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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,366 --> 00:00:02,811 ? WELL, WE'RE MOVIN' ON UP ? ? MOVIN' ON UP ? 2 00:00:02,832 --> 00:00:05,766 ? TO THE EAST SIDE ? ? MOVIN' ON UP ? 3 00:00:05,829 --> 00:00:10,966 ? TO A DELUXE APARTMENT IN THE SKY ? 4 00:00:11,025 --> 00:00:13,258 ? MOVIN' ON UP ? ? MOVIN' ON UP ? 5 00:00:13,322 --> 00:00:16,290 ? TO THE EAST SIDE ? ? MOVIN' ON UP ? 6 00:00:16,352 --> 00:00:20,154 ? WE FINALLY GOT A PIECE OF THE PIE ? 7 00:00:22,015 --> 00:00:24,583 ? FISH DON'T FRY IN THE KITCHEN ? 8 00:00:24,645 --> 00:00:27,212 ? BEANS DON'T BURN ON THE GRILL ? 9 00:00:27,276 --> 00:00:29,810 ? TOOK A WHOLE LOT OF TRYIN' ? 10 00:00:29,874 --> 00:00:32,374 ? JUST TO GET UP THAT HILL ? 11 00:00:32,439 --> 00:00:34,806 ? NOW WE'RE UP IN THE BIG LEAGUES ? 12 00:00:34,870 --> 00:00:37,503 ? GETTIN' OUR TURN AT BAT ? 13 00:00:37,568 --> 00:00:40,035 ? AS LONG AS WE LIVE IT'S YOU AND ME, BABY ? 14 00:00:40,098 --> 00:00:41,409 ? AIN'T NOTHIN' WRONG WITH THAT ? 15 00:00:41,430 --> 00:00:44,765 ? WELL, WE'RE MOVIN' ON UP ? ? MOVIN' ON UP ? 16 00:00:44,827 --> 00:00:47,662 ? TO THE EAST SIDE ? ? MOVIN' ON UP ? 17 00:00:47,724 --> 00:00:52,260 ? TO A DELUXE APARTMENT IN THE SKY ? 18 00:00:52,320 --> 00:00:55,522 ? MOVIN' ON UP ? ? MOVIN' ON UP ? 19 00:00:55,584 --> 00:00:58,184 ? TO THE EAST SIDE ? ? MOVIN' ON UP ? 20 00:00:58,248 --> 00:01:05,353 ? WE FINALLY GOT A PIECE OF THE PIE ?? 21 00:01:07,973 --> 00:01:10,340 MMM. DELICIOUS. 22 00:01:10,404 --> 00:01:13,204 THESE BAGELS, LOX AND CREAM CHEESE ARE SOMETHING ELSE. 23 00:01:13,267 --> 00:01:15,701 MM-HMM. JEWISH SOUL FOOD. 24 00:01:18,763 --> 00:01:20,997 I JUST WISH I COULD STOP FEELING GUILTY. 25 00:01:21,061 --> 00:01:23,996 WHY YOU FEELING GUILTY? JEWS EAT RIBS. 26 00:01:25,823 --> 00:01:29,090 SOME OF 'EM EVEN EAT WATERMELON. 27 00:01:29,153 --> 00:01:32,889 IT'S NOT WHAT WE'RE EATING. IT'S THE TIME WE'RE EATING IT. 28 00:01:32,950 --> 00:01:36,652 11:00 ON A SUNDAY MORNING AND WE'RE JUST HAVING BREAKFAST. THAT'S SINFUL. 29 00:01:36,714 --> 00:01:39,274 NO, IT AIN'T 'CAUSE THIS AIN'T BREAKFAST. IT'S BRUNCH. 30 00:01:40,310 --> 00:01:42,511 - BRUNCH? - THE RICH FOLKS INVENTED IT... 31 00:01:42,574 --> 00:01:44,719 SO THEY WOULDN'T HAVE TO WORRY ABOUT GETTING UP TOO LATE FOR BREAKFAST... 32 00:01:44,739 --> 00:01:47,673 OR TOO EARLY FOR LUNCH, SO THEY CALL IT BRUNCH. 33 00:01:47,737 --> 00:01:52,773 WHAT DO WE EAT IF WE DON'T GET UP UNTIL THE AFTERNOON? "DINCH"? 34 00:01:55,463 --> 00:01:57,663 THAT'S NOT A BAD IDEA, WEEZY. 35 00:01:57,727 --> 00:02:01,095 THAT'S HOW RICH FOLKS GET MORE TIME TO ENJOY THEIR MONEY... 36 00:02:01,157 --> 00:02:04,526 BECAUSE THEY MAKE ONE MEAL DO THE WORK OF TWO; I CALL THAT SMART. 37 00:02:04,588 --> 00:02:09,457 WHEN WE HAD TO DO IT IN HARLEM, IT WAS CALLED POVERTY. 38 00:02:09,517 --> 00:02:12,696 YOU KNOW SOMETHING? I BET YOU MY BANKER, H.L. WHITTENDALE, 39 00:02:12,714 --> 00:02:16,215 IS HAVING HIS BRUNCH RIGHT NOW, UP THERE IN THE PENTHOUSE. 40 00:02:16,277 --> 00:02:18,489 YOU KNOW SOMETHING ELSE? HIS CHAUFFEUR TOLD ME... 41 00:02:18,509 --> 00:02:20,943 HE ALWAYS EATS EGGS BENEDICT EVERY MORNING. 42 00:02:21,006 --> 00:02:22,473 THAT'S CLASS. 43 00:02:22,538 --> 00:02:24,572 THIS MIGHT COME AS A SHOCK TO YOU, 44 00:02:24,636 --> 00:02:28,738 BUT I DON'T CARE IF WHITTENDALE EATS SHREDDED WHEAT THROUGH A STRAW. 45 00:02:30,264 --> 00:02:32,465 WELL, YOU SHOULD CARE 'CAUSE I CARE. 46 00:02:32,529 --> 00:02:37,632 I WANT THE NAME GEORGE JEFFERSON TO BE A NAME H.L. WHITTENDALE WILL NEVER FORGET. 47 00:02:37,691 --> 00:02:42,026 I'M SICK AND TIRED OF HEARING YOU TALK ABOUT WHITTENDALE. 48 00:02:42,087 --> 00:02:46,356 H.L. WHITTENDALE IS HEAD OF WHITTENDALE NATIONAL BANK, LOUISE, AND... 49 00:02:46,416 --> 00:02:48,628 [Both] HE COULD BE VERY IMPORTANT TO ME AND MY BUSINESS. 50 00:02:48,648 --> 00:02:51,582 AND LIVING HERE IS A GREAT CHANCE TO GET TO MEET HIM. 51 00:02:53,243 --> 00:02:56,611 SEE? EVEN YOU AGREE. 52 00:02:56,674 --> 00:03:02,010 HAS IT EVER OCCURRED TO YOU, GEORGE, THAT WHITTENDALE MIGHT NOT WANNA MEET YOU? 53 00:03:02,068 --> 00:03:06,037 THAT'S RIDICULOUS, WEEZY. LOOK, WE'RE AT A NEW STATION IN LIFE. 54 00:03:06,098 --> 00:03:09,366 SO WHY DON'T YOU STOP KNOCKING IT AND BRING OUT SOME MORE BAGELS? 55 00:03:09,429 --> 00:03:14,532 I'M NOT KNOCKING IT. BUT I'VE GOT TO KEEP REMEMBERING WHO I AM. 56 00:03:14,590 --> 00:03:19,293 I DON'T MIND LIVING UP TO OUR MONEY ALL WEEK, BUT I'VE GOTTA HAVE SUNDAYS OFF. 57 00:03:25,147 --> 00:03:28,716 ONE DAY A WEEK, I'VE GOT TO BE TRUE TO MY ROOTS... 58 00:03:28,778 --> 00:03:31,344 TO RELAX AND BE ME. 59 00:03:31,409 --> 00:03:33,308 ? HAVA NAGILA ? 60 00:03:33,374 --> 00:03:35,073 ? HAVA NAGILA ?? 61 00:03:40,067 --> 00:03:43,703 HEY, THERE'S SOMETHING ELSE WE NEED FOR OUR NEW STATION. 62 00:03:43,765 --> 00:03:46,632 YOU SEEN THESE PICTURES OF THEM RICH FOLKS' HOMES? UH-HUH. 63 00:03:46,695 --> 00:03:49,741 LOOK AT THIS PICTURE. YOU NOTICE ANYTHING SPECIAL ABOUT THE FURNITURE? 64 00:03:49,759 --> 00:03:52,926 YEAH. IT LOOKS LIKE NOBODY EVER SITS ON IT. 65 00:03:54,354 --> 00:03:56,921 I DON'T MEAN THAT. TAKE A LOOK AT THIS PICTURE. 66 00:03:56,985 --> 00:03:59,597 WHAT'S SITTING IN THAT LIVING ROOM WITH THE GLEAMING WHITE TEETH... 67 00:03:59,616 --> 00:04:02,784 THAT WE AIN'T GOT HERE? LIBERACE. 68 00:04:04,179 --> 00:04:07,080 I MEAN, WHAT'S LIBERACE GOT THAT WE AIN'T GOT? 69 00:04:07,142 --> 00:04:10,077 A CLOSET FULL OF CANDLES? 70 00:04:10,139 --> 00:04:13,441 HE'S GOT A PIANO. THAT'S WHAT WE NEED... A PIANO. 71 00:04:13,504 --> 00:04:17,050 WEEZY, YOU'LL LOVE IT. SEE HOW GOOD A PIANO MAKES THEM PLACES LOOK? 72 00:04:17,067 --> 00:04:21,035 YES, BUT THOSE ARE BIG HOMES. THAT'S OLD MONEY, GEORGE. 73 00:04:21,096 --> 00:04:23,897 SO? THE ONLY DIFFERENCE BETWEEN OLD MONEY AND NEW MONEY... 74 00:04:23,961 --> 00:04:26,628 IS THAT THE NEW MONEY CRACKLES MORE. 75 00:04:26,692 --> 00:04:29,137 WHICH IS GOOD BECAUSE IF PEOPLE CAN'T SEE YOU'VE GOT IT, 76 00:04:29,156 --> 00:04:31,516 THEY CAN HEAR YOU'VE GOT IT. 77 00:04:34,052 --> 00:04:36,519 WHY BOTHER TO BUY A PIANO? 78 00:04:36,583 --> 00:04:39,784 JUST HANG UP A FRAMED PICTURE OF YOUR BANK BALANCE. 79 00:04:41,178 --> 00:04:43,618 NO, THAT WOULD BE SHOWING OFF. 80 00:04:45,475 --> 00:04:49,176 SEE, A PIANO WOULD BRING REAL CLASS TO THIS PLACE. 81 00:04:49,237 --> 00:04:52,405 [Doorbell Rings] 82 00:04:52,468 --> 00:04:55,436 THAT'S GREAT. NOW WHAT ARE YOU GONNA DO FOR AN ENCORE? 83 00:04:55,498 --> 00:04:57,765 ANSWER THE DOOR. 84 00:04:59,362 --> 00:05:01,295 GOOD MORNING. 85 00:05:05,889 --> 00:05:09,191 HI, BENTLEY. WHAT DID YOU DO, LOCK YOURSELF OUT IN YOUR DOCTOR DENTONS? 86 00:05:09,252 --> 00:05:13,422 THESE AREN'T MY PAJAMAS. I'VE BEEN JOGGING. MAY I COME IN? 87 00:05:13,482 --> 00:05:15,482 ONLY IF YOU TURN OFF YOUR MOTOR. 88 00:05:15,547 --> 00:05:17,525 COME IN, MR. BENTLEY. THANK YOU. 89 00:05:17,545 --> 00:05:20,179 THAT'S THE FUNNY PART ABOUT GOING FOR A RUN. 90 00:05:20,242 --> 00:05:22,390 AFTER YOU'VE FINISHED RUNNING, YOU'VE GOT 91 00:05:22,410 --> 00:05:24,741 TO KEEP RUNNING BEFORE YOU CAN STOP RUNNING. 92 00:05:24,805 --> 00:05:28,072 SOMETHING TO DO WITH LETTING THE MUSCLES UNWIND. 93 00:05:29,901 --> 00:05:33,035 IT'S THE, UH, SUDDEN STOP THAT CAN HURT YOU. 94 00:05:34,796 --> 00:05:37,563 INCIDENTALLY, DID YOU HEAR ABOUT THAT MAN... 95 00:05:37,627 --> 00:05:40,762 WHO FELL FROM THE 89th FLOOR OF THE EMPIRE STATE BUILDING... 96 00:05:40,824 --> 00:05:43,057 - AND LIVED TO TELL ABOUT IT? - NO. 97 00:05:43,121 --> 00:05:48,625 YES. HE TOLD THE PEOPLE ON THE 88th FLOOR, THE 87th FLOOR, THE 86th FLOOR... 98 00:05:48,684 --> 00:05:52,619 UH, WOULD YOU LIKE SOME COFFEE AND A BAGEL? 99 00:05:52,680 --> 00:05:54,613 BAGELS. MARVELOUS. 100 00:05:54,678 --> 00:05:56,756 YOU DON'T MIND IF I TAKE THIS WITH ME? 101 00:05:56,776 --> 00:05:59,154 I JUST POPPED IN TO TELL YOU THAT THE WILLISES ARE THINKING... 102 00:05:59,174 --> 00:06:02,876 OF HOLDING A TENANTS' PROTEST MEETING, AND WE WERE WONDERING IF YOU'D CARE TO COME. 103 00:06:02,937 --> 00:06:04,871 I AIN'T GETTING INVOLVED IN NO PROTESTS. 104 00:06:04,935 --> 00:06:07,169 - BUT, GEORGE... - NO WAY, LOUISE. 105 00:06:07,233 --> 00:06:11,769 WE CAN AFFORD TO SIT BACK AND WATCH WHITEY DOING THE MARCHING FOR A CHANGE. 106 00:06:15,192 --> 00:06:19,495 WELL, I DON'T THINK IT'S A MARCH, JUST A STAND-UP BUFFET. 107 00:06:21,721 --> 00:06:25,489 WE JUST MOVED INTO THE BUILDING, AND I DON'T WANNA MAKE NO WAVES. 108 00:06:25,550 --> 00:06:27,528 BESIDES, WE AIN'T GOT NOTHING TO PROTEST ABOUT. 109 00:06:27,548 --> 00:06:30,860 YOU HAPPY HERE, AIN'T YOU? YES, BUT PEOPLE SHOULD STICK TOGETHER. 110 00:06:30,878 --> 00:06:33,023 YOU STICK TOGETHER WHEN YOU'RE SUFFERING. 111 00:06:33,043 --> 00:06:35,176 WE ALREADY DONE OUR SUFFERING. 112 00:06:36,540 --> 00:06:40,408 I SEE YOUR POINT. WELL, NOT TO WORRY. 113 00:06:40,470 --> 00:06:43,338 [Speaking Russian] 114 00:06:43,400 --> 00:06:46,101 UH-OH. THERE'S A NEW ONE. WHAT'S THAT MEAN? 115 00:06:46,164 --> 00:06:49,132 WELL, THAT'S RUSSIAN FOR... [Speaking French] 116 00:06:49,195 --> 00:06:51,435 WHICH, OF COURSE, IS FRENCH FOR... 117 00:06:57,421 --> 00:07:00,054 I THINK YOU COULD AT LEAST HAVE LISTENED TO HIM. 118 00:07:00,118 --> 00:07:04,921 HE SPEAKS FIVE DIFFERENT LANGUAGES AND DON'T SAY NOTHING IN ALL OF 'EM. 119 00:07:04,980 --> 00:07:08,394 I DON'T UNDERSTAND THAT DUDE WHEN HE'S SUPPOSED TO BE TALKING ENGLISH. 120 00:07:08,411 --> 00:07:11,645 AND SOMETIMES I UNDERSTAND HIM BETTER THAN I DO YOU. 121 00:07:11,708 --> 00:07:15,276 WELL, UNDERSTAND THIS. I JUST GOT ME A BRAND-NEW THREE-YEAR APARTMENT LEASE, 122 00:07:15,338 --> 00:07:17,605 AND I AIN'T MAKING NO WAVES. BUT, GEORGE... 123 00:07:17,670 --> 00:07:22,573 I DON'T WANT YOU JUMPING IN THOSE MEETINGS NEITHER BECAUSE YOU'D MAKE A TIDAL WAVE. 124 00:07:22,631 --> 00:07:24,764 NOW, YOU WATCH IT, GEORGE. 125 00:07:24,829 --> 00:07:28,030 ALL RIGHT, LOUISE, CALM DOWN. I'M SORRY. SIT DOWN. 126 00:07:28,093 --> 00:07:32,062 ALL I'M TRYING TO SAY IS WE SHOULD JUST TRY TO PLAY IT COOL FOR A WHILE. 127 00:07:32,122 --> 00:07:35,090 THIS IS A GREAT APARTMENT, AIN'T IT? OF COURSE IT IS. 128 00:07:35,153 --> 00:07:37,387 AND WHEN WE GET OUR PIANO, IT'S GONNA BE EVEN BETTER. 129 00:07:37,451 --> 00:07:40,852 YOU STILL ON THAT? SURE. ALL RICH FOLKS GOT PIANOS. 130 00:07:40,914 --> 00:07:45,184 HOW COME WE AIN'T GOT ONE? MAYBE IT'S BECAUSE NOBODY AROUND HERE CAN PLAY ONE. 131 00:07:45,244 --> 00:07:47,911 WE GOT A FANCY FRENCH WRITING DESK... 132 00:07:47,975 --> 00:07:50,909 AND NOBODY AROUND HERE WRITES FRENCH NEITHER. 133 00:07:54,270 --> 00:07:56,870 WE DON'T NEED A PIANO. SURE WE DO. 134 00:07:56,933 --> 00:08:00,435 SEE, WEEZY, THAT'S YOUR TROUBLE. YOU DON'T HAVE ANY SENSE OF VALUES. 135 00:08:00,497 --> 00:08:05,033 THE IMPORTANT THING IS NOT TO BE ABLE TO PLAY IT. IT'S TO BE ABLE TO AFFORD IT. 136 00:08:07,358 --> 00:08:10,058 SO, YOU'RE GONNA ORDER US A PIANO FIRST THING IN THE MORNING. 137 00:08:10,121 --> 00:08:13,556 I DON'T KNOW ANYTHING ABOUT BUYING PIANOS. 138 00:08:13,619 --> 00:08:16,853 WHAT'S TO KNOW? YOU JUST PHONE UP AND ORDER THE BEST ONE IN THE STORE. 139 00:08:16,914 --> 00:08:18,981 [Doorbell Rings] 140 00:08:19,046 --> 00:08:21,580 OKAY, I'LL ORDER YOUR PIANO. 141 00:08:21,644 --> 00:08:26,247 MAYBE WE'LL GET A DISCOUNT IF I TELL THEM IT'S JUST FOR LOOKING AT. 142 00:08:26,306 --> 00:08:28,240 HELLO. OH, HI. 143 00:08:28,305 --> 00:08:32,274 - IT'S HELEN WILLIS, GEORGE. - OH! NOW GIVE ME THE GOOD NEWS. 144 00:08:33,633 --> 00:08:36,579 WHY, HELLO, GEORGE. I THOUGHT YOU'D BE IN CHURCH... 145 00:08:36,598 --> 00:08:40,366 PRAYING FOR A FULL RETURN TO MENTAL HEALTH. 146 00:08:44,190 --> 00:08:47,725 ANYWAY, LOUISE, A FEW OF THE TENANTS IN THE BUILDING... 147 00:08:47,786 --> 00:08:49,764 ARE GETTING TOGETHER TO HAVE A MEETING... 148 00:08:49,784 --> 00:08:51,904 OH, THE PROTEST MEETING. [Doorbell Rings] 149 00:08:51,949 --> 00:08:53,949 BENTLEY ALREADY LAID THAT ON US. 150 00:08:56,113 --> 00:08:58,746 UH-OH. MORE BAD NEWS. WHAT DO YOU WANT? 151 00:08:58,810 --> 00:09:01,222 I'D LIKE TO SPEAK TO MY WIFE IF YOU DON'T MIND. 152 00:09:01,242 --> 00:09:03,220 HELEN, I CAN'T FIND MY FOUNTAIN PEN. 153 00:09:03,240 --> 00:09:06,475 USE ONE OF THE BALLPOINT PENS. THERE ARE LOTS OF THEM ON YOUR DESK. 154 00:09:06,536 --> 00:09:10,472 BALLPOINT PENS ARE NOT FOR WRITING. THEY'RE FOR MAKING MARKS. 155 00:09:10,533 --> 00:09:13,279 I NEED A PEN WITH A POINT. WHAT HAVE YOU DONE WITH MY PEN? 156 00:09:13,297 --> 00:09:16,264 I DON'T KNOW. I MIGHT HAVE TAKEN IT TO DO THE MARKETING LIST. 157 00:09:17,893 --> 00:09:19,826 YOU WROTE WITH IT? 158 00:09:23,621 --> 00:09:27,723 WHAT ARE YOU SUPPOSED TO DO WITH A PEN? PAINT THE WALLS? 159 00:09:27,784 --> 00:09:30,329 DON'T YOU KNOW WHAT A STRANGE HAND CAN DO TO THE NIB? 160 00:09:30,348 --> 00:09:32,493 THEY DON'T MAKE NIBS LIKE THAT ANYMORE. [George] LOOK, YOU TWO. 161 00:09:32,513 --> 00:09:37,083 I DON'T LIKE NO ARGUMENTS IN MY HOUSE. WHAT? 162 00:09:43,136 --> 00:09:45,836 YOU STAY OUT OF THIS, LOUISE. IF YOU WANNA HAVE AN ARGUMENT, 163 00:09:45,900 --> 00:09:48,834 YOU TAKE IT UPSTAIRS TO YOUR OWN APARTMENT WHERE IT BELONGS. 164 00:09:48,897 --> 00:09:51,209 JUST AS SOON AS I FIND OUT WHAT HAPPENED TO MY PEN. 165 00:09:51,229 --> 00:09:53,709 WHERE IS IT? IT'S AROUND. MAYBE IN THE KITCHEN. 166 00:09:53,760 --> 00:09:56,839 AND I BETTER FIND IT OR I'M GONNA TURN THAT APARTMENT UPSIDE DOWN. 167 00:09:56,857 --> 00:09:58,924 TOM, YOU'RE JUST BEING PLAIN SILLY. 168 00:09:58,988 --> 00:10:01,356 NO, I'M NOT. I HAVE TO DO MY WORK NOW. 169 00:10:01,420 --> 00:10:04,654 I'M READY TO DO MY WORK NOW, BUT I CAN'T BECAUSE OF YOU. 170 00:10:04,716 --> 00:10:07,529 YOU JUST DON'T UNDERSTAND. YOU KNOW WHAT YOU ARE? YOU ARE A... 171 00:10:07,548 --> 00:10:09,948 UH-OH. HERE IT COMES. HE'S GONNA SAY IT NOW. 172 00:10:12,310 --> 00:10:14,522 YOU'RE DAMN RIGHT I'M GONNA SAY IT. 173 00:10:14,541 --> 00:10:16,719 YOU ARE A WOMAN, A TYPICAL WOMAN. 174 00:10:16,739 --> 00:10:18,772 THAT'S A TERRIBLE THING TO SAY. 175 00:10:18,837 --> 00:10:20,815 I DON'T THINK THAT'S SO TERRIBLE. 176 00:10:20,835 --> 00:10:23,635 I THOUGHT HE WAS GONNA CALL HER A... GEORGE! 177 00:10:28,030 --> 00:10:30,630 I'M JUST A TERRIBLE WIFE. THAT'S WHAT I AM, HUH? 178 00:10:30,692 --> 00:10:32,993 YOU BET YOU ARE. 179 00:10:33,058 --> 00:10:36,959 AND YOU COULD BE IN BIG TROUBLE IF I DIDN'T LOVE YOU SO MUCH. 180 00:10:37,021 --> 00:10:39,888 BIG TROUBLE. 181 00:10:39,951 --> 00:10:42,719 HOW ABOUT YOU GOING WITH HIM? 182 00:10:44,314 --> 00:10:47,548 I'LL LEAVE AS SOON AS I GET YOUR ANSWER ABOUT THE PROTEST MEETING. 183 00:10:47,611 --> 00:10:48,641 SHALL WE COUNT YOU IN? 184 00:10:48,663 --> 00:10:51,077 NO. YOU CAN COUNT ME OUT. I DON'T WANT NO PART OF IT. 185 00:10:51,141 --> 00:10:53,074 BUT THE MORE SUPPORT WE GET, THE BETTER. 186 00:10:53,140 --> 00:10:55,807 THE PARKING RATES IN THE GARAGE ARE GOING UP 25 PERCENT. 187 00:10:55,870 --> 00:10:58,030 WHO CARES? I AIN'T GOT NO CAR. 188 00:11:00,599 --> 00:11:02,577 BUT THAT'S NOT THE ONLY THING. 189 00:11:02,597 --> 00:11:05,443 TAKE SECURITY. THEY'RE LETTING THE NIGHT DOORMAN GO. 190 00:11:05,462 --> 00:11:07,806 I AIN'T SURPRISED. LAST TIME I SAW THE NIGHT DOORMAN, 191 00:11:07,825 --> 00:11:11,760 HE WAS SO STONED I HAD TO SHOW HIM WHERE THE DOOR WAS. 192 00:11:11,822 --> 00:11:14,656 THEY'RE CUTTING DOWN ON SERVICES ANY WAY THEY CAN. 193 00:11:14,719 --> 00:11:17,531 THAT'S WHY WE'RE TRYING TO GET EVERYBODY WHO'S IMPORTANT IN THIS BUILDING... 194 00:11:17,550 --> 00:11:20,352 YOU FOLKS, THE McALLISTERS, THE LACHMANS, 195 00:11:20,414 --> 00:11:23,349 THE WHITTENDALES, THE NELSONS... 196 00:11:23,412 --> 00:11:26,246 DID YOU SAY WHITTENDALE? THE BANKER? 197 00:11:26,309 --> 00:11:28,943 YEAH. WE INVITED HIM TOO. WE'RE INVITING EVERYBODY... 198 00:11:29,007 --> 00:11:31,052 WHO'S CONCERNED ABOUT THE PROBLEMS IN THE BUILDING. 199 00:11:31,072 --> 00:11:34,006 YOU KNOW, YOU'RE RIGHT. YOU MAKE A WHOLE LOT OF SENSE. 200 00:11:35,401 --> 00:11:38,102 WE DO HAVE PROBLEMS IN THIS BUILDING. BIG PROBLEMS. 201 00:11:38,165 --> 00:11:41,866 COME ON, GEORGE. YOU JUST SAID WE HAD NO PROBLEMS AT ALL. 202 00:11:41,928 --> 00:11:45,063 THAT'S BECAUSE I DIDN'T WANNA WORRY YOU. 203 00:11:45,125 --> 00:11:49,194 WE GOT LOTS OF TROUBLE. THIS APARTMENT HAPPENS TO BE THE APARTMENT... 204 00:11:49,255 --> 00:11:51,800 WHICH NEEDS MORE ATTENTION THAN ALL THE OTHERS PUT TOGETHER. 205 00:11:51,819 --> 00:11:54,853 THAT'S WHY I THINK WE OUGHT TO HAVE THE MEETING RIGHT HERE. 206 00:11:54,916 --> 00:11:57,616 YOU MEAN YOU WANNA HOLD THAT MEETING HERE? 207 00:11:57,680 --> 00:12:00,781 SURE. AND SHOW THEM HOW TO DO IT IN STYLE. 208 00:12:00,844 --> 00:12:03,412 FREE FOOD, FREE BOOZE AND FREE MUSIC... 209 00:12:03,475 --> 00:12:06,243 ON OUR BRAND-NEW LITTLE OLD PIANO. 210 00:12:06,307 --> 00:12:08,318 I'LL TELL YOU WHAT ELSE I'M GONNA DO FOR YOU. 211 00:12:08,338 --> 00:12:11,439 JUST GIVE ME THOSE INVITATIONS AND I'LL PUT MY OWN PERSONAL P.S. ON IT... 212 00:12:11,501 --> 00:12:13,435 TO MAKE SURE WHITTENDALE COMES. 213 00:12:13,499 --> 00:12:16,600 I HEAR IT, BUT I DON'T BELIEVE IT. YOU CAN BELIEVE IT. 214 00:12:16,663 --> 00:12:21,900 SURE. I ALWAYS SAY, IF YOU WANNA GET ANYWHERE, YOU GOTTA MAKE WAVES. 215 00:12:21,959 --> 00:12:23,892 RIGHT, WEEZY? 216 00:12:38,044 --> 00:12:41,946 [Doorbell Rings] DOORBELL, MRS. JEFFERSON! I'LL GET IT! 217 00:12:45,537 --> 00:12:48,105 EXCUSE ME. EXCUSE ME. 218 00:12:49,267 --> 00:12:51,200 OOH! 219 00:12:56,127 --> 00:13:00,229 GOOD EVENING. WE'RE THE NELSONS. MR. AND MRS. NELSON! 220 00:13:00,290 --> 00:13:02,223 HOW DO YOU DO? WON'T YOU COME IN. 221 00:13:02,289 --> 00:13:04,267 IT'S SO NICE OF YOU TO HAVE A PARTY. HOW ARE YOU? 222 00:13:04,287 --> 00:13:06,520 THE FOOD IS RIGHT OVER THERE. 223 00:13:11,646 --> 00:13:13,847 FLORENCE, I COULD KILL YOU. 224 00:13:13,911 --> 00:13:18,113 I GO OUT TO THE STORE AND YOU LET THOSE PEOPLE BRING IN THAT MONSTER OF A PIANO. 225 00:13:18,174 --> 00:13:22,243 HOW COULD YOU HAVE DONE THAT? WELL, YOU KNOW, I THOUGHT TO MYSELF, 226 00:13:22,303 --> 00:13:25,704 "NOTHING BUT A CRAZY PERSON WOULD WANT SOMETHING LIKE THAT IN HERE." 227 00:13:25,767 --> 00:13:28,767 BUT THEN I REMEMBERED I WAS WORKING FOR YOUR HUSBAND. 228 00:13:33,426 --> 00:13:35,861 SO I SAID, "BRING IT ON IN, HONEY." 229 00:13:40,287 --> 00:13:42,221 [Doorbell Rings] 230 00:13:42,285 --> 00:13:44,219 DOORBELL, DOORBELL. 231 00:13:46,348 --> 00:13:48,849 GOOD EVENING. MR. BENTLEY! 232 00:13:48,912 --> 00:13:50,846 YES? 233 00:13:52,675 --> 00:13:55,543 FLORENCE, YOU'RE ON DUTY, AREN'T YOU? YES, SIR. 234 00:13:55,606 --> 00:13:57,819 GOOD EVENING, MRS. JEFFERSON. 235 00:13:57,838 --> 00:13:59,938 HERE. LET ME. 236 00:14:00,002 --> 00:14:02,336 THAT DOESN'T SEEM TO WORK EITHER, DOES IT? 237 00:14:02,400 --> 00:14:04,445 I'LL TAKE THAT. CAN I GET YOU A DRINK? 238 00:14:04,465 --> 00:14:07,133 YES, THANK YOU. A SCOTCH, NEAT. 239 00:14:07,196 --> 00:14:10,496 DON'T WORRY. YOU'LL GET A CLEAN GLASS. 240 00:14:10,559 --> 00:14:14,528 OH. NO, I DIDN'T MEAN I WANTED A CLEAN GLASS. 241 00:14:14,588 --> 00:14:18,524 WELL, I DO, BUT WHAT I WANTED WAS NO WATER AND NO ICE. THAT'S NEAT. 242 00:14:18,585 --> 00:14:21,520 THAT'S WEIRD. 243 00:14:21,582 --> 00:14:23,661 WELL, THIS IS THE BIG NIGHT, EH? 244 00:14:23,681 --> 00:14:26,115 I STILL CAN'T GET OVER YOUR HUSBAND CHANGING HIS MIND... 245 00:14:26,179 --> 00:14:28,259 ABOUT THE TENANTS' MEETING LIKE THIS. 246 00:14:28,310 --> 00:14:33,246 I SAY, YOU'VE-YOU'VE REARRANGED THE FURNITURE OR SOMETHING, HAVEN'T YOU? 247 00:14:33,305 --> 00:14:35,205 [Chords Riff] 248 00:14:35,271 --> 00:14:37,704 GOOD LORD, A PIANO. 249 00:14:37,768 --> 00:14:41,369 I SAY, IT'S RATHER, UM, LARGE, ISN'T IT? 250 00:14:41,431 --> 00:14:43,698 ABOUT AS LARGE AS THE BUMP... 251 00:14:43,762 --> 00:14:46,596 I'M GONNA RAISE ON GEORGE'S HEAD WHEN HE GETS HOME. 252 00:14:46,660 --> 00:14:48,626 [Yells] 253 00:14:48,691 --> 00:14:53,127 I KNOW... I KNOW EXACTLY WHAT IT NEEDS. LUDWIG. 254 00:14:53,187 --> 00:14:56,188 WHAT? LUDWIG. I'LL BE RIGHT BACK. 255 00:14:56,252 --> 00:14:58,218 WHAT ABOUT HIS DRINK? 256 00:14:58,283 --> 00:15:01,317 I NEED IT MORE THAN HE DOES. [Doorbell Rings] 257 00:15:01,380 --> 00:15:04,060 DOORBELL, MRS. JEFFERSON. I KNOW. 258 00:15:09,538 --> 00:15:11,472 MR. AND MRS. WILLIS, MRS. JEFFERSON. 259 00:15:11,536 --> 00:15:13,703 COME IN. HELLO, LOUISE. 260 00:15:13,769 --> 00:15:16,035 IF YOU CAN GET IN. THANK YOU. 261 00:15:16,100 --> 00:15:19,334 HI. HI, EVERYBODY. HELLO THERE. HOW ARE YOU? 262 00:15:19,396 --> 00:15:21,396 HELEN, LOOK AT THIS. 263 00:15:21,461 --> 00:15:24,229 WOW. I HAVEN'T SEEN A PIANO THIS BIG... 264 00:15:24,292 --> 00:15:27,627 SINCE BETTY GRABLE AND 30 CHORUS BOYS DANCED ON ONE. 265 00:15:28,755 --> 00:15:31,088 WELL, YOU KNOW WHAT THEY SAY... 266 00:15:31,153 --> 00:15:34,221 "LARGE OAKS FROM LITTLE ACORNS GROW." 267 00:15:34,283 --> 00:15:37,885 WELL, THIS BIG PIANO CAME FROM A LITTLE NUT. 268 00:15:39,845 --> 00:15:42,045 I DIDN'T KNOW GEORGE WAS A PIANIST. 269 00:15:42,110 --> 00:15:45,388 HE ISN'T. BUT WHEN HE HEARD MR. WHITTENDALE WAS A MUSIC LOVER, 270 00:15:45,406 --> 00:15:47,774 HE HIRED A PIANO PLAYER TO ENTERTAIN. 271 00:15:47,838 --> 00:15:50,772 OF COURSE THE PIANO PLAYER IS HOME WITH THE FLU. 272 00:15:50,835 --> 00:15:53,235 - YOU DON'T PLAY, DO YOU? - NO, I DON'T. I'M SORRY. 273 00:15:53,298 --> 00:15:56,166 STILL, I MUST SAY GEORGE IS REALLY FIGHTING FOR THE TENANTS. 274 00:15:56,230 --> 00:15:59,364 THIS POSTSCRIPT HE PUT ON ALL THE INVITATIONS, 275 00:15:59,427 --> 00:16:01,794 NOW, THIS IS STRONG STUFF. 276 00:16:01,858 --> 00:16:05,226 YES. I DIDN'T KNOW THAT THE PAINT WAS PEELING IN THE CORRIDORS. 277 00:16:05,288 --> 00:16:07,388 I DIDN'T KNOW WE HAD COCKROACHES EITHER. 278 00:16:09,418 --> 00:16:11,685 IT ISN'T AND WE DON'T. 279 00:16:11,749 --> 00:16:14,416 OH, YOU MEAN GEORGE JUST GOT CARRIED AWAY? 280 00:16:14,479 --> 00:16:17,547 NOT YET, BUT I'M STILL HOPING. 281 00:16:19,042 --> 00:16:23,244 YOU KNOW, IN MY BUILDING, THE ROACHES ARE SO BIG... 282 00:16:23,305 --> 00:16:27,240 THAT WHEN YOU STEP ON 'EM THE CRUNCH DROWNS OUT THE TELEVISION. 283 00:16:35,994 --> 00:16:38,194 AND THEY JUST GO SPLAT! 284 00:16:50,480 --> 00:16:53,014 OH, YOU DON'T LIKE THEM THINGS, MR. WILLIS? 285 00:16:53,078 --> 00:16:58,447 I SEEM TO HAVE LOST MY APPETITE FOR THE MOMENT. 286 00:16:58,506 --> 00:17:02,709 HI, EVERYBODY. MOM, LOOK WHO WE FOUND DOWNSTAIRS IN THE DRUGSTORE. GRANDMA. 287 00:17:02,770 --> 00:17:06,171 - OH, HELLO, MOTHER JEFFERSON. - HELLO, LOUISE. 288 00:17:06,232 --> 00:17:09,901 I SEE POP FINALLY GOT HIS PIANO. IT'S TOO BAD THEY WERE ALL OUT OF THE BIG ONES. 289 00:17:12,094 --> 00:17:14,928 IF I HADN'T BUMPED INTO LIONEL IN THE DRUGSTORE, 290 00:17:14,991 --> 00:17:17,925 I WOULDN'T HAVE KNOWN YOU WERE GIVING A PARTY. 291 00:17:17,989 --> 00:17:23,726 I EXPECT MY INVITATION GOT LOST IN THE MAIL, AS USUAL. 292 00:17:23,783 --> 00:17:27,652 IT ISN'T A PARTY, MOTHER JEFFERSON. IT'S A TENANTS' MEETING. 293 00:17:27,713 --> 00:17:30,158 WHY DON'T YOU COME AND HAVE A DRINK? MM. 294 00:17:30,177 --> 00:17:32,745 MRS. JEFFERSON, IS THERE ANYTHING I CAN DO TO HELP? 295 00:17:32,808 --> 00:17:35,575 HAVE YOU GOT AN AX? 296 00:17:35,640 --> 00:17:39,742 MY, WHAT A LOVELY PIANO. 297 00:17:39,802 --> 00:17:45,506 AND WHAT FUN YOU'RE GONNA HAVE POLISHING IT EVERY DAY, LOUISE. 298 00:17:45,563 --> 00:17:47,475 [Doorbell Rings] [Florence] I'LL GET IT! 299 00:17:47,495 --> 00:17:50,229 I'LL GET IT! I'LL GET IT! EXCUSE ME. 300 00:18:04,246 --> 00:18:06,546 [Screams] 301 00:18:06,612 --> 00:18:10,246 OH, IT'S ALL RIGHT. IT'S JUST ME AND LUDWIG. 302 00:18:10,307 --> 00:18:12,574 HERE WE ARE. 303 00:18:12,639 --> 00:18:15,006 - HOME AT LAST. - BEETHOVEN, RIGHT? 304 00:18:15,070 --> 00:18:18,871 RIGHT. AND HE'S ALL YOURS, MRS. J. I'M SURE HE'LL BE VERY HAPPY HERE. 305 00:18:18,933 --> 00:18:22,234 OH, MR. BENTLEY, YOU SHOULDN'T HAVE. 306 00:18:22,297 --> 00:18:25,331 I KNOW, BUT I DID IT ANYWAY. ISN'T HE MARVELOUS? 307 00:18:25,394 --> 00:18:26,539 VERY LIFELIKE. 308 00:18:26,560 --> 00:18:30,360 YOU HAVE TO SPEAK UP. HE WAS QUITE DEAF, YOU KNOW. 309 00:18:30,422 --> 00:18:33,591 - [Doorbell Rings] - DOORBELL. 310 00:18:33,653 --> 00:18:35,631 GOOD EVENING. WE'RE THE McALLISTERS. 311 00:18:35,651 --> 00:18:37,651 THE McALLISTERS, MRS. JEFFERSON! 312 00:18:37,716 --> 00:18:40,717 HOW DO YOU DO? COME RIGHT IN. HOW DO YOU DO? 313 00:18:40,780 --> 00:18:43,146 MR. AND MRS. LACHMAN. MR. AND MRS. LACHMAN! 314 00:18:43,211 --> 00:18:46,179 I CAN HEAR THEM, FLORENCE. HOW DO YOU DO? MRS. JEFFERSON. 315 00:18:46,241 --> 00:18:48,241 HOW ARE YOU? COME RIGHT IN. 316 00:18:48,306 --> 00:18:51,374 WAIT, PLEASE. MR... 317 00:18:56,865 --> 00:19:00,767 MR. GEORGE JEFFERSON! I KNOW WHO I AM. 318 00:19:00,828 --> 00:19:03,228 OH, GEORGE, I'M GLAD YOU'RE HOME AT LAST. 319 00:19:03,292 --> 00:19:05,359 I'VE BEEN TRYING TO GET YOU ON THE PHONE FOR HOURS. 320 00:19:05,424 --> 00:19:09,026 I GOT HELD UP IN TRAFFIC. IS WHITTENDALE HERE YET? NOT YET, BUT EVERYBODY ELSE IS. 321 00:19:09,087 --> 00:19:12,388 GOOD. I WANNA BE THE FIRST TO WELCOME HIM. 322 00:19:13,616 --> 00:19:16,584 WHAT THE HELL IS THAT? 323 00:19:16,648 --> 00:19:19,749 LAST TIME I SAW SOMETHING THIS BIG IS WHEN I WAS IN THE NAVY... 324 00:19:19,811 --> 00:19:22,245 AND WE WAS TRYING TO SINK IT. 325 00:19:22,308 --> 00:19:24,576 THAT'S WHAT YOU TOLD ME TO GET, GEORGE. 326 00:19:24,640 --> 00:19:28,274 WHAT'S WHITTENDALE GONNA THINK WHEN HE SEES THE PLACE LOOKING LIKE THIS? 327 00:19:28,336 --> 00:19:31,215 MAYBE THE MUSIC WILL TAKE HIS MIND OFF THE PIANO. WHERE'S THE PIANO PLAYER? 328 00:19:31,234 --> 00:19:34,301 IN BED WITH THE FLU. 329 00:19:34,364 --> 00:19:37,666 WELL, THERE'S NOTHING YOU CAN DO ABOUT IT NOW, GEORGE. 330 00:19:37,728 --> 00:19:40,595 SO SAY HELLO TO YOUR GUESTS. GO ON. CIRCULATE. 331 00:19:40,659 --> 00:19:43,593 CIRCULATE? AIN'T EVEN ENOUGH ROOM TO STAND STILL. 332 00:19:45,821 --> 00:19:48,232 HI, GEORGE. YOU KNOW THE NELSONS. OH, YEAH. HI. 333 00:19:48,251 --> 00:19:52,353 HELLO, JEFFERSON. I MUST SAY WE'RE DELIGHTED THAT YOU'RE LEADING THE PROTEST. 334 00:19:52,414 --> 00:19:54,648 AREN'T WE, MARIAN? ENCHANTED. 335 00:19:54,713 --> 00:19:57,413 YES, YOU COLORED FOLK CAN TEACH US A LOT. 336 00:19:59,941 --> 00:20:01,875 YOU KNOW, HOW TO BE MILITANT. 337 00:20:01,939 --> 00:20:03,917 WHO YOU CALLING MILITANT? I'M A BUSINESSMAN. 338 00:20:03,937 --> 00:20:05,982 DO I LOOK LIKE A MILITANT TO YOU? WELL, I... 339 00:20:06,002 --> 00:20:11,706 MR. JEFFERSON. MR. JEFFERSON, WAIT. WAIT. I WANT YOU TO SAY HELLO TO LUDWIG. 340 00:20:11,763 --> 00:20:15,599 HELLO, LUDWIG. AND DON'T YOU CALL ME A MILITANT. 341 00:20:15,660 --> 00:20:19,462 AND DON'T YOU CALL ME LUDWIG. MY NAME IS FRANK. [Doorbell Rings] 342 00:20:19,523 --> 00:20:21,534 THAT'S WHITTENDALE. I'LL GET IT. I'LL GET IT. 343 00:20:21,554 --> 00:20:23,988 NO, I'LL GET IT. I'LL GET IT. 344 00:20:28,448 --> 00:20:30,860 WHO ARE YOU? BILL SIMPSON. I BROUGHT YOUR BENCH. 345 00:20:30,880 --> 00:20:32,813 MY WHAT? YOUR SEAT. 346 00:20:32,878 --> 00:20:35,679 THE STORE FORGOT TO PUT IT ON THE TRUCK WHEN WE DELIVERED YOUR PIANO. 347 00:20:35,741 --> 00:20:37,808 YOU DELIVERED THAT? YEAH. 348 00:20:37,873 --> 00:20:39,884 COULDN'T YOU SEE IT WAS TOO BIG? YEAH. 349 00:20:39,904 --> 00:20:43,016 WHY DIDN'T YOU TAKE IT BACK? IT'S TOO BIG TO TAKE BACK. 350 00:20:43,034 --> 00:20:46,970 PIANO THAT SIZE IS JUST FOR BRINGING. 351 00:20:47,031 --> 00:20:50,867 DON'T GIVE ME NONE OF YOUR LIP! YOU'RE RUINING MY WHOLE FUTURE WITH THAT... 352 00:20:50,928 --> 00:20:54,963 DON'T YELL AT ME, MISTER. I AIN'T YELLING! I JUST GOT A LOUD VOICE! 353 00:20:59,587 --> 00:21:03,055 WILL YOU COME WITH ME, PLEASE? EXCUSE US, PLEASE. 354 00:21:03,116 --> 00:21:05,050 EXCUSE ME. 355 00:21:06,947 --> 00:21:08,665 WHERE ARE WE GOING? WE'RE GOING IN THE 356 00:21:08,685 --> 00:21:10,703 KITCHEN WHERE WE CAN TALK THIS OVER QUIETLY. 357 00:21:11,942 --> 00:21:15,043 THAT DAMN PIANO IS KILLING MY WHOLE PARTY! 358 00:21:15,105 --> 00:21:17,039 GET IT OUT OF HERE RIGHT NOW! 359 00:21:17,103 --> 00:21:19,384 MAN, YOU'RE CRAZY. I CAN'T DO THAT ALL BY MYSELF. 360 00:21:19,436 --> 00:21:22,303 WHY NOT? WHAT'S THIS, BEER FAT? 361 00:21:22,365 --> 00:21:24,343 I DIDN'T HAVE TO COME BACK TONIGHT. 362 00:21:24,363 --> 00:21:26,723 I BROUGHT YOU THAT BENCH ON MY OWN TIME, AS A FAVOR. 363 00:21:26,762 --> 00:21:28,896 A FAVOR? WHO YOU THINK YOU'RE JIVIN', TURKEY? 364 00:21:31,425 --> 00:21:34,893 TURKEY? WHO YOU CALLING A TURKEY, YOU JIVE TURKEY? 365 00:21:38,618 --> 00:21:41,018 YOU! YOU DUMB FURNITURE MOVER! 366 00:21:41,081 --> 00:21:45,951 DUMB? I DIDN'T ORDER NO PIANO WITHOUT CHECKING THE MEASUREMENTS FIRST. 367 00:21:48,109 --> 00:21:50,821 [Doorbell Rings] THAT'S HIM. IT'S WHITTENDALE. I'LL GET IT! 368 00:21:50,840 --> 00:21:52,150 I'LL GET IT. I'LL GET IT! 369 00:21:52,171 --> 00:21:54,105 THAT'S HIM. 370 00:21:55,202 --> 00:21:57,068 I'LL GET IT. 371 00:21:59,599 --> 00:22:01,919 I'LL GET IT, MR. JEFFERSON. 372 00:22:13,985 --> 00:22:17,553 WELL, COME IN, MR. WHITTENDALE. COME IN. 373 00:22:17,615 --> 00:22:20,483 - MR. JEFFERSON? - IN PERSON. BUT YOU CAN CALL ME GEORGE. 374 00:22:20,546 --> 00:22:24,882 THANK YOU, AND YOU CAN CALL ME MR. CURTIS. OH. 375 00:22:24,941 --> 00:22:28,543 - YOU AIN'T MR. WHITTENDALE? - NO, I'M MR. WHITTENDALE'S REPRESENTATIVE. 376 00:22:28,605 --> 00:22:31,906 - WHAT TIME'S HE COMING DOWN? - I'M AFRAID HE'S NOT, MR. JEFFERSON. 377 00:22:31,969 --> 00:22:34,770 BUT HE DID REQUEST THAT I CONVEY HIS SENTIMENTS TO YOU. 378 00:22:34,834 --> 00:22:37,434 OH, WELL, DO COME IN. THANK YOU. 379 00:22:37,497 --> 00:22:43,100 THESE ARE THE OTHER TENANTS, MY FAMILY AND MY WIFE, MRS. JEFFERSON. 380 00:22:43,159 --> 00:22:44,826 HELLO. HELLO. 381 00:22:44,890 --> 00:22:47,602 WELL, WELL. ARE YOU A MUSIC LOVER, MR. JEFFERSON? 382 00:22:47,621 --> 00:22:49,688 OH, SURE, JUST LIKE MR. WHITTENDALE HIMSELF. 383 00:22:49,753 --> 00:22:52,220 WHY DON'T YOU PLAY SOMETHING FOR US, MR. JEFFERSON? 384 00:22:52,283 --> 00:22:54,351 OH, YEAH! [Tom] GEORGE, PLAY SOMETHING. 385 00:22:54,415 --> 00:22:56,993 WELL, I'D BE GLAD TO, BUT IT'S BROKEN. NO, IT AIN'T. 386 00:22:57,012 --> 00:23:00,932 YES, IT IS. YES, IT IS. NO, IT AIN'T. NO, IT AIN'T. 387 00:23:10,999 --> 00:23:13,367 EXCUSE ME. EXCUSE ME. 388 00:23:13,432 --> 00:23:15,465 HAVEN'T WE MET SOMEWHERE BEFORE? 389 00:23:15,530 --> 00:23:17,508 NO, HE AIN'T A TENANT. HE'S JUST A PIANO MOVER. 390 00:23:17,528 --> 00:23:21,496 MAYBE THE MOON BEAM CLUB. THAT'S IT. THE MOON BEAM. 391 00:23:21,557 --> 00:23:26,092 YOU ARE BILL SIMPSON. OH, MY WIFE AND I JUST LOVE THE WAY YOU PLAY. 392 00:23:26,152 --> 00:23:29,654 - THANK YOU. - WHAT ARE YOU DOING MOVING PIANOS AROUND? 393 00:23:29,717 --> 00:23:32,584 JUST HELPING OUT A FRIEND WHO OWNS A PIANO STORE. 394 00:23:32,647 --> 00:23:35,615 WELL, I SEE. WOULD YOU BE AVAILABLE TO PLAY... 395 00:23:35,678 --> 00:23:39,379 AT MR. WHITTENDALE'S PARTY NEXT SATURDAY NIGHT? 396 00:23:39,441 --> 00:23:42,074 - FOR A HANDSOME FEE, OF COURSE. - SURE. 397 00:23:42,138 --> 00:23:47,141 HERE'S MY CARD. JUST WRITE YOUR AGENT'S NAME AND NUMBER THERE, PLEASE. 398 00:23:47,200 --> 00:23:50,302 AND BE SURE YOU TELL MR. WHITTENDALE I DISCOVERED YOU. 399 00:23:52,529 --> 00:23:55,830 NOW, I GATHER THAT YOU ARE ALSO RESPONSIBLE FOR THIS MEETING. 400 00:23:55,893 --> 00:23:58,093 YES, I AM. I AM THE CHAIRMAN. 401 00:23:58,157 --> 00:24:00,791 AND YOU SENT THIS LETTER? 402 00:24:00,854 --> 00:24:03,021 NO, BUT THE P.S. PART IS MINE. 403 00:24:03,086 --> 00:24:05,287 THAT DUMB LANDLORD IS GIVING US A BAD TIME, 404 00:24:05,350 --> 00:24:07,328 AND WE'RE GONNA DO SOMETHING ABOUT IT, RIGHT? 405 00:24:07,349 --> 00:24:09,516 [All] RIGHT! 406 00:24:09,580 --> 00:24:14,149 IN THAT CASE, MR. WHITTENDALE HAS ASKED ME TO READ THIS STATEMENT. 407 00:24:14,209 --> 00:24:16,187 HEY, THAT'S GREAT. EVERYBODY LISTEN TO THIS. 408 00:24:16,207 --> 00:24:18,007 "DEAR MR. JEFFERSON, 409 00:24:18,072 --> 00:24:21,240 "SINCE THIS BUILDING IS OWNED AND OPERATED BY THE COLBY CORPORATION... 410 00:24:21,303 --> 00:24:24,571 "WHICH ALSO CONTROLS THE WHITTENDALE NATIONAL BANK, 411 00:24:24,634 --> 00:24:27,701 "IT WOULD BE A CONFLICT OF INTERESTS FOR ME, AS YOUR LANDLORD, 412 00:24:27,764 --> 00:24:30,531 - TO ATTEND A PROTEST MEETING." - LANDLORD? 413 00:24:30,594 --> 00:24:33,895 MR. WHITTENDALE OWNS THE BUILDING? UH-HUH. 414 00:24:37,255 --> 00:24:40,656 "FURTHERMORE, I DEEPLY RESENT THE FACT THAT YOU, OUR NEWEST TENANT, 415 00:24:40,719 --> 00:24:45,521 "SEE FIT TO BECOME A TROUBLEMAKER BY MAKING UNSUBSTANTIATED CHARGES... 416 00:24:45,581 --> 00:24:47,514 "AGAINST THE BUILDING MANAGEMENT. 417 00:24:47,579 --> 00:24:50,813 "AND, MR. JEFFERSON, IF THESE EFFORTS DON'T CEASE IMMEDIATELY, 418 00:24:50,875 --> 00:24:52,808 "WE SHALL SEEK LEGAL RECOURSE. 419 00:24:52,874 --> 00:24:55,908 SIGNED, H.L. WHITTENDALE." 420 00:24:58,868 --> 00:25:02,069 OH, THANK YOU. AND GOOD NIGHT, MR. SIMPSON. 421 00:25:02,132 --> 00:25:04,299 IT'S BEEN A REAL PLEASURE MEETING YOU, SIR. 422 00:25:04,364 --> 00:25:06,297 OH, THE PLEASURE'S MINE. 423 00:25:07,660 --> 00:25:10,328 WELL, YOU GOT YOUR WISH. 424 00:25:10,391 --> 00:25:12,925 GEORGE JEFFERSON IS ONE NAME... 425 00:25:12,988 --> 00:25:17,191 H.L. WHITTENDALE AIN'T GONNA EVER FORGET. 426 00:25:20,049 --> 00:25:23,296 WELL, DON'T JUST SIT THERE. PLAY SOMETHING. 427 00:25:23,313 --> 00:25:25,546 ? THE PARTY'S OVER ?? 428 00:25:29,174 --> 00:25:32,542 ?? [Continues, Indistinct] 429 00:25:32,605 --> 00:25:36,807 ?? [Woman Humming] 430 00:25:36,866 --> 00:25:41,869 ?? [Humming Continues] 431 00:25:54,351 --> 00:25:59,221 [Louise] THE JEFFERSONS WAS RECORDED ON TAPE IN FRONT OF A STUDIO AUDIENCE. 432 00:26:04,928 --> 00:26:07,563 ? MOVIN', MOVIN' ON UP ?? 433 00:26:07,613 --> 00:26:12,163 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 36991

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