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These are the user uploaded subtitles that are being translated: 1 00:00:00,120 --> 00:00:02,930 In this video we're going to practice visual hierarchy. 2 00:00:02,970 --> 00:00:09,600 We're going to take the content from that lawyer Web site and apply whatever we have already learned 3 00:00:09,600 --> 00:00:15,330 about visual hierarchy and alignment and practice it and apply to our example. 4 00:00:15,420 --> 00:00:21,660 It's our follow along video so fire up your bigmouth go to the FEMA file that I have linked in the resources 5 00:00:21,810 --> 00:00:26,280 the files that link should automatically create a copy in your account. 6 00:00:26,280 --> 00:00:32,890 Once you log in if next to the file name it says view only that means it didn't duplicate. 7 00:00:33,030 --> 00:00:38,340 You'll need to create a copy of the file before you can add it next to the file name. 8 00:00:38,340 --> 00:00:45,650 Click the arrow and select duplicate to your drafts that will create a copy of the file in your fig 9 00:00:45,660 --> 00:00:49,620 may account and you'll be able to edit the file as you wish. 10 00:00:49,620 --> 00:00:52,570 Now let's give this design another redo. 11 00:00:52,590 --> 00:00:56,060 We just need to apply what we've already learned so far. 12 00:00:56,110 --> 00:01:01,530 You'll see how thinking about hierarchy and alignment is going to take care of most of the designing 13 00:01:01,530 --> 00:01:02,190 for us. 14 00:01:02,820 --> 00:01:04,010 Let's start with our grid. 15 00:01:04,020 --> 00:01:09,270 Remember how to add that we have to select the frame first and then the layout grid option will appear 16 00:01:09,270 --> 00:01:10,320 in the properties panel 17 00:01:14,670 --> 00:01:18,980 just like the last time columns twelve thirty pixel gutter 18 00:01:21,810 --> 00:01:28,470 but 60 pixel margin this time because we're using a smaller MacBook frame instead of the desktop. 19 00:01:28,710 --> 00:01:33,420 The now bar fits perfectly on the edges of this great because this is exactly what I was using when 20 00:01:33,420 --> 00:01:35,240 designing the now bar. 21 00:01:35,340 --> 00:01:38,820 For that reason we can leave the navigation bar in its position. 22 00:01:38,940 --> 00:01:44,380 You'll see that links in the navigation bar don't align with great columns but that's all right. 23 00:01:44,400 --> 00:01:48,790 As I said before creed is a guideline and a forceful rule. 24 00:01:48,930 --> 00:01:54,360 We don't always have to take it literally if we align the button and end links to columns. 25 00:01:54,360 --> 00:01:56,850 In this case we wouldn't get the best results. 26 00:01:56,940 --> 00:02:03,110 For example one column is too small for the button and two columns are too big. 27 00:02:03,120 --> 00:02:04,870 Let's think about the visual hierarchy. 28 00:02:04,890 --> 00:02:07,080 Remember what's the name for the visual. 29 00:02:07,080 --> 00:02:14,430 The most interesting object the focal point using the photo as a focal point is a good idea. 30 00:02:14,430 --> 00:02:20,220 When you have photos especially of people usually it's a great idea to make them the focal point. 31 00:02:20,280 --> 00:02:21,800 So how do we do that. 32 00:02:21,840 --> 00:02:24,570 Last time I used some tricks to draw more attention to it. 33 00:02:25,020 --> 00:02:27,150 But we can go simpler than that. 34 00:02:27,270 --> 00:02:31,820 Making it very large always works on something to be noticed. 35 00:02:31,890 --> 00:02:33,240 Make it big baby. 36 00:02:33,240 --> 00:02:38,460 Simple as that because it's a vertical photo as you can see it doesn't make a good background photo. 37 00:02:38,460 --> 00:02:41,150 Instead we can use it on the half of the screen. 38 00:02:42,370 --> 00:02:47,820 OK so this photo is covering up the navigation bar remember the layers panel scenes. 39 00:02:47,890 --> 00:02:51,610 It's a higher layer it covers up everything underneath. 40 00:02:51,610 --> 00:02:53,860 We need to move it below the now bar. 41 00:02:53,860 --> 00:02:59,410 We can do that by either dragging it in the layers panel but easier ways to use an option that does 42 00:02:59,410 --> 00:03:04,890 this for us right click on the photo and select sand to back. 43 00:03:04,900 --> 00:03:07,740 This will send photo all the way to the back. 44 00:03:07,780 --> 00:03:12,100 Now the number is on top but because now about taxes dog we can't see anything. 45 00:03:12,100 --> 00:03:13,260 Let's fix this. 46 00:03:13,300 --> 00:03:17,200 I'm going to disable the grid layout so I can see matter what's going on. 47 00:03:17,200 --> 00:03:22,980 We can turn that off for the entire document from here but you'll see me often use a shortcut. 48 00:03:22,990 --> 00:03:24,970 Let's now make the now bar links White 49 00:03:44,880 --> 00:03:45,230 Good. 50 00:03:45,690 --> 00:03:48,000 Let's do something similar with a button. 51 00:03:48,060 --> 00:03:49,260 It's not very visible. 52 00:03:49,260 --> 00:03:56,310 I could of course flip the colors make the button white and text da but a better looking option this 53 00:03:56,310 --> 00:04:01,260 case is to use either a ghost button or a semi transparent one. 54 00:04:01,290 --> 00:04:07,930 Change the background feel to white and decrease their passive t of the color feel to about 10 to 20 55 00:04:08,100 --> 00:04:13,960 percent. 56 00:04:13,990 --> 00:04:16,290 I really like this semi transparent buttons. 57 00:04:16,300 --> 00:04:19,050 They have a very slick look to them. 58 00:04:22,430 --> 00:04:28,130 You can see how our design is starting to take in much better shape with very simple modifications. 59 00:04:28,130 --> 00:04:31,130 We have an undeniable focal point of this composition. 60 00:04:31,130 --> 00:04:35,840 Now let's organize our content better and create a visual hierarchy between them. 61 00:04:35,840 --> 00:04:51,180 First let's align them to the left and fit them into a grid. 62 00:04:51,240 --> 00:04:55,140 Now we have to decide on what is going to be our primary message here. 63 00:04:55,230 --> 00:05:00,900 We have to start thinking a bit deeper about our goals of the Web site and the visitors. 64 00:05:00,900 --> 00:05:06,420 Being a designer isn't just making things look pretty often it's thinking about the goals of your design 65 00:05:06,450 --> 00:05:09,630 and how to achieve those goals most effectively. 66 00:05:09,630 --> 00:05:13,980 A hero section of almost every Web site has to answer three questions for the user. 67 00:05:13,980 --> 00:05:15,670 What is this Web site about. 68 00:05:15,720 --> 00:05:18,140 What am I going to get out of this Web site. 69 00:05:18,150 --> 00:05:19,730 And how do I get it. 70 00:05:19,770 --> 00:05:22,170 The first question is what is this Web site about. 71 00:05:22,170 --> 00:05:28,500 Well it's about Vincent Schwartz who is a Boston divorce attorney now out of this to information his 72 00:05:28,500 --> 00:05:31,620 name in Boston divorce divorce attorney. 73 00:05:31,620 --> 00:05:33,510 Which one is more important. 74 00:05:33,570 --> 00:05:38,850 These can depend on some other factors for example if he is a well-known lawyer then his name would 75 00:05:38,850 --> 00:05:40,910 be more important to show first. 76 00:05:41,190 --> 00:05:47,580 If he isn't known then it's more important to show that this page is about Boston divorce attorney. 77 00:05:47,580 --> 00:05:52,470 Let's say we know from the client that his name is an important information and needs to be displayed 78 00:05:52,470 --> 00:05:58,230 as have as the primary info in that case we're going to make the name big and bold. 79 00:05:58,260 --> 00:06:04,170 I'm going to go much bigger this time because the focal point the photo is so much more prominent that 80 00:06:04,200 --> 00:06:09,990 I can afford a bigger text in my previous example I could I couldn't go too big because the photo was 81 00:06:09,990 --> 00:06:10,560 smaller 82 00:06:16,380 --> 00:06:24,240 for the headline font I have chosen play for a display phone and use the black style which is its heaviest 83 00:06:24,240 --> 00:06:24,870 form. 84 00:06:24,900 --> 00:06:28,470 There is an entire section of this course dedicated to typography. 85 00:06:28,470 --> 00:06:34,560 It's a big topic in design and you'll learn a lot on how to choose fonts in a way to make your designs 86 00:06:34,560 --> 00:06:40,770 look great in this exercise you can choose whatever font you like but pay attention how you choose the 87 00:06:40,770 --> 00:06:42,600 weights and sizes of this fonts 88 00:06:46,500 --> 00:06:52,980 the weight of the font can be selected from here how many options you get here depends on the font family 89 00:06:52,980 --> 00:06:54,760 and how many weights does it come with. 90 00:06:55,230 --> 00:07:00,870 Okay I have chosen a big and heavy star for the name I'm going to do the opposite for the Boston divorce 91 00:07:00,930 --> 00:07:02,140 attorney text. 92 00:07:02,340 --> 00:07:07,380 I'm going to keep whatever font it was and choose a lifestyle and make it even smaller 93 00:07:12,950 --> 00:07:18,560 the subtitle definitely doesn't compete for their attention the name gets all the spotlight which is 94 00:07:18,560 --> 00:07:20,060 exactly what we want. 95 00:07:20,330 --> 00:07:23,710 The hierarchy between the two is clear next. 96 00:07:23,810 --> 00:07:25,870 Let's adjust the paragraph tax. 97 00:07:25,880 --> 00:07:28,910 I'm going to do decrease the tax size a little more. 98 00:07:28,910 --> 00:07:30,070 And that's it. 99 00:07:30,110 --> 00:07:31,710 The button I will live as it is. 100 00:07:31,730 --> 00:07:33,190 I would just make it smaller. 101 00:07:33,200 --> 00:07:36,130 And that's going to be enough to decrease its importance 102 00:07:39,150 --> 00:07:39,570 that's all. 103 00:07:39,600 --> 00:07:41,060 It's looking pretty neat. 104 00:07:41,070 --> 00:07:42,750 How about the hierarchy. 105 00:07:42,750 --> 00:07:44,190 Do we have a focal point. 106 00:07:44,190 --> 00:07:45,390 You bet we do. 107 00:07:45,390 --> 00:07:47,670 How about the rest of the elements. 108 00:07:47,760 --> 00:07:51,390 We have our headline that is visually the most noticeable tax. 109 00:07:51,600 --> 00:07:58,410 And then the rest of the elements with different degrees of visual importance and that's it. 110 00:07:58,500 --> 00:08:01,290 If you haven't been following along now it's your turn. 111 00:08:01,290 --> 00:08:04,640 Feel free to deviate from our version if you prefer it. 112 00:08:04,650 --> 00:08:12,840 The important thing is to reach two goals which is a to have a focal point and b to have different levels 113 00:08:12,870 --> 00:08:16,590 of visual importance between other elements. 114 00:08:16,590 --> 00:08:19,140 The rest is up to you if you want to use different colors. 115 00:08:19,170 --> 00:08:20,030 No problem. 116 00:08:20,040 --> 00:08:24,860 Different phones different arrangement or you can recreate my version pixel to pixel. 117 00:08:24,960 --> 00:08:25,980 Doesn't matter. 118 00:08:25,980 --> 00:08:32,700 The important thing is you start thinking like a designer and start noticing and have visual hierarchy 119 00:08:32,700 --> 00:08:34,150 in your mind at all times. 11767

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