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1
00:00:40,916 --> 00:00:41,916
Go on.
2
00:00:44,916 --> 00:00:45,916
A curl?
3
00:01:12,291 --> 00:01:14,125
Didn't you get to bed last night, Glyn?
4
00:01:14,208 --> 00:01:16,916
Sorry. You just look this morning
like you didn't go at all.
5
00:01:18,291 --> 00:01:21,208
- Have you heard the "Octopus" one?
- No.
6
00:01:25,333 --> 00:01:27,291
You learned A minor, then?
7
00:01:47,041 --> 00:01:48,208
That's all I've got.
8
00:01:53,166 --> 00:01:55,625
After the two times, the second time�
9
00:02:05,083 --> 00:02:08,208
Then to get to the G one, a bit, uh�
10
00:02:08,291 --> 00:02:10,458
Let's go from the beginning.
11
00:02:10,541 --> 00:02:11,833
- From the beginning.
- Right.
12
00:02:30,416 --> 00:02:31,791
Then stay on F.
13
00:02:33,791 --> 00:02:35,291
Then that, then this, uh�
14
00:02:35,375 --> 00:02:36,375
What one's that?
15
00:02:37,916 --> 00:02:39,583
Uh--
16
00:02:59,166 --> 00:03:02,083
Just, I mean, something
to sort of get back to where you--
17
00:03:02,166 --> 00:03:03,166
Where we started.
18
00:03:12,416 --> 00:03:14,333
- It's a little bit--
19
00:03:35,625 --> 00:03:37,250
- So it resolves itself.
- Yeah.
20
00:03:37,958 --> 00:03:40,041
Well, I'll have to put words
in that bit, then.
21
00:04:02,958 --> 00:04:04,625
- Oh, drums, right.
22
00:04:04,708 --> 00:04:08,458
I think Paul would wanna do drums,
wouldn't he? With his strong left arm.
23
00:04:08,541 --> 00:04:10,625
I'm not getting on that kit
without a ciggy.
24
00:04:20,375 --> 00:04:22,041
I've never been up here before.
25
00:04:31,166 --> 00:04:32,625
Very strong one.
26
00:04:33,208 --> 00:04:34,750
- Okay!
27
00:04:37,041 --> 00:04:40,458
- I'm a tame tiger. Meow.
- I'm cool with that.
28
00:04:44,333 --> 00:04:46,333
- Are you going to eat them?
- No!
29
00:04:46,416 --> 00:04:47,916
Lots of people do, you know.
30
00:04:51,083 --> 00:04:52,333
On toast?
31
00:04:52,416 --> 00:04:54,833
You put pastry around them,
and you have cat pie.
32
00:04:57,416 --> 00:04:59,583
You better wait a week or two
before you eat them.
33
00:05:00,708 --> 00:05:02,625
- That's very good.
- We'll put on the meat.
34
00:05:06,916 --> 00:05:09,416
Oh, you don't eat them
if they have black spots.
35
00:05:11,958 --> 00:05:14,208
You don't eat them
if they're like tigers, either.
36
00:05:17,666 --> 00:05:22,083
And anyway,
I'm just a pussycat that was just born.
37
00:06:10,416 --> 00:06:11,458
Kevin?
38
00:06:11,541 --> 00:06:14,416
What was the� Do that old gospel ending.
39
00:06:14,500 --> 00:06:17,333
- Sunday morning. Sunday morning. Church.
- Sunday morning. Definitely, yeah.
40
00:06:17,416 --> 00:06:20,750
- And we'll all kneel as we do it.
- We can do a gospel ending that Elvis did.
41
00:06:23,250 --> 00:06:24,250
Yeah.
42
00:06:24,333 --> 00:06:25,916
We all was gonna do it.
43
00:06:26,000 --> 00:06:28,166
- We did it just fine. It was just that�
- Yeah.
44
00:06:58,875 --> 00:07:00,000
I'll tell you one thing.
45
00:07:00,583 --> 00:07:02,458
Do it lighter. Don't do sort of--
46
00:07:04,666 --> 00:07:06,541
Do it more--
47
00:07:08,791 --> 00:07:10,916
And so a bit lighter offbeat, and maybe�
48
00:07:20,625 --> 00:07:23,458
Keep it light.
So it's not going heavy again.
49
00:07:32,541 --> 00:07:35,041
I don't know what you are saying.
50
00:07:36,000 --> 00:07:37,250
Uh�
51
00:07:37,333 --> 00:07:38,833
Hello.
52
00:07:38,916 --> 00:07:41,333
Is anybody�
53
00:07:41,416 --> 00:07:44,333
Let me sing. Hello. Is anybody home?
54
00:08:23,166 --> 00:08:24,458
Hi.
55
00:08:24,541 --> 00:08:26,333
- Aah!
56
00:08:33,750 --> 00:08:34,833
Yoko!
57
00:10:42,083 --> 00:10:43,583
Yeah!
58
00:10:48,291 --> 00:10:49,291
Oh, sorry.
59
00:10:51,250 --> 00:10:52,791
Come on, let it be.
60
00:10:59,750 --> 00:11:01,125
What ones haven't you done yet?
61
00:11:01,208 --> 00:11:03,083
A little thing that goes
something like this.
62
00:12:39,791 --> 00:12:40,916
- No. No.
63
00:12:41,000 --> 00:12:43,125
No, see,
you've gotta wait a lot longer than that.
64
00:13:38,541 --> 00:13:40,708
- You done left me.
- You done left me.
65
00:14:07,458 --> 00:14:09,708
There wouldn't be much drumming,
would there?
66
00:14:11,125 --> 00:14:12,708
Go around a bit, you know?
67
00:14:12,791 --> 00:14:13,791
What?
68
00:14:14,333 --> 00:14:16,708
It sounds a bit like
a sort of dance orchestra.
69
00:14:17,625 --> 00:14:19,750
And the slow foxtrot�
70
00:14:19,833 --> 00:14:22,250
Like Rita and Thomas Williams.
71
00:14:23,750 --> 00:14:26,625
Rita is wearing a dark sombrero
and a beard.
72
00:14:26,708 --> 00:14:28,208
The chord there. I mean--
73
00:14:30,750 --> 00:14:33,708
Her husband is wearing
a crinoline skirt which he made himself.
74
00:14:52,416 --> 00:14:53,916
Still no idea where I come in.
75
00:14:54,000 --> 00:14:56,791
- Off the top of your head.
- John, yours doesn't sound as much�
76
00:14:57,375 --> 00:14:59,041
It sounds like
you're doing too many notes.
77
00:14:59,125 --> 00:15:01,875
- Yeah, all right. Well, it just gets--
- It's too, sort of, regular.
78
00:15:07,291 --> 00:15:08,791
But you're doing�
79
00:15:11,375 --> 00:15:12,583
I've been going�
80
00:15:13,958 --> 00:15:15,750
- You just want the one?
- Don't do that.
81
00:15:15,833 --> 00:15:18,250
No, but I mean, don't do any note there.
Just go�
82
00:15:25,208 --> 00:15:27,125
That's what I'm really doing.
I've been going--
83
00:15:30,833 --> 00:15:31,833
Hello?
84
00:15:38,250 --> 00:15:39,250
Great!
85
00:15:53,041 --> 00:15:54,416
Amazing.
86
00:16:30,875 --> 00:16:31,875
Okay.
87
00:16:33,875 --> 00:16:35,041
One.
88
00:17:17,750 --> 00:17:21,125
When it's mixed, as it is, I'm sure
with a mix on it, it'll be all right.
89
00:17:21,208 --> 00:17:22,333
I know what--
90
00:17:32,458 --> 00:17:34,416
Paul, are you gonna have strings?
91
00:17:41,833 --> 00:17:43,416
- Yeah.
- Well, it's like--
92
00:17:43,500 --> 00:17:44,500
Ooh!
93
00:17:44,583 --> 00:17:45,583
Yeah, there's parts--
94
00:17:45,666 --> 00:17:48,791
There's only parts where
you can hear the electric piano properly,
95
00:17:48,875 --> 00:17:50,583
- or the piano properly.
- Yes.
96
00:17:50,666 --> 00:17:53,458
Most of the time, you know,
like, they mix together.
97
00:17:59,291 --> 00:18:01,916
Yeah. I think it needs,
like, a lot of, uh�
98
00:18:02,000 --> 00:18:03,875
- Cleaning.
- Cleaning, yeah.
99
00:18:05,250 --> 00:18:07,416
Actually,
the thing is, it's a nice feel to it,
100
00:18:07,500 --> 00:18:09,416
but it's rather like
everything else we've done.
101
00:18:09,500 --> 00:18:11,041
And this particular song
doesn't need that.
102
00:18:12,958 --> 00:18:16,250
See, the only way I've ever heard it is,
like, in my head,
103
00:18:16,333 --> 00:18:19,166
- is, like, Ray Charles's band.
- I'm supposed to marry you.
104
00:18:19,250 --> 00:18:21,291
And I don't--
I haven't really even listened to them.
105
00:18:21,375 --> 00:18:25,625
It would be nice with some brass
just doing the sustaining chord thing.
106
00:18:25,708 --> 00:18:27,708
- Yeah.
107
00:18:27,791 --> 00:18:31,375
- Yeah.
- Moving and just holding notes.
108
00:18:33,875 --> 00:18:35,916
- Yeah. We probably, yeah--
- If I pull yours up�
109
00:18:36,000 --> 00:18:38,791
We were planning to do it anyway
for a couple of numbers,
110
00:18:38,875 --> 00:18:41,041
just to have
a bit of brass and bit of strings.
111
00:18:41,125 --> 00:18:42,583
That's what George was saying before.
112
00:18:42,666 --> 00:18:44,541
That's the bit
where The Raelettes'd sing it.
113
00:18:56,166 --> 00:18:59,041
Great. Sorry, man. Oh, that's nice.
114
00:18:59,541 --> 00:19:01,125
That's nice of what?
115
00:19:01,208 --> 00:19:02,375
It's nice of you.
116
00:19:03,125 --> 00:19:04,875
- For what?
- Very nice of you.
117
00:19:04,958 --> 00:19:06,958
- For what?
- Just to come here.
118
00:19:07,875 --> 00:19:08,875
We're going home.
119
00:19:08,958 --> 00:19:10,458
- When?
- Now.
120
00:19:11,000 --> 00:19:12,000
No.
121
00:19:13,458 --> 00:19:15,166
Am I gonna eat now? I'm going back.
122
00:19:15,250 --> 00:19:17,958
She's so worried now.
"I gotta eat for three hours,
123
00:19:18,541 --> 00:19:20,458
then maybe go to bed around 1:00."
124
00:19:21,833 --> 00:19:24,375
You're just going back in your box.
That's where you're going.
125
00:19:24,458 --> 00:19:26,666
- Don't tell. Don't tell.
126
00:19:26,750 --> 00:19:29,041
Aren't I gonna have anything to eat?
127
00:19:29,125 --> 00:19:31,041
Hey, I've got a present for you.
128
00:19:31,125 --> 00:19:33,375
- See you tomorrow.
- Bye.
129
00:19:33,458 --> 00:19:36,000
- Aren't you going, George?
- I said yes, George.
130
00:21:19,666 --> 00:21:21,333
I don't know.
You didn't get the other one?
131
00:21:21,416 --> 00:21:22,416
- No.
- No.
132
00:21:22,500 --> 00:21:24,666
- Well, we'll remember that another day.
- Yeah.
133
00:21:24,750 --> 00:21:27,000
I'm just so high when I get in at night.
134
00:21:28,458 --> 00:21:29,458
I couldn't sleep.
135
00:21:38,875 --> 00:21:39,958
Tea or toast.
136
00:22:00,250 --> 00:22:02,000
- Yeah.
137
00:22:02,083 --> 00:22:05,500
What's this chord, Billy? E with a C?
138
00:22:05,583 --> 00:22:07,500
Yeah. Just loading the E.
139
00:22:08,250 --> 00:22:09,625
- Yeah. That's like E7.
- Yeah.
140
00:22:09,708 --> 00:22:11,208
This one.
141
00:22:12,083 --> 00:22:14,416
- Yeah. Um, E with a raised�
142
00:22:15,958 --> 00:22:17,833
E with a C. E.
143
00:22:18,583 --> 00:22:21,375
- Yeah, E with a C.
- E with a C. What's that?
144
00:22:23,708 --> 00:22:26,208
I've had an E with an F,
which is pretty good.
145
00:23:05,750 --> 00:23:07,250
What's this chord then, Billy?
146
00:23:09,958 --> 00:23:14,250
- It's F, but raising the F to F sharp.
- Yeah. F sharp. Diminished.
147
00:23:14,333 --> 00:23:17,500
And then F with that, like the 7th.
148
00:23:18,708 --> 00:23:21,291
It's great on piano
'cause I don't know anything about it.
149
00:23:21,375 --> 00:23:22,208
Yeah.
150
00:23:22,291 --> 00:23:25,750
But it's great, because I wouldn't have
been able to do that on the guitar.
151
00:24:15,875 --> 00:24:19,166
- Yeah, sorry, that bit comes�
- It does work, the bit--
152
00:24:19,250 --> 00:24:20,875
- But it--
- In the bit before that bit.
153
00:24:20,958 --> 00:24:24,958
Yeah, but then it's, uh--
Then it stays too long on the other one.
154
00:24:25,041 --> 00:24:29,041
- But it's like a natural on there.
- Yeah. Well, you don't know�
155
00:25:02,166 --> 00:25:05,000
- Pianos are very difficult, aren't they?
156
00:25:16,125 --> 00:25:18,041
- Mal? Mal?
157
00:25:18,125 --> 00:25:19,750
The drums are on PA anyway.
158
00:25:19,833 --> 00:25:21,458
When we connect it, I could hear Ringo.
159
00:25:21,541 --> 00:25:23,041
The drums are on PA!
160
00:25:23,541 --> 00:25:26,166
- It's not my idea of a personal assistant.
- No.
161
00:25:50,791 --> 00:25:51,791
Hello? Hello?
162
00:25:54,583 --> 00:25:56,166
'Cause coming from the north of England,
163
00:25:56,250 --> 00:25:58,541
it doesn't come too easy, you know,
all the soul.
164
00:25:58,625 --> 00:26:00,166
- Let's take one now.
165
00:26:00,250 --> 00:26:01,333
Yeah, right.
166
00:26:04,250 --> 00:26:05,875
Ask 'em to put the mics on, will you?
167
00:26:05,958 --> 00:26:07,375
Hello.
168
00:26:07,458 --> 00:26:08,958
And get one for Billy too.
169
00:26:15,500 --> 00:26:17,541
- It's a bit ploddy.
- What?
170
00:26:18,500 --> 00:26:21,958
You know, just--
It sort of plods along a bit. A bit much.
171
00:26:22,041 --> 00:26:25,375
- It's just mourning and slow, slow.
- Mourning and�
172
00:26:25,458 --> 00:26:28,750
And a slow song.
It takes a long time to get out of it.
173
00:26:28,833 --> 00:26:31,375
Yeah.
That'll do for the time being.
174
00:26:31,458 --> 00:26:33,458
"The Wrong and Winding Box."
175
00:26:57,958 --> 00:27:00,416
All those little melodic things, you know?
176
00:27:00,500 --> 00:27:01,916
It's a-- It's a--
177
00:27:02,750 --> 00:27:05,833
It's like the other one, you know.
They're sort of slow, ballady,
178
00:27:05,916 --> 00:27:07,708
and they're plodding a bit.
179
00:27:16,375 --> 00:27:19,708
See, that's the kind of thing. Yeah.
It needs to go like that.
180
00:27:32,416 --> 00:27:33,541
Oh, just a second.
181
00:27:33,625 --> 00:27:36,416
When it goes, um-- On that bit, it goes�
182
00:27:38,125 --> 00:27:39,250
Hang on.
183
00:27:40,041 --> 00:27:42,166
Can we make the bridge�
184
00:27:43,333 --> 00:27:44,333
heavy?
185
00:27:45,833 --> 00:27:48,541
I can't sort of think how to do
this one at all, you know.
186
00:27:48,625 --> 00:27:50,458
Just, mind's a blank on it.
187
00:27:50,541 --> 00:27:51,666
I don't know.
188
00:27:52,833 --> 00:27:54,250
I don't know.
189
00:27:55,083 --> 00:27:56,083
Give up.
190
00:27:56,750 --> 00:27:58,291
It's nice though.
191
00:27:58,375 --> 00:28:00,541
- Have you turned me down?
- No.
192
00:28:06,125 --> 00:28:08,458
It's funny though.
You can't hear the piano either.
193
00:28:13,416 --> 00:28:15,083
We only asked for the piano.
194
00:28:21,375 --> 00:28:23,166
No. I said, "Oh, Ringo is on PA."
195
00:28:25,291 --> 00:28:29,000
A great sound in here
will improve what we do.
196
00:28:29,708 --> 00:28:33,125
No, but I mean, it's like
when we played in clubs in Hamburg.
197
00:28:34,416 --> 00:28:35,833
We sounded great.
198
00:28:45,541 --> 00:28:46,541
So you get�
199
00:28:53,583 --> 00:28:55,666
Let's do that.
It'll help you anyway to begin with.
200
00:28:55,750 --> 00:28:57,291
- Thank you, George.
- You're welcome.
201
00:28:57,833 --> 00:29:00,416
See, 'cause that'd be good
if we could get all that,
202
00:29:01,083 --> 00:29:03,083
get the sound in this room.
203
00:29:03,166 --> 00:29:06,166
It's, like, remember that night
we tried tape echo with George?
204
00:29:06,250 --> 00:29:07,500
On a bit of vocal.
205
00:29:28,250 --> 00:29:30,583
They have bloody big speakers
or something,
206
00:29:31,166 --> 00:29:32,375
to shout through.
207
00:29:33,083 --> 00:29:35,375
They should be
at least as big as a bass amp.
208
00:29:35,458 --> 00:29:36,458
- Yeah.
- Paul.
209
00:29:36,541 --> 00:29:37,708
Yeah.
210
00:29:41,250 --> 00:29:43,541
Thing is, they're both facing
each other for a kickoff.
211
00:29:43,625 --> 00:29:46,375
They're all facing--
They're all right next to the amps.
212
00:29:53,000 --> 00:29:55,333
I mean, get them up there,
they come down to us.
213
00:29:55,416 --> 00:29:58,625
Nail 'em on them sticks up there
and shoot 'em down to us,
214
00:29:58,708 --> 00:30:02,125
and we'll all face that way if you like.
We'll face any way.
215
00:30:02,958 --> 00:30:05,583
Well, then, let's--
I don't know who to tell to do that.
216
00:30:05,666 --> 00:30:07,375
Right, okay.
Yeah. I'll do something about it.
217
00:30:07,458 --> 00:30:09,875
Somehow if we can each hear
what the others are playing.
218
00:30:43,583 --> 00:30:44,583
- Uh�
- Ow!
219
00:30:45,166 --> 00:30:48,416
Just heard that Yoko's divorce
has just gone through.
220
00:30:49,916 --> 00:30:50,916
Free at last.
221
00:31:30,250 --> 00:31:31,500
Did we� "And if"?
222
00:31:31,583 --> 00:31:32,583
Start again.
223
00:31:38,208 --> 00:31:41,291
I've just got written down here,
"If somebody ever loved me."
224
00:31:41,375 --> 00:31:45,291
Oh, I've got, "If somebody
ever really loved me, like as she do me."
225
00:31:45,375 --> 00:31:46,375
Ah.
226
00:31:49,916 --> 00:31:53,041
Maybe we should have,
"I guess nobody ever loved me."
227
00:32:50,916 --> 00:32:52,875
George. George. George.
228
00:33:26,583 --> 00:33:29,416
The layout of the book's
really good, though, the way he's done it.
229
00:33:30,000 --> 00:33:31,541
This is it. Is this the layout?
230
00:33:31,625 --> 00:33:33,291
No, this is just the bit. That bit.
231
00:33:33,958 --> 00:33:38,708
"Beatle John Lennon hugged Japanese
actress Yoko Ono last night and said,
232
00:33:38,791 --> 00:33:41,416
'My marriage is over.
I am in love with Yoko.'"
233
00:33:41,500 --> 00:33:43,666
- Sinceriously.
234
00:33:43,750 --> 00:33:47,166
"How much does he love Yoko?
'Much more than I love the Queen.'"
235
00:34:27,375 --> 00:34:30,125
Let's record it all this afternoon, now.
236
00:34:31,291 --> 00:34:34,708
The show on Wednesday,
which is up on the roof, we can get, uh,
237
00:34:34,791 --> 00:34:37,666
no worse than a 4-shot on the roof
out toward London,
238
00:34:38,291 --> 00:34:40,708
- which I think is worth it.
- Yes. How much does it cost?
239
00:34:42,500 --> 00:34:44,750
Well, just send the helicopter up.
No film.
240
00:34:44,833 --> 00:34:48,041
- It's too much, film and a�
- Helicopter.
241
00:34:48,125 --> 00:34:49,541
Uh, what do you say, lads?
242
00:34:49,625 --> 00:34:51,000
- Have it on Paul!
- Yeah.
243
00:34:51,083 --> 00:34:52,375
- Yeah.
- Yes.
244
00:34:53,250 --> 00:34:54,833
- Is that a yes?
- That's a no-no.
245
00:35:00,125 --> 00:35:02,333
One, two, three, four.
246
00:35:18,208 --> 00:35:21,208
Not too loud though.
It's nice, quiet. Oh, yeah.
247
00:35:21,291 --> 00:35:25,083
It settled into it, though, after where
we started in, but much, much faster.
248
00:35:25,166 --> 00:35:27,500
One, two, three, four.
249
00:35:36,958 --> 00:35:38,833
Bit faster, do you think? Bit faster now.
250
00:35:39,541 --> 00:35:41,375
One, two, three, four.
251
00:35:45,500 --> 00:35:46,500
Hello.
252
00:36:00,208 --> 00:36:02,541
- Little bit slower.
- It seems it's picking up speed, I think.
253
00:36:02,625 --> 00:36:03,625
Yeah.
254
00:36:03,708 --> 00:36:05,833
'Cause I find myself starting off, going�
255
00:36:05,916 --> 00:36:06,916
We get excited.
256
00:36:07,916 --> 00:36:09,083
And then ended up�
257
00:36:15,833 --> 00:36:18,708
Ah, this here's the story
about Sweet Loretta Martin
258
00:36:19,458 --> 00:36:20,958
and Jo Jo McCartney.
259
00:36:42,833 --> 00:36:45,250
All right, boy. All right, John.
I've gotta call order, John.
260
00:36:45,333 --> 00:36:47,166
- All right, Paul.
- You know, valuable time here, son.
261
00:36:48,125 --> 00:36:49,291
Cool down, son.
262
00:36:49,375 --> 00:36:50,916
Don't let me down, babe.
263
00:37:10,208 --> 00:37:13,166
- They can afford it.
- Costing EMI. We're EMI artists, man, no?
264
00:37:31,916 --> 00:37:34,458
- �together at the beginning.
- You were very good, Bill.
265
00:37:39,583 --> 00:37:40,708
What are you gonna do?
266
00:37:40,791 --> 00:37:42,500
- Play it again.
- Sing a bit.
267
00:37:42,583 --> 00:37:44,958
- J?
- Just keep 'em. Keep 'em.
268
00:37:45,041 --> 00:37:46,583
- Do another one?
- Yeah.
269
00:37:46,666 --> 00:37:48,916
Well, tell us if you think
we've got it, you know?
270
00:37:49,000 --> 00:37:50,208
Well, yeah.
271
00:37:50,291 --> 00:37:52,000
Let's keep doing them then, you know?
272
00:37:52,083 --> 00:37:54,416
'Cause if we keep doing that
and going in and then saying, "Oh."
273
00:37:54,500 --> 00:37:57,000
I think you ought to do
something else, 'cause I think you might--
274
00:37:57,083 --> 00:37:58,791
If you keep doing it,
you'll go stale on it.
275
00:37:58,875 --> 00:38:00,708
- No, no. Let's do it.
- You can always go back to it.
276
00:38:00,791 --> 00:38:03,041
- Do you want your head kicked in?
- You know what I mean, though.
277
00:38:04,500 --> 00:38:06,875
- Do you wanna do it once more then?
- Yes, yes.
278
00:38:06,958 --> 00:38:10,125
At least once more.
We'll never get a chance to do it again.
279
00:38:10,208 --> 00:38:13,375
It is the final
performance. You've got an audience now.
280
00:38:13,458 --> 00:38:16,458
Okay, honeybunch.
Let's hit it one time, tutti-frutti.
281
00:38:17,041 --> 00:38:18,500
One, two�
282
00:38:27,250 --> 00:38:29,083
That last take was extremely good though.
283
00:38:29,166 --> 00:38:31,250
Okay. Keep it extremely good then.
We'll carry on.
284
00:38:41,666 --> 00:38:43,583
Why not go straight into
another number then?
285
00:38:43,666 --> 00:38:46,083
We were trying to go into
"Don't Let Me Down" if we made it,
286
00:38:46,166 --> 00:38:48,166
but we haven't made it once yet, you know?
287
00:38:48,250 --> 00:38:51,750
We think of everything and we're
even gonna go on to "I've Got a Fever."
288
00:38:51,833 --> 00:38:53,166
If we really know.
289
00:38:53,250 --> 00:38:55,041
In that case,
I'm gonna change tape.
290
00:38:55,125 --> 00:38:56,125
Are you? Okay.
291
00:39:10,458 --> 00:39:12,458
Was the other one before better than that?
292
00:39:13,708 --> 00:39:17,250
Yes. There was one better than that
earlier on. Hang on, we'll just�
293
00:39:17,333 --> 00:39:18,916
The one before this was better for me.
294
00:39:19,000 --> 00:39:21,333
Should we have another ciggy,
another cup of tea, or�
295
00:39:21,416 --> 00:39:23,083
- Okay, yeah after this.
- �ciggy after the wine.
296
00:39:23,166 --> 00:39:26,250
Oh, ready? One, two three, four.
297
00:39:37,500 --> 00:39:38,958
There's one where everything was right�
298
00:39:39,041 --> 00:39:41,166
- What's the next reel?
- �except the last bit of my guitar solo.
299
00:39:41,250 --> 00:39:43,666
Well, remember the one before that
that we all said was all right?
300
00:39:43,750 --> 00:39:45,208
- Yeah.
- That's Take 11.
301
00:39:45,291 --> 00:39:46,333
You can always edit.
302
00:39:46,416 --> 00:39:48,666
- Yeah, I'm just getting it.
- Edit?
303
00:39:48,750 --> 00:39:50,416
You're talking to the Bootles.
304
00:39:57,916 --> 00:40:01,083
Yeah, right. Now, see the thing is,
we need another week to do it.
305
00:40:49,916 --> 00:40:51,416
Miles out, aren't we?
306
00:40:51,500 --> 00:40:52,916
- Tune.
- Yeah.
307
00:40:53,000 --> 00:40:54,041
It was A, Bill.
308
00:40:54,125 --> 00:41:00,125
Billy, instead of giving us,
like, one note, give us a riff like�
309
00:41:01,833 --> 00:41:03,666
That's easier to tune to.
310
00:41:28,500 --> 00:41:31,125
- Hold up. Hold up.
- Okay. Let me just--
311
00:41:35,250 --> 00:41:38,333
Not giving 'em that!
312
00:41:38,416 --> 00:41:40,333
Oh, fucking right.
313
00:41:44,000 --> 00:41:46,458
Something happened.
I don't know what it was though.
314
00:41:47,083 --> 00:41:48,125
Something happened.
315
00:43:37,708 --> 00:43:40,166
Glyn? What does that sound like?
316
00:43:43,958 --> 00:43:45,000
- What?
- Yeah.
317
00:43:45,083 --> 00:43:46,125
- All right?
- Yeah.
318
00:44:02,083 --> 00:44:03,666
- Not bad.
- Got it.
319
00:44:05,000 --> 00:44:07,541
- Oh, the last two will do me.
- That's what I thought.
320
00:44:07,625 --> 00:44:10,083
- It was just about diabolical enough.
- You see, the thing is�
321
00:44:10,166 --> 00:44:13,500
I don't feel as though
I'm singing it any good.
322
00:44:13,583 --> 00:44:16,041
- The other day I was singing better.
- 'Cause you're standing up.
323
00:44:16,125 --> 00:44:18,083
- And you're trying to do a thing.
- Maybe.
324
00:44:18,166 --> 00:44:19,416
You should sit down.
325
00:44:19,500 --> 00:44:20,666
- Enjoy yourself.
- Yeah.
326
00:44:21,583 --> 00:44:25,083
Maybe. No, but even so today,
I just feel as though�
327
00:44:25,791 --> 00:44:26,916
Hobson's is a bit�
328
00:44:28,166 --> 00:44:29,166
That reel on?
329
00:44:29,250 --> 00:44:31,666
We've still got a lot more songs
we haven't even rehearsed.
330
00:44:32,541 --> 00:44:37,000
The two slow ones we're doing,
"Mother Mary" and� "Brother Jesus."
331
00:44:37,083 --> 00:44:38,708
- Have we recorded?
332
00:44:38,791 --> 00:44:40,583
Have we recorded the "Mother Mary" one?
333
00:44:40,666 --> 00:44:41,916
Haven't happened yet, have they?
334
00:44:42,000 --> 00:44:43,000
- No.
- Haven't they?
335
00:44:43,083 --> 00:44:44,583
- One has. One has.
- Well�
336
00:44:44,666 --> 00:44:46,375
- Which one?
- I can never get it.
337
00:44:46,458 --> 00:44:48,000
- "Long, Long, Winding"--
- "Long and Winding Road"?
338
00:44:48,083 --> 00:44:49,166
"Long and Winding Scrotum."
339
00:44:49,250 --> 00:44:51,416
- Really?
- I think it's very tasty.
340
00:44:51,500 --> 00:44:52,583
Tr�s tasty, in fact.
341
00:44:52,666 --> 00:44:54,000
Oh, the little version we had--
342
00:44:54,083 --> 00:44:56,083
- He's so good for your morale, this boy.
- Yeah, yeah.
343
00:44:56,166 --> 00:44:57,583
- No, really.
344
00:44:57,666 --> 00:44:59,916
- We can do--
- I'm not saying you can't do it better.
345
00:45:00,000 --> 00:45:01,458
But, I mean, it's very together.
346
00:45:02,166 --> 00:45:04,833
See, that's a bit like the old "Get Back."
347
00:45:04,916 --> 00:45:07,166
It's together
until you think you can do it better.
348
00:45:08,041 --> 00:45:10,250
We should arrange what's happening
around lunchtime tomorrow.
349
00:45:10,333 --> 00:45:12,500
John's got something at 1:30,
and so have I.
350
00:45:12,583 --> 00:45:15,458
I'll take these tonight.
You can have a mix of these tomorrow.
351
00:45:16,208 --> 00:45:18,166
- I'm meeting a fella.
- Oh, right.
352
00:45:19,375 --> 00:45:23,250
No, uh, at 1:30 though.
We're both going at 1:30, so can you�
353
00:45:23,333 --> 00:45:26,833
We'll do something, all right.
I'll do Ringo at 1:30.
354
00:45:26,916 --> 00:45:29,333
- Let's say 12:00.
355
00:45:29,416 --> 00:45:31,916
We'll be coming in before 1:30?
356
00:45:32,000 --> 00:45:34,000
- Yeah. Coming in at 11:00.
- Okay.
357
00:45:34,083 --> 00:45:35,083
Then work till 1:30.
358
00:45:35,166 --> 00:45:36,875
Okay, honeybunch. Let's hit it one time.
359
00:45:36,958 --> 00:45:39,041
- What time are you starting?
- 11:00.
360
00:45:39,625 --> 00:45:41,208
- 11:00 to 1:30?
- 10:30, yeah.
361
00:45:41,291 --> 00:45:42,625
Dig, man.
362
00:45:42,708 --> 00:45:44,958
And then how long
are you having off from 1:30?
363
00:45:45,041 --> 00:45:47,291
Till 3:00. Good night, everybody.
364
00:45:47,375 --> 00:45:49,416
- Good night, Rich.
- Good night, Richie.
365
00:45:49,500 --> 00:45:51,375
- I think I'm gonna go.
- Will you?
366
00:45:51,458 --> 00:45:53,333
I think the one you said was best�
367
00:45:53,416 --> 00:45:54,666
- Nine?
- �is best.
368
00:45:54,750 --> 00:45:56,833
Yeah. But it still doesn't make it.
369
00:45:57,708 --> 00:45:59,708
- We'll keep it anyway.
- Keep it in.
370
00:46:03,291 --> 00:46:04,500
- Good?
- Yeah.
371
00:46:04,583 --> 00:46:08,583
- Right. New reel.
372
00:46:08,666 --> 00:46:10,541
Well, the air-conditioning works.
373
00:46:11,541 --> 00:46:14,125
- God, feel like I'm in the army.
- It must be terrible.
374
00:46:14,208 --> 00:46:16,416
That was the only good thing
about being a girl.
375
00:46:16,500 --> 00:46:18,416
Can you imagine being drafted to Vietnam?
376
00:46:18,500 --> 00:46:20,583
George,
of the ones they've done so far,
377
00:46:20,666 --> 00:46:22,791
which do you think we can do on the roof?
378
00:46:22,875 --> 00:46:24,791
- Anything without the grand piano.
- Oh!
379
00:46:25,791 --> 00:46:27,791
- Morning.
- You're embarrassing me.
380
00:46:31,583 --> 00:46:33,833
Should we write down
what we could do on the roof?
381
00:46:34,375 --> 00:46:36,750
You haven't got
a concise list of titles, have we, Alan?
382
00:46:36,833 --> 00:46:39,000
- No. I can make one.
- Well, I�
383
00:46:39,083 --> 00:46:41,000
One is "I Dig a Pony."
We can do that on the roof.
384
00:46:41,083 --> 00:46:42,083
"Let It Be."
385
00:46:42,666 --> 00:46:45,833
Which is "Let It Be"? Oh, no.
I think "Let It Be" should be down here.
386
00:46:46,708 --> 00:46:48,208
Yeah, with the piano on that.
387
00:46:50,166 --> 00:46:52,875
Is anyone sort of
thinking of this like making an album
388
00:46:52,958 --> 00:46:55,333
or more like sort of
doing a lot of numbers then
389
00:46:55,416 --> 00:46:59,083
to be able to play them all
one after the other?
390
00:46:59,166 --> 00:47:00,208
Let's pick the five--
391
00:47:06,125 --> 00:47:07,166
Uh�
392
00:47:08,250 --> 00:47:09,750
I don't see much point in doing
393
00:47:09,833 --> 00:47:12,083
"Don't Let Me Down,"
"I've Got A Feeling" and that now.
394
00:47:13,083 --> 00:47:14,291
Yeah�
395
00:47:14,375 --> 00:47:16,083
'Cause you lose it.
396
00:47:16,166 --> 00:47:18,666
So let's pick up on the ones
that are all in pieces.
397
00:47:19,666 --> 00:47:22,666
I'm trying to get us to do
one of George's for the first batch.
398
00:47:22,750 --> 00:47:24,500
Oh, ah. Yeah.
399
00:47:34,166 --> 00:47:36,875
Then you can have the next one,
"Did you know, missed the show?"
400
00:48:12,291 --> 00:48:13,833
What could it be, Paul?
401
00:48:13,916 --> 00:48:15,750
- "Something in the way she moves."
- Hmm?
402
00:48:15,833 --> 00:48:17,250
What attracted me at all?
403
00:48:17,333 --> 00:48:19,541
Just say whatever comes
into your head each time.
404
00:48:19,625 --> 00:48:22,875
"Attracts me like a cauliflower,"
until you get the word, you know?
405
00:48:22,958 --> 00:48:26,291
Yeah, but I've been through this one,
like, for about six months.
406
00:48:31,750 --> 00:48:34,666
We could have that.
"Attracts me like a pomegranate."
407
00:48:46,208 --> 00:48:47,500
"Cauliflower" is better.
408
00:49:28,458 --> 00:49:30,166
- Okay.
- What was that?
409
00:49:30,250 --> 00:49:33,041
Yeah, but say we got
a really good one of "Love Me Do."
410
00:49:33,125 --> 00:49:36,041
- Well, yeah. That's true.
- Yeah. Okay.
411
00:49:58,791 --> 00:50:02,875
Is it 1:30? I've got this--
to go to this meeting.
412
00:50:02,958 --> 00:50:03,958
So, can you do it?
413
00:50:04,625 --> 00:50:07,291
Will you ring down for us?
And we'll keep going through this.
414
00:50:07,375 --> 00:50:09,041
Yeah. Okay.
415
00:50:25,416 --> 00:50:26,583
Shall we do it?
416
00:50:35,541 --> 00:50:37,708
- Glyn?
- Send an engineer.
417
00:50:37,791 --> 00:50:38,791
Glyn.
418
00:50:40,458 --> 00:50:43,666
Can you come and fix my microphone?
It keeps falling down.
419
00:50:58,416 --> 00:51:00,208
See, can I change from going�
420
00:51:02,708 --> 00:51:05,208
Because I can't do it.
I go into that folk bit.
421
00:51:05,291 --> 00:51:06,375
Have a ciggy, Billy.
422
00:51:24,541 --> 00:51:25,875
Two, three, four.
423
00:51:51,375 --> 00:51:54,333
I'll sing it a bit different than that.
I'll sing�
424
00:51:57,791 --> 00:51:58,791
- All that bit.
- Yeah.
425
00:51:58,875 --> 00:52:00,458
Okay.
Should we go from the last verse again?
426
00:52:00,541 --> 00:52:02,041
That's the bit still, isn't it?
427
00:52:02,125 --> 00:52:03,125
I still think that--
428
00:52:03,208 --> 00:52:05,791
I'm not sure about that syncopation bit,
but leave that to Paul.
429
00:52:05,875 --> 00:52:10,416
Well, that's okay if we just do it
in between, you know, where the riff�
430
00:52:10,500 --> 00:52:11,500
Uh�
431
00:52:12,333 --> 00:52:14,291
It seems to be going
through every verse now.
432
00:52:14,375 --> 00:52:16,375
Yeah, that's the riff. Goes�
433
00:52:17,000 --> 00:52:18,750
- I mean that�
- It should change.
434
00:52:18,833 --> 00:52:20,500
No, that just comes at the end.
435
00:52:21,583 --> 00:52:23,208
Oh, in the middle of every verse?
436
00:52:36,208 --> 00:52:40,875
But also we need somebody that's gonna
tune everything in here to one pitch.
437
00:52:40,958 --> 00:52:42,500
Uh, the piano people do that.
438
00:52:42,583 --> 00:52:44,791
Okay, well,
we'll play about for a bit then.
439
00:52:44,875 --> 00:52:47,166
- How do you tune an electric piano?
- I don't know.
440
00:52:49,083 --> 00:52:51,500
There's got to be a way though.
Probably here somewhere.
441
00:52:53,291 --> 00:52:54,708
What did you wanna talk about?
442
00:52:54,791 --> 00:52:56,916
Uh, well,
just that I saw Klein, and that.
443
00:52:57,000 --> 00:52:58,666
- Oh, Klein?
- Yeah, yeah. Klein.
444
00:52:58,750 --> 00:53:00,083
- Allen Klein.
- Oh, I see.
445
00:53:00,166 --> 00:53:02,166
Yeah. And it's--
You know, it's very interesting.
446
00:53:02,250 --> 00:53:03,250
Yeah.
447
00:53:03,333 --> 00:53:05,458
- You know, from a lot of angles.
- Hmm.
448
00:53:05,541 --> 00:53:09,375
And the-- But I want to tell you
all at once, you know, so as it's not�
449
00:53:10,666 --> 00:53:14,083
But just, um--
I just think he's fantastic.
450
00:53:14,166 --> 00:53:15,583
- Really?
- Yeah.
451
00:53:16,833 --> 00:53:19,833
A lot of interesting news
that we don't know half about,
452
00:53:19,916 --> 00:53:21,291
- just about--
- About us?
453
00:53:21,375 --> 00:53:24,708
Well, I'll tell-- You know,
he'll tell you all that, 'cause it's�
454
00:53:24,791 --> 00:53:26,791
You know,
he knows everything about everything.
455
00:53:26,875 --> 00:53:28,000
Very interesting guy.
456
00:53:28,083 --> 00:53:30,791
- I was there till 2:00 in the morning.
- Oh, you went last night?
457
00:53:30,875 --> 00:53:34,125
I went there thinking, "Well, I've got
to see him. I put it off last time."
458
00:53:34,208 --> 00:53:35,458
You know?
459
00:53:35,541 --> 00:53:37,416
I keep hearing about him all these years.
460
00:53:37,500 --> 00:53:40,375
Things that you just�
you can't believe, you know.
461
00:53:40,458 --> 00:53:44,125
Right down to where-- where it's gone,
462
00:53:45,500 --> 00:53:46,666
and how to get it.
463
00:53:47,958 --> 00:53:51,666
So, I, you know-- Well, I didn't
really wanna say it to sort of half o'ya.
464
00:53:51,750 --> 00:53:54,416
I thought,
"He's gonna look after me, whatever."
465
00:53:54,500 --> 00:53:56,041
That's� it's just like that.
466
00:53:58,083 --> 00:54:00,875
And he knows--
He even knows what we're like, you know?
467
00:54:00,958 --> 00:54:03,375
The way he described each one of us,
you know,
468
00:54:03,458 --> 00:54:05,833
and what we've done
and what we're gonna do and that.
469
00:54:05,916 --> 00:54:09,125
But just, like,
he knows me as much as you do.
470
00:54:10,791 --> 00:54:12,125
Incredible guy.
471
00:54:12,625 --> 00:54:14,875
He's got a great idea for Biafra.
472
00:54:14,958 --> 00:54:16,833
He's like--
He says, "I'm a practical man."
473
00:54:16,916 --> 00:54:19,875
And his thing--
You know The Stones' Circus we did?
474
00:54:19,958 --> 00:54:21,833
- So he arranges those things for them.
- Yeah.
475
00:54:21,916 --> 00:54:27,041
All we heard about that
and the-- the-- the royalty from way back�
476
00:54:27,125 --> 00:54:28,875
- Yeah.
- �they get much more than us.
477
00:54:28,958 --> 00:54:31,375
However many we sell, they cop.
478
00:54:32,000 --> 00:54:35,833
You know, so, The Stones show,
he's gonna make an LP out of it.
479
00:54:35,916 --> 00:54:38,166
They're making a book of it
and everything, of course, you know?
480
00:54:38,250 --> 00:54:39,916
Like, everybody is into that.
481
00:54:40,000 --> 00:54:45,083
And he's gonna, uh, make an LP of it,
of everybody that was on�
482
00:54:45,791 --> 00:54:48,541
to buy food for Biafra.
483
00:54:48,625 --> 00:54:50,625
Yeah, I was telling him
about your idea for that film.
484
00:54:50,708 --> 00:54:51,958
- Oh, yeah.
- The thing is,
485
00:54:52,041 --> 00:54:55,875
I mean, if we took the food to that place,
with the money we've all earned--
486
00:54:55,958 --> 00:54:57,958
He'd do it completely himself,
arrange it all.
487
00:54:58,041 --> 00:55:01,458
I didn't mean to get into all this,
but he's so fascinating.
488
00:55:04,791 --> 00:55:06,791
Do you want to do this one more time?
489
00:55:06,875 --> 00:55:08,250
- Yeah.
- Eh?
490
00:55:08,916 --> 00:55:11,916
'Cause I'd like to learn
"On the Road to Marrakesh" or something.
491
00:55:14,625 --> 00:55:15,791
Or "Mr. Mustard."
492
00:55:16,333 --> 00:55:18,791
Must do another number, I've decided.
493
00:55:31,625 --> 00:55:34,750
Mal, what was the name of that
shoe shop somebody said is in Bond Street?
494
00:55:34,833 --> 00:55:37,458
The good one.
Do you know a good shoe shop near?
495
00:55:37,541 --> 00:55:39,541
There's a lot of shoe shops
in Bond Street.
496
00:55:39,625 --> 00:55:44,041
Yeah. But I just want, you know,
like ordinary black leather shoes.
497
00:55:44,625 --> 00:55:47,875
It's just that I never get any, you know,
'cause I'm never in shoe shops.
498
00:55:48,625 --> 00:55:50,458
Do you want me
to bring the bloke over?
499
00:55:50,541 --> 00:55:52,708
If you can con somebody into coming
500
00:55:52,791 --> 00:55:56,750
with, you know, a selection
of black slip-on size eights.
501
00:55:56,833 --> 00:55:57,875
Yeah, okay.
502
00:56:45,625 --> 00:56:47,875
- What?
503
00:56:47,958 --> 00:56:50,166
Where's it from? Who makes it?
504
00:56:50,250 --> 00:56:51,666
- Wow.
- Japanese?
505
00:56:51,750 --> 00:56:53,833
I saw it on the television.
506
00:56:56,166 --> 00:56:58,000
Too much! Whoo.
507
00:56:59,208 --> 00:57:00,208
Nice sound.
508
00:57:00,291 --> 00:57:02,541
- Could you transpose that to D?
- Yeah.
509
00:57:02,625 --> 00:57:05,916
- All on one note, huh?
- Yeah, you can change it.
510
00:57:10,000 --> 00:57:12,000
One at a time. It's a little organ.
511
00:57:15,541 --> 00:57:16,541
That's better.
512
00:57:17,083 --> 00:57:19,625
Yeah. It's too much, man.
513
00:57:53,916 --> 00:57:56,416
I love that song.
That's beautiful. I couldn't�
514
00:57:56,500 --> 00:57:57,500
You've won a prize.
515
00:57:57,583 --> 00:57:59,666
Couldn't have asked for
better. Can we have something else now?
516
00:57:59,750 --> 00:58:01,541
Another song, right. Okay, George?
517
00:58:02,208 --> 00:58:04,708
How about, uh�
What have you got up your sleeve, John?
518
00:58:05,916 --> 00:58:07,250
How about "Love Me Do" again?
519
00:58:07,333 --> 00:58:09,750
What about "Don't Let Me Down"?
That's a bloody good one, that.
520
00:58:09,833 --> 00:58:12,250
Very high though. But never mind.
We'll practice the backing.
521
00:58:12,333 --> 00:58:13,416
- What is it now?
- Just--
522
00:58:13,500 --> 00:58:16,083
"And if somebody ever loved me
like she does," that's all.
523
00:58:16,166 --> 00:58:17,416
Just the "really" out.
524
00:58:32,250 --> 00:58:33,250
Same guitar?
525
00:58:42,750 --> 00:58:44,166
Okay, George. Come on.
526
00:58:45,000 --> 00:58:46,375
One�
527
00:58:49,458 --> 00:58:50,958
The Krishna Christmas club.
528
00:58:53,583 --> 00:58:55,333
A little bit of a tune-up, I think.
529
00:58:55,416 --> 00:58:56,833
No, I don't think so, George.
530
00:58:56,916 --> 00:58:58,750
Yeah, John. Don't, John. Don't.
531
00:58:58,833 --> 00:59:01,208
I've had some wine, you know?
Remember Bob Wooler.
532
00:59:01,291 --> 00:59:03,000
Fucking right.
533
00:59:03,083 --> 00:59:04,166
Peace on Earth.
534
00:59:04,791 --> 00:59:07,583
"Don't Let Me Down the Road Again Blues."
535
00:59:07,666 --> 00:59:10,083
"Short, fat Fanny, you're my desire."
536
00:59:11,791 --> 00:59:14,041
One, two, three, four.
537
01:01:26,291 --> 01:01:27,500
Allen Klein's here.
538
01:01:28,458 --> 01:01:29,916
Where's he gonna be?
539
01:01:30,708 --> 01:01:32,291
Should we go up to our room?
540
01:01:32,375 --> 01:01:34,458
- Yeah.
- Oh, fuck it.
541
01:01:46,125 --> 01:01:47,833
- Morning, Michael.
- Morning, R.S.
542
01:01:47,916 --> 01:01:51,000
How many numbers do you think
you'll have by tomorrow at 1:00
543
01:01:51,083 --> 01:01:52,750
- before you go up on the roof?
- About six.
544
01:01:53,625 --> 01:01:54,791
Yes, it's gonna be great.
545
01:02:27,625 --> 01:02:28,625
Yeah.
546
01:02:37,250 --> 01:02:38,250
Yes.
547
01:02:59,625 --> 01:03:00,625
Mmm.
548
01:03:00,708 --> 01:03:03,958
Tomorrow, with the nine cameras,
if we do tomorrow,
549
01:03:04,041 --> 01:03:05,958
there is a kind of,
"Something will happen."
550
01:03:06,041 --> 01:03:08,000
No, it's the best bit of us,
551
01:03:08,083 --> 01:03:09,875
always has been and always will be,
552
01:03:09,958 --> 01:03:12,875
is when we've got--
when we're backs against the wall
553
01:03:12,958 --> 01:03:14,916
and we've been rehearsing,
rehearsing, rehearsing.
554
01:03:15,000 --> 01:03:17,583
And he knows it's a take on the dub.
And he does it great.
555
01:03:17,666 --> 01:03:20,791
No, the organization
has gotta come from either you
556
01:03:20,875 --> 01:03:22,000
or from you doing an audience.
557
01:03:22,083 --> 01:03:24,708
But that's not true, you see?
There is a difference.
558
01:03:24,791 --> 01:03:27,375
- Like when we came here from Twickenham.
- Mmm.
559
01:03:27,458 --> 01:03:29,083
It's a whole other thing, you know?
560
01:03:30,041 --> 01:03:34,458
If we went into a TV studio now,
in one of those big, bare TV studios
561
01:03:34,541 --> 01:03:36,833
and you sat us down,
just with our songs and amps,
562
01:03:36,916 --> 01:03:38,500
we'd do 'em and we'd do 'em great.
563
01:03:39,541 --> 01:03:41,500
I think what we need is
an audience of some sort.
564
01:03:41,583 --> 01:03:43,083
Either a surprise audience--
565
01:03:43,666 --> 01:03:46,000
Tomorrow, or, uh� I'll light my cigar.
566
01:03:52,791 --> 01:03:56,166
If we've got like everything set for
tomorrow, we just go ahead and do it and--
567
01:03:56,250 --> 01:03:58,416
The roof is like too far out.
568
01:03:58,500 --> 01:03:59,833
If we do an open air thing�
569
01:04:00,583 --> 01:04:03,208
That's-- that's really all
I can say about this whole scene.
570
01:04:03,291 --> 01:04:05,916
We should learn all the numbers.
All of them.
571
01:04:06,000 --> 01:04:07,875
All the ones that are gonna be
on the album.
572
01:04:07,958 --> 01:04:09,791
I know it literally takes a bit more time.
573
01:04:09,875 --> 01:04:11,750
That's why I wanna
go through with you today, the ones--
574
01:04:11,833 --> 01:04:14,041
But we haven't got the end thing.
575
01:04:14,125 --> 01:04:17,000
I've got a feeling that
we're gonna just, sort of, go off�
576
01:04:19,166 --> 01:04:22,000
We're just gonna go off like we did
after the end of the last album.
577
01:04:22,625 --> 01:04:25,375
And just sort of think,
"Oh, not another fucking album."
578
01:04:25,458 --> 01:04:27,791
You know? Because this is--
this is what this is, you know.
579
01:04:27,875 --> 01:04:30,333
- I can't wait to work it, you know?
- Yeah.
580
01:04:30,416 --> 01:04:33,833
But it's like we got much better takes
after we moved from Twickenham to here.
581
01:04:33,916 --> 01:04:36,291
Oh, yeah,
but I mean here I like. It's like home.
582
01:04:36,375 --> 01:04:41,833
But, like, we still haven't got
any aim for it, except an album again.
583
01:04:41,916 --> 01:04:44,791
- Yeah.
- Our only aim ever is an album, you know?
584
01:04:44,875 --> 01:04:47,083
Which is like a very nonvisual thing.
585
01:04:47,166 --> 01:04:49,416
But albums is
what we're doing at the moment.
586
01:04:49,500 --> 01:04:51,208
I mean,
you gotta be sneaky with The Beatles,
587
01:04:51,291 --> 01:04:53,916
or else we'll just go on forever
in a circle, you know?
588
01:04:54,000 --> 01:04:56,750
Whenever we talk about it,
we have certain rules.
589
01:04:56,833 --> 01:05:00,291
Like George saying, "What do you
wanna do?" And he says, "No films."
590
01:05:00,375 --> 01:05:02,958
You know, but it's wrong, that.
It's very wrong, that.
591
01:05:03,041 --> 01:05:04,708
Because you don't know.
592
01:05:04,791 --> 01:05:07,833
He says-- What he means is,
no Help, Hard Day's Night.
593
01:05:07,916 --> 01:05:10,375
'Cause this is a film.
And he now he doesn't mind this.
594
01:05:10,458 --> 01:05:12,416
It's us going silly again.
595
01:05:14,375 --> 01:05:16,833
See, it's like when we came
back from Hamburg,
596
01:05:16,916 --> 01:05:20,666
and did Leicester, De Montfort Hall
and we had the worst first night thing,
597
01:05:20,750 --> 01:05:22,750
and we're all nervous,
and it was terrible.
598
01:05:22,833 --> 01:05:25,375
Then we played another the next night.
We just went right into it.
599
01:05:25,458 --> 01:05:28,000
We're good at that
once we get over the nervousness.
600
01:05:28,083 --> 01:05:31,625
But it's like there's the hurdle
of that nervousness is there now.
601
01:05:36,958 --> 01:05:40,125
Yes, but for who is
tomorrow the day? Not for me.
602
01:05:40,208 --> 01:05:42,000
You know, it's like there's this thing
603
01:05:42,083 --> 01:05:45,708
where there is a show to be had
out of what we've got here,
604
01:05:45,791 --> 01:05:48,791
which is just so incredible.
That's unbelievable.
605
01:05:48,875 --> 01:05:51,666
And you don't have to go on the roof.
You don't have to go anywhere.
606
01:05:51,750 --> 01:05:53,875
- You really only have to sing 'em.
- Well, even if we stay here--
607
01:05:53,958 --> 01:05:56,375
This business of
a deadline though is up to you really,
608
01:05:56,458 --> 01:05:58,083
because we've given you deadlines already.
609
01:05:58,166 --> 01:06:01,250
Yeah, well, that's why
I'm talking to John, not you.
610
01:06:02,541 --> 01:06:07,458
The easiest way to finish the show,
is just to sit here for another few days
611
01:06:07,541 --> 01:06:10,958
and start rehearsing them one after
the other and do three numbers at a time.
612
01:06:11,041 --> 01:06:13,708
And like George said, get a program
of where we're gonna do 'em,
613
01:06:13,791 --> 01:06:15,625
what's gonna follow what.
614
01:06:15,708 --> 01:06:17,625
And just start playing them right through.
615
01:06:17,708 --> 01:06:19,416
And then just knock it off.
616
01:06:19,500 --> 01:06:22,375
Like you used to, and have
all your titles on your guitar, you know.
617
01:06:22,458 --> 01:06:24,791
Yes, yes. I mean,
I thought that's what we're doing.
618
01:06:24,875 --> 01:06:26,333
It's just that
you say you're not ready.
619
01:06:26,416 --> 01:06:27,791
We're not ready, yeah, sure.
620
01:06:27,875 --> 01:06:29,333
We're not ready to do 14.
621
01:06:29,416 --> 01:06:33,375
See, the only trouble is, we really have
to want to do a show at the end of it.
622
01:06:33,458 --> 01:06:35,250
That's the thing. That's the trouble.
623
01:06:35,333 --> 01:06:37,208
None of us have an aim.
624
01:06:37,291 --> 01:06:39,750
We don't have a thing
at the end of it that we wanna do.
625
01:06:39,833 --> 01:06:42,083
We could have had a De Montfort Hall show�
626
01:06:42,166 --> 01:06:43,708
This would have been De Montfort Hall
627
01:06:43,791 --> 01:06:46,666
if we'd have done
the dress rehearsal here.
628
01:06:46,750 --> 01:06:48,958
And get over the nervousness
of an audience,
629
01:06:49,041 --> 01:06:52,291
and stop, sort of, playing to show off
to them and--
630
01:06:53,000 --> 01:06:54,291
Just play it.
631
01:06:55,083 --> 01:06:56,291
Yeah. Yeah.
632
01:06:56,375 --> 01:06:59,250
The voices are going in my head,
which way we're gonna-- which way we are--
633
01:06:59,333 --> 01:07:04,166
What's your, sort of, practical answer
to the problem now, regarding tomorrow?
634
01:07:07,541 --> 01:07:09,958
I think we'd be daft just not to do it--
635
01:07:10,041 --> 01:07:12,208
- Well, try and do something tomorrow�
- Sorry I'm late.
636
01:07:12,291 --> 01:07:16,416
�even if it's a grand dress rehearsal,
and see how it went.
637
01:07:16,500 --> 01:07:18,750
- Morning, George.
- And then, you know�
638
01:07:19,708 --> 01:07:22,041
I mean, if we had another six weeks�
639
01:07:27,541 --> 01:07:29,458
Six weeks.
640
01:07:30,833 --> 01:07:33,833
I mean, you know,
if we had another month to play with
641
01:07:33,916 --> 01:07:39,500
to really, I think,
get 14 straight off, it'd be nice,
642
01:07:39,583 --> 01:07:41,625
you know, to still do the seven we've got.
643
01:07:42,541 --> 01:07:45,541
- Do you plan on playing the�
- What, what?
644
01:07:45,625 --> 01:07:48,750
I just don't-- You know, I think
it's gonna take months doing it like that.
645
01:07:49,916 --> 01:07:52,250
So how do you think we should do it then?
646
01:07:52,333 --> 01:07:54,625
You can film some
while we're recording them
647
01:07:54,708 --> 01:07:56,500
at the same time, okay, but--
648
01:07:56,583 --> 01:07:58,750
Yeah, see,
that's what I wanna get in me head.
649
01:07:58,833 --> 01:08:02,416
Is it a documentary of us
doing another album? Which it is.
650
01:08:02,500 --> 01:08:05,125
Except,
we're doing them one after the other.
651
01:08:05,208 --> 01:08:07,958
No, but, I mean, we're not doing a payoff.
652
01:08:08,041 --> 01:08:13,291
We're not doing the 11 numbers
straight off for an album.
653
01:08:13,375 --> 01:08:15,500
We're gonna have to, sort off, join 'em.
654
01:08:15,583 --> 01:08:18,208
I agree with that.
I think it's disappointing but, all right,
655
01:08:18,291 --> 01:08:20,666
we've only got to seven. Let's do seven.
656
01:08:23,416 --> 01:08:24,416
Yeah.
657
01:08:24,916 --> 01:08:27,375
'Cause otherwise--
We haven't enough time to do 14,
658
01:08:27,458 --> 01:08:29,458
'cause Ringo's gotta go, you know?
659
01:08:29,541 --> 01:08:32,833
But we might be able to get another seven
off by the end of two weeks.
660
01:08:33,500 --> 01:08:34,666
I mean, we will, but�
661
01:08:34,750 --> 01:08:37,250
The only trouble is that the only people,
662
01:08:37,333 --> 01:08:40,750
like, who need to agree on what it is
we're doing is the four of us,
663
01:08:40,833 --> 01:08:43,333
and we're the only ones
who haven't even talked about it.
664
01:08:43,416 --> 01:08:46,375
Because we had the meeting
before all this and said, "TV show."
665
01:08:46,458 --> 01:08:47,833
That's what I've gotta get in my head.
666
01:08:47,916 --> 01:08:49,208
It's an album.
667
01:08:49,291 --> 01:08:52,375
All that footage of film
which could make about half a dozen films.
668
01:08:52,458 --> 01:08:54,791
Yeah. It's a film of us making an album.
669
01:08:54,875 --> 01:08:56,458
Yeah, but that's visual.
670
01:08:56,541 --> 01:08:58,166
Yes. Yeah.
671
01:08:58,250 --> 01:09:01,583
Yeah. I've got no complaints about it.
But I just gotta get that in my head.
672
01:09:10,041 --> 01:09:13,333
This TV show was supposed
to be a TV show of the last album.
673
01:09:14,416 --> 01:09:15,708
- The last album?
- Yes.
674
01:09:15,791 --> 01:09:18,708
But when we came to do it we said,
"We'll write new songs."
675
01:09:18,791 --> 01:09:20,041
'Cause that's it, you see.
We always--
676
01:09:20,125 --> 01:09:22,291
We never--
We always get ahead of ourselves.
677
01:09:22,375 --> 01:09:26,125
The thing is that, like, yesterday,
which wasn't a particularly good day,
678
01:09:26,208 --> 01:09:28,041
and the day before, which wasn't
a particularly good day either.
679
01:09:28,125 --> 01:09:29,125
Mmm.
680
01:09:29,208 --> 01:09:31,208
The reason is obviously
the fact that you're playing
681
01:09:31,291 --> 01:09:34,708
the same three or four songs
for a week or whatever,
682
01:09:34,791 --> 01:09:36,083
you know,
and you're flogging them to death.
683
01:09:36,166 --> 01:09:37,708
Obviously you're getting bored
with them, you know, like,
684
01:09:37,791 --> 01:09:39,583
- it can't be any other way.
- Yeah.
685
01:09:39,666 --> 01:09:42,000
That was why George and I were trying
to get you yesterday
686
01:09:42,083 --> 01:09:45,541
to do three in one go,
straight through, so you had to think,
687
01:09:45,625 --> 01:09:48,000
"Oh, yeah, what's the key?
Why isn't it right?"
688
01:09:48,083 --> 01:09:50,333
How many have we
already recorded good enough?
689
01:09:50,416 --> 01:09:51,416
None.
690
01:09:51,500 --> 01:09:55,458
None? Well, what about all those
times we've done "Get Back"?
691
01:09:55,541 --> 01:09:57,416
Oh, well, I mean,
one of them's all right, isn't it?
692
01:09:57,500 --> 01:09:59,333
There's that one of yours we did.
693
01:10:00,000 --> 01:10:01,291
And "Get Back."
694
01:10:01,375 --> 01:10:04,291
But they're at a stage
where it's dress rehearsal stage,
695
01:10:04,375 --> 01:10:06,000
- Yes.
- Where if you did a performance,
696
01:10:06,083 --> 01:10:07,166
it probably would be it.
697
01:10:08,500 --> 01:10:10,833
- Yes.
- Yesterday you got terribly close to it
698
01:10:10,916 --> 01:10:13,041
on a couple of the numbers
you were trying to do.
699
01:10:13,125 --> 01:10:16,666
- One more take and you've had it.
- It's just physical tiredness on my part.
700
01:10:16,750 --> 01:10:18,083
You know, it took great strain
701
01:10:18,166 --> 01:10:20,750
to get through "Don't Let Me Down"
and the other one.
702
01:10:20,833 --> 01:10:23,625
Just physically singing at that pace,
I'm being so tired.
703
01:10:23,708 --> 01:10:25,916
Well, that's the thing,
if you're planning on working up
704
01:10:26,000 --> 01:10:29,291
till Ringo does the film,
doing it like this,
705
01:10:29,375 --> 01:10:31,041
you know, we're just gonna drop.
706
01:10:32,291 --> 01:10:34,291
I think-- I think yesterday�
707
01:10:36,125 --> 01:10:39,041
- At least we could've recorded all those.
- Was the result of not having the weekend.
708
01:10:39,125 --> 01:10:42,000
If we hadn't had the weekend, we wouldn't
have been able to even attempt yesterday.
709
01:10:42,083 --> 01:10:43,333
That's the paradox.
710
01:10:43,416 --> 01:10:45,666
But if we had just
been recording them, you know�
711
01:10:45,750 --> 01:10:48,583
And at the moment
the documentary is really like No Exit.
712
01:10:48,666 --> 01:10:51,375
It's just going around and around
and around with no payoff.
713
01:10:51,458 --> 01:10:52,458
There's no story.
714
01:10:52,541 --> 01:10:54,875
There's a lot of good stuff
that we shot in the documentary,
715
01:10:54,958 --> 01:10:56,250
but there's no story yet.
716
01:10:56,333 --> 01:11:01,666
Now I know how to get
this TV show together in about a week.
717
01:11:01,750 --> 01:11:04,291
But I can't do it with you.
I can't produce you.
718
01:11:04,375 --> 01:11:06,375
- Neither can anybody else.
- No, right.
719
01:11:06,458 --> 01:11:08,083
'Cause we don't allow it, you know.
720
01:11:08,666 --> 01:11:10,958
We don't allow people
to come and say, "You do that."
721
01:11:11,041 --> 01:11:13,750
That's why I'm creating
artificial frameworks for us to do it--
722
01:11:13,833 --> 01:11:16,500
We've got a lot of good stuff,
like with some of the days at Twickenham.
723
01:11:16,583 --> 01:11:19,500
We've got great stuff, counterpoint thing.
But at the moment haven't got an ending.
724
01:11:19,583 --> 01:11:20,875
See, 'cause they've got the film,
you know.
725
01:11:20,958 --> 01:11:22,375
- I just wanna get out now.
- Yes.
726
01:11:22,458 --> 01:11:25,458
We've done the film.
We've done the numbers enough, you know?
727
01:11:25,541 --> 01:11:26,666
And we begin together--
728
01:11:26,750 --> 01:11:29,250
But, I mean, if George wants to think
while we're doing it
729
01:11:29,333 --> 01:11:30,500
that he's making a record.
730
01:11:30,583 --> 01:11:33,166
- Yes.
- And you wanna think we're rehearsing.
731
01:11:33,250 --> 01:11:34,458
It makes no odds, you know.
732
01:11:34,541 --> 01:11:35,750
So we've gotta decide
733
01:11:35,833 --> 01:11:38,166
that we mustn't then go on "Get Back"
for three hours.
734
01:11:42,458 --> 01:11:45,291
Or else I really feel like
I'm trying to produce The Beatles,
735
01:11:45,375 --> 01:11:46,958
and I know it's hopeless.
736
01:11:47,041 --> 01:11:48,333
I just can't do it, you know.
737
01:11:48,416 --> 01:11:49,625
And no one can do it
738
01:11:49,708 --> 01:11:52,916
'cause the four individuals
are too strong individually.
739
01:11:53,000 --> 01:11:55,916
- Yes, we know.
- So you want us to record these songs?
740
01:11:56,000 --> 01:11:59,583
Yeah. Get it together now
instead of talking about the show.
741
01:11:59,666 --> 01:12:01,416
Get it, so that we've got 14 songs.
742
01:12:01,500 --> 01:12:04,166
We're talking about
this abstract thing we hope to get,
743
01:12:04,250 --> 01:12:05,833
and by talking about,
we're not getting it.
744
01:12:05,916 --> 01:12:07,000
Okay, let's do it.
745
01:12:07,083 --> 01:12:09,958
But, man, physically, yesterday
we tried to learn the next half.
746
01:12:10,041 --> 01:12:11,375
But physically we were too tired.
747
01:12:11,458 --> 01:12:13,000
- That's all it was.
- Yeah, that's right.
748
01:12:13,083 --> 01:12:14,541
And we're trying to do what you're saying,
749
01:12:14,625 --> 01:12:17,166
and we might have done
what he was saying at the same time,
750
01:12:17,250 --> 01:12:18,791
but we couldn't do it 'cause we're tired.
751
01:12:18,875 --> 01:12:19,875
- That's all.
- Yeah.
752
01:12:19,958 --> 01:12:22,083
So we had--
We might have had a bit more sleep--
753
01:12:22,166 --> 01:12:26,000
You mean you're still expecting us to be
on the chimney with a lot of people,
754
01:12:26,083 --> 01:12:27,333
or something like that?
755
01:12:27,416 --> 01:12:29,875
Well, anyway, we won't worry
about that. Don't give us that one.
756
01:12:29,958 --> 01:12:32,041
"Expecting" is not a word we use anymore.
757
01:12:32,125 --> 01:12:33,125
Uh, "thinking about."
758
01:12:33,208 --> 01:12:35,458
- "Praying"?
- "Praying. Hoping."
759
01:12:36,500 --> 01:12:38,375
Uh� well, now,
what about the roof tomorrow?
760
01:12:38,458 --> 01:12:40,250
- Do you wanna collectively do it or not?
- No, let's--
761
01:12:40,333 --> 01:12:43,625
Let's-- Let's decide on that,
sort of, a bit later.
762
01:12:43,708 --> 01:12:45,708
Let's us keep off that.
763
01:12:45,791 --> 01:12:47,333
- We'll do the numbers, you know?
764
01:12:47,416 --> 01:12:48,791
We're the band.
765
01:12:48,875 --> 01:12:51,416
- "You're fucking right."
766
01:12:51,500 --> 01:12:54,041
No, you know, I-- You know, whatever.
767
01:12:54,125 --> 01:12:56,166
I'll do it if we've got to go on the roof.
768
01:12:56,250 --> 01:12:57,625
- You're the band now�
- You know, I mean�
769
01:13:04,583 --> 01:13:05,750
You would like to?
770
01:13:08,875 --> 01:13:10,708
Very diverse people.
771
01:13:10,791 --> 01:13:13,000
- One second.
- But, I mean if� See, I don't mind�
772
01:13:13,083 --> 01:13:16,000
- That's all right. We won't discuss it.
- �if anybody doesn't wanna go on it.
773
01:13:16,083 --> 01:13:18,125
- It wasn't that I--
- So what songs have we got?
774
01:13:18,208 --> 01:13:20,541
Have we got a sort of list
of what we've got, 'cause--
775
01:13:20,625 --> 01:13:23,291
A lot of them are�
I mean, there's too much of a list there.
776
01:13:23,375 --> 01:13:25,666
- But there's certainly everything here.
- Okay.
777
01:13:25,750 --> 01:13:28,708
"I've Got a Feeling,"
"Don't Let Me Down," "Get Back."
778
01:13:28,791 --> 01:13:31,583
- Don't know what that is.
- "I'd Like a Love That's Right."
779
01:13:34,166 --> 01:13:36,750
"Long and Winding Road,"
"Let it Be," "For You Blue."
780
01:13:41,333 --> 01:13:44,500
- I love "Yer Blue."
- "Two of Us," "All I Want is You,"
781
01:13:44,583 --> 01:13:46,875
"Across The Universe,"
"Maxwell's Silver Hammer."
782
01:13:46,958 --> 01:13:49,250
- "Route 999."
- "One After 909."
783
01:13:49,333 --> 01:13:50,875
- "One After 909."
784
01:13:50,958 --> 01:13:52,916
Listen, there's no surprise numbers
even in this.
785
01:13:53,000 --> 01:13:54,000
Surprises?
786
01:13:54,083 --> 01:13:56,541
I mean, there's nothing that'd throw us
to do it straight.
787
01:13:56,625 --> 01:13:58,500
"Bathroom Window," "Teddy Boy."
788
01:13:58,583 --> 01:14:00,583
We haven't gone through
"Maxwell's" since Twickenham.
789
01:14:00,666 --> 01:14:03,500
No. "All Things Must Pass."
That's lucky 13.
790
01:14:03,583 --> 01:14:05,458
There's "Dig It", as well,
which is very long.
791
01:14:06,875 --> 01:14:08,958
It's like all these new ones
we've gotta do
792
01:14:09,041 --> 01:14:11,375
to make up the number don't exist.
793
01:14:11,458 --> 01:14:12,458
- Right.
- Great.
794
01:14:12,541 --> 01:14:13,791
We've got 'em all.
795
01:14:13,875 --> 01:14:15,083
And you've got the live album.
796
01:14:15,166 --> 01:14:16,958
- Yeah.
- If you wanna do it, if we just find out--
797
01:14:17,041 --> 01:14:18,875
We should just collect
all the thoughts on these
798
01:14:18,958 --> 01:14:20,541
and just check through every song,
799
01:14:20,625 --> 01:14:24,416
like to know, say, make sure you know
all the chords, I know all the bass notes.
800
01:15:55,666 --> 01:15:56,875
Are we having lunch soon?
801
01:15:58,291 --> 01:16:00,375
- See you later.
- Ta-ra, girls.
802
01:16:00,458 --> 01:16:01,458
See ya.
803
01:16:07,916 --> 01:16:10,791
John, I'll tell you
what I'd like to do.
804
01:16:11,500 --> 01:16:12,625
Um�
805
01:16:12,708 --> 01:16:17,250
You know, I've got so many songs
that I've got me, like,
806
01:16:17,333 --> 01:16:22,666
my quota of tunes
for the next ten years or albums.
807
01:16:23,291 --> 01:16:29,625
I'd just like to maybe do
an album of songs.
808
01:16:30,541 --> 01:16:31,625
- Yeah.
- Yeah.
809
01:16:31,708 --> 01:16:34,708
But, I mean,
I'd like it so that if, uh�
810
01:16:38,125 --> 01:16:41,791
'Cause it would be nice. It would be nice
to mainly get them all out the way.
811
01:16:41,875 --> 01:16:42,708
Yes.
812
01:16:44,166 --> 01:16:48,791
And secondly, just to hear
what all mine are like all together.
813
01:16:53,250 --> 01:16:58,875
Yeah, but it'd be nice if
any of us can do separate things as well.
814
01:16:58,958 --> 01:17:04,625
That way it also preserves this,
the Beatle bit of it, more.
815
01:17:04,708 --> 01:17:05,708
Because then--
816
01:17:05,791 --> 01:17:07,916
Have an outlet
for every little note you want.
817
01:17:08,000 --> 01:17:10,458
You know,
'cause all these songs of mine,
818
01:17:10,541 --> 01:17:12,916
I could give to people
who could do 'em good.
819
01:17:13,000 --> 01:17:15,625
But I suddenly realized,
"You know, fuck all that.
820
01:17:15,708 --> 01:17:18,708
I'm just gonna do me for a bit. You know?"
821
01:17:18,791 --> 01:17:21,000
- That's the real thing.
- It's great. That's a good idea.
822
01:17:21,083 --> 01:17:22,625
And, you know�
823
01:19:35,375 --> 01:19:36,375
This one.
824
01:20:22,291 --> 01:20:23,541
- Take it.
- Yes, sir.
825
01:21:15,625 --> 01:21:16,625
I'm going home.
826
01:21:23,833 --> 01:21:25,750
A, B, C, D, E, F, G,
827
01:21:25,833 --> 01:21:28,375
- H, I, J, K, L, M, N, O, P�
- Greta Garbo.
828
01:21:28,458 --> 01:21:31,208
- �Q, S, R, T.
- Greta Garbo. Greta Garbo.
829
01:21:31,291 --> 01:21:32,291
Greta Garbo.
830
01:21:33,750 --> 01:21:35,083
No, that's not.
831
01:21:37,708 --> 01:21:39,958
Put the ones we know in a hat.
832
01:21:40,041 --> 01:21:42,416
Shuffle them out
to see which order we do 'em in.
833
01:21:44,791 --> 01:21:46,666
We'll all be here bright and early.
834
01:21:46,750 --> 01:21:48,000
11:30.
835
01:21:48,083 --> 01:21:50,750
We're all sleeping at George's tonight.
Get in the mood.
836
01:21:50,833 --> 01:21:52,458
We're all ready for tomorrow.
837
01:21:52,541 --> 01:21:54,375
So you're doing the show
on the roof tomorrow?
838
01:21:57,000 --> 01:22:00,250
Oh, sure, Albert Hall.
Sure. Five o'clock. See you there.
839
01:22:01,416 --> 01:22:02,333
Mm-hmm.
840
01:22:09,666 --> 01:22:11,458
- You'll go as well?
- Yeah.
841
01:22:11,541 --> 01:22:14,291
I think John and, uh, Ringo
are on the roof.
842
01:22:16,166 --> 01:22:18,125
In a green bag on the roof.
843
01:22:20,833 --> 01:22:22,208
Who knows, Yoko?
844
01:22:24,750 --> 01:22:26,791
Supposed to be, yeah. Yeah.
845
01:22:28,833 --> 01:22:30,750
- Okay.
- Oh, yeah. Let's do that.
846
01:22:30,833 --> 01:22:32,000
Go on the roof.
847
01:22:32,083 --> 01:22:34,333
- Good night, Mike.
848
01:22:34,416 --> 01:22:36,500
- Seven come 11. Good night.
- The others are from�
849
01:22:36,583 --> 01:22:37,708
- Good night.
- Good night.
850
01:22:37,791 --> 01:22:39,500
- Good night!
851
01:22:39,583 --> 01:22:40,583
From your show.
852
01:22:40,666 --> 01:22:42,416
- Night, George.
- Good night, George!
853
01:22:43,166 --> 01:22:44,666
Good night, Sir Richard.
854
01:22:44,750 --> 01:22:47,000
I'll be here tomorrow
to film in the church.
855
01:22:59,958 --> 01:23:02,208
And then Tony and I
are gonna split downstairs.
856
01:23:40,208 --> 01:23:43,041
-
- Yeah?
857
01:23:48,833 --> 01:23:50,833
Would you like to go up
when you're ready?
858
01:23:51,625 --> 01:23:54,208
- What time is he expecting you?
- You can give them to Debbie.
859
01:23:54,291 --> 01:23:57,333
You know, it's exclusive.
It's gotta work for whoever does it.
860
01:23:59,083 --> 01:24:00,208
Thank you.
861
01:24:08,875 --> 01:24:11,208
Let's get a camera
down in the hall now too.
862
01:24:19,958 --> 01:24:21,458
Yeah, I heard about that.
863
01:24:34,375 --> 01:24:36,208
- Yes.
- Is that the same kind of�
864
01:24:39,291 --> 01:24:40,458
Okay, hold it.
865
01:24:41,750 --> 01:24:44,333
Three, two, one. All right.
866
01:24:53,541 --> 01:24:54,791
Hi. Can we come in?
867
01:24:55,708 --> 01:24:58,166
- Who you here for?
- Tony Richmond. Is he--
868
01:25:06,500 --> 01:25:08,125
There's a special lead
that goes under.
869
01:25:10,291 --> 01:25:11,541
Tony's ready, isn't he?
870
01:25:13,166 --> 01:25:14,500
Uh, with cameras?
871
01:25:14,583 --> 01:25:16,291
- Yeah.
- Yeah.
872
01:25:24,833 --> 01:25:26,416
Okay. Let's go.
873
01:25:27,541 --> 01:25:29,125
- Is it running?
- Yes.
874
01:25:29,208 --> 01:25:30,666
- We're running.
- Running.
875
01:25:30,750 --> 01:25:32,083
- What's going on?
- All right.
876
01:25:33,041 --> 01:25:34,666
All cameras, take one!
877
01:25:36,208 --> 01:25:37,958
Where's the best way
out of the way?
878
01:25:38,041 --> 01:25:39,166
Over here, I think.
879
01:25:39,250 --> 01:25:41,250
- Yeah, you would think that.
- With Maureen.
880
01:25:42,250 --> 01:25:44,250
See, you can never tell
what he's doing.
881
01:25:45,458 --> 01:25:46,458
Sorry.
882
01:25:47,291 --> 01:25:49,000
- Hey.
- You know you're around back.
883
01:25:51,458 --> 01:25:52,708
Which is you here.
884
01:25:54,958 --> 01:25:56,458
- We may find--
- All right, yeah?
885
01:25:56,541 --> 01:25:58,458
- It's a bit cold, isn't it?
- What's going on?
886
01:25:58,541 --> 01:26:00,375
It's, uh, great.
887
01:26:05,041 --> 01:26:07,125
- You're all right playing there?
- I don't know.
888
01:26:10,875 --> 01:26:12,416
- Good shot there.
- Yeah.
889
01:26:13,000 --> 01:26:14,083
Where's the instruments?
890
01:26:15,166 --> 01:26:17,083
- Mal?
891
01:26:17,166 --> 01:26:18,916
Nailed me down in the wrong place.
892
01:26:19,458 --> 01:26:21,041
That's the last of it, yeah.
893
01:26:21,708 --> 01:26:23,958
The three-- First, second and third.
894
01:26:24,916 --> 01:26:27,416
- First of all, that seems to�
- I think if we have some�
895
01:26:28,250 --> 01:26:29,375
Are you sure?
896
01:26:29,458 --> 01:26:31,375
We've worked that out.
897
01:26:31,875 --> 01:26:33,375
- Let's set them up.
- Yeah.
898
01:26:39,041 --> 01:26:41,833
There's piping along there.
That's where you put them back in.
899
01:26:45,625 --> 01:26:46,791
Yeah, well that goes in here.
900
01:26:46,875 --> 01:26:48,416
- That should do it, really.
- Yeah.
901
01:26:50,416 --> 01:26:52,750
- What's that? A perfect fit.
- Yeah, man.
902
01:26:56,458 --> 01:26:57,541
What is it?
903
01:26:59,416 --> 01:27:00,916
Hands are getting the feel of it.
904
01:27:02,083 --> 01:27:03,458
It's gotta be like it is.
905
01:27:03,541 --> 01:27:05,208
Just record the song.
906
01:27:08,666 --> 01:27:10,416
Glyn, are you getting this down there?
907
01:27:12,583 --> 01:27:14,208
- Oh, it's right-handed.
- Is it?
908
01:27:14,291 --> 01:27:15,958
- Yeah.
- Kevin?
909
01:27:16,625 --> 01:27:19,458
- I missed the start. George--
910
01:27:19,541 --> 01:27:22,083
- Just look down. Must have had a few.
- Well, they're gonna hear it.
911
01:27:24,250 --> 01:27:26,541
- Final checks. Roll sound.
- Right.
912
01:27:26,625 --> 01:27:28,500
One, two, three, four�
913
01:27:57,708 --> 01:27:58,916
- Rolling.
914
01:27:59,875 --> 01:28:01,666
- Rolling. Is the door shut?
915
01:28:01,750 --> 01:28:03,000
- Come on.
- We're good to go.
916
01:28:03,083 --> 01:28:04,416
- Glyn, this one?
- No.
917
01:28:04,500 --> 01:28:06,250
The one at the bottom of the spirals.
918
01:28:06,333 --> 01:28:08,083
It's gotta be wedged.
919
01:28:08,166 --> 01:28:10,416
- Get the clapper.
- Come on, you idiot.
920
01:28:10,500 --> 01:28:11,875
Get the clapper here.
921
01:28:11,958 --> 01:28:13,291
- Okay?
- Okay.
922
01:28:18,416 --> 01:28:19,458
Okay.
923
01:28:19,541 --> 01:28:21,041
One, two, three, four�
924
01:28:22,791 --> 01:28:23,791
Yeah.
925
01:31:22,375 --> 01:31:23,875
Whoo-hoo!
926
01:31:26,916 --> 01:31:28,791
- Thank you very much.
- Thank you very much.
927
01:31:28,875 --> 01:31:31,416
It looks like
Ted Dexter has scored another.
928
01:31:31,500 --> 01:31:33,833
We've had a request
from Martin and Luther.
929
01:31:33,916 --> 01:31:35,958
We need more voice on the PA, yes, Glyn?
930
01:31:36,041 --> 01:31:39,708
- No, we don't need any more.
- That's all right. Hello? Hello?
931
01:31:39,791 --> 01:31:43,041
Glyn, any more voice on the Fenders?
932
01:31:44,208 --> 01:31:45,916
Do it there.
933
01:31:46,000 --> 01:31:48,166
- What?
- Do it from up there.
934
01:31:48,250 --> 01:31:50,000
No, they would have had
to turn off the whole roof.
935
01:31:50,083 --> 01:31:51,083
Okay, cut it.
936
01:31:52,291 --> 01:31:53,375
Mike, have you cut?
937
01:31:53,458 --> 01:31:55,083
- Yeah, we'll cut.
938
01:31:55,166 --> 01:31:56,708
Where's the noise coming from?
939
01:31:56,791 --> 01:31:58,333
It's coming from the roof.
940
01:31:58,416 --> 01:31:59,625
Do you know who it is?
941
01:31:59,708 --> 01:32:01,958
Yeah, The Beatles, ain't it?
Yeah.
942
01:32:02,041 --> 01:32:03,166
You like it?
943
01:32:03,250 --> 01:32:04,333
Yeah, it's okay.
944
01:32:04,416 --> 01:32:06,250
What do you think of it?
It's The Beatles.
945
01:32:06,333 --> 01:32:08,041
Oh, I think jolly good.
946
01:32:08,125 --> 01:32:09,125
Enjoying it?
947
01:32:09,208 --> 01:32:12,625
Yeah, very much. Nice, bright thing
to see at the end of the day.
948
01:32:12,708 --> 01:32:14,041
Do you like the idea?
949
01:32:14,125 --> 01:32:16,000
I don't know
what they're supposed to be doing.
950
01:32:16,083 --> 01:32:18,541
- Right, stop--
- All cameras, three!
951
01:32:18,625 --> 01:32:20,083
Okay. When you're ready, guys.
952
01:32:20,166 --> 01:32:21,166
All right, Billy.
953
01:32:21,750 --> 01:32:23,458
One, two, three, four.
954
01:33:00,625 --> 01:33:01,625
Get back, Jo Jo.
955
01:33:08,125 --> 01:33:09,208
Go home.
956
01:33:12,625 --> 01:33:13,625
Yeah.
957
01:33:18,833 --> 01:33:20,875
You could say so, yes.
I think they're great.
958
01:34:18,750 --> 01:34:20,125
Get back, Loretta.
959
01:34:26,458 --> 01:34:27,708
Yeah, go home.
960
01:34:30,458 --> 01:34:32,125
Your mommy's waiting.
961
01:34:32,208 --> 01:34:34,208
In her high-heel shoes
and her low-neck sweater.
962
01:34:34,291 --> 01:34:35,500
Get back, Loretta!
963
01:34:37,666 --> 01:34:38,666
Whoo!
964
01:34:47,791 --> 01:34:49,208
I think it's marvelous. Yes.
965
01:34:50,750 --> 01:34:51,791
Beatles, I think.
966
01:34:58,916 --> 01:35:01,583
Oh, get back home.
967
01:35:04,083 --> 01:35:05,916
Never more to roam.
968
01:35:09,125 --> 01:35:10,333
On the roof?
969
01:35:21,083 --> 01:35:22,583
It's The Beatles, isn't it? Yeah.
970
01:35:22,666 --> 01:35:25,625
It's Paul McCartney singing now.
Well, it was. Yeah.
971
01:35:25,708 --> 01:35:28,375
Okay. Well, thank you,
ladies and gentlemen.
972
01:35:28,458 --> 01:35:30,791
We've had a request
from Daisy, Morris and Tommy.
973
01:35:37,166 --> 01:35:38,791
- "Don't Let Me Down."
- Okay.
974
01:36:23,083 --> 01:36:25,500
This type of music
is all right in its place,
975
01:36:25,583 --> 01:36:28,541
but I think it's a bit of an imposition.
First of all, it's too loud.
976
01:36:51,875 --> 01:36:54,333
Absolutely disrupts all the business
in this area.
977
01:36:54,416 --> 01:36:56,291
I think it's great!
Who is this? The Beatles?
978
01:36:57,625 --> 01:36:58,833
I think it's fantastic.
979
01:38:59,708 --> 01:39:00,875
Don't let me down.
980
01:39:16,625 --> 01:39:17,791
That's right.
981
01:41:45,041 --> 01:41:46,666
Whoo-hoo!
982
01:42:33,000 --> 01:42:34,916
- That was so hard.
983
01:42:35,000 --> 01:42:37,000
Hey! All right!
984
01:42:38,291 --> 01:42:40,291
No, no, no, no.
985
01:42:42,583 --> 01:42:44,208
Peace on Earth!
986
01:42:54,500 --> 01:42:56,500
- Alan.
987
01:42:58,750 --> 01:42:59,750
Ringo?
988
01:42:59,833 --> 01:43:01,458
- Are the cameras still running?
- Yeah.
989
01:43:01,541 --> 01:43:03,750
Just stick your snare drum mic
back over the snare drum.
990
01:43:05,083 --> 01:43:08,166
Sir, we must have
your comment. What do you think of it?
991
01:43:08,250 --> 01:43:09,250
What's going on?
992
01:43:09,333 --> 01:43:11,833
- It's The Beatles.
- What gives? What's happening?
993
01:43:11,916 --> 01:43:13,958
They decided to play
for the public for nothing.
994
01:43:14,041 --> 01:43:15,250
Well, that's great.
995
01:43:15,333 --> 01:43:17,208
It's a bloody stupid place
to have a concert.
996
01:43:17,291 --> 01:43:19,833
Nice to have something for free
in this country at the moment, isn't it?
997
01:43:19,916 --> 01:43:22,541
- Don't you like The Beatles?
- No.
998
01:43:22,625 --> 01:43:24,166
- No?
- No.
999
01:43:24,250 --> 01:43:25,583
Not at all?
1000
01:43:25,666 --> 01:43:28,041
Not now. They've changed completely.
1001
01:43:28,125 --> 01:43:30,541
The Beatles are doing
a free concert on the roof.
1002
01:43:30,625 --> 01:43:32,500
- Now?
- Yeah. What do you think of it?
1003
01:43:33,041 --> 01:43:35,083
I think it's very good.
Why aren't they doing it in the street?
1004
01:43:35,166 --> 01:43:36,833
They just thought you'd wanna hear it.
1005
01:43:36,916 --> 01:43:38,625
Yeah, well, we'd also like to see them.
1006
01:43:38,708 --> 01:43:41,166
I just can't see that it makes sense.
1007
01:43:41,791 --> 01:43:43,500
Well, I think it's a very good thing.
1008
01:43:43,583 --> 01:43:46,750
It woke me up from my sleep,
and I don't like it.
1009
01:43:51,750 --> 01:43:53,416
All cameras, four!
1010
01:43:54,666 --> 01:43:56,166
One, two, three.
1011
01:46:45,000 --> 01:46:46,500
Make sure you don't lean on that.
1012
01:46:49,166 --> 01:46:51,500
I can't see what to do.
1013
01:46:55,875 --> 01:46:57,166
- Oh.
- "Dig A Pony."
1014
01:46:57,250 --> 01:46:58,708
I'll have to get the words then.
1015
01:46:58,791 --> 01:47:00,375
- "Dig A Pony."
- "Dig A Pony."
1016
01:47:09,125 --> 01:47:12,250
- I don't know. It's just, uh--
- Just ask Mal to hold 'em.
1017
01:47:12,333 --> 01:47:13,333
Yeah.
1018
01:47:13,416 --> 01:47:14,833
- Kev.
- Kevin?
1019
01:47:15,416 --> 01:47:16,708
Come here.
1020
01:47:20,416 --> 01:47:22,833
Can you hang on?
Well, I'll ring you back later, all right?
1021
01:48:16,625 --> 01:48:17,833
Thank you very much.
1022
01:48:20,000 --> 01:48:21,458
We can't use City One Reserve.
1023
01:48:23,625 --> 01:48:25,250
Charming, innit?
1024
01:48:25,333 --> 01:48:26,416
- Jimmy?
- Hmm?
1025
01:48:26,500 --> 01:48:27,875
Have a Sweet Afton.
1026
01:48:29,000 --> 01:48:30,875
Thank you. Don't mind if I do.
1027
01:49:10,041 --> 01:49:11,041
Rolling.
1028
01:49:15,333 --> 01:49:16,666
Are you all ready?
1029
01:49:16,750 --> 01:49:18,541
Yeah? Okay. Are we rolling?
1030
01:49:18,625 --> 01:49:19,708
- Yeah.
- Okay.
1031
01:49:19,791 --> 01:49:21,458
- One, two, three!
- Hold it!
1032
01:49:25,500 --> 01:49:26,958
One, two, three�
1033
01:50:51,833 --> 01:50:54,833
Yeah, so why is it on the top of the roof?
1034
01:50:57,833 --> 01:51:00,541
All that money they've got?
1035
01:51:03,333 --> 01:51:05,541
No, I have no idea.
But it sounds really wonderful.
1036
01:51:06,541 --> 01:51:07,541
Yes.
1037
01:51:12,333 --> 01:51:13,333
Yes.
1038
01:51:14,583 --> 01:51:15,583
Oh, yes.
1039
01:51:16,458 --> 01:51:19,875
- Yes, I do. Yes.
- Yeah, I think it's a good idea.
1040
01:51:22,291 --> 01:51:23,500
Yes.
1041
01:53:10,583 --> 01:53:12,000
Thank you, brothers.
1042
01:53:12,791 --> 01:53:15,208
My hands are getting too cold
to play a chord now.
1043
01:53:15,291 --> 01:53:16,916
- Turn on the PA too.
- Okay.
1044
01:53:17,000 --> 01:53:18,708
- Shall we do "Can You Dig It"?
1045
01:53:18,791 --> 01:53:21,000
- "Can You Dig It"?
- I don't know.
1046
01:53:41,708 --> 01:53:43,125
What's happening?
1047
01:53:52,041 --> 01:53:53,375
The Beatles, obviously.
1048
01:54:01,041 --> 01:54:04,208
- Fabulous. Lovely.
- Definitely. Fantastic.
1049
01:54:08,625 --> 01:54:11,916
- They're all a few lads.
- Yeah. Get around, don't they?
1050
01:54:13,083 --> 01:54:14,708
- I said they get around.
1051
01:54:34,541 --> 01:54:36,708
"Misery."
That's the one, I think.
1052
01:54:38,041 --> 01:54:40,000
- That it?
- That's it. Lovely.
1053
01:54:40,083 --> 01:54:42,583
Anywhere where I could
have a listen to this?
1054
01:54:44,958 --> 01:54:46,250
Yes. Very much. Yes.
1055
01:54:47,166 --> 01:54:48,166
Yeah. It's great.
1056
01:54:49,625 --> 01:54:51,583
Um, I think Ringo.
1057
01:54:55,625 --> 01:54:56,625
No.
1058
01:54:57,291 --> 01:54:58,291
No.
1059
01:55:01,083 --> 01:55:02,666
Yeah.
1060
01:55:02,750 --> 01:55:04,000
Yeah. I think they're good.
1061
01:55:30,291 --> 01:55:32,541
Okay. Glynny.
Are you ready, Glyn?
1062
01:55:32,625 --> 01:55:33,958
- Running.
- Turnover, Mike.
1063
01:55:34,041 --> 01:55:35,541
Can we scratch that?
1064
01:55:35,625 --> 01:55:37,541
- Tuning.
- Running. Ready?
1065
01:55:40,291 --> 01:55:41,458
Okay, okay.
1066
01:56:12,791 --> 01:56:14,125
Not in the street, no.
1067
01:56:16,833 --> 01:56:19,250
- Oh, yes. Yes. Very much.
- You do?
1068
01:56:20,875 --> 01:56:22,458
No, my son does.
1069
01:56:22,541 --> 01:56:24,083
Oh, yes. My daughter does.
1070
01:56:24,791 --> 01:56:27,833
My son would.
He likes all that, but not me.
1071
01:57:34,208 --> 01:57:35,541
Yeah, we'll come upstairs.
1072
01:59:20,833 --> 01:59:21,958
Yeah.
1073
01:59:22,041 --> 01:59:24,166
- One, two, three, four.
- "And For The First Time."
1074
01:59:24,250 --> 01:59:26,666
- Oh!
- No, no, "Don't Let Me Down." Sorry.
1075
01:59:30,708 --> 01:59:32,250
Rock and roll!
1076
01:59:32,333 --> 01:59:33,500
You too!
1077
01:59:34,666 --> 01:59:37,250
- Whoo!
1078
01:59:58,458 --> 01:59:59,458
Whoo!
1079
02:01:15,250 --> 02:01:16,250
Whoo!
1080
02:01:50,916 --> 02:01:52,083
Yeah, that's right.
1081
02:01:57,208 --> 02:01:58,208
Yes.
1082
02:02:11,208 --> 02:02:12,500
Yeah.
1083
02:03:23,041 --> 02:03:24,125
It's off.
1084
02:04:06,291 --> 02:04:07,375
Whoo!
1085
02:04:13,416 --> 02:04:14,416
Whoo!
1086
02:04:15,583 --> 02:04:16,583
Yeah!
1087
02:05:21,833 --> 02:05:23,083
Whoo!
1088
02:05:54,083 --> 02:05:55,083
Get back.
1089
02:06:00,583 --> 02:06:02,250
- Thanks, Mo.
- I'd like to say thank you
1090
02:06:02,333 --> 02:06:04,125
on behalf of the group and ourselves.
1091
02:06:04,208 --> 02:06:05,833
I hope we passed the audition.
1092
02:06:08,541 --> 02:06:11,625
All right, boys.
Get in here. Step aside, there.
1093
02:06:14,583 --> 02:06:15,750
You all right?
1094
02:06:18,375 --> 02:06:20,416
Come. Get in there. Come on. In there.
1095
02:06:20,500 --> 02:06:22,166
What's the matter? Everything all right?
1096
02:06:23,041 --> 02:06:24,166
Hmm?
1097
02:06:25,791 --> 02:06:28,541
Get some more cover there.
Film through the office windows.
1098
02:06:28,625 --> 02:06:29,625
Okay.
1099
02:06:30,250 --> 02:06:31,750
People on the roof. Everything.
1100
02:06:31,833 --> 02:06:33,625
Stay there, girls. Stay there.
1101
02:06:43,541 --> 02:06:44,625
Thank you.
1102
02:06:44,708 --> 02:06:47,416
Okay. As soon as
you got the cover, that's a wrap.
1103
02:06:49,958 --> 02:06:52,500
Let's keep it moving please.
1104
02:06:52,583 --> 02:06:55,125
Step off the road, please.
Move along!
1105
02:06:56,791 --> 02:06:58,375
Move along, please.
1106
02:07:01,625 --> 02:07:02,875
Move along, please.
1107
02:07:08,208 --> 02:07:09,541
Off the road, please.
1108
02:07:11,083 --> 02:07:13,000
- Come on. Move along.
1109
02:07:13,083 --> 02:07:16,083
What's the law say that you--
why you can't do that?
1110
02:07:16,166 --> 02:07:18,666
- 'Cause of the PA speakers.
- Disturbing the peace.
1111
02:07:18,750 --> 02:07:22,333
- Well, how-- "Disturbing the peace"?
- Peace means like noise.
1112
02:07:22,416 --> 02:07:23,666
As Mike was saying,
1113
02:07:23,750 --> 02:07:26,708
this is a very good dry run
for something else too.
1114
02:07:26,791 --> 02:07:29,083
Apart from the value of this as it stands.
1115
02:07:29,166 --> 02:07:30,166
Yeah.
1116
02:07:30,250 --> 02:07:32,875
- Yeah, for taking over London.
- Yeah.
1117
02:07:32,958 --> 02:07:35,166
- You see, because�
- Top of the Hilton tomorrow.
1118
02:07:35,250 --> 02:07:36,916
Blasting out the sound in their power.
1119
02:07:37,000 --> 02:07:39,208
- Fantastic.
- Every rock group in the world,
1120
02:07:39,291 --> 02:07:41,750
in London, all on the top of buildings.
1121
02:07:41,833 --> 02:07:44,375
- Playing the same tune.
- Also on a platform of loudspeakers.
1122
02:07:44,458 --> 02:07:47,958
So you're just sort of strapped in
to little boxes in this structure.
1123
02:10:02,375 --> 02:10:04,000
What are you feeling about today?
1124
02:10:04,083 --> 02:10:05,916
- You wanna work more today or not?
- Yeah.
1125
02:10:06,000 --> 02:10:07,916
We should record the others now.
1126
02:10:08,000 --> 02:10:10,083
Gotta get the stuff down first.
1127
02:10:10,166 --> 02:10:12,666
- Let's have a break for a bit.
- We'll have lunch and that.
1128
02:10:12,750 --> 02:10:15,333
And then we record the other stuff
that we didn't do.
1129
02:10:15,416 --> 02:10:17,583
- Right.
- Up there. The acoustic stuff.
1130
02:10:17,666 --> 02:10:19,500
- Up there?
- No, down here now.
1131
02:10:19,583 --> 02:10:21,250
- When I--
- There won't be more rooftops.
1132
02:10:21,333 --> 02:10:22,333
No. No more rooftop.
1133
02:10:22,416 --> 02:10:23,750
- That was the rooftop.
- It was really bad.
1134
02:10:23,833 --> 02:10:25,375
- Oh, right.
- So, it's like--
1135
02:10:25,458 --> 02:10:27,416
You know, you're doing this
and we're taking it--
1136
02:10:27,500 --> 02:10:29,750
If we got the police,
we could pretend in the film
1137
02:10:29,833 --> 02:10:31,625
that we had to get down because of them.
1138
02:10:31,708 --> 02:10:33,875
- And here we are�
- Just the way it happened then.
1139
02:10:33,958 --> 02:10:35,666
That'll just be it, you know.
1140
02:10:45,208 --> 02:10:48,833
This is B camera roll, 1,150.
1141
02:10:48,916 --> 02:10:53,291
Slate 500, take one. Slate 500, take one.
1142
02:10:53,375 --> 02:10:54,625
Roll mic.
1143
02:10:54,708 --> 02:10:58,250
It might have been-- You know.
I don't like to throw things away.
1144
02:10:58,333 --> 02:10:59,416
Okay. Ready?
1145
02:10:59,500 --> 02:11:01,208
- Okay, turnover cameras.
- Clap it.
1146
02:11:01,291 --> 02:11:02,583
Turnover cameras.
1147
02:12:00,833 --> 02:12:01,833
Okay.
1148
02:12:01,916 --> 02:12:03,541
- Running.
- Turn over.
1149
02:12:03,625 --> 02:12:06,041
- Did I ever tell you when I had the--
- Take-- Take ten.
1150
02:12:06,875 --> 02:12:08,583
I don't think
I wanna hear that, Dick.
1151
02:12:09,750 --> 02:12:11,083
Okay, Jim.
1152
02:12:12,750 --> 02:12:14,500
- Good night, Paul.
- Say good night, John.
1153
02:12:14,583 --> 02:12:16,375
- Good night, Paul.
- Good night.
1154
02:13:17,375 --> 02:13:19,875
Take-- Take-- Take 17!
1155
02:13:33,416 --> 02:13:35,541
- Okay, start again.
1156
02:13:42,583 --> 02:13:43,750
F-stop.
1157
02:13:46,208 --> 02:13:47,875
We'll need one more, actually.
1158
02:13:49,708 --> 02:13:50,708
Take 18.
1159
02:13:54,083 --> 02:13:55,541
Now what's the chord you play�
1160
02:14:26,083 --> 02:14:28,375
- Running.
1161
02:14:28,458 --> 02:14:29,958
- Running, Col? Running, Mike?
- Yeah.
1162
02:14:30,041 --> 02:14:31,833
- Running, yeah.
- Nice and quiet. Mark it.
1163
02:14:31,916 --> 02:14:32,916
Take 25.
1164
02:15:18,083 --> 02:15:20,375
- What the shittin' hell is going on here?
1165
02:15:28,250 --> 02:15:30,958
Eins, zwei, viertel nach drei.
1166
02:15:39,958 --> 02:15:41,625
What the fuck's going on?
1167
02:15:41,708 --> 02:15:44,208
I'll never get "Maggie Mae" done
if we go on like this.
1168
02:15:49,500 --> 02:15:51,333
Are we supposed to giggle in the solo?
1169
02:15:51,416 --> 02:15:52,666
- Yeah.
- Okay.
1170
02:15:56,750 --> 02:15:59,208
- Get off, you bum!
1171
02:16:11,541 --> 02:16:14,000
- I lost a bass note somewhere.
- Oh.
1172
02:16:50,333 --> 02:16:51,500
Let it be.
1173
02:17:30,125 --> 02:17:33,583
- Is that the best one?
- I think that was rather grand.
1174
02:17:34,083 --> 02:17:35,833
I'd take one home with me.
1175
02:17:37,625 --> 02:17:38,666
Yeah, that was fine.
1176
02:17:39,291 --> 02:17:41,208
Don't kid us, Glyn.
1177
02:17:42,083 --> 02:17:44,125
Give it to us straight.
1178
02:17:45,333 --> 02:17:47,416
- Get me off this bass.
- Was that good enough?
1179
02:17:47,500 --> 02:17:50,750
- Yes.
- We'll do one more to cover ourselves.
1180
02:17:50,833 --> 02:17:53,500
We'll just do one more
'cause we know we've got it now.
1181
02:17:54,208 --> 02:17:56,125
We've got so many of the bastards.90912
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