Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:03,304 --> 00:00:06,005
Jack: ? WELL, IT'S
A NICE DAY FOR ?
2
00:00:06,073 --> 00:00:10,675
? ANYTHING TO DO
WITH YOUR MIND ?
3
00:00:10,744 --> 00:00:14,880
? FALLING THROUGH THE REASONS ?
4
00:00:14,948 --> 00:00:19,418
? AND GIVING ANYTHING
THAT YOU WANT ?
5
00:00:19,487 --> 00:00:24,356
? YOU CAN TAKE ALL
MY FORGIVENESS ?
6
00:00:24,425 --> 00:00:26,725
? I KNOW I DON'T KNOW YOU ?
7
00:00:26,793 --> 00:00:29,495
? YOU KNOW YOU DON'T KNOW ME ?
8
00:00:29,563 --> 00:00:32,564
? YOU KNOW WHAT YOU WANT NOW ?
9
00:00:32,633 --> 00:00:35,567
? PUNCH MY LIGHTS OUT ?
10
00:00:35,636 --> 00:00:39,704
? YOU'RE NEVER
GONNA SEE ME AGAIN ?
11
00:00:39,773 --> 00:00:44,876
? WHEN YOU SEE ME, YOU
KNOW YOU CAN FEEL ME ?
12
00:00:44,945 --> 00:00:47,979
? YOU'RE NEVER
GONNA FEEL ME AGAIN ?
13
00:00:48,049 --> 00:00:53,452
? WHEN YOU SEE ME, YOU
KNOW YOU CAN FEEL ME ?
14
00:00:53,521 --> 00:00:57,622
? YOU'RE NEVER
GONNA FEEL ME AGAIN ?
15
00:00:57,691 --> 00:00:59,258
[CHEERS AND APPLAUSE]
16
00:00:59,326 --> 00:01:01,527
CHEERS, MANCHESTER.
17
00:01:26,019 --> 00:01:27,819
[INDISTINCT CONVERSATIONS]
18
00:01:27,888 --> 00:01:31,022
Janine: HALF OF THIS
LOT ARE OFF OUT NOW.
19
00:01:31,092 --> 00:01:33,370
ME, I WAS READY FOR ME COCOA
AND ME JIMJAMS HALF AN HOUR AGO.
20
00:01:33,394 --> 00:01:35,260
WHEN DOES THAT HAPPEN?
21
00:01:38,799 --> 00:01:40,699
[LAUGHS]
22
00:01:40,767 --> 00:01:42,901
WELL, LUCKY YOU.
23
00:01:44,771 --> 00:01:46,171
YEAH, NIGHT, RICHARD.
24
00:01:47,508 --> 00:01:49,286
DEFINITELY GOT TO
GO AND GET THE SHIRT.
25
00:01:49,310 --> 00:01:50,609
DEFINITELY.
26
00:01:50,677 --> 00:01:52,677
I'VE GOT TO GO. IT'S MY MUM.
27
00:01:52,746 --> 00:01:54,045
I'LL SEE YOU LATER.
28
00:01:54,115 --> 00:01:55,125
I COULD HAVE GOT THE BUS.
29
00:01:55,149 --> 00:01:56,493
I'LL REMEMBER THAT NEXT TIME
30
00:01:56,517 --> 00:01:58,661
YOU WANT DROPPING OFF
AT YOUR MATES' HOUSE.
31
00:01:58,685 --> 00:02:00,964
I SAW YOUR BAND GETTING
IN THAT VAN A MINUTE AGO.
32
00:02:00,988 --> 00:02:03,522
OH, WHAT! VERY CUTE, I MUST SAY.
33
00:02:05,593 --> 00:02:08,026
[UP-TEMPO ROCK MUSIC PLAYS]
34
00:02:10,264 --> 00:02:14,566
IF YOU WAKE UP CHARLOTTE,
I'M PUTTING HER HERE WITH YOU.
35
00:02:21,275 --> 00:02:24,276
? YOU KNOW WHAT YOU WANT NOW ?
36
00:02:24,345 --> 00:02:26,878
[TELEPHONE BUZZES]
37
00:02:28,349 --> 00:02:30,549
? YOU'RE NEVER
GONNA SEE ME AGAIN ?
38
00:02:30,618 --> 00:02:32,484
HELLO?
39
00:02:32,553 --> 00:02:34,953
I THOUGHT YOU CHANGED YOUR MIND.
40
00:02:35,022 --> 00:02:37,156
YEAH, YOU'D BETTER COME UP.
41
00:02:37,224 --> 00:02:40,159
? YOU'RE NEVER
GONNA FEEL ME AGAIN ?
42
00:02:40,227 --> 00:02:43,061
? YOU KNOW WHAT YOU WANT NOW ?
43
00:02:43,130 --> 00:02:46,331
? PUNCH MY LIGHTS OUT ?
44
00:02:46,400 --> 00:02:49,234
? YOU'RE NEVER
GONNA SEE ME AGAIN ?
45
00:02:49,303 --> 00:02:50,935
[KNOCK ON DOOR]
46
00:02:51,004 --> 00:02:53,238
Man: ARE YOU THERE, MR. TAYLOR?
47
00:02:53,307 --> 00:02:56,341
MR, TAYLOR, OPEN THE DOOR.
MR. TAYLOR, IT'S THE CONCIERGE.
48
00:02:56,410 --> 00:02:58,710
[KNOCKING CONTINUES]
49
00:02:58,779 --> 00:03:00,345
MR. TAYLOR?
50
00:03:27,308 --> 00:03:30,241
CAPTIONING MADE
POSSIBLE BY ACORN MEDIA
51
00:03:30,310 --> 00:03:31,576
[YAWNS]
52
00:03:32,980 --> 00:03:34,190
YOU WANT TO GET TO BED EARLIER.
53
00:03:34,214 --> 00:03:36,781
OH, IS THAT AN OFFER?
54
00:03:36,850 --> 00:03:38,817
DIDN'T THINK YOU'D
SURFACE TILL LUNCHTIME.
55
00:03:38,885 --> 00:03:41,519
WELL, I WOULDN'T HAVE DONE IT
IF WASN'T FOR THAT STUPID BOILER.
56
00:03:41,588 --> 00:03:43,508
WHY CAN'T YOU
JUST GET A NEW ONE?
57
00:03:43,556 --> 00:03:46,124
WELL, I WILL DO, WHEN I WIN THE
LOTTERY AND MEET A MILLIONAIRE.
58
00:03:46,192 --> 00:03:47,258
[TELEPHONE RINGS]
59
00:03:47,327 --> 00:03:49,894
I NEED TO SEE YOUR WASHING
SOMETIME THIS MONTH.
60
00:03:49,963 --> 00:03:51,329
NO, NOT YOU, SHAP.
61
00:03:54,400 --> 00:03:55,433
WHO?
62
00:04:01,174 --> 00:04:03,207
JACK TAYLOR... 20.
63
00:04:03,276 --> 00:04:06,511
DIED OF HEAD INJURIES SUSTAINED
AFTER A FALL DOWN THE STAIRS.
64
00:04:06,579 --> 00:04:08,491
SHARED THE FLAT
WITH HIS BROTHER, SAM.
65
00:04:08,515 --> 00:04:09,748
NO SIGN OF HIM.
66
00:04:09,816 --> 00:04:11,995
BODY FOUND THIS
MORNING BY THE CONCIERGE.
67
00:04:12,019 --> 00:04:13,997
HE'D GONE TO KNOCK HIM UP
AFTER NEIGHBORS HAD COMPLAINED
68
00:04:14,021 --> 00:04:15,431
HE'D BEEN PLAYING
MUSIC ALL NIGHT.
69
00:04:15,455 --> 00:04:17,199
YES, MY SYMPATHY. WHY
DIDN'T HE GO UP SOONER?
70
00:04:17,223 --> 00:04:19,002
SHUT UP SHOP AT
11:00, DIDN'T HE?
71
00:04:19,026 --> 00:04:21,726
OBVIOUSLY, 'CAUSE THAT'S WHEN
ALL THE CRIMINALS GO TO BED.
72
00:04:21,795 --> 00:04:24,107
SEEMS OUR VICTIM WAS
SOME SORT OF ROCK STAR.
73
00:04:24,131 --> 00:04:25,274
I NEVER HEARD OF HIM.
74
00:04:25,298 --> 00:04:28,099
JACK TAYLOR? OH, YEAH.
LEAD SINGER WITH RULE 7.
75
00:04:28,168 --> 00:04:29,979
BIG LOCAL BAND,
SORT OF INDIE ROCK.
76
00:04:30,003 --> 00:04:31,881
THEY PLAYED THE
APOLLO LAST NIGHT.
77
00:04:31,905 --> 00:04:33,582
WE SHOULD GET IN TOUCH
WITH THE REST OF THE BAND,
78
00:04:33,606 --> 00:04:35,484
CHECK ON THEIR
MOVEMENTS, ALIBIS.
79
00:04:35,508 --> 00:04:37,486
I THINK THE MISSING BROTHER,
SAM, PLAYED LEAD GUITAR.
80
00:04:37,510 --> 00:04:38,777
WORD'S GOT OUT QUICK.
81
00:04:38,845 --> 00:04:40,685
YEAH, FIND OUT FROM THAT LOT
82
00:04:40,747 --> 00:04:42,859
IF THEY WERE HERE LAST
NIGHT AND SAW ANYTHING.
83
00:04:42,883 --> 00:04:44,983
CHECK CCTV FROM THE LOBBY.
84
00:04:45,052 --> 00:04:46,763
THERE ISN'T ANY. THEY'VE GOT
A CONCIERGE, HAVEN'T THEY?
85
00:04:46,787 --> 00:04:47,964
KAT'S TALKING TO HIM.
86
00:04:47,988 --> 00:04:50,299
THE GRAZES ON THE FACE
AND MARKS ON THE WALL
87
00:04:50,323 --> 00:04:52,334
MEAN HE PROBABLY HIT
HIS HEAD A COUPLE OF TIMES
88
00:04:52,358 --> 00:04:55,593
ON THE WAY DOWN, THEN
FINALLY LANDED HERE.
89
00:04:57,698 --> 00:04:58,875
THE BLOOD SMEAR SUGGESTS
90
00:04:58,899 --> 00:05:00,810
THE BODY WAS MOVED
AWAY FROM THE DOOR.
91
00:05:00,834 --> 00:05:03,201
YEAH, PROBABLY WHEN THE
CONCIERGE TRIED TO GET IN.
92
00:05:03,269 --> 00:05:05,715
NO, EARLY STAGES OF RIGOR
MORTIS AND HIS BODY TEMPERATURE,
93
00:05:05,739 --> 00:05:08,219
I'D SAY HE DIED
BETWEEN 2:00 AND 3:00 A.M.
94
00:05:08,274 --> 00:05:10,219
THE BLOOD WOULD HAVE CONGEALED
95
00:05:10,243 --> 00:05:12,088
BY THE TIME THE
BODY WAS DISCOVERED.
96
00:05:12,112 --> 00:05:13,377
SO JACK WASN'T ALONE.
97
00:05:13,446 --> 00:05:16,781
RIGHT, SO HE TUMBLES
DOWN THE STAIRS,
98
00:05:16,850 --> 00:05:20,451
BANGS HIS HEAD HERE, AND THEN...
99
00:05:20,520 --> 00:05:24,155
GRABS THE RAIL, TUMBLES
DOWN THE STAIRS A BIT MORE.
100
00:05:24,224 --> 00:05:26,390
BUT HE BANGS HIS HEAD AGAIN
101
00:05:26,459 --> 00:05:29,094
AND THEN GOES DOWN,
SLUMPED ON THE FLOOR.
102
00:05:29,162 --> 00:05:31,796
SO WHOEVER WAS WITH
HIM TRIES TO GET OUT,
103
00:05:31,865 --> 00:05:34,799
BUT THE GAP'S NOT BIG ENOUGH.
104
00:05:34,868 --> 00:05:38,770
SO THEY PULL THE
DOOR TOWARDS THEM,
105
00:05:38,839 --> 00:05:40,471
MOVING THE BODY.
106
00:05:40,540 --> 00:05:41,884
SMEARING BLOOD ACROSS THE FLOOR.
107
00:05:41,908 --> 00:05:46,044
YEAH, AND... THEY
MANAGE TO GET OUT,
108
00:05:46,113 --> 00:05:48,947
SHUT THE DOOR, AND THE
BODY SLUMPS BACK AGAINST IT.
109
00:05:51,752 --> 00:05:53,562
WHY DIDN'T THEY
GET AN AMBULANCE?
110
00:05:53,586 --> 00:05:56,099
WHEN YOU'RE FINISHED,
WHAT I'VE BEEN TRYING TO SAY
111
00:05:56,123 --> 00:05:59,090
IS HE WAS PROBABLY HIT ON THE
HEAD WITH A BRICK OR SOMETHING.
112
00:05:59,159 --> 00:06:01,170
THERE'S PARTICLES OF RED DUST
113
00:06:01,194 --> 00:06:03,828
AND DEEP BRUISING TO
THE BASE OF THE HEAD
114
00:06:03,897 --> 00:06:05,174
OVER A FAIRLY LARGE AREA.
115
00:06:05,198 --> 00:06:07,710
LOOK, I'LL KNOW MORE
ONCE I GET HIM BACK.
116
00:06:07,734 --> 00:06:09,245
THANKS, UH... I KNOW.
117
00:06:09,269 --> 00:06:10,635
AS QUICK AS I CAN.
118
00:06:10,703 --> 00:06:13,905
SHE'S GOOD. YEAH, SHE IS GOOD.
119
00:06:13,974 --> 00:06:15,339
WOW. WHAT A PAD.
120
00:06:15,408 --> 00:06:16,607
ALL RIGHT, BOSS?
121
00:06:16,676 --> 00:06:17,909
BURGLARY?
122
00:06:17,978 --> 00:06:20,289
DOUBT IT. IMAGINE WHAT YOU'D
GET FOR THAT DOWN THE PUB.
123
00:06:20,313 --> 00:06:22,313
MY GOD, IT'S A TWO-ROOM SYSTEM.
124
00:06:22,382 --> 00:06:24,749
IT PLAYS ONE TRACK DOWN
HERE AND ONE UPSTAIRS.
125
00:06:24,818 --> 00:06:26,117
FASCINATING.
126
00:06:26,186 --> 00:06:28,464
HE'S PROBABLY RIGHT, BOSS.
THERE'S NO SIGN OF FORCED ENTRY.
127
00:06:28,488 --> 00:06:30,666
HE COULD HAVE GOT OFF HIS
HEAD AND SMASHED THE PLACE UP.
128
00:06:30,690 --> 00:06:32,068
LOOKS LIKE HE'S HAD GUESTS.
129
00:06:32,092 --> 00:06:34,092
WELL, IN MY EXPERIENCE
WITH 20-YEAR-OLD BOYS...
130
00:06:34,161 --> 00:06:36,881
YOU WISH... THEY COULD
HAVE BEEN THERE WEEKS.
131
00:06:40,233 --> 00:06:42,767
OKAY. GET THOSE
SHEETS TO THE LAB.
132
00:06:42,836 --> 00:06:45,369
WE'RE LOOKING FOR
A MURDER WEAPON...
133
00:06:45,438 --> 00:06:48,006
A HOUSE BRICK OR SOMETHING
MADE OUT OF TERRA-COTTA.
134
00:06:48,074 --> 00:06:49,074
Butchers: BOSS.
135
00:06:50,210 --> 00:06:51,409
OR CLAY.
136
00:06:51,477 --> 00:06:53,344
CLAY... J.T.
137
00:06:53,413 --> 00:06:54,779
FANTASTIC.
138
00:06:54,848 --> 00:06:57,208
JACK TAYLOR. GET IT TO THE LAB.
139
00:06:59,519 --> 00:07:01,697
LET'S GO AND TALK
TO HIS PARENTS.
140
00:07:01,721 --> 00:07:03,032
IT'S YOUR TURN. NO. NO. NO.
141
00:07:03,056 --> 00:07:04,700
IT'S YOUR TURN.
I DID IT LAST TIME.
142
00:07:04,724 --> 00:07:06,402
HOW CAN YOU SAY
THAT? IT'S YOUR TURN.
143
00:07:06,426 --> 00:07:07,706
WE'LL DO IT TOGETHER.
144
00:07:11,198 --> 00:07:13,932
THEY WANTED ME TO
CUT A RECORD, YOU KNOW.
145
00:07:14,000 --> 00:07:15,411
YEAH, I COULD HAVE HAD A CAREER.
146
00:07:15,435 --> 00:07:16,667
[SNICKERS]
147
00:07:20,406 --> 00:07:22,440
[DOORBELL RINGS]
148
00:07:22,508 --> 00:07:23,774
I WANT TO SEE HIM.
149
00:07:23,844 --> 00:07:25,654
THAT'S NOT POSSIBLE,
MRS. TAYLOR.
150
00:07:25,678 --> 00:07:27,756
WE NEED TO PRESERVE
THE SCENE OF CRIME.
151
00:07:27,780 --> 00:07:31,749
SAM, CAN YOU, UM,
TAKE US THROUGH
152
00:07:31,818 --> 00:07:34,178
WHAT HAPPENED AFTER THE
APOLLO LAST NIGHT, PLEASE, SAM?
153
00:07:34,221 --> 00:07:36,787
UM... I DON'T KNOW.
154
00:07:36,857 --> 00:07:40,258
WE... WE DROPPED THE OTHER
THREE BOYS OFF AT THEIR FLAT.
155
00:07:40,327 --> 00:07:43,194
DAMON PLAYS BASS.
RICK DOES RHYTHM.
156
00:07:43,263 --> 00:07:44,562
TOMMY'S OUR DRUMMER.
157
00:07:44,630 --> 00:07:48,266
AND THEN MATT DROPPED ME
AT ABOUT QUARTER PAST 11:00.
158
00:07:48,335 --> 00:07:49,467
JACK WAS THE LAST?
159
00:07:51,238 --> 00:07:53,738
YOU SHARED A FLAT TOGETHER.
160
00:07:53,806 --> 00:07:56,241
SO WHY DIDN'T YOU GO HOME?
161
00:07:56,309 --> 00:07:58,009
WHAT'S THAT GOT TO DO WITH THIS?
162
00:07:58,078 --> 00:07:59,944
I'M SORRY, MR. TAYLOR.
163
00:08:00,013 --> 00:08:03,915
I KNOW THIS IS A DIFFICULT
TIME FOR YOU, BUT...
164
00:08:03,984 --> 00:08:06,262
WE HAVE REASON TO BELIEVE THAT
JACK MAY HAVE BEEN MURDERED.
165
00:08:06,286 --> 00:08:09,287
OH, MY GOD! NO!
166
00:08:09,356 --> 00:08:11,467
MRS. TAYLOR, WE ARE
TRYING TO PIECE TOGETHER
167
00:08:11,491 --> 00:08:13,669
AS QUICKLY AS POSSIBLE
WHAT HAPPENED LAST NIGHT.
168
00:08:13,693 --> 00:08:15,193
DID YOU HEAR SAM COME IN?
169
00:08:16,930 --> 00:08:19,964
WE SAT UP CHATTING
TILL GONE 1:00.
170
00:08:20,033 --> 00:08:21,399
HE WENT UP TO BED.
171
00:08:21,467 --> 00:08:23,801
AND I WENT UP
FIVE MINUTES AFTER.
172
00:08:26,239 --> 00:08:28,239
THIS IS STILL THEIR HOME.
173
00:08:28,308 --> 00:08:30,041
THEY KNOW THEY CAN
COME BACK ANY TIME.
174
00:08:30,110 --> 00:08:33,378
SO HE DIDN'T FALL
DOWN THE STAIRS, THEN?
175
00:08:33,446 --> 00:08:34,545
HOW DID HE...
176
00:08:34,614 --> 00:08:35,880
LIN.
177
00:08:35,949 --> 00:08:38,082
SO I WAS UPSTAIRS
ASLEEP WHILE MY SON,
178
00:08:38,151 --> 00:08:41,085
MY LAD WAS BEING MURDERED,
179
00:08:41,154 --> 00:08:43,288
WONDERING WHY I
WASN'T THERE TO HELP HIM.
180
00:08:43,356 --> 00:08:44,889
I'M HIS MUM!
181
00:08:44,958 --> 00:08:48,859
AND THAT'S WHAT MUMS
ARE SUPPOSED TO DO, RIGHT?
182
00:08:48,929 --> 00:08:52,397
ANYONE YOU CAN THINK OF THAT
JACK MIGHT HAVE FALLEN OUT WITH?
183
00:08:52,465 --> 00:08:54,944
DO YOU KNOW IF HE WAS PLANNING
TO MEET ANYONE BACK AT THE FLAT?
184
00:08:54,968 --> 00:08:56,667
NO GIRLFRIEND?
185
00:08:56,736 --> 00:08:57,880
NO ONE SPECIAL.
186
00:08:57,904 --> 00:09:00,071
SO YOU LIVED TOGETHER.
YOU WORKED TOGETHER.
187
00:09:00,140 --> 00:09:02,907
YOU MUST HAVE BEEN VERY CLOSE.
188
00:09:02,976 --> 00:09:06,911
NO ARGUMENTS OR
ANYTHING LAST NIGHT?
189
00:09:06,980 --> 00:09:08,346
EVERYTHING WAS COOL.
190
00:09:11,351 --> 00:09:13,617
OKAY.
191
00:09:17,557 --> 00:09:19,623
[Sobbing] OH, GOD.
192
00:09:19,692 --> 00:09:22,026
[SOBBING]
193
00:09:22,095 --> 00:09:24,829
IF YOU COULD TELL YOUR MUM
AND DAD WE'LL BE IN TOUCH.
194
00:09:28,034 --> 00:09:30,046
I SAW THEM ARGUING
OUTSIDE THE GIG LAST NIGHT.
195
00:09:30,070 --> 00:09:31,436
WHY WOULD HE LIE?
196
00:09:33,539 --> 00:09:36,059
WOULD YOU MIND IF WE STOP
OFF AT MINE FOR FIVE MINUTES?
197
00:09:36,943 --> 00:09:39,443
[ INDISTINCT SINGING]
198
00:09:41,181 --> 00:09:43,381
[DOOR OPENS]
199
00:09:47,520 --> 00:09:51,022
OH, AT LEAST ONE PARENT'S
EVENING SHOULD BE A BREEZE.
200
00:09:53,894 --> 00:09:55,727
[ SINGING CONTINUES]
201
00:09:55,796 --> 00:09:57,595
BUDGE UP.
202
00:10:01,601 --> 00:10:04,102
MICHAEL, IT'S YOUR MUM.
DO YOU REMEMBER ME?
203
00:10:05,638 --> 00:10:07,005
CAN YOU GIVE ME A CALL?
204
00:10:07,074 --> 00:10:09,207
LET ME KNOW YOU'RE OKAY.
205
00:10:09,275 --> 00:10:11,242
JUST WANT TO KNOW
HOW THINGS ARE GOING.
206
00:10:11,311 --> 00:10:13,011
WHO'S THAT?
207
00:10:13,080 --> 00:10:14,445
CHANELLE.
208
00:10:18,451 --> 00:10:20,551
DON'T CRY.
209
00:10:20,620 --> 00:10:22,264
[Sobbing] IT'S NOT FAIR.
210
00:10:22,288 --> 00:10:26,324
I KNOW. I KNOW.
211
00:10:26,392 --> 00:10:28,292
WAS SHE THERE?
212
00:10:28,361 --> 00:10:29,861
WHO?
213
00:10:29,930 --> 00:10:32,363
HIS STUPID GIRLFRIEND.
214
00:10:32,432 --> 00:10:34,966
DARLING, HE DIDN'T
HAVE A GIRLFRIEND.
215
00:10:37,104 --> 00:10:39,838
IF YOU DON'T KNOW THAT THEN...
216
00:10:43,610 --> 00:10:44,675
AMY KIRKLAND.
217
00:10:44,745 --> 00:10:46,477
SHE'S NOT EVEN PRETTY.
218
00:10:52,786 --> 00:10:54,018
YEAH.
219
00:10:54,087 --> 00:10:56,454
NO, ALL RIGHT.
220
00:10:56,522 --> 00:10:57,822
THANKS.
221
00:10:59,760 --> 00:11:01,292
COULD HAVE BEEN YOU.
222
00:11:01,361 --> 00:11:02,504
WHO WAS THAT?
223
00:11:02,528 --> 00:11:04,562
BUTCHERS. TOXICOLOGY REPORT.
224
00:11:04,631 --> 00:11:06,430
NOTHING THERE.
225
00:11:09,369 --> 00:11:12,103
HOW LONG HAD YOU
BEEN GOING OUT WITH HIM?
226
00:11:12,172 --> 00:11:14,705
18 MONTHS.
227
00:11:14,775 --> 00:11:17,475
WE MET HERE. THAT'S
WHY I WANTED TO COME IN.
228
00:11:19,112 --> 00:11:20,478
HE STARTED CHATTING ME UP,
229
00:11:20,546 --> 00:11:24,983
TELLING ME I'D BE SELLING
HIS ALBUMS ONE DAY...
230
00:11:25,051 --> 00:11:26,717
AND HE ACTUALLY MADE IT.
231
00:11:26,787 --> 00:11:30,155
HE CAME BACK LATER. HE
ASKED ME OUT FOR A DRINK.
232
00:11:30,223 --> 00:11:31,289
AND THAT WAS IT.
233
00:11:31,357 --> 00:11:33,757
WERE YOU AT THE GIG LAST NIGHT?
234
00:11:35,328 --> 00:11:38,529
WHAT ABOUT AFTER?
235
00:11:38,598 --> 00:11:41,966
I WENT BACK TO HIS
FLAT ABOUT HALF 12:00.
236
00:11:42,035 --> 00:11:43,035
DO YOU HAVE A KEY?
237
00:11:45,371 --> 00:11:48,239
HE WAS... HE WAS IN A MOOD.
238
00:11:48,308 --> 00:11:52,677
HE GOT LIKE THAT
SOMETIMES AFTER GIGS.
239
00:11:52,745 --> 00:11:55,446
SO HE WAS IN A
MOOD. DID YOU ARGUE?
240
00:11:59,619 --> 00:12:02,020
[Voice breaking] I
LOVED HIM SO MUCH.
241
00:12:02,088 --> 00:12:04,455
LAST NIGHT, I DIDN'T
GET A CHANCE TO SAY IT,
242
00:12:04,524 --> 00:12:06,825
AND NOW HE'S DEAD.
243
00:12:09,762 --> 00:12:11,863
WHAT HAPPENED?
244
00:12:14,701 --> 00:12:17,601
I THOUGHT IT WAS BEST THAT
I JUST LET HIM GET OVER IT,
245
00:12:17,670 --> 00:12:19,470
SO I-I LEFT.
246
00:12:19,539 --> 00:12:22,207
SO THE BAND DO A GIG,
A BIG GIG AT THE APOLLO,
247
00:12:22,275 --> 00:12:23,820
AND HE JUST WENT
STRAIGHT HOME TO BED?
248
00:12:23,844 --> 00:12:26,744
NO CELEBRATIONS? NO PARTYING?
249
00:12:26,813 --> 00:12:29,380
WHAT TIME DID YOU GET HOME?
250
00:12:29,449 --> 00:12:31,482
I DON'T KNOW. ABOUT HALF 1:00.
251
00:12:31,551 --> 00:12:33,051
CAN ANYONE CONFIRM THAT?
252
00:12:33,119 --> 00:12:35,720
PARENTS?
253
00:12:35,788 --> 00:12:37,288
MY FLATMATE, SOPHIE.
254
00:12:37,357 --> 00:12:39,335
RIGHT. HOW DID YOU GET BACK?
255
00:12:39,359 --> 00:12:40,791
I WALKED.
256
00:12:40,861 --> 00:12:43,828
THAT'S A LONG WAY.
ALONG A MAIN ROAD?
257
00:12:43,897 --> 00:12:44,897
OXFORD ROAD.
258
00:12:44,931 --> 00:12:46,664
WHY ARE YOU ASKING
ME ALL THESE QUESTIONS?
259
00:12:46,733 --> 00:12:48,967
JUST ONE MORE THING.
260
00:12:49,035 --> 00:12:51,736
WHY DIDN'T YOU GET IN
THE VAN WITH THE BOYS
261
00:12:51,804 --> 00:12:52,904
AT THE END OF THE GIG?
262
00:12:52,973 --> 00:12:57,608
HE LIKED IT TO BE, YOU
KNOW, JUST THE LADS.
263
00:12:57,677 --> 00:13:00,044
RIGHT.
264
00:13:00,113 --> 00:13:02,646
SO THAT GIRL WHO
GOT IN WITH THEM,
265
00:13:02,715 --> 00:13:04,293
NOTHING TO DO WITH JACK, THEN?
266
00:13:04,317 --> 00:13:05,716
NONE OF THEM MEAN ANYTHING!
267
00:13:05,785 --> 00:13:08,086
GIRLS, THEY THREW
THEMSELVES AT HIM ALL THE TIME!
268
00:13:08,154 --> 00:13:11,589
BUT HE ALWAYS CAME BACK TO ME!
269
00:13:11,657 --> 00:13:12,690
AND THAT ONE.
270
00:13:12,759 --> 00:13:15,260
YOU KNOW, SHE
OBVIOUSLY LOVED HIM.
271
00:13:15,328 --> 00:13:16,405
BUNNY BOILER.
272
00:13:16,429 --> 00:13:18,729
SEX AND DRUGS AND ROCK 'N' ROLL.
273
00:13:18,798 --> 00:13:19,876
THERE WERE NO DRUGS.
274
00:13:19,900 --> 00:13:20,900
YEAH, RIGHT.
275
00:13:20,967 --> 00:13:22,078
TENNER, OKAY?
276
00:13:22,102 --> 00:13:23,401
NO, 20.
277
00:13:23,469 --> 00:13:25,736
20 QUID SAYS TOX REPORT
COMES BACK POSITIVE.
278
00:13:25,805 --> 00:13:28,184
20 QUID? WE'RE PAYING
YOU TOO MUCH, SERGEANT.
279
00:13:28,208 --> 00:13:30,052
ALL RIGHT, 20 QUID
IT IS. YOU'RE ON.
280
00:13:30,076 --> 00:13:32,443
OKAY, EVERYONE,
WHAT HAVE WE GOT?
281
00:13:32,512 --> 00:13:35,513
JACK TAYLOR... VICTIM.
SINGER WITH RULE 7.
282
00:13:35,581 --> 00:13:37,793
CONCIERGE FINDS HIM DEAD AT
THE BOTTOM OF A FLIGHT OF STAIRS
283
00:13:37,817 --> 00:13:39,984
IN THE FLAT HE SHARES
WITH HIS BROTHER, SAM,
284
00:13:40,053 --> 00:13:41,920
WHO'S ALSO IN THE BAND.
285
00:13:41,988 --> 00:13:44,755
Skerton: CONCIERGE TRIED
TO WAKE HIM UP AT 7:30,
286
00:13:44,824 --> 00:13:46,702
BUT HE HAD TO USE HIS
MASTER KEY TO GET IN.
287
00:13:46,726 --> 00:13:48,537
DOOR WOULD ONLY OPEN
ABOUT 20 CENTIMETERS.
288
00:13:48,561 --> 00:13:51,529
TIME OF DEATH BETWEEN
2:00 A.M. AND 3:00 A.M.
289
00:13:51,597 --> 00:13:55,199
NOW, SAM SAYS HE WAS DROPPED
OFF AT HIS MUM AND DAD'S HOUSE
290
00:13:55,268 --> 00:13:59,137
BY MATT FERRER, WHO'S
THE BAND'S MANAGER, AT 11:15.
291
00:13:59,205 --> 00:14:01,872
AND WE ALSO KNOW THAT
SAM AND JACK... THE BROTHERS...
292
00:14:01,942 --> 00:14:03,685
HAD A ROW AS THEY
WERE LEAVING THE APOLLO.
293
00:14:03,709 --> 00:14:04,642
WHICH HE DENIES.
294
00:14:04,710 --> 00:14:06,877
YEAH, AND HE'S ALSO DENIED
295
00:14:06,947 --> 00:14:09,780
THE FACT THAT JACK
HAD A GIRLFRIEND.
296
00:14:09,849 --> 00:14:11,682
AMY KIRKLAND.
297
00:14:11,751 --> 00:14:13,762
THEY'D BEEN GOING OUT
TOGETHER FOR ABOUT 18 MONTHS.
298
00:14:13,786 --> 00:14:15,531
ANYTHING FROM CCTV, SID?
299
00:14:15,555 --> 00:14:16,487
NO.
300
00:14:16,556 --> 00:14:18,134
WHAT ABOUT A CAR PARK?
301
00:14:18,158 --> 00:14:19,735
JUST RESIDENTS. NOTHING
IN YET FROM OTHER SOURCES.
302
00:14:19,759 --> 00:14:21,259
ANYTHING FROM THE FANS?
303
00:14:21,328 --> 00:14:22,571
NO, THEY'D BEEN AT THE CONCERT.
304
00:14:22,595 --> 00:14:24,728
TURNED UP AT TO THE FLAT
WHEN THEY HEARD THE NEWS.
305
00:14:24,797 --> 00:14:25,797
LAB REPORT.
306
00:14:25,865 --> 00:14:27,576
WE GOT CONFIRMATION
FROM THE PATHOLOGIST
307
00:14:27,600 --> 00:14:29,611
THAT IT WASN'T THE
FALL THAT KILLED JACK.
308
00:14:29,635 --> 00:14:31,613
HE DIED FROM AN ACUTE
SUBDURAL HEMATOMA.
309
00:14:31,637 --> 00:14:32,949
THE HEAVY BRUISING AT
THE BASE OF THE SKULL
310
00:14:32,973 --> 00:14:34,317
WAS INFLICTED BEFORE HE FELL,
311
00:14:34,341 --> 00:14:35,985
PROBABLY BY A HEAVY,
BLUNT INSTRUMENT.
312
00:14:36,009 --> 00:14:38,176
YEAH, WE THINK WE'VE
GOT THE MURDER WEAPON.
313
00:14:38,244 --> 00:14:40,611
IT'S THIS SORT OF RED
TERRA-COTTA CLAY-ARTY THING.
314
00:14:40,680 --> 00:14:41,800
IT'S SENT OFF FOR TESTS.
315
00:14:41,848 --> 00:14:44,648
RIGHT, SO THE VICTIM'S
ATTACKED, ASSAILANT ESCAPES,
316
00:14:44,717 --> 00:14:47,085
AND THE VICTIM, DISORIENTATED,
FALLS DOWN THE STAIRS.
317
00:14:47,153 --> 00:14:49,131
YEAH, OR THEY GET A WHACK
ON THE BACK OF THE HEAD
318
00:14:49,155 --> 00:14:51,334
AND THEN GET PUSHED DOWN
THE STAIRS JUST TO MAKE SURE.
319
00:14:51,358 --> 00:14:52,668
BUT THE KILLER, AT THIS POINT,
320
00:14:52,692 --> 00:14:54,570
DOESN'T KNOW THEY'VE
DELIVERED THE FATAL BLOW.
321
00:14:54,594 --> 00:14:56,439
IT WAS A TIGHT SQUEEZE TO
GET OUT, THOUGH, WASN'T IT?
322
00:14:56,463 --> 00:14:58,463
SO MAKE SURE THAT CSI
323
00:14:58,531 --> 00:15:01,265
CHECKS THAT DOORFRAME
FOR FINGERPRINTS, DNA, FIBERS.
324
00:15:01,334 --> 00:15:03,567
NOW, TOXICOLOGY?
325
00:15:03,636 --> 00:15:06,204
ALCOHOL PRESENT, BUT NO DRUGS.
326
00:15:06,272 --> 00:15:07,305
NO DRUGS.
327
00:15:10,477 --> 00:15:13,711
BUTCHERS AND SHAP, GET
YOURSELVES OFF TO THE APOLLO,
328
00:15:13,779 --> 00:15:15,380
SEE WHO WAS THERE
AND WHAT THEY SAW.
329
00:15:15,448 --> 00:15:18,916
NOW, SAM SAYS THAT MATT
FERRER DROPPED JACK OFF LAST,
330
00:15:18,985 --> 00:15:20,762
SO I THINK WE SHOULD GO
AND HAVE A WORD WITH HIM.
331
00:15:20,786 --> 00:15:22,353
IT'S 15, 20 NOW.
332
00:15:23,456 --> 00:15:25,456
THANKS.
333
00:15:26,526 --> 00:15:29,127
YOU ALREADY PHONED HER WITH
THE TOXICOLOGY REPORT, HADN'T YOU?
334
00:15:29,195 --> 00:15:30,528
YEAH.
335
00:15:30,596 --> 00:15:32,296
TAXI FOR SHAP, PLEASE.
336
00:15:32,365 --> 00:15:33,831
[LAUGHTER]
337
00:15:36,236 --> 00:15:38,503
YEAH.
338
00:15:38,571 --> 00:15:40,449
YEAH, RIGHT. YEAH, THANKS. YEAH.
339
00:15:40,473 --> 00:15:42,433
LISTEN, I'M GONNA
HAVE TO GET OFF.
340
00:15:42,475 --> 00:15:45,543
OKAY, UH... THANKS FOR THAT.
THAT'S GREAT NEWS. CHEERS.
341
00:15:45,611 --> 00:15:47,211
BYE.
342
00:15:47,280 --> 00:15:48,924
SORRY ABOUT THAT. IT
WAS THE RECORD COMPANY.
343
00:15:48,948 --> 00:15:50,526
THEY'RE GONNA COVER
THE FUNERAL EXPENSES.
344
00:15:50,550 --> 00:15:51,849
GOOD OF THEM.
345
00:15:51,918 --> 00:15:53,595
BELIEVE ME, MICK AND LINDA
WILL BE VERY GRATEFUL.
346
00:15:53,619 --> 00:15:55,197
THEY'LL WANT TO GIVE
THE BOY A GOOD SEND-OFF.
347
00:15:55,221 --> 00:15:56,487
WE ALL WILL.
348
00:15:56,556 --> 00:15:57,966
THE COMPANY HAD
JACK WELL-INSURED.
349
00:15:57,990 --> 00:15:59,835
ANY COMPANY WOULD HAVE.
IT'S JUST GOOD BUSINESS.
350
00:15:59,859 --> 00:16:01,159
I UNDERSTAND THAT JACK
351
00:16:01,227 --> 00:16:03,961
WAS THE LAST ONE TO BE
DROPPED OFF LAST NIGHT.
352
00:16:04,030 --> 00:16:06,008
RICK, DAMON, AND
TOMMY HAD HAD A SKINFUL,
353
00:16:06,032 --> 00:16:07,876
SO I DROPPED THEM OFF AT
THEIR PLACE WITH SOME BIRD.
354
00:16:07,900 --> 00:16:09,678
THEN I DROPPED SAM AT HIS MUM'S.
355
00:16:09,702 --> 00:16:11,047
DROPPED JACK OFF
ABOUT HALF PAST 11:00.
356
00:16:11,071 --> 00:16:12,248
I GOT BACK HERE
AT ABOUT MIDNIGHT.
357
00:16:12,272 --> 00:16:14,439
CAN ANYONE CORROBORATE THAT?
358
00:16:14,507 --> 00:16:15,440
NO.
359
00:16:15,508 --> 00:16:17,886
DID YOU GO BACK TO JACK'S FLAT?
360
00:16:17,910 --> 00:16:19,522
WHAT FOR? TO MURDER HIM?
361
00:16:19,546 --> 00:16:21,479
NO, I DIDN'T.
362
00:16:21,548 --> 00:16:24,348
BUT THEN I WOULD
SAY THAT, WOULDN'T I?
363
00:16:24,417 --> 00:16:27,685
HOW LONG HAD YOU KNOWN JACK?
364
00:16:27,753 --> 00:16:29,898
KNOWN HIM JUST OVER
TWO YEARS. I GOT A TIP-OFF.
365
00:16:29,922 --> 00:16:31,900
I WENT TO SEE THEM
PLAY IN SOME DINGY PUB.
366
00:16:31,924 --> 00:16:33,735
YOU COULD SEE THAT
THEY HAD SOMETHING.
367
00:16:33,759 --> 00:16:35,438
DID THEY ALL GET ALONG TOGETHER?
368
00:16:35,462 --> 00:16:37,628
YEAH, JACK RULED THE
ROOST FOR THE MOST PART.
369
00:16:37,697 --> 00:16:40,131
EVERYONE WAS HAPPY
TO GO ALONG WITH HIM.
370
00:16:40,200 --> 00:16:41,243
"FOR THE MOST PART"?
371
00:16:41,267 --> 00:16:43,279
YOU GOT FIVE LADS
PUMPING TESTOSTERONE.
372
00:16:43,303 --> 00:16:45,147
THEY'RE NEVER
GONNA GET ALONG 24/7.
373
00:16:45,171 --> 00:16:46,437
WHAT ABOUT YOU?
374
00:16:46,506 --> 00:16:47,883
DID YOU THINK HE WAS
A BIT OF A HANDFUL?
375
00:16:47,907 --> 00:16:49,140
[CHUCKLES]
376
00:16:49,209 --> 00:16:51,309
IF YOUR LEAD MAN'S
NOT A HANDFUL,
377
00:16:51,377 --> 00:16:53,055
HE'S NOT GONNA BE A
GOOD LEAD MAN, IS HE?
378
00:16:53,079 --> 00:16:55,291
BUT THERE WAS ONLY ONE PERSON
IN CHARGE, AND THAT WAS ME.
379
00:16:55,315 --> 00:16:58,060
SAM AND JACK HAD A ROW LAST NIGHT
WHEN THEY WERE GETTING INTO THE VAN.
380
00:16:58,084 --> 00:16:59,628
DO YOU KNOW WHAT IT WAS ABOUT?
381
00:16:59,652 --> 00:17:00,985
WELL, THE MUSIC WAS BLARING.
382
00:17:01,053 --> 00:17:02,186
SAM'S A GOOD KID.
383
00:17:02,255 --> 00:17:03,535
SO THEY WERE CLOSE?
384
00:17:05,391 --> 00:17:07,803
ODD, THEN, THAT SAM DIDN'T
KNOW THAT JACK HAD A GIRLFRIEND.
385
00:17:07,827 --> 00:17:11,095
IF YOU'RE TALKING ABOUT
AMY, SHE WASN'T EXCLUSIVE.
386
00:17:11,164 --> 00:17:13,231
AT LEAST NOT ON
HIS PART. HE WAS 20.
387
00:17:13,299 --> 00:17:16,601
DO YOU OWN ANOTHER
VEHICLE APART FROM THE VAN?
388
00:17:16,669 --> 00:17:19,036
YEAH, I'VE GOT A BMW SPORTS.
389
00:17:19,105 --> 00:17:20,904
YEAH, I'VE SEEN IT. NICE.
390
00:17:20,973 --> 00:17:23,486
YEAH, ALL RIGHT, YOU'VE BEEN
VERY HELPFUL, MR. FERRER.
391
00:17:23,510 --> 00:17:24,975
THANKS VERY MUCH.
392
00:17:27,780 --> 00:17:30,515
I USED TO SING A BIT, YOU KNOW.
393
00:17:30,583 --> 00:17:32,561
I RECOGNIZE THAT BAND.
THEY'RE GARAGE, AREN'T THEY?
394
00:17:32,585 --> 00:17:35,786
THAT'S RIGHT, YEAH. THEY
PAID FOR THE THREE B's, THEM...
395
00:17:35,855 --> 00:17:37,788
BOOB JOBS, BUTT
LIFTS, AND BOTOX.
396
00:17:37,857 --> 00:17:40,558
I'VE GOT TWO EX-WIVES, MAN. IT
DON'T COME CHEAP, BELIEVE ME.
397
00:17:40,627 --> 00:17:42,271
RULE 7 WERE AN
INVESTMENT IN THE FUTURE.
398
00:17:42,295 --> 00:17:44,106
THAT'S WHAT THIS GAME'S
ABOUT, YOU SEE? RISK.
399
00:17:44,130 --> 00:17:45,574
20% PERCENT OF
NOTHING IS NOTHING.
400
00:17:45,598 --> 00:17:48,499
IT'S A BLOODY NIGHTMARE
OF A JOB. YOU HAVE NO IDEA.
401
00:17:48,568 --> 00:17:50,212
THEY WANTED ME TO
CUT A TRACK, YOU KNOW.
402
00:17:50,236 --> 00:17:52,203
D.I. MAYNE, COME ON.
403
00:17:53,339 --> 00:17:57,841
[LAUGHS]
404
00:17:57,910 --> 00:17:59,377
"GARAGE."
405
00:17:59,445 --> 00:18:01,712
[LAUGHS]
406
00:18:12,525 --> 00:18:15,493
YOU'RE NOT THE ONLY ONE WHO'S
DOWN WITH THE KIDS, YOU KNOW.
407
00:18:15,562 --> 00:18:17,573
RICHARD, DO YOURSELF A FAVOR
408
00:18:17,597 --> 00:18:21,965
AND NEVER, EVER SAY THAT
IN FRONT OF ANYONE UNDER 25.
409
00:18:23,869 --> 00:18:26,671
Butchers: THIS BRINGS ME BACK.
410
00:18:26,739 --> 00:18:28,606
STILL THE SAME. THE SMELL.
411
00:18:28,675 --> 00:18:31,975
I DID MY FIRST DRUGS
BUST OUT HERE.
412
00:18:32,044 --> 00:18:33,811
SO, WHO ELSE WAS THERE?
413
00:18:33,879 --> 00:18:38,048
WELL, APART FROM THE
BAND, THE CREW, MANAGER,
414
00:18:38,117 --> 00:18:41,018
SOME GUYS FROM THE
RECORD LABEL, BUT THEY LEFT.
415
00:18:41,087 --> 00:18:42,764
OH, YEAH, AND BILLY
RADFIELD CAME BY.
416
00:18:42,788 --> 00:18:43,987
THAT WAS COOL.
417
00:18:44,056 --> 00:18:45,223
BILLY RADFIELD?
418
00:18:45,291 --> 00:18:47,725
USED TO BE IN THE
BAND. WENT SOLO.
419
00:18:47,793 --> 00:18:49,827
SO, NO OUTRAGEOUS DEMANDS, THEN?
420
00:18:49,895 --> 00:18:51,429
THEY'RE NOT EXACTLY OASIS.
421
00:18:51,497 --> 00:18:54,565
YOU KNOW, BEER, CRISPS,
JUST SHIT LIKE THAT.
422
00:18:54,634 --> 00:18:56,478
Nat: WHAT SORT OF
STUFF DO YOU LIKE, THEN?
423
00:18:56,502 --> 00:18:57,602
WELL, I'M...
424
00:18:57,670 --> 00:19:01,905
MY DAD'S INTO PHIL
COLLINS AND GUYS LIKE THAT.
425
00:19:01,974 --> 00:19:05,175
WAS THERE ANYONE
ELSE BACK THERE?
426
00:19:05,245 --> 00:19:06,955
JUST THE USUAL
GIRLS HANGING ABOUT.
427
00:19:06,979 --> 00:19:08,457
YOU KNOW, BIG LIPS, BIG TITS.
428
00:19:08,481 --> 00:19:10,492
ONE OF THEM WAS ALL
OVER JACK LIKE A RASH.
429
00:19:10,516 --> 00:19:12,060
IT'S ALWAYS THE
LEAD SINGER, ISN'T IT?
430
00:19:12,084 --> 00:19:13,195
TELL ME ABOUT IT.
431
00:19:13,219 --> 00:19:15,119
WHAT ABOUT THE GIRLFRIEND?
432
00:19:15,187 --> 00:19:17,388
IT'S NEVER THE GIRLFRIEND
433
00:19:17,457 --> 00:19:20,258
WHEN THEY WANT TO DO IT
IN PUBLIC UP AGAINST A WALL.
434
00:19:20,326 --> 00:19:23,594
BUT SHE WAS THERE, SAW
THE WHOLE THING, AND RAN OUT.
435
00:19:23,663 --> 00:19:26,530
LOOKED LIKE SAM WAS GONNA
GIVE HIM A RIGHT BOLLOCKING.
436
00:19:26,599 --> 00:19:29,800
DON'T REMEMBER HER NAME, DO YOU?
437
00:19:32,305 --> 00:19:34,872
Skerton: CCTV SHOWS THE VAN
HEADING AWAY FROM THE AREA
438
00:19:34,940 --> 00:19:37,040
AROUND THE FLAT AT 11:38,
439
00:19:37,109 --> 00:19:39,777
THEN AGAIN AT 11:52
CLOSE TO FERRER'S HOME.
440
00:19:39,845 --> 00:19:43,080
IT HASN'T TURNED UP ON ANY
OTHER CCTV AND NOR HAS HIS CAR.
441
00:19:43,149 --> 00:19:45,361
RIGHT, DOESN'T
TOTALLY RULE HIM OUT,
442
00:19:45,385 --> 00:19:47,829
BUT I JUST DON'T SEE
WHAT HE'S GOT TO GAIN.
443
00:19:47,853 --> 00:19:50,821
WHAT ABOUT AMY'S FLATMATE?
WE NEED TO CHECK THAT ALIBI.
444
00:19:50,890 --> 00:19:52,568
YEAH, WE'VE NOT
TRACKED HER DOWN YET.
445
00:19:52,592 --> 00:19:53,824
YOU TWO?
446
00:19:53,893 --> 00:19:55,971
Shap: SEEMS OUR LAD WAS
CAUGHT WITH HIS PANTS DOWN
447
00:19:55,995 --> 00:19:56,927
AFTER THE SHOW.
448
00:19:56,996 --> 00:19:58,840
YEAH, COUPLE OF THE
KIDS WORKING THERE
449
00:19:58,864 --> 00:20:00,743
SAID THAT HE WAS CAUGHT
SHAGGING SOME GROUPIE
450
00:20:00,767 --> 00:20:02,411
THAT HAD BEEN HANGING
AROUND BACKSTAGE.
451
00:20:02,435 --> 00:20:04,502
AND HIS GIRLFRIEND
SAW THEM AT IT.
452
00:20:04,570 --> 00:20:06,282
RIGHT. HAVE WE GOT
THE GROUPIE'S NAME?
453
00:20:06,306 --> 00:20:08,083
YES, SHE SIGNED IN
AT THE STAGE DOOR
454
00:20:08,107 --> 00:20:10,374
UNDER THE NAME OF
LILA SACKVILLE-BOYD.
455
00:20:10,443 --> 00:20:12,209
SEE, THOSE POSH
BIRDS ARE THE WORST.
456
00:20:12,278 --> 00:20:13,678
THE HELL YOU'D KNOW.
457
00:20:13,746 --> 00:20:15,090
Butchers: ACCORDING TO
THE REST OF THE BAND,
458
00:20:15,114 --> 00:20:17,615
SHE WENT BACK WITH THEM
AND LEFT ABOUT 5:00 A.M.
459
00:20:17,684 --> 00:20:20,584
RIGHT, SO THAT MUST BE THE
GIRL I SAW GETTING IN THE VAN,
460
00:20:20,653 --> 00:20:22,998
AND IT TALLIES WITH
WHAT MATT FERRER SAID.
461
00:20:23,022 --> 00:20:25,489
THERE WAS ALSO A LAD CALLED
BILLY RADFIELD BACKSTAGE.
462
00:20:25,558 --> 00:20:28,091
HE USED TO BE IN RULE 7.
HE LEFT ABOUT 9 MONTHS AGO.
463
00:20:28,160 --> 00:20:30,673
HE'S HAD ONE SINGLE OUT,
WENT TO 48 IN THE CHARTS.
464
00:20:30,697 --> 00:20:32,963
TIMBERLAKE WON'T
LOSE ANY SLEEP, THEN.
465
00:20:33,032 --> 00:20:35,210
Janine: ANYONE CHECK
JACK'S PHONE RECORDS?
466
00:20:35,234 --> 00:20:37,045
UH, HE HAD A CALL
FROM AMY KIRKLAND
467
00:20:37,069 --> 00:20:38,914
AND ONE FROM HIS PARENTS
JUST BEFORE THE GIG.
468
00:20:38,938 --> 00:20:40,516
AND HE RECEIVED SOME
TEXTS AFTERWARDS.
469
00:20:40,540 --> 00:20:42,384
JUST PEOPLE CONGRATULATING HIM.
470
00:20:42,408 --> 00:20:44,942
BUT THEN HE MADE A CALL
TO A LIAM WHITTICK AT 1:36.
471
00:20:45,010 --> 00:20:46,755
NOW, ACCORDING TO THE FAN SITES,
472
00:20:46,779 --> 00:20:49,079
HE'S SHOOTING THE BAND'S
PROMO FOR THE NEW SINGLE.
473
00:20:49,148 --> 00:20:51,382
RIGHT. OKAY.
474
00:20:51,451 --> 00:20:53,718
SO AMY'S GOT MOTIVE.
475
00:20:53,786 --> 00:20:56,420
SHE SAW JACK HAVING
SEX WITH ANOTHER GIRL.
476
00:20:56,489 --> 00:20:58,967
SHE GOES BACK TO THE FLAT,
THEY ARGUE, THINGS GET NASTY,
477
00:20:58,991 --> 00:21:00,869
BUT IF HER ALIBI STANDS UP...
478
00:21:00,893 --> 00:21:03,260
SHAP, CAN YOU FIND THE FLATMATE?
479
00:21:03,329 --> 00:21:06,296
AND, YOU TWO, GET
AHOLD OF BILLY RADFIELD.
480
00:21:06,366 --> 00:21:08,109
LET'S FIND OUT WHY
HE LEFT THE BAND.
481
00:21:08,133 --> 00:21:10,412
SEE IF HE COULD HAVE
BEEN AT THE FLAT LAST NIGHT.
482
00:21:10,436 --> 00:21:12,956
YOU AND ME, LET'S GO
AND TALK TO LIAM WHITTICK.
483
00:21:15,307 --> 00:21:17,207
Skerton: NO ONE BUYS
ALBUMS OR CDs ANYMORE.
484
00:21:17,276 --> 00:21:19,076
YOU JUST DOWNLOAD WHAT YOU WANT.
485
00:21:19,145 --> 00:21:20,722
IT'S NOT THE SAME, THOUGH.
486
00:21:20,746 --> 00:21:23,280
A VINYL RECORD IS LIKE A
BEAUTIFUL PIECE OF ART.
487
00:21:23,348 --> 00:21:25,248
I BET YOU'VE GOT THEM
CATALOGUED, DON'T YOU, EH?
488
00:21:25,317 --> 00:21:26,684
STORED ALPHABETICALLY?
489
00:21:26,752 --> 00:21:29,352
WHY DO MEN OF YOUR AGE DO THAT?
490
00:21:29,421 --> 00:21:30,353
[ROCK MUSIC PLAYS]
491
00:21:30,422 --> 00:21:32,723
Billy: ? I'M OUT TO THE TEETH ?
492
00:21:32,792 --> 00:21:36,560
? WITH THOUGHTS
THAT I'M ACHING TO SAY ?
493
00:21:36,628 --> 00:21:38,662
I HADN'T SEEN THE LADS
SINCE I LEFT THE BAND.
494
00:21:38,731 --> 00:21:40,564
MATT SAID IT'D BE
ALL RIGHT TO PITCH UP.
495
00:21:40,632 --> 00:21:42,377
IT WAS MENTAL BACKSTAGE,
SO JACK SAID IT'D BE BETTER
496
00:21:42,401 --> 00:21:44,101
TO GO TO HIS FLAT FOR
A DRINK AFTERWARDS.
497
00:21:44,170 --> 00:21:46,636
SO YOU LEFT THE
BAND ON GOOD TERMS?
498
00:21:46,706 --> 00:21:48,383
OH, YEAH. THEY'RE A
GOOD BUNCH OF LADS.
499
00:21:48,407 --> 00:21:50,240
IT WERE PROFESSIONAL
DIFFERENCES, THAT'S ALL.
500
00:21:50,309 --> 00:21:51,608
AND WHAT TIME DID YOU LEAVE?
501
00:21:51,677 --> 00:21:53,310
ABOUT 20 PAST 12:00.
502
00:21:53,378 --> 00:21:55,012
QUICK DRINK.
503
00:21:55,081 --> 00:21:56,591
THOUGHT YOU WOULD HAVE
HAD A BIT OF CATCHING UP TO DO.
504
00:21:56,615 --> 00:21:58,626
YEAH, WELL, HE WAS KNACKERED
AFTER THE GIG, YOU KNOW.
505
00:21:58,650 --> 00:21:59,950
WHERE DID YOU GO AFTER?
506
00:22:00,019 --> 00:22:02,186
HE STAYED AT MINE. YEAH.
507
00:22:02,254 --> 00:22:05,388
YEAH, YEAH, I LOST MY
KEYS, SO I GAVE MATT A CALL.
508
00:22:05,457 --> 00:22:07,169
FUNNY YOU NEVER
MENTIONED THAT TO MY BOSS.
509
00:22:07,193 --> 00:22:08,369
I DIDN'T THINK IT WAS IMPORTANT.
510
00:22:08,393 --> 00:22:09,971
YEAH, WELL, THAT'S
FOR US TO DECIDE.
511
00:22:09,995 --> 00:22:13,197
LYING AND WASTING POLICE
TIME IS TREATED VERY SERIOUSLY.
512
00:22:13,265 --> 00:22:14,664
UNDERSTOOD, OFFICER.
513
00:22:14,734 --> 00:22:16,411
NOW IF THAT'S EVERYTHING,
TIME IS MONEY IN PLACES LIKE THIS.
514
00:22:16,435 --> 00:22:18,313
Skerton: YOU MUST HAVE BEEN
DISAPPOINTED WITH HOW THE SINGLE DID.
515
00:22:18,337 --> 00:22:21,705
MAYBE YOU'LL DO BETTER NOW
YOU'VE GOT NEW MANAGEMENT.
516
00:22:23,809 --> 00:22:25,909
LIAM WHITTICK. DO YOU KNOW HIM?
517
00:22:25,978 --> 00:22:27,388
YEAH, HE'S A FRIEND OF JACK'S.
518
00:22:27,412 --> 00:22:29,157
HE JUST STARTED
FILMING OUR PROMO.
519
00:22:29,181 --> 00:22:30,748
YOUR CHOICE?
520
00:22:30,816 --> 00:22:32,828
JACK'S. THE TALENT ALWAYS
THINKS IT KNOWS BEST.
521
00:22:32,852 --> 00:22:34,151
IT RARELY DOES.
522
00:22:34,220 --> 00:22:36,260
YEAH, RIGHT, WITH
JACK OUT OF THE WAY,
523
00:22:36,321 --> 00:22:38,688
BILLY GETS TO RELAUNCH
HIS CAREER WITH RULE 7.
524
00:22:38,758 --> 00:22:41,158
YEAH, ALL RIGHT, BUTCHERS.
SEE YOU BACK AT THE STATION.
525
00:22:41,227 --> 00:22:45,062
TURNS OUT BILLY RADFIELD
526
00:22:45,131 --> 00:22:47,530
SPENT THE NIGHT AT
MATT FERRER'S THAT NIGHT.
527
00:22:47,599 --> 00:22:49,332
HIS NEW MANAGER, APPARENTLY.
528
00:22:49,401 --> 00:22:50,834
AND ACCORDING TO BUTCHERS,
529
00:22:50,903 --> 00:22:53,603
MR. FERRER'S NOT
A GREAT FAN OF...
530
00:22:53,672 --> 00:22:56,006
CAN I HELP?
531
00:22:58,811 --> 00:23:00,077
Liam: JACK RANG ME.
532
00:23:00,146 --> 00:23:01,757
HE WANTED ME TO GO OVER
THE MATERIAL THAT I'D SHOT,
533
00:23:01,781 --> 00:23:03,792
BUT I SAID THERE WAS NO WAY I
WAS GOING OUT THAT TIME OF NIGHT.
534
00:23:03,816 --> 00:23:05,783
HE HUNG UP ON ME.
535
00:23:05,851 --> 00:23:08,752
RIGHT, AND THIS MATERIAL,
536
00:23:08,821 --> 00:23:11,088
IT'S FOR THE MUSIC VIDEO, YEAH?
537
00:23:11,157 --> 00:23:13,368
YEAH, THE REST OF THE LADS WANTED
TO GET THE GIG OUT THE WAY FIRST,
538
00:23:13,392 --> 00:23:14,958
BUT JACK WAS KEEN TO CRACK ON.
539
00:23:15,027 --> 00:23:16,894
SO WE AGREED TO
SHOOT HIS STUFF FIRST.
540
00:23:16,962 --> 00:23:18,561
WE'D ONLY DONE A COUPLE OF DAYS
541
00:23:18,630 --> 00:23:20,931
AND THEN THE
STUFF AT THE APOLLO.
542
00:23:21,000 --> 00:23:23,834
AND IT'S NOT YOUR
USUAL THING, MUSIC VIDEO?
543
00:23:23,903 --> 00:23:25,869
WELL, I DONE A COUPLE
WHILE I WAS AT ART COLLEGE.
544
00:23:25,938 --> 00:23:27,971
THAT'S WHERE I MET JACK.
545
00:23:28,040 --> 00:23:30,607
HE WAS MY STUDENT.
BUT, NO, YOU'RE RIGHT.
546
00:23:30,676 --> 00:23:32,520
IT'S NOT MY USUAL THING,
BUT IT IS WHERE THE MONEY IS.
547
00:23:32,544 --> 00:23:34,055
WHAT TIME DID YOU GET HOME?
548
00:23:34,079 --> 00:23:36,180
JUST AFTER MIDNIGHT.
549
00:23:36,248 --> 00:23:39,416
THEN OF COURSE HE WORKED FOR
AN HOUR BEFORE COMING TO BED.
550
00:23:39,484 --> 00:23:41,651
MY WIFE, CASSIE.
551
00:23:41,720 --> 00:23:43,187
THE POLICE, ABOUT JACK.
552
00:23:43,255 --> 00:23:44,321
POOR JACK.
553
00:23:44,389 --> 00:23:46,723
SORRY, I WAS IN THE BATH.
554
00:23:46,792 --> 00:23:48,525
MOVE QUICKLY AND
THERE'S A DELUGE.
555
00:23:48,593 --> 00:23:50,260
HOW LONG HAVE YOU GOT?
556
00:23:50,329 --> 00:23:52,307
ONE MORE MONTH. CAN'T
WAIT. YEAH, I REMEMBER IT.
557
00:23:52,331 --> 00:23:54,164
IS IT YOUR FIRST? MM.
558
00:23:54,233 --> 00:23:57,701
SO, WHAT'S GONNA HAPPEN
WITH THIS MUSIC VIDEO NOW?
559
00:23:57,769 --> 00:23:59,203
IT'S UP TO MATT, I GUESS,
560
00:23:59,271 --> 00:24:02,272
IN WHICH CASE I SHAN'T BE HOLDING
MY BREATH WAITING FOR A CALL.
561
00:24:02,341 --> 00:24:03,718
Cassie: HOW DOES ANYONE
EVER BUILD A REPUTATION
562
00:24:03,742 --> 00:24:06,043
IF YOU'RE NEVER GIVEN A BREAK?
563
00:24:06,111 --> 00:24:07,711
IT WOULD'VE BEEN BRILLIANT.
564
00:24:07,779 --> 00:24:09,557
WELL, I KNOW MY DAUGHTER FOR ONE
WOULD HAVE LOVED TO HAVE SEEN IT.
565
00:24:09,581 --> 00:24:12,049
YEAH?
566
00:24:13,685 --> 00:24:15,197
MIGHT AS WELL HAVE A COPY.
567
00:24:15,221 --> 00:24:16,497
NOT MUCH ON IT, BUT
SOMEBODY SHOULD ENJOY IT.
568
00:24:16,521 --> 00:24:17,888
THANKS.
569
00:24:19,024 --> 00:24:21,264
GOOD LUCK WITH THE BABY.
570
00:24:29,001 --> 00:24:31,446
YOU TOTALLY MANIPULATED
THAT. ME? NEVER.
571
00:24:31,470 --> 00:24:34,838
SHOULD EARN ME A FEW
BROWNIE POINTS, THOUGH.
572
00:24:36,408 --> 00:24:37,340
HIYA.
573
00:24:37,409 --> 00:24:38,475
HI.
574
00:24:40,813 --> 00:24:43,747
WHAT A STAR.
575
00:24:43,816 --> 00:24:44,816
WANT A HAND?
576
00:24:44,884 --> 00:24:45,994
IT'S ALGEBRA.
577
00:24:46,018 --> 00:24:48,018
OH, ENOUGH SAID.
WHERE'S YOUR SISTER?
578
00:24:48,054 --> 00:24:50,988
PROBABLY MARRIED TO A
WEIRDO IN A DRESS BY NOW.
579
00:24:52,091 --> 00:24:54,758
AT A VIGIL.
580
00:25:00,299 --> 00:25:03,433
[SOBBING]
581
00:25:03,502 --> 00:25:05,146
Matt: JACK WAS A TALENT.
582
00:25:05,170 --> 00:25:07,270
A BIG TALENT.
583
00:25:07,339 --> 00:25:10,107
AND HE WAS A GREAT LAD.
584
00:25:10,175 --> 00:25:12,810
HIS FAMILY, THE
BAND, ME, HIS FANS...
585
00:25:12,878 --> 00:25:14,056
Mayne: IS SHE THERE?
586
00:25:14,080 --> 00:25:16,246
YEAH.
587
00:25:16,315 --> 00:25:19,282
YEAH, SHE'S WITH HER MATE'S MUM.
588
00:25:23,555 --> 00:25:24,855
COFFEE?
589
00:25:24,924 --> 00:25:27,691
WHAT HAPPENED TO
DIET, DOG WALKING?
590
00:25:27,760 --> 00:25:29,093
THIS IS A TREAT.
591
00:25:29,161 --> 00:25:31,996
WHY WON'T SHE JUST GET A CAB?
592
00:25:32,064 --> 00:25:33,597
GO BACK.
593
00:25:33,666 --> 00:25:34,965
SHAP.
594
00:25:35,034 --> 00:25:37,167
WHO'S THAT?
595
00:25:39,238 --> 00:25:41,105
THAT'S SAM TAYLOR.
596
00:25:41,173 --> 00:25:45,142
AND HIS MUM SAID
HE WAS IN AT 11:15.
597
00:25:45,210 --> 00:25:47,544
IT LOOKS LIKE HE WENT
OUT AGAIN, DOESN'T IT?
598
00:25:49,949 --> 00:25:51,015
[CELLPHONE RINGS]
599
00:25:51,083 --> 00:25:55,119
I THINK THERE MIGHT BE
SOMETHING GOING ON THERE.
600
00:25:55,187 --> 00:25:56,720
YEAH.
601
00:25:56,789 --> 00:25:58,155
SHAP.
602
00:25:58,223 --> 00:26:00,524
NO, I CAN'T COME BACK NOW.
603
00:26:03,863 --> 00:26:05,462
YOU SURE IT'S HIM?
604
00:26:05,531 --> 00:26:07,831
NO. OKAY.
605
00:26:10,936 --> 00:26:13,971
NO SIGN OF AMY
KIRKLAND ON THE CCTV.
606
00:26:14,040 --> 00:26:16,006
BUT SAM TAYLOR'S OUT AND ABOUT
607
00:26:16,075 --> 00:26:17,753
WHEN HE TOLD US HE
WAS TUCKED UP IN BED.
608
00:26:17,777 --> 00:26:18,842
REALLY?
609
00:26:18,911 --> 00:26:21,056
YOU WANT ME TO BRING HIM IN?
610
00:26:21,080 --> 00:26:22,312
YEAH.
611
00:26:22,381 --> 00:26:24,948
BUT, RICHARD, DISCREET, YEAH?
612
00:26:25,017 --> 00:26:28,518
Matt: AS I SAID, I CAN'T PASS ANY
COMMENT ON THAT AT THE MOMENT.
613
00:26:28,587 --> 00:26:29,519
I DO APOLOGIZE.
614
00:26:29,588 --> 00:26:31,332
SAM, WOULD YOU MIND COMING
615
00:26:31,356 --> 00:26:33,068
AND HAVING A QUICK CHAT
WITH US DOWN AT THE STATION?
616
00:26:33,092 --> 00:26:34,235
IT WON'T TAKE LONG.
617
00:26:34,259 --> 00:26:36,193
YEAH, OF COURSE.
618
00:26:42,034 --> 00:26:43,500
I DIDN'T LIE.
619
00:26:43,569 --> 00:26:48,305
I WENT HOME, TALKED TO
MUM, AND I WENT TO ME ROOM.
620
00:26:48,373 --> 00:26:51,308
YEAH, BUT THERE'S ONE
LITTLE DETAIL YOU FORGOT.
621
00:26:51,376 --> 00:26:52,710
YOU DIDN'T STAY THERE.
622
00:26:52,778 --> 00:26:55,713
YOU GOT YOUR ALIBI, THEN
SNEAKED OUT TO SEE JACK.
623
00:26:55,781 --> 00:26:58,182
WE'VE GOT YOU ON
CCTV IN OXFORD ROAD.
624
00:26:58,250 --> 00:26:59,917
I DIDN'T GO TO JACK'S.
625
00:26:59,985 --> 00:27:03,153
OH, LIKE YOU DIDN'T HAVE AN
ARGUMENT HIM AFTER THE GIG.
626
00:27:03,222 --> 00:27:05,466
LIKE YOU DIDN'T KNOW THAT AMY
KIRKLAND WAS HIS GIRLFRIEND.
627
00:27:05,490 --> 00:27:08,391
HOW LONG HAVE YOU BEEN
IN LOVE WITH HER, SAM?
628
00:27:08,460 --> 00:27:12,495
AMY... DID JACK KNOW? DID
HE WIND YOU UP ABOUT IT?
629
00:27:12,564 --> 00:27:15,833
IS THERE A BIT OF SIBLING
RIVALRY THAT GOT OUT OF HAND?
630
00:27:15,901 --> 00:27:18,135
THERE HE WAS,
TREATING HER BADLY,
631
00:27:18,204 --> 00:27:21,371
SHAGGING OTHER GIRLS UNDER
HER NOSE, HUMILIATING HER,
632
00:27:21,440 --> 00:27:24,108
AND YET SHE STILL
PREFERRED HIM OVER YOU.
633
00:27:24,176 --> 00:27:27,144
NOW, THAT'S GOT TO HURT.
634
00:27:27,213 --> 00:27:28,890
SEEMED LIKE THE ONLY WAY
YOU WERE GONNA GET HER
635
00:27:28,914 --> 00:27:30,558
IS IF HE WAS OUT OF THE PICTURE.
636
00:27:30,582 --> 00:27:31,927
IS THAT WHAT THE
ARGUMENT WAS ABOUT?
637
00:27:31,951 --> 00:27:33,511
WAS IT OVER AMY? YEAH.
638
00:27:35,654 --> 00:27:38,555
YEAH, IT WAS ABOUT HER.
639
00:27:38,624 --> 00:27:40,824
BUT IF YOU THINK I KILLED
MY BROTHER OVER A GIRL...
640
00:27:42,561 --> 00:27:46,029
YOU WANT TO KNOW WHERE I WAS?
641
00:27:48,567 --> 00:27:50,033
THAT'S WHERE I WAS.
642
00:27:51,470 --> 00:27:54,071
CALL HER.
643
00:27:54,140 --> 00:27:55,906
SHE'LL REMEMBER.
644
00:28:02,014 --> 00:28:04,159
I'M SORRY TO KEEP YOU WAITING.
645
00:28:04,183 --> 00:28:06,250
YOU BROUGHT HIM IN HERE
646
00:28:06,318 --> 00:28:07,763
LIKE HE'S SOME KIND
OF BLOODY CRIMINAL.
647
00:28:07,787 --> 00:28:10,587
NO, I JUST NEED TO CLEAR
UP A FEW DETAILS, THAT'S ALL.
648
00:28:10,656 --> 00:28:12,289
HE'S JUST LOST HIS BROTHER!
649
00:28:12,357 --> 00:28:13,534
HAVE YOU GOT KIDS, HAVE YOU?
650
00:28:13,558 --> 00:28:14,970
YEAH. YEAH, I HAVE.
651
00:28:14,994 --> 00:28:16,471
YEAH, WELL, I'LL
BET THERE ARE TIMES
652
00:28:16,495 --> 00:28:18,273
WHEN THEY ACT LIKE THEY
HATE ONE ANOTHER, TOO.
653
00:28:18,297 --> 00:28:20,230
BUT AT THE END OF
THE DAY, THEY'RE BLOOD.
654
00:28:24,870 --> 00:28:26,681
DO YOU HONESTLY THINK THE LAD
COULD PUT HIS MOTHER THROUGH ALL THIS?
655
00:28:26,705 --> 00:28:30,808
Linda: YOU WAKE UP, THE SUN'S
SHINING, EVERYTHING'S NORMAL.
656
00:28:30,876 --> 00:28:32,453
TWO HOURS LATER, YOU'RE
HAVE TO THINK ABOUT
657
00:28:32,477 --> 00:28:35,045
WHERE TO BURY YOUR CHILD.
658
00:28:35,114 --> 00:28:37,125
I DON'T THINK I'M GOING
TO GET THROUGH THIS.
659
00:28:37,149 --> 00:28:40,150
LOOK, IT'S LATE.
660
00:28:40,219 --> 00:28:43,486
WHY DON'T YOU TAKE SAM HOME
WHILE WE CHECK SOME DETAILS?
661
00:28:52,631 --> 00:28:54,976
WELL, THE POINT OF BEING A ROCK STAR
WAS THAT YOU DIDN'T HAVE TO PAY FOR IT.
662
00:28:55,000 --> 00:28:56,033
EXACTLY.
663
00:28:56,101 --> 00:28:57,612
YEAH, AND IF HE'S
IN LOVE WITH AMY,
664
00:28:57,636 --> 00:28:59,080
WHY WOULD HE GO
WITH A PROSTITUTE?
665
00:28:59,104 --> 00:29:00,938
WELL, NO COMMITMENT, NO EMOTION.
666
00:29:01,006 --> 00:29:03,140
JUST SEX WITH SOMEONE
WHO DOESN'T CARE
667
00:29:03,209 --> 00:29:04,942
YOU'RE THINKING
ABOUT SOMEBODY ELSE.
668
00:29:06,312 --> 00:29:08,678
I'LL, UH, SPEAK TO HER, SHALL I?
669
00:29:08,747 --> 00:29:10,547
YEAH. YEAH.
670
00:29:10,615 --> 00:29:14,651
SEE IF SHE REMEMBERS SAM,
AND IF SO, WHAT TIME HE LEFT.
671
00:29:14,720 --> 00:29:18,388
OKAY. WHAT ELSE?
672
00:29:18,457 --> 00:29:20,790
WE TRACKED DOWN AMY'S
FLATMATE, SOPHIE... STUDENT.
673
00:29:20,860 --> 00:29:23,138
TURNS OUT, SHE CRASHED AT A
MATE'S HOUSE ON FRIDAY NIGHT.
674
00:29:23,162 --> 00:29:24,172
HASN'T BEEN HOME SINCE.
675
00:29:24,196 --> 00:29:26,330
SO SHE CAN'T
CORROBORATE AMY'S STORY.
676
00:29:26,398 --> 00:29:27,697
Janine: WHY LIE?
677
00:29:27,766 --> 00:29:29,878
DON'T KNOW, BUT SHE GOT A
DOZEN MISSED CALLS FROM AMY
678
00:29:29,902 --> 00:29:30,912
ON HER MOBILE.
679
00:29:30,936 --> 00:29:32,447
OKAY, I THINK WE SHOULD
TALK TO AMY AGAIN.
680
00:29:32,471 --> 00:29:34,749
AND LET'S KEEP ON AT THE LAB
ABOUT THAT TERRA-COTTA HEAD.
681
00:29:34,773 --> 00:29:37,040
SO, THIS IS THE LAND
OF THE LIVING, EH?
682
00:29:37,109 --> 00:29:38,808
YOU'RE GONNA LOVE ME.
683
00:29:38,878 --> 00:29:40,021
I ALWAYS LOVE YOU.
684
00:29:40,045 --> 00:29:41,444
DO YOU MIND?
685
00:29:41,513 --> 00:29:43,358
TROUBLE IS, I KNOW
WHERE THEY'VE BEEN.
686
00:29:43,382 --> 00:29:45,227
JACK HAD SEX SHORTLY
BEFORE HE DIED...
687
00:29:45,251 --> 00:29:47,484
WITH BILLY RADFIELD.
688
00:29:47,552 --> 00:29:48,785
[LAUGHS]
689
00:29:51,757 --> 00:29:54,424
BILLY, WE'RE NOT
HERE TO JUDGE YOU.
690
00:29:54,493 --> 00:29:56,593
WE JUST WANT TO
GET TO THE TRUTH.
691
00:29:56,661 --> 00:29:58,901
WE KNOW YOU HAD SEX
WITH JACK THE NIGHT HE DIED.
692
00:29:58,931 --> 00:30:00,808
YOUR DNA WAS ON THE
BODY AND ON THE SHEETS.
693
00:30:00,832 --> 00:30:04,567
I JUST WENT THERE TO TALK, YEAH?
694
00:30:04,636 --> 00:30:06,770
JACK WAS HIGH FROM THE GIG.
695
00:30:06,838 --> 00:30:09,373
HE'D BEEN DRINKING. WE BOTH HAD.
696
00:30:09,441 --> 00:30:10,640
YOU ENDED UP HAVING SEX.
697
00:30:12,111 --> 00:30:14,177
WAS IT CONSENSUAL?
698
00:30:16,515 --> 00:30:19,249
HAD IT HAPPENED BEFORE?
699
00:30:19,318 --> 00:30:22,085
YEAH.
700
00:30:22,154 --> 00:30:23,820
IN COLLEGE.
701
00:30:23,889 --> 00:30:24,966
ART COLLEGE.
702
00:30:24,990 --> 00:30:26,456
WE JUST DID A YEAR,
703
00:30:26,525 --> 00:30:29,626
THEN SACKED IT OFF TO
CONCENTRATE ON THE BAND.
704
00:30:29,694 --> 00:30:32,963
JACK WAS... JACK WAS THE ONE
705
00:30:33,032 --> 00:30:36,366
EVERYBODY WANTED
TO BE MATES WITH,
706
00:30:36,435 --> 00:30:38,768
WANTED TO GO OUT WITH.
707
00:30:38,837 --> 00:30:42,505
TO JACK, IT WAS JUST
ANOTHER EXPERIENCE.
708
00:30:42,574 --> 00:30:46,876
JUST A BIT OF FUN.
709
00:30:49,148 --> 00:30:50,691
SCREWED WITH MY HEAD.
I COULDN'T HANDLE IT.
710
00:30:50,715 --> 00:30:53,616
SO THIS TIME, WHEN IT
HAPPENED, IT MADE YOU ANGRY.
711
00:30:53,685 --> 00:30:55,230
HE WAS BACK IN CHARGE.
YOU'D HAD A DRINK.
712
00:30:55,254 --> 00:30:59,056
NO, NO, NO. JACK WAS
NEVER GONNA CHANGE.
713
00:30:59,124 --> 00:31:00,635
HE DIDN'T GIVE A
SHIT ABOUT ANYBODY,
714
00:31:00,659 --> 00:31:03,327
EXCEPT HIS FAMILY.
715
00:31:03,395 --> 00:31:05,728
I WAS ANGRY WITH MYSELF.
716
00:31:10,135 --> 00:31:12,069
WE HAD SEX.
717
00:31:12,137 --> 00:31:13,403
THEN I LEFT.
718
00:31:13,472 --> 00:31:15,472
I DIDN'T KILL HIM.
719
00:31:15,540 --> 00:31:17,580
THING IS, BILLY, WE'VE ONLY
GOT YOUR WORD FOR THAT.
720
00:31:17,642 --> 00:31:20,410
UP UNTIL NOW, THAT'S
NOT PROVED THAT RELIABLE.
721
00:31:20,479 --> 00:31:23,413
SO, WHAT'S MATT
FERRER'S ROLE IN ALL THIS?
722
00:31:25,317 --> 00:31:27,162
AFTER I LEFT, I WENT TO A BAR.
723
00:31:27,186 --> 00:31:29,519
WHAT BAR?
724
00:31:29,588 --> 00:31:31,232
DEANSGATE. WELL, I DON'T KNOW.
725
00:31:31,256 --> 00:31:33,768
I WAS IN A BIT OF A STATE.
I JUST KEPT ON DRINKING.
726
00:31:33,792 --> 00:31:35,770
PHONED MATT UP AND
TOLD HIM WHAT HAPPENED.
727
00:31:35,794 --> 00:31:37,172
HE SAID I SHOULD COME OVER.
728
00:31:37,196 --> 00:31:38,206
WHAT TIME WAS THIS?
729
00:31:38,230 --> 00:31:39,474
ABOUT 3:30 WHEN I GOT THERE.
730
00:31:39,498 --> 00:31:41,531
WHY LIE?
731
00:31:41,600 --> 00:31:43,511
MATT SAID IF I DIDN'T
HAVE A DECENT ALIBI,
732
00:31:43,535 --> 00:31:45,975
THEN YOU GUYS WOULD
START DIGGING UP THE DIRT.
733
00:31:47,739 --> 00:31:50,259
AND IF IT EVER GOT OUT
ABOUT ME AND JACK...
734
00:31:52,277 --> 00:31:55,178
SEE, MATT WAS GONNA TALK TO
THE RECORDING COMPANY ABOUT ME,
735
00:31:55,247 --> 00:31:59,182
MAYBE THE GUYS IN THE BAND
WHEN THE TIME WAS RIGHT.
736
00:31:59,251 --> 00:32:01,731
IF THEY EVER GOT
WIND OF THIS, THEN...
737
00:32:03,722 --> 00:32:06,623
MUSIC IS THE ONLY THING
I'VE EVER BEEN GOOD AT.
738
00:32:06,691 --> 00:32:10,127
IT'S THE ONLY THING
I'VE EVER WANTED TO DO.
739
00:32:11,463 --> 00:32:13,903
LOOK, I SWEAR, WHEN I
LEFT HIM, HE WAS ALIVE.
740
00:32:17,136 --> 00:32:19,403
WE NEED CCTV FROM
LATE-LICENSE BARS.
741
00:32:19,471 --> 00:32:21,949
YOU WANT ME TO
BRING THE MANAGER IN?
742
00:32:21,973 --> 00:32:24,213
MATT FERRER? NO, HE'S
WASTED ENOUGH OF OUR TIME.
743
00:32:24,276 --> 00:32:26,910
WE'RE GONNA GO AND
TALK TO AMY, OKAY?
744
00:32:29,981 --> 00:32:31,548
WHAT WOULD YOU
SAY WAS THE HIGHLIGHT
745
00:32:31,616 --> 00:32:33,583
OF YOUR ROCK-'N'-ROLL CAREER?
746
00:32:33,652 --> 00:32:34,829
YOU TAKING A PISS?
747
00:32:34,853 --> 00:32:35,885
NO, I'M SERIOUS.
748
00:32:35,954 --> 00:32:38,321
WHO WOULD YOU SAY
YOU WERE MOST LIKE?
749
00:32:38,390 --> 00:32:41,058
WELL, I SUPPOSE STING
WOULD BE THE CLOSEST.
750
00:32:41,126 --> 00:32:42,426
[LAUGHS]
751
00:32:42,494 --> 00:32:44,461
I TOLD YOU,
752
00:32:44,530 --> 00:32:45,940
I THOUGHT SHE WAS IN THE HOUSE.
753
00:32:45,964 --> 00:32:47,642
I JUST ASSUMED SHE'D
HEARD ME COME IN.
754
00:32:47,666 --> 00:32:49,077
YOU DIDN'T ACTUALLY SEE HER?
755
00:32:49,101 --> 00:32:50,845
AND YOU HAVEN'T BEEN
BOMBARDING HER WITH CALLS
756
00:32:50,869 --> 00:32:52,035
TO ARRANGE AN ALIBI?
757
00:32:52,104 --> 00:32:54,571
I JUST WANTED
SOMEBODY TO TALK TO.
758
00:32:54,639 --> 00:32:56,440
HE WAS MY LIFE.
759
00:32:56,508 --> 00:32:59,642
I DON'T CARE WHAT HAPPENS
TO ME. WHY WOULD I LIE?
760
00:32:59,711 --> 00:33:01,878
I WALKED DOWN OXFORD ROAD.
761
00:33:01,947 --> 00:33:03,947
THERE WERE FIRE ENGINES.
762
00:33:04,015 --> 00:33:06,216
I GOT BACK ABOUT HALF 1:00.
763
00:33:06,285 --> 00:33:10,820
LOOK, I'M... I'M GONNA
HAVE TO GET BACK TO WORK.
764
00:33:16,861 --> 00:33:18,027
Mayne: OKAY, COOL.
765
00:33:18,096 --> 00:33:20,141
I'LL GET KAT TO SPEAK
TO THE FIRE DEPARTMENT,
766
00:33:20,165 --> 00:33:22,565
SEE IF THERE WAS ANY ENGINES
IN OXFORD ROAD THAT NIGHT.
767
00:33:22,634 --> 00:33:24,567
YEAH. COOL.
768
00:33:24,636 --> 00:33:26,636
OKAY, I GOT TO GO.
CHEERS, DAVE, BYE.
769
00:33:26,672 --> 00:33:28,672
HOW ARE WE DOING
WITH THE PROSTITUTE?
770
00:33:28,707 --> 00:33:30,652
I'VE LEFT MESSAGES
FOR HER TO CALL.
771
00:33:30,676 --> 00:33:33,209
YEAH, I DON'T SUPPOSE WE'RE
ON HER FRIENDS-AND-FAMILY LIST.
772
00:33:33,278 --> 00:33:34,322
BETTER GET 'ROUND
THERE YOURSELF.
773
00:33:34,346 --> 00:33:35,523
IT LOOKS LIKE BILLY RADFIELD
774
00:33:35,547 --> 00:33:36,791
COULD BE TELLING US THE TRUTH.
775
00:33:36,815 --> 00:33:38,915
WE'VE GOT HIM ON CCTV
776
00:33:38,983 --> 00:33:40,695
GOING INTO A BAR ON
WHITWORTH STREET ABOUT 12:37.
777
00:33:40,719 --> 00:33:42,352
YEAH, PROBLEM IS,
778
00:33:42,421 --> 00:33:44,941
IS WE HAVEN'T GOT A POSITIVE
I.D. OF HIM COMING OUT AGAIN.
779
00:33:44,989 --> 00:33:46,155
COMING OUT.
780
00:33:46,224 --> 00:33:48,958
YEAH, ALL RIGHT,
ALL RIGHT. GROW UP.
781
00:33:49,027 --> 00:33:50,838
GET DOWN THERE, FIND
OUT WHAT TIME HE LEFT.
782
00:33:50,862 --> 00:33:52,573
UH, BOSS, THAT WAS THE LAB.
783
00:33:52,597 --> 00:33:54,375
THE PARTICLES ON JACK'S WOUND
784
00:33:54,399 --> 00:33:56,599
MATCH THE MATERIAL
THE CLAY HEAD'S MADE OF.
785
00:33:56,668 --> 00:33:59,135
GOOD WORK.
786
00:34:02,173 --> 00:34:04,253
HELLO, MATE. DETECTIVE
SERGEANT BUTCHERS.
787
00:34:04,309 --> 00:34:05,542
BILLY RADFIELD FROM RULE 7
788
00:34:05,610 --> 00:34:07,844
WAS IN HERE ON FRIDAY
NIGHT ABOUT HALF 12:00.
789
00:34:07,912 --> 00:34:08,845
DID YOU SEE HIM?
790
00:34:08,913 --> 00:34:10,413
NO, SORRY.
791
00:34:10,482 --> 00:34:12,915
MATE, D.S. SHAP.
792
00:34:12,984 --> 00:34:14,929
DID YOU SEE THIS FELLA
IN HERE ON FRIDAY?
793
00:34:14,953 --> 00:34:16,931
BILLY RADFIELD? YEAH, SURE.
794
00:34:16,955 --> 00:34:18,800
YOU'RE POSITIVE IT WAS FRIDAY?
795
00:34:18,824 --> 00:34:20,657
YEAH.
796
00:34:23,628 --> 00:34:25,773
SENT IT TO ME SISTER.
SHE RECKONS HE'S COOL.
797
00:34:25,797 --> 00:34:29,932
RIGHT. 2:48 A.M.
SATURDAY MORNING.
798
00:34:30,001 --> 00:34:31,278
HE WAS PRETTY WASTED.
799
00:34:31,302 --> 00:34:33,748
A CAB PICKED HIM UP ABOUT
15 MINUTES AFTER THAT.
800
00:34:33,772 --> 00:34:35,505
COULD YOU BLUE-TOOTH
IT TO ME, MATE?
801
00:34:35,574 --> 00:34:36,694
YEAH, SURE.
802
00:34:37,709 --> 00:34:39,308
Cassie: IVF BABY.
803
00:34:39,378 --> 00:34:41,356
PROBABLY MAKES YOU
A BIT MORE NEUROTIC.
804
00:34:41,380 --> 00:34:42,690
HE SEEMS DEAD CHUFFED, THOUGH.
805
00:34:42,714 --> 00:34:44,625
OH, YEAH, ALTHOUGH I THINK
HE JUST WANTS IT OVER NOW.
806
00:34:44,649 --> 00:34:47,484
IF I'M NOT, YOU KNOW,
WAKING HIM GETTING UP TO PEE
807
00:34:47,552 --> 00:34:49,364
OR TOSSING ABOUT
TRYING TO GET COMFY,
808
00:34:49,388 --> 00:34:51,432
I'M MOANING ABOUT
PILES AND STRETCH MARKS.
809
00:34:51,456 --> 00:34:52,655
WHAT YOU USING?
810
00:34:52,724 --> 00:34:54,869
COCOA BUTTER.
LIAM LIKES THE SMELL.
811
00:34:54,893 --> 00:34:55,958
OH, DOES HE?
812
00:34:56,027 --> 00:34:57,059
[BOTH CHUCKLE]
813
00:34:57,128 --> 00:34:59,295
SPEAK OF THE DEVIL.
814
00:34:59,364 --> 00:35:03,800
IT'S LIKE A RED CLAY
SCULPTURE OF A MAN'S HEAD.
815
00:35:03,869 --> 00:35:06,469
YEAH, YEAH, JACK MADE IT
WHEN HE WAS IN MY CLASS.
816
00:35:06,538 --> 00:35:08,215
WOULD HAVE HANDLED
IT DOZENS OF TIMES...
817
00:35:08,239 --> 00:35:09,784
FIRING IT, DISPLAYING IT.
818
00:35:09,808 --> 00:35:11,674
AND RECENTLY?
819
00:35:11,743 --> 00:35:13,109
IT'S HARD TO SAY.
820
00:35:13,177 --> 00:35:14,856
COULD HAVE DONE WHEN
I'VE BEEN 'ROUND THERE.
821
00:35:14,880 --> 00:35:16,746
HARD TO REMEMBER.
822
00:35:16,815 --> 00:35:19,949
THIS IS A LOVELY PICTURE.
823
00:35:21,185 --> 00:35:22,886
YEAH, THAT WAS JACK.
824
00:35:22,954 --> 00:35:25,032
Skerton: BOTH BILLY AND
JACK WERE IN LIAM'S CLASS.
825
00:35:25,056 --> 00:35:27,690
BUT WHEN THEY LEFT, THE COLLEGE
DIDN'T RENEW HIS CONTRACT.
826
00:35:27,759 --> 00:35:29,859
YOU FIND OUT WHY.
WE NEED MOTIVE.
827
00:35:29,928 --> 00:35:32,595
SEE, THE WAY I SEE IT, HE
STANDS TO LOSE BY JACK'S DEATH.
828
00:35:32,664 --> 00:35:35,175
WHAT ABOUT BILLY RADFIELD? ARE WE
SURE THE BARMAN'S GOT THE RIGHT NIGHT?
829
00:35:35,199 --> 00:35:37,934
POSITIVE. THE CAB COMPANY THAT
PICKED HIM UP HAS CONFIRMED IT.
830
00:35:38,002 --> 00:35:39,781
YEAH, THE BOOKING WERE
MADE IN MATT FERRER'S NAME,
831
00:35:39,805 --> 00:35:41,805
AND BILLY WENT
BACK TO HIS AFTER.
832
00:35:41,873 --> 00:35:43,105
SO HE'S IN THE CLEAR.
833
00:35:43,174 --> 00:35:45,453
AMY? SHE SAYS SHE WALKED
BACK ALONG OXFORD ROAD,
834
00:35:45,477 --> 00:35:48,044
PAST FIRE ENGINES, AND
ARRIVED HOME AROUND 1:30.
835
00:35:48,112 --> 00:35:50,632
BUT THE FIRE BRIGADE DIDN'T
TAKE THE CALL TILL 20 PAST 2:00.
836
00:35:50,682 --> 00:35:53,382
CCTV PICKED HER
UP AT 20 TO 3:00.
837
00:35:53,452 --> 00:35:55,685
RIGHT, SO SHE SEES HIM
WITH THE BIRD BACKSTAGE,
838
00:35:55,754 --> 00:35:57,799
GOES BACK TO THE FLAT
TO HAVE IT OUT WITH HIM,
839
00:35:57,823 --> 00:35:59,255
SNAPS,
840
00:35:59,324 --> 00:36:00,835
OR MAYBE SHE JUST WENT TO
SEE IF THE BIRD WAS STILL WITH HIM.
841
00:36:00,859 --> 00:36:02,570
YEAH, BUT WHY WOULD
SHE GO BACK TO THE FLAT
842
00:36:02,594 --> 00:36:04,639
IF SHE KNEW HE WAS
WITH ANOTHER GIRL?
843
00:36:04,663 --> 00:36:07,196
I DON'T KNOW, BUT
SHE'S GOT MOTIVE.
844
00:36:07,265 --> 00:36:10,032
SHE'S LYING TO US. GET HER IN.
845
00:36:10,101 --> 00:36:13,269
OH, COME ON, LOVE. STOP
PLAYING SILLY BEGGARS.
846
00:36:13,338 --> 00:36:15,805
WE KNOW YOU WEREN'T
WALKING HOME AT THAT TIME
847
00:36:15,874 --> 00:36:20,209
BECAUSE WE'VE GOT YOU
ON CCTV OVER AN HOUR LATER.
848
00:36:20,278 --> 00:36:21,978
NOW, WHERE WERE YOU?
849
00:36:22,046 --> 00:36:25,782
IT'S ALL RIGHT, AMY.
JUST TAKE YOUR TIME.
850
00:36:30,889 --> 00:36:32,567
IT WASN'T HALF PAST
WHEN I GOT THERE.
851
00:36:32,591 --> 00:36:34,256
IT WAS EARLIER.
852
00:36:37,696 --> 00:36:42,164
THE MUSIC WAS PLAYING SO
LOUD, THEY DIDN'T HEAR ME COME IN.
853
00:36:42,233 --> 00:36:44,633
IT WAS COMING FROM THE BEDROOM.
854
00:36:47,572 --> 00:36:51,207
MY HEART WAS POUNDING SO
HARD, I COULD HEAR IT IN MY HEAD.
855
00:36:54,145 --> 00:36:55,512
I THOUGHT HE WAS WITH HER.
856
00:36:55,580 --> 00:36:58,314
AND I DIDN'T WANT TO,
857
00:36:58,383 --> 00:36:59,749
BUT...
858
00:37:02,086 --> 00:37:04,120
I WENT UP THERE AND...
859
00:37:06,124 --> 00:37:08,558
THEY WERE THERE ON THE BED.
860
00:37:10,862 --> 00:37:12,729
JACK AND BILLY.
861
00:37:12,797 --> 00:37:15,142
AND I WANTED TO SCREAM,
BUT NOTHING WOULD COME OUT.
862
00:37:15,166 --> 00:37:16,399
SO WHAT HAPPENED THEN?
863
00:37:16,467 --> 00:37:19,335
[SIGHS]
864
00:37:19,404 --> 00:37:24,007
I JUST CREPT BACK OUT AND WENT
DOWNSTAIRS AND WAITED OUTSIDE.
865
00:37:26,377 --> 00:37:31,681
I JUST... I WANTED TO MAKE
SURE THAT HE HAD GONE.
866
00:37:31,750 --> 00:37:33,394
THAT THEY HADN'T SPENT
THE NIGHT TOGETHER.
867
00:37:33,418 --> 00:37:35,518
SO YOU SAW BILLY LEAVE?
868
00:37:37,455 --> 00:37:40,056
AND I...
869
00:37:40,124 --> 00:37:43,560
I WANTED TO GO BACK IN.
870
00:37:43,628 --> 00:37:47,363
I WANTED TO KILL HIM.
871
00:37:47,432 --> 00:37:51,834
BUT THEN I THOUGHT... HE'LL
BE ANGRY IF I GO BACK UP.
872
00:37:51,903 --> 00:37:55,404
SO... I JUST...
873
00:37:55,473 --> 00:37:58,875
I SAT THERE TILL ABOUT 2:00.
874
00:37:58,944 --> 00:38:01,110
THEN I WALKED HOME.
875
00:38:01,179 --> 00:38:04,914
HOW PATHETIC IS THAT?
876
00:38:07,118 --> 00:38:09,052
WHY DIDN'T YOU TELL
THE TRUTH BEFORE?
877
00:38:11,522 --> 00:38:13,723
I WAS TOO ASHAMED.
878
00:38:19,363 --> 00:38:20,908
IT'S HUMILIATING ENOUGH
KNOWING THAT YOUR BOYFRIEND
879
00:38:20,932 --> 00:38:23,452
SLEEPS WITH OTHER WOMEN,
KNOWING THAT HE SLEEPS WITH MEN...
880
00:38:27,405 --> 00:38:29,925
SHE COULDN'T ADMIT IT,
'CAUSE ONCE SHE SAID SHE DID,
881
00:38:29,975 --> 00:38:31,886
SHE'D HAVE TO DO
SOMETHING ABOUT IT.
882
00:38:31,910 --> 00:38:33,621
AND IT WAS TOO HARD TO GIVE UP.
883
00:38:33,645 --> 00:38:34,755
BOSS. YEAH?
884
00:38:34,779 --> 00:38:35,819
SAM'S IN THE CLEAR.
885
00:38:35,847 --> 00:38:37,847
ACCORDING TO THE
PROSTITUTE HE USED,
886
00:38:37,882 --> 00:38:39,760
HE WAS THERE
BETWEEN 1:40 AND 4:00.
887
00:38:39,784 --> 00:38:42,318
SEE? THAT'S WHAT YOU GET
WITH YOUNG MEN... STAMINA.
888
00:38:42,386 --> 00:38:45,387
YEAH, BUT IF HE'S IN THE
CLEAR AND BILLY'S GOT AN ALIBI...
889
00:38:45,456 --> 00:38:47,690
RIGHT, LAB REPORT'S COME BACK.
890
00:38:47,759 --> 00:38:50,927
BLUE FIBERS WITH GREEN
LEAD-BASED PAINT PARTICLES ATTACHED
891
00:38:50,996 --> 00:38:52,807
WERE FOUND ON JACK'S DOORFRAME.
892
00:38:52,831 --> 00:38:53,975
WHAT ABOUT LIAM WHITTICK?
893
00:38:53,999 --> 00:38:55,142
LIAM WHITTICK LOST HIS JOB
894
00:38:55,166 --> 00:38:56,811
BECAUSE HE WAS FAVORING
CERTAIN STUDENTS.
895
00:38:56,835 --> 00:38:58,045
JACK TAYLOR BEING ONE OF THEM.
896
00:38:58,069 --> 00:38:59,335
UPPING THE MARKS.
897
00:38:59,403 --> 00:39:01,281
SO MAYBE GETTING HIM IN TO
DO THE PROMO IS LIKE PAYBACK.
898
00:39:01,305 --> 00:39:02,850
YEAH, BUT IT STILL
DON'T GIVE HIM A MOTIVE.
899
00:39:02,874 --> 00:39:04,218
AND HE'S GOT AN
ALIBI FROM HIS WIFE.
900
00:39:04,242 --> 00:39:06,020
MAYBE THE WIFE'S
COVERING FOR HIM.
901
00:39:06,044 --> 00:39:07,764
NO. I DON'T THINK SO.
902
00:39:07,812 --> 00:39:10,613
SHE SAID HE CAME TO BED ABOUT
1:00 AFTER DOING SOME WORK.
903
00:39:10,682 --> 00:39:13,650
YEAH, BUT HE COULD'VE SLIPPED
OUT AGAIN AFTER SHE WERE ASLEEP.
904
00:39:13,718 --> 00:39:15,284
NO, SHE WOULD HAVE NOTICED.
905
00:39:15,353 --> 00:39:17,654
SHE'S GETTING UP
ALL THE TIME TO PEE.
906
00:39:17,722 --> 00:39:22,224
NO, HE TOOK A CALL
FROM JACK ON HIS MOBILE.
907
00:39:22,293 --> 00:39:24,027
SO WHY DIDN'T SHE HEAR IT?
908
00:39:24,095 --> 00:39:25,427
HEAVY SLEEPER?
909
00:39:25,496 --> 00:39:27,736
BUT YOU'RE NOT. YOU'RE
NOT WHEN YOU'RE PREGNANT.
910
00:39:27,766 --> 00:39:29,777
SHE SAID HERSELF SHE'S
KEEPING LIAM AWAKE.
911
00:39:29,801 --> 00:39:31,946
NOW, WHAT ABOUT IF HE
GOES INTO ANOTHER ROOM?
912
00:39:31,970 --> 00:39:33,836
THE STUDIO OR THE NURSERY?
913
00:39:33,905 --> 00:39:35,716
THAT'S WHEN THE CALL COMES
AND SHE DOESN'T HEAR THE MOBILE...
914
00:39:35,740 --> 00:39:37,618
HANG ON. HANG
ON. PAINT PARTICLES.
915
00:39:37,642 --> 00:39:39,153
DIDN'T YOU SAY THEY
WERE DECORATING?
916
00:39:39,177 --> 00:39:40,287
YEAH, THE NURSERY.
917
00:39:40,311 --> 00:39:42,189
BUT IT'S THE OLD PAINTS
THAT HAD THE LEAD IN IT.
918
00:39:42,213 --> 00:39:43,257
NO, NO, NO!
919
00:39:43,281 --> 00:39:44,759
SHE'S STRIPPING IT
BACK TO THE WOOD.
920
00:39:44,783 --> 00:39:46,761
SO THERE WOULD BE. THERE'D
BE OLD PAINT PARTICLES.
921
00:39:46,785 --> 00:39:51,688
RIGHT, SO, HE COMES HOME,
THEN HE DOES SOME WORK.
922
00:39:51,756 --> 00:39:53,600
MAYBE SHE MEANT DECORATING WORK.
923
00:39:53,624 --> 00:39:55,402
YEAH, MAYBE. SHE FALLS ASLEEP.
924
00:39:55,426 --> 00:39:57,694
THEN HE GETS THE
CALL, GOES TO SEE JACK.
925
00:39:57,762 --> 00:40:00,163
THEY ARGUE, HE HITS HIM
OVER THE HEAD WITH THE CLAY...
926
00:40:00,231 --> 00:40:02,131
WELL, WHY WOULD HE KILL HIM?
927
00:40:02,200 --> 00:40:06,102
I DON'T KNOW, BUTCHERS.
928
00:40:06,171 --> 00:40:09,105
I DON'T KNOW.
929
00:40:09,174 --> 00:40:11,040
LET'S GO AND FIND OUT.
930
00:40:17,182 --> 00:40:19,682
I HOPE YOU'RE SURE
ABOUT THIS, BOSS.
931
00:40:25,389 --> 00:40:27,724
[CAR DOORS CLOSE]
932
00:40:27,792 --> 00:40:31,360
[CASSIE BREATHING HEAVILY]
933
00:40:33,131 --> 00:40:36,465
Richard: HELLO? HELLO?
934
00:40:36,534 --> 00:40:39,769
LIAM?
935
00:40:39,838 --> 00:40:41,403
HELLO?
936
00:40:44,943 --> 00:40:46,242
IT'S CASSIE.
937
00:40:52,283 --> 00:40:54,283
[MOANS]
938
00:40:54,352 --> 00:40:56,219
OH, I CAN'T FEEL THE BABY.
939
00:40:56,287 --> 00:40:58,520
OKAY. HAVE YOU
CALLED AN AMBULANCE?
940
00:40:58,589 --> 00:41:01,157
I THOUGHT YOU WERE THEM. NO.
941
00:41:01,226 --> 00:41:02,291
YEAH, THROUGH HERE.
942
00:41:02,360 --> 00:41:03,726
WHY ARE THE POLICE HERE?
943
00:41:04,963 --> 00:41:06,240
CAN YOU TELL ME YOUR NAME?
944
00:41:06,264 --> 00:41:07,964
CASSIE.
945
00:41:08,032 --> 00:41:11,000
HOW LONG HAVE YOU BEEN
HAVING YOUR CONTRACTIONS?
946
00:41:11,069 --> 00:41:13,736
Janine: BLUE FIBERS,
GREEN LEAD-BASED PAINT.
947
00:41:13,805 --> 00:41:16,372
YOU WERE AT JACK'S FLAT, LIAM.
948
00:41:16,440 --> 00:41:19,242
BREATH SLOWLY.
949
00:41:19,310 --> 00:41:21,421
WE NEED TO GET YOU
TO A HOSPITAL NOW.
950
00:41:21,445 --> 00:41:23,846
OH, GOD.
951
00:41:23,915 --> 00:41:25,882
NO, NO. LEAVE HER NOW, LIAM.
952
00:41:25,950 --> 00:41:27,194
NO, NO, NO. PLEASE,
DON'T. DON'T LEAVE ME.
953
00:41:27,218 --> 00:41:29,152
WE'LL FOLLOW BEHIND IN THE CAR.
954
00:41:29,220 --> 00:41:31,687
I, 2, 3.
955
00:41:39,998 --> 00:41:41,864
[SIREN WAILS]
956
00:41:43,134 --> 00:41:46,435
WE GOT ENOUGH EVIDENCE. I
JUST DON'T UNDERSTAND WHY.
957
00:41:46,504 --> 00:41:49,738
WHEN I GOT THERE,
JACK WAS OFF HIS HEAD.
958
00:41:49,808 --> 00:41:52,508
HE WATCHED THE STUFF,
SAID THAT IT WAS CRAP,
959
00:41:52,576 --> 00:41:55,211
AND THAT MATT HAD
BEEN RIGHT ALL ALONG...
960
00:41:55,280 --> 00:41:58,815
I WASN'T UP TO IT.
961
00:41:58,883 --> 00:42:02,451
HE WAS TREATING IT ALL
LIKE IT WAS A BIG JOKE.
962
00:42:02,520 --> 00:42:05,788
HE OWED ME.
963
00:42:05,857 --> 00:42:08,102
HE WAS GONNA FAIL HIS
FIRST YEAR AT COLLEGE,
964
00:42:08,126 --> 00:42:12,995
SO HE ASKED ME TO HELP HIM,
AND I SAID YEAH, JUST LIKE THAT.
965
00:42:13,064 --> 00:42:16,132
THEY FOUND OUT,
AND I LOST MY JOB.
966
00:42:16,201 --> 00:42:19,202
JACK LEFT ANYWAY, SO
IT WAS ALL FOR NOTHING.
967
00:42:19,270 --> 00:42:21,337
SO WHAT HAPPENED THAT NIGHT?
968
00:42:21,405 --> 00:42:23,739
WE HAD A ROW.
969
00:42:23,808 --> 00:42:28,277
I TOLD HIM HOW MUCH
I NEEDED THE JOB.
970
00:42:28,346 --> 00:42:31,447
HE JUST LAUGHED AT ME
AND TOLD ME TO GET OUT.
971
00:42:31,515 --> 00:42:32,915
I WAS ANGRY.
972
00:42:32,984 --> 00:42:36,886
I JUST GRABBED THE STATUE,
973
00:42:36,955 --> 00:42:40,156
LASHED OUT...
974
00:42:40,225 --> 00:42:44,126
AND THEN I PANICKED.
975
00:42:44,195 --> 00:42:46,062
DIDN'T MEAN TO KILL HIM.
976
00:42:49,533 --> 00:42:53,535
FAILING AT THIS WASN'T
AN OPTION FOR ME.
977
00:42:53,604 --> 00:42:56,339
WORK HAD DRIED UP.
978
00:42:56,407 --> 00:42:59,675
WE WERE IN DEBT WITH THE IVF.
979
00:42:59,744 --> 00:43:02,111
THIS WAS OUR THIRD GO AT IT.
980
00:43:02,180 --> 00:43:06,548
DOES CASSIE KNOW?
981
00:43:06,617 --> 00:43:08,829
I COULDN'T TELL HER
HOW BAD THINGS WERE
982
00:43:08,853 --> 00:43:11,020
AND RISK LOSING OUR CHILD.
983
00:43:11,089 --> 00:43:12,255
WHAT ABOUT THE TAYLORS?
984
00:43:12,323 --> 00:43:15,992
WHAT ABOUT THEIR CHILD?
985
00:43:16,060 --> 00:43:18,294
THEIR GRIEF, THEIR LOSS?
986
00:43:18,363 --> 00:43:21,030
I NEVER MEANT TO
KILL HIM. I SWEAR.
987
00:43:21,099 --> 00:43:24,500
BUT YOU DID.
988
00:43:24,568 --> 00:43:26,936
YOU'VE DESTROYED THEIR FAMILY.
989
00:43:27,005 --> 00:43:29,438
NOW YOU'VE DESTROYED YOUR OWN.
990
00:43:31,142 --> 00:43:33,075
[BABY CRYING]
991
00:43:33,144 --> 00:43:35,077
PLEASE.
992
00:43:56,267 --> 00:43:59,368
[CRYING CONTINUES]
993
00:44:06,311 --> 00:44:08,244
Butchers: INTERESTING FACT...
994
00:44:08,313 --> 00:44:12,281
THE AVERAGE AGE OF DEATH
FOR A BRITISH MALE IS 73.
995
00:44:12,350 --> 00:44:13,860
THE AVERAGE AGE
FOR ROCK STARS IS 29.
996
00:44:13,884 --> 00:44:15,695
YOU'VE GOT TO BE DEAD
TO BE A GOOD ROCK STAR.
997
00:44:15,719 --> 00:44:17,398
JOHNNY ROTTEN... NOT DEAD.
998
00:44:17,422 --> 00:44:18,354
WHO'S HE?
999
00:44:18,423 --> 00:44:19,983
AND STING. WHAT'S THAT?
1000
00:44:20,024 --> 00:44:21,969
KARAOKE, MY PUB. FANCY IT?
1001
00:44:21,993 --> 00:44:23,960
REALLY? YEAH, COME ON.
1002
00:44:24,028 --> 00:44:25,508
I'LL SEE WHAT THE BOSS IS DOING.
1003
00:44:27,798 --> 00:44:30,311
THE GUY'S HAVE ORGANIZED
SOMETHING. FANCY COMING OUT?
1004
00:44:30,335 --> 00:44:31,678
OH, YEAH. NOT YOU.
1005
00:44:31,702 --> 00:44:34,102
WE'RE GOING FOR A
PIZZA. OH, ALL RIGHT.
1006
00:44:34,638 --> 00:44:35,571
FOR YOU.
1007
00:44:35,639 --> 00:44:37,206
WHAT IS IT?
1008
00:44:37,275 --> 00:44:38,574
MESSAGE IN A BOTTLE.
1009
00:44:38,642 --> 00:44:41,444
DON'T STAND. DON'T
STAND SO CLOSE TO ME.
1010
00:44:41,512 --> 00:44:43,512
Butchers: ? DA DO DO DO ?
1011
00:44:43,581 --> 00:44:45,081
? DA DA DA DA ?
1012
00:44:45,149 --> 00:44:46,248
[LAUGHTER]
1013
00:44:46,317 --> 00:44:47,661
YOU KNOW WHAT?
I'VE CHANGED ME MIND.
1014
00:44:47,685 --> 00:44:49,663
COME ON, STING, SHOW
US WHAT YOU'VE GOT.
1015
00:44:49,687 --> 00:44:51,598
THEY WANTED ME TO
CUT A TRACK, YOU KNOW.
1016
00:44:51,622 --> 00:44:52,754
SHUT UP!
1017
00:44:52,823 --> 00:44:54,368
I COULD HAVE HAD A
CAREER. ? ROXANNE ?
1018
00:44:54,392 --> 00:44:56,892
CAPTIONING MADE
POSSIBLE BY ACORN MEDIA
1019
00:44:56,942 --> 00:45:01,492
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
74271
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.