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1
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{\an8}- Cut.
2
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{\an8}Again. No, cut.
3
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- Ready?
- Okay.
4
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{\an8}
5
00:01:21,541 --> 00:01:23,961
- Turn over.
- Turn over, lads. Thank you.
6
00:01:25,625 --> 00:01:26,825
Turn over.
7
00:01:37,791 --> 00:01:40,171
- Sit down over here…
- Shall we sit over here?
8
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Yeah.
9
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Hi.
10
00:02:02,416 --> 00:02:03,786
How was the meeting?
11
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The meeting was fine.
12
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{\an8}A lot of good things, but then, you know…
13
00:02:11,041 --> 00:02:13,211
{\an8}they all sort of fell apart in the end.
14
00:02:14,041 --> 00:02:16,581
I just spoke to Neil,
who's calling a couple of your colleagues
15
00:02:17,250 --> 00:02:19,380
{\an8}to see if they're also gonna come.
16
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{\an8}Couple of colleagues
told me last night
17
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{\an8}that they would be there the same time.
18
00:02:25,708 --> 00:02:27,878
Neil expressed an opinion
that no one was coming.
19
00:02:27,958 --> 00:02:30,998
Well, phone Neil
and tell him I'm here for lunch.
20
00:02:32,958 --> 00:02:34,998
Have you got enough
for a good documentary?
21
00:02:35,083 --> 00:02:37,333
It depends how liquid the situation is.
22
00:02:37,833 --> 00:02:39,633
Use it all.
23
00:02:39,708 --> 00:02:42,418
Well, in other words,
if we tell it like it is,
24
00:02:42,500 --> 00:02:44,630
then we've got a very good documentary.
25
00:02:44,708 --> 00:02:45,708
But if--
26
00:02:45,791 --> 00:02:47,081
We're hiding.
27
00:02:47,166 --> 00:02:49,626
If we're hiding,
then we don't have much of a documentary.
28
00:02:49,708 --> 00:02:53,418
We just have a couple of days
when things didn't work out, that's it.
29
00:02:55,333 --> 00:02:58,793
- Yeah.
30
00:02:58,875 --> 00:03:00,035
Yeah, I'll take it.
31
00:03:00,125 --> 00:03:01,785
- I'll take them for him.
- Okay.
32
00:03:02,875 --> 00:03:05,035
I had strict instructions
to bring them on the set.
33
00:03:05,125 --> 00:03:06,375
Yeah, okay.
34
00:03:18,833 --> 00:03:21,003
- Harry who?
- Hare Krishna.
35
00:03:21,666 --> 00:03:23,206
Do you like India?
36
00:03:23,291 --> 00:03:24,421
No, not really.
37
00:03:41,750 --> 00:03:44,500
Did I tell you
my wife's definitely confirmed pregnant?
38
00:03:44,583 --> 00:03:45,583
- Oh, good.
- Yeah.
39
00:03:45,666 --> 00:03:48,376
- Congratulations.
- Well pleased, yes.
40
00:03:50,041 --> 00:03:51,751
{\an8}I wouldn't mind knocking one out.
41
00:03:52,916 --> 00:03:54,706
- I really love kids.
- "Knocking one out."
42
00:03:56,416 --> 00:03:58,826
- Morning, morning, morning.
- Morning, morning.
43
00:03:58,916 --> 00:03:59,746
Thank you.
44
00:03:59,833 --> 00:04:01,333
- Hello.
- Hello.
45
00:04:01,416 --> 00:04:04,206
- Morning, Linda.
- Morning.
46
00:04:04,291 --> 00:04:05,501
- It's…
- From The Circus.
47
00:04:05,583 --> 00:04:08,633
- Here we are.
- Neil spoke to me and he said…
48
00:04:09,666 --> 00:04:12,326
He, A, said he'd call me back at 11:15.
49
00:04:15,000 --> 00:04:16,960
Then when I arrived back RS was here.
50
00:04:17,625 --> 00:04:19,125
And PM was on his way.
51
00:04:19,208 --> 00:04:21,128
PM was on his way. And, uh…
52
00:04:21,208 --> 00:04:22,168
JL was in bed.
53
00:04:22,250 --> 00:04:24,170
JL was in bed.
54
00:04:24,250 --> 00:04:25,580
Morning, Neil.
55
00:04:25,666 --> 00:04:26,996
Good morning, Glyn.
56
00:04:29,666 --> 00:04:31,916
{\an8}- Did you get in touch with John?
- I couldn't get him.
57
00:04:34,166 --> 00:04:35,166
{\an8}I don't know.
58
00:04:36,916 --> 00:04:38,786
Mal couldn't get him either.
You can only get the machine.
59
00:04:42,916 --> 00:04:46,126
'Cause I have a feeling that
half the stuff Yoko said yesterday isn't--
60
00:04:46,208 --> 00:04:48,128
She was talking for John.
61
00:04:48,208 --> 00:04:51,958
And I don't think he really
believed any of that, you know?
62
00:04:52,541 --> 00:04:53,421
No, so, it's--
63
00:04:53,500 --> 00:04:56,790
John didn't talk, so Yoko talked for John.
64
00:04:58,000 --> 00:04:59,290
{\an8}In the middle of all that, actually…
65
00:05:03,458 --> 00:05:05,918
See, but their point is
that they're trying to,
66
00:05:06,000 --> 00:05:08,170
like, be as near together as they can.
67
00:05:09,000 --> 00:05:11,130
{\an8}They wanna stay together, those two.
68
00:05:11,208 --> 00:05:13,128
So it's all right.
Let the young lovers stay together.
69
00:05:13,208 --> 00:05:14,748
But it's not that bad, you know.
70
00:05:14,833 --> 00:05:18,883
We got a lot out of Beatles,
so that if-- I think John's thing now--
71
00:05:26,375 --> 00:05:27,995
- All right.
72
00:05:28,083 --> 00:05:29,133
Are we running?
73
00:05:37,583 --> 00:05:38,583
Yeah.
74
00:05:38,666 --> 00:05:40,536
Funny enough,
the other day when we were talking,
75
00:05:40,625 --> 00:05:43,665
John had said that he really did not want
not to be a Beatle.
76
00:05:44,333 --> 00:05:45,793
Yes.
77
00:05:49,625 --> 00:05:50,875
- Oh, yeah. Sure.
- Are you--
78
00:05:50,958 --> 00:05:53,168
We'd cooled it
because we were not playing together.
79
00:05:53,250 --> 00:05:55,920
'Cause we lived together
when we played together.
80
00:05:56,000 --> 00:05:57,170
We were in the same hotel,
81
00:05:57,250 --> 00:05:59,330
up at the same time
every morning, all day.
82
00:06:00,000 --> 00:06:02,920
As long as you're this close all day,
so something grows.
83
00:06:03,000 --> 00:06:05,830
And then when you're not this close,
just physically, something goes.
84
00:06:05,916 --> 00:06:06,996
Right.
85
00:06:07,083 --> 00:06:11,043
Actually, musically, we can play
better than we've ever been able to play.
86
00:06:11,125 --> 00:06:13,325
You know, we're all right on that.
87
00:06:13,416 --> 00:06:15,326
It's just that being together thing.
88
00:06:15,416 --> 00:06:18,126
It's difficult starting right from scratch
with Yoko there.
89
00:06:18,208 --> 00:06:20,788
'Cause I start out writing songs
about white walls.
90
00:06:20,875 --> 00:06:21,875
- Just 'cause I--
91
00:06:21,958 --> 00:06:25,288
You know, just 'cause
I think John and Yoko would like that.
92
00:06:25,375 --> 00:06:26,535
And they wouldn't.
93
00:06:31,458 --> 00:06:34,918
So, I just think
it's just silly of me or anyone
94
00:06:35,000 --> 00:06:37,420
to try and say to 'em, "No, you can't."
95
00:06:37,500 --> 00:06:41,960
It's like-- It's like that we're striking
'cause work conditions aren't right.
96
00:06:42,041 --> 00:06:43,671
But it shouldn't be.
97
00:06:43,750 --> 00:06:46,710
"Can't operate under these conditions,
boy. We're coming out."
98
00:06:47,291 --> 00:06:49,961
It's like they're going overboard
about it.
99
00:06:50,041 --> 00:06:51,421
But John always does, you know.
100
00:06:51,500 --> 00:06:55,210
You can't go saying, "Be sensible about it
and don't bring her to meetings."
101
00:06:55,708 --> 00:06:57,378
It's his decision, that.
102
00:06:57,458 --> 00:06:59,788
It's none of our business,
like, interfering in that.
103
00:07:05,541 --> 00:07:07,581
Well, I think for them
to be able to compromise,
104
00:07:07,666 --> 00:07:09,666
I have to be able to compromise first.
105
00:07:09,750 --> 00:07:11,000
Then they'll be able to.
106
00:07:11,083 --> 00:07:13,833
But it's silly,
neither of us compromising.
107
00:07:14,458 --> 00:07:16,038
We probably do need…
108
00:07:17,333 --> 00:07:19,673
really, sort of a central daddy figure
109
00:07:19,750 --> 00:07:24,460
to say, you know, "Nine o'clock,
leave your girls at home, lads."
110
00:07:24,541 --> 00:07:25,711
You know, we're all…
111
00:07:28,125 --> 00:07:34,535
But it's gonna be such an incredible sort
of comical thing, like, in 50 years' time.
112
00:07:36,500 --> 00:07:38,750
"They broke up 'cause Yoko sat on an amp."
113
00:07:38,833 --> 00:07:41,633
- Just something like that. "What?"
114
00:07:42,958 --> 00:07:45,288
"You see,
John kept bringing this girl along."
115
00:07:47,250 --> 00:07:48,330
What?
116
00:07:48,416 --> 00:07:53,626
It's not as though there's any sort
of earth-splitting rows or anything.
117
00:08:08,375 --> 00:08:10,075
Lid on the parrot's cage.
118
00:08:22,375 --> 00:08:25,125
Uh, if we were gonna take a ship's pool
119
00:08:25,208 --> 00:08:27,038
on what our communal life is gonna be
120
00:08:27,125 --> 00:08:29,205
in the next two weeks,
what are we all betting?
121
00:08:29,291 --> 00:08:31,751
We should cancel that 18th day.
122
00:08:31,833 --> 00:08:34,253
'Cause it should definitely be the 19th.
123
00:08:34,875 --> 00:08:37,285
I mean, already,
'cause we're gonna lose today.
124
00:08:37,375 --> 00:08:40,035
I think we see the end of this week out
125
00:08:40,125 --> 00:08:42,995
and something will have happened,
definitely.
126
00:08:43,083 --> 00:08:44,383
Even if it's only nothing?
127
00:08:44,458 --> 00:08:50,078
I was talking to Neil last night
about an idea I thought of for a TV show.
128
00:08:50,166 --> 00:08:54,246
We should get, like, say,
the editor of The Daily Mirror,
129
00:08:55,333 --> 00:09:01,213
a real hard news nut, rehearsing a team
of really hard, incredible newsmen.
130
00:09:01,833 --> 00:09:06,003
So that on the night of the show,
in between all our songs is news,
131
00:09:06,083 --> 00:09:09,213
but the fastest and the hottest
from every corner of the Earth.
132
00:09:09,291 --> 00:09:11,381
"We just heard there's been
an earthquake"… filming it.
133
00:09:11,458 --> 00:09:13,628
So it's like a red-hot news program.
134
00:09:14,166 --> 00:09:18,286
And at the end, the final bulletin is
that The Beatles have broken up.
135
00:09:21,208 --> 00:09:23,878
But do you think
if you put any pressure on him,
136
00:09:23,958 --> 00:09:25,958
that he'd go your way a bit more?
137
00:09:26,708 --> 00:09:28,038
I don't know.
138
00:10:06,375 --> 00:10:10,125
- Speak to John? Yeah, okay.
- Hey, you know, it's that thing…
139
00:10:10,208 --> 00:10:12,998
The world's dying to see them.
That's the thing.
140
00:10:13,083 --> 00:10:15,213
And if I were there,
I'd be staring at them.
141
00:10:15,291 --> 00:10:18,711
Yeah, not only them, you know,
and they were 40 miles away.
142
00:10:18,791 --> 00:10:20,791
But the audience, the screams,
the lights--
143
00:10:20,875 --> 00:10:23,035
Look, we looked at Help!
the other night again
144
00:10:23,125 --> 00:10:26,035
and, like, A Hard Day's Night,
and that was them playing.
145
00:10:26,125 --> 00:10:28,245
Right. But it was them
over an hour and a half--
146
00:10:28,333 --> 00:10:29,383
It was them. Just--
147
00:10:29,458 --> 00:10:31,538
I'm speaking like a fan. I really am.
148
00:10:34,750 --> 00:10:37,710
- Oh, okay. Should we fight about that?
- Yeah.
149
00:10:37,791 --> 00:10:38,961
Did you take a photograph?
150
00:10:39,041 --> 00:10:41,041
- I was gonna say there are only--
- What's new?
151
00:10:43,208 --> 00:10:46,038
- So is he lighting his, uh…
- Lighting up a Players.
152
00:10:46,125 --> 00:10:47,415
And jumping on his hands.
153
00:10:47,500 --> 00:10:49,960
You see, Paul, I was saying
to Linda when you were out
154
00:10:50,041 --> 00:10:52,461
that I can do it any way,
155
00:10:52,541 --> 00:10:56,291
except I gotta keep saying you're wrong
when I think you're wrong.
156
00:10:56,875 --> 00:10:59,075
Yeah. Sure. Great.
157
00:10:59,166 --> 00:11:00,996
I'll just keep saying I'm right
when I think I'm right.
158
00:11:01,083 --> 00:11:02,333
Yeah, of course.
159
00:11:02,916 --> 00:11:07,786
Because otherwise I abdicate
both my fanship and also my, uh…
160
00:11:28,166 --> 00:11:30,166
No, come on. You stay out of this, Yoko.
161
00:16:01,583 --> 00:16:02,673
And you're right.
162
00:16:12,750 --> 00:16:14,500
- You got any pep pills?
- Okay, Mal.
163
00:16:14,583 --> 00:16:15,633
Could I have a couple?
164
00:16:15,708 --> 00:16:17,288
We've got an hour.
165
00:16:17,375 --> 00:16:18,875
Yeah, none of that, I reckon.
166
00:16:18,958 --> 00:16:20,208
Do an hour, just so, uh…
167
00:16:20,291 --> 00:16:22,171
I just knew it has to be…
168
00:16:42,750 --> 00:16:44,420
Okay. Sweet Loretta Marsh.
169
00:16:48,708 --> 00:16:51,168
{\an8}Marsh isn't nice, is it? Marsh is too--
170
00:16:57,375 --> 00:17:00,205
Loretta Mary--
I mean, it's gotta be a name--
171
00:17:07,750 --> 00:17:08,830
What's that one?
172
00:17:10,750 --> 00:17:11,830
Marsh.
173
00:17:13,875 --> 00:17:17,125
Uh, but we're not sure about that,
but put it in.
174
00:17:20,875 --> 00:17:25,245
It's gotta be, like, one of those hard,
"night," "bite," "right."
175
00:17:40,291 --> 00:17:44,001
Leave that verse, eh, 'cause it's--
It could be all right, that verse.
176
00:17:44,083 --> 00:17:45,293
It sings all right.
177
00:17:46,166 --> 00:17:48,536
- Okay, the next verse.
- Jo Jo Jackson.
178
00:17:53,875 --> 00:17:56,285
- "Left his home in Arizona," is it?
- That's all right.
179
00:17:56,375 --> 00:17:58,915
- Yeah, "home in Arizona."
- "But he knew it couldn't last."
180
00:17:59,000 --> 00:18:01,170
No that's not good.
"But he knew it couldn't last."
181
00:18:25,625 --> 00:18:30,165
"Jo left his home in Tucson, Arizona."
182
00:18:30,250 --> 00:18:32,290
- Is Tucson in Arizona?
- Yeah. It is, yeah.
183
00:18:42,958 --> 00:18:43,998
I can make sense of it.
184
00:18:44,083 --> 00:18:46,383
Jo Jo left his home,
hoping it would be a blast.
185
00:18:46,458 --> 00:18:49,038
Pretty soon he found that
he'd have to be a loner
186
00:18:49,125 --> 00:18:51,075
with some California grass in America.
187
00:18:51,166 --> 00:18:54,456
You make that make sense,
but it doesn't sing good.
188
00:18:55,166 --> 00:18:57,036
- Is it Jo Jo?
189
00:19:00,916 --> 00:19:02,416
Looking for a what? What is it?
190
00:19:03,916 --> 00:19:05,166
No, looking for a…
191
00:19:08,041 --> 00:19:09,541
One, two, three.
192
00:19:27,666 --> 00:19:31,076
{\an8}
193
00:19:31,166 --> 00:19:34,246
{\an8}
194
00:19:36,375 --> 00:19:38,245
- Okay. Can we go home now?
195
00:19:38,333 --> 00:19:40,833
I think at some point we should
talk conceptually about the show.
196
00:19:40,916 --> 00:19:44,666
Okay, we have to be flexible, but
we're gonna have to be very flexible now.
197
00:19:44,750 --> 00:19:48,920
Which is like, the 18th today
has changed to the 19th.
198
00:19:49,000 --> 00:19:50,580
'Cause we lost a day today.
199
00:19:50,666 --> 00:19:52,786
Tomorrow it will change to the 20th.
200
00:19:52,875 --> 00:19:54,535
The day after, it will change to the 21st.
201
00:19:56,000 --> 00:19:58,500
Well, exactly. If George comes back, yeah.
202
00:19:58,583 --> 00:19:59,753
Put it back a full week, yeah.
203
00:19:59,833 --> 00:20:01,003
{\an8}Put it back a full week.
204
00:20:01,083 --> 00:20:03,253
{\an8}But book it for a full week
and then cancel it next week.
205
00:20:03,333 --> 00:20:05,333
{\an8}Not to say changeable.
206
00:20:17,041 --> 00:20:19,331
"Baby's in Black,"
"If I Needed," "Tripper."
207
00:20:19,416 --> 00:20:21,076
I mean, that's how flexible we can get.
208
00:20:21,166 --> 00:20:23,416
"I Feel Fine,"
"Yesterday," "I Wanna Be,"
209
00:20:23,500 --> 00:20:25,420
"Nowhere Man," "Paperback," "Long Tall."
210
00:20:25,500 --> 00:20:27,630
- What's it from?
- That's from the old shows.
211
00:20:31,875 --> 00:20:35,415
And, like, lot of old tunes
had just set chord patterns.
212
00:20:35,500 --> 00:20:37,920
'Cause that's the great thing. Once…
213
00:20:38,000 --> 00:20:41,380
Once you start trying to find out
chord patterns, you really suss
214
00:20:41,458 --> 00:20:43,498
what people are doing,
what musicians are doing.
215
00:20:43,583 --> 00:20:44,583
And they really, it's…
216
00:20:45,791 --> 00:20:49,171
- You know, it's like…
217
00:20:56,916 --> 00:21:00,536
Like, old tunes, you know,
they had just a certain way of going.
218
00:21:00,625 --> 00:21:02,325
And they hardly ever varied from that.
219
00:21:02,416 --> 00:21:05,416
I don't really know it, you know?
My dad knows that better.
220
00:21:05,500 --> 00:21:07,920
The great thing about a piano
is that, there it all is.
221
00:21:08,000 --> 00:21:10,580
There's all the music ever.
That's it, you know?
222
00:21:10,666 --> 00:21:13,786
All this that's ever been written
is all there.
223
00:21:38,250 --> 00:21:40,750
See, it's still basically
only one, two, three, four--
224
00:21:40,833 --> 00:21:41,833
Yeah.
225
00:21:42,416 --> 00:21:45,576
You know, okay, so that's getting
more complicated than the three,
226
00:21:45,666 --> 00:21:47,456
- but it's still only--
- Yeah, sure.
227
00:21:47,541 --> 00:21:49,791
- Used the same way, presumably?
- Yeah.
228
00:21:50,375 --> 00:21:53,125
And from there, you know, like,
there's no--
229
00:21:53,208 --> 00:21:55,038
Unless you stop yourself,
there's no stopping yourself.
230
00:21:55,125 --> 00:21:55,955
No.
231
00:21:57,625 --> 00:21:59,125
{\an8}- Yeah.
232
00:22:01,625 --> 00:22:02,705
And then there was one.
233
00:22:05,833 --> 00:22:08,083
Good! I'm glad to hear that.
234
00:22:08,833 --> 00:22:10,833
- Morning, Paul!
- Good morning, Rich!
235
00:22:10,916 --> 00:22:12,876
- How are you this morning?
- Okay!
236
00:22:22,916 --> 00:22:24,076
{\an8}It's fine, thanks.
237
00:22:44,875 --> 00:22:46,245
Use two hands.
238
00:23:01,625 --> 00:23:03,205
Well, that's me finished.
239
00:23:04,208 --> 00:23:05,828
At least we're keeping together.
240
00:23:12,791 --> 00:23:17,081
{\an8}
241
00:23:17,166 --> 00:23:21,496
{\an8}
242
00:23:25,833 --> 00:23:28,583
I wonder if Peter's still got
the original thing of that.
243
00:23:29,375 --> 00:23:31,995
First time we did it, it was little.
It was great, you know. It was really…
244
00:23:47,166 --> 00:23:48,666
That is the great bit Gordon did.
245
00:23:59,708 --> 00:24:02,958
Gordon couldn't get the high notes,
and he would sort of--
246
00:24:03,041 --> 00:24:06,331
And he'd just let them go and do it again.
But they did it the next time.
247
00:24:06,416 --> 00:24:08,326
It was a mammoth
Peter and Gordon treatment.
248
00:24:08,416 --> 00:24:09,416
That's right. Yeah.
249
00:24:14,708 --> 00:24:15,998
Whatever I'm around, you know?
250
00:24:19,041 --> 00:24:20,791
Yeah, sure.
251
00:24:20,875 --> 00:24:22,875
In fact, I had one this morning.
252
00:25:07,208 --> 00:25:12,958
{\an8}
253
00:25:40,250 --> 00:25:41,500
- It's just for you.
254
00:25:41,583 --> 00:25:42,833
Nice.
255
00:25:44,291 --> 00:25:46,291
Thank you, Michael Lindsay-Hogg.
256
00:25:47,208 --> 00:25:48,958
Director of this epic.
257
00:25:50,208 --> 00:25:52,078
{\an8}That's the first thing
you ever said to me.
258
00:25:52,166 --> 00:25:53,166
{\an8}What?
259
00:25:53,250 --> 00:25:55,290
{\an8}At Chiswick Park, years ago,
when we did something,
260
00:25:55,375 --> 00:25:57,825
you said, "What kind of tree is that?"
and I said, "It's a yew."
261
00:25:57,916 --> 00:26:00,916
- And you said, "No, it's not. It's a me."
- Did I really?
262
00:26:01,000 --> 00:26:03,040
- I thought, "Beatles humor."
- Yeah.
263
00:26:03,625 --> 00:26:05,705
I see the sets are arriving, fellas.
264
00:26:05,791 --> 00:26:08,501
- Yeah, the sets are coming in.
- Yeah, nice.
265
00:26:08,583 --> 00:26:11,133
Hey, should we shoot the train coming in,
chug-chug.
266
00:26:11,208 --> 00:26:12,668
- No, no, no.
- Why not?
267
00:26:12,750 --> 00:26:14,080
It's copyrighted.
268
00:26:14,166 --> 00:26:15,666
Well, it's a documentary.
269
00:26:17,458 --> 00:26:19,248
Just turn your lights around.
270
00:26:19,333 --> 00:26:21,673
But it's a good shot
for the part of the atmosphere.
271
00:26:21,750 --> 00:26:26,380
{\an8}- Oh, come on, Tony. Oh, fuck. Oh, no.
- Jean-Luc Godard?
272
00:26:27,125 --> 00:26:28,915
{\an8}We could make a film, you know?
273
00:26:29,625 --> 00:26:33,415
Just get a script and all that,
and really not waste all this camera time.
274
00:26:33,500 --> 00:26:35,330
- Do a little sort of film.
- Yeah, right.
275
00:26:35,416 --> 00:26:36,996
Yeah, we can make train movies.
276
00:26:37,083 --> 00:26:39,173
We've got a spare few thousand feet,
haven't we?
277
00:26:39,250 --> 00:26:41,630
We've got a spare few thousand feet.
We won't tell Denis we're doing it.
278
00:26:41,708 --> 00:26:43,918
- Let's make a silent movie.
- Yeah.
279
00:26:44,000 --> 00:26:46,080
Slow so it's speeded up
when we play it back,
280
00:26:46,166 --> 00:26:47,666
'cause they're always funny to watch.
281
00:26:47,750 --> 00:26:48,750
Yeah.
282
00:26:48,833 --> 00:26:52,673
Can we have it in a club?
You know, the atmosphere is a club, and…
283
00:26:53,333 --> 00:26:55,333
That's it. We're in a band.
284
00:26:55,416 --> 00:26:57,916
We're in a band who sell drugs.
285
00:26:58,000 --> 00:27:00,630
- Do you want to be a goody then, Glyn?
- Uh…
286
00:27:00,708 --> 00:27:02,828
Come on.
Now, you're sulking, aren't you?
287
00:27:02,916 --> 00:27:04,206
- Wants to be a goody.
288
00:27:04,291 --> 00:27:06,001
- The roughneck that changes.
- Yeah.
289
00:27:06,083 --> 00:27:08,423
- Bit of sentimentality.
- The hard drug-peddling yob…
290
00:27:08,500 --> 00:27:10,670
- With a good heart.
- …who turned to religion.
291
00:27:12,208 --> 00:27:14,828
Ringo's the teacher--
the schoolteacher who goes to see him.
292
00:27:14,916 --> 00:27:17,246
- Mal's the policeman gone wrong.
293
00:27:19,666 --> 00:27:21,496
We shouldn't waste
all this camera time.
294
00:27:21,583 --> 00:27:23,503
Tony can shoot it.
We can do a movie today.
295
00:27:23,583 --> 00:27:25,213
No, Tony's in it. He's the fence.
296
00:27:25,291 --> 00:27:28,041
{\an8}- Can I be in it?
- Where Glyn gets rid of the drugs.
297
00:27:28,125 --> 00:27:30,625
{\an8}Just so long as I look thin,
Tony, I don't care.
298
00:27:30,708 --> 00:27:32,668
- Then go through there?
- No.
299
00:27:32,750 --> 00:27:35,750
No, if you do it that way,
it's like hanging yourself by your arse.
300
00:27:38,791 --> 00:27:40,631
- Help, no legs.
301
00:27:40,708 --> 00:27:42,288
Seen The Good, the Bad and the Ugly?
302
00:27:42,375 --> 00:27:43,375
- No.
- That's great.
303
00:27:46,416 --> 00:27:49,746
That's the trouble.
You get the panic about halfway up.
304
00:27:49,833 --> 00:27:51,503
When you realize you can't stand heights.
305
00:27:55,916 --> 00:27:58,536
- There's no business like show business.
306
00:27:58,625 --> 00:28:00,375
What is it?
Straight up to the top and back?
307
00:28:00,458 --> 00:28:02,128
In the old days, boys,
you used to be able to--
308
00:28:06,333 --> 00:28:07,923
In the old days-- That was me!
309
00:28:08,791 --> 00:28:10,791
Any minute now, it gets dangerous.
310
00:28:11,541 --> 00:28:13,291
- Well, good night.
311
00:28:13,375 --> 00:28:15,745
- It's a wrap.
312
00:28:15,833 --> 00:28:20,253
Well, that's all for this evening.
313
00:28:22,666 --> 00:28:24,456
Funny you should've said that--
314
00:28:24,541 --> 00:28:26,961
Very good. I think--
It was nice when the camera came up.
315
00:28:27,041 --> 00:28:28,711
- I think they got--
- What you said.
316
00:28:28,791 --> 00:28:29,831
- …exactly what you mean.
- All right.
317
00:28:29,916 --> 00:28:31,496
Well, it's a chance to speak.
318
00:28:31,583 --> 00:28:33,883
I know. It's the only chance we get. We--
319
00:28:33,958 --> 00:28:36,418
There's only Cliff doing his bit,
really and--
320
00:28:36,500 --> 00:28:38,830
Well, I left the clergy about '59,
you know.
321
00:28:38,916 --> 00:28:40,916
I thought I better get in with the kids.
322
00:28:41,000 --> 00:28:43,250
It all started with Rosie.
323
00:28:43,333 --> 00:28:45,083
- Well, a lot of us did.
- She was in the congregation.
324
00:28:45,166 --> 00:28:47,076
- A lot of us started with Rosie, actually.
325
00:28:47,166 --> 00:28:49,496
- It was rehearsal rooms.
326
00:28:50,291 --> 00:28:53,461
Also leaving for the Midem Song Festival
is John Rowles.
327
00:28:53,541 --> 00:28:55,211
- Oh, he's not?
328
00:28:55,291 --> 00:28:57,171
- He's flying out.
329
00:28:57,250 --> 00:28:58,750
See you've given up smoking, Richie.
330
00:28:58,833 --> 00:29:00,003
Yes, I have.
331
00:29:00,916 --> 00:29:02,996
Now, we were going
to discuss this afternoon
332
00:29:03,083 --> 00:29:06,543
what religion meant to a pop star.
333
00:29:06,625 --> 00:29:08,245
And the pop star we've chosen
334
00:29:08,333 --> 00:29:10,793
is Tumble Starker, who's sitting here.
335
00:29:14,291 --> 00:29:16,631
Tony, Denis is gonna worry
about the footage again.
336
00:29:16,708 --> 00:29:18,078
Don't tell him you're shooting.
337
00:29:18,166 --> 00:29:19,666
- How are you?
- All right.
338
00:29:19,750 --> 00:29:20,830
Welcome to Panorama.
339
00:29:20,916 --> 00:29:21,826
- Hello.
- Hello.
340
00:29:21,916 --> 00:29:23,746
How are you? Pleased to meet you.
341
00:29:23,833 --> 00:29:26,133
- We've been lucky enough this evening
342
00:29:26,208 --> 00:29:29,958
to secure the, uh, talents
of Mr. Peter Sellers here
343
00:29:30,541 --> 00:29:32,461
who is going to give us number three.
344
00:29:33,458 --> 00:29:34,538
Yes.
345
00:29:34,625 --> 00:29:36,875
Number three, folks, number three.
346
00:29:36,958 --> 00:29:38,418
- Number three.
- How about that, folks?
347
00:29:38,500 --> 00:29:40,500
That was number three from Peter Sellers.
348
00:29:40,583 --> 00:29:42,423
- Now on to the next round.
- Number three.
349
00:29:43,500 --> 00:29:46,380
{\an8}Well, if we ask him really nicely,
350
00:29:46,458 --> 00:29:49,328
{\an8}- he'll probably do a number five.
- Yes, I might.
351
00:29:51,458 --> 00:29:53,288
Long, tall Sally, pretty sweet.
352
00:29:53,375 --> 00:29:56,415
She got everything Uncle John need.
Oh, boy. Baby.
353
00:29:58,083 --> 00:30:00,423
Your chance to win a fab, free Beatle.
354
00:30:00,500 --> 00:30:03,540
- Send in 39 disk tops.
355
00:30:05,541 --> 00:30:08,711
- Wake up, Lennon.
- Wake up, Lennon. It's about time.
356
00:30:10,125 --> 00:30:13,245
What, uh-- What are we discussing
at this moment? What's the, uh…
357
00:30:13,333 --> 00:30:14,793
- The film.
358
00:30:14,875 --> 00:30:15,875
Ah.
359
00:30:16,833 --> 00:30:18,253
This is the impromptu mic.
360
00:30:18,333 --> 00:30:20,133
It's a documentary
of how The Beatles work.
361
00:30:20,208 --> 00:30:23,078
It's a spontaneous--
A spontaneous documentary.
362
00:30:23,166 --> 00:30:25,206
'Cause we feel we shouldn't
keep it all to ourselves.
363
00:30:25,291 --> 00:30:27,501
We should spread it out, you know?
364
00:30:27,583 --> 00:30:31,543
We want to share
with the world what we have, Peter.
365
00:30:31,625 --> 00:30:35,535
- And-- And this is what we have.
366
00:30:35,625 --> 00:30:37,075
Ah.
367
00:30:37,166 --> 00:30:38,826
Well, this is--
we just sort of sit here
368
00:30:38,916 --> 00:30:40,576
and allow ourselves to be embarrassed
369
00:30:40,666 --> 00:30:43,076
- about this time every day.
370
00:30:43,166 --> 00:30:45,536
- Oh, yes.
- Number nine.
371
00:30:45,625 --> 00:30:50,205
You're talking to the ninth-best-dressed
male pop singer in the world, you know?
372
00:30:50,291 --> 00:30:53,711
- No mean city. Yes.
- And Judy Garland.
373
00:30:54,625 --> 00:30:56,625
Look out, Tom Jones, I say.
374
00:30:56,708 --> 00:30:58,328
- Over to you, Peter.
375
00:31:00,916 --> 00:31:03,456
Very kind of you, but I-- I must be off.
376
00:31:05,125 --> 00:31:06,125
Mm-hmm.
377
00:31:07,666 --> 00:31:09,416
Well, nice to have met you, fellas.
378
00:31:09,500 --> 00:31:10,540
Other guys.
379
00:31:10,625 --> 00:31:11,625
- See you.
- Bye-bye.
380
00:31:11,708 --> 00:31:12,708
- Bye.
- Too much, Pete.
381
00:31:12,791 --> 00:31:14,501
- Bye-bye.
382
00:31:14,583 --> 00:31:16,133
- Way out.
- All right.
383
00:31:16,208 --> 00:31:18,208
- All right. Way out.
- Exit.
384
00:31:18,291 --> 00:31:20,041
- It's that way.
- Yeah, wrong way.
385
00:31:20,125 --> 00:31:21,535
It's that way.
386
00:31:21,625 --> 00:31:23,535
- All right.
387
00:31:23,625 --> 00:31:26,165
Just don't leave the needles lying around.
388
00:31:26,250 --> 00:31:30,250
We've got a bad reputation now
with John getting busted and that.
389
00:31:32,500 --> 00:31:35,080
- Do you really not feel well?
- No, I just feel a bit--
390
00:31:35,166 --> 00:31:37,826
I don't feel well, but I can't say,
'cause I'm the captain of the ship.
391
00:31:37,916 --> 00:31:39,786
Nowadays, the captain gets off first.
392
00:31:40,750 --> 00:31:42,290
No, I'd go down with the ship.
393
00:31:43,125 --> 00:31:45,995
If we hang around a bit longer,
we'll get Ringo being sick.
394
00:31:47,083 --> 00:31:49,963
See you missed me this morning.
I did it for CBS.
395
00:31:50,041 --> 00:31:52,081
- Leapt off in the middle of the interview.
- Did you?
396
00:31:52,166 --> 00:31:54,746
Actually I'm just recovering from the day,
you know?
397
00:31:55,875 --> 00:31:57,535
From the night.
398
00:31:58,125 --> 00:32:00,535
No reason at all,
except that I'm mistreating my body.
399
00:32:01,583 --> 00:32:04,633
Yes. I just was up late, you know.
400
00:32:04,708 --> 00:32:07,078
I was sort of stoned and high
and watching films.
401
00:32:07,166 --> 00:32:08,666
And I wouldn't have made it anyway.
402
00:32:08,750 --> 00:32:11,080
Is there any need to do this in public,
Mr. Lennon?
403
00:32:11,166 --> 00:32:12,956
At the moment you're a guest for lunch.
404
00:32:13,041 --> 00:32:14,251
Yeah. But it's not good.
405
00:32:14,333 --> 00:32:17,213
If I'm gonna come at 10:00
I should come at 10:00.
406
00:32:17,291 --> 00:32:19,171
Up with the dawn,
down with the sun.
407
00:32:19,708 --> 00:32:21,378
Ringo ever, Eric never.
408
00:32:21,458 --> 00:32:22,458
Okay.
409
00:32:23,041 --> 00:32:24,541
Shall we knock off early today, or not?
410
00:32:24,625 --> 00:32:25,745
Probably, yeah.
411
00:32:25,833 --> 00:32:27,793
Shall we knock on early tomorrow?
412
00:32:29,500 --> 00:32:30,880
Yes, I'll do that.
413
00:32:32,583 --> 00:32:33,583
Yeah.
414
00:32:33,666 --> 00:32:35,786
"When I was younger,
so much younger than today,
415
00:32:35,875 --> 00:32:38,575
I never needed anybody's help in any way.
416
00:32:40,500 --> 00:32:42,920
But now my life has changed
in oh so many ways."
417
00:32:45,208 --> 00:32:47,998
A wop-bop-a-loo-ma. Ba-lim-bam-boo.
418
00:32:50,166 --> 00:32:52,246
We can't carry on like this indefinitely.
419
00:32:52,750 --> 00:32:54,290
- We seem to be.
- Doing this.
420
00:32:54,375 --> 00:32:55,785
We seem to, but we can't.
421
00:32:57,125 --> 00:33:00,245
See, what you need
is a serious program of work.
422
00:33:01,291 --> 00:33:05,001
Not an aimless rambling
amongst the canyons of your mind.
423
00:33:06,958 --> 00:33:08,128
An aim in life.
424
00:33:08,750 --> 00:33:11,080
Trip upon that golden ship of shores.
425
00:33:12,333 --> 00:33:13,583
We all together, boy.
426
00:33:13,666 --> 00:33:16,626
To wander aimlessly is very un-swinging.
427
00:33:19,500 --> 00:33:20,580
Unhip.
428
00:33:20,666 --> 00:33:22,786
Well, "When I touch you,
I feel happy inside.
429
00:33:22,875 --> 00:33:24,455
I can't hide. I can't hide."
430
00:33:27,208 --> 00:33:29,788
- "Ask me why, I'll say I love you."
- What you need is a schedule.
431
00:33:30,625 --> 00:33:32,575
Achieve something every day.
432
00:33:36,458 --> 00:33:38,918
- It's so hard, right?
- It's rather hard to live up to, Paul.
433
00:33:41,500 --> 00:33:42,670
I'm planning on 11.
434
00:33:43,833 --> 00:33:45,543
It's 12 to 14, Mal.
435
00:33:47,916 --> 00:33:49,166
It's a choice of six.
436
00:33:49,750 --> 00:33:52,170
Some ready to wear
and some made to measure.
437
00:34:00,083 --> 00:34:02,043
We were talking earlier.
438
00:34:02,125 --> 00:34:03,495
About the space between us?
439
00:34:04,416 --> 00:34:05,746
About the gap between us.
440
00:34:05,833 --> 00:34:09,293
But about also the documentary, which
is grinding to a halt. How do we do it?
441
00:34:09,375 --> 00:34:11,455
Grinding to a halt?
I think it's taking off.
442
00:34:11,541 --> 00:34:12,831
Exactly. Here we go.
443
00:34:12,916 --> 00:34:16,246
"Loop de loop,"
as Frankie Vaughan once said.
444
00:34:16,333 --> 00:34:17,333
The one-legged wonder.
445
00:34:19,583 --> 00:34:22,883
Ringo said that he thought
we ought to just tell it like it is.
446
00:34:25,916 --> 00:34:26,916
I think we are.
447
00:34:28,458 --> 00:34:30,038
Once upon a tarmac,
448
00:34:30,125 --> 00:34:33,995
there lived a small baggage who suffered
incredible distortion on his right leg.
449
00:34:35,583 --> 00:34:38,333
He took it to all the doctors,
and they said…
450
00:34:40,416 --> 00:34:41,416
But one day…
451
00:34:44,708 --> 00:34:45,748
Happy ever after.
452
00:34:46,916 --> 00:34:49,286
- Ah!
453
00:34:49,375 --> 00:34:52,035
- Sir Joseph.
454
00:34:53,333 --> 00:34:55,463
It's about this deal with FBI.
455
00:34:56,500 --> 00:34:57,960
I need another million…
456
00:34:59,625 --> 00:35:03,245
and the written acclamation of Dick James.
457
00:35:04,541 --> 00:35:06,291
I know it's hard. I know it's hard.
458
00:35:06,375 --> 00:35:08,075
They died that we might wank.
459
00:35:14,291 --> 00:35:16,501
I'm talking about the Boy Scouts
who aren't allowed to masturbate.
460
00:35:16,583 --> 00:35:17,673
Oh.
461
00:35:17,750 --> 00:35:20,130
It's very tempting
when you're wearing shorts.
462
00:35:20,833 --> 00:35:24,423
If they only wore long trousers,
maybe they'd stand a chance, you know?
463
00:35:25,208 --> 00:35:28,378
But I can tell you, you don't go blind
but very shortsighted.
464
00:35:32,541 --> 00:35:35,291
Are you talking from experience
then, John?
465
00:35:44,541 --> 00:35:47,961
{\an8}
466
00:36:01,916 --> 00:36:03,746
- Right. Guitars?
467
00:36:03,833 --> 00:36:07,043
- I thought that's what they do.
- That is what they do, but you can't--
468
00:36:07,125 --> 00:36:09,245
Could even sing you
half a song I was writing.
469
00:36:09,333 --> 00:36:11,543
- Come on.
470
00:36:26,250 --> 00:36:31,330
{\an8}
471
00:36:46,291 --> 00:36:48,171
- Well, it's been lots of fun.
472
00:36:48,250 --> 00:36:50,790
We ought to figure out, like,
do you wanna go on rehearsing?
473
00:36:50,875 --> 00:36:54,125
Or do you want to move into EMI
and just maybe do an album?
474
00:36:54,791 --> 00:36:57,631
Well, it all rests on when we see--
475
00:36:57,708 --> 00:36:59,878
I think we stop filming now.
As a matter of policy.
476
00:36:59,958 --> 00:37:01,788
- I mean, I know--
- But--
477
00:37:01,875 --> 00:37:04,075
- That's a wrap for you, lads.
- Let's take it home, Jim.
478
00:37:10,333 --> 00:37:11,633
- Yeah.
479
00:38:11,250 --> 00:38:13,040
- You right, lads?
- Yeah.
480
00:38:13,125 --> 00:38:14,455
- Running up here.
481
00:38:14,541 --> 00:38:16,791
- Running. Running. Ready.
- Speed.
482
00:38:21,750 --> 00:38:23,080
Pretty sure we're going.
483
00:38:29,083 --> 00:38:30,923
Switch off your two green, Steve.
484
00:38:31,000 --> 00:38:33,040
- And just here.
- Hold on. Hold on, everybody.
485
00:38:52,041 --> 00:38:53,211
Please believe me, darling.
486
00:38:54,125 --> 00:38:58,875
{\an8}
487
00:39:16,666 --> 00:39:18,036
Oh, darling.
488
00:39:19,041 --> 00:39:20,541
Please believe me.
489
00:39:21,583 --> 00:39:22,923
Yes, sirree.
490
00:39:23,791 --> 00:39:27,381
I'll never do you no harm.
491
00:40:42,916 --> 00:40:45,706
{\an8}
492
00:40:46,208 --> 00:40:48,248
{\an8}One, two, three, four, five, six,
seven, eight, nine, ten.
493
00:40:48,333 --> 00:40:50,923
{\an8}One, two, three, four, five, six,
seven, eight, nine, ten.
494
00:40:54,541 --> 00:40:56,251
{\an8}This-- This is not controlled.
495
00:40:56,333 --> 00:40:58,543
{\an8}- If somebody is upstairs--
- No, we don't have control.
496
00:40:58,625 --> 00:41:00,245
{\an8}We've got to know how to record.
Listen to that.
497
00:41:00,333 --> 00:41:02,543
One, two, three, four, five, six, seven.
498
00:41:05,041 --> 00:41:07,961
{\an8}-
499
00:41:14,250 --> 00:41:17,920
{\an8}
Dave, why don't we use this one?
500
00:41:18,000 --> 00:41:19,630
{\an8}
501
00:41:19,708 --> 00:41:21,628
{\an8}
502
00:41:21,708 --> 00:41:24,418
{\an8}We can't record without doing it.
503
00:41:27,416 --> 00:41:28,996
{\an8}In the meantime,
can we have--
504
00:41:29,083 --> 00:41:30,543
{\an8}
505
00:41:30,625 --> 00:41:32,375
{\an8}- Cheers, man.
- Thank you.
506
00:41:33,583 --> 00:41:35,753
{\an8}Now, Dave,
can you control it in there?
507
00:41:35,833 --> 00:41:36,833
{\an8}Yes.
508
00:42:26,125 --> 00:42:28,995
{\an8}We've been doing this film
for the last, sort of, two weeks,
509
00:42:29,083 --> 00:42:33,133
{\an8}and we've noticed you every day
at Twickenham Studios and also here.
510
00:42:33,208 --> 00:42:35,788
You stand outside all day long.
Can you tell us why?
511
00:42:53,250 --> 00:42:56,630
What do you think of John Lennon
and the relationship with Yoko Ono?
512
00:43:03,208 --> 00:43:05,378
- It doesn't worry you at all?
- No.
513
00:43:05,458 --> 00:43:07,918
It's got nothing to do
with anybody else really, has it?
514
00:43:08,833 --> 00:43:10,133
Not really. That's a good answer.
515
00:43:21,333 --> 00:43:24,673
And you've obviously read in the papers
about the possible split of The Beatles.
516
00:43:24,750 --> 00:43:26,420
I mean, how does that sort of affect you?
517
00:43:34,916 --> 00:43:37,166
As long as I can see him it's all right.
518
00:43:42,166 --> 00:43:44,916
What would you like
to see The Beatles do now?
519
00:43:45,000 --> 00:43:46,130
- God, what a question.
- A show.
520
00:43:46,208 --> 00:43:48,628
Yeah. A live show.
521
00:43:48,708 --> 00:43:50,128
- Any show.
- Yeah.
522
00:44:07,333 --> 00:44:11,583
{\an8}It was lovely walking in here
yesterday after Twickenham. It really was.
523
00:44:11,666 --> 00:44:13,786
In retrospect, I'm glad we got out.
524
00:44:13,875 --> 00:44:16,245
Something queer about Twickenham,
I don't know what it was.
525
00:44:16,333 --> 00:44:17,673
- Too big.
- Too big?
526
00:44:17,750 --> 00:44:19,540
For what we were doing, you know.
527
00:44:19,625 --> 00:44:20,955
And this is nicer.
528
00:44:24,541 --> 00:44:26,171
I'm on a special diet as of today.
529
00:44:26,250 --> 00:44:27,790
- What are you on?
- No food.
530
00:44:27,875 --> 00:44:29,785
Oh, poor, why?
531
00:44:29,875 --> 00:44:31,825
I just feel a little heavy.
532
00:44:31,916 --> 00:44:35,416
When you get out the bath and find you're
not admiring yourself in the mirror.
533
00:44:35,500 --> 00:44:36,500
Too much to admire.
534
00:44:36,583 --> 00:44:39,213
You going to do everything in here?
Rather than go to EMI in future?
535
00:44:39,291 --> 00:44:42,831
- Unless you mean big orchestrations.
- Don't know till we hear it.
536
00:44:42,916 --> 00:44:45,456
George was saying good thing
you have to fight certain things at EMI,
537
00:44:45,541 --> 00:44:47,291
so it's much better
when it hits the record.
538
00:44:47,375 --> 00:44:48,375
- Aye.
- Mmm.
539
00:44:48,458 --> 00:44:50,628
It's a much more real sound,
what the customer buys.
540
00:44:56,416 --> 00:44:58,206
Have you said good morning to Fred?
541
00:44:58,291 --> 00:45:01,251
You'll be able to get rid of these things
once we get set up.
542
00:45:01,333 --> 00:45:03,253
- What things?
- The boom mics.
543
00:45:03,333 --> 00:45:06,173
This is for intimate,
unobserved conversation
544
00:45:06,250 --> 00:45:07,630
in the middle of the room, though.
545
00:45:07,708 --> 00:45:08,958
Unobserved conversation?
546
00:45:12,208 --> 00:45:14,248
We should get really underway today,
I think.
547
00:45:14,333 --> 00:45:16,753
We really got underway yesterday.
It was a good day yesterday.
548
00:45:16,833 --> 00:45:19,423
Yeah. From your point of view.
I'm talking about from my point of view.
549
00:45:19,500 --> 00:45:21,210
Oh, yeah, you should get on with it.
550
00:45:21,291 --> 00:45:22,831
How late did you work last night?
551
00:45:22,916 --> 00:45:24,496
About twenty past seven.
552
00:45:25,000 --> 00:45:27,330
It's just that.
But it could have gone longer too.
553
00:45:27,416 --> 00:45:28,496
Mmm. You get me a small--
554
00:45:28,583 --> 00:45:29,923
- Morning.
- Morning, George.
555
00:45:30,000 --> 00:45:31,580
- You're looking very--
- Pink.
556
00:45:31,666 --> 00:45:34,876
- Yes, very clean and in order.
- And even washed and in order.
557
00:45:34,958 --> 00:45:36,378
- I hear yesterday was good?
- Mmm.
558
00:45:36,458 --> 00:45:37,668
- Work-wise.
- Yeah.
559
00:45:37,750 --> 00:45:39,040
Good.
560
00:45:39,125 --> 00:45:41,035
- Good vibes, man.
- Yeah.
561
00:45:41,125 --> 00:45:42,785
Morning, Glyn. How are you?
562
00:45:42,875 --> 00:45:44,375
- Morning, Glyn.
- Morning, Glyn.
563
00:45:44,458 --> 00:45:46,378
- Morning, George.
- What are we doing?
564
00:45:46,458 --> 00:45:47,828
What are all these people doing?
565
00:45:48,375 --> 00:45:50,165
They've come to look at you, John.
566
00:45:50,250 --> 00:45:53,130
Now, who can we find
to switch off this ventilation? Mal?
567
00:45:53,625 --> 00:45:54,995
It's so freezing in here.
568
00:45:55,083 --> 00:45:57,963
I was listening to-- I've told everybody.
569
00:45:58,041 --> 00:46:01,461
You know the Around the Beatles thing?
570
00:46:01,541 --> 00:46:04,381
{\an8}- Oh, yeah.
- You did the sound. Great sound.
571
00:46:04,458 --> 00:46:08,708
{\an8}I just heard it over the weekend.
And we were great as well, you know?
572
00:46:08,791 --> 00:46:11,791
{\an8}- You were, actually. Yes.
573
00:46:11,875 --> 00:46:15,825
The acetate's great, 'cause we got
all the sort of rockers first half,
574
00:46:15,916 --> 00:46:19,206
and all, you know, "Love Me Dos"
and "Please Please Me" the second half.
575
00:46:19,291 --> 00:46:22,041
The rockers are so great,
all the kids screaming.
576
00:46:22,708 --> 00:46:23,918
But the sound was great.
577
00:46:24,416 --> 00:46:26,416
I love when you play rock and roll.
578
00:46:26,500 --> 00:46:29,170
Oh, George, before I forget it.
Where do you--
579
00:46:36,375 --> 00:46:39,125
Ah, well, any good
music shop. There are a couple near here.
580
00:46:40,666 --> 00:46:41,666
Chappell's will have it, yeah.
581
00:46:52,958 --> 00:46:55,168
But I think, you see,
we ought to get together.
582
00:46:55,250 --> 00:46:58,040
{\an8}See if we're gonna have it out of doors,
whether people just turn up.
583
00:46:58,125 --> 00:47:04,035
{\an8}Uh, are you still trying to do it
with all people, audience, all in one go?
584
00:47:04,125 --> 00:47:07,665
Yes. Shall we say
we'll do it this weekend week?
585
00:47:21,125 --> 00:47:22,785
The problem with Glyn, I'd like him--
586
00:47:22,875 --> 00:47:25,205
You know, if he's starting the thing,
I'd like him to finish it.
587
00:47:25,291 --> 00:47:26,961
It's silly, really,
to change horses midstream.
588
00:47:27,041 --> 00:47:27,961
I know.
589
00:47:29,666 --> 00:47:31,666
"Drugs, divorce and a slipping image."
590
00:47:31,750 --> 00:47:37,500
And it says, "But it wasn't the first time
they've traded a few punches."
591
00:47:37,583 --> 00:47:38,633
Yeah.
592
00:47:42,583 --> 00:47:44,923
{\an8}There's only one guy
I'd like to get, and that's Housego.
593
00:47:45,000 --> 00:47:47,380
It's really extraordinary,
the last week's press, isn't it?
594
00:47:47,458 --> 00:47:51,038
Because there's nothing to it
except that it's a lie.
595
00:47:51,125 --> 00:47:53,375
Hope it doesn't come out
about me beating up Maharishi.
596
00:47:53,458 --> 00:47:56,458
No doubt Derek will have read it
before it got in there
597
00:47:56,541 --> 00:47:58,631
and has sent them their telegrams
and things.
598
00:47:58,708 --> 00:47:59,998
Congratulating them.
599
00:48:01,958 --> 00:48:03,248
Morning, Denis.
600
00:48:06,166 --> 00:48:08,626
- Don't you think it's suable?
- No.
601
00:48:08,708 --> 00:48:11,538
- What about the fisticuffs?
- Yeah, none of that.
602
00:48:11,625 --> 00:48:13,165
He said it didn't take place, right?
603
00:48:13,250 --> 00:48:14,670
- He said it did.
- No.
604
00:48:14,750 --> 00:48:16,500
- Oh, crumbs.
- Yes, he did.
605
00:48:17,125 --> 00:48:18,455
He said "might have."
606
00:48:18,541 --> 00:48:21,251
Yes. In the past,
well, that's false too.
607
00:48:21,833 --> 00:48:25,793
It's never got to that, except for a plate
of dinner in Hamburg.
608
00:48:25,875 --> 00:48:28,125
The picture's great, yeah.
609
00:48:28,208 --> 00:48:30,708
George Harrison, the sane one, speaks out.
610
00:48:30,791 --> 00:48:33,791
I read it before the riddles.
611
00:48:34,375 --> 00:48:40,825
{\an8}
612
00:48:40,916 --> 00:48:45,246
{\an8}
613
00:49:02,125 --> 00:49:05,785
{\an8}Would you like to do the link
into The Stones for The Circus?
614
00:49:05,875 --> 00:49:08,325
{\an8}- Or would you not like to?
- What's that?
615
00:49:08,416 --> 00:49:11,036
We've found we haven't shot
anybody announcing The Rolling Stones.
616
00:49:11,708 --> 00:49:13,168
Oh, I see.
617
00:49:13,250 --> 00:49:16,330
- Well, what kind of--
- It would just be, uh…
618
00:49:16,416 --> 00:49:19,536
"And now, ladies and gentlemen, your host
for this evening, The Rolling Stones,"
619
00:49:19,625 --> 00:49:20,625
or words to that effect.
620
00:49:20,708 --> 00:49:22,578
- If it's straight, then I'll do it.
- Yeah, it's straight.
621
00:49:22,666 --> 00:49:28,956
And now, your host this evening,
Rolling Stones.
622
00:49:30,625 --> 00:49:32,125
- Did you see Hancock?
- Yeah.
623
00:49:33,291 --> 00:49:35,001
I'm playing it right.
624
00:49:35,083 --> 00:49:36,963
That's Keith Moon.
625
00:49:44,291 --> 00:49:46,831
See that? With the sound on, I…
626
00:49:48,583 --> 00:49:50,293
Turn me on, man, will you?
627
00:49:51,541 --> 00:49:52,631
Can you juggle?
628
00:49:53,375 --> 00:49:54,785
- It's the one thing I really--
- Watch.
629
00:49:56,541 --> 00:49:59,211
So uncoordinated.
630
00:49:59,291 --> 00:50:00,671
No, I can't juggle.
631
00:50:00,750 --> 00:50:02,250
Can you juggle, RS?
632
00:50:02,875 --> 00:50:05,285
While he juggled, I knifed up the wall.
633
00:50:08,916 --> 00:50:10,786
Ready for three.
634
00:50:41,250 --> 00:50:44,460
{\an8}"Beatle George Harrison, above,
is due in court here today
635
00:50:44,541 --> 00:50:45,711
{\an8}to answer assault charges.
636
00:50:45,791 --> 00:50:48,501
If he does not appear, he will be given
an immediate jail sentence.
637
00:50:49,208 --> 00:50:52,578
Harrison is accused
of assaulting a photographer last May,
638
00:50:52,666 --> 00:50:54,626
as he and Beatle Ringo Starr
left a nightclub."
639
00:50:55,666 --> 00:50:56,746
Hey!
640
00:51:10,833 --> 00:51:13,253
Does the PA come before
or after the limiters?
641
00:51:14,416 --> 00:51:15,666
After, isn't it?
642
00:51:17,458 --> 00:51:22,328
{\an8}Can you move the speakers
behind Paul a little bit further round?
643
00:51:22,416 --> 00:51:24,626
Glyn?
644
00:51:24,708 --> 00:51:26,788
When will you be set up to tape something?
645
00:51:26,875 --> 00:51:28,205
Haven't they got it plugged up?
646
00:51:28,291 --> 00:51:30,001
Are we not in that situation yet?
647
00:51:31,958 --> 00:51:33,498
No answer.
648
00:51:33,583 --> 00:51:36,133
It's all right. Not yet, you mean?
649
00:51:46,291 --> 00:51:47,541
It's been made up by Alex.
650
00:51:52,208 --> 00:51:53,498
How do you tune it?
651
00:51:56,708 --> 00:51:57,538
What?
652
00:51:58,750 --> 00:51:59,750
It looks like he's--
653
00:51:59,833 --> 00:52:01,633
Let's give him half a million quid.
654
00:52:01,708 --> 00:52:03,078
It looks a good idea.
655
00:52:03,166 --> 00:52:04,496
- Yeah!
- Two-sided bass/rhythm…
656
00:52:04,583 --> 00:52:06,583
And let's give it him just for this!
657
00:52:07,166 --> 00:52:08,456
I'll put it on show.
658
00:52:12,625 --> 00:52:15,245
He might have something in that though.
659
00:52:15,333 --> 00:52:16,543
You never--
660
00:52:16,625 --> 00:52:19,035
He'd have to just have less sides.
661
00:52:19,125 --> 00:52:21,075
There it is now.
662
00:52:21,166 --> 00:52:22,666
- Yeah, two sides.
- Two sides and one…
663
00:52:22,750 --> 00:52:25,170
You're gonna get all your strings
rubbing on your hand.
664
00:52:25,666 --> 00:52:27,456
Tell him to build a prototype.
665
00:52:27,541 --> 00:52:28,831
Better be good!
666
00:52:31,875 --> 00:52:34,785
- Glyn, can you look into the PA thing?
- Let's think in terms of--
667
00:52:34,875 --> 00:52:37,495
We still haven't had
a really good PA sound yet.
668
00:52:38,125 --> 00:52:42,495
You know? If we're gonna do it here,
let's try and get one in this room.
669
00:52:42,583 --> 00:52:46,673
'Cause we still haven't had that, where
we're knocked out with what we hear yet.
670
00:52:51,833 --> 00:52:55,583
- I say it now so we can get on with it.
- No idea.
671
00:53:08,208 --> 00:53:11,668
{\an8}-
672
00:53:12,375 --> 00:53:15,245
{\an8}
673
00:53:16,208 --> 00:53:17,208
All right!
674
00:53:18,208 --> 00:53:20,538
{\an8}
675
00:53:20,625 --> 00:53:22,705
{\an8}
676
00:53:22,791 --> 00:53:26,381
{\an8}
677
00:53:49,500 --> 00:53:50,750
Drop me off tonight?
678
00:53:50,833 --> 00:53:52,213
Will you drop me off tonight?
679
00:53:53,541 --> 00:53:55,001
It's on your way, is it?
680
00:53:58,375 --> 00:54:01,625
{\an8}
681
00:54:01,708 --> 00:54:07,458
{\an8}
682
00:54:10,041 --> 00:54:12,831
{\an8}
683
00:54:12,916 --> 00:54:13,916
A-ruff!
684
00:54:20,208 --> 00:54:21,498
Okay.
685
00:54:21,583 --> 00:54:23,923
- Do something for them.
- Okay, boys.
686
00:54:24,000 --> 00:54:25,630
Okay, boys.
687
00:54:25,708 --> 00:54:28,788
Let's cool it for once
and get it real going for a change.
688
00:54:29,500 --> 00:54:32,130
Hold it now and don't move.
689
00:54:34,458 --> 00:54:37,248
Another Lennon/McCartney original
entitled…
690
00:54:50,708 --> 00:54:55,328
{\an8}
691
00:55:09,958 --> 00:55:11,168
- Yeah. Okay.
- Thank you.
692
00:55:11,250 --> 00:55:15,000
"All I Want Is You,"
"The Long And Winding Road,"
693
00:55:15,750 --> 00:55:18,580
"Bathroom Window," "Let It Be."
694
00:55:18,666 --> 00:55:20,826
- "Bathroom Window"?
- "Across the Universe,"
695
00:55:20,916 --> 00:55:25,876
"Get Back To Where You Once Belonged,"
"Two Of Us On Our Way Home,"
696
00:55:25,958 --> 00:55:28,878
"Maxwell's Silver Hammer,"
"I Got A Feeling,"
697
00:55:28,958 --> 00:55:31,078
"Sunrise," "I Me Mine."
698
00:55:31,166 --> 00:55:32,246
- "Sunrise"?
- "Sunrise"?
699
00:55:32,333 --> 00:55:36,083
Uh, "Sun"-- "All Things Shall Pass."
700
00:55:36,166 --> 00:55:37,706
- Oh, my--
- They mean--
701
00:55:37,791 --> 00:55:38,881
You threw me there.
702
00:55:38,958 --> 00:55:40,828
I thought, I was away a day,
they learned a fucking tune.
703
00:55:40,916 --> 00:55:42,326
They learned a fucking tune.
704
00:55:44,500 --> 00:55:45,500
Over there.
705
00:55:45,583 --> 00:55:46,673
Over there.
706
00:55:46,750 --> 00:55:48,540
If we're just trying to make the album,
707
00:55:48,625 --> 00:55:50,665
I think we should just start it
straightaway.
708
00:55:51,291 --> 00:55:54,171
I think we're just gonna sing them live
to the camera.
709
00:55:54,958 --> 00:55:56,958
So we'll probably just do
about half an hour.
710
00:56:05,208 --> 00:56:08,628
{\an8}
711
00:56:09,791 --> 00:56:14,081
{\an8}
712
00:56:30,708 --> 00:56:31,918
It's not me, is it?
713
00:56:32,000 --> 00:56:33,210
- Is it me?
714
00:56:33,291 --> 00:56:35,541
It seems to be this mic feeding back.
715
00:56:38,958 --> 00:56:41,628
It stops when I talk on this mic, so…
716
00:56:41,708 --> 00:56:43,418
{\an8}-
717
00:56:43,583 --> 00:56:44,963
- Can you turn?
- Sure.
718
00:56:45,666 --> 00:56:49,996
I'm going to have road hog instead
of skylight, however pretty it may be.
719
00:56:50,083 --> 00:56:52,383
I keep telling you not to,
and you won't listen to what I say.
720
00:56:52,458 --> 00:56:53,708
- You're right.
- I know.
721
00:56:53,791 --> 00:56:55,081
What is it?
722
00:56:55,166 --> 00:56:56,536
A fragile Leslie.
723
00:56:57,875 --> 00:57:01,495
I con a Lowrey, but it didn't sing well.
724
00:57:01,583 --> 00:57:03,673
- Yeah.
725
00:57:03,750 --> 00:57:06,630
There wasn't-- So I changed it to Paul's
"dog a boney."
726
00:57:06,708 --> 00:57:08,418
"Cadge a Leslie," you had as well.
727
00:57:08,500 --> 00:57:10,130
Yeah, "cadge a Leslie," that.
728
00:57:10,625 --> 00:57:12,785
It's gotta be Ds and Bs, you know?
729
00:57:14,958 --> 00:57:17,958
- Are they ready to take any yet?
730
00:57:23,291 --> 00:57:24,921
Glyn can hear us. Can't you, Glyn?
731
00:57:27,750 --> 00:57:29,040
In fact, he's coming out.
732
00:57:29,666 --> 00:57:30,666
Yes, Glyn?
733
00:57:31,833 --> 00:57:35,173
There's lots missing yet.
This afternoon, late--
734
00:57:35,250 --> 00:57:38,460
'Cause it's got to the point where
we don't know what anything's like there.
735
00:57:39,125 --> 00:57:40,125
In fact…
736
00:57:48,666 --> 00:57:50,666
- Oh, no, you're not!
- Oh, yes, I am!
737
00:57:55,041 --> 00:57:59,711
{\an8}
738
00:58:17,458 --> 00:58:20,128
{\an8}
739
00:58:36,541 --> 00:58:39,711
{\an8}
740
00:58:59,000 --> 00:59:00,630
{\an8}
741
00:59:00,708 --> 00:59:01,918
{\an8}
742
00:59:38,541 --> 00:59:42,041
"The awful tension of being locked
in each other's arms
743
00:59:42,125 --> 00:59:44,875
snapped last night at a TV rehearsal.
744
00:59:45,416 --> 00:59:48,876
And Beatles John, George,
Paul and Harold, at very least…
745
00:59:49,583 --> 00:59:51,963
a few vicious phrases took place.
746
00:59:54,750 --> 00:59:58,670
He, the mystical one
who lost so much of The Beatles' magic.
747
00:59:59,708 --> 01:00:00,958
She, the nudie.
748
01:00:02,666 --> 01:00:07,786
It's only the suddenness of their decline
from the status of 'boys next door'
749
01:00:07,875 --> 01:00:12,575
to the category of 'weirdies'
that has left most people agog."
750
01:00:12,666 --> 01:00:14,416
I heard he just played that.
751
01:00:14,500 --> 01:00:17,170
"It would be about the middle of 1960
752
01:00:17,250 --> 01:00:19,880
that the personal luster of The Beatles
753
01:00:19,958 --> 01:00:23,708
began to show a few spots of rust.
754
01:00:23,791 --> 01:00:26,711
I will deliberately leave Ringo out of it,
755
01:00:26,791 --> 01:00:29,921
because he has never
developed an inclination
756
01:00:30,000 --> 01:00:31,380
towards the bizarre.
757
01:00:31,458 --> 01:00:33,498
Lennon was married, happily.
758
01:00:33,583 --> 01:00:38,003
McCartney was going steady,
and George Harrison was about to marry.
759
01:00:38,541 --> 01:00:41,461
Everything in the Beatle garden was rosy.
760
01:00:41,541 --> 01:00:43,501
But that was a long time ago.
761
01:00:43,583 --> 01:00:48,003
They went their own private ways,
found their own friends
762
01:00:48,083 --> 01:00:53,713
and became less reliant on each other
for guidance and comradeship."
763
01:00:55,958 --> 01:00:58,788
{\an8}- "Where did it all lead to?"
764
01:00:58,875 --> 01:01:05,455
{\an8}"I suppose it is fair to say
that it led pretty close to disaster
765
01:01:05,541 --> 01:01:08,631
at one time or another.
766
01:01:08,708 --> 01:01:13,168
Today all of them find acute embarrassment
767
01:01:13,250 --> 01:01:16,170
at the stories of one another's
768
01:01:16,250 --> 01:01:20,670
odd-ball adventures and conduct.
769
01:01:20,750 --> 01:01:25,670
{\an8}Harrison's escapades
with his favorite mystic from India
770
01:01:25,750 --> 01:01:28,000
{\an8}- left Paul and Ringo aghast…"
771
01:01:28,083 --> 01:01:33,003
{\an8}-
- "…and both felt obliged to try him out
772
01:01:33,083 --> 01:01:36,793
to see if they were missing anything."
773
01:01:38,666 --> 01:01:41,746
"Drugs, divorce and a slipping image
774
01:01:42,333 --> 01:01:47,043
played desperately on their minds
and it appeared to them all
775
01:01:47,125 --> 01:01:49,705
that the public was being encouraged
776
01:01:49,791 --> 01:01:51,291
to hate them."
777
01:02:04,750 --> 01:02:09,500
"But that still doesn't amount
to a complete break-up of the group.
778
01:02:09,583 --> 01:02:13,043
Whatever talent they have as individuals,
779
01:02:13,125 --> 01:02:15,285
and who can deny it,
780
01:02:15,375 --> 01:02:21,125
their capacity to earn is largely tied up
781
01:02:21,208 --> 01:02:23,878
in their performances as a group."
782
01:02:51,458 --> 01:02:55,038
"They will never be
exactly the same again."
783
01:03:01,041 --> 01:03:02,791
- Okay.
- Okay.
784
01:03:02,875 --> 01:03:04,495
- Okay then.
- Are you ready, George?
785
01:03:05,375 --> 01:03:07,205
Here we go, Glyn.
786
01:03:07,291 --> 01:03:08,711
Coming, ready or not.
787
01:03:08,791 --> 01:03:10,751
- Glyn.
- You're on.
788
01:03:11,333 --> 01:03:14,043
- Okay, boys and girls.
- Okay.
789
01:03:14,708 --> 01:03:15,788
"All I Want Is You."
790
01:03:15,875 --> 01:03:17,035
Take one.
791
01:03:20,166 --> 01:03:22,956
And now, your hosts for this evening,
The Bottles.
792
01:05:19,291 --> 01:05:22,251
{\an8}
793
01:05:26,416 --> 01:05:27,416
Gonna hear that.
794
01:05:27,500 --> 01:05:28,790
- What, where?
- There.
795
01:05:28,875 --> 01:05:30,455
- Go in there?
- In there.
796
01:05:30,541 --> 01:05:31,581
Sure. Why not?
797
01:05:34,416 --> 01:05:36,126
- No, no, don't…
- Oh, no, no, no, John.
798
01:05:36,208 --> 01:05:37,828
Please don't put the mockers on it.
799
01:06:08,375 --> 01:06:10,705
That sounds very nice, really.
800
01:06:10,791 --> 01:06:12,331
I'm really pleased with the sound.
801
01:06:12,416 --> 01:06:14,826
I thought, "Well, fuck me. If they
don't like that, what do they want?"
802
01:06:14,916 --> 01:06:16,246
It's just like we sound.
803
01:06:19,375 --> 01:06:23,665
And now, our hosts for this evening,
The Bony Rolls.
804
01:06:23,750 --> 01:06:28,380
"I Dig A Pygmy"
by Charles Hawtrey and the Deaf-Aids!
805
01:06:29,625 --> 01:06:32,955
Phase one, in which Doris gets her oats.
806
01:06:33,458 --> 01:06:34,538
Ringo!
807
01:06:34,625 --> 01:06:36,495
Richie!
808
01:06:37,750 --> 01:06:39,500
Scab head! Come in!
809
01:06:40,208 --> 01:06:41,208
One more.
810
01:06:42,333 --> 01:06:45,083
Glyn would like us to do it one more time.
811
01:06:45,166 --> 01:06:46,916
Shall we oblige him?
812
01:06:47,000 --> 01:06:48,250
Okay.
813
01:06:48,333 --> 01:06:50,583
I think we could
still take it a little quieter.
814
01:06:50,666 --> 01:06:52,206
I think I agree.
815
01:06:52,833 --> 01:06:56,463
And when I go, "Oh,"
I want you to go, "Oh."
816
01:06:56,541 --> 01:06:57,541
Got it!
817
01:07:21,083 --> 01:07:24,083
After we got to "a wind love,"
I went berserk.
818
01:07:26,541 --> 01:07:28,671
Like the wind, he blew away.
819
01:07:28,750 --> 01:07:30,830
- His thoughts scattered…
- I blew a windstorm.
820
01:07:30,916 --> 01:07:32,956
…tumbling like a paper cup.
821
01:07:34,333 --> 01:07:36,333
"Blew a road hog." That's better.
822
01:07:37,291 --> 01:07:38,631
Blew a road hog.
823
01:07:38,708 --> 01:07:41,578
Slither wildly like a blind dog.
824
01:07:42,416 --> 01:07:45,076
As it creeps away across my underpants.
825
01:07:50,000 --> 01:07:52,710
- I'm a lyricist in my own right.
- He is, you know.
826
01:07:52,791 --> 01:07:55,831
Yes, Richard Rodgers
has got nothing on this boy.
827
01:07:59,916 --> 01:08:02,166
That tongue will be the death of you!
828
01:08:02,916 --> 01:08:04,576
"I feel a wind love"?
829
01:08:04,666 --> 01:08:06,956
Yeah, I've changed it to "wind love" now.
830
01:08:07,041 --> 01:08:10,461
- I just make it up as I go along.
- Oh, is that how you do it?
831
01:08:29,666 --> 01:08:32,076
See, I want it so that it goes…
832
01:08:34,000 --> 01:08:35,460
The bass is going that bit.
833
01:08:35,541 --> 01:08:38,081
Try doing it so you're almost playing
four in a bar. So you go…
834
01:08:43,333 --> 01:08:44,713
…on those bits.
835
01:08:44,791 --> 01:08:47,581
Well, that's the beginning
of the verses, isn't it?
836
01:08:47,666 --> 01:08:50,576
Yeah.
837
01:08:50,666 --> 01:08:52,036
That's what I'm doing now.
838
01:08:52,125 --> 01:08:53,205
This one isn't going…
839
01:08:53,875 --> 01:08:55,535
high or heavy. You can hear the…
840
01:08:56,125 --> 01:08:58,915
There's none for that one.
Only the bass is doing that.
841
01:08:59,000 --> 01:09:00,750
We haven't got the double bass drum.
842
01:09:00,833 --> 01:09:02,213
The other bass drum.
843
01:09:02,291 --> 01:09:04,671
So what would that be, Paul?
Would that be four in the bar?
844
01:09:04,750 --> 01:09:07,080
- Are you using high hats?
- Mmm.
845
01:09:07,166 --> 01:09:09,326
- Don't know, maybe a…
846
01:09:11,291 --> 01:09:13,711
If you did--
Are you doing the big cymbal on that?
847
01:09:17,625 --> 01:09:19,165
- That's the way I'm doing it.
- Yeah.
848
01:09:24,375 --> 01:09:25,785
What time are you working till?
849
01:09:25,875 --> 01:09:27,455
- What time is it?
- Seven o'clock.
850
01:09:27,541 --> 01:09:28,751
That's time enough.
851
01:09:30,375 --> 01:09:33,285
{\an8}
852
01:09:33,375 --> 01:09:35,285
{\an8}
853
01:09:35,375 --> 01:09:39,495
{\an8}
854
01:09:53,041 --> 01:09:54,541
{\an8}-
855
01:09:57,000 --> 01:10:01,790
{\an8}
856
01:10:17,625 --> 01:10:21,245
{\an8}
857
01:10:28,916 --> 01:10:30,996
One, two, five, six!
858
01:10:32,791 --> 01:10:34,541
Sounds all right in here, doesn't it?
859
01:10:34,625 --> 01:10:36,035
Doesn't really make much difference.
860
01:10:36,125 --> 01:10:38,575
Oh, yeah. But with everything being
so close-mic'ed,
861
01:10:38,666 --> 01:10:40,916
you don't notice it on the tapes much.
862
01:10:41,000 --> 01:10:45,500
This is really good for strings
or anything-- You'd mic more distanced.
863
01:10:45,583 --> 01:10:47,003
- Is it?
- Know what I mean?
864
01:10:47,958 --> 01:10:50,128
Imagine if we could have
played like this at The Cavern.
865
01:10:50,208 --> 01:10:51,208
It would've been great.
866
01:10:51,291 --> 01:10:53,581
Eh, we were there, weren't we?
867
01:10:53,666 --> 01:10:54,876
Got another toy.
868
01:10:54,958 --> 01:10:57,128
See, would you have piano on it?
869
01:10:57,833 --> 01:10:59,173
Yeah, but how do we do that?
870
01:10:59,250 --> 01:11:01,420
'Cause then it just leaves one guitar,
doesn't it?
871
01:11:01,500 --> 01:11:02,960
- We need somebody else.
- Yeah.
872
01:11:03,041 --> 01:11:06,131
Probably be like
a guy that plays piano all the time.
873
01:11:06,208 --> 01:11:07,708
That one that plays with The Stones.
874
01:11:07,791 --> 01:11:09,421
- Or anybody. Yeah.
- Nicky Hopkins.
875
01:11:31,708 --> 01:11:34,328
Plop, plop, plop. Plop. Plop.
876
01:11:35,708 --> 01:11:37,628
Don't let me down, baby!
877
01:12:13,500 --> 01:12:17,000
{\an8}
878
01:12:27,791 --> 01:12:30,461
"She Came In Through The Bathroom Window."
879
01:12:30,541 --> 01:12:31,541
No idea.
880
01:12:31,625 --> 01:12:33,745
A… "Diana" chords in A.
881
01:12:35,291 --> 01:12:37,421
- I'm on piano for this one.
- Yeah.
882
01:12:37,500 --> 01:12:38,960
It's a great piano.
883
01:12:42,708 --> 01:12:45,128
- It's the best one here.
- Oh, yeah. But you had one.
884
01:12:45,208 --> 01:12:46,828
- I know, but it wasn't like…
- Your Fender.
885
01:12:46,916 --> 01:12:48,456
Nicky Hopkins has just got one of these.
886
01:12:48,541 --> 01:12:51,041
I've had one about two years
at home, but it's not as good as this.
887
01:12:51,125 --> 01:12:54,625
Must've been the prototype, you know?
It's all buzzy like the old one.
888
01:13:01,958 --> 01:13:03,328
Just like that.
889
01:13:46,500 --> 01:13:49,330
On the chorus--
Just need it to be a bit more solid.
890
01:13:50,125 --> 01:13:51,285
So, like…
891
01:13:52,416 --> 01:13:53,916
Sing on the top of it.
892
01:13:57,083 --> 01:13:59,753
Yes, they're all like that.
They're all like that.
893
01:14:09,833 --> 01:14:13,753
It should be like three-part,
and very close, very tight.
894
01:14:13,833 --> 01:14:15,173
And with a sort of…
895
01:14:23,833 --> 01:14:26,833
Just very, sort of--
In the background, it should be…
896
01:14:26,916 --> 01:14:30,376
Very plain.
897
01:14:39,791 --> 01:14:43,251
{\an8}
898
01:14:50,541 --> 01:14:52,961
We've got to start on
all them other ones we've learned now.
899
01:14:53,041 --> 01:14:54,671
- Yeah, little bits--
- And start doing them.
900
01:14:56,625 --> 01:14:59,245
Well, shall we do it tomorrow?
The harmonies?
901
01:15:03,958 --> 01:15:07,498
We must be able to have it so that
we can play with an electric piano.
902
01:15:07,583 --> 01:15:09,543
I mean, look,
other groups play on stage with 'em.
903
01:15:10,208 --> 01:15:12,878
I mean, I've seen people on telly
playing them, you know?
904
01:15:15,458 --> 01:15:16,828
That's what it is.
905
01:15:16,916 --> 01:15:18,036
Come along.
906
01:15:18,125 --> 01:15:19,745
- Oh, yeah.
- Come on. Get home.
907
01:15:19,833 --> 01:15:21,173
We're going with Ringo.
908
01:15:22,833 --> 01:15:25,133
Goodbye, goodbye. See you tomorrow.
909
01:15:25,208 --> 01:15:27,288
Okay. What time are you coming?
910
01:15:28,166 --> 01:15:30,166
At 11:00 on the nose.
911
01:15:31,625 --> 01:15:32,825
Or one o'clock.
912
01:15:32,916 --> 01:15:34,496
But on the nose.
913
01:15:34,583 --> 01:15:36,633
I had a good idea for the TV show.
914
01:15:36,708 --> 01:15:37,998
The only way we ever did them…
915
01:15:38,083 --> 01:15:40,333
- Harmony? You're right.
- You're right, John.
916
01:15:40,416 --> 01:15:42,416
Riffs on guitar, Paul. Harmony on piano.
917
01:15:42,500 --> 01:15:45,540
I'd like to-- What we did today,
it was the same story.
918
01:15:45,625 --> 01:15:47,285
- Same story.
- Same story exactly.
919
01:15:47,375 --> 01:15:48,955
- For the voices, you mean?
- Yeah.
920
01:15:49,041 --> 01:15:50,001
- Sure.
- Yeah.
921
01:15:50,083 --> 01:15:51,713
We gotta get those voices cleaned up.
922
01:15:51,791 --> 01:15:53,881
Well, let's get 'em all
into the riff stage.
923
01:15:54,958 --> 01:15:57,378
'Cause I do like the riff stage, you know?
924
01:15:57,458 --> 01:15:58,458
Yeah.
925
01:15:58,541 --> 01:16:00,331
- Okay, see you tomorrow.
- Yes. Good night.
926
01:16:00,416 --> 01:16:01,706
- Yeah.
- At eleven o'clock.
927
01:16:01,791 --> 01:16:02,881
Good night.
928
01:16:02,958 --> 01:16:04,288
Bye.
929
01:16:07,166 --> 01:16:09,126
Ta-ta. Good night.
930
01:16:13,916 --> 01:16:15,326
"'So be it,' says George Harrison."
931
01:16:15,416 --> 01:16:16,416
Is that Michael Housego?
932
01:16:16,500 --> 01:16:17,500
- Have you seen that?
- No.
933
01:16:17,583 --> 01:16:20,133
In the Mail, there's a picture of you
inside the next page.
934
01:16:20,208 --> 01:16:21,918
And you said about France,
935
01:16:22,000 --> 01:16:24,580
"'So be it,' says Beatle George Harrison,
936
01:16:24,666 --> 01:16:28,206
who smashed, ruined the fellow's
evening suit and his cameras, and"--
937
01:16:28,291 --> 01:16:29,671
Had seven stitches in his knee.
938
01:16:29,750 --> 01:16:34,460
"Harrison has already agreed
to pay Bebert £425 compensation."
939
01:16:34,541 --> 01:16:37,751
It's amazing the way it goes on
without even
940
01:16:37,833 --> 01:16:39,383
- anything to do with you.
- Yeah.
941
01:16:39,458 --> 01:16:42,378
It's like, as if you can just
give 'em a plastic dummy of you
942
01:16:42,458 --> 01:16:45,538
to, you know,
to push around and play with.
943
01:16:46,166 --> 01:16:50,416
Morning. Morning, everybody.
Another bright day. Morning, camera.
944
01:16:51,250 --> 01:16:55,710
And now, your host for this evening,
The Rolling Stones.
945
01:16:56,208 --> 01:16:58,628
Lovely warm air coming
through here. It's great.
946
01:17:04,500 --> 01:17:07,630
Neil thinks they'll want to
print their own in America.
947
01:17:07,708 --> 01:17:08,958
Yeah. Well, they will.
948
01:17:09,041 --> 01:17:10,671
It's like-- I don't like that thing
949
01:17:10,750 --> 01:17:12,330
where it goes cheap
when it goes to America
950
01:17:12,416 --> 01:17:14,956
- and they do the reprint.
- I know what you mean.
951
01:17:15,041 --> 01:17:17,081
Because the album's
gonna be called Postcard.
952
01:17:20,125 --> 01:17:21,325
{\an8}By Mary Hopkin.
953
01:17:21,416 --> 01:17:24,456
{\an8}So we're just getting Valentine's,
the people who make postcards,
954
01:17:24,541 --> 01:17:27,171
{\an8}to put one of them on the cover of the LP.
955
01:17:27,250 --> 01:17:29,880
- There's no, sort of, sleeve notes--
- And a picture of her.
956
01:17:29,958 --> 01:17:32,078
Yeah.
And just a few pictures of her in it all.
957
01:17:32,666 --> 01:17:34,036
{\an8}- Postcard?
- Yes.
958
01:17:34,125 --> 01:17:35,535
{\an8}- Next of Hopkin.
959
01:17:37,041 --> 01:17:38,461
- Does this work?
- Yeah.
960
01:17:38,541 --> 01:17:39,881
Goodness me.
961
01:17:39,958 --> 01:17:42,168
- Should be a good day.
962
01:17:42,250 --> 01:17:44,380
Bring your tambourine
next time you come.
963
01:17:44,458 --> 01:17:45,458
All right.
964
01:17:45,541 --> 01:17:48,131
- Is that old toast that you had…
- Yeah.
965
01:17:48,208 --> 01:17:50,578
- They're bringing some more.
- With a bit of marmalade, Kev?
966
01:17:57,250 --> 01:17:58,830
John, could you give us an E?
967
01:17:58,916 --> 01:18:00,826
- Yes.
968
01:18:12,958 --> 01:18:13,958
Wow, that's great.
969
01:18:14,041 --> 01:18:15,581
Michael, do you want this?
970
01:18:15,666 --> 01:18:16,786
- Those walls?
- Yeah.
971
01:18:16,875 --> 01:18:20,165
- We don't have to have them anymore.
- They're reflecting it all back on us.
972
01:18:20,250 --> 01:18:21,540
- The heat?
- Yeah.
973
01:18:22,583 --> 01:18:24,673
- You're so right.
- Oh, Paul, I--
974
01:18:24,750 --> 01:18:26,790
I know you've probably lived
in a glass house.
975
01:18:35,000 --> 01:18:36,380
Paul, what I'd like to do now
976
01:18:36,458 --> 01:18:39,078
is go and talk to Neil
about seeing if Primrose Hill is free.
977
01:18:39,166 --> 01:18:40,076
Can I do that?
978
01:18:40,791 --> 01:18:43,001
{\an8}
It would be nice almost not to tell 'em.
979
01:18:43,083 --> 01:18:44,793
{\an8}
That's why I wanted to do it in Africa.
980
01:18:44,875 --> 01:18:47,745
You just start playing, and one by one
they come, one by one, ten by ten…
981
01:18:47,833 --> 01:18:51,583
Well, to me that's okay.
Primrose Hill. And I dig it.
982
01:19:07,750 --> 01:19:10,630
So, but just roughly, timewise,
you'd say in about a week?
983
01:19:10,708 --> 01:19:11,708
Yeah.
984
01:19:11,791 --> 01:19:16,211
Mal, could you buy
some cooling fans? Just loose ones.
985
01:19:16,291 --> 01:19:18,881
- The engineer's coming over.
- We need the blowers.
986
01:19:25,333 --> 01:19:26,503
Oh, yeah.
987
01:19:26,583 --> 01:19:29,633
See, we're never gonna be the same
two days running, you know?
988
01:19:29,708 --> 01:19:31,918
- It's impossible to remember.
- Sure.
989
01:19:33,291 --> 01:19:35,791
The amp--
The amp, I'm not bothered about at all.
990
01:19:35,875 --> 01:19:37,785
It's just the bass itself.
991
01:19:37,875 --> 01:19:40,955
Did you see Fleetwood Mac
on Late Night Live?
992
01:19:41,041 --> 01:19:43,041
- They were so sweet, man.
- Were they?
993
01:19:43,125 --> 01:19:45,955
And the lead singer's great.
You know, looks great.
994
01:19:46,041 --> 01:19:48,041
And he just, sort of,
sings very quiet as well.
995
01:19:48,125 --> 01:19:49,745
He's not a shouter.
996
01:19:49,833 --> 01:19:53,133
- And they were just like…
997
01:19:55,166 --> 01:19:56,576
Yeah, but better than Canned Heat.
998
01:19:59,333 --> 01:20:00,543
Yeah, they're really good though.
999
01:20:00,625 --> 01:20:03,035
It's just that sweeter,
just the guitar hanging.
1000
01:20:08,083 --> 01:20:10,293
{\an8}That's like the Canned Heat one.
I love that one.
1001
01:20:10,375 --> 01:20:12,245
{\an8}
1002
01:20:31,000 --> 01:20:32,710
Okay, Glynis.
1003
01:20:32,791 --> 01:20:34,751
- Shall we do it?
- Okay.
1004
01:20:34,833 --> 01:20:37,503
Okay. Let's try it now.
1005
01:20:37,583 --> 01:20:39,833
Give up Canned Heat.
We're The Beatles now.
1006
01:20:39,916 --> 01:20:41,626
- Do it like The Beatles.
- Running.
1007
01:21:24,083 --> 01:21:25,583
- It certainly--
- We improve with time.
1008
01:21:25,666 --> 01:21:28,036
You're not talking to
Ricky and the Red Streaks, you know?
1009
01:21:28,125 --> 01:21:29,285
Like a fine wine, really.
1010
01:21:29,375 --> 01:21:31,035
Ooh, it's a strain of a song.
1011
01:21:31,125 --> 01:21:33,665
It's such a heavy one
to go through all these times.
1012
01:21:33,750 --> 01:21:36,040
Yeah. There's no time for a breath.
1013
01:21:36,625 --> 01:21:38,205
I'm trying it all different ways.
1014
01:21:38,291 --> 01:21:40,171
Okay, let's change the format.
1015
01:21:40,250 --> 01:21:42,790
- Let's run through "I've Got a Feeling."
- Okay.
1016
01:21:53,375 --> 01:21:54,375
We go to D.
1017
01:21:54,458 --> 01:21:56,708
I just had a harmony.
It just came, just like…
1018
01:21:56,791 --> 01:21:58,671
- John?
1019
01:22:10,250 --> 01:22:11,210
More.
1020
01:22:11,791 --> 01:22:14,211
Let me tell you about
the feeling I've got.
1021
01:22:14,291 --> 01:22:15,171
Bit more.
1022
01:22:25,833 --> 01:22:28,753
See, it's not as good, man,
as when it was bassy.
1023
01:22:29,375 --> 01:22:30,575
What's the matter with you?
1024
01:22:31,500 --> 01:22:33,210
- I can't hear you.
- Be bassy.
1025
01:22:33,291 --> 01:22:34,381
- What?
- Be bassy!
1026
01:22:34,458 --> 01:22:39,078
You know, 'cause I get a drone going
without being loud, you know?
1027
01:22:39,166 --> 01:22:40,166
Right.
1028
01:22:41,791 --> 01:22:44,001
- Ringo?
- Yeah? What?
1029
01:22:44,083 --> 01:22:46,383
Is there a damper on your floor tom-tom?
1030
01:22:46,458 --> 01:22:47,628
- A damper?
- Yeah.
1031
01:22:47,708 --> 01:22:48,538
No.
1032
01:22:48,625 --> 01:22:50,995
The only damper
around here is you, Glyn Johns!
1033
01:22:51,083 --> 01:22:53,083
- You want one?
- Yeah.
1034
01:22:53,166 --> 01:22:54,746
- It should do that.
1035
01:22:54,833 --> 01:22:57,963
At the eight.
1036
01:22:58,041 --> 01:22:59,831
Yes! Yes!
1037
01:22:59,916 --> 01:23:01,496
- Yeah, okay.
- Okay.
1038
01:23:02,083 --> 01:23:03,883
Let's take the song and hear it.
1039
01:23:20,208 --> 01:23:21,378
Sing, Paul!
1040
01:23:38,375 --> 01:23:41,955
- I have a dream…
- I had a dream this afternoon.
1041
01:23:42,708 --> 01:23:44,288
Yeah, I had a dream.
1042
01:23:44,375 --> 01:23:46,825
I had a dream this afternoon.
1043
01:23:47,416 --> 01:23:49,536
- Yeah, I had a dream.
- Great, wasn't it?
1044
01:23:51,000 --> 01:23:53,080
When all people…
1045
01:23:55,208 --> 01:23:56,458
shall be united.
1046
01:23:57,625 --> 01:23:58,875
- No.
- Fantastic.
1047
01:23:58,958 --> 01:24:02,038
I had a dream this afternoon, children.
1048
01:24:02,125 --> 01:24:04,625
I dreamed the Black and the white kids
are gonna be together.
1049
01:24:04,708 --> 01:24:06,168
Walk together, hand in hand.
1050
01:24:06,250 --> 01:24:07,830
Like a big poem, it was.
1051
01:24:10,208 --> 01:24:12,538
- Yeah.
- Just like a poet.
1052
01:24:12,625 --> 01:24:14,995
- And his voice--
- Just like Tennyson on that whole thing.
1053
01:24:15,083 --> 01:24:17,213
"I had a dream this afternoon."
1054
01:24:41,583 --> 01:24:44,753
Have we taped any of these
that we can hear back, Glynis?
1055
01:24:44,833 --> 01:24:46,583
- Did you tape the last one?
- Yes.
1056
01:24:51,625 --> 01:24:53,535
I'd just like to say…
1057
01:24:54,208 --> 01:24:57,038
- It's all right, this studio.
- It's gonna be a good studio.
1058
01:25:03,750 --> 01:25:06,540
- What's this?
- It's only the decorators…
1059
01:25:06,625 --> 01:25:09,245
I'm gonna say,
"I Wanna Hold Your Hand. Disk 1932."
1060
01:25:17,125 --> 01:25:19,035
If you can get 'em off Mimi's wall.
1061
01:25:20,208 --> 01:25:23,578
- It just doesn't happen.
1062
01:25:23,666 --> 01:25:26,246
- I mean, he's not going…
- Yeah.
1063
01:25:26,333 --> 01:25:27,463
To the end one.
1064
01:25:27,541 --> 01:25:29,881
I think maybe you could do…
1065
01:25:29,958 --> 01:25:32,378
Yeah, well, now we've got--
You can alternate through 'em.
1066
01:25:32,458 --> 01:25:34,128
Alternate everything now.
1067
01:25:34,208 --> 01:25:36,328
You know, uh, really fill it out a bit.
1068
01:25:36,416 --> 01:25:39,916
And on the "all I need, all I want,
everything has got to be," he can go…
1069
01:25:42,625 --> 01:25:45,205
- That one.
- It's like where we are now.
1070
01:25:45,291 --> 01:25:49,541
We normally record it, put it down like
that, just get that sort of a bit okay.
1071
01:25:49,625 --> 01:25:50,875
Then do all the voices,
1072
01:25:50,958 --> 01:25:52,788
- then finish it off.
- Then start laying on…
1073
01:25:52,875 --> 01:25:54,285
And then make it into a record.
1074
01:25:54,375 --> 01:25:57,285
And then you think, "Yeah, we should have
played it a bit more like that."
1075
01:25:57,375 --> 01:25:59,375
- Yes.
- And it's like that really.
1076
01:25:59,458 --> 01:26:02,078
- It's just trying to jump ahead.
- Yeah.
1077
01:26:02,166 --> 01:26:04,376
Yeah. I think this will do, might do it.
1078
01:26:04,458 --> 01:26:08,668
I've just gotta be
sort of different on the rhythm.
1079
01:26:08,750 --> 01:26:11,750
It's gotta be either one thing--
It's neither one thing nor the other now.
1080
01:26:13,000 --> 01:26:16,000
And there's something we need for the…
1081
01:26:28,458 --> 01:26:30,538
{\an8}How you doing? How are you?
How you doing, baby?
1082
01:26:30,625 --> 01:26:33,785
{\an8}- Good to see you. Hi.
- Hi. Good to see you.
1083
01:26:34,500 --> 01:26:35,670
He was this big last time.
1084
01:26:35,750 --> 01:26:37,750
- Hello.
- How you doing, Ringo? Good to see you.
1085
01:26:37,833 --> 01:26:39,043
- You too.
- Yeah.
1086
01:26:39,125 --> 01:26:40,415
Out of sight, man.
1087
01:26:47,291 --> 01:26:50,251
Every number's got a piano part, or a--
1088
01:26:50,333 --> 01:26:52,503
And normally we overdub it.
1089
01:26:52,583 --> 01:26:54,633
But this time we wanna do it live.
1090
01:26:54,708 --> 01:26:56,078
Yeah. That'd be nice.
1091
01:26:56,166 --> 01:26:57,826
- I mean, just live to ourselves…
- Yeah.
1092
01:26:57,916 --> 01:27:00,036
…straight off, one number after the other.
1093
01:27:00,125 --> 01:27:02,125
And that means having somebody in on it.
1094
01:27:02,208 --> 01:27:05,578
- If you'd like to do that you're welcome.
- Sure. Beautiful.
1095
01:27:05,666 --> 01:27:08,416
- Right. And then you'd be on the album.
- You're kidding.
1096
01:27:08,500 --> 01:27:09,670
Well, that's good then.
1097
01:27:10,708 --> 01:27:16,378
We've taped a few. The thing is
to get some tapes made of what we've done,
1098
01:27:17,333 --> 01:27:19,213
and let him have a listen,
take 'em home at night.
1099
01:27:19,291 --> 01:27:21,671
He'll probably pick them up much quicker
hearing us play 'em.
1100
01:27:21,750 --> 01:27:23,290
Yeah, just rehearsing them.
1101
01:27:24,375 --> 01:27:26,455
- Have you met Billy, George?
- How do you do, Billy?
1102
01:27:26,541 --> 01:27:29,291
That's George Martin, our A&R man.
That's Billy.
1103
01:27:29,375 --> 01:27:33,205
We played with him in Hamburg.
He was backing Little Richard.
1104
01:27:33,291 --> 01:27:34,541
- Did you…
- In Hamburg.
1105
01:27:34,625 --> 01:27:35,625
Yes.
1106
01:27:35,708 --> 01:27:36,828
In the old days.
1107
01:27:50,458 --> 01:27:52,248
The piano behind here.
1108
01:28:02,166 --> 01:28:04,166
Who's controlling the PA?
1109
01:28:05,625 --> 01:28:07,625
- Hello?
- And this one isn't on.
1110
01:28:07,708 --> 01:28:09,668
- Is that one on?
- One isn't on, Glyn.
1111
01:28:14,250 --> 01:28:15,670
You got all them chords?
1112
01:28:16,375 --> 01:28:20,245
And now, your hosts for this evening,
The Rolling Stones.
1113
01:28:50,291 --> 01:28:51,421
Yes, you have.
1114
01:28:53,083 --> 01:28:54,083
On your what?
1115
01:29:27,583 --> 01:29:29,133
- All right.
- Yes.
1116
01:29:29,208 --> 01:29:31,458
Electric piano has such a great sound.
1117
01:29:32,958 --> 01:29:35,628
It's only--
Is there a speaker facing you as well?
1118
01:29:35,708 --> 01:29:36,998
Yeah, I'm getting it played back.
1119
01:29:37,708 --> 01:29:38,878
Okay.
1120
01:29:39,458 --> 01:29:40,918
Do a nice, big…
1121
01:29:41,000 --> 01:29:43,500
…for me, you know, to give me
the courage to come screaming in.
1122
01:29:43,583 --> 01:29:44,793
Okay.
1123
01:29:56,958 --> 01:29:57,998
It's great!
1124
01:29:58,583 --> 01:30:00,133
- You're giving us a lift, Bill!
- All right.
1125
01:30:00,208 --> 01:30:02,328
We've been doing this for days, you know.
1126
01:30:02,416 --> 01:30:03,536
Weeks.
1127
01:30:03,625 --> 01:30:05,455
- Just choking.
- Years.
1128
01:30:05,541 --> 01:30:07,171
My voice is choking.
1129
01:30:07,833 --> 01:30:11,083
I just wish I had yesterday's voice
but today's backing.
1130
01:30:11,750 --> 01:30:12,920
I was swinging yesterday.
1131
01:30:13,541 --> 01:30:16,041
Voice-wise, that is.
I've just gone over the top.
1132
01:30:39,208 --> 01:30:42,078
Some tea and sandwiches came.
1133
01:30:42,166 --> 01:30:43,626
- Yeah.
- Sandwiches?
1134
01:30:55,625 --> 01:30:57,375
All right, Glynis. We're off again.
1135
01:31:08,458 --> 01:31:09,498
Take it, Billy!
1136
01:31:16,291 --> 01:31:17,381
Can you dig it?
1137
01:31:25,833 --> 01:31:28,213
I had a dream this afternoon.
1138
01:31:32,500 --> 01:31:34,040
Don't let me down.
1139
01:31:35,750 --> 01:31:38,830
Well, ladies and gentlemen,
we'd like to change up the tempo a little.
1140
01:31:39,333 --> 01:31:42,083
Okay. Let's do the next song then.
1141
01:31:42,750 --> 01:31:46,130
- You right? I'm doing my intro.
- Sorry.
1142
01:31:46,208 --> 01:31:47,628
Do you mind?
1143
01:31:47,708 --> 01:31:50,498
I'm getting a bit dafter
with every song. This…
1144
01:31:50,583 --> 01:31:53,213
- Come on, son. Now try your hardest.
- It's getting… Look at them.
1145
01:31:53,291 --> 01:31:54,291
I don't--
1146
01:31:55,791 --> 01:31:57,381
- Was he taping them?
- Yeah.
1147
01:31:57,458 --> 01:31:59,498
We'll do "Dig a Pony"
straight into "I've Got A Fever."
1148
01:32:04,208 --> 01:32:05,998
Piss on your boots.
1149
01:32:19,208 --> 01:32:23,578
{\an8}
1150
01:33:47,833 --> 01:33:49,083
No, keep 'em.
1151
01:33:49,166 --> 01:33:51,126
I mean, what,
was something wrong with 'em?
1152
01:33:51,208 --> 01:33:52,288
There's nothing to keep.
1153
01:33:52,375 --> 01:33:54,205
They've improved on this morning,
haven't they?
1154
01:33:54,291 --> 01:33:55,501
Haven't you got three now?
1155
01:33:55,583 --> 01:33:56,633
You're talking about--
1156
01:33:56,708 --> 01:33:59,538
Do you have "Don't Let Me Down" as well?
The three.
1157
01:33:59,625 --> 01:34:03,575
Yeah, you got the last three
with two takes of "I've Got A Feeling."
1158
01:34:03,666 --> 01:34:04,666
Oh, yeah.
1159
01:34:04,750 --> 01:34:08,460
We want to hear what we've done to 'em.
The waltzes and bits. So keep 'em.
1160
01:34:08,541 --> 01:34:11,041
- What, have you got no more tape?
- Yeah.
1161
01:34:11,125 --> 01:34:13,625
Well, we don't need to record any more,
so keep 'em.
1162
01:34:13,708 --> 01:34:15,628
Can we hear "Don't Let Me Down"?
I wanna hear that.
1163
01:34:20,833 --> 01:34:23,333
You heard the drums are on two tracks.
So, like, when he goes…
1164
01:34:23,416 --> 01:34:26,456
…it goes right across the room.
1165
01:34:26,541 --> 01:34:27,631
Sweet, man.
1166
01:34:28,625 --> 01:34:31,705
You know, when he asked
for four speakers, the EMI guy said,
1167
01:34:31,791 --> 01:34:34,041
"What do you want four for?
You've only got two ears."
1168
01:35:16,041 --> 01:35:18,171
- Can you play violin?
- No.
1169
01:35:18,250 --> 01:35:19,130
- 2-9-0.
1170
01:35:19,208 --> 01:35:21,208
- What time is it?
- Five past 6:00.
1171
01:35:21,291 --> 01:35:22,921
- Thank you.
- We work to the clock.
1172
01:35:26,125 --> 01:35:28,125
It's good all his fills on the…
1173
01:35:31,291 --> 01:35:33,331
- I had a word with Neil.
- Yeah.
1174
01:35:33,416 --> 01:35:37,536
What he indicates is that we'll
do something early next week.
1175
01:35:37,625 --> 01:35:40,125
And it'll be great.
Soon as we got them off…
1176
01:36:15,625 --> 01:36:16,875
{\an8}If it's good enough, yeah.
1177
01:36:19,041 --> 01:36:21,541
When you record, you know,
you settle on something,
1178
01:36:21,625 --> 01:36:24,245
and you say,
"Okay, that's how it's gonna be for now."
1179
01:36:24,333 --> 01:36:29,583
But when you're on the road, say,
doing it all the time, it slowly changes.
1180
01:36:29,666 --> 01:36:34,036
So, I mean, that means we may go on
rehearsing forever.
1181
01:36:34,125 --> 01:36:35,165
Yeah.
1182
01:36:35,250 --> 01:36:36,830
{\an8}-
- Oh, yes.
1183
01:36:36,916 --> 01:36:38,626
{\an8}The thing is that, um…
1184
01:36:50,333 --> 01:36:52,673
I think-- Weren't we
doing something on Friday night?
1185
01:36:52,750 --> 01:36:53,790
Friday night, yes.
1186
01:37:00,083 --> 01:37:01,173
{\an8}Monday night.
1187
01:38:19,500 --> 01:38:21,170
- The lights are working.
1188
01:38:21,250 --> 01:38:22,670
You missed it!
1189
01:38:22,750 --> 01:38:25,170
Yeah, I felt it
as I left the second floor.
1190
01:38:25,250 --> 01:38:26,380
It was great.
1191
01:38:26,458 --> 01:38:30,168
Yoko, John and Paul and Billy
were doing their freak-out.
1192
01:38:30,250 --> 01:38:31,830
- The Beatles, yeah.
- No, no.
1193
01:38:31,916 --> 01:38:32,916
Yes, go on.
1194
01:38:33,000 --> 01:38:34,830
- Billy, Yoko, John and Paul.
1195
01:38:34,916 --> 01:38:36,536
- Is it all on film?
- Yeah.
1196
01:38:36,625 --> 01:38:37,915
What a great bit of film!
1197
01:38:38,000 --> 01:38:40,830
- The whole place was zooming.
- It was. It was beautiful.
1198
01:38:40,916 --> 01:38:43,036
I'd like it to be part of her new LP.
1199
01:38:43,125 --> 01:38:45,375
- Glyn!
- Or our new LP.
1200
01:38:46,875 --> 01:38:48,535
I think you're nuts, the pair of you.
1201
01:38:50,625 --> 01:38:52,205
Well, the current thought
1202
01:38:52,291 --> 01:38:55,211
is that we'll try to do it
at the end of next week, maybe.
1203
01:38:55,291 --> 01:38:57,961
You know,
if we did ten days straight from now…
1204
01:38:58,041 --> 01:39:00,921
Well, you're working so well together now.
1205
01:39:01,000 --> 01:39:02,960
- Yes.
- Let's keep it going.
1206
01:39:03,041 --> 01:39:06,171
- Well, you know, I won't say no.
- Mightn't be able to speak.
1207
01:39:06,250 --> 01:39:07,960
You know,
I'd rather work the weekend
1208
01:39:08,041 --> 01:39:10,041
than make it last out an extra week or so.
1209
01:39:10,125 --> 01:39:12,125
I think the thing is
we'll aim for Thursday,
1210
01:39:12,208 --> 01:39:15,128
'cause if we don't make Thursday,
just as a…
1211
01:39:15,208 --> 01:39:17,418
Then we won't get outside, will we?
1212
01:39:17,500 --> 01:39:20,380
Michael was talking
in terms of next Thursday.
1213
01:39:20,458 --> 01:39:21,458
Yes.
1214
01:39:21,958 --> 01:39:24,378
- And working over the weekend.
1215
01:39:24,458 --> 01:39:26,288
So, it's gonna be stupid.
1216
01:39:27,458 --> 01:39:30,788
Yeah, let's work Saturday, but not Sunday.
Just to have one day.
1217
01:39:30,875 --> 01:39:33,705
- 'Cause it does help next week…
- Oh, yeah.
1218
01:39:33,791 --> 01:39:35,001
…if you get one day.
1219
01:39:35,083 --> 01:39:37,173
I'm so tired though. It's amazing.
1220
01:39:37,750 --> 01:39:39,880
Could we have some more tea, Mal,
like a pot, you know?
1221
01:40:00,541 --> 01:40:02,831
{\an8}
1222
01:40:03,500 --> 01:40:05,460
{\an8}
1223
01:40:11,958 --> 01:40:13,538
Yeah, like rockers!
1224
01:40:13,625 --> 01:40:15,455
Way back in the '50s.
1225
01:40:15,541 --> 01:40:18,331
'Course,
you probably don't remember the '50s.
1226
01:40:18,416 --> 01:40:20,456
When the great names were around.
1227
01:40:21,250 --> 01:40:24,210
Eddie Cochran, Gene Burke.
1228
01:40:24,291 --> 01:40:28,291
- George Hemingway, Frida Starr.
- Foster Dulles.
1229
01:40:29,333 --> 01:40:30,583
Mal?
1230
01:40:30,666 --> 01:40:36,626
Can you send somebody to buy me a--
You know those lace bow ties?
1231
01:40:36,708 --> 01:40:38,788
- Like a cowboy?
- A black one.
1232
01:40:38,875 --> 01:40:40,285
- A cowboy one?
- A string tie?
1233
01:40:40,375 --> 01:40:43,375
Yeah, but they get 'em.
They just clip on under your collar.
1234
01:40:44,708 --> 01:40:46,748
So what should we do that's fun?
1235
01:40:46,833 --> 01:40:48,213
Besides work?
1236
01:40:49,375 --> 01:40:51,535
- Are we doing that one?
- Yeah.
1237
01:40:51,625 --> 01:40:54,245
- "Across the Universe"?
- No, no. 'Cause it's going out on an EP.
1238
01:40:54,833 --> 01:40:56,423
There's always Mal's instrument.
1239
01:41:02,000 --> 01:41:06,670
It's just a reminder to remind you about
"Maxwell's Silver Hammer" all the time.
1240
01:41:07,458 --> 01:41:10,668
I'd like to do a song today
that I don't have to sing so much,
1241
01:41:10,750 --> 01:41:12,960
- 'cause it's really stupid, that.
- Yes.
1242
01:42:02,625 --> 01:42:04,625
- Did you know that?
- It's very interesting.
1243
01:42:04,708 --> 01:42:08,498
With the Twin Reverb amp, Paul,
I find myself satisfied completely.
1244
01:42:09,125 --> 01:42:12,915
And now your hosts for this evening,
The Rolling Stones.
1245
01:42:17,250 --> 01:42:18,250
Whoo!
1246
01:42:19,333 --> 01:42:20,423
Yeah.
1247
01:42:24,041 --> 01:42:25,041
How many verses are there?
1248
01:42:26,041 --> 01:42:29,921
Well, see-- see,
it started off as a protest song--
1249
01:42:30,000 --> 01:42:31,040
But, you know…
1250
01:42:31,583 --> 01:42:34,833
I think it works okay
with just the two verses
1251
01:42:35,458 --> 01:42:37,628
about sweet Loretta Martin,
the first verse…
1252
01:42:37,708 --> 01:42:39,498
- Just have two for now.
- Yeah.
1253
01:42:39,583 --> 01:42:41,963
But, I mean--
I don't mean really how many verses--
1254
01:42:42,041 --> 01:42:44,581
- Okay, I'll sing it through.
- How many times will you do a verse?
1255
01:42:44,666 --> 01:42:48,166
I'll sing it through and shout
where I think it should go,
1256
01:42:48,250 --> 01:42:51,420
and then if you don't agree,
remember it and we'll change it.
1257
01:42:51,500 --> 01:42:54,500
Well, maybe if we had an intro,
a verse, a chorus,
1258
01:42:54,583 --> 01:42:56,673
of "Get Back,"
and then there's a bit with--
1259
01:42:56,750 --> 01:42:59,750
Solo. Yes, solo. Get back, Jo.
1260
01:43:00,708 --> 01:43:03,288
Then there's a bit of chorus
on the end of that solo though.
1261
01:43:03,375 --> 01:43:06,705
Yeah. And then the doo-dah-dum.
Then the next verse,
1262
01:43:07,250 --> 01:43:11,080
the next chorus,
the next solo, the next chorus.
1263
01:43:11,166 --> 01:43:13,416
Well, let's have one guitar solo
and one piano solo then.
1264
01:43:13,500 --> 01:43:14,330
Okay.
1265
01:43:14,416 --> 01:43:16,416
'Cause I'm only gonna be
able to work one out.
1266
01:43:17,625 --> 01:43:19,955
Who do you wanna be,
Jo Jo or Loretta?
1267
01:43:20,791 --> 01:43:22,381
Get back to sweet Loretta.
1268
01:43:23,125 --> 01:43:24,625
He's waiting for you.
1269
01:43:26,500 --> 01:43:29,540
This old drag queen back on the ranch.
1270
01:43:29,625 --> 01:43:30,825
Tucson.
1271
01:43:30,916 --> 01:43:33,126
Wearing his high-heeled shoes.
1272
01:43:58,166 --> 01:43:59,956
Get back, Jo Jo.
1273
01:44:00,041 --> 01:44:01,711
- One, two, three.
- Two.
1274
01:44:02,791 --> 01:44:05,131
Sorry. One, two, three, four.
1275
01:44:08,500 --> 01:44:10,960
It's like on "Reach Out." Do you remember?
1276
01:44:11,916 --> 01:44:15,036
You know, "Reach Out,"
where everything stops, and you just have…
1277
01:44:16,041 --> 01:44:18,381
- That beat going da, da, da, da.
- Whoo-hoo!
1278
01:44:18,458 --> 01:44:20,668
{\an8}
1279
01:44:20,750 --> 01:44:22,250
{\an8}Get back, Jo Jo!
1280
01:44:22,333 --> 01:44:24,253
{\an8}
1281
01:44:41,125 --> 01:44:45,205
So you do the beginning,
then my solo, then you and me singing,
1282
01:44:45,291 --> 01:44:48,211
and then he comes in,
does his break and a solo,
1283
01:44:48,291 --> 01:44:51,751
then you sing a verse,
and one last, long "Get back" and out.
1284
01:44:51,833 --> 01:44:54,213
- A match, Ring…
- Okay. So…
1285
01:44:54,291 --> 01:44:55,381
But that break…
1286
01:44:55,458 --> 01:44:58,498
It's almost natural, like,
rock and roll, except for the break.
1287
01:44:58,583 --> 01:44:59,713
It's just a break before--
1288
01:44:59,791 --> 01:45:02,331
See, that's it.
If we make too much of a break,
1289
01:45:02,416 --> 01:45:04,416
we start getting it into, like,
an arranged song.
1290
01:45:04,500 --> 01:45:05,580
Yeah, it just should go…
1291
01:45:05,666 --> 01:45:07,956
It's better just to have,
like, a rock and roll song.
1292
01:45:08,041 --> 01:45:10,671
But, I mean,
they did have breaks in the old days.
1293
01:45:10,750 --> 01:45:11,920
That's what I mean, yeah.
1294
01:45:12,000 --> 01:45:13,170
Okay. Well, for now I'll vamp.
1295
01:45:13,250 --> 01:45:15,040
The arrangement is only enough to know.
1296
01:45:15,125 --> 01:45:17,535
One, two, three, four.
1297
01:45:25,291 --> 01:45:27,711
- It just, like, resolves the thing.
- Yeah.
1298
01:45:27,791 --> 01:45:28,791
I do like--
1299
01:45:28,875 --> 01:45:30,875
It'd be nice,
for the bit going into the solo,
1300
01:45:30,958 --> 01:45:33,078
the last verse before the solo,
1301
01:45:33,166 --> 01:45:38,166
if we stop that thing we're doing
and maybe you just keep doing that.
1302
01:45:39,375 --> 01:45:43,125
- Yeah.
- You do-- And Ringo and I. Just that…
1303
01:45:43,208 --> 01:45:44,288
Go ahead. Do it.
1304
01:45:44,375 --> 01:45:45,705
Just sing a verse…
1305
01:45:45,791 --> 01:45:46,961
Yeah, great.
1306
01:45:58,666 --> 01:46:01,456
- About there we should have the thing.
- Yeah.
1307
01:46:01,541 --> 01:46:04,461
- Like, before we go into the second verse.
- Are we having two solos?
1308
01:46:04,541 --> 01:46:07,041
Yeah, see, we should just have
a real formula, you know?
1309
01:46:07,125 --> 01:46:10,575
Just like a beginning. Da, da, da.
1310
01:46:10,666 --> 01:46:13,786
- Beginning, verse, chorus, solo.
- Into the verse then the chorus.
1311
01:46:13,875 --> 01:46:17,325
Da-- "Back." Da--
"Back to where you once belonged."
1312
01:46:17,416 --> 01:46:18,916
"Get back." Dum.
1313
01:46:19,000 --> 01:46:21,170
Then the low one.
1314
01:46:21,250 --> 01:46:24,170
"Get back. Get back.
Back to where you once belonged.
1315
01:46:24,250 --> 01:46:26,540
Get back.
Back to where you once belonged."
1316
01:46:40,333 --> 01:46:43,083
So then it's like
it's more in the register we're in.
1317
01:46:49,833 --> 01:46:50,833
Why don't we have--
1318
01:46:50,916 --> 01:46:53,496
Weren't we gonna have, like,
a verse, chorus, then solo,
1319
01:46:53,583 --> 01:46:55,923
- then verse, chorus, and then the solo?
- Yeah. Well, see--
1320
01:46:56,000 --> 01:46:59,460
We are trying to just get a break,
weren't we, after the solo?
1321
01:46:59,541 --> 01:47:01,711
- Yeah.
- We're trying to get a break to separate.
1322
01:47:01,791 --> 01:47:04,711
Yeah, but we've got, like,
a bit of a break and another solo now.
1323
01:47:04,791 --> 01:47:06,831
- So there's gonna be three solos?
- No, two?
1324
01:47:06,916 --> 01:47:08,456
- 'Cause it would be nice just to--
- Three?
1325
01:47:08,541 --> 01:47:10,461
Like the bit we were starting to have.
1326
01:47:10,541 --> 01:47:11,961
I like solos.
1327
01:47:12,041 --> 01:47:14,171
So do I, but I've only got one.
1328
01:47:14,250 --> 01:47:17,290
- The bit that we were--
- I was thinking of you doing two.
1329
01:47:17,375 --> 01:47:18,825
And Billy doing one in the middle of it.
1330
01:47:18,916 --> 01:47:21,826
You doing the both, "Get back Jo Jo."
1331
01:47:22,541 --> 01:47:24,131
Just do the same one twice?
1332
01:47:24,208 --> 01:47:26,828
- Oh, yeah, you could.
- Do that and rock and roll a bit.
1333
01:47:28,291 --> 01:47:29,291
- Okay, so…
- Okay.
1334
01:47:29,375 --> 01:47:32,665
So, I'm-- I'm lost now.
Do you want to start writing it down?
1335
01:47:32,750 --> 01:47:34,670
Just write it down. Verse, solo, verse.
1336
01:47:37,750 --> 01:47:38,630
What did I do? Uh…
1337
01:47:40,166 --> 01:47:42,666
The trouble is, you're on
a harmony, then you go to the melody.
1338
01:47:42,750 --> 01:47:44,330
- Yes.
- So, you should really go…
1339
01:47:51,750 --> 01:47:55,250
If you could give us that chord that we…
1340
01:47:55,333 --> 01:47:56,833
Yeah.
1341
01:47:57,583 --> 01:47:59,173
At the end of John's solo, so it goes…
1342
01:48:01,791 --> 01:48:02,791
At the end of his solo.
1343
01:48:06,500 --> 01:48:08,460
There.
1344
01:48:09,708 --> 01:48:11,538
So I'll pick it up off you then.
1345
01:48:11,625 --> 01:48:14,165
So, I'll just keep doing it,
and I'll join in when I can.
1346
01:48:14,250 --> 01:48:15,960
But presume that's the verse
where I come in.
1347
01:48:16,041 --> 01:48:19,081
End the solo not in a flurry.
1348
01:48:19,166 --> 01:48:20,376
'Cause then, you know,
1349
01:48:20,458 --> 01:48:23,038
"I gotta get all my notes in
before the end of the solo,"
1350
01:48:23,125 --> 01:48:24,915
but don't, you know, just end it just…
1351
01:48:25,000 --> 01:48:26,130
Well, I have to work it out.
1352
01:48:26,833 --> 01:48:29,543
- Or even don't go right to the end.
1353
01:48:34,041 --> 01:48:35,421
- No, just do--
1354
01:48:35,500 --> 01:48:37,210
- Yeah.
- I can do it if I go…
1355
01:48:37,291 --> 01:48:38,751
You were well in time. That's the thing.
1356
01:48:38,833 --> 01:48:39,923
- Oh, was I?
- Yeah. Oh, plenty--
1357
01:48:40,000 --> 01:48:42,290
- You got hours if you finish there.
- I see.
1358
01:48:42,375 --> 01:48:44,165
In fact, we'd have to fill that a bit.
1359
01:48:44,250 --> 01:48:46,670
- It's just that singing one throws me.
- We're going to scrub out.
1360
01:48:46,750 --> 01:48:48,210
- Okay.
- I'll give you a shout.
1361
01:48:48,291 --> 01:48:50,291
I wish I could just not have
to sing that bit.
1362
01:48:50,375 --> 01:48:51,495
No, you've got to sing.
1363
01:48:51,583 --> 01:48:52,673
- Okay.
- Don't worry about it.
1364
01:48:52,750 --> 01:48:54,420
It's just nice to be a guitarist
for a change…
1365
01:48:54,500 --> 01:48:56,170
- Yeah, I know.
- …and not think about vocals.
1366
01:48:56,250 --> 01:48:59,500
Well, you're a guitarist until there,
that one little line.
1367
01:49:08,541 --> 01:49:10,421
No, on the bit-- "Belonged."
1368
01:49:10,500 --> 01:49:13,880
Maybe for the "get back" bits,
we should do it twice,
1369
01:49:13,958 --> 01:49:16,458
- the going to A.
- I'm sorry! I'm sorry!
1370
01:49:17,166 --> 01:49:18,496
I thought I was playing the tune.
1371
01:49:19,458 --> 01:49:20,998
I'm getting a bit confused
1372
01:49:21,083 --> 01:49:22,633
- with all the little bits now.
- Yeah.
1373
01:49:24,291 --> 01:49:26,421
- Shit.
- "Shit Back."
1374
01:49:26,500 --> 01:49:27,750
- "Shit," take one.
- Thank you.
1375
01:49:29,208 --> 01:49:30,328
"Get Back."
1376
01:49:38,958 --> 01:49:40,578
I don't feel as bad as yesterday.
1377
01:49:40,666 --> 01:49:43,326
- It was really throbbing.
- I'm really tired today.
1378
01:49:43,416 --> 01:49:45,036
Yesterday was the worst for me.
1379
01:49:45,125 --> 01:49:47,535
- Just aching.
- Just that screaming all day.
1380
01:49:47,625 --> 01:49:49,825
- Poor John.
- Yes, it's so terrible.
1381
01:49:51,250 --> 01:49:53,170
- Paul?
- Yes, Glyn?
1382
01:50:00,166 --> 01:50:01,626
{\an8}- No, no, no.
- What?
1383
01:50:09,375 --> 01:50:11,705
I like this one. It's lighter.
1384
01:50:13,125 --> 01:50:14,535
- Okay.
- Are you sure you're gonna do that?
1385
01:50:14,625 --> 01:50:16,665
- One, two, three, four.
- So the answer's no.
1386
01:50:21,291 --> 01:50:25,171
Okay, now, one time.
A bit cooler this time.
1387
01:50:28,000 --> 01:50:29,500
- One, two…
- Take?
1388
01:50:29,583 --> 01:50:30,583
- Yes.
- Yeah.
1389
01:50:30,666 --> 01:50:32,826
- Here we go.
- Just a sec.
1390
01:50:32,916 --> 01:50:34,996
- A second, you mean?
- One sec.
1391
01:50:49,416 --> 01:50:52,126
It doesn't matter for the last one,
'cause I don't have to come in singing.
1392
01:50:52,208 --> 01:50:53,788
- Yeah, but there's still…
- You know, I can go--
1393
01:50:53,875 --> 01:50:57,035
Yeah, but it means that you're going on
to D when we're still on A.
1394
01:50:57,125 --> 01:50:58,245
That's all right.
1395
01:50:58,333 --> 01:51:00,423
It's only the one
when I've gotta come in singing.
1396
01:51:00,500 --> 01:51:03,040
No, well, I thought
you'd do two solos twice, don't you?
1397
01:51:03,125 --> 01:51:05,125
- What?
- Slightly varied second time.
1398
01:51:05,208 --> 01:51:07,748
Oh, second time. Yes. I rather…
1399
01:51:12,166 --> 01:51:15,166
Now I remember why
I stopped getting solos.
1400
01:51:15,791 --> 01:51:17,291
'Cause this would happen all the time.
1401
01:51:21,625 --> 01:51:22,455
Just…
1402
01:51:22,541 --> 01:51:23,541
Oh, yeah!
1403
01:51:36,916 --> 01:51:37,956
A one, two.
1404
01:51:41,000 --> 01:51:42,080
A one, two.
1405
01:51:44,291 --> 01:51:45,461
In Sweden, yeah.
1406
01:51:54,291 --> 01:51:56,211
- And we just went, "One, two!"
1407
01:52:00,541 --> 01:52:02,211
Then he'd just go…
1408
01:52:08,958 --> 01:52:10,998
- I keep missing that D bit.
- Okay. Yeah.
1409
01:52:11,750 --> 01:52:14,040
- I'll shout when it's the end.
- Three, four.
1410
01:52:16,083 --> 01:52:17,333
Let's build up.
1411
01:52:17,416 --> 01:52:19,666
- Yeah.
- Two, three, four…
1412
01:52:43,791 --> 01:52:44,791
{\an8}Are you?
1413
01:52:45,500 --> 01:52:46,880
{\an8}Are you really?
1414
01:52:46,958 --> 01:52:50,378
We're gonna do it through one more time,
and it's just gonna be the greatest ever.
1415
01:52:50,458 --> 01:52:52,668
- We should have, like…
1416
01:52:52,750 --> 01:52:55,170
…when you take your solo,
you stand up, and, uh…
1417
01:52:55,250 --> 01:52:56,920
- Okay.
- Yeah?
1418
01:52:58,083 --> 01:52:59,083
You've convinced me.
1419
01:52:59,166 --> 01:53:01,536
- The boys are ready for action.
1420
01:53:01,625 --> 01:53:03,125
The boys is ready.
1421
01:53:03,958 --> 01:53:05,958
- I can't play standing up.
- I can't either.
1422
01:53:06,041 --> 01:53:07,831
- I can't.
1423
01:53:09,416 --> 01:53:10,576
Hello.
1424
01:53:15,541 --> 01:53:16,711
No, you gotta…
1425
01:53:16,791 --> 01:53:18,631
- Yeah.
- Okay, Barney.
1426
01:53:20,833 --> 01:53:23,173
One, two.
1427
01:53:23,250 --> 01:53:25,630
One, two, three, four.
1428
01:53:27,666 --> 01:53:28,876
Go on, Al.
1429
01:53:29,666 --> 01:53:31,746
What? You what?
1430
01:53:31,833 --> 01:53:33,583
I just said, "Go on, Al." That's all.
1431
01:53:34,625 --> 01:53:36,995
Don't interrupt stars
when they're recording.
1432
01:53:37,083 --> 01:53:39,633
- Hey. Hey.
- We're bloody stars, you know?
1433
01:53:39,708 --> 01:53:41,038
Look, fuckface.
1434
01:53:42,083 --> 01:53:43,883
- Don't comment.
- Fucking cheek.
1435
01:53:50,000 --> 01:53:51,130
Well, thank you very much.
1436
01:53:58,583 --> 01:54:00,213
Whoo!
1437
01:54:09,875 --> 01:54:13,875
{\an8}
1438
01:54:44,750 --> 01:54:47,170
{\an8}
1439
01:54:47,250 --> 01:54:48,500
{\an8}
1440
01:54:48,583 --> 01:54:50,253
{\an8}
1441
01:54:50,333 --> 01:54:52,333
- We'll have to do it sitting down…
- Oh, yeah.
1442
01:54:52,416 --> 01:54:54,536
- …or we get too excited.
1443
01:56:21,000 --> 01:56:24,630
{\an8}
1444
01:56:24,708 --> 01:56:27,828
{\an8}
1445
01:56:28,708 --> 01:56:32,628
{\an8}
1446
01:56:32,708 --> 01:56:35,168
{\an8}
1447
01:56:35,250 --> 01:56:37,420
It'd be nice to just put it out
as a single.
1448
01:56:38,041 --> 01:56:40,381
- Yeah.
- Just do a single of it now.
1449
01:56:40,458 --> 01:56:42,828
- Okay.
- Let's knock it off for a single maybe.
1450
01:56:42,916 --> 01:56:44,826
- Let's finish it off--
- Just make it now
1451
01:56:44,916 --> 01:56:47,286
and have it as a single,
put it out next week.
1452
01:56:47,375 --> 01:56:48,955
- Oh, yeah?
- It's easy.
1453
01:56:49,041 --> 01:56:50,751
Just take it in there,
cut it in the master.
1454
01:56:50,833 --> 01:56:52,383
You have the master back tomorrow.
1455
01:56:52,458 --> 01:56:53,458
Master.
1456
01:56:55,041 --> 01:56:57,041
- I'm easy, lads.
1457
01:57:05,750 --> 01:57:06,630
Yeah.
1458
01:57:08,583 --> 01:57:10,133
It's great.
Remember how we used to have it?
1459
01:57:10,208 --> 01:57:13,078
One record would be coming out,
and we'd put another one out.
1460
01:57:13,166 --> 01:57:15,076
- Like in the old hustling days.
- Yeah.
1461
01:57:15,166 --> 01:57:18,286
- It'd be great. "Get back" in time.
1462
01:57:22,125 --> 01:57:23,625
Well, I'm going home now. Knocking off.
1463
01:57:23,708 --> 01:57:26,078
- All right, Paul. Right.
- Put this on.
1464
01:57:26,166 --> 01:57:27,916
- Okay.
- I'm coming in tomorrow.
1465
01:57:28,000 --> 01:57:30,540
Let's do some instrumentals,
you know, to do the--
1466
01:57:30,625 --> 01:57:32,075
you know, for the album, like.
1467
01:57:32,750 --> 01:57:35,000
Hey, you look
like a Victorian miner now, you know?
1468
01:57:35,083 --> 01:57:36,133
- It's true.
1469
01:57:36,208 --> 01:57:37,628
- Aye?
- A DH Lawrence.
1470
01:57:37,708 --> 01:57:40,208
All right, well, I can't afford
to mess around here, you know?
1471
01:57:45,291 --> 01:57:47,921
- Did you hear about the book idea?
- Yeah.
1472
01:57:48,000 --> 01:57:50,540
They're great, man. Really great.
1473
01:57:53,416 --> 01:57:54,746
It'll be a book of the film.
1474
01:57:54,833 --> 01:57:57,173
They can have it out
almost simultaneously.
1475
01:57:57,250 --> 01:57:59,880
The book of the film,
the book of the-- All that.
1476
01:57:59,958 --> 01:58:01,458
- The package is great.
- It's good.
1477
01:58:01,541 --> 01:58:02,711
They'll have slides, you know.
1478
01:58:02,791 --> 01:58:04,791
And I'll talk to John Kosh on Monday.
1479
01:58:04,875 --> 01:58:07,205
'Cause I think
he'd be a nice guy to design it.
1480
01:58:07,875 --> 01:58:09,705
Will you have any new ones today?
1481
01:58:11,458 --> 01:58:14,128
I'm trying without
the marmalade today, you know?
1482
01:58:14,208 --> 01:58:15,708
- Very good.
- Ah.
1483
01:58:15,791 --> 01:58:17,131
You see what happens?
1484
01:58:17,208 --> 01:58:19,748
They're gonna concentrate
on our legs and toast today.
1485
01:58:19,833 --> 01:58:22,173
It'll be great.
"Get Back" will be coming out.
1486
01:58:22,250 --> 01:58:23,500
Are we gonna do a single?
1487
01:58:24,333 --> 01:58:28,383
I don't know, you know?
I'm just sort of still rehearsing.
1488
01:58:28,458 --> 01:58:30,248
- Yeah.
- And if we hit one, great.
1489
01:58:30,333 --> 01:58:31,333
The thing is,
1490
01:58:31,416 --> 01:58:34,786
this is the first song
we've really sort of got into that we dig.
1491
01:58:34,875 --> 01:58:35,915
But there's a…
1492
01:58:36,000 --> 01:58:39,080
I dig "Don't Let Me Down"
and "I Dig A Pony,"
1493
01:58:39,166 --> 01:58:40,826
personally speaking.
1494
01:58:40,916 --> 01:58:42,496
Well, yeah. I mean…
1495
01:58:42,583 --> 01:58:46,293
I still haven't done "Don't Let Me Down"
satisfactorily for myself yet.
1496
01:58:46,375 --> 01:58:48,075
Oh, yeah? Well, we're all great on it,
1497
01:58:48,166 --> 01:58:50,496
so just get yourself together, will you?
1498
01:58:50,583 --> 01:58:53,133
{\an8}Did you tell Paul
we've got Billy a contract?
1499
01:58:53,208 --> 01:58:56,748
{\an8}- No, not yet.
- We've got him off Capitol.
1500
01:58:56,833 --> 01:58:58,043
Just like that.
1501
01:58:58,125 --> 01:58:59,955
And George will produce him.
1502
01:59:00,041 --> 01:59:01,751
I was just talking to him about that.
1503
01:59:07,625 --> 01:59:09,875
And he sort of had
a couple groups together.
1504
01:59:09,958 --> 01:59:12,288
- But he's never, sort of, done his thing.
- Yes.
1505
01:59:12,375 --> 01:59:15,785
The main thing,
Billy just really is so knocked out,
1506
01:59:15,875 --> 01:59:17,245
so thrilled doing it.
1507
01:59:17,333 --> 01:59:20,133
And also he sees
it's his great opportunity.
1508
01:59:20,208 --> 01:59:21,208
{\an8}Yeah, and produce him.
1509
01:59:21,291 --> 01:59:24,381
{\an8}Then he puts his name
and The Beatles. Like, it's Billy Preston!
1510
01:59:24,458 --> 01:59:25,628
{\an8}I didn't think about it.
1511
01:59:28,500 --> 01:59:30,710
'Cause, if we were having
Nicky Hopkins playing,
1512
01:59:30,791 --> 01:59:33,081
we'd have to pay him
session musician rates.
1513
01:59:33,166 --> 01:59:34,536
- Yeah.
- Which will be--
1514
01:59:34,625 --> 01:59:37,205
This is, like, to be in the film and that.
1515
01:59:37,291 --> 01:59:40,251
Yeah, we'll just say to Ron,
"Look, will you talk to Billy?"
1516
01:59:40,333 --> 01:59:42,043
On the film it happened so great.
1517
01:59:51,375 --> 01:59:52,375
{\an8}
1518
01:59:52,458 --> 01:59:54,208
We can do that, as well.
1519
01:59:54,291 --> 01:59:57,751
If I asked Dylan to join The Beatles,
and he would, as well, you know,
1520
01:59:57,833 --> 01:59:59,423
and we get 'em all in here!
1521
01:59:59,500 --> 02:00:01,630
Yeah, but they don't need to join
The Beatles.
1522
02:00:01,708 --> 02:00:03,998
We'd call it The Beatles & Co.
That'll be our band.
1523
02:00:04,625 --> 02:00:07,285
I mean, it's Sergeant Pepper's
Lonely Hearts Club Band, innit?
1524
02:00:07,375 --> 02:00:08,665
- Yeah.
- We could get 'em all.
1525
02:00:08,750 --> 02:00:11,830
I just don't,
because it's just bad enough with four.
1526
02:00:13,166 --> 02:00:14,286
- Okay.
- Mal, can we have--
1527
02:00:15,375 --> 02:00:18,075
We haven't got the PA. Do they know that?
1528
02:00:18,166 --> 02:00:20,416
- PA is not on.
- Hello…
1529
02:00:20,500 --> 02:00:22,540
Okay. What should we do, Paul?
1530
02:00:22,625 --> 02:00:25,075
Do you have anything more
that you're writing?
1531
02:00:26,458 --> 02:00:28,498
You're writing
all the time, aren't you, John?
1532
02:00:28,583 --> 02:00:29,583
Sure I am.
1533
02:00:29,666 --> 02:00:33,416
I'd do "On The Road To Marrakesh,"
which is a sweet number, baby.
1534
02:00:33,500 --> 02:00:34,670
- Sweet number?
- Sweet number.
1535
02:00:34,750 --> 02:00:36,540
I was gonna do a big '30s orchestra bit.
1536
02:00:58,916 --> 02:01:02,246
{\an8}
1537
02:01:17,625 --> 02:01:20,325
- Forget where we end.
1538
02:01:20,416 --> 02:01:22,076
- Paul?
- Yes?
1539
02:01:22,166 --> 02:01:25,166
What's the possibility
of you using another bass?
1540
02:01:25,250 --> 02:01:26,670
You wanna try the bass on its own?
1541
02:01:28,250 --> 02:01:29,250
{\an8}Oh, yeah.
1542
02:01:45,583 --> 02:01:46,923
Uh-huh.
1543
02:01:58,583 --> 02:02:00,713
{\an8}
1544
02:02:00,791 --> 02:02:05,671
The only trouble is the strings slip
off this, 'cause it's left-handed,
1545
02:02:05,750 --> 02:02:08,460
and the nut is for right-handed, you know?
1546
02:02:08,541 --> 02:02:11,671
- So, you know, I'm not as keen on it.
- Well, I'll try that.
1547
02:02:23,375 --> 02:02:27,165
{\an8}-
1548
02:02:29,083 --> 02:02:30,543
- So I'll get that fixed.
- Proper drag, yeah.
1549
02:02:30,625 --> 02:02:31,955
Yeah, but I will get it fixed.
1550
02:02:32,041 --> 02:02:33,541
I'd like to hear more bass still.
1551
02:02:36,625 --> 02:02:39,375
See, I just don't know
what these knobs do, actually.
1552
02:02:39,458 --> 02:02:41,708
We seem to be at a loss without Billy.
1553
02:02:41,791 --> 02:02:42,881
What should we do?
1554
02:02:42,958 --> 02:02:45,078
Just ones we don't know.
1555
02:02:45,166 --> 02:02:46,876
- Yes.
1556
02:02:46,958 --> 02:02:48,788
Let's try to get "Two Of Us."
1557
02:02:48,875 --> 02:02:51,705
- Okay. Am I still singing it?
- Yeah.
1558
02:02:51,791 --> 02:02:53,251
Yeah? Okay.
1559
02:02:53,333 --> 02:02:55,133
Now, what kind of thing was it?
1560
02:02:55,208 --> 02:02:58,248
I don't know, it's just--
We're all very stiff, like…
1561
02:02:58,333 --> 02:02:59,213
Yes.
1562
02:03:06,833 --> 02:03:08,673
When I heard Stevie Wonder…
1563
02:03:08,750 --> 02:03:12,210
I don't know what his backing would be,
but then you'd sing it looser.
1564
02:03:12,291 --> 02:03:13,331
But I can't…
1565
02:03:15,666 --> 02:03:17,126
Maybe it's just soft.
1566
02:03:19,791 --> 02:03:21,131
You know what I mean?
1567
02:03:21,208 --> 02:03:23,628
Mal, have you got my acoustic?
1568
02:03:23,708 --> 02:03:24,708
Martin?
1569
02:03:24,791 --> 02:03:27,381
And a packet of ciggys, Mal.
1570
02:03:27,458 --> 02:03:28,918
And a packet of ciggys, Mal.
1571
02:03:29,833 --> 02:03:34,043
See, I'd like not to be playing bass
on these ones, 'cause it's just silly.
1572
02:03:34,125 --> 02:03:36,785
It's silly, 'cause I wrote it
on my own guitar, you know?
1573
02:03:36,875 --> 02:03:37,875
And it's just…
1574
02:03:38,500 --> 02:03:39,880
A bit like "Peggy Sue."
1575
02:03:42,750 --> 02:03:45,540
Well,
I can't play bass and sing, you see?
1576
02:03:45,625 --> 02:03:48,285
Let's all stay on guitar
until we have to have bass.
1577
02:03:48,375 --> 02:03:49,745
And then I'll get back on it.
1578
02:03:49,833 --> 02:03:51,083
Bass is, uh…
1579
02:03:51,166 --> 02:03:52,916
It's a bit of a drag, bass, isn't it?
1580
02:03:53,000 --> 02:03:55,040
Bass is a drag when there's no bass.
1581
02:03:55,125 --> 02:03:56,575
But, you know, uh…
1582
02:03:58,250 --> 02:03:59,290
That's it. Play.
1583
02:04:01,625 --> 02:04:04,875
See, I quite like those ones
where there isn't bass.
1584
02:04:04,958 --> 02:04:06,128
I've never heard one.
1585
02:04:06,208 --> 02:04:08,128
- We've done a few.
- What?
1586
02:04:08,208 --> 02:04:11,038
"I'll Follow The Sun."
They've all tended to be that kind.
1587
02:04:11,125 --> 02:04:12,745
But they're nice.
1588
02:04:14,125 --> 02:04:15,915
They lose a big bottom.
1589
02:04:16,541 --> 02:04:19,961
But they gain a… slim, lithe look.
1590
02:04:20,041 --> 02:04:21,211
Okay.
1591
02:04:39,541 --> 02:04:41,581
{\an8}
1592
02:04:42,833 --> 02:04:46,583
{\an8}
1593
02:04:47,541 --> 02:04:49,171
- Whoo!
- Yeah!
1594
02:05:22,458 --> 02:05:23,668
Yeah! I like that.
1595
02:05:32,666 --> 02:05:35,376
"I'm a cheat."
1596
02:05:35,458 --> 02:05:38,128
Because, I mean, if we'd
recorded it then tried to do it onstage,
1597
02:05:38,208 --> 02:05:40,418
we'd have to modify it,
like we always did, you know?
1598
02:05:40,500 --> 02:05:42,000
What do you want for lunch?
1599
02:05:42,083 --> 02:05:43,003
Take one.
1600
02:05:43,083 --> 02:05:45,213
- Yeah, what's your order?
- And just some steak.
1601
02:05:45,291 --> 02:05:47,081
Sparrow on toast.
1602
02:05:47,166 --> 02:05:49,036
Boiled testicle.
1603
02:05:49,125 --> 02:05:51,035
- Uh, Mal?
- Yes?
1604
02:05:51,125 --> 02:05:53,625
So I'll just--
We'll have whatever the vegetables are.
1605
02:05:53,708 --> 02:05:56,628
If they've got any cheese sauce
for the cauliflower…
1606
02:05:56,708 --> 02:05:58,708
- Let's have a mushroom omelet then.
- Cauliflower.
1607
02:06:00,083 --> 02:06:02,583
Don't do it, Richie. Don't do it.
1608
02:06:02,666 --> 02:06:03,826
He used to eat chips.
1609
02:06:06,666 --> 02:06:09,826
It's like after "Get Back,"
1610
02:06:09,916 --> 02:06:11,786
- "We're on our way home."
- Yeah.
1611
02:06:11,875 --> 02:06:12,875
So there's a story.
1612
02:06:12,958 --> 02:06:14,668
And there's another one,
"Don't Let Me Down."
1613
02:06:17,791 --> 02:06:20,291
- Yeah. It's like you and me are lovers.
- Yeah.
1614
02:06:20,375 --> 02:06:22,325
We shall have to camp it up for those two.
1615
02:06:22,416 --> 02:06:23,456
Thanks, Mal.
1616
02:06:25,458 --> 02:06:26,958
Oh, isn't that pretty?
1617
02:06:29,125 --> 02:06:30,375
Didn't have a black one?
1618
02:06:30,458 --> 02:06:32,418
I'd like one like the purple one in black.
1619
02:06:32,500 --> 02:06:33,500
Yeah.
1620
02:06:34,250 --> 02:06:35,250
It's lovely.
1621
02:06:41,750 --> 02:06:43,170
- Purple dicky bow.
- It's very nice.
1622
02:06:50,208 --> 02:06:51,208
- Yeah.
- Okay.
1623
02:06:51,291 --> 02:06:52,881
"Funky Pudding," take one.
1624
02:06:52,958 --> 02:06:54,458
- Are you on?
- Okay.
1625
02:07:31,250 --> 02:07:33,750
- Well, it's part of the pudding.
1626
02:07:33,833 --> 02:07:34,833
Oh, yeah.
1627
02:07:34,916 --> 02:07:36,126
Shall we hear it?
1628
02:07:36,208 --> 02:07:38,998
- Come on, let's hear it.
- Track it. Put the violins on. Let's go.
1629
02:07:40,250 --> 02:07:41,630
{\an8}Just release it.
1630
02:07:42,541 --> 02:07:43,961
Release it in Italy only.
1631
02:07:44,041 --> 02:07:47,131
Let's just make a different single
for every country.
1632
02:07:54,833 --> 02:07:57,003
Phyllis Lindsay-Hogg.
1633
02:07:57,083 --> 02:07:58,833
Instead of Mal picking us up,
1634
02:07:58,916 --> 02:08:01,576
on one day, should be all
from each of our houses for this.
1635
02:08:01,666 --> 02:08:05,496
You should get, each day,
one of us coming straight from home,
1636
02:08:05,583 --> 02:08:08,133
even right into the bedroom, you know.
Let's make it…
1637
02:08:12,791 --> 02:08:13,671
Yeah.
1638
02:08:19,041 --> 02:08:21,211
Well, we are rather uncouth.
1639
02:08:21,791 --> 02:08:23,461
We're not your elite, you know.
1640
02:08:30,750 --> 02:08:33,500
{\an8}
1641
02:08:33,583 --> 02:08:35,633
{\an8}
1642
02:09:04,333 --> 02:09:05,793
What is it?
1643
02:09:11,208 --> 02:09:13,038
Mal, what about the Hawaiian?
1644
02:09:14,875 --> 02:09:16,375
No, it's not like that.
1645
02:09:16,458 --> 02:09:18,578
I might have a little stand, you know.
1646
02:09:18,666 --> 02:09:20,826
See, one goes into the amplifier,
1647
02:09:20,916 --> 02:09:22,746
the other goes to the foot pedal.
1648
02:09:23,250 --> 02:09:25,750
A lead from the guitar
to a foot pedal to the amp.
1649
02:09:25,833 --> 02:09:29,293
- Take it to Alex, and he-
- Get some fucking wires, man.
1650
02:09:37,875 --> 02:09:40,205
That's the cheapest one, actually.
1651
02:09:40,291 --> 02:09:43,251
But if he gets any good on it
we'll give him a good one.
1652
02:09:49,208 --> 02:09:53,538
{\an8}
1653
02:09:53,625 --> 02:09:56,745
{\an8}
1654
02:10:19,625 --> 02:10:24,165
{\an8}
1655
02:11:13,166 --> 02:11:16,246
{\an8}
1656
02:11:17,666 --> 02:11:19,786
{\an8}
1657
02:12:01,666 --> 02:12:02,666
Take it, Maggie!
1658
02:12:05,708 --> 02:12:07,418
{\an8}
1659
02:12:08,041 --> 02:12:09,631
{\an8}
1660
02:12:14,708 --> 02:12:16,248
{\an8}
1661
02:12:16,958 --> 02:12:19,038
{\an8}
1662
02:12:19,125 --> 02:12:21,325
{\an8}
1663
02:12:33,375 --> 02:12:35,035
Yeah!
1664
02:12:38,291 --> 02:12:39,291
Yeah.
1665
02:12:39,375 --> 02:12:40,455
- You know…
- What?
1666
02:12:40,541 --> 02:12:42,501
No one's asked you
if you mind coming every day.
1667
02:12:46,208 --> 02:12:47,378
I just thought you never know.
1668
02:12:47,458 --> 02:12:50,578
Like, coming along every day and saying,
"When am I getting paid?"
1669
02:13:10,791 --> 02:13:12,881
{\an8}
1670
02:13:12,958 --> 02:13:13,958
{\an8}
1671
02:13:24,125 --> 02:13:25,625
{\an8}
1672
02:13:29,958 --> 02:13:32,828
That was "Can You Dig It?"
by Georgie Wood.
1673
02:13:32,916 --> 02:13:36,166
And now we'd like to do
"Hark, the Angels Come."
1674
02:13:38,166 --> 02:13:40,626
- How long you had the camera?
- Nearly six months.
1675
02:13:40,708 --> 02:13:42,378
They're fantastic, those things.
1676
02:13:43,416 --> 02:13:45,916
What do you do?
You put it on a replay, which is plugged…
1677
02:13:47,541 --> 02:13:50,791
{\an8}- Magnetic tape?
- Yeah, it's a videotape.
1678
02:13:50,875 --> 02:13:53,075
{\an8}I feel like a drink.
Shall we go to a nearby pub?
1679
02:13:53,166 --> 02:13:55,746
- There is a boozer.
- There is? Lead me to it.
1680
02:13:59,250 --> 02:14:00,920
Fine, thank you, George.
1681
02:14:18,000 --> 02:14:19,670
It's all right. I'll sit on this.
1682
02:14:36,166 --> 02:14:41,126
{\an8}
1683
02:14:48,125 --> 02:14:49,705
Been to India, have you?
1684
02:14:49,791 --> 02:14:52,751
- Oh, yeah. I've been there.
- I looked at mine last night,
1685
02:14:52,833 --> 02:14:54,173
next to me Pepper suit.
1686
02:14:57,708 --> 02:14:59,128
{\an8}Me too.
1687
02:15:12,708 --> 02:15:16,128
{\an8}
1688
02:15:16,208 --> 02:15:18,578
- I saw the film last night.
- What?
1689
02:15:18,666 --> 02:15:21,246
Of us at the Maharishi's.
I've got all the film of it.
1690
02:15:21,750 --> 02:15:23,710
The opening is great.
It's just incredible.
1691
02:15:23,791 --> 02:15:24,961
It opens with Cyn…
1692
02:15:26,958 --> 02:15:28,378
and Pattie,
1693
02:15:29,458 --> 02:15:30,668
Jane.
1694
02:15:30,750 --> 02:15:33,880
You know. And it goes through
all sorts of changes and stuff.
1695
02:15:33,958 --> 02:15:35,538
It's all the people who were there.
1696
02:15:35,625 --> 02:15:39,955
Jeffrey. Uh, the little American girl.
1697
02:15:40,041 --> 02:15:41,381
You know, it's all of them.
1698
02:15:41,458 --> 02:15:44,038
And they're just all the same shot
and against the sky.
1699
02:15:44,125 --> 02:15:45,745
And it changes to someone else.
1700
02:15:45,833 --> 02:15:50,463
And it's a great opening. It's like,
"The cast for this evening is…" And then--
1701
02:15:51,458 --> 02:15:52,498
But then it goes--
1702
02:15:52,583 --> 02:15:54,673
Then there's a big, sort of,
white flare out thing,
1703
02:15:54,750 --> 02:15:56,960
'cause it's change of reel.
1704
02:15:57,041 --> 02:15:58,541
It's great, that. It really works.
1705
02:15:58,625 --> 02:16:01,375
Then the soundtrack should start with a…
1706
02:16:01,458 --> 02:16:02,628
Uh…
1707
02:16:04,916 --> 02:16:07,956
Yeah, it is like that,
because Mike Love comes on,
1708
02:16:08,041 --> 02:16:10,251
and he's-- you know, and he's--
1709
02:16:10,333 --> 02:16:13,383
And then he's just sitting
with Cyn and Jane, waving.
1710
02:16:13,458 --> 02:16:14,578
Mike Love and Cyn.
1711
02:16:14,666 --> 02:16:18,706
And you just sort of see us,
what we're doing. It's unbelievable.
1712
02:16:19,625 --> 02:16:20,705
What were we doing?
1713
02:16:20,791 --> 02:16:23,541
- Yes, what were we doing?
- We, uh…
1714
02:16:24,291 --> 02:16:25,671
I don't really know, you know?
1715
02:16:25,750 --> 02:16:31,250
But it's like we totally, sort of,
put our own personalities under,
1716
02:16:31,333 --> 02:16:32,633
for the sake of it.
1717
02:16:32,708 --> 02:16:34,748
And you can really see, you know,
we're all--
1718
02:16:34,833 --> 02:16:36,333
Who's writing all them songs?
1719
02:16:37,916 --> 02:16:39,786
- That was probably when we did--
- In your room.
1720
02:16:39,875 --> 02:16:40,915
Yeah. Right.
1721
02:16:41,000 --> 02:16:42,420
I remember, yeah.
1722
02:16:43,041 --> 02:16:45,001
But just sort of-- There's a--
1723
02:16:47,375 --> 02:16:48,995
No, no. Oh, no.
1724
02:16:50,833 --> 02:16:54,673
I just think, what we did there,
we weren't really very truthful there.
1725
02:16:54,750 --> 02:16:57,670
You know, things like sneaking
behind his back and sort of saying,
1726
02:16:57,750 --> 02:16:59,330
"It's a bit like school, isn't it?"
1727
02:16:59,416 --> 02:17:02,036
But you can see on the film
that it is very like school.
1728
02:17:03,541 --> 02:17:06,421
You want to call it
What We Did On Our Holidays?
1729
02:17:06,500 --> 02:17:07,670
But it is very like that.
1730
02:17:07,750 --> 02:17:10,330
There's a long shot of you, sort of,
walking with him.
1731
02:17:10,416 --> 02:17:11,996
And it's just not you, you know?
1732
02:17:12,083 --> 02:17:14,963
It's just-- Yeah. Yeah.
1733
02:17:17,291 --> 02:17:19,671
- It's got a great opening.
- Yeah.
1734
02:17:20,708 --> 02:17:21,708
Incredible.
1735
02:17:22,458 --> 02:17:24,748
I've got a couple of reels
if you want some more.
1736
02:17:25,541 --> 02:17:27,461
The helicopter one, up in the sky.
1737
02:17:27,541 --> 02:17:29,791
I noticed you taking it,
so I thought, "I'll get that."
1738
02:17:29,875 --> 02:17:32,285
Well, that was the idea.
'Cause you said you were making a film.
1739
02:17:33,125 --> 02:17:37,325
{\an8}I want "By John Lennon Productions"
written on those two reels.
1740
02:17:37,416 --> 02:17:40,206
{\an8}But each of my reels have got
"By John Lennon" all through 'em,
1741
02:17:40,291 --> 02:17:41,671
{\an8}- like subtitles.
- Yeah.
1742
02:17:41,750 --> 02:17:42,920
{\an8}"John Lennon's reel."
1743
02:17:43,000 --> 02:17:44,670
{\an8}"Shot by…"
1744
02:17:44,750 --> 02:17:46,330
{\an8}And if I remember I'll bring 'em in.
1745
02:17:46,416 --> 02:17:48,786
And Linda remembered
that thing you said the other night
1746
02:17:48,875 --> 02:17:50,705
about when you went up
in the helicopter with him.
1747
02:17:50,791 --> 02:17:53,081
You just thought he might
slip you the answer.
1748
02:17:59,875 --> 02:18:01,285
Tell me, Old Master.
1749
02:18:02,625 --> 02:18:04,205
{\an8}
1750
02:18:09,875 --> 02:18:11,165
{\an8}
1751
02:18:12,666 --> 02:18:14,246
I wouldn't mind having--
1752
02:18:14,333 --> 02:18:16,043
Wouldn't mind having his money.
1753
02:18:17,541 --> 02:18:18,711
I wouldn't mind having…
1754
02:18:19,416 --> 02:18:23,036
two months out of every four months…
1755
02:18:23,125 --> 02:18:24,495
in a place like that though.
1756
02:18:24,583 --> 02:18:26,423
Linda was saying, sitting up on his roof
1757
02:18:26,500 --> 02:18:30,630
and looking at that view, didn't you
ever really feel like going out in it?
1758
02:18:30,708 --> 02:18:32,998
- Well, we were out in it, weren't we?
1759
02:18:33,583 --> 02:18:37,133
Yeah, but I mean
the bit in the villages and stuff.
1760
02:18:37,208 --> 02:18:40,418
The bit that everyone else,
95% of them, were doing around there,
1761
02:18:40,500 --> 02:18:42,920
except for the converts on the hill.
1762
02:18:43,000 --> 02:18:44,000
You know?
1763
02:18:44,083 --> 02:18:45,173
It's incredible stuff.
1764
02:18:47,208 --> 02:18:51,168
Uh. And then, uh, then the next scene
burns out white again.
1765
02:18:51,250 --> 02:18:53,670
And the next scene is just this monkey,
1766
02:18:53,750 --> 02:18:55,960
just comes up and humps this other monkey.
1767
02:19:05,833 --> 02:19:07,083
And then they just jump off.
1768
02:19:07,166 --> 02:19:09,076
Then they just start picking each other.
1769
02:19:09,166 --> 02:19:10,166
It's great stuff.
1770
02:19:10,750 --> 02:19:12,380
And then there's a great one of you.
1771
02:19:12,458 --> 02:19:15,208
It's like you come up
and wander onto the roof,
1772
02:19:15,291 --> 02:19:18,081
and you walk up, and you look
like a student of philosophy
1773
02:19:18,166 --> 02:19:19,376
with your tape recorder.
1774
02:19:19,875 --> 02:19:20,875
And then…
1775
02:19:20,958 --> 02:19:23,918
- Yeah, I've got all the soundtracks too.
1776
02:19:33,625 --> 02:19:36,575
It's that thing,
we probably should have sort of just…
1777
02:19:38,291 --> 02:19:40,631
- Been ourselves.
- Yeah, a lot more. Yeah.
1778
02:19:45,958 --> 02:19:51,208
That is the biggest joke,
to be yourselves.
1779
02:19:51,291 --> 02:19:53,251
'Cause that was
the purpose of going there,
1780
02:19:53,333 --> 02:19:56,043
to try and find who yourself really is.
1781
02:19:56,125 --> 02:19:57,665
Yes. We found out, didn't we?
1782
02:19:57,750 --> 02:20:01,630
And if you were really yourself,
you wouldn't be any of who we are now.
1783
02:20:12,458 --> 02:20:15,498
{\an8}
1784
02:20:16,500 --> 02:20:19,290
{\an8}
1785
02:20:21,125 --> 02:20:23,205
No, he's doing a TV show.
1786
02:20:23,291 --> 02:20:24,921
- All day?
- Yeah.
1787
02:20:32,000 --> 02:20:34,420
{\an8}
1788
02:20:35,000 --> 02:20:37,380
{\an8}
1789
02:21:18,750 --> 02:21:22,540
Okay. Four of us on our way home.
1790
02:21:22,625 --> 02:21:23,665
Right.
1791
02:21:46,583 --> 02:21:47,753
Take it slowly.
1792
02:21:50,166 --> 02:21:50,996
Oh, yeah.
1793
02:21:57,833 --> 02:21:59,713
You just-- You're underneath it.
1794
02:22:08,208 --> 02:22:09,328
It's funny.
1795
02:22:13,625 --> 02:22:14,625
That's mine.
1796
02:22:22,250 --> 02:22:24,170
Just keep it down for that bit.
1797
02:23:15,041 --> 02:23:16,501
You're doing well.
1798
02:24:40,375 --> 02:24:41,495
Oh, yes, now.
1799
02:24:50,500 --> 02:24:51,500
Yes, boy.
1800
02:25:05,291 --> 02:25:06,291
We are, yes.
1801
02:25:34,958 --> 02:25:37,078
Is that the idea? We're just gonna
record them all
1802
02:25:37,166 --> 02:25:40,326
until we've got them all before Tuesday
when Glyn goes?
1803
02:25:40,416 --> 02:25:41,706
Is that it?
1804
02:25:43,875 --> 02:25:46,665
{\an8}I see. So we'll have time…
1805
02:25:46,750 --> 02:25:49,080
{\an8}- So Wednesday night, we've recorded--
- Yeah, do them all.
1806
02:25:49,166 --> 02:25:51,166
I've gotta mix--
I'd like to mix 'em before I go too…
1807
02:25:51,250 --> 02:25:52,380
- Doing the show.
- …somehow.
1808
02:25:52,458 --> 02:25:53,748
Are we still doing the show?
1809
02:25:53,833 --> 02:25:55,253
I don't know, really.
1810
02:25:55,333 --> 02:26:00,963
Say we did eight or nine, he'll
come back after about a week or something.
1811
02:26:03,083 --> 02:26:05,673
That's if we don't get 14 done by Tuesday.
1812
02:26:06,625 --> 02:26:09,205
- Okay. Uh…
1813
02:26:09,791 --> 02:26:14,461
The piano. It'd be nice to make
the piano, like, one of those bad pianos.
1814
02:26:14,541 --> 02:26:15,541
Yes.
1815
02:26:15,625 --> 02:26:16,625
'Cause it--
1816
02:26:17,500 --> 02:26:22,040
Glyn, how can we make the piano like one
of those very bad old honky-tonks?
1817
02:26:22,125 --> 02:26:24,825
Rather than like a Blüthner grand.
1818
02:26:27,583 --> 02:26:29,003
What does the paper do to the piano?
1819
02:26:29,083 --> 02:26:30,583
- Just make it tinnier?
- Tinny the sound.
1820
02:26:30,666 --> 02:26:32,916
- Yeah, just tinnier.
- More like, yeah, honky-tonk.
1821
02:26:33,000 --> 02:26:34,630
Less like a Blüthner, in short.
1822
02:26:34,708 --> 02:26:36,418
- What?
- Less like a Blüthner.
1823
02:26:36,500 --> 02:26:38,130
Less like a Blüthner, in short.
1824
02:26:38,208 --> 02:26:39,538
A fucked-up Blüthner.
1825
02:26:40,708 --> 02:26:43,208
The main thing with this,
in my head it's like,
1826
02:26:43,291 --> 02:26:45,381
influenced by those old fellas,
1827
02:26:45,458 --> 02:26:48,168
you know,
where nothing was professional at all.
1828
02:26:48,250 --> 02:26:51,380
So it's really just like
a one-take wonder.
1829
02:26:51,458 --> 02:26:53,578
But we may have a four-take wonder.
1830
02:27:10,083 --> 02:27:14,583
{\an8}
1831
02:27:23,958 --> 02:27:26,078
- That's all.
1832
02:27:26,166 --> 02:27:27,826
Personally, I was a phenomenon.
1833
02:27:28,916 --> 02:27:31,076
Another slug of whiskey, Mama.
1834
02:27:31,750 --> 02:27:34,130
Does this guitar sound in tune, Glyn?
1835
02:27:34,208 --> 02:27:35,288
{\an8}
1836
02:27:38,375 --> 02:27:40,285
- Yeah, was it all right?
1837
02:27:40,875 --> 02:27:43,375
- I mean, me solo was out of this world.
1838
02:27:44,541 --> 02:27:46,381
- What's it like, Glyn?
- All right.
1839
02:27:46,458 --> 02:27:48,288
- Should we keep it and do another?
1840
02:27:48,375 --> 02:27:50,915
Yeah. George?
1841
02:27:51,000 --> 02:27:52,460
How are you?
1842
02:27:52,541 --> 02:27:54,001
Should we keep that and do another?
1843
02:27:56,500 --> 02:27:57,750
- Right back.
- Okay.
1844
02:27:58,333 --> 02:28:00,833
'Cause I'm gonna go
over me peak in a minute.
1845
02:28:00,916 --> 02:28:02,786
I think I'm hitting me best now.
1846
02:28:02,875 --> 02:28:03,875
Okay!
1847
02:28:08,458 --> 02:28:09,958
Start again, hey.
1848
02:28:10,041 --> 02:28:12,291
Just don't talk
when he's playing there, gang.
1849
02:28:55,458 --> 02:28:57,498
So let's keep that and do one more.
1850
02:28:58,916 --> 02:29:01,576
- What for? What for?
- Next time, please.
1851
02:29:01,666 --> 02:29:03,826
- So he can do the guitar like he wants it.
- Come on.
1852
02:29:46,916 --> 02:29:48,876
But I think, uh…
1853
02:29:48,958 --> 02:29:51,878
I think we're getting
a good sound in Apple Studios.
1854
02:29:51,958 --> 02:29:53,288
- Yeah.
- Yeah. I think we are too.
1855
02:29:56,666 --> 02:29:58,076
{\an8}We're taking our…
1856
02:30:05,250 --> 02:30:07,170
Okay, can you play us the other one?
1857
02:30:07,250 --> 02:30:12,250
I'll just take this after the first one
and just bring it on after "I love you."
1858
02:30:12,333 --> 02:30:14,253
- Yeah, you just--
- And leave it in there.
1859
02:30:14,333 --> 02:30:15,333
That's a good idea.
1860
02:30:15,416 --> 02:30:16,826
Yeah, I'm full of ideas like that.
1861
02:30:16,916 --> 02:30:18,076
- I'm famous for 'em.
- Yeah.
1862
02:30:18,166 --> 02:30:20,956
- Literary Beatle, you know?
- Hail to the captain.
1863
02:30:21,041 --> 02:30:24,581
This is one that Alex at Apple Electronics
has brought out.
1864
02:30:24,666 --> 02:30:27,246
- And there isn't another one in the world.
- It's a mixer!
1865
02:30:27,333 --> 02:30:29,083
- Yeah.
- It's a 20-channel mixer.
1866
02:30:29,166 --> 02:30:32,626
Or a radar screen,
or a tail of an aeroplane.
1867
02:30:33,500 --> 02:30:36,000
- Aeroplane.
- Or…
1868
02:30:36,083 --> 02:30:37,883
Just as uncomfortable as the rest of 'em.
1869
02:30:59,583 --> 02:31:02,633
- I would dig to play onstage, you know?
- Yeah.
1870
02:31:02,708 --> 02:31:05,668
I mean, if it was all-- everything was
all right and there was no messing
1871
02:31:05,750 --> 02:31:07,920
and we're just gonna play onstage.
1872
02:31:08,000 --> 02:31:10,540
You know,
that's why I said yes to the TV show.
1873
02:31:10,625 --> 02:31:12,245
I didn't want the hell of doing it,
1874
02:31:13,625 --> 02:31:17,205
but nobody else wants to go on the stage
or do a TV show.
1875
02:31:17,833 --> 02:31:22,633
You know, that's what it's about.
Nobody wants to get out there. You know?
1876
02:31:22,708 --> 02:31:24,538
I suppose that's true, you know?
1877
02:31:24,625 --> 02:31:28,575
I think so, you know?
I'm only going by what's happened.
1878
02:31:28,666 --> 02:31:30,326
Yeah, yeah.
1879
02:31:31,166 --> 02:31:33,536
What are you trying
to make a show out of now?
1880
02:31:34,958 --> 02:31:36,538
- I can't answer it, you know?
- I know.
1881
02:31:36,625 --> 02:31:39,625
I know that
there's no sort of answer for it, but…
1882
02:31:40,333 --> 02:31:43,383
The things that have worked out
best ever for us
1883
02:31:43,458 --> 02:31:46,038
haven't really been planned
any more than this has.
1884
02:31:46,125 --> 02:31:51,325
It's just, you know, it's like you just go
into something and it does it itself.
1885
02:31:51,416 --> 02:31:54,916
You know, whatever it's gonna be,
it becomes that, you know?
1886
02:31:55,000 --> 02:31:57,830
See, it's turned out
it's not what Paul wants.
1887
02:31:57,916 --> 02:32:01,126
It's like if it's--
Say it's his number, this whole show.
1888
02:32:01,208 --> 02:32:04,578
It's actually turned into our number
more than his number.
1889
02:32:04,666 --> 02:32:06,666
That's all. And, uh…
1890
02:32:08,458 --> 02:32:10,168
It's just that, really.
1891
02:32:10,250 --> 02:32:13,040
Yeah, I know,
it is majority decisions and all. Yeah.
1892
02:32:13,666 --> 02:32:17,376
We're presuming that we are gonna make
this LP anyway as one whole piece,
1893
02:32:17,458 --> 02:32:19,328
like as if the cameras aren't here.
1894
02:32:20,916 --> 02:32:23,496
But it might be an idea
to sort of face 'em…
1895
02:32:23,583 --> 02:32:24,583
Mmm.
1896
02:32:24,666 --> 02:32:26,036
…for the singing.
1897
02:32:26,125 --> 02:32:31,125
The point of doing it all in one go
is that we're aware of the camera.
1898
02:32:31,208 --> 02:32:33,208
So we should look at the camera.
1899
02:32:33,291 --> 02:32:35,671
And we sing it straight to 'em. You know?
1900
02:32:35,750 --> 02:32:36,750
- Yeah.
- And--
1901
02:32:36,833 --> 02:32:39,383
The finale'd just be us
doing the numbers well.
1902
02:32:45,208 --> 02:32:46,288
What do you think?
1903
02:32:46,875 --> 02:32:48,875
The main thing is to do the change
1904
02:32:48,958 --> 02:32:51,248
from the acoustic numbers
to the electric numbers.
1905
02:32:51,875 --> 02:32:54,125
I mean, if we're doing a stage show,
we'd have to--
1906
02:32:54,208 --> 02:32:58,208
"Hold on a sec, ladies and gentlemen,
George just getting on his Rickenbacker."
1907
02:32:58,291 --> 02:33:01,251
As far as I'm concerned, I would need
one run-through on each number
1908
02:33:01,333 --> 02:33:04,713
to get the balance set for it,
'cause it's all-- everything's changing.
1909
02:33:04,791 --> 02:33:08,291
We'll know that better
as soon as we've got an order.
1910
02:33:12,083 --> 02:33:13,713
Soon as we've got a story.
1911
02:33:13,791 --> 02:33:16,211
It's all right, but I'd meant to sort of
1912
02:33:16,291 --> 02:33:18,291
put the songs
to some other framework this time.
1913
02:33:18,375 --> 02:33:19,875
That's what I'd sort of thought.
1914
02:33:20,750 --> 02:33:25,580
That we'd just keep to the same
environment, totally-- always, you know?
1915
02:33:25,666 --> 02:33:27,786
We don't ever attempt to break out of it.
1916
02:33:27,875 --> 02:33:32,205
We-- We're in a recording studio again
in London making another album, you know?
1917
02:33:32,291 --> 02:33:36,081
I think this is the nicest place
I've been for a long time, this studio.
1918
02:33:36,166 --> 02:33:38,416
- Yeah, it is.
- No, really, you know, I mean.
1919
02:33:38,500 --> 02:33:40,130
And also we've played--
1920
02:33:40,208 --> 02:33:43,708
This is the most I've ever played
by playing every day.
1921
02:33:43,791 --> 02:33:48,631
And I can just feel meself getting--
me fingers getting loose a bit.
1922
02:33:48,708 --> 02:33:49,918
Yeah.
1923
02:33:50,000 --> 02:33:52,170
Because we don't get the chance
to do that.
1924
02:33:52,250 --> 02:33:54,580
- But really I just want to play.
- That's what it was about.
1925
02:33:54,666 --> 02:33:59,916
What we've got
is you all playing live in one room.
1926
02:34:00,000 --> 02:34:02,750
That in itself is a fresh thing
for The Beatles.
1927
02:34:02,833 --> 02:34:03,833
Mmm.
1928
02:34:05,000 --> 02:34:06,920
Are you gonna just stay around
in a circle?
1929
02:34:07,000 --> 02:34:09,210
Unless we felt like standing up
'cause it was a shouter, you know?
1930
02:34:09,291 --> 02:34:10,501
No matter what we do,
1931
02:34:10,583 --> 02:34:13,293
it's still gonna look like
you're sitting in a room making the album.
1932
02:34:13,375 --> 02:34:15,035
- It's not per se a show.
1933
02:34:15,125 --> 02:34:19,875
All we've got is us, and the documentary,
where we happen to be singing.
1934
02:34:21,416 --> 02:34:23,956
I mean, you see what happens
when we're just grooving to the music.
1935
02:34:24,041 --> 02:34:26,751
- The whole place changes.
- Yeah, that's true.
1936
02:34:26,833 --> 02:34:29,673
And that--
If we're doing them well on the day,
1937
02:34:29,750 --> 02:34:30,920
without anything…
1938
02:34:32,166 --> 02:34:34,456
it should come over.
We've gotta do it, you know?
1939
02:34:36,250 --> 02:34:39,380
And also, remember,
the original idea was a TV show
1940
02:34:39,458 --> 02:34:40,998
and then a documentary about it.
1941
02:34:41,083 --> 02:34:43,083
And now it's changed to being a movie.
1942
02:34:43,166 --> 02:34:46,916
It's like, really,
if we're gonna do a film for cinema,
1943
02:34:47,000 --> 02:34:49,080
it should've been done on 35 millimeters,
1944
02:34:49,166 --> 02:34:51,166
which is just the best quality.
1945
02:34:51,875 --> 02:34:54,665
We shot this on 16
because it's a television thing.
1946
02:34:54,750 --> 02:34:57,710
Just the still photos
would make a UA movie
1947
02:34:57,791 --> 02:34:59,711
with soundtrack on it, you know?
1948
02:35:00,291 --> 02:35:04,541
I think we should blow it up to 35
and if they don't take it,
1949
02:35:04,625 --> 02:35:06,125
- they're fucking fools.
- Yeah.
1950
02:35:06,208 --> 02:35:08,418
Because they're not gonna get
anything else, are they?
1951
02:35:08,500 --> 02:35:10,750
Unless we've got
incredible quality on this,
1952
02:35:10,833 --> 02:35:13,213
16 blown to 35 is a mess.
1953
02:35:13,291 --> 02:35:14,711
- No, it's not.
- Generally.
1954
02:35:14,791 --> 02:35:17,461
There's a certain stock
that blows up better.
1955
02:35:17,541 --> 02:35:18,961
Ektachrome 500.
1956
02:35:19,041 --> 02:35:20,921
Yeah, this will blow up all right,
this film.
1957
02:35:21,000 --> 02:35:22,460
Yeah?
1958
02:35:22,541 --> 02:35:25,541
I don't know what it is that
I'm moaning about, but it's just sort of--
1959
02:35:25,625 --> 02:35:28,325
I must admit I can't really see it either,
because it's--
1960
02:35:28,416 --> 02:35:30,956
It just seems the last two days
everything's gone so ridiculously well.
1961
02:35:31,041 --> 02:35:33,381
- He's right, you know.
- It is good. It's going great.
1962
02:35:33,458 --> 02:35:34,788
It really is something.
1963
02:35:34,875 --> 02:35:36,035
- It's true though.
- Mmm.
1964
02:35:36,958 --> 02:35:40,248
I just have a feeling that we--
It's all right, you know?
1965
02:35:40,333 --> 02:35:42,213
It's nothing to complain about, but…
1966
02:35:43,083 --> 02:35:46,333
But it's just funny to sort of
realize that after this is all over,
1967
02:35:46,416 --> 02:35:50,286
you'll be off in a black bag somewhere
on the Albert Hall, you know?
1968
02:35:50,375 --> 02:35:51,825
Yeah.
1969
02:35:54,000 --> 02:35:56,040
What you're moaning about
is there's no payoff.
1970
02:35:56,791 --> 02:35:59,081
I think all I wanna do is, like, uh…
1971
02:35:59,708 --> 02:36:02,918
I probably, you know,
having got it together,
1972
02:36:03,000 --> 02:36:05,130
I probably just wanna go
and have fun with it.
1973
02:36:05,208 --> 02:36:09,288
Rather than just, sort of,
finish off exactly as we started.
1974
02:36:09,375 --> 02:36:12,245
And I'd like to sort of do a…
…for the finish.
1975
02:36:12,333 --> 02:36:14,383
- Mmm.
- And we just get out in the open,
1976
02:36:14,458 --> 02:36:15,578
change of scene,
1977
02:36:15,666 --> 02:36:20,076
and go and do it somewhere else,
do it on a live show, do it on a stage.
1978
02:36:20,166 --> 02:36:21,826
You know, I'd like to light a rocket
1979
02:36:21,916 --> 02:36:24,376
and really sort of
take off for the end of it.
1980
02:36:24,458 --> 02:36:26,668
And, uh, you know…
1981
02:36:26,750 --> 02:36:29,540
but that's going a bit, like, overboard,
I suppose.
1982
02:36:29,625 --> 02:36:31,125
Still could do that.
1983
02:36:31,625 --> 02:36:33,495
But that's me, you know? I always do that.
1984
02:36:49,541 --> 02:36:51,671
{\an8}
1985
02:36:52,208 --> 02:36:53,538
{\an8}
1986
02:36:54,291 --> 02:36:56,791
{\an8}
1987
02:36:58,000 --> 02:36:59,420
{\an8}
1988
02:37:09,000 --> 02:37:11,460
{\an8}
1989
02:37:26,041 --> 02:37:28,081
{\an8}
1990
02:37:31,041 --> 02:37:32,381
{\an8}
1991
02:37:45,791 --> 02:37:48,131
Yeah. Or maybe
we don't have to do it on a--
1992
02:37:48,208 --> 02:37:50,248
You'd get the week people,
the mothers and…
1993
02:37:50,333 --> 02:37:51,333
Yeah, great.
1994
02:37:51,416 --> 02:37:53,746
The only thing is
we've got to get some permission, Paul.
1995
02:37:53,833 --> 02:37:54,833
Yes, yes, yes.
1996
02:37:54,916 --> 02:37:57,246
So the cops don't come
and throw us off, that's all.
1997
02:37:57,333 --> 02:37:59,713
What happens
if we go on top of the other roof?
1998
02:37:59,791 --> 02:38:00,791
If it's somebody else's roof,
1999
02:38:00,875 --> 02:38:03,955
then we can get had not only
for disturbing the peace and the noise,
2000
02:38:04,041 --> 02:38:05,131
but also for trespassing.
2001
02:38:05,875 --> 02:38:07,575
Now, um, good.
2002
02:38:08,083 --> 02:38:10,923
So, but just roughly timewise,
so I can look into gear--
2003
02:38:11,000 --> 02:38:14,750
Yeah. So, okay, look, if we say
like on Friday or something.
2004
02:38:15,375 --> 02:38:16,825
- You know?
- Right.
2005
02:38:24,708 --> 02:38:28,288
{\an8}
2006
02:38:45,625 --> 02:38:47,665
John?
2007
02:38:48,250 --> 02:38:50,080
That's a bit powerful, man.
2008
02:38:50,166 --> 02:38:52,246
I think the thing is
we'll aim for Thursday.
2009
02:38:52,333 --> 02:38:53,923
Are we gonna do it all here now?
2010
02:38:54,000 --> 02:38:56,040
I think you should aim
for a little earlier than Thursday.
2011
02:38:56,125 --> 02:38:58,075
'Cause if you aim for Thursday,
it's not gonna be Thursday.
2012
02:38:58,166 --> 02:39:01,996
See, we have to give them a chance
to get their other cameras in.
2013
02:39:02,083 --> 02:39:03,173
Aim for Wednesday.
2014
02:39:04,250 --> 02:39:07,130
It'll be pretty quick, but
it'll still give us some time to do it.
2015
02:39:43,958 --> 02:39:46,418
- Okay, Paul.
2016
02:39:46,500 --> 02:39:48,880
- How does it start?
- Yeah, I don't really see--
2017
02:39:48,958 --> 02:39:51,458
- How does it start?
- Any order will be all right.
2018
02:39:51,541 --> 02:39:53,501
- How does it start?
- The longer the better.
2019
02:39:53,583 --> 02:39:54,713
- Okay. Um…
- All right then.
2020
02:39:54,791 --> 02:39:55,881
- Um--
- Go on.
2021
02:39:58,000 --> 02:40:00,420
- So just straight into the first verse?
- Well, that's-- Yeah.
2022
02:40:00,500 --> 02:40:01,580
Or an intro.
2023
02:40:02,583 --> 02:40:05,083
- Well, I'll probably do…
2024
02:40:09,750 --> 02:40:13,290
{\an8}
2025
02:40:13,375 --> 02:40:16,245
{\an8}
2026
02:40:21,416 --> 02:40:23,956
- All right.
2027
02:40:24,666 --> 02:40:26,416
Come on,
I only get two notes in this song.
2028
02:41:57,750 --> 02:42:00,250
After two then. One, two.
2029
02:42:09,583 --> 02:42:11,423
And if it was that length,
it would be okay.
2030
02:42:11,500 --> 02:42:14,130
Yes, right. You were right
about another verse.
2031
02:42:14,208 --> 02:42:15,918
- He's right, you know.
- He is right.
2032
02:42:16,000 --> 02:42:18,080
"Captain Marvel comes to me."
2033
02:42:23,000 --> 02:42:24,000
Yeah.
2034
02:42:24,083 --> 02:42:26,633
Come on, now.
Back to the drudgery. Thank you.
2035
02:42:26,708 --> 02:42:28,128
It's you that's making it like this.
2036
02:42:28,208 --> 02:42:29,918
It's you that's bloody making it
like this.
2037
02:42:30,000 --> 02:42:31,960
The real meaning of Christmas.
2038
02:42:32,041 --> 02:42:33,131
Come on.
2039
02:42:34,291 --> 02:42:35,291
Come on.
2040
02:42:36,083 --> 02:42:37,423
Okay.
2041
02:42:41,166 --> 02:42:43,166
- "Bloody Mary comes to me."
2042
02:42:49,750 --> 02:42:52,540
- Glyn said it's all happening too quickly.
- Yeah.
2043
02:42:52,625 --> 02:42:54,495
- Yeah. We're very excitable.
- It is in a way.
2044
02:42:54,583 --> 02:42:56,673
No, you're right.
It's coming in all too soon.
2045
02:42:56,750 --> 02:42:58,290
Okay, do it exactly then.
2046
02:42:58,375 --> 02:43:00,375
As we-- As was.
2047
02:43:00,458 --> 02:43:01,788
- Oh?
- I like the solo--
2048
02:43:01,875 --> 02:43:03,785
- Isn't it as it was?
- I don't know.
2049
02:43:03,875 --> 02:43:06,455
But, I mean, that's the end
of the song, as much as I know.
2050
02:43:06,541 --> 02:43:08,331
Think what Vera Lynn would do to it, Paul.
2051
02:43:08,416 --> 02:43:09,666
Let's see, yeah.
2052
02:43:12,416 --> 02:43:13,666
Glyn?
2053
02:43:13,750 --> 02:43:16,460
Why is this microphone very quiet?
2054
02:43:19,416 --> 02:43:22,376
See, there's only
those two verses-- Watch me.
2055
02:43:22,458 --> 02:43:24,038
We'll write some more, should we?
2056
02:43:25,916 --> 02:43:27,576
That's a possibility, I suppose.
2057
02:43:27,666 --> 02:43:29,246
Have we had "hour of darkness"?
2058
02:43:29,333 --> 02:43:31,753
- Yeah.
- Oh. I thought it came quick.
2059
02:43:34,625 --> 02:43:37,125
Goddamn you, little microphone.
2060
02:43:42,875 --> 02:43:44,995
Okay, you watch us.
We're gonna do this now.
2061
02:43:45,083 --> 02:43:47,003
- You just watch us.
- Okay, boys. Come on.
2062
02:43:47,083 --> 02:43:49,213
- Pull yourselves together.
- Ha!
2063
02:43:49,291 --> 02:43:50,711
- Talking to me?
- That's it.
2064
02:43:50,791 --> 02:43:52,001
Talking to me?
2065
02:43:52,083 --> 02:43:54,423
He's the most together man in Garston.
2066
02:44:02,916 --> 02:44:04,206
Yeah, let it develop.
2067
02:44:12,041 --> 02:44:13,131
We've gone off.
2068
02:44:13,208 --> 02:44:16,828
Are you doing it like we rehearsed it
at Twickenham? Or are you changing it?
2069
02:44:16,916 --> 02:44:18,706
I'm not sure. I can't remember.
2070
02:44:18,791 --> 02:44:22,831
I'm just doing the whole thing twice,
which is, like, two verses.
2071
02:44:22,916 --> 02:44:24,076
"Can you dig it?"
2072
02:44:24,875 --> 02:44:27,035
- Take this one then.
- Yeah, take it home.
2073
02:44:28,458 --> 02:44:31,498
This'll--
This is gonna knock you out, boy.
2074
02:45:01,833 --> 02:45:05,333
Especially like to thank you
for all the birthday presents.
2075
02:45:07,416 --> 02:45:08,576
All moody.
2076
02:45:22,791 --> 02:45:24,631
Okay, this is your last chance.
2077
02:45:24,708 --> 02:45:27,328
Now look, boys. Now, come on.
Enthuse a little.
2078
02:45:27,416 --> 02:45:30,956
I can't. I don't even get up to my bit,
you keep finishing.
2079
02:45:34,166 --> 02:45:35,456
Shut up, will you?
2080
02:45:35,541 --> 02:45:37,921
I'll have you banned from bloody Apple
if you don't shut up.
2081
02:45:55,250 --> 02:45:57,670
I couldn't, you see? I've got to force it.
2082
02:45:57,750 --> 02:45:58,580
Yes.
2083
02:45:58,666 --> 02:46:00,666
After all that, I came in too soon.
2084
02:46:02,500 --> 02:46:03,880
Can we carry this on tomorrow?
2085
02:46:03,958 --> 02:46:05,878
- I feel a bit tired now.
- Yes, all right.
2086
02:46:08,500 --> 02:46:10,380
No, you don't mind
if we finish now, do you?
2087
02:46:10,458 --> 02:46:13,248
I'm just trying to get the group working,
you know, like every day…
2088
02:46:13,333 --> 02:46:15,963
I know, but office hours.
2089
02:46:16,041 --> 02:46:19,541
Yes, Paul, you have to be strict.
Some discipline.
2090
02:46:19,625 --> 02:46:22,205
Get a shave, get your fucking hair cut,
you know?
2091
02:46:22,291 --> 02:46:23,831
- Live, man.
2092
02:46:23,916 --> 02:46:26,746
- Are we coming tomorrow?
- What?
2093
02:46:26,833 --> 02:46:28,333
- Are we coming in tomorrow?
- Yeah.
2094
02:46:29,500 --> 02:46:30,750
Can we come too?
2095
02:46:32,041 --> 02:46:33,461
- Yeah, sure.
- Okay. Bye.
2096
02:46:33,541 --> 02:46:34,541
Okay. Got it.
2097
02:48:31,000 --> 02:48:32,540
Yeah.
2098
02:52:58,583 --> 02:52:59,793
Okay.
152189
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