All language subtitles for Forgive.And.Forget.2000.1080p.WEBRip.x264.AAC-[YTS.MX]

Downloaded from
YTS.MX

Now, John, you knew that the
Carl wouldn't be at that party,

Official YIFY movies site:
YTS.MX

didn't you?

Yeah, but I've--

And you, um, have
already admitted

that you quite fancied her.

Look, if you're trying to
make out like I planned it,

then you're wrong.

I wouldn't do that.

OK, so you're saying
it just happened.

Yeah, I didn't think.

I was pissed--

[laughter]

--drunk.

So was she.

But John, she was
Carl's girlfriend.

[MUSIC - PAUL WELLER, "THE
CHANGINGMAN"]

[heavy breathing]

[SINGING] I'm a changingman.

Is happiness real--

So you'll blame Suzy?

She could have
stopped if she wanted.

[audience ooh-ing]

JUDITH ADAMS: So could John.

John was legless, wasn't he.

[SINGING] --like a
man been tainted.

Numbed by the effect,
aware of the muse.

Too in touch with myself,
I'll light the fuse.

I'm a changingman.

OK, come on, guys.

Where do we go from here?

What about Suzy?

Are you prepared to
give her another chance?

[sighs]

[SINGING] I light a bitter fuse.

What about John?

[scoffs]

[SINGING] --only ours to borrow.

You were bang out of order.

[SINGING] What I can't beat
today, I can beat tomorrow.

Yeah.

The more I see, the more I know.

The more I know, the
less I understand.

But a mate's a mate, right?

There you have it,
ladies and gentlemen.

Carl has promised to
forgive and forget.

[applause]

MICHAEL: Hey!

DAVID: Grow a puss.

[shouting]

DAVID: Come on, dad.

Oh, come on.

[kicking the ball]

You see that?

Control that is.

Will you two
please play quietly I

can't hear myself read.

I used to dazzle teams
with skills like that.

Right.
Nice one.

Oh, ho, ho, ho, ho, ho.

I've seen bags of cement
with more balance than that.

Come on.
- Oh!

Good, Lord--
- Balance!

Come on then.
Come on then.

Oh!
Very good.

Very good.

Right, let's have a
shot at your old man.

Come on.
Come on.

Oh!
- Get out of it.

Jeez.
He's bold.

He's fat.

He's an ugly Celtic twat--

Mike O'Neil.

Right.
Come on.

Come on.

Let's have you.

Come in to it.
- Oh!

Didn't see that, did you?
[laughs]

- Michael--
- What?

Stop bullying the boy.

Bully him, Ruth?

By God, have you seen
the bloody size you up.

If you want to kick
people about, do it at work.

[sighs]
- Yeah, dad.

Do it at work.

I'm trying to teach him
the finest skills of soccer.

[sighs]

[keys jangling]

[buzzer ringing]

[kicking the ball]

Someone's at the door.

Well go and answer it.

Um, yeah, right.

I'm in my dressing gown.

David, will you answer
the door, please, love.

If it's for me, I'm not in.

[ball thuds off his head]

You didn't see that, did you?

[laughter]

Hey, doing all right?

Yeah, I'm all right.

Just got one dad's
footballing lessons.

Oh.

There you go.

Still up for tonight?

[blows puff of smoke]

I can't, mate.

I've got to do
something with Hannah.

I promised her.

You know, you made
some didn't you.

I'm sorry.

I forgot, all right.

[blows puff of smoke]

Where you going?

Art exhibition.

Ey?

Art exhibition.

It's her mate.

It's her best mate.

What can I do?

You tosser.

Tell you what, mate, she
has got you right there.

Yeah, yeah, yeah.

[blows puff of smoke]

You don't even like art.

Well I've gained artistic
appreciation, haven't I?

The nearest you get to
painting is a tin of glass.

Listen, do you want to come?

You might learn something.

Nah, It's not my bag, mate.

I'm going to go and get
pissed with my real mates.

[scoffs]

Fair enough.

But it's your loss, mate.

Lovely women, beer, nice
art, what more do you want?

Nah?
- Nah.

I'll give it a swerve.
- All right.

At least I tried.

See you tomorrow, yeah?

MICHAEL: What's that?

What?

It's Hannah's her mom and
dad bought it for her.

Tell you what, she
doesn't know how to shift.

It's pink.

It's not pink.

It's cerise.

Anyway, it's not mine.

What's happened to the mini?

Knackered.

You're having a
laugh, ain't you?

That's a nice color, Theo.

Thank you.

At last, someone with taste.

Is school all right, Gabs?

Mm-hmm.

Can I help you, Gabby?

I wanted to ask Theo if he'd
help with my computer project.

Well we're talking
about motors,

little girls not included.

Go on.

Stay in your room.

See you, Theo.

See you, Gabs.

Tosser.

Loud arse.

I'll see you tomorrow.

DAVID: Yeah.

Do you want a lift?

We're gonna have
a talk about this.

You know that, don't you?

[car engine revving]

[car honks]

See you later, darling.

Oy, ease up you wanker.

[panting]

Going to get Hannah on to you.

She was cross country
champion at school apparently.

I thought they didn't do
any running at public school,

they just played a
wanky game with nets.

What, lacrosse?

Yeah.

[laughs]

She got one of those
really posh voices?

Nah, I told you she's a jock.

She got a sexy
voice though, yeah.

- Yeah?
- Yeah.

Christ knows what
she sees in you.

I reckon you're just
jealous, because I'm getting

a regular shag and you're not.

Oh, yeah.

Double guide.

Non-stop shag-a-thon, mate.

You've had one,
you've had them all.

Nah, nah, it's different,
especially when you're in love.

[jogging slows]

You had enough?

[panting]

Listen you're not
in the car, are you?

Yeah, why?

Well you could drop us off at
Hannah's on the way, could you?

Be a best mate.

[flicking lighter open]

Yeah.

[car slowing down]

That's it.

Yeah, it's not much
to look at, is it?

Flat's nice though.

Listen, are you stopping
for a beer later or what?

Won't miss it for
the world, mate.

Cool.

She's well out for it.
- Go on.

You take it easy, yeah?

Yep.

[door slamming closed]

Laters.

[car speeding away]

[music playing]

Hannah?

Han-- Hannah?

Boo!

What are you doing here?

Oh, the usual--

shag, shower, sandwich.

This is becoming
a bit of a habit.

I didn't know you'd moved in?

Oh, don't be silly.

It's a nice habit.

[music playing]

[MUSIC - LIGHTHOUSE FAMILY,
"HIGH"]

[SINGING] --it was me and you.

Cause we are gonna be,
forever you and me.

Yeah, you missed a
good night last night.

Oh, yeah?

Yeah, tell him
about that bird.

Oh, yeah.

there was this bird, right.

She was clocking me all night.

But her fellow was there.

Ugly bastard he was, really.

Oh, right, Pete.

All right, so anyway, she's
only trying to get rid of him,

so I can bang her
back at her Mazzos.

What's that, one
pig for another?

[laughter]

No, she was all right.

She had naughty tits.

Not a armful-like,
more of a pinch.

But she was all right
though, wasn't she Paul?

Yeah, she was all right.

She looks a bit like Tony
Adams, but I'd have shagged her.

[chuckles]

The way you two talk
about women is bad.

You know that, mm?
- Oh, yeah.

Listen to Mr. Sensitive.

That woman's done
you already, Carlton.

She'll have you ironing
her knickers next, mate.

And don't say I didn't warn you.

Don't go there, boys.

Don't go there.

You know my woman is brimming!

[chuckles]

She cooks me the good food,
and gives me the good thing,

you know what I'm saying?

Whereas you two would
rather shag someone

that looks like an
Arsenal defender.

Well I rest my case.

CARLTON: Wait, John, we
need more slop coming.

Don't take it
personally, mate.

Jokes on you.

It was an Arsenal.

[laughs]

[SINGING] Cause it's me and you.

[boys singing along]

Cause we are gonna be
forever you and me.

You will always keep me flying
high in the sky of love.

Cause we are gonna be
forever you and me--

[shuts off music]

--me.

JOHN: What's his problem?

What am I, f-ing psychic?

I can't work
with my music, man.

Yeah, you do shite all anyway.

A chimp could do
your job, Carlton.

What's he just call me?

Oh, no need for that.

What you on about?

[slams tool down]

What you say?

[throws tool]

I-- what--

You, calling Carlton a chimp.

In my book, you might
as well've called

him a bloody jungle bunny.

Nah, nah, I didn't
mean it like that.

It's an expression that's all.

I was just--

[laughter]

Ah, you wankers.

Is anyone working here?

PAUL: All right, boss.

Mr. Siath.

Hiya, lads.

You, get David for me.

Dave!

You sorted out the steels
for the skylight yet?

Yeah, sometime next week.

Oh, that's smashing.

All right then, get
your asses back into gear.

Come on, move it.

See you, boss.

[chuckles]

I can't believe you.

We'll have to replace
the flashing reboot.

Oh, oh, that's smashing.

[chuckles]

Such a bender.

You noticed how he's always
looking at our bollocks

when he talks to you?

Oh, yeah.

He's going to need
a bigger binoculars

to see yours ain't he?
[laughs]

But at least I've got some.

Well that's what your old
bird told me last night.

[slaps]
- Oh!

Johnny big balls.

Come on Johnny big balls.

Didn't I tell you not
to mention my missus?

[can clatters to the ground]
You're gonna come back, my man.

You're going to come back--

--chase me with
those big balls.

[turns the music back on]

[SINGING] --high in the
eye of the sky of love.

Cause we are gonna be
forever you and me.

Always keep me flying
high in the sky of love.

[blows out puff of smoke]

[MUSIC - OLIVE, "YOU'RE NOT
ALONE"]

[SINGING] Take my thoughts with
you and when you look behind,

you will surely see a
face that you recognize.

You're not alone.

Yeah, there is a shit
load of money in computers.

Do you reckon you'll
stick with it, mate?

Be the first if you do?

Well I'm gonna stick
like college, mate.

I can stick anything.

Hey, you'll make
it, won't you?

Yeah.

He says if he doesn't
I'll have to kill him.

You can't argue with
a psychopath, can you?

This, mate.

Beers, I need to piss.

He's so sweet
when he's pissed.

[chuckles]
- Yeah.

Hello.

[sets glass down]

Yeah, he's
something, all right.

[SINGING] --that makes
life a little hard.

Two minds that once were
close, now so many miles apart.

Theo's a lucky bloke.

What?

I think he's lucky to
have pulled a bird like you.

[scoffs]

[SINGING] --safely
back where you belong.

Yeah, you're good for him.

He's-- he seems more settled.

Things are good with us.

He said that you lived
with a geezer for a while.

Yeah.

[laughs]

Didn't work out, did it?

Nope.

Why's that?

He broke my heart, that's why.

Theo wouldn't do that.

Let's hope so.

Anyway, he knows the deal.

What's that?

Well monogamy.

I just want solid commitment.

[sighs] You're not into that ey?

Theo said--

Said what?

That you'd done the rounds.

[scoffs]

So?

Oh, don't be defensive.

You've just not met the
right person, that's all.

Mm.

Well, like I say, some
of us get more than that.

You want another?

Uh, just a Coke.

I'm driving.

[chuckles]

[SINGING] I'll wait
til the end of time.

Open your mind.

Surely it's plain to see.

You're not alone--

Oh, they're taken.

I don't see anyone.

Well they're coming back.

We'll wait.

What's up, boys.

We're sitting here.

Were.

You were sitting here.

Piss off.

[laughter]

Oh, come on.

Leave me out.

Maybe you should
get the bouncers.

Look.

It ain't funny.

[chuckles]

Do I look like a comedian?

Anyway-- [mocking voice]

[laughter]

[coughing]

Am I supposed to be scared?

Are you the little tosser's--

Oy, wait.
Hey.

What What?

Hey!

Want some?

Come on, Steve.

This ain't worth it, mate.

Come on.

Say sorry.

Say you're sorry, Steve.

Sorry, mate.

Good man.

[pats cheek]

See you later.

You all right, mate?

Ey?

You all right?

Yeah.

I can't believe they let
wankers like that in here.

Yeah, well they messed
with the wrong geezer

this time, didn't they?

Do you want another one?

No.

No, I'm gonna go.

What about the club?

No, I don't fancy it.

See you later.

No, I'm all right, yeah.

See you later.

You all right, mate?

Spare change?

[MUSIC - ECHO AND THE BUNNYMEN,
"RUST"]

[SINGING] Wish that you were
here down amongst the dust.

I need someone to help me.

You I need someone I trust.

There's something in these
tears, turning me to rust.

I need someone to help me.

Yeah, I need someone to touch.

Give me one more try.

And I'll come
flaking back to you.

Just when you think it's
over, just when you--

Go on.

[SINGING] --think
it's done, out of--

Eat something.

[SINGING] --never see it come.

I know--

HOMELESS MAN: Cheers, mate.

[SINGING] --showing.

I can't keep them in.

Like everybody's story--

[sighs]

Feeling better?

No, I'm spinning.

[inaudible]

Can I ask you something?

[sighs]

I don't think I can, babe.

[kisses]

Not that.

But don't take this
the wrong way, OK.

Mm.

I really like David, but--

But what?

Has he ever lost
his temper with you?

With me?

Don't be ridiculous.

Well what, what do you
think David is-- some sort

of head case or something?

That's not what I said.

But that's was what you're
thinking though isn't it?

Oh, don't be like this.

I know he's your friend.

Now hang on, hang on.

He's not my friend.

He's my best friend.

And now I, I don't know why you
think he's unstable or what.

But he's not.

He's just protective.

He just, he just cares
about me, that's all.

I know.

But--

But what?

Listen, when my dad
died, David was there.

If I got bullied at
school or anything,

David was always there.

If I need anything,
he's always there.

This is what
I'm trying to say.

You're with me now.

Yeah, but he's my mate.

Do you understand that?

He's my mate.

I don't know what your
poncy school chums are like.

Don't start that.

Yeah, well don't
you start on him then.

[breathes out deeply]

[music playing]

[light switches on]

Going already?

[scoffs]

[light switches off]

What you doing up, mom?

Your father's snoring.

Where have you been?

Out.

Oh.

Out where?

Just out and about.

Are you being careful, love?

You can't be too careful.

Mm.

I'm going to bed.

Good night.

Sweet dreams.

Love you, mom.

Muck, get out of it.

That's not straight, mate.

All right.

Your late.

Part-time don't mean
in your own time.

[can fizzles open]

Sorry, mate.

Uh, I was making up with Hannah.

Took longer than we thought.

You had an argument
or something?

Yeah, sort of, yeah.

Well go and get
some more plaster, ey.

[scraping]

Hi, David.

Hi.

Mr. [inaudible]

Coming on nicely?

Yeah, yeah.

We should have it
finished by today.

Then we'll move to
the right wing next.

Well the client is extremely
pleased with the progress.

When this is finished,
the beers are on me.

[chuckles]

Oh, and I've got the
plans for the Belvedere.

Tough.

Alex!

[footsteps receding]

Jeez, Dave.

[grunts] Get Carlton
to do that next time.

Oy, See, I told
you he fancied you.

You two girlies were
having a nice little chat.

You know what, I said,
he wouldn't shag me.

What a dirty little bastard.

Said I fancied you.

Oy!

Come here.

Oy.

Come here.

[interposing voices]

Come here.

[inaudible]

Come on, get him.

[interposing voices]

We'll have to
replace the flashing

before we put in the new glass.

It'll take a couple of days
to fit the new framework.

Well, I can see
where it split.

I can't believe the bloody
surveyor missed that.

Oh, well.

[phone ringing]

Excuse me.

[ringing stops]

Hello?

I'll be back in a minute.

Yes, speaking.

[laughter in the background]

Well what's in
the garden, please?

What the hell
is going on here?

Just having a laugh, dad.

Like a bunch of schoolboys.

What if he sees you?

He might like it.

Listen, pal, I do
not give a toss if he

is a Mongolian sheep shagger.

He is the one that
pays your wages, OK.

Now just remember that.

Get some bloody work done,
before I lose my bloody temper.

Move it.

Yes, I understand that,
and that's precisely why

I ordered them four days ago.

I'm not disputing that.

No, I told you I did it.

No, no, you are
not listening to me.

Really?

We've got--

Michael, I'll speak
to you tomorrow.

Yeah, yeah.

ALEX: I know.

You're not listening.

[hammering]

You, out.

So he's a poof.

OK, who cares?

But you're my boy.

The others can act
like pricks, but you're

supposed to set an example.

Leave it out, dad.

You hate architects.

Oh, David.

For weeks now,
you've done nothing

but mope around this place.

You use the house like you're
some kind of bloody hotel.

I mean, what's
gotten into you, boy.

Everybody is doing my head in.

I'm fine.

Then shape up.

David, you're not a kid anymore.

I shouldn't have to be
talking to you like this.

Bollocks.

And you, get some
bloody work done.

And speed that up.

[inaudible shouting]

Get some work done.

[interposing voices]

Dave.

Yeah?

When you getting off, mate?

What?

What you doing for?

We finished.

We have.

Fancy a game?

What you mean, on this?

Mm.

Yeah, pretty sure.

- Mm.
- Yeah, mate.

Yeah.

All right.

Right then.

Yeah?

Yep.

[scraping]

[music playing]

Yep.

[MUSIC - PAUL WELLER, "TIME
PASSES"]

[SINGING] I saw you today,
or at least, I think it was.

It's hard to say,
people change so much.

Compelled to look,
but I hid my face.

It's hard to trace
these feelings.

Gone so soon, the
time I spent with you.

And like an old, old, tune--

keeps running through my head.

I wanted to say so many things.

But my mouth went dry.

and one word and I'd cry.

Yeah.

[scraping]

[SINGING] --you today, or
at least, I think it was.

I saw you today, or at
least, I think it was.

I saw you today, or at
least I think it was.

Out with it.

I'm moving in with Hannah.

We're going to
cohabit, as they say.

It's a bit sudden,
ain't it, mate?

You've only known the
girl give minutes.

Oh, it's been six months--

six months, four days.

Yeah, it's not
that long now is it?

Well what's that
got to do with it?

I mean, time doesn't
come into it, does it?

So what you telling me for?

Well you're my mate.

Of course, I'm
going to tell you.

But it sounds like
you're moving in.

So don't need my permission
or nothing, do you?

I'm not your dad.

What you being like this for?

Like what?

You've always got to
criticize, don't you?

If it ain't me, it's her.

I mean, you, you
don't like her car,

you don't like her friends.

She can't do anything
right, can she?

When have I ever said that?

You've giddy yump because
I don't like her motor.

[scoffs]

I like Hannah.

She's nice.

It's just, I worry about
you, don't I. Hannah's

a lovely girl, I mean that.

You know, but if you
two break up, what then?

Oh, cheers.

Well be positive, why don't you.

You know, if it all goes
wrong, who gets the grief?

Dave, I'm sure that this.

And you know me, I'm
never sure about anything.

DAVID: Fine, fine.

Good.

Just don't mess it up, mate.

I won't, mate.

[taps on the shoulder] I won't.

[sighs]

Still reckon I'd calls a
load of old toilet, right mate?

Do you want another?

No, I can't, mate.

She's cooking for me tonight.

I'll beg off.

I'll see you later.

Yeah.

[sharp intake of breath]

Hang on, hang on.

[sets couch down with a thump]

Oh, I'm knackered.

You haven't done anything.

Come on, move your arse.

Problems, boys?

Dave's just having a breather.

[grunting]

Yeah.

[thumps]

Careful.

Sorry.

That's it.

Oh, let's put it down here.

[sets couch down]

Huh, it's easier to go
and whip him into shape.

[chuckles]

I've given up,
life's too short.

I could murder a beer.

Yeah.

Oh, what do you want?

Yeah.

Oh, don't be daft.

OK.

[kisses her on the cheek]

Got him well-trained, Hannah.

[chuckles]

Did you do these?

Yeah, last year.

What do you think?

Nice.

Nice.

You like that?

Yeah.

Yeah, I prefer photos.

They're more like real life.

Yeah, you caught the
light really well here.

I may be a plasterer,
but I'm not a fake.

And that's my dad.

He loves to sleep.

Hmm.

[music playing]

You have nice hair.

Theo took that.

Did he?

Yeah, he's got
a really good eye.

Hmm, better than me.

He developed it himself,
printed it, everything.

Hmm, I never knew
he did photography.

Yeah.

Yeah, if he had
a bit more drive,

he could be a really
good photographer.

She looks nice.

Is she one of your mates?

Uh, she used to be.

It's Emma, Greg's sister.

Oh, yeah-- Greg, the ex.

Well, yeah.

Less of an ex, more of why?

So why have you
got a photo of them?

Uh, well I really
like the picture.

Whatever I think about
him, doesn't change the way

I feel about this photograph.

Hmm.

Well I suppose it says you're
over him, which is good.

[door creaks open]

What have I missed?
[laughs]

Nothing.

Talking bollocks about art.

Not you as well, mate.

[handing out the beer cans]

Thanks.

[gulps and swallows]

Cheers for the help, Dave.

Yeah.
Thanks, David.

You're welcome.

[heavy breathing]

Hey, uh, ease up, mate.
She's not used to it.

I'm fine.

What about you?

[laughs]

Hang on.

Now, look-- yeah,
look, you go on.

Seriously.

I've hurt my cruciate ligament.

Go on.

Go on.

Come here, Hannah.

Let's see what you've got.

[panting]

[heavy breathing]

[speeds up jogging pace]

Come on, Hannah.

[heavy breathing]

So the affair had
been going on some time.

Six months.

Carol, when did
you start feeling

that something was wrong?

Oh, straight away.

It was strange.

I knew there was someone else.

[sighs] Hard to believe that.

I was lying to myself.

We do that, don't we?

JUDITH ADAMS [ON TV]:
And then Jeff told you.

WOMAN [ON TV]: Yeah.

It's like it was yesterday.

JUDITH ADAMS [ON TV]: What were
your emotions at that time?

WOMAN [ON TV]: I
felt hurt, betrayed.

These are all very
natural emotions.

I felt so isolated,
alone, disconnected really,

kind of like someone had died.

I was in mourning.

It wasn't just my husband,
it was my best friend.

[drawing on a blackboard]

[phone ringing]

[WATER RUNNING IN THE
BACKGROUND]

Hello.
DAVID [ON PHONE]: Hello, Hannah.

It's--
- Oh.

Hi, David.
[music playing]

DAVID [ON PHONE]: How you doing?
You all right?

Yeah, fine.
Yep.

You?
DAVID [ON PHONE]: Yeah, yeah.

Good.

DAVID [ON PHONE]: Is Theo there?

Uh, he's in the shower.

DAVID [ON PHONE]:
Oh, I just thought

you two might like to go for
a beer or something like that.

Uh, actually we can't.

We're going around to
friends for dinner tonight.

DAVID [ON PHONE]: Oh, yes.

All right-- um, OK.
Will you tell him I called then?

Yeah, I'll give
him the message.

All right, have a good one.

DAVID [ON PHONE]: You too.
Cheers.

Bye.

[sets down phone]

[flicks lighter on]

[lights cigarette]

[exhales deeply]

[whistling]

[water splashing]

[swallows]

Who was that?

Belinda.

She all right?

Just boyfriend trouble.

[sets glass down]

Don't tell me you have
to go and console her.

Oh, no.

It's not that bad.

Anyway, I want you
all to myself tonight.

Well I suppose you've got
to pay the rent somehow,

haven't you.

You do owe a lot of rent.

Oh, yeah.

[giggling]
- Oh my, God.

[laughs]

[music playing]

[starts car]

[car screeches]

[engine revving]

[scraping]

PAUL: Where is John?

I thought he was meant to
be giving me a bloody hand.

[whistling]

This stuff is the bollocks.

Stilt anything it will.

Guess I ain't going.

This stuff is shite, mate.

It takes off the wall,
when you're taking it off.

Yeah, but it can
stay boy, don't it?

Ain't that right, mate?

Yeah.

CARLTON: You're better
off screwing it, geez.

PAUL: It's technology, Carlton.

Just think--
CARLTON: Yeah, right.

PAUL: --in a few years.

Do you want me to
skip these, Dave?

PAUL: Bloody little
wankers have known--

No.

Put them back-- at the back,
and I'll sort them out later.

All right.

So--

[audience chattering]

Let her speak.

Michelle, can we, um, can we
have your side of the story

first.

Well I met Allan
about a year ago

at a company convention
in Birmingham.

The minute I saw
him I fancied him.

CARLTON: What are
you talking about?

Crickets got strategy
and things, you know.

Don't laugh.

Football is shite.

Anyone with a brain
cell can do it.

Tell him.

You're such a wanker, Carlton.

Dave, tell him.

Dave, tell him out, mate.

Tell him football-- rubbish.

Leave him.

He's watching that poncy
program again, ain't he?

JUDITH ADAMS [ON TV]: You
pursued the relationship

even though you knew he was--

PAUL: I won't share him.

[laughs] It's no wonder you're
so bleeding depressed, mate.

Idiot.

Look, you've done it now.

Aren't you a right asshole.
- Oh, dear.

There's a first.

[chattering]

BARTENDER: Do you have a light?

Hey?

A light, please.

[flicks lighter open]

[chattering]

Thanks.

I haven't seen
you here before.

That's because you
haven't looked hard enough.

I normally work weekends.

I do the odd weekday
here and then.

That may be why then.

Do you work locally?

PAUL: See you, boss.

Yeah, yeah.

Oh, go on, lad.

You take your time.

Fill your boots.

Sorry about him.

Don't worry about it.

I'm used to it.

Can I get you another drink?

I've got a break in 10 minutes.

Nah, I've got to get back.

Oh, come on.

Nah, my dad's a governor.

Don't look good
if I take a piss.

Another time then, ey?

Yeah.

You can ring me.

[inhales deeply]

All right.

How about you ring me?

[pen scratching on paper]

[interposing voices]

Geezer.

Wanker.

[interposing voices]

Oy, oy, oy, oy, oy, oy, oy.

Hey now.

Wait.

All right.

All right.

Oy, bangs on sloppy seconds.

- Oy, you're in there, mate.
- Yeah, mate.

- A solid ten.
- Did you give my number?

- Yeah, mate.
- Show me.

Show me.
Show me.

[shouting]

[phone ringing]

Hello?

Hello?

[line goes dead]

[sets down phone]

[phone ringing]

WOMAN [ON PHONE]: Hello?

Oh, hi.

Is Theo there, please?

Uh, no he's not.

Who's this?

WOMAN [ON PHONE]:
Oh, um, I don't know.

Um, I might call later.

Bye.

[sets phone down]

[sighs]

[lighting her cigarette]

[tosses lighter]

Theo, I just want to sleep.

[sighs]

[shrugs him off]

[sighs]

[phone ringing]

Yeah?

JACKIE [ON PHONE]: It's Theo.

[giggles]

Hello?

JACKIE [ON PHONE]:
Shut up will you?

Hi, is um, Theo there?

Yeah, it's me.

Who is it?

JACKIE [ON PHONE]: You sound
different on the phone.

[scoffs]
- Do I?

Who is it?

JACKIE [ON PHONE]: It's Jackie.

Uh, Jackie.

[gets up from bed]

[giggling]

Uh, I, I think you
got the wrong number.

JACKIE [ON PHONE]:
Don't be silly--

Listen, you.

What the hell do you want?

JACKIE [ON PHONE]: Oh, Christ.

I'm sorry.

[line cuts off]

[sets phone down]

What was all that about?

[scoffs]

Hey, hey, I've got
no idea who that was.

Well she bloody
knows who you are.

I've got some work today.

Hannah.

We've got to sort this out.

Have we?

[sets cup on counter]

Look we'll uh-- we'll
speak later, all right?

Just go.

You'll be late.

[door creaks open]

[door shuts]

[sighs]

[scraping]

Oh, look at that.

[chattering]

Go ahead.

Go ahead.

Yes.

Cheer up, mate.

Might've never happened.

Piss off, Dave.

You know what, mate.

Don't get leery.

I just got a lot
on my plate, mate.

You know what I mean?

What's happened?

Did you, uh-- have a
falling out with Hannah?

[AGGRESSIVELY SHAKING THE
BUCKET]

[music playing]

[sighs]

Ay, and we all know
why that is, don't we?

[sighs]

Here we go.

Listen, I've got nothing
against immigrants, blacks.

I mean, Carlton's a good
lad, but some of them--

oh, you could shake
your head, son.

But you wait when you've
got children of your own.

Hmm.

Bloody perverts, homos,
vandal's, mugger's.

Jesus, Michael.

Will you shut up.

I want grandchildren, and
you're putting them off.

[laughs]

I'm not saying,
don't have children.

[phone ringing]

7, 0, 1, 8, 0, 6, 1.

THEO [ON PHONE]: Uh,
is Dave there, please?

Ah, he's here.

Theo.

REPORTER [ON TV]: But
the officer in charge

of policing the demonstration--

He's a sissy, that boy.

It's about time he stood
up on his own two feet.

Put a sock in it, you.

THEO [ON PHONE]:
Could you come over?

Yeah, I need speak to, I mean--

now.

If you can.

It's serious.
- No, I'll come over.

Yeah.

[sets phone down]

DAVID: She's just
got the answer.

She'll be back, mate.

Yeah, what if she's not, ey?

Of course, she'll be back.

This is her gaff, isn't it?

Dave, I'm sorry, mate.

You do not know her.

She's paranoid about
me and other girls.

She's actually
paranoid about it.

Well it's that-- it's that
other geezer's fault, isn't it?

Well she, she didn't
mention what he, he did?

Yeah.

Wanker, he was banging a bird
behind her back for a year.

I'm left with a damage now.

Well she can't trust anyone now.

I'm not surprised, mate.

But it's not like this Jackie
bird said you were poling her.

Dave, I don't even
know a sodding Jackie.

Look, mate.

She'll-- think about it,
she'll chill out, and then--

And then, what?

Well if she's got
any sense, Theo.

She's got any sense?

What is the sense in this, mate?

There's no logic in this.

I can't even I
can't even ring her.

I can't even speak to her.

She's turned the phone off.

You can't stay on
your jokes, mate.

Nah, she might ring.

I mean, she must
want to talk to me.

I, I can't go home.

I'm not going home.

I-- I'm not on my
mom taking a piss.

[inhales deeply]

[exhales deeply]

Mate, your gaff.

No, I've got a
better idea, mate.

[MUSIC - LIGHTHOUSE FAMILY,
"HIGH"]

[SINGING] Cause we are
gonna be forever you and me.

Come on.

Give me a laugh.

Just like old times, ey.

Theo--

[SINGING] --in the sky of love.

You, me-- forever.

Don't you think it's
time you started

doing what we always wanted.

One day we're gonna get so high.

Cheer up, son.

It's fine.

[SINGING] Cause even
the impossible--

[game over]

Bollocks.

[game resets]

You got any change?

No.

Listen, what are
we doing in here?

I'm not in the mood for this.

Exactly.

Ten more, bro.

Um, you do know you're not
allowed to drink alcohol,

don't you?

Are you going
to take it off me?

[SINGING] Remember,
it was me and you.

Didn't think so.

Cheers, mate.

[SINGING] --gonna be.

Forever you--

Cheer up you
miserable bastard.

[coins clattering]

Come on number four.

Come on the lucky four.

[SINGING] --flying high
in the sky of love.

DAVID: Cheers, mate.

Thanks a lot.

[SINGING] Cause
we are gonna be--

Tell you what, this
place is bang out of sorts.

Cheer up, mate.

Hannah is not going to
kill you for having a beer.

[SINGING] --flying high
in the sky of love.

Sorry, mate.

Look, can we shoot off?

Nah, we need some company.

[giggling]

Yeah.

No.

Yeah.

Making it fuck.

Is anyone sitting there, girls?

So do you, um, enjoy
boring computer studies?

[laughs]

Guys, it's a complete load
of bollocks, if you must know.

[laughs]

Oh-- [clears throat] Your
friend's a bundle of happiness.

Yeah, lighten up.

[chuckling]

Come here, and talk to me.

[laughs]

What, what was your name?

Theo.

So I bet you're a euro
bond dealer or something.

I'm a plasterer.

- Oh.
- Yeah.

Yeah.
What's your name?

Caroline.

- Well I suppose it pays well.
- Nice to meet you.

It does, yes.

And that, that's Nicky.

[chuckles]

Theo--

What?

Um, you've got beautiful eyes.

They're sad too.

What-- why is that?

[interposing voices]

[giggling]

Uh-- Dave, Dave, can
I have a word, mate.

DAVID: I'll just be near.

I'll just be a minute.

[inaudible]

Don't.

NICKY: Don't be long, boys.

Let's go home.
I got--

Don't be stupid.

You're in there.

Well you stay if you want.

I'm not interested.

Come on.

Where's the harm?

There isn't any harm.

I'm just not interested.

Don't be a wanker.

Hmm.

You get the beers in them.

I'm going for a slash.

Theo-- come, come on.

We'll have a laugh off them,
then we'll mug them off.

[pats back]
- No, no.

Dave, oy!

[MUSIC THUMPING IN THE
BACKGROUND]

[slams hand into the stall door]

[stall door creaks open]

[zipping up pants]

[door opens]

[door shuts closed]

[inhales sharply]

[water running]

[sighs]

What the fuck
are you doing, boy?

Your friend just left.

I hope you're staying.

[cars zooming past]

Couldn't even get that right.

What's that?

My big exit.

I got here, then remembered
you had the sodding keys.

Hmm.

What's happened, mate?

It's all gone wrong.

[phone ringing]

Ah, come on, mate.

Just because you've had a row,
it's not the end of the world.

Being a miserable bastard
is not going to help.

I'm sorry.

I should be laughing,
shouldn't I?

I'll tell you what, I
don't want to cheer up.

I can't pretend that
I'm having a good time,

because I don't want to be here.

I want to be with Hannah.

You don't understand, do you?

I do.

No, you don't.

It's never happened to you.

How's you know?

I'll tell you why
I know, because you

never stuck around with anyone
long enough to find out.

So?

I still understand.

Yeah, all right.

Well-- yeah, all
right, you understand.

It's, it's different.

Pissed you off now, haven't I?

[sighs]

I'll tell you what,
mate, I'm turning

into a first class wanker.

No, you're all right, mate.

[sighs]

[laughs]

Do you remember when you
set fire to our deck chair?

[chuckling]

Do you remember that?

You were of your edge.
What did you do that for?

I can't remember.

Because you dared me.

[laughter]

[weakly chuckles]

Ugh.

And the girls-- do you
remember the two girls?

- Chin.
- Chin.

- Chin and Lips.
- Chin and Lips.

[laughs]

Chin and Lips.

This is Chin.

And this is my mate, Lips.

Chin and Lips.

[laughs]

We had a laugh that day, kid.

No, we had more
than a laugh, mate.

[sighs] I tell you,
I reckon that was

the best day of my life.

[MUSIC - PAUL WELLER, "TIME
PASSES"]

[SINGING] The final stage,
we both reached some way.

As we board our trains
to different stations.

And the parts we
play and the fears we

say, words on the
way to discovery.

[laughs]

Come here, Theo.

Come here.

[laughs]

Woo hoo!

[SINGING] I saw you today,
or at least, I think it was.

I saw you today, or at
least, I think it was.

[music fading out]

[music playing]

[breathing deeply]

Hiya.

[pots clattering]

Hey.

Come here.

I'm exhausted.

I've cooked.

Be ready in a minute.

Did you have a good weekend?

Will you talk to me, please.

I don't want to talk about it.

I Just want to forget it.

OK.

Fine.

If that's what you want, yeah.

I had a crap weekend,
since you asked.

What did you do?

Read the papers.

Worked on that shitty project.

You stayed in?

Good.

I'm glad.

What did you expect me to do?

I don't know.

I rang you.

I went for a run.

HANNAH: You didn't see David?

Yeah.

Well he came over.

We had a beer, yeah.

That's nice.

It's good to know that no
matter what happens, you two

can always bond.

[sets fork down]

Hannah, why are
you being like this?

If you're going to blow me
out, then please, just do it.

Because this-- [sighs]
--this is cruel.

It's always about you, Theo.

I'm pissed off, OK?

I'm not going to hide it.

I'm not going to bottle it up.

That's how I got into
a mess the last time.

Yeah, and I understand that.

No, you don't.

I'm confused at the moment.

You confused me.

[pouring wine]

Will you just tell
me what you want.

I want--

I want to believe you, Theo.

I want to, but I can't.

This is shit.

Ship We'll never finish this.

We will if you
stop wanking about.

Oh, have a look.

Wouldn't mind spanking her.

Oy, boys, come have
a look at this sow.

Give us a kiss.

You tit.

All right, love?

What's your name?

Hello, love.

Can I help you out?

I'm looking for David.

For Dave?

Yeah, hang on.

Dave!

Dave!

Some bird here to see you.

JOHN: You're lovely, aren't you?

What she look like?

I don't know.

She's a, she's a bird.

She got dark hair.

JOHN: Yeah.

Nice smile.
HANNAH: All right.

[laughs]

All right.

I'll come down.

[music playing]

I'm sorry about them.

Their Amish.

Theo's not here today.

He's at college.

Yeah, no, I just, uh--

thought we might
have some lunch.

If you're worried about
me and Theo, don't.

It's fine.

Yeah, you've
sorted it have you?

Yeah, well there's
nothing to sort out really.

So you're coming?

Pop across the road?

Um, I've got a lot on.

Come on, David.

I don't bite.

All right.

Um-- we'll have it here, yeah?

I've got packed lunch.

Oy!

Tossers, lunch.

Your mom makes a nice lunch.

Don't you start.

We all like to
take a piss enough.

So-- did you and Theo
have a nice weekend?

Yeah.

It was pretty gutted though.

Did he tell you what happened?

That's none of
my business, is it?

Just curious.

Still, I expect he felt
better getting it out.

Yeah.

I thought you'd be pissed off.

Why?

I don't know.

It was my idea.

I just thought it might take
his mind off things a bit.

Huh, and did it?

Yeah.

Brighton's always a laugh, yeah.

No, thanks.

Um, I have to go.

[music playing]
- You sure?

Yeah.

[inhales sharply]

[sniffling]

Hannah.

Hey.

[kisses her on the cheek]

You lied to me, Theo.

Lied?

When?

Brighton, Theo-- big
place near the sea,

where you went on the weekend.

You talked to David.

You lie so badly, Theo.

I mean, I know all the tricks.

I've had plenty of experience.

I can't believe
he told you that.

Oh, don't be angry
at precious David.

He, he thought I knew anyway.

[sighs]

Why didn't you just tell me?

Honestly, honestly, Hannah,
I didn't even want to go.

What, he forced you?

OK.

I'm going to go to mom
and dad's for a few days.

Oh, I can't believe this.

Let me finish.

Hang on, hang on.

How can you be so fucking calm?

Just let me fucking finish.

I'm going to mom and
dad's for a few days.

And I want you to move out.

[sniffs]

Oh, no.

I just-- um--

need time to re-evaluate
our relationship.

Re-- what?

Re-- what is happening?

This is not a-- it's
not an experiment.

I just don't time
to think about things.

Oh, I'm sorry.

I'm sorry.

I care about you so much.

I didn't, I didn't mean--
I'm sorry.

I'm sorry.

It's not as easy
as that, Theo.

I don't trust you anymore.

I love you.

But I don't trust you.

Oh, no, no.

What'll we do?

We love each other.
[kisses her on the cheek]

No, it's not enough.

I'll tell you what, let's
forget about all that, um--

re-evaluating shit shall we?

It's over.

That's what you want
to say, isn't it?

You talk to me about lying--

[scoffs]

[sniffling]

The truth, you want the truth.

That's a joke, that is.

You've only got
one kind of truth.

And that's your own.

[scoffs] One guy, one
guy, blows you out.

And that's it, isn't it?

We're all tainted.

Let's face it, Hannah.

Let's face it.

You're fucked up.

[slaps]

Thank you, Theo.

For what?

For making it easy.

[door creaks]

[door slams shut]

Hi.

Welcome.

Has Theo called?

GABBY: No, Theo hasn't called.

You asked me the same question
yesterday and the day before.

I'm going to get changed.

Tell mom I'll be back
for dinner, all right?

[jogging up the stairs]

Theo?

The-- Theo?

[music playing]

The-- Theo?

Theo.

Where the bloody
hell have you been?

Dad's real pissed
off at you, mate.

He was candling me this week.

Why don't you bring?

Theo.

It's your fault.
Just one thing,

and you won't let me
have that, would you?

It doesn't fit into your world.

And that's it, isn't it?

Now you don't know what
you're talking about--

Why the fuck did
you have to tell her?

You never did like her, did you?

Just piss off.

What's happened, mate?

Well after you told her we
went to Brighton, she left me.

It's as simple as that, mate.

No, she knew already.
She told me.

She didn't know, David.

What, you think I'm
going to tell her?

[sniffling]

[opens a can of beer]

[sets can down]

Look I'm, I'm, I'm sorry, mate.

I don't know what
I'm blaming you for.

It's not your fault, is it?

[sniffling]

Oh, God.

[opens another can]

You know, all she wanted
for me was the truth.

That's it.

Nothing else.

You know what, it
would have been easier

if I had shagged somebody.

Because then I'd, I'd
have guilt or something.

I just feel nothing.

Nothing.

You know, it's like--

you know when my dad died?

Well that's, that's--
that's how I--

Theo.

Don't, mate.

Look, you'll get over it.

You'll get through it.

I just want her back, mate.

Come on, son.
We'll go out.

We'll have a beer.
Come on.

We'll get clean.

Dave, Dave, how do you
tell somebody that you,

that you love them?

Hmm.

Hey.

No I mean, I mean, I
mean really love them.

How?

Well I guess you just
tell him, didn't you.

And, and hope that--

that they believe you.

Well I'll tell you what,
mate, it doesn't work.

It really doesn't work.

But, [breath shaking]
how do you tell somebody?

How-- [sobbing]

JUDITH ADAMS [ON TV]: Well
after everything that's

happened, to ask
her to come back

home, that must have been a very
difficult thing to do, Jerry.

JERRY [ON TV]: I did
it for the children.

JUDITH ADAMS [ON TV]:
Well what about you?

JERRY [ON TV]: And for myself.

I didn't want to
throw eight years

away because of a, a mistake.

OK, now I know this
is the obvious question,

but do you still trust Evelyn?

I think so.

I know she loves me.

If I think she'd do it again,
I wouldn't have taken her back.

David?

JUDITH ADAMS [ON TV]: OK,
well, we've heard about--

[switches tv off]

What you up to?

What's wrong love?

Your dad and I are worried.

Nothing.

I'm fine.

You know, you can
tell me anything.

I'm always here.

Thanks.

I'll remember that, mom.

You make sure that you do.

Oh, I forgot to tell you.

I met Tom yesterday.

Who?

Do you remember Tom?

You were at school with him?

Little red haired fella.

Oh, yeah, yeah.

Oh, such a shame.

He was a lovely boy.

Why?

What's the matter with him?

He's a hairdresser now.

You should have seen him, David.

Trousers painted on
him, pierced everywhere.

I think he's queer.
- Hmm.

Hmm.

[chuckles] Yeah.

OK.

I'm going.

Good night, love.

Good night.

[door closes softly]

JUDITH ADAMS [ON
TV]: --even to fair

in the breakup of the marriage.

We've heard about the pain
and the sorrow that it caused.

Jerry, are you willing
to forgive and forget?

I am.

Fantastic.

[applause]

David's got a tummy ache.

He's a grown man, Ruth.

He doesn't get tummy aches.

[spoon clatters]

Do you want some tea?

No no, thanks.

He's not well, Michael.

So don't be hard on him.

Well somebody should be.

He lives under my roof.

It's about time that
boy bulked up his ideas.

I'm getting sick of
him and his moods.

And I'm getting fed
up with you sticking

up for him all the time.

Well maybe if you just talk
to him instead of shouting

at him all the time.

I've tried.

Every time I do, he
throws a wobbler.

[sighs]

Oh, come on.

I'll drive you to work.

Maybe I should stay at home.

WOMAN [ON PHONE]: Mr. Woods--
- Is this a joke?

WOMAN [ON PHONE]: Listen,
this is not a joke.

You are Theo Woods?

Yeah, yeah.

How'd you know that?

WOMAN [ON PHONE]: I'm
afraid I can't tell you.

What do you mean,
you can't tell me?

WOMAN [ON PHONE]:
[inaudible] friend.

Would you like to be
a guest on our show?

Uh, all right.

Uh, yeah, well nah,
that's not a problem.

WOMAN [ON PHONE]:
OK, [inaudible]

Yeah, OK.

Just a minute-- hang on.

Are you sure this is not a joke?

Thank you very much
Debbie and Michael.

Thank you.

Good luck with the baby.

So today on "Forgive
and Forget".

The things we should have sent.

[keys jangling]

What the bloody
hell is going on?

I don't know.

[chatter on the tv]

Do you know how much bloody
work I've got out there?

Michael, David said on the
phone, he wanted you to see it.

Come on, Dad.

It's started.

Please, welcome, Theo.

[applause]

Make him feel welcome, everyone.

[sighs]

This better be good.

If he's on drugs--

Michael, just watch
it will you, please.

JUDITH ADAMS: Right,
well I suppose you wonder

why you've been invited here.

Um, yeah.

[laughter]

JUDITH ADAMS: Well
as we told you,

there is somebody who
cares very deeply about you

and has something important
they want to tell you.

Have you any idea
who this person is?

Uh, I, I think so.

Yeah.

Oh, good.

Because the suspense
is killing me.

Would our next guest
please come in.

[applause]

Hiya.

Please.

Would you like to
introduce yourself?

David O'Neil.

JUDITH ADAMS [ON
TV]: Relax, David.

We're all friends here.

Theo, um-- don't think you
were expecting this, were you?

No.

[chuckling]

David and Theo have
been friends for 14 years.

David is a plasterer and
Theo is a mature student.

David, um-- I believe you've
got something that you like

to say to Theo, is that right?

Yes.

Well, in your own time.

Theo, the other day you
were saying how you felt

lost and alone
because Hannah left.

But you know, I just want to--

I just want to say
that, that I love you.

You know, I love you.

Because when you started
seeing Hannah, you--

I thought that I'd lost you.

Now she's gone, and I'm here.

I just want you to
know that everything's

going to be all right.

Because like-- remember when,
when you were at school,

and you said you felt alone, and
you didn't really fit in, and--

we're the same you and me.

We're the same.

David, tell us.

Tell Theo.

Tell your family.

There's no easy way
to say this, mate.

My mom-- I'm really sorry
that I couldn't tell you.

I'm gay.

[audience chattering]

David, um, I know how hard it
must have been to admit that.

[inhales sharply]

Theo, is there anything
you'd like to say?

[sighs]

Say something, mate.

It's not every day you find
out your best mate's a queer.

Um-- sorry.

I, I wasn't, um--

I really wasn't expecting this.

Sorry-- I'm-- I don't
know what to say, mate.

[exhales]

So we're still mates then?

Yeah.

[holds out hand]

[applause]

Thank you, to all my guests
for having the courage to come

onto this show.

I'm sure we all wish
them well in the future.

So, Theo--

[pulls out the tv plug]

Go to your room, Gabby.

Do as your told, girl!

[rushes off]

David, that was
incredibly brave.

Thank you so much.

Um, we normally have a
drink after the show.

So you know, when
you're ready to join us.

Sally-- how could you--

How's it going?

You fancy that beer?

You really don't know
what you've done, do you?

[music playing]

[kicking ball]

DAVID: Just kick, dad.

I want you to leave.

Get yourself set up.

Get yourself sorted out.

See a doctor, have
counseling, whatever.

I don't know.

Just do it.

Don't speak to
your mother again.

You'll upset her enough.

You understand?

We don't hate you, son.

It's-- You know,
maybe, it's our fault.

It's just that, it's just that
we don't understand all this.

That's all.

I don't want to speak
again about this ever.

I guess, I'd just go
away and get this,

this thing out your head.

And we'll see what we'll see.

[inhales sharply]

OK.

David?

David?
[door opens]

Let him go, Ruth.

He's our son.

[door shuts]

David!

[door creaks open]

David.

Let him go.

[tapping]

[clattering]

[clanging]

[tapping]

[clanging]

[clattering]

Does your mom and dad know?

[sighs]

Fuck me.

I bet your dad went
ballistic, didn't he?

Ha.

Why now?

When is there a
right time, Theo?

What am I, I--

am I supposed to feel
sorry or something?

I just, I just
felt really tired.

[scoffs]

And with Hannah
out of the way,

you just thought you could
just move right in, yeah?

Bit of a coincidence,
though isn't it, Dave?

Hannah leaves me, and then
you suddenly decide to tell

the world that you're gay.

After that long in
the closet, mate,

you do not do that
without a reason.

There wasn't a reason.

I know, I know
what it was, mate.

I know.

I just want you to admit it.

You stitched me up, didn't you.

[exhales]

Leave it out here, please.

A few days ago, right, I'm
in a pub, and I see Paul.

And he tells me that the barmaid
has been asking after me.

That's who rang
Hannah, wasn't it?

That's why you told her we
went to Brighton, isn't it?

Look at me.

Look at me, and tell me
that, that's not true.

Go on.

Tell me a mate wouldn't do that.

I did it for you.

No, you did it for you.

I trusted you.

I stuck up for you.

All that time that I was
tearing myself apart,

you were laughing at me.

No, no, no, I wasn't laughing.

I tell, I tell you
what, I tell you what,

I tell you what hurts, mate.

I'll tell you what
really, really cuts me--

me and you.

All these years, all these
years you've lied to me.

Well I, I know
what you want now.

- What?
- Well I know what you want.

[struggling]

How was that, mate, ey.

Was that love?

You're a freak, you're
a fucking ass bender.

- Oh, you little fucker.
- Come on, then.

Come on.
Hit me.

Come on.

How'd you do it, Dave, ey?

How'd you do it?

Nice little arrangement
there, wasn't it.

You got me, your best
mate, then occasionally you

sneak out for a little dirty,
pervy, secret night out.

Did you think about
me on them nights out?

Did you, You fucking queer.

Oh, ho.

[grunts]

[coughs]

Oh-- [coughs]

Hey, I'm--

[sniffs]

Yeah, what-- it doesn't--
what-- whatever I am,

mate, it, it doesn't mean--

you're still my best
mate, ain't you.

Come on.

You need me, Theo.

You always have done.

Fuck off.

[struggling]

[panting]

[groaning]

[thumping]

[shouts]

Oh, oh.

What you just think I'm
just going to let it go.

I mean you taught me
that Dave, didn't you?

You taught me that.

What do you think, I'm
going to let it go?

Where you going?

I thought you was hurt?

I thought you was hurt?

[thumping]

[shouts]

I thought you was hurt?

Come on.

Come on, prove that
you ain't queer.

[sobbing]

[spitting]

[groaning]

[scoffs]

You just don't get
it, do you, Theo?

[inhales shakily] I love you.

I love you.

[shouts]

Theo!

[panting]

[coughs]

[sobbing]

[clattering]

[sobbing]

[MUSIC - PAUL WELLER, "YOU DO
SOMETHING TO ME"]

Friends forever, you and me.

That's what we said.

[SINGING] You do
something to me.

This has been the
best day of my life.

[SINGING] Something deep inside.

I'm hanging on the wire,
full of love I'll never find.

Dancing through the fire,
yeah, just to catch a flame.

Just to get close to,
just close enough to tell

you that you do something to
me, something deep inside.