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1
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-[crew 1] Run it.
-[footsteps]
2
00:00:40,440 --> 00:00:42,860
-Cut.
-[footsteps]
3
00:00:42,940 --> 00:00:45,020
Again. No, cut.
4
00:00:46,190 --> 00:00:47,190
-Ready?
-Okay.
5
00:00:47,270 --> 00:00:51,230
[crew members chattering]
6
00:01:03,190 --> 00:01:04,690
[chattering continues]
7
00:01:17,980 --> 00:01:19,400
[laughter]
8
00:01:21,560 --> 00:01:23,980
-[crew 1] Turn over.
-[crew 2] Turn over, lads. Thank you.
9
00:01:25,650 --> 00:01:26,860
[crew 3] Turn over.
10
00:01:37,810 --> 00:01:40,190
-[Michael] Sit down over here…
-[Ringo] Shall we sit over here?
11
00:01:40,270 --> 00:01:41,270
Yeah.
12
00:01:44,400 --> 00:01:45,400
Hi.
13
00:01:46,350 --> 00:01:52,310
[Ringo] ♪ You're my world
You are my only love ♪
14
00:02:02,440 --> 00:02:03,820
How was the meeting?
15
00:02:04,900 --> 00:02:06,190
The meeting was fine.
16
00:02:07,060 --> 00:02:08,770
A lot of good things, but then, you know…
17
00:02:11,060 --> 00:02:13,230
they all sort of fell apart in the end.
18
00:02:14,060 --> 00:02:16,600
[Michael] I just spoke to Neil,
who's calling a couple of your colleagues
19
00:02:17,270 --> 00:02:19,400
to see if they're also gonna come.
20
00:02:21,400 --> 00:02:23,280
[Ringo] Couple of colleagues
told me last night
21
00:02:23,350 --> 00:02:25,640
that they would be there the same time.
[chuckles]
22
00:02:25,730 --> 00:02:27,900
[Michael] Neil expressed an opinion
that no one was coming.
23
00:02:27,980 --> 00:02:31,020
[Ringo] Well, phone Neil
and tell him I'm here for lunch.
24
00:02:31,100 --> 00:02:32,890
[all chuckling]
25
00:02:32,980 --> 00:02:35,020
Have you got enough
for a good documentary?
26
00:02:35,100 --> 00:02:37,350
[Michael]
It depends how liquid the situation is.
27
00:02:37,850 --> 00:02:39,640
Use it all.
28
00:02:39,730 --> 00:02:42,440
Well, in other words,
if we tell it like it is,
29
00:02:42,520 --> 00:02:44,650
then we've got a very good documentary.
30
00:02:44,730 --> 00:02:45,730
But if--
31
00:02:45,810 --> 00:02:47,100
We're hiding.
32
00:02:47,190 --> 00:02:49,650
[Michael] If we're hiding,
then we don't have much of a documentary.
33
00:02:49,730 --> 00:02:53,440
We just have a couple of days
when things didn't work out, that's it.
34
00:02:55,350 --> 00:02:58,810
-Yeah.
-[laughing]
35
00:02:58,900 --> 00:03:00,070
Yeah, I'll take it.
36
00:03:00,150 --> 00:03:01,820
-[Ringo] I'll take them for him.
-Okay.
37
00:03:02,900 --> 00:03:05,070
[delivery man] I had strict instructions
to bring them on the set.
38
00:03:05,150 --> 00:03:06,400
Yeah, okay.
39
00:03:18,850 --> 00:03:21,020
-Harry who?
-Hare Krishna.
40
00:03:21,690 --> 00:03:23,230
Do you like India?
41
00:03:23,310 --> 00:03:24,440
No, not really.
42
00:03:27,350 --> 00:03:30,060
[chattering]
43
00:03:31,270 --> 00:03:32,650
[coughing]
44
00:03:32,730 --> 00:03:35,730
[chattering continues]
45
00:03:41,770 --> 00:03:44,520
[Glyn] Did I tell you
my wife's definitely confirmed pregnant?
46
00:03:44,600 --> 00:03:45,600
-[Tony] Oh, good.
-Yeah.
47
00:03:45,690 --> 00:03:48,400
-Congratulations.
-Well pleased, yes.
48
00:03:50,060 --> 00:03:51,770
[Tony] I wouldn't mind knocking one out.
49
00:03:52,940 --> 00:03:54,730
-I really love kids.
-[Glyn] "Knocking one out."
50
00:03:56,440 --> 00:03:58,860
-Morning, morning, morning.
-Morning, morning.
51
00:03:58,940 --> 00:03:59,770
Thank you.
52
00:03:59,850 --> 00:04:01,350
-Hello.
-Hello.
53
00:04:01,440 --> 00:04:04,230
-[Ringo] Morning, Linda.
-[Linda] Morning.
54
00:04:04,310 --> 00:04:05,520
-It's…
-From The Circus.
55
00:04:05,600 --> 00:04:08,640
-[Ringo] Here we are.
-[Michael] Neil spoke to me and he said…
56
00:04:09,690 --> 00:04:12,360
He, A, said he'd call me back at 11:15.
57
00:04:15,020 --> 00:04:16,980
Then when I arrived back RS was here.
58
00:04:17,650 --> 00:04:19,150
[Paul] And PM was on his way.
59
00:04:19,230 --> 00:04:21,150
[Michael] PM was on his way. And, uh…
60
00:04:21,230 --> 00:04:22,190
[Paul] JL was in bed.
61
00:04:22,270 --> 00:04:24,190
JL was in bed.
62
00:04:24,270 --> 00:04:25,600
Morning, Neil.
63
00:04:25,690 --> 00:04:27,020
Good morning, Glyn.
64
00:04:29,690 --> 00:04:31,940
-[Ringo] Did you get in touch with John?
-I couldn't get him.
65
00:04:34,190 --> 00:04:35,190
I don't know.
66
00:04:36,940 --> 00:04:38,820
Mal couldn't get him either.
You can only get the machine.
67
00:04:42,940 --> 00:04:46,150
[Linda] 'Cause I have a feeling that
half the stuff Yoko said yesterday isn't--
68
00:04:46,230 --> 00:04:48,150
She was talking for John.
69
00:04:48,230 --> 00:04:51,980
And I don't think he really
believed any of that, you know?
70
00:04:52,560 --> 00:04:53,440
No, so, it's--
71
00:04:53,520 --> 00:04:56,810
John didn't talk, so Yoko talked for John.
72
00:04:58,020 --> 00:04:59,310
In the middle of all that, actually…
73
00:05:03,480 --> 00:05:05,940
See, but their point is
that they're trying to,
74
00:05:06,020 --> 00:05:08,190
like, be as near together as they can.
75
00:05:09,020 --> 00:05:11,150
They wanna stay together, those two.
76
00:05:11,230 --> 00:05:13,150
So it's all right.
Let the young lovers stay together.
77
00:05:13,230 --> 00:05:14,770
But it's not that bad, you know.
78
00:05:14,850 --> 00:05:18,890
We got a lot out of Beatles,
so that if-- I think John's thing now--
79
00:05:26,400 --> 00:05:28,030
-[chattering]
-All right.
80
00:05:28,100 --> 00:05:29,140
Are we running?
81
00:05:29,230 --> 00:05:31,520
♪ Why do you build me up ♪
82
00:05:31,600 --> 00:05:35,230
♪ Build me up
Buttercup baby, just… ♪
83
00:05:37,600 --> 00:05:38,600
[Michael] Yeah.
84
00:05:38,690 --> 00:05:40,570
Funny enough,
the other day when we were talking,
85
00:05:40,650 --> 00:05:43,690
John had said that he really did not want
not to be a Beatle.
86
00:05:44,350 --> 00:05:45,810
Yes.
87
00:05:49,650 --> 00:05:50,900
-Oh, yeah. Sure.
-Are you--
88
00:05:50,980 --> 00:05:53,190
We'd cooled it
because we were not playing together.
89
00:05:53,270 --> 00:05:55,940
'Cause we lived together
when we played together.
90
00:05:56,020 --> 00:05:57,190
We were in the same hotel,
91
00:05:57,270 --> 00:05:59,350
up at the same time
every morning, all day.
92
00:06:00,020 --> 00:06:02,940
As long as you're this close all day,
so something grows.
93
00:06:03,020 --> 00:06:05,850
And then when you're not this close,
just physically, something goes.
94
00:06:05,940 --> 00:06:07,020
Right.
95
00:06:07,100 --> 00:06:11,060
[Paul] Actually, musically, we can play
better than we've ever been able to play.
96
00:06:11,150 --> 00:06:13,360
You know, we're all right on that.
97
00:06:13,440 --> 00:06:15,360
It's just that being together thing.
98
00:06:15,440 --> 00:06:18,150
It's difficult starting right from scratch
with Yoko there.
99
00:06:18,230 --> 00:06:20,810
'Cause I start out writing songs
about white walls.
100
00:06:20,900 --> 00:06:21,900
-[laughing]
-Just 'cause I--
101
00:06:21,980 --> 00:06:25,310
You know, just 'cause
I think John and Yoko would like that.
102
00:06:25,400 --> 00:06:26,570
And they wouldn't.
103
00:06:31,480 --> 00:06:34,940
So, I just think
it's just silly of me or anyone
104
00:06:35,020 --> 00:06:37,440
to try and say to 'em, "No, you can't."
105
00:06:37,520 --> 00:06:41,980
It's like-- It's like that we're striking
'cause work conditions aren't right.
106
00:06:42,060 --> 00:06:43,690
But it shouldn't be.
107
00:06:43,770 --> 00:06:46,730
"Can't operate under these conditions,
boy. We're coming out."
108
00:06:47,310 --> 00:06:49,980
It's like they're going overboard
about it.
109
00:06:50,060 --> 00:06:51,440
But John always does, you know.
110
00:06:51,520 --> 00:06:55,230
You can't go saying, "Be sensible about it
and don't bring her to meetings."
111
00:06:55,730 --> 00:06:57,400
It's his decision, that.
112
00:06:57,480 --> 00:06:59,810
It's none of our business,
like, interfering in that.
113
00:07:05,560 --> 00:07:07,600
Well, I think for them
to be able to compromise,
114
00:07:07,690 --> 00:07:09,690
I have to be able to compromise first.
115
00:07:09,770 --> 00:07:11,020
Then they'll be able to.
116
00:07:11,100 --> 00:07:13,850
But it's silly,
neither of us compromising.
117
00:07:14,480 --> 00:07:16,060
We probably do need…
118
00:07:17,350 --> 00:07:19,680
really, sort of a central daddy figure
119
00:07:19,770 --> 00:07:24,480
to say, you know, "Nine o'clock,
leave your girls at home, lads."
120
00:07:24,560 --> 00:07:25,730
You know, we're all…
121
00:07:28,150 --> 00:07:34,570
But it's gonna be such an incredible sort
of comical thing, like, in 50 years' time.
122
00:07:36,520 --> 00:07:38,770
"They broke up 'cause Yoko sat on an amp."
123
00:07:38,850 --> 00:07:41,640
-[chattering]
-Just something like that. "What?"
124
00:07:42,980 --> 00:07:45,310
"You see,
John kept bringing this girl along."
125
00:07:47,270 --> 00:07:48,350
What?
126
00:07:48,440 --> 00:07:53,650
It's not as though there's any sort
of earth-splitting rows or anything.
127
00:08:07,150 --> 00:08:08,320
[whistling]
128
00:08:08,400 --> 00:08:10,110
[Michael] Lid on the parrot's cage.
129
00:08:13,730 --> 00:08:15,360
[whistling continues]
130
00:08:22,400 --> 00:08:25,150
[Michael]
Uh, if we were gonna take a ship's pool
131
00:08:25,230 --> 00:08:27,060
on what our communal life is gonna be
132
00:08:27,150 --> 00:08:29,230
in the next two weeks,
what are we all betting?
133
00:08:29,310 --> 00:08:31,770
We should cancel that 18th day.
134
00:08:31,850 --> 00:08:34,270
'Cause it should definitely be the 19th.
135
00:08:34,900 --> 00:08:37,320
I mean, already,
'cause we're gonna lose today.
136
00:08:37,400 --> 00:08:40,070
I think we see the end of this week out
137
00:08:40,150 --> 00:08:43,030
and something will have happened,
definitely.
138
00:08:43,100 --> 00:08:44,390
[Michael] Even if it's only nothing?
139
00:08:44,480 --> 00:08:50,110
I was talking to Neil last night
about an idea I thought of for a TV show.
140
00:08:50,190 --> 00:08:54,270
We should get, like, say,
the editor of The Daily Mirror,
141
00:08:55,350 --> 00:09:01,230
a real hard news nut, rehearsing a team
of really hard, incredible newsmen.
142
00:09:01,850 --> 00:09:06,020
So that on the night of the show,
in between all our songs is news,
143
00:09:06,100 --> 00:09:09,230
but the fastest and the hottest
from every corner of the Earth.
144
00:09:09,310 --> 00:09:11,390
"We just heard there's been
an earthquake"… filming it.
145
00:09:11,480 --> 00:09:13,650
So it's like a red-hot news program.
146
00:09:14,190 --> 00:09:18,320
And at the end, the final bulletin is
that The Beatles have broken up.
147
00:09:21,230 --> 00:09:23,900
[Michael] But do you think
if you put any pressure on him,
148
00:09:23,980 --> 00:09:25,980
that he'd go your way a bit more?
149
00:09:26,730 --> 00:09:28,060
I don't know.
150
00:10:06,400 --> 00:10:10,150
-Speak to John? Yeah, okay.
-[Linda] Hey, you know, it's that thing…
151
00:10:10,230 --> 00:10:13,020
The world's dying to see them.
That's the thing.
152
00:10:13,100 --> 00:10:15,230
And if I were there,
I'd be staring at them.
153
00:10:15,310 --> 00:10:18,730
Yeah, not only them, you know,
and they were 40 miles away.
154
00:10:18,810 --> 00:10:20,810
But the audience, the screams,
the lights--
155
00:10:20,900 --> 00:10:23,070
Look, we looked at Help!
the other night again
156
00:10:23,150 --> 00:10:26,070
and, like, A Hard Day's Night,
and that was them playing.
157
00:10:26,150 --> 00:10:28,280
Right. But it was them
over an hour and a half--
158
00:10:28,350 --> 00:10:29,390
It was them. Just--
159
00:10:29,480 --> 00:10:31,560
I'm speaking like a fan. I really am.
160
00:10:34,770 --> 00:10:37,730
-Oh, okay. Should we fight about that?
-Yeah.
161
00:10:37,810 --> 00:10:38,980
[Neil] Did you take a photograph?
162
00:10:39,060 --> 00:10:41,060
-[Linda] I was gonna say there are only--
-[Michael] What's new?
163
00:10:43,230 --> 00:10:46,060
-[Linda] So is he lighting his, uh…
-[Paul] Lighting up a Players.
164
00:10:46,150 --> 00:10:47,440
[Neil] And jumping on his hands.
165
00:10:47,520 --> 00:10:49,980
[Michael] You see, Paul, I was saying
to Linda when you were out
166
00:10:50,060 --> 00:10:52,480
that I can do it any way,
167
00:10:52,560 --> 00:10:56,310
except I gotta keep saying you're wrong
when I think you're wrong.
168
00:10:56,900 --> 00:10:59,110
Yeah. Sure. Great.
169
00:10:59,190 --> 00:11:01,020
I'll just keep saying I'm right
when I think I'm right.
170
00:11:01,100 --> 00:11:02,350
[Michael] Yeah, of course.
171
00:11:02,940 --> 00:11:07,820
Because otherwise I abdicate
both my fanship and also my, uh…
172
00:11:09,900 --> 00:11:11,230
[all laugh]
173
00:11:18,980 --> 00:11:20,860
[laughing]
174
00:11:28,190 --> 00:11:30,190
No, come on. You stay out of this, Yoko.
175
00:11:30,270 --> 00:11:31,400
[Linda laughs]
176
00:11:36,400 --> 00:11:38,360
-[chattering]
-[dishes clattering]
177
00:15:54,900 --> 00:15:57,150
[guitar, bass playing]
178
00:15:57,230 --> 00:15:59,270
[crew, indistinct]
179
00:16:01,600 --> 00:16:02,680
And you're right.
180
00:16:12,770 --> 00:16:14,520
-[John] You got any pep pills?
-Okay, Mal.
181
00:16:14,600 --> 00:16:15,640
Could I have a couple?
182
00:16:15,730 --> 00:16:17,310
[Paul] We've got an hour.
183
00:16:17,400 --> 00:16:18,900
Yeah, none of that, I reckon.
184
00:16:18,980 --> 00:16:20,230
Do an hour, just so, uh…
185
00:16:20,310 --> 00:16:22,190
[Linda] I just knew it has to be…
186
00:16:42,770 --> 00:16:44,440
Okay. Sweet Loretta Marsh.
187
00:16:45,440 --> 00:16:48,650
♪ Sweet Loretta Marsh, she thought-- ♪
188
00:16:48,730 --> 00:16:51,190
Marsh isn't nice, is it? Marsh is too--
189
00:16:52,350 --> 00:16:53,350
♪ Loretta Mare ♪
190
00:16:54,190 --> 00:16:56,820
♪ Sweet Loretta Mare thought she was… ♪
191
00:16:57,400 --> 00:17:00,230
Loretta Mary--
I mean, it's gotta be a name--
192
00:17:00,310 --> 00:17:03,890
♪ Sweet Loretta Mary
Thought she was a woman… ♪
193
00:17:03,980 --> 00:17:06,310
♪ But she was another man ♪
194
00:17:07,770 --> 00:17:08,850
[Mal] What's that one?
195
00:17:10,770 --> 00:17:11,850
Marsh.
196
00:17:13,900 --> 00:17:17,150
Uh, but we're not sure about that,
but put it in.
197
00:17:20,900 --> 00:17:25,280
It's gotta be, like, one of those hard,
"night," "bite," "right."
198
00:17:25,350 --> 00:17:28,890
♪ Sweet Loretta Mare-- Mare-- ♪
199
00:17:28,980 --> 00:17:32,440
♪ Sweet Loretta Marety
Thought she was a woman ♪
200
00:17:32,520 --> 00:17:35,060
♪ But she was another man ♪
201
00:17:40,310 --> 00:17:44,020
Leave that verse, eh, 'cause it's--
It could be all right, that verse.
202
00:17:44,100 --> 00:17:45,310
It sings all right.
203
00:17:46,190 --> 00:17:48,570
-Okay, the next verse.
-Jo Jo Jackson.
204
00:17:48,650 --> 00:17:49,900
[groans]
205
00:17:50,650 --> 00:17:53,820
♪ Jo Jo Jackson left his home in Arizona ♪
206
00:17:53,900 --> 00:17:56,320
-"Left his home in Arizona," is it?
-That's all right.
207
00:17:56,400 --> 00:17:58,940
-Yeah, "home in Arizona."
-"But he knew it couldn't last."
208
00:17:59,020 --> 00:18:01,190
No that's not good.
"But he knew it couldn't last."
209
00:18:01,270 --> 00:18:04,560
♪ Jo Jo Jackson left his home in Arizona ♪
210
00:18:05,230 --> 00:18:07,520
[indistinct]
211
00:18:11,730 --> 00:18:15,230
♪ Jo Jo left his home
In nuh-nuh, Arizona ♪
212
00:18:15,310 --> 00:18:17,810
[mumbles]
213
00:18:21,980 --> 00:18:25,560
♪ Jo Jo left his home in Tucson, Arizona ♪
214
00:18:25,650 --> 00:18:30,190
[grunts]
"Jo left his home in Tucson, Arizona."
215
00:18:30,270 --> 00:18:32,310
-Is Tucson in Arizona?
-Yeah. It is, yeah.
216
00:18:36,060 --> 00:18:39,560
♪ Jo Jo left his home in Tucson, Arizona ♪
217
00:18:39,650 --> 00:18:42,400
♪ Thought it's gonna be a… ♪
218
00:18:42,980 --> 00:18:44,020
I can make sense of it.
219
00:18:44,100 --> 00:18:46,390
Jo Jo left his home,
hoping it would be a blast.
220
00:18:46,480 --> 00:18:49,060
Pretty soon he found that
he'd have to be a loner
221
00:18:49,150 --> 00:18:51,110
with some California grass in America.
222
00:18:51,190 --> 00:18:54,480
You make that make sense,
but it doesn't sing good.
223
00:18:55,190 --> 00:18:57,070
-♪ Jo Jo left his ♪
-[John] Is it Jo Jo?
224
00:18:57,150 --> 00:19:00,860
♪ …in Tucson, Arizona
But he thought it couldn't last ♪
225
00:19:00,940 --> 00:19:02,440
Looking for a what? What is it?
226
00:19:02,520 --> 00:19:03,850
♪ Looking for a home to last ♪
227
00:19:03,940 --> 00:19:05,190
[John] No, looking for a…
228
00:19:05,270 --> 00:19:07,350
[Ringo]
♪ Looking for a blast from the past ♪
229
00:19:08,060 --> 00:19:09,560
[Paul] One, two, three.
230
00:19:13,440 --> 00:19:19,520
♪ Jo Jo left his home in Tucson, Arizona
But he knew it couldn't last ♪
231
00:19:20,900 --> 00:19:22,230
[indistinct]
232
00:19:22,310 --> 00:19:24,310
♪ Thought he was a loner ♪
233
00:19:24,400 --> 00:19:26,610
♪ For some California grass ♪
234
00:19:27,690 --> 00:19:31,110
♪ Get back
Get back ♪
235
00:19:31,190 --> 00:19:34,270
♪ Get back to where you once belonged ♪
236
00:19:36,400 --> 00:19:38,280
-[playing stops]
-[Paul] Okay. Can we go home now?
237
00:19:38,350 --> 00:19:40,850
[Michael] I think at some point we should
talk conceptually about the show.
238
00:19:40,940 --> 00:19:44,690
[Paul] Okay, we have to be flexible, but
we're gonna have to be very flexible now.
239
00:19:44,770 --> 00:19:48,940
Which is like, the 18th today
has changed to the 19th.
240
00:19:49,020 --> 00:19:50,600
'Cause we lost a day today.
241
00:19:50,690 --> 00:19:52,820
Tomorrow it will change to the 20th.
242
00:19:52,900 --> 00:19:54,570
The day after, it will change to the 21st.
243
00:19:56,020 --> 00:19:58,520
[Paul]
Well, exactly. If George comes back, yeah.
244
00:19:58,600 --> 00:19:59,770
Put it back a full week, yeah.
245
00:19:59,850 --> 00:20:01,020
[Michael] Put it back a full week.
246
00:20:01,100 --> 00:20:03,270
But book it for a full week
and then cancel it next week.
247
00:20:03,350 --> 00:20:05,350
Not to say changeable.
248
00:20:17,060 --> 00:20:19,350
"Baby's in Black,"
"If I Needed," "Tripper."
249
00:20:19,440 --> 00:20:21,110
[John]
I mean, that's how flexible we can get.
250
00:20:21,190 --> 00:20:23,440
[Paul] "I Feel Fine,"
"Yesterday," "I Wanna Be,"
251
00:20:23,520 --> 00:20:25,440
"Nowhere Man," "Paperback," "Long Tall."
252
00:20:25,520 --> 00:20:27,650
-[Michael] What's it from?
-[John] That's from the old shows.
253
00:20:31,900 --> 00:20:35,440
[Paul] And, like, lot of old tunes
had just set chord patterns.
254
00:20:35,520 --> 00:20:37,940
'Cause that's the great thing. Once…
255
00:20:38,020 --> 00:20:41,400
Once you start trying to find out
chord patterns, you really suss
256
00:20:41,480 --> 00:20:43,520
what people are doing,
what musicians are doing.
257
00:20:43,600 --> 00:20:44,600
And they really, it's…
258
00:20:44,690 --> 00:20:45,730
[playing chord]
259
00:20:45,810 --> 00:20:49,190
-You know, it's like… [vocalizing]
-[playing]
260
00:20:55,690 --> 00:20:56,860
[piano stops]
261
00:20:56,940 --> 00:21:00,570
Like, old tunes, you know,
they had just a certain way of going.
262
00:21:00,650 --> 00:21:02,360
And they hardly ever varied from that.
263
00:21:02,440 --> 00:21:05,440
I don't really know it, you know?
My dad knows that better.
264
00:21:05,520 --> 00:21:07,940
The great thing about a piano
is that, there it all is.
265
00:21:08,020 --> 00:21:10,600
There's all the music ever.
That's it, you know?
266
00:21:10,690 --> 00:21:13,820
All this that's ever been written
is all there.
267
00:21:13,900 --> 00:21:15,940
[playing "Martha My Dear"]
268
00:21:34,190 --> 00:21:38,190
[vocalizing]
269
00:21:38,270 --> 00:21:40,770
See, it's still basically
only one, two, three, four--
270
00:21:40,850 --> 00:21:41,850
[Paul Bond] Yeah.
271
00:21:42,440 --> 00:21:45,610
You know, okay, so that's getting
more complicated than the three,
272
00:21:45,690 --> 00:21:47,480
-but it's still only--
-Yeah, sure.
273
00:21:47,560 --> 00:21:49,810
-Used the same way, presumably?
-Yeah.
274
00:21:50,400 --> 00:21:53,150
And from there, you know, like,
there's no--
275
00:21:53,230 --> 00:21:55,060
Unless you stop yourself,
there's no stopping yourself.
276
00:21:55,150 --> 00:21:55,980
No.
277
00:21:57,650 --> 00:21:59,150
-Yeah.
-[Paul Bond chuckles]
278
00:22:01,650 --> 00:22:02,730
And then there was one.
279
00:22:02,810 --> 00:22:05,770
♪ Eee, by gummy-o ♪
280
00:22:05,850 --> 00:22:08,100
[Ringo] Good! I'm glad to hear that.
281
00:22:08,850 --> 00:22:10,850
-Morning, Paul!
-Good morning, Rich!
282
00:22:10,940 --> 00:22:12,900
-How are you this morning?
-Okay!
283
00:22:12,980 --> 00:22:15,730
[playing boogie-woogie blues piano]
284
00:22:22,940 --> 00:22:24,110
It's fine, thanks.
285
00:22:29,600 --> 00:22:33,140
♪ Well, I bought a piano the other day ♪
286
00:22:33,230 --> 00:22:35,440
♪ I didn't know… ♪
287
00:22:36,100 --> 00:22:38,270
♪ You had to play the goddamn thing ♪
288
00:22:40,980 --> 00:22:42,230
♪ Oh, baby ♪
289
00:22:44,900 --> 00:22:46,280
Use two hands.
290
00:22:57,600 --> 00:22:58,770
[song ends]
291
00:22:58,850 --> 00:23:00,350
[all chuckling]
292
00:23:01,650 --> 00:23:03,230
[Ringo] Well, that's me finished.
293
00:23:04,230 --> 00:23:05,860
[Paul] At least we're keeping together.
294
00:23:05,940 --> 00:23:07,360
[piano playing]
295
00:23:07,440 --> 00:23:11,230
-[Ringo vocalizing]
-[Paul] ♪ Woman, do you love me? ♪
296
00:23:12,810 --> 00:23:17,100
♪ Woman, if you need me then ♪
297
00:23:17,190 --> 00:23:21,520
♪ Believe me I need you ♪
298
00:23:21,600 --> 00:23:24,560
♪ To be my woman ♪
299
00:23:25,850 --> 00:23:28,600
I wonder if Peter's still got
the original thing of that.
300
00:23:29,400 --> 00:23:32,030
First time we did it, it was little.
It was great, you know. It was really…
301
00:23:32,100 --> 00:23:35,390
-♪ Woman, do you love me? ♪
-[playing piano]
302
00:23:37,690 --> 00:23:41,230
♪ Woman, do you need me? ♪
303
00:23:42,690 --> 00:23:47,110
♪ Woman, if you need me then ♪
304
00:23:47,190 --> 00:23:48,690
That is the great bit Gordon did.
305
00:23:48,770 --> 00:23:54,850
♪ If you need me then
Believe me I need you ♪
306
00:23:54,940 --> 00:23:57,820
[imitating Gordon Waller]
♪ To be my woman ♪
307
00:23:59,730 --> 00:24:02,980
Gordon couldn't get the high notes,
and he would sort of--
308
00:24:03,060 --> 00:24:06,350
And he'd just let them go and do it again.
But they did it the next time.
309
00:24:06,440 --> 00:24:08,360
It was a mammoth
Peter and Gordon treatment.
310
00:24:08,440 --> 00:24:09,440
That's right. Yeah.
311
00:24:09,520 --> 00:24:11,600
[vocalizing]
312
00:24:14,730 --> 00:24:16,020
[Paul] Whatever I'm around, you know?
313
00:24:19,060 --> 00:24:20,810
[Paul] Yeah, sure.
314
00:24:20,900 --> 00:24:22,900
In fact, I had one this morning.
315
00:24:22,980 --> 00:24:25,110
-♪ We were just busy driving ♪
-[playing piano]
316
00:24:26,270 --> 00:24:32,310
♪ Driving in the back seat of my car ♪
317
00:24:32,400 --> 00:24:35,530
♪ Ooh ♪
318
00:24:35,600 --> 00:24:37,850
♪ Honey, I'm busy riding ♪
319
00:24:38,730 --> 00:24:44,150
♪ Sitting in the back seat of my car ♪
320
00:24:45,060 --> 00:24:49,520
-[vocalizing]
-[laughing]
321
00:24:58,230 --> 00:24:59,980
♪ It's just for you ♪
322
00:25:01,020 --> 00:25:05,060
♪ That I sing a song of Spring ♪
323
00:25:07,230 --> 00:25:12,980
♪ And every time the raindrops fall ♪
324
00:25:13,060 --> 00:25:16,560
♪ I think of Summer ♪
325
00:25:16,650 --> 00:25:19,070
-[piano stops]
-♪ It's just for you ♪
326
00:25:19,150 --> 00:25:20,980
-[resumes]
-[chuckles]
327
00:25:21,060 --> 00:25:26,440
♪ That I sing a song of love ♪
328
00:25:27,100 --> 00:25:30,180
♪ Sing a song of love ♪
329
00:25:31,650 --> 00:25:35,610
♪ Sing a song of love ♪
330
00:25:35,690 --> 00:25:40,190
[holds note]
331
00:25:40,270 --> 00:25:41,520
-[piano stops]
-It's just for you.
332
00:25:41,600 --> 00:25:42,850
[Michael] Nice.
333
00:25:44,310 --> 00:25:46,310
Thank you, Michael Lindsay-Hogg.
334
00:25:47,230 --> 00:25:48,980
Director of this epic.
335
00:25:50,230 --> 00:25:52,110
[Michael] That's the first thing
you ever said to me.
336
00:25:52,190 --> 00:25:53,190
[Ringo] What?
337
00:25:53,270 --> 00:25:55,310
[Michael] At Chiswick Park, years ago,
when we did something,
338
00:25:55,400 --> 00:25:57,860
you said, "What kind of tree is that?"
and I said, "It's a yew."
339
00:25:57,940 --> 00:26:00,940
-And you said, "No, it's not. It's a me."
-Did I really?
340
00:26:01,020 --> 00:26:03,060
-I thought, "Beatles humor."
-Yeah.
341
00:26:03,650 --> 00:26:05,730
[Mal] I see the sets are arriving, fellas.
342
00:26:05,810 --> 00:26:08,520
-[Paul] Yeah, the sets are coming in.
-[Michael] Yeah, nice.
343
00:26:08,600 --> 00:26:11,140
Hey, should we shoot the train coming in,
chug-chug.
344
00:26:11,230 --> 00:26:12,690
-[Tony] No, no, no.
-Why not?
345
00:26:12,770 --> 00:26:14,100
[Mal] It's copyrighted.
346
00:26:14,190 --> 00:26:15,690
Well, it's a documentary.
347
00:26:17,480 --> 00:26:19,270
Just turn your lights around.
348
00:26:19,350 --> 00:26:21,680
But it's a good shot
for the part of the atmosphere.
349
00:26:21,770 --> 00:26:26,400
-Oh, come on, Tony. Oh, fuck. Oh, no.
-[Paul] Jean-Luc Godard?
350
00:26:27,150 --> 00:26:28,940
We could make a film, you know?
351
00:26:29,650 --> 00:26:33,440
Just get a script and all that,
and really not waste all this camera time.
352
00:26:33,520 --> 00:26:35,350
-Do a little sort of film.
-[Mal] Yeah, right.
353
00:26:35,440 --> 00:26:37,020
[Michael] Yeah, we can make train movies.
354
00:26:37,100 --> 00:26:39,180
[Mal] We've got a spare few thousand feet,
haven't we?
355
00:26:39,270 --> 00:26:41,650
We've got a spare few thousand feet.
We won't tell Denis we're doing it.
356
00:26:41,730 --> 00:26:43,940
-Let's make a silent movie.
-Yeah.
357
00:26:44,020 --> 00:26:46,100
Slow so it's speeded up
when we play it back,
358
00:26:46,190 --> 00:26:47,690
'cause they're always funny to watch.
359
00:26:47,770 --> 00:26:48,770
[Michael] Yeah.
360
00:26:48,850 --> 00:26:52,680
[Paul] Can we have it in a club?
You know, the atmosphere is a club, and…
361
00:26:53,350 --> 00:26:55,350
That's it. We're in a band.
362
00:26:55,440 --> 00:26:57,940
We're in a band who sell drugs.
363
00:26:58,020 --> 00:27:00,650
-Do you want to be a goody then, Glyn?
-Uh…
364
00:27:00,730 --> 00:27:02,860
[Paul] Come on.
Now, you're sulking, aren't you?
365
00:27:02,940 --> 00:27:04,230
-[laughter]
-Wants to be a goody.
366
00:27:04,310 --> 00:27:06,020
-[Ringo] The roughneck that changes.
-[Paul] Yeah.
367
00:27:06,100 --> 00:27:08,430
-[Glyn] Bit of sentimentality.
-[Paul] The hard drug-peddling yob…
368
00:27:08,520 --> 00:27:10,690
-[Ringo] With a good heart.
-[Paul] …who turned to religion.
369
00:27:10,770 --> 00:27:12,150
[laughter]
370
00:27:12,230 --> 00:27:14,860
Ringo's the teacher--
the schoolteacher who goes to see him.
371
00:27:14,940 --> 00:27:17,270
-[Ringo] Mal's the policeman gone wrong.
-[laughter]
372
00:27:19,690 --> 00:27:21,520
[Paul] We shouldn't waste
all this camera time.
373
00:27:21,600 --> 00:27:23,520
Tony can shoot it.
We can do a movie today.
374
00:27:23,600 --> 00:27:25,230
[Paul] No, Tony's in it. He's the fence.
375
00:27:25,310 --> 00:27:28,060
-[Michael] Can I be in it?
-Where Glyn gets rid of the drugs.
376
00:27:28,150 --> 00:27:30,650
Just so long as I look thin,
Tony, I don't care.
377
00:27:30,730 --> 00:27:32,690
-[Paul] Then go through there?
-No.
378
00:27:32,770 --> 00:27:35,770
No, if you do it that way,
it's like hanging yourself by your arse.
379
00:27:35,850 --> 00:27:36,850
[laughter]
380
00:27:36,940 --> 00:27:38,730
[groaning]
381
00:27:38,810 --> 00:27:40,640
-[Kevin] Help, no legs.
-[chuckles]
382
00:27:40,730 --> 00:27:42,310
[Paul]
Seen The Good, the Bad and the Ugly?
383
00:27:42,400 --> 00:27:43,400
-[Ringo] No.
-That's great.
384
00:27:43,480 --> 00:27:46,360
[chains rattling]
385
00:27:46,440 --> 00:27:49,770
[Paul] That's the trouble.
You get the panic about halfway up.
386
00:27:49,850 --> 00:27:51,520
[Ringo]
When you realize you can't stand heights.
387
00:27:51,600 --> 00:27:53,810
[Paul] ♪ Those were the days, my friend ♪
388
00:27:53,900 --> 00:27:55,860
♪ We thought they'd-- ♪ [yelps]
389
00:27:55,940 --> 00:27:58,570
-There's no business like show business.
-[laughter]
390
00:27:58,650 --> 00:28:00,400
What is it?
Straight up to the top and back?
391
00:28:00,480 --> 00:28:02,150
In the old days, boys,
you used to be able to--
392
00:28:06,350 --> 00:28:07,930
In the old days-- That was me!
393
00:28:08,810 --> 00:28:10,810
[Mal] Any minute now, it gets dangerous.
394
00:28:11,560 --> 00:28:13,310
-[Ringo] Well, good night.
-[laughter]
395
00:28:13,400 --> 00:28:15,780
-It's a wrap.
-[laughter]
396
00:28:15,850 --> 00:28:20,270
Well, that's all for this evening. [hums]
397
00:28:22,690 --> 00:28:24,480
Funny you should've said that--
[indistinct]
398
00:28:24,560 --> 00:28:26,980
Very good. I think--
It was nice when the camera came up.
399
00:28:27,060 --> 00:28:28,730
-I think they got--
-What you said.
400
00:28:28,810 --> 00:28:29,850
-…exactly what you mean.
-All right.
401
00:28:29,940 --> 00:28:31,520
Well, it's a chance to speak.
402
00:28:31,600 --> 00:28:33,890
I know. It's the only chance we get. We--
403
00:28:33,980 --> 00:28:36,440
There's only Cliff doing his bit,
really and--
404
00:28:36,520 --> 00:28:38,850
Well, I left the clergy about '59,
you know.
405
00:28:38,940 --> 00:28:40,940
I thought I better get in with the kids.
406
00:28:41,020 --> 00:28:43,270
It all started with Rosie.
407
00:28:43,350 --> 00:28:45,100
-Well, a lot of us did.
-She was in the congregation.
408
00:28:45,190 --> 00:28:47,110
-A lot of us started with Rosie, actually.
-[laughs]
409
00:28:47,190 --> 00:28:49,520
-[chuckles]
-It was rehearsal rooms.
410
00:28:50,310 --> 00:28:53,480
Also leaving for the Midem Song Festival
is John Rowles.
411
00:28:53,560 --> 00:28:55,230
-Oh, he's not?
-[Paul chuckles]
412
00:28:55,310 --> 00:28:57,190
-[Paul] He's flying out.
-[coughs]
413
00:28:57,270 --> 00:28:58,770
[John]
See you've given up smoking, Richie.
414
00:28:58,850 --> 00:29:00,020
Yes, I have.
415
00:29:00,940 --> 00:29:03,020
[John] Now, we were going
to discuss this afternoon
416
00:29:03,100 --> 00:29:06,560
what religion meant to a pop star.
417
00:29:06,650 --> 00:29:08,280
And the pop star we've chosen
418
00:29:08,350 --> 00:29:10,810
is Tumble Starker, who's sitting here.
419
00:29:14,310 --> 00:29:16,640
[Michael] Tony, Denis is gonna worry
about the footage again.
420
00:29:16,730 --> 00:29:18,110
Don't tell him you're shooting.
421
00:29:18,190 --> 00:29:19,690
-[John] How are you?
-[Peter Sellers] All right.
422
00:29:19,770 --> 00:29:20,850
Welcome to Panorama.
423
00:29:20,940 --> 00:29:21,860
-Hello.
-[Peter] Hello.
424
00:29:21,940 --> 00:29:23,770
How are you? Pleased to meet you.
425
00:29:23,850 --> 00:29:26,140
-[chattering]
-We've been lucky enough this evening
426
00:29:26,230 --> 00:29:29,980
to secure the, uh, talents
of Mr. Peter Sellers here
427
00:29:30,560 --> 00:29:32,480
who is going to give us number three.
428
00:29:33,480 --> 00:29:34,560
[Peter] Yes.
429
00:29:34,650 --> 00:29:36,900
Number three, folks, number three.
430
00:29:36,980 --> 00:29:38,440
-Number three.
-How about that, folks?
431
00:29:38,520 --> 00:29:40,520
That was number three from Peter Sellers.
432
00:29:40,600 --> 00:29:42,430
-Now on to the next round.
-Number three.
433
00:29:42,520 --> 00:29:43,440
[chuckles]
434
00:29:43,520 --> 00:29:46,400
[John] Well, if we ask him really nicely,
435
00:29:46,480 --> 00:29:49,360
-he'll probably do a number five.
-[Peter] Yes, I might.
436
00:29:49,440 --> 00:29:50,440
[chuckles]
437
00:29:51,480 --> 00:29:53,310
[John] Long, tall Sally, pretty sweet.
438
00:29:53,400 --> 00:29:56,440
She got everything Uncle John need.
Oh, boy. Baby.
439
00:29:58,100 --> 00:30:00,430
Your chance to win a fab, free Beatle.
440
00:30:00,520 --> 00:30:03,560
-[Paul chuckles]
-Send in 39 disk tops.
441
00:30:05,560 --> 00:30:08,730
-[Paul] Wake up, Lennon.
-[John] Wake up, Lennon. It's about time.
442
00:30:10,150 --> 00:30:13,280
What, uh-- What are we discussing
at this moment? What's the, uh…
443
00:30:13,350 --> 00:30:14,810
-[Paul] The film.
-[Yoko] Issue. [chuckles]
444
00:30:14,900 --> 00:30:15,900
Ah.
445
00:30:16,850 --> 00:30:18,270
This is the impromptu mic.
446
00:30:18,350 --> 00:30:20,140
It's a documentary
of how The Beatles work.
447
00:30:20,230 --> 00:30:23,110
[Michael] It's a spontaneous--
A spontaneous documentary.
448
00:30:23,190 --> 00:30:25,230
'Cause we feel we shouldn't
keep it all to ourselves.
449
00:30:25,310 --> 00:30:27,520
We should spread it out, you know?
450
00:30:27,600 --> 00:30:31,560
We want to share
with the world what we have, Peter.
451
00:30:31,650 --> 00:30:35,570
-And-- And this is what we have.
-[Yoko] Or what we haven't. [chuckles]
452
00:30:35,650 --> 00:30:37,110
[Peter] Ah.
453
00:30:37,190 --> 00:30:38,860
[Paul] Well, this is--
we just sort of sit here
454
00:30:38,940 --> 00:30:40,610
and allow ourselves to be embarrassed
455
00:30:40,690 --> 00:30:43,110
-about this time every day.
-[chuckles]
456
00:30:43,190 --> 00:30:45,570
-[John] Oh, yes.
-[Paul] Number nine.
457
00:30:45,650 --> 00:30:50,230
You're talking to the ninth-best-dressed
male pop singer in the world, you know?
458
00:30:50,310 --> 00:30:53,730
-No mean city. Yes.
-[Paul] And Judy Garland.
459
00:30:54,650 --> 00:30:56,650
Look out, Tom Jones, I say.
460
00:30:56,730 --> 00:30:58,360
-[chuckles]
-Over to you, Peter.
461
00:31:00,940 --> 00:31:03,480
Very kind of you, but I-- I must be off.
462
00:31:05,150 --> 00:31:06,150
Mm-hmm.
463
00:31:07,690 --> 00:31:09,440
Well, nice to have met you, fellas.
464
00:31:09,520 --> 00:31:10,560
Other guys.
465
00:31:10,650 --> 00:31:11,650
-See you.
-[John] Bye-bye.
466
00:31:11,730 --> 00:31:12,730
-Bye.
-[Paul] Too much, Pete.
467
00:31:12,810 --> 00:31:14,520
-Bye-bye.
-[chuckles]
468
00:31:14,600 --> 00:31:16,140
-Way out.
-All right.
469
00:31:16,230 --> 00:31:18,230
-[Peter] All right. Way out.
-[Joe] Exit.
470
00:31:18,310 --> 00:31:20,060
-It's that way.
-Yeah, wrong way.
471
00:31:20,150 --> 00:31:21,570
It's that way. [chuckles]
472
00:31:21,650 --> 00:31:23,570
-[all chuckling]
-All right.
473
00:31:23,650 --> 00:31:26,190
[John]
Just don't leave the needles lying around.
474
00:31:26,270 --> 00:31:30,270
We've got a bad reputation now
with John getting busted and that.
475
00:31:30,350 --> 00:31:32,430
-[Peter, indistinct]
-[Yoko chuckles]
476
00:31:32,520 --> 00:31:35,100
-[Michael] Do you really not feel well?
-No, I just feel a bit--
477
00:31:35,190 --> 00:31:37,860
I don't feel well, but I can't say,
'cause I'm the captain of the ship.
478
00:31:37,940 --> 00:31:39,820
[John]
Nowadays, the captain gets off first.
479
00:31:40,770 --> 00:31:42,310
No, I'd go down with the ship.
480
00:31:43,150 --> 00:31:46,030
[Paul] If we hang around a bit longer,
we'll get Ringo being sick.
481
00:31:47,100 --> 00:31:49,980
[John] See you missed me this morning.
I did it for CBS.
482
00:31:50,060 --> 00:31:52,100
-Leapt off in the middle of the interview.
-Did you?
483
00:31:52,190 --> 00:31:54,770
Actually I'm just recovering from the day,
you know?
484
00:31:55,900 --> 00:31:57,570
[Yoko] From the night.
485
00:31:58,150 --> 00:32:00,570
[John] No reason at all,
except that I'm mistreating my body.
486
00:32:01,600 --> 00:32:04,640
Yes. I just was up late, you know.
487
00:32:04,730 --> 00:32:07,110
I was sort of stoned and high
and watching films.
488
00:32:07,190 --> 00:32:08,690
And I wouldn't have made it anyway.
489
00:32:08,770 --> 00:32:11,100
Is there any need to do this in public,
Mr. Lennon?
490
00:32:11,190 --> 00:32:12,980
[Michael]
At the moment you're a guest for lunch.
491
00:32:13,060 --> 00:32:14,270
Yeah. But it's not good.
492
00:32:14,350 --> 00:32:17,230
If I'm gonna come at 10:00
I should come at 10:00.
493
00:32:17,310 --> 00:32:19,190
[Paul] Up with the dawn,
down with the sun.
494
00:32:19,730 --> 00:32:21,400
Ringo ever, Eric never.
495
00:32:21,480 --> 00:32:22,480
Okay.
496
00:32:23,060 --> 00:32:24,560
Shall we knock off early today, or not?
497
00:32:24,650 --> 00:32:25,780
[Paul] Probably, yeah.
498
00:32:25,850 --> 00:32:27,810
[Michael]
Shall we knock on early tomorrow?
499
00:32:29,520 --> 00:32:30,900
Yes, I'll do that.
500
00:32:32,600 --> 00:32:33,600
Yeah.
501
00:32:33,690 --> 00:32:35,820
[John] "When I was younger,
so much younger than today,
502
00:32:35,900 --> 00:32:38,610
I never needed anybody's help in any way.
503
00:32:40,520 --> 00:32:42,940
But now my life has changed
in oh so many ways."
504
00:32:45,230 --> 00:32:48,020
A wop-bop-a-loo-ma. Ba-lim-bam-boo.
505
00:32:50,190 --> 00:32:52,270
We can't carry on like this indefinitely.
506
00:32:52,770 --> 00:32:54,310
-[Ringo] We seem to be.
-[Paul] Doing this.
507
00:32:54,400 --> 00:32:55,820
We seem to, but we can't.
508
00:32:57,150 --> 00:33:00,280
See, what you need
is a serious program of work.
509
00:33:01,310 --> 00:33:05,020
Not an aimless rambling
amongst the canyons of your mind.
510
00:33:06,980 --> 00:33:08,150
An aim in life.
511
00:33:08,770 --> 00:33:11,100
Trip upon that golden ship of shores.
512
00:33:12,350 --> 00:33:13,600
We all together, boy.
513
00:33:13,690 --> 00:33:16,650
To wander aimlessly is very un-swinging.
514
00:33:19,520 --> 00:33:20,600
Unhip.
515
00:33:20,690 --> 00:33:22,820
Well, "When I touch you,
I feel happy inside.
516
00:33:22,900 --> 00:33:24,480
I can't hide. I can't hide."
517
00:33:27,230 --> 00:33:29,810
-"Ask me why, I'll say I love you."
-What you need is a schedule.
518
00:33:30,650 --> 00:33:32,610
Achieve something every day.
519
00:33:36,480 --> 00:33:38,940
-[Yoko] It's so hard, right?
-It's rather hard to live up to, Paul.
520
00:33:41,520 --> 00:33:42,690
[John] I'm planning on 11.
521
00:33:43,850 --> 00:33:45,560
[Paul] It's 12 to 14, Mal.
522
00:33:47,940 --> 00:33:49,190
[John] It's a choice of six.
523
00:33:49,770 --> 00:33:52,190
Some ready to wear
and some made to measure.
524
00:33:52,270 --> 00:33:53,350
[clears throat]
525
00:34:00,100 --> 00:34:02,060
[Michael] We were talking earlier.
526
00:34:02,150 --> 00:34:03,530
About the space between us?
527
00:34:04,440 --> 00:34:05,770
[Michael] About the gap between us.
528
00:34:05,850 --> 00:34:09,310
But about also the documentary, which
is grinding to a halt. How do we do it?
529
00:34:09,400 --> 00:34:11,480
Grinding to a halt?
I think it's taking off.
530
00:34:11,560 --> 00:34:12,850
Exactly. Here we go.
531
00:34:12,940 --> 00:34:16,270
"Loop de loop,"
as Frankie Vaughan once said.
532
00:34:16,350 --> 00:34:17,350
The one-legged wonder.
533
00:34:17,440 --> 00:34:19,520
[all chuckling]
534
00:34:19,600 --> 00:34:22,890
Ringo said that he thought
we ought to just tell it like it is.
535
00:34:25,940 --> 00:34:26,940
I think we are.
536
00:34:28,480 --> 00:34:30,060
[John] Once upon a tarmac,
537
00:34:30,150 --> 00:34:34,030
there lived a small baggage who suffered
incredible distortion on his right leg.
538
00:34:35,600 --> 00:34:38,350
He took it to all the doctors,
and they said…
539
00:34:40,440 --> 00:34:41,440
But one day…
540
00:34:44,730 --> 00:34:45,770
Happy ever after.
541
00:34:45,850 --> 00:34:46,850
[Yoko chuckles]
542
00:34:46,940 --> 00:34:49,320
-[phone rings]
-Ah!
543
00:34:49,400 --> 00:34:52,070
-[chuckles]
-Sir Joseph.
544
00:34:52,150 --> 00:34:53,280
[laughs]
545
00:34:53,350 --> 00:34:55,480
It's about this deal with FBI.
546
00:34:56,520 --> 00:34:57,980
I need another million…
547
00:34:59,650 --> 00:35:03,280
and the written acclamation of Dick James.
548
00:35:04,560 --> 00:35:06,310
I know it's hard. I know it's hard.
549
00:35:06,400 --> 00:35:08,110
They died that we might wank.
550
00:35:08,600 --> 00:35:11,810
[all laughing]
551
00:35:14,310 --> 00:35:16,520
I'm talking about the Boy Scouts
who aren't allowed to masturbate.
552
00:35:16,600 --> 00:35:17,680
Oh.
553
00:35:17,770 --> 00:35:20,150
It's very tempting
when you're wearing shorts.
554
00:35:20,850 --> 00:35:24,430
If they only wore long trousers,
maybe they'd stand a chance, you know?
555
00:35:25,230 --> 00:35:28,400
But I can tell you, you don't go blind
but very shortsighted.
556
00:35:28,480 --> 00:35:32,480
[all laughing]
557
00:35:32,560 --> 00:35:35,310
[Yoko] Are you talking from experience
then, John?
558
00:35:36,150 --> 00:35:37,940
-[song playing]
-[John] ♪ Mean Mister Mustard ♪
559
00:35:38,020 --> 00:35:40,850
♪ Sleeps in the park
Shaves in the dark ♪
560
00:35:40,940 --> 00:35:43,320
♪ Trying to save paper ♪
561
00:35:44,560 --> 00:35:47,980
♪ He sleeps in a hole in the road ♪
562
00:35:49,150 --> 00:35:52,230
♪ He keeps a ten-bob note up his nose ♪
563
00:35:53,690 --> 00:35:57,020
♪ He's saving up to buy some clothes ♪
564
00:35:57,100 --> 00:35:59,930
♪ He's such a mean old man ♪
565
00:36:01,940 --> 00:36:03,770
-[song fades]
-[John] Right. Guitars?
566
00:36:03,850 --> 00:36:07,060
-I thought that's what they do.
-That is what they do, but you can't--
567
00:36:07,150 --> 00:36:09,280
Could even sing you
half a song I was writing.
568
00:36:09,350 --> 00:36:11,560
-[music playing]
-[Paul] Come on.
569
00:36:15,190 --> 00:36:21,070
[John] ♪ Don't you know that there's a
Madman-a-comin' gonna do you no harm ♪
570
00:36:21,150 --> 00:36:26,190
♪ He's wearin' pink pajamas
'Cause he comes from a farm ♪
571
00:36:26,270 --> 00:36:31,350
♪ He's got to get somewhere
To go and be so happy on his own ♪
572
00:36:33,940 --> 00:36:37,070
♪ But every place you go is low ♪
573
00:36:38,440 --> 00:36:41,610
♪ Every place you go is low ♪
574
00:36:42,560 --> 00:36:45,230
♪ The place you go is low ♪
575
00:36:46,310 --> 00:36:48,190
-[song fades]
-Well, it's been lots of fun.
576
00:36:48,270 --> 00:36:50,810
[Michael] We ought to figure out, like,
do you wanna go on rehearsing?
577
00:36:50,900 --> 00:36:54,150
Or do you want to move into EMI
and just maybe do an album?
578
00:36:54,810 --> 00:36:57,640
[John] Well, it all rests on when we see--
579
00:36:57,730 --> 00:36:59,900
I think we stop filming now.
As a matter of policy.
580
00:36:59,980 --> 00:37:01,810
-[Michael] I mean, I know--
-But--
581
00:37:01,900 --> 00:37:04,110
-[Paul] That's a wrap for you, lads.
-[crew] Let's take it home, Jim.
582
00:37:10,350 --> 00:37:11,640
-[Paul] Yeah.
-[chattering]
583
00:38:09,310 --> 00:38:11,190
[crew chattering]
584
00:38:11,270 --> 00:38:13,060
-[Michael] You right, lads?
-Yeah.
585
00:38:13,150 --> 00:38:14,480
-[beep]
-Running up here.
586
00:38:14,560 --> 00:38:16,810
-[Michael] Running. Running. Ready.
-Speed.
587
00:38:21,770 --> 00:38:23,100
[crew 2] Pretty sure we're going.
588
00:38:29,100 --> 00:38:30,930
[Tony] Switch off your two green, Steve.
589
00:38:31,020 --> 00:38:33,060
-[Michael] And just here.
-[Glyn] Hold on. Hold on, everybody.
590
00:38:41,230 --> 00:38:42,940
[playing piano]
591
00:38:45,440 --> 00:38:47,980
[with reverb] ♪ Oh, darling ♪
592
00:38:48,060 --> 00:38:49,480
[volume increases]
593
00:38:49,560 --> 00:38:51,560
♪ Please believe me ♪
594
00:38:52,060 --> 00:38:53,230
Please believe me, darling.
595
00:38:54,150 --> 00:38:58,900
♪ I'll never do you no harm ♪
596
00:39:01,190 --> 00:39:05,150
♪ Believe me when I tell you
Whoo ♪
597
00:39:05,230 --> 00:39:10,190
♪ I'll never do you no harm ♪
598
00:39:16,690 --> 00:39:18,070
Oh, darling.
599
00:39:19,060 --> 00:39:20,560
Please believe me.
600
00:39:21,600 --> 00:39:22,930
Yes, sirree.
601
00:39:23,810 --> 00:39:27,390
I'll never do you no harm.
602
00:39:32,650 --> 00:39:35,400
♪ When you told me
When you told me ♪
603
00:39:36,150 --> 00:39:38,940
♪ You didn't need me anymore ♪
604
00:39:39,690 --> 00:39:40,900
♪ Well, you know ♪
605
00:39:41,900 --> 00:39:47,400
♪ I nearly broke down and cried ♪
606
00:39:47,480 --> 00:39:48,940
♪ When you told me ♪
607
00:39:50,310 --> 00:39:53,560
♪ You didn't need me anymore ♪
608
00:39:54,600 --> 00:40:00,230
♪ You know I nearly broke down and died ♪
609
00:40:01,150 --> 00:40:03,360
♪ Oh, darling ♪
610
00:40:04,980 --> 00:40:06,730
♪ Please believe me ♪
611
00:40:09,650 --> 00:40:11,480
♪ I'll never do you ♪
612
00:40:11,560 --> 00:40:14,060
♪ I'll never do you no harm ♪
613
00:40:42,940 --> 00:40:45,730
[George Martin over distorted speaker,
indistinct]
614
00:40:46,230 --> 00:40:48,270
One, two, three, four, five, six,
seven, eight, nine, ten.
615
00:40:48,350 --> 00:40:50,930
One, two, three, four, five, six,
seven, eight, nine, ten.
616
00:40:54,560 --> 00:40:56,270
[engineer] This-- This is not controlled.
617
00:40:56,350 --> 00:40:58,560
-[George Martin] If somebody is upstairs--
-[Magic Alex] No, we don't have control.
618
00:40:58,650 --> 00:41:00,280
We've got to know how to record.
Listen to that.
619
00:41:00,350 --> 00:41:02,560
One, two, three, four, five, six, seven.
620
00:41:05,060 --> 00:41:07,980
-[chattering]
-[feedback]
621
00:41:14,270 --> 00:41:17,940
[George Martin]
Dave, why don't we use this one?
622
00:41:18,020 --> 00:41:19,650
[continues, indistinct]
623
00:41:19,730 --> 00:41:21,650
[Dave, indistinct]
624
00:41:21,730 --> 00:41:24,440
We can't record without doing it.
625
00:41:27,440 --> 00:41:29,020
[George Martin] In the meantime,
can we have--
626
00:41:29,100 --> 00:41:30,560
[Dave] Yes. [indistinct]
627
00:41:30,650 --> 00:41:32,400
-[engineer] Cheers, man.
-[George Martin] Thank you.
628
00:41:33,600 --> 00:41:35,770
[George Martin] Now, Dave,
can you control it in there?
629
00:41:35,850 --> 00:41:36,850
[Dave] Yes.
630
00:42:16,270 --> 00:42:17,600
[indistinct]
631
00:42:26,150 --> 00:42:29,030
[Tony] We've been doing this film
for the last, sort of, two weeks,
632
00:42:29,100 --> 00:42:33,140
and we've noticed you every day
at Twickenham Studios and also here.
633
00:42:33,230 --> 00:42:35,810
You stand outside all day long.
Can you tell us why?
634
00:42:53,270 --> 00:42:56,650
What do you think of John Lennon
and the relationship with Yoko Ono?
635
00:43:03,230 --> 00:43:05,400
-It doesn't worry you at all?
-No.
636
00:43:05,480 --> 00:43:07,940
It's got nothing to do
with anybody else really, has it?
637
00:43:08,850 --> 00:43:10,140
Not really. That's a good answer.
638
00:43:21,350 --> 00:43:24,680
And you've obviously read in the papers
about the possible split of The Beatles.
639
00:43:24,770 --> 00:43:26,440
I mean, how does that sort of affect you?
640
00:43:34,940 --> 00:43:37,190
As long as I can see him it's all right.
641
00:43:42,190 --> 00:43:44,940
What would you like
to see The Beatles do now?
642
00:43:45,020 --> 00:43:46,150
-God, what a question.
-A show.
643
00:43:46,230 --> 00:43:48,650
Yeah. A live show.
644
00:43:48,730 --> 00:43:50,150
-Any show.
-Yeah.
645
00:43:56,600 --> 00:43:59,560
[piano playing]
646
00:44:07,350 --> 00:44:11,600
[Ringo] It was lovely walking in here
yesterday after Twickenham. It really was.
647
00:44:11,690 --> 00:44:13,820
[Michael]
In retrospect, I'm glad we got out.
648
00:44:13,900 --> 00:44:16,280
Something queer about Twickenham,
I don't know what it was.
649
00:44:16,350 --> 00:44:17,680
-[Ringo] Too big.
-Too big?
650
00:44:17,770 --> 00:44:19,560
[Ringo] For what we were doing, you know.
651
00:44:19,650 --> 00:44:20,980
And this is nicer.
652
00:44:21,650 --> 00:44:22,980
[both chuckling]
653
00:44:24,560 --> 00:44:26,190
I'm on a special diet as of today.
654
00:44:26,270 --> 00:44:27,810
-What are you on?
-No food.
655
00:44:27,900 --> 00:44:29,820
Oh, poor, why?
656
00:44:29,900 --> 00:44:31,860
I just feel a little heavy.
657
00:44:31,940 --> 00:44:35,440
When you get out the bath and find you're
not admiring yourself in the mirror.
658
00:44:35,520 --> 00:44:36,520
[Ringo] Too much to admire.
659
00:44:36,600 --> 00:44:39,230
You going to do everything in here?
Rather than go to EMI in future?
660
00:44:39,310 --> 00:44:42,850
-Unless you mean big orchestrations.
-[Ringo] Don't know till we hear it.
661
00:44:42,940 --> 00:44:45,480
George was saying good thing
you have to fight certain things at EMI,
662
00:44:45,560 --> 00:44:47,310
so it's much better
when it hits the record.
663
00:44:47,400 --> 00:44:48,400
-Aye.
-Mmm.
664
00:44:48,480 --> 00:44:50,650
It's a much more real sound,
what the customer buys.
665
00:44:56,440 --> 00:44:58,230
Have you said good morning to Fred?
666
00:44:58,310 --> 00:45:01,270
You'll be able to get rid of these things
once we get set up.
667
00:45:01,350 --> 00:45:03,270
-[Ringo] What things?
-The boom mics.
668
00:45:03,350 --> 00:45:06,180
This is for intimate,
unobserved conversation
669
00:45:06,270 --> 00:45:07,650
in the middle of the room, though.
670
00:45:07,730 --> 00:45:08,980
[chuckles] Unobserved conversation?
671
00:45:09,060 --> 00:45:10,730
[all chuckling]
672
00:45:12,230 --> 00:45:14,270
We should get really underway today,
I think.
673
00:45:14,350 --> 00:45:16,770
We really got underway yesterday.
It was a good day yesterday.
674
00:45:16,850 --> 00:45:19,430
Yeah. From your point of view.
I'm talking about from my point of view.
675
00:45:19,520 --> 00:45:21,230
Oh, yeah, you should get on with it.
676
00:45:21,310 --> 00:45:22,850
[Michael]
How late did you work last night?
677
00:45:22,940 --> 00:45:24,520
[Ringo] About twenty past seven.
678
00:45:25,020 --> 00:45:27,350
It's just that.
But it could have gone longer too.
679
00:45:27,440 --> 00:45:28,520
[Ringo] Mmm. You get me a small--
680
00:45:28,600 --> 00:45:29,930
-[George] Morning.
-[all] Morning, George.
681
00:45:30,020 --> 00:45:31,600
-[George] You're looking very--
-[Michael] Pink.
682
00:45:31,690 --> 00:45:34,900
-Yes, very clean and in order.
-[Michael] And even washed and in order.
683
00:45:34,980 --> 00:45:36,400
-I hear yesterday was good?
-Mmm.
684
00:45:36,480 --> 00:45:37,690
-Work-wise.
-Yeah.
685
00:45:37,770 --> 00:45:39,060
[Michael] Good.
686
00:45:39,150 --> 00:45:41,070
-Good vibes, man.
-Yeah.
687
00:45:41,150 --> 00:45:42,820
[Michael] Morning, Glyn. How are you?
688
00:45:42,900 --> 00:45:44,400
-Morning, Glyn.
-Morning, Glyn.
689
00:45:44,480 --> 00:45:46,400
-[Glyn] Morning, George.
-[George Martin] What are we doing?
690
00:45:46,480 --> 00:45:47,860
What are all these people doing?
691
00:45:48,400 --> 00:45:50,190
[George Martin]
They've come to look at you, John.
692
00:45:50,270 --> 00:45:53,150
Now, who can we find
to switch off this ventilation? Mal?
693
00:45:53,650 --> 00:45:55,030
It's so freezing in here.
694
00:45:55,100 --> 00:45:57,980
[Ringo]
I was listening to-- I've told everybody.
695
00:45:58,060 --> 00:46:01,480
You know the Around the Beatles thing?
696
00:46:01,560 --> 00:46:04,390
-[Glyn] Oh, yeah.
-You did the sound. Great sound.
697
00:46:04,480 --> 00:46:08,730
I just heard it over the weekend.
And we were great as well, you know?
698
00:46:08,810 --> 00:46:11,810
-You were, actually. Yes.
-[chattering]
699
00:46:11,900 --> 00:46:15,860
[Ringo] The acetate's great, 'cause we got
all the sort of rockers first half,
700
00:46:15,940 --> 00:46:19,230
and all, you know, "Love Me Dos"
and "Please Please Me" the second half.
701
00:46:19,310 --> 00:46:22,060
The rockers are so great,
all the kids screaming.
702
00:46:22,730 --> 00:46:23,940
But the sound was great.
703
00:46:24,440 --> 00:46:26,440
[Michael]
I love when you play rock and roll.
704
00:46:26,520 --> 00:46:29,190
Oh, George, before I forget it.
Where do you--
705
00:46:36,400 --> 00:46:39,150
[George Martin] Ah, well, any good
music shop. There are a couple near here.
706
00:46:40,690 --> 00:46:41,690
Chappell's will have it, yeah.
707
00:46:41,770 --> 00:46:43,230
[guitar playing]
708
00:46:52,980 --> 00:46:55,190
[Michael] But I think, you see,
we ought to get together.
709
00:46:55,270 --> 00:46:58,060
See if we're gonna have it out of doors,
whether people just turn up.
710
00:46:58,150 --> 00:47:04,070
[George] Uh, are you still trying to do it
with all people, audience, all in one go?
711
00:47:04,150 --> 00:47:07,690
Yes. Shall we say
we'll do it this weekend week?
712
00:47:21,150 --> 00:47:22,820
[George Martin]
The problem with Glyn, I'd like him--
713
00:47:22,900 --> 00:47:25,230
You know, if he's starting the thing,
I'd like him to finish it.
714
00:47:25,310 --> 00:47:26,980
It's silly, really,
to change horses midstream.
715
00:47:27,060 --> 00:47:27,980
[John] I know.
716
00:47:29,690 --> 00:47:31,690
[Tony]
"Drugs, divorce and a slipping image."
717
00:47:31,770 --> 00:47:37,520
And it says, "But it wasn't the first time
they've traded a few punches."
718
00:47:37,600 --> 00:47:38,640
[John] Yeah.
719
00:47:39,600 --> 00:47:42,520
[all chuckling]
720
00:47:42,600 --> 00:47:44,930
[John] There's only one guy
I'd like to get, and that's Housego.
721
00:47:45,020 --> 00:47:47,400
[Glyn] It's really extraordinary,
the last week's press, isn't it?
722
00:47:47,480 --> 00:47:51,060
[George] Because there's nothing to it
except that it's a lie.
723
00:47:51,150 --> 00:47:53,400
[John] Hope it doesn't come out
about me beating up Maharishi.
724
00:47:53,480 --> 00:47:56,480
No doubt Derek will have read it
before it got in there
725
00:47:56,560 --> 00:47:58,640
and has sent them their telegrams
and things.
726
00:47:58,730 --> 00:48:00,020
[John] Congratulating them.
727
00:48:01,980 --> 00:48:03,270
[John] Morning, Denis.
728
00:48:06,190 --> 00:48:08,650
-Don't you think it's suable?
-No.
729
00:48:08,730 --> 00:48:11,560
-What about the fisticuffs?
-[George] Yeah, none of that.
730
00:48:11,650 --> 00:48:13,190
He said it didn't take place, right?
731
00:48:13,270 --> 00:48:14,690
-He said it did.
-No.
732
00:48:14,770 --> 00:48:16,520
-[John] Oh, crumbs.
-[George] Yes, he did.
733
00:48:17,150 --> 00:48:18,480
[Ringo] He said "might have."
734
00:48:18,560 --> 00:48:21,270
[John] Yes. In the past,
well, that's false too.
735
00:48:21,850 --> 00:48:25,810
It's never got to that, except for a plate
of dinner in Hamburg.
736
00:48:25,900 --> 00:48:28,150
The picture's great, yeah.
737
00:48:28,230 --> 00:48:30,730
George Harrison, the sane one, speaks out.
738
00:48:30,810 --> 00:48:33,810
I read it before the riddles.
739
00:48:34,400 --> 00:48:40,860
♪ You are my sunshine, my only sunshine ♪
740
00:48:40,940 --> 00:48:45,270
♪ You make me happy when skies are gray ♪
741
00:48:46,650 --> 00:48:52,820
[George] ♪ You'll never know, dear
How much I love you ♪
742
00:48:52,900 --> 00:48:56,480
♪ Please don't take my sunshine away ♪
743
00:49:02,150 --> 00:49:05,820
Would you like to do the link
into The Stones for The Circus?
744
00:49:05,900 --> 00:49:08,360
-Or would you not like to?
-What's that?
745
00:49:08,440 --> 00:49:11,070
[Michael] We've found we haven't shot
anybody announcing The Rolling Stones.
746
00:49:11,730 --> 00:49:13,190
[John] Oh, I see.
747
00:49:13,270 --> 00:49:16,350
-Well, what kind of--
-It would just be, uh…
748
00:49:16,440 --> 00:49:19,570
"And now, ladies and gentlemen, your host
for this evening, The Rolling Stones,"
749
00:49:19,650 --> 00:49:20,650
or words to that effect.
750
00:49:20,730 --> 00:49:22,610
-If it's straight, then I'll do it.
-Yeah, it's straight.
751
00:49:22,690 --> 00:49:28,980
And now, your host this evening,
Rolling Stones.
752
00:49:29,060 --> 00:49:30,560
[Ringo chuckles]
753
00:49:30,650 --> 00:49:32,150
-[Ringo] Did you see Hancock?
-Yeah.
754
00:49:32,230 --> 00:49:33,230
[chuckles]
755
00:49:33,310 --> 00:49:35,020
[crew] I'm playing it right.
756
00:49:35,100 --> 00:49:36,980
[Michael] That's Keith Moon.
757
00:49:40,020 --> 00:49:43,020
[vocalizing]
758
00:49:44,310 --> 00:49:46,850
See that? With the sound on, I…
759
00:49:48,600 --> 00:49:50,310
[John] Turn me on, man, will you?
760
00:49:51,560 --> 00:49:52,640
[Michael] Can you juggle?
761
00:49:53,400 --> 00:49:54,820
-It's the one thing I really--
-Watch.
762
00:49:54,900 --> 00:49:56,480
[drumroll]
763
00:49:56,560 --> 00:49:59,230
[Michael, chuckling] So uncoordinated.
764
00:49:59,310 --> 00:50:00,690
[John] No, I can't juggle.
765
00:50:00,770 --> 00:50:02,270
[Michael] Can you juggle, RS?
766
00:50:02,900 --> 00:50:05,320
[John]
While he juggled, I knifed up the wall.
767
00:50:08,940 --> 00:50:10,820
[Ringo] Ready for three.
768
00:50:10,900 --> 00:50:15,030
[John]
♪ My rock and roll finger is bleeding ♪
769
00:50:15,730 --> 00:50:18,900
♪ My rock and roll finger is hurt ♪
770
00:50:41,270 --> 00:50:44,480
[John] "Beatle George Harrison, above,
is due in court here today
771
00:50:44,560 --> 00:50:45,730
to answer assault charges.
772
00:50:45,810 --> 00:50:48,520
If he does not appear, he will be given
an immediate jail sentence.
773
00:50:49,230 --> 00:50:52,610
Harrison is accused
of assaulting a photographer last May,
774
00:50:52,690 --> 00:50:54,650
as he and Beatle Ringo Starr
left a nightclub."
775
00:50:55,690 --> 00:50:56,770
Hey!
776
00:51:10,850 --> 00:51:13,270
[Glyn] Does the PA come before
or after the limiters?
777
00:51:14,440 --> 00:51:15,690
After, isn't it?
778
00:51:17,480 --> 00:51:22,360
[Glyn] Can you move the speakers
behind Paul a little bit further round?
779
00:51:22,440 --> 00:51:24,650
[Paul] Glyn?
780
00:51:24,730 --> 00:51:26,810
When will you be set up to tape something?
781
00:51:26,900 --> 00:51:28,230
[George] Haven't they got it plugged up?
782
00:51:28,310 --> 00:51:30,020
[John] Are we not in that situation yet?
783
00:51:31,980 --> 00:51:33,520
[chuckles] No answer.
784
00:51:33,600 --> 00:51:36,140
It's all right. Not yet, you mean?
785
00:51:46,310 --> 00:51:47,560
[Mal] It's been made up by Alex.
786
00:51:52,230 --> 00:51:53,520
How do you tune it?
787
00:51:56,730 --> 00:51:57,560
What?
788
00:51:58,770 --> 00:51:59,770
[John] It looks like he's--
789
00:51:59,850 --> 00:52:01,640
[George]
Let's give him half a million quid.
790
00:52:01,730 --> 00:52:03,110
It looks a good idea.
791
00:52:03,190 --> 00:52:04,520
-Yeah!
-Two-sided bass/rhythm…
792
00:52:04,600 --> 00:52:06,600
[John]
And let's give it him just for this!
793
00:52:07,190 --> 00:52:08,480
I'll put it on show.
794
00:52:08,560 --> 00:52:11,560
[all chuckling]
795
00:52:12,650 --> 00:52:15,280
He might have something in that though.
796
00:52:15,350 --> 00:52:16,560
You never--
797
00:52:16,650 --> 00:52:19,070
He'd have to just have less sides.
798
00:52:19,150 --> 00:52:21,110
[George] There it is now.
799
00:52:21,190 --> 00:52:22,690
-Yeah, two sides.
-Two sides and one…
800
00:52:22,770 --> 00:52:25,190
[George] You're gonna get all your strings
rubbing on your hand.
801
00:52:25,690 --> 00:52:27,480
[John] Tell him to build a prototype.
802
00:52:27,560 --> 00:52:28,850
[George] Better be good!
803
00:52:31,900 --> 00:52:34,820
-Glyn, can you look into the PA thing?
-Let's think in terms of--
804
00:52:34,900 --> 00:52:37,530
We still haven't had
a really good PA sound yet.
805
00:52:38,150 --> 00:52:42,530
You know? If we're gonna do it here,
let's try and get one in this room.
806
00:52:42,600 --> 00:52:46,680
'Cause we still haven't had that, where
we're knocked out with what we hear yet.
807
00:52:51,850 --> 00:52:55,600
-I say it now so we can get on with it.
-No idea.
808
00:53:00,730 --> 00:53:02,020
[Paul shouting in German]
809
00:53:05,020 --> 00:53:06,310
[German continues]
810
00:53:06,400 --> 00:53:08,150
♪ Yeah, yeah ♪
811
00:53:08,230 --> 00:53:11,690
-♪ I said, hey now, child ♪
-♪ Yeah, yeah ♪
812
00:53:12,400 --> 00:53:15,280
♪ C'mon everybody, take a trip with me ♪
813
00:53:16,230 --> 00:53:17,230
[Paul] All right!
814
00:53:18,230 --> 00:53:20,560
♪ Oh, way downtown ♪
815
00:53:20,650 --> 00:53:22,730
♪ Way down there ♪
816
00:53:22,810 --> 00:53:26,390
♪ I got a girl who's such a girl ♪
817
00:53:26,480 --> 00:53:28,610
♪ Well, she's my queen ♪
818
00:53:30,600 --> 00:53:32,850
♪ And you know what I mean ♪
819
00:53:34,850 --> 00:53:37,350
♪ Hey ♪
820
00:53:39,020 --> 00:53:41,230
♪ Oh, yeah ♪
821
00:53:42,440 --> 00:53:44,150
[John] ♪ In a tiny house ♪
822
00:53:45,440 --> 00:53:47,440
♪ By a tiny stream ♪
823
00:53:48,230 --> 00:53:49,440
♪ Lived a little girl ♪
824
00:53:49,520 --> 00:53:50,770
Drop me off tonight?
825
00:53:50,850 --> 00:53:52,230
Will you drop me off tonight?
826
00:53:52,310 --> 00:53:53,480
♪ Had a little dream ♪
827
00:53:53,560 --> 00:53:55,020
It's on your way, is it?
828
00:53:55,100 --> 00:53:58,310
♪ And the dream came true ♪
829
00:53:58,400 --> 00:54:01,650
♪ So unexpectedly ♪
830
00:54:01,730 --> 00:54:07,480
[John, Paul] ♪ In Gilly Gilly Ossenfeffer
Katzenellen Bogen By The Sea ♪
831
00:54:10,060 --> 00:54:12,850
[John] ♪ Hula, hula, hula, hula 40 days ♪
832
00:54:12,940 --> 00:54:13,940
A-ruff!
833
00:54:14,440 --> 00:54:16,570
♪ Oh, they say they had satisfaction ♪
834
00:54:16,650 --> 00:54:18,690
♪ I'm gonna take it
To the United Nation ♪
835
00:54:20,230 --> 00:54:21,520
[Paul] Okay.
836
00:54:21,600 --> 00:54:23,930
-Do something for them.
-[John] Okay, boys.
837
00:54:24,020 --> 00:54:25,650
[Paul, imitating Elvis Presley]
Okay, boys.
838
00:54:25,730 --> 00:54:28,810
Let's cool it for once
and get it real going for a change.
839
00:54:29,520 --> 00:54:32,150
Hold it now and don't move.
840
00:54:32,230 --> 00:54:34,400
[babbling]
841
00:54:34,480 --> 00:54:37,270
[John] Another Lennon/McCartney original
entitled…
842
00:54:37,350 --> 00:54:42,350
[Paul] ♪ Too bad about sorrow ♪
843
00:54:44,350 --> 00:54:49,980
♪ Too bad about love ♪
844
00:54:50,730 --> 00:54:55,360
[together] ♪ There'll be no tomorrow ♪
845
00:54:57,350 --> 00:55:01,770
♪ For all of your love ♪
846
00:55:02,650 --> 00:55:06,230
-♪ Ah, ah, ah, ooh ♪
-♪ Ooh, ooh ♪
847
00:55:09,980 --> 00:55:11,190
-[Kevin] Yeah. Okay.
-[Paul] Thank you.
848
00:55:11,270 --> 00:55:15,020
"All I Want Is You,"
"The Long And Winding Road,"
849
00:55:15,770 --> 00:55:18,600
"Bathroom Window," "Let It Be."
850
00:55:18,690 --> 00:55:20,860
-"Bathroom Window"?
-"Across the Universe,"
851
00:55:20,940 --> 00:55:25,900
"Get Back To Where You Once Belonged,"
"Two Of Us On Our Way Home,"
852
00:55:25,980 --> 00:55:28,900
"Maxwell's Silver Hammer,"
"I Got A Feeling,"
853
00:55:28,980 --> 00:55:31,110
"Sunrise," "I Me Mine."
854
00:55:31,190 --> 00:55:32,270
-[John] "Sunrise"?
-[George] "Sunrise"?
855
00:55:32,350 --> 00:55:36,100
Uh, "Sun"-- "All Things Shall Pass."
856
00:55:36,190 --> 00:55:37,730
-Oh, my--
-[Paul] They mean--
857
00:55:37,810 --> 00:55:38,890
You threw me there.
858
00:55:38,980 --> 00:55:40,860
I thought, I was away a day,
they learned a fucking tune.
859
00:55:40,940 --> 00:55:42,360
They learned a fucking tune.
860
00:55:44,520 --> 00:55:45,520
[crew] Over there.
861
00:55:45,600 --> 00:55:46,680
[John] Over there.
862
00:55:46,770 --> 00:55:48,560
[George]
If we're just trying to make the album,
863
00:55:48,650 --> 00:55:50,690
I think we should just start it
straightaway.
864
00:55:51,310 --> 00:55:54,190
I think we're just gonna sing them live
to the camera.
865
00:55:54,980 --> 00:55:56,980
So we'll probably just do
about half an hour.
866
00:55:57,060 --> 00:56:01,190
♪ I, a, hi, hi, a, hi, hi ♪
867
00:56:02,560 --> 00:56:05,140
-♪ Dig a pony ♪
-[feedback]
868
00:56:05,230 --> 00:56:08,650
♪ Well, you can celebrate
Anything you want ♪
869
00:56:09,810 --> 00:56:14,100
♪ Yes, you can celebrate
Anything you want ♪
870
00:56:14,690 --> 00:56:20,270
♪ Oh, I, a, hi, hi, a, hi, hi ♪
871
00:56:21,350 --> 00:56:23,430
♪ Take a skylight ♪
872
00:56:24,230 --> 00:56:26,980
♪ Well, you can penetrate
Any place you go ♪
873
00:56:27,060 --> 00:56:28,060
[feedback continues]
874
00:56:28,150 --> 00:56:30,650
♪ Whoo hoo hoo, ooh ♪
875
00:56:30,730 --> 00:56:31,940
It's not me, is it?
876
00:56:32,020 --> 00:56:33,230
-♪ Ooh, ooh ♪
-Is it me?
877
00:56:33,310 --> 00:56:35,560
[Paul]
It seems to be this mic feeding back.
878
00:56:35,650 --> 00:56:38,900
-[George, indistinct]
-[Paul] ♪ A ha ha, ooh ♪
879
00:56:38,980 --> 00:56:41,650
It stops when I talk on this mic, so…
880
00:56:41,730 --> 00:56:43,440
-♪ Ooh, ooh ♪
-[microphone feedback]
881
00:56:43,600 --> 00:56:44,980
-Can you turn?
-[Paul] Sure.
882
00:56:45,690 --> 00:56:50,020
[John] I'm going to have road hog instead
of skylight, however pretty it may be.
883
00:56:50,100 --> 00:56:52,390
I keep telling you not to,
and you won't listen to what I say.
884
00:56:52,480 --> 00:56:53,730
-You're right.
-I know.
885
00:56:53,810 --> 00:56:55,100
What is it?
886
00:56:55,190 --> 00:56:56,570
[Paul] A fragile Leslie.
887
00:56:57,900 --> 00:57:01,530
I con a Lowrey, but it didn't sing well.
888
00:57:01,600 --> 00:57:03,680
-[Michael] Yeah.
-[John] ♪ Con a Lowrey… ♪
889
00:57:03,770 --> 00:57:06,650
There wasn't-- So I changed it to Paul's
"dog a boney."
890
00:57:06,730 --> 00:57:08,440
[George]
"Cadge a Leslie," you had as well.
891
00:57:08,520 --> 00:57:10,150
[John] Yeah, "cadge a Leslie," that.
892
00:57:10,650 --> 00:57:12,820
It's gotta be Ds and Bs, you know?
893
00:57:12,900 --> 00:57:14,900
[feedback]
894
00:57:14,980 --> 00:57:17,980
-Are they ready to take any yet?
-[feedback continues]
895
00:57:23,310 --> 00:57:24,940
Glyn can hear us. Can't you, Glyn?
896
00:57:27,770 --> 00:57:29,060
In fact, he's coming out.
897
00:57:29,690 --> 00:57:30,690
Yes, Glyn?
898
00:57:31,850 --> 00:57:35,180
There's lots missing yet.
This afternoon, late--
899
00:57:35,270 --> 00:57:38,480
[John] 'Cause it's got to the point where
we don't know what anything's like there.
900
00:57:39,150 --> 00:57:40,150
[Glyn] In fact…
901
00:57:48,690 --> 00:57:50,690
-[John] Oh, no, you're not!
-Oh, yes, I am!
902
00:57:55,060 --> 00:57:59,730
♪ Well, since my baby left me
Never said a word ♪
903
00:57:59,810 --> 00:58:01,270
♪ Was it something that I done ♪
904
00:58:01,350 --> 00:58:02,730
♪ Or something that she heard? ♪
905
00:58:02,810 --> 00:58:04,440
♪ You know, she left ♪
906
00:58:05,400 --> 00:58:06,730
♪ Yeah, left me ♪
907
00:58:06,810 --> 00:58:09,480
♪ So she even left me ♪
908
00:58:09,560 --> 00:58:12,230
♪ Never saying a word ♪
909
00:58:12,310 --> 00:58:15,480
♪ Put on your hi-heel sneakers ♪
910
00:58:17,480 --> 00:58:20,150
♪ 'Cause we're going out tonight ♪
911
00:58:26,940 --> 00:58:29,730
♪ Better take your shotgun ♪
912
00:58:30,560 --> 00:58:33,690
♪ In case some fool might wanna fight ♪
913
00:58:36,560 --> 00:58:39,730
♪ Every morning when the sun comes up ♪
914
00:58:40,980 --> 00:58:43,150
♪ Said that old milk cow ♪
915
00:58:43,230 --> 00:58:45,730
♪ The lazy way she walks ♪
916
00:58:45,810 --> 00:58:48,480
♪ You know, the moo… ♪
917
00:58:50,650 --> 00:58:52,730
♪ That old milk cow ♪
918
00:58:59,020 --> 00:59:00,650
♪ Yeah, that old milk cow… ♪
919
00:59:00,730 --> 00:59:01,940
♪ Don't hurt me ♪
920
00:59:03,100 --> 00:59:05,560
♪ Ooh, ah ♪
921
00:59:13,560 --> 00:59:15,100
♪ I woke up this morning ♪
922
00:59:16,730 --> 00:59:18,270
♪ And I looked out my door ♪
923
00:59:19,900 --> 00:59:22,280
♪ I can tell that old milk cow ♪
924
00:59:22,350 --> 00:59:24,980
♪ I can tell the way she walks ♪
925
00:59:25,060 --> 00:59:27,560
♪ She's gonna leave ♪
926
00:59:28,730 --> 00:59:32,730
[Paul]
♪ "The End of a Beautiful Friendship" ♪
927
00:59:32,810 --> 00:59:35,730
♪ By Michael House-go-home ♪
928
00:59:38,560 --> 00:59:42,060
"The awful tension of being locked
in each other's arms
929
00:59:42,150 --> 00:59:44,900
snapped last night at a TV rehearsal.
930
00:59:45,440 --> 00:59:48,900
And Beatles John, George,
Paul and Harold, at very least…
931
00:59:49,600 --> 00:59:51,980
a few vicious phrases took place.
932
00:59:54,770 --> 00:59:58,690
He, the mystical one
who lost so much of The Beatles' magic.
933
00:59:59,730 --> 01:00:00,980
She, the nudie.
934
01:00:02,690 --> 01:00:07,820
It's only the suddenness of their decline
from the status of 'boys next door'
935
01:00:07,900 --> 01:00:12,610
to the category of 'weirdies'
that has left most people agog."
936
01:00:12,690 --> 01:00:14,440
[Denis] I heard he just played that.
937
01:00:14,520 --> 01:00:17,190
"It would be about the middle of 1960
938
01:00:17,270 --> 01:00:19,900
that the personal luster of The Beatles
939
01:00:19,980 --> 01:00:23,730
began to show a few spots of rust.
940
01:00:23,810 --> 01:00:26,730
I will deliberately leave Ringo out of it,
941
01:00:26,810 --> 01:00:29,940
because he has never
developed an inclination
942
01:00:30,020 --> 01:00:31,400
towards the bizarre.
943
01:00:31,480 --> 01:00:33,520
Lennon was married, happily.
944
01:00:33,600 --> 01:00:38,020
McCartney was going steady,
and George Harrison was about to marry.
945
01:00:38,560 --> 01:00:41,480
Everything in the Beatle garden was rosy.
946
01:00:41,560 --> 01:00:43,520
But that was a long time ago.
947
01:00:43,600 --> 01:00:48,020
They went their own private ways,
found their own friends
948
01:00:48,100 --> 01:00:53,730
and became less reliant on each other
for guidance and comradeship."
949
01:00:53,810 --> 01:00:55,890
♪ Early in the morning
I'm a-giving you the warning ♪
950
01:00:55,980 --> 01:00:58,810
-"Where did it all lead to?"
-♪ Don't you step on my blue suede shoes ♪
951
01:00:58,900 --> 01:01:05,480
"I suppose it is fair to say
that it led pretty close to disaster
952
01:01:05,560 --> 01:01:08,640
at one time or another.
953
01:01:08,730 --> 01:01:13,190
Today all of them find acute embarrassment
954
01:01:13,270 --> 01:01:16,190
at the stories of one another's
955
01:01:16,270 --> 01:01:20,690
odd-ball adventures and conduct.
956
01:01:20,770 --> 01:01:25,690
Harrison's escapades
with his favorite mystic from India
957
01:01:25,770 --> 01:01:28,020
-left Paul and Ringo aghast…"
-♪ I'm a-giving you the warning ♪
958
01:01:28,100 --> 01:01:33,020
-♪ Don't you step on my blue suede shoes ♪
-"…and both felt obliged to try him out
959
01:01:33,100 --> 01:01:36,810
to see if they were missing anything."
960
01:01:36,900 --> 01:01:38,610
♪ Nothing to lose, and hey ♪
961
01:01:38,690 --> 01:01:41,770
"Drugs, divorce and a slipping image
962
01:01:42,350 --> 01:01:47,060
played desperately on their minds
and it appeared to them all
963
01:01:47,150 --> 01:01:49,730
that the public was being encouraged
964
01:01:49,810 --> 01:01:51,310
to hate them."
965
01:01:51,400 --> 01:01:54,650
♪ You don't need no rhythm and blues ♪
966
01:01:54,730 --> 01:01:57,480
♪ I got nothing to lose ♪
967
01:01:58,690 --> 01:02:01,690
♪ Early in the morning
I'm a-giving you the warning ♪
968
01:02:01,770 --> 01:02:04,690
♪ Don't you step on my blue suede shoes ♪
969
01:02:04,770 --> 01:02:09,520
"But that still doesn't amount
to a complete break-up of the group.
970
01:02:09,600 --> 01:02:13,060
Whatever talent they have as individuals,
971
01:02:13,150 --> 01:02:15,320
and who can deny it,
972
01:02:15,400 --> 01:02:21,150
their capacity to earn is largely tied up
973
01:02:21,230 --> 01:02:23,900
in their performances as a group."
974
01:02:51,480 --> 01:02:55,060
"They will never be
exactly the same again."
975
01:02:55,150 --> 01:02:57,480
♪ Everybody's rockin' tonight ♪
976
01:03:01,060 --> 01:03:02,810
-[Paul] Okay.
-[John] Okay.
977
01:03:02,900 --> 01:03:04,530
-[Paul] Okay then.
-[John] Are you ready, George?
978
01:03:05,400 --> 01:03:07,230
[Paul] Here we go, Glyn.
979
01:03:07,310 --> 01:03:08,730
Coming, ready or not.
980
01:03:08,810 --> 01:03:10,770
-[John] Glyn.
-[Glyn] You're on.
981
01:03:11,350 --> 01:03:14,060
-Okay, boys and girls.
-[Paul] Okay.
982
01:03:14,730 --> 01:03:15,810
"All I Want Is You."
983
01:03:15,900 --> 01:03:17,070
Take one.
984
01:03:20,190 --> 01:03:22,980
And now, your hosts for this evening,
The Bottles.
985
01:03:23,060 --> 01:03:25,060
♪ Oh ♪
986
01:03:25,150 --> 01:03:29,230
♪ I, a, hi, hi, a, hi, hi ♪
987
01:03:30,150 --> 01:03:32,730
♪ Roll a stoney ♪
988
01:03:32,810 --> 01:03:33,810
♪ Whoa ♪
989
01:03:33,900 --> 01:03:37,230
[John]
♪ You can imitate everyone you know ♪
990
01:03:38,400 --> 01:03:42,980
♪ Yes, you can imitate everyone you know ♪
991
01:03:43,060 --> 01:03:45,310
♪ I told you so ♪
992
01:03:45,400 --> 01:03:48,440
♪ All I want is you ♪
993
01:03:50,850 --> 01:03:56,480
♪ Everything has got to be
Just like you want it to ♪
994
01:03:57,100 --> 01:03:59,100
♪ Because ♪
995
01:04:20,600 --> 01:04:25,060
♪ Oh, I, a, hi, hi, a, hi, hi ♪
996
01:04:26,600 --> 01:04:28,890
♪ Feel the wind love ♪
997
01:04:29,690 --> 01:04:33,610
♪ Well, you can indicate
Anything you see ♪
998
01:04:34,270 --> 01:04:39,560
♪ Yes, you can indicate
Anything you see ♪
999
01:04:39,650 --> 01:04:46,030
♪ Oh, I, a, hi, hi, a, hi, hi ♪
1000
01:04:47,270 --> 01:04:49,850
♪ Dug a bony ♪
1001
01:04:50,440 --> 01:04:54,320
♪ Well, you can syndicate
Any boat you row ♪
1002
01:04:55,190 --> 01:04:59,980
♪ Yes, you can syndicate
Any boat you row ♪
1003
01:05:00,060 --> 01:05:02,390
♪ I told you so ♪
1004
01:05:02,480 --> 01:05:08,110
♪ All I want is you ♪
1005
01:05:08,190 --> 01:05:09,190
[Paul] ♪ Girl ♪
1006
01:05:09,770 --> 01:05:12,060
[John] ♪ You're gonna shag that girl ♪
1007
01:05:14,060 --> 01:05:15,350
♪ Shag ♪
1008
01:05:15,440 --> 01:05:18,230
♪ Everybody shag now
Everybody shag ♪
1009
01:05:19,310 --> 01:05:22,270
[Paul] ♪ Move a little bit harder now
Move a little bit softer now ♪
1010
01:05:26,440 --> 01:05:27,440
[Ringo] Gonna hear that.
1011
01:05:27,520 --> 01:05:28,810
-What, where?
-There.
1012
01:05:28,900 --> 01:05:30,480
-Go in there?
-In there.
1013
01:05:30,560 --> 01:05:31,600
Sure. Why not?
1014
01:05:34,440 --> 01:05:36,150
-[John] No, no, don't…
-Oh, no, no, no, John.
1015
01:05:36,230 --> 01:05:37,860
Please don't put the mockers on it.
1016
01:05:37,940 --> 01:05:39,480
[George] ♪ Oh, no, no, no ♪
1017
01:05:39,560 --> 01:05:42,810
["Dig a Pony" playback]
1018
01:05:42,900 --> 01:05:45,070
♪ Because ♪
1019
01:05:46,520 --> 01:05:48,270
[playback continues]
1020
01:06:02,690 --> 01:06:06,110
♪ All I want is you ♪
1021
01:06:08,400 --> 01:06:10,730
[George] That sounds very nice, really.
1022
01:06:10,810 --> 01:06:12,350
[Glyn] I'm really pleased with the sound.
1023
01:06:12,440 --> 01:06:14,860
I thought, "Well, fuck me. If they
don't like that, what do they want?"
1024
01:06:14,940 --> 01:06:16,270
[John] It's just like we sound.
1025
01:06:16,350 --> 01:06:18,520
♪ Lodge Sam Wrapper
Is the place you gotta go ♪
1026
01:06:19,400 --> 01:06:23,690
And now, our hosts for this evening,
The Bony Rolls.
1027
01:06:23,770 --> 01:06:28,400
"I Dig A Pygmy"
by Charles Hawtrey and the Deaf-Aids!
1028
01:06:28,480 --> 01:06:29,560
[laughing]
1029
01:06:29,650 --> 01:06:32,980
Phase one, in which Doris gets her oats.
1030
01:06:33,480 --> 01:06:34,560
Ringo!
1031
01:06:34,650 --> 01:06:36,530
[coughing] Richie!
1032
01:06:37,770 --> 01:06:39,520
Scab head! Come in!
1033
01:06:40,230 --> 01:06:41,230
One more.
1034
01:06:42,350 --> 01:06:45,100
[Paul, posh accent]
Glyn would like us to do it one more time.
1035
01:06:45,190 --> 01:06:46,940
Shall we oblige him?
1036
01:06:47,020 --> 01:06:48,270
[John, American accent] Okay.
1037
01:06:48,350 --> 01:06:50,600
I think we could
still take it a little quieter.
1038
01:06:50,690 --> 01:06:52,230
[Paul, American accent] I think I agree.
1039
01:06:52,850 --> 01:06:56,480
[John, normal voice] And when I go, "Oh,"
I want you to go, "Oh."
1040
01:06:56,560 --> 01:06:57,560
[Paul] Got it!
1041
01:06:57,650 --> 01:06:59,900
♪ Oh ♪
1042
01:06:59,980 --> 01:07:02,360
[both] ♪ Oh ♪
1043
01:07:02,440 --> 01:07:03,980
[playing "Dig A Pony"]
1044
01:07:05,650 --> 01:07:08,820
♪ All I want is you ♪
1045
01:07:08,900 --> 01:07:12,230
♪ I, a, hi, hi, a, hi, hi ♪
1046
01:07:14,020 --> 01:07:16,100
♪ Dig a pony ♪
1047
01:07:16,770 --> 01:07:20,520
♪ Well, you can celebrate
Anything you want ♪
1048
01:07:21,100 --> 01:07:24,100
After we got to "a wind love,"
I went berserk.
1049
01:07:24,190 --> 01:07:26,480
[laughing]
1050
01:07:26,560 --> 01:07:28,690
[Paul] Like the wind, he blew away.
1051
01:07:28,770 --> 01:07:30,850
-His thoughts scattered…
-I blew a windstorm.
1052
01:07:30,940 --> 01:07:32,980
[Paul] …tumbling like a paper cup.
1053
01:07:34,350 --> 01:07:36,350
"Blew a road hog." That's better.
1054
01:07:37,310 --> 01:07:38,640
Blew a road hog.
1055
01:07:38,730 --> 01:07:41,610
[Paul] Slither wildly like a blind dog.
1056
01:07:42,440 --> 01:07:45,110
As it creeps away across my underpants.
1057
01:07:45,190 --> 01:07:46,900
[Paul laughs]
1058
01:07:50,020 --> 01:07:52,730
-[John] I'm a lyricist in my own right.
-[Paul] He is, you know.
1059
01:07:52,810 --> 01:07:55,850
[Paul] Yes, Richard Rodgers
has got nothing on this boy.
1060
01:07:55,940 --> 01:07:57,860
-[all chattering]
-[John] ♪ Oh, Paul, sometimes… ♪
1061
01:07:57,940 --> 01:07:59,860
[Paul]
♪ Aye, sometimes, John, I don't know… ♪
1062
01:07:59,940 --> 01:08:02,190
[John]
That tongue will be the death of you!
1063
01:08:02,940 --> 01:08:04,610
"I feel a wind love"?
1064
01:08:04,690 --> 01:08:06,980
Yeah, I've changed it to "wind love" now.
1065
01:08:07,060 --> 01:08:10,480
-I just make it up as I go along.
-[Paul] Oh, is that how you do it?
1066
01:08:25,270 --> 01:08:27,440
[playback]
1067
01:08:29,690 --> 01:08:32,110
See, I want it so that it goes…
1068
01:08:32,190 --> 01:08:33,940
[imitates drums]
1069
01:08:34,020 --> 01:08:35,480
The bass is going that bit.
1070
01:08:35,560 --> 01:08:38,100
Try doing it so you're almost playing
four in a bar. So you go…
1071
01:08:38,190 --> 01:08:43,270
[imitates drums]
1072
01:08:43,350 --> 01:08:44,730
…on those bits.
1073
01:08:44,810 --> 01:08:47,600
[Ringo] Well, that's the beginning
of the verses, isn't it?
1074
01:08:47,690 --> 01:08:50,610
Yeah. ♪ I dig a pony ♪
1075
01:08:50,690 --> 01:08:52,070
[Ringo] That's what I'm doing now.
1076
01:08:52,150 --> 01:08:53,230
This one isn't going…
1077
01:08:53,900 --> 01:08:55,570
high or heavy. You can hear the…
1078
01:08:56,150 --> 01:08:58,940
There's none for that one.
Only the bass is doing that.
1079
01:08:59,020 --> 01:09:00,770
[George]
We haven't got the double bass drum.
1080
01:09:00,850 --> 01:09:02,230
The other bass drum.
1081
01:09:02,310 --> 01:09:04,690
[John] So what would that be, Paul?
Would that be four in the bar?
1082
01:09:04,770 --> 01:09:07,100
-Are you using high hats?
-[Ringo] Mmm.
1083
01:09:07,190 --> 01:09:09,360
-[John humming]
-Don't know, maybe a…
1084
01:09:11,310 --> 01:09:13,730
If you did--
Are you doing the big cymbal on that?
1085
01:09:14,230 --> 01:09:17,560
[imitates drums]
1086
01:09:17,650 --> 01:09:19,190
-That's the way I'm doing it.
-[John] Yeah.
1087
01:09:19,270 --> 01:09:23,150
♪ After 40 years in the desert
He couldn't find his balls ♪
1088
01:09:24,400 --> 01:09:25,820
[Mal] What time are you working till?
1089
01:09:25,900 --> 01:09:27,480
-[Ringo] What time is it?
-[Mal] Seven o'clock.
1090
01:09:27,560 --> 01:09:28,770
[Ringo] That's time enough.
1091
01:09:30,400 --> 01:09:33,320
[John] ♪ Well, don't you know
That there's a madman a-comin' ♪
1092
01:09:33,400 --> 01:09:35,320
♪ Gonna do you no harm ♪
1093
01:09:35,400 --> 01:09:39,530
♪ He's wearin' pink pajamas
And he lives on a farm ♪
1094
01:09:39,600 --> 01:09:43,520
♪ He's got to get somewhere
So that he can be on his own ♪
1095
01:09:45,520 --> 01:09:50,190
♪ I got a feeling
A feeling deep inside ♪
1096
01:09:50,270 --> 01:09:51,270
♪ Oh, yeah ♪
1097
01:09:53,060 --> 01:09:54,560
-♪ Oh, yeah ♪
-[John] ♪ Oh, yeah ♪
1098
01:09:57,020 --> 01:10:01,810
♪ I got a feeling
A feeling I can't hide ♪
1099
01:10:01,900 --> 01:10:03,690
♪ Oh, no ♪
1100
01:10:04,690 --> 01:10:05,940
-♪ Oh, no ♪
-♪ Oh, no ♪
1101
01:10:07,690 --> 01:10:09,610
-♪ Oh, yeah ♪
-♪ Oh, yeah ♪
1102
01:10:10,690 --> 01:10:12,150
[Paul] ♪ Oh, no ♪
1103
01:10:12,230 --> 01:10:17,560
-[song continues on playback]
-♪ Yeah, yeah, I got a feeling ♪
1104
01:10:17,650 --> 01:10:21,280
♪ Don't let me down ♪
1105
01:10:24,100 --> 01:10:27,310
♪ Don't let me down ♪
1106
01:10:28,940 --> 01:10:31,020
One, two, five, six!
1107
01:10:32,810 --> 01:10:34,560
[Paul]
Sounds all right in here, doesn't it?
1108
01:10:34,650 --> 01:10:36,070
Doesn't really make much difference.
1109
01:10:36,150 --> 01:10:38,610
[Glyn] Oh, yeah. But with everything being
so close-mic'ed,
1110
01:10:38,690 --> 01:10:40,940
you don't notice it on the tapes much.
1111
01:10:41,020 --> 01:10:45,520
This is really good for strings
or anything-- You'd mic more distanced.
1112
01:10:45,600 --> 01:10:47,020
-[Paul] Is it?
-Know what I mean?
1113
01:10:47,980 --> 01:10:50,150
[John] Imagine if we could have
played like this at The Cavern.
1114
01:10:50,230 --> 01:10:51,230
It would've been great.
1115
01:10:51,310 --> 01:10:53,600
Eh, we were there, weren't we?
1116
01:10:53,690 --> 01:10:54,900
[George] Got another toy.
1117
01:10:54,980 --> 01:10:57,150
[Paul] See, would you have piano on it?
1118
01:10:57,850 --> 01:10:59,180
[John] Yeah, but how do we do that?
1119
01:10:59,270 --> 01:11:01,440
'Cause then it just leaves one guitar,
doesn't it?
1120
01:11:01,520 --> 01:11:02,980
-We need somebody else.
-[Paul] Yeah.
1121
01:11:03,060 --> 01:11:06,140
[John] Probably be like
a guy that plays piano all the time.
1122
01:11:06,230 --> 01:11:07,730
That one that plays with The Stones.
1123
01:11:07,810 --> 01:11:09,440
-Or anybody. Yeah.
-[Paul] Nicky Hopkins.
1124
01:11:14,350 --> 01:11:16,390
♪ Don't you know it's gonna last? ♪
1125
01:11:18,150 --> 01:11:20,230
♪ It's a love that lasts forever ♪
1126
01:11:21,940 --> 01:11:24,440
♪ It's a love that has no past ♪
1127
01:11:29,310 --> 01:11:31,640
[deep voice]
♪ Don't let me down ♪
1128
01:11:31,730 --> 01:11:34,360
Plop, plop, plop. Plop. Plop.
1129
01:11:35,730 --> 01:11:37,650
[normal voice] Don't let me down, baby!
1130
01:11:37,730 --> 01:11:39,520
[Paul babbling]
1131
01:11:43,730 --> 01:11:47,520
♪ I'm in love for the first time ♪
1132
01:11:47,600 --> 01:11:49,890
♪ A wop-bop-a-loo-bop, oh ♪
1133
01:11:49,980 --> 01:11:53,310
♪ It's a love that has no past ♪
1134
01:11:55,810 --> 01:11:58,850
[scatting] ♪ Don't let me down ♪
1135
01:11:58,940 --> 01:12:02,650
♪ I'm in love for the first time ♪
1136
01:12:02,730 --> 01:12:04,400
-♪ Dicky Murdoch ♪
-["Don't Let Me Down" continues]
1137
01:12:07,730 --> 01:12:10,230
♪ Dicky, Dicky, Dicky Doo ♪
1138
01:12:13,520 --> 01:12:17,020
♪ Dicky, Dicky, Dicky, Dicky
Dicky, Dicky, Dicky Murdoch ♪
1139
01:12:19,810 --> 01:12:22,850
♪ Dicky, Dicky, Dicky Doo ♪
1140
01:12:25,650 --> 01:12:26,780
[blows raspberry]
1141
01:12:27,810 --> 01:12:30,480
[Paul]
"She Came In Through The Bathroom Window."
1142
01:12:30,560 --> 01:12:31,560
[John] No idea.
1143
01:12:31,650 --> 01:12:33,780
[Paul] A… "Diana" chords in A.
1144
01:12:35,310 --> 01:12:37,440
-[John] I'm on piano for this one.
-Yeah.
1145
01:12:37,520 --> 01:12:38,980
It's a great piano.
1146
01:12:42,730 --> 01:12:45,150
-It's the best one here.
-Oh, yeah. But you had one.
1147
01:12:45,230 --> 01:12:46,860
-I know, but it wasn't like…
-Your Fender.
1148
01:12:46,940 --> 01:12:48,480
Nicky Hopkins has just got one of these.
1149
01:12:48,560 --> 01:12:51,060
[John] I've had one about two years
at home, but it's not as good as this.
1150
01:12:51,150 --> 01:12:54,650
Must've been the prototype, you know?
It's all buzzy like the old one.
1151
01:12:58,150 --> 01:13:01,900
♪ By the banks of her own… ♪
1152
01:13:01,980 --> 01:13:03,360
Just like that. [vocalizing]
1153
01:13:03,440 --> 01:13:06,110
[Paul] ♪ But she could not rob ♪
1154
01:13:06,600 --> 01:13:10,770
♪ Didn't anybody tell her? ♪
1155
01:13:10,850 --> 01:13:12,640
[George vocalizing]
1156
01:13:46,520 --> 01:13:49,350
On the chorus--
Just need it to be a bit more solid.
1157
01:13:50,150 --> 01:13:51,320
So, like…
1158
01:13:52,440 --> 01:13:53,940
Sing on the top of it.
1159
01:13:54,020 --> 01:13:56,230
♪ Didn't anybody tell her? ♪
1160
01:13:57,100 --> 01:13:59,770
Yes, they're all like that.
They're all like that.
1161
01:14:00,690 --> 01:14:04,520
♪ Didn't anybody tell her? ♪
1162
01:14:07,650 --> 01:14:09,780
♪ Didn't anybody ♪
1163
01:14:09,850 --> 01:14:13,770
It should be like three-part,
and very close, very tight.
1164
01:14:13,850 --> 01:14:15,180
And with a sort of…
1165
01:14:15,270 --> 01:14:18,650
♪ She could steal, but she could not rob ♪
1166
01:14:19,310 --> 01:14:23,060
♪ Didn't anybody tell her? ♪
1167
01:14:23,850 --> 01:14:26,850
Just very, sort of--
In the background, it should be…
1168
01:14:26,940 --> 01:14:30,400
[imitates beat] Very plain.
1169
01:14:33,150 --> 01:14:37,230
♪ Didn't anybody tell her? ♪
1170
01:14:39,810 --> 01:14:43,270
♪ Didn't anybody see? ♪
1171
01:14:45,940 --> 01:14:50,480
♪ Sunday's on the phone to Monday ♪
1172
01:14:50,560 --> 01:14:52,980
[John] We've got to start on
all them other ones we've learned now.
1173
01:14:53,060 --> 01:14:54,690
-Yeah, little bits--
-And start doing them.
1174
01:14:56,650 --> 01:14:59,280
Well, shall we do it tomorrow?
The harmonies?
1175
01:14:59,350 --> 01:15:01,930
♪ Didn't anybody tell her? ♪
1176
01:15:03,980 --> 01:15:07,520
[John] We must be able to have it so that
we can play with an electric piano.
1177
01:15:07,600 --> 01:15:09,560
I mean, look,
other groups play on stage with 'em.
1178
01:15:10,230 --> 01:15:12,900
I mean, I've seen people on telly
playing them, you know?
1179
01:15:15,480 --> 01:15:16,860
[John] That's what it is.
1180
01:15:16,940 --> 01:15:18,070
Come along.
1181
01:15:18,150 --> 01:15:19,780
-Oh, yeah.
-Come on. Get home.
1182
01:15:19,850 --> 01:15:21,180
We're going with Ringo.
1183
01:15:22,850 --> 01:15:25,140
Goodbye, goodbye. See you tomorrow.
1184
01:15:25,230 --> 01:15:27,310
[Michael] Okay. What time are you coming?
1185
01:15:28,190 --> 01:15:30,190
At 11:00 on the nose.
1186
01:15:31,650 --> 01:15:32,860
Or one o'clock.
1187
01:15:32,940 --> 01:15:34,520
But on the nose.
1188
01:15:34,600 --> 01:15:36,640
I had a good idea for the TV show.
1189
01:15:36,730 --> 01:15:38,020
The only way we ever did them…
1190
01:15:38,100 --> 01:15:40,350
-Harmony? You're right.
-You're right, John.
1191
01:15:40,440 --> 01:15:42,440
Riffs on guitar, Paul. Harmony on piano.
1192
01:15:42,520 --> 01:15:45,560
I'd like to-- What we did today,
it was the same story.
1193
01:15:45,650 --> 01:15:47,320
-Same story.
-Same story exactly.
1194
01:15:47,400 --> 01:15:48,980
-For the voices, you mean?
-Yeah.
1195
01:15:49,060 --> 01:15:50,020
-Sure.
-Yeah.
1196
01:15:50,100 --> 01:15:51,730
We gotta get those voices cleaned up.
1197
01:15:51,810 --> 01:15:53,890
Well, let's get 'em all
into the riff stage.
1198
01:15:54,980 --> 01:15:57,400
'Cause I do like the riff stage, you know?
1199
01:15:57,480 --> 01:15:58,480
Yeah.
1200
01:15:58,560 --> 01:16:00,350
-Okay, see you tomorrow.
-Yes. Good night.
1201
01:16:00,440 --> 01:16:01,730
-Yeah.
-At eleven o'clock.
1202
01:16:01,810 --> 01:16:02,890
[Michael] Good night.
1203
01:16:02,980 --> 01:16:04,310
Bye.
1204
01:16:04,400 --> 01:16:07,110
[chattering]
1205
01:16:07,190 --> 01:16:09,150
Ta-ta. Good night.
1206
01:16:09,230 --> 01:16:13,860
[chattering]
1207
01:16:13,940 --> 01:16:15,360
[John] "'So be it,' says George Harrison."
1208
01:16:15,440 --> 01:16:16,440
[Yoko] Is that Michael Housego?
1209
01:16:16,520 --> 01:16:17,520
-Have you seen that?
-[George] No.
1210
01:16:17,600 --> 01:16:20,140
In the Mail, there's a picture of you
inside the next page.
1211
01:16:20,230 --> 01:16:21,940
And you said about France,
1212
01:16:22,020 --> 01:16:24,600
"'So be it,' says Beatle George Harrison,
1213
01:16:24,690 --> 01:16:28,230
who smashed, ruined the fellow's
evening suit and his cameras, and"--
1214
01:16:28,310 --> 01:16:29,690
[Glyn] Had seven stitches in his knee.
1215
01:16:29,770 --> 01:16:34,480
[George] "Harrison has already agreed
to pay Bebert £425 compensation."
1216
01:16:34,560 --> 01:16:37,770
It's amazing the way it goes on
without even
1217
01:16:37,850 --> 01:16:39,390
-anything to do with you.
-Yeah.
1218
01:16:39,480 --> 01:16:42,400
[George] It's like, as if you can just
give 'em a plastic dummy of you
1219
01:16:42,480 --> 01:16:45,560
to, you know,
to push around and play with.
1220
01:16:46,190 --> 01:16:50,440
Morning. Morning, everybody.
Another bright day. Morning, camera.
1221
01:16:51,270 --> 01:16:55,730
And now, your host for this evening,
The Rolling Stones.
1222
01:16:56,230 --> 01:16:58,650
[Glyn] Lovely warm air coming
through here. It's great.
1223
01:17:04,520 --> 01:17:07,650
[Paul] Neil thinks they'll want to
print their own in America.
1224
01:17:07,730 --> 01:17:08,980
[Derek] Yeah. Well, they will.
1225
01:17:09,060 --> 01:17:10,690
[Paul] It's like-- I don't like that thing
1226
01:17:10,770 --> 01:17:12,350
where it goes cheap
when it goes to America
1227
01:17:12,440 --> 01:17:14,980
-and they do the reprint.
-[Derek] I know what you mean.
1228
01:17:15,060 --> 01:17:17,100
Because the album's
gonna be called Postcard.
1229
01:17:20,150 --> 01:17:21,360
[Paul] By Mary Hopkin.
1230
01:17:21,440 --> 01:17:24,480
So we're just getting Valentine's,
the people who make postcards,
1231
01:17:24,560 --> 01:17:27,190
to put one of them on the cover of the LP.
1232
01:17:27,270 --> 01:17:29,900
-There's no, sort of, sleeve notes--
-And a picture of her.
1233
01:17:29,980 --> 01:17:32,110
[Paul] Yeah.
And just a few pictures of her in it all.
1234
01:17:32,690 --> 01:17:34,070
-Postcard?
-Yes.
1235
01:17:34,150 --> 01:17:35,570
-[George] Next of Hopkin.
-[laughs]
1236
01:17:37,060 --> 01:17:38,480
-Does this work?
-Yeah.
1237
01:17:38,560 --> 01:17:39,890
[Glyn] Goodness me.
1238
01:17:39,980 --> 01:17:42,190
-Should be a good day.
-[laughs]
1239
01:17:42,270 --> 01:17:44,400
[George] Bring your tambourine
next time you come.
1240
01:17:44,480 --> 01:17:45,480
All right.
1241
01:17:45,560 --> 01:17:48,140
-[John] Is that old toast that you had…
-Yeah.
1242
01:17:48,230 --> 01:17:50,610
-They're bringing some more.
-[George] With a bit of marmalade, Kev?
1243
01:17:50,690 --> 01:17:54,270
[John] ♪ Has taken my love away from me
Oh, now ♪
1244
01:17:54,850 --> 01:17:56,350
♪ Some other guy now ♪
1245
01:17:57,270 --> 01:17:58,850
John, could you give us an E?
1246
01:17:58,940 --> 01:18:00,860
-Yes.
-[plays note on piano]
1247
01:18:12,980 --> 01:18:13,980
Wow, that's great.
1248
01:18:14,060 --> 01:18:15,600
[John] Michael, do you want this?
1249
01:18:15,690 --> 01:18:16,820
-[Michael] Those walls?
-Yeah.
1250
01:18:16,900 --> 01:18:20,190
-We don't have to have them anymore.
-They're reflecting it all back on us.
1251
01:18:20,270 --> 01:18:21,560
-[Paul] The heat?
-Yeah.
1252
01:18:22,600 --> 01:18:24,680
-You're so right.
-Oh, Paul, I--
1253
01:18:24,770 --> 01:18:26,810
I know you've probably lived
in a glass house.
1254
01:18:30,480 --> 01:18:34,440
[vocalizing]
1255
01:18:35,020 --> 01:18:36,400
[Michael] Paul, what I'd like to do now
1256
01:18:36,480 --> 01:18:39,110
is go and talk to Neil
about seeing if Primrose Hill is free.
1257
01:18:39,190 --> 01:18:40,110
Can I do that?
1258
01:18:40,810 --> 01:18:43,020
[Paul]
It would be nice almost not to tell 'em.
1259
01:18:43,100 --> 01:18:44,810
[Michael]
That's why I wanted to do it in Africa.
1260
01:18:44,900 --> 01:18:47,780
You just start playing, and one by one
they come, one by one, ten by ten…
1261
01:18:47,850 --> 01:18:51,600
[Paul] Well, to me that's okay.
Primrose Hill. And I dig it.
1262
01:19:07,770 --> 01:19:10,650
[Michael] So, but just roughly, timewise,
you'd say in about a week?
1263
01:19:10,730 --> 01:19:11,730
[Paul] Yeah.
1264
01:19:11,810 --> 01:19:16,230
[John] Mal, could you buy
some cooling fans? Just loose ones.
1265
01:19:16,310 --> 01:19:18,890
-[Mal] The engineer's coming over.
-[Ringo] We need the blowers.
1266
01:19:25,350 --> 01:19:26,520
[John] Oh, yeah.
1267
01:19:26,600 --> 01:19:29,640
See, we're never gonna be the same
two days running, you know?
1268
01:19:29,730 --> 01:19:31,940
-It's impossible to remember.
-[Glyn] Sure.
1269
01:19:33,310 --> 01:19:35,810
The amp--
The amp, I'm not bothered about at all.
1270
01:19:35,900 --> 01:19:37,820
It's just the bass itself.
1271
01:19:37,900 --> 01:19:40,980
[John] Did you see Fleetwood Mac
on Late Night Live?
1272
01:19:41,060 --> 01:19:43,060
-They were so sweet, man.
-Were they?
1273
01:19:43,150 --> 01:19:45,980
[John] And the lead singer's great.
You know, looks great.
1274
01:19:46,060 --> 01:19:48,060
And he just, sort of,
sings very quiet as well.
1275
01:19:48,150 --> 01:19:49,780
He's not a shouter.
1276
01:19:49,850 --> 01:19:53,140
-And they were just like… [hums]
-[George, indistinct]
1277
01:19:55,190 --> 01:19:56,610
[John] Yeah, but better than Canned Heat.
1278
01:19:59,350 --> 01:20:00,560
Yeah, they're really good though.
1279
01:20:00,650 --> 01:20:03,070
It's just that sweeter,
just the guitar hanging.
1280
01:20:03,150 --> 01:20:06,780
[Paul] ♪ Well, the more we ran
Won't be back again ♪
1281
01:20:08,100 --> 01:20:10,310
That's like the Canned Heat one.
I love that one.
1282
01:20:10,400 --> 01:20:12,280
♪ Well, I'm going down the country ♪
1283
01:20:12,350 --> 01:20:14,430
♪ Down the country way ♪
1284
01:20:16,690 --> 01:20:18,320
♪ Going down the country ♪
1285
01:20:18,400 --> 01:20:20,690
♪ Don't have what to… ♪
1286
01:20:22,940 --> 01:20:24,440
♪ And I won't be back ♪
1287
01:20:24,520 --> 01:20:26,690
♪ For a while with all the loving here ♪
1288
01:20:31,020 --> 01:20:32,730
Okay, Glynis.
1289
01:20:32,810 --> 01:20:34,770
-Shall we do it?
-Okay.
1290
01:20:34,850 --> 01:20:37,520
Okay. Let's try it now.
1291
01:20:37,600 --> 01:20:39,850
Give up Canned Heat.
We're The Beatles now.
1292
01:20:39,940 --> 01:20:41,650
-Do it like The Beatles.
-[Glyn] Running.
1293
01:20:41,730 --> 01:20:43,520
♪ I told you so ♪
1294
01:20:43,600 --> 01:20:47,390
♪ All I want is you ♪
1295
01:20:49,690 --> 01:20:51,480
♪ Everything has got to be ♪
1296
01:20:51,560 --> 01:20:57,310
♪ Just like you want it to, because ♪
1297
01:21:15,600 --> 01:21:20,560
♪ All I want is you ♪
1298
01:21:24,100 --> 01:21:25,600
-[George] It certainly--
-We improve with time.
1299
01:21:25,690 --> 01:21:28,070
You're not talking to
Ricky and the Red Streaks, you know?
1300
01:21:28,150 --> 01:21:29,320
[Paul] Like a fine wine, really.
1301
01:21:29,400 --> 01:21:31,070
[John] Ooh, it's a strain of a song.
1302
01:21:31,150 --> 01:21:33,690
It's such a heavy one
to go through all these times.
1303
01:21:33,770 --> 01:21:36,060
Yeah. There's no time for a breath.
1304
01:21:36,650 --> 01:21:38,230
I'm trying it all different ways.
1305
01:21:38,310 --> 01:21:40,190
Okay, let's change the format.
1306
01:21:40,270 --> 01:21:42,810
-Let's run through "I've Got a Feeling."
-Okay.
1307
01:21:43,810 --> 01:21:48,140
♪ …wandering around
Wondering how come nobody told me ♪
1308
01:21:48,230 --> 01:21:51,400
♪ All that I've been looking for was
Somebody who looked like you ♪
1309
01:21:51,480 --> 01:21:53,310
♪ Ooh ♪
1310
01:21:53,400 --> 01:21:54,400
We go to D.
1311
01:21:54,480 --> 01:21:56,730
I just had a harmony.
It just came, just like…
1312
01:21:56,810 --> 01:21:58,690
-[Paul] ♪ That everybody knows ♪
-[Glyn] John?
1313
01:22:10,270 --> 01:22:11,230
[Paul] More.
1314
01:22:11,810 --> 01:22:14,230
Let me tell you about
the feeling I've got.
1315
01:22:14,310 --> 01:22:15,190
[Paul] Bit more.
1316
01:22:16,980 --> 01:22:22,060
♪ Everybody had a hard year
Everybody had a good time ♪
1317
01:22:25,850 --> 01:22:28,770
See, it's not as good, man,
as when it was bassy.
1318
01:22:29,400 --> 01:22:30,610
What's the matter with you?
1319
01:22:31,520 --> 01:22:33,230
-I can't hear you.
-[Glyn] Be bassy.
1320
01:22:33,310 --> 01:22:34,390
-What?
-Be bassy!
1321
01:22:34,480 --> 01:22:39,110
You know, 'cause I get a drone going
without being loud, you know?
1322
01:22:39,190 --> 01:22:40,190
Right.
1323
01:22:41,810 --> 01:22:44,020
-[Glyn] Ringo?
-Yeah? What?
1324
01:22:44,100 --> 01:22:46,390
Is there a damper on your floor tom-tom?
1325
01:22:46,480 --> 01:22:47,650
-A damper?
-Yeah.
1326
01:22:47,730 --> 01:22:48,560
No.
1327
01:22:48,650 --> 01:22:51,030
The only damper
around here is you, Glyn Johns!
1328
01:22:51,100 --> 01:22:53,100
-[Ringo] You want one?
-[Glyn] Yeah.
1329
01:22:53,190 --> 01:22:54,770
-[Paul] It should do that.
-[George vocalizing]
1330
01:22:54,850 --> 01:22:57,980
[Paul] At the eight.
1331
01:22:58,060 --> 01:22:59,850
[John] Yes! Yes!
1332
01:22:59,940 --> 01:23:01,520
-Yeah, okay.
-Okay.
1333
01:23:02,100 --> 01:23:03,890
[John] Let's take the song and hear it.
1334
01:23:10,730 --> 01:23:13,650
-♪ Everybody had a hard year ♪
-[Paul] ♪ I have a dream ♪
1335
01:23:13,730 --> 01:23:15,810
♪ Everybody had a soft shine ♪
1336
01:23:16,770 --> 01:23:20,150
♪ Everybody had a wet dream
Every-- ♪
1337
01:23:20,230 --> 01:23:21,400
Sing, Paul!
1338
01:23:22,060 --> 01:23:25,100
-[Paul] ♪ Oh, yeah ♪
-♪ Everybody had a hard year ♪
1339
01:23:25,190 --> 01:23:27,820
-♪ Oh, yeah ♪
-[John] ♪ Everybody had a wet dream ♪
1340
01:23:28,650 --> 01:23:31,110
-♪ I've got a feeling ♪
-[John] ♪ Everybody had a… ♪
1341
01:23:31,190 --> 01:23:33,820
-[Paul] ♪ That keeps me on my toes ♪
-♪ Everybody put their foot down ♪
1342
01:23:33,900 --> 01:23:34,900
[both] ♪ Oh, yeah ♪
1343
01:23:38,400 --> 01:23:41,980
-[Paul] I have a dream…
-I had a dream this afternoon.
1344
01:23:42,730 --> 01:23:44,310
Yeah, I had a dream.
1345
01:23:44,400 --> 01:23:46,860
[John] I had a dream this afternoon.
1346
01:23:47,440 --> 01:23:49,570
-Yeah, I had a dream.
-Great, wasn't it?
1347
01:23:51,020 --> 01:23:53,100
When all people…
1348
01:23:55,230 --> 01:23:56,480
shall be united.
1349
01:23:57,650 --> 01:23:58,900
-[George] No.
-[John] Fantastic.
1350
01:23:58,980 --> 01:24:02,060
[Imitating Martin Luther King Junior]
I had a dream this afternoon, children.
1351
01:24:02,150 --> 01:24:04,650
I dreamed the Black and the white kids
are gonna be together.
1352
01:24:04,730 --> 01:24:06,190
[Paul] Walk together, hand in hand.
1353
01:24:06,270 --> 01:24:07,850
[John, normal voice]
Like a big poem, it was.
1354
01:24:10,230 --> 01:24:12,560
-Yeah.
-Just like a poet.
1355
01:24:12,650 --> 01:24:15,030
-[Michael] And his voice--
-Just like Tennyson on that whole thing.
1356
01:24:15,100 --> 01:24:17,230
"I had a dream this afternoon."
1357
01:24:17,310 --> 01:24:18,480
[music starts]
1358
01:24:18,560 --> 01:24:20,640
♪ Yeah ♪
1359
01:24:20,730 --> 01:24:26,730
♪ Oh, I've got a feeling
Ooh, ooh ♪
1360
01:24:29,190 --> 01:24:32,020
♪ All these years
I've been wandering around ♪
1361
01:24:32,100 --> 01:24:35,140
♪ Wondering how come nobody told me ♪
1362
01:24:35,230 --> 01:24:39,020
♪ All that I've been looking for
Was somebody who looked like you ♪
1363
01:24:41,600 --> 01:24:44,770
[John] Have we taped any of these
that we can hear back, Glynis?
1364
01:24:44,850 --> 01:24:46,600
-Did you tape the last one?
-Yes.
1365
01:24:46,690 --> 01:24:50,690
[screeching]
1366
01:24:51,650 --> 01:24:53,570
I'd just like to say…
1367
01:24:54,230 --> 01:24:57,060
-[Paul] It's all right, this studio.
-[George] It's gonna be a good studio.
1368
01:25:03,770 --> 01:25:06,560
-[person] What's this?
-[George] It's only the decorators…
1369
01:25:06,650 --> 01:25:09,280
[John] I'm gonna say,
"I Wanna Hold Your Hand. Disk 1932."
1370
01:25:09,350 --> 01:25:10,680
[chuckling]
1371
01:25:17,150 --> 01:25:19,070
[John] If you can get 'em off Mimi's wall.
1372
01:25:20,230 --> 01:25:23,610
-♪ All I want is you ♪
-It just doesn't happen.
1373
01:25:23,690 --> 01:25:26,270
-I mean, he's not going… [imitates drums]
-Yeah.
1374
01:25:26,350 --> 01:25:27,480
To the end one.
1375
01:25:27,560 --> 01:25:29,890
I think maybe you could do…
1376
01:25:29,980 --> 01:25:32,400
Yeah, well, now we've got--
You can alternate through 'em.
1377
01:25:32,480 --> 01:25:34,150
Alternate everything now.
1378
01:25:34,230 --> 01:25:36,360
You know, uh, really fill it out a bit.
1379
01:25:36,440 --> 01:25:39,940
And on the "all I need, all I want,
everything has got to be," he can go…
1380
01:25:40,020 --> 01:25:42,560
[imitates drums]
1381
01:25:42,650 --> 01:25:45,230
-That one.
-It's like where we are now.
1382
01:25:45,310 --> 01:25:49,560
We normally record it, put it down like
that, just get that sort of a bit okay.
1383
01:25:49,650 --> 01:25:50,900
Then do all the voices,
1384
01:25:50,980 --> 01:25:52,810
-then finish it off.
-Then start laying on…
1385
01:25:52,900 --> 01:25:54,320
And then make it into a record.
1386
01:25:54,400 --> 01:25:57,320
And then you think, "Yeah, we should have
played it a bit more like that."
1387
01:25:57,400 --> 01:25:59,400
-Yes.
-And it's like that really.
1388
01:25:59,480 --> 01:26:02,110
-It's just trying to jump ahead.
-Yeah.
1389
01:26:02,190 --> 01:26:04,400
Yeah. I think this will do, might do it.
1390
01:26:04,480 --> 01:26:08,690
I've just gotta be
sort of different on the rhythm.
1391
01:26:08,770 --> 01:26:11,770
It's gotta be either one thing--
It's neither one thing nor the other now.
1392
01:26:13,020 --> 01:26:16,020
And there's something we need for the…
1393
01:26:28,480 --> 01:26:30,560
How you doing? How are you?
How you doing, baby?
1394
01:26:30,650 --> 01:26:33,820
-Good to see you. Hi.
-Hi. Good to see you.
1395
01:26:34,520 --> 01:26:35,690
[George] He was this big last time.
1396
01:26:35,770 --> 01:26:37,770
-Hello.
-How you doing, Ringo? Good to see you.
1397
01:26:37,850 --> 01:26:39,060
-You too.
-Yeah.
1398
01:26:39,150 --> 01:26:40,440
Out of sight, man.
1399
01:26:47,310 --> 01:26:50,270
Every number's got a piano part, or a--
1400
01:26:50,350 --> 01:26:52,520
And normally we overdub it.
1401
01:26:52,600 --> 01:26:54,640
But this time we wanna do it live.
1402
01:26:54,730 --> 01:26:56,110
Yeah. That'd be nice.
1403
01:26:56,190 --> 01:26:57,860
-I mean, just live to ourselves…
-Yeah.
1404
01:26:57,940 --> 01:27:00,070
…straight off, one number after the other.
1405
01:27:00,150 --> 01:27:02,150
And that means having somebody in on it.
1406
01:27:02,230 --> 01:27:05,610
-If you'd like to do that you're welcome.
-Sure. Beautiful.
1407
01:27:05,690 --> 01:27:08,440
-Right. And then you'd be on the album.
-You're kidding. [chuckles]
1408
01:27:08,520 --> 01:27:09,690
Well, that's good then.
1409
01:27:10,730 --> 01:27:16,400
We've taped a few. The thing is
to get some tapes made of what we've done,
1410
01:27:17,350 --> 01:27:19,230
and let him have a listen,
take 'em home at night.
1411
01:27:19,310 --> 01:27:21,690
He'll probably pick them up much quicker
hearing us play 'em.
1412
01:27:21,770 --> 01:27:23,310
[Paul] Yeah, just rehearsing them.
1413
01:27:24,400 --> 01:27:26,480
-[John] Have you met Billy, George?
-How do you do, Billy?
1414
01:27:26,560 --> 01:27:29,310
That's George Martin, our A&R man.
That's Billy.
1415
01:27:29,400 --> 01:27:33,230
We played with him in Hamburg.
He was backing Little Richard.
1416
01:27:33,310 --> 01:27:34,560
-Did you…
-In Hamburg.
1417
01:27:34,650 --> 01:27:35,650
[George] Yes.
1418
01:27:35,730 --> 01:27:36,860
[Paul] In the old days.
1419
01:27:38,020 --> 01:27:41,400
♪ A taste of honey ♪
1420
01:27:41,480 --> 01:27:44,940
[vocalizing] ♪ Much sweeter ♪
1421
01:27:50,480 --> 01:27:52,270
The piano behind here.
1422
01:28:02,190 --> 01:28:04,190
[George] Who's controlling the PA?
1423
01:28:05,650 --> 01:28:07,650
-Hello?
-[George] And this one isn't on.
1424
01:28:07,730 --> 01:28:09,690
-Is that one on?
-[Ringo] One isn't on, Glyn.
1425
01:28:14,270 --> 01:28:15,690
[George] You got all them chords?
1426
01:28:16,400 --> 01:28:20,280
And now, your hosts for this evening,
The Rolling Stones.
1427
01:28:21,150 --> 01:28:22,610
[Paul] ♪ No, no, no ♪
1428
01:28:22,690 --> 01:28:25,020
♪ Yeah ♪
1429
01:28:25,100 --> 01:28:26,230
♪ Oh ♪
1430
01:28:26,310 --> 01:28:28,690
♪ I've got a feeling ♪
1431
01:28:33,600 --> 01:28:36,520
♪ All these years
I've been wandering around ♪
1432
01:28:36,600 --> 01:28:39,480
♪ Wondering how come nobody told me ♪
1433
01:28:39,560 --> 01:28:42,810
♪ All that I've been looking for
Was somebody who looked like you ♪
1434
01:28:48,560 --> 01:28:50,230
♪ I've got a feeling ♪
1435
01:28:50,310 --> 01:28:51,440
[John] Yes, you have.
1436
01:28:51,520 --> 01:28:53,020
♪ That keeps me on my toes ♪
1437
01:28:53,100 --> 01:28:54,100
[John] On your what?
1438
01:28:54,190 --> 01:28:57,610
-♪ Oh, yeah ♪
-[both] ♪ Oh, yeah ♪
1439
01:29:00,230 --> 01:29:02,980
♪ I've got a feeling I think that ♪
1440
01:29:03,060 --> 01:29:05,190
[both] ♪ Everybody knows ♪
1441
01:29:05,270 --> 01:29:06,150
♪ Oh, yeah ♪
1442
01:29:08,100 --> 01:29:09,600
[both] ♪ Oh, yeah ♪
1443
01:29:10,900 --> 01:29:12,280
♪ Oh, yeah ♪
1444
01:29:12,350 --> 01:29:15,810
♪ Woo, woo-oo, woo-oo ♪
1445
01:29:17,730 --> 01:29:22,860
♪ Woo, woo-oo, woo-oo ♪
1446
01:29:27,600 --> 01:29:29,140
-All right.
-Yes.
1447
01:29:29,230 --> 01:29:31,480
[George]
Electric piano has such a great sound.
1448
01:29:32,980 --> 01:29:35,650
It's only--
Is there a speaker facing you as well?
1449
01:29:35,730 --> 01:29:37,020
[Billy] Yeah, I'm getting it played back.
1450
01:29:37,730 --> 01:29:38,900
Okay.
1451
01:29:39,480 --> 01:29:40,940
Do a nice, big… [imitates cymbal crash]
1452
01:29:41,020 --> 01:29:43,520
…for me, you know, to give me
the courage to come screaming in.
1453
01:29:43,600 --> 01:29:44,810
[Ringo] Okay.
1454
01:29:45,400 --> 01:29:47,730
♪ Don't let me down ♪
1455
01:29:51,770 --> 01:29:54,150
♪ Don't let me down ♪
1456
01:29:56,980 --> 01:29:58,020
[John] It's great!
1457
01:29:58,600 --> 01:30:00,140
-You're giving us a lift, Bill!
-All right.
1458
01:30:00,230 --> 01:30:02,360
We've been doing this for days, you know.
1459
01:30:02,440 --> 01:30:03,570
Weeks.
1460
01:30:03,650 --> 01:30:05,480
-Just choking.
-Years.
1461
01:30:05,560 --> 01:30:07,190
My voice is choking.
1462
01:30:07,850 --> 01:30:11,100
I just wish I had yesterday's voice
but today's backing.
1463
01:30:11,770 --> 01:30:12,940
I was swinging yesterday.
1464
01:30:13,560 --> 01:30:16,060
Voice-wise, that is.
I've just gone over the top.
1465
01:30:17,230 --> 01:30:20,520
-♪ Don't let me down ♪
-♪ Down ♪
1466
01:30:23,100 --> 01:30:25,560
♪ Don't let me down ♪
1467
01:30:28,440 --> 01:30:33,150
♪ And from the first time
That she really done me ♪
1468
01:30:34,100 --> 01:30:39,140
♪ Ooh, she done me, she done me good ♪
1469
01:30:39,230 --> 01:30:42,110
[George] Some tea and sandwiches came.
1470
01:30:42,190 --> 01:30:43,650
-Yeah.
-[John] Sandwiches?
1471
01:30:43,730 --> 01:30:49,310
[John, Paul]
♪ And if somebody ever really loved me ♪
1472
01:30:50,350 --> 01:30:52,230
♪ Like she love me ♪
1473
01:30:53,730 --> 01:30:55,560
♪ Yes, she does ♪
1474
01:30:55,650 --> 01:30:57,400
All right, Glynis. We're off again.
1475
01:30:57,480 --> 01:31:00,310
♪ Don't let me down ♪
1476
01:31:03,650 --> 01:31:06,150
♪ Don't let me down ♪
1477
01:31:08,480 --> 01:31:09,520
[John] Take it, Billy!
1478
01:31:16,310 --> 01:31:17,390
Can you dig it?
1479
01:31:17,940 --> 01:31:19,940
♪ Ooh, ooh ♪
1480
01:31:25,850 --> 01:31:28,230
[John] I had a dream this afternoon.
1481
01:31:32,520 --> 01:31:34,060
Don't let me down.
1482
01:31:35,770 --> 01:31:38,850
Well, ladies and gentlemen,
we'd like to change up the tempo a little.
1483
01:31:39,350 --> 01:31:42,100
Okay. Let's do the next song then.
1484
01:31:42,770 --> 01:31:46,150
-You right? I'm doing my intro.
-Sorry.
1485
01:31:46,230 --> 01:31:47,650
Do you mind?
1486
01:31:47,730 --> 01:31:50,520
I'm getting a bit dafter
with every song. This…
1487
01:31:50,600 --> 01:31:53,230
-Come on, son. Now try your hardest.
-It's getting… Look at them.
1488
01:31:53,310 --> 01:31:54,310
I don't--
1489
01:31:55,810 --> 01:31:57,390
-[George] Was he taping them?
-[John] Yeah.
1490
01:31:57,480 --> 01:31:59,520
We'll do "Dig a Pony"
straight into "I've Got A Fever."
1491
01:32:04,230 --> 01:32:06,020
Piss on your boots.
1492
01:32:06,600 --> 01:32:08,390
♪ You can dance ♪
1493
01:32:08,480 --> 01:32:12,730
♪ Every dance with the guy
Holding you tight ♪
1494
01:32:12,810 --> 01:32:15,140
♪ Let him hold you tight ♪
1495
01:32:16,980 --> 01:32:18,480
♪ You can dance ♪
1496
01:32:19,230 --> 01:32:23,610
[indistinct] ♪ In the pale moonlight ♪
1497
01:32:24,770 --> 01:32:28,810
♪ But don't forget who's takin' you home ♪
1498
01:32:28,900 --> 01:32:32,030
♪ And in whose arms you want to stay ♪
1499
01:32:33,730 --> 01:32:35,480
♪ Oh, darlin' ♪
1500
01:32:35,560 --> 01:32:39,350
♪ Save the last dance for me ♪
1501
01:32:42,350 --> 01:32:45,180
♪ Back when I loved a lovely girl ♪
1502
01:32:45,270 --> 01:32:48,730
♪ And I lived on as I lived on ♪
1503
01:32:51,230 --> 01:32:54,190
♪ Every time I wanna… ♪
1504
01:32:54,270 --> 01:32:57,060
♪ Just on and on and put me down ♪
1505
01:32:57,150 --> 01:33:00,610
♪ With a cupcake, baby
Chocolate, yeah, yeah ♪
1506
01:33:02,480 --> 01:33:04,190
♪ I told you so ♪
1507
01:33:04,270 --> 01:33:08,310
♪ All I want is you ♪
1508
01:33:10,480 --> 01:33:15,940
♪ Everything has got to be
Just like you want it to ♪
1509
01:33:16,600 --> 01:33:18,480
♪ Because ♪
1510
01:33:36,480 --> 01:33:41,900
♪ All I want is you ♪
1511
01:33:47,850 --> 01:33:49,100
[John] No, keep 'em.
1512
01:33:49,190 --> 01:33:51,150
I mean, what,
was something wrong with 'em?
1513
01:33:51,230 --> 01:33:52,310
[Paul] There's nothing to keep.
1514
01:33:52,400 --> 01:33:54,230
[John] They've improved on this morning,
haven't they?
1515
01:33:54,310 --> 01:33:55,520
Haven't you got three now?
1516
01:33:55,600 --> 01:33:56,640
[Glyn] You're talking about--
1517
01:33:56,730 --> 01:33:59,560
Do you have "Don't Let Me Down" as well?
The three.
1518
01:33:59,650 --> 01:34:03,610
Yeah, you got the last three
with two takes of "I've Got A Feeling."
1519
01:34:03,690 --> 01:34:04,690
[Glyn] Oh, yeah.
1520
01:34:04,770 --> 01:34:08,480
We want to hear what we've done to 'em.
The waltzes and bits. So keep 'em.
1521
01:34:08,560 --> 01:34:11,060
-What, have you got no more tape?
-[Glyn] Yeah.
1522
01:34:11,150 --> 01:34:13,650
Well, we don't need to record any more,
so keep 'em.
1523
01:34:13,730 --> 01:34:15,650
Can we hear "Don't Let Me Down"?
I wanna hear that.
1524
01:34:20,850 --> 01:34:23,350
You heard the drums are on two tracks.
So, like, when he goes…
1525
01:34:23,440 --> 01:34:26,480
[imitates drumming]
…it goes right across the room.
1526
01:34:26,560 --> 01:34:27,640
Sweet, man.
1527
01:34:28,650 --> 01:34:31,730
[George] You know, when he asked
for four speakers, the EMI guy said,
1528
01:34:31,810 --> 01:34:34,060
"What do you want four for?
You've only got two ears."
1529
01:34:34,150 --> 01:34:37,400
[all chuckling]
1530
01:34:38,190 --> 01:34:42,770
♪ Nobody ever loved me like she does ♪
1531
01:34:44,480 --> 01:34:46,060
♪ Ooh, she does ♪
1532
01:34:47,400 --> 01:34:48,860
♪ Yes, she does ♪
1533
01:34:51,730 --> 01:34:56,190
♪ And if somebody ever really loved me ♪
1534
01:34:57,810 --> 01:34:59,560
♪ Ooh, she loves me ♪
1535
01:35:00,900 --> 01:35:02,230
♪ Yes, she does ♪
1536
01:35:16,060 --> 01:35:18,190
-Can you play violin?
-No.
1537
01:35:18,270 --> 01:35:19,150
-[beep]
-[crew] 2-9-0.
1538
01:35:19,230 --> 01:35:21,230
-[Paul] What time is it?
-[John, George Martin] Five past 6:00.
1539
01:35:21,310 --> 01:35:22,940
-Thank you.
-We work to the clock.
1540
01:35:23,020 --> 01:35:24,020
[chuckles]
1541
01:35:26,150 --> 01:35:28,150
It's good all his fills on the…
1542
01:35:28,230 --> 01:35:31,230
♪ Don't let me down
Doo doo doo doo doo doo doo ♪
1543
01:35:31,310 --> 01:35:33,350
-[Michael] I had a word with Neil.
-[John] Yeah.
1544
01:35:33,440 --> 01:35:37,570
What he indicates is that we'll
do something early next week.
1545
01:35:37,650 --> 01:35:40,150
[John] And it'll be great.
Soon as we got them off…
1546
01:36:15,650 --> 01:36:16,900
[Michael] If it's good enough, yeah.
1547
01:36:19,060 --> 01:36:21,560
[George] When you record, you know,
you settle on something,
1548
01:36:21,650 --> 01:36:24,280
and you say,
"Okay, that's how it's gonna be for now."
1549
01:36:24,350 --> 01:36:29,600
But when you're on the road, say,
doing it all the time, it slowly changes.
1550
01:36:29,690 --> 01:36:34,070
So, I mean, that means we may go on
rehearsing forever. [chuckles]
1551
01:36:34,150 --> 01:36:35,190
Yeah.
1552
01:36:35,270 --> 01:36:36,850
-[indistinct]
-[Yoko] Oh, yes.
1553
01:36:36,940 --> 01:36:38,650
The thing is that, um…
1554
01:36:38,730 --> 01:36:41,560
[bluesy instrumental music playing]
1555
01:36:50,350 --> 01:36:52,680
I think-- Weren't we
doing something on Friday night?
1556
01:36:52,770 --> 01:36:53,810
[Yoko] Friday night, yes.
1557
01:37:00,100 --> 01:37:01,180
[John] Monday night.
1558
01:37:17,270 --> 01:37:19,350
[drums playing]
1559
01:37:29,560 --> 01:37:32,560
[Yoko vocalizing]
1560
01:38:18,020 --> 01:38:19,440
[vocalizing stops]
1561
01:38:19,520 --> 01:38:21,190
-[laughing]
-[George] The lights are working.
1562
01:38:21,270 --> 01:38:22,690
[John] You missed it!
1563
01:38:22,770 --> 01:38:25,190
[George] Yeah, I felt it
as I left the second floor.
1564
01:38:25,270 --> 01:38:26,400
[John] It was great.
1565
01:38:26,480 --> 01:38:30,190
Yoko, John and Paul and Billy
were doing their freak-out.
1566
01:38:30,270 --> 01:38:31,850
-[Michael] The Beatles, yeah.
-[John] No, no.
1567
01:38:31,940 --> 01:38:32,940
[Michael] Yes, go on.
1568
01:38:33,020 --> 01:38:34,850
-[Yoko chuckles]
-[John] Billy, Yoko, John and Paul.
1569
01:38:34,940 --> 01:38:36,570
-[John] Is it all on film?
-[crew] Yeah.
1570
01:38:36,650 --> 01:38:37,940
[John] What a great bit of film!
1571
01:38:38,020 --> 01:38:40,850
-The whole place was zooming.
-It was. It was beautiful.
1572
01:38:40,940 --> 01:38:43,070
I'd like it to be part of her new LP.
[chuckles]
1573
01:38:43,150 --> 01:38:45,400
-[Michael] Glyn!
-Or our new LP.
1574
01:38:45,480 --> 01:38:46,810
[Yoko chuckles]
1575
01:38:46,900 --> 01:38:48,570
[Paul]
I think you're nuts, the pair of you.
1576
01:38:48,650 --> 01:38:49,820
[all chuckling]
1577
01:38:50,650 --> 01:38:52,230
[Michael] Well, the current thought
1578
01:38:52,310 --> 01:38:55,230
is that we'll try to do it
at the end of next week, maybe.
1579
01:38:55,310 --> 01:38:57,980
[Ringo] You know,
if we did ten days straight from now…
1580
01:38:58,060 --> 01:39:00,940
[George Martin]
Well, you're working so well together now.
1581
01:39:01,020 --> 01:39:02,980
-[John] Yes.
-Let's keep it going.
1582
01:39:03,060 --> 01:39:06,190
-[John] Well, you know, I won't say no.
-[Michael] Mightn't be able to speak.
1583
01:39:06,270 --> 01:39:07,980
[Ringo] You know,
I'd rather work the weekend
1584
01:39:08,060 --> 01:39:10,060
than make it last out an extra week or so.
1585
01:39:10,150 --> 01:39:12,150
[Michael] I think the thing is
we'll aim for Thursday,
1586
01:39:12,230 --> 01:39:15,150
'cause if we don't make Thursday,
just as a…
1587
01:39:15,230 --> 01:39:17,440
[Ringo]
Then we won't get outside, will we?
1588
01:39:17,520 --> 01:39:20,400
[John] Michael was talking
in terms of next Thursday.
1589
01:39:20,480 --> 01:39:21,480
[Paul] Yes.
1590
01:39:21,980 --> 01:39:24,400
-[John] And working over the weekend.
-[indistinct]
1591
01:39:24,480 --> 01:39:26,310
[John] So, it's gonna be stupid.
1592
01:39:26,400 --> 01:39:27,400
[Paul, indistinct]
1593
01:39:27,480 --> 01:39:30,810
Yeah, let's work Saturday, but not Sunday.
Just to have one day.
1594
01:39:30,900 --> 01:39:33,730
-'Cause it does help next week…
-[John] Oh, yeah.
1595
01:39:33,810 --> 01:39:35,020
…if you get one day.
1596
01:39:35,100 --> 01:39:37,180
[John] I'm so tired though. It's amazing.
1597
01:39:37,770 --> 01:39:39,900
Could we have some more tea, Mal,
like a pot, you know?
1598
01:39:41,150 --> 01:39:43,480
♪ Oh, well, I've got a girl
With a record machine ♪
1599
01:39:43,560 --> 01:39:46,640
♪ When it comes to rockin'
She's the queen ♪
1600
01:39:46,730 --> 01:39:49,480
♪ We love to dance on a Saturday night ♪
1601
01:39:49,560 --> 01:39:52,100
♪ All alone where I can hold her tight ♪
1602
01:39:52,190 --> 01:39:55,020
♪ But she lives
On the twentieth floor uptown ♪
1603
01:39:55,100 --> 01:39:57,140
♪ The elevator's broken down ♪
1604
01:39:57,230 --> 01:40:00,480
♪ So I walked one, two flight
Three flight, four ♪
1605
01:40:00,560 --> 01:40:02,850
♪ Five, six, flight seven
Flight, more ♪
1606
01:40:03,520 --> 01:40:05,480
♪ By the twelfth, I'm ready to drag ♪
1607
01:40:05,560 --> 01:40:08,270
♪ Fifteenth floor, I'm a-startin' to sag ♪
1608
01:40:11,980 --> 01:40:13,560
[John] Yeah, like rockers!
1609
01:40:13,650 --> 01:40:15,480
[George] Way back in the '50s.
1610
01:40:15,560 --> 01:40:18,350
'Course,
you probably don't remember the '50s.
1611
01:40:18,440 --> 01:40:20,480
When the great names were around.
1612
01:40:21,270 --> 01:40:24,230
Eddie Cochran, Gene Burke.
1613
01:40:24,310 --> 01:40:28,310
-George Hemingway, Frida Starr.
-Foster Dulles.
1614
01:40:29,350 --> 01:40:30,600
[George] Mal?
1615
01:40:30,690 --> 01:40:36,650
Can you send somebody to buy me a--
You know those lace bow ties?
1616
01:40:36,730 --> 01:40:38,810
-[John] Like a cowboy?
-[George] A black one.
1617
01:40:38,900 --> 01:40:40,320
-A cowboy one?
-[Mal] A string tie?
1618
01:40:40,400 --> 01:40:43,400
Yeah, but they get 'em.
They just clip on under your collar.
1619
01:40:44,730 --> 01:40:46,770
So what should we do that's fun?
1620
01:40:46,850 --> 01:40:48,230
Besides work?
1621
01:40:49,400 --> 01:40:51,570
-[George] Are we doing that one?
-[Paul] Yeah.
1622
01:40:51,650 --> 01:40:54,280
-"Across the Universe"?
-No, no. 'Cause it's going out on an EP.
1623
01:40:54,850 --> 01:40:56,430
There's always Mal's instrument.
1624
01:40:58,940 --> 01:41:01,940
♪ Bang, bang, Maxwell's silver hammer ♪
1625
01:41:02,020 --> 01:41:06,690
It's just a reminder to remind you about
"Maxwell's Silver Hammer" all the time.
1626
01:41:07,480 --> 01:41:10,690
[John] I'd like to do a song today
that I don't have to sing so much,
1627
01:41:10,770 --> 01:41:12,980
-'cause it's really stupid, that.
-Yes.
1628
01:41:13,850 --> 01:41:16,020
♪ Oh, darling ♪
1629
01:41:17,730 --> 01:41:19,810
♪ Please believe me ♪
1630
01:41:19,900 --> 01:41:22,610
♪ Oh, yeah ♪
1631
01:41:22,690 --> 01:41:27,400
♪ I'll never do you no harm ♪
1632
01:41:29,850 --> 01:41:33,850
♪ Believe me when I tell you ♪
1633
01:41:33,940 --> 01:41:38,650
♪ I'll never do you no harm ♪
1634
01:41:43,520 --> 01:41:45,690
♪ Oh, when you told me ♪
1635
01:41:47,980 --> 01:41:51,440
♪ You didn't need me anymore ♪
1636
01:41:52,520 --> 01:41:58,190
♪ You know I nearly broke down and cried ♪
1637
01:41:59,230 --> 01:42:01,310
♪ When you told me ♪
1638
01:42:02,650 --> 01:42:04,650
-Did you know that?
-[Paul] It's very interesting.
1639
01:42:04,730 --> 01:42:08,520
With the Twin Reverb amp, Paul,
I find myself satisfied completely.
1640
01:42:09,150 --> 01:42:12,940
And now your hosts for this evening,
The Rolling Stones.
1641
01:42:17,270 --> 01:42:18,270
Whoo!
1642
01:42:19,350 --> 01:42:20,430
Yeah.
1643
01:42:21,150 --> 01:42:23,980
♪ Get back to where you once belonged ♪
1644
01:42:24,060 --> 01:42:25,060
How many verses are there?
1645
01:42:26,060 --> 01:42:29,940
[Paul] Well, see-- see,
it started off as a protest song--
1646
01:42:30,020 --> 01:42:31,060
But, you know…
1647
01:42:31,600 --> 01:42:34,850
I think it works okay
with just the two verses
1648
01:42:35,480 --> 01:42:37,650
about sweet Loretta Martin,
the first verse…
1649
01:42:37,730 --> 01:42:39,520
-[John] Just have two for now.
-Yeah.
1650
01:42:39,600 --> 01:42:41,980
[George] But, I mean--
I don't mean really how many verses--
1651
01:42:42,060 --> 01:42:44,600
-Okay, I'll sing it through.
-How many times will you do a verse?
1652
01:42:44,690 --> 01:42:48,190
I'll sing it through and shout
where I think it should go,
1653
01:42:48,270 --> 01:42:51,440
and then if you don't agree,
remember it and we'll change it.
1654
01:42:51,520 --> 01:42:54,520
Well, maybe if we had an intro,
a verse, a chorus,
1655
01:42:54,600 --> 01:42:56,680
of "Get Back,"
and then there's a bit with--
1656
01:42:56,770 --> 01:42:59,770
[Paul] Solo. Yes, solo. Get back, Jo.
1657
01:43:00,730 --> 01:43:03,310
Then there's a bit of chorus
on the end of that solo though.
1658
01:43:03,400 --> 01:43:06,730
Yeah. And then the doo-dah-dum.
Then the next verse,
1659
01:43:07,270 --> 01:43:11,100
the next chorus,
the next solo, the next chorus.
1660
01:43:11,190 --> 01:43:13,440
Well, let's have one guitar solo
and one piano solo then.
1661
01:43:13,520 --> 01:43:14,350
[Paul] Okay.
1662
01:43:14,440 --> 01:43:16,440
'Cause I'm only gonna be
able to work one out.
1663
01:43:17,650 --> 01:43:19,980
[Paul] Who do you wanna be,
Jo Jo or Loretta?
1664
01:43:20,810 --> 01:43:22,390
Get back to sweet Loretta.
1665
01:43:23,150 --> 01:43:24,650
He's waiting for you. [chuckles]
1666
01:43:26,520 --> 01:43:29,560
This old drag queen back on the ranch.
1667
01:43:29,650 --> 01:43:30,860
Tucson.
1668
01:43:30,940 --> 01:43:33,150
Wearing his high-heeled shoes.
1669
01:43:34,350 --> 01:43:38,350
♪ Jo Jo left his home in Tucson, Arizona ♪
1670
01:43:38,440 --> 01:43:41,230
-♪ Looking for California grass ♪
-[chattering]
1671
01:43:42,350 --> 01:43:44,730
♪ On California grass ♪
1672
01:43:46,150 --> 01:43:49,820
♪ Jo Jo left his home in Tucson, Arizona ♪
1673
01:43:49,900 --> 01:43:52,690
♪ For some California grass ♪
1674
01:43:52,770 --> 01:43:54,770
♪ Oh, get back ♪
1675
01:43:55,270 --> 01:43:56,940
♪ Oh, get back ♪
1676
01:43:58,190 --> 01:43:59,980
Get back, Jo Jo.
1677
01:44:00,060 --> 01:44:01,730
-[Paul] One, two, three.
-Two.
1678
01:44:02,810 --> 01:44:05,140
[Paul] Sorry. One, two, three, four.
1679
01:44:08,520 --> 01:44:10,980
It's like on "Reach Out." Do you remember?
1680
01:44:11,940 --> 01:44:15,070
You know, "Reach Out,"
where everything stops, and you just have…
1681
01:44:16,060 --> 01:44:18,390
-That beat going da, da, da, da.
-[Paul] Whoo-hoo!
1682
01:44:18,480 --> 01:44:20,690
♪ Oh, get back ♪
1683
01:44:20,770 --> 01:44:22,270
[Paul] Get back, Jo Jo!
1684
01:44:22,350 --> 01:44:24,270
[vocalizing]
1685
01:44:30,940 --> 01:44:32,320
♪ Ah ♪
1686
01:44:32,400 --> 01:44:33,820
♪ Get back ♪
1687
01:44:34,480 --> 01:44:38,110
♪ With a love… ♪
1688
01:44:38,690 --> 01:44:41,070
-[George] ♪ Ah ♪
-[Paul] ♪ Get back ♪
1689
01:44:41,150 --> 01:44:45,230
[John] So you do the beginning,
then my solo, then you and me singing,
1690
01:44:45,310 --> 01:44:48,230
and then he comes in,
does his break and a solo,
1691
01:44:48,310 --> 01:44:51,770
then you sing a verse,
and one last, long "Get back" and out.
1692
01:44:51,850 --> 01:44:54,230
-A match, Ring…
-[Paul] Okay. So…
1693
01:44:54,310 --> 01:44:55,390
But that break…
1694
01:44:55,480 --> 01:44:58,520
[John] It's almost natural, like,
rock and roll, except for the break.
1695
01:44:58,600 --> 01:44:59,730
It's just a break before--
1696
01:44:59,810 --> 01:45:02,350
[Paul] See, that's it.
If we make too much of a break,
1697
01:45:02,440 --> 01:45:04,440
we start getting it into, like,
an arranged song.
1698
01:45:04,520 --> 01:45:05,600
[John] Yeah, it just should go…
1699
01:45:05,690 --> 01:45:07,980
[Paul] It's better just to have,
like, a rock and roll song.
1700
01:45:08,060 --> 01:45:10,690
[John] But, I mean,
they did have breaks in the old days.
1701
01:45:10,770 --> 01:45:11,940
[Paul] That's what I mean, yeah.
1702
01:45:12,020 --> 01:45:13,190
[John] Okay. Well, for now I'll vamp.
1703
01:45:13,270 --> 01:45:15,060
[George]
The arrangement is only enough to know.
1704
01:45:15,150 --> 01:45:17,570
One, two, three, four.
1705
01:45:25,310 --> 01:45:27,730
-It just, like, resolves the thing.
-Yeah.
1706
01:45:27,810 --> 01:45:28,810
I do like--
1707
01:45:28,900 --> 01:45:30,900
It'd be nice,
for the bit going into the solo,
1708
01:45:30,980 --> 01:45:33,110
the last verse before the solo,
1709
01:45:33,190 --> 01:45:38,190
if we stop that thing we're doing
and maybe you just keep doing that.
1710
01:45:39,400 --> 01:45:43,150
-Yeah.
-You do-- And Ringo and I. Just that…
1711
01:45:43,230 --> 01:45:44,310
Go ahead. Do it.
1712
01:45:44,400 --> 01:45:45,730
Just sing a verse…
1713
01:45:45,810 --> 01:45:46,980
[Paul] Yeah, great.
1714
01:45:49,190 --> 01:45:50,480
♪ Get back ♪
1715
01:45:51,270 --> 01:45:52,270
♪ Get back ♪
1716
01:45:53,270 --> 01:45:56,400
♪ Get back to where you once belonged ♪
1717
01:45:57,150 --> 01:45:58,610
♪ Get back ♪
1718
01:45:58,690 --> 01:46:01,480
-About there we should have the thing.
-Yeah.
1719
01:46:01,560 --> 01:46:04,480
-Like, before we go into the second verse.
-[John] Are we having two solos?
1720
01:46:04,560 --> 01:46:07,060
Yeah, see, we should just have
a real formula, you know?
1721
01:46:07,150 --> 01:46:10,610
Just like a beginning. Da, da, da.
1722
01:46:10,690 --> 01:46:13,820
-[John] Beginning, verse, chorus, solo.
-Into the verse then the chorus.
1723
01:46:13,900 --> 01:46:17,360
Da-- "Back." Da--
"Back to where you once belonged."
1724
01:46:17,440 --> 01:46:18,940
"Get back." Dum.
1725
01:46:19,020 --> 01:46:21,190
Then the low one.
1726
01:46:21,270 --> 01:46:24,190
"Get back. Get back.
Back to where you once belonged.
1727
01:46:24,270 --> 01:46:26,560
Get back.
Back to where you once belonged."
1728
01:46:26,650 --> 01:46:28,940
-♪ Get back ♪
-♪ Get back ♪
1729
01:46:29,020 --> 01:46:32,020
♪ Back to where you once belonged ♪
1730
01:46:32,730 --> 01:46:33,810
♪ Get back ♪
1731
01:46:34,690 --> 01:46:35,730
♪ Get back ♪
1732
01:46:36,650 --> 01:46:39,820
♪ Get back to where you once belonged ♪
1733
01:46:40,350 --> 01:46:43,100
So then it's like
it's more in the register we're in.
1734
01:46:43,190 --> 01:46:45,650
♪ Back to where you once belonged ♪
1735
01:46:45,730 --> 01:46:48,150
[vocalizes]
1736
01:46:49,850 --> 01:46:50,850
[George] Why don't we have--
1737
01:46:50,940 --> 01:46:53,520
Weren't we gonna have, like,
a verse, chorus, then solo,
1738
01:46:53,600 --> 01:46:55,930
-then verse, chorus, and then the solo?
-[Paul] Yeah. Well, see--
1739
01:46:56,020 --> 01:46:59,480
We are trying to just get a break,
weren't we, after the solo?
1740
01:46:59,560 --> 01:47:01,730
-Yeah.
-We're trying to get a break to separate.
1741
01:47:01,810 --> 01:47:04,730
Yeah, but we've got, like,
a bit of a break and another solo now.
1742
01:47:04,810 --> 01:47:06,850
-So there's gonna be three solos?
-[John] No, two?
1743
01:47:06,940 --> 01:47:08,480
-'Cause it would be nice just to--
-Three?
1744
01:47:08,560 --> 01:47:10,480
Like the bit we were starting to have.
1745
01:47:10,560 --> 01:47:11,980
[Paul] I like solos.
1746
01:47:12,060 --> 01:47:14,190
[John] So do I, but I've only got one.
1747
01:47:14,270 --> 01:47:17,310
-The bit that we were--
-I was thinking of you doing two.
1748
01:47:17,400 --> 01:47:18,860
And Billy doing one in the middle of it.
1749
01:47:18,940 --> 01:47:21,860
You doing the both, "Get back Jo Jo."
1750
01:47:22,560 --> 01:47:24,140
[John] Just do the same one twice?
1751
01:47:24,230 --> 01:47:26,860
-[George] Oh, yeah, you could.
-[John] Do that and rock and roll a bit.
1752
01:47:28,310 --> 01:47:29,310
-[Paul] Okay, so…
-Okay.
1753
01:47:29,400 --> 01:47:32,690
[John] So, I'm-- I'm lost now.
Do you want to start writing it down?
1754
01:47:32,770 --> 01:47:34,690
Just write it down. Verse, solo, verse.
1755
01:47:35,310 --> 01:47:37,690
♪ Get back to where you once belonged ♪
1756
01:47:37,770 --> 01:47:38,650
[John] What did I do? Uh…
1757
01:47:38,730 --> 01:47:40,110
♪ Get back ♪
1758
01:47:40,190 --> 01:47:42,690
[Paul] The trouble is, you're on
a harmony, then you go to the melody.
1759
01:47:42,770 --> 01:47:44,350
-[John] Yes.
-So, you should really go…
1760
01:47:44,440 --> 01:47:45,440
♪ Get back ♪
1761
01:47:45,520 --> 01:47:46,520
♪ Get back ♪
1762
01:47:46,600 --> 01:47:47,680
♪ Get back ♪
1763
01:47:48,810 --> 01:47:51,690
♪ Back to where you once belonged ♪
1764
01:47:51,770 --> 01:47:55,270
If you could give us that chord that we…
1765
01:47:55,350 --> 01:47:56,850
[vocalizes] Yeah.
1766
01:47:57,600 --> 01:47:59,180
At the end of John's solo, so it goes…
1767
01:47:59,270 --> 01:48:01,730
♪ Doo-doo-doo-doo-doo-doo-doo ♪
1768
01:48:01,810 --> 01:48:02,810
At the end of his solo.
1769
01:48:02,900 --> 01:48:05,940
[vocalizes]
1770
01:48:06,520 --> 01:48:08,480
There. [vocalizes]
1771
01:48:08,560 --> 01:48:09,640
♪ Get back ♪
1772
01:48:09,730 --> 01:48:11,560
So I'll pick it up off you then.
1773
01:48:11,650 --> 01:48:14,190
So, I'll just keep doing it,
and I'll join in when I can.
1774
01:48:14,270 --> 01:48:15,980
But presume that's the verse
where I come in.
1775
01:48:16,060 --> 01:48:19,100
End the solo not in a flurry.
1776
01:48:19,190 --> 01:48:20,400
'Cause then, you know,
1777
01:48:20,480 --> 01:48:23,060
"I gotta get all my notes in
before the end of the solo,"
1778
01:48:23,150 --> 01:48:24,940
but don't, you know, just end it just…
1779
01:48:25,020 --> 01:48:26,150
[John] Well, I have to work it out.
1780
01:48:26,850 --> 01:48:29,560
-[Paul] Or even don't go right to the end.
-[indistinct]
1781
01:48:34,060 --> 01:48:35,440
-[Paul] No, just do--
-♪ Get back ♪
1782
01:48:35,520 --> 01:48:37,230
-Yeah.
-I can do it if I go…
1783
01:48:37,310 --> 01:48:38,770
You were well in time. That's the thing.
1784
01:48:38,850 --> 01:48:39,930
-Oh, was I?
-Yeah. Oh, plenty--
1785
01:48:40,020 --> 01:48:42,310
-You got hours if you finish there.
-[John] I see.
1786
01:48:42,400 --> 01:48:44,190
[Paul]
In fact, we'd have to fill that a bit.
1787
01:48:44,270 --> 01:48:46,690
-It's just that singing one throws me.
-[Glyn] We're going to scrub out.
1788
01:48:46,770 --> 01:48:48,230
-[Paul] Okay.
-[Glyn] I'll give you a shout.
1789
01:48:48,310 --> 01:48:50,310
I wish I could just not have
to sing that bit.
1790
01:48:50,400 --> 01:48:51,530
No, you've got to sing.
1791
01:48:51,600 --> 01:48:52,680
-Okay.
-Don't worry about it.
1792
01:48:52,770 --> 01:48:54,440
It's just nice to be a guitarist
for a change…
1793
01:48:54,520 --> 01:48:56,190
-Yeah, I know.
-…and not think about vocals.
1794
01:48:56,270 --> 01:48:59,520
Well, you're a guitarist until there,
that one little line.
1795
01:48:59,600 --> 01:49:02,430
♪ Back to where you once belonged ♪
1796
01:49:03,560 --> 01:49:04,560
♪ Get back ♪
1797
01:49:06,440 --> 01:49:08,480
♪ Back to where you once belonged ♪
1798
01:49:08,560 --> 01:49:10,440
[John] No, on the bit-- "Belonged."
1799
01:49:10,520 --> 01:49:13,900
Maybe for the "get back" bits,
we should do it twice,
1800
01:49:13,980 --> 01:49:16,480
-the going to A.
-I'm sorry! I'm sorry!
1801
01:49:17,190 --> 01:49:18,520
[John] I thought I was playing the tune.
1802
01:49:19,480 --> 01:49:21,020
[Paul] I'm getting a bit confused
1803
01:49:21,100 --> 01:49:22,640
-with all the little bits now.
-[John] Yeah.
1804
01:49:24,310 --> 01:49:26,440
-[Paul] Shit.
-[John] "Shit Back."
1805
01:49:26,520 --> 01:49:27,770
-"Shit," take one.
-Thank you.
1806
01:49:29,230 --> 01:49:30,360
"Get Back."
1807
01:49:30,440 --> 01:49:34,610
♪ Said she got it coming
But she get it while she can ♪
1808
01:49:35,600 --> 01:49:36,600
♪ Get back ♪
1809
01:49:37,350 --> 01:49:38,430
♪ Get back ♪
1810
01:49:38,980 --> 01:49:40,610
[John] I don't feel as bad as yesterday.
1811
01:49:40,690 --> 01:49:43,360
-It was really throbbing.
-[Ringo] I'm really tired today.
1812
01:49:43,440 --> 01:49:45,070
Yesterday was the worst for me.
1813
01:49:45,150 --> 01:49:47,570
-Just aching.
-Just that screaming all day.
1814
01:49:47,650 --> 01:49:49,860
-[Yoko chuckles] Poor John.
-Yes, it's so terrible.
1815
01:49:49,940 --> 01:49:51,190
♪ Get back ♪
1816
01:49:51,270 --> 01:49:53,190
-Paul?
-[Paul] Yes, Glyn?
1817
01:50:00,190 --> 01:50:01,650
-No, no, no.
-[Glyn] What?
1818
01:50:09,400 --> 01:50:11,730
I like this one. It's lighter. [chuckles]
1819
01:50:13,150 --> 01:50:14,570
-Okay.
-Are you sure you're gonna do that?
1820
01:50:14,650 --> 01:50:16,690
-One, two, three, four.
-So the answer's no.
1821
01:50:17,270 --> 01:50:18,560
♪ Get back ♪
1822
01:50:18,650 --> 01:50:19,650
♪ Get back to where ♪
1823
01:50:19,730 --> 01:50:21,230
♪ Get back to where you once belonged ♪
1824
01:50:21,310 --> 01:50:25,190
Okay, now, one time.
A bit cooler this time.
1825
01:50:28,020 --> 01:50:29,520
-One, two…
-Take?
1826
01:50:29,600 --> 01:50:30,600
-Yes.
-Yeah.
1827
01:50:30,690 --> 01:50:32,860
-Here we go.
-Just a sec.
1828
01:50:32,940 --> 01:50:35,020
-A second, you mean?
-One sec.
1829
01:50:44,650 --> 01:50:48,110
♪ Jo Jo was a man
Who thought he was a loner ♪
1830
01:50:48,190 --> 01:50:49,360
[vocalizes]
1831
01:50:49,440 --> 01:50:52,150
[John] It doesn't matter for the last one,
'cause I don't have to come in singing.
1832
01:50:52,230 --> 01:50:53,810
-Yeah, but there's still…
-You know, I can go--
1833
01:50:53,900 --> 01:50:57,070
Yeah, but it means that you're going on
to D when we're still on A.
1834
01:50:57,150 --> 01:50:58,280
That's all right.
1835
01:50:58,350 --> 01:51:00,430
It's only the one
when I've gotta come in singing.
1836
01:51:00,520 --> 01:51:03,060
No, well, I thought
you'd do two solos twice, don't you?
1837
01:51:03,150 --> 01:51:05,150
-What?
-Slightly varied second time.
1838
01:51:05,230 --> 01:51:07,770
Oh, second time. Yes. I rather…
1839
01:51:07,850 --> 01:51:09,480
[guitar playing]
1840
01:51:12,190 --> 01:51:15,190
Now I remember why
I stopped getting solos.
1841
01:51:15,810 --> 01:51:17,310
'Cause this would happen all the time.
1842
01:51:21,650 --> 01:51:22,480
Just…
1843
01:51:22,560 --> 01:51:23,560
Oh, yeah!
1844
01:51:31,480 --> 01:51:33,690
[all chuckling]
1845
01:51:36,940 --> 01:51:37,980
A one, two.
1846
01:51:41,020 --> 01:51:42,100
A one, two.
1847
01:51:44,310 --> 01:51:45,480
In Sweden, yeah.
1848
01:51:54,310 --> 01:51:56,230
-[all chuckling]
-And we just went, "One, two!"
1849
01:51:56,310 --> 01:51:57,640
[all chuckling]
1850
01:52:00,560 --> 01:52:02,230
Then he'd just go…
1851
01:52:02,810 --> 01:52:05,520
[all chuckling]
1852
01:52:08,980 --> 01:52:11,020
-I keep missing that D bit.
-Okay. Yeah.
1853
01:52:11,770 --> 01:52:14,060
-I'll shout when it's the end.
-Three, four.
1854
01:52:16,100 --> 01:52:17,350
Let's build up.
1855
01:52:17,440 --> 01:52:19,690
-Yeah.
-Two, three, four…
1856
01:52:21,850 --> 01:52:24,560
[cooing, trilling]
1857
01:52:34,190 --> 01:52:39,400
♪ Imagine I'm in love with you ♪
1858
01:52:39,480 --> 01:52:41,440
♪ It's easy… ♪
1859
01:52:43,810 --> 01:52:44,810
[John] Are you?
1860
01:52:45,520 --> 01:52:46,900
[Michael] Are you really?
1861
01:52:46,980 --> 01:52:50,400
We're gonna do it through one more time,
and it's just gonna be the greatest ever.
1862
01:52:50,480 --> 01:52:52,690
-We should have, like…
-[plays guitar]
1863
01:52:52,770 --> 01:52:55,190
…when you take your solo,
you stand up, and, uh…
1864
01:52:55,270 --> 01:52:56,940
-Okay.
-Yeah?
1865
01:52:58,100 --> 01:52:59,100
You've convinced me.
1866
01:52:59,190 --> 01:53:01,570
-[chuckles]
-The boys are ready for action.
1867
01:53:01,650 --> 01:53:03,150
The boys is ready.
1868
01:53:03,980 --> 01:53:05,980
-I can't play standing up.
-I can't either.
1869
01:53:06,060 --> 01:53:07,850
-[Yoko chuckles]
-I can't.
1870
01:53:09,440 --> 01:53:10,610
Hello.
1871
01:53:15,560 --> 01:53:16,730
No, you gotta…
1872
01:53:16,810 --> 01:53:18,640
-Yeah.
-Okay, Barney.
1873
01:53:20,850 --> 01:53:23,180
One, two.
1874
01:53:23,270 --> 01:53:25,650
One, two, three, four.
1875
01:53:27,690 --> 01:53:28,900
Go on, Al.
1876
01:53:29,690 --> 01:53:31,770
What? You what?
1877
01:53:31,850 --> 01:53:33,600
[Glyn]
I just said, "Go on, Al." That's all.
1878
01:53:34,650 --> 01:53:37,030
Don't interrupt stars
when they're recording.
1879
01:53:37,100 --> 01:53:39,640
-Hey. Hey.
-We're bloody stars, you know?
1880
01:53:39,730 --> 01:53:41,060
Look, fuckface.
1881
01:53:42,100 --> 01:53:43,890
-Don't comment.
-Fucking cheek.
1882
01:53:50,020 --> 01:53:51,150
Well, thank you very much.
1883
01:53:51,230 --> 01:53:52,940
♪ I've got a feeling ♪
1884
01:53:53,520 --> 01:53:56,480
♪ Rocks me off my bones
Oh, yeah ♪
1885
01:53:58,600 --> 01:54:00,230
Whoo!
1886
01:54:04,230 --> 01:54:09,190
♪ When I was younger
So much younger than today ♪
1887
01:54:09,900 --> 01:54:13,900
♪ I never needed anybody's help in any ♪
1888
01:54:15,650 --> 01:54:17,860
♪ But now these days are gone
I'm not so self-assured ♪
1889
01:54:17,940 --> 01:54:21,360
-♪ I'm not so self-assured ♪
-♪ Self-assured ♪
1890
01:54:21,440 --> 01:54:23,820
♪ Now I find I've changed my mind ♪
1891
01:54:23,900 --> 01:54:25,980
♪ I've opened up the door ♪
1892
01:54:26,730 --> 01:54:28,810
-♪ Help! ♪
-♪ Help me if you can ♪
1893
01:54:28,900 --> 01:54:30,440
♪ Down! ♪
1894
01:54:32,560 --> 01:54:33,560
♪ Need! ♪
1895
01:54:35,400 --> 01:54:36,400
♪ Round! ♪
1896
01:54:41,690 --> 01:54:44,190
♪ Last night I said these words to ♪
1897
01:54:44,770 --> 01:54:47,190
♪ Last night I said these words to ♪
1898
01:54:47,270 --> 01:54:48,520
♪ My girl ♪
1899
01:54:48,600 --> 01:54:50,270
[vocalizing]
1900
01:54:50,350 --> 01:54:52,350
-We'll have to do it sitting down…
-Oh, yeah.
1901
01:54:52,440 --> 01:54:54,570
-…or we get too excited.
-[all chuckling]
1902
01:54:59,650 --> 01:55:03,070
♪ Jo Jo was a man
Who thought he was a loner ♪
1903
01:55:03,150 --> 01:55:06,360
♪ But he knew it couldn't last ♪
1904
01:55:07,480 --> 01:55:11,400
♪ Jo Jo left his home in Tucson, Arizona ♪
1905
01:55:11,480 --> 01:55:14,400
♪ For some California grass ♪
1906
01:55:15,310 --> 01:55:16,390
♪ Get back ♪
1907
01:55:17,270 --> 01:55:18,480
♪ Get back ♪
1908
01:55:19,350 --> 01:55:23,350
♪ Get back
To where you once belonged, Jo Jo ♪
1909
01:55:23,440 --> 01:55:25,070
♪ Get back ♪
1910
01:55:25,150 --> 01:55:26,730
♪ Get back ♪
1911
01:55:27,310 --> 01:55:29,770
♪ Get back to where you once belonged ♪
1912
01:55:30,440 --> 01:55:32,020
♪ Get back, Jo Jo ♪
1913
01:55:47,060 --> 01:55:48,140
♪ Get back ♪
1914
01:55:48,940 --> 01:55:50,150
♪ Get back ♪
1915
01:55:50,940 --> 01:55:54,150
♪ Get back to where you once belonged ♪
1916
01:55:54,900 --> 01:55:56,230
♪ Get back ♪
1917
01:55:56,850 --> 01:55:57,850
♪ Get back ♪
1918
01:55:58,810 --> 01:56:01,690
♪ Get back to where you once belonged ♪
1919
01:56:04,190 --> 01:56:05,860
♪ Get back, Jo ♪
1920
01:56:21,020 --> 01:56:24,650
♪ Sweet Loretta Martin
Thought she was a woman ♪
1921
01:56:24,730 --> 01:56:27,860
♪ But she was another man ♪
1922
01:56:28,730 --> 01:56:32,650
♪ All the girls around
They said she got it coming ♪
1923
01:56:32,730 --> 01:56:35,190
♪ But she get it while she can ♪
1924
01:56:35,270 --> 01:56:37,440
It'd be nice to just put it out
as a single.
1925
01:56:38,060 --> 01:56:40,390
-Yeah.
-Just do a single of it now.
1926
01:56:40,480 --> 01:56:42,860
-Okay.
-Let's knock it off for a single maybe.
1927
01:56:42,940 --> 01:56:44,860
-Let's finish it off--
-Just make it now
1928
01:56:44,940 --> 01:56:47,320
and have it as a single,
put it out next week.
1929
01:56:47,400 --> 01:56:48,980
-Oh, yeah?
-It's easy.
1930
01:56:49,060 --> 01:56:50,770
Just take it in there,
cut it in the master.
1931
01:56:50,850 --> 01:56:52,390
You have the master back tomorrow.
1932
01:56:52,480 --> 01:56:53,480
Master.
1933
01:56:55,060 --> 01:56:57,060
-I'm easy, lads.
-[all chuckling]
1934
01:57:05,770 --> 01:57:06,650
Yeah.
1935
01:57:08,600 --> 01:57:10,140
It's great.
Remember how we used to have it?
1936
01:57:10,230 --> 01:57:13,110
One record would be coming out,
and we'd put another one out.
1937
01:57:13,190 --> 01:57:15,110
-Like in the old hustling days.
-Yeah.
1938
01:57:15,190 --> 01:57:18,320
-[chuckles]
-It'd be great. "Get back" in time.
1939
01:57:18,400 --> 01:57:20,570
♪ Doo doo doo doo doo doo doo doo doo ♪
1940
01:57:22,150 --> 01:57:23,650
[Paul]
Well, I'm going home now. Knocking off.
1941
01:57:23,730 --> 01:57:26,110
-All right, Paul. Right.
-[Paul] Put this on.
1942
01:57:26,190 --> 01:57:27,940
-Okay.
-I'm coming in tomorrow.
1943
01:57:28,020 --> 01:57:30,560
Let's do some instrumentals,
you know, to do the--
1944
01:57:30,650 --> 01:57:32,110
you know, for the album, like.
1945
01:57:32,770 --> 01:57:35,020
Hey, you look
like a Victorian miner now, you know?
1946
01:57:35,100 --> 01:57:36,140
-[all chuckling]
-It's true.
1947
01:57:36,230 --> 01:57:37,650
-Aye?
-A DH Lawrence.
1948
01:57:37,730 --> 01:57:40,230
All right, well, I can't afford
to mess around here, you know?
1949
01:57:40,310 --> 01:57:42,600
♪ I'm a golden garter ♪
1950
01:57:45,310 --> 01:57:47,940
-[John] Did you hear about the book idea?
-[Paul] Yeah.
1951
01:57:48,020 --> 01:57:50,560
[John] They're great, man. Really great.
1952
01:57:53,440 --> 01:57:54,770
It'll be a book of the film.
1953
01:57:54,850 --> 01:57:57,180
They can have it out
almost simultaneously.
1954
01:57:57,270 --> 01:57:59,900
The book of the film,
the book of the-- All that.
1955
01:57:59,980 --> 01:58:01,480
-The package is great.
-It's good.
1956
01:58:01,560 --> 01:58:02,730
They'll have slides, you know.
1957
01:58:02,810 --> 01:58:04,810
And I'll talk to John Kosh on Monday.
1958
01:58:04,900 --> 01:58:07,230
'Cause I think
he'd be a nice guy to design it.
1959
01:58:07,900 --> 01:58:09,730
Will you have any new ones today?
1960
01:58:11,480 --> 01:58:14,150
[Yoko] I'm trying without
the marmalade today, you know?
1961
01:58:14,230 --> 01:58:15,730
-[John] Very good.
-[Yoko] Ah.
1962
01:58:15,810 --> 01:58:17,140
[John] You see what happens?
1963
01:58:17,230 --> 01:58:19,770
They're gonna concentrate
on our legs and toast today.
1964
01:58:19,850 --> 01:58:22,180
It'll be great.
"Get Back" will be coming out.
1965
01:58:22,270 --> 01:58:23,520
Are we gonna do a single?
1966
01:58:24,350 --> 01:58:28,390
I don't know, you know?
I'm just sort of still rehearsing.
1967
01:58:28,480 --> 01:58:30,270
-Yeah.
-And if we hit one, great.
1968
01:58:30,350 --> 01:58:31,350
The thing is,
1969
01:58:31,440 --> 01:58:34,820
this is the first song
we've really sort of got into that we dig.
1970
01:58:34,900 --> 01:58:35,940
But there's a…
1971
01:58:36,020 --> 01:58:39,100
I dig "Don't Let Me Down"
and "I Dig A Pony,"
1972
01:58:39,190 --> 01:58:40,860
personally speaking.
1973
01:58:40,940 --> 01:58:42,520
Well, yeah. I mean…
1974
01:58:42,600 --> 01:58:46,310
I still haven't done "Don't Let Me Down"
satisfactorily for myself yet.
1975
01:58:46,400 --> 01:58:48,110
Oh, yeah? Well, we're all great on it,
1976
01:58:48,190 --> 01:58:50,520
so just get yourself together, will you?
1977
01:58:50,600 --> 01:58:53,140
Did you tell Paul
we've got Billy a contract?
1978
01:58:53,230 --> 01:58:56,770
-No, not yet.
-We've got him off Capitol.
1979
01:58:56,850 --> 01:58:58,060
Just like that.
1980
01:58:58,150 --> 01:58:59,980
And George will produce him.
1981
01:59:00,060 --> 01:59:01,770
I was just talking to him about that.
1982
01:59:07,650 --> 01:59:09,900
And he sort of had
a couple groups together.
1983
01:59:09,980 --> 01:59:12,310
-But he's never, sort of, done his thing.
-[John] Yes.
1984
01:59:12,400 --> 01:59:15,820
The main thing,
Billy just really is so knocked out,
1985
01:59:15,900 --> 01:59:17,280
so thrilled doing it.
1986
01:59:17,350 --> 01:59:20,140
And also he sees
it's his great opportunity.
1987
01:59:20,230 --> 01:59:21,230
[John] Yeah, and produce him.
1988
01:59:21,310 --> 01:59:24,390
[Paul] Then he puts his name
and The Beatles. Like, it's Billy Preston!
1989
01:59:24,480 --> 01:59:25,650
[George] I didn't think about it.
1990
01:59:28,520 --> 01:59:30,730
'Cause, if we were having
Nicky Hopkins playing,
1991
01:59:30,810 --> 01:59:33,100
we'd have to pay him
session musician rates.
1992
01:59:33,190 --> 01:59:34,570
-[John] Yeah.
-Which will be--
1993
01:59:34,650 --> 01:59:37,230
This is, like, to be in the film and that.
1994
01:59:37,310 --> 01:59:40,270
Yeah, we'll just say to Ron,
"Look, will you talk to Billy?"
1995
01:59:40,350 --> 01:59:42,060
On the film it happened so great.
1996
01:59:51,400 --> 01:59:52,400
[laughter]
1997
01:59:52,480 --> 01:59:54,230
We can do that, as well.
1998
01:59:54,310 --> 01:59:57,770
If I asked Dylan to join The Beatles,
and he would, as well, you know,
1999
01:59:57,850 --> 01:59:59,430
and we get 'em all in here!
2000
01:59:59,520 --> 02:00:01,650
Yeah, but they don't need to join
The Beatles.
2001
02:00:01,730 --> 02:00:04,020
We'd call it The Beatles & Co.
That'll be our band.
2002
02:00:04,650 --> 02:00:07,320
I mean, it's Sergeant Pepper's
Lonely Hearts Club Band, innit?
2003
02:00:07,400 --> 02:00:08,690
-Yeah.
-We could get 'em all.
2004
02:00:08,770 --> 02:00:11,850
[Paul] I just don't,
because it's just bad enough with four.
2005
02:00:11,940 --> 02:00:13,110
[all chuckling]
2006
02:00:13,190 --> 02:00:14,320
-Okay.
-[John] Mal, can we have--
2007
02:00:14,400 --> 02:00:15,320
[instruments tuning]
2008
02:00:15,400 --> 02:00:18,110
We haven't got the PA. Do they know that?
2009
02:00:18,190 --> 02:00:20,440
-PA is not on.
-[John] Hello…
2010
02:00:20,520 --> 02:00:22,560
Okay. What should we do, Paul?
2011
02:00:22,650 --> 02:00:25,110
[Michael] Do you have anything more
that you're writing?
2012
02:00:26,480 --> 02:00:28,520
[George Martin] You're writing
all the time, aren't you, John?
2013
02:00:28,600 --> 02:00:29,600
[John] Sure I am.
2014
02:00:29,690 --> 02:00:33,440
I'd do "On The Road To Marrakesh,"
which is a sweet number, baby.
2015
02:00:33,520 --> 02:00:34,690
-[Michael] Sweet number?
-Sweet number.
2016
02:00:34,770 --> 02:00:36,560
I was gonna do a big '30s orchestra bit.
2017
02:00:36,650 --> 02:00:42,400
[strumming on instruments]
2018
02:00:44,650 --> 02:00:49,070
♪ On the road to Marrakesh ♪
2019
02:00:52,060 --> 02:00:55,270
♪ I was dreaming more or less ♪
2020
02:00:58,940 --> 02:01:02,270
♪ And the dream I had was you ♪
2021
02:01:06,060 --> 02:01:09,640
♪ And the dream I had was you ♪
2022
02:01:12,520 --> 02:01:16,400
♪ I'm just a child of nature ♪
2023
02:01:17,650 --> 02:01:20,360
-[instruments stop]
-Forget where we end.
2024
02:01:20,440 --> 02:01:22,110
-[Glyn] Paul?
-[Paul] Yes?
2025
02:01:22,190 --> 02:01:25,190
[Glyn] What's the possibility
of you using another bass?
2026
02:01:25,270 --> 02:01:26,690
You wanna try the bass on its own?
2027
02:01:28,270 --> 02:01:29,270
Oh, yeah.
2028
02:01:45,600 --> 02:01:46,930
Uh-huh.
2029
02:01:47,520 --> 02:01:49,400
[guitar plays]
2030
02:01:51,520 --> 02:01:53,480
♪ Hail, hail, rock and roll ♪
2031
02:01:54,940 --> 02:01:57,150
[vocalization]
2032
02:01:58,600 --> 02:02:00,730
♪ Long live rock and roll ♪
2033
02:02:00,810 --> 02:02:05,690
The only trouble is the strings slip
off this, 'cause it's left-handed,
2034
02:02:05,770 --> 02:02:08,480
and the nut is for right-handed, you know?
2035
02:02:08,560 --> 02:02:11,690
-So, you know, I'm not as keen on it.
-Well, I'll try that.
2036
02:02:11,770 --> 02:02:14,810
♪ Oh, oh, oh, oh
Stand ♪
2037
02:02:15,690 --> 02:02:16,860
♪ Stand by me ♪
2038
02:02:16,940 --> 02:02:18,900
-♪ Stand by me ♪
-♪ Oh ♪
2039
02:02:18,980 --> 02:02:20,690
♪ Stand by me ♪
2040
02:02:20,770 --> 02:02:22,810
-♪ Stand by me ♪
-♪ Stand by me ♪
2041
02:02:23,400 --> 02:02:27,190
-♪ Stand by me ♪
-[Paul] ♪ Stand by me, darling, darling ♪
2042
02:02:29,100 --> 02:02:30,560
-So I'll get that fixed.
-Proper drag, yeah.
2043
02:02:30,650 --> 02:02:31,980
Yeah, but I will get it fixed.
2044
02:02:32,060 --> 02:02:33,560
I'd like to hear more bass still.
2045
02:02:34,560 --> 02:02:35,730
[laughs]
2046
02:02:36,650 --> 02:02:39,400
See, I just don't know
what these knobs do, actually.
2047
02:02:39,480 --> 02:02:41,730
We seem to be at a loss without Billy.
2048
02:02:41,810 --> 02:02:42,890
What should we do?
2049
02:02:42,980 --> 02:02:45,110
[Paul] Just ones we don't know.
2050
02:02:45,190 --> 02:02:46,900
-Yes.
-[Paul, indistinct]
2051
02:02:46,980 --> 02:02:48,810
Let's try to get "Two Of Us."
2052
02:02:48,900 --> 02:02:51,730
-[John] Okay. Am I still singing it?
-Yeah.
2053
02:02:51,810 --> 02:02:53,270
[John] Yeah? Okay.
2054
02:02:53,350 --> 02:02:55,140
[Paul] Now, what kind of thing was it?
2055
02:02:55,230 --> 02:02:58,270
[John] I don't know, it's just--
We're all very stiff, like…
2056
02:02:58,350 --> 02:02:59,230
Yes.
2057
02:02:59,310 --> 02:03:01,980
♪ Two of us riding nowhere ♪
2058
02:03:02,060 --> 02:03:06,770
♪ Spending someone's hard-earned pay… ♪
2059
02:03:06,850 --> 02:03:08,680
[John] When I heard Stevie Wonder…
2060
02:03:08,770 --> 02:03:12,230
I don't know what his backing would be,
but then you'd sing it looser.
2061
02:03:12,310 --> 02:03:13,350
But I can't…
2062
02:03:13,440 --> 02:03:15,610
♪ Two of us riding nowhere ♪
2063
02:03:15,690 --> 02:03:17,150
Maybe it's just soft.
2064
02:03:17,230 --> 02:03:19,730
♪ Two of us riding nowhere ♪
2065
02:03:19,810 --> 02:03:21,140
You know what I mean?
2066
02:03:21,230 --> 02:03:23,650
Mal, have you got my acoustic?
2067
02:03:23,730 --> 02:03:24,730
Martin?
2068
02:03:24,810 --> 02:03:27,390
[George] And a packet of ciggys, Mal.
2069
02:03:27,480 --> 02:03:28,940
And a packet of ciggys, Mal.
2070
02:03:29,850 --> 02:03:34,060
See, I'd like not to be playing bass
on these ones, 'cause it's just silly.
2071
02:03:34,150 --> 02:03:36,820
It's silly, 'cause I wrote it
on my own guitar, you know?
2072
02:03:36,900 --> 02:03:37,900
And it's just…
2073
02:03:38,520 --> 02:03:39,900
A bit like "Peggy Sue."
2074
02:03:42,770 --> 02:03:45,560
[John] Well,
I can't play bass and sing, you see?
2075
02:03:45,650 --> 02:03:48,320
Let's all stay on guitar
until we have to have bass.
2076
02:03:48,400 --> 02:03:49,780
And then I'll get back on it.
2077
02:03:49,850 --> 02:03:51,100
Bass is, uh…
2078
02:03:51,190 --> 02:03:52,940
It's a bit of a drag, bass, isn't it?
2079
02:03:53,020 --> 02:03:55,060
Bass is a drag when there's no bass.
2080
02:03:55,150 --> 02:03:56,610
But, you know, uh…
2081
02:03:58,270 --> 02:03:59,310
That's it. Play.
2082
02:03:59,400 --> 02:04:01,570
-[strums guitar]
-[drums playing]
2083
02:04:01,650 --> 02:04:04,900
See, I quite like those ones
where there isn't bass.
2084
02:04:04,980 --> 02:04:06,150
I've never heard one.
2085
02:04:06,230 --> 02:04:08,150
-We've done a few.
-What?
2086
02:04:08,230 --> 02:04:11,060
"I'll Follow The Sun."
They've all tended to be that kind.
2087
02:04:11,150 --> 02:04:12,780
But they're nice.
2088
02:04:14,150 --> 02:04:15,940
They lose a big bottom.
2089
02:04:16,560 --> 02:04:19,980
But they gain a… slim, lithe look.
2090
02:04:20,060 --> 02:04:21,230
[John] Okay.
2091
02:04:24,560 --> 02:04:26,560
["Two Of Us" playing]
2092
02:04:29,100 --> 02:04:30,890
♪ Desmond had a bar ♪
2093
02:04:31,480 --> 02:04:33,810
♪ Oh, oh ♪
2094
02:04:33,900 --> 02:04:34,900
♪ Oh ♪
2095
02:04:35,980 --> 02:04:38,230
♪ We're on our way home ♪
2096
02:04:39,560 --> 02:04:41,600
♪ We're on our way home ♪
2097
02:04:42,850 --> 02:04:46,600
♪ We're going home ♪
2098
02:04:47,560 --> 02:04:49,190
-Whoo!
-Yeah!
2099
02:04:50,150 --> 02:04:52,150
♪ Writing postcards ♪
2100
02:04:52,230 --> 02:04:54,560
[indistinct]
2101
02:04:54,650 --> 02:04:57,860
♪ On my wall ♪
2102
02:04:59,270 --> 02:05:02,270
♪ You and the PTA ♪
2103
02:05:02,350 --> 02:05:04,520
♪ The Harper Bazaar ♪
2104
02:05:04,600 --> 02:05:08,480
♪ Won't let go ♪
2105
02:05:08,560 --> 02:05:10,020
♪ Back home ♪
2106
02:05:11,060 --> 02:05:13,350
♪ We're on our way home ♪
2107
02:05:14,730 --> 02:05:17,270
♪ We're on our way home ♪
2108
02:05:17,850 --> 02:05:21,770
♪ We're going home ♪
2109
02:05:22,480 --> 02:05:23,690
[George] Yeah! I like that.
2110
02:05:32,690 --> 02:05:35,400
[Mal chuckles] "I'm a cheat."
2111
02:05:35,480 --> 02:05:38,150
[John] Because, I mean, if we'd
recorded it then tried to do it onstage,
2112
02:05:38,230 --> 02:05:40,440
we'd have to modify it,
like we always did, you know?
2113
02:05:40,520 --> 02:05:42,020
[Paul] What do you want for lunch?
2114
02:05:42,100 --> 02:05:43,020
Take one.
2115
02:05:43,100 --> 02:05:45,230
-[Mal] Yeah, what's your order?
-[Ringo] And just some steak.
2116
02:05:45,310 --> 02:05:47,100
Sparrow on toast.
2117
02:05:47,190 --> 02:05:49,070
[Paul] Boiled testicle.
2118
02:05:49,150 --> 02:05:51,070
-Uh, Mal?
-Yes?
2119
02:05:51,150 --> 02:05:53,650
So I'll just--
We'll have whatever the vegetables are.
2120
02:05:53,730 --> 02:05:56,650
If they've got any cheese sauce
for the cauliflower…
2121
02:05:56,730 --> 02:05:58,730
-Let's have a mushroom omelet then.
-Cauliflower.
2122
02:06:00,100 --> 02:06:02,600
Don't do it, Richie. Don't do it.
2123
02:06:02,690 --> 02:06:03,860
He used to eat chips.
2124
02:06:03,940 --> 02:06:05,230
[inaudible]
2125
02:06:06,690 --> 02:06:09,860
It's like after "Get Back,"
2126
02:06:09,940 --> 02:06:11,820
-"We're on our way home."
-Yeah.
2127
02:06:11,900 --> 02:06:12,900
So there's a story.
2128
02:06:12,980 --> 02:06:14,690
And there's another one,
"Don't Let Me Down."
2129
02:06:14,770 --> 02:06:17,730
♪ Oh, darling
I'll never let you down ♪
2130
02:06:17,810 --> 02:06:20,310
-Yeah. It's like you and me are lovers.
-Yeah.
2131
02:06:20,400 --> 02:06:22,360
We shall have to camp it up for those two.
2132
02:06:22,440 --> 02:06:23,480
[George] Thanks, Mal.
2133
02:06:25,480 --> 02:06:26,980
[John] Oh, isn't that pretty?
2134
02:06:29,150 --> 02:06:30,400
Didn't have a black one?
2135
02:06:30,480 --> 02:06:32,440
I'd like one like the purple one in black.
2136
02:06:32,520 --> 02:06:33,520
Yeah.
2137
02:06:34,270 --> 02:06:35,270
It's lovely.
2138
02:06:41,770 --> 02:06:43,190
-Purple dicky bow.
-[Yoko] It's very nice.
2139
02:06:50,230 --> 02:06:51,230
-[George] Yeah.
-[John] Okay.
2140
02:06:51,310 --> 02:06:52,890
[George] "Funky Pudding," take one.
2141
02:06:52,980 --> 02:06:54,480
-Are you on?
-[Glyn] Okay.
2142
02:06:54,560 --> 02:06:59,730
["Two Of Us" playing]
2143
02:07:03,940 --> 02:07:07,020
♪ Two of us riding nowhere ♪
2144
02:07:07,100 --> 02:07:12,390
♪ Spending someone's hard-earned pay ♪
2145
02:07:13,810 --> 02:07:17,230
♪ You and me Sunday driving ♪
2146
02:07:17,310 --> 02:07:19,560
♪ Not arriving ♪
2147
02:07:19,650 --> 02:07:24,780
♪ On our way back home ♪
2148
02:07:31,270 --> 02:07:33,770
-♪ Yes, very nice ♪
-Well, it's part of the pudding.
2149
02:07:33,850 --> 02:07:34,850
Oh, yeah.
2150
02:07:34,940 --> 02:07:36,150
Shall we hear it?
2151
02:07:36,230 --> 02:07:39,020
-Come on, let's hear it.
-Track it. Put the violins on. Let's go.
2152
02:07:40,270 --> 02:07:41,650
Just release it.
2153
02:07:42,560 --> 02:07:43,980
[John] Release it in Italy only.
2154
02:07:44,060 --> 02:07:47,140
Let's just make a different single
for every country.
2155
02:07:47,230 --> 02:07:51,230
♪ Wearing raincoats
Standing solo ♪
2156
02:07:51,310 --> 02:07:54,770
♪ In the sun ♪
2157
02:07:54,850 --> 02:07:57,020
[John] Phyllis Lindsay-Hogg.
2158
02:07:57,100 --> 02:07:58,850
Instead of Mal picking us up,
2159
02:07:58,940 --> 02:08:01,610
on one day, should be all
from each of our houses for this.
2160
02:08:01,690 --> 02:08:05,520
You should get, each day,
one of us coming straight from home,
2161
02:08:05,600 --> 02:08:08,140
even right into the bedroom, you know.
Let's make it…
2162
02:08:12,810 --> 02:08:13,690
[Michael] Yeah.
2163
02:08:17,270 --> 02:08:18,980
[chuckling]
2164
02:08:19,060 --> 02:08:21,230
Well, we are rather uncouth.
2165
02:08:21,810 --> 02:08:23,480
We're not your elite, you know.
2166
02:08:25,350 --> 02:08:27,560
♪ You should see Polythene Pam ♪
2167
02:08:28,060 --> 02:08:30,270
♪ She's not good looking
But she looks like a man ♪
2168
02:08:30,770 --> 02:08:33,520
♪ You should see her in drag
Dressed in her polythene bag ♪
2169
02:08:33,600 --> 02:08:35,640
♪ Yes, you should see Polythene Pam ♪
2170
02:08:36,850 --> 02:08:38,600
♪ See Poly-- ♪
2171
02:08:38,690 --> 02:08:39,690
♪ See-- ♪
2172
02:08:40,900 --> 02:08:43,070
♪ See Polythene Pam ♪
2173
02:08:44,060 --> 02:08:45,060
[indistinct]
2174
02:08:45,150 --> 02:08:48,440
♪ Dressed in her polythene bag
Yes, you should see Polythene Pam ♪
2175
02:08:48,520 --> 02:08:50,190
♪ See Poly-- ♪
2176
02:08:50,270 --> 02:08:51,730
♪ Polythene Pam ♪
2177
02:08:52,650 --> 02:08:53,730
♪ See… ♪
2178
02:08:54,230 --> 02:08:56,360
♪ See Polythene Pam ♪
2179
02:08:59,980 --> 02:09:01,310
♪ Yes ♪
2180
02:09:01,400 --> 02:09:02,940
♪ Well, you should see her ♪
2181
02:09:03,020 --> 02:09:04,270
♪ Should see her when she's-- ♪
2182
02:09:04,350 --> 02:09:05,810
[John] What is it?
2183
02:09:11,230 --> 02:09:13,060
Mal, what about the Hawaiian?
2184
02:09:14,900 --> 02:09:16,400
[John] No, it's not like that.
2185
02:09:16,480 --> 02:09:18,610
I might have a little stand, you know.
2186
02:09:18,690 --> 02:09:20,860
See, one goes into the amplifier,
2187
02:09:20,940 --> 02:09:22,770
the other goes to the foot pedal.
2188
02:09:23,270 --> 02:09:25,770
A lead from the guitar
to a foot pedal to the amp.
2189
02:09:25,850 --> 02:09:29,310
-[George] Take it to Alex, and he-
-[John] Get some fucking wires, man.
2190
02:09:29,400 --> 02:09:31,820
["Her Majesty" playing]
2191
02:09:31,900 --> 02:09:36,440
♪ Her Majesty's a pretty nice girl
But she changes from day to day ♪
2192
02:09:37,900 --> 02:09:40,230
That's the cheapest one, actually.
2193
02:09:40,310 --> 02:09:43,270
But if he gets any good on it
we'll give him a good one.
2194
02:09:43,350 --> 02:09:45,560
♪ I wanna tell her that I love her a lot ♪
2195
02:09:45,650 --> 02:09:48,400
♪ But I gotta get a belly full of wine ♪
2196
02:09:49,230 --> 02:09:53,560
♪ Her Majesty's a pretty nice girl
Someday I'm gonna make her mine ♪
2197
02:09:53,650 --> 02:09:56,780
♪ Yeah, someday I'm gonna make her mine ♪
2198
02:09:56,850 --> 02:09:58,020
["Teddy Boy" playing]
2199
02:09:58,100 --> 02:10:01,100
[indistinct]
♪ Tell her he'd be twice as good ♪
2200
02:10:01,190 --> 02:10:02,900
♪ And he knew he could ♪
2201
02:10:02,980 --> 02:10:06,060
♪ 'Cause in his head
He said… ♪
2202
02:10:07,230 --> 02:10:10,770
♪ "Mommy, don't worry
Now Teddy Boy's here ♪
2203
02:10:10,850 --> 02:10:13,810
♪ Taking good care of you ♪
2204
02:10:13,900 --> 02:10:17,230
♪ Mommy, don't worry
Your Teddy Boy's here ♪
2205
02:10:17,310 --> 02:10:19,560
♪ Teddy's gonna see you through" ♪
2206
02:10:19,650 --> 02:10:24,190
♪ And she said, "Teddy, don't worry
Now Mommy is here ♪
2207
02:10:25,060 --> 02:10:27,440
♪ Taking good care of you ♪
2208
02:10:27,520 --> 02:10:30,810
♪ Teddy, don't worry
Now your mama is here ♪
2209
02:10:30,900 --> 02:10:33,230
♪ Mama's gonna see you through" ♪
2210
02:10:33,310 --> 02:10:37,690
♪ And he said, "Mommy, don't worry
'Cause Teddy Boy's here ♪
2211
02:10:37,770 --> 02:10:40,600
♪ Taking good care of you ♪
2212
02:10:40,690 --> 02:10:44,320
♪ Mommy, don't worry now
Teddy Boy's here ♪
2213
02:10:44,400 --> 02:10:46,440
♪ Teddy's gonna see us through" ♪
2214
02:10:47,730 --> 02:10:50,980
♪ Take your partners
And do-si-do ♪
2215
02:10:51,060 --> 02:10:53,730
♪ Hold them tight
And don't let go ♪
2216
02:10:54,310 --> 02:10:56,850
♪ When you got it
Jump up ♪
2217
02:10:57,520 --> 02:11:00,480
♪ Take your partners
And do-si-do ♪
2218
02:11:00,560 --> 02:11:03,520
♪ And when you've got it
Let it go ♪
2219
02:11:04,020 --> 02:11:05,520
♪ Hold them tight and-- ♪
2220
02:11:08,520 --> 02:11:10,810
♪ Oh, dirty Maggie Mae ♪
2221
02:11:10,900 --> 02:11:13,110
♪ They have taken her away ♪
2222
02:11:13,190 --> 02:11:16,270
♪ And she'll never walk down
Lime Street anymore ♪
2223
02:11:17,690 --> 02:11:19,820
♪ Well, the judge, he guilty found her ♪
2224
02:11:19,900 --> 02:11:22,030
♪ Of robbin' the homeward bounder ♪
2225
02:11:22,100 --> 02:11:24,930
♪ That dirty, no good
Robbin' Maggie Mae ♪
2226
02:11:26,310 --> 02:11:28,730
♪ 'Tis the part of Liverpool ♪
2227
02:11:28,810 --> 02:11:31,020
[indistinct]
2228
02:11:31,100 --> 02:11:34,480
♪ And two pound ten a week
That was my pay ♪
2229
02:11:35,650 --> 02:11:40,030
[singing indistinctly]
2230
02:11:40,100 --> 02:11:43,230
♪ That dirty, no good
Robbin' Maggie Mae ♪
2231
02:11:44,060 --> 02:11:46,690
♪ Oh, dirty Maggie Mae ♪
2232
02:11:46,770 --> 02:11:48,810
♪ They have taken her away ♪
2233
02:11:48,900 --> 02:11:52,110
♪ And she'll never walk down
Lime Street anymore ♪
2234
02:11:53,440 --> 02:11:55,730
♪ Oh, the judge, he guilty found her ♪
2235
02:11:55,810 --> 02:11:57,940
♪ Of robbin' the homeward bounder ♪
2236
02:11:58,020 --> 02:12:00,810
♪ That dirty, no good
No good Maggie Mae ♪
2237
02:12:01,690 --> 02:12:02,690
[Paul] Take it, Maggie!
2238
02:12:02,770 --> 02:12:04,400
["Fancy Me Chances With You" playing]
2239
02:12:05,730 --> 02:12:07,440
♪ Oh, I fancy me chances with you ♪
2240
02:12:08,060 --> 02:12:09,640
♪ I fancy me chances with you ♪
2241
02:12:10,310 --> 02:12:12,350
♪ I fancy me chances
Fancy me chances ♪
2242
02:12:12,440 --> 02:12:14,020
♪ Oh, fancy me chances with you ♪
2243
02:12:14,730 --> 02:12:16,270
♪ Fancy me chances at the lock ♪
2244
02:12:16,980 --> 02:12:19,060
♪ Fancy me chances with your frock ♪
2245
02:12:19,150 --> 02:12:21,360
♪ Fancy me chances
Fancy me chances ♪
2246
02:12:21,440 --> 02:12:23,070
♪ Fancy me chances with you ♪
2247
02:12:23,150 --> 02:12:25,280
♪ I fancy me chances with you ♪
2248
02:12:26,020 --> 02:12:27,520
♪ I fancy me chances with you ♪
2249
02:12:28,270 --> 02:12:30,400
♪ Oh, fancy me chances
I fancy me chances ♪
2250
02:12:30,480 --> 02:12:32,110
♪ I fancy me chances with you ♪
2251
02:12:32,190 --> 02:12:33,320
[song ends]
2252
02:12:33,400 --> 02:12:35,070
Yeah!
2253
02:12:37,100 --> 02:12:38,230
[chattering]
2254
02:12:38,310 --> 02:12:39,310
Yeah.
2255
02:12:39,400 --> 02:12:40,480
-You know…
-What?
2256
02:12:40,560 --> 02:12:42,520
No one's asked you
if you mind coming every day.
2257
02:12:46,230 --> 02:12:47,400
I just thought you never know.
2258
02:12:47,480 --> 02:12:50,610
Like, coming along every day and saying,
"When am I getting paid?"
2259
02:12:50,690 --> 02:12:53,610
["Dig It" playing]
2260
02:13:00,520 --> 02:13:01,730
♪ Well, can you dig it now? ♪
2261
02:13:03,940 --> 02:13:05,480
-♪ Oh, can you dig it? Yeah ♪
-♪ Yeah ♪
2262
02:13:07,350 --> 02:13:08,980
♪ Well, can you dig it now? ♪
2263
02:13:10,810 --> 02:13:12,890
♪ Well, can you dig it right now? ♪
2264
02:13:12,980 --> 02:13:13,980
♪ Yeah ♪
2265
02:13:14,060 --> 02:13:16,480
♪ Well, you can dig it every morning ♪
2266
02:13:16,560 --> 02:13:18,060
♪ Dig it every evening ♪
2267
02:13:18,150 --> 02:13:20,360
♪ Dig it every time of day ♪
2268
02:13:21,770 --> 02:13:24,060
♪ Dig it every time of day ♪
2269
02:13:24,150 --> 02:13:25,650
[inaudible]
2270
02:13:29,980 --> 02:13:32,860
[in high voice] That was "Can You Dig It?"
by Georgie Wood.
2271
02:13:32,940 --> 02:13:36,190
And now we'd like to do
"Hark, the Angels Come."
2272
02:13:38,190 --> 02:13:40,650
-How long you had the camera?
-Nearly six months.
2273
02:13:40,730 --> 02:13:42,400
They're fantastic, those things.
2274
02:13:43,440 --> 02:13:45,940
[George Martin] What do you do?
You put it on a replay, which is plugged…
2275
02:13:46,020 --> 02:13:47,480
[chattering]
2276
02:13:47,560 --> 02:13:50,810
-[George] Magnetic tape?
-[Ringo] Yeah, it's a videotape.
2277
02:13:50,900 --> 02:13:53,110
[George Martin] I feel like a drink.
Shall we go to a nearby pub?
2278
02:13:53,190 --> 02:13:55,770
-[Glyn] There is a boozer.
-There is? Lead me to it.
2279
02:13:59,270 --> 02:14:00,940
[George Martin] Fine, thank you, George.
2280
02:14:15,900 --> 02:14:17,940
[Paul] ♪ Life is happening every day ♪
2281
02:14:18,020 --> 02:14:19,690
[John] It's all right. I'll sit on this.
2282
02:14:24,020 --> 02:14:29,230
-["Dehra Dun" playing]
-[guitar playing]
2283
02:14:36,190 --> 02:14:41,150
♪ Many roads can take you there
Many different ways ♪
2284
02:14:42,650 --> 02:14:45,360
♪ One direction takes you years ♪
2285
02:14:45,440 --> 02:14:48,070
♪ Another takes you days ♪
2286
02:14:48,150 --> 02:14:49,730
Been to India, have you?
2287
02:14:49,810 --> 02:14:52,770
-Oh, yeah. I've been there.
-I looked at mine last night,
2288
02:14:52,850 --> 02:14:54,180
next to me Pepper suit.
2289
02:14:54,270 --> 02:14:55,270
[chuckles]
2290
02:14:57,730 --> 02:14:59,150
[John] Me too.
2291
02:15:01,100 --> 02:15:03,430
-["Within You Without You" playing]
-[George] ♪ Ga, Ma, Pa, Ni ♪
2292
02:15:05,100 --> 02:15:08,930
♪ Ni, Dha, Ga, Pa ♪
2293
02:15:09,020 --> 02:15:12,650
♪ Re, Pa, Ma, Ga ♪
2294
02:15:12,730 --> 02:15:16,150
♪ Ga, Ma, Pa, Ni ♪ [fades]
2295
02:15:16,230 --> 02:15:18,610
-[Paul] I saw the film last night.
-[John] What?
2296
02:15:18,690 --> 02:15:21,270
Of us at the Maharishi's.
I've got all the film of it.
2297
02:15:21,770 --> 02:15:23,730
The opening is great.
It's just incredible.
2298
02:15:23,810 --> 02:15:24,980
It opens with Cyn…
2299
02:15:26,980 --> 02:15:28,400
and Pattie,
2300
02:15:29,480 --> 02:15:30,690
Jane.
2301
02:15:30,770 --> 02:15:33,900
You know. And it goes through
all sorts of changes and stuff.
2302
02:15:33,980 --> 02:15:35,560
It's all the people who were there.
2303
02:15:35,650 --> 02:15:39,980
Jeffrey. Uh, the little American girl.
2304
02:15:40,060 --> 02:15:41,390
You know, it's all of them.
2305
02:15:41,480 --> 02:15:44,060
And they're just all the same shot
and against the sky.
2306
02:15:44,150 --> 02:15:45,780
And it changes to someone else.
2307
02:15:45,850 --> 02:15:50,480
And it's a great opening. It's like,
"The cast for this evening is…" And then--
2308
02:15:51,480 --> 02:15:52,520
[Paul] But then it goes--
2309
02:15:52,600 --> 02:15:54,680
Then there's a big, sort of,
white flare out thing,
2310
02:15:54,770 --> 02:15:56,980
'cause it's change of reel.
2311
02:15:57,060 --> 02:15:58,560
It's great, that. It really works.
2312
02:15:58,650 --> 02:16:01,400
Then the soundtrack should start with a…
2313
02:16:01,480 --> 02:16:02,650
Uh…
2314
02:16:04,940 --> 02:16:07,980
Yeah, it is like that,
because Mike Love comes on,
2315
02:16:08,060 --> 02:16:10,270
and he's-- you know, and he's--
2316
02:16:10,350 --> 02:16:13,390
And then he's just sitting
with Cyn and Jane, waving.
2317
02:16:13,480 --> 02:16:14,610
Mike Love and Cyn.
2318
02:16:14,690 --> 02:16:18,730
And you just sort of see us,
what we're doing. It's unbelievable.
2319
02:16:19,650 --> 02:16:20,730
[George] What were we doing?
2320
02:16:20,810 --> 02:16:23,560
-[John] Yes, what were we doing?
-[Paul] We, uh…
2321
02:16:24,310 --> 02:16:25,690
I don't really know, you know?
2322
02:16:25,770 --> 02:16:31,270
But it's like we totally, sort of,
put our own personalities under,
2323
02:16:31,350 --> 02:16:32,640
for the sake of it.
2324
02:16:32,730 --> 02:16:34,770
And you can really see, you know,
we're all--
2325
02:16:34,850 --> 02:16:36,350
[John] Who's writing all them songs?
2326
02:16:37,940 --> 02:16:39,820
-That was probably when we did--
-[John] In your room.
2327
02:16:39,900 --> 02:16:40,940
Yeah. Right.
2328
02:16:41,020 --> 02:16:42,440
I remember, yeah.
2329
02:16:43,060 --> 02:16:45,020
But just sort of-- There's a--
2330
02:16:47,400 --> 02:16:49,030
No, no. Oh, no.
2331
02:16:50,850 --> 02:16:54,680
[Paul] I just think, what we did there,
we weren't really very truthful there.
2332
02:16:54,770 --> 02:16:57,690
You know, things like sneaking
behind his back and sort of saying,
2333
02:16:57,770 --> 02:16:59,350
"It's a bit like school, isn't it?"
2334
02:16:59,440 --> 02:17:02,070
But you can see on the film
that it is very like school.
2335
02:17:03,560 --> 02:17:06,440
You want to call it
What We Did On Our Holidays?
2336
02:17:06,520 --> 02:17:07,690
But it is very like that.
2337
02:17:07,770 --> 02:17:10,350
There's a long shot of you, sort of,
walking with him.
2338
02:17:10,440 --> 02:17:12,020
And it's just not you, you know?
2339
02:17:12,100 --> 02:17:14,980
It's just-- Yeah. Yeah. [chuckles]
2340
02:17:15,060 --> 02:17:17,230
[chattering]
2341
02:17:17,310 --> 02:17:19,690
-[Paul] It's got a great opening.
-[John] Yeah.
2342
02:17:20,730 --> 02:17:21,730
[Paul] Incredible.
2343
02:17:22,480 --> 02:17:24,770
[John] I've got a couple of reels
if you want some more.
2344
02:17:25,560 --> 02:17:27,480
The helicopter one, up in the sky.
2345
02:17:27,560 --> 02:17:29,810
[Paul] I noticed you taking it,
so I thought, "I'll get that."
2346
02:17:29,900 --> 02:17:32,320
Well, that was the idea.
'Cause you said you were making a film.
2347
02:17:33,150 --> 02:17:37,360
I want "By John Lennon Productions"
written on those two reels.
2348
02:17:37,440 --> 02:17:40,230
But each of my reels have got
"By John Lennon" all through 'em,
2349
02:17:40,310 --> 02:17:41,690
-like subtitles.
-[Paul] Yeah.
2350
02:17:41,770 --> 02:17:42,940
[John] "John Lennon's reel."
2351
02:17:43,020 --> 02:17:44,690
[Paul] "Shot by…"
2352
02:17:44,770 --> 02:17:46,350
And if I remember I'll bring 'em in.
2353
02:17:46,440 --> 02:17:48,820
And Linda remembered
that thing you said the other night
2354
02:17:48,900 --> 02:17:50,730
about when you went up
in the helicopter with him.
2355
02:17:50,810 --> 02:17:53,100
You just thought he might
slip you the answer.
2356
02:17:59,900 --> 02:18:01,320
Tell me, Old Master.
2357
02:18:02,650 --> 02:18:04,230
[chuckling]
2358
02:18:09,900 --> 02:18:11,190
[all laugh]
2359
02:18:12,690 --> 02:18:14,270
I wouldn't mind having--
2360
02:18:14,350 --> 02:18:16,060
Wouldn't mind having his money.
2361
02:18:16,150 --> 02:18:17,480
[laughs]
2362
02:18:17,560 --> 02:18:18,730
I wouldn't mind having…
2363
02:18:19,440 --> 02:18:23,070
two months out of every four months…
2364
02:18:23,150 --> 02:18:24,530
in a place like that though.
2365
02:18:24,600 --> 02:18:26,430
Linda was saying, sitting up on his roof
2366
02:18:26,520 --> 02:18:30,650
and looking at that view, didn't you
ever really feel like going out in it?
2367
02:18:30,730 --> 02:18:33,020
-[guitar playing]
-Well, we were out in it, weren't we?
2368
02:18:33,600 --> 02:18:37,140
Yeah, but I mean
the bit in the villages and stuff.
2369
02:18:37,230 --> 02:18:40,440
The bit that everyone else,
95% of them, were doing around there,
2370
02:18:40,520 --> 02:18:42,940
except for the converts on the hill.
2371
02:18:43,020 --> 02:18:44,020
You know?
2372
02:18:44,100 --> 02:18:45,180
It's incredible stuff.
2373
02:18:45,270 --> 02:18:46,560
[guitar continues]
2374
02:18:47,230 --> 02:18:51,190
Uh. And then, uh, then the next scene
burns out white again.
2375
02:18:51,270 --> 02:18:53,690
And the next scene is just this monkey,
2376
02:18:53,770 --> 02:18:55,980
just comes up and humps this other monkey.
2377
02:18:59,350 --> 02:19:04,810
♪ People will be watching us
Why don't we do it in the road? ♪
2378
02:19:05,850 --> 02:19:07,100
[Paul] And then they just jump off.
2379
02:19:07,190 --> 02:19:09,110
Then they just start picking each other.
2380
02:19:09,190 --> 02:19:10,190
It's great stuff.
2381
02:19:10,770 --> 02:19:12,400
And then there's a great one of you.
2382
02:19:12,480 --> 02:19:15,230
It's like you come up
and wander onto the roof,
2383
02:19:15,310 --> 02:19:18,100
and you walk up, and you look
like a student of philosophy
2384
02:19:18,190 --> 02:19:19,400
with your tape recorder.
2385
02:19:19,900 --> 02:19:20,900
And then…
2386
02:19:20,980 --> 02:19:23,940
-[guitar playing]
-Yeah, I've got all the soundtracks too.
2387
02:19:27,560 --> 02:19:29,640
[guitar playing]
2388
02:19:31,150 --> 02:19:32,320
[drums playing]
2389
02:19:33,650 --> 02:19:36,610
It's that thing,
we probably should have sort of just…
2390
02:19:38,310 --> 02:19:40,640
-Been ourselves.
-Yeah, a lot more. Yeah.
2391
02:19:42,440 --> 02:19:43,440
[chattering]
2392
02:19:43,520 --> 02:19:45,900
[instruments continue playing]
2393
02:19:45,980 --> 02:19:51,230
That is the biggest joke,
to be yourselves.
2394
02:19:51,310 --> 02:19:53,270
'Cause that was
the purpose of going there,
2395
02:19:53,350 --> 02:19:56,060
to try and find who yourself really is.
2396
02:19:56,150 --> 02:19:57,690
Yes. We found out, didn't we?
2397
02:19:57,770 --> 02:20:01,650
And if you were really yourself,
you wouldn't be any of who we are now.
2398
02:20:07,060 --> 02:20:08,560
["Act Naturally" playing on guitar]
2399
02:20:12,480 --> 02:20:15,520
[John] ♪ If you're gonna put me
In the movies ♪
2400
02:20:16,520 --> 02:20:19,310
♪ They're gonna make a big star
Out of me ♪
2401
02:20:21,150 --> 02:20:23,230
[George] No, he's doing a TV show.
2402
02:20:23,310 --> 02:20:24,940
-[John] All day?
-[George] Yeah.
2403
02:20:25,020 --> 02:20:26,230
[John] ♪ Bye-bye, love ♪
2404
02:20:26,730 --> 02:20:29,190
♪ Bye-bye, happiness ♪
2405
02:20:29,690 --> 02:20:31,520
♪ Hello, loneliness ♪
2406
02:20:32,020 --> 02:20:34,440
♪ I think I'm a-gonna die ♪
2407
02:20:35,020 --> 02:20:37,400
[Paul, John] ♪ Bye, my love, goodbye ♪
2408
02:20:38,230 --> 02:20:43,480
♪ I'm through with romance
I'm through with love ♪
2409
02:20:44,400 --> 02:20:49,190
♪ And through with counting
The stars above ♪
2410
02:20:50,190 --> 02:20:55,820
♪ And here's the reason
Why I'm so free ♪
2411
02:20:55,900 --> 02:21:01,570
♪ My loving baby
Is through with me ♪
2412
02:21:03,100 --> 02:21:05,100
♪ Bye-bye, love ♪
2413
02:21:06,310 --> 02:21:08,850
♪ Bye-bye, happiness ♪
2414
02:21:08,940 --> 02:21:11,730
♪ Hello, loneliness ♪
2415
02:21:11,810 --> 02:21:14,190
♪ I think I'm a-gonna cry ♪
2416
02:21:14,690 --> 02:21:17,230
♪ Bye, my love, goodbye ♪
2417
02:21:18,770 --> 02:21:22,560
Okay. Four of us on our way home.
2418
02:21:22,650 --> 02:21:23,690
[Paul] Right.
2419
02:21:24,560 --> 02:21:28,520
♪ You and I have memories ♪
2420
02:21:28,600 --> 02:21:35,060
[Paul, John] ♪ Long before the road
That stretches out ahead ♪
2421
02:21:35,650 --> 02:21:36,730
♪ Out ahead ♪
2422
02:21:38,270 --> 02:21:41,980
♪ You and I have memories ♪
2423
02:21:42,650 --> 02:21:46,530
[Paul, John] ♪ Long before the road
That stretches… ♪
2424
02:21:46,600 --> 02:21:47,770
[Paul] Take it slowly.
2425
02:21:47,850 --> 02:21:50,100
♪ Long-- Longer than ♪
2426
02:21:50,190 --> 02:21:51,020
Oh, yeah.
2427
02:21:51,100 --> 02:21:57,770
♪ Longer than the road that stretches… ♪
2428
02:21:57,850 --> 02:21:59,730
You just-- You're underneath it.
2429
02:21:59,810 --> 02:22:05,020
[Paul, John] ♪ Longer than the road ♪
2430
02:22:05,100 --> 02:22:08,140
♪ That stretches… ♪
2431
02:22:08,230 --> 02:22:09,360
[Paul] It's funny.
2432
02:22:09,440 --> 02:22:13,570
♪ Road that stretches out ahead ♪
2433
02:22:13,650 --> 02:22:14,650
That's mine.
2434
02:22:14,730 --> 02:22:16,400
♪ Longer than… ♪
2435
02:22:16,480 --> 02:22:22,190
♪ Longer than the road that stretches
Out ahead ♪
2436
02:22:22,270 --> 02:22:24,190
Just keep it down for that bit.
2437
02:22:24,270 --> 02:22:29,480
[George, John] ♪ Longer than the road
That stretches out ahead ♪
2438
02:22:30,310 --> 02:22:32,140
[vocalizing]
2439
02:22:32,230 --> 02:22:35,440
[John, Paul]
♪ Two of us wearing raincoats ♪
2440
02:22:35,520 --> 02:22:41,060
♪ Standing solo in the sun ♪
2441
02:22:42,100 --> 02:22:45,640
-[John] ♪ You and I chasing paper ♪
-[Paul] ♪ You and me chasing paper ♪
2442
02:22:45,730 --> 02:22:47,400
[John, Paul] ♪ Getting nowhere ♪
2443
02:22:47,480 --> 02:22:53,190
♪ On our way back home ♪
2444
02:22:54,350 --> 02:23:00,020
♪ We're on our way home
We're on our way home ♪
2445
02:23:01,020 --> 02:23:03,690
♪ We are going home ♪
2446
02:23:05,270 --> 02:23:06,350
[vocalizing]
2447
02:23:06,440 --> 02:23:09,730
[John, Paul]
♪ Two of us wearing raincoats ♪
2448
02:23:09,810 --> 02:23:14,980
♪ Standing solo in the sun ♪
2449
02:23:15,060 --> 02:23:16,520
[John] You're doing well.
2450
02:23:16,600 --> 02:23:19,480
♪ You and me chasing paper ♪
2451
02:23:19,560 --> 02:23:21,690
♪ Getting nowhere ♪
2452
02:23:21,770 --> 02:23:27,060
♪ On our way back home ♪
2453
02:23:28,730 --> 02:23:34,060
♪ We're on our way home
We're on our way home ♪
2454
02:23:35,150 --> 02:23:38,900
♪ We're going home ♪
2455
02:23:40,020 --> 02:23:44,310
-[Paul] ♪ You and I have memories, yeah ♪
-[John vocalizes]
2456
02:23:44,400 --> 02:23:51,070
[Paul] ♪ Longer than the road
That stretches out ahead ♪
2457
02:23:51,150 --> 02:23:52,940
-[John vocalizes]
-[Paul] ♪ Out ahead ♪
2458
02:23:53,690 --> 02:23:57,020
[John, Paul]
♪ Two of us wearing raincoats ♪
2459
02:23:57,100 --> 02:24:02,180
♪ Standing solo in the sun ♪
2460
02:24:02,270 --> 02:24:03,400
[John] ♪ The moon ♪
2461
02:24:03,900 --> 02:24:06,940
[John, Paul] ♪ You and me chasing paper ♪
2462
02:24:07,020 --> 02:24:09,020
♪ Getting nowhere ♪
2463
02:24:09,100 --> 02:24:14,560
♪ On our way back home ♪
2464
02:24:14,650 --> 02:24:15,860
♪ Home ♪
2465
02:24:15,940 --> 02:24:21,610
♪ We're on our way home
We're on our way home ♪
2466
02:24:22,730 --> 02:24:24,310
♪ We're going home ♪
2467
02:24:28,060 --> 02:24:31,560
♪ You and I have memories ♪
2468
02:24:32,560 --> 02:24:38,480
♪ Longer than the road
That stretches out ahead ♪
2469
02:24:38,980 --> 02:24:40,310
♪ We're gwan home ♪
2470
02:24:40,400 --> 02:24:41,530
Oh, yes, now.
2471
02:24:41,600 --> 02:24:44,560
[John, Paul]
♪ Two of us wearing raincoats ♪
2472
02:24:44,650 --> 02:24:50,440
♪ Standing solo in the sun ♪
2473
02:24:50,520 --> 02:24:51,520
Yes, boy.
2474
02:24:51,600 --> 02:24:54,640
[John, Paul] ♪ You and me chasing paper ♪
2475
02:24:55,270 --> 02:25:02,230
♪ Getting nowhere
On our way back home ♪
2476
02:25:03,650 --> 02:25:05,230
♪ We're on our way home ♪
2477
02:25:05,310 --> 02:25:06,310
We are, yes.
2478
02:25:06,940 --> 02:25:08,940
♪ We on our way home ♪
2479
02:25:09,850 --> 02:25:13,930
♪ We going home ♪
2480
02:25:33,850 --> 02:25:34,890
[coughs]
2481
02:25:34,980 --> 02:25:37,110
Is that the idea? We're just gonna
record them all
2482
02:25:37,190 --> 02:25:40,360
until we've got them all before Tuesday
when Glyn goes?
2483
02:25:40,440 --> 02:25:41,730
Is that it?
2484
02:25:43,900 --> 02:25:46,690
[George] I see. So we'll have time…
2485
02:25:46,770 --> 02:25:49,100
-So Wednesday night, we've recorded--
-[John] Yeah, do them all.
2486
02:25:49,190 --> 02:25:51,190
I've gotta mix--
I'd like to mix 'em before I go too…
2487
02:25:51,270 --> 02:25:52,400
-[George] Doing the show.
-…somehow.
2488
02:25:52,480 --> 02:25:53,770
Are we still doing the show?
2489
02:25:53,850 --> 02:25:55,270
I don't know, really.
2490
02:25:55,350 --> 02:26:00,980
[John] Say we did eight or nine, he'll
come back after about a week or something.
2491
02:26:03,100 --> 02:26:05,680
That's if we don't get 14 done by Tuesday.
2492
02:26:06,650 --> 02:26:09,230
-[guitar plays]
-Okay. Uh…
2493
02:26:09,810 --> 02:26:14,480
The piano. It'd be nice to make
the piano, like, one of those bad pianos.
2494
02:26:14,560 --> 02:26:15,560
[Paul] Yes.
2495
02:26:15,650 --> 02:26:16,650
'Cause it--
2496
02:26:17,520 --> 02:26:22,060
Glyn, how can we make the piano like one
of those very bad old honky-tonks?
2497
02:26:22,150 --> 02:26:24,860
Rather than like a Blüthner grand.
2498
02:26:25,400 --> 02:26:26,400
[piano playing]
2499
02:26:26,480 --> 02:26:27,520
[piano playing]
2500
02:26:27,600 --> 02:26:29,020
[Michael]
What does the paper do to the piano?
2501
02:26:29,100 --> 02:26:30,600
-Just make it tinnier?
-[George] Tinny the sound.
2502
02:26:30,690 --> 02:26:32,940
-Yeah, just tinnier.
-[George] More like, yeah, honky-tonk.
2503
02:26:33,020 --> 02:26:34,650
[George Martin]
Less like a Blüthner, in short.
2504
02:26:34,730 --> 02:26:36,440
-[Michael] What?
-[George Martin] Less like a Blüthner.
2505
02:26:36,520 --> 02:26:38,150
[Michael] Less like a Blüthner, in short.
2506
02:26:38,230 --> 02:26:39,560
[Glyn] A fucked-up Blüthner.
2507
02:26:39,650 --> 02:26:40,650
[chuckles]
2508
02:26:40,730 --> 02:26:43,230
[George] The main thing with this,
in my head it's like,
2509
02:26:43,310 --> 02:26:45,390
influenced by those old fellas,
2510
02:26:45,480 --> 02:26:48,190
you know,
where nothing was professional at all.
2511
02:26:48,270 --> 02:26:51,400
So it's really just like
a one-take wonder.
2512
02:26:51,480 --> 02:26:53,610
But we may have a four-take wonder.
2513
02:26:53,690 --> 02:26:55,230
["For You Blue" playing]
2514
02:26:55,310 --> 02:26:59,560
♪ I feel it now
I hope you feel it too ♪
2515
02:27:02,650 --> 02:27:08,320
♪ Because you're sweet and lovely
I love you ♪
2516
02:27:10,100 --> 02:27:14,600
♪ Because you're sweet and lovely, girl
I do ♪
2517
02:27:17,730 --> 02:27:22,110
♪ I'm living every moment, girl, for you ♪
2518
02:27:23,980 --> 02:27:26,110
-That's all.
-[song ends]
2519
02:27:26,190 --> 02:27:27,860
Personally, I was a phenomenon.
2520
02:27:27,940 --> 02:27:28,860
[chattering]
2521
02:27:28,940 --> 02:27:31,110
Another slug of whiskey, Mama.
2522
02:27:31,770 --> 02:27:34,150
Does this guitar sound in tune, Glyn?
2523
02:27:34,230 --> 02:27:35,310
[guitar tunes]
2524
02:27:38,400 --> 02:27:40,320
-[piano plays]
-Yeah, was it all right?
2525
02:27:40,900 --> 02:27:43,400
-[Yoko chuckles]
-I mean, me solo was out of this world.
2526
02:27:44,560 --> 02:27:46,390
-What's it like, Glyn?
-[Glyn] All right.
2527
02:27:46,480 --> 02:27:48,310
-Should we keep it and do another?
-[Glyn, indistinct]
2528
02:27:48,400 --> 02:27:50,940
Yeah. George?
2529
02:27:51,020 --> 02:27:52,480
How are you?
2530
02:27:52,560 --> 02:27:54,020
Should we keep that and do another?
2531
02:27:56,520 --> 02:27:57,770
-[Paul] Right back.
-[John] Okay.
2532
02:27:58,350 --> 02:28:00,850
'Cause I'm gonna go
over me peak in a minute. [chuckles]
2533
02:28:00,940 --> 02:28:02,820
I think I'm hitting me best now.
2534
02:28:02,900 --> 02:28:03,900
Okay!
2535
02:28:05,480 --> 02:28:08,400
["For You Blue" playing]
2536
02:28:08,480 --> 02:28:09,980
Start again, hey.
2537
02:28:10,060 --> 02:28:12,310
Just don't talk
when he's playing there, gang.
2538
02:28:13,980 --> 02:28:15,560
["For You Blue" continues]
2539
02:28:24,100 --> 02:28:29,560
♪ Because you're sweet and lovely, girl
I love you ♪
2540
02:28:31,730 --> 02:28:36,150
♪ Because you're sweet and lovely, girl
It's true ♪
2541
02:28:39,100 --> 02:28:43,640
♪ I love you more than ever, girl, I do ♪
2542
02:28:47,270 --> 02:28:52,560
♪ I want you in the morning, girl
I love you ♪
2543
02:28:55,480 --> 02:28:57,520
So let's keep that and do one more.
2544
02:28:57,600 --> 02:28:58,850
[Glyn chuckles]
2545
02:28:58,940 --> 02:29:01,610
-What for? What for?
-Next time, please.
2546
02:29:01,690 --> 02:29:03,860
-So he can do the guitar like he wants it.
-Come on.
2547
02:29:05,440 --> 02:29:09,650
♪ I want you at the moment I feel blue ♪
2548
02:29:12,940 --> 02:29:17,730
♪ I'm living every moment, girl, for you ♪
2549
02:29:46,940 --> 02:29:48,900
[George] But I think, uh…
2550
02:29:48,980 --> 02:29:51,900
I think we're getting
a good sound in Apple Studios.
2551
02:29:51,980 --> 02:29:53,310
-Yeah.
-Yeah. I think we are too.
2552
02:29:56,690 --> 02:29:58,110
[Paul] We're taking our…
2553
02:30:04,150 --> 02:30:05,190
[chattering]
2554
02:30:05,270 --> 02:30:07,190
[George]
Okay, can you play us the other one?
2555
02:30:07,270 --> 02:30:12,270
I'll just take this after the first one
and just bring it on after "I love you."
2556
02:30:12,350 --> 02:30:14,270
-Yeah, you just--
-And leave it in there.
2557
02:30:14,350 --> 02:30:15,350
[Paul] That's a good idea.
2558
02:30:15,440 --> 02:30:16,860
Yeah, I'm full of ideas like that.
2559
02:30:16,940 --> 02:30:18,110
-I'm famous for 'em.
-[Paul] Yeah.
2560
02:30:18,190 --> 02:30:20,980
-[John] Literary Beatle, you know?
-[George] Hail to the captain.
2561
02:30:21,060 --> 02:30:24,600
This is one that Alex at Apple Electronics
has brought out.
2562
02:30:24,690 --> 02:30:27,270
-And there isn't another one in the world.
-It's a mixer!
2563
02:30:27,350 --> 02:30:29,100
-Yeah.
-It's a 20-channel mixer.
2564
02:30:29,190 --> 02:30:32,650
Or a radar screen,
or a tail of an aeroplane.
2565
02:30:33,520 --> 02:30:36,020
-[George Martin laughs] Aeroplane.
-Or…
2566
02:30:36,100 --> 02:30:37,890
[George Martin]
Just as uncomfortable as the rest of 'em.
2567
02:30:38,940 --> 02:30:43,020
-[imitating airplane]
-[tape rewinding]
2568
02:30:59,600 --> 02:31:02,640
-I would dig to play onstage, you know?
-[Paul] Yeah.
2569
02:31:02,730 --> 02:31:05,690
I mean, if it was all-- everything was
all right and there was no messing
2570
02:31:05,770 --> 02:31:07,940
and we're just gonna play onstage.
2571
02:31:08,020 --> 02:31:10,560
You know,
that's why I said yes to the TV show.
2572
02:31:10,650 --> 02:31:12,280
I didn't want the hell of doing it,
2573
02:31:13,650 --> 02:31:17,230
but nobody else wants to go on the stage
or do a TV show.
2574
02:31:17,850 --> 02:31:22,640
You know, that's what it's about.
Nobody wants to get out there. You know?
2575
02:31:22,730 --> 02:31:24,560
I suppose that's true, you know?
2576
02:31:24,650 --> 02:31:28,610
I think so, you know?
I'm only going by what's happened.
2577
02:31:28,690 --> 02:31:30,360
Yeah, yeah.
2578
02:31:31,190 --> 02:31:33,570
What are you trying
to make a show out of now?
2579
02:31:34,980 --> 02:31:36,560
-I can't answer it, you know?
-I know.
2580
02:31:36,650 --> 02:31:39,650
I know that
there's no sort of answer for it, but…
2581
02:31:40,350 --> 02:31:43,390
The things that have worked out
best ever for us
2582
02:31:43,480 --> 02:31:46,060
haven't really been planned
any more than this has.
2583
02:31:46,150 --> 02:31:51,360
It's just, you know, it's like you just go
into something and it does it itself.
2584
02:31:51,440 --> 02:31:54,940
You know, whatever it's gonna be,
it becomes that, you know?
2585
02:31:55,020 --> 02:31:57,850
[John] See, it's turned out
it's not what Paul wants.
2586
02:31:57,940 --> 02:32:01,150
It's like if it's--
Say it's his number, this whole show.
2587
02:32:01,230 --> 02:32:04,610
It's actually turned into our number
more than his number.
2588
02:32:04,690 --> 02:32:06,690
That's all. And, uh…
2589
02:32:08,480 --> 02:32:10,190
It's just that, really.
2590
02:32:10,270 --> 02:32:13,060
Yeah, I know,
it is majority decisions and all. Yeah.
2591
02:32:13,690 --> 02:32:17,400
We're presuming that we are gonna make
this LP anyway as one whole piece,
2592
02:32:17,480 --> 02:32:19,360
like as if the cameras aren't here.
2593
02:32:20,940 --> 02:32:23,520
But it might be an idea
to sort of face 'em…
2594
02:32:23,600 --> 02:32:24,600
[Paul] Mmm.
2595
02:32:24,690 --> 02:32:26,070
[John] …for the singing.
2596
02:32:26,150 --> 02:32:31,150
The point of doing it all in one go
is that we're aware of the camera.
2597
02:32:31,230 --> 02:32:33,230
So we should look at the camera.
2598
02:32:33,310 --> 02:32:35,690
And we sing it straight to 'em. You know?
2599
02:32:35,770 --> 02:32:36,770
-Yeah.
-[John] And--
2600
02:32:36,850 --> 02:32:39,390
The finale'd just be us
doing the numbers well.
2601
02:32:45,230 --> 02:32:46,310
What do you think?
2602
02:32:46,900 --> 02:32:48,900
The main thing is to do the change
2603
02:32:48,980 --> 02:32:51,270
from the acoustic numbers
to the electric numbers.
2604
02:32:51,900 --> 02:32:54,150
I mean, if we're doing a stage show,
we'd have to--
2605
02:32:54,230 --> 02:32:58,230
"Hold on a sec, ladies and gentlemen,
George just getting on his Rickenbacker."
2606
02:32:58,310 --> 02:33:01,270
As far as I'm concerned, I would need
one run-through on each number
2607
02:33:01,350 --> 02:33:04,730
to get the balance set for it,
'cause it's all-- everything's changing.
2608
02:33:04,810 --> 02:33:08,310
We'll know that better
as soon as we've got an order.
2609
02:33:12,100 --> 02:33:13,730
Soon as we've got a story.
2610
02:33:13,810 --> 02:33:16,230
It's all right, but I'd meant to sort of
2611
02:33:16,310 --> 02:33:18,310
put the songs
to some other framework this time.
2612
02:33:18,400 --> 02:33:19,900
That's what I'd sort of thought.
2613
02:33:20,770 --> 02:33:25,600
That we'd just keep to the same
environment, totally-- always, you know?
2614
02:33:25,690 --> 02:33:27,820
We don't ever attempt to break out of it.
2615
02:33:27,900 --> 02:33:32,230
We-- We're in a recording studio again
in London making another album, you know?
2616
02:33:32,310 --> 02:33:36,100
I think this is the nicest place
I've been for a long time, this studio.
2617
02:33:36,190 --> 02:33:38,440
-Yeah, it is.
-[George] No, really, you know, I mean.
2618
02:33:38,520 --> 02:33:40,150
And also we've played--
2619
02:33:40,230 --> 02:33:43,730
This is the most I've ever played
by playing every day.
2620
02:33:43,810 --> 02:33:48,640
And I can just feel meself getting--
me fingers getting loose a bit.
2621
02:33:48,730 --> 02:33:49,940
Yeah.
2622
02:33:50,020 --> 02:33:52,190
Because we don't get the chance
to do that.
2623
02:33:52,270 --> 02:33:54,600
-But really I just want to play.
-[John] That's what it was about.
2624
02:33:54,690 --> 02:33:59,940
What we've got
is you all playing live in one room.
2625
02:34:00,020 --> 02:34:02,770
That in itself is a fresh thing
for The Beatles.
2626
02:34:02,850 --> 02:34:03,850
Mmm.
2627
02:34:05,020 --> 02:34:06,940
Are you gonna just stay around
in a circle?
2628
02:34:07,020 --> 02:34:09,230
Unless we felt like standing up
'cause it was a shouter, you know?
2629
02:34:09,310 --> 02:34:10,520
[Michael] No matter what we do,
2630
02:34:10,600 --> 02:34:13,310
it's still gonna look like
you're sitting in a room making the album.
2631
02:34:13,400 --> 02:34:15,070
-It's not per se a show.
-[George playing guitar]
2632
02:34:15,150 --> 02:34:19,900
All we've got is us, and the documentary,
where we happen to be singing.
2633
02:34:21,440 --> 02:34:23,980
I mean, you see what happens
when we're just grooving to the music.
2634
02:34:24,060 --> 02:34:26,770
-The whole place changes.
-[Paul] Yeah, that's true.
2635
02:34:26,850 --> 02:34:29,680
And that--
If we're doing them well on the day,
2636
02:34:29,770 --> 02:34:30,940
without anything…
2637
02:34:32,190 --> 02:34:34,480
it should come over.
We've gotta do it, you know?
2638
02:34:36,270 --> 02:34:39,400
[Michael] And also, remember,
the original idea was a TV show
2639
02:34:39,480 --> 02:34:41,020
and then a documentary about it.
2640
02:34:41,100 --> 02:34:43,100
And now it's changed to being a movie.
2641
02:34:43,190 --> 02:34:46,940
It's like, really,
if we're gonna do a film for cinema,
2642
02:34:47,020 --> 02:34:49,100
it should've been done on 35 millimeters,
2643
02:34:49,190 --> 02:34:51,190
which is just the best quality.
2644
02:34:51,900 --> 02:34:54,690
We shot this on 16
because it's a television thing.
2645
02:34:54,770 --> 02:34:57,730
Just the still photos
would make a UA movie
2646
02:34:57,810 --> 02:34:59,730
with soundtrack on it, you know?
2647
02:35:00,310 --> 02:35:04,560
I think we should blow it up to 35
and if they don't take it,
2648
02:35:04,650 --> 02:35:06,150
-they're fucking fools.
-[Paul] Yeah.
2649
02:35:06,230 --> 02:35:08,440
[laughing] Because they're not gonna get
anything else, are they?
2650
02:35:08,520 --> 02:35:10,770
Unless we've got
incredible quality on this,
2651
02:35:10,850 --> 02:35:13,230
16 blown to 35 is a mess.
2652
02:35:13,310 --> 02:35:14,730
-[George] No, it's not.
-Generally.
2653
02:35:14,810 --> 02:35:17,480
There's a certain stock
that blows up better.
2654
02:35:17,560 --> 02:35:18,980
Ektachrome 500.
2655
02:35:19,060 --> 02:35:20,940
Yeah, this will blow up all right,
this film.
2656
02:35:21,020 --> 02:35:22,480
Yeah?
2657
02:35:22,560 --> 02:35:25,560
I don't know what it is that
I'm moaning about, but it's just sort of--
2658
02:35:25,650 --> 02:35:28,360
I must admit I can't really see it either,
because it's--
2659
02:35:28,440 --> 02:35:30,980
It just seems the last two days
everything's gone so ridiculously well.
2660
02:35:31,060 --> 02:35:33,390
-He's right, you know.
-It is good. It's going great.
2661
02:35:33,480 --> 02:35:34,810
It really is something.
2662
02:35:34,900 --> 02:35:36,070
-[Yoko] It's true though.
-Mmm.
2663
02:35:36,980 --> 02:35:40,270
I just have a feeling that we--
It's all right, you know?
2664
02:35:40,350 --> 02:35:42,230
It's nothing to complain about, but…
2665
02:35:43,100 --> 02:35:46,350
But it's just funny to sort of
realize that after this is all over,
2666
02:35:46,440 --> 02:35:50,320
you'll be off in a black bag somewhere
on the Albert Hall, you know?
2667
02:35:50,400 --> 02:35:51,860
Yeah.
2668
02:35:54,020 --> 02:35:56,060
What you're moaning about
is there's no payoff.
2669
02:35:56,810 --> 02:35:59,100
I think all I wanna do is, like, uh…
2670
02:35:59,730 --> 02:36:02,940
I probably, you know,
having got it together,
2671
02:36:03,020 --> 02:36:05,150
I probably just wanna go
and have fun with it.
2672
02:36:05,230 --> 02:36:09,310
Rather than just, sort of,
finish off exactly as we started.
2673
02:36:09,400 --> 02:36:12,280
And I'd like to sort of do a…
[exclaims] …for the finish.
2674
02:36:12,350 --> 02:36:14,390
-Mmm.
-And we just get out in the open,
2675
02:36:14,480 --> 02:36:15,610
change of scene,
2676
02:36:15,690 --> 02:36:20,110
and go and do it somewhere else,
do it on a live show, do it on a stage.
2677
02:36:20,190 --> 02:36:21,860
You know, I'd like to light a rocket
2678
02:36:21,940 --> 02:36:24,400
and really sort of
take off for the end of it.
2679
02:36:24,480 --> 02:36:26,690
And, uh, you know…
2680
02:36:26,770 --> 02:36:29,560
but that's going a bit, like, overboard,
I suppose.
2681
02:36:29,650 --> 02:36:31,150
[Michael] Still could do that.
2682
02:36:31,650 --> 02:36:33,530
But that's me, you know? I always do that.
2683
02:36:44,810 --> 02:36:47,060
[John] ♪ I woke up late this morning ♪
2684
02:36:49,560 --> 02:36:51,690
♪ My head was in a whirl ♪
2685
02:36:52,230 --> 02:36:53,560
♪ Yes, it was ♪
2686
02:36:54,310 --> 02:36:56,810
♪ It was only then I realized ♪
2687
02:36:58,020 --> 02:36:59,440
[chattering]
2688
02:36:59,520 --> 02:37:00,650
♪ I'd lost my little girl ♪
2689
02:37:00,730 --> 02:37:02,940
♪ Yes, I had
That very last evening, Friday night ♪
2690
02:37:09,020 --> 02:37:11,480
♪ I woke up late this morning ♪
2691
02:37:13,980 --> 02:37:15,980
♪ My head was in a whirl ♪
2692
02:37:18,650 --> 02:37:20,820
♪ Only then I realized ♪
2693
02:37:23,440 --> 02:37:25,980
♪ Lost my little girl
Ladies and gentlemen ♪
2694
02:37:26,060 --> 02:37:28,100
♪ Is there a doctor in the house?
Yeah ♪
2695
02:37:31,060 --> 02:37:32,390
♪ I want you to tell me ♪
2696
02:37:33,310 --> 02:37:35,100
[vehicles passing]
2697
02:37:35,190 --> 02:37:36,400
[vehicle honks]
2698
02:37:45,810 --> 02:37:48,140
[Paul] Yeah. Or maybe
we don't have to do it on a--
2699
02:37:48,230 --> 02:37:50,270
You'd get the week people,
the mothers and…
2700
02:37:50,350 --> 02:37:51,350
[Michael] Yeah, great.
2701
02:37:51,440 --> 02:37:53,770
The only thing is
we've got to get some permission, Paul.
2702
02:37:53,850 --> 02:37:54,850
Yes, yes, yes.
2703
02:37:54,940 --> 02:37:57,270
So the cops don't come
and throw us off, that's all.
2704
02:37:57,350 --> 02:37:59,730
What happens
if we go on top of the other roof?
2705
02:37:59,810 --> 02:38:00,810
If it's somebody else's roof,
2706
02:38:00,900 --> 02:38:03,980
then we can get had not only
for disturbing the peace and the noise,
2707
02:38:04,060 --> 02:38:05,140
but also for trespassing.
2708
02:38:05,900 --> 02:38:07,610
Now, um, good.
2709
02:38:08,100 --> 02:38:10,930
So, but just roughly timewise,
so I can look into gear--
2710
02:38:11,020 --> 02:38:14,770
[Paul] Yeah. So, okay, look, if we say
like on Friday or something.
2711
02:38:15,400 --> 02:38:16,860
-You know?
-[Michael] Right.
2712
02:38:16,940 --> 02:38:18,110
["Mean Mr. Mustard" playing]
2713
02:38:19,270 --> 02:38:22,980
[John] ♪ Shaves in the dark
Trying to save paper ♪
2714
02:38:24,730 --> 02:38:28,310
♪ Sleeps in a hole in the road ♪
2715
02:38:29,480 --> 02:38:32,770
♪ Saving up to buy some clothes ♪
2716
02:38:34,350 --> 02:38:37,850
♪ Keeps a ten-bob note up his nose ♪
2717
02:38:38,440 --> 02:38:40,980
♪ Such a mean old man ♪
2718
02:38:43,810 --> 02:38:45,560
[John, Paul] ♪ Mean old man ♪
2719
02:38:45,650 --> 02:38:47,690
John?
2720
02:38:48,270 --> 02:38:50,100
That's a bit powerful, man.
2721
02:38:50,190 --> 02:38:52,270
I think the thing is
we'll aim for Thursday.
2722
02:38:52,350 --> 02:38:53,930
[George] Are we gonna do it all here now?
2723
02:38:54,020 --> 02:38:56,060
I think you should aim
for a little earlier than Thursday.
2724
02:38:56,150 --> 02:38:58,110
'Cause if you aim for Thursday,
it's not gonna be Thursday.
2725
02:38:58,190 --> 02:39:02,020
[Paul] See, we have to give them a chance
to get their other cameras in.
2726
02:39:02,100 --> 02:39:03,180
[Michael] Aim for Wednesday.
2727
02:39:04,270 --> 02:39:07,150
[Paul] It'll be pretty quick, but
it'll still give us some time to do it.
2728
02:39:07,230 --> 02:39:08,360
[chattering]
2729
02:39:08,440 --> 02:39:11,480
[John] ♪ His sister, Shirley
Works in the shop ♪
2730
02:39:11,560 --> 02:39:15,810
♪ She never stops
She's a go-getter ♪
2731
02:39:17,600 --> 02:39:20,770
♪ She takes him out to look at the queen ♪
2732
02:39:21,980 --> 02:39:25,110
♪ It's the only place
That he's ever been ♪
2733
02:39:26,770 --> 02:39:30,270
♪ He always shouts out something obscene ♪
2734
02:39:30,850 --> 02:39:33,560
♪ He's such a mean old man ♪
2735
02:39:35,310 --> 02:39:38,440
♪ He's such a dirty old man ♪
2736
02:39:40,060 --> 02:39:42,940
♪ Oh, Mean Mister Mustard ♪
2737
02:39:43,980 --> 02:39:46,440
-Okay, Paul.
-[playing piano]
2738
02:39:46,520 --> 02:39:48,900
-[George] How does it start?
-[Paul] Yeah, I don't really see--
2739
02:39:48,980 --> 02:39:51,480
-How does it start?
-[John] Any order will be all right.
2740
02:39:51,560 --> 02:39:53,520
-[George] How does it start?
-[John] The longer the better.
2741
02:39:53,600 --> 02:39:54,730
-Okay. Um…
-All right then.
2742
02:39:54,810 --> 02:39:55,890
-Um--
-[George] Go on.
2743
02:39:55,980 --> 02:39:57,940
-[playing "Let It Be"]
-[vocalizing]
2744
02:39:58,020 --> 02:40:00,440
-So just straight into the first verse?
-Well, that's-- Yeah.
2745
02:40:00,520 --> 02:40:01,600
Or an intro.
2746
02:40:02,600 --> 02:40:05,100
-Well, I'll probably do…
-[continues playing piano]
2747
02:40:09,770 --> 02:40:13,310
♪ When I find myself
In times of trouble ♪
2748
02:40:13,400 --> 02:40:16,280
♪ Mother Mary comes to me ♪
2749
02:40:16,350 --> 02:40:18,850
♪ Speaking words of wisdom ♪
2750
02:40:19,350 --> 02:40:21,350
♪ Let it be ♪
2751
02:40:21,440 --> 02:40:23,980
-[laughter]
-All right.
2752
02:40:24,690 --> 02:40:26,440
Come on,
I only get two notes in this song.
2753
02:40:26,520 --> 02:40:28,480
[laughter]
2754
02:40:28,560 --> 02:40:30,690
["Let It Be" continues playing]
2755
02:40:37,650 --> 02:40:40,570
♪ Let it be
Let it be ♪
2756
02:40:41,060 --> 02:40:44,810
-♪ Let it be, let it be ♪
-[John] ♪ Ooh ♪
2757
02:40:44,900 --> 02:40:47,110
[coughs]
2758
02:40:47,190 --> 02:40:49,690
[imitating popping sound]
2759
02:40:51,600 --> 02:40:54,310
[vocalizing "Let It Be"]
2760
02:40:59,600 --> 02:41:02,270
[laughter]
2761
02:41:05,060 --> 02:41:11,810
♪ Well, when all the broken hearted people
Living in the world agree ♪
2762
02:41:11,900 --> 02:41:14,070
♪ There will be an answer ♪
2763
02:41:14,730 --> 02:41:16,610
♪ Let it be ♪
2764
02:41:18,480 --> 02:41:20,940
♪ For though they may be parted ♪
2765
02:41:21,440 --> 02:41:25,150
♪ There is still a chance
That they will see ♪
2766
02:41:25,230 --> 02:41:27,730
♪ There will be an answer ♪
2767
02:41:27,810 --> 02:41:30,690
♪ Let it be ♪
2768
02:41:30,770 --> 02:41:34,560
-♪ Oh, let it be, let it be ♪
-[John, George] ♪ Ooh ♪
2769
02:41:34,650 --> 02:41:37,820
-♪ Let it be, let it be ♪
-♪ Ooh ♪
2770
02:41:38,770 --> 02:41:41,150
♪ There will be an answer ♪
2771
02:41:41,230 --> 02:41:44,770
♪ Let it be ♪
2772
02:41:46,270 --> 02:41:48,400
♪ Ah, here's to Robert Fraser ♪
2773
02:41:48,940 --> 02:41:52,230
♪ There's still a chance
For them to see ♪
2774
02:41:52,310 --> 02:41:54,730
♪ There will be an answer ♪
2775
02:41:54,810 --> 02:41:57,690
[imitating popping sound]
2776
02:41:57,770 --> 02:42:00,270
After two then. One, two.
2777
02:42:00,350 --> 02:42:02,600
["Let It Be" continues playing]
2778
02:42:08,150 --> 02:42:09,530
[vocalizing]
2779
02:42:09,600 --> 02:42:11,430
[George] And if it was that length,
it would be okay.
2780
02:42:11,520 --> 02:42:14,150
[Paul] Yes, right. You were right
about another verse.
2781
02:42:14,230 --> 02:42:15,940
-He's right, you know.
-[Paul] He is right.
2782
02:42:16,020 --> 02:42:18,100
[George] "Captain Marvel comes to me."
2783
02:42:18,190 --> 02:42:19,570
-[laughter]
-[exhales]
2784
02:42:19,650 --> 02:42:20,820
[chattering]
2785
02:42:23,020 --> 02:42:24,020
Yeah.
2786
02:42:24,100 --> 02:42:26,640
[Paul] Come on, now.
Back to the drudgery. Thank you.
2787
02:42:26,730 --> 02:42:28,150
[John]
It's you that's making it like this.
2788
02:42:28,230 --> 02:42:29,940
It's you that's bloody making it
like this.
2789
02:42:30,020 --> 02:42:31,980
[Paul] The real meaning of Christmas.
2790
02:42:32,060 --> 02:42:33,140
Come on.
2791
02:42:34,310 --> 02:42:35,310
Come on.
2792
02:42:36,100 --> 02:42:37,430
Okay.
2793
02:42:41,190 --> 02:42:43,190
-[John] "Bloody Mary comes to me."
-[laughter]
2794
02:42:44,310 --> 02:42:47,270
-♪ Let it be, let it be ♪
-♪ Ooh ♪
2795
02:42:47,350 --> 02:42:48,770
-♪ Let it be ♪
-♪ Ooh ♪
2796
02:42:49,770 --> 02:42:52,560
-Glyn said it's all happening too quickly.
-[John] Yeah.
2797
02:42:52,650 --> 02:42:54,530
-Yeah. We're very excitable.
-It is in a way.
2798
02:42:54,600 --> 02:42:56,680
No, you're right.
It's coming in all too soon.
2799
02:42:56,770 --> 02:42:58,310
Okay, do it exactly then.
2800
02:42:58,400 --> 02:43:00,400
As we-- As was.
2801
02:43:00,480 --> 02:43:01,810
-Oh?
-[John] I like the solo--
2802
02:43:01,900 --> 02:43:03,820
-Isn't it as it was?
-[John] I don't know.
2803
02:43:03,900 --> 02:43:06,480
[Paul] But, I mean, that's the end
of the song, as much as I know.
2804
02:43:06,560 --> 02:43:08,350
[John]
Think what Vera Lynn would do to it, Paul.
2805
02:43:08,440 --> 02:43:09,690
[laughing] Let's see, yeah.
2806
02:43:12,440 --> 02:43:13,690
[Paul] Glyn?
2807
02:43:13,770 --> 02:43:16,480
Why is this microphone very quiet?
2808
02:43:18,150 --> 02:43:19,360
[laughter]
2809
02:43:19,440 --> 02:43:22,400
[Paul] See, there's only
those two verses-- Watch me.
2810
02:43:22,480 --> 02:43:24,060
[John] We'll write some more, should we?
2811
02:43:25,940 --> 02:43:27,610
That's a possibility, I suppose.
2812
02:43:27,690 --> 02:43:29,270
[John] Have we had "hour of darkness"?
2813
02:43:29,350 --> 02:43:31,770
-Yeah.
-[John] Oh. I thought it came quick.
2814
02:43:31,850 --> 02:43:34,560
[microphone feedback]
2815
02:43:34,650 --> 02:43:37,150
Goddamn you, little microphone.
2816
02:43:37,230 --> 02:43:42,810
[John screams]
2817
02:43:42,900 --> 02:43:45,030
[Paul] Okay, you watch us.
We're gonna do this now.
2818
02:43:45,100 --> 02:43:47,020
-[John] You just watch us.
-[Paul] Okay, boys. Come on.
2819
02:43:47,100 --> 02:43:49,230
-Pull yourselves together.
-[John] Ha!
2820
02:43:49,310 --> 02:43:50,730
-Talking to me?
-That's it.
2821
02:43:50,810 --> 02:43:52,020
Talking to me?
2822
02:43:52,100 --> 02:43:54,430
He's the most together man in Garston.
2823
02:43:54,520 --> 02:43:56,350
[laughter]
2824
02:43:56,440 --> 02:43:58,860
[chattering]
2825
02:44:02,940 --> 02:44:04,230
Yeah, let it develop.
2826
02:44:05,350 --> 02:44:09,140
-♪ Yeah, let it be, let it be ♪
-[John, George] ♪ Ooh ♪
2827
02:44:09,230 --> 02:44:11,980
-♪ Let it be, let it be ♪
-♪ Ooh ♪
2828
02:44:12,060 --> 02:44:13,140
[John] We've gone off.
2829
02:44:13,230 --> 02:44:16,860
Are you doing it like we rehearsed it
at Twickenham? Or are you changing it?
2830
02:44:16,940 --> 02:44:18,730
[Paul] I'm not sure. I can't remember.
2831
02:44:18,810 --> 02:44:22,850
I'm just doing the whole thing twice,
which is, like, two verses.
2832
02:44:22,940 --> 02:44:24,110
"Can you dig it?"
2833
02:44:24,900 --> 02:44:27,070
-Take this one then.
-[John] Yeah, take it home.
2834
02:44:28,480 --> 02:44:31,520
This'll--
This is gonna knock you out, boy.
2835
02:44:31,600 --> 02:44:33,180
["Let It Be" playing]
2836
02:44:36,480 --> 02:44:39,560
[indistinct]
2837
02:44:39,650 --> 02:44:43,110
♪ And you know that it was meant to be ♪
2838
02:44:44,060 --> 02:44:48,940
♪ There's a word of wisdom
Let it be ♪
2839
02:44:49,560 --> 02:44:51,850
-♪ Oh, let it be ♪
-♪ Ooh ♪
2840
02:44:51,940 --> 02:44:53,360
-♪ Let it be ♪
-♪ Ooh ♪
2841
02:44:53,980 --> 02:44:56,650
[Paul] ♪ Sing it, children
Let it be ♪
2842
02:44:59,730 --> 02:45:00,940
[laughter]
2843
02:45:01,850 --> 02:45:05,350
[John] Especially like to thank you
for all the birthday presents.
2844
02:45:06,060 --> 02:45:07,350
[Paul] ♪ When I find myself ♪
2845
02:45:07,440 --> 02:45:08,610
All moody.
2846
02:45:08,690 --> 02:45:09,860
♪ Trouble-- ♪
2847
02:45:09,940 --> 02:45:13,690
♪ When I find myself in times of trouble ♪
2848
02:45:14,810 --> 02:45:17,270
[sings faster]
♪ When I find myself in times of trouble ♪
2849
02:45:17,350 --> 02:45:19,430
♪ Mother Mary comes to me ♪
2850
02:45:19,520 --> 02:45:22,730
♪ Speaking words of wisdom
Let it be ♪
2851
02:45:22,810 --> 02:45:24,640
[John] Okay, this is your last chance.
2852
02:45:24,730 --> 02:45:27,360
[Paul] Now look, boys. Now, come on.
Enthuse a little.
2853
02:45:27,440 --> 02:45:30,980
I can't. I don't even get up to my bit,
you keep finishing.
2854
02:45:31,060 --> 02:45:32,640
[laughter]
2855
02:45:34,190 --> 02:45:35,480
[John] Shut up, will you?
2856
02:45:35,560 --> 02:45:37,940
I'll have you banned from bloody Apple
if you don't shut up.
2857
02:45:38,650 --> 02:45:39,730
♪ Let it be ♪
2858
02:45:39,810 --> 02:45:42,980
♪ Let it be, let it be ♪
2859
02:45:43,060 --> 02:45:44,270
♪ Yeah ♪
2860
02:45:44,350 --> 02:45:46,390
♪ Oh-oh-oh ♪
2861
02:45:46,480 --> 02:45:50,650
-[John] ♪ Let it be, let it be ♪
-♪ Let it be ♪
2862
02:45:52,060 --> 02:45:55,190
[John vocalizing]
2863
02:45:55,270 --> 02:45:57,690
I couldn't, you see? I've got to force it.
[vocalizes]
2864
02:45:57,770 --> 02:45:58,600
Yes.
2865
02:45:58,690 --> 02:46:00,690
[John] After all that, I came in too soon.
2866
02:46:00,770 --> 02:46:01,900
[exhales]
2867
02:46:02,520 --> 02:46:03,900
[Paul] Can we carry this on tomorrow?
2868
02:46:03,980 --> 02:46:05,900
-I feel a bit tired now.
-Yes, all right.
2869
02:46:06,770 --> 02:46:08,440
[Paul] Darling. [chuckles]
2870
02:46:08,520 --> 02:46:10,400
No, you don't mind
if we finish now, do you?
2871
02:46:10,480 --> 02:46:13,270
I'm just trying to get the group working,
you know, like every day…
2872
02:46:13,350 --> 02:46:15,980
I know, but office hours. [chuckles]
2873
02:46:16,060 --> 02:46:19,560
Yes, Paul, you have to be strict.
Some discipline.
2874
02:46:19,650 --> 02:46:22,230
Get a shave, get your fucking hair cut,
you know?
2875
02:46:22,310 --> 02:46:23,850
-[Yoko laughs]
-Live, man.
2876
02:46:23,940 --> 02:46:26,770
-Are we coming tomorrow?
-What?
2877
02:46:26,850 --> 02:46:28,350
-[George] Are we coming in tomorrow?
-Yeah.
2878
02:46:28,440 --> 02:46:29,440
[chattering]
2879
02:46:29,520 --> 02:46:30,770
[John] Can we come too?
2880
02:46:30,850 --> 02:46:31,980
[chattering]
2881
02:46:32,060 --> 02:46:33,480
-[John] Yeah, sure.
-Okay. Bye.
2882
02:46:33,560 --> 02:46:34,560
Okay. Got it.
2883
02:46:35,850 --> 02:46:37,140
[chattering continues]
2884
02:46:37,230 --> 02:46:39,610
[instruments playing]
2885
02:46:45,440 --> 02:46:50,070
["Blues Jam" playing]
2886
02:47:40,270 --> 02:47:41,940
[ends]
2887
02:47:42,020 --> 02:47:43,940
-["The Walk" playing]
-[Paul] ♪ Then you walk ♪
2888
02:47:46,520 --> 02:47:47,730
♪ Then you walk ♪
2889
02:47:50,770 --> 02:47:52,190
♪ Yeah, you walk ♪
2890
02:47:55,190 --> 02:47:56,440
♪ Yeah, you walk ♪
2891
02:47:59,560 --> 02:48:00,560
♪ And you talk ♪
2892
02:48:03,060 --> 02:48:06,270
♪ Boy, you will-- ♪ [indistinct]
2893
02:48:06,350 --> 02:48:09,230
♪ No, I can't give you what I gotta give ♪
2894
02:48:13,400 --> 02:48:15,190
[mock growling]
2895
02:48:16,900 --> 02:48:18,570
♪ I can't give you what I got ♪
2896
02:48:21,770 --> 02:48:23,650
♪ You can't get me that way ♪
2897
02:48:25,480 --> 02:48:29,810
-[singing, indistinct]
-[ends]
2898
02:48:31,020 --> 02:48:32,560
Yeah. [chuckles]
2899
02:48:32,650 --> 02:48:34,860
["Without a Song" playing]
2900
02:48:36,650 --> 02:48:38,980
[Billy] ♪ That field of corn ♪
2901
02:48:41,230 --> 02:48:44,440
♪ Whoa, would never see a plow ♪
2902
02:48:48,150 --> 02:48:49,900
♪ That field of corn ♪
2903
02:48:53,060 --> 02:48:56,020
♪ Whoa, whoa
Would be deserted now ♪
2904
02:48:59,770 --> 02:49:01,600
♪ A man is born ♪
2905
02:49:04,560 --> 02:49:08,390
♪ Whoa, he ain't got no friends no how ♪
2906
02:49:08,480 --> 02:49:10,270
♪ No how ♪
2907
02:49:11,270 --> 02:49:13,230
♪ Unless he has a song ♪
2908
02:49:14,020 --> 02:49:15,900
♪ No, no, no, no, no, no, no ♪
2909
02:49:18,270 --> 02:49:19,270
♪ Yeah ♪
2910
02:49:21,810 --> 02:49:23,560
[indistinct]
2911
02:49:27,850 --> 02:49:30,770
[song continues]
2912
02:49:45,900 --> 02:49:47,280
♪ A man is born ♪
2913
02:49:50,190 --> 02:49:53,610
♪ He ain't got no friends no how ♪
2914
02:49:53,690 --> 02:49:55,610
♪ Whoa ♪
2915
02:49:56,850 --> 02:49:58,430
♪ Unless he has a song ♪
2916
02:50:00,060 --> 02:50:01,850
♪ Whoa ♪
2917
02:50:07,980 --> 02:50:09,110
[laughing]
2918
02:50:12,060 --> 02:50:13,770
[song continues]
2919
02:50:24,400 --> 02:50:27,570
♪ Whoa ♪
2920
02:50:29,310 --> 02:50:30,440
♪ Huh ♪
2921
02:50:31,310 --> 02:50:33,390
♪ I said a man don't ♪
2922
02:50:35,690 --> 02:50:38,820
♪ Whoa he ain't got no friends ♪
2923
02:50:38,900 --> 02:50:40,940
♪ Nowhere, nowhere ♪
2924
02:50:42,060 --> 02:50:44,350
♪ Unless he has a song ♪
2925
02:50:45,650 --> 02:50:47,150
[vocalizing]
2926
02:50:48,350 --> 02:50:50,390
[indistinct]
2927
02:50:51,270 --> 02:50:52,770
♪ A song ♪
2928
02:50:53,480 --> 02:50:55,610
♪ Yeah, yeah ♪
2929
02:50:56,480 --> 02:50:57,730
[vocalizing]
2930
02:50:59,190 --> 02:51:03,070
♪ Whoa ♪ [chuckles]
2931
02:51:09,810 --> 02:51:11,600
[song ends]
2932
02:51:12,980 --> 02:51:14,560
["Love Me Do" playing]
2933
02:51:20,730 --> 02:51:23,020
[John, Paul] ♪ Love, love me do ♪
2934
02:51:24,730 --> 02:51:27,230
♪ You know I love you ♪
2935
02:51:28,400 --> 02:51:31,360
♪ I'll always be true ♪
2936
02:51:32,270 --> 02:51:37,020
♪ So please ♪
2937
02:51:37,100 --> 02:51:39,980
-[John scatting]
-[Paul] ♪ Love me do ♪
2938
02:51:47,350 --> 02:51:49,980
♪ Love, love me do, yeah ♪
2939
02:51:50,650 --> 02:51:55,530
♪ You know I love you ♪
2940
02:51:55,600 --> 02:51:57,600
♪ I'll always be true ♪
2941
02:51:58,230 --> 02:52:02,060
♪ So please ♪
2942
02:52:03,770 --> 02:52:07,940
♪ Love me do ♪
2943
02:52:12,810 --> 02:52:15,770
♪ Someone to love ♪
2944
02:52:16,850 --> 02:52:19,640
♪ Somebody new ♪
2945
02:52:21,350 --> 02:52:23,640
♪ Someone to love ♪
2946
02:52:24,810 --> 02:52:27,600
♪ Someone like you ♪
2947
02:52:28,940 --> 02:52:31,770
♪ Love, love me do ♪
2948
02:52:32,850 --> 02:52:35,850
♪ You know I love you ♪
2949
02:52:36,900 --> 02:52:39,860
♪ I'll always be true ♪
2950
02:52:40,560 --> 02:52:45,480
♪ So please ♪
2951
02:52:46,060 --> 02:52:49,850
♪ Love me do ♪
2952
02:52:58,600 --> 02:52:59,810
[Paul] Okay.
2953
02:53:01,650 --> 02:53:04,190
♪ Love me do, love me do ♪
2954
02:53:04,270 --> 02:53:05,520
[song ends]
231148
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