00,730 --> 01:34:03,360 ♪ But she gets it while she can ♪ 1646 01:34:04,100 --> 01:34:07,270 ♪ Well, get back, get back… ♪ 1647 01:34:12,400 --> 01:34:14,690 ♪ Oh, get back, get back ♪ 1648 01:34:15,520 --> 01:34:18,690 ♪ Get back to where you once belonged ♪ 1649 01:34:18,770 --> 01:34:20,150 Get back, Loretta. 1650 01:34:20,230 --> 01:34:21,230 ♪ Oh! ♪ 1651 01:34:26,480 --> 01:34:27,730 Yeah, go home. 1652 01:34:30,480 --> 01:34:32,150 Your mommy's waiting. 1653 01:34:32,230 --> 01:34:34,230 In her high-heel shoes and her low-neck sweater. 1654 01:34:34,310 --> 01:34:35,520 Get back, Loretta! 1655 01:34:35,600 --> 01:34:37,600 ♪ Get back, get back ♪ 1656 01:34:37,690 --> 01:34:38,690 Whoo! 1657 01:34:38,770 --> 01:34:41,350 ♪ Get back to where you once belonged ♪ 1658 01:34:42,230 --> 01:34:43,400 ♪ Oh, get back ♪ 1659 01:34:44,520 --> 01:34:45,520 ♪ Get back ♪ 1660 01:34:46,310 --> 01:34:47,730 [interviewer] 1661 01:34:47,810 --> 01:34:49,230 I think it's marvelous. Yes. 1662 01:34:49,310 --> 01:34:50,690 [interviewer] 1663 01:34:50,770 --> 01:34:51,810 Beatles, I think. 1664 01:34:58,940 --> 01:35:01,610 Oh, get back home. 1665 01:35:04,100 --> 01:35:05,930 Never more to roam. 1666 01:35:08,060 --> 01:35:09,060 [interviewer] 1667 01:35:09,150 --> 01:35:10,360 On the roof? 1668 01:35:11,270 --> 01:35:14,190 ♪ Get back to where you once belonged ♪ 1669 01:35:14,810 --> 01:35:16,270 ♪ Yeah, get back ♪ 1670 01:35:16,940 --> 01:35:18,110 ♪ Get back ♪ 1671 01:35:18,440 --> 01:35:21,020 [interviewer] 1672 01:35:21,100 --> 01:35:22,600 It's The Beatles, isn't it? Yeah. 1673 01:35:22,690 --> 01:35:25,650 It's Paul McCartney singing now. Well, it was. Yeah. 1674 01:35:25,730 --> 01:35:28,400 Okay. Well, thank you, ladies and gentlemen. 1675 01:35:28,480 --> 01:35:30,810 We've had a request from Daisy, Morris and Tommy. 1676 01:35:37,190 --> 01:35:38,820 -[Michael] "Don't Let Me Down." -Okay. 1677 01:35:38,900 --> 01:35:40,360 ♪ Don't let me down ♪ 1678 01:35:44,020 --> 01:35:47,100 ["Don't Let Me Down" playing] 1679 01:35:48,400 --> 01:35:50,900 ♪ Don't let me down ♪ 1680 01:35:54,060 --> 01:35:56,730 ♪ Don't let me down ♪ 1681 01:36:00,270 --> 01:36:02,850 ♪ Don't let me down ♪ 1682 01:36:06,150 --> 01:36:08,650 ♪ Don't let me down ♪ 1683 01:36:10,940 --> 01:36:15,110 ♪ Nobody ever loved me like she does ♪ 1684 01:36:16,730 --> 01:36:18,440 ♪ Oh, she does ♪ 1685 01:36:19,560 --> 01:36:21,060 ♪ Yes, she does ♪ 1686 01:36:23,100 --> 01:36:25,520 [passerby] This type of music is all right in its place, 1687 01:36:25,600 --> 01:36:28,560 but I think it's a bit of an imposition. First of all, it's too loud. 1688 01:36:29,480 --> 01:36:30,810 ♪ Oh, she does ♪ 1689 01:36:32,270 --> 01:36:33,940 ♪ Yes, she does ♪ 1690 01:36:37,480 --> 01:36:39,940 ♪ Don't let me down ♪ 1691 01:36:43,480 --> 01:36:45,860 ♪ Don't let me down ♪ 1692 01:36:49,400 --> 01:36:51,820 ♪ Don't let me down ♪ 1693 01:36:51,900 --> 01:36:54,360 Absolutely disrupts all the business in this area. 1694 01:36:54,440 --> 01:36:56,320 I think it's great! Who is this? The Beatles? 1695 01:36:56,400 --> 01:36:57,570 ♪ Don't let me down ♪ 1696 01:36:57,650 --> 01:36:58,860 I think it's fantastic. 1697 01:37:00,350 --> 01:37:03,600 ♪ I'm in love for the first time ♪ 1698 01:37:06,440 --> 01:37:09,520 ♪ Don't you know it's gonna last ♪ 1699 01:37:12,520 --> 01:37:14,900 ♪ It's a love that lasts forever ♪ 1700 01:37:18,310 --> 01:37:21,770 ♪ It's a love that has no past ♪ 1701 01:37:24,850 --> 01:37:27,270 ♪ Don't let me down ♪ 1702 01:37:30,690 --> 01:37:32,980 ♪ Don't let me down ♪ 1703 01:37:36,520 --> 01:37:38,980 ♪ Don't let me down ♪ 1704 01:37:42,150 --> 01:37:44,690 ♪ Don't let me down ♪ 1705 01:37:47,100 --> 01:37:51,060 [sings gibberish] 1706 01:37:52,690 --> 01:37:53,900 ♪ Oh, she does ♪ 1707 01:37:55,350 --> 01:37:57,140 ♪ Yeah, she does ♪ 1708 01:37:59,600 --> 01:38:04,060 ♪ I guess nobody ever really done me ♪ 1709 01:38:05,400 --> 01:38:06,860 ♪ Ooh, she done me ♪ 1710 01:38:08,190 --> 01:38:09,690 ♪ She done me good ♪ 1711 01:38:13,520 --> 01:38:15,810 ♪ Don't let me down ♪ 1712 01:38:19,310 --> 01:38:21,640 ♪ Don't let me down ♪ 1713 01:38:25,100 --> 01:38:27,430 ♪ Don't let me down ♪ 1714 01:38:30,850 --> 01:38:33,230 ♪ Don't let me down ♪ 1715 01:38:36,810 --> 01:38:39,440 ♪ Please ♪ 1716 01:38:42,650 --> 01:38:44,940 ♪ Please ♪ 1717 01:38:48,270 --> 01:38:50,480 ♪ Please ♪ 1718 01:38:53,980 --> 01:38:56,110 ♪ Please ♪ 1719 01:38:58,060 --> 01:38:59,640 [song ends] 1720 01:38:59,730 --> 01:39:00,900 Don't let me down. 1721 01:39:00,980 --> 01:39:02,980 ["I've Got A Feeling" playing] 1722 01:39:07,400 --> 01:39:08,980 ♪ I've got a feeling ♪ 1723 01:39:09,850 --> 01:39:13,060 ♪ A feeling deep inside Oh, yeah ♪ 1724 01:39:15,060 --> 01:39:16,560 ♪ Oh, yeah ♪ 1725 01:39:16,650 --> 01:39:17,820 That's right. 1726 01:39:19,650 --> 01:39:21,690 ♪ I've got a feeling ♪ 1727 01:39:21,770 --> 01:39:25,650 ♪ A feeling I can't hide Oh, no, no… ♪ 1728 01:39:54,810 --> 01:39:58,640 ♪ And if you leave me I won't be late again ♪ 1729 01:39:58,730 --> 01:39:59,730 ♪ Oh, no… ♪ 1730 01:40:13,560 --> 01:40:14,560 [interviewer] 1731 01:40:21,440 --> 01:40:22,650 ♪ …nobody told me ♪ 1732 01:40:22,730 --> 01:40:26,310 ♪ All that I've looking for Was somebody who looked like you ♪ 1733 01:40:32,440 --> 01:40:33,900 ♪ I've got a feeling ♪ 1734 01:40:33,980 --> 01:40:36,230 ♪ That keeps me on my toes ♪ 1735 01:40:36,310 --> 01:40:37,480 ♪ Oh, yeah ♪ 1736 01:40:39,560 --> 01:40:40,890 -♪ Oh, yeah ♪ -♪ Oh, yeah ♪ 1737 01:40:43,480 --> 01:40:47,980 ♪ I've got a feeling I think that everybody knows ♪ 1738 01:40:48,060 --> 01:40:49,140 ♪ Oh, yeah ♪ 1739 01:40:51,060 --> 01:40:52,310 -♪ Oh, yeah ♪ -♪ Oh, yeah ♪ 1740 01:40:53,900 --> 01:40:55,610 ♪ Oh, yeah ♪ 1741 01:40:55,690 --> 01:40:58,570 ♪ Yeah, yeah ♪ 1742 01:40:59,440 --> 01:41:01,690 ♪ I have got a feeling Yeah ♪ 1743 01:41:06,600 --> 01:41:08,680 ♪ Everybody had a hard year ♪ 1744 01:41:09,520 --> 01:41:11,520 ♪ Everybody had a good time ♪ 1745 01:41:12,440 --> 01:41:14,980 ♪ Everybody had a wet dream ♪ 1746 01:41:15,060 --> 01:41:18,100 ♪ Everybody saw the sun shine Oh, yeah ♪ 1747 01:41:18,190 --> 01:41:21,110 -♪ Oh, yeah ♪ -♪ Oh, yeah, oh, yeah ♪ 1748 01:41:23,940 --> 01:41:25,940 ♪ Everybody had a good year ♪ 1749 01:41:26,850 --> 01:41:28,930 ♪ Everybody let their hair down ♪ 1750 01:41:29,730 --> 01:41:32,610 ♪ Everybody pulled their socks up ♪ 1751 01:41:32,690 --> 01:41:35,690 ♪ Everybody put their foot down Oh, yeah ♪ 1752 01:41:45,060 --> 01:41:46,690 Whoo-hoo! 1753 01:41:46,770 --> 01:41:49,440 -♪ I've got a feeling ♪ -♪ Everybody had a good year ♪ 1754 01:41:49,520 --> 01:41:52,980 -♪ A feeling deep inside, oh, yeah ♪ -♪ Everybody had a hard time ♪ 1755 01:41:53,060 --> 01:41:55,770 -♪ Everybody had a wet dream ♪ -♪ Oh, yeah ♪ 1756 01:41:55,850 --> 01:41:58,230 ♪ Everybody saw the sun shine ♪ 1757 01:41:58,310 --> 01:42:00,980 -♪ Everybody had a good year ♪ -[Paul] ♪ I've got a feeling ♪ 1758 01:42:01,060 --> 01:42:04,480 ♪ A feeling I can't hide, oh no… ♪ 1759 01:42:29,310 --> 01:42:30,310 [song ends] 1760 01:42:30,400 --> 01:42:32,940 ♪ Oh, my soul ♪ 1761 01:42:33,020 --> 01:42:34,940 -That was so hard. -[applause] 1762 01:42:35,020 --> 01:42:37,020 Hey! All right! 1763 01:42:38,310 --> 01:42:40,310 No, no, no, no. [imitates gunshot] 1764 01:42:42,600 --> 01:42:44,230 [passerby] Peace on Earth! 1765 01:42:45,270 --> 01:42:47,270 [people laughing] 1766 01:42:54,520 --> 01:42:56,520 -[chattering] -[Mal] Alan. 1767 01:42:58,770 --> 01:42:59,770 [Glyn] Ringo? 1768 01:42:59,850 --> 01:43:01,480 -[crew] Are the cameras still running? -Yeah. 1769 01:43:01,560 --> 01:43:03,770 [Glyn] Just stick your snare drum mic back over the snare drum. 1770 01:43:05,100 --> 01:43:08,180 [interviewer] Sir, we must have your comment. What do you think of it? 1771 01:43:08,270 --> 01:43:09,270 What's going on? 1772 01:43:09,350 --> 01:43:11,850 -[interviewer] It's The Beatles. -What gives? What's happening? 1773 01:43:11,940 --> 01:43:13,980 [interviewer] They decided to play for the public for nothing. 1774 01:43:14,060 --> 01:43:15,270 Well, that's great. 1775 01:43:15,350 --> 01:43:17,230 It's a bloody stupid place to have a concert. 1776 01:43:17,310 --> 01:43:19,850 Nice to have something for free in this country at the moment, isn't it? 1777 01:43:19,940 --> 01:43:22,570 -[interviewer] Don't you like The Beatles? -No. 1778 01:43:22,650 --> 01:43:24,190 -No? -No. 1779 01:43:24,270 --> 01:43:25,600 [interviewer] Not at all? 1780 01:43:25,690 --> 01:43:28,070 Not now. They've changed completely. 1781 01:43:28,150 --> 01:43:30,570 [interviewer] The Beatles are doing a free concert on the roof. 1782 01:43:30,650 --> 01:43:32,530 -Now? -Yeah. What do you think of it? 1783 01:43:33,060 --> 01:43:35,100 I think it's very good. Why aren't they doing it in the street? 1784 01:43:35,190 --> 01:43:36,860 [interviewer] They just thought you'd wanna hear it. 1785 01:43:36,940 --> 01:43:38,650 Yeah, well, we'd also like to see them. 1786 01:43:38,730 --> 01:43:41,190 I just can't see that it makes sense. 1787 01:43:41,810 --> 01:43:43,520 Well, I think it's a very good thing. 1788 01:43:43,600 --> 01:43:46,770 It woke me up from my sleep, and I don't like it. 1789 01:43:47,480 --> 01:43:49,900 -[playing electric piano] -[chattering] 1790 01:43:50,600 --> 01:43:51,680 [laughs] 1791 01:43:51,770 --> 01:43:53,440 All cameras, four! 1792 01:43:54,690 --> 01:43:56,190 One, two, three. 1793 01:43:56,270 --> 01:43:58,270 ["One After 909" playing] 1794 01:44:04,810 --> 01:44:08,060 ♪ My baby says she's traveling On the one after 909 ♪ 1795 01:44:09,770 --> 01:44:13,190 ♪ I said move over, honey I'm traveling on that line ♪ 1796 01:44:14,850 --> 01:44:18,230 ♪ I said move over once Move over twice ♪ 1797 01:44:18,310 --> 01:44:20,730 ♪ Come on, baby Don't be cold as ice ♪ 1798 01:44:20,810 --> 01:44:23,730 ♪ She said she's traveling On the one after 909 ♪ 1799 01:44:25,770 --> 01:44:28,940 ♪ I begged her not to go And I begged her on my bended knee ♪ 1800 01:44:31,190 --> 01:44:34,190 ♪ You're only fooling 'round You're fooling 'round with me ♪ 1801 01:44:36,060 --> 01:44:38,690 ♪ I said move over once Move over twice… ♪ 1802 01:44:52,150 --> 01:44:53,530 ♪ Railman said ♪ 1803 01:44:54,440 --> 01:44:56,520 ♪ You've got the wrong location ♪ 1804 01:44:57,900 --> 01:44:59,030 ♪ Pick up my bag ♪ 1805 01:45:00,270 --> 01:45:01,350 ♪ Run right home ♪ 1806 01:45:02,650 --> 01:45:06,480 ♪ Then I find I've got the number wrong ♪ 1807 01:45:07,060 --> 01:45:11,230 ♪ Well, she said she's traveling On the one after 909 ♪ 1808 01:45:12,980 --> 01:45:16,770 ♪ I said move over, honey I'm traveling on that line ♪ 1809 01:45:18,350 --> 01:45:21,560 ♪ I said move over once Move over twice ♪ 1810 01:45:21,650 --> 01:45:24,230 ♪ Come on, baby Don't be cold as ice ♪ 1811 01:45:24,310 --> 01:45:27,100 ♪ She said she's traveling On the one after 909 ♪ 1812 01:45:28,270 --> 01:45:29,480 ♪ Yeah! ♪ 1813 01:45:41,980 --> 01:45:43,400 ♪ Whoo! ♪ 1814 01:45:50,480 --> 01:45:51,810 ♪ Pick up my bag ♪ 1815 01:45:53,230 --> 01:45:55,020 ♪ Run to the station ♪ 1816 01:45:55,560 --> 01:45:57,690 ♪ Railman said ♪ 1817 01:45:57,770 --> 01:45:59,690 ♪ You've got the wrong location ♪ 1818 01:45:59,770 --> 01:46:02,400 ♪ Yeah Pick up my bag ♪ 1819 01:46:03,520 --> 01:46:05,020 ♪ Run right home ♪ 1820 01:46:06,230 --> 01:46:07,560 ♪ Then I find ♪ 1821 01:46:08,400 --> 01:46:09,900 ♪ I've got the number wrong ♪ 1822 01:46:09,980 --> 01:46:14,860 ♪ Well, she said she's traveling On the one after 909 ♪ 1823 01:46:16,520 --> 01:46:19,940 ♪ I said move over, honey I'm traveling on that line ♪ 1824 01:46:21,770 --> 01:46:24,980 ♪ I said move over once Move over twice ♪ 1825 01:46:25,060 --> 01:46:27,690 ♪ Come on, baby Don't be cold as ice ♪ 1826 01:46:27,770 --> 01:46:30,310 ♪ She said she's traveling On the one after 9-0 ♪ 1827 01:46:30,400 --> 01:46:32,730 ♪ She said she's traveling On the one after 9-0 ♪ 1828 01:46:32,810 --> 01:46:36,230 ♪ She said she's traveling On the one after 909 ♪ 1829 01:46:39,940 --> 01:46:42,480 ♪ Oh, Danny Boy ♪ 1830 01:46:42,560 --> 01:46:44,940 ♪ The old savanna calling ♪ 1831 01:46:45,020 --> 01:46:46,520 [Michael] Make sure you don't lean on that. 1832 01:46:47,770 --> 01:46:49,100 [chattering] 1833 01:46:49,190 --> 01:46:51,520 [Dagg] I can't see what to do. 1834 01:46:51,600 --> 01:46:53,020 [Debbie coughs] 1835 01:46:54,100 --> 01:46:55,810 [chattering] 1836 01:46:55,900 --> 01:46:57,190 -Oh. -[George] "Dig A Pony." 1837 01:46:57,270 --> 01:46:58,730 I'll have to get the words then. 1838 01:46:58,810 --> 01:47:00,390 -"Dig A Pony." -[Glyn] "Dig A Pony." 1839 01:47:09,150 --> 01:47:12,280 -[John] I don't know. It's just, uh-- -Just ask Mal to hold 'em. 1840 01:47:12,350 --> 01:47:13,350 [John] Yeah. 1841 01:47:13,440 --> 01:47:14,860 -Kev. -[John] Kevin? 1842 01:47:15,440 --> 01:47:16,730 Come here. 1843 01:47:20,440 --> 01:47:22,860 Can you hang on? Well, I'll ring you back later, all right? 1844 01:47:24,100 --> 01:47:26,100 [chattering] 1845 01:48:07,350 --> 01:48:08,350 [PC Shayler] 1846 01:48:10,600 --> 01:48:13,850 [PC Shayler] 1847 01:48:16,650 --> 01:48:17,860 [Mal] Thank you very much. 1848 01:48:20,020 --> 01:48:21,480 We can't use City One Reserve. 1849 01:48:23,650 --> 01:48:25,280 Charming, innit? 1850 01:48:25,350 --> 01:48:26,430 -[Debbie] Jimmy? -Hmm? 1851 01:48:26,520 --> 01:48:27,900 [Debbie] Have a Sweet Afton. 1852 01:48:29,020 --> 01:48:30,900 Thank you. Don't mind if I do. 1853 01:49:10,060 --> 01:49:11,060 Rolling. 1854 01:49:15,350 --> 01:49:16,680 [Michael] Are you all ready? 1855 01:49:16,770 --> 01:49:18,560 Yeah? Okay. Are we rolling? 1856 01:49:18,650 --> 01:49:19,730 -Yeah. -[Michael] Okay. 1857 01:49:19,810 --> 01:49:21,480 -One, two, three! -[Ringo] Hold it! 1858 01:49:25,520 --> 01:49:26,980 One, two, three… 1859 01:49:27,060 --> 01:49:29,060 ["Dig A Pony" playing] 1860 01:49:38,150 --> 01:49:41,280 ♪ All I want is ♪ 1861 01:49:41,350 --> 01:49:45,100 ♪ I, a-hi-hi, a-hi-hi ♪ 1862 01:49:46,810 --> 01:49:48,810 ♪ Dig a pony ♪ 1863 01:49:49,600 --> 01:49:52,600 ♪ Well, you can celebrate Anything you want ♪ 1864 01:49:54,520 --> 01:49:58,350 ♪ Yes, you can celebrate Anything you want ♪ 1865 01:49:59,810 --> 01:50:01,350 ♪ Oh ♪ 1866 01:50:01,440 --> 01:50:05,360 ♪ I, a-hi-hi, a-hi-hi ♪ 1867 01:50:07,100 --> 01:50:08,980 ♪ Do a road hog ♪ 1868 01:50:10,190 --> 01:50:12,820 ♪ Well, you can penetrate Any place you go ♪ 1869 01:50:14,900 --> 01:50:18,900 ♪ Yes, you can penetrate Any place you go… ♪ 1870 01:50:23,940 --> 01:50:25,400 ♪ All I want is you ♪ 1871 01:50:27,400 --> 01:50:33,650 ♪ Everything has got to be Just like you want it to ♪ 1872 01:50:33,730 --> 01:50:35,980 ♪ Because ♪ 1873 01:50:37,230 --> 01:50:41,150 ♪ I, a-hi-hi, a-hi-hi ♪ 1874 01:50:42,900 --> 01:50:44,820 ♪ Pick a moon dog ♪ 1875 01:50:45,850 --> 01:50:48,850 ♪ Well, you can radiate Everything you are ♪ 1876 01:50:50,600 --> 01:50:51,770 ♪ Yes, you can radiate… ♪ 1877 01:50:51,850 --> 01:50:54,850 Yeah, so why is it on the top of the roof? 1878 01:50:54,940 --> 01:50:57,770 [interviewer] 1879 01:50:57,850 --> 01:51:00,560 All that money they've got? 1880 01:51:00,650 --> 01:51:03,280 [interviewer] 1881 01:51:03,350 --> 01:51:05,560 No, I have no idea. But it sounds really wonderful. 1882 01:51:06,560 --> 01:51:07,560 Yes. 1883 01:51:12,350 --> 01:51:13,350 Yes. 1884 01:51:14,600 --> 01:51:15,600 Oh, yes. 1885 01:51:16,480 --> 01:51:19,900 -Yes, I do. Yes. -Yeah, I think it's a good idea. 1886 01:51:19,980 --> 01:51:22,230 [interviewer] 1887 01:51:22,310 --> 01:51:23,520 Yes. 1888 01:51:23,600 --> 01:51:29,430 ♪ Everything has got to be Just like you want it to ♪ 1889 01:51:29,980 --> 01:51:31,980 -♪ Because ♪ -♪ Whoo! ♪ 1890 01:51:32,560 --> 01:51:33,560 ♪ Oh! ♪ 1891 01:51:51,560 --> 01:51:53,020 ♪ Oh, now ♪ 1892 01:51:53,100 --> 01:51:56,770 ♪ I, a-hi-hi, a-hi-hi ♪ 1893 01:51:58,520 --> 01:52:00,900 ♪ Feel the wind blow ♪ 1894 01:52:01,690 --> 01:52:04,940 ♪ But you can indicate Everything you see ♪ 1895 01:52:06,350 --> 01:52:10,810 ♪ Yes, you can indicate Everything you see ♪ 1896 01:52:11,730 --> 01:52:13,360 ♪ Oh, now ♪ 1897 01:52:13,440 --> 01:52:17,360 ♪ I, a-hi-hi, a-hi-hi ♪ 1898 01:52:19,060 --> 01:52:21,140 ♪ I'm cold and lonely ♪ 1899 01:52:22,100 --> 01:52:25,850 ♪ Well, you can syndicate Any boat you row ♪ 1900 01:52:26,940 --> 01:52:31,520 ♪ Yeah, you can syndicate Any boat you row ♪ 1901 01:52:32,100 --> 01:52:33,810 ♪ I told you so ♪ 1902 01:52:33,900 --> 01:52:37,820 ♪ All I want is you ♪ 1903 01:52:39,940 --> 01:52:45,980 ♪ Everything has got to be Just like you want it to ♪ 1904 01:52:46,060 --> 01:52:47,850 ♪ Because ♪ 1905 01:53:01,150 --> 01:53:07,070 ♪ All I want is you ♪ 1906 01:53:10,600 --> 01:53:12,020 Thank you, brothers. 1907 01:53:12,810 --> 01:53:15,230 My hands are getting too cold to play a chord now. 1908 01:53:15,310 --> 01:53:16,940 -[Michael] Turn on the PA too. -[John] Okay. 1909 01:53:17,020 --> 01:53:18,730 -[vocalizing] -[John] Shall we do "Can You Dig It"? 1910 01:53:18,810 --> 01:53:21,020 -"Can You Dig It"? -[John] I don't know. 1911 01:53:21,100 --> 01:53:23,100 [chattering] 1912 01:53:41,730 --> 01:53:43,150 [Debbie] What's happening? 1913 01:53:43,230 --> 01:53:44,730 [PC Dagg] 1914 01:53:44,810 --> 01:53:46,810 [chattering] 1915 01:53:49,690 --> 01:53:51,440 [interviewer] 1916 01:53:52,060 --> 01:53:53,390 The Beatles, obviously. 1917 01:54:01,060 --> 01:54:04,230 -Fabulous. Lovely. -Definitely. Fantastic. 1918 01:54:04,310 --> 01:54:08,560 [interviewer] 1919 01:54:08,650 --> 01:54:11,940 -They're all a few lads. -Yeah. Get around, don't they? 1920 01:54:12,020 --> 01:54:13,020 [interviewer] 1921 01:54:13,100 --> 01:54:14,730 -I said they get around. -[laughs] 1922 01:54:34,560 --> 01:54:36,730 [customer] "Misery." That's the one, I think. 1923 01:54:38,060 --> 01:54:40,020 -That it? -That's it. Lovely. 1924 01:54:40,100 --> 01:54:42,600 Anywhere where I could have a listen to this? 1925 01:54:43,350 --> 01:54:44,890 [interviewer] 1926 01:54:44,980 --> 01:54:46,270 Yes. Very much. Yes. 1927 01:54:47,190 --> 01:54:48,190 Yeah. It's great. 1928 01:54:48,270 --> 01:54:49,560 [interviewer] 1929 01:54:49,650 --> 01:54:51,610 Um, I think Ringo. 1930 01:54:52,440 --> 01:54:55,570 [interviewer] 1931 01:54:55,650 --> 01:54:56,650 No. 1932 01:54:57,310 --> 01:54:58,310 No. 1933 01:55:01,100 --> 01:55:02,680 Yeah. 1934 01:55:02,770 --> 01:55:04,020 Yeah. I think they're good. 1935 01:55:04,100 --> 01:55:05,680 [interviewer] 1936 01:55:09,150 --> 01:55:11,030 [interviewer] 1937 01:55:13,100 --> 01:55:18,270 ["God Save the Queen" playing] 1938 01:55:25,350 --> 01:55:29,140 [song fades out] 1939 01:55:29,230 --> 01:55:30,230 [Debbie coughs] 1940 01:55:30,310 --> 01:55:32,560 [Michael] Okay. Glynny. Are you ready, Glyn? 1941 01:55:32,650 --> 01:55:33,980 -[Glyn] Running. -Turnover, Mike. 1942 01:55:34,060 --> 01:55:35,560 [Michael] Can we scratch that? 1943 01:55:35,650 --> 01:55:37,570 -[crew 2] Tuning. -[Michael] Running. Ready? 1944 01:55:40,310 --> 01:55:41,480 Okay, okay. 1945 01:55:41,560 --> 01:55:43,560 ["I've Got A Feeling" playing] 1946 01:55:47,520 --> 01:55:49,100 ♪ I've got a feeling ♪ 1947 01:55:49,900 --> 01:55:52,150 ♪ A feeling deep inside ♪ 1948 01:55:52,230 --> 01:55:53,270 ♪ Oh, yeah ♪ 1949 01:55:55,060 --> 01:55:56,230 ♪ Oh, yeah ♪ 1950 01:55:59,100 --> 01:56:00,680 ♪ I've got a feeling ♪ 1951 01:56:01,480 --> 01:56:04,730 ♪ A feeling I can't hide No, no ♪ 1952 01:56:04,810 --> 01:56:06,190 ♪ No ♪ 1953 01:56:06,730 --> 01:56:07,810 ♪ Oh, no ♪ 1954 01:56:09,560 --> 01:56:10,560 ♪ No, no ♪ 1955 01:56:10,650 --> 01:56:12,730 [interviewer] 1956 01:56:12,810 --> 01:56:14,140 Not in the street, no. 1957 01:56:14,810 --> 01:56:16,770 [interviewer] 1958 01:56:16,850 --> 01:56:19,270 -Oh, yes. Yes. Very much. [laughs] -[interviewer] You do? 1959 01:56:19,350 --> 01:56:20,810 [interviewer] 1960 01:56:20,900 --> 01:56:22,480 No, my son does. 1961 01:56:22,560 --> 01:56:24,100 Oh, yes. My daughter does. 1962 01:56:24,810 --> 01:56:27,850 My son would. He likes all that, but not me. 1963 01:56:27,940 --> 01:56:29,070 ♪ Oh, yeah ♪ 1964 01:56:30,350 --> 01:56:31,430 ♪ Oh, yeah ♪ 1965 01:56:34,400 --> 01:56:38,980 ♪ And if you leave me I won't be late again ♪ 1966 01:56:39,060 --> 01:56:40,140 ♪ Oh, no ♪ 1967 01:56:41,980 --> 01:56:43,060 ♪ Oh, no ♪ 1968 01:56:44,940 --> 01:56:46,610 ♪ Oh, no ♪ 1969 01:56:46,690 --> 01:56:50,320 ♪ Oh, yeah ♪ 1970 01:56:50,400 --> 01:56:52,440 ♪ I've got a feeling Yeah ♪ 1971 01:56:57,270 --> 01:57:00,100 ♪ All these years I've been wandering around ♪ 1972 01:57:00,190 --> 01:57:03,110 ♪ Wondering how come nobody told me ♪ 1973 01:57:03,190 --> 01:57:06,860 ♪ All that I've been looking for Was somebody who looked like you ♪ 1974 01:57:11,100 --> 01:57:12,350 ♪ Hey ♪ 1975 01:57:12,440 --> 01:57:14,690 ♪ I've got a feeling ♪ 1976 01:57:14,770 --> 01:57:18,190 ♪ That keeps me on my toes Oh, yeah ♪ 1977 01:57:20,190 --> 01:57:21,270 ♪ Oh, yeah ♪ 1978 01:57:24,230 --> 01:57:26,150 ♪ I've got a feeling ♪ 1979 01:57:26,230 --> 01:57:29,610 ♪ I think that everybody knows Oh, yeah ♪ 1980 01:57:31,900 --> 01:57:32,980 ♪ Oh, yeah ♪ 1981 01:57:34,230 --> 01:57:35,560 Yeah, we'll come upstairs. 1982 01:57:40,310 --> 01:57:42,390 ♪ I've got a feeling ♪ 1983 01:57:46,350 --> 01:57:47,730 ♪ Oh, yeah ♪ 1984 01:57:47,810 --> 01:57:49,810 ♪ Everybody had a hard year ♪ 1985 01:57:50,600 --> 01:57:52,520 ♪ Everybody had a head dream ♪ 1986 01:57:53,520 --> 01:57:55,940 ♪ Everybody saw the sun shine ♪ 1987 01:57:56,520 --> 01:57:58,520 ♪ Everybody gotten obscene ♪ 1988 01:57:58,600 --> 01:57:59,890 -♪ Oh, yeah ♪ -♪ Oh, yeah ♪ 1989 01:57:59,980 --> 01:58:01,230 ♪ Oh, yeah ♪ 1990 01:58:01,310 --> 01:58:02,640 -♪ Oh, yeah ♪ -♪ Oh, yeah? ♪ 1991 01:58:05,190 --> 01:58:07,860 ♪ Everybody had a good year ♪ 1992 01:58:07,940 --> 01:58:10,440 ♪ Everybody let their hair down ♪ 1993 01:58:11,060 --> 01:58:13,980 -♪ Everybody pulled their socks up ♪ -♪ Yeah ♪ 1994 01:58:14,060 --> 01:58:17,020 -♪ Everybody put their foot down ♪ -♪ Oh, yeah ♪ 1995 01:58:28,690 --> 01:58:31,110 -♪ Everybody had a hard year ♪ -♪ I've got a feeling ♪ 1996 01:58:31,190 --> 01:58:34,610 -♪ A feeling deep inside, oh yeah ♪ -♪ Everybody had a good time ♪ 1997 01:58:34,690 --> 01:58:37,610 -♪ Everybody had a wet dream ♪ -♪ Oh, yeah ♪ 1998 01:58:37,690 --> 01:58:39,860 ♪ Everybody saw the sun shine ♪ 1999 01:58:40,690 --> 01:58:43,020 -♪ Everybody had a good year ♪ -♪ I've got a feeling ♪ 2000 01:58:43,100 --> 01:58:45,520 -♪ A feeling I can't hide ♪ -♪ Everybody let their hair down ♪ 2001 01:58:45,600 --> 01:58:48,810 -♪ Oh, no ♪ -♪ Everybody pulled their socks up ♪ 2002 01:58:48,900 --> 01:58:51,480 -♪ Oh, no ♪ -♪ Everybody put their foot down ♪ 2003 01:58:51,560 --> 01:58:52,810 -♪ Oh, yeah ♪ -♪ Yeah, yeah ♪ 2004 01:58:53,980 --> 01:58:56,860 ♪ Ooh yeah, ooh yeah ♪ 2005 01:58:56,940 --> 01:58:59,520 ♪ Ooh, ooh yeah ♪ 2006 01:59:00,690 --> 01:59:03,110 ♪ I've got a feeling Yeah ♪ 2007 01:59:05,150 --> 01:59:07,610 ♪ I've got a feeling Yeah ♪ 2008 01:59:08,230 --> 01:59:09,650 ♪ Whoo-hoo! ♪ 2009 01:59:12,230 --> 01:59:13,230 [song ends] 2010 01:59:13,980 --> 01:59:17,520 ♪ A pretty girl is like a melody ♪ 2011 01:59:17,600 --> 01:59:19,020 [singing continues, indistinct] 2012 01:59:20,850 --> 01:59:21,980 Yeah. 2013 01:59:22,060 --> 01:59:24,190 -One, two, three, four. -"And For The First Time." 2014 01:59:24,270 --> 01:59:26,690 -Oh! -No, no, "Don't Let Me Down." Sorry. 2015 01:59:26,770 --> 01:59:28,100 [laughing] 2016 01:59:28,190 --> 01:59:30,650 ♪ Don't let me down ♪ 2017 01:59:30,730 --> 01:59:32,270 [person] Rock and roll! 2018 01:59:32,350 --> 01:59:33,520 You too! 2019 01:59:34,690 --> 01:59:37,270 -[chattering] -Whoo! 2020 01:59:37,350 --> 01:59:39,350 ["Don't Let Me Down" playing] 2021 01:59:41,940 --> 01:59:44,360 ♪ Don't let me down ♪ 2022 01:59:47,520 --> 01:59:50,270 ♪ Don't let me down ♪ 2023 01:59:53,730 --> 01:59:56,190 ♪ Don't let me down ♪ 2024 01:59:58,480 --> 01:59:59,480 Whoo! 2025 01:59:59,560 --> 02:00:02,060 ♪ Don't let me down ♪ 2026 02:00:04,940 --> 02:00:08,610 ♪ And from the first time That she really loved me ♪ 2027 02:00:10,100 --> 02:00:11,600 ♪ Ooh, she loved me ♪ 2028 02:00:13,060 --> 02:00:14,480 ♪ Yes, she does ♪ 2029 02:00:17,060 --> 02:00:21,480 ♪ And if somebody ever really loved me ♪ 2030 02:00:22,810 --> 02:00:24,390 ♪ Ooh, she loves me ♪ 2031 02:00:25,770 --> 02:00:27,520 ♪ Yes, she does ♪ 2032 02:00:30,900 --> 02:00:33,320 ♪ Don't let me down ♪ 2033 02:00:36,650 --> 02:00:39,280 ♪ Don't let me down ♪ 2034 02:00:42,690 --> 02:00:45,110 ♪ Don't let me down ♪ 2035 02:00:48,270 --> 02:00:51,020 ♪ Don't let me down ♪ 2036 02:00:53,650 --> 02:00:56,820 ♪ I'm in love for the first time ♪ 2037 02:00:59,690 --> 02:01:02,770 ♪ Don't you know it's gonna last ♪ 2038 02:01:05,730 --> 02:01:08,560 ♪ It's a love that lasts forever ♪ 2039 02:01:11,600 --> 02:01:15,180 ♪ It's a love that has no past ♪ 2040 02:01:15,270 --> 02:01:16,270 Whoo! 2041 02:01:18,020 --> 02:01:20,600 ♪ Don't let me down ♪ 2042 02:01:22,480 --> 02:01:23,900 ♪ Please ♪ 2043 02:01:23,980 --> 02:01:26,690 ♪ Don't let me down ♪ 2044 02:01:29,600 --> 02:01:32,230 ♪ Don't let me down ♪ 2045 02:01:35,520 --> 02:01:37,940 ♪ Don't let me down ♪ 2046 02:01:40,270 --> 02:01:44,600 ♪ And from the first time That she really done me ♪ 2047 02:01:46,190 --> 02:01:47,650 ♪ Ooh, she done me ♪ 2048 02:01:48,600 --> 02:01:50,350 ♪ She done me good ♪ 2049 02:01:50,940 --> 02:01:52,110 Yeah, that's right. 2050 02:01:55,730 --> 02:01:57,150 [person speaking] 2051 02:01:57,230 --> 02:01:58,230 [person] Yes. 2052 02:02:11,230 --> 02:02:12,520 [Debbie] Yeah. 2053 02:02:12,600 --> 02:02:15,140 ♪ Don't let me down ♪ 2054 02:02:18,270 --> 02:02:20,980 ♪ Don't let me down ♪ 2055 02:02:24,020 --> 02:02:26,520 ♪ Don't let me down ♪ 2056 02:02:29,730 --> 02:02:32,560 ♪ Please ♪ 2057 02:02:35,690 --> 02:02:38,440 ♪ Please ♪ 2058 02:02:41,310 --> 02:02:43,730 ♪ Please ♪ 2059 02:02:45,100 --> 02:02:46,270 ♪ Oh ♪ 2060 02:02:46,770 --> 02:02:48,980 ♪ Please ♪ 2061 02:02:53,980 --> 02:02:54,980 [song ends] 2062 02:02:55,060 --> 02:02:57,020 ["Get Back" playing] 2063 02:03:02,560 --> 02:03:06,270 ♪ Jo Jo was a man Who thought he was a loner ♪ 2064 02:03:06,350 --> 02:03:08,930 ♪ But he knew it couldn't last ♪ 2065 02:03:10,150 --> 02:03:13,900 ♪ Jo Jo left his home in Tucson, Arizona ♪ 2066 02:03:13,980 --> 02:03:16,610 ♪ For some California grass ♪ 2067 02:03:17,440 --> 02:03:20,570 ♪ Get back, get back ♪ 2068 02:03:21,480 --> 02:03:22,980 ♪ Get back to where you once belonged ♪ 2069 02:03:23,060 --> 02:03:24,140 It's off. 2070 02:03:27,020 --> 02:03:28,730 ♪ Get back ♪ 2071 02:03:28,810 --> 02:03:32,190 ♪ Get back to where you once belonged ♪ 2072 02:03:32,270 --> 02:03:34,100 ♪ Get back, Jo Jo Yeah ♪ 2073 02:03:48,020 --> 02:03:50,690 ♪ Get back, get back ♪ 2074 02:03:51,560 --> 02:03:54,560 ♪ Get back to where you once belonged ♪ 2075 02:03:55,600 --> 02:03:57,980 ♪ Get back, whoo! Get back ♪ 2076 02:03:59,190 --> 02:04:01,860 ♪ Get back to where you once belonged ♪ 2077 02:04:04,100 --> 02:04:05,520 ♪ Get back, Jo ♪ 2078 02:04:06,310 --> 02:04:07,390 Whoo! 2079 02:04:10,230 --> 02:04:12,810 ♪ Oh, yeah Get back ♪ 2080 02:04:13,440 --> 02:04:14,440 Whoo! 2081 02:04:15,600 --> 02:04:16,600 Yeah! 2082 02:04:20,440 --> 02:04:24,020 ♪ Sweet Loretta Martin Thought she was a woman ♪ 2083 02:04:24,100 --> 02:04:26,680 ♪ But she was another man ♪ 2084 02:04:27,980 --> 02:04:31,480 ♪ All the girls around her Say she's got it coming ♪ 2085 02:04:31,560 --> 02:04:34,230 ♪ But she gets it while she can ♪ 2086 02:04:34,940 --> 02:04:38,270 ♪ Get back, get back ♪ 2087 02:04:39,190 --> 02:04:41,940 ♪ Get back to where you once belonged ♪ 2088 02:04:42,770 --> 02:04:45,850 ♪ Get back, get back ♪ 2089 02:04:46,650 --> 02:04:49,570 ♪ Get back to where you once belonged ♪ 2090 02:04:49,650 --> 02:04:51,110 ♪ Get back, Loretta Get back home ♪ 2091 02:04:51,190 --> 02:04:52,860 ♪ Come on, come on ♪ 2092 02:04:55,650 --> 02:04:58,110 ♪ Oh, come on, go home Your mommy's waiting ♪ 2093 02:04:59,400 --> 02:05:01,730 ♪ In her high-heel shoes And her low-neck sweater, get back ♪ 2094 02:05:01,810 --> 02:05:04,480 [person speaking] 2095 02:05:21,850 --> 02:05:23,100 [Paul] Whoo! 2096 02:05:23,190 --> 02:05:24,980 [person speaking] 2097 02:05:25,060 --> 02:05:26,640 ♪ Yeah, get back ♪ 2098 02:05:28,810 --> 02:05:31,890 ♪ You've been out too long, Loretta You've been playing on the roofs again ♪ 2099 02:05:31,980 --> 02:05:35,190 ♪ And that's no good, 'cause you know Your mommy doesn't like that ♪ 2100 02:05:35,770 --> 02:05:38,150 ♪ Oh, she gets angry She's gonna have you arrested ♪ 2101 02:05:38,230 --> 02:05:39,230 ♪ Get back ♪ 2102 02:05:39,310 --> 02:05:40,730 ♪ Oh, get back ♪ 2103 02:05:41,690 --> 02:05:43,940 ♪ Oh, yeah Yeah, yeah, yeah ♪ 2104 02:05:44,770 --> 02:05:47,940 ♪ Get back, get back ♪ 2105 02:05:48,690 --> 02:05:51,650 ♪ Get back to where you once belonged ♪ 2106 02:05:54,100 --> 02:05:55,100 Get back. 2107 02:05:58,350 --> 02:06:00,520 [applause] 2108 02:06:00,600 --> 02:06:02,270 -Thanks, Mo. -I'd like to say thank you 2109 02:06:02,350 --> 02:06:04,140 on behalf of the group and ourselves. 2110 02:06:04,230 --> 02:06:05,860 I hope we passed the audition. 2111 02:06:05,940 --> 02:06:07,770 [laughing] 2112 02:06:08,560 --> 02:06:11,640 [crew] All right, boys. Get in here. Step aside, there. 2113 02:06:14,600 --> 02:06:15,770 [John] You all right? 2114 02:06:18,400 --> 02:06:20,440 Come. Get in there. Come on. In there. 2115 02:06:20,520 --> 02:06:22,190 What's the matter? Everything all right? 2116 02:06:23,060 --> 02:06:24,190 Hmm? 2117 02:06:25,810 --> 02:06:28,560 [Michael] Get some more cover there. Film through the office windows. 2118 02:06:28,650 --> 02:06:29,650 [crew] Okay. 2119 02:06:30,270 --> 02:06:31,770 [Michael] People on the roof. Everything. 2120 02:06:31,850 --> 02:06:33,640 Stay there, girls. Stay there. 2121 02:06:43,560 --> 02:06:44,640 Thank you. 2122 02:06:44,730 --> 02:06:47,440 [Michael] Okay. As soon as you got the cover, that's a wrap. 2123 02:06:47,520 --> 02:06:49,400 [chattering] 2124 02:06:49,980 --> 02:06:52,520 [officer] Let's keep it moving please. 2125 02:06:52,600 --> 02:06:55,140 [officer 2] Step off the road, please. Move along! 2126 02:06:56,810 --> 02:06:58,390 [officer 3] Move along, please. 2127 02:07:01,650 --> 02:07:02,900 Move along, please. 2128 02:07:03,560 --> 02:07:05,310 -[chattering] -[horn honking] 2129 02:07:08,230 --> 02:07:09,560 [officer 4] Off the road, please. 2130 02:07:11,100 --> 02:07:13,020 -[horn honks] -Come on. Move along. 2131 02:07:13,100 --> 02:07:16,100 What's the law say that you-- why you can't do that? 2132 02:07:16,190 --> 02:07:18,690 -[Michael] 'Cause of the PA speakers. -[George Martin] Disturbing the peace. 2133 02:07:18,770 --> 02:07:22,350 -Well, how-- "Disturbing the peace"? -[Paul] Peace means like noise. 2134 02:07:22,440 --> 02:07:23,690 [George Martin] As Mike was saying, 2135 02:07:23,770 --> 02:07:26,730 this is a very good dry run for something else too. 2136 02:07:26,810 --> 02:07:29,100 Apart from the value of this as it stands. 2137 02:07:29,190 --> 02:07:30,190 Yeah. 2138 02:07:30,270 --> 02:07:32,900 -Yeah, for taking over London. -Yeah. 2139 02:07:32,980 --> 02:07:35,190 -[Michael] You see, because… -[John] Top of the Hilton tomorrow. 2140 02:07:35,270 --> 02:07:36,940 [George Martin] Blasting out the sound in their power. 2141 02:07:37,020 --> 02:07:39,230 -[John] Fantastic. -[George] Every rock group in the world, 2142 02:07:39,310 --> 02:07:41,770 in London, all on the top of buildings. 2143 02:07:41,850 --> 02:07:44,390 -Playing the same tune. -Also on a platform of loudspeakers. 2144 02:07:44,480 --> 02:07:47,980 So you're just sort of strapped in to little boxes in this structure. 2145 02:07:48,060 --> 02:07:49,480 ♪ Well, get back ♪ 2146 02:07:49,560 --> 02:07:52,350 ♪ …Loretta Martin Thought she was a woman ♪ 2147 02:07:52,440 --> 02:07:55,070 ♪ But she was another man ♪ 2148 02:07:56,100 --> 02:08:00,020 ♪ All the girls around her Said she's got it coming ♪ 2149 02:08:00,100 --> 02:08:02,730 ♪ But she get it while she can ♪ 2150 02:08:03,520 --> 02:08:04,560 ♪ Oh, get back ♪ 2151 02:08:05,690 --> 02:08:07,360 ♪ Get back ♪ 2152 02:08:07,440 --> 02:08:10,440 ♪ Get back to where you once belonged ♪ 2153 02:08:11,310 --> 02:08:14,390 ♪ Oh, get back, yeah Get back ♪ 2154 02:08:15,520 --> 02:08:18,100 ♪ Get back to where you once belonged ♪ 2155 02:08:18,190 --> 02:08:19,440 ♪ Get back, Loretta ♪ 2156 02:08:20,770 --> 02:08:21,770 ♪ Hey! ♪ 2157 02:08:25,600 --> 02:08:26,600 ♪ Go home ♪ 2158 02:08:27,230 --> 02:08:29,060 ♪ Your mommy's waiting for you ♪ 2159 02:08:29,150 --> 02:08:33,070 [John singing gibberish] 2160 02:08:34,770 --> 02:08:36,020 ♪ Ooh, she does ♪ 2161 02:08:37,520 --> 02:08:39,100 ♪ Yes, she does ♪ 2162 02:08:41,600 --> 02:08:46,100 ♪ I guess nobody ever really done me ♪ 2163 02:08:47,440 --> 02:08:49,520 ♪ Ooh, she done me ♪ 2164 02:08:50,480 --> 02:08:52,650 ♪ Oh, please believe me ♪ 2165 02:08:52,730 --> 02:08:56,230 ♪ I'd hate to miss the train Oh, yeah ♪ 2166 02:08:58,060 --> 02:08:59,390 ♪ Oh, yeah ♪ 2167 02:09:02,060 --> 02:09:06,890 ♪ And if you leave me I won't be late again ♪ 2168 02:09:06,980 --> 02:09:07,980 ♪ Oh, no ♪ 2169 02:09:08,060 --> 02:09:09,770 [no audible dialogue] 2170 02:09:09,850 --> 02:09:10,930 ♪ Oh, no ♪ 2171 02:09:12,940 --> 02:09:14,020 ♪ Oh, no ♪ 2172 02:09:14,600 --> 02:09:18,230 ♪ No, yeah ♪ 2173 02:09:18,310 --> 02:09:20,810 ♪ I've got a feeling Yeah ♪ 2174 02:09:23,400 --> 02:09:25,480 ♪ I've got the number wrong ♪ 2175 02:09:25,560 --> 02:09:29,310 ♪ Well, she said she's traveling On the one after 909 ♪ 2176 02:09:31,150 --> 02:09:34,650 ♪ I said move over, honey I'm traveling on that line ♪ 2177 02:09:36,440 --> 02:09:39,360 ♪ I said move over once Move over twice ♪ 2178 02:09:39,440 --> 02:09:40,690 ♪ Come on, baby Don't be… ♪ 2179 02:09:40,770 --> 02:09:43,730 ♪ All I want is ♪ 2180 02:09:43,810 --> 02:09:47,810 ♪ I, a-hi, hi, a-hi, hi ♪ 2181 02:09:49,400 --> 02:09:51,400 ♪ Dig a pony ♪ 2182 02:09:52,480 --> 02:09:55,310 ♪ Well, you can celebrate Anything you want ♪ 2183 02:09:57,190 --> 02:10:01,190 ♪ Yes, you can celebrate Anything you want ♪ 2184 02:10:02,400 --> 02:10:04,030 [Michael] What are you feeling about today? 2185 02:10:04,100 --> 02:10:05,930 -You wanna work more today or not? -[Paul] Yeah. 2186 02:10:06,020 --> 02:10:07,940 We should record the others now. 2187 02:10:08,020 --> 02:10:10,100 [Glyn] Gotta get the stuff down first. 2188 02:10:10,190 --> 02:10:12,690 -[George] Let's have a break for a bit. -We'll have lunch and that. 2189 02:10:12,770 --> 02:10:15,350 And then we record the other stuff that we didn't do. 2190 02:10:15,440 --> 02:10:17,610 -[George Martin] Right. -Up there. The acoustic stuff. 2191 02:10:17,690 --> 02:10:19,520 -[Glyn] Up there? -No, down here now. 2192 02:10:19,600 --> 02:10:21,270 -When I-- -[George] There won't be more rooftops. 2193 02:10:21,350 --> 02:10:22,350 [Paul] No. No more rooftop. 2194 02:10:22,440 --> 02:10:23,770 -That was the rooftop. -[George] It was really bad. 2195 02:10:23,850 --> 02:10:25,390 -[George Martin] Oh, right. -[Paul] So, it's like-- 2196 02:10:25,480 --> 02:10:27,440 You know, you're doing this and we're taking it-- 2197 02:10:27,520 --> 02:10:29,770 If we got the police, we could pretend in the film 2198 02:10:29,850 --> 02:10:31,640 that we had to get down because of them. 2199 02:10:31,730 --> 02:10:33,900 -And here we are… -[John] Just the way it happened then. 2200 02:10:33,980 --> 02:10:35,690 That'll just be it, you know. 2201 02:10:35,770 --> 02:10:37,770 [chattering] 2202 02:10:45,230 --> 02:10:48,860 [crew] This is B camera roll, 1,150. 2203 02:10:48,940 --> 02:10:53,320 Slate 500, take one. Slate 500, take one. 2204 02:10:53,400 --> 02:10:54,650 [crew 2] Roll mic. 2205 02:10:54,730 --> 02:10:58,270 [John] It might have been-- You know. I don't like to throw things away. 2206 02:10:58,350 --> 02:10:59,430 [Paul] Okay. Ready? 2207 02:10:59,520 --> 02:11:01,230 -[Michael] Okay, turnover cameras. -Clap it. 2208 02:11:01,310 --> 02:11:02,600 [Michael] Turnover cameras. 2209 02:11:03,520 --> 02:11:06,020 ♪ Take it to the captain ♪ 2210 02:11:07,190 --> 02:11:10,110 ♪ Take this hammer ♪ 2211 02:11:10,810 --> 02:11:13,690 ♪ Take it to the captain ♪ 2212 02:11:13,770 --> 02:11:17,400 ♪ You and me Sunday driving ♪ 2213 02:11:17,480 --> 02:11:19,810 ♪ Not arriving ♪ 2214 02:11:19,900 --> 02:11:23,230 ♪ On our way… ♪ 2215 02:11:23,310 --> 02:11:26,980 ♪ If you're ever in a jam Here I am ♪ 2216 02:11:29,150 --> 02:11:32,570 ♪ If you're ever in the shit Grab my tit ♪ 2217 02:11:34,150 --> 02:11:37,730 ♪ …it's gonna make it stop ♪ 2218 02:11:38,310 --> 02:11:40,480 ♪ How high's the water, mama? ♪ 2219 02:11:41,900 --> 02:11:44,070 ♪ Daddy's gonna tell on… ♪ 2220 02:11:44,150 --> 02:11:47,230 ♪ Rather see you dead, little girl ♪ 2221 02:11:47,310 --> 02:11:50,140 ♪ Than to be with another man ♪ 2222 02:11:51,480 --> 02:11:54,810 ♪ You better watch your head Little girl ♪ 2223 02:11:54,900 --> 02:11:57,610 ♪ Or you won't know where I am ♪ 2224 02:11:58,350 --> 02:12:00,770 ♪ You'd better run for your life If you can… ♪ 2225 02:12:00,850 --> 02:12:01,850 Okay. 2226 02:12:01,940 --> 02:12:03,570 -[crew] Running. -Turn over. 2227 02:12:03,650 --> 02:12:06,070 -Did I ever tell you when I had the-- -Take-- Take ten. 2228 02:12:06,900 --> 02:12:08,610 [John] I don't think I wanna hear that, Dick. 2229 02:12:09,770 --> 02:12:11,100 Okay, Jim. 2230 02:12:12,770 --> 02:12:14,520 -Good night, Paul. -Say good night, John. 2231 02:12:14,600 --> 02:12:16,390 -Good night, Paul. -Good night. 2232 02:12:25,310 --> 02:12:28,560 ♪ Two of us riding nowhere ♪ 2233 02:12:28,650 --> 02:12:33,570 ♪ Spending someone's hard-earned pay ♪ 2234 02:12:35,020 --> 02:12:38,190 ♪ You and me Sunday driving ♪ 2235 02:12:38,270 --> 02:12:40,400 ♪ Not arriving ♪ 2236 02:12:40,480 --> 02:12:45,480 ♪ On our way back home ♪ 2237 02:12:46,770 --> 02:12:48,690 ♪ We're on our way home ♪ 2238 02:12:49,900 --> 02:12:51,980 ♪ We're on our way home ♪ 2239 02:12:53,150 --> 02:12:55,980 ♪ We're going home ♪ 2240 02:13:09,900 --> 02:13:12,730 ♪ I suddenly discovered I was halfway out of tune ♪ 2241 02:13:12,810 --> 02:13:15,640 ♪ But I continued playing Because I'm no goon ♪ 2242 02:13:17,400 --> 02:13:19,900 [crew] Take-- Take-- Take 17! 2243 02:13:20,560 --> 02:13:25,190 ♪ The long and winding road ♪ 2244 02:13:26,310 --> 02:13:32,560 ♪ That leads to your door ♪ 2245 02:13:33,440 --> 02:13:35,570 -[beeps, static] -Okay, start again. 2246 02:13:38,270 --> 02:13:39,350 ♪ The long… ♪ 2247 02:13:39,440 --> 02:13:41,270 [laughs, whines] 2248 02:13:42,600 --> 02:13:43,770 F-stop. 2249 02:13:45,100 --> 02:13:46,140 ♪ The long… ♪ 2250 02:13:46,230 --> 02:13:47,900 [Glyn] We'll need one more, actually. 2251 02:13:49,730 --> 02:13:50,730 [crew] Take 18. 2252 02:13:54,100 --> 02:13:55,560 Now what's the chord you play… 2253 02:13:55,650 --> 02:13:57,690 [vocalizes] 2254 02:13:57,770 --> 02:14:02,600 ♪ The wild and windy night ♪ 2255 02:14:03,650 --> 02:14:09,690 ♪ That the rain washed away ♪ 2256 02:14:13,440 --> 02:14:18,270 ♪ Has left a pool of tears ♪ 2257 02:14:20,770 --> 02:14:25,020 ♪ Crying for the day ♪ 2258 02:14:26,100 --> 02:14:28,390 -[Michael] Running. -[clapping] 2259 02:14:28,480 --> 02:14:29,980 -[Michael] Running, Col? Running, Mike? -[Colin] Yeah. 2260 02:14:30,060 --> 02:14:31,850 -[Mike] Running, yeah. -[Michael] Nice and quiet. Mark it. 2261 02:14:31,940 --> 02:14:32,940 [clapper] Take 25. 2262 02:14:33,900 --> 02:14:36,730 ["Let It Be" playing] 2263 02:14:46,560 --> 02:14:50,100 ♪ When I find myself in times of trouble ♪ 2264 02:14:50,190 --> 02:14:53,070 ♪ Mother Mary comes to me ♪ 2265 02:14:53,150 --> 02:14:55,730 ♪ Speaking words of wisdom ♪ 2266 02:14:55,810 --> 02:14:57,230 ♪ Let it be ♪ 2267 02:14:59,440 --> 02:15:02,020 ♪ And in my hour of darkness ♪ 2268 02:15:02,100 --> 02:15:05,680 ♪ She is standing right in front of me ♪ 2269 02:15:05,770 --> 02:15:08,480 ♪ Speaking words of wisdom ♪ 2270 02:15:08,560 --> 02:15:10,640 ♪ Let it be ♪ 2271 02:15:11,560 --> 02:15:16,600 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 2272 02:15:18,100 --> 02:15:20,390 -[raspberry] -What the shittin' hell is going on here? 2273 02:15:20,480 --> 02:15:23,060 [imitates speaking German] 2274 02:15:23,150 --> 02:15:26,900 [imitates speaking German] 2275 02:15:28,270 --> 02:15:30,980 Eins, zwei, viertel nach drei. 2276 02:15:31,060 --> 02:15:32,440 [rock playing] 2277 02:15:36,350 --> 02:15:38,600 ♪ Whisper words of wisdom… ♪ 2278 02:15:39,980 --> 02:15:41,650 What the fuck's going on? 2279 02:15:41,730 --> 02:15:44,230 I'll never get "Maggie Mae" done if we go on like this. 2280 02:15:49,520 --> 02:15:51,350 Are we supposed to giggle in the solo? 2281 02:15:51,440 --> 02:15:52,690 -Yeah. -[John] Okay. 2282 02:15:52,770 --> 02:15:56,690 ♪ And when the broken-hearted people ♪ 2283 02:15:56,770 --> 02:15:59,230 -[laughs] -[John] Get off, you bum! 2284 02:16:05,100 --> 02:16:06,100 [song ends] 2285 02:16:11,560 --> 02:16:14,020 -I lost a bass note somewhere. -Oh. 2286 02:16:14,100 --> 02:16:16,180 ["Let It Be" playing] 2287 02:16:25,400 --> 02:16:28,780 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 2288 02:16:28,850 --> 02:16:32,180 ♪ Let it be, yeah Let it be ♪ 2289 02:16:32,270 --> 02:16:35,270 ♪ There will be an answer ♪ 2290 02:16:35,350 --> 02:16:37,060 ♪ Let it be ♪ 2291 02:16:39,440 --> 02:16:43,190 ♪ When I find myself in times of trouble ♪ 2292 02:16:43,270 --> 02:16:46,190 ♪ Mother Mary comes to me ♪ 2293 02:16:46,270 --> 02:16:50,270 ♪ Speaking words of wisdom Let it be ♪ 2294 02:16:50,350 --> 02:16:51,520 [John mouthing] Let it be. 2295 02:16:52,600 --> 02:16:58,680 ♪ And in my hour of darkness She is standing right in front of me ♪ 2296 02:16:58,770 --> 02:17:01,440 ♪ Speaking words of wisdom ♪ 2297 02:17:01,520 --> 02:17:02,980 ♪ Let it be ♪ 2298 02:17:04,230 --> 02:17:07,900 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 2299 02:17:07,980 --> 02:17:11,150 -♪ Let it be, let it be ♪ -♪ Ooh ♪ 2300 02:17:12,190 --> 02:17:14,730 ♪ Whisper words of wisdom ♪ 2301 02:17:14,810 --> 02:17:16,560 ♪ Let it be ♪ 2302 02:17:23,650 --> 02:17:25,280 [song ends] 2303 02:17:30,150 --> 02:17:33,610 -[George Martin] Is that the best one? -I think that was rather grand. 2304 02:17:34,100 --> 02:17:35,850 I'd take one home with me. 2305 02:17:37,650 --> 02:17:38,690 [Glyn] Yeah, that was fine. 2306 02:17:39,310 --> 02:17:41,230 Don't kid us, Glyn. 2307 02:17:42,100 --> 02:17:44,140 Give it to us straight. 2308 02:17:45,350 --> 02:17:47,430 -Get me off this bass. -[Paul] Was that good enough? 2309 02:17:47,520 --> 02:17:50,770 -[Glyn] Yes. -We'll do one more to cover ourselves. 2310 02:17:50,850 --> 02:17:53,520 We'll just do one more 'cause we know we've got it now. 2311 02:17:54,230 --> 02:17:56,150 [John] We've got so many of the bastards. 176637