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These are the user uploaded subtitles that are being translated: 1 00:00:44,708 --> 00:00:50,208 ♪ In spite of all the danger ♪ 2 00:00:50,291 --> 00:00:53,500 ♪ In spite of all that may be ♪ 3 00:00:53,583 --> 00:00:58,958 ♪ I'll do anything for you ♪ 4 00:00:59,041 --> 00:01:01,833 ♪ Anything you want me to ♪ 5 00:01:01,916 --> 00:01:04,833 ♪ If you'll be true to me ♪ 6 00:01:07,708 --> 00:01:13,208 ♪ In spite of all the heartache ♪ 7 00:01:13,291 --> 00:01:16,458 ♪ That you may cause me ♪ 8 00:01:16,541 --> 00:01:21,750 ♪ I'll do anything for you ♪ 9 00:01:21,833 --> 00:01:24,708 ♪ Anything you want me to ♪ 10 00:01:24,791 --> 00:01:28,333 ♪ If you'll be true to me ♪ 11 00:01:53,500 --> 00:01:56,416 ♪ Some other guy now Has taken my love away from me ♪ 12 00:01:56,500 --> 00:01:59,708 I was immediately struck by their music, their beat 13 00:01:59,791 --> 00:02:02,708 and their sense of humor, actually, onstage. 14 00:02:02,791 --> 00:02:05,500 And it was there that, really, it all started. 15 00:02:05,583 --> 00:02:07,708 ♪ Love, love me do ♪ 16 00:02:07,791 --> 00:02:10,708 ♪ You know I love you ♪ 17 00:02:10,791 --> 00:02:14,541 The Beatles... George Harrison, Ringo Starr, 18 00:02:14,625 --> 00:02:17,000 John Lennon, Paul McCartney. 19 00:02:24,208 --> 00:02:25,583 - ♪ Come on ♪ - ♪ Come on ♪ 20 00:02:25,666 --> 00:02:28,708 ♪ Please please me, whoa yeah Like I please you ♪ 21 00:02:31,291 --> 00:02:33,916 George, you think all this success is just a one-night stand? 22 00:02:34,000 --> 00:02:36,750 I mean, it can't go on the way it has been going. 23 00:02:39,375 --> 00:02:40,625 ♪ Ooh ♪ 24 00:02:40,708 --> 00:02:43,000 ♪ She loves you yeah, yeah, yeah ♪ 25 00:02:43,083 --> 00:02:45,583 This is no ordinary departure from London Airport. 26 00:02:45,666 --> 00:02:48,000 The Beatles are on their way to America. 27 00:02:48,083 --> 00:02:51,500 Paul McCartney may have been wondering how the songs he and John write 28 00:02:51,583 --> 00:02:52,875 will go over in the States. 29 00:02:52,958 --> 00:02:57,416 ♪ Listen, do you want to know a secret? ♪ 30 00:02:58,333 --> 00:03:00,208 This rock and roll group has taken over 31 00:03:00,291 --> 00:03:02,208 as the kingpins of musical appreciation. 32 00:03:02,291 --> 00:03:04,791 - Do you hope to get a haircut at all... - No! 33 00:03:04,875 --> 00:03:07,041 - No, thanks. - I had one yesterday. 34 00:03:11,458 --> 00:03:14,458 Ladies and gentlemen, The Beatles! 35 00:03:14,541 --> 00:03:18,041 ♪ Close your eyes and I'll kiss you ♪ 36 00:03:18,125 --> 00:03:20,375 ♪ Tomorrow I'll miss you ♪ 37 00:03:20,458 --> 00:03:24,375 The Beatles, who originated as a small-time act out of Liverpool, 38 00:03:24,458 --> 00:03:27,375 now have no rivals as the kingpins of the teenage set. 39 00:03:27,458 --> 00:03:33,000 ♪ Hope you need my love, babe Just like I need you ♪ 40 00:03:33,083 --> 00:03:34,583 ♪ Oh, hold me ♪ 41 00:03:34,666 --> 00:03:36,708 Did you enjoy it? - Yeah, it was marvelous. 42 00:03:36,791 --> 00:03:37,916 I just loved all of it. 43 00:03:38,500 --> 00:03:41,750 The Beatles are the top pop music phenomenon of the century. 44 00:03:41,833 --> 00:03:44,594 Did you have a chance to get away from anybody at anytime on the trip? 45 00:03:44,666 --> 00:03:47,083 - Yeah. - He got away from me twice. 46 00:03:50,750 --> 00:03:54,041 ♪ It's been a hard day's night ♪ 47 00:03:54,125 --> 00:03:57,708 And here with The Beatles was Brian Epstein, their famous manager. 48 00:03:57,791 --> 00:04:00,250 ♪ 'Cause I don't care too much for money ♪ 49 00:04:00,333 --> 00:04:01,708 ♪ Money can't buy me love ♪ 50 00:04:01,791 --> 00:04:04,500 ♪ Can't buy me love ♪ 51 00:04:04,583 --> 00:04:05,916 ♪ And I do ♪ 52 00:04:06,000 --> 00:04:09,291 ♪ And I do, hey, hey, hey ♪ 53 00:04:09,375 --> 00:04:11,166 ♪ And I do ♪ 54 00:04:13,416 --> 00:04:15,916 Hey, pardon me for asking, but who's that little old man? 55 00:04:16,000 --> 00:04:19,625 Oh, that's my grandfather. He's very clean. 56 00:04:19,708 --> 00:04:23,791 ♪ Help me if you can ♪ I'm feeling down ♪ 57 00:04:23,875 --> 00:04:29,333 ♪ And I do appreciate you being 'round ♪ 58 00:04:29,416 --> 00:04:31,500 Has any of you any ambitions left at all? 59 00:04:31,583 --> 00:04:33,875 Yeah. I want to be an astronaut. 60 00:04:33,958 --> 00:04:37,000 ♪ They're gonna put me in the movies ♪ 61 00:04:38,333 --> 00:04:41,708 ♪ They're gonna make a big star Out of me ♪ 62 00:04:43,250 --> 00:04:45,708 Says Paul, "We've had so much success, 63 00:04:45,791 --> 00:04:47,583 we don't care if it fades tomorrow. 64 00:04:47,666 --> 00:04:50,250 We've reached the point where we don't have worries anymore." 65 00:04:50,333 --> 00:04:52,583 ♪ Yesterday ♪ 66 00:04:53,666 --> 00:04:57,041 ♪ All my troubles seemed so far away ♪ 67 00:04:57,125 --> 00:04:59,583 ♪ Baby, you can drive my car ♪ 68 00:05:01,125 --> 00:05:03,583 ♪ Yes, I'm gonna be a star ♪ 69 00:05:05,041 --> 00:05:07,583 ♪ Baby, you can drive my car ♪ 70 00:05:07,666 --> 00:05:09,916 ♪ And maybe I'll love you ♪ 71 00:05:11,166 --> 00:05:13,666 ♪ Beep, beep, beep, beep, yeah! ♪ 72 00:05:13,750 --> 00:05:18,083 ♪ We all live in a yellow submarine ♪ 73 00:05:18,166 --> 00:05:21,458 ♪ Yellow submarine, yellow submarine ♪ 74 00:05:23,583 --> 00:05:26,833 With Manila, some of the fans have broken off diplomatic relations. 75 00:05:26,916 --> 00:05:31,041 ♪ Yeah, I'm the Taxman ♪ 76 00:05:31,125 --> 00:05:32,767 John, what exactly happened at Manila Airport? 77 00:05:32,791 --> 00:05:34,934 You're treated like an ordinary passenger. Ordinary passenger! 78 00:05:34,958 --> 00:05:37,416 An ordinary passenger, he doesn't get kicked, does he? 79 00:05:37,500 --> 00:05:41,333 - Would you go to Manila again, George? - No. I didn't even want to go that time. 80 00:05:41,416 --> 00:05:45,833 Do you consider that this religious issue is answered once and for all? 81 00:05:45,916 --> 00:05:51,708 The quote which John Lennon made has been represented entirely out of context. 82 00:05:51,791 --> 00:05:54,500 But I'm not saying that we're better or greater 83 00:05:54,583 --> 00:05:57,250 or comparing us with Jesus Christ as a person. 84 00:05:57,333 --> 00:06:00,250 You tell me what you think I meant, and I'll tell you whether I agree. 85 00:06:00,333 --> 00:06:03,458 What difference has all this row made to this tour, do you think? 86 00:06:03,541 --> 00:06:04,875 It's made it more hectic. 87 00:06:04,958 --> 00:06:07,666 Well, I've clarified it about 800 times, you know. 88 00:06:07,750 --> 00:06:11,500 People said to us last time we came all our answers were a bit flippant. 89 00:06:12,166 --> 00:06:13,666 They said, "Why isn't it this time?" 90 00:06:13,750 --> 00:06:16,310 And the thing is, the questions are a bit more serious this time. 91 00:06:16,375 --> 00:06:20,500 ♪ Turn off your mind, relax And float down-stream ♪ 92 00:06:20,583 --> 00:06:23,583 The Ku Klux Klan is going to stop this performance. 93 00:06:23,666 --> 00:06:25,375 Apart from that, it's great. 94 00:06:25,875 --> 00:06:26,916 Having a swinging tour. 95 00:06:31,083 --> 00:06:33,708 ♪ Let me take you down ♪ 96 00:06:33,791 --> 00:06:39,416 ♪ 'Cause I'm going to Strawberry Fields ♪ 97 00:06:40,916 --> 00:06:46,958 ♪ Penny Lane is in my ears And in my eyes ♪ 98 00:06:47,875 --> 00:06:51,875 ♪ Sergeant Pepper's Lonely Hearts Club Band ♪ 99 00:06:51,958 --> 00:06:53,083 Everything's all right. 100 00:06:53,166 --> 00:06:57,041 ♪ Oh, I get by with a little help From my friends ♪ 101 00:06:59,916 --> 00:07:04,333 ♪ Lucy in the sky with diamonds ♪ 102 00:07:05,666 --> 00:07:08,666 ♪ All you need is love ♪ 103 00:07:10,583 --> 00:07:14,625 ♪ I read the news today, oh boy ♪ 104 00:07:27,750 --> 00:07:30,583 ♪ Roll up for the mystery tour ♪ 105 00:07:30,666 --> 00:07:33,375 ♪ Roll up, we've got everything you need ♪ 106 00:07:33,458 --> 00:07:35,291 ♪ Roll up for the mystery tour ♪ 107 00:07:36,458 --> 00:07:38,666 Roll up, satisfaction guaranteed ♪ 108 00:07:38,750 --> 00:07:41,291 ♪ Roll up for the mystery tour ♪ 109 00:07:41,375 --> 00:07:43,708 Yes, Mr. Bloodvessel. 110 00:07:43,791 --> 00:07:47,125 ♪ I am the walrus Goo goo g'joob ♪ 111 00:07:48,916 --> 00:07:51,166 Far from the noise and pace of city life 112 00:07:51,250 --> 00:07:54,375 in the cool, clear air of Rishikesh, North India, 113 00:07:54,458 --> 00:07:58,041 the world-famous quartet stroll quietly in the lovely meditation retreat 114 00:07:58,125 --> 00:08:00,041 of Maharishi Mahesh Yogi. 115 00:08:00,125 --> 00:08:03,666 Flower-loving Yogi told reporters that his brand of peace of mind 116 00:08:03,750 --> 00:08:06,791 could only be truly appreciated by intelligent men of the world. 117 00:08:06,875 --> 00:08:10,791 ♪ The Ukraine girls really knock me out ♪ 118 00:08:10,875 --> 00:08:13,041 ♪ They leave the West behind ♪ 119 00:08:13,916 --> 00:08:18,958 ♪ While my guitar gently weeps ♪ 120 00:08:21,750 --> 00:08:25,000 ♪ Blackbird singing In the dead of night ♪ 121 00:08:25,083 --> 00:08:27,483 - We don't get on at all. - There are so many father figures. 122 00:08:30,625 --> 00:08:31,625 Oh, I see. 123 00:08:31,708 --> 00:08:33,041 What is Apple, John? 124 00:08:33,125 --> 00:08:37,416 It's a company we're setting up which involves records, 125 00:08:37,500 --> 00:08:41,791 films, electronics, which make records and films work, 126 00:08:41,875 --> 00:08:45,083 - and, what's it called? Manufacturing? - Yeah, it does a few things, you know? 127 00:08:46,291 --> 00:08:51,791 ♪ Hey Jude, don't be afraid ♪ 128 00:08:52,791 --> 00:08:58,250 ♪ You were made to go out and get her ♪ 129 00:08:59,750 --> 00:09:04,875 ♪ Remember to let her into your heart ♪ 130 00:09:04,958 --> 00:09:10,791 ♪ Then you can start to make it better ♪ 131 00:09:10,875 --> 00:09:16,250 ♪ Better, better, better Better, better, oh ♪ 132 00:09:16,333 --> 00:09:17,333 ♪ Yeah ♪ 133 00:09:17,416 --> 00:09:22,833 - ♪ Yeah, yeah, yeah ♪ - ♪ Na, na, na, na, na, na, na ♪ 134 00:09:22,916 --> 00:09:26,875 ♪ Na, na, na, na, hey, Jude ♪ 135 00:09:29,708 --> 00:09:36,000 ♪ Na, na, na, na, na, na, na ♪ 136 00:09:36,083 --> 00:09:40,416 ♪ Na, na, na, na, hey, Jude ♪ 137 00:09:43,041 --> 00:09:48,458 ♪ Na, na, na, na, na, na, na ♪ 138 00:09:49,458 --> 00:09:54,500 ♪ Na, na, na, na, hey, Jude ♪ 139 00:09:56,166 --> 00:10:01,750 ♪ Na, na, na, na, na, na, na ♪ 140 00:10:02,750 --> 00:10:07,916 ♪ Na, na, na, na, hey, Jude ♪ 141 00:10:09,375 --> 00:10:15,041 ♪ Na, na, na, na, na, na, na ♪ 142 00:10:16,041 --> 00:10:19,666 ♪ Na, na, na, na, hey, Jude ♪ 143 00:10:19,750 --> 00:10:22,500 ♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪ 144 00:10:22,583 --> 00:10:28,416 ♪ Na, na, na, na, na, na, na ♪ 145 00:10:29,250 --> 00:10:33,250 ♪ Na, na, na, na, hey, Jude ♪ 146 00:10:35,666 --> 00:10:41,000 ♪ Na, na, na, na, na, na, na ♪ 147 00:10:42,000 --> 00:10:46,125 ♪ Na, na, na, na, hey, Jude ♪ 148 00:10:48,500 --> 00:10:53,625 ♪ Na, na, na, na, na, na, na ♪ 149 00:10:55,041 --> 00:10:57,541 ♪ Na, na, na, na, hey, Jude ♪ 150 00:11:09,833 --> 00:11:11,458 Two, take one. Silent turn over. 151 00:11:11,541 --> 00:11:12,541 Running. 152 00:11:17,500 --> 00:11:21,083 ♪ As I leave the desert skies ♪ 153 00:11:23,916 --> 00:11:27,750 ♪ And my thoughts return to home ♪ 154 00:11:30,333 --> 00:11:34,375 ♪ Yes, my thoughts return to home ♪ 155 00:11:36,125 --> 00:11:40,041 ♪ I'm just a child of nature ♪ 156 00:11:43,166 --> 00:11:47,416 ♪ I don't need much to set me free ♪ 157 00:11:49,708 --> 00:11:53,250 ♪ I'm just a child of nature ♪ 158 00:11:56,708 --> 00:11:59,125 ♪ I'm one of nature's children ♪ 159 00:12:01,666 --> 00:12:05,208 Where's the what? - The mixer and the 8-tracks and all them. 160 00:12:10,333 --> 00:12:11,583 - Hi, Ringo. - Hi, George. 161 00:12:11,666 --> 00:12:13,791 - Happy New Year. - Happy New Year. 162 00:12:15,666 --> 00:12:19,125 ♪ Everybody got a piece of toast To chew on ♪ 163 00:12:22,500 --> 00:12:24,916 ♪ Everybody's got soul ♪ 164 00:12:25,750 --> 00:12:28,000 ♪ Everybody's got soul ♪ 165 00:12:29,041 --> 00:12:32,708 ♪ Everybody got to feel This all alone ♪ 166 00:12:34,500 --> 00:12:36,583 ♪ Don't let me down ♪ 167 00:12:39,916 --> 00:12:43,000 ♪ Don't let me down ♪ 168 00:12:46,333 --> 00:12:49,750 ♪ Don't let me down ♪ 169 00:12:52,666 --> 00:12:55,250 ♪ Don't let me down ♪ 170 00:12:58,708 --> 00:13:01,000 ♪ Don't let me down ♪ 171 00:13:04,791 --> 00:13:08,583 ♪ Don't let me down ♪ 172 00:13:10,166 --> 00:13:13,666 ♪ I'm in love for the first time ♪ 173 00:13:14,458 --> 00:13:17,666 I don't think this is a very acoustically good place. 174 00:13:19,166 --> 00:13:20,291 Who's that little old man? 175 00:13:20,875 --> 00:13:22,958 Oh, is he one of the Hare Krishnas or something? 176 00:13:31,666 --> 00:13:33,791 'Cause they won't be rehearsing shots for three weeks. 177 00:13:33,875 --> 00:13:37,208 As I was saying to Mal, keep all the audience out, you know... 178 00:13:41,291 --> 00:13:42,416 If you can think of a... 179 00:13:45,000 --> 00:13:46,875 One of those Binson Echorec things. 180 00:13:46,958 --> 00:13:48,416 Have a little one of them. 181 00:13:58,541 --> 00:14:01,333 Oh, are you recording our conversation? 182 00:14:03,958 --> 00:14:05,583 We should have a bass... 183 00:14:05,666 --> 00:14:08,125 A bass and guitar all in one. 184 00:14:08,208 --> 00:14:09,448 - Yeah. - Be great, wouldn't it? 185 00:14:10,000 --> 00:14:12,333 Well, two people should have bass and guitar. 186 00:14:12,416 --> 00:14:15,416 Maybe we should learn a few songs first. 187 00:14:15,500 --> 00:14:16,500 Great. 188 00:14:18,083 --> 00:14:21,166 ♪ Oh, no, ah ♪ 189 00:14:21,958 --> 00:14:23,750 One, two, three. 190 00:14:23,833 --> 00:14:26,041 ♪ Yeah, I've got a feeling ♪ 191 00:14:31,458 --> 00:14:34,041 -♪ Oh, please believe me ♪ ♪ Yes, I will ♪ 192 00:14:34,125 --> 00:14:37,708 ♪ I'd hate to miss the train Oh, yeah ♪ 193 00:14:39,500 --> 00:14:40,958 ♪ Oh, yeah ♪ 194 00:14:43,500 --> 00:14:48,458 ♪ And if you leave me I won't be late again ♪ 195 00:14:48,541 --> 00:14:49,541 ♪ No, no ♪ 196 00:14:49,625 --> 00:14:53,041 ♪ Oh, no, oh, no ♪ 197 00:14:54,208 --> 00:14:58,083 ♪ No, no, yeah ♪ 198 00:14:58,166 --> 00:15:00,458 ♪ One, two, three ♪ 199 00:15:00,541 --> 00:15:02,250 ♪ I've got a feeling ♪ 200 00:15:05,000 --> 00:15:06,333 Then it goes to E. 201 00:15:07,250 --> 00:15:09,083 ♪ All these years I've been wandering ♪ 202 00:15:09,166 --> 00:15:10,166 G. 203 00:15:10,250 --> 00:15:11,875 ♪ Wondering how come nobody ♪ 204 00:15:11,958 --> 00:15:12,958 E. 205 00:15:13,041 --> 00:15:15,833 ♪ All that I've been looking for Was somebody who looked like ♪ 206 00:15:15,916 --> 00:15:16,916 Stop. 207 00:15:21,875 --> 00:15:24,208 I just gotta see which should come where. 208 00:15:29,125 --> 00:15:30,541 Everybody had a hard on. 209 00:15:31,458 --> 00:15:32,750 ♪ Everybody had a hard on ♪ 210 00:15:32,833 --> 00:15:34,250 Except for me and my monkey. 211 00:15:35,208 --> 00:15:37,291 ♪ Everybody been... ♪ 212 00:15:37,875 --> 00:15:39,791 ♪ Oh, yeah! ♪ 213 00:15:42,500 --> 00:15:44,291 ♪ Oh, no ♪ 214 00:15:44,375 --> 00:15:45,791 ♪ Oh ♪ 215 00:15:45,875 --> 00:15:48,416 ♪ Yeah, yeah ♪ 216 00:15:48,500 --> 00:15:49,708 ♪ I've got a feeling ♪ 217 00:15:49,791 --> 00:15:52,958 - ♪ Everybody had a hard year ♪ - ♪ Whoo, yeah, yeah ♪ 218 00:15:53,041 --> 00:15:55,125 ♪ Everybody had a good time ♪ 219 00:15:56,000 --> 00:15:58,875 ♪ Everybody had a wet dream ♪ 220 00:15:58,958 --> 00:16:00,958 ♪ Everybody saw the sun shine ♪ 221 00:16:01,041 --> 00:16:02,666 - ♪ Oh, yeah ♪ - ♪ Yeah ♪ 222 00:16:02,750 --> 00:16:05,250 - ♪ Oh, yeah, oh, yeah ♪ - ♪ Oh, oh, yeah ♪ 223 00:16:05,333 --> 00:16:08,791 ♪ Oh, oh ♪ 224 00:16:09,708 --> 00:16:11,458 -♪ No, no ♪ ♪ No, no ♪ 225 00:16:11,541 --> 00:16:13,208 - ♪ Yeah ♪ - ♪ No, no ♪ 226 00:16:13,291 --> 00:16:14,625 ♪ I've got a feeling ♪ 227 00:16:17,750 --> 00:16:19,791 ♪ I've got a feeling ♪ 228 00:16:23,791 --> 00:16:25,125 Which this isn't. 229 00:16:25,791 --> 00:16:27,375 Um, um, we... 230 00:17:01,208 --> 00:17:02,333 - December 25th. 231 00:17:08,250 --> 00:17:09,791 Yeah. 232 00:17:18,791 --> 00:17:20,208 When you're ready. That's right. 233 00:17:20,708 --> 00:17:22,250 We could do... Yeah. 234 00:17:23,333 --> 00:17:25,208 ♪ Go, go ♪ 235 00:17:25,291 --> 00:17:26,916 ♪ Go, Johnny, go, go ♪ 236 00:17:27,625 --> 00:17:29,958 ♪ Go, Johnny, go, go ♪ 237 00:17:30,041 --> 00:17:34,791 ♪ Come all without Come all within ♪ 238 00:17:35,583 --> 00:17:40,000 ♪ You'll not see nothing Like the Mighty... ♪ 239 00:17:40,083 --> 00:17:41,416 All of us just... 240 00:17:41,500 --> 00:17:43,833 ♪ They say everything can be replaced ♪ 241 00:17:46,833 --> 00:17:49,791 ♪ Every distance is not near ♪ 242 00:17:54,541 --> 00:17:58,333 ♪ Yeah, I've got a feeling ♪ 243 00:18:05,458 --> 00:18:07,083 John is just finishing it up. 244 00:18:12,250 --> 00:18:14,476 I'll take you up in the Art Department when you get a moment. 245 00:18:14,500 --> 00:18:17,142 You can see some of the designs and all that, 'cause it's well under way. 246 00:18:17,166 --> 00:18:18,291 Is it still the 17th? 247 00:18:18,375 --> 00:18:19,958 No, 24th now, because of this. 248 00:18:20,041 --> 00:18:22,250 Why? This is only going to take two weeks. 249 00:18:22,333 --> 00:18:24,208 Well, we don't know yet, do we? 250 00:18:24,291 --> 00:18:27,791 ♪ It's a love that lasts forever ♪ 251 00:18:29,875 --> 00:18:33,000 ♪ It's a love that has no past ♪ 252 00:18:36,416 --> 00:18:39,916 - ♪ Don't let me ♪ - ♪ Down ♪ 253 00:18:40,958 --> 00:18:42,708 That's all the bits you've got? 254 00:18:42,791 --> 00:18:44,208 ♪ Don't let me... ♪ 255 00:18:44,291 --> 00:18:46,500 All right. If you had, "Don't let me down," 256 00:18:46,583 --> 00:18:48,500 say twice at the beginning... 257 00:18:49,083 --> 00:18:52,500 But you know when you bring that, "'Cause I'm in love for the first time"? 258 00:18:53,500 --> 00:18:56,416 - I don't dig that. Sounds like a middle 8. Oh, yeah. Okay. 259 00:18:56,500 --> 00:18:58,750 It doesn't sound like... But I... Some of it. 260 00:18:58,833 --> 00:19:01,083 Scrap that, except use that somewhere near the end. 261 00:19:01,166 --> 00:19:03,083 That one used to go after the... 262 00:19:03,166 --> 00:19:05,333 ♪ Love that... A love that had no past ♪ 263 00:19:05,416 --> 00:19:08,250 Yeah, 'cause that's where... - "Nobody ever loved me like she do me." 264 00:19:08,333 --> 00:19:10,291 No harm just having a break in that bit. 265 00:19:10,375 --> 00:19:12,041 Yeah, except just skip that little... 266 00:19:12,125 --> 00:19:13,500 Yes. - Interlude. 267 00:19:13,583 --> 00:19:15,750 - Put the interlude right somewhere. In the beginning. 268 00:19:15,833 --> 00:19:17,393 I'll do one set of "don't let me down." 269 00:19:18,166 --> 00:19:22,000 Uh... "Like she do me. Ooh, she do me. Yes, she do me." 270 00:19:22,083 --> 00:19:24,250 I didn't quite get around to making sense, you see? 271 00:19:24,333 --> 00:19:25,666 So we'll see what happens. 272 00:19:25,750 --> 00:19:27,208 Do you want some sandwiches? 273 00:19:27,291 --> 00:19:29,916 We don't eat these. Paul, do you want some sandwiches? 274 00:19:30,000 --> 00:19:31,250 - Hang on. Ray. 275 00:19:31,333 --> 00:19:34,000 Do you want a dry bun? A dry bun? Yeah. 276 00:19:34,083 --> 00:19:36,666 It's like a rock cake but needs butter or something. 277 00:19:36,750 --> 00:19:40,291 The thing I don't want is, like, a TV show sound. 278 00:19:40,375 --> 00:19:43,625 They always seem to have that sort of farty, little sound on TV shows. 279 00:19:43,708 --> 00:19:46,166 Well, don't forget, you're hearing it on a TV speaker, 280 00:19:46,250 --> 00:19:47,458 which is a grotty speaker. 281 00:19:47,541 --> 00:19:51,125 But see, this place sounds terrible now. It may just be great. 282 00:19:51,208 --> 00:19:53,166 You can never tell with these places though. 283 00:19:53,250 --> 00:19:56,083 We did "Yer Blues" in a little room like a bog. 284 00:19:56,166 --> 00:19:57,791 Yeah. - And... 285 00:19:57,875 --> 00:19:59,625 No separation in there, you know? 286 00:19:59,708 --> 00:20:01,666 - We really got good separation. Yeah. 287 00:20:02,458 --> 00:20:06,000 The thing is, that an open-air sound is fantastic. 288 00:20:06,083 --> 00:20:09,208 I've always wanted to do something in the open air. 289 00:20:09,291 --> 00:20:12,708 It'd be nice to try and find some way to do it out of doors. 290 00:20:12,791 --> 00:20:13,791 It's so bloody cold. 291 00:20:13,875 --> 00:20:16,684 It's your English rain which is worrying about outdoors in this country. 292 00:20:16,708 --> 00:20:19,041 Yeah, right. - Snow or rain will do me. 293 00:20:19,125 --> 00:20:21,291 You know, wind and anything. Make all that... 294 00:20:21,375 --> 00:20:23,750 - It's just a frozen hand trying to... Yes, you could. 295 00:20:23,833 --> 00:20:24,833 Play those notes. 296 00:20:24,916 --> 00:20:26,851 Trying to get your E-seventh when your little finger's frozen... 297 00:20:26,875 --> 00:20:27,875 The snow and rain. 298 00:20:27,958 --> 00:20:31,333 It's all right. You might just have a few deaths on the set 299 00:20:31,416 --> 00:20:32,666 due to electric shocks. 300 00:20:33,666 --> 00:20:36,375 I was very taken by the place Denis talked about. 301 00:20:36,458 --> 00:20:38,291 Yeah. That was... 302 00:20:38,375 --> 00:20:40,833 Because I could see it outside torch-lit. 303 00:20:41,708 --> 00:20:43,375 2,000 Arabs and friends around. 304 00:20:43,458 --> 00:20:45,625 No, I think we won't be. 305 00:20:45,708 --> 00:20:47,708 I think you'll find we're not going abroad. 306 00:20:47,791 --> 00:20:48,791 Hmm. 307 00:20:50,416 --> 00:20:52,625 'Cause Ringo just said he doesn't wanna go abroad. 308 00:20:52,708 --> 00:20:54,541 No, and he put his foot down. 309 00:20:55,541 --> 00:20:57,208 - So... - Yeah? 310 00:20:57,291 --> 00:20:59,291 Us and Jimmie Nicol might go abroad. 311 00:21:01,333 --> 00:21:04,083 I think the thing to do is just be very flexible still 312 00:21:04,166 --> 00:21:06,375 about every aspect of the enterprise. 313 00:21:06,458 --> 00:21:11,000 I think... Well, I think, you know... Michael, I think you're pretty right. 314 00:21:11,083 --> 00:21:12,541 He won't give up. 315 00:21:12,625 --> 00:21:14,583 - Pretty fair comment. You're pretty right, Mike. 316 00:21:14,666 --> 00:21:15,916 Are you gonna keep the beard? 317 00:21:16,000 --> 00:21:16,833 I don't know. 318 00:21:16,916 --> 00:21:18,916 You ought to get one of those big-brimmed hats 319 00:21:19,000 --> 00:21:20,458 with those ringlets down the ears. 320 00:21:20,541 --> 00:21:22,341 Yes. Yes, I saw that on telly the other night. 321 00:21:22,416 --> 00:21:24,216 That'd be good. Then we could do it in Israel. 322 00:21:24,750 --> 00:21:27,041 ♪ We're on our way home ♪ 323 00:21:27,833 --> 00:21:29,791 ♪ We're on our way home ♪ 324 00:21:30,875 --> 00:21:32,125 ♪ We're going home ♪ 325 00:21:32,208 --> 00:21:33,708 Middle eight, B flat. 326 00:21:33,791 --> 00:21:37,125 ♪ You and I made memories ♪ 327 00:21:37,875 --> 00:21:43,708 ♪ Longer than the road That stretches out ahead ♪ 328 00:21:46,125 --> 00:21:49,083 ♪ Two of us wearing raincoats ♪ 329 00:21:49,166 --> 00:21:54,083 ♪ Standing solo in the sun ♪ 330 00:21:56,083 --> 00:21:57,375 I'll do a verse. Just... 331 00:22:02,791 --> 00:22:03,791 No, I think it goes... 332 00:22:03,875 --> 00:22:08,666 ♪ We're on our way back home ♪ 333 00:22:08,750 --> 00:22:09,750 ♪ Ba-bam, ba-ba ♪ 334 00:22:09,833 --> 00:22:10,833 Three, four... 335 00:22:10,916 --> 00:22:12,458 It's like... 336 00:22:12,541 --> 00:22:16,541 ♪ On our way back ♪ 337 00:22:16,625 --> 00:22:18,875 ♪ Ba-da, da-da, da-da ♪ 338 00:22:18,958 --> 00:22:20,375 ♪ We're on our way home ♪ 339 00:22:20,458 --> 00:22:21,916 Two, three. 340 00:22:22,000 --> 00:22:23,750 ♪ We're on our way home ♪ 341 00:22:23,833 --> 00:22:25,000 Two, three. 342 00:22:25,083 --> 00:22:26,166 ♪ We're going home ♪ 343 00:22:26,250 --> 00:22:27,250 - Two. - After three. 344 00:22:27,333 --> 00:22:29,458 It goes into waltz. It goes into three. 345 00:22:30,791 --> 00:22:32,166 ♪ We're on our way home ♪ 346 00:22:32,250 --> 00:22:33,791 ♪ Ch-cha-cha, cha ♪ 347 00:22:33,875 --> 00:22:35,666 ♪ We're going home ♪ 348 00:22:37,375 --> 00:22:38,375 Yeah. 349 00:22:38,458 --> 00:22:39,500 ♪ We're on our way home ♪ 350 00:22:39,583 --> 00:22:41,083 Repeat now. 351 00:22:41,166 --> 00:22:42,958 ♪ We're on our way home ♪ 352 00:22:43,041 --> 00:22:44,125 Then short. 353 00:22:44,208 --> 00:22:45,708 ♪ We're going home ♪ 354 00:22:45,791 --> 00:22:47,791 And that's like a break. Ch-cha. 355 00:22:47,875 --> 00:22:48,875 ♪ Two of us ♪ 356 00:22:48,958 --> 00:22:50,166 I'll go from the beginning. 357 00:22:50,250 --> 00:22:52,166 ♪ Chu-chu-chu-chu-chu-chu, ooh ♪ 358 00:22:52,250 --> 00:22:53,500 ♪ We're on our way home ♪ 359 00:22:53,583 --> 00:22:55,208 ♪ Ch-cha-cha, cha, ooh ♪ 360 00:22:55,291 --> 00:22:56,583 We're on our way home ♪ 361 00:22:56,666 --> 00:22:58,208 ♪ Ch-cha-cha, cha, ooh ♪ 362 00:22:58,291 --> 00:23:00,291 ♪ We're going home ♪ 363 00:23:01,000 --> 00:23:05,958 ♪ You and me, Henry Cooper Henry Cooper ♪ 364 00:23:06,041 --> 00:23:09,458 ♪ Henry Coop ♪ 365 00:23:10,125 --> 00:23:12,958 ♪ You and me, Henry Cooper ♪ 366 00:23:13,041 --> 00:23:14,250 It's not... It's not... 367 00:23:14,333 --> 00:23:17,000 That was 23, take one. End announcement. 368 00:23:17,083 --> 00:23:18,791 ♪ Wearing raincoats ♪ 369 00:23:39,458 --> 00:23:40,625 Nice, that purple. 370 00:23:47,958 --> 00:23:51,000 "What do you think of George's pseudo tie sweatshirt?" 371 00:23:51,083 --> 00:23:52,583 I think it's terrible. 372 00:23:55,250 --> 00:23:59,291 "The True Story of The Beatles. You can still get it direct." 373 00:24:00,333 --> 00:24:04,333 "Accompanied by his current steady, American photographer Linda Eastman, 374 00:24:04,416 --> 00:24:06,375 Paul spent a December week in Portugal 375 00:24:06,458 --> 00:24:09,166 visiting The Beatles' biographer, Hunter Davis." 376 00:24:10,333 --> 00:24:12,166 It's just so sort of daft. 377 00:24:17,916 --> 00:24:20,125 "send a big 'Hi' to all the Bertle Persons." 378 00:24:23,666 --> 00:24:25,416 "It's fab in here!" 379 00:24:27,125 --> 00:24:29,166 I think your beard suits you, man. 380 00:24:29,250 --> 00:24:30,250 - Mmm. 381 00:24:30,291 --> 00:24:32,625 I've been thinking of all the tunes I've got. 382 00:24:32,708 --> 00:24:35,541 And they're all, uh, they're all slowish. 383 00:24:35,625 --> 00:24:37,416 - I seem to be... Yeah, most of mine are. 384 00:24:37,500 --> 00:24:42,041 See, so far, there's a couple I know I could do live with no backing. 385 00:24:42,125 --> 00:24:45,125 Just with the guitar and singing. Well, you know... 386 00:24:45,208 --> 00:24:49,208 - I've got "Taking a Trip to Carolina." 387 00:24:49,291 --> 00:24:50,750 In the same... 388 00:24:50,833 --> 00:24:52,000 In his mind. 389 00:24:52,083 --> 00:24:52,916 ♪ Taking... ♪ 390 00:24:53,000 --> 00:24:53,916 Oh, no. 391 00:24:54,000 --> 00:24:55,750 ♪ Taking a trip on a ocean liner ♪ 392 00:24:55,833 --> 00:24:58,041 ♪ I gotta get to Carolina ♪ 393 00:24:58,125 --> 00:25:00,333 ♪ Taking a trip on an ocean liner ♪ 394 00:25:00,416 --> 00:25:02,625 ♪ I gotta get to Carolina ♪ 395 00:25:04,666 --> 00:25:05,791 ♪ Oh, baby ♪ 396 00:25:09,500 --> 00:25:11,041 ♪ I've been... ♪ 397 00:25:11,125 --> 00:25:12,125 I had... It's on there. 398 00:25:12,208 --> 00:25:15,916 I've got it on the little tape, singing "I've been to LA and New York too." 399 00:25:16,000 --> 00:25:17,750 So, they're not very nice. 400 00:25:17,833 --> 00:25:20,208 You know, the words, I mean, they're not very good. 401 00:25:20,291 --> 00:25:22,916 - Uh-huh. - "Carolina," it's, "Oh, baby." 402 00:25:24,250 --> 00:25:25,916 Just get me back there. 403 00:25:32,041 --> 00:25:33,416 But it's good. 404 00:25:37,583 --> 00:25:39,375 But they'll have all this sort of... 405 00:25:41,166 --> 00:25:45,208 Yeah. If you wanted to get 8-track stuff to record all this, 406 00:25:45,291 --> 00:25:47,875 where would we get it? 'Cause, apparently, it hasn't been... 407 00:25:47,958 --> 00:25:50,666 We'll lend it to ourselves, but EMI should do it. 408 00:25:50,750 --> 00:25:53,500 You know, it's like if Benjamin Britten wants to do an album... 409 00:25:53,583 --> 00:25:54,750 - Right. - In Paris, 410 00:25:54,833 --> 00:25:57,375 EMI have got to fucking get all that shit over to him. 411 00:25:57,458 --> 00:25:59,000 And they do, of course. 412 00:25:59,083 --> 00:26:01,666 We subsidize EMI, then get it out there. 413 00:26:01,750 --> 00:26:04,017 - Get an 8-track mixer... - 'Cause they just told Glyn and Mal... 414 00:26:04,041 --> 00:26:06,833 They just told them that they've only got 4-track. 415 00:26:06,916 --> 00:26:09,791 But I know for a fact that they got 8-track out for The Beach Boys. 416 00:26:09,875 --> 00:26:11,833 But The Beach Boys are American. 417 00:26:17,791 --> 00:26:19,375 'Cause I really never thought of that. 418 00:26:19,458 --> 00:26:22,125 It's just we all used to sag off every school day. 419 00:26:22,208 --> 00:26:23,958 You know, and go back to my house, 420 00:26:24,041 --> 00:26:26,458 and the two of us would just sit there and write. 421 00:26:26,541 --> 00:26:28,500 There's a lot from then, you know? 422 00:26:28,583 --> 00:26:32,041 There's about 100 songs from then that we never reckoned, 423 00:26:32,125 --> 00:26:34,541 'cause they were all very unsophisticated songs. 424 00:26:35,166 --> 00:26:37,833 "They said our love was just fun, 425 00:26:37,916 --> 00:26:39,791 the day that our friendship begun." 426 00:26:39,875 --> 00:26:43,750 ♪ They said our love was just fun ♪ 427 00:26:44,375 --> 00:26:45,500 ♪ Oh, oh, oh ♪ 428 00:26:45,583 --> 00:26:47,125 ♪ The day that... ♪ 429 00:26:48,333 --> 00:26:49,333 ♪ Begun... ♪ 430 00:26:52,666 --> 00:26:56,250 ♪ Because I know you love me so ♪ 431 00:26:58,916 --> 00:27:03,250 ♪ Wake up in the morning I don't feel blue ♪ 432 00:27:04,291 --> 00:27:09,125 ♪ 'Cause I know I've got you ♪ 433 00:27:09,708 --> 00:27:13,750 ♪ Get a funny feeling All day and night ♪ 434 00:27:15,000 --> 00:27:17,583 ♪ Get the funny feeling ♪ 435 00:27:17,666 --> 00:27:20,208 ♪ You don't treat me right ♪ 436 00:27:20,291 --> 00:27:22,875 ♪ Should have read your letter ♪ 437 00:27:22,958 --> 00:27:24,666 ♪ And then I'd know ♪ 438 00:27:25,541 --> 00:27:27,875 ♪ I would have felt much better ♪ 439 00:27:27,958 --> 00:27:31,541 ♪ Because I know you love me so ♪ 440 00:27:34,500 --> 00:27:36,375 Don't think that ever got there, did it? 441 00:27:37,416 --> 00:27:38,656 ♪ Well, I've been thinking... ♪ 442 00:27:39,708 --> 00:27:41,333 ♪ ...love me ♪ 443 00:27:42,500 --> 00:27:43,791 ♪ Tell me that ♪ 444 00:27:45,666 --> 00:27:47,708 ♪ Won't you please ♪ 445 00:27:48,333 --> 00:27:50,000 ♪ Say goodbye? ♪ 446 00:27:51,291 --> 00:27:54,750 ♪ This love has long since grown cold ♪ 447 00:27:54,833 --> 00:27:59,083 ♪ Yeah, won't you please say goodbye? ♪ 448 00:28:00,625 --> 00:28:04,333 ♪ How many times must you be told? ♪ 449 00:28:06,125 --> 00:28:08,458 ♪ Won't you please say goodbye? ♪ 450 00:28:09,125 --> 00:28:11,083 - That sounded like... 451 00:28:12,375 --> 00:28:13,500 ♪ Pick up my bags ♪ 452 00:28:14,958 --> 00:28:17,500 ♪ Run to the station ♪ 453 00:28:17,583 --> 00:28:18,833 ♪ Railman said ♪ 454 00:28:19,875 --> 00:28:21,708 ♪ "You've got the wrong location" ♪ 455 00:28:23,125 --> 00:28:25,333 - ♪ Pick up my bag ♪ - ♪ Pick up my bag, yeah, yeah ♪ 456 00:28:25,416 --> 00:28:27,291 - ♪ Run right home ♪ - ♪ Run home ♪ 457 00:28:28,250 --> 00:28:30,333 - ♪ Then I find ♪ - ♪ Then I find that ♪ 458 00:28:30,416 --> 00:28:33,833 - ♪ I got the number wrong, yeah ♪ - ♪ I got the number wrong, yes ♪ 459 00:28:33,916 --> 00:28:36,583 ♪ She said she's travelin' On the one after 909 ♪ 460 00:28:38,958 --> 00:28:42,166 ♪ Move over, honey I'm travelin' on that line ♪ 461 00:28:44,458 --> 00:28:47,083 ♪ Said Move over once Move over twice ♪ 462 00:28:47,166 --> 00:28:49,291 ♪ Come on, baby Don't be cold as ice ♪ 463 00:28:50,000 --> 00:28:52,666 ♪ She said she's travelin' On the one after 909 ♪ 464 00:28:52,750 --> 00:28:55,125 ♪ She said she's travelin' On the one after 909 ♪ 465 00:28:55,208 --> 00:28:58,750 ♪ She said she's travelin' On the one after 909 ♪ 466 00:29:02,166 --> 00:29:04,125 Okay. All right. 467 00:29:05,375 --> 00:29:07,708 Really, that's out of the past, that. 468 00:29:09,916 --> 00:29:12,666 I always meant to just change the words a bit and do something. 469 00:29:12,750 --> 00:29:14,083 But no, it's so great. 470 00:29:16,916 --> 00:29:19,833 "Said, 'Move over, honey, I'm traveling on that line.'" 471 00:29:19,916 --> 00:29:23,416 "Move over once, move over twice. Come on, baby. Don't be cold as ice." 472 00:29:23,500 --> 00:29:24,833 "You're only fooling around." 473 00:29:24,916 --> 00:29:26,833 "You're only fooling around with me." 474 00:29:27,458 --> 00:29:29,916 I never sort of knew what it was about before. 475 00:29:30,000 --> 00:29:31,958 - I mean, so she's on a train. Yes. 476 00:29:32,041 --> 00:29:35,041 - And he sort of... Goes to the station and misses it. 477 00:29:35,125 --> 00:29:38,666 But he goes back and finds it was the wrong number, so... 478 00:29:38,750 --> 00:29:40,666 "Wrong location." 479 00:29:40,750 --> 00:29:42,791 To rhyme with "station," you know? 480 00:29:42,875 --> 00:29:44,250 That's great. 481 00:29:44,333 --> 00:29:47,083 "Railman said you got the wrong location." 482 00:29:49,458 --> 00:29:52,833 Hi, Paul. It's simply great for you to turn up this evening. 483 00:29:52,916 --> 00:29:55,291 - The Animals reunited. 484 00:29:55,875 --> 00:29:59,250 ♪ Desmond had a barrow In the market place ♪ 485 00:29:59,333 --> 00:30:01,708 ♪ Doris had another in the bog ♪ 486 00:30:03,000 --> 00:30:05,875 ♪ Charlie has another In the back of town ♪ 487 00:30:05,958 --> 00:30:08,250 ♪ And, Lordy, Lordy Did they have a bag of fun ♪ 488 00:30:09,166 --> 00:30:11,583 ♪ Oh, my God, oh, my God Oh, my... ♪ 489 00:30:15,833 --> 00:30:17,666 ♪ Tell it to the captain ♪ 490 00:30:18,833 --> 00:30:20,458 ♪ Get in trouble with the man ♪ 491 00:30:20,541 --> 00:30:22,958 ♪ Let the Midnight Special ♪ 492 00:30:23,750 --> 00:30:25,291 ♪ Shine its light on me ♪ 493 00:30:26,500 --> 00:30:28,833 ♪ Let the Midnight Special ♪ 494 00:30:29,833 --> 00:30:32,333 ♪ Shine its ever-lovin' light on me ♪ 495 00:30:33,166 --> 00:30:37,416 ♪ What do you want To make those eyes at me for? ♪ 496 00:30:38,041 --> 00:30:41,791 - ♪ If they don't mean what they say? ♪ - ♪ When you're out with someone new ♪ 497 00:30:43,750 --> 00:30:47,583 [George, Paul] ♪ You made me glad You made me sad ♪ 498 00:30:47,666 --> 00:30:50,000 ♪ You make me want a lot of things ♪ 499 00:30:50,083 --> 00:30:51,923 - ♪ That I never had ♪ - ♪ Bundle of dynamite ♪ 500 00:31:46,416 --> 00:31:48,416 - Ah! Fucking hell. 501 00:31:48,500 --> 00:31:50,416 I just got shocked. - Just got a belt, man. 502 00:31:51,000 --> 00:31:52,791 I really... I got an electric shock. 503 00:31:52,875 --> 00:31:54,416 Gonna be in trouble over this. 504 00:31:54,500 --> 00:31:56,208 If this boy dies, you're gonna cop it. 505 00:31:57,291 --> 00:32:00,333 Hold that one as well at the same time and see what happens. 506 00:32:00,416 --> 00:32:02,041 Let me see it again. 507 00:32:02,125 --> 00:32:03,208 Let's try it. 508 00:32:03,291 --> 00:32:05,458 You get feedback. It's the feedback, yeah. 509 00:32:05,541 --> 00:32:06,892 The feedback going into the, uh... 510 00:32:06,916 --> 00:32:08,000 - There, it's not... 511 00:32:08,083 --> 00:32:10,000 That's it. Put your hand on that bit. 512 00:32:10,083 --> 00:32:11,763 It might be the playing the guitar as well. 513 00:32:11,833 --> 00:32:15,041 It should be where you're here rather than all this... 514 00:32:15,125 --> 00:32:16,583 - You know, all this thing. Yeah. 515 00:32:16,666 --> 00:32:18,166 When was it when you touched it? 516 00:32:18,250 --> 00:32:19,833 I gripped hold of two of them together. 517 00:32:19,916 --> 00:32:22,375 The feedback going into the... Just grip it tight. 518 00:32:22,458 --> 00:32:24,708 - Put the palm of your hand on that bit. 519 00:32:28,500 --> 00:32:30,541 The bit that I find the weakest now is... 520 00:32:30,625 --> 00:32:32,267 ♪ All these years I've been wandering around ♪ 521 00:32:32,291 --> 00:32:33,916 Yeah, that's just power, you know? 522 00:32:34,000 --> 00:32:36,208 ♪ Wondering how come nobody told me ♪ 523 00:32:37,791 --> 00:32:39,958 Maybe harmonies. - Just sing your one. 524 00:32:40,041 --> 00:32:43,625 ♪ All these years I've been wandering around ♪ 525 00:32:43,708 --> 00:32:46,250 ♪ Wondering how come nobody told me ♪ 526 00:32:46,333 --> 00:32:49,750 ♪ All that I've been looking for Was somebody who looked like you ♪ 527 00:32:51,083 --> 00:32:52,291 You're singing B. 528 00:32:52,833 --> 00:32:55,708 Yeah, just sing the next harmony down so it's not too low for you. 529 00:32:55,791 --> 00:32:58,125 ♪ All these years ♪ 530 00:32:58,208 --> 00:33:00,291 ♪ All these years I've been... ♪ - ♪ All... ♪ 531 00:33:00,375 --> 00:33:02,226 - That's very high for me. Don't shout. It's power. 532 00:33:02,250 --> 00:33:03,083 ♪ All these... ♪ 533 00:33:03,166 --> 00:33:04,166 Oh, it's terribly high. 534 00:33:04,208 --> 00:33:06,416 ♪ Been wandering around ♪ - ♪ All these days ♪ 535 00:33:08,416 --> 00:33:09,708 ♪ Wondering how come... ♪ 536 00:33:09,791 --> 00:33:11,208 Down on the one note, is it? 537 00:33:12,125 --> 00:33:13,892 ♪ All these years I've been wandering around ♪ 538 00:33:13,916 --> 00:33:16,333 ♪ Wondering how come nobody told me All that I've... ♪ 539 00:33:20,625 --> 00:33:22,375 ♪ All these years I've been wandering ♪ 540 00:33:27,250 --> 00:33:28,291 Fuck it! 541 00:33:29,666 --> 00:33:31,208 One, two, three, four. 542 00:33:31,291 --> 00:33:33,458 ♪ All these years I've been wondering... ♪ 543 00:33:40,125 --> 00:33:41,125 ♪ You! ♪ 544 00:33:42,458 --> 00:33:44,258 - It's a bit early for that, isn't it? - Yeah. 545 00:33:47,125 --> 00:33:49,708 Early in the morning, you know? I'm not 18 anymore. 546 00:34:16,000 --> 00:34:17,625 ♪ Everybody had a hard... ♪ 547 00:34:18,875 --> 00:34:19,875 ♪ Everybody... ♪ 548 00:34:21,791 --> 00:34:23,875 Uh... Hair down. 549 00:34:25,541 --> 00:34:27,166 Socks up. Foot down. 550 00:34:28,000 --> 00:34:30,666 "Everybody pulled their socks up"? Yeah. Yeah. 551 00:34:30,750 --> 00:34:32,416 ♪ Everybody pulled their socks up ♪ 552 00:34:32,500 --> 00:34:35,375 - "Foot down." Okay, that's it. - Right. 553 00:34:35,458 --> 00:34:36,458 Yeah. 554 00:34:37,125 --> 00:34:38,250 Bit of power there. 555 00:34:38,333 --> 00:34:40,392 I don't want every time we're doing "Don't Let Me Down," 556 00:34:40,416 --> 00:34:42,500 that it hurts just to rehearse it. 557 00:34:42,583 --> 00:34:45,541 I wonder how long it is. Do you want to time it, Mal? 558 00:34:45,625 --> 00:34:47,958 'Cause it's probably only about half a minute long. 559 00:34:48,875 --> 00:34:51,916 ♪ Desmond had a sparrow In his parking lot ♪ 560 00:34:52,000 --> 00:34:55,666 One, two, three... 561 00:34:55,750 --> 00:34:58,458 ♪ Don't let me down ♪ 562 00:35:01,458 --> 00:35:03,750 ♪ Don't let me down ♪ 563 00:35:06,458 --> 00:35:09,208 ♪ Don't let me down ♪ 564 00:35:11,791 --> 00:35:14,458 ♪ Don't let me down ♪ 565 00:35:18,291 --> 00:35:19,791 - Three minutes! - What? 566 00:35:19,875 --> 00:35:21,875 Three minutes, 40 seconds. - That's fine. 567 00:35:21,958 --> 00:35:24,000 - Three minutes, 40 seconds. Yeah. 568 00:35:24,083 --> 00:35:25,666 This is incredible. 569 00:35:25,750 --> 00:35:29,166 - It's long. It sounded just like... - Half a minute. 570 00:35:29,250 --> 00:35:30,250 Okay. 571 00:35:31,041 --> 00:35:32,583 Uh, I've got one. 572 00:35:32,666 --> 00:35:36,750 - Uh, "Gimme Some Truth" or something. Something like that. 573 00:35:36,833 --> 00:35:39,375 - "Gimme Some Truth." - We could finish that. 574 00:35:39,458 --> 00:35:42,458 - Remember your hangman bit? Yeah. 575 00:35:42,541 --> 00:35:43,958 It was all right. No. 576 00:35:44,041 --> 00:35:48,666 "No, no freaked-out... yellow-bellied son of Gary Cooper gonna..." 577 00:35:48,750 --> 00:35:50,666 ♪ Freaked out... ♪ 578 00:35:50,750 --> 00:35:52,416 - It started in D, didn't it? - Yeah. 579 00:35:53,208 --> 00:35:54,500 ♪ Some... ♪ 580 00:35:54,583 --> 00:35:55,958 That was... That was my bit. 581 00:35:56,041 --> 00:35:57,541 ♪ Freaked out, yellow-bellied... ♪ 582 00:35:57,625 --> 00:35:59,333 ♪ Sick and tired of hearing words ♪ 583 00:35:59,416 --> 00:36:01,500 Yours was in E, wasn't it? - No, it was in D. 584 00:36:06,833 --> 00:36:09,041 ♪ Hope ♪ 585 00:36:09,125 --> 00:36:11,333 ♪ Money for rope ♪ 586 00:36:11,416 --> 00:36:12,416 If we add a... 587 00:36:12,500 --> 00:36:13,541 ♪ Money for rope ♪ 588 00:36:15,333 --> 00:36:19,166 ♪ No freaked out, yellow-bellied Son of Gary Cooper gonna tell him... ♪ 589 00:36:21,125 --> 00:36:22,750 ♪ For dope ♪ 590 00:36:23,583 --> 00:36:25,250 ♪ Money for rope ♪ 591 00:36:26,125 --> 00:36:27,958 ♪ Just money for rope ♪ 592 00:36:33,166 --> 00:36:35,666 ♪ I'm sick and tired of hearing lies ♪ 593 00:36:35,750 --> 00:36:39,375 ♪ By seasick, narrow-minded Shortsighted hypocrites ♪ 594 00:36:39,458 --> 00:36:41,333 ♪ All I want is the truth ♪ 595 00:36:41,416 --> 00:36:42,458 We should change the... 596 00:36:42,541 --> 00:36:44,166 ♪ Just gimme some truth ♪ 597 00:36:45,333 --> 00:36:47,666 ♪ I've had enough of readin' lines ♪ 598 00:36:47,750 --> 00:36:51,375 ♪ By some sicked out Hard-sided politicians ♪ 599 00:36:51,458 --> 00:36:53,208 ♪ All I want is the truth ♪ 600 00:36:54,333 --> 00:36:55,416 ♪ Just gimme some truth ♪ 601 00:36:55,500 --> 00:36:57,291 No, it was in D and E. 602 00:36:57,375 --> 00:36:58,666 - Oh, okay. Yeah. Right. 603 00:37:05,958 --> 00:37:07,916 Perhaps if you stuck it over that side... 604 00:37:08,000 --> 00:37:09,250 How's that for your show? 605 00:37:11,666 --> 00:37:12,666 Okay, yeah. 606 00:37:16,583 --> 00:37:17,583 Bottoms up. 607 00:37:17,666 --> 00:37:19,916 If you'll all turn now to "Sunrise," 608 00:37:20,000 --> 00:37:22,000 I would very much appreciate it. 609 00:37:24,791 --> 00:37:27,250 "All Things Must Pass." 610 00:37:29,083 --> 00:37:32,000 There's no solo or anything complicated. 611 00:37:32,083 --> 00:37:34,833 It's purely just rhythmical and vocal. 612 00:37:34,916 --> 00:37:37,708 And if we suddenly add a Lowrey organ... 613 00:37:40,666 --> 00:37:43,250 Also, the chords really are E. 614 00:37:43,916 --> 00:37:49,083 To F-sharp minor, to E, to A. 615 00:37:50,083 --> 00:37:52,791 E to F-sharp minor. 616 00:37:53,791 --> 00:37:56,208 E, A. 617 00:37:58,041 --> 00:38:04,791 ♪ All things must pass ♪ 618 00:38:05,541 --> 00:38:09,291 ♪ All things must pass away ♪ 619 00:38:16,041 --> 00:38:21,208 ♪ Sunset doesn't last all evening ♪ 620 00:38:21,291 --> 00:38:23,166 ♪ Doesn't last ♪ 621 00:38:23,250 --> 00:38:28,333 ♪ A wind can blow those clouds away ♪ 622 00:38:28,416 --> 00:38:31,750 ♪ Wind can blow those clouds away ♪ 623 00:38:33,708 --> 00:38:35,041 ♪ After all this ♪ 624 00:38:35,125 --> 00:38:39,458 ♪ My love is up and must be leaving ♪ 625 00:38:41,000 --> 00:38:47,250 ♪ It's not always been this grey ♪ 626 00:38:48,791 --> 00:38:55,458 ♪ All things must pass ♪ 627 00:38:56,083 --> 00:39:00,250 ♪ All things must pass away ♪ 628 00:39:02,291 --> 00:39:06,333 But the middle bit, because it says the same word first... 629 00:39:07,375 --> 00:39:09,250 Like "All things must pass away," then... 630 00:39:09,833 --> 00:39:13,375 ♪ All things must pass ♪ 631 00:39:13,458 --> 00:39:15,875 Something there, you know, is where we'd overdub something 632 00:39:15,958 --> 00:39:18,416 or add voices, or I'd track it, or... 633 00:39:18,500 --> 00:39:21,125 Maybe it would be better if we just did it straight, first of all. 634 00:39:21,208 --> 00:39:22,333 ♪ All things must pass ♪ 635 00:39:22,416 --> 00:39:23,625 Okay. 636 00:39:23,708 --> 00:39:25,791 Just to do everything just really mechanical 637 00:39:25,875 --> 00:39:28,750 and then we can sort of get it all good after that. 638 00:39:29,708 --> 00:39:33,583 ♪ Macrobiotic pills are good at arriving ♪ 639 00:39:33,666 --> 00:39:35,416 ♪ At the right time ♪ 640 00:39:37,875 --> 00:39:42,291 ♪ A wind can blow those clouds away ♪ 641 00:39:47,958 --> 00:39:49,416 Yeah, okay. 642 00:39:54,083 --> 00:39:55,750 It looks like it on the paper. 643 00:39:55,833 --> 00:39:57,708 "A miner can blow these clouds away." 644 00:39:57,791 --> 00:40:00,333 Mal's writing. - What are they all having? Pale ale. 645 00:40:00,416 --> 00:40:03,375 - Pale ale. Anyone else want a drink? - Yeah. Anybody else want a drink? 646 00:40:03,458 --> 00:40:04,666 Yes, please. Yes. 647 00:40:04,750 --> 00:40:07,583 I'll have a glass of white wine. I'll have a beer. 648 00:40:07,666 --> 00:40:10,208 You know, man, the idea of doing this thing 649 00:40:10,291 --> 00:40:11,833 so that it's just us doing it 650 00:40:11,916 --> 00:40:14,541 and there's no overdubs or you can't get out of it 651 00:40:14,625 --> 00:40:16,291 is much better really. 652 00:40:16,375 --> 00:40:18,833 Because, you know, all the time recording, 653 00:40:18,916 --> 00:40:21,583 you're thinking, "It's all right. We can do that later." 654 00:40:21,666 --> 00:40:22,666 Hmm. 655 00:40:22,750 --> 00:40:25,875 People are doing live shows now, 656 00:40:25,958 --> 00:40:29,875 they do their overdubs 'cause they're phased and echoed live. 657 00:40:29,958 --> 00:40:33,583 But we're still thinking of it in terms of the four guys and four amps in The Cavern. 658 00:40:33,666 --> 00:40:35,041 Yeah. 659 00:40:35,125 --> 00:40:36,458 Yeah, I'd like phasing. 660 00:40:36,541 --> 00:40:39,750 But the phasing is Alex, and he's building the studio 661 00:40:39,833 --> 00:40:41,791 and putting it in this week. 662 00:40:59,125 --> 00:41:00,333 Yeah. 663 00:41:32,666 --> 00:41:35,916 ♪ When I'm walking beside her ♪ 664 00:41:49,625 --> 00:41:52,125 Not bad though. Good try that, Johnny. 665 00:41:52,208 --> 00:41:54,375 Yeah, but you know, John, 666 00:41:54,458 --> 00:41:57,541 the difference between me and, say, Eric, 667 00:41:57,625 --> 00:41:59,416 I'm just another guitar, 668 00:41:59,500 --> 00:42:02,500 sometimes playing bits and sometimes singing. 669 00:42:04,000 --> 00:42:07,125 But he's the only guitar to play lead. 670 00:42:07,208 --> 00:42:08,750 And so he's, like, playing. 671 00:42:08,833 --> 00:42:11,208 That's how he can keep it going all the time. 672 00:42:12,083 --> 00:42:13,750 Yeah. So... 673 00:42:13,833 --> 00:42:16,041 I feel now I can play things. 674 00:42:16,125 --> 00:42:19,291 I can learn things that will sound okay, 675 00:42:19,375 --> 00:42:21,625 especially fast fingering like that. 676 00:42:22,625 --> 00:42:23,833 It's jazz, man. 677 00:42:31,833 --> 00:42:34,541 You know, like, a lot of guitarists can sustain even, 678 00:42:34,625 --> 00:42:36,083 but they play it like a lot of shit. 679 00:42:36,166 --> 00:42:38,041 But his thing takes on a pattern 680 00:42:38,125 --> 00:42:41,166 and gets somewhere and resolves itself, 681 00:42:41,250 --> 00:42:42,541 which is very hard. 682 00:42:58,583 --> 00:43:01,083 Yeah, I'm sure you'll dig it when you see. 683 00:43:21,250 --> 00:43:22,666 And what shall we do, then? 684 00:43:22,750 --> 00:43:26,166 ♪ I'm so tired ♪ 685 00:43:26,250 --> 00:43:28,500 ♪ I haven't slept a wink ♪ 686 00:43:31,250 --> 00:43:33,500 ♪ I'm so tired ♪ 687 00:43:34,458 --> 00:43:36,791 ♪ My mind is on the blink ♪ 688 00:43:37,750 --> 00:43:39,958 ♪ I wonder should I call you ♪ 689 00:43:41,541 --> 00:43:43,250 ♪ And get myself a drink ♪ 690 00:43:43,333 --> 00:43:45,125 ♪ No, no, no ♪ 691 00:43:45,750 --> 00:43:47,500 No. Lay off the booze, boy. 692 00:43:48,458 --> 00:43:51,291 ♪ 'Cause I'm so tired ♪ 693 00:43:52,541 --> 00:43:55,333 ♪ I don't know what to do Don't know what to do ♪ 694 00:43:57,041 --> 00:43:59,000 ♪ I'm so tired ♪ 695 00:44:00,250 --> 00:44:02,166 ♪ My mind is set on you ♪ 696 00:44:03,291 --> 00:44:04,458 ♪ Ah ♪ 697 00:44:04,541 --> 00:44:07,166 ♪ I wonder should I call you ♪ 698 00:44:07,250 --> 00:44:11,041 ♪ But I know what you'd do ♪ 699 00:44:11,541 --> 00:44:12,541 ♪ Oh, no, no ♪ 700 00:44:13,125 --> 00:44:14,208 ♪ You'd say ♪ 701 00:44:15,250 --> 00:44:17,833 ♪ I'm putting you on But it's no joke ♪ 702 00:44:18,375 --> 00:44:19,625 Uh, John? 703 00:44:25,708 --> 00:44:28,666 How near are we to getting the stuff in? 704 00:44:28,750 --> 00:44:32,208 Should be in today with any luck. I've got bits and pieces coming from IBC. 705 00:44:33,166 --> 00:44:37,125 And George's 8-track coming and EMI's gear should be here either today or tomorrow. 706 00:44:37,208 --> 00:44:39,041 I haven't thought of it like a record yet. 707 00:44:39,125 --> 00:44:41,541 I think the idea of the record should be a live performance. 708 00:44:41,625 --> 00:44:43,345 The fact it's being recorded is something... 709 00:44:43,375 --> 00:44:45,958 It's like when I heard Sgt. Pepper last night. 710 00:44:46,833 --> 00:44:50,375 I thought, "Oh, that... So that's what live performances could be like." 711 00:44:51,541 --> 00:44:54,621 You know, even though that was a lash-up that wasn't a live performance there. 712 00:44:55,166 --> 00:44:56,541 Good morning. 713 00:44:57,416 --> 00:44:58,416 Hi. 714 00:45:00,333 --> 00:45:02,166 I won't lie. I'm not too good. 715 00:45:04,666 --> 00:45:06,375 Morning. How are you? 716 00:45:06,458 --> 00:45:08,291 Hiya. Good morning. 717 00:45:08,375 --> 00:45:10,541 We ought to think this week sometime about the show. 718 00:45:10,625 --> 00:45:14,000 We are thinking about the show. We never stop thinking about it. 719 00:45:14,083 --> 00:45:16,125 Good morning, George. - Morning, all. 720 00:45:16,208 --> 00:45:19,666 - It's just a funny day again. Again? 721 00:45:19,750 --> 00:45:22,750 Wouldn't it be nice if we did this show with a big audience? 722 00:45:22,833 --> 00:45:23,833 Yes. 723 00:45:23,916 --> 00:45:26,583 I think we should forget the whole idea of this show. 724 00:45:26,666 --> 00:45:28,291 Yeah, just, that's it. Okay. 725 00:45:29,208 --> 00:45:30,375 I'll go along with that. 726 00:45:31,291 --> 00:45:33,416 We're back... We're back to square one. 727 00:45:37,958 --> 00:45:40,291 Here comes my recording studio. 728 00:45:42,458 --> 00:45:44,375 Who's gonna look after all this equipment? 729 00:45:44,458 --> 00:45:47,791 'Cause the only thing is, it is, like, 10,000 quid. 730 00:45:47,875 --> 00:45:50,125 And is Alex going to plug all that up? 731 00:45:50,208 --> 00:45:51,375 Supposedly. 732 00:45:51,458 --> 00:45:53,458 Now, Alex rang me yesterday, George, 733 00:45:53,541 --> 00:45:56,916 and said that he didn't think that you needed an 8-track console. 734 00:45:57,000 --> 00:45:58,291 Alex said he can build one. 735 00:45:58,375 --> 00:46:01,166 - Now, the thing is that it might go wrong. Yes. 736 00:46:03,333 --> 00:46:04,708 Where did you get Alexis from? 737 00:46:04,791 --> 00:46:07,041 He worked for Pye Color Television... 738 00:46:07,125 --> 00:46:09,708 No, he was in England and John Dunbar asked him 739 00:46:09,791 --> 00:46:12,416 if he'd stay and build a light machine for The Stones' tour. 740 00:46:12,500 --> 00:46:13,500 Yeah. 741 00:46:13,583 --> 00:46:15,083 So he stayed and did that. 742 00:46:15,166 --> 00:46:17,833 Then he met John, and then he met us. 743 00:46:17,916 --> 00:46:19,833 Hmm. - And he's been there ever since. 744 00:46:19,916 --> 00:46:20,916 Hmm. Hmm. 745 00:46:21,000 --> 00:46:24,666 Yeah, I'm not going to tell you the story about Alex and his foot pedal am I? 746 00:46:24,750 --> 00:46:26,059 Have you actually tried it out or... 747 00:46:26,083 --> 00:46:29,000 You see, the thing is he just comes across things 748 00:46:29,083 --> 00:46:32,833 and then he says, "Oh, yeah, I've done this." 749 00:46:32,916 --> 00:46:34,500 But he hasn't actually made it 750 00:46:34,583 --> 00:46:37,791 because he's busy building recording studios. 751 00:46:37,875 --> 00:46:40,125 I don't think we should have Alex build one 752 00:46:40,208 --> 00:46:43,875 because it's better to have something that we know we can use and is reliable. 753 00:46:50,375 --> 00:46:52,458 ♪ Yeah, you wear out your women ♪ 754 00:46:52,541 --> 00:46:54,791 ♪ Well, you wear them high ♪ 755 00:46:57,333 --> 00:46:58,708 ♪ They do my woman ♪ 756 00:46:58,791 --> 00:47:01,875 ♪ Why, why, why, why, why? ♪ 757 00:47:01,958 --> 00:47:05,250 ♪ My, my, my, my, my, my, my, my, my, my My imagination ♪ 758 00:47:06,833 --> 00:47:10,208 ♪ It took me by surprise In the middle of my conversation ♪ 759 00:47:12,416 --> 00:47:15,458 ♪ My, my, my, my, my, my, my, my, my, my My imagination ♪ 760 00:47:18,416 --> 00:47:19,625 ♪ Conversation... ♪ 761 00:47:20,208 --> 00:47:21,568 Something like... The words, like, 762 00:47:21,625 --> 00:47:25,250 "Love for the first time in my life, so don't you let it get away." 763 00:47:25,333 --> 00:47:26,791 Uh... 764 00:47:26,875 --> 00:47:29,333 What are the words? - "It lasts forever and a day." 765 00:47:30,041 --> 00:47:32,583 Uh, no. "Love for the first time in my life." Here you go. 766 00:47:32,666 --> 00:47:35,375 ♪ I'm in love for the first ♪ 767 00:47:35,458 --> 00:47:38,708 ♪ Love for the first time in my life ♪ 768 00:47:38,791 --> 00:47:40,250 ♪ Don't you know it's gonna last ♪ 769 00:47:40,333 --> 00:47:41,559 It's nice though. I mean, it's... 770 00:47:41,583 --> 00:47:43,416 What can we do to that bit then, you know? 771 00:47:43,500 --> 00:47:45,083 ♪ A dah dah ♪ 772 00:47:52,291 --> 00:47:55,708 ♪ I'm in love for the first time ♪ 773 00:48:01,125 --> 00:48:03,125 ♪ In love for the first time ♪ 774 00:48:09,375 --> 00:48:11,726 Yeah, it's really like that's where the piano would come in. 775 00:48:11,750 --> 00:48:13,833 See, would you have piano on it? 776 00:48:13,916 --> 00:48:16,583 Yeah, I like the idea of piano. But how do we do that? 777 00:48:16,666 --> 00:48:19,583 One of us play bass. George play the bass. 778 00:48:19,666 --> 00:48:21,166 But then there's no guitars. 779 00:48:21,250 --> 00:48:23,083 Well, it's either you or him. 780 00:48:23,166 --> 00:48:25,750 Or a bass player or a pianist. You know? 781 00:48:25,833 --> 00:48:27,958 If we need somebody else... Yes. 782 00:48:28,041 --> 00:48:31,000 Probably be like a guy that plays piano all the time. 783 00:48:31,083 --> 00:48:33,458 Somebody like Nicky Hopkins. Or anybody. Yeah. 784 00:48:33,958 --> 00:48:38,041 Or if it develops that nothing need be done on guitar except for rhythm, 785 00:48:38,125 --> 00:48:41,458 then we say, "Well, fuck that. Two rhythms. We'll have one piano." 786 00:48:41,541 --> 00:48:44,666 Okay, well, we'll play the rhythms with the guitars anyway. 787 00:48:46,791 --> 00:48:49,708 I was thinking about this whole three mics bit. 788 00:48:49,791 --> 00:48:51,041 Do you think we should? 789 00:48:53,083 --> 00:48:57,875 I was watching that pop show on BBC2. The Move were on. 790 00:48:57,958 --> 00:49:01,583 You know that one little voice there doing harmony, one little voice there. 791 00:49:01,666 --> 00:49:04,375 They never joined into a group. 792 00:49:04,958 --> 00:49:09,291 ♪ Nobody ever loved me Like she do me ♪ 793 00:49:10,750 --> 00:49:12,875 ♪ Ooh, she does me ♪ 794 00:49:13,666 --> 00:49:15,416 ♪ Yes, she does ♪ 795 00:49:18,000 --> 00:49:23,458 ♪ And if somebody ever loved me Like she do me ♪ 796 00:49:24,083 --> 00:49:26,250 ♪ Oh ♪ - ♪ Yes, she do me ♪ 797 00:49:27,875 --> 00:49:29,416 ♪ Yes, she does ♪ 798 00:49:32,416 --> 00:49:34,625 It should be, like, a sustained thing over that. 799 00:49:34,708 --> 00:49:37,916 ♪ Nobody ever loved me like she ♪ 800 00:49:44,291 --> 00:49:46,750 So, George, so that we can split up, 801 00:49:46,833 --> 00:49:51,541 so that you're, like, doing the chords, like a "Ave Maria" thing. 802 00:49:51,625 --> 00:49:52,750 Yeah. 803 00:49:54,583 --> 00:49:55,583 ♪ Yes, she does ♪ 804 00:49:55,666 --> 00:49:57,750 - Tell me... 805 00:50:00,958 --> 00:50:02,250 Like on the tom-toms... 806 00:50:11,083 --> 00:50:12,166 You know what I mean? 807 00:50:13,208 --> 00:50:14,208 Yeah, so it goes... 808 00:50:14,291 --> 00:50:17,833 There's a point where we'll have to concentrate on the guitar 809 00:50:17,916 --> 00:50:20,458 for each song, you know, where, if it's going to play anything. 810 00:50:20,541 --> 00:50:22,958 But if it's "I'm in love for the first time." 811 00:50:23,041 --> 00:50:24,666 And I'm doing, uh... 812 00:50:26,000 --> 00:50:29,791 ♪ I'm in love for the first time ♪ 813 00:50:29,875 --> 00:50:32,416 ♪ For the first time in my life ♪ 814 00:50:32,500 --> 00:50:34,375 ♪ And you know it's gonna last ♪ 815 00:50:34,458 --> 00:50:36,916 It's nice though. I mean, corny's all right in this one. 816 00:50:37,000 --> 00:50:38,541 'Cause what he's doing is corny. 817 00:50:38,625 --> 00:50:41,166 But it... See, that's the thing that will make it not corny, 818 00:50:41,250 --> 00:50:43,625 if we sing different words. So, you say... 819 00:50:43,708 --> 00:50:45,291 ♪ I'm in love for the first time ♪ 820 00:50:45,375 --> 00:50:48,500 ♪ Love for the first time in my life ♪ 821 00:50:48,583 --> 00:50:50,583 Wait, okay. But roughly... 822 00:50:50,666 --> 00:50:53,458 Okay, well, we'll do that. That comes later. So... 823 00:50:53,541 --> 00:50:55,541 - Just start off with a corny one. Yeah. 824 00:50:55,625 --> 00:50:57,392 'Cause the words aren't that good. So it goes... 825 00:50:57,416 --> 00:50:59,208 ♪ I'm in love for the first ♪ 826 00:50:59,291 --> 00:51:01,791 ♪ Love for the first time... ♪ 827 00:51:01,875 --> 00:51:05,291 I think the words should be corny 'cause there's no clever words in it. 828 00:51:08,583 --> 00:51:11,291 ♪ I'm in love for the first time ♪ 829 00:51:11,375 --> 00:51:14,375 ♪ La la la la la la la ♪ 830 00:51:14,458 --> 00:51:16,125 ♪ Don't you know it's... ♪ 831 00:51:16,208 --> 00:51:18,083 You see, we should... Yeah, change the beat. 832 00:51:18,166 --> 00:51:21,333 Should be different beat and all on to light things and cymbals. 833 00:51:21,416 --> 00:51:25,625 Yeah. 834 00:51:31,083 --> 00:51:32,458 Arthur Alexander then? 835 00:51:32,541 --> 00:51:34,291 Okay, do it from the beginning. 836 00:51:34,375 --> 00:51:37,166 ♪ I'm in love for the first time ♪ 837 00:51:37,250 --> 00:51:40,666 ♪ Love for the first time in my life ♪ 838 00:51:40,750 --> 00:51:43,833 ♪ Don't you know it's gonna last ♪ 839 00:51:43,916 --> 00:51:46,833 ♪ Don't you know it's gonna last ♪ 840 00:51:46,916 --> 00:51:49,666 ♪ It's a love that lasts forever ♪ 841 00:51:50,416 --> 00:51:53,666 ♪ It's a love that lasts forever ♪ 842 00:51:53,750 --> 00:51:56,291 ♪ It's a love that has no past ♪ 843 00:51:59,833 --> 00:52:02,291 It sounds like the same old shit. 844 00:52:02,375 --> 00:52:05,208 Well, I like the same old shit if it's just clear, you know? 845 00:52:07,791 --> 00:52:12,125 Okay, so how about... how about changing around these two? 846 00:52:12,208 --> 00:52:14,541 And when you sing, "Don't you know it's gonna last," 847 00:52:14,625 --> 00:52:16,250 we sing, "It's a love that has no past." 848 00:52:16,333 --> 00:52:20,708 Then he sings it, and then we repeat, "It's a love that lasts forever," exactly. 849 00:52:20,791 --> 00:52:22,591 When you sing, "It's a love that has no past," 850 00:52:22,625 --> 00:52:24,416 we sing, "It's a love that's gonna last." 851 00:52:24,500 --> 00:52:27,500 - Yes. I agree. - Okay, so... 852 00:52:27,583 --> 00:52:28,708 ♪ I'm in love for the... ♪ 853 00:52:28,791 --> 00:52:30,583 "Love for the first time in my life." 854 00:52:31,250 --> 00:52:33,708 "It's a love that has no past." 855 00:52:33,791 --> 00:52:35,166 Swap that one for the other, 856 00:52:35,250 --> 00:52:37,500 so that when he's singing that, we're singing the other. 857 00:52:37,583 --> 00:52:39,166 Then, "It's a love that lasts forever." 858 00:52:39,250 --> 00:52:41,791 Repeat that, even though it sounds funny. It'll be all right. 859 00:52:41,875 --> 00:52:43,708 And then, "Don't you know it's gonna last." 860 00:52:43,791 --> 00:52:45,500 Just try it through roughly. 861 00:52:46,458 --> 00:52:48,666 - ♪ I'm in love ♪ - ♪ Dah dah ♪ 862 00:52:49,250 --> 00:52:50,250 ♪ Don't... ♪ 863 00:52:50,833 --> 00:52:52,750 ♪ I'm in love for the first time ♪ 864 00:52:52,833 --> 00:52:56,041 ♪ Love for the first time in my life ♪ 865 00:52:56,125 --> 00:52:59,166 ♪ Don't you know it's gonna last ♪ 866 00:52:59,250 --> 00:53:02,166 ♪ It's a love that has no past ♪ 867 00:53:02,250 --> 00:53:05,041 ♪ It's a love that lasts forever ♪ 868 00:53:06,541 --> 00:53:08,333 Yeah, well, that time it was just silly. 869 00:53:08,416 --> 00:53:09,708 What's the bones of the part? 870 00:53:09,791 --> 00:53:11,434 We don't really know what we're saying now. 871 00:53:11,458 --> 00:53:12,375 ♪ Love for the first... ♪ 872 00:53:12,458 --> 00:53:14,666 It was always weak on your guitar... - Yeah, sure. 873 00:53:14,750 --> 00:53:16,309 'cause that's a weak bit of the song, that. 874 00:53:16,333 --> 00:53:19,541 - But you see, nothing has to happen... - Yeah, it's the same bit. 875 00:53:19,625 --> 00:53:20,875 In those things. 876 00:53:22,166 --> 00:53:24,892 - If you listen to the words and things... - Yeah, right, nothing does. 877 00:53:24,916 --> 00:53:27,267 All that's going on is the bass, guitar and drums doing... 878 00:53:27,291 --> 00:53:28,583 ♪ I'm in love for the... ♪ 879 00:53:28,666 --> 00:53:30,875 It doesn't really make that much odds... No, but... 880 00:53:38,291 --> 00:53:39,916 ♪ Love for the first time ♪ 881 00:53:43,375 --> 00:53:47,125 ♪ Don't you know it's gonna last ♪ 882 00:53:49,666 --> 00:53:52,333 ♪ It's a love that lasts forever ♪ 883 00:53:55,750 --> 00:53:59,250 ♪ It's a love that has no past ♪ 884 00:54:03,375 --> 00:54:06,083 Yeah. All right? - Yeah. 885 00:54:06,166 --> 00:54:09,125 That's the only time that works, really, is on the last line. 886 00:54:09,208 --> 00:54:11,684 - Paul, forget the last line. - I'm just trying to get a bit... 887 00:54:11,708 --> 00:54:14,017 We'll try to sort of go right through. We keep talking about it. 888 00:54:14,041 --> 00:54:16,333 It seems we're saying... - Okay, girls. 889 00:54:19,000 --> 00:54:21,392 - Give in. I give in. - You're right that it's wrong on that bit. 890 00:54:21,416 --> 00:54:23,208 You see, the first song is not bad. 891 00:54:23,291 --> 00:54:26,583 Okay. Okay, we'll just repeat exactly what you say. 892 00:54:26,666 --> 00:54:29,083 One, two, three. 893 00:54:29,166 --> 00:54:32,250 ♪ I'm in love for the first time ♪ 894 00:54:32,333 --> 00:54:35,375 ♪ For the first time in my life ♪ 895 00:54:35,458 --> 00:54:38,416 ♪ Don't you know it's gonna last ♪ 896 00:54:38,500 --> 00:54:41,583 ♪ Don't you know it's gonna last ♪ 897 00:54:41,666 --> 00:54:44,833 ♪ It's a love that lasts forever ♪ 898 00:54:44,916 --> 00:54:47,916 ♪ It's a love that lasts forever ♪ 899 00:54:48,000 --> 00:54:51,166 ♪ It's a love that has no past ♪ 900 00:54:51,250 --> 00:54:54,541 ♪ It's a love that has no past ♪ 901 00:54:55,083 --> 00:54:57,291 ♪ Don't let me down ♪ 902 00:54:57,375 --> 00:55:01,375 Okay. Okay, that's... that's all right. That's... 903 00:55:01,458 --> 00:55:03,500 Yes, I can't hear you. Right. 904 00:55:03,583 --> 00:55:04,708 No. 905 00:55:04,791 --> 00:55:07,166 I think it's awful, actually. 906 00:55:07,250 --> 00:55:08,500 We're gonna improve on that... 907 00:55:08,583 --> 00:55:11,503 If we had a tape recorder now and then just taped that and played it back, 908 00:55:11,583 --> 00:55:13,767 - you'd throw that out straightaway. Yeah, right, but... 909 00:55:13,791 --> 00:55:15,666 Yeah. - No, really. 910 00:55:15,750 --> 00:55:18,031 - You'd throw it out, right? I mean... - Yeah, sure. Okay. 911 00:55:21,166 --> 00:55:22,934 Well, for a start it would be better to sing... 912 00:55:22,958 --> 00:55:24,916 - Instead of... 913 00:55:25,500 --> 00:55:26,500 ♪ Ah ♪ 914 00:55:26,583 --> 00:55:29,708 Yeah, see, but in a way, that's even cornier, I think. 915 00:55:29,791 --> 00:55:32,041 That little harmony bit. It's just too pretty. 916 00:55:32,125 --> 00:55:34,750 ♪ It's a love that lasts forever ♪ 917 00:55:35,333 --> 00:55:37,813 - Just anything would be... - Yeah, well, that's... It's the... 918 00:55:37,875 --> 00:55:40,291 I think you should just get a corny one first 919 00:55:40,375 --> 00:55:42,500 and then start doing roundups. 920 00:55:42,583 --> 00:55:45,625 You know, you'll start getting the rhythm to it, something, or change it. 921 00:55:45,708 --> 00:55:49,166 ♪ Don't you know it's gonna last ♪ 922 00:55:50,708 --> 00:55:54,375 You know, we've just gone round, like, for an hour with nothing in our heads. 923 00:55:54,458 --> 00:55:58,250 - Just... And we're back, so let's... - We've been through a lot of permutations. 924 00:55:58,333 --> 00:56:00,458 Yeah, I know, but let's move... sort of move on now. 925 00:56:01,750 --> 00:56:02,916 Today's the sixth. 926 00:56:03,000 --> 00:56:04,125 - What is it? Yeah. 927 00:56:07,458 --> 00:56:09,000 We haven't done many yet. 928 00:56:15,458 --> 00:56:16,583 Yeah. 929 00:56:16,666 --> 00:56:19,083 ♪ Two of us riding nowhere ♪ 930 00:56:19,166 --> 00:56:20,166 Okay, now... 931 00:56:20,250 --> 00:56:22,458 - Am I singing on this or what? - I don't know, really. 932 00:56:23,875 --> 00:56:26,333 "Two Of Us"? You have to remember the words too. 933 00:56:26,416 --> 00:56:28,208 Yes, I've got 'em here. 934 00:56:28,291 --> 00:56:29,333 But learn 'em. 935 00:56:30,541 --> 00:56:31,750 I almost know 'em. 936 00:56:32,333 --> 00:56:36,750 ♪ On our way back ♪ 937 00:56:37,833 --> 00:56:39,583 ♪ On our way home ♪ 938 00:56:40,333 --> 00:56:41,333 See, look. 939 00:56:41,416 --> 00:56:42,500 ♪ On our way home ♪ 940 00:56:42,583 --> 00:56:43,750 Listen, now. 941 00:56:43,833 --> 00:56:46,767 See, we're gonna have to sort of bring it together, 'cause we're all at odds. 942 00:56:46,791 --> 00:56:48,666 We're doing that thing we did on The Beatles. 943 00:56:48,750 --> 00:56:52,208 Like, in this verse, it's two harmonies singing, trying to say some words, right? 944 00:56:54,250 --> 00:56:55,958 It's not sounding together. 945 00:56:57,708 --> 00:57:00,125 Or we can stop and say it's not together. 946 00:57:06,541 --> 00:57:07,625 When you just get them? 947 00:57:07,708 --> 00:57:11,125 No, not really, it's just... We've got to be imaginative. 948 00:57:11,208 --> 00:57:15,125 You know, like... It's like... It's complicated now, so it... 949 00:57:16,083 --> 00:57:19,208 See, if we can get it simpler and then complicate it 950 00:57:19,291 --> 00:57:22,583 where it needs complications, but it's complicated in the bit... 951 00:57:34,500 --> 00:57:36,208 But you know what I mean? 952 00:57:36,291 --> 00:57:39,625 Well, you know, we do this then. Then we... And then, I don't know. 953 00:57:41,250 --> 00:57:42,250 Yeah. 954 00:57:43,250 --> 00:57:44,833 I can't do it on film either. 955 00:57:45,750 --> 00:57:48,041 Can't frickin' do it on camera. 956 00:57:49,541 --> 00:57:50,750 Yeah. 957 00:57:51,583 --> 00:57:53,500 Forget about Candid Camera. 958 00:57:58,958 --> 00:58:01,250 And I have been for, like, a couple of years. 959 00:58:01,333 --> 00:58:02,708 It's like I always sound... 960 00:58:02,791 --> 00:58:06,416 I always feel as though I'm trying to put you down and stop you playing. 961 00:58:06,500 --> 00:58:09,541 But I'm not. I'm trying to stop us all playing 962 00:58:09,625 --> 00:58:11,416 until we know what we're playing. 963 00:58:11,500 --> 00:58:14,708 But you've got to play in order to find which fits and which doesn't. 964 00:58:14,791 --> 00:58:17,125 Mmm. You see that's all we can do. 965 00:58:17,208 --> 00:58:19,458 I don't wanna say it, 'cause I really just hear myself 966 00:58:19,541 --> 00:58:22,041 as being the only one saying it, always. 967 00:58:22,125 --> 00:58:24,392 And like, the three of you just sort of sit there, like... 968 00:58:24,416 --> 00:58:26,875 "Oh, he's saying that one again is he?" 969 00:58:26,958 --> 00:58:29,416 And I never get any support, or anything. 970 00:58:29,500 --> 00:58:31,541 So I just think, "Oh, well. Fuck it." 971 00:58:31,625 --> 00:58:34,583 And I know it's right, and you know it's right. 972 00:58:34,666 --> 00:58:36,958 Yes, all right. I just don't know what to do about it. 973 00:58:37,041 --> 00:58:40,666 But doesn't everyone agree that it's confused at the moment. 974 00:58:40,750 --> 00:58:43,583 So, all I'm trying to say is, we've only got 12 more days, 975 00:58:43,666 --> 00:58:47,291 so, like, you know, we've really got to do this methodically, this one. 976 00:58:47,375 --> 00:58:48,625 Well, it's annoying, you know? 977 00:58:56,291 --> 00:58:58,500 It's like a matter of working it out with you 978 00:58:58,583 --> 00:59:00,458 while you're working your bit out. 979 00:59:00,541 --> 00:59:02,708 You know, have you got your bass bit? 980 00:59:02,791 --> 00:59:04,791 Look. You know, you... 981 00:59:04,875 --> 00:59:07,250 You're doing it again as though I'm trying to say that. 982 00:59:07,333 --> 00:59:09,973 And what we said the other day, you know I'm not trying to get you. 983 00:59:10,041 --> 00:59:13,791 What I really am trying to just say, "Look lads, the band, 984 00:59:13,875 --> 00:59:18,375 shall we try it like this, you know?" 985 00:59:18,458 --> 00:59:21,083 It's funny though how it only occurs when the... 986 00:59:21,166 --> 00:59:23,500 It's like, "Shall we play guitar all through 'Hey Jude'?" 987 00:59:23,583 --> 00:59:25,892 - Well, I don't think we should. - Yeah. Okay, well, I don't mind. 988 00:59:25,916 --> 00:59:28,541 I'll... I'll play, you know, whatever you want me to play. 989 00:59:28,625 --> 00:59:31,041 Or I won't play at all if you don't want me to play. 990 00:59:31,125 --> 00:59:34,625 Now, whatever it is that will please you, I'll do it. 991 00:59:46,583 --> 00:59:48,559 - But do you wanna take the gallop? - No, okay, but don't... 992 00:59:48,583 --> 00:59:49,583 Now come on. Look... 993 00:59:49,666 --> 00:59:52,166 We've gotta do this. We've really gotta sort out this, 994 00:59:52,250 --> 00:59:56,125 'cause we're rehearsing, and we're trying to, like, get it together for the TV show. 995 00:59:56,208 --> 00:59:59,500 So we really... Like you said, we've only been through four numbers. 996 01:00:00,708 --> 01:00:04,416 So we probably gotta get some system to get through, like, 20 or 30, 997 01:00:04,500 --> 01:00:06,166 and know them all and have learnt them. 998 01:00:06,250 --> 01:00:08,125 So that we get all the chords. 999 01:00:08,208 --> 01:00:10,666 - So we can all vamp them all. - Yeah. 1000 01:00:10,750 --> 01:00:13,375 Then we can, like, all play every solo we need. 1001 01:00:13,458 --> 01:00:16,208 But, like, it's gotta sound as though it's improving. 1002 01:00:25,500 --> 01:00:27,541 Yeah, I know what you mean. 1003 01:00:27,625 --> 01:00:31,375 It's just that that way of doing it puts me off the way I'm trying to do it. 1004 01:00:39,000 --> 01:00:40,000 Yeah. 1005 01:00:40,708 --> 01:00:42,083 Let's do another song. 1006 01:00:47,000 --> 01:00:48,583 This is why we take so long. 1007 01:00:49,750 --> 01:00:53,458 I think we play it shitty ten times, and so it's sort of in there. 1008 01:00:53,541 --> 01:00:56,125 And then I think we could come and play it quite good then. 1009 01:01:07,875 --> 01:01:12,541 ♪ On our way back home ♪ 1010 01:01:15,875 --> 01:01:17,833 ♪ On our way back... ♪ 1011 01:01:17,916 --> 01:01:19,666 I'll have to tune my guitar. 1012 01:01:23,083 --> 01:01:26,708 It's got to just drive along like a car. So how do we do that? 1013 01:01:27,625 --> 01:01:32,291 It was turning heavier. Do you want it more countryish or more... 1014 01:01:34,875 --> 01:01:37,166 I can't talk anymore, I really can't. 1015 01:01:41,208 --> 01:01:45,708 ♪ On our way back home ♪ 1016 01:01:45,791 --> 01:01:48,833 Two, three, four, five, six, seven, eight. 1017 01:01:48,916 --> 01:01:53,750 ♪ On our way back home ♪ 1018 01:01:56,458 --> 01:02:00,333 ♪ On our way back home ♪ 1019 01:02:07,666 --> 01:02:09,291 But it comes... Then just end on D. 1020 01:02:09,375 --> 01:02:11,583 It could end on G for that one. G. 1021 01:02:23,125 --> 01:02:24,833 ♪ Mondays on the road ♪ 1022 01:02:24,916 --> 01:02:27,458 It's like Lyme Street Station. What? 1023 01:02:27,541 --> 01:02:29,875 It reminds me a bit of Lyme Street Station. 1024 01:02:38,083 --> 01:02:40,333 Between 10:00 and 11:00 is the time. 1025 01:02:40,416 --> 01:02:42,125 Thinking of getting rid of him. 1026 01:02:42,208 --> 01:02:43,708 I'm never late. 1027 01:02:43,791 --> 01:02:46,041 He's never late. He's a bloody pro, is Ringo. 1028 01:02:48,208 --> 01:02:51,625 You're playing that bass again. 1029 01:02:51,708 --> 01:02:55,291 Peter, can we have a Binson echo unit for these microphones, please? 1030 01:02:55,375 --> 01:02:57,083 I think we could have better mics. 1031 01:02:57,166 --> 01:02:58,958 We could have better mics too, Peter. 1032 01:02:59,041 --> 01:03:00,708 - You know, those big Neumanns. Yeah. 1033 01:03:03,750 --> 01:03:06,333 - Yes. - We might, Michael. That's quite true. 1034 01:03:10,958 --> 01:03:16,958 ♪ Ooh, ooh, ooh ♪ 1035 01:03:21,083 --> 01:03:25,458 ♪ Ooh, ooh, ooh ♪ 1036 01:03:29,375 --> 01:03:32,958 ♪ Ooh, ooh, ooh ♪ 1037 01:03:36,875 --> 01:03:38,166 ♪ Ooh, ooh ♪ 1038 01:04:19,041 --> 01:04:22,041 ♪ Don't you know it's gonna last? ♪ 1039 01:04:52,625 --> 01:04:56,416 Yeah. It's good... It's, you know... Musically and that, it's great. 1040 01:05:06,125 --> 01:05:09,666 ♪ Get back, get back ♪ 1041 01:05:09,750 --> 01:05:12,583 ♪ Get back to where you once belonged ♪ 1042 01:05:13,708 --> 01:05:17,500 ♪ Get back, get back ♪ 1043 01:05:17,583 --> 01:05:20,375 ♪ Get back to where you once belonged ♪ 1044 01:05:23,583 --> 01:05:25,625 ♪ He thought she was a woman ♪ 1045 01:05:25,708 --> 01:05:27,958 ♪ But she was another man ♪ 1046 01:05:29,416 --> 01:05:33,208 ♪ All the folks around Thought she had it coming ♪ 1047 01:05:33,291 --> 01:05:36,541 ♪ But she gets it while she can, oh ♪ 1048 01:05:36,625 --> 01:05:39,708 ♪ Get back, get back ♪ 1049 01:05:41,041 --> 01:05:43,583 ♪ Back to where you once belonged ♪ 1050 01:05:44,708 --> 01:05:47,250 ♪ Get back, get back ♪ 1051 01:05:48,333 --> 01:05:51,208 ♪ Get back to where you once belonged ♪ 1052 01:05:54,250 --> 01:05:56,458 ♪ Yeah, she thought she was a woman ♪ 1053 01:05:56,541 --> 01:05:59,041 ♪ But she was another man ♪ 1054 01:06:00,375 --> 01:06:04,250 ♪ All the folk around said "She thought she had it coming" ♪ 1055 01:06:04,333 --> 01:06:07,958 ♪ But she gets it while she can, oh ♪ 1056 01:06:08,041 --> 01:06:10,666 ♪ Get back, hey, get back ♪ 1057 01:06:12,000 --> 01:06:14,625 ♪ Get back to where you once belonged ♪ 1058 01:06:15,791 --> 01:06:18,916 ♪ Get back, get back ♪ 1059 01:06:19,750 --> 01:06:22,958 ♪ Get back to where you once belonged ♪ 1060 01:06:23,750 --> 01:06:26,583 ♪ Get back, get back ♪ 1061 01:06:27,833 --> 01:06:30,791 ♪ Get back to where you once belonged ♪ 1062 01:06:31,625 --> 01:06:34,625 ♪ Get back, get back ♪ 1063 01:06:35,625 --> 01:06:38,458 ♪ Get back to where you once belonged ♪ 1064 01:06:39,375 --> 01:06:40,625 ♪ Oh ♪ 1065 01:06:45,625 --> 01:06:48,583 I mean, at the moment, we're just rehearsing the numbers for the show. 1066 01:06:48,666 --> 01:06:51,666 None of us has had the idea of what the show is gonna be yet. 1067 01:07:00,791 --> 01:07:01,958 Yeah. Right. Yeah. 1068 01:07:02,041 --> 01:07:04,375 And that's why, uh... 1069 01:07:05,375 --> 01:07:07,708 I think if you all have decided to do a show, 1070 01:07:07,791 --> 01:07:09,208 then it should be the best show. 1071 01:07:12,750 --> 01:07:13,750 Know what I mean? 1072 01:07:13,833 --> 01:07:16,458 The only thing about that though, is that, uh, 1073 01:07:17,291 --> 01:07:18,416 we don't want to go away. 1074 01:07:18,500 --> 01:07:20,166 Think of the lights in the water. 1075 01:07:20,250 --> 01:07:22,750 Torch-lit. 2,000 Arabs. 1076 01:07:22,833 --> 01:07:25,273 - I mean, visually, it is fantastic. But we're not going away. 1077 01:07:25,333 --> 01:07:27,166 My trouble is... 1078 01:07:34,666 --> 01:07:36,041 We could make it like requests. 1079 01:07:36,125 --> 01:07:38,708 We should do the show in a place we're not allowed to do it. 1080 01:07:38,791 --> 01:07:41,125 You know, like, we should trespass, go in, set up, 1081 01:07:41,208 --> 01:07:43,666 and then get moved, and that should be the show. 1082 01:07:43,750 --> 01:07:47,083 I mean, you know, if you put us in the Houses of Parliament, 1083 01:07:47,166 --> 01:07:49,625 playing in the main gallery at the Houses of Parliament, 1084 01:07:49,708 --> 01:07:51,375 and getting forcibly ejected, 1085 01:07:51,458 --> 01:07:53,875 still trying to play numbers, and the police lifting you... 1086 01:07:53,958 --> 01:07:55,625 I think that's too much of an obstacle. 1087 01:07:55,708 --> 01:07:57,388 ♪ She came in Through the bathroom window ♪ 1088 01:08:00,041 --> 01:08:03,583 Scuffling with the coppers, boots and truncheons and all that. 1089 01:08:03,666 --> 01:08:05,583 You have to take a bit of violence. 1090 01:08:05,666 --> 01:08:06,958 I think that's too dangerous. 1091 01:08:15,833 --> 01:08:17,541 But I don't mean for really sick kids. 1092 01:08:17,625 --> 01:08:19,708 I mean for kids with broken legs. 1093 01:08:19,791 --> 01:08:23,458 I mean, really, kind of, 1944 Hollywood musical Bing Crosby kids. 1094 01:08:27,291 --> 01:08:29,166 Except for the finale. 1095 01:08:29,250 --> 01:08:30,291 Oh, yes! 1096 01:08:30,375 --> 01:08:33,541 When John walks up to the little girl and says, "Come here." 1097 01:08:33,625 --> 01:08:35,208 And she gets up and walks. 1098 01:08:35,291 --> 01:08:37,875 Or maybe an orphans' home? An orphans' home. 1099 01:08:37,958 --> 01:08:40,125 Children are the hope of the future department. 1100 01:08:40,791 --> 01:08:42,958 What about an orphanage? 1101 01:08:43,041 --> 01:08:44,416 How does that grab you guys? 1102 01:08:44,500 --> 01:08:47,750 It's like, "Going once, going twice, going three times and that's it." 1103 01:08:47,833 --> 01:08:48,833 No. 1104 01:08:50,041 --> 01:08:52,291 Orphanage... Orphanage going downhill. 1105 01:08:57,375 --> 01:08:59,208 What's the biggest charity in the world? 1106 01:08:59,291 --> 01:09:00,476 I don't mean in terms of polio, 1107 01:09:00,500 --> 01:09:02,620 but what's the most charitable thing anybody could do? 1108 01:09:02,666 --> 01:09:03,666 They say... 1109 01:09:03,750 --> 01:09:07,000 Don't they say, "Charity begins at home"? 1110 01:09:07,083 --> 01:09:09,083 We'll do it at George's house. 1111 01:09:13,833 --> 01:09:17,875 We gotta have some serious reason for doing this or else we won't. 1112 01:09:19,416 --> 01:09:20,583 What's it for? 1113 01:09:20,666 --> 01:09:22,416 Can't be for the money. 1114 01:09:22,500 --> 01:09:25,875 I've decided the whole point of it is communication. 1115 01:09:25,958 --> 01:09:28,333 And to be on TV is communication. 1116 01:09:28,416 --> 01:09:31,958 We've got a chance to smile at people, like "All You Need Is Love." 1117 01:09:32,041 --> 01:09:34,958 But... So that's me incentive for doing it. 1118 01:09:42,375 --> 01:09:46,625 The worst that we have is a documentary of us making an LP 1119 01:09:46,708 --> 01:09:48,083 if we don't get into a show. 1120 01:09:48,166 --> 01:09:49,833 But we haven't played together, you see. 1121 01:09:49,916 --> 01:09:51,208 That's the fucking thing. 1122 01:09:51,291 --> 01:09:53,125 But when we do come together to play, 1123 01:09:53,208 --> 01:09:55,500 we all just sort of talk about the fucking past! 1124 01:09:55,583 --> 01:09:57,333 We're like old age pensioners. 1125 01:09:57,416 --> 01:09:59,541 "Remember the days when we used to rock?" 1126 01:09:59,625 --> 01:10:02,750 You know, but we're here now, and we can do it, you know? 1127 01:10:02,833 --> 01:10:05,958 But, I mean, all I want to see is enthusiasm! 1128 01:10:07,291 --> 01:10:11,541 See, the thing is also I get to a bit where I just sort of push all my ideas. 1129 01:10:11,625 --> 01:10:16,541 You know, I mean, a lot will come out of it if we could get the enthusiasm. 1130 01:10:16,625 --> 01:10:20,916 I mean, why are you here? I'm here 'cause I wanna do a show. 1131 01:10:21,000 --> 01:10:24,000 But I really don't feel an awful lot of support. 1132 01:10:24,083 --> 01:10:27,500 We keep coming up against that one, and I keep saying, 1133 01:10:27,583 --> 01:10:29,625 "Yeah well, I'd like to do this, this and that." 1134 01:10:29,708 --> 01:10:33,833 And we end up doing something again that nobody really wants to do. 1135 01:10:33,916 --> 01:10:35,833 If this one turns into that, 1136 01:10:35,916 --> 01:10:38,083 it should definitely be the last for all of us. 1137 01:10:38,166 --> 01:10:39,750 Because there just isn't any point. 1138 01:10:39,833 --> 01:10:42,458 I think that'd be sad. I mean, as an audience. That'd be sad. 1139 01:10:42,541 --> 01:10:44,958 Course it is! It's stupid. It is just stupid. 1140 01:10:45,916 --> 01:10:49,208 You see, the people who are being stupid are the four of us. 1141 01:10:53,625 --> 01:10:55,083 Which it always is. 1142 01:10:55,166 --> 01:11:00,166 The Beatles have been in doldrums for at least a year. 1143 01:11:01,041 --> 01:11:05,125 Ever since Mr. Epstein passed away, it's never been the same. 1144 01:11:05,208 --> 01:11:07,875 I mean, we've been very negative since Mr. Epstein passed away. 1145 01:11:07,958 --> 01:11:11,958 And that's why all of us, in turn, have been sick of the group. 1146 01:11:12,041 --> 01:11:13,666 It's discipline we lack. 1147 01:11:13,750 --> 01:11:14,830 We've never had discipline. 1148 01:11:14,875 --> 01:11:17,625 We had a sort of slight, symbolic discipline. 1149 01:11:17,708 --> 01:11:19,166 Like Mr. Epstein. 1150 01:11:19,250 --> 01:11:22,416 You know, and he sort of said, "Get suits on," and we did. 1151 01:11:22,500 --> 01:11:25,916 You know, and so we were always fighting that discipline a bit. 1152 01:11:27,125 --> 01:11:31,250 There really is no one there now to say, "Do it." 1153 01:11:31,333 --> 01:11:32,958 Whereas there always used to be. 1154 01:11:33,041 --> 01:11:37,708 Daddy's gone away now, and we're on our own at the holiday camp. 1155 01:11:37,791 --> 01:11:41,958 I think we either go home or we do it. 1156 01:11:46,875 --> 01:11:49,416 I think we've got a bit shy, you know? 1157 01:11:49,500 --> 01:11:53,791 I think I've got a bit shy of certain things, you know? 1158 01:11:53,875 --> 01:11:56,601 'Cause you know how often, like, on albums we sometimes blow one of your songs, 1159 01:11:56,625 --> 01:11:58,333 'cause we come in in the wrong mood. 1160 01:11:58,416 --> 01:12:01,250 And you say, "This is how it goes. I'll be back." 1161 01:12:01,333 --> 01:12:04,291 And we're all just, "Oh, well you..." 1162 01:12:04,375 --> 01:12:07,333 That's why we're wrong to throw away the show. 1163 01:12:07,416 --> 01:12:08,958 Because there's no desire. 1164 01:12:09,666 --> 01:12:12,250 So it's like, if we're doing the show, 1165 01:12:12,333 --> 01:12:14,000 we're gonna have to work hard. 1166 01:12:14,791 --> 01:12:17,458 And that means by the time a week from now comes 1167 01:12:17,541 --> 01:12:20,541 all these songs we've got, we've gotta know perfectly. 1168 01:12:23,541 --> 01:12:24,981 Because they just turn out shitty... 1169 01:12:25,041 --> 01:12:28,416 No, but this... Thinking it's not gonna come out great won't help. 1170 01:12:28,500 --> 01:12:32,125 If we cancel the show now, we'll be throwing it away. 1171 01:12:32,208 --> 01:12:34,166 But equally, at the moment we haven't got a show 1172 01:12:34,250 --> 01:12:35,810 and so none of us really want to do it. 1173 01:12:35,875 --> 01:12:36,875 I'll do it. 1174 01:12:36,958 --> 01:12:41,166 I'm not interested, you know, to spend my fucking days farting around here, 1175 01:12:41,250 --> 01:12:44,541 while everyone makes up their minds whether they want to do it or not. 1176 01:12:44,625 --> 01:12:47,541 It's like Mal said last night, "If you're gonna do the show here, 1177 01:12:47,625 --> 01:12:50,041 you've gotta decide today." 1178 01:12:50,125 --> 01:12:52,125 And as far as I can see, there's only two ways. 1179 01:12:52,208 --> 01:12:54,125 We're gonna do it, or we're not gonna do it. 1180 01:12:54,208 --> 01:12:56,500 And I want a decision! 1181 01:12:56,583 --> 01:12:58,166 Maybe we should have a divorce. 1182 01:12:58,250 --> 01:13:00,375 Well, I said that at the last meeting. 1183 01:13:01,833 --> 01:13:03,458 But it's getting nearer, you know? 1184 01:13:04,916 --> 01:13:06,375 Who'd have the children? 1185 01:13:07,541 --> 01:13:08,583 Dick James. 1186 01:13:08,666 --> 01:13:09,750 Oh, yeah. 1187 01:13:11,458 --> 01:13:12,958 We all need you. 1188 01:13:13,541 --> 01:13:16,333 And, you know, if you all can't get it together, 1189 01:13:16,416 --> 01:13:18,458 that's really very sad. 1190 01:13:18,541 --> 01:13:21,958 So, I think what we should do now is let you play a little 1191 01:13:22,041 --> 01:13:24,291 and then you all have lunch together. 1192 01:13:25,166 --> 01:13:28,375 And I can give you some more fennel, maybe? 1193 01:13:29,083 --> 01:13:30,166 - Yes. 1194 01:13:30,250 --> 01:13:32,916 So shall we leave you for a while? 1195 01:13:33,000 --> 01:13:34,958 - Yes. Yeah. Yeah. 1196 01:13:35,875 --> 01:13:37,291 "If I'd been out... 1197 01:13:39,333 --> 01:13:41,208 till quarter to three." 1198 01:13:45,833 --> 01:13:48,041 ♪ Will you still be there? ♪ 1199 01:13:48,125 --> 01:13:49,541 And then twice... 1200 01:13:49,625 --> 01:13:52,416 ♪ Maxwell's silver hammer made sure that ♪ 1201 01:13:53,041 --> 01:13:54,083 Minor. 1202 01:13:54,166 --> 01:13:56,041 ♪ Sure that she was dead ♪ 1203 01:13:57,416 --> 01:13:58,875 ♪ Solo ♪ 1204 01:13:58,958 --> 01:14:00,458 That's the second lot. 1205 01:14:06,375 --> 01:14:08,083 Like a ukulele solo. 1206 01:14:16,500 --> 01:14:17,500 Uh... 1207 01:14:19,416 --> 01:14:20,666 Who was that? 1208 01:14:20,750 --> 01:14:21,750 Was that you? 1209 01:14:22,333 --> 01:14:24,000 It's all right. 1210 01:14:24,083 --> 01:14:25,083 Keep it in. 1211 01:14:26,583 --> 01:14:28,583 Just stand near the mic on the night. 1212 01:14:34,666 --> 01:14:35,666 Okay. 1213 01:14:35,750 --> 01:14:37,000 Uh, John? 1214 01:14:37,083 --> 01:14:38,708 They're like a D, D. 1215 01:14:40,000 --> 01:14:42,333 D, F-sharp minor, G to A. 1216 01:14:48,458 --> 01:14:50,291 Are you just doing it all in D? 1217 01:14:51,041 --> 01:14:52,791 Yeah. Should we go and have lunch? 1218 01:14:52,875 --> 01:14:56,500 Take this guitar I offer you in all humility. 1219 01:14:56,583 --> 01:14:57,666 Thank you. 1220 01:14:58,875 --> 01:15:00,458 Thanks a lot, Jim. 1221 01:15:00,541 --> 01:15:03,166 ♪ Oh, Jim Grey ♪ 1222 01:15:03,750 --> 01:15:07,416 ♪ Where is your mother these days? ♪ 1223 01:15:08,125 --> 01:15:10,250 Mal, we should get a hammer. 1224 01:15:11,541 --> 01:15:12,833 And an anvil. 1225 01:15:13,583 --> 01:15:14,583 See you later. 1226 01:15:18,708 --> 01:15:19,708 ♪ Go ♪ 1227 01:15:19,791 --> 01:15:26,791 ♪ Bang, bang, Maxwell's silver hammer Came down upon her head ♪ 1228 01:15:26,875 --> 01:15:32,916 ♪ Clang, clang, Maxwell's silver hammer Made sure that Joan was dead ♪ 1229 01:15:33,000 --> 01:15:34,458 Whistle. 1230 01:15:39,916 --> 01:15:41,458 That's nice, fellas. 1231 01:15:41,541 --> 01:15:45,041 ♪ Back in school again Maxwell is a fool again ♪ 1232 01:15:45,125 --> 01:15:47,666 ♪ Teacher gets annoyed ♪ 1233 01:15:48,875 --> 01:15:54,791 ♪ Wishing to avoid an unpleasant scene ♪ 1234 01:15:55,750 --> 01:15:59,541 ♪ She tells Max to stay When the class has gone away ♪ 1235 01:15:59,625 --> 01:16:02,583 ♪ And he stays behind ♪ 1236 01:16:03,208 --> 01:16:09,375 ♪ Writing thousand lines that say "I fool, Maxwell fool" ♪ 1237 01:16:09,458 --> 01:16:11,375 Like that? Yeah, E minor to A. 1238 01:16:11,458 --> 01:16:12,458 Same as before. 1239 01:16:14,833 --> 01:16:16,750 So there's two choruses there. Solo. 1240 01:16:19,166 --> 01:16:20,416 Then the quick end now. 1241 01:16:23,625 --> 01:16:25,500 That's okay as long... He's in the space. 1242 01:16:25,583 --> 01:16:28,500 Yeah, if you do it in the space. You know, it's gonna go... 1243 01:16:34,708 --> 01:16:36,791 - That's the... That's the one. 1244 01:16:41,000 --> 01:16:43,416 ♪ He creeps up from behind ♪ 1245 01:16:43,500 --> 01:16:44,833 Hee-hoo! 1246 01:16:44,916 --> 01:16:50,500 ♪ Bang, bang, Maxwell's silver hammer Came down upon her head ♪ 1247 01:16:51,916 --> 01:16:57,708 ♪ Clang, clang, Maxwell's silver hammer Made sure that she was dead ♪ 1248 01:16:57,791 --> 01:16:58,958 Take it away, Johnny. 1249 01:17:16,166 --> 01:17:17,458 Well done, boys. 1250 01:17:24,791 --> 01:17:25,916 Okay, that's "Maxwell's." 1251 01:17:26,666 --> 01:17:28,833 Mal, did you get the words to "Across the Universe"? 1252 01:17:28,916 --> 01:17:31,708 - They'll send them up this afternoon. Has Dick James got the words? 1253 01:17:31,791 --> 01:17:33,333 - No! I don't think so. 1254 01:17:36,125 --> 01:17:41,458 ♪ Words are flowing out Like endless rain into a paper cup ♪ 1255 01:17:41,541 --> 01:17:48,333 ♪ They slither wildly As they slip away across the universe ♪ 1256 01:17:48,416 --> 01:17:54,291 ♪ Pools of sorrow, waves of joy Are drifting through my opened mind ♪ 1257 01:17:54,375 --> 01:17:57,666 ♪ Possessing and caressing me ♪ 1258 01:17:58,791 --> 01:18:04,250 ♪ Jai guru deva ♪ 1259 01:18:05,000 --> 01:18:06,625 ♪ Om ♪ 1260 01:18:14,125 --> 01:18:17,833 He's trying to get a balance in there, and you've got the words all in front. 1261 01:18:17,916 --> 01:18:19,458 - You got the balance, Glyn? - Yes. 1262 01:18:20,458 --> 01:18:21,916 Getting it all right, are you? 1263 01:18:22,000 --> 01:18:23,976 Can't you get a music stand? We had some the other day. 1264 01:18:24,000 --> 01:18:25,184 - Yeah, Mal... There's one over there. 1265 01:18:25,208 --> 01:18:26,888 - Do you want a music stand? - Yes, please. 1266 01:18:29,500 --> 01:18:30,958 It goes... 1267 01:18:45,666 --> 01:18:51,708 ♪ Jai guru deva ♪ 1268 01:18:52,333 --> 01:18:53,833 ♪ Om ♪ 1269 01:18:55,750 --> 01:18:58,958 ♪ Nothing's gonna change my world ♪ 1270 01:18:59,041 --> 01:19:00,625 I wish it fucking would. 1271 01:19:02,250 --> 01:19:06,291 ♪ Nothing's gonna change my world ♪ 1272 01:19:08,791 --> 01:19:11,750 ♪ Images of broken light ♪ 1273 01:19:11,833 --> 01:19:15,916 ♪ Which dance before me Like a million eyes ♪ 1274 01:19:16,000 --> 01:19:20,666 ♪ They call me on and on Across the universe ♪ 1275 01:19:20,750 --> 01:19:21,750 It's 'cause I'm down. 1276 01:19:22,333 --> 01:19:28,916 ♪ Thoughts meander Like a restless wind inside a letter box ♪ 1277 01:19:29,000 --> 01:19:35,958 ♪ They tumble blindly as they make Their way across the universe ♪ 1278 01:19:37,333 --> 01:19:42,666 ♪ Jai guru deva ♪ 1279 01:19:44,000 --> 01:19:46,500 ♪ Om ♪ 1280 01:19:47,375 --> 01:19:51,250 ♪ Nothing's gonna change my world ♪ 1281 01:19:53,708 --> 01:19:57,583 ♪ Nothing's gonna change my world ♪ 1282 01:20:00,500 --> 01:20:02,208 ♪ Sounds of laughter, shades... ♪ 1283 01:20:02,291 --> 01:20:04,125 I think you better take control, John! 1284 01:20:05,625 --> 01:20:08,458 ♪ Let me hear Some of that rock and roll music ♪ 1285 01:20:09,333 --> 01:20:11,083 ♪ Any old way you choose it ♪ 1286 01:20:11,875 --> 01:20:14,333 ♪ It's got a back beat you can't lose it ♪ 1287 01:20:15,000 --> 01:20:17,000 ♪ Any old time you use it ♪ 1288 01:20:17,833 --> 01:20:19,625 ♪ Gotta be rock and roll music ♪ 1289 01:20:20,791 --> 01:20:22,708 ♪ If you wanna dance with me ♪ 1290 01:20:23,708 --> 01:20:25,666 ♪ If you wanna dance with me ♪ 1291 01:20:25,750 --> 01:20:28,166 ♪ Way down South they have a tango ♪ 1292 01:20:28,250 --> 01:20:30,916 ♪ And then it turned into a mambo ♪ 1293 01:20:31,541 --> 01:20:34,500 ♪ Another dancer had a lamba ♪ 1294 01:20:34,583 --> 01:20:37,416 ♪ I started doing another samba ♪ 1295 01:20:37,500 --> 01:20:41,000 ♪ And started playing That rock and roll music ♪ 1296 01:20:41,583 --> 01:20:43,833 ♪ Any old way you choose it ♪ 1297 01:20:43,916 --> 01:20:47,291 ♪ It's got a back beat you can't lose it ♪ 1298 01:20:47,375 --> 01:20:49,625 ♪ Any old time you use it ♪ 1299 01:20:50,625 --> 01:20:52,708 ♪ Gotta be rock and roll music ♪ 1300 01:20:53,583 --> 01:20:55,833 ♪ If you wanna dance with me ♪ 1301 01:20:56,625 --> 01:20:58,625 ♪ If you wanna dance with me ♪ 1302 01:20:58,708 --> 01:21:00,500 ♪ Way down South they have a tango ♪ 1303 01:21:01,291 --> 01:21:03,541 ♪ And then it turned into a mambo ♪ 1304 01:21:04,291 --> 01:21:06,666 ♪ Another dancer had a lamba ♪ 1305 01:21:06,750 --> 01:21:09,458 ♪ I started doing another samba ♪ 1306 01:21:10,208 --> 01:21:13,750 ♪ And started playing That rock and roll music ♪ 1307 01:21:13,833 --> 01:21:16,791 ♪ Any old way you choose it ♪ 1308 01:21:16,875 --> 01:21:19,708 ♪ It's got a back beat you can't lose it ♪ 1309 01:21:19,791 --> 01:21:23,208 ♪ Any old time you use it ♪ 1310 01:21:23,291 --> 01:21:25,583 ♪ Gotta be rock and roll music ♪ 1311 01:21:26,166 --> 01:21:28,291 ♪ If you wanna dance with me ♪ 1312 01:21:29,125 --> 01:21:31,125 ♪ If you wanna dance with me ♪ 1313 01:21:45,666 --> 01:21:48,375 You know where they dropped all the bombs on Germany, 1314 01:21:48,458 --> 01:21:52,791 - they killed more people than... Than the H-bomb in Hiroshima. 1315 01:21:52,875 --> 01:21:53,875 Yeah. 1316 01:21:53,958 --> 01:21:56,375 And all civilians. Fucking terrible. 1317 01:21:56,458 --> 01:22:00,791 And did you see when they flew over, it looked like Hamburg. Just bombed out. 1318 01:22:00,875 --> 01:22:02,500 - Nothing. Just dead. - Mmm. 1319 01:22:02,583 --> 01:22:04,791 - Did you watch the BBC2 thing? - And, uh... 1320 01:22:04,875 --> 01:22:06,583 Yeah, there was that science fiction thing. 1321 01:22:06,666 --> 01:22:08,791 Was the science fiction any good? 1322 01:22:08,875 --> 01:22:12,916 - It was amazing. Did you see any of it? - I only saw the last five... Three minutes. 1323 01:22:13,000 --> 01:22:15,333 It started very strange, where they brought... 1324 01:22:15,416 --> 01:22:17,833 They had a fellow on a trolley, and they pushed him in, 1325 01:22:17,916 --> 01:22:20,625 - like, a cupboard or a fridge. - He was the body, wasn't he? 1326 01:22:20,708 --> 01:22:23,500 He was just, like, a body, yeah, that they were gonna use. 1327 01:22:23,583 --> 01:22:25,375 Mmm. - And they did something. 1328 01:22:25,458 --> 01:22:28,916 They were supposed to be in the year 2100 and something. 1329 01:22:29,000 --> 01:22:32,375 - And they went back to 1969, January. Mmm. 1330 01:22:32,458 --> 01:22:37,125 Focused in on the M1 on this car. 1331 01:22:37,208 --> 01:22:39,958 - And made him crash, so that he'd... Mmm. 1332 01:22:40,041 --> 01:22:44,708 And then they somehow take his mind or whatever it is 1333 01:22:44,791 --> 01:22:47,791 and transplant it into this new... 1334 01:22:48,666 --> 01:22:50,875 - Uh, new body. - Into the body that he put in. 1335 01:22:50,958 --> 01:22:52,750 Rex Industries, they were called. 1336 01:22:54,625 --> 01:23:00,250 And, uh, then suddenly it turned into all that crap about medals and things. 1337 01:23:00,333 --> 01:23:03,625 That's what gave me the idea, 'cause suddenly it was the bit 1338 01:23:03,708 --> 01:23:06,291 where they were all coming into the ball, I think it was Austria, 1339 01:23:06,375 --> 01:23:07,750 and they all had their medals. 1340 01:23:07,833 --> 01:23:11,375 Oh, I didn't watch that. And some music was just playing. 1341 01:23:11,458 --> 01:23:13,958 - Music, like a 3/4 thing. Mmm. 1342 01:23:14,041 --> 01:23:16,875 And so I just had that in me head, just the waltz thing, 1343 01:23:16,958 --> 01:23:18,541 and it was fitting "I Me Mine." 1344 01:23:18,625 --> 01:23:20,750 - There was no words to it, I just... Yeah. 1345 01:23:20,833 --> 01:23:21,833 Hello. 1346 01:23:22,541 --> 01:23:23,875 How are you? 1347 01:23:23,958 --> 01:23:26,000 - Morning. Good morning. 1348 01:23:27,750 --> 01:23:30,625 Do you want to hear a song I wrote last night? 1349 01:23:32,791 --> 01:23:35,791 It's just a very short one. It's called "I Me Mine." 1350 01:23:39,083 --> 01:23:42,083 ♪ All through the day ♪ 1351 01:23:43,208 --> 01:23:47,000 ♪ I me mine, I me mine, I me mine ♪ 1352 01:23:48,833 --> 01:23:51,833 ♪ All through the night ♪ 1353 01:23:52,833 --> 01:23:56,583 ♪ I me mine, I me mine, I me mine ♪ 1354 01:23:57,625 --> 01:24:00,708 ♪ No one's frightened of playing it ♪ 1355 01:24:00,791 --> 01:24:03,000 ♪ Everyone's saying it ♪ 1356 01:24:03,083 --> 01:24:06,000 ♪ Flowing more freely than wine ♪ 1357 01:24:07,833 --> 01:24:11,125 ♪ All through your life ♪ 1358 01:24:11,916 --> 01:24:14,500 ♪ I me mine ♪ 1359 01:24:16,583 --> 01:24:17,708 It's lovely. 1360 01:24:21,208 --> 01:24:22,666 What's, uh... 1361 01:24:22,750 --> 01:24:26,291 Is that grammatical? "Flowing more freely than wine." 1362 01:24:26,375 --> 01:24:27,458 Yeah. 1363 01:24:27,541 --> 01:24:28,833 All right. 1364 01:24:28,916 --> 01:24:31,226 - "Flowing much freer"? - You know what would be fantastic, Paul? 1365 01:24:31,250 --> 01:24:33,250 More freely. - "Freer." It's funny when... 1366 01:24:33,333 --> 01:24:35,416 If you're writing, yeah, thinking of how you say it. 1367 01:24:35,500 --> 01:24:36,500 - "Freer." - But I got... 1368 01:24:36,583 --> 01:24:38,226 - For it's sticky out here. - I was thinking... 1369 01:24:38,250 --> 01:24:40,750 - Yeah, yeah. 1370 01:24:41,250 --> 01:24:44,750 ♪ All I can hear ♪ 1371 01:24:44,833 --> 01:24:46,291 ♪ I me mine, I me mine, I me mine ♪ 1372 01:24:46,375 --> 01:24:48,291 All the girls come on then, dancing. 1373 01:24:49,041 --> 01:24:52,000 Harrison's fisherwife, and dwarves and hunchbacks... 1374 01:24:52,958 --> 01:24:55,833 ♪ I me mine, I me mine, I me mine ♪ 1375 01:24:57,875 --> 01:24:59,833 ♪ No one's frightened of playing it ♪ 1376 01:24:59,916 --> 01:25:00,916 Run along, son. 1377 01:25:01,000 --> 01:25:01,875 ♪ Everyone's saying it ♪ 1378 01:25:01,958 --> 01:25:04,239 We'll see you later. We're a rock and roll band, you know? 1379 01:25:04,291 --> 01:25:05,750 ♪ Flowing more freely than wine ♪ 1380 01:25:09,291 --> 01:25:12,833 ♪ All through your life ♪ 1381 01:25:13,333 --> 01:25:14,416 ♪ I me mine ♪ 1382 01:25:14,500 --> 01:25:16,916 Mine. Mine. I like mine. 1383 01:25:19,166 --> 01:25:21,750 Well, I'll get on the barrel organ. 1384 01:25:22,916 --> 01:25:26,833 I don't... I don't care if you don't want it. I don't give a fuck. 1385 01:25:26,916 --> 01:25:28,375 It can go in me musical. 1386 01:25:29,791 --> 01:25:32,541 George, have you any idea what we play? 1387 01:25:32,625 --> 01:25:33,625 George? 1388 01:25:33,708 --> 01:25:36,416 - Can we just borrow that copy? 1389 01:25:40,875 --> 01:25:42,833 His amp needs to be on. 1390 01:25:44,291 --> 01:25:46,000 Why? Have you got something there? 1391 01:25:48,291 --> 01:25:49,958 - No. Hello. 1392 01:25:50,458 --> 01:25:52,375 [Ringo, incomprehensible, echoing] Hello? 1393 01:25:54,041 --> 01:25:56,416 - More volume. This is diarrhea. 1394 01:25:56,500 --> 01:26:00,166 When I'm up against the wall, Paul, you'll find I'm at my best. 1395 01:26:00,250 --> 01:26:01,416 That's good echo. 1396 01:26:02,708 --> 01:26:04,308 But I wish you'd come up with the goods. 1397 01:26:04,375 --> 01:26:06,500 - Look, I think I've got Sunday off. Hello? 1398 01:26:06,583 --> 01:26:08,291 - Well, I hope you can deliver. Hello. 1399 01:26:08,375 --> 01:26:10,375 I'm hoping for a little rock and roller. 1400 01:26:10,458 --> 01:26:12,291 Yeah, I was hoping for the same thing myself. 1401 01:26:12,375 --> 01:26:14,416 Sammy loved his mammy. She hammy dammy dammy. 1402 01:26:14,500 --> 01:26:15,791 Paul, Paul, Paul. 1403 01:26:15,875 --> 01:26:18,708 - Stop that goddamn feedback! 1404 01:26:19,333 --> 01:26:21,458 And you then being presented onstage, 1405 01:26:21,541 --> 01:26:23,708 you should be sitting there when they are coming in. 1406 01:26:23,791 --> 01:26:27,041 And then you open the doors and we're in the middle of a number. 1407 01:26:27,125 --> 01:26:30,666 Or you're just sitting, waiting, and then when everybody's there, then you start. 1408 01:26:30,750 --> 01:26:34,208 As opposed to you coming on as The Beatles, it's much more intimate. 1409 01:26:34,916 --> 01:26:37,833 Well, we're doing it anyway, while they come in before we start it. 1410 01:26:37,916 --> 01:26:39,416 Yeah. - Like we did on "Jude." 1411 01:26:42,208 --> 01:26:46,875 Well, let's... We keep 'em a bit more disciplined than they were then. 1412 01:26:51,208 --> 01:26:52,708 Yeah. 1413 01:26:52,791 --> 01:26:55,583 So, the main thing is, are we going to do it here? 1414 01:26:55,666 --> 01:26:57,101 'Cause they've got to build a control room. 1415 01:26:57,125 --> 01:26:59,791 What are the alternatives to where you want to go? 1416 01:26:59,875 --> 01:27:02,208 It's really anywhere as long as we can get it there. 1417 01:27:02,291 --> 01:27:04,250 Are there definite places? 1418 01:27:04,333 --> 01:27:05,500 No, I don't know anywhere. 1419 01:27:05,583 --> 01:27:06,833 That's why we came here. 1420 01:27:06,916 --> 01:27:07,916 Where do you think? 1421 01:27:08,000 --> 01:27:09,875 I think you might as well do it right here. 1422 01:27:09,958 --> 01:27:12,458 But, acoustically, it's not very good here, is it? 1423 01:27:12,541 --> 01:27:15,083 It's not as good as it could be elsewhere, you know? 1424 01:27:15,166 --> 01:27:16,666 Now what would make it? 1425 01:27:16,750 --> 01:27:18,916 - A lower ceiling? Deaden it right down. 1426 01:27:19,000 --> 01:27:21,666 Yeah, a false ceiling above where you are. 1427 01:27:21,750 --> 01:27:24,125 Now John'd like to say a few words on the subject. 1428 01:27:24,208 --> 01:27:28,125 ♪ I'd like to say That I like the intimate idea ♪ 1429 01:27:28,833 --> 01:27:30,791 ♪ Rather than a large one ♪ 1430 01:27:30,875 --> 01:27:32,041 Yeah? 1431 01:27:32,541 --> 01:27:36,375 ♪ Simply because We should concentrate on the sound ♪ 1432 01:27:39,041 --> 01:27:42,833 ♪ Simply because We should concentrate on the sound ♪ 1433 01:27:45,500 --> 01:27:46,583 Thank you very much. 1434 01:27:46,666 --> 01:27:49,125 ♪ You and I have memories ♪ 1435 01:27:49,958 --> 01:27:54,708 ♪ Longer than the road That stretches out ahead ♪ 1436 01:27:57,458 --> 01:28:00,250 ♪ Two of us wearing raincoats ♪ 1437 01:28:00,333 --> 01:28:04,541 ♪ Standing solo in the sun ♪ 1438 01:28:04,625 --> 01:28:07,083 ♪ Don't let me down ♪ 1439 01:28:10,541 --> 01:28:13,208 ♪ Don't let me down ♪ 1440 01:28:15,916 --> 01:28:18,000 ♪ I've got a feeling ♪ 1441 01:28:18,583 --> 01:28:21,541 ♪ A feeling I can't hide Oh, no ♪ 1442 01:28:23,416 --> 01:28:25,250 ♪ Oh, no ♪ 1443 01:28:30,916 --> 01:28:32,875 Uh, Mal? 1444 01:28:37,916 --> 01:28:41,583 ♪ No, I won't shed a tear ♪ 1445 01:28:42,541 --> 01:28:43,708 ♪ Just as long ♪ 1446 01:28:44,791 --> 01:28:47,125 ♪ As you stand ♪ 1447 01:28:47,208 --> 01:28:50,125 ♪ Stand by me, stand by me Stand by me, stand by me ♪ 1448 01:28:50,208 --> 01:28:52,000 ♪ You got me going ♪ 1449 01:28:53,000 --> 01:28:54,500 ♪ Like a spinning top ♪ 1450 01:28:54,583 --> 01:28:58,291 ♪ Baa-ba-ba-ba-baa Baa-ba-ba-ba-baa ♪ 1451 01:28:58,375 --> 01:28:59,625 Legalize pot. 1452 01:28:59,708 --> 01:29:02,708 Queen says "no" to pot-smoking FBI members. 1453 01:29:03,958 --> 01:29:04,958 It doesn't... 1454 01:29:05,041 --> 01:29:07,208 Hey, hey. It doesn't stop there actually. 1455 01:29:07,291 --> 01:29:11,875 ♪ Baa, baa, black sheep Have you any wool ♪ 1456 01:29:11,958 --> 01:29:18,250 ♪ Clang, clang, Maxwell's silver hammer Made sure that she was dead ♪ 1457 01:29:20,583 --> 01:29:22,916 A guitar fell over, Paul. A guitar fell over. 1458 01:29:23,000 --> 01:29:25,500 ♪ The news is out ♪ 1459 01:29:28,375 --> 01:29:31,000 ♪ All over town ♪ 1460 01:29:34,333 --> 01:29:37,625 ♪ That you've been seen ♪ 1461 01:29:40,041 --> 01:29:43,916 ♪ Out and around ♪ 1462 01:29:46,500 --> 01:29:49,333 ♪ I know that I ♪ 1463 01:29:52,875 --> 01:29:55,375 ♪ Can't win, but then ♪ 1464 01:29:58,958 --> 01:30:01,916 ♪ What can I do? ♪ 1465 01:30:05,333 --> 01:30:08,125 ♪ You win again ♪ 1466 01:30:14,708 --> 01:30:17,958 ♪ All I can hear ♪ 1467 01:30:18,041 --> 01:30:20,833 ♪ I me mine, I me mine, I me mine ♪ 1468 01:30:22,666 --> 01:30:26,000 ♪ Even your tears ♪ 1469 01:30:26,083 --> 01:30:29,458 ♪ I me mine, I me mine, I me mine ♪ 1470 01:30:30,916 --> 01:30:32,791 ♪ Everyone's playing it ♪ 1471 01:30:32,875 --> 01:30:34,666 ♪ Everyone's saying it ♪ 1472 01:30:35,166 --> 01:30:37,833 ♪ Flowing more freely than wine ♪ 1473 01:30:39,250 --> 01:30:42,333 ♪ All through your life ♪ 1474 01:30:42,833 --> 01:30:45,375 ♪ I me mine ♪ 1475 01:30:48,291 --> 01:30:50,875 You can keep going now. Do you dig it, man? 1476 01:30:52,041 --> 01:30:53,083 - I like that one. - Yeah. 1477 01:30:53,166 --> 01:30:55,166 Do you want to do that waltz on the show? 1478 01:30:55,250 --> 01:30:57,250 That'd be great, 'cause it's so simple to do. 1479 01:31:08,416 --> 01:31:11,541 Every song has got a character. That's the character of that one. 1480 01:31:11,625 --> 01:31:14,166 And we can find each number... How they fit theatrically, 1481 01:31:14,250 --> 01:31:17,375 like your dance for that one, like the song that you cry in, 1482 01:31:17,458 --> 01:31:19,750 and the song you do that brings tears to everybody's eyes. 1483 01:31:19,833 --> 01:31:22,000 Yes, all right. Just sod off! 1484 01:31:23,750 --> 01:31:25,666 I mean, you see, build any set you want. 1485 01:31:25,750 --> 01:31:29,000 Maybe not scaffolding... Not obvious scaffolding. 1486 01:31:29,083 --> 01:31:31,125 Maybe we can put people up on them. 1487 01:31:31,625 --> 01:31:33,041 Think it could hold people? 1488 01:31:33,541 --> 01:31:35,666 It could hold... I guess that'd be a bit limited. 1489 01:31:43,750 --> 01:31:46,875 ♪ Come on, come on Come on, come on ♪ 1490 01:31:46,958 --> 01:31:48,583 ♪ Come on, come on Come on, come on ♪ 1491 01:31:48,666 --> 01:31:51,000 Yeah. Well... 1492 01:31:51,083 --> 01:31:54,250 See, this is Around The Beatles, and that is better, but... 1493 01:31:54,333 --> 01:31:56,101 Show it to John. John will tell you about that. 1494 01:31:56,125 --> 01:31:58,125 John and Yoko know about that. They're artists. 1495 01:31:59,625 --> 01:32:01,458 It's Around The Beatles '69. 1496 01:32:01,541 --> 01:32:02,875 Yeah, that's what Paul said. 1497 01:32:03,583 --> 01:32:06,434 That's what Paul said. He said have a word with you and see what you thought. 1498 01:32:06,458 --> 01:32:07,583 Whether we could vary it. 1499 01:32:07,666 --> 01:32:11,875 In terms of... see-through things, 'cause I don't think we're ever gonna... 1500 01:32:11,958 --> 01:32:14,166 If you wanna see through 'em, use plastic. 1501 01:32:15,708 --> 01:32:16,708 Plastic... 1502 01:32:16,791 --> 01:32:19,125 But don't have scaffolding. They do it every show. 1503 01:32:19,208 --> 01:32:21,958 - Yeah. Use a different material? - Just use solid plastic. 1504 01:32:22,041 --> 01:32:24,583 - Solid plastic. - For, you know, to see through 'em. 1505 01:32:26,166 --> 01:32:29,041 I like the idea of a see-through thing, I think. 1506 01:32:29,125 --> 01:32:31,805 If you had 'em above our heads, you could have plastic and see up... 1507 01:32:31,833 --> 01:32:34,125 That's right. That's great. That's a good thought. 1508 01:32:34,208 --> 01:32:35,625 That's a good thought, all that. 1509 01:32:35,708 --> 01:32:38,416 Think of a helicopter shot over the amphitheater... 1510 01:32:38,500 --> 01:32:41,416 Yes, but that's the only argument you're giving to me is the... 1511 01:32:41,500 --> 01:32:43,351 - Is the helicopter shot. - The helicopter shot. 1512 01:32:43,375 --> 01:32:45,335 And you'll see the sea and you'll be in a theater. 1513 01:32:45,375 --> 01:32:48,875 And that is... For one, two minutes, say, of that shot 1514 01:32:48,958 --> 01:32:51,000 isn't worth me going out there. 1515 01:32:51,083 --> 01:32:53,291 When I really prefer to do it here. 1516 01:32:53,375 --> 01:32:58,166 Just big blocks, so you could put blocks of plastic in any shape you wanted. 1517 01:32:58,250 --> 01:32:59,791 We could move the audience round. 1518 01:32:59,875 --> 01:33:02,541 Yeah. Now that would mean casting the plastic, wouldn't it? 1519 01:33:02,625 --> 01:33:05,666 - It's just boxes, you know? - Might be a material we don't know about. 1520 01:33:05,750 --> 01:33:07,625 There will be some kind of new stuff, 1521 01:33:07,708 --> 01:33:09,500 you know, like Bakelite or some plastic. 1522 01:33:09,583 --> 01:33:13,083 But the thing is, everything you do has got to be good, 1523 01:33:13,166 --> 01:33:14,351 'cause all your albums are good. 1524 01:33:14,375 --> 01:33:15,958 I mean, there's not a duff album. 1525 01:33:16,041 --> 01:33:18,916 But see, it is kind of like four years ago. 1526 01:33:19,000 --> 01:33:20,601 And there's nothing wrong with four years ago, 1527 01:33:20,625 --> 01:33:22,208 except we're all 28 now as opposed... 1528 01:33:22,291 --> 01:33:25,583 - I don't mean that... - We're all... Yes, we are. 1529 01:33:25,666 --> 01:33:30,000 We're all 28, or whatever we are in the group. Baby George there. 1530 01:33:30,708 --> 01:33:33,958 I mean, it's not only you as the band and it's not only them as songwriters. 1531 01:33:34,041 --> 01:33:35,250 It is the four of you. 1532 01:33:35,333 --> 01:33:38,208 If you got a lot of blocks made, you could build any formation you want. 1533 01:33:38,291 --> 01:33:41,166 Fit in like a Meccano. - If you've got box-shaped plastic, 1534 01:33:41,250 --> 01:33:44,291 you can build it that long if you want, or just have it that short. 1535 01:33:44,375 --> 01:33:45,958 Like Kubrick would do. 1536 01:33:46,041 --> 01:33:48,041 And it's got to be the best. 1537 01:33:48,125 --> 01:33:49,250 Because... 1538 01:33:50,166 --> 01:33:52,684 I mean, the hearts of millions are with you, you know what I mean? 1539 01:33:52,708 --> 01:33:54,166 It's got to be the best. It can't... 1540 01:33:56,541 --> 01:33:59,041 I'm not saying you owe it to the world or anything like that. 1541 01:33:59,125 --> 01:34:01,250 But if it is going to be your last TV show... 1542 01:34:08,458 --> 01:34:10,791 But I don't want you to be unhappy 'cause, like... 1543 01:34:10,875 --> 01:34:12,916 I love you like I love your three colleagues. 1544 01:34:13,000 --> 01:34:15,833 You see, then it's nice to have the levels where they can dance 1545 01:34:15,916 --> 01:34:17,958 and, you know, whatever they wanna do, you see? 1546 01:34:18,041 --> 01:34:20,333 Look, you could have our thing plastic too. 1547 01:34:20,416 --> 01:34:22,375 Yeah, that would be knockout to do that. 1548 01:34:22,458 --> 01:34:26,125 And then we could do what we like with the backing, have it go black or... 1549 01:34:26,208 --> 01:34:27,208 Yeah, yeah. Black. 1550 01:34:27,291 --> 01:34:28,916 Or stark or something, you know? 1551 01:34:29,000 --> 01:34:31,750 See, I'd watch an hour of him just playing the piano. 1552 01:34:31,833 --> 01:34:33,208 Me too. Uh... 1553 01:34:33,291 --> 01:34:34,541 'Cause he's so great. 1554 01:34:35,250 --> 01:34:36,333 But, like, I think... 1555 01:34:36,416 --> 01:34:39,708 See, I think we gotta find a place which would complement it. 1556 01:34:39,791 --> 01:34:43,583 And I don't see it being here on a stage with tubular scaffolding around it. 1557 01:34:43,666 --> 01:34:46,500 Then we can control all our lights from a panel. 1558 01:34:46,583 --> 01:34:48,250 And we can have what colors you like. 1559 01:34:48,333 --> 01:34:50,750 Yes. You'll always be able to see us through everything. 1560 01:34:50,833 --> 01:34:51,833 That's right. 1561 01:34:51,916 --> 01:34:54,208 I'll have the plastic when you're finished with it. 1562 01:34:54,291 --> 01:34:57,416 Well, can we all talk about it? 1563 01:34:57,500 --> 01:35:00,125 If... You will take the veto off 1564 01:35:00,208 --> 01:35:05,291 if you can be convinced that we can get an audience out there. 1565 01:35:06,916 --> 01:35:09,208 Okay, I love you. That's fine. 1566 01:35:12,958 --> 01:35:13,791 Okay, thanks. 1567 01:35:13,875 --> 01:35:17,333 I just do think, like, this is unique in that... 1568 01:35:56,250 --> 01:35:57,333 No, I think it's... 1569 01:36:01,208 --> 01:36:02,250 Yeah. 1570 01:36:02,333 --> 01:36:03,708 That's what I was thinking. 1571 01:36:07,958 --> 01:36:09,750 The box thing, right? 1572 01:36:22,708 --> 01:36:25,508 I don't think it's practical to do it in England. It's too bloody cold. 1573 01:36:25,583 --> 01:36:28,458 Yes, that was one of the reasons we started veering off on these ideas 1574 01:36:28,541 --> 01:36:31,208 was when we were looking at locations that Friday after Christmas. 1575 01:36:31,291 --> 01:36:32,708 We are in a film studio. 1576 01:36:32,791 --> 01:36:35,958 We're going to build something so that... 1577 01:36:36,041 --> 01:36:38,267 We shouldn't just try and build something like the Tower Ballroom 1578 01:36:38,291 --> 01:36:39,809 'cause we could go to the Tower Ballroom. 1579 01:36:39,833 --> 01:36:43,416 But, once you get on a stage, you are performers 1580 01:36:43,500 --> 01:36:45,583 and you gotta have someone to do it to. 1581 01:36:45,666 --> 01:36:47,375 Either the camera or real people, I think. 1582 01:36:47,458 --> 01:36:48,458 Yeah, we haven't... 1583 01:36:48,541 --> 01:36:50,851 Any number we've done at the moment, if we've noticed the camera on us 1584 01:36:50,875 --> 01:36:52,250 we've tried to ignore it. 1585 01:36:52,333 --> 01:36:55,708 But you've either got to be performing directly to the people at home 1586 01:36:55,791 --> 01:36:57,166 or to an audience. 1587 01:36:57,250 --> 01:36:59,208 See that's why I thought like a ballroom. 1588 01:36:59,291 --> 01:37:00,750 If we did go right back. 1589 01:37:00,833 --> 01:37:03,666 Like, "Come to the Tower Ballroom. There's a dance on." 1590 01:37:03,750 --> 01:37:06,708 You know? Oh, incidentally, we'll be the band there. 1591 01:37:06,791 --> 01:37:08,559 And then we go on and we play all the numbers. 1592 01:37:08,583 --> 01:37:11,166 But you're just not the local dance band. 1593 01:37:11,250 --> 01:37:12,601 I don't think it's quite enough scope. 1594 01:37:12,625 --> 01:37:14,541 I also think that people are very interested 1595 01:37:14,625 --> 01:37:16,250 in seeing how an audience would react. 1596 01:37:16,333 --> 01:37:20,125 Because the audience is so much part of the first half of you, musically. 1597 01:37:20,916 --> 01:37:24,833 Okay, so we're all prepared to do it with an audience. 1598 01:37:24,916 --> 01:37:26,958 But you can't just have the same old audience. 1599 01:37:27,041 --> 01:37:28,476 What can you do that's new with them? 1600 01:37:28,500 --> 01:37:31,208 If we can just think of an image, how we'd like to be, 1601 01:37:31,291 --> 01:37:35,000 which could be like a nightclub act. 1602 01:37:35,083 --> 01:37:39,333 Just the smoochy low lights and about ten people. 1603 01:37:39,416 --> 01:37:42,750 What's the point, when you could be giving people happiness with a full house? 1604 01:37:42,833 --> 01:37:44,309 Whatever kind of full house we decided. 1605 01:37:44,333 --> 01:37:46,416 I mean, we have to think about the audience. 1606 01:37:46,500 --> 01:37:48,208 It really ought to be the whole world. 1607 01:37:48,291 --> 01:37:52,000 That's where... Now we're going right... the whole circle back to Sabratha. 1608 01:37:52,083 --> 01:37:55,791 It is a location which is marvelous in itself, by the sea. 1609 01:37:55,875 --> 01:37:57,541 What he's saying is right. 1610 01:37:57,625 --> 01:37:58,625 It's the background. 1611 01:37:59,500 --> 01:38:01,791 I don't think anything is gonna beat 1612 01:38:01,875 --> 01:38:04,666 a perfect acoustic place by the water, out of doors. 1613 01:38:04,750 --> 01:38:06,166 For a rock and roll group? 1614 01:38:17,916 --> 01:38:21,625 Yes, I think we're gonna do rock and roll at dawn or at night. 1615 01:38:21,708 --> 01:38:24,017 I'm sure we can do rock and roll there if we get the right audience. 1616 01:38:24,041 --> 01:38:26,208 - George, come here. I just wanna get it over with. 1617 01:38:26,291 --> 01:38:28,416 Yeah. 1618 01:38:29,416 --> 01:38:30,416 - Hiya. - Come on. 1619 01:38:31,500 --> 01:38:33,541 - We're going to Africa. 1620 01:38:33,625 --> 01:38:36,500 We're off. No, we're not. Not necessarily. 1621 01:38:38,458 --> 01:38:39,458 Where to? 1622 01:38:53,041 --> 01:38:55,416 See, it's like having the most fantastic set on Earth, 1623 01:38:55,500 --> 01:38:57,125 but we haven't made a set, you know? 1624 01:38:57,208 --> 01:38:59,916 How many are gonna be looking at the set besides us and him? 1625 01:39:00,000 --> 01:39:03,208 Every time we've done an album, we've said, "Why are we stuck in EMI?" 1626 01:39:03,291 --> 01:39:06,500 We could be doing it in LA. We could be in France. 1627 01:39:06,583 --> 01:39:08,583 And every time we do it, and here we are again, 1628 01:39:08,666 --> 01:39:10,625 building another bloody castle around us. 1629 01:39:11,375 --> 01:39:13,559 Well said, John. Well said! And this time we do it there. 1630 01:39:13,583 --> 01:39:15,291 I'd be thrilled to do it. 1631 01:39:15,375 --> 01:39:19,125 Just timing it so as the sun came up just on the middle eight. 1632 01:39:23,208 --> 01:39:24,666 I think we've got to get... 1633 01:39:33,000 --> 01:39:35,625 Look, we were gonna give tickets away at this door here. 1634 01:39:35,708 --> 01:39:38,348 We'd given out those tickets, but they include a boat ride as well. 1635 01:39:40,291 --> 01:39:43,208 Okay, yeah. We're doing a live show. 1636 01:39:43,291 --> 01:39:45,375 And we're doing it in Arabia. 1637 01:39:45,458 --> 01:39:46,750 And it's like... 1638 01:39:46,833 --> 01:39:49,541 Whoever has been waiting to see the lads rocking again. 1639 01:39:49,625 --> 01:39:51,625 It's just impractical to try and get all those... 1640 01:39:51,708 --> 01:39:52,708 But it's not, you see... 1641 01:39:52,791 --> 01:39:55,875 Lug all them people there and try and get all that equipment. 1642 01:39:55,958 --> 01:39:57,583 But then if it was their problem... 1643 01:39:57,666 --> 01:40:00,208 But if you say, "That's what I want," that's what has to happen. 1644 01:40:00,291 --> 01:40:02,625 That's not our problem. Of course it's our problem. 1645 01:40:02,708 --> 01:40:04,208 Tell you what I'll offer you. 1646 01:40:04,291 --> 01:40:08,375 If we're going away and we hire a boat to take the audience with you... 1647 01:40:08,458 --> 01:40:11,375 - That would be knockout. - We'll do a bloody show on a boat. 1648 01:40:16,625 --> 01:40:17,833 That's your code name. 1649 01:40:17,916 --> 01:40:19,750 No, he smoked some garlic once. 1650 01:40:22,750 --> 01:40:24,791 So, like, I'll come in with you, 1651 01:40:24,875 --> 01:40:27,625 as long as you can get a couple of boats. 1652 01:40:27,708 --> 01:40:29,708 - The QE 2. And then we're stuck 1653 01:40:29,791 --> 01:40:32,333 with a bloody big boatload of people for two weeks. 1654 01:40:32,416 --> 01:40:36,416 At least you can go home from here. You can get away from it all. 1655 01:40:38,041 --> 01:40:42,666 I think the idea of the boat is completely insane. 1656 01:40:42,750 --> 01:40:45,833 It's very expensive and insane, and... 1657 01:40:46,750 --> 01:40:48,916 I think it should be the least of our worries. 1658 01:40:49,000 --> 01:40:50,250 Money. I really do. 1659 01:40:51,708 --> 01:40:54,458 If P&O will do a deal with Storm, they'll do one with us. 1660 01:40:59,208 --> 01:41:02,625 We should be able to get the boat for the publicity they get from it. 1661 01:41:05,833 --> 01:41:08,375 It's gonna be great. You'd love the place. 1662 01:41:10,875 --> 01:41:15,833 I may love the place, but I'd rather do the show, then go and love the place. 1663 01:41:17,208 --> 01:41:19,500 How're you gonna get a ship in a couple of days? 1664 01:41:20,833 --> 01:41:22,541 I was there. Yes, I know. 1665 01:41:22,625 --> 01:41:25,833 But they were passing by and you only used them for a few hours. 1666 01:41:25,916 --> 01:41:28,500 I've seen it, John. I went to the premiere. 1667 01:41:28,583 --> 01:41:30,583 Did you enjoy it? I thought you were great. 1668 01:41:43,333 --> 01:41:44,708 Still not the same. 1669 01:41:44,791 --> 01:41:48,583 If you'll say yes, and if we get it together, then will you go? 1670 01:41:52,041 --> 01:41:56,625 Well, I feel, as the trade says, "The vibes are very good at the moment." 1671 01:41:56,708 --> 01:41:59,375 But we can all say yes now and somebody can decide no tomorrow. 1672 01:41:59,458 --> 01:42:01,708 - It's not gonna make any odds. - Yeah. 1673 01:42:01,791 --> 01:42:04,000 Good night, everybody! Good night, Russia. 1674 01:42:04,083 --> 01:42:05,916 That's a wrap. I'll see you in Sabratha! 1675 01:42:06,000 --> 01:42:07,958 Let's pretend I wasn't here again. 1676 01:42:17,125 --> 01:42:19,333 This is the... Here, I'll take you to... 1677 01:42:20,125 --> 01:42:22,041 - Do you know Michael Lindsay-Hogg? - No. 1678 01:42:25,291 --> 01:42:26,583 Tony's a cameraman. 1679 01:42:42,416 --> 01:42:43,416 Yeah. 1680 01:42:48,041 --> 01:42:49,916 I better go and put in some piano practice. 1681 01:42:53,750 --> 01:42:54,750 No. 1682 01:42:55,250 --> 01:42:57,416 Yeah. 1683 01:42:57,500 --> 01:42:59,583 Gatwick Friday, Monday, Tuesday... 1684 01:42:59,666 --> 01:43:01,833 - Isn't Tripoli in Libya? Yeah. - That's right. Yeah. 1685 01:43:01,916 --> 01:43:05,250 That flight departs every day 3:05 and arrives 9:10. 1686 01:43:05,333 --> 01:43:06,666 3:05 p.m. at night? - Yes. 1687 01:43:06,750 --> 01:43:08,666 - That's a long trip! - That's what he told me. 1688 01:43:08,750 --> 01:43:10,666 Six hours? Can't be that long? 1689 01:43:16,208 --> 01:43:20,750 ♪ Every day she takes a morning bath She wets her hair ♪ 1690 01:43:21,250 --> 01:43:26,083 ♪ Wraps a towel around her As she's walking to the bedroom chair ♪ 1691 01:43:26,166 --> 01:43:29,000 ♪ It's just another day ♪ 1692 01:43:29,875 --> 01:43:32,250 ♪ Steppin' into stockings ♪ 1693 01:43:38,250 --> 01:43:40,333 - Yeah. 1694 01:43:42,125 --> 01:43:43,666 Now, what was it? Uh... 1695 01:43:43,750 --> 01:43:46,458 I'll give you Mother Mary, "The Long and Winding Road." 1696 01:43:57,958 --> 01:44:00,500 The only thing is, it's, um... 1697 01:44:00,583 --> 01:44:03,333 I think... I really do think it's gonna be for the world. 1698 01:44:08,333 --> 01:44:11,166 Yes, but they do think of you as for everybody in the world. 1699 01:44:11,250 --> 01:44:13,809 That's one of the things I thought was good about "Jude," the guy in the turban. 1700 01:44:13,833 --> 01:44:14,833 Yeah. 1701 01:44:15,708 --> 01:44:20,375 ♪ Lead me to your door ♪ 1702 01:44:20,958 --> 01:44:22,500 ♪ Second verse ♪ 1703 01:44:22,583 --> 01:44:24,875 that I haven't got yet. 1704 01:44:25,708 --> 01:44:28,833 ♪ Leave a space for the same thing ♪ 1705 01:44:28,916 --> 01:44:31,916 ♪ La, la, la ♪ 1706 01:44:54,750 --> 01:44:58,041 I think it's down to if we're going to do it in this country, 1707 01:44:58,125 --> 01:44:59,625 we might as well do it here. 1708 01:45:05,166 --> 01:45:06,166 Yugoslavia. 1709 01:45:21,916 --> 01:45:23,083 Yeah. 1710 01:45:24,083 --> 01:45:25,583 Then something about pleasure... 1711 01:45:28,083 --> 01:45:29,083 From... 1712 01:45:29,166 --> 01:45:30,750 ♪ The many ways I've tried ♪ 1713 01:45:30,833 --> 01:45:31,833 Yeah. 1714 01:45:32,458 --> 01:45:37,875 ♪ Gathered all the pleasure From the many ways I've tried ♪ 1715 01:45:38,458 --> 01:45:39,708 ♪ But still they... ♪ 1716 01:45:39,791 --> 01:45:42,250 I've had lots of pleasure, but said better. 1717 01:45:42,333 --> 01:45:43,333 - You know? - Yeah. 1718 01:45:43,416 --> 01:45:46,333 I've had many pleasure. I've had much, much... 1719 01:45:47,750 --> 01:45:51,250 ♪ You left me waiting here ♪ 1720 01:45:53,625 --> 01:45:56,958 ♪ A long, long time ago ♪ 1721 01:46:02,500 --> 01:46:06,333 ♪ You left me waiting here ♪ 1722 01:46:08,166 --> 01:46:12,333 ♪ A long, long time ago ♪ 1723 01:46:14,750 --> 01:46:18,666 ♪ Don't leave me standing here ♪ 1724 01:46:20,750 --> 01:46:23,625 ♪ Lead me to your door ♪ 1725 01:46:34,583 --> 01:46:36,083 There's no more to that yet. 1726 01:46:36,166 --> 01:46:37,333 Just call that "middle." 1727 01:46:42,708 --> 01:46:45,625 ♪ The many ways I've tried ♪ 1728 01:46:45,708 --> 01:46:48,666 That's all right. "The many ways I've tried" is all right. 1729 01:46:48,750 --> 01:46:51,375 But have you got any idea for the second verse? 1730 01:46:51,458 --> 01:46:56,458 See, I was thinking of having another, like, the weather obstacle in that one. 1731 01:46:56,541 --> 01:47:00,416 ♪ The storm clouds and the rain ♪ 1732 01:47:02,291 --> 01:47:08,708 ♪ Break upon the winding road ♪ 1733 01:47:13,375 --> 01:47:15,625 I suppose it should still be about that. 1734 01:47:15,708 --> 01:47:17,416 The, sort of, winding road because... 1735 01:47:21,000 --> 01:47:24,625 ♪ The thing that's up ahead ♪ 1736 01:47:28,708 --> 01:47:29,791 No, I think the... 1737 01:47:33,833 --> 01:47:38,875 ♪ Golden slumbers ♪ 1738 01:47:38,958 --> 01:47:41,125 ♪ Fill your eyes ♪ 1739 01:47:41,208 --> 01:47:44,416 It's an old English folk... The words, these. 1740 01:47:46,375 --> 01:47:51,416 ♪ Smiles await you ♪ 1741 01:47:51,500 --> 01:47:54,583 ♪ When you rise ♪ 1742 01:47:56,041 --> 01:48:01,583 ♪ Sleep, pretty darling Do not cry ♪ 1743 01:48:02,541 --> 01:48:07,458 ♪ And I will sing a lullaby ♪ 1744 01:48:09,166 --> 01:48:11,541 ♪ Once there was a way ♪ 1745 01:48:11,625 --> 01:48:13,208 ♪ Once upon a time ♪ 1746 01:48:14,083 --> 01:48:17,208 ♪ There lived a... ♪ 1747 01:48:17,291 --> 01:48:19,208 That really should be like a fairy tale, though. 1748 01:48:19,791 --> 01:48:22,250 - Once upon a time there lived a princess. 1749 01:48:22,333 --> 01:48:26,250 ♪ Once upon a time ♪ 1750 01:48:26,333 --> 01:48:29,916 ♪ There lived a king ♪ 1751 01:48:30,000 --> 01:48:35,500 ♪ Sleep, pretty darling Do not cry ♪ 1752 01:48:36,791 --> 01:48:40,208 ♪ And I will sing a lullaby ♪ 1753 01:48:40,291 --> 01:48:42,541 And the king will sing a lullaby. 1754 01:48:43,333 --> 01:48:45,708 ♪ La, la, la, la, la ♪ 1755 01:48:50,291 --> 01:48:52,416 No, it's one you'd know, the original one. 1756 01:48:52,500 --> 01:48:54,000 But just at the end of it, it goes... 1757 01:48:54,083 --> 01:48:59,541 ♪ And I will sing a lullaby ♪ 1758 01:49:02,500 --> 01:49:05,541 Should be ready for a Songs for Swingin' Lovers album soon. 1759 01:49:13,166 --> 01:49:17,250 I was just so hungry today, I had to be late just to eat me breakfast. 1760 01:49:24,125 --> 01:49:26,208 I have a bit which might interest you. 1761 01:49:26,291 --> 01:49:28,458 I was thinking for a song for Ringo. 1762 01:49:28,541 --> 01:49:31,333 Like... Like a story. 1763 01:49:31,416 --> 01:49:33,958 A bit like "Act Naturally" where you sort of... 1764 01:49:34,041 --> 01:49:36,958 But all they said was, well, you've got to act naturally. 1765 01:49:37,041 --> 01:49:40,750 So... it was like a comedy when I heard it, you know? It was like... 1766 01:49:40,833 --> 01:49:45,250 ♪ Boy, you're gonna carry that weight ♪ 1767 01:49:45,333 --> 01:49:49,166 ♪ Carry that weight a long time ♪ 1768 01:49:49,250 --> 01:49:53,125 ♪ Boy, you're gonna carry that weight ♪ 1769 01:49:53,208 --> 01:49:56,583 ♪ Carry that weight a long time ♪ 1770 01:49:56,666 --> 01:49:58,958 ♪ Well, I get drunk tonight... ♪ 1771 01:50:00,833 --> 01:50:04,666 ♪ She said... You do my fricking head ♪ 1772 01:50:04,750 --> 01:50:08,583 ♪ I said... Been telling on and on ♪ 1773 01:50:08,666 --> 01:50:12,666 ♪ But every time I try to do it No, it don't take long ♪ 1774 01:50:12,750 --> 01:50:16,625 ♪ Boy, you're gonna carry that weight ♪ 1775 01:50:16,708 --> 01:50:19,875 ♪ Carry that weight a long time ♪ 1776 01:50:20,625 --> 01:50:24,250 ♪ Boy, you're gonna carry that weight ♪ 1777 01:50:24,333 --> 01:50:27,583 ♪ Carry that weight a long time ♪ 1778 01:50:40,458 --> 01:50:43,833 ♪ Boy, you're gonna carry that weight ♪ 1779 01:50:43,916 --> 01:50:47,208 ♪ Carry that weight a long time ♪ 1780 01:50:47,291 --> 01:50:48,875 ♪ Yeah, boy ♪ 1781 01:51:25,625 --> 01:51:29,833 ♪ Well, I love you in the morning Girl ♪ 1782 01:51:29,916 --> 01:51:31,666 ♪ I love you ♪ 1783 01:51:31,750 --> 01:51:33,583 ♪ Ooh ♪ 1784 01:51:33,666 --> 01:51:37,458 ♪ And I love you in the morning Girl ♪ 1785 01:51:37,541 --> 01:51:39,208 ♪ I do ♪ 1786 01:51:41,541 --> 01:51:46,125 ♪ I love you every minute Girl, I do ♪ 1787 01:52:04,041 --> 01:52:05,125 Yes. 1788 01:52:11,916 --> 01:52:15,375 Kevin? Kevin, can we have some toast and tea, please? 1789 01:52:15,458 --> 01:52:17,041 It's tea time now, man. 1790 01:52:17,625 --> 01:52:19,250 Can we have some more tea, Kevin? 1791 01:52:19,333 --> 01:52:21,416 I need sort of, like, a gallon in the morning. 1792 01:52:21,958 --> 01:52:25,166 Do you have access to real tea? I've got nice tea with us. 1793 01:52:25,250 --> 01:52:27,708 - Not that piss posh stuff. 1794 01:52:28,375 --> 01:52:33,416 ♪ I love more than ever Girl, I do ♪ 1795 01:52:46,416 --> 01:52:47,750 Yeah. 1796 01:52:47,833 --> 01:52:50,750 And a little blues folk song. 1797 01:52:50,833 --> 01:52:52,541 Jimmy, stick 'em up. - Oh. 1798 01:52:52,625 --> 01:52:54,916 When we was just acoustics or something. 1799 01:52:55,000 --> 01:52:56,916 There's more skiffling on it, and it's great, 1800 01:52:57,000 --> 01:52:58,680 'cause they don't need any backing, really. 1801 01:52:58,708 --> 01:53:00,166 So, "Get back, get back..." 1802 01:53:00,250 --> 01:53:02,250 "Get back to where you once belonged." 1803 01:53:03,625 --> 01:53:05,541 Think of some words if you can. 1804 01:53:05,625 --> 01:53:08,041 I don't know what it's about. It's about going away. 1805 01:53:08,125 --> 01:53:09,708 And then the chorus is "Get back." 1806 01:53:09,791 --> 01:53:10,791 Uh... 1807 01:53:10,875 --> 01:53:14,125 So, I just... Actually, it's not about anything. 1808 01:53:14,208 --> 01:53:15,791 You know... 1809 01:53:16,375 --> 01:53:17,958 Yeah, we'll just have those words. 1810 01:53:18,041 --> 01:53:22,583 Just words that... They're just nothing about anything. It's just, like, rubbish. 1811 01:53:31,250 --> 01:53:35,791 The Black man will have the whip hand over the white man. 1812 01:53:35,875 --> 01:53:37,435 ♪ Get back to where you once belonged ♪ 1813 01:53:37,958 --> 01:53:39,666 ♪ Get back ♪ 1814 01:53:39,750 --> 01:53:41,125 ♪ Get back ♪ 1815 01:53:41,666 --> 01:53:44,666 ♪ Get back to where you once belonged ♪ 1816 01:53:46,000 --> 01:53:49,750 ♪ Sidi Abdul Rami was a Pakistani ♪ 1817 01:53:49,833 --> 01:53:52,583 ♪ But he didn't live at home ♪ 1818 01:53:54,125 --> 01:53:57,625 ♪ Worried people said "We don't need Pakistanis ♪ 1819 01:53:57,708 --> 01:54:00,125 ♪ Boy, you better travel home" ♪ 1820 01:54:00,916 --> 01:54:02,750 ♪ Yeah Get back ♪ 1821 01:54:03,750 --> 01:54:04,750 ♪ Get back ♪ 1822 01:54:05,916 --> 01:54:08,625 ♪ Back to where you once belonged ♪ 1823 01:54:09,333 --> 01:54:10,750 ♪ Get back ♪ 1824 01:54:10,833 --> 01:54:12,333 ♪ Get back ♪ 1825 01:54:13,208 --> 01:54:16,000 ♪ Get back to where you once belonged ♪ 1826 01:54:17,458 --> 01:54:21,166 ♪ Alberto Marin was a Puerto Rican ♪ 1827 01:54:21,250 --> 01:54:22,250 ♪ But he... ♪ 1828 01:54:25,458 --> 01:54:29,083 ♪ Born in... Don't dig no Puerto Ricans ♪ 1829 01:54:29,166 --> 01:54:32,000 ♪ Living in the USA ♪ 1830 01:54:32,083 --> 01:54:34,166 ♪ Oh, get back ♪ 1831 01:54:34,791 --> 01:54:36,333 ♪ Get back ♪ 1832 01:54:36,833 --> 01:54:39,333 ♪ Get back to where you once belonged ♪ 1833 01:54:39,416 --> 01:54:41,916 Just playing more on these... 1834 01:54:44,875 --> 01:54:45,875 It just fades back. 1835 01:54:47,000 --> 01:54:49,166 - Play some piano with it. Folk blues. 1836 01:54:51,250 --> 01:54:54,625 ♪ Tonight Enoch Powell said Get out, immigrants ♪ 1837 01:54:54,708 --> 01:54:56,666 ♪ Immigrants a-better go home ♪ 1838 01:54:57,541 --> 01:55:00,750 ♪ Tonight Harold Wilson Said to the immigrants ♪ 1839 01:55:00,833 --> 01:55:03,666 ♪ You better get back To your Commonwealth homes ♪ 1840 01:55:03,750 --> 01:55:08,250 ♪ Yeah, yeah, yeah They said you better get back home ♪ 1841 01:55:10,166 --> 01:55:13,125 ♪ Enoch Powell said to the folks ♪ 1842 01:55:13,208 --> 01:55:15,458 ♪ He said you wear The color of your skin ♪ 1843 01:55:16,291 --> 01:55:19,625 ♪ He said he don't care what it's All about ♪ 1844 01:55:22,333 --> 01:55:25,583 ♪ So Ted Heath said to Enoch Powell ♪ 1845 01:55:25,666 --> 01:55:29,000 ♪ He said you better get out Or else you'll go to trial ♪ 1846 01:55:29,083 --> 01:55:32,291 ♪ Enoch Powell Enoch, you better go home ♪ 1847 01:55:35,375 --> 01:55:36,583 ♪ Commonwealth ♪ 1848 01:55:36,666 --> 01:55:38,000 ♪ Yes ♪ 1849 01:55:38,083 --> 01:55:39,916 ♪ Commonwealth ♪ 1850 01:55:40,000 --> 01:55:41,000 ♪ Yes ♪ 1851 01:55:41,750 --> 01:55:43,083 ♪ Commonwealth ♪ 1852 01:55:43,166 --> 01:55:44,500 ♪ Yes ♪ 1853 01:55:45,083 --> 01:55:46,291 ♪ Commonwealth ♪ 1854 01:55:46,375 --> 01:55:47,791 ♪ Yes ♪ 1855 01:55:47,875 --> 01:55:51,666 ♪ If you don't want trouble Then you better go back to home ♪ 1856 01:55:54,166 --> 01:55:57,458 ♪ So I went to Pakistani I went to India ♪ 1857 01:55:57,541 --> 01:56:00,458 ♪ I've been to old Calcutta And I've had enough of that ♪ 1858 01:56:00,541 --> 01:56:02,791 - ♪ I'm coming back ♪ - ♪ Yes ♪ 1859 01:56:02,875 --> 01:56:06,000 ♪ To England town ♪ - ♪ Yes, welcome ♪ 1860 01:56:07,125 --> 01:56:10,875 ♪ And dirty Enoch Powell And he's had enough of Parliament ♪ 1861 01:56:13,500 --> 01:56:16,916 ♪ Well, I trekked down to Australia And said to New Zealand ♪ 1862 01:56:17,000 --> 01:56:20,083 ♪ You better come live with us We're gonna have some fun ♪ 1863 01:56:20,166 --> 01:56:23,208 ♪ We're going up to India We'll go to Pakistan ♪ 1864 01:56:23,291 --> 01:56:24,958 ♪ We're coming up to Europe and... ♪ 1865 01:56:26,875 --> 01:56:30,000 ♪ And dirty Enoch Powell and his... ♪ 1866 01:56:32,458 --> 01:56:34,625 - ♪ Oh, Commonwealth ♪ - ♪ Yes ♪ 1867 01:56:36,333 --> 01:56:38,250 - ♪ Oh, Commonwealth ♪ - ♪ Yes ♪ 1868 01:56:39,166 --> 01:56:41,166 - ♪ Yeah, Commonwealth ♪ - ♪ Yes ♪ 1869 01:56:42,041 --> 01:56:44,000 ♪ Oh, hear me talking Commonwealth ♪ 1870 01:56:46,791 --> 01:56:50,333 ♪ Yeah, the Commonwealth But it's much too wealthy for me ♪ 1871 01:56:50,416 --> 01:56:54,166 Much too common for me. Much too common for me. 1872 01:56:54,250 --> 01:56:55,541 ♪ Too common for me ♪ 1873 01:56:55,625 --> 01:56:56,625 Oh, yeah. 1874 01:56:56,708 --> 01:57:00,083 ♪ I ambled to Australia And New Zealand too ♪ 1875 01:57:00,166 --> 01:57:03,208 ♪ I went up to Pakistan And India too ♪ 1876 01:57:03,291 --> 01:57:06,458 ♪ I came back to West Indies And I had a cricket match ♪ 1877 01:57:06,541 --> 01:57:09,750 ♪ I went into South Africa And told them to get back ♪ 1878 01:57:09,833 --> 01:57:13,958 ♪ Oh, Commonwealth I said you're much too common for me ♪ 1879 01:57:15,083 --> 01:57:16,083 Everybody sing! 1880 01:57:16,166 --> 01:57:18,083 - ♪ Hey, Commonwealth ♪ - ♪ Yes ♪ 1881 01:57:19,333 --> 01:57:21,333 - ♪ Yeah, Commonwealth ♪ - ♪ Yes ♪ 1882 01:57:22,000 --> 01:57:24,750 - ♪ Enoch Powell, Commonwealth ♪ - ♪ Yes ♪ 1883 01:57:25,458 --> 01:57:27,708 - ♪ Immigrants, Commonwealth ♪ - ♪ Yes ♪ 1884 01:57:29,625 --> 01:57:33,875 ♪ Well, I would join the Common Market But it's much too common for me ♪ 1885 01:57:33,958 --> 01:57:34,958 ♪ Yes ♪ 1886 01:57:39,291 --> 01:57:42,708 ♪ Oh, Enoch Powell ♪ 1887 01:57:52,125 --> 01:57:54,541 ♪ Oh, Enoch Powell ♪ 1888 01:58:04,250 --> 01:58:07,291 - I'll be taking me shirt off. Do it in D. I'll play with you. 1889 01:58:07,375 --> 01:58:08,791 Do you have a tattoo? 1890 01:58:12,333 --> 01:58:14,833 First chance we've had... So, do you want to try the... 1891 01:58:14,916 --> 01:58:16,250 - Once more. 1892 01:58:16,333 --> 01:58:18,291 Get it over here, that's where we're playing... 1893 01:58:18,375 --> 01:58:21,833 - With feeling. With Felix. - With Felix. 1894 01:58:21,916 --> 01:58:24,791 One, two, three, four. 1895 01:58:28,250 --> 01:58:31,250 And this is something that happened to me quite recently. 1896 01:58:32,375 --> 01:58:35,958 ♪ She came in through The bathroom window ♪ 1897 01:58:38,958 --> 01:58:42,583 ♪ Protected by a silver spoon ♪ 1898 01:58:45,125 --> 01:58:48,125 ♪ But now she sucks her thumb And wonders ♪ 1899 01:58:48,208 --> 01:58:49,708 Get off! 1900 01:58:49,791 --> 01:58:54,208 ♪ By the banks of her own lagoon ♪ 1901 01:58:54,291 --> 01:58:57,708 ♪ Didn't anybody tell her? ♪ 1902 01:59:00,458 --> 01:59:03,458 ♪ Didn't anybody see? ♪ 1903 01:59:06,000 --> 01:59:10,166 ♪ Sunday's on the phone to Monday ♪ 1904 01:59:12,125 --> 01:59:15,916 ♪ Tuesday's on the phone to me ♪ 1905 01:59:17,166 --> 01:59:20,833 ♪ She said she'd always been a dancer ♪ 1906 01:59:23,500 --> 01:59:26,500 ♪ She worked at 15 clubs a day ♪ 1907 01:59:26,583 --> 01:59:28,583 Worked in 15 clubs a day? 1908 01:59:28,666 --> 01:59:29,833 Yeah! 1909 01:59:29,916 --> 01:59:32,333 ♪ And though she thought I had the answer ♪ 1910 01:59:36,000 --> 01:59:38,750 ♪ I just had to sail away ♪ 1911 01:59:38,833 --> 01:59:42,458 ♪ Didn't anybody tell her? ♪ 1912 01:59:43,500 --> 01:59:44,958 ♪ No, no, no, no ♪ 1913 01:59:45,041 --> 01:59:48,291 ♪ Didn't anybody see? ♪ 1914 01:59:50,708 --> 01:59:54,625 ♪ Sunday's on the phone to Monday ♪ 1915 01:59:56,791 --> 02:00:00,000 ♪ Tuesday's on the phone to me ♪ 1916 02:00:00,083 --> 02:00:01,416 Yeah, she is. 1917 02:00:02,375 --> 02:00:05,291 ♪ And so I quit the police department ♪ 1918 02:00:05,375 --> 02:00:06,416 Get a job, cop! 1919 02:00:08,458 --> 02:00:10,916 ♪ And got myself a proper job ♪ 1920 02:00:11,000 --> 02:00:13,791 Bloody about time, too, if you ask me! 1921 02:00:14,583 --> 02:00:17,875 ♪ And though she tried her best To help me ♪ 1922 02:00:17,958 --> 02:00:19,791 He bloody need it too. 1923 02:00:19,875 --> 02:00:23,750 ♪ She could steal But she could not rob ♪ 1924 02:00:23,833 --> 02:00:27,208 ♪ Didn't anybody tell her? ♪ 1925 02:00:29,958 --> 02:00:33,291 ♪ Didn't anybody see? ♪ 1926 02:00:33,375 --> 02:00:34,833 ♪ Whoa ♪ 1927 02:00:35,625 --> 02:00:39,875 ♪ Sunday's on the phone to Monday ♪ 1928 02:00:42,000 --> 02:00:45,500 ♪ Tuesday's on the phone to me ♪ 1929 02:00:48,083 --> 02:00:51,708 Hello. This is Tuesday speaking. 1930 02:00:53,166 --> 02:00:54,541 Is that Paul? 1931 02:00:54,625 --> 02:00:57,375 - I'd like to have a word with you. 1932 02:00:57,458 --> 02:00:59,625 I've got something of his in the garden. 1933 02:00:59,708 --> 02:01:02,375 - I have something of interest for you. 1934 02:01:02,916 --> 02:01:04,916 ♪ Well, any old time of day ♪ 1935 02:01:05,000 --> 02:01:06,333 ♪ All you wanna hear me say ♪ 1936 02:01:06,416 --> 02:01:09,333 ♪ It's crazy, baby It's crazy, yeah ♪ 1937 02:01:14,083 --> 02:01:16,208 ♪ God bless our gracious king ♪ 1938 02:01:18,541 --> 02:01:21,250 If we are in a groovy location place, 1939 02:01:21,333 --> 02:01:25,416 we can make the show about different bits and pieces of what we've done. 1940 02:01:25,500 --> 02:01:28,791 Or we have to do it in one consecutive piece. 1941 02:01:29,875 --> 02:01:32,833 I think we could do both, you see? We should do it about three times. 1942 02:01:32,916 --> 02:01:35,291 We'd settle on one day when we say, "This is the show." 1943 02:01:35,375 --> 02:01:37,833 But we'd do a, like, dress rehearsal. 1944 02:01:37,916 --> 02:01:40,666 Okay. Shall we do some other people's tunes as well? 1945 02:01:40,750 --> 02:01:42,708 - That'd be nice. I don't know any. 1946 02:01:42,791 --> 02:01:44,625 I can only just bear doing your lot's songs. 1947 02:02:03,916 --> 02:02:08,583 ♪ I love you more each day Girl, I do ♪ 1948 02:02:12,250 --> 02:02:16,166 ♪ So I got me a lorry And I took a ride ♪ 1949 02:02:16,250 --> 02:02:18,166 This isn't Daddy's tea, is it? No. 1950 02:02:18,250 --> 02:02:20,625 Daddy doesn't like this chemical tea, you know? 1951 02:02:20,708 --> 02:02:24,458 It turns me off but blows my mind and floats me upstream. 1952 02:02:24,541 --> 02:02:28,458 ♪ Baa, baa, baa Baa, baa, baa ♪ 1953 02:02:28,541 --> 02:02:32,208 ♪ Black sheep Have you any wool? ♪ 1954 02:02:32,291 --> 02:02:33,500 ♪ Come on, Suzy Parker ♪ 1955 02:02:33,583 --> 02:02:37,958 ♪ I said, come on, Suzy Parker Everybody's welcome to come ♪ 1956 02:02:38,041 --> 02:02:40,833 ♪ Suzy Parker Come on, Suzy Parker ♪ 1957 02:02:40,916 --> 02:02:44,875 ♪ Yeah, you come to Suzy Parker Everybody gets well done ♪ 1958 02:02:44,958 --> 02:02:46,250 ♪ Come on, Suzy Parker ♪ 1959 02:03:00,083 --> 02:03:03,000 ♪ Well, cheers, babycake Baby, please don't lose... ♪ 1960 02:03:13,750 --> 02:03:17,708 ♪ I know I'm one ♪ 1961 02:03:17,791 --> 02:03:19,125 - He's one, all right. 1962 02:03:24,875 --> 02:03:27,583 If we can just have a sort of permanent mic on the piano, 1963 02:03:27,666 --> 02:03:29,000 and a permanent mic for me. 1964 02:03:29,083 --> 02:03:31,041 So we can hear both of them, you see, Glyn? 1965 02:03:31,125 --> 02:03:32,958 Great. - Hah. 1966 02:03:40,250 --> 02:03:44,750 ♪ Perhaps it's the color Of the sun cut flat ♪ 1967 02:03:44,833 --> 02:03:50,166 ♪ And covering the crossroads I'm standing at ♪ 1968 02:03:52,166 --> 02:03:56,500 ♪ Or maybe it's the weather Or something like that ♪ 1969 02:03:57,500 --> 02:04:00,791 ♪ Mama, you're just on my mind ♪ 1970 02:04:05,041 --> 02:04:08,250 Words are flowing out like endless rain into a paper cup. 1971 02:04:08,333 --> 02:04:09,791 Dear Apple. 1972 02:04:09,875 --> 02:04:13,166 They slither wildly as they slip away across the universe. 1973 02:04:13,250 --> 02:04:17,375 ♪ Words are flowing out Like endless rain into a paper cup ♪ 1974 02:04:17,458 --> 02:04:22,041 ♪ They slither wildly As they slip away across the universe ♪ 1975 02:04:22,125 --> 02:04:23,833 "Shakin' in the Sixties!" 1976 02:04:24,958 --> 02:04:28,041 ♪ Shakin' in the '60s With a book bought by Dick James ♪ 1977 02:04:29,083 --> 02:04:32,416 ♪ Shakin' in the '60s With a book bought by Dick James ♪ 1978 02:04:35,000 --> 02:04:37,333 Leave the group then if you don't like it. 1979 02:04:37,416 --> 02:04:39,500 - Come on. I've done all mine. 1980 02:04:40,375 --> 02:04:41,541 Both of mine. 1981 02:04:41,625 --> 02:04:45,125 So, we'll go through it once and just roughly get it in our heads. 1982 02:04:45,208 --> 02:04:47,000 Do you want the bass in for the riff? 1983 02:04:48,166 --> 02:04:49,916 Do you want the bass in with the riff? 1984 02:04:50,500 --> 02:04:51,750 - Don't know. Okay. 1985 02:04:51,833 --> 02:04:54,166 Well, I'll just play it by ear then. 1986 02:04:54,250 --> 02:04:55,625 So then it goes... 1987 02:04:55,708 --> 02:04:59,250 ♪ When I find myself in times of trouble ♪ 1988 02:04:59,333 --> 02:05:02,541 ♪ Mother Mary comes to me ♪ 1989 02:05:02,625 --> 02:05:07,333 ♪ Speaking words of wisdom Let it be ♪ 1990 02:05:08,958 --> 02:05:14,291 ♪ And in my hour of darkness She is standing right in front of me ♪ 1991 02:05:15,083 --> 02:05:19,416 ♪ Speaking words of wisdom Let it be ♪ 1992 02:05:20,708 --> 02:05:23,541 - ♪ Let it be, let it be ♪ - ♪ Oh, oh ♪ 1993 02:05:23,625 --> 02:05:26,583 - ♪ Let it be, let it be ♪ - ♪ Oh ♪ 1994 02:05:27,666 --> 02:05:32,000 ♪ Whisper words of wisdom Let it be ♪ 1995 02:05:32,083 --> 02:05:33,875 ♪ Let it be ♪ 1996 02:05:33,958 --> 02:05:37,000 ♪ And all the broken-hearted people ♪ 1997 02:05:42,916 --> 02:05:45,458 ♪ Let it be ♪ 1998 02:05:46,750 --> 02:05:48,291 ♪ Whenever I'm in... ♪ 1999 02:05:49,458 --> 02:05:52,666 ♪ Brother Malcolm, Mary Na, na, na ♪ 2000 02:05:56,166 --> 02:05:57,875 ♪ Let it be ♪ 2001 02:05:57,958 --> 02:06:00,500 The rhythm of that bit. 2002 02:06:00,583 --> 02:06:02,958 I just feel it needs something really sustained. 2003 02:06:06,041 --> 02:06:07,041 Thanks. 2004 02:06:12,875 --> 02:06:14,958 ♪ Let it be ♪ 2005 02:06:19,375 --> 02:06:20,791 ♪ Words of wisdom... ♪ 2006 02:06:25,000 --> 02:06:26,166 ♪ Let it be ♪ 2007 02:06:26,250 --> 02:06:27,833 - Yeah? Yeah. Like... 2008 02:06:27,916 --> 02:06:32,083 ♪ Words of wisdom Let it be ♪ 2009 02:06:39,083 --> 02:06:41,875 - The way I was playing, was starting on F. G. 2010 02:06:41,958 --> 02:06:44,666 "Whisper words of wisdom, let it be, let it be." 2011 02:06:44,750 --> 02:06:47,375 -♪ Down to C, down to... ♪ 2012 02:06:47,458 --> 02:06:50,500 But I end up on the wrong one when you're all moving on to F. 2013 02:06:50,583 --> 02:06:53,041 - ♪ Whisper words of wisdom ♪ - ♪ Words of G ♪ 2014 02:06:53,125 --> 02:06:54,291 ♪ Let it be, let it be ♪ 2015 02:06:54,375 --> 02:06:57,541 F, C, G. 2016 02:06:57,625 --> 02:07:00,583 - Oh, miss the F? - C, G, to C. 2017 02:07:00,666 --> 02:07:03,208 So, yes. So then, you see, you get this... 2018 02:07:03,291 --> 02:07:06,583 "Whisper words of wisdom, let it be, let it be..." 2019 02:07:08,625 --> 02:07:09,625 You play that. 2020 02:07:09,708 --> 02:07:13,791 ♪ Whisper words of wisdom Let it be ♪ 2021 02:07:18,333 --> 02:07:20,833 It seems that it's all happening 2022 02:07:21,416 --> 02:07:23,976 a little bit too quickly with them both coming in at the same time. 2023 02:07:24,000 --> 02:07:25,375 Yeah. - That's all. 2024 02:07:25,458 --> 02:07:28,291 When do the drums first come in, guitar, and all that? 2025 02:07:28,375 --> 02:07:30,833 Well, Glyn's saying first time they come in... 2026 02:07:30,916 --> 02:07:32,791 - He seems to be arranging this. Come on. 2027 02:07:32,875 --> 02:07:34,208 - Go on. 2028 02:07:43,125 --> 02:07:43,958 ♪ Let it... ♪ 2029 02:07:44,041 --> 02:07:46,875 Could have bass there with a... Only if you ask nicely. 2030 02:07:51,208 --> 02:07:53,666 You want me on the verse? Yeah. Come in, bass. 2031 02:07:53,750 --> 02:07:55,666 On the verse when he comes chapping... 2032 02:07:55,750 --> 02:07:57,583 Well, I was thinking of it, yeah. Yeah. 2033 02:07:57,666 --> 02:07:59,375 - Glyn and I have thought... Glyn and... 2034 02:07:59,458 --> 02:08:01,166 ♪ Let it be Let it be ♪ 2035 02:08:01,250 --> 02:08:03,291 One, two, three. 2036 02:08:03,375 --> 02:08:07,000 ♪ When I find myself in times of trouble ♪ 2037 02:08:07,083 --> 02:08:09,541 ♪ Mother Mary comes to me ♪ 2038 02:08:10,333 --> 02:08:14,291 ♪ Speaking words of wisdom Let it be ♪ 2039 02:08:16,583 --> 02:08:22,833 ♪ And in my hour of darkness She is standing right in front of me ♪ 2040 02:08:22,916 --> 02:08:27,333 ♪ Speaking words of wisdom Let it be ♪ 2041 02:08:28,500 --> 02:08:31,958 - ♪ Let it be, let it be ♪ - ♪ Oh, oh ♪ 2042 02:08:32,041 --> 02:08:35,041 - ♪ Let it be, let it be ♪ - ♪ Oh ♪ 2043 02:08:35,750 --> 02:08:39,708 ♪ Whisper words of wisdom Let it be ♪ 2044 02:08:39,791 --> 02:08:41,625 ♪ Let it be ♪ 2045 02:08:42,208 --> 02:08:48,000 ♪ For all the broken-hearted people Heaven above must agree ♪ 2046 02:09:04,541 --> 02:09:06,125 ♪ Let it be ♪ 2047 02:09:07,583 --> 02:09:10,916 - ♪ Let it be, let it be ♪ - ♪ Oh, oh ♪ 2048 02:09:11,000 --> 02:09:14,458 - ♪ Let it be, let it be ♪ - ♪ Oh ♪ 2049 02:09:14,541 --> 02:09:18,791 ♪ Read the Record Mirror Let it be ♪ 2050 02:09:39,833 --> 02:09:42,375 Forty million Churchills can't be wrong. 2051 02:09:44,333 --> 02:09:46,916 Forty million Churchills can't be wrong, but one de Gaulle can. 2052 02:09:47,000 --> 02:09:48,583 We've got a charming one here. 2053 02:09:48,666 --> 02:09:50,708 "I Wish I Had Died in My Cradle." 2054 02:09:53,041 --> 02:09:54,458 I don't know. 2055 02:09:56,291 --> 02:09:58,125 "Lisp Of A Baby's Prayer." 2056 02:09:59,291 --> 02:10:01,125 "Alphabet Song." What's that one? 2057 02:10:01,208 --> 02:10:03,750 Oh, Christ, I don't know the whole catalog yet. 2058 02:10:03,833 --> 02:10:06,458 4,000 songs is a lot to absorb. 2059 02:10:06,541 --> 02:10:08,708 - In the morning? - Perhaps. 2060 02:10:08,791 --> 02:10:12,083 - "Nobody Loves a Fairy When She's Forty." 2061 02:10:13,708 --> 02:10:15,458 This is it? This is the lot? 2062 02:10:15,541 --> 02:10:19,583 This is a very good list. That's the entire catalog up to '65. 2063 02:10:20,416 --> 02:10:21,416 Yeah. Yeah. 2064 02:10:21,500 --> 02:10:23,541 Is this the catalog that's just gone on sale? 2065 02:10:23,625 --> 02:10:25,906 - It's the one we just bought. - You bought it. Oh, great. 2066 02:10:31,083 --> 02:10:34,833 - Which includes Paul and John. And... - Just about. 2067 02:10:34,916 --> 02:10:37,677 - What are you talking about, "Just about"? - Nothing. Uh, no comment. 2068 02:10:38,291 --> 02:10:39,875 Very substantially, sir. 2069 02:10:39,958 --> 02:10:41,166 Yes, right. Okay. 2070 02:10:45,083 --> 02:10:48,333 Mm-hmm. Marvelous catalog. Oh, it's an incredible catalog. 2071 02:10:48,416 --> 02:10:51,916 And we'll start on reprinting a great deal of this music, 2072 02:10:52,000 --> 02:10:55,958 because sheet music and song albums is an expanding market now. 2073 02:10:56,041 --> 02:10:57,666 Right, right. Yeah, yeah. 2074 02:10:57,750 --> 02:11:01,541 You know, 12 songs for five bob is more than ample. That's good value. 2075 02:11:06,875 --> 02:11:08,041 Yeah. - Great. 2076 02:11:18,000 --> 02:11:19,041 Yeah. 2077 02:11:19,125 --> 02:11:21,958 - "Carolina Moon," my Uncle Ron's favorite. Well. 2078 02:11:22,041 --> 02:11:24,375 He sings it at all the parties. All right! 2079 02:11:24,458 --> 02:11:27,916 ♪ Carolina Moon ♪ 2080 02:11:28,000 --> 02:11:29,041 Come on, Paul. 2081 02:11:29,125 --> 02:11:30,208 The Copyright Act 2082 02:11:30,291 --> 02:11:34,250 and the payment for a performance of a fee didn't start until 1911. 2083 02:11:34,333 --> 02:11:36,083 But who buys sheet music? 2084 02:11:36,166 --> 02:11:37,708 Is it mainly piano people? 2085 02:11:37,791 --> 02:11:39,500 No. Guitar people. 2086 02:11:47,333 --> 02:11:48,333 Yeah. 2087 02:11:50,625 --> 02:11:53,916 Well, a lot of our stuff, I don't know whether it does any more, 2088 02:11:54,000 --> 02:11:57,000 because we always publish our lyrics now, you know? 2089 02:11:57,083 --> 02:12:00,083 But you see, particularly where the boys are concerned, 2090 02:12:00,166 --> 02:12:01,750 they create the song, right? 2091 02:12:01,833 --> 02:12:04,875 And I give it to my music scribe and he has to take it down. 2092 02:12:04,958 --> 02:12:06,708 And he's a very good man, very experienced. 2093 02:12:08,125 --> 02:12:11,666 He can make mistakes, but in an effort to eliminate this now 2094 02:12:11,750 --> 02:12:14,875 we check the lyrics with John and Paul, they okay the lyric... 2095 02:12:19,166 --> 02:12:20,916 - Hi. 2096 02:12:25,208 --> 02:12:26,291 - Hi, George. Hi, man. 2097 02:12:30,916 --> 02:12:32,916 I'm well aware. You're very welcome. 2098 02:12:36,166 --> 02:12:39,500 Something to drink out of or the wife can throw? 2099 02:12:41,375 --> 02:12:43,041 Which I sang in my heyday. 2100 02:12:44,750 --> 02:12:45,916 - Hi, Georgie. - Hi, Mike. 2101 02:12:46,000 --> 02:12:47,291 Hi, George. How are you? 2102 02:12:52,958 --> 02:12:54,708 It doesn't even seem high to me. 2103 02:12:54,791 --> 02:12:57,166 - Well, these are gilt-edged songs. 2104 02:12:58,875 --> 02:13:00,166 - Morgen. - Morning. 2105 02:13:00,250 --> 02:13:02,833 Didn't Neil ring you last night? - No. 2106 02:13:11,583 --> 02:13:12,583 Take hold of this. 2107 02:13:12,666 --> 02:13:14,626 If anybody says anything interesting, remember it. 2108 02:13:18,541 --> 02:13:23,083 Uh... Neil would like us to have a meeting. 2109 02:13:23,166 --> 02:13:24,708 Saturday? Yes. 2110 02:13:24,791 --> 02:13:26,625 He was very excited and... 2111 02:13:26,708 --> 02:13:28,708 - Was he? Good news or... - Yes. Very. 2112 02:13:28,791 --> 02:13:30,625 Oh, all right, I'll come for good news. 2113 02:13:33,375 --> 02:13:34,541 You watching? 2114 02:13:34,625 --> 02:13:35,666 Yeah. 2115 02:13:39,000 --> 02:13:41,541 Yeah, I think it's gonna be a double-sider. 2116 02:13:41,625 --> 02:13:45,666 And, uh, we've set it for release... We've set it for release in the States. 2117 02:13:45,750 --> 02:13:47,958 She's doing it on The Rolf Harris Show tomorrow night. 2118 02:13:48,041 --> 02:13:50,666 Is she one of your artists? - She's an EMI artist. 2119 02:13:50,750 --> 02:13:53,708 And we have some territories, 2120 02:13:53,791 --> 02:13:56,041 then EMI puts them out in other places. 2121 02:13:56,541 --> 02:13:58,500 Okay, shall we start? - Yeah. 2122 02:13:59,916 --> 02:14:01,125 I'll send some, um... 2123 02:14:01,875 --> 02:14:03,583 I'll send some discs down, Paul. 2124 02:14:04,166 --> 02:14:05,166 Okay. 2125 02:14:05,208 --> 02:14:06,916 Should have pressings up, um... 2126 02:14:07,000 --> 02:14:10,625 Well, I think they were up last night, but they were up too late for me to get them. 2127 02:14:19,875 --> 02:14:21,416 That was a nice start. 2128 02:14:30,500 --> 02:14:34,291 ♪ Put on your hi-heel sneakers ♪ 2129 02:14:34,916 --> 02:14:35,916 Bye, Dick. 2130 02:14:36,000 --> 02:14:38,708 ♪ Cause we're goin' out tonight ♪ 2131 02:14:43,833 --> 02:14:47,166 ♪ Put on your hi-heel sneakers ♪ 2132 02:14:48,875 --> 02:14:51,958 ♪ Cause we're goin' out tonight ♪ 2133 02:14:52,041 --> 02:14:53,125 ♪ We are ♪ 2134 02:14:57,708 --> 02:15:00,625 ♪ And bring along some boxin' gloves ♪ 2135 02:15:01,875 --> 02:15:05,416 ♪ In case some fool might wanna fight ♪ 2136 02:15:10,375 --> 02:15:11,375 ♪ Get back ♪ 2137 02:15:12,458 --> 02:15:13,916 ♪ Back ♪ 2138 02:15:14,000 --> 02:15:16,875 ♪ Back to where you once belonged ♪ 2139 02:15:18,041 --> 02:15:19,166 I dig this. I do. 2140 02:15:38,708 --> 02:15:41,750 ♪ Get back, get back ♪ 2141 02:15:53,166 --> 02:15:54,458 Yes. 2142 02:15:55,666 --> 02:15:56,666 Yes, yes! 2143 02:16:08,833 --> 02:16:11,958 We've never learned so many new numbers at once. Have we? 2144 02:16:12,041 --> 02:16:13,208 Yeah. 2145 02:16:13,291 --> 02:16:15,500 - That's it. It will be better, that. - Yeah. 2146 02:16:17,500 --> 02:16:18,916 Well, should we just redo this one? 2147 02:16:19,000 --> 02:16:21,041 - I still haven't got words on this. Yes. 2148 02:16:29,458 --> 02:16:32,333 Yeah, let's have it like that. Just have a big, held chord. 2149 02:16:32,416 --> 02:16:34,916 All of us just hold a chord of, like, A. 2150 02:16:35,000 --> 02:16:38,875 But you creep up with drumming. So it goes, "One, two, three, four." 2151 02:16:43,291 --> 02:16:45,041 Only even more like, sort of... 2152 02:16:48,708 --> 02:16:49,833 So you... 2153 02:16:49,916 --> 02:16:53,708 You'll have to do something like lead to... 2154 02:16:53,791 --> 02:16:57,416 What was the record? 2155 02:16:59,458 --> 02:17:01,541 - There's one record of ours. Should be more like... 2156 02:17:07,083 --> 02:17:08,291 But even in the... 2157 02:17:09,208 --> 02:17:11,583 That suggests something to me. That chord. 2158 02:17:11,666 --> 02:17:13,083 - Yeah. 2159 02:17:13,166 --> 02:17:14,458 And also, that's why I like... 2160 02:17:14,541 --> 02:17:18,333 That's why "Get Back" suggests any old number like this. 2161 02:17:18,416 --> 02:17:21,166 So if we have harmony on it and try and make it... 2162 02:17:21,250 --> 02:17:22,250 Yes? 2163 02:17:22,750 --> 02:17:25,517 - 'Cause it's a bit ordinary, isn't it? - So... So you don't want that? 2164 02:17:25,541 --> 02:17:28,083 The "Get Back" bit's the ordinary bit. 2165 02:17:28,166 --> 02:17:30,208 Yeah, but it's all right. I mean, but we should... 2166 02:17:30,291 --> 02:17:32,750 We should try and get away from... 2167 02:17:32,833 --> 02:17:33,916 ♪ Get back ♪ 2168 02:17:34,625 --> 02:17:36,541 ♪ Get back, yeah ♪ 2169 02:17:36,625 --> 02:17:38,125 - Get away from that? - Uh, no... 2170 02:17:39,166 --> 02:17:41,326 Yeah, but I know. I mean, just get away from the way... 2171 02:17:44,041 --> 02:17:47,583 Where did we get that chord? You know? There was a song we got that chord from. 2172 02:17:48,875 --> 02:17:51,583 - There was one where we sort of... Booker T. and the MG's. 2173 02:17:51,666 --> 02:17:54,125 Booker T. Yeah. But there's lots... 2174 02:17:55,291 --> 02:17:58,833 But it's passé, you know? It's like... It was a couple of years ago. 2175 02:17:58,916 --> 02:18:00,708 No, it wasn't. That's just a chord. 2176 02:18:00,791 --> 02:18:02,101 I know, but, you know. Yeah, but... 2177 02:18:02,125 --> 02:18:04,958 - Chords like fashions and stuff... - And some chords fit things. 2178 02:18:05,041 --> 02:18:06,166 But it's like drainies. 2179 02:18:06,250 --> 02:18:08,642 - Yeah, but some drainies... - They're still drainies, but... 2180 02:18:08,666 --> 02:18:12,083 suit different occasions and Oxford bags... 2181 02:18:12,166 --> 02:18:16,291 The thing is, that's good enough for the rock and roll thing, but... 2182 02:18:17,166 --> 02:18:19,708 - No, you don't. You need, like... - You need George Harrison. 2183 02:18:19,791 --> 02:18:21,271 You need George Harrison. Yeah. - Mmm. 2184 02:18:21,333 --> 02:18:24,916 But just doing simple things until it's your go. 2185 02:18:25,000 --> 02:18:27,583 Because I'm trying to sing louder to get over the guitar. 2186 02:18:30,500 --> 02:18:34,416 Yeah. But... But if you do the offbeat with Ringo. 2187 02:18:34,500 --> 02:18:37,250 ♪ Get back, get back ♪ 2188 02:18:39,500 --> 02:18:40,500 ♪ Get back ♪ 2189 02:18:41,250 --> 02:18:42,250 ♪ Get back ♪ 2190 02:18:42,791 --> 02:18:43,791 ♪ Get back ♪ 2191 02:18:44,333 --> 02:18:45,750 ♪ Get back ♪ 2192 02:18:46,500 --> 02:18:49,250 ♪ Get back to where you once belonged ♪ 2193 02:18:50,000 --> 02:18:51,000 ♪ Get back ♪ 2194 02:18:52,041 --> 02:18:53,208 ♪ Get back ♪ 2195 02:18:53,833 --> 02:18:56,666 ♪ Get back to where you once belonged ♪ 2196 02:18:58,583 --> 02:18:59,583 See, but don't... 2197 02:18:59,666 --> 02:19:03,541 If you vamp, then it... Then it takes away from his vamping. 2198 02:19:03,625 --> 02:19:04,833 I think, you know? 2199 02:19:04,916 --> 02:19:06,958 But it's like that. It is like that. 2200 02:19:07,041 --> 02:19:10,833 It's like the big, soft lead guitarist, you know, who just stands there and just... 2201 02:19:10,916 --> 02:19:12,559 - Little, soft lead guitarist. - Well, you know... 2202 02:19:12,583 --> 02:19:15,333 No, but the big one in my head, where he just sort of goes... 2203 02:19:18,000 --> 02:19:20,458 But you can either do that soft or good, you know? 2204 02:19:20,541 --> 02:19:21,916 You don't... 2205 02:19:22,000 --> 02:19:23,208 It's that thing, you know? 2206 02:19:24,791 --> 02:19:27,041 - I mean, "She's a Woman." - Yeah. 2207 02:19:27,125 --> 02:19:30,458 That was just a better rhythm than we have, you know, because... 2208 02:19:30,541 --> 02:19:32,750 And "Sgt. Pepper" on the organ. It's just... 2209 02:19:39,875 --> 02:19:41,435 None of you are trying to do any of it. 2210 02:19:41,500 --> 02:19:43,583 Okay. I'll just write it down then. 2211 02:19:47,000 --> 02:19:48,750 - Yeah, and the Puerto Ricans. - Yeah. 2212 02:19:52,416 --> 02:19:54,083 She thought she was a woman. 2213 02:19:54,166 --> 02:19:55,875 ♪ Jo Jo went and left his... ♪ 2214 02:19:55,958 --> 02:19:56,958 Jo Jo. 2215 02:19:58,166 --> 02:20:00,500 ♪ Jo Jo left his home in... ♪ 2216 02:20:02,083 --> 02:20:04,041 - What's a Western name? - Jo Jo went and left... 2217 02:20:04,125 --> 02:20:07,208 - A Western name? Jo Jo... 2218 02:20:07,291 --> 02:20:08,875 - Go on. - Perkins. 2219 02:20:08,958 --> 02:20:10,708 ♪ Jo Jo Perkins left... ♪ 2220 02:20:10,791 --> 02:20:12,166 ♪ Jo Jo Lemon... ♪ 2221 02:20:12,875 --> 02:20:13,875 Jo Jo Carter? 2222 02:20:13,958 --> 02:20:14,958 Jo Jo Williams? 2223 02:20:15,041 --> 02:20:18,166 Jo Jo Braxton. Jo Jo Pepper. Brennan. 2224 02:20:18,250 --> 02:20:19,250 ♪ Jo Jo... ♪ 2225 02:20:20,833 --> 02:20:22,875 ♪ Jo Jo Daphne left his home... ♪ 2226 02:20:24,000 --> 02:20:25,000 Yeah. 2227 02:20:25,083 --> 02:20:28,666 ♪ Jo Jo Jackson left his home in Arizona ♪ 2228 02:20:38,750 --> 02:20:40,833 ♪ Don't dig no Pakistanis ♪ 2229 02:20:40,916 --> 02:20:43,916 ♪ Living in a council flat ♪ 2230 02:20:52,666 --> 02:20:54,000 ♪ Oh, get back ♪ 2231 02:20:54,958 --> 02:20:56,333 ♪ Get back ♪ 2232 02:20:57,291 --> 02:21:00,208 ♪ Back to where you once belonged ♪ 2233 02:21:02,583 --> 02:21:05,125 ♪ Two of us wearing raincoats ♪ 2234 02:21:05,208 --> 02:21:10,125 ♪ Standing solo in the sun ♪ 2235 02:21:11,041 --> 02:21:13,791 ♪ You and me chasing paper ♪ 2236 02:21:13,875 --> 02:21:15,833 ♪ Getting nowhere ♪ 2237 02:21:15,916 --> 02:21:20,708 ♪ On our way back home ♪ 2238 02:21:21,416 --> 02:21:23,291 ♪ We're on our way home ♪ 2239 02:21:24,208 --> 02:21:26,083 ♪ We're on our way home ♪ 2240 02:21:27,000 --> 02:21:28,250 ♪ We're going home ♪ 2241 02:21:31,625 --> 02:21:36,083 ♪ On our way back home ♪ 2242 02:21:39,083 --> 02:21:43,375 ♪ On our way back home ♪ 2243 02:21:46,875 --> 02:21:52,333 ♪ On our way back home ♪ 2244 02:21:52,416 --> 02:21:54,666 That's it. You know, it'll go... 2245 02:21:54,750 --> 02:21:55,750 Well, you know. 2246 02:21:56,916 --> 02:21:59,583 I think it needs a bit more of that, this one. 2247 02:21:59,666 --> 02:22:01,291 Needs a bit more of that. 2248 02:22:02,500 --> 02:22:05,041 In fact, maybe you shouldn't both do that. 2249 02:22:05,125 --> 02:22:07,309 - Could you stop playing for a minute? - Yes, all right, Paul. 2250 02:22:07,333 --> 02:22:10,053 While I'm trying to talk to you about this arrangement. Thank you. 2251 02:22:11,125 --> 02:22:13,625 - Could we go for lunch? Is it lunch already? 2252 02:22:13,708 --> 02:22:14,708 Yes. 2253 02:22:39,666 --> 02:22:40,541 Yeah. 2254 02:22:40,625 --> 02:22:42,666 - We aim to please. I rang Chris and... 2255 02:22:44,333 --> 02:22:45,333 Mmm? 2256 02:23:14,416 --> 02:23:16,625 Oh. So pissed. 2257 02:23:22,916 --> 02:23:23,916 Yeah. 2258 02:23:29,791 --> 02:23:30,791 Stop it! Stop it! 2259 02:23:33,458 --> 02:23:35,458 - Ooh. What a buzz. 2260 02:23:35,541 --> 02:23:36,666 What a buzz. 2261 02:23:36,750 --> 02:23:39,833 "I've Got a Feeling." Okay, George. Take it. 2262 02:23:45,166 --> 02:23:48,041 ♪ I've got a feeling ♪ 2263 02:23:48,875 --> 02:23:51,333 ♪ A feeling deep inside Oh, yeah ♪ 2264 02:23:53,416 --> 02:23:54,583 ♪ Oh, no ♪ 2265 02:23:56,625 --> 02:23:58,958 ♪ Yeah! ♪ 2266 02:23:59,041 --> 02:24:03,625 ♪ Whoa, I've got a feeling, yeah ♪ 2267 02:24:04,750 --> 02:24:07,833 ♪ Don't let me down ♪ 2268 02:24:11,083 --> 02:24:14,083 ♪ Don't let me down ♪ 2269 02:24:17,833 --> 02:24:20,375 ♪ Don't let me down ♪ 2270 02:25:27,166 --> 02:25:28,291 ♪ John! ♪ 2271 02:25:29,125 --> 02:25:30,625 Yeah, rock it to me, baby. 2272 02:25:31,791 --> 02:25:33,166 That's what I like. 2273 02:25:33,875 --> 02:25:37,000 You may think this is a full orchestra, but if you look closely, 2274 02:25:37,083 --> 02:25:40,333 you can see there's only two people playing and one person singing. 2275 02:25:41,000 --> 02:25:43,375 I know it sounds like Benny Goodman, but don't worry. 2276 02:25:43,458 --> 02:25:46,916 It's the big sound of 1969. 2277 02:25:47,000 --> 02:25:50,916 ♪ Bang! Bang! Maxwell's silver hammer ♪ 2278 02:25:51,000 --> 02:25:54,500 ♪ Came down upon his head ♪ 2279 02:25:56,083 --> 02:25:57,333 ♪ Clang! Clang! ♪ 2280 02:25:57,416 --> 02:26:03,916 ♪ Maxwell's silver hammer Made sure that Joan was dead ♪ 2281 02:26:06,166 --> 02:26:09,291 Maybe for the show, I mean, you could just say George was sick. 2282 02:26:09,791 --> 02:26:11,916 No. I mean, if he leaves, he leaves. 2283 02:26:23,791 --> 02:26:27,416 ♪ John, John, John, John ♪ 2284 02:26:35,916 --> 02:26:37,166 ♪ John... ♪ 2285 02:26:37,250 --> 02:26:39,000 Anything you say, dear! 2286 02:26:39,083 --> 02:26:41,791 - John, John! - I've brought the tea. 2287 02:26:41,875 --> 02:26:43,541 John! 2288 02:26:43,625 --> 02:26:45,625 [John, high-pitched voice] Yes? 2289 02:26:48,125 --> 02:26:49,125 I saw him! 2290 02:26:49,208 --> 02:26:50,791 Terrible! Shit! 2291 02:27:06,000 --> 02:27:07,000 Yeah. 2292 02:27:27,416 --> 02:27:30,958 - So cats and kittens, what we gonna do? 2293 02:27:44,750 --> 02:27:46,541 The thing about Orson is he's very funny. 2294 02:27:46,625 --> 02:27:47,750 We were in Belfast, 2295 02:27:47,833 --> 02:27:49,833 rehearsing the stage version of Chimes of Midnight. 2296 02:27:49,916 --> 02:27:51,458 And one day he walked off the stage. 2297 02:27:58,166 --> 02:28:00,583 Get in your bag! 2298 02:28:00,666 --> 02:28:02,750 Get in your... Get in your bloody bag! 2299 02:28:02,833 --> 02:28:04,625 Not again! Go on! 2300 02:28:05,583 --> 02:28:09,083 The Mersey Beat Awards for the Best Couple of the Year... 2301 02:28:11,083 --> 02:28:12,791 goes to John and Yoko. 2302 02:28:34,166 --> 02:28:36,458 ♪ Isn't it a pity ♪ 2303 02:28:41,291 --> 02:28:43,208 ♪ Isn't it a shame ♪ 2304 02:28:46,416 --> 02:28:49,666 ♪ How we break each other's hearts ♪ 2305 02:28:53,333 --> 02:28:55,791 ♪ And cause each other pain ♪ 2306 02:28:59,250 --> 02:29:02,666 ♪ How we take each other's love ♪ 2307 02:29:06,000 --> 02:29:08,458 ♪ Without thinking anymore ♪ 2308 02:29:12,666 --> 02:29:15,333 ♪ Forgetting to give back ♪ 2309 02:29:19,166 --> 02:29:21,458 ♪ Isn't it a pity ♪ 2310 02:29:25,708 --> 02:29:28,333 ♪ Some things take so long ♪ 2311 02:29:31,833 --> 02:29:34,666 ♪ But how do I explain? ♪ 2312 02:29:38,375 --> 02:29:41,583 ♪ When not too many people ♪ 2313 02:29:44,833 --> 02:29:47,625 ♪ Can see we're all the same? ♪ 2314 02:29:51,333 --> 02:29:54,458 ♪ Because of all their tears ♪ 2315 02:29:57,916 --> 02:30:00,750 ♪ Their eyes can't hope to see ♪ 2316 02:30:04,500 --> 02:30:07,708 ♪ The beauty that surrounds them ♪ 2317 02:30:10,958 --> 02:30:13,375 ♪ Oh, isn't it a pity? ♪ 2318 02:30:42,958 --> 02:30:46,208 ♪ And because of all their tears ♪ 2319 02:30:49,583 --> 02:30:52,291 ♪ Their eyes don't hope to see ♪ 2320 02:30:56,000 --> 02:30:59,125 ♪ The beauty that surrounds them ♪ 2321 02:31:02,583 --> 02:31:05,083 ♪ Oh, isn't it a pity? ♪ 2322 02:31:05,107 --> 02:31:07,107 >>>>oakislandtk<<<<< www.opensubtitles.org 188717