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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:19,671 --> 00:00:20,629 [ ROCK MUSIC PLAYS ] 4 00:00:20,672 --> 00:00:23,066 ♪ EMOTIONS, YEAH 5 00:00:24,633 --> 00:00:27,723 Rodney: A BIG SHOUT-OUT TO ALL YOU HEADBANGERS OUT THERE. 6 00:00:27,766 --> 00:00:29,638 THAT WAS METALION 7 00:00:29,681 --> 00:00:33,903 WITH THEIR NEW HIT SINGLE, "EMOTIONS, YEAH." 8 00:00:33,946 --> 00:00:35,557 OKAY. 9 00:00:35,600 --> 00:00:37,689 BUT FIRST, WE HAVE A SPECIAL GUEST, 10 00:00:37,733 --> 00:00:39,735 AND HER NAME IS LENA. 11 00:00:39,778 --> 00:00:43,913 SAYS HERE YOU ARE A...NOTHOLOGIST. 12 00:00:43,956 --> 00:00:47,090 UH, WHAT IS A NOTHOLOGIST? 13 00:00:47,134 --> 00:00:49,397 Lena: OH, THAT'S A GOOD QUESTION, RODGER. 14 00:00:49,440 --> 00:00:50,615 R-RODNEY. RODNEY. 15 00:00:50,659 --> 00:00:53,488 OKAY. ACTUALLY, I AM WHAT YOU SAY. 16 00:00:53,531 --> 00:00:55,577 AND A NOTHOLOGIST, LIKE ME, 17 00:00:55,620 --> 00:01:00,582 IS SOMEONE WHO STUDIES THE PHENOMENON OF NOTHING. 18 00:01:00,625 --> 00:01:04,107 THE PHENOMENON OF NOTHING? 19 00:01:04,151 --> 00:01:06,588 WOW. ISN'T THAT SOMETHING? 20 00:01:06,631 --> 00:01:09,678 ACTUALLY, RODGER, IT'SNOTHING. 21 00:02:30,759 --> 00:02:35,764 LENA, YOU HAVE ESSENTIALLY DEDICATED YOUR ENTIRE LIFE 22 00:02:35,807 --> 00:02:37,200 TO NOTHING. 23 00:02:37,244 --> 00:02:39,898 YES. THAT WOULD BE CORRECT. 24 00:02:39,942 --> 00:02:43,119 THIS FIELD OF STUDY DEALS DIRECTLY 25 00:02:43,163 --> 00:02:46,775 WITH THE CORE COMPONENTS OF HUMAN LOGIC. 26 00:02:46,818 --> 00:02:49,038 IT'S THE INTENSE PROCESS 27 00:02:49,081 --> 00:02:52,694 OF MAKING YOURSELF ONE WITH NOTHING. 28 00:02:52,737 --> 00:02:54,609 IF ANYTHING HAPPENS, 29 00:02:54,652 --> 00:02:57,525 THEN YOU HAVE TO START ALL OVER AGAIN. 30 00:02:57,568 --> 00:02:58,787 RIGHT. 31 00:03:09,276 --> 00:03:11,582 Rodney: SO, LENA, WHY ARE YOU HERE? 32 00:03:11,626 --> 00:03:13,671 I CAN'T TELL YOU HOW MUCH I NEEDED 33 00:03:13,715 --> 00:03:15,586 TO JUST GET AWAY THIS WEEKEND. 34 00:03:15,630 --> 00:03:17,675 THANKS FOR ARRANGING THIS, BRAD. 35 00:03:17,719 --> 00:03:20,200 IT'S GREAT THAT YOUR MOM'S GONE FOR THE WEEK. 36 00:03:20,243 --> 00:03:22,593 WELL, EVER SINCE MY STEPBROTHER DIED 37 00:03:22,637 --> 00:03:25,727 IN THAT ACCIDENT WITH THE INSERT CAR ON THE INDEPENDENT FILM, 38 00:03:25,770 --> 00:03:28,904 MY MOM DOESN'T REALLY HANG AROUND THE HOUSE THAT OFTEN. 39 00:03:30,949 --> 00:03:32,734 [ HORN HONKS, TIRES SCREECH, THUD ] 40 00:03:32,777 --> 00:03:36,259 UH, SO, HOW'S THE, UH, SEATTLE COMMUNICATIONS MAJOR THING 41 00:03:36,303 --> 00:03:37,260 GOING? 42 00:03:40,220 --> 00:03:41,960 WELL, IT'S COMING ALONG. 43 00:03:42,004 --> 00:03:44,180 I CAN'T WAIT TO GET STARTED UP AGAIN IN THE SPRING. 44 00:03:45,312 --> 00:03:47,662 YOU KNOW, IF IT WASN'T FOR MY FAMILY AND FRIENDS, 45 00:03:47,705 --> 00:03:51,143 I WOULD JUST LEAVE THIS PLACE FOREVER. 46 00:04:00,718 --> 00:04:03,025 [ WIND WHISTLING ] 47 00:04:06,028 --> 00:04:09,161 Adrian: [ French accent ] THIS PLACE IS JUST THE DAMN PITS. 48 00:04:09,205 --> 00:04:10,815 WHY WOULD YOU SAY THAT? 49 00:04:10,859 --> 00:04:13,035 I THINK IT'S LOVELY THIS TIME OF YEAR. 50 00:04:13,078 --> 00:04:14,906 YES, WELL I DON'T UNDERSTAND 51 00:04:14,950 --> 00:04:17,692 HOW YOU COULD LIVE IN A PLACE LIKE THIS. 52 00:04:17,735 --> 00:04:19,781 YOU SHOULD GET OUT MORE. 53 00:04:23,306 --> 00:04:25,308 WHEN WILL BRAD AND RACHAEL GET BACK? 54 00:04:25,352 --> 00:04:27,658 THEY'VE BEEN GONE SUCH A LONG TIME. 55 00:04:27,702 --> 00:04:29,834 I HOPE THEY BROUGHT ME SOME ANISETTE. 56 00:04:29,878 --> 00:04:31,619 I HOPE THEY DIDN'T. 57 00:04:31,662 --> 00:04:34,796 SOMETHING BOTHERING YOU, JESSICA? 58 00:04:34,839 --> 00:04:37,973 SEEMS THAT PERHAPS I SAID SOMETHING. 59 00:04:38,016 --> 00:04:42,020 [ SIGHS ] WHEN IS IT NOT SOMETHING YOU SAID, ADRIAN? 60 00:04:42,064 --> 00:04:43,631 WELL, IT SEEMS TO ME 61 00:04:43,674 --> 00:04:46,068 THAT PERHAPS SOMETHING ELSE MAY BE BOTHERING YOU. 62 00:04:46,111 --> 00:04:48,853 IT'S JUST... 63 00:04:48,897 --> 00:04:51,726 IT'S JUST BRAD. 64 00:04:51,769 --> 00:04:52,988 BRAD? 65 00:04:55,730 --> 00:04:58,036 Rachael: JUST CURIOUS HERE, BUT WHEN ARE YOU GONNA TELL JESSICA 66 00:04:58,080 --> 00:04:59,995 THAT LITTLE SECRET YOU'VE BEEN KEEPING FROM HER? 67 00:05:00,038 --> 00:05:01,779 Brad: I DON'T KNOW. 68 00:05:01,823 --> 00:05:03,128 I-I DON'T THINK SHE'S READY TO HEAR ABOUT IT. 69 00:05:03,172 --> 00:05:05,348 ARE YOU SERIOUS? SHE'LL NEVER BE READY. 70 00:05:05,392 --> 00:05:08,003 YOU'RE JUST GONNA HAVE TO BE A BIG BOY AND TELL HER. 71 00:05:08,046 --> 00:05:10,266 I-I KNOW. I KNOW. YOU'RE RIGHT. 72 00:05:10,310 --> 00:05:13,748 BUT...IT'S JUST SHE'S BEEN REALLY STRESSED OUT ALREADY 73 00:05:13,791 --> 00:05:16,359 WITH THIS FOREIGN-EXCHANGE STUDENT FROM FRANCE. 74 00:05:16,403 --> 00:05:20,755 AND BESIDES, THERE'S SOMETHING I'VE BEEN WANTING TO TELL YOU. 75 00:05:20,798 --> 00:05:23,714 WHAT IS THAT? 76 00:05:23,758 --> 00:05:26,804 UM...NEVER MIND. 77 00:05:32,810 --> 00:05:34,943 Jessica: ADRIAN, DON'T YOU SEE? 78 00:05:34,986 --> 00:05:36,031 I LOVE BRAD. 79 00:05:36,074 --> 00:05:37,380 YOU LOVE HIM? 80 00:05:37,424 --> 00:05:40,949 ADRIAN, WHAT ARE YOU DOING? 81 00:05:40,992 --> 00:05:42,037 SORRY. 82 00:05:42,080 --> 00:05:43,865 WELL, WHY BRAD? 83 00:05:43,908 --> 00:05:45,867 DOES HE EVEN KNOW HOW YOU FEEL ABOUT HIM? 84 00:05:45,910 --> 00:05:47,259 NO. 85 00:05:47,303 --> 00:05:50,001 AND I'M AFRAID HE HAS FEELINGS FOR RACHAEL. 86 00:05:50,045 --> 00:05:54,919 UH, WELL, UM... THIS MAY NOT BE THE RIGHT TIME, 87 00:05:54,963 --> 00:05:59,402 BUT...I THINK YOU'RE ABSOLUTELY BEAUTIFUL. 88 00:05:59,446 --> 00:06:03,014 WOULD YOU EVER, UH, CONSIDER MEIN THAT WAY? 89 00:06:03,058 --> 00:06:06,409 LIKE I SAID, YOU CAN COME AND LIVE WITH ME IN PARIS. 90 00:06:06,453 --> 00:06:09,412 I DON'T THINK SO, ADRIAN. 91 00:06:43,054 --> 00:06:44,969 [ WIND HOWLING ] 92 00:06:45,013 --> 00:06:47,232 [ EXHALES SHARPLY ] 93 00:07:00,332 --> 00:07:02,334 [ CELLPHONE RINGING ] 94 00:07:06,991 --> 00:07:09,298 [ CELLPHONE BEEPS ]YEAH, IT'S MILLER. 95 00:07:09,341 --> 00:07:10,168 YEAH. 96 00:07:10,212 --> 00:07:11,822 NO. 97 00:07:11,866 --> 00:07:13,911 NO, IT'S NOT A GOOD TIME FOR ME AT ALL. 98 00:07:13,955 --> 00:07:15,957 NO, I CAN'T HANDLE THAT. 99 00:07:16,000 --> 00:07:17,175 WHAT? 100 00:07:17,219 --> 00:07:18,873 OH. 101 00:07:18,916 --> 00:07:21,092 OH. OH, OKAY. 102 00:07:21,136 --> 00:07:23,225 WELL, THAT'S -- NO, THAT'S NO PROBLEM AT ALL. 103 00:07:23,268 --> 00:07:25,488 THAT'S FINE. YEAH, SURE. 104 00:07:38,066 --> 00:07:42,070 AGENT MILLER... HAVE A SEAT. 105 00:07:45,029 --> 00:07:48,250 AS I MENTIONED, THE FBI JUST RECEIVED THESE PHOTOS, 106 00:07:48,293 --> 00:07:51,122 WHICH WERE TRANSMITTED FROM THE INTERNATIONAL SPACE STATION 107 00:07:51,166 --> 00:07:53,342 RIGHT BEFORE A RUSSIAN COSMONAUT 108 00:07:53,385 --> 00:07:56,171 ACCIDENTALLY BLEW THE WHOLE THING TO SMITHEREENS. 109 00:07:56,214 --> 00:07:57,999 HOW DID HE DO THAT? 110 00:07:58,042 --> 00:07:59,479 IT APPEARS WHEN ATTEMPTING 111 00:07:59,522 --> 00:08:02,090 TO HEAT SEVERAL FREEZE-DRIED POCKET BURRITOS, 112 00:08:02,133 --> 00:08:04,832 THE COSMONAUT MISTAKENLY SET THE MICROWAVE 113 00:08:04,875 --> 00:08:08,923 FOR THREE HOURS INSTEAD OF THREE MINUTES. 114 00:08:08,966 --> 00:08:14,102 THIS, IN TURN, CAUSED A MASSIVE, CATACLYSMIC EXPLOSION 115 00:08:14,145 --> 00:08:18,933 CONSISTING OF PLASTIC, MOLTEN BURRITO INGREDIENTS, 116 00:08:18,976 --> 00:08:21,413 WHICH INSTANTANEOUSLY DESTROYED THE SPACE STATION. 117 00:08:23,938 --> 00:08:24,895 DAMN! 118 00:08:24,939 --> 00:08:26,854 TO MAKE MATTERS WORSE, 119 00:08:26,897 --> 00:08:32,033 THE CIA, NIA, GSC, EPA, NRA, FCC, NASA, AND THE FBI 120 00:08:32,076 --> 00:08:35,384 ARE NOW REPORTING EVIDENCE OF RADIOACTIVE PARTICLES 121 00:08:35,427 --> 00:08:38,866 SPEWING ACROSS THE NORTHERN HEMISPHERE. 122 00:08:38,909 --> 00:08:40,084 BUT AS YOU CAN SEE FROM THESE PHOTOS 123 00:08:40,128 --> 00:08:41,564 THAT WERE TRANSMITTED FROM THE SPACE STATION 124 00:08:41,608 --> 00:08:44,436 BEFORE IT WAS ABSOLUTELY ANNIHILATED, 125 00:08:44,480 --> 00:08:48,528 THERE IS SOMETHING OF EVEN GREATER CONCERN FOR THE FBI. 126 00:08:50,399 --> 00:08:52,880 WAIT, JESSICA. 127 00:08:52,923 --> 00:08:54,969 WHAT IS THAT? 128 00:08:55,012 --> 00:08:57,101 WHAT IS WHAT? 129 00:08:57,145 --> 00:08:59,451 SOMETHING'S HAPPENING. 130 00:08:59,495 --> 00:09:03,238 I DOUBT IT. NOTHING EVER HAPPENS HERE. 131 00:09:03,281 --> 00:09:08,156 BUT BALDING, THESE PHOTOS -- THERE'S NOTHING ON THEM. 132 00:09:08,199 --> 00:09:11,289 THEY'RE JUST BLACK. 133 00:09:11,333 --> 00:09:14,379 THAT'S WHERE YOU'RE WRONG, AGENT MILLER. 134 00:09:15,467 --> 00:09:18,340 IF YOU WERE TO ROTATE THE IMAGE 180 DEGREES, 135 00:09:18,383 --> 00:09:20,603 REMOVE SOME DUST FROM THE LENS, 136 00:09:20,647 --> 00:09:23,084 THEN DELETE THE SMALL POCKET OF SPACE GAS, 137 00:09:23,127 --> 00:09:26,435 AND ZOOM IN 900% ON THE XG9 NEBULA, 138 00:09:26,478 --> 00:09:30,091 YOU WILL SEE A GREENISH-WHITE BALL OF LIGHT 139 00:09:30,134 --> 00:09:34,225 ON A COLLISION COURSE WITH EARTH. 140 00:09:35,444 --> 00:09:38,186 Rachael: SO, WHAT IS IT? 141 00:09:38,229 --> 00:09:39,535 Brad: WELL... 142 00:09:39,579 --> 00:09:42,146 SO, ARE YOU GONNA TELL ME OR WHAT? 143 00:09:42,190 --> 00:09:44,409 [ RAP MUSIC PLAYS ] 144 00:09:44,453 --> 00:09:47,282 I'VE BEEN HAVING THESE FEELINGS, RACHAEL, AND -- 145 00:09:47,325 --> 00:09:50,198 [ RADIO DISTORTS, STATIC ] 146 00:09:50,241 --> 00:09:51,373 WHAT? 147 00:09:51,416 --> 00:09:53,941 WHAT THE HELL'S WRONG WITH THIS THING? 148 00:09:53,984 --> 00:09:56,378 [ ENGINE STOPS ] 149 00:09:56,421 --> 00:09:58,554 WHY IS THE CAR OFF? 150 00:09:58,598 --> 00:10:00,600 IT JUST TURNED OFF! 151 00:10:00,643 --> 00:10:03,037 BRAD, WHAT'S GOING ON? 152 00:10:03,080 --> 00:10:05,256 I DON'T KNOW, RACHAEL. 153 00:10:06,997 --> 00:10:08,651 [ BIRD CAWS ] 154 00:10:10,261 --> 00:10:13,613 [ BIRD CALLING ] 155 00:10:13,656 --> 00:10:15,440 [ AIR RUSHING ] 156 00:10:15,484 --> 00:10:17,225 WHAT WAS THAT? 157 00:10:23,274 --> 00:10:25,320 I HAVE NO IDEA. 158 00:10:45,253 --> 00:10:47,255 [ GRUNTS ] AAH! 159 00:11:19,156 --> 00:11:24,379 WOMAN: Assistant Director Balding, your mother on line 12. 160 00:11:28,557 --> 00:11:30,733 YES. YES. 161 00:11:30,777 --> 00:11:33,214 NO, MOTHER! 162 00:11:33,257 --> 00:11:35,477 YES, YES, I UNDERSTAND. 163 00:11:39,089 --> 00:11:41,135 THE HEAD OF NASA JUST REPORTED 164 00:11:41,178 --> 00:11:45,400 THAT THIS INDISCERNIBLE BALL OF INDESCRIBABLE INTRIGUE 165 00:11:45,443 --> 00:11:49,230 JUST IMPACTED NEAR A SMALL NORTHERN-CALIFORNIA TOWN 166 00:11:49,273 --> 00:11:50,666 CALLED CROWS END. 167 00:11:50,710 --> 00:11:56,150 YOU AND STYLES WILL HAVE TO PROBE THE CROWS END. 168 00:11:56,193 --> 00:11:57,499 THAT'S CORRECT. 169 00:11:57,542 --> 00:11:59,327 YOU MUST DO THIS VERY THOROUGHLY, AGENT MILLER. 170 00:11:59,370 --> 00:12:01,285 AS I WAS ABOUT TO SAY, MILLER, 171 00:12:01,329 --> 00:12:04,462 YOU WILL HAVE TO PROBE THE CROWS END COUNTY RESIDENCE 172 00:12:04,506 --> 00:12:06,073 FOR ANY INFORMATION, 173 00:12:06,116 --> 00:12:09,163 CONDUCT AN ASSESSMENT, AND LIE TO THEM ABOUT THEIR SAFETY. 174 00:12:09,206 --> 00:12:10,425 ONE MORE THING. 175 00:12:10,468 --> 00:12:11,774 WITH THE CURRENT BUDGET RESTRICTIONS, 176 00:12:11,818 --> 00:12:14,081 PLEASE BE CONSCIOUS OF YOUR EXPENDITURES 177 00:12:14,124 --> 00:12:15,604 DURING THIS ASSIGNMENT. 178 00:12:15,647 --> 00:12:18,346 DO YOU UNDERSTAND? 179 00:12:20,478 --> 00:12:22,611 [ HELICOPTER BLADES WHIRRING ] 180 00:12:29,183 --> 00:12:31,359 I HAVE YOUR MILK AND CREAM CHAI TEA, 181 00:12:31,402 --> 00:12:34,318 EXTRA FOAM, NO ICE, SEVEN-PUMP CARAMEL CHOCOLATTO. 182 00:12:34,362 --> 00:12:36,625 DID YOU SAY SEVEN PUMPS, STYLES? 183 00:12:36,668 --> 00:12:38,496 YEAH. 184 00:12:38,540 --> 00:12:39,541 GAH! 185 00:12:39,584 --> 00:12:41,195 DAMN! 186 00:12:41,238 --> 00:12:43,197 WHAT? WHAT IS IT, MILLER? 187 00:12:43,240 --> 00:12:45,503 I SAID EIGHT PUMPS, NOT SEVEN, STYLES. 188 00:12:45,547 --> 00:12:46,766 NOW, YOU FLY BACK, 189 00:12:46,809 --> 00:12:49,203 AND THIS TIME, YOU MAKE IT RIGHT. 190 00:12:49,246 --> 00:12:51,118 BUT MILLER, IT'S A NINE-HOUR FLIGHT. 191 00:12:51,161 --> 00:12:53,294 BUT NOTHING, STYLES. I NEED THAT EIGHTH PUMP. 192 00:12:53,337 --> 00:12:55,296 ONE PUMP FROM PERFECTION... 193 00:12:55,339 --> 00:12:57,298 JUST WON'T DO. 194 00:12:57,341 --> 00:12:58,821 NOW GO. 195 00:12:58,865 --> 00:13:01,476 MAKE IT RIGHT. 196 00:13:01,519 --> 00:13:03,478 [ CELLPHONE RINGS ] 197 00:13:03,521 --> 00:13:04,479 YEAH. 198 00:13:04,522 --> 00:13:05,785 BALDING: Just a quick reminder -- 199 00:13:05,828 --> 00:13:07,395 I hope you're keeping your expenses down. 200 00:13:07,438 --> 00:13:09,397 Can't afford another mishap like the last time. 201 00:13:09,440 --> 00:13:11,268 RIGHT, YEAH. WE'RE FINE. 202 00:13:11,312 --> 00:13:13,270 I'VE GOT EVERYTHING UNDER CONTROL HERE. 203 00:13:14,532 --> 00:13:16,578 Rachael: WHAT WAS THAT? 204 00:13:16,621 --> 00:13:18,493 I HAVE NO IDEA. 205 00:13:18,536 --> 00:13:22,540 IT LOOKED LIKE A JET OR, UH, THE RUSSIANS. 206 00:13:22,584 --> 00:13:25,413 MAYBE THEY LOST ANOTHER SATELLITE. 207 00:13:25,456 --> 00:13:28,895 NO, BRAD, THAT HAD TO BE A UFO. 208 00:13:55,573 --> 00:13:57,445 OH. 209 00:13:57,488 --> 00:13:59,751 HEY, ADRIAN. 210 00:14:00,883 --> 00:14:03,451 UFO? ALIENS? 211 00:14:03,494 --> 00:14:05,714 YES, I MEAN, HOW ELSE DO YOU EXPLAIN THINGS 212 00:14:05,757 --> 00:14:08,848 LIKE MOUNTAIN-GOAT CLONING FARMS IN SAN TUBARU, MEXICO, 213 00:14:08,891 --> 00:14:10,545 OR -- OR THE TWO-EYED BEAVER 214 00:14:10,588 --> 00:14:12,634 THEY FOUND LIVING IN LAKE CAMBORIA? 215 00:14:12,677 --> 00:14:15,724 WHAT IS SO SPECIAL ABOUT A TWO-EYED BEAVER? 216 00:14:15,767 --> 00:14:18,292 WELL, BRAD, BEAVERS USUALLY LIVE IN RIVERS, 217 00:14:18,335 --> 00:14:19,815 BUT THIS PARTICULAR TWO-EYED BEAVER 218 00:14:19,859 --> 00:14:22,557 WAS ACTUALLY FOUND LIVING IN A LAKE. 219 00:14:22,600 --> 00:14:24,298 ARE YOU SERIOUS? 220 00:14:24,341 --> 00:14:28,519 I'M DEAD SERIOUS, BRAD. IT WAS ON CNN TWO DAYS AGO. 221 00:14:34,525 --> 00:14:36,745 [ SIGHS ] 222 00:14:36,788 --> 00:14:40,357 STYLES, I WANT TO COMPLIMENT YOU ON YOUR OUTSTANDING SERVICE 223 00:14:40,401 --> 00:14:42,533 GETTING THAT EIGHTH PUMP INTO MY COFFEE. 224 00:14:42,577 --> 00:14:45,536 IT WAS ABSOLUTELY VITAL TO THE SUCCESS OF OUR MISSION. 225 00:14:45,580 --> 00:14:47,495 GLAD I COULD BE OF HELP. 226 00:14:47,538 --> 00:14:49,323 [ TIRES SCREECH ] 227 00:14:49,366 --> 00:14:50,759 [ HORN HONKS ] UGH! 228 00:14:50,802 --> 00:14:52,369 WHAT WAS THAT FOR? 229 00:14:52,413 --> 00:14:53,544 SHH. 230 00:14:56,939 --> 00:14:58,854 MILLER, WHERE ARE WE... 231 00:14:58,898 --> 00:15:01,422 [ SIGHS ] 232 00:15:01,465 --> 00:15:03,685 [ ENGINE SPUTTERING ] 233 00:15:07,776 --> 00:15:10,779 I THINK WE SHOULD START WALKING NOW BEFORE THE SUN GOES DOWN. 234 00:15:10,822 --> 00:15:11,867 I -- LISTEN. 235 00:15:11,911 --> 00:15:13,347 I'M GOING TO FIX IT. 236 00:15:13,390 --> 00:15:14,914 STAY RIGHT HERE, ALL RIGHT? 237 00:15:14,957 --> 00:15:17,307 I'LL BE BACK. 238 00:15:27,970 --> 00:15:29,929 MILLER, WHAT IS THAT? 239 00:15:33,845 --> 00:15:38,372 IT APPEARS TO BE THE FEATHER OF A RARE SPECIES OF BIRD. 240 00:15:38,415 --> 00:15:41,636 GIAPHOLIPIS LEPIDAPIGA. 241 00:15:41,679 --> 00:15:43,768 TRANSLATES TO YELLOW-FEATHERED BLUE BELLY 242 00:15:43,812 --> 00:15:46,641 OF THE NORTHERN ROCKY REDLANDS. 243 00:15:46,684 --> 00:15:49,600 A TIME OF GREAT EVIL HAS DRAWN NEAR. 244 00:15:49,644 --> 00:15:51,602 DON'T BE FOOLED BY THE BLUE SKIES, 245 00:15:51,646 --> 00:15:54,779 ROLLING HILLS, GLISTENING SUNSHINE, 246 00:15:54,823 --> 00:15:58,653 OR EVEN THE DAZZLING DEW-LADEN DAFFODILS. 247 00:15:58,696 --> 00:16:01,569 THE VERY STENCH OF EVIL IS FESTERING IN MY NOSTRILS. 248 00:16:01,612 --> 00:16:04,006 THAT WOULD BE COW FECES, MILLER. 249 00:16:04,050 --> 00:16:06,487 [ COWS MOO, FART ] 250 00:16:06,530 --> 00:16:07,923 MY POINT EXACTLY, STYLES. 251 00:16:07,967 --> 00:16:11,013 JUST REMEMBER -- ONLY ONE THING IS FOR CERTAIN. 252 00:16:11,057 --> 00:16:13,668 WE MUST UNCOVER THE TRUTH... 253 00:16:13,711 --> 00:16:14,930 RUN A BUNCH OF TESTS... 254 00:16:14,974 --> 00:16:17,019 TELL SOMEONE WHAT WE FOUND... 255 00:16:17,063 --> 00:16:20,414 RISK OUR LIVES TO PROVE THINGS THAT ONLY HAPPEN ON TV... 256 00:16:20,457 --> 00:16:22,590 AND THEN DO IT ALL OVER AGAIN... 257 00:16:22,633 --> 00:16:24,722 NEXT WEEK. RIGHT. 258 00:16:24,766 --> 00:16:25,506 NEXT WEEK. 259 00:16:25,549 --> 00:16:28,509 LET'S GET GOING, MILLER. 260 00:16:28,552 --> 00:16:30,598 [ BIRD CALLING ] 261 00:16:32,556 --> 00:16:33,818 [ ENGINE TURNS OVER ] 262 00:16:39,911 --> 00:16:42,740 [ WIND HOWLING ] 263 00:17:15,947 --> 00:17:17,645 BRAD, HURRY UP. 264 00:17:20,430 --> 00:17:23,694 PERHAPS BRAD AND RACHAEL JUST HAD TROUBLE WITH THE CAR. 265 00:17:26,697 --> 00:17:29,874 NOBODY KNOWS MORE ABOUT CARS THAN BRAD. 266 00:17:29,918 --> 00:17:31,572 WAIT A MINUTE. 267 00:17:31,615 --> 00:17:34,575 THERE DOESN'T APPEAR TO BE AN ENGINE IN THIS CAR. 268 00:17:34,618 --> 00:17:36,664 OH, THANK GOD. 269 00:17:36,707 --> 00:17:38,579 THERE IT IS. 270 00:17:38,622 --> 00:17:41,103 [ ANIMAL HOWLS ] 271 00:17:41,147 --> 00:17:43,540 Man: [ Echoing ] RACHAEL. 272 00:17:54,943 --> 00:17:56,771 RACHAEL. 273 00:18:06,172 --> 00:18:08,739 THERE, I FIXED IT. 274 00:18:12,047 --> 00:18:14,049 [ IGNITION BEEPS ] 275 00:18:18,662 --> 00:18:20,751 COME ON. 276 00:18:20,795 --> 00:18:22,710 [ ENGINE TURNS OVER, RAP MUSIC PLAYS ] 277 00:18:22,753 --> 00:18:24,625 YES! THANK YOU, GOD. 278 00:18:24,668 --> 00:18:26,670 [ CHUCKLES ] 279 00:18:26,714 --> 00:18:27,802 WHOO! 280 00:18:27,845 --> 00:18:29,151 OKAY. 281 00:18:29,195 --> 00:18:30,805 ALL SET. 282 00:19:02,619 --> 00:19:04,926 [ ENGINE SHUTS OFF ] 283 00:19:04,969 --> 00:19:07,798 ADRIAN, I THINK I HEAR A CAR. 284 00:19:10,236 --> 00:19:11,715 OH, AM I GLAD YOU'RE OKAY. 285 00:19:11,759 --> 00:19:13,848 WE WERE SO WORRIED THAT SOMETHING MIGHT'VE HAPPENED. 286 00:19:13,891 --> 00:19:16,720 NO, JESSICA, BRAD'S ALL RIGHT. WE JUST HAD SOME CAR TROUBLE. 287 00:19:16,764 --> 00:19:18,592 BRAD, YOU HAVE THE ONLY CAR. 288 00:19:18,635 --> 00:19:20,898 WHATEVER IT IS OUT THERE, IT'S EVIL. 289 00:19:20,942 --> 00:19:22,857 WE HAVE TO GET OUT OF HERE FAST. 290 00:19:22,900 --> 00:19:26,904 YOU CAN SENSE IT. I CAN ALMOST SMELL IT. 291 00:19:26,948 --> 00:19:28,863 I HAVE TO RETURN TO PARIS IMMEDIATELY! 292 00:19:28,906 --> 00:19:30,865 [ Echoing ] RACHAEL.WHERE ARE YOU GONNA GO? 293 00:19:30,908 --> 00:19:32,867 IT'S THE MIDDLE OF THE NIGHT, 20 MINUTES FROM TOWN, 294 00:19:32,910 --> 00:19:34,912 AND IN 10 MINUTES, 295 00:19:34,956 --> 00:19:39,700 THE SEASON FINALE OF "DESPERATE HOUSE PETS" BEGINS. 296 00:19:39,743 --> 00:19:41,223 [ Echoing ] RACHAEL. 297 00:19:44,705 --> 00:19:45,836 ...THE SWELLS OF DESPAIR. 298 00:19:45,880 --> 00:19:47,838 YEAH, YEAH. I'VE HEARD IT. I'VE HEARD IT. 299 00:19:51,625 --> 00:19:53,627 [ Echoing ] RACHAEL. 300 00:19:55,585 --> 00:19:57,718 RACHAEL. 301 00:20:29,880 --> 00:20:31,099 HMM. 302 00:20:32,927 --> 00:20:34,233 STYLES? 303 00:20:34,276 --> 00:20:35,756 YES. 304 00:20:35,799 --> 00:20:38,672 I'VE NEVER SEEN A DANCE CLUB IN A MOBILE-HOME PARK. 305 00:20:38,715 --> 00:20:40,935 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 306 00:20:40,978 --> 00:20:43,590 ♪ TRAILER TRASH MAYBE IT'S ALL THEY CAN MANAGE. 307 00:20:43,633 --> 00:20:46,593 AFRAID YOU'RE PROBABLY RIGHT. 308 00:20:46,636 --> 00:20:47,855 ♪ GET ON DOWN 309 00:20:47,898 --> 00:20:49,813 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 310 00:20:53,817 --> 00:20:55,950 Jessica: I THINK WE SHOULD JUST STOP TALKING AND GO. 311 00:20:55,993 --> 00:20:56,951 Brad: OKAY, OKAY, YOU'RE RIGHT. 312 00:20:56,994 --> 00:20:58,605 Adrian: I LIKE THAT IDEA. 313 00:20:58,648 --> 00:20:59,823 HEY. HEY. 314 00:20:59,867 --> 00:21:02,173 WHERE'S RACHAEL? 315 00:21:03,349 --> 00:21:04,828 RACHAEL? 316 00:21:04,872 --> 00:21:05,829 Jessica: RACHAEL? 317 00:21:16,840 --> 00:21:18,189 RACHAEL? 318 00:21:28,852 --> 00:21:30,898 [ Echoing ] RACHAEL? 319 00:21:43,302 --> 00:21:44,868 RACHAEL? RACHAEL? 320 00:21:59,927 --> 00:22:02,364 RACHAEL. 321 00:22:21,252 --> 00:22:24,995 AAAAH! 322 00:22:25,039 --> 00:22:27,128 RACHAEL? 323 00:22:28,434 --> 00:22:30,392 COME ON. THIS WAY. 324 00:22:32,089 --> 00:22:33,221 QUICK. LET'S GO. 325 00:22:34,048 --> 00:22:36,964 THIS WAY. I KNOW I SAW HER. 326 00:22:37,007 --> 00:22:40,271 Adrian: THERE'S ALL THESE TREES IN THE WAY. I CAN'T FIND ANYTHING. 327 00:22:40,315 --> 00:22:41,708 COME ON. 328 00:22:41,751 --> 00:22:43,013 YOU HEAR IT? 329 00:22:43,057 --> 00:22:44,145 AAH! 330 00:22:45,842 --> 00:22:47,061 RACHAEL? RACHAEL? 331 00:22:47,104 --> 00:22:48,323 THIS WAY. 332 00:22:48,367 --> 00:22:49,716 RACHAEL? RACHAEL? 333 00:22:49,759 --> 00:22:51,021 GUYS, WAIT UP. 334 00:22:51,065 --> 00:22:52,371 [ GASPS, GRUNTS ] 335 00:23:04,034 --> 00:23:08,125 Jessica: BRAD, I THINK WE FOUND SOMETHING. 336 00:23:14,001 --> 00:23:17,396 WHAT IS THAT? 337 00:23:33,281 --> 00:23:34,848 WHAT IS IT? 338 00:23:34,891 --> 00:23:37,111 I DON'T KNOW. 339 00:23:39,330 --> 00:23:42,029 IT'S DEFINITELY A BIG CRACK. 340 00:23:43,509 --> 00:23:46,163 YOU KNOW, YOU REALLY NEED TO GET OFF THE CRACK, BRAD. 341 00:23:46,207 --> 00:23:47,295 WHAT? 342 00:23:47,338 --> 00:23:49,166 I SAID YOU NEED TO GET OFF THE CRACK. 343 00:23:49,210 --> 00:23:51,386 YOU'RE GOING TO FALL IN. 344 00:23:51,430 --> 00:23:52,779 OH, CRAP. [ CHUCKLES ] 345 00:23:52,822 --> 00:23:54,171 WHAT IS IT, BRAD? 346 00:23:55,521 --> 00:23:59,307 BRIGHT-GREEN THING OF SOME VARIETY. 347 00:23:59,350 --> 00:24:00,961 Jessica: LIKE WHAT, BRAD? 348 00:24:01,004 --> 00:24:04,486 LAST YEAR, I TOOK A COURSE IN CATASTROPHYSICS. 349 00:24:04,530 --> 00:24:07,228 NOW, IF MY MEMORY IS CORRECT, 350 00:24:07,271 --> 00:24:10,318 JUDGING BY THE TRAJECTORY AND THE SIZE OF THE IMPACT CRATER, 351 00:24:10,361 --> 00:24:13,495 IT WAS CAUSED BY SOMETHING THE SIZE OF A JUMBO JET 352 00:24:13,539 --> 00:24:15,149 AND YET NO HEAVIER 353 00:24:15,192 --> 00:24:17,456 THAN TWO PLASTIC SCREWS AND A CANADIAN GOOSE FEATHER. 354 00:24:30,469 --> 00:24:32,253 AAH! AAH! 355 00:24:32,296 --> 00:24:33,254 RACHAEL? 356 00:24:33,297 --> 00:24:34,951 IS THAT RACHAEL? 357 00:24:34,995 --> 00:24:37,301 RACHAEL? 358 00:24:38,389 --> 00:24:40,174 OH, RACHAEL. RACHAEL. 359 00:24:40,217 --> 00:24:42,176 SHE'S RIGHT HERE. OH, MY GOD. 360 00:24:42,219 --> 00:24:44,134 WHAT THE HELL HAPPENED? 361 00:24:46,267 --> 00:24:47,224 [ GRUNTS ] 362 00:24:47,268 --> 00:24:48,835 RACHAEL. RACHAEL. 363 00:24:48,878 --> 00:24:50,924 Jessica: WHAT HAPPENED? WHY WERE YOU IN THAT TREE? 364 00:24:50,967 --> 00:24:55,102 I WAS TRYING TO GET AWAY FROM SOMETHING. 365 00:24:55,145 --> 00:24:56,103 FROM WHAT? 366 00:24:56,146 --> 00:24:58,192 SOMETHING, BUT I DON'T KNOW WHAT. 367 00:24:58,235 --> 00:25:00,107 IF I DID, I WOULD KNOW. 368 00:25:00,150 --> 00:25:01,021 RACHAEL... 369 00:25:01,064 --> 00:25:03,023 WHAT HAPPENED TO YOUR FACE? 370 00:25:03,066 --> 00:25:05,112 SOMETHING TERRIBLE, BRAD. 371 00:25:05,155 --> 00:25:06,417 LIKE WHAT? 372 00:25:06,461 --> 00:25:08,855 IF I TOLD YOU THE TRUTH, YOU WOULDN'T BELIEVE ME. 373 00:25:08,898 --> 00:25:10,378 YOU HAVE TO LEAVE ME HERE.NO, RACHAEL! 374 00:25:10,421 --> 00:25:12,206 WAIT, THEY CAN SEE US.WHO? 375 00:25:12,249 --> 00:25:13,555 THEY CAN.[ GASPS ] WHO? 376 00:25:13,599 --> 00:25:14,948 THEM. WHO? 377 00:25:14,991 --> 00:25:17,211 THOSE! AAH! AAH! 378 00:25:17,254 --> 00:25:18,125 RACHAEL, WHAT'S HAPPENING? 379 00:25:18,168 --> 00:25:19,953 HE'S INSIDE OF ME. 380 00:25:19,996 --> 00:25:23,260 IT WAITS FOR THE MOMENT WHEN THEY WILL COME FOR IT. 381 00:25:23,304 --> 00:25:24,914 YES, THEY WILL COME, 382 00:25:24,958 --> 00:25:26,916 AND THERE'S NOTHING YOU CAN DO TO STOP THEM, 383 00:25:26,960 --> 00:25:29,049 EXCEPT FOR ONE THING. 384 00:25:29,092 --> 00:25:31,181 WELL, WHAT'S THAT? 385 00:25:31,225 --> 00:25:33,183 I CAN'T TELL YOU. Adrian: HEY! 386 00:25:33,227 --> 00:25:34,968 AAH! AAH! 387 00:25:35,011 --> 00:25:36,578 I'VE BEEN LOOKING ALL OVER FOR YOU. 388 00:25:36,622 --> 00:25:38,972 ADRIAN, DO YOU THINK, FOR FUTURE REFERENCE, 389 00:25:39,015 --> 00:25:40,974 YOU COULD AVOID JUMPING OUT OF THE BUSHES 390 00:25:41,017 --> 00:25:43,498 AND SCREAMING LIKE A FREAKY FRENCH WHACK-A-DOO? 391 00:25:43,542 --> 00:25:45,108 SORRY. 392 00:25:45,152 --> 00:25:47,415 IT'S JUST THAT I LOST MY FLASHLIGHT, 393 00:25:47,458 --> 00:25:49,243 AND DESPITE THE INCREDIBLE AMOUNT OF LIGHT OUT HERE, 394 00:25:49,286 --> 00:25:51,071 I COULDN'T SEE ANYTHING AT ALL. 395 00:25:51,114 --> 00:25:52,420 WHATEVER, ADRIAN. COME ON, GET HER UP. 396 00:25:52,463 --> 00:25:55,162 WE GOT TO GET OUT OF HERE. 397 00:25:55,205 --> 00:25:56,119 [ GRUNTS ] 398 00:25:56,163 --> 00:25:59,166 COME ON, RACHAEL. LET'S GO. 399 00:26:01,429 --> 00:26:03,083 ADRIAN. 400 00:26:03,126 --> 00:26:04,998 ADRIAN! 401 00:26:05,041 --> 00:26:07,348 ADRIAN. ADRIAN. LOOK, RUN. 402 00:26:07,391 --> 00:26:09,393 COME ON, WE GOT TO GO. 403 00:26:11,439 --> 00:26:14,007 Agent Styles: MILLER, DO YOU KNOW WHERE WE ARE? 404 00:26:14,050 --> 00:26:15,269 Agent Miller: YES. 405 00:26:15,312 --> 00:26:17,576 WHERE ARE WE? 406 00:26:17,619 --> 00:26:19,534 [ TIRES SCREECH, HORN HONKS ] 407 00:26:19,578 --> 00:26:21,318 UGH! MILLER! 408 00:26:21,362 --> 00:26:24,017 STYLES, PAY ATTENTION. 409 00:26:24,060 --> 00:26:25,409 WE'RE HERE. 410 00:26:25,453 --> 00:26:28,630 YES, BUT WHERE IS HERE? 411 00:26:28,674 --> 00:26:30,197 RIGHT THERE. 412 00:26:32,155 --> 00:26:35,289 HOW CAN HERE BE RIGHT OVER THERE AND THERE BE RIGHT OVER HERE? 413 00:26:35,332 --> 00:26:38,161 WELL, THE SIGN SAYS "YOU ARE HERE," 414 00:26:38,205 --> 00:26:40,511 AND I KNOW THAT HERE IS OVER THERE, 415 00:26:40,555 --> 00:26:42,165 SO THERE IS HERE, 416 00:26:42,209 --> 00:26:44,559 AND HERE WE ARE RIGHT NEXT TO THERE 417 00:26:44,603 --> 00:26:47,257 WHERE THAT SIGN SAYS "YOU ARE HERE." 418 00:26:47,301 --> 00:26:48,476 MILLER! 419 00:26:48,519 --> 00:26:50,347 OKAY, THEN. 420 00:26:50,391 --> 00:26:53,307 WHAT ARE WE GOING TO DO NOW THAT WE ARE HERE? 421 00:26:53,350 --> 00:26:56,049 I DO HAVE A PIECE OF PAPER WITH AN ADDRESS. 422 00:26:56,092 --> 00:26:59,356 "SOME LITTLE HOUSE IN THE MIDDLE OF THE WOODS." 423 00:26:59,400 --> 00:27:02,316 CHIEF BALDING GAVE IT TO ME BEFORE WE LEFT. 424 00:27:02,359 --> 00:27:04,274 SAID THAT WE'D KNOW WHEN WE WERE CLOSE. 425 00:27:04,318 --> 00:27:06,146 THOUGHT IT WOULD BE A GOOD PLACE TO START. 426 00:27:06,189 --> 00:27:08,148 IN THE MORNING, 427 00:27:08,191 --> 00:27:10,063 A DEPUTY FROM THE CROWS END COUNTY SHERIFF'S DEPARTMENT 428 00:27:10,106 --> 00:27:11,151 WILL TAKE US THERE. 429 00:27:12,239 --> 00:27:14,676 [ OWL HOOTS ] 430 00:27:22,423 --> 00:27:24,599 [ CLICKING ] 431 00:27:24,643 --> 00:27:26,340 WHAT'S THAT? 432 00:27:26,383 --> 00:27:27,602 WHAT'S WHAT? 433 00:27:27,646 --> 00:27:29,604 [ BIRD SQUAWKS, ALL SCREAM ] 434 00:27:29,648 --> 00:27:30,605 THAT! 435 00:27:30,649 --> 00:27:32,389 I DON'T KNOW. 436 00:27:32,433 --> 00:27:34,348 [ BIRD CALLS, ALL SCREAM ]THEY WON'T HURT YOU YET. 437 00:27:34,391 --> 00:27:36,219 THEY'RE JUST FOLLOWING US. 438 00:27:36,263 --> 00:27:37,699 BE QUIET, RACHAEL. 439 00:27:37,743 --> 00:27:39,614 WHO'S THERE? 440 00:27:39,658 --> 00:27:41,050 [ MONKEY CHATTERS, ALL SCREAM ] 441 00:27:41,094 --> 00:27:43,096 BRAD, WHAT IS IT? 442 00:27:43,139 --> 00:27:45,272 SOMETHING, JESSICA. 443 00:27:45,315 --> 00:27:46,577 QUIET! 444 00:27:46,621 --> 00:27:47,578 [ FARTS ] 445 00:27:47,622 --> 00:27:50,059 AAH, AAH, AAH! 446 00:27:50,103 --> 00:27:51,191 WHAT WAS THAT FOR? 447 00:27:51,234 --> 00:27:53,193 DID ANYBODY HEAR SOMETHING? 448 00:27:53,236 --> 00:27:55,282 NO, I DON'T THINK SO. 449 00:27:55,325 --> 00:27:56,631 OH. 450 00:27:56,675 --> 00:27:58,720 SOMETHING'S HERE. 451 00:27:58,764 --> 00:28:01,418 [ CREATURE CHITTERING ] 452 00:28:01,462 --> 00:28:03,551 RUN. 453 00:28:03,594 --> 00:28:05,553 AAH! AAH! AAH! 454 00:28:07,773 --> 00:28:09,644 COME ON. COME ON. HURRY, ADRIAN. 455 00:28:09,688 --> 00:28:12,168 I CAN'T. I'M TRAPPED IN AN AMERICAN BUSH. 456 00:28:12,212 --> 00:28:14,693 Rachael: GET OUT OF THE BUSH, ADRIAN. LET'S GO! 457 00:28:17,608 --> 00:28:19,741 AAH! AAH! 458 00:28:19,785 --> 00:28:22,265 Adrian: DAMN AMERICAN ROCKS. 459 00:28:22,309 --> 00:28:23,353 COME ON, LET'S GO. 460 00:28:23,397 --> 00:28:25,573 OVER THAT WAY. 461 00:28:27,357 --> 00:28:28,576 COME ON! 462 00:28:28,619 --> 00:28:30,143 COME ON, GET HER UP. 463 00:28:30,186 --> 00:28:31,710 THIS WAY. 464 00:28:31,753 --> 00:28:33,450 BRAD, HER FOREHEAD JUST DRIPPED ON MY FINE FRENCH SCARF. 465 00:28:37,324 --> 00:28:39,369 COME ON, RACHAEL. 466 00:28:39,413 --> 00:28:41,328 [ GRUNTS ] 467 00:28:41,371 --> 00:28:43,765 BRAD, I'M THIRSTY. 468 00:28:43,809 --> 00:28:46,289 LET'S GET HER SOME WATER. 469 00:28:51,468 --> 00:28:53,340 WHAT DO YOU THINK IT WAS? 470 00:28:53,383 --> 00:28:54,776 [ WATER RUNNING ] 471 00:28:54,820 --> 00:28:56,386 IT SEEMED LIKE A...I-I DON'T KNOW. 472 00:28:56,430 --> 00:28:58,084 MAYBE A... 473 00:28:58,127 --> 00:29:02,436 YEAH, I KNOW WHAT YOU MEAN... IF YOU KNOW WHAT I MEAN. 474 00:29:02,479 --> 00:29:03,437 YES, I DO. 475 00:29:03,480 --> 00:29:05,569 WHY, BRAD? WHY HERE? 476 00:29:05,613 --> 00:29:08,616 BEFORE YOU ASK WHY, YOU MUST FIRST ASK HOW, ADRIAN. 477 00:29:08,659 --> 00:29:10,270 WHY? 478 00:29:10,313 --> 00:29:11,619 WHEN AND WHERE HAVE YOU EVER ASKED WHY 479 00:29:11,662 --> 00:29:13,273 BEFORE KNOWING EXACTLY HOW, ADRIAN? 480 00:29:13,316 --> 00:29:14,796 WHO COULD EVER UNDERSTAND HOW 481 00:29:14,840 --> 00:29:17,451 WITHOUT KNOWING WHAT THEY WERE QUESTIONING AND WHERE? 482 00:29:17,494 --> 00:29:19,453 HOWEVERIT TAKES, ADRIAN. 483 00:29:19,496 --> 00:29:22,195 THAT'S HOW WE KNOW WHO KNOWS WHAT. 484 00:29:22,238 --> 00:29:24,719 WHEN WE KNOW WHERE IS THE BEST PLACE TO DECIDE HOW, 485 00:29:24,763 --> 00:29:27,287 WE NO LONGER NEED TO ASK WHY. 486 00:29:27,330 --> 00:29:29,332 YEAH? 487 00:29:29,376 --> 00:29:30,725 AH. 488 00:29:32,205 --> 00:29:34,207 DO YOU THINK THIS MEANS ANYTHING? 489 00:29:34,250 --> 00:29:35,425 YES. 490 00:29:35,469 --> 00:29:39,342 WE ARE ALL ABOUT TO COME FACE-TO-FACE 491 00:29:39,386 --> 00:29:43,303 WITH OUR OWN WORST FEARS. 492 00:29:44,347 --> 00:29:46,741 ADRIAN... 493 00:29:46,785 --> 00:29:50,310 YOU ALONE ARE PROBABLY GOING TO DIE. 494 00:29:51,746 --> 00:29:53,356 THERE YOU GO. 495 00:30:02,583 --> 00:30:04,541 [ LIGHTER CLICKING ] 496 00:30:04,585 --> 00:30:05,412 [ HEAD THUDS ] 497 00:30:05,455 --> 00:30:08,850 JESSICA, WHAT'S GOING ON? 498 00:30:08,894 --> 00:30:10,330 I DON'T KNOW. 499 00:30:10,373 --> 00:30:12,462 BRAD, YOU BETTER TAKE A LOOK AT THIS. 500 00:30:16,423 --> 00:30:18,686 IS SHE ALL RIGHT? 501 00:30:18,729 --> 00:30:20,688 I'M JUST FINE, THANKS. 502 00:30:20,731 --> 00:30:23,473 SHE SEEMS HORRIBLE. 503 00:30:23,517 --> 00:30:26,346 I DON'T KNOW WHAT HAPPENED TO HER. 504 00:30:26,389 --> 00:30:28,435 OH, MY. 505 00:30:28,478 --> 00:30:31,438 LOOKS LIKE A BITE... 506 00:30:31,481 --> 00:30:33,483 OR A-A CUT... 507 00:30:33,527 --> 00:30:37,183 OR A-A BURN. 508 00:30:37,226 --> 00:30:38,880 MAYBE A RASH. 509 00:30:38,924 --> 00:30:41,448 OR QUITE POSSIBLY SOMETHING ELSE. 510 00:30:41,491 --> 00:30:42,710 HOW DO YOU KNOW? 511 00:30:42,753 --> 00:30:44,494 WELL, LOOK. LOOK. 512 00:30:44,538 --> 00:30:47,367 THERE'S SOME PURPLE SWELLING AROUND THE CORE INTRUSION. 513 00:30:47,410 --> 00:30:52,546 SEEMS TO ME THAT, UH, SOME SORT OF FANG-TOOTHED JAW 514 00:30:52,589 --> 00:30:55,549 OR PARASITIC SUCKING APPARATUS 515 00:30:55,592 --> 00:30:59,379 JUST STUCK ITSELF IN AND TRIED TO...SUCK. 516 00:31:00,597 --> 00:31:02,469 OW. 517 00:31:03,644 --> 00:31:06,516 IT SEEMS TO ME THAT WHATEVER DID THIS 518 00:31:06,560 --> 00:31:09,737 ACTUALLY CLIMBED UP HER, MOUNTED ITSELF TO HER HEAD, 519 00:31:09,780 --> 00:31:12,218 AND BEGAN TO SUCK AT HER BRAIN 520 00:31:12,261 --> 00:31:14,481 THROUGH THE TRANSPORT TUNNEL HERE... OW! 521 00:31:14,524 --> 00:31:16,483 ...LEAVING BEHIND IT'S SPORES OF INFECTION, 522 00:31:16,526 --> 00:31:19,573 POSSIBLY CAUSING THIS FLESH-EATING RASH, 523 00:31:19,616 --> 00:31:23,403 WHICH APPEARS TO BE CHEWING THE SKIN OFF MY FINGERS. 524 00:31:23,446 --> 00:31:24,795 THAT DOESN'T MAKE ANY SENSE! 525 00:31:24,839 --> 00:31:27,320 WELL, WHAT ELSE COULD IT BE?EXCUSE ME. 526 00:31:27,363 --> 00:31:30,497 WHY DON'T YOU ASK THE PERSON WITH THE HOLE IN HER FOREHEAD? 527 00:31:30,540 --> 00:31:32,368 ALL RIGHT, RACHAEL. 528 00:31:32,412 --> 00:31:34,631 WHAT HAPPENED TO YOUR FACE? 529 00:31:36,851 --> 00:31:38,505 I DON'T KNOW. 530 00:31:38,548 --> 00:31:41,377 I NEED TO REST. I'M TIRED. 531 00:31:41,421 --> 00:31:43,727 GEEZ. 532 00:32:03,660 --> 00:32:06,402 RACHAEL. 533 00:32:27,684 --> 00:32:29,904 SO, WHAT'S WRONG WITH IT? 534 00:32:29,948 --> 00:32:31,993 [ SIGHS ] I DON'T KNOW. 535 00:32:32,037 --> 00:32:36,432 EVER SINCE LAST NIGHT'S OCCURRENCES, 536 00:32:36,476 --> 00:32:40,480 HALF THE STUFF AROUND HERE HAS JUST STOPPED WORKING. 537 00:32:40,523 --> 00:32:41,872 PHONES ARE UNPLUGGED, 538 00:32:41,916 --> 00:32:44,527 THE CAR JUST COMPLETELY STOPPED WORKING, 539 00:32:44,571 --> 00:32:48,792 AND THE COFFEE MAKER'S OUT OF COFFEE GROUNDS. 540 00:32:48,836 --> 00:32:53,362 I FEEL LIKE THE WORLD IS JUST CAVING IN ON US. 541 00:32:54,537 --> 00:32:56,670 [ CLATTERING ] 542 00:32:56,713 --> 00:32:58,541 BRAD... 543 00:32:58,585 --> 00:33:02,632 WELL, THERE'S SOMETHING I'VE BEEN MEANING TO TELL YOU. 544 00:33:02,676 --> 00:33:04,504 YEAH? 545 00:33:04,547 --> 00:33:05,896 YOU GUYS, COME QUICK! 546 00:33:06,810 --> 00:33:09,770 IT'S RACHAEL. 547 00:33:09,813 --> 00:33:11,641 [ GAGGING, COUGHING ] 548 00:33:11,685 --> 00:33:12,816 WHAT DID YOU DO? 549 00:33:12,860 --> 00:33:13,992 I DIDN'T DO ANYTHING. 550 00:33:14,035 --> 00:33:15,994 [ GAGGING, COUGHING ] 551 00:33:16,037 --> 00:33:17,691 IT'S OKAY. 552 00:33:17,734 --> 00:33:19,519 Rachael: [ VOMITS ] 553 00:33:19,562 --> 00:33:21,651 OH! OH, GOD. 554 00:33:21,695 --> 00:33:23,523 [ COUGHS ] 555 00:33:23,566 --> 00:33:25,612 OH. 556 00:33:25,655 --> 00:33:27,744 OH, MY GOD. 557 00:33:27,788 --> 00:33:29,529 WHAT IS THAT? 558 00:33:29,572 --> 00:33:34,534 THAT IS... JUST DISGUSTING. 559 00:33:34,577 --> 00:33:37,363 IT'S SO...AWFUL. 560 00:33:37,406 --> 00:33:38,973 IT SMELLS TERRIBLE. 561 00:33:39,017 --> 00:33:41,628 AND I'M FRENCH. 562 00:33:41,671 --> 00:33:43,804 IT LOOKS KIND OF FURRY. 563 00:33:43,847 --> 00:33:45,806 AND SMOOTH. 564 00:33:45,849 --> 00:33:47,808 AND WRINKLY, TOO. 565 00:33:47,851 --> 00:33:51,725 IS THAT ALIVE? 566 00:33:51,768 --> 00:33:53,727 I DON'T THINK SO. 567 00:33:53,770 --> 00:33:55,642 ALTHOUGH, IT DOES SEEM TO BE MOVING. 568 00:33:55,685 --> 00:34:02,475 DO NONLIVING, FURRY, SMOOTH, WRINKLE THINGS MOVE, ADRIAN? 569 00:34:02,518 --> 00:34:03,737 WELL, THAT'S A PARTICULAR QUESTION 570 00:34:03,780 --> 00:34:06,479 WITH A WHOLE LOT OF VERY UNLIKELY ANSWERS. 571 00:34:06,522 --> 00:34:08,568 WELL, MAKE UP YOUR MIND. IS IT FURRY AND ALIVE OR SMOOTH AND DEAD? 572 00:34:08,611 --> 00:34:09,917 I DON'T KNOW. 573 00:34:09,960 --> 00:34:11,919 IT SEEMS TO BE NEITHER AND YET BOTH. 574 00:34:11,962 --> 00:34:13,616 BOTH? BOTH. 575 00:34:14,617 --> 00:34:16,619 [ BIRDS CHIRPING ] 576 00:34:17,794 --> 00:34:20,406 Jessica: YOU LOOK TERRIBLE. 577 00:34:20,449 --> 00:34:22,408 AND SO, WHAT IS THE DEAL WITH THIS HOLE IN YOUR FACE? 578 00:34:22,451 --> 00:34:24,410 Rachael: I DON'T KNOW, JESSICA. 579 00:34:24,453 --> 00:34:26,107 BUT I DO KNOW THIS. 580 00:34:26,151 --> 00:34:30,024 I KNOW IF YOU WANT TO LIVE, YOU NEED TO LEAVE NOW. 581 00:34:30,068 --> 00:34:32,940 [ GAGGING ] 582 00:34:32,983 --> 00:34:35,116 [ VOMITS ] 583 00:34:35,160 --> 00:34:38,119 WHILE THE REST, 584 00:34:38,163 --> 00:34:43,864 THAT WHICH IS TRULY HORRIBLE SLITHERS ABOUT INSIDE MY BODY. 585 00:34:43,907 --> 00:34:46,693 ONLY WHEN IT RUNS OUT OF ENTRAILS TO FEED ON 586 00:34:46,736 --> 00:34:47,781 WILL IT BE READY. 587 00:34:47,824 --> 00:34:48,782 READY FOR WHAT? 588 00:34:48,825 --> 00:34:50,479 READY TO GO BACK, 589 00:34:50,523 --> 00:34:52,829 AND HE'LL CALL OUT, AND THEY WILL COME FOR IT. 590 00:34:52,873 --> 00:34:58,748 TONIGHT, TAKE BRAD AND ADRIAN AND YOURSELF AND RUN. 591 00:35:05,886 --> 00:35:07,627 [ SIREN WAILING ] 592 00:35:14,590 --> 00:35:15,852 [ TIRES SCREECH, HORN HONKS ] 593 00:35:15,896 --> 00:35:17,506 Agent Miller: UGH! 594 00:35:19,813 --> 00:35:21,684 [ CAR DOOR CLOSES ] 595 00:35:41,791 --> 00:35:43,184 HELLO, BOYS. 596 00:35:43,228 --> 00:35:45,186 DO YOU EVER WONDER WHY 597 00:35:45,230 --> 00:35:48,668 IT IS SO HARD TO DESCRIBE AN UNCERTAIN, PARTICULAR EVENT, 598 00:35:48,711 --> 00:35:51,758 WHICH LEADS ONE TO BELIEVE THAT OTHERS, IF TOLD, 599 00:35:51,801 --> 00:35:56,023 WOULD NOT BELIEVE THE TRUTH, EVEN IF YOU TOLD IT TO THEM? 600 00:35:56,066 --> 00:35:58,765 DO YOU BELIEVE THE TRUTH? 601 00:36:01,071 --> 00:36:03,639 BRAD? WHAT'S GOING ON? 602 00:36:03,683 --> 00:36:06,033 HELLO, I'M AGENT MILLER. 603 00:36:06,076 --> 00:36:08,557 THIS IS AGENT STYLES. 604 00:36:08,601 --> 00:36:10,080 WE'RE WITH THE FBI. 605 00:36:11,778 --> 00:36:13,214 MY POINT IS, 606 00:36:13,258 --> 00:36:16,043 WE KNOW ABOUT THE STRANGE, UNSPEAKABLE THING IN THE WOODS 607 00:36:16,086 --> 00:36:17,740 YOU BOYS SAW CRASH DOWN 608 00:36:17,784 --> 00:36:20,003 FROM THE FAR REACHES OF THE VERY UNKNOWN... 609 00:36:20,047 --> 00:36:22,571 I MUST NOTE IN MY LOG THIS SPECTACULAR DISCOVERY 610 00:36:22,615 --> 00:36:24,225 OF CIRCUMSTANTIAL EVIDENCE. 611 00:36:24,269 --> 00:36:28,055 ...THE UNKNOWN, WHICH IS USUALLY QUITE KNOWN TO BE UNKNOWABLE, 612 00:36:28,098 --> 00:36:30,884 EVEN THOUGH WE KNOW A FEW THINGS ABOUT IT. 613 00:36:30,927 --> 00:36:33,103 THIS MAY BE WHAT WASHINGTON NEEDS 614 00:36:33,147 --> 00:36:36,629 TO REOPEN THE X, Y, AND Z SECTION OF THE FILE DRAWER. 615 00:36:36,672 --> 00:36:38,761 WE ALSO KNOW ABOUT YOUR FRIEND, 616 00:36:38,805 --> 00:36:40,546 IF THAT'S THE RIGHT USE 617 00:36:40,589 --> 00:36:43,810 OF SUCH CONSISTENTLY BLAND BUT FEDERALLY-APPROVED WORDING. 618 00:36:43,853 --> 00:36:45,203 STYLES, IN ALL MY YEARS 619 00:36:45,246 --> 00:36:47,988 OF SEARCHING THE STARRY NEBULA OF HOPE, 620 00:36:48,031 --> 00:36:51,600 I'VE NEVER FOUND MORE THAN A CEREBRAL HEMORRHAGE. 621 00:36:51,644 --> 00:36:54,603 YES, IT'S TRUE, WE KNOW ALL THESE THINGS, 622 00:36:54,647 --> 00:36:56,953 FOR WE HAVE BEEN WATCHING YOU. 623 00:36:56,997 --> 00:37:00,740 WATCHING YOU THROUGH YOUR BEDROOM WINDOW. 624 00:37:00,783 --> 00:37:03,743 SO, WHERE DID THESE COME FROM, MILLER? 625 00:37:06,136 --> 00:37:09,836 A QUESTION FOR THE AGES. 626 00:37:11,185 --> 00:37:14,971 IT SEEMS THEY HAVE BEEN GROWING ON THIS VERY CARPET 627 00:37:15,015 --> 00:37:17,104 FOR THE LAST 10,000 YEARS. 628 00:37:17,147 --> 00:37:18,279 [ CLEARS THROAT ] 629 00:37:18,323 --> 00:37:19,802 WELL, UH, ACTUALLY, UH, 630 00:37:19,846 --> 00:37:22,762 SHE JUST COUGHED THAT ONE UP A FEW HOURS AGO. 631 00:37:23,937 --> 00:37:25,939 HOW IS THIS POSSIBLE? 632 00:37:25,982 --> 00:37:27,723 [ GAGGING ] 633 00:37:29,943 --> 00:37:31,814 [ VOMITS ] 634 00:37:35,122 --> 00:37:37,690 I SEE. 635 00:37:37,733 --> 00:37:40,040 IT HAS BECOME APPARENTLY POSSIBLE. 636 00:37:40,083 --> 00:37:41,128 [ BURPS ] 637 00:37:41,171 --> 00:37:42,825 STYLES, GATHER A SAMPLE. 638 00:37:42,869 --> 00:37:44,784 WE MUST ASSEMBLE THE LAB. 639 00:37:44,827 --> 00:37:46,176 YES. 640 00:37:46,220 --> 00:37:48,831 WITH THE REMAINS OF FOIL-WRAPPED STYROFOAM. 641 00:37:48,875 --> 00:37:49,919 RIGHT. 642 00:38:05,239 --> 00:38:08,198 STYLES, WHAT DO YOU SEE? 643 00:38:08,242 --> 00:38:11,724 MILLER, I DON'T KNOW HOW TO TELL YOU THIS. 644 00:38:11,767 --> 00:38:12,942 WHAT IS IT? 645 00:38:12,986 --> 00:38:14,814 WELL, I THINK WE HAVE SOMETHING, 646 00:38:14,857 --> 00:38:17,991 BUT IT'S NOT LIKE ANYTHING I'VE EVER SEEN BEFORE. 647 00:38:18,034 --> 00:38:20,167 IT APPEARS TO HAVE AN ADVERSE BIOSYNTHETIC REACTION 648 00:38:20,210 --> 00:38:21,995 TO THE USE OF OXYGEN. 649 00:38:22,038 --> 00:38:25,172 STYLES, DO YOU THINK IT COULD'VE COME FROM SOMEWHERE, 650 00:38:25,215 --> 00:38:29,959 ABSOLUTELY ANYWHERE IN THE ENTIRE EXPANSE OF EXISTENCE 651 00:38:30,003 --> 00:38:32,832 WE CALL THE UNIVERSE? 652 00:38:32,875 --> 00:38:34,834 I WOULD NEVER, IN ALL MY REASONING, 653 00:38:34,877 --> 00:38:36,923 GO ON RECORD SAYING THIS MILLER, 654 00:38:36,966 --> 00:38:40,013 BUT IT APPEARS IT DID COME FROM SOMEWHERE. 655 00:38:41,971 --> 00:38:46,236 LOOK, WHEN I DID AN EXTRACTION OF THE INDEFINABLE MEMBRANE 656 00:38:46,280 --> 00:38:48,848 AROUND THE INSIDE OF THE OUTER MIDDLE REGION 657 00:38:48,891 --> 00:38:51,764 OF THE INNER DENSE, HARD, MUSHY CENTER, 658 00:38:51,807 --> 00:38:54,288 THERE ARE TRACES OF CATABOLIC ENERGY 659 00:38:54,332 --> 00:38:57,030 MIXED WITH PHOSPHOLIPIDS. 660 00:39:10,348 --> 00:39:12,915 RACHAEL. 661 00:39:32,021 --> 00:39:34,110 ARE YOU OKAY? 662 00:39:34,154 --> 00:39:36,417 YEAH, I'M ALL RIGHT. 663 00:39:36,461 --> 00:39:39,159 ALTHOUGH, I AM WORRIED ABOUT RACHAEL. 664 00:39:39,202 --> 00:39:41,814 HOW ARE YOU DOING WITH ALL THIS? [ CHUCKLES ] 665 00:39:41,857 --> 00:39:43,946 I'M FINE, I GUESS. 666 00:39:43,990 --> 00:39:47,123 I MEAN, I'M WORRIED ABOUT RACHAEL, TOO, 667 00:39:47,167 --> 00:39:50,866 ESPECIALLY AFTER WHAT SHE SAID TO ME. 668 00:39:51,954 --> 00:39:54,000 Agent Miller: OH, MY GOLLY. 669 00:39:54,043 --> 00:39:56,306 THIS'LL SHAKE THE VERY FOUNDATION 670 00:39:56,350 --> 00:39:59,222 OF A SMALL STRAW HUT IN NORTHERN KOREA. 671 00:39:59,266 --> 00:40:01,399 IS THERE ANYTHING YOU CAN USE TO MATHEMATICALLY ESTIMATE 672 00:40:01,442 --> 00:40:04,140 THE COMPLEX MAKEUP OF THE SIMPLE OUTER DENSITY 673 00:40:04,184 --> 00:40:05,272 OF THE HARD, MUSHY CENTER? 674 00:40:05,315 --> 00:40:07,013 YES. WELL, THERE IS SOMETHING. 675 00:40:07,056 --> 00:40:08,188 WHAT? 676 00:40:08,231 --> 00:40:09,842 A CALCULATOR. 677 00:40:09,885 --> 00:40:10,930 DAMN. OH. 678 00:40:10,973 --> 00:40:13,019 WE DON'T HAVE ONE. 679 00:40:13,062 --> 00:40:17,153 WELL, I DO HAVE MY GO-GO-GADGET SPEAK AND SPELL. 680 00:40:17,197 --> 00:40:18,981 WHAT'S WRONG? 681 00:40:19,025 --> 00:40:20,156 WHAT DID SHE SAY? 682 00:40:20,200 --> 00:40:23,116 SHE -- IT'S JUST SHE KEEPS TALKING ABOUT 683 00:40:23,159 --> 00:40:26,162 SOMETHING COMING HERE TO GET HER. 684 00:40:26,206 --> 00:40:30,036 I MEAN, SHE'S STARTING TO SOUND A LITTLE, YOU KNOW? 685 00:40:30,079 --> 00:40:32,821 RACHAEL IS NOT CRAZY. 686 00:40:32,865 --> 00:40:34,954 DON'T SAY THAT. 687 00:40:34,997 --> 00:40:37,130 "ACCORDING" TO RACHAEL, 688 00:40:37,173 --> 00:40:41,047 SOME AMBIGUOUS SOMETHING IS COMING HERE TO KILL US 689 00:40:41,090 --> 00:40:42,352 AND WE SHOULD RUN. 690 00:40:42,396 --> 00:40:44,311 I MEAN, DOESN'T THAT SOUND A LITTLE CRAZY TO YOU? 691 00:40:44,354 --> 00:40:47,096 WELL, SHE'S SCARED, AND I DON'T BLAME HER. 692 00:40:47,140 --> 00:40:49,316 I SHOULD PROBABLY GO IN AND COMFORT HER. 693 00:40:49,359 --> 00:40:50,491 WAIT. 694 00:40:50,535 --> 00:40:53,973 UM, BEFORE YOU GO... 695 00:40:54,016 --> 00:40:57,106 WELL, THERE WAS SOMETHING -- 696 00:40:57,150 --> 00:40:59,979 I WANTED TO TELL YOU THIS EARLIER, BUT... 697 00:41:00,022 --> 00:41:01,502 YEAH? 698 00:41:01,546 --> 00:41:03,939 WELL... 699 00:41:03,983 --> 00:41:06,333 [ SIGHS ] 700 00:41:06,376 --> 00:41:09,336 I'M IN LOVE WITH THIS GUY, AND -- 701 00:41:09,379 --> 00:41:10,946 Y-YEAH? 702 00:41:12,165 --> 00:41:13,906 IT'S YOU, BRAD. 703 00:41:13,949 --> 00:41:17,257 I LOVE YOU, AND I DON'T THINK YOU UNDERSTAND HOW MUCH. 704 00:41:26,919 --> 00:41:29,008 [ WHISPERING] 705 00:41:29,051 --> 00:41:31,967 [ WIND HOWLING ] 706 00:41:36,885 --> 00:41:39,018 RACHAEL. 707 00:41:44,589 --> 00:41:46,199 [ GAGS ] 708 00:41:50,246 --> 00:41:53,162 [ GAGGING ] 709 00:41:57,253 --> 00:42:00,213 Agent Styles: MILLER, I THINK IT'S ABSOLUTELY IMPERATIVE 710 00:42:00,256 --> 00:42:01,954 THAT WE DO A FIBER-DELICACY TEST. 711 00:42:01,997 --> 00:42:03,216 WHAT WILL THAT TELL US? 712 00:42:03,259 --> 00:42:05,348 THE DELICACY OF THE FIBER. 713 00:42:05,392 --> 00:42:08,264 NOW, STAND BACK. 714 00:42:08,308 --> 00:42:12,051 QUICK, CONTAIN THE MUCUS-LIKE SECRETION BEFORE IT VAPORIZES. 715 00:42:12,094 --> 00:42:14,488 I NEED A BIOLOGICAL DECONTAMINANT 716 00:42:14,532 --> 00:42:17,230 AND A SKIN-PURIFYING FACIAL SPRITZ NOW. 717 00:42:17,273 --> 00:42:19,188 NO, FORGET THE SPRITZ. 718 00:42:19,232 --> 00:42:21,451 WE'RE GONNA LOSE OUR CHANCE, MILLER. 719 00:42:21,495 --> 00:42:23,236 GRAB ME THE SIDE SWIPER WITH THE .20, 720 00:42:23,279 --> 00:42:25,586 THE LEVEL-TWO OVERDRIVE. 721 00:42:25,630 --> 00:42:27,588 [ WHIRRING ] 722 00:42:27,632 --> 00:42:29,111 WAIT! 723 00:42:29,155 --> 00:42:30,939 AAH! 724 00:42:32,462 --> 00:42:35,074 QUICK, THERE'S A BREACH IN THE OUTER LAYER 725 00:42:35,117 --> 00:42:36,379 OF THE HARD, MUSHY CENTER. 726 00:42:36,423 --> 00:42:39,426 [ MACHINE BEEPING ] 727 00:42:41,297 --> 00:42:43,169 [ BEEPING STOPS ]THERE. DONE. 728 00:42:43,212 --> 00:42:46,172 WELL, WHAT IS THAT? 729 00:42:46,215 --> 00:42:49,088 GOOD QUESTION. 730 00:42:50,959 --> 00:42:52,613 JESSICA... 731 00:42:52,657 --> 00:42:55,355 YOU KNOW, HONESTLY, I'VE -- 732 00:42:55,398 --> 00:42:58,227 I HAVE ALWAYS KNOWN YOU FELT THIS WAY, 733 00:42:58,271 --> 00:43:00,142 AND, UH... 734 00:43:00,186 --> 00:43:02,101 I LOVE YOU, TOO. 735 00:43:02,144 --> 00:43:04,364 THEN WHY DIDN'T YOU EVER SAY ANYTHING? 736 00:43:04,407 --> 00:43:06,148 I WAS SO WORRIED TO TELL YOU. 737 00:43:06,192 --> 00:43:07,454 BECAUSE IT'S BEEN A SECRET 738 00:43:07,497 --> 00:43:09,282 BETWEEN YOUR MOTHER AND MY FATHER. 739 00:43:09,325 --> 00:43:11,545 I DON'T UNDERSTAND. 740 00:43:11,589 --> 00:43:14,287 WHAT ARE YOU TALKING ABOUT -- MY PARENTS? 741 00:43:14,330 --> 00:43:18,160 A LONG TIME AGO, YOUR MOTHER AND FATHER HAD TWO CHILDREN. 742 00:43:18,204 --> 00:43:20,423 ONE OF THEM WAS YOU, JESSICA. 743 00:43:20,467 --> 00:43:24,036 THEN THEY SPLIT AND DIVIDED THEIR ASSETS. 744 00:43:24,079 --> 00:43:27,126 YOU WERE ONLY 3, SO YOU DON'T REMEMBER. 745 00:43:27,169 --> 00:43:29,476 BUT YOU WERE MADE TO LIVE WITH YOUR MOTHER 746 00:43:29,519 --> 00:43:32,479 IN A SECRET LIFE OF SOLITUDE. 747 00:43:32,522 --> 00:43:34,263 AT THE SAME TIME, 748 00:43:34,307 --> 00:43:37,136 A VERY IMPORTANT MAN LEFT FOR AFRICA 749 00:43:37,179 --> 00:43:40,443 TO CONTINUE HIS STUDIES FOR SIX YEARS. 750 00:43:40,487 --> 00:43:42,663 HE THEN WENT HOME TO A SMALL ISLAND 751 00:43:42,707 --> 00:43:44,534 OFF THE COAST OF COSTA RICA. 752 00:43:44,578 --> 00:43:49,148 THERE, HE DISCOVERED HOW TO EXTRACT PREHISTORIC DNA 753 00:43:49,191 --> 00:43:50,976 FROM MOSQUITOES. 754 00:43:51,019 --> 00:43:53,239 I HAVE NO IDEA WHO HE WAS. 755 00:43:53,282 --> 00:43:56,677 BUT IT WAS ABOUT THAT TIME WHEN I FIRST MET YOU. 756 00:43:56,721 --> 00:43:59,027 YOU DO REMEMBER, DON'T YOU? 757 00:43:59,071 --> 00:44:02,378 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT, BRAD. 758 00:44:02,422 --> 00:44:04,424 WHAT ARE YOU TRYING TO SAY? 759 00:44:04,467 --> 00:44:07,296 JESSICA... 760 00:44:07,340 --> 00:44:10,604 YOU'RE MY SISTER! 761 00:44:10,648 --> 00:44:14,129 [ BIRD CAWING ] 762 00:44:18,133 --> 00:44:20,222 LOOK AT THIS, MILLER. 763 00:44:20,266 --> 00:44:22,224 WHAT IS IT, STYLES? 764 00:44:25,532 --> 00:44:27,273 DO YOU REALIZE WHAT THIS MEANS? 765 00:44:27,316 --> 00:44:28,274 YES. 766 00:44:30,319 --> 00:44:33,105 Brad: I-I COULDN'T TELL YOU BEFORE. 767 00:44:33,148 --> 00:44:36,064 I-I...YOU HAVE TO BELIEVE ME, JESSICA. 768 00:44:36,108 --> 00:44:38,240 NO, I DON'T BELIEVE YOU. 769 00:44:38,284 --> 00:44:41,243 I -- BRAD, WHAT ARE YOU SAYING? 770 00:44:41,287 --> 00:44:44,420 YOUR MOTHER IS MY MOTHER. 771 00:44:44,464 --> 00:44:47,336 YOUR FATHER IS MY FATHER. 772 00:44:47,380 --> 00:44:51,297 WE -- THEY SPLIT UP AT A VERY YOUNG AGE. 773 00:44:51,340 --> 00:44:54,343 WE ARE THE SAME BLOOD. 774 00:44:54,387 --> 00:44:59,740 WE COULD NEVER BE, YOU KNOW...TOGETHER. 775 00:45:02,308 --> 00:45:04,266 BESIDES... 776 00:45:04,310 --> 00:45:06,747 I AM IN LOVE WITH ANOTHER WOMAN. 777 00:45:06,791 --> 00:45:09,271 NO. 778 00:45:09,315 --> 00:45:11,491 BRAD, DON'T TELL ME. I CAN'T BEAR TO KNOW. 779 00:45:11,534 --> 00:45:12,579 OKAY. 780 00:45:12,622 --> 00:45:13,580 WAIT. 781 00:45:13,623 --> 00:45:15,234 NO, WHO IS IT? 782 00:45:15,277 --> 00:45:17,410 I HAVEN'T TOLD HER YET. 783 00:45:17,453 --> 00:45:19,499 BUT IT'S RACHAEL, JESSICA. 784 00:45:19,542 --> 00:45:20,718 NO! 785 00:45:20,761 --> 00:45:23,198 I KNEW IT. 786 00:45:23,242 --> 00:45:25,461 I DON'T KNOW WHETHER TO HUG YOU OR SLAP YOU. 787 00:45:25,505 --> 00:45:27,289 YEAH, I KNOW. IT'S -- IT'S -- IT'S TOUGH. 788 00:45:27,333 --> 00:45:29,291 [ WHIMPERS ]Y-Y-YOU'LL GET OVER IT. 789 00:45:29,335 --> 00:45:31,598 IT'S -- IT'S -- IT'S A TOUGH THING TO HEAR. 790 00:45:31,641 --> 00:45:33,513 [ WHIMPERS ] I CAN'T! 791 00:45:35,515 --> 00:45:36,255 OW! 792 00:45:36,298 --> 00:45:39,214 [ GASPS ] 793 00:45:39,258 --> 00:45:41,347 OH! 794 00:45:42,565 --> 00:45:44,698 HOW ARE YOU DOING, SWEETIE? 795 00:45:44,742 --> 00:45:46,265 I'M FEELING BETTER NOW. 796 00:45:46,308 --> 00:45:48,397 Agent Miller: I HAVE GOOD NEWS. 797 00:45:48,441 --> 00:45:52,227 THE GOOD NEWS IS THAT I'M NOW ABLE TO TELL YOU NEWS. 798 00:45:52,271 --> 00:45:56,449 UNFORTUNATELY, MOST OF IT IS EXCEEDINGLY BAD. 799 00:45:56,492 --> 00:45:58,451 ON A LIGHTER NOTE, RACHAEL, 800 00:45:58,494 --> 00:46:00,409 THERE IS SOMETHING INSIDE OF YOU -- 801 00:46:00,453 --> 00:46:02,324 SOMETHING SO AWFUL 802 00:46:02,368 --> 00:46:06,241 THAT UNLESS IT IS REMOVED WITHIN 5 HOURS AND 58 MINUTES, 803 00:46:06,285 --> 00:46:07,852 YOU WILL DIE. 804 00:46:09,854 --> 00:46:13,292 IN TERMS OF BAD NEWS, IT HAS BECOME BLAZINGLY APPARENT 805 00:46:13,335 --> 00:46:16,295 THROUGH ALL MY THOROUGHLY-INTRUSIVE ANALYSIS 806 00:46:16,338 --> 00:46:19,211 THAT THERE'S ONLY ONE WAY TO REMOVE IT. 807 00:46:19,254 --> 00:46:21,474 W-WELL, THAT'S GOOD NEWS, ISN'T IT? 808 00:46:21,517 --> 00:46:22,997 IT HAS TO BE DONE 809 00:46:23,041 --> 00:46:26,479 WITH THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR, 810 00:46:26,522 --> 00:46:30,222 WHICH IS THE MASTER KEY TO THE USUALLY FATAL OPERATION 811 00:46:30,265 --> 00:46:33,399 KNOWN AS BIO-ATOMIC SUB-SLICING. 812 00:46:33,442 --> 00:46:36,315 SINCE I KNOW YOU'RE WONDERING WHAT THAT IS, 813 00:46:36,358 --> 00:46:37,707 I'LL TELL YOU. 814 00:46:37,751 --> 00:46:41,407 THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR 815 00:46:41,450 --> 00:46:44,845 IS AN EXTENSIVELY COMPLEX AND EXPENSIVE DEVICE 816 00:46:44,889 --> 00:46:46,412 WHICH, 817 00:46:46,455 --> 00:46:48,327 USING A SUPER-CONCENTRATED BEAM OF SOUND, 818 00:46:48,370 --> 00:46:51,547 CAN TEAR THROUGH ANY SUBSTANCE PUT IN FRONT OF IT 819 00:46:51,591 --> 00:46:53,506 AT A RATE OF 12 METERS PER SECOND. 820 00:46:53,549 --> 00:46:57,249 VERY SIMILAR, INDEED, TO A SUPER LASER. 821 00:46:57,292 --> 00:46:59,642 THE CIA AND FBI BOTH CLASSIFY IT 822 00:46:59,686 --> 00:47:02,732 AS A FIRST-GENERATION PLANET DESTROYER, 823 00:47:02,776 --> 00:47:06,519 AND THE IRS HAS A SECTION "C" GLOBAL ECONOMIC LIABILITY 824 00:47:06,562 --> 00:47:09,174 FROM MISUSED EXPENDITURES. 825 00:47:09,217 --> 00:47:11,698 WE GENERALLY USE IT TO CUT THROUGH THE EARTH'S MANTLE 826 00:47:11,741 --> 00:47:13,526 IN ORDER TO GATHER CORE SAMPLES. 827 00:47:13,569 --> 00:47:16,442 BUT IN THIS CASE, IT WILL BE USED ON RACHAEL 828 00:47:16,485 --> 00:47:23,362 TO REMOVE THE IN-DWELLING SPECIMEN KNOWN AS I64479. 829 00:47:23,405 --> 00:47:28,367 SO, DO YOU HAVE ONE OF THESE FOCAL-WAVE THINGIES? 830 00:47:28,410 --> 00:47:29,934 WELL, THE GOOD NEWS IS 831 00:47:29,977 --> 00:47:32,371 THAT THERE IS ONLY ONE OF THESE DEVICES IN THE ENTIRE WORLD. 832 00:47:32,414 --> 00:47:34,286 WHAT'S THE POINT, THEN? 833 00:47:34,329 --> 00:47:37,811 THE POINT IS THERE IS ONLY ONE IN THE ENTIRE WORLD, 834 00:47:37,855 --> 00:47:40,379 AND IT'S NOT VERY FAR FROM HERE. 835 00:47:40,422 --> 00:47:42,381 WE'D BETTER RUN AND GET IT. 836 00:47:42,424 --> 00:47:46,733 WELL, IN -- IN -- IN 5 HOURS AND 56 MINUTES, SHE'LL DIE! 837 00:47:46,776 --> 00:47:48,909 ISN'T THERE SOMETHING ELSE YOU CAN DO? 838 00:47:48,953 --> 00:47:51,259 CAN'T YOU TAKE HER WITH YOU? 839 00:47:51,303 --> 00:47:52,521 NO! 840 00:47:52,565 --> 00:47:54,393 I AM AFRAID THAT SHE MUST STAY. 841 00:47:54,436 --> 00:47:56,308 ALL OTHER OPTIONS 842 00:47:56,351 --> 00:47:59,485 ARE UNAVAILABLE, INDISCERNIBLE, EXCEEDINGLY PAINFUL, 843 00:47:59,528 --> 00:48:03,402 OR JUST, QUITE FRANKLY, HAVEN'T BEEN THOUGHT OF. 844 00:48:03,445 --> 00:48:06,796 WE MUST ACT QUICKLY IF SHE'S TO LIVE. 845 00:48:12,977 --> 00:48:15,718 WHAT -- WHAT DO I DO FOR NOW? 846 00:48:15,762 --> 00:48:19,505 JUST WAIT, WATCH THE CLOCK, AND WONDER. 847 00:48:19,548 --> 00:48:21,681 AT THE MOMENT WHEN YOU FEEL ALL HOPE IS LOST, 848 00:48:21,724 --> 00:48:23,552 WE'LL BE BACK. 849 00:48:49,622 --> 00:48:52,842 Adrian: SO, WHY ARE WE STARING AT THIS THING? 850 00:48:54,322 --> 00:48:58,805 AGENT MILLER TOLD US TO WATCH THE CLOCK TILL HE GETS BACK. 851 00:48:58,848 --> 00:49:00,285 [ CLOCK TICKS ] 852 00:49:00,328 --> 00:49:01,764 Jessica: AND WONDER. 853 00:49:07,857 --> 00:49:10,730 HOW LONG HAVE WE BEEN WATCHING THIS THING? 854 00:49:10,773 --> 00:49:12,688 [ CLOCK TICKING ] 855 00:49:12,732 --> 00:49:14,603 I DON'T KNOW. 856 00:49:32,970 --> 00:49:34,841 Agent Styles: IT HAS TO BE DONE 857 00:49:34,884 --> 00:49:39,063 WITH THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR. 858 00:49:41,891 --> 00:49:44,807 [ CLOCK TICKING ] 859 00:49:47,593 --> 00:49:52,511 I COULDN'T BARE TO WATCH RACHAEL DIE LIKE THIS... 860 00:49:52,554 --> 00:49:55,949 NOT HERE, NOT NOW... 861 00:49:55,993 --> 00:50:00,040 NOT ON THE VERY SOFA YOU WERE CONCEIVED ON. 862 00:50:00,084 --> 00:50:01,868 ♪ DON'T TRY TO STOP ME OR TOP ME ♪ 863 00:50:01,911 --> 00:50:02,956 ♪ I CAN TELL YOU WHAT YOU NEED 864 00:50:03,000 --> 00:50:04,697 ♪ LISTEN, I'M FISHIN' 865 00:50:04,740 --> 00:50:06,612 ♪ I'LL GET YOU WITH MY HOOK, AND PUMP IT UP, PUMP IT ♪ 866 00:50:06,655 --> 00:50:09,528 DO YOU THINK THEY'LL GET BACK IN TIME? 867 00:50:09,571 --> 00:50:11,747 [ RAP MUSIC PLAYING ] 868 00:50:15,099 --> 00:50:16,709 ♪ BUMP, BUMP 869 00:50:16,752 --> 00:50:18,798 ARE YOU GUYS ALMOST DONE? 870 00:50:18,841 --> 00:50:22,541 HEY, COOL YOUR BRITCHES, MR. FANCY PANTS. 871 00:50:22,584 --> 00:50:24,630 WE'RE WORKING AS FAST AS WE CAN HERE. 872 00:50:24,673 --> 00:50:26,719 I'M A LITTLE PRESSED FOR TIME. 873 00:50:26,762 --> 00:50:28,982 [ SIGHS ] YOU PEOPLE HAVE NO PATIENCE. 874 00:50:29,026 --> 00:50:31,854 ALL YOU SUITS CARE ABOUT IS YOUR OWN SITUATION. 875 00:50:31,898 --> 00:50:34,466 THAT'S RIGHT. 876 00:50:36,511 --> 00:50:38,035 Jessica: WHERE'S RACHAEL? 877 00:50:45,955 --> 00:50:48,871 Brad: RACHAEL! COME BACK HERE NOW! 878 00:50:48,915 --> 00:50:51,700 DON'T YOU DARE LEAVE THE HOUSE AGAIN. 879 00:50:51,744 --> 00:50:53,920 [ Distorted voice ] I CAN FEEL IT. 880 00:50:53,963 --> 00:50:56,792 IT'S GETTING CLOSER. 881 00:50:56,836 --> 00:50:59,012 OH, WAIT. 882 00:50:59,056 --> 00:51:02,798 SO CLOSE AND YET SO FAR. 883 00:51:02,842 --> 00:51:05,671 THEY'RE COMING. 884 00:51:05,714 --> 00:51:08,717 THE TIME IS AT HAND. 885 00:51:09,892 --> 00:51:12,069 [ BODY THUDS ] 886 00:51:12,112 --> 00:51:13,418 COME ON, RACHAEL. RACHAEL? 887 00:51:13,461 --> 00:51:14,680 WHAT'S WRONG WITH HER? 888 00:51:14,723 --> 00:51:15,942 [ CREATURE HOWLING ] 889 00:51:15,985 --> 00:51:18,597 WHAT'S THAT? I DON'T KNOW. 890 00:51:18,640 --> 00:51:20,120 [ RUSTLING ] 891 00:51:20,164 --> 00:51:21,687 OH, MY GOD. 892 00:51:21,730 --> 00:51:23,602 BRAD, THERE'S SOMETHING OUT THERE. 893 00:51:23,645 --> 00:51:25,430 WE GOT TO GET HER INSIDE. 894 00:51:25,473 --> 00:51:26,953 MAYBE WE SHOULD LEAVE HER HERE. 895 00:51:26,996 --> 00:51:28,781 NO, WE'RE NOT LEAVING HER! 896 00:51:28,824 --> 00:51:31,000 COME ON, WE GOT TO GET HER IN THE HOUSE. 897 00:51:31,044 --> 00:51:32,001 RACHAEL. 898 00:51:32,045 --> 00:51:33,612 [ CREATURE HOWLS ] 899 00:51:33,655 --> 00:51:36,136 WELL, YOU'RE SET TO GO, MR. ALL FIRED UP. 900 00:51:36,180 --> 00:51:38,617 YEP. JUST TURNED OUT JUST TO BE A SCREW LOOSE... 901 00:51:38,660 --> 00:51:40,706 IN YOUR HEADLIGHT.MM-HMM. 902 00:51:40,749 --> 00:51:42,708 THAT'S GONNA BE $800 FOR LABOR AND $1.29 FOR THE SCREW. 903 00:51:42,751 --> 00:51:43,970 IT'S $801.29 TOTAL. 904 00:51:44,013 --> 00:51:46,538 SCREW LOOSE IN MY HEADLIGHT? 905 00:51:46,581 --> 00:51:48,714 MM-HMM.THAT'S OUTRAGEOUS. 906 00:51:48,757 --> 00:51:50,542 DO YOU TAKE CREDIT CARDS? 907 00:51:50,585 --> 00:51:51,804 HELL NO. CASH ONLY. 908 00:51:51,847 --> 00:51:53,588 DAMN. 909 00:51:58,071 --> 00:52:00,073 Adrian: THE DOOR -- LOOK AT THIS. 910 00:52:04,730 --> 00:52:07,124 ALL RIGHT, GET SOME WATER. 911 00:52:08,212 --> 00:52:11,476 DO YOU THINK SHE'LL BE ALL RIGHT? 912 00:52:11,519 --> 00:52:12,868 RACHAEL, COME ON, RACHAEL. 913 00:52:12,912 --> 00:52:13,913 RACHAEL?PLEASE WAKE UP. 914 00:52:13,956 --> 00:52:15,175 RACHAEL? PLEASE. 915 00:52:15,219 --> 00:52:16,872 RACHAEL.COME ON, RACHAEL. 916 00:52:16,916 --> 00:52:18,091 RACHAEL. 917 00:52:18,135 --> 00:52:20,746 THERE'S STILL SO MUCH I HAVE TO TELL YOU. 918 00:52:20,789 --> 00:52:22,095 RACHAEL. 919 00:52:22,139 --> 00:52:26,795 [ Echoing ] RACHAEL. 920 00:52:33,106 --> 00:52:34,107 RACHAEL. 921 00:52:34,151 --> 00:52:35,500 [ Echoing ] RACHAEL. 922 00:52:35,543 --> 00:52:37,110 COME ON, RACHAEL, WAKE UP.RACHAEL. 923 00:52:37,154 --> 00:52:38,546 COME ON, RACHAEL. RACHAEL. 924 00:52:38,590 --> 00:52:39,982 COME ON, RACHAEL. 925 00:52:40,026 --> 00:52:42,594 SHE'S NOT -- SHE'S NOT HEARING ANY OF THIS. 926 00:52:42,637 --> 00:52:44,596 RACHAEL.COME ON, RACHAEL, WAKE UP. 927 00:52:44,639 --> 00:52:46,641 RACHAEL, PLEASE. 928 00:52:56,782 --> 00:52:59,001 [ BIRDS CHIRPING ] 929 00:53:36,865 --> 00:53:39,041 RACHAEL. 930 00:53:49,878 --> 00:53:51,793 WHAT WAS THAT? 931 00:53:51,837 --> 00:53:55,232 WHATEVER IT IS, IT'S -- IT'S ON THE PORCH. 932 00:53:55,275 --> 00:53:58,104 WE HAVE TO LOCK ALL THE DOORS AND WINDOWS! 933 00:53:59,018 --> 00:54:01,281 WELL, DON'T EVERYBODY JUMP AT ONCE! 934 00:54:01,325 --> 00:54:03,240 GEEZ! FINE, I'LL DO IT! 935 00:54:03,283 --> 00:54:05,894 LET THE FRENCHMAN. COME ON. 936 00:54:06,982 --> 00:54:09,942 [ CLATTERING, THUMPING ] 937 00:54:11,900 --> 00:54:13,293 ON THE ROOF. 938 00:54:13,337 --> 00:54:15,904 WHAT DO YOU THINK IT WANTS? 939 00:54:15,948 --> 00:54:17,645 [ THUMPING, CLATTERING ] 940 00:54:22,824 --> 00:54:24,696 IT'S MORE THAN ONE. 941 00:54:24,739 --> 00:54:26,001 WHERE'S ADRIAN? 942 00:54:26,045 --> 00:54:27,873 [ TOILET FLUSHES ] 943 00:54:37,012 --> 00:54:38,275 AAH! 944 00:54:38,318 --> 00:54:39,798 AAAH! 945 00:54:39,841 --> 00:54:41,669 SORRY, DIDN'T MEAN TO SCARE YOU GUYS. 946 00:54:41,713 --> 00:54:43,105 [ COUGHING ] OH. 947 00:54:43,149 --> 00:54:45,325 RACHAEL, THANK GOD YOU'RE ALL RIGHT. 948 00:54:45,369 --> 00:54:48,197 I TOLD YOU THEY WERE COMING, BUT YOU DIDN'T WANT TO LISTEN. 949 00:54:48,241 --> 00:54:49,938 NOW IT'S TOO LATE. 950 00:54:49,982 --> 00:54:51,331 [ CLATTERING ] 951 00:54:51,375 --> 00:54:53,768 YOU GUYS, GUESS WHAT? 952 00:54:55,074 --> 00:54:56,945 I THINK THERE'S SOMETHING ON THE ROOF. 953 00:54:56,989 --> 00:54:58,817 OH, ARE YOU SURE? YEAH. 954 00:54:58,860 --> 00:55:00,166 WHAT SHOULD WE DO, BRAD? 955 00:55:00,209 --> 00:55:02,037 WELL, WE SHOULD HOPE THAT -- 956 00:55:02,081 --> 00:55:03,909 THAT AGENT MILLER GETS HERE SOON. 957 00:55:03,952 --> 00:55:05,345 AAH! AAH! 958 00:55:05,389 --> 00:55:06,868 [ THUMPING ] 959 00:55:06,912 --> 00:55:09,871 WHAT WAS THAT? WHAT HAPPENED? 960 00:55:13,875 --> 00:55:15,747 [ TIRES SCREECH, HORN HONKS ]Agent Miller: UGH! 961 00:55:15,790 --> 00:55:17,836 IS THAT THE AGENTS? 962 00:55:17,879 --> 00:55:21,143 IT'S AGENT MILLER. QUICK, OPEN THE DOOR. 963 00:55:21,187 --> 00:55:23,015 OH, YOU'RE HERE. 964 00:55:23,058 --> 00:55:24,886 JUST IN TIME. 965 00:55:24,930 --> 00:55:27,280 WHAT HAPPENED? WHERE'S AGENT STYLES? 966 00:55:27,324 --> 00:55:29,064 I'M SORRY. 967 00:55:29,108 --> 00:55:32,851 AS FOR STYLES, SHE WAS FORCED TO RETURN TO WASHINGTON. 968 00:55:32,894 --> 00:55:36,768 I THINK THEY KNOW SOMETHING, SO WE HAVE TO MOVE QUICKLY. 969 00:55:36,811 --> 00:55:38,160 IS THIS THE -- THE WAVE-GENERATOR THING? 970 00:55:38,204 --> 00:55:39,205 YES, INDEED. 971 00:55:39,248 --> 00:55:40,902 IN MY HANDS, I HOLD 972 00:55:40,946 --> 00:55:44,906 THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR -- 973 00:55:44,950 --> 00:55:48,040 THE SINGLE KEY TO SAVING RACHAEL'S LIFE. 974 00:55:48,083 --> 00:55:50,999 [ CREATURE SCREECHES ] 975 00:55:51,043 --> 00:55:53,088 AGENT MILLER! 976 00:55:53,132 --> 00:55:55,003 [ CREATURE GROWLS ] 977 00:55:55,047 --> 00:55:56,831 OH, NO! SOMETHING GOT 978 00:55:56,875 --> 00:55:59,094 THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR. 979 00:55:59,138 --> 00:56:01,270 AND AGENT MILLER. 980 00:56:01,314 --> 00:56:03,969 MAYBE YOU SHOULD GO HELP HIM, BRAD. 981 00:56:04,012 --> 00:56:05,187 [ GUNSHOTS ] 982 00:56:05,231 --> 00:56:08,060 [ CREATURE GROWLING ]Agent Miller: AAH! 983 00:56:08,103 --> 00:56:09,888 WHOA! WHOA![ GUNSHOTS ] 984 00:56:09,931 --> 00:56:11,237 Agent Miller: AAH! 985 00:56:11,280 --> 00:56:12,978 AAH! AAH! 986 00:56:13,021 --> 00:56:14,936 Agent Miller: AAH! 987 00:56:14,980 --> 00:56:16,068 HE'LL BE FINE. HE'S FBI, RIGHT? 988 00:56:16,111 --> 00:56:18,418 [ GUNSHOTS ] 989 00:56:18,462 --> 00:56:20,028 OH.SUPPOSE SOMETHING'S GOT HIM? 990 00:56:20,072 --> 00:56:21,987 [ RUSTLING ] 991 00:56:24,119 --> 00:56:26,252 [ GRUNTS ] 992 00:56:26,295 --> 00:56:28,428 I LOST IT! 993 00:56:28,472 --> 00:56:29,995 DAMN IT! 994 00:56:30,038 --> 00:56:32,040 ARE YOU ALL RIGHT, AGENT MILLER? 995 00:56:32,084 --> 00:56:33,868 YEAH, I AM, BUT I LOST 996 00:56:33,912 --> 00:56:36,436 THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR. 997 00:56:36,480 --> 00:56:38,264 DO YOU HAVE ANY ASPIRIN? 998 00:56:38,307 --> 00:56:40,832 NO, NO. WE GOT TO GO FIND IT. 999 00:56:40,875 --> 00:56:42,094 WE GOT -- NO. NO. 1000 00:56:42,137 --> 00:56:44,313 YOU'RE NOT GOING OUT THERE UNPROTECTED. 1001 00:56:44,357 --> 00:56:47,142 HERE...TAKE THESE. 1002 00:56:47,186 --> 00:56:50,276 BUT I HAVE TO WARN YOU, THEY'RE FULLY LOADED, 1003 00:56:50,319 --> 00:56:53,018 AND THE LOCKING MECHANISMS FOR THE SAFETY 1004 00:56:53,061 --> 00:56:55,977 ARE COMPLETELY AND UTTERLY BROKEN. 1005 00:56:56,021 --> 00:56:57,457 WHAT DO YOU MEAN? 1006 00:56:57,501 --> 00:57:00,852 THE LOCKING MECHANISMS LOCK AND UNLOCK AT ODD TIMES, 1007 00:57:00,895 --> 00:57:03,463 PREVENTING THE GUN FROM FIRING AT ALL... 1008 00:57:03,507 --> 00:57:06,466 USUALLY, AT THE WORST POSSIBLE MOMENT. 1009 00:57:06,510 --> 00:57:08,120 WAIT. 1010 00:57:08,163 --> 00:57:10,427 WE'RE GONNA NEED MORE FLASHLIGHTS. 1011 00:57:10,470 --> 00:57:12,951 I GOT FLASHLIGHTS.GOOD. 1012 00:57:12,994 --> 00:57:14,953 ALL RIGHT. GOOD. 1013 00:57:14,996 --> 00:57:16,911 WE'RE GOOD. READY? 1014 00:57:16,955 --> 00:57:18,086 LET'S GO. 1015 00:57:22,526 --> 00:57:24,876 COME ON, GUYS. 1016 00:58:03,218 --> 00:58:05,394 [ OWL HOOTS ] 1017 00:58:10,574 --> 00:58:11,966 I MEAN... 1018 00:58:13,881 --> 00:58:15,274 BRAD AND ADRIAN...YEAH. 1019 00:58:15,317 --> 00:58:18,103 ...YOU FIND THE GENERATOR, FIRE TWO SHOTS. 1020 00:58:18,146 --> 00:58:20,018 JESSICA, YOU COME WITH ME. 1021 00:58:20,061 --> 00:58:21,933 HEY. HEY! 1022 00:58:23,282 --> 00:58:25,066 I'M GOING HOME. 1023 00:58:25,110 --> 00:58:26,154 COME ON. 1024 00:58:40,081 --> 00:58:41,039 [ ANIMAL HOWLS ] 1025 00:58:41,082 --> 00:58:43,128 [ OWL HOOTS ] 1026 00:58:47,262 --> 00:58:49,526 ADRIAN, IF I LOSE YOU AGAIN, 1027 00:58:49,569 --> 00:58:53,094 I DON'T WANT YOU JUMPING OUT OF THE TREES AND SCREAMING. 1028 00:58:53,138 --> 00:58:55,227 YOU HAVE A TENDENCY TO MAKE THINGS WORSE 1029 00:58:55,270 --> 00:58:56,445 THAN THEY ALREADY ARE. 1030 00:58:56,489 --> 00:58:58,970 YES, I PROMISE. I NEVER MEANT ANY HARM. 1031 00:58:59,013 --> 00:59:00,580 EXCUSEZ-MOI. 1032 00:59:00,624 --> 00:59:02,974 [ OWL HOOTS ] 1033 00:59:03,017 --> 00:59:09,981 IS IT ME, OR DO THESE WOODS SEEM TO REEK OF DEATH AND DECAY, 1034 00:59:10,024 --> 00:59:14,115 LIKE SOME GREAT CARRION PIT OF ROTTING FLESH? 1035 00:59:14,159 --> 00:59:15,247 I DON'T KNOW. 1036 00:59:15,290 --> 00:59:18,293 IT'S LIKE THE VERY TREES THEMSELVES 1037 00:59:18,337 --> 00:59:21,122 SEEM TO BE SCREAMING OUT TO US, "RUN. 1038 00:59:21,166 --> 00:59:24,996 "RUN FOR YOUR LIVES, FOR EVIL LIVES AMONGST US. 1039 00:59:25,039 --> 00:59:27,085 RUN. RUN! RUN!" 1040 00:59:27,128 --> 00:59:28,565 AAH! AAH! 1041 00:59:28,608 --> 00:59:30,436 AAAAH! 1042 00:59:30,479 --> 00:59:32,177 [ OWL HOOTS ] 1043 00:59:32,220 --> 00:59:34,135 NO, NOT REALLY. 1044 00:59:34,179 --> 00:59:36,311 AND MAYBE NOT. 1045 00:59:44,232 --> 00:59:46,104 HOW LONG BEFORE RACHAEL KEELS OVER 1046 00:59:46,147 --> 00:59:48,497 AND SPILLS HER GUTS OUT ON THE FLOOR? 1047 00:59:48,541 --> 00:59:50,543 [ SIGHS ] 1048 00:59:50,587 --> 00:59:54,025 WE HAVE ABOUT 16 MINUTES. 1049 00:59:54,068 --> 00:59:56,027 WE HAVE TO FIND THIS WAVE-GENERATOR THING. 1050 00:59:56,070 --> 00:59:57,637 IT'S GOT TO BE AROUND HERE SOMEWHERE. 1051 00:59:57,681 --> 00:59:59,247 OH, DON'T WORRY. WE WILL. 1052 00:59:59,291 --> 01:00:03,121 BUT NOT UNTIL THE VERY LAST MOMENT. 1053 01:00:03,164 --> 01:00:04,601 COME ON, WE GOT TO BE QUICKER. 1054 01:00:04,644 --> 01:00:06,428 ALL RIGHT. WHERE DO WE FIND THIS THING? 1055 01:00:06,472 --> 01:00:08,256 IT'S GOT TO BE RIGHT AROUND THIS CORNER. 1056 01:00:08,300 --> 01:00:09,954 I-I KNOW THIS PLACE BETTER IN THE DAYLIGHT. 1057 01:00:09,997 --> 01:00:11,520 I CAN'T SEE ANYTHING. 1058 01:00:11,564 --> 01:00:14,132 OH, GREAT. THIS IS YOUR COUNTRY. I'M ONLY TRYING TO USE IT. 1059 01:00:14,175 --> 01:00:16,134 COME ON. BE QUIET. GET OVER HERE. 1060 01:00:16,177 --> 01:00:19,180 COME ON, WE'RE GOING. JUST RUN. WE'RE GOING. 1061 01:00:19,224 --> 01:00:21,356 [ RUSTLING ]WHAT WAS THAT? 1062 01:00:21,400 --> 01:00:23,228 WHAT'S WHAT? 1063 01:00:23,271 --> 01:00:24,664 THAT OVER THERE. 1064 01:00:24,708 --> 01:00:27,014 I SAW SOMETHING IN THAT PITCH-BLACK AREA 1065 01:00:27,058 --> 01:00:29,060 BEHIND ALL THE FOG AND SCRAGGLY TREES. 1066 01:00:29,103 --> 01:00:30,278 WHAT?! I-I CAN'T SEE ANYTHING. 1067 01:00:30,322 --> 01:00:31,628 IT'S PITCH-BLACK, 1068 01:00:31,671 --> 01:00:33,586 AND IF YOU HAVEN'T NOTICED, THERE'S A LOT OF FOG. 1069 01:00:33,630 --> 01:00:36,067 I DID NOTICE. 1070 01:00:36,110 --> 01:00:37,155 [ RUSTLING ] 1071 01:00:37,198 --> 01:00:38,156 AAH! 1072 01:00:38,199 --> 01:00:39,244 THAT! 1073 01:00:39,287 --> 01:00:41,159 I CAN'T SEE ANYTHING. 1074 01:00:41,202 --> 01:00:43,335 I-I THINK WE SHOULD SHOOT IT. 1075 01:00:43,378 --> 01:00:45,642 SHOOT WHAT? I CAN'T SEE ANYTHING. 1076 01:00:45,685 --> 01:00:48,166 DAMN IT, JUST SHOOT! IT'S IN THERE SOMEWHERE. 1077 01:00:48,209 --> 01:00:50,603 [ RUSTLING ] AAH! AAH! 1078 01:00:50,647 --> 01:00:53,040 OKAY, FINE. WE'LL SHOOT IT. 1079 01:00:53,084 --> 01:00:54,172 [ GUNS CLICKING ] 1080 01:00:54,215 --> 01:00:56,087 DAMN, MY GUN IS LOCKED. 1081 01:00:56,130 --> 01:00:58,002 MINE, TOO. WHAT'S WRONG? 1082 01:00:58,045 --> 01:00:59,046 WHY WON'T IT WORK? 1083 01:00:59,090 --> 01:01:00,221 [ GUNS CLICKING ] 1084 01:01:00,265 --> 01:01:02,267 MAYBE IT'S BECAUSE WE'RE ABOUT TO DIE. 1085 01:01:02,310 --> 01:01:03,529 BRAD. AAH! AAH! 1086 01:01:03,572 --> 01:01:06,401 [ GUNSHOT ][ GRUNTING ] 1087 01:01:06,445 --> 01:01:10,101 YOU CRAZY BASTARDS, WHAT THE HELL ARE YOU THINKING? 1088 01:01:10,144 --> 01:01:12,016 [ OWL HOOTS ] 1089 01:01:12,059 --> 01:01:13,408 OH, NO. 1090 01:01:13,452 --> 01:01:17,021 OH, CRAP. THOUGHT YOU WERE SOMETHING ELSE. 1091 01:01:17,064 --> 01:01:19,284 WELL, I'M NOT SOMETHING ELSE. 1092 01:01:19,327 --> 01:01:21,112 SO, NEXT TIME, BE MORE CAREFUL. 1093 01:01:21,155 --> 01:01:22,330 [ RUSTLING ] 1094 01:01:22,374 --> 01:01:24,332 WHAT WAS THAT? 1095 01:01:31,775 --> 01:01:34,168 [ RUSTLING ] 1096 01:01:38,477 --> 01:01:39,696 HEY. 1097 01:01:39,739 --> 01:01:41,262 [ GUNSHOTS ] AAH! 1098 01:01:41,306 --> 01:01:43,308 AAH! DAMN YOU ALL. 1099 01:01:43,351 --> 01:01:45,266 [ GRUNTS ] 1100 01:01:58,453 --> 01:02:00,455 ADRIAN? 1101 01:02:00,499 --> 01:02:02,414 WHAT HAPPENED? 1102 01:02:02,457 --> 01:02:06,287 WE WERE -- WE WERE SHOT, JESSICA. 1103 01:02:06,331 --> 01:02:08,681 THIS IS ENTIRELY MY FAULT. 1104 01:02:08,725 --> 01:02:12,293 ADRIAN, AM I GOING TO DIE? 1105 01:02:12,337 --> 01:02:15,470 YES, YOU PROBABLY WILL. 1106 01:02:15,514 --> 01:02:17,603 BUT I WILL BE HERE BESIDE YOU. 1107 01:02:17,646 --> 01:02:19,779 WHAT ABOUT RACHAEL? 1108 01:02:19,823 --> 01:02:23,565 SHE'S GOING TO DIE BECAUSE OF BRAD'S INCREDIBLE FAILURE. 1109 01:02:23,609 --> 01:02:25,306 NO, JESSICA, WE CAN STILL FIND 1110 01:02:25,350 --> 01:02:28,353 THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR. 1111 01:02:28,396 --> 01:02:30,181 BUT WE MUST KEEP GOING. 1112 01:02:30,224 --> 01:02:32,400 THERE'S SOMETHING EVIL IN THESE WOODS, 1113 01:02:32,444 --> 01:02:34,794 AND IT WANTS TO DESTROY US. 1114 01:02:34,838 --> 01:02:38,319 [ Echoing ] YOU HAVE TO FIND THE STRENGTH TO GO ON. 1115 01:02:38,363 --> 01:02:42,323 WHY DOES IT MATTER IF I'M GOING TO DIE? 1116 01:02:42,367 --> 01:02:45,631 YES, B-BUT IF YOU DO HAPPEN TO MAKE IT THROUGH, 1117 01:02:45,674 --> 01:02:49,156 I WANT YOU TO KNOW THAT I THINK YOU'RE BEAUTIFUL. 1118 01:02:49,200 --> 01:02:51,637 I WANT YOU TO COME TO PARIS WITH ME. 1119 01:02:51,680 --> 01:02:54,771 OH, JESSICA, YOU HAVE SUCH BEAUTIFUL EYES. 1120 01:02:54,814 --> 01:02:57,730 PEOPLE, WE'VE GOT TO DO SOMETHING ABOUT THIS SITUATION. 1121 01:02:57,774 --> 01:03:01,560 JESSICA, GET UP OFF THE GROUND. YOU'RE NOT GOING TO DIE. 1122 01:03:01,603 --> 01:03:03,344 IF THE FAINTEST SCENT OF OUR BLOOD 1123 01:03:03,388 --> 01:03:06,304 REACHES ONE OR MORE OF THEIR PERIPHERAL INTAKE RECEPTORS, 1124 01:03:06,347 --> 01:03:08,480 IT'S ALL OVER. 1125 01:03:08,523 --> 01:03:11,483 THEY'LL GATHER BY THE THOUSANDS AND SWARM IN ON US, 1126 01:03:11,526 --> 01:03:13,354 TEARING OUR BODIES APART 1127 01:03:13,398 --> 01:03:16,749 BY EVERY THREAD, SKIN FLAP, AND FAT DEPOSIT 1128 01:03:16,793 --> 01:03:19,491 UNTIL THEIR NEVER-ENDING, FLESH-DEVOURING APPETITE 1129 01:03:19,534 --> 01:03:21,667 IS QUENCHED BY NOTHING LESS THAN OUR VERY SOULS. 1130 01:03:21,710 --> 01:03:24,496 THEY CAN TAKE OUR SOULS? 1131 01:03:24,539 --> 01:03:29,327 WELL, I DON'T SUPPOSE THEY CAN REALLY DO THAT. 1132 01:03:29,370 --> 01:03:32,417 ARE THERE ACTUALLY THOUSANDS OF THESE THINGS? 1133 01:03:32,460 --> 01:03:35,594 WELL, I DON'T KNOW EXACTLY HOW MANY. 1134 01:03:35,637 --> 01:03:38,423 I DON'T WANT TO BE TORN APART BY MY SKIN FLAPS. 1135 01:03:38,466 --> 01:03:40,555 HAVE YOU SEEN THEM, AGENT MILLER? 1136 01:03:40,599 --> 01:03:41,513 Agent Miller: WELL, YES. 1137 01:03:41,556 --> 01:03:43,384 BUT NO. 1138 01:03:43,428 --> 01:03:46,779 I MEAN, I'VE SEEN THEM BUT NOT WHAT THEY LOOK LIKE. 1139 01:03:46,823 --> 01:03:48,172 I'M CONFUSED. 1140 01:03:48,215 --> 01:03:50,478 YOU SAID THEY WILL TEAR US APART. 1141 01:03:50,522 --> 01:03:52,524 DO THEY HAVE CLAWS? 1142 01:03:52,567 --> 01:03:56,441 THAT'S A GOOD QUESTION. I DON'T REALLY KNOW. 1143 01:03:56,484 --> 01:03:57,616 THEN WHY DID YOU TELL US 1144 01:03:57,659 --> 01:03:59,531 THAT THEY WOULD GATHER BY THE THOUSANDS, 1145 01:03:59,574 --> 01:04:04,362 SWARM US, RIP US APART, AND, UH, DEVOUR OUR SOULS? 1146 01:04:04,405 --> 01:04:06,538 IF YOU KNEW THE FIRST THING ABOUT ME, BRAD, 1147 01:04:06,581 --> 01:04:08,845 YOU WOULD NOT QUESTION MY AUTHORITY SO RIGIDLY. 1148 01:04:08,888 --> 01:04:10,847 WELL, THEN TELL US THE FIRST THING ABOUT YOU, 1149 01:04:10,890 --> 01:04:12,674 LIKE HOW YOU KNOW SO MUCH ABOUT NOTHING. 1150 01:04:12,718 --> 01:04:14,894 NOW IS NOT THE TIME TO TURN ON ME. 1151 01:04:14,938 --> 01:04:16,461 I'M TRYING TO HELP YOU. 1152 01:04:16,504 --> 01:04:17,505 WELL, HOW DO WE KNOW? 1153 01:04:17,549 --> 01:04:19,377 M-MAYBE YOU'RE HERE TO KILL US. 1154 01:04:19,420 --> 01:04:21,205 YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1155 01:04:21,248 --> 01:04:23,903 HOW CAN WE KNOW ANYTHING WHEN EVERYTHING IS JUST ABOUT EVERYTHING 1156 01:04:23,947 --> 01:04:26,471 BUT THE IMPOSSIBLE ANSWER OF NOTHING? 1157 01:04:26,514 --> 01:04:28,560 WELL, BRAD, MAYBE ALL THIS IS NOTHING, 1158 01:04:28,603 --> 01:04:31,563 AND THEN THE ANSWER IS ANYTHING BUT YOUR ASSUMPTION. 1159 01:04:31,606 --> 01:04:34,609 YOU'RE INSANE! IT HAS TO BE ABOUT SOMETHING. 1160 01:04:34,653 --> 01:04:36,307 YOU'RE WRONG, BRAD. 1161 01:04:36,350 --> 01:04:38,918 ANYTHING OTHER THAN SOMETHING CAN ONLY BE ONE THING -- 1162 01:04:38,962 --> 01:04:40,572 NOTHING. 1163 01:04:40,615 --> 01:04:44,532 AGENT MILLER... WE'RE GONNA DIE OUT HERE. 1164 01:04:44,576 --> 01:04:46,447 THEN TRUST ME, BRAD. 1165 01:04:46,491 --> 01:04:48,754 TRUST ME, AND SHE WILL LIVE. 1166 01:04:50,887 --> 01:04:53,237 LET'S GO. THIS WAY. 1167 01:04:53,280 --> 01:04:54,934 I KNOW IT'S HARD. 1168 01:04:54,978 --> 01:04:56,544 Adrian: WITH ALL THESE TREES IN THE WAY, I CAN'T SEE ANYTHING. 1169 01:04:56,588 --> 01:04:58,720 [ CREATURE CHITTERING ] 1170 01:04:58,764 --> 01:05:00,766 DO YOU HEAR IT? 1171 01:05:03,508 --> 01:05:04,509 THAT WAY. 1172 01:05:09,557 --> 01:05:10,732 AAH! 1173 01:05:10,776 --> 01:05:11,951 [ GRUNTS ] 1174 01:05:11,995 --> 01:05:13,953 DAMN AMERICAN CARDBOARD BOXES. 1175 01:05:13,997 --> 01:05:18,349 ADRIAN, YOU FOUND THE THINGY... 1176 01:05:18,392 --> 01:05:22,440 50 STUPID FEET FROM THE STUPID HOUSE. 1177 01:05:24,398 --> 01:05:26,357 [ GROANS ] 1178 01:05:26,400 --> 01:05:27,836 FOUND WHAT? 1179 01:05:27,880 --> 01:05:30,927 OH, ADRIAN, YOU DID IT. 1180 01:05:32,754 --> 01:05:34,452 OKAY, CALM DOWN. 1181 01:05:34,495 --> 01:05:36,628 WE HAVE TO GET INSIDE AND SAVE RACHAEL 1182 01:05:36,671 --> 01:05:39,457 BEFORE THE THING STARTS TO BIRTH ITSELF 1183 01:05:39,500 --> 01:05:42,460 THROUGH THE VIOLENT OUTPOURINGS OF HER INSIDES. 1184 01:05:42,503 --> 01:05:45,289 QUICK! THIS IS ALL WE HAVE. 1185 01:05:45,332 --> 01:05:47,465 WITHOUT THIS, THERE WILL BE NO SAVING RACHAEL, 1186 01:05:47,508 --> 01:05:50,337 BUT WE MUST BE CAREFUL WITH THIS DEVICE. 1187 01:05:50,381 --> 01:05:52,513 THE SUB-METRONIC BIO CORE IS EXTREMELY DELICATE. 1188 01:05:52,557 --> 01:05:54,472 IF IT RUPTURES, 1189 01:05:54,515 --> 01:05:56,517 THE BIOLOGICAL AGENT THAT'S INSIDE 1190 01:05:56,561 --> 01:05:59,390 COULD DESTROY ALL LIFE ON EARTH WITHIN THREE DAYS. 1191 01:05:59,433 --> 01:06:01,566 [ CREATURE GROWLS ] 1192 01:06:01,609 --> 01:06:03,698 AAH! 1193 01:06:04,699 --> 01:06:05,831 NO! 1194 01:06:05,874 --> 01:06:06,875 AAH! 1195 01:06:06,919 --> 01:06:07,876 [ CREATURE SCREECHING ] 1196 01:06:07,920 --> 01:06:09,008 AAH! OH, GOD! 1197 01:06:09,052 --> 01:06:10,488 [ GRUNTS ] 1198 01:06:10,531 --> 01:06:12,011 GET IT! 1199 01:06:12,055 --> 01:06:13,012 COME ON! 1200 01:06:13,056 --> 01:06:15,841 [ INDISTINCT SHOUTING ] 1201 01:06:15,884 --> 01:06:17,408 AAH! 1202 01:06:17,451 --> 01:06:18,713 TAKE THE BOX! 1203 01:06:18,757 --> 01:06:20,324 THERE YOU GO. 1204 01:06:20,367 --> 01:06:22,891 DON'T WORRY ABOUT ME. THIS STUFF HAPPENS ALL THE TIME. 1205 01:06:22,935 --> 01:06:24,502 TAKE THE BOX. 1206 01:06:24,545 --> 01:06:25,503 COME ON. 1207 01:06:25,546 --> 01:06:27,592 Brad: AGENT MILLER! 1208 01:06:27,635 --> 01:06:28,506 [ GUNSHOT ] 1209 01:06:28,549 --> 01:06:29,637 MAKE SURE YOU GET THE BOX. 1210 01:06:29,681 --> 01:06:32,031 AGENT MILLER, COME BACK! 1211 01:06:32,075 --> 01:06:34,425 [ INDISTINCT SHOUTING ] 1212 01:06:34,468 --> 01:06:35,687 LET HIM GO! 1213 01:06:45,088 --> 01:06:47,612 [ PANTING ] 1214 01:06:52,921 --> 01:06:55,098 [ GROANS ]I'M GLAD YOU CAUGHT UP. 1215 01:06:56,490 --> 01:06:57,796 ARE YOU ALL RIGHT? 1216 01:06:57,839 --> 01:06:59,667 I'M FINE. THEY THOUGHT THEY HAD ME, BUT LET'S GO. 1217 01:07:08,676 --> 01:07:09,721 BRAD, I GIVE UP. 1218 01:07:09,764 --> 01:07:11,940 NO. NO, WE CAN'T GIVE UP. 1219 01:07:11,984 --> 01:07:14,639 LISTEN. IT IS IMPOSSIBLE TO -- 1220 01:07:14,682 --> 01:07:16,597 ALL RIGHT. ALL RIGHT. 1221 01:07:16,641 --> 01:07:17,729 I'LL GO FIND HER. 1222 01:07:17,772 --> 01:07:19,557 SHE'S GOT TO BE SOMEWHERE IN THIS HOUSE. 1223 01:07:19,600 --> 01:07:21,515 IF SHE'S NOT SOMEWHERE IN THIS HOUSE, 1224 01:07:21,559 --> 01:07:24,649 THEN SHE MUST BE...OUTSIDE. 1225 01:07:24,692 --> 01:07:26,738 YOU'RE RIGHT. 1226 01:07:26,781 --> 01:07:28,566 OKAY, I'M GONNA RUN OUT TO THE WORK SHED, 1227 01:07:28,609 --> 01:07:30,394 GO TO THE GENERATOR, 1228 01:07:30,437 --> 01:07:32,135 SEE IF I CAN GET SOME OF THESE LIGHTS WORKING, OKAY? 1229 01:07:34,615 --> 01:07:36,835 SO, IS THAT IT? 1230 01:07:36,878 --> 01:07:38,837 YES, IT IS. 1231 01:07:38,880 --> 01:07:46,149 THE TYPE-11 SECOND-STAGE MICRON FOCAL-WAVE GENERATOR. 1232 01:07:47,498 --> 01:07:49,021 FOLLOW ME TO THE CAR. 1233 01:07:49,065 --> 01:07:51,110 WE STILL NEED THE UNLOADING CHAMBER. 1234 01:07:58,813 --> 01:08:02,426 JUDGING BY THE WAY YOU DRESS, I'M GUESSING YOU'RE AMISH? 1235 01:08:02,469 --> 01:08:04,515 WELL, IF YOU NOTICED, I -- 1236 01:08:04,558 --> 01:08:06,604 AAH! 1237 01:08:06,647 --> 01:08:08,954 CAN YOU BELIEVE THOSE THINGS? 1238 01:08:08,997 --> 01:08:10,434 WHAT HAPPENED? 1239 01:08:10,477 --> 01:08:12,784 LOOK. THEY SCRATCHED MY WINDSHIELD. 1240 01:08:12,827 --> 01:08:15,134 HEY, AND THEY KNOCKED OFF YOUR SIDE-VIEW MIRRORS, TOO. 1241 01:08:15,178 --> 01:08:17,136 THOSE EVIL BASTARDS SCRATCHED MY DOORS. 1242 01:08:17,180 --> 01:08:18,746 THEY CUT YOUR BRAKE LINE. 1243 01:08:18,790 --> 01:08:20,661 AND LOOK OVER THERE -- YOUR RADIATOR. 1244 01:08:20,705 --> 01:08:22,620 AND ALL THREE THROTTLE BEARINGS. 1245 01:08:22,663 --> 01:08:24,491 THEY PUT A CRACK IN YOUR HEADLIGHT. 1246 01:08:24,535 --> 01:08:25,927 WHAT IN ALL HELL IS THAT? 1247 01:08:25,971 --> 01:08:28,582 AND THEY KNOCKED YOUR STEERING COLUMN OUT OF POSITION. 1248 01:08:28,626 --> 01:08:30,671 LOOK OVER THERE. ISN'T THAT YOUR OIL FILTER? 1249 01:08:30,715 --> 01:08:33,587 GOD. THEY EVEN TORE OFF THE RADIATOR CAP. 1250 01:08:33,631 --> 01:08:36,503 AND THEY SMASHED THE VALVE TRIANGULATOR TWICE. 1251 01:08:36,547 --> 01:08:38,592 AND THE THROTTLE-BODY DEREGULATOR. 1252 01:08:43,206 --> 01:08:44,859 GOD. 1253 01:08:44,903 --> 01:08:47,688 IT WAS THE ONLY ONE OF ITS KIND IN THE WORLD. 1254 01:08:49,560 --> 01:08:54,913 YOU KNOW, MAYBE, JUST MAYBE IT'S WORTH A TRY. 1255 01:08:54,956 --> 01:08:57,045 [ DEVICE WHIRRING, BEEPING ] 1256 01:09:01,702 --> 01:09:02,703 DAMN! 1257 01:09:02,747 --> 01:09:04,749 THEY CHEWED ON THE FUSION CORE, 1258 01:09:04,792 --> 01:09:06,751 AND PLUS, THE BATTERIES ARE DEAD! 1259 01:09:06,794 --> 01:09:10,189 AND I LEFT ALL THE EXTRAS I HAD IN THE TRUNK! 1260 01:09:11,886 --> 01:09:13,540 WHAT -- WHAT -- WHAT IS THAT THING? 1261 01:09:13,584 --> 01:09:16,891 THAT'S MY BRAND-NEW 18-MEGATON DICHLORIC ACID 1262 01:09:16,935 --> 01:09:20,547 POINT-SHIFT FUSION-POWERED ECO-TERRA PROJECTILE LAUNCHER, 1263 01:09:20,591 --> 01:09:23,550 AND THAT WAS WHAT I HAD BIG PLANS FOR ON THE WEEKEND, 1264 01:09:23,594 --> 01:09:25,117 LET ME TELL YOU. 1265 01:09:27,554 --> 01:09:28,816 [ GROANS ] 1266 01:09:33,821 --> 01:09:36,824 SO, WHAT ARE WE GOING TO DO WITHOUT YOUR UNLOADING CHAMBER? 1267 01:09:36,868 --> 01:09:39,784 WELL, WE'LL JUST HAVE TO FIGURE SOMETHING OUT. 1268 01:09:41,655 --> 01:09:44,049 OH, WORK SHED. WORK SHED. WORK SHED. WORK SHED. 1269 01:09:44,092 --> 01:09:45,877 WORK SHED. 1270 01:09:45,920 --> 01:09:47,661 OH, YES. 1271 01:09:47,705 --> 01:09:49,185 WORK SHED. WORK SHED. WORK SHED. 1272 01:09:49,228 --> 01:09:51,230 WORK SHED, YES. 1273 01:09:51,274 --> 01:09:52,884 WHOO! 1274 01:09:52,927 --> 01:09:54,842 ALL RIGHT, HERE WE GO. OKAY. 1275 01:09:59,107 --> 01:10:01,066 [ CLICKING ] 1276 01:10:01,109 --> 01:10:02,807 ALL RIGHT, OKAY, COME ON. 1277 01:10:02,850 --> 01:10:03,938 COME ON, BABY. 1278 01:10:03,982 --> 01:10:06,767 COME -- OH, RIGHT. 1279 01:10:06,811 --> 01:10:08,726 COME ON. COME ON. 1280 01:10:08,769 --> 01:10:10,771 OKAY, OKAY. 1281 01:10:10,815 --> 01:10:12,599 OKAY. 1282 01:10:12,643 --> 01:10:14,732 GEEZ, COME ON. 1283 01:10:14,775 --> 01:10:17,082 Jessica: RACHAEL? 1284 01:10:25,917 --> 01:10:28,136 RACHAEL, WHERE ARE YOU? 1285 01:10:30,791 --> 01:10:32,967 YOU'RE STARTING TO FREAK ME OUT. 1286 01:10:33,011 --> 01:10:34,882 RACHAEL? 1287 01:10:35,970 --> 01:10:38,843 COME ON, THIS ISN'T FUNNY. 1288 01:11:06,000 --> 01:11:07,959 Brad: COME ON, BABY. 1289 01:11:08,002 --> 01:11:09,047 COME ON. 1290 01:11:09,090 --> 01:11:10,135 COME ON. COME ON. 1291 01:11:10,178 --> 01:11:11,223 [ CLICKING ] 1292 01:11:11,267 --> 01:11:13,269 COME ON. COME ON. [ GRUNTS ] 1293 01:11:13,312 --> 01:11:14,966 COME ON, GEEZ. 1294 01:11:15,009 --> 01:11:16,707 Agent Miller: ADRIAN, FOLLOW ME. 1295 01:11:16,750 --> 01:11:19,318 WE HAVE TO FIND A REPLACEMENT FOR THE UNLOADING CHAMBER. 1296 01:11:19,362 --> 01:11:21,320 Adrian: WHAT IS THE UNLOADING CHAMBER? 1297 01:11:21,364 --> 01:11:24,323 IT'S A CHAMBER FOR UNLOADING THINGS INTO. 1298 01:11:24,367 --> 01:11:25,803 AH, THINGS. 1299 01:11:25,846 --> 01:11:28,109 COME ON, BABY. COME ON, WORK. COME ON. 1300 01:11:28,153 --> 01:11:29,850 YOU CAN DO IT. COME ON. 1301 01:11:32,070 --> 01:11:33,811 RACHAEL? 1302 01:11:33,854 --> 01:11:35,813 Brad: COME ON. OFF, ON. 1303 01:11:35,856 --> 01:11:38,206 COME ON. COME ON. WORK! WORK! 1304 01:11:38,250 --> 01:11:39,947 [ ENGINE TURNS OVER ]YEAH! 1305 01:11:39,991 --> 01:11:42,994 [ CHUCKLES ] ALL RIGHT. 1306 01:11:43,037 --> 01:11:44,735 SO, HOW EXACTLY DO YOU PLAN 1307 01:11:44,778 --> 01:11:47,085 TO FIND ONE OF THESE UNLOADING CHAMBERS AROUND HERE? 1308 01:11:47,128 --> 01:11:48,913 [ GROANS ] 1309 01:11:48,956 --> 01:11:50,306 WELL, PERFECT. 1310 01:11:50,349 --> 01:11:52,656 YOU FOUND JUST WHAT I WAS LOOKING FOR. 1311 01:11:52,699 --> 01:11:53,831 A TRASH CAN? 1312 01:11:53,874 --> 01:11:55,311 YEP. AND WITH A LID. 1313 01:11:55,354 --> 01:11:58,792 AND LOOK. WE'VE GOT THE POWER BACK ON NOW. 1314 01:11:58,836 --> 01:12:01,969 WE JUST MIGHT HAVE A CHANCE AT SAVING RACHAEL'S LIFE. 1315 01:12:02,013 --> 01:12:02,970 [ GENERATOR POWERS DOWN ] 1316 01:12:03,014 --> 01:12:04,363 DAMN. 1317 01:12:04,407 --> 01:12:07,975 OH, NO. NO. NO! 1318 01:12:09,325 --> 01:12:11,196 NO, COME ON. 1319 01:12:11,239 --> 01:12:13,372 COME -- YES![ ENGINE TURNS OVER ] 1320 01:12:13,416 --> 01:12:14,852 OH. 1321 01:12:14,895 --> 01:12:16,810 THANK GOD. 1322 01:12:18,290 --> 01:12:20,379 [ BIRD CAWS ] 1323 01:12:54,108 --> 01:12:55,980 RACHAEL? 1324 01:13:17,131 --> 01:13:19,220 AAH! AAH! 1325 01:13:23,877 --> 01:13:25,444 AAH! 1326 01:13:25,488 --> 01:13:26,837 RACHAEL. 1327 01:13:26,880 --> 01:13:29,361 GET OFF OF ME. GET... 1328 01:13:29,405 --> 01:13:31,276 [ WHIMPERING ] 1329 01:13:44,071 --> 01:13:45,986 Agent Miller: JESSICA! RACHAEL! 1330 01:13:46,030 --> 01:13:48,467 [ GASPS ] 1331 01:13:48,511 --> 01:13:50,164 COME ON. THAT'S ENOUGH. 1332 01:13:50,208 --> 01:13:52,123 EASY, RACHAEL. DON'T MAKE ME HURT YOU, RACHAEL. 1333 01:13:52,166 --> 01:13:53,211 [ PANTING ] 1334 01:13:53,254 --> 01:13:54,473 ADRIAN. YEAH. 1335 01:13:54,517 --> 01:13:56,867 GET ME SOME ROPE, ADRIAN. 1336 01:13:56,910 --> 01:13:58,303 ROPE. ROPE. ROPE. ROPE. 1337 01:13:58,346 --> 01:14:00,044 [ Distorted voice ] YOU CAN'T STOP THEM. 1338 01:14:00,087 --> 01:14:02,786 AH! ROPE. AHA. 1339 01:14:02,829 --> 01:14:04,178 YES, I CAN, RACHAEL. 1340 01:14:04,222 --> 01:14:07,007 I HAVE A CONSTITUTIONAL DUTY TO STOP THEM. 1341 01:14:09,401 --> 01:14:11,882 ADRIAN! WHAT IS GOING ON? 1342 01:14:11,925 --> 01:14:15,233 YOUR PRECIOUS BLOND HAS GONE AS CRAZY AS A COLD SOUP SANDWICH. 1343 01:14:20,020 --> 01:14:23,023 BRAD, I STILL NEED A FEW MORE THINGS. 1344 01:14:23,067 --> 01:14:25,330 CAN YOU GET ME A LONG VACUUM HOSE, 1345 01:14:25,373 --> 01:14:28,420 SOME CHAINS, AND A LARGE INDUSTRIAL PADLOCK? 1346 01:14:28,464 --> 01:14:29,987 YEAH. 1347 01:14:38,169 --> 01:14:39,997 HERE. 1348 01:14:41,041 --> 01:14:43,043 GREAT. 1349 01:14:44,915 --> 01:14:47,308 WHEN I EXTRACT THE THING INSIDE HER, BRAD, 1350 01:14:47,352 --> 01:14:49,267 YOU NEED TO RIP OUT THE VACUUM HOSE, 1351 01:14:49,310 --> 01:14:52,096 SLAM THE LID SHUT AS QUICKLY AS POSSIBLE, 1352 01:14:52,139 --> 01:14:54,098 THEN CHAIN IT UP AND LOCK IT. 1353 01:14:54,141 --> 01:14:56,143 IF YOU FAIL, WE WILL SURELY DIE 1354 01:14:56,187 --> 01:14:59,495 IN THE MOST INSANELY-HORRIFIC MANNER IMAGINABLE. 1355 01:15:01,453 --> 01:15:03,150 ADRIAN. 1356 01:15:09,069 --> 01:15:12,029 WHY ARE YOU DOING THIS TO ME? 1357 01:15:12,072 --> 01:15:14,205 IT'S FOR YOUR OWN GOOD, RACHAEL. 1358 01:15:14,248 --> 01:15:15,162 RIGHT, BRAD? 1359 01:15:15,206 --> 01:15:16,947 RIGHT. 1360 01:15:16,990 --> 01:15:19,297 IT'S FOR YOUR OWN GOOD, RACHAEL. 1361 01:15:19,340 --> 01:15:21,255 WHY, BRAD? 1362 01:15:21,299 --> 01:15:24,911 BECAUSE I LOVE YOU, RACHAEL. 1363 01:15:24,955 --> 01:15:26,957 [ WHISPERING] 1364 01:15:27,000 --> 01:15:29,089 BRAD, THAT'S NOT THE RACHAEL YOU LOVE. 1365 01:15:29,133 --> 01:15:30,221 HELP ME, BRAD. 1366 01:15:30,264 --> 01:15:32,528 AAAH! [ GROANS ] 1367 01:15:39,099 --> 01:15:40,927 Agent Miller: OKAY, WE'RE ALL POWERED UP. 1368 01:15:40,971 --> 01:15:43,147 LET'S JUST HOPE THIS DOESN'T KILL HER. 1369 01:15:43,190 --> 01:15:45,889 [ ELECTRICITY CRACKLING ] 1370 01:15:45,932 --> 01:15:48,631 [ SCREAMING ] 1371 01:15:50,241 --> 01:15:52,069 HOLD ON, RACHAEL. 1372 01:15:52,112 --> 01:15:53,636 HOLD. 1373 01:15:55,289 --> 01:15:57,117 THERE IT IS. COME ON! 1374 01:15:57,161 --> 01:15:59,076 ALMOST GOT IT. 1375 01:15:59,119 --> 01:16:00,947 JUST A MINUTE. 1376 01:16:00,991 --> 01:16:03,428 RACHAEL, HANG ON. 1377 01:16:03,471 --> 01:16:05,430 THERE IT IS. 1378 01:16:05,473 --> 01:16:07,258 YES! 1379 01:16:07,301 --> 01:16:09,434 [ SCREAMING ] 1380 01:16:09,477 --> 01:16:11,479 DONE! 1381 01:16:11,523 --> 01:16:13,307 [ MACHINE POWERS DOWN ] 1382 01:16:13,351 --> 01:16:15,135 IT'S DONE. 1383 01:16:15,179 --> 01:16:16,963 WHAT'S THAT? 1384 01:16:18,530 --> 01:16:21,141 BRAD, THE LID. 1385 01:16:21,185 --> 01:16:24,014 [ CREATURE GROWLING ] 1386 01:16:24,057 --> 01:16:27,931 GUYS, THERE'S SOMETHING IN THE CAN. 1387 01:16:27,974 --> 01:16:31,282 Agent Miller: COME ON, BRAD. YOU TRYING TO KILL US ALL? 1388 01:16:31,325 --> 01:16:33,414 GET THE LID ON THE CAN AND LOCK IT. 1389 01:16:33,458 --> 01:16:34,546 AAH! 1390 01:16:34,590 --> 01:16:37,114 GET IT. CHAIN IT UP. 1391 01:16:38,158 --> 01:16:40,030 COME ON. 1392 01:16:40,073 --> 01:16:41,292 [ GRUNTS ] THERE. 1393 01:16:41,335 --> 01:16:42,293 AAH! 1394 01:16:50,083 --> 01:16:51,650 [ CREATURE GROWLS ] 1395 01:16:54,218 --> 01:16:57,351 Brad: [ PANTING ] 1396 01:16:59,397 --> 01:17:00,964 IS SHE OKAY? 1397 01:17:01,007 --> 01:17:02,139 YEAH, YEAH, SHE'S FINE. GIVE HER A FEW HOURS. 1398 01:17:02,182 --> 01:17:04,184 NO, NO. ARE YOU SURE? YEAH. 1399 01:17:04,228 --> 01:17:05,446 BECAUSE THAT'S WHAT YOU SAID BEFORE, 1400 01:17:05,490 --> 01:17:07,100 AND SHE'S LYING THERE AND -- 1401 01:17:07,144 --> 01:17:08,232 BRAD, SHE'S FINE. 1402 01:17:08,275 --> 01:17:10,321 JUST GIVE HER SOME TIME. 1403 01:17:10,364 --> 01:17:14,151 SO, WHAT -- WHAT WAS IT THAT YOU EXTRACTED? 1404 01:17:14,194 --> 01:17:16,675 I REALLY DON'T KNOW, BRAD. 1405 01:17:16,719 --> 01:17:19,112 EVEN THOUGH MY NEVER-ENDING QUEST FOR THE TRUTH 1406 01:17:19,156 --> 01:17:23,203 HAS ALWAYS LED ME TO THE UNANSWERABLE QUESTION OF WHY 1407 01:17:23,247 --> 01:17:25,162 AND THE UNQUESTIONABLE ANSWER OF HOW, 1408 01:17:25,205 --> 01:17:27,425 I HAVE AT LEAST BEEN PRIVILEGED ENOUGH 1409 01:17:27,468 --> 01:17:29,557 TO DISCOVER THE MEANING OF PURPOSE. 1410 01:17:29,601 --> 01:17:31,603 W-WHAT'S THAT? 1411 01:17:31,647 --> 01:17:34,519 THE MEANING OF PURPOSE IS NONE OTHER THAN 1412 01:17:34,562 --> 01:17:38,566 WHAT ONE INTENDS TO DO OR ACHIEVE. 1413 01:17:40,743 --> 01:17:42,353 HOW DO YOU FIGURE? 1414 01:17:42,396 --> 01:17:44,007 SAYS SO RIGHT HERE 1415 01:17:44,050 --> 01:17:46,313 IN THE EXPANDED EDITION OF "RODGER'S THESAURUS." 1416 01:17:46,357 --> 01:17:49,229 FOUND IT LYING OVER THERE ON THE COUNTER. 1417 01:17:52,189 --> 01:17:53,364 RIGHT. 1418 01:17:53,407 --> 01:17:54,670 [ CREATURE GROWLS ] 1419 01:17:54,713 --> 01:17:56,454 DAMN! OH, NO. 1420 01:17:56,497 --> 01:17:57,585 [ CLATTERING ] 1421 01:17:57,629 --> 01:17:59,631 THEY'RE BACK. 1422 01:17:59,675 --> 01:18:02,068 WHAT DO WE DO? 1423 01:18:02,112 --> 01:18:05,724 THE TRUTH IS, WHATEVER'S RIGHT ISN'T WRONG. 1424 01:18:05,768 --> 01:18:08,379 THEY CAME FOR THAT, WHICH IS OVER THERE, 1425 01:18:08,422 --> 01:18:11,034 AND REVENGE. 1426 01:18:11,077 --> 01:18:13,166 WE MUST GIVE THEM BACK WHAT THEY CAME FOR, 1427 01:18:13,210 --> 01:18:15,691 OR THEIR WICKED APPETITE FOR HUMAN BLOOD WILL NEVER RELENT. 1428 01:18:15,734 --> 01:18:16,517 WELL, CAN WE HURRY UP WITH THAT? 1429 01:18:16,561 --> 01:18:18,084 RIGHT. 1430 01:18:18,128 --> 01:18:20,608 ONE OF YOU HAS TO SACRIFICE YOURSELVES. 1431 01:18:20,652 --> 01:18:22,654 NEVER MIND. LET'S TAKE OUR TIME. 1432 01:18:22,698 --> 01:18:25,309 SO, WHO'S GONNA DIE AN EXCESSIVELY SHAMEFUL AND TORTUROUS DEATH 1433 01:18:25,352 --> 01:18:27,398 SO THAT THE REST OF US MAY LIVE? 1434 01:18:27,441 --> 01:18:29,182 ONE OF YOU HAS TO GO. 1435 01:18:33,099 --> 01:18:35,275 FINE. I'LL DO IT, THEN. 1436 01:18:35,319 --> 01:18:37,321 AND YOU CALL YOURSELVES MEN. 1437 01:18:38,539 --> 01:18:39,627 I DON'T. 1438 01:18:39,671 --> 01:18:41,455 OH, THAT REALLY HELPS. 1439 01:18:41,499 --> 01:18:44,241 DIRTY JOB IN A DIRTY WORLD, BUT SOMEBODY HAS TO DO IT. 1440 01:18:44,284 --> 01:18:46,243 AGENT MILLER... 1441 01:18:46,286 --> 01:18:47,374 DON'T GO. 1442 01:18:47,418 --> 01:18:49,246 THAT'S OKAY, BRAD. 1443 01:18:49,289 --> 01:18:52,379 I LIVE FOR MOMENTS LIKE THIS. 1444 01:19:06,306 --> 01:19:08,395 [ BIRD CAWS ] 1445 01:19:15,838 --> 01:19:17,796 W-WHAT HAPPENED? 1446 01:19:17,840 --> 01:19:18,797 SHH. 1447 01:19:18,841 --> 01:19:22,409 NOW WE JUST HAVE TO WAIT. 1448 01:19:26,326 --> 01:19:28,328 [ CLATTERING ] 1449 01:19:29,503 --> 01:19:32,289 [ CREATURE GROWLS ] 1450 01:19:39,775 --> 01:19:41,602 OKAY. 1451 01:19:43,256 --> 01:19:46,477 AGENT MILLER, DID -- D-DID THEY TAKE IT? 1452 01:19:46,520 --> 01:19:49,436 I MEAN, ARE WE GONNA BE OKAY? 1453 01:19:49,480 --> 01:19:51,743 WELL, THAT DEPENDS. 1454 01:19:51,787 --> 01:19:54,267 DO YOU THINK THEY'LL EVER RETURN? 1455 01:19:54,311 --> 01:19:56,139 ACTUALLY, YES. 1456 01:19:56,182 --> 01:19:58,184 PROBABLY JUST IN A FEW MINUTES. 1457 01:19:58,228 --> 01:20:00,404 AND THIS TIME, THEY WON'T STOP 1458 01:20:00,447 --> 01:20:03,494 UNTIL THEY'VE DESTROYED EACH AND EVERY ONE OF US. 1459 01:20:03,537 --> 01:20:07,411 YOU MEAN GIVING THEM WHAT THEY WANTED WAS NOT WHAT THEY WANTED? 1460 01:20:07,454 --> 01:20:08,629 YES... 1461 01:20:08,673 --> 01:20:09,848 AND NO. 1462 01:20:16,507 --> 01:20:17,725 [ CREATURE GROWLS ]AAH! WHAT'S THAT? 1463 01:20:19,510 --> 01:20:20,511 [ CREATURE BANGS ]AAH!AAH! 1464 01:20:21,904 --> 01:20:22,861 AAH! AAH! 1465 01:20:22,905 --> 01:20:24,297 [ CREATURE GROWLS ] 1466 01:20:26,430 --> 01:20:27,431 AAH! 1467 01:20:27,474 --> 01:20:28,736 [ CREATURE BANGS ] 1468 01:20:28,780 --> 01:20:31,217 AAH! AAH! 1469 01:20:33,480 --> 01:20:35,874 GUYS, LOOK AT THIS. 1470 01:20:35,918 --> 01:20:37,528 WHAT'S THAT? 1471 01:20:37,571 --> 01:20:38,921 IT'S A CHART, BRAD. 1472 01:20:38,964 --> 01:20:43,490 JESSICA, ON THIS CLIP BOARD LIES OUR VERY HOPE. 1473 01:20:43,534 --> 01:20:45,492 AGENT MILLER, WHAT ARE YOU TALKING ABOUT? 1474 01:20:45,536 --> 01:20:48,452 JESSICA, THESE ARE RESULTS FROM THOSE TESTS WE RAN 1475 01:20:48,495 --> 01:20:50,628 ON THAT HIDEOUS MONSTER OF A HAIRBALL SAMPLE 1476 01:20:50,671 --> 01:20:52,412 THAT AGENT STYLES COLLECTED. 1477 01:20:52,456 --> 01:20:54,284 DAMN, STYLES. 1478 01:20:54,327 --> 01:20:56,590 WHY DIDN'T YOU SEE THIS BEFORE? 1479 01:20:56,634 --> 01:20:59,419 WHAT ARE YOU GETTING AT, AGENT MILLER? 1480 01:20:59,463 --> 01:21:01,291 VERY CLEAR NOW. 1481 01:21:01,334 --> 01:21:02,901 THOSE THINGS -- 1482 01:21:02,945 --> 01:21:06,383 THOSE GLOBULAR OBJECTS THAT RACHAEL WAS HEAVING UP 1483 01:21:06,426 --> 01:21:10,604 LIKE AN INEBRIATED TURKEY WITH AN ELEVATED CASE OF IRRITABLE BOWEL SYNDROME 1484 01:21:10,648 --> 01:21:12,606 MAY BE THE VERY KEY. 1485 01:21:12,650 --> 01:21:13,869 WHAT DO YOU MEAN? 1486 01:21:13,912 --> 01:21:15,522 IT'S SIMPLE. 1487 01:21:15,566 --> 01:21:17,655 ALL MATTER RESIDES AT DIFFERENT FREQUENCIES. 1488 01:21:17,698 --> 01:21:19,439 WHAT I FIND FASCINATING 1489 01:21:19,483 --> 01:21:22,268 IS THAT THESE THINGS APPEAR TO RESONATE AT FREQUENCIES 1490 01:21:22,312 --> 01:21:23,487 THOUSANDS OF TIMES HIGHER 1491 01:21:23,530 --> 01:21:25,837 THAN ANYTHING FOUND IN OUR HUMAN BODIES, 1492 01:21:25,881 --> 01:21:28,318 FAR HIGHER, IN FACT, THAN ANYTHING FOUND ON PLANET EARTH. 1493 01:21:28,361 --> 01:21:29,928 [ CREATURE GROWLS ]AAH! 1494 01:21:29,972 --> 01:21:33,671 IF I CAN JUST HARDWIRE THE FREQUENCY RESPONSE CHANNELS, 1495 01:21:33,714 --> 01:21:35,412 I CAN ELIMINATE ALL SONIC FREQUENCIES 1496 01:21:35,455 --> 01:21:37,805 EXCEPT FOR HIGHER ONES...AAH! 1497 01:21:37,849 --> 01:21:41,548 ...AND DESTROY THOSE THINGS WITHOUT CAUSING ANY HARM TO US. 1498 01:21:41,592 --> 01:21:42,680 [ CREATURE ROARS ] 1499 01:21:42,723 --> 01:21:44,769 AAH! AAH! AAH! 1500 01:21:44,812 --> 01:21:47,728 THEN IF I REMOVE THE FOCAL-WAVE MOUNT... 1501 01:21:47,772 --> 01:21:49,295 THERE IT IS. 1502 01:21:49,339 --> 01:21:50,949 [ FOCAL-WAVE MOUNT CLATTERS ] 1503 01:21:50,993 --> 01:21:53,604 ...RAISE THE BLAST AREA TO 15 TO 20 MILES IN ALL DIRECTIONS 1504 01:21:53,647 --> 01:21:55,432 LIKE A HIGH-FREQUENCY SOUND BOMB. 1505 01:21:55,475 --> 01:21:57,303 [ CLATTERING ] 1506 01:21:57,347 --> 01:21:58,652 QUICK, THEY'RE GONNA GET THROUGH. 1507 01:21:58,696 --> 01:22:00,524 WE'LL HAVE TO TAKE IT TO THE OTHER ROOM. 1508 01:22:09,359 --> 01:22:10,838 WE'RE GOING TO DIE, AREN'T WE? 1509 01:22:10,882 --> 01:22:12,753 KEEP IT TOGETHER. WE'RE GOING TO MAKE IT. 1510 01:22:12,797 --> 01:22:13,972 [ CLATTERING ] 1511 01:22:14,016 --> 01:22:15,931 IT'S OUTSIDE. 1512 01:22:15,974 --> 01:22:17,715 AAH! AAH! 1513 01:22:17,758 --> 01:22:20,761 GUYS, IT'S INSIDE. 1514 01:22:20,805 --> 01:22:24,635 SO, WHEN THIS THING GOES OFF, 1515 01:22:24,678 --> 01:22:26,376 IT'LL DESTROY THEM BUT NOT US, RIGHT? 1516 01:22:26,419 --> 01:22:28,900 THEORETICALLY, YES. THAT'S WHAT SHOULDHAPPEN. 1517 01:22:28,944 --> 01:22:31,337 IT'LL CANCEL OUT THEIR FREQUENCIES, 1518 01:22:31,381 --> 01:22:34,688 CAUSING THE SUBATOMIC PARTICLES WHICH HOLD THEM TOGETHER 1519 01:22:34,732 --> 01:22:37,604 TO BREAK THE FORCES OF ATTRACTION AND FALL APART. 1520 01:22:37,648 --> 01:22:39,737 [ CREATURE GROWLS ]Jessica: PLEASE HURRY, AGENT MILLER. 1521 01:22:39,780 --> 01:22:40,825 WE'RE GOING TO DIE! 1522 01:22:40,868 --> 01:22:42,435 [ CREATURE GROWLS ] 1523 01:22:43,567 --> 01:22:45,438 AAAH! 1524 01:22:47,571 --> 01:22:48,702 AAH! 1525 01:22:48,746 --> 01:22:50,313 AAAAH! 1526 01:22:50,356 --> 01:22:51,662 HURRY, AGENT MILLER, PLEASE!IT'S GONNA BREAK THROUGH! 1527 01:22:51,705 --> 01:22:54,012 AAH! AAH! AAH! 1528 01:22:54,056 --> 01:22:56,449 AAAAH! 1529 01:23:10,681 --> 01:23:14,554 RACHAEL. 1530 01:23:14,598 --> 01:23:16,034 THERE, I GOT IT! 1531 01:23:16,078 --> 01:23:17,731 AAH! 1532 01:23:35,662 --> 01:23:38,056 [ EXPLOSION ] 1533 01:24:15,659 --> 01:24:17,574 [ SIGHS ] 1534 01:24:18,966 --> 01:24:22,057 WELL, I GUESS THAT'LL BE THE LAST OF THEM. 1535 01:24:42,729 --> 01:24:44,688 [ BIRDS CHIRPING ] 1536 01:25:46,880 --> 01:25:48,665 BRAD? 1537 01:25:49,883 --> 01:25:51,929 RACHAEL, YOU'RE AWAKE. 1538 01:25:51,972 --> 01:25:52,930 YEAH. 1539 01:25:52,973 --> 01:25:54,975 WHAT HAPPENED TO ME? 1540 01:25:55,019 --> 01:25:59,197 DO YOU KNOW WHAT HAPPENED TO ME? 1541 01:25:59,241 --> 01:26:02,809 OH, WE'RE -- WE'RE NOT EXACTLY SURE. 1542 01:26:02,853 --> 01:26:04,855 I HAD THIS HORRIBLE DREAM 1543 01:26:04,898 --> 01:26:06,813 THAT THERE WAS SOMETHING INSIDE OF ME, 1544 01:26:06,857 --> 01:26:08,989 AND THIS MAN NAMED MILLER CAME AND HELPED ME, 1545 01:26:09,033 --> 01:26:11,601 AND YOU WERE THERE, TOO, BRAD, 1546 01:26:11,644 --> 01:26:15,996 AND YOU TOLD ME... THAT YOU LOVE ME. 1547 01:26:16,040 --> 01:26:18,564 I-I KNOW IT SOUNDS CRAZY, BUT -- 1548 01:26:18,608 --> 01:26:22,220 NO. NO. IT DOESN'T SOUND CRAZY AT ALL. 1549 01:26:22,264 --> 01:26:26,790 DO YOU THINK THAT YOU COULD EVER... 1550 01:26:26,833 --> 01:26:28,705 YEAH. 1551 01:26:28,748 --> 01:26:30,794 I COULD. 1552 01:26:30,837 --> 01:26:33,884 CAN YOU TELL ME SOMETHING? 1553 01:26:33,927 --> 01:26:35,146 WHAT? 1554 01:26:35,190 --> 01:26:37,670 WAS IT REALLY A DREAM? 1555 01:26:38,758 --> 01:26:42,893 THE TRUTH IS, STANDING RIGHT HERE IN FRONT OF ME, 1556 01:26:42,936 --> 01:26:45,809 THAT'S ALL THAT REALLY MATTERS. 1557 01:26:49,943 --> 01:26:51,945 [ GASPS ] 1558 01:26:51,989 --> 01:26:53,860 THAT'S NOT FAIR! 1559 01:26:54,948 --> 01:26:56,907 WHAT'S WRONG WITH HER? 1560 01:26:56,950 --> 01:26:59,257 APPARENTLY, SHE'S JEALOUS. 1561 01:26:59,301 --> 01:27:02,956 UH, MAYBE IT'S BECAUSE I WANT YOU AND NOT HER. 1562 01:27:03,000 --> 01:27:04,393 THAT'S RIDICULOUS. 1563 01:27:04,436 --> 01:27:06,830 WHEN ARE YOU GOING TO TELL HER THAT SHE'S YOUR SISTER? 1564 01:27:06,873 --> 01:27:09,963 I TOLD HER YESTERDAY, YOU KNOW? 1565 01:27:10,007 --> 01:27:11,269 OH. 1566 01:27:11,313 --> 01:27:13,880 WELL, SHE'LL GET OVER IT. 1567 01:27:13,924 --> 01:27:16,143 JUST GIVE HER TIME. 1568 01:27:22,889 --> 01:27:23,760 MILLER. 1569 01:27:23,803 --> 01:27:25,240 STYLES. 1570 01:27:25,283 --> 01:27:28,025 THEY TOLD ME YOU JUST RETURNED. I CAME TO CHECK ON YOU. 1571 01:27:28,068 --> 01:27:29,679 THANKS. 1572 01:27:29,722 --> 01:27:31,768 THANKS, STYLES. APPRECIATE THAT. 1573 01:27:31,811 --> 01:27:32,986 MILLER, WHAT'S WRONG? 1574 01:27:33,030 --> 01:27:34,771 NOTHING. 1575 01:27:34,814 --> 01:27:37,034 I DON'T BELIEVE YOU. 1576 01:27:37,077 --> 01:27:38,905 IT'S BALDING. 1577 01:27:38,949 --> 01:27:41,908 SENT THE EXPENSE ACCOUNT FOR THAT HELICOPTER MISSION. 1578 01:27:41,952 --> 01:27:43,954 I WARNED YOU, MILLER. 1579 01:27:43,997 --> 01:27:46,826 THIS TIME, IT'S COMING OUT OF MY PENSION. 1580 01:27:46,870 --> 01:27:52,005 STYLES, WHATEVER HAPPENED TO HAPPY ENDINGS? 1581 01:27:52,049 --> 01:27:53,920 LOOK ON THE BRIGHT SIDE. 1582 01:27:53,964 --> 01:27:57,010 [ CHUCKLES ] THERE IS NO BRIGHT SIDE. 1583 01:27:58,925 --> 01:28:01,232 [ SMOOCHING ] 1584 01:28:08,848 --> 01:28:11,808 IT'S BEAUTIFUL, ISN'T IT? 1585 01:28:11,851 --> 01:28:14,854 I THOUGHT YOU SAID YOU DIDN'T LIKE THIS PLACE. 1586 01:28:14,898 --> 01:28:17,161 OH, NO. I LOVE IT. REALLY, I DO. 1587 01:28:17,204 --> 01:28:20,947 IT'S, UM, SO VERY...VERY NICE. 1588 01:28:20,991 --> 01:28:24,647 STILL, NOT AS BEAUTIFUL AS WHERE I'M FROM. 1589 01:28:24,690 --> 01:28:26,344 YOU SHOULD COME WITH ME. 1590 01:28:26,388 --> 01:28:29,652 WHAT'S WRONG? 1591 01:28:29,695 --> 01:28:31,871 NOTHING. 1592 01:28:31,915 --> 01:28:33,960 IS IT BRAD? 1593 01:28:34,004 --> 01:28:35,092 MAYBE. 1594 01:28:39,009 --> 01:28:42,186 YOU KNOW, I DON'T THINK YOU SHOULD WORRY ABOUT THAT. 1595 01:28:42,229 --> 01:28:44,144 WHY? 1596 01:28:44,188 --> 01:28:45,929 WELL, WHY WOULD YOU WANT A MAN 1597 01:28:45,972 --> 01:28:48,845 WHO CAN'T LOVE YOU JUST THE WAY YOU WANT HIM TO? 1598 01:28:48,888 --> 01:28:51,064 YOU NEED SOMEONE WHO KNOWS YOU, 1599 01:28:51,108 --> 01:28:53,371 SOMEONE WHO UNDERSTANDS YOU, 1600 01:28:53,415 --> 01:28:56,896 PERHAPS SOMEONE LIKE ME. 1601 01:28:58,898 --> 01:29:01,771 MAYBE YOU'RE RIGHT, ADRIAN. 1602 01:29:01,814 --> 01:29:04,426 TAKE ME TO PARIS WITH YOU? 1603 01:29:10,997 --> 01:29:11,998 [ GROANS ] 1604 01:29:12,042 --> 01:29:13,957 WHAT'S WRONG? 1605 01:29:14,000 --> 01:29:16,220 I DON'T FEEL SO GOOD.JESSICA, WHAT IS IT? 1606 01:29:16,263 --> 01:29:17,874 ARE YOU ALL RIGHT? 1607 01:29:17,917 --> 01:29:20,703 IT FEELS LIKE SOMETHING'S INSIDE ME. 1608 01:29:20,746 --> 01:29:22,748 JESSICA, THAT'S -- THAT'S NOT FUNNY. 1609 01:29:22,792 --> 01:29:24,707 WHAT COULD POSSIBLY BE INSIDE YOU? 1610 01:29:24,750 --> 01:29:27,100 THE OTHER NIGHT WHEN AGENT MILLER LOST ME IN THE WOODS... 1611 01:29:27,144 --> 01:29:28,363 JESSICA. 1612 01:29:28,406 --> 01:29:30,103 ...SOMETHING HAPPENED. 1613 01:29:30,147 --> 01:29:32,845 WHAT HAPPENED IN THE WOODS? 1614 01:29:32,889 --> 01:29:34,020 [ VOMITS ] 1615 01:29:34,064 --> 01:29:35,065 NO. 1616 01:29:35,108 --> 01:29:36,371 NOT AGAIN. 1617 01:29:36,414 --> 01:29:39,069 NO!! 1618 01:29:39,112 --> 01:29:40,287 [ GAGS ] 1619 01:29:47,991 --> 01:29:50,907 Agent Miller: DO YOU EVER WONDER WHY IT IS SO HARD 1620 01:29:50,950 --> 01:29:54,171 TO DESCRIBE AN UNCERTAIN, PARTICULAR EVENT, 1621 01:29:54,214 --> 01:29:57,261 WHICH LEADS ONE TO BELIEVE THAT OTHERS, IF TOLD, 1622 01:29:57,304 --> 01:30:01,091 WOULD NOT BELIEVE THE TRUTH, EVEN IF YOU TOLD IT TO THEM? 1623 01:30:01,134 --> 01:30:03,963 DO YOU BELIEVE THE TRUTH? 1624 01:30:09,882 --> 01:30:14,060 WE KNOW ALL THESE THINGS, FOR WE HAVE BEEN WATCHING YOU. 1625 01:30:14,104 --> 01:30:17,107 WE KNOW ABOUT THE STRANGE, UNSPEAKABLE THING IN THE WOODS 1626 01:30:17,150 --> 01:30:21,111 YOU BOYS SAW CRASH DOWN FROM THE FAR REACHES OF THE VERY UNKNOWN. 1627 01:30:21,154 --> 01:30:23,374 [ Distorted voice ] FAR REACHES OF THE VERY UNKNOWN. 1628 01:30:23,418 --> 01:30:26,464 [ Normal voice ] THE UNKNOWN, WHICH IS USUALLY QUITE KNOWN TO BE UNKNOWABLE, 1629 01:30:26,508 --> 01:30:29,424 EVEN THOUGH WE KNOW A FEW THINGS ABOUT IT. 1630 01:30:41,914 --> 01:30:44,961 ONE OF YOU HAS TO SACRIFICE YOURSELVES. 1631 01:30:50,923 --> 01:30:54,013 ONE OF YOU HAS TO SACRIFICE YOURSELVES. 1632 01:30:59,062 --> 01:31:02,021 ONE OF YOU HAS TO SACRIFICE YOURSELVES. 1633 01:31:05,547 --> 01:31:08,071 WE MUST GIVE THEM BACK WHAT THEY CAME FOR, 1634 01:31:08,114 --> 01:31:11,030 OR THEIR WICKED APPETITE FOR HUMAN BLOOD WILL NEVER RELENT. 1635 01:31:12,075 --> 01:31:14,991 ONE OF YOU HAS TO SACRIFICE YOURSELVES. 1636 01:31:16,558 --> 01:31:17,994 SO, WHO'S GONNA DIE 1637 01:31:18,037 --> 01:31:20,170 AN EXCESSIVELY SHAMEFUL AND TORTUROUS DEATH 1638 01:31:20,213 --> 01:31:21,998 SO THAT THE REST OF US MAY LIVE? 1639 01:31:22,041 --> 01:31:24,000 ONE OF YOU HAS TO GO. 1640 01:31:24,043 --> 01:31:27,220 ONE OF YOU HAS TO SACRIFICE YOURSELVES. 1641 01:31:27,264 --> 01:31:29,353 [ ALL SCREAM ] 1642 01:31:34,576 --> 01:31:36,012 [ CREATURE GROWLS ] 1643 01:31:36,055 --> 01:31:38,318 [ ALL SCREAM ] 1644 01:31:41,147 --> 01:31:42,540 [ CREATURE GROWLS ] 1645 01:31:42,584 --> 01:31:45,195 IN ALL MY YEARS OF SEARCHING THE STARRY NEBULA OF HOPE, 1646 01:31:45,238 --> 01:31:48,546 I'VE NEVER FOUND MORE THAN A CEREBRAL HEMORRHAGE. 1647 01:31:56,206 --> 01:31:58,513 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1648 01:31:58,556 --> 01:32:01,951 ♪ [ Echoing ] TRAILER TRASH 1649 01:32:01,994 --> 01:32:04,431 ♪ TRAILER TRASH 1650 01:32:04,475 --> 01:32:06,172 ♪ COME ON DOWN 1651 01:32:06,216 --> 01:32:07,957 ♪ COME ON DOWN, ALL YOU TRASHY PEOPLE ♪ 1652 01:32:13,223 --> 01:32:15,138 ♪ GET ON DOWN ♪ DOWN 1653 01:32:15,181 --> 01:32:16,966 ♪ TRAILER TRASH, TRAILER TRASH ♪ 1654 01:32:17,009 --> 01:32:18,968 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1655 01:32:19,011 --> 01:32:20,404 ♪ TRAILER TRASH, TRAILER TRASH ♪ 1656 01:32:20,447 --> 01:32:22,493 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1657 01:32:22,537 --> 01:32:24,190 ♪ TRAILER TRASH, TRAILER TRASH ♪ 1658 01:32:24,234 --> 01:32:26,105 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1659 01:32:26,149 --> 01:32:28,151 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1660 01:32:28,194 --> 01:32:29,587 ♪ TRASHY PEOPLE, TRASHY PEOPLE ♪ 1661 01:32:29,631 --> 01:32:32,155 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1662 01:32:32,198 --> 01:32:34,070 ♪ GET, GET ON, GET ON DOWN 1663 01:32:34,113 --> 01:32:37,421 ♪ TRASHY PEOPLE, TRASHY PEOPLE, TRASHY PEOPLE, TRASHY PEOPLE ♪ 1664 01:32:37,464 --> 01:32:39,249 ♪ COME ON DOWN 1665 01:32:39,292 --> 01:32:41,077 ♪ COME ON, ALL YOU TRASHY PEOPLE ♪ 1666 01:32:41,120 --> 01:32:44,384 ♪ TRAILER TRASH, TRAILER TRASH ♪ 107070