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These are the user uploaded subtitles that are being translated: 1 00:00:36,416 --> 00:00:39,416 ["In Spite of All the Danger" playing] 2 00:00:41,708 --> 00:00:47,208 [The Quarrymen] ♪ In spite of all the danger ♪ 3 00:00:47,291 --> 00:00:50,500 ♪ In spite of all that may be ♪ 4 00:00:50,583 --> 00:00:55,958 ♪ I'll do anything for you ♪ 5 00:00:56,041 --> 00:00:58,833 ♪ Anything you want me to ♪ 6 00:00:58,916 --> 00:01:01,833 ♪ If you'll be true to me ♪ 7 00:01:04,708 --> 00:01:10,208 ♪ In spite of all the heartache ♪ 8 00:01:10,291 --> 00:01:13,458 ♪ That you may cause me ♪ 9 00:01:13,541 --> 00:01:18,750 ♪ I'll do anything for you ♪ 10 00:01:18,833 --> 00:01:21,708 ♪ Anything you want me to ♪ 11 00:01:21,791 --> 00:01:25,333 ♪ If you'll be true to me ♪ 12 00:01:27,500 --> 00:01:30,000 [crowd screaming] 13 00:01:30,083 --> 00:01:34,125 ["Some Other Guy" playing] 14 00:01:50,500 --> 00:01:53,416 ♪ Some other guy now Has taken my love away from me ♪ 15 00:01:53,500 --> 00:01:56,708 I was immediately struck by their music, their beat 16 00:01:56,791 --> 00:01:59,708 and their sense of humor, actually, onstage. 17 00:01:59,791 --> 00:02:02,500 And it was there that, really, it all started. 18 00:02:02,583 --> 00:02:04,708 ♪ Love, love me do ♪ 19 00:02:04,791 --> 00:02:07,708 ♪ You know I love you ♪ 20 00:02:07,791 --> 00:02:11,541 [announcer] The Beatles-- George Harrison, Ringo Starr, 21 00:02:11,625 --> 00:02:14,000 John Lennon, Paul McCartney. 22 00:02:14,083 --> 00:02:15,041 [crowd screams] 23 00:02:15,125 --> 00:02:16,333 ["Please Please Me" playing] 24 00:02:16,416 --> 00:02:17,708 -♪ Come on ♪ -♪ Come on ♪ 25 00:02:17,791 --> 00:02:19,333 -♪ Come on ♪ -♪ Come on ♪ 26 00:02:19,416 --> 00:02:21,125 -♪ Come on ♪ -♪ Come on ♪ 27 00:02:21,208 --> 00:02:22,583 -♪ Come on ♪ -♪ Come on ♪ 28 00:02:22,666 --> 00:02:25,708 ♪ Please please me, whoa yeah Like I please you ♪ 29 00:02:25,791 --> 00:02:28,208 -[crowd screams] -["Twist and Shout" playing] 30 00:02:28,291 --> 00:02:30,916 [interviewer] George, you think all this success is just a one-night stand? 31 00:02:31,000 --> 00:02:33,750 I mean, it can't go on the way it has been going. 32 00:02:34,250 --> 00:02:36,291 ["She Loves You" playing] 33 00:02:36,375 --> 00:02:37,625 ♪ Ooh ♪ 34 00:02:37,708 --> 00:02:40,000 ♪ She loves you yeah, yeah, yeah ♪ 35 00:02:40,083 --> 00:02:42,583 [announcer] This is no ordinary departure from London Airport. 36 00:02:42,666 --> 00:02:45,000 The Beatles are on their way to America. 37 00:02:45,083 --> 00:02:48,500 Paul McCartney may have been wondering how the songs he and John write 38 00:02:48,583 --> 00:02:49,875 will go over in the States. 39 00:02:49,958 --> 00:02:54,416 ♪ Listen, do you want to know a secret? ♪ 40 00:02:55,333 --> 00:02:57,208 [announcer] This rock and roll group has taken over 41 00:02:57,291 --> 00:02:59,208 as the kingpins of musical appreciation. 42 00:02:59,291 --> 00:03:01,791 -Do you hope to get a haircut at all-- -No! 43 00:03:01,875 --> 00:03:04,041 -No, thanks. -I had one yesterday. 44 00:03:04,125 --> 00:03:05,000 [crowd laughs] 45 00:03:08,458 --> 00:03:11,458 Ladies and gentlemen, The Beatles! 46 00:03:11,541 --> 00:03:15,041 ♪ Close your eyes and I'll kiss you ♪ 47 00:03:15,125 --> 00:03:17,375 ♪ Tomorrow I'll miss you ♪ 48 00:03:17,458 --> 00:03:21,375 [announcer] The Beatles, who originated as a small-time act out of Liverpool, 49 00:03:21,458 --> 00:03:24,375 now have no rivals as the kingpins of the teenage set. 50 00:03:24,458 --> 00:03:30,000 ♪ Hope you need my love, babe Just like I need you ♪ 51 00:03:30,083 --> 00:03:31,583 ♪ Oh, hold me ♪ 52 00:03:31,666 --> 00:03:33,708 -[interviewer] Did you enjoy it? -Yeah, it was marvelous. 53 00:03:33,791 --> 00:03:34,916 I just loved all of it. 54 00:03:35,500 --> 00:03:38,750 [announcer] The Beatles are the top pop music phenomenon of the century. 55 00:03:38,833 --> 00:03:41,583 [interviewer] Did you have a chance to get away from anybody at anytime on the trip? 56 00:03:41,666 --> 00:03:44,083 -Yeah. -He got away from me twice. 57 00:03:45,291 --> 00:03:47,666 ["A Hard Day's Night" playing] 58 00:03:47,750 --> 00:03:51,041 ♪ It's been a hard day's night ♪ 59 00:03:51,125 --> 00:03:54,708 [announcer] And here with The Beatles was Brian Epstein, their famous manager. 60 00:03:54,791 --> 00:03:57,250 ♪ 'Cause I don't care too much for money ♪ 61 00:03:57,333 --> 00:03:58,708 ♪ Money can't buy me love ♪ 62 00:03:58,791 --> 00:04:01,500 ♪ Can't buy me love ♪ 63 00:04:01,583 --> 00:04:02,916 ♪ And I do ♪ 64 00:04:03,000 --> 00:04:06,291 ♪ And I do, hey, hey, hey ♪ 65 00:04:06,375 --> 00:04:08,166 ♪ And I do ♪ 66 00:04:10,416 --> 00:04:12,916 Hey, pardon me for asking, but who's that little old man? 67 00:04:13,000 --> 00:04:16,625 Oh, that's my grandfather. He's very clean. 68 00:04:16,708 --> 00:04:20,791 ♪ Help me if you can ♪ I'm feeling down ♪ 69 00:04:20,875 --> 00:04:26,333 ♪ And I do appreciate you being 'round ♪ 70 00:04:26,416 --> 00:04:28,500 Has any of you any ambitions left at all? 71 00:04:28,583 --> 00:04:30,875 Yeah. I want to be an astronaut. 72 00:04:30,958 --> 00:04:34,000 ♪ They're gonna put me in the movies ♪ 73 00:04:35,333 --> 00:04:38,708 ♪ They're gonna make a big star Out of me ♪ 74 00:04:40,250 --> 00:04:42,708 [announcer] Says Paul, "We've had so much success, 75 00:04:42,791 --> 00:04:44,583 we don't care if it fades tomorrow. 76 00:04:44,666 --> 00:04:47,250 We've reached the point where we don't have worries anymore." 77 00:04:47,333 --> 00:04:49,583 ♪ Yesterday ♪ 78 00:04:50,666 --> 00:04:54,041 ♪ All my troubles seemed so far away ♪ 79 00:04:54,125 --> 00:04:56,583 ♪ Baby, you can drive my car ♪ 80 00:04:58,125 --> 00:05:00,583 ♪ Yes, I'm gonna be a star ♪ 81 00:05:02,041 --> 00:05:04,583 ♪ Baby, you can drive my car ♪ 82 00:05:04,666 --> 00:05:06,916 ♪ And maybe I'll love you ♪ 83 00:05:08,166 --> 00:05:10,666 ♪ Beep, beep, beep, beep, yeah! ♪ 84 00:05:10,750 --> 00:05:15,083 ♪ We all live in a yellow submarine ♪ 85 00:05:15,166 --> 00:05:18,458 ♪ Yellow submarine, yellow submarine ♪ 86 00:05:18,541 --> 00:05:20,500 [crowd clamors] 87 00:05:20,583 --> 00:05:23,833 [announcer] With Manila, some of the fans have broken off diplomatic relations. 88 00:05:23,916 --> 00:05:28,041 ♪ Yeah, I'm the Taxman ♪ 89 00:05:28,125 --> 00:05:29,708 [interviewer] John, what exactly happened at Manila Airport? 90 00:05:29,791 --> 00:05:31,875 You're treated like an ordinary passenger. Ordinary passenger! 91 00:05:31,958 --> 00:05:34,416 An ordinary passenger, he doesn't get kicked, does he? 92 00:05:34,500 --> 00:05:38,333 -Would you go to Manila again, George? -No. I didn't even want to go that time. 93 00:05:38,416 --> 00:05:42,833 Do you consider that this religious issue is answered once and for all? 94 00:05:42,916 --> 00:05:48,708 The quote which John Lennon made has been represented entirely out of context. 95 00:05:48,791 --> 00:05:51,500 But I'm not saying that we're better or greater 96 00:05:51,583 --> 00:05:54,250 or comparing us with Jesus Christ as a person. 97 00:05:54,333 --> 00:05:57,250 You tell me what you think I meant, and I'll tell you whether I agree. 98 00:05:57,333 --> 00:06:00,458 [interviewer] What difference has all this row made to this tour, do you think? 99 00:06:00,541 --> 00:06:01,875 It's made it more hectic. 100 00:06:01,958 --> 00:06:04,666 Well, I've clarified it about 800 times, you know. 101 00:06:04,750 --> 00:06:08,500 People said to us last time we came all our answers were a bit flippant. 102 00:06:09,166 --> 00:06:10,666 They said, "Why isn't it this time?" 103 00:06:10,750 --> 00:06:13,291 And the thing is, the questions are a bit more serious this time. 104 00:06:13,375 --> 00:06:17,500 ♪ Turn off your mind, relax And float down-stream ♪ 105 00:06:17,583 --> 00:06:20,583 The Ku Klux Klan is going to stop this performance. 106 00:06:20,666 --> 00:06:22,375 Apart from that, it's great. 107 00:06:22,875 --> 00:06:23,916 Having a swinging tour. 108 00:06:28,083 --> 00:06:30,708 ♪ Let me take you down ♪ 109 00:06:30,791 --> 00:06:36,416 ♪'Cause I'm going to Strawberry Fields ♪ 110 00:06:37,916 --> 00:06:43,958 ♪ Penny Lane is in my ears And in my eyes ♪ 111 00:06:44,875 --> 00:06:48,875 ♪ Sergeant Pepper's Lonely Hearts Club Band ♪ 112 00:06:48,958 --> 00:06:50,083 Everything's all right. 113 00:06:50,166 --> 00:06:54,041 ♪ Oh, I get by with a little help From my friends ♪ 114 00:06:56,916 --> 00:07:01,333 ♪ Lucy in the sky with diamonds ♪ 115 00:07:02,666 --> 00:07:05,666 ♪ All you need is love ♪ 116 00:07:07,583 --> 00:07:11,625 ♪ I read the news today, oh boy ♪ 117 00:07:24,750 --> 00:07:27,583 ♪ Roll up for the mystery tour ♪ 118 00:07:27,666 --> 00:07:30,375 ♪ Roll up, we've got everything you need ♪ 119 00:07:30,458 --> 00:07:32,291 ♪ Roll up for the mystery tour ♪ 120 00:07:33,458 --> 00:07:35,666 Roll up, satisfaction guaranteed ♪ 121 00:07:35,750 --> 00:07:38,291 ♪ Roll up for the mystery tour ♪ 122 00:07:38,375 --> 00:07:40,708 Yes, Mr. Bloodvessel. 123 00:07:40,791 --> 00:07:44,125 ♪ I am the walrus Goo goo g'joob ♪ 124 00:07:44,833 --> 00:07:45,833 [cheers] 125 00:07:45,916 --> 00:07:48,166 [announcer] Far from the noise and pace of city life 126 00:07:48,250 --> 00:07:51,375 in the cool, clear air of Rishikesh, North India, 127 00:07:51,458 --> 00:07:55,041 the world-famous quartet stroll quietly in the lovely meditation retreat 128 00:07:55,125 --> 00:07:57,041 of Maharishi Mahesh Yogi. 129 00:07:57,125 --> 00:08:00,666 Flower-loving Yogi told reporters that his brand of peace of mind 130 00:08:00,750 --> 00:08:03,791 could only be truly appreciated by intelligent men of the world. 131 00:08:03,875 --> 00:08:07,791 ♪ The Ukraine girls really knock me out ♪ 132 00:08:07,875 --> 00:08:10,041 ♪ They leave the West behind ♪ 133 00:08:10,916 --> 00:08:15,958 ♪ While my guitar gently weeps ♪ 134 00:08:18,750 --> 00:08:22,000 ♪ Blackbird singing In the dead of night ♪ 135 00:08:22,083 --> 00:08:24,416 -We don't get on at all. -There are so many father figures. 136 00:08:24,500 --> 00:08:25,500 -[chuckles] -[laughter] 137 00:08:25,583 --> 00:08:27,541 -[moans] -[chuckles] 138 00:08:27,625 --> 00:08:28,625 Oh, I see. 139 00:08:28,708 --> 00:08:30,041 What is Apple, John? 140 00:08:30,125 --> 00:08:34,416 It's a company we're setting up which involves records, 141 00:08:34,500 --> 00:08:38,791 films, electronics, which make records and films work, 142 00:08:38,875 --> 00:08:42,083 -and, what's it called? Manufacturing? -Yeah, it does a few things, you know? 143 00:08:42,166 --> 00:08:43,208 ["Hey Jude" playing] 144 00:08:43,291 --> 00:08:48,791 ♪ Hey Jude, don't be afraid ♪ 145 00:08:49,791 --> 00:08:55,250 ♪ You were made to go out and get her ♪ 146 00:08:56,750 --> 00:09:01,875 ♪ Remember to let her into your heart ♪ 147 00:09:01,958 --> 00:09:07,791 ♪Then you can start to make it better ♪ 148 00:09:07,875 --> 00:09:13,250 ♪ Better, better, better Better, better, oh ♪ 149 00:09:13,333 --> 00:09:14,333 ♪ Yeah ♪ 150 00:09:14,416 --> 00:09:19,833 -♪ Yeah, yeah, yeah ♪ -♪ Na, na, na, na, na, na, na ♪ 151 00:09:19,916 --> 00:09:23,875 ♪ Na, na, na, na, hey, Jude ♪ 152 00:09:26,708 --> 00:09:33,000 ♪ Na, na, na, na, na, na, na ♪ 153 00:09:33,083 --> 00:09:37,416 ♪ Na, na, na, na, hey, Jude ♪ 154 00:09:40,041 --> 00:09:45,458 ♪ Na, na, na, na, na, na, na ♪ 155 00:09:46,458 --> 00:09:51,500 ♪ Na, na, na, na, hey, Jude ♪ 156 00:09:53,166 --> 00:09:58,750 ♪ Na, na, na, na, na, na, na ♪ 157 00:09:59,750 --> 00:10:04,916 ♪ Na, na, na, na, hey, Jude ♪ 158 00:10:06,375 --> 00:10:12,041 ♪ Na, na, na, na, na, na, na ♪ 159 00:10:13,041 --> 00:10:16,666 ♪ Na, na, na, na, hey, Jude ♪ 160 00:10:16,750 --> 00:10:19,500 ♪ Jude, Jude, Jude, Jude, Jude, Jude! ♪ 161 00:10:19,583 --> 00:10:25,416 ♪ Na, na, na, na, na, na, na ♪ 162 00:10:26,250 --> 00:10:30,250 ♪ Na, na, na, na, hey, Jude ♪ 163 00:10:32,666 --> 00:10:38,000 ♪ Na, na, na, na, na, na, na ♪ 164 00:10:39,000 --> 00:10:43,125 ♪ Na, na, na, na, hey, Jude ♪ 165 00:10:45,500 --> 00:10:50,625 ♪ Na, na, na, na, na, na, na ♪ 166 00:10:52,041 --> 00:10:54,541 ♪ Na, na, na, na, hey, Jude ♪ 167 00:10:54,625 --> 00:10:55,625 [song fades out] 168 00:11:06,833 --> 00:11:08,458 [Peter Sutton] Two, take one. Silent turn over. 169 00:11:08,541 --> 00:11:09,541 [Paul Bond] Running. 170 00:11:14,500 --> 00:11:18,083 [John] ♪ As I leave the desert skies ♪ 171 00:11:20,916 --> 00:11:24,750 ♪ And my thoughts return to home ♪ 172 00:11:27,333 --> 00:11:31,375 ♪ Yes, my thoughts return to home ♪ 173 00:11:33,125 --> 00:11:37,041 ♪ I'm just a child of nature ♪ 174 00:11:40,166 --> 00:11:44,416 ♪ I don't need much to set me free ♪ 175 00:11:46,708 --> 00:11:50,250 ♪ I'm just a child of nature ♪ 176 00:11:53,708 --> 00:11:56,125 ♪ I'm one of nature's children ♪ 177 00:11:58,666 --> 00:12:02,208 -[John] Where's the what? -The mixer and the 8-tracks and all them. 178 00:12:07,333 --> 00:12:08,583 -Hi, Ringo. -Hi, George. 179 00:12:08,666 --> 00:12:10,791 -Happy New Year. -Happy New Year. 180 00:12:12,666 --> 00:12:16,125 ♪ Everybody got a piece of toast To chew on ♪ 181 00:12:19,500 --> 00:12:21,916 ♪ Everybody's got soul ♪ 182 00:12:22,750 --> 00:12:25,000 ♪ Everybody's got soul ♪ 183 00:12:26,041 --> 00:12:29,708 ♪ Everybody got to feel This all alone ♪ 184 00:12:31,500 --> 00:12:33,583 ♪ Don't let me down ♪ 185 00:12:36,916 --> 00:12:40,000 ♪ Don't let me down ♪ 186 00:12:43,333 --> 00:12:46,750 ♪ Don't let me down ♪ 187 00:12:49,666 --> 00:12:52,250 ♪ Don't let me down ♪ 188 00:12:55,708 --> 00:12:58,000 ♪ Don't let me down ♪ 189 00:13:01,791 --> 00:13:05,583 ♪ Don't let me down ♪ 190 00:13:07,166 --> 00:13:10,666 ♪ I'm in love for the first time ♪ 191 00:13:11,458 --> 00:13:14,666 [George] I don't think this is a very acoustically good place. 192 00:13:16,166 --> 00:13:17,291 [John] Who's that little old man? 193 00:13:17,875 --> 00:13:19,958 Oh, is he one of the Hare Krishnas or something? 194 00:13:28,666 --> 00:13:30,791 'Cause they won't be rehearsing shots for three weeks. 195 00:13:30,875 --> 00:13:34,208 [Paul] As I was saying to Mal, keep all the audience out, you know… 196 00:13:38,291 --> 00:13:39,416 If you can think of a-- 197 00:13:42,000 --> 00:13:43,875 One of those Binson Echorec things. 198 00:13:43,958 --> 00:13:45,416 Have a little one of them. 199 00:13:55,541 --> 00:13:58,333 Oh, are you recording our conversation? 200 00:13:58,416 --> 00:14:00,250 [Paul] Yeah. [hums] 201 00:14:00,958 --> 00:14:02,583 We should have a bass-- 202 00:14:02,666 --> 00:14:05,125 a bass and guitar all in one. 203 00:14:05,208 --> 00:14:06,416 -Yeah. -Be great, wouldn't it? 204 00:14:07,000 --> 00:14:09,333 [Paul] Well, two people should have bass and guitar. 205 00:14:09,416 --> 00:14:12,416 [George] Maybe we should learn a few songs first. 206 00:14:12,500 --> 00:14:13,500 Great. 207 00:14:13,583 --> 00:14:15,000 ["I've Got a Feeling" playing] 208 00:14:15,083 --> 00:14:18,166 [Paul] ♪ Oh, no, ah ♪ 209 00:14:18,958 --> 00:14:20,750 One, two, three. 210 00:14:20,833 --> 00:14:23,041 ♪ Yeah, I've got a feeling ♪ 211 00:14:28,458 --> 00:14:31,041 -♪ Oh, please believe me ♪ -[John] ♪ Yes, I will ♪ 212 00:14:31,125 --> 00:14:34,708 ♪ I'd hate to miss the train Oh, yeah ♪ 213 00:14:36,500 --> 00:14:37,958 ♪ Oh, yeah ♪ 214 00:14:40,500 --> 00:14:45,458 ♪ And if you leave me I won't be late again ♪ 215 00:14:45,541 --> 00:14:46,541 ♪ No, no ♪ 216 00:14:46,625 --> 00:14:50,041 ♪ Oh, no, oh, no ♪ 217 00:14:51,208 --> 00:14:55,083 ♪ No, no, yeah ♪ 218 00:14:55,166 --> 00:14:57,458 ♪ One, two, three ♪ 219 00:14:57,541 --> 00:14:59,250 ♪ I've got a feeling ♪ 220 00:15:02,000 --> 00:15:03,333 Then it goes to E. 221 00:15:04,250 --> 00:15:06,083 ♪ All these years I've been wandering ♪ 222 00:15:06,166 --> 00:15:07,166 G. 223 00:15:07,250 --> 00:15:08,875 ♪ Wondering how come nobody ♪ 224 00:15:08,958 --> 00:15:09,958 E. 225 00:15:10,041 --> 00:15:12,833 ♪ All that I've been looking for Was somebody who looked like ♪ 226 00:15:12,916 --> 00:15:13,916 Stop. 227 00:15:18,875 --> 00:15:21,208 [John] I just gotta see which should come where. 228 00:15:26,125 --> 00:15:27,541 Everybody had a hard on. 229 00:15:28,458 --> 00:15:29,750 ♪ Everybody had a hard on ♪ 230 00:15:29,833 --> 00:15:31,250 Except for me and my monkey. 231 00:15:32,208 --> 00:15:34,291 [George] ♪ Everybody been… [indistinct] ♪ 232 00:15:34,875 --> 00:15:36,791 ♪ Oh, yeah! ♪ 233 00:15:36,875 --> 00:15:39,416 [chattering] 234 00:15:39,500 --> 00:15:41,291 [Paul] ♪ Oh, no ♪ 235 00:15:41,375 --> 00:15:42,791 ♪ Oh ♪ 236 00:15:42,875 --> 00:15:45,416 ♪ Yeah, yeah ♪ 237 00:15:45,500 --> 00:15:46,708 ♪ I've got a feeling ♪ 238 00:15:46,791 --> 00:15:49,958 -♪ Everybody had a hard year ♪ -♪ Whoo, yeah, yeah ♪ 239 00:15:50,041 --> 00:15:52,125 ♪ Everybody had a good time ♪ 240 00:15:53,000 --> 00:15:55,875 ♪ Everybody had a wet dream ♪ 241 00:15:55,958 --> 00:15:57,958 ♪ Everybody saw the sun shine ♪ 242 00:15:58,041 --> 00:15:59,666 -♪ Oh, yeah ♪ -♪ Yeah ♪ 243 00:15:59,750 --> 00:16:02,250 -♪ Oh, yeah, oh, yeah ♪ -♪ Oh, oh, yeah ♪ 244 00:16:02,333 --> 00:16:05,791 ♪ Oh, oh ♪ 245 00:16:06,708 --> 00:16:08,458 -♪ No, no ♪ -[John] ♪ No, no ♪ 246 00:16:08,541 --> 00:16:10,208 -♪ Yeah ♪ -♪ No, no ♪ 247 00:16:10,291 --> 00:16:11,625 ♪ I've got a feeling ♪ 248 00:16:11,708 --> 00:16:14,083 [vocalizing] 249 00:16:14,750 --> 00:16:16,791 ♪ I've got a feeling ♪ 250 00:16:20,791 --> 00:16:22,125 [George Martin] Which this isn't. 251 00:16:22,791 --> 00:16:24,375 [Paul] Um, um, we-- 252 00:16:58,208 --> 00:16:59,333 -December 25th. -[Michael] Yeah. 253 00:17:05,250 --> 00:17:06,791 [Denis] Yeah. 254 00:17:08,875 --> 00:17:10,666 [guitar strumming] 255 00:17:15,791 --> 00:17:17,208 [Denis] When you're ready. That's right. 256 00:17:17,708 --> 00:17:19,250 [Denis] We could do-- Yeah. 257 00:17:20,333 --> 00:17:22,208 ♪ Go, go ♪ 258 00:17:22,291 --> 00:17:23,916 ♪ Go, Johnny, go, go ♪ 259 00:17:24,625 --> 00:17:26,958 ♪ Go, Johnny, go, go ♪ 260 00:17:27,041 --> 00:17:31,791 [Paul] ♪ Come all without Come all within ♪ 261 00:17:32,583 --> 00:17:37,000 ♪ You'll not see nothing Like the Mighty-- ♪ 262 00:17:37,083 --> 00:17:38,416 [Ringo] All of us just… 263 00:17:38,500 --> 00:17:40,833 [George] ♪ They say everything can be replaced ♪ 264 00:17:43,833 --> 00:17:46,791 ♪ Every distance is not near ♪ 265 00:17:51,541 --> 00:17:55,333 [Paul] ♪ Yeah, I've got a feeling ♪ 266 00:18:02,458 --> 00:18:04,083 [Denis] John is just finishing it up. 267 00:18:09,250 --> 00:18:11,416 I'll take you up in the Art Department when you get a moment. 268 00:18:11,500 --> 00:18:14,083 You can see some of the designs and all that, 'cause it's well under way. 269 00:18:14,166 --> 00:18:15,291 Is it still the 17th? 270 00:18:15,375 --> 00:18:16,958 No, 24th now, because of this. 271 00:18:17,041 --> 00:18:19,250 Why? This is only going to take two weeks. 272 00:18:19,333 --> 00:18:21,208 Well, we don't know yet, do we? 273 00:18:21,291 --> 00:18:24,791 [John] ♪ It's a love that lasts forever ♪ 274 00:18:26,875 --> 00:18:30,000 ♪ It's a love that has no past ♪ 275 00:18:33,416 --> 00:18:36,916 -♪ Don't let me ♪ -♪ Down ♪ 276 00:18:37,958 --> 00:18:39,708 [Paul] That's all the bits you've got? 277 00:18:39,791 --> 00:18:41,208 ♪ Don't let me… ♪ 278 00:18:41,291 --> 00:18:43,500 All right. If you had, "Don't let me down," 279 00:18:43,583 --> 00:18:45,500 say twice at the beginning… 280 00:18:46,083 --> 00:18:49,500 [Paul] But you know when you bring that, "'Cause I'm in love for the first time"? 281 00:18:50,500 --> 00:18:53,416 -I don't dig that. Sounds like a middle 8. -[John] Oh, yeah. Okay. 282 00:18:53,500 --> 00:18:55,750 [Paul] It doesn't sound like-- But I-- Some of it. 283 00:18:55,833 --> 00:18:58,083 Scrap that, except use that somewhere near the end. 284 00:18:58,166 --> 00:19:00,083 [John] That one used to go after the… 285 00:19:00,166 --> 00:19:02,333 ♪ Love that-- A love that had no past ♪ 286 00:19:02,416 --> 00:19:05,250 -[Paul] Yeah, 'cause that's where-- -"Nobody ever loved me like she do me." 287 00:19:05,333 --> 00:19:07,291 [George] No harm just having a break in that bit. 288 00:19:07,375 --> 00:19:09,041 Yeah, except just skip that little… 289 00:19:09,125 --> 00:19:10,500 -[John] Yes. -…interlude. 290 00:19:10,583 --> 00:19:12,750 -Put the interlude right somewhere. -[John] In the beginning. 291 00:19:12,833 --> 00:19:14,208 I'll do one set of "don't let me down." 292 00:19:15,166 --> 00:19:19,000 Uh-- "Like she do me. Ooh, she do me. Yes, she do me." 293 00:19:19,083 --> 00:19:21,250 I didn't quite get around to making sense, you see? 294 00:19:21,333 --> 00:19:22,666 So we'll see what happens. 295 00:19:22,750 --> 00:19:24,208 [George] Do you want some sandwiches? 296 00:19:24,291 --> 00:19:26,916 We don't eat these. Paul, do you want some sandwiches? 297 00:19:27,000 --> 00:19:28,250 -Hang on. [whistles] -[Michael] Ray. 298 00:19:28,333 --> 00:19:31,000 -[John] Do you want a dry bun? -[George] A dry bun? Yeah. 299 00:19:31,083 --> 00:19:33,666 [John] It's like a rock cake but needs butter or something. 300 00:19:33,750 --> 00:19:37,291 The thing I don't want is, like, a TV show sound. 301 00:19:37,375 --> 00:19:40,625 They always seem to have that sort of farty, little sound on TV shows. 302 00:19:40,708 --> 00:19:43,166 [Glyn] Well, don't forget, you're hearing it on a TV speaker, 303 00:19:43,250 --> 00:19:44,458 which is a grotty speaker. 304 00:19:44,541 --> 00:19:48,125 But see, this place sounds terrible now. It may just be great. 305 00:19:48,208 --> 00:19:50,166 You can never tell with these places though. 306 00:19:50,250 --> 00:19:53,083 We did "Yer Blues" in a little room like a bog. 307 00:19:53,166 --> 00:19:54,791 -[Glyn] Yeah. -And… 308 00:19:54,875 --> 00:19:56,625 No separation in there, you know? 309 00:19:56,708 --> 00:19:58,666 -We really got good separation. -[Glyn] Yeah. 310 00:19:59,458 --> 00:20:03,000 The thing is, that an open-air sound is fantastic. 311 00:20:03,083 --> 00:20:06,208 I've always wanted to do something in the open air. 312 00:20:06,291 --> 00:20:09,708 It'd be nice to try and find some way to do it out of doors. 313 00:20:09,791 --> 00:20:10,791 [Glyn] It's so bloody cold. 314 00:20:10,875 --> 00:20:13,625 [Michael] It's your English rain which is worrying about outdoors in this country. 315 00:20:13,708 --> 00:20:16,041 -[Glyn] Yeah, right. -Snow or rain will do me. 316 00:20:16,125 --> 00:20:18,291 You know, wind and anything. Make all that… 317 00:20:18,375 --> 00:20:20,750 -It's just a frozen hand trying to… -[Glyn laughs] Yes, you could. 318 00:20:20,833 --> 00:20:21,833 …play those notes. 319 00:20:21,916 --> 00:20:23,791 [Tony] Trying to get your E-seventh when your little finger's frozen… 320 00:20:23,875 --> 00:20:24,875 The snow and rain. 321 00:20:24,958 --> 00:20:28,333 It's all right. You might just have a few deaths on the set 322 00:20:28,416 --> 00:20:29,666 due to electric shocks. 323 00:20:30,666 --> 00:20:33,375 I was very taken by the place Denis talked about. 324 00:20:33,458 --> 00:20:35,291 [Glyn] Yeah. That was… 325 00:20:35,375 --> 00:20:37,833 Because I could see it outside torch-lit. 326 00:20:38,708 --> 00:20:40,375 2,000 Arabs and friends around. 327 00:20:40,458 --> 00:20:42,625 [Paul chuckles] No, I think we won't be. 328 00:20:42,708 --> 00:20:44,708 I think you'll find we're not going abroad. 329 00:20:44,791 --> 00:20:45,791 [Michael] Hmm. 330 00:20:47,416 --> 00:20:49,625 'Cause Ringo just said he doesn't wanna go abroad. 331 00:20:49,708 --> 00:20:51,541 No, and he put his foot down. 332 00:20:52,541 --> 00:20:54,208 -So… -Yeah? 333 00:20:54,291 --> 00:20:56,291 Us and Jimmie Nicol might go abroad. 334 00:20:56,375 --> 00:20:58,250 [all laugh] 335 00:20:58,333 --> 00:21:01,083 [Michael] I think the thing to do is just be very flexible still 336 00:21:01,166 --> 00:21:03,375 about every aspect of the enterprise. 337 00:21:03,458 --> 00:21:08,000 I think-- Well, I think, you know-- Michael, I think you're pretty right. 338 00:21:08,083 --> 00:21:09,541 [Glyn] He won't give up. 339 00:21:09,625 --> 00:21:11,583 -Pretty fair comment. -[Glyn] You're pretty right, Mike. 340 00:21:11,666 --> 00:21:12,916 Are you gonna keep the beard? 341 00:21:13,000 --> 00:21:13,833 I don't know. 342 00:21:13,916 --> 00:21:15,916 [Michael] You ought to get one of those big-brimmed hats 343 00:21:16,000 --> 00:21:17,458 with those ringlets down the ears. 344 00:21:17,541 --> 00:21:19,333 Yes. Yes, I saw that on telly the other night. 345 00:21:19,416 --> 00:21:21,166 That'd be good. Then we could do it in Israel. 346 00:21:21,750 --> 00:21:24,041 [Paul] ♪ We're on our way home ♪ 347 00:21:24,833 --> 00:21:26,791 ♪ We're on our way home ♪ 348 00:21:27,875 --> 00:21:29,125 ♪ We're going home ♪ 349 00:21:29,208 --> 00:21:30,708 Middle eight, B flat. 350 00:21:30,791 --> 00:21:34,125 ♪ You and I made memories ♪ 351 00:21:34,875 --> 00:21:40,708 ♪ Longer than the road That stretches out ahead ♪ 352 00:21:43,125 --> 00:21:46,083 ♪ Two of us wearing raincoats ♪ 353 00:21:46,166 --> 00:21:51,083 ♪ Standing solo in the sun ♪ 354 00:21:53,083 --> 00:21:54,375 I'll do a verse. Just… 355 00:21:54,458 --> 00:21:59,291 [both vocalizing] 356 00:21:59,791 --> 00:22:00,791 No, I think it goes… 357 00:22:00,875 --> 00:22:05,666 ♪ We're on our way back home ♪ 358 00:22:05,750 --> 00:22:06,750 ♪ Ba-bam, ba-ba ♪ 359 00:22:06,833 --> 00:22:07,833 Three, four… 360 00:22:07,916 --> 00:22:09,458 It's like… 361 00:22:09,541 --> 00:22:13,541 ♪ On our way back ♪ 362 00:22:13,625 --> 00:22:15,875 ♪ Ba-da, da-da, da-da ♪ 363 00:22:15,958 --> 00:22:17,375 ♪ We're on our way home ♪ 364 00:22:17,458 --> 00:22:18,916 Two, three. 365 00:22:19,000 --> 00:22:20,750 ♪ We're on our way home ♪ 366 00:22:20,833 --> 00:22:22,000 Two, three. 367 00:22:22,083 --> 00:22:23,166 ♪ We're going home ♪ 368 00:22:23,250 --> 00:22:24,250 -Two. -After three. 369 00:22:24,333 --> 00:22:26,458 [Paul] It goes into waltz. It goes into three. 370 00:22:27,791 --> 00:22:29,166 ♪ We're on our way home ♪ 371 00:22:29,250 --> 00:22:30,791 ♪ Ch-cha-cha, cha ♪ 372 00:22:30,875 --> 00:22:32,666 ♪ We're going home ♪ 373 00:22:34,375 --> 00:22:35,375 Yeah. 374 00:22:35,458 --> 00:22:36,500 ♪ We're on our way home ♪ 375 00:22:36,583 --> 00:22:38,083 Repeat now. 376 00:22:38,166 --> 00:22:39,958 ♪ We're on our way home ♪ 377 00:22:40,041 --> 00:22:41,125 Then short. 378 00:22:41,208 --> 00:22:42,708 ♪ We're going home ♪ 379 00:22:42,791 --> 00:22:44,791 And that's like a break. Ch-cha. 380 00:22:44,875 --> 00:22:45,875 ♪ Two of us ♪ 381 00:22:45,958 --> 00:22:47,166 I'll go from the beginning. 382 00:22:47,250 --> 00:22:49,166 ♪ Chu-chu-chu-chu-chu-chu, ooh ♪ 383 00:22:49,250 --> 00:22:50,500 ♪ We're on our way home ♪ 384 00:22:50,583 --> 00:22:52,208 ♪ Ch-cha-cha, cha, ooh ♪ 385 00:22:52,291 --> 00:22:53,583 We're on our way home ♪ 386 00:22:53,666 --> 00:22:55,208 ♪ Ch-cha-cha, cha, ooh ♪ 387 00:22:55,291 --> 00:22:57,291 ♪ We're going home ♪ 388 00:22:58,000 --> 00:23:02,958 ♪ You and me, Henry Cooper Henry Cooper ♪ 389 00:23:03,041 --> 00:23:06,458 ♪ Henry Coop ♪ 390 00:23:07,125 --> 00:23:09,958 ♪ You and me, Henry Cooper ♪ 391 00:23:10,041 --> 00:23:11,250 [Paul] It's not-- It's not-- 392 00:23:11,333 --> 00:23:14,000 [Peter Sutton] That was 23, take one. End announcement. 393 00:23:14,083 --> 00:23:15,791 [Paul] ♪ Wearing raincoats ♪ 394 00:23:21,041 --> 00:23:24,041 [upbeat piano tune playing] 395 00:23:32,416 --> 00:23:35,750 [tap dancing] 396 00:23:36,458 --> 00:23:37,625 [Paul] Nice, that purple. 397 00:23:44,958 --> 00:23:48,000 [George] "What do you think of George's pseudo tie sweatshirt?" 398 00:23:48,083 --> 00:23:49,583 I think it's terrible. 399 00:23:50,250 --> 00:23:51,375 [laughs] 400 00:23:52,250 --> 00:23:56,291 "The True Story of The Beatles. You can still get it direct." 401 00:23:57,333 --> 00:24:01,333 "Accompanied by his current steady, American photographer Linda Eastman, 402 00:24:01,416 --> 00:24:03,375 Paul spent a December week in Portugal 403 00:24:03,458 --> 00:24:06,166 visiting The Beatles' biographer, Hunter Davis." 404 00:24:07,333 --> 00:24:09,166 It's just so sort of daft. 405 00:24:10,333 --> 00:24:11,333 [chuckling] 406 00:24:14,916 --> 00:24:17,125 "…send a big 'Hi' to all the Bertle Persons." 407 00:24:19,416 --> 00:24:20,583 [laughs] 408 00:24:20,666 --> 00:24:22,416 "It's fab in here!" [laughs] 409 00:24:24,125 --> 00:24:26,166 I think your beard suits you, man. 410 00:24:26,250 --> 00:24:27,208 -Mmm. -[George laughs] 411 00:24:27,291 --> 00:24:29,625 [George] I've been thinking of all the tunes I've got. 412 00:24:29,708 --> 00:24:32,541 And they're all, uh, they're all slowish. 413 00:24:32,625 --> 00:24:34,416 -I seem to be-- -[Paul] Yeah, most of mine are. 414 00:24:34,500 --> 00:24:39,041 [George] See, so far, there's a couple I know I could do live with no backing. 415 00:24:39,125 --> 00:24:42,125 -[Paul] Just with the guitar and singing. -[George] Well, you know… 416 00:24:42,208 --> 00:24:46,208 -I've got "Taking a Trip to Carolina." -[laughs] 417 00:24:46,291 --> 00:24:47,750 In the same… 418 00:24:47,833 --> 00:24:49,000 In his mind. 419 00:24:49,083 --> 00:24:49,916 ♪ Taking-- ♪ 420 00:24:50,000 --> 00:24:50,916 Oh, no. 421 00:24:51,000 --> 00:24:52,750 ♪ Taking a trip on a ocean liner ♪ 422 00:24:52,833 --> 00:24:55,041 ♪ I gotta get to Carolina ♪ 423 00:24:55,125 --> 00:24:57,333 ♪ Taking a trip on an ocean liner ♪ 424 00:24:57,416 --> 00:24:59,625 ♪ I gotta get to Carolina ♪ 425 00:24:59,708 --> 00:25:01,583 [humming] 426 00:25:01,666 --> 00:25:02,791 ♪ Oh, baby ♪ 427 00:25:02,875 --> 00:25:05,875 [laughs] 428 00:25:06,500 --> 00:25:08,041 [Ringo] ♪ I've been-- ♪ 429 00:25:08,125 --> 00:25:09,125 I had-- It's on there. 430 00:25:09,208 --> 00:25:12,916 I've got it on the little tape, singing "I've been to LA and New York too." 431 00:25:13,000 --> 00:25:14,750 So, they're not very nice. 432 00:25:14,833 --> 00:25:17,208 You know, the words, I mean, they're not very good. 433 00:25:17,291 --> 00:25:19,916 -Uh-huh. -"Carolina," it's, "Oh, baby." 434 00:25:20,000 --> 00:25:21,166 [laughs] 435 00:25:21,250 --> 00:25:22,916 [Paul] Just get me back there. 436 00:25:29,041 --> 00:25:30,416 [Paul] But it's good. 437 00:25:34,583 --> 00:25:36,375 But they'll have all this sort of… 438 00:25:38,166 --> 00:25:42,208 Yeah. If you wanted to get 8-track stuff to record all this, 439 00:25:42,291 --> 00:25:44,875 where would we get it? 'Cause, apparently, it hasn't been-- 440 00:25:44,958 --> 00:25:47,666 [George] We'll lend it to ourselves, but EMI should do it. 441 00:25:47,750 --> 00:25:50,500 You know, it's like if Benjamin Britten wants to do an album… 442 00:25:50,583 --> 00:25:51,750 -Right. -…in Paris, 443 00:25:51,833 --> 00:25:54,375 EMI have got to fucking get all that shit over to him. 444 00:25:54,458 --> 00:25:56,000 And they do, of course. 445 00:25:56,083 --> 00:25:58,666 We subsidize EMI, then get it out there. 446 00:25:58,750 --> 00:26:00,958 -Get an 8-track mixer-- -'Cause they just told Glyn and Mal-- 447 00:26:01,041 --> 00:26:03,833 They just told them that they've only got 4-track. 448 00:26:03,916 --> 00:26:06,791 But I know for a fact that they got 8-track out for The Beach Boys. 449 00:26:06,875 --> 00:26:08,833 [Michael] But The Beach Boys are American. 450 00:26:10,541 --> 00:26:12,541 [chattering] 451 00:26:14,791 --> 00:26:16,375 [Paul] 'Cause I really never thought of that. 452 00:26:16,458 --> 00:26:19,125 It's just we all used to sag off every school day. 453 00:26:19,208 --> 00:26:20,958 You know, and go back to my house, 454 00:26:21,041 --> 00:26:23,458 and the two of us would just sit there and write. 455 00:26:23,541 --> 00:26:25,500 There's a lot from then, you know? 456 00:26:25,583 --> 00:26:29,041 There's about 100 songs from then that we never reckoned, 457 00:26:29,125 --> 00:26:31,541 'cause they were all very unsophisticated songs. 458 00:26:32,166 --> 00:26:34,833 [singsong] "They said our love was just fun, 459 00:26:34,916 --> 00:26:36,791 the day that our friendship begun." 460 00:26:36,875 --> 00:26:40,750 [Ringo] ♪ They said our love was just fun ♪ 461 00:26:41,375 --> 00:26:42,500 [Paul] ♪ Oh, oh, oh ♪ 462 00:26:42,583 --> 00:26:44,125 [Ringo] ♪ The day that… ♪ 463 00:26:45,333 --> 00:26:46,333 [George] ♪ Begun… ♪ 464 00:26:46,416 --> 00:26:47,875 [Paul humming] 465 00:26:47,958 --> 00:26:49,583 [George speaks indistinctly] 466 00:26:49,666 --> 00:26:53,250 [Paul] ♪ Because I know you love me so ♪ 467 00:26:55,916 --> 00:27:00,250 ♪ Wake up in the morning I don't feel blue ♪ 468 00:27:01,291 --> 00:27:06,125 ♪ 'Cause I know I've got you ♪ 469 00:27:06,708 --> 00:27:10,750 ♪ Get a funny feeling All day and night ♪ 470 00:27:12,000 --> 00:27:14,583 ♪ Get the funny feeling ♪ 471 00:27:14,666 --> 00:27:17,208 ♪ You don't treat me right ♪ 472 00:27:17,291 --> 00:27:19,875 ♪ Should have read your letter ♪ 473 00:27:19,958 --> 00:27:21,666 ♪ And then I'd know ♪ 474 00:27:22,541 --> 00:27:24,875 ♪ I would have felt much better ♪ 475 00:27:24,958 --> 00:27:28,541 ♪ Because I know you love me so ♪ 476 00:27:31,500 --> 00:27:33,375 Don't think that ever got there, did it? 477 00:27:34,416 --> 00:27:35,541 ♪ Well, I've been thinking… ♪ 478 00:27:35,625 --> 00:27:36,625 [John humming] 479 00:27:36,708 --> 00:27:38,333 ♪ …love me ♪ 480 00:27:39,500 --> 00:27:40,791 ♪ Tell me that ♪ 481 00:27:42,666 --> 00:27:44,708 [John] ♪ Won't you please ♪ 482 00:27:45,333 --> 00:27:47,000 [John, Paul] ♪ Say goodbye? ♪ 483 00:27:48,291 --> 00:27:51,750 ♪ This love has long since grown cold ♪ 484 00:27:51,833 --> 00:27:56,083 ♪ Yeah, won't you please say goodbye? ♪ 485 00:27:57,625 --> 00:28:01,333 ♪ How many times must you be told? ♪ 486 00:28:03,125 --> 00:28:05,458 ♪ Won't you please say goodbye? ♪ 487 00:28:06,125 --> 00:28:08,083 -[hums] -That sounded like… 488 00:28:09,375 --> 00:28:10,500 ♪ Pick up my bags ♪ 489 00:28:11,958 --> 00:28:14,500 ♪ Run to the station ♪ 490 00:28:14,583 --> 00:28:15,833 ♪ Railman said ♪ 491 00:28:16,875 --> 00:28:18,708 ♪ "You've got the wrong location" ♪ 492 00:28:20,125 --> 00:28:22,333 -♪ Pick up my bag ♪ -♪ Pick up my bag, yeah, yeah ♪ 493 00:28:22,416 --> 00:28:24,291 -♪ Run right home ♪ -♪ Run home ♪ 494 00:28:25,250 --> 00:28:27,333 -♪ Then I find ♪ -♪ Then I find that ♪ 495 00:28:27,416 --> 00:28:30,833 -♪ I got the number wrong, yeah ♪ -♪ I got the number wrong, yes ♪ 496 00:28:30,916 --> 00:28:33,583 ♪ She said she's travelin' On the one after 909 ♪ 497 00:28:35,958 --> 00:28:39,166 ♪ Move over, honey I'm travelin' on that line ♪ 498 00:28:41,458 --> 00:28:44,083 ♪ Said Move over once Move over twice ♪ 499 00:28:44,166 --> 00:28:46,291 ♪ Come on, baby Don't be cold as ice ♪ 500 00:28:47,000 --> 00:28:49,666 ♪ She said she's travelin' On the one after 909 ♪ 501 00:28:49,750 --> 00:28:52,125 ♪ She said she's travelin' On the one after 909 ♪ 502 00:28:52,208 --> 00:28:55,750 ♪ She said she's travelin' On the one after 909 ♪ 503 00:28:59,166 --> 00:29:01,125 [Paul] Okay. All right. 504 00:29:02,375 --> 00:29:04,708 [Paul] Really, that's out of the past, that. 505 00:29:06,916 --> 00:29:09,666 I always meant to just change the words a bit and do something. 506 00:29:09,750 --> 00:29:11,083 [Paul] But no, it's so great. 507 00:29:11,166 --> 00:29:13,833 -[George] It's all working. Keep them. -[Paul hums] 508 00:29:13,916 --> 00:29:16,833 "Said, 'Move over, honey, I'm traveling on that line.'" [laughs] 509 00:29:16,916 --> 00:29:20,416 "Move over once, move over twice. Come on, baby. Don't be cold as ice." 510 00:29:20,500 --> 00:29:21,833 [John] "You're only fooling around." 511 00:29:21,916 --> 00:29:23,833 [John, Paul] "You're only fooling around with me." 512 00:29:24,458 --> 00:29:26,916 [Paul] I never sort of knew what it was about before. 513 00:29:27,000 --> 00:29:28,958 -I mean, so she's on a train. -[John] Yes. 514 00:29:29,041 --> 00:29:32,041 -And he sort of-- [laughs] -[John] Goes to the station and misses it. 515 00:29:32,125 --> 00:29:35,666 But he goes back and finds it was the wrong number, so… 516 00:29:35,750 --> 00:29:37,666 "Wrong location." 517 00:29:37,750 --> 00:29:39,791 To rhyme with "station," you know? 518 00:29:39,875 --> 00:29:41,250 That's great. 519 00:29:41,333 --> 00:29:44,083 "Railman said you got the wrong location." 520 00:29:44,791 --> 00:29:46,375 -[John] Hello, George. -[laughs] 521 00:29:46,458 --> 00:29:49,833 [John] Hi, Paul. It's simply great for you to turn up this evening. 522 00:29:49,916 --> 00:29:52,291 -["Ob-La-Di, Ob-La-Da" playing] -The Animals reunited. 523 00:29:52,875 --> 00:29:56,250 [falsetto] ♪ Desmond had a barrow In the market place ♪ 524 00:29:56,333 --> 00:29:58,708 ♪ Doris had another in the bog ♪ 525 00:30:00,000 --> 00:30:02,875 ♪ Charlie has another In the back of town ♪ 526 00:30:02,958 --> 00:30:05,250 ♪ And, Lordy, Lordy Did they have a bag of fun ♪ 527 00:30:06,166 --> 00:30:08,583 ♪ Oh, my God, oh, my God Oh, my… ♪ 528 00:30:12,833 --> 00:30:14,666 ♪ Tell it to the captain ♪ 529 00:30:15,833 --> 00:30:17,458 ♪ Get in trouble with the man ♪ 530 00:30:17,541 --> 00:30:19,958 ♪ Let the Midnight Special ♪ 531 00:30:20,750 --> 00:30:22,291 ♪ Shine its light on me ♪ 532 00:30:23,500 --> 00:30:25,833 ♪ Let the Midnight Special ♪ 533 00:30:26,833 --> 00:30:29,333 ♪ Shine its ever-lovin' light on me ♪ 534 00:30:30,166 --> 00:30:34,416 [George] ♪ What do you want To make those eyes at me for? ♪ 535 00:30:35,041 --> 00:30:38,791 -♪ If they don't mean what they say? ♪ -♪ When you're out with someone new ♪ 536 00:30:40,750 --> 00:30:44,583 [George, Paul] ♪ You made me glad You made me sad ♪ 537 00:30:44,666 --> 00:30:47,000 ♪ You make me want a lot of things ♪ 538 00:30:47,083 --> 00:30:48,666 -♪ That I never had ♪ -♪ Bundle of dynamite ♪ 539 00:30:48,750 --> 00:30:51,750 ["The Third Man Theme" playing] 540 00:31:31,333 --> 00:31:32,791 [Paul whistles] 541 00:31:43,416 --> 00:31:45,416 -[microphone feedback] -Ah! Fucking hell. 542 00:31:45,500 --> 00:31:47,416 -[Paul] I just got shocked. -Just got a belt, man. 543 00:31:48,000 --> 00:31:49,791 I really-- I got an electric shock. 544 00:31:49,875 --> 00:31:51,416 [Paul] Gonna be in trouble over this. 545 00:31:51,500 --> 00:31:53,208 If this boy dies, you're gonna cop it. 546 00:31:54,291 --> 00:31:57,333 [George] Hold that one as well at the same time and see what happens. 547 00:31:57,416 --> 00:31:59,041 Let me see it again. 548 00:31:59,125 --> 00:32:00,208 Let's try it. 549 00:32:00,291 --> 00:32:02,458 -[Peter Sutton] You get feedback. -[Paul] It's the feedback, yeah. 550 00:32:02,541 --> 00:32:03,833 The feedback going into the, uh-- 551 00:32:03,916 --> 00:32:05,000 -There, it's not-- -[feedback] 552 00:32:05,083 --> 00:32:07,000 -[John] That's it. -[George] Put your hand on that bit. 553 00:32:07,083 --> 00:32:08,750 [Paul] It might be the playing the guitar as well. 554 00:32:08,833 --> 00:32:12,041 It should be where you're here rather than all this… 555 00:32:12,125 --> 00:32:13,583 -You know, all this thing. -[Paul] Yeah. 556 00:32:13,666 --> 00:32:15,166 [Michael] When was it when you touched it? 557 00:32:15,250 --> 00:32:16,833 I gripped hold of two of them together. 558 00:32:16,916 --> 00:32:19,375 -[Paul] The feedback going into the… -[George] Just grip it tight. 559 00:32:19,458 --> 00:32:21,708 -[microphone feedback] -Put the palm of your hand on that bit. 560 00:32:21,791 --> 00:32:24,541 -[microphone feedback] -[laughing] 561 00:32:25,500 --> 00:32:27,541 [Paul] The bit that I find the weakest now is… 562 00:32:27,625 --> 00:32:29,208 ♪ All these years I've been wandering around ♪ 563 00:32:29,291 --> 00:32:30,916 [John] Yeah, that's just power, you know? 564 00:32:31,000 --> 00:32:33,208 [Paul] ♪ Wondering how come nobody told me ♪ 565 00:32:34,791 --> 00:32:36,958 -[Paul] Maybe harmonies. -Just sing your one. 566 00:32:37,041 --> 00:32:40,625 ♪ All these years I've been wandering around ♪ 567 00:32:40,708 --> 00:32:43,250 ♪ Wondering how come nobody told me ♪ 568 00:32:43,333 --> 00:32:46,750 ♪ All that I've been looking for Was somebody who looked like you ♪ 569 00:32:48,083 --> 00:32:49,291 You're singing B. 570 00:32:49,833 --> 00:32:52,708 Yeah, just sing the next harmony down so it's not too low for you. 571 00:32:52,791 --> 00:32:55,125 ♪ All these years ♪ 572 00:32:55,208 --> 00:32:57,291 -[Paul] ♪ All these years I've been-- ♪ -♪ All-- ♪ 573 00:32:57,375 --> 00:32:59,166 -That's very high for me. -[Paul] Don't shout. It's power. 574 00:32:59,250 --> 00:33:00,083 ♪ All these-- ♪ 575 00:33:00,166 --> 00:33:01,125 Oh, it's terribly high. 576 00:33:01,208 --> 00:33:03,416 -[Paul] ♪ Been wandering around ♪ -♪ All these days ♪ 577 00:33:03,500 --> 00:33:04,750 [vocalizing] 578 00:33:05,416 --> 00:33:06,708 [Paul] ♪ Wondering how come-- ♪ 579 00:33:06,791 --> 00:33:08,208 Down on the one note, is it? 580 00:33:09,125 --> 00:33:10,833 ♪ All these years I've been wandering around ♪ 581 00:33:10,916 --> 00:33:13,333 ♪ Wondering how come nobody told me All that I've-- ♪ 582 00:33:13,416 --> 00:33:14,875 [vocalizing] 583 00:33:14,958 --> 00:33:17,541 -[John] That's very high, you know? -[vocalizing continues] 584 00:33:17,625 --> 00:33:19,375 ♪ All these years I've been wandering ♪ 585 00:33:19,458 --> 00:33:22,458 [vocalizing] 586 00:33:24,250 --> 00:33:25,291 Fuck it! 587 00:33:26,666 --> 00:33:28,208 One, two, three, four. 588 00:33:28,291 --> 00:33:30,458 ♪ All these years I've been wondering-- ♪ 589 00:33:30,541 --> 00:33:33,541 [vocalizing] 590 00:33:37,125 --> 00:33:38,125 ♪ You! ♪ 591 00:33:38,208 --> 00:33:39,375 [groans] 592 00:33:39,458 --> 00:33:41,250 -It's a bit early for that, isn't it? -Yeah. 593 00:33:44,125 --> 00:33:46,708 Early in the morning, you know? I'm not 18 anymore. 594 00:33:46,791 --> 00:33:48,166 [chuckles] 595 00:33:52,791 --> 00:33:55,083 [Mal speaks indistinctly] 596 00:33:55,166 --> 00:33:57,375 -[bass playing] -[Mal speaks indistinctly] 597 00:34:08,708 --> 00:34:10,708 [chattering] 598 00:34:13,000 --> 00:34:14,625 ♪ Everybody had a hard-- ♪ 599 00:34:15,875 --> 00:34:16,875 ♪ Everybody-- ♪ 600 00:34:18,791 --> 00:34:20,875 Uh-- Hair down. 601 00:34:22,541 --> 00:34:24,166 Socks up. Foot down. 602 00:34:25,000 --> 00:34:27,666 -[Mal] "Everybody pulled their socks up"? -[John] Yeah. Yeah. 603 00:34:27,750 --> 00:34:29,416 [Paul] ♪ Everybody pulled their socks up ♪ 604 00:34:29,500 --> 00:34:32,375 -"Foot down." Okay, that's it. -Right. 605 00:34:32,458 --> 00:34:33,458 [John] Yeah. 606 00:34:34,125 --> 00:34:35,250 [Paul] Bit of power there. 607 00:34:35,333 --> 00:34:37,333 [John] I don't want every time we're doing "Don't Let Me Down," 608 00:34:37,416 --> 00:34:39,500 that it hurts just to rehearse it. 609 00:34:39,583 --> 00:34:42,541 I wonder how long it is. Do you want to time it, Mal? 610 00:34:42,625 --> 00:34:44,958 'Cause it's probably only about half a minute long. 611 00:34:45,875 --> 00:34:48,916 ♪ Desmond had a sparrow In his parking lot ♪ 612 00:34:49,000 --> 00:34:52,666 One, two, three… 613 00:34:52,750 --> 00:34:55,458 ♪ Don't let me down ♪ 614 00:34:58,458 --> 00:35:00,750 ♪ Don't let me down ♪ 615 00:35:03,458 --> 00:35:06,208 ♪ Don't let me down ♪ 616 00:35:08,791 --> 00:35:11,458 ♪ Don't let me down ♪ 617 00:35:15,291 --> 00:35:16,791 -Three minutes! -What? 618 00:35:16,875 --> 00:35:18,875 -[Mal] Three minutes, 40 seconds. -That's fine. 619 00:35:18,958 --> 00:35:21,000 -Three minutes, 40 seconds. -[Michael] Yeah. 620 00:35:21,083 --> 00:35:22,666 This is incredible. 621 00:35:22,750 --> 00:35:26,166 -It's long. It sounded just like… -Half a minute. 622 00:35:26,250 --> 00:35:27,250 Okay. 623 00:35:28,041 --> 00:35:29,583 [John] Uh, I've got one. 624 00:35:29,666 --> 00:35:33,750 -Uh, "Gimme Some Truth" or something. -[Paul] Something like that. 625 00:35:33,833 --> 00:35:36,375 -"Gimme Some Truth." -We could finish that. 626 00:35:36,458 --> 00:35:39,458 -Remember your hangman bit? -[Paul] Yeah. 627 00:35:39,541 --> 00:35:40,958 -[John] It was all right. -[Paul] No. 628 00:35:41,041 --> 00:35:45,666 "No, no freaked-out… yellow-bellied son of Gary Cooper gonna…" 629 00:35:45,750 --> 00:35:47,666 ♪ Freaked out… ♪ 630 00:35:47,750 --> 00:35:49,416 -It started in D, didn't it? -Yeah. 631 00:35:50,208 --> 00:35:51,500 ♪ Some… ♪ 632 00:35:51,583 --> 00:35:52,958 That was-- That was my bit. 633 00:35:53,041 --> 00:35:54,541 ♪ Freaked out, yellow-bellied… ♪ 634 00:35:54,625 --> 00:35:56,333 [John] ♪ Sick and tired of hearing words ♪ 635 00:35:56,416 --> 00:35:58,500 -[Paul] Yours was in E, wasn't it? -No, it was in D. 636 00:35:58,583 --> 00:36:03,750 [Paul, John vocalizing] 637 00:36:03,833 --> 00:36:06,041 ♪ Hope ♪ 638 00:36:06,125 --> 00:36:08,333 ♪ Money for rope ♪ 639 00:36:08,416 --> 00:36:09,416 [George] If we add a-- 640 00:36:09,500 --> 00:36:10,541 ♪ Money for rope ♪ 641 00:36:12,333 --> 00:36:16,166 [Paul] ♪ No freaked out, yellow-bellied Son of Gary Cooper gonna tell him… ♪ 642 00:36:16,250 --> 00:36:18,041 [scatting] 643 00:36:18,125 --> 00:36:19,750 ♪ For dope ♪ 644 00:36:20,583 --> 00:36:22,250 ♪ Money for rope ♪ 645 00:36:23,125 --> 00:36:24,958 ♪ Just money for rope ♪ 646 00:36:30,166 --> 00:36:32,666 ♪ I'm sick and tired of hearing lies ♪ 647 00:36:32,750 --> 00:36:36,375 ♪ By seasick, narrow-minded Shortsighted hypocrites ♪ 648 00:36:36,458 --> 00:36:38,333 ♪ All I want is the truth ♪ 649 00:36:38,416 --> 00:36:39,458 [John] We should change the-- 650 00:36:39,541 --> 00:36:41,166 ♪ Just gimme some truth ♪ 651 00:36:42,333 --> 00:36:44,666 ♪ I've had enough of readin' lines ♪ 652 00:36:44,750 --> 00:36:48,375 ♪ By some sicked out Hard-sided politicians ♪ 653 00:36:48,458 --> 00:36:50,208 ♪ All I want is the truth ♪ 654 00:36:51,333 --> 00:36:52,416 ♪ Just gimme some truth ♪ 655 00:36:52,500 --> 00:36:54,291 No, it was in D and E. 656 00:36:54,375 --> 00:36:55,666 -Oh, okay. -[Paul] Yeah. Right. 657 00:37:02,958 --> 00:37:04,916 [Mal] Perhaps if you stuck it over that side-- 658 00:37:05,000 --> 00:37:06,250 How's that for your show? 659 00:37:08,666 --> 00:37:09,666 [Paul] Okay, yeah. 660 00:37:10,250 --> 00:37:13,500 [George] It's really getting into a show. [chuckles] 661 00:37:13,583 --> 00:37:14,583 [John] Bottoms up. 662 00:37:14,666 --> 00:37:16,916 [Paul] If you'll all turn now to "Sunrise," 663 00:37:17,000 --> 00:37:19,000 I would very much appreciate it. 664 00:37:21,791 --> 00:37:24,250 "All Things Must Pass." 665 00:37:26,083 --> 00:37:29,000 [George] There's no solo or anything complicated. 666 00:37:29,083 --> 00:37:31,833 It's purely just rhythmical and vocal. 667 00:37:31,916 --> 00:37:34,708 And if we suddenly add a Lowrey organ… 668 00:37:37,666 --> 00:37:40,250 Also, the chords really are E. 669 00:37:40,916 --> 00:37:46,083 [singsong] To F-sharp minor, to E, to A. 670 00:37:47,083 --> 00:37:49,791 E to F-sharp minor. 671 00:37:50,791 --> 00:37:53,208 E, A. 672 00:37:55,041 --> 00:38:01,791 ♪ All things must pass ♪ 673 00:38:02,541 --> 00:38:06,291 ♪ All things must pass away ♪ 674 00:38:13,041 --> 00:38:18,208 ♪ Sunset doesn't last all evening ♪ 675 00:38:18,291 --> 00:38:20,166 ♪ Doesn't last ♪ 676 00:38:20,250 --> 00:38:25,333 ♪ A wind can blow those clouds away ♪ 677 00:38:25,416 --> 00:38:28,750 ♪ Wind can blow those clouds away ♪ 678 00:38:30,708 --> 00:38:32,041 ♪ After all this ♪ 679 00:38:32,125 --> 00:38:36,458 ♪ My love is up and must be leaving ♪ 680 00:38:38,000 --> 00:38:44,250 ♪ It's not always been this grey ♪ 681 00:38:45,791 --> 00:38:52,458 ♪ All things must pass ♪ 682 00:38:53,083 --> 00:38:57,250 ♪ All things must pass away ♪ 683 00:38:59,291 --> 00:39:03,333 [George] But the middle bit, because it says the same word first… 684 00:39:04,375 --> 00:39:06,250 Like "All things must pass away," then… 685 00:39:06,833 --> 00:39:10,375 ♪ All things must pass ♪ 686 00:39:10,458 --> 00:39:12,875 Something there, you know, is where we'd overdub something 687 00:39:12,958 --> 00:39:15,416 or add voices, or I'd track it, or-- 688 00:39:15,500 --> 00:39:18,125 [Paul] Maybe it would be better if we just did it straight, first of all. 689 00:39:18,208 --> 00:39:19,333 [George] ♪ All things must pass ♪ 690 00:39:19,416 --> 00:39:20,625 Okay. 691 00:39:20,708 --> 00:39:22,791 [Paul] Just to do everything just really mechanical 692 00:39:22,875 --> 00:39:25,750 and then we can sort of get it all good after that. 693 00:39:26,708 --> 00:39:30,583 ♪ Macrobiotic pills are good at arriving ♪ 694 00:39:30,666 --> 00:39:32,416 ♪ At the right time ♪ 695 00:39:33,791 --> 00:39:34,791 [whistling] 696 00:39:34,875 --> 00:39:39,291 ♪ A wind can blow those clouds away ♪ 697 00:39:43,541 --> 00:39:44,875 [George chuckles] 698 00:39:44,958 --> 00:39:46,416 Yeah, okay. 699 00:39:51,083 --> 00:39:52,750 [George] It looks like it on the paper. 700 00:39:52,833 --> 00:39:54,708 [John] "A miner can blow these clouds away." 701 00:39:54,791 --> 00:39:57,333 -[George] Mal's writing. -What are they all having? Pale ale. 702 00:39:57,416 --> 00:40:00,375 -Pale ale. Anyone else want a drink? -Yeah. Anybody else want a drink? 703 00:40:00,458 --> 00:40:01,666 -[George] Yes, please. -[John] Yes. 704 00:40:01,750 --> 00:40:04,583 -[George] I'll have a glass of white wine. -[John] I'll have a beer. 705 00:40:04,666 --> 00:40:07,208 [George] You know, man, the idea of doing this thing 706 00:40:07,291 --> 00:40:08,833 so that it's just us doing it 707 00:40:08,916 --> 00:40:11,541 and there's no overdubs or you can't get out of it 708 00:40:11,625 --> 00:40:13,291 is much better really. 709 00:40:13,375 --> 00:40:15,833 Because, you know, all the time recording, 710 00:40:15,916 --> 00:40:18,583 you're thinking, "It's all right. We can do that later." 711 00:40:18,666 --> 00:40:19,666 Hmm. 712 00:40:19,750 --> 00:40:22,875 [John] People are doing live shows now, 713 00:40:22,958 --> 00:40:26,875 they do their overdubs 'cause they're phased and echoed live. 714 00:40:26,958 --> 00:40:30,583 But we're still thinking of it in terms of the four guys and four amps in The Cavern. 715 00:40:30,666 --> 00:40:32,041 [George] Yeah. 716 00:40:32,125 --> 00:40:33,458 [John] Yeah, I'd like phasing. 717 00:40:33,541 --> 00:40:36,750 [George] But the phasing is Alex, and he's building the studio 718 00:40:36,833 --> 00:40:38,791 and putting it in this week. 719 00:40:56,125 --> 00:40:57,333 Yeah. 720 00:41:25,416 --> 00:41:26,958 ["Every Little Thing" playing] 721 00:41:29,666 --> 00:41:32,916 ♪ When I'm walking beside her ♪ 722 00:41:33,708 --> 00:41:36,708 [vocalizing] 723 00:41:41,625 --> 00:41:44,083 [John scatting] 724 00:41:46,625 --> 00:41:49,125 Not bad though. Good try that, Johnny. 725 00:41:49,208 --> 00:41:51,375 [George] Yeah, but you know, John, 726 00:41:51,458 --> 00:41:54,541 the difference between me and, say, Eric, 727 00:41:54,625 --> 00:41:56,416 I'm just another guitar, 728 00:41:56,500 --> 00:41:59,500 sometimes playing bits and sometimes singing. 729 00:42:01,000 --> 00:42:04,125 But he's the only guitar to play lead. 730 00:42:04,208 --> 00:42:05,750 And so he's, like, playing. 731 00:42:05,833 --> 00:42:08,208 That's how he can keep it going all the time. 732 00:42:09,083 --> 00:42:10,750 -[John] Yeah. -[George] So… 733 00:42:10,833 --> 00:42:13,041 I feel now I can play things. 734 00:42:13,125 --> 00:42:16,291 I can learn things that will sound okay, 735 00:42:16,375 --> 00:42:18,625 especially fast fingering like that. 736 00:42:19,625 --> 00:42:20,833 [Paul] It's jazz, man. 737 00:42:28,833 --> 00:42:31,541 You know, like, a lot of guitarists can sustain even, 738 00:42:31,625 --> 00:42:33,083 but they play it like a lot of shit. 739 00:42:33,166 --> 00:42:35,041 But his thing takes on a pattern 740 00:42:35,125 --> 00:42:38,166 and gets somewhere and resolves itself, 741 00:42:38,250 --> 00:42:39,541 which is very hard. 742 00:42:55,583 --> 00:42:58,083 [George] Yeah, I'm sure you'll dig it when you see. 743 00:43:18,250 --> 00:43:19,666 [Paul] And what shall we do, then? 744 00:43:19,750 --> 00:43:23,166 ♪ I'm so tired ♪ 745 00:43:23,250 --> 00:43:25,500 ♪ I haven't slept a wink ♪ 746 00:43:28,250 --> 00:43:30,500 ♪ I'm so tired ♪ 747 00:43:31,458 --> 00:43:33,791 ♪ My mind is on the blink ♪ 748 00:43:34,750 --> 00:43:36,958 ♪ I wonder should I call you ♪ 749 00:43:38,541 --> 00:43:40,250 ♪ And get myself a drink ♪ 750 00:43:40,333 --> 00:43:42,125 ♪ No, no, no ♪ 751 00:43:42,750 --> 00:43:44,500 No. Lay off the booze, boy. 752 00:43:45,458 --> 00:43:48,291 ♪ 'Cause I'm so tired ♪ 753 00:43:49,541 --> 00:43:52,333 ♪ I don't know what to do Don't know what to do ♪ 754 00:43:54,041 --> 00:43:56,000 ♪ I'm so tired ♪ 755 00:43:57,250 --> 00:43:59,166 ♪ My mind is set on you ♪ 756 00:44:00,291 --> 00:44:01,458 ♪ Ah ♪ 757 00:44:01,541 --> 00:44:04,166 ♪ I wonder should I call you ♪ 758 00:44:04,250 --> 00:44:08,041 ♪ But I know what you'd do ♪ 759 00:44:08,541 --> 00:44:09,541 ♪ Oh, no, no ♪ 760 00:44:10,125 --> 00:44:11,208 ♪ You'd say ♪ 761 00:44:12,250 --> 00:44:14,833 ♪ I'm putting you on But it's no joke ♪ 762 00:44:15,375 --> 00:44:16,625 Uh, John? 763 00:44:22,708 --> 00:44:25,666 [Paul] How near are we to getting the stuff in? 764 00:44:25,750 --> 00:44:29,208 [Glyn] Should be in today with any luck. I've got bits and pieces coming from IBC. 765 00:44:30,166 --> 00:44:34,125 And George's 8-track coming and EMI's gear should be here either today or tomorrow. 766 00:44:34,208 --> 00:44:36,041 I haven't thought of it like a record yet. 767 00:44:36,125 --> 00:44:38,541 [Glyn] I think the idea of the record should be a live performance. 768 00:44:38,625 --> 00:44:40,291 The fact it's being recorded is something-- 769 00:44:40,375 --> 00:44:42,958 It's like when I heard Sgt. Pepper last night. 770 00:44:43,833 --> 00:44:47,375 I thought, "Oh, that-- So that's what live performances could be like." 771 00:44:47,458 --> 00:44:48,458 [Michael clears throat] 772 00:44:48,541 --> 00:44:51,500 You know, even though that was a lash-up that wasn't a live performance there. 773 00:44:52,166 --> 00:44:53,541 Good morning. 774 00:44:54,416 --> 00:44:55,416 Hi. 775 00:44:57,333 --> 00:44:59,166 [Ringo] I won't lie. I'm not too good. 776 00:44:59,250 --> 00:45:01,583 [all chuckling] 777 00:45:01,666 --> 00:45:03,375 -[Glyn] Morning. -[Michael] How are you? 778 00:45:03,458 --> 00:45:05,291 [Paul] Hiya. [chuckles] Good morning. 779 00:45:05,375 --> 00:45:07,541 [Michael] We ought to think this week sometime about the show. 780 00:45:07,625 --> 00:45:11,000 -[Paul] We are thinking about the show. -[John] We never stop thinking about it. 781 00:45:11,083 --> 00:45:13,125 -[John] Good morning, George. -Morning, all. 782 00:45:13,208 --> 00:45:16,666 -It's just a funny day again. -[Paul] Again? 783 00:45:16,750 --> 00:45:19,750 [Michael] Wouldn't it be nice if we did this show with a big audience? 784 00:45:19,833 --> 00:45:20,833 [Paul] Yes. 785 00:45:20,916 --> 00:45:23,583 I think we should forget the whole idea of this show. 786 00:45:23,666 --> 00:45:25,291 [Paul] Yeah, just, that's it. Okay. 787 00:45:26,208 --> 00:45:27,375 I'll go along with that. 788 00:45:28,291 --> 00:45:30,416 -[Michael] We're back-- -[Paul] We're back to square one. 789 00:45:34,958 --> 00:45:37,291 Here comes my recording studio. 790 00:45:37,375 --> 00:45:39,375 [all chuckling] 791 00:45:39,458 --> 00:45:41,375 [George] Who's gonna look after all this equipment? 792 00:45:41,458 --> 00:45:44,791 'Cause the only thing is, it is, like, 10,000 quid. 793 00:45:44,875 --> 00:45:47,125 And is Alex going to plug all that up? 794 00:45:47,208 --> 00:45:48,375 [Glyn] Supposedly. 795 00:45:48,458 --> 00:45:50,458 [George Martin] Now, Alex rang me yesterday, George, 796 00:45:50,541 --> 00:45:53,916 and said that he didn't think that you needed an 8-track console. 797 00:45:54,000 --> 00:45:55,291 Alex said he can build one. 798 00:45:55,375 --> 00:45:58,166 -Now, the thing is that it might go wrong. -[George] Yes. 799 00:46:00,333 --> 00:46:01,708 [Michael] Where did you get Alexis from? 800 00:46:01,791 --> 00:46:04,041 [Glyn] He worked for Pye Color Television… 801 00:46:04,125 --> 00:46:06,708 [George] No, he was in England and John Dunbar asked him 802 00:46:06,791 --> 00:46:09,416 if he'd stay and build a light machine for The Stones' tour. 803 00:46:09,500 --> 00:46:10,500 [Michael] Yeah. 804 00:46:10,583 --> 00:46:12,083 So he stayed and did that. 805 00:46:12,166 --> 00:46:14,833 Then he met John, and then he met us. 806 00:46:14,916 --> 00:46:16,833 -[Michael] Hmm. -And he's been there ever since. 807 00:46:16,916 --> 00:46:17,916 [Michael] Hmm. Hmm. 808 00:46:18,000 --> 00:46:21,666 [John] Yeah, I'm not going to tell you the story about Alex and his foot pedal am I? 809 00:46:21,750 --> 00:46:23,000 [Glyn] Have you actually tried it out or-- 810 00:46:23,083 --> 00:46:26,000 You see, the thing is he just comes across things 811 00:46:26,083 --> 00:46:29,833 and then he says, "Oh, yeah, I've done this." 812 00:46:29,916 --> 00:46:31,500 But he hasn't actually made it 813 00:46:31,583 --> 00:46:34,791 because he's busy building recording studios. 814 00:46:34,875 --> 00:46:37,125 [George Martin] I don't think we should have Alex build one 815 00:46:37,208 --> 00:46:40,875 because it's better to have something that we know we can use and is reliable. 816 00:46:40,958 --> 00:46:43,541 -[chattering] -[instruments playing] 817 00:46:47,375 --> 00:46:49,458 [Paul] ♪ Yeah, you wear out your women ♪ 818 00:46:49,541 --> 00:46:51,791 ♪ Well, you wear them high ♪ 819 00:46:54,333 --> 00:46:55,708 ♪ They do my woman ♪ 820 00:46:55,791 --> 00:46:58,875 ♪ Why, why, why, why, why? ♪ 821 00:46:58,958 --> 00:47:02,250 ♪ My, my, my, my, my, my, my, my, my, my My imagination ♪ 822 00:47:03,833 --> 00:47:07,208 ♪ It took me by surprise In the middle of my conversation ♪ 823 00:47:09,416 --> 00:47:12,458 ♪ My, my, my, my, my, my, my, my, my, my My imagination ♪ 824 00:47:15,416 --> 00:47:16,625 ♪ Conversation… ♪ 825 00:47:17,208 --> 00:47:18,541 Something like-- The words, like, 826 00:47:18,625 --> 00:47:22,250 "Love for the first time in my life, so don't you let it get away." 827 00:47:22,333 --> 00:47:23,791 Uh… 828 00:47:23,875 --> 00:47:26,333 -[George] What are the words? -"It lasts forever and a day." 829 00:47:27,041 --> 00:47:29,583 Uh, no. "Love for the first time in my life." Here you go. 830 00:47:29,666 --> 00:47:32,375 ♪ I'm in love for the first ♪ 831 00:47:32,458 --> 00:47:35,708 ♪ Love for the first time in my life ♪ 832 00:47:35,791 --> 00:47:37,250 ♪ Don't you know it's gonna last ♪ 833 00:47:37,333 --> 00:47:38,500 It's nice though. I mean, it's-- 834 00:47:38,583 --> 00:47:40,416 What can we do to that bit then, you know? 835 00:47:40,500 --> 00:47:42,083 ♪ A dah dah ♪ 836 00:47:49,291 --> 00:47:52,708 ♪ I'm in love for the first time ♪ 837 00:47:58,125 --> 00:48:00,125 ♪ In love for the first time ♪ 838 00:48:06,375 --> 00:48:08,666 Yeah, it's really like that's where the piano would come in. 839 00:48:08,750 --> 00:48:10,833 See, would you have piano on it? 840 00:48:10,916 --> 00:48:13,583 [John] Yeah, I like the idea of piano. But how do we do that? 841 00:48:13,666 --> 00:48:16,583 One of us play bass. George play the bass. 842 00:48:16,666 --> 00:48:18,166 [John] But then there's no guitars. 843 00:48:18,250 --> 00:48:20,083 [Paul] Well, it's either you or him. 844 00:48:20,166 --> 00:48:22,750 Or a bass player or a pianist. You know? 845 00:48:22,833 --> 00:48:24,958 -[John] If we need somebody else… -[Paul] Yes. 846 00:48:25,041 --> 00:48:28,000 …probably be like a guy that plays piano all the time. 847 00:48:28,083 --> 00:48:30,458 -[Paul] Somebody like Nicky Hopkins. -[John] Or anybody. Yeah. 848 00:48:30,958 --> 00:48:35,041 Or if it develops that nothing need be done on guitar except for rhythm, 849 00:48:35,125 --> 00:48:38,458 then we say, "Well, fuck that. Two rhythms. We'll have one piano." 850 00:48:38,541 --> 00:48:41,666 [Paul] Okay, well, we'll play the rhythms with the guitars anyway. 851 00:48:41,750 --> 00:48:43,708 [vocalizing] 852 00:48:43,791 --> 00:48:46,708 [John] I was thinking about this whole three mics bit. 853 00:48:46,791 --> 00:48:48,041 Do you think we should? 854 00:48:50,083 --> 00:48:54,875 I was watching that pop show on BBC2. The Move were on. 855 00:48:54,958 --> 00:48:58,583 You know that one little voice there doing harmony, one little voice there. 856 00:48:58,666 --> 00:49:01,375 They never joined into a group. 857 00:49:01,958 --> 00:49:06,291 ♪ Nobody ever loved me Like she do me ♪ 858 00:49:07,750 --> 00:49:09,875 ♪ Ooh, she does me ♪ 859 00:49:10,666 --> 00:49:12,416 ♪ Yes, she does ♪ 860 00:49:15,000 --> 00:49:20,458 ♪ And if somebody ever loved me Like she do me ♪ 861 00:49:21,083 --> 00:49:23,250 -[Paul] ♪ Oh ♪ -♪ Yes, she do me ♪ 862 00:49:23,333 --> 00:49:24,791 [Paul vocalizes] 863 00:49:24,875 --> 00:49:26,416 ♪ Yes, she does ♪ 864 00:49:29,416 --> 00:49:31,625 [Paul] It should be, like, a sustained thing over that. 865 00:49:31,708 --> 00:49:34,916 ♪ Nobody ever loved me like she ♪ 866 00:49:35,000 --> 00:49:37,000 [scatting] 867 00:49:41,291 --> 00:49:43,750 So, George, so that we can split up, 868 00:49:43,833 --> 00:49:48,541 so that you're, like, doing the chords, like a "Ave Maria" thing. 869 00:49:48,625 --> 00:49:49,750 Yeah. 870 00:49:51,583 --> 00:49:52,583 ♪ Yes, she does ♪ 871 00:49:52,666 --> 00:49:54,750 -[scatting] -Tell me-- 872 00:49:56,708 --> 00:49:57,875 [imitates drumbeat] 873 00:49:57,958 --> 00:49:59,250 Like on the tom-toms-- 874 00:49:59,333 --> 00:50:02,333 [imitating drumbeat] 875 00:50:08,083 --> 00:50:09,166 You know what I mean? 876 00:50:10,208 --> 00:50:11,208 Yeah, so it goes-- 877 00:50:11,291 --> 00:50:14,833 There's a point where we'll have to concentrate on the guitar 878 00:50:14,916 --> 00:50:17,458 for each song, you know, where, if it's going to play anything. 879 00:50:17,541 --> 00:50:19,958 But if it's "I'm in love for the first time." 880 00:50:20,041 --> 00:50:21,666 And I'm doing, uh… 881 00:50:23,000 --> 00:50:26,791 ♪ I'm in love for the first time ♪ 882 00:50:26,875 --> 00:50:29,416 ♪ For the first time in my life ♪ 883 00:50:29,500 --> 00:50:31,375 ♪ And you know it's gonna last ♪ 884 00:50:31,458 --> 00:50:33,916 [Paul] It's nice though. I mean, corny's all right in this one. 885 00:50:34,000 --> 00:50:35,541 'Cause what he's doing is corny. 886 00:50:35,625 --> 00:50:38,166 But it-- See, that's the thing that will make it not corny, 887 00:50:38,250 --> 00:50:40,625 if we sing different words. So, you say… 888 00:50:40,708 --> 00:50:42,291 ♪ I'm in love for the first time ♪ 889 00:50:42,375 --> 00:50:45,500 ♪ Love for the first time in my life ♪ 890 00:50:45,583 --> 00:50:47,583 Wait, okay. But roughly… 891 00:50:47,666 --> 00:50:50,458 Okay, well, we'll do that. That comes later. So… 892 00:50:50,541 --> 00:50:52,541 -Just start off with a corny one. -[John] Yeah. 893 00:50:52,625 --> 00:50:54,333 'Cause the words aren't that good. So it goes… 894 00:50:54,416 --> 00:50:56,208 ♪ I'm in love for the first ♪ 895 00:50:56,291 --> 00:50:58,791 ♪ Love for the first time… ♪ 896 00:50:58,875 --> 00:51:02,291 [John] I think the words should be corny 'cause there's no clever words in it. 897 00:51:05,583 --> 00:51:08,291 ♪ I'm in love for the first time ♪ 898 00:51:08,375 --> 00:51:11,375 ♪ La la la la la la la ♪ 899 00:51:11,458 --> 00:51:13,125 ♪ Don't you know it's… ♪ 900 00:51:13,208 --> 00:51:15,083 -[Paul] You see, we should-- -[John] Yeah, change the beat. 901 00:51:15,166 --> 00:51:18,333 [Paul] Should be different beat and all on to light things and cymbals. 902 00:51:18,416 --> 00:51:22,625 Yeah. [imitating drumbeat] 903 00:51:28,083 --> 00:51:29,458 Arthur Alexander then? 904 00:51:29,541 --> 00:51:31,291 [Paul] Okay, do it from the beginning. 905 00:51:31,375 --> 00:51:34,166 [John] ♪ I'm in love for the first time ♪ 906 00:51:34,250 --> 00:51:37,666 [Paul, George] ♪ Love for the first time in my life ♪ 907 00:51:37,750 --> 00:51:40,833 ♪ Don't you know it's gonna last ♪ 908 00:51:40,916 --> 00:51:43,833 ♪ Don't you know it's gonna last ♪ 909 00:51:43,916 --> 00:51:46,666 ♪ It's a love that lasts forever ♪ 910 00:51:47,416 --> 00:51:50,666 ♪ It's a love that lasts forever ♪ 911 00:51:50,750 --> 00:51:53,291 ♪ It's a love that has no past ♪ 912 00:51:56,833 --> 00:51:59,291 [George] It sounds like the same old shit. 913 00:51:59,375 --> 00:52:02,208 Well, I like the same old shit if it's just clear, you know? 914 00:52:04,791 --> 00:52:09,125 Okay, so how about-- how about changing around these two? 915 00:52:09,208 --> 00:52:11,541 And when you sing, "Don't you know it's gonna last," 916 00:52:11,625 --> 00:52:13,250 we sing, "It's a love that has no past." 917 00:52:13,333 --> 00:52:17,708 Then he sings it, and then we repeat, "It's a love that lasts forever," exactly. 918 00:52:17,791 --> 00:52:19,541 When you sing, "It's a love that has no past," 919 00:52:19,625 --> 00:52:21,416 we sing, "It's a love that's gonna last." 920 00:52:21,500 --> 00:52:24,500 -Yes. I agree. -Okay, so… 921 00:52:24,583 --> 00:52:25,708 ♪ I'm in love for the-- ♪ 922 00:52:25,791 --> 00:52:27,583 "Love for the first time in my life." 923 00:52:28,250 --> 00:52:30,708 "It's a love that has no past." 924 00:52:30,791 --> 00:52:32,166 Swap that one for the other, 925 00:52:32,250 --> 00:52:34,500 so that when he's singing that, we're singing the other. 926 00:52:34,583 --> 00:52:36,166 Then, "It's a love that lasts forever." 927 00:52:36,250 --> 00:52:38,791 Repeat that, even though it sounds funny. It'll be all right. 928 00:52:38,875 --> 00:52:40,708 And then, "Don't you know it's gonna last." 929 00:52:40,791 --> 00:52:42,500 Just try it through roughly. 930 00:52:43,458 --> 00:52:45,666 -♪ I'm in love ♪ -♪ Dah dah ♪ 931 00:52:46,250 --> 00:52:47,250 ♪ Don't-- ♪ 932 00:52:47,833 --> 00:52:49,750 ♪ I'm in love for the first time ♪ 933 00:52:49,833 --> 00:52:53,041 ♪ Love for the first time in my life ♪ 934 00:52:53,125 --> 00:52:56,166 ♪ Don't you know it's gonna last ♪ 935 00:52:56,250 --> 00:52:59,166 ♪ It's a love that has no past ♪ 936 00:52:59,250 --> 00:53:02,041 ♪ It's a love that lasts forever ♪ 937 00:53:03,541 --> 00:53:05,333 [George] Yeah, well, that time it was just silly. 938 00:53:05,416 --> 00:53:06,708 [John] What's the bones of the part? 939 00:53:06,791 --> 00:53:08,375 We don't really know what we're saying now. 940 00:53:08,458 --> 00:53:09,375 ♪ Love for the first… ♪ 941 00:53:09,458 --> 00:53:11,666 -[Paul] It was always weak on your guitar… -Yeah, sure. 942 00:53:11,750 --> 00:53:13,250 …'cause that's a weak bit of the song, that. 943 00:53:13,333 --> 00:53:16,541 -But you see, nothing has to happen… -Yeah, it's the same bit. 944 00:53:16,625 --> 00:53:17,875 …in those things. 945 00:53:19,166 --> 00:53:21,833 -If you listen to the words and things… -Yeah, right, nothing does. 946 00:53:21,916 --> 00:53:24,208 …all that's going on is the bass, guitar and drums doing… 947 00:53:24,291 --> 00:53:25,583 [Paul] ♪ I'm in love for the… ♪ 948 00:53:25,666 --> 00:53:27,875 It doesn't really make that much odds-- No, but-- 949 00:53:35,291 --> 00:53:36,916 [Paul] ♪ Love for the first time ♪ 950 00:53:40,375 --> 00:53:44,125 ♪ Don't you know it's gonna last ♪ 951 00:53:46,666 --> 00:53:49,333 ♪ It's a love that lasts forever ♪ 952 00:53:52,750 --> 00:53:56,250 ♪ It's a love that has no past ♪ 953 00:54:00,375 --> 00:54:03,083 -[Paul] Yeah. All right? -Yeah. 954 00:54:03,166 --> 00:54:06,125 That's the only time that works, really, is on the last line. 955 00:54:06,208 --> 00:54:08,625 -Paul, forget the last line. -I'm just trying to get a bit-- 956 00:54:08,708 --> 00:54:10,958 We'll try to sort of go right through. We keep talking about it. 957 00:54:11,041 --> 00:54:13,333 -[George] It seems we're saying… -Okay, girls. 958 00:54:16,000 --> 00:54:18,333 -Give in. I give in. -You're right that it's wrong on that bit. 959 00:54:18,416 --> 00:54:20,208 You see, the first song is not bad. 960 00:54:20,291 --> 00:54:23,583 [Paul] Okay. Okay, we'll just repeat exactly what you say. 961 00:54:23,666 --> 00:54:26,083 One, two, three. 962 00:54:26,166 --> 00:54:29,250 ♪ I'm in love for the first time ♪ 963 00:54:29,333 --> 00:54:32,375 ♪ For the first time in my life ♪ 964 00:54:32,458 --> 00:54:35,416 ♪ Don't you know it's gonna last ♪ 965 00:54:35,500 --> 00:54:38,583 ♪ Don't you know it's gonna last ♪ 966 00:54:38,666 --> 00:54:41,833 ♪ It's a love that lasts forever ♪ 967 00:54:41,916 --> 00:54:44,916 ♪ It's a love that lasts forever ♪ 968 00:54:45,000 --> 00:54:48,166 ♪ It's a love that has no past ♪ 969 00:54:48,250 --> 00:54:51,541 ♪ It's a love that has no past ♪ 970 00:54:52,083 --> 00:54:54,291 ♪ Don't let me down ♪ 971 00:54:54,375 --> 00:54:58,375 Okay. Okay, that's-- that's all right. That's-- 972 00:54:58,458 --> 00:55:00,500 -[John] Yes, I can't hear you. -[George] Right. 973 00:55:00,583 --> 00:55:01,708 No. 974 00:55:01,791 --> 00:55:04,166 [George] I think it's awful, actually. 975 00:55:04,250 --> 00:55:05,500 [Paul] We're gonna improve on that-- 976 00:55:05,583 --> 00:55:08,500 If we had a tape recorder now and then just taped that and played it back, 977 00:55:08,583 --> 00:55:10,708 -you'd throw that out straightaway. -[Paul] Yeah, right, but-- 978 00:55:10,791 --> 00:55:12,666 -[Glyn] Yeah. -No, really. 979 00:55:12,750 --> 00:55:14,833 -You'd throw it out, right? I mean… -Yeah, sure. Okay. 980 00:55:18,166 --> 00:55:19,875 Well, for a start it would be better to sing… 981 00:55:19,958 --> 00:55:21,916 -[plays tune] -Instead of… 982 00:55:22,500 --> 00:55:23,500 ♪ Ah ♪ 983 00:55:23,583 --> 00:55:26,708 Yeah, see, but in a way, that's even cornier, I think. 984 00:55:26,791 --> 00:55:29,041 That little harmony bit. It's just too pretty. 985 00:55:29,125 --> 00:55:31,750 ♪ It's a love that lasts forever ♪ 986 00:55:32,333 --> 00:55:34,791 -Just anything would be-- -Yeah, well, that's-- It's the-- 987 00:55:34,875 --> 00:55:37,291 I think you should just get a corny one first 988 00:55:37,375 --> 00:55:39,500 and then start doing roundups. 989 00:55:39,583 --> 00:55:42,625 You know, you'll start getting the rhythm to it, something, or change it. 990 00:55:42,708 --> 00:55:46,166 ♪ Don't you know it's gonna last ♪ 991 00:55:46,250 --> 00:55:47,625 [vocalizes] 992 00:55:47,708 --> 00:55:51,375 You know, we've just gone round, like, for an hour with nothing in our heads. 993 00:55:51,458 --> 00:55:55,250 -Just… And we're back, so let's-- -We've been through a lot of permutations. 994 00:55:55,333 --> 00:55:57,458 Yeah, I know, but let's move-- sort of move on now. 995 00:55:58,750 --> 00:55:59,916 [Michael] Today's the sixth. 996 00:56:00,000 --> 00:56:01,125 -What is it? -[Michael] Yeah. 997 00:56:04,458 --> 00:56:06,000 We haven't done many yet. 998 00:56:12,458 --> 00:56:13,583 Yeah. 999 00:56:13,666 --> 00:56:16,083 ♪ Two of us riding nowhere ♪ 1000 00:56:16,166 --> 00:56:17,166 [Paul] Okay, now… 1001 00:56:17,250 --> 00:56:19,458 -Am I singing on this or what? -I don't know, really. 1002 00:56:20,875 --> 00:56:23,333 "Two Of Us"? You have to remember the words too. 1003 00:56:23,416 --> 00:56:25,208 Yes, I've got 'em here. 1004 00:56:25,291 --> 00:56:26,333 But learn 'em. 1005 00:56:27,541 --> 00:56:28,750 I almost know 'em. 1006 00:56:29,333 --> 00:56:33,750 ♪ On our way back ♪ 1007 00:56:34,833 --> 00:56:36,583 ♪ On our way home ♪ 1008 00:56:37,333 --> 00:56:38,333 See, look. 1009 00:56:38,416 --> 00:56:39,500 ♪ On our way home ♪ 1010 00:56:39,583 --> 00:56:40,750 Listen, now. 1011 00:56:40,833 --> 00:56:43,708 See, we're gonna have to sort of bring it together, 'cause we're all at odds. 1012 00:56:43,791 --> 00:56:45,666 We're doing that thing we did on The Beatles. 1013 00:56:45,750 --> 00:56:49,208 Like, in this verse, it's two harmonies singing, trying to say some words, right? 1014 00:56:51,250 --> 00:56:52,958 It's not sounding together. 1015 00:56:54,708 --> 00:56:57,125 Or we can stop and say it's not together. 1016 00:57:03,541 --> 00:57:04,625 [John] When you just get them? 1017 00:57:04,708 --> 00:57:08,125 No, not really, it's just-- We've got to be imaginative. 1018 00:57:08,208 --> 00:57:12,125 You know, like-- It's like-- It's complicated now, so it… 1019 00:57:13,083 --> 00:57:16,208 See, if we can get it simpler and then complicate it 1020 00:57:16,291 --> 00:57:19,583 where it needs complications, but it's complicated in the bit-- 1021 00:57:31,500 --> 00:57:33,208 [Paul] But you know what I mean? 1022 00:57:33,291 --> 00:57:36,625 Well, you know, we do this then. Then we-- And then, I don't know. 1023 00:57:38,250 --> 00:57:39,250 Yeah. 1024 00:57:40,250 --> 00:57:41,833 I can't do it on film either. 1025 00:57:42,750 --> 00:57:45,041 Can't frickin' do it on camera. 1026 00:57:46,541 --> 00:57:47,750 Yeah. 1027 00:57:48,583 --> 00:57:50,500 [John] Forget about Candid Camera. 1028 00:57:55,958 --> 00:57:58,250 And I have been for, like, a couple of years. 1029 00:57:58,333 --> 00:57:59,708 It's like I always sound-- 1030 00:57:59,791 --> 00:58:03,416 I always feel as though I'm trying to put you down and stop you playing. 1031 00:58:03,500 --> 00:58:06,541 But I'm not. I'm trying to stop us all playing 1032 00:58:06,625 --> 00:58:08,416 until we know what we're playing. 1033 00:58:08,500 --> 00:58:11,708 [George] But you've got to play in order to find which fits and which doesn't. 1034 00:58:11,791 --> 00:58:14,125 -[Paul] Mmm. -[George] You see that's all we can do. 1035 00:58:14,208 --> 00:58:16,458 I don't wanna say it, 'cause I really just hear myself 1036 00:58:16,541 --> 00:58:19,041 as being the only one saying it, always. 1037 00:58:19,125 --> 00:58:21,333 And like, the three of you just sort of sit there, like… 1038 00:58:21,416 --> 00:58:23,875 "Oh, he's saying that one again is he?" 1039 00:58:23,958 --> 00:58:26,416 And I never get any support, or anything. 1040 00:58:26,500 --> 00:58:28,541 So I just think, "Oh, well. Fuck it." 1041 00:58:28,625 --> 00:58:31,583 And I know it's right, and you know it's right. 1042 00:58:31,666 --> 00:58:33,958 Yes, all right. I just don't know what to do about it. 1043 00:58:34,041 --> 00:58:37,666 But doesn't everyone agree that it's confused at the moment. 1044 00:58:37,750 --> 00:58:40,583 So, all I'm trying to say is, we've only got 12 more days, 1045 00:58:40,666 --> 00:58:44,291 so, like, you know, we've really got to do this methodically, this one. 1046 00:58:44,375 --> 00:58:45,625 Well, it's annoying, you know? 1047 00:58:53,291 --> 00:58:55,500 It's like a matter of working it out with you 1048 00:58:55,583 --> 00:58:57,458 while you're working your bit out. 1049 00:58:57,541 --> 00:58:59,708 You know, have you got your bass bit? 1050 00:58:59,791 --> 00:59:01,791 [Paul] Look. You know, you-- 1051 00:59:01,875 --> 00:59:04,250 You're doing it again as though I'm trying to say that. 1052 00:59:04,333 --> 00:59:06,958 And what we said the other day, you know I'm not trying to get you. 1053 00:59:07,041 --> 00:59:10,791 What I really am trying to just say, "Look lads, the band, 1054 00:59:10,875 --> 00:59:15,375 shall we try it like this, you know?" 1055 00:59:15,458 --> 00:59:18,083 It's funny though how it only occurs when the-- 1056 00:59:18,166 --> 00:59:20,500 It's like, "Shall we play guitar all through 'Hey Jude'?" 1057 00:59:20,583 --> 00:59:22,833 -Well, I don't think we should. -Yeah. Okay, well, I don't mind. 1058 00:59:22,916 --> 00:59:25,541 I'll-- I'll play, you know, whatever you want me to play. 1059 00:59:25,625 --> 00:59:28,041 Or I won't play at all if you don't want me to play. 1060 00:59:28,125 --> 00:59:31,625 Now, whatever it is that will please you, I'll do it. 1061 00:59:43,583 --> 00:59:45,500 -But do you wanna take the gallop? -No, okay, but don't-- 1062 00:59:45,583 --> 00:59:46,583 Now come on. Look-- 1063 00:59:46,666 --> 00:59:49,166 We've gotta do this. We've really gotta sort out this, 1064 00:59:49,250 --> 00:59:53,125 'cause we're rehearsing, and we're trying to, like, get it together for the TV show. 1065 00:59:53,208 --> 00:59:56,500 So we really-- Like you said, we've only been through four numbers. 1066 00:59:57,708 --> 01:00:01,416 So we probably gotta get some system to get through, like, 20 or 30, 1067 01:00:01,500 --> 01:00:03,166 and know them all and have learnt them. 1068 01:00:03,250 --> 01:00:05,125 So that we get all the chords. 1069 01:00:05,208 --> 01:00:07,666 -So we can all vamp them all. -Yeah. 1070 01:00:07,750 --> 01:00:10,375 Then we can, like, all play every solo we need. 1071 01:00:10,458 --> 01:00:13,208 But, like, it's gotta sound as though it's improving. 1072 01:00:22,500 --> 01:00:24,541 [Paul] Yeah, I know what you mean. 1073 01:00:24,625 --> 01:00:28,375 It's just that that way of doing it puts me off the way I'm trying to do it. 1074 01:00:36,000 --> 01:00:37,000 [Paul] Yeah. 1075 01:00:37,708 --> 01:00:39,083 Let's do another song. 1076 01:00:44,000 --> 01:00:45,583 This is why we take so long. 1077 01:00:46,750 --> 01:00:50,458 I think we play it shitty ten times, and so it's sort of in there. 1078 01:00:50,541 --> 01:00:53,125 And then I think we could come and play it quite good then. 1079 01:00:59,708 --> 01:01:00,708 [Paul chuckles] 1080 01:01:04,875 --> 01:01:09,541 ♪ On our way back home ♪ 1081 01:01:09,625 --> 01:01:12,791 [vocalizes] 1082 01:01:12,875 --> 01:01:14,833 ♪ On our way back… ♪ 1083 01:01:14,916 --> 01:01:16,666 I'll have to tune my guitar. 1084 01:01:16,750 --> 01:01:18,958 [vocalizes] 1085 01:01:20,083 --> 01:01:23,708 It's got to just drive along like a car. So how do we do that? 1086 01:01:24,625 --> 01:01:29,291 It was turning heavier. Do you want it more countryish or more… 1087 01:01:31,875 --> 01:01:34,166 I can't talk anymore, I really can't. 1088 01:01:38,208 --> 01:01:42,708 ♪ On our way back home ♪ 1089 01:01:42,791 --> 01:01:45,833 Two, three, four, five, six, seven, eight. 1090 01:01:45,916 --> 01:01:50,750 ♪ On our way back home ♪ 1091 01:01:53,458 --> 01:01:57,333 ♪ On our way back home ♪ 1092 01:01:57,416 --> 01:01:59,583 [vocalizes] 1093 01:02:02,916 --> 01:02:04,583 [vocalizes] 1094 01:02:04,666 --> 01:02:06,291 -[George] But it comes-- -[John] Then just end on D. 1095 01:02:06,375 --> 01:02:08,583 -[George] It could end on G for that one. -[Paul] G. 1096 01:02:08,666 --> 01:02:10,541 [Paul vocalizes] 1097 01:02:17,958 --> 01:02:20,041 [chatter, laughter] 1098 01:02:20,125 --> 01:02:21,833 [Ringo] ♪ Mondays on the road ♪ 1099 01:02:21,916 --> 01:02:24,458 -[George] It's like Lyme Street Station. -[Ringo] What? 1100 01:02:24,541 --> 01:02:26,875 It reminds me a bit of Lyme Street Station. 1101 01:02:29,500 --> 01:02:31,291 [indistinct] 1102 01:02:35,083 --> 01:02:37,333 [Ringo] Between 10:00 and 11:00 is the time. 1103 01:02:37,416 --> 01:02:39,125 [Paul] Thinking of getting rid of him. 1104 01:02:39,208 --> 01:02:40,708 [Ringo] I'm never late. 1105 01:02:40,791 --> 01:02:43,041 He's never late. He's a bloody pro, is Ringo. 1106 01:02:45,208 --> 01:02:48,625 You're playing that bass again. [laughs] 1107 01:02:48,708 --> 01:02:52,291 Peter, can we have a Binson echo unit for these microphones, please? 1108 01:02:52,375 --> 01:02:54,083 [George] I think we could have better mics. 1109 01:02:54,166 --> 01:02:55,958 [Paul] We could have better mics too, Peter. 1110 01:02:56,041 --> 01:02:57,708 -You know, those big Neumanns. -[Michael] Yeah. 1111 01:03:00,750 --> 01:03:03,333 -Yes. -We might, Michael. That's quite true. 1112 01:03:03,416 --> 01:03:04,333 [chuckles] 1113 01:03:04,416 --> 01:03:06,458 [upbeat song playing] 1114 01:03:07,958 --> 01:03:13,958 ♪ Ooh, ooh, ooh ♪ 1115 01:03:18,083 --> 01:03:22,458 ♪ Ooh, ooh, ooh ♪ 1116 01:03:26,375 --> 01:03:29,958 ♪ Ooh, ooh, ooh ♪ 1117 01:03:33,875 --> 01:03:35,166 ♪ Ooh, ooh ♪ 1118 01:03:35,250 --> 01:03:38,708 [vocalizing to "Get Back"] 1119 01:03:54,625 --> 01:03:57,791 [vocalizing continues] 1120 01:04:16,041 --> 01:04:19,041 ♪ Don't you know it's gonna last? ♪ 1121 01:04:20,833 --> 01:04:23,833 [vocalizing continues] 1122 01:04:45,625 --> 01:04:49,541 [vocalizing continues] 1123 01:04:49,625 --> 01:04:53,416 [George] Yeah. It's good-- It's, you know-- Musically and that, it's great. 1124 01:04:54,625 --> 01:04:55,750 [clapping rhythmically] 1125 01:04:59,791 --> 01:05:01,500 [vocalizes] 1126 01:05:03,125 --> 01:05:06,666 ♪ Get back, get back ♪ 1127 01:05:06,750 --> 01:05:09,583 ♪ Get back to where you once belonged ♪ 1128 01:05:10,708 --> 01:05:14,500 ♪ Get back, get back ♪ 1129 01:05:14,583 --> 01:05:17,375 ♪ Get back to where you once belonged ♪ 1130 01:05:18,416 --> 01:05:19,916 [vocalizes] 1131 01:05:20,583 --> 01:05:22,625 ♪ He thought she was a woman ♪ 1132 01:05:22,708 --> 01:05:24,958 ♪ But she was another man ♪ 1133 01:05:26,416 --> 01:05:30,208 ♪ All the folks around Thought she had it coming ♪ 1134 01:05:30,291 --> 01:05:33,541 ♪ But she gets it while she can, oh ♪ 1135 01:05:33,625 --> 01:05:36,708 ♪ Get back, get back ♪ 1136 01:05:38,041 --> 01:05:40,583 ♪ Back to where you once belonged ♪ 1137 01:05:41,708 --> 01:05:44,250 ♪ Get back, get back ♪ 1138 01:05:45,333 --> 01:05:48,208 ♪ Get back to where you once belonged ♪ 1139 01:05:49,500 --> 01:05:51,166 [vocalizes] 1140 01:05:51,250 --> 01:05:53,458 ♪ Yeah, she thought she was a woman ♪ 1141 01:05:53,541 --> 01:05:56,041 ♪ But she was another man ♪ 1142 01:05:57,375 --> 01:06:01,250 ♪ All the folk around said "She thought she had it coming" ♪ 1143 01:06:01,333 --> 01:06:04,958 ♪ But she gets it while she can, oh ♪ 1144 01:06:05,041 --> 01:06:07,666 ♪ Get back, hey, get back ♪ 1145 01:06:09,000 --> 01:06:11,625 ♪ Get back to where you once belonged ♪ 1146 01:06:12,791 --> 01:06:15,916 ♪ Get back, get back ♪ 1147 01:06:16,750 --> 01:06:19,958 ♪ Get back to where you once belonged ♪ 1148 01:06:20,750 --> 01:06:23,583 ♪ Get back, get back ♪ 1149 01:06:24,833 --> 01:06:27,791 ♪ Get back to where you once belonged ♪ 1150 01:06:28,625 --> 01:06:31,625 ♪ Get back, get back ♪ 1151 01:06:32,625 --> 01:06:35,458 ♪ Get back to where you once belonged ♪ 1152 01:06:36,375 --> 01:06:37,625 ♪ Oh ♪ 1153 01:06:42,625 --> 01:06:45,583 I mean, at the moment, we're just rehearsing the numbers for the show. 1154 01:06:45,666 --> 01:06:48,666 None of us has had the idea of what the show is gonna be yet. 1155 01:06:57,791 --> 01:06:58,958 Yeah. Right. Yeah. 1156 01:06:59,041 --> 01:07:01,375 [Michael] And that's why, uh… 1157 01:07:02,375 --> 01:07:04,708 I think if you all have decided to do a show, 1158 01:07:04,791 --> 01:07:06,208 then it should be the best show. 1159 01:07:09,750 --> 01:07:10,750 Know what I mean? 1160 01:07:10,833 --> 01:07:13,458 [Paul] The only thing about that though, is that, uh, 1161 01:07:14,291 --> 01:07:15,416 we don't want to go away. 1162 01:07:15,500 --> 01:07:17,166 [Michael] Think of the lights in the water. 1163 01:07:17,250 --> 01:07:19,750 Torch-lit. 2,000 Arabs. 1164 01:07:19,833 --> 01:07:22,250 -I mean, visually, it is fantastic. -[Paul] But we're not going away. 1165 01:07:22,333 --> 01:07:24,166 [Michael] My trouble is… 1166 01:07:31,666 --> 01:07:33,041 We could make it like requests. 1167 01:07:33,125 --> 01:07:35,708 [Paul] We should do the show in a place we're not allowed to do it. 1168 01:07:35,791 --> 01:07:38,125 You know, like, we should trespass, go in, set up, 1169 01:07:38,208 --> 01:07:40,666 and then get moved, and that should be the show. 1170 01:07:40,750 --> 01:07:44,083 I mean, you know, if you put us in the Houses of Parliament, 1171 01:07:44,166 --> 01:07:46,625 playing in the main gallery at the Houses of Parliament, 1172 01:07:46,708 --> 01:07:48,375 and getting forcibly ejected, 1173 01:07:48,458 --> 01:07:50,875 still trying to play numbers, and the police lifting you… 1174 01:07:50,958 --> 01:07:52,625 [Michael] I think that's too much of an obstacle. 1175 01:07:52,708 --> 01:07:54,375 ♪ She came in Through the bathroom window ♪ 1176 01:07:57,041 --> 01:08:00,583 [laughs] Scuffling with the coppers, boots and truncheons and all that. 1177 01:08:00,666 --> 01:08:02,583 You have to take a bit of violence. 1178 01:08:02,666 --> 01:08:03,958 I think that's too dangerous. 1179 01:08:12,833 --> 01:08:14,541 But I don't mean for really sick kids. 1180 01:08:14,625 --> 01:08:16,708 I mean for kids with broken legs. 1181 01:08:16,791 --> 01:08:20,458 I mean, really, kind of, 1944 Hollywood musical Bing Crosby kids. 1182 01:08:20,541 --> 01:08:24,208 [Paul] Or in a hospital, they can't all get up and walk. [laughs] 1183 01:08:24,291 --> 01:08:26,166 Except for the finale. 1184 01:08:26,250 --> 01:08:27,291 [Michael] Oh, yes! 1185 01:08:27,375 --> 01:08:30,541 [Paul] When John walks up to the little girl and says, "Come here." 1186 01:08:30,625 --> 01:08:32,208 And she gets up and walks. 1187 01:08:32,291 --> 01:08:34,875 [Michael] Or maybe an orphans' home? An orphans' home. 1188 01:08:34,958 --> 01:08:37,125 Children are the hope of the future department. 1189 01:08:37,791 --> 01:08:39,958 What about an orphanage? 1190 01:08:40,041 --> 01:08:41,416 How does that grab you guys? 1191 01:08:41,500 --> 01:08:44,750 It's like, "Going once, going twice, going three times and that's it." 1192 01:08:44,833 --> 01:08:45,833 [Paul] No. 1193 01:08:47,041 --> 01:08:49,291 [Michael] Orphanage-- Orphanage going downhill. 1194 01:08:54,375 --> 01:08:56,208 What's the biggest charity in the world? 1195 01:08:56,291 --> 01:08:57,416 I don't mean in terms of polio, 1196 01:08:57,500 --> 01:08:59,583 but what's the most charitable thing anybody could do? 1197 01:08:59,666 --> 01:09:00,666 [George] They say-- 1198 01:09:00,750 --> 01:09:04,000 Don't they say, "Charity begins at home"? 1199 01:09:04,083 --> 01:09:06,083 -[all laugh] -[Paul] We'll do it at George's house. 1200 01:09:06,166 --> 01:09:08,208 [all laugh] 1201 01:09:10,833 --> 01:09:14,875 [Paul] We gotta have some serious reason for doing this or else we won't. 1202 01:09:16,416 --> 01:09:17,583 What's it for? 1203 01:09:17,666 --> 01:09:19,416 Can't be for the money. 1204 01:09:19,500 --> 01:09:22,875 I've decided the whole point of it is communication. 1205 01:09:22,958 --> 01:09:25,333 And to be on TV is communication. 1206 01:09:25,416 --> 01:09:28,958 We've got a chance to smile at people, like "All You Need Is Love." 1207 01:09:29,041 --> 01:09:31,958 But-- So that's me incentive for doing it. 1208 01:09:39,375 --> 01:09:43,625 The worst that we have is a documentary of us making an LP 1209 01:09:43,708 --> 01:09:45,083 if we don't get into a show. 1210 01:09:45,166 --> 01:09:46,833 But we haven't played together, you see. 1211 01:09:46,916 --> 01:09:48,208 That's the fucking thing. 1212 01:09:48,291 --> 01:09:50,125 But when we do come together to play, 1213 01:09:50,208 --> 01:09:52,500 we all just sort of talk about the fucking past! 1214 01:09:52,583 --> 01:09:54,333 We're like old age pensioners. 1215 01:09:54,416 --> 01:09:56,541 "Remember the days when we used to rock?" 1216 01:09:56,625 --> 01:09:59,750 You know, but we're here now, and we can do it, you know? 1217 01:09:59,833 --> 01:10:02,958 But, I mean, all I want to see is enthusiasm! 1218 01:10:04,291 --> 01:10:08,541 See, the thing is also I get to a bit where I just sort of push all my ideas. 1219 01:10:08,625 --> 01:10:13,541 You know, I mean, a lot will come out of it if we could get the enthusiasm. 1220 01:10:13,625 --> 01:10:17,916 I mean, why are you here? I'm here 'cause I wanna do a show. 1221 01:10:18,000 --> 01:10:21,000 But I really don't feel an awful lot of support. 1222 01:10:21,083 --> 01:10:24,500 We keep coming up against that one, and I keep saying, 1223 01:10:24,583 --> 01:10:26,625 "Yeah well, I'd like to do this, this and that." 1224 01:10:26,708 --> 01:10:30,833 And we end up doing something again that nobody really wants to do. 1225 01:10:30,916 --> 01:10:32,833 If this one turns into that, 1226 01:10:32,916 --> 01:10:35,083 it should definitely be the last for all of us. 1227 01:10:35,166 --> 01:10:36,750 Because there just isn't any point. 1228 01:10:36,833 --> 01:10:39,458 [Michael] I think that'd be sad. I mean, as an audience. That'd be sad. 1229 01:10:39,541 --> 01:10:41,958 Course it is! It's stupid. It is just stupid. 1230 01:10:42,916 --> 01:10:46,208 You see, the people who are being stupid are the four of us. 1231 01:10:50,625 --> 01:10:52,083 …which it always is. 1232 01:10:52,166 --> 01:10:57,166 The Beatles have been in doldrums for at least a year. 1233 01:10:58,041 --> 01:11:02,125 Ever since Mr. Epstein passed away, it's never been the same. 1234 01:11:02,208 --> 01:11:04,875 I mean, we've been very negative since Mr. Epstein passed away. 1235 01:11:04,958 --> 01:11:08,958 And that's why all of us, in turn, have been sick of the group. 1236 01:11:09,041 --> 01:11:10,666 It's discipline we lack. 1237 01:11:10,750 --> 01:11:11,791 We've never had discipline. 1238 01:11:11,875 --> 01:11:14,625 We had a sort of slight, symbolic discipline. 1239 01:11:14,708 --> 01:11:16,166 Like Mr. Epstein. 1240 01:11:16,250 --> 01:11:19,416 You know, and he sort of said, "Get suits on," and we did. 1241 01:11:19,500 --> 01:11:22,916 You know, and so we were always fighting that discipline a bit. 1242 01:11:23,000 --> 01:11:24,041 [all chuckle] 1243 01:11:24,125 --> 01:11:28,250 There really is no one there now to say, "Do it." 1244 01:11:28,333 --> 01:11:29,958 Whereas there always used to be. 1245 01:11:30,041 --> 01:11:34,708 Daddy's gone away now, and we're on our own at the holiday camp. 1246 01:11:34,791 --> 01:11:38,958 I think we either go home or we do it. 1247 01:11:43,875 --> 01:11:46,416 I think we've got a bit shy, you know? 1248 01:11:46,500 --> 01:11:50,791 I think I've got a bit shy of certain things, you know? 1249 01:11:50,875 --> 01:11:53,541 'Cause you know how often, like, on albums we sometimes blow one of your songs, 1250 01:11:53,625 --> 01:11:55,333 'cause we come in in the wrong mood. 1251 01:11:55,416 --> 01:11:58,250 And you say, "This is how it goes. I'll be back." 1252 01:11:58,333 --> 01:12:01,291 And we're all just, "Oh, well you…" [scats] 1253 01:12:01,375 --> 01:12:04,333 [Michael] That's why we're wrong to throw away the show. 1254 01:12:04,416 --> 01:12:05,958 Because there's no desire. 1255 01:12:06,666 --> 01:12:09,250 [Paul] So it's like, if we're doing the show, 1256 01:12:09,333 --> 01:12:11,000 we're gonna have to work hard. 1257 01:12:11,791 --> 01:12:14,458 And that means by the time a week from now comes 1258 01:12:14,541 --> 01:12:17,541 all these songs we've got, we've gotta know perfectly. 1259 01:12:20,541 --> 01:12:21,958 Because they just turn out shitty-- 1260 01:12:22,041 --> 01:12:25,416 No, but this-- Thinking it's not gonna come out great won't help. 1261 01:12:25,500 --> 01:12:29,125 If we cancel the show now, we'll be throwing it away. 1262 01:12:29,208 --> 01:12:31,166 [Michael] But equally, at the moment we haven't got a show 1263 01:12:31,250 --> 01:12:32,791 and so none of us really want to do it. 1264 01:12:32,875 --> 01:12:33,875 [Paul] I'll do it. 1265 01:12:33,958 --> 01:12:38,166 I'm not interested, you know, to spend my fucking days farting around here, 1266 01:12:38,250 --> 01:12:41,541 while everyone makes up their minds whether they want to do it or not. 1267 01:12:41,625 --> 01:12:44,541 It's like Mal said last night, "If you're gonna do the show here, 1268 01:12:44,625 --> 01:12:47,041 you've gotta decide today." 1269 01:12:47,125 --> 01:12:49,125 And as far as I can see, there's only two ways. 1270 01:12:49,208 --> 01:12:51,125 We're gonna do it, or we're not gonna do it. 1271 01:12:51,208 --> 01:12:53,500 And I want a decision! 1272 01:12:53,583 --> 01:12:55,166 [George] Maybe we should have a divorce. 1273 01:12:55,250 --> 01:12:57,375 [Paul] Well, I said that at the last meeting. 1274 01:12:58,833 --> 01:13:00,458 But it's getting nearer, you know? 1275 01:13:01,916 --> 01:13:03,375 [John] Who'd have the children? 1276 01:13:04,541 --> 01:13:05,583 [Paul] Dick James. 1277 01:13:05,666 --> 01:13:06,750 [John] Oh, yeah. 1278 01:13:08,458 --> 01:13:09,958 We all need you. 1279 01:13:10,541 --> 01:13:13,333 And, you know, if you all can't get it together, 1280 01:13:13,416 --> 01:13:15,458 that's really very sad. 1281 01:13:15,541 --> 01:13:18,958 So, I think what we should do now is let you play a little 1282 01:13:19,041 --> 01:13:21,291 and then you all have lunch together. 1283 01:13:22,166 --> 01:13:25,375 [chuckles] And I can give you some more fennel, maybe? 1284 01:13:26,083 --> 01:13:27,166 -[chuckles] -Yes. 1285 01:13:27,250 --> 01:13:29,916 [Michael] So shall we leave you for a while? 1286 01:13:30,000 --> 01:13:31,958 -Yes. Yeah. -[John] Yeah. 1287 01:13:32,875 --> 01:13:34,291 "If I'd been out… 1288 01:13:36,333 --> 01:13:38,208 till quarter to three." 1289 01:13:42,833 --> 01:13:45,041 ♪ Will you still be there? ♪ 1290 01:13:45,125 --> 01:13:46,541 And then twice… 1291 01:13:46,625 --> 01:13:49,416 ♪ Maxwell's silver hammer made sure that ♪ 1292 01:13:50,041 --> 01:13:51,083 Minor. 1293 01:13:51,166 --> 01:13:53,041 ♪ Sure that she was dead ♪ 1294 01:13:54,416 --> 01:13:55,875 ♪ Solo ♪ 1295 01:13:55,958 --> 01:13:57,458 That's the second lot. 1296 01:13:58,041 --> 01:14:00,250 [vocalizes] 1297 01:14:03,375 --> 01:14:05,083 Like a ukulele solo. 1298 01:14:06,833 --> 01:14:08,583 [vocalizes] 1299 01:14:08,666 --> 01:14:10,750 -[John whistling] -[tongue clicking] 1300 01:14:10,833 --> 01:14:13,416 [whistles] 1301 01:14:13,500 --> 01:14:14,500 Uh-- 1302 01:14:16,416 --> 01:14:17,666 Who was that? [clicks tongue] 1303 01:14:17,750 --> 01:14:18,750 Was that you? 1304 01:14:19,333 --> 01:14:21,000 [chuckles] It's all right. 1305 01:14:21,083 --> 01:14:22,083 Keep it in. 1306 01:14:22,166 --> 01:14:23,500 [John continues whistling] 1307 01:14:23,583 --> 01:14:25,583 Just stand near the mic on the night. 1308 01:14:26,375 --> 01:14:29,375 [clicking tongue rhythmically] 1309 01:14:31,666 --> 01:14:32,666 Okay. 1310 01:14:32,750 --> 01:14:34,000 Uh, John? 1311 01:14:34,083 --> 01:14:35,708 They're like a D, D. 1312 01:14:37,000 --> 01:14:39,333 D, F-sharp minor, G to A. 1313 01:14:41,375 --> 01:14:45,375 [both vocalizing] 1314 01:14:45,458 --> 01:14:47,291 [George] Are you just doing it all in D? 1315 01:14:48,041 --> 01:14:49,791 [Paul] Yeah. Should we go and have lunch? 1316 01:14:49,875 --> 01:14:53,500 Take this guitar I offer you in all humility. 1317 01:14:53,583 --> 01:14:54,666 Thank you. 1318 01:14:54,750 --> 01:14:55,791 [John laughs] 1319 01:14:55,875 --> 01:14:57,458 [Paul] Thanks a lot, Jim. 1320 01:14:57,541 --> 01:15:00,166 ♪ Oh, Jim Grey ♪ 1321 01:15:00,750 --> 01:15:04,416 ♪ Where is your mother these days? ♪ 1322 01:15:05,125 --> 01:15:07,250 Mal, we should get a hammer. 1323 01:15:08,541 --> 01:15:09,833 And an anvil. 1324 01:15:10,583 --> 01:15:11,583 See you later. 1325 01:15:14,041 --> 01:15:15,625 [vocalizes] 1326 01:15:15,708 --> 01:15:16,708 ♪ Go ♪ 1327 01:15:16,791 --> 01:15:23,791 ♪ Bang, bang, Maxwell's silver hammer Came down upon her head ♪ 1328 01:15:23,875 --> 01:15:29,916 ♪ Clang, clang, Maxwell's silver hammer Made sure that Joan was dead ♪ 1329 01:15:30,000 --> 01:15:31,458 Whistle. 1330 01:15:31,541 --> 01:15:34,375 [all whistling] 1331 01:15:36,916 --> 01:15:38,458 That's nice, fellas. 1332 01:15:38,541 --> 01:15:42,041 ♪ Back in school again Maxwell is a fool again ♪ 1333 01:15:42,125 --> 01:15:44,666 ♪ Teacher gets annoyed ♪ 1334 01:15:45,875 --> 01:15:51,791 ♪ Wishing to avoid an unpleasant scene ♪ 1335 01:15:52,750 --> 01:15:56,541 ♪ She tells Max to stay When the class has gone away ♪ 1336 01:15:56,625 --> 01:15:59,583 ♪ And he stays behind ♪ 1337 01:16:00,208 --> 01:16:06,375 ♪ Writing thousand lines that say "I fool, Maxwell fool" ♪ 1338 01:16:06,458 --> 01:16:08,375 -[John] Like that? -[Paul] Yeah, E minor to A. 1339 01:16:08,458 --> 01:16:09,458 Same as before. 1340 01:16:09,541 --> 01:16:11,750 [vocalizes] 1341 01:16:11,833 --> 01:16:13,750 So there's two choruses there. Solo. 1342 01:16:13,833 --> 01:16:16,083 [vocalizes] 1343 01:16:16,166 --> 01:16:17,416 Then the quick end now. 1344 01:16:17,500 --> 01:16:20,541 [vocalizes] 1345 01:16:20,625 --> 01:16:22,500 That's okay as long-- He's in the space. 1346 01:16:22,583 --> 01:16:25,500 Yeah, if you do it in the space. You know, it's gonna go… 1347 01:16:25,583 --> 01:16:29,625 [vocalizes] 1348 01:16:30,416 --> 01:16:31,625 [vocalizes] 1349 01:16:31,708 --> 01:16:33,791 -That's the… -[Paul] That's the one. 1350 01:16:33,875 --> 01:16:37,916 [Paul vocalizing] 1351 01:16:38,000 --> 01:16:40,416 ♪ He creeps up from behind ♪ 1352 01:16:40,500 --> 01:16:41,833 Hee-hoo! 1353 01:16:41,916 --> 01:16:47,500 ♪ Bang, bang, Maxwell's silver hammer Came down upon her head ♪ 1354 01:16:48,916 --> 01:16:54,708 ♪ Clang, clang, Maxwell's silver hammer Made sure that she was dead ♪ 1355 01:16:54,791 --> 01:16:55,958 Take it away, Johnny. 1356 01:16:56,041 --> 01:16:58,666 [whistling] 1357 01:17:03,250 --> 01:17:05,458 [whistling continues] 1358 01:17:13,166 --> 01:17:14,458 Well done, boys. 1359 01:17:14,541 --> 01:17:17,791 [whistling] 1360 01:17:21,791 --> 01:17:22,916 Okay, that's "Maxwell's." 1361 01:17:23,666 --> 01:17:25,833 [John] Mal, did you get the words to "Across the Universe"? 1362 01:17:25,916 --> 01:17:28,708 -They'll send them up this afternoon. -[John] Has Dick James got the words? 1363 01:17:28,791 --> 01:17:30,333 -No! -[Paul] I don't think so. 1364 01:17:30,416 --> 01:17:33,041 ["Across the Universe" playing] 1365 01:17:33,125 --> 01:17:38,458 ♪ Words are flowing out Like endless rain into a paper cup ♪ 1366 01:17:38,541 --> 01:17:45,333 ♪ They slither wildly As they slip away across the universe ♪ 1367 01:17:45,416 --> 01:17:51,291 ♪ Pools of sorrow, waves of joy Are drifting through my opened mind ♪ 1368 01:17:51,375 --> 01:17:54,666 ♪ Possessing and caressing me ♪ 1369 01:17:55,791 --> 01:18:01,250 ♪ Jai guru deva ♪ 1370 01:18:02,000 --> 01:18:03,625 ♪ Om ♪ 1371 01:18:03,708 --> 01:18:05,333 [indistinct] 1372 01:18:08,125 --> 01:18:11,041 [vocalizes] 1373 01:18:11,125 --> 01:18:14,833 He's trying to get a balance in there, and you've got the words all in front. 1374 01:18:14,916 --> 01:18:16,458 -You got the balance, Glyn? -Yes. 1375 01:18:17,458 --> 01:18:18,916 Getting it all right, are you? 1376 01:18:19,000 --> 01:18:20,916 [Glyn] Can't you get a music stand? We had some the other day. 1377 01:18:21,000 --> 01:18:22,125 -Yeah, Mal-- -[Glyn] There's one over there. 1378 01:18:22,208 --> 01:18:23,791 -Do you want a music stand? -Yes, please. 1379 01:18:26,500 --> 01:18:27,958 It goes… 1380 01:18:28,041 --> 01:18:31,958 [vocalizes] 1381 01:18:37,083 --> 01:18:40,458 [imitates electric warp] 1382 01:18:42,666 --> 01:18:48,708 ♪ Jai guru deva ♪ 1383 01:18:49,333 --> 01:18:50,833 ♪ Om ♪ 1384 01:18:52,750 --> 01:18:55,958 ♪ Nothing's gonna change my world ♪ 1385 01:18:56,041 --> 01:18:57,625 [John] I wish it fucking would. 1386 01:18:59,250 --> 01:19:03,291 ♪ Nothing's gonna change my world ♪ 1387 01:19:05,791 --> 01:19:08,750 ♪ Images of broken light ♪ 1388 01:19:08,833 --> 01:19:12,916 ♪ Which dance before me Like a million eyes ♪ 1389 01:19:13,000 --> 01:19:17,666 ♪ They call me on and on Across the universe ♪ 1390 01:19:17,750 --> 01:19:18,750 It's 'cause I'm down. 1391 01:19:19,333 --> 01:19:25,916 ♪ Thoughts meander Like a restless wind inside a letter box ♪ 1392 01:19:26,000 --> 01:19:32,958 ♪ They tumble blindly as they make Their way across the universe ♪ 1393 01:19:34,333 --> 01:19:39,666 ♪ Jai guru deva ♪ 1394 01:19:41,000 --> 01:19:43,500 ♪ Om ♪ 1395 01:19:44,375 --> 01:19:48,250 ♪ Nothing's gonna change my world ♪ 1396 01:19:50,708 --> 01:19:54,583 ♪ Nothing's gonna change my world ♪ 1397 01:19:57,500 --> 01:19:59,208 ♪ Sounds of laughter, shades-- ♪ 1398 01:19:59,291 --> 01:20:01,125 [Paul] I think you better take control, John! 1399 01:20:02,625 --> 01:20:05,458 ♪ Let me hear Some of that rock and roll music ♪ 1400 01:20:06,333 --> 01:20:08,083 ♪ Any old way you choose it ♪ 1401 01:20:08,875 --> 01:20:11,333 ♪ It's got a back beat you can't lose it ♪ 1402 01:20:12,000 --> 01:20:14,000 ♪ Any old time you use it ♪ 1403 01:20:14,833 --> 01:20:16,625 ♪ Gotta be rock and roll music ♪ 1404 01:20:16,708 --> 01:20:17,708 [crowd cheering] 1405 01:20:17,791 --> 01:20:19,708 ♪ If you wanna dance with me ♪ 1406 01:20:20,708 --> 01:20:22,666 ♪ If you wanna dance with me ♪ 1407 01:20:22,750 --> 01:20:25,166 ♪ Way down South they have a tango ♪ 1408 01:20:25,250 --> 01:20:27,916 ♪ And then it turned into a mambo ♪ 1409 01:20:28,541 --> 01:20:31,500 ♪ Another dancer had a lamba ♪ 1410 01:20:31,583 --> 01:20:34,416 ♪ I started doing another samba ♪ 1411 01:20:34,500 --> 01:20:38,000 ♪ And started playing That rock and roll music ♪ 1412 01:20:38,583 --> 01:20:40,833 ♪ Any old way you choose it ♪ 1413 01:20:40,916 --> 01:20:44,291 ♪ It's got a back beat you can't lose it ♪ 1414 01:20:44,375 --> 01:20:46,625 ♪ Any old time you use it ♪ 1415 01:20:47,625 --> 01:20:49,708 ♪ Gotta be rock and roll music ♪ 1416 01:20:50,583 --> 01:20:52,833 ♪ If you wanna dance with me ♪ 1417 01:20:53,625 --> 01:20:55,625 ♪ If you wanna dance with me ♪ 1418 01:20:55,708 --> 01:20:57,500 ♪ Way down South they have a tango ♪ 1419 01:20:58,291 --> 01:21:00,541 ♪ And then it turned into a mambo ♪ 1420 01:21:01,291 --> 01:21:03,666 ♪ Another dancer had a lamba ♪ 1421 01:21:03,750 --> 01:21:06,458 ♪ I started doing another samba ♪ 1422 01:21:07,208 --> 01:21:10,750 ♪ And started playing That rock and roll music ♪ 1423 01:21:10,833 --> 01:21:13,791 ♪ Any old way you choose it ♪ 1424 01:21:13,875 --> 01:21:16,708 ♪ It's got a back beat you can't lose it ♪ 1425 01:21:16,791 --> 01:21:20,208 ♪ Any old time you use it ♪ 1426 01:21:20,291 --> 01:21:22,583 ♪ Gotta be rock and roll music ♪ 1427 01:21:23,166 --> 01:21:25,291 ♪ If you wanna dance with me ♪ 1428 01:21:26,125 --> 01:21:28,125 ♪ If you wanna dance with me ♪ 1429 01:21:28,208 --> 01:21:29,666 [music stops] 1430 01:21:29,750 --> 01:21:32,375 [crowd cheering] 1431 01:21:34,291 --> 01:21:36,458 [cheering fades] 1432 01:21:42,666 --> 01:21:45,375 [George] You know where they dropped all the bombs on Germany, 1433 01:21:45,458 --> 01:21:49,791 -they killed more people than… -[Ringo] Than the H-bomb in Hiroshima. 1434 01:21:49,875 --> 01:21:50,875 [Tony] Yeah. 1435 01:21:50,958 --> 01:21:53,375 -[Ringo] And all civilians. -[George] Fucking terrible. 1436 01:21:53,458 --> 01:21:57,791 And did you see when they flew over, it looked like Hamburg. Just bombed out. 1437 01:21:57,875 --> 01:21:59,500 -Nothing. Just dead. -Mmm. 1438 01:21:59,583 --> 01:22:01,791 -Did you watch the BBC2 thing? -And, uh-- 1439 01:22:01,875 --> 01:22:03,583 [George] Yeah, there was that science fiction thing. 1440 01:22:03,666 --> 01:22:05,791 [Michael] Was the science fiction any good? 1441 01:22:05,875 --> 01:22:09,916 -It was amazing. Did you see any of it? -I only saw the last five-- Three minutes. 1442 01:22:10,000 --> 01:22:12,333 It started very strange, where they brought-- 1443 01:22:12,416 --> 01:22:14,833 They had a fellow on a trolley, and they pushed him in, 1444 01:22:14,916 --> 01:22:17,625 -like, a cupboard or a fridge. -He was the body, wasn't he? 1445 01:22:17,708 --> 01:22:20,500 He was just, like, a body, yeah, that they were gonna use. 1446 01:22:20,583 --> 01:22:22,375 -[Michael] Mmm. -And they did something. 1447 01:22:22,458 --> 01:22:25,916 They were supposed to be in the year 2100 and something. 1448 01:22:26,000 --> 01:22:29,375 -And they went back to 1969, January. -[Michael] Mmm. 1449 01:22:29,458 --> 01:22:34,125 [George] Focused in on the M1 on this car. 1450 01:22:34,208 --> 01:22:36,958 -And made him crash, so that he'd-- -[Michael] Mmm. 1451 01:22:37,041 --> 01:22:41,708 And then they somehow take his mind or whatever it is 1452 01:22:41,791 --> 01:22:44,791 and transplant it into this new… 1453 01:22:45,666 --> 01:22:47,875 -Uh, new body. -Into the body that he put in. 1454 01:22:47,958 --> 01:22:49,750 Rex Industries, they were called. 1455 01:22:49,833 --> 01:22:51,541 [all chuckling] 1456 01:22:51,625 --> 01:22:57,250 And, uh, then suddenly it turned into all that crap about medals and things. 1457 01:22:57,333 --> 01:23:00,625 That's what gave me the idea, 'cause suddenly it was the bit 1458 01:23:00,708 --> 01:23:03,291 where they were all coming into the ball, I think it was Austria, 1459 01:23:03,375 --> 01:23:04,750 and they all had their medals. 1460 01:23:04,833 --> 01:23:08,375 -[Ringo] Oh, I didn't watch that. -[George] And some music was just playing. 1461 01:23:08,458 --> 01:23:10,958 -Music, like a 3/4 thing. -[Michael] Mmm. 1462 01:23:11,041 --> 01:23:13,875 [George] And so I just had that in me head, just the waltz thing, 1463 01:23:13,958 --> 01:23:15,541 and it was fitting "I Me Mine." 1464 01:23:15,625 --> 01:23:17,750 -There was no words to it, I just… -[Ringo] Yeah. 1465 01:23:17,833 --> 01:23:18,833 [Michael] Hello. 1466 01:23:19,541 --> 01:23:20,875 How are you? 1467 01:23:20,958 --> 01:23:23,000 -Morning. -[Paul] Good morning. 1468 01:23:24,750 --> 01:23:27,625 Do you want to hear a song I wrote last night? 1469 01:23:27,708 --> 01:23:29,708 [Glyn speaking indistinctly]. 1470 01:23:29,791 --> 01:23:32,791 [George] It's just a very short one. It's called "I Me Mine." 1471 01:23:36,083 --> 01:23:39,083 ♪ All through the day ♪ 1472 01:23:40,208 --> 01:23:44,000 ♪ I me mine, I me mine, I me mine ♪ 1473 01:23:45,833 --> 01:23:48,833 ♪ All through the night ♪ 1474 01:23:49,833 --> 01:23:53,583 ♪ I me mine, I me mine, I me mine ♪ 1475 01:23:54,625 --> 01:23:57,708 ♪ No one's frightened of playing it ♪ 1476 01:23:57,791 --> 01:24:00,000 ♪ Everyone's saying it ♪ 1477 01:24:00,083 --> 01:24:03,000 ♪ Flowing more freely than wine ♪ 1478 01:24:04,833 --> 01:24:08,125 ♪ All through your life ♪ 1479 01:24:08,916 --> 01:24:11,500 ♪ I me mine ♪ 1480 01:24:13,583 --> 01:24:14,708 [Michael] It's lovely. 1481 01:24:18,208 --> 01:24:19,666 [George] What's, uh-- 1482 01:24:19,750 --> 01:24:23,291 Is that grammatical? "Flowing more freely than wine." 1483 01:24:23,375 --> 01:24:24,458 [Michael] Yeah. 1484 01:24:24,541 --> 01:24:25,833 [Paul] All right. 1485 01:24:25,916 --> 01:24:28,166 -"Flowing much freer"? -You know what would be fantastic, Paul? 1486 01:24:28,250 --> 01:24:30,250 -[Michael] More freely. -"Freer." It's funny when-- 1487 01:24:30,333 --> 01:24:32,416 If you're writing, yeah, thinking of how you say it. 1488 01:24:32,500 --> 01:24:33,500 -"Freer." -But I got-- 1489 01:24:33,583 --> 01:24:35,166 -For it's sticky out here. -I was thinking… 1490 01:24:35,250 --> 01:24:37,750 -[all chuckling] -Yeah, yeah. 1491 01:24:38,250 --> 01:24:41,750 ♪ All I can hear ♪ 1492 01:24:41,833 --> 01:24:43,291 ♪ I me mine, I me mine, I me mine ♪ 1493 01:24:43,375 --> 01:24:45,291 [John] All the girls come on then, dancing. 1494 01:24:46,041 --> 01:24:49,000 Harrison's fisherwife, and dwarves and hunchbacks… 1495 01:24:49,958 --> 01:24:52,833 ♪ I me mine, I me mine, I me mine ♪ 1496 01:24:54,875 --> 01:24:56,833 ♪ No one's frightened of playing it ♪ 1497 01:24:56,916 --> 01:24:57,916 [John] Run along, son. 1498 01:24:58,000 --> 01:24:58,875 ♪ Everyone's saying it ♪ 1499 01:24:58,958 --> 01:25:01,208 [John] We'll see you later. We're a rock and roll band, you know? 1500 01:25:01,291 --> 01:25:02,750 ♪ Flowing more freely than wine ♪ 1501 01:25:02,833 --> 01:25:05,625 [John scatting] 1502 01:25:06,291 --> 01:25:09,833 ♪ All through your life ♪ 1503 01:25:10,333 --> 01:25:11,416 ♪ I me mine ♪ 1504 01:25:11,500 --> 01:25:13,916 -[John] Mine. -[Paul] Mine. I like mine. 1505 01:25:16,166 --> 01:25:18,750 [John] Well, I'll get on the barrel organ. 1506 01:25:18,833 --> 01:25:19,833 [chuckling] 1507 01:25:19,916 --> 01:25:23,833 [George] I don't-- I don't care if you don't want it. I don't give a fuck. 1508 01:25:23,916 --> 01:25:25,375 It can go in me musical. 1509 01:25:26,791 --> 01:25:29,541 [John] George, have you any idea what we play? 1510 01:25:29,625 --> 01:25:30,625 [crew] George? 1511 01:25:30,708 --> 01:25:33,416 -[microphone feedback] -Can we just borrow that copy? 1512 01:25:37,875 --> 01:25:39,833 [John] His amp needs to be on. 1513 01:25:41,291 --> 01:25:43,000 [Ringo] Why? Have you got something there? 1514 01:25:45,291 --> 01:25:46,958 -No. -[Ringo] Hello. 1515 01:25:47,458 --> 01:25:49,375 [Ringo, incomprehensible, echoing] Hello? 1516 01:25:51,041 --> 01:25:53,416 -More volume. -[crew] This is diarrhea. 1517 01:25:53,500 --> 01:25:57,166 When I'm up against the wall, Paul, you'll find I'm at my best. 1518 01:25:57,250 --> 01:25:58,416 [echoing] That's good echo. 1519 01:25:59,708 --> 01:26:01,291 But I wish you'd come up with the goods. 1520 01:26:01,375 --> 01:26:03,500 -Look, I think I've got Sunday off. -[echoing] Hello? 1521 01:26:03,583 --> 01:26:05,291 -Well, I hope you can deliver. -[echoing] Hello. 1522 01:26:05,375 --> 01:26:07,375 I'm hoping for a little rock and roller. 1523 01:26:07,458 --> 01:26:09,291 Yeah, I was hoping for the same thing myself. 1524 01:26:09,375 --> 01:26:11,416 Sammy loved his mammy. She hammy dammy dammy. 1525 01:26:11,500 --> 01:26:12,791 [echoing] Paul, Paul, Paul. 1526 01:26:12,875 --> 01:26:15,708 -Stop that goddamn feedback! -[laughing] 1527 01:26:16,333 --> 01:26:18,458 And you then being presented onstage, 1528 01:26:18,541 --> 01:26:20,708 you should be sitting there when they are coming in. 1529 01:26:20,791 --> 01:26:24,041 [Paul] And then you open the doors and we're in the middle of a number. 1530 01:26:24,125 --> 01:26:27,666 Or you're just sitting, waiting, and then when everybody's there, then you start. 1531 01:26:27,750 --> 01:26:31,208 As opposed to you coming on as The Beatles, it's much more intimate. 1532 01:26:31,916 --> 01:26:34,833 Well, we're doing it anyway, while they come in before we start it. 1533 01:26:34,916 --> 01:26:36,416 -[Michael] Yeah. -Like we did on "Jude." 1534 01:26:39,208 --> 01:26:43,875 [George] Well, let's-- We keep 'em a bit more disciplined than they were then. 1535 01:26:48,208 --> 01:26:49,708 [chuckling] Yeah. 1536 01:26:49,791 --> 01:26:52,583 [Paul] So, the main thing is, are we going to do it here? 1537 01:26:52,666 --> 01:26:54,041 'Cause they've got to build a control room. 1538 01:26:54,125 --> 01:26:56,791 [George Martin] What are the alternatives to where you want to go? 1539 01:26:56,875 --> 01:26:59,208 It's really anywhere as long as we can get it there. 1540 01:26:59,291 --> 01:27:01,250 [George Martin] Are there definite places? 1541 01:27:01,333 --> 01:27:02,500 No, I don't know anywhere. 1542 01:27:02,583 --> 01:27:03,833 That's why we came here. 1543 01:27:03,916 --> 01:27:04,916 Where do you think? 1544 01:27:05,000 --> 01:27:06,875 [George Martin] I think you might as well do it right here. 1545 01:27:06,958 --> 01:27:09,458 [Paul] But, acoustically, it's not very good here, is it? 1546 01:27:09,541 --> 01:27:12,083 [George Martin] It's not as good as it could be elsewhere, you know? 1547 01:27:12,166 --> 01:27:13,666 [Paul] Now what would make it? 1548 01:27:13,750 --> 01:27:15,916 -A lower ceiling? -[George Martin] Deaden it right down. 1549 01:27:16,000 --> 01:27:18,666 [Glyn] Yeah, a false ceiling above where you are. 1550 01:27:18,750 --> 01:27:21,125 [Paul] Now John'd like to say a few words on the subject. 1551 01:27:21,208 --> 01:27:25,125 [John] ♪ I'd like to say That I like the intimate idea ♪ 1552 01:27:25,833 --> 01:27:27,791 ♪ Rather than a large one ♪ 1553 01:27:27,875 --> 01:27:29,041 [Paul] Yeah? 1554 01:27:29,541 --> 01:27:33,375 [John] ♪ Simply because We should concentrate on the sound ♪ 1555 01:27:36,041 --> 01:27:39,833 [all] ♪ Simply because We should concentrate on the sound ♪ 1556 01:27:42,500 --> 01:27:43,583 [Paul] Thank you very much. 1557 01:27:43,666 --> 01:27:46,125 ♪ You and I have memories ♪ 1558 01:27:46,958 --> 01:27:51,708 ♪ Longer than the road That stretches out ahead ♪ 1559 01:27:52,208 --> 01:27:53,208 [screams] 1560 01:27:54,458 --> 01:27:57,250 ♪ Two of us wearing raincoats ♪ 1561 01:27:57,333 --> 01:28:01,541 ♪ Standing solo in the sun ♪ 1562 01:28:01,625 --> 01:28:04,083 ♪ Don't let me down ♪ 1563 01:28:07,541 --> 01:28:10,208 ♪ Don't let me down ♪ 1564 01:28:12,916 --> 01:28:15,000 ♪ I've got a feeling ♪ 1565 01:28:15,583 --> 01:28:18,541 ♪ A feeling I can't hide Oh, no ♪ 1566 01:28:20,416 --> 01:28:22,250 ♪ Oh, no ♪ 1567 01:28:27,916 --> 01:28:29,875 [George] Uh, Mal? 1568 01:28:32,666 --> 01:28:34,083 [chuckling] 1569 01:28:34,916 --> 01:28:38,583 [Paul] ♪ No, I won't shed a tear ♪ 1570 01:28:39,541 --> 01:28:40,708 ♪ Just as long ♪ 1571 01:28:41,791 --> 01:28:44,125 ♪ As you stand ♪ 1572 01:28:44,208 --> 01:28:47,125 ♪ Stand by me, stand by me Stand by me, stand by me ♪ 1573 01:28:47,208 --> 01:28:49,000 ♪ You got me going ♪ 1574 01:28:50,000 --> 01:28:51,500 ♪ Like a spinning top ♪ 1575 01:28:51,583 --> 01:28:55,291 ♪ Baa-ba-ba-ba-baa Baa-ba-ba-ba-baa ♪ 1576 01:28:55,375 --> 01:28:56,625 Legalize pot. 1577 01:28:56,708 --> 01:28:59,708 Queen says "no" to pot-smoking FBI members. 1578 01:29:00,958 --> 01:29:01,958 It doesn't-- 1579 01:29:02,041 --> 01:29:04,208 Hey, hey. It doesn't stop there actually. 1580 01:29:04,291 --> 01:29:08,875 ♪ Baa, baa, black sheep Have you any wool ♪ 1581 01:29:08,958 --> 01:29:15,250 ♪ Clang, clang, Maxwell's silver hammer Made sure that she was dead ♪ 1582 01:29:15,333 --> 01:29:17,500 [cymbal crashes] 1583 01:29:17,583 --> 01:29:19,916 A guitar fell over, Paul. A guitar fell over. 1584 01:29:20,000 --> 01:29:22,500 [John] ♪ The news is out ♪ 1585 01:29:25,375 --> 01:29:28,000 ♪ All over town ♪ 1586 01:29:31,333 --> 01:29:34,625 ♪ That you've been seen ♪ 1587 01:29:37,041 --> 01:29:40,916 ♪ Out and around ♪ 1588 01:29:43,500 --> 01:29:46,333 ♪ I know that I ♪ 1589 01:29:49,875 --> 01:29:52,375 ♪ Can't win, but then ♪ 1590 01:29:55,958 --> 01:29:58,916 ♪ What can I do? ♪ 1591 01:30:02,333 --> 01:30:05,125 ♪ You win again ♪ 1592 01:30:11,708 --> 01:30:14,958 ♪ All I can hear ♪ 1593 01:30:15,041 --> 01:30:17,833 ♪ I me mine, I me mine, I me mine ♪ 1594 01:30:19,666 --> 01:30:23,000 ♪ Even your tears ♪ 1595 01:30:23,083 --> 01:30:26,458 ♪ I me mine, I me mine, I me mine ♪ 1596 01:30:27,916 --> 01:30:29,791 ♪ Everyone's playing it ♪ 1597 01:30:29,875 --> 01:30:31,666 ♪ Everyone's saying it ♪ 1598 01:30:32,166 --> 01:30:34,833 ♪ Flowing more freely than wine ♪ 1599 01:30:36,250 --> 01:30:39,333 ♪ All through your life ♪ 1600 01:30:39,833 --> 01:30:42,375 ♪ I me mine ♪ 1601 01:30:42,458 --> 01:30:43,750 [song ends] 1602 01:30:43,833 --> 01:30:45,208 [scatting] 1603 01:30:45,291 --> 01:30:47,875 -[Yoko] You can keep going now. -[George] Do you dig it, man? 1604 01:30:47,958 --> 01:30:48,958 [chuckles] 1605 01:30:49,041 --> 01:30:50,083 -I like that one. -Yeah. 1606 01:30:50,166 --> 01:30:52,166 [George] Do you want to do that waltz on the show? 1607 01:30:52,250 --> 01:30:54,250 That'd be great, 'cause it's so simple to do. 1608 01:30:54,333 --> 01:30:58,291 [fast dance music playing] 1609 01:31:04,375 --> 01:31:05,333 [music stops] 1610 01:31:05,416 --> 01:31:08,541 [Michael] Every song has got a character. That's the character of that one. 1611 01:31:08,625 --> 01:31:11,166 And we can find each number-- how they fit theatrically, 1612 01:31:11,250 --> 01:31:14,375 like your dance for that one, like the song that you cry in, 1613 01:31:14,458 --> 01:31:16,750 and the song you do that brings tears to everybody's eyes. 1614 01:31:16,833 --> 01:31:19,000 [John] Yes, all right. Just sod off! 1615 01:31:19,083 --> 01:31:20,666 [all chuckling] 1616 01:31:20,750 --> 01:31:22,666 [Denis] I mean, you see, build any set you want. 1617 01:31:22,750 --> 01:31:26,000 Maybe not scaffolding-- Not obvious scaffolding. 1618 01:31:26,083 --> 01:31:28,125 Maybe we can put people up on them. 1619 01:31:28,625 --> 01:31:30,041 Think it could hold people? 1620 01:31:30,541 --> 01:31:32,666 It could hold-- I guess that'd be a bit limited. 1621 01:31:37,500 --> 01:31:40,666 -["Please Please Me" playing] -[crowd cheering] 1622 01:31:40,750 --> 01:31:43,875 ♪ Come on, come on Come on, come on ♪ 1623 01:31:43,958 --> 01:31:45,583 ♪ Come on, come on Come on, come on ♪ 1624 01:31:45,666 --> 01:31:48,000 -[song fades out] -[Michael] Yeah. Well… 1625 01:31:48,083 --> 01:31:51,250 See, this is Around The Beatles, and that is better, but-- 1626 01:31:51,333 --> 01:31:53,041 Show it to John. John will tell you about that. 1627 01:31:53,125 --> 01:31:55,125 John and Yoko know about that. They're artists. 1628 01:31:55,208 --> 01:31:56,541 [chattering] 1629 01:31:56,625 --> 01:31:58,458 It's Around The Beatles '69. 1630 01:31:58,541 --> 01:31:59,875 Yeah, that's what Paul said. 1631 01:32:00,583 --> 01:32:03,375 That's what Paul said. He said have a word with you and see what you thought. 1632 01:32:03,458 --> 01:32:04,583 Whether we could vary it. 1633 01:32:04,666 --> 01:32:08,875 In terms of… see-through things, 'cause I don't think we're ever gonna-- 1634 01:32:08,958 --> 01:32:11,166 If you wanna see through 'em, use plastic. 1635 01:32:12,708 --> 01:32:13,708 Plastic… 1636 01:32:13,791 --> 01:32:16,125 But don't have scaffolding. They do it every show. 1637 01:32:16,208 --> 01:32:18,958 -Yeah. Use a different material? -Just use solid plastic. 1638 01:32:19,041 --> 01:32:21,583 -Solid plastic. -For, you know, to see through 'em. 1639 01:32:21,666 --> 01:32:23,083 ["Let It Be" playing on piano] 1640 01:32:23,166 --> 01:32:26,041 I like the idea of a see-through thing, I think. 1641 01:32:26,125 --> 01:32:28,750 [John] If you had 'em above our heads, you could have plastic and see up-- 1642 01:32:28,833 --> 01:32:31,125 [Denis] That's right. That's great. That's a good thought. 1643 01:32:31,208 --> 01:32:32,625 That's a good thought, all that. 1644 01:32:32,708 --> 01:32:35,416 [Michael] Think of a helicopter shot over the amphitheater-- 1645 01:32:35,500 --> 01:32:38,416 Yes, but that's the only argument you're giving to me is the… 1646 01:32:38,500 --> 01:32:40,291 -Is the helicopter shot. -The helicopter shot. 1647 01:32:40,375 --> 01:32:42,291 And you'll see the sea and you'll be in a theater. 1648 01:32:42,375 --> 01:32:45,875 And that is-- For one, two minutes, say, of that shot 1649 01:32:45,958 --> 01:32:48,000 isn't worth me going out there. 1650 01:32:48,083 --> 01:32:50,291 When I really prefer to do it here. 1651 01:32:50,375 --> 01:32:55,166 Just big blocks, so you could put blocks of plastic in any shape you wanted. 1652 01:32:55,250 --> 01:32:56,791 We could move the audience round. 1653 01:32:56,875 --> 01:32:59,541 Yeah. Now that would mean casting the plastic, wouldn't it? 1654 01:32:59,625 --> 01:33:02,666 -It's just boxes, you know? -Might be a material we don't know about. 1655 01:33:02,750 --> 01:33:04,625 [John] There will be some kind of new stuff, 1656 01:33:04,708 --> 01:33:06,500 you know, like Bakelite or some plastic. 1657 01:33:06,583 --> 01:33:10,083 But the thing is, everything you do has got to be good, 1658 01:33:10,166 --> 01:33:11,291 'cause all your albums are good. 1659 01:33:11,375 --> 01:33:12,958 I mean, there's not a duff album. 1660 01:33:13,041 --> 01:33:15,916 But see, it is kind of like four years ago. 1661 01:33:16,000 --> 01:33:17,541 And there's nothing wrong with four years ago, 1662 01:33:17,625 --> 01:33:19,208 except we're all 28 now as opposed-- 1663 01:33:19,291 --> 01:33:22,583 -I don't mean that… -We're all… Yes, we are. 1664 01:33:22,666 --> 01:33:27,000 We're all 28, or whatever we are in the group. Baby George there. 1665 01:33:27,708 --> 01:33:30,958 I mean, it's not only you as the band and it's not only them as songwriters. 1666 01:33:31,041 --> 01:33:32,250 It is the four of you. 1667 01:33:32,333 --> 01:33:35,208 [John] If you got a lot of blocks made, you could build any formation you want. 1668 01:33:35,291 --> 01:33:38,166 -[Denis] Fit in like a Meccano. -If you've got box-shaped plastic, 1669 01:33:38,250 --> 01:33:41,291 you can build it that long if you want, or just have it that short. 1670 01:33:41,375 --> 01:33:42,958 [Denis] Like Kubrick would do. 1671 01:33:43,041 --> 01:33:45,041 And it's got to be the best. 1672 01:33:45,125 --> 01:33:46,250 Because… 1673 01:33:47,166 --> 01:33:49,625 I mean, the hearts of millions are with you, you know what I mean? 1674 01:33:49,708 --> 01:33:51,166 It's got to be the best. It can't-- 1675 01:33:53,541 --> 01:33:56,041 I'm not saying you owe it to the world or anything like that. 1676 01:33:56,125 --> 01:33:58,250 But if it is going to be your last TV show-- 1677 01:34:05,458 --> 01:34:07,791 But I don't want you to be unhappy 'cause, like… 1678 01:34:07,875 --> 01:34:09,916 I love you like I love your three colleagues. 1679 01:34:10,000 --> 01:34:12,833 [Denis] You see, then it's nice to have the levels where they can dance 1680 01:34:12,916 --> 01:34:14,958 and, you know, whatever they wanna do, you see? 1681 01:34:15,041 --> 01:34:17,333 [John] Look, you could have our thing plastic too. 1682 01:34:17,416 --> 01:34:19,375 [Denis] Yeah, that would be knockout to do that. 1683 01:34:19,458 --> 01:34:23,125 And then we could do what we like with the backing, have it go black or… 1684 01:34:23,208 --> 01:34:24,208 -[John] Yeah, yeah. -[Denis] Black. 1685 01:34:24,291 --> 01:34:25,916 Or stark or something, you know? 1686 01:34:26,000 --> 01:34:28,750 See, I'd watch an hour of him just playing the piano. 1687 01:34:28,833 --> 01:34:30,208 Me too. Uh… 1688 01:34:30,291 --> 01:34:31,541 'Cause he's so great. 1689 01:34:32,250 --> 01:34:33,333 But, like, I think-- 1690 01:34:33,416 --> 01:34:36,708 See, I think we gotta find a place which would complement it. 1691 01:34:36,791 --> 01:34:40,583 And I don't see it being here on a stage with tubular scaffolding around it. 1692 01:34:40,666 --> 01:34:43,500 Then we can control all our lights from a panel. 1693 01:34:43,583 --> 01:34:45,250 And we can have what colors you like. 1694 01:34:45,333 --> 01:34:47,750 [John] Yes. You'll always be able to see us through everything. 1695 01:34:47,833 --> 01:34:48,833 [Denis] That's right. 1696 01:34:48,916 --> 01:34:51,208 [John] I'll have the plastic when you're finished with it. 1697 01:34:51,291 --> 01:34:54,416 Well, can we all talk about it? 1698 01:34:54,500 --> 01:34:57,125 If-- You will take the veto off 1699 01:34:57,208 --> 01:35:02,291 if you can be convinced that we can get an audience out there. 1700 01:35:03,916 --> 01:35:06,208 Okay, I love you. That's fine. 1701 01:35:09,958 --> 01:35:10,791 Okay, thanks. 1702 01:35:10,875 --> 01:35:14,333 I just do think, like, this is unique in that… 1703 01:35:24,750 --> 01:35:26,583 -[Michael] Well, I don't know. -[all chuckling] 1704 01:35:28,083 --> 01:35:29,833 -[Michael] I know, I left out George. -[laughs] 1705 01:35:53,250 --> 01:35:54,333 No, I think it's… 1706 01:35:58,208 --> 01:35:59,250 Yeah. 1707 01:35:59,333 --> 01:36:00,708 That's what I was thinking. 1708 01:36:00,791 --> 01:36:02,208 [Denis chuckles] 1709 01:36:04,958 --> 01:36:06,750 [Michael] The box thing, right? 1710 01:36:08,250 --> 01:36:09,625 [Denis] Yeah. [chuckles] 1711 01:36:14,833 --> 01:36:16,416 [Denis] Yeah. [chuckles] 1712 01:36:19,708 --> 01:36:22,500 [Denis] I don't think it's practical to do it in England. It's too bloody cold. 1713 01:36:22,583 --> 01:36:25,458 [Michael] Yes, that was one of the reasons we started veering off on these ideas 1714 01:36:25,541 --> 01:36:28,208 was when we were looking at locations that Friday after Christmas. 1715 01:36:28,291 --> 01:36:29,708 We are in a film studio. 1716 01:36:29,791 --> 01:36:32,958 We're going to build something so that… 1717 01:36:33,041 --> 01:36:35,208 We shouldn't just try and build something like the Tower Ballroom 1718 01:36:35,291 --> 01:36:36,750 'cause we could go to the Tower Ballroom. 1719 01:36:36,833 --> 01:36:40,416 But, once you get on a stage, you are performers 1720 01:36:40,500 --> 01:36:42,583 and you gotta have someone to do it to. 1721 01:36:42,666 --> 01:36:44,375 Either the camera or real people, I think. 1722 01:36:44,458 --> 01:36:45,458 [Paul] Yeah, we haven't-- 1723 01:36:45,541 --> 01:36:47,791 Any number we've done at the moment, if we've noticed the camera on us 1724 01:36:47,875 --> 01:36:49,250 we've tried to ignore it. 1725 01:36:49,333 --> 01:36:52,708 [Michael] But you've either got to be performing directly to the people at home 1726 01:36:52,791 --> 01:36:54,166 or to an audience. 1727 01:36:54,250 --> 01:36:56,208 [Paul] See that's why I thought like a ballroom. 1728 01:36:56,291 --> 01:36:57,750 If we did go right back. 1729 01:36:57,833 --> 01:37:00,666 Like, "Come to the Tower Ballroom. There's a dance on." 1730 01:37:00,750 --> 01:37:03,708 You know? Oh, incidentally, we'll be the band there. 1731 01:37:03,791 --> 01:37:05,500 And then we go on and we play all the numbers. 1732 01:37:05,583 --> 01:37:08,166 [Michael] But you're just not the local dance band. 1733 01:37:08,250 --> 01:37:09,541 I don't think it's quite enough scope. 1734 01:37:09,625 --> 01:37:11,541 [Glyn] I also think that people are very interested 1735 01:37:11,625 --> 01:37:13,250 in seeing how an audience would react. 1736 01:37:13,333 --> 01:37:17,125 [Michael] Because the audience is so much part of the first half of you, musically. 1737 01:37:17,916 --> 01:37:21,833 [Paul] Okay, so we're all prepared to do it with an audience. 1738 01:37:21,916 --> 01:37:23,958 But you can't just have the same old audience. 1739 01:37:24,041 --> 01:37:25,416 [Denis] What can you do that's new with them? 1740 01:37:25,500 --> 01:37:28,208 [George] If we can just think of an image, how we'd like to be, 1741 01:37:28,291 --> 01:37:32,000 which could be like a nightclub act. 1742 01:37:32,083 --> 01:37:36,333 Just the smoochy low lights and about ten people. 1743 01:37:36,416 --> 01:37:39,750 What's the point, when you could be giving people happiness with a full house? 1744 01:37:39,833 --> 01:37:41,250 Whatever kind of full house we decided. 1745 01:37:41,333 --> 01:37:43,416 I mean, we have to think about the audience. 1746 01:37:43,500 --> 01:37:45,208 It really ought to be the whole world. 1747 01:37:45,291 --> 01:37:49,000 [Denis] That's where-- Now we're going right-- the whole circle back to Sabratha. 1748 01:37:49,083 --> 01:37:52,791 [Michael] It is a location which is marvelous in itself, by the sea. 1749 01:37:52,875 --> 01:37:54,541 [Denis] What he's saying is right. 1750 01:37:54,625 --> 01:37:55,625 It's the background. 1751 01:37:56,500 --> 01:37:58,791 [Michael] I don't think anything is gonna beat 1752 01:37:58,875 --> 01:38:01,666 a perfect acoustic place by the water, out of doors. 1753 01:38:01,750 --> 01:38:03,166 [Ringo] For a rock and roll group? 1754 01:38:14,916 --> 01:38:18,625 [Michael] Yes, I think we're gonna do rock and roll at dawn or at night. 1755 01:38:18,708 --> 01:38:20,958 I'm sure we can do rock and roll there if we get the right audience. 1756 01:38:21,041 --> 01:38:23,208 -George, come here. -[George] I just wanna get it over with. 1757 01:38:23,291 --> 01:38:25,416 -[chattering] -[George] Yeah. 1758 01:38:26,416 --> 01:38:27,416 -Hiya. -Come on. 1759 01:38:27,500 --> 01:38:28,416 [chuckling] 1760 01:38:28,500 --> 01:38:30,541 -We're going to Africa. -[Denis] We're off. 1761 01:38:30,625 --> 01:38:33,500 -[Michael] We're off. -[Paul] No, we're not. Not necessarily. 1762 01:38:35,458 --> 01:38:36,458 [George] Where to? 1763 01:38:37,583 --> 01:38:39,041 [all laughing] 1764 01:38:50,041 --> 01:38:52,416 [John] See, it's like having the most fantastic set on Earth, 1765 01:38:52,500 --> 01:38:54,125 but we haven't made a set, you know? 1766 01:38:54,208 --> 01:38:56,916 [Ringo] How many are gonna be looking at the set besides us and him? 1767 01:38:57,000 --> 01:39:00,208 [John] Every time we've done an album, we've said, "Why are we stuck in EMI?" 1768 01:39:00,291 --> 01:39:03,500 We could be doing it in LA. We could be in France. 1769 01:39:03,583 --> 01:39:05,583 And every time we do it, and here we are again, 1770 01:39:05,666 --> 01:39:07,625 building another bloody castle around us. 1771 01:39:08,375 --> 01:39:10,500 -[Paul] Well said, John. Well said! -[John] And this time we do it there. 1772 01:39:10,583 --> 01:39:12,291 I'd be thrilled to do it. 1773 01:39:12,375 --> 01:39:16,125 Just timing it so as the sun came up just on the middle eight. 1774 01:39:20,208 --> 01:39:21,666 [Michael] I think we've got to get-- 1775 01:39:30,000 --> 01:39:32,625 [Paul] Look, we were gonna give tickets away at this door here. 1776 01:39:32,708 --> 01:39:35,208 We'd given out those tickets, but they include a boat ride as well. 1777 01:39:37,291 --> 01:39:40,208 [Paul] Okay, yeah. We're doing a live show. 1778 01:39:40,291 --> 01:39:42,375 And we're doing it in Arabia. 1779 01:39:42,458 --> 01:39:43,750 [chuckles] And it's like… 1780 01:39:43,833 --> 01:39:46,541 Whoever has been waiting to see the lads rocking again. 1781 01:39:46,625 --> 01:39:48,625 [George] It's just impractical to try and get all those-- 1782 01:39:48,708 --> 01:39:49,708 But it's not, you see-- 1783 01:39:49,791 --> 01:39:52,875 Lug all them people there and try and get all that equipment. 1784 01:39:52,958 --> 01:39:54,583 [Paul] But then if it was their problem-- 1785 01:39:54,666 --> 01:39:57,208 [Denis] But if you say, "That's what I want," that's what has to happen. 1786 01:39:57,291 --> 01:39:59,625 -[John] That's not our problem. -[George] Of course it's our problem. 1787 01:39:59,708 --> 01:40:01,208 [Paul] Tell you what I'll offer you. 1788 01:40:01,291 --> 01:40:05,375 If we're going away and we hire a boat to take the audience with you… 1789 01:40:05,458 --> 01:40:08,375 -That would be knockout. -…we'll do a bloody show on a boat. 1790 01:40:13,625 --> 01:40:14,833 [Michael] That's your code name. 1791 01:40:14,916 --> 01:40:16,750 [Paul] No, he smoked some garlic once. 1792 01:40:16,833 --> 01:40:19,666 [laughing] 1793 01:40:19,750 --> 01:40:21,791 [Paul] So, like, I'll come in with you, 1794 01:40:21,875 --> 01:40:24,625 as long as you can get a couple of boats. 1795 01:40:24,708 --> 01:40:26,708 -The QE 2. -[George] And then we're stuck 1796 01:40:26,791 --> 01:40:29,333 with a bloody big boatload of people for two weeks. 1797 01:40:29,416 --> 01:40:33,416 At least you can go home from here. You can get away from it all. 1798 01:40:35,041 --> 01:40:39,666 [George] I think the idea of the boat is completely insane. 1799 01:40:39,750 --> 01:40:42,833 It's very expensive and insane, and… 1800 01:40:43,750 --> 01:40:45,916 [Denis] I think it should be the least of our worries. 1801 01:40:46,000 --> 01:40:47,250 Money. I really do. 1802 01:40:48,708 --> 01:40:51,458 [John] If P&O will do a deal with Storm, they'll do one with us. 1803 01:40:56,208 --> 01:40:59,625 We should be able to get the boat for the publicity they get from it. 1804 01:41:02,833 --> 01:41:05,375 [Denis] It's gonna be great. You'd love the place. 1805 01:41:05,458 --> 01:41:07,791 [Ringo] I've moved to Yugoslavia! [chuckles] 1806 01:41:07,875 --> 01:41:12,833 I may love the place, but I'd rather do the show, then go and love the place. 1807 01:41:12,916 --> 01:41:14,125 [laughing] 1808 01:41:14,208 --> 01:41:16,500 [Ringo] How're you gonna get a ship in a couple of days? 1809 01:41:17,833 --> 01:41:19,541 [Ringo] I was there. Yes, I know. 1810 01:41:19,625 --> 01:41:22,833 But they were passing by and you only used them for a few hours. 1811 01:41:22,916 --> 01:41:25,500 I've seen it, John. I went to the premiere. 1812 01:41:25,583 --> 01:41:27,583 -[John] Did you enjoy it? -[Ringo] I thought you were great. 1813 01:41:27,666 --> 01:41:29,541 -[John] Thanks a lot, Ringo. -[laughing] 1814 01:41:40,333 --> 01:41:41,708 [Ringo] Still not the same. 1815 01:41:41,791 --> 01:41:45,583 If you'll say yes, and if we get it together, then will you go? 1816 01:41:49,041 --> 01:41:53,625 [Michael] Well, I feel, as the trade says, "The vibes are very good at the moment." 1817 01:41:53,708 --> 01:41:56,375 But we can all say yes now and somebody can decide no tomorrow. 1818 01:41:56,458 --> 01:41:58,708 -It's not gonna make any odds. -Yeah. 1819 01:41:58,791 --> 01:42:01,000 -[Ringo] Good night, everybody! -[Michael] Good night, Russia. 1820 01:42:01,083 --> 01:42:02,916 -[Ringo] That's a wrap. -[Denis] I'll see you in Sabratha! 1821 01:42:03,000 --> 01:42:04,958 [John] Let's pretend I wasn't here again. 1822 01:42:09,750 --> 01:42:11,750 [chattering] 1823 01:42:14,125 --> 01:42:16,333 [Paul] This is the… Here, I'll take you to… 1824 01:42:17,125 --> 01:42:19,041 -Do you know Michael Lindsay-Hogg? -No. 1825 01:42:20,458 --> 01:42:22,208 [Michael speaks indistinctly] 1826 01:42:22,291 --> 01:42:23,583 Tony's a cameraman. 1827 01:42:29,000 --> 01:42:30,291 [laughing] 1828 01:42:39,416 --> 01:42:40,250 Yeah. 1829 01:42:42,750 --> 01:42:44,083 [Paul chuckles] 1830 01:42:45,041 --> 01:42:46,916 I better go and put in some piano practice. 1831 01:42:50,750 --> 01:42:51,750 [Michael] No. 1832 01:42:52,250 --> 01:42:54,416 -[chattering] -[Linda] Yeah. 1833 01:42:54,500 --> 01:42:56,583 Gatwick Friday, Monday, Tuesday… 1834 01:42:56,666 --> 01:42:58,833 -Isn't Tripoli in Libya? Yeah. -That's right. Yeah. 1835 01:42:58,916 --> 01:43:02,250 [David] That flight departs every day 3:05 and arrives 9:10. 1836 01:43:02,333 --> 01:43:03,666 -[Denis] 3:05 p.m. at night? -Yes. 1837 01:43:03,750 --> 01:43:05,666 -That's a long trip! -That's what he told me. 1838 01:43:05,750 --> 01:43:07,666 Six hours? Can't be that long? 1839 01:43:07,750 --> 01:43:09,750 ["Another Day" playing] 1840 01:43:13,208 --> 01:43:17,750 ♪ Every day she takes a morning bath She wets her hair ♪ 1841 01:43:18,250 --> 01:43:23,083 ♪ Wraps a towel around her As she's walking to the bedroom chair ♪ 1842 01:43:23,166 --> 01:43:26,000 ♪ It's just another day ♪ 1843 01:43:26,875 --> 01:43:29,250 ♪ Steppin' into stockings ♪ 1844 01:43:35,250 --> 01:43:37,333 -["The Long and Winding Road" playing] -Yeah. 1845 01:43:39,125 --> 01:43:40,666 Now, what was it? Uh-- 1846 01:43:40,750 --> 01:43:43,458 I'll give you Mother Mary, "The Long and Winding Road." 1847 01:43:54,958 --> 01:43:57,500 [Michael] The only thing is, it's, um… 1848 01:43:57,583 --> 01:44:00,333 I think-- I really do think it's gonna be for the world. 1849 01:44:05,333 --> 01:44:08,166 [Michael] Yes, but they do think of you as for everybody in the world. 1850 01:44:08,250 --> 01:44:10,750 That's one of the things I thought was good about "Jude," the guy in the turban. 1851 01:44:10,833 --> 01:44:11,833 Yeah. 1852 01:44:12,708 --> 01:44:17,375 ♪ Lead me to your door ♪ 1853 01:44:17,958 --> 01:44:19,500 ♪ Second verse ♪ 1854 01:44:19,583 --> 01:44:21,875 …that I haven't got yet. [vocalizes] 1855 01:44:22,708 --> 01:44:25,833 ♪ Leave a space for the same thing ♪ 1856 01:44:25,916 --> 01:44:28,916 ♪ La, la, la ♪ 1857 01:44:51,750 --> 01:44:55,041 [Mal] I think it's down to if we're going to do it in this country, 1858 01:44:55,125 --> 01:44:56,625 we might as well do it here. 1859 01:44:56,708 --> 01:44:58,291 -[Paul] But actually… -[humming] 1860 01:45:02,166 --> 01:45:03,166 [Paul] Yugoslavia. 1861 01:45:18,916 --> 01:45:20,083 [Paul] Yeah. 1862 01:45:21,083 --> 01:45:22,583 Then something about pleasure… 1863 01:45:22,666 --> 01:45:25,000 [vocalizes] 1864 01:45:25,083 --> 01:45:26,083 From… 1865 01:45:26,166 --> 01:45:27,750 ♪ The many ways I've tried ♪ 1866 01:45:27,833 --> 01:45:28,833 Yeah. 1867 01:45:29,458 --> 01:45:34,875 ♪ Gathered all the pleasure From the many ways I've tried ♪ 1868 01:45:35,458 --> 01:45:36,708 ♪ But still they-- ♪ 1869 01:45:36,791 --> 01:45:39,250 I've had lots of pleasure, but said better. 1870 01:45:39,333 --> 01:45:40,333 -You know? -Yeah. 1871 01:45:40,416 --> 01:45:43,333 [Paul] I've had many pleasure. I've had much, much… 1872 01:45:44,750 --> 01:45:48,250 ♪ You left me waiting here ♪ 1873 01:45:50,625 --> 01:45:53,958 ♪ A long, long time ago ♪ 1874 01:45:59,500 --> 01:46:03,333 ♪ You left me waiting here ♪ 1875 01:46:05,166 --> 01:46:09,333 ♪ A long, long time ago ♪ 1876 01:46:09,416 --> 01:46:11,041 [vocalizes] 1877 01:46:11,750 --> 01:46:15,666 ♪ Don't leave me standing here ♪ 1878 01:46:17,750 --> 01:46:20,625 ♪ Lead me to your door ♪ 1879 01:46:31,583 --> 01:46:33,083 There's no more to that yet. 1880 01:46:33,166 --> 01:46:34,333 Just call that "middle." 1881 01:46:36,250 --> 01:46:38,791 [Paul vocalizing, humming] 1882 01:46:39,708 --> 01:46:42,625 ♪ The many ways I've tried ♪ 1883 01:46:42,708 --> 01:46:45,666 That's all right. "The many ways I've tried" is all right. 1884 01:46:45,750 --> 01:46:48,375 [Mal] But have you got any idea for the second verse? 1885 01:46:48,458 --> 01:46:53,458 See, I was thinking of having another, like, the weather obstacle in that one. 1886 01:46:53,541 --> 01:46:57,416 ♪ The storm clouds and the rain ♪ 1887 01:46:59,291 --> 01:47:05,708 ♪ Break upon the winding road ♪ 1888 01:47:10,375 --> 01:47:12,625 [Paul] I suppose it should still be about that. 1889 01:47:12,708 --> 01:47:14,416 The, sort of, winding road because… 1890 01:47:18,000 --> 01:47:21,625 ♪ The thing that's up ahead ♪ 1891 01:47:25,708 --> 01:47:26,791 No, I think the… 1892 01:47:29,750 --> 01:47:30,750 [chuckling] 1893 01:47:30,833 --> 01:47:35,875 ♪ Golden slumbers ♪ 1894 01:47:35,958 --> 01:47:38,125 ♪ Fill your eyes ♪ 1895 01:47:38,208 --> 01:47:41,416 It's an old English folk-- the words, these. 1896 01:47:43,375 --> 01:47:48,416 ♪ Smiles await you ♪ 1897 01:47:48,500 --> 01:47:51,583 ♪ When you rise ♪ 1898 01:47:53,041 --> 01:47:58,583 ♪ Sleep, pretty darling Do not cry ♪ 1899 01:47:59,541 --> 01:48:04,458 ♪ And I will sing a lullaby ♪ 1900 01:48:04,541 --> 01:48:05,541 [shutter clicks] 1901 01:48:06,166 --> 01:48:08,541 ♪ Once there was a way ♪ 1902 01:48:08,625 --> 01:48:10,208 ♪ Once upon a time ♪ 1903 01:48:11,083 --> 01:48:14,208 ♪ There lived a… ♪ 1904 01:48:14,291 --> 01:48:16,208 That really should be like a fairy tale, though. 1905 01:48:16,791 --> 01:48:19,250 -Once upon a time there lived a princess. -[shutter clicks] 1906 01:48:19,333 --> 01:48:23,250 ♪ Once upon a time ♪ 1907 01:48:23,333 --> 01:48:26,916 ♪ There lived a king ♪ 1908 01:48:27,000 --> 01:48:32,500 ♪ Sleep, pretty darling Do not cry ♪ 1909 01:48:33,791 --> 01:48:37,208 ♪ And I will sing a lullaby ♪ 1910 01:48:37,291 --> 01:48:39,541 And the king will sing a lullaby. [chuckles] 1911 01:48:40,333 --> 01:48:42,708 ♪ La, la, la, la, la ♪ 1912 01:48:44,958 --> 01:48:46,666 [vocalizing] 1913 01:48:47,291 --> 01:48:49,416 [Paul] No, it's one you'd know, the original one. 1914 01:48:49,500 --> 01:48:51,000 But just at the end of it, it goes… 1915 01:48:51,083 --> 01:48:56,541 ♪ And I will sing a lullaby ♪ 1916 01:48:59,500 --> 01:49:02,541 Should be ready for a Songs for Swingin' Lovers album soon. 1917 01:49:02,625 --> 01:49:04,500 [laughing] 1918 01:49:10,166 --> 01:49:14,250 I was just so hungry today, I had to be late just to eat me breakfast. 1919 01:49:14,333 --> 01:49:15,625 [shutter clicks] 1920 01:49:17,666 --> 01:49:18,666 [all laugh] 1921 01:49:19,375 --> 01:49:21,041 [shutter clicks] 1922 01:49:21,125 --> 01:49:23,208 [Paul] I have a bit which might interest you. 1923 01:49:23,291 --> 01:49:25,458 I was thinking for a song for Ringo. 1924 01:49:25,541 --> 01:49:28,333 Like… Like a story. 1925 01:49:28,416 --> 01:49:30,958 A bit like "Act Naturally" where you sort of-- [vocalizes] 1926 01:49:31,041 --> 01:49:33,958 But all they said was, well, you've got to act naturally. 1927 01:49:34,041 --> 01:49:37,750 So… it was like a comedy when I heard it, you know? It was like… 1928 01:49:37,833 --> 01:49:42,250 ♪ Boy, you're gonna carry that weight ♪ 1929 01:49:42,333 --> 01:49:46,166 ♪ Carry that weight a long time ♪ 1930 01:49:46,250 --> 01:49:50,125 ♪ Boy, you're gonna carry that weight ♪ 1931 01:49:50,208 --> 01:49:53,583 ♪ Carry that weight a long time ♪ 1932 01:49:53,666 --> 01:49:55,958 ♪ Well, I get drunk tonight… ♪ 1933 01:49:56,041 --> 01:49:57,750 [sings indistinctly] 1934 01:49:57,833 --> 01:50:01,666 ♪ She said… [indistinct] You do my fricking head ♪ 1935 01:50:01,750 --> 01:50:05,583 ♪ I said… [indistinct] Been telling on and on ♪ 1936 01:50:05,666 --> 01:50:09,666 ♪ But every time I try to do it No, it don't take long ♪ 1937 01:50:09,750 --> 01:50:13,625 ♪ Boy, you're gonna carry that weight ♪ 1938 01:50:13,708 --> 01:50:16,875 ♪ Carry that weight a long time ♪ 1939 01:50:17,625 --> 01:50:21,250 ♪ Boy, you're gonna carry that weight ♪ 1940 01:50:21,333 --> 01:50:24,583 ♪ Carry that weight a long time ♪ 1941 01:50:31,125 --> 01:50:32,375 [shutter clicks] 1942 01:50:36,083 --> 01:50:37,375 [chuckling] 1943 01:50:37,458 --> 01:50:40,833 ♪ Boy, you're gonna carry that weight ♪ 1944 01:50:40,916 --> 01:50:44,208 ♪ Carry that weight a long time ♪ 1945 01:50:44,291 --> 01:50:45,875 ♪ Yeah, boy ♪ 1946 01:50:49,458 --> 01:50:52,375 ["The Castle Of The King Of The Birds" playing] 1947 01:51:22,625 --> 01:51:26,833 ♪ Well, I love you in the morning Girl ♪ 1948 01:51:26,916 --> 01:51:28,666 ♪ I love you ♪ 1949 01:51:28,750 --> 01:51:30,583 ♪ Ooh ♪ 1950 01:51:30,666 --> 01:51:34,458 ♪ And I love you in the morning Girl ♪ 1951 01:51:34,541 --> 01:51:36,208 ♪ I do ♪ 1952 01:51:38,541 --> 01:51:43,125 ♪ I love you every minute Girl, I do ♪ 1953 01:52:01,041 --> 01:52:02,125 -[laughs] -[George] Yes. 1954 01:52:08,916 --> 01:52:12,375 [Mal] Kevin? Kevin, can we have some toast and tea, please? 1955 01:52:12,458 --> 01:52:14,041 It's tea time now, man. 1956 01:52:14,625 --> 01:52:16,250 [John] Can we have some more tea, Kevin? 1957 01:52:16,333 --> 01:52:18,416 I need sort of, like, a gallon in the morning. 1958 01:52:18,958 --> 01:52:22,166 -[George] Do you have access to real tea? -[John] I've got nice tea with us. 1959 01:52:22,250 --> 01:52:24,708 -Not that piss posh stuff. -[Yoko laughs] 1960 01:52:25,375 --> 01:52:30,416 ♪ I love more than ever Girl, I do ♪ 1961 01:52:41,041 --> 01:52:41,958 [whistles] 1962 01:52:43,416 --> 01:52:44,750 Yeah. 1963 01:52:44,833 --> 01:52:47,750 And a little blues folk song. 1964 01:52:47,833 --> 01:52:49,541 -[crew] Jimmy, stick 'em up. -Oh. 1965 01:52:49,625 --> 01:52:51,916 When we was just acoustics or something. 1966 01:52:52,000 --> 01:52:53,916 There's more skiffling on it, and it's great, 1967 01:52:54,000 --> 01:52:55,625 'cause they don't need any backing, really. 1968 01:52:55,708 --> 01:52:57,166 So, "Get back, get back…" 1969 01:52:57,250 --> 01:52:59,250 [Paul] "Get back to where you once belonged." 1970 01:53:00,625 --> 01:53:02,541 Think of some words if you can. 1971 01:53:02,625 --> 01:53:05,041 I don't know what it's about. It's about going away. 1972 01:53:05,125 --> 01:53:06,708 And then the chorus is "Get back." 1973 01:53:06,791 --> 01:53:07,791 [George] Uh… 1974 01:53:07,875 --> 01:53:11,125 [Paul] So, I just-- Actually, it's not about anything. 1975 01:53:11,208 --> 01:53:12,791 -[all laugh] -[Paul] You know… 1976 01:53:13,375 --> 01:53:14,958 [George] Yeah, we'll just have those words. 1977 01:53:15,041 --> 01:53:19,583 Just words that-- They're just nothing about anything. It's just, like, rubbish. 1978 01:53:19,666 --> 01:53:23,041 [protesters chanting] 1979 01:53:25,750 --> 01:53:28,166 ["Get Back" playing] 1980 01:53:28,250 --> 01:53:32,791 The Black man will have the whip hand over the white man. 1981 01:53:32,875 --> 01:53:34,375 ♪ Get back to where you once belonged ♪ 1982 01:53:34,958 --> 01:53:36,666 ♪ Get back ♪ 1983 01:53:36,750 --> 01:53:38,125 ♪ Get back ♪ 1984 01:53:38,666 --> 01:53:41,666 ♪ Get back to where you once belonged ♪ 1985 01:53:43,000 --> 01:53:46,750 ♪ Sidi Abdul Rami was a Pakistani ♪ 1986 01:53:46,833 --> 01:53:49,583 ♪ But he didn't live at home ♪ 1987 01:53:51,125 --> 01:53:54,625 ♪ Worried people said "We don't need Pakistanis ♪ 1988 01:53:54,708 --> 01:53:57,125 ♪ Boy, you better travel home" ♪ 1989 01:53:57,916 --> 01:53:59,750 ♪ Yeah Get back ♪ 1990 01:54:00,750 --> 01:54:01,750 ♪ Get back ♪ 1991 01:54:02,916 --> 01:54:05,625 ♪ Back to where you once belonged ♪ 1992 01:54:06,333 --> 01:54:07,750 ♪ Get back ♪ 1993 01:54:07,833 --> 01:54:09,333 ♪ Get back ♪ 1994 01:54:10,208 --> 01:54:13,000 ♪ Get back to where you once belonged ♪ 1995 01:54:14,458 --> 01:54:18,166 ♪ Alberto Marin was a Puerto Rican ♪ 1996 01:54:18,250 --> 01:54:19,250 ♪ But he… ♪ 1997 01:54:19,333 --> 01:54:21,583 [singing continues, indistinct] 1998 01:54:22,458 --> 01:54:26,083 ♪ Born in… [scats] Don't dig no Puerto Ricans ♪ 1999 01:54:26,166 --> 01:54:29,000 ♪ Living in the USA ♪ 2000 01:54:29,083 --> 01:54:31,166 ♪ Oh, get back ♪ 2001 01:54:31,791 --> 01:54:33,333 ♪ Get back ♪ 2002 01:54:33,833 --> 01:54:36,333 ♪ Get back to where you once belonged ♪ 2003 01:54:36,416 --> 01:54:38,916 -[chattering] -[George] Just playing more on these… 2004 01:54:41,875 --> 01:54:42,875 [Glyn] It just fades back. 2005 01:54:44,000 --> 01:54:46,166 -Play some piano with it. -[George] Folk blues. 2006 01:54:48,250 --> 01:54:51,625 ♪ Tonight Enoch Powell said Get out, immigrants ♪ 2007 01:54:51,708 --> 01:54:53,666 ♪ Immigrants a-better go home ♪ 2008 01:54:54,541 --> 01:54:57,750 ♪ Tonight Harold Wilson Said to the immigrants ♪ 2009 01:54:57,833 --> 01:55:00,666 ♪ You better get back To your Commonwealth homes ♪ 2010 01:55:00,750 --> 01:55:05,250 ♪ Yeah, yeah, yeah They said you better get back home ♪ 2011 01:55:07,166 --> 01:55:10,125 ♪ Enoch Powell said to the folks ♪ 2012 01:55:10,208 --> 01:55:12,458 ♪ He said you wear The color of your skin ♪ 2013 01:55:13,291 --> 01:55:16,625 ♪ He said he don't care what it's All about ♪ 2014 01:55:16,708 --> 01:55:17,916 [mumbling] 2015 01:55:19,333 --> 01:55:22,583 ♪ So Ted Heath said to Enoch Powell ♪ 2016 01:55:22,666 --> 01:55:26,000 ♪ He said you better get out Or else you'll go to trial ♪ 2017 01:55:26,083 --> 01:55:29,291 ♪ Enoch Powell Enoch, you better go home ♪ 2018 01:55:32,375 --> 01:55:33,583 ♪ Commonwealth ♪ 2019 01:55:33,666 --> 01:55:35,000 ♪ Yes ♪ 2020 01:55:35,083 --> 01:55:36,916 ♪ Commonwealth ♪ 2021 01:55:37,000 --> 01:55:37,958 ♪ Yes ♪ 2022 01:55:38,750 --> 01:55:40,083 ♪ Commonwealth ♪ 2023 01:55:40,166 --> 01:55:41,500 ♪ Yes ♪ 2024 01:55:42,083 --> 01:55:43,291 ♪ Commonwealth ♪ 2025 01:55:43,375 --> 01:55:44,791 ♪ Yes ♪ 2026 01:55:44,875 --> 01:55:48,666 [Paul] ♪ If you don't want trouble Then you better go back to home ♪ 2027 01:55:51,166 --> 01:55:54,458 ♪ So I went to Pakistani I went to India ♪ 2028 01:55:54,541 --> 01:55:57,458 ♪ I've been to old Calcutta And I've had enough of that ♪ 2029 01:55:57,541 --> 01:55:59,791 -♪ I'm coming back ♪ -♪ Yes ♪ 2030 01:55:59,875 --> 01:56:03,000 -[Paul] ♪ To England town ♪ -♪ Yes, welcome ♪ 2031 01:56:04,125 --> 01:56:07,875 ♪ And dirty Enoch Powell And he's had enough of Parliament ♪ 2032 01:56:10,500 --> 01:56:13,916 ♪ Well, I trekked down to Australia And said to New Zealand ♪ 2033 01:56:14,000 --> 01:56:17,083 ♪ You better come live with us We're gonna have some fun ♪ 2034 01:56:17,166 --> 01:56:20,208 ♪ We're going up to India We'll go to Pakistan ♪ 2035 01:56:20,291 --> 01:56:21,958 ♪ We're coming up to Europe and… ♪ 2036 01:56:22,041 --> 01:56:23,791 [singing, indistinct] 2037 01:56:23,875 --> 01:56:27,000 ♪ And dirty Enoch Powell and his… ♪ 2038 01:56:27,083 --> 01:56:29,375 [singing, indistinct] 2039 01:56:29,458 --> 01:56:31,625 -♪ Oh, Commonwealth ♪ -♪ Yes ♪ 2040 01:56:33,333 --> 01:56:35,250 -♪ Oh, Commonwealth ♪ -♪ Yes ♪ 2041 01:56:36,166 --> 01:56:38,166 -♪ Yeah, Commonwealth ♪ -♪ Yes ♪ 2042 01:56:39,041 --> 01:56:41,000 ♪ Oh, hear me talking Commonwealth ♪ 2043 01:56:43,791 --> 01:56:47,333 ♪ Yeah, the Commonwealth But it's much too wealthy for me ♪ 2044 01:56:47,416 --> 01:56:51,166 Much too common for me. Much too common for me. 2045 01:56:51,250 --> 01:56:52,541 ♪ Too common for me ♪ 2046 01:56:52,625 --> 01:56:53,625 [John] Oh, yeah. 2047 01:56:53,708 --> 01:56:57,083 ♪ I ambled to Australia And New Zealand too ♪ 2048 01:56:57,166 --> 01:57:00,208 ♪ I went up to Pakistan And India too ♪ 2049 01:57:00,291 --> 01:57:03,458 ♪ I came back to West Indies And I had a cricket match ♪ 2050 01:57:03,541 --> 01:57:06,750 ♪ I went into South Africa And told them to get back ♪ 2051 01:57:06,833 --> 01:57:10,958 ♪ Oh, Commonwealth I said you're much too common for me ♪ 2052 01:57:12,083 --> 01:57:13,083 Everybody sing! 2053 01:57:13,166 --> 01:57:15,083 -♪ Hey, Commonwealth ♪ -♪ Yes ♪ 2054 01:57:16,333 --> 01:57:18,333 -♪ Yeah, Commonwealth ♪ -♪ Yes ♪ 2055 01:57:19,000 --> 01:57:21,750 -♪ Enoch Powell, Commonwealth ♪ -♪ Yes ♪ 2056 01:57:22,458 --> 01:57:24,708 -♪ Immigrants, Commonwealth ♪ -♪ Yes ♪ 2057 01:57:26,625 --> 01:57:30,875 ♪ Well, I would join the Common Market But it's much too common for me ♪ 2058 01:57:30,958 --> 01:57:31,958 ♪ Yes ♪ 2059 01:57:36,291 --> 01:57:39,708 ♪ Oh, Enoch Powell ♪ 2060 01:57:39,791 --> 01:57:42,791 [slow music playing] 2061 01:57:49,125 --> 01:57:51,541 ♪ Oh, Enoch Powell ♪ 2062 01:58:01,250 --> 01:58:04,291 -I'll be taking me shirt off. -[George] Do it in D. I'll play with you. 2063 01:58:04,375 --> 01:58:05,791 [Michael] Do you have a tattoo? 2064 01:58:06,916 --> 01:58:09,250 [chattering] 2065 01:58:09,333 --> 01:58:11,833 -[crew] First chance we've had… -[Paul] So, do you want to try the-- 2066 01:58:11,916 --> 01:58:13,250 -Once more. -[laughs] 2067 01:58:13,333 --> 01:58:15,291 Get it over here, that's where we're playing… 2068 01:58:15,375 --> 01:58:18,833 -With feeling. With Felix. -With Felix. [laughing] 2069 01:58:18,916 --> 01:58:21,791 One, two, three, four. 2070 01:58:21,875 --> 01:58:24,291 ["She Came In Through The Bathroom Window" playing] 2071 01:58:25,250 --> 01:58:28,250 And this is something that happened to me quite recently. 2072 01:58:29,375 --> 01:58:32,958 ♪ She came in through The bathroom window ♪ 2073 01:58:35,958 --> 01:58:39,583 ♪ Protected by a silver spoon ♪ 2074 01:58:42,125 --> 01:58:45,125 ♪ But now she sucks her thumb And wonders ♪ 2075 01:58:45,208 --> 01:58:46,708 [John] Get off! 2076 01:58:46,791 --> 01:58:51,208 [Paul] ♪ By the banks of her own lagoon ♪ 2077 01:58:51,291 --> 01:58:54,708 ♪ Didn't anybody tell her? ♪ 2078 01:58:57,458 --> 01:59:00,458 ♪ Didn't anybody see? ♪ 2079 01:59:03,000 --> 01:59:07,166 ♪ Sunday's on the phone to Monday ♪ 2080 01:59:09,125 --> 01:59:12,916 ♪ Tuesday's on the phone to me ♪ 2081 01:59:14,166 --> 01:59:17,833 ♪ She said she'd always been a dancer ♪ 2082 01:59:20,500 --> 01:59:23,500 ♪ She worked at 15 clubs a day ♪ 2083 01:59:23,583 --> 01:59:25,583 [John] Worked in 15 clubs a day? 2084 01:59:25,666 --> 01:59:26,833 [Paul] Yeah! 2085 01:59:26,916 --> 01:59:29,333 ♪ And though she thought I had the answer ♪ 2086 01:59:33,000 --> 01:59:35,750 ♪ I just had to sail away ♪ 2087 01:59:35,833 --> 01:59:39,458 ♪ Didn't anybody tell her? ♪ 2088 01:59:40,500 --> 01:59:41,958 ♪ No, no, no, no ♪ 2089 01:59:42,041 --> 01:59:45,291 ♪ Didn't anybody see? ♪ 2090 01:59:46,375 --> 01:59:47,625 [indistinct] 2091 01:59:47,708 --> 01:59:51,625 ♪ Sunday's on the phone to Monday ♪ 2092 01:59:53,791 --> 01:59:57,000 ♪ Tuesday's on the phone to me ♪ 2093 01:59:57,083 --> 01:59:58,416 Yeah, she is. 2094 01:59:59,375 --> 02:00:02,291 ♪ And so I quit the police department ♪ 2095 02:00:02,375 --> 02:00:03,416 Get a job, cop! 2096 02:00:05,458 --> 02:00:07,916 ♪ And got myself a proper job ♪ 2097 02:00:08,000 --> 02:00:10,791 Bloody about time, too, if you ask me! 2098 02:00:11,583 --> 02:00:14,875 ♪ And though she tried her best To help me ♪ 2099 02:00:14,958 --> 02:00:16,791 He bloody need it too. 2100 02:00:16,875 --> 02:00:20,750 ♪ She could steal But she could not rob ♪ 2101 02:00:20,833 --> 02:00:24,208 ♪ Didn't anybody tell her? ♪ 2102 02:00:26,958 --> 02:00:30,291 ♪ Didn't anybody see? ♪ 2103 02:00:30,375 --> 02:00:31,833 ♪ Whoa ♪ 2104 02:00:32,625 --> 02:00:36,875 ♪ Sunday's on the phone to Monday ♪ 2105 02:00:39,000 --> 02:00:42,500 ♪ Tuesday's on the phone to me ♪ 2106 02:00:45,083 --> 02:00:48,708 Hello. This is Tuesday speaking. 2107 02:00:48,791 --> 02:00:50,083 [chuckles] 2108 02:00:50,166 --> 02:00:51,541 Is that Paul? 2109 02:00:51,625 --> 02:00:54,375 -[chuckles] -I'd like to have a word with you. 2110 02:00:54,458 --> 02:00:56,625 I've got something of his in the garden. 2111 02:00:56,708 --> 02:00:59,375 -I have something of interest for you. -[laughs] 2112 02:00:59,916 --> 02:01:01,916 [imitating Elvis] ♪ Well, any old time of day ♪ 2113 02:01:02,000 --> 02:01:03,333 ♪ All you wanna hear me say ♪ 2114 02:01:03,416 --> 02:01:06,333 ♪ It's crazy, baby It's crazy, yeah ♪ 2115 02:01:11,083 --> 02:01:13,208 ♪ God bless our gracious king ♪ 2116 02:01:13,958 --> 02:01:14,958 [all laugh] 2117 02:01:15,541 --> 02:01:18,250 [George] If we are in a groovy location place, 2118 02:01:18,333 --> 02:01:22,416 we can make the show about different bits and pieces of what we've done. 2119 02:01:22,500 --> 02:01:25,791 Or we have to do it in one consecutive piece. 2120 02:01:26,875 --> 02:01:29,833 [John] I think we could do both, you see? We should do it about three times. 2121 02:01:29,916 --> 02:01:32,291 We'd settle on one day when we say, "This is the show." 2122 02:01:32,375 --> 02:01:34,833 But we'd do a, like, dress rehearsal. 2123 02:01:34,916 --> 02:01:37,666 [George] Okay. Shall we do some other people's tunes as well? 2124 02:01:37,750 --> 02:01:39,708 -That'd be nice. -[John] I don't know any. 2125 02:01:39,791 --> 02:01:41,625 I can only just bear doing your lot's songs. 2126 02:01:41,708 --> 02:01:42,750 [chuckles] 2127 02:01:48,958 --> 02:01:52,375 ["Honey Hush" playing] 2128 02:02:00,916 --> 02:02:05,583 ♪ I love you more each day Girl, I do ♪ 2129 02:02:09,250 --> 02:02:13,166 ♪ So I got me a lorry And I took a ride ♪ 2130 02:02:13,250 --> 02:02:15,166 -[John] This isn't Daddy's tea, is it? -[Yoko] No. 2131 02:02:15,250 --> 02:02:17,625 [John] Daddy doesn't like this chemical tea, you know? 2132 02:02:17,708 --> 02:02:21,458 It turns me off but blows my mind and floats me upstream. 2133 02:02:21,541 --> 02:02:25,458 ♪ Baa, baa, baa Baa, baa, baa ♪ 2134 02:02:25,541 --> 02:02:29,208 ♪ Black sheep Have you any wool? ♪ 2135 02:02:29,291 --> 02:02:30,500 [Paul] ♪ Come on, Suzy Parker ♪ 2136 02:02:30,583 --> 02:02:34,958 [John] ♪ I said, come on, Suzy Parker Everybody's welcome to come ♪ 2137 02:02:35,041 --> 02:02:37,833 [Paul] ♪ Suzy Parker Come on, Suzy Parker ♪ 2138 02:02:37,916 --> 02:02:41,875 ♪ Yeah, you come to Suzy Parker Everybody gets well done ♪ 2139 02:02:41,958 --> 02:02:43,250 ♪ Come on, Suzy Parker ♪ 2140 02:02:43,333 --> 02:02:46,416 [vocalizing] 2141 02:02:57,083 --> 02:03:00,000 ♪ Well, cheers, babycake Baby, please don't lose… ♪ 2142 02:03:00,083 --> 02:03:03,916 -["House of the Rising Sun" playing] -[both groaning] 2143 02:03:08,458 --> 02:03:10,666 [Paul screeches] 2144 02:03:10,750 --> 02:03:14,708 ♪ I know I'm one ♪ 2145 02:03:14,791 --> 02:03:16,125 -[laughs] -He's one, all right. 2146 02:03:18,375 --> 02:03:21,791 [vocalizes] 2147 02:03:21,875 --> 02:03:24,583 [John] If we can just have a sort of permanent mic on the piano, 2148 02:03:24,666 --> 02:03:26,000 and a permanent mic for me. 2149 02:03:26,083 --> 02:03:28,041 [Paul] So we can hear both of them, you see, Glyn? 2150 02:03:28,125 --> 02:03:29,958 -[Glyn] Great. -Hah. 2151 02:03:30,041 --> 02:03:33,041 ["Mama, You Been on My Mind" playing] 2152 02:03:37,250 --> 02:03:41,750 ♪ Perhaps it's the color Of the sun cut flat ♪ 2153 02:03:41,833 --> 02:03:47,166 ♪ And covering the crossroads I'm standing at ♪ 2154 02:03:49,166 --> 02:03:53,500 ♪ Or maybe it's the weather Or something like that ♪ 2155 02:03:54,500 --> 02:03:57,791 ♪ Mama, you're just on my mind ♪ 2156 02:04:02,041 --> 02:04:05,250 Words are flowing out like endless rain into a paper cup. 2157 02:04:05,333 --> 02:04:06,791 Dear Apple. [chuckles] 2158 02:04:06,875 --> 02:04:10,166 They slither wildly as they slip away across the universe. 2159 02:04:10,250 --> 02:04:14,375 ♪ Words are flowing out Like endless rain into a paper cup ♪ 2160 02:04:14,458 --> 02:04:19,041 ♪ They slither wildly As they slip away across the universe ♪ 2161 02:04:19,125 --> 02:04:20,833 [John] "Shakin' in the Sixties!" 2162 02:04:21,958 --> 02:04:25,041 ♪ Shakin' in the '60s With a book bought by Dick James ♪ 2163 02:04:26,083 --> 02:04:29,416 ♪ Shakin' in the '60s With a book bought by Dick James ♪ 2164 02:04:29,500 --> 02:04:31,916 [Paul] The noise is a little too loud for me. [chuckles] 2165 02:04:32,000 --> 02:04:34,333 [John] Leave the group then if you don't like it. 2166 02:04:34,416 --> 02:04:36,500 -[chuckling] -Come on. I've done all mine. 2167 02:04:37,375 --> 02:04:38,541 Both of mine. 2168 02:04:38,625 --> 02:04:42,125 So, we'll go through it once and just roughly get it in our heads. 2169 02:04:42,208 --> 02:04:44,000 Do you want the bass in for the riff? 2170 02:04:44,083 --> 02:04:45,083 [singing, indistinct] 2171 02:04:45,166 --> 02:04:46,916 Do you want the bass in with the riff? 2172 02:04:47,500 --> 02:04:48,750 -Don't know. -[John] Okay. 2173 02:04:48,833 --> 02:04:51,166 Well, I'll just play it by ear then. 2174 02:04:51,250 --> 02:04:52,625 So then it goes… 2175 02:04:52,708 --> 02:04:56,250 ♪ When I find myself in times of trouble ♪ 2176 02:04:56,333 --> 02:04:59,541 ♪ Mother Mary comes to me ♪ 2177 02:04:59,625 --> 02:05:04,333 ♪ Speaking words of wisdom Let it be ♪ 2178 02:05:05,958 --> 02:05:11,291 ♪ And in my hour of darkness She is standing right in front of me ♪ 2179 02:05:12,083 --> 02:05:16,416 ♪ Speaking words of wisdom Let it be ♪ 2180 02:05:17,708 --> 02:05:20,541 -♪ Let it be, let it be ♪ -♪ Oh, oh ♪ 2181 02:05:20,625 --> 02:05:23,583 -♪ Let it be, let it be ♪ -♪ Oh ♪ 2182 02:05:24,666 --> 02:05:29,000 ♪ Whisper words of wisdom Let it be ♪ 2183 02:05:29,083 --> 02:05:30,875 [John] ♪ Let it be ♪ 2184 02:05:30,958 --> 02:05:34,000 ♪ And all the broken-hearted people ♪ 2185 02:05:34,083 --> 02:05:37,250 [vocalizing] 2186 02:05:39,916 --> 02:05:42,458 ♪ Let it be ♪ 2187 02:05:43,750 --> 02:05:45,291 ♪ Whenever I'm in… ♪ 2188 02:05:45,375 --> 02:05:46,375 [vocalizing] 2189 02:05:46,458 --> 02:05:49,666 ♪ Brother Malcolm, Mary Na, na, na ♪ 2190 02:05:50,541 --> 02:05:52,500 [vocalizing continues] 2191 02:05:53,166 --> 02:05:54,875 ♪ Let it be ♪ 2192 02:05:54,958 --> 02:05:57,500 [Paul] No, keep that. [vocalizes] The rhythm of that bit. 2193 02:05:57,583 --> 02:05:59,958 [George] I just feel it needs something really sustained. 2194 02:06:00,041 --> 02:06:01,708 -[John] Yeah, how about some words? -[chuckles] 2195 02:06:01,791 --> 02:06:02,958 -[laughing] -[Paul vocalizes] 2196 02:06:03,041 --> 02:06:04,000 [George] Thanks. 2197 02:06:04,083 --> 02:06:06,458 ["Let It Be" playing] 2198 02:06:07,750 --> 02:06:09,791 [Paul vocalizing] 2199 02:06:09,875 --> 02:06:11,958 ♪ Let it be ♪ 2200 02:06:13,041 --> 02:06:16,291 [vocalizing] 2201 02:06:16,375 --> 02:06:17,791 ♪ Words of wisdom… ♪ 2202 02:06:17,875 --> 02:06:21,916 [vocalizing] 2203 02:06:22,000 --> 02:06:23,166 ♪ Let it be ♪ 2204 02:06:23,250 --> 02:06:24,833 -Yeah? -[George] Yeah. Like… 2205 02:06:24,916 --> 02:06:29,083 ♪ Words of wisdom Let it be ♪ 2206 02:06:30,291 --> 02:06:33,625 [vocalizing] 2207 02:06:36,083 --> 02:06:38,875 -The way I was playing, was starting on F. -[Paul] G. 2208 02:06:38,958 --> 02:06:41,666 "Whisper words of wisdom, let it be, let it be." 2209 02:06:41,750 --> 02:06:44,375 -[vocalizes] -♪ Down to C, down to… ♪ 2210 02:06:44,458 --> 02:06:47,500 But I end up on the wrong one when you're all moving on to F. 2211 02:06:47,583 --> 02:06:50,041 -♪ Whisper words of wisdom ♪ -♪ Words of G ♪ 2212 02:06:50,125 --> 02:06:51,291 ♪ Let it be, let it be ♪ 2213 02:06:51,375 --> 02:06:54,541 F, C, G. 2214 02:06:54,625 --> 02:06:57,583 -Oh, miss the F? -C, G, to C. 2215 02:06:57,666 --> 02:07:00,208 So, yes. So then, you see, you get this… 2216 02:07:00,291 --> 02:07:03,583 "Whisper words of wisdom, let it be, let it be…" 2217 02:07:03,666 --> 02:07:05,541 [vocalizing] 2218 02:07:05,625 --> 02:07:06,625 You play that. 2219 02:07:06,708 --> 02:07:10,791 ♪ Whisper words of wisdom Let it be ♪ 2220 02:07:15,333 --> 02:07:17,833 It seems that it's all happening 2221 02:07:18,416 --> 02:07:20,916 a little bit too quickly with them both coming in at the same time. 2222 02:07:21,000 --> 02:07:22,375 -[Paul] Yeah. -That's all. 2223 02:07:22,458 --> 02:07:25,291 [John] When do the drums first come in, guitar, and all that? 2224 02:07:25,375 --> 02:07:27,833 Well, Glyn's saying first time they come in… 2225 02:07:27,916 --> 02:07:29,791 -He seems to be arranging this. Come on. -[laughs] 2226 02:07:29,875 --> 02:07:31,208 -Go on. -[piano playing] 2227 02:07:31,291 --> 02:07:33,500 [Paul vocalizing] 2228 02:07:37,333 --> 02:07:40,041 [vocalizing continues] 2229 02:07:40,125 --> 02:07:40,958 ♪ Let it… ♪ 2230 02:07:41,041 --> 02:07:43,875 -[Paul] Could have bass there with a… -[John] Only if you ask nicely. 2231 02:07:43,958 --> 02:07:48,125 -[piano playing] -[Paul vocalizes] 2232 02:07:48,208 --> 02:07:50,666 -[John] You want me on the verse? -[Paul] Yeah. Come in, bass. 2233 02:07:50,750 --> 02:07:52,666 [John] On the verse when he comes chapping… 2234 02:07:52,750 --> 02:07:54,583 -[Paul] Well, I was thinking of it, yeah. -[John] Yeah. 2235 02:07:54,666 --> 02:07:56,375 -Glyn and I have thought… -[Paul] Glyn and… 2236 02:07:56,458 --> 02:07:58,166 [John] ♪ Let it be Let it be ♪ 2237 02:07:58,250 --> 02:08:00,291 One, two, three. 2238 02:08:00,375 --> 02:08:04,000 ♪ When I find myself in times of trouble ♪ 2239 02:08:04,083 --> 02:08:06,541 ♪ Mother Mary comes to me ♪ 2240 02:08:07,333 --> 02:08:11,291 ♪ Speaking words of wisdom Let it be ♪ 2241 02:08:11,375 --> 02:08:13,500 [no audible dialogue] 2242 02:08:13,583 --> 02:08:19,833 ♪ And in my hour of darkness She is standing right in front of me ♪ 2243 02:08:19,916 --> 02:08:24,333 [Paul] ♪ Speaking words of wisdom Let it be ♪ 2244 02:08:25,500 --> 02:08:28,958 -♪ Let it be, let it be ♪ -♪ Oh, oh ♪ 2245 02:08:29,041 --> 02:08:32,041 -♪ Let it be, let it be ♪ -♪ Oh ♪ 2246 02:08:32,750 --> 02:08:36,708 ♪ Whisper words of wisdom Let it be ♪ 2247 02:08:36,791 --> 02:08:38,625 ♪ Let it be ♪ 2248 02:08:39,208 --> 02:08:45,000 ♪ For all the broken-hearted people Heaven above must agree ♪ 2249 02:08:46,125 --> 02:08:50,208 [vocalizing] 2250 02:08:52,208 --> 02:08:55,208 [vocalizing continues] 2251 02:09:01,541 --> 02:09:03,125 ♪ Let it be ♪ 2252 02:09:04,583 --> 02:09:07,916 -♪ Let it be, let it be ♪ -♪ Oh, oh ♪ 2253 02:09:08,000 --> 02:09:11,458 -♪ Let it be, let it be ♪ -♪ Oh ♪ 2254 02:09:11,541 --> 02:09:15,791 ♪ Read the Record Mirror Let it be ♪ 2255 02:09:17,291 --> 02:09:19,000 [vocalizing] 2256 02:09:34,750 --> 02:09:36,750 [music fades, stops] 2257 02:09:36,833 --> 02:09:39,375 [Ringo] Forty million Churchills can't be wrong. 2258 02:09:41,333 --> 02:09:43,916 Forty million Churchills can't be wrong, but one de Gaulle can. 2259 02:09:44,000 --> 02:09:45,583 -[laughs] -[Paul] We've got a charming one here. 2260 02:09:45,666 --> 02:09:47,708 "I Wish I Had Died in My Cradle." 2261 02:09:47,791 --> 02:09:49,958 [all laugh] 2262 02:09:50,041 --> 02:09:51,458 [Ringo] I don't know. 2263 02:09:53,291 --> 02:09:55,125 "Lisp Of A Baby's Prayer." 2264 02:09:55,208 --> 02:09:56,208 [chuckles] 2265 02:09:56,291 --> 02:09:58,125 [Paul] "Alphabet Song." What's that one? 2266 02:09:58,208 --> 02:10:00,750 Oh, Christ, I don't know the whole catalog yet. 2267 02:10:00,833 --> 02:10:03,458 4,000 songs is a lot to absorb. 2268 02:10:03,541 --> 02:10:05,708 -In the morning? -Perhaps. 2269 02:10:05,791 --> 02:10:09,083 -"Nobody Loves a Fairy When She's Forty." -[laughs] 2270 02:10:10,708 --> 02:10:12,458 [Paul] This is it? This is the lot? 2271 02:10:12,541 --> 02:10:16,583 This is a very good list. That's the entire catalog up to '65. 2272 02:10:17,416 --> 02:10:18,416 Yeah. Yeah. 2273 02:10:18,500 --> 02:10:20,541 Is this the catalog that's just gone on sale? 2274 02:10:20,625 --> 02:10:22,625 -It's the one we just bought. -You bought it. Oh, great. 2275 02:10:24,000 --> 02:10:26,000 [whistling] 2276 02:10:28,083 --> 02:10:31,833 -Which includes Paul and John. And-- -Just about. 2277 02:10:31,916 --> 02:10:34,541 -What are you talking about, "Just about"? -Nothing. Uh, no comment. 2278 02:10:35,291 --> 02:10:36,875 Very substantially, sir. 2279 02:10:36,958 --> 02:10:38,166 Yes, right. Okay. 2280 02:10:42,083 --> 02:10:45,333 -[Michael] Mm-hmm. Marvelous catalog. -[Dick] Oh, it's an incredible catalog. 2281 02:10:45,416 --> 02:10:48,916 And we'll start on reprinting a great deal of this music, 2282 02:10:49,000 --> 02:10:52,958 because sheet music and song albums is an expanding market now. 2283 02:10:53,041 --> 02:10:54,666 Right, right. [chuckles] Yeah, yeah. 2284 02:10:54,750 --> 02:10:58,541 You know, 12 songs for five bob is more than ample. That's good value. 2285 02:11:03,875 --> 02:11:05,041 -[Dick] Yeah. -Great. 2286 02:11:15,000 --> 02:11:16,041 [Dick] Yeah. 2287 02:11:16,125 --> 02:11:18,958 -"Carolina Moon," my Uncle Ron's favorite. -[Dick] Well. 2288 02:11:19,041 --> 02:11:21,375 He sings it at all the parties. [imitating uncle] All right! 2289 02:11:21,458 --> 02:11:24,916 ♪ Carolina Moon ♪ 2290 02:11:25,000 --> 02:11:26,041 Come on, Paul. 2291 02:11:26,125 --> 02:11:27,208 The Copyright Act 2292 02:11:27,291 --> 02:11:31,250 and the payment for a performance of a fee didn't start until 1911. 2293 02:11:31,333 --> 02:11:33,083 But who buys sheet music? 2294 02:11:33,166 --> 02:11:34,708 Is it mainly piano people? 2295 02:11:34,791 --> 02:11:36,500 [Dick] No. Guitar people. 2296 02:11:44,333 --> 02:11:45,333 [Paul] Yeah. 2297 02:11:47,625 --> 02:11:50,916 [Paul] Well, a lot of our stuff, I don't know whether it does any more, 2298 02:11:51,000 --> 02:11:54,000 because we always publish our lyrics now, you know? 2299 02:11:54,083 --> 02:11:57,083 But you see, particularly where the boys are concerned, 2300 02:11:57,166 --> 02:11:58,750 they create the song, right? 2301 02:11:58,833 --> 02:12:01,875 And I give it to my music scribe and he has to take it down. 2302 02:12:01,958 --> 02:12:03,708 And he's a very good man, very experienced. 2303 02:12:05,125 --> 02:12:08,666 He can make mistakes, but in an effort to eliminate this now 2304 02:12:08,750 --> 02:12:11,875 we check the lyrics with John and Paul, they okay the lyric… 2305 02:12:16,166 --> 02:12:17,916 -Hi. -Hi, George. 2306 02:12:22,208 --> 02:12:23,291 -Hi, George. -[Michael] Hi, man. 2307 02:12:27,916 --> 02:12:29,916 [Dick] I'm well aware. You're very welcome. 2308 02:12:33,166 --> 02:12:36,500 Something to drink out of or the wife can throw? 2309 02:12:38,375 --> 02:12:40,041 Which I sang in my heyday. 2310 02:12:40,125 --> 02:12:41,666 [chattering] 2311 02:12:41,750 --> 02:12:42,916 -Hi, Georgie. -Hi, Mike. 2312 02:12:43,000 --> 02:12:44,291 [Michael] Hi, George. How are you? 2313 02:12:49,958 --> 02:12:51,708 It doesn't even seem high to me. 2314 02:12:51,791 --> 02:12:54,166 -Well, these are gilt-edged songs. -[piano music playing] 2315 02:12:54,250 --> 02:12:55,791 [Paul singing] 2316 02:12:55,875 --> 02:12:57,166 -Morgen. -Morning. 2317 02:12:57,250 --> 02:12:59,833 -[George] Didn't Neil ring you last night? -No. 2318 02:13:08,583 --> 02:13:09,583 [Michael] Take hold of this. 2319 02:13:09,666 --> 02:13:11,500 If anybody says anything interesting, remember it. 2320 02:13:11,583 --> 02:13:13,625 -[Ringo] Not really. -[all laugh] 2321 02:13:15,541 --> 02:13:20,083 Uh… Neil would like us to have a meeting. 2322 02:13:20,166 --> 02:13:21,708 -[John] Saturday? -[George] Yes. 2323 02:13:21,791 --> 02:13:23,625 He was very excited and-- 2324 02:13:23,708 --> 02:13:25,708 -Was he? Good news or-- -Yes. Very. 2325 02:13:25,791 --> 02:13:27,625 Oh, all right, I'll come for good news. [chuckles] 2326 02:13:27,708 --> 02:13:28,708 [indistinct] 2327 02:13:30,375 --> 02:13:31,541 You watching? 2328 02:13:31,625 --> 02:13:32,666 Yeah. 2329 02:13:36,000 --> 02:13:38,541 Yeah, I think it's gonna be a double-sider. 2330 02:13:38,625 --> 02:13:42,666 And, uh, we've set it for release-- We've set it for release in the States. 2331 02:13:42,750 --> 02:13:44,958 She's doing it on The Rolf Harris Show tomorrow night. 2332 02:13:45,041 --> 02:13:47,666 -[Paul] Is she one of your artists? -She's an EMI artist. 2333 02:13:47,750 --> 02:13:50,708 And we have some territories, 2334 02:13:50,791 --> 02:13:53,041 then EMI puts them out in other places. 2335 02:13:53,541 --> 02:13:55,500 -[Paul] Okay, shall we start? -Yeah. 2336 02:13:55,583 --> 02:13:56,833 [chattering] 2337 02:13:56,916 --> 02:13:58,125 I'll send some, um… 2338 02:13:58,875 --> 02:14:00,583 I'll send some discs down, Paul. 2339 02:14:01,166 --> 02:14:02,125 [Paul] Okay. 2340 02:14:02,208 --> 02:14:03,916 [Dick] Should have pressings up, um… 2341 02:14:04,000 --> 02:14:07,625 Well, I think they were up last night, but they were up too late for me to get them. 2342 02:14:08,875 --> 02:14:10,708 ["Get Back" playing] 2343 02:14:10,791 --> 02:14:14,083 [vocalizing] 2344 02:14:16,875 --> 02:14:18,416 [laughs] That was a nice start. 2345 02:14:27,500 --> 02:14:31,291 [John] ♪ Put on your hi-heel sneakers ♪ 2346 02:14:31,916 --> 02:14:32,916 [Ringo] Bye, Dick. 2347 02:14:33,000 --> 02:14:35,708 ♪ Cause we're goin' out tonight ♪ 2348 02:14:40,833 --> 02:14:44,166 ♪ Put on your hi-heel sneakers ♪ 2349 02:14:45,875 --> 02:14:48,958 ♪ Cause we're goin' out tonight ♪ 2350 02:14:49,041 --> 02:14:50,125 ♪ We are ♪ 2351 02:14:54,708 --> 02:14:57,625 ♪ And bring along some boxin' gloves ♪ 2352 02:14:58,875 --> 02:15:02,416 ♪ In case some fool might wanna fight ♪ 2353 02:15:07,375 --> 02:15:08,375 [Paul] ♪ Get back ♪ 2354 02:15:09,458 --> 02:15:10,916 ♪ Back ♪ 2355 02:15:11,000 --> 02:15:13,875 ♪ Back to where you once belonged ♪ 2356 02:15:15,041 --> 02:15:16,166 I dig this. I do. 2357 02:15:18,416 --> 02:15:19,875 [no audible dialogue] 2358 02:15:23,291 --> 02:15:24,500 [no audible dialogue] 2359 02:15:24,583 --> 02:15:28,208 [chords playing] 2360 02:15:28,291 --> 02:15:30,833 [chattering] 2361 02:15:35,708 --> 02:15:38,750 ♪ Get back, get back ♪ 2362 02:15:50,166 --> 02:15:51,458 [Paul] Yes. 2363 02:15:52,666 --> 02:15:53,666 [John] Yes, yes! 2364 02:16:04,416 --> 02:16:05,750 [music fades] 2365 02:16:05,833 --> 02:16:08,958 [John] We've never learned so many new numbers at once. Have we? 2366 02:16:09,041 --> 02:16:10,208 [Paul] Yeah. 2367 02:16:10,291 --> 02:16:12,500 -That's it. It will be better, that. -Yeah. 2368 02:16:14,500 --> 02:16:15,916 [Paul] Well, should we just redo this one? 2369 02:16:16,000 --> 02:16:18,041 -I still haven't got words on this. -[John] Yes. 2370 02:16:20,875 --> 02:16:23,458 -[singing note] -[guitar matches note] 2371 02:16:23,541 --> 02:16:25,375 [playing instruments] 2372 02:16:26,458 --> 02:16:29,333 [Paul] Yeah, let's have it like that. Just have a big, held chord. 2373 02:16:29,416 --> 02:16:31,916 All of us just hold a chord of, like, A. 2374 02:16:32,000 --> 02:16:35,875 But you creep up with drumming. So it goes, "One, two, three, four." 2375 02:16:35,958 --> 02:16:37,208 [instruments hold note] 2376 02:16:37,291 --> 02:16:40,208 [plays drums] 2377 02:16:40,291 --> 02:16:42,041 Only even more like, sort of… 2378 02:16:42,125 --> 02:16:45,625 [imitates guitar, drums] 2379 02:16:45,708 --> 02:16:46,833 So you… 2380 02:16:46,916 --> 02:16:50,708 You'll have to do something like lead to… 2381 02:16:50,791 --> 02:16:54,416 [sings note] What was the record? 2382 02:16:56,458 --> 02:16:58,541 -There's one record of ours. -[John] Should be more like… 2383 02:16:58,625 --> 02:17:00,916 [vocalizing to "Get Back"] 2384 02:17:04,083 --> 02:17:05,291 [Paul] But even in the-- 2385 02:17:06,208 --> 02:17:08,583 That suggests something to me. That chord. 2386 02:17:08,666 --> 02:17:10,083 -Yeah. -[both vocalize] 2387 02:17:10,166 --> 02:17:11,458 And also, that's why I like-- 2388 02:17:11,541 --> 02:17:15,333 That's why "Get Back" suggests any old number like this. 2389 02:17:15,416 --> 02:17:18,166 So if we have harmony on it and try and make it-- 2390 02:17:18,250 --> 02:17:19,250 [John] Yes? 2391 02:17:19,750 --> 02:17:22,458 -'Cause it's a bit ordinary, isn't it? -So-- So you don't want that? 2392 02:17:22,541 --> 02:17:25,083 The "Get Back" bit's the ordinary bit. 2393 02:17:25,166 --> 02:17:27,208 Yeah, but it's all right. I mean, but we should-- 2394 02:17:27,291 --> 02:17:29,750 We should try and get away from… 2395 02:17:29,833 --> 02:17:30,916 ♪ Get back ♪ 2396 02:17:31,625 --> 02:17:33,541 ♪ Get back, yeah ♪ 2397 02:17:33,625 --> 02:17:35,125 -Get away from that? -Uh, no-- 2398 02:17:36,166 --> 02:17:38,250 Yeah, but I know. I mean, just get away from the way… 2399 02:17:39,416 --> 02:17:40,958 [Paul stammers] 2400 02:17:41,041 --> 02:17:44,583 Where did we get that chord? You know? There was a song we got that chord from. 2401 02:17:45,875 --> 02:17:48,583 -There was one where we sort of-- -[John] Booker T. and the MG's. 2402 02:17:48,666 --> 02:17:51,125 -[Paul] Booker T. Yeah. -[George] But there's lots… 2403 02:17:52,291 --> 02:17:55,833 But it's passé, you know? It's like-- It was a couple of years ago. 2404 02:17:55,916 --> 02:17:57,708 No, it wasn't. That's just a chord. 2405 02:17:57,791 --> 02:17:59,041 I know, but, you know. Yeah, but-- 2406 02:17:59,125 --> 02:18:01,958 -Chords like fashions and stuff… -And some chords fit things. 2407 02:18:02,041 --> 02:18:03,166 But it's like drainies. 2408 02:18:03,250 --> 02:18:05,583 -Yeah, but some drainies… -They're still drainies, but… 2409 02:18:05,666 --> 02:18:09,083 …suit different occasions and Oxford bags-- 2410 02:18:09,166 --> 02:18:13,291 [Paul] The thing is, that's good enough for the rock and roll thing, but-- 2411 02:18:14,166 --> 02:18:16,708 -No, you don't. You need, like-- -You need George Harrison. 2412 02:18:16,791 --> 02:18:18,250 -[Paul] You need George Harrison. Yeah. -Mmm. 2413 02:18:18,333 --> 02:18:21,916 But just doing simple things until it's your go. 2414 02:18:22,000 --> 02:18:24,583 Because I'm trying to sing louder to get over the guitar. 2415 02:18:27,500 --> 02:18:31,416 Yeah. But-- but if you do the offbeat with Ringo. 2416 02:18:31,500 --> 02:18:34,250 ♪ Get back, get back ♪ 2417 02:18:36,500 --> 02:18:37,500 ♪ Get back ♪ 2418 02:18:38,250 --> 02:18:39,250 ♪ Get back ♪ 2419 02:18:39,791 --> 02:18:40,791 ♪ Get back ♪ 2420 02:18:41,333 --> 02:18:42,750 ♪ Get back ♪ 2421 02:18:43,500 --> 02:18:46,250 ♪ Get back to where you once belonged ♪ 2422 02:18:47,000 --> 02:18:48,000 ♪ Get back ♪ 2423 02:18:49,041 --> 02:18:50,208 ♪ Get back ♪ 2424 02:18:50,833 --> 02:18:53,666 ♪ Get back to where you once belonged ♪ 2425 02:18:55,583 --> 02:18:56,583 See, but don't-- 2426 02:18:56,666 --> 02:19:00,541 If you vamp, then it-- then it takes away from his vamping. 2427 02:19:00,625 --> 02:19:01,833 I think, you know? 2428 02:19:01,916 --> 02:19:03,958 But it's like that. It is like that. 2429 02:19:04,041 --> 02:19:07,833 It's like the big, soft lead guitarist, you know, who just stands there and just-- 2430 02:19:07,916 --> 02:19:09,500 -Little, soft lead guitarist. -Well, you know-- 2431 02:19:09,583 --> 02:19:12,333 No, but the big one in my head, where he just sort of goes… 2432 02:19:12,416 --> 02:19:14,916 [heavy strumming] 2433 02:19:15,000 --> 02:19:17,458 But you can either do that soft or good, you know? 2434 02:19:17,541 --> 02:19:18,916 You don't… 2435 02:19:19,000 --> 02:19:20,208 It's that thing, you know? 2436 02:19:21,791 --> 02:19:24,041 -I mean, "She's a Woman." -Yeah. 2437 02:19:24,125 --> 02:19:27,458 That was just a better rhythm than we have, you know, because-- 2438 02:19:27,541 --> 02:19:29,750 And "Sgt. Pepper" on the organ. It's just… 2439 02:19:29,833 --> 02:19:31,708 -[song playing] -[scatting] 2440 02:19:36,875 --> 02:19:38,416 None of you are trying to do any of it. 2441 02:19:38,500 --> 02:19:40,583 [John] Okay. I'll just write it down then. 2442 02:19:40,666 --> 02:19:41,750 [chattering] 2443 02:19:44,000 --> 02:19:45,750 -Yeah, and the Puerto Ricans. -Yeah. 2444 02:19:46,250 --> 02:19:47,375 [chattering] 2445 02:19:49,416 --> 02:19:51,083 [Paul] She thought she was a woman. 2446 02:19:51,166 --> 02:19:52,875 ♪ Jo Jo went and left his-- ♪ 2447 02:19:52,958 --> 02:19:53,958 Jo Jo. 2448 02:19:55,166 --> 02:19:57,500 ♪ Jo Jo left his home in-- ♪ 2449 02:19:59,083 --> 02:20:01,041 -What's a Western name? -Jo Jo went and left-- 2450 02:20:01,125 --> 02:20:04,208 -A Western name? Jo Jo… -[John sighs] 2451 02:20:04,291 --> 02:20:05,875 -Go on. -Perkins. 2452 02:20:05,958 --> 02:20:07,708 ♪ Jo Jo Perkins left-- ♪ 2453 02:20:07,791 --> 02:20:09,166 ♪ Jo Jo Lemon-- ♪ 2454 02:20:09,875 --> 02:20:10,875 Jo Jo Carter? 2455 02:20:10,958 --> 02:20:11,958 Jo Jo Williams? 2456 02:20:12,041 --> 02:20:15,166 Jo Jo Braxton. Jo Jo Pepper. Brennan. 2457 02:20:15,250 --> 02:20:16,250 ♪ Jo Jo-- ♪ 2458 02:20:17,833 --> 02:20:19,875 ♪ Jo Jo Daphne left his home-- ♪ 2459 02:20:21,000 --> 02:20:22,000 [John] Yeah. 2460 02:20:22,083 --> 02:20:25,666 ♪ Jo Jo Jackson left his home in Arizona ♪ 2461 02:20:25,750 --> 02:20:28,166 [vocalizing] 2462 02:20:34,416 --> 02:20:35,666 [indistinct] 2463 02:20:35,750 --> 02:20:37,833 ♪ Don't dig no Pakistanis ♪ 2464 02:20:37,916 --> 02:20:40,916 ♪ Living in a council flat ♪ 2465 02:20:42,000 --> 02:20:48,958 [indistinct] 2466 02:20:49,666 --> 02:20:51,000 [both] ♪ Oh, get back ♪ 2467 02:20:51,958 --> 02:20:53,333 ♪ Get back ♪ 2468 02:20:54,291 --> 02:20:57,208 ♪ Back to where you once belonged ♪ 2469 02:20:59,583 --> 02:21:02,125 ♪ Two of us wearing raincoats ♪ 2470 02:21:02,208 --> 02:21:07,125 ♪ Standing solo in the sun ♪ 2471 02:21:08,041 --> 02:21:10,791 ♪ You and me chasing paper ♪ 2472 02:21:10,875 --> 02:21:12,833 ♪ Getting nowhere ♪ 2473 02:21:12,916 --> 02:21:17,708 ♪ On our way back home ♪ 2474 02:21:18,416 --> 02:21:20,291 ♪ We're on our way home ♪ 2475 02:21:21,208 --> 02:21:23,083 ♪ We're on our way home ♪ 2476 02:21:24,000 --> 02:21:25,250 ♪ We're going home ♪ 2477 02:21:28,625 --> 02:21:33,083 ♪ On our way back home ♪ 2478 02:21:36,083 --> 02:21:40,375 ♪ On our way back home ♪ 2479 02:21:43,875 --> 02:21:49,333 ♪ On our way back home ♪ 2480 02:21:49,416 --> 02:21:51,666 [Paul] That's it. You know, it'll go-- 2481 02:21:51,750 --> 02:21:52,750 [John] Well, you know. 2482 02:21:52,833 --> 02:21:53,833 [guitar plays] 2483 02:21:53,916 --> 02:21:56,583 [Paul] I think it needs a bit more of that, this one. 2484 02:21:56,666 --> 02:21:58,291 Needs a bit more of that. 2485 02:21:59,500 --> 02:22:02,041 In fact, maybe you shouldn't both do that. 2486 02:22:02,125 --> 02:22:04,250 -Could you stop playing for a minute? -Yes, all right, Paul. 2487 02:22:04,333 --> 02:22:06,916 …while I'm trying to talk to you about this arrangement. Thank you. 2488 02:22:08,125 --> 02:22:10,625 -Could we go for lunch? -[John] Is it lunch already? 2489 02:22:10,708 --> 02:22:11,708 [Paul] Yes. 2490 02:22:11,791 --> 02:22:13,125 [guitar continues] 2491 02:22:36,666 --> 02:22:37,541 Yeah. 2492 02:22:37,625 --> 02:22:39,666 -We aim to please. -[Mal] I rang Chris and-- 2493 02:22:41,333 --> 02:22:42,333 Mmm? 2494 02:23:08,750 --> 02:23:11,333 -[Paul chuckles] -[guitar plays] 2495 02:23:11,416 --> 02:23:13,625 [John] Oh. So pissed. 2496 02:23:16,750 --> 02:23:18,333 -[John] No. -[all chuckle] 2497 02:23:19,916 --> 02:23:20,750 [Paul] Yeah. 2498 02:23:26,791 --> 02:23:27,791 Stop it! Stop it! 2499 02:23:30,458 --> 02:23:32,458 -Ooh. What a buzz. -[laughs] 2500 02:23:32,541 --> 02:23:33,666 What a buzz. 2501 02:23:33,750 --> 02:23:36,833 [John] "I've Got a Feeling." Okay, George. Take it. 2502 02:23:36,916 --> 02:23:39,875 ["I've Got a Feeling" playing] 2503 02:23:42,166 --> 02:23:45,041 ♪ I've got a feeling ♪ 2504 02:23:45,875 --> 02:23:48,333 ♪ A feeling deep inside Oh, yeah ♪ 2505 02:23:50,416 --> 02:23:51,583 ♪ Oh, no ♪ 2506 02:23:53,625 --> 02:23:55,958 ♪ Yeah! ♪ 2507 02:23:56,041 --> 02:24:00,625 ♪ Whoa, I've got a feeling, yeah ♪ 2508 02:24:01,750 --> 02:24:04,833 ♪ Don't let me down ♪ 2509 02:24:08,083 --> 02:24:11,083 ♪ Don't let me down ♪ 2510 02:24:14,833 --> 02:24:17,375 ♪ Don't let me down ♪ 2511 02:24:25,458 --> 02:24:30,625 [wailing] 2512 02:24:48,083 --> 02:24:51,791 [continues wailing] 2513 02:25:06,583 --> 02:25:10,500 [grunting] 2514 02:25:13,708 --> 02:25:17,458 [wailing] 2515 02:25:24,166 --> 02:25:25,291 ♪ John! ♪ 2516 02:25:26,125 --> 02:25:27,625 [Ringo] Yeah, rock it to me, baby. 2517 02:25:28,791 --> 02:25:30,166 That's what I like. 2518 02:25:30,875 --> 02:25:34,000 You may think this is a full orchestra, but if you look closely, 2519 02:25:34,083 --> 02:25:37,333 you can see there's only two people playing and one person singing. 2520 02:25:38,000 --> 02:25:40,375 I know it sounds like Benny Goodman, but don't worry. 2521 02:25:40,458 --> 02:25:43,916 It's the big sound of 1969. 2522 02:25:44,000 --> 02:25:47,916 [high-pitched voice] ♪ Bang! Bang! Maxwell's silver hammer ♪ 2523 02:25:48,000 --> 02:25:51,500 ♪ Came down upon his head ♪ 2524 02:25:53,083 --> 02:25:54,333 ♪ Clang! Clang! ♪ 2525 02:25:54,416 --> 02:26:00,916 ♪ Maxwell's silver hammer Made sure that Joan was dead ♪ 2526 02:26:03,166 --> 02:26:06,291 [Michael] Maybe for the show, I mean, you could just say George was sick. 2527 02:26:06,791 --> 02:26:08,916 [John] No. I mean, if he leaves, he leaves. 2528 02:26:17,000 --> 02:26:20,708 -[chattering] -[Yoko vocalizing] 2529 02:26:20,791 --> 02:26:24,416 ♪ John, John, John, John ♪ 2530 02:26:32,916 --> 02:26:34,166 ♪ John… ♪ 2531 02:26:34,250 --> 02:26:36,000 [John] Anything you say, dear! 2532 02:26:36,083 --> 02:26:38,791 -John, John! -I've brought the tea. 2533 02:26:38,875 --> 02:26:40,541 John! 2534 02:26:40,625 --> 02:26:42,625 [John, high-pitched voice] Yes? 2535 02:26:43,375 --> 02:26:45,041 [slow-tempo music playing] 2536 02:26:45,125 --> 02:26:46,125 [John] I saw him! 2537 02:26:46,208 --> 02:26:47,791 -[Ringo] Terrible! -[John] Shit! 2538 02:26:49,958 --> 02:26:52,958 [Paul singing indistinctly] 2539 02:27:03,000 --> 02:27:04,000 [Michael] Yeah. 2540 02:27:24,416 --> 02:27:27,958 -So cats and kittens, what we gonna do? -[laughs] 2541 02:27:29,625 --> 02:27:31,208 [chattering] 2542 02:27:36,208 --> 02:27:37,375 [laughs] 2543 02:27:40,333 --> 02:27:41,666 [John] Orson Welles. [chuckles] 2544 02:27:41,750 --> 02:27:43,541 [Michael] The thing about Orson is he's very funny. 2545 02:27:43,625 --> 02:27:44,750 We were in Belfast, 2546 02:27:44,833 --> 02:27:46,833 rehearsing the stage version of Chimes of Midnight. 2547 02:27:46,916 --> 02:27:48,458 And one day he walked off the stage. 2548 02:27:49,541 --> 02:27:51,208 -[Michael] "See you round the clubs." -[Glyn laughs] 2549 02:27:51,291 --> 02:27:54,125 -[Michael] He came back an hour later. -[laughing] 2550 02:27:55,166 --> 02:27:57,583 Get in your bag! [laughs] 2551 02:27:57,666 --> 02:27:59,750 Get in your-- Get in your bloody bag! 2552 02:27:59,833 --> 02:28:01,625 -[Yoko] Not again! -[Paul] Go on! 2553 02:28:02,583 --> 02:28:06,083 The Mersey Beat Awards for the Best Couple of the Year… 2554 02:28:06,583 --> 02:28:08,000 [Michael coughs] 2555 02:28:08,083 --> 02:28:09,791 …goes to John and Yoko. 2556 02:28:10,416 --> 02:28:11,583 [laughs] 2557 02:28:22,625 --> 02:28:23,875 [laughs] 2558 02:28:23,958 --> 02:28:26,958 ["Isn't It A Pity" playing] 2559 02:28:31,166 --> 02:28:33,458 [George] ♪ Isn't it a pity ♪ 2560 02:28:38,291 --> 02:28:40,208 ♪ Isn't it a shame ♪ 2561 02:28:43,416 --> 02:28:46,666 ♪ How we break each other's hearts ♪ 2562 02:28:50,333 --> 02:28:52,791 ♪ And cause each other pain ♪ 2563 02:28:56,250 --> 02:28:59,666 ♪ How we take each other's love ♪ 2564 02:29:03,000 --> 02:29:05,458 ♪ Without thinking anymore ♪ 2565 02:29:09,666 --> 02:29:12,333 ♪ Forgetting to give back ♪ 2566 02:29:16,166 --> 02:29:18,458 ♪ Isn't it a pity ♪ 2567 02:29:22,708 --> 02:29:25,333 ♪ Some things take so long ♪ 2568 02:29:28,833 --> 02:29:31,666 ♪ But how do I explain? ♪ 2569 02:29:35,375 --> 02:29:38,583 ♪ When not too many people ♪ 2570 02:29:41,833 --> 02:29:44,625 ♪ Can see we're all the same? ♪ 2571 02:29:48,333 --> 02:29:51,458 ♪ Because of all their tears ♪ 2572 02:29:54,916 --> 02:29:57,750 ♪ Their eyes can't hope to see ♪ 2573 02:30:01,500 --> 02:30:04,708 ♪ The beauty that surrounds them ♪ 2574 02:30:07,958 --> 02:30:10,375 ♪ Oh, isn't it a pity? ♪ 2575 02:30:14,083 --> 02:30:19,458 [vocalizes] 2576 02:30:21,625 --> 02:30:24,625 [vocalizing] 2577 02:30:39,958 --> 02:30:43,208 ♪ And because of all their tears ♪ 2578 02:30:46,583 --> 02:30:49,291 ♪ Their eyes don't hope to see ♪ 2579 02:30:53,000 --> 02:30:56,125 ♪ The beauty that surrounds them ♪ 2580 02:30:59,583 --> 02:31:02,083 ♪ Oh, isn't it a pity? ♪ 211099

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