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APPLAUSE
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MUSIC: Ring Of Fire by Johnny Cash
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# Love is a burning thing
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# And it makes a fiery ring
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# Bound by wild desire
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# I fell into a ring of fire
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# The taste of love is sweet
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# When hearts like ours meet
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# I fell for you like a child
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# Oh, but the fire went wild
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# I fell into a burning ring of fire
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# I went down, down, down
and the flames went higher
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# And it burns, burns, burns
The ring of fire
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# The ring of fire
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# And it burns, burns, burns
The ring of fire
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# The ring of fire. #
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HE MIMICS BIRD CALL
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GUNSHOT
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HE LAUGHS
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You want to get me,
don't you? You son of a gun!
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Only place I can tell
he is hurt is... He's got one little
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wing bone broken. It's not hurt.
It's not every day you catch a crow.
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CROW SQUAWKS
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You son of a gun, you!
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I already like you, for some reason.
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I'll take you home and see if you
are hurt bad, OK?
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HE HUMS TO HIMSELF
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# If I had wings
like a grey goose got
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# I'd leave you
whether my heart break or not
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# I'd leave you
Woman, I'd leave you
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# I can't make my feet walk... #
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HE HUMS
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# ..But if I could fly like Mr Crow
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# Woman, I know I'd go. #
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Ah!
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One, two, three, four...
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MUSIC STARTS
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I would leave them
completely off the intro.
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And I would wait
until I am into the song, you know?
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Have you got a little pencil?
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I would keep that flat top guitar
way up on the intro
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because that is powerful.
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The way...with the drum slap.
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Don't you think, Bob? Yes.
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I just...
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Because when they come in,
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I can hear it, it's kind of a
pleasant surprise, you know? Yes.
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I filled it up so you can have what
you wanted to choose from.
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OK, cut all intro.
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As we go along, Johnny, tell me
where you want them in or out
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and I'll write it down, OK?
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One, two, three...
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MUSIC: Land Of Israel
by Johnny Cash
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# From the top of Sinai
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# To the Sea of Galilee... #
CREW CHATTERS
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# ..Every hill and plain is home
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# Every place is dear to me
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# There the breezes tell the stories
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# Oh, what stories they do tell
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# Of the mighty things that happened
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# In the land of Israel
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# Here, where Moses and the prophets
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# Spoke of one who would be king
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# Of a heavenly messiah
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# And the blessings he would bring
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# Oh, to hear again the call
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# All is peaceful, all is well
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# Upon every rock and mountain
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# In the land of Israel. #
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Where my daddy was born. Yeah.
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Kingsland, that's where I was born.
Oh, great.
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Well, do we go right past
on this...? No, we turn.
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We turned south here,
on 81, to Monticello.
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We're not very far off,
then, are we now? No.
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We're almost there.
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When you come from
either side of that river,
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and that's part of the country,
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you learn to understand most
everything, you have to,
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cos it's a grind from the time
you get up till you lay down.
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And there ain't nothing
given to you. You sweat.
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Somebody in the family sweats for
that bread that's on that plate.
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Right, John? Yes.
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And it's usually the whole family
it takes to make a living,
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whether it's cotton...and, er, the
people that's farming the land...
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is not the one that gets the money.
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Somebody owns it
and you get part of it.
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MUSIC: Daddy Sang Bass
by Johnny Cash
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# I remember when I was a lad
Times were hard and things were bad
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# But there's a silver linin'
behind every cloud
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# Just poor people
That's all we were
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# Tryin' to make a livin'
out of black land earth
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# We'd get together
in a family circle singin' loud
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# Daddy sang bass
Mama sang tenor
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# Me and little brother
would join right in there
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# Cos singin' seems
to help a troubled soul
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# One of these days
and it won't be long
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# I'll rejoin them in a song
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# I'm gonna join the family circle
at the throne
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# No, the circle won't be broken
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# By and by, Lord, by and by
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# Daddy'll sing bass
Mama'll sing tenor
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# Me and little brother
will join right in there
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# In the sky, Lord, in the sky
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# I remember after work
Mama would call in all of us
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# You could hear us singin'
for a country mile
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# Now little brother has done gone on
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# But I'll rejoin him in a song
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# We'll be together again up yonder
in a little while
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# Daddy'll sing bass
Mama'll sing tenor
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# Me and little brother
would join right in there
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# Cos singin' seems to help
a troubled soul
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# One of these days
and it won't be long... #
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CHEERING
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Hello, I'm Johnny Cash.
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BAND BEGINS,
HUGE CHEER
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# I hear the train a comin'
It's rolling round the bend
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# And I ain't seen the sunshine
since I don't know when
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# I'm stuck in Folsom Prison
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# And time keeps draggin' on
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# But that train keeps a-rollin'
on down to San Antone
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# When I was just a baby
my mama told me, son
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# Always be a good boy
Don't ever play with guns
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# But I shot a man in Reno
just to watch him die
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# When I hear that whistle blowing
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# I hang my head and cry... #
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Hey, come on!
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GUITAR SOLO,
CHEERING
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Ye-e-eah!
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# I bet there's rich folks
eating in a fancy dining car
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# They're probably drinking coffee
and smoking big cigars
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# Well, I know I had it coming
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# I know I can't be free
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# But those people keep a-moving
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# And that's what tortures me... #
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Go for it! Yeah
GUITAR SOLO
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CHEERING
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# ..Well, if they freed me
from this prison
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00:11:06,800 --> 00:11:09,200
# If that railroad train was mine
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# I bet I'd move it on
a little farther down the line
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# Far from Folsom Prison
That's where I want to stay
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# And I'd let that lonesome whistle
blow my blues away. #
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MUSIC STOPS
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Do you think it's a main theme going
through country and western music?
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A main message or a type of thing
you're trying to appeal to
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in the country and western songs
that you do? Um...
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Well, the things of country music
are much the same in other music.
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There's love, and love is the main
theme of all music, of course.
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Um...
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There's much more sadness
in country music.
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Um, I don't know what the real
reason is, maybe because, er...
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I don't know, because of the fact
that it is from the grassroots
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and of the simple way of life.
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MAN: Look up there.
There's some good-looking apples.
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The best apples are still up
in the tree, way up in the top.
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But I couldn't shake them down
without that.
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CHILD: I... I don't want...
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LEAVES RUSTLE
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Too many apples.
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Johnny, that will kick you,
you better watch it.
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Daddy, did you...? Watch it, she
will kick if you hit her back there.
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00:12:39,120 --> 00:12:41,320
Rosanne, watch it!
Watch it, Rosanne.
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Walk behind her, honey,
she might kick.
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I'm sorry, he was just fixing
to hit her back there,
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and that would have been
all it would have taken!
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There.
MAN LAUGHS: You go in behind!
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Get over here, girl!
LAUGHTER CONTINUES
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Oh, John, please, that's cruelty!
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CHILDREN LAUGH
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Go, Jenny!
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CHILDREN CHATTER
Come here, come here, come here.
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I'm shivering. I am too, I am cold.
I'm cold, I cannot continue.
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I wish she would bray.
She brays just like her daddy.
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MAN BRAYS
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Like Gordon used to do, you know.
Mm-hm.
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The first year that we was at Dyess,
let's see, how old were you?
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Oh, four years old. Four years old?
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I went the runs at the river one
evening... Now, this is true...
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Come on in.
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SPEECH DROWNED OUT BY CHILDREN
..come on in here.
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00:13:38,600 --> 00:13:41,480
JOHNNY: Come here!
CHILDREN CHATTER
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00:13:41,480 --> 00:13:44,880
Waiting for them to just
come by... You have to!
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00:13:44,880 --> 00:13:47,600
I really don't have to sing
that song again, do I?
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00:13:47,600 --> 00:13:50,080
LAUGHTER
Yeah, I forgot that song...
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00:13:50,080 --> 00:13:53,160
# On Monday, we have bread and gravy
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00:13:53,160 --> 00:13:56,160
# On Tuesday, it's gravy and bread
198
00:13:56,160 --> 00:14:00,160
# On Wednesday and Thursday
it's gravy and toast
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00:14:00,160 --> 00:14:02,440
# But that's only
gravy and bread... #
200
00:14:02,440 --> 00:14:05,800
LAUGHTER
# On Friday, we said to the landlord
201
00:14:05,800 --> 00:14:10,280
# Landlord?
Oh, please give us something instead
202
00:14:10,280 --> 00:14:13,840
# So on Saturday morning
by way of a change
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00:14:13,840 --> 00:14:17,160
# We had gravy
without any bread... #
204
00:14:17,160 --> 00:14:19,000
LAUGHTER
205
00:14:19,000 --> 00:14:20,840
Good for you!
206
00:14:20,840 --> 00:14:23,080
JOHNNY APPLAUDS: Yey!
207
00:14:23,080 --> 00:14:25,360
OK, girls, sing.
208
00:14:25,360 --> 00:14:27,960
Daddy, you want to sing us a song?
209
00:14:27,960 --> 00:14:30,760
Johnny, I ain't no singer.
210
00:14:30,760 --> 00:14:34,040
There's one thing...
You would sing it in the bathtub.
211
00:14:34,040 --> 00:14:37,720
And his name was Slicker?
What was that song? No.
212
00:14:37,720 --> 00:14:41,400
Sing all them World War I songs.
No, I don't think I could do it.
213
00:14:41,400 --> 00:14:46,160
About where you walked up to the fire
alarm box and it was in New York.
214
00:14:46,160 --> 00:14:49,760
Sing that one. Oh, that...
Let me hear it.
215
00:14:49,760 --> 00:14:51,760
Grab that propeller?
216
00:14:51,760 --> 00:14:56,400
# I'd writ some letters on the train
that I wanted to mail back home
217
00:14:56,400 --> 00:15:01,440
# And I'd tell 'em about the things
I'd seen and just how far I'd come
218
00:15:01,440 --> 00:15:06,120
# I'd seen a box all painted red
and I dropped the letters in
219
00:15:06,120 --> 00:15:10,600
# Fire engines came from all around
and the bells began to ring... #
220
00:15:10,600 --> 00:15:14,680
WOMAN LAUGHS
# And oh, my, what they did to me
221
00:15:14,680 --> 00:15:19,640
# Squirted water all over me!
I grabbed up a man and I said to him
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00:15:19,640 --> 00:15:21,960
# Haul me out, I don't want to drown
223
00:15:21,960 --> 00:15:26,160
# He said, you're just a darned old
root from a high grass town... #
224
00:15:26,160 --> 00:15:29,080
I don't remember all of it, sorry.
I ain't going to sing no more.
225
00:15:29,080 --> 00:15:30,920
LAUGHTER
226
00:15:30,920 --> 00:15:32,400
Tom Ford used to sing that.
227
00:15:32,400 --> 00:15:34,480
He learned that to me
when I was a little boy.
228
00:15:36,080 --> 00:15:38,400
I was a little boy,
about four years old,
229
00:15:38,400 --> 00:15:42,080
when the Mississippi River
broke the levee.
230
00:15:42,080 --> 00:15:44,880
Floodwaters come over
the cotton land,
231
00:15:44,880 --> 00:15:47,320
come up to the doorstep
at the front of the house.
232
00:15:47,320 --> 00:15:49,000
One morning, I was laying in the bed
233
00:15:49,000 --> 00:15:52,040
and I heard my mama hollering
to my daddy, she said...
234
00:15:52,040 --> 00:15:54,280
# How high's the water, Daddy? #
235
00:15:54,280 --> 00:15:56,800
APPLAUSE AND CHEERING
# Two feet high and risin'
236
00:15:56,800 --> 00:16:00,720
# How high's the water, Mama?
Two feet high and risin'
237
00:16:00,720 --> 00:16:03,280
# We can make it to the road
in a home-made boat
238
00:16:03,280 --> 00:16:05,680
# That's the only thing
we got left that'll float
239
00:16:05,680 --> 00:16:08,080
# It's already over
all the wheat and the oats
240
00:16:08,080 --> 00:16:10,320
# Two feet high and risin'
241
00:16:12,520 --> 00:16:14,920
# How high's the water, Mama?
242
00:16:14,920 --> 00:16:17,360
# Three feet high and risin'
243
00:16:17,360 --> 00:16:19,400
# How high's the water, Papa?
244
00:16:19,400 --> 00:16:21,680
# She said it's
three feet high and risin'
245
00:16:21,680 --> 00:16:24,080
# Well, my hives are gone
I lost my bees
246
00:16:24,080 --> 00:16:26,520
# The chickens are sleepin'
in the willow trees
247
00:16:26,520 --> 00:16:28,800
# Cow's in water up past her knees
248
00:16:28,800 --> 00:16:30,960
# Three feet high and risin'
249
00:16:33,160 --> 00:16:35,240
# How high's the water, Mama?
250
00:16:35,240 --> 00:16:37,920
# Four feet high and risin'
251
00:16:37,920 --> 00:16:39,560
# How high's the water, Papa?
252
00:16:39,560 --> 00:16:42,040
# She said it's
four feet high and risin'
253
00:16:42,040 --> 00:16:44,360
# Hey, come look through
the window pane
254
00:16:44,360 --> 00:16:46,680
# The bus is comin'
Gonna take us to the train
255
00:16:46,680 --> 00:16:49,080
# Looks like we'll be blessed
with a little more rain
256
00:16:49,080 --> 00:16:50,880
# Four feet high and risin'
257
00:16:53,360 --> 00:16:55,800
# How high's the water, Mama?
258
00:16:55,800 --> 00:16:57,920
# Five feet high and risin'
259
00:16:57,920 --> 00:16:59,880
# How high's the water, Papa?
260
00:16:59,880 --> 00:17:02,360
# She said it's
five feet high and risin'
261
00:17:02,360 --> 00:17:04,720
# The rails are washed out
north of town
262
00:17:04,720 --> 00:17:06,880
# We gotta head for higher ground
263
00:17:06,880 --> 00:17:09,360
# We can't come back
till the water goes down
264
00:17:09,360 --> 00:17:11,680
# Five feet high and risin'
265
00:17:11,680 --> 00:17:15,560
# Five feet high and risin'. #
266
00:17:15,560 --> 00:17:18,600
APPLAUSE
267
00:17:18,600 --> 00:17:19,920
Thank you.
268
00:17:24,680 --> 00:17:26,560
Thank you. Thank you.
You were wonderful!
269
00:17:26,560 --> 00:17:28,200
Thank you, nice to be with you.
270
00:17:30,480 --> 00:17:32,680
Thank you. Thank you.
271
00:17:32,680 --> 00:17:34,480
Yeah, how you doing?
272
00:17:34,480 --> 00:17:35,760
OK?
273
00:17:38,360 --> 00:17:40,760
CAMERA CLICKS
Thank you. Thank you.
274
00:17:47,200 --> 00:17:49,240
SOFT CHATTER
275
00:17:51,920 --> 00:17:54,080
Thank you. Thank you, girls.
276
00:17:54,080 --> 00:17:56,600
WOMAN SPEAKS SOFTLY
Thank you, how sweet.
277
00:17:56,600 --> 00:17:59,200
When I thinks about the best
we could say about Johnny...
278
00:17:59,200 --> 00:18:02,040
Why, that's very nice.
..I even got a tune to it.
279
00:18:02,040 --> 00:18:03,720
Let's hear it. Let's hear it.
280
00:18:03,720 --> 00:18:08,320
# Under lightning, rain or sleet
Johnny Cash just can't be beat
281
00:18:08,320 --> 00:18:10,800
# This ain't no lyin'
It ain't no bluff
282
00:18:10,800 --> 00:18:13,360
# When Johnny sings
He does his stuff... #
283
00:18:13,360 --> 00:18:15,320
LAUGHTER
284
00:18:15,320 --> 00:18:18,720
APPLAUSE
Aw, that's cute! That's very nice.
285
00:18:18,720 --> 00:18:23,240
She wants you to play something
first. What? Great Speckled Bird.
286
00:18:23,240 --> 00:18:27,240
I mean, that's asking a favour...
They will want me out of here.
287
00:18:27,240 --> 00:18:28,840
Just... All right, open the door.
288
00:18:28,840 --> 00:18:31,360
GUITAR PLAYING BEGINS
Come in, honey, come in.
289
00:18:32,880 --> 00:18:35,200
That's part of it.
We got your records...
290
00:18:35,200 --> 00:18:40,800
# What a beautiful thought
I am thinking
291
00:18:43,240 --> 00:18:48,360
# Concerning the great speckled bird
292
00:18:50,520 --> 00:18:56,240
# And to know
that my name is recorded
293
00:18:58,040 --> 00:19:03,960
# On the pages of God's holy word
294
00:19:05,840 --> 00:19:08,800
# Desiring...
295
00:19:08,800 --> 00:19:11,640
# To lower her standards
296
00:19:13,080 --> 00:19:18,720
# I watch every move that she makes
297
00:19:20,520 --> 00:19:25,480
# They long to find fault
with her teaching
298
00:19:27,840 --> 00:19:34,120
# But really she makes no mistakes
299
00:19:34,120 --> 00:19:40,000
# And when he cometh
descending from heaven
300
00:19:41,920 --> 00:19:47,680
# On a cloud
like he wrote in his word
301
00:19:49,200 --> 00:19:55,840
# I'll be joyfully carried
to meet him
302
00:19:55,840 --> 00:20:01,840
# On the wings
of the great speckled bird. #
303
00:20:03,400 --> 00:20:05,000
What do you think that means?
304
00:20:05,000 --> 00:20:09,520
The great speckled bird is,
er, a symbol of the Church.
305
00:20:09,520 --> 00:20:11,240
That's what it means.
306
00:20:11,240 --> 00:20:13,880
You were talking about songs
being a part of me.
307
00:20:13,880 --> 00:20:16,280
Now, we've bought some property
up near Smithville.
308
00:20:16,280 --> 00:20:20,440
It's woods and there's a trout
stream running to the cliffs
309
00:20:20,440 --> 00:20:24,560
and we were up there not long ago,
June, the girls and I,
310
00:20:24,560 --> 00:20:27,520
and I sat down on a rock
311
00:20:27,520 --> 00:20:30,800
and started writing a thing that
I don't know if it would be...
312
00:20:30,800 --> 00:20:34,400
It might possibly be recorded
commercially, I don't know,
313
00:20:34,400 --> 00:20:37,240
it's called, um...
314
00:20:39,080 --> 00:20:42,280
Well, what, it's called, er...
315
00:20:42,280 --> 00:20:46,200
What I Need Is You.
All I Need Is You, I believe, yeah.
316
00:20:46,200 --> 00:20:49,080
You're All I Need.
HE BEGINS PLAYING
317
00:20:49,080 --> 00:20:53,080
# Beside a singin' mountain stream
318
00:20:53,080 --> 00:20:56,120
# Where the pussy willow grew
319
00:20:56,120 --> 00:20:59,360
# Where the silver leaf of maple
320
00:20:59,360 --> 00:21:03,760
# Sparkled in the morning dew
321
00:21:03,760 --> 00:21:06,680
# I braided twigs of willow
322
00:21:06,680 --> 00:21:10,560
# Made a string of buckeye beads
323
00:21:10,560 --> 00:21:13,840
# But flesh and blood
needs flesh and blood
324
00:21:13,840 --> 00:21:17,480
# And you are what I need
325
00:21:17,480 --> 00:21:20,720
# Flesh and blood
needs flesh and blood
326
00:21:20,720 --> 00:21:23,560
# And you are what I need
327
00:21:26,080 --> 00:21:29,240
# I leaned against the bark of birch
328
00:21:29,240 --> 00:21:32,640
# And I smelled the honey dew
329
00:21:32,640 --> 00:21:35,360
# I watched a flock of geese
330
00:21:35,360 --> 00:21:39,400
# Against the sky of baby blue
331
00:21:39,400 --> 00:21:43,080
# I walked among the lily pads
332
00:21:43,080 --> 00:21:46,400
# Carved a whistle from a reed
333
00:21:46,400 --> 00:21:49,520
# Mother Nature's quite a lady
334
00:21:49,520 --> 00:21:53,360
# But you are what I need
335
00:21:53,360 --> 00:21:56,520
# Mother Nature's quite a lady
336
00:21:56,520 --> 00:22:00,120
# But you are what I need. #
337
00:22:00,120 --> 00:22:01,760
I think that's pretty.
338
00:22:04,800 --> 00:22:08,640
And there's another verse, of course,
I always forget the last verse.
339
00:22:08,640 --> 00:22:10,200
SHE LAUGHS
340
00:22:10,200 --> 00:22:13,720
HE SINGS TO HIMSELF
John always writes these songs down.
341
00:22:13,720 --> 00:22:17,720
# A mockingbird sang in the trees
342
00:22:17,720 --> 00:22:20,320
# And I thanked him for the song
343
00:22:20,320 --> 00:22:24,360
# Then the sun
went slowly to the west
344
00:22:24,360 --> 00:22:26,640
# And I had to move along
345
00:22:28,120 --> 00:22:31,080
# I walked...
I walked through...
346
00:22:31,080 --> 00:22:34,840
# I walked beside the wild oats
347
00:22:34,840 --> 00:22:39,760
# Where the roebuck...
Where the deer and the roebuck feed
348
00:22:39,760 --> 00:22:43,080
# But flesh and blood
calls for flesh and blood
349
00:22:43,080 --> 00:22:46,640
# And you are what I need
350
00:22:46,640 --> 00:22:49,680
# Flesh and blood
calls for flesh and blood
351
00:22:49,680 --> 00:22:52,720
# And you are what I need. #
352
00:22:54,680 --> 00:22:58,560
That's another little thing
I wrote just...
353
00:22:58,560 --> 00:23:00,440
in one of my alone moods.
354
00:23:08,800 --> 00:23:11,760
I didn't mind the hard work
on the farm all that much.
355
00:23:11,760 --> 00:23:14,720
It's something
that we had to do and so,
356
00:23:14,720 --> 00:23:18,360
we accepted it that hard work
was part of our life.
357
00:23:19,680 --> 00:23:23,200
I'm sure that, if you've ever
lived on a cotton patch
358
00:23:23,200 --> 00:23:27,200
or any part of the country
where times are hard,
359
00:23:27,200 --> 00:23:31,120
that you appreciate the good things
when they do come much more.
360
00:23:31,120 --> 00:23:34,160
John and I talked many times
about the old saying
361
00:23:34,160 --> 00:23:36,200
and that line that says,
362
00:23:36,200 --> 00:23:40,560
"Steel is strong because it knew
the hammer and white heat."
363
00:23:40,560 --> 00:23:43,920
HE LAUGHS
I'm, er, I've learned, um,
364
00:23:43,920 --> 00:23:46,360
to adapt very well to prosperity,
I like it.
365
00:23:51,840 --> 00:23:55,080
From the home
of the world-renowned Grand Ole Opry
366
00:23:55,080 --> 00:23:59,800
in Nashville, Tennessee,
the Kraft Music Hall presents...
367
00:23:59,800 --> 00:24:03,000
The Second Annual
Country Music Awards!
368
00:24:03,000 --> 00:24:05,840
APPLAUSE,
FANFARE PLAYS
369
00:24:07,200 --> 00:24:11,520
With guest stars
Roy Acuff, Chet Atkins,
370
00:24:11,520 --> 00:24:15,520
Pat Boone, Bobby Goldsboro,
371
00:24:15,520 --> 00:24:19,280
Roger Miller, Jeannie C Riley,
372
00:24:19,280 --> 00:24:24,280
Tex Ritter, Bob Wills, Johnny Cash!
373
00:24:24,280 --> 00:24:27,840
The next award is for the
Country Music Album Of The Year.
374
00:24:27,840 --> 00:24:29,680
The albums nominated are...
375
00:24:29,680 --> 00:24:32,520
Best Of Merle Haggard.
Performer - Merle Haggard.
376
00:24:32,520 --> 00:24:35,520
By The Time I Get To Phoenix.
Performer - Glen Campbell.
377
00:24:35,520 --> 00:24:37,840
D-I-V-O-R-C-E.
Performer - Tammy Wynette.
378
00:24:37,840 --> 00:24:40,560
Gentle On My Mind.
Performer - Glen Campbell.
379
00:24:40,560 --> 00:24:44,080
And Johnny Cash At Folsom Prison.
Performer - Johnny Cash.
380
00:24:44,080 --> 00:24:45,520
The winner is...
381
00:24:51,080 --> 00:24:54,840
The Album Of The Year -
Johnny Cash At Folsom Prison.
382
00:24:54,840 --> 00:24:57,160
CHEERING,
FANFARE PLAYS
383
00:25:12,680 --> 00:25:14,680
Thank you.
384
00:25:14,680 --> 00:25:17,560
I would like to say, first of all,
385
00:25:17,560 --> 00:25:20,200
thanks to the people
that helped support me
386
00:25:20,200 --> 00:25:22,080
to make this possible, to...
387
00:25:23,240 --> 00:25:26,000
..Luther Perkins especially.
Thank you.
388
00:25:26,000 --> 00:25:27,480
APPLAUSE
389
00:25:33,080 --> 00:25:35,080
Mr Davies, how are you doing?
390
00:25:36,960 --> 00:25:39,280
Hello there. How are you doing?
391
00:25:42,560 --> 00:25:44,560
Hello. Hello.
392
00:25:44,560 --> 00:25:46,680
How are you doing? What's your name?
393
00:25:46,680 --> 00:25:50,280
Don Freed. Nice to meet you, Don.
Nice to meet you too.
394
00:25:50,280 --> 00:25:53,800
Are you the fella that came down from
Canada? That's right. Saskatoon.
395
00:25:53,800 --> 00:25:55,920
..Going merrily downhill, sort of.
396
00:25:55,920 --> 00:25:58,160
He had such high ideals,
397
00:25:58,160 --> 00:26:00,600
I kind of hated to stand by
and watch him.
398
00:26:20,720 --> 00:26:26,400
# Come away from the roadside
399
00:26:26,400 --> 00:26:31,240
# Your feat, it is done
400
00:26:32,840 --> 00:26:37,440
# The battle is over
401
00:26:37,440 --> 00:26:42,280
# You have both lost and won
402
00:26:42,280 --> 00:26:48,200
# For the drums, they're but an echo
403
00:26:48,200 --> 00:26:53,080
# Your trumpet players die
404
00:26:53,080 --> 00:26:58,920
# Come away, come away
405
00:26:58,920 --> 00:27:04,240
# And know how hard you tried
406
00:27:07,960 --> 00:27:12,400
# The king, he holds the aces
407
00:27:13,760 --> 00:27:17,600
# He has not held your hand
408
00:27:19,400 --> 00:27:24,640
# The queen, with her embraces
409
00:27:24,640 --> 00:27:29,200
# You did not understand
410
00:27:29,200 --> 00:27:34,320
# And the seeds that have fallen
411
00:27:34,320 --> 00:27:40,600
# Along the weary hobo's trail
412
00:27:40,600 --> 00:27:45,520
# And just as they have fallen
413
00:27:45,520 --> 00:27:51,120
# Don't let yourself be felled... #
414
00:27:54,360 --> 00:27:57,200
HE PLAYS HARMONICA
415
00:28:16,520 --> 00:28:20,600
Good. Very good writing. Would you
like to hear another? Mm-hm.
416
00:28:20,600 --> 00:28:22,720
All right. I'll sit down. Sure.
417
00:28:22,720 --> 00:28:25,960
That's a beautiful tune.
A very pretty tune.
418
00:28:29,280 --> 00:28:32,560
I'd like to get you an audition
with Columbia Records.
419
00:28:32,560 --> 00:28:35,160
I don't want you to do it
just as a favour.
420
00:28:35,160 --> 00:28:38,120
If you don't think I'm good
enough... I wouldn't do it
421
00:28:38,120 --> 00:28:40,960
just as a favour. If I didn't think
you were good enough,
422
00:28:40,960 --> 00:28:42,520
I wouldn't do it at all.
423
00:28:44,960 --> 00:28:46,560
But I think you've got it,
424
00:28:46,560 --> 00:28:49,920
so I'll be happy to try
to set you up an audition.
425
00:28:49,920 --> 00:28:51,760
I want to hear another.
426
00:28:51,760 --> 00:28:54,200
I'll see if I can find that guy.
427
00:28:56,040 --> 00:28:57,920
HE LAUGHS
428
00:29:11,560 --> 00:29:14,240
# Look a-yonder comin'
429
00:29:14,240 --> 00:29:17,640
# Comin' down that railroad track
430
00:29:17,640 --> 00:29:20,400
# Hey, look a-yonder comin'
431
00:29:20,400 --> 00:29:23,720
# Comin' down that railroad track
432
00:29:23,720 --> 00:29:27,120
# It's that Orange Blossom Special
433
00:29:27,120 --> 00:29:30,360
# Bringin' my baby back... #
434
00:30:08,400 --> 00:30:10,920
HE CHUCKLES
435
00:30:12,240 --> 00:30:15,240
# ..Well, I'm going down to Florida
436
00:30:15,240 --> 00:30:18,240
# And get some sand in my shoes
437
00:30:18,240 --> 00:30:21,240
# Or maybe Californy
438
00:30:21,240 --> 00:30:24,240
# And get some sand in my shoes
439
00:30:24,240 --> 00:30:27,640
# I'll ride that
Orange Blossom Special
440
00:30:27,640 --> 00:30:30,760
# And lose these New York blues... #
441
00:30:43,800 --> 00:30:46,520
CROWD CHEERS
442
00:30:54,960 --> 00:30:57,560
"Say, man,
when you going back to Florida?"
443
00:30:57,560 --> 00:31:00,480
"I don't know, I don't reckon
I'll ever go back to Florida."
444
00:31:00,480 --> 00:31:03,360
"Ain't you worried about getting
your nourishment in New York?"
445
00:31:03,360 --> 00:31:07,080
"Well, I don't care
if I do-die-do-die-do-die-do."
446
00:31:07,080 --> 00:31:09,960
# ..Hey, talk about a-ramblin'
447
00:31:09,960 --> 00:31:13,320
# She's the fastest train on the line
448
00:31:13,320 --> 00:31:16,280
# Talk about a-travellin'
449
00:31:16,280 --> 00:31:19,480
# She's the fastest train on the line
450
00:31:19,480 --> 00:31:22,760
# It's that Orange Blossom Special
451
00:31:22,760 --> 00:31:25,760
# Rollin' down the seaboard line... #
452
00:31:36,040 --> 00:31:38,800
CHEERING AND APPLAUSE
453
00:31:43,080 --> 00:31:45,320
COUGHING
454
00:31:50,680 --> 00:31:52,920
You want me to get in closer on it?
455
00:31:52,920 --> 00:31:55,280
You want me to get in closer?
456
00:32:11,320 --> 00:32:14,480
# Down the street
the dogs are barking
457
00:32:14,480 --> 00:32:17,680
# And the day is getting dark
458
00:32:19,440 --> 00:32:22,200
# As the night begins to fall
459
00:32:22,200 --> 00:32:25,280
# Then the dogs will lose their bark
460
00:32:26,680 --> 00:32:29,480
# And the silent night will shatter
461
00:32:29,480 --> 00:32:32,800
# From the sounds inside my mind
462
00:32:32,800 --> 00:32:36,320
# And I'm just one too many mornings
463
00:32:36,320 --> 00:32:41,920
# And a thousand miles behind
464
00:32:44,480 --> 00:32:48,120
# From the crossroads of my doorstep
465
00:32:48,120 --> 00:32:51,200
# My eyes, they begin to fade
466
00:32:52,560 --> 00:32:55,560
# And I turn my head back
to the room
467
00:32:55,560 --> 00:32:58,560
# Where my love and I have laid
468
00:32:58,560 --> 00:33:02,200
# And I gaze back to the street
469
00:33:02,200 --> 00:33:05,680
# The sidewalk and the sign
470
00:33:07,120 --> 00:33:09,800
# And I'm one too many mornings
471
00:33:09,800 --> 00:33:13,840
# And a thousand miles behind
472
00:33:13,840 --> 00:33:17,960
# Yea-eah
473
00:33:17,960 --> 00:33:21,520
# Well, it's a restless, hungry
feeling
474
00:33:21,520 --> 00:33:24,600
# It don't do nobody no good
475
00:33:26,360 --> 00:33:28,360
# And everything I'm saying
476
00:33:28,360 --> 00:33:31,520
# You can say it just as good
477
00:33:32,960 --> 00:33:35,640
# Cos you're right from your side
478
00:33:35,640 --> 00:33:38,440
# That I'm right from mine
479
00:33:38,440 --> 00:33:39,560
# I know it
480
00:33:40,640 --> 00:33:43,320
# We're just one too many mornings
481
00:33:43,320 --> 00:33:48,120
# And a thousand miles behind
482
00:33:48,120 --> 00:33:49,880
# Dead right
483
00:33:49,880 --> 00:33:53,960
# Down the street
the dogs are barking
484
00:33:53,960 --> 00:33:56,880
# And the day is getting dark
485
00:33:58,600 --> 00:34:01,280
# As the night comes in a-falling
486
00:34:01,280 --> 00:34:04,400
# The dogs will lose their bark
487
00:34:04,400 --> 00:34:08,280
# And the silent night will shatter
488
00:34:08,280 --> 00:34:11,280
# From the sounds inside my mind
489
00:34:11,280 --> 00:34:13,120
# Dead right
490
00:34:13,120 --> 00:34:15,960
BOTH: # As I'm one too many mornings
491
00:34:15,960 --> 00:34:20,640
# And a thousand miles behind
492
00:34:20,640 --> 00:34:24,360
# I'm just one too many mornings
493
00:34:24,360 --> 00:34:27,200
# And a thousand miles behind
494
00:34:27,200 --> 00:34:29,920
# Just one too many mornings
495
00:34:29,920 --> 00:34:32,880
# And a thousand miles behind
496
00:34:32,880 --> 00:34:35,320
# I'm just one too many mornings
497
00:34:35,320 --> 00:34:38,400
# And a thousand miles behind
498
00:34:38,400 --> 00:34:41,960
# I'm just one too many mornings
499
00:34:41,960 --> 00:34:44,080
# And a thousand
500
00:34:44,080 --> 00:34:46,320
# And a thousand
And a thousand
501
00:34:46,320 --> 00:34:50,400
# Another thousand
Miles and miles
502
00:34:50,400 --> 00:34:53,680
# Yeah, a thousand miles
A thousand miles behind
503
00:34:53,680 --> 00:34:56,720
# And a thousand miles behind
504
00:34:56,720 --> 00:34:59,760
# I'm just one too many mornings
505
00:34:59,760 --> 00:35:02,360
# And a thousand miles behind... #
506
00:35:02,360 --> 00:35:05,800
I've got very little
Indian blood in me, myself,
507
00:35:05,800 --> 00:35:08,680
except in my heart.
I've got 100% for you tonight.
508
00:35:08,680 --> 00:35:11,080
CHEERING AND APPLAUSE
509
00:35:12,360 --> 00:35:14,120
Thank you.
510
00:35:14,120 --> 00:35:16,640
# Gather round me, people
511
00:35:16,640 --> 00:35:19,280
# There's a story I would tell
512
00:35:19,280 --> 00:35:22,040
# About a brave young Indian
513
00:35:22,040 --> 00:35:24,240
# That we should remember well
514
00:35:24,240 --> 00:35:26,520
# From the tribe of the Pima Indian
515
00:35:26,520 --> 00:35:28,760
# A proud and peaceful band
516
00:35:28,760 --> 00:35:32,840
# Who farmed the Phoenix Valley
in Arizona land
517
00:35:32,840 --> 00:35:35,520
# Down the ditches
for a thousand years
518
00:35:35,520 --> 00:35:38,200
# The water grew Ira's people's crops
519
00:35:38,200 --> 00:35:40,800
# Till the white man stole
the water rights
520
00:35:40,800 --> 00:35:42,960
# And the sparklin' water stopped
521
00:35:42,960 --> 00:35:45,000
# Now Ira's folks were hungry
522
00:35:45,000 --> 00:35:47,240
# And their land grew crops of weeds
523
00:35:47,240 --> 00:35:49,560
# But when war came, Ira volunteered
524
00:35:49,560 --> 00:35:52,080
# And forgot the white man's greed
525
00:35:52,080 --> 00:35:54,760
# Call him drunken Ira Hayes
526
00:35:54,760 --> 00:35:57,280
# He won't answer any more
527
00:35:57,280 --> 00:35:59,800
# Not the whisky-drinking Indian
528
00:35:59,800 --> 00:36:01,960
# Nor the Marine that went to war
529
00:36:03,720 --> 00:36:06,640
# There they battled
up Iwo Jima's hill
530
00:36:06,640 --> 00:36:09,160
# Two hundred and fifty men
531
00:36:09,160 --> 00:36:12,560
# But only twenty seven lived
to fight back down again
532
00:36:12,560 --> 00:36:15,480
# And when that fight was over
533
00:36:15,480 --> 00:36:18,080
# And when Old Glory raised
534
00:36:18,080 --> 00:36:20,640
# Among the men who held it high
535
00:36:20,640 --> 00:36:22,960
# Was the Indian, Ira Hayes
536
00:36:22,960 --> 00:36:25,720
# Call him drunken Ira Hayes
537
00:36:25,720 --> 00:36:28,080
# He won't answer any more
538
00:36:28,080 --> 00:36:30,800
# Not the whisky-drinking Indian
539
00:36:30,800 --> 00:36:33,360
# Nor the Marine that went to war
540
00:36:34,760 --> 00:36:37,440
# Ira Hayes returned a hero
541
00:36:37,440 --> 00:36:39,480
# Celebrated through the land
542
00:36:39,480 --> 00:36:42,080
# He was wined and speeched
and honoured
543
00:36:42,080 --> 00:36:44,320
# Everybody shook his hand
544
00:36:44,320 --> 00:36:46,400
# But he was just a Pima Indian
545
00:36:46,400 --> 00:36:48,800
# No water, no crops, no chance
546
00:36:48,800 --> 00:36:51,440
# At home nobody cared
what Ira'd done
547
00:36:51,440 --> 00:36:53,720
# And when did the Indians dance?
548
00:36:53,720 --> 00:36:56,920
# And then Ira started drinking hard
549
00:36:56,920 --> 00:36:59,040
# Jail was often his home
550
00:36:59,040 --> 00:37:01,880
# There they'd let him
raise the flag and lower it
551
00:37:01,880 --> 00:37:04,160
# Like you'd throw a dog a bone
552
00:37:04,160 --> 00:37:06,120
# He died drunk early one morning
553
00:37:06,120 --> 00:37:08,520
# Alone in the land he fought to save
554
00:37:08,520 --> 00:37:11,200
# Two inches of water
in a lonely ditch
555
00:37:11,200 --> 00:37:13,560
# Was a grave for Ira Hayes
556
00:37:13,560 --> 00:37:16,000
# Call him drunken Ira Hayes
557
00:37:16,000 --> 00:37:18,400
# He won't answer any more
558
00:37:18,400 --> 00:37:20,680
# Not the whisky-drinking Indian
559
00:37:20,680 --> 00:37:23,520
# Nor the Marine that went to war
560
00:37:23,520 --> 00:37:26,560
# Yeah, call him drunken Ira Hayes
561
00:37:26,560 --> 00:37:29,200
# But his land is just as dry
562
00:37:29,200 --> 00:37:32,040
# And his ghost is lying thirsty
563
00:37:32,040 --> 00:37:35,000
# In the ditch where Ira died. #
564
00:37:35,000 --> 00:37:38,000
CHEERING AND APPLAUSE
565
00:37:38,000 --> 00:37:40,160
WHISTLING
566
00:37:41,960 --> 00:37:44,000
Thank you.
567
00:37:44,000 --> 00:37:47,400
# Ooh, ooh-ooh
568
00:37:47,400 --> 00:37:55,120
# Sometimes it causes me to tremble
569
00:37:55,120 --> 00:37:58,400
# Tremble, tremble, tremble
570
00:37:58,400 --> 00:38:02,680
# Tremble
571
00:38:04,240 --> 00:38:12,280
# Were you there
when they laid him in the tomb?
572
00:38:12,280 --> 00:38:20,160
# Were you there
when the stone was rolled away?
573
00:38:23,520 --> 00:38:31,440
# Were you there
when the stone was rolled away?
574
00:38:34,960 --> 00:38:44,720
# Ooh...
575
00:38:44,720 --> 00:38:47,400
# Ooh-ooh
576
00:38:47,400 --> 00:38:55,120
# Sometimes it causes me to tremble
577
00:38:55,120 --> 00:38:57,360
# Tremble, tremble, tremble
578
00:38:57,360 --> 00:39:01,280
# Tremble
579
00:39:03,200 --> 00:39:11,120
# Were you there
when the stone was rolled away? #
580
00:39:15,400 --> 00:39:17,600
APPLAUSE
581
00:39:17,600 --> 00:39:20,200
They call it sharecropping.
582
00:39:20,200 --> 00:39:25,040
And these are sharecropper houses,
bungalows, here.
583
00:39:25,040 --> 00:39:28,560
Most of them are what they call
"shotgun shacks".
584
00:39:28,560 --> 00:39:32,320
There's three rooms in a row.
585
00:39:32,320 --> 00:39:35,640
A front room, a middle room
and a back room.
586
00:39:40,600 --> 00:39:43,280
Each one of these houses
587
00:39:43,280 --> 00:39:46,120
had a barn,
588
00:39:46,120 --> 00:39:49,800
a chicken house,
a smokehouse, where the farmers...
589
00:39:49,800 --> 00:39:53,640
They raised their own hogs
and cured their meat.
590
00:39:55,600 --> 00:39:59,040
And they had a mule
and 20 acres of land here.
591
00:39:59,040 --> 00:40:01,760
The next house, just up the road,
592
00:40:01,760 --> 00:40:05,840
the line, the property line,
was halfway between the two houses.
593
00:40:05,840 --> 00:40:09,880
They all had 20 acres of land
to begin with in 1935.
594
00:40:13,760 --> 00:40:16,560
And this is one of those...
You called it a canal,
595
00:40:16,560 --> 00:40:20,640
it's a drainage ditch.
This is ditch 40. Oh, wow.
596
00:40:20,640 --> 00:40:23,400
Are these the banks...?
597
00:40:23,400 --> 00:40:28,680
These are some of the banks that...
that my daddy and all of them
598
00:40:28,680 --> 00:40:33,000
were cleaning off when I was
a water boy on the river gang.
599
00:40:33,000 --> 00:40:35,480
I'd just soon wait over there.
600
00:40:35,480 --> 00:40:37,360
The bus is heavy.
601
00:40:38,800 --> 00:40:41,760
The only original building
in the circle
602
00:40:41,760 --> 00:40:44,680
is the administration building.
603
00:40:44,680 --> 00:40:49,000
There's the Dyess Theater where
I saw all the Tex Ritter movies,
604
00:40:49,000 --> 00:40:52,600
Sunset Carson, Gene Autry movies
605
00:40:54,160 --> 00:40:56,640
There was a bank, a theatre,
606
00:40:56,640 --> 00:41:00,040
there was a big co-op store
over there.
607
00:41:03,160 --> 00:41:06,120
There was a nice restaurant there.
608
00:41:07,760 --> 00:41:10,240
It was a beautiful little place.
609
00:41:12,200 --> 00:41:13,960
Was it...?
610
00:41:13,960 --> 00:41:17,000
The library's on down here,
isn't it? Mm-hm.
611
00:41:24,840 --> 00:41:28,520
There it is. Frank Huff,
that I was telling you about,
612
00:41:28,520 --> 00:41:30,440
right there he is.
613
00:41:30,440 --> 00:41:32,120
Really? Mm-hm.
614
00:41:36,080 --> 00:41:38,240
There is Frank Huff.
615
00:41:40,080 --> 00:41:42,360
Hello, Mr Huff!
616
00:41:42,360 --> 00:41:44,000
INDISTINCT REPLY
617
00:41:44,000 --> 00:41:47,800
I got to get out to talk to him for a
minute. Just a minute, I'll get out.
618
00:41:47,800 --> 00:41:49,840
Hi. Get out, get out!
619
00:41:49,840 --> 00:41:51,200
I will.
620
00:41:51,200 --> 00:41:53,840
Shall I turn it off, John, or...
621
00:41:56,640 --> 00:42:00,000
You still live out here on the road?
No, I live here.
622
00:42:00,000 --> 00:42:01,400
Oh, you do?
623
00:42:01,400 --> 00:42:03,840
Is Jay still up north?
624
00:42:03,840 --> 00:42:05,960
Yes, he is still up there.
625
00:42:05,960 --> 00:42:08,600
Hi, how are you doing?
626
00:42:08,600 --> 00:42:11,000
How are you doing?
627
00:42:11,000 --> 00:42:12,960
Good to see you.
628
00:42:12,960 --> 00:42:14,960
Long time. Sure...
629
00:42:32,000 --> 00:42:34,400
Is it locked? Yeah.
630
00:42:36,960 --> 00:42:41,240
John, is that the same...?
Was that there, back years ago?
631
00:42:41,240 --> 00:42:44,960
No, I don't think...
These concrete blocks were.
632
00:43:08,000 --> 00:43:09,920
Sure looks smaller, doesn't it?
633
00:43:09,920 --> 00:43:15,120
Yes, it's just amazing
how small all the rooms look.
634
00:43:15,120 --> 00:43:18,840
Here's something
that broke me up, Louise.
635
00:43:18,840 --> 00:43:21,760
On the floor there,
the holes where Mama's stove...
636
00:43:21,760 --> 00:43:24,400
wore holes in the floor.
637
00:43:24,400 --> 00:43:27,760
We moved in this house
in the winter of 1935.
638
00:43:27,760 --> 00:43:30,320
There were five cans of paint
sitting there on the floor.
639
00:43:30,320 --> 00:43:32,440
It's all there was, remember?
640
00:43:32,440 --> 00:43:35,760
Every one of us sat down in
the middle of the floor and cried.
641
00:43:35,760 --> 00:43:38,280
First new house we'd ever owned.
642
00:43:38,280 --> 00:43:40,720
This is where I'd sit
and listen to the radio.
643
00:43:40,720 --> 00:43:42,640
I thought of that very thing.
644
00:43:42,640 --> 00:43:46,240
Remember at night, Daddy'd say,
"Turn it down, John!"
645
00:43:46,240 --> 00:43:49,720
He'd sit there with his ear
glued to that radio...
646
00:43:49,720 --> 00:43:52,800
Did he think
if he turned it down...?
647
00:43:52,800 --> 00:43:54,600
Yeah.
648
00:44:05,000 --> 00:44:09,600
# My bills are all due
and the babies need shoes
649
00:44:09,600 --> 00:44:11,440
# But I'm busted
650
00:44:14,160 --> 00:44:17,760
# Cotton's gone down
to a quarter a pound
651
00:44:17,760 --> 00:44:19,440
# And I'm busted
652
00:44:21,320 --> 00:44:24,200
# I got a cow that went dry
653
00:44:24,200 --> 00:44:26,560
# And a hen that won't lay
654
00:44:26,560 --> 00:44:28,720
# A big stack of bills
655
00:44:28,720 --> 00:44:31,000
# That get bigger each day
656
00:44:31,000 --> 00:44:34,160
# The county will haul
my belongings away
657
00:44:34,160 --> 00:44:36,040
# I'm busted
658
00:44:37,760 --> 00:44:42,640
# I called on my brother
to ask for a loan
659
00:44:42,640 --> 00:44:44,480
# I was busted
660
00:44:46,280 --> 00:44:51,000
# I hate to beg like a dog for a bone
661
00:44:51,000 --> 00:44:52,960
# But I'm busted
662
00:44:54,520 --> 00:44:58,520
# My brother said
there ain't a thing I can do
663
00:44:58,520 --> 00:45:03,000
# My wife and my kids
are all down with the flu
664
00:45:03,000 --> 00:45:06,760
# And I was just thinking
of calling on you
665
00:45:06,760 --> 00:45:09,280
# I'm busted. #
666
00:45:25,840 --> 00:45:32,440
# I walked in the big yard
to feel the warm sunshine
667
00:45:32,440 --> 00:45:39,160
# A ninety-nine-year man
stepped over to me
668
00:45:39,160 --> 00:45:44,960
# He offered a smoke
and he said as I rolled it
669
00:45:44,960 --> 00:45:50,960
# Tomorrow I'm going to break out
and go free
670
00:45:50,960 --> 00:45:54,200
# They watch us by sunlight
671
00:45:54,200 --> 00:45:56,880
# They watch us by spotlight
672
00:45:56,880 --> 00:46:02,920
# But I know a way
for a man to go free
673
00:46:02,920 --> 00:46:09,080
# Down under my cell
I'm digging a tunnel
674
00:46:09,080 --> 00:46:15,840
# The walls of a prison
will never hold me
675
00:46:29,720 --> 00:46:35,880
# Next morning at breakfast
the old man was missing
676
00:46:35,880 --> 00:46:41,320
# Then we all heard the rifles
high up on the wall
677
00:46:41,320 --> 00:46:47,240
# He'd gone through the tunnel
just like he had promised
678
00:46:47,240 --> 00:46:53,120
# And they said he was crying
when they saw him fall
679
00:46:53,120 --> 00:46:56,480
# They watch us by sunlight
680
00:46:56,480 --> 00:46:59,080
# They watch us by spotlight
681
00:46:59,080 --> 00:47:04,760
# But I know a way
for a man to go free
682
00:47:04,760 --> 00:47:10,160
# Down under my cell
I'm digging a tunnel
683
00:47:10,160 --> 00:47:17,000
# The walls of a prison
will never hold me... #
684
00:47:25,280 --> 00:47:27,440
INDISTINCT CHATTER
685
00:47:32,440 --> 00:47:35,840
I was hoping it'd be bad.
686
00:47:39,800 --> 00:47:42,680
You know,
it's not like Folsom Prison,
687
00:47:42,680 --> 00:47:45,280
but it gives you the same feeling,
doesn't it?
688
00:47:45,280 --> 00:47:47,160
A prison's a prison.
689
00:47:49,240 --> 00:47:51,520
That's all it is.
690
00:48:00,400 --> 00:48:03,560
Go around,
back through the passageway.
691
00:48:03,560 --> 00:48:05,240
All right.
692
00:48:35,880 --> 00:48:38,120
Thank you very much.
You're very kind
693
00:48:38,120 --> 00:48:41,680
and we've enjoyed singing for you
this afternoon,
694
00:48:41,680 --> 00:48:44,680
but we would like to continue
with the Johnny Cash Show
695
00:48:44,680 --> 00:48:47,880
and bring to you the man
that you've actually come to see.
696
00:48:47,880 --> 00:48:50,280
I'm sure you'll enjoy him
this afternoon.
697
00:48:50,280 --> 00:48:53,000
He seems to have
a lot of things in common with you.
698
00:48:53,000 --> 00:48:55,160
Mr Johnny Cash!
699
00:48:55,160 --> 00:48:57,400
CHEERING AND APPLAUSE
700
00:49:00,200 --> 00:49:04,400
# Now, I taught the weeping willow
how to cry
701
00:49:04,400 --> 00:49:09,280
# And I showed the clouds
how to cover up a clear-blue sky
702
00:49:09,280 --> 00:49:11,880
# And the tears I cried
for that woman
703
00:49:11,880 --> 00:49:13,560
# Are gonna flood you, big river
704
00:49:13,560 --> 00:49:16,640
# And I'm gonna sit right here
until I die
705
00:49:28,240 --> 00:49:31,720
# Then you took me to St Louis
706
00:49:31,720 --> 00:49:33,960
# Later on down the river
707
00:49:33,960 --> 00:49:38,240
# A freighter said she's been here
but she's gone, boy, she's gone
708
00:49:38,240 --> 00:49:42,480
# I found her trail in Memphis
but she just walked up the bluff
709
00:49:42,480 --> 00:49:45,840
# She raised a few eyebrows
and went on down alone
710
00:49:45,840 --> 00:49:49,600
# Now, won't you batter down
by Baton Rouge, River Queen
711
00:49:49,600 --> 00:49:51,240
# Roll it on
712
00:49:51,240 --> 00:49:54,560
# Take that woman on down
to New Orleans, New Orleans
713
00:49:54,560 --> 00:49:58,400
# Go on, I've had enough
Dump my blues down in the gulf
714
00:49:58,400 --> 00:50:01,920
# She loves you, Big River
More than me. #
715
00:50:05,880 --> 00:50:06,880
Yeah!
716
00:50:06,880 --> 00:50:10,120
CHEERING AND APPLAUSE
717
00:50:10,120 --> 00:50:12,880
You guys must say something nice
for the camera, now,
718
00:50:12,880 --> 00:50:15,160
don't say "Shit"
or anything like that.
719
00:50:16,280 --> 00:50:17,560
Can't put that on TV.
720
00:50:19,440 --> 00:50:21,840
The fellas here on the bass
and the drums have been with me
721
00:50:21,840 --> 00:50:23,080
for about 13 years.
722
00:50:23,080 --> 00:50:25,160
This is Marshall Grant
and WS Holland.
723
00:50:25,160 --> 00:50:26,680
Let's give them a big hand.
724
00:50:26,680 --> 00:50:28,640
APPLAUSE
725
00:50:30,480 --> 00:50:33,280
The young man on the guitar
has been with us just a short while,
726
00:50:33,280 --> 00:50:35,560
since the death of our guitar player
Luther Perkins,
727
00:50:35,560 --> 00:50:37,080
for about four or five months.
728
00:50:37,080 --> 00:50:39,160
He's joined the group
and doing a great job -
729
00:50:39,160 --> 00:50:42,200
from Tulsa, Oklahoma, Bob Wootton.
730
00:50:42,200 --> 00:50:44,440
WHISTLING AND APPLAUSE
731
00:50:45,800 --> 00:50:49,280
Well, we did a show at Folsom Prison
in California.
732
00:50:49,280 --> 00:50:53,320
And, er...there's some pretty
mean-looking characters out there
733
00:50:53,320 --> 00:50:55,360
compared to some of you fellas.
734
00:50:55,360 --> 00:50:58,160
One guy I know is in for life
for stealing eggs.
735
00:50:58,160 --> 00:51:00,920
LAUGHTER
736
00:51:06,240 --> 00:51:08,440
Here's some of the songs
we did out at Folsom,
737
00:51:08,440 --> 00:51:11,960
and...we've done
at almost all of our shows.
738
00:51:13,680 --> 00:51:19,000
# Ten years ago
on a cold, dark night
739
00:51:19,000 --> 00:51:23,600
# Someone was killed
'neath the town hall lights
740
00:51:23,600 --> 00:51:28,720
# There were few at the scene
but they all agreed
741
00:51:28,720 --> 00:51:33,880
# That the slayer who ran
looked a lot like me
742
00:51:35,760 --> 00:51:41,400
# The scaffold is high
and eternity is near
743
00:51:41,400 --> 00:51:46,200
# She stood in the crowd
and shed not a tear
744
00:51:46,200 --> 00:51:51,480
# But sometimes at night
when the cold wind moans
745
00:51:51,480 --> 00:51:58,440
# In a long black veil
she cries o'er my bones
746
00:51:58,440 --> 00:52:03,760
# She walks these hills
in a long black veil
747
00:52:03,760 --> 00:52:11,560
# She visits my grave
when the night winds wail
748
00:52:13,280 --> 00:52:18,520
# Nobody knows, nobody sees
749
00:52:18,520 --> 00:52:21,960
# Nobody knows but me. #
750
00:52:23,840 --> 00:52:26,200
CHEERING AND APPLAUSE
751
00:52:31,520 --> 00:52:32,560
Hi!
752
00:52:35,840 --> 00:52:39,440
# We got married in a fever
753
00:52:39,440 --> 00:52:43,120
# Hotter than a pepper sprout
754
00:52:43,120 --> 00:52:46,840
# We've been talkin' 'bout Jackson
755
00:52:46,840 --> 00:52:49,720
# Ever since the fire went out
756
00:52:49,720 --> 00:52:51,480
# I'm goin' to Jackson
757
00:52:52,840 --> 00:52:54,640
# I'm gonna mess around
758
00:52:56,480 --> 00:52:58,880
# Yeah, I'm goin' to Jackson
759
00:53:00,000 --> 00:53:02,160
# Look out, Jackson town... #
760
00:53:02,160 --> 00:53:03,400
Look out!
761
00:53:03,400 --> 00:53:07,240
# Well, go on down to Jackson
762
00:53:07,240 --> 00:53:10,720
# Go ahead and wreck your health
763
00:53:10,720 --> 00:53:13,960
# Go play your hand
you big-talkin' man
764
00:53:13,960 --> 00:53:17,280
# Make a big fool of yourself
765
00:53:17,280 --> 00:53:20,400
# You're goin' to Jackson
766
00:53:20,400 --> 00:53:22,880
# You big-talkin' man
767
00:53:24,080 --> 00:53:27,720
# And I'll be waitin' in Jackson
768
00:53:27,720 --> 00:53:30,600
# Behind my Jaypen fan
769
00:53:30,600 --> 00:53:33,600
# Well, when I breeze into that city
770
00:53:34,680 --> 00:53:37,440
# The people gonna stoop and bow... #
771
00:53:37,440 --> 00:53:38,680
Ha!
772
00:53:38,680 --> 00:53:44,840
# All them women gonna make me
teach 'em what they don't know how
773
00:53:44,840 --> 00:53:46,800
# I'm goin' to Jackson
774
00:53:47,880 --> 00:53:49,960
# You turn-a loose my coat
775
00:53:52,000 --> 00:53:53,920
# Yeah, I'm goin' to Jackson
776
00:53:55,360 --> 00:53:58,440
# "Goodbye", that's all she wrote
777
00:53:58,440 --> 00:54:01,720
# Well, they'll laugh at you
in Jackson
778
00:54:01,720 --> 00:54:05,720
# And I'll be dancin' on a Pony Keg
779
00:54:05,720 --> 00:54:09,320
# They'll lead you round town
like a scalded hound
780
00:54:09,320 --> 00:54:12,600
# With your tail tucked
between your legs
781
00:54:12,600 --> 00:54:14,680
# You'll go to Jackson
782
00:54:16,000 --> 00:54:18,240
# You big-talkin' man
783
00:54:19,400 --> 00:54:23,080
# And I'll be waitin' in Jackson
784
00:54:23,080 --> 00:54:25,040
# Behind my Jaypen fan
785
00:54:25,040 --> 00:54:28,040
# Well
786
00:54:28,040 --> 00:54:30,840
# We got married in a fever
787
00:54:31,960 --> 00:54:34,400
# Hotter than a pepper sprout
788
00:54:35,600 --> 00:54:39,320
# We've been talkin' 'bout Jackson
789
00:54:39,320 --> 00:54:42,040
# Ever since the fire went out
790
00:54:42,040 --> 00:54:44,160
# I'm goin' to Jackson
791
00:54:45,280 --> 00:54:47,560
# And that's a fact
792
00:54:49,040 --> 00:54:51,560
# Yeah, we're goin' to Jackson
793
00:54:52,640 --> 00:54:55,680
# Ain't never coming back
794
00:54:55,680 --> 00:54:59,600
# Well, we got married in a fever
Ooh...
795
00:54:59,600 --> 00:55:03,040
# Hotter than a pepper sprout
Ooh... #
796
00:55:03,040 --> 00:55:05,280
CHEERING AND APPLAUSE
797
00:55:23,360 --> 00:55:27,600
# Join your friends while you got 'em
798
00:55:29,080 --> 00:55:33,080
# Cos you know
they're gettin' fewer every day
799
00:55:34,560 --> 00:55:38,600
# You can't wait to let them
take you to the bottom
800
00:55:40,280 --> 00:55:44,400
# And I'm gettin' tired
of standin' in your way
801
00:55:45,600 --> 00:55:51,200
# But when you hit the ground
don't come looking around
802
00:55:51,200 --> 00:55:55,240
# For the pieces of the love
you threw away
803
00:55:56,720 --> 00:56:00,680
# That's the price of the high life
you're livin'
804
00:56:02,440 --> 00:56:06,400
# And you still got the devil to pay
805
00:56:10,920 --> 00:56:16,560
# You've been flying so high
you don't know that you're blind
806
00:56:16,560 --> 00:56:21,920
# To the writin' on the wall
807
00:56:21,920 --> 00:56:25,120
# But some day you'll look down
808
00:56:25,120 --> 00:56:29,560
# And you'll find
you've got no place to fall
809
00:56:33,400 --> 00:56:36,080
# When your bright lights are gone
810
00:56:36,080 --> 00:56:39,320
# You'll be standing alone
811
00:56:39,320 --> 00:56:43,120
# Forsaken in the naked light of day
812
00:56:44,240 --> 00:56:48,800
# And then you'll know
that it's all over but the dying
813
00:56:50,120 --> 00:56:54,440
# And you've still got
the devil to pay. #
61660
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