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[PROJECTOR CLICKING, *...]
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Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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[*...]
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[HEARTBEAT, *...]
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>> Women: * OOH...
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[HEARTBEAT CONTINUES...]
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[SURF CRASHES, SEAGULLS SQUAWK]
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* OOH...
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[HEARTBEAT...]
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* OOH...
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[MUSIC CHANGES]
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[LIGHTER OPENS]
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[*...]
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[CLUNK]
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[FIRECRACKERS POPPING,
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YOUNG PEOPLE LAUGHING...]
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[*...]
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>> Woman: * IF YOU CAN'T
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MAKE ME HAPPY,
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GONNA WALK AWAY THE BLAME *
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[*...]
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* IF YOU CAN'T MAKE ME HAPPY,
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GONNA WALK AWAY THE SHAME *
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[*...]
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* SEE, I GOT MY CUTS
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AND BRUISES *
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>> Women: * AH-OOH
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>> * GONNA WALK AWAY THE PAIN
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>> * AH-OOH
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>> * AND IF YOU CAN'T
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MAKE ME HAPPY *
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>> * AH-OOH
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>> * GONNA WALK AWAY AGAIN
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[*...]
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>> OH, YOU ARE UP.
37
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I'M TAKING POSY TO AN AUDITION,
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SO YOU'RE MANNING THE FRONT DESK
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THIS MORNING.
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>> CAN I NOT, I'M REVISING.
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IS DAD NOT AROUND?
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>> YOUR DAD'S WRITING.
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YOU CAN REVISE ON THE DESK.
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YOU HAVE TO GIVE PEOPLE
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KEYS, BETH.
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WON'T BE ANY DIFFERENT
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TO UP HERE.
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COME ON.
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TAKE YOUR HAIR DOWN AND MAKE
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YOURSELF A BIT MORE PRESENTABLE.
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>> Woman: * WHY DON'T YOU
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SEE... *
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[ALL LAUGHING...]
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* WHAT YOU'RE DOING TO ME?
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[ALL SHOUTING...]
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* WHY WON'T YOU GO?
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* LEAVE ME WALKING ALONE
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>> Officer: HEY!
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>> Woman: * WHY WON'T YOU GO?
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* IF YOU CAN'T... MAKE... ME...
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HAPPY *
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[*...]
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>> [SLIGHT GERMAN ACCENT] MM,
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DID YOU BRING COFFEE?
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>> YES, THANKS.
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I'M TAKING POSY TO AN
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AUDITION, SO YOU'RE GONNA HAVE
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TO GET YOUR OWN LUNCH AS WELL.
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THERE'S SOME NICE TURKEY HAM
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IN THE FRIDGE.
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>> WHICH?
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>> WHICH WHAT?
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>> NO, WHICH IS IT,
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TURKEY OR HAM?
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>> IT'S TURKEY HAM.
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THAT'S WHAT IT IS.
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TURKEY HAM.
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>> WHY DO THEY CALL IT TURKEY
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HAM WHEN IT'S ONLY GOT TURKEY
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IN IT?
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>> IT'S FROM FLYING BLOODY PIGS,
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THAT'S WHAT.
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LIKE YOUR NEXT BESTSELLER.
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>> Woman: * WHY WON'T YOU SEE
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WHAT YOU'RE DOING TO ME? *
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* WHY WON'T YOU GO?
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* LEAVE ME WALKING ALONE
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* WHY WON'T YOU GO?
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[*...]
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>> WAS EVERYTHING ALL RIGHT?
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DID YOU SLEEP O.K.?
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>> NO, I DIDN'T.
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ALL THOSE BLOODY SEAGULLS
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SQUAWKING SINCE SUNRISE.
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>> THEY KIND OF COME
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WITH THE SEA.
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>> WASN'T LIKE THAT IN THE BOOK.
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IT WAS A PEACEFUL RETREAT
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IN THE BOOK.
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[*...]
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>> YOU'RE LUCKY I'M NOT COMING
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IN TO TALK TO YOUR MOTHER
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AND FATHER.
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>> WELL, GOOD LUCK WITH THAT
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IF YOU CHANGE YOUR MIND.
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>> UM...
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IS THIS ACTUALLY YOUR HOUSE?
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>> YEAH.
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[*...]
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[SONG ENDS]
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>> HMM.
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I'M LATE, AREN'T I?
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>> YOU'VE MISSED BREAKFAST,
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I'M AFRAID.
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WHICH ROOM ARE YOU IN?
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>> ALL OF THEM, UNFORTUNATELY.
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I'M THE NEW CLEANER.
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>> RIGHT, YEAH.
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I'M BETH FISCHER.
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>> OH, CHARMED.
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SERENA.
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>> NICE TO MEET YOU, SERENA.
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CAN I JUST TAKE YOUR SURNAME
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FOR THE KEY LOG?
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>> YEAH, UM...
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IT'S SPELLED M-O-L-I-N-A.
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>> GREAT.
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SO YOU KNOW YOU DON'T NEED TO DO
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THE ATTIC ROOM ON THE TOP FLOOR,
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JUST THE GUEST ROOMS.
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THIS IS EDNA, OUR OTHER CLEANER,
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SHE'LL SHOW YOU AROUND.
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HOW DO YOU SAY YOUR SURNAME,
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JUST SO I DON'T GET IT WRONG?
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>> MOLINA. >> MOLINA.
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>> MM-HMM, YEAH.
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SERENA MOLINA, THE CLEANER.
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MEANT TO BE. [CHUCKLES]
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>> RIGHT, UM, SO EDNA'S
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JUST DOWN THERE.
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[SHIP HORNS BLOWS IN DISTANCE,
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SEAGULLS SQUAWK...]
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[TOILET FLUSHES]
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[GLOVES SNAP]
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[*...]
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>> EWW...
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[*...]
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[DOOR SQUEAKS]
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[FLOOR CREAKS]
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[WOMAN MOANING ON COMPUTER...]
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[MAN BREATHING HEAVILY...]
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[CLATTERING]
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>> Woman: Yeah, in deep, oh...
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>> Man: YOU DON'T NEED TO
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CLEAN HERE.
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>> ARE YOU SURE?
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LOOKS PRETTY DIRTY FROM WHERE
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I'M STANDING.
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FILTHY, ACTUALLY.
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>> [WHISPERS] FUCK...
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>> IS THAT YOUR DAD THEN?
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THE PERVERT YOU KEEP LOCKED AWAY
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IN THE ATTIC?
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>> SO YOU'VE READ THE BOOK THEN?
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>> NO.
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IT'S A LITTLE LIGHTWEIGHT
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FOR ME-- ANY GOOD?
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>> REALLY BRILLIANT.
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>> [CHUCKLES]
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WHAT'S HE DOING HERE THEN?
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>> HE LIVES HERE.
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>> NO, I MEAN HE'S GERMAN,
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ISN'T HE?
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SO WHAT'S HE DOING IN THIS
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CULTURE VACUUM?
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>> WELL, I'D IMAGINE HE'S ASKING
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HIMSELF THE SAME QUESTION NOW
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THAT HE'S GOT WRITER'S BLOCK.
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>> MY NAME'S NOT SERENA MOLINA,
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BY THE WAY.
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DID YOU NOT REALIZE
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I WAS JOKING?
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>> OH.
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I THOUGHT THE JOKE WAS ON YOU.
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>> EMELIA... CONAN DOYLE.
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AND YES, I AM RELATED TO THE
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SHERLOCK HOLMES AUTHOR.
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>> WOW.
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THAT'S GREAT.
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>> ANYWAY...
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I'D BETTER GO,
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GOTTA SKOOCH.
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BYE.
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[DOOR CLOSES]
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[*..., SEAGULLS SQUAWK]
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>> SHE WANTS TO DO IT,
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SO WHY CAN'T SHE?
198
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>> BECAUSE SHE WILL...
199
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[QUIETER] BECAUSE SHE WILL HAVE
200
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TO COME OUT OF SCHOOL IF THE
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REHEARSALS ARE DURING THE DAY.
202
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>> SHE IS SIX YEARS OLD,
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JONATHAN.
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[MUFFLED] WHAT'S SHE GOING TO
205
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MISS, EH?
206
00:08:27,407 --> 00:08:28,742
>> WHAT'S SHE GOING TO MISS?
207
00:08:28,742 --> 00:08:29,910
OH, I DON'T KNOW.
208
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JUST THE UNIMPORTANT STUFF!
209
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READING! WRITING!
210
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>> [SCOFFS] LOT OF BLOODY GOOD
211
00:08:33,981 --> 00:08:35,482
THOSE THINGS HAVE DONE YOU,
212
00:08:35,482 --> 00:08:36,750
PARKED UP HERE FIDDLING WITH
213
00:08:36,750 --> 00:08:38,552
YOUR ASSHOLE AND IT'S THE REST
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OF US... DO NOT TURN AWAY!
215
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IT IS THE REST OF US
216
00:08:41,321 --> 00:08:42,389
WHO ARE RUNNING AROUND,
217
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TRYING TO MAKE MONEY OUT OF THIS
218
00:08:43,924 --> 00:08:45,125
GODFORSAKEN HOUSE...
219
00:08:45,125 --> 00:08:46,627
TRYING TO MAKE ENDS MEET.
220
00:08:46,627 --> 00:08:48,061
IT'S A PROFESSIONAL ENGAGEMENT
221
00:08:48,061 --> 00:08:49,096
SHE'S BEEN OFFERED.
222
00:08:49,096 --> 00:08:50,363
AND SHE WANTS TO DO IT.
223
00:08:50,363 --> 00:08:51,298
>> DOES SHE REALLY WANT TO?
224
00:08:51,298 --> 00:08:52,465
>> YES, LOOK AT HER!
225
00:08:52,465 --> 00:08:53,634
>> OR IS IT JUST YOU TRYING TO
226
00:08:53,634 --> 00:08:56,469
MAKE UP FOR YOUR OWN FAILURES?
227
00:08:56,469 --> 00:08:58,105
>> OH, WELL, I CAN ONLY BOW
228
00:08:58,105 --> 00:08:59,973
TO YOUR SUPERIOR KNOWLEDGE
229
00:08:59,973 --> 00:09:00,808
OF FAILURE.
230
00:09:00,808 --> 00:09:02,910
YOU ARE THE GRAND POOBAH OF IT.
231
00:09:02,910 --> 00:09:05,646
>> YOU ARE SO FUCKING CHILDISH.
232
00:09:05,646 --> 00:09:06,647
IT TAKES YEARS TO WRITE
233
00:09:06,647 --> 00:09:07,648
A GREAT NOVEL.
234
00:09:07,648 --> 00:09:09,817
>> AND IT TAKES YOU JUST AS LONG
235
00:09:09,817 --> 00:09:14,487
TO WRITE A SHIT ONE.
236
00:09:14,487 --> 00:09:17,591
[KNOCKING]
237
00:09:17,591 --> 00:09:18,458
>> GO AWAY, MUM!
238
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I'M REVISING!
239
00:09:20,594 --> 00:09:22,429
[KNOCKING]
240
00:09:25,966 --> 00:09:27,868
OH.
241
00:09:27,868 --> 00:09:29,036
SORRY, I DIDN'T REALIZE
242
00:09:29,036 --> 00:09:30,070
YOU WERE HERE.
243
00:09:30,070 --> 00:09:31,071
>> I'D SAY THE SAME GOES
244
00:09:31,071 --> 00:09:32,272
FOR THIS LOT.
245
00:09:32,272 --> 00:09:35,108
>> YOU CAUGHT THE SHOW THEN?
246
00:09:35,108 --> 00:09:38,311
THIS IS MY GET-OUT-OF-JAIL CARD.
247
00:09:38,311 --> 00:09:39,479
>> AND, UH...
248
00:09:39,479 --> 00:09:41,615
IS THAT YOUR SEX HAT?
249
00:09:41,615 --> 00:09:42,449
LOOK, I DON'T HAVE LONG.
250
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I JUST STOPPED BY TO GIVE
251
00:09:43,450 --> 00:09:47,154
YOU THIS.
252
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YOU HAD A BOOK ON FAIRIES
253
00:09:48,321 --> 00:09:49,957
BY YOUR BED.
254
00:09:49,957 --> 00:09:51,458
>> OH, YEAH.
255
00:09:51,458 --> 00:09:53,526
YEAH, IT WAS MY LITTLE SISTER'S.
256
00:09:53,526 --> 00:09:55,395
BUT THAT'S LOVELY.
257
00:09:55,395 --> 00:09:56,964
THANKS.
258
00:09:56,964 --> 00:10:00,133
>> ANYWAY, I SHOULD GET GOING.
259
00:10:00,133 --> 00:10:02,135
>> YOU SHOULD COME FOR DINNER...
260
00:10:02,135 --> 00:10:03,403
TONIGHT, AS A THANK YOU
261
00:10:03,403 --> 00:10:05,605
FOR THE BOOK.
262
00:10:05,605 --> 00:10:06,640
>> SERIOUSLY?
263
00:10:06,640 --> 00:10:07,741
WITH YOUR FAMILY?
264
00:10:07,741 --> 00:10:09,609
>> YEAH.
265
00:10:09,609 --> 00:10:10,644
>> THAT WOULD BE AMAZING.
266
00:10:10,644 --> 00:10:12,045
>> GREAT, SO, DO YOU NEED TO
267
00:10:12,045 --> 00:10:13,714
CALL YOUR MUM TO CHECK?
268
00:10:13,714 --> 00:10:14,648
>> I WOULD, BUT SHE'S
269
00:10:14,648 --> 00:10:17,951
A BIT DEAD.
270
00:10:17,951 --> 00:10:19,953
>> OH.
271
00:10:19,953 --> 00:10:21,454
SORRY.
272
00:10:21,454 --> 00:10:22,890
>> IT'S O.K.
273
00:10:22,890 --> 00:10:23,857
IT'S NOT VERY FAIR FOR YOU
274
00:10:23,857 --> 00:10:24,925
TO TAKE THE BLAME.
275
00:10:24,925 --> 00:10:27,527
SHE DID KILL HERSELF.
276
00:10:27,527 --> 00:10:32,299
BUT THANKS ANYWAY.
277
00:10:32,299 --> 00:10:33,300
>> FUCKING USELESS ASSHOLE.
278
00:10:33,300 --> 00:10:35,102
COME ON, POSY, GET IN THE CAR.
279
00:10:35,102 --> 00:10:36,269
WE NEED TO GET GOING IF WE'RE
280
00:10:36,269 --> 00:10:37,270
REALLY GOING TO FUCK YOUR
281
00:10:37,270 --> 00:10:38,071
FATHER OFF.
282
00:10:38,071 --> 00:10:40,140
>> Posy: YOU SAID A BAD WORD!
283
00:10:40,140 --> 00:10:42,810
>> [WHISPERS] NICE!
284
00:10:42,810 --> 00:10:43,643
BYE.
285
00:10:43,643 --> 00:10:45,412
>> BYE.
286
00:10:45,412 --> 00:10:47,447
[*...]
287
00:11:00,794 --> 00:11:02,963
[*...]
288
00:11:02,963 --> 00:11:06,900
>> [CRUMPLES LETTER]
289
00:11:06,900 --> 00:11:07,901
[THROWS IT INTO BASKET]
290
00:11:07,901 --> 00:11:11,138
[*...]
291
00:11:11,138 --> 00:11:12,172
>> HAVE YOU GOT ANY I.D.?
292
00:11:19,880 --> 00:11:21,949
>> YEAH, DEFINITELY ME.
293
00:11:21,949 --> 00:11:23,784
>> NO, ARE YOU 18?
294
00:11:23,784 --> 00:11:24,384
>> YES.
295
00:11:24,384 --> 00:11:26,586
>> CAN YOU PROVE IT?
296
00:11:26,586 --> 00:11:27,755
>> [SIGHS]
297
00:11:29,422 --> 00:11:30,390
>> THERE.
298
00:11:30,390 --> 00:11:31,224
ARE THESE NOT THE BREASTS
299
00:11:31,224 --> 00:11:32,225
OF AN 18-YEAR-OLD?
300
00:11:32,225 --> 00:11:33,827
>> THAT'LL BE £2.99, PLEASE.
301
00:11:36,463 --> 00:11:39,099
[*...]
302
00:11:39,099 --> 00:11:40,200
>> I CAN'T BELIEVE WE'RE
303
00:11:40,200 --> 00:11:42,202
STOOPING TO THE HIRED HELP FOR
304
00:11:42,202 --> 00:11:45,205
FRIENDSHIPS NOW, BETH.
305
00:11:45,205 --> 00:11:46,473
>> WHAT'S GOING ON?
306
00:11:46,473 --> 00:11:47,474
>> YOUR DAUGHTER'S INVITED THE
307
00:11:47,474 --> 00:11:49,977
BLOODY CLEANER FOR DINNER.
308
00:11:49,977 --> 00:11:51,144
>> WHICH ONE?
309
00:11:51,144 --> 00:11:52,145
>> WELL, I ASSUME IT'S
310
00:11:52,145 --> 00:11:53,580
THE 17-YEAR-OLD.
311
00:11:53,580 --> 00:11:54,982
PLEASE TELL ME IT'S NOT EDNA,
312
00:11:54,982 --> 00:11:58,752
THE BEARDED PENSIONER.
313
00:12:00,988 --> 00:12:03,156
>> SORRY, I CAME IN THROUGH THE
314
00:12:03,156 --> 00:12:03,924
PRIVATE ENTRANCE.
315
00:12:03,924 --> 00:12:04,724
I DIDN'T KNOW WHICH ONE
316
00:12:04,724 --> 00:12:05,392
I SHOULD USE.
317
00:12:05,392 --> 00:12:07,627
>> OH, HEY.
318
00:12:07,627 --> 00:12:09,062
>> HELLO, MRS. FISCHER.
319
00:12:09,062 --> 00:12:09,930
THANK YOU SO MUCH FOR
320
00:12:09,930 --> 00:12:10,931
INVITING ME.
321
00:12:10,931 --> 00:12:12,199
THIS IS FOR YOU.
322
00:12:12,199 --> 00:12:13,901
>> OH, THANK YOU.
323
00:12:13,901 --> 00:12:14,567
ARE YOU OLD ENOUGH
324
00:12:14,567 --> 00:12:15,702
TO DRINK WINE?
325
00:12:15,702 --> 00:12:17,470
>> YES...
326
00:12:17,470 --> 00:12:18,605
IN DENMARK AND RESTRICTED PARTS
327
00:12:18,605 --> 00:12:20,040
OF EUROPE.
328
00:12:20,040 --> 00:12:21,608
>> HAVE YOU MET MY DAD, EMELIA?
329
00:12:21,608 --> 00:12:23,310
>> NO, I DON'T THINK WE'VE
330
00:12:23,310 --> 00:12:24,978
ACTUALLY BEEN INTRODUCED.
331
00:12:24,978 --> 00:12:26,980
>> BETH, CAN YOU COME AND FINISH
332
00:12:26,980 --> 00:12:29,116
UP THE PLATES?
333
00:12:29,116 --> 00:12:32,419
>> HI, I'M JONATHAN FISCHER.
334
00:12:32,419 --> 00:12:33,420
>> HMM.
335
00:12:33,420 --> 00:12:34,421
I HOPE YOU'VE WASHED THAT HAND
336
00:12:34,421 --> 00:12:38,258
BEFORE I SHAKE IT, MR. FISCHER.
337
00:12:38,258 --> 00:12:41,128
EMELIA, HI.
338
00:12:41,128 --> 00:12:41,795
>> LOVELY TO MEET YOU
339
00:12:41,795 --> 00:12:42,629
PROPERLY, EMELIA.
340
00:12:42,629 --> 00:12:44,064
>> CONAN DOYLE.
341
00:12:44,064 --> 00:12:46,633
EMELIA CONAN DOYLE.
342
00:12:46,633 --> 00:12:48,635
YES, I AM RELATED TO THE
343
00:12:48,635 --> 00:12:50,303
SHERLOCK HOLMES AUTHOR.
344
00:12:50,303 --> 00:12:52,472
SIR ARTHUR CONAN DOYLE?
345
00:12:52,472 --> 00:12:54,474
>> OH.
346
00:12:54,474 --> 00:12:58,946
I'VE READ ALL HIS WORK.
347
00:12:58,946 --> 00:13:00,313
SO, I'LL GET YOU A DRINK.
348
00:13:00,313 --> 00:13:01,314
WINE?
349
00:13:01,314 --> 00:13:02,482
YOU CAN HAVE A GLASS OF WINE
350
00:13:02,482 --> 00:13:03,650
WITH DINNER, CAN'T YOU?
351
00:13:03,650 --> 00:13:04,584
WHITE, HUH?
352
00:13:04,584 --> 00:13:05,252
THAT'S WHAT YOU GIRLS
353
00:13:05,252 --> 00:13:08,455
PREFER, WHITE?
354
00:13:14,127 --> 00:13:14,862
>> SO, TELL ME ABOUT
355
00:13:14,862 --> 00:13:15,762
THE CLIFF HOUSE.
356
00:13:15,762 --> 00:13:17,931
I WANT TO KNOW EVERYTHING.
357
00:13:17,931 --> 00:13:18,932
>> HMM.
358
00:13:18,932 --> 00:13:21,969
THERE'S NOT MUCH TO TELL.
359
00:13:21,969 --> 00:13:22,970
I CAME OVER HERE TO GO
360
00:13:22,970 --> 00:13:24,571
TO CAMBRIDGE.
361
00:13:24,571 --> 00:13:25,973
SAW A BEAUTIFUL YOUNG ACTRESS IN
362
00:13:25,973 --> 00:13:27,975
A TOURING PLAY AND WHISKED HER
363
00:13:27,975 --> 00:13:29,476
AWAY TO THE CLIFF HOUSE,
364
00:13:29,476 --> 00:13:31,378
JUST FOR THE WEEKEND.
365
00:13:31,378 --> 00:13:32,779
WROTE THE BOOK IN IGNORANCE AT
366
00:13:32,779 --> 00:13:36,383
22, STRUCK GOLD, AND NOW IT
367
00:13:36,383 --> 00:13:38,251
HANGS AROUND MY NECK TAUNTING ME
368
00:13:38,251 --> 00:13:40,753
WITH ITS SUCCESS.
369
00:13:40,753 --> 00:13:42,990
>> YEAH, I MEANT THE HOUSE,
370
00:13:42,990 --> 00:13:44,824
LIKE THE ACTUAL BUILDING.
371
00:13:44,824 --> 00:13:45,792
IS IT VICTORIAN?
372
00:13:45,792 --> 00:13:51,431
>> [LAUGHING]
373
00:13:51,431 --> 00:13:54,734
>> NO, EDWARDIAN, ACTUALLY.
374
00:13:54,734 --> 00:13:56,469
>> I'M JOKING.
375
00:13:56,469 --> 00:13:58,638
I'D LOVE TO KNOW ABOUT THE BOOK.
376
00:13:58,638 --> 00:13:59,472
>> ARE YOU APPLYING TO
377
00:13:59,472 --> 00:14:00,974
UNIVERSITY, EMELIA?
378
00:14:00,974 --> 00:14:02,142
I'M SURE BETH TOLD YOU
379
00:14:02,142 --> 00:14:04,411
SHE'S APPLYING TO OXFORD.
380
00:14:04,411 --> 00:14:05,545
>> UM, I'M NOT ACTUALLY GOING
381
00:14:05,545 --> 00:14:06,713
TO UNI.
382
00:14:06,713 --> 00:14:08,081
>> ARE YOU AT THE UNIVERSITY
383
00:14:08,081 --> 00:14:10,383
OF LIFE, EMELIA?
384
00:14:10,383 --> 00:14:11,484
>> YES.
385
00:14:11,484 --> 00:14:12,552
>> MUM SAYS THAT'S WHAT
386
00:14:12,552 --> 00:14:16,823
DOSSERS SAY.
387
00:14:16,823 --> 00:14:18,158
>> HMM.
388
00:14:18,158 --> 00:14:19,692
ACTUALLY, UM, I'M ALSO WRITING
389
00:14:19,692 --> 00:14:21,061
A NOVEL.
390
00:14:21,061 --> 00:14:23,130
>> ARE YOU? THAT'S COOL.
391
00:14:23,130 --> 00:14:25,632
>> YEAH, BUT, UM, GOT QUITE A
392
00:14:25,632 --> 00:14:27,234
LOT TO LIVE UP TO THOUGH,
393
00:14:27,234 --> 00:14:27,901
AS YOU CAN IMAGINE.
394
00:14:27,901 --> 00:14:28,969
I MEAN YOU CAN'T EXACTLY GO
395
00:14:28,969 --> 00:14:30,403
LOOKING UNDER CONAN DOYLE AND
396
00:14:30,403 --> 00:14:32,472
COME UP WITH SOME AIRPORT READ
397
00:14:32,472 --> 00:14:36,409
CALLED DIRTY BITCH, CAN YOU?
398
00:14:36,409 --> 00:14:37,244
>> THAT'S EXACTLY WHAT I SHOULD
399
00:14:37,244 --> 00:14:38,878
HAVE DONE.
400
00:14:38,878 --> 00:14:39,947
NOTHING TO ME, ALL THIS
401
00:14:39,947 --> 00:14:42,082
UNIVERSITY EDUCATION.
402
00:14:42,082 --> 00:14:43,250
>> WHAT A SHAME YOU DIDN'T
403
00:14:43,250 --> 00:14:44,417
REALIZE THAT BEFORE YOU WROTE
404
00:14:44,417 --> 00:14:45,418
MENTAL INTERIORS.
405
00:14:45,418 --> 00:14:46,253
YOU MIGHT STILL HAVE
406
00:14:46,253 --> 00:14:48,288
A PUBLISHER.
407
00:14:48,288 --> 00:14:49,289
>> YOU SHOULD TAKE IT ON BOARD,
408
00:14:49,289 --> 00:14:51,058
MR. FISCHER.
409
00:14:51,058 --> 00:14:52,125
"IT IS WITH BAD SENTIMENTS
410
00:14:52,125 --> 00:14:55,228
THAT ONE MAKES GOOD NOVELS."
411
00:14:55,228 --> 00:14:56,096
THAT'S ALDOUS HUXLEY,
412
00:14:56,096 --> 00:15:00,300
MRS. FISCHER.
413
00:15:00,300 --> 00:15:06,006
[*...]
414
00:15:18,151 --> 00:15:26,093
[*...]
415
00:15:29,796 --> 00:15:33,433
[DISHES CLATTERING]
416
00:15:33,433 --> 00:15:34,401
>> WHO DOES THIS BELONG TO?
417
00:15:34,401 --> 00:15:35,402
>> IT'S NOT MINE, IT'S EMELIA'S.
418
00:15:35,402 --> 00:15:38,571
>> WELL, WHERE IS EMELIA?
419
00:15:41,641 --> 00:15:42,976
[CLEARS THROAT] WHAT ARE
420
00:15:42,976 --> 00:15:45,412
YOU DOING?
421
00:15:45,412 --> 00:15:46,413
>> WAS HAVING A BREAK.
422
00:15:46,413 --> 00:15:47,147
>> DON'T BE SMART.
423
00:15:47,147 --> 00:15:49,649
GET IN.
424
00:15:49,649 --> 00:15:51,384
EMELIA!
425
00:15:51,384 --> 00:15:54,154
EMELIA!
426
00:15:54,154 --> 00:15:55,155
>> [MUTTERING] FUCK YOU
427
00:15:55,155 --> 00:15:57,290
VERY MUCH.
428
00:15:57,290 --> 00:15:59,092
WHAT? I SAID THANK YOU.
429
00:15:59,092 --> 00:16:00,393
LIKE, I JUST SANG IT.
430
00:16:00,393 --> 00:16:02,462
* THANK YOU.
431
00:16:02,462 --> 00:16:06,899
[DOOR CREAKS, SEAGULLS SQUAWK]
432
00:16:08,768 --> 00:16:11,604
>> HIYA.
433
00:16:11,604 --> 00:16:12,939
WHAT ARE YOU DOING HERE?
434
00:16:12,939 --> 00:16:13,873
>> CERTAINLY NOT WAITRESSING IF
435
00:16:13,873 --> 00:16:15,575
THAT'S WHAT YOU'RE THINKING.
436
00:16:15,575 --> 00:16:16,643
HELLO, POKY.
437
00:16:16,643 --> 00:16:17,977
>> IT'S POSY!
438
00:16:17,977 --> 00:16:19,212
>> I KNOW.
439
00:16:19,212 --> 00:16:20,247
SIT IN MY SECTION.
440
00:16:20,247 --> 00:16:22,082
I'LL MOVE SOMEONE.
441
00:16:26,319 --> 00:16:28,888
>> HOW'S YOUR NOVEL GOING?
442
00:16:28,888 --> 00:16:31,491
>> OH, WELL, YOU KNOW...
443
00:16:31,491 --> 00:16:33,793
POSY, WOULD YOU LIKE
444
00:16:33,793 --> 00:16:35,095
A MILKSHAKE?
445
00:16:35,095 --> 00:16:36,963
>> YES.
446
00:16:36,963 --> 00:16:37,964
>> I'D LIKE TO HAVE...
447
00:16:37,964 --> 00:16:40,600
>> UH, LADIES FIRST.
448
00:16:40,600 --> 00:16:41,601
I'LL BE BACK IN A MOMENT
449
00:16:41,601 --> 00:16:42,602
TO TAKE YOUR ORDER.
450
00:16:42,602 --> 00:16:45,272
>> [FRENCH ACCENT] EXCUSE ME?
451
00:16:45,272 --> 00:16:47,640
I AM A VEGETARIAN.
452
00:16:47,640 --> 00:16:48,475
>> THAT ISN'T SOMETHING
453
00:16:48,475 --> 00:16:50,410
TO BOAST ABOUT.
454
00:16:50,410 --> 00:16:54,114
[*...]
455
00:16:54,114 --> 00:16:56,916
[WOMAN SPEAKS IN FRENCH]
456
00:16:56,916 --> 00:16:58,685
[*...]
457
00:17:08,061 --> 00:17:10,397
>> Posy: MMM, THANK YOU!
458
00:17:10,397 --> 00:17:11,464
I NEED A SPOON.
459
00:17:11,464 --> 00:17:13,633
>> SO WHAT CAN I DO FOR YOU?
460
00:17:13,633 --> 00:17:15,402
>> ACTUALLY, I WAS JUST
461
00:17:15,402 --> 00:17:15,968
THINKING...
462
00:17:15,968 --> 00:17:16,969
>> YOU KNOW, IF YOU GET THAT
463
00:17:16,969 --> 00:17:17,970
DOWN ON PAPER,
464
00:17:17,970 --> 00:17:20,573
IT'S CALLED WRITING.
465
00:17:20,573 --> 00:17:21,908
YOU CAN HAVE THAT LESSON ON ME.
466
00:17:21,908 --> 00:17:22,809
>> ACTUALLY, I WAS THINKING
467
00:17:22,809 --> 00:17:23,976
I MIGHT BE ABLE TO DO
468
00:17:23,976 --> 00:17:25,912
SOMETHING FOR YOU.
469
00:17:25,912 --> 00:17:27,580
SERIOUSLY.
470
00:17:27,580 --> 00:17:28,415
I COULD TEACH YOU CREATIVE
471
00:17:28,415 --> 00:17:30,650
WRITING IF YOU'RE STRUGGLING.
472
00:17:30,650 --> 00:17:32,385
>> JUST YOU AND ME, WRITING?
473
00:17:32,385 --> 00:17:34,321
>> YES.
474
00:17:34,321 --> 00:17:35,655
>> SOUNDS FUN.
475
00:17:35,655 --> 00:17:37,790
I'LL SEE YOU TOMORROW.
476
00:17:37,790 --> 00:17:38,425
[TAPPING AT WINDOW]
477
00:17:43,630 --> 00:17:51,238
[*...]
478
00:18:06,453 --> 00:18:09,422
[INDISTINCT VOICES ON T.V.]
479
00:18:23,403 --> 00:18:25,972
>> OH, ANNIE, YOU SCARED
480
00:18:25,972 --> 00:18:28,975
THE WITS OUT OF ME.
481
00:18:28,975 --> 00:18:30,477
>> GRANNY, IT'S EMELIA.
482
00:18:30,477 --> 00:18:32,379
NOT ANNIE.
483
00:18:32,379 --> 00:18:35,915
MUM'S DEAD, REMEMBER?
484
00:18:35,915 --> 00:18:37,917
[MAN CLEARS THROAT]
485
00:18:40,119 --> 00:18:42,789
>> DON'T STAY UP TOO LATE NOW,
486
00:18:42,789 --> 00:18:44,491
WILL YOU?
487
00:18:44,491 --> 00:18:47,126
THERE'S SCHOOL TOMORROW.
488
00:18:47,126 --> 00:18:49,061
>> GRANNY, IT'S ONLY FOUR
489
00:18:49,061 --> 00:18:52,399
AND IT'S SUNDAY TOMORROW.
490
00:18:52,399 --> 00:18:53,700
AND I'M WORKING AS WELL,
491
00:18:53,700 --> 00:18:56,135
TO TIDE ME OVER FOR A BIT.
492
00:18:56,135 --> 00:18:59,472
>> YES, YES.
493
00:18:59,472 --> 00:19:01,408
OF COURSE.
494
00:19:01,408 --> 00:19:05,978
[*...]
495
00:19:05,978 --> 00:19:08,014
>> [SIGHS]
496
00:19:11,251 --> 00:19:14,421
[*...]
497
00:19:14,421 --> 00:19:15,154
>> Man: BASICALLY, YEAH,
498
00:19:15,154 --> 00:19:16,823
I GO LIKE, "SO WHO'S YOUR
499
00:19:16,823 --> 00:19:19,459
SEXUAL FANTASY," YEAH?
500
00:19:19,459 --> 00:19:20,760
AND INSTEAD OF SAYING LIKE,
501
00:19:20,760 --> 00:19:22,529
YOU KNOW, PAMELA ANDERSON OR
502
00:19:22,529 --> 00:19:25,898
SOMETHING, HE GOES, "A MERMAID."
503
00:19:25,898 --> 00:19:28,134
I WAS LIKE, "A MERMAID?
504
00:19:28,134 --> 00:19:29,369
THAT IS HALF FISH YOU WANNA
505
00:19:29,369 --> 00:19:31,971
SHAG, YOU SICK FUCK!"
506
00:19:31,971 --> 00:19:33,573
HE GOES, "YEAH.
507
00:19:33,573 --> 00:19:34,407
PRETTY MUCH IS WITH
508
00:19:34,407 --> 00:19:36,108
MOST GIRLS, INNIT?"
509
00:19:36,108 --> 00:19:38,278
[LAUGHS]
510
00:19:38,278 --> 00:19:40,647
[*...]
511
00:19:40,647 --> 00:19:43,816
>> I THINK MY GRANNY'S DYING.
512
00:19:43,816 --> 00:19:44,984
>> ALL RIGHT.
513
00:19:44,984 --> 00:19:46,553
WHEN MY GRANNY DIED, YEAH,
514
00:19:46,553 --> 00:19:47,620
MY BROTHER, LITTLE TOMMY,
515
00:19:47,620 --> 00:19:49,155
YEAH, STARTED SINGING
516
00:19:49,155 --> 00:19:51,157
"BURN, BABY, BURN" AS SHE WAS
517
00:19:51,157 --> 00:19:53,226
GOING IN THE OVEN. [LAUGHS]
518
00:19:53,226 --> 00:19:54,427
FUCKING PRICELESS,
519
00:19:54,427 --> 00:19:56,095
CALLING MY NAN "BABY".
520
00:19:56,095 --> 00:20:02,602
[*...]
521
00:20:02,602 --> 00:20:04,304
BABE?
522
00:20:04,304 --> 00:20:06,439
BABE?
523
00:20:06,439 --> 00:20:11,611
[WATER SPLASHING, *...]
524
00:20:16,316 --> 00:20:20,920
[*...]
525
00:20:36,235 --> 00:20:43,576
[*...]
526
00:20:46,546 --> 00:20:47,580
[GLASS SHATTERS]
527
00:20:53,252 --> 00:20:54,521
[STIFLING SOBS]
528
00:20:59,058 --> 00:21:00,493
[SIGHS]
529
00:21:00,493 --> 00:21:04,964
[*...]
530
00:21:08,301 --> 00:21:11,571
[SEAGULLS SQUAWKING]
531
00:21:15,975 --> 00:21:18,778
>> WELL, I, I HAVEN'T ACTUALLY
532
00:21:18,778 --> 00:21:20,980
ACTED PROFESSIONALLY FOR A FEW
533
00:21:20,980 --> 00:21:23,049
YEARS NOW, NO.
534
00:21:23,049 --> 00:21:25,385
UM, I WAS IN A, A REALLY
535
00:21:25,385 --> 00:21:27,720
POPULAR COFFEE COMMERCIAL.
536
00:21:27,720 --> 00:21:30,457
UM, I USED TO BE JOA SAUNDERS.
537
00:21:30,457 --> 00:21:32,091
I'M THE ONE WHO MARRIED THE
538
00:21:32,091 --> 00:21:34,894
NOVELIST JONATHAN A. FISCHER.
539
00:21:34,894 --> 00:21:37,296
SO, UM, I WAS JUST CALLING
540
00:21:37,296 --> 00:21:39,231
BECAUSE I'M LOOKING FOR NEW
541
00:21:39,231 --> 00:21:40,967
REPRESENTATION.
542
00:21:40,967 --> 00:21:42,469
RIGHT.
543
00:21:42,469 --> 00:21:44,270
YEAH.
544
00:21:44,270 --> 00:21:46,038
YES, ALL RIGHT, I WILL.
545
00:21:46,038 --> 00:21:47,707
I'LL, UM, I'LL CALL BACK
546
00:21:47,707 --> 00:21:49,709
WHEN I'M IN SOMETHING.
547
00:21:49,709 --> 00:21:52,078
THANKS.
548
00:21:53,446 --> 00:21:54,381
[BELL DINGS]
549
00:21:57,984 --> 00:22:00,319
>> MORNING, MRS. FISCHER.
550
00:22:00,319 --> 00:22:02,321
HOW'S IT HANGING?
551
00:22:02,321 --> 00:22:04,624
>> YOU'RE LATE.
552
00:22:04,624 --> 00:22:05,792
AND I WANT TO HAVE A WORD
553
00:22:05,792 --> 00:22:06,793
WITH YOU.
554
00:22:06,793 --> 00:22:08,595
WHAT ARE YOU DOING WITH THINGS
555
00:22:08,595 --> 00:22:10,463
THAT ARE LEFT IN THE ROOMS?
556
00:22:10,463 --> 00:22:12,231
>> OH... WELL, UH...
557
00:22:12,231 --> 00:22:13,733
THE BED, I'M MAKING.
558
00:22:13,733 --> 00:22:15,201
THE CARPET, I'VE...
559
00:22:15,201 --> 00:22:16,803
I'VE BEEN WALKING ON THAT.
560
00:22:16,803 --> 00:22:18,638
AND THE CURTAINS, RECENTLY I'VE
561
00:22:18,638 --> 00:22:20,139
TAKEN TO SWINGING ON THEM.
562
00:22:20,139 --> 00:22:21,574
IS THAT O.K.?
563
00:22:21,574 --> 00:22:23,109
>> I MEAN THE THINGS THAT PEOPLE
564
00:22:23,109 --> 00:22:26,413
LEAVE BEHIND ACCIDENTALLY.
565
00:22:26,413 --> 00:22:28,147
ARE YOU STEALING THEM?
566
00:22:28,147 --> 00:22:29,982
>> NO.
567
00:22:29,982 --> 00:22:30,883
I HAVEN'T FOUND ANYTHING
568
00:22:30,883 --> 00:22:32,785
THAT'S BEEN LEFT BEHIND.
569
00:22:32,785 --> 00:22:33,953
WHAT'S BEEN LEFT BEHIND?
570
00:22:33,953 --> 00:22:37,156
>> WELL, THE MAN WHO VACATED
571
00:22:37,156 --> 00:22:40,326
ROOM THREE ON TUESDAY COULDN'T
572
00:22:40,326 --> 00:22:41,994
FIND HIS TEETH.
573
00:22:41,994 --> 00:22:43,796
>> [CHUCKLES]
574
00:22:43,796 --> 00:22:45,097
ARE YOU ACTUALLY ACCUSING ME
575
00:22:45,097 --> 00:22:46,933
OF STEALING A SET OF OLD MAN'S
576
00:22:46,933 --> 00:22:47,967
FALSE TEETH?
577
00:22:47,967 --> 00:22:49,135
WHAT DID YOU THINK I WAS GOING
578
00:22:49,135 --> 00:22:50,236
TO DO WITH THEM?
579
00:22:50,236 --> 00:22:51,804
THESE NOT LOOK LIKE MINE?
580
00:22:51,804 --> 00:22:52,805
>> I KNOW THAT YOU LIVE
581
00:22:52,805 --> 00:22:53,806
WITH YOUR GRANDPARENTS.
582
00:22:53,806 --> 00:22:54,807
>> YES, AND THEY BOTH HAVE
583
00:22:54,807 --> 00:22:56,308
THEIR OWN TEETH.
584
00:22:56,308 --> 00:22:57,977
>> IF THINGS GET LEFT BEHIND,
585
00:22:57,977 --> 00:22:58,978
THEY COME DOWN TO THE LOST
586
00:22:58,978 --> 00:23:00,146
PROPERTY BOX.
587
00:23:00,146 --> 00:23:02,949
>> I KNOW.
588
00:23:02,949 --> 00:23:04,951
I READ THE MEMO.
589
00:23:04,951 --> 00:23:07,487
IT WAS... FASCINATING.
590
00:23:07,487 --> 00:23:08,488
YOU SHOULD HAVE BEEN THE WRITER
591
00:23:08,488 --> 00:23:11,157
IN THE FAMILY.
592
00:23:11,157 --> 00:23:14,661
>> EMELIA, YOU ARE THIS CLOSE
593
00:23:14,661 --> 00:23:16,829
TO GETTING FIRED.
594
00:23:16,829 --> 00:23:22,602
[*...]
595
00:23:24,737 --> 00:23:26,372
[KNOCKING AT THE DOOR]
596
00:23:30,777 --> 00:23:32,612
>> COME IN.
597
00:23:35,815 --> 00:23:38,818
HI.
598
00:23:38,818 --> 00:23:40,319
GIVE ME ONE MINUTE, LET ME JUST
599
00:23:40,319 --> 00:23:41,954
FINISH WHAT I AM DOING HERE.
600
00:23:41,954 --> 00:23:43,590
SIT DOWN.
601
00:23:43,590 --> 00:23:48,595
[TYPING]
602
00:23:53,299 --> 00:23:56,135
SORRY ABOUT THAT.
603
00:23:56,135 --> 00:23:57,436
A MOMENT OF INSPIRATION CAN BE
604
00:23:57,436 --> 00:23:58,805
LOST IN FAR LESS TIME IF YOU
605
00:23:58,805 --> 00:24:00,406
DON'T INDULGE IT.
606
00:24:00,406 --> 00:24:04,076
BUT I... CAUGHT IT.
607
00:24:04,076 --> 00:24:07,480
SO, HELLO.
608
00:24:07,480 --> 00:24:09,649
>> DID YOU JUST FAKE THAT?
609
00:24:09,649 --> 00:24:12,418
>> NO.
610
00:24:15,588 --> 00:24:18,190
YES.
611
00:24:20,993 --> 00:24:23,062
SO, WHERE'S YOUR WORK?
612
00:24:23,062 --> 00:24:23,996
>> I DIDN'T BRING ANYTHING
613
00:24:23,996 --> 00:24:25,031
WITH ME.
614
00:24:25,031 --> 00:24:26,232
>> I UNDERSTAND IF YOU'RE NOT
615
00:24:26,232 --> 00:24:27,800
READY TO SHOW ME WHAT YOU HAVE
616
00:24:27,800 --> 00:24:30,102
WRITTEN SO FAR.
617
00:24:30,102 --> 00:24:31,638
WHEREVER YOU'VE BEEN,
618
00:24:31,638 --> 00:24:34,974
I WENT THERE FIRST.
619
00:24:34,974 --> 00:24:35,975
>> I'M NOT SURE I'D
620
00:24:35,975 --> 00:24:37,243
OWN UP TO THAT.
621
00:24:40,479 --> 00:24:41,648
>> SO CAN YOU AT LEAST TELL ME
622
00:24:41,648 --> 00:24:43,850
WHAT YOUR NOVEL'S ABOUT?
623
00:24:48,287 --> 00:24:48,955
>> DO YOU HAVE ANYTHING
624
00:24:48,955 --> 00:24:50,657
TO DRINK?
625
00:24:50,657 --> 00:24:51,824
>> NO.
626
00:24:51,824 --> 00:24:52,992
>> CAN'T YOU JUST GO DOWNSTAIRS.
627
00:24:52,992 --> 00:24:53,826
THERE MUST BE SOMETHING
628
00:24:53,826 --> 00:24:55,928
DOWNSTAIRS?
629
00:24:58,931 --> 00:25:00,567
SO YOU HAVEN'T TOLD YOUR FAMILY
630
00:25:00,567 --> 00:25:03,202
ABOUT OUR LESSONS THEN.
631
00:25:03,202 --> 00:25:07,106
>> NO, I HAVEN'T.
632
00:25:07,106 --> 00:25:10,042
>> HMM.
633
00:25:10,042 --> 00:25:11,377
I DO HAVE A STORY ACTUALLY.
634
00:25:11,377 --> 00:25:14,413
IT'S ABOUT A NAUGHTY PIXIE.
635
00:25:14,413 --> 00:25:16,916
>> EMELIA, COME ON,
636
00:25:16,916 --> 00:25:18,250
THIS ISN'T SCHOOL.
637
00:25:18,250 --> 00:25:19,251
>> GOOD, BECAUSE I GOT EXPELLED
638
00:25:19,251 --> 00:25:23,590
FROM SCHOOL.
639
00:25:23,590 --> 00:25:24,423
I REALLY WOULDN'T LET YOUR
640
00:25:24,423 --> 00:25:27,093
DAUGHTER ANYWHERE NEAR ME.
641
00:25:27,093 --> 00:25:28,427
>> SHE'S 17.
642
00:25:28,427 --> 00:25:29,428
THAT'S OLD ENOUGH TO KNOW
643
00:25:29,428 --> 00:25:31,831
YOUR OWN MIND.
644
00:25:31,831 --> 00:25:33,199
>> IS THIS A LESSON ON SUBTEXT,
645
00:25:33,199 --> 00:25:35,501
MR. FISCHER?
646
00:25:38,137 --> 00:25:40,139
>> O.K., LET'S START WITH TEXT
647
00:25:40,139 --> 00:25:41,641
AND SUBTEXT THEN.
648
00:25:41,641 --> 00:25:43,375
I SUPPOSE THAT'S SOMETHING.
649
00:25:43,375 --> 00:25:44,310
AND PLEASE DON'T CALL ME
650
00:25:44,310 --> 00:25:45,477
MR. FISCHER-- IT MAKES ME
651
00:25:45,477 --> 00:25:46,946
FEEL OLD.
652
00:25:46,946 --> 00:25:49,481
[BOTH CHUCKLE]
653
00:25:49,481 --> 00:25:54,754
[*...]
654
00:26:19,378 --> 00:26:20,947
>> Posy: I DON'T WANT TO EAT IT!
655
00:26:20,947 --> 00:26:21,948
I DON'T LIKE IT!
656
00:26:21,948 --> 00:26:23,115
>> YOU HAVEN'T EVEN TRIED IT.
657
00:26:23,115 --> 00:26:23,950
COME ON, YOU HAVE TO
658
00:26:23,950 --> 00:26:26,653
EAT SOMETHING.
659
00:26:26,653 --> 00:26:27,754
>> NO, SHE DOESN'T.
660
00:26:27,754 --> 00:26:28,755
YOU DON'T HAVE TO EAT IT,
661
00:26:28,755 --> 00:26:29,656
POSY DARLING.
662
00:26:29,656 --> 00:26:31,991
BETH, DON'T FORCE-FEED HER.
663
00:26:31,991 --> 00:26:32,992
>> YOU WOULD HAVE MADE ME
664
00:26:32,992 --> 00:26:33,993
EAT IT.
665
00:26:33,993 --> 00:26:35,327
>> WELL, WE'VE LEARNT FROM
666
00:26:35,327 --> 00:26:37,096
OUR MISTAKES.
667
00:26:42,301 --> 00:26:43,803
HOW'S THE BOOK GOING?
668
00:26:43,803 --> 00:26:51,744
[*...]
669
00:27:00,987 --> 00:27:05,557
[PHONE RINGING]
670
00:27:05,557 --> 00:27:08,394
>> HELLO?
671
00:27:08,394 --> 00:27:10,830
EMELIA!
672
00:27:10,830 --> 00:27:13,632
[VOICES AND LAUGHTER ON T.V.]
673
00:27:13,632 --> 00:27:17,136
[JOA AND POSY LAUGH]
674
00:27:17,136 --> 00:27:20,306
CAN I GO OUT FOR THE EVENING?
675
00:27:20,306 --> 00:27:21,473
>> BUT IT'S A SCHOOL NIGHT.
676
00:27:21,473 --> 00:27:23,075
>> YEAH, BUT I'M ON STUDY LEAVE.
677
00:27:23,075 --> 00:27:23,810
>> TECHNICALLY IT'S
678
00:27:23,810 --> 00:27:26,645
A SCHOOL NIGHT.
679
00:27:26,645 --> 00:27:29,982
>> YOU CAN GO OUT.
680
00:27:29,982 --> 00:27:31,383
BE BACK BY 10.
681
00:27:31,383 --> 00:27:32,952
>> GREAT.
682
00:27:35,988 --> 00:27:36,823
>> Joa: SHOW SOME FUCKING
683
00:27:36,823 --> 00:27:39,391
BACKBONE, YOU TOTAL TOOL.
684
00:27:39,391 --> 00:27:41,127
>> Jonathan: DON'T START, JOA!
685
00:27:41,127 --> 00:27:41,994
YOU'D SLEPT WITH HALF OF
686
00:27:41,994 --> 00:27:43,329
BASINGSTOKE BY HER AGE.
687
00:27:43,329 --> 00:27:45,631
>> LUCKY FUCKING BASINGSTOKE!
688
00:27:45,631 --> 00:27:48,434
[*...]
689
00:27:48,434 --> 00:27:49,468
>> Emelia: WOW, LOOK AT THAT.
690
00:27:49,468 --> 00:27:52,805
>> WHOA, THAT, THAT'S AMAZING.
691
00:27:52,805 --> 00:27:54,206
>> BOY, I WISH I HAD A CAMERA.
692
00:27:54,206 --> 00:27:55,307
>> TAKE A PICTURE ON YOUR PHONE.
693
00:27:55,307 --> 00:27:56,943
>> I WISH I HAD A PHONE.
694
00:27:56,943 --> 00:27:58,144
ANYWAY, WE SHOULD GRAB WHAT WE
695
00:27:58,144 --> 00:27:59,611
CAN BEFORE THEY REALIZE IT'S
696
00:27:59,611 --> 00:28:01,147
REACHED HERE.
697
00:28:01,147 --> 00:28:03,716
OH...
698
00:28:03,716 --> 00:28:04,650
[LAUGHS]
699
00:28:04,650 --> 00:28:08,120
[*...]
700
00:28:08,120 --> 00:28:09,588
HUGE MEN'S T-SHIRTS.
701
00:28:09,588 --> 00:28:11,290
>> NOT AS GOOD AS THESE.
702
00:28:11,290 --> 00:28:12,258
WOMEN'S SHOES.
703
00:28:12,258 --> 00:28:15,294
>> OH, THAT'S REVOLTING!
704
00:28:15,294 --> 00:28:16,829
>> LOOK AT THE SIZE OF THEM!
705
00:28:16,829 --> 00:28:18,998
>> WHY IS EVERYTHING SO MASSIVE?
706
00:28:18,998 --> 00:28:20,599
HERE, YOU SHOULD HAVE THIS.
707
00:28:20,599 --> 00:28:21,600
>> WE CAN'T ACTUALLY TAKE THEM,
708
00:28:21,600 --> 00:28:22,735
THEY MIGHT BELONG TO SOMEONE.
709
00:28:22,735 --> 00:28:24,236
>> NO, YOU CAN CLAIM IT,
710
00:28:24,236 --> 00:28:25,471
PROVIDED NOTICE IS GIVEN SO THE
711
00:28:25,471 --> 00:28:26,605
RIGHTFUL OWNER HAS A CHANCE
712
00:28:26,605 --> 00:28:27,639
TO COME FORWARD.
713
00:28:27,639 --> 00:28:30,476
[*...]
714
00:28:30,476 --> 00:28:32,144
WE ARE TAKING ALL YOUR
715
00:28:32,144 --> 00:28:34,881
STUFF, O.K.?
716
00:28:34,881 --> 00:28:36,883
>> WE'RE HAVING THE BIG T-SHIRTS
717
00:28:36,883 --> 00:28:38,818
AND THE SHOES, ALL RIGHT?
718
00:28:38,818 --> 00:28:40,086
>> IS THAT ALL RIGHT WITH YOU?
719
00:28:40,086 --> 00:28:44,590
[SCREAMING AND WHOOPING...]
720
00:28:44,590 --> 00:28:49,929
[*...]
721
00:28:55,401 --> 00:28:57,136
>> HA-HA!
722
00:28:57,136 --> 00:28:58,971
>> AAH...!
723
00:28:58,971 --> 00:29:01,307
[*...]
724
00:29:01,307 --> 00:29:04,911
[MUSIC ENDS]
725
00:29:04,911 --> 00:29:07,213
[POLICE RADIO CHATTER...]
726
00:29:07,213 --> 00:29:09,982
[PAPER CRINKLING]
727
00:29:09,982 --> 00:29:11,483
WHAT'S THAT?
728
00:29:11,483 --> 00:29:12,484
>> IT'S A JOINT.
729
00:29:12,484 --> 00:29:14,120
DO YOU WANT SOME?
730
00:29:14,120 --> 00:29:16,255
>> NO, THANKS.
731
00:29:16,255 --> 00:29:17,256
WHERE ON EARTH DO YOU GET
732
00:29:17,256 --> 00:29:20,259
HARD DRUGS FROM?
733
00:29:20,259 --> 00:29:23,562
>> ARE YOU FOR REAL, POLLYANNA?
734
00:29:26,833 --> 00:29:28,034
>> CAN I TRY IT?
735
00:29:28,034 --> 00:29:30,069
>> YEAH.
736
00:29:30,069 --> 00:29:31,637
IT'S JUST A ROLLIE THOUGH.
737
00:29:31,637 --> 00:29:34,040
I JUST WANTED TO SEE YOUR FACE.
738
00:29:37,476 --> 00:29:44,250
[COUGHING]
739
00:29:47,719 --> 00:29:48,554
>> HOW COME YOU'RE NOT DOING
740
00:29:48,554 --> 00:29:50,556
YOUR A-LEVELS?
741
00:29:50,556 --> 00:29:51,723
SURELY YOU WANT TO GET OUT OF
742
00:29:51,723 --> 00:29:55,494
HERE LIKE EVERYONE ELSE.
743
00:29:55,494 --> 00:29:56,328
MY DAD THINKS YOU'RE
744
00:29:56,328 --> 00:29:59,331
REALLY CLEVER.
745
00:29:59,331 --> 00:30:02,234
>> I WAS DOING A-LEVELS.
746
00:30:02,234 --> 00:30:04,370
I WAS AT THE HOLY FAMILY,
747
00:30:04,370 --> 00:30:06,738
BUT I GOT KICKED OUT.
748
00:30:06,738 --> 00:30:10,476
I'M QUITE PLEASED ACTUALLY.
749
00:30:10,476 --> 00:30:11,477
'CAUSE MY MUM ALWAYS SAID THAT
750
00:30:11,477 --> 00:30:12,711
BEING A CONAN DOYLE MADE YOU
751
00:30:12,711 --> 00:30:14,813
SPECIAL AND NOW I GET TO SKIP
752
00:30:14,813 --> 00:30:15,481
ALL THAT RELIGIOUS
753
00:30:15,481 --> 00:30:16,648
INDOCTRINATION AND DO
754
00:30:16,648 --> 00:30:20,786
SOMETHING PROPER.
755
00:30:20,786 --> 00:30:24,924
DID YOUR DAD REALLY SAY THAT?
756
00:30:24,924 --> 00:30:26,926
WHAT ELSE DID HE SAY?
757
00:30:26,926 --> 00:30:31,998
>> NOTHING.
758
00:30:31,998 --> 00:30:33,165
I HOPE YOU DON'T MIND ME ASKING,
759
00:30:33,165 --> 00:30:37,803
BUT WHAT HAPPENED TO YOUR MUM?
760
00:30:37,803 --> 00:30:39,205
>> SHE JUMPED OFF THE FLYOVER AT
761
00:30:39,205 --> 00:30:40,306
SHOREHAM 'CAUSE MY DAD DIDN'T
762
00:30:40,306 --> 00:30:42,441
LOVE HER.
763
00:30:42,441 --> 00:30:44,610
THAT DIDN'T KILL HER THOUGH.
764
00:30:44,610 --> 00:30:45,444
SHE SQUEAKED AROUND IN A
765
00:30:45,444 --> 00:30:46,278
WHEELCHAIR FOR A COUPLE YEARS
766
00:30:46,278 --> 00:30:47,479
AFTER THAT.
767
00:30:47,479 --> 00:30:48,480
AND THEN WHEN HE DIDN'T COME
768
00:30:48,480 --> 00:30:50,883
BACK AND SAVE HER, SHE OVERDOSED
769
00:30:50,883 --> 00:30:53,319
ON SLEEPING PILLS.
770
00:30:53,319 --> 00:30:54,320
>> WHY DIDN'T HE COME BACK?
771
00:30:54,320 --> 00:30:56,755
WHERE IS HE?
772
00:30:56,755 --> 00:30:59,725
>> DEAD... DISABLED, DIVORCED.
773
00:30:59,725 --> 00:31:01,994
FUCK KNOWS.
774
00:31:01,994 --> 00:31:06,598
>> GOD, EMELIA, THAT'S AWFUL.
775
00:31:06,598 --> 00:31:07,599
SO IS THIS WHAT YOUR BOOK'S
776
00:31:07,599 --> 00:31:08,767
GONNA BE ABOUT?
777
00:31:12,638 --> 00:31:16,943
>> NO.
778
00:31:16,943 --> 00:31:18,978
IT'S ABOUT BESTIALITY.
779
00:31:18,978 --> 00:31:24,250
>> [LAUGHS]
780
00:31:26,085 --> 00:31:28,487
EMELIA?
781
00:31:28,487 --> 00:31:29,655
DO YOU WANT TO COME UP TO
782
00:31:29,655 --> 00:31:30,822
OXFORD WITH ME?
783
00:31:30,822 --> 00:31:31,823
FOR MY INTERVIEW?
784
00:31:31,823 --> 00:31:32,959
WE COULD GO FOR A COUPLE
785
00:31:32,959 --> 00:31:34,326
OF DAYS.
786
00:31:34,326 --> 00:31:36,595
STAY OVER.
787
00:31:36,595 --> 00:31:39,498
I'LL PAY.
788
00:31:39,498 --> 00:31:40,332
>> WHAT, AND HANG OUT
789
00:31:40,332 --> 00:31:42,334
WITH A LOAD OF GEEKS?
790
00:31:42,334 --> 00:31:43,602
FUCK THAT.
791
00:31:43,602 --> 00:31:44,770
I'D RATHER CHEW OFF MY OWN ARM
792
00:31:44,770 --> 00:31:45,771
AND CLUB MYSELF TO DEATH
793
00:31:45,771 --> 00:31:47,106
WITH IT.
794
00:31:47,106 --> 00:31:53,445
[*...]
795
00:32:01,487 --> 00:32:05,457
[OBJECTS CLATTERING...]
796
00:32:05,457 --> 00:32:07,926
[*...]
797
00:32:11,964 --> 00:32:13,565
[MUSIC ENDS]
798
00:32:16,102 --> 00:32:21,373
[*...]
799
00:32:30,149 --> 00:32:31,150
>> Jonathan: UH, SORRY.
800
00:32:31,150 --> 00:32:32,318
I WAS LOOKING FOR BETH.
801
00:32:32,318 --> 00:32:33,986
>> YEAH, I CAN SEE THAT.
802
00:32:33,986 --> 00:32:38,790
LOOKING... LONG AND... HARD.
803
00:32:39,791 --> 00:32:43,162
WHAT, IS THAT QUITS NOW?
804
00:32:43,162 --> 00:32:45,331
[CHUCKLES]
805
00:32:45,331 --> 00:32:48,000
OH, THAT'S RIGHT.
806
00:32:48,000 --> 00:32:48,667
GO BACK TO YOUR
807
00:32:48,667 --> 00:32:51,070
PROCRASTURBATING.
808
00:32:52,771 --> 00:32:54,106
[KEYBOARD CLICKING...]
809
00:32:59,645 --> 00:33:00,879
>> Jonathan: I'M DONE WITH
810
00:33:00,879 --> 00:33:04,116
MY ANSWERS... ARE YOU?
811
00:33:04,116 --> 00:33:07,819
>> NO.
812
00:33:07,819 --> 00:33:09,921
STOP CHEATING.
813
00:33:12,258 --> 00:33:13,992
>> HOW CAN YOU WRITE LIKE THAT?
814
00:33:13,992 --> 00:33:15,561
>> WELL...
815
00:33:15,561 --> 00:33:16,795
I FOUND THESE MIRACULOUS,
816
00:33:16,795 --> 00:33:18,230
CLAW-LIKE APPENDAGES AT THE END
817
00:33:18,230 --> 00:33:19,998
OF MY ARMS, AND THEY WERE IDEAL
818
00:33:19,998 --> 00:33:21,500
FOR CLUTCHING BLUNT INSTRUMENTS
819
00:33:21,500 --> 00:33:25,571
SUCH AS THIS, A PENCIL.
820
00:33:25,571 --> 00:33:26,972
>> I MEANT WOULDN'T IT JUST BE
821
00:33:26,972 --> 00:33:30,476
EASIER TO USE YOUR LAPTOP?
822
00:33:30,476 --> 00:33:35,247
I'D BE LOST WITHOUT MINE.
823
00:33:35,247 --> 00:33:37,149
>> I DON'T HAVE A LAPTOP.
824
00:33:37,149 --> 00:33:39,485
I COME FROM A NO-PARENT FAMILY.
825
00:33:39,485 --> 00:33:40,752
WE SPEND MOST OF OUR MONEY
826
00:33:40,752 --> 00:33:44,456
ON GRAVESTONES.
827
00:33:44,456 --> 00:33:46,492
>> AH.
828
00:33:46,492 --> 00:33:49,761
I'M SORRY.
829
00:33:49,761 --> 00:33:50,496
MAYBE YOU COULD USE
830
00:33:50,496 --> 00:33:52,631
POSY'S COMPUTER.
831
00:33:52,631 --> 00:33:55,534
>> MAYBE I COULD.
832
00:33:56,968 --> 00:33:57,803
I FORGIVE YOU.
833
00:34:00,739 --> 00:34:04,443
[*...]
834
00:34:04,443 --> 00:34:06,245
>> YOUR SHOES ARE MASSIVE.
835
00:34:12,818 --> 00:34:19,525
[*...]
836
00:34:36,142 --> 00:34:38,444
[DOOR OPENS]
837
00:34:38,444 --> 00:34:40,146
>> OH, THERE YOU ARE.
838
00:34:40,146 --> 00:34:42,781
>> YEP, HERE I AM.
839
00:34:42,781 --> 00:34:43,782
WHAT ARE YOU DOING HERE?
840
00:34:43,782 --> 00:34:44,783
I THOUGHT YOU'D FINISHED
841
00:34:44,783 --> 00:34:45,784
FOR THE DAY.
842
00:34:45,784 --> 00:34:47,319
>> UM, I WAS WONDERING
843
00:34:47,319 --> 00:34:48,987
ABOUT OXFORD.
844
00:34:48,987 --> 00:34:50,456
UM, I WONDERED IF THE OFFER
845
00:34:50,456 --> 00:34:51,823
STILL STANDS FOR ME TO COME
846
00:34:51,823 --> 00:34:52,991
WITH YOU.
847
00:34:52,991 --> 00:34:53,992
>> I THOUGHT YOU SAID YOU DIDN'T
848
00:34:53,992 --> 00:34:54,826
WANT TO COME.
849
00:34:54,826 --> 00:34:56,728
>> OF COURSE I WANT TO COME.
850
00:34:56,728 --> 00:34:57,729
>> YOU DON'T HAVE TO.
851
00:34:57,729 --> 00:34:59,665
I DON'T MIND, I'M NOT BOTHERED.
852
00:34:59,665 --> 00:35:03,001
>> I WANT TO COME.
853
00:35:03,001 --> 00:35:03,802
>> WELL, THE OFFER'S STILL
854
00:35:03,802 --> 00:35:06,405
THERE, I'D LOVE YOU TO COME.
855
00:35:06,405 --> 00:35:08,207
>> WICKED.
856
00:35:08,207 --> 00:35:09,641
CUP OF TEA?
857
00:35:09,641 --> 00:35:11,910
>> YEAH, GREAT.
858
00:35:16,982 --> 00:35:21,253
[*...]
859
00:35:31,763 --> 00:35:33,332
>> WHAT'S THAT?
860
00:35:33,332 --> 00:35:36,668
>> IT'S A DOGGY BAG, GRANNY.
861
00:35:36,668 --> 00:35:40,138
>> IS IT BONNIE'S FOOD?
862
00:35:40,138 --> 00:35:42,541
>> NO, GRANNY, UM...
863
00:35:42,541 --> 00:35:45,277
DOGGY BAG, AS IN LEFTOVERS.
864
00:35:45,277 --> 00:35:47,413
BONNIE'S DEAD, REMEMBER?
865
00:35:47,413 --> 00:35:49,481
[CUTLERY SCRAPES AGAINST PLATE]
866
00:35:49,481 --> 00:35:53,319
>> BONNIE'S DEAD?
867
00:35:53,319 --> 00:35:55,587
BONNIE'S DEAD! >> YES, YES.
868
00:35:55,587 --> 00:35:57,656
>> WELL, WELL, WHEN?
869
00:35:57,656 --> 00:35:59,157
[TEARFULLY] WHY, WHY DIDN'T
870
00:35:59,157 --> 00:36:01,993
SOMEBODY TELL ME?
871
00:36:01,993 --> 00:36:04,162
OH, ANNIE....
872
00:36:04,162 --> 00:36:07,098
WHY DIDN'T YOU TELL ME?
873
00:36:07,098 --> 00:36:10,869
WHY... DIDN'T SOMEBODY TELL ME?
874
00:36:14,573 --> 00:36:16,908
[DOOR OPENS]
875
00:36:22,914 --> 00:36:26,218
>> Joa: WHAT ARE YOU DOING?
876
00:36:26,218 --> 00:36:27,653
>> NOTHING.
877
00:36:27,653 --> 00:36:31,590
THE USUAL-- BORING.
878
00:36:31,590 --> 00:36:35,327
>> I WAS WONDERING...
879
00:36:35,327 --> 00:36:36,328
IF YOU WOULD LIKE TO GO
880
00:36:36,328 --> 00:36:39,331
OUT TO DINNER.
881
00:36:39,331 --> 00:36:40,266
>> I CAN'T, DARLING.
882
00:36:40,266 --> 00:36:41,400
I'VE GOT TONS TO DO.
883
00:36:41,400 --> 00:36:42,668
>> OH, COME ON.
884
00:36:42,668 --> 00:36:44,470
IT'S FRIDAY NIGHT.
885
00:36:44,470 --> 00:36:45,471
>> I'M ONTO SOMETHING HERE,
886
00:36:45,471 --> 00:36:46,605
REALLY, I...
887
00:36:46,605 --> 00:36:48,974
I CAN'T JUST STOP NOW.
888
00:36:48,974 --> 00:36:49,975
>> FINE.
889
00:36:49,975 --> 00:36:55,046
STARVE THEN.
890
00:36:55,046 --> 00:36:57,783
[DOOR CLOSES]
891
00:36:57,783 --> 00:36:58,617
[CLICK]
892
00:37:02,288 --> 00:37:03,489
>> [SIGHS]
893
00:37:03,489 --> 00:37:04,490
>> YOU'RE NOT GOING TO
894
00:37:04,490 --> 00:37:05,557
NEED THAT TODAY.
895
00:37:05,557 --> 00:37:07,058
>> UM...
896
00:37:07,058 --> 00:37:10,095
>> YOU'RE GOING ON A FIELD TRIP.
897
00:37:10,095 --> 00:37:12,097
>> HMM, WHAT ABOUT THE SHREW?
898
00:37:12,097 --> 00:37:13,231
>> SHE'S IN LONDON WITH POSY
899
00:37:13,231 --> 00:37:16,835
FOR AN AUDITION, SO... LET'S GO.
900
00:37:16,835 --> 00:37:18,437
[ENGINE REVVING]
901
00:37:18,437 --> 00:37:20,306
[*...]
902
00:37:26,244 --> 00:37:30,616
[*...]
903
00:37:30,616 --> 00:37:32,718
>> Woman: * ARE YOU FOLLOWING ME
904
00:37:32,718 --> 00:37:34,920
OR AM I FOLLOWING YOU? *
905
00:37:34,920 --> 00:37:36,922
* TELL ME, HOW DO YOU DO
906
00:37:36,922 --> 00:37:37,923
WHAT YOU DO... *
907
00:37:37,923 --> 00:37:39,157
>> COME WITH ME.
908
00:37:39,157 --> 00:37:40,626
>> Woman: * 'CAUSE THE TRUTH IS
909
00:37:40,626 --> 00:37:44,095
I NEVER THOUGHT TWO... *
910
00:37:44,095 --> 00:37:46,298
>> SO, WHERE ARE WE GOING?
911
00:37:46,298 --> 00:37:48,266
>> YOU'LL SEE.
912
00:37:48,266 --> 00:37:50,001
>> [CHUCKLES]
913
00:37:50,001 --> 00:37:51,269
>> Woman: * ...COULD EVER COME
914
00:37:51,269 --> 00:37:53,472
CLOSE AS WE DO. *
915
00:37:53,472 --> 00:37:56,775
[*...]
916
00:38:01,813 --> 00:38:04,783
[*...]
917
00:38:13,325 --> 00:38:17,396
[*...]
918
00:38:26,338 --> 00:38:29,307
[WATER SPLASHING AND GURGLING,
919
00:38:29,307 --> 00:38:31,943
*...]
920
00:38:31,943 --> 00:38:33,679
[BIRDS CHIRPING IN DISTANCE]
921
00:38:48,660 --> 00:38:52,598
>> YOU ARE VERY QUIET.
922
00:38:52,598 --> 00:38:56,067
HAVE I BORED YOU TO DEATH?
923
00:38:56,067 --> 00:38:59,671
>> NO... THE OPPOSITE.
924
00:38:59,671 --> 00:39:01,973
IT'S JUST...
925
00:39:01,973 --> 00:39:02,808
MY DAD WAS NEVER AROUND
926
00:39:02,808 --> 00:39:04,976
TO TALK TO ABOUT HIM...
927
00:39:04,976 --> 00:39:07,979
ARTHUR.
928
00:39:07,979 --> 00:39:09,047
ALL I HAVE ARE A COLLECTION
929
00:39:09,047 --> 00:39:11,650
OF HIS BOOKS MY MUM GAVE ME.
930
00:39:11,650 --> 00:39:12,651
>> THAT'S YOUR EXPERIENCE,
931
00:39:12,651 --> 00:39:14,653
EMELIA.
932
00:39:14,653 --> 00:39:17,155
THAT'S YOU.
933
00:39:17,155 --> 00:39:19,625
>> [SIGHS]
934
00:39:19,625 --> 00:39:20,926
>> AND IT'S YOUR EXPERIENCES
935
00:39:20,926 --> 00:39:24,763
THAT SHAPE YOU AS A WRITER.
936
00:39:24,763 --> 00:39:26,965
WHEN I WROTE THE CLIFF HOUSE,
937
00:39:26,965 --> 00:39:29,167
IT WAS ME.
938
00:39:29,167 --> 00:39:30,135
IT RIPPED EVERYTHING I HAD
939
00:39:30,135 --> 00:39:33,304
FROM MY SOUL, IT DEVOURED ME.
940
00:39:33,304 --> 00:39:36,708
AND IT'S LEFT ME WITH NOTHING.
941
00:39:36,708 --> 00:39:40,278
BUT, FUCK, IT WAS GOOD.
942
00:39:45,150 --> 00:39:46,418
>> EVEN IF YOU DO SAY SO
943
00:39:46,418 --> 00:39:48,386
YOURSELF.
944
00:39:48,386 --> 00:39:49,588
[LAUGHS]
945
00:39:49,588 --> 00:39:50,656
>> Woman: * IF I COULD BOTTLE
946
00:39:50,656 --> 00:39:53,792
YOU IN AN ESSENCE OR TWO *
947
00:39:53,792 --> 00:39:56,061
* I WOULD SIP YOU FOREVER
948
00:39:56,061 --> 00:39:57,996
AND NEVER NEED YOU *
949
00:39:57,996 --> 00:40:00,265
* 'CAUSE I HOWL AT THE MOON
950
00:40:00,265 --> 00:40:02,400
AND THE SUN AND THE SEA *
951
00:40:02,400 --> 00:40:04,135
* BUT I WISH I COULD TELL
952
00:40:04,135 --> 00:40:06,438
WHAT THIS SPELL IS ON ME *
953
00:40:06,438 --> 00:40:08,106
* AND I DON'T KNOW HOW YOU
954
00:40:08,106 --> 00:40:10,809
DO WHAT YOU DO *
955
00:40:10,809 --> 00:40:12,944
* BUT SHAKESPEARE HAS NOTHING
956
00:40:12,944 --> 00:40:15,380
ON WORDS LIKE YOU DO *
957
00:40:15,380 --> 00:40:16,748
* DON'T KNOW HOW YOU
958
00:40:16,748 --> 00:40:18,484
DO WHAT YOU DO *
959
00:40:18,484 --> 00:40:21,987
* PLEASE DO IT TO ME.
960
00:40:21,987 --> 00:40:23,822
[SEAGULLS SQUAWK]
961
00:40:23,822 --> 00:40:26,291
>> THANK YOU.
962
00:40:26,291 --> 00:40:27,459
THAT WAS ONE OF THE BEST DAYS
963
00:40:27,459 --> 00:40:29,628
OF MY LIFE.
964
00:41:00,058 --> 00:41:02,293
[STARTS ENGINE]
965
00:41:02,293 --> 00:41:04,496
[*...]
966
00:41:04,496 --> 00:41:05,997
>> THERE WAS NO ONE AT THE DESK
967
00:41:05,997 --> 00:41:07,599
WHEN WE GOT IN, SO WE HELPED
968
00:41:07,599 --> 00:41:08,967
OURSELVES TO OUR KEY, ONLY TO
969
00:41:08,967 --> 00:41:10,268
FIND THAT THE ROOM WASN'T
970
00:41:10,268 --> 00:41:11,803
CLEANED.
971
00:41:11,803 --> 00:41:12,738
IT'S NOT ON.
972
00:41:12,738 --> 00:41:14,472
>> NO, IT'S NOT, BUT I LEFT MY
973
00:41:14,472 --> 00:41:16,708
HUSBAND MANNING THE FORT TODAY,
974
00:41:16,708 --> 00:41:18,476
AND YOU KNOW WHAT MEN ARE LIKE.
975
00:41:18,476 --> 00:41:19,978
>> NO.
976
00:41:19,978 --> 00:41:22,648
IN THE BOOK THE ROOMS ARE CLEAN.
977
00:41:22,648 --> 00:41:24,049
LOOK.
978
00:41:24,049 --> 00:41:27,719
HERE AND, UH, HERE...
979
00:41:27,719 --> 00:41:30,421
AND, AND HERE.
980
00:41:30,421 --> 00:41:32,257
"THE ROOM SPARKLES."
981
00:41:32,257 --> 00:41:34,626
IT SAYS IT.
982
00:41:34,626 --> 00:41:36,628
>> WHERE HAVE YOU BEEN?
983
00:41:36,628 --> 00:41:40,331
>> MEETING A NEW EDITOR.
984
00:41:40,331 --> 00:41:42,000
I'M JONATHAN FISCHER,
985
00:41:42,000 --> 00:41:43,835
THE AUTHOR.
986
00:41:43,835 --> 00:41:45,604
>> HI...
987
00:41:45,604 --> 00:41:46,805
[CHUCKLES NERVOUSLY]
988
00:41:46,805 --> 00:41:47,806
>> ACTUALLY, THE ROOM
989
00:41:47,806 --> 00:41:49,474
WAS SPARKLING...
990
00:41:49,474 --> 00:41:51,577
WITH ENERGY AND ATMOSPHERE.
991
00:41:51,577 --> 00:41:54,145
>> YEAH, RIGHT, YEAH, OF COURSE.
992
00:41:54,145 --> 00:41:56,047
>> THE ROOM IS THROUGH HERE,
993
00:41:56,047 --> 00:41:57,115
IF YOU WOULD LIKE TO TAKE
994
00:41:57,115 --> 00:41:57,949
YOUR WIFE FOR A TURN.
995
00:41:57,949 --> 00:41:59,050
>> YEAH.
996
00:41:59,050 --> 00:42:00,051
LOVELY.
997
00:42:00,051 --> 00:42:00,986
>> LET'S GO.
998
00:42:00,986 --> 00:42:02,053
>> COME ON, MARGARET,
999
00:42:02,053 --> 00:42:05,657
BRING THE CAGOULES.
1000
00:42:05,657 --> 00:42:07,392
>> JONATHAN...
1001
00:42:07,392 --> 00:42:08,493
HOW COULD YOU NOT HAVE NOTICED
1002
00:42:08,493 --> 00:42:09,494
THAT THAT BLOODY GIRL
1003
00:42:09,494 --> 00:42:10,929
DIDN'T TURN UP?
1004
00:42:10,929 --> 00:42:12,163
>> OH...
1005
00:42:12,163 --> 00:42:13,965
DIDN'T SHE TURN UP?
1006
00:42:17,803 --> 00:42:19,170
>> YOU SAID "BLOODY."
1007
00:42:19,170 --> 00:42:20,238
>> BETHANY!
1008
00:42:24,976 --> 00:42:29,615
[*...]
1009
00:42:29,615 --> 00:42:32,918
>> Chorus: * OH, YEAH
1010
00:42:32,918 --> 00:42:35,453
* OOH
1011
00:42:35,453 --> 00:42:37,989
>> Woman: * MR. BIG STUFF
1012
00:42:37,989 --> 00:42:39,958
* WHO DO YOU THINK YOU ARE?
1013
00:42:39,958 --> 00:42:43,094
* MR. BIG STUFF
1014
00:42:43,094 --> 00:42:44,095
* YOU'RE NEVER GONNA GET
1015
00:42:44,095 --> 00:42:45,997
MY LOVE *
1016
00:42:45,997 --> 00:42:48,233
* NOW BECAUSE YOU WEAR
1017
00:42:48,233 --> 00:42:50,001
ALL THOSE FANCY CLOTHES *
1018
00:42:50,001 --> 00:42:51,136
>> Chorus: * OH, YEAH
1019
00:42:51,136 --> 00:42:52,303
>> Woman: * AND HAVE A BIG, FINE
1020
00:42:52,303 --> 00:42:55,506
CAR... OH, YES, YOU DO, NOW *
1021
00:42:55,506 --> 00:42:57,976
* DO YOU THINK I CAN AFFORD
1022
00:42:57,976 --> 00:43:00,045
TO GIVE YOU MY LOVE? *
1023
00:43:00,045 --> 00:43:00,979
>> Chorus: * OH, YEAH
1024
00:43:00,979 --> 00:43:02,047
>> Woman: * YOU THINK YOU'RE
1025
00:43:02,047 --> 00:43:05,450
HIGHER THAN EVERY STAR ABOVE? *
1026
00:43:05,450 --> 00:43:06,785
* MR. BIG STUFF...
1027
00:43:06,785 --> 00:43:09,254
[MUSIC FADES, BIRDS CHIRP]
1028
00:43:17,328 --> 00:43:20,365
[*...]
1029
00:43:32,811 --> 00:43:34,079
>> DAD?
1030
00:43:34,079 --> 00:43:35,814
HAVE YOU SEEN EMELIA?
1031
00:43:35,814 --> 00:43:38,650
>> NO, ISN'T SHE HERE?
1032
00:43:38,650 --> 00:43:39,885
AND WHY ASK OF ME?
1033
00:43:39,885 --> 00:43:40,986
>> I ONLY ASKED IF YOU'D SEEN
1034
00:43:40,986 --> 00:43:42,320
HER; SHE JUST DIDN'T SHOW UP FOR
1035
00:43:42,320 --> 00:43:44,389
WORK THIS MORNING, THAT'S ALL.
1036
00:43:47,158 --> 00:43:49,427
>> HMM...
1037
00:43:49,427 --> 00:43:54,365
[*...]
1038
00:44:01,172 --> 00:44:03,408
[DOOR OPENS]
1039
00:44:03,408 --> 00:44:05,643
Jonathan: OH, THANK GOD.
1040
00:44:05,643 --> 00:44:06,812
I THOUGHT I WAS GOING TO BE
1041
00:44:06,812 --> 00:44:07,612
ARRESTED.
1042
00:44:07,612 --> 00:44:10,749
>> WHY, WHAT HAVE YOU DONE?
1043
00:44:10,749 --> 00:44:12,583
OH... [SCOFFS]
1044
00:44:12,583 --> 00:44:15,253
WELL, I AM 17.
1045
00:44:15,253 --> 00:44:16,454
UNLESS THERE'S SOME STRANGE
1046
00:44:16,454 --> 00:44:17,889
LOCAL BY-LAW I DON'T KNOW ABOUT
1047
00:44:17,889 --> 00:44:18,924
AND KISSING'S BEEN DEEMED
1048
00:44:18,924 --> 00:44:22,894
ILLEGAL.
1049
00:44:22,894 --> 00:44:24,963
WELL, ANYWAY, GOT OTHER THINGS
1050
00:44:24,963 --> 00:44:26,631
TO WORRY ABOUT TODAY,
1051
00:44:26,631 --> 00:44:27,665
STARTING WITH A SHOWDOWN WITH
1052
00:44:27,665 --> 00:44:30,268
THE SHREW 'CAUSE OF YOU.
1053
00:44:30,268 --> 00:44:32,070
>> WHY, WHAT, WHAT'S GOING ON?
1054
00:44:32,070 --> 00:44:32,771
WHAT'S SHE SAID?
1055
00:44:32,771 --> 00:44:35,240
>> ALL RIGHT, KEEP YOUR WIG ON.
1056
00:44:35,240 --> 00:44:36,607
IT'S ABOUT YESTERDAY.
1057
00:44:36,607 --> 00:44:37,542
SOMEBODY WAS SUPPOSED TO
1058
00:44:37,542 --> 00:44:40,879
COVER FOR ME.
1059
00:44:40,879 --> 00:44:41,880
YOU'RE NOT VERY GOOD AT THIS,
1060
00:44:41,880 --> 00:44:45,083
ARE YOU?
1061
00:44:48,153 --> 00:44:49,320
>> ARE YOU COMING TO POSY'S
1062
00:44:49,320 --> 00:44:51,757
PARTY?
1063
00:44:51,757 --> 00:44:54,392
IT'S A "P" PARTY, BUT...
1064
00:44:54,392 --> 00:44:56,327
UM...
1065
00:44:56,327 --> 00:44:59,430
SO SHE CAN COME AS A PRINCESS.
1066
00:44:59,430 --> 00:45:02,834
>> YOU CAN COME AS... A PERVERT.
1067
00:45:02,834 --> 00:45:09,340
OR A... PEDOPHILE.
1068
00:45:09,340 --> 00:45:15,280
[*...]
1069
00:45:17,749 --> 00:45:19,951
[BOTH BREATHING HEAVILY...]
1070
00:45:34,332 --> 00:45:36,301
>> FINISH YOUR FOOD, POSY.
1071
00:45:36,301 --> 00:45:37,836
>> EMELIA SAID TO GIVE PEAS
1072
00:45:37,836 --> 00:45:39,470
A CHANCE.
1073
00:45:39,470 --> 00:45:41,072
>> [CHUCKLES]
1074
00:45:41,072 --> 00:45:44,309
I LOVE EMELIA.
1075
00:45:44,309 --> 00:45:48,046
SHE'S GREAT, ISN'T SHE, DAD?
1076
00:45:48,046 --> 00:45:49,881
>> YES.
1077
00:45:49,881 --> 00:45:53,184
YES, SHE'S GREAT.
1078
00:46:00,625 --> 00:46:02,060
>> SO CAN SHE COME TO POSY'S
1079
00:46:02,060 --> 00:46:03,128
PARTY ON SATURDAY?
1080
00:46:03,128 --> 00:46:03,962
>> NO... >> OF COURSE
1081
00:46:03,962 --> 00:46:06,497
SHE CAN COME.
1082
00:46:06,497 --> 00:46:07,332
>> WHAT ON EARTH ARE YOU
1083
00:46:07,332 --> 00:46:08,900
TALKING ABOUT?
1084
00:46:08,900 --> 00:46:09,835
IT'S BAD ENOUGH THAT BETH'S
1085
00:46:09,835 --> 00:46:11,269
DECIDED SHE'S GOING UP TO OXFORD
1086
00:46:11,269 --> 00:46:12,570
WITH HER-- IT'S NOT LIKE SHE'S
1087
00:46:12,570 --> 00:46:14,105
ONE OF OUR KIDS.
1088
00:46:14,105 --> 00:46:14,940
>> OF COURSE SHE CAN COME
1089
00:46:14,940 --> 00:46:16,942
TO POSY'S PARTY.
1090
00:46:16,942 --> 00:46:19,277
>> Posy: I'M FINISHED.
1091
00:46:19,277 --> 00:46:21,579
>> FINE, GET DOWN.
1092
00:46:24,983 --> 00:46:26,617
>> CAN I WATCH SEX AND THE CITY?
1093
00:46:26,617 --> 00:46:27,718
[DISH CLATTERS]
1094
00:46:30,989 --> 00:46:34,826
[DISHES AND PANS CLATTER]
1095
00:46:34,826 --> 00:46:39,464
>> [WHISPERS] THANKS, DAD.
1096
00:46:39,464 --> 00:46:40,498
[DISHES AND PANS CLATTER LOUDLY]
1097
00:46:40,498 --> 00:46:45,436
[LATIN MUSIC BEGINS]
1098
00:46:45,436 --> 00:46:46,504
>> Man: * AW... UNH!
1099
00:46:46,504 --> 00:46:47,405
HOO! *
1100
00:46:47,405 --> 00:46:49,474
[*...]
1101
00:46:49,474 --> 00:46:50,308
>> WHERE DO YOU WANT ME
1102
00:46:50,308 --> 00:46:51,642
TO PUT THIS?
1103
00:46:51,642 --> 00:46:52,944
>> OH, JUST THERE ANYWHERE.
1104
00:46:52,944 --> 00:46:56,047
IT'S FINE.
1105
00:46:56,047 --> 00:46:57,748
>> Man: * UNH!
1106
00:46:57,748 --> 00:47:02,753
[*...]
1107
00:47:02,753 --> 00:47:05,690
>> Girl: [BARKING]
1108
00:47:07,993 --> 00:47:12,063
>> HEY!
1109
00:47:12,063 --> 00:47:13,298
>> HELLO, PETER.
1110
00:47:13,298 --> 00:47:14,665
[BOTH LAUGH]
1111
00:47:14,665 --> 00:47:15,500
>> WHY ARE YOU WEARING
1112
00:47:15,500 --> 00:47:16,601
THAT MASSIVE COAT?
1113
00:47:16,601 --> 00:47:18,970
>> TO STASH THIS. [CHUCKLES]
1114
00:47:18,970 --> 00:47:20,939
AND I'D HAVE FELT SELF-CONSCIOUS
1115
00:47:20,939 --> 00:47:24,910
ON THE BUS WEARING THIS.
1116
00:47:24,910 --> 00:47:27,979
>> OH, MY GOD, YOU LOOK AMAZING.
1117
00:47:27,979 --> 00:47:33,018
[*...]
1118
00:47:38,623 --> 00:47:39,624
>> Man: * AWW... UNH!
1119
00:47:39,624 --> 00:47:41,927
>> BETHANY.
1120
00:47:41,927 --> 00:47:42,928
>> BETTER GO AND HELP MY MUM
1121
00:47:42,928 --> 00:47:43,761
BEFORE SHE HAS A NERVOUS
1122
00:47:43,761 --> 00:47:46,231
BREAKDOWN-- WAIT HERE.
1123
00:47:46,231 --> 00:47:50,835
[CHILDREN TALK IN BACKGROUND...]
1124
00:47:50,835 --> 00:47:51,836
>> Man: * OOH!
1125
00:47:51,836 --> 00:47:57,342
[*...]
1126
00:47:57,342 --> 00:47:59,410
[CHILDREN WHOOPING
1127
00:47:59,410 --> 00:48:03,481
AND LAUGHING...]
1128
00:48:03,481 --> 00:48:07,585
[*...]
1129
00:48:13,992 --> 00:48:14,960
>> HIYA.
1130
00:48:14,960 --> 00:48:15,994
>> HI.
1131
00:48:15,994 --> 00:48:18,496
[*...]
1132
00:48:18,496 --> 00:48:21,432
>> [DRUNKENLY] OOH! [LAUGHS]
1133
00:48:21,432 --> 00:48:23,501
>> YOU LOOK UNBELIEVABLE.
1134
00:48:23,501 --> 00:48:24,502
>> UM, IS THAT APPROPRIATE
1135
00:48:24,502 --> 00:48:26,104
BEHAVIOR FOR A MAN OF THE CLOTH?
1136
00:48:26,104 --> 00:48:27,172
>> I CAN'T HELP IT.
1137
00:48:27,172 --> 00:48:28,573
>> OH, WELL, IT'S NOT THE
1138
00:48:28,573 --> 00:48:29,507
SEXIEST OF OUTFITS.
1139
00:48:29,507 --> 00:48:31,176
WAS PIGLET TAKEN?
1140
00:48:31,176 --> 00:48:32,243
>> Man: * AW... UNH!
1141
00:48:32,243 --> 00:48:33,244
* HOO!
1142
00:48:33,244 --> 00:48:34,579
>> Chorus: * UNO,
1143
00:48:34,579 --> 00:48:35,813
DOS,
1144
00:48:35,813 --> 00:48:37,215
TRES *
1145
00:48:37,215 --> 00:48:38,749
* QUATRO,
1146
00:48:38,749 --> 00:48:40,251
CINCO,
1147
00:48:40,251 --> 00:48:41,486
SEIS *
1148
00:48:41,486 --> 00:48:43,154
* SIETE,
1149
00:48:43,154 --> 00:48:44,622
OCHO *
1150
00:48:44,622 --> 00:48:47,258
* AW... UNH!
1151
00:48:47,258 --> 00:48:48,994
[JONATHAN GRUNTING]
1152
00:48:48,994 --> 00:48:55,666
[BOTH BREATHING HEAVILY...]
1153
00:48:55,666 --> 00:48:59,770
[CLATTERING]
1154
00:48:59,770 --> 00:49:01,439
>> I'LL GO OUT FIRST.
1155
00:49:01,439 --> 00:49:02,573
DON'T COME UNTIL I'M OUT
1156
00:49:02,573 --> 00:49:03,941
AND AWAY, O.K.?
1157
00:49:03,941 --> 00:49:04,942
>> I WON'T COME AT ALL
1158
00:49:04,942 --> 00:49:07,378
AFTER THAT PERFORMANCE.
1159
00:49:07,378 --> 00:49:10,515
[SIGHS]
1160
00:49:12,483 --> 00:49:16,154
>> JOA.
1161
00:49:16,154 --> 00:49:17,455
>> WHAT WERE YOU DOING IN THERE?
1162
00:49:17,455 --> 00:49:18,889
>> I SPILLED FROMAGE FRAIS ON MY
1163
00:49:18,889 --> 00:49:23,728
ECCLESIASTICAL SMOCK.
1164
00:49:23,728 --> 00:49:25,296
>> WHERE'S BETH?
1165
00:49:25,296 --> 00:49:25,963
>> DEFINITELY NOT IN THE
1166
00:49:25,963 --> 00:49:26,497
CLEANING CUPBOARD,
1167
00:49:26,497 --> 00:49:29,234
THAT'S FOR SURE.
1168
00:49:29,234 --> 00:49:30,435
>> FUCK...
1169
00:49:30,435 --> 00:49:31,436
>> YOU STOP RIGHT THERE,
1170
00:49:31,436 --> 00:49:32,437
YOUNG LADY.
1171
00:49:32,437 --> 00:49:33,471
>> WHAT'S GOING ON?
1172
00:49:33,471 --> 00:49:35,506
>> I HAVE JUST FOUND, IN YOUR
1173
00:49:35,506 --> 00:49:37,508
UNDERAGE DAUGHTER'S BEDROOM,
1174
00:49:37,508 --> 00:49:40,145
THIS... AT A CHILDREN'S PARTY.
1175
00:49:40,145 --> 00:49:43,148
YOU ARE WEEKS AWAY FROM YOUR
1176
00:49:43,148 --> 00:49:44,649
EXAMS AND YOU'VE STARTED
1177
00:49:44,649 --> 00:49:46,051
DRINKING ALCOHOL?
1178
00:49:46,051 --> 00:49:49,054
YOU STILL HAVE TO WORK.
1179
00:49:49,054 --> 00:49:51,489
KEEP IT TOGETHER, BETH.
1180
00:49:51,489 --> 00:49:52,823
>> OH, WHO BLOODY CARES?
1181
00:49:52,823 --> 00:49:53,991
>> YOU WANT TO BE A DROPOUT TOO,
1182
00:49:53,991 --> 00:49:54,659
DO YOU?
1183
00:49:54,659 --> 00:49:55,893
LIKE THAT GHASTLY GIRL THAT
1184
00:49:55,893 --> 00:49:58,563
YOU'VE BEEN HANGING AROUND WITH?
1185
00:49:58,563 --> 00:50:00,598
>> EMELIA IS AMAZING.
1186
00:50:00,598 --> 00:50:01,666
YOU'RE JUST TOO...
1187
00:50:01,666 --> 00:50:05,503
BLOODY STUPID TO SEE IT.
1188
00:50:05,503 --> 00:50:08,073
>> WHILE YOU ARE LIVING UNDER
1189
00:50:08,073 --> 00:50:10,841
OUR ROOF, AND YOU ARE ONLY 17,
1190
00:50:10,841 --> 00:50:12,677
BETHANY, YOU WILL LIVE
1191
00:50:12,677 --> 00:50:14,979
BY OUR RULES.
1192
00:50:14,979 --> 00:50:16,314
TELL HER, JONATHAN.
1193
00:50:16,314 --> 00:50:17,315
>> I MEAN, IT'S HARDLY
1194
00:50:17,315 --> 00:50:20,251
A TERRIBLE CRIME, JOA.
1195
00:50:20,251 --> 00:50:22,420
IT'S BETH WE ARE TALKING ABOUT.
1196
00:50:22,420 --> 00:50:23,821
HER IDEA OF REBELLION IS STAYING
1197
00:50:23,821 --> 00:50:26,424
UP LATE FOR NEWS AT 10.
1198
00:50:26,424 --> 00:50:30,961
[*...]
1199
00:50:30,961 --> 00:50:32,130
SHOULDN'T WE JUST BE GRATEFUL
1200
00:50:32,130 --> 00:50:33,331
THAT SHE'S SHOWING SOME SPARK
1201
00:50:33,331 --> 00:50:35,766
FOR THE FIRST TIME IN HER LIFE?
1202
00:50:35,766 --> 00:50:37,402
IN FACT, I APPLAUD THAT SHE'S
1203
00:50:37,402 --> 00:50:39,003
BEING MORE LIKE EMELIA.
1204
00:50:39,003 --> 00:50:40,004
AT LEAST SHE'S GETTING
1205
00:50:40,004 --> 00:50:42,673
SOME SPIRIT ABOUT HER.
1206
00:50:42,673 --> 00:50:44,409
>> GOB-SMACKING.
1207
00:50:44,409 --> 00:50:48,813
UTTERLY GOB-SMACKING.
1208
00:50:48,813 --> 00:50:50,815
PARENT OF THE YEAR AWARD.
1209
00:50:50,815 --> 00:50:53,818
[*...]
1210
00:50:53,818 --> 00:50:56,921
>> [SIGHS]
1211
00:51:06,497 --> 00:51:08,499
>> [SIGHS]
1212
00:51:08,499 --> 00:51:09,667
>> [PANTING]
1213
00:51:09,667 --> 00:51:10,668
>> OH, THANK GOD.
1214
00:51:10,668 --> 00:51:11,669
I ACTUALLY THOUGHT I WAS GOING
1215
00:51:11,669 --> 00:51:13,104
TO HAVE TO GO WITH MY MUM.
1216
00:51:13,104 --> 00:51:15,506
>> WELL, DON'T WORRY.
1217
00:51:15,506 --> 00:51:17,942
I'M READY. [LAUGHS]
1218
00:51:19,944 --> 00:51:21,312
[*...]
1219
00:51:21,312 --> 00:51:23,148
>> COME ON.
1220
00:51:23,148 --> 00:51:24,449
[*...]
1221
00:51:30,321 --> 00:51:35,092
[*...]
1222
00:51:43,334 --> 00:51:44,335
>> Beth: WHAT DO YOU THINK HE
1223
00:51:44,335 --> 00:51:46,437
MEANT BY "STAIRCASE"?
1224
00:51:46,437 --> 00:51:47,672
>> SERIOUSLY?
1225
00:51:47,672 --> 00:51:49,174
CAN'T RECOGNIZE STAIRS?
1226
00:51:49,174 --> 00:51:51,176
DON'T THINK YOU'LL GET IN HERE.
1227
00:51:51,176 --> 00:51:52,777
>> DON'T SAY THAT.
1228
00:51:52,777 --> 00:51:54,979
>> AH, 'ELLO-- STAIRCASE 12.
1229
00:51:54,979 --> 00:51:56,814
>> AH.
1230
00:51:56,814 --> 00:52:04,255
[*...]
1231
00:52:14,499 --> 00:52:20,238
[*...]
1232
00:52:20,238 --> 00:52:22,173
>> OH MY GOD, I HAVE NEVER SEEN
1233
00:52:22,173 --> 00:52:24,775
SO MANY UGLY MEN IN ALL MY LIFE.
1234
00:52:24,775 --> 00:52:25,976
I MEAN LOOK AT THEM, LOOKS LIKE
1235
00:52:25,976 --> 00:52:26,844
THEY WEAR THEIR BRAINS
1236
00:52:26,844 --> 00:52:27,778
ON THE OUTSIDE.
1237
00:52:27,778 --> 00:52:28,913
>> Boy: OBVIOUSLY, I CHOSE THE
1238
00:52:28,913 --> 00:52:30,248
QUEEN'S COLLEGE BECAUSE OF A
1239
00:52:30,248 --> 00:52:32,082
LIFELONG FASCINATION WITH
1240
00:52:32,082 --> 00:52:33,384
JACOBEAN PLAYWRIGHT
1241
00:52:33,384 --> 00:52:35,720
THOMAS MIDDLETON.
1242
00:52:35,720 --> 00:52:37,154
I ASSUME YOU KNOW WHY ALL OF THE
1243
00:52:37,154 --> 00:52:38,723
COLLEGES ARE BUILT IN QUADS?
1244
00:52:38,723 --> 00:52:39,890
>> IS IT SO THE GEEKS ONLY HAVE
1245
00:52:39,890 --> 00:52:40,891
TO LOOK AT EACH OTHER WHEN
1246
00:52:40,891 --> 00:52:41,892
THEY OPEN THE CURTAINS IN
1247
00:52:41,892 --> 00:52:44,829
THE MORNING?
1248
00:52:44,829 --> 00:52:45,830
>> AND WHAT ARE YOU HOPING
1249
00:52:45,830 --> 00:52:50,167
TO READ?
1250
00:52:50,167 --> 00:52:51,469
>> WASN'T IT TO KEEP THE GOWNIES
1251
00:52:51,469 --> 00:52:53,170
SAFE FROM ATTACK FROM
1252
00:52:53,170 --> 00:52:54,505
THE TOWNIES?
1253
00:52:54,505 --> 00:52:56,140
>> GOOD GIRL.
1254
00:52:56,140 --> 00:52:57,342
I DO LIKE A LADY WHO DOES
1255
00:52:57,342 --> 00:52:59,176
HER HOMEWORK.
1256
00:52:59,176 --> 00:53:02,947
>> BET HE FUCKING DOES.
1257
00:53:02,947 --> 00:53:04,148
>> AND SO, WHEN HE ASKED ME HOW
1258
00:53:04,148 --> 00:53:06,984
I KNEW, I SAID, "WELL, SIR,
1259
00:53:06,984 --> 00:53:09,320
AS SHERLOCK HOLMES ALWAYS SAID,
1260
00:53:09,320 --> 00:53:10,655
'ELEMENTARY, MY DEAR WATSON.'"
1261
00:53:10,655 --> 00:53:11,656
[BOTH CHUCKLE]
1262
00:53:11,656 --> 00:53:12,657
IT WAS QUITE FUNNY, 'CAUSE HIS
1263
00:53:12,657 --> 00:53:15,660
NAME WAS ALSO WATSON, YOU SEE.
1264
00:53:15,660 --> 00:53:18,496
>> HOLMES NEVER SAID THAT.
1265
00:53:18,496 --> 00:53:19,330
>> I'LL THINK YOU'LL FIND THAT
1266
00:53:19,330 --> 00:53:21,732
HE DID IN HIS BOOKS.
1267
00:53:21,732 --> 00:53:22,733
BUT I WOULDN'T EXPECT YOU TO
1268
00:53:22,733 --> 00:53:23,901
HAVE MANAGED TO SQUEEZE IN MUCH
1269
00:53:23,901 --> 00:53:25,403
CONAN DOYLE DURING YOUR ROMP
1270
00:53:25,403 --> 00:53:26,471
AROUND THE CHICK-LIT BUCKET
1271
00:53:26,471 --> 00:53:28,473
AT ASDA.
1272
00:53:28,473 --> 00:53:29,507
>> AND I THINK, IF YOU'D
1273
00:53:29,507 --> 00:53:30,575
ACTUALLY READ CONAN DOYLE,
1274
00:53:30,575 --> 00:53:31,509
YOU'D FIND OUT THAT
1275
00:53:31,509 --> 00:53:32,643
YOU'RE WRONG.
1276
00:53:32,643 --> 00:53:35,246
IN 1892, HE USED THE WORDS,
1277
00:53:35,246 --> 00:53:36,747
"IT WAS VERY SUPERFICIAL,
1278
00:53:36,747 --> 00:53:38,316
MY DEAR WATSON" AND THE
1279
00:53:38,316 --> 00:53:40,651
FOLLOWING YEAR HE SAID SIMPLY,
1280
00:53:40,651 --> 00:53:42,487
"ELEMENTARY", BUT HE NEVER,
1281
00:53:42,487 --> 00:53:44,221
EVER SAID THEM TOGETHER,
1282
00:53:44,221 --> 00:53:47,525
YOU FUCK-TRUMPET.
1283
00:53:50,628 --> 00:53:52,963
>> EMELIA, I AM TRYING TO GET
1284
00:53:52,963 --> 00:53:54,231
A PLACE HERE.
1285
00:53:54,231 --> 00:53:55,232
>> YEAH, BUT HE WAS
1286
00:53:55,232 --> 00:53:58,736
A POMPOUS TWAT.
1287
00:53:58,736 --> 00:54:01,739
ALL RIGHT, SORRY.
1288
00:54:01,739 --> 00:54:02,840
COME ON, WE'LL GO OUT
1289
00:54:02,840 --> 00:54:05,209
FOR A DRINK.
1290
00:54:10,415 --> 00:54:12,717
>> UGH, SHARED SHOWERS
1291
00:54:12,717 --> 00:54:13,884
ARE RANCID.
1292
00:54:13,884 --> 00:54:14,885
I SWEAR THERE WAS A PUBIC
1293
00:54:14,885 --> 00:54:16,754
HAIR-DOLL IN THE PLUGHOLE.
1294
00:54:19,490 --> 00:54:24,261
AW, LOOK AT YOU, HOT PATOOTIE!
1295
00:54:24,261 --> 00:54:25,830
>> I LOOK RIDICULOUS.
1296
00:54:25,830 --> 00:54:28,533
>> NO, YOU DON'T.
1297
00:54:33,904 --> 00:54:34,839
>> I JUST DON'T WANT TO
1298
00:54:34,839 --> 00:54:36,006
BE EMBARRASSING.
1299
00:54:36,006 --> 00:54:38,509
>> YOU'RE NOT EMBARRASSING.
1300
00:54:38,509 --> 00:54:39,844
I'M NOT YOUR MUM.
1301
00:54:39,844 --> 00:54:43,113
DOESN'T BOTHER ME WHAT YOU WEAR.
1302
00:54:43,113 --> 00:54:44,749
BORROW WHAT YOU WANT.
1303
00:54:44,749 --> 00:54:47,752
YOU LOOK AMAZING.
1304
00:54:52,957 --> 00:54:56,461
>> TO OXFORD. >> OXFORD.
1305
00:54:59,163 --> 00:55:00,998
[BETH GASPS]
1306
00:55:00,998 --> 00:55:03,100
SHALL WE HAVE ANOTHER?
1307
00:55:03,100 --> 00:55:04,902
INTERVIEW'S NOT UNTIL FRIDAY.
1308
00:55:04,902 --> 00:55:06,604
>> YES.
1309
00:55:15,846 --> 00:55:17,648
TELL YOU WHAT, LET'S GET THEM
1310
00:55:17,648 --> 00:55:19,917
TO GET US ANOTHER.
1311
00:55:19,917 --> 00:55:21,151
>> ALL RIGHT.
1312
00:55:21,151 --> 00:55:24,889
COME ON THEN.
1313
00:55:24,889 --> 00:55:25,723
>> MY SISTER AND I WERE
1314
00:55:25,723 --> 00:55:26,891
WONDERING IF YOU'D LIKE TO BUY
1315
00:55:26,891 --> 00:55:30,761
US A COUPLE OF PINTS... OF WINE.
1316
00:55:31,962 --> 00:55:33,598
>> WE'RE SISTERS.
1317
00:55:33,598 --> 00:55:36,100
>> YEAH, SHE SAID.
1318
00:55:36,100 --> 00:55:40,605
GO ON THEN.
1319
00:55:40,605 --> 00:55:41,972
>> Woman: * YEAH, YEAH
1320
00:55:41,972 --> 00:55:43,340
* THEY GOT THAT SOMETHING
1321
00:55:43,340 --> 00:55:45,242
GOING ON *
1322
00:55:45,242 --> 00:55:46,744
* YEAH, YEAH
1323
00:55:46,744 --> 00:55:48,145
* THEY GOT THAT SOMETHING
1324
00:55:48,145 --> 00:55:49,914
GOING ON *
1325
00:55:49,914 --> 00:55:51,215
* YEAH, YEAH
1326
00:55:51,215 --> 00:55:52,717
* THEY GOT THAT SOMETHING
1327
00:55:52,717 --> 00:55:53,884
GOING ON *
1328
00:55:53,884 --> 00:55:55,052
* THEY'VE GOT THAT SOME...
1329
00:55:55,052 --> 00:55:56,153
YOU DID IT AGAIN *
1330
00:55:56,153 --> 00:55:57,321
* YOU DID IT AGAIN,
1331
00:55:57,321 --> 00:55:59,223
YOU DID IT AGAIN *
1332
00:55:59,223 --> 00:56:00,324
* YEAH, YEAH
1333
00:56:00,324 --> 00:56:01,726
* THEY'VE GOT THAT
1334
00:56:01,726 --> 00:56:04,395
SOMETHING, SOMETHING *
1335
00:56:04,395 --> 00:56:05,663
* THEY GOT THAT SOME...
1336
00:56:05,663 --> 00:56:06,797
YOU DID IT AGAIN *
1337
00:56:06,797 --> 00:56:07,798
* YOU DID IT AGAIN,
1338
00:56:07,798 --> 00:56:11,201
YOU DID IT AGAIN... [ECHO] *
1339
00:56:18,075 --> 00:56:23,280
[CLATTERING IN THE DISTANCE]
1340
00:56:23,280 --> 00:56:27,552
[*...]
1341
00:56:31,656 --> 00:56:32,657
>> [WHISPERING] EMELIA.
1342
00:56:32,657 --> 00:56:35,092
>> MMM?
1343
00:56:35,092 --> 00:56:37,928
MMM...
1344
00:56:37,928 --> 00:56:41,966
>> HOW DID THIS HAPPEN?
1345
00:56:41,966 --> 00:56:43,668
[SIGHS]
1346
00:56:43,668 --> 00:56:44,502
>> JUST STICK YOUR FINGERS
1347
00:56:44,502 --> 00:56:45,436
DOWN YOUR THROAT.
1348
00:56:45,436 --> 00:56:46,136
HONESTLY, YOU'LL BE FINE.
1349
00:56:46,136 --> 00:56:47,137
I DO IT ALL THE TIME.
1350
00:56:50,775 --> 00:56:53,377
[RETCHES]
1351
00:56:57,515 --> 00:56:58,483
>> OI!
1352
00:56:58,483 --> 00:56:59,650
CAN'T YOU READ?!
1353
00:56:59,650 --> 00:57:03,921
GET OFF THAT GRASS!
1354
00:57:03,921 --> 00:57:09,293
[*...]
1355
00:57:33,584 --> 00:57:35,419
>> WHAT ARE YOU DOING?
1356
00:57:35,419 --> 00:57:37,154
>> I'M GOING TO DO IT FOR YOU.
1357
00:57:37,154 --> 00:57:38,656
>> WHAT?
1358
00:57:38,656 --> 00:57:39,824
>> THE INTERVIEW.
1359
00:57:39,824 --> 00:57:41,125
IT'S BEEN MOVED TO TODAY.
1360
00:57:41,125 --> 00:57:42,493
BUT IT'S FINE.
1361
00:57:42,493 --> 00:57:43,327
I'M GOING TO DO THE
1362
00:57:43,327 --> 00:57:44,294
INTERVIEW FOR YOU.
1363
00:57:44,294 --> 00:57:45,462
AS YOU.
1364
00:57:45,462 --> 00:57:46,997
>> TODAY?
1365
00:57:46,997 --> 00:57:48,833
>> HOW DO I LOOK?
1366
00:57:48,833 --> 00:57:49,466
>> IT'S TODAY?
1367
00:57:49,466 --> 00:57:52,002
WHEN TODAY?
1368
00:57:52,002 --> 00:57:52,903
>> WELL, THERE WAS A NOTICE
1369
00:57:52,903 --> 00:57:53,771
STUCK TO THE DOOR,
1370
00:57:53,771 --> 00:57:54,939
IT SAID 2:00.
1371
00:57:54,939 --> 00:57:56,841
BUT... [SCOFFS] IT'LL BE FINE.
1372
00:57:56,841 --> 00:57:57,842
I CAN BLUFF THIS FOR YOU.
1373
00:57:57,842 --> 00:58:00,778
>> DON'T BE RIDICULOUS.
1374
00:58:00,778 --> 00:58:02,913
[*...]
1375
00:58:02,913 --> 00:58:04,949
COME ON, PASS ME MY NOTES.
1376
00:58:04,949 --> 00:58:07,317
COME ON.
1377
00:58:07,317 --> 00:58:13,457
[*...]
1378
00:58:13,457 --> 00:58:14,491
IT'S ALL RIGHT.
1379
00:58:14,491 --> 00:58:16,594
DON'T PANIC.
1380
00:58:16,594 --> 00:58:24,368
[*...]
1381
00:58:33,343 --> 00:58:34,344
>> Man: * WHO GIVES A FUCK
1382
00:58:34,344 --> 00:58:35,345
ABOUT AN OXFORD COMMA? *
1383
00:58:35,345 --> 00:58:36,346
* I'VE SEEN THOSE
1384
00:58:36,346 --> 00:58:38,816
ENGLISH DRAMAS TOO,
1385
00:58:38,816 --> 00:58:41,451
THEY'RE CRUEL *
1386
00:58:41,451 --> 00:58:43,087
* SO IF THERE'S ANY OTHER WAY
1387
00:58:43,087 --> 00:58:44,454
TO SPELL THE WORD,
1388
00:58:44,454 --> 00:58:48,325
IT'S FINE WITH ME, WITH ME... *
1389
00:58:48,325 --> 00:58:50,494
>> BYE.
1390
00:58:50,494 --> 00:58:52,496
SO HOW'D IT GO?
1391
00:58:52,496 --> 00:58:54,799
>> TOUCH AND GO ON ALL FRONTS.
1392
00:58:54,799 --> 00:58:55,800
>> I DID OFFER THOUGH.
1393
00:58:55,800 --> 00:58:56,801
CAN YOU IMAGINE?
1394
00:58:56,801 --> 00:58:57,668
>> NO, IT WAS A STUPID
1395
00:58:57,668 --> 00:58:58,736
SUGGESTION-- YOU KNOW ABSOLUTELY
1396
00:58:58,736 --> 00:58:59,770
NOTHING ABOUT MEDICINE.
1397
00:58:59,770 --> 00:59:00,838
>> I DUNNO, I'VE TAKEN SOME
1398
00:59:00,838 --> 00:59:01,839
DRUGS IN MY TIME.
1399
00:59:01,839 --> 00:59:04,508
>> WHY AM I NOT SURPRISED?
1400
00:59:04,508 --> 00:59:06,343
>> BUT YOU DID IT, BETH.
1401
00:59:06,343 --> 00:59:07,477
YOU JUST WENT RIGHT AHEAD
1402
00:59:07,477 --> 00:59:11,081
AND DID IT.
1403
00:59:11,081 --> 00:59:12,016
>> YOU LOOK ABSOLUTELY
1404
00:59:12,016 --> 00:59:13,483
RIDICULOUS, BY THE WAY. [LAUGHS]
1405
00:59:13,483 --> 00:59:14,484
>> Man: * WHO GIVES A FUCK
1406
00:59:14,484 --> 00:59:15,485
ABOUT AN OXFORD CLIMBER? *
1407
00:59:15,485 --> 00:59:16,486
* I CLIMBED TO
1408
00:59:16,486 --> 00:59:19,156
DHARAMSALA TOO,
1409
00:59:19,156 --> 00:59:21,659
I DID *
1410
00:59:21,659 --> 00:59:23,728
* I MET THE HIGHEST LAMA,
1411
00:59:23,728 --> 00:59:25,395
HIS ACCENT SOUNDED FINE
1412
00:59:25,395 --> 00:59:26,931
TO ME... *
1413
00:59:26,931 --> 00:59:27,598
>> WHERE DID YOU GET
1414
00:59:27,598 --> 00:59:28,833
THAT BOOK FROM?
1415
00:59:28,833 --> 00:59:29,800
>> OH, I BORROWED IT FROM
1416
00:59:29,800 --> 00:59:30,901
ONE OF THE ROOMS.
1417
00:59:30,901 --> 00:59:31,936
DO YOU KNOW THERE'S ONE
1418
00:59:31,936 --> 00:59:33,403
IN EVERY DRAWER?
1419
00:59:33,403 --> 00:59:34,304
YOU DON'T HAVE TO BE
1420
00:59:34,304 --> 00:59:35,572
EMBARRASSED.
1421
00:59:35,572 --> 00:59:36,607
I DO KNOW WHAT IT'S LIKE,
1422
00:59:36,607 --> 00:59:37,574
YOU KNOW.
1423
00:59:37,574 --> 00:59:38,643
I MEAN, MY GREAT-GRANDFATHER IS
1424
00:59:38,643 --> 00:59:40,978
SIR ARTHUR CONAN DOYLE.
1425
00:59:40,978 --> 00:59:41,946
>> DON'T KNOW WHY YOU KEEP
1426
00:59:41,946 --> 00:59:42,813
GOING ON ABOUT IT.
1427
00:59:42,813 --> 00:59:44,181
I MEAN, UNLESS YOU'RE ACTUALLY
1428
00:59:44,181 --> 00:59:45,683
ARTHUR CONAN DOYLE, IT'S JUST A
1429
00:59:45,683 --> 00:59:48,085
POINTLESS HINDRANCE, ISN'T IT?
1430
00:59:48,085 --> 00:59:50,154
MY DAD'S JONATHAN A. FISCHER,
1431
00:59:50,154 --> 00:59:53,691
SO WHAT?
1432
00:59:55,760 --> 00:59:57,962
[SEAGULLS SQUAWK]
1433
01:00:10,107 --> 01:00:12,743
>> Jonathan: HELLO, DARLING.
1434
01:00:12,743 --> 01:00:15,112
COME ON, GIVE ME A HUG.
1435
01:00:20,651 --> 01:00:22,987
EMELIA, ARE YOU COMING BACK
1436
01:00:22,987 --> 01:00:24,054
FOR DINNER?
1437
01:00:24,054 --> 01:00:26,290
>> UM, NO, THANKS, MR. FISCHER.
1438
01:00:26,290 --> 01:00:28,292
I'VE GOT TO GET BACK HOME.
1439
01:00:28,292 --> 01:00:30,661
BUT I'LL SEE YOU ON MONDAY.
1440
01:00:30,661 --> 01:00:33,363
>> O.K., SEE YOU THEN.
1441
01:00:34,464 --> 01:00:35,432
>> BYE.
1442
01:00:37,334 --> 01:00:39,737
[*...]
1443
01:00:46,143 --> 01:00:48,312
>> SHE ATE IT ALL.
1444
01:00:48,312 --> 01:00:54,051
SHE'S NOT DOING TOO BADLY.
1445
01:00:54,051 --> 01:00:56,787
>> WHAT ARE YOU DOING, EMELIA?
1446
01:00:56,787 --> 01:00:57,822
>> I'M EATING MY DINNER,
1447
01:00:57,822 --> 01:00:58,923
SAME AS YOU.
1448
01:00:58,923 --> 01:00:59,790
SURELY YOU CAN'T FIND
1449
01:00:59,790 --> 01:01:00,490
FAULT IN THAT.
1450
01:01:00,490 --> 01:01:02,326
>> NO, I MEAN WITH YOUR LIFE.
1451
01:01:02,326 --> 01:01:03,327
WHAT ARE YOU GOING TO DO
1452
01:01:03,327 --> 01:01:03,928
WITH YOURSELF?
1453
01:01:03,928 --> 01:01:04,762
>> WHAT DO YOU MEAN?
1454
01:01:04,762 --> 01:01:07,331
I'M WRITING A BOOK.
1455
01:01:07,331 --> 01:01:09,233
I'M A CONAN DOYLE.
1456
01:01:09,233 --> 01:01:09,967
IT'S IN MY BLOOD,
1457
01:01:09,967 --> 01:01:11,501
FOR GOODNESS' SAKE.
1458
01:01:11,501 --> 01:01:13,303
AND I'M REALLY GOOD AT IT.
1459
01:01:13,303 --> 01:01:17,808
>> EMELIA... LIFE IS NOT
1460
01:01:17,808 --> 01:01:20,410
A FAIRYTALE.
1461
01:01:20,410 --> 01:01:21,311
>> WHAT IS THAT SUPPOSED
1462
01:01:21,311 --> 01:01:22,179
TO MEAN?
1463
01:01:22,179 --> 01:01:23,948
>> LOOK, I'M JUST SAYING IT'S
1464
01:01:23,948 --> 01:01:27,617
NOT ALL THAT'S IN YOUR BLOOD.
1465
01:01:27,617 --> 01:01:30,320
DON'T... WASTE YOUR LIFE
1466
01:01:30,320 --> 01:01:32,656
LIKE YOUR MOTHER DID.
1467
01:01:32,656 --> 01:01:35,960
DON'T CUT YOURSELF OFF BECAUSE
1468
01:01:35,960 --> 01:01:41,098
OF SOME... FANTASY YOU HAVE.
1469
01:01:41,098 --> 01:01:42,099
>> IT'S TOO LATE TO START WITH
1470
01:01:42,099 --> 01:01:43,400
ME NOW JUST 'CAUSE YOUR OWN
1471
01:01:43,400 --> 01:01:46,136
DAUGHTER KILLED HERSELF.
1472
01:01:46,136 --> 01:01:48,638
[KNOCKING AT DOOR]
1473
01:01:48,638 --> 01:01:53,643
[*...]
1474
01:01:56,013 --> 01:01:58,916
>> WHERE'VE YOU BEEN?
1475
01:01:58,916 --> 01:02:00,450
>> NO.
1476
01:02:00,450 --> 01:02:02,286
>> NO?
1477
01:02:02,286 --> 01:02:03,287
NO WHAT?
1478
01:02:03,287 --> 01:02:04,288
THAT'S NOT THE ANSWER
1479
01:02:04,288 --> 01:02:05,089
TO THAT QUESTION.
1480
01:02:05,089 --> 01:02:08,492
>> NO, I'M NOT INTO YOU ANYMORE.
1481
01:02:08,492 --> 01:02:10,995
>> ALL RIGHT...
1482
01:02:10,995 --> 01:02:13,063
>> BYE THEN.
1483
01:02:13,063 --> 01:02:13,931
>> BABE?
1484
01:02:16,633 --> 01:02:22,606
[*...]
1485
01:02:34,985 --> 01:02:36,086
>> Jonathan: "IN MY YOUNGER AND
1486
01:02:36,086 --> 01:02:37,822
MORE VULNERABLE YEARS, MY FATHER
1487
01:02:37,822 --> 01:02:38,989
GAVE ME SOME ADVICE THAT I'VE
1488
01:02:38,989 --> 01:02:40,090
BEEN TURNING OVER IN MY MIND
1489
01:02:40,090 --> 01:02:42,159
EVER SINCE."
1490
01:02:42,159 --> 01:02:43,493
IT'S AN ODD FIRST LINE GIVEN THE
1491
01:02:43,493 --> 01:02:47,664
ABSENCE OF A FATHER CHARACTER.
1492
01:02:47,664 --> 01:02:49,766
IT'S GOOD.
1493
01:02:49,766 --> 01:02:51,969
IT'S VERY GOOD.
1494
01:02:51,969 --> 01:02:53,337
DON'T WORRY.
1495
01:02:53,337 --> 01:02:55,339
A LITTLE OVERWRITTEN.
1496
01:02:55,339 --> 01:02:57,174
SOMETIMES YOU GET VERY CONFUSED
1497
01:02:57,174 --> 01:02:59,743
BY THE USE OF A SIMILE.
1498
01:02:59,743 --> 01:03:02,112
BUT...
1499
01:03:02,112 --> 01:03:04,081
THERE'S SOMETHING THERE.
1500
01:03:08,986 --> 01:03:12,556
YOU SEEM VERY DISTRACTED.
1501
01:03:12,556 --> 01:03:14,458
IS IT THAT YOU CAN'T TAKE
1502
01:03:14,458 --> 01:03:17,161
CRITICISM?
1503
01:03:17,161 --> 01:03:18,595
>> JONATHAN...
1504
01:03:18,595 --> 01:03:19,596
>> Beth: DAD?
1505
01:03:19,596 --> 01:03:21,331
[*...]
1506
01:03:21,331 --> 01:03:24,168
>> Jonathan: COME ON.
1507
01:03:24,168 --> 01:03:25,335
HURRY. [THUD]
1508
01:03:25,335 --> 01:03:27,004
>> [MOUTHS] OW...
1509
01:03:27,004 --> 01:03:29,940
>> CAN YOU SIGN THIS, PLEASE?
1510
01:03:29,940 --> 01:03:31,909
>> WHAT IS IT?
1511
01:03:31,909 --> 01:03:32,843
>> PARENTAL CONSENT FOR MY
1512
01:03:32,843 --> 01:03:34,845
LEAVERS BALL.
1513
01:03:34,845 --> 01:03:38,916
>> DO I HAVE TO DO THIS NOW?
1514
01:03:38,916 --> 01:03:42,152
[PEN SCRATCHING]
1515
01:03:42,152 --> 01:03:43,253
THAT'S A BIT OF A LIFELESS
1516
01:03:43,253 --> 01:03:45,322
OUTFIT.
1517
01:03:45,322 --> 01:03:45,990
>> WELL, IT'S OBVIOUSLY
1518
01:03:45,990 --> 01:03:48,993
REFLECTING MY PERSONALITY.
1519
01:03:48,993 --> 01:03:53,931
[*...]
1520
01:03:57,767 --> 01:04:05,142
[SEAGULLS SQUAWKING, *...]
1521
01:04:22,759 --> 01:04:29,433
[*...]
1522
01:04:29,433 --> 01:04:30,634
>> [GASPS]
1523
01:04:33,938 --> 01:04:41,678
[*...]
1524
01:04:41,678 --> 01:04:44,481
>> SHE DIDN'T MAKE IT.
1525
01:04:44,481 --> 01:04:48,919
SHE'S GONE.
1526
01:04:48,919 --> 01:04:55,259
[GRANDFATHER CRYING SOFTLY]
1527
01:04:55,259 --> 01:04:57,761
[*...]
1528
01:05:13,310 --> 01:05:17,147
[SILVERWARE CLINKING]
1529
01:05:22,186 --> 01:05:23,220
>> ARE YOU GOING TO DRESS UP
1530
01:05:23,220 --> 01:05:24,989
FOR THE SCHOOL BALL?
1531
01:05:24,989 --> 01:05:27,124
WEAR SOMETHING SPECIAL?
1532
01:05:27,124 --> 01:05:29,793
[BUMP, ROLLING]
1533
01:05:31,128 --> 01:05:34,999
BETH?
1534
01:05:34,999 --> 01:05:38,268
WHAT'S WRONG?
1535
01:05:38,268 --> 01:05:39,469
>> NOTHING.
1536
01:05:39,469 --> 01:05:41,471
>> Posy: I KNOW WHAT'S WRONG.
1537
01:05:41,471 --> 01:05:43,173
BETH THINKS YOU LOVE EMELIA
1538
01:05:43,173 --> 01:05:44,341
MORE THAN HER.
1539
01:05:44,341 --> 01:05:45,775
YOU WISH EMELIA WAS
1540
01:05:45,775 --> 01:05:47,177
YOUR DAUGHTER.
1541
01:05:47,177 --> 01:05:50,147
[ROLLS AWAY]
1542
01:06:10,900 --> 01:06:14,004
>> WHAT WAS I FUCKING THINKING?
1543
01:06:14,004 --> 01:06:21,778
[SEAGULLS SQUAWK, *...]
1544
01:06:29,186 --> 01:06:30,154
>> HEY...
1545
01:06:30,154 --> 01:06:33,157
>> HEY.
1546
01:06:33,157 --> 01:06:34,291
>> JUST WONDERED IF YOU FANCIED
1547
01:06:34,291 --> 01:06:35,992
A CUP OF TEA?
1548
01:06:35,992 --> 01:06:37,061
>> OH, I CAN'T.
1549
01:06:37,061 --> 01:06:39,296
GOT TO GET BACK, UNFORTUNATELY.
1550
01:06:39,296 --> 01:06:40,264
MY BLOODY MOTHER.
1551
01:06:44,601 --> 01:06:47,637
ARE YOU ALL RIGHT?
1552
01:06:47,637 --> 01:06:50,407
>> MY GRANNY DIED.
1553
01:06:50,407 --> 01:06:52,008
>> WHEN?
1554
01:06:52,008 --> 01:06:57,314
WHY DIDN'T YOU CALL ME?
1555
01:06:57,314 --> 01:07:02,486
I'M SO SORRY.
1556
01:07:02,486 --> 01:07:06,590
>> [CRYING]
1557
01:07:06,590 --> 01:07:11,428
[*...]
1558
01:07:31,348 --> 01:07:38,888
[*...]
1559
01:07:59,976 --> 01:08:06,716
[*...]
1560
01:08:11,821 --> 01:08:14,458
[DOOR OPENS]
1561
01:08:14,458 --> 01:08:16,326
>> EXCUSE ME, HAS YOUR ROOM
1562
01:08:16,326 --> 01:08:18,162
BEEN CLEANED?
1563
01:08:18,162 --> 01:08:22,932
>> NOT YET. YOURS?
1564
01:08:22,932 --> 01:08:24,968
I HEARD THE LADY ON THE DESK
1565
01:08:24,968 --> 01:08:26,303
MOANING ABOUT THE CLEANER
1566
01:08:26,303 --> 01:08:28,805
NOT SHOWING UP FOR WORK.
1567
01:08:28,805 --> 01:08:32,342
WHAT ABOUT THAT PRETTY ONE?
1568
01:08:32,342 --> 01:08:33,343
IF ONLY WE WERE 20 YEARS
1569
01:08:33,343 --> 01:08:34,478
YOUNGER, EH?
1570
01:08:40,417 --> 01:08:42,452
>> [SCOFFS, DISGUSTED]
1571
01:08:50,494 --> 01:08:53,997
[KNOCK AT DOOR]
1572
01:08:53,997 --> 01:08:56,966
>> Emelia: HELLO.
1573
01:08:56,966 --> 01:08:58,802
>> HOW ARE YOU?
1574
01:09:02,172 --> 01:09:03,673
>> THERE'S BEEN A LOT TO
1575
01:09:03,673 --> 01:09:06,510
SORT OUT, BUT I'M FINE.
1576
01:09:06,510 --> 01:09:08,144
YOU LOOK BLOODY AWFUL, THOUGH.
1577
01:09:08,144 --> 01:09:10,314
WHAT'S UP?
1578
01:09:10,314 --> 01:09:11,014
>> I'VE JUST BEEN SICK
1579
01:09:11,014 --> 01:09:13,683
EVERY MORNING THIS WEEK.
1580
01:09:13,683 --> 01:09:15,685
I THINK IT'S JUST A BUG.
1581
01:09:15,685 --> 01:09:16,686
>> BUT ISN'T THAT
1582
01:09:16,686 --> 01:09:19,289
MORNING SICKNESS?
1583
01:09:19,289 --> 01:09:22,492
>> CAN'T BE, CAN IT?
1584
01:09:22,492 --> 01:09:27,664
WE USED A CONDOM.
1585
01:09:27,664 --> 01:09:28,898
>> DON'T WORRY.
1586
01:09:28,898 --> 01:09:30,600
I'LL GET YOU A TEST.
1587
01:09:35,305 --> 01:09:41,245
[*...]
1588
01:09:55,259 --> 01:10:00,830
>> EMELIA?
1589
01:10:00,830 --> 01:10:02,832
CAN YOU COME UP, PLEASE?
1590
01:10:02,832 --> 01:10:08,305
[*...]
1591
01:10:33,663 --> 01:10:38,935
>> EMELIA, I...
1592
01:10:38,935 --> 01:10:39,969
THERE'S SOMETHING...
1593
01:10:39,969 --> 01:10:41,137
>> JONATHAN...
1594
01:10:41,137 --> 01:10:42,572
>> I'M SORRY, I JUST WANT...
1595
01:10:42,572 --> 01:10:44,641
>> I CAN'T WRITE, I CAN'T DO IT.
1596
01:10:50,414 --> 01:10:53,116
>> OF COURSE YOU CAN.
1597
01:10:53,116 --> 01:10:54,284
I QUITE OFTEN THINK OF A QUOTE
1598
01:10:54,284 --> 01:10:56,486
BY TOLSTOY: "IN A WRITER, THERE
1599
01:10:56,486 --> 01:10:58,522
MUST ALWAYS BE TWO PEOPLE--
1600
01:10:58,522 --> 01:11:02,559
THE WRITER AND THE CRITIC."
1601
01:11:02,559 --> 01:11:03,226
WHEN I WAS WRITING
1602
01:11:03,226 --> 01:11:03,893
THE CLIFF HOUSE...
1603
01:11:03,893 --> 01:11:04,728
>> FOR GOD'S SAKE, GET OVER
1604
01:11:04,728 --> 01:11:06,996
THE CLIFF HOUSE.
1605
01:11:06,996 --> 01:11:08,665
>> WHAT DO YOU MEAN BY THAT?
1606
01:11:08,665 --> 01:11:09,499
>> YOU HAVEN'T LIVED A BLOODY
1607
01:11:09,499 --> 01:11:12,268
DAY SINCE, HAVE YOU?
1608
01:11:12,268 --> 01:11:13,269
I MEAN, WHAT ELSE HAVE YOU
1609
01:11:13,269 --> 01:11:16,973
ACHIEVED IN THE LAST 20 YEARS?
1610
01:11:16,973 --> 01:11:19,175
I'VE READ YOUR OTHER WORK,
1611
01:11:19,175 --> 01:11:21,478
AND IT SURE AIN'T TOLSTOY.
1612
01:11:21,478 --> 01:11:23,012
UNLESS IT'S THE SEQUEL,
1613
01:11:23,012 --> 01:11:25,915
BORE AND CEASE.
1614
01:11:30,119 --> 01:11:32,922
[CLOCK TICKS]
1615
01:11:32,922 --> 01:11:36,125
[DOOR OPENS]
1616
01:11:39,228 --> 01:11:42,632
>> WHAT'S THIS?
1617
01:11:42,632 --> 01:11:46,470
>> NOTHING.
1618
01:11:46,470 --> 01:11:47,337
>> WHAT WAS THAT?
1619
01:11:47,337 --> 01:11:48,338
THAT'D BETTER NOT BE WHAT I
1620
01:11:48,338 --> 01:11:49,339
THOUGHT IT WAS, YOUNG LADY.
1621
01:11:49,339 --> 01:11:50,340
>> "WHAT'S THIS, WHAT'S THAT?"
1622
01:11:50,340 --> 01:11:51,341
WHAT'S IT GOT TO DO
1623
01:11:51,341 --> 01:11:52,342
WITH YOU, ANYWAY?
1624
01:11:52,342 --> 01:11:53,176
>> IT'S GOT EVERYTHING TO DO
1625
01:11:53,176 --> 01:11:53,843
WITH ME.
1626
01:11:53,843 --> 01:11:54,844
YOU THINK YOU'RE PREGNANT?
1627
01:11:54,844 --> 01:11:55,845
>> I'M NOT PREGNANT,
1628
01:11:55,845 --> 01:11:56,846
IT'S NEGATIVE, SO WHY DON'T YOU
1629
01:11:56,846 --> 01:11:59,182
JUST FUCK OFF!
1630
01:11:59,182 --> 01:12:01,184
[CRYING]
1631
01:12:01,184 --> 01:12:02,352
>> HAD YOUR HEAD SO FAR UP YOUR
1632
01:12:02,352 --> 01:12:03,687
OWN ASS, YOU CAN'T HAVE SEEN
1633
01:12:03,687 --> 01:12:05,121
DAYLIGHT IN YEARS.
1634
01:12:05,121 --> 01:12:06,122
DO YOU EVEN KNOW THAT YOU
1635
01:12:06,122 --> 01:12:08,224
QUESTIONED THE GREAT GATSBY?
1636
01:12:08,224 --> 01:12:10,126
[SCOFFS] YOU IDIOT.
1637
01:12:10,126 --> 01:12:11,495
YOU TOLD TRUMAN CAPOTE
1638
01:12:11,495 --> 01:12:12,796
HE NEED NOT TO BE SO OBVIOUS
1639
01:12:12,796 --> 01:12:13,930
WITH HIS METAPHORS.
1640
01:12:13,930 --> 01:12:14,831
>> WHAT ON EARTH ARE YOU
1641
01:12:14,831 --> 01:12:16,400
TALKING ABOUT?
1642
01:12:16,400 --> 01:12:17,567
>> HALF OF THE STUFF I GAVE YOU
1643
01:12:17,567 --> 01:12:19,068
AS SAMPLES WEREN'T EVEN MINE.
1644
01:12:19,068 --> 01:12:20,103
I JUST COPIED THEM FROM BOOKS
1645
01:12:20,103 --> 01:12:23,673
BY MY BED.
1646
01:12:23,673 --> 01:12:24,674
>> WHY ARE YOU BEING SO CRUEL
1647
01:12:24,674 --> 01:12:28,177
AND CHILDISH?
1648
01:12:28,177 --> 01:12:31,014
>> BECAUSE I AM A CHILD.
1649
01:12:31,014 --> 01:12:31,848
I'M BEST FRIENDS WITH YOUR
1650
01:12:31,848 --> 01:12:32,749
DAUGHTER, IN CASE YOU
1651
01:12:32,749 --> 01:12:37,454
HADN'T NOTICED.
1652
01:12:37,454 --> 01:12:38,922
>> EMELIA, YOU DON'T NEED
1653
01:12:38,922 --> 01:12:41,991
TO DO THIS.
1654
01:12:41,991 --> 01:12:42,992
>> I CAN'T DO THIS TO BETH
1655
01:12:42,992 --> 01:12:47,230
ANYMORE.
1656
01:12:47,230 --> 01:12:48,498
AND I HATE YOU FOR BEING
1657
01:12:48,498 --> 01:12:50,834
ABLE TO.
1658
01:12:50,834 --> 01:12:58,107
[*...]
1659
01:13:12,956 --> 01:13:14,157
[EMELIA SIGHS]
1660
01:13:14,157 --> 01:13:17,827
IT'S ALL RIGHT.
1661
01:13:17,827 --> 01:13:18,828
IT'S GOING TO BE ALL RIGHT,
1662
01:13:18,828 --> 01:13:20,897
YOU'RE O.K.
1663
01:13:20,897 --> 01:13:24,100
[SIGHS]
1664
01:13:24,100 --> 01:13:28,672
[*...]
1665
01:13:28,672 --> 01:13:32,341
>> [SIGHS]
1666
01:13:32,341 --> 01:13:34,611
THANK FUCK.
1667
01:13:34,611 --> 01:13:36,012
[BOTH CHUCKLE]
1668
01:13:36,012 --> 01:13:41,117
[BOTH LAUGH]
1669
01:13:41,117 --> 01:13:42,519
>> COME ON.
1670
01:13:42,519 --> 01:13:43,620
GET YOUR THINGS TOGETHER.
1671
01:13:43,620 --> 01:13:44,287
WE'RE GOING OUT.
1672
01:13:44,287 --> 01:13:46,523
>> [LAUGHS] O.K.
1673
01:13:46,523 --> 01:13:47,757
LET'S GO OUT.
1674
01:13:47,757 --> 01:13:48,925
BUT LET ME PUT SOME MAKEUP ON
1675
01:13:48,925 --> 01:13:54,163
MY BIG, FAT, SWOLLEN FACE.
1676
01:13:54,163 --> 01:13:59,068
[*...]
1677
01:13:59,068 --> 01:14:02,105
[FOOTSTEPS APPROACHING]
1678
01:14:02,105 --> 01:14:03,006
>> DID YOU KNOW THAT BETH
1679
01:14:03,006 --> 01:14:05,274
IS NOW HAVING SEX? DID YOU?
1680
01:14:05,274 --> 01:14:07,010
WELL, SHE IS, SO MAYBE YOU CAN
1681
01:14:07,010 --> 01:14:08,144
THINK ABOUT THAT NEXT TIME
1682
01:14:08,144 --> 01:14:09,479
BEFORE YOU CELEBRATE HER
1683
01:14:09,479 --> 01:14:10,480
FOR GETTING SLOSHED.
1684
01:14:10,480 --> 01:14:11,481
[MUFFLED:] I MEAN, LOOK AT THE
1685
01:14:11,481 --> 01:14:13,082
MESS SHE IS IN BECAUSE OF THAT
1686
01:14:13,082 --> 01:14:14,684
STUPID GIRL.
1687
01:14:14,684 --> 01:14:16,520
[BOTH CHUCKLING]
1688
01:14:16,520 --> 01:14:19,523
YOU'RE JUST SO SELFISH.
1689
01:14:19,523 --> 01:14:21,124
YOU LOCK YOURSELF AWAY UP HERE
1690
01:14:21,124 --> 01:14:22,892
AS IF YOU'RE CURING CANCER
1691
01:14:22,892 --> 01:14:24,327
INSTEAD OF CHURNING OUT A
1692
01:14:24,327 --> 01:14:26,162
POTBOILER ONCE A DECADE.
1693
01:14:26,162 --> 01:14:28,231
YOU THINK BUYING THIS HOUSE IS
1694
01:14:28,231 --> 01:14:29,833
JUST YOUR ENTIRE CONTRIBUTION TO
1695
01:14:29,833 --> 01:14:31,635
THIS FAMILY DONE, DON'T YOU?
1696
01:14:31,635 --> 01:14:35,972
THAT'S YOUR BIT DONE, ISN'T IT?
1697
01:14:35,972 --> 01:14:36,973
>> I'VE BEEN SLEEPING
1698
01:14:36,973 --> 01:14:39,175
WITH EMELIA.
1699
01:14:39,175 --> 01:14:40,510
>> [LAUGHS] YOU HAVE
1700
01:14:40,510 --> 01:14:41,845
GOT TO BE JOKING.
1701
01:14:41,845 --> 01:14:46,149
[MUFFLED LAUGHTER]
1702
01:14:46,149 --> 01:14:47,316
>> SHALL WE GET GOING, THEN?
1703
01:14:47,316 --> 01:14:48,785
>> FAT FUCKING FATHER YOU ARE.
1704
01:14:48,785 --> 01:14:50,854
YOU'VE BEEN FUCKING THE MAID?
1705
01:14:50,854 --> 01:14:52,021
>> IF YOU WANT TO PUT IT
1706
01:14:52,021 --> 01:14:53,957
THAT WAY, UM, YES, I HAVE.
1707
01:14:59,663 --> 01:15:02,799
>> I AM GOING TO THROW UP.
1708
01:15:02,799 --> 01:15:05,334
>> SHALL WE HEAD OUT, THEN?
1709
01:15:05,334 --> 01:15:08,171
LET'S HEAD OUT.
1710
01:15:08,171 --> 01:15:09,573
>> Joa: SO, WHILE I'VE BEEN
1711
01:15:09,573 --> 01:15:11,675
BRINGING UP THE KIDS AND RUNNING
1712
01:15:11,675 --> 01:15:13,777
THIS HOUSE AND THIS BUSINESS
1713
01:15:13,777 --> 01:15:15,511
HAS BEEN HANGING AROUND MY NECK
1714
01:15:15,511 --> 01:15:17,013
DRAINING EVERY LAST MORSEL OF
1715
01:15:17,013 --> 01:15:18,447
ENERGY I'VE GOT LEFT,
1716
01:15:18,447 --> 01:15:19,849
YOU HAVE BEEN UP HERE
1717
01:15:19,849 --> 01:15:21,450
FUCKING OUR DAUGHTER'S
1718
01:15:21,450 --> 01:15:25,855
BEST FRIEND!
1719
01:15:25,855 --> 01:15:30,393
[*...]
1720
01:15:38,635 --> 01:15:40,670
I'M LEAVING YOU.
1721
01:15:40,670 --> 01:15:42,939
ALTHOUGH, UM, I'LL BE KEEPING
1722
01:15:42,939 --> 01:15:45,308
THE HOUSE, SO... TECHNICALLY,
1723
01:15:45,308 --> 01:15:47,811
YOU'LL ACTUALLY BE LEAVING ME.
1724
01:15:47,811 --> 01:15:49,078
>> Jonathan: BETH...
1725
01:15:49,078 --> 01:15:52,148
>> I WANT YOU GONE BY MORNING.
1726
01:15:52,148 --> 01:15:55,852
YOU CAN CLEAR ALL OF THIS OUT.
1727
01:15:55,852 --> 01:15:58,588
WANT YOU TO TAKE IT WITH YOU.
1728
01:15:58,588 --> 01:16:01,357
>> I THOUGHT YOU WERE MY FRIEND.
1729
01:16:01,357 --> 01:16:04,794
>> I AM, BETH.
1730
01:16:04,794 --> 01:16:06,796
I AM.
1731
01:16:06,796 --> 01:16:12,268
>> NOT YOU, YOU FUCKING IDIOT.
1732
01:16:12,268 --> 01:16:15,972
>> LOOK, MUMMY, I'M EMELIA!
1733
01:16:15,972 --> 01:16:21,544
[*...]
1734
01:16:30,987 --> 01:16:36,760
[LAUGHTER, CONVERSATION, *...]
1735
01:16:47,570 --> 01:16:49,673
[CHEERING AND WHOOPING, *...]
1736
01:16:49,673 --> 01:16:50,674
[CAN CLINKS]
1737
01:16:50,674 --> 01:16:51,675
>> SEE, MY DAD'S RIGHT.
1738
01:16:51,675 --> 01:16:52,508
I CAN'T GET ANYTHING
1739
01:16:52,508 --> 01:16:53,609
THROUGH MY THICK SKULL.
1740
01:16:53,609 --> 01:16:58,014
[*...]
1741
01:16:58,014 --> 01:16:59,783
>> [SIGHS]
1742
01:16:59,783 --> 01:17:03,019
[SEAGULLS SQUAWK]
1743
01:17:03,019 --> 01:17:07,356
[GENERAL CONVERSATION...]
1744
01:17:07,356 --> 01:17:09,525
>> BETH?
1745
01:17:09,525 --> 01:17:10,593
BETH?
1746
01:17:10,593 --> 01:17:13,763
BETH, I NEED TO TALK TO YOU.
1747
01:17:13,763 --> 01:17:15,799
BETH, I'M SORRY.
1748
01:17:15,799 --> 01:17:16,966
I DIDN'T MEAN FOR IT TO HAPPEN,
1749
01:17:16,966 --> 01:17:18,334
ANY OF IT, I JUST...
1750
01:17:18,334 --> 01:17:19,635
I WANT US TO BE FRIENDS AGAIN.
1751
01:17:19,635 --> 01:17:21,938
>> WE CAN'T BE FRIENDS, EMELIA.
1752
01:17:21,938 --> 01:17:23,439
YOU'RE A LIAR.
1753
01:17:23,439 --> 01:17:24,808
>> NO, I'M NOT.
1754
01:17:24,808 --> 01:17:27,443
YOU... YOU KNOW EVERYTHING NOW.
1755
01:17:27,443 --> 01:17:30,346
YOU MUST KNOW WHY I HAD TO LIE.
1756
01:17:30,346 --> 01:17:32,916
I DID A BAD THING.
1757
01:17:32,916 --> 01:17:35,518
>> I'M NOT TALKING ABOUT THAT.
1758
01:17:35,518 --> 01:17:36,820
YOUR NAME MAY NOT BE SERENA
1759
01:17:36,820 --> 01:17:38,121
MOLINA, BUT IT CERTAINLY ISN'T
1760
01:17:38,121 --> 01:17:42,025
CONAN DOYLE, EITHER.
1761
01:17:42,025 --> 01:17:44,293
>> WHAT?
1762
01:17:44,293 --> 01:17:45,161
>> DO YOU ACTUALLY BELIEVE
1763
01:17:45,161 --> 01:17:48,832
YOUR NAME IS CONAN DOYLE?
1764
01:17:48,832 --> 01:17:50,399
[*...]
1765
01:17:55,939 --> 01:17:59,275
[SEAGULLS SQUAWK, *...]
1766
01:18:08,852 --> 01:18:10,453
>> GRANDPA, CAN I ASK YOU
1767
01:18:10,453 --> 01:18:12,021
A QUESTION?
1768
01:18:12,021 --> 01:18:14,423
>> YEAH.
1769
01:18:25,101 --> 01:18:26,502
>> WAS MY FATHER THE GRANDSON
1770
01:18:26,502 --> 01:18:29,105
OF ARTHUR CONAN DOYLE?
1771
01:18:29,105 --> 01:18:31,841
>> WELL, HIS NAME WAS DOYLE.
1772
01:18:31,841 --> 01:18:32,842
>> WAS IT CONAN DOYLE?
1773
01:18:32,842 --> 01:18:38,147
WAS HE RELATED TO THE AUTHOR?
1774
01:18:42,618 --> 01:18:45,188
>> YOUR MOTHER... DID A LOT OF
1775
01:18:45,188 --> 01:18:47,456
THINGS FOR THE RIGHT REASONS.
1776
01:18:47,456 --> 01:18:49,192
AND A LOT OF THINGS FOR
1777
01:18:49,192 --> 01:18:51,995
THE WRONG REASONS.
1778
01:18:51,995 --> 01:18:55,164
YOUR FATHER'S NAME WAS DOYLE.
1779
01:18:55,164 --> 01:18:57,133
BUT...
1780
01:18:57,133 --> 01:19:02,271
IT WASN'T CONAN DOYLE.
1781
01:19:02,271 --> 01:19:03,672
ME AND YOUR GRANNY FELT IT WOULD
1782
01:19:03,672 --> 01:19:06,075
HAVE CRUSHED YOU TO TAKE IT AWAY
1783
01:19:06,075 --> 01:19:08,577
FROM YOU AFTER YOUR MUM DIED.
1784
01:19:08,577 --> 01:19:13,983
IT SEEMED... ANOTHER CRUELTY.
1785
01:19:13,983 --> 01:19:17,453
WE... KNEW HOW MUCH IT MEANT
1786
01:19:17,453 --> 01:19:21,524
TO YOU.
1787
01:19:21,524 --> 01:19:23,860
>> THIS JUST MEANS THAT THE
1788
01:19:23,860 --> 01:19:24,961
FOUNDATION THAT MY LIFE'S
1789
01:19:24,961 --> 01:19:28,832
BUILT ON IS BASED ON LIES.
1790
01:19:28,832 --> 01:19:29,833
MY AMBITION TO BE A WRITER
1791
01:19:29,833 --> 01:19:33,602
IS BASED ON A LIE.
1792
01:19:33,602 --> 01:19:36,172
I NEED TO REWRITE MYSELF.
1793
01:19:36,172 --> 01:19:38,908
>> BUT YOU CAN.
1794
01:19:38,908 --> 01:19:41,811
YOU'RE A GREAT WRITER ANYWAY,
1795
01:19:41,811 --> 01:19:47,416
WITHOUT ALL THAT NONSENSE.
1796
01:19:47,416 --> 01:19:49,819
YOU CAN'T PUSH EVERYBODY AWAY,
1797
01:19:49,819 --> 01:19:52,588
EMELIA.
1798
01:19:52,588 --> 01:19:59,495
YOUR MOTHER WANTED YOU SO MUCH.
1799
01:19:59,495 --> 01:20:00,496
>> SHE CAN'T HAVE WANTED ME
1800
01:20:00,496 --> 01:20:01,497
THAT MUCH.
1801
01:20:01,497 --> 01:20:02,498
SHE JUMPED OFF A BRIDGE
1802
01:20:02,498 --> 01:20:03,632
ONTO A MAIN ROAD.
1803
01:20:03,632 --> 01:20:05,668
>> MILLIE, SHE WAS ILL.
1804
01:20:05,668 --> 01:20:08,504
HER MIND WASN'T RIGHT.
1805
01:20:08,504 --> 01:20:10,339
BUT SHE'D BE SO PROUD OF HOW
1806
01:20:10,339 --> 01:20:12,108
CLEVER YOU'VE MADE YOURSELF.
1807
01:20:12,108 --> 01:20:13,442
BECAUSE OF HIM, WITHOUT HIM,
1808
01:20:13,442 --> 01:20:14,844
WHAT DOES IT MATTER?
1809
01:20:14,844 --> 01:20:17,013
IT'S JUST A NAME, EMELIA.
1810
01:20:17,013 --> 01:20:19,348
IT'S JUST AN ALBATROSS AROUND
1811
01:20:19,348 --> 01:20:20,950
YOUR NECK, REALLY, BUT YOU
1812
01:20:20,950 --> 01:20:25,021
JUST CAN'T SEE THAT YET.
1813
01:20:25,021 --> 01:20:28,457
YOU'RE STILL SPECIAL, YOU KNOW.
1814
01:20:28,457 --> 01:20:29,658
>> [SCOFFS] SPECIAL BLOODY
1815
01:20:29,658 --> 01:20:32,228
NEEDS, THANKS TO HER.
1816
01:20:32,228 --> 01:20:34,497
>> YOU'LL... STOP BEING ANGRY
1817
01:20:34,497 --> 01:20:37,500
WITH HER, ONE DAY.
1818
01:20:37,500 --> 01:20:40,003
AND WITH YOURSELF.
1819
01:20:40,003 --> 01:20:42,438
YOU'RE A WRITER.
1820
01:20:42,438 --> 01:20:43,439
BUT IF YOU CHANGE YOUR MIND
1821
01:20:43,439 --> 01:20:44,440
AND WANT TO GO TO COLLEGE
1822
01:20:44,440 --> 01:20:45,508
INSTEAD, THERE'S MONEY,
1823
01:20:45,508 --> 01:20:46,175
YOU KNOW.
1824
01:20:46,175 --> 01:20:48,611
I DON'T NEED ANYTHING BUT TO,
1825
01:20:48,611 --> 01:20:51,114
UH, UPGRADE MY TEA BAGS
1826
01:20:51,114 --> 01:20:52,581
EVERY ONCE IN A WHILE.
1827
01:20:52,581 --> 01:20:55,518
[BOTH CHUCKLE]
1828
01:20:55,518 --> 01:20:58,687
>> WELL, DON'T GO BLOODY MAD.
1829
01:20:58,687 --> 01:21:01,624
I WANT SOME KIND OF INHERITANCE.
1830
01:21:01,624 --> 01:21:04,460
[*...]
1831
01:21:26,149 --> 01:21:31,887
[*...]
1832
01:22:03,186 --> 01:22:10,626
[*...]
1833
01:22:17,133 --> 01:22:19,602
[CAR APPROACHING]
1834
01:22:19,602 --> 01:22:24,507
[ENGINE IDLING]
1835
01:22:24,507 --> 01:22:28,177
[KNOCK AT DOOR]
1836
01:22:28,177 --> 01:22:33,882
[ENGINE REVS, ACCELERATES]
1837
01:22:38,654 --> 01:22:41,257
[*...]
1838
01:22:51,767 --> 01:22:58,474
[*...]
1839
01:23:04,847 --> 01:23:08,817
[*...]
1840
01:23:13,456 --> 01:23:19,062
[*...]
1841
01:23:25,468 --> 01:23:28,571
>> DADDY!
1842
01:23:28,571 --> 01:23:31,240
>> HELLO, MY DARLING.
1843
01:23:31,240 --> 01:23:33,309
>> ARE YOU COMING HOME?
1844
01:23:33,309 --> 01:23:36,279
>> NO, I'M NOT.
1845
01:23:36,279 --> 01:23:37,580
I'M JUST HERE TO DRIVE MY
1846
01:23:37,580 --> 01:23:41,817
OXFORD UNDERGRAD TO COLLEGE.
1847
01:23:41,817 --> 01:23:44,153
HI.
1848
01:23:44,153 --> 01:23:47,022
>> HI.
1849
01:23:47,022 --> 01:23:47,856
>> THANK YOU FOR LETTING ME
1850
01:23:47,856 --> 01:23:51,094
DRIVE YOU.
1851
01:23:54,830 --> 01:23:57,566
HI, HELLO.
1852
01:23:57,566 --> 01:24:03,239
>> HI.
1853
01:24:03,239 --> 01:24:04,640
>> HOW ARE YOU?
1854
01:24:04,640 --> 01:24:06,575
>> GOOD.
1855
01:24:06,575 --> 01:24:09,178
HEAR YOU GOT A JOB.
1856
01:24:09,178 --> 01:24:10,179
>> YES, I'M TEACHING
1857
01:24:10,179 --> 01:24:11,847
CREATIVE WRITING.
1858
01:24:11,847 --> 01:24:15,818
>> OH. HUH.
1859
01:24:18,987 --> 01:24:19,988
>> LET'S GO.
1860
01:24:19,988 --> 01:24:21,657
>> COME ON, THEN.
1861
01:24:21,657 --> 01:24:22,358
GRAB SOMETHING.
1862
01:24:22,358 --> 01:24:23,826
>> Jonathan: YES.
1863
01:24:42,978 --> 01:24:44,613
[STORE BELL JINGLES]
1864
01:24:47,483 --> 01:24:49,452
>> HI, UM, CAN I GET THIS
1865
01:24:49,452 --> 01:24:50,986
PRINTED ON A-4 AND BOUND?
1866
01:24:50,986 --> 01:24:52,521
>> YEP, NO PROBLEM.
1867
01:24:52,521 --> 01:24:53,689
JUST TAKE A SEAT.
1868
01:24:53,689 --> 01:24:58,827
[*...]
1869
01:25:12,441 --> 01:25:16,512
>> Man: * WE'VE ALL BEEN CHANGED
1870
01:25:16,512 --> 01:25:20,249
FROM WHAT WE WERE *
1871
01:25:20,249 --> 01:25:23,852
* OUR BROKEN HEARTS
1872
01:25:23,852 --> 01:25:27,656
LEFT SMASHED ON THE FLOOR *
1873
01:25:27,656 --> 01:25:31,494
* I CAN'T BELIEVE YOU
1874
01:25:31,494 --> 01:25:35,464
IF I CAN'T HEAR YOU *
1875
01:25:35,464 --> 01:25:39,268
* I CAN'T BELIEVE YOU
1876
01:25:39,268 --> 01:25:44,173
IF I CAN'T HEAR YOU *
1877
01:25:44,173 --> 01:25:45,841
[*...]
1878
01:25:45,841 --> 01:25:47,443
[ENGINE STARTS]
1879
01:25:51,947 --> 01:25:57,886
[*...]
1880
01:26:06,862 --> 01:26:08,364
>> Chorus: * WE'VE ALL
1881
01:26:08,364 --> 01:26:11,267
BEEN CHANGED
1882
01:26:11,267 --> 01:26:14,903
FROM WHAT WE WERE *
1883
01:26:14,903 --> 01:26:18,741
* OUR BROKEN HEARTS
1884
01:26:18,741 --> 01:26:23,011
SMASHED ON THE FLOOR *
1885
01:26:23,011 --> 01:26:26,849
* WE'VE ALL BEEN CHANGED
1886
01:26:26,849 --> 01:26:30,486
FROM WHAT WE WERE *
1887
01:26:30,486 --> 01:26:34,423
* OUR BROKEN HEARTS
1888
01:26:34,423 --> 01:26:38,694
SMASHED ON THE FLOOR... *
1889
01:26:38,694 --> 01:26:42,898
>> Man: * SOMEONE TURN ME
1890
01:26:42,898 --> 01:26:45,668
'ROUND *
1891
01:26:45,668 --> 01:26:51,607
* CAN I START THIS AGAIN?
1892
01:26:53,842 --> 01:27:01,517
* NOW SOMEONE TURN US 'ROUND
1893
01:27:01,517 --> 01:27:07,456
* CAN WE START THIS AGAIN?
1894
01:27:09,958 --> 01:27:13,762
[*...]
1895
01:27:13,762 --> 01:27:17,266
* WE'VE BEEN ALL CHANGED
1896
01:27:17,266 --> 01:27:21,404
FROM WHAT WE WERE *
1897
01:27:21,404 --> 01:27:24,773
* OUR BROKEN HEARTS
1898
01:27:24,773 --> 01:27:28,611
LEFT SMASHED ON THE FLOOR *
1899
01:27:28,611 --> 01:27:32,315
* I CAN'T BELIEVE YOU
1900
01:27:32,315 --> 01:27:36,419
IF I CAN'T HEAR YOU *
1901
01:27:36,419 --> 01:27:40,188
* I CAN'T BELIEVE YOU
1902
01:27:40,188 --> 01:27:46,862
IF I CAN'T HEAR YOU. *
1903
01:27:46,862 --> 01:27:48,831
[MUSIC CHANGES]
1904
01:27:48,831 --> 01:27:50,065
>> Woman: * I NEVER WONDERED
1905
01:27:50,065 --> 01:27:53,235
HOW THE WORLD KEPT TURNING *
1906
01:27:53,235 --> 01:27:55,170
* TILL THE MIDDLE OF MY WORLD
1907
01:27:55,170 --> 01:27:58,106
CAME CRASHING IN *
1908
01:27:58,106 --> 01:28:00,008
* AND I GOT TO WONDERING HOW
1909
01:28:00,008 --> 01:28:01,910
I NEVER GOT TO WONDERING
1910
01:28:01,910 --> 01:28:03,646
WAY BACK THEN *
1911
01:28:03,646 --> 01:28:07,750
[*...]
1912
01:28:07,750 --> 01:28:08,917
* AND YOU SEE THESE WALLS THAT
1913
01:28:08,917 --> 01:28:12,287
WRAPPED THEMSELVES AROUND ME *
1914
01:28:12,287 --> 01:28:13,689
* AND MADE ME PROMISE THAT
1915
01:28:13,689 --> 01:28:17,426
I'D NEVER LET YOU IN *
1916
01:28:17,426 --> 01:28:19,595
* AND I PRAY AND I SAY
1917
01:28:19,595 --> 01:28:22,030
IT IS JUST THE WAY
1918
01:28:22,030 --> 01:28:26,769
IT'S ALWAYS BEEN *
1919
01:28:26,769 --> 01:28:31,440
* SO I WISH YOU WELL
1920
01:28:31,440 --> 01:28:36,244
* YES, I WISH YOU WELL
1921
01:28:36,244 --> 01:28:40,483
* YES, I WISH YOU WELL
1922
01:28:40,483 --> 01:28:45,788
* OH, I WISH YOU WELL
1923
01:28:45,788 --> 01:28:50,626
[WHISTLING...]
1924
01:29:04,973 --> 01:29:06,609
* I WONDER WHAT YOU KNOW
1925
01:29:06,609 --> 01:29:09,412
WHEN YOU ARE HAPPY *
1926
01:29:09,412 --> 01:29:10,946
* AND I WONDER, DO YOU
1927
01:29:10,946 --> 01:29:14,282
EVER KNOW I HURT? *
1928
01:29:14,282 --> 01:29:15,518
* 'CAUSE ALL MY TEARS,
1929
01:29:15,518 --> 01:29:16,785
WELL, THEY HAVE ROOTS *
1930
01:29:16,785 --> 01:29:18,020
* AND THEY KEEP GROWING
1931
01:29:18,020 --> 01:29:21,189
IN YOUR DIRT *
1932
01:29:21,189 --> 01:29:23,659
* AH-AH
1933
01:29:23,659 --> 01:29:27,996
* OH, I WISH YOU WELL
1934
01:29:27,996 --> 01:29:33,101
* OH, I WISH YOU WELL
1935
01:29:33,101 --> 01:29:35,638
* WELL, I WISH YOU WELL
1936
01:29:35,638 --> 01:29:38,073
[WHISTLING...]
1937
01:29:38,073 --> 01:29:42,277
* YES, I WISH YOU WELL
1938
01:29:42,277 --> 01:29:47,349
* OH, I WISH YOU WELL
1939
01:29:47,349 --> 01:29:50,152
* YES, I WISH YOU WELL.
1940
01:29:50,152 --> 01:29:53,989
[MUSIC FADES]
109375
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