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["In Spite of All the Danger" playing]
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[The Quarrymen]
♪ In spite of all the danger ♪
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♪ In spite of all that may be ♪
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♪ I'll do anything for you ♪
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♪ Anything you want me to ♪
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♪ If you'll be true to me ♪
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♪ In spite of all the heartache ♪
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♪ That you may cause me ♪
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♪ I'll do anything for you ♪
10
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♪ Anything you want me to ♪
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♪ If you'll be true to me ♪
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[crowd screaming]
13
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["Some Other Guy" playing]
14
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♪ Some other guy now
Has taken my love away from me ♪
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I was immediately struck by their music,
their beat
16
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and their sense of humor,
actually, onstage.
17
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And it was there that, really,
it all started.
18
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♪ Love, love me do ♪
19
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♪ You know I love you ♪
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[announcer] The Beatles--
George Harrison, Ringo Starr,
21
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John Lennon, Paul McCartney.
22
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[crowd screams]
23
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["Please Please Me" playing]
24
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-♪ Come on ♪
-♪ Come on ♪
25
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-♪ Come on ♪
-♪ Come on ♪
26
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-♪ Come on ♪
-♪ Come on ♪
27
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-♪ Come on ♪
-♪ Come on ♪
28
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♪ Please please me, whoa yeah
Like I please you ♪
29
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-[crowd screams]
-["Twist and Shout" playing]
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[interviewer] George, you think all this
success is just a one-night stand?
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00:02:31,020 --> 00:02:33,770
I mean,
it can't go on the way it has been going.
32
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["She Loves You" playing]
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♪ Ooh ♪
34
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♪ She loves you yeah, yeah, yeah ♪
35
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[announcer] This is no ordinary departure
from London Airport.
36
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The Beatles are on their way to America.
37
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Paul McCartney may have been wondering
how the songs he and John write
38
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will go over in the States.
39
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♪ Listen, do you want to know a secret? ♪
40
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[announcer]
This rock and roll group has taken over
41
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as the kingpins of musical appreciation.
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-Do you hope to get a haircut at all--
-No!
43
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-No, thanks.
-I had one yesterday.
44
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[crowd laughs]
45
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Ladies and gentlemen, The Beatles!
46
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♪ Close your eyes and I'll kiss you ♪
47
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♪ Tomorrow I'll miss you ♪
48
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[announcer] The Beatles, who originated
as a small-time act out of Liverpool,
49
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now have no rivals
as the kingpins of the teenage set.
50
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♪ Hope you need my love, babe
Just like I need you ♪
51
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♪ Oh, hold me ♪
52
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-[interviewer] Did you enjoy it?
-Yeah, it was marvelous.
53
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I just loved all of it.
54
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[announcer] The Beatles are the top
pop music phenomenon of the century.
55
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[interviewer] Did you have a chance to get
away from anybody at anytime on the trip?
56
00:03:41,690 --> 00:03:44,110
-Yeah.
-He got away from me twice.
57
00:03:45,310 --> 00:03:47,690
["A Hard Day's Night" playing]
58
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♪ It's been a hard day's night ♪
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[announcer] And here with The Beatles was
Brian Epstein, their famous manager.
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♪ 'Cause I don't care too much for money ♪
61
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♪ Money can't buy me love ♪
62
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♪ Can't buy me love ♪
63
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♪ And I do ♪
64
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♪ And I do, hey, hey, hey ♪
65
00:04:06,400 --> 00:04:08,190
♪ And I do ♪
66
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Hey, pardon me for asking,
but who's that little old man?
67
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Oh, that's my grandfather.
He's very clean.
68
00:04:16,730 --> 00:04:20,810
♪ Help me if you can ♪
I'm feeling down ♪
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♪ And I do appreciate you being 'round ♪
70
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Has any of you any ambitions left at all?
71
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Yeah. I want to be an astronaut.
72
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♪ They're gonna put me in the movies ♪
73
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♪ They're gonna make a big star
Out of me ♪
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[announcer]
Says Paul, "We've had so much success,
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we don't care if it fades tomorrow.
76
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We've reached the point
where we don't have worries anymore."
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♪ Yesterday ♪
78
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♪ All my troubles seemed so far away ♪
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♪ Baby, you can drive my car ♪
80
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♪ Yes, I'm gonna be a star ♪
81
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♪ Baby, you can drive my car ♪
82
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♪ And maybe I'll love you ♪
83
00:05:08,190 --> 00:05:10,690
♪ Beep, beep, beep, beep, yeah! ♪
84
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♪ We all live in a yellow submarine ♪
85
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♪ Yellow submarine, yellow submarine ♪
86
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[crowd clamors]
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[announcer] With Manila, some of the fans
have broken off diplomatic relations.
88
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♪ Yeah, I'm the Taxman ♪
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[interviewer] John,
what exactly happened at Manila Airport?
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You're treated like an ordinary passenger.
Ordinary passenger!
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00:05:31,980 --> 00:05:34,440
An ordinary passenger,
he doesn't get kicked, does he?
92
00:05:34,520 --> 00:05:38,350
-Would you go to Manila again, George?
-No. I didn't even want to go that time.
93
00:05:38,440 --> 00:05:42,860
Do you consider that this religious issue
is answered once and for all?
94
00:05:42,940 --> 00:05:48,730
The quote which John Lennon made has
been represented entirely out of context.
95
00:05:48,810 --> 00:05:51,520
But I'm not saying
that we're better or greater
96
00:05:51,600 --> 00:05:54,270
or comparing us
with Jesus Christ as a person.
97
00:05:54,350 --> 00:05:57,270
You tell me what you think I meant,
and I'll tell you whether I agree.
98
00:05:57,350 --> 00:06:00,480
[interviewer] What difference has all
this row made to this tour, do you think?
99
00:06:00,560 --> 00:06:01,890
It's made it more hectic.
100
00:06:01,980 --> 00:06:04,690
Well, I've clarified it about 800 times,
you know.
101
00:06:04,770 --> 00:06:08,520
People said to us last time we came
all our answers were a bit flippant.
102
00:06:09,190 --> 00:06:10,690
They said, "Why isn't it this time?"
103
00:06:10,770 --> 00:06:13,310
And the thing is, the questions
are a bit more serious this time.
104
00:06:13,400 --> 00:06:17,530
♪ Turn off your mind, relax
And float down-stream ♪
105
00:06:17,600 --> 00:06:20,600
The Ku Klux Klan
is going to stop this performance.
106
00:06:20,690 --> 00:06:22,400
Apart from that, it's great.
107
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Having a swinging tour.
108
00:06:28,100 --> 00:06:30,730
♪ Let me take you down ♪
109
00:06:30,810 --> 00:06:36,440
♪'Cause I'm going to Strawberry Fields ♪
110
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♪ Penny Lane is in my ears
And in my eyes ♪
111
00:06:44,900 --> 00:06:48,900
♪ Sergeant Pepper's
Lonely Hearts Club Band ♪
112
00:06:48,980 --> 00:06:50,110
Everything's all right.
113
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♪ Oh, I get by with a little help
From my friends ♪
114
00:06:56,940 --> 00:07:01,360
♪ Lucy in the sky with diamonds ♪
115
00:07:02,690 --> 00:07:05,690
♪ All you need is love ♪
116
00:07:07,600 --> 00:07:11,640
♪ I read the news today, oh boy ♪
117
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♪ Roll up for the mystery tour ♪
118
00:07:27,690 --> 00:07:30,400
♪ Roll up, we've got everything you need ♪
119
00:07:30,480 --> 00:07:32,310
♪ Roll up for the mystery tour ♪
120
00:07:33,480 --> 00:07:35,690
Roll up, satisfaction guaranteed ♪
121
00:07:35,770 --> 00:07:38,310
♪ Roll up for the mystery tour ♪
122
00:07:38,400 --> 00:07:40,730
Yes, Mr. Bloodvessel.
123
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♪ I am the walrus
Goo goo g'joob ♪
124
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[cheers]
125
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[announcer]
Far from the noise and pace of city life
126
00:07:48,270 --> 00:07:51,400
in the cool, clear air
of Rishikesh, North India,
127
00:07:51,480 --> 00:07:55,060
the world-famous quartet stroll quietly
in the lovely meditation retreat
128
00:07:55,150 --> 00:07:57,070
of Maharishi Mahesh Yogi.
129
00:07:57,150 --> 00:08:00,690
Flower-loving Yogi told reporters
that his brand of peace of mind
130
00:08:00,770 --> 00:08:03,810
could only be truly appreciated
by intelligent men of the world.
131
00:08:03,900 --> 00:08:07,820
♪ The Ukraine girls really knock me out ♪
132
00:08:07,900 --> 00:08:10,070
♪ They leave the West behind ♪
133
00:08:10,940 --> 00:08:15,980
♪ While my guitar gently weeps ♪
134
00:08:18,770 --> 00:08:22,020
♪ Blackbird singing
In the dead of night ♪
135
00:08:22,100 --> 00:08:24,430
-We don't get on at all.
-There are so many father figures.
136
00:08:24,520 --> 00:08:25,520
-[chuckles]
-[laughter]
137
00:08:25,600 --> 00:08:27,560
-[moans]
-[chuckles]
138
00:08:27,650 --> 00:08:28,650
Oh, I see.
139
00:08:28,730 --> 00:08:30,060
What is Apple, John?
140
00:08:30,150 --> 00:08:34,440
It's a company we're setting up
which involves records,
141
00:08:34,520 --> 00:08:38,810
films, electronics,
which make records and films work,
142
00:08:38,900 --> 00:08:42,110
-and, what's it called? Manufacturing?
-Yeah, it does a few things, you know?
143
00:08:42,190 --> 00:08:43,230
["Hey Jude" playing]
144
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♪ Hey Jude, don't be afraid ♪
145
00:08:49,810 --> 00:08:55,270
♪ You were made to go out and get her ♪
146
00:08:56,770 --> 00:09:01,900
♪ Remember to let her into your heart ♪
147
00:09:01,980 --> 00:09:07,810
♪Then you can start to make it better ♪
148
00:09:07,900 --> 00:09:13,280
♪ Better, better, better
Better, better, oh ♪
149
00:09:13,350 --> 00:09:14,350
♪ Yeah ♪
150
00:09:14,440 --> 00:09:19,860
-♪ Yeah, yeah, yeah ♪
-♪ Na, na, na, na, na, na, na ♪
151
00:09:19,940 --> 00:09:23,900
♪ Na, na, na, na, hey, Jude ♪
152
00:09:26,730 --> 00:09:33,020
♪ Na, na, na, na, na, na, na ♪
153
00:09:33,100 --> 00:09:37,430
♪ Na, na, na, na, hey, Jude ♪
154
00:09:40,060 --> 00:09:45,480
♪ Na, na, na, na, na, na, na ♪
155
00:09:46,480 --> 00:09:51,520
♪ Na, na, na, na, hey, Jude ♪
156
00:09:53,190 --> 00:09:58,770
♪ Na, na, na, na, na, na, na ♪
157
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♪ Na, na, na, na, hey, Jude ♪
158
00:10:06,400 --> 00:10:12,070
♪ Na, na, na, na, na, na, na ♪
159
00:10:13,060 --> 00:10:16,690
♪ Na, na, na, na, hey, Jude ♪
160
00:10:16,770 --> 00:10:19,520
♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪
161
00:10:19,600 --> 00:10:25,430
♪ Na, na, na, na, na, na, na ♪
162
00:10:26,270 --> 00:10:30,270
♪ Na, na, na, na, hey, Jude ♪
163
00:10:32,690 --> 00:10:38,020
♪ Na, na, na, na, na, na, na ♪
164
00:10:39,020 --> 00:10:43,150
♪ Na, na, na, na, hey, Jude ♪
165
00:10:45,520 --> 00:10:50,650
♪ Na, na, na, na, na, na, na ♪
166
00:10:52,060 --> 00:10:54,560
♪ Na, na, na, na, hey, Jude ♪
167
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[song fades out]
168
00:11:06,850 --> 00:11:08,480
[Peter Sutton]
Two, take one. Silent turn over.
169
00:11:08,560 --> 00:11:09,560
[Paul Bond] Running.
170
00:11:14,520 --> 00:11:18,100
[John]
♪ As I leave the desert skies ♪
171
00:11:20,940 --> 00:11:24,770
♪ And my thoughts return to home ♪
172
00:11:27,350 --> 00:11:31,390
♪ Yes, my thoughts return to home ♪
173
00:11:33,150 --> 00:11:37,070
♪ I'm just a child of nature ♪
174
00:11:40,190 --> 00:11:44,440
♪ I don't need much to set me free ♪
175
00:11:46,730 --> 00:11:50,270
♪ I'm just a child of nature ♪
176
00:11:53,730 --> 00:11:56,150
♪ I'm one of nature's children ♪
177
00:11:58,690 --> 00:12:02,230
-[John] Where's the what?
-The mixer and the 8-tracks and all them.
178
00:12:07,350 --> 00:12:08,600
-Hi, Ringo.
-Hi, George.
179
00:12:08,690 --> 00:12:10,820
-Happy New Year.
-Happy New Year.
180
00:12:12,690 --> 00:12:16,150
♪ Everybody got a piece of toast
To chew on ♪
181
00:12:19,520 --> 00:12:21,940
♪ Everybody's got soul ♪
182
00:12:22,770 --> 00:12:25,020
♪ Everybody's got soul ♪
183
00:12:26,060 --> 00:12:29,730
♪ Everybody got to feel
This all alone ♪
184
00:12:31,520 --> 00:12:33,600
♪ Don't let me down ♪
185
00:12:36,940 --> 00:12:40,020
♪ Don't let me down ♪
186
00:12:43,350 --> 00:12:46,770
♪ Don't let me down ♪
187
00:12:49,690 --> 00:12:52,270
♪ Don't let me down ♪
188
00:12:55,730 --> 00:12:58,020
♪ Don't let me down ♪
189
00:13:01,810 --> 00:13:05,600
♪ Don't let me down ♪
190
00:13:07,190 --> 00:13:10,690
♪ I'm in love for the first time ♪
191
00:13:11,480 --> 00:13:14,690
[George] I don't think this is
a very acoustically good place.
192
00:13:16,190 --> 00:13:17,320
[John] Who's that little old man?
193
00:13:17,900 --> 00:13:19,980
Oh, is he one of the Hare Krishnas
or something?
194
00:13:28,690 --> 00:13:30,820
'Cause they won't be rehearsing
shots for three weeks.
195
00:13:30,900 --> 00:13:34,230
[Paul] As I was saying to Mal,
keep all the audience out, you know…
196
00:13:38,310 --> 00:13:39,440
If you can think of a--
197
00:13:42,020 --> 00:13:43,900
One of those Binson Echorec things.
198
00:13:43,980 --> 00:13:45,440
Have a little one of them.
199
00:13:55,560 --> 00:13:58,350
Oh, are you recording our conversation?
200
00:13:58,440 --> 00:14:00,270
[Paul] Yeah. [hums]
201
00:14:00,980 --> 00:14:02,610
We should have a bass--
202
00:14:02,690 --> 00:14:05,150
a bass and guitar all in one.
203
00:14:05,230 --> 00:14:06,440
-Yeah.
-Be great, wouldn't it?
204
00:14:07,020 --> 00:14:09,350
[Paul] Well, two people
should have bass and guitar.
205
00:14:09,440 --> 00:14:12,440
[George] Maybe we should learn
a few songs first.
206
00:14:12,520 --> 00:14:13,520
Great.
207
00:14:13,600 --> 00:14:15,020
["I've Got a Feeling" playing]
208
00:14:15,100 --> 00:14:18,180
[Paul] ♪ Oh, no, ah ♪
209
00:14:18,980 --> 00:14:20,770
One, two, three.
210
00:14:20,850 --> 00:14:23,060
♪ Yeah, I've got a feeling ♪
211
00:14:28,480 --> 00:14:31,060
-♪ Oh, please believe me ♪
-[John] ♪ Yes, I will ♪
212
00:14:31,150 --> 00:14:34,730
♪ I'd hate to miss the train
Oh, yeah ♪
213
00:14:36,520 --> 00:14:37,980
♪ Oh, yeah ♪
214
00:14:40,520 --> 00:14:45,480
♪ And if you leave me
I won't be late again ♪
215
00:14:45,560 --> 00:14:46,560
♪ No, no ♪
216
00:14:46,650 --> 00:14:50,070
♪ Oh, no, oh, no ♪
217
00:14:51,230 --> 00:14:55,110
♪ No, no, yeah ♪
218
00:14:55,190 --> 00:14:57,480
♪ One, two, three ♪
219
00:14:57,560 --> 00:14:59,270
♪ I've got a feeling ♪
220
00:15:02,020 --> 00:15:03,350
Then it goes to E.
221
00:15:04,270 --> 00:15:06,100
♪ All these years I've been wandering ♪
222
00:15:06,190 --> 00:15:07,190
G.
223
00:15:07,270 --> 00:15:08,900
♪ Wondering how come nobody ♪
224
00:15:08,980 --> 00:15:09,980
E.
225
00:15:10,060 --> 00:15:12,850
♪ All that I've been looking for
Was somebody who looked like ♪
226
00:15:12,940 --> 00:15:13,940
Stop.
227
00:15:18,900 --> 00:15:21,230
[John]
I just gotta see which should come where.
228
00:15:26,150 --> 00:15:27,570
Everybody had a hard on.
229
00:15:28,480 --> 00:15:29,770
♪ Everybody had a hard on ♪
230
00:15:29,850 --> 00:15:31,270
Except for me and my monkey.
231
00:15:32,230 --> 00:15:34,310
[George]
♪ Everybody been… [indistinct] ♪
232
00:15:34,900 --> 00:15:36,820
♪ Oh, yeah! ♪
233
00:15:36,900 --> 00:15:39,440
[chattering]
234
00:15:39,520 --> 00:15:41,310
[Paul] ♪ Oh, no ♪
235
00:15:41,400 --> 00:15:42,820
♪ Oh ♪
236
00:15:42,900 --> 00:15:45,440
♪ Yeah, yeah ♪
237
00:15:45,520 --> 00:15:46,730
♪ I've got a feeling ♪
238
00:15:46,810 --> 00:15:49,980
-♪ Everybody had a hard year ♪
-♪ Whoo, yeah, yeah ♪
239
00:15:50,060 --> 00:15:52,140
♪ Everybody had a good time ♪
240
00:15:53,020 --> 00:15:55,900
♪ Everybody had a wet dream ♪
241
00:15:55,980 --> 00:15:57,980
♪ Everybody saw the sun shine ♪
242
00:15:58,060 --> 00:15:59,690
-♪ Oh, yeah ♪
-♪ Yeah ♪
243
00:15:59,770 --> 00:16:02,270
-♪ Oh, yeah, oh, yeah ♪
-♪ Oh, oh, yeah ♪
244
00:16:02,350 --> 00:16:05,810
♪ Oh, oh ♪
245
00:16:06,730 --> 00:16:08,480
-♪ No, no ♪
-[John] ♪ No, no ♪
246
00:16:08,560 --> 00:16:10,230
-♪ Yeah ♪
-♪ No, no ♪
247
00:16:10,310 --> 00:16:11,640
♪ I've got a feeling ♪
248
00:16:11,730 --> 00:16:14,110
[vocalizing]
249
00:16:14,770 --> 00:16:16,810
♪ I've got a feeling ♪
250
00:16:20,810 --> 00:16:22,140
[George Martin] Which this isn't.
251
00:16:22,810 --> 00:16:24,390
[Paul] Um, um, we--
252
00:16:58,230 --> 00:16:59,360
-December 25th.
-[Michael] Yeah.
253
00:17:05,270 --> 00:17:06,810
[Denis] Yeah.
254
00:17:08,900 --> 00:17:10,690
[guitar strumming]
255
00:17:15,810 --> 00:17:17,230
[Denis] When you're ready. That's right.
256
00:17:17,730 --> 00:17:19,270
[Denis] We could do-- Yeah.
257
00:17:20,350 --> 00:17:22,230
♪ Go, go ♪
258
00:17:22,310 --> 00:17:23,940
♪ Go, Johnny, go, go ♪
259
00:17:24,650 --> 00:17:26,980
♪ Go, Johnny, go, go ♪
260
00:17:27,060 --> 00:17:31,810
[Paul] ♪ Come all without
Come all within ♪
261
00:17:32,600 --> 00:17:37,020
♪ You'll not see nothing
Like the Mighty-- ♪
262
00:17:37,100 --> 00:17:38,430
[Ringo] All of us just…
263
00:17:38,520 --> 00:17:40,850
[George]
♪ They say everything can be replaced ♪
264
00:17:43,850 --> 00:17:46,810
♪ Every distance is not near ♪
265
00:17:51,560 --> 00:17:55,350
[Paul] ♪ Yeah, I've got a feeling ♪
266
00:18:02,480 --> 00:18:04,110
[Denis] John is just finishing it up.
267
00:18:09,270 --> 00:18:11,440
I'll take you up in the Art Department
when you get a moment.
268
00:18:11,520 --> 00:18:14,100
You can see some of the designs
and all that, 'cause it's well under way.
269
00:18:14,190 --> 00:18:15,320
Is it still the 17th?
270
00:18:15,400 --> 00:18:16,980
No, 24th now, because of this.
271
00:18:17,060 --> 00:18:19,270
Why? This is only going to take two weeks.
272
00:18:19,350 --> 00:18:21,230
Well, we don't know yet, do we?
273
00:18:21,310 --> 00:18:24,810
[John] ♪ It's a love that lasts forever ♪
274
00:18:26,900 --> 00:18:30,030
♪ It's a love that has no past ♪
275
00:18:33,440 --> 00:18:36,940
-♪ Don't let me ♪
-♪ Down ♪
276
00:18:37,980 --> 00:18:39,730
[Paul] That's all the bits you've got?
277
00:18:39,810 --> 00:18:41,230
♪ Don't let me… ♪
278
00:18:41,310 --> 00:18:43,520
All right. If you had,
"Don't let me down,"
279
00:18:43,600 --> 00:18:45,520
say twice at the beginning…
280
00:18:46,100 --> 00:18:49,520
[Paul] But you know when you bring that,
"'Cause I'm in love for the first time"?
281
00:18:50,520 --> 00:18:53,440
-I don't dig that. Sounds like a middle 8.
-[John] Oh, yeah. Okay.
282
00:18:53,520 --> 00:18:55,770
[Paul] It doesn't sound like-- But I--
Some of it.
283
00:18:55,850 --> 00:18:58,100
Scrap that,
except use that somewhere near the end.
284
00:18:58,190 --> 00:19:00,110
[John] That one used to go after the…
285
00:19:00,190 --> 00:19:02,360
♪ Love that-- A love that had no past ♪
286
00:19:02,440 --> 00:19:05,270
-[Paul] Yeah, 'cause that's where--
-"Nobody ever loved me like she do me."
287
00:19:05,350 --> 00:19:07,310
[George]
No harm just having a break in that bit.
288
00:19:07,400 --> 00:19:09,070
Yeah, except just skip that little…
289
00:19:09,150 --> 00:19:10,530
-[John] Yes.
-…interlude.
290
00:19:10,600 --> 00:19:12,770
-Put the interlude right somewhere.
-[John] In the beginning.
291
00:19:12,850 --> 00:19:14,230
I'll do one set of "don't let me down."
292
00:19:15,190 --> 00:19:19,020
Uh-- "Like she do me. Ooh, she do me.
Yes, she do me."
293
00:19:19,100 --> 00:19:21,270
I didn't quite get around to making sense,
you see?
294
00:19:21,350 --> 00:19:22,680
So we'll see what happens.
295
00:19:22,770 --> 00:19:24,230
[George] Do you want some sandwiches?
296
00:19:24,310 --> 00:19:26,940
We don't eat these.
Paul, do you want some sandwiches?
297
00:19:27,020 --> 00:19:28,270
-Hang on. [whistles]
-[Michael] Ray.
298
00:19:28,350 --> 00:19:31,020
-[John] Do you want a dry bun?
-[George] A dry bun? Yeah.
299
00:19:31,100 --> 00:19:33,680
[John] It's like a rock cake
but needs butter or something.
300
00:19:33,770 --> 00:19:37,310
The thing I don't want is,
like, a TV show sound.
301
00:19:37,400 --> 00:19:40,650
They always seem to have that
sort of farty, little sound on TV shows.
302
00:19:40,730 --> 00:19:43,190
[Glyn] Well, don't forget,
you're hearing it on a TV speaker,
303
00:19:43,270 --> 00:19:44,480
which is a grotty speaker.
304
00:19:44,560 --> 00:19:48,140
But see, this place sounds terrible now.
It may just be great.
305
00:19:48,230 --> 00:19:50,190
You can never tell
with these places though.
306
00:19:50,270 --> 00:19:53,100
We did "Yer Blues"
in a little room like a bog.
307
00:19:53,190 --> 00:19:54,820
-[Glyn] Yeah.
-And…
308
00:19:54,900 --> 00:19:56,650
No separation in there, you know?
309
00:19:56,730 --> 00:19:58,690
-We really got good separation.
-[Glyn] Yeah.
310
00:19:59,480 --> 00:20:03,020
The thing is,
that an open-air sound is fantastic.
311
00:20:03,100 --> 00:20:06,230
I've always wanted to do something
in the open air.
312
00:20:06,310 --> 00:20:09,730
It'd be nice to try and find some way
to do it out of doors.
313
00:20:09,810 --> 00:20:10,810
[Glyn] It's so bloody cold.
314
00:20:10,900 --> 00:20:13,650
[Michael] It's your English rain which is
worrying about outdoors in this country.
315
00:20:13,730 --> 00:20:16,060
-[Glyn] Yeah, right.
-Snow or rain will do me.
316
00:20:16,150 --> 00:20:18,320
You know, wind and anything.
Make all that…
317
00:20:18,400 --> 00:20:20,780
-It's just a frozen hand trying to…
-[Glyn laughs] Yes, you could.
318
00:20:20,850 --> 00:20:21,850
…play those notes.
319
00:20:21,940 --> 00:20:23,820
[Tony] Trying to get your E-seventh
when your little finger's frozen…
320
00:20:23,900 --> 00:20:24,900
The snow and rain.
321
00:20:24,980 --> 00:20:28,360
It's all right. You might just
have a few deaths on the set
322
00:20:28,440 --> 00:20:29,690
due to electric shocks.
323
00:20:30,690 --> 00:20:33,400
I was very taken by the place
Denis talked about.
324
00:20:33,480 --> 00:20:35,310
[Glyn] Yeah. That was…
325
00:20:35,400 --> 00:20:37,860
Because I could see it outside torch-lit.
326
00:20:38,730 --> 00:20:40,400
2,000 Arabs and friends around.
327
00:20:40,480 --> 00:20:42,650
[Paul chuckles] No, I think we won't be.
328
00:20:42,730 --> 00:20:44,730
I think you'll find
we're not going abroad.
329
00:20:44,810 --> 00:20:45,810
[Michael] Hmm.
330
00:20:47,440 --> 00:20:49,650
'Cause Ringo just said
he doesn't wanna go abroad.
331
00:20:49,730 --> 00:20:51,560
No, and he put his foot down.
332
00:20:52,560 --> 00:20:54,230
-So…
-Yeah?
333
00:20:54,310 --> 00:20:56,310
Us and Jimmie Nicol might go abroad.
334
00:20:56,400 --> 00:20:58,280
[all laugh]
335
00:20:58,350 --> 00:21:01,100
[Michael] I think the thing to do
is just be very flexible still
336
00:21:01,190 --> 00:21:03,400
about every aspect of the enterprise.
337
00:21:03,480 --> 00:21:08,020
I think-- Well, I think, you know--
Michael, I think you're pretty right.
338
00:21:08,100 --> 00:21:09,560
[Glyn] He won't give up.
339
00:21:09,650 --> 00:21:11,610
-Pretty fair comment.
-[Glyn] You're pretty right, Mike.
340
00:21:11,690 --> 00:21:12,940
Are you gonna keep the beard?
341
00:21:13,020 --> 00:21:13,850
I don't know.
342
00:21:13,940 --> 00:21:15,940
[Michael] You ought to get one
of those big-brimmed hats
343
00:21:16,020 --> 00:21:17,480
with those ringlets down the ears.
344
00:21:17,560 --> 00:21:19,350
Yes. Yes, I saw that
on telly the other night.
345
00:21:19,440 --> 00:21:21,190
That'd be good.
Then we could do it in Israel.
346
00:21:21,770 --> 00:21:24,060
[Paul] ♪ We're on our way home ♪
347
00:21:24,850 --> 00:21:26,810
♪ We're on our way home ♪
348
00:21:27,900 --> 00:21:29,150
♪ We're going home ♪
349
00:21:29,230 --> 00:21:30,730
Middle eight, B flat.
350
00:21:30,810 --> 00:21:34,140
♪ You and I made memories ♪
351
00:21:34,900 --> 00:21:40,730
♪ Longer than the road
That stretches out ahead ♪
352
00:21:43,150 --> 00:21:46,110
♪ Two of us wearing raincoats ♪
353
00:21:46,190 --> 00:21:51,110
♪ Standing solo in the sun ♪
354
00:21:53,100 --> 00:21:54,390
I'll do a verse. Just…
355
00:21:54,480 --> 00:21:59,310
[both vocalizing]
356
00:21:59,810 --> 00:22:00,810
No, I think it goes…
357
00:22:00,900 --> 00:22:05,690
♪ We're on our way back home ♪
358
00:22:05,770 --> 00:22:06,770
♪ Ba-bam, ba-ba ♪
359
00:22:06,850 --> 00:22:07,850
Three, four…
360
00:22:07,940 --> 00:22:09,480
It's like…
361
00:22:09,560 --> 00:22:13,560
♪ On our way back ♪
362
00:22:13,650 --> 00:22:15,900
♪ Ba-da, da-da, da-da ♪
363
00:22:15,980 --> 00:22:17,400
♪ We're on our way home ♪
364
00:22:17,480 --> 00:22:18,940
Two, three.
365
00:22:19,020 --> 00:22:20,770
♪ We're on our way home ♪
366
00:22:20,850 --> 00:22:22,020
Two, three.
367
00:22:22,100 --> 00:22:23,180
♪ We're going home ♪
368
00:22:23,270 --> 00:22:24,270
-Two.
-After three.
369
00:22:24,350 --> 00:22:26,480
[Paul] It goes into waltz.
It goes into three.
370
00:22:27,810 --> 00:22:29,190
♪ We're on our way home ♪
371
00:22:29,270 --> 00:22:30,810
♪ Ch-cha-cha, cha ♪
372
00:22:30,900 --> 00:22:32,690
♪ We're going home ♪
373
00:22:34,400 --> 00:22:35,400
Yeah.
374
00:22:35,480 --> 00:22:36,520
♪ We're on our way home ♪
375
00:22:36,600 --> 00:22:38,100
Repeat now.
376
00:22:38,190 --> 00:22:39,980
♪ We're on our way home ♪
377
00:22:40,060 --> 00:22:41,140
Then short.
378
00:22:41,230 --> 00:22:42,730
♪ We're going home ♪
379
00:22:42,810 --> 00:22:44,810
And that's like a break. Ch-cha.
380
00:22:44,900 --> 00:22:45,900
♪ Two of us ♪
381
00:22:45,980 --> 00:22:47,190
I'll go from the beginning.
382
00:22:47,270 --> 00:22:49,190
♪ Chu-chu-chu-chu-chu-chu, ooh ♪
383
00:22:49,270 --> 00:22:50,520
♪ We're on our way home ♪
384
00:22:50,600 --> 00:22:52,230
♪ Ch-cha-cha, cha, ooh ♪
385
00:22:52,310 --> 00:22:53,600
We're on our way home ♪
386
00:22:53,690 --> 00:22:55,230
♪ Ch-cha-cha, cha, ooh ♪
387
00:22:55,310 --> 00:22:57,310
♪ We're going home ♪
388
00:22:58,020 --> 00:23:02,980
♪ You and me, Henry Cooper
Henry Cooper ♪
389
00:23:03,060 --> 00:23:06,480
♪ Henry Coop ♪
390
00:23:07,150 --> 00:23:09,980
♪ You and me, Henry Cooper ♪
391
00:23:10,060 --> 00:23:11,270
[Paul] It's not-- It's not--
392
00:23:11,350 --> 00:23:14,020
[Peter Sutton]
That was 23, take one. End announcement.
393
00:23:14,100 --> 00:23:15,810
[Paul] ♪ Wearing raincoats ♪
394
00:23:21,060 --> 00:23:24,060
[upbeat piano tune playing]
395
00:23:32,440 --> 00:23:35,770
[tap dancing]
396
00:23:36,480 --> 00:23:37,650
[Paul] Nice, that purple.
397
00:23:44,980 --> 00:23:48,020
[George] "What do you think
of George's pseudo tie sweatshirt?"
398
00:23:48,100 --> 00:23:49,600
I think it's terrible.
399
00:23:50,270 --> 00:23:51,400
[laughs]
400
00:23:52,270 --> 00:23:56,310
"The True Story of The Beatles.
You can still get it direct."
401
00:23:57,350 --> 00:24:01,350
"Accompanied by his current steady,
American photographer Linda Eastman,
402
00:24:01,440 --> 00:24:03,400
Paul spent a December week in Portugal
403
00:24:03,480 --> 00:24:06,190
visiting The Beatles' biographer,
Hunter Davis."
404
00:24:07,350 --> 00:24:09,180
It's just so sort of daft.
405
00:24:10,350 --> 00:24:11,350
[chuckling]
406
00:24:14,940 --> 00:24:17,150
"…send a big 'Hi'
to all the Bertle Persons."
407
00:24:19,440 --> 00:24:20,610
[laughs]
408
00:24:20,690 --> 00:24:22,440
"It's fab in here!" [laughs]
409
00:24:24,150 --> 00:24:26,190
I think your beard suits you, man.
410
00:24:26,270 --> 00:24:27,230
-Mmm.
-[George laughs]
411
00:24:27,310 --> 00:24:29,640
[George] I've been thinking
of all the tunes I've got.
412
00:24:29,730 --> 00:24:32,560
And they're all, uh, they're all slowish.
413
00:24:32,650 --> 00:24:34,440
-I seem to be--
-[Paul] Yeah, most of mine are.
414
00:24:34,520 --> 00:24:39,060
[George] See, so far, there's a couple
I know I could do live with no backing.
415
00:24:39,150 --> 00:24:42,150
-[Paul] Just with the guitar and singing.
-[George] Well, you know…
416
00:24:42,230 --> 00:24:46,230
-I've got "Taking a Trip to Carolina."
-[laughs]
417
00:24:46,310 --> 00:24:47,770
In the same…
418
00:24:47,850 --> 00:24:49,020
In his mind.
419
00:24:49,100 --> 00:24:49,930
♪ Taking-- ♪
420
00:24:50,020 --> 00:24:50,940
Oh, no.
421
00:24:51,020 --> 00:24:52,770
♪ Taking a trip on a ocean liner ♪
422
00:24:52,850 --> 00:24:55,060
♪ I gotta get to Carolina ♪
423
00:24:55,150 --> 00:24:57,360
♪ Taking a trip on an ocean liner ♪
424
00:24:57,440 --> 00:24:59,650
♪ I gotta get to Carolina ♪
425
00:24:59,730 --> 00:25:01,610
[humming]
426
00:25:01,690 --> 00:25:02,820
♪ Oh, baby ♪
427
00:25:02,900 --> 00:25:05,900
[laughs]
428
00:25:06,520 --> 00:25:08,060
[Ringo] ♪ I've been-- ♪
429
00:25:08,150 --> 00:25:09,150
I had-- It's on there.
430
00:25:09,230 --> 00:25:12,940
I've got it on the little tape, singing
"I've been to LA and New York too."
431
00:25:13,020 --> 00:25:14,770
So, they're not very nice.
432
00:25:14,850 --> 00:25:17,230
You know, the words,
I mean, they're not very good.
433
00:25:17,310 --> 00:25:19,940
-Uh-huh.
-"Carolina," it's, "Oh, baby."
434
00:25:20,020 --> 00:25:21,190
[laughs]
435
00:25:21,270 --> 00:25:22,940
[Paul] Just get me back there.
436
00:25:29,060 --> 00:25:30,440
[Paul] But it's good.
437
00:25:34,600 --> 00:25:36,390
But they'll have all this sort of…
438
00:25:38,190 --> 00:25:42,230
Yeah. If you wanted to get 8-track stuff
to record all this,
439
00:25:42,310 --> 00:25:44,890
where would we get it?
'Cause, apparently, it hasn't been--
440
00:25:44,980 --> 00:25:47,690
[George] We'll lend it to ourselves,
but EMI should do it.
441
00:25:47,770 --> 00:25:50,520
You know, it's like if Benjamin Britten
wants to do an album…
442
00:25:50,600 --> 00:25:51,770
-Right.
-…in Paris,
443
00:25:51,850 --> 00:25:54,390
EMI have got to fucking get
all that shit over to him.
444
00:25:54,480 --> 00:25:56,020
And they do, of course.
445
00:25:56,100 --> 00:25:58,680
We subsidize EMI, then get it out there.
446
00:25:58,770 --> 00:26:00,980
-Get an 8-track mixer--
-'Cause they just told Glyn and Mal--
447
00:26:01,060 --> 00:26:03,850
They just told them
that they've only got 4-track.
448
00:26:03,940 --> 00:26:06,820
But I know for a fact that they got
8-track out for The Beach Boys.
449
00:26:06,900 --> 00:26:08,860
[Michael] But The Beach Boys are American.
450
00:26:10,560 --> 00:26:12,560
[chattering]
451
00:26:14,810 --> 00:26:16,390
[Paul]
'Cause I really never thought of that.
452
00:26:16,480 --> 00:26:19,150
It's just we all used to sag off
every school day.
453
00:26:19,230 --> 00:26:20,980
You know, and go back to my house,
454
00:26:21,060 --> 00:26:23,480
and the two of us
would just sit there and write.
455
00:26:23,560 --> 00:26:25,520
There's a lot from then, you know?
456
00:26:25,600 --> 00:26:29,060
There's about 100 songs from then
that we never reckoned,
457
00:26:29,150 --> 00:26:31,570
'cause they were all
very unsophisticated songs.
458
00:26:32,190 --> 00:26:34,860
[singsong]
"They said our love was just fun,
459
00:26:34,940 --> 00:26:36,820
the day that our friendship begun."
460
00:26:36,900 --> 00:26:40,780
[Ringo]
♪ They said our love was just fun ♪
461
00:26:41,400 --> 00:26:42,530
[Paul] ♪ Oh, oh, oh ♪
462
00:26:42,600 --> 00:26:44,140
[Ringo] ♪ The day that… ♪
463
00:26:45,350 --> 00:26:46,350
[George] ♪ Begun… ♪
464
00:26:46,440 --> 00:26:47,900
[Paul humming]
465
00:26:47,980 --> 00:26:49,610
[George speaks indistinctly]
466
00:26:49,690 --> 00:26:53,270
[Paul] ♪ Because I know you love me so ♪
467
00:26:55,940 --> 00:27:00,270
♪ Wake up in the morning
I don't feel blue ♪
468
00:27:01,310 --> 00:27:06,140
♪ 'Cause I know I've got you ♪
469
00:27:06,730 --> 00:27:10,770
♪ Get a funny feeling
All day and night ♪
470
00:27:12,020 --> 00:27:14,600
♪ Get the funny feeling ♪
471
00:27:14,690 --> 00:27:17,230
♪ You don't treat me right ♪
472
00:27:17,310 --> 00:27:19,890
♪ Should have read your letter ♪
473
00:27:19,980 --> 00:27:21,690
♪ And then I'd know ♪
474
00:27:22,560 --> 00:27:24,890
♪ I would have felt much better ♪
475
00:27:24,980 --> 00:27:28,560
♪ Because I know you love me so ♪
476
00:27:31,520 --> 00:27:33,400
Don't think that ever got there, did it?
477
00:27:34,440 --> 00:27:35,570
♪ Well, I've been thinking… ♪
478
00:27:35,650 --> 00:27:36,650
[John humming]
479
00:27:36,730 --> 00:27:38,360
♪ …love me ♪
480
00:27:39,520 --> 00:27:40,810
♪ Tell me that ♪
481
00:27:42,690 --> 00:27:44,730
[John] ♪ Won't you please ♪
482
00:27:45,350 --> 00:27:47,020
[John, Paul]
♪ Say goodbye? ♪
483
00:27:48,310 --> 00:27:51,770
♪ This love has long since grown cold ♪
484
00:27:51,850 --> 00:27:56,100
♪ Yeah, won't you please say goodbye? ♪
485
00:27:57,650 --> 00:28:01,360
♪ How many times must you be told? ♪
486
00:28:03,150 --> 00:28:05,480
♪ Won't you please say goodbye? ♪
487
00:28:06,150 --> 00:28:08,110
-[hums]
-That sounded like…
488
00:28:09,400 --> 00:28:10,530
♪ Pick up my bags ♪
489
00:28:11,980 --> 00:28:14,520
♪ Run to the station ♪
490
00:28:14,600 --> 00:28:15,850
♪ Railman said ♪
491
00:28:16,900 --> 00:28:18,730
♪ "You've got the wrong location" ♪
492
00:28:20,150 --> 00:28:22,360
-♪ Pick up my bag ♪
-♪ Pick up my bag, yeah, yeah ♪
493
00:28:22,440 --> 00:28:24,320
-♪ Run right home ♪
-♪ Run home ♪
494
00:28:25,270 --> 00:28:27,350
-♪ Then I find ♪
-♪ Then I find that ♪
495
00:28:27,440 --> 00:28:30,860
-♪ I got the number wrong, yeah ♪
-♪ I got the number wrong, yes ♪
496
00:28:30,940 --> 00:28:33,610
♪ She said she's travelin'
On the one after 909 ♪
497
00:28:35,980 --> 00:28:39,190
♪ Move over, honey
I'm travelin' on that line ♪
498
00:28:41,480 --> 00:28:44,110
♪ Said Move over once
Move over twice ♪
499
00:28:44,190 --> 00:28:46,320
♪ Come on, baby
Don't be cold as ice ♪
500
00:28:47,020 --> 00:28:49,690
♪ She said she's travelin'
On the one after 909 ♪
501
00:28:49,770 --> 00:28:52,150
♪ She said she's travelin'
On the one after 909 ♪
502
00:28:52,230 --> 00:28:55,770
♪ She said she's travelin'
On the one after 909 ♪
503
00:28:59,190 --> 00:29:01,150
[Paul] Okay. All right.
504
00:29:02,400 --> 00:29:04,730
[Paul]
Really, that's out of the past, that.
505
00:29:06,940 --> 00:29:09,690
I always meant to just change the words
a bit and do something.
506
00:29:09,770 --> 00:29:11,100
[Paul] But no, it's so great.
507
00:29:11,190 --> 00:29:13,860
-[George] It's all working. Keep them.
-[Paul hums]
508
00:29:13,940 --> 00:29:16,860
"Said, 'Move over, honey,
I'm traveling on that line.'" [laughs]
509
00:29:16,940 --> 00:29:20,440
"Move over once, move over twice.
Come on, baby. Don't be cold as ice."
510
00:29:20,520 --> 00:29:21,850
[John] "You're only fooling around."
511
00:29:21,940 --> 00:29:23,860
[John, Paul]
"You're only fooling around with me."
512
00:29:24,480 --> 00:29:26,940
[Paul] I never sort of knew
what it was about before.
513
00:29:27,020 --> 00:29:28,980
-I mean, so she's on a train.
-[John] Yes.
514
00:29:29,060 --> 00:29:32,060
-And he sort of-- [laughs]
-[John] Goes to the station and misses it.
515
00:29:32,150 --> 00:29:35,690
But he goes back and finds
it was the wrong number, so…
516
00:29:35,770 --> 00:29:37,690
"Wrong location."
517
00:29:37,770 --> 00:29:39,810
To rhyme with "station," you know?
518
00:29:39,900 --> 00:29:41,280
That's great.
519
00:29:41,350 --> 00:29:44,100
"Railman said you got the wrong location."
520
00:29:44,810 --> 00:29:46,390
-[John] Hello, George.
-[laughs]
521
00:29:46,480 --> 00:29:49,860
[John] Hi, Paul. It's simply great
for you to turn up this evening.
522
00:29:49,940 --> 00:29:52,320
-["Ob-La-Di, Ob-La-Da" playing]
-The Animals reunited.
523
00:29:52,900 --> 00:29:56,280
[falsetto] ♪ Desmond had a barrow
In the market place ♪
524
00:29:56,350 --> 00:29:58,730
♪ Doris had another in the bog ♪
525
00:30:00,020 --> 00:30:02,900
♪ Charlie has another
In the back of town ♪
526
00:30:02,980 --> 00:30:05,270
♪ And, Lordy, Lordy
Did they have a bag of fun ♪
527
00:30:06,190 --> 00:30:08,610
♪ Oh, my God, oh, my God
Oh, my… ♪
528
00:30:12,850 --> 00:30:14,680
♪ Tell it to the captain ♪
529
00:30:15,850 --> 00:30:17,480
♪ Get in trouble with the man ♪
530
00:30:17,560 --> 00:30:19,980
♪ Let the Midnight Special ♪
531
00:30:20,770 --> 00:30:22,310
♪ Shine its light on me ♪
532
00:30:23,520 --> 00:30:25,850
♪ Let the Midnight Special ♪
533
00:30:26,850 --> 00:30:29,350
♪ Shine its ever-lovin' light on me ♪
534
00:30:30,190 --> 00:30:34,440
[George] ♪ What do you want
To make those eyes at me for? ♪
535
00:30:35,060 --> 00:30:38,810
-♪ If they don't mean what they say? ♪
-♪ When you're out with someone new ♪
536
00:30:40,770 --> 00:30:44,600
[George, Paul] ♪ You made me glad
You made me sad ♪
537
00:30:44,690 --> 00:30:47,020
♪ You make me want a lot of things ♪
538
00:30:47,100 --> 00:30:48,680
-♪ That I never had ♪
-♪ Bundle of dynamite ♪
539
00:30:48,770 --> 00:30:51,770
["The Third Man Theme" playing]
540
00:31:31,350 --> 00:31:32,810
[Paul whistles]
541
00:31:43,440 --> 00:31:45,440
-[microphone feedback]
-Ah! Fucking hell.
542
00:31:45,520 --> 00:31:47,440
-[Paul] I just got shocked.
-Just got a belt, man.
543
00:31:48,020 --> 00:31:49,810
I really-- I got an electric shock.
544
00:31:49,900 --> 00:31:51,440
[Paul] Gonna be in trouble over this.
545
00:31:51,520 --> 00:31:53,230
If this boy dies, you're gonna cop it.
546
00:31:54,310 --> 00:31:57,350
[George] Hold that one as well
at the same time and see what happens.
547
00:31:57,440 --> 00:31:59,070
Let me see it again.
548
00:31:59,150 --> 00:32:00,230
Let's try it.
549
00:32:00,310 --> 00:32:02,480
-[Peter Sutton] You get feedback.
-[Paul] It's the feedback, yeah.
550
00:32:02,560 --> 00:32:03,850
The feedback going into the, uh--
551
00:32:03,940 --> 00:32:05,020
-There, it's not--
-[feedback]
552
00:32:05,100 --> 00:32:07,020
-[John] That's it.
-[George] Put your hand on that bit.
553
00:32:07,100 --> 00:32:08,770
[Paul] It might be
the playing the guitar as well.
554
00:32:08,850 --> 00:32:12,060
It should be where you're here
rather than all this…
555
00:32:12,150 --> 00:32:13,610
-You know, all this thing.
-[Paul] Yeah.
556
00:32:13,690 --> 00:32:15,190
[Michael] When was it when you touched it?
557
00:32:15,270 --> 00:32:16,850
I gripped hold of two of them together.
558
00:32:16,940 --> 00:32:19,400
-[Paul] The feedback going into the…
-[George] Just grip it tight.
559
00:32:19,480 --> 00:32:21,730
-[microphone feedback]
-Put the palm of your hand on that bit.
560
00:32:21,810 --> 00:32:24,560
-[microphone feedback]
-[laughing]
561
00:32:25,520 --> 00:32:27,560
[Paul]
The bit that I find the weakest now is…
562
00:32:27,650 --> 00:32:29,230
♪ All these years
I've been wandering around ♪
563
00:32:29,310 --> 00:32:30,940
[John] Yeah, that's just power, you know?
564
00:32:31,020 --> 00:32:33,230
[Paul]
♪ Wondering how come nobody told me ♪
565
00:32:34,810 --> 00:32:36,980
-[Paul] Maybe harmonies.
-Just sing your one.
566
00:32:37,060 --> 00:32:40,640
♪ All these years
I've been wandering around ♪
567
00:32:40,730 --> 00:32:43,270
♪ Wondering how come nobody told me ♪
568
00:32:43,350 --> 00:32:46,770
♪ All that I've been looking for
Was somebody who looked like you ♪
569
00:32:48,100 --> 00:32:49,310
You're singing B.
570
00:32:49,850 --> 00:32:52,730
Yeah, just sing the next harmony down
so it's not too low for you.
571
00:32:52,810 --> 00:32:55,140
♪ All these years ♪
572
00:32:55,230 --> 00:32:57,310
-[Paul] ♪ All these years I've been-- ♪
-♪ All-- ♪
573
00:32:57,400 --> 00:32:59,190
-That's very high for me.
-[Paul] Don't shout. It's power.
574
00:32:59,270 --> 00:33:00,100
♪ All these-- ♪
575
00:33:00,190 --> 00:33:01,150
Oh, it's terribly high.
576
00:33:01,230 --> 00:33:03,440
-[Paul] ♪ Been wandering around ♪
-♪ All these days ♪
577
00:33:03,520 --> 00:33:04,770
[vocalizing]
578
00:33:05,440 --> 00:33:06,730
[Paul] ♪ Wondering how come-- ♪
579
00:33:06,810 --> 00:33:08,230
Down on the one note, is it?
580
00:33:09,150 --> 00:33:10,860
♪ All these years
I've been wandering around ♪
581
00:33:10,940 --> 00:33:13,360
♪ Wondering how come nobody told me
All that I've-- ♪
582
00:33:13,440 --> 00:33:14,900
[vocalizing]
583
00:33:14,980 --> 00:33:17,560
-[John] That's very high, you know?
-[vocalizing continues]
584
00:33:17,650 --> 00:33:19,400
♪ All these years I've been wandering ♪
585
00:33:19,480 --> 00:33:22,480
[vocalizing]
586
00:33:24,270 --> 00:33:25,310
Fuck it!
587
00:33:26,690 --> 00:33:28,230
One, two, three, four.
588
00:33:28,310 --> 00:33:30,480
♪ All these years I've been wondering-- ♪
589
00:33:30,560 --> 00:33:33,560
[vocalizing]
590
00:33:37,150 --> 00:33:38,150
♪ You! ♪
591
00:33:38,230 --> 00:33:39,400
[groans]
592
00:33:39,480 --> 00:33:41,270
-It's a bit early for that, isn't it?
-Yeah.
593
00:33:44,150 --> 00:33:46,730
Early in the morning, you know?
I'm not 18 anymore.
594
00:33:46,810 --> 00:33:48,190
[chuckles]
595
00:33:52,810 --> 00:33:55,100
[Mal speaks indistinctly]
596
00:33:55,190 --> 00:33:57,400
-[bass playing]
-[Mal speaks indistinctly]
597
00:34:08,730 --> 00:34:10,730
[chattering]
598
00:34:13,020 --> 00:34:14,650
♪ Everybody had a hard-- ♪
599
00:34:15,900 --> 00:34:16,900
♪ Everybody-- ♪
600
00:34:18,810 --> 00:34:20,890
Uh-- Hair down.
601
00:34:22,560 --> 00:34:24,190
Socks up. Foot down.
602
00:34:25,020 --> 00:34:27,690
-[Mal] "Everybody pulled their socks up"?
-[John] Yeah. Yeah.
603
00:34:27,770 --> 00:34:29,440
[Paul] ♪ Everybody pulled their socks up ♪
604
00:34:29,520 --> 00:34:32,400
-"Foot down." Okay, that's it.
-Right.
605
00:34:32,480 --> 00:34:33,480
[John] Yeah.
606
00:34:34,150 --> 00:34:35,280
[Paul] Bit of power there.
607
00:34:35,350 --> 00:34:37,350
[John] I don't want every time
we're doing "Don't Let Me Down,"
608
00:34:37,440 --> 00:34:39,520
that it hurts just to rehearse it.
609
00:34:39,600 --> 00:34:42,560
I wonder how long it is.
Do you want to time it, Mal?
610
00:34:42,650 --> 00:34:44,980
'Cause it's probably
only about half a minute long.
611
00:34:45,900 --> 00:34:48,940
♪ Desmond had a sparrow
In his parking lot ♪
612
00:34:49,020 --> 00:34:52,690
One, two, three…
613
00:34:52,770 --> 00:34:55,480
♪ Don't let me down ♪
614
00:34:58,480 --> 00:35:00,770
♪ Don't let me down ♪
615
00:35:03,480 --> 00:35:06,230
♪ Don't let me down ♪
616
00:35:08,810 --> 00:35:11,480
♪ Don't let me down ♪
617
00:35:15,310 --> 00:35:16,810
-Three minutes!
-What?
618
00:35:16,900 --> 00:35:18,900
-[Mal] Three minutes, 40 seconds.
-That's fine.
619
00:35:18,980 --> 00:35:21,020
-Three minutes, 40 seconds.
-[Michael] Yeah.
620
00:35:21,100 --> 00:35:22,680
This is incredible.
621
00:35:22,770 --> 00:35:26,190
-It's long. It sounded just like…
-Half a minute.
622
00:35:26,270 --> 00:35:27,270
Okay.
623
00:35:28,060 --> 00:35:29,600
[John] Uh, I've got one.
624
00:35:29,690 --> 00:35:33,770
-Uh, "Gimme Some Truth" or something.
-[Paul] Something like that.
625
00:35:33,850 --> 00:35:36,390
-"Gimme Some Truth."
-We could finish that.
626
00:35:36,480 --> 00:35:39,480
-Remember your hangman bit?
-[Paul] Yeah.
627
00:35:39,560 --> 00:35:40,980
-[John] It was all right.
-[Paul] No.
628
00:35:41,060 --> 00:35:45,690
"No, no freaked-out…
yellow-bellied son of Gary Cooper gonna…"
629
00:35:45,770 --> 00:35:47,690
♪ Freaked out… ♪
630
00:35:47,770 --> 00:35:49,440
-It started in D, didn't it?
-Yeah.
631
00:35:50,230 --> 00:35:51,520
♪ Some… ♪
632
00:35:51,600 --> 00:35:52,980
That was-- That was my bit.
633
00:35:53,060 --> 00:35:54,560
♪ Freaked out, yellow-bellied… ♪
634
00:35:54,650 --> 00:35:56,360
[John]
♪ Sick and tired of hearing words ♪
635
00:35:56,440 --> 00:35:58,520
-[Paul] Yours was in E, wasn't it?
-No, it was in D.
636
00:35:58,600 --> 00:36:03,770
[Paul, John vocalizing]
637
00:36:03,850 --> 00:36:06,060
♪ Hope ♪
638
00:36:06,150 --> 00:36:08,360
♪ Money for rope ♪
639
00:36:08,440 --> 00:36:09,440
[George] If we add a--
640
00:36:09,520 --> 00:36:10,560
♪ Money for rope ♪
641
00:36:12,350 --> 00:36:16,180
[Paul] ♪ No freaked out, yellow-bellied
Son of Gary Cooper gonna tell him… ♪
642
00:36:16,270 --> 00:36:18,060
[scatting]
643
00:36:18,150 --> 00:36:19,780
♪ For dope ♪
644
00:36:20,600 --> 00:36:22,270
♪ Money for rope ♪
645
00:36:23,150 --> 00:36:24,980
♪ Just money for rope ♪
646
00:36:30,190 --> 00:36:32,690
♪ I'm sick and tired of hearing lies ♪
647
00:36:32,770 --> 00:36:36,400
♪ By seasick, narrow-minded
Shortsighted hypocrites ♪
648
00:36:36,480 --> 00:36:38,360
♪ All I want is the truth ♪
649
00:36:38,440 --> 00:36:39,480
[John] We should change the--
650
00:36:39,560 --> 00:36:41,190
♪ Just gimme some truth ♪
651
00:36:42,350 --> 00:36:44,680
♪ I've had enough of readin' lines ♪
652
00:36:44,770 --> 00:36:48,400
♪ By some sicked out
Hard-sided politicians ♪
653
00:36:48,480 --> 00:36:50,230
♪ All I want is the truth ♪
654
00:36:51,350 --> 00:36:52,430
♪ Just gimme some truth ♪
655
00:36:52,520 --> 00:36:54,310
No, it was in D and E.
656
00:36:54,400 --> 00:36:55,690
-Oh, okay.
-[Paul] Yeah. Right.
657
00:37:02,980 --> 00:37:04,940
[Mal] Perhaps if you stuck it
over that side--
658
00:37:05,020 --> 00:37:06,270
How's that for your show?
659
00:37:08,690 --> 00:37:09,690
[Paul] Okay, yeah.
660
00:37:10,270 --> 00:37:13,520
[George] It's really getting
into a show. [chuckles]
661
00:37:13,600 --> 00:37:14,600
[John] Bottoms up.
662
00:37:14,690 --> 00:37:16,940
[Paul]
If you'll all turn now to "Sunrise,"
663
00:37:17,020 --> 00:37:19,020
I would very much appreciate it.
664
00:37:21,810 --> 00:37:24,270
"All Things Must Pass."
665
00:37:26,100 --> 00:37:29,020
[George] There's no solo
or anything complicated.
666
00:37:29,100 --> 00:37:31,850
It's purely just rhythmical and vocal.
667
00:37:31,940 --> 00:37:34,730
And if we suddenly add a Lowrey organ…
668
00:37:37,690 --> 00:37:40,270
Also, the chords really are E.
669
00:37:40,940 --> 00:37:46,110
[singsong] To F-sharp minor, to E, to A.
670
00:37:47,100 --> 00:37:49,810
E to F-sharp minor.
671
00:37:50,810 --> 00:37:53,230
E, A.
672
00:37:55,060 --> 00:38:01,810
♪ All things must pass ♪
673
00:38:02,560 --> 00:38:06,310
♪ All things must pass away ♪
674
00:38:13,060 --> 00:38:18,230
♪ Sunset doesn't last all evening ♪
675
00:38:18,310 --> 00:38:20,190
♪ Doesn't last ♪
676
00:38:20,270 --> 00:38:25,350
♪ A wind can blow those clouds away ♪
677
00:38:25,440 --> 00:38:28,770
♪ Wind can blow those clouds away ♪
678
00:38:30,730 --> 00:38:32,060
♪ After all this ♪
679
00:38:32,150 --> 00:38:36,480
♪ My love is up and must be leaving ♪
680
00:38:38,020 --> 00:38:44,270
♪ It's not always been this grey ♪
681
00:38:45,810 --> 00:38:52,480
♪ All things must pass ♪
682
00:38:53,100 --> 00:38:57,270
♪ All things must pass away ♪
683
00:38:59,310 --> 00:39:03,350
[George] But the middle bit,
because it says the same word first…
684
00:39:04,400 --> 00:39:06,280
Like "All things must pass away," then…
685
00:39:06,850 --> 00:39:10,390
♪ All things must pass ♪
686
00:39:10,480 --> 00:39:12,900
Something there, you know,
is where we'd overdub something
687
00:39:12,980 --> 00:39:15,440
or add voices, or I'd track it, or--
688
00:39:15,520 --> 00:39:18,150
[Paul] Maybe it would be better
if we just did it straight, first of all.
689
00:39:18,230 --> 00:39:19,360
[George] ♪ All things must pass ♪
690
00:39:19,440 --> 00:39:20,650
Okay.
691
00:39:20,730 --> 00:39:22,810
[Paul] Just to do everything
just really mechanical
692
00:39:22,900 --> 00:39:25,780
and then we can sort of
get it all good after that.
693
00:39:26,730 --> 00:39:30,610
♪ Macrobiotic pills are good at arriving ♪
694
00:39:30,690 --> 00:39:32,440
♪ At the right time ♪
695
00:39:33,810 --> 00:39:34,810
[whistling]
696
00:39:34,900 --> 00:39:39,320
♪ A wind can blow those clouds away ♪
697
00:39:43,560 --> 00:39:44,890
[George chuckles]
698
00:39:44,980 --> 00:39:46,440
Yeah, okay.
699
00:39:51,100 --> 00:39:52,770
[George] It looks like it on the paper.
700
00:39:52,850 --> 00:39:54,730
[John]
"A miner can blow these clouds away."
701
00:39:54,810 --> 00:39:57,350
-[George] Mal's writing.
-What are they all having? Pale ale.
702
00:39:57,440 --> 00:40:00,400
-Pale ale. Anyone else want a drink?
-Yeah. Anybody else want a drink?
703
00:40:00,480 --> 00:40:01,690
-[George] Yes, please.
-[John] Yes.
704
00:40:01,770 --> 00:40:04,600
-[George] I'll have a glass of white wine.
-[John] I'll have a beer.
705
00:40:04,690 --> 00:40:07,230
[George] You know, man,
the idea of doing this thing
706
00:40:07,310 --> 00:40:08,850
so that it's just us doing it
707
00:40:08,940 --> 00:40:11,570
and there's no overdubs
or you can't get out of it
708
00:40:11,650 --> 00:40:13,320
is much better really.
709
00:40:13,400 --> 00:40:15,860
Because, you know, all the time recording,
710
00:40:15,940 --> 00:40:18,610
you're thinking,
"It's all right. We can do that later."
711
00:40:18,690 --> 00:40:19,690
Hmm.
712
00:40:19,770 --> 00:40:22,900
[John] People are doing live shows now,
713
00:40:22,980 --> 00:40:26,900
they do their overdubs
'cause they're phased and echoed live.
714
00:40:26,980 --> 00:40:30,610
But we're still thinking of it in terms of
the four guys and four amps in The Cavern.
715
00:40:30,690 --> 00:40:32,070
[George] Yeah.
716
00:40:32,150 --> 00:40:33,480
[John] Yeah, I'd like phasing.
717
00:40:33,560 --> 00:40:36,770
[George] But the phasing is Alex,
and he's building the studio
718
00:40:36,850 --> 00:40:38,810
and putting it in this week.
719
00:40:56,150 --> 00:40:57,360
Yeah.
720
00:41:25,440 --> 00:41:26,980
["Every Little Thing" playing]
721
00:41:29,690 --> 00:41:32,940
♪ When I'm walking beside her ♪
722
00:41:33,730 --> 00:41:36,730
[vocalizing]
723
00:41:41,650 --> 00:41:44,110
[John scatting]
724
00:41:46,650 --> 00:41:49,150
Not bad though. Good try that, Johnny.
725
00:41:49,230 --> 00:41:51,400
[George] Yeah, but you know, John,
726
00:41:51,480 --> 00:41:54,560
the difference between me and, say, Eric,
727
00:41:54,650 --> 00:41:56,440
I'm just another guitar,
728
00:41:56,520 --> 00:41:59,520
sometimes playing bits
and sometimes singing.
729
00:42:01,020 --> 00:42:04,150
But he's the only guitar to play lead.
730
00:42:04,230 --> 00:42:05,770
And so he's, like, playing.
731
00:42:05,850 --> 00:42:08,230
That's how he can keep it going
all the time.
732
00:42:09,100 --> 00:42:10,770
-[John] Yeah.
-[George] So…
733
00:42:10,850 --> 00:42:13,060
I feel now I can play things.
734
00:42:13,150 --> 00:42:16,320
I can learn things that will sound okay,
735
00:42:16,400 --> 00:42:18,650
especially fast fingering like that.
736
00:42:19,650 --> 00:42:20,860
[Paul] It's jazz, man.
737
00:42:28,850 --> 00:42:31,560
You know, like, a lot of guitarists
can sustain even,
738
00:42:31,650 --> 00:42:33,110
but they play it like a lot of shit.
739
00:42:33,190 --> 00:42:35,070
But his thing takes on a pattern
740
00:42:35,150 --> 00:42:38,190
and gets somewhere and resolves itself,
741
00:42:38,270 --> 00:42:39,560
which is very hard.
742
00:42:55,600 --> 00:42:58,100
[George]
Yeah, I'm sure you'll dig it when you see.
743
00:43:18,270 --> 00:43:19,690
[Paul] And what shall we do, then?
744
00:43:19,770 --> 00:43:23,190
♪ I'm so tired ♪
745
00:43:23,270 --> 00:43:25,520
♪ I haven't slept a wink ♪
746
00:43:28,270 --> 00:43:30,520
♪ I'm so tired ♪
747
00:43:31,480 --> 00:43:33,810
♪ My mind is on the blink ♪
748
00:43:34,770 --> 00:43:36,980
♪ I wonder should I call you ♪
749
00:43:38,560 --> 00:43:40,270
♪ And get myself a drink ♪
750
00:43:40,350 --> 00:43:42,140
♪ No, no, no ♪
751
00:43:42,770 --> 00:43:44,520
No. Lay off the booze, boy.
752
00:43:45,480 --> 00:43:48,310
♪ 'Cause I'm so tired ♪
753
00:43:49,560 --> 00:43:52,350
♪ I don't know what to do
Don't know what to do ♪
754
00:43:54,060 --> 00:43:56,020
♪ I'm so tired ♪
755
00:43:57,270 --> 00:43:59,190
♪ My mind is set on you ♪
756
00:44:00,310 --> 00:44:01,480
♪ Ah ♪
757
00:44:01,560 --> 00:44:04,190
♪ I wonder should I call you ♪
758
00:44:04,270 --> 00:44:08,060
♪ But I know what you'd do ♪
759
00:44:08,560 --> 00:44:09,560
♪ Oh, no, no ♪
760
00:44:10,150 --> 00:44:11,230
♪ You'd say ♪
761
00:44:12,270 --> 00:44:14,850
♪ I'm putting you on
But it's no joke ♪
762
00:44:15,400 --> 00:44:16,650
Uh, John?
763
00:44:22,730 --> 00:44:25,690
[Paul] How near are we
to getting the stuff in?
764
00:44:25,770 --> 00:44:29,230
[Glyn] Should be in today with any luck.
I've got bits and pieces coming from IBC.
765
00:44:30,190 --> 00:44:34,150
And George's 8-track coming and EMI's gear
should be here either today or tomorrow.
766
00:44:34,230 --> 00:44:36,060
I haven't thought of it like a record yet.
767
00:44:36,150 --> 00:44:38,570
[Glyn] I think the idea of the record
should be a live performance.
768
00:44:38,650 --> 00:44:40,320
The fact it's being recorded
is something--
769
00:44:40,400 --> 00:44:42,980
It's like when I heard
Sgt. Pepper last night.
770
00:44:43,850 --> 00:44:47,390
I thought, "Oh, that-- So that's
what live performances could be like."
771
00:44:47,480 --> 00:44:48,480
[Michael clears throat]
772
00:44:48,560 --> 00:44:51,520
You know, even though that was a lash-up
that wasn't a live performance there.
773
00:44:52,190 --> 00:44:53,570
Good morning.
774
00:44:54,440 --> 00:44:55,440
Hi.
775
00:44:57,350 --> 00:44:59,180
[Ringo] I won't lie. I'm not too good.
776
00:44:59,270 --> 00:45:01,600
[all chuckling]
777
00:45:01,690 --> 00:45:03,400
-[Glyn] Morning.
-[Michael] How are you?
778
00:45:03,480 --> 00:45:05,310
[Paul] Hiya. [chuckles] Good morning.
779
00:45:05,400 --> 00:45:07,570
[Michael] We ought to think this week
sometime about the show.
780
00:45:07,650 --> 00:45:11,030
-[Paul] We are thinking about the show.
-[John] We never stop thinking about it.
781
00:45:11,100 --> 00:45:13,140
-[John] Good morning, George.
-Morning, all.
782
00:45:13,230 --> 00:45:16,690
-It's just a funny day again.
-[Paul] Again?
783
00:45:16,770 --> 00:45:19,770
[Michael] Wouldn't it be nice if
we did this show with a big audience?
784
00:45:19,850 --> 00:45:20,850
[Paul] Yes.
785
00:45:20,940 --> 00:45:23,610
I think we should forget
the whole idea of this show.
786
00:45:23,690 --> 00:45:25,320
[Paul] Yeah, just, that's it. Okay.
787
00:45:26,230 --> 00:45:27,400
I'll go along with that.
788
00:45:28,310 --> 00:45:30,440
-[Michael] We're back--
-[Paul] We're back to square one.
789
00:45:34,980 --> 00:45:37,310
Here comes my recording studio.
790
00:45:37,400 --> 00:45:39,400
[all chuckling]
791
00:45:39,480 --> 00:45:41,400
[George] Who's gonna
look after all this equipment?
792
00:45:41,480 --> 00:45:44,810
'Cause the only thing is,
it is, like, 10,000 quid.
793
00:45:44,900 --> 00:45:47,150
And is Alex going to plug all that up?
794
00:45:47,230 --> 00:45:48,400
[Glyn] Supposedly.
795
00:45:48,480 --> 00:45:50,480
[George Martin]
Now, Alex rang me yesterday, George,
796
00:45:50,560 --> 00:45:53,940
and said that he didn't think
that you needed an 8-track console.
797
00:45:54,020 --> 00:45:55,310
Alex said he can build one.
798
00:45:55,400 --> 00:45:58,190
-Now, the thing is that it might go wrong.
-[George] Yes.
799
00:46:00,350 --> 00:46:01,730
[Michael] Where did you get Alexis from?
800
00:46:01,810 --> 00:46:04,060
[Glyn] He worked for Pye Color Television…
801
00:46:04,150 --> 00:46:06,730
[George] No, he was in England
and John Dunbar asked him
802
00:46:06,810 --> 00:46:09,440
if he'd stay and build a light machine
for The Stones' tour.
803
00:46:09,520 --> 00:46:10,520
[Michael] Yeah.
804
00:46:10,600 --> 00:46:12,100
So he stayed and did that.
805
00:46:12,190 --> 00:46:14,860
Then he met John, and then he met us.
806
00:46:14,940 --> 00:46:16,860
-[Michael] Hmm.
-And he's been there ever since.
807
00:46:16,940 --> 00:46:17,940
[Michael] Hmm. Hmm.
808
00:46:18,020 --> 00:46:21,690
[John] Yeah, I'm not going to tell you the
story about Alex and his foot pedal am I?
809
00:46:21,770 --> 00:46:23,020
[Glyn] Have you actually tried it out or--
810
00:46:23,100 --> 00:46:26,020
You see, the thing is
he just comes across things
811
00:46:26,100 --> 00:46:29,850
and then he says,
"Oh, yeah, I've done this."
812
00:46:29,940 --> 00:46:31,520
But he hasn't actually made it
813
00:46:31,600 --> 00:46:34,810
because he's busy building
recording studios.
814
00:46:34,900 --> 00:46:37,150
[George Martin] I don't think we should
have Alex build one
815
00:46:37,230 --> 00:46:40,900
because it's better to have something
that we know we can use and is reliable.
816
00:46:40,980 --> 00:46:43,560
-[chattering]
-[instruments playing]
817
00:46:47,400 --> 00:46:49,480
[Paul] ♪ Yeah, you wear out your women ♪
818
00:46:49,560 --> 00:46:51,810
♪ Well, you wear them high ♪
819
00:46:54,350 --> 00:46:55,730
♪ They do my woman ♪
820
00:46:55,810 --> 00:46:58,890
♪ Why, why, why, why, why? ♪
821
00:46:58,980 --> 00:47:02,270
♪ My, my, my, my, my, my, my, my, my, my
My imagination ♪
822
00:47:03,850 --> 00:47:07,230
♪ It took me by surprise
In the middle of my conversation ♪
823
00:47:09,440 --> 00:47:12,480
♪ My, my, my, my, my, my, my, my, my, my
My imagination ♪
824
00:47:15,440 --> 00:47:16,650
♪ Conversation… ♪
825
00:47:17,230 --> 00:47:18,560
Something like-- The words, like,
826
00:47:18,650 --> 00:47:22,280
"Love for the first time in my life,
so don't you let it get away."
827
00:47:22,350 --> 00:47:23,810
Uh…
828
00:47:23,900 --> 00:47:26,360
-[George] What are the words?
-"It lasts forever and a day."
829
00:47:27,060 --> 00:47:29,600
Uh, no. "Love for the first time
in my life." Here you go.
830
00:47:29,690 --> 00:47:32,400
♪ I'm in love for the first ♪
831
00:47:32,480 --> 00:47:35,730
♪ Love for the first time in my life ♪
832
00:47:35,810 --> 00:47:37,270
♪ Don't you know it's gonna last ♪
833
00:47:37,350 --> 00:47:38,520
It's nice though. I mean, it's--
834
00:47:38,600 --> 00:47:40,430
What can we do to that bit then, you know?
835
00:47:40,520 --> 00:47:42,100
♪ A dah dah ♪
836
00:47:49,310 --> 00:47:52,730
♪ I'm in love for the first time ♪
837
00:47:58,150 --> 00:48:00,150
♪ In love for the first time ♪
838
00:48:06,400 --> 00:48:08,690
Yeah, it's really like
that's where the piano would come in.
839
00:48:08,770 --> 00:48:10,850
See, would you have piano on it?
840
00:48:10,940 --> 00:48:13,610
[John] Yeah, I like the idea of piano.
But how do we do that?
841
00:48:13,690 --> 00:48:16,610
One of us play bass. George play the bass.
842
00:48:16,690 --> 00:48:18,190
[John] But then there's no guitars.
843
00:48:18,270 --> 00:48:20,100
[Paul] Well, it's either you or him.
844
00:48:20,190 --> 00:48:22,770
Or a bass player or a pianist. You know?
845
00:48:22,850 --> 00:48:24,980
-[John] If we need somebody else…
-[Paul] Yes.
846
00:48:25,060 --> 00:48:28,020
…probably be like a guy
that plays piano all the time.
847
00:48:28,100 --> 00:48:30,480
-[Paul] Somebody like Nicky Hopkins.
-[John] Or anybody. Yeah.
848
00:48:30,980 --> 00:48:35,060
Or if it develops that nothing
need be done on guitar except for rhythm,
849
00:48:35,150 --> 00:48:38,480
then we say, "Well, fuck that.
Two rhythms. We'll have one piano."
850
00:48:38,560 --> 00:48:41,690
[Paul] Okay, well, we'll play the rhythms
with the guitars anyway.
851
00:48:41,770 --> 00:48:43,730
[vocalizing]
852
00:48:43,810 --> 00:48:46,730
[John] I was thinking
about this whole three mics bit.
853
00:48:46,810 --> 00:48:48,060
Do you think we should?
854
00:48:50,100 --> 00:48:54,890
I was watching that pop show on BBC2.
The Move were on.
855
00:48:54,980 --> 00:48:58,610
You know that one little voice there
doing harmony, one little voice there.
856
00:48:58,690 --> 00:49:01,400
They never joined into a group.
857
00:49:01,980 --> 00:49:06,310
♪ Nobody ever loved me
Like she do me ♪
858
00:49:07,770 --> 00:49:09,900
♪ Ooh, she does me ♪
859
00:49:10,690 --> 00:49:12,440
♪ Yes, she does ♪
860
00:49:15,020 --> 00:49:20,480
♪ And if somebody ever loved me
Like she do me ♪
861
00:49:21,100 --> 00:49:23,270
-[Paul] ♪ Oh ♪
-♪ Yes, she do me ♪
862
00:49:23,350 --> 00:49:24,810
[Paul vocalizes]
863
00:49:24,900 --> 00:49:26,440
♪ Yes, she does ♪
864
00:49:29,440 --> 00:49:31,650
[Paul] It should be, like,
a sustained thing over that.
865
00:49:31,730 --> 00:49:34,940
♪ Nobody ever loved me like she ♪
866
00:49:35,020 --> 00:49:37,020
[scatting]
867
00:49:41,310 --> 00:49:43,770
So, George, so that we can split up,
868
00:49:43,850 --> 00:49:48,560
so that you're, like, doing the chords,
like a "Ave Maria" thing.
869
00:49:48,650 --> 00:49:49,780
Yeah.
870
00:49:51,600 --> 00:49:52,600
♪ Yes, she does ♪
871
00:49:52,690 --> 00:49:54,770
-[scatting]
-Tell me--
872
00:49:56,730 --> 00:49:57,900
[imitates drumbeat]
873
00:49:57,980 --> 00:49:59,270
Like on the tom-toms--
874
00:49:59,350 --> 00:50:02,350
[imitating drumbeat]
875
00:50:08,100 --> 00:50:09,180
You know what I mean?
876
00:50:10,230 --> 00:50:11,230
Yeah, so it goes--
877
00:50:11,310 --> 00:50:14,850
There's a point where we'll have to
concentrate on the guitar
878
00:50:14,940 --> 00:50:17,480
for each song, you know, where,
if it's going to play anything.
879
00:50:17,560 --> 00:50:19,980
But if it's
"I'm in love for the first time."
880
00:50:20,060 --> 00:50:21,690
And I'm doing, uh…
881
00:50:23,020 --> 00:50:26,810
♪ I'm in love for the first time ♪
882
00:50:26,900 --> 00:50:29,440
♪ For the first time in my life ♪
883
00:50:29,520 --> 00:50:31,400
♪ And you know it's gonna last ♪
884
00:50:31,480 --> 00:50:33,940
[Paul] It's nice though.
I mean, corny's all right in this one.
885
00:50:34,020 --> 00:50:35,560
'Cause what he's doing is corny.
886
00:50:35,650 --> 00:50:38,190
But it-- See, that's the thing
that will make it not corny,
887
00:50:38,270 --> 00:50:40,650
if we sing different words. So, you say…
888
00:50:40,730 --> 00:50:42,310
♪ I'm in love for the first time ♪
889
00:50:42,400 --> 00:50:45,530
♪ Love for the first time in my life ♪
890
00:50:45,600 --> 00:50:47,600
Wait, okay. But roughly…
891
00:50:47,690 --> 00:50:50,480
Okay, well, we'll do that.
That comes later. So…
892
00:50:50,560 --> 00:50:52,560
-Just start off with a corny one.
-[John] Yeah.
893
00:50:52,650 --> 00:50:54,360
'Cause the words aren't that good.
So it goes…
894
00:50:54,440 --> 00:50:56,230
♪ I'm in love for the first ♪
895
00:50:56,310 --> 00:50:58,810
♪ Love for the first time… ♪
896
00:50:58,900 --> 00:51:02,320
[John] I think the words should be corny
'cause there's no clever words in it.
897
00:51:05,600 --> 00:51:08,310
♪ I'm in love for the first time ♪
898
00:51:08,400 --> 00:51:11,400
♪ La la la la la la la ♪
899
00:51:11,480 --> 00:51:13,150
♪ Don't you know it's… ♪
900
00:51:13,230 --> 00:51:15,110
-[Paul] You see, we should--
-[John] Yeah, change the beat.
901
00:51:15,190 --> 00:51:18,360
[Paul] Should be different beat
and all on to light things and cymbals.
902
00:51:18,440 --> 00:51:22,650
Yeah. [imitating drumbeat]
903
00:51:28,100 --> 00:51:29,480
Arthur Alexander then?
904
00:51:29,560 --> 00:51:31,310
[Paul] Okay, do it from the beginning.
905
00:51:31,400 --> 00:51:34,190
[John]
♪ I'm in love for the first time ♪
906
00:51:34,270 --> 00:51:37,690
[Paul, George]
♪ Love for the first time in my life ♪
907
00:51:37,770 --> 00:51:40,850
♪ Don't you know it's gonna last ♪
908
00:51:40,940 --> 00:51:43,860
♪ Don't you know it's gonna last ♪
909
00:51:43,940 --> 00:51:46,690
♪ It's a love that lasts forever ♪
910
00:51:47,440 --> 00:51:50,690
♪ It's a love that lasts forever ♪
911
00:51:50,770 --> 00:51:53,310
♪ It's a love that has no past ♪
912
00:51:56,850 --> 00:51:59,310
[George] It sounds like the same old shit.
913
00:51:59,400 --> 00:52:02,230
Well, I like the same old shit
if it's just clear, you know?
914
00:52:04,810 --> 00:52:09,140
Okay, so how about-- how about
changing around these two?
915
00:52:09,230 --> 00:52:11,560
And when you sing,
"Don't you know it's gonna last,"
916
00:52:11,650 --> 00:52:13,280
we sing, "It's a love that has no past."
917
00:52:13,350 --> 00:52:17,730
Then he sings it, and then we repeat,
"It's a love that lasts forever," exactly.
918
00:52:17,810 --> 00:52:19,560
When you sing,
"It's a love that has no past,"
919
00:52:19,650 --> 00:52:21,440
we sing, "It's a love that's gonna last."
920
00:52:21,520 --> 00:52:24,520
-Yes. I agree.
-Okay, so…
921
00:52:24,600 --> 00:52:25,730
♪ I'm in love for the-- ♪
922
00:52:25,810 --> 00:52:27,600
"Love for the first time in my life."
923
00:52:28,270 --> 00:52:30,730
"It's a love that has no past."
924
00:52:30,810 --> 00:52:32,190
Swap that one for the other,
925
00:52:32,270 --> 00:52:34,520
so that when he's singing that,
we're singing the other.
926
00:52:34,600 --> 00:52:36,180
Then, "It's a love that lasts forever."
927
00:52:36,270 --> 00:52:38,810
Repeat that, even though
it sounds funny. It'll be all right.
928
00:52:38,900 --> 00:52:40,730
And then,
"Don't you know it's gonna last."
929
00:52:40,810 --> 00:52:42,520
Just try it through roughly.
930
00:52:43,480 --> 00:52:45,690
-♪ I'm in love ♪
-♪ Dah dah ♪
931
00:52:46,270 --> 00:52:47,270
♪ Don't-- ♪
932
00:52:47,850 --> 00:52:49,770
♪ I'm in love for the first time ♪
933
00:52:49,850 --> 00:52:53,060
♪ Love for the first time in my life ♪
934
00:52:53,150 --> 00:52:56,190
♪ Don't you know it's gonna last ♪
935
00:52:56,270 --> 00:52:59,190
♪ It's a love that has no past ♪
936
00:52:59,270 --> 00:53:02,060
♪ It's a love that lasts forever ♪
937
00:53:03,560 --> 00:53:05,350
[George]
Yeah, well, that time it was just silly.
938
00:53:05,440 --> 00:53:06,730
[John] What's the bones of the part?
939
00:53:06,810 --> 00:53:08,390
We don't really know
what we're saying now.
940
00:53:08,480 --> 00:53:09,400
♪ Love for the first… ♪
941
00:53:09,480 --> 00:53:11,690
-[Paul] It was always weak on your guitar…
-Yeah, sure.
942
00:53:11,770 --> 00:53:13,270
…'cause that's a weak bit
of the song, that.
943
00:53:13,350 --> 00:53:16,560
-But you see, nothing has to happen…
-Yeah, it's the same bit.
944
00:53:16,650 --> 00:53:17,900
…in those things.
945
00:53:19,190 --> 00:53:21,860
-If you listen to the words and things…
-Yeah, right, nothing does.
946
00:53:21,940 --> 00:53:24,230
…all that's going on
is the bass, guitar and drums doing…
947
00:53:24,310 --> 00:53:25,600
[Paul] ♪ I'm in love for the… ♪
948
00:53:25,690 --> 00:53:27,900
It doesn't really make that much odds--
No, but--
949
00:53:35,310 --> 00:53:36,940
[Paul] ♪ Love for the first time ♪
950
00:53:40,400 --> 00:53:44,150
♪ Don't you know it's gonna last ♪
951
00:53:46,690 --> 00:53:49,360
♪ It's a love that lasts forever ♪
952
00:53:52,770 --> 00:53:56,270
♪ It's a love that has no past ♪
953
00:54:00,400 --> 00:54:03,110
-[Paul] Yeah. All right?
-Yeah.
954
00:54:03,190 --> 00:54:06,150
That's the only time that works, really,
is on the last line.
955
00:54:06,230 --> 00:54:08,650
-Paul, forget the last line.
-I'm just trying to get a bit--
956
00:54:08,730 --> 00:54:10,980
We'll try to sort of go right through.
We keep talking about it.
957
00:54:11,060 --> 00:54:13,350
-[George] It seems we're saying…
-Okay, girls.
958
00:54:16,020 --> 00:54:18,350
-Give in. I give in.
-You're right that it's wrong on that bit.
959
00:54:18,440 --> 00:54:20,230
You see, the first song is not bad.
960
00:54:20,310 --> 00:54:23,600
[Paul] Okay. Okay, we'll just repeat
exactly what you say.
961
00:54:23,690 --> 00:54:26,110
One, two, three.
962
00:54:26,190 --> 00:54:29,270
♪ I'm in love for the first time ♪
963
00:54:29,350 --> 00:54:32,390
♪ For the first time in my life ♪
964
00:54:32,480 --> 00:54:35,440
♪ Don't you know it's gonna last ♪
965
00:54:35,520 --> 00:54:38,600
♪ Don't you know it's gonna last ♪
966
00:54:38,690 --> 00:54:41,860
♪ It's a love that lasts forever ♪
967
00:54:41,940 --> 00:54:44,940
♪ It's a love that lasts forever ♪
968
00:54:45,020 --> 00:54:48,190
♪ It's a love that has no past ♪
969
00:54:48,270 --> 00:54:51,560
♪ It's a love that has no past ♪
970
00:54:52,100 --> 00:54:54,310
♪ Don't let me down ♪
971
00:54:54,400 --> 00:54:58,400
Okay. Okay, that's-- that's all right.
That's--
972
00:54:58,480 --> 00:55:00,520
-[John] Yes, I can't hear you.
-[George] Right.
973
00:55:00,600 --> 00:55:01,730
No.
974
00:55:01,810 --> 00:55:04,190
[George] I think it's awful, actually.
975
00:55:04,270 --> 00:55:05,520
[Paul] We're gonna improve on that--
976
00:55:05,600 --> 00:55:08,520
If we had a tape recorder now and then
just taped that and played it back,
977
00:55:08,600 --> 00:55:10,730
-you'd throw that out straightaway.
-[Paul] Yeah, right, but--
978
00:55:10,810 --> 00:55:12,690
-[Glyn] Yeah.
-No, really.
979
00:55:12,770 --> 00:55:14,850
-You'd throw it out, right? I mean…
-Yeah, sure. Okay.
980
00:55:18,190 --> 00:55:19,900
Well, for a start
it would be better to sing…
981
00:55:19,980 --> 00:55:21,940
-[plays tune]
-Instead of…
982
00:55:22,520 --> 00:55:23,520
♪ Ah ♪
983
00:55:23,600 --> 00:55:26,730
Yeah, see, but in a way,
that's even cornier, I think.
984
00:55:26,810 --> 00:55:29,060
That little harmony bit.
It's just too pretty.
985
00:55:29,150 --> 00:55:31,780
♪ It's a love that lasts forever ♪
986
00:55:32,350 --> 00:55:34,810
-Just anything would be--
-Yeah, well, that's-- It's the--
987
00:55:34,900 --> 00:55:37,320
I think you should
just get a corny one first
988
00:55:37,400 --> 00:55:39,530
and then start doing roundups.
989
00:55:39,600 --> 00:55:42,640
You know, you'll start getting
the rhythm to it, something, or change it.
990
00:55:42,730 --> 00:55:46,190
♪ Don't you know it's gonna last ♪
991
00:55:46,270 --> 00:55:47,650
[vocalizes]
992
00:55:47,730 --> 00:55:51,400
You know, we've just gone round, like,
for an hour with nothing in our heads.
993
00:55:51,480 --> 00:55:55,270
-Just… And we're back, so let's--
-We've been through a lot of permutations.
994
00:55:55,350 --> 00:55:57,480
Yeah, I know,
but let's move-- sort of move on now.
995
00:55:58,770 --> 00:55:59,940
[Michael] Today's the sixth.
996
00:56:00,020 --> 00:56:01,150
-What is it?
-[Michael] Yeah.
997
00:56:04,480 --> 00:56:06,020
We haven't done many yet.
998
00:56:12,480 --> 00:56:13,610
Yeah.
999
00:56:13,690 --> 00:56:16,110
♪ Two of us riding nowhere ♪
1000
00:56:16,190 --> 00:56:17,190
[Paul] Okay, now…
1001
00:56:17,270 --> 00:56:19,480
-Am I singing on this or what?
-I don't know, really.
1002
00:56:20,900 --> 00:56:23,360
"Two Of Us"?
You have to remember the words too.
1003
00:56:23,440 --> 00:56:25,230
Yes, I've got 'em here.
1004
00:56:25,310 --> 00:56:26,350
But learn 'em.
1005
00:56:27,560 --> 00:56:28,770
I almost know 'em.
1006
00:56:29,350 --> 00:56:33,770
♪ On our way back ♪
1007
00:56:34,850 --> 00:56:36,600
♪ On our way home ♪
1008
00:56:37,350 --> 00:56:38,350
See, look.
1009
00:56:38,440 --> 00:56:39,520
♪ On our way home ♪
1010
00:56:39,600 --> 00:56:40,770
Listen, now.
1011
00:56:40,850 --> 00:56:43,730
See, we're gonna have to sort of bring it
together, 'cause we're all at odds.
1012
00:56:43,810 --> 00:56:45,690
We're doing that thing
we did on The Beatles.
1013
00:56:45,770 --> 00:56:49,230
Like, in this verse, it's two harmonies
singing, trying to say some words, right?
1014
00:56:51,270 --> 00:56:52,980
It's not sounding together.
1015
00:56:54,730 --> 00:56:57,150
Or we can stop and say it's not together.
1016
00:57:03,560 --> 00:57:04,640
[John] When you just get them?
1017
00:57:04,730 --> 00:57:08,150
No, not really, it's just--
We've got to be imaginative.
1018
00:57:08,230 --> 00:57:12,150
You know, like--
It's like-- It's complicated now, so it…
1019
00:57:13,100 --> 00:57:16,230
See, if we can get it simpler
and then complicate it
1020
00:57:16,310 --> 00:57:19,600
where it needs complications,
but it's complicated in the bit--
1021
00:57:31,520 --> 00:57:33,230
[Paul] But you know what I mean?
1022
00:57:33,310 --> 00:57:36,640
Well, you know, we do this then.
Then we-- And then, I don't know.
1023
00:57:38,270 --> 00:57:39,270
Yeah.
1024
00:57:40,270 --> 00:57:41,850
I can't do it on film either.
1025
00:57:42,770 --> 00:57:45,060
Can't frickin' do it on camera.
1026
00:57:46,560 --> 00:57:47,770
Yeah.
1027
00:57:48,600 --> 00:57:50,520
[John] Forget about Candid Camera.
1028
00:57:55,980 --> 00:57:58,270
And I have been for,
like, a couple of years.
1029
00:57:58,350 --> 00:57:59,730
It's like I always sound--
1030
00:57:59,810 --> 00:58:03,440
I always feel as though I'm trying
to put you down and stop you playing.
1031
00:58:03,520 --> 00:58:06,560
But I'm not.
I'm trying to stop us all playing
1032
00:58:06,650 --> 00:58:08,440
until we know what we're playing.
1033
00:58:08,520 --> 00:58:11,730
[George] But you've got to play in order
to find which fits and which doesn't.
1034
00:58:11,810 --> 00:58:14,140
-[Paul] Mmm.
-[George] You see that's all we can do.
1035
00:58:14,230 --> 00:58:16,480
I don't wanna say it,
'cause I really just hear myself
1036
00:58:16,560 --> 00:58:19,060
as being the only one saying it, always.
1037
00:58:19,150 --> 00:58:21,360
And like, the three of you
just sort of sit there, like…
1038
00:58:21,440 --> 00:58:23,900
"Oh, he's saying that one again is he?"
1039
00:58:23,980 --> 00:58:26,440
And I never get any support, or anything.
1040
00:58:26,520 --> 00:58:28,560
So I just think, "Oh, well. Fuck it."
1041
00:58:28,650 --> 00:58:31,610
And I know it's right,
and you know it's right.
1042
00:58:31,690 --> 00:58:33,980
Yes, all right.
I just don't know what to do about it.
1043
00:58:34,060 --> 00:58:37,690
But doesn't everyone agree
that it's confused at the moment.
1044
00:58:37,770 --> 00:58:40,600
So, all I'm trying to say is,
we've only got 12 more days,
1045
00:58:40,690 --> 00:58:44,320
so, like, you know, we've really got to
do this methodically, this one.
1046
00:58:44,400 --> 00:58:45,650
Well, it's annoying, you know?
1047
00:58:53,310 --> 00:58:55,520
It's like a matter of
working it out with you
1048
00:58:55,600 --> 00:58:57,480
while you're working your bit out.
1049
00:58:57,560 --> 00:58:59,730
You know, have you got your bass bit?
1050
00:58:59,810 --> 00:59:01,810
[Paul] Look. You know, you--
1051
00:59:01,900 --> 00:59:04,280
You're doing it again
as though I'm trying to say that.
1052
00:59:04,350 --> 00:59:06,980
And what we said the other day,
you know I'm not trying to get you.
1053
00:59:07,060 --> 00:59:10,810
What I really am trying to just say,
"Look lads, the band,
1054
00:59:10,900 --> 00:59:15,400
shall we try it like this, you know?"
1055
00:59:15,480 --> 00:59:18,110
It's funny though
how it only occurs when the--
1056
00:59:18,190 --> 00:59:20,520
It's like, "Shall we play guitar
all through 'Hey Jude'?"
1057
00:59:20,600 --> 00:59:22,850
-Well, I don't think we should.
-Yeah. Okay, well, I don't mind.
1058
00:59:22,940 --> 00:59:25,570
I'll-- I'll play, you know,
whatever you want me to play.
1059
00:59:25,650 --> 00:59:28,070
Or I won't play at all
if you don't want me to play.
1060
00:59:28,150 --> 00:59:31,650
Now, whatever it is that will please you,
I'll do it.
1061
00:59:43,600 --> 00:59:45,520
-But do you wanna take the gallop?
-No, okay, but don't--
1062
00:59:45,600 --> 00:59:46,600
Now come on. Look--
1063
00:59:46,690 --> 00:59:49,190
We've gotta do this.
We've really gotta sort out this,
1064
00:59:49,270 --> 00:59:53,150
'cause we're rehearsing, and we're trying
to, like, get it together for the TV show.
1065
00:59:53,230 --> 00:59:56,520
So we really-- Like you said,
we've only been through four numbers.
1066
00:59:57,730 --> 01:00:01,440
So we probably gotta get some system
to get through, like, 20 or 30,
1067
01:00:01,520 --> 01:00:03,190
and know them all and have learnt them.
1068
01:00:03,270 --> 01:00:05,150
So that we get all the chords.
1069
01:00:05,230 --> 01:00:07,690
-So we can all vamp them all.
-Yeah.
1070
01:00:07,770 --> 01:00:10,400
Then we can, like,
all play every solo we need.
1071
01:00:10,480 --> 01:00:13,230
But, like,
it's gotta sound as though it's improving.
1072
01:00:22,520 --> 01:00:24,560
[Paul] Yeah, I know what you mean.
1073
01:00:24,650 --> 01:00:28,400
It's just that that way of doing it
puts me off the way I'm trying to do it.
1074
01:00:36,020 --> 01:00:37,020
[Paul] Yeah.
1075
01:00:37,730 --> 01:00:39,110
Let's do another song.
1076
01:00:44,020 --> 01:00:45,600
This is why we take so long.
1077
01:00:46,770 --> 01:00:50,480
I think we play it shitty ten times,
and so it's sort of in there.
1078
01:00:50,560 --> 01:00:53,140
And then I think we could come
and play it quite good then.
1079
01:00:59,730 --> 01:01:00,730
[Paul chuckles]
1080
01:01:04,900 --> 01:01:09,570
♪ On our way back home ♪
1081
01:01:09,650 --> 01:01:12,820
[vocalizes]
1082
01:01:12,900 --> 01:01:14,860
♪ On our way back… ♪
1083
01:01:14,940 --> 01:01:16,690
I'll have to tune my guitar.
1084
01:01:16,770 --> 01:01:18,980
[vocalizes]
1085
01:01:20,100 --> 01:01:23,730
It's got to just drive along like a car.
So how do we do that?
1086
01:01:24,650 --> 01:01:29,320
It was turning heavier.
Do you want it more countryish or more…
1087
01:01:31,900 --> 01:01:34,190
I can't talk anymore, I really can't.
1088
01:01:38,230 --> 01:01:42,730
♪ On our way back home ♪
1089
01:01:42,810 --> 01:01:45,850
Two, three, four, five, six, seven, eight.
1090
01:01:45,940 --> 01:01:50,770
♪ On our way back home ♪
1091
01:01:53,480 --> 01:01:57,360
♪ On our way back home ♪
1092
01:01:57,440 --> 01:01:59,610
[vocalizes]
1093
01:02:02,940 --> 01:02:04,610
[vocalizes]
1094
01:02:04,690 --> 01:02:06,320
-[George] But it comes--
-[John] Then just end on D.
1095
01:02:06,400 --> 01:02:08,610
-[George] It could end on G for that one.
-[Paul] G.
1096
01:02:08,690 --> 01:02:10,570
[Paul vocalizes]
1097
01:02:17,980 --> 01:02:20,060
[chatter, laughter]
1098
01:02:20,150 --> 01:02:21,860
[Ringo] ♪ Mondays on the road ♪
1099
01:02:21,940 --> 01:02:24,480
-[George] It's like Lyme Street Station.
-[Ringo] What?
1100
01:02:24,560 --> 01:02:26,890
It reminds me a bit
of Lyme Street Station.
1101
01:02:29,520 --> 01:02:31,310
[indistinct]
1102
01:02:35,100 --> 01:02:37,350
[Ringo]
Between 10:00 and 11:00 is the time.
1103
01:02:37,440 --> 01:02:39,150
[Paul] Thinking of getting rid of him.
1104
01:02:39,230 --> 01:02:40,730
[Ringo] I'm never late.
1105
01:02:40,810 --> 01:02:43,060
He's never late.
He's a bloody pro, is Ringo.
1106
01:02:45,230 --> 01:02:48,650
You're playing that bass again. [laughs]
1107
01:02:48,730 --> 01:02:52,310
Peter, can we have a Binson echo unit
for these microphones, please?
1108
01:02:52,400 --> 01:02:54,110
[George]
I think we could have better mics.
1109
01:02:54,190 --> 01:02:55,980
[Paul]
We could have better mics too, Peter.
1110
01:02:56,060 --> 01:02:57,730
-You know, those big Neumanns.
-[Michael] Yeah.
1111
01:03:00,770 --> 01:03:03,350
-Yes.
-We might, Michael. That's quite true.
1112
01:03:03,440 --> 01:03:04,360
[chuckles]
1113
01:03:04,440 --> 01:03:06,480
[upbeat song playing]
1114
01:03:07,980 --> 01:03:13,980
♪ Ooh, ooh, ooh ♪
1115
01:03:18,100 --> 01:03:22,480
♪ Ooh, ooh, ooh ♪
1116
01:03:26,400 --> 01:03:29,980
♪ Ooh, ooh, ooh ♪
1117
01:03:33,900 --> 01:03:35,190
♪ Ooh, ooh ♪
1118
01:03:35,270 --> 01:03:38,730
[vocalizing to "Get Back"]
1119
01:03:54,650 --> 01:03:57,820
[vocalizing continues]
1120
01:04:16,060 --> 01:04:19,060
♪ Don't you know it's gonna last? ♪
1121
01:04:20,850 --> 01:04:23,850
[vocalizing continues]
1122
01:04:45,650 --> 01:04:49,570
[vocalizing continues]
1123
01:04:49,650 --> 01:04:53,440
[George] Yeah. It's good-- It's,
you know-- Musically and that, it's great.
1124
01:04:54,650 --> 01:04:55,780
[clapping rhythmically]
1125
01:04:59,810 --> 01:05:01,520
[vocalizes]
1126
01:05:03,150 --> 01:05:06,690
♪ Get back, get back ♪
1127
01:05:06,770 --> 01:05:09,600
♪ Get back to where you once belonged ♪
1128
01:05:10,730 --> 01:05:14,520
♪ Get back, get back ♪
1129
01:05:14,600 --> 01:05:17,390
♪ Get back to where you once belonged ♪
1130
01:05:18,440 --> 01:05:19,940
[vocalizes]
1131
01:05:20,600 --> 01:05:22,640
♪ He thought she was a woman ♪
1132
01:05:22,730 --> 01:05:24,980
♪ But she was another man ♪
1133
01:05:26,440 --> 01:05:30,230
♪ All the folks around
Thought she had it coming ♪
1134
01:05:30,310 --> 01:05:33,560
♪ But she gets it while she can, oh ♪
1135
01:05:33,650 --> 01:05:36,730
♪ Get back, get back ♪
1136
01:05:38,060 --> 01:05:40,600
♪ Back to where you once belonged ♪
1137
01:05:41,730 --> 01:05:44,270
♪ Get back, get back ♪
1138
01:05:45,350 --> 01:05:48,230
♪ Get back to where you once belonged ♪
1139
01:05:49,520 --> 01:05:51,190
[vocalizes]
1140
01:05:51,270 --> 01:05:53,480
♪ Yeah, she thought she was a woman ♪
1141
01:05:53,560 --> 01:05:56,060
♪ But she was another man ♪
1142
01:05:57,400 --> 01:06:01,280
♪ All the folk around said
"She thought she had it coming" ♪
1143
01:06:01,350 --> 01:06:04,980
♪ But she gets it while she can, oh ♪
1144
01:06:05,060 --> 01:06:07,690
♪ Get back, hey, get back ♪
1145
01:06:09,020 --> 01:06:11,650
♪ Get back to where you once belonged ♪
1146
01:06:12,810 --> 01:06:15,940
♪ Get back, get back ♪
1147
01:06:16,770 --> 01:06:19,980
♪ Get back to where you once belonged ♪
1148
01:06:20,770 --> 01:06:23,600
♪ Get back, get back ♪
1149
01:06:24,850 --> 01:06:27,810
♪ Get back to where you once belonged ♪
1150
01:06:28,650 --> 01:06:31,650
♪ Get back, get back ♪
1151
01:06:32,650 --> 01:06:35,480
♪ Get back to where you once belonged ♪
1152
01:06:36,400 --> 01:06:37,650
♪ Oh ♪
1153
01:06:42,650 --> 01:06:45,610
I mean, at the moment, we're just
rehearsing the numbers for the show.
1154
01:06:45,690 --> 01:06:48,690
None of us has had the idea
of what the show is gonna be yet.
1155
01:06:57,810 --> 01:06:58,980
Yeah. Right. Yeah.
1156
01:06:59,060 --> 01:07:01,390
[Michael] And that's why, uh…
1157
01:07:02,400 --> 01:07:04,730
I think if you all have decided
to do a show,
1158
01:07:04,810 --> 01:07:06,230
then it should be the best show.
1159
01:07:09,770 --> 01:07:10,770
Know what I mean?
1160
01:07:10,850 --> 01:07:13,480
[Paul] The only thing
about that though, is that, uh,
1161
01:07:14,310 --> 01:07:15,440
we don't want to go away.
1162
01:07:15,520 --> 01:07:17,190
[Michael]
Think of the lights in the water.
1163
01:07:17,270 --> 01:07:19,770
Torch-lit. 2,000 Arabs.
1164
01:07:19,850 --> 01:07:22,270
-I mean, visually, it is fantastic.
-[Paul] But we're not going away.
1165
01:07:22,350 --> 01:07:24,180
[Michael] My trouble is…
1166
01:07:31,690 --> 01:07:33,070
We could make it like requests.
1167
01:07:33,150 --> 01:07:35,730
[Paul] We should do the show
in a place we're not allowed to do it.
1168
01:07:35,810 --> 01:07:38,140
You know, like, we should trespass,
go in, set up,
1169
01:07:38,230 --> 01:07:40,690
and then get moved,
and that should be the show.
1170
01:07:40,770 --> 01:07:44,100
I mean, you know,
if you put us in the Houses of Parliament,
1171
01:07:44,190 --> 01:07:46,650
playing in the main gallery
at the Houses of Parliament,
1172
01:07:46,730 --> 01:07:48,400
and getting forcibly ejected,
1173
01:07:48,480 --> 01:07:50,900
still trying to play numbers,
and the police lifting you…
1174
01:07:50,980 --> 01:07:52,650
[Michael]
I think that's too much of an obstacle.
1175
01:07:52,730 --> 01:07:54,400
♪ She came in
Through the bathroom window ♪
1176
01:07:57,060 --> 01:08:00,600
[laughs] Scuffling with the coppers,
boots and truncheons and all that.
1177
01:08:00,690 --> 01:08:02,610
You have to take a bit of violence.
1178
01:08:02,690 --> 01:08:03,980
I think that's too dangerous.
1179
01:08:12,850 --> 01:08:14,560
But I don't mean for really sick kids.
1180
01:08:14,650 --> 01:08:16,730
I mean for kids with broken legs.
1181
01:08:16,810 --> 01:08:20,480
I mean, really, kind of,
1944 Hollywood musical Bing Crosby kids.
1182
01:08:20,560 --> 01:08:24,230
[Paul] Or in a hospital,
they can't all get up and walk. [laughs]
1183
01:08:24,310 --> 01:08:26,190
Except for the finale.
1184
01:08:26,270 --> 01:08:27,310
[Michael] Oh, yes!
1185
01:08:27,400 --> 01:08:30,570
[Paul] When John walks up to
the little girl and says, "Come here."
1186
01:08:30,650 --> 01:08:32,230
And she gets up and walks.
1187
01:08:32,310 --> 01:08:34,890
[Michael] Or maybe an orphans' home?
An orphans' home.
1188
01:08:34,980 --> 01:08:37,150
Children are the hope
of the future department.
1189
01:08:37,810 --> 01:08:39,980
What about an orphanage?
1190
01:08:40,060 --> 01:08:41,440
How does that grab you guys?
1191
01:08:41,520 --> 01:08:44,770
It's like, "Going once, going twice,
going three times and that's it."
1192
01:08:44,850 --> 01:08:45,850
[Paul] No.
1193
01:08:47,060 --> 01:08:49,310
[Michael] Orphanage--
Orphanage going downhill.
1194
01:08:54,400 --> 01:08:56,230
What's the biggest charity in the world?
1195
01:08:56,310 --> 01:08:57,440
I don't mean in terms of polio,
1196
01:08:57,520 --> 01:08:59,600
but what's the most charitable thing
anybody could do?
1197
01:08:59,690 --> 01:09:00,690
[George] They say--
1198
01:09:00,770 --> 01:09:04,020
Don't they say, "Charity begins at home"?
1199
01:09:04,100 --> 01:09:06,100
-[all laugh]
-[Paul] We'll do it at George's house.
1200
01:09:06,190 --> 01:09:08,230
[all laugh]
1201
01:09:10,850 --> 01:09:14,890
[Paul] We gotta have some serious reason
for doing this or else we won't.
1202
01:09:16,440 --> 01:09:17,610
What's it for?
1203
01:09:17,690 --> 01:09:19,440
Can't be for the money.
1204
01:09:19,520 --> 01:09:22,900
I've decided the whole point of it
is communication.
1205
01:09:22,980 --> 01:09:25,360
And to be on TV is communication.
1206
01:09:25,440 --> 01:09:28,980
We've got a chance to smile at people,
like "All You Need Is Love."
1207
01:09:29,060 --> 01:09:31,980
But-- So that's me incentive for doing it.
1208
01:09:39,400 --> 01:09:43,650
The worst that we have is
a documentary of us making an LP
1209
01:09:43,730 --> 01:09:45,110
if we don't get into a show.
1210
01:09:45,190 --> 01:09:46,860
But we haven't played together, you see.
1211
01:09:46,940 --> 01:09:48,230
That's the fucking thing.
1212
01:09:48,310 --> 01:09:50,140
But when we do come together to play,
1213
01:09:50,230 --> 01:09:52,520
we all just sort of talk
about the fucking past!
1214
01:09:52,600 --> 01:09:54,350
We're like old age pensioners.
1215
01:09:54,440 --> 01:09:56,570
"Remember the days when we used to rock?"
1216
01:09:56,650 --> 01:09:59,780
You know, but we're here now,
and we can do it, you know?
1217
01:09:59,850 --> 01:10:02,980
But, I mean, all I want to see
is enthusiasm!
1218
01:10:04,310 --> 01:10:08,560
See, the thing is also I get to a bit
where I just sort of push all my ideas.
1219
01:10:08,650 --> 01:10:13,570
You know, I mean, a lot will come out
of it if we could get the enthusiasm.
1220
01:10:13,650 --> 01:10:17,940
I mean, why are you here?
I'm here 'cause I wanna do a show.
1221
01:10:18,020 --> 01:10:21,020
But I really don't feel
an awful lot of support.
1222
01:10:21,100 --> 01:10:24,520
We keep coming up against that one,
and I keep saying,
1223
01:10:24,600 --> 01:10:26,640
"Yeah well,
I'd like to do this, this and that."
1224
01:10:26,730 --> 01:10:30,860
And we end up doing something again
that nobody really wants to do.
1225
01:10:30,940 --> 01:10:32,860
If this one turns into that,
1226
01:10:32,940 --> 01:10:35,110
it should definitely be
the last for all of us.
1227
01:10:35,190 --> 01:10:36,770
Because there just isn't any point.
1228
01:10:36,850 --> 01:10:39,480
[Michael] I think that'd be sad.
I mean, as an audience. That'd be sad.
1229
01:10:39,560 --> 01:10:41,980
Course it is!
It's stupid. It is just stupid.
1230
01:10:42,940 --> 01:10:46,230
You see, the people who are being stupid
are the four of us.
1231
01:10:50,650 --> 01:10:52,110
…which it always is.
1232
01:10:52,190 --> 01:10:57,190
The Beatles have been in doldrums
for at least a year.
1233
01:10:58,060 --> 01:11:02,140
Ever since Mr. Epstein passed away,
it's never been the same.
1234
01:11:02,230 --> 01:11:04,900
I mean, we've been very negative
since Mr. Epstein passed away.
1235
01:11:04,980 --> 01:11:08,980
And that's why all of us, in turn,
have been sick of the group.
1236
01:11:09,060 --> 01:11:10,690
It's discipline we lack.
1237
01:11:10,770 --> 01:11:11,810
We've never had discipline.
1238
01:11:11,900 --> 01:11:14,650
We had a sort of slight,
symbolic discipline.
1239
01:11:14,730 --> 01:11:16,190
Like Mr. Epstein.
1240
01:11:16,270 --> 01:11:19,440
You know, and he sort of said,
"Get suits on," and we did.
1241
01:11:19,520 --> 01:11:22,940
You know, and so we were always fighting
that discipline a bit.
1242
01:11:23,020 --> 01:11:24,060
[all chuckle]
1243
01:11:24,150 --> 01:11:28,280
There really is no one there now
to say, "Do it."
1244
01:11:28,350 --> 01:11:29,980
Whereas there always used to be.
1245
01:11:30,060 --> 01:11:34,730
Daddy's gone away now,
and we're on our own at the holiday camp.
1246
01:11:34,810 --> 01:11:38,980
I think we either go home or we do it.
1247
01:11:43,900 --> 01:11:46,440
I think we've got a bit shy, you know?
1248
01:11:46,520 --> 01:11:50,810
I think I've got a bit shy
of certain things, you know?
1249
01:11:50,900 --> 01:11:53,570
'Cause you know how often, like, on albums
we sometimes blow one of your songs,
1250
01:11:53,650 --> 01:11:55,360
'cause we come in in the wrong mood.
1251
01:11:55,440 --> 01:11:58,270
And you say,
"This is how it goes. I'll be back."
1252
01:11:58,350 --> 01:12:01,310
And we're all just,
"Oh, well you…" [scats]
1253
01:12:01,400 --> 01:12:04,360
[Michael] That's why we're wrong
to throw away the show.
1254
01:12:04,440 --> 01:12:05,980
Because there's no desire.
1255
01:12:06,690 --> 01:12:09,270
[Paul] So it's like,
if we're doing the show,
1256
01:12:09,350 --> 01:12:11,020
we're gonna have to work hard.
1257
01:12:11,810 --> 01:12:14,480
And that means
by the time a week from now comes
1258
01:12:14,560 --> 01:12:17,560
all these songs we've got,
we've gotta know perfectly.
1259
01:12:20,560 --> 01:12:21,980
Because they just turn out shitty--
1260
01:12:22,060 --> 01:12:25,440
No, but this-- Thinking it's not gonna
come out great won't help.
1261
01:12:25,520 --> 01:12:29,150
If we cancel the show now,
we'll be throwing it away.
1262
01:12:29,230 --> 01:12:31,190
[Michael] But equally,
at the moment we haven't got a show
1263
01:12:31,270 --> 01:12:32,810
and so none of us really want to do it.
1264
01:12:32,900 --> 01:12:33,900
[Paul] I'll do it.
1265
01:12:33,980 --> 01:12:38,190
I'm not interested, you know, to spend
my fucking days farting around here,
1266
01:12:38,270 --> 01:12:41,560
while everyone makes up their minds
whether they want to do it or not.
1267
01:12:41,650 --> 01:12:44,570
It's like Mal said last night,
"If you're gonna do the show here,
1268
01:12:44,650 --> 01:12:47,070
you've gotta decide today."
1269
01:12:47,150 --> 01:12:49,150
And as far as I can see,
there's only two ways.
1270
01:12:49,230 --> 01:12:51,150
We're gonna do it,
or we're not gonna do it.
1271
01:12:51,230 --> 01:12:53,520
And I want a decision!
1272
01:12:53,600 --> 01:12:55,180
[George] Maybe we should have a divorce.
1273
01:12:55,270 --> 01:12:57,400
[Paul]
Well, I said that at the last meeting.
1274
01:12:58,850 --> 01:13:00,480
But it's getting nearer, you know?
1275
01:13:01,940 --> 01:13:03,400
[John] Who'd have the children?
1276
01:13:04,560 --> 01:13:05,600
[Paul] Dick James.
1277
01:13:05,690 --> 01:13:06,770
[John] Oh, yeah.
1278
01:13:08,480 --> 01:13:09,980
We all need you.
1279
01:13:10,560 --> 01:13:13,350
And, you know,
if you all can't get it together,
1280
01:13:13,440 --> 01:13:15,480
that's really very sad.
1281
01:13:15,560 --> 01:13:18,980
So, I think what we should do now
is let you play a little
1282
01:13:19,060 --> 01:13:21,310
and then you all have lunch together.
1283
01:13:22,190 --> 01:13:25,400
[chuckles] And I can give you
some more fennel, maybe?
1284
01:13:26,100 --> 01:13:27,180
-[chuckles]
-Yes.
1285
01:13:27,270 --> 01:13:29,940
[Michael]
So shall we leave you for a while?
1286
01:13:30,020 --> 01:13:31,980
-Yes. Yeah.
-[John] Yeah.
1287
01:13:32,900 --> 01:13:34,320
"If I'd been out…
1288
01:13:36,350 --> 01:13:38,230
till quarter to three."
1289
01:13:42,850 --> 01:13:45,060
♪ Will you still be there? ♪
1290
01:13:45,150 --> 01:13:46,570
And then twice…
1291
01:13:46,650 --> 01:13:49,440
♪ Maxwell's silver hammer made sure that ♪
1292
01:13:50,060 --> 01:13:51,100
Minor.
1293
01:13:51,190 --> 01:13:53,070
♪ Sure that she was dead ♪
1294
01:13:54,440 --> 01:13:55,900
♪ Solo ♪
1295
01:13:55,980 --> 01:13:57,480
That's the second lot.
1296
01:13:58,060 --> 01:14:00,270
[vocalizes]
1297
01:14:03,400 --> 01:14:05,110
Like a ukulele solo.
1298
01:14:06,850 --> 01:14:08,600
[vocalizes]
1299
01:14:08,690 --> 01:14:10,770
-[John whistling]
-[tongue clicking]
1300
01:14:10,850 --> 01:14:13,430
[whistles]
1301
01:14:13,520 --> 01:14:14,520
Uh--
1302
01:14:16,440 --> 01:14:17,690
Who was that? [clicks tongue]
1303
01:14:17,770 --> 01:14:18,770
Was that you?
1304
01:14:19,350 --> 01:14:21,020
[chuckles] It's all right.
1305
01:14:21,100 --> 01:14:22,100
Keep it in.
1306
01:14:22,190 --> 01:14:23,520
[John continues whistling]
1307
01:14:23,600 --> 01:14:25,600
Just stand near the mic on the night.
1308
01:14:26,400 --> 01:14:29,400
[clicking tongue rhythmically]
1309
01:14:31,690 --> 01:14:32,690
Okay.
1310
01:14:32,770 --> 01:14:34,020
Uh, John?
1311
01:14:34,100 --> 01:14:35,730
They're like a D, D.
1312
01:14:37,020 --> 01:14:39,350
D, F-sharp minor, G to A.
1313
01:14:41,400 --> 01:14:45,400
[both vocalizing]
1314
01:14:45,480 --> 01:14:47,310
[George] Are you just doing it all in D?
1315
01:14:48,060 --> 01:14:49,810
[Paul] Yeah. Should we go and have lunch?
1316
01:14:49,900 --> 01:14:53,530
Take this guitar
I offer you in all humility.
1317
01:14:53,600 --> 01:14:54,680
Thank you.
1318
01:14:54,770 --> 01:14:55,810
[John laughs]
1319
01:14:55,900 --> 01:14:57,480
[Paul] Thanks a lot, Jim.
1320
01:14:57,560 --> 01:15:00,190
♪ Oh, Jim Grey ♪
1321
01:15:00,770 --> 01:15:04,440
♪ Where is your mother these days? ♪
1322
01:15:05,150 --> 01:15:07,280
Mal, we should get a hammer.
1323
01:15:08,560 --> 01:15:09,850
And an anvil.
1324
01:15:10,600 --> 01:15:11,600
See you later.
1325
01:15:14,060 --> 01:15:15,640
[vocalizes]
1326
01:15:15,730 --> 01:15:16,730
♪ Go ♪
1327
01:15:16,810 --> 01:15:23,810
♪ Bang, bang, Maxwell's silver hammer
Came down upon her head ♪
1328
01:15:23,900 --> 01:15:29,940
♪ Clang, clang, Maxwell's silver hammer
Made sure that Joan was dead ♪
1329
01:15:30,020 --> 01:15:31,480
Whistle.
1330
01:15:31,560 --> 01:15:34,390
[all whistling]
1331
01:15:36,940 --> 01:15:38,480
That's nice, fellas.
1332
01:15:38,560 --> 01:15:42,060
♪ Back in school again
Maxwell is a fool again ♪
1333
01:15:42,150 --> 01:15:44,690
♪ Teacher gets annoyed ♪
1334
01:15:45,900 --> 01:15:51,820
♪ Wishing to avoid an unpleasant scene ♪
1335
01:15:52,770 --> 01:15:56,560
♪ She tells Max to stay
When the class has gone away ♪
1336
01:15:56,650 --> 01:15:59,610
♪ And he stays behind ♪
1337
01:16:00,230 --> 01:16:06,400
♪ Writing thousand lines that say
"I fool, Maxwell fool" ♪
1338
01:16:06,480 --> 01:16:08,400
-[John] Like that?
-[Paul] Yeah, E minor to A.
1339
01:16:08,480 --> 01:16:09,480
Same as before.
1340
01:16:09,560 --> 01:16:11,770
[vocalizes]
1341
01:16:11,850 --> 01:16:13,770
So there's two choruses there. Solo.
1342
01:16:13,850 --> 01:16:16,100
[vocalizes]
1343
01:16:16,190 --> 01:16:17,440
Then the quick end now.
1344
01:16:17,520 --> 01:16:20,560
[vocalizes]
1345
01:16:20,650 --> 01:16:22,530
That's okay as long-- He's in the space.
1346
01:16:22,600 --> 01:16:25,520
Yeah, if you do it in the space.
You know, it's gonna go…
1347
01:16:25,600 --> 01:16:29,640
[vocalizes]
1348
01:16:30,440 --> 01:16:31,650
[vocalizes]
1349
01:16:31,730 --> 01:16:33,810
-That's the…
-[Paul] That's the one.
1350
01:16:33,900 --> 01:16:37,940
[Paul vocalizing]
1351
01:16:38,020 --> 01:16:40,440
♪ He creeps up from behind ♪
1352
01:16:40,520 --> 01:16:41,850
Hee-hoo!
1353
01:16:41,940 --> 01:16:47,520
♪ Bang, bang, Maxwell's silver hammer
Came down upon her head ♪
1354
01:16:48,940 --> 01:16:54,730
♪ Clang, clang, Maxwell's silver hammer
Made sure that she was dead ♪
1355
01:16:54,810 --> 01:16:55,980
Take it away, Johnny.
1356
01:16:56,060 --> 01:16:58,690
[whistling]
1357
01:17:03,270 --> 01:17:05,480
[whistling continues]
1358
01:17:13,190 --> 01:17:14,480
Well done, boys.
1359
01:17:14,560 --> 01:17:17,810
[whistling]
1360
01:17:21,810 --> 01:17:22,940
Okay, that's "Maxwell's."
1361
01:17:23,690 --> 01:17:25,860
[John] Mal, did you get the words
to "Across the Universe"?
1362
01:17:25,940 --> 01:17:28,730
-They'll send them up this afternoon.
-[John] Has Dick James got the words?
1363
01:17:28,810 --> 01:17:30,350
-No!
-[Paul] I don't think so.
1364
01:17:30,440 --> 01:17:33,070
["Across the Universe" playing]
1365
01:17:33,150 --> 01:17:38,480
♪ Words are flowing out
Like endless rain into a paper cup ♪
1366
01:17:38,560 --> 01:17:45,350
♪ They slither wildly
As they slip away across the universe ♪
1367
01:17:45,440 --> 01:17:51,320
♪ Pools of sorrow, waves of joy
Are drifting through my opened mind ♪
1368
01:17:51,400 --> 01:17:54,690
♪ Possessing and caressing me ♪
1369
01:17:55,810 --> 01:18:01,270
♪ Jai guru deva ♪
1370
01:18:02,020 --> 01:18:03,650
♪ Om ♪
1371
01:18:03,730 --> 01:18:05,360
[indistinct]
1372
01:18:08,150 --> 01:18:11,070
[vocalizes]
1373
01:18:11,150 --> 01:18:14,860
He's trying to get a balance in there,
and you've got the words all in front.
1374
01:18:14,940 --> 01:18:16,480
-You got the balance, Glyn?
-Yes.
1375
01:18:17,480 --> 01:18:18,940
Getting it all right, are you?
1376
01:18:19,020 --> 01:18:20,940
[Glyn] Can't you get a music stand?
We had some the other day.
1377
01:18:21,020 --> 01:18:22,150
-Yeah, Mal--
-[Glyn] There's one over there.
1378
01:18:22,230 --> 01:18:23,810
-Do you want a music stand?
-Yes, please.
1379
01:18:26,520 --> 01:18:27,980
It goes…
1380
01:18:28,060 --> 01:18:31,980
[vocalizes]
1381
01:18:37,100 --> 01:18:40,480
[imitates electric warp]
1382
01:18:42,690 --> 01:18:48,730
♪ Jai guru deva ♪
1383
01:18:49,350 --> 01:18:50,850
♪ Om ♪
1384
01:18:52,770 --> 01:18:55,980
♪ Nothing's gonna change my world ♪
1385
01:18:56,060 --> 01:18:57,640
[John] I wish it fucking would.
1386
01:18:59,270 --> 01:19:03,310
♪ Nothing's gonna change my world ♪
1387
01:19:05,810 --> 01:19:08,770
♪ Images of broken light ♪
1388
01:19:08,850 --> 01:19:12,930
♪ Which dance before me
Like a million eyes ♪
1389
01:19:13,020 --> 01:19:17,690
♪ They call me on and on
Across the universe ♪
1390
01:19:17,770 --> 01:19:18,770
It's 'cause I'm down.
1391
01:19:19,350 --> 01:19:25,930
♪ Thoughts meander
Like a restless wind inside a letter box ♪
1392
01:19:26,020 --> 01:19:32,980
♪ They tumble blindly as they make
Their way across the universe ♪
1393
01:19:34,350 --> 01:19:39,680
♪ Jai guru deva ♪
1394
01:19:41,020 --> 01:19:43,520
♪ Om ♪
1395
01:19:44,400 --> 01:19:48,280
♪ Nothing's gonna change my world ♪
1396
01:19:50,730 --> 01:19:54,610
♪ Nothing's gonna change my world ♪
1397
01:19:57,520 --> 01:19:59,230
♪ Sounds of laughter, shades-- ♪
1398
01:19:59,310 --> 01:20:01,140
[Paul]
I think you better take control, John!
1399
01:20:02,650 --> 01:20:05,480
♪ Let me hear
Some of that rock and roll music ♪
1400
01:20:06,350 --> 01:20:08,100
♪ Any old way you choose it ♪
1401
01:20:08,900 --> 01:20:11,360
♪ It's got a back beat you can't lose it ♪
1402
01:20:12,020 --> 01:20:14,020
♪ Any old time you use it ♪
1403
01:20:14,850 --> 01:20:16,640
♪ Gotta be rock and roll music ♪
1404
01:20:16,730 --> 01:20:17,730
[crowd cheering]
1405
01:20:17,810 --> 01:20:19,730
♪ If you wanna dance with me ♪
1406
01:20:20,730 --> 01:20:22,690
♪ If you wanna dance with me ♪
1407
01:20:22,770 --> 01:20:25,190
♪ Way down South they have a tango ♪
1408
01:20:25,270 --> 01:20:27,940
♪ And then it turned into a mambo ♪
1409
01:20:28,560 --> 01:20:31,520
♪ Another dancer had a lamba ♪
1410
01:20:31,600 --> 01:20:34,430
♪ I started doing another samba ♪
1411
01:20:34,520 --> 01:20:38,020
♪ And started playing
That rock and roll music ♪
1412
01:20:38,600 --> 01:20:40,850
♪ Any old way you choose it ♪
1413
01:20:40,940 --> 01:20:44,320
♪ It's got a back beat you can't lose it ♪
1414
01:20:44,400 --> 01:20:46,650
♪ Any old time you use it ♪
1415
01:20:47,650 --> 01:20:49,730
♪ Gotta be rock and roll music ♪
1416
01:20:50,600 --> 01:20:52,850
♪ If you wanna dance with me ♪
1417
01:20:53,650 --> 01:20:55,650
♪ If you wanna dance with me ♪
1418
01:20:55,730 --> 01:20:57,520
♪ Way down South they have a tango ♪
1419
01:20:58,310 --> 01:21:00,560
♪ And then it turned into a mambo ♪
1420
01:21:01,310 --> 01:21:03,690
♪ Another dancer had a lamba ♪
1421
01:21:03,770 --> 01:21:06,480
♪ I started doing another samba ♪
1422
01:21:07,230 --> 01:21:10,770
♪ And started playing
That rock and roll music ♪
1423
01:21:10,850 --> 01:21:13,810
♪ Any old way you choose it ♪
1424
01:21:13,900 --> 01:21:16,730
♪ It's got a back beat you can't lose it ♪
1425
01:21:16,810 --> 01:21:20,230
♪ Any old time you use it ♪
1426
01:21:20,310 --> 01:21:22,600
♪ Gotta be rock and roll music ♪
1427
01:21:23,190 --> 01:21:25,320
♪ If you wanna dance with me ♪
1428
01:21:26,150 --> 01:21:28,150
♪ If you wanna dance with me ♪
1429
01:21:28,230 --> 01:21:29,690
[music stops]
1430
01:21:29,770 --> 01:21:32,400
[crowd cheering]
1431
01:21:34,310 --> 01:21:36,480
[cheering fades]
1432
01:21:42,690 --> 01:21:45,400
[George] You know where they dropped
all the bombs on Germany,
1433
01:21:45,480 --> 01:21:49,810
-they killed more people than…
-[Ringo] Than the H-bomb in Hiroshima.
1434
01:21:49,900 --> 01:21:50,900
[Tony] Yeah.
1435
01:21:50,980 --> 01:21:53,400
-[Ringo] And all civilians.
-[George] Fucking terrible.
1436
01:21:53,480 --> 01:21:57,810
And did you see when they flew over,
it looked like Hamburg. Just bombed out.
1437
01:21:57,900 --> 01:21:59,530
-Nothing. Just dead.
-Mmm.
1438
01:21:59,600 --> 01:22:01,810
-Did you watch the BBC2 thing?
-And, uh--
1439
01:22:01,900 --> 01:22:03,610
[George] Yeah,
there was that science fiction thing.
1440
01:22:03,690 --> 01:22:05,820
[Michael]
Was the science fiction any good?
1441
01:22:05,900 --> 01:22:09,940
-It was amazing. Did you see any of it?
-I only saw the last five-- Three minutes.
1442
01:22:10,020 --> 01:22:12,350
It started very strange,
where they brought--
1443
01:22:12,440 --> 01:22:14,860
They had a fellow on a trolley,
and they pushed him in,
1444
01:22:14,940 --> 01:22:17,650
-like, a cupboard or a fridge.
-He was the body, wasn't he?
1445
01:22:17,730 --> 01:22:20,520
He was just, like, a body, yeah,
that they were gonna use.
1446
01:22:20,600 --> 01:22:22,390
-[Michael] Mmm.
-And they did something.
1447
01:22:22,480 --> 01:22:25,940
They were supposed to be
in the year 2100 and something.
1448
01:22:26,020 --> 01:22:29,400
-And they went back to 1969, January.
-[Michael] Mmm.
1449
01:22:29,480 --> 01:22:34,150
[George] Focused in on the M1 on this car.
1450
01:22:34,230 --> 01:22:36,980
-And made him crash, so that he'd--
-[Michael] Mmm.
1451
01:22:37,060 --> 01:22:41,730
And then they somehow take his mind
or whatever it is
1452
01:22:41,810 --> 01:22:44,810
and transplant it into this new…
1453
01:22:45,690 --> 01:22:47,900
-Uh, new body.
-Into the body that he put in.
1454
01:22:47,980 --> 01:22:49,770
Rex Industries, they were called.
1455
01:22:49,850 --> 01:22:51,560
[all chuckling]
1456
01:22:51,650 --> 01:22:57,280
And, uh, then suddenly it turned into
all that crap about medals and things.
1457
01:22:57,350 --> 01:23:00,640
That's what gave me the idea,
'cause suddenly it was the bit
1458
01:23:00,730 --> 01:23:03,310
where they were all coming into the ball,
I think it was Austria,
1459
01:23:03,400 --> 01:23:04,780
and they all had their medals.
1460
01:23:04,850 --> 01:23:08,390
-[Ringo] Oh, I didn't watch that.
-[George] And some music was just playing.
1461
01:23:08,480 --> 01:23:10,980
-Music, like a 3/4 thing.
-[Michael] Mmm.
1462
01:23:11,060 --> 01:23:13,890
[George] And so I just had that
in me head, just the waltz thing,
1463
01:23:13,980 --> 01:23:15,560
and it was fitting "I Me Mine."
1464
01:23:15,650 --> 01:23:17,780
-There was no words to it, I just…
-[Ringo] Yeah.
1465
01:23:17,850 --> 01:23:18,850
[Michael] Hello.
1466
01:23:19,560 --> 01:23:20,890
How are you?
1467
01:23:20,980 --> 01:23:23,020
-Morning.
-[Paul] Good morning.
1468
01:23:24,770 --> 01:23:27,650
Do you want to hear a song
I wrote last night?
1469
01:23:27,730 --> 01:23:29,730
[Glyn speaking indistinctly].
1470
01:23:29,810 --> 01:23:32,810
[George] It's just a very short one.
It's called "I Me Mine."
1471
01:23:36,100 --> 01:23:39,100
♪ All through the day ♪
1472
01:23:40,230 --> 01:23:44,020
♪ I me mine, I me mine, I me mine ♪
1473
01:23:45,850 --> 01:23:48,850
♪ All through the night ♪
1474
01:23:49,850 --> 01:23:53,600
♪ I me mine, I me mine, I me mine ♪
1475
01:23:54,650 --> 01:23:57,730
♪ No one's frightened of playing it ♪
1476
01:23:57,810 --> 01:24:00,020
♪ Everyone's saying it ♪
1477
01:24:00,100 --> 01:24:03,020
♪ Flowing more freely than wine ♪
1478
01:24:04,850 --> 01:24:08,140
♪ All through your life ♪
1479
01:24:08,940 --> 01:24:11,520
♪ I me mine ♪
1480
01:24:13,600 --> 01:24:14,730
[Michael] It's lovely.
1481
01:24:18,230 --> 01:24:19,690
[George] What's, uh--
1482
01:24:19,770 --> 01:24:23,310
Is that grammatical?
"Flowing more freely than wine."
1483
01:24:23,400 --> 01:24:24,480
[Michael] Yeah.
1484
01:24:24,560 --> 01:24:25,850
[Paul] All right.
1485
01:24:25,940 --> 01:24:28,190
-"Flowing much freer"?
-You know what would be fantastic, Paul?
1486
01:24:28,270 --> 01:24:30,270
-[Michael] More freely.
-"Freer." It's funny when--
1487
01:24:30,350 --> 01:24:32,430
If you're writing, yeah,
thinking of how you say it.
1488
01:24:32,520 --> 01:24:33,520
-"Freer."
-But I got--
1489
01:24:33,600 --> 01:24:35,180
-For it's sticky out here.
-I was thinking…
1490
01:24:35,270 --> 01:24:37,770
-[all chuckling]
-Yeah, yeah.
1491
01:24:38,270 --> 01:24:41,770
♪ All I can hear ♪
1492
01:24:41,850 --> 01:24:43,310
♪ I me mine, I me mine, I me mine ♪
1493
01:24:43,400 --> 01:24:45,320
[John]
All the girls come on then, dancing.
1494
01:24:46,060 --> 01:24:49,020
Harrison's fisherwife,
and dwarves and hunchbacks…
1495
01:24:49,980 --> 01:24:52,860
♪ I me mine, I me mine, I me mine ♪
1496
01:24:54,900 --> 01:24:56,860
♪ No one's frightened of playing it ♪
1497
01:24:56,940 --> 01:24:57,940
[John] Run along, son.
1498
01:24:58,020 --> 01:24:58,900
♪ Everyone's saying it ♪
1499
01:24:58,980 --> 01:25:01,230
[John] We'll see you later.
We're a rock and roll band, you know?
1500
01:25:01,310 --> 01:25:02,770
♪ Flowing more freely than wine ♪
1501
01:25:02,850 --> 01:25:05,640
[John scatting]
1502
01:25:06,310 --> 01:25:09,850
♪ All through your life ♪
1503
01:25:10,350 --> 01:25:11,430
♪ I me mine ♪
1504
01:25:11,520 --> 01:25:13,940
-[John] Mine.
-[Paul] Mine. I like mine.
1505
01:25:16,190 --> 01:25:18,770
[John] Well, I'll get on the barrel organ.
1506
01:25:18,850 --> 01:25:19,850
[chuckling]
1507
01:25:19,940 --> 01:25:23,860
[George] I don't-- I don't care
if you don't want it. I don't give a fuck.
1508
01:25:23,940 --> 01:25:25,400
It can go in me musical.
1509
01:25:26,810 --> 01:25:29,560
[John] George,
have you any idea what we play?
1510
01:25:29,650 --> 01:25:30,650
[crew] George?
1511
01:25:30,730 --> 01:25:33,440
-[microphone feedback]
-Can we just borrow that copy?
1512
01:25:37,900 --> 01:25:39,860
[John] His amp needs to be on.
1513
01:25:41,310 --> 01:25:43,020
[Ringo] Why? Have you got something there?
1514
01:25:45,310 --> 01:25:46,980
-No.
-[Ringo] Hello.
1515
01:25:47,480 --> 01:25:49,400
[Ringo, incomprehensible, echoing] Hello?
1516
01:25:51,060 --> 01:25:53,440
-More volume.
-[crew] This is diarrhea.
1517
01:25:53,520 --> 01:25:57,190
When I'm up against the wall, Paul,
you'll find I'm at my best.
1518
01:25:57,270 --> 01:25:58,440
[echoing] That's good echo.
1519
01:25:59,730 --> 01:26:01,310
But I wish you'd come up with the goods.
1520
01:26:01,400 --> 01:26:03,530
-Look, I think I've got Sunday off.
-[echoing] Hello?
1521
01:26:03,600 --> 01:26:05,310
-Well, I hope you can deliver.
-[echoing] Hello.
1522
01:26:05,400 --> 01:26:07,400
I'm hoping for a little rock and roller.
1523
01:26:07,480 --> 01:26:09,310
Yeah, I was hoping
for the same thing myself.
1524
01:26:09,400 --> 01:26:11,440
Sammy loved his mammy.
She hammy dammy dammy.
1525
01:26:11,520 --> 01:26:12,810
[echoing] Paul, Paul, Paul.
1526
01:26:12,900 --> 01:26:15,730
-Stop that goddamn feedback!
-[laughing]
1527
01:26:16,350 --> 01:26:18,480
And you then being presented onstage,
1528
01:26:18,560 --> 01:26:20,730
you should be sitting there
when they are coming in.
1529
01:26:20,810 --> 01:26:24,060
[Paul] And then you open the doors
and we're in the middle of a number.
1530
01:26:24,150 --> 01:26:27,690
Or you're just sitting, waiting, and then
when everybody's there, then you start.
1531
01:26:27,770 --> 01:26:31,230
As opposed to you coming on
as The Beatles, it's much more intimate.
1532
01:26:31,940 --> 01:26:34,860
Well, we're doing it anyway,
while they come in before we start it.
1533
01:26:34,940 --> 01:26:36,440
-[Michael] Yeah.
-Like we did on "Jude."
1534
01:26:39,230 --> 01:26:43,900
[George] Well, let's-- We keep 'em a
bit more disciplined than they were then.
1535
01:26:48,230 --> 01:26:49,730
[chuckling] Yeah.
1536
01:26:49,810 --> 01:26:52,600
[Paul] So, the main thing is,
are we going to do it here?
1537
01:26:52,690 --> 01:26:54,070
'Cause they've got to build
a control room.
1538
01:26:54,150 --> 01:26:56,820
[George Martin] What are the alternatives
to where you want to go?
1539
01:26:56,900 --> 01:26:59,230
It's really anywhere
as long as we can get it there.
1540
01:26:59,310 --> 01:27:01,270
[George Martin] Are there definite places?
1541
01:27:01,350 --> 01:27:02,520
No, I don't know anywhere.
1542
01:27:02,600 --> 01:27:03,850
That's why we came here.
1543
01:27:03,940 --> 01:27:04,940
Where do you think?
1544
01:27:05,020 --> 01:27:06,900
[George Martin] I think you might as well
do it right here.
1545
01:27:06,980 --> 01:27:09,480
[Paul] But, acoustically,
it's not very good here, is it?
1546
01:27:09,560 --> 01:27:12,100
[George Martin] It's not as good
as it could be elsewhere, you know?
1547
01:27:12,190 --> 01:27:13,690
[Paul] Now what would make it?
1548
01:27:13,770 --> 01:27:15,940
-A lower ceiling?
-[George Martin] Deaden it right down.
1549
01:27:16,020 --> 01:27:18,690
[Glyn] Yeah,
a false ceiling above where you are.
1550
01:27:18,770 --> 01:27:21,150
[Paul] Now John'd like to say
a few words on the subject.
1551
01:27:21,230 --> 01:27:25,150
[John] ♪ I'd like to say
That I like the intimate idea ♪
1552
01:27:25,850 --> 01:27:27,810
♪ Rather than a large one ♪
1553
01:27:27,900 --> 01:27:29,070
[Paul] Yeah?
1554
01:27:29,560 --> 01:27:33,390
[John] ♪ Simply because
We should concentrate on the sound ♪
1555
01:27:36,060 --> 01:27:39,850
[all] ♪ Simply because
We should concentrate on the sound ♪
1556
01:27:42,520 --> 01:27:43,600
[Paul] Thank you very much.
1557
01:27:43,690 --> 01:27:46,150
♪ You and I have memories ♪
1558
01:27:46,980 --> 01:27:51,730
♪ Longer than the road
That stretches out ahead ♪
1559
01:27:52,230 --> 01:27:53,230
[screams]
1560
01:27:54,480 --> 01:27:57,270
♪ Two of us wearing raincoats ♪
1561
01:27:57,350 --> 01:28:01,560
♪ Standing solo in the sun ♪
1562
01:28:01,650 --> 01:28:04,110
♪ Don't let me down ♪
1563
01:28:07,560 --> 01:28:10,230
♪ Don't let me down ♪
1564
01:28:12,940 --> 01:28:15,020
♪ I've got a feeling ♪
1565
01:28:15,600 --> 01:28:18,560
♪ A feeling I can't hide
Oh, no ♪
1566
01:28:20,440 --> 01:28:22,270
♪ Oh, no ♪
1567
01:28:27,940 --> 01:28:29,900
[George] Uh, Mal?
1568
01:28:32,690 --> 01:28:34,110
[chuckling]
1569
01:28:34,940 --> 01:28:38,610
[Paul]
♪ No, I won't shed a tear ♪
1570
01:28:39,560 --> 01:28:40,730
♪ Just as long ♪
1571
01:28:41,810 --> 01:28:44,140
♪ As you stand ♪
1572
01:28:44,230 --> 01:28:47,150
♪ Stand by me, stand by me
Stand by me, stand by me ♪
1573
01:28:47,230 --> 01:28:49,020
♪ You got me going ♪
1574
01:28:50,020 --> 01:28:51,520
♪ Like a spinning top ♪
1575
01:28:51,600 --> 01:28:55,310
♪ Baa-ba-ba-ba-baa
Baa-ba-ba-ba-baa ♪
1576
01:28:55,400 --> 01:28:56,650
Legalize pot.
1577
01:28:56,730 --> 01:28:59,730
Queen says "no"
to pot-smoking FBI members.
1578
01:29:00,980 --> 01:29:01,980
It doesn't--
1579
01:29:02,060 --> 01:29:04,230
Hey, hey. It doesn't stop there actually.
1580
01:29:04,310 --> 01:29:08,890
♪ Baa, baa, black sheep
Have you any wool ♪
1581
01:29:08,980 --> 01:29:15,270
♪ Clang, clang, Maxwell's silver hammer
Made sure that she was dead ♪
1582
01:29:15,350 --> 01:29:17,520
[cymbal crashes]
1583
01:29:17,600 --> 01:29:19,930
A guitar fell over, Paul.
A guitar fell over.
1584
01:29:20,020 --> 01:29:22,520
[John] ♪ The news is out ♪
1585
01:29:25,400 --> 01:29:28,030
♪ All over town ♪
1586
01:29:31,350 --> 01:29:34,640
♪ That you've been seen ♪
1587
01:29:37,060 --> 01:29:40,940
♪ Out and around ♪
1588
01:29:43,520 --> 01:29:46,350
♪ I know that I ♪
1589
01:29:49,900 --> 01:29:52,400
♪ Can't win, but then ♪
1590
01:29:55,980 --> 01:29:58,940
♪ What can I do? ♪
1591
01:30:02,350 --> 01:30:05,140
♪ You win again ♪
1592
01:30:11,730 --> 01:30:14,980
♪ All I can hear ♪
1593
01:30:15,060 --> 01:30:17,850
♪ I me mine, I me mine, I me mine ♪
1594
01:30:19,690 --> 01:30:23,020
♪ Even your tears ♪
1595
01:30:23,100 --> 01:30:26,480
♪ I me mine, I me mine, I me mine ♪
1596
01:30:27,940 --> 01:30:29,820
♪ Everyone's playing it ♪
1597
01:30:29,900 --> 01:30:31,690
♪ Everyone's saying it ♪
1598
01:30:32,190 --> 01:30:34,860
♪ Flowing more freely than wine ♪
1599
01:30:36,270 --> 01:30:39,350
♪ All through your life ♪
1600
01:30:39,850 --> 01:30:42,390
♪ I me mine ♪
1601
01:30:42,480 --> 01:30:43,770
[song ends]
1602
01:30:43,850 --> 01:30:45,230
[scatting]
1603
01:30:45,310 --> 01:30:47,890
-[Yoko] You can keep going now.
-[George] Do you dig it, man?
1604
01:30:47,980 --> 01:30:48,980
[chuckles]
1605
01:30:49,060 --> 01:30:50,100
-I like that one.
-Yeah.
1606
01:30:50,190 --> 01:30:52,190
[George]
Do you want to do that waltz on the show?
1607
01:30:52,270 --> 01:30:54,270
That'd be great,
'cause it's so simple to do.
1608
01:30:54,350 --> 01:30:58,310
[fast dance music playing]
1609
01:31:04,400 --> 01:31:05,360
[music stops]
1610
01:31:05,440 --> 01:31:08,570
[Michael] Every song has got a character.
That's the character of that one.
1611
01:31:08,650 --> 01:31:11,190
And we can find each number--
how they fit theatrically,
1612
01:31:11,270 --> 01:31:14,400
like your dance for that one,
like the song that you cry in,
1613
01:31:14,480 --> 01:31:16,770
and the song you do
that brings tears to everybody's eyes.
1614
01:31:16,850 --> 01:31:19,020
[John] Yes, all right. Just sod off!
1615
01:31:19,100 --> 01:31:20,680
[all chuckling]
1616
01:31:20,770 --> 01:31:22,690
[Denis] I mean, you see,
build any set you want.
1617
01:31:22,770 --> 01:31:26,020
Maybe not scaffolding--
Not obvious scaffolding.
1618
01:31:26,100 --> 01:31:28,140
Maybe we can put people up on them.
1619
01:31:28,650 --> 01:31:30,070
Think it could hold people?
1620
01:31:30,560 --> 01:31:32,690
It could hold--
I guess that'd be a bit limited.
1621
01:31:37,520 --> 01:31:40,690
-["Please Please Me" playing]
-[crowd cheering]
1622
01:31:40,770 --> 01:31:43,900
♪ Come on, come on
Come on, come on ♪
1623
01:31:43,980 --> 01:31:45,610
♪ Come on, come on
Come on, come on ♪
1624
01:31:45,690 --> 01:31:48,020
-[song fades out]
-[Michael] Yeah. Well…
1625
01:31:48,100 --> 01:31:51,270
See, this is Around The Beatles,
and that is better, but--
1626
01:31:51,350 --> 01:31:53,060
Show it to John.
John will tell you about that.
1627
01:31:53,150 --> 01:31:55,150
John and Yoko know about that.
They're artists.
1628
01:31:55,230 --> 01:31:56,560
[chattering]
1629
01:31:56,650 --> 01:31:58,480
It's Around The Beatles '69.
1630
01:31:58,560 --> 01:31:59,890
Yeah, that's what Paul said.
1631
01:32:00,600 --> 01:32:03,390
That's what Paul said. He said have
a word with you and see what you thought.
1632
01:32:03,480 --> 01:32:04,610
Whether we could vary it.
1633
01:32:04,690 --> 01:32:08,900
In terms of… see-through things,
'cause I don't think we're ever gonna--
1634
01:32:08,980 --> 01:32:11,190
If you wanna see through 'em, use plastic.
1635
01:32:12,730 --> 01:32:13,730
Plastic…
1636
01:32:13,810 --> 01:32:16,140
But don't have scaffolding.
They do it every show.
1637
01:32:16,230 --> 01:32:18,980
-Yeah. Use a different material?
-Just use solid plastic.
1638
01:32:19,060 --> 01:32:21,600
-Solid plastic.
-For, you know, to see through 'em.
1639
01:32:21,690 --> 01:32:23,110
["Let It Be" playing on piano]
1640
01:32:23,190 --> 01:32:26,070
I like the idea of a see-through thing,
I think.
1641
01:32:26,150 --> 01:32:28,780
[John] If you had 'em above our heads,
you could have plastic and see up--
1642
01:32:28,850 --> 01:32:31,140
[Denis] That's right. That's great.
That's a good thought.
1643
01:32:31,230 --> 01:32:32,650
That's a good thought, all that.
1644
01:32:32,730 --> 01:32:35,440
[Michael] Think of a helicopter shot
over the amphitheater--
1645
01:32:35,520 --> 01:32:38,440
Yes, but that's the only argument
you're giving to me is the…
1646
01:32:38,520 --> 01:32:40,310
-Is the helicopter shot.
-The helicopter shot.
1647
01:32:40,400 --> 01:32:42,320
And you'll see the sea
and you'll be in a theater.
1648
01:32:42,400 --> 01:32:45,900
And that is-- For one, two minutes,
say, of that shot
1649
01:32:45,980 --> 01:32:48,020
isn't worth me going out there.
1650
01:32:48,100 --> 01:32:50,310
When I really prefer to do it here.
1651
01:32:50,400 --> 01:32:55,190
Just big blocks, so you could put blocks
of plastic in any shape you wanted.
1652
01:32:55,270 --> 01:32:56,810
We could move the audience round.
1653
01:32:56,900 --> 01:32:59,570
Yeah. Now that would mean
casting the plastic, wouldn't it?
1654
01:32:59,650 --> 01:33:02,690
-It's just boxes, you know?
-Might be a material we don't know about.
1655
01:33:02,770 --> 01:33:04,650
[John]
There will be some kind of new stuff,
1656
01:33:04,730 --> 01:33:06,520
you know, like Bakelite or some plastic.
1657
01:33:06,600 --> 01:33:10,100
But the thing is,
everything you do has got to be good,
1658
01:33:10,190 --> 01:33:11,320
'cause all your albums are good.
1659
01:33:11,400 --> 01:33:12,980
I mean, there's not a duff album.
1660
01:33:13,060 --> 01:33:15,940
But see,
it is kind of like four years ago.
1661
01:33:16,020 --> 01:33:17,560
And there's nothing wrong
with four years ago,
1662
01:33:17,650 --> 01:33:19,230
except we're all 28 now as opposed--
1663
01:33:19,310 --> 01:33:22,600
-I don't mean that…
-We're all… Yes, we are.
1664
01:33:22,690 --> 01:33:27,020
We're all 28, or whatever we are
in the group. Baby George there.
1665
01:33:27,730 --> 01:33:30,980
I mean, it's not only you as the band
and it's not only them as songwriters.
1666
01:33:31,060 --> 01:33:32,270
It is the four of you.
1667
01:33:32,350 --> 01:33:35,230
[John] If you got a lot of blocks made,
you could build any formation you want.
1668
01:33:35,310 --> 01:33:38,190
-[Denis] Fit in like a Meccano.
-If you've got box-shaped plastic,
1669
01:33:38,270 --> 01:33:41,310
you can build it that long if you want,
or just have it that short.
1670
01:33:41,400 --> 01:33:42,980
[Denis] Like Kubrick would do.
1671
01:33:43,060 --> 01:33:45,060
And it's got to be the best.
1672
01:33:45,150 --> 01:33:46,280
Because…
1673
01:33:47,190 --> 01:33:49,650
I mean, the hearts of millions
are with you, you know what I mean?
1674
01:33:49,730 --> 01:33:51,190
It's got to be the best. It can't--
1675
01:33:53,560 --> 01:33:56,060
I'm not saying you owe it to the world
or anything like that.
1676
01:33:56,150 --> 01:33:58,280
But if it is going to be
your last TV show--
1677
01:34:05,480 --> 01:34:07,810
But I don't want you
to be unhappy 'cause, like…
1678
01:34:07,900 --> 01:34:09,940
I love you
like I love your three colleagues.
1679
01:34:10,020 --> 01:34:12,850
[Denis] You see, then it's nice to have
the levels where they can dance
1680
01:34:12,940 --> 01:34:14,980
and, you know,
whatever they wanna do, you see?
1681
01:34:15,060 --> 01:34:17,350
[John] Look, you could have
our thing plastic too.
1682
01:34:17,440 --> 01:34:19,400
[Denis]
Yeah, that would be knockout to do that.
1683
01:34:19,480 --> 01:34:23,150
And then we could do what we like
with the backing, have it go black or…
1684
01:34:23,230 --> 01:34:24,230
-[John] Yeah, yeah.
-[Denis] Black.
1685
01:34:24,310 --> 01:34:25,940
Or stark or something, you know?
1686
01:34:26,020 --> 01:34:28,770
See, I'd watch an hour of him
just playing the piano.
1687
01:34:28,850 --> 01:34:30,230
Me too. Uh…
1688
01:34:30,310 --> 01:34:31,560
'Cause he's so great.
1689
01:34:32,270 --> 01:34:33,350
But, like, I think--
1690
01:34:33,440 --> 01:34:36,730
See, I think we gotta find a place
which would complement it.
1691
01:34:36,810 --> 01:34:40,600
And I don't see it being here on a stage
with tubular scaffolding around it.
1692
01:34:40,690 --> 01:34:43,520
Then we can control all our lights
from a panel.
1693
01:34:43,600 --> 01:34:45,270
And we can have what colors you like.
1694
01:34:45,350 --> 01:34:47,770
[John] Yes. You'll always be able
to see us through everything.
1695
01:34:47,850 --> 01:34:48,850
[Denis] That's right.
1696
01:34:48,940 --> 01:34:51,230
[John] I'll have the plastic
when you're finished with it.
1697
01:34:51,310 --> 01:34:54,440
Well, can we all talk about it?
1698
01:34:54,520 --> 01:34:57,150
If-- You will take the veto off
1699
01:34:57,230 --> 01:35:02,310
if you can be convinced
that we can get an audience out there.
1700
01:35:03,940 --> 01:35:06,230
Okay, I love you. That's fine.
1701
01:35:09,980 --> 01:35:10,810
Okay, thanks.
1702
01:35:10,900 --> 01:35:14,360
I just do think,
like, this is unique in that…
1703
01:35:24,770 --> 01:35:26,600
-[Michael] Well, I don't know.
-[all chuckling]
1704
01:35:28,100 --> 01:35:29,850
-[Michael] I know, I left out George.
-[laughs]
1705
01:35:53,270 --> 01:35:54,350
No, I think it's…
1706
01:35:58,230 --> 01:35:59,270
Yeah.
1707
01:35:59,350 --> 01:36:00,730
That's what I was thinking.
1708
01:36:00,810 --> 01:36:02,230
[Denis chuckles]
1709
01:36:04,980 --> 01:36:06,770
[Michael] The box thing, right?
1710
01:36:08,270 --> 01:36:09,650
[Denis] Yeah. [chuckles]
1711
01:36:14,850 --> 01:36:16,430
[Denis] Yeah. [chuckles]
1712
01:36:19,730 --> 01:36:22,520
[Denis] I don't think it's practical
to do it in England. It's too bloody cold.
1713
01:36:22,600 --> 01:36:25,480
[Michael] Yes, that was one of the reasons
we started veering off on these ideas
1714
01:36:25,560 --> 01:36:28,230
was when we were looking at locations
that Friday after Christmas.
1715
01:36:28,310 --> 01:36:29,730
We are in a film studio.
1716
01:36:29,810 --> 01:36:32,980
We're going to build something so that…
1717
01:36:33,060 --> 01:36:35,230
We shouldn't just try and build
something like the Tower Ballroom
1718
01:36:35,310 --> 01:36:36,770
'cause we could go to the Tower Ballroom.
1719
01:36:36,850 --> 01:36:40,430
But, once you get on a stage,
you are performers
1720
01:36:40,520 --> 01:36:42,600
and you gotta have someone to do it to.
1721
01:36:42,690 --> 01:36:44,400
Either the camera or real people, I think.
1722
01:36:44,480 --> 01:36:45,480
[Paul] Yeah, we haven't--
1723
01:36:45,560 --> 01:36:47,810
Any number we've done at the moment,
if we've noticed the camera on us
1724
01:36:47,900 --> 01:36:49,280
we've tried to ignore it.
1725
01:36:49,350 --> 01:36:52,730
[Michael] But you've either got to be
performing directly to the people at home
1726
01:36:52,810 --> 01:36:54,190
or to an audience.
1727
01:36:54,270 --> 01:36:56,230
[Paul]
See that's why I thought like a ballroom.
1728
01:36:56,310 --> 01:36:57,770
If we did go right back.
1729
01:36:57,850 --> 01:37:00,680
Like, "Come to the Tower Ballroom.
There's a dance on."
1730
01:37:00,770 --> 01:37:03,730
You know?
Oh, incidentally, we'll be the band there.
1731
01:37:03,810 --> 01:37:05,520
And then we go on
and we play all the numbers.
1732
01:37:05,600 --> 01:37:08,180
[Michael]
But you're just not the local dance band.
1733
01:37:08,270 --> 01:37:09,560
I don't think it's quite enough scope.
1734
01:37:09,650 --> 01:37:11,570
[Glyn] I also think that
people are very interested
1735
01:37:11,650 --> 01:37:13,280
in seeing how an audience would react.
1736
01:37:13,350 --> 01:37:17,140
[Michael] Because the audience is so much
part of the first half of you, musically.
1737
01:37:17,940 --> 01:37:21,860
[Paul] Okay, so we're all prepared
to do it with an audience.
1738
01:37:21,940 --> 01:37:23,980
But you can't just have
the same old audience.
1739
01:37:24,060 --> 01:37:25,440
[Denis]
What can you do that's new with them?
1740
01:37:25,520 --> 01:37:28,230
[George] If we can just think of an image,
how we'd like to be,
1741
01:37:28,310 --> 01:37:32,020
which could be like a nightclub act.
1742
01:37:32,100 --> 01:37:36,350
Just the smoochy low lights
and about ten people.
1743
01:37:36,440 --> 01:37:39,770
What's the point, when you could be
giving people happiness with a full house?
1744
01:37:39,850 --> 01:37:41,270
Whatever kind of full house we decided.
1745
01:37:41,350 --> 01:37:43,430
I mean, we have to think
about the audience.
1746
01:37:43,520 --> 01:37:45,230
It really ought to be the whole world.
1747
01:37:45,310 --> 01:37:49,020
[Denis] That's where-- Now we're going
right-- the whole circle back to Sabratha.
1748
01:37:49,100 --> 01:37:52,810
[Michael] It is a location
which is marvelous in itself, by the sea.
1749
01:37:52,900 --> 01:37:54,570
[Denis] What he's saying is right.
1750
01:37:54,650 --> 01:37:55,650
It's the background.
1751
01:37:56,520 --> 01:37:58,810
[Michael]
I don't think anything is gonna beat
1752
01:37:58,900 --> 01:38:01,690
a perfect acoustic place
by the water, out of doors.
1753
01:38:01,770 --> 01:38:03,190
[Ringo] For a rock and roll group?
1754
01:38:14,940 --> 01:38:18,650
[Michael] Yes, I think we're gonna do
rock and roll at dawn or at night.
1755
01:38:18,730 --> 01:38:20,980
I'm sure we can do rock and roll there
if we get the right audience.
1756
01:38:21,060 --> 01:38:23,230
-George, come here.
-[George] I just wanna get it over with.
1757
01:38:23,310 --> 01:38:25,440
-[chattering]
-[George] Yeah.
1758
01:38:26,440 --> 01:38:27,440
-Hiya.
-Come on.
1759
01:38:27,520 --> 01:38:28,440
[chuckling]
1760
01:38:28,520 --> 01:38:30,560
-We're going to Africa.
-[Denis] We're off.
1761
01:38:30,650 --> 01:38:33,530
-[Michael] We're off.
-[Paul] No, we're not. Not necessarily.
1762
01:38:35,480 --> 01:38:36,480
[George] Where to?
1763
01:38:37,600 --> 01:38:39,060
[all laughing]
1764
01:38:50,060 --> 01:38:52,440
[John] See, it's like having
the most fantastic set on Earth,
1765
01:38:52,520 --> 01:38:54,150
but we haven't made a set, you know?
1766
01:38:54,230 --> 01:38:56,940
[Ringo] How many are gonna be looking
at the set besides us and him?
1767
01:38:57,020 --> 01:39:00,230
[John] Every time we've done an album,
we've said, "Why are we stuck in EMI?"
1768
01:39:00,310 --> 01:39:03,520
We could be doing it in LA.
We could be in France.
1769
01:39:03,600 --> 01:39:05,600
And every time we do it,
and here we are again,
1770
01:39:05,690 --> 01:39:07,650
building another bloody castle around us.
1771
01:39:08,400 --> 01:39:10,530
-[Paul] Well said, John. Well said!
-[John] And this time we do it there.
1772
01:39:10,600 --> 01:39:12,310
I'd be thrilled to do it.
1773
01:39:12,400 --> 01:39:16,150
Just timing it so as the sun came up
just on the middle eight.
1774
01:39:20,230 --> 01:39:21,690
[Michael] I think we've got to get--
1775
01:39:30,020 --> 01:39:32,650
[Paul] Look, we were gonna
give tickets away at this door here.
1776
01:39:32,730 --> 01:39:35,230
We'd given out those tickets,
but they include a boat ride as well.
1777
01:39:37,310 --> 01:39:40,230
[Paul] Okay, yeah.
We're doing a live show.
1778
01:39:40,310 --> 01:39:42,390
And we're doing it in Arabia.
1779
01:39:42,480 --> 01:39:43,770
[chuckles] And it's like…
1780
01:39:43,850 --> 01:39:46,560
Whoever has been waiting
to see the lads rocking again.
1781
01:39:46,650 --> 01:39:48,650
[George] It's just impractical to try
and get all those--
1782
01:39:48,730 --> 01:39:49,730
But it's not, you see--
1783
01:39:49,810 --> 01:39:52,890
Lug all them people there
and try and get all that equipment.
1784
01:39:52,980 --> 01:39:54,610
[Paul] But then if it was their problem--
1785
01:39:54,690 --> 01:39:57,230
[Denis] But if you say, "That's
what I want," that's what has to happen.
1786
01:39:57,310 --> 01:39:59,640
-[John] That's not our problem.
-[George] Of course it's our problem.
1787
01:39:59,730 --> 01:40:01,230
[Paul] Tell you what I'll offer you.
1788
01:40:01,310 --> 01:40:05,390
If we're going away and we hire a boat
to take the audience with you…
1789
01:40:05,480 --> 01:40:08,400
-That would be knockout.
-…we'll do a bloody show on a boat.
1790
01:40:13,650 --> 01:40:14,860
[Michael] That's your code name.
1791
01:40:14,940 --> 01:40:16,770
[Paul] No, he smoked some garlic once.
1792
01:40:16,850 --> 01:40:19,680
[laughing]
1793
01:40:19,770 --> 01:40:21,810
[Paul] So, like, I'll come in with you,
1794
01:40:21,900 --> 01:40:24,650
as long as you can get a couple of boats.
1795
01:40:24,730 --> 01:40:26,730
-The QE 2.
-[George] And then we're stuck
1796
01:40:26,810 --> 01:40:29,350
with a bloody big boatload of people
for two weeks.
1797
01:40:29,440 --> 01:40:33,440
At least you can go home from here.
You can get away from it all.
1798
01:40:35,060 --> 01:40:39,690
[George] I think the idea of the boat
is completely insane.
1799
01:40:39,770 --> 01:40:42,850
It's very expensive and insane, and…
1800
01:40:43,770 --> 01:40:45,940
[Denis] I think it should be
the least of our worries.
1801
01:40:46,020 --> 01:40:47,270
Money. I really do.
1802
01:40:48,730 --> 01:40:51,480
[John] If P&O will do a deal with Storm,
they'll do one with us.
1803
01:40:56,230 --> 01:40:59,650
We should be able to get the boat
for the publicity they get from it.
1804
01:41:02,850 --> 01:41:05,390
[Denis] It's gonna be great.
You'd love the place.
1805
01:41:05,480 --> 01:41:07,810
[Ringo] I've moved to Yugoslavia!
[chuckles]
1806
01:41:07,900 --> 01:41:12,860
I may love the place, but I'd rather
do the show, then go and love the place.
1807
01:41:12,940 --> 01:41:14,150
[laughing]
1808
01:41:14,230 --> 01:41:16,520
[Ringo] How're you gonna get a ship
in a couple of days?
1809
01:41:17,850 --> 01:41:19,560
[Ringo] I was there. Yes, I know.
1810
01:41:19,650 --> 01:41:22,860
But they were passing by
and you only used them for a few hours.
1811
01:41:22,940 --> 01:41:25,520
I've seen it, John.
I went to the premiere.
1812
01:41:25,600 --> 01:41:27,600
-[John] Did you enjoy it?
-[Ringo] I thought you were great.
1813
01:41:27,690 --> 01:41:29,570
-[John] Thanks a lot, Ringo.
-[laughing]
1814
01:41:40,350 --> 01:41:41,730
[Ringo] Still not the same.
1815
01:41:41,810 --> 01:41:45,600
If you'll say yes, and if we get it
together, then will you go?
1816
01:41:49,060 --> 01:41:53,640
[Michael] Well, I feel, as the trade says,
"The vibes are very good at the moment."
1817
01:41:53,730 --> 01:41:56,400
But we can all say yes now
and somebody can decide no tomorrow.
1818
01:41:56,480 --> 01:41:58,730
-It's not gonna make any odds.
-Yeah.
1819
01:41:58,810 --> 01:42:01,020
-[Ringo] Good night, everybody!
-[Michael] Good night, Russia.
1820
01:42:01,100 --> 01:42:02,930
-[Ringo] That's a wrap.
-[Denis] I'll see you in Sabratha!
1821
01:42:03,020 --> 01:42:04,980
[John] Let's pretend I wasn't here again.
1822
01:42:09,770 --> 01:42:11,770
[chattering]
1823
01:42:14,150 --> 01:42:16,360
[Paul] This is the…
Here, I'll take you to…
1824
01:42:17,150 --> 01:42:19,070
-Do you know Michael Lindsay-Hogg?
-No.
1825
01:42:20,480 --> 01:42:22,230
[Michael speaks indistinctly]
1826
01:42:22,310 --> 01:42:23,600
Tony's a cameraman.
1827
01:42:29,020 --> 01:42:30,310
[laughing]
1828
01:42:39,440 --> 01:42:40,270
Yeah.
1829
01:42:42,770 --> 01:42:44,100
[Paul chuckles]
1830
01:42:45,060 --> 01:42:46,940
I better go
and put in some piano practice.
1831
01:42:50,770 --> 01:42:51,770
[Michael] No.
1832
01:42:52,270 --> 01:42:54,440
-[chattering]
-[Linda] Yeah.
1833
01:42:54,520 --> 01:42:56,600
Gatwick Friday, Monday, Tuesday…
1834
01:42:56,690 --> 01:42:58,860
-Isn't Tripoli in Libya? Yeah.
-That's right. Yeah.
1835
01:42:58,940 --> 01:43:02,270
[David] That flight departs every day 3:05
and arrives 9:10.
1836
01:43:02,350 --> 01:43:03,680
-[Denis] 3:05 p.m. at night?
-Yes.
1837
01:43:03,770 --> 01:43:05,690
-That's a long trip!
-That's what he told me.
1838
01:43:05,770 --> 01:43:07,690
Six hours? Can't be that long?
1839
01:43:07,770 --> 01:43:09,770
["Another Day" playing]
1840
01:43:13,230 --> 01:43:17,770
♪ Every day she takes a morning bath
She wets her hair ♪
1841
01:43:18,270 --> 01:43:23,100
♪ Wraps a towel around her
As she's walking to the bedroom chair ♪
1842
01:43:23,190 --> 01:43:26,020
♪ It's just another day ♪
1843
01:43:26,900 --> 01:43:29,280
♪ Steppin' into stockings ♪
1844
01:43:35,270 --> 01:43:37,350
-["The Long and Winding Road" playing]
-Yeah.
1845
01:43:39,150 --> 01:43:40,690
Now, what was it? Uh--
1846
01:43:40,770 --> 01:43:43,480
I'll give you Mother Mary,
"The Long and Winding Road."
1847
01:43:54,980 --> 01:43:57,520
[Michael] The only thing is, it's, um…
1848
01:43:57,600 --> 01:44:00,350
I think-- I really do think
it's gonna be for the world.
1849
01:44:05,350 --> 01:44:08,180
[Michael] Yes, but they do think of you as
for everybody in the world.
1850
01:44:08,270 --> 01:44:10,770
That's one of the things I thought was
good about "Jude," the guy in the turban.
1851
01:44:10,850 --> 01:44:11,850
Yeah.
1852
01:44:12,730 --> 01:44:17,400
♪ Lead me to your door ♪
1853
01:44:17,980 --> 01:44:19,520
♪ Second verse ♪
1854
01:44:19,600 --> 01:44:21,890
…that I haven't got yet. [vocalizes]
1855
01:44:22,730 --> 01:44:25,860
♪ Leave a space for the same thing ♪
1856
01:44:25,940 --> 01:44:28,940
♪ La, la, la ♪
1857
01:44:51,770 --> 01:44:55,060
[Mal] I think it's down to
if we're going to do it in this country,
1858
01:44:55,150 --> 01:44:56,650
we might as well do it here.
1859
01:44:56,730 --> 01:44:58,310
-[Paul] But actually…
-[humming]
1860
01:45:02,190 --> 01:45:03,190
[Paul] Yugoslavia.
1861
01:45:18,940 --> 01:45:20,110
[Paul] Yeah.
1862
01:45:21,100 --> 01:45:22,600
Then something about pleasure…
1863
01:45:22,690 --> 01:45:25,020
[vocalizes]
1864
01:45:25,100 --> 01:45:26,100
From…
1865
01:45:26,190 --> 01:45:27,770
♪ The many ways I've tried ♪
1866
01:45:27,850 --> 01:45:28,850
Yeah.
1867
01:45:29,480 --> 01:45:34,900
♪ Gathered all the pleasure
From the many ways I've tried ♪
1868
01:45:35,480 --> 01:45:36,730
♪ But still they-- ♪
1869
01:45:36,810 --> 01:45:39,270
I've had lots of pleasure,
but said better.
1870
01:45:39,350 --> 01:45:40,350
-You know?
-Yeah.
1871
01:45:40,440 --> 01:45:43,360
[Paul] I've had many pleasure.
I've had much, much…
1872
01:45:44,770 --> 01:45:48,270
♪ You left me waiting here ♪
1873
01:45:50,650 --> 01:45:53,980
♪ A long, long time ago ♪
1874
01:45:59,520 --> 01:46:03,350
♪ You left me waiting here ♪
1875
01:46:05,190 --> 01:46:09,360
♪ A long, long time ago ♪
1876
01:46:09,440 --> 01:46:11,070
[vocalizes]
1877
01:46:11,770 --> 01:46:15,690
♪ Don't leave me standing here ♪
1878
01:46:17,770 --> 01:46:20,650
♪ Lead me to your door ♪
1879
01:46:31,600 --> 01:46:33,100
There's no more to that yet.
1880
01:46:33,190 --> 01:46:34,360
Just call that "middle."
1881
01:46:36,270 --> 01:46:38,810
[Paul vocalizing, humming]
1882
01:46:39,730 --> 01:46:42,650
♪ The many ways I've tried ♪
1883
01:46:42,730 --> 01:46:45,690
That's all right.
"The many ways I've tried" is all right.
1884
01:46:45,770 --> 01:46:48,400
[Mal] But have you got any idea
for the second verse?
1885
01:46:48,480 --> 01:46:53,480
See, I was thinking of having another,
like, the weather obstacle in that one.
1886
01:46:53,560 --> 01:46:57,440
♪ The storm clouds and the rain ♪
1887
01:46:59,310 --> 01:47:05,730
♪ Break upon the winding road ♪
1888
01:47:10,400 --> 01:47:12,650
[Paul] I suppose it should
still be about that.
1889
01:47:12,730 --> 01:47:14,440
The, sort of, winding road because…
1890
01:47:18,020 --> 01:47:21,650
♪ The thing that's up ahead ♪
1891
01:47:25,730 --> 01:47:26,810
No, I think the…
1892
01:47:29,770 --> 01:47:30,770
[chuckling]
1893
01:47:30,850 --> 01:47:35,890
♪ Golden slumbers ♪
1894
01:47:35,980 --> 01:47:38,150
♪ Fill your eyes ♪
1895
01:47:38,230 --> 01:47:41,440
It's an old English folk--
the words, these.
1896
01:47:43,400 --> 01:47:48,440
♪ Smiles await you ♪
1897
01:47:48,520 --> 01:47:51,600
♪ When you rise ♪
1898
01:47:53,060 --> 01:47:58,600
♪ Sleep, pretty darling
Do not cry ♪
1899
01:47:59,560 --> 01:48:04,480
♪ And I will sing a lullaby ♪
1900
01:48:04,560 --> 01:48:05,560
[shutter clicks]
1901
01:48:06,190 --> 01:48:08,570
♪ Once there was a way ♪
1902
01:48:08,650 --> 01:48:10,230
♪ Once upon a time ♪
1903
01:48:11,100 --> 01:48:14,230
♪ There lived a… ♪
1904
01:48:14,310 --> 01:48:16,230
That really should be
like a fairy tale, though.
1905
01:48:16,810 --> 01:48:19,270
-Once upon a time there lived a princess.
-[shutter clicks]
1906
01:48:19,350 --> 01:48:23,270
♪ Once upon a time ♪
1907
01:48:23,350 --> 01:48:26,930
♪ There lived a king ♪
1908
01:48:27,020 --> 01:48:32,520
♪ Sleep, pretty darling
Do not cry ♪
1909
01:48:33,810 --> 01:48:37,230
♪ And I will sing a lullaby ♪
1910
01:48:37,310 --> 01:48:39,560
And the king will sing a lullaby.
[chuckles]
1911
01:48:40,350 --> 01:48:42,730
♪ La, la, la, la, la ♪
1912
01:48:44,980 --> 01:48:46,690
[vocalizing]
1913
01:48:47,310 --> 01:48:49,440
[Paul] No, it's one you'd know,
the original one.
1914
01:48:49,520 --> 01:48:51,020
But just at the end of it, it goes…
1915
01:48:51,100 --> 01:48:56,560
♪ And I will sing a lullaby ♪
1916
01:48:59,520 --> 01:49:02,560
Should be ready for
a Songs for Swingin' Lovers album soon.
1917
01:49:02,650 --> 01:49:04,530
[laughing]
1918
01:49:10,190 --> 01:49:14,270
I was just so hungry today,
I had to be late just to eat me breakfast.
1919
01:49:14,350 --> 01:49:15,640
[shutter clicks]
1920
01:49:17,690 --> 01:49:18,690
[all laugh]
1921
01:49:19,400 --> 01:49:21,070
[shutter clicks]
1922
01:49:21,150 --> 01:49:23,230
[Paul]
I have a bit which might interest you.
1923
01:49:23,310 --> 01:49:25,480
I was thinking for a song for Ringo.
1924
01:49:25,560 --> 01:49:28,350
Like… Like a story.
1925
01:49:28,440 --> 01:49:30,980
A bit like "Act Naturally"
where you sort of-- [vocalizes]
1926
01:49:31,060 --> 01:49:33,980
But all they said was, well,
you've got to act naturally.
1927
01:49:34,060 --> 01:49:37,770
So… it was like a comedy when I heard it,
you know? It was like…
1928
01:49:37,850 --> 01:49:42,270
♪ Boy, you're gonna carry that weight ♪
1929
01:49:42,350 --> 01:49:46,180
♪ Carry that weight a long time ♪
1930
01:49:46,270 --> 01:49:50,150
♪ Boy, you're gonna carry that weight ♪
1931
01:49:50,230 --> 01:49:53,610
♪ Carry that weight a long time ♪
1932
01:49:53,690 --> 01:49:55,980
♪ Well, I get drunk tonight… ♪
1933
01:49:56,060 --> 01:49:57,770
[sings indistinctly]
1934
01:49:57,850 --> 01:50:01,680
♪ She said… [indistinct]
You do my fricking head ♪
1935
01:50:01,770 --> 01:50:05,600
♪ I said… [indistinct]
Been telling on and on ♪
1936
01:50:05,690 --> 01:50:09,690
♪ But every time I try to do it
No, it don't take long ♪
1937
01:50:09,770 --> 01:50:13,650
♪ Boy, you're gonna carry that weight ♪
1938
01:50:13,730 --> 01:50:16,900
♪ Carry that weight a long time ♪
1939
01:50:17,650 --> 01:50:21,280
♪ Boy, you're gonna carry that weight ♪
1940
01:50:21,350 --> 01:50:24,600
♪ Carry that weight a long time ♪
1941
01:50:31,150 --> 01:50:32,400
[shutter clicks]
1942
01:50:36,100 --> 01:50:37,390
[chuckling]
1943
01:50:37,480 --> 01:50:40,860
♪ Boy, you're gonna carry that weight ♪
1944
01:50:40,940 --> 01:50:44,230
♪ Carry that weight a long time ♪
1945
01:50:44,310 --> 01:50:45,890
♪ Yeah, boy ♪
1946
01:50:49,480 --> 01:50:52,400
["The Castle Of The King
Of The Birds" playing]
1947
01:51:22,650 --> 01:51:26,860
♪ Well, I love you in the morning
Girl ♪
1948
01:51:26,940 --> 01:51:28,690
♪ I love you ♪
1949
01:51:28,770 --> 01:51:30,600
♪ Ooh ♪
1950
01:51:30,690 --> 01:51:34,480
♪ And I love you in the morning
Girl ♪
1951
01:51:34,560 --> 01:51:36,230
♪ I do ♪
1952
01:51:38,560 --> 01:51:43,140
♪ I love you every minute
Girl, I do ♪
1953
01:52:01,060 --> 01:52:02,140
-[laughs]
-[George] Yes.
1954
01:52:08,940 --> 01:52:12,400
[Mal] Kevin? Kevin, can we have
some toast and tea, please?
1955
01:52:12,480 --> 01:52:14,060
It's tea time now, man.
1956
01:52:14,650 --> 01:52:16,280
[John] Can we have some more tea, Kevin?
1957
01:52:16,350 --> 01:52:18,430
I need sort of, like,
a gallon in the morning.
1958
01:52:18,980 --> 01:52:22,190
-[George] Do you have access to real tea?
-[John] I've got nice tea with us.
1959
01:52:22,270 --> 01:52:24,730
-Not that piss posh stuff.
-[Yoko laughs]
1960
01:52:25,400 --> 01:52:30,440
♪ I love more than ever
Girl, I do ♪
1961
01:52:41,060 --> 01:52:41,980
[whistles]
1962
01:52:43,440 --> 01:52:44,770
Yeah.
1963
01:52:44,850 --> 01:52:47,770
And a little blues folk song.
1964
01:52:47,850 --> 01:52:49,560
-[crew] Jimmy, stick 'em up.
-Oh.
1965
01:52:49,650 --> 01:52:51,940
When we was just acoustics or something.
1966
01:52:52,020 --> 01:52:53,940
There's more skiffling on it,
and it's great,
1967
01:52:54,020 --> 01:52:55,650
'cause they don't need any backing,
really.
1968
01:52:55,730 --> 01:52:57,190
So, "Get back, get back…"
1969
01:52:57,270 --> 01:52:59,270
[Paul]
"Get back to where you once belonged."
1970
01:53:00,650 --> 01:53:02,570
Think of some words if you can.
1971
01:53:02,650 --> 01:53:05,070
I don't know what it's about.
It's about going away.
1972
01:53:05,150 --> 01:53:06,730
And then the chorus is "Get back."
1973
01:53:06,810 --> 01:53:07,810
[George] Uh…
1974
01:53:07,900 --> 01:53:11,150
[Paul] So, I just--
Actually, it's not about anything.
1975
01:53:11,230 --> 01:53:12,810
-[all laugh]
-[Paul] You know…
1976
01:53:13,400 --> 01:53:14,980
[George]
Yeah, we'll just have those words.
1977
01:53:15,060 --> 01:53:19,600
Just words that-- They're just nothing
about anything. It's just, like, rubbish.
1978
01:53:19,690 --> 01:53:23,070
[protesters chanting]
1979
01:53:25,770 --> 01:53:28,190
["Get Back" playing]
1980
01:53:28,270 --> 01:53:32,810
The Black man will have the whip hand
over the white man.
1981
01:53:32,900 --> 01:53:34,400
♪ Get back to where you once belonged ♪
1982
01:53:34,980 --> 01:53:36,690
♪ Get back ♪
1983
01:53:36,770 --> 01:53:38,150
♪ Get back ♪
1984
01:53:38,690 --> 01:53:41,690
♪ Get back to where you once belonged ♪
1985
01:53:43,020 --> 01:53:46,770
♪ Sidi Abdul Rami was a Pakistani ♪
1986
01:53:46,850 --> 01:53:49,600
♪ But he didn't live at home ♪
1987
01:53:51,150 --> 01:53:54,650
♪ Worried people said
"We don't need Pakistanis ♪
1988
01:53:54,730 --> 01:53:57,150
♪ Boy, you better travel home" ♪
1989
01:53:57,940 --> 01:53:59,770
♪ Yeah
Get back ♪
1990
01:54:00,770 --> 01:54:01,770
♪ Get back ♪
1991
01:54:02,940 --> 01:54:05,650
♪ Back to where you once belonged ♪
1992
01:54:06,350 --> 01:54:07,770
♪ Get back ♪
1993
01:54:07,850 --> 01:54:09,350
♪ Get back ♪
1994
01:54:10,230 --> 01:54:13,020
♪ Get back to where you once belonged ♪
1995
01:54:14,480 --> 01:54:18,190
♪ Alberto Marin was a Puerto Rican ♪
1996
01:54:18,270 --> 01:54:19,270
♪ But he… ♪
1997
01:54:19,350 --> 01:54:21,600
[singing continues, indistinct]
1998
01:54:22,480 --> 01:54:26,110
♪ Born in… [scats]
Don't dig no Puerto Ricans ♪
1999
01:54:26,190 --> 01:54:29,020
♪ Living in the USA ♪
2000
01:54:29,100 --> 01:54:31,180
♪ Oh, get back ♪
2001
01:54:31,810 --> 01:54:33,350
♪ Get back ♪
2002
01:54:33,850 --> 01:54:36,350
♪ Get back to where you once belonged ♪
2003
01:54:36,440 --> 01:54:38,940
-[chattering]
-[George] Just playing more on these…
2004
01:54:41,900 --> 01:54:42,900
[Glyn] It just fades back.
2005
01:54:44,020 --> 01:54:46,190
-Play some piano with it.
-[George] Folk blues.
2006
01:54:48,270 --> 01:54:51,650
♪ Tonight Enoch Powell said
Get out, immigrants ♪
2007
01:54:51,730 --> 01:54:53,690
♪ Immigrants a-better go home ♪
2008
01:54:54,560 --> 01:54:57,770
♪ Tonight Harold Wilson
Said to the immigrants ♪
2009
01:54:57,850 --> 01:55:00,680
♪ You better get back
To your Commonwealth homes ♪
2010
01:55:00,770 --> 01:55:05,270
♪ Yeah, yeah, yeah
They said you better get back home ♪
2011
01:55:07,190 --> 01:55:10,150
♪ Enoch Powell said to the folks ♪
2012
01:55:10,230 --> 01:55:12,480
♪ He said you wear
The color of your skin ♪
2013
01:55:13,310 --> 01:55:16,640
♪ He said he don't care what it's
All about ♪
2014
01:55:16,730 --> 01:55:17,940
[mumbling]
2015
01:55:19,350 --> 01:55:22,600
♪ So Ted Heath said to Enoch Powell ♪
2016
01:55:22,690 --> 01:55:26,020
♪ He said you better get out
Or else you'll go to trial ♪
2017
01:55:26,100 --> 01:55:29,310
♪ Enoch Powell
Enoch, you better go home ♪
2018
01:55:32,400 --> 01:55:33,610
♪ Commonwealth ♪
2019
01:55:33,690 --> 01:55:35,020
♪ Yes ♪
2020
01:55:35,100 --> 01:55:36,930
♪ Commonwealth ♪
2021
01:55:37,020 --> 01:55:37,980
♪ Yes ♪
2022
01:55:38,770 --> 01:55:40,100
♪ Commonwealth ♪
2023
01:55:40,190 --> 01:55:41,520
♪ Yes ♪
2024
01:55:42,100 --> 01:55:43,310
♪ Commonwealth ♪
2025
01:55:43,400 --> 01:55:44,820
♪ Yes ♪
2026
01:55:44,900 --> 01:55:48,690
[Paul] ♪ If you don't want trouble
Then you better go back to home ♪
2027
01:55:51,190 --> 01:55:54,480
♪ So I went to Pakistani
I went to India ♪
2028
01:55:54,560 --> 01:55:57,480
♪ I've been to old Calcutta
And I've had enough of that ♪
2029
01:55:57,560 --> 01:55:59,810
-♪ I'm coming back ♪
-♪ Yes ♪
2030
01:55:59,900 --> 01:56:03,030
-[Paul] ♪ To England town ♪
-♪ Yes, welcome ♪
2031
01:56:04,150 --> 01:56:07,900
♪ And dirty Enoch Powell
And he's had enough of Parliament ♪
2032
01:56:10,520 --> 01:56:13,940
♪ Well, I trekked down to Australia
And said to New Zealand ♪
2033
01:56:14,020 --> 01:56:17,100
♪ You better come live with us
We're gonna have some fun ♪
2034
01:56:17,190 --> 01:56:20,230
♪ We're going up to India
We'll go to Pakistan ♪
2035
01:56:20,310 --> 01:56:21,980
♪ We're coming up to Europe and… ♪
2036
01:56:22,060 --> 01:56:23,810
[singing, indistinct]
2037
01:56:23,900 --> 01:56:27,030
♪ And dirty Enoch Powell and his… ♪
2038
01:56:27,100 --> 01:56:29,390
[singing, indistinct]
2039
01:56:29,480 --> 01:56:31,650
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
2040
01:56:33,350 --> 01:56:35,270
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
2041
01:56:36,190 --> 01:56:38,190
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
2042
01:56:39,060 --> 01:56:41,020
♪ Oh, hear me talking
Commonwealth ♪
2043
01:56:43,810 --> 01:56:47,350
♪ Yeah, the Commonwealth
But it's much too wealthy for me ♪
2044
01:56:47,440 --> 01:56:51,190
Much too common for me.
Much too common for me.
2045
01:56:51,270 --> 01:56:52,560
♪ Too common for me ♪
2046
01:56:52,650 --> 01:56:53,650
[John] Oh, yeah.
2047
01:56:53,730 --> 01:56:57,110
♪ I ambled to Australia
And New Zealand too ♪
2048
01:56:57,190 --> 01:57:00,230
♪ I went up to Pakistan
And India too ♪
2049
01:57:00,310 --> 01:57:03,480
♪ I came back to West Indies
And I had a cricket match ♪
2050
01:57:03,560 --> 01:57:06,770
♪ I went into South Africa
And told them to get back ♪
2051
01:57:06,850 --> 01:57:10,980
♪ Oh, Commonwealth
I said you're much too common for me ♪
2052
01:57:12,100 --> 01:57:13,100
Everybody sing!
2053
01:57:13,190 --> 01:57:15,110
-♪ Hey, Commonwealth ♪
-♪ Yes ♪
2054
01:57:16,350 --> 01:57:18,350
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
2055
01:57:19,020 --> 01:57:21,770
-♪ Enoch Powell, Commonwealth ♪
-♪ Yes ♪
2056
01:57:22,480 --> 01:57:24,730
-♪ Immigrants, Commonwealth ♪
-♪ Yes ♪
2057
01:57:26,650 --> 01:57:30,900
♪ Well, I would join the Common Market
But it's much too common for me ♪
2058
01:57:30,980 --> 01:57:31,980
♪ Yes ♪
2059
01:57:36,310 --> 01:57:39,730
♪ Oh, Enoch Powell ♪
2060
01:57:39,810 --> 01:57:42,810
[slow music playing]
2061
01:57:49,150 --> 01:57:51,570
♪ Oh, Enoch Powell ♪
2062
01:58:01,270 --> 01:58:04,310
-I'll be taking me shirt off.
-[George] Do it in D. I'll play with you.
2063
01:58:04,400 --> 01:58:05,820
[Michael] Do you have a tattoo?
2064
01:58:06,940 --> 01:58:09,270
[chattering]
2065
01:58:09,350 --> 01:58:11,850
-[crew] First chance we've had…
-[Paul] So, do you want to try the--
2066
01:58:11,940 --> 01:58:13,270
-Once more.
-[laughs]
2067
01:58:13,350 --> 01:58:15,310
Get it over here,
that's where we're playing…
2068
01:58:15,400 --> 01:58:18,860
-With feeling. With Felix.
-With Felix. [laughing]
2069
01:58:18,940 --> 01:58:21,820
One, two, three, four.
2070
01:58:21,900 --> 01:58:24,320
["She Came In
Through The Bathroom Window" playing]
2071
01:58:25,270 --> 01:58:28,270
And this is something that happened to me
quite recently.
2072
01:58:29,400 --> 01:58:32,980
♪ She came in through
The bathroom window ♪
2073
01:58:35,980 --> 01:58:39,610
♪ Protected by a silver spoon ♪
2074
01:58:42,150 --> 01:58:45,150
♪ But now she sucks her thumb
And wonders ♪
2075
01:58:45,230 --> 01:58:46,730
[John] Get off!
2076
01:58:46,810 --> 01:58:51,230
[Paul] ♪ By the banks of her own lagoon ♪
2077
01:58:51,310 --> 01:58:54,730
♪ Didn't anybody tell her? ♪
2078
01:58:57,480 --> 01:59:00,480
♪ Didn't anybody see? ♪
2079
01:59:03,020 --> 01:59:07,190
♪ Sunday's on the phone to Monday ♪
2080
01:59:09,150 --> 01:59:12,940
♪ Tuesday's on the phone to me ♪
2081
01:59:14,190 --> 01:59:17,860
♪ She said she'd always been a dancer ♪
2082
01:59:20,520 --> 01:59:23,520
♪ She worked at 15 clubs a day ♪
2083
01:59:23,600 --> 01:59:25,600
[John] Worked in 15 clubs a day?
2084
01:59:25,690 --> 01:59:26,860
[Paul] Yeah!
2085
01:59:26,940 --> 01:59:29,360
♪ And though she thought
I had the answer ♪
2086
01:59:33,020 --> 01:59:35,770
♪ I just had to sail away ♪
2087
01:59:35,850 --> 01:59:39,480
♪ Didn't anybody tell her? ♪
2088
01:59:40,520 --> 01:59:41,980
♪ No, no, no, no ♪
2089
01:59:42,060 --> 01:59:45,310
♪ Didn't anybody see? ♪
2090
01:59:46,400 --> 01:59:47,650
[indistinct]
2091
01:59:47,730 --> 01:59:51,650
♪ Sunday's on the phone to Monday ♪
2092
01:59:53,810 --> 01:59:57,020
♪ Tuesday's on the phone to me ♪
2093
01:59:57,100 --> 01:59:58,430
Yeah, she is.
2094
01:59:59,400 --> 02:00:02,320
♪ And so I quit the police department ♪
2095
02:00:02,400 --> 02:00:03,440
Get a job, cop!
2096
02:00:05,480 --> 02:00:07,940
♪ And got myself a proper job ♪
2097
02:00:08,020 --> 02:00:10,810
Bloody about time, too, if you ask me!
2098
02:00:11,600 --> 02:00:14,890
♪ And though she tried her best
To help me ♪
2099
02:00:14,980 --> 02:00:16,810
He bloody need it too.
2100
02:00:16,900 --> 02:00:20,780
♪ She could steal
But she could not rob ♪
2101
02:00:20,850 --> 02:00:24,230
♪ Didn't anybody tell her? ♪
2102
02:00:26,980 --> 02:00:30,310
♪ Didn't anybody see? ♪
2103
02:00:30,400 --> 02:00:31,860
♪ Whoa ♪
2104
02:00:32,650 --> 02:00:36,900
♪ Sunday's on the phone to Monday ♪
2105
02:00:39,020 --> 02:00:42,520
♪ Tuesday's on the phone to me ♪
2106
02:00:45,100 --> 02:00:48,730
Hello. This is Tuesday speaking.
2107
02:00:48,810 --> 02:00:50,100
[chuckles]
2108
02:00:50,190 --> 02:00:51,570
Is that Paul?
2109
02:00:51,650 --> 02:00:54,400
-[chuckles]
-I'd like to have a word with you.
2110
02:00:54,480 --> 02:00:56,650
I've got something of his in the garden.
2111
02:00:56,730 --> 02:00:59,400
-I have something of interest for you.
-[laughs]
2112
02:00:59,940 --> 02:01:01,940
[imitating Elvis]
♪ Well, any old time of day ♪
2113
02:01:02,020 --> 02:01:03,350
♪ All you wanna hear me say ♪
2114
02:01:03,440 --> 02:01:06,360
♪ It's crazy, baby
It's crazy, yeah ♪
2115
02:01:11,100 --> 02:01:13,230
♪ God bless our gracious king ♪
2116
02:01:13,980 --> 02:01:14,980
[all laugh]
2117
02:01:15,560 --> 02:01:18,270
[George]
If we are in a groovy location place,
2118
02:01:18,350 --> 02:01:22,430
we can make the show about different bits
and pieces of what we've done.
2119
02:01:22,520 --> 02:01:25,810
Or we have to do it
in one consecutive piece.
2120
02:01:26,900 --> 02:01:29,860
[John] I think we could do both, you see?
We should do it about three times.
2121
02:01:29,940 --> 02:01:32,320
We'd settle on one day when we say,
"This is the show."
2122
02:01:32,400 --> 02:01:34,860
But we'd do a, like, dress rehearsal.
2123
02:01:34,940 --> 02:01:37,690
[George] Okay. Shall we do
some other people's tunes as well?
2124
02:01:37,770 --> 02:01:39,730
-That'd be nice.
-[John] I don't know any.
2125
02:01:39,810 --> 02:01:41,640
I can only just bear doing
your lot's songs.
2126
02:01:41,730 --> 02:01:42,770
[chuckles]
2127
02:01:48,980 --> 02:01:52,400
["Honey Hush" playing]
2128
02:02:00,940 --> 02:02:05,610
♪ I love you more each day
Girl, I do ♪
2129
02:02:09,270 --> 02:02:13,190
♪ So I got me a lorry
And I took a ride ♪
2130
02:02:13,270 --> 02:02:15,190
-[John] This isn't Daddy's tea, is it?
-[Yoko] No.
2131
02:02:15,270 --> 02:02:17,650
[John] Daddy doesn't like
this chemical tea, you know?
2132
02:02:17,730 --> 02:02:21,480
It turns me off but blows my mind
and floats me upstream.
2133
02:02:21,560 --> 02:02:25,480
♪ Baa, baa, baa
Baa, baa, baa ♪
2134
02:02:25,560 --> 02:02:29,230
♪ Black sheep
Have you any wool? ♪
2135
02:02:29,310 --> 02:02:30,520
[Paul] ♪ Come on, Suzy Parker ♪
2136
02:02:30,600 --> 02:02:34,980
[John] ♪ I said, come on, Suzy Parker
Everybody's welcome to come ♪
2137
02:02:35,060 --> 02:02:37,850
[Paul] ♪ Suzy Parker
Come on, Suzy Parker ♪
2138
02:02:37,940 --> 02:02:41,900
♪ Yeah, you come to Suzy Parker
Everybody gets well done ♪
2139
02:02:41,980 --> 02:02:43,270
♪ Come on, Suzy Parker ♪
2140
02:02:43,350 --> 02:02:46,430
[vocalizing]
2141
02:02:57,100 --> 02:03:00,020
♪ Well, cheers, babycake
Baby, please don't lose… ♪
2142
02:03:00,100 --> 02:03:03,930
-["House of the Rising Sun" playing]
-[both groaning]
2143
02:03:08,480 --> 02:03:10,690
[Paul screeches]
2144
02:03:10,770 --> 02:03:14,730
♪ I know I'm one ♪
2145
02:03:14,810 --> 02:03:16,140
-[laughs]
-He's one, all right.
2146
02:03:18,400 --> 02:03:21,820
[vocalizes]
2147
02:03:21,900 --> 02:03:24,610
[John] If we can just have a sort of
permanent mic on the piano,
2148
02:03:24,690 --> 02:03:26,020
and a permanent mic for me.
2149
02:03:26,100 --> 02:03:28,060
[Paul] So we can hear
both of them, you see, Glyn?
2150
02:03:28,150 --> 02:03:29,980
-[Glyn] Great.
-Hah.
2151
02:03:30,060 --> 02:03:33,060
["Mama, You Been on My Mind" playing]
2152
02:03:37,270 --> 02:03:41,770
♪ Perhaps it's the color
Of the sun cut flat ♪
2153
02:03:41,850 --> 02:03:47,180
♪ And covering the crossroads
I'm standing at ♪
2154
02:03:49,190 --> 02:03:53,520
♪ Or maybe it's the weather
Or something like that ♪
2155
02:03:54,520 --> 02:03:57,810
♪ Mama, you're just on my mind ♪
2156
02:04:02,060 --> 02:04:05,270
Words are flowing out
like endless rain into a paper cup.
2157
02:04:05,350 --> 02:04:06,810
Dear Apple. [chuckles]
2158
02:04:06,900 --> 02:04:10,190
They slither wildly as they slip away
across the universe.
2159
02:04:10,270 --> 02:04:14,400
♪ Words are flowing out
Like endless rain into a paper cup ♪
2160
02:04:14,480 --> 02:04:19,060
♪ They slither wildly
As they slip away across the universe ♪
2161
02:04:19,150 --> 02:04:20,860
[John] "Shakin' in the Sixties!"
2162
02:04:21,980 --> 02:04:25,060
♪ Shakin' in the '60s
With a book bought by Dick James ♪
2163
02:04:26,100 --> 02:04:29,430
♪ Shakin' in the '60s
With a book bought by Dick James ♪
2164
02:04:29,520 --> 02:04:31,940
[Paul] The noise is a little too loud
for me. [chuckles]
2165
02:04:32,020 --> 02:04:34,350
[John]
Leave the group then if you don't like it.
2166
02:04:34,440 --> 02:04:36,520
-[chuckling]
-Come on. I've done all mine.
2167
02:04:37,400 --> 02:04:38,570
Both of mine.
2168
02:04:38,650 --> 02:04:42,150
So, we'll go through it once
and just roughly get it in our heads.
2169
02:04:42,230 --> 02:04:44,020
Do you want the bass in for the riff?
2170
02:04:44,100 --> 02:04:45,100
[singing, indistinct]
2171
02:04:45,190 --> 02:04:46,940
Do you want the bass in with the riff?
2172
02:04:47,520 --> 02:04:48,770
-Don't know.
-[John] Okay.
2173
02:04:48,850 --> 02:04:51,180
Well, I'll just play it by ear then.
2174
02:04:51,270 --> 02:04:52,650
So then it goes…
2175
02:04:52,730 --> 02:04:56,270
♪ When I find myself in times of trouble ♪
2176
02:04:56,350 --> 02:04:59,560
♪ Mother Mary comes to me ♪
2177
02:04:59,650 --> 02:05:04,360
♪ Speaking words of wisdom
Let it be ♪
2178
02:05:05,980 --> 02:05:11,310
♪ And in my hour of darkness
She is standing right in front of me ♪
2179
02:05:12,100 --> 02:05:16,430
♪ Speaking words of wisdom
Let it be ♪
2180
02:05:17,730 --> 02:05:20,560
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2181
02:05:20,650 --> 02:05:23,610
-♪ Let it be, let it be ♪
-♪ Oh ♪
2182
02:05:24,690 --> 02:05:29,020
♪ Whisper words of wisdom
Let it be ♪
2183
02:05:29,100 --> 02:05:30,890
[John] ♪ Let it be ♪
2184
02:05:30,980 --> 02:05:34,020
♪ And all the broken-hearted people ♪
2185
02:05:34,100 --> 02:05:37,270
[vocalizing]
2186
02:05:39,940 --> 02:05:42,480
♪ Let it be ♪
2187
02:05:43,770 --> 02:05:45,310
♪ Whenever I'm in… ♪
2188
02:05:45,400 --> 02:05:46,400
[vocalizing]
2189
02:05:46,480 --> 02:05:49,690
♪ Brother Malcolm, Mary
Na, na, na ♪
2190
02:05:50,560 --> 02:05:52,520
[vocalizing continues]
2191
02:05:53,190 --> 02:05:54,900
♪ Let it be ♪
2192
02:05:54,980 --> 02:05:57,520
[Paul] No, keep that. [vocalizes]
The rhythm of that bit.
2193
02:05:57,600 --> 02:05:59,980
[George] I just feel it needs
something really sustained.
2194
02:06:00,060 --> 02:06:01,730
-[John] Yeah, how about some words?
-[chuckles]
2195
02:06:01,810 --> 02:06:02,980
-[laughing]
-[Paul vocalizes]
2196
02:06:03,060 --> 02:06:04,020
[George] Thanks.
2197
02:06:04,100 --> 02:06:06,480
["Let It Be" playing]
2198
02:06:07,770 --> 02:06:09,810
[Paul vocalizing]
2199
02:06:09,900 --> 02:06:11,980
♪ Let it be ♪
2200
02:06:13,060 --> 02:06:16,310
[vocalizing]
2201
02:06:16,400 --> 02:06:17,820
♪ Words of wisdom… ♪
2202
02:06:17,900 --> 02:06:21,940
[vocalizing]
2203
02:06:22,020 --> 02:06:23,190
♪ Let it be ♪
2204
02:06:23,270 --> 02:06:24,850
-Yeah?
-[George] Yeah. Like…
2205
02:06:24,940 --> 02:06:29,110
♪ Words of wisdom
Let it be ♪
2206
02:06:30,310 --> 02:06:33,640
[vocalizing]
2207
02:06:36,100 --> 02:06:38,890
-The way I was playing, was starting on F.
-[Paul] G.
2208
02:06:38,980 --> 02:06:41,690
"Whisper words of wisdom,
let it be, let it be."
2209
02:06:41,770 --> 02:06:44,400
-[vocalizes]
-♪ Down to C, down to… ♪
2210
02:06:44,480 --> 02:06:47,520
But I end up on the wrong one
when you're all moving on to F.
2211
02:06:47,600 --> 02:06:50,060
-♪ Whisper words of wisdom ♪
-♪ Words of G ♪
2212
02:06:50,150 --> 02:06:51,320
♪ Let it be, let it be ♪
2213
02:06:51,400 --> 02:06:54,570
F, C, G.
2214
02:06:54,650 --> 02:06:57,610
-Oh, miss the F?
-C, G, to C.
2215
02:06:57,690 --> 02:07:00,230
So, yes. So then, you see, you get this…
2216
02:07:00,310 --> 02:07:03,600
"Whisper words of wisdom,
let it be, let it be…"
2217
02:07:03,690 --> 02:07:05,570
[vocalizing]
2218
02:07:05,650 --> 02:07:06,650
You play that.
2219
02:07:06,730 --> 02:07:10,810
♪ Whisper words of wisdom
Let it be ♪
2220
02:07:15,350 --> 02:07:17,850
It seems that it's all happening
2221
02:07:18,440 --> 02:07:20,940
a little bit too quickly
with them both coming in at the same time.
2222
02:07:21,020 --> 02:07:22,400
-[Paul] Yeah.
-That's all.
2223
02:07:22,480 --> 02:07:25,310
[John] When do the drums first come in,
guitar, and all that?
2224
02:07:25,400 --> 02:07:27,860
Well, Glyn's saying
first time they come in…
2225
02:07:27,940 --> 02:07:29,820
-He seems to be arranging this. Come on.
-[laughs]
2226
02:07:29,900 --> 02:07:31,230
-Go on.
-[piano playing]
2227
02:07:31,310 --> 02:07:33,520
[Paul vocalizing]
2228
02:07:37,350 --> 02:07:40,060
[vocalizing continues]
2229
02:07:40,150 --> 02:07:40,980
♪ Let it… ♪
2230
02:07:41,060 --> 02:07:43,890
-[Paul] Could have bass there with a…
-[John] Only if you ask nicely.
2231
02:07:43,980 --> 02:07:48,150
-[piano playing]
-[Paul vocalizes]
2232
02:07:48,230 --> 02:07:50,690
-[John] You want me on the verse?
-[Paul] Yeah. Come in, bass.
2233
02:07:50,770 --> 02:07:52,690
[John]
On the verse when he comes chapping…
2234
02:07:52,770 --> 02:07:54,600
-[Paul] Well, I was thinking of it, yeah.
-[John] Yeah.
2235
02:07:54,690 --> 02:07:56,400
-Glyn and I have thought…
-[Paul] Glyn and…
2236
02:07:56,480 --> 02:07:58,190
[John] ♪ Let it be
Let it be ♪
2237
02:07:58,270 --> 02:08:00,310
One, two, three.
2238
02:08:00,400 --> 02:08:04,030
♪ When I find myself in times of trouble ♪
2239
02:08:04,100 --> 02:08:06,560
♪ Mother Mary comes to me ♪
2240
02:08:07,350 --> 02:08:11,310
♪ Speaking words of wisdom
Let it be ♪
2241
02:08:11,400 --> 02:08:13,530
[no audible dialogue]
2242
02:08:13,600 --> 02:08:19,850
♪ And in my hour of darkness
She is standing right in front of me ♪
2243
02:08:19,940 --> 02:08:24,360
[Paul] ♪ Speaking words of wisdom
Let it be ♪
2244
02:08:25,520 --> 02:08:28,980
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2245
02:08:29,060 --> 02:08:32,060
-♪ Let it be, let it be ♪
-♪ Oh ♪
2246
02:08:32,770 --> 02:08:36,730
♪ Whisper words of wisdom
Let it be ♪
2247
02:08:36,810 --> 02:08:38,640
♪ Let it be ♪
2248
02:08:39,230 --> 02:08:45,020
♪ For all the broken-hearted people
Heaven above must agree ♪
2249
02:08:46,150 --> 02:08:50,230
[vocalizing]
2250
02:08:52,230 --> 02:08:55,230
[vocalizing continues]
2251
02:09:01,560 --> 02:09:03,140
♪ Let it be ♪
2252
02:09:04,600 --> 02:09:07,930
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2253
02:09:08,020 --> 02:09:11,480
-♪ Let it be, let it be ♪
-♪ Oh ♪
2254
02:09:11,560 --> 02:09:15,810
♪ Read the Record Mirror
Let it be ♪
2255
02:09:17,310 --> 02:09:19,020
[vocalizing]
2256
02:09:34,770 --> 02:09:36,770
[music fades, stops]
2257
02:09:36,850 --> 02:09:39,390
[Ringo]
Forty million Churchills can't be wrong.
2258
02:09:41,350 --> 02:09:43,930
Forty million Churchills can't be wrong,
but one de Gaulle can.
2259
02:09:44,020 --> 02:09:45,600
-[laughs]
-[Paul] We've got a charming one here.
2260
02:09:45,690 --> 02:09:47,730
"I Wish I Had Died in My Cradle."
2261
02:09:47,810 --> 02:09:49,980
[all laugh]
2262
02:09:50,060 --> 02:09:51,480
[Ringo] I don't know.
2263
02:09:53,310 --> 02:09:55,140
"Lisp Of A Baby's Prayer."
2264
02:09:55,230 --> 02:09:56,230
[chuckles]
2265
02:09:56,310 --> 02:09:58,140
[Paul] "Alphabet Song." What's that one?
2266
02:09:58,230 --> 02:10:00,770
Oh, Christ,
I don't know the whole catalog yet.
2267
02:10:00,850 --> 02:10:03,480
4,000 songs is a lot to absorb.
2268
02:10:03,560 --> 02:10:05,730
-In the morning?
-Perhaps.
2269
02:10:05,810 --> 02:10:09,100
-"Nobody Loves a Fairy When She's Forty."
-[laughs]
2270
02:10:10,730 --> 02:10:12,480
[Paul] This is it? This is the lot?
2271
02:10:12,560 --> 02:10:16,600
This is a very good list.
That's the entire catalog up to '65.
2272
02:10:17,440 --> 02:10:18,440
Yeah. Yeah.
2273
02:10:18,520 --> 02:10:20,560
Is this the catalog
that's just gone on sale?
2274
02:10:20,650 --> 02:10:22,650
-It's the one we just bought.
-You bought it. Oh, great.
2275
02:10:24,020 --> 02:10:26,020
[whistling]
2276
02:10:28,100 --> 02:10:31,850
-Which includes Paul and John. And--
-Just about.
2277
02:10:31,940 --> 02:10:34,570
-What are you talking about, "Just about"?
-Nothing. Uh, no comment.
2278
02:10:35,310 --> 02:10:36,890
Very substantially, sir.
2279
02:10:36,980 --> 02:10:38,190
Yes, right. Okay.
2280
02:10:42,100 --> 02:10:45,350
-[Michael] Mm-hmm. Marvelous catalog.
-[Dick] Oh, it's an incredible catalog.
2281
02:10:45,440 --> 02:10:48,940
And we'll start on reprinting
a great deal of this music,
2282
02:10:49,020 --> 02:10:52,980
because sheet music and song albums
is an expanding market now.
2283
02:10:53,060 --> 02:10:54,690
Right, right. [chuckles] Yeah, yeah.
2284
02:10:54,770 --> 02:10:58,560
You know, 12 songs for five bob
is more than ample. That's good value.
2285
02:11:03,900 --> 02:11:05,070
-[Dick] Yeah.
-Great.
2286
02:11:15,020 --> 02:11:16,060
[Dick] Yeah.
2287
02:11:16,150 --> 02:11:18,980
-"Carolina Moon," my Uncle Ron's favorite.
-[Dick] Well.
2288
02:11:19,060 --> 02:11:21,390
He sings it at all the parties.
[imitating uncle] All right!
2289
02:11:21,480 --> 02:11:24,940
♪ Carolina Moon ♪
2290
02:11:25,020 --> 02:11:26,060
Come on, Paul.
2291
02:11:26,150 --> 02:11:27,230
The Copyright Act
2292
02:11:27,310 --> 02:11:31,270
and the payment for a performance
of a fee didn't start until 1911.
2293
02:11:31,350 --> 02:11:33,100
But who buys sheet music?
2294
02:11:33,190 --> 02:11:34,730
Is it mainly piano people?
2295
02:11:34,810 --> 02:11:36,520
[Dick] No. Guitar people.
2296
02:11:44,350 --> 02:11:45,350
[Paul] Yeah.
2297
02:11:47,650 --> 02:11:50,940
[Paul] Well, a lot of our stuff,
I don't know whether it does any more,
2298
02:11:51,020 --> 02:11:54,020
because we always publish our lyrics now,
you know?
2299
02:11:54,100 --> 02:11:57,100
But you see,
particularly where the boys are concerned,
2300
02:11:57,190 --> 02:11:58,770
they create the song, right?
2301
02:11:58,850 --> 02:12:01,890
And I give it to my music scribe
and he has to take it down.
2302
02:12:01,980 --> 02:12:03,730
And he's a very good man,
very experienced.
2303
02:12:05,150 --> 02:12:08,690
He can make mistakes,
but in an effort to eliminate this now
2304
02:12:08,770 --> 02:12:11,900
we check the lyrics with John and Paul,
they okay the lyric…
2305
02:12:16,190 --> 02:12:17,940
-Hi.
-Hi, George.
2306
02:12:22,230 --> 02:12:23,310
-Hi, George.
-[Michael] Hi, man.
2307
02:12:27,940 --> 02:12:29,940
[Dick] I'm well aware.
You're very welcome.
2308
02:12:33,190 --> 02:12:36,520
Something to drink out of
or the wife can throw?
2309
02:12:38,400 --> 02:12:40,070
Which I sang in my heyday.
2310
02:12:40,150 --> 02:12:41,690
[chattering]
2311
02:12:41,770 --> 02:12:42,940
-Hi, Georgie.
-Hi, Mike.
2312
02:12:43,020 --> 02:12:44,310
[Michael] Hi, George. How are you?
2313
02:12:49,980 --> 02:12:51,730
It doesn't even seem high to me.
2314
02:12:51,810 --> 02:12:54,190
-Well, these are gilt-edged songs.
-[piano music playing]
2315
02:12:54,270 --> 02:12:55,810
[Paul singing]
2316
02:12:55,900 --> 02:12:57,190
-Morgen.
-Morning.
2317
02:12:57,270 --> 02:12:59,850
-[George] Didn't Neil ring you last night?
-No.
2318
02:13:08,600 --> 02:13:09,600
[Michael] Take hold of this.
2319
02:13:09,690 --> 02:13:11,520
If anybody says
anything interesting, remember it.
2320
02:13:11,600 --> 02:13:13,640
-[Ringo] Not really.
-[all laugh]
2321
02:13:15,560 --> 02:13:20,100
Uh… Neil would like us to have a meeting.
2322
02:13:20,190 --> 02:13:21,730
-[John] Saturday?
-[George] Yes.
2323
02:13:21,810 --> 02:13:23,640
He was very excited and--
2324
02:13:23,730 --> 02:13:25,730
-Was he? Good news or--
-Yes. Very.
2325
02:13:25,810 --> 02:13:27,640
Oh, all right, I'll come for good news.
[chuckles]
2326
02:13:27,730 --> 02:13:28,730
[indistinct]
2327
02:13:30,400 --> 02:13:31,570
You watching?
2328
02:13:31,650 --> 02:13:32,690
Yeah.
2329
02:13:36,020 --> 02:13:38,560
Yeah, I think it's gonna be
a double-sider.
2330
02:13:38,650 --> 02:13:42,690
And, uh, we've set it for release--
We've set it for release in the States.
2331
02:13:42,770 --> 02:13:44,980
She's doing it on The Rolf Harris Show
tomorrow night.
2332
02:13:45,060 --> 02:13:47,690
-[Paul] Is she one of your artists?
-She's an EMI artist.
2333
02:13:47,770 --> 02:13:50,730
And we have some territories,
2334
02:13:50,810 --> 02:13:53,060
then EMI puts them out in other places.
2335
02:13:53,560 --> 02:13:55,520
-[Paul] Okay, shall we start?
-Yeah.
2336
02:13:55,600 --> 02:13:56,850
[chattering]
2337
02:13:56,940 --> 02:13:58,150
I'll send some, um…
2338
02:13:58,900 --> 02:14:00,610
I'll send some discs down, Paul.
2339
02:14:01,190 --> 02:14:02,150
[Paul] Okay.
2340
02:14:02,230 --> 02:14:03,940
[Dick] Should have pressings up, um…
2341
02:14:04,020 --> 02:14:07,650
Well, I think they were up last night, but
they were up too late for me to get them.
2342
02:14:08,900 --> 02:14:10,730
["Get Back" playing]
2343
02:14:10,810 --> 02:14:14,100
[vocalizing]
2344
02:14:16,900 --> 02:14:18,440
[laughs] That was a nice start.
2345
02:14:27,520 --> 02:14:31,310
[John] ♪ Put on your hi-heel sneakers ♪
2346
02:14:31,940 --> 02:14:32,940
[Ringo] Bye, Dick.
2347
02:14:33,020 --> 02:14:35,730
♪ Cause we're goin' out tonight ♪
2348
02:14:40,850 --> 02:14:44,180
♪ Put on your hi-heel sneakers ♪
2349
02:14:45,900 --> 02:14:48,980
♪ Cause we're goin' out tonight ♪
2350
02:14:49,060 --> 02:14:50,140
♪ We are ♪
2351
02:14:54,730 --> 02:14:57,650
♪ And bring along some boxin' gloves ♪
2352
02:14:58,900 --> 02:15:02,440
♪ In case some fool might wanna fight ♪
2353
02:15:07,400 --> 02:15:08,400
[Paul]
♪ Get back ♪
2354
02:15:09,480 --> 02:15:10,940
♪ Back ♪
2355
02:15:11,020 --> 02:15:13,900
♪ Back to where you once belonged ♪
2356
02:15:15,060 --> 02:15:16,190
I dig this. I do.
2357
02:15:18,440 --> 02:15:19,900
[no audible dialogue]
2358
02:15:23,310 --> 02:15:24,520
[no audible dialogue]
2359
02:15:24,600 --> 02:15:28,230
[chords playing]
2360
02:15:28,310 --> 02:15:30,850
[chattering]
2361
02:15:35,730 --> 02:15:38,770
♪ Get back, get back ♪
2362
02:15:50,190 --> 02:15:51,480
[Paul] Yes.
2363
02:15:52,690 --> 02:15:53,690
[John] Yes, yes!
2364
02:16:04,440 --> 02:16:05,770
[music fades]
2365
02:16:05,850 --> 02:16:08,980
[John] We've never learned
so many new numbers at once. Have we?
2366
02:16:09,060 --> 02:16:10,230
[Paul] Yeah.
2367
02:16:10,310 --> 02:16:12,520
-That's it. It will be better, that.
-Yeah.
2368
02:16:14,520 --> 02:16:15,940
[Paul] Well, should we just redo this one?
2369
02:16:16,020 --> 02:16:18,060
-I still haven't got words on this.
-[John] Yes.
2370
02:16:20,900 --> 02:16:23,480
-[singing note]
-[guitar matches note]
2371
02:16:23,560 --> 02:16:25,390
[playing instruments]
2372
02:16:26,480 --> 02:16:29,360
[Paul] Yeah, let's have it like that.
Just have a big, held chord.
2373
02:16:29,440 --> 02:16:31,940
All of us just hold a chord of, like, A.
2374
02:16:32,020 --> 02:16:35,900
But you creep up with drumming.
So it goes, "One, two, three, four."
2375
02:16:35,980 --> 02:16:37,230
[instruments hold note]
2376
02:16:37,310 --> 02:16:40,230
[plays drums]
2377
02:16:40,310 --> 02:16:42,060
Only even more like, sort of…
2378
02:16:42,150 --> 02:16:45,650
[imitates guitar, drums]
2379
02:16:45,730 --> 02:16:46,860
So you…
2380
02:16:46,940 --> 02:16:50,730
You'll have to do something like lead to…
2381
02:16:50,810 --> 02:16:54,440
[sings note] What was the record?
2382
02:16:56,480 --> 02:16:58,560
-There's one record of ours.
-[John] Should be more like…
2383
02:16:58,650 --> 02:17:00,940
[vocalizing to "Get Back"]
2384
02:17:04,100 --> 02:17:05,310
[Paul] But even in the--
2385
02:17:06,230 --> 02:17:08,610
That suggests something to me. That chord.
2386
02:17:08,690 --> 02:17:10,110
-Yeah.
-[both vocalize]
2387
02:17:10,190 --> 02:17:11,480
And also, that's why I like--
2388
02:17:11,560 --> 02:17:15,350
That's why "Get Back" suggests
any old number like this.
2389
02:17:15,440 --> 02:17:18,190
So if we have harmony on it
and try and make it--
2390
02:17:18,270 --> 02:17:19,270
[John] Yes?
2391
02:17:19,770 --> 02:17:22,480
-'Cause it's a bit ordinary, isn't it?
-So-- So you don't want that?
2392
02:17:22,560 --> 02:17:25,100
The "Get Back" bit's the ordinary bit.
2393
02:17:25,190 --> 02:17:27,230
Yeah, but it's all right.
I mean, but we should--
2394
02:17:27,310 --> 02:17:29,770
We should try and get away from…
2395
02:17:29,850 --> 02:17:30,930
♪ Get back ♪
2396
02:17:31,650 --> 02:17:33,570
♪ Get back, yeah ♪
2397
02:17:33,650 --> 02:17:35,150
-Get away from that?
-Uh, no--
2398
02:17:36,190 --> 02:17:38,270
Yeah, but I know.
I mean, just get away from the way…
2399
02:17:39,440 --> 02:17:40,980
[Paul stammers]
2400
02:17:41,060 --> 02:17:44,600
Where did we get that chord? You know?
There was a song we got that chord from.
2401
02:17:45,900 --> 02:17:48,610
-There was one where we sort of--
-[John] Booker T. and the MG's.
2402
02:17:48,690 --> 02:17:51,150
-[Paul] Booker T. Yeah.
-[George] But there's lots…
2403
02:17:52,310 --> 02:17:55,850
But it's passé, you know?
It's like-- It was a couple of years ago.
2404
02:17:55,940 --> 02:17:57,730
No, it wasn't. That's just a chord.
2405
02:17:57,810 --> 02:17:59,060
I know, but, you know. Yeah, but--
2406
02:17:59,150 --> 02:18:01,980
-Chords like fashions and stuff…
-And some chords fit things.
2407
02:18:02,060 --> 02:18:03,190
But it's like drainies.
2408
02:18:03,270 --> 02:18:05,600
-Yeah, but some drainies…
-They're still drainies, but…
2409
02:18:05,690 --> 02:18:09,110
…suit different occasions
and Oxford bags--
2410
02:18:09,190 --> 02:18:13,320
[Paul] The thing is, that's good enough
for the rock and roll thing, but--
2411
02:18:14,190 --> 02:18:16,730
-No, you don't. You need, like--
-You need George Harrison.
2412
02:18:16,810 --> 02:18:18,270
-[Paul] You need George Harrison. Yeah.
-Mmm.
2413
02:18:18,350 --> 02:18:21,930
But just doing simple things
until it's your go.
2414
02:18:22,020 --> 02:18:24,600
Because I'm trying to sing louder
to get over the guitar.
2415
02:18:27,520 --> 02:18:31,440
Yeah. But--
but if you do the offbeat with Ringo.
2416
02:18:31,520 --> 02:18:34,270
♪ Get back, get back ♪
2417
02:18:36,520 --> 02:18:37,520
♪ Get back ♪
2418
02:18:38,270 --> 02:18:39,270
♪ Get back ♪
2419
02:18:39,810 --> 02:18:40,810
♪ Get back ♪
2420
02:18:41,350 --> 02:18:42,770
♪ Get back ♪
2421
02:18:43,520 --> 02:18:46,270
♪ Get back to where you once belonged ♪
2422
02:18:47,020 --> 02:18:48,020
♪ Get back ♪
2423
02:18:49,060 --> 02:18:50,230
♪ Get back ♪
2424
02:18:50,850 --> 02:18:53,680
♪ Get back to where you once belonged ♪
2425
02:18:55,600 --> 02:18:56,600
See, but don't--
2426
02:18:56,690 --> 02:19:00,570
If you vamp, then it--
then it takes away from his vamping.
2427
02:19:00,650 --> 02:19:01,860
I think, you know?
2428
02:19:01,940 --> 02:19:03,980
But it's like that. It is like that.
2429
02:19:04,060 --> 02:19:07,850
It's like the big, soft lead guitarist,
you know, who just stands there and just--
2430
02:19:07,940 --> 02:19:09,520
-Little, soft lead guitarist.
-Well, you know--
2431
02:19:09,600 --> 02:19:12,350
No, but the big one in my head,
where he just sort of goes…
2432
02:19:12,440 --> 02:19:14,940
[heavy strumming]
2433
02:19:15,020 --> 02:19:17,480
But you can either do that soft
or good, you know?
2434
02:19:17,560 --> 02:19:18,940
You don't…
2435
02:19:19,020 --> 02:19:20,230
It's that thing, you know?
2436
02:19:21,810 --> 02:19:24,060
-I mean, "She's a Woman."
-Yeah.
2437
02:19:24,150 --> 02:19:27,480
That was just a better rhythm
than we have, you know, because--
2438
02:19:27,560 --> 02:19:29,770
And "Sgt. Pepper" on the organ. It's just…
2439
02:19:29,850 --> 02:19:31,730
-[song playing]
-[scatting]
2440
02:19:36,900 --> 02:19:38,440
None of you are trying to do any of it.
2441
02:19:38,520 --> 02:19:40,600
[John] Okay. I'll just write it down then.
2442
02:19:40,690 --> 02:19:41,770
[chattering]
2443
02:19:44,020 --> 02:19:45,770
-Yeah, and the Puerto Ricans.
-Yeah.
2444
02:19:46,270 --> 02:19:47,400
[chattering]
2445
02:19:49,440 --> 02:19:51,110
[Paul] She thought she was a woman.
2446
02:19:51,190 --> 02:19:52,900
♪ Jo Jo went and left his-- ♪
2447
02:19:52,980 --> 02:19:53,980
Jo Jo.
2448
02:19:55,190 --> 02:19:57,520
♪ Jo Jo left his home in-- ♪
2449
02:19:59,100 --> 02:20:01,060
-What's a Western name?
-Jo Jo went and left--
2450
02:20:01,150 --> 02:20:04,230
-A Western name? Jo Jo…
-[John sighs]
2451
02:20:04,310 --> 02:20:05,890
-Go on.
-Perkins.
2452
02:20:05,980 --> 02:20:07,730
♪ Jo Jo Perkins left-- ♪
2453
02:20:07,810 --> 02:20:09,190
♪ Jo Jo Lemon-- ♪
2454
02:20:09,900 --> 02:20:10,900
Jo Jo Carter?
2455
02:20:10,980 --> 02:20:11,980
Jo Jo Williams?
2456
02:20:12,060 --> 02:20:15,190
Jo Jo Braxton. Jo Jo Pepper. Brennan.
2457
02:20:15,270 --> 02:20:16,270
♪ Jo Jo-- ♪
2458
02:20:17,850 --> 02:20:19,890
♪ Jo Jo Daphne left his home-- ♪
2459
02:20:21,020 --> 02:20:22,020
[John] Yeah.
2460
02:20:22,100 --> 02:20:25,680
♪ Jo Jo Jackson left his home in Arizona ♪
2461
02:20:25,770 --> 02:20:28,190
[vocalizing]
2462
02:20:34,440 --> 02:20:35,690
[indistinct]
2463
02:20:35,770 --> 02:20:37,850
♪ Don't dig no Pakistanis ♪
2464
02:20:37,940 --> 02:20:40,940
♪ Living in a council flat ♪
2465
02:20:42,020 --> 02:20:48,980
[indistinct]
2466
02:20:49,690 --> 02:20:51,020
[both] ♪ Oh, get back ♪
2467
02:20:51,980 --> 02:20:53,360
♪ Get back ♪
2468
02:20:54,310 --> 02:20:57,230
♪ Back to where you once belonged ♪
2469
02:20:59,600 --> 02:21:02,140
♪ Two of us wearing raincoats ♪
2470
02:21:02,230 --> 02:21:07,150
♪ Standing solo in the sun ♪
2471
02:21:08,060 --> 02:21:10,810
♪ You and me chasing paper ♪
2472
02:21:10,900 --> 02:21:12,860
♪ Getting nowhere ♪
2473
02:21:12,940 --> 02:21:17,730
♪ On our way back home ♪
2474
02:21:18,440 --> 02:21:20,320
♪ We're on our way home ♪
2475
02:21:21,230 --> 02:21:23,110
♪ We're on our way home ♪
2476
02:21:24,020 --> 02:21:25,270
♪ We're going home ♪
2477
02:21:28,650 --> 02:21:33,110
♪ On our way back home ♪
2478
02:21:36,100 --> 02:21:40,390
♪ On our way back home ♪
2479
02:21:43,900 --> 02:21:49,360
♪ On our way back home ♪
2480
02:21:49,440 --> 02:21:51,690
[Paul] That's it. You know, it'll go--
2481
02:21:51,770 --> 02:21:52,770
[John] Well, you know.
2482
02:21:52,850 --> 02:21:53,850
[guitar plays]
2483
02:21:53,940 --> 02:21:56,610
[Paul] I think it needs
a bit more of that, this one.
2484
02:21:56,690 --> 02:21:58,320
Needs a bit more of that.
2485
02:21:59,520 --> 02:22:02,060
In fact, maybe you shouldn't both do that.
2486
02:22:02,150 --> 02:22:04,280
-Could you stop playing for a minute?
-Yes, all right, Paul.
2487
02:22:04,350 --> 02:22:06,930
…while I'm trying to talk to you
about this arrangement. Thank you.
2488
02:22:08,150 --> 02:22:10,650
-Could we go for lunch?
-[John] Is it lunch already?
2489
02:22:10,730 --> 02:22:11,730
[Paul] Yes.
2490
02:22:11,810 --> 02:22:13,140
[guitar continues]
2491
02:22:36,690 --> 02:22:37,570
Yeah.
2492
02:22:37,650 --> 02:22:39,690
-We aim to please.
-[Mal] I rang Chris and--
2493
02:22:41,350 --> 02:22:42,350
Mmm?
2494
02:23:08,770 --> 02:23:11,350
-[Paul chuckles]
-[guitar plays]
2495
02:23:11,440 --> 02:23:13,650
[John] Oh. So pissed.
2496
02:23:16,770 --> 02:23:18,350
-[John] No.
-[all chuckle]
2497
02:23:19,940 --> 02:23:20,770
[Paul] Yeah.
2498
02:23:26,810 --> 02:23:27,810
Stop it! Stop it!
2499
02:23:30,480 --> 02:23:32,480
-Ooh. What a buzz.
-[laughs]
2500
02:23:32,560 --> 02:23:33,690
What a buzz.
2501
02:23:33,770 --> 02:23:36,850
[John] "I've Got a Feeling."
Okay, George. Take it.
2502
02:23:36,940 --> 02:23:39,900
["I've Got a Feeling" playing]
2503
02:23:42,190 --> 02:23:45,070
♪ I've got a feeling ♪
2504
02:23:45,900 --> 02:23:48,360
♪ A feeling deep inside
Oh, yeah ♪
2505
02:23:50,440 --> 02:23:51,610
♪ Oh, no ♪
2506
02:23:53,650 --> 02:23:55,980
♪ Yeah! ♪
2507
02:23:56,060 --> 02:24:00,640
♪ Whoa, I've got a feeling, yeah ♪
2508
02:24:01,770 --> 02:24:04,850
♪ Don't let me down ♪
2509
02:24:08,100 --> 02:24:11,100
♪ Don't let me down ♪
2510
02:24:14,850 --> 02:24:17,390
♪ Don't let me down ♪
2511
02:24:25,480 --> 02:24:30,650
[wailing]
2512
02:24:48,100 --> 02:24:51,810
[continues wailing]
2513
02:25:06,600 --> 02:25:10,520
[grunting]
2514
02:25:13,730 --> 02:25:17,480
[wailing]
2515
02:25:24,190 --> 02:25:25,320
♪ John! ♪
2516
02:25:26,150 --> 02:25:27,650
[Ringo] Yeah, rock it to me, baby.
2517
02:25:28,810 --> 02:25:30,190
That's what I like.
2518
02:25:30,900 --> 02:25:34,030
You may think this is a full orchestra,
but if you look closely,
2519
02:25:34,100 --> 02:25:37,350
you can see there's only two people
playing and one person singing.
2520
02:25:38,020 --> 02:25:40,400
I know it sounds like Benny Goodman,
but don't worry.
2521
02:25:40,480 --> 02:25:43,940
It's the big sound of 1969.
2522
02:25:44,020 --> 02:25:47,940
[high-pitched voice] ♪ Bang! Bang!
Maxwell's silver hammer ♪
2523
02:25:48,020 --> 02:25:51,520
♪ Came down upon his head ♪
2524
02:25:53,100 --> 02:25:54,350
♪ Clang! Clang! ♪
2525
02:25:54,440 --> 02:26:00,940
♪ Maxwell's silver hammer
Made sure that Joan was dead ♪
2526
02:26:03,190 --> 02:26:06,320
[Michael] Maybe for the show, I mean,
you could just say George was sick.
2527
02:26:06,810 --> 02:26:08,940
[John]
No. I mean, if he leaves, he leaves.
2528
02:26:17,020 --> 02:26:20,730
-[chattering]
-[Yoko vocalizing]
2529
02:26:20,810 --> 02:26:24,440
♪ John, John, John, John ♪
2530
02:26:32,940 --> 02:26:34,190
♪ John… ♪
2531
02:26:34,270 --> 02:26:36,020
[John] Anything you say, dear!
2532
02:26:36,100 --> 02:26:38,810
-John, John!
-I've brought the tea.
2533
02:26:38,900 --> 02:26:40,570
John!
2534
02:26:40,650 --> 02:26:42,650
[John, high-pitched voice] Yes?
2535
02:26:43,400 --> 02:26:45,070
[slow-tempo music playing]
2536
02:26:45,150 --> 02:26:46,150
[John] I saw him!
2537
02:26:46,230 --> 02:26:47,810
-[Ringo] Terrible!
-[John] Shit!
2538
02:26:49,980 --> 02:26:52,980
[Paul singing indistinctly]
2539
02:27:03,020 --> 02:27:04,020
[Michael] Yeah.
2540
02:27:24,440 --> 02:27:27,980
-So cats and kittens, what we gonna do?
-[laughs]
2541
02:27:29,650 --> 02:27:31,230
[chattering]
2542
02:27:36,230 --> 02:27:37,400
[laughs]
2543
02:27:40,350 --> 02:27:41,680
[John] Orson Welles. [chuckles]
2544
02:27:41,770 --> 02:27:43,560
[Michael]
The thing about Orson is he's very funny.
2545
02:27:43,650 --> 02:27:44,780
We were in Belfast,
2546
02:27:44,850 --> 02:27:46,850
rehearsing the stage version
of Chimes of Midnight.
2547
02:27:46,940 --> 02:27:48,480
And one day he walked off the stage.
2548
02:27:49,560 --> 02:27:51,230
-[Michael] "See you round the clubs."
-[Glyn laughs]
2549
02:27:51,310 --> 02:27:54,140
-[Michael] He came back an hour later.
-[laughing]
2550
02:27:55,190 --> 02:27:57,610
Get in your bag! [laughs]
2551
02:27:57,690 --> 02:27:59,770
Get in your-- Get in your bloody bag!
2552
02:27:59,850 --> 02:28:01,640
-[Yoko] Not again!
-[Paul] Go on!
2553
02:28:02,600 --> 02:28:06,100
The Mersey Beat Awards
for the Best Couple of the Year…
2554
02:28:06,600 --> 02:28:08,020
[Michael coughs]
2555
02:28:08,100 --> 02:28:09,810
…goes to John and Yoko.
2556
02:28:10,440 --> 02:28:11,610
[laughs]
2557
02:28:22,650 --> 02:28:23,900
[laughs]
2558
02:28:23,980 --> 02:28:26,980
["Isn't It A Pity" playing]
2559
02:28:31,190 --> 02:28:33,480
[George] ♪ Isn't it a pity ♪
2560
02:28:38,310 --> 02:28:40,230
♪ Isn't it a shame ♪
2561
02:28:43,440 --> 02:28:46,690
♪ How we break each other's hearts ♪
2562
02:28:50,350 --> 02:28:52,810
♪ And cause each other pain ♪
2563
02:28:56,270 --> 02:28:59,690
♪ How we take each other's love ♪
2564
02:29:03,020 --> 02:29:05,480
♪ Without thinking anymore ♪
2565
02:29:09,690 --> 02:29:12,360
♪ Forgetting to give back ♪
2566
02:29:16,190 --> 02:29:18,480
♪ Isn't it a pity ♪
2567
02:29:22,730 --> 02:29:25,360
♪ Some things take so long ♪
2568
02:29:28,850 --> 02:29:31,680
♪ But how do I explain? ♪
2569
02:29:35,400 --> 02:29:38,610
♪ When not too many people ♪
2570
02:29:41,850 --> 02:29:44,640
♪ Can see we're all the same? ♪
2571
02:29:48,350 --> 02:29:51,480
♪ Because of all their tears ♪
2572
02:29:54,940 --> 02:29:57,770
♪ Their eyes can't hope to see ♪
2573
02:30:01,520 --> 02:30:04,730
♪ The beauty that surrounds them ♪
2574
02:30:07,980 --> 02:30:10,400
♪ Oh, isn't it a pity? ♪
2575
02:30:14,100 --> 02:30:19,480
[vocalizes]
2576
02:30:21,650 --> 02:30:24,650
[vocalizing]
2577
02:30:39,980 --> 02:30:43,230
♪ And because of all their tears ♪
2578
02:30:46,600 --> 02:30:49,310
♪ Their eyes don't hope to see ♪
2579
02:30:53,020 --> 02:30:56,150
♪ The beauty that surrounds them ♪
2580
02:30:59,600 --> 02:31:02,100
♪ Oh, isn't it a pity? ♪
203476
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