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["In Spite of All the Danger" playing]
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[The Quarrymen]
♪ In spite of all the danger ♪
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♪ In spite of all that may be ♪
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♪ I'll do anything for you ♪
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♪ Anything you want me to ♪
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♪ If you'll be true to me ♪
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♪ In spite of all the heartache ♪
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♪ That you may cause me ♪
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♪ I'll do anything for you ♪
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♪ Anything you want me to ♪
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♪ If you'll be true to me ♪
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[crowd screaming]
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["Some Other Guy" playing]
14
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♪ Some other guy nowHas taken my love away from me ♪
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I was immediately struck by their music,
their beat
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and their sense of humor,
actually, onstage.
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And it was there that, really,
it all started.
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♪ Love, love me do ♪
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♪ You know I love you ♪
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[announcer] The Beatles--George Harrison, Ringo Starr,
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John Lennon, Paul McCartney.
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[crowd screams]
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["Please Please Me" playing]
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-♪ Come on ♪
-♪ Come on ♪
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-♪ Come on ♪
-♪ Come on ♪
26
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-♪ Come on ♪
-♪ Come on ♪
27
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-♪ Come on ♪
-♪ Come on ♪
28
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♪ Please please me, whoa yeahLike I please you ♪
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-[crowd screams]
-["Twist and Shout" playing]
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[interviewer] George, you think all this
success is just a one-night stand?
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I mean,
it can't go on the way it has been going.
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["She Loves You" playing]
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♪ Ooh ♪
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♪ She loves you yeah, yeah, yeah ♪
35
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[announcer] This is no ordinary departurefrom London Airport.
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The Beatles are on their way to America.
37
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Paul McCartney may have been wonderinghow the songs he and John write
38
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will go over in the States.
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♪ Listen, do you want to know a secret? ♪
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[announcer]
This rock and roll group has taken over
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as the kingpins of musical appreciation.
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-Do you hope to get a haircut at all--
-No!
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-No, thanks.
-I had one yesterday.
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[crowd laughs]
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Ladies and gentlemen, The Beatles!
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♪ Close your eyes and I'll kiss you ♪
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♪ Tomorrow I'll miss you ♪
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[announcer] The Beatles, who originatedas a small-time act out of Liverpool,
49
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now have no rivalsas the kingpins of the teenage set.
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♪ Hope you need my love, babeJust like I need you ♪
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♪ Oh, hold me ♪
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-[interviewer] Did you enjoy it?
-Yeah, it was marvelous.
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I just loved all of it.
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[announcer] The Beatles are the toppop music phenomenon of the century.
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[interviewer] Did you have a chance to get
away from anybody at anytime on the trip?
56
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-Yeah.
-He got away from me twice.
57
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["A Hard Day's Night" playing]
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♪ It's been a hard day's night ♪
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[announcer] And here with The Beatles wasBrian Epstein, their famous manager.
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♪ 'Cause I don't care too much for money ♪
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♪ Money can't buy me love ♪
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♪ Can't buy me love ♪
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♪ And I do ♪
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♪ And I do, hey, hey, hey ♪
65
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♪ And I do ♪
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Hey, pardon me for asking,
but who's that little old man?
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Oh, that's my grandfather.
He's very clean.
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♪ Help me if you can ♪I'm feeling down ♪
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♪ And I do appreciate you being 'round ♪
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Has any of you any ambitions left at all?
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Yeah. I want to be an astronaut.
72
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♪ They're gonna put me in the movies ♪
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♪ They're gonna make a big starOut of me ♪
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[announcer]
Says Paul, "We've had so much success,
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we don't care if it fades tomorrow.
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We've reached the pointwhere we don't have worries anymore."
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♪ Yesterday ♪
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♪ All my troubles seemed so far away ♪
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♪ Baby, you can drive my car ♪
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♪ Yes, I'm gonna be a star ♪
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♪ Baby, you can drive my car ♪
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♪ And maybe I'll love you ♪
83
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♪ Beep, beep, beep, beep, yeah! ♪
84
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♪ We all live in a yellow submarine ♪
85
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♪ Yellow submarine, yellow submarine ♪
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[crowd clamors]
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[announcer] With Manila, some of the fanshave broken off diplomatic relations.
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♪ Yeah, I'm the Taxman ♪
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[interviewer] John,
what exactly happened at Manila Airport?
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You're treated like an ordinary passenger.
Ordinary passenger!
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An ordinary passenger,
he doesn't get kicked, does he?
92
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-Would you go to Manila again, George?
-No. I didn't even want to go that time.
93
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Do you consider that this religious issue
is answered once and for all?
94
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The quote which John Lennon made has
been represented entirely out of context.
95
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But I'm not saying
that we're better or greater
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or comparing us
with Jesus Christ as a person.
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You tell me what you think I meant,
and I'll tell you whether I agree.
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[interviewer] What difference has all
this row made to this tour, do you think?
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00:06:00,541 --> 00:06:01,875
It's made it more hectic.
100
00:06:01,958 --> 00:06:04,666
Well, I've clarified it about 800 times,
you know.
101
00:06:04,750 --> 00:06:08,500
People said to us last time we came
all our answers were a bit flippant.
102
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They said, "Why isn't it this time?"
103
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And the thing is, the questions
are a bit more serious this time.
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♪ Turn off your mind, relaxAnd float down-stream ♪
105
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The Ku Klux Klan
is going to stop this performance.
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Apart from that, it's great.
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Having a swinging tour.
108
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♪ Let me take you down ♪
109
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♪'Cause I'm going to Strawberry Fields ♪
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♪ Penny Lane is in my earsAnd in my eyes ♪
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♪ Sergeant Pepper'sLonely Hearts Club Band ♪
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Everything's all right.
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♪ Oh, I get by with a little helpFrom my friends ♪
114
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♪ Lucy in the sky with diamonds ♪
115
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♪ All you need is love ♪
116
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♪ I read the news today, oh boy ♪
117
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♪ Roll up for the mystery tour ♪
118
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♪ Roll up, we've got everything you need ♪
119
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♪ Roll up for the mystery tour ♪
120
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Roll up, satisfaction guaranteed ♪
121
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♪ Roll up for the mystery tour ♪
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Yes, Mr. Bloodvessel.
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♪ I am the walrusGoo goo g'joob ♪
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[cheers]
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[announcer]
Far from the noise and pace of city life
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in the cool, clear airof Rishikesh, North India,
127
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the world-famous quartet stroll quietlyin the lovely meditation retreat
128
00:07:55,125 --> 00:07:57,041
of Maharishi Mahesh Yogi.
129
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Flower-loving Yogi told reportersthat his brand of peace of mind
130
00:08:00,750 --> 00:08:03,791
could only be truly appreciatedby intelligent men of the world.
131
00:08:03,875 --> 00:08:07,791
♪ The Ukraine girls really knock me out ♪
132
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♪ They leave the West behind ♪
133
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♪ While my guitar gently weeps ♪
134
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♪ Blackbird singingIn the dead of night ♪
135
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-We don't get on at all.
-There are so many father figures.
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-[chuckles]
-[laughter]
137
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-[moans]
-[chuckles]
138
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Oh, I see.
139
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What is Apple, John?
140
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It's a company we're setting up
which involves records,
141
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films, electronics,
which make records and films work,
142
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-and, what's it called? Manufacturing?
-Yeah, it does a few things, you know?
143
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["Hey Jude" playing]
144
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♪ Hey Jude, don't be afraid ♪
145
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♪ You were made to go out and get her ♪
146
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♪ Remember to let her into your heart ♪
147
00:09:01,958 --> 00:09:07,791
♪Then you can start to make it better ♪
148
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♪ Better, better, betterBetter, better, oh ♪
149
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♪ Yeah ♪
150
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-♪ Yeah, yeah, yeah ♪
-♪ Na, na, na, na, na, na, na ♪
151
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♪ Na, na, na, na, hey, Jude ♪
152
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♪ Na, na, na, na, na, na, na ♪
153
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♪ Na, na, na, na, hey, Jude ♪
154
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♪ Na, na, na, na, na, na, na ♪
155
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♪ Na, na, na, na, hey, Jude ♪
156
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♪ Na, na, na, na, na, na, na ♪
157
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♪ Na, na, na, na, hey, Jude ♪
158
00:10:06,375 --> 00:10:12,041
♪ Na, na, na, na, na, na, na ♪
159
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♪ Na, na, na, na, hey, Jude ♪
160
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♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪
161
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♪ Na, na, na, na, na, na, na ♪
162
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♪ Na, na, na, na, hey, Jude ♪
163
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♪ Na, na, na, na, na, na, na ♪
164
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♪ Na, na, na, na, hey, Jude ♪
165
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♪ Na, na, na, na, na, na, na ♪
166
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♪ Na, na, na, na, hey, Jude ♪
167
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[song fades out]
168
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[Peter Sutton]
Two, take one. Silent turn over.
169
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[Paul Bond] Running.
170
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[John]
♪ As I leave the desert skies ♪
171
00:11:20,916 --> 00:11:24,750
♪ And my thoughts return to home ♪
172
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♪ Yes, my thoughts return to home ♪
173
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♪ I'm just a child of nature ♪
174
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♪ I don't need much to set me free ♪
175
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♪ I'm just a child of nature ♪
176
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♪ I'm one of nature's children ♪
177
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-[John] Where's the what?
-The mixer and the 8-tracks and all them.
178
00:12:07,333 --> 00:12:08,583
-Hi, Ringo.
-Hi, George.
179
00:12:08,666 --> 00:12:10,791
-Happy New Year.
-Happy New Year.
180
00:12:12,666 --> 00:12:16,125
♪ Everybody got a piece of toastTo chew on ♪
181
00:12:19,500 --> 00:12:21,916
♪ Everybody's got soul ♪
182
00:12:22,750 --> 00:12:25,000
♪ Everybody's got soul ♪
183
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♪ Everybody got to feelThis all alone ♪
184
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♪ Don't let me down ♪
185
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♪ Don't let me down ♪
186
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♪ Don't let me down ♪
187
00:12:49,666 --> 00:12:52,250
♪ Don't let me down ♪
188
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♪ Don't let me down ♪
189
00:13:01,791 --> 00:13:05,583
♪ Don't let me down ♪
190
00:13:07,166 --> 00:13:10,666
♪ I'm in love for the first time ♪
191
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[George] I don't think this is
a very acoustically good place.
192
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[John] Who's that little old man?
193
00:13:17,875 --> 00:13:19,958
Oh, is he one of the Hare Krishnas
or something?
194
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'Cause they won't be rehearsing
shots for three weeks.
195
00:13:30,875 --> 00:13:34,208
[Paul] As I was saying to Mal,
keep all the audience out, you know…
196
00:13:38,291 --> 00:13:39,416
If you can think of a--
197
00:13:42,000 --> 00:13:43,875
One of those Binson Echorec things.
198
00:13:43,958 --> 00:13:45,416
Have a little one of them.
199
00:13:55,541 --> 00:13:58,333
Oh, are you recording our conversation?
200
00:13:58,416 --> 00:14:00,250
[Paul] Yeah. [hums]
201
00:14:00,958 --> 00:14:02,583
We should have a bass--
202
00:14:02,666 --> 00:14:05,125
a bass and guitar all in one.
203
00:14:05,208 --> 00:14:06,416
-Yeah.
-Be great, wouldn't it?
204
00:14:07,000 --> 00:14:09,333
[Paul] Well, two people
should have bass and guitar.
205
00:14:09,416 --> 00:14:12,416
[George] Maybe we should learn
a few songs first.
206
00:14:12,500 --> 00:14:13,500
Great.
207
00:14:13,583 --> 00:14:15,000
["I've Got a Feeling" playing]
208
00:14:15,083 --> 00:14:18,166
[Paul] ♪ Oh, no, ah ♪
209
00:14:18,958 --> 00:14:20,750
One, two, three.
210
00:14:20,833 --> 00:14:23,041
♪ Yeah, I've got a feeling ♪
211
00:14:28,458 --> 00:14:31,041
-♪ Oh, please believe me ♪
-[John] ♪ Yes, I will ♪
212
00:14:31,125 --> 00:14:34,708
♪ I'd hate to miss the trainOh, yeah ♪
213
00:14:36,500 --> 00:14:37,958
♪ Oh, yeah ♪
214
00:14:40,500 --> 00:14:45,458
♪ And if you leave meI won't be late again ♪
215
00:14:45,541 --> 00:14:46,541
♪ No, no ♪
216
00:14:46,625 --> 00:14:50,041
♪ Oh, no, oh, no ♪
217
00:14:51,208 --> 00:14:55,083
♪ No, no, yeah ♪
218
00:14:55,166 --> 00:14:57,458
♪ One, two, three ♪
219
00:14:57,541 --> 00:14:59,250
♪ I've got a feeling ♪
220
00:15:02,000 --> 00:15:03,333
Then it goes to E.
221
00:15:04,250 --> 00:15:06,083
♪ All these years I've been wandering ♪
222
00:15:06,166 --> 00:15:07,166
G.
223
00:15:07,250 --> 00:15:08,875
♪ Wondering how come nobody ♪
224
00:15:08,958 --> 00:15:09,958
E.
225
00:15:10,041 --> 00:15:12,833
♪ All that I've been looking forWas somebody who looked like ♪
226
00:15:12,916 --> 00:15:13,916
Stop.
227
00:15:18,875 --> 00:15:21,208
[John]
I just gotta see which should come where.
228
00:15:26,125 --> 00:15:27,541
Everybody had a hard on.
229
00:15:28,458 --> 00:15:29,750
♪ Everybody had a hard on ♪
230
00:15:29,833 --> 00:15:31,250
Except for me and my monkey.
231
00:15:32,208 --> 00:15:34,291
[George]
♪ Everybody been… [indistinct] ♪
232
00:15:34,875 --> 00:15:36,791
♪ Oh, yeah! ♪
233
00:15:36,875 --> 00:15:39,416
[chattering]
234
00:15:39,500 --> 00:15:41,291
[Paul] ♪ Oh, no ♪
235
00:15:41,375 --> 00:15:42,791
♪ Oh ♪
236
00:15:42,875 --> 00:15:45,416
♪ Yeah, yeah ♪
237
00:15:45,500 --> 00:15:46,708
♪ I've got a feeling ♪
238
00:15:46,791 --> 00:15:49,958
-♪ Everybody had a hard year ♪
-♪ Whoo, yeah, yeah ♪
239
00:15:50,041 --> 00:15:52,125
♪ Everybody had a good time ♪
240
00:15:53,000 --> 00:15:55,875
♪ Everybody had a wet dream ♪
241
00:15:55,958 --> 00:15:57,958
♪ Everybody saw the sun shine ♪
242
00:15:58,041 --> 00:15:59,666
-♪ Oh, yeah ♪
-♪ Yeah ♪
243
00:15:59,750 --> 00:16:02,250
-♪ Oh, yeah, oh, yeah ♪
-♪ Oh, oh, yeah ♪
244
00:16:02,333 --> 00:16:05,791
♪ Oh, oh ♪
245
00:16:06,708 --> 00:16:08,458
-♪ No, no ♪
-[John] ♪ No, no ♪
246
00:16:08,541 --> 00:16:10,208
-♪ Yeah ♪
-♪ No, no ♪
247
00:16:10,291 --> 00:16:11,625
♪ I've got a feeling ♪
248
00:16:11,708 --> 00:16:14,083
[vocalizing]
249
00:16:14,750 --> 00:16:16,791
♪ I've got a feeling ♪
250
00:16:20,791 --> 00:16:22,125
[George Martin] Which this isn't.
251
00:16:22,791 --> 00:16:24,375
[Paul] Um, um, we--
252
00:16:58,208 --> 00:16:59,333
-December 25th.
-[Michael] Yeah.
253
00:17:05,250 --> 00:17:06,791
[Denis] Yeah.
254
00:17:08,875 --> 00:17:10,666
[guitar strumming]
255
00:17:15,791 --> 00:17:17,208
[Denis] When you're ready. That's right.
256
00:17:17,708 --> 00:17:19,250
[Denis] We could do-- Yeah.
257
00:17:20,333 --> 00:17:22,208
♪ Go, go ♪
258
00:17:22,291 --> 00:17:23,916
♪ Go, Johnny, go, go ♪
259
00:17:24,625 --> 00:17:26,958
♪ Go, Johnny, go, go ♪
260
00:17:27,041 --> 00:17:31,791
[Paul] ♪ Come all withoutCome all within ♪
261
00:17:32,583 --> 00:17:37,000
♪ You'll not see nothingLike the Mighty-- ♪
262
00:17:37,083 --> 00:17:38,416
[Ringo] All of us just…
263
00:17:38,500 --> 00:17:40,833
[George]
♪ They say everything can be replaced ♪
264
00:17:43,833 --> 00:17:46,791
♪ Every distance is not near ♪
265
00:17:51,541 --> 00:17:55,333
[Paul] ♪ Yeah, I've got a feeling ♪
266
00:18:02,458 --> 00:18:04,083
[Denis] John is just finishing it up.
267
00:18:09,250 --> 00:18:11,416
I'll take you up in the Art Department
when you get a moment.
268
00:18:11,500 --> 00:18:14,083
You can see some of the designs
and all that, 'cause it's well under way.
269
00:18:14,166 --> 00:18:15,291
Is it still the 17th?
270
00:18:15,375 --> 00:18:16,958
No, 24th now, because of this.
271
00:18:17,041 --> 00:18:19,250
Why? This is only going to take two weeks.
272
00:18:19,333 --> 00:18:21,208
Well, we don't know yet, do we?
273
00:18:21,291 --> 00:18:24,791
[John] ♪ It's a love that lasts forever ♪
274
00:18:26,875 --> 00:18:30,000
♪ It's a love that has no past ♪
275
00:18:33,416 --> 00:18:36,916
-♪ Don't let me ♪
-♪ Down ♪
276
00:18:37,958 --> 00:18:39,708
[Paul] That's all the bits you've got?
277
00:18:39,791 --> 00:18:41,208
♪ Don't let me… ♪
278
00:18:41,291 --> 00:18:43,500
All right. If you had,
"Don't let me down,"
279
00:18:43,583 --> 00:18:45,500
say twice at the beginning…
280
00:18:46,083 --> 00:18:49,500
[Paul] But you know when you bring that,
"'Cause I'm in love for the first time"?
281
00:18:50,500 --> 00:18:53,416
-I don't dig that. Sounds like a middle 8.
-[John] Oh, yeah. Okay.
282
00:18:53,500 --> 00:18:55,750
[Paul] It doesn't sound like-- But I--
Some of it.
283
00:18:55,833 --> 00:18:58,083
Scrap that,
except use that somewhere near the end.
284
00:18:58,166 --> 00:19:00,083
[John] That one used to go after the…
285
00:19:00,166 --> 00:19:02,333
♪ Love that-- A love that had no past ♪
286
00:19:02,416 --> 00:19:05,250
-[Paul] Yeah, 'cause that's where--
-"Nobody ever loved me like she do me."
287
00:19:05,333 --> 00:19:07,291
[George]
No harm just having a break in that bit.
288
00:19:07,375 --> 00:19:09,041
Yeah, except just skip that little…
289
00:19:09,125 --> 00:19:10,500
-[John] Yes.
-…interlude.
290
00:19:10,583 --> 00:19:12,750
-Put the interlude right somewhere.
-[John] In the beginning.
291
00:19:12,833 --> 00:19:14,208
I'll do one set of "don't let me down."
292
00:19:15,166 --> 00:19:19,000
Uh-- "Like she do me. Ooh, she do me.
Yes, she do me."
293
00:19:19,083 --> 00:19:21,250
I didn't quite get around to making sense,
you see?
294
00:19:21,333 --> 00:19:22,666
So we'll see what happens.
295
00:19:22,750 --> 00:19:24,208
[George] Do you want some sandwiches?
296
00:19:24,291 --> 00:19:26,916
We don't eat these.
Paul, do you want some sandwiches?
297
00:19:27,000 --> 00:19:28,250
-Hang on. [whistles]
-[Michael] Ray.
298
00:19:28,333 --> 00:19:31,000
-[John] Do you want a dry bun?
-[George] A dry bun? Yeah.
299
00:19:31,083 --> 00:19:33,666
[John] It's like a rock cake
but needs butter or something.
300
00:19:33,750 --> 00:19:37,291
The thing I don't want is,
like, a TV show sound.
301
00:19:37,375 --> 00:19:40,625
They always seem to have that
sort of farty, little sound on TV shows.
302
00:19:40,708 --> 00:19:43,166
[Glyn] Well, don't forget,
you're hearing it on a TV speaker,
303
00:19:43,250 --> 00:19:44,458
which is a grotty speaker.
304
00:19:44,541 --> 00:19:48,125
But see, this place sounds terrible now.
It may just be great.
305
00:19:48,208 --> 00:19:50,166
You can never tell
with these places though.
306
00:19:50,250 --> 00:19:53,083
We did "Yer Blues"
in a little room like a bog.
307
00:19:53,166 --> 00:19:54,791
-[Glyn] Yeah.
-And…
308
00:19:54,875 --> 00:19:56,625
No separation in there, you know?
309
00:19:56,708 --> 00:19:58,666
-We really got good separation.
-[Glyn] Yeah.
310
00:19:59,458 --> 00:20:03,000
The thing is,
that an open-air sound is fantastic.
311
00:20:03,083 --> 00:20:06,208
I've always wanted to do something
in the open air.
312
00:20:06,291 --> 00:20:09,708
It'd be nice to try and find some way
to do it out of doors.
313
00:20:09,791 --> 00:20:10,791
[Glyn] It's so bloody cold.
314
00:20:10,875 --> 00:20:13,625
[Michael] It's your English rain which is
worrying about outdoors in this country.
315
00:20:13,708 --> 00:20:16,041
-[Glyn] Yeah, right.
-Snow or rain will do me.
316
00:20:16,125 --> 00:20:18,291
You know, wind and anything.
Make all that…
317
00:20:18,375 --> 00:20:20,750
-It's just a frozen hand trying to…
-[Glyn laughs] Yes, you could.
318
00:20:20,833 --> 00:20:21,833
…play those notes.
319
00:20:21,916 --> 00:20:23,791
[Tony] Trying to get your E-seventh
when your little finger's frozen…
320
00:20:23,875 --> 00:20:24,875
The snow and rain.
321
00:20:24,958 --> 00:20:28,333
It's all right. You might just
have a few deaths on the set
322
00:20:28,416 --> 00:20:29,666
due to electric shocks.
323
00:20:30,666 --> 00:20:33,375
I was very taken by the place
Denis talked about.
324
00:20:33,458 --> 00:20:35,291
[Glyn] Yeah. That was…
325
00:20:35,375 --> 00:20:37,833
Because I could see it outside torch-lit.
326
00:20:38,708 --> 00:20:40,375
2,000 Arabs and friends around.
327
00:20:40,458 --> 00:20:42,625
[Paul chuckles] No, I think we won't be.
328
00:20:42,708 --> 00:20:44,708
I think you'll find
we're not going abroad.
329
00:20:44,791 --> 00:20:45,791
[Michael] Hmm.
330
00:20:47,416 --> 00:20:49,625
'Cause Ringo just said
he doesn't wanna go abroad.
331
00:20:49,708 --> 00:20:51,541
No, and he put his foot down.
332
00:20:52,541 --> 00:20:54,208
-So…
-Yeah?
333
00:20:54,291 --> 00:20:56,291
Us and Jimmie Nicol might go abroad.
334
00:20:56,375 --> 00:20:58,250
[all laugh]
335
00:20:58,333 --> 00:21:01,083
[Michael] I think the thing to do
is just be very flexible still
336
00:21:01,166 --> 00:21:03,375
about every aspect of the enterprise.
337
00:21:03,458 --> 00:21:08,000
I think-- Well, I think, you know--
Michael, I think you're pretty right.
338
00:21:08,083 --> 00:21:09,541
[Glyn] He won't give up.
339
00:21:09,625 --> 00:21:11,583
-Pretty fair comment.
-[Glyn] You're pretty right, Mike.
340
00:21:11,666 --> 00:21:12,916
Are you gonna keep the beard?
341
00:21:13,000 --> 00:21:13,833
I don't know.
342
00:21:13,916 --> 00:21:15,916
[Michael] You ought to get one
of those big-brimmed hats
343
00:21:16,000 --> 00:21:17,458
with those ringlets down the ears.
344
00:21:17,541 --> 00:21:19,333
Yes. Yes, I saw that
on telly the other night.
345
00:21:19,416 --> 00:21:21,166
That'd be good.
Then we could do it in Israel.
346
00:21:21,750 --> 00:21:24,041
[Paul] ♪ We're on our way home ♪
347
00:21:24,833 --> 00:21:26,791
♪ We're on our way home ♪
348
00:21:27,875 --> 00:21:29,125
♪ We're going home ♪
349
00:21:29,208 --> 00:21:30,708
Middle eight, B flat.
350
00:21:30,791 --> 00:21:34,125
♪ You and I made memories ♪
351
00:21:34,875 --> 00:21:40,708
♪ Longer than the roadThat stretches out ahead ♪
352
00:21:43,125 --> 00:21:46,083
♪ Two of us wearing raincoats ♪
353
00:21:46,166 --> 00:21:51,083
♪ Standing solo in the sun ♪
354
00:21:53,083 --> 00:21:54,375
I'll do a verse. Just…
355
00:21:54,458 --> 00:21:59,291
[both vocalizing]
356
00:21:59,791 --> 00:22:00,791
No, I think it goes…
357
00:22:00,875 --> 00:22:05,666
♪ We're on our way back home ♪
358
00:22:05,750 --> 00:22:06,750
♪ Ba-bam, ba-ba ♪
359
00:22:06,833 --> 00:22:07,833
Three, four…
360
00:22:07,916 --> 00:22:09,458
It's like…
361
00:22:09,541 --> 00:22:13,541
♪ On our way back ♪
362
00:22:13,625 --> 00:22:15,875
♪ Ba-da, da-da, da-da ♪
363
00:22:15,958 --> 00:22:17,375
♪ We're on our way home ♪
364
00:22:17,458 --> 00:22:18,916
Two, three.
365
00:22:19,000 --> 00:22:20,750
♪ We're on our way home ♪
366
00:22:20,833 --> 00:22:22,000
Two, three.
367
00:22:22,083 --> 00:22:23,166
♪ We're going home ♪
368
00:22:23,250 --> 00:22:24,250
-Two.
-After three.
369
00:22:24,333 --> 00:22:26,458
[Paul] It goes into waltz.
It goes into three.
370
00:22:27,791 --> 00:22:29,166
♪ We're on our way home ♪
371
00:22:29,250 --> 00:22:30,791
♪ Ch-cha-cha, cha ♪
372
00:22:30,875 --> 00:22:32,666
♪ We're going home ♪
373
00:22:34,375 --> 00:22:35,375
Yeah.
374
00:22:35,458 --> 00:22:36,500
♪ We're on our way home ♪
375
00:22:36,583 --> 00:22:38,083
Repeat now.
376
00:22:38,166 --> 00:22:39,958
♪ We're on our way home ♪
377
00:22:40,041 --> 00:22:41,125
Then short.
378
00:22:41,208 --> 00:22:42,708
♪ We're going home ♪
379
00:22:42,791 --> 00:22:44,791
And that's like a break. Ch-cha.
380
00:22:44,875 --> 00:22:45,875
♪ Two of us ♪
381
00:22:45,958 --> 00:22:47,166
I'll go from the beginning.
382
00:22:47,250 --> 00:22:49,166
♪ Chu-chu-chu-chu-chu-chu, ooh ♪
383
00:22:49,250 --> 00:22:50,500
♪ We're on our way home ♪
384
00:22:50,583 --> 00:22:52,208
♪ Ch-cha-cha, cha, ooh ♪
385
00:22:52,291 --> 00:22:53,583
We're on our way home ♪
386
00:22:53,666 --> 00:22:55,208
♪ Ch-cha-cha, cha, ooh ♪
387
00:22:55,291 --> 00:22:57,291
♪ We're going home ♪
388
00:22:58,000 --> 00:23:02,958
♪ You and me, Henry CooperHenry Cooper ♪
389
00:23:03,041 --> 00:23:06,458
♪ Henry Coop ♪
390
00:23:07,125 --> 00:23:09,958
♪ You and me, Henry Cooper ♪
391
00:23:10,041 --> 00:23:11,250
[Paul] It's not-- It's not--
392
00:23:11,333 --> 00:23:14,000
[Peter Sutton]
That was 23, take one. End announcement.
393
00:23:14,083 --> 00:23:15,791
[Paul] ♪ Wearing raincoats ♪
394
00:23:21,041 --> 00:23:24,041
[upbeat piano tune playing]
395
00:23:32,416 --> 00:23:35,750
[tap dancing]
396
00:23:36,458 --> 00:23:37,625
[Paul] Nice, that purple.
397
00:23:44,958 --> 00:23:48,000
[George] "What do you think
of George's pseudo tie sweatshirt?"
398
00:23:48,083 --> 00:23:49,583
I think it's terrible.
399
00:23:50,250 --> 00:23:51,375
[laughs]
400
00:23:52,250 --> 00:23:56,291
"The True Story of The Beatles.
You can still get it direct."
401
00:23:57,333 --> 00:24:01,333
"Accompanied by his current steady,
American photographer Linda Eastman,
402
00:24:01,416 --> 00:24:03,375
Paul spent a December week in Portugal
403
00:24:03,458 --> 00:24:06,166
visiting The Beatles' biographer,
Hunter Davis."
404
00:24:07,333 --> 00:24:09,166
It's just so sort of daft.
405
00:24:10,333 --> 00:24:11,333
[chuckling]
406
00:24:14,916 --> 00:24:17,125
"…send a big 'Hi'
to all the Bertle Persons."
407
00:24:19,416 --> 00:24:20,583
[laughs]
408
00:24:20,666 --> 00:24:22,416
"It's fab in here!" [laughs]
409
00:24:24,125 --> 00:24:26,166
I think your beard suits you, man.
410
00:24:26,250 --> 00:24:27,208
-Mmm.
-[George laughs]
411
00:24:27,291 --> 00:24:29,625
[George] I've been thinking
of all the tunes I've got.
412
00:24:29,708 --> 00:24:32,541
And they're all, uh, they're all slowish.
413
00:24:32,625 --> 00:24:34,416
-I seem to be--
-[Paul] Yeah, most of mine are.
414
00:24:34,500 --> 00:24:39,041
[George] See, so far, there's a couple
I know I could do live with no backing.
415
00:24:39,125 --> 00:24:42,125
-[Paul] Just with the guitar and singing.
-[George] Well, you know…
416
00:24:42,208 --> 00:24:46,208
-I've got "Taking a Trip to Carolina."
-[laughs]
417
00:24:46,291 --> 00:24:47,750
In the same…
418
00:24:47,833 --> 00:24:49,000
In his mind.
419
00:24:49,083 --> 00:24:49,916
♪ Taking-- ♪
420
00:24:50,000 --> 00:24:50,916
Oh, no.
421
00:24:51,000 --> 00:24:52,750
♪ Taking a trip on a ocean liner ♪
422
00:24:52,833 --> 00:24:55,041
♪ I gotta get to Carolina ♪
423
00:24:55,125 --> 00:24:57,333
♪ Taking a trip on an ocean liner ♪
424
00:24:57,416 --> 00:24:59,625
♪ I gotta get to Carolina ♪
425
00:24:59,708 --> 00:25:01,583
[humming]
426
00:25:01,666 --> 00:25:02,791
♪ Oh, baby ♪
427
00:25:02,875 --> 00:25:05,875
[laughs]
428
00:25:06,500 --> 00:25:08,041
[Ringo] ♪ I've been-- ♪
429
00:25:08,125 --> 00:25:09,125
I had-- It's on there.
430
00:25:09,208 --> 00:25:12,916
I've got it on the little tape, singing
"I've been to LA and New York too."
431
00:25:13,000 --> 00:25:14,750
So, they're not very nice.
432
00:25:14,833 --> 00:25:17,208
You know, the words,
I mean, they're not very good.
433
00:25:17,291 --> 00:25:19,916
-Uh-huh.
-"Carolina," it's, "Oh, baby."
434
00:25:20,000 --> 00:25:21,166
[laughs]
435
00:25:21,250 --> 00:25:22,916
[Paul] Just get me back there.
436
00:25:29,041 --> 00:25:30,416
[Paul] But it's good.
437
00:25:34,583 --> 00:25:36,375
But they'll have all this sort of…
438
00:25:38,166 --> 00:25:42,208
Yeah. If you wanted to get 8-track stuff
to record all this,
439
00:25:42,291 --> 00:25:44,875
where would we get it?
'Cause, apparently, it hasn't been--
440
00:25:44,958 --> 00:25:47,666
[George] We'll lend it to ourselves,
but EMI should do it.
441
00:25:47,750 --> 00:25:50,500
You know, it's like if Benjamin Britten
wants to do an album…
442
00:25:50,583 --> 00:25:51,750
-Right.
-…in Paris,
443
00:25:51,833 --> 00:25:54,375
EMI have got to fucking get
all that shit over to him.
444
00:25:54,458 --> 00:25:56,000
And they do, of course.
445
00:25:56,083 --> 00:25:58,666
We subsidize EMI, then get it out there.
446
00:25:58,750 --> 00:26:00,958
-Get an 8-track mixer--
-'Cause they just told Glyn and Mal--
447
00:26:01,041 --> 00:26:03,833
They just told them
that they've only got 4-track.
448
00:26:03,916 --> 00:26:06,791
But I know for a fact that they got
8-track out for The Beach Boys.
449
00:26:06,875 --> 00:26:08,833
[Michael] But The Beach Boys are American.
450
00:26:10,541 --> 00:26:12,541
[chattering]
451
00:26:14,791 --> 00:26:16,375
[Paul]
'Cause I really never thought of that.
452
00:26:16,458 --> 00:26:19,125
It's just we all used to sag off
every school day.
453
00:26:19,208 --> 00:26:20,958
You know, and go back to my house,
454
00:26:21,041 --> 00:26:23,458
and the two of us
would just sit there and write.
455
00:26:23,541 --> 00:26:25,500
There's a lot from then, you know?
456
00:26:25,583 --> 00:26:29,041
There's about 100 songs from then
that we never reckoned,
457
00:26:29,125 --> 00:26:31,541
'cause they were all
very unsophisticated songs.
458
00:26:32,166 --> 00:26:34,833
[singsong]
"They said our love was just fun,
459
00:26:34,916 --> 00:26:36,791
the day that our friendship begun."
460
00:26:36,875 --> 00:26:40,750
[Ringo]
♪ They said our love was just fun ♪
461
00:26:41,375 --> 00:26:42,500
[Paul] ♪ Oh, oh, oh ♪
462
00:26:42,583 --> 00:26:44,125
[Ringo] ♪ The day that… ♪
463
00:26:45,333 --> 00:26:46,333
[George] ♪ Begun… ♪
464
00:26:46,416 --> 00:26:47,875
[Paul humming]
465
00:26:47,958 --> 00:26:49,583
[George speaks indistinctly]
466
00:26:49,666 --> 00:26:53,250
[Paul] ♪ Because I know you love me so ♪
467
00:26:55,916 --> 00:27:00,250
♪ Wake up in the morningI don't feel blue ♪
468
00:27:01,291 --> 00:27:06,125
♪ 'Cause I know I've got you ♪
469
00:27:06,708 --> 00:27:10,750
♪ Get a funny feelingAll day and night ♪
470
00:27:12,000 --> 00:27:14,583
♪ Get the funny feeling ♪
471
00:27:14,666 --> 00:27:17,208
♪ You don't treat me right ♪
472
00:27:17,291 --> 00:27:19,875
♪ Should have read your letter ♪
473
00:27:19,958 --> 00:27:21,666
♪ And then I'd know ♪
474
00:27:22,541 --> 00:27:24,875
♪ I would have felt much better ♪
475
00:27:24,958 --> 00:27:28,541
♪ Because I know you love me so ♪
476
00:27:31,500 --> 00:27:33,375
Don't think that ever got there, did it?
477
00:27:34,416 --> 00:27:35,541
♪ Well, I've been thinking… ♪
478
00:27:35,625 --> 00:27:36,625
[John humming]
479
00:27:36,708 --> 00:27:38,333
♪ …love me ♪
480
00:27:39,500 --> 00:27:40,791
♪ Tell me that ♪
481
00:27:42,666 --> 00:27:44,708
[John] ♪ Won't you please ♪
482
00:27:45,333 --> 00:27:47,000
[John, Paul]
♪ Say goodbye? ♪
483
00:27:48,291 --> 00:27:51,750
♪ This love has long since grown cold ♪
484
00:27:51,833 --> 00:27:56,083
♪ Yeah, won't you please say goodbye? ♪
485
00:27:57,625 --> 00:28:01,333
♪ How many times must you be told? ♪
486
00:28:03,125 --> 00:28:05,458
♪ Won't you please say goodbye? ♪
487
00:28:06,125 --> 00:28:08,083
-[hums]
-That sounded like…
488
00:28:09,375 --> 00:28:10,500
♪ Pick up my bags ♪
489
00:28:11,958 --> 00:28:14,500
♪ Run to the station ♪
490
00:28:14,583 --> 00:28:15,833
♪ Railman said ♪
491
00:28:16,875 --> 00:28:18,708
♪ "You've got the wrong location" ♪
492
00:28:20,125 --> 00:28:22,333
-♪ Pick up my bag ♪
-♪ Pick up my bag, yeah, yeah ♪
493
00:28:22,416 --> 00:28:24,291
-♪ Run right home ♪
-♪ Run home ♪
494
00:28:25,250 --> 00:28:27,333
-♪ Then I find ♪
-♪ Then I find that ♪
495
00:28:27,416 --> 00:28:30,833
-♪ I got the number wrong, yeah ♪
-♪ I got the number wrong, yes ♪
496
00:28:30,916 --> 00:28:33,583
♪ She said she's travelin'On the one after 909 ♪
497
00:28:35,958 --> 00:28:39,166
♪ Move over, honeyI'm travelin' on that line ♪
498
00:28:41,458 --> 00:28:44,083
♪ Said Move over onceMove over twice ♪
499
00:28:44,166 --> 00:28:46,291
♪ Come on, babyDon't be cold as ice ♪
500
00:28:47,000 --> 00:28:49,666
♪ She said she's travelin'On the one after 909 ♪
501
00:28:49,750 --> 00:28:52,125
♪ She said she's travelin'On the one after 909 ♪
502
00:28:52,208 --> 00:28:55,750
♪ She said she's travelin'On the one after 909 ♪
503
00:28:59,166 --> 00:29:01,125
[Paul] Okay. All right.
504
00:29:02,375 --> 00:29:04,708
[Paul]
Really, that's out of the past, that.
505
00:29:06,916 --> 00:29:09,666
I always meant to just change the words
a bit and do something.
506
00:29:09,750 --> 00:29:11,083
[Paul] But no, it's so great.
507
00:29:11,166 --> 00:29:13,833
-[George] It's all working. Keep them.
-[Paul hums]
508
00:29:13,916 --> 00:29:16,833
"Said, 'Move over, honey,
I'm traveling on that line.'" [laughs]
509
00:29:16,916 --> 00:29:20,416
"Move over once, move over twice.
Come on, baby. Don't be cold as ice."
510
00:29:20,500 --> 00:29:21,833
[John] "You're only fooling around."
511
00:29:21,916 --> 00:29:23,833
[John, Paul]
"You're only fooling around with me."
512
00:29:24,458 --> 00:29:26,916
[Paul] I never sort of knew
what it was about before.
513
00:29:27,000 --> 00:29:28,958
-I mean, so she's on a train.
-[John] Yes.
514
00:29:29,041 --> 00:29:32,041
-And he sort of-- [laughs]
-[John] Goes to the station and misses it.
515
00:29:32,125 --> 00:29:35,666
But he goes back and finds
it was the wrong number, so…
516
00:29:35,750 --> 00:29:37,666
"Wrong location."
517
00:29:37,750 --> 00:29:39,791
To rhyme with "station," you know?
518
00:29:39,875 --> 00:29:41,250
That's great.
519
00:29:41,333 --> 00:29:44,083
"Railman said you got the wrong location."
520
00:29:44,791 --> 00:29:46,375
-[John] Hello, George.
-[laughs]
521
00:29:46,458 --> 00:29:49,833
[John] Hi, Paul. It's simply great
for you to turn up this evening.
522
00:29:49,916 --> 00:29:52,291
-["Ob-La-Di, Ob-La-Da" playing]
-The Animals reunited.
523
00:29:52,875 --> 00:29:56,250
[falsetto] ♪ Desmond had a barrowIn the market place ♪
524
00:29:56,333 --> 00:29:58,708
♪ Doris had another in the bog ♪
525
00:30:00,000 --> 00:30:02,875
♪ Charlie has anotherIn the back of town ♪
526
00:30:02,958 --> 00:30:05,250
♪ And, Lordy, LordyDid they have a bag of fun ♪
527
00:30:06,166 --> 00:30:08,583
♪ Oh, my God, oh, my GodOh, my… ♪
528
00:30:12,833 --> 00:30:14,666
♪ Tell it to the captain ♪
529
00:30:15,833 --> 00:30:17,458
♪ Get in trouble with the man ♪
530
00:30:17,541 --> 00:30:19,958
♪ Let the Midnight Special ♪
531
00:30:20,750 --> 00:30:22,291
♪ Shine its light on me ♪
532
00:30:23,500 --> 00:30:25,833
♪ Let the Midnight Special ♪
533
00:30:26,833 --> 00:30:29,333
♪ Shine its ever-lovin' light on me ♪
534
00:30:30,166 --> 00:30:34,416
[George] ♪ What do you wantTo make those eyes at me for? ♪
535
00:30:35,041 --> 00:30:38,791
-♪ If they don't mean what they say? ♪
-♪ When you're out with someone new ♪
536
00:30:40,750 --> 00:30:44,583
[George, Paul] ♪ You made me gladYou made me sad ♪
537
00:30:44,666 --> 00:30:47,000
♪ You make me want a lot of things ♪
538
00:30:47,083 --> 00:30:48,666
-♪ That I never had ♪
-♪ Bundle of dynamite ♪
539
00:30:48,750 --> 00:30:51,750
["The Third Man Theme" playing]
540
00:31:31,333 --> 00:31:32,791
[Paul whistles]
541
00:31:43,416 --> 00:31:45,416
-[microphone feedback]
-Ah! Fucking hell.
542
00:31:45,500 --> 00:31:47,416
-[Paul] I just got shocked.
-Just got a belt, man.
543
00:31:48,000 --> 00:31:49,791
I really-- I got an electric shock.
544
00:31:49,875 --> 00:31:51,416
[Paul] Gonna be in trouble over this.
545
00:31:51,500 --> 00:31:53,208
If this boy dies, you're gonna cop it.
546
00:31:54,291 --> 00:31:57,333
[George] Hold that one as well
at the same time and see what happens.
547
00:31:57,416 --> 00:31:59,041
Let me see it again.
548
00:31:59,125 --> 00:32:00,208
Let's try it.
549
00:32:00,291 --> 00:32:02,458
-[Peter Sutton] You get feedback.
-[Paul] It's the feedback, yeah.
550
00:32:02,541 --> 00:32:03,833
The feedback going into the, uh--
551
00:32:03,916 --> 00:32:05,000
-There, it's not--
-[feedback]
552
00:32:05,083 --> 00:32:07,000
-[John] That's it.
-[George] Put your hand on that bit.
553
00:32:07,083 --> 00:32:08,750
[Paul] It might be
the playing the guitar as well.
554
00:32:08,833 --> 00:32:12,041
It should be where you're here
rather than all this…
555
00:32:12,125 --> 00:32:13,583
-You know, all this thing.
-[Paul] Yeah.
556
00:32:13,666 --> 00:32:15,166
[Michael] When was it when you touched it?
557
00:32:15,250 --> 00:32:16,833
I gripped hold of two of them together.
558
00:32:16,916 --> 00:32:19,375
-[Paul] The feedback going into the…
-[George] Just grip it tight.
559
00:32:19,458 --> 00:32:21,708
-[microphone feedback]
-Put the palm of your hand on that bit.
560
00:32:21,791 --> 00:32:24,541
-[microphone feedback]
-[laughing]
561
00:32:25,500 --> 00:32:27,541
[Paul]
The bit that I find the weakest now is…
562
00:32:27,625 --> 00:32:29,208
♪ All these yearsI've been wandering around ♪
563
00:32:29,291 --> 00:32:30,916
[John] Yeah, that's just power, you know?
564
00:32:31,000 --> 00:32:33,208
[Paul]
♪ Wondering how come nobody told me ♪
565
00:32:34,791 --> 00:32:36,958
-[Paul] Maybe harmonies.
-Just sing your one.
566
00:32:37,041 --> 00:32:40,625
♪ All these yearsI've been wandering around ♪
567
00:32:40,708 --> 00:32:43,250
♪ Wondering how come nobody told me ♪
568
00:32:43,333 --> 00:32:46,750
♪ All that I've been looking forWas somebody who looked like you ♪
569
00:32:48,083 --> 00:32:49,291
You're singing B.
570
00:32:49,833 --> 00:32:52,708
Yeah, just sing the next harmony down
so it's not too low for you.
571
00:32:52,791 --> 00:32:55,125
♪ All these years ♪
572
00:32:55,208 --> 00:32:57,291
-[Paul] ♪ All these years I've been-- ♪
-♪ All-- ♪
573
00:32:57,375 --> 00:32:59,166
-That's very high for me.
-[Paul] Don't shout. It's power.
574
00:32:59,250 --> 00:33:00,083
♪ All these-- ♪
575
00:33:00,166 --> 00:33:01,125
Oh, it's terribly high.
576
00:33:01,208 --> 00:33:03,416
-[Paul] ♪ Been wandering around ♪
-♪ All these days ♪
577
00:33:03,500 --> 00:33:04,750
[vocalizing]
578
00:33:05,416 --> 00:33:06,708
[Paul] ♪ Wondering how come-- ♪
579
00:33:06,791 --> 00:33:08,208
Down on the one note, is it?
580
00:33:09,125 --> 00:33:10,833
♪ All these yearsI've been wandering around ♪
581
00:33:10,916 --> 00:33:13,333
♪ Wondering how come nobody told meAll that I've-- ♪
582
00:33:13,416 --> 00:33:14,875
[vocalizing]
583
00:33:14,958 --> 00:33:17,541
-[John] That's very high, you know?
-[vocalizing continues]
584
00:33:17,625 --> 00:33:19,375
♪ All these years I've been wandering ♪
585
00:33:19,458 --> 00:33:22,458
[vocalizing]
586
00:33:24,250 --> 00:33:25,291
Fuck it!
587
00:33:26,666 --> 00:33:28,208
One, two, three, four.
588
00:33:28,291 --> 00:33:30,458
♪ All these years I've been wondering-- ♪
589
00:33:30,541 --> 00:33:33,541
[vocalizing]
590
00:33:37,125 --> 00:33:38,125
♪ You! ♪
591
00:33:38,208 --> 00:33:39,375
[groans]
592
00:33:39,458 --> 00:33:41,250
-It's a bit early for that, isn't it?
-Yeah.
593
00:33:44,125 --> 00:33:46,708
Early in the morning, you know?
I'm not 18 anymore.
594
00:33:46,791 --> 00:33:48,166
[chuckles]
595
00:33:52,791 --> 00:33:55,083
[Mal speaks indistinctly]
596
00:33:55,166 --> 00:33:57,375
-[bass playing]
-[Mal speaks indistinctly]
597
00:34:08,708 --> 00:34:10,708
[chattering]
598
00:34:13,000 --> 00:34:14,625
♪ Everybody had a hard-- ♪
599
00:34:15,875 --> 00:34:16,875
♪ Everybody-- ♪
600
00:34:18,791 --> 00:34:20,875
Uh-- Hair down.
601
00:34:22,541 --> 00:34:24,166
Socks up. Foot down.
602
00:34:25,000 --> 00:34:27,666
-[Mal] "Everybody pulled their socks up"?
-[John] Yeah. Yeah.
603
00:34:27,750 --> 00:34:29,416
[Paul] ♪ Everybody pulled their socks up ♪
604
00:34:29,500 --> 00:34:32,375
-"Foot down." Okay, that's it.
-Right.
605
00:34:32,458 --> 00:34:33,458
[John] Yeah.
606
00:34:34,125 --> 00:34:35,250
[Paul] Bit of power there.
607
00:34:35,333 --> 00:34:37,333
[John] I don't want every time
we're doing "Don't Let Me Down,"
608
00:34:37,416 --> 00:34:39,500
that it hurts just to rehearse it.
609
00:34:39,583 --> 00:34:42,541
I wonder how long it is.
Do you want to time it, Mal?
610
00:34:42,625 --> 00:34:44,958
'Cause it's probably
only about half a minute long.
611
00:34:45,875 --> 00:34:48,916
♪ Desmond had a sparrowIn his parking lot ♪
612
00:34:49,000 --> 00:34:52,666
One, two, three…
613
00:34:52,750 --> 00:34:55,458
♪ Don't let me down ♪
614
00:34:58,458 --> 00:35:00,750
♪ Don't let me down ♪
615
00:35:03,458 --> 00:35:06,208
♪ Don't let me down ♪
616
00:35:08,791 --> 00:35:11,458
♪ Don't let me down ♪
617
00:35:15,291 --> 00:35:16,791
-Three minutes!
-What?
618
00:35:16,875 --> 00:35:18,875
-[Mal] Three minutes, 40 seconds.
-That's fine.
619
00:35:18,958 --> 00:35:21,000
-Three minutes, 40 seconds.
-[Michael] Yeah.
620
00:35:21,083 --> 00:35:22,666
This is incredible.
621
00:35:22,750 --> 00:35:26,166
-It's long. It sounded just like…
-Half a minute.
622
00:35:26,250 --> 00:35:27,250
Okay.
623
00:35:28,041 --> 00:35:29,583
[John] Uh, I've got one.
624
00:35:29,666 --> 00:35:33,750
-Uh, "Gimme Some Truth" or something.
-[Paul] Something like that.
625
00:35:33,833 --> 00:35:36,375
-"Gimme Some Truth."
-We could finish that.
626
00:35:36,458 --> 00:35:39,458
-Remember your hangman bit?
-[Paul] Yeah.
627
00:35:39,541 --> 00:35:40,958
-[John] It was all right.
-[Paul] No.
628
00:35:41,041 --> 00:35:45,666
"No, no freaked-out…
yellow-bellied son of Gary Cooper gonna…"
629
00:35:45,750 --> 00:35:47,666
♪ Freaked out… ♪
630
00:35:47,750 --> 00:35:49,416
-It started in D, didn't it?
-Yeah.
631
00:35:50,208 --> 00:35:51,500
♪ Some… ♪
632
00:35:51,583 --> 00:35:52,958
That was-- That was my bit.
633
00:35:53,041 --> 00:35:54,541
♪ Freaked out, yellow-bellied… ♪
634
00:35:54,625 --> 00:35:56,333
[John]
♪ Sick and tired of hearing words ♪
635
00:35:56,416 --> 00:35:58,500
-[Paul] Yours was in E, wasn't it?
-No, it was in D.
636
00:35:58,583 --> 00:36:03,750
[Paul, John vocalizing]
637
00:36:03,833 --> 00:36:06,041
♪ Hope ♪
638
00:36:06,125 --> 00:36:08,333
♪ Money for rope ♪
639
00:36:08,416 --> 00:36:09,416
[George] If we add a--
640
00:36:09,500 --> 00:36:10,541
♪ Money for rope ♪
641
00:36:12,333 --> 00:36:16,166
[Paul] ♪ No freaked out, yellow-belliedSon of Gary Cooper gonna tell him… ♪
642
00:36:16,250 --> 00:36:18,041
[scatting]
643
00:36:18,125 --> 00:36:19,750
♪ For dope ♪
644
00:36:20,583 --> 00:36:22,250
♪ Money for rope ♪
645
00:36:23,125 --> 00:36:24,958
♪ Just money for rope ♪
646
00:36:30,166 --> 00:36:32,666
♪ I'm sick and tired of hearing lies ♪
647
00:36:32,750 --> 00:36:36,375
♪ By seasick, narrow-mindedShortsighted hypocrites ♪
648
00:36:36,458 --> 00:36:38,333
♪ All I want is the truth ♪
649
00:36:38,416 --> 00:36:39,458
[John] We should change the--
650
00:36:39,541 --> 00:36:41,166
♪ Just gimme some truth ♪
651
00:36:42,333 --> 00:36:44,666
♪ I've had enough of readin' lines ♪
652
00:36:44,750 --> 00:36:48,375
♪ By some sicked outHard-sided politicians ♪
653
00:36:48,458 --> 00:36:50,208
♪ All I want is the truth ♪
654
00:36:51,333 --> 00:36:52,416
♪ Just gimme some truth ♪
655
00:36:52,500 --> 00:36:54,291
No, it was in D and E.
656
00:36:54,375 --> 00:36:55,666
-Oh, okay.
-[Paul] Yeah. Right.
657
00:37:02,958 --> 00:37:04,916
[Mal] Perhaps if you stuck it
over that side--
658
00:37:05,000 --> 00:37:06,250
How's that for your show?
659
00:37:08,666 --> 00:37:09,666
[Paul] Okay, yeah.
660
00:37:10,250 --> 00:37:13,500
[George] It's really getting
into a show. [chuckles]
661
00:37:13,583 --> 00:37:14,583
[John] Bottoms up.
662
00:37:14,666 --> 00:37:16,916
[Paul]
If you'll all turn now to "Sunrise,"
663
00:37:17,000 --> 00:37:19,000
I would very much appreciate it.
664
00:37:21,791 --> 00:37:24,250
"All Things Must Pass."
665
00:37:26,083 --> 00:37:29,000
[George] There's no solo
or anything complicated.
666
00:37:29,083 --> 00:37:31,833
It's purely just rhythmical and vocal.
667
00:37:31,916 --> 00:37:34,708
And if we suddenly add a Lowrey organ…
668
00:37:37,666 --> 00:37:40,250
Also, the chords really are E.
669
00:37:40,916 --> 00:37:46,083
[singsong] To F-sharp minor, to E, to A.
670
00:37:47,083 --> 00:37:49,791
E to F-sharp minor.
671
00:37:50,791 --> 00:37:53,208
E, A.
672
00:37:55,041 --> 00:38:01,791
♪ All things must pass ♪
673
00:38:02,541 --> 00:38:06,291
♪ All things must pass away ♪
674
00:38:13,041 --> 00:38:18,208
♪ Sunset doesn't last all evening ♪
675
00:38:18,291 --> 00:38:20,166
♪ Doesn't last ♪
676
00:38:20,250 --> 00:38:25,333
♪ A wind can blow those clouds away ♪
677
00:38:25,416 --> 00:38:28,750
♪ Wind can blow those clouds away ♪
678
00:38:30,708 --> 00:38:32,041
♪ After all this ♪
679
00:38:32,125 --> 00:38:36,458
♪ My love is up and must be leaving ♪
680
00:38:38,000 --> 00:38:44,250
♪ It's not always been this grey ♪
681
00:38:45,791 --> 00:38:52,458
♪ All things must pass ♪
682
00:38:53,083 --> 00:38:57,250
♪ All things must pass away ♪
683
00:38:59,291 --> 00:39:03,333
[George] But the middle bit,
because it says the same word first…
684
00:39:04,375 --> 00:39:06,250
Like "All things must pass away," then…
685
00:39:06,833 --> 00:39:10,375
♪ All things must pass ♪
686
00:39:10,458 --> 00:39:12,875
Something there, you know,
is where we'd overdub something
687
00:39:12,958 --> 00:39:15,416
or add voices, or I'd track it, or--
688
00:39:15,500 --> 00:39:18,125
[Paul] Maybe it would be better
if we just did it straight, first of all.
689
00:39:18,208 --> 00:39:19,333
[George] ♪ All things must pass ♪
690
00:39:19,416 --> 00:39:20,625
Okay.
691
00:39:20,708 --> 00:39:22,791
[Paul] Just to do everything
just really mechanical
692
00:39:22,875 --> 00:39:25,750
and then we can sort of
get it all good after that.
693
00:39:26,708 --> 00:39:30,583
♪ Macrobiotic pills are good at arriving ♪
694
00:39:30,666 --> 00:39:32,416
♪ At the right time ♪
695
00:39:33,791 --> 00:39:34,791
[whistling]
696
00:39:34,875 --> 00:39:39,291
♪ A wind can blow those clouds away ♪
697
00:39:43,541 --> 00:39:44,875
[George chuckles]
698
00:39:44,958 --> 00:39:46,416
Yeah, okay.
699
00:39:51,083 --> 00:39:52,750
[George] It looks like it on the paper.
700
00:39:52,833 --> 00:39:54,708
[John]
"A miner can blow these clouds away."
701
00:39:54,791 --> 00:39:57,333
-[George] Mal's writing.
-What are they all having? Pale ale.
702
00:39:57,416 --> 00:40:00,375
-Pale ale. Anyone else want a drink?
-Yeah. Anybody else want a drink?
703
00:40:00,458 --> 00:40:01,666
-[George] Yes, please.
-[John] Yes.
704
00:40:01,750 --> 00:40:04,583
-[George] I'll have a glass of white wine.
-[John] I'll have a beer.
705
00:40:04,666 --> 00:40:07,208
[George] You know, man,
the idea of doing this thing
706
00:40:07,291 --> 00:40:08,833
so that it's just us doing it
707
00:40:08,916 --> 00:40:11,541
and there's no overdubs
or you can't get out of it
708
00:40:11,625 --> 00:40:13,291
is much better really.
709
00:40:13,375 --> 00:40:15,833
Because, you know, all the time recording,
710
00:40:15,916 --> 00:40:18,583
you're thinking,
"It's all right. We can do that later."
711
00:40:18,666 --> 00:40:19,666
Hmm.
712
00:40:19,750 --> 00:40:22,875
[John] People are doing live shows now,
713
00:40:22,958 --> 00:40:26,875
they do their overdubs
'cause they're phased and echoed live.
714
00:40:26,958 --> 00:40:30,583
But we're still thinking of it in terms of
the four guys and four amps in The Cavern.
715
00:40:30,666 --> 00:40:32,041
[George] Yeah.
716
00:40:32,125 --> 00:40:33,458
[John] Yeah, I'd like phasing.
717
00:40:33,541 --> 00:40:36,750
[George] But the phasing is Alex,
and he's building the studio
718
00:40:36,833 --> 00:40:38,791
and putting it in this week.
719
00:40:56,125 --> 00:40:57,333
Yeah.
720
00:41:25,416 --> 00:41:26,958
["Every Little Thing" playing]
721
00:41:29,666 --> 00:41:32,916
♪ When I'm walking beside her ♪
722
00:41:33,708 --> 00:41:36,708
[vocalizing]
723
00:41:41,625 --> 00:41:44,083
[John scatting]
724
00:41:46,625 --> 00:41:49,125
Not bad though. Good try that, Johnny.
725
00:41:49,208 --> 00:41:51,375
[George] Yeah, but you know, John,
726
00:41:51,458 --> 00:41:54,541
the difference between me and, say, Eric,
727
00:41:54,625 --> 00:41:56,416
I'm just another guitar,
728
00:41:56,500 --> 00:41:59,500
sometimes playing bits
and sometimes singing.
729
00:42:01,000 --> 00:42:04,125
But he's the only guitar to play lead.
730
00:42:04,208 --> 00:42:05,750
And so he's, like, playing.
731
00:42:05,833 --> 00:42:08,208
That's how he can keep it going
all the time.
732
00:42:09,083 --> 00:42:10,750
-[John] Yeah.
-[George] So…
733
00:42:10,833 --> 00:42:13,041
I feel now I can play things.
734
00:42:13,125 --> 00:42:16,291
I can learn things that will sound okay,
735
00:42:16,375 --> 00:42:18,625
especially fast fingering like that.
736
00:42:19,625 --> 00:42:20,833
[Paul] It's jazz, man.
737
00:42:28,833 --> 00:42:31,541
You know, like, a lot of guitarists
can sustain even,
738
00:42:31,625 --> 00:42:33,083
but they play it like a lot of shit.
739
00:42:33,166 --> 00:42:35,041
But his thing takes on a pattern
740
00:42:35,125 --> 00:42:38,166
and gets somewhere and resolves itself,
741
00:42:38,250 --> 00:42:39,541
which is very hard.
742
00:42:55,583 --> 00:42:58,083
[George]
Yeah, I'm sure you'll dig it when you see.
743
00:43:18,250 --> 00:43:19,666
[Paul] And what shall we do, then?
744
00:43:19,750 --> 00:43:23,166
♪ I'm so tired ♪
745
00:43:23,250 --> 00:43:25,500
♪ I haven't slept a wink ♪
746
00:43:28,250 --> 00:43:30,500
♪ I'm so tired ♪
747
00:43:31,458 --> 00:43:33,791
♪ My mind is on the blink ♪
748
00:43:34,750 --> 00:43:36,958
♪ I wonder should I call you ♪
749
00:43:38,541 --> 00:43:40,250
♪ And get myself a drink ♪
750
00:43:40,333 --> 00:43:42,125
♪ No, no, no ♪
751
00:43:42,750 --> 00:43:44,500
No. Lay off the booze, boy.
752
00:43:45,458 --> 00:43:48,291
♪ 'Cause I'm so tired ♪
753
00:43:49,541 --> 00:43:52,333
♪ I don't know what to doDon't know what to do ♪
754
00:43:54,041 --> 00:43:56,000
♪ I'm so tired ♪
755
00:43:57,250 --> 00:43:59,166
♪ My mind is set on you ♪
756
00:44:00,291 --> 00:44:01,458
♪ Ah ♪
757
00:44:01,541 --> 00:44:04,166
♪ I wonder should I call you ♪
758
00:44:04,250 --> 00:44:08,041
♪ But I know what you'd do ♪
759
00:44:08,541 --> 00:44:09,541
♪ Oh, no, no ♪
760
00:44:10,125 --> 00:44:11,208
♪ You'd say ♪
761
00:44:12,250 --> 00:44:14,833
♪ I'm putting you onBut it's no joke ♪
762
00:44:15,375 --> 00:44:16,625
Uh, John?
763
00:44:22,708 --> 00:44:25,666
[Paul] How near are we
to getting the stuff in?
764
00:44:25,750 --> 00:44:29,208
[Glyn] Should be in today with any luck.
I've got bits and pieces coming from IBC.
765
00:44:30,166 --> 00:44:34,125
And George's 8-track coming and EMI's gear
should be here either today or tomorrow.
766
00:44:34,208 --> 00:44:36,041
I haven't thought of it like a record yet.
767
00:44:36,125 --> 00:44:38,541
[Glyn] I think the idea of the record
should be a live performance.
768
00:44:38,625 --> 00:44:40,291
The fact it's being recorded
is something--
769
00:44:40,375 --> 00:44:42,958
It's like when I heard
Sgt. Pepper last night.
770
00:44:43,833 --> 00:44:47,375
I thought, "Oh, that-- So that's
what live performances could be like."
771
00:44:47,458 --> 00:44:48,458
[Michael clears throat]
772
00:44:48,541 --> 00:44:51,500
You know, even though that was a lash-up
that wasn't a live performance there.
773
00:44:52,166 --> 00:44:53,541
Good morning.
774
00:44:54,416 --> 00:44:55,416
Hi.
775
00:44:57,333 --> 00:44:59,166
[Ringo] I won't lie. I'm not too good.
776
00:44:59,250 --> 00:45:01,583
[all chuckling]
777
00:45:01,666 --> 00:45:03,375
-[Glyn] Morning.
-[Michael] How are you?
778
00:45:03,458 --> 00:45:05,291
[Paul] Hiya. [chuckles] Good morning.
779
00:45:05,375 --> 00:45:07,541
[Michael] We ought to think this week
sometime about the show.
780
00:45:07,625 --> 00:45:11,000
-[Paul] We are thinking about the show.
-[John] We never stop thinking about it.
781
00:45:11,083 --> 00:45:13,125
-[John] Good morning, George.
-Morning, all.
782
00:45:13,208 --> 00:45:16,666
-It's just a funny day again.
-[Paul] Again?
783
00:45:16,750 --> 00:45:19,750
[Michael] Wouldn't it be nice if
we did this show with a big audience?
784
00:45:19,833 --> 00:45:20,833
[Paul] Yes.
785
00:45:20,916 --> 00:45:23,583
I think we should forget
the whole idea of this show.
786
00:45:23,666 --> 00:45:25,291
[Paul] Yeah, just, that's it. Okay.
787
00:45:26,208 --> 00:45:27,375
I'll go along with that.
788
00:45:28,291 --> 00:45:30,416
-[Michael] We're back--
-[Paul] We're back to square one.
789
00:45:34,958 --> 00:45:37,291
Here comes my recording studio.
790
00:45:37,375 --> 00:45:39,375
[all chuckling]
791
00:45:39,458 --> 00:45:41,375
[George] Who's gonna
look after all this equipment?
792
00:45:41,458 --> 00:45:44,791
'Cause the only thing is,
it is, like, 10,000 quid.
793
00:45:44,875 --> 00:45:47,125
And is Alex going to plug all that up?
794
00:45:47,208 --> 00:45:48,375
[Glyn] Supposedly.
795
00:45:48,458 --> 00:45:50,458
[George Martin]
Now, Alex rang me yesterday, George,
796
00:45:50,541 --> 00:45:53,916
and said that he didn't think
that you needed an 8-track console.
797
00:45:54,000 --> 00:45:55,291
Alex said he can build one.
798
00:45:55,375 --> 00:45:58,166
-Now, the thing is that it might go wrong.
-[George] Yes.
799
00:46:00,333 --> 00:46:01,708
[Michael] Where did you get Alexis from?
800
00:46:01,791 --> 00:46:04,041
[Glyn] He worked for Pye Color Television…
801
00:46:04,125 --> 00:46:06,708
[George] No, he was in England
and John Dunbar asked him
802
00:46:06,791 --> 00:46:09,416
if he'd stay and build a light machine
for The Stones' tour.
803
00:46:09,500 --> 00:46:10,500
[Michael] Yeah.
804
00:46:10,583 --> 00:46:12,083
So he stayed and did that.
805
00:46:12,166 --> 00:46:14,833
Then he met John, and then he met us.
806
00:46:14,916 --> 00:46:16,833
-[Michael] Hmm.
-And he's been there ever since.
807
00:46:16,916 --> 00:46:17,916
[Michael] Hmm. Hmm.
808
00:46:18,000 --> 00:46:21,666
[John] Yeah, I'm not going to tell you the
story about Alex and his foot pedal am I?
809
00:46:21,750 --> 00:46:23,000
[Glyn] Have you actually tried it out or--
810
00:46:23,083 --> 00:46:26,000
You see, the thing is
he just comes across things
811
00:46:26,083 --> 00:46:29,833
and then he says,
"Oh, yeah, I've done this."
812
00:46:29,916 --> 00:46:31,500
But he hasn't actually made it
813
00:46:31,583 --> 00:46:34,791
because he's busy building
recording studios.
814
00:46:34,875 --> 00:46:37,125
[George Martin] I don't think we should
have Alex build one
815
00:46:37,208 --> 00:46:40,875
because it's better to have something
that we know we can use and is reliable.
816
00:46:40,958 --> 00:46:43,541
-[chattering]
-[instruments playing]
817
00:46:47,375 --> 00:46:49,458
[Paul] ♪ Yeah, you wear out your women ♪
818
00:46:49,541 --> 00:46:51,791
♪ Well, you wear them high ♪
819
00:46:54,333 --> 00:46:55,708
♪ They do my woman ♪
820
00:46:55,791 --> 00:46:58,875
♪ Why, why, why, why, why? ♪
821
00:46:58,958 --> 00:47:02,250
♪ My, my, my, my, my, my, my, my, my, myMy imagination ♪
822
00:47:03,833 --> 00:47:07,208
♪ It took me by surpriseIn the middle of my conversation ♪
823
00:47:09,416 --> 00:47:12,458
♪ My, my, my, my, my, my, my, my, my, myMy imagination ♪
824
00:47:15,416 --> 00:47:16,625
♪ Conversation… ♪
825
00:47:17,208 --> 00:47:18,541
Something like-- The words, like,
826
00:47:18,625 --> 00:47:22,250
"Love for the first time in my life,
so don't you let it get away."
827
00:47:22,333 --> 00:47:23,791
Uh…
828
00:47:23,875 --> 00:47:26,333
-[George] What are the words?
-"It lasts forever and a day."
829
00:47:27,041 --> 00:47:29,583
Uh, no. "Love for the first time
in my life." Here you go.
830
00:47:29,666 --> 00:47:32,375
♪ I'm in love for the first ♪
831
00:47:32,458 --> 00:47:35,708
♪ Love for the first time in my life ♪
832
00:47:35,791 --> 00:47:37,250
♪ Don't you know it's gonna last ♪
833
00:47:37,333 --> 00:47:38,500
It's nice though. I mean, it's--
834
00:47:38,583 --> 00:47:40,416
What can we do to that bit then, you know?
835
00:47:40,500 --> 00:47:42,083
♪ A dah dah ♪
836
00:47:49,291 --> 00:47:52,708
♪ I'm in love for the first time ♪
837
00:47:58,125 --> 00:48:00,125
♪ In love for the first time ♪
838
00:48:06,375 --> 00:48:08,666
Yeah, it's really like
that's where the piano would come in.
839
00:48:08,750 --> 00:48:10,833
See, would you have piano on it?
840
00:48:10,916 --> 00:48:13,583
[John] Yeah, I like the idea of piano.
But how do we do that?
841
00:48:13,666 --> 00:48:16,583
One of us play bass. George play the bass.
842
00:48:16,666 --> 00:48:18,166
[John] But then there's no guitars.
843
00:48:18,250 --> 00:48:20,083
[Paul] Well, it's either you or him.
844
00:48:20,166 --> 00:48:22,750
Or a bass player or a pianist. You know?
845
00:48:22,833 --> 00:48:24,958
-[John] If we need somebody else…
-[Paul] Yes.
846
00:48:25,041 --> 00:48:28,000
…probably be like a guy
that plays piano all the time.
847
00:48:28,083 --> 00:48:30,458
-[Paul] Somebody like Nicky Hopkins.
-[John] Or anybody. Yeah.
848
00:48:30,958 --> 00:48:35,041
Or if it develops that nothing
need be done on guitar except for rhythm,
849
00:48:35,125 --> 00:48:38,458
then we say, "Well, fuck that.
Two rhythms. We'll have one piano."
850
00:48:38,541 --> 00:48:41,666
[Paul] Okay, well, we'll play the rhythms
with the guitars anyway.
851
00:48:41,750 --> 00:48:43,708
[vocalizing]
852
00:48:43,791 --> 00:48:46,708
[John] I was thinking
about this whole three mics bit.
853
00:48:46,791 --> 00:48:48,041
Do you think we should?
854
00:48:50,083 --> 00:48:54,875
I was watching that pop show on BBC2.
The Move were on.
855
00:48:54,958 --> 00:48:58,583
You know that one little voice there
doing harmony, one little voice there.
856
00:48:58,666 --> 00:49:01,375
They never joined into a group.
857
00:49:01,958 --> 00:49:06,291
♪ Nobody ever loved meLike she do me ♪
858
00:49:07,750 --> 00:49:09,875
♪ Ooh, she does me ♪
859
00:49:10,666 --> 00:49:12,416
♪ Yes, she does ♪
860
00:49:15,000 --> 00:49:20,458
♪ And if somebody ever loved meLike she do me ♪
861
00:49:21,083 --> 00:49:23,250
-[Paul] ♪ Oh ♪
-♪ Yes, she do me ♪
862
00:49:23,333 --> 00:49:24,791
[Paul vocalizes]
863
00:49:24,875 --> 00:49:26,416
♪ Yes, she does ♪
864
00:49:29,416 --> 00:49:31,625
[Paul] It should be, like,
a sustained thing over that.
865
00:49:31,708 --> 00:49:34,916
♪ Nobody ever loved me like she ♪
866
00:49:35,000 --> 00:49:37,000
[scatting]
867
00:49:41,291 --> 00:49:43,750
So, George, so that we can split up,
868
00:49:43,833 --> 00:49:48,541
so that you're, like, doing the chords,
like a "Ave Maria" thing.
869
00:49:48,625 --> 00:49:49,750
Yeah.
870
00:49:51,583 --> 00:49:52,583
♪ Yes, she does ♪
871
00:49:52,666 --> 00:49:54,750
-[scatting]
-Tell me--
872
00:49:56,708 --> 00:49:57,875
[imitates drumbeat]
873
00:49:57,958 --> 00:49:59,250
Like on the tom-toms--
874
00:49:59,333 --> 00:50:02,333
[imitating drumbeat]
875
00:50:08,083 --> 00:50:09,166
You know what I mean?
876
00:50:10,208 --> 00:50:11,208
Yeah, so it goes--
877
00:50:11,291 --> 00:50:14,833
There's a point where we'll have to
concentrate on the guitar
878
00:50:14,916 --> 00:50:17,458
for each song, you know, where,
if it's going to play anything.
879
00:50:17,541 --> 00:50:19,958
But if it's
"I'm in love for the first time."
880
00:50:20,041 --> 00:50:21,666
And I'm doing, uh…
881
00:50:23,000 --> 00:50:26,791
♪ I'm in love for the first time ♪
882
00:50:26,875 --> 00:50:29,416
♪ For the first time in my life ♪
883
00:50:29,500 --> 00:50:31,375
♪ And you know it's gonna last ♪
884
00:50:31,458 --> 00:50:33,916
[Paul] It's nice though.
I mean, corny's all right in this one.
885
00:50:34,000 --> 00:50:35,541
'Cause what he's doing is corny.
886
00:50:35,625 --> 00:50:38,166
But it-- See, that's the thing
that will make it not corny,
887
00:50:38,250 --> 00:50:40,625
if we sing different words. So, you say…
888
00:50:40,708 --> 00:50:42,291
♪ I'm in love for the first time ♪
889
00:50:42,375 --> 00:50:45,500
♪ Love for the first time in my life ♪
890
00:50:45,583 --> 00:50:47,583
Wait, okay. But roughly…
891
00:50:47,666 --> 00:50:50,458
Okay, well, we'll do that.
That comes later. So…
892
00:50:50,541 --> 00:50:52,541
-Just start off with a corny one.
-[John] Yeah.
893
00:50:52,625 --> 00:50:54,333
'Cause the words aren't that good.
So it goes…
894
00:50:54,416 --> 00:50:56,208
♪ I'm in love for the first ♪
895
00:50:56,291 --> 00:50:58,791
♪ Love for the first time… ♪
896
00:50:58,875 --> 00:51:02,291
[John] I think the words should be corny
'cause there's no clever words in it.
897
00:51:05,583 --> 00:51:08,291
♪ I'm in love for the first time ♪
898
00:51:08,375 --> 00:51:11,375
♪ La la la la la la la ♪
899
00:51:11,458 --> 00:51:13,125
♪ Don't you know it's… ♪
900
00:51:13,208 --> 00:51:15,083
-[Paul] You see, we should--
-[John] Yeah, change the beat.
901
00:51:15,166 --> 00:51:18,333
[Paul] Should be different beat
and all on to light things and cymbals.
902
00:51:18,416 --> 00:51:22,625
Yeah. [imitating drumbeat]
903
00:51:28,083 --> 00:51:29,458
Arthur Alexander then?
904
00:51:29,541 --> 00:51:31,291
[Paul] Okay, do it from the beginning.
905
00:51:31,375 --> 00:51:34,166
[John]
♪ I'm in love for the first time ♪
906
00:51:34,250 --> 00:51:37,666
[Paul, George]
♪ Love for the first time in my life ♪
907
00:51:37,750 --> 00:51:40,833
♪ Don't you know it's gonna last ♪
908
00:51:40,916 --> 00:51:43,833
♪ Don't you know it's gonna last ♪
909
00:51:43,916 --> 00:51:46,666
♪ It's a love that lasts forever ♪
910
00:51:47,416 --> 00:51:50,666
♪ It's a love that lasts forever ♪
911
00:51:50,750 --> 00:51:53,291
♪ It's a love that has no past ♪
912
00:51:56,833 --> 00:51:59,291
[George] It sounds like the same old shit.
913
00:51:59,375 --> 00:52:02,208
Well, I like the same old shit
if it's just clear, you know?
914
00:52:04,791 --> 00:52:09,125
Okay, so how about-- how about
changing around these two?
915
00:52:09,208 --> 00:52:11,541
And when you sing,
"Don't you know it's gonna last,"
916
00:52:11,625 --> 00:52:13,250
we sing, "It's a love that has no past."
917
00:52:13,333 --> 00:52:17,708
Then he sings it, and then we repeat,
"It's a love that lasts forever," exactly.
918
00:52:17,791 --> 00:52:19,541
When you sing,
"It's a love that has no past,"
919
00:52:19,625 --> 00:52:21,416
we sing, "It's a love that's gonna last."
920
00:52:21,500 --> 00:52:24,500
-Yes. I agree.
-Okay, so…
921
00:52:24,583 --> 00:52:25,708
♪ I'm in love for the-- ♪
922
00:52:25,791 --> 00:52:27,583
"Love for the first time in my life."
923
00:52:28,250 --> 00:52:30,708
"It's a love that has no past."
924
00:52:30,791 --> 00:52:32,166
Swap that one for the other,
925
00:52:32,250 --> 00:52:34,500
so that when he's singing that,
we're singing the other.
926
00:52:34,583 --> 00:52:36,166
Then, "It's a love that lasts forever."
927
00:52:36,250 --> 00:52:38,791
Repeat that, even though
it sounds funny. It'll be all right.
928
00:52:38,875 --> 00:52:40,708
And then,
"Don't you know it's gonna last."
929
00:52:40,791 --> 00:52:42,500
Just try it through roughly.
930
00:52:43,458 --> 00:52:45,666
-♪ I'm in love ♪
-♪ Dah dah ♪
931
00:52:46,250 --> 00:52:47,250
♪ Don't-- ♪
932
00:52:47,833 --> 00:52:49,750
♪ I'm in love for the first time ♪
933
00:52:49,833 --> 00:52:53,041
♪ Love for the first time in my life ♪
934
00:52:53,125 --> 00:52:56,166
♪ Don't you know it's gonna last ♪
935
00:52:56,250 --> 00:52:59,166
♪ It's a love that has no past ♪
936
00:52:59,250 --> 00:53:02,041
♪ It's a love that lasts forever ♪
937
00:53:03,541 --> 00:53:05,333
[George]
Yeah, well, that time it was just silly.
938
00:53:05,416 --> 00:53:06,708
[John] What's the bones of the part?
939
00:53:06,791 --> 00:53:08,375
We don't really know
what we're saying now.
940
00:53:08,458 --> 00:53:09,375
♪ Love for the first… ♪
941
00:53:09,458 --> 00:53:11,666
-[Paul] It was always weak on your guitar…
-Yeah, sure.
942
00:53:11,750 --> 00:53:13,250
…'cause that's a weak bit
of the song, that.
943
00:53:13,333 --> 00:53:16,541
-But you see, nothing has to happen…
-Yeah, it's the same bit.
944
00:53:16,625 --> 00:53:17,875
…in those things.
945
00:53:19,166 --> 00:53:21,833
-If you listen to the words and things…
-Yeah, right, nothing does.
946
00:53:21,916 --> 00:53:24,208
…all that's going on
is the bass, guitar and drums doing…
947
00:53:24,291 --> 00:53:25,583
[Paul] ♪ I'm in love for the… ♪
948
00:53:25,666 --> 00:53:27,875
It doesn't really make that much odds--
No, but--
949
00:53:35,291 --> 00:53:36,916
[Paul] ♪ Love for the first time ♪
950
00:53:40,375 --> 00:53:44,125
♪ Don't you know it's gonna last ♪
951
00:53:46,666 --> 00:53:49,333
♪ It's a love that lasts forever ♪
952
00:53:52,750 --> 00:53:56,250
♪ It's a love that has no past ♪
953
00:54:00,375 --> 00:54:03,083
-[Paul] Yeah. All right?
-Yeah.
954
00:54:03,166 --> 00:54:06,125
That's the only time that works, really,
is on the last line.
955
00:54:06,208 --> 00:54:08,625
-Paul, forget the last line.
-I'm just trying to get a bit--
956
00:54:08,708 --> 00:54:10,958
We'll try to sort of go right through.
We keep talking about it.
957
00:54:11,041 --> 00:54:13,333
-[George] It seems we're saying…
-Okay, girls.
958
00:54:16,000 --> 00:54:18,333
-Give in. I give in.
-You're right that it's wrong on that bit.
959
00:54:18,416 --> 00:54:20,208
You see, the first song is not bad.
960
00:54:20,291 --> 00:54:23,583
[Paul] Okay. Okay, we'll just repeat
exactly what you say.
961
00:54:23,666 --> 00:54:26,083
One, two, three.
962
00:54:26,166 --> 00:54:29,250
♪ I'm in love for the first time ♪
963
00:54:29,333 --> 00:54:32,375
♪ For the first time in my life ♪
964
00:54:32,458 --> 00:54:35,416
♪ Don't you know it's gonna last ♪
965
00:54:35,500 --> 00:54:38,583
♪ Don't you know it's gonna last ♪
966
00:54:38,666 --> 00:54:41,833
♪ It's a love that lasts forever ♪
967
00:54:41,916 --> 00:54:44,916
♪ It's a love that lasts forever ♪
968
00:54:45,000 --> 00:54:48,166
♪ It's a love that has no past ♪
969
00:54:48,250 --> 00:54:51,541
♪ It's a love that has no past ♪
970
00:54:52,083 --> 00:54:54,291
♪ Don't let me down ♪
971
00:54:54,375 --> 00:54:58,375
Okay. Okay, that's-- that's all right.
That's--
972
00:54:58,458 --> 00:55:00,500
-[John] Yes, I can't hear you.
-[George] Right.
973
00:55:00,583 --> 00:55:01,708
No.
974
00:55:01,791 --> 00:55:04,166
[George] I think it's awful, actually.
975
00:55:04,250 --> 00:55:05,500
[Paul] We're gonna improve on that--
976
00:55:05,583 --> 00:55:08,500
If we had a tape recorder now and then
just taped that and played it back,
977
00:55:08,583 --> 00:55:10,708
-you'd throw that out straightaway.
-[Paul] Yeah, right, but--
978
00:55:10,791 --> 00:55:12,666
-[Glyn] Yeah.
-No, really.
979
00:55:12,750 --> 00:55:14,833
-You'd throw it out, right? I mean…
-Yeah, sure. Okay.
980
00:55:18,166 --> 00:55:19,875
Well, for a start
it would be better to sing…
981
00:55:19,958 --> 00:55:21,916
-[plays tune]
-Instead of…
982
00:55:22,500 --> 00:55:23,500
♪ Ah ♪
983
00:55:23,583 --> 00:55:26,708
Yeah, see, but in a way,
that's even cornier, I think.
984
00:55:26,791 --> 00:55:29,041
That little harmony bit.
It's just too pretty.
985
00:55:29,125 --> 00:55:31,750
♪ It's a love that lasts forever ♪
986
00:55:32,333 --> 00:55:34,791
-Just anything would be--
-Yeah, well, that's-- It's the--
987
00:55:34,875 --> 00:55:37,291
I think you should
just get a corny one first
988
00:55:37,375 --> 00:55:39,500
and then start doing roundups.
989
00:55:39,583 --> 00:55:42,625
You know, you'll start getting
the rhythm to it, something, or change it.
990
00:55:42,708 --> 00:55:46,166
♪ Don't you know it's gonna last ♪
991
00:55:46,250 --> 00:55:47,625
[vocalizes]
992
00:55:47,708 --> 00:55:51,375
You know, we've just gone round, like,
for an hour with nothing in our heads.
993
00:55:51,458 --> 00:55:55,250
-Just… And we're back, so let's--
-We've been through a lot of permutations.
994
00:55:55,333 --> 00:55:57,458
Yeah, I know,
but let's move-- sort of move on now.
995
00:55:58,750 --> 00:55:59,916
[Michael] Today's the sixth.
996
00:56:00,000 --> 00:56:01,125
-What is it?
-[Michael] Yeah.
997
00:56:04,458 --> 00:56:06,000
We haven't done many yet.
998
00:56:12,458 --> 00:56:13,583
Yeah.
999
00:56:13,666 --> 00:56:16,083
♪ Two of us riding nowhere ♪
1000
00:56:16,166 --> 00:56:17,166
[Paul] Okay, now…
1001
00:56:17,250 --> 00:56:19,458
-Am I singing on this or what?
-I don't know, really.
1002
00:56:20,875 --> 00:56:23,333
"Two Of Us"?
You have to remember the words too.
1003
00:56:23,416 --> 00:56:25,208
Yes, I've got 'em here.
1004
00:56:25,291 --> 00:56:26,333
But learn 'em.
1005
00:56:27,541 --> 00:56:28,750
I almost know 'em.
1006
00:56:29,333 --> 00:56:33,750
♪ On our way back ♪
1007
00:56:34,833 --> 00:56:36,583
♪ On our way home ♪
1008
00:56:37,333 --> 00:56:38,333
See, look.
1009
00:56:38,416 --> 00:56:39,500
♪ On our way home ♪
1010
00:56:39,583 --> 00:56:40,750
Listen, now.
1011
00:56:40,833 --> 00:56:43,708
See, we're gonna have to sort of bring it
together, 'cause we're all at odds.
1012
00:56:43,791 --> 00:56:45,666
We're doing that thing
we did on The Beatles.
1013
00:56:45,750 --> 00:56:49,208
Like, in this verse, it's two harmonies
singing, trying to say some words, right?
1014
00:56:51,250 --> 00:56:52,958
It's not sounding together.
1015
00:56:54,708 --> 00:56:57,125
Or we can stop and say it's not together.
1016
00:57:03,541 --> 00:57:04,625
[John] When you just get them?
1017
00:57:04,708 --> 00:57:08,125
No, not really, it's just--
We've got to be imaginative.
1018
00:57:08,208 --> 00:57:12,125
You know, like--
It's like-- It's complicated now, so it…
1019
00:57:13,083 --> 00:57:16,208
See, if we can get it simpler
and then complicate it
1020
00:57:16,291 --> 00:57:19,583
where it needs complications,
but it's complicated in the bit--
1021
00:57:31,500 --> 00:57:33,208
[Paul] But you know what I mean?
1022
00:57:33,291 --> 00:57:36,625
Well, you know, we do this then.
Then we-- And then, I don't know.
1023
00:57:38,250 --> 00:57:39,250
Yeah.
1024
00:57:40,250 --> 00:57:41,833
I can't do it on film either.
1025
00:57:42,750 --> 00:57:45,041
Can't frickin' do it on camera.
1026
00:57:46,541 --> 00:57:47,750
Yeah.
1027
00:57:48,583 --> 00:57:50,500
[John] Forget about Candid Camera.
1028
00:57:55,958 --> 00:57:58,250
And I have been for,
like, a couple of years.
1029
00:57:58,333 --> 00:57:59,708
It's like I always sound--
1030
00:57:59,791 --> 00:58:03,416
I always feel as though I'm trying
to put you down and stop you playing.
1031
00:58:03,500 --> 00:58:06,541
But I'm not.
I'm trying to stop us all playing
1032
00:58:06,625 --> 00:58:08,416
until we know what we're playing.
1033
00:58:08,500 --> 00:58:11,708
[George] But you've got to play in order
to find which fits and which doesn't.
1034
00:58:11,791 --> 00:58:14,125
-[Paul] Mmm.
-[George] You see that's all we can do.
1035
00:58:14,208 --> 00:58:16,458
I don't wanna say it,
'cause I really just hear myself
1036
00:58:16,541 --> 00:58:19,041
as being the only one saying it, always.
1037
00:58:19,125 --> 00:58:21,333
And like, the three of you
just sort of sit there, like…
1038
00:58:21,416 --> 00:58:23,875
"Oh, he's saying that one again is he?"
1039
00:58:23,958 --> 00:58:26,416
And I never get any support, or anything.
1040
00:58:26,500 --> 00:58:28,541
So I just think, "Oh, well. Fuck it."
1041
00:58:28,625 --> 00:58:31,583
And I know it's right,
and you know it's right.
1042
00:58:31,666 --> 00:58:33,958
Yes, all right.
I just don't know what to do about it.
1043
00:58:34,041 --> 00:58:37,666
But doesn't everyone agree
that it's confused at the moment.
1044
00:58:37,750 --> 00:58:40,583
So, all I'm trying to say is,
we've only got 12 more days,
1045
00:58:40,666 --> 00:58:44,291
so, like, you know, we've really got to
do this methodically, this one.
1046
00:58:44,375 --> 00:58:45,625
Well, it's annoying, you know?
1047
00:58:53,291 --> 00:58:55,500
It's like a matter of
working it out with you
1048
00:58:55,583 --> 00:58:57,458
while you're working your bit out.
1049
00:58:57,541 --> 00:58:59,708
You know, have you got your bass bit?
1050
00:58:59,791 --> 00:59:01,791
[Paul] Look. You know, you--
1051
00:59:01,875 --> 00:59:04,250
You're doing it again
as though I'm trying to say that.
1052
00:59:04,333 --> 00:59:06,958
And what we said the other day,
you know I'm not trying to get you.
1053
00:59:07,041 --> 00:59:10,791
What I really am trying to just say,
"Look lads, the band,
1054
00:59:10,875 --> 00:59:15,375
shall we try it like this, you know?"
1055
00:59:15,458 --> 00:59:18,083
It's funny though
how it only occurs when the--
1056
00:59:18,166 --> 00:59:20,500
It's like, "Shall we play guitar
all through 'Hey Jude'?"
1057
00:59:20,583 --> 00:59:22,833
-Well, I don't think we should.
-Yeah. Okay, well, I don't mind.
1058
00:59:22,916 --> 00:59:25,541
I'll-- I'll play, you know,
whatever you want me to play.
1059
00:59:25,625 --> 00:59:28,041
Or I won't play at all
if you don't want me to play.
1060
00:59:28,125 --> 00:59:31,625
Now, whatever it is that will please you,
I'll do it.
1061
00:59:43,583 --> 00:59:45,500
-But do you wanna take the gallop?
-No, okay, but don't--
1062
00:59:45,583 --> 00:59:46,583
Now come on. Look--
1063
00:59:46,666 --> 00:59:49,166
We've gotta do this.
We've really gotta sort out this,
1064
00:59:49,250 --> 00:59:53,125
'cause we're rehearsing, and we're trying
to, like, get it together for the TV show.
1065
00:59:53,208 --> 00:59:56,500
So we really-- Like you said,
we've only been through four numbers.
1066
00:59:57,708 --> 01:00:01,416
So we probably gotta get some system
to get through, like, 20 or 30,
1067
01:00:01,500 --> 01:00:03,166
and know them all and have learnt them.
1068
01:00:03,250 --> 01:00:05,125
So that we get all the chords.
1069
01:00:05,208 --> 01:00:07,666
-So we can all vamp them all.
-Yeah.
1070
01:00:07,750 --> 01:00:10,375
Then we can, like,
all play every solo we need.
1071
01:00:10,458 --> 01:00:13,208
But, like,
it's gotta sound as though it's improving.
1072
01:00:22,500 --> 01:00:24,541
[Paul] Yeah, I know what you mean.
1073
01:00:24,625 --> 01:00:28,375
It's just that that way of doing it
puts me off the way I'm trying to do it.
1074
01:00:36,000 --> 01:00:37,000
[Paul] Yeah.
1075
01:00:37,708 --> 01:00:39,083
Let's do another song.
1076
01:00:44,000 --> 01:00:45,583
This is why we take so long.
1077
01:00:46,750 --> 01:00:50,458
I think we play it shitty ten times,
and so it's sort of in there.
1078
01:00:50,541 --> 01:00:53,125
And then I think we could come
and play it quite good then.
1079
01:00:59,708 --> 01:01:00,708
[Paul chuckles]
1080
01:01:04,875 --> 01:01:09,541
♪ On our way back home ♪
1081
01:01:09,625 --> 01:01:12,791
[vocalizes]
1082
01:01:12,875 --> 01:01:14,833
♪ On our way back… ♪
1083
01:01:14,916 --> 01:01:16,666
I'll have to tune my guitar.
1084
01:01:16,750 --> 01:01:18,958
[vocalizes]
1085
01:01:20,083 --> 01:01:23,708
It's got to just drive along like a car.
So how do we do that?
1086
01:01:24,625 --> 01:01:29,291
It was turning heavier.
Do you want it more countryish or more…
1087
01:01:31,875 --> 01:01:34,166
I can't talk anymore, I really can't.
1088
01:01:38,208 --> 01:01:42,708
♪ On our way back home ♪
1089
01:01:42,791 --> 01:01:45,833
Two, three, four, five, six, seven, eight.
1090
01:01:45,916 --> 01:01:50,750
♪ On our way back home ♪
1091
01:01:53,458 --> 01:01:57,333
♪ On our way back home ♪
1092
01:01:57,416 --> 01:01:59,583
[vocalizes]
1093
01:02:02,916 --> 01:02:04,583
[vocalizes]
1094
01:02:04,666 --> 01:02:06,291
-[George] But it comes--
-[John] Then just end on D.
1095
01:02:06,375 --> 01:02:08,583
-[George] It could end on G for that one.
-[Paul] G.
1096
01:02:08,666 --> 01:02:10,541
[Paul vocalizes]
1097
01:02:17,958 --> 01:02:20,041
[chatter, laughter]
1098
01:02:20,125 --> 01:02:21,833
[Ringo] ♪ Mondays on the road ♪
1099
01:02:21,916 --> 01:02:24,458
-[George] It's like Lyme Street Station.
-[Ringo] What?
1100
01:02:24,541 --> 01:02:26,875
It reminds me a bit
of Lyme Street Station.
1101
01:02:29,500 --> 01:02:31,291
[indistinct]
1102
01:02:35,083 --> 01:02:37,333
[Ringo]
Between 10:00 and 11:00 is the time.
1103
01:02:37,416 --> 01:02:39,125
[Paul] Thinking of getting rid of him.
1104
01:02:39,208 --> 01:02:40,708
[Ringo] I'm never late.
1105
01:02:40,791 --> 01:02:43,041
He's never late.
He's a bloody pro, is Ringo.
1106
01:02:45,208 --> 01:02:48,625
You're playing that bass again. [laughs]
1107
01:02:48,708 --> 01:02:52,291
Peter, can we have a Binson echo unit
for these microphones, please?
1108
01:02:52,375 --> 01:02:54,083
[George]
I think we could have better mics.
1109
01:02:54,166 --> 01:02:55,958
[Paul]
We could have better mics too, Peter.
1110
01:02:56,041 --> 01:02:57,708
-You know, those big Neumanns.
-[Michael] Yeah.
1111
01:03:00,750 --> 01:03:03,333
-Yes.
-We might, Michael. That's quite true.
1112
01:03:03,416 --> 01:03:04,333
[chuckles]
1113
01:03:04,416 --> 01:03:06,458
[upbeat song playing]
1114
01:03:07,958 --> 01:03:13,958
♪ Ooh, ooh, ooh ♪
1115
01:03:18,083 --> 01:03:22,458
♪ Ooh, ooh, ooh ♪
1116
01:03:26,375 --> 01:03:29,958
♪ Ooh, ooh, ooh ♪
1117
01:03:33,875 --> 01:03:35,166
♪ Ooh, ooh ♪
1118
01:03:35,250 --> 01:03:38,708
[vocalizing to "Get Back"]
1119
01:03:54,625 --> 01:03:57,791
[vocalizing continues]
1120
01:04:16,041 --> 01:04:19,041
♪ Don't you know it's gonna last? ♪
1121
01:04:20,833 --> 01:04:23,833
[vocalizing continues]
1122
01:04:45,625 --> 01:04:49,541
[vocalizing continues]
1123
01:04:49,625 --> 01:04:53,416
[George] Yeah. It's good-- It's,
you know-- Musically and that, it's great.
1124
01:04:54,625 --> 01:04:55,750
[clapping rhythmically]
1125
01:04:59,791 --> 01:05:01,500
[vocalizes]
1126
01:05:03,125 --> 01:05:06,666
♪ Get back, get back ♪
1127
01:05:06,750 --> 01:05:09,583
♪ Get back to where you once belonged ♪
1128
01:05:10,708 --> 01:05:14,500
♪ Get back, get back ♪
1129
01:05:14,583 --> 01:05:17,375
♪ Get back to where you once belonged ♪
1130
01:05:18,416 --> 01:05:19,916
[vocalizes]
1131
01:05:20,583 --> 01:05:22,625
♪ He thought she was a woman ♪
1132
01:05:22,708 --> 01:05:24,958
♪ But she was another man ♪
1133
01:05:26,416 --> 01:05:30,208
♪ All the folks aroundThought she had it coming ♪
1134
01:05:30,291 --> 01:05:33,541
♪ But she gets it while she can, oh ♪
1135
01:05:33,625 --> 01:05:36,708
♪ Get back, get back ♪
1136
01:05:38,041 --> 01:05:40,583
♪ Back to where you once belonged ♪
1137
01:05:41,708 --> 01:05:44,250
♪ Get back, get back ♪
1138
01:05:45,333 --> 01:05:48,208
♪ Get back to where you once belonged ♪
1139
01:05:49,500 --> 01:05:51,166
[vocalizes]
1140
01:05:51,250 --> 01:05:53,458
♪ Yeah, she thought she was a woman ♪
1141
01:05:53,541 --> 01:05:56,041
♪ But she was another man ♪
1142
01:05:57,375 --> 01:06:01,250
♪ All the folk around said"She thought she had it coming" ♪
1143
01:06:01,333 --> 01:06:04,958
♪ But she gets it while she can, oh ♪
1144
01:06:05,041 --> 01:06:07,666
♪ Get back, hey, get back ♪
1145
01:06:09,000 --> 01:06:11,625
♪ Get back to where you once belonged ♪
1146
01:06:12,791 --> 01:06:15,916
♪ Get back, get back ♪
1147
01:06:16,750 --> 01:06:19,958
♪ Get back to where you once belonged ♪
1148
01:06:20,750 --> 01:06:23,583
♪ Get back, get back ♪
1149
01:06:24,833 --> 01:06:27,791
♪ Get back to where you once belonged ♪
1150
01:06:28,625 --> 01:06:31,625
♪ Get back, get back ♪
1151
01:06:32,625 --> 01:06:35,458
♪ Get back to where you once belonged ♪
1152
01:06:36,375 --> 01:06:37,625
♪ Oh ♪
1153
01:06:42,625 --> 01:06:45,583
I mean, at the moment, we're just
rehearsing the numbers for the show.
1154
01:06:45,666 --> 01:06:48,666
None of us has had the idea
of what the show is gonna be yet.
1155
01:06:57,791 --> 01:06:58,958
Yeah. Right. Yeah.
1156
01:06:59,041 --> 01:07:01,375
[Michael] And that's why, uh…
1157
01:07:02,375 --> 01:07:04,708
I think if you all have decided
to do a show,
1158
01:07:04,791 --> 01:07:06,208
then it should be the best show.
1159
01:07:09,750 --> 01:07:10,750
Know what I mean?
1160
01:07:10,833 --> 01:07:13,458
[Paul] The only thing
about that though, is that, uh,
1161
01:07:14,291 --> 01:07:15,416
we don't want to go away.
1162
01:07:15,500 --> 01:07:17,166
[Michael]
Think of the lights in the water.
1163
01:07:17,250 --> 01:07:19,750
Torch-lit. 2,000 Arabs.
1164
01:07:19,833 --> 01:07:22,250
-I mean, visually, it is fantastic.
-[Paul] But we're not going away.
1165
01:07:22,333 --> 01:07:24,166
[Michael] My trouble is…
1166
01:07:31,666 --> 01:07:33,041
We could make it like requests.
1167
01:07:33,125 --> 01:07:35,708
[Paul] We should do the show
in a place we're not allowed to do it.
1168
01:07:35,791 --> 01:07:38,125
You know, like, we should trespass,
go in, set up,
1169
01:07:38,208 --> 01:07:40,666
and then get moved,
and that should be the show.
1170
01:07:40,750 --> 01:07:44,083
I mean, you know,
if you put us in the Houses of Parliament,
1171
01:07:44,166 --> 01:07:46,625
playing in the main gallery
at the Houses of Parliament,
1172
01:07:46,708 --> 01:07:48,375
and getting forcibly ejected,
1173
01:07:48,458 --> 01:07:50,875
still trying to play numbers,
and the police lifting you…
1174
01:07:50,958 --> 01:07:52,625
[Michael]
I think that's too much of an obstacle.
1175
01:07:52,708 --> 01:07:54,375
♪ She came inThrough the bathroom window ♪
1176
01:07:57,041 --> 01:08:00,583
[laughs] Scuffling with the coppers,
boots and truncheons and all that.
1177
01:08:00,666 --> 01:08:02,583
You have to take a bit of violence.
1178
01:08:02,666 --> 01:08:03,958
I think that's too dangerous.
1179
01:08:12,833 --> 01:08:14,541
But I don't mean for really sick kids.
1180
01:08:14,625 --> 01:08:16,708
I mean for kids with broken legs.
1181
01:08:16,791 --> 01:08:20,458
I mean, really, kind of,
1944 Hollywood musical Bing Crosby kids.
1182
01:08:20,541 --> 01:08:24,208
[Paul] Or in a hospital,
they can't all get up and walk. [laughs]
1183
01:08:24,291 --> 01:08:26,166
Except for the finale.
1184
01:08:26,250 --> 01:08:27,291
[Michael] Oh, yes!
1185
01:08:27,375 --> 01:08:30,541
[Paul] When John walks up to
the little girl and says, "Come here."
1186
01:08:30,625 --> 01:08:32,208
And she gets up and walks.
1187
01:08:32,291 --> 01:08:34,875
[Michael] Or maybe an orphans' home?
An orphans' home.
1188
01:08:34,958 --> 01:08:37,125
Children are the hope
of the future department.
1189
01:08:37,791 --> 01:08:39,958
What about an orphanage?
1190
01:08:40,041 --> 01:08:41,416
How does that grab you guys?
1191
01:08:41,500 --> 01:08:44,750
It's like, "Going once, going twice,
going three times and that's it."
1192
01:08:44,833 --> 01:08:45,833
[Paul] No.
1193
01:08:47,041 --> 01:08:49,291
[Michael] Orphanage--
Orphanage going downhill.
1194
01:08:54,375 --> 01:08:56,208
What's the biggest charity in the world?
1195
01:08:56,291 --> 01:08:57,416
I don't mean in terms of polio,
1196
01:08:57,500 --> 01:08:59,583
but what's the most charitable thing
anybody could do?
1197
01:08:59,666 --> 01:09:00,666
[George] They say--
1198
01:09:00,750 --> 01:09:04,000
Don't they say, "Charity begins at home"?
1199
01:09:04,083 --> 01:09:06,083
-[all laugh]
-[Paul] We'll do it at George's house.
1200
01:09:06,166 --> 01:09:08,208
[all laugh]
1201
01:09:10,833 --> 01:09:14,875
[Paul] We gotta have some serious reason
for doing this or else we won't.
1202
01:09:16,416 --> 01:09:17,583
What's it for?
1203
01:09:17,666 --> 01:09:19,416
Can't be for the money.
1204
01:09:19,500 --> 01:09:22,875
I've decided the whole point of it
is communication.
1205
01:09:22,958 --> 01:09:25,333
And to be on TV is communication.
1206
01:09:25,416 --> 01:09:28,958
We've got a chance to smile at people,
like "All You Need Is Love."
1207
01:09:29,041 --> 01:09:31,958
But-- So that's me incentive for doing it.
1208
01:09:39,375 --> 01:09:43,625
The worst that we have is
a documentary of us making an LP
1209
01:09:43,708 --> 01:09:45,083
if we don't get into a show.
1210
01:09:45,166 --> 01:09:46,833
But we haven't played together, you see.
1211
01:09:46,916 --> 01:09:48,208
That's the fucking thing.
1212
01:09:48,291 --> 01:09:50,125
But when we do come together to play,
1213
01:09:50,208 --> 01:09:52,500
we all just sort of talk
about the fucking past!
1214
01:09:52,583 --> 01:09:54,333
We're like old age pensioners.
1215
01:09:54,416 --> 01:09:56,541
"Remember the days when we used to rock?"
1216
01:09:56,625 --> 01:09:59,750
You know, but we're here now,
and we can do it, you know?
1217
01:09:59,833 --> 01:10:02,958
But, I mean, all I want to see
is enthusiasm!
1218
01:10:04,291 --> 01:10:08,541
See, the thing is also I get to a bit
where I just sort of push all my ideas.
1219
01:10:08,625 --> 01:10:13,541
You know, I mean, a lot will come out
of it if we could get the enthusiasm.
1220
01:10:13,625 --> 01:10:17,916
I mean, why are you here?
I'm here 'cause I wanna do a show.
1221
01:10:18,000 --> 01:10:21,000
But I really don't feel
an awful lot of support.
1222
01:10:21,083 --> 01:10:24,500
We keep coming up against that one,
and I keep saying,
1223
01:10:24,583 --> 01:10:26,625
"Yeah well,
I'd like to do this, this and that."
1224
01:10:26,708 --> 01:10:30,833
And we end up doing something again
that nobody really wants to do.
1225
01:10:30,916 --> 01:10:32,833
If this one turns into that,
1226
01:10:32,916 --> 01:10:35,083
it should definitely be
the last for all of us.
1227
01:10:35,166 --> 01:10:36,750
Because there just isn't any point.
1228
01:10:36,833 --> 01:10:39,458
[Michael] I think that'd be sad.
I mean, as an audience. That'd be sad.
1229
01:10:39,541 --> 01:10:41,958
Course it is!
It's stupid. It is just stupid.
1230
01:10:42,916 --> 01:10:46,208
You see, the people who are being stupid
are the four of us.
1231
01:10:50,625 --> 01:10:52,083
…which it always is.
1232
01:10:52,166 --> 01:10:57,166
The Beatles have been in doldrums
for at least a year.
1233
01:10:58,041 --> 01:11:02,125
Ever since Mr. Epstein passed away,
it's never been the same.
1234
01:11:02,208 --> 01:11:04,875
I mean, we've been very negative
since Mr. Epstein passed away.
1235
01:11:04,958 --> 01:11:08,958
And that's why all of us, in turn,
have been sick of the group.
1236
01:11:09,041 --> 01:11:10,666
It's discipline we lack.
1237
01:11:10,750 --> 01:11:11,791
We've never had discipline.
1238
01:11:11,875 --> 01:11:14,625
We had a sort of slight,
symbolic discipline.
1239
01:11:14,708 --> 01:11:16,166
Like Mr. Epstein.
1240
01:11:16,250 --> 01:11:19,416
You know, and he sort of said,
"Get suits on," and we did.
1241
01:11:19,500 --> 01:11:22,916
You know, and so we were always fighting
that discipline a bit.
1242
01:11:23,000 --> 01:11:24,041
[all chuckle]
1243
01:11:24,125 --> 01:11:28,250
There really is no one there now
to say, "Do it."
1244
01:11:28,333 --> 01:11:29,958
Whereas there always used to be.
1245
01:11:30,041 --> 01:11:34,708
Daddy's gone away now,
and we're on our own at the holiday camp.
1246
01:11:34,791 --> 01:11:38,958
I think we either go home or we do it.
1247
01:11:43,875 --> 01:11:46,416
I think we've got a bit shy, you know?
1248
01:11:46,500 --> 01:11:50,791
I think I've got a bit shy
of certain things, you know?
1249
01:11:50,875 --> 01:11:53,541
'Cause you know how often, like, on albums
we sometimes blow one of your songs,
1250
01:11:53,625 --> 01:11:55,333
'cause we come in in the wrong mood.
1251
01:11:55,416 --> 01:11:58,250
And you say,
"This is how it goes. I'll be back."
1252
01:11:58,333 --> 01:12:01,291
And we're all just,
"Oh, well you…" [scats]
1253
01:12:01,375 --> 01:12:04,333
[Michael] That's why we're wrong
to throw away the show.
1254
01:12:04,416 --> 01:12:05,958
Because there's no desire.
1255
01:12:06,666 --> 01:12:09,250
[Paul] So it's like,
if we're doing the show,
1256
01:12:09,333 --> 01:12:11,000
we're gonna have to work hard.
1257
01:12:11,791 --> 01:12:14,458
And that means
by the time a week from now comes
1258
01:12:14,541 --> 01:12:17,541
all these songs we've got,
we've gotta know perfectly.
1259
01:12:20,541 --> 01:12:21,958
Because they just turn out shitty--
1260
01:12:22,041 --> 01:12:25,416
No, but this-- Thinking it's not gonna
come out great won't help.
1261
01:12:25,500 --> 01:12:29,125
If we cancel the show now,
we'll be throwing it away.
1262
01:12:29,208 --> 01:12:31,166
[Michael] But equally,
at the moment we haven't got a show
1263
01:12:31,250 --> 01:12:32,791
and so none of us really want to do it.
1264
01:12:32,875 --> 01:12:33,875
[Paul] I'll do it.
1265
01:12:33,958 --> 01:12:38,166
I'm not interested, you know, to spend
my fucking days farting around here,
1266
01:12:38,250 --> 01:12:41,541
while everyone makes up their minds
whether they want to do it or not.
1267
01:12:41,625 --> 01:12:44,541
It's like Mal said last night,
"If you're gonna do the show here,
1268
01:12:44,625 --> 01:12:47,041
you've gotta decide today."
1269
01:12:47,125 --> 01:12:49,125
And as far as I can see,
there's only two ways.
1270
01:12:49,208 --> 01:12:51,125
We're gonna do it,
or we're not gonna do it.
1271
01:12:51,208 --> 01:12:53,500
And I want a decision!
1272
01:12:53,583 --> 01:12:55,166
[George] Maybe we should have a divorce.
1273
01:12:55,250 --> 01:12:57,375
[Paul]
Well, I said that at the last meeting.
1274
01:12:58,833 --> 01:13:00,458
But it's getting nearer, you know?
1275
01:13:01,916 --> 01:13:03,375
[John] Who'd have the children?
1276
01:13:04,541 --> 01:13:05,583
[Paul] Dick James.
1277
01:13:05,666 --> 01:13:06,750
[John] Oh, yeah.
1278
01:13:08,458 --> 01:13:09,958
We all need you.
1279
01:13:10,541 --> 01:13:13,333
And, you know,
if you all can't get it together,
1280
01:13:13,416 --> 01:13:15,458
that's really very sad.
1281
01:13:15,541 --> 01:13:18,958
So, I think what we should do now
is let you play a little
1282
01:13:19,041 --> 01:13:21,291
and then you all have lunch together.
1283
01:13:22,166 --> 01:13:25,375
[chuckles] And I can give you
some more fennel, maybe?
1284
01:13:26,083 --> 01:13:27,166
-[chuckles]
-Yes.
1285
01:13:27,250 --> 01:13:29,916
[Michael]
So shall we leave you for a while?
1286
01:13:30,000 --> 01:13:31,958
-Yes. Yeah.
-[John] Yeah.
1287
01:13:32,875 --> 01:13:34,291
"If I'd been out…
1288
01:13:36,333 --> 01:13:38,208
till quarter to three."
1289
01:13:42,833 --> 01:13:45,041
♪ Will you still be there? ♪
1290
01:13:45,125 --> 01:13:46,541
And then twice…
1291
01:13:46,625 --> 01:13:49,416
♪ Maxwell's silver hammer made sure that ♪
1292
01:13:50,041 --> 01:13:51,083
Minor.
1293
01:13:51,166 --> 01:13:53,041
♪ Sure that she was dead ♪
1294
01:13:54,416 --> 01:13:55,875
♪ Solo ♪
1295
01:13:55,958 --> 01:13:57,458
That's the second lot.
1296
01:13:58,041 --> 01:14:00,250
[vocalizes]
1297
01:14:03,375 --> 01:14:05,083
Like a ukulele solo.
1298
01:14:06,833 --> 01:14:08,583
[vocalizes]
1299
01:14:08,666 --> 01:14:10,750
-[John whistling]
-[tongue clicking]
1300
01:14:10,833 --> 01:14:13,416
[whistles]
1301
01:14:13,500 --> 01:14:14,500
Uh--
1302
01:14:16,416 --> 01:14:17,666
Who was that? [clicks tongue]
1303
01:14:17,750 --> 01:14:18,750
Was that you?
1304
01:14:19,333 --> 01:14:21,000
[chuckles] It's all right.
1305
01:14:21,083 --> 01:14:22,083
Keep it in.
1306
01:14:22,166 --> 01:14:23,500
[John continues whistling]
1307
01:14:23,583 --> 01:14:25,583
Just stand near the mic on the night.
1308
01:14:26,375 --> 01:14:29,375
[clicking tongue rhythmically]
1309
01:14:31,666 --> 01:14:32,666
Okay.
1310
01:14:32,750 --> 01:14:34,000
Uh, John?
1311
01:14:34,083 --> 01:14:35,708
They're like a D, D.
1312
01:14:37,000 --> 01:14:39,333
D, F-sharp minor, G to A.
1313
01:14:41,375 --> 01:14:45,375
[both vocalizing]
1314
01:14:45,458 --> 01:14:47,291
[George] Are you just doing it all in D?
1315
01:14:48,041 --> 01:14:49,791
[Paul] Yeah. Should we go and have lunch?
1316
01:14:49,875 --> 01:14:53,500
Take this guitar
I offer you in all humility.
1317
01:14:53,583 --> 01:14:54,666
Thank you.
1318
01:14:54,750 --> 01:14:55,791
[John laughs]
1319
01:14:55,875 --> 01:14:57,458
[Paul] Thanks a lot, Jim.
1320
01:14:57,541 --> 01:15:00,166
♪ Oh, Jim Grey ♪
1321
01:15:00,750 --> 01:15:04,416
♪ Where is your mother these days? ♪
1322
01:15:05,125 --> 01:15:07,250
Mal, we should get a hammer.
1323
01:15:08,541 --> 01:15:09,833
And an anvil.
1324
01:15:10,583 --> 01:15:11,583
See you later.
1325
01:15:14,041 --> 01:15:15,625
[vocalizes]
1326
01:15:15,708 --> 01:15:16,708
♪ Go ♪
1327
01:15:16,791 --> 01:15:23,791
♪ Bang, bang, Maxwell's silver hammerCame down upon her head ♪
1328
01:15:23,875 --> 01:15:29,916
♪ Clang, clang, Maxwell's silver hammerMade sure that Joan was dead ♪
1329
01:15:30,000 --> 01:15:31,458
Whistle.
1330
01:15:31,541 --> 01:15:34,375
[all whistling]
1331
01:15:36,916 --> 01:15:38,458
That's nice, fellas.
1332
01:15:38,541 --> 01:15:42,041
♪ Back in school againMaxwell is a fool again ♪
1333
01:15:42,125 --> 01:15:44,666
♪ Teacher gets annoyed ♪
1334
01:15:45,875 --> 01:15:51,791
♪ Wishing to avoid an unpleasant scene ♪
1335
01:15:52,750 --> 01:15:56,541
♪ She tells Max to stayWhen the class has gone away ♪
1336
01:15:56,625 --> 01:15:59,583
♪ And he stays behind ♪
1337
01:16:00,208 --> 01:16:06,375
♪ Writing thousand lines that say"I fool, Maxwell fool" ♪
1338
01:16:06,458 --> 01:16:08,375
-[John] Like that?
-[Paul] Yeah, E minor to A.
1339
01:16:08,458 --> 01:16:09,458
Same as before.
1340
01:16:09,541 --> 01:16:11,750
[vocalizes]
1341
01:16:11,833 --> 01:16:13,750
So there's two choruses there. Solo.
1342
01:16:13,833 --> 01:16:16,083
[vocalizes]
1343
01:16:16,166 --> 01:16:17,416
Then the quick end now.
1344
01:16:17,500 --> 01:16:20,541
[vocalizes]
1345
01:16:20,625 --> 01:16:22,500
That's okay as long-- He's in the space.
1346
01:16:22,583 --> 01:16:25,500
Yeah, if you do it in the space.
You know, it's gonna go…
1347
01:16:25,583 --> 01:16:29,625
[vocalizes]
1348
01:16:30,416 --> 01:16:31,625
[vocalizes]
1349
01:16:31,708 --> 01:16:33,791
-That's the…
-[Paul] That's the one.
1350
01:16:33,875 --> 01:16:37,916
[Paul vocalizing]
1351
01:16:38,000 --> 01:16:40,416
♪ He creeps up from behind ♪
1352
01:16:40,500 --> 01:16:41,833
Hee-hoo!
1353
01:16:41,916 --> 01:16:47,500
♪ Bang, bang, Maxwell's silver hammerCame down upon her head ♪
1354
01:16:48,916 --> 01:16:54,708
♪ Clang, clang, Maxwell's silver hammerMade sure that she was dead ♪
1355
01:16:54,791 --> 01:16:55,958
Take it away, Johnny.
1356
01:16:56,041 --> 01:16:58,666
[whistling]
1357
01:17:03,250 --> 01:17:05,458
[whistling continues]
1358
01:17:13,166 --> 01:17:14,458
Well done, boys.
1359
01:17:14,541 --> 01:17:17,791
[whistling]
1360
01:17:21,791 --> 01:17:22,916
Okay, that's "Maxwell's."
1361
01:17:23,666 --> 01:17:25,833
[John] Mal, did you get the words
to "Across the Universe"?
1362
01:17:25,916 --> 01:17:28,708
-They'll send them up this afternoon.
-[John] Has Dick James got the words?
1363
01:17:28,791 --> 01:17:30,333
-No!
-[Paul] I don't think so.
1364
01:17:30,416 --> 01:17:33,041
["Across the Universe" playing]
1365
01:17:33,125 --> 01:17:38,458
♪ Words are flowing outLike endless rain into a paper cup ♪
1366
01:17:38,541 --> 01:17:45,333
♪ They slither wildlyAs they slip away across the universe ♪
1367
01:17:45,416 --> 01:17:51,291
♪ Pools of sorrow, waves of joyAre drifting through my opened mind ♪
1368
01:17:51,375 --> 01:17:54,666
♪ Possessing and caressing me ♪
1369
01:17:55,791 --> 01:18:01,250
♪ Jai guru deva ♪
1370
01:18:02,000 --> 01:18:03,625
♪ Om ♪
1371
01:18:03,708 --> 01:18:05,333
[indistinct]
1372
01:18:08,125 --> 01:18:11,041
[vocalizes]
1373
01:18:11,125 --> 01:18:14,833
He's trying to get a balance in there,
and you've got the words all in front.
1374
01:18:14,916 --> 01:18:16,458
-You got the balance, Glyn?
-Yes.
1375
01:18:17,458 --> 01:18:18,916
Getting it all right, are you?
1376
01:18:19,000 --> 01:18:20,916
[Glyn] Can't you get a music stand?
We had some the other day.
1377
01:18:21,000 --> 01:18:22,125
-Yeah, Mal--
-[Glyn] There's one over there.
1378
01:18:22,208 --> 01:18:23,791
-Do you want a music stand?
-Yes, please.
1379
01:18:26,500 --> 01:18:27,958
It goes…
1380
01:18:28,041 --> 01:18:31,958
[vocalizes]
1381
01:18:37,083 --> 01:18:40,458
[imitates electric warp]
1382
01:18:42,666 --> 01:18:48,708
♪ Jai guru deva ♪
1383
01:18:49,333 --> 01:18:50,833
♪ Om ♪
1384
01:18:52,750 --> 01:18:55,958
♪ Nothing's gonna change my world ♪
1385
01:18:56,041 --> 01:18:57,625
[John] I wish it fucking would.
1386
01:18:59,250 --> 01:19:03,291
♪ Nothing's gonna change my world ♪
1387
01:19:05,791 --> 01:19:08,750
♪ Images of broken light ♪
1388
01:19:08,833 --> 01:19:12,916
♪ Which dance before meLike a million eyes ♪
1389
01:19:13,000 --> 01:19:17,666
♪ They call me on and onAcross the universe ♪
1390
01:19:17,750 --> 01:19:18,750
It's 'cause I'm down.
1391
01:19:19,333 --> 01:19:25,916
♪ Thoughts meanderLike a restless wind inside a letter box ♪
1392
01:19:26,000 --> 01:19:32,958
♪ They tumble blindly as they makeTheir way across the universe ♪
1393
01:19:34,333 --> 01:19:39,666
♪ Jai guru deva ♪
1394
01:19:41,000 --> 01:19:43,500
♪ Om ♪
1395
01:19:44,375 --> 01:19:48,250
♪ Nothing's gonna change my world ♪
1396
01:19:50,708 --> 01:19:54,583
♪ Nothing's gonna change my world ♪
1397
01:19:57,500 --> 01:19:59,208
♪ Sounds of laughter, shades-- ♪
1398
01:19:59,291 --> 01:20:01,125
[Paul]
I think you better take control, John!
1399
01:20:02,625 --> 01:20:05,458
♪ Let me hearSome of that rock and roll music ♪
1400
01:20:06,333 --> 01:20:08,083
♪ Any old way you choose it ♪
1401
01:20:08,875 --> 01:20:11,333
♪ It's got a back beat you can't lose it ♪
1402
01:20:12,000 --> 01:20:14,000
♪ Any old time you use it ♪
1403
01:20:14,833 --> 01:20:16,625
♪ Gotta be rock and roll music ♪
1404
01:20:16,708 --> 01:20:17,708
[crowd cheering]
1405
01:20:17,791 --> 01:20:19,708
♪ If you wanna dance with me ♪
1406
01:20:20,708 --> 01:20:22,666
♪ If you wanna dance with me ♪
1407
01:20:22,750 --> 01:20:25,166
♪ Way down South they have a tango ♪
1408
01:20:25,250 --> 01:20:27,916
♪ And then it turned into a mambo ♪
1409
01:20:28,541 --> 01:20:31,500
♪ Another dancer had a lamba ♪
1410
01:20:31,583 --> 01:20:34,416
♪ I started doing another samba ♪
1411
01:20:34,500 --> 01:20:38,000
♪ And started playingThat rock and roll music ♪
1412
01:20:38,583 --> 01:20:40,833
♪ Any old way you choose it ♪
1413
01:20:40,916 --> 01:20:44,291
♪ It's got a back beat you can't lose it ♪
1414
01:20:44,375 --> 01:20:46,625
♪ Any old time you use it ♪
1415
01:20:47,625 --> 01:20:49,708
♪ Gotta be rock and roll music ♪
1416
01:20:50,583 --> 01:20:52,833
♪ If you wanna dance with me ♪
1417
01:20:53,625 --> 01:20:55,625
♪ If you wanna dance with me ♪
1418
01:20:55,708 --> 01:20:57,500
♪ Way down South they have a tango ♪
1419
01:20:58,291 --> 01:21:00,541
♪ And then it turned into a mambo ♪
1420
01:21:01,291 --> 01:21:03,666
♪ Another dancer had a lamba ♪
1421
01:21:03,750 --> 01:21:06,458
♪ I started doing another samba ♪
1422
01:21:07,208 --> 01:21:10,750
♪ And started playingThat rock and roll music ♪
1423
01:21:10,833 --> 01:21:13,791
♪ Any old way you choose it ♪
1424
01:21:13,875 --> 01:21:16,708
♪ It's got a back beat you can't lose it ♪
1425
01:21:16,791 --> 01:21:20,208
♪ Any old time you use it ♪
1426
01:21:20,291 --> 01:21:22,583
♪ Gotta be rock and roll music ♪
1427
01:21:23,166 --> 01:21:25,291
♪ If you wanna dance with me ♪
1428
01:21:26,125 --> 01:21:28,125
♪ If you wanna dance with me ♪
1429
01:21:28,208 --> 01:21:29,666
[music stops]
1430
01:21:29,750 --> 01:21:32,375
[crowd cheering]
1431
01:21:34,291 --> 01:21:36,458
[cheering fades]
1432
01:21:42,666 --> 01:21:45,375
[George] You know where they dropped
all the bombs on Germany,
1433
01:21:45,458 --> 01:21:49,791
-they killed more people than…
-[Ringo] Than the H-bomb in Hiroshima.
1434
01:21:49,875 --> 01:21:50,875
[Tony] Yeah.
1435
01:21:50,958 --> 01:21:53,375
-[Ringo] And all civilians.
-[George] Fucking terrible.
1436
01:21:53,458 --> 01:21:57,791
And did you see when they flew over,
it looked like Hamburg. Just bombed out.
1437
01:21:57,875 --> 01:21:59,500
-Nothing. Just dead.
-Mmm.
1438
01:21:59,583 --> 01:22:01,791
-Did you watch the BBC2 thing?
-And, uh--
1439
01:22:01,875 --> 01:22:03,583
[George] Yeah,
there was that science fiction thing.
1440
01:22:03,666 --> 01:22:05,791
[Michael]
Was the science fiction any good?
1441
01:22:05,875 --> 01:22:09,916
-It was amazing. Did you see any of it?
-I only saw the last five-- Three minutes.
1442
01:22:10,000 --> 01:22:12,333
It started very strange,
where they brought--
1443
01:22:12,416 --> 01:22:14,833
They had a fellow on a trolley,
and they pushed him in,
1444
01:22:14,916 --> 01:22:17,625
-like, a cupboard or a fridge.
-He was the body, wasn't he?
1445
01:22:17,708 --> 01:22:20,500
He was just, like, a body, yeah,
that they were gonna use.
1446
01:22:20,583 --> 01:22:22,375
-[Michael] Mmm.
-And they did something.
1447
01:22:22,458 --> 01:22:25,916
They were supposed to be
in the year 2100 and something.
1448
01:22:26,000 --> 01:22:29,375
-And they went back to 1969, January.
-[Michael] Mmm.
1449
01:22:29,458 --> 01:22:34,125
[George] Focused in on the M1 on this car.
1450
01:22:34,208 --> 01:22:36,958
-And made him crash, so that he'd--
-[Michael] Mmm.
1451
01:22:37,041 --> 01:22:41,708
And then they somehow take his mind
or whatever it is
1452
01:22:41,791 --> 01:22:44,791
and transplant it into this new…
1453
01:22:45,666 --> 01:22:47,875
-Uh, new body.
-Into the body that he put in.
1454
01:22:47,958 --> 01:22:49,750
Rex Industries, they were called.
1455
01:22:49,833 --> 01:22:51,541
[all chuckling]
1456
01:22:51,625 --> 01:22:57,250
And, uh, then suddenly it turned into
all that crap about medals and things.
1457
01:22:57,333 --> 01:23:00,625
That's what gave me the idea,
'cause suddenly it was the bit
1458
01:23:00,708 --> 01:23:03,291
where they were all coming into the ball,
I think it was Austria,
1459
01:23:03,375 --> 01:23:04,750
and they all had their medals.
1460
01:23:04,833 --> 01:23:08,375
-[Ringo] Oh, I didn't watch that.
-[George] And some music was just playing.
1461
01:23:08,458 --> 01:23:10,958
-Music, like a 3/4 thing.
-[Michael] Mmm.
1462
01:23:11,041 --> 01:23:13,875
[George] And so I just had that
in me head, just the waltz thing,
1463
01:23:13,958 --> 01:23:15,541
and it was fitting "I Me Mine."
1464
01:23:15,625 --> 01:23:17,750
-There was no words to it, I just…
-[Ringo] Yeah.
1465
01:23:17,833 --> 01:23:18,833
[Michael] Hello.
1466
01:23:19,541 --> 01:23:20,875
How are you?
1467
01:23:20,958 --> 01:23:23,000
-Morning.
-[Paul] Good morning.
1468
01:23:24,750 --> 01:23:27,625
Do you want to hear a song
I wrote last night?
1469
01:23:27,708 --> 01:23:29,708
[Glyn speaking indistinctly].
1470
01:23:29,791 --> 01:23:32,791
[George] It's just a very short one.
It's called "I Me Mine."
1471
01:23:36,083 --> 01:23:39,083
♪ All through the day ♪
1472
01:23:40,208 --> 01:23:44,000
♪ I me mine, I me mine, I me mine ♪
1473
01:23:45,833 --> 01:23:48,833
♪ All through the night ♪
1474
01:23:49,833 --> 01:23:53,583
♪ I me mine, I me mine, I me mine ♪
1475
01:23:54,625 --> 01:23:57,708
♪ No one's frightened of playing it ♪
1476
01:23:57,791 --> 01:24:00,000
♪ Everyone's saying it ♪
1477
01:24:00,083 --> 01:24:03,000
♪ Flowing more freely than wine ♪
1478
01:24:04,833 --> 01:24:08,125
♪ All through your life ♪
1479
01:24:08,916 --> 01:24:11,500
♪ I me mine ♪
1480
01:24:13,583 --> 01:24:14,708
[Michael] It's lovely.
1481
01:24:18,208 --> 01:24:19,666
[George] What's, uh--
1482
01:24:19,750 --> 01:24:23,291
Is that grammatical?
"Flowing more freely than wine."
1483
01:24:23,375 --> 01:24:24,458
[Michael] Yeah.
1484
01:24:24,541 --> 01:24:25,833
[Paul] All right.
1485
01:24:25,916 --> 01:24:28,166
-"Flowing much freer"?
-You know what would be fantastic, Paul?
1486
01:24:28,250 --> 01:24:30,250
-[Michael] More freely.
-"Freer." It's funny when--
1487
01:24:30,333 --> 01:24:32,416
If you're writing, yeah,
thinking of how you say it.
1488
01:24:32,500 --> 01:24:33,500
-"Freer."
-But I got--
1489
01:24:33,583 --> 01:24:35,166
-For it's sticky out here.
-I was thinking…
1490
01:24:35,250 --> 01:24:37,750
-[all chuckling]
-Yeah, yeah.
1491
01:24:38,250 --> 01:24:41,750
♪ All I can hear ♪
1492
01:24:41,833 --> 01:24:43,291
♪ I me mine, I me mine, I me mine ♪
1493
01:24:43,375 --> 01:24:45,291
[John]
All the girls come on then, dancing.
1494
01:24:46,041 --> 01:24:49,000
Harrison's fisherwife,
and dwarves and hunchbacks…
1495
01:24:49,958 --> 01:24:52,833
♪ I me mine, I me mine, I me mine ♪
1496
01:24:54,875 --> 01:24:56,833
♪ No one's frightened of playing it ♪
1497
01:24:56,916 --> 01:24:57,916
[John] Run along, son.
1498
01:24:58,000 --> 01:24:58,875
♪ Everyone's saying it ♪
1499
01:24:58,958 --> 01:25:01,208
[John] We'll see you later.
We're a rock and roll band, you know?
1500
01:25:01,291 --> 01:25:02,750
♪ Flowing more freely than wine ♪
1501
01:25:02,833 --> 01:25:05,625
[John scatting]
1502
01:25:06,291 --> 01:25:09,833
♪ All through your life ♪
1503
01:25:10,333 --> 01:25:11,416
♪ I me mine ♪
1504
01:25:11,500 --> 01:25:13,916
-[John] Mine.
-[Paul] Mine. I like mine.
1505
01:25:16,166 --> 01:25:18,750
[John] Well, I'll get on the barrel organ.
1506
01:25:18,833 --> 01:25:19,833
[chuckling]
1507
01:25:19,916 --> 01:25:23,833
[George] I don't-- I don't care
if you don't want it. I don't give a fuck.
1508
01:25:23,916 --> 01:25:25,375
It can go in me musical.
1509
01:25:26,791 --> 01:25:29,541
[John] George,
have you any idea what we play?
1510
01:25:29,625 --> 01:25:30,625
[crew] George?
1511
01:25:30,708 --> 01:25:33,416
-[microphone feedback]
-Can we just borrow that copy?
1512
01:25:37,875 --> 01:25:39,833
[John] His amp needs to be on.
1513
01:25:41,291 --> 01:25:43,000
[Ringo] Why? Have you got something there?
1514
01:25:45,291 --> 01:25:46,958
-No.
-[Ringo] Hello.
1515
01:25:47,458 --> 01:25:49,375
[Ringo, incomprehensible, echoing] Hello?
1516
01:25:51,041 --> 01:25:53,416
-More volume.
-[crew] This is diarrhea.
1517
01:25:53,500 --> 01:25:57,166
When I'm up against the wall, Paul,
you'll find I'm at my best.
1518
01:25:57,250 --> 01:25:58,416
[echoing] That's good echo.
1519
01:25:59,708 --> 01:26:01,291
But I wish you'd come up with the goods.
1520
01:26:01,375 --> 01:26:03,500
-Look, I think I've got Sunday off.
-[echoing] Hello?
1521
01:26:03,583 --> 01:26:05,291
-Well, I hope you can deliver.
-[echoing] Hello.
1522
01:26:05,375 --> 01:26:07,375
I'm hoping for a little rock and roller.
1523
01:26:07,458 --> 01:26:09,291
Yeah, I was hoping
for the same thing myself.
1524
01:26:09,375 --> 01:26:11,416
Sammy loved his mammy.
She hammy dammy dammy.
1525
01:26:11,500 --> 01:26:12,791
[echoing] Paul, Paul, Paul.
1526
01:26:12,875 --> 01:26:15,708
-Stop that goddamn feedback!
-[laughing]
1527
01:26:16,333 --> 01:26:18,458
And you then being presented onstage,
1528
01:26:18,541 --> 01:26:20,708
you should be sitting there
when they are coming in.
1529
01:26:20,791 --> 01:26:24,041
[Paul] And then you open the doors
and we're in the middle of a number.
1530
01:26:24,125 --> 01:26:27,666
Or you're just sitting, waiting, and then
when everybody's there, then you start.
1531
01:26:27,750 --> 01:26:31,208
As opposed to you coming on
as The Beatles, it's much more intimate.
1532
01:26:31,916 --> 01:26:34,833
Well, we're doing it anyway,
while they come in before we start it.
1533
01:26:34,916 --> 01:26:36,416
-[Michael] Yeah.
-Like we did on "Jude."
1534
01:26:39,208 --> 01:26:43,875
[George] Well, let's-- We keep 'em a
bit more disciplined than they were then.
1535
01:26:48,208 --> 01:26:49,708
[chuckling] Yeah.
1536
01:26:49,791 --> 01:26:52,583
[Paul] So, the main thing is,
are we going to do it here?
1537
01:26:52,666 --> 01:26:54,041
'Cause they've got to build
a control room.
1538
01:26:54,125 --> 01:26:56,791
[George Martin] What are the alternatives
to where you want to go?
1539
01:26:56,875 --> 01:26:59,208
It's really anywhere
as long as we can get it there.
1540
01:26:59,291 --> 01:27:01,250
[George Martin] Are there definite places?
1541
01:27:01,333 --> 01:27:02,500
No, I don't know anywhere.
1542
01:27:02,583 --> 01:27:03,833
That's why we came here.
1543
01:27:03,916 --> 01:27:04,916
Where do you think?
1544
01:27:05,000 --> 01:27:06,875
[George Martin] I think you might as well
do it right here.
1545
01:27:06,958 --> 01:27:09,458
[Paul] But, acoustically,
it's not very good here, is it?
1546
01:27:09,541 --> 01:27:12,083
[George Martin] It's not as good
as it could be elsewhere, you know?
1547
01:27:12,166 --> 01:27:13,666
[Paul] Now what would make it?
1548
01:27:13,750 --> 01:27:15,916
-A lower ceiling?
-[George Martin] Deaden it right down.
1549
01:27:16,000 --> 01:27:18,666
[Glyn] Yeah,
a false ceiling above where you are.
1550
01:27:18,750 --> 01:27:21,125
[Paul] Now John'd like to say
a few words on the subject.
1551
01:27:21,208 --> 01:27:25,125
[John] ♪ I'd like to sayThat I like the intimate idea ♪
1552
01:27:25,833 --> 01:27:27,791
♪ Rather than a large one ♪
1553
01:27:27,875 --> 01:27:29,041
[Paul] Yeah?
1554
01:27:29,541 --> 01:27:33,375
[John] ♪ Simply becauseWe should concentrate on the sound ♪
1555
01:27:36,041 --> 01:27:39,833
[all] ♪ Simply becauseWe should concentrate on the sound ♪
1556
01:27:42,500 --> 01:27:43,583
[Paul] Thank you very much.
1557
01:27:43,666 --> 01:27:46,125
♪ You and I have memories ♪
1558
01:27:46,958 --> 01:27:51,708
♪ Longer than the roadThat stretches out ahead ♪
1559
01:27:52,208 --> 01:27:53,208
[screams]
1560
01:27:54,458 --> 01:27:57,250
♪ Two of us wearing raincoats ♪
1561
01:27:57,333 --> 01:28:01,541
♪ Standing solo in the sun ♪
1562
01:28:01,625 --> 01:28:04,083
♪ Don't let me down ♪
1563
01:28:07,541 --> 01:28:10,208
♪ Don't let me down ♪
1564
01:28:12,916 --> 01:28:15,000
♪ I've got a feeling ♪
1565
01:28:15,583 --> 01:28:18,541
♪ A feeling I can't hideOh, no ♪
1566
01:28:20,416 --> 01:28:22,250
♪ Oh, no ♪
1567
01:28:27,916 --> 01:28:29,875
[George] Uh, Mal?
1568
01:28:32,666 --> 01:28:34,083
[chuckling]
1569
01:28:34,916 --> 01:28:38,583
[Paul]
♪ No, I won't shed a tear ♪
1570
01:28:39,541 --> 01:28:40,708
♪ Just as long ♪
1571
01:28:41,791 --> 01:28:44,125
♪ As you stand ♪
1572
01:28:44,208 --> 01:28:47,125
♪ Stand by me, stand by meStand by me, stand by me ♪
1573
01:28:47,208 --> 01:28:49,000
♪ You got me going ♪
1574
01:28:50,000 --> 01:28:51,500
♪ Like a spinning top ♪
1575
01:28:51,583 --> 01:28:55,291
♪ Baa-ba-ba-ba-baaBaa-ba-ba-ba-baa ♪
1576
01:28:55,375 --> 01:28:56,625
Legalize pot.
1577
01:28:56,708 --> 01:28:59,708
Queen says "no"
to pot-smoking FBI members.
1578
01:29:00,958 --> 01:29:01,958
It doesn't--
1579
01:29:02,041 --> 01:29:04,208
Hey, hey. It doesn't stop there actually.
1580
01:29:04,291 --> 01:29:08,875
♪ Baa, baa, black sheepHave you any wool ♪
1581
01:29:08,958 --> 01:29:15,250
♪ Clang, clang, Maxwell's silver hammerMade sure that she was dead ♪
1582
01:29:15,333 --> 01:29:17,500
[cymbal crashes]
1583
01:29:17,583 --> 01:29:19,916
A guitar fell over, Paul.
A guitar fell over.
1584
01:29:20,000 --> 01:29:22,500
[John] ♪ The news is out ♪
1585
01:29:25,375 --> 01:29:28,000
♪ All over town ♪
1586
01:29:31,333 --> 01:29:34,625
♪ That you've been seen ♪
1587
01:29:37,041 --> 01:29:40,916
♪ Out and around ♪
1588
01:29:43,500 --> 01:29:46,333
♪ I know that I ♪
1589
01:29:49,875 --> 01:29:52,375
♪ Can't win, but then ♪
1590
01:29:55,958 --> 01:29:58,916
♪ What can I do? ♪
1591
01:30:02,333 --> 01:30:05,125
♪ You win again ♪
1592
01:30:11,708 --> 01:30:14,958
♪ All I can hear ♪
1593
01:30:15,041 --> 01:30:17,833
♪ I me mine, I me mine, I me mine ♪
1594
01:30:19,666 --> 01:30:23,000
♪ Even your tears ♪
1595
01:30:23,083 --> 01:30:26,458
♪ I me mine, I me mine, I me mine ♪
1596
01:30:27,916 --> 01:30:29,791
♪ Everyone's playing it ♪
1597
01:30:29,875 --> 01:30:31,666
♪ Everyone's saying it ♪
1598
01:30:32,166 --> 01:30:34,833
♪ Flowing more freely than wine ♪
1599
01:30:36,250 --> 01:30:39,333
♪ All through your life ♪
1600
01:30:39,833 --> 01:30:42,375
♪ I me mine ♪
1601
01:30:42,458 --> 01:30:43,750
[song ends]
1602
01:30:43,833 --> 01:30:45,208
[scatting]
1603
01:30:45,291 --> 01:30:47,875
-[Yoko] You can keep going now.
-[George] Do you dig it, man?
1604
01:30:47,958 --> 01:30:48,958
[chuckles]
1605
01:30:49,041 --> 01:30:50,083
-I like that one.
-Yeah.
1606
01:30:50,166 --> 01:30:52,166
[George]
Do you want to do that waltz on the show?
1607
01:30:52,250 --> 01:30:54,250
That'd be great,
'cause it's so simple to do.
1608
01:30:54,333 --> 01:30:58,291
[fast dance music playing]
1609
01:31:04,375 --> 01:31:05,333
[music stops]
1610
01:31:05,416 --> 01:31:08,541
[Michael] Every song has got a character.
That's the character of that one.
1611
01:31:08,625 --> 01:31:11,166
And we can find each number--
how they fit theatrically,
1612
01:31:11,250 --> 01:31:14,375
like your dance for that one,
like the song that you cry in,
1613
01:31:14,458 --> 01:31:16,750
and the song you do
that brings tears to everybody's eyes.
1614
01:31:16,833 --> 01:31:19,000
[John] Yes, all right. Just sod off!
1615
01:31:19,083 --> 01:31:20,666
[all chuckling]
1616
01:31:20,750 --> 01:31:22,666
[Denis] I mean, you see,
build any set you want.
1617
01:31:22,750 --> 01:31:26,000
Maybe not scaffolding--
Not obvious scaffolding.
1618
01:31:26,083 --> 01:31:28,125
Maybe we can put people up on them.
1619
01:31:28,625 --> 01:31:30,041
Think it could hold people?
1620
01:31:30,541 --> 01:31:32,666
It could hold--
I guess that'd be a bit limited.
1621
01:31:37,500 --> 01:31:40,666
-["Please Please Me" playing]
-[crowd cheering]
1622
01:31:40,750 --> 01:31:43,875
♪ Come on, come onCome on, come on ♪
1623
01:31:43,958 --> 01:31:45,583
♪ Come on, come onCome on, come on ♪
1624
01:31:45,666 --> 01:31:48,000
-[song fades out]
-[Michael] Yeah. Well…
1625
01:31:48,083 --> 01:31:51,250
See, this is Around The Beatles,
and that is better, but--
1626
01:31:51,333 --> 01:31:53,041
Show it to John.
John will tell you about that.
1627
01:31:53,125 --> 01:31:55,125
John and Yoko know about that.
They're artists.
1628
01:31:55,208 --> 01:31:56,541
[chattering]
1629
01:31:56,625 --> 01:31:58,458
It's Around The Beatles '69.
1630
01:31:58,541 --> 01:31:59,875
Yeah, that's what Paul said.
1631
01:32:00,583 --> 01:32:03,375
That's what Paul said. He said have
a word with you and see what you thought.
1632
01:32:03,458 --> 01:32:04,583
Whether we could vary it.
1633
01:32:04,666 --> 01:32:08,875
In terms of… see-through things,
'cause I don't think we're ever gonna--
1634
01:32:08,958 --> 01:32:11,166
If you wanna see through 'em, use plastic.
1635
01:32:12,708 --> 01:32:13,708
Plastic…
1636
01:32:13,791 --> 01:32:16,125
But don't have scaffolding.
They do it every show.
1637
01:32:16,208 --> 01:32:18,958
-Yeah. Use a different material?
-Just use solid plastic.
1638
01:32:19,041 --> 01:32:21,583
-Solid plastic.
-For, you know, to see through 'em.
1639
01:32:21,666 --> 01:32:23,083
["Let It Be" playing on piano]
1640
01:32:23,166 --> 01:32:26,041
I like the idea of a see-through thing,
I think.
1641
01:32:26,125 --> 01:32:28,750
[John] If you had 'em above our heads,
you could have plastic and see up--
1642
01:32:28,833 --> 01:32:31,125
[Denis] That's right. That's great.
That's a good thought.
1643
01:32:31,208 --> 01:32:32,625
That's a good thought, all that.
1644
01:32:32,708 --> 01:32:35,416
[Michael] Think of a helicopter shot
over the amphitheater--
1645
01:32:35,500 --> 01:32:38,416
Yes, but that's the only argument
you're giving to me is the…
1646
01:32:38,500 --> 01:32:40,291
-Is the helicopter shot.
-The helicopter shot.
1647
01:32:40,375 --> 01:32:42,291
And you'll see the sea
and you'll be in a theater.
1648
01:32:42,375 --> 01:32:45,875
And that is-- For one, two minutes,
say, of that shot
1649
01:32:45,958 --> 01:32:48,000
isn't worth me going out there.
1650
01:32:48,083 --> 01:32:50,291
When I really prefer to do it here.
1651
01:32:50,375 --> 01:32:55,166
Just big blocks, so you could put blocks
of plastic in any shape you wanted.
1652
01:32:55,250 --> 01:32:56,791
We could move the audience round.
1653
01:32:56,875 --> 01:32:59,541
Yeah. Now that would mean
casting the plastic, wouldn't it?
1654
01:32:59,625 --> 01:33:02,666
-It's just boxes, you know?
-Might be a material we don't know about.
1655
01:33:02,750 --> 01:33:04,625
[John]
There will be some kind of new stuff,
1656
01:33:04,708 --> 01:33:06,500
you know, like Bakelite or some plastic.
1657
01:33:06,583 --> 01:33:10,083
But the thing is,
everything you do has got to be good,
1658
01:33:10,166 --> 01:33:11,291
'cause all your albums are good.
1659
01:33:11,375 --> 01:33:12,958
I mean, there's not a duff album.
1660
01:33:13,041 --> 01:33:15,916
But see,
it is kind of like four years ago.
1661
01:33:16,000 --> 01:33:17,541
And there's nothing wrong
with four years ago,
1662
01:33:17,625 --> 01:33:19,208
except we're all 28 now as opposed--
1663
01:33:19,291 --> 01:33:22,583
-I don't mean that…
-We're all… Yes, we are.
1664
01:33:22,666 --> 01:33:27,000
We're all 28, or whatever we are
in the group. Baby George there.
1665
01:33:27,708 --> 01:33:30,958
I mean, it's not only you as the band
and it's not only them as songwriters.
1666
01:33:31,041 --> 01:33:32,250
It is the four of you.
1667
01:33:32,333 --> 01:33:35,208
[John] If you got a lot of blocks made,
you could build any formation you want.
1668
01:33:35,291 --> 01:33:38,166
-[Denis] Fit in like a Meccano.
-If you've got box-shaped plastic,
1669
01:33:38,250 --> 01:33:41,291
you can build it that long if you want,
or just have it that short.
1670
01:33:41,375 --> 01:33:42,958
[Denis] Like Kubrick would do.
1671
01:33:43,041 --> 01:33:45,041
And it's got to be the best.
1672
01:33:45,125 --> 01:33:46,250
Because…
1673
01:33:47,166 --> 01:33:49,625
I mean, the hearts of millions
are with you, you know what I mean?
1674
01:33:49,708 --> 01:33:51,166
It's got to be the best. It can't--
1675
01:33:53,541 --> 01:33:56,041
I'm not saying you owe it to the world
or anything like that.
1676
01:33:56,125 --> 01:33:58,250
But if it is going to be
your last TV show--
1677
01:34:05,458 --> 01:34:07,791
But I don't want you
to be unhappy 'cause, like…
1678
01:34:07,875 --> 01:34:09,916
I love you
like I love your three colleagues.
1679
01:34:10,000 --> 01:34:12,833
[Denis] You see, then it's nice to have
the levels where they can dance
1680
01:34:12,916 --> 01:34:14,958
and, you know,
whatever they wanna do, you see?
1681
01:34:15,041 --> 01:34:17,333
[John] Look, you could have
our thing plastic too.
1682
01:34:17,416 --> 01:34:19,375
[Denis]
Yeah, that would be knockout to do that.
1683
01:34:19,458 --> 01:34:23,125
And then we could do what we like
with the backing, have it go black or…
1684
01:34:23,208 --> 01:34:24,208
-[John] Yeah, yeah.
-[Denis] Black.
1685
01:34:24,291 --> 01:34:25,916
Or stark or something, you know?
1686
01:34:26,000 --> 01:34:28,750
See, I'd watch an hour of him
just playing the piano.
1687
01:34:28,833 --> 01:34:30,208
Me too. Uh…
1688
01:34:30,291 --> 01:34:31,541
'Cause he's so great.
1689
01:34:32,250 --> 01:34:33,333
But, like, I think--
1690
01:34:33,416 --> 01:34:36,708
See, I think we gotta find a place
which would complement it.
1691
01:34:36,791 --> 01:34:40,583
And I don't see it being here on a stage
with tubular scaffolding around it.
1692
01:34:40,666 --> 01:34:43,500
Then we can control all our lights
from a panel.
1693
01:34:43,583 --> 01:34:45,250
And we can have what colors you like.
1694
01:34:45,333 --> 01:34:47,750
[John] Yes. You'll always be able
to see us through everything.
1695
01:34:47,833 --> 01:34:48,833
[Denis] That's right.
1696
01:34:48,916 --> 01:34:51,208
[John] I'll have the plastic
when you're finished with it.
1697
01:34:51,291 --> 01:34:54,416
Well, can we all talk about it?
1698
01:34:54,500 --> 01:34:57,125
If-- You will take the veto off
1699
01:34:57,208 --> 01:35:02,291
if you can be convinced
that we can get an audience out there.
1700
01:35:03,916 --> 01:35:06,208
Okay, I love you. That's fine.
1701
01:35:09,958 --> 01:35:10,791
Okay, thanks.
1702
01:35:10,875 --> 01:35:14,333
I just do think,
like, this is unique in that…
1703
01:35:24,750 --> 01:35:26,583
-[Michael] Well, I don't know.
-[all chuckling]
1704
01:35:28,083 --> 01:35:29,833
-[Michael] I know, I left out George.
-[laughs]
1705
01:35:53,250 --> 01:35:54,333
No, I think it's…
1706
01:35:58,208 --> 01:35:59,250
Yeah.
1707
01:35:59,333 --> 01:36:00,708
That's what I was thinking.
1708
01:36:00,791 --> 01:36:02,208
[Denis chuckles]
1709
01:36:04,958 --> 01:36:06,750
[Michael] The box thing, right?
1710
01:36:08,250 --> 01:36:09,625
[Denis] Yeah. [chuckles]
1711
01:36:14,833 --> 01:36:16,416
[Denis] Yeah. [chuckles]
1712
01:36:19,708 --> 01:36:22,500
[Denis] I don't think it's practical
to do it in England. It's too bloody cold.
1713
01:36:22,583 --> 01:36:25,458
[Michael] Yes, that was one of the reasons
we started veering off on these ideas
1714
01:36:25,541 --> 01:36:28,208
was when we were looking at locations
that Friday after Christmas.
1715
01:36:28,291 --> 01:36:29,708
We are in a film studio.
1716
01:36:29,791 --> 01:36:32,958
We're going to build something so that…
1717
01:36:33,041 --> 01:36:35,208
We shouldn't just try and build
something like the Tower Ballroom
1718
01:36:35,291 --> 01:36:36,750
'cause we could go to the Tower Ballroom.
1719
01:36:36,833 --> 01:36:40,416
But, once you get on a stage,
you are performers
1720
01:36:40,500 --> 01:36:42,583
and you gotta have someone to do it to.
1721
01:36:42,666 --> 01:36:44,375
Either the camera or real people, I think.
1722
01:36:44,458 --> 01:36:45,458
[Paul] Yeah, we haven't--
1723
01:36:45,541 --> 01:36:47,791
Any number we've done at the moment,
if we've noticed the camera on us
1724
01:36:47,875 --> 01:36:49,250
we've tried to ignore it.
1725
01:36:49,333 --> 01:36:52,708
[Michael] But you've either got to be
performing directly to the people at home
1726
01:36:52,791 --> 01:36:54,166
or to an audience.
1727
01:36:54,250 --> 01:36:56,208
[Paul]
See that's why I thought like a ballroom.
1728
01:36:56,291 --> 01:36:57,750
If we did go right back.
1729
01:36:57,833 --> 01:37:00,666
Like, "Come to the Tower Ballroom.
There's a dance on."
1730
01:37:00,750 --> 01:37:03,708
You know?
Oh, incidentally, we'll be the band there.
1731
01:37:03,791 --> 01:37:05,500
And then we go on
and we play all the numbers.
1732
01:37:05,583 --> 01:37:08,166
[Michael]
But you're just not the local dance band.
1733
01:37:08,250 --> 01:37:09,541
I don't think it's quite enough scope.
1734
01:37:09,625 --> 01:37:11,541
[Glyn] I also think that
people are very interested
1735
01:37:11,625 --> 01:37:13,250
in seeing how an audience would react.
1736
01:37:13,333 --> 01:37:17,125
[Michael] Because the audience is so much
part of the first half of you, musically.
1737
01:37:17,916 --> 01:37:21,833
[Paul] Okay, so we're all prepared
to do it with an audience.
1738
01:37:21,916 --> 01:37:23,958
But you can't just have
the same old audience.
1739
01:37:24,041 --> 01:37:25,416
[Denis]
What can you do that's new with them?
1740
01:37:25,500 --> 01:37:28,208
[George] If we can just think of an image,
how we'd like to be,
1741
01:37:28,291 --> 01:37:32,000
which could be like a nightclub act.
1742
01:37:32,083 --> 01:37:36,333
Just the smoochy low lights
and about ten people.
1743
01:37:36,416 --> 01:37:39,750
What's the point, when you could be
giving people happiness with a full house?
1744
01:37:39,833 --> 01:37:41,250
Whatever kind of full house we decided.
1745
01:37:41,333 --> 01:37:43,416
I mean, we have to think
about the audience.
1746
01:37:43,500 --> 01:37:45,208
It really ought to be the whole world.
1747
01:37:45,291 --> 01:37:49,000
[Denis] That's where-- Now we're going
right-- the whole circle back to Sabratha.
1748
01:37:49,083 --> 01:37:52,791
[Michael] It is a location
which is marvelous in itself, by the sea.
1749
01:37:52,875 --> 01:37:54,541
[Denis] What he's saying is right.
1750
01:37:54,625 --> 01:37:55,625
It's the background.
1751
01:37:56,500 --> 01:37:58,791
[Michael]
I don't think anything is gonna beat
1752
01:37:58,875 --> 01:38:01,666
a perfect acoustic place
by the water, out of doors.
1753
01:38:01,750 --> 01:38:03,166
[Ringo] For a rock and roll group?
1754
01:38:14,916 --> 01:38:18,625
[Michael] Yes, I think we're gonna do
rock and roll at dawn or at night.
1755
01:38:18,708 --> 01:38:20,958
I'm sure we can do rock and roll there
if we get the right audience.
1756
01:38:21,041 --> 01:38:23,208
-George, come here.
-[George] I just wanna get it over with.
1757
01:38:23,291 --> 01:38:25,416
-[chattering]
-[George] Yeah.
1758
01:38:26,416 --> 01:38:27,416
-Hiya.
-Come on.
1759
01:38:27,500 --> 01:38:28,416
[chuckling]
1760
01:38:28,500 --> 01:38:30,541
-We're going to Africa.
-[Denis] We're off.
1761
01:38:30,625 --> 01:38:33,500
-[Michael] We're off.
-[Paul] No, we're not. Not necessarily.
1762
01:38:35,458 --> 01:38:36,458
[George] Where to?
1763
01:38:37,583 --> 01:38:39,041
[all laughing]
1764
01:38:50,041 --> 01:38:52,416
[John] See, it's like having
the most fantastic set on Earth,
1765
01:38:52,500 --> 01:38:54,125
but we haven't made a set, you know?
1766
01:38:54,208 --> 01:38:56,916
[Ringo] How many are gonna be looking
at the set besides us and him?
1767
01:38:57,000 --> 01:39:00,208
[John] Every time we've done an album,
we've said, "Why are we stuck in EMI?"
1768
01:39:00,291 --> 01:39:03,500
We could be doing it in LA.
We could be in France.
1769
01:39:03,583 --> 01:39:05,583
And every time we do it,
and here we are again,
1770
01:39:05,666 --> 01:39:07,625
building another bloody castle around us.
1771
01:39:08,375 --> 01:39:10,500
-[Paul] Well said, John. Well said!
-[John] And this time we do it there.
1772
01:39:10,583 --> 01:39:12,291
I'd be thrilled to do it.
1773
01:39:12,375 --> 01:39:16,125
Just timing it so as the sun came up
just on the middle eight.
1774
01:39:20,208 --> 01:39:21,666
[Michael] I think we've got to get--
1775
01:39:30,000 --> 01:39:32,625
[Paul] Look, we were gonna
give tickets away at this door here.
1776
01:39:32,708 --> 01:39:35,208
We'd given out those tickets,
but they include a boat ride as well.
1777
01:39:37,291 --> 01:39:40,208
[Paul] Okay, yeah.
We're doing a live show.
1778
01:39:40,291 --> 01:39:42,375
And we're doing it in Arabia.
1779
01:39:42,458 --> 01:39:43,750
[chuckles] And it's like…
1780
01:39:43,833 --> 01:39:46,541
Whoever has been waiting
to see the lads rocking again.
1781
01:39:46,625 --> 01:39:48,625
[George] It's just impractical to try
and get all those--
1782
01:39:48,708 --> 01:39:49,708
But it's not, you see--
1783
01:39:49,791 --> 01:39:52,875
Lug all them people there
and try and get all that equipment.
1784
01:39:52,958 --> 01:39:54,583
[Paul] But then if it was their problem--
1785
01:39:54,666 --> 01:39:57,208
[Denis] But if you say, "That's
what I want," that's what has to happen.
1786
01:39:57,291 --> 01:39:59,625
-[John] That's not our problem.
-[George] Of course it's our problem.
1787
01:39:59,708 --> 01:40:01,208
[Paul] Tell you what I'll offer you.
1788
01:40:01,291 --> 01:40:05,375
If we're going away and we hire a boat
to take the audience with you…
1789
01:40:05,458 --> 01:40:08,375
-That would be knockout.
-…we'll do a bloody show on a boat.
1790
01:40:13,625 --> 01:40:14,833
[Michael] That's your code name.
1791
01:40:14,916 --> 01:40:16,750
[Paul] No, he smoked some garlic once.
1792
01:40:16,833 --> 01:40:19,666
[laughing]
1793
01:40:19,750 --> 01:40:21,791
[Paul] So, like, I'll come in with you,
1794
01:40:21,875 --> 01:40:24,625
as long as you can get a couple of boats.
1795
01:40:24,708 --> 01:40:26,708
-The QE 2.
-[George] And then we're stuck
1796
01:40:26,791 --> 01:40:29,333
with a bloody big boatload of people
for two weeks.
1797
01:40:29,416 --> 01:40:33,416
At least you can go home from here.
You can get away from it all.
1798
01:40:35,041 --> 01:40:39,666
[George] I think the idea of the boat
is completely insane.
1799
01:40:39,750 --> 01:40:42,833
It's very expensive and insane, and…
1800
01:40:43,750 --> 01:40:45,916
[Denis] I think it should be
the least of our worries.
1801
01:40:46,000 --> 01:40:47,250
Money. I really do.
1802
01:40:48,708 --> 01:40:51,458
[John] If P&O will do a deal with Storm,
they'll do one with us.
1803
01:40:56,208 --> 01:40:59,625
We should be able to get the boat
for the publicity they get from it.
1804
01:41:02,833 --> 01:41:05,375
[Denis] It's gonna be great.
You'd love the place.
1805
01:41:05,458 --> 01:41:07,791
[Ringo] I've moved to Yugoslavia!
[chuckles]
1806
01:41:07,875 --> 01:41:12,833
I may love the place, but I'd rather
do the show, then go and love the place.
1807
01:41:12,916 --> 01:41:14,125
[laughing]
1808
01:41:14,208 --> 01:41:16,500
[Ringo] How're you gonna get a ship
in a couple of days?
1809
01:41:17,833 --> 01:41:19,541
[Ringo] I was there. Yes, I know.
1810
01:41:19,625 --> 01:41:22,833
But they were passing by
and you only used them for a few hours.
1811
01:41:22,916 --> 01:41:25,500
I've seen it, John.
I went to the premiere.
1812
01:41:25,583 --> 01:41:27,583
-[John] Did you enjoy it?
-[Ringo] I thought you were great.
1813
01:41:27,666 --> 01:41:29,541
-[John] Thanks a lot, Ringo.
-[laughing]
1814
01:41:40,333 --> 01:41:41,708
[Ringo] Still not the same.
1815
01:41:41,791 --> 01:41:45,583
If you'll say yes, and if we get it
together, then will you go?
1816
01:41:49,041 --> 01:41:53,625
[Michael] Well, I feel, as the trade says,
"The vibes are very good at the moment."
1817
01:41:53,708 --> 01:41:56,375
But we can all say yes now
and somebody can decide no tomorrow.
1818
01:41:56,458 --> 01:41:58,708
-It's not gonna make any odds.
-Yeah.
1819
01:41:58,791 --> 01:42:01,000
-[Ringo] Good night, everybody!
-[Michael] Good night, Russia.
1820
01:42:01,083 --> 01:42:02,916
-[Ringo] That's a wrap.
-[Denis] I'll see you in Sabratha!
1821
01:42:03,000 --> 01:42:04,958
[John] Let's pretend I wasn't here again.
1822
01:42:09,750 --> 01:42:11,750
[chattering]
1823
01:42:14,125 --> 01:42:16,333
[Paul] This is the…
Here, I'll take you to…
1824
01:42:17,125 --> 01:42:19,041
-Do you know Michael Lindsay-Hogg?
-No.
1825
01:42:20,458 --> 01:42:22,208
[Michael speaks indistinctly]
1826
01:42:22,291 --> 01:42:23,583
Tony's a cameraman.
1827
01:42:29,000 --> 01:42:30,291
[laughing]
1828
01:42:39,416 --> 01:42:40,250
Yeah.
1829
01:42:42,750 --> 01:42:44,083
[Paul chuckles]
1830
01:42:45,041 --> 01:42:46,916
I better go
and put in some piano practice.
1831
01:42:50,750 --> 01:42:51,750
[Michael] No.
1832
01:42:52,250 --> 01:42:54,416
-[chattering]
-[Linda] Yeah.
1833
01:42:54,500 --> 01:42:56,583
Gatwick Friday, Monday, Tuesday…
1834
01:42:56,666 --> 01:42:58,833
-Isn't Tripoli in Libya? Yeah.
-That's right. Yeah.
1835
01:42:58,916 --> 01:43:02,250
[David] That flight departs every day 3:05
and arrives 9:10.
1836
01:43:02,333 --> 01:43:03,666
-[Denis] 3:05 p.m. at night?
-Yes.
1837
01:43:03,750 --> 01:43:05,666
-That's a long trip!
-That's what he told me.
1838
01:43:05,750 --> 01:43:07,666
Six hours? Can't be that long?
1839
01:43:07,750 --> 01:43:09,750
["Another Day" playing]
1840
01:43:13,208 --> 01:43:17,750
♪ Every day she takes a morning bathShe wets her hair ♪
1841
01:43:18,250 --> 01:43:23,083
♪ Wraps a towel around herAs she's walking to the bedroom chair ♪
1842
01:43:23,166 --> 01:43:26,000
♪ It's just another day ♪
1843
01:43:26,875 --> 01:43:29,250
♪ Steppin' into stockings ♪
1844
01:43:35,250 --> 01:43:37,333
-["The Long and Winding Road" playing]
-Yeah.
1845
01:43:39,125 --> 01:43:40,666
Now, what was it? Uh--
1846
01:43:40,750 --> 01:43:43,458
I'll give you Mother Mary,
"The Long and Winding Road."
1847
01:43:54,958 --> 01:43:57,500
[Michael] The only thing is, it's, um…
1848
01:43:57,583 --> 01:44:00,333
I think-- I really do think
it's gonna be for the world.
1849
01:44:05,333 --> 01:44:08,166
[Michael] Yes, but they do think of you as
for everybody in the world.
1850
01:44:08,250 --> 01:44:10,750
That's one of the things I thought was
good about "Jude," the guy in the turban.
1851
01:44:10,833 --> 01:44:11,833
Yeah.
1852
01:44:12,708 --> 01:44:17,375
♪ Lead me to your door ♪
1853
01:44:17,958 --> 01:44:19,500
♪ Second verse ♪
1854
01:44:19,583 --> 01:44:21,875
…that I haven't got yet. [vocalizes]
1855
01:44:22,708 --> 01:44:25,833
♪ Leave a space for the same thing ♪
1856
01:44:25,916 --> 01:44:28,916
♪ La, la, la ♪
1857
01:44:51,750 --> 01:44:55,041
[Mal] I think it's down to
if we're going to do it in this country,
1858
01:44:55,125 --> 01:44:56,625
we might as well do it here.
1859
01:44:56,708 --> 01:44:58,291
-[Paul] But actually…
-[humming]
1860
01:45:02,166 --> 01:45:03,166
[Paul] Yugoslavia.
1861
01:45:18,916 --> 01:45:20,083
[Paul] Yeah.
1862
01:45:21,083 --> 01:45:22,583
Then something about pleasure…
1863
01:45:22,666 --> 01:45:25,000
[vocalizes]
1864
01:45:25,083 --> 01:45:26,083
From…
1865
01:45:26,166 --> 01:45:27,750
♪ The many ways I've tried ♪
1866
01:45:27,833 --> 01:45:28,833
Yeah.
1867
01:45:29,458 --> 01:45:34,875
♪ Gathered all the pleasureFrom the many ways I've tried ♪
1868
01:45:35,458 --> 01:45:36,708
♪ But still they-- ♪
1869
01:45:36,791 --> 01:45:39,250
I've had lots of pleasure,
but said better.
1870
01:45:39,333 --> 01:45:40,333
-You know?
-Yeah.
1871
01:45:40,416 --> 01:45:43,333
[Paul] I've had many pleasure.
I've had much, much…
1872
01:45:44,750 --> 01:45:48,250
♪ You left me waiting here ♪
1873
01:45:50,625 --> 01:45:53,958
♪ A long, long time ago ♪
1874
01:45:59,500 --> 01:46:03,333
♪ You left me waiting here ♪
1875
01:46:05,166 --> 01:46:09,333
♪ A long, long time ago ♪
1876
01:46:09,416 --> 01:46:11,041
[vocalizes]
1877
01:46:11,750 --> 01:46:15,666
♪ Don't leave me standing here ♪
1878
01:46:17,750 --> 01:46:20,625
♪ Lead me to your door ♪
1879
01:46:31,583 --> 01:46:33,083
There's no more to that yet.
1880
01:46:33,166 --> 01:46:34,333
Just call that "middle."
1881
01:46:36,250 --> 01:46:38,791
[Paul vocalizing, humming]
1882
01:46:39,708 --> 01:46:42,625
♪ The many ways I've tried ♪
1883
01:46:42,708 --> 01:46:45,666
That's all right.
"The many ways I've tried" is all right.
1884
01:46:45,750 --> 01:46:48,375
[Mal] But have you got any idea
for the second verse?
1885
01:46:48,458 --> 01:46:53,458
See, I was thinking of having another,
like, the weather obstacle in that one.
1886
01:46:53,541 --> 01:46:57,416
♪ The storm clouds and the rain ♪
1887
01:46:59,291 --> 01:47:05,708
♪ Break upon the winding road ♪
1888
01:47:10,375 --> 01:47:12,625
[Paul] I suppose it should
still be about that.
1889
01:47:12,708 --> 01:47:14,416
The, sort of, winding road because…
1890
01:47:18,000 --> 01:47:21,625
♪ The thing that's up ahead ♪
1891
01:47:25,708 --> 01:47:26,791
No, I think the…
1892
01:47:29,750 --> 01:47:30,750
[chuckling]
1893
01:47:30,833 --> 01:47:35,875
♪ Golden slumbers ♪
1894
01:47:35,958 --> 01:47:38,125
♪ Fill your eyes ♪
1895
01:47:38,208 --> 01:47:41,416
It's an old English folk--
the words, these.
1896
01:47:43,375 --> 01:47:48,416
♪ Smiles await you ♪
1897
01:47:48,500 --> 01:47:51,583
♪ When you rise ♪
1898
01:47:53,041 --> 01:47:58,583
♪ Sleep, pretty darlingDo not cry ♪
1899
01:47:59,541 --> 01:48:04,458
♪ And I will sing a lullaby ♪
1900
01:48:04,541 --> 01:48:05,541
[shutter clicks]
1901
01:48:06,166 --> 01:48:08,541
♪ Once there was a way ♪
1902
01:48:08,625 --> 01:48:10,208
♪ Once upon a time ♪
1903
01:48:11,083 --> 01:48:14,208
♪ There lived a… ♪
1904
01:48:14,291 --> 01:48:16,208
That really should be
like a fairy tale, though.
1905
01:48:16,791 --> 01:48:19,250
-Once upon a time there lived a princess.
-[shutter clicks]
1906
01:48:19,333 --> 01:48:23,250
♪ Once upon a time ♪
1907
01:48:23,333 --> 01:48:26,916
♪ There lived a king ♪
1908
01:48:27,000 --> 01:48:32,500
♪ Sleep, pretty darlingDo not cry ♪
1909
01:48:33,791 --> 01:48:37,208
♪ And I will sing a lullaby ♪
1910
01:48:37,291 --> 01:48:39,541
And the king will sing a lullaby.
[chuckles]
1911
01:48:40,333 --> 01:48:42,708
♪ La, la, la, la, la ♪
1912
01:48:44,958 --> 01:48:46,666
[vocalizing]
1913
01:48:47,291 --> 01:48:49,416
[Paul] No, it's one you'd know,
the original one.
1914
01:48:49,500 --> 01:48:51,000
But just at the end of it, it goes…
1915
01:48:51,083 --> 01:48:56,541
♪ And I will sing a lullaby ♪
1916
01:48:59,500 --> 01:49:02,541
Should be ready for
a Songs for Swingin' Lovers album soon.
1917
01:49:02,625 --> 01:49:04,500
[laughing]
1918
01:49:10,166 --> 01:49:14,250
I was just so hungry today,
I had to be late just to eat me breakfast.
1919
01:49:14,333 --> 01:49:15,625
[shutter clicks]
1920
01:49:17,666 --> 01:49:18,666
[all laugh]
1921
01:49:19,375 --> 01:49:21,041
[shutter clicks]
1922
01:49:21,125 --> 01:49:23,208
[Paul]
I have a bit which might interest you.
1923
01:49:23,291 --> 01:49:25,458
I was thinking for a song for Ringo.
1924
01:49:25,541 --> 01:49:28,333
Like… Like a story.
1925
01:49:28,416 --> 01:49:30,958
A bit like "Act Naturally"
where you sort of-- [vocalizes]
1926
01:49:31,041 --> 01:49:33,958
But all they said was, well,
you've got to act naturally.
1927
01:49:34,041 --> 01:49:37,750
So… it was like a comedy when I heard it,
you know? It was like…
1928
01:49:37,833 --> 01:49:42,250
♪ Boy, you're gonna carry that weight ♪
1929
01:49:42,333 --> 01:49:46,166
♪ Carry that weight a long time ♪
1930
01:49:46,250 --> 01:49:50,125
♪ Boy, you're gonna carry that weight ♪
1931
01:49:50,208 --> 01:49:53,583
♪ Carry that weight a long time ♪
1932
01:49:53,666 --> 01:49:55,958
♪ Well, I get drunk tonight… ♪
1933
01:49:56,041 --> 01:49:57,750
[sings indistinctly]
1934
01:49:57,833 --> 01:50:01,666
♪ She said… [indistinct]
You do my fricking head ♪
1935
01:50:01,750 --> 01:50:05,583
♪ I said… [indistinct]
Been telling on and on ♪
1936
01:50:05,666 --> 01:50:09,666
♪ But every time I try to do itNo, it don't take long ♪
1937
01:50:09,750 --> 01:50:13,625
♪ Boy, you're gonna carry that weight ♪
1938
01:50:13,708 --> 01:50:16,875
♪ Carry that weight a long time ♪
1939
01:50:17,625 --> 01:50:21,250
♪ Boy, you're gonna carry that weight ♪
1940
01:50:21,333 --> 01:50:24,583
♪ Carry that weight a long time ♪
1941
01:50:31,125 --> 01:50:32,375
[shutter clicks]
1942
01:50:36,083 --> 01:50:37,375
[chuckling]
1943
01:50:37,458 --> 01:50:40,833
♪ Boy, you're gonna carry that weight ♪
1944
01:50:40,916 --> 01:50:44,208
♪ Carry that weight a long time ♪
1945
01:50:44,291 --> 01:50:45,875
♪ Yeah, boy ♪
1946
01:50:49,458 --> 01:50:52,375
["The Castle Of The King
Of The Birds" playing]
1947
01:51:22,625 --> 01:51:26,833
♪ Well, I love you in the morningGirl ♪
1948
01:51:26,916 --> 01:51:28,666
♪ I love you ♪
1949
01:51:28,750 --> 01:51:30,583
♪ Ooh ♪
1950
01:51:30,666 --> 01:51:34,458
♪ And I love you in the morningGirl ♪
1951
01:51:34,541 --> 01:51:36,208
♪ I do ♪
1952
01:51:38,541 --> 01:51:43,125
♪ I love you every minuteGirl, I do ♪
1953
01:52:01,041 --> 01:52:02,125
-[laughs]
-[George] Yes.
1954
01:52:08,916 --> 01:52:12,375
[Mal] Kevin? Kevin, can we have
some toast and tea, please?
1955
01:52:12,458 --> 01:52:14,041
It's tea time now, man.
1956
01:52:14,625 --> 01:52:16,250
[John] Can we have some more tea, Kevin?
1957
01:52:16,333 --> 01:52:18,416
I need sort of, like,
a gallon in the morning.
1958
01:52:18,958 --> 01:52:22,166
-[George] Do you have access to real tea?
-[John] I've got nice tea with us.
1959
01:52:22,250 --> 01:52:24,708
-Not that piss posh stuff.
-[Yoko laughs]
1960
01:52:25,375 --> 01:52:30,416
♪ I love more than everGirl, I do ♪
1961
01:52:41,041 --> 01:52:41,958
[whistles]
1962
01:52:43,416 --> 01:52:44,750
Yeah.
1963
01:52:44,833 --> 01:52:47,750
And a little blues folk song.
1964
01:52:47,833 --> 01:52:49,541
-[crew] Jimmy, stick 'em up.
-Oh.
1965
01:52:49,625 --> 01:52:51,916
When we was just acoustics or something.
1966
01:52:52,000 --> 01:52:53,916
There's more skiffling on it,
and it's great,
1967
01:52:54,000 --> 01:52:55,625
'cause they don't need any backing,
really.
1968
01:52:55,708 --> 01:52:57,166
So, "Get back, get back…"
1969
01:52:57,250 --> 01:52:59,250
[Paul]
"Get back to where you once belonged."
1970
01:53:00,625 --> 01:53:02,541
Think of some words if you can.
1971
01:53:02,625 --> 01:53:05,041
I don't know what it's about.
It's about going away.
1972
01:53:05,125 --> 01:53:06,708
And then the chorus is "Get back."
1973
01:53:06,791 --> 01:53:07,791
[George] Uh…
1974
01:53:07,875 --> 01:53:11,125
[Paul] So, I just--
Actually, it's not about anything.
1975
01:53:11,208 --> 01:53:12,791
-[all laugh]
-[Paul] You know…
1976
01:53:13,375 --> 01:53:14,958
[George]
Yeah, we'll just have those words.
1977
01:53:15,041 --> 01:53:19,583
Just words that-- They're just nothing
about anything. It's just, like, rubbish.
1978
01:53:19,666 --> 01:53:23,041
[protesters chanting]
1979
01:53:25,750 --> 01:53:28,166
["Get Back" playing]
1980
01:53:28,250 --> 01:53:32,791
The Black man will have the whip hand
over the white man.
1981
01:53:32,875 --> 01:53:34,375
♪ Get back to where you once belonged ♪
1982
01:53:34,958 --> 01:53:36,666
♪ Get back ♪
1983
01:53:36,750 --> 01:53:38,125
♪ Get back ♪
1984
01:53:38,666 --> 01:53:41,666
♪ Get back to where you once belonged ♪
1985
01:53:43,000 --> 01:53:46,750
♪ Sidi Abdul Rami was a Pakistani ♪
1986
01:53:46,833 --> 01:53:49,583
♪ But he didn't live at home ♪
1987
01:53:51,125 --> 01:53:54,625
♪ Worried people said"We don't need Pakistanis ♪
1988
01:53:54,708 --> 01:53:57,125
♪ Boy, you better travel home" ♪
1989
01:53:57,916 --> 01:53:59,750
♪ YeahGet back ♪
1990
01:54:00,750 --> 01:54:01,750
♪ Get back ♪
1991
01:54:02,916 --> 01:54:05,625
♪ Back to where you once belonged ♪
1992
01:54:06,333 --> 01:54:07,750
♪ Get back ♪
1993
01:54:07,833 --> 01:54:09,333
♪ Get back ♪
1994
01:54:10,208 --> 01:54:13,000
♪ Get back to where you once belonged ♪
1995
01:54:14,458 --> 01:54:18,166
♪ Alberto Marin was a Puerto Rican ♪
1996
01:54:18,250 --> 01:54:19,250
♪ But he… ♪
1997
01:54:19,333 --> 01:54:21,583
[singing continues, indistinct]
1998
01:54:22,458 --> 01:54:26,083
♪ Born in… [scats]
Don't dig no Puerto Ricans ♪
1999
01:54:26,166 --> 01:54:29,000
♪ Living in the USA ♪
2000
01:54:29,083 --> 01:54:31,166
♪ Oh, get back ♪
2001
01:54:31,791 --> 01:54:33,333
♪ Get back ♪
2002
01:54:33,833 --> 01:54:36,333
♪ Get back to where you once belonged ♪
2003
01:54:36,416 --> 01:54:38,916
-[chattering]
-[George] Just playing more on these…
2004
01:54:41,875 --> 01:54:42,875
[Glyn] It just fades back.
2005
01:54:44,000 --> 01:54:46,166
-Play some piano with it.
-[George] Folk blues.
2006
01:54:48,250 --> 01:54:51,625
♪ Tonight Enoch Powell saidGet out, immigrants ♪
2007
01:54:51,708 --> 01:54:53,666
♪ Immigrants a-better go home ♪
2008
01:54:54,541 --> 01:54:57,750
♪ Tonight Harold WilsonSaid to the immigrants ♪
2009
01:54:57,833 --> 01:55:00,666
♪ You better get backTo your Commonwealth homes ♪
2010
01:55:00,750 --> 01:55:05,250
♪ Yeah, yeah, yeahThey said you better get back home ♪
2011
01:55:07,166 --> 01:55:10,125
♪ Enoch Powell said to the folks ♪
2012
01:55:10,208 --> 01:55:12,458
♪ He said you wearThe color of your skin ♪
2013
01:55:13,291 --> 01:55:16,625
♪ He said he don't care what it'sAll about ♪
2014
01:55:16,708 --> 01:55:17,916
[mumbling]
2015
01:55:19,333 --> 01:55:22,583
♪ So Ted Heath said to Enoch Powell ♪
2016
01:55:22,666 --> 01:55:26,000
♪ He said you better get outOr else you'll go to trial ♪
2017
01:55:26,083 --> 01:55:29,291
♪ Enoch PowellEnoch, you better go home ♪
2018
01:55:32,375 --> 01:55:33,583
♪ Commonwealth ♪
2019
01:55:33,666 --> 01:55:35,000
♪ Yes ♪
2020
01:55:35,083 --> 01:55:36,916
♪ Commonwealth ♪
2021
01:55:37,000 --> 01:55:37,958
♪ Yes ♪
2022
01:55:38,750 --> 01:55:40,083
♪ Commonwealth ♪
2023
01:55:40,166 --> 01:55:41,500
♪ Yes ♪
2024
01:55:42,083 --> 01:55:43,291
♪ Commonwealth ♪
2025
01:55:43,375 --> 01:55:44,791
♪ Yes ♪
2026
01:55:44,875 --> 01:55:48,666
[Paul] ♪ If you don't want troubleThen you better go back to home ♪
2027
01:55:51,166 --> 01:55:54,458
♪ So I went to PakistaniI went to India ♪
2028
01:55:54,541 --> 01:55:57,458
♪ I've been to old CalcuttaAnd I've had enough of that ♪
2029
01:55:57,541 --> 01:55:59,791
-♪ I'm coming back ♪
-♪ Yes ♪
2030
01:55:59,875 --> 01:56:03,000
-[Paul] ♪ To England town ♪
-♪ Yes, welcome ♪
2031
01:56:04,125 --> 01:56:07,875
♪ And dirty Enoch PowellAnd he's had enough of Parliament ♪
2032
01:56:10,500 --> 01:56:13,916
♪ Well, I trekked down to AustraliaAnd said to New Zealand ♪
2033
01:56:14,000 --> 01:56:17,083
♪ You better come live with usWe're gonna have some fun ♪
2034
01:56:17,166 --> 01:56:20,208
♪ We're going up to IndiaWe'll go to Pakistan ♪
2035
01:56:20,291 --> 01:56:21,958
♪ We're coming up to Europe and… ♪
2036
01:56:22,041 --> 01:56:23,791
[singing, indistinct]
2037
01:56:23,875 --> 01:56:27,000
♪ And dirty Enoch Powell and his… ♪
2038
01:56:27,083 --> 01:56:29,375
[singing, indistinct]
2039
01:56:29,458 --> 01:56:31,625
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
2040
01:56:33,333 --> 01:56:35,250
-♪ Oh, Commonwealth ♪
-♪ Yes ♪
2041
01:56:36,166 --> 01:56:38,166
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
2042
01:56:39,041 --> 01:56:41,000
♪ Oh, hear me talkingCommonwealth ♪
2043
01:56:43,791 --> 01:56:47,333
♪ Yeah, the CommonwealthBut it's much too wealthy for me ♪
2044
01:56:47,416 --> 01:56:51,166
Much too common for me.
Much too common for me.
2045
01:56:51,250 --> 01:56:52,541
♪ Too common for me ♪
2046
01:56:52,625 --> 01:56:53,625
[John] Oh, yeah.
2047
01:56:53,708 --> 01:56:57,083
♪ I ambled to AustraliaAnd New Zealand too ♪
2048
01:56:57,166 --> 01:57:00,208
♪ I went up to PakistanAnd India too ♪
2049
01:57:00,291 --> 01:57:03,458
♪ I came back to West IndiesAnd I had a cricket match ♪
2050
01:57:03,541 --> 01:57:06,750
♪ I went into South AfricaAnd told them to get back ♪
2051
01:57:06,833 --> 01:57:10,958
♪ Oh, CommonwealthI said you're much too common for me ♪
2052
01:57:12,083 --> 01:57:13,083
Everybody sing!
2053
01:57:13,166 --> 01:57:15,083
-♪ Hey, Commonwealth ♪
-♪ Yes ♪
2054
01:57:16,333 --> 01:57:18,333
-♪ Yeah, Commonwealth ♪
-♪ Yes ♪
2055
01:57:19,000 --> 01:57:21,750
-♪ Enoch Powell, Commonwealth ♪
-♪ Yes ♪
2056
01:57:22,458 --> 01:57:24,708
-♪ Immigrants, Commonwealth ♪
-♪ Yes ♪
2057
01:57:26,625 --> 01:57:30,875
♪ Well, I would join the Common MarketBut it's much too common for me ♪
2058
01:57:30,958 --> 01:57:31,958
♪ Yes ♪
2059
01:57:36,291 --> 01:57:39,708
♪ Oh, Enoch Powell ♪
2060
01:57:39,791 --> 01:57:42,791
[slow music playing]
2061
01:57:49,125 --> 01:57:51,541
♪ Oh, Enoch Powell ♪
2062
01:58:01,250 --> 01:58:04,291
-I'll be taking me shirt off.
-[George] Do it in D. I'll play with you.
2063
01:58:04,375 --> 01:58:05,791
[Michael] Do you have a tattoo?
2064
01:58:06,916 --> 01:58:09,250
[chattering]
2065
01:58:09,333 --> 01:58:11,833
-[crew] First chance we've had…
-[Paul] So, do you want to try the--
2066
01:58:11,916 --> 01:58:13,250
-Once more.
-[laughs]
2067
01:58:13,333 --> 01:58:15,291
Get it over here,
that's where we're playing…
2068
01:58:15,375 --> 01:58:18,833
-With feeling. With Felix.
-With Felix. [laughing]
2069
01:58:18,916 --> 01:58:21,791
One, two, three, four.
2070
01:58:21,875 --> 01:58:24,291
["She Came In
Through The Bathroom Window" playing]
2071
01:58:25,250 --> 01:58:28,250
And this is something that happened to me
quite recently.
2072
01:58:29,375 --> 01:58:32,958
♪ She came in throughThe bathroom window ♪
2073
01:58:35,958 --> 01:58:39,583
♪ Protected by a silver spoon ♪
2074
01:58:42,125 --> 01:58:45,125
♪ But now she sucks her thumbAnd wonders ♪
2075
01:58:45,208 --> 01:58:46,708
[John] Get off!
2076
01:58:46,791 --> 01:58:51,208
[Paul] ♪ By the banks of her own lagoon ♪
2077
01:58:51,291 --> 01:58:54,708
♪ Didn't anybody tell her? ♪
2078
01:58:57,458 --> 01:59:00,458
♪ Didn't anybody see? ♪
2079
01:59:03,000 --> 01:59:07,166
♪ Sunday's on the phone to Monday ♪
2080
01:59:09,125 --> 01:59:12,916
♪ Tuesday's on the phone to me ♪
2081
01:59:14,166 --> 01:59:17,833
♪ She said she'd always been a dancer ♪
2082
01:59:20,500 --> 01:59:23,500
♪ She worked at 15 clubs a day ♪
2083
01:59:23,583 --> 01:59:25,583
[John] Worked in 15 clubs a day?
2084
01:59:25,666 --> 01:59:26,833
[Paul] Yeah!
2085
01:59:26,916 --> 01:59:29,333
♪ And though she thoughtI had the answer ♪
2086
01:59:33,000 --> 01:59:35,750
♪ I just had to sail away ♪
2087
01:59:35,833 --> 01:59:39,458
♪ Didn't anybody tell her? ♪
2088
01:59:40,500 --> 01:59:41,958
♪ No, no, no, no ♪
2089
01:59:42,041 --> 01:59:45,291
♪ Didn't anybody see? ♪
2090
01:59:46,375 --> 01:59:47,625
[indistinct]
2091
01:59:47,708 --> 01:59:51,625
♪ Sunday's on the phone to Monday ♪
2092
01:59:53,791 --> 01:59:57,000
♪ Tuesday's on the phone to me ♪
2093
01:59:57,083 --> 01:59:58,416
Yeah, she is.
2094
01:59:59,375 --> 02:00:02,291
♪ And so I quit the police department ♪
2095
02:00:02,375 --> 02:00:03,416
Get a job, cop!
2096
02:00:05,458 --> 02:00:07,916
♪ And got myself a proper job ♪
2097
02:00:08,000 --> 02:00:10,791
Bloody about time, too, if you ask me!
2098
02:00:11,583 --> 02:00:14,875
♪ And though she tried her bestTo help me ♪
2099
02:00:14,958 --> 02:00:16,791
He bloody need it too.
2100
02:00:16,875 --> 02:00:20,750
♪ She could stealBut she could not rob ♪
2101
02:00:20,833 --> 02:00:24,208
♪ Didn't anybody tell her? ♪
2102
02:00:26,958 --> 02:00:30,291
♪ Didn't anybody see? ♪
2103
02:00:30,375 --> 02:00:31,833
♪ Whoa ♪
2104
02:00:32,625 --> 02:00:36,875
♪ Sunday's on the phone to Monday ♪
2105
02:00:39,000 --> 02:00:42,500
♪ Tuesday's on the phone to me ♪
2106
02:00:45,083 --> 02:00:48,708
Hello. This is Tuesday speaking.
2107
02:00:48,791 --> 02:00:50,083
[chuckles]
2108
02:00:50,166 --> 02:00:51,541
Is that Paul?
2109
02:00:51,625 --> 02:00:54,375
-[chuckles]
-I'd like to have a word with you.
2110
02:00:54,458 --> 02:00:56,625
I've got something of his in the garden.
2111
02:00:56,708 --> 02:00:59,375
-I have something of interest for you.
-[laughs]
2112
02:00:59,916 --> 02:01:01,916
[imitating Elvis]
♪ Well, any old time of day ♪
2113
02:01:02,000 --> 02:01:03,333
♪ All you wanna hear me say ♪
2114
02:01:03,416 --> 02:01:06,333
♪ It's crazy, babyIt's crazy, yeah ♪
2115
02:01:11,083 --> 02:01:13,208
♪ God bless our gracious king ♪
2116
02:01:13,958 --> 02:01:14,958
[all laugh]
2117
02:01:15,541 --> 02:01:18,250
[George]
If we are in a groovy location place,
2118
02:01:18,333 --> 02:01:22,416
we can make the show about different bits
and pieces of what we've done.
2119
02:01:22,500 --> 02:01:25,791
Or we have to do it
in one consecutive piece.
2120
02:01:26,875 --> 02:01:29,833
[John] I think we could do both, you see?
We should do it about three times.
2121
02:01:29,916 --> 02:01:32,291
We'd settle on one day when we say,
"This is the show."
2122
02:01:32,375 --> 02:01:34,833
But we'd do a, like, dress rehearsal.
2123
02:01:34,916 --> 02:01:37,666
[George] Okay. Shall we do
some other people's tunes as well?
2124
02:01:37,750 --> 02:01:39,708
-That'd be nice.
-[John] I don't know any.
2125
02:01:39,791 --> 02:01:41,625
I can only just bear doing
your lot's songs.
2126
02:01:41,708 --> 02:01:42,750
[chuckles]
2127
02:01:48,958 --> 02:01:52,375
["Honey Hush" playing]
2128
02:02:00,916 --> 02:02:05,583
♪ I love you more each dayGirl, I do ♪
2129
02:02:09,250 --> 02:02:13,166
♪ So I got me a lorryAnd I took a ride ♪
2130
02:02:13,250 --> 02:02:15,166
-[John] This isn't Daddy's tea, is it?
-[Yoko] No.
2131
02:02:15,250 --> 02:02:17,625
[John] Daddy doesn't like
this chemical tea, you know?
2132
02:02:17,708 --> 02:02:21,458
It turns me off but blows my mind
and floats me upstream.
2133
02:02:21,541 --> 02:02:25,458
♪ Baa, baa, baaBaa, baa, baa ♪
2134
02:02:25,541 --> 02:02:29,208
♪ Black sheepHave you any wool? ♪
2135
02:02:29,291 --> 02:02:30,500
[Paul] ♪ Come on, Suzy Parker ♪
2136
02:02:30,583 --> 02:02:34,958
[John] ♪ I said, come on, Suzy ParkerEverybody's welcome to come ♪
2137
02:02:35,041 --> 02:02:37,833
[Paul] ♪ Suzy ParkerCome on, Suzy Parker ♪
2138
02:02:37,916 --> 02:02:41,875
♪ Yeah, you come to Suzy ParkerEverybody gets well done ♪
2139
02:02:41,958 --> 02:02:43,250
♪ Come on, Suzy Parker ♪
2140
02:02:43,333 --> 02:02:46,416
[vocalizing]
2141
02:02:57,083 --> 02:03:00,000
♪ Well, cheers, babycakeBaby, please don't lose… ♪
2142
02:03:00,083 --> 02:03:03,916
-["House of the Rising Sun" playing]
-[both groaning]
2143
02:03:08,458 --> 02:03:10,666
[Paul screeches]
2144
02:03:10,750 --> 02:03:14,708
♪ I know I'm one ♪
2145
02:03:14,791 --> 02:03:16,125
-[laughs]
-He's one, all right.
2146
02:03:18,375 --> 02:03:21,791
[vocalizes]
2147
02:03:21,875 --> 02:03:24,583
[John] If we can just have a sort of
permanent mic on the piano,
2148
02:03:24,666 --> 02:03:26,000
and a permanent mic for me.
2149
02:03:26,083 --> 02:03:28,041
[Paul] So we can hear
both of them, you see, Glyn?
2150
02:03:28,125 --> 02:03:29,958
-[Glyn] Great.
-Hah.
2151
02:03:30,041 --> 02:03:33,041
["Mama, You Been on My Mind" playing]
2152
02:03:37,250 --> 02:03:41,750
♪ Perhaps it's the colorOf the sun cut flat ♪
2153
02:03:41,833 --> 02:03:47,166
♪ And covering the crossroadsI'm standing at ♪
2154
02:03:49,166 --> 02:03:53,500
♪ Or maybe it's the weatherOr something like that ♪
2155
02:03:54,500 --> 02:03:57,791
♪ Mama, you're just on my mind ♪
2156
02:04:02,041 --> 02:04:05,250
Words are flowing out
like endless rain into a paper cup.
2157
02:04:05,333 --> 02:04:06,791
Dear Apple. [chuckles]
2158
02:04:06,875 --> 02:04:10,166
They slither wildly as they slip away
across the universe.
2159
02:04:10,250 --> 02:04:14,375
♪ Words are flowing outLike endless rain into a paper cup ♪
2160
02:04:14,458 --> 02:04:19,041
♪ They slither wildlyAs they slip away across the universe ♪
2161
02:04:19,125 --> 02:04:20,833
[John] "Shakin' in the Sixties!"
2162
02:04:21,958 --> 02:04:25,041
♪ Shakin' in the '60sWith a book bought by Dick James ♪
2163
02:04:26,083 --> 02:04:29,416
♪ Shakin' in the '60sWith a book bought by Dick James ♪
2164
02:04:29,500 --> 02:04:31,916
[Paul] The noise is a little too loud
for me. [chuckles]
2165
02:04:32,000 --> 02:04:34,333
[John]
Leave the group then if you don't like it.
2166
02:04:34,416 --> 02:04:36,500
-[chuckling]
-Come on. I've done all mine.
2167
02:04:37,375 --> 02:04:38,541
Both of mine.
2168
02:04:38,625 --> 02:04:42,125
So, we'll go through it once
and just roughly get it in our heads.
2169
02:04:42,208 --> 02:04:44,000
Do you want the bass in for the riff?
2170
02:04:44,083 --> 02:04:45,083
[singing, indistinct]
2171
02:04:45,166 --> 02:04:46,916
Do you want the bass in with the riff?
2172
02:04:47,500 --> 02:04:48,750
-Don't know.
-[John] Okay.
2173
02:04:48,833 --> 02:04:51,166
Well, I'll just play it by ear then.
2174
02:04:51,250 --> 02:04:52,625
So then it goes…
2175
02:04:52,708 --> 02:04:56,250
♪ When I find myself in times of trouble ♪
2176
02:04:56,333 --> 02:04:59,541
♪ Mother Mary comes to me ♪
2177
02:04:59,625 --> 02:05:04,333
♪ Speaking words of wisdomLet it be ♪
2178
02:05:05,958 --> 02:05:11,291
♪ And in my hour of darknessShe is standing right in front of me ♪
2179
02:05:12,083 --> 02:05:16,416
♪ Speaking words of wisdomLet it be ♪
2180
02:05:17,708 --> 02:05:20,541
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2181
02:05:20,625 --> 02:05:23,583
-♪ Let it be, let it be ♪
-♪ Oh ♪
2182
02:05:24,666 --> 02:05:29,000
♪ Whisper words of wisdomLet it be ♪
2183
02:05:29,083 --> 02:05:30,875
[John] ♪ Let it be ♪
2184
02:05:30,958 --> 02:05:34,000
♪ And all the broken-hearted people ♪
2185
02:05:34,083 --> 02:05:37,250
[vocalizing]
2186
02:05:39,916 --> 02:05:42,458
♪ Let it be ♪
2187
02:05:43,750 --> 02:05:45,291
♪ Whenever I'm in… ♪
2188
02:05:45,375 --> 02:05:46,375
[vocalizing]
2189
02:05:46,458 --> 02:05:49,666
♪ Brother Malcolm, MaryNa, na, na ♪
2190
02:05:50,541 --> 02:05:52,500
[vocalizing continues]
2191
02:05:53,166 --> 02:05:54,875
♪ Let it be ♪
2192
02:05:54,958 --> 02:05:57,500
[Paul] No, keep that. [vocalizes]
The rhythm of that bit.
2193
02:05:57,583 --> 02:05:59,958
[George] I just feel it needs
something really sustained.
2194
02:06:00,041 --> 02:06:01,708
-[John] Yeah, how about some words?
-[chuckles]
2195
02:06:01,791 --> 02:06:02,958
-[laughing]
-[Paul vocalizes]
2196
02:06:03,041 --> 02:06:04,000
[George] Thanks.
2197
02:06:04,083 --> 02:06:06,458
["Let It Be" playing]
2198
02:06:07,750 --> 02:06:09,791
[Paul vocalizing]
2199
02:06:09,875 --> 02:06:11,958
♪ Let it be ♪
2200
02:06:13,041 --> 02:06:16,291
[vocalizing]
2201
02:06:16,375 --> 02:06:17,791
♪ Words of wisdom… ♪
2202
02:06:17,875 --> 02:06:21,916
[vocalizing]
2203
02:06:22,000 --> 02:06:23,166
♪ Let it be ♪
2204
02:06:23,250 --> 02:06:24,833
-Yeah?
-[George] Yeah. Like…
2205
02:06:24,916 --> 02:06:29,083
♪ Words of wisdomLet it be ♪
2206
02:06:30,291 --> 02:06:33,625
[vocalizing]
2207
02:06:36,083 --> 02:06:38,875
-The way I was playing, was starting on F.
-[Paul] G.
2208
02:06:38,958 --> 02:06:41,666
"Whisper words of wisdom,
let it be, let it be."
2209
02:06:41,750 --> 02:06:44,375
-[vocalizes]
-♪ Down to C, down to… ♪
2210
02:06:44,458 --> 02:06:47,500
But I end up on the wrong one
when you're all moving on to F.
2211
02:06:47,583 --> 02:06:50,041
-♪ Whisper words of wisdom ♪
-♪ Words of G ♪
2212
02:06:50,125 --> 02:06:51,291
♪ Let it be, let it be ♪
2213
02:06:51,375 --> 02:06:54,541
F, C, G.
2214
02:06:54,625 --> 02:06:57,583
-Oh, miss the F?
-C, G, to C.
2215
02:06:57,666 --> 02:07:00,208
So, yes. So then, you see, you get this…
2216
02:07:00,291 --> 02:07:03,583
"Whisper words of wisdom,
let it be, let it be…"
2217
02:07:03,666 --> 02:07:05,541
[vocalizing]
2218
02:07:05,625 --> 02:07:06,625
You play that.
2219
02:07:06,708 --> 02:07:10,791
♪ Whisper words of wisdomLet it be ♪
2220
02:07:15,333 --> 02:07:17,833
It seems that it's all happening
2221
02:07:18,416 --> 02:07:20,916
a little bit too quickly
with them both coming in at the same time.
2222
02:07:21,000 --> 02:07:22,375
-[Paul] Yeah.
-That's all.
2223
02:07:22,458 --> 02:07:25,291
[John] When do the drums first come in,
guitar, and all that?
2224
02:07:25,375 --> 02:07:27,833
Well, Glyn's saying
first time they come in…
2225
02:07:27,916 --> 02:07:29,791
-He seems to be arranging this. Come on.
-[laughs]
2226
02:07:29,875 --> 02:07:31,208
-Go on.
-[piano playing]
2227
02:07:31,291 --> 02:07:33,500
[Paul vocalizing]
2228
02:07:37,333 --> 02:07:40,041
[vocalizing continues]
2229
02:07:40,125 --> 02:07:40,958
♪ Let it… ♪
2230
02:07:41,041 --> 02:07:43,875
-[Paul] Could have bass there with a…
-[John] Only if you ask nicely.
2231
02:07:43,958 --> 02:07:48,125
-[piano playing]
-[Paul vocalizes]
2232
02:07:48,208 --> 02:07:50,666
-[John] You want me on the verse?
-[Paul] Yeah. Come in, bass.
2233
02:07:50,750 --> 02:07:52,666
[John]
On the verse when he comes chapping…
2234
02:07:52,750 --> 02:07:54,583
-[Paul] Well, I was thinking of it, yeah.
-[John] Yeah.
2235
02:07:54,666 --> 02:07:56,375
-Glyn and I have thought…
-[Paul] Glyn and…
2236
02:07:56,458 --> 02:07:58,166
[John] ♪ Let it beLet it be ♪
2237
02:07:58,250 --> 02:08:00,291
One, two, three.
2238
02:08:00,375 --> 02:08:04,000
♪ When I find myself in times of trouble ♪
2239
02:08:04,083 --> 02:08:06,541
♪ Mother Mary comes to me ♪
2240
02:08:07,333 --> 02:08:11,291
♪ Speaking words of wisdomLet it be ♪
2241
02:08:11,375 --> 02:08:13,500
[no audible dialogue]
2242
02:08:13,583 --> 02:08:19,833
♪ And in my hour of darknessShe is standing right in front of me ♪
2243
02:08:19,916 --> 02:08:24,333
[Paul] ♪ Speaking words of wisdomLet it be ♪
2244
02:08:25,500 --> 02:08:28,958
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2245
02:08:29,041 --> 02:08:32,041
-♪ Let it be, let it be ♪
-♪ Oh ♪
2246
02:08:32,750 --> 02:08:36,708
♪ Whisper words of wisdomLet it be ♪
2247
02:08:36,791 --> 02:08:38,625
♪ Let it be ♪
2248
02:08:39,208 --> 02:08:45,000
♪ For all the broken-hearted peopleHeaven above must agree ♪
2249
02:08:46,125 --> 02:08:50,208
[vocalizing]
2250
02:08:52,208 --> 02:08:55,208
[vocalizing continues]
2251
02:09:01,541 --> 02:09:03,125
♪ Let it be ♪
2252
02:09:04,583 --> 02:09:07,916
-♪ Let it be, let it be ♪
-♪ Oh, oh ♪
2253
02:09:08,000 --> 02:09:11,458
-♪ Let it be, let it be ♪
-♪ Oh ♪
2254
02:09:11,541 --> 02:09:15,791
♪ Read the Record MirrorLet it be ♪
2255
02:09:17,291 --> 02:09:19,000
[vocalizing]
2256
02:09:34,750 --> 02:09:36,750
[music fades, stops]
2257
02:09:36,833 --> 02:09:39,375
[Ringo]
Forty million Churchills can't be wrong.
2258
02:09:41,333 --> 02:09:43,916
Forty million Churchills can't be wrong,
but one de Gaulle can.
2259
02:09:44,000 --> 02:09:45,583
-[laughs]
-[Paul] We've got a charming one here.
2260
02:09:45,666 --> 02:09:47,708
"I Wish I Had Died in My Cradle."
2261
02:09:47,791 --> 02:09:49,958
[all laugh]
2262
02:09:50,041 --> 02:09:51,458
[Ringo] I don't know.
2263
02:09:53,291 --> 02:09:55,125
"Lisp Of A Baby's Prayer."
2264
02:09:55,208 --> 02:09:56,208
[chuckles]
2265
02:09:56,291 --> 02:09:58,125
[Paul] "Alphabet Song." What's that one?
2266
02:09:58,208 --> 02:10:00,750
Oh, Christ,
I don't know the whole catalog yet.
2267
02:10:00,833 --> 02:10:03,458
4,000 songs is a lot to absorb.
2268
02:10:03,541 --> 02:10:05,708
-In the morning?
-Perhaps.
2269
02:10:05,791 --> 02:10:09,083
-"Nobody Loves a Fairy When She's Forty."
-[laughs]
2270
02:10:10,708 --> 02:10:12,458
[Paul] This is it? This is the lot?
2271
02:10:12,541 --> 02:10:16,583
This is a very good list.
That's the entire catalog up to '65.
2272
02:10:17,416 --> 02:10:18,416
Yeah. Yeah.
2273
02:10:18,500 --> 02:10:20,541
Is this the catalog
that's just gone on sale?
2274
02:10:20,625 --> 02:10:22,625
-It's the one we just bought.
-You bought it. Oh, great.
2275
02:10:24,000 --> 02:10:26,000
[whistling]
2276
02:10:28,083 --> 02:10:31,833
-Which includes Paul and John. And--
-Just about.
2277
02:10:31,916 --> 02:10:34,541
-What are you talking about, "Just about"?
-Nothing. Uh, no comment.
2278
02:10:35,291 --> 02:10:36,875
Very substantially, sir.
2279
02:10:36,958 --> 02:10:38,166
Yes, right. Okay.
2280
02:10:42,083 --> 02:10:45,333
-[Michael] Mm-hmm. Marvelous catalog.
-[Dick] Oh, it's an incredible catalog.
2281
02:10:45,416 --> 02:10:48,916
And we'll start on reprinting
a great deal of this music,
2282
02:10:49,000 --> 02:10:52,958
because sheet music and song albums
is an expanding market now.
2283
02:10:53,041 --> 02:10:54,666
Right, right. [chuckles] Yeah, yeah.
2284
02:10:54,750 --> 02:10:58,541
You know, 12 songs for five bob
is more than ample. That's good value.
2285
02:11:03,875 --> 02:11:05,041
-[Dick] Yeah.
-Great.
2286
02:11:15,000 --> 02:11:16,041
[Dick] Yeah.
2287
02:11:16,125 --> 02:11:18,958
-"Carolina Moon," my Uncle Ron's favorite.
-[Dick] Well.
2288
02:11:19,041 --> 02:11:21,375
He sings it at all the parties.
[imitating uncle] All right!
2289
02:11:21,458 --> 02:11:24,916
♪ Carolina Moon ♪
2290
02:11:25,000 --> 02:11:26,041
Come on, Paul.
2291
02:11:26,125 --> 02:11:27,208
The Copyright Act
2292
02:11:27,291 --> 02:11:31,250
and the payment for a performance
of a fee didn't start until 1911.
2293
02:11:31,333 --> 02:11:33,083
But who buys sheet music?
2294
02:11:33,166 --> 02:11:34,708
Is it mainly piano people?
2295
02:11:34,791 --> 02:11:36,500
[Dick] No. Guitar people.
2296
02:11:44,333 --> 02:11:45,333
[Paul] Yeah.
2297
02:11:47,625 --> 02:11:50,916
[Paul] Well, a lot of our stuff,
I don't know whether it does any more,
2298
02:11:51,000 --> 02:11:54,000
because we always publish our lyrics now,
you know?
2299
02:11:54,083 --> 02:11:57,083
But you see,
particularly where the boys are concerned,
2300
02:11:57,166 --> 02:11:58,750
they create the song, right?
2301
02:11:58,833 --> 02:12:01,875
And I give it to my music scribe
and he has to take it down.
2302
02:12:01,958 --> 02:12:03,708
And he's a very good man,
very experienced.
2303
02:12:05,125 --> 02:12:08,666
He can make mistakes,
but in an effort to eliminate this now
2304
02:12:08,750 --> 02:12:11,875
we check the lyrics with John and Paul,
they okay the lyric…
2305
02:12:16,166 --> 02:12:17,916
-Hi.
-Hi, George.
2306
02:12:22,208 --> 02:12:23,291
-Hi, George.
-[Michael] Hi, man.
2307
02:12:27,916 --> 02:12:29,916
[Dick] I'm well aware.
You're very welcome.
2308
02:12:33,166 --> 02:12:36,500
Something to drink out of
or the wife can throw?
2309
02:12:38,375 --> 02:12:40,041
Which I sang in my heyday.
2310
02:12:40,125 --> 02:12:41,666
[chattering]
2311
02:12:41,750 --> 02:12:42,916
-Hi, Georgie.
-Hi, Mike.
2312
02:12:43,000 --> 02:12:44,291
[Michael] Hi, George. How are you?
2313
02:12:49,958 --> 02:12:51,708
It doesn't even seem high to me.
2314
02:12:51,791 --> 02:12:54,166
-Well, these are gilt-edged songs.
-[piano music playing]
2315
02:12:54,250 --> 02:12:55,791
[Paul singing]
2316
02:12:55,875 --> 02:12:57,166
-Morgen.
-Morning.
2317
02:12:57,250 --> 02:12:59,833
-[George] Didn't Neil ring you last night?
-No.
2318
02:13:08,583 --> 02:13:09,583
[Michael] Take hold of this.
2319
02:13:09,666 --> 02:13:11,500
If anybody says
anything interesting, remember it.
2320
02:13:11,583 --> 02:13:13,625
-[Ringo] Not really.
-[all laugh]
2321
02:13:15,541 --> 02:13:20,083
Uh… Neil would like us to have a meeting.
2322
02:13:20,166 --> 02:13:21,708
-[John] Saturday?
-[George] Yes.
2323
02:13:21,791 --> 02:13:23,625
He was very excited and--
2324
02:13:23,708 --> 02:13:25,708
-Was he? Good news or--
-Yes. Very.
2325
02:13:25,791 --> 02:13:27,625
Oh, all right, I'll come for good news.
[chuckles]
2326
02:13:27,708 --> 02:13:28,708
[indistinct]
2327
02:13:30,375 --> 02:13:31,541
You watching?
2328
02:13:31,625 --> 02:13:32,666
Yeah.
2329
02:13:36,000 --> 02:13:38,541
Yeah, I think it's gonna be
a double-sider.
2330
02:13:38,625 --> 02:13:42,666
And, uh, we've set it for release--
We've set it for release in the States.
2331
02:13:42,750 --> 02:13:44,958
She's doing it on The Rolf Harris Show
tomorrow night.
2332
02:13:45,041 --> 02:13:47,666
-[Paul] Is she one of your artists?
-She's an EMI artist.
2333
02:13:47,750 --> 02:13:50,708
And we have some territories,
2334
02:13:50,791 --> 02:13:53,041
then EMI puts them out in other places.
2335
02:13:53,541 --> 02:13:55,500
-[Paul] Okay, shall we start?
-Yeah.
2336
02:13:55,583 --> 02:13:56,833
[chattering]
2337
02:13:56,916 --> 02:13:58,125
I'll send some, um…
2338
02:13:58,875 --> 02:14:00,583
I'll send some discs down, Paul.
2339
02:14:01,166 --> 02:14:02,125
[Paul] Okay.
2340
02:14:02,208 --> 02:14:03,916
[Dick] Should have pressings up, um…
2341
02:14:04,000 --> 02:14:07,625
Well, I think they were up last night, but
they were up too late for me to get them.
2342
02:14:08,875 --> 02:14:10,708
["Get Back" playing]
2343
02:14:10,791 --> 02:14:14,083
[vocalizing]
2344
02:14:16,875 --> 02:14:18,416
[laughs] That was a nice start.
2345
02:14:27,500 --> 02:14:31,291
[John] ♪ Put on your hi-heel sneakers ♪
2346
02:14:31,916 --> 02:14:32,916
[Ringo] Bye, Dick.
2347
02:14:33,000 --> 02:14:35,708
♪ Cause we're goin' out tonight ♪
2348
02:14:40,833 --> 02:14:44,166
♪ Put on your hi-heel sneakers ♪
2349
02:14:45,875 --> 02:14:48,958
♪ Cause we're goin' out tonight ♪
2350
02:14:49,041 --> 02:14:50,125
♪ We are ♪
2351
02:14:54,708 --> 02:14:57,625
♪ And bring along some boxin' gloves ♪
2352
02:14:58,875 --> 02:15:02,416
♪ In case some fool might wanna fight ♪
2353
02:15:07,375 --> 02:15:08,375
[Paul]
♪ Get back ♪
2354
02:15:09,458 --> 02:15:10,916
♪ Back ♪
2355
02:15:11,000 --> 02:15:13,875
♪ Back to where you once belonged ♪
2356
02:15:15,041 --> 02:15:16,166
I dig this. I do.
2357
02:15:18,416 --> 02:15:19,875
[no audible dialogue]
2358
02:15:23,291 --> 02:15:24,500
[no audible dialogue]
2359
02:15:24,583 --> 02:15:28,208
[chords playing]
2360
02:15:28,291 --> 02:15:30,833
[chattering]
2361
02:15:35,708 --> 02:15:38,750
♪ Get back, get back ♪
2362
02:15:50,166 --> 02:15:51,458
[Paul] Yes.
2363
02:15:52,666 --> 02:15:53,666
[John] Yes, yes!
2364
02:16:04,416 --> 02:16:05,750
[music fades]
2365
02:16:05,833 --> 02:16:08,958
[John] We've never learned
so many new numbers at once. Have we?
2366
02:16:09,041 --> 02:16:10,208
[Paul] Yeah.
2367
02:16:10,291 --> 02:16:12,500
-That's it. It will be better, that.
-Yeah.
2368
02:16:14,500 --> 02:16:15,916
[Paul] Well, should we just redo this one?
2369
02:16:16,000 --> 02:16:18,041
-I still haven't got words on this.
-[John] Yes.
2370
02:16:20,875 --> 02:16:23,458
-[singing note]
-[guitar matches note]
2371
02:16:23,541 --> 02:16:25,375
[playing instruments]
2372
02:16:26,458 --> 02:16:29,333
[Paul] Yeah, let's have it like that.
Just have a big, held chord.
2373
02:16:29,416 --> 02:16:31,916
All of us just hold a chord of, like, A.
2374
02:16:32,000 --> 02:16:35,875
But you creep up with drumming.
So it goes, "One, two, three, four."
2375
02:16:35,958 --> 02:16:37,208
[instruments hold note]
2376
02:16:37,291 --> 02:16:40,208
[plays drums]
2377
02:16:40,291 --> 02:16:42,041
Only even more like, sort of…
2378
02:16:42,125 --> 02:16:45,625
[imitates guitar, drums]
2379
02:16:45,708 --> 02:16:46,833
So you…
2380
02:16:46,916 --> 02:16:50,708
You'll have to do something like lead to…
2381
02:16:50,791 --> 02:16:54,416
[sings note] What was the record?
2382
02:16:56,458 --> 02:16:58,541
-There's one record of ours.
-[John] Should be more like…
2383
02:16:58,625 --> 02:17:00,916
[vocalizing to "Get Back"]
2384
02:17:04,083 --> 02:17:05,291
[Paul] But even in the--
2385
02:17:06,208 --> 02:17:08,583
That suggests something to me. That chord.
2386
02:17:08,666 --> 02:17:10,083
-Yeah.
-[both vocalize]
2387
02:17:10,166 --> 02:17:11,458
And also, that's why I like--
2388
02:17:11,541 --> 02:17:15,333
That's why "Get Back" suggests
any old number like this.
2389
02:17:15,416 --> 02:17:18,166
So if we have harmony on it
and try and make it--
2390
02:17:18,250 --> 02:17:19,250
[John] Yes?
2391
02:17:19,750 --> 02:17:22,458
-'Cause it's a bit ordinary, isn't it?
-So-- So you don't want that?
2392
02:17:22,541 --> 02:17:25,083
The "Get Back" bit's the ordinary bit.
2393
02:17:25,166 --> 02:17:27,208
Yeah, but it's all right.
I mean, but we should--
2394
02:17:27,291 --> 02:17:29,750
We should try and get away from…
2395
02:17:29,833 --> 02:17:30,916
♪ Get back ♪
2396
02:17:31,625 --> 02:17:33,541
♪ Get back, yeah ♪
2397
02:17:33,625 --> 02:17:35,125
-Get away from that?
-Uh, no--
2398
02:17:36,166 --> 02:17:38,250
Yeah, but I know.
I mean, just get away from the way…
2399
02:17:39,416 --> 02:17:40,958
[Paul stammers]
2400
02:17:41,041 --> 02:17:44,583
Where did we get that chord? You know?
There was a song we got that chord from.
2401
02:17:45,875 --> 02:17:48,583
-There was one where we sort of--
-[John] Booker T. and the MG's.
2402
02:17:48,666 --> 02:17:51,125
-[Paul] Booker T. Yeah.
-[George] But there's lots…
2403
02:17:52,291 --> 02:17:55,833
But it's passé, you know?
It's like-- It was a couple of years ago.
2404
02:17:55,916 --> 02:17:57,708
No, it wasn't. That's just a chord.
2405
02:17:57,791 --> 02:17:59,041
I know, but, you know. Yeah, but--
2406
02:17:59,125 --> 02:18:01,958
-Chords like fashions and stuff…
-And some chords fit things.
2407
02:18:02,041 --> 02:18:03,166
But it's like drainies.
2408
02:18:03,250 --> 02:18:05,583
-Yeah, but some drainies…
-They're still drainies, but…
2409
02:18:05,666 --> 02:18:09,083
…suit different occasions
and Oxford bags--
2410
02:18:09,166 --> 02:18:13,291
[Paul] The thing is, that's good enough
for the rock and roll thing, but--
2411
02:18:14,166 --> 02:18:16,708
-No, you don't. You need, like--
-You need George Harrison.
2412
02:18:16,791 --> 02:18:18,250
-[Paul] You need George Harrison. Yeah.
-Mmm.
2413
02:18:18,333 --> 02:18:21,916
But just doing simple things
until it's your go.
2414
02:18:22,000 --> 02:18:24,583
Because I'm trying to sing louder
to get over the guitar.
2415
02:18:27,500 --> 02:18:31,416
Yeah. But--
but if you do the offbeat with Ringo.
2416
02:18:31,500 --> 02:18:34,250
♪ Get back, get back ♪
2417
02:18:36,500 --> 02:18:37,500
♪ Get back ♪
2418
02:18:38,250 --> 02:18:39,250
♪ Get back ♪
2419
02:18:39,791 --> 02:18:40,791
♪ Get back ♪
2420
02:18:41,333 --> 02:18:42,750
♪ Get back ♪
2421
02:18:43,500 --> 02:18:46,250
♪ Get back to where you once belonged ♪
2422
02:18:47,000 --> 02:18:48,000
♪ Get back ♪
2423
02:18:49,041 --> 02:18:50,208
♪ Get back ♪
2424
02:18:50,833 --> 02:18:53,666
♪ Get back to where you once belonged ♪
2425
02:18:55,583 --> 02:18:56,583
See, but don't--
2426
02:18:56,666 --> 02:19:00,541
If you vamp, then it--
then it takes away from his vamping.
2427
02:19:00,625 --> 02:19:01,833
I think, you know?
2428
02:19:01,916 --> 02:19:03,958
But it's like that. It is like that.
2429
02:19:04,041 --> 02:19:07,833
It's like the big, soft lead guitarist,
you know, who just stands there and just--
2430
02:19:07,916 --> 02:19:09,500
-Little, soft lead guitarist.
-Well, you know--
2431
02:19:09,583 --> 02:19:12,333
No, but the big one in my head,
where he just sort of goes…
2432
02:19:12,416 --> 02:19:14,916
[heavy strumming]
2433
02:19:15,000 --> 02:19:17,458
But you can either do that soft
or good, you know?
2434
02:19:17,541 --> 02:19:18,916
You don't…
2435
02:19:19,000 --> 02:19:20,208
It's that thing, you know?
2436
02:19:21,791 --> 02:19:24,041
-I mean, "She's a Woman."
-Yeah.
2437
02:19:24,125 --> 02:19:27,458
That was just a better rhythm
than we have, you know, because--
2438
02:19:27,541 --> 02:19:29,750
And "Sgt. Pepper" on the organ. It's just…
2439
02:19:29,833 --> 02:19:31,708
-[song playing]
-[scatting]
2440
02:19:36,875 --> 02:19:38,416
None of you are trying to do any of it.
2441
02:19:38,500 --> 02:19:40,583
[John] Okay. I'll just write it down then.
2442
02:19:40,666 --> 02:19:41,750
[chattering]
2443
02:19:44,000 --> 02:19:45,750
-Yeah, and the Puerto Ricans.
-Yeah.
2444
02:19:46,250 --> 02:19:47,375
[chattering]
2445
02:19:49,416 --> 02:19:51,083
[Paul] She thought she was a woman.
2446
02:19:51,166 --> 02:19:52,875
♪ Jo Jo went and left his-- ♪
2447
02:19:52,958 --> 02:19:53,958
Jo Jo.
2448
02:19:55,166 --> 02:19:57,500
♪ Jo Jo left his home in-- ♪
2449
02:19:59,083 --> 02:20:01,041
-What's a Western name?
-Jo Jo went and left--
2450
02:20:01,125 --> 02:20:04,208
-A Western name? Jo Jo…
-[John sighs]
2451
02:20:04,291 --> 02:20:05,875
-Go on.
-Perkins.
2452
02:20:05,958 --> 02:20:07,708
♪ Jo Jo Perkins left-- ♪
2453
02:20:07,791 --> 02:20:09,166
♪ Jo Jo Lemon-- ♪
2454
02:20:09,875 --> 02:20:10,875
Jo Jo Carter?
2455
02:20:10,958 --> 02:20:11,958
Jo Jo Williams?
2456
02:20:12,041 --> 02:20:15,166
Jo Jo Braxton. Jo Jo Pepper. Brennan.
2457
02:20:15,250 --> 02:20:16,250
♪ Jo Jo-- ♪
2458
02:20:17,833 --> 02:20:19,875
♪ Jo Jo Daphne left his home-- ♪
2459
02:20:21,000 --> 02:20:22,000
[John] Yeah.
2460
02:20:22,083 --> 02:20:25,666
♪ Jo Jo Jackson left his home in Arizona ♪
2461
02:20:25,750 --> 02:20:28,166
[vocalizing]
2462
02:20:34,416 --> 02:20:35,666
[indistinct]
2463
02:20:35,750 --> 02:20:37,833
♪ Don't dig no Pakistanis ♪
2464
02:20:37,916 --> 02:20:40,916
♪ Living in a council flat ♪
2465
02:20:42,000 --> 02:20:48,958
[indistinct]
2466
02:20:49,666 --> 02:20:51,000
[both] ♪ Oh, get back ♪
2467
02:20:51,958 --> 02:20:53,333
♪ Get back ♪
2468
02:20:54,291 --> 02:20:57,208
♪ Back to where you once belonged ♪
2469
02:20:59,583 --> 02:21:02,125
♪ Two of us wearing raincoats ♪
2470
02:21:02,208 --> 02:21:07,125
♪ Standing solo in the sun ♪
2471
02:21:08,041 --> 02:21:10,791
♪ You and me chasing paper ♪
2472
02:21:10,875 --> 02:21:12,833
♪ Getting nowhere ♪
2473
02:21:12,916 --> 02:21:17,708
♪ On our way back home ♪
2474
02:21:18,416 --> 02:21:20,291
♪ We're on our way home ♪
2475
02:21:21,208 --> 02:21:23,083
♪ We're on our way home ♪
2476
02:21:24,000 --> 02:21:25,250
♪ We're going home ♪
2477
02:21:28,625 --> 02:21:33,083
♪ On our way back home ♪
2478
02:21:36,083 --> 02:21:40,375
♪ On our way back home ♪
2479
02:21:43,875 --> 02:21:49,333
♪ On our way back home ♪
2480
02:21:49,416 --> 02:21:51,666
[Paul] That's it. You know, it'll go--
2481
02:21:51,750 --> 02:21:52,750
[John] Well, you know.
2482
02:21:52,833 --> 02:21:53,833
[guitar plays]
2483
02:21:53,916 --> 02:21:56,583
[Paul] I think it needs
a bit more of that, this one.
2484
02:21:56,666 --> 02:21:58,291
Needs a bit more of that.
2485
02:21:59,500 --> 02:22:02,041
In fact, maybe you shouldn't both do that.
2486
02:22:02,125 --> 02:22:04,250
-Could you stop playing for a minute?
-Yes, all right, Paul.
2487
02:22:04,333 --> 02:22:06,916
…while I'm trying to talk to you
about this arrangement. Thank you.
2488
02:22:08,125 --> 02:22:10,625
-Could we go for lunch?
-[John] Is it lunch already?
2489
02:22:10,708 --> 02:22:11,708
[Paul] Yes.
2490
02:22:11,791 --> 02:22:13,125
[guitar continues]
2491
02:22:36,666 --> 02:22:37,541
Yeah.
2492
02:22:37,625 --> 02:22:39,666
-We aim to please.
-[Mal] I rang Chris and--
2493
02:22:41,333 --> 02:22:42,333
Mmm?
2494
02:23:08,750 --> 02:23:11,333
-[Paul chuckles]
-[guitar plays]
2495
02:23:11,416 --> 02:23:13,625
[John] Oh. So pissed.
2496
02:23:16,750 --> 02:23:18,333
-[John] No.
-[all chuckle]
2497
02:23:19,916 --> 02:23:20,750
[Paul] Yeah.
2498
02:23:26,791 --> 02:23:27,791
Stop it! Stop it!
2499
02:23:30,458 --> 02:23:32,458
-Ooh. What a buzz.
-[laughs]
2500
02:23:32,541 --> 02:23:33,666
What a buzz.
2501
02:23:33,750 --> 02:23:36,833
[John] "I've Got a Feeling."
Okay, George. Take it.
2502
02:23:36,916 --> 02:23:39,875
["I've Got a Feeling" playing]
2503
02:23:42,166 --> 02:23:45,041
♪ I've got a feeling ♪
2504
02:23:45,875 --> 02:23:48,333
♪ A feeling deep insideOh, yeah ♪
2505
02:23:50,416 --> 02:23:51,583
♪ Oh, no ♪
2506
02:23:53,625 --> 02:23:55,958
♪ Yeah! ♪
2507
02:23:56,041 --> 02:24:00,625
♪ Whoa, I've got a feeling, yeah ♪
2508
02:24:01,750 --> 02:24:04,833
♪ Don't let me down ♪
2509
02:24:08,083 --> 02:24:11,083
♪ Don't let me down ♪
2510
02:24:14,833 --> 02:24:17,375
♪ Don't let me down ♪
2511
02:24:25,458 --> 02:24:30,625
[wailing]
2512
02:24:48,083 --> 02:24:51,791
[continues wailing]
2513
02:25:06,583 --> 02:25:10,500
[grunting]
2514
02:25:13,708 --> 02:25:17,458
[wailing]
2515
02:25:24,166 --> 02:25:25,291
♪ John! ♪
2516
02:25:26,125 --> 02:25:27,625
[Ringo] Yeah, rock it to me, baby.
2517
02:25:28,791 --> 02:25:30,166
That's what I like.
2518
02:25:30,875 --> 02:25:34,000
You may think this is a full orchestra,
but if you look closely,
2519
02:25:34,083 --> 02:25:37,333
you can see there's only two people
playing and one person singing.
2520
02:25:38,000 --> 02:25:40,375
I know it sounds like Benny Goodman,
but don't worry.
2521
02:25:40,458 --> 02:25:43,916
It's the big sound of 1969.
2522
02:25:44,000 --> 02:25:47,916
[high-pitched voice] ♪ Bang! Bang!Maxwell's silver hammer ♪
2523
02:25:48,000 --> 02:25:51,500
♪ Came down upon his head ♪
2524
02:25:53,083 --> 02:25:54,333
♪ Clang! Clang! ♪
2525
02:25:54,416 --> 02:26:00,916
♪ Maxwell's silver hammerMade sure that Joan was dead ♪
2526
02:26:03,166 --> 02:26:06,291
[Michael] Maybe for the show, I mean,
you could just say George was sick.
2527
02:26:06,791 --> 02:26:08,916
[John]
No. I mean, if he leaves, he leaves.
2528
02:26:17,000 --> 02:26:20,708
-[chattering]
-[Yoko vocalizing]
2529
02:26:20,791 --> 02:26:24,416
♪ John, John, John, John ♪
2530
02:26:32,916 --> 02:26:34,166
♪ John… ♪
2531
02:26:34,250 --> 02:26:36,000
[John] Anything you say, dear!
2532
02:26:36,083 --> 02:26:38,791
-John, John!
-I've brought the tea.
2533
02:26:38,875 --> 02:26:40,541
John!
2534
02:26:40,625 --> 02:26:42,625
[John, high-pitched voice] Yes?
2535
02:26:43,375 --> 02:26:45,041
[slow-tempo music playing]
2536
02:26:45,125 --> 02:26:46,125
[John] I saw him!
2537
02:26:46,208 --> 02:26:47,791
-[Ringo] Terrible!
-[John] Shit!
2538
02:26:49,958 --> 02:26:52,958
[Paul singing indistinctly]
2539
02:27:03,000 --> 02:27:04,000
[Michael] Yeah.
2540
02:27:24,416 --> 02:27:27,958
-So cats and kittens, what we gonna do?
-[laughs]
2541
02:27:29,625 --> 02:27:31,208
[chattering]
2542
02:27:36,208 --> 02:27:37,375
[laughs]
2543
02:27:40,333 --> 02:27:41,666
[John] Orson Welles. [chuckles]
2544
02:27:41,750 --> 02:27:43,541
[Michael]
The thing about Orson is he's very funny.
2545
02:27:43,625 --> 02:27:44,750
We were in Belfast,
2546
02:27:44,833 --> 02:27:46,833
rehearsing the stage version
of Chimes of Midnight.
2547
02:27:46,916 --> 02:27:48,458
And one day he walked off the stage.
2548
02:27:49,541 --> 02:27:51,208
-[Michael] "See you round the clubs."
-[Glyn laughs]
2549
02:27:51,291 --> 02:27:54,125
-[Michael] He came back an hour later.
-[laughing]
2550
02:27:55,166 --> 02:27:57,583
Get in your bag! [laughs]
2551
02:27:57,666 --> 02:27:59,750
Get in your-- Get in your bloody bag!
2552
02:27:59,833 --> 02:28:01,625
-[Yoko] Not again!
-[Paul] Go on!
2553
02:28:02,583 --> 02:28:06,083
The Mersey Beat Awards
for the Best Couple of the Year…
2554
02:28:06,583 --> 02:28:08,000
[Michael coughs]
2555
02:28:08,083 --> 02:28:09,791
…goes to John and Yoko.
2556
02:28:10,416 --> 02:28:11,583
[laughs]
2557
02:28:22,625 --> 02:28:23,875
[laughs]
2558
02:28:23,958 --> 02:28:26,958
["Isn't It A Pity" playing]
2559
02:28:31,166 --> 02:28:33,458
[George] ♪ Isn't it a pity ♪
2560
02:28:38,291 --> 02:28:40,208
♪ Isn't it a shame ♪
2561
02:28:43,416 --> 02:28:46,666
♪ How we break each other's hearts ♪
2562
02:28:50,333 --> 02:28:52,791
♪ And cause each other pain ♪
2563
02:28:56,250 --> 02:28:59,666
♪ How we take each other's love ♪
2564
02:29:03,000 --> 02:29:05,458
♪ Without thinking anymore ♪
2565
02:29:09,666 --> 02:29:12,333
♪ Forgetting to give back ♪
2566
02:29:16,166 --> 02:29:18,458
♪ Isn't it a pity ♪
2567
02:29:22,708 --> 02:29:25,333
♪ Some things take so long ♪
2568
02:29:28,833 --> 02:29:31,666
♪ But how do I explain? ♪
2569
02:29:35,375 --> 02:29:38,583
♪ When not too many people ♪
2570
02:29:41,833 --> 02:29:44,625
♪ Can see we're all the same? ♪
2571
02:29:48,333 --> 02:29:51,458
♪ Because of all their tears ♪
2572
02:29:54,916 --> 02:29:57,750
♪ Their eyes can't hope to see ♪
2573
02:30:01,500 --> 02:30:04,708
♪ The beauty that surrounds them ♪
2574
02:30:07,958 --> 02:30:10,375
♪ Oh, isn't it a pity? ♪
2575
02:30:14,083 --> 02:30:19,458
[vocalizes]
2576
02:30:21,625 --> 02:30:24,625
[vocalizing]
2577
02:30:39,958 --> 02:30:43,208
♪ And because of all their tears ♪
2578
02:30:46,583 --> 02:30:49,291
♪ Their eyes don't hope to see ♪
2579
02:30:53,000 --> 02:30:56,125
♪ The beauty that surrounds them ♪
2580
02:30:59,583 --> 02:31:02,083
♪ Oh, isn't it a pity? ♪
211099
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