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These are the user uploaded subtitles that are being translated: 1 00:00:02,836 --> 00:00:04,336 GOOD EVENING, I'M HENRY FONDA. 2 00:00:07,774 --> 00:00:11,710 TONIGHT, WE'RE GOING TO TAKE A LOOK AT THE BEST OF ALL IN THE FAMILY. 3 00:00:11,778 --> 00:00:14,346 ONE OF THE MOST ACCLAIMED AND, ALSO, 4 00:00:14,415 --> 00:00:18,050 ONE OF THE MOST CONTROVERSIAL SHOWS EVER SEEN ON TELEVISION. 5 00:00:18,119 --> 00:00:20,030 STARTING WITH THE CHARACTER OF ARCHIE BUNKER, 6 00:00:20,054 --> 00:00:24,056 RIGHT DOWN TO THE KIND OF THEMES THE SHOW HAS DEALT WITH. 7 00:00:24,125 --> 00:00:25,624 MENOPAUSE, 8 00:00:25,692 --> 00:00:27,959 HOMOSEXUALITY, RAPE, 9 00:00:28,029 --> 00:00:31,096 MENTAL RETARDATION, CANCER. 10 00:00:31,165 --> 00:00:33,365 SOUNDS LIKE A REAL FUN SHOW, DOESN'T IT? 11 00:00:35,836 --> 00:00:38,203 AND YET, WE ALL KNOW IT IS. 12 00:00:38,272 --> 00:00:39,916 NOW I'M NOT GOING TO COMMENT ON 13 00:00:39,940 --> 00:00:44,043 THE CONTRIBUTION ALL IN THE FAMILY HAS MADE TO THE AMERICAN SCENE. 14 00:00:44,111 --> 00:00:47,579 WE ALL KNOW THERE HAVE BEEN PROS AND CONS. 15 00:00:47,648 --> 00:00:49,226 EXCEPT TO SAY THAT I WOULDN'T BE HERE 16 00:00:49,250 --> 00:00:51,283 IF I WEREN'T ONE OF ITS BIGGEST FANS. 17 00:00:54,087 --> 00:00:55,498 WE'RE IN STUDIO 41 18 00:00:55,522 --> 00:00:58,556 AT C.B.S. TELEVISION CITY IN HOLLYWOOD. 19 00:00:58,625 --> 00:01:01,860 YOU'RE WATCHING NORMAN LEAR, THE CREATOR OF ALL IN THE FAMILY 20 00:01:01,928 --> 00:01:05,097 TALKING TO THE STUDIO AUDIENCE ABOUT TONIGHT'S SHOW. 21 00:01:08,368 --> 00:01:10,535 ANYWAY, AS I MENTIONED EARLIER 22 00:01:10,604 --> 00:01:12,870 TONIGHT, BECAUSE THIS IS THE 100TH AIRING 23 00:01:12,939 --> 00:01:14,038 OF ALL IN THE FAMILY, 24 00:01:14,107 --> 00:01:16,541 WE WILL BE PRESENTING ONE HOUR 25 00:01:16,610 --> 00:01:18,643 OF WHAT WE HOPE YOU ALL WILL FEEL 26 00:01:18,712 --> 00:01:20,945 IS THE BEST OF ALL IN THE FAMILY. 27 00:01:25,786 --> 00:01:29,554 AND, LADIES AND GENTLEMEN, I'D LIKE YOU NOW TO MEET THE CAST OF ALL IN THE FAMILY, 28 00:01:29,623 --> 00:01:31,823 4 MAGNIFICENT PLAYERS, 29 00:01:31,892 --> 00:01:34,192 UH, THE PRIMARY PLAYERS IN OUR COMPANY, 30 00:01:34,261 --> 00:01:36,762 WHO HAVE PROVIDED, UH, MORE LAUGHTER 31 00:01:36,830 --> 00:01:40,565 AND, UH, THEREFORE, IN OUR OPINIONS, HAVE ADDED MORE TO OUR LIVES. 32 00:01:40,634 --> 00:01:41,900 I'M TALKING ABOUT THE PEOPLE, 33 00:01:41,968 --> 00:01:44,436 THE WRITERS, PRODUCERS, ACTORS AND TECHNICIANS, 34 00:01:44,505 --> 00:01:46,104 WHO WORK WITH THEM 35 00:01:46,173 --> 00:01:48,740 UH, AND HAVE LAUGHED WITH THEM FOR THESE 5 YEARS. 36 00:01:48,809 --> 00:01:51,954 WE ALL FEEL THEY'VE ADDED TIME TO OUR LIVES THROUGH THAT LAUGHTER. 37 00:01:51,978 --> 00:01:54,491 FIRST, LET ME BRING OUT THE VERY WONDERFUL YOUNG WOMAN, 38 00:01:54,515 --> 00:01:57,015 THE YOUNGEST MEMBER OF OUR BUNKER HOUSEHOLD, 39 00:01:57,083 --> 00:01:58,349 MISS SALLY STRUTHERS! 40 00:02:05,025 --> 00:02:07,092 LADIES AND GENTLEMEN, THE WONDERFUL ACTOR, 41 00:02:07,160 --> 00:02:08,359 ROB REINER! 42 00:02:16,270 --> 00:02:17,936 OUR BELOVED EDITH BUNKER, 43 00:02:18,005 --> 00:02:19,449 JEAN STAPLETON. HI! 44 00:02:21,000 --> 00:02:27,074 Advertise your product or brand here contact www.OpenSubtitles.org today 45 00:02:28,915 --> 00:02:31,282 LADIES AND GENTLEMEN, CARROLL O'CONNOR. 46 00:02:44,331 --> 00:02:47,299 WE CAN'T, FOR TECHNICAL REASONS, FOR THE STUDIO AUDIENCE... 47 00:02:47,367 --> 00:02:49,845 FOR THE STUDIO AUDIENCE, WE CANNOT, FOR TECHNICAL REASONS, 48 00:02:49,869 --> 00:02:52,304 SHOW YOU THE OPENING, UH, TITLES. 49 00:02:52,372 --> 00:02:54,572 BUT WE DID NOT WANT YOU TO COME THIS DISTANCE, 50 00:02:54,641 --> 00:02:56,908 YOU LOVELY PEOPLE OF OUR STUDIO AUDIENCE, 51 00:02:56,976 --> 00:03:00,011 AND MISS THE DULCET TONES OF EDITH AND ARCHIE 52 00:03:00,079 --> 00:03:01,946 AS THEY SING THE OPENING NUMBER. 53 00:03:02,015 --> 00:03:04,949 SO, FOR ALL OF YOU, WE HAVE... 54 00:03:05,018 --> 00:03:08,019 THEY HAVE SO GRACIOUSLY DECIDED TO 55 00:03:08,087 --> 00:03:10,989 DO IT FOR YOU LIVE AND NOW. 56 00:03:11,058 --> 00:03:14,259 ? BOY, THE WAY GLENN MILLER PLAYED ? 57 00:03:14,327 --> 00:03:16,928 ? SONGS THAT MADE THE HIT PARADE ? 58 00:03:16,997 --> 00:03:19,798 ? GUYS LIKE US, WE HAD IT MADE ? 59 00:03:19,867 --> 00:03:22,100 ? THOSE WERE THE DAYS ? 60 00:03:22,169 --> 00:03:25,537 ? AND YOU KNEW WHERE YOU WERE THEN ? 61 00:03:25,605 --> 00:03:28,640 ? GIRLS WERE GIRLS AND MEN WERE MEN ? 62 00:03:28,709 --> 00:03:30,776 ? MISTER, WE COULD USE A MAN ? 63 00:03:30,844 --> 00:03:33,845 ? LIKE HERBERT HOOVER AGAIN ? 64 00:03:33,914 --> 00:03:36,381 ? DIDN'T NEED NO WELFARE STATES ? 65 00:03:36,449 --> 00:03:39,217 ? EVERYBODY PULLED HIS WEIGHT ? 66 00:03:39,286 --> 00:03:43,221 ? GEE, OUR OLD LASALLE RAN GREAT ? 67 00:03:43,290 --> 00:03:44,856 ? THOSE WERE ? 68 00:03:44,925 --> 00:03:47,993 ? THE DAYS ? 69 00:03:52,565 --> 00:03:56,134 I SUSPECT THERE'S A LITTLE BIT OF ARCHIE IN ALL OF US. 70 00:03:56,202 --> 00:03:58,280 THAT'S WHY WE CAN RELATE TO HIM SO EASILY 71 00:03:58,304 --> 00:04:00,571 AND TO HIS FEARS ABOUT THE THINGS 72 00:04:00,641 --> 00:04:02,540 HE DOESN'T UNDERSTAND. 73 00:04:02,609 --> 00:04:04,408 SOME CALL IT HIS BIGOTRY. 74 00:04:04,477 --> 00:04:06,410 I CALL IT 75 00:04:06,479 --> 00:04:07,912 HIS BIGOTRY. 76 00:04:09,316 --> 00:04:11,149 THIS IS TERRIBLE! 77 00:04:11,218 --> 00:04:13,597 WHAT'S THE MATTER WITH THIS? I CALL THIS REPRESENTATIVE GOVERNMENT. 78 00:04:13,621 --> 00:04:16,688 IT'S SALVATORE, FELDMAN, O'REILLY, NELSON. 79 00:04:16,757 --> 00:04:20,392 IT'S AN ITALIAN, A JEW, AN IRISHMAN AND A REGULAR AMERICAN THERE. 80 00:04:22,563 --> 00:04:25,664 WHAT I CALL A BALANCED TICKET. 81 00:04:25,733 --> 00:04:29,100 WHY DO YOU ALWAYS HAVE TO LABEL PEOPLE BY NATIONALITY? 82 00:04:29,169 --> 00:04:30,780 'CAUSE HOW ELSE ARE YOU GONNA GET 83 00:04:30,804 --> 00:04:33,049 THE RIGHT MAN FOR THE RIGHT JOB? 84 00:04:33,073 --> 00:04:35,374 FOR INSTANCE, TAKE FELDMAN THERE. 85 00:04:35,442 --> 00:04:36,941 HE'S UP FOR TREASURER. 86 00:04:37,010 --> 00:04:38,310 WELL, THAT'S PERFECT. 87 00:04:38,379 --> 00:04:41,079 ALL THEM PEOPLE KNOW HOW TO HANDLE MONEY. 88 00:04:41,148 --> 00:04:42,358 KNOW WHAT I MEAN? 89 00:04:42,382 --> 00:04:43,948 NO, I DON'T. 90 00:04:44,017 --> 00:04:46,751 WELL, THEN YOU GOT SALVATORE RUNNING FOR D.A. 91 00:04:46,820 --> 00:04:49,220 HE COULD KEEP AN EYE ON FELDMAN. 92 00:04:52,125 --> 00:04:54,837 YOU KNOW, I WANNA TELL YOU SOMETHING ABOUT THE ITALIANS. 93 00:04:54,861 --> 00:04:56,101 WHEN YOU DO GET AN HONEST ONE, 94 00:04:56,162 --> 00:04:57,807 YOU REALLY GOT SOMETHING THERE. 95 00:04:57,831 --> 00:04:59,397 AW, COME ON, ARCH! 96 00:04:59,466 --> 00:05:01,777 WELL, AND HERE YOU GOT O'REILLY, THE MICK. 97 00:05:01,801 --> 00:05:05,404 HE CAN SEE THAT THE GRAFT IS EQUALLY SPREAD AROUND, YOU KNOW? 98 00:05:07,807 --> 00:05:09,785 YOU GOT NELSON, THE AMERICAN GUY. 99 00:05:09,809 --> 00:05:11,687 HE'S GOOD FOR T.V. APPEARANCES. 100 00:05:11,711 --> 00:05:14,079 MAKE THE REST OF THEM LOOK RESPECTABLE, YOU KNOW. 101 00:05:14,148 --> 00:05:16,926 THIS IS A BAG TO CARRY THINGS IN, WHAT'S WRONG WITH THAT? 102 00:05:16,950 --> 00:05:19,195 IF YOU DON'T KNOW, BUDDY, I'LL SPELL IT OUT FOR YOU: 103 00:05:19,219 --> 00:05:21,319 F-A-G, FRUIT! 104 00:05:23,823 --> 00:05:25,524 THERE YOU GO AGAIN. 105 00:05:25,592 --> 00:05:27,670 JUST BECAUSE SOMETHING LOOKS A LITTLE BIT DIFFERENT TO YOU, 106 00:05:27,694 --> 00:05:29,461 YOU HAVE TO PUT A LABEL ON IT, RIGHT? 107 00:05:29,529 --> 00:05:32,497 WELL, IF THE PURSE FITS, WEAR IT. 108 00:05:32,566 --> 00:05:35,000 AH. 109 00:05:35,068 --> 00:05:37,769 I'M TELLING YOU THAT WHITES SHOULD ONLY DANCE WITH WHITES! 110 00:05:37,838 --> 00:05:39,482 YOU DON'T BELIEVE ME? LOOK AT THE MOVIES! 111 00:05:39,506 --> 00:05:41,273 FRED ASTAIRE AND GINGER ROGERS, 112 00:05:41,341 --> 00:05:42,874 GENE KELLY AND RITA HAYWORTH. 113 00:05:42,942 --> 00:05:45,610 SHIRLEY TEMPLE AND BILL ROBINSON. 114 00:05:50,850 --> 00:05:53,718 THAT WAS BEFORE SHIRLEY WAS OLD ENOUGH 115 00:05:53,787 --> 00:05:55,667 TO KNOW SHE WAS DOING SOMETHING WRONG. 116 00:05:57,891 --> 00:05:59,123 I GUESS THAT'S WHEN 117 00:05:59,192 --> 00:06:01,493 SHE STARTED DANCING WITH GEORGE MURPHY. 118 00:06:01,562 --> 00:06:03,028 ALL RIGHT! 119 00:06:03,097 --> 00:06:04,930 ALL I'M SAYING IS 120 00:06:04,998 --> 00:06:08,158 IF GOD HAD INTENDED WHITE PEOPLE TO DANCE WITH COLORED PEOPLE... 121 00:06:08,202 --> 00:06:10,135 HE'D HAVE GIVEN US RHYTHM, TOO. 122 00:06:13,607 --> 00:06:14,984 HE'S TALKING ABOUT SEX. 123 00:06:15,008 --> 00:06:17,709 SHUSH IN FRONT OF EDITH! 124 00:06:17,778 --> 00:06:19,310 ARCH, THAT'S A MYTH! 125 00:06:19,379 --> 00:06:22,692 RETARDED PEOPLE HAVE NO MORE OF A SEX DRIVE THAN ANYBODY ELSE. 126 00:06:22,716 --> 00:06:25,483 OH, YEAH? THAN WHY ARE YOU ON AUTOMATIC ALL THE TIME? 127 00:06:28,221 --> 00:06:30,099 THEY'RE PUTTING ME ON REGULAR NEXT WEEK 128 00:06:30,123 --> 00:06:33,558 BUT THEY'RE PAYING ME LESS THAN THEY PAID THE MAN WHO USED TO RUN THE FORKLIFT. 129 00:06:33,626 --> 00:06:35,993 OH, WELL, COME ON, IRENE. 130 00:06:36,062 --> 00:06:37,573 AFTER ALL, IT'S A WELL-KNOWN FACT, 131 00:06:37,597 --> 00:06:39,397 MEN ARE WORTH MORE THAN WOMEN. 132 00:06:41,335 --> 00:06:44,569 ARCHIE, HAVE YOU BEEN READING PLAYBOY? 133 00:06:44,638 --> 00:06:46,838 NO, IRENE, THE BIBLE. 134 00:06:47,607 --> 00:06:48,940 THE BIBLE? 135 00:06:49,009 --> 00:06:53,044 AND IN THE BIBLE, IT SAYS, GOD MADE MAN IN HIS OWN IMAGE. 136 00:06:53,113 --> 00:06:55,346 HE MADE WOMEN AFTER. FROM A RIB. 137 00:06:55,415 --> 00:06:56,714 CHEAPER CUT. 138 00:07:00,453 --> 00:07:01,453 HE AIN'T JEWISH! 139 00:07:01,521 --> 00:07:02,564 WELL, HOW DO YOU KNOW? 140 00:07:02,588 --> 00:07:04,355 BECAUSE HIS NAME'S JOHN. 141 00:07:04,424 --> 00:07:06,624 AND HEBES DON'T NAME THEIR KIDS JOHN. 142 00:07:10,096 --> 00:07:12,241 MAYBE HE CHANGED HIS NAME. 143 00:07:12,265 --> 00:07:14,699 NO, EDITH, EDITH, THEY NEVER DO. 144 00:07:14,767 --> 00:07:16,701 THEY ONLY CHANGE THE LAST NAME. 145 00:07:16,769 --> 00:07:19,437 THAT WAY THEY KNOW EACH OTHER, YOU SEE WHAT I MEAN? 146 00:07:19,506 --> 00:07:21,239 2 GUYS ARE GOING DOWN THE STREET, RIGHT? 147 00:07:21,308 --> 00:07:23,619 ONE SAYS, "HOW ARE YOU, MY NAME IS SMITH. 148 00:07:23,643 --> 00:07:26,043 MAURY SMITH." YOU SEE HOW IT WORKS? 149 00:07:26,112 --> 00:07:28,145 LIKE YOU GOT SAUL NELSON. 150 00:07:28,215 --> 00:07:29,447 IZZY WATSON. 151 00:07:29,983 --> 00:07:31,182 ABE LINCOLN. 152 00:07:39,326 --> 00:07:42,360 I DIDN'T KNOW LINCOLN WAS JEWISH! 153 00:07:44,964 --> 00:07:47,098 HOW DO YOU DO? MY NAME IS GEORGE ROBINSON 154 00:07:47,167 --> 00:07:49,867 AND I REPRESENT THE GAY LIBERATION FRONT. 155 00:07:53,940 --> 00:07:55,506 HOW DO YOU DO? 156 00:07:55,575 --> 00:07:57,876 THIS MUST BE MRS. ROBINSON. 157 00:08:01,514 --> 00:08:04,516 NO, I'M CYNTHIA NASH OF THE DAUGHTERS OF SAPPHO. 158 00:08:04,584 --> 00:08:07,730 WE WANTED TO TALK TO YOU ABOUT OUR CANDIDATE IN TODAY'S ELECTION. 159 00:08:07,754 --> 00:08:10,188 HOLD IT, HOLD IT, EDITH, THERE. 160 00:08:10,257 --> 00:08:12,623 UH, LET ME HANDLE THIS, HUH? 161 00:08:12,692 --> 00:08:15,894 EDITH, DON'T YOU KNOW WHAT THEY, UH... 162 00:08:15,963 --> 00:08:18,140 SHE'S A DAUGHTER OF SAPPHO 163 00:08:18,164 --> 00:08:20,331 AND HE'S A GAY LIBERATOR. 164 00:08:23,436 --> 00:08:25,370 STEP ASIDE, WILL YOU, HUH? 165 00:08:26,472 --> 00:08:28,840 JUST LET ME DO THE TALKING HERE. 166 00:08:28,908 --> 00:08:31,109 EXCUSE ME, GET LOST. 167 00:08:34,147 --> 00:08:35,847 THE CHINESE. 168 00:08:35,915 --> 00:08:39,517 I MEAN, DO THEY SAY, "GOD BLESS YOU" OR "BUDDHA BLESS YOU"? 169 00:08:43,090 --> 00:08:44,689 YOU REALLY WANNA KNOW? 170 00:08:44,758 --> 00:08:47,959 THE CHINKS JUST SNEEZE AND SAY NOTHING. THEY CAN'T SPEAK ENGLISH. 171 00:08:51,765 --> 00:08:52,765 OH. 172 00:08:55,468 --> 00:08:58,469 WHY COULDN'T THEY SAY, "BUDDHA BLESS YOU" IN CHINESE? 173 00:08:58,538 --> 00:09:01,873 BECAUSE THEY DON'T SAY THAT, THAT'S WHY. 174 00:09:01,942 --> 00:09:03,841 THEY SAY, UH... 175 00:09:03,910 --> 00:09:07,390 WELL, IF THEY SAY ANYTHING AT ALL, IT'S SAYONARA. 176 00:09:08,448 --> 00:09:09,814 THAT'S JAPANESE! 177 00:09:09,883 --> 00:09:11,849 SAME THING. 178 00:09:11,918 --> 00:09:14,019 IT'S NOT THE SAME THING! 179 00:09:14,087 --> 00:09:15,531 WHAT ARE YOU TALKING ABOUT? 180 00:09:15,555 --> 00:09:17,299 YOU PUT A JAP AND A CHINK TOGETHER, 181 00:09:17,323 --> 00:09:19,302 YOU'RE GONNA TELL ME WHICH IS WHICH? 182 00:09:19,326 --> 00:09:21,070 THAT'S RIGHT. BECAUSE I'D FIND OUT ABOUT THEM. 183 00:09:21,094 --> 00:09:22,638 I'D TALK TO THEM AS INDIVIDUALS! 184 00:09:22,662 --> 00:09:24,362 SURE, YOU'D TALK TO THEM. 185 00:09:24,431 --> 00:09:26,743 YOU'D SAY, "WHICH ONE OF YOU GUYS IS THE CHINK?" 186 00:09:26,767 --> 00:09:29,367 I DON'T BELIEVE IT, HE'S MAKING ME CRAZY! 187 00:09:29,435 --> 00:09:30,769 DO YOU MEAN TO IMPLY... 188 00:09:30,837 --> 00:09:33,015 I MEAN THAT I AIN'T MAKING NO DONATIONS 189 00:09:33,039 --> 00:09:34,906 TO NO CATHOLIC CHARITIES. 190 00:09:34,974 --> 00:09:37,953 NOW THE ONLY WAY I CAN ANSWER THAT, MR. BUNKER, IS TO QUOTE FROM THE SCRIPTURE. 191 00:09:37,977 --> 00:09:39,911 "GO FROM THE PRESENCE OF THE FOOLISH MAN 192 00:09:39,979 --> 00:09:42,780 WHEN THOU PERCEIVEST NOT IN HIM THE LIPS OF KNOWLEDGE." 193 00:09:42,849 --> 00:09:44,115 WHAT DOES THAT MEAN? 194 00:09:44,183 --> 00:09:46,684 IT MEANS DON'T WASTE YOUR TIME ARGUING WITH AN IDIOT. 195 00:09:53,627 --> 00:09:56,394 ARCHIE BUNKER'S NOT ONE OF YOUR BEST LISTENERS, 196 00:09:56,463 --> 00:09:58,630 WHICH IS UNFORTUNATE FOR HIM 197 00:09:58,698 --> 00:10:02,167 BECAUSE EDITH IS ONE OF NATURE'S BORN STORYTELLERS. 198 00:10:02,235 --> 00:10:05,603 WAIT A MINUTE. NOBODY EAT NOTHING AROUND HERE, 199 00:10:05,671 --> 00:10:08,617 TILL I FIND OUT WHAT WENT WRONG AT THE SUPERMARKET. 200 00:10:08,641 --> 00:10:10,174 NOW COME ON, GIVE IT. 201 00:10:10,243 --> 00:10:12,911 WELL, I KNEW YOU LIKE CLING PEACHES... 202 00:10:12,979 --> 00:10:14,245 I HEARD THAT BEFORE. 203 00:10:14,314 --> 00:10:15,346 IN HEAVY SYRUP. 204 00:10:15,415 --> 00:10:16,848 YEAH, I HEARD THAT, TOO. 205 00:10:16,916 --> 00:10:18,182 I KNOW. 206 00:10:18,251 --> 00:10:21,753 WHY DON'T YOU TELL ME HOW MUCH I'VE TOLD YOU SO FAR, 207 00:10:21,821 --> 00:10:25,256 THEN I'LL KNOW WHERE TO BEGIN. 208 00:10:25,324 --> 00:10:28,370 YOU AIN'T TOLD ME NOTHING SO FAR, EXCEPT CLING PEACHES, 209 00:10:28,394 --> 00:10:29,872 WHICH IS COMING OUT OF MY EARS. 210 00:10:29,896 --> 00:10:32,230 NOW DON'T SAY THEM 2 WORDS NO MORE, HUH? 211 00:10:32,298 --> 00:10:34,443 START YOUR STORY AFTER THE CLING PEACHES 212 00:10:34,467 --> 00:10:36,634 AND GET ON WITH IT. 213 00:10:39,572 --> 00:10:41,840 WELL, ARCHIE, 214 00:10:41,908 --> 00:10:44,743 I HAD AN ACCIDENT WITH A CAR. 215 00:10:44,811 --> 00:10:46,088 MA, ARE YOU ALL RIGHT? 216 00:10:46,112 --> 00:10:47,112 DID YOU GET HIT? 217 00:10:47,180 --> 00:10:48,346 I DIDN'T GET HIT, 218 00:10:48,415 --> 00:10:49,981 I HIT THE CAR. 219 00:10:50,049 --> 00:10:52,016 MA, YOU DON'T DRIVE. 220 00:10:52,085 --> 00:10:54,686 YEAH, AND EVEN IF YOU DO, WE DON'T HAVE A CAR. 221 00:10:55,822 --> 00:10:57,062 EDITH, 222 00:10:57,757 --> 00:10:59,635 HOW DID YOU HIT A CAR? 223 00:10:59,659 --> 00:11:01,125 WELL, THAT'S WHERE THE 224 00:11:02,963 --> 00:11:04,161 COME IN. 225 00:11:04,230 --> 00:11:05,350 WHAT? 226 00:11:10,269 --> 00:11:13,704 YOU TOLD ME NEVER TO SAY THOSE 2 WORDS. 227 00:11:14,674 --> 00:11:15,940 EDITH, 228 00:11:16,008 --> 00:11:17,486 WHAT ARE YOU TRYING TO TELL ME? 229 00:11:17,510 --> 00:11:20,870 THAT YOU HIT A CAR WITH A CAN OF CLING PEACHES? 230 00:11:21,648 --> 00:11:23,348 THAT'S RIGHT! YOU SEE, 231 00:11:23,417 --> 00:11:26,951 I WAS COMING OUT OF THE MARKET WITH MY SHOPPING BASKET, 232 00:11:27,020 --> 00:11:28,020 FULL OF 233 00:11:32,358 --> 00:11:36,460 A-AND THERE WAS MRS. DUNCAN WITH HER NEW BABY. 234 00:11:36,530 --> 00:11:38,530 I TOOK A PEEK IN THE CARRIAGE 235 00:11:38,598 --> 00:11:40,598 BUT I COULDN'T SEE THE BABY TOO WELL. 236 00:11:40,667 --> 00:11:42,277 HE WAS ALL SQUINCHED UP WITH HIS... 237 00:11:42,301 --> 00:11:44,446 WILL YOU GET ON WITH THE STORY? 238 00:11:44,470 --> 00:11:48,206 ANYWAY, I KNEW I HAD TO SAY SOMETHING NICE ABOUT THE BABY, 239 00:11:48,274 --> 00:11:52,576 SO I WENT, "OH! ISN'T THAT A BEAUTIFUL BABY!" 240 00:11:52,645 --> 00:11:54,545 AND WHEN I WENT "OH!" 241 00:11:54,614 --> 00:11:57,949 THE SHOPPING BASKET GOT AWAY FROM ME, ROLLED DOWN THE HILL 242 00:11:58,017 --> 00:12:01,753 AND SMASHED INTO THIS PARKED CAR AND SCRATCHED THE FENDER. 243 00:12:01,821 --> 00:12:04,355 AND THEN, THIS CAN OF 244 00:12:06,793 --> 00:12:08,893 IN HEAVY SYRUP, 245 00:12:10,830 --> 00:12:15,200 JUMPED OUT AND MADE A BIG DENT IN THE HOOD. 246 00:12:27,146 --> 00:12:29,747 IT WAS A FREAK ACCIDENT. 247 00:12:39,225 --> 00:12:41,659 ONE THING YOU CAN SAY ABOUT ARCHIE, 248 00:12:41,728 --> 00:12:44,040 WHEN HE'S CONFRONTED WITH A LOGICAL ARGUMENT, 249 00:12:44,064 --> 00:12:46,008 HE'S NEVER STUCK FOR AN ANSWER. 250 00:12:56,576 --> 00:12:58,342 LOUISE, WE'RE GOING! 251 00:12:59,512 --> 00:13:00,645 THERE'S THE DOOR! 252 00:13:03,616 --> 00:13:06,518 NOTHING EVER CHANGES IN THIS CRUMMY HOUSE. 253 00:13:06,586 --> 00:13:08,798 I THINK GLORIA WAS WRONG THERE. 254 00:13:08,822 --> 00:13:11,100 IN FACT, ONE OF THE BIGGEST CHANGES OVER THE YEARS 255 00:13:11,124 --> 00:13:12,201 IN THE BUNKER HOUSEHOLD. 256 00:13:12,225 --> 00:13:14,458 HAS BEEN IN GLORIA HERSELF. 257 00:13:21,001 --> 00:13:22,911 CALM DOWN, YOU'RE ALL RIGHT... 258 00:13:27,340 --> 00:13:29,519 LET ME TELL YOU SOMETHING ABOUT MY MOTHER AND ME. 259 00:13:29,543 --> 00:13:31,208 YOU DO NOT OWN US. 260 00:13:31,277 --> 00:13:34,245 WE ARE FREE AND EQUAL HUMAN BEINGS, 261 00:13:34,313 --> 00:13:37,147 WHO REPRESENT HALF THE POPULATION OF THIS EARTH, 262 00:13:37,216 --> 00:13:39,016 THE FEMALE POPULATION. 263 00:13:39,085 --> 00:13:41,686 AND WE'RE TIRED OF BEING EXPLOITED BY MEN. 264 00:13:41,755 --> 00:13:44,922 TIRED OF YOU HOLDING US DOWN AND KEEPING US BACK. 265 00:13:44,991 --> 00:13:47,458 AND IF YOU CONTINUE TO EXPLOIT US, 266 00:13:47,527 --> 00:13:50,606 WE'RE GONNA RISE UP AGAINST YOU SOMEDAY LIKE OUR BLACK SISTERS 267 00:13:50,630 --> 00:13:52,563 AND OUR CHICANA SISTERS 268 00:13:52,632 --> 00:13:54,672 AND ALL THE OTHER OPPRESSED SISTERS, 269 00:13:54,700 --> 00:13:56,745 AND I DON'T KNOW WHAT I'M SAYING ANYMORE, 270 00:13:56,769 --> 00:13:59,036 BUT YOU MEN, YOU BETTER BELIEVE IT! 271 00:14:02,242 --> 00:14:04,742 HERE, YOU BETTER READ THIS ARTICLE. 272 00:14:04,811 --> 00:14:07,111 IT'S WRITTEN BY A VERY IMPORTANT DOCTOR, 273 00:14:07,180 --> 00:14:09,247 AND HE KNOWS EVERYTHING ABOUT IT. 274 00:14:10,650 --> 00:14:13,718 HE DON'T KNOW YOUR FATHER. 275 00:14:13,787 --> 00:14:17,621 WHEN ARCHIE HEARS ABOUT THIS, HE AIN'T GONNA LOVE ME NO MORE. 276 00:14:17,690 --> 00:14:20,091 OH, MA, OF COURSE HE WILL. 277 00:14:20,160 --> 00:14:22,660 I'M SORRY. IMAGINE, YOU 278 00:14:22,728 --> 00:14:25,997 HAVING TO TELL ME WHAT'S WRONG. 279 00:14:26,066 --> 00:14:30,468 WHEN I WAS A YOUNG GIRL, I DIDN'T KNOW WHAT EVERY YOUNG GIRL SHOULD KNOW. 280 00:14:30,536 --> 00:14:32,581 NOW I'M GONNA BE AN OLD LADY 281 00:14:32,605 --> 00:14:35,925 AND I DON'T KNOW WHAT EVERY OLD LADY SHOULD KNOW. 282 00:14:38,011 --> 00:14:39,277 GLORIA, 283 00:14:39,346 --> 00:14:42,580 I... I THINK IT'S TIME THAT YOU AND ME 284 00:14:42,648 --> 00:14:44,015 HAD A 285 00:14:44,084 --> 00:14:47,685 WOMAN-TO-WOMAN TALK ABOUT... 286 00:14:48,188 --> 00:14:50,020 ABOUT... 287 00:14:50,089 --> 00:14:51,522 THE WEDDING NIGHT? 288 00:14:51,591 --> 00:14:53,591 YEAH, ABOUT THAT. 289 00:14:54,327 --> 00:14:55,526 OK, MA. 290 00:15:03,203 --> 00:15:05,602 YOU DON'T HAVE TO BE EMBARRASSED, MA. 291 00:15:05,671 --> 00:15:07,771 OH, THANK YOU, GLORIA. 292 00:15:11,944 --> 00:15:14,690 I KNOW YOU JUST WANT ME TO BE VERY HAPPY. 293 00:15:14,714 --> 00:15:17,315 I DO. 294 00:15:17,383 --> 00:15:20,451 A-A-AND TONIGHT, M-MICHAEL AND I, 295 00:15:20,520 --> 00:15:22,820 WE'LL BE NERVOUS. 296 00:15:22,889 --> 00:15:24,455 YEAH. 297 00:15:27,327 --> 00:15:30,005 'CAUSE WE'RE BOTH REALLY STRANGERS TO ONE ANOTHER. 298 00:15:30,029 --> 00:15:31,495 THAT'S RIGHT. 299 00:15:32,532 --> 00:15:34,899 AND THE IMPORTANT THING TO REMEMBER 300 00:15:34,968 --> 00:15:37,768 IS THAT WE LOVE AND RESPECT EACH OTHER. 301 00:15:37,837 --> 00:15:39,804 AND ABOVE ALL, 302 00:15:39,873 --> 00:15:44,308 THAT WE TREAT EACH OTHER WITH PATIENCE AND TENDERNESS TONIGHT. 303 00:15:45,211 --> 00:15:46,544 YEAH! 304 00:15:56,723 --> 00:15:58,189 THANKS, MA. 305 00:15:58,257 --> 00:16:01,777 I'M GLAD WE HAD THIS LITTLE TALK, 306 00:16:02,295 --> 00:16:03,694 OH, MA. 307 00:16:05,765 --> 00:16:08,144 I DIDN'T SAY WE COULDN'T HAVE A FAMILY. 308 00:16:08,168 --> 00:16:10,101 WE CAN ALWAYS ADOPT. 309 00:16:10,170 --> 00:16:13,704 HEY, THAT WAY WE'D BE GIVING OUR LOVE TO A KID THAT'S ALREADY BEEN BORN. 310 00:16:13,773 --> 00:16:15,706 WELL, MAYBE LATER. 311 00:16:15,775 --> 00:16:18,843 BUT FIRST IT'S IMPORTANT TO ME, AS A WOMAN, 312 00:16:18,911 --> 00:16:20,689 TO... TO TRY TO HAVE ONE OF MY OWN. 313 00:16:20,713 --> 00:16:22,680 WHY? WHY? 314 00:16:22,748 --> 00:16:24,927 WHY IS THAT THE MOST IMPORTANT THING IN LIFE, T-T-TO GIVE BIRTH? 315 00:16:24,951 --> 00:16:26,929 WELL, WHAT ARE YOU, A BABY MACHINE? 316 00:16:26,953 --> 00:16:28,652 SOME BABY MACHINE, 317 00:16:28,721 --> 00:16:30,988 I CAN'T EVEN TURN OUT ONE COPY. 318 00:16:32,725 --> 00:16:34,325 HONEY. 319 00:16:34,394 --> 00:16:37,261 MICHAEL, DON'T YOU TOUCH ME UNLESS YOU MEAN BUSINESS. 320 00:16:42,468 --> 00:16:45,169 IT'S ONE OF TELEVISION'S LONGEST RUNNING BATTLES. 321 00:16:45,238 --> 00:16:48,372 ARCHIE AND DOORS ARE BORN ENEMIES. 322 00:16:50,109 --> 00:16:53,429 OUT THE BACK DOOR. OUT THE BACK DOOR. 323 00:17:09,195 --> 00:17:10,495 I GOTTA CALL FERGUSON'S. 324 00:17:11,631 --> 00:17:14,432 WILL YOU LET ME GET IN THAT DOOR! 325 00:17:26,512 --> 00:17:29,246 WILL YOU LET ME GET OUT THE DOOR! 326 00:17:33,052 --> 00:17:34,285 WAIT A MINUTE. 327 00:17:34,353 --> 00:17:37,488 LET ME GO THROUGH THE DOOR FIRST, PLEASE. 328 00:17:43,629 --> 00:17:45,963 ARCHIE BUNKER'S NOT EXACTLY ONE OF YOUR 329 00:17:46,032 --> 00:17:47,999 DEDICATED CHURCHGOERS. 330 00:17:48,067 --> 00:17:51,335 HOLD IT, HOLD IT, I GOT SOMETHING TO SAY ABOUT THIS HERE. 331 00:17:51,404 --> 00:17:53,604 I AIN'T GOING THROUGH WITH NONE OF THESE CEREMONIES 332 00:17:53,673 --> 00:17:55,005 OR ALL THAT MUMBO-JUMBO. 333 00:17:55,074 --> 00:17:57,941 SOME CATHOLIC PRIEST SPRINKLING INCEST OVER EVERYBODY. 334 00:18:02,548 --> 00:18:04,181 YET NO ONE IS MORE VOCAL 335 00:18:04,249 --> 00:18:07,284 IN EXPRESSING HIS LOVE FOR GOD AND COUNTRY. 336 00:18:07,353 --> 00:18:10,031 BUT I THINK ARCHIE'S INTERPRETATION OF THE CONSTITUTION 337 00:18:10,055 --> 00:18:12,189 WOULD BAFFLE ITS AUTHORS. 338 00:18:12,257 --> 00:18:14,925 AND WHERE HE GETS HIS VERSION OF THE BIBLE, 339 00:18:14,994 --> 00:18:16,727 GOD ONLY KNOWS. 340 00:18:16,796 --> 00:18:19,329 READ THE STORY OF ADAM AND EVE THERE. 341 00:18:19,398 --> 00:18:22,177 YOU KNOW, ADAM AND EVE, THEY HAD IT PRETTY SOFT OUT IN PARADISE. 342 00:18:22,201 --> 00:18:26,370 THEY HAD NO PROBLEMS. THEY DIDN'T EVEN KNOW THEY WAS NAKED. 343 00:18:26,439 --> 00:18:29,273 BUT EVE, SHE WASN'T SATISFIED WITH THAT, SEE. 344 00:18:29,341 --> 00:18:31,186 AND THEN ONE DAY, AGAINST DIRECT ORDERS, 345 00:18:31,210 --> 00:18:33,477 SHE MADE POOR ADAM EAT THAT APPLE. 346 00:18:33,546 --> 00:18:35,958 GOD GOT SORE, HE TOLD THEM, "GET YOUR CLOTHES ON 347 00:18:35,982 --> 00:18:37,782 AND GET THE HELL OUT OF HERE." 348 00:18:39,953 --> 00:18:42,164 WE AIN'T GOT A BLACK PRESIDENT, JEFFERSON, 349 00:18:42,188 --> 00:18:44,548 'CAUSE GOD AIN'T READY FOR THAT YET. 350 00:18:45,991 --> 00:18:48,025 W-WAIT A SECOND. 351 00:18:48,093 --> 00:18:51,261 THAT'S RIGHT, GOD'S GOTTA TRY IT OUT FIRST BY MAKING A BLACK POPE, 352 00:18:51,330 --> 00:18:53,363 WHICH HE AIN'T DONE YET. 353 00:18:53,966 --> 00:18:56,133 I DON'T UNDERSTAND. 354 00:18:56,202 --> 00:18:57,868 IT'S VERY SIMPLE, MRS. BUNKER. 355 00:18:57,937 --> 00:18:59,369 I'M AN AGNOSTIC. 356 00:18:59,438 --> 00:19:00,971 OH! 357 00:19:02,709 --> 00:19:05,375 YOU MEAN YOU WANT A RABBI? 358 00:19:09,348 --> 00:19:11,515 IT'S WORSE THAN THAT, EDITH! 359 00:19:11,583 --> 00:19:13,750 I THINK IT MEANS HE CAN'T HAVE KIDS! 360 00:19:17,690 --> 00:19:20,135 I DON'T WANNA HEAR NOTHING MORE ABOUT WOMEN'S PROBLEMS. 361 00:19:20,159 --> 00:19:22,737 YOU DON'T HEAR MEN COMPLAINING ABOUT THEIR PROBLEMS, DO YOU? 362 00:19:22,761 --> 00:19:25,740 THAT'S 'CAUSE MEN DON'T HAVE ANY PROBLEMS COMPARED TO WOMEN. 363 00:19:25,764 --> 00:19:28,466 AND THAT'S GOD'S WILL, SO FORGET IT. 364 00:19:29,568 --> 00:19:31,001 YOU MEAN GOD'S MISTAKE. 365 00:19:31,070 --> 00:19:32,736 HEY, HEY. 366 00:19:32,805 --> 00:19:34,738 HEY, GOD DON'T MAKE NO MISTAKES. 367 00:19:34,807 --> 00:19:36,640 THAT'S HOW HE GOT TO BE GOD. 368 00:19:39,979 --> 00:19:42,658 HERE I AM, LORD, DOWN THE CELLAR. 369 00:19:42,682 --> 00:19:46,149 I KNOW YOU'RE IN THE CELLAR. WHERE'S THE CELLAR DOOR? 370 00:19:46,218 --> 00:19:49,286 THERE'S SOMETHING WRONG WITH THE NEW LOCK ON IT, LORD. 371 00:19:52,257 --> 00:19:56,159 HANG ON THERE, MR. BUNKER. I'M COMING FOR YOU. 372 00:19:56,228 --> 00:19:59,196 OKAY, I FOUND THE DOOR, HOLD ON, MR. BUNKER. 373 00:19:59,264 --> 00:20:02,184 ALL RIGHT, I'M WAITING FOR YOU. 374 00:20:03,102 --> 00:20:04,768 MR. BUNKER? 375 00:20:04,837 --> 00:20:05,837 HERE I AM. 376 00:20:09,442 --> 00:20:10,682 MR. BUNKER. 377 00:20:13,179 --> 00:20:14,745 YES, YES, YES! 378 00:20:35,501 --> 00:20:36,967 FORGIVE ME, LORD. 379 00:20:40,806 --> 00:20:43,106 THE JEFFERSONS WAS RIGHT! 380 00:20:52,585 --> 00:20:55,586 MANY ARTICLES, LETTERS, EVEN SERMONS 381 00:20:55,655 --> 00:20:57,175 HAVE BEEN WRITTEN ABOUT THE CHARACTER 382 00:20:57,223 --> 00:20:58,789 OF EDITH BUNKER. 383 00:20:58,858 --> 00:21:02,426 EDWARD McNULTY SAID OF HER IN THE CHRISTIAN CENTURY: 384 00:21:02,495 --> 00:21:06,196 "EDITH MIGHT THINK THAT PLATO WAS A WALT DISNEY DOG, 385 00:21:06,265 --> 00:21:09,366 "THAT ARISTOTLE IS A GREEK SHIPPING MAGNATE, 386 00:21:09,435 --> 00:21:11,836 "AND THAT MARX IS A GREAT COMEDIAN. 387 00:21:11,904 --> 00:21:15,506 "BUT SHE POSSESSES SOMETHING BETTER THAN FACTUAL KNOWLEDGE. 388 00:21:15,574 --> 00:21:19,276 A KNOWLEDGE OF THE HEART. AN INSIGHT INTO THE SOUL." 389 00:21:19,345 --> 00:21:21,579 OH, I'LL NEVER FORGET THE FIRST TIME 390 00:21:21,647 --> 00:21:24,448 I MADE POT ROAST FOR YOUR FATHER. 391 00:21:24,517 --> 00:21:27,017 ONLY HE WASN'T YOUR FATHER THEN. 392 00:21:27,086 --> 00:21:29,520 WE WAS JUST KEEPING COMPANY. 393 00:21:29,589 --> 00:21:32,289 I INVITED HIM TO MY HOUSE FOR DINNER 394 00:21:32,358 --> 00:21:34,391 AND I MADE HIM POT ROAST. 395 00:21:34,460 --> 00:21:36,560 AND THAT WAS THE FIRST TIME 396 00:21:36,629 --> 00:21:38,862 HE EVER CALLED ME DINGBAT. 397 00:21:42,401 --> 00:21:45,169 WELL, THAT'S AWFUL, EVEN IF HE DIDN'T LIKE YOUR COOKING. 398 00:21:45,237 --> 00:21:47,504 OH, NO, HE LOVED IT. 399 00:21:47,573 --> 00:21:48,817 THEN, WHY'D HE CALL YOU DINGBAT? 400 00:21:48,841 --> 00:21:51,642 WELL, IN THEM DAYS, ARCHIE WAS TOO SHY 401 00:21:51,711 --> 00:21:54,444 TO CALL ME SWEETHEART, OR DARLING. 402 00:21:54,513 --> 00:21:57,447 SO, INSTEAD, HE CALLED ME HIS LITTLE DINGBAT. 403 00:21:58,651 --> 00:21:59,917 AND YOU KNOW WHAT? 404 00:21:59,986 --> 00:22:04,488 EVER SINCE THEN, NO MATTER HOW MAD HE SAYS "DINGBAT," 405 00:22:04,557 --> 00:22:07,558 I ALWAYS HEAR A LITTLE "SWEETHEART" IN IT. 406 00:22:11,664 --> 00:22:12,963 FOR THE LIFE OF ME, 407 00:22:13,032 --> 00:22:15,532 I'LL NEVER UNDERSTAND WOMEN. 408 00:22:15,601 --> 00:22:16,967 THE WAY THEY MARRY SOME GUY 409 00:22:17,036 --> 00:22:19,704 WHO ALWAYS GONNA MAKE A DAMN FOOL OF HIMSELF. 410 00:22:19,772 --> 00:22:22,206 BUT STILL, THEY LOVE HIM. 411 00:22:23,876 --> 00:22:26,043 THAT'S RIGHT, ARCHIE. 412 00:22:33,752 --> 00:22:34,785 MIKE! 413 00:22:34,853 --> 00:22:35,919 I'M ALL RIGHT, MA. 414 00:22:35,988 --> 00:22:39,690 OUT THERE I TOLD YOU WHY YOU YELL AT ARCHIE. 415 00:22:39,758 --> 00:22:42,926 DON'T YOU WANNA HEAR WHY ARCHIE YELLS AT YOU? 416 00:22:42,995 --> 00:22:45,729 MA, I KNOW WHY HE YELLS AT ME. HE HATES ME. 417 00:22:45,798 --> 00:22:48,264 OH, NO, MIKE. 418 00:22:48,333 --> 00:22:51,502 ARCHIE YELLS AT YOU 'CAUSE HE'S JEALOUS OF YOU. 419 00:22:51,571 --> 00:22:52,848 OH, MA, I DON'T WANNA LISTEN TO THIS! 420 00:22:52,872 --> 00:22:54,972 OH, NOW, WAIT A MINUTE, YOU WILL LISTEN TO ME. 421 00:22:55,040 --> 00:22:56,907 ARCHIE IS JEALOUS OF YOU. 422 00:22:56,976 --> 00:22:58,086 OH, COME ON, MA. 423 00:22:58,110 --> 00:23:01,111 NOW THAT AIN'T HARD TO UNDERSTAND, MIKE. 424 00:23:01,180 --> 00:23:02,913 YOU'RE GOING TO COLLEGE 425 00:23:02,982 --> 00:23:05,316 AND YOU GOT YOUR WHOLE LIFE AHEAD OF YOU. 426 00:23:05,384 --> 00:23:09,220 ARCHIE HAD TO QUIT SCHOOL TO SUPPORT HIS FAMILY. 427 00:23:09,288 --> 00:23:11,455 HE AIN'T NEVER GONNA BE NOTHING MORE 428 00:23:11,523 --> 00:23:13,357 THAN HE IS RIGHT NOW. 429 00:23:13,425 --> 00:23:16,861 BUT YOU, YOU GOT A CHANCE TO BE ANYTHING 430 00:23:16,929 --> 00:23:18,462 YOU WANNA BE. 431 00:23:18,530 --> 00:23:21,031 THAT'S WHY ARCHIE'S JEALOUS OF YOU. 432 00:23:21,100 --> 00:23:25,469 HE SEES IN YOU ALL THE THINGS THAT HE COULD NEVER BE. 433 00:23:28,007 --> 00:23:31,575 SO, THE NEXT TIME ARCHIE YELLS AT YOU 434 00:23:31,644 --> 00:23:34,878 TRY TO BE A LITTLE MORE UNDERSTANDING. 435 00:23:34,947 --> 00:23:36,914 NOW, YOU THINK THAT OVER, 436 00:23:36,983 --> 00:23:39,816 AND WHEN YOU'RE READY, COME BACK IN HERE WITH US 437 00:23:39,886 --> 00:23:41,818 AND BE WITH OUR FRIENDS. 438 00:23:41,888 --> 00:23:42,931 I WANNA TELL YOU SOMETHING. 439 00:23:42,955 --> 00:23:44,454 OH, WHAT? 440 00:23:45,957 --> 00:23:47,157 I UNDERSTAND. 441 00:23:56,002 --> 00:23:57,045 STOP IT! 442 00:23:57,069 --> 00:23:58,302 I'M SAYING, TAKE MY PANTS! 443 00:23:58,370 --> 00:24:00,210 I DON'T WANT 'EM! TAKE MY PANTS! 444 00:24:00,539 --> 00:24:01,672 STOP IT! 445 00:24:02,508 --> 00:24:04,408 YOU TWO SIT OVER THERE. 446 00:24:04,476 --> 00:24:05,520 GO ON! 447 00:24:05,544 --> 00:24:06,755 SIT DOWN. LISTEN TO YOUR MOTHER. 448 00:24:06,779 --> 00:24:08,078 AND YOU LISTEN, TOO. 449 00:24:08,147 --> 00:24:09,646 WELL, ALL RIGHT. 450 00:24:09,715 --> 00:24:11,595 WELL, HURRY UP, WILL YOU? I'M TIRED. 451 00:24:13,585 --> 00:24:14,618 NOW. 452 00:24:15,488 --> 00:24:17,922 WHEN I WAS A LITTLE GIRL 453 00:24:17,990 --> 00:24:22,192 MY MOTHER AND FATHER GOT INTO A TERRIBLE FIGHT 454 00:24:22,261 --> 00:24:25,095 THAT STARTED JUST BECAUSE THERE WASN'T ENOUGH 455 00:24:25,164 --> 00:24:28,098 MAPLE SYRUP FOR MY FATHER'S PANCAKES. 456 00:24:28,167 --> 00:24:29,766 MA, WHAT WE'RE ARGUING ABOUT HERE 457 00:24:29,835 --> 00:24:31,780 IS A LITTLE BIT MORE IMPORTANT THAN MAPLE SYRUP. 458 00:24:31,804 --> 00:24:35,138 JUST A MINUTE, I AIN'T FINISHED. 459 00:24:35,208 --> 00:24:39,910 THEY DIDN'T TALK TO EACH OTHER FOR 3 WHOLE WEEKS. 460 00:24:39,978 --> 00:24:42,313 AND EVEN AFTER THEY MADE UP 461 00:24:42,381 --> 00:24:46,049 THINGS WAS NEVER THE SAME BETWEEN THEM. 462 00:24:46,118 --> 00:24:49,587 SO BEFORE YOU TWO START SAYING THINGS TO EACH OTHER 463 00:24:49,655 --> 00:24:51,955 THAT YOU'LL NEVER TAKE BACK, 464 00:24:52,024 --> 00:24:54,057 STOP, AND THINK 465 00:24:54,126 --> 00:24:58,562 HOW MUCH YOU REALLY MEAN TO EACH OTHER. 466 00:24:58,631 --> 00:25:02,465 NOW, I KNOW MAPLE SYRUP IS JUST A LITTLE THING 467 00:25:02,535 --> 00:25:04,467 BUT WOULD YOU RATHER BREAK UP 468 00:25:04,537 --> 00:25:06,369 OVER SOMETHING BIGGER? 469 00:25:10,242 --> 00:25:11,802 GLORIA. MICHAEL. 470 00:25:13,278 --> 00:25:14,958 I'M SORRY. I'M SORRY. 471 00:25:17,382 --> 00:25:18,849 YOU WANNA GO UPSTAIRS? 472 00:25:18,918 --> 00:25:20,158 YEAH. 473 00:25:25,424 --> 00:25:26,424 MA, 474 00:25:29,728 --> 00:25:32,495 I'M SORRY I CALLED YOU A NOTHING. 475 00:25:32,564 --> 00:25:34,764 YOU'RE REALLY SOMETHING. 476 00:25:34,834 --> 00:25:36,066 OH, 477 00:25:36,134 --> 00:25:38,969 THANKS, GLORIA. 478 00:25:40,072 --> 00:25:42,606 HAPPY BIRTHDAY! 479 00:25:42,675 --> 00:25:43,715 OH. 480 00:25:45,444 --> 00:25:46,843 THANK YOU, MA. 481 00:25:46,912 --> 00:25:48,152 GOOD NIGHT. 482 00:25:52,017 --> 00:25:54,151 ARCHIE, DID YOU HEAR THAT? 483 00:25:54,219 --> 00:25:56,720 YEAH, YEAH, YEAH. 484 00:25:58,457 --> 00:26:00,958 DO YOU THINK I'M SOMETHIN'? 485 00:26:06,299 --> 00:26:09,166 YOU, EDITH, ARE SOMETHING ELSE. 486 00:26:13,772 --> 00:26:15,972 WATCHING EDITH, YOU MIGHT GET THE IMPRESSION THAT 487 00:26:16,041 --> 00:26:18,708 SHE'S ALWAYS CHEERFUL AND EASYGOING, 488 00:26:18,777 --> 00:26:22,012 THE KIND OF LADY WHO WOULD NEVER FIGHT ABOUT ANYTHING. 489 00:26:22,080 --> 00:26:23,480 NOT TRUE. 490 00:26:23,549 --> 00:26:25,115 IF THE ISSUE IS IMPORTANT ENOUGH, 491 00:26:25,184 --> 00:26:27,451 EDITH WILL STAND UP TO ANYBODY, 492 00:26:27,520 --> 00:26:28,885 INCLUDING ARCHIE. 493 00:26:28,954 --> 00:26:32,089 I'M JUST TRYING TO SHOW YOU SOMETHING STIFLE! 494 00:26:35,494 --> 00:26:38,728 OH, NO, ARCHIE. YOU CAN TAKE YOUR LOSS, 495 00:26:38,798 --> 00:26:40,697 BUT I AIN'T GONNA TAKE MINE. 496 00:26:40,766 --> 00:26:44,301 YOU CAN GO TO A BASKETBALL GAME ANY DAY, 497 00:26:44,369 --> 00:26:48,839 BUT YOUR 25TH ANNIVERSARY COMES ONCE IN A LIFETIME. 498 00:26:48,908 --> 00:26:51,574 WE'RE GOING TO ATLANTIC CITY. 499 00:26:57,649 --> 00:27:00,017 WE'RE ON OUR HONEYMOON. 500 00:27:00,085 --> 00:27:01,851 OH, NOW LISTEN. NOW LISTEN. HEY, HEY! 501 00:27:01,920 --> 00:27:04,854 TAKE IT EASY WITH THAT STUFF, HUH? 502 00:27:04,923 --> 00:27:06,256 COME ON, WILL YOU? 503 00:27:06,325 --> 00:27:08,392 A HONEYMOON IS FOR KIDS, EDITH. 504 00:27:08,460 --> 00:27:10,827 IT'S NOT FOR OLDER PEOPLE LIKE YOU. 505 00:27:15,834 --> 00:27:17,267 ARCHIE, 506 00:27:17,335 --> 00:27:19,269 FOR YOUR INFORMATION, 507 00:27:19,337 --> 00:27:22,205 I'M AT THE PRIME OF MY LIFE 508 00:27:22,274 --> 00:27:25,942 AND AT THE HEIGHT OF MY SEXUAL ATTRACTIVENESS. 509 00:27:33,285 --> 00:27:35,686 YEAH, I'LL TELL HIM. 510 00:27:35,754 --> 00:27:38,789 $10 ON GLOWWORM IN THE 5TH. 511 00:27:38,858 --> 00:27:39,957 YEAH. 512 00:27:40,025 --> 00:27:41,458 GOODBYE. 513 00:27:41,527 --> 00:27:44,227 EDITH, LET ME TELL YOU SOMETHING ABOUT BEER. 514 00:27:44,296 --> 00:27:46,930 YOU CAN NEVER BUY BEER. YOU CAN ONLY RENT IT. 515 00:27:52,137 --> 00:27:53,570 AH, LOOK AT YOU, EDITH. 516 00:27:53,638 --> 00:27:56,406 YOU AIN'T GOT NO SENSE OF HUMOR ABOUT CERTAIN THINGS. 517 00:27:56,475 --> 00:27:58,595 DID I HEAR THE PHONE GO OFF? YEAH. 518 00:27:59,244 --> 00:28:00,577 WELL, WHO WAS IT FOR? 519 00:28:00,645 --> 00:28:02,446 IT WAS FOR YOU! 520 00:28:02,514 --> 00:28:05,582 FOR ME. WELL, WHO WAS IT, HUH? 521 00:28:05,651 --> 00:28:08,852 IT WAS GLOWWORM IN THE 5TH! 522 00:28:16,862 --> 00:28:18,739 MIKE STIVIC'S LIFE WITH THE BUNKERS 523 00:28:18,763 --> 00:28:20,763 ISN'T ALL PEACHES AND GLORIA. 524 00:28:20,833 --> 00:28:22,799 NOT WITH ARCHIE AROUND. 525 00:28:22,868 --> 00:28:24,467 ARCHIE'S A CREATURE OF HABIT, 526 00:28:24,536 --> 00:28:27,805 AND HIS SON-IN-LAW IS ONE HABIT HE'D LIKE TO BREAK. 527 00:28:27,873 --> 00:28:29,139 I WAS WORRIED ABOUT HER. 528 00:28:29,208 --> 00:28:30,618 LAST NIGHT SHE WOULDN'T TALK TO ME. 529 00:28:30,642 --> 00:28:32,520 IT WAS LIKE THERE WAS A PANE OF GLASS BETWEEN US. 530 00:28:32,544 --> 00:28:34,589 DO YOU KNOW THAT IF WE DON'T CATCH THAT FISHING BOAT, 531 00:28:34,613 --> 00:28:36,424 THERE AIN'T GOING TO BE NO DEEP-SEA FISHING. 532 00:28:36,448 --> 00:28:39,194 WE'LL HAVE TO STAY ON THE DOCK WITH THE OLD PEOPLE THERE. HOLD IT! HOLD IT! 533 00:28:39,218 --> 00:28:40,762 HOLD IT! WHAT ARE YOU DOING HERE? 534 00:28:40,786 --> 00:28:42,186 WHAT? 535 00:28:42,254 --> 00:28:44,535 WHAT ABOUT THE OTHER FOOT? 536 00:28:45,390 --> 00:28:47,524 THERE AIN'T NO SOCK ON IT. 537 00:28:47,593 --> 00:28:48,892 I'LL GET TO IT. 538 00:28:50,563 --> 00:28:52,173 DON'T YOU KNOW THAT THE WHOLE WORLD 539 00:28:52,197 --> 00:28:53,597 PUTS ON A SOCK AND A SOCK 540 00:28:53,666 --> 00:28:55,265 AND A SHOE AND A SHOE? 541 00:29:02,441 --> 00:29:04,908 I LIKE TO TAKE CARE OF ONE FOOT AT A TIME. 542 00:29:07,145 --> 00:29:10,280 THAT'S THE DUMBEST THING I EVER HEARD IN MY LIFE! 543 00:29:11,317 --> 00:29:13,250 IT'S JUST AS QUICK MY WAY. 544 00:29:13,319 --> 00:29:14,929 WAIT A MINUTE. THAT AIN'T THE POINT. 545 00:29:14,953 --> 00:29:16,998 YOU SEE WHAT I... DON'T... DON'T KEEP DOING IT! 546 00:29:17,022 --> 00:29:18,255 LISTEN TO ME! 547 00:29:20,626 --> 00:29:22,069 SUPPOSE THERE'S A FIRE IN THE HOUSE 548 00:29:22,093 --> 00:29:24,427 AND YOU GOT TO RUN FOR YOUR LIFE. 549 00:29:24,496 --> 00:29:28,431 YOUR WAY, ALL YOU GOT ON IS ONE SHOE AND A SOCK. 550 00:29:28,500 --> 00:29:31,100 MY WAY, YOU GOT ON A SOCK AND A SOCK. 551 00:29:31,169 --> 00:29:32,702 YOU SEE, YOU'RE EVEN. 552 00:29:38,209 --> 00:29:41,110 SUPPOSE IT'S RAINING OR SNOWING OUTSIDE. 553 00:29:41,179 --> 00:29:42,679 YOUR WAY, WITH A SOCK ON EACH FOOT, 554 00:29:42,748 --> 00:29:44,280 MY FEET WOULD GET WET. 555 00:29:44,349 --> 00:29:46,616 MY WAY, WITH A SOCK AND A SHOE ON ONE FOOT, 556 00:29:46,685 --> 00:29:48,718 I CAN HOP AROUND AND STAY DRY. 557 00:29:55,894 --> 00:29:57,060 YOU KNOW SOMETHING? 558 00:29:57,129 --> 00:30:00,097 I SWEAR I THINK YOU DO THESE THINGS SOMETIMES 559 00:30:00,165 --> 00:30:02,265 JUST TO EAT MY HEART OUT. 560 00:30:02,334 --> 00:30:03,933 AND THAT'S WHAT YOU DO, YOU KNOW? 561 00:30:04,002 --> 00:30:06,603 LITTLE BY LITTLE, PIECE BY PIECE, 562 00:30:06,672 --> 00:30:09,272 YOU EAT MY HEART OUT! 563 00:30:09,341 --> 00:30:10,581 I DON'T CARE. 564 00:30:12,745 --> 00:30:14,255 LET ME TELL YOU SOMETHING, MR. BUNKER. 565 00:30:14,279 --> 00:30:16,379 NO. LET ME TELL YOU SOMETHING, MR. STIVIC. 566 00:30:16,448 --> 00:30:18,768 YOU ARE A MEATHEAD. 567 00:30:19,718 --> 00:30:20,817 WHAT DID YOU CALL ME? 568 00:30:20,885 --> 00:30:22,018 A MEATHEAD. 569 00:30:22,087 --> 00:30:23,787 DEAD FROM THE NECK UP. 570 00:30:23,855 --> 00:30:24,988 MEAT. HEAD. 571 00:30:25,690 --> 00:30:26,990 OH, YEAH? 572 00:30:27,059 --> 00:30:29,092 NOW I SEE WHAT YOUR IDEA OF A FREE COUNTRY IS. 573 00:30:29,161 --> 00:30:30,872 YOU'RE FREE TO SAY ANYTHING YOU WANT, 574 00:30:30,896 --> 00:30:32,795 BUT... BUT IF ANYONE DISAGREES WITH YOU, 575 00:30:32,865 --> 00:30:34,642 THEY'RE EITHER THROWN INTO JAIL OR CALLED A MEATHEAD. RIGHT? 576 00:30:34,666 --> 00:30:37,946 THAT'S RIGHT, 'CAUSE THIS IS AMERICA: "THE LAND THAT I LOVE." 577 00:30:37,970 --> 00:30:39,436 WELL, I LOVE IT TOO, MR. BUNKER. 578 00:30:39,504 --> 00:30:40,848 AND IT'S BECAUSE I DO THAT I PROTEST 579 00:30:40,872 --> 00:30:41,983 WHEN I THINK THINGS ARE WRONG. 580 00:30:42,007 --> 00:30:43,606 THEN, "STAND BESIDE HER, 581 00:30:43,676 --> 00:30:45,408 "AND GUIDE HER, 582 00:30:45,477 --> 00:30:48,089 THE RIGHT TO DISSENT IS THE PRINCIPLE UPON WHICH THIS COUNTRY WAS BASED. 583 00:30:48,113 --> 00:30:49,924 "THROUGH THE NIGHT WITH A LIGHT FROM ABOVE 584 00:30:49,948 --> 00:30:51,982 LISTEN TO ME. IT'S IN THE BILL OF RIGHTS. 585 00:30:52,051 --> 00:30:53,550 "FROM THE MOUNTAINS, 586 00:30:53,618 --> 00:30:54,829 WHY DO YOU THINK WE BROKE AWAY FROM ENGLAND TO BEGIN WITH? 587 00:30:54,853 --> 00:30:56,152 "TO THE PRAIRIES, 588 00:30:56,221 --> 00:30:57,499 BECAUSE WE DIDN'T AGREE WITH THEM! "TO THE OCEANS" 589 00:30:57,523 --> 00:30:59,133 WE DEMANDED FREEDOM! "WHITE WITH FOAM, 590 00:30:59,157 --> 00:31:01,836 IT'S GUYS LIKE YOU, WHO DON'T LISTEN TO REASON! "GOD BLESS 591 00:31:01,860 --> 00:31:03,538 I MEAN, YOU'RE NOT LISTENING TO ANYTHING. 592 00:31:03,562 --> 00:31:05,540 YOU'RE TOTALLY CLOSED-MINDED. AMERICA," YOU DUMB POLLACK. 593 00:31:05,564 --> 00:31:07,197 YOU'RE PREJUDICED! YOU'RE PREJUDICED! 594 00:31:07,266 --> 00:31:09,010 YOU'RE PREJUDICED! "MY HOME SWEET HOME." 595 00:31:09,034 --> 00:31:11,179 ARCHIE! HE'S OUR GUEST! NOT ANY MORE. I'M LEAVING! 596 00:31:11,203 --> 00:31:14,837 ? GOD BLESS AMERICA ? YOU'RE PREJUDICED! 597 00:31:14,907 --> 00:31:16,467 ARCHIE! GET AWAY FROM ME. 598 00:31:16,508 --> 00:31:18,741 ? MY HOME ? 599 00:31:18,810 --> 00:31:20,643 ? SWEET ? 600 00:31:20,712 --> 00:31:25,181 ? HOME ? 601 00:31:27,418 --> 00:31:30,553 ? 602 00:31:33,692 --> 00:31:35,336 EVER THOUGHT ABOUT ALL OF THE WORDS 603 00:31:35,360 --> 00:31:38,094 ALL IN THE FAMILY'S BROUGHT INTO GENERAL USAGE? 604 00:31:38,163 --> 00:31:39,195 MEATHEAD, 605 00:31:39,264 --> 00:31:40,396 STIFLE, 606 00:31:40,465 --> 00:31:41,931 DINGBAT. 607 00:31:42,000 --> 00:31:44,734 AND IF SOMEONE SAYS, "HE'S AN ARCHIE BUNKER TYPE." 608 00:31:44,803 --> 00:31:47,236 WE KNOW EXACTLY WHAT HE MEANS. 609 00:31:47,305 --> 00:31:48,972 I KNOW PEOPLE. 610 00:31:49,041 --> 00:31:51,052 THE REASON YOU DON'T KNOW NOTHING ABOUT PEOPLE 611 00:31:51,076 --> 00:31:52,854 IS YOU ALWAYS GOT YOUR BIG MOUTH OPEN. 612 00:31:52,878 --> 00:31:54,958 YOU'RE NEVER WILLING TO LISTEN TO NOBODY. 613 00:31:55,013 --> 00:31:56,190 HOW DO YOU DO, SIR? 614 00:31:56,214 --> 00:31:58,614 MAY I HAVE A MOMENT OF YOUR TIME? NO. 615 00:32:01,386 --> 00:32:03,319 TELL YOU WHAT I'M GONNA DO. I'M GONNA TIME YOU. 616 00:32:03,388 --> 00:32:04,832 I'M GONNA GIVE YOU EXACTLY 5 MINUTES 617 00:32:04,856 --> 00:32:06,089 TO GET SUPPER ON THE TABLE. 618 00:32:06,157 --> 00:32:07,757 HOLD IT! HOLD IT! HOLD IT! 619 00:32:07,793 --> 00:32:09,125 GET READY. GET SET. 620 00:32:09,194 --> 00:32:10,194 GO! 621 00:32:11,896 --> 00:32:15,532 OH, DADDY. WHY DO YOU MAKE MA RUN LIKE THAT? 622 00:32:15,600 --> 00:32:18,000 WHAT ARE YOU TALKING ABOUT? SHE LOVES IT. 623 00:32:27,479 --> 00:32:28,678 SEE THAT? 624 00:32:28,747 --> 00:32:29,957 WHAT'D I TELL YOU? SHE LOVES IT. 625 00:32:29,981 --> 00:32:32,148 SHE'S PRETTY FAST, TOO. 626 00:32:32,217 --> 00:32:34,028 IF YOU'RE GONNA HAVE A CHANGE OF LIFE, 627 00:32:34,052 --> 00:32:36,819 YOU GOTTA DO IT RIGHT NOW. 628 00:32:36,888 --> 00:32:38,733 I'M GONNA GIVE YOU JUST 30 SECONDS! 629 00:32:38,757 --> 00:32:40,257 NOW COME ON! CHANGE! 630 00:32:42,327 --> 00:32:43,493 I AIN'T FAKING IT! 631 00:32:43,562 --> 00:32:45,562 THIS IS A REAL PAIN HERE. 632 00:32:45,631 --> 00:32:47,364 CAN'T YOU HEAR THAT? 633 00:32:50,402 --> 00:32:52,803 MAYBE THE PAIN IS 634 00:32:52,871 --> 00:32:53,937 UP... 635 00:32:54,006 --> 00:32:55,483 OH, YOU THINKING OF PSYCHOSOMATIC? 636 00:32:55,507 --> 00:32:57,173 YEAH. IT'S ALL UP HERE. 637 00:32:57,242 --> 00:32:59,053 AH, CUT IT OUT! I AIN'T GOT NOTHING UP HERE. 638 00:32:59,077 --> 00:33:00,543 IT'S ALL DOWN HERE. 639 00:33:06,184 --> 00:33:09,986 ARCHIE HAS AN EXPLANATION AND A SOLUTION FOR EVERYTHING. 640 00:33:10,055 --> 00:33:12,233 UNFORTUNATELY, HIS BRAND OF LOGIC 641 00:33:12,257 --> 00:33:14,758 MAKES A FIGURE 8 LOOK LIKE A STRAIGHT LINE. 642 00:33:16,495 --> 00:33:19,841 DID YOU KNOW THAT 65% OF THE PEOPLE MURDERED IN THE LAST 10 YEARS 643 00:33:19,865 --> 00:33:21,509 WERE KILLED BY HANDGUNS? 644 00:33:21,533 --> 00:33:23,411 WOULD IT MAKE YOU FEEL ANY BETTER, LITTLE GIRL, 645 00:33:23,435 --> 00:33:25,535 IF THEY WAS PUSHED OUT OF WINDOWS? 646 00:33:26,804 --> 00:33:29,506 WOW. THAT'S CONVOLUTED LOGIC. 647 00:33:29,575 --> 00:33:31,608 YES! AND THAT'S THE KIND OF STRAIGHT-THINKING 648 00:33:31,676 --> 00:33:33,610 I'M TRYING TO PUT ACROSS HERE. 649 00:33:34,412 --> 00:33:36,613 I HATE THAT JERK ON T.V. 650 00:33:36,681 --> 00:33:38,314 OH, I GET IT. I GET IT. 651 00:33:38,383 --> 00:33:40,694 WHEN YOU THOUGHT HE WAS TALKING ABOUT V.D. IN A PERMISSIVE SOCIETY, 652 00:33:40,718 --> 00:33:42,185 HE WAS SMART, HUH? 653 00:33:42,254 --> 00:33:44,098 YOU FIND OUT HE'S TALKING ABOUT GUN CONTROL, HE'S A JERK? 654 00:33:44,122 --> 00:33:46,067 THAT'S RIGHT, AND I'M GOING TO PROVE IT TO YOU. 655 00:33:46,091 --> 00:33:48,136 HOW MANY PEOPLE IN THIS U.S. OF A. WOULD LIKE TO HAVE GUNS? 656 00:33:48,160 --> 00:33:49,559 TOO MANY. THOUSANDS. 657 00:33:49,628 --> 00:33:52,662 BUT. HOW MANY PEOPLE WOULD LIKE TO HAVE V.D.? 658 00:33:54,999 --> 00:33:58,279 NOW I WANNA TALK ABOUT ANOTHER THING THAT'S ON EVERYBODY'S MIND TODAY. 659 00:33:58,303 --> 00:34:00,703 AND THAT'S YOUR STICKUPS AND YOUR SKYJACKINGS. 660 00:34:00,772 --> 00:34:03,205 WHICH, UH, IF THAT WAS UP TO ME, 661 00:34:03,274 --> 00:34:05,475 I COULD END THE SKYJACKINGS TOMORROW. 662 00:34:05,543 --> 00:34:06,543 YOU COULD? 663 00:34:06,611 --> 00:34:07,611 ALL YOU GOT TO DO 664 00:34:07,679 --> 00:34:09,579 IS ARM ALL YOUR PASSENGERS. 665 00:34:09,648 --> 00:34:13,516 HE'D KNOW, IF THE PASSENGERS WERE ARMED, 666 00:34:13,585 --> 00:34:15,530 THAT HE AIN'T GOT NO MORE SUPERIORORITY THERE. 667 00:34:15,554 --> 00:34:17,987 HE AIN'T GONNA DARE TO PULL OUT NO ROD. 668 00:34:18,056 --> 00:34:20,289 AND THEN YOUR AIRLINES, 669 00:34:20,358 --> 00:34:22,704 THEN THEY WOULDN'T HAVE TO SEARCH THE PASSENGERS ON THE GROUND NO MORE. 670 00:34:22,728 --> 00:34:25,695 THEY JUST PASS OUT THE PISTOLS AT THE BEGINNING OF THE TRIP 671 00:34:25,764 --> 00:34:28,131 AND THEY PICK THEM UP AGAIN AT THE END. 672 00:34:28,934 --> 00:34:30,066 CASE CLOSED. 673 00:34:31,502 --> 00:34:33,047 THE ONLY MISTAKE THE WHITE HOUSE MADE 674 00:34:33,071 --> 00:34:35,149 WAS JUST HIRING A COUPLE OF SCREW-UPS. 675 00:34:35,173 --> 00:34:36,253 A COUPLE OF SCREW-UPS? 676 00:34:36,308 --> 00:34:37,548 THAT'S RIGHT. 677 00:34:37,575 --> 00:34:39,854 THEY SHOULD HAVE HIRED JAPS INSTEAD OF ALL THEM KRAUTS! 678 00:34:41,246 --> 00:34:42,411 WHAT? 679 00:34:42,481 --> 00:34:44,325 OF COURSE! THE JAPS ARE BETTER THAN THE KRAUTS 680 00:34:44,349 --> 00:34:45,648 AT ELECTRONICS. 681 00:34:53,124 --> 00:34:55,758 AND IF THE JAPS GET CAUGHT, THEY DO THE RIGHT THING: 682 00:34:55,827 --> 00:34:57,360 THEY KILL THEMSELVES. 683 00:35:01,065 --> 00:35:04,634 HIS PAL ROGER IS AS QUEER AS A $4 BILL, AND HE KNOWS IT. 684 00:35:04,703 --> 00:35:08,304 THAT'S NOT ONLY CRUEL, DADDY, THAT'S AN OUTRIGHT LIE. 685 00:35:08,373 --> 00:35:09,484 YOU KNOW SOMETHING, ARCHIE? 686 00:35:09,508 --> 00:35:11,140 JUST BECAUSE A GUY IS SENSITIVE, 687 00:35:11,209 --> 00:35:13,409 A-A-AND HE'S AN INTELLECTUAL, AND HE WEARS GLASSES, 688 00:35:13,478 --> 00:35:14,744 YOU MAKE HIM OUT A QUEER. 689 00:35:14,813 --> 00:35:17,747 I NEVER SAID A GUY WHO WEARS GLASSES IS A QUEER. 690 00:35:17,816 --> 00:35:19,882 A GUY WHO WEARS GLASSES IS A FOUR-EYES. 691 00:35:19,952 --> 00:35:21,818 A GUY WHO'S A FAG IS A QUEER. 692 00:35:24,389 --> 00:35:25,667 WHAT ARE YOU AND HENRY JEFFERSON 693 00:35:25,691 --> 00:35:26,767 GONNA DO WHEN YOU GET CAUGHT? 694 00:35:26,791 --> 00:35:28,001 WHAT DO YOU MEAN, WHEN WE GET CAUGHT? 695 00:35:28,025 --> 00:35:29,437 WE AIN'T DOING NOTHING CROOKED. 696 00:35:29,461 --> 00:35:30,905 OH, NO? 697 00:35:30,929 --> 00:35:32,707 WHILE THE ESTRADAS ARE THINKING IT OVER, 698 00:35:32,731 --> 00:35:34,476 YOU AND HENRY ARE TRYING TO FIND SOMEBODY ELSE 699 00:35:34,500 --> 00:35:35,500 TO BUY THE HOUSE. 700 00:35:35,566 --> 00:35:36,644 YOU DON'T CALL THAT CROOKED? 701 00:35:36,668 --> 00:35:38,813 NO! THAT'S LOOKING OUT FOR NUMBER ONE. 702 00:35:38,837 --> 00:35:40,770 WHERE DOES THAT PLACE HENRY JEFFERSON? 703 00:35:40,839 --> 00:35:42,079 HE'S NUMBER 2. 704 00:35:42,541 --> 00:35:44,174 WHY IS HE NUMBER 2? 705 00:35:44,243 --> 00:35:47,410 BECAUSE, MEATHEAD, THERE CAN ONLY BE ONE NUMBER 1 AND ONE NUMBER 2. 706 00:35:47,479 --> 00:35:50,980 AND LIFE MADE JEFFERSON NUMBER 2 LONG BEFORE I COME ALONG. 707 00:35:51,049 --> 00:35:53,627 SO I SUPPOSE THAT THE PUERTO RICANS ARE NUMBER 3, THEN, HMM? 708 00:35:53,651 --> 00:35:56,019 NO, NO. NOT NECESSARILY THERE, LITTLE GIRL. 709 00:35:56,088 --> 00:35:57,987 YOUR PUERTO RICANS COULD BE 4. 710 00:35:58,056 --> 00:36:00,323 YOUR JAPS AND YOUR CHINKS COULD BE 3. 711 00:36:01,392 --> 00:36:03,626 3A, 3B. 712 00:36:03,695 --> 00:36:06,596 CRAZY! HE MAKES ME CRAZY! 713 00:36:06,665 --> 00:36:09,699 ARE YOU GOING TO USE THOSE CRIB NOTES ON YOUR EXAM? 714 00:36:09,768 --> 00:36:11,008 CERTAINLY I'M GONNA USE THEM. 715 00:36:11,069 --> 00:36:13,014 I'M GONNA HAVE THEM RIGHT HERE IN THIS POCKET, 716 00:36:13,038 --> 00:36:14,270 IN CASE I NEED THEM. 717 00:36:14,338 --> 00:36:16,606 DADDY, THAT'S CHEATING! 718 00:36:16,675 --> 00:36:18,441 WHAT DO YOU MEAN, CHEATING? 719 00:36:18,510 --> 00:36:22,111 THAT AIN'T... CHEATING IS WHEN YOU'RE SUPPOSED TO GIVE SOMETHING 720 00:36:22,180 --> 00:36:23,824 TO SOMEBODY ELSE AND YOU DON'T GIVE IT. 721 00:36:23,848 --> 00:36:25,114 THAT'S CHEATING. 722 00:36:25,183 --> 00:36:26,816 NOW ME, I'M TAKING A TEST. 723 00:36:26,884 --> 00:36:28,562 I'M SUPPOSED TO GIVE THEM THE RIGHT ANSWERS. 724 00:36:28,586 --> 00:36:32,188 THAT'S WHAT I'M GOING TO GIVE THEM. I AIN'T CHEATING. 725 00:36:32,257 --> 00:36:34,557 YOU'RE NOT BEING HONEST WITH YOURSELF! 726 00:36:34,626 --> 00:36:36,226 I CERTAINLY AM, LITTLE GIRL. 727 00:36:36,294 --> 00:36:37,527 I SAT DOWN, 728 00:36:37,595 --> 00:36:39,396 I ASKED MYSELF A QUESTION: 729 00:36:39,464 --> 00:36:41,731 I SAID, "COULD YOU PASS THIS HISTORY EXAM 730 00:36:41,799 --> 00:36:43,966 WITHOUT THEM LITTLE PIECES OF PAPER?" 731 00:36:44,036 --> 00:36:45,968 AND I GAVE MYSELF AN HONEST ANSWER: 732 00:36:46,038 --> 00:36:47,404 "NO, YOU COULDN'T." 733 00:36:53,145 --> 00:36:54,544 PICTURE PUZZLE. 734 00:36:54,612 --> 00:36:56,391 GUESS WHICH WELL-KNOWN COUPLE 735 00:36:56,415 --> 00:36:58,535 HAVE JUST HAD A FIGHT? 736 00:37:34,686 --> 00:37:35,686 GLORIA? 737 00:38:04,549 --> 00:38:05,648 EXCUSE ME. 738 00:38:47,492 --> 00:38:49,191 OH, MICHAEL, COME HERE. MY FEET ARE COLD. 739 00:38:49,261 --> 00:38:52,106 WAIT, WAIT, JUST... GLORIA. JUST A SECOND. JUST A SECOND. 740 00:38:52,130 --> 00:38:54,497 DO IT FOR ME, HUH? JUST FOR ME. 741 00:38:55,300 --> 00:38:56,477 PUT THE WIG ON, HUH? 742 00:38:56,501 --> 00:38:58,734 I-I-IT MAKES YOU LOOK SO DIFFERENT. 743 00:38:59,904 --> 00:39:01,104 DIFFERENT. 744 00:39:01,173 --> 00:39:03,373 IT MAKES ME LOOK SO DIFFERENT. 745 00:39:03,442 --> 00:39:05,408 MICHAEL, I MAY BE SLOW, 746 00:39:05,477 --> 00:39:08,043 BUT IT'S FINALLY GETTING THROUGH TO ME. 747 00:39:08,112 --> 00:39:09,345 I ONLY APPEAL TO YOU 748 00:39:09,414 --> 00:39:11,447 WHEN I HAVE THIS DUMB WIG ON. 749 00:39:11,516 --> 00:39:13,695 GLORIA, THAT'S NOT TRUE! MICHAEL, IT'S NOT ME, 750 00:39:13,719 --> 00:39:15,279 IT'S THIS PILE OF HAIR FROM KRESSLER'S 751 00:39:15,320 --> 00:39:16,519 THAT'S GETTING TO YOU. 752 00:39:16,588 --> 00:39:19,088 I JUST HAPPEN TO BE STANDING UNDERNEATH IT. 753 00:39:20,659 --> 00:39:23,026 THAT'S NOT TRUE. I LOVE YOU WITH OR WITHOUT THE WIG. 754 00:39:23,094 --> 00:39:25,795 IT'S JUST THAT RIGHT NOW I'D LIKE YOU WITH THE WIG. 755 00:39:25,864 --> 00:39:27,229 SURE YOU WOULD. 756 00:39:27,298 --> 00:39:29,866 BECAUSE THAT WAY, YOU CAN MESS AROUND WITH A DIFFERENT GIRL 757 00:39:29,934 --> 00:39:31,433 WITHOUT CHEATING ON YOUR WIFE. 758 00:39:33,237 --> 00:39:35,070 WHAT A SICKIE! 759 00:39:35,139 --> 00:39:37,874 YOU'RE... YOU'RE CALLING ME A SICKIE, GLORIA? 760 00:39:37,942 --> 00:39:39,052 YOU'RE THE SICK ONE. 761 00:39:39,076 --> 00:39:41,396 YOU'RE JEALOUS OF YOUR OWN WIG! 762 00:39:45,283 --> 00:39:46,716 I MEAN, TAKE THE ANIMAL KINGDOM, 763 00:39:46,785 --> 00:39:48,551 THE MALE IS ALWAYS IN CHARGE. 764 00:39:48,620 --> 00:39:51,187 OH, YEAH? DID YOU EVER HEAR OF A KING BEE? 765 00:39:58,396 --> 00:39:59,628 WHAT? 766 00:39:59,697 --> 00:40:01,898 IT'S THE FEMALE WHO RUNS THE HIVE. 767 00:40:01,967 --> 00:40:04,100 GLORIA, LOOK. ALL I'M TRYING TO SAY, 768 00:40:04,169 --> 00:40:05,801 ALL I'M TRYING TO SAY, 769 00:40:05,871 --> 00:40:08,204 IS THAT A MAN'S SEX DRIVES ARE DIFFERENT. 770 00:40:08,273 --> 00:40:10,113 OH, DON'T TELL ME ABOUT YOUR DRIVES, MICHAEL. 771 00:40:10,141 --> 00:40:11,875 MINE ARE JUST AS STRONG AS YOURS. 772 00:40:11,943 --> 00:40:13,809 AND IF IT GIVES ME PLEASURE, ONCE IN A WHILE, 773 00:40:13,879 --> 00:40:15,044 TO BE THE PURSUER, 774 00:40:15,113 --> 00:40:17,113 THE LEAST YOU CAN DO IS DELIVER. 775 00:40:21,720 --> 00:40:24,487 ALL RIGHT, GLORIA. GET OFF THE COUCH AND COME BACK UPSTAIRS. 776 00:40:24,556 --> 00:40:25,866 LET'S GO. LEAVE ME ALONE. 777 00:40:25,890 --> 00:40:27,968 GLORIA, I AM IN NO MOOD FOR GAMES. I'M YOUR HUSBAND. 778 00:40:27,992 --> 00:40:30,492 I'M TELLING YOU, GET OFF THE COUCH AND COME BACK UPSTAIRS. 779 00:40:30,561 --> 00:40:31,794 GET LOST. 780 00:40:31,863 --> 00:40:33,496 ALL RIGHT. ALL RIGHT. 781 00:40:33,564 --> 00:40:35,531 I CAN SEE YOU'RE ACTING LIKE A CHILD. 782 00:40:35,600 --> 00:40:37,277 I'M ACTING LIKE A CHILD, AM I? THAT'S RIGHT, YOU'RE ACTING LIKE A CHILD, 783 00:40:37,301 --> 00:40:38,779 AND I'M GOING TO HAVE TO TREAT YOU LIKE ONE. MICHAEL! 784 00:40:38,803 --> 00:40:40,715 COME ON. YOU'RE COMING BACK UPSTAIRS. LET'S GO! 785 00:40:40,739 --> 00:40:43,439 OH, ARCHIE! LOOK, IT'S ALL RIGHT. THEY MADE UP. 786 00:40:54,585 --> 00:40:57,153 WHEN WE WERE LOOKING THROUGH THE PAST 99 SHOWS, 787 00:40:57,222 --> 00:40:58,821 WE FOUND OURSELVES WONDERING, 788 00:40:58,890 --> 00:41:01,157 WHAT WAS THE SCENE WHICH GOT THE LONGEST LAUGH 789 00:41:01,226 --> 00:41:02,525 IN ALL IN THE FAMILY? 790 00:41:02,594 --> 00:41:07,564 ? 791 00:41:19,677 --> 00:41:22,211 GLORIA! WHERE ARE YOU? 792 00:41:25,951 --> 00:41:27,550 HOLD IT, MA! 793 00:41:27,619 --> 00:41:29,519 I'M WAITING FOR DADDY. 794 00:41:48,205 --> 00:41:49,772 IF I PROMISE 795 00:41:49,841 --> 00:41:52,007 NEVER TO DO IT AGAIN, 796 00:41:52,076 --> 00:41:54,043 WILL YOU LET ME GO? 797 00:41:54,111 --> 00:41:55,244 OKAY, MR. WARD. 798 00:41:55,313 --> 00:41:56,913 BUT IT'S THE LAST TIME. 799 00:41:56,981 --> 00:41:58,080 NOW BEAT IT. 800 00:41:58,149 --> 00:41:59,415 THANK YOU, SERGEANT. 801 00:41:59,484 --> 00:42:00,724 THANK YOU. 802 00:42:08,660 --> 00:42:11,327 HEY, HEY! GET OUT OF HERE. WHAT ARE YOU, CRAZY? 803 00:42:11,396 --> 00:42:12,662 DON'T DO THAT HERE! 804 00:42:13,731 --> 00:42:14,997 BOOK HIM. 805 00:42:27,111 --> 00:42:29,912 YEAH, GOOD OLD BUBBLES. 806 00:42:29,980 --> 00:42:31,158 AHH. 807 00:42:31,182 --> 00:42:33,882 OH, ARCHIE! 808 00:42:33,951 --> 00:42:35,518 SHUT UP, EDITH. 809 00:42:51,135 --> 00:42:52,846 THIS IS THE APPRECIATION YOU GET 810 00:42:52,870 --> 00:42:55,437 FOR MAKING THE BIG DECISION TO BRING A KID INTO THIS WORLD. 811 00:42:55,506 --> 00:42:57,466 OH, BIG DECISION. COME OFF IT, ARCH. 812 00:42:57,508 --> 00:42:59,119 THE ONLY REASON A LOT OF PEOPLE HAVE KIDS 813 00:42:59,143 --> 00:43:02,211 IS BECAUSE THEY FORGET TO MAKE A TRIP TO THE DRUGSTORE. 814 00:43:27,171 --> 00:43:28,470 FINALLY, 815 00:43:28,540 --> 00:43:30,873 WELL, DON'T JUST TAKE OUR WORD FOR IT, 816 00:43:30,942 --> 00:43:33,542 WHY DON'T YOU CLOCK THIS ONE FOR YOURSELVES? 817 00:43:33,611 --> 00:43:36,379 MR. DAVIS. THIS IS AN UNEXPECTED PLEASURE. 818 00:43:36,447 --> 00:43:38,180 MY PLEASURE. THANK YOU VERY MUCH. 819 00:43:38,249 --> 00:43:40,227 CAN I GET A PICTURE? NO, NO, COME ON, MUNSON, NO PICTURES. 820 00:43:40,251 --> 00:43:41,384 OH, NO. THIS ONE IS FOR ME. 821 00:43:41,452 --> 00:43:42,762 MR. MUNSON, WOULD YOU STAND OVER THERE? 822 00:43:42,786 --> 00:43:44,198 I WANT ONE PICTURE TAKEN WITH ARCHIE BUNKER, 823 00:43:44,222 --> 00:43:45,332 MY FRIEND, AND ME. 824 00:43:45,356 --> 00:43:47,334 YOU AND ME? YES. NOW ON 3, OKAY? 825 00:43:47,358 --> 00:43:48,457 1, 826 00:43:48,526 --> 00:43:49,758 2, 3! 827 00:43:55,900 --> 00:43:59,001 GOODBYE, MR. MUNSON. PEACE AND LOVE. 828 00:44:10,781 --> 00:44:13,315 WE'VE TALKED ABOUT ARCHIE AND BIGOTRY. 829 00:44:13,384 --> 00:44:16,152 WE'VE TALKED ABOUT MIKE AND HIS PROBLEMS. 830 00:44:16,220 --> 00:44:18,687 WE'VE TALKED ABOUT THE GROWTH OF GLORIA. 831 00:44:18,756 --> 00:44:20,423 THE INDEPENDENCE AND STRENGTH 832 00:44:20,491 --> 00:44:22,536 THAT LIES UNDERNEATH THE SWEETNESS AND LOVE 833 00:44:22,560 --> 00:44:24,293 OF EDITH. 834 00:44:24,362 --> 00:44:27,096 BUT I OFTEN THINK THAT THE THINGS ONE REMEMBERS MOST 835 00:44:27,165 --> 00:44:29,231 IN ALL OF TELEVISION ARE MOMENTS. 836 00:44:29,300 --> 00:44:31,600 VERY SPECIAL MOMENTS. 837 00:44:31,669 --> 00:44:33,436 HEY, PUT 'EM UP. 838 00:44:33,505 --> 00:44:35,549 SEE IF YOU REMEMBER ANYTHING I TAUGHT YOU WITH THE DUKES, HUH? 839 00:44:35,573 --> 00:44:37,418 COME ON, PUT 'EM UP. GET 'EM UP. NO, DADDY. 840 00:44:37,442 --> 00:44:39,253 DADDY, CUT THAT OUT! COME ON. HEY, HEY! 841 00:44:39,277 --> 00:44:40,855 LOOK OUT FOR THAT ONE! DADDY, DON'T! STOP IT! 842 00:44:40,879 --> 00:44:42,511 DADDY, I'M TOO OLD FOR THIS NOW. 843 00:44:42,580 --> 00:44:44,614 I'M NOT YOUR LITTLE GIRL ANYMORE. 844 00:44:47,719 --> 00:44:49,619 DON'T YOU NEVER TELL ME THAT. 845 00:45:16,080 --> 00:45:17,580 HEY, EDITH. 846 00:45:17,649 --> 00:45:18,889 NOT NOW, ARCHIE. 847 00:45:18,949 --> 00:45:20,549 I AIN'T IN THE MOOD. 848 00:45:30,928 --> 00:45:32,461 FOR WHAT? 849 00:45:34,565 --> 00:45:35,964 EDITH, UH, 850 00:45:36,033 --> 00:45:38,479 ABOUT THIS LITTLE SPAT WE'VE BEEN HAVING AROUND HERE ALL WEEK... 851 00:45:38,503 --> 00:45:39,935 YEAH, ARCHIE? 852 00:45:40,004 --> 00:45:42,371 WELL, YOU KNOW ALL THEM NAMES I WAS CALLING YOU, LIKE 853 00:45:42,440 --> 00:45:44,307 "SAINT" AND "EDITH THE GOOD." 854 00:45:44,375 --> 00:45:46,253 AND SAYING YOU WASN'T HUMAN AND ALL, 855 00:45:46,277 --> 00:45:49,144 I... I JUST WANTED TO SAY THAT, UH, 856 00:45:49,213 --> 00:45:50,453 YOU KNOW, 857 00:45:51,148 --> 00:45:52,914 YOU'RE SORRY. 858 00:45:58,756 --> 00:45:59,889 YEAH. 859 00:46:05,963 --> 00:46:08,530 I'M GLAD YOU SAID IT, ARCHIE. 860 00:46:11,669 --> 00:46:12,829 ARCHIE. 861 00:46:13,938 --> 00:46:15,871 GLORIA LOST THE BABY. 862 00:46:15,940 --> 00:46:18,240 WHAT ARE YOU TALKING ABOUT? WHAT DO YOU MEAN BY THAT? 863 00:46:18,309 --> 00:46:21,143 BUT THE DOCTOR SAYS SHE'S GONNA BE FINE. 864 00:46:22,347 --> 00:46:23,879 SHE LOST THE BABY? 865 00:46:23,948 --> 00:46:26,229 YES, ARCHIE. 866 00:46:27,818 --> 00:46:28,884 SHE LOST THE BABY? 867 00:46:41,766 --> 00:46:42,965 AH, GEE. 868 00:46:46,103 --> 00:46:47,103 COME IN. 869 00:46:50,374 --> 00:46:51,374 HI, DADDY. 870 00:46:52,743 --> 00:46:53,783 HIYA, SWEETHEART. 871 00:46:55,580 --> 00:46:58,940 HOW YOU FEELING? HEY, YOU LOOK PRETTY GOOD, THERE. 872 00:46:59,917 --> 00:47:01,984 I DIDN'T DO A VERY GOOD JOB, DID I? 873 00:47:02,986 --> 00:47:05,065 AH, WHO SAID THAT? SOME DOPEY DOCTOR... 874 00:47:05,089 --> 00:47:06,555 OH, NO, NO, DADDY. STOP THAT. 875 00:47:06,624 --> 00:47:07,864 AH, GEE WHIZ. 876 00:47:18,970 --> 00:47:20,135 YOU WANNA SAY SOMETHING? 877 00:47:22,573 --> 00:47:24,293 WELL, NO, NO, NOT TONIGHT. 878 00:47:25,143 --> 00:47:26,183 NO, NOT TONIGHT. 879 00:47:30,715 --> 00:47:31,848 YOU LOVE ME. 880 00:47:39,156 --> 00:47:40,790 I LOVE YOU, TOO, DADDY. 881 00:47:54,071 --> 00:47:58,641 THERE ARE VERY FEW SHOWS THAT CAN BLEND A SMILE AND A TEAR. 882 00:47:58,709 --> 00:48:01,443 SOMETIMES WHEN I'M WATCHING ALL IN THE FAMILY, 883 00:48:01,512 --> 00:48:04,946 THE LAUGH OR THE LUMP IN THE THROAT. 884 00:48:10,921 --> 00:48:12,354 HERE I AM. 885 00:48:18,996 --> 00:48:21,930 HEY, EDITH. 886 00:48:21,999 --> 00:48:24,719 YOU KNOW, YOU LOOK KIND OF PRETTY STANDING THERE. 887 00:48:26,103 --> 00:48:27,336 GEE, THAT'S FUNNY. 888 00:48:29,340 --> 00:48:31,700 YOU LOOK JUST LIKE YOU DID 25 YEARS AGO. 889 00:48:32,977 --> 00:48:34,543 THANK YOU, ARCHIE. 890 00:48:37,081 --> 00:48:40,849 COME ON. COME ON, LET'S KILL THIS BOTTLE OF CHAMPAGNE, HUH? 891 00:48:40,918 --> 00:48:42,278 HA! WAIT. 892 00:48:42,319 --> 00:48:44,639 I'M GONNA MAKE A TOAST. 893 00:48:45,489 --> 00:48:49,958 THANK YOU FOR A WONDERFUL 25 YEARS. 894 00:48:51,662 --> 00:48:54,897 WELL, EDITH, THANK YOU, TOO. 895 00:48:54,965 --> 00:48:56,845 AFTER ALL, I COULDN'T HAVE DID IT WITHOUT YOU. 896 00:49:11,582 --> 00:49:12,582 WELL, EDITH. 897 00:49:13,951 --> 00:49:15,117 "WELL" WHAT? 898 00:49:20,524 --> 00:49:21,524 WELL, THIS. 899 00:49:34,839 --> 00:49:37,606 WELL, THAT'S SOME OF THE BEST OF ALL IN THE FAMILY. 900 00:49:37,675 --> 00:49:40,576 I HOPE YOU ENJOYED IT. I KNOW I DID. 901 00:49:40,645 --> 00:49:44,513 WHAT CAN YOU SAY ABOUT THE WONDERFUL CAST WE'VE JUST BEEN LAUGHING AT? 902 00:49:44,582 --> 00:49:47,149 THEY'RE TALENTED, HARDWORKING, 903 00:49:47,217 --> 00:49:48,217 AND HUNGRY. 904 00:49:50,187 --> 00:49:51,187 GOOD NIGHT. 905 00:49:52,305 --> 00:50:52,903 Please rate this subtitle at www.osdb.link/75qgu Help other users to choose the best subtitles 906 00:50:52,953 --> 00:50:57,503 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 66038

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