All language subtitles for Blue Murder s05e04 This Charming Man.eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,304 --> 00:00:06,005 Jack: ? WELL, IT'S A NICE DAY FOR ? 2 00:00:06,073 --> 00:00:10,675 ? ANYTHING TO DO WITH YOUR MIND ? 3 00:00:10,744 --> 00:00:14,880 ? FALLING THROUGH THE REASONS ? 4 00:00:14,948 --> 00:00:19,418 ? AND GIVING ANYTHING THAT YOU WANT ? 5 00:00:19,487 --> 00:00:24,356 ? YOU CAN TAKE ALL MY FORGIVENESS ? 6 00:00:24,425 --> 00:00:26,725 ? I KNOW I DON'T KNOW YOU ? 7 00:00:26,793 --> 00:00:29,495 ? YOU KNOW YOU DON'T KNOW ME ? 8 00:00:29,563 --> 00:00:32,564 ? YOU KNOW WHAT YOU WANT NOW ? 9 00:00:32,633 --> 00:00:35,567 ? PUNCH MY LIGHTS OUT ? 10 00:00:35,636 --> 00:00:39,704 ? YOU'RE NEVER GONNA SEE ME AGAIN ? 11 00:00:39,773 --> 00:00:44,876 ? WHEN YOU SEE ME, YOU KNOW YOU CAN FEEL ME ? 12 00:00:44,945 --> 00:00:47,979 ? YOU'RE NEVER GONNA FEEL ME AGAIN ? 13 00:00:48,049 --> 00:00:53,452 ? WHEN YOU SEE ME, YOU KNOW YOU CAN FEEL ME ? 14 00:00:53,521 --> 00:00:57,622 ? YOU'RE NEVER GONNA FEEL ME AGAIN ? 15 00:00:57,691 --> 00:00:59,258 [CHEERS AND APPLAUSE] 16 00:00:59,326 --> 00:01:01,527 CHEERS, MANCHESTER. 17 00:01:26,019 --> 00:01:27,819 [INDISTINCT CONVERSATIONS] 18 00:01:27,888 --> 00:01:31,022 Janine: HALF OF THIS LOT ARE OFF OUT NOW. 19 00:01:31,092 --> 00:01:33,370 ME, I WAS READY FOR ME COCOA AND ME JIMJAMS HALF AN HOUR AGO. 20 00:01:33,394 --> 00:01:35,260 WHEN DOES THAT HAPPEN? 21 00:01:38,799 --> 00:01:40,699 [LAUGHS] 22 00:01:40,767 --> 00:01:42,901 WELL, LUCKY YOU. 23 00:01:44,771 --> 00:01:46,171 YEAH, NIGHT, RICHARD. 24 00:01:47,508 --> 00:01:49,286 DEFINITELY GOT TO GO AND GET THE SHIRT. 25 00:01:49,310 --> 00:01:50,609 DEFINITELY. 26 00:01:50,677 --> 00:01:52,677 I'VE GOT TO GO. IT'S MY MUM. 27 00:01:52,746 --> 00:01:54,045 I'LL SEE YOU LATER. 28 00:01:54,115 --> 00:01:55,125 I COULD HAVE GOT THE BUS. 29 00:01:55,149 --> 00:01:56,493 I'LL REMEMBER THAT NEXT TIME 30 00:01:56,517 --> 00:01:58,661 YOU WANT DROPPING OFF AT YOUR MATES' HOUSE. 31 00:01:58,685 --> 00:02:00,964 I SAW YOUR BAND GETTING IN THAT VAN A MINUTE AGO. 32 00:02:00,988 --> 00:02:03,522 OH, WHAT! VERY CUTE, I MUST SAY. 33 00:02:05,593 --> 00:02:08,026 [UP-TEMPO ROCK MUSIC PLAYS] 34 00:02:10,264 --> 00:02:14,566 IF YOU WAKE UP CHARLOTTE, I'M PUTTING HER HERE WITH YOU. 35 00:02:21,275 --> 00:02:24,276 ? YOU KNOW WHAT YOU WANT NOW ? 36 00:02:24,345 --> 00:02:26,878 [TELEPHONE BUZZES] 37 00:02:28,349 --> 00:02:30,549 ? YOU'RE NEVER GONNA SEE ME AGAIN ? 38 00:02:30,618 --> 00:02:32,484 HELLO? 39 00:02:32,553 --> 00:02:34,953 I THOUGHT YOU CHANGED YOUR MIND. 40 00:02:35,022 --> 00:02:37,156 YEAH, YOU'D BETTER COME UP. 41 00:02:37,224 --> 00:02:40,159 ? YOU'RE NEVER GONNA FEEL ME AGAIN ? 42 00:02:40,227 --> 00:02:43,061 ? YOU KNOW WHAT YOU WANT NOW ? 43 00:02:43,130 --> 00:02:46,331 ? PUNCH MY LIGHTS OUT ? 44 00:02:46,400 --> 00:02:49,234 ? YOU'RE NEVER GONNA SEE ME AGAIN ? 45 00:02:49,303 --> 00:02:50,935 [KNOCK ON DOOR] 46 00:02:51,004 --> 00:02:53,238 Man: ARE YOU THERE, MR. TAYLOR? 47 00:02:53,307 --> 00:02:56,341 MR, TAYLOR, OPEN THE DOOR. MR. TAYLOR, IT'S THE CONCIERGE. 48 00:02:56,410 --> 00:02:58,710 [KNOCKING CONTINUES] 49 00:02:58,779 --> 00:03:00,345 MR. TAYLOR? 50 00:03:27,308 --> 00:03:30,241 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 51 00:03:30,310 --> 00:03:31,576 [YAWNS] 52 00:03:32,980 --> 00:03:34,190 YOU WANT TO GET TO BED EARLIER. 53 00:03:34,214 --> 00:03:36,781 OH, IS THAT AN OFFER? 54 00:03:36,850 --> 00:03:38,817 DIDN'T THINK YOU'D SURFACE TILL LUNCHTIME. 55 00:03:38,885 --> 00:03:41,519 WELL, I WOULDN'T HAVE DONE IT IF WASN'T FOR THAT STUPID BOILER. 56 00:03:41,588 --> 00:03:43,508 WHY CAN'T YOU JUST GET A NEW ONE? 57 00:03:43,556 --> 00:03:46,124 WELL, I WILL DO, WHEN I WIN THE LOTTERY AND MEET A MILLIONAIRE. 58 00:03:46,192 --> 00:03:47,258 [TELEPHONE RINGS] 59 00:03:47,327 --> 00:03:49,894 I NEED TO SEE YOUR WASHING SOMETIME THIS MONTH. 60 00:03:49,963 --> 00:03:51,329 NO, NOT YOU, SHAP. 61 00:03:54,400 --> 00:03:55,433 WHO? 62 00:04:01,174 --> 00:04:03,207 JACK TAYLOR... 20. 63 00:04:03,276 --> 00:04:06,511 DIED OF HEAD INJURIES SUSTAINED AFTER A FALL DOWN THE STAIRS. 64 00:04:06,579 --> 00:04:08,491 SHARED THE FLAT WITH HIS BROTHER, SAM. 65 00:04:08,515 --> 00:04:09,748 NO SIGN OF HIM. 66 00:04:09,816 --> 00:04:11,995 BODY FOUND THIS MORNING BY THE CONCIERGE. 67 00:04:12,019 --> 00:04:13,997 HE'D GONE TO KNOCK HIM UP AFTER NEIGHBORS HAD COMPLAINED 68 00:04:14,021 --> 00:04:15,431 HE'D BEEN PLAYING MUSIC ALL NIGHT. 69 00:04:15,455 --> 00:04:17,199 YES, MY SYMPATHY. WHY DIDN'T HE GO UP SOONER? 70 00:04:17,223 --> 00:04:19,002 SHUT UP SHOP AT 11:00, DIDN'T HE? 71 00:04:19,026 --> 00:04:21,726 OBVIOUSLY, 'CAUSE THAT'S WHEN ALL THE CRIMINALS GO TO BED. 72 00:04:21,795 --> 00:04:24,107 SEEMS OUR VICTIM WAS SOME SORT OF ROCK STAR. 73 00:04:24,131 --> 00:04:25,274 I NEVER HEARD OF HIM. 74 00:04:25,298 --> 00:04:28,099 JACK TAYLOR? OH, YEAH. LEAD SINGER WITH RULE 7. 75 00:04:28,168 --> 00:04:29,979 BIG LOCAL BAND, SORT OF INDIE ROCK. 76 00:04:30,003 --> 00:04:31,881 THEY PLAYED THE APOLLO LAST NIGHT. 77 00:04:31,905 --> 00:04:33,582 WE SHOULD GET IN TOUCH WITH THE REST OF THE BAND, 78 00:04:33,606 --> 00:04:35,484 CHECK ON THEIR MOVEMENTS, ALIBIS. 79 00:04:35,508 --> 00:04:37,486 I THINK THE MISSING BROTHER, SAM, PLAYED LEAD GUITAR. 80 00:04:37,510 --> 00:04:38,777 WORD'S GOT OUT QUICK. 81 00:04:38,845 --> 00:04:40,685 YEAH, FIND OUT FROM THAT LOT 82 00:04:40,747 --> 00:04:42,859 IF THEY WERE HERE LAST NIGHT AND SAW ANYTHING. 83 00:04:42,883 --> 00:04:44,983 CHECK CCTV FROM THE LOBBY. 84 00:04:45,052 --> 00:04:46,763 THERE ISN'T ANY. THEY'VE GOT A CONCIERGE, HAVEN'T THEY? 85 00:04:46,787 --> 00:04:47,964 KAT'S TALKING TO HIM. 86 00:04:47,988 --> 00:04:50,299 THE GRAZES ON THE FACE AND MARKS ON THE WALL 87 00:04:50,323 --> 00:04:52,334 MEAN HE PROBABLY HIT HIS HEAD A COUPLE OF TIMES 88 00:04:52,358 --> 00:04:55,593 ON THE WAY DOWN, THEN FINALLY LANDED HERE. 89 00:04:57,698 --> 00:04:58,875 THE BLOOD SMEAR SUGGESTS 90 00:04:58,899 --> 00:05:00,810 THE BODY WAS MOVED AWAY FROM THE DOOR. 91 00:05:00,834 --> 00:05:03,201 YEAH, PROBABLY WHEN THE CONCIERGE TRIED TO GET IN. 92 00:05:03,269 --> 00:05:05,715 NO, EARLY STAGES OF RIGOR MORTIS AND HIS BODY TEMPERATURE, 93 00:05:05,739 --> 00:05:08,219 I'D SAY HE DIED BETWEEN 2:00 AND 3:00 A.M. 94 00:05:08,274 --> 00:05:10,219 THE BLOOD WOULD HAVE CONGEALED 95 00:05:10,243 --> 00:05:12,088 BY THE TIME THE BODY WAS DISCOVERED. 96 00:05:12,112 --> 00:05:13,377 SO JACK WASN'T ALONE. 97 00:05:13,446 --> 00:05:16,781 RIGHT, SO HE TUMBLES DOWN THE STAIRS, 98 00:05:16,850 --> 00:05:20,451 BANGS HIS HEAD HERE, AND THEN... 99 00:05:20,520 --> 00:05:24,155 GRABS THE RAIL, TUMBLES DOWN THE STAIRS A BIT MORE. 100 00:05:24,224 --> 00:05:26,390 BUT HE BANGS HIS HEAD AGAIN 101 00:05:26,459 --> 00:05:29,094 AND THEN GOES DOWN, SLUMPED ON THE FLOOR. 102 00:05:29,162 --> 00:05:31,796 SO WHOEVER WAS WITH HIM TRIES TO GET OUT, 103 00:05:31,865 --> 00:05:34,799 BUT THE GAP'S NOT BIG ENOUGH. 104 00:05:34,868 --> 00:05:38,770 SO THEY PULL THE DOOR TOWARDS THEM, 105 00:05:38,839 --> 00:05:40,471 MOVING THE BODY. 106 00:05:40,540 --> 00:05:41,884 SMEARING BLOOD ACROSS THE FLOOR. 107 00:05:41,908 --> 00:05:46,044 YEAH, AND... THEY MANAGE TO GET OUT, 108 00:05:46,113 --> 00:05:48,947 SHUT THE DOOR, AND THE BODY SLUMPS BACK AGAINST IT. 109 00:05:51,752 --> 00:05:53,562 WHY DIDN'T THEY GET AN AMBULANCE? 110 00:05:53,586 --> 00:05:56,099 WHEN YOU'RE FINISHED, WHAT I'VE BEEN TRYING TO SAY 111 00:05:56,123 --> 00:05:59,090 IS HE WAS PROBABLY HIT ON THE HEAD WITH A BRICK OR SOMETHING. 112 00:05:59,159 --> 00:06:01,170 THERE'S PARTICLES OF RED DUST 113 00:06:01,194 --> 00:06:03,828 AND DEEP BRUISING TO THE BASE OF THE HEAD 114 00:06:03,897 --> 00:06:05,174 OVER A FAIRLY LARGE AREA. 115 00:06:05,198 --> 00:06:07,710 LOOK, I'LL KNOW MORE ONCE I GET HIM BACK. 116 00:06:07,734 --> 00:06:09,245 THANKS, UH... I KNOW. 117 00:06:09,269 --> 00:06:10,635 AS QUICK AS I CAN. 118 00:06:10,703 --> 00:06:13,905 SHE'S GOOD. YEAH, SHE IS GOOD. 119 00:06:13,974 --> 00:06:15,339 WOW. WHAT A PAD. 120 00:06:15,408 --> 00:06:16,607 ALL RIGHT, BOSS? 121 00:06:16,676 --> 00:06:17,909 BURGLARY? 122 00:06:17,978 --> 00:06:20,289 DOUBT IT. IMAGINE WHAT YOU'D GET FOR THAT DOWN THE PUB. 123 00:06:20,313 --> 00:06:22,313 MY GOD, IT'S A TWO-ROOM SYSTEM. 124 00:06:22,382 --> 00:06:24,749 IT PLAYS ONE TRACK DOWN HERE AND ONE UPSTAIRS. 125 00:06:24,818 --> 00:06:26,117 FASCINATING. 126 00:06:26,186 --> 00:06:28,464 HE'S PROBABLY RIGHT, BOSS. THERE'S NO SIGN OF FORCED ENTRY. 127 00:06:28,488 --> 00:06:30,666 HE COULD HAVE GOT OFF HIS HEAD AND SMASHED THE PLACE UP. 128 00:06:30,690 --> 00:06:32,068 LOOKS LIKE HE'S HAD GUESTS. 129 00:06:32,092 --> 00:06:34,092 WELL, IN MY EXPERIENCE WITH 20-YEAR-OLD BOYS... 130 00:06:34,161 --> 00:06:36,881 YOU WISH... THEY COULD HAVE BEEN THERE WEEKS. 131 00:06:40,233 --> 00:06:42,767 OKAY. GET THOSE SHEETS TO THE LAB. 132 00:06:42,836 --> 00:06:45,369 WE'RE LOOKING FOR A MURDER WEAPON... 133 00:06:45,438 --> 00:06:48,006 A HOUSE BRICK OR SOMETHING MADE OUT OF TERRA-COTTA. 134 00:06:48,074 --> 00:06:49,074 Butchers: BOSS. 135 00:06:50,210 --> 00:06:51,409 OR CLAY. 136 00:06:51,477 --> 00:06:53,344 CLAY... J.T. 137 00:06:53,413 --> 00:06:54,779 FANTASTIC. 138 00:06:54,848 --> 00:06:57,208 JACK TAYLOR. GET IT TO THE LAB. 139 00:06:59,519 --> 00:07:01,697 LET'S GO AND TALK TO HIS PARENTS. 140 00:07:01,721 --> 00:07:03,032 IT'S YOUR TURN. NO. NO. NO. 141 00:07:03,056 --> 00:07:04,700 IT'S YOUR TURN. I DID IT LAST TIME. 142 00:07:04,724 --> 00:07:06,402 HOW CAN YOU SAY THAT? IT'S YOUR TURN. 143 00:07:06,426 --> 00:07:07,706 WE'LL DO IT TOGETHER. 144 00:07:11,198 --> 00:07:13,932 THEY WANTED ME TO CUT A RECORD, YOU KNOW. 145 00:07:14,000 --> 00:07:15,411 YEAH, I COULD HAVE HAD A CAREER. 146 00:07:15,435 --> 00:07:16,667 [SNICKERS] 147 00:07:20,406 --> 00:07:22,440 [DOORBELL RINGS] 148 00:07:22,508 --> 00:07:23,774 I WANT TO SEE HIM. 149 00:07:23,844 --> 00:07:25,654 THAT'S NOT POSSIBLE, MRS. TAYLOR. 150 00:07:25,678 --> 00:07:27,756 WE NEED TO PRESERVE THE SCENE OF CRIME. 151 00:07:27,780 --> 00:07:31,749 SAM, CAN YOU, UM, TAKE US THROUGH 152 00:07:31,818 --> 00:07:34,178 WHAT HAPPENED AFTER THE APOLLO LAST NIGHT, PLEASE, SAM? 153 00:07:34,221 --> 00:07:36,787 UM... I DON'T KNOW. 154 00:07:36,857 --> 00:07:40,258 WE... WE DROPPED THE OTHER THREE BOYS OFF AT THEIR FLAT. 155 00:07:40,327 --> 00:07:43,194 DAMON PLAYS BASS. RICK DOES RHYTHM. 156 00:07:43,263 --> 00:07:44,562 TOMMY'S OUR DRUMMER. 157 00:07:44,630 --> 00:07:48,266 AND THEN MATT DROPPED ME AT ABOUT QUARTER PAST 11:00. 158 00:07:48,335 --> 00:07:49,467 JACK WAS THE LAST? 159 00:07:51,238 --> 00:07:53,738 YOU SHARED A FLAT TOGETHER. 160 00:07:53,806 --> 00:07:56,241 SO WHY DIDN'T YOU GO HOME? 161 00:07:56,309 --> 00:07:58,009 WHAT'S THAT GOT TO DO WITH THIS? 162 00:07:58,078 --> 00:07:59,944 I'M SORRY, MR. TAYLOR. 163 00:08:00,013 --> 00:08:03,915 I KNOW THIS IS A DIFFICULT TIME FOR YOU, BUT... 164 00:08:03,984 --> 00:08:06,262 WE HAVE REASON TO BELIEVE THAT JACK MAY HAVE BEEN MURDERED. 165 00:08:06,286 --> 00:08:09,287 OH, MY GOD! NO! 166 00:08:09,356 --> 00:08:11,467 MRS. TAYLOR, WE ARE TRYING TO PIECE TOGETHER 167 00:08:11,491 --> 00:08:13,669 AS QUICKLY AS POSSIBLE WHAT HAPPENED LAST NIGHT. 168 00:08:13,693 --> 00:08:15,193 DID YOU HEAR SAM COME IN? 169 00:08:16,930 --> 00:08:19,964 WE SAT UP CHATTING TILL GONE 1:00. 170 00:08:20,033 --> 00:08:21,399 HE WENT UP TO BED. 171 00:08:21,467 --> 00:08:23,801 AND I WENT UP FIVE MINUTES AFTER. 172 00:08:26,239 --> 00:08:28,239 THIS IS STILL THEIR HOME. 173 00:08:28,308 --> 00:08:30,041 THEY KNOW THEY CAN COME BACK ANY TIME. 174 00:08:30,110 --> 00:08:33,378 SO HE DIDN'T FALL DOWN THE STAIRS, THEN? 175 00:08:33,446 --> 00:08:34,545 HOW DID HE... 176 00:08:34,614 --> 00:08:35,880 LIN. 177 00:08:35,949 --> 00:08:38,082 SO I WAS UPSTAIRS ASLEEP WHILE MY SON, 178 00:08:38,151 --> 00:08:41,085 MY LAD WAS BEING MURDERED, 179 00:08:41,154 --> 00:08:43,288 WONDERING WHY I WASN'T THERE TO HELP HIM. 180 00:08:43,356 --> 00:08:44,889 I'M HIS MUM! 181 00:08:44,958 --> 00:08:48,859 AND THAT'S WHAT MUMS ARE SUPPOSED TO DO, RIGHT? 182 00:08:48,929 --> 00:08:52,397 ANYONE YOU CAN THINK OF THAT JACK MIGHT HAVE FALLEN OUT WITH? 183 00:08:52,465 --> 00:08:54,944 DO YOU KNOW IF HE WAS PLANNING TO MEET ANYONE BACK AT THE FLAT? 184 00:08:54,968 --> 00:08:56,667 NO GIRLFRIEND? 185 00:08:56,736 --> 00:08:57,880 NO ONE SPECIAL. 186 00:08:57,904 --> 00:09:00,071 SO YOU LIVED TOGETHER. YOU WORKED TOGETHER. 187 00:09:00,140 --> 00:09:02,907 YOU MUST HAVE BEEN VERY CLOSE. 188 00:09:02,976 --> 00:09:06,911 NO ARGUMENTS OR ANYTHING LAST NIGHT? 189 00:09:06,980 --> 00:09:08,346 EVERYTHING WAS COOL. 190 00:09:11,351 --> 00:09:13,617 OKAY. 191 00:09:17,557 --> 00:09:19,623 [Sobbing] OH, GOD. 192 00:09:19,692 --> 00:09:22,026 [SOBBING] 193 00:09:22,095 --> 00:09:24,829 IF YOU COULD TELL YOUR MUM AND DAD WE'LL BE IN TOUCH. 194 00:09:28,034 --> 00:09:30,046 I SAW THEM ARGUING OUTSIDE THE GIG LAST NIGHT. 195 00:09:30,070 --> 00:09:31,436 WHY WOULD HE LIE? 196 00:09:33,539 --> 00:09:36,059 WOULD YOU MIND IF WE STOP OFF AT MINE FOR FIVE MINUTES? 197 00:09:36,943 --> 00:09:39,443 [ INDISTINCT SINGING] 198 00:09:41,181 --> 00:09:43,381 [DOOR OPENS] 199 00:09:47,520 --> 00:09:51,022 OH, AT LEAST ONE PARENT'S EVENING SHOULD BE A BREEZE. 200 00:09:53,894 --> 00:09:55,727 [ SINGING CONTINUES] 201 00:09:55,796 --> 00:09:57,595 BUDGE UP. 202 00:10:01,601 --> 00:10:04,102 MICHAEL, IT'S YOUR MUM. DO YOU REMEMBER ME? 203 00:10:05,638 --> 00:10:07,005 CAN YOU GIVE ME A CALL? 204 00:10:07,074 --> 00:10:09,207 LET ME KNOW YOU'RE OKAY. 205 00:10:09,275 --> 00:10:11,242 JUST WANT TO KNOW HOW THINGS ARE GOING. 206 00:10:11,311 --> 00:10:13,011 WHO'S THAT? 207 00:10:13,080 --> 00:10:14,445 CHANELLE. 208 00:10:18,451 --> 00:10:20,551 DON'T CRY. 209 00:10:20,620 --> 00:10:22,264 [Sobbing] IT'S NOT FAIR. 210 00:10:22,288 --> 00:10:26,324 I KNOW. I KNOW. 211 00:10:26,392 --> 00:10:28,292 WAS SHE THERE? 212 00:10:28,361 --> 00:10:29,861 WHO? 213 00:10:29,930 --> 00:10:32,363 HIS STUPID GIRLFRIEND. 214 00:10:32,432 --> 00:10:34,966 DARLING, HE DIDN'T HAVE A GIRLFRIEND. 215 00:10:37,104 --> 00:10:39,838 IF YOU DON'T KNOW THAT THEN... 216 00:10:43,610 --> 00:10:44,675 AMY KIRKLAND. 217 00:10:44,745 --> 00:10:46,477 SHE'S NOT EVEN PRETTY. 218 00:10:52,786 --> 00:10:54,018 YEAH. 219 00:10:54,087 --> 00:10:56,454 NO, ALL RIGHT. 220 00:10:56,522 --> 00:10:57,822 THANKS. 221 00:10:59,760 --> 00:11:01,292 COULD HAVE BEEN YOU. 222 00:11:01,361 --> 00:11:02,504 WHO WAS THAT? 223 00:11:02,528 --> 00:11:04,562 BUTCHERS. TOXICOLOGY REPORT. 224 00:11:04,631 --> 00:11:06,430 NOTHING THERE. 225 00:11:09,369 --> 00:11:12,103 HOW LONG HAD YOU BEEN GOING OUT WITH HIM? 226 00:11:12,172 --> 00:11:14,705 18 MONTHS. 227 00:11:14,775 --> 00:11:17,475 WE MET HERE. THAT'S WHY I WANTED TO COME IN. 228 00:11:19,112 --> 00:11:20,478 HE STARTED CHATTING ME UP, 229 00:11:20,546 --> 00:11:24,983 TELLING ME I'D BE SELLING HIS ALBUMS ONE DAY... 230 00:11:25,051 --> 00:11:26,717 AND HE ACTUALLY MADE IT. 231 00:11:26,787 --> 00:11:30,155 HE CAME BACK LATER. HE ASKED ME OUT FOR A DRINK. 232 00:11:30,223 --> 00:11:31,289 AND THAT WAS IT. 233 00:11:31,357 --> 00:11:33,757 WERE YOU AT THE GIG LAST NIGHT? 234 00:11:35,328 --> 00:11:38,529 WHAT ABOUT AFTER? 235 00:11:38,598 --> 00:11:41,966 I WENT BACK TO HIS FLAT ABOUT HALF 12:00. 236 00:11:42,035 --> 00:11:43,035 DO YOU HAVE A KEY? 237 00:11:45,371 --> 00:11:48,239 HE WAS... HE WAS IN A MOOD. 238 00:11:48,308 --> 00:11:52,677 HE GOT LIKE THAT SOMETIMES AFTER GIGS. 239 00:11:52,745 --> 00:11:55,446 SO HE WAS IN A MOOD. DID YOU ARGUE? 240 00:11:59,619 --> 00:12:02,020 [Voice breaking] I LOVED HIM SO MUCH. 241 00:12:02,088 --> 00:12:04,455 LAST NIGHT, I DIDN'T GET A CHANCE TO SAY IT, 242 00:12:04,524 --> 00:12:06,825 AND NOW HE'S DEAD. 243 00:12:09,762 --> 00:12:11,863 WHAT HAPPENED? 244 00:12:14,701 --> 00:12:17,601 I THOUGHT IT WAS BEST THAT I JUST LET HIM GET OVER IT, 245 00:12:17,670 --> 00:12:19,470 SO I-I LEFT. 246 00:12:19,539 --> 00:12:22,207 SO THE BAND DO A GIG, A BIG GIG AT THE APOLLO, 247 00:12:22,275 --> 00:12:23,820 AND HE JUST WENT STRAIGHT HOME TO BED? 248 00:12:23,844 --> 00:12:26,744 NO CELEBRATIONS? NO PARTYING? 249 00:12:26,813 --> 00:12:29,380 WHAT TIME DID YOU GET HOME? 250 00:12:29,449 --> 00:12:31,482 I DON'T KNOW. ABOUT HALF 1:00. 251 00:12:31,551 --> 00:12:33,051 CAN ANYONE CONFIRM THAT? 252 00:12:33,119 --> 00:12:35,720 PARENTS? 253 00:12:35,788 --> 00:12:37,288 MY FLATMATE, SOPHIE. 254 00:12:37,357 --> 00:12:39,335 RIGHT. HOW DID YOU GET BACK? 255 00:12:39,359 --> 00:12:40,791 I WALKED. 256 00:12:40,861 --> 00:12:43,828 THAT'S A LONG WAY. ALONG A MAIN ROAD? 257 00:12:43,897 --> 00:12:44,897 OXFORD ROAD. 258 00:12:44,931 --> 00:12:46,664 WHY ARE YOU ASKING ME ALL THESE QUESTIONS? 259 00:12:46,733 --> 00:12:48,967 JUST ONE MORE THING. 260 00:12:49,035 --> 00:12:51,736 WHY DIDN'T YOU GET IN THE VAN WITH THE BOYS 261 00:12:51,804 --> 00:12:52,904 AT THE END OF THE GIG? 262 00:12:52,973 --> 00:12:57,608 HE LIKED IT TO BE, YOU KNOW, JUST THE LADS. 263 00:12:57,677 --> 00:13:00,044 RIGHT. 264 00:13:00,113 --> 00:13:02,646 SO THAT GIRL WHO GOT IN WITH THEM, 265 00:13:02,715 --> 00:13:04,293 NOTHING TO DO WITH JACK, THEN? 266 00:13:04,317 --> 00:13:05,716 NONE OF THEM MEAN ANYTHING! 267 00:13:05,785 --> 00:13:08,086 GIRLS, THEY THREW THEMSELVES AT HIM ALL THE TIME! 268 00:13:08,154 --> 00:13:11,589 BUT HE ALWAYS CAME BACK TO ME! 269 00:13:11,657 --> 00:13:12,690 AND THAT ONE. 270 00:13:12,759 --> 00:13:15,260 YOU KNOW, SHE OBVIOUSLY LOVED HIM. 271 00:13:15,328 --> 00:13:16,405 BUNNY BOILER. 272 00:13:16,429 --> 00:13:18,729 SEX AND DRUGS AND ROCK 'N' ROLL. 273 00:13:18,798 --> 00:13:19,876 THERE WERE NO DRUGS. 274 00:13:19,900 --> 00:13:20,900 YEAH, RIGHT. 275 00:13:20,967 --> 00:13:22,078 TENNER, OKAY? 276 00:13:22,102 --> 00:13:23,401 NO, 20. 277 00:13:23,469 --> 00:13:25,736 20 QUID SAYS TOX REPORT COMES BACK POSITIVE. 278 00:13:25,805 --> 00:13:28,184 20 QUID? WE'RE PAYING YOU TOO MUCH, SERGEANT. 279 00:13:28,208 --> 00:13:30,052 ALL RIGHT, 20 QUID IT IS. YOU'RE ON. 280 00:13:30,076 --> 00:13:32,443 OKAY, EVERYONE, WHAT HAVE WE GOT? 281 00:13:32,512 --> 00:13:35,513 JACK TAYLOR... VICTIM. SINGER WITH RULE 7. 282 00:13:35,581 --> 00:13:37,793 CONCIERGE FINDS HIM DEAD AT THE BOTTOM OF A FLIGHT OF STAIRS 283 00:13:37,817 --> 00:13:39,984 IN THE FLAT HE SHARES WITH HIS BROTHER, SAM, 284 00:13:40,053 --> 00:13:41,920 WHO'S ALSO IN THE BAND. 285 00:13:41,988 --> 00:13:44,755 Skerton: CONCIERGE TRIED TO WAKE HIM UP AT 7:30, 286 00:13:44,824 --> 00:13:46,702 BUT HE HAD TO USE HIS MASTER KEY TO GET IN. 287 00:13:46,726 --> 00:13:48,537 DOOR WOULD ONLY OPEN ABOUT 20 CENTIMETERS. 288 00:13:48,561 --> 00:13:51,529 TIME OF DEATH BETWEEN 2:00 A.M. AND 3:00 A.M. 289 00:13:51,597 --> 00:13:55,199 NOW, SAM SAYS HE WAS DROPPED OFF AT HIS MUM AND DAD'S HOUSE 290 00:13:55,268 --> 00:13:59,137 BY MATT FERRER, WHO'S THE BAND'S MANAGER, AT 11:15. 291 00:13:59,205 --> 00:14:01,872 AND WE ALSO KNOW THAT SAM AND JACK... THE BROTHERS... 292 00:14:01,942 --> 00:14:03,685 HAD A ROW AS THEY WERE LEAVING THE APOLLO. 293 00:14:03,709 --> 00:14:04,642 WHICH HE DENIES. 294 00:14:04,710 --> 00:14:06,877 YEAH, AND HE'S ALSO DENIED 295 00:14:06,947 --> 00:14:09,780 THE FACT THAT JACK HAD A GIRLFRIEND. 296 00:14:09,849 --> 00:14:11,682 AMY KIRKLAND. 297 00:14:11,751 --> 00:14:13,762 THEY'D BEEN GOING OUT TOGETHER FOR ABOUT 18 MONTHS. 298 00:14:13,786 --> 00:14:15,531 ANYTHING FROM CCTV, SID? 299 00:14:15,555 --> 00:14:16,487 NO. 300 00:14:16,556 --> 00:14:18,134 WHAT ABOUT A CAR PARK? 301 00:14:18,158 --> 00:14:19,735 JUST RESIDENTS. NOTHING IN YET FROM OTHER SOURCES. 302 00:14:19,759 --> 00:14:21,259 ANYTHING FROM THE FANS? 303 00:14:21,328 --> 00:14:22,571 NO, THEY'D BEEN AT THE CONCERT. 304 00:14:22,595 --> 00:14:24,728 TURNED UP AT TO THE FLAT WHEN THEY HEARD THE NEWS. 305 00:14:24,797 --> 00:14:25,797 LAB REPORT. 306 00:14:25,865 --> 00:14:27,576 WE GOT CONFIRMATION FROM THE PATHOLOGIST 307 00:14:27,600 --> 00:14:29,611 THAT IT WASN'T THE FALL THAT KILLED JACK. 308 00:14:29,635 --> 00:14:31,613 HE DIED FROM AN ACUTE SUBDURAL HEMATOMA. 309 00:14:31,637 --> 00:14:32,949 THE HEAVY BRUISING AT THE BASE OF THE SKULL 310 00:14:32,973 --> 00:14:34,317 WAS INFLICTED BEFORE HE FELL, 311 00:14:34,341 --> 00:14:35,985 PROBABLY BY A HEAVY, BLUNT INSTRUMENT. 312 00:14:36,009 --> 00:14:38,176 YEAH, WE THINK WE'VE GOT THE MURDER WEAPON. 313 00:14:38,244 --> 00:14:40,611 IT'S THIS SORT OF RED TERRA-COTTA CLAY-ARTY THING. 314 00:14:40,680 --> 00:14:41,800 IT'S SENT OFF FOR TESTS. 315 00:14:41,848 --> 00:14:44,648 RIGHT, SO THE VICTIM'S ATTACKED, ASSAILANT ESCAPES, 316 00:14:44,717 --> 00:14:47,085 AND THE VICTIM, DISORIENTATED, FALLS DOWN THE STAIRS. 317 00:14:47,153 --> 00:14:49,131 YEAH, OR THEY GET A WHACK ON THE BACK OF THE HEAD 318 00:14:49,155 --> 00:14:51,334 AND THEN GET PUSHED DOWN THE STAIRS JUST TO MAKE SURE. 319 00:14:51,358 --> 00:14:52,668 BUT THE KILLER, AT THIS POINT, 320 00:14:52,692 --> 00:14:54,570 DOESN'T KNOW THEY'VE DELIVERED THE FATAL BLOW. 321 00:14:54,594 --> 00:14:56,439 IT WAS A TIGHT SQUEEZE TO GET OUT, THOUGH, WASN'T IT? 322 00:14:56,463 --> 00:14:58,463 SO MAKE SURE THAT CSI 323 00:14:58,531 --> 00:15:01,265 CHECKS THAT DOORFRAME FOR FINGERPRINTS, DNA, FIBERS. 324 00:15:01,334 --> 00:15:03,567 NOW, TOXICOLOGY? 325 00:15:03,636 --> 00:15:06,204 ALCOHOL PRESENT, BUT NO DRUGS. 326 00:15:06,272 --> 00:15:07,305 NO DRUGS. 327 00:15:10,477 --> 00:15:13,711 BUTCHERS AND SHAP, GET YOURSELVES OFF TO THE APOLLO, 328 00:15:13,779 --> 00:15:15,380 SEE WHO WAS THERE AND WHAT THEY SAW. 329 00:15:15,448 --> 00:15:18,916 NOW, SAM SAYS THAT MATT FERRER DROPPED JACK OFF LAST, 330 00:15:18,985 --> 00:15:20,762 SO I THINK WE SHOULD GO AND HAVE A WORD WITH HIM. 331 00:15:20,786 --> 00:15:22,353 IT'S 15, 20 NOW. 332 00:15:23,456 --> 00:15:25,456 THANKS. 333 00:15:26,526 --> 00:15:29,127 YOU ALREADY PHONED HER WITH THE TOXICOLOGY REPORT, HADN'T YOU? 334 00:15:29,195 --> 00:15:30,528 YEAH. 335 00:15:30,596 --> 00:15:32,296 TAXI FOR SHAP, PLEASE. 336 00:15:32,365 --> 00:15:33,831 [LAUGHTER] 337 00:15:36,236 --> 00:15:38,503 YEAH. 338 00:15:38,571 --> 00:15:40,449 YEAH, RIGHT. YEAH, THANKS. YEAH. 339 00:15:40,473 --> 00:15:42,433 LISTEN, I'M GONNA HAVE TO GET OFF. 340 00:15:42,475 --> 00:15:45,543 OKAY, UH... THANKS FOR THAT. THAT'S GREAT NEWS. CHEERS. 341 00:15:45,611 --> 00:15:47,211 BYE. 342 00:15:47,280 --> 00:15:48,924 SORRY ABOUT THAT. IT WAS THE RECORD COMPANY. 343 00:15:48,948 --> 00:15:50,526 THEY'RE GONNA COVER THE FUNERAL EXPENSES. 344 00:15:50,550 --> 00:15:51,849 GOOD OF THEM. 345 00:15:51,918 --> 00:15:53,595 BELIEVE ME, MICK AND LINDA WILL BE VERY GRATEFUL. 346 00:15:53,619 --> 00:15:55,197 THEY'LL WANT TO GIVE THE BOY A GOOD SEND-OFF. 347 00:15:55,221 --> 00:15:56,487 WE ALL WILL. 348 00:15:56,556 --> 00:15:57,966 THE COMPANY HAD JACK WELL-INSURED. 349 00:15:57,990 --> 00:15:59,835 ANY COMPANY WOULD HAVE. IT'S JUST GOOD BUSINESS. 350 00:15:59,859 --> 00:16:01,159 I UNDERSTAND THAT JACK 351 00:16:01,227 --> 00:16:03,961 WAS THE LAST ONE TO BE DROPPED OFF LAST NIGHT. 352 00:16:04,030 --> 00:16:06,008 RICK, DAMON, AND TOMMY HAD HAD A SKINFUL, 353 00:16:06,032 --> 00:16:07,876 SO I DROPPED THEM OFF AT THEIR PLACE WITH SOME BIRD. 354 00:16:07,900 --> 00:16:09,678 THEN I DROPPED SAM AT HIS MUM'S. 355 00:16:09,702 --> 00:16:11,047 DROPPED JACK OFF ABOUT HALF PAST 11:00. 356 00:16:11,071 --> 00:16:12,248 I GOT BACK HERE AT ABOUT MIDNIGHT. 357 00:16:12,272 --> 00:16:14,439 CAN ANYONE CORROBORATE THAT? 358 00:16:14,507 --> 00:16:15,440 NO. 359 00:16:15,508 --> 00:16:17,886 DID YOU GO BACK TO JACK'S FLAT? 360 00:16:17,910 --> 00:16:19,522 WHAT FOR? TO MURDER HIM? 361 00:16:19,546 --> 00:16:21,479 NO, I DIDN'T. 362 00:16:21,548 --> 00:16:24,348 BUT THEN I WOULD SAY THAT, WOULDN'T I? 363 00:16:24,417 --> 00:16:27,685 HOW LONG HAD YOU KNOWN JACK? 364 00:16:27,753 --> 00:16:29,898 KNOWN HIM JUST OVER TWO YEARS. I GOT A TIP-OFF. 365 00:16:29,922 --> 00:16:31,900 I WENT TO SEE THEM PLAY IN SOME DINGY PUB. 366 00:16:31,924 --> 00:16:33,735 YOU COULD SEE THAT THEY HAD SOMETHING. 367 00:16:33,759 --> 00:16:35,438 DID THEY ALL GET ALONG TOGETHER? 368 00:16:35,462 --> 00:16:37,628 YEAH, JACK RULED THE ROOST FOR THE MOST PART. 369 00:16:37,697 --> 00:16:40,131 EVERYONE WAS HAPPY TO GO ALONG WITH HIM. 370 00:16:40,200 --> 00:16:41,243 "FOR THE MOST PART"? 371 00:16:41,267 --> 00:16:43,279 YOU GOT FIVE LADS PUMPING TESTOSTERONE. 372 00:16:43,303 --> 00:16:45,147 THEY'RE NEVER GONNA GET ALONG 24/7. 373 00:16:45,171 --> 00:16:46,437 WHAT ABOUT YOU? 374 00:16:46,506 --> 00:16:47,883 DID YOU THINK HE WAS A BIT OF A HANDFUL? 375 00:16:47,907 --> 00:16:49,140 [CHUCKLES] 376 00:16:49,209 --> 00:16:51,309 IF YOUR LEAD MAN'S NOT A HANDFUL, 377 00:16:51,377 --> 00:16:53,055 HE'S NOT GONNA BE A GOOD LEAD MAN, IS HE? 378 00:16:53,079 --> 00:16:55,291 BUT THERE WAS ONLY ONE PERSON IN CHARGE, AND THAT WAS ME. 379 00:16:55,315 --> 00:16:58,060 SAM AND JACK HAD A ROW LAST NIGHT WHEN THEY WERE GETTING INTO THE VAN. 380 00:16:58,084 --> 00:16:59,628 DO YOU KNOW WHAT IT WAS ABOUT? 381 00:16:59,652 --> 00:17:00,985 WELL, THE MUSIC WAS BLARING. 382 00:17:01,053 --> 00:17:02,186 SAM'S A GOOD KID. 383 00:17:02,255 --> 00:17:03,535 SO THEY WERE CLOSE? 384 00:17:05,391 --> 00:17:07,803 ODD, THEN, THAT SAM DIDN'T KNOW THAT JACK HAD A GIRLFRIEND. 385 00:17:07,827 --> 00:17:11,095 IF YOU'RE TALKING ABOUT AMY, SHE WASN'T EXCLUSIVE. 386 00:17:11,164 --> 00:17:13,231 AT LEAST NOT ON HIS PART. HE WAS 20. 387 00:17:13,299 --> 00:17:16,601 DO YOU OWN ANOTHER VEHICLE APART FROM THE VAN? 388 00:17:16,669 --> 00:17:19,036 YEAH, I'VE GOT A BMW SPORTS. 389 00:17:19,105 --> 00:17:20,904 YEAH, I'VE SEEN IT. NICE. 390 00:17:20,973 --> 00:17:23,486 YEAH, ALL RIGHT, YOU'VE BEEN VERY HELPFUL, MR. FERRER. 391 00:17:23,510 --> 00:17:24,975 THANKS VERY MUCH. 392 00:17:27,780 --> 00:17:30,515 I USED TO SING A BIT, YOU KNOW. 393 00:17:30,583 --> 00:17:32,561 I RECOGNIZE THAT BAND. THEY'RE GARAGE, AREN'T THEY? 394 00:17:32,585 --> 00:17:35,786 THAT'S RIGHT, YEAH. THEY PAID FOR THE THREE B's, THEM... 395 00:17:35,855 --> 00:17:37,788 BOOB JOBS, BUTT LIFTS, AND BOTOX. 396 00:17:37,857 --> 00:17:40,558 I'VE GOT TWO EX-WIVES, MAN. IT DON'T COME CHEAP, BELIEVE ME. 397 00:17:40,627 --> 00:17:42,271 RULE 7 WERE AN INVESTMENT IN THE FUTURE. 398 00:17:42,295 --> 00:17:44,106 THAT'S WHAT THIS GAME'S ABOUT, YOU SEE? RISK. 399 00:17:44,130 --> 00:17:45,574 20% PERCENT OF NOTHING IS NOTHING. 400 00:17:45,598 --> 00:17:48,499 IT'S A BLOODY NIGHTMARE OF A JOB. YOU HAVE NO IDEA. 401 00:17:48,568 --> 00:17:50,212 THEY WANTED ME TO CUT A TRACK, YOU KNOW. 402 00:17:50,236 --> 00:17:52,203 D.I. MAYNE, COME ON. 403 00:17:53,339 --> 00:17:57,841 [LAUGHS] 404 00:17:57,910 --> 00:17:59,377 "GARAGE." 405 00:17:59,445 --> 00:18:01,712 [LAUGHS] 406 00:18:12,525 --> 00:18:15,493 YOU'RE NOT THE ONLY ONE WHO'S DOWN WITH THE KIDS, YOU KNOW. 407 00:18:15,562 --> 00:18:17,573 RICHARD, DO YOURSELF A FAVOR 408 00:18:17,597 --> 00:18:21,965 AND NEVER, EVER SAY THAT IN FRONT OF ANYONE UNDER 25. 409 00:18:23,869 --> 00:18:26,671 Butchers: THIS BRINGS ME BACK. 410 00:18:26,739 --> 00:18:28,606 STILL THE SAME. THE SMELL. 411 00:18:28,675 --> 00:18:31,975 I DID MY FIRST DRUGS BUST OUT HERE. 412 00:18:32,044 --> 00:18:33,811 SO, WHO ELSE WAS THERE? 413 00:18:33,879 --> 00:18:38,048 WELL, APART FROM THE BAND, THE CREW, MANAGER, 414 00:18:38,117 --> 00:18:41,018 SOME GUYS FROM THE RECORD LABEL, BUT THEY LEFT. 415 00:18:41,087 --> 00:18:42,764 OH, YEAH, AND BILLY RADFIELD CAME BY. 416 00:18:42,788 --> 00:18:43,987 THAT WAS COOL. 417 00:18:44,056 --> 00:18:45,223 BILLY RADFIELD? 418 00:18:45,291 --> 00:18:47,725 USED TO BE IN THE BAND. WENT SOLO. 419 00:18:47,793 --> 00:18:49,827 SO, NO OUTRAGEOUS DEMANDS, THEN? 420 00:18:49,895 --> 00:18:51,429 THEY'RE NOT EXACTLY OASIS. 421 00:18:51,497 --> 00:18:54,565 YOU KNOW, BEER, CRISPS, JUST SHIT LIKE THAT. 422 00:18:54,634 --> 00:18:56,478 Nat: WHAT SORT OF STUFF DO YOU LIKE, THEN? 423 00:18:56,502 --> 00:18:57,602 WELL, I'M... 424 00:18:57,670 --> 00:19:01,905 MY DAD'S INTO PHIL COLLINS AND GUYS LIKE THAT. 425 00:19:01,974 --> 00:19:05,175 WAS THERE ANYONE ELSE BACK THERE? 426 00:19:05,245 --> 00:19:06,955 JUST THE USUAL GIRLS HANGING ABOUT. 427 00:19:06,979 --> 00:19:08,457 YOU KNOW, BIG LIPS, BIG TITS. 428 00:19:08,481 --> 00:19:10,492 ONE OF THEM WAS ALL OVER JACK LIKE A RASH. 429 00:19:10,516 --> 00:19:12,060 IT'S ALWAYS THE LEAD SINGER, ISN'T IT? 430 00:19:12,084 --> 00:19:13,195 TELL ME ABOUT IT. 431 00:19:13,219 --> 00:19:15,119 WHAT ABOUT THE GIRLFRIEND? 432 00:19:15,187 --> 00:19:17,388 IT'S NEVER THE GIRLFRIEND 433 00:19:17,457 --> 00:19:20,258 WHEN THEY WANT TO DO IT IN PUBLIC UP AGAINST A WALL. 434 00:19:20,326 --> 00:19:23,594 BUT SHE WAS THERE, SAW THE WHOLE THING, AND RAN OUT. 435 00:19:23,663 --> 00:19:26,530 LOOKED LIKE SAM WAS GONNA GIVE HIM A RIGHT BOLLOCKING. 436 00:19:26,599 --> 00:19:29,800 DON'T REMEMBER HER NAME, DO YOU? 437 00:19:32,305 --> 00:19:34,872 Skerton: CCTV SHOWS THE VAN HEADING AWAY FROM THE AREA 438 00:19:34,940 --> 00:19:37,040 AROUND THE FLAT AT 11:38, 439 00:19:37,109 --> 00:19:39,777 THEN AGAIN AT 11:52 CLOSE TO FERRER'S HOME. 440 00:19:39,845 --> 00:19:43,080 IT HASN'T TURNED UP ON ANY OTHER CCTV AND NOR HAS HIS CAR. 441 00:19:43,149 --> 00:19:45,361 RIGHT, DOESN'T TOTALLY RULE HIM OUT, 442 00:19:45,385 --> 00:19:47,829 BUT I JUST DON'T SEE WHAT HE'S GOT TO GAIN. 443 00:19:47,853 --> 00:19:50,821 WHAT ABOUT AMY'S FLATMATE? WE NEED TO CHECK THAT ALIBI. 444 00:19:50,890 --> 00:19:52,568 YEAH, WE'VE NOT TRACKED HER DOWN YET. 445 00:19:52,592 --> 00:19:53,824 YOU TWO? 446 00:19:53,893 --> 00:19:55,971 Shap: SEEMS OUR LAD WAS CAUGHT WITH HIS PANTS DOWN 447 00:19:55,995 --> 00:19:56,927 AFTER THE SHOW. 448 00:19:56,996 --> 00:19:58,840 YEAH, COUPLE OF THE KIDS WORKING THERE 449 00:19:58,864 --> 00:20:00,743 SAID THAT HE WAS CAUGHT SHAGGING SOME GROUPIE 450 00:20:00,767 --> 00:20:02,411 THAT HAD BEEN HANGING AROUND BACKSTAGE. 451 00:20:02,435 --> 00:20:04,502 AND HIS GIRLFRIEND SAW THEM AT IT. 452 00:20:04,570 --> 00:20:06,282 RIGHT. HAVE WE GOT THE GROUPIE'S NAME? 453 00:20:06,306 --> 00:20:08,083 YES, SHE SIGNED IN AT THE STAGE DOOR 454 00:20:08,107 --> 00:20:10,374 UNDER THE NAME OF LILA SACKVILLE-BOYD. 455 00:20:10,443 --> 00:20:12,209 SEE, THOSE POSH BIRDS ARE THE WORST. 456 00:20:12,278 --> 00:20:13,678 THE HELL YOU'D KNOW. 457 00:20:13,746 --> 00:20:15,090 Butchers: ACCORDING TO THE REST OF THE BAND, 458 00:20:15,114 --> 00:20:17,615 SHE WENT BACK WITH THEM AND LEFT ABOUT 5:00 A.M. 459 00:20:17,684 --> 00:20:20,584 RIGHT, SO THAT MUST BE THE GIRL I SAW GETTING IN THE VAN, 460 00:20:20,653 --> 00:20:22,998 AND IT TALLIES WITH WHAT MATT FERRER SAID. 461 00:20:23,022 --> 00:20:25,489 THERE WAS ALSO A LAD CALLED BILLY RADFIELD BACKSTAGE. 462 00:20:25,558 --> 00:20:28,091 HE USED TO BE IN RULE 7. HE LEFT ABOUT 9 MONTHS AGO. 463 00:20:28,160 --> 00:20:30,673 HE'S HAD ONE SINGLE OUT, WENT TO 48 IN THE CHARTS. 464 00:20:30,697 --> 00:20:32,963 TIMBERLAKE WON'T LOSE ANY SLEEP, THEN. 465 00:20:33,032 --> 00:20:35,210 Janine: ANYONE CHECK JACK'S PHONE RECORDS? 466 00:20:35,234 --> 00:20:37,045 UH, HE HAD A CALL FROM AMY KIRKLAND 467 00:20:37,069 --> 00:20:38,914 AND ONE FROM HIS PARENTS JUST BEFORE THE GIG. 468 00:20:38,938 --> 00:20:40,516 AND HE RECEIVED SOME TEXTS AFTERWARDS. 469 00:20:40,540 --> 00:20:42,384 JUST PEOPLE CONGRATULATING HIM. 470 00:20:42,408 --> 00:20:44,942 BUT THEN HE MADE A CALL TO A LIAM WHITTICK AT 1:36. 471 00:20:45,010 --> 00:20:46,755 NOW, ACCORDING TO THE FAN SITES, 472 00:20:46,779 --> 00:20:49,079 HE'S SHOOTING THE BAND'S PROMO FOR THE NEW SINGLE. 473 00:20:49,148 --> 00:20:51,382 RIGHT. OKAY. 474 00:20:51,451 --> 00:20:53,718 SO AMY'S GOT MOTIVE. 475 00:20:53,786 --> 00:20:56,420 SHE SAW JACK HAVING SEX WITH ANOTHER GIRL. 476 00:20:56,489 --> 00:20:58,967 SHE GOES BACK TO THE FLAT, THEY ARGUE, THINGS GET NASTY, 477 00:20:58,991 --> 00:21:00,869 BUT IF HER ALIBI STANDS UP... 478 00:21:00,893 --> 00:21:03,260 SHAP, CAN YOU FIND THE FLATMATE? 479 00:21:03,329 --> 00:21:06,296 AND, YOU TWO, GET AHOLD OF BILLY RADFIELD. 480 00:21:06,366 --> 00:21:08,109 LET'S FIND OUT WHY HE LEFT THE BAND. 481 00:21:08,133 --> 00:21:10,412 SEE IF HE COULD HAVE BEEN AT THE FLAT LAST NIGHT. 482 00:21:10,436 --> 00:21:12,956 YOU AND ME, LET'S GO AND TALK TO LIAM WHITTICK. 483 00:21:15,307 --> 00:21:17,207 Skerton: NO ONE BUYS ALBUMS OR CDs ANYMORE. 484 00:21:17,276 --> 00:21:19,076 YOU JUST DOWNLOAD WHAT YOU WANT. 485 00:21:19,145 --> 00:21:20,722 IT'S NOT THE SAME, THOUGH. 486 00:21:20,746 --> 00:21:23,280 A VINYL RECORD IS LIKE A BEAUTIFUL PIECE OF ART. 487 00:21:23,348 --> 00:21:25,248 I BET YOU'VE GOT THEM CATALOGUED, DON'T YOU, EH? 488 00:21:25,317 --> 00:21:26,684 STORED ALPHABETICALLY? 489 00:21:26,752 --> 00:21:29,352 WHY DO MEN OF YOUR AGE DO THAT? 490 00:21:29,421 --> 00:21:30,353 [ROCK MUSIC PLAYS] 491 00:21:30,422 --> 00:21:32,723 Billy: ? I'M OUT TO THE TEETH ? 492 00:21:32,792 --> 00:21:36,560 ? WITH THOUGHTS THAT I'M ACHING TO SAY ? 493 00:21:36,628 --> 00:21:38,662 I HADN'T SEEN THE LADS SINCE I LEFT THE BAND. 494 00:21:38,731 --> 00:21:40,564 MATT SAID IT'D BE ALL RIGHT TO PITCH UP. 495 00:21:40,632 --> 00:21:42,377 IT WAS MENTAL BACKSTAGE, SO JACK SAID IT'D BE BETTER 496 00:21:42,401 --> 00:21:44,101 TO GO TO HIS FLAT FOR A DRINK AFTERWARDS. 497 00:21:44,170 --> 00:21:46,636 SO YOU LEFT THE BAND ON GOOD TERMS? 498 00:21:46,706 --> 00:21:48,383 OH, YEAH. THEY'RE A GOOD BUNCH OF LADS. 499 00:21:48,407 --> 00:21:50,240 IT WERE PROFESSIONAL DIFFERENCES, THAT'S ALL. 500 00:21:50,309 --> 00:21:51,608 AND WHAT TIME DID YOU LEAVE? 501 00:21:51,677 --> 00:21:53,310 ABOUT 20 PAST 12:00. 502 00:21:53,378 --> 00:21:55,012 QUICK DRINK. 503 00:21:55,081 --> 00:21:56,591 THOUGHT YOU WOULD HAVE HAD A BIT OF CATCHING UP TO DO. 504 00:21:56,615 --> 00:21:58,626 YEAH, WELL, HE WAS KNACKERED AFTER THE GIG, YOU KNOW. 505 00:21:58,650 --> 00:21:59,950 WHERE DID YOU GO AFTER? 506 00:22:00,019 --> 00:22:02,186 HE STAYED AT MINE. YEAH. 507 00:22:02,254 --> 00:22:05,388 YEAH, YEAH, I LOST MY KEYS, SO I GAVE MATT A CALL. 508 00:22:05,457 --> 00:22:07,169 FUNNY YOU NEVER MENTIONED THAT TO MY BOSS. 509 00:22:07,193 --> 00:22:08,369 I DIDN'T THINK IT WAS IMPORTANT. 510 00:22:08,393 --> 00:22:09,971 YEAH, WELL, THAT'S FOR US TO DECIDE. 511 00:22:09,995 --> 00:22:13,197 LYING AND WASTING POLICE TIME IS TREATED VERY SERIOUSLY. 512 00:22:13,265 --> 00:22:14,664 UNDERSTOOD, OFFICER. 513 00:22:14,734 --> 00:22:16,411 NOW IF THAT'S EVERYTHING, TIME IS MONEY IN PLACES LIKE THIS. 514 00:22:16,435 --> 00:22:18,313 Skerton: YOU MUST HAVE BEEN DISAPPOINTED WITH HOW THE SINGLE DID. 515 00:22:18,337 --> 00:22:21,705 MAYBE YOU'LL DO BETTER NOW YOU'VE GOT NEW MANAGEMENT. 516 00:22:23,809 --> 00:22:25,909 LIAM WHITTICK. DO YOU KNOW HIM? 517 00:22:25,978 --> 00:22:27,388 YEAH, HE'S A FRIEND OF JACK'S. 518 00:22:27,412 --> 00:22:29,157 HE JUST STARTED FILMING OUR PROMO. 519 00:22:29,181 --> 00:22:30,748 YOUR CHOICE? 520 00:22:30,816 --> 00:22:32,828 JACK'S. THE TALENT ALWAYS THINKS IT KNOWS BEST. 521 00:22:32,852 --> 00:22:34,151 IT RARELY DOES. 522 00:22:34,220 --> 00:22:36,260 YEAH, RIGHT, WITH JACK OUT OF THE WAY, 523 00:22:36,321 --> 00:22:38,688 BILLY GETS TO RELAUNCH HIS CAREER WITH RULE 7. 524 00:22:38,758 --> 00:22:41,158 YEAH, ALL RIGHT, BUTCHERS. SEE YOU BACK AT THE STATION. 525 00:22:41,227 --> 00:22:45,062 TURNS OUT BILLY RADFIELD 526 00:22:45,131 --> 00:22:47,530 SPENT THE NIGHT AT MATT FERRER'S THAT NIGHT. 527 00:22:47,599 --> 00:22:49,332 HIS NEW MANAGER, APPARENTLY. 528 00:22:49,401 --> 00:22:50,834 AND ACCORDING TO BUTCHERS, 529 00:22:50,903 --> 00:22:53,603 MR. FERRER'S NOT A GREAT FAN OF... 530 00:22:53,672 --> 00:22:56,006 CAN I HELP? 531 00:22:58,811 --> 00:23:00,077 Liam: JACK RANG ME. 532 00:23:00,146 --> 00:23:01,757 HE WANTED ME TO GO OVER THE MATERIAL THAT I'D SHOT, 533 00:23:01,781 --> 00:23:03,792 BUT I SAID THERE WAS NO WAY I WAS GOING OUT THAT TIME OF NIGHT. 534 00:23:03,816 --> 00:23:05,783 HE HUNG UP ON ME. 535 00:23:05,851 --> 00:23:08,752 RIGHT, AND THIS MATERIAL, 536 00:23:08,821 --> 00:23:11,088 IT'S FOR THE MUSIC VIDEO, YEAH? 537 00:23:11,157 --> 00:23:13,368 YEAH, THE REST OF THE LADS WANTED TO GET THE GIG OUT THE WAY FIRST, 538 00:23:13,392 --> 00:23:14,958 BUT JACK WAS KEEN TO CRACK ON. 539 00:23:15,027 --> 00:23:16,894 SO WE AGREED TO SHOOT HIS STUFF FIRST. 540 00:23:16,962 --> 00:23:18,561 WE'D ONLY DONE A COUPLE OF DAYS 541 00:23:18,630 --> 00:23:20,931 AND THEN THE STUFF AT THE APOLLO. 542 00:23:21,000 --> 00:23:23,834 AND IT'S NOT YOUR USUAL THING, MUSIC VIDEO? 543 00:23:23,903 --> 00:23:25,869 WELL, I DONE A COUPLE WHILE I WAS AT ART COLLEGE. 544 00:23:25,938 --> 00:23:27,971 THAT'S WHERE I MET JACK. 545 00:23:28,040 --> 00:23:30,607 HE WAS MY STUDENT. BUT, NO, YOU'RE RIGHT. 546 00:23:30,676 --> 00:23:32,520 IT'S NOT MY USUAL THING, BUT IT IS WHERE THE MONEY IS. 547 00:23:32,544 --> 00:23:34,055 WHAT TIME DID YOU GET HOME? 548 00:23:34,079 --> 00:23:36,180 JUST AFTER MIDNIGHT. 549 00:23:36,248 --> 00:23:39,416 THEN OF COURSE HE WORKED FOR AN HOUR BEFORE COMING TO BED. 550 00:23:39,484 --> 00:23:41,651 MY WIFE, CASSIE. 551 00:23:41,720 --> 00:23:43,187 THE POLICE, ABOUT JACK. 552 00:23:43,255 --> 00:23:44,321 POOR JACK. 553 00:23:44,389 --> 00:23:46,723 SORRY, I WAS IN THE BATH. 554 00:23:46,792 --> 00:23:48,525 MOVE QUICKLY AND THERE'S A DELUGE. 555 00:23:48,593 --> 00:23:50,260 HOW LONG HAVE YOU GOT? 556 00:23:50,329 --> 00:23:52,307 ONE MORE MONTH. CAN'T WAIT. YEAH, I REMEMBER IT. 557 00:23:52,331 --> 00:23:54,164 IS IT YOUR FIRST? MM. 558 00:23:54,233 --> 00:23:57,701 SO, WHAT'S GONNA HAPPEN WITH THIS MUSIC VIDEO NOW? 559 00:23:57,769 --> 00:23:59,203 IT'S UP TO MATT, I GUESS, 560 00:23:59,271 --> 00:24:02,272 IN WHICH CASE I SHAN'T BE HOLDING MY BREATH WAITING FOR A CALL. 561 00:24:02,341 --> 00:24:03,718 Cassie: HOW DOES ANYONE EVER BUILD A REPUTATION 562 00:24:03,742 --> 00:24:06,043 IF YOU'RE NEVER GIVEN A BREAK? 563 00:24:06,111 --> 00:24:07,711 IT WOULD'VE BEEN BRILLIANT. 564 00:24:07,779 --> 00:24:09,557 WELL, I KNOW MY DAUGHTER FOR ONE WOULD HAVE LOVED TO HAVE SEEN IT. 565 00:24:09,581 --> 00:24:12,049 YEAH? 566 00:24:13,685 --> 00:24:15,197 MIGHT AS WELL HAVE A COPY. 567 00:24:15,221 --> 00:24:16,497 NOT MUCH ON IT, BUT SOMEBODY SHOULD ENJOY IT. 568 00:24:16,521 --> 00:24:17,888 THANKS. 569 00:24:19,024 --> 00:24:21,264 GOOD LUCK WITH THE BABY. 570 00:24:29,001 --> 00:24:31,446 YOU TOTALLY MANIPULATED THAT. ME? NEVER. 571 00:24:31,470 --> 00:24:34,838 SHOULD EARN ME A FEW BROWNIE POINTS, THOUGH. 572 00:24:36,408 --> 00:24:37,340 HIYA. 573 00:24:37,409 --> 00:24:38,475 HI. 574 00:24:40,813 --> 00:24:43,747 WHAT A STAR. 575 00:24:43,816 --> 00:24:44,816 WANT A HAND? 576 00:24:44,884 --> 00:24:45,994 IT'S ALGEBRA. 577 00:24:46,018 --> 00:24:48,018 OH, ENOUGH SAID. WHERE'S YOUR SISTER? 578 00:24:48,054 --> 00:24:50,988 PROBABLY MARRIED TO A WEIRDO IN A DRESS BY NOW. 579 00:24:52,091 --> 00:24:54,758 AT A VIGIL. 580 00:25:00,299 --> 00:25:03,433 [SOBBING] 581 00:25:03,502 --> 00:25:05,146 Matt: JACK WAS A TALENT. 582 00:25:05,170 --> 00:25:07,270 A BIG TALENT. 583 00:25:07,339 --> 00:25:10,107 AND HE WAS A GREAT LAD. 584 00:25:10,175 --> 00:25:12,810 HIS FAMILY, THE BAND, ME, HIS FANS... 585 00:25:12,878 --> 00:25:14,056 Mayne: IS SHE THERE? 586 00:25:14,080 --> 00:25:16,246 YEAH. 587 00:25:16,315 --> 00:25:19,282 YEAH, SHE'S WITH HER MATE'S MUM. 588 00:25:23,555 --> 00:25:24,855 COFFEE? 589 00:25:24,924 --> 00:25:27,691 WHAT HAPPENED TO DIET, DOG WALKING? 590 00:25:27,760 --> 00:25:29,093 THIS IS A TREAT. 591 00:25:29,161 --> 00:25:31,996 WHY WON'T SHE JUST GET A CAB? 592 00:25:32,064 --> 00:25:33,597 GO BACK. 593 00:25:33,666 --> 00:25:34,965 SHAP. 594 00:25:35,034 --> 00:25:37,167 WHO'S THAT? 595 00:25:39,238 --> 00:25:41,105 THAT'S SAM TAYLOR. 596 00:25:41,173 --> 00:25:45,142 AND HIS MUM SAID HE WAS IN AT 11:15. 597 00:25:45,210 --> 00:25:47,544 IT LOOKS LIKE HE WENT OUT AGAIN, DOESN'T IT? 598 00:25:49,949 --> 00:25:51,015 [CELLPHONE RINGS] 599 00:25:51,083 --> 00:25:55,119 I THINK THERE MIGHT BE SOMETHING GOING ON THERE. 600 00:25:55,187 --> 00:25:56,720 YEAH. 601 00:25:56,789 --> 00:25:58,155 SHAP. 602 00:25:58,223 --> 00:26:00,524 NO, I CAN'T COME BACK NOW. 603 00:26:03,863 --> 00:26:05,462 YOU SURE IT'S HIM? 604 00:26:05,531 --> 00:26:07,831 NO. OKAY. 605 00:26:10,936 --> 00:26:13,971 NO SIGN OF AMY KIRKLAND ON THE CCTV. 606 00:26:14,040 --> 00:26:16,006 BUT SAM TAYLOR'S OUT AND ABOUT 607 00:26:16,075 --> 00:26:17,753 WHEN HE TOLD US HE WAS TUCKED UP IN BED. 608 00:26:17,777 --> 00:26:18,842 REALLY? 609 00:26:18,911 --> 00:26:21,056 YOU WANT ME TO BRING HIM IN? 610 00:26:21,080 --> 00:26:22,312 YEAH. 611 00:26:22,381 --> 00:26:24,948 BUT, RICHARD, DISCREET, YEAH? 612 00:26:25,017 --> 00:26:28,518 Matt: AS I SAID, I CAN'T PASS ANY COMMENT ON THAT AT THE MOMENT. 613 00:26:28,587 --> 00:26:29,519 I DO APOLOGIZE. 614 00:26:29,588 --> 00:26:31,332 SAM, WOULD YOU MIND COMING 615 00:26:31,356 --> 00:26:33,068 AND HAVING A QUICK CHAT WITH US DOWN AT THE STATION? 616 00:26:33,092 --> 00:26:34,235 IT WON'T TAKE LONG. 617 00:26:34,259 --> 00:26:36,193 YEAH, OF COURSE. 618 00:26:42,034 --> 00:26:43,500 I DIDN'T LIE. 619 00:26:43,569 --> 00:26:48,305 I WENT HOME, TALKED TO MUM, AND I WENT TO ME ROOM. 620 00:26:48,373 --> 00:26:51,308 YEAH, BUT THERE'S ONE LITTLE DETAIL YOU FORGOT. 621 00:26:51,376 --> 00:26:52,710 YOU DIDN'T STAY THERE. 622 00:26:52,778 --> 00:26:55,713 YOU GOT YOUR ALIBI, THEN SNEAKED OUT TO SEE JACK. 623 00:26:55,781 --> 00:26:58,182 WE'VE GOT YOU ON CCTV IN OXFORD ROAD. 624 00:26:58,250 --> 00:26:59,917 I DIDN'T GO TO JACK'S. 625 00:26:59,985 --> 00:27:03,153 OH, LIKE YOU DIDN'T HAVE AN ARGUMENT HIM AFTER THE GIG. 626 00:27:03,222 --> 00:27:05,466 LIKE YOU DIDN'T KNOW THAT AMY KIRKLAND WAS HIS GIRLFRIEND. 627 00:27:05,490 --> 00:27:08,391 HOW LONG HAVE YOU BEEN IN LOVE WITH HER, SAM? 628 00:27:08,460 --> 00:27:12,495 AMY... DID JACK KNOW? DID HE WIND YOU UP ABOUT IT? 629 00:27:12,564 --> 00:27:15,833 IS THERE A BIT OF SIBLING RIVALRY THAT GOT OUT OF HAND? 630 00:27:15,901 --> 00:27:18,135 THERE HE WAS, TREATING HER BADLY, 631 00:27:18,204 --> 00:27:21,371 SHAGGING OTHER GIRLS UNDER HER NOSE, HUMILIATING HER, 632 00:27:21,440 --> 00:27:24,108 AND YET SHE STILL PREFERRED HIM OVER YOU. 633 00:27:24,176 --> 00:27:27,144 NOW, THAT'S GOT TO HURT. 634 00:27:27,213 --> 00:27:28,890 SEEMED LIKE THE ONLY WAY YOU WERE GONNA GET HER 635 00:27:28,914 --> 00:27:30,558 IS IF HE WAS OUT OF THE PICTURE. 636 00:27:30,582 --> 00:27:31,927 IS THAT WHAT THE ARGUMENT WAS ABOUT? 637 00:27:31,951 --> 00:27:33,511 WAS IT OVER AMY? YEAH. 638 00:27:35,654 --> 00:27:38,555 YEAH, IT WAS ABOUT HER. 639 00:27:38,624 --> 00:27:40,824 BUT IF YOU THINK I KILLED MY BROTHER OVER A GIRL... 640 00:27:42,561 --> 00:27:46,029 YOU WANT TO KNOW WHERE I WAS? 641 00:27:48,567 --> 00:27:50,033 THAT'S WHERE I WAS. 642 00:27:51,470 --> 00:27:54,071 CALL HER. 643 00:27:54,140 --> 00:27:55,906 SHE'LL REMEMBER. 644 00:28:02,014 --> 00:28:04,159 I'M SORRY TO KEEP YOU WAITING. 645 00:28:04,183 --> 00:28:06,250 YOU BROUGHT HIM IN HERE 646 00:28:06,318 --> 00:28:07,763 LIKE HE'S SOME KIND OF BLOODY CRIMINAL. 647 00:28:07,787 --> 00:28:10,587 NO, I JUST NEED TO CLEAR UP A FEW DETAILS, THAT'S ALL. 648 00:28:10,656 --> 00:28:12,289 HE'S JUST LOST HIS BROTHER! 649 00:28:12,357 --> 00:28:13,534 HAVE YOU GOT KIDS, HAVE YOU? 650 00:28:13,558 --> 00:28:14,970 YEAH. YEAH, I HAVE. 651 00:28:14,994 --> 00:28:16,471 YEAH, WELL, I'LL BET THERE ARE TIMES 652 00:28:16,495 --> 00:28:18,273 WHEN THEY ACT LIKE THEY HATE ONE ANOTHER, TOO. 653 00:28:18,297 --> 00:28:20,230 BUT AT THE END OF THE DAY, THEY'RE BLOOD. 654 00:28:24,870 --> 00:28:26,681 DO YOU HONESTLY THINK THE LAD COULD PUT HIS MOTHER THROUGH ALL THIS? 655 00:28:26,705 --> 00:28:30,808 Linda: YOU WAKE UP, THE SUN'S SHINING, EVERYTHING'S NORMAL. 656 00:28:30,876 --> 00:28:32,453 TWO HOURS LATER, YOU'RE HAVE TO THINK ABOUT 657 00:28:32,477 --> 00:28:35,045 WHERE TO BURY YOUR CHILD. 658 00:28:35,114 --> 00:28:37,125 I DON'T THINK I'M GOING TO GET THROUGH THIS. 659 00:28:37,149 --> 00:28:40,150 LOOK, IT'S LATE. 660 00:28:40,219 --> 00:28:43,486 WHY DON'T YOU TAKE SAM HOME WHILE WE CHECK SOME DETAILS? 661 00:28:52,631 --> 00:28:54,976 WELL, THE POINT OF BEING A ROCK STAR WAS THAT YOU DIDN'T HAVE TO PAY FOR IT. 662 00:28:55,000 --> 00:28:56,033 EXACTLY. 663 00:28:56,101 --> 00:28:57,612 YEAH, AND IF HE'S IN LOVE WITH AMY, 664 00:28:57,636 --> 00:28:59,080 WHY WOULD HE GO WITH A PROSTITUTE? 665 00:28:59,104 --> 00:29:00,938 WELL, NO COMMITMENT, NO EMOTION. 666 00:29:01,006 --> 00:29:03,140 JUST SEX WITH SOMEONE WHO DOESN'T CARE 667 00:29:03,209 --> 00:29:04,942 YOU'RE THINKING ABOUT SOMEBODY ELSE. 668 00:29:06,312 --> 00:29:08,678 I'LL, UH, SPEAK TO HER, SHALL I? 669 00:29:08,747 --> 00:29:10,547 YEAH. YEAH. 670 00:29:10,615 --> 00:29:14,651 SEE IF SHE REMEMBERS SAM, AND IF SO, WHAT TIME HE LEFT. 671 00:29:14,720 --> 00:29:18,388 OKAY. WHAT ELSE? 672 00:29:18,457 --> 00:29:20,790 WE TRACKED DOWN AMY'S FLATMATE, SOPHIE... STUDENT. 673 00:29:20,860 --> 00:29:23,138 TURNS OUT, SHE CRASHED AT A MATE'S HOUSE ON FRIDAY NIGHT. 674 00:29:23,162 --> 00:29:24,172 HASN'T BEEN HOME SINCE. 675 00:29:24,196 --> 00:29:26,330 SO SHE CAN'T CORROBORATE AMY'S STORY. 676 00:29:26,398 --> 00:29:27,697 Janine: WHY LIE? 677 00:29:27,766 --> 00:29:29,878 DON'T KNOW, BUT SHE GOT A DOZEN MISSED CALLS FROM AMY 678 00:29:29,902 --> 00:29:30,912 ON HER MOBILE. 679 00:29:30,936 --> 00:29:32,447 OKAY, I THINK WE SHOULD TALK TO AMY AGAIN. 680 00:29:32,471 --> 00:29:34,749 AND LET'S KEEP ON AT THE LAB ABOUT THAT TERRA-COTTA HEAD. 681 00:29:34,773 --> 00:29:37,040 SO, THIS IS THE LAND OF THE LIVING, EH? 682 00:29:37,109 --> 00:29:38,808 YOU'RE GONNA LOVE ME. 683 00:29:38,878 --> 00:29:40,021 I ALWAYS LOVE YOU. 684 00:29:40,045 --> 00:29:41,444 DO YOU MIND? 685 00:29:41,513 --> 00:29:43,358 TROUBLE IS, I KNOW WHERE THEY'VE BEEN. 686 00:29:43,382 --> 00:29:45,227 JACK HAD SEX SHORTLY BEFORE HE DIED... 687 00:29:45,251 --> 00:29:47,484 WITH BILLY RADFIELD. 688 00:29:47,552 --> 00:29:48,785 [LAUGHS] 689 00:29:51,757 --> 00:29:54,424 BILLY, WE'RE NOT HERE TO JUDGE YOU. 690 00:29:54,493 --> 00:29:56,593 WE JUST WANT TO GET TO THE TRUTH. 691 00:29:56,661 --> 00:29:58,901 WE KNOW YOU HAD SEX WITH JACK THE NIGHT HE DIED. 692 00:29:58,931 --> 00:30:00,808 YOUR DNA WAS ON THE BODY AND ON THE SHEETS. 693 00:30:00,832 --> 00:30:04,567 I JUST WENT THERE TO TALK, YEAH? 694 00:30:04,636 --> 00:30:06,770 JACK WAS HIGH FROM THE GIG. 695 00:30:06,838 --> 00:30:09,373 HE'D BEEN DRINKING. WE BOTH HAD. 696 00:30:09,441 --> 00:30:10,640 YOU ENDED UP HAVING SEX. 697 00:30:12,111 --> 00:30:14,177 WAS IT CONSENSUAL? 698 00:30:16,515 --> 00:30:19,249 HAD IT HAPPENED BEFORE? 699 00:30:19,318 --> 00:30:22,085 YEAH. 700 00:30:22,154 --> 00:30:23,820 IN COLLEGE. 701 00:30:23,889 --> 00:30:24,966 ART COLLEGE. 702 00:30:24,990 --> 00:30:26,456 WE JUST DID A YEAR, 703 00:30:26,525 --> 00:30:29,626 THEN SACKED IT OFF TO CONCENTRATE ON THE BAND. 704 00:30:29,694 --> 00:30:32,963 JACK WAS... JACK WAS THE ONE 705 00:30:33,032 --> 00:30:36,366 EVERYBODY WANTED TO BE MATES WITH, 706 00:30:36,435 --> 00:30:38,768 WANTED TO GO OUT WITH. 707 00:30:38,837 --> 00:30:42,505 TO JACK, IT WAS JUST ANOTHER EXPERIENCE. 708 00:30:42,574 --> 00:30:46,876 JUST A BIT OF FUN. 709 00:30:49,148 --> 00:30:50,691 SCREWED WITH MY HEAD. I COULDN'T HANDLE IT. 710 00:30:50,715 --> 00:30:53,616 SO THIS TIME, WHEN IT HAPPENED, IT MADE YOU ANGRY. 711 00:30:53,685 --> 00:30:55,230 HE WAS BACK IN CHARGE. YOU'D HAD A DRINK. 712 00:30:55,254 --> 00:30:59,056 NO, NO, NO. JACK WAS NEVER GONNA CHANGE. 713 00:30:59,124 --> 00:31:00,635 HE DIDN'T GIVE A SHIT ABOUT ANYBODY, 714 00:31:00,659 --> 00:31:03,327 EXCEPT HIS FAMILY. 715 00:31:03,395 --> 00:31:05,728 I WAS ANGRY WITH MYSELF. 716 00:31:10,135 --> 00:31:12,069 WE HAD SEX. 717 00:31:12,137 --> 00:31:13,403 THEN I LEFT. 718 00:31:13,472 --> 00:31:15,472 I DIDN'T KILL HIM. 719 00:31:15,540 --> 00:31:17,580 THING IS, BILLY, WE'VE ONLY GOT YOUR WORD FOR THAT. 720 00:31:17,642 --> 00:31:20,410 UP UNTIL NOW, THAT'S NOT PROVED THAT RELIABLE. 721 00:31:20,479 --> 00:31:23,413 SO, WHAT'S MATT FERRER'S ROLE IN ALL THIS? 722 00:31:25,317 --> 00:31:27,162 AFTER I LEFT, I WENT TO A BAR. 723 00:31:27,186 --> 00:31:29,519 WHAT BAR? 724 00:31:29,588 --> 00:31:31,232 DEANSGATE. WELL, I DON'T KNOW. 725 00:31:31,256 --> 00:31:33,768 I WAS IN A BIT OF A STATE. I JUST KEPT ON DRINKING. 726 00:31:33,792 --> 00:31:35,770 PHONED MATT UP AND TOLD HIM WHAT HAPPENED. 727 00:31:35,794 --> 00:31:37,172 HE SAID I SHOULD COME OVER. 728 00:31:37,196 --> 00:31:38,206 WHAT TIME WAS THIS? 729 00:31:38,230 --> 00:31:39,474 ABOUT 3:30 WHEN I GOT THERE. 730 00:31:39,498 --> 00:31:41,531 WHY LIE? 731 00:31:41,600 --> 00:31:43,511 MATT SAID IF I DIDN'T HAVE A DECENT ALIBI, 732 00:31:43,535 --> 00:31:45,975 THEN YOU GUYS WOULD START DIGGING UP THE DIRT. 733 00:31:47,739 --> 00:31:50,259 AND IF IT EVER GOT OUT ABOUT ME AND JACK... 734 00:31:52,277 --> 00:31:55,178 SEE, MATT WAS GONNA TALK TO THE RECORDING COMPANY ABOUT ME, 735 00:31:55,247 --> 00:31:59,182 MAYBE THE GUYS IN THE BAND WHEN THE TIME WAS RIGHT. 736 00:31:59,251 --> 00:32:01,731 IF THEY EVER GOT WIND OF THIS, THEN... 737 00:32:03,722 --> 00:32:06,623 MUSIC IS THE ONLY THING I'VE EVER BEEN GOOD AT. 738 00:32:06,691 --> 00:32:10,127 IT'S THE ONLY THING I'VE EVER WANTED TO DO. 739 00:32:11,463 --> 00:32:13,903 LOOK, I SWEAR, WHEN I LEFT HIM, HE WAS ALIVE. 740 00:32:17,136 --> 00:32:19,403 WE NEED CCTV FROM LATE-LICENSE BARS. 741 00:32:19,471 --> 00:32:21,949 YOU WANT ME TO BRING THE MANAGER IN? 742 00:32:21,973 --> 00:32:24,213 MATT FERRER? NO, HE'S WASTED ENOUGH OF OUR TIME. 743 00:32:24,276 --> 00:32:26,910 WE'RE GONNA GO AND TALK TO AMY, OKAY? 744 00:32:29,981 --> 00:32:31,548 WHAT WOULD YOU SAY WAS THE HIGHLIGHT 745 00:32:31,616 --> 00:32:33,583 OF YOUR ROCK-'N'-ROLL CAREER? 746 00:32:33,652 --> 00:32:34,829 YOU TAKING A PISS? 747 00:32:34,853 --> 00:32:35,885 NO, I'M SERIOUS. 748 00:32:35,954 --> 00:32:38,321 WHO WOULD YOU SAY YOU WERE MOST LIKE? 749 00:32:38,390 --> 00:32:41,058 WELL, I SUPPOSE STING WOULD BE THE CLOSEST. 750 00:32:41,126 --> 00:32:42,426 [LAUGHS] 751 00:32:42,494 --> 00:32:44,461 I TOLD YOU, 752 00:32:44,530 --> 00:32:45,940 I THOUGHT SHE WAS IN THE HOUSE. 753 00:32:45,964 --> 00:32:47,642 I JUST ASSUMED SHE'D HEARD ME COME IN. 754 00:32:47,666 --> 00:32:49,077 YOU DIDN'T ACTUALLY SEE HER? 755 00:32:49,101 --> 00:32:50,845 AND YOU HAVEN'T BEEN BOMBARDING HER WITH CALLS 756 00:32:50,869 --> 00:32:52,035 TO ARRANGE AN ALIBI? 757 00:32:52,104 --> 00:32:54,571 I JUST WANTED SOMEBODY TO TALK TO. 758 00:32:54,639 --> 00:32:56,440 HE WAS MY LIFE. 759 00:32:56,508 --> 00:32:59,642 I DON'T CARE WHAT HAPPENS TO ME. WHY WOULD I LIE? 760 00:32:59,711 --> 00:33:01,878 I WALKED DOWN OXFORD ROAD. 761 00:33:01,947 --> 00:33:03,947 THERE WERE FIRE ENGINES. 762 00:33:04,015 --> 00:33:06,216 I GOT BACK ABOUT HALF 1:00. 763 00:33:06,285 --> 00:33:10,820 LOOK, I'M... I'M GONNA HAVE TO GET BACK TO WORK. 764 00:33:16,861 --> 00:33:18,027 Mayne: OKAY, COOL. 765 00:33:18,096 --> 00:33:20,141 I'LL GET KAT TO SPEAK TO THE FIRE DEPARTMENT, 766 00:33:20,165 --> 00:33:22,565 SEE IF THERE WAS ANY ENGINES IN OXFORD ROAD THAT NIGHT. 767 00:33:22,634 --> 00:33:24,567 YEAH. COOL. 768 00:33:24,636 --> 00:33:26,636 OKAY, I GOT TO GO. CHEERS, DAVE, BYE. 769 00:33:26,672 --> 00:33:28,672 HOW ARE WE DOING WITH THE PROSTITUTE? 770 00:33:28,707 --> 00:33:30,652 I'VE LEFT MESSAGES FOR HER TO CALL. 771 00:33:30,676 --> 00:33:33,209 YEAH, I DON'T SUPPOSE WE'RE ON HER FRIENDS-AND-FAMILY LIST. 772 00:33:33,278 --> 00:33:34,322 BETTER GET 'ROUND THERE YOURSELF. 773 00:33:34,346 --> 00:33:35,523 IT LOOKS LIKE BILLY RADFIELD 774 00:33:35,547 --> 00:33:36,791 COULD BE TELLING US THE TRUTH. 775 00:33:36,815 --> 00:33:38,915 WE'VE GOT HIM ON CCTV 776 00:33:38,983 --> 00:33:40,695 GOING INTO A BAR ON WHITWORTH STREET ABOUT 12:37. 777 00:33:40,719 --> 00:33:42,352 YEAH, PROBLEM IS, 778 00:33:42,421 --> 00:33:44,941 IS WE HAVEN'T GOT A POSITIVE I.D. OF HIM COMING OUT AGAIN. 779 00:33:44,989 --> 00:33:46,155 COMING OUT. 780 00:33:46,224 --> 00:33:48,958 YEAH, ALL RIGHT, ALL RIGHT. GROW UP. 781 00:33:49,027 --> 00:33:50,838 GET DOWN THERE, FIND OUT WHAT TIME HE LEFT. 782 00:33:50,862 --> 00:33:52,573 UH, BOSS, THAT WAS THE LAB. 783 00:33:52,597 --> 00:33:54,375 THE PARTICLES ON JACK'S WOUND 784 00:33:54,399 --> 00:33:56,599 MATCH THE MATERIAL THE CLAY HEAD'S MADE OF. 785 00:33:56,668 --> 00:33:59,135 GOOD WORK. 786 00:34:02,173 --> 00:34:04,253 HELLO, MATE. DETECTIVE SERGEANT BUTCHERS. 787 00:34:04,309 --> 00:34:05,542 BILLY RADFIELD FROM RULE 7 788 00:34:05,610 --> 00:34:07,844 WAS IN HERE ON FRIDAY NIGHT ABOUT HALF 12:00. 789 00:34:07,912 --> 00:34:08,845 DID YOU SEE HIM? 790 00:34:08,913 --> 00:34:10,413 NO, SORRY. 791 00:34:10,482 --> 00:34:12,915 MATE, D.S. SHAP. 792 00:34:12,984 --> 00:34:14,929 DID YOU SEE THIS FELLA IN HERE ON FRIDAY? 793 00:34:14,953 --> 00:34:16,931 BILLY RADFIELD? YEAH, SURE. 794 00:34:16,955 --> 00:34:18,800 YOU'RE POSITIVE IT WAS FRIDAY? 795 00:34:18,824 --> 00:34:20,657 YEAH. 796 00:34:23,628 --> 00:34:25,773 SENT IT TO ME SISTER. SHE RECKONS HE'S COOL. 797 00:34:25,797 --> 00:34:29,932 RIGHT. 2:48 A.M. SATURDAY MORNING. 798 00:34:30,001 --> 00:34:31,278 HE WAS PRETTY WASTED. 799 00:34:31,302 --> 00:34:33,748 A CAB PICKED HIM UP ABOUT 15 MINUTES AFTER THAT. 800 00:34:33,772 --> 00:34:35,505 COULD YOU BLUE-TOOTH IT TO ME, MATE? 801 00:34:35,574 --> 00:34:36,694 YEAH, SURE. 802 00:34:37,709 --> 00:34:39,308 Cassie: IVF BABY. 803 00:34:39,378 --> 00:34:41,356 PROBABLY MAKES YOU A BIT MORE NEUROTIC. 804 00:34:41,380 --> 00:34:42,690 HE SEEMS DEAD CHUFFED, THOUGH. 805 00:34:42,714 --> 00:34:44,625 OH, YEAH, ALTHOUGH I THINK HE JUST WANTS IT OVER NOW. 806 00:34:44,649 --> 00:34:47,484 IF I'M NOT, YOU KNOW, WAKING HIM GETTING UP TO PEE 807 00:34:47,552 --> 00:34:49,364 OR TOSSING ABOUT TRYING TO GET COMFY, 808 00:34:49,388 --> 00:34:51,432 I'M MOANING ABOUT PILES AND STRETCH MARKS. 809 00:34:51,456 --> 00:34:52,655 WHAT YOU USING? 810 00:34:52,724 --> 00:34:54,869 COCOA BUTTER. LIAM LIKES THE SMELL. 811 00:34:54,893 --> 00:34:55,958 OH, DOES HE? 812 00:34:56,027 --> 00:34:57,059 [BOTH CHUCKLE] 813 00:34:57,128 --> 00:34:59,295 SPEAK OF THE DEVIL. 814 00:34:59,364 --> 00:35:03,800 IT'S LIKE A RED CLAY SCULPTURE OF A MAN'S HEAD. 815 00:35:03,869 --> 00:35:06,469 YEAH, YEAH, JACK MADE IT WHEN HE WAS IN MY CLASS. 816 00:35:06,538 --> 00:35:08,215 WOULD HAVE HANDLED IT DOZENS OF TIMES... 817 00:35:08,239 --> 00:35:09,784 FIRING IT, DISPLAYING IT. 818 00:35:09,808 --> 00:35:11,674 AND RECENTLY? 819 00:35:11,743 --> 00:35:13,109 IT'S HARD TO SAY. 820 00:35:13,177 --> 00:35:14,856 COULD HAVE DONE WHEN I'VE BEEN 'ROUND THERE. 821 00:35:14,880 --> 00:35:16,746 HARD TO REMEMBER. 822 00:35:16,815 --> 00:35:19,949 THIS IS A LOVELY PICTURE. 823 00:35:21,185 --> 00:35:22,886 YEAH, THAT WAS JACK. 824 00:35:22,954 --> 00:35:25,032 Skerton: BOTH BILLY AND JACK WERE IN LIAM'S CLASS. 825 00:35:25,056 --> 00:35:27,690 BUT WHEN THEY LEFT, THE COLLEGE DIDN'T RENEW HIS CONTRACT. 826 00:35:27,759 --> 00:35:29,859 YOU FIND OUT WHY. WE NEED MOTIVE. 827 00:35:29,928 --> 00:35:32,595 SEE, THE WAY I SEE IT, HE STANDS TO LOSE BY JACK'S DEATH. 828 00:35:32,664 --> 00:35:35,175 WHAT ABOUT BILLY RADFIELD? ARE WE SURE THE BARMAN'S GOT THE RIGHT NIGHT? 829 00:35:35,199 --> 00:35:37,934 POSITIVE. THE CAB COMPANY THAT PICKED HIM UP HAS CONFIRMED IT. 830 00:35:38,002 --> 00:35:39,781 YEAH, THE BOOKING WERE MADE IN MATT FERRER'S NAME, 831 00:35:39,805 --> 00:35:41,805 AND BILLY WENT BACK TO HIS AFTER. 832 00:35:41,873 --> 00:35:43,105 SO HE'S IN THE CLEAR. 833 00:35:43,174 --> 00:35:45,453 AMY? SHE SAYS SHE WALKED BACK ALONG OXFORD ROAD, 834 00:35:45,477 --> 00:35:48,044 PAST FIRE ENGINES, AND ARRIVED HOME AROUND 1:30. 835 00:35:48,112 --> 00:35:50,632 BUT THE FIRE BRIGADE DIDN'T TAKE THE CALL TILL 20 PAST 2:00. 836 00:35:50,682 --> 00:35:53,382 CCTV PICKED HER UP AT 20 TO 3:00. 837 00:35:53,452 --> 00:35:55,685 RIGHT, SO SHE SEES HIM WITH THE BIRD BACKSTAGE, 838 00:35:55,754 --> 00:35:57,799 GOES BACK TO THE FLAT TO HAVE IT OUT WITH HIM, 839 00:35:57,823 --> 00:35:59,255 SNAPS, 840 00:35:59,324 --> 00:36:00,835 OR MAYBE SHE JUST WENT TO SEE IF THE BIRD WAS STILL WITH HIM. 841 00:36:00,859 --> 00:36:02,570 YEAH, BUT WHY WOULD SHE GO BACK TO THE FLAT 842 00:36:02,594 --> 00:36:04,639 IF SHE KNEW HE WAS WITH ANOTHER GIRL? 843 00:36:04,663 --> 00:36:07,196 I DON'T KNOW, BUT SHE'S GOT MOTIVE. 844 00:36:07,265 --> 00:36:10,032 SHE'S LYING TO US. GET HER IN. 845 00:36:10,101 --> 00:36:13,269 OH, COME ON, LOVE. STOP PLAYING SILLY BEGGARS. 846 00:36:13,338 --> 00:36:15,805 WE KNOW YOU WEREN'T WALKING HOME AT THAT TIME 847 00:36:15,874 --> 00:36:20,209 BECAUSE WE'VE GOT YOU ON CCTV OVER AN HOUR LATER. 848 00:36:20,278 --> 00:36:21,978 NOW, WHERE WERE YOU? 849 00:36:22,046 --> 00:36:25,782 IT'S ALL RIGHT, AMY. JUST TAKE YOUR TIME. 850 00:36:30,889 --> 00:36:32,567 IT WASN'T HALF PAST WHEN I GOT THERE. 851 00:36:32,591 --> 00:36:34,256 IT WAS EARLIER. 852 00:36:37,696 --> 00:36:42,164 THE MUSIC WAS PLAYING SO LOUD, THEY DIDN'T HEAR ME COME IN. 853 00:36:42,233 --> 00:36:44,633 IT WAS COMING FROM THE BEDROOM. 854 00:36:47,572 --> 00:36:51,207 MY HEART WAS POUNDING SO HARD, I COULD HEAR IT IN MY HEAD. 855 00:36:54,145 --> 00:36:55,512 I THOUGHT HE WAS WITH HER. 856 00:36:55,580 --> 00:36:58,314 AND I DIDN'T WANT TO, 857 00:36:58,383 --> 00:36:59,749 BUT... 858 00:37:02,086 --> 00:37:04,120 I WENT UP THERE AND... 859 00:37:06,124 --> 00:37:08,558 THEY WERE THERE ON THE BED. 860 00:37:10,862 --> 00:37:12,729 JACK AND BILLY. 861 00:37:12,797 --> 00:37:15,142 AND I WANTED TO SCREAM, BUT NOTHING WOULD COME OUT. 862 00:37:15,166 --> 00:37:16,399 SO WHAT HAPPENED THEN? 863 00:37:16,467 --> 00:37:19,335 [SIGHS] 864 00:37:19,404 --> 00:37:24,007 I JUST CREPT BACK OUT AND WENT DOWNSTAIRS AND WAITED OUTSIDE. 865 00:37:26,377 --> 00:37:31,681 I JUST... I WANTED TO MAKE SURE THAT HE HAD GONE. 866 00:37:31,750 --> 00:37:33,394 THAT THEY HADN'T SPENT THE NIGHT TOGETHER. 867 00:37:33,418 --> 00:37:35,518 SO YOU SAW BILLY LEAVE? 868 00:37:37,455 --> 00:37:40,056 AND I... 869 00:37:40,124 --> 00:37:43,560 I WANTED TO GO BACK IN. 870 00:37:43,628 --> 00:37:47,363 I WANTED TO KILL HIM. 871 00:37:47,432 --> 00:37:51,834 BUT THEN I THOUGHT... HE'LL BE ANGRY IF I GO BACK UP. 872 00:37:51,903 --> 00:37:55,404 SO... I JUST... 873 00:37:55,473 --> 00:37:58,875 I SAT THERE TILL ABOUT 2:00. 874 00:37:58,944 --> 00:38:01,110 THEN I WALKED HOME. 875 00:38:01,179 --> 00:38:04,914 HOW PATHETIC IS THAT? 876 00:38:07,118 --> 00:38:09,052 WHY DIDN'T YOU TELL THE TRUTH BEFORE? 877 00:38:11,522 --> 00:38:13,723 I WAS TOO ASHAMED. 878 00:38:19,363 --> 00:38:20,908 IT'S HUMILIATING ENOUGH KNOWING THAT YOUR BOYFRIEND 879 00:38:20,932 --> 00:38:23,452 SLEEPS WITH OTHER WOMEN, KNOWING THAT HE SLEEPS WITH MEN... 880 00:38:27,405 --> 00:38:29,925 SHE COULDN'T ADMIT IT, 'CAUSE ONCE SHE SAID SHE DID, 881 00:38:29,975 --> 00:38:31,886 SHE'D HAVE TO DO SOMETHING ABOUT IT. 882 00:38:31,910 --> 00:38:33,621 AND IT WAS TOO HARD TO GIVE UP. 883 00:38:33,645 --> 00:38:34,755 BOSS. YEAH? 884 00:38:34,779 --> 00:38:35,819 SAM'S IN THE CLEAR. 885 00:38:35,847 --> 00:38:37,847 ACCORDING TO THE PROSTITUTE HE USED, 886 00:38:37,882 --> 00:38:39,760 HE WAS THERE BETWEEN 1:40 AND 4:00. 887 00:38:39,784 --> 00:38:42,318 SEE? THAT'S WHAT YOU GET WITH YOUNG MEN... STAMINA. 888 00:38:42,386 --> 00:38:45,387 YEAH, BUT IF HE'S IN THE CLEAR AND BILLY'S GOT AN ALIBI... 889 00:38:45,456 --> 00:38:47,690 RIGHT, LAB REPORT'S COME BACK. 890 00:38:47,759 --> 00:38:50,927 BLUE FIBERS WITH GREEN LEAD-BASED PAINT PARTICLES ATTACHED 891 00:38:50,996 --> 00:38:52,807 WERE FOUND ON JACK'S DOORFRAME. 892 00:38:52,831 --> 00:38:53,975 WHAT ABOUT LIAM WHITTICK? 893 00:38:53,999 --> 00:38:55,142 LIAM WHITTICK LOST HIS JOB 894 00:38:55,166 --> 00:38:56,811 BECAUSE HE WAS FAVORING CERTAIN STUDENTS. 895 00:38:56,835 --> 00:38:58,045 JACK TAYLOR BEING ONE OF THEM. 896 00:38:58,069 --> 00:38:59,335 UPPING THE MARKS. 897 00:38:59,403 --> 00:39:01,281 SO MAYBE GETTING HIM IN TO DO THE PROMO IS LIKE PAYBACK. 898 00:39:01,305 --> 00:39:02,850 YEAH, BUT IT STILL DON'T GIVE HIM A MOTIVE. 899 00:39:02,874 --> 00:39:04,218 AND HE'S GOT AN ALIBI FROM HIS WIFE. 900 00:39:04,242 --> 00:39:06,020 MAYBE THE WIFE'S COVERING FOR HIM. 901 00:39:06,044 --> 00:39:07,764 NO. I DON'T THINK SO. 902 00:39:07,812 --> 00:39:10,613 SHE SAID HE CAME TO BED ABOUT 1:00 AFTER DOING SOME WORK. 903 00:39:10,682 --> 00:39:13,650 YEAH, BUT HE COULD'VE SLIPPED OUT AGAIN AFTER SHE WERE ASLEEP. 904 00:39:13,718 --> 00:39:15,284 NO, SHE WOULD HAVE NOTICED. 905 00:39:15,353 --> 00:39:17,654 SHE'S GETTING UP ALL THE TIME TO PEE. 906 00:39:17,722 --> 00:39:22,224 NO, HE TOOK A CALL FROM JACK ON HIS MOBILE. 907 00:39:22,293 --> 00:39:24,027 SO WHY DIDN'T SHE HEAR IT? 908 00:39:24,095 --> 00:39:25,427 HEAVY SLEEPER? 909 00:39:25,496 --> 00:39:27,736 BUT YOU'RE NOT. YOU'RE NOT WHEN YOU'RE PREGNANT. 910 00:39:27,766 --> 00:39:29,777 SHE SAID HERSELF SHE'S KEEPING LIAM AWAKE. 911 00:39:29,801 --> 00:39:31,946 NOW, WHAT ABOUT IF HE GOES INTO ANOTHER ROOM? 912 00:39:31,970 --> 00:39:33,836 THE STUDIO OR THE NURSERY? 913 00:39:33,905 --> 00:39:35,716 THAT'S WHEN THE CALL COMES AND SHE DOESN'T HEAR THE MOBILE... 914 00:39:35,740 --> 00:39:37,618 HANG ON. HANG ON. PAINT PARTICLES. 915 00:39:37,642 --> 00:39:39,153 DIDN'T YOU SAY THEY WERE DECORATING? 916 00:39:39,177 --> 00:39:40,287 YEAH, THE NURSERY. 917 00:39:40,311 --> 00:39:42,189 BUT IT'S THE OLD PAINTS THAT HAD THE LEAD IN IT. 918 00:39:42,213 --> 00:39:43,257 NO, NO, NO! 919 00:39:43,281 --> 00:39:44,759 SHE'S STRIPPING IT BACK TO THE WOOD. 920 00:39:44,783 --> 00:39:46,761 SO THERE WOULD BE. THERE'D BE OLD PAINT PARTICLES. 921 00:39:46,785 --> 00:39:51,688 RIGHT, SO, HE COMES HOME, THEN HE DOES SOME WORK. 922 00:39:51,756 --> 00:39:53,600 MAYBE SHE MEANT DECORATING WORK. 923 00:39:53,624 --> 00:39:55,402 YEAH, MAYBE. SHE FALLS ASLEEP. 924 00:39:55,426 --> 00:39:57,694 THEN HE GETS THE CALL, GOES TO SEE JACK. 925 00:39:57,762 --> 00:40:00,163 THEY ARGUE, HE HITS HIM OVER THE HEAD WITH THE CLAY... 926 00:40:00,231 --> 00:40:02,131 WELL, WHY WOULD HE KILL HIM? 927 00:40:02,200 --> 00:40:06,102 I DON'T KNOW, BUTCHERS. 928 00:40:06,171 --> 00:40:09,105 I DON'T KNOW. 929 00:40:09,174 --> 00:40:11,040 LET'S GO AND FIND OUT. 930 00:40:17,182 --> 00:40:19,682 I HOPE YOU'RE SURE ABOUT THIS, BOSS. 931 00:40:25,389 --> 00:40:27,724 [CAR DOORS CLOSE] 932 00:40:27,792 --> 00:40:31,360 [CASSIE BREATHING HEAVILY] 933 00:40:33,131 --> 00:40:36,465 Richard: HELLO? HELLO? 934 00:40:36,534 --> 00:40:39,769 LIAM? 935 00:40:39,838 --> 00:40:41,403 HELLO? 936 00:40:44,943 --> 00:40:46,242 IT'S CASSIE. 937 00:40:52,283 --> 00:40:54,283 [MOANS] 938 00:40:54,352 --> 00:40:56,219 OH, I CAN'T FEEL THE BABY. 939 00:40:56,287 --> 00:40:58,520 OKAY. HAVE YOU CALLED AN AMBULANCE? 940 00:40:58,589 --> 00:41:01,157 I THOUGHT YOU WERE THEM. NO. 941 00:41:01,226 --> 00:41:02,291 YEAH, THROUGH HERE. 942 00:41:02,360 --> 00:41:03,726 WHY ARE THE POLICE HERE? 943 00:41:04,963 --> 00:41:06,240 CAN YOU TELL ME YOUR NAME? 944 00:41:06,264 --> 00:41:07,964 CASSIE. 945 00:41:08,032 --> 00:41:11,000 HOW LONG HAVE YOU BEEN HAVING YOUR CONTRACTIONS? 946 00:41:11,069 --> 00:41:13,736 Janine: BLUE FIBERS, GREEN LEAD-BASED PAINT. 947 00:41:13,805 --> 00:41:16,372 YOU WERE AT JACK'S FLAT, LIAM. 948 00:41:16,440 --> 00:41:19,242 BREATH SLOWLY. 949 00:41:19,310 --> 00:41:21,421 WE NEED TO GET YOU TO A HOSPITAL NOW. 950 00:41:21,445 --> 00:41:23,846 OH, GOD. 951 00:41:23,915 --> 00:41:25,882 NO, NO. LEAVE HER NOW, LIAM. 952 00:41:25,950 --> 00:41:27,194 NO, NO, NO. PLEASE, DON'T. DON'T LEAVE ME. 953 00:41:27,218 --> 00:41:29,152 WE'LL FOLLOW BEHIND IN THE CAR. 954 00:41:29,220 --> 00:41:31,687 I, 2, 3. 955 00:41:39,998 --> 00:41:41,864 [SIREN WAILS] 956 00:41:43,134 --> 00:41:46,435 WE GOT ENOUGH EVIDENCE. I JUST DON'T UNDERSTAND WHY. 957 00:41:46,504 --> 00:41:49,738 WHEN I GOT THERE, JACK WAS OFF HIS HEAD. 958 00:41:49,808 --> 00:41:52,508 HE WATCHED THE STUFF, SAID THAT IT WAS CRAP, 959 00:41:52,576 --> 00:41:55,211 AND THAT MATT HAD BEEN RIGHT ALL ALONG... 960 00:41:55,280 --> 00:41:58,815 I WASN'T UP TO IT. 961 00:41:58,883 --> 00:42:02,451 HE WAS TREATING IT ALL LIKE IT WAS A BIG JOKE. 962 00:42:02,520 --> 00:42:05,788 HE OWED ME. 963 00:42:05,857 --> 00:42:08,102 HE WAS GONNA FAIL HIS FIRST YEAR AT COLLEGE, 964 00:42:08,126 --> 00:42:12,995 SO HE ASKED ME TO HELP HIM, AND I SAID YEAH, JUST LIKE THAT. 965 00:42:13,064 --> 00:42:16,132 THEY FOUND OUT, AND I LOST MY JOB. 966 00:42:16,201 --> 00:42:19,202 JACK LEFT ANYWAY, SO IT WAS ALL FOR NOTHING. 967 00:42:19,270 --> 00:42:21,337 SO WHAT HAPPENED THAT NIGHT? 968 00:42:21,405 --> 00:42:23,739 WE HAD A ROW. 969 00:42:23,808 --> 00:42:28,277 I TOLD HIM HOW MUCH I NEEDED THE JOB. 970 00:42:28,346 --> 00:42:31,447 HE JUST LAUGHED AT ME AND TOLD ME TO GET OUT. 971 00:42:31,515 --> 00:42:32,915 I WAS ANGRY. 972 00:42:32,984 --> 00:42:36,886 I JUST GRABBED THE STATUE, 973 00:42:36,955 --> 00:42:40,156 LASHED OUT... 974 00:42:40,225 --> 00:42:44,126 AND THEN I PANICKED. 975 00:42:44,195 --> 00:42:46,062 DIDN'T MEAN TO KILL HIM. 976 00:42:49,533 --> 00:42:53,535 FAILING AT THIS WASN'T AN OPTION FOR ME. 977 00:42:53,604 --> 00:42:56,339 WORK HAD DRIED UP. 978 00:42:56,407 --> 00:42:59,675 WE WERE IN DEBT WITH THE IVF. 979 00:42:59,744 --> 00:43:02,111 THIS WAS OUR THIRD GO AT IT. 980 00:43:02,180 --> 00:43:06,548 DOES CASSIE KNOW? 981 00:43:06,617 --> 00:43:08,829 I COULDN'T TELL HER HOW BAD THINGS WERE 982 00:43:08,853 --> 00:43:11,020 AND RISK LOSING OUR CHILD. 983 00:43:11,089 --> 00:43:12,255 WHAT ABOUT THE TAYLORS? 984 00:43:12,323 --> 00:43:15,992 WHAT ABOUT THEIR CHILD? 985 00:43:16,060 --> 00:43:18,294 THEIR GRIEF, THEIR LOSS? 986 00:43:18,363 --> 00:43:21,030 I NEVER MEANT TO KILL HIM. I SWEAR. 987 00:43:21,099 --> 00:43:24,500 BUT YOU DID. 988 00:43:24,568 --> 00:43:26,936 YOU'VE DESTROYED THEIR FAMILY. 989 00:43:27,005 --> 00:43:29,438 NOW YOU'VE DESTROYED YOUR OWN. 990 00:43:31,142 --> 00:43:33,075 [BABY CRYING] 991 00:43:33,144 --> 00:43:35,077 PLEASE. 992 00:43:56,267 --> 00:43:59,368 [CRYING CONTINUES] 993 00:44:06,311 --> 00:44:08,244 Butchers: INTERESTING FACT... 994 00:44:08,313 --> 00:44:12,281 THE AVERAGE AGE OF DEATH FOR A BRITISH MALE IS 73. 995 00:44:12,350 --> 00:44:13,860 THE AVERAGE AGE FOR ROCK STARS IS 29. 996 00:44:13,884 --> 00:44:15,695 YOU'VE GOT TO BE DEAD TO BE A GOOD ROCK STAR. 997 00:44:15,719 --> 00:44:17,398 JOHNNY ROTTEN... NOT DEAD. 998 00:44:17,422 --> 00:44:18,354 WHO'S HE? 999 00:44:18,423 --> 00:44:19,983 AND STING. WHAT'S THAT? 1000 00:44:20,024 --> 00:44:21,969 KARAOKE, MY PUB. FANCY IT? 1001 00:44:21,993 --> 00:44:23,960 REALLY? YEAH, COME ON. 1002 00:44:24,028 --> 00:44:25,508 I'LL SEE WHAT THE BOSS IS DOING. 1003 00:44:27,798 --> 00:44:30,311 THE GUY'S HAVE ORGANIZED SOMETHING. FANCY COMING OUT? 1004 00:44:30,335 --> 00:44:31,678 OH, YEAH. NOT YOU. 1005 00:44:31,702 --> 00:44:34,102 WE'RE GOING FOR A PIZZA. OH, ALL RIGHT. 1006 00:44:34,638 --> 00:44:35,571 FOR YOU. 1007 00:44:35,639 --> 00:44:37,206 WHAT IS IT? 1008 00:44:37,275 --> 00:44:38,574 MESSAGE IN A BOTTLE. 1009 00:44:38,642 --> 00:44:41,444 DON'T STAND. DON'T STAND SO CLOSE TO ME. 1010 00:44:41,512 --> 00:44:43,512 Butchers: ? DA DO DO DO ? 1011 00:44:43,581 --> 00:44:45,081 ? DA DA DA DA ? 1012 00:44:45,149 --> 00:44:46,248 [LAUGHTER] 1013 00:44:46,317 --> 00:44:47,661 YOU KNOW WHAT? I'VE CHANGED ME MIND. 1014 00:44:47,685 --> 00:44:49,663 COME ON, STING, SHOW US WHAT YOU'VE GOT. 1015 00:44:49,687 --> 00:44:51,598 THEY WANTED ME TO CUT A TRACK, YOU KNOW. 1016 00:44:51,622 --> 00:44:52,754 SHUT UP! 1017 00:44:52,823 --> 00:44:54,368 I COULD HAVE HAD A CAREER. ? ROXANNE ? 1018 00:44:54,392 --> 00:44:56,892 CAPTIONING MADE POSSIBLE BY ACORN MEDIA 1019 00:44:56,942 --> 00:45:01,492 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 74271

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