All language subtitles for Queer.as.Folk.US.S02E20.Out.With.a.Whimper.1080p.AMZN.WEB-DL.DDP5.1.x264-NTb_track3_eng

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,810 --> 00:00:11,245 - * ONE, TWO, THREE, FOUR 2 00:00:11,279 --> 00:00:13,047 * ONE, TWO, THREE, FOUR, FIVE, SIX * 3 00:00:13,081 --> 00:00:14,048 * SHAKE IT, DUDE 4 00:00:14,082 --> 00:00:22,022 * 5 00:00:28,396 --> 00:00:32,166 * ONE, TWO 6 00:00:32,200 --> 00:00:34,368 * ONE, TWO, THREE, FOUR 7 00:00:34,402 --> 00:00:35,336 * FOUR 8 00:00:42,310 --> 00:00:46,180 - OH, MY GOD. 9 00:00:46,214 --> 00:00:48,416 VOLUME ONE, ISSUE ONE. 10 00:00:48,449 --> 00:00:50,318 - IT'S THE FIRST TIME I'VE EVER SEEN MY WORK IN PRINT. 11 00:00:50,351 --> 00:00:52,286 - THIS WAS JUST A STORY IN MY HEAD. 12 00:00:52,320 --> 00:00:55,323 - THIS IS SO COOL. 13 00:00:55,356 --> 00:00:56,290 - DO YOU HAVE ANY IDEA 14 00:00:56,324 --> 00:00:58,426 HOW MUCH THIS IS GOING TO BE WORTH SOME DAY? 15 00:00:58,459 --> 00:01:01,295 - LOOK. STORY BY MICHAEL NOVOTNY. 16 00:01:01,329 --> 00:01:02,596 - ART BY JUSTIN TAYLOR. 17 00:01:02,630 --> 00:01:03,597 [door opening] 18 00:01:03,631 --> 00:01:05,133 - HEY, BOYS. 19 00:01:05,166 --> 00:01:08,502 - HI. 20 00:01:08,536 --> 00:01:11,305 - SO, ARE YOU READY TO SELL YOUR BABY ON THE OPEN MARKET? 21 00:01:11,339 --> 00:01:12,306 - I HOPE PEOPLE LIKE IT. 22 00:01:12,340 --> 00:01:13,307 - WHY WOULDN'T THEY? 23 00:01:13,341 --> 00:01:16,277 - YOU HAVE NO IDEA HOW VICIOUS QUEERS CAN BE, 24 00:01:16,310 --> 00:01:18,412 ESPECIALLY WHEN IT COMES TO SOMEONE ELSE'S SUCCESS. 25 00:01:18,446 --> 00:01:20,614 BUT THAT'S WHY I'VE INVITED THEM ALL TO A PARTY, 26 00:01:20,648 --> 00:01:22,750 SO THEY'LL FEEL LOVED AND INCLUDED. 27 00:01:22,783 --> 00:01:24,618 - HOLY SHIT. - BRIAN. 28 00:01:24,652 --> 00:01:27,288 - I'VE INVITED MEMBERS OF THE GAY PRESS 29 00:01:27,321 --> 00:01:29,790 AND SET UP SOME INTERVIEWS, 30 00:01:29,823 --> 00:01:32,126 BOUGHT ADVERTISING IN ALL THE FAG RAGS, 31 00:01:32,160 --> 00:01:33,727 TOP QUEER WEB SITES. 32 00:01:33,761 --> 00:01:35,596 IF WE PLAY THIS RIGHT, 33 00:01:35,629 --> 00:01:37,365 YOU WON'T BE ABLE TO PEDDLE THESE FAST ENOUGH. 34 00:01:37,398 --> 00:01:39,600 AND THEN WE CAN ALL RETIRE TO PALM SPRINGS, 35 00:01:39,633 --> 00:01:41,869 WEAR MUUMUUS AND SIP MIMOSAS. 36 00:01:41,902 --> 00:01:45,173 - IN THE MEANTIME, I BETTER GET TO CLASS. 37 00:01:45,206 --> 00:01:47,508 - BYE. 38 00:01:47,541 --> 00:01:49,610 - SEE YOU TONIGHT? 39 00:01:49,643 --> 00:01:51,712 - UH, SURE. 40 00:02:06,927 --> 00:02:09,363 - I LOVE YOU. - ME TOO. 41 00:02:09,397 --> 00:02:10,464 ALWAYS HAVE, 42 00:02:10,498 --> 00:02:13,234 ALWAYS WILL. 43 00:02:13,267 --> 00:02:15,636 - ZEPHYR LOOKS JUST LIKE YOU. 44 00:02:15,669 --> 00:02:18,372 A-AND J.T. LOOKS LIKE JUSTIN. 45 00:02:18,406 --> 00:02:19,873 - AND RAGE IS THE SPITTING IMAGE OF BRIAN. 46 00:02:19,907 --> 00:02:21,909 - HOW COME, UH, I'M NOT IN HERE? 47 00:02:21,942 --> 00:02:23,577 WHAT, SUPERHEROES DON'T HAVE MOTHERS? 48 00:02:23,611 --> 00:02:24,845 - WHO WASHES THEIR TIGHTS? 49 00:02:24,878 --> 00:02:25,846 WHO IRONS THEIR CAPES? 50 00:02:25,879 --> 00:02:26,847 - YEAH. 51 00:02:26,880 --> 00:02:28,182 - BEN, HONEY, 52 00:02:28,216 --> 00:02:29,183 HERE, HAVE SOME MORE RIGATONI. 53 00:02:29,217 --> 00:02:30,618 - OH, NO, NO, NO. DEBBIE, REALLY I COULDN'T. 54 00:02:30,651 --> 00:02:31,752 - SURE YOU CAN. 55 00:02:31,785 --> 00:02:33,387 - MA, WOULD YOU STOP FORCE-FEEDING HIM? 56 00:02:33,421 --> 00:02:34,822 - HE'S ONE OF THE FAMILY NOW. 57 00:02:34,855 --> 00:02:36,724 - EXCUSE ME. I'M ONE OF THE FAMILY. 58 00:02:36,757 --> 00:02:40,561 - YEAH, MY SINCERE CONDOLENCES. 59 00:02:40,594 --> 00:02:42,496 - WHAT MICHAEL MEANS IS, 60 00:02:42,530 --> 00:02:43,931 MEMBERSHIP HAS ITS PRIVILEGES. 61 00:02:43,964 --> 00:02:45,333 - YEAH, WHAT, ARE YOU GOING TO HIT HIM 62 00:02:45,366 --> 00:02:46,334 IN THE HEAD NOW, TOO? 63 00:02:46,367 --> 00:02:49,803 - INCLUDING A TWO-WEEK PACKAGE IN THE POCONOS. 64 00:02:49,837 --> 00:02:50,904 - MM. 65 00:02:50,938 --> 00:02:51,705 - WE'VE BEEN GOING THERE EVERY SUMMER 66 00:02:51,739 --> 00:02:53,541 FOR TWO WEEKS SINCE I WAS NINE. 67 00:02:53,574 --> 00:02:54,775 - YEAH, RIGHT BY THE LAKE. 68 00:02:54,808 --> 00:02:56,510 - IT'S THE PERFECT PLACE TO RELAX. 69 00:02:56,544 --> 00:02:57,511 - I COOK. 70 00:02:57,545 --> 00:02:59,413 - I SLEEP. - I CAMP. 71 00:02:59,447 --> 00:03:00,748 - SO WHY DON'T YOU COME WITH US? 72 00:03:00,781 --> 00:03:03,484 - OH, UH, I WOULD LOVE TO. 73 00:03:03,517 --> 00:03:05,586 UH, IF I'M HERE. 74 00:03:05,619 --> 00:03:06,820 - HERE? WH--WHERE WOULD YOU BE? 75 00:03:06,854 --> 00:03:08,422 - WELL, I WAS, UH, ACTUALLY THINKING 76 00:03:08,456 --> 00:03:10,358 ABOUT GOING TO TIBET. 77 00:03:10,391 --> 00:03:11,759 - HONEY, THAT'S A LONG WAY 78 00:03:11,792 --> 00:03:13,294 TO GO FOR A VACATION. 79 00:03:13,327 --> 00:03:15,829 - YEAH, WELL, IT WOULDN'T EXACTLY BE A VACATION. 80 00:03:15,863 --> 00:03:18,599 UM, SEE THERE'S THIS BUDDHIST ACADEMY-- 81 00:03:18,632 --> 00:03:20,000 IT'S, UH, NEAR LHASA, THE CAPITAL-- 82 00:03:20,033 --> 00:03:21,101 THAT ACCEPTS WESTERNERS. 83 00:03:21,134 --> 00:03:23,304 A FRIEND OF MINE JUST GOT BACK FROM STUDYING THERE, 84 00:03:23,337 --> 00:03:26,240 SAID IT WAS THE MOST PROFOUND EXPERIENCE THAT HE'D EVER HAD. 85 00:03:26,274 --> 00:03:27,475 I-IT CHANGED HIS LIFE. 86 00:03:27,508 --> 00:03:28,709 - YEAH, WELL, NO HEAT, 87 00:03:28,742 --> 00:03:32,980 NO ELECTRICITY, AND NO TOILET PAPER CAN DO THAT. 88 00:03:33,013 --> 00:03:34,982 - SO YOU'D BE THERE, LIKE, WHAT? 89 00:03:35,015 --> 00:03:36,350 A COUPLE OF WEEKS, OR-- 90 00:03:36,384 --> 00:03:39,587 - UM, WELL, I-IT'S AN INTENSIVE PROGRAM. 91 00:03:39,620 --> 00:03:43,324 SO IF I DECIDE TO GO, UM, 92 00:03:43,357 --> 00:03:46,360 MORE LIKE SIX MONTHS. 93 00:03:53,601 --> 00:03:55,936 - TIBET? WHAT'S IN TIBET? 94 00:03:55,969 --> 00:03:57,805 NUDE BEACH? CIRCUIT PARTY? 95 00:03:57,838 --> 00:03:59,473 - [laughs] 96 00:03:59,507 --> 00:04:01,842 NUDE BEACH OR A CIRCUIT PARTY. 97 00:04:01,875 --> 00:04:04,545 HE'S SO FUNNY. YOU ARE SO FUNNY. 98 00:04:04,578 --> 00:04:05,646 - WHAT'D I SAY? 99 00:04:05,679 --> 00:04:07,981 - HE WANTS TO GO TO A MONASTERY. 100 00:04:08,015 --> 00:04:10,484 - COULD BE HOT. 101 00:04:10,518 --> 00:04:11,919 - HE'LL BE GONE FOR SIX MONTHS. 102 00:04:11,952 --> 00:04:14,355 - THAT'S A LONG TIME TO BE CELIBATE. 103 00:04:14,388 --> 00:04:15,356 - WELL, YOU LIVE WITH MONKS, 104 00:04:15,389 --> 00:04:16,490 YOU HAVE TO BE CELIBATE. 105 00:04:16,524 --> 00:04:17,925 - NOT HIM. YOU. 106 00:04:17,958 --> 00:04:19,760 - LOOK, JUST BECAUSE HE'S TALKING ABOUT IT 107 00:04:19,793 --> 00:04:21,629 DOESN'T MEAN HE'S ACTUALLY GOING TO GO THROUGH WITH IT. 108 00:04:21,662 --> 00:04:24,298 - YEAH, ONCE HE REALIZES THERE'S NO FUCKING, 109 00:04:24,332 --> 00:04:25,633 NO DANCING, NO GYM, 110 00:04:25,666 --> 00:04:26,634 AND THAT YOU HAVE TO WEAR ORANGE, 111 00:04:26,667 --> 00:04:28,669 WHICH, TRUST ME, NO HUMAN BEING LOOKS GOOD IN, 112 00:04:28,702 --> 00:04:29,803 NO MATTER HOW SPIRITUAL, 113 00:04:29,837 --> 00:04:31,605 HE'LL FORGET ALL ABOUT IT. 114 00:04:31,639 --> 00:04:34,642 - EM'S RIGHT. YOU ARE SO RIGHT. 115 00:04:34,675 --> 00:04:39,046 BESIDES, THERE'S NO WAY HE'S GOING TO LEAVE HIS HONEY. 116 00:04:39,079 --> 00:04:41,014 - OKAY. COME ON, LET'S HIT THE SHOWERS. 117 00:04:41,048 --> 00:04:42,015 - PUSSY. 118 00:04:42,049 --> 00:04:44,418 YOU'VE BEEN WORKING OUT FOR EXACTLY TEN MINUTES. 119 00:04:44,452 --> 00:04:46,787 - WHICH IS THE SAME AS A TWO HOUR WORKOUT FOR YOU, 120 00:04:46,820 --> 00:04:48,088 MINUS ALL THE TIME YOU SPEND 121 00:04:48,121 --> 00:04:50,758 CRUISING ALL THE GUYS IN THIS PLACE. 122 00:04:50,791 --> 00:04:54,395 COME ON, EM, I'LL HIT 'EM WITH YOU. 123 00:04:54,428 --> 00:04:57,698 - SO THIS FRIDAY, MM? 124 00:04:57,731 --> 00:05:01,101 INSTEAD OF GOING CLUB-HOPPING WITH YOUR BOYFRIEND, 125 00:05:01,134 --> 00:05:06,874 WHY DON'T YOU DRIVE TO THE COUNTRY WITH ME? 126 00:05:06,907 --> 00:05:09,009 WE'LL PARK UNDER THE STARS, 127 00:05:09,042 --> 00:05:11,412 AND WE'LL WATCH THE METEOR SHOWER. 128 00:05:11,445 --> 00:05:13,080 - HMM. 129 00:05:13,113 --> 00:05:14,548 I CAN'T. 130 00:05:14,582 --> 00:05:16,817 HE'S GIVING ME A PARTY. 131 00:05:16,850 --> 00:05:18,386 - DON'T TELL ME HE FINALLY DECIDED 132 00:05:18,419 --> 00:05:21,722 HE BELIEVES IN BIRTHDAYS. 133 00:05:21,755 --> 00:05:25,325 - NO, IT'S--IT'S FOR THE COMIC BOOK. 134 00:05:29,763 --> 00:05:32,099 - HE MUST LOVE YOU A LOT. 135 00:05:32,132 --> 00:05:36,904 - IN HIS WAY. 136 00:05:36,937 --> 00:05:40,741 - BUT NOT IN YOURS. 137 00:05:51,685 --> 00:05:55,523 [sighs] 138 00:05:55,556 --> 00:05:56,757 - I HAVE TO GO. 139 00:06:14,808 --> 00:06:17,611 - MY LATEST CD. 140 00:06:17,645 --> 00:06:21,749 YOU'RE THE FIRST PERSON TO HAVE IT. 141 00:06:21,782 --> 00:06:23,484 - AND YOU USED MY DRAWING. 142 00:06:23,517 --> 00:06:25,886 - CHECK OUT THE BACK. 143 00:06:32,493 --> 00:06:33,961 - "FOR JUSTIN." 144 00:06:47,775 --> 00:06:48,909 - OH, HOLD ON. 145 00:06:48,942 --> 00:06:50,644 - WHAT? - YOUR BACK'S STILL WET. 146 00:06:50,678 --> 00:06:52,680 LET ME DRY YOU OFF. 147 00:06:52,713 --> 00:06:54,482 AHH, WELL, EM, 148 00:06:54,515 --> 00:06:57,585 YOU'VE REALLY GOTTEN YOURSELF INTO GREAT SHAPE. 149 00:06:57,618 --> 00:07:00,654 YOUR BACK IS AS BROAD AS TEXAS, 150 00:07:00,688 --> 00:07:02,723 YOUR STOMACH AS FLAT AS KANSAS, 151 00:07:02,756 --> 00:07:05,092 AND FLORIDA'S LOVELY THIS TIME OF YEAR. 152 00:07:05,125 --> 00:07:07,528 - WELL, LET'S JUST STOP BEFORE WE GET TO THE GRAND CANYON. 153 00:07:07,561 --> 00:07:09,530 - [laughs] 154 00:07:09,563 --> 00:07:12,466 GOD, YOU ARE SO FUNNY. 155 00:07:12,500 --> 00:07:15,536 SO, WHAT ARE YOU DOING NOW? 156 00:07:15,569 --> 00:07:17,137 - PUTTING ON MY SHIRT. 157 00:07:17,170 --> 00:07:19,673 - [chuckles] 158 00:07:19,707 --> 00:07:21,942 NO, I MEANT-- I MEANT AFTER. 159 00:07:21,975 --> 00:07:23,811 - WELL, I THOUGHT I MIGHT TRY WORKING. 160 00:07:23,844 --> 00:07:26,614 SOME OF US FORMER MILLIONAIRES HAVE TO, YOU KNOW. 161 00:07:26,647 --> 00:07:28,949 - WELL, I MIGHT STOP BY. TAKE YOU OUT TO LUNCH. 162 00:07:28,982 --> 00:07:31,819 - HONEY, YOU'VE ALREADY TAKEN ME OUT TO LUNCH TWICE THIS WEEK. 163 00:07:31,852 --> 00:07:34,522 AND BREAKFAST AND DINNER. 164 00:07:34,555 --> 00:07:38,125 - TREATING YOU IS MY TREAT. 165 00:07:46,567 --> 00:07:49,537 [violin playing] 166 00:07:49,570 --> 00:07:57,511 * 167 00:08:28,876 --> 00:08:29,843 - HEY! 168 00:08:29,877 --> 00:08:33,881 EXCUSE ME, SIR? 169 00:08:33,914 --> 00:08:36,884 YOU, UH, YOU DROPPED $100 IN MY CASE. 170 00:08:36,917 --> 00:08:38,752 - IT SAYS YOU'RE STARVING. 171 00:08:38,786 --> 00:08:42,022 - YEAH, WELL, I'M MORE LIKE A LITTLE HUNGRY. 172 00:08:42,055 --> 00:08:43,757 - YOU ARE A STUDENT? 173 00:08:43,791 --> 00:08:45,926 - YOU WANT TO SEE MY I.D.? 174 00:08:45,959 --> 00:08:47,595 - YOU'RE GOOD. - I KNOW. 175 00:08:47,628 --> 00:08:48,629 - SO WHY ARE YOU WASTING YOUR TIME 176 00:08:48,662 --> 00:08:50,030 STANDING ON THE STREET, 177 00:08:50,063 --> 00:08:51,732 PLAYING FOR NICKELS AND DIMES? 178 00:08:51,765 --> 00:08:53,133 - WELL, DO I LOOK LIKE 'N SYNC? 179 00:08:53,166 --> 00:08:55,168 I'M NOT EXACTLY GOING TO BE SELLING OUT MELLON ARENA. 180 00:08:55,202 --> 00:08:57,204 - THERE ARE OTHER WAYS TO MAKE MONEY. 181 00:08:57,237 --> 00:08:59,807 COUPLE THOUSAND, AT LEAST. 182 00:08:59,840 --> 00:09:02,142 - DOING WHAT? 183 00:09:02,175 --> 00:09:05,112 - I'M FREEZING. I'M GOING TO GO GET SOME COFFEE. 184 00:09:09,316 --> 00:09:13,954 - RAGE IS NOW REQUIRED READING FOR PROFESSOR BRUCKNER'S CLASS. 185 00:09:13,987 --> 00:09:15,956 - I GUESS IT PAYS TO BE THE TEACHER'S BOYFRIEND. 186 00:09:15,989 --> 00:09:18,158 - THAT IS NOT WHY. 187 00:09:18,191 --> 00:09:20,293 IT REFLECTS THE SUBJECT OF THE COURSE I'M TEACHING, 188 00:09:20,327 --> 00:09:22,295 A SURVEY OF GAY AESTHETICS 189 00:09:22,329 --> 00:09:24,932 IN POST-MODERN AMERICAN ART AND LITERATURE. 190 00:09:24,965 --> 00:09:27,668 - WOW, SAY THAT TEN TIMES FAST WHILE HOLDING YOUR BREATH. 191 00:09:27,701 --> 00:09:30,103 - AND BECAUSE IT'S GOOD. 192 00:09:30,137 --> 00:09:32,105 - YOU MEAN IT? - MM-HMM. 193 00:09:32,139 --> 00:09:33,874 IT MAY LOOK LIKE A COMIC BOOK, 194 00:09:33,907 --> 00:09:36,376 BUT IT SAYS SOMETHING IMPORTANT ABOUT GAY PEOPLE. 195 00:09:36,409 --> 00:09:38,345 YOU KNOW, THE VALUE OF FRIENDSHIP, 196 00:09:38,378 --> 00:09:40,981 OF LOYALTY, COURAGE. 197 00:09:41,014 --> 00:09:43,016 AND YOUR CHARACTERS, THEY AREN'T JUST CARTOONS. 198 00:09:43,050 --> 00:09:45,653 YOU KNOW, THEY'RE REAL. I CARE ABOUT THEM. 199 00:09:45,686 --> 00:09:47,888 EVEN RAGE. 200 00:09:47,921 --> 00:09:50,157 - WELL, THAT IS AN ACHIEVEMENT. - UH-HUH. 201 00:09:50,190 --> 00:09:55,028 YOU ARE AN HONEST TO GOD WRITER, MICHAEL. 202 00:09:55,062 --> 00:09:56,930 - THANK YOU. 203 00:09:56,964 --> 00:09:59,066 - THANK YOU, TOO. 204 00:09:59,099 --> 00:10:00,968 - FOR WHAT? 205 00:10:01,001 --> 00:10:02,402 - WELL, IF IT HADN'T BEEN FOR YOU, 206 00:10:02,435 --> 00:10:05,639 I NEVER WOULD HAVE THOUGHT SERIOUSLY ABOUT GOING TO TIBET. 207 00:10:05,673 --> 00:10:07,174 BUT WHEN I WAS IN THE HOSPITAL, 208 00:10:07,207 --> 00:10:09,843 YOU ENCOURAGED ME TO FOCUS ON SOMETHING POSITIVE. 209 00:10:09,877 --> 00:10:13,781 - YEAH, I MEANT SEX OR CHOCOLATE CAKE. 210 00:10:13,814 --> 00:10:16,717 - HERE. 211 00:10:16,750 --> 00:10:19,419 THIS CAME TODAY. 212 00:10:19,452 --> 00:10:21,121 IT'S AN EMAIL I GOT THIS MORNING 213 00:10:21,154 --> 00:10:23,323 FROM THE MONASTERY IN SAMYE. 214 00:10:23,356 --> 00:10:28,996 THEY INVITED ME TO COME STUDY WITH THEM. 215 00:10:29,029 --> 00:10:31,031 BUT I-I WANT YOU TO KNOW, 216 00:10:31,064 --> 00:10:32,365 THERE'S NO WAY THAT I WOULD GO 217 00:10:32,399 --> 00:10:34,634 WITHOUT YOUR BLESSING AND APPROVAL. 218 00:10:44,945 --> 00:10:47,247 - UH, TED, HONEY? - YEAH? 219 00:10:47,280 --> 00:10:49,783 - DON'T YOU NEED TO GET TO THE WAREHOUSE? 220 00:10:49,817 --> 00:10:52,820 I MEAN, ISN'T THERE A JISM JAMBOREE 221 00:10:52,853 --> 00:10:54,855 OR SOMETHING LIKE THAT ON THE WEB SITE THIS AFTERNOON? 222 00:10:54,888 --> 00:10:58,826 - YEAH, SOMETHING LIKE THAT. 223 00:10:58,859 --> 00:11:02,763 YOU KNOW, I REALLY MISS YOUR BEING THERE. 224 00:11:02,796 --> 00:11:06,266 - WELL, YOU'VE GOT LOTS OF OTHER JERKERS NOW. 225 00:11:06,299 --> 00:11:09,169 - THEY'RE NOT YOU. 226 00:11:09,202 --> 00:11:12,272 MY PAL. 227 00:11:12,305 --> 00:11:16,309 GOOD BUDDY. 228 00:11:16,343 --> 00:11:20,047 LOVING FRIEND. 229 00:11:20,080 --> 00:11:21,815 both: HEY, GUYS. 230 00:11:21,849 --> 00:11:22,816 - OH. 231 00:11:22,850 --> 00:11:24,184 LOOK WHO IT IS. 232 00:11:24,217 --> 00:11:26,219 I'M SO HAPPY TO SEE YOU GUYS. 233 00:11:26,253 --> 00:11:29,022 - HEY, WHAT ARE YOU GALS DOING CRUISING THE RUE DE LIBERTE? 234 00:11:29,056 --> 00:11:30,090 - OH, EMMETT TOLD US 235 00:11:30,123 --> 00:11:31,324 ABOUT THE NEW DISCO BABY BOUTIQUE. 236 00:11:31,358 --> 00:11:32,359 THOUGHT WE'D COME CHECK IT OUT. 237 00:11:32,392 --> 00:11:33,460 - YEAH, YEAH, 238 00:11:33,493 --> 00:11:34,795 WITH ALL THE GAY PARENTS THESE DAYS, 239 00:11:34,828 --> 00:11:36,296 WE'VE INTRODUCED A WHOLE NEW LINE 240 00:11:36,329 --> 00:11:38,331 OF, UH, BABY CLOTHES, ACCESSORIES. 241 00:11:38,365 --> 00:11:40,333 - THAT'S SO CUTE. 242 00:11:40,367 --> 00:11:41,935 - WE'VE GOT TONS MORE. 243 00:11:41,969 --> 00:11:42,970 HERE, COME ON, I'LL-- 244 00:11:43,003 --> 00:11:44,805 I'LL SHOW YOU. 245 00:11:44,838 --> 00:11:46,006 TAKE HIM TO THE MOVIES, TAKE HIM TO LUNCH, 246 00:11:46,039 --> 00:11:47,074 JUST TAKE HIM. 247 00:11:47,107 --> 00:11:49,309 - WHO? - TEDDY. 248 00:11:49,342 --> 00:11:52,312 HE'S DRIVING ME CRAZY, WON'T LEAVE ME ALONE. 249 00:11:52,345 --> 00:11:54,481 HE FOLLOWS ME EVERYWHERE, HE LAUGHS AT EVERYTHING I SAY. 250 00:11:54,514 --> 00:11:57,350 HE KEEPS LOOKING AT ME IN THIS WEIRD KIND OF 251 00:11:57,384 --> 00:11:59,186 PUPPY-DOG KIND OF WAY. 252 00:11:59,219 --> 00:12:02,355 - REALLY? - YOU DON'T SAY? 253 00:12:02,389 --> 00:12:05,525 - AWW. 254 00:12:05,558 --> 00:12:09,262 SO, TEDDY, YOU SEEING ANYONE? 255 00:12:09,296 --> 00:12:11,331 - ME? NO. 256 00:12:11,364 --> 00:12:13,200 - MICHAEL TOLD ME HE SAW EMMETT LAST NIGHT 257 00:12:13,233 --> 00:12:14,935 WITH THIS REALLY HOT GUY. 258 00:12:14,968 --> 00:12:16,203 - WHAT? WHO? 259 00:12:16,236 --> 00:12:19,272 - WHY ARE YOU SO UPSET? - WHO SAID I'M UPSET? 260 00:12:23,576 --> 00:12:25,012 IS IT THAT OBVIOUS? 261 00:12:25,045 --> 00:12:26,313 - 'FRAID SO, KIDDO. 262 00:12:26,346 --> 00:12:28,982 - WE KNEW AS SOON AS WE SAW YOUR FACE. 263 00:12:29,016 --> 00:12:30,951 - I-I DON'T KNOW HOW TO EXPLAIN IT. 264 00:12:30,984 --> 00:12:32,185 ONE MINUTE I'M LOOKING AT HIM, 265 00:12:32,219 --> 00:12:33,420 AND HE'S THE SAME OLD EMMETT I SEE EVERY DAY. 266 00:12:33,453 --> 00:12:36,957 THE NEXT MINUTE I'M LOOKING AT HIM AND... 267 00:12:36,990 --> 00:12:41,461 HE'S THE MOST BEAUTIFUL THING I'VE EVER SEEN. 268 00:12:41,494 --> 00:12:42,562 IT'S MASHUGANA, HUH? 269 00:12:42,595 --> 00:12:44,231 - AH, NOT THAT MASHUGANA. 270 00:12:44,264 --> 00:12:45,532 IT'S WHAT HAPPENED TO MEL AND ME. 271 00:12:45,565 --> 00:12:47,000 ONE DAY, WE'RE FRIENDS, AND-- 272 00:12:47,034 --> 00:12:48,535 - NEXT THING YOU KNOW, WE'RE LOVERS. 273 00:12:48,568 --> 00:12:49,870 - YEAH, BUT YOU'RE LESBIANS, SO-- 274 00:12:49,903 --> 00:12:51,404 - AH! - OOH! 275 00:12:51,438 --> 00:12:53,907 FRIENDS TURN INTO LOVERS ALL THE TIME. 276 00:12:53,941 --> 00:12:54,908 - EVEN FAGS. 277 00:12:54,942 --> 00:12:55,909 - [laughs] 278 00:12:55,943 --> 00:12:57,010 - SO GO FOR IT. 279 00:12:57,044 --> 00:12:58,545 TELL HIM HOW YOU FEEL. 280 00:12:58,578 --> 00:12:59,546 - YOU NEVER KNOW. 281 00:12:59,579 --> 00:13:02,482 YOU MIGHT JUST AWAKEN SOME FEELINGS IN HIM. 282 00:13:06,920 --> 00:13:08,488 - COMMERCIALS. 283 00:13:08,521 --> 00:13:10,057 - YEAH, WE'RE ABOUT TO SHOOT ONE NOW. 284 00:13:10,090 --> 00:13:11,524 THIS COUPLE OUT ON A DATE. 285 00:13:11,558 --> 00:13:14,962 CHARMING FRENCH RESTAURANT, DINNER FOR TWO. 286 00:13:14,995 --> 00:13:16,897 BUT INSTEAD OF ORDERING CHAMPAGNE, 287 00:13:16,930 --> 00:13:20,033 THEY ORDER STEELTOWN BEER. 288 00:13:20,067 --> 00:13:22,302 - SO, WHAT--WHAT DOES THIS HAVE TO DO WITH ME? 289 00:13:22,335 --> 00:13:25,272 - YOU'RE THE STROLLING VIOLINIST. 290 00:13:25,305 --> 00:13:27,274 YOU'RE PLAYING SOMETHING RIDICULOUSLY ROMANTIC, 291 00:13:27,307 --> 00:13:31,278 LIKE PAGANINI'S CANTABILE IN D MAJOR, OPUS 17. 292 00:13:31,311 --> 00:13:33,013 - YOU'RE KIDDING ME. THAT'S ON MY CD. 293 00:13:33,046 --> 00:13:35,415 - NO SHIT. IT'S ONE OF MY FAVORITES. 294 00:13:35,448 --> 00:13:41,421 - HUH. 295 00:13:41,454 --> 00:13:43,556 - I SHOULD GIVE YOU MY CARD. 296 00:13:43,590 --> 00:13:45,893 MY NAME'S BRIAN. 297 00:13:45,926 --> 00:13:48,461 BRIAN KINNEY. 298 00:13:48,495 --> 00:13:53,600 AND YOU ARE? 299 00:13:53,633 --> 00:13:55,435 - ETHAN. GOLD. 300 00:13:55,468 --> 00:13:57,070 - BRIAN. 301 00:13:57,104 --> 00:13:58,238 BRIAN, I THOUGHT YOU'D BE AT WORK. 302 00:13:58,271 --> 00:14:00,140 - WE'RE JUST HAVING A BUSINESS MEETING. 303 00:14:00,173 --> 00:14:03,176 JUSTIN, THIS IS ETHAN. ETHAN, JUSTIN. 304 00:14:13,987 --> 00:14:16,323 - I GOTTA GET TO CLASS. 305 00:14:19,993 --> 00:14:21,428 - BY THE WAY, IF YOU'RE INTERESTED, 306 00:14:21,461 --> 00:14:22,395 THE JOB'S YOURS. 307 00:14:32,205 --> 00:14:34,207 - [sighs] 308 00:14:34,241 --> 00:14:37,644 - $15 FOR THE HOUSE SALAD? 309 00:14:37,677 --> 00:14:39,646 HOPE THEY THROW IN A POOL AND A TENNIS COURT. 310 00:14:39,679 --> 00:14:41,414 - [laughs] 311 00:14:41,448 --> 00:14:44,918 DON'T LOOK AT THE PRICES, JUST ORDER WHATEVER YOU WANT. 312 00:14:44,952 --> 00:14:48,455 - I'LL HAVE HIM, TO GO. 313 00:14:48,488 --> 00:14:50,390 - JUST--JUST YOUR TYPE? 314 00:14:50,423 --> 00:14:52,259 - ISN'T HE YOURS? 315 00:14:52,292 --> 00:14:53,393 - NOT REALLY. 316 00:15:01,668 --> 00:15:04,271 - YOU DRINK ANY MORE WATER, YOU'LL DROWN. 317 00:15:04,304 --> 00:15:07,274 - I'M THIRSTY. 318 00:15:07,307 --> 00:15:11,244 - YOU KNOW, TEDDY, YOU'VE BEEN ACTING REALLY WEIRD LATELY. 319 00:15:11,278 --> 00:15:12,412 - WEIRD, WHAT DO YOU MEAN, WEIRD? 320 00:15:12,445 --> 00:15:14,381 - WELL, I-IT'S SORT OF LIKE, 321 00:15:14,414 --> 00:15:16,216 YOU HAVE SOMETHING YOU WANT TO SAY, 322 00:15:16,249 --> 00:15:18,251 BUT YOU'RE NOT TELLING ME. 323 00:15:18,285 --> 00:15:19,652 - WOULD YOU LIKE ME TO? 324 00:15:19,686 --> 00:15:22,255 - DON'T WE SHARE EVERYTHING? 325 00:15:22,289 --> 00:15:23,256 - NOT YET. 326 00:15:29,462 --> 00:15:31,131 EMMETT, I-- 327 00:15:37,004 --> 00:15:39,672 [clears throat] THANKS. 328 00:15:39,706 --> 00:15:41,308 [clears throat] 329 00:15:46,179 --> 00:15:47,514 BOY, AM I THIRSTY. 330 00:15:54,021 --> 00:15:54,954 [coughs] 331 00:16:00,693 --> 00:16:02,729 AS YOU KNOW, I-- 332 00:16:02,762 --> 00:16:06,166 NEVER BEEN VERY LUCKY IN THE LOVE DEPARTMENT. 333 00:16:06,199 --> 00:16:08,168 - I KNOW. - YEAH. 334 00:16:08,201 --> 00:16:11,038 ALWAYS CHASING AFTER THE WRONG BOY. 335 00:16:11,071 --> 00:16:13,340 ONE REJECTION AFTER ANOTHER. 336 00:16:13,373 --> 00:16:15,242 - POOR BABY. 337 00:16:15,275 --> 00:16:17,710 - I'D PRACTICALLY GIVEN UP HOPE OF EVER FINDING HIM. 338 00:16:17,744 --> 00:16:22,182 YOU KNOW, SAID "FUCK YOU" TO LOVE. 339 00:16:22,215 --> 00:16:25,452 THEN, THE OTHER NIGHT... 340 00:16:27,254 --> 00:16:30,057 [sighs] 341 00:16:30,090 --> 00:16:31,158 THERE HE WAS. 342 00:16:31,191 --> 00:16:33,226 - OH, TEDDY. 343 00:16:33,260 --> 00:16:35,095 - YEAH, IT WAS JUST LIKE YOU SAID. 344 00:16:35,128 --> 00:16:37,497 YOU KNOW, LOVE COMES WHEN YOU LEAST EXPECT IT. 345 00:16:37,530 --> 00:16:40,733 - HMM. 346 00:16:40,767 --> 00:16:42,235 SO THAT'S WHY YOU'VE BEEN 347 00:16:42,269 --> 00:16:48,241 SO STARRY-EYED AND VAGUELY DISCONTENTED LATELY. 348 00:16:48,275 --> 00:16:51,378 WELL, DON'T JUST SIT THERE STARING AT YOUR PATE. 349 00:16:51,411 --> 00:16:52,645 TELL ME. 350 00:16:52,679 --> 00:16:53,646 WHO IS IT? 351 00:16:53,680 --> 00:16:55,115 WHO? 352 00:16:55,148 --> 00:16:58,551 - YOU. 353 00:16:58,585 --> 00:17:01,154 - "YOU" WHO? 354 00:17:01,188 --> 00:17:03,256 - YOU YOU. 355 00:17:03,290 --> 00:17:04,691 - ME YOU? 356 00:17:04,724 --> 00:17:08,528 - YES, YOU YOU. 357 00:17:08,561 --> 00:17:10,563 YOU'RE THE ONE 358 00:17:10,597 --> 00:17:12,599 WHO KNOWS ME BETTER THAN ANYONE, 359 00:17:12,632 --> 00:17:15,502 AND STILL HASN'T RUN AWAY... 360 00:17:15,535 --> 00:17:20,273 WHO TELLS ME I'M ADORABLE WHEN I LOOK LIKE SHIT... 361 00:17:20,307 --> 00:17:24,144 WHO, WITH HIS LITTLE FINGER, 362 00:17:24,177 --> 00:17:27,347 CAN LIFT MY SPIRITS EVEN WHEN THEY WEIGH 300 POUNDS. 363 00:17:31,451 --> 00:17:33,386 I LOVE YOU, EMMETT HONEYCUTT. 364 00:17:33,420 --> 00:17:34,821 I-- 365 00:17:52,605 --> 00:17:53,540 - BRIAN? 366 00:18:01,514 --> 00:18:03,183 I'M SORRY. 367 00:18:03,216 --> 00:18:05,585 - WHAT FOR? - YOU KNOW WHAT FOR. 368 00:18:05,618 --> 00:18:07,287 I DIDN'T MEAN FOR IT TO HAPPEN. 369 00:18:07,320 --> 00:18:08,855 - I KNOW. 370 00:18:08,888 --> 00:18:12,625 YOU'RE THE POOR, HAPLESS VICTIM OF A LOVE BASHING. 371 00:18:12,659 --> 00:18:14,161 - I SHOULD'VE TOLD YOU ABOUT IT. 372 00:18:14,194 --> 00:18:18,465 - AND TAKEN ALL THE FUN OUT OF IT? 373 00:18:18,498 --> 00:18:20,300 SO, HOW BIG'S HIS DICK? 374 00:18:20,333 --> 00:18:21,401 - THAT HAS NOTHING TO DO WITH IT. 375 00:18:21,434 --> 00:18:23,770 - SINCE WHEN? 376 00:18:26,573 --> 00:18:29,108 YOU LOVE COCK. 377 00:18:31,944 --> 00:18:34,547 YOU LOVE IT DOWN YOUR THROAT, 378 00:18:34,581 --> 00:18:36,449 YOU LOVE IT UP YOUR ASS, 379 00:18:36,483 --> 00:18:39,352 YOU LOVE RIDING IT. 380 00:18:39,386 --> 00:18:41,388 AND AFTER YOU COME, 381 00:18:41,421 --> 00:18:43,556 YOU LOVE TO FALL ASLEEP 382 00:18:43,590 --> 00:18:46,393 WITH IT STILL INSIDE YOU. 383 00:18:46,426 --> 00:18:48,461 - CUT IT OUT. 384 00:18:48,495 --> 00:18:50,230 CUT IT OUT. 385 00:18:50,263 --> 00:18:54,601 - YOU'RE HARD, SO DON'T TELL ME IT DOESN'T MATTER. 386 00:18:54,634 --> 00:18:56,803 - THERE ARE OTHER THINGS. 387 00:18:56,836 --> 00:19:00,640 - FLOWERS? PICNICS? 388 00:19:00,673 --> 00:19:02,742 VIOLIN MUSIC? 389 00:19:02,775 --> 00:19:06,513 - HE LOVES ME. 390 00:19:06,546 --> 00:19:10,250 - YOUR DREAMY-EYED SCHOOLBOY. 391 00:19:10,283 --> 00:19:11,884 - IN WAYS THAT YOU CAN'T. 392 00:19:11,918 --> 00:19:15,355 - IN WAYS THAT I WON'T. 393 00:19:15,388 --> 00:19:17,324 - HE TOLD ME THAT I'M ALL HE WANTS. 394 00:19:17,357 --> 00:19:19,192 - THEY'RE STILL USING THAT ONE? 395 00:19:19,226 --> 00:19:20,560 - IT'S MORE THAN YOU'VE EVER SAID. 396 00:19:27,734 --> 00:19:29,302 - AND IT'S MORE THAN I EVER WILL. 397 00:19:29,336 --> 00:19:32,939 SO, UH, 398 00:19:32,972 --> 00:19:38,311 WHAT THE FUCK ARE YOU STILL DOING HERE? 399 00:19:38,345 --> 00:19:39,679 - WOULD YOU CARE IF I WASN'T? 400 00:19:46,719 --> 00:19:50,457 - IT'S YOUR CALL, WHERE YOU WANT TO BE. 401 00:19:50,490 --> 00:19:51,858 YOU DECIDE. 402 00:20:00,533 --> 00:20:02,302 - BABYLON, 9:00. 403 00:20:02,335 --> 00:20:03,703 OKAY, GUYS? 404 00:20:03,736 --> 00:20:05,505 FRIDAY NIGHT, 9:00. RAGE AT BABYLON. 405 00:20:05,538 --> 00:20:06,706 - COOL. THANK YOU. 406 00:20:06,739 --> 00:20:07,740 - HI, GUYS. HERE. 407 00:20:07,774 --> 00:20:10,377 9:00. BE THERE, OKAY? 408 00:20:10,410 --> 00:20:11,844 BABYLON, RAGE. 409 00:20:11,878 --> 00:20:13,913 - YOU SHOULD BE HIS AGENT. 410 00:20:13,946 --> 00:20:15,648 - WHO NEEDS AN AGENT WHEN YOU GOT A MOTHER? 411 00:20:15,682 --> 00:20:19,586 [laughs] 412 00:20:19,619 --> 00:20:20,687 UH-OH. 413 00:20:20,720 --> 00:20:23,256 WHAT'S WITH THAT LONG FACE? 414 00:20:23,290 --> 00:20:25,525 - BEN'S SERIOUS ABOUT GOING TO TIBET. 415 00:20:25,558 --> 00:20:28,261 - AND HE'S OUT OF HIS FUCKING MIND. 416 00:20:28,295 --> 00:20:29,696 - IT MUST BE COSMIC DESTINY. 417 00:20:29,729 --> 00:20:32,932 EVERY TIME I FALL IN LOVE WITH SOMEONE, HE LEAVES TOWN. 418 00:20:32,965 --> 00:20:34,601 THIS ONE'S EVEN LEAVING THE COUNTRY. 419 00:20:34,634 --> 00:20:35,902 - WELL, HE CAN'T GO. 420 00:20:35,935 --> 00:20:36,903 - WHY NOT? 421 00:20:36,936 --> 00:20:37,937 - WELL, FOR ONE THING, 422 00:20:37,970 --> 00:20:39,872 NOBODY EVEN KNOWS WHERE IN THE FUCK TIBET IS. 423 00:20:39,906 --> 00:20:41,808 AND FOR ANOTHER THING, I-IT'S DANGEROUS. 424 00:20:41,841 --> 00:20:43,376 WHAT IF SOMETHING SHOULD HAPPEN? 425 00:20:43,410 --> 00:20:44,477 I MEAN, WHAT IF, 426 00:20:44,511 --> 00:20:46,579 GOD FORBID, HE GOT SICK, 427 00:20:46,613 --> 00:20:48,548 AND THE NEAREST HOSPITAL'S HUNDREDS, 428 00:20:48,581 --> 00:20:50,417 THOUSANDS OF MILES AWAY? 429 00:20:50,450 --> 00:20:52,051 - JESUS, WOULD YOU STOP SCARING ME? 430 00:20:52,084 --> 00:20:53,886 - WELL, I'M SCARING MYSELF. 431 00:20:53,920 --> 00:20:56,656 SOMEBODY SHOULD TALK SOME SENSE INTO THAT BOY. 432 00:20:56,689 --> 00:20:58,725 - YOU ASK ME, HE'S MAKING PERFECT SENSE. 433 00:20:58,758 --> 00:21:00,793 REMEMBER CHRISTMAS EVE, THREE YEARS AGO? 434 00:21:00,827 --> 00:21:02,762 I WAS LYING THERE IN THAT HOSPITAL BED, 435 00:21:02,795 --> 00:21:04,931 ATTACHED TO EVERY GODDAMN TUBE KNOWN TO MAN. 436 00:21:04,964 --> 00:21:05,932 THEY WERE SURE I WASN'T EVEN GOING 437 00:21:05,965 --> 00:21:07,367 TO MAKE IT TO NEW YEAR'S. 438 00:21:07,400 --> 00:21:08,368 - BUT YOU SURPRISED THEM. 439 00:21:08,401 --> 00:21:09,436 - AND AS SOON AS I GOT OUT, 440 00:21:09,469 --> 00:21:10,737 I BOUGHT TWO TICKETS TO ITALY. 441 00:21:10,770 --> 00:21:12,505 - ONE FOR YOU AND ONE FOR ME. 442 00:21:12,539 --> 00:21:14,374 - I WAS GOING TO GET TO CAPRI, 443 00:21:14,407 --> 00:21:16,343 EVEN IF THEY HAD TO SHIP ME HOME FEDERAL EXPRESS. 444 00:21:16,376 --> 00:21:18,545 MAYBE BEN FEELS THE SAME WAY. 445 00:21:18,578 --> 00:21:20,780 - BEN'S NOT DYING. - NO. 446 00:21:20,813 --> 00:21:23,383 BUT THE ONE THING THIS FUCKING DISEASE TEACHES YOU IS 447 00:21:23,416 --> 00:21:25,852 THERE ISN'T AN INFINITE AMOUNT OF TOMORROWS. 448 00:21:25,885 --> 00:21:26,919 SO DO IT NOW. 449 00:21:26,953 --> 00:21:30,690 BEFORE IT'S TOO LATE. 450 00:21:32,625 --> 00:21:34,327 - YOUR BOYFRIEND'S AN ASSHOLE. 451 00:21:34,361 --> 00:21:35,862 - HE'S NOT AN ASSHOLE. 452 00:21:35,895 --> 00:21:37,764 HE'S--HE'S HONEST. 453 00:21:37,797 --> 00:21:40,400 IF ANYONE'S AN ASSHOLE, I AM, FOR LYING. 454 00:21:40,433 --> 00:21:42,402 - HOW DID HE FIND OUT? - I DON'T KNOW. 455 00:21:42,435 --> 00:21:45,638 - YOU DIDN'T ASK HIM? - HE'D NEVER TELL ME. 456 00:21:45,672 --> 00:21:47,974 - WELL YOU CAN TELL HIM, FROM ME, 457 00:21:48,007 --> 00:21:53,079 THAT HE CAN KEEP HIS FUCKING DONATION TO THE ARTS. 458 00:21:53,112 --> 00:21:54,381 - WAIT, HE CAN AFFORD TO GIVE IT AWAY. 459 00:21:54,414 --> 00:21:56,649 YOU CAN'T. 460 00:21:56,683 --> 00:21:59,852 - AT LEAST NOW I KNOW WHY YOU'RE WITH HIM. 461 00:21:59,886 --> 00:22:03,055 GOD, HE'S BEAUTIFUL. 462 00:22:03,089 --> 00:22:04,557 MUST BE GREAT IN BED. 463 00:22:04,591 --> 00:22:07,694 - YEAH, HE IS. 464 00:22:07,727 --> 00:22:10,597 BUT IT--IT'S WHEN WE'RE NOT IN BED THAT'S THE PROBLEM. 465 00:22:10,630 --> 00:22:13,800 - WELL, GUESS WHAT? 466 00:22:13,833 --> 00:22:15,968 I'M NOT THE ANSWER. 467 00:22:16,002 --> 00:22:18,004 I HAVE MYSELF TO THINK ABOUT. 468 00:22:18,037 --> 00:22:19,839 THE HEIFETZ COMPETITION IS COMING UP. 469 00:22:19,872 --> 00:22:23,042 $25,000 FIRST PRIZE, TOURING DATES, 470 00:22:23,075 --> 00:22:25,044 POSSIBLE RECORDING CONTRACT. 471 00:22:25,077 --> 00:22:27,580 I CAN'T BE WASTING MY TIME THINKING ABOUT YOU, 472 00:22:27,614 --> 00:22:29,616 WISHING THAT YOU WERE HERE, 473 00:22:29,649 --> 00:22:30,850 HOPING THAT TONIGHT IS GOING TO BE THE NIGHT 474 00:22:30,883 --> 00:22:32,519 THAT YOU FINALLY STAY. 475 00:22:32,552 --> 00:22:33,853 - I WANT TO STAY. 476 00:22:33,886 --> 00:22:36,956 - WELL, YOU CAN'T. 477 00:22:36,989 --> 00:22:39,158 YOU CAN'T. 478 00:22:39,191 --> 00:22:42,695 SO JUST GO BACK TO YOUR BOYFRIEND, 479 00:22:42,729 --> 00:22:45,432 AND I'LL GO BACK TO MY VIOLIN. 480 00:22:45,465 --> 00:22:48,134 [aggressively playing violin] 481 00:22:48,167 --> 00:22:50,603 - ETHAN. ETHAN. 482 00:22:50,637 --> 00:22:51,638 ETHAN. 483 00:23:10,590 --> 00:23:14,427 - [sighs] 484 00:23:14,461 --> 00:23:15,928 - HE SAID HE LOVES YOU? 485 00:23:15,962 --> 00:23:18,164 - MM-HMM. 486 00:23:18,197 --> 00:23:19,599 AND THAT WE SHOULD SERIOUSLY CONSIDER 487 00:23:19,632 --> 00:23:21,668 BEING MORE THAN JUST FRIENDS. 488 00:23:21,701 --> 00:23:22,769 PASS THE CHIPS. 489 00:23:22,802 --> 00:23:26,939 THAT WE SHOULD BE LOVERS. 490 00:23:26,973 --> 00:23:28,441 - I THOUGHT YOU ATE. 491 00:23:28,475 --> 00:23:31,177 - WHO COULD EAT AFTER THAT? 492 00:23:31,210 --> 00:23:32,178 - SO WHAT DID YOU SAY? 493 00:23:32,211 --> 00:23:34,481 - "EXCUSE ME, I HAVE TO GO TO THE BATHROOM." 494 00:23:34,514 --> 00:23:35,782 - SURE. 495 00:23:35,815 --> 00:23:37,817 - NO, I MEAN TO HIM. 496 00:23:37,850 --> 00:23:41,488 I WAS DRINKING A LOT OF WATER. 497 00:23:41,521 --> 00:23:45,692 JESUS. WHAT AM I GOING TO DO? 498 00:23:45,725 --> 00:23:48,528 - WELL, FIRST, YOU NEED TO ASK YOURSELF 499 00:23:48,561 --> 00:23:51,097 IF YOU HAVE ANY FEELINGS FOR HIM. 500 00:23:51,130 --> 00:23:54,200 - WELL, SURE, I HAVE FEELINGS FOR HIM. 501 00:23:54,233 --> 00:23:55,735 YOU KNOW, WARM FEELINGS, 502 00:23:55,768 --> 00:23:58,004 FUZZY FEELINGS, 503 00:23:58,037 --> 00:23:59,138 LIKE I HAVE FOR YOU, 504 00:23:59,171 --> 00:24:00,640 A-AND MEL AND LINDS. 505 00:24:00,673 --> 00:24:03,943 EVEN BRIAN, SOMETIMES. 506 00:24:03,976 --> 00:24:06,479 BUT NOT THOSE KIND OF FEELINGS. 507 00:24:06,513 --> 00:24:07,279 - WELL, THEN YOU'RE JUST GOING TO HAVE 508 00:24:07,313 --> 00:24:08,981 TO BITE THE BULLET AND TELL HIM. 509 00:24:09,015 --> 00:24:12,018 [door opening and closing] 510 00:24:12,051 --> 00:24:13,119 - HELLO. 511 00:24:13,152 --> 00:24:14,887 - HEY. - OH. 512 00:24:14,921 --> 00:24:16,022 HEY, DO YOU MIND IF I MAKE ONE OF THOSE? 513 00:24:16,055 --> 00:24:17,524 I DIDN'T GET ANY DINNER. 514 00:24:17,557 --> 00:24:19,592 - IT'S IMPORTANT THAT YOU EAT. - YEAH. 515 00:24:19,626 --> 00:24:21,494 OH, UH, I WAS TALKING TO MY NEIGHBOR, 516 00:24:21,528 --> 00:24:23,062 AND SHE SAID SHE KNOWS A VISITING PROFESSOR 517 00:24:23,095 --> 00:24:26,966 WHO MIGHT WANT TO SUBLET MY PLACE. 518 00:24:26,999 --> 00:24:27,934 - GREAT. 519 00:24:34,607 --> 00:24:36,108 - HONEY, 520 00:24:36,142 --> 00:24:38,277 IF YOU DON'T WANT HIM TO GO, 521 00:24:38,310 --> 00:24:40,813 YOU'RE JUST GOING TO HAVE TO BITE THE BULLET 522 00:24:40,847 --> 00:24:43,783 AND TELL HIM. 523 00:26:42,769 --> 00:26:44,871 - AHH. 524 00:26:44,904 --> 00:26:48,040 - BEN? 525 00:26:48,074 --> 00:26:50,843 - WHAT IS IT, BABY? 526 00:26:50,877 --> 00:26:52,812 - TIBET'S AWFULLY FAR AWAY. 527 00:26:52,845 --> 00:26:54,180 WHAT IF SOMETHING HAPPENS? 528 00:26:54,213 --> 00:26:57,383 ARE THERE DOCTORS? ARE THERE HOSPITALS? 529 00:26:57,416 --> 00:26:59,051 - YEAH, YEAH. 530 00:26:59,085 --> 00:27:00,252 I-- 531 00:27:00,286 --> 00:27:03,122 I'VE BEEN CHECKING IT OUT, 532 00:27:03,155 --> 00:27:05,124 AND YOU WOULD BE AMAZED, IN THE PAST FEW YEARS, 533 00:27:05,157 --> 00:27:06,759 HOW MODERNIZED IT'S BECOME. 534 00:27:06,793 --> 00:27:08,127 - YEAH, BUT WHAT IF IT'S AN EMERGENCY? 535 00:27:08,160 --> 00:27:11,731 YOU KNOW, LIKE LAST TIME. 536 00:27:11,764 --> 00:27:13,199 - WELL, I'M NOT GOING TO LIVE MY LIFE IN FEAR. 537 00:27:13,232 --> 00:27:16,135 - IT'S NOT FEAR, IT'S-- IT'S BEING PRACTICAL. 538 00:27:16,168 --> 00:27:21,874 SIX MONTHS IS A LONG TIME. 539 00:27:21,908 --> 00:27:26,946 - SO YOU'RE TELLING ME YOU DON'T WANT ME TO GO? 540 00:27:26,979 --> 00:27:30,349 - LOOK, I KNOW HOW IMPORTANT THIS TRIP IS TO YOU, BUT-- 541 00:27:30,382 --> 00:27:32,852 - NO. NO. 542 00:27:32,885 --> 00:27:35,321 YOU DON'T NEED TO EXPLAIN. 543 00:27:35,354 --> 00:27:37,990 I TOLD YOU THAT I WOULDN'T GO 544 00:27:38,024 --> 00:27:40,793 UNLESS YOU WERE OKAY WITH IT, AND I MEANT THAT. 545 00:27:52,939 --> 00:27:55,908 - NO. 546 00:27:58,945 --> 00:28:00,913 NO, THIS IS NOT ABOUT WHAT I WANT. 547 00:28:00,947 --> 00:28:06,719 THIS IS ABOUT WHAT YOU NEED. 548 00:28:06,753 --> 00:28:11,290 SO GO... 549 00:28:11,323 --> 00:28:14,827 WITH MY BLESSING AND APPROVAL. 550 00:28:26,105 --> 00:28:26,939 [I Puritani's A Te, O Cara playing] 551 00:28:26,973 --> 00:28:31,443 - * A TE, O CARA * 552 00:28:31,477 --> 00:28:37,449 * AMOR TALORA * 553 00:28:37,483 --> 00:28:43,155 * AMOR TALORA * 554 00:28:43,189 --> 00:28:48,427 * MI GUIDO FURTIVO * 555 00:28:48,460 --> 00:28:49,829 * E IN PIANTO * 556 00:28:49,862 --> 00:28:54,834 [knock at door] 557 00:28:54,867 --> 00:29:00,239 * OR MI GUIDA * 558 00:29:00,272 --> 00:29:01,240 EM. 559 00:29:01,273 --> 00:29:02,341 - HI. 560 00:29:02,374 --> 00:29:03,810 HOPE IT'S NOT TOO EARLY. 561 00:29:03,843 --> 00:29:05,244 - OH NO, I'M JUST, UH, 562 00:29:05,277 --> 00:29:07,513 GIVING THE PLANTS A LITTLE H2O AND A BIT OF BELLINI. 563 00:29:07,546 --> 00:29:10,449 IT'S AMAZING HOW MUCH THEY THRIVE TO BEL CANTO. 564 00:29:10,482 --> 00:29:12,351 - WELL, I-I-I HAD TO TALK TO YOU. 565 00:29:12,384 --> 00:29:13,352 I COULDN'T REALLY WAIT, SO-- 566 00:29:13,385 --> 00:29:14,420 - OH, COME IN, COME IN. 567 00:29:14,453 --> 00:29:15,988 UH, CAN I GET YOU SOME BREAKFAST? 568 00:29:16,022 --> 00:29:19,091 - UH, NO, TEDDY. THANKS. 569 00:29:19,125 --> 00:29:20,092 UH, MIND IF I SIT DOWN? 570 00:29:20,126 --> 00:29:21,093 - OH, NO, PLEASE. 571 00:29:21,127 --> 00:29:24,063 UH, BE MY GUEST. 572 00:29:26,999 --> 00:29:29,936 - [clears throat] 573 00:29:33,005 --> 00:29:35,975 I WAS UP ALL NIGHT, UH, THINKING ABOUT WHAT YOU SAID. 574 00:29:36,008 --> 00:29:37,844 - BEFORE YOU SAY ANYTHING, JUST LET ME SAY, 575 00:29:37,877 --> 00:29:39,879 I KNOW, IT MUST'VE COME AS A COMPLETE SHOCK. 576 00:29:39,912 --> 00:29:42,381 BUT IT MAKES SO MUCH SENSE. WE HAVE SO MUCH IN COMMON. 577 00:29:42,414 --> 00:29:44,917 WE HATE THE SAME MOVIES, LAUGH AT THE SAME PEOPLE. 578 00:29:44,951 --> 00:29:47,153 WE HAVE A REAL SIMPATICO, YOU KNOW? 579 00:29:47,186 --> 00:29:51,257 AND IT SEEMED ONLY NATURAL TO TAKE THE NEXT STEP. 580 00:29:51,290 --> 00:29:53,893 [clears throat] 581 00:29:53,926 --> 00:29:55,361 OKAY, NOW YOU. 582 00:30:02,234 --> 00:30:07,439 - TEDDY, I, UH, AM TRULY TOUCHED-- 583 00:30:07,473 --> 00:30:10,309 UH, YOU MIGHT EVEN SAY OVERWHELMED-- 584 00:30:10,342 --> 00:30:14,180 BY, UH, BY YOUR FEELINGS. 585 00:30:14,213 --> 00:30:18,150 AND, UH, SO, SO FLATTERED. 586 00:30:20,619 --> 00:30:26,325 BUT YOU SEE, I-- 587 00:30:26,358 --> 00:30:27,593 GOD, I DON'T KNOW HOW TO SAY THIS. 588 00:30:27,626 --> 00:30:29,195 UM-- 589 00:30:35,301 --> 00:30:37,169 - IT'S OKAY. YOU DON'T HAVE TO. 590 00:30:37,203 --> 00:30:39,471 I KNOW--I KNOW WHAT YOU'RE TRYING TO SAY. 591 00:30:39,505 --> 00:30:42,074 YOU LOVE ME TO DEATH, BUT YOU DON'T LOVE ME. 592 00:30:42,108 --> 00:30:44,877 SO WE SHOULD KEEP THINGS AS THEY ARE. 593 00:30:44,911 --> 00:30:46,145 JUST STAY FRIENDS, RIGHT? 594 00:30:51,350 --> 00:30:53,185 HEY, SEE, WE HAVE SO MUCH IN COMMON, 595 00:30:53,219 --> 00:30:54,486 WE CAN EVEN READ EACH OTHER'S MINDS. 596 00:30:57,123 --> 00:31:00,226 WELL. 597 00:31:00,259 --> 00:31:01,460 IT WAS JUST A THOUGHT. 598 00:31:01,493 --> 00:31:03,229 YOU KNOW, A SUGGESTION. 599 00:31:03,262 --> 00:31:05,497 THAT'S ALL. 600 00:31:05,531 --> 00:31:06,665 WOULD YOU EXCUSE ME? 601 00:31:06,698 --> 00:31:08,367 I'VE GOT TO, UH-- I'VE GOT TO GET DRESSED, 602 00:31:08,400 --> 00:31:09,501 OR I'M GOING TO BE LATE FOR WORK. 603 00:31:09,535 --> 00:31:12,604 D-DO YOU MIND LETTING YOURSELF OUT? 604 00:31:13,672 --> 00:31:16,342 [door closes] 605 00:31:29,521 --> 00:31:32,624 - WE'RE GOING TO GET YOU RAGE. 606 00:31:32,658 --> 00:31:36,062 - YOU LOOK LIKE SHIT. 607 00:31:36,095 --> 00:31:37,296 WE HAVE AN INTERVIEW WITH PITTSBURGH OUT. 608 00:31:37,329 --> 00:31:38,597 COULDN'T YOU HAVE DRESSED UP A LITTLE? 609 00:31:38,630 --> 00:31:41,533 - I'M AN ARTIST, NOT A BUSINESSMAN. 610 00:31:41,567 --> 00:31:43,102 I DON'T NEED TO WEAR A SUIT AND TIE 611 00:31:43,135 --> 00:31:44,370 TO IMPRESS ANYONE. 612 00:31:44,403 --> 00:31:45,271 - THIS IS FOR BRIAN. 613 00:31:45,304 --> 00:31:46,939 HE--HE WENT TO A LOT OF TROUBLE FOR US. 614 00:31:46,973 --> 00:31:50,009 - IT'S NOT FOR US, IT'S FOR HIM. 615 00:31:50,042 --> 00:31:52,011 BRIAN CALLS ALL THE SHOTS. 616 00:31:52,044 --> 00:31:54,413 BRIAN CONTROLS THE SHOW, INCLUDING US. 617 00:31:54,446 --> 00:31:56,415 - IF YOU ASK ME, HE'S BEEN PRETTY GOOD TO YOU. 618 00:31:56,448 --> 00:31:58,150 I MEAN, HE SAVED YOUR LIFE, 619 00:31:58,184 --> 00:32:00,252 TOOK YOU IN, HE'S PUTTING YOU THROUGH SCHOOL, 620 00:32:00,286 --> 00:32:02,388 HE PROTECTS YOU, LOOKS AFTER YOU, YOU KNOW, 621 00:32:02,421 --> 00:32:04,256 AND WHETHER YOU BELIEVE IT OR NOT, HE LOVES YOU, 622 00:32:04,290 --> 00:32:05,958 MORE THAN HE'S EVER LOVED ANYONE. 623 00:32:05,992 --> 00:32:07,493 - HE DOESN'T LOVE ME. 624 00:32:07,526 --> 00:32:09,028 HE FUCKS ME. 625 00:32:09,061 --> 00:32:11,697 - WELL, THEN, WHY DON'T YOU FIND SOMEBODY ELSE? 626 00:32:11,730 --> 00:32:17,369 MAYBE YOU ALREADY HAVE. 627 00:32:17,403 --> 00:32:18,604 - HE TOLD YOU? 628 00:32:18,637 --> 00:32:22,141 - HE NEVER SAID A WORD. 629 00:32:22,174 --> 00:32:27,046 I TOLD HIM. 630 00:32:27,079 --> 00:32:28,547 - HOW DID YOU KNOW? 631 00:32:28,580 --> 00:32:31,317 - I SAW THE TWO OF YOU KISSING ON THE STREET. 632 00:32:31,350 --> 00:32:32,318 - YOU ASSHOLE. 633 00:32:32,351 --> 00:32:33,352 - DON'T CALL ME AN ASSHOLE, 634 00:32:33,385 --> 00:32:35,054 YOU UNGRATEFUL LITTLE PRICK. 635 00:32:35,087 --> 00:32:36,522 - AND WHY DON'T YOU MIND YOUR OWN BUSINESS? 636 00:32:36,555 --> 00:32:38,324 - BRIAN IS MY BUSINESS. HE'S MY BEST FRIEND. 637 00:32:38,357 --> 00:32:40,026 - FUCK YOU, MICHAEL. 638 00:32:40,059 --> 00:32:43,062 FUCK YOU. FUCK YOU. 639 00:32:43,095 --> 00:32:44,063 - HI. 640 00:32:44,096 --> 00:32:45,397 HI, I'M TOM DONAHUE. 641 00:32:45,431 --> 00:32:47,333 WE'RE WITH PITTSBURGH OUT. 642 00:32:47,366 --> 00:32:50,202 I'M DOING THE ARTICLE ABOUT RAGE. 643 00:32:50,236 --> 00:32:51,737 WHO'S MICHAEL AND WHO'S JUSTIN? 644 00:32:51,770 --> 00:32:55,474 - HE'S MICHAEL. I'M GONE. 645 00:32:57,109 --> 00:32:58,610 [door slams shut] 646 00:32:58,644 --> 00:33:04,283 - THANKS, SAM. LOOKS GREAT. 647 00:33:04,316 --> 00:33:07,019 THERE YOU GO, HONEY. WHAT YOU READING? 648 00:33:07,053 --> 00:33:09,355 - UH, IT'S A BOOK ABOUT TANTRIC BUDDHISM. 649 00:33:09,388 --> 00:33:11,723 - I KNOW ABOUT THAT STUFF. 650 00:33:11,757 --> 00:33:13,525 HELPS EXTEND YOUR ORGASMS. 651 00:33:13,559 --> 00:33:15,461 - YEAH, IT DOES, 652 00:33:15,494 --> 00:33:17,229 UH, AMONG OTHER THINGS. 653 00:33:17,263 --> 00:33:21,500 - I FIND DANIELLE STEELE DOES IT FOR ME. 654 00:33:21,533 --> 00:33:24,236 - WELL, UH, LISTEN, I'D BETTER GET OVER TO THE PASSPORT OFFICE. 655 00:33:24,270 --> 00:33:27,106 I'LL SEE YOU LATER. 656 00:33:27,139 --> 00:33:31,110 - BYE. 657 00:33:31,143 --> 00:33:34,380 BEN! 658 00:33:34,413 --> 00:33:36,382 HONEY. 659 00:33:36,415 --> 00:33:37,483 THESE ARE FOR YOU. 660 00:33:37,516 --> 00:33:41,387 THEY'RE LEMON BARS, IN CASE YOU GET HUNGRY LATER. 661 00:33:41,420 --> 00:33:46,058 - THANK YOU. 662 00:33:46,092 --> 00:33:48,127 - I GOTTA TAKE CARE OF MY BOYS. 663 00:33:48,160 --> 00:33:49,528 YOU'RE NOT GONNA GET THESE KIND OF HOMEMADE TREATS 664 00:33:49,561 --> 00:33:50,662 WHERE YOU'RE GOING. 665 00:33:50,696 --> 00:33:54,400 - NO. NO, I WILL--I'LL MISS THEM. 666 00:33:54,433 --> 00:33:59,405 - I BET YOU'RE GONNA MISS A LOT OF THINGS. 667 00:33:59,438 --> 00:34:02,241 BEN, SIX MONTHS IS A LONG TIME 668 00:34:02,274 --> 00:34:03,242 TO ASK SOMEBODY TO WAIT. 669 00:34:03,275 --> 00:34:06,345 I MEAN, YOU NEVER KNOW WHAT'S GOING TO HAPPEN. 670 00:34:09,315 --> 00:34:12,584 - WE TALKED ABOUT IT, AND, UH, 671 00:34:12,618 --> 00:34:14,453 HE'LL BE FINE. 672 00:34:14,486 --> 00:34:16,422 YOU KNOW, IN FACT, IN SOME WAYS, 673 00:34:16,455 --> 00:34:18,324 HE MIGHT EVEN BE BETTER OFF. 674 00:34:18,357 --> 00:34:19,825 - HOW DO YOU FIGURE THAT? 675 00:34:19,858 --> 00:34:21,560 - WELL, YOU KNOW, 676 00:34:21,593 --> 00:34:23,795 NOT HAVING ME AROUND TO WORRY ABOUT. 677 00:34:23,829 --> 00:34:25,731 - UH-HUH. 678 00:34:25,764 --> 00:34:27,433 SO YOU'RE DOING HIM A FAVOR. 679 00:34:27,466 --> 00:34:28,767 WHAT THE FUCK IS THAT? 680 00:34:28,800 --> 00:34:31,603 SOME KIND OF NOBLE SELF-SACRIFICE? 681 00:34:34,206 --> 00:34:35,307 - LOOK, DEBBIE, YOU KNOW BETTER THAN ANYONE, 682 00:34:35,341 --> 00:34:37,643 HE--HE WOULD HAVE AN EASIER RIDE. 683 00:34:37,676 --> 00:34:40,512 - WHO SAYS LOVE'S AN EASY RIDE? GENERAL MOTORS? 684 00:34:40,546 --> 00:34:42,648 MICHAEL'S USED TO BUMPS. 685 00:34:42,681 --> 00:34:45,184 HE GREW UP WITH ME. 686 00:34:45,217 --> 00:34:47,386 SO, IF YOU THINK YOU'RE DOING HIM A FAVOR 687 00:34:47,419 --> 00:34:50,189 BY LEAVING, THERE'S NO NEED. 688 00:34:50,222 --> 00:34:52,124 MY SON'S STRONG. 689 00:34:52,158 --> 00:34:54,893 HE'S STRONG ENOUGH TO SEE ANYTHING THROUGH. 690 00:34:54,926 --> 00:34:57,196 THE QUESTION IS, ARE YOU? 691 00:35:07,239 --> 00:35:10,209 [dance music playing] 692 00:35:10,242 --> 00:35:18,217 * 693 00:35:38,804 --> 00:35:40,939 - A RAGE-TINI FOR YOU, 694 00:35:40,972 --> 00:35:43,275 AND A ZEPHYR-POLITAN FOR ME. 695 00:35:43,309 --> 00:35:44,676 - ALL RIGHT. 696 00:35:44,710 --> 00:35:46,845 - ISN'T THAT ADORABLE? - LEAVE IT TO BRIAN. 697 00:35:46,878 --> 00:35:48,347 GOTTA HAND IT TO HIM. 698 00:35:48,380 --> 00:35:49,748 WHEN IT COMES TO THROWING PARTIES, 699 00:35:49,781 --> 00:35:51,383 HE'S ALMOST IN THE SAME LEAGUE AS ME. 700 00:35:51,417 --> 00:35:52,851 [laughter] 701 00:35:52,884 --> 00:35:55,454 WELL, AREN'T YOU GOING TO MAKE SOME CLEVER BON MOT 702 00:35:55,487 --> 00:35:57,789 ABOUT MY PARTIES? 703 00:35:57,823 --> 00:36:02,428 - I'LL GET A RAGE-TINI. 704 00:36:02,461 --> 00:36:04,630 - THIS IS SO COOL. 705 00:36:04,663 --> 00:36:06,232 YOU'RE A STAR. 706 00:36:06,265 --> 00:36:07,499 - RIGHT. 707 00:36:07,533 --> 00:36:09,201 - DAMN RIGHT IT'S RIGHT. 708 00:36:09,235 --> 00:36:12,371 ARE OUR KIDS FUCKING UNBELIEVABLE OR WHAT? 709 00:36:12,404 --> 00:36:15,207 - THEY ABSO-FUCKING-LUTELY ARE. 710 00:36:15,241 --> 00:36:16,208 [laughs] 711 00:36:16,242 --> 00:36:17,343 BUT I'M NOT SURPRISED. 712 00:36:17,376 --> 00:36:19,445 IT'S LIKE WHEN YOU LEARNED TO RIDE YOUR TWO-WHEELER. 713 00:36:19,478 --> 00:36:20,679 IF YOU WANT SOMETHING, 714 00:36:20,712 --> 00:36:22,848 NOTHING CAN STOP YOU. 715 00:36:22,881 --> 00:36:24,283 YOU. 716 00:36:24,316 --> 00:36:25,284 - WOW. 717 00:36:25,317 --> 00:36:26,952 [siren wailing] 718 00:36:26,985 --> 00:36:30,222 [cheers and applause] 719 00:36:36,595 --> 00:36:38,830 - WELCOME TO GAYOPOLIS, 720 00:36:38,864 --> 00:36:42,834 HOME OF THAT FABULOUS SUPERHERO, RAGE. 721 00:36:42,868 --> 00:36:45,404 WHAT, YOU'VE NEVER HEARD OF RAGE? 722 00:36:45,437 --> 00:36:47,573 WELL, YOU WILL AFTER TONIGHT. 723 00:36:47,606 --> 00:36:50,442 WITH POWERS OF MIND GREATER THAN ANY KNOWN TO MAN, 724 00:36:50,476 --> 00:36:53,379 HE CAN BEND ANYONE'S WILL TO HIS, 725 00:36:53,412 --> 00:36:56,282 ROUT THE FORCES OF INTOLERANCE AND INJUSTICE, 726 00:36:56,315 --> 00:37:00,852 AND STILL HAVE THE STRENGTH TO FUCK 100 GUYS. 727 00:37:00,886 --> 00:37:05,324 [cheers and applause] 728 00:37:05,357 --> 00:37:06,725 - I WROTE THAT COPY. 729 00:37:06,758 --> 00:37:08,327 - NO SHIT. 730 00:37:08,360 --> 00:37:09,961 - UH-OH, LOOKS LIKE A TWINK'S IN TROUBLE. 731 00:37:09,995 --> 00:37:12,931 - COME HERE, YOU QUEER. - COCKSUCKER. 732 00:37:12,964 --> 00:37:15,401 [dramatic music playing] 733 00:37:15,434 --> 00:37:16,635 - [shouts] 734 00:37:16,668 --> 00:37:19,705 - COME HERE, HOMO. - [grunts] 735 00:37:19,738 --> 00:37:24,009 [actors taunting] 736 00:37:29,515 --> 00:37:31,483 SOMEBODY HELP ME! 737 00:37:31,517 --> 00:37:35,787 - BUT SOMEWHERE IN GAYOPOLIS, HIS CRIES ARE HEARD. 738 00:37:38,023 --> 00:37:40,959 IT'S RAGE AND ZEPHYR! 739 00:37:40,992 --> 00:37:42,260 [cheering] 740 00:38:03,982 --> 00:38:08,520 RAGE ENTRAPS J.T.'S BASHERS IN A MIND DISTORTION FIELD. 741 00:38:08,554 --> 00:38:11,022 THEY PERCEIVE EACH OTHER AS FAGS, 742 00:38:11,056 --> 00:38:14,793 AND BEAT THEMSELVES TO DEATH! 743 00:38:14,826 --> 00:38:17,563 [cheering] 744 00:38:21,733 --> 00:38:24,102 [thunder booming] 745 00:38:24,135 --> 00:38:25,937 RAGE REVIVES J.T. 746 00:38:25,971 --> 00:38:30,308 USING HIS OTHER SUPERPOWER. 747 00:38:31,977 --> 00:38:33,912 [cheers and applause] 748 00:38:44,390 --> 00:38:47,893 AND JUSTICE PREVAILS IN GAYOPOLIS. 749 00:38:47,926 --> 00:38:50,829 EVERYBODY, PARTY! 750 00:38:50,862 --> 00:38:53,832 [dance music playing] 751 00:38:53,865 --> 00:39:01,607 * 752 00:39:03,742 --> 00:39:07,112 - WELL, DON'T THANK ME ALL AT ONCE. 753 00:39:07,145 --> 00:39:12,884 - I THINK I'M GOING TO GET A DRINK. 754 00:39:12,918 --> 00:39:15,554 - WHAT'S HIS PROBLEM? 755 00:39:15,587 --> 00:39:17,856 - WE'RE NOT SPEAKING. 756 00:39:17,889 --> 00:39:20,626 - CREATIVE DIFFERENCES. 757 00:39:20,659 --> 00:39:22,628 - ACTUALLY, WE'RE IN TOTAL AGREEMENT. 758 00:39:22,661 --> 00:39:25,997 HE THINKS I'M AN ASSHOLE, AND I THINK HE'S ONE. 759 00:39:26,031 --> 00:39:28,667 - WELL, I JUST SPENT A FUCKING FORTUNE ON THIS, 760 00:39:28,700 --> 00:39:30,135 SO, UH, SORT IT OUT. 761 00:39:30,168 --> 00:39:31,737 - AFTER WHAT HE TOLD YOU? 762 00:39:31,770 --> 00:39:34,005 - HE WAS JUST LOOKING AFTER ME. 763 00:39:34,039 --> 00:39:38,444 LIKE ZEPHYR LOOKS AFTER RAGE. 764 00:39:38,477 --> 00:39:40,846 YOU KNOW, IF YOU WANT YOUR COMIC BOOK TO BE A SUCCESS, 765 00:39:40,879 --> 00:39:44,916 YOU SHOULD PUT YOUR PERSONAL FEELINGS ASIDE, 766 00:39:44,950 --> 00:39:47,786 AND DON'T PISS ON YOUR ACHIEVEMENT. 767 00:40:01,933 --> 00:40:04,870 - I THINK I'LL HAVE ONE OF THOSE, UH, PRETTY PURPLE ONES. 768 00:40:08,206 --> 00:40:09,007 - THERE'S MICHAEL. 769 00:40:09,040 --> 00:40:10,509 I SHOULD GO, UH, CONGRATULATE HIM. 770 00:40:10,542 --> 00:40:11,477 - HEY. 771 00:40:11,510 --> 00:40:14,045 WOULD YOU STOP RUNNING AWAY FROM ME, PLEASE? 772 00:40:14,079 --> 00:40:15,914 - WHO'S RUNNING? - YOU ARE. 773 00:40:15,947 --> 00:40:18,083 AND DON'T TELL ME YOU'RE NOT. 774 00:40:18,116 --> 00:40:22,053 WE CAN READ EACH OTHER'S MINDS, REMEMBER? 775 00:40:22,087 --> 00:40:24,556 YOU'RE EMBARRASSED. 776 00:40:24,590 --> 00:40:26,191 - VERY PERCEPTIVE. 777 00:40:26,224 --> 00:40:29,060 - WELL, THERE'S NOTHING TO BE EMBARRASSED ABOUT. 778 00:40:29,094 --> 00:40:30,195 - IT'S EASY FOR YOU TO SAY. 779 00:40:30,228 --> 00:40:32,130 YOU DIDN'T MAKE A FOOL OF YOURSELF. 780 00:40:32,163 --> 00:40:35,867 - TEDDY, YOU ARE NOT A FOOL. 781 00:40:35,901 --> 00:40:36,935 IT TAKES A LOT OF COURAGE 782 00:40:36,968 --> 00:40:39,905 TO--TO SPEAK WHAT'S IN YOUR HEART, 783 00:40:39,938 --> 00:40:43,108 MORE COURAGE THAN SAVING THE WORLD FROM ARCH-VILLAINS. 784 00:40:43,141 --> 00:40:45,977 - THAT'S ME. PATHETIC-MAN. 785 00:40:46,011 --> 00:40:48,847 - YOU'RE NOT PATHETIC. 786 00:40:48,880 --> 00:40:52,050 YOU'RE FUNNY AND--AND WITTY. 787 00:40:52,083 --> 00:40:53,084 YOU'RE BRILLIANT. 788 00:40:53,118 --> 00:40:54,720 - SPARE ME THE FLATTERY. 789 00:40:54,753 --> 00:40:56,021 - IT'S TRUE. 790 00:40:56,054 --> 00:40:57,656 THAT--THAT'S WHAT MAKES YOU SEXY, 791 00:40:57,689 --> 00:41:01,793 BECAUSE YOU'RE SO, SO SMART. 792 00:41:01,827 --> 00:41:03,228 YOU KNOW WHAT THEY SAY, THE-- 793 00:41:03,261 --> 00:41:08,600 THE BRAIN IS THE SECOND SEXIEST ORGAN. 794 00:41:08,634 --> 00:41:12,938 WHICH IS NOT TO SAY THAT THE REST OF YOU IS NOT HOT. 795 00:41:12,971 --> 00:41:15,807 I MEAN, HI. FEEL THOSE PECS. 796 00:41:15,841 --> 00:41:17,976 THEY'RE HARD AS A ROCK. 797 00:41:18,009 --> 00:41:19,911 AND, UM, HELLO. HELLO, TED. 798 00:41:19,945 --> 00:41:22,714 THAT'S A NICE LITTLE SIX-PACK YOU'VE GOT GOING THERE. 799 00:41:22,748 --> 00:41:24,215 - IT'S MORE OF A FOUR-PACK, REALLY. 800 00:41:24,249 --> 00:41:26,718 - [laughs] 801 00:41:26,752 --> 00:41:30,155 YOU'RE SO FUNNY. 802 00:41:30,188 --> 00:41:31,222 AND THOSE-- 803 00:41:31,256 --> 00:41:34,660 THOSE BIG PUPPY-DOG EYES, 804 00:41:34,693 --> 00:41:36,928 YOU COULD JUST DIVE RIGHT IN. 805 00:41:40,699 --> 00:41:43,001 AND-- 806 00:41:43,034 --> 00:41:47,573 AND YOUR LIPS ARE-- 807 00:41:47,606 --> 00:41:51,276 THEY'RE SO, UM-- 808 00:41:51,309 --> 00:41:52,243 SO-- 809 00:42:01,887 --> 00:42:03,755 JESUS, WHAT THE HELL DID THEY PUT IN THOSE DRINKS? 810 00:42:03,789 --> 00:42:04,856 - BARTENDER, TWO MORE. 811 00:42:16,902 --> 00:42:19,237 [both speaking indistinctly] 812 00:42:22,073 --> 00:42:23,875 - THERE YOU ARE! 813 00:42:23,909 --> 00:42:25,310 - HAVING FUN? 814 00:42:25,343 --> 00:42:27,145 - YEAH, IT'S GREAT. 815 00:42:27,178 --> 00:42:29,314 - YOU KNOW, BRIAN'S LOOKING FOR YOU. 816 00:42:29,347 --> 00:42:32,050 - HE IS? - WELL, OF COURSE! 817 00:42:32,083 --> 00:42:33,752 - IT'S YOUR BIG NIGHT, SWEETIE. 818 00:42:33,785 --> 00:42:35,286 HE WANTS TO BE WITH YOU. 819 00:42:45,964 --> 00:42:49,067 - I BET TIBET'S GOING TO SEEM QUIET AFTER THIS. 820 00:42:49,100 --> 00:42:50,802 - YEAH, NO DANCING, 821 00:42:50,836 --> 00:42:52,604 NO DRINKING, NO DRUGS. 822 00:42:52,638 --> 00:42:53,805 - GET IT WHILE YOU CAN. 823 00:42:53,839 --> 00:42:56,041 - YEAH, WHAT DO YOU THINK I'M DOING? 824 00:42:56,074 --> 00:42:57,042 - I WANT YOU TO KNOW, I'M NOT GOING 825 00:42:57,075 --> 00:42:59,778 TO COME HERE WITHOUT YOU. 826 00:42:59,811 --> 00:43:01,813 - I APPRECIATE THE SELFLESS SACRIFICE. 827 00:43:01,847 --> 00:43:04,215 - I'LL BE SITTING AT HOME, KNITTING, 828 00:43:04,249 --> 00:43:05,884 WAITING FOR YOUR RETURN. 829 00:43:05,917 --> 00:43:07,052 - I DON'T WANT YOU NOT TO HAVE FUN. 830 00:43:07,085 --> 00:43:08,053 - DON'T WORRY, 831 00:43:08,086 --> 00:43:09,988 I INTEND TO HAVE PLENTY OF FUN. 832 00:43:10,021 --> 00:43:14,292 ALTHOUGH PHONE SEX TO TIBET WILL BE EXPENSIVE. 833 00:43:14,325 --> 00:43:18,830 - I'M AFRAID THERE WON'T BE MUCH OF THAT, MICHAEL. 834 00:43:18,864 --> 00:43:20,832 - 'CAUSE YOU HAVE TO BE CELIBATE. 835 00:43:20,866 --> 00:43:22,668 - 'CAUSE I'M NOT GOING. 836 00:43:27,438 --> 00:43:28,907 - BUT IT'S ALL YOU'VE THOUGHT ABOUT, 837 00:43:28,940 --> 00:43:30,408 IT'S ALL YOU'VE TALKED ABOUT. 838 00:43:30,441 --> 00:43:32,944 - AND YOU WERE WILLING TO LET ME GO. 839 00:43:35,380 --> 00:43:36,882 - YOU SAID IT WAS WHAT YOU NEEDED. 840 00:43:36,915 --> 00:43:39,918 - I ALREADY HAVE WHAT I NEED. 841 00:43:39,951 --> 00:43:42,020 BABY, I DON'T HAVE TO GO TO TIBET TO FIND IT. 842 00:44:24,062 --> 00:44:25,997 - [moans] 843 00:44:41,813 --> 00:44:44,182 - * SO TRUST ME HERE 844 00:44:44,215 --> 00:44:46,051 * NO ONE CAN BE TRUSTED * 845 00:44:46,084 --> 00:44:47,886 * IT'S THE SAME THING 846 00:44:47,919 --> 00:44:50,455 * THE WORLD OVER 847 00:44:50,488 --> 00:44:52,924 * DON'T WORRY, YOU * 848 00:44:52,958 --> 00:44:55,326 * YOU CAN THANK ME LATER * 849 00:44:55,360 --> 00:44:57,462 - CONGRATULATIONS, JUSTIN! 850 00:44:57,495 --> 00:44:58,764 - * FOR SHARING THE SIMPLE TRUTH * 851 00:44:58,797 --> 00:45:00,899 * GOOD LUCK 852 00:45:00,932 --> 00:45:03,802 * DON'T ADMIT IT 853 00:45:03,835 --> 00:45:06,037 * INSIDE US 854 00:45:06,071 --> 00:45:08,239 * THERE'S SOMETHING WRONG 855 00:45:08,273 --> 00:45:10,475 * IT'S LIKE WE ARE 856 00:45:10,508 --> 00:45:12,778 * GUARDING THE FRANCHISE 857 00:45:12,811 --> 00:45:15,413 * SHOWING UP WITH EMPTY POCKETS FOR FREE* 858 00:45:15,446 --> 00:45:19,217 - I WAS PRACTICING THE BEETHOVEN. 859 00:45:19,250 --> 00:45:21,019 IT SOUNDED LIKE SHIT, AND I REALIZED, 860 00:45:21,052 --> 00:45:23,889 IT'S ALL YOUR FAULT. 861 00:45:23,922 --> 00:45:25,824 - MY FAULT? 862 00:45:25,857 --> 00:45:29,094 - I TRIED TO FORGET ABOUT YOU, BUT I CAN'T. 863 00:45:29,127 --> 00:45:30,996 YOU'RE ALL I THINK ABOUT. 864 00:46:08,867 --> 00:46:10,836 - * LET'S PLANT SOME GULAGS 865 00:46:10,869 --> 00:46:12,938 * NEXT DOOR TO GARDENS * 866 00:46:12,971 --> 00:46:17,242 * AND ROSES WITH THEIR THORNS * 867 00:46:17,275 --> 00:46:19,344 * BITTER AND SWEET 868 00:46:19,377 --> 00:46:21,312 * BRINGING TOGETHER 869 00:46:21,346 --> 00:46:26,017 * IN EVERY HUMAN BEING BORN 870 00:46:26,051 --> 00:46:28,186 * JUST WHEN YOU THINK 871 00:46:28,219 --> 00:46:30,155 * IT'S ONLY BAD NEWS 872 00:46:30,188 --> 00:46:34,359 * A MIRACLE APPEARS 873 00:46:34,392 --> 00:46:40,331 * YOU SHAKE YOUR HEAD AND WONDER * 874 00:46:43,101 --> 00:46:45,370 * SO GOOD LUCK AND GODSPEED * 875 00:46:45,403 --> 00:46:47,505 * WE'RE FINALLY ON OUR OWN * 876 00:46:47,538 --> 00:46:49,908 * SO GOOD LUCK AND GODSPEED * 877 00:46:49,941 --> 00:46:55,113 * WE'RE FINALLY ON OUR OWN * 878 00:48:11,656 --> 00:48:14,159 * SO GOOD LUCK AND GODSPEED 879 00:48:14,192 --> 00:48:16,194 * WE'RE FINALLY ON OUR OWN 880 00:48:16,227 --> 00:48:18,396 * GOOD LUCK AND GODSPEED 881 00:48:18,429 --> 00:48:20,431 * WE'RE FINALLY ON OUR OWN 882 00:48:20,465 --> 00:48:28,439 * 883 00:49:19,657 --> 00:49:21,759 * SO GOOD LUCK AND GODSPEED * 884 00:49:21,792 --> 00:49:23,261 * WE'RE FINALLY ON OUR OWN * 60058

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.