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1
00:00:01,366 --> 00:00:02,811
? WELL, WE'RE MOVIN' ON UP ?
? MOVIN' ON UP ?
2
00:00:02,832 --> 00:00:05,766
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
3
00:00:05,829 --> 00:00:10,966
? TO A DELUXE
APARTMENT IN THE SKY ?
4
00:00:11,025 --> 00:00:13,258
? MOVIN' ON UP ?
? MOVIN' ON UP ?
5
00:00:13,322 --> 00:00:16,290
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
6
00:00:16,352 --> 00:00:20,154
? WE FINALLY GOT
A PIECE OF THE PIE ?
7
00:00:22,015 --> 00:00:24,583
? FISH DON'T FRY
IN THE KITCHEN ?
8
00:00:24,645 --> 00:00:27,212
? BEANS DON'T
BURN ON THE GRILL ?
9
00:00:27,276 --> 00:00:29,810
? TOOK A WHOLE LOT OF TRYIN' ?
10
00:00:29,874 --> 00:00:32,374
? JUST TO GET UP THAT HILL ?
11
00:00:32,439 --> 00:00:34,806
? NOW WE'RE UP IN
THE BIG LEAGUES ?
12
00:00:34,870 --> 00:00:37,503
? GETTIN' OUR TURN AT BAT ?
13
00:00:37,568 --> 00:00:40,035
? AS LONG AS WE LIVE
IT'S YOU AND ME, BABY ?
14
00:00:40,098 --> 00:00:41,409
? AIN'T NOTHIN'
WRONG WITH THAT ?
15
00:00:41,430 --> 00:00:44,765
? WELL, WE'RE MOVIN' ON UP ?
? MOVIN' ON UP ?
16
00:00:44,827 --> 00:00:47,662
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
17
00:00:47,724 --> 00:00:52,260
? TO A DELUXE
APARTMENT IN THE SKY ?
18
00:00:52,320 --> 00:00:55,522
? MOVIN' ON UP ?
? MOVIN' ON UP ?
19
00:00:55,584 --> 00:00:58,184
? TO THE EAST SIDE ?
? MOVIN' ON UP ?
20
00:00:58,248 --> 00:01:05,353
? WE FINALLY GOT A
PIECE OF THE PIE ??
21
00:01:07,973 --> 00:01:10,340
MMM. DELICIOUS.
22
00:01:10,404 --> 00:01:13,204
THESE BAGELS, LOX AND CREAM
CHEESE ARE SOMETHING ELSE.
23
00:01:13,267 --> 00:01:15,701
MM-HMM. JEWISH SOUL FOOD.
24
00:01:18,763 --> 00:01:20,997
I JUST WISH I COULD
STOP FEELING GUILTY.
25
00:01:21,061 --> 00:01:23,996
WHY YOU FEELING
GUILTY? JEWS EAT RIBS.
26
00:01:25,823 --> 00:01:29,090
SOME OF 'EM EVEN EAT WATERMELON.
27
00:01:29,153 --> 00:01:32,889
IT'S NOT WHAT WE'RE EATING.
IT'S THE TIME WE'RE EATING IT.
28
00:01:32,950 --> 00:01:36,652
11:00 ON A SUNDAY MORNING AND WE'RE
JUST HAVING BREAKFAST. THAT'S SINFUL.
29
00:01:36,714 --> 00:01:39,274
NO, IT AIN'T 'CAUSE THIS
AIN'T BREAKFAST. IT'S BRUNCH.
30
00:01:40,310 --> 00:01:42,511
- BRUNCH?
- THE RICH FOLKS INVENTED IT...
31
00:01:42,574 --> 00:01:44,719
SO THEY WOULDN'T HAVE TO WORRY
ABOUT GETTING UP TOO LATE FOR BREAKFAST...
32
00:01:44,739 --> 00:01:47,673
OR TOO EARLY FOR LUNCH,
SO THEY CALL IT BRUNCH.
33
00:01:47,737 --> 00:01:52,773
WHAT DO WE EAT IF WE DON'T GET
UP UNTIL THE AFTERNOON? "DINCH"?
34
00:01:55,463 --> 00:01:57,663
THAT'S NOT A BAD IDEA, WEEZY.
35
00:01:57,727 --> 00:02:01,095
THAT'S HOW RICH FOLKS GET
MORE TIME TO ENJOY THEIR MONEY...
36
00:02:01,157 --> 00:02:04,526
BECAUSE THEY MAKE ONE MEAL DO
THE WORK OF TWO; I CALL THAT SMART.
37
00:02:04,588 --> 00:02:09,457
WHEN WE HAD TO DO IT IN
HARLEM, IT WAS CALLED POVERTY.
38
00:02:09,517 --> 00:02:12,696
YOU KNOW SOMETHING? I BET
YOU MY BANKER, H.L. WHITTENDALE,
39
00:02:12,714 --> 00:02:16,215
IS HAVING HIS BRUNCH RIGHT
NOW, UP THERE IN THE PENTHOUSE.
40
00:02:16,277 --> 00:02:18,489
YOU KNOW SOMETHING ELSE?
HIS CHAUFFEUR TOLD ME...
41
00:02:18,509 --> 00:02:20,943
HE ALWAYS EATS EGGS
BENEDICT EVERY MORNING.
42
00:02:21,006 --> 00:02:22,473
THAT'S CLASS.
43
00:02:22,538 --> 00:02:24,572
THIS MIGHT COME
AS A SHOCK TO YOU,
44
00:02:24,636 --> 00:02:28,738
BUT I DON'T CARE IF WHITTENDALE EATS
SHREDDED WHEAT THROUGH A STRAW.
45
00:02:30,264 --> 00:02:32,465
WELL, YOU SHOULD
CARE 'CAUSE I CARE.
46
00:02:32,529 --> 00:02:37,632
I WANT THE NAME GEORGE JEFFERSON TO BE
A NAME H.L. WHITTENDALE WILL NEVER FORGET.
47
00:02:37,691 --> 00:02:42,026
I'M SICK AND TIRED OF HEARING
YOU TALK ABOUT WHITTENDALE.
48
00:02:42,087 --> 00:02:46,356
H.L. WHITTENDALE IS HEAD OF
WHITTENDALE NATIONAL BANK, LOUISE, AND...
49
00:02:46,416 --> 00:02:48,628
[Both] HE COULD BE VERY
IMPORTANT TO ME AND MY BUSINESS.
50
00:02:48,648 --> 00:02:51,582
AND LIVING HERE IS A GREAT
CHANCE TO GET TO MEET HIM.
51
00:02:53,243 --> 00:02:56,611
SEE? EVEN YOU AGREE.
52
00:02:56,674 --> 00:03:02,010
HAS IT EVER OCCURRED TO YOU, GEORGE,
THAT WHITTENDALE MIGHT NOT WANNA MEET YOU?
53
00:03:02,068 --> 00:03:06,037
THAT'S RIDICULOUS, WEEZY. LOOK,
WE'RE AT A NEW STATION IN LIFE.
54
00:03:06,098 --> 00:03:09,366
SO WHY DON'T YOU STOP KNOCKING
IT AND BRING OUT SOME MORE BAGELS?
55
00:03:09,429 --> 00:03:14,532
I'M NOT KNOCKING IT. BUT I'VE GOT
TO KEEP REMEMBERING WHO I AM.
56
00:03:14,590 --> 00:03:19,293
I DON'T MIND LIVING UP TO OUR MONEY ALL
WEEK, BUT I'VE GOTTA HAVE SUNDAYS OFF.
57
00:03:25,147 --> 00:03:28,716
ONE DAY A WEEK, I'VE GOT
TO BE TRUE TO MY ROOTS...
58
00:03:28,778 --> 00:03:31,344
TO RELAX AND BE ME.
59
00:03:31,409 --> 00:03:33,308
? HAVA NAGILA ?
60
00:03:33,374 --> 00:03:35,073
? HAVA NAGILA ??
61
00:03:40,067 --> 00:03:43,703
HEY, THERE'S SOMETHING ELSE
WE NEED FOR OUR NEW STATION.
62
00:03:43,765 --> 00:03:46,632
YOU SEEN THESE PICTURES OF
THEM RICH FOLKS' HOMES? UH-HUH.
63
00:03:46,695 --> 00:03:49,741
LOOK AT THIS PICTURE. YOU NOTICE
ANYTHING SPECIAL ABOUT THE FURNITURE?
64
00:03:49,759 --> 00:03:52,926
YEAH. IT LOOKS LIKE
NOBODY EVER SITS ON IT.
65
00:03:54,354 --> 00:03:56,921
I DON'T MEAN THAT. TAKE
A LOOK AT THIS PICTURE.
66
00:03:56,985 --> 00:03:59,597
WHAT'S SITTING IN THAT LIVING ROOM
WITH THE GLEAMING WHITE TEETH...
67
00:03:59,616 --> 00:04:02,784
THAT WE AIN'T GOT
HERE? LIBERACE.
68
00:04:04,179 --> 00:04:07,080
I MEAN, WHAT'S LIBERACE
GOT THAT WE AIN'T GOT?
69
00:04:07,142 --> 00:04:10,077
A CLOSET FULL OF CANDLES?
70
00:04:10,139 --> 00:04:13,441
HE'S GOT A PIANO. THAT'S
WHAT WE NEED... A PIANO.
71
00:04:13,504 --> 00:04:17,050
WEEZY, YOU'LL LOVE IT. SEE HOW
GOOD A PIANO MAKES THEM PLACES LOOK?
72
00:04:17,067 --> 00:04:21,035
YES, BUT THOSE ARE BIG HOMES.
THAT'S OLD MONEY, GEORGE.
73
00:04:21,096 --> 00:04:23,897
SO? THE ONLY DIFFERENCE BETWEEN
OLD MONEY AND NEW MONEY...
74
00:04:23,961 --> 00:04:26,628
IS THAT THE NEW
MONEY CRACKLES MORE.
75
00:04:26,692 --> 00:04:29,137
WHICH IS GOOD BECAUSE IF
PEOPLE CAN'T SEE YOU'VE GOT IT,
76
00:04:29,156 --> 00:04:31,516
THEY CAN HEAR YOU'VE GOT IT.
77
00:04:34,052 --> 00:04:36,519
WHY BOTHER TO BUY A PIANO?
78
00:04:36,583 --> 00:04:39,784
JUST HANG UP A FRAMED
PICTURE OF YOUR BANK BALANCE.
79
00:04:41,178 --> 00:04:43,618
NO, THAT WOULD BE SHOWING OFF.
80
00:04:45,475 --> 00:04:49,176
SEE, A PIANO WOULD BRING
REAL CLASS TO THIS PLACE.
81
00:04:49,237 --> 00:04:52,405
[Doorbell Rings]
82
00:04:52,468 --> 00:04:55,436
THAT'S GREAT. NOW WHAT ARE
YOU GONNA DO FOR AN ENCORE?
83
00:04:55,498 --> 00:04:57,765
ANSWER THE DOOR.
84
00:04:59,362 --> 00:05:01,295
GOOD MORNING.
85
00:05:05,889 --> 00:05:09,191
HI, BENTLEY. WHAT DID YOU DO, LOCK
YOURSELF OUT IN YOUR DOCTOR DENTONS?
86
00:05:09,252 --> 00:05:13,422
THESE AREN'T MY PAJAMAS. I'VE
BEEN JOGGING. MAY I COME IN?
87
00:05:13,482 --> 00:05:15,482
ONLY IF YOU TURN OFF YOUR MOTOR.
88
00:05:15,547 --> 00:05:17,525
COME IN, MR. BENTLEY. THANK YOU.
89
00:05:17,545 --> 00:05:20,179
THAT'S THE FUNNY PART
ABOUT GOING FOR A RUN.
90
00:05:20,242 --> 00:05:22,390
AFTER YOU'VE FINISHED
RUNNING, YOU'VE GOT
91
00:05:22,410 --> 00:05:24,741
TO KEEP RUNNING BEFORE
YOU CAN STOP RUNNING.
92
00:05:24,805 --> 00:05:28,072
SOMETHING TO DO WITH
LETTING THE MUSCLES UNWIND.
93
00:05:29,901 --> 00:05:33,035
IT'S THE, UH, SUDDEN
STOP THAT CAN HURT YOU.
94
00:05:34,796 --> 00:05:37,563
INCIDENTALLY, DID YOU
HEAR ABOUT THAT MAN...
95
00:05:37,627 --> 00:05:40,762
WHO FELL FROM THE 89th FLOOR
OF THE EMPIRE STATE BUILDING...
96
00:05:40,824 --> 00:05:43,057
- AND LIVED TO TELL ABOUT IT?
- NO.
97
00:05:43,121 --> 00:05:48,625
YES. HE TOLD THE PEOPLE ON THE 88th
FLOOR, THE 87th FLOOR, THE 86th FLOOR...
98
00:05:48,684 --> 00:05:52,619
UH, WOULD YOU LIKE
SOME COFFEE AND A BAGEL?
99
00:05:52,680 --> 00:05:54,613
BAGELS. MARVELOUS.
100
00:05:54,678 --> 00:05:56,756
YOU DON'T MIND IF I
TAKE THIS WITH ME?
101
00:05:56,776 --> 00:05:59,154
I JUST POPPED IN TO TELL YOU
THAT THE WILLISES ARE THINKING...
102
00:05:59,174 --> 00:06:02,876
OF HOLDING A TENANTS' PROTEST MEETING, AND
WE WERE WONDERING IF YOU'D CARE TO COME.
103
00:06:02,937 --> 00:06:04,871
I AIN'T GETTING
INVOLVED IN NO PROTESTS.
104
00:06:04,935 --> 00:06:07,169
- BUT, GEORGE...
- NO WAY, LOUISE.
105
00:06:07,233 --> 00:06:11,769
WE CAN AFFORD TO SIT BACK AND WATCH
WHITEY DOING THE MARCHING FOR A CHANGE.
106
00:06:15,192 --> 00:06:19,495
WELL, I DON'T THINK IT'S A
MARCH, JUST A STAND-UP BUFFET.
107
00:06:21,721 --> 00:06:25,489
WE JUST MOVED INTO THE BUILDING,
AND I DON'T WANNA MAKE NO WAVES.
108
00:06:25,550 --> 00:06:27,528
BESIDES, WE AIN'T GOT
NOTHING TO PROTEST ABOUT.
109
00:06:27,548 --> 00:06:30,860
YOU HAPPY HERE, AIN'T YOU? YES,
BUT PEOPLE SHOULD STICK TOGETHER.
110
00:06:30,878 --> 00:06:33,023
YOU STICK TOGETHER
WHEN YOU'RE SUFFERING.
111
00:06:33,043 --> 00:06:35,176
WE ALREADY DONE OUR SUFFERING.
112
00:06:36,540 --> 00:06:40,408
I SEE YOUR POINT.
WELL, NOT TO WORRY.
113
00:06:40,470 --> 00:06:43,338
[Speaking Russian]
114
00:06:43,400 --> 00:06:46,101
UH-OH. THERE'S A NEW
ONE. WHAT'S THAT MEAN?
115
00:06:46,164 --> 00:06:49,132
WELL, THAT'S RUSSIAN
FOR... [Speaking French]
116
00:06:49,195 --> 00:06:51,435
WHICH, OF COURSE,
IS FRENCH FOR...
117
00:06:57,421 --> 00:07:00,054
I THINK YOU COULD AT
LEAST HAVE LISTENED TO HIM.
118
00:07:00,118 --> 00:07:04,921
HE SPEAKS FIVE DIFFERENT LANGUAGES
AND DON'T SAY NOTHING IN ALL OF 'EM.
119
00:07:04,980 --> 00:07:08,394
I DON'T UNDERSTAND THAT DUDE WHEN
HE'S SUPPOSED TO BE TALKING ENGLISH.
120
00:07:08,411 --> 00:07:11,645
AND SOMETIMES I UNDERSTAND
HIM BETTER THAN I DO YOU.
121
00:07:11,708 --> 00:07:15,276
WELL, UNDERSTAND THIS. I JUST GOT ME A
BRAND-NEW THREE-YEAR APARTMENT LEASE,
122
00:07:15,338 --> 00:07:17,605
AND I AIN'T MAKING NO
WAVES. BUT, GEORGE...
123
00:07:17,670 --> 00:07:22,573
I DON'T WANT YOU JUMPING IN THOSE MEETINGS
NEITHER BECAUSE YOU'D MAKE A TIDAL WAVE.
124
00:07:22,631 --> 00:07:24,764
NOW, YOU WATCH IT, GEORGE.
125
00:07:24,829 --> 00:07:28,030
ALL RIGHT, LOUISE, CALM
DOWN. I'M SORRY. SIT DOWN.
126
00:07:28,093 --> 00:07:32,062
ALL I'M TRYING TO SAY IS WE SHOULD
JUST TRY TO PLAY IT COOL FOR A WHILE.
127
00:07:32,122 --> 00:07:35,090
THIS IS A GREAT APARTMENT,
AIN'T IT? OF COURSE IT IS.
128
00:07:35,153 --> 00:07:37,387
AND WHEN WE GET OUR PIANO,
IT'S GONNA BE EVEN BETTER.
129
00:07:37,451 --> 00:07:40,852
YOU STILL ON THAT? SURE.
ALL RICH FOLKS GOT PIANOS.
130
00:07:40,914 --> 00:07:45,184
HOW COME WE AIN'T GOT ONE? MAYBE IT'S
BECAUSE NOBODY AROUND HERE CAN PLAY ONE.
131
00:07:45,244 --> 00:07:47,911
WE GOT A FANCY
FRENCH WRITING DESK...
132
00:07:47,975 --> 00:07:50,909
AND NOBODY AROUND HERE
WRITES FRENCH NEITHER.
133
00:07:54,270 --> 00:07:56,870
WE DON'T NEED A
PIANO. SURE WE DO.
134
00:07:56,933 --> 00:08:00,435
SEE, WEEZY, THAT'S YOUR TROUBLE.
YOU DON'T HAVE ANY SENSE OF VALUES.
135
00:08:00,497 --> 00:08:05,033
THE IMPORTANT THING IS NOT TO BE ABLE
TO PLAY IT. IT'S TO BE ABLE TO AFFORD IT.
136
00:08:07,358 --> 00:08:10,058
SO, YOU'RE GONNA ORDER US A
PIANO FIRST THING IN THE MORNING.
137
00:08:10,121 --> 00:08:13,556
I DON'T KNOW ANYTHING
ABOUT BUYING PIANOS.
138
00:08:13,619 --> 00:08:16,853
WHAT'S TO KNOW? YOU JUST PHONE UP
AND ORDER THE BEST ONE IN THE STORE.
139
00:08:16,914 --> 00:08:18,981
[Doorbell Rings]
140
00:08:19,046 --> 00:08:21,580
OKAY, I'LL ORDER YOUR PIANO.
141
00:08:21,644 --> 00:08:26,247
MAYBE WE'LL GET A DISCOUNT IF I
TELL THEM IT'S JUST FOR LOOKING AT.
142
00:08:26,306 --> 00:08:28,240
HELLO. OH, HI.
143
00:08:28,305 --> 00:08:32,274
- IT'S HELEN WILLIS, GEORGE.
- OH! NOW GIVE ME THE GOOD NEWS.
144
00:08:33,633 --> 00:08:36,579
WHY, HELLO, GEORGE. I
THOUGHT YOU'D BE IN CHURCH...
145
00:08:36,598 --> 00:08:40,366
PRAYING FOR A FULL
RETURN TO MENTAL HEALTH.
146
00:08:44,190 --> 00:08:47,725
ANYWAY, LOUISE, A FEW OF
THE TENANTS IN THE BUILDING...
147
00:08:47,786 --> 00:08:49,764
ARE GETTING TOGETHER
TO HAVE A MEETING...
148
00:08:49,784 --> 00:08:51,904
OH, THE PROTEST
MEETING. [Doorbell Rings]
149
00:08:51,949 --> 00:08:53,949
BENTLEY ALREADY LAID THAT ON US.
150
00:08:56,113 --> 00:08:58,746
UH-OH. MORE BAD NEWS.
WHAT DO YOU WANT?
151
00:08:58,810 --> 00:09:01,222
I'D LIKE TO SPEAK TO MY
WIFE IF YOU DON'T MIND.
152
00:09:01,242 --> 00:09:03,220
HELEN, I CAN'T FIND
MY FOUNTAIN PEN.
153
00:09:03,240 --> 00:09:06,475
USE ONE OF THE BALLPOINT PENS.
THERE ARE LOTS OF THEM ON YOUR DESK.
154
00:09:06,536 --> 00:09:10,472
BALLPOINT PENS ARE NOT FOR
WRITING. THEY'RE FOR MAKING MARKS.
155
00:09:10,533 --> 00:09:13,279
I NEED A PEN WITH A POINT. WHAT
HAVE YOU DONE WITH MY PEN?
156
00:09:13,297 --> 00:09:16,264
I DON'T KNOW. I MIGHT HAVE
TAKEN IT TO DO THE MARKETING LIST.
157
00:09:17,893 --> 00:09:19,826
YOU WROTE WITH IT?
158
00:09:23,621 --> 00:09:27,723
WHAT ARE YOU SUPPOSED TO
DO WITH A PEN? PAINT THE WALLS?
159
00:09:27,784 --> 00:09:30,329
DON'T YOU KNOW WHAT A
STRANGE HAND CAN DO TO THE NIB?
160
00:09:30,348 --> 00:09:32,493
THEY DON'T MAKE NIBS LIKE THAT
ANYMORE. [George] LOOK, YOU TWO.
161
00:09:32,513 --> 00:09:37,083
I DON'T LIKE NO ARGUMENTS
IN MY HOUSE. WHAT?
162
00:09:43,136 --> 00:09:45,836
YOU STAY OUT OF THIS, LOUISE.
IF YOU WANNA HAVE AN ARGUMENT,
163
00:09:45,900 --> 00:09:48,834
YOU TAKE IT UPSTAIRS TO YOUR
OWN APARTMENT WHERE IT BELONGS.
164
00:09:48,897 --> 00:09:51,209
JUST AS SOON AS I FIND OUT
WHAT HAPPENED TO MY PEN.
165
00:09:51,229 --> 00:09:53,709
WHERE IS IT? IT'S AROUND.
MAYBE IN THE KITCHEN.
166
00:09:53,760 --> 00:09:56,839
AND I BETTER FIND IT OR I'M GONNA
TURN THAT APARTMENT UPSIDE DOWN.
167
00:09:56,857 --> 00:09:58,924
TOM, YOU'RE JUST
BEING PLAIN SILLY.
168
00:09:58,988 --> 00:10:01,356
NO, I'M NOT. I HAVE
TO DO MY WORK NOW.
169
00:10:01,420 --> 00:10:04,654
I'M READY TO DO MY WORK
NOW, BUT I CAN'T BECAUSE OF YOU.
170
00:10:04,716 --> 00:10:07,529
YOU JUST DON'T UNDERSTAND. YOU
KNOW WHAT YOU ARE? YOU ARE A...
171
00:10:07,548 --> 00:10:09,948
UH-OH. HERE IT COMES.
HE'S GONNA SAY IT NOW.
172
00:10:12,310 --> 00:10:14,522
YOU'RE DAMN RIGHT
I'M GONNA SAY IT.
173
00:10:14,541 --> 00:10:16,719
YOU ARE A WOMAN,
A TYPICAL WOMAN.
174
00:10:16,739 --> 00:10:18,772
THAT'S A TERRIBLE THING TO SAY.
175
00:10:18,837 --> 00:10:20,815
I DON'T THINK
THAT'S SO TERRIBLE.
176
00:10:20,835 --> 00:10:23,635
I THOUGHT HE WAS GONNA
CALL HER A... GEORGE!
177
00:10:28,030 --> 00:10:30,630
I'M JUST A TERRIBLE WIFE.
THAT'S WHAT I AM, HUH?
178
00:10:30,692 --> 00:10:32,993
YOU BET YOU ARE.
179
00:10:33,058 --> 00:10:36,959
AND YOU COULD BE IN BIG TROUBLE
IF I DIDN'T LOVE YOU SO MUCH.
180
00:10:37,021 --> 00:10:39,888
BIG TROUBLE.
181
00:10:39,951 --> 00:10:42,719
HOW ABOUT YOU GOING WITH HIM?
182
00:10:44,314 --> 00:10:47,548
I'LL LEAVE AS SOON AS I GET YOUR
ANSWER ABOUT THE PROTEST MEETING.
183
00:10:47,611 --> 00:10:48,641
SHALL WE COUNT YOU IN?
184
00:10:48,663 --> 00:10:51,077
NO. YOU CAN COUNT ME OUT.
I DON'T WANT NO PART OF IT.
185
00:10:51,141 --> 00:10:53,074
BUT THE MORE SUPPORT
WE GET, THE BETTER.
186
00:10:53,140 --> 00:10:55,807
THE PARKING RATES IN THE
GARAGE ARE GOING UP 25 PERCENT.
187
00:10:55,870 --> 00:10:58,030
WHO CARES? I AIN'T GOT NO CAR.
188
00:11:00,599 --> 00:11:02,577
BUT THAT'S NOT THE ONLY THING.
189
00:11:02,597 --> 00:11:05,443
TAKE SECURITY. THEY'RE
LETTING THE NIGHT DOORMAN GO.
190
00:11:05,462 --> 00:11:07,806
I AIN'T SURPRISED. LAST TIME
I SAW THE NIGHT DOORMAN,
191
00:11:07,825 --> 00:11:11,760
HE WAS SO STONED I HAD TO
SHOW HIM WHERE THE DOOR WAS.
192
00:11:11,822 --> 00:11:14,656
THEY'RE CUTTING DOWN ON
SERVICES ANY WAY THEY CAN.
193
00:11:14,719 --> 00:11:17,531
THAT'S WHY WE'RE TRYING TO GET EVERYBODY
WHO'S IMPORTANT IN THIS BUILDING...
194
00:11:17,550 --> 00:11:20,352
YOU FOLKS, THE
McALLISTERS, THE LACHMANS,
195
00:11:20,414 --> 00:11:23,349
THE WHITTENDALES, THE NELSONS...
196
00:11:23,412 --> 00:11:26,246
DID YOU SAY
WHITTENDALE? THE BANKER?
197
00:11:26,309 --> 00:11:28,943
YEAH. WE INVITED HIM TOO.
WE'RE INVITING EVERYBODY...
198
00:11:29,007 --> 00:11:31,052
WHO'S CONCERNED ABOUT
THE PROBLEMS IN THE BUILDING.
199
00:11:31,072 --> 00:11:34,006
YOU KNOW, YOU'RE RIGHT. YOU
MAKE A WHOLE LOT OF SENSE.
200
00:11:35,401 --> 00:11:38,102
WE DO HAVE PROBLEMS IN
THIS BUILDING. BIG PROBLEMS.
201
00:11:38,165 --> 00:11:41,866
COME ON, GEORGE. YOU JUST
SAID WE HAD NO PROBLEMS AT ALL.
202
00:11:41,928 --> 00:11:45,063
THAT'S BECAUSE I DIDN'T
WANNA WORRY YOU.
203
00:11:45,125 --> 00:11:49,194
WE GOT LOTS OF TROUBLE. THIS
APARTMENT HAPPENS TO BE THE APARTMENT...
204
00:11:49,255 --> 00:11:51,800
WHICH NEEDS MORE ATTENTION
THAN ALL THE OTHERS PUT TOGETHER.
205
00:11:51,819 --> 00:11:54,853
THAT'S WHY I THINK WE OUGHT
TO HAVE THE MEETING RIGHT HERE.
206
00:11:54,916 --> 00:11:57,616
YOU MEAN YOU WANNA
HOLD THAT MEETING HERE?
207
00:11:57,680 --> 00:12:00,781
SURE. AND SHOW THEM
HOW TO DO IT IN STYLE.
208
00:12:00,844 --> 00:12:03,412
FREE FOOD, FREE
BOOZE AND FREE MUSIC...
209
00:12:03,475 --> 00:12:06,243
ON OUR BRAND-NEW
LITTLE OLD PIANO.
210
00:12:06,307 --> 00:12:08,318
I'LL TELL YOU WHAT ELSE
I'M GONNA DO FOR YOU.
211
00:12:08,338 --> 00:12:11,439
JUST GIVE ME THOSE INVITATIONS AND
I'LL PUT MY OWN PERSONAL P.S. ON IT...
212
00:12:11,501 --> 00:12:13,435
TO MAKE SURE WHITTENDALE COMES.
213
00:12:13,499 --> 00:12:16,600
I HEAR IT, BUT I DON'T
BELIEVE IT. YOU CAN BELIEVE IT.
214
00:12:16,663 --> 00:12:21,900
SURE. I ALWAYS SAY, IF YOU WANNA
GET ANYWHERE, YOU GOTTA MAKE WAVES.
215
00:12:21,959 --> 00:12:23,892
RIGHT, WEEZY?
216
00:12:38,044 --> 00:12:41,946
[Doorbell Rings] DOORBELL,
MRS. JEFFERSON! I'LL GET IT!
217
00:12:45,537 --> 00:12:48,105
EXCUSE ME. EXCUSE ME.
218
00:12:49,267 --> 00:12:51,200
OOH!
219
00:12:56,127 --> 00:13:00,229
GOOD EVENING. WE'RE THE
NELSONS. MR. AND MRS. NELSON!
220
00:13:00,290 --> 00:13:02,223
HOW DO YOU DO?
WON'T YOU COME IN.
221
00:13:02,289 --> 00:13:04,267
IT'S SO NICE OF YOU TO
HAVE A PARTY. HOW ARE YOU?
222
00:13:04,287 --> 00:13:06,520
THE FOOD IS RIGHT OVER THERE.
223
00:13:11,646 --> 00:13:13,847
FLORENCE, I COULD KILL YOU.
224
00:13:13,911 --> 00:13:18,113
I GO OUT TO THE STORE AND YOU LET THOSE
PEOPLE BRING IN THAT MONSTER OF A PIANO.
225
00:13:18,174 --> 00:13:22,243
HOW COULD YOU HAVE DONE THAT?
WELL, YOU KNOW, I THOUGHT TO MYSELF,
226
00:13:22,303 --> 00:13:25,704
"NOTHING BUT A CRAZY PERSON WOULD
WANT SOMETHING LIKE THAT IN HERE."
227
00:13:25,767 --> 00:13:28,767
BUT THEN I REMEMBERED I WAS
WORKING FOR YOUR HUSBAND.
228
00:13:33,426 --> 00:13:35,861
SO I SAID, "BRING
IT ON IN, HONEY."
229
00:13:40,287 --> 00:13:42,221
[Doorbell Rings]
230
00:13:42,285 --> 00:13:44,219
DOORBELL, DOORBELL.
231
00:13:46,348 --> 00:13:48,849
GOOD EVENING. MR. BENTLEY!
232
00:13:48,912 --> 00:13:50,846
YES?
233
00:13:52,675 --> 00:13:55,543
FLORENCE, YOU'RE ON
DUTY, AREN'T YOU? YES, SIR.
234
00:13:55,606 --> 00:13:57,819
GOOD EVENING, MRS. JEFFERSON.
235
00:13:57,838 --> 00:13:59,938
HERE. LET ME.
236
00:14:00,002 --> 00:14:02,336
THAT DOESN'T SEEM TO
WORK EITHER, DOES IT?
237
00:14:02,400 --> 00:14:04,445
I'LL TAKE THAT. CAN
I GET YOU A DRINK?
238
00:14:04,465 --> 00:14:07,133
YES, THANK YOU. A SCOTCH, NEAT.
239
00:14:07,196 --> 00:14:10,496
DON'T WORRY. YOU'LL
GET A CLEAN GLASS.
240
00:14:10,559 --> 00:14:14,528
OH. NO, I DIDN'T MEAN I
WANTED A CLEAN GLASS.
241
00:14:14,588 --> 00:14:18,524
WELL, I DO, BUT WHAT I WANTED WAS
NO WATER AND NO ICE. THAT'S NEAT.
242
00:14:18,585 --> 00:14:21,520
THAT'S WEIRD.
243
00:14:21,582 --> 00:14:23,661
WELL, THIS IS THE BIG NIGHT, EH?
244
00:14:23,681 --> 00:14:26,115
I STILL CAN'T GET OVER YOUR
HUSBAND CHANGING HIS MIND...
245
00:14:26,179 --> 00:14:28,259
ABOUT THE TENANTS'
MEETING LIKE THIS.
246
00:14:28,310 --> 00:14:33,246
I SAY, YOU'VE-YOU'VE REARRANGED THE
FURNITURE OR SOMETHING, HAVEN'T YOU?
247
00:14:33,305 --> 00:14:35,205
[Chords Riff]
248
00:14:35,271 --> 00:14:37,704
GOOD LORD, A PIANO.
249
00:14:37,768 --> 00:14:41,369
I SAY, IT'S RATHER,
UM, LARGE, ISN'T IT?
250
00:14:41,431 --> 00:14:43,698
ABOUT AS LARGE AS THE BUMP...
251
00:14:43,762 --> 00:14:46,596
I'M GONNA RAISE ON GEORGE'S
HEAD WHEN HE GETS HOME.
252
00:14:46,660 --> 00:14:48,626
[Yells]
253
00:14:48,691 --> 00:14:53,127
I KNOW... I KNOW EXACTLY
WHAT IT NEEDS. LUDWIG.
254
00:14:53,187 --> 00:14:56,188
WHAT? LUDWIG.
I'LL BE RIGHT BACK.
255
00:14:56,252 --> 00:14:58,218
WHAT ABOUT HIS DRINK?
256
00:14:58,283 --> 00:15:01,317
I NEED IT MORE THAN
HE DOES. [Doorbell Rings]
257
00:15:01,380 --> 00:15:04,060
DOORBELL, MRS.
JEFFERSON. I KNOW.
258
00:15:09,538 --> 00:15:11,472
MR. AND MRS. WILLIS,
MRS. JEFFERSON.
259
00:15:11,536 --> 00:15:13,703
COME IN. HELLO, LOUISE.
260
00:15:13,769 --> 00:15:16,035
IF YOU CAN GET IN. THANK YOU.
261
00:15:16,100 --> 00:15:19,334
HI. HI, EVERYBODY. HELLO
THERE. HOW ARE YOU?
262
00:15:19,396 --> 00:15:21,396
HELEN, LOOK AT THIS.
263
00:15:21,461 --> 00:15:24,229
WOW. I HAVEN'T SEEN
A PIANO THIS BIG...
264
00:15:24,292 --> 00:15:27,627
SINCE BETTY GRABLE AND 30
CHORUS BOYS DANCED ON ONE.
265
00:15:28,755 --> 00:15:31,088
WELL, YOU KNOW WHAT THEY SAY...
266
00:15:31,153 --> 00:15:34,221
"LARGE OAKS FROM
LITTLE ACORNS GROW."
267
00:15:34,283 --> 00:15:37,885
WELL, THIS BIG PIANO
CAME FROM A LITTLE NUT.
268
00:15:39,845 --> 00:15:42,045
I DIDN'T KNOW
GEORGE WAS A PIANIST.
269
00:15:42,110 --> 00:15:45,388
HE ISN'T. BUT WHEN HE HEARD
MR. WHITTENDALE WAS A MUSIC LOVER,
270
00:15:45,406 --> 00:15:47,774
HE HIRED A PIANO
PLAYER TO ENTERTAIN.
271
00:15:47,838 --> 00:15:50,772
OF COURSE THE PIANO
PLAYER IS HOME WITH THE FLU.
272
00:15:50,835 --> 00:15:53,235
- YOU DON'T PLAY, DO YOU?
- NO, I DON'T. I'M SORRY.
273
00:15:53,298 --> 00:15:56,166
STILL, I MUST SAY GEORGE IS
REALLY FIGHTING FOR THE TENANTS.
274
00:15:56,230 --> 00:15:59,364
THIS POSTSCRIPT HE PUT
ON ALL THE INVITATIONS,
275
00:15:59,427 --> 00:16:01,794
NOW, THIS IS STRONG STUFF.
276
00:16:01,858 --> 00:16:05,226
YES. I DIDN'T KNOW THAT THE PAINT
WAS PEELING IN THE CORRIDORS.
277
00:16:05,288 --> 00:16:07,388
I DIDN'T KNOW WE HAD
COCKROACHES EITHER.
278
00:16:09,418 --> 00:16:11,685
IT ISN'T AND WE DON'T.
279
00:16:11,749 --> 00:16:14,416
OH, YOU MEAN GEORGE
JUST GOT CARRIED AWAY?
280
00:16:14,479 --> 00:16:17,547
NOT YET, BUT I'M STILL HOPING.
281
00:16:19,042 --> 00:16:23,244
YOU KNOW, IN MY BUILDING,
THE ROACHES ARE SO BIG...
282
00:16:23,305 --> 00:16:27,240
THAT WHEN YOU STEP ON 'EM THE
CRUNCH DROWNS OUT THE TELEVISION.
283
00:16:35,994 --> 00:16:38,194
AND THEY JUST GO SPLAT!
284
00:16:50,480 --> 00:16:53,014
OH, YOU DON'T LIKE
THEM THINGS, MR. WILLIS?
285
00:16:53,078 --> 00:16:58,447
I SEEM TO HAVE LOST MY
APPETITE FOR THE MOMENT.
286
00:16:58,506 --> 00:17:02,709
HI, EVERYBODY. MOM, LOOK WHO WE FOUND
DOWNSTAIRS IN THE DRUGSTORE. GRANDMA.
287
00:17:02,770 --> 00:17:06,171
- OH, HELLO,
MOTHER JEFFERSON. - HELLO, LOUISE.
288
00:17:06,232 --> 00:17:09,901
I SEE POP FINALLY GOT HIS PIANO. IT'S TOO
BAD THEY WERE ALL OUT OF THE BIG ONES.
289
00:17:12,094 --> 00:17:14,928
IF I HADN'T BUMPED INTO
LIONEL IN THE DRUGSTORE,
290
00:17:14,991 --> 00:17:17,925
I WOULDN'T HAVE KNOWN
YOU WERE GIVING A PARTY.
291
00:17:17,989 --> 00:17:23,726
I EXPECT MY INVITATION GOT
LOST IN THE MAIL, AS USUAL.
292
00:17:23,783 --> 00:17:27,652
IT ISN'T A PARTY, MOTHER
JEFFERSON. IT'S A TENANTS' MEETING.
293
00:17:27,713 --> 00:17:30,158
WHY DON'T YOU COME
AND HAVE A DRINK? MM.
294
00:17:30,177 --> 00:17:32,745
MRS. JEFFERSON, IS THERE
ANYTHING I CAN DO TO HELP?
295
00:17:32,808 --> 00:17:35,575
HAVE YOU GOT AN AX?
296
00:17:35,640 --> 00:17:39,742
MY, WHAT A LOVELY PIANO.
297
00:17:39,802 --> 00:17:45,506
AND WHAT FUN YOU'RE GONNA
HAVE POLISHING IT EVERY DAY, LOUISE.
298
00:17:45,563 --> 00:17:47,475
[Doorbell Rings]
[Florence] I'LL GET IT!
299
00:17:47,495 --> 00:17:50,229
I'LL GET IT! I'LL
GET IT! EXCUSE ME.
300
00:18:04,246 --> 00:18:06,546
[Screams]
301
00:18:06,612 --> 00:18:10,246
OH, IT'S ALL RIGHT. IT'S
JUST ME AND LUDWIG.
302
00:18:10,307 --> 00:18:12,574
HERE WE ARE.
303
00:18:12,639 --> 00:18:15,006
- HOME AT LAST.
- BEETHOVEN, RIGHT?
304
00:18:15,070 --> 00:18:18,871
RIGHT. AND HE'S ALL YOURS, MRS. J.
I'M SURE HE'LL BE VERY HAPPY HERE.
305
00:18:18,933 --> 00:18:22,234
OH, MR. BENTLEY,
YOU SHOULDN'T HAVE.
306
00:18:22,297 --> 00:18:25,331
I KNOW, BUT I DID IT ANYWAY.
ISN'T HE MARVELOUS?
307
00:18:25,394 --> 00:18:26,539
VERY LIFELIKE.
308
00:18:26,560 --> 00:18:30,360
YOU HAVE TO SPEAK UP. HE
WAS QUITE DEAF, YOU KNOW.
309
00:18:30,422 --> 00:18:33,591
- [Doorbell Rings]
- DOORBELL.
310
00:18:33,653 --> 00:18:35,631
GOOD EVENING. WE'RE
THE McALLISTERS.
311
00:18:35,651 --> 00:18:37,651
THE McALLISTERS, MRS. JEFFERSON!
312
00:18:37,716 --> 00:18:40,717
HOW DO YOU DO? COME
RIGHT IN. HOW DO YOU DO?
313
00:18:40,780 --> 00:18:43,146
MR. AND MRS. LACHMAN.
MR. AND MRS. LACHMAN!
314
00:18:43,211 --> 00:18:46,179
I CAN HEAR THEM, FLORENCE.
HOW DO YOU DO? MRS. JEFFERSON.
315
00:18:46,241 --> 00:18:48,241
HOW ARE YOU? COME RIGHT IN.
316
00:18:48,306 --> 00:18:51,374
WAIT, PLEASE. MR...
317
00:18:56,865 --> 00:19:00,767
MR. GEORGE JEFFERSON!
I KNOW WHO I AM.
318
00:19:00,828 --> 00:19:03,228
OH, GEORGE, I'M GLAD
YOU'RE HOME AT LAST.
319
00:19:03,292 --> 00:19:05,359
I'VE BEEN TRYING TO GET
YOU ON THE PHONE FOR HOURS.
320
00:19:05,424 --> 00:19:09,026
I GOT HELD UP IN TRAFFIC. IS WHITTENDALE
HERE YET? NOT YET, BUT EVERYBODY ELSE IS.
321
00:19:09,087 --> 00:19:12,388
GOOD. I WANNA BE THE
FIRST TO WELCOME HIM.
322
00:19:13,616 --> 00:19:16,584
WHAT THE HELL IS THAT?
323
00:19:16,648 --> 00:19:19,749
LAST TIME I SAW SOMETHING THIS
BIG IS WHEN I WAS IN THE NAVY...
324
00:19:19,811 --> 00:19:22,245
AND WE WAS TRYING TO SINK IT.
325
00:19:22,308 --> 00:19:24,576
THAT'S WHAT YOU TOLD
ME TO GET, GEORGE.
326
00:19:24,640 --> 00:19:28,274
WHAT'S WHITTENDALE GONNA THINK
WHEN HE SEES THE PLACE LOOKING LIKE THIS?
327
00:19:28,336 --> 00:19:31,215
MAYBE THE MUSIC WILL TAKE HIS MIND
OFF THE PIANO. WHERE'S THE PIANO PLAYER?
328
00:19:31,234 --> 00:19:34,301
IN BED WITH THE FLU.
329
00:19:34,364 --> 00:19:37,666
WELL, THERE'S NOTHING YOU
CAN DO ABOUT IT NOW, GEORGE.
330
00:19:37,728 --> 00:19:40,595
SO SAY HELLO TO YOUR
GUESTS. GO ON. CIRCULATE.
331
00:19:40,659 --> 00:19:43,593
CIRCULATE? AIN'T EVEN
ENOUGH ROOM TO STAND STILL.
332
00:19:45,821 --> 00:19:48,232
HI, GEORGE. YOU KNOW
THE NELSONS. OH, YEAH. HI.
333
00:19:48,251 --> 00:19:52,353
HELLO, JEFFERSON. I MUST SAY WE'RE
DELIGHTED THAT YOU'RE LEADING THE PROTEST.
334
00:19:52,414 --> 00:19:54,648
AREN'T WE, MARIAN? ENCHANTED.
335
00:19:54,713 --> 00:19:57,413
YES, YOU COLORED
FOLK CAN TEACH US A LOT.
336
00:19:59,941 --> 00:20:01,875
YOU KNOW, HOW TO BE MILITANT.
337
00:20:01,939 --> 00:20:03,917
WHO YOU CALLING
MILITANT? I'M A BUSINESSMAN.
338
00:20:03,937 --> 00:20:05,982
DO I LOOK LIKE A
MILITANT TO YOU? WELL, I...
339
00:20:06,002 --> 00:20:11,706
MR. JEFFERSON. MR. JEFFERSON, WAIT.
WAIT. I WANT YOU TO SAY HELLO TO LUDWIG.
340
00:20:11,763 --> 00:20:15,599
HELLO, LUDWIG. AND DON'T
YOU CALL ME A MILITANT.
341
00:20:15,660 --> 00:20:19,462
AND DON'T YOU CALL ME LUDWIG.
MY NAME IS FRANK. [Doorbell Rings]
342
00:20:19,523 --> 00:20:21,534
THAT'S WHITTENDALE.
I'LL GET IT. I'LL GET IT.
343
00:20:21,554 --> 00:20:23,988
NO, I'LL GET IT. I'LL GET IT.
344
00:20:28,448 --> 00:20:30,860
WHO ARE YOU? BILL SIMPSON.
I BROUGHT YOUR BENCH.
345
00:20:30,880 --> 00:20:32,813
MY WHAT? YOUR SEAT.
346
00:20:32,878 --> 00:20:35,679
THE STORE FORGOT TO PUT IT ON THE
TRUCK WHEN WE DELIVERED YOUR PIANO.
347
00:20:35,741 --> 00:20:37,808
YOU DELIVERED THAT? YEAH.
348
00:20:37,873 --> 00:20:39,884
COULDN'T YOU SEE
IT WAS TOO BIG? YEAH.
349
00:20:39,904 --> 00:20:43,016
WHY DIDN'T YOU TAKE IT BACK?
IT'S TOO BIG TO TAKE BACK.
350
00:20:43,034 --> 00:20:46,970
PIANO THAT SIZE IS
JUST FOR BRINGING.
351
00:20:47,031 --> 00:20:50,867
DON'T GIVE ME NONE OF YOUR LIP! YOU'RE
RUINING MY WHOLE FUTURE WITH THAT...
352
00:20:50,928 --> 00:20:54,963
DON'T YELL AT ME, MISTER. I AIN'T
YELLING! I JUST GOT A LOUD VOICE!
353
00:20:59,587 --> 00:21:03,055
WILL YOU COME WITH ME,
PLEASE? EXCUSE US, PLEASE.
354
00:21:03,116 --> 00:21:05,050
EXCUSE ME.
355
00:21:06,947 --> 00:21:08,665
WHERE ARE WE GOING?
WE'RE GOING IN THE
356
00:21:08,685 --> 00:21:10,703
KITCHEN WHERE WE CAN
TALK THIS OVER QUIETLY.
357
00:21:11,942 --> 00:21:15,043
THAT DAMN PIANO IS
KILLING MY WHOLE PARTY!
358
00:21:15,105 --> 00:21:17,039
GET IT OUT OF HERE RIGHT NOW!
359
00:21:17,103 --> 00:21:19,384
MAN, YOU'RE CRAZY. I CAN'T
DO THAT ALL BY MYSELF.
360
00:21:19,436 --> 00:21:22,303
WHY NOT? WHAT'S THIS, BEER FAT?
361
00:21:22,365 --> 00:21:24,343
I DIDN'T HAVE TO
COME BACK TONIGHT.
362
00:21:24,363 --> 00:21:26,723
I BROUGHT YOU THAT BENCH
ON MY OWN TIME, AS A FAVOR.
363
00:21:26,762 --> 00:21:28,896
A FAVOR? WHO YOU THINK
YOU'RE JIVIN', TURKEY?
364
00:21:31,425 --> 00:21:34,893
TURKEY? WHO YOU CALLING
A TURKEY, YOU JIVE TURKEY?
365
00:21:38,618 --> 00:21:41,018
YOU! YOU DUMB FURNITURE MOVER!
366
00:21:41,081 --> 00:21:45,951
DUMB? I DIDN'T ORDER NO PIANO WITHOUT
CHECKING THE MEASUREMENTS FIRST.
367
00:21:48,109 --> 00:21:50,821
[Doorbell Rings] THAT'S HIM.
IT'S WHITTENDALE. I'LL GET IT!
368
00:21:50,840 --> 00:21:52,150
I'LL GET IT. I'LL GET IT!
369
00:21:52,171 --> 00:21:54,105
THAT'S HIM.
370
00:21:55,202 --> 00:21:57,068
I'LL GET IT.
371
00:21:59,599 --> 00:22:01,919
I'LL GET IT, MR. JEFFERSON.
372
00:22:13,985 --> 00:22:17,553
WELL, COME IN,
MR. WHITTENDALE. COME IN.
373
00:22:17,615 --> 00:22:20,483
- MR. JEFFERSON?
- IN PERSON. BUT YOU CAN CALL ME GEORGE.
374
00:22:20,546 --> 00:22:24,882
THANK YOU, AND YOU CAN
CALL ME MR. CURTIS. OH.
375
00:22:24,941 --> 00:22:28,543
- YOU AIN'T MR. WHITTENDALE?
- NO, I'M MR. WHITTENDALE'S REPRESENTATIVE.
376
00:22:28,605 --> 00:22:31,906
- WHAT TIME'S HE COMING DOWN?
- I'M AFRAID HE'S NOT, MR. JEFFERSON.
377
00:22:31,969 --> 00:22:34,770
BUT HE DID REQUEST THAT I
CONVEY HIS SENTIMENTS TO YOU.
378
00:22:34,834 --> 00:22:37,434
OH, WELL, DO COME IN. THANK YOU.
379
00:22:37,497 --> 00:22:43,100
THESE ARE THE OTHER TENANTS, MY
FAMILY AND MY WIFE, MRS. JEFFERSON.
380
00:22:43,159 --> 00:22:44,826
HELLO. HELLO.
381
00:22:44,890 --> 00:22:47,602
WELL, WELL. ARE YOU A
MUSIC LOVER, MR. JEFFERSON?
382
00:22:47,621 --> 00:22:49,688
OH, SURE, JUST LIKE
MR. WHITTENDALE HIMSELF.
383
00:22:49,753 --> 00:22:52,220
WHY DON'T YOU PLAY SOMETHING
FOR US, MR. JEFFERSON?
384
00:22:52,283 --> 00:22:54,351
OH, YEAH! [Tom] GEORGE,
PLAY SOMETHING.
385
00:22:54,415 --> 00:22:56,993
WELL, I'D BE GLAD TO, BUT
IT'S BROKEN. NO, IT AIN'T.
386
00:22:57,012 --> 00:23:00,932
YES, IT IS. YES, IT IS.
NO, IT AIN'T. NO, IT AIN'T.
387
00:23:10,999 --> 00:23:13,367
EXCUSE ME. EXCUSE ME.
388
00:23:13,432 --> 00:23:15,465
HAVEN'T WE MET SOMEWHERE BEFORE?
389
00:23:15,530 --> 00:23:17,508
NO, HE AIN'T A TENANT.
HE'S JUST A PIANO MOVER.
390
00:23:17,528 --> 00:23:21,496
MAYBE THE MOON BEAM CLUB.
THAT'S IT. THE MOON BEAM.
391
00:23:21,557 --> 00:23:26,092
YOU ARE BILL SIMPSON. OH, MY WIFE
AND I JUST LOVE THE WAY YOU PLAY.
392
00:23:26,152 --> 00:23:29,654
- THANK YOU.
- WHAT ARE YOU DOING MOVING PIANOS AROUND?
393
00:23:29,717 --> 00:23:32,584
JUST HELPING OUT A FRIEND
WHO OWNS A PIANO STORE.
394
00:23:32,647 --> 00:23:35,615
WELL, I SEE. WOULD YOU
BE AVAILABLE TO PLAY...
395
00:23:35,678 --> 00:23:39,379
AT MR. WHITTENDALE'S
PARTY NEXT SATURDAY NIGHT?
396
00:23:39,441 --> 00:23:42,074
- FOR A HANDSOME FEE,
OF COURSE. - SURE.
397
00:23:42,138 --> 00:23:47,141
HERE'S MY CARD. JUST WRITE YOUR
AGENT'S NAME AND NUMBER THERE, PLEASE.
398
00:23:47,200 --> 00:23:50,302
AND BE SURE YOU TELL
MR. WHITTENDALE I DISCOVERED YOU.
399
00:23:52,529 --> 00:23:55,830
NOW, I GATHER THAT YOU ARE
ALSO RESPONSIBLE FOR THIS MEETING.
400
00:23:55,893 --> 00:23:58,093
YES, I AM. I AM THE CHAIRMAN.
401
00:23:58,157 --> 00:24:00,791
AND YOU SENT THIS LETTER?
402
00:24:00,854 --> 00:24:03,021
NO, BUT THE P.S. PART IS MINE.
403
00:24:03,086 --> 00:24:05,287
THAT DUMB LANDLORD
IS GIVING US A BAD TIME,
404
00:24:05,350 --> 00:24:07,328
AND WE'RE GONNA DO
SOMETHING ABOUT IT, RIGHT?
405
00:24:07,349 --> 00:24:09,516
[All] RIGHT!
406
00:24:09,580 --> 00:24:14,149
IN THAT CASE, MR. WHITTENDALE HAS
ASKED ME TO READ THIS STATEMENT.
407
00:24:14,209 --> 00:24:16,187
HEY, THAT'S GREAT.
EVERYBODY LISTEN TO THIS.
408
00:24:16,207 --> 00:24:18,007
"DEAR MR. JEFFERSON,
409
00:24:18,072 --> 00:24:21,240
"SINCE THIS BUILDING IS OWNED AND
OPERATED BY THE COLBY CORPORATION...
410
00:24:21,303 --> 00:24:24,571
"WHICH ALSO CONTROLS THE
WHITTENDALE NATIONAL BANK,
411
00:24:24,634 --> 00:24:27,701
"IT WOULD BE A CONFLICT OF
INTERESTS FOR ME, AS YOUR LANDLORD,
412
00:24:27,764 --> 00:24:30,531
- TO ATTEND A PROTEST MEETING."
- LANDLORD?
413
00:24:30,594 --> 00:24:33,895
MR. WHITTENDALE OWNS
THE BUILDING? UH-HUH.
414
00:24:37,255 --> 00:24:40,656
"FURTHERMORE, I DEEPLY RESENT THE
FACT THAT YOU, OUR NEWEST TENANT,
415
00:24:40,719 --> 00:24:45,521
"SEE FIT TO BECOME A TROUBLEMAKER
BY MAKING UNSUBSTANTIATED CHARGES...
416
00:24:45,581 --> 00:24:47,514
"AGAINST THE
BUILDING MANAGEMENT.
417
00:24:47,579 --> 00:24:50,813
"AND, MR. JEFFERSON, IF THESE
EFFORTS DON'T CEASE IMMEDIATELY,
418
00:24:50,875 --> 00:24:52,808
"WE SHALL SEEK LEGAL RECOURSE.
419
00:24:52,874 --> 00:24:55,908
SIGNED, H.L. WHITTENDALE."
420
00:24:58,868 --> 00:25:02,069
OH, THANK YOU. AND
GOOD NIGHT, MR. SIMPSON.
421
00:25:02,132 --> 00:25:04,299
IT'S BEEN A REAL
PLEASURE MEETING YOU, SIR.
422
00:25:04,364 --> 00:25:06,297
OH, THE PLEASURE'S MINE.
423
00:25:07,660 --> 00:25:10,328
WELL, YOU GOT YOUR WISH.
424
00:25:10,391 --> 00:25:12,925
GEORGE JEFFERSON IS ONE NAME...
425
00:25:12,988 --> 00:25:17,191
H.L. WHITTENDALE AIN'T
GONNA EVER FORGET.
426
00:25:20,049 --> 00:25:23,296
WELL, DON'T JUST SIT
THERE. PLAY SOMETHING.
427
00:25:23,313 --> 00:25:25,546
? THE PARTY'S OVER ??
428
00:25:29,174 --> 00:25:32,542
?? [Continues, Indistinct]
429
00:25:32,605 --> 00:25:36,807
?? [Woman Humming]
430
00:25:36,866 --> 00:25:41,869
?? [Humming Continues]
431
00:25:54,351 --> 00:25:59,221
[Louise] THE JEFFERSONS WAS RECORDED
ON TAPE IN FRONT OF A STUDIO AUDIENCE.
432
00:26:04,928 --> 00:26:07,563
? MOVIN', MOVIN' ON UP ??
433
00:26:07,613 --> 00:26:12,163
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