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1
00:00:02,836 --> 00:00:04,336
GOOD EVENING, I'M HENRY FONDA.
2
00:00:07,774 --> 00:00:11,710
TONIGHT, WE'RE GOING TO TAKE A
LOOK AT THE BEST OF ALL IN THE FAMILY.
3
00:00:11,778 --> 00:00:14,346
ONE OF THE MOST
ACCLAIMED AND, ALSO,
4
00:00:14,415 --> 00:00:18,050
ONE OF THE MOST CONTROVERSIAL
SHOWS EVER SEEN ON TELEVISION.
5
00:00:18,119 --> 00:00:20,030
STARTING WITH THE
CHARACTER OF ARCHIE BUNKER,
6
00:00:20,054 --> 00:00:24,056
RIGHT DOWN TO THE KIND OF
THEMES THE SHOW HAS DEALT WITH.
7
00:00:24,125 --> 00:00:25,624
MENOPAUSE,
8
00:00:25,692 --> 00:00:27,959
HOMOSEXUALITY, RAPE,
9
00:00:28,029 --> 00:00:31,096
MENTAL RETARDATION, CANCER.
10
00:00:31,165 --> 00:00:33,365
SOUNDS LIKE A REAL
FUN SHOW, DOESN'T IT?
11
00:00:35,836 --> 00:00:38,203
AND YET, WE ALL KNOW IT IS.
12
00:00:38,272 --> 00:00:39,916
NOW I'M NOT GOING TO COMMENT ON
13
00:00:39,940 --> 00:00:44,043
THE CONTRIBUTION ALL IN THE FAMILY
HAS MADE TO THE AMERICAN SCENE.
14
00:00:44,111 --> 00:00:47,579
WE ALL KNOW THERE
HAVE BEEN PROS AND CONS.
15
00:00:47,648 --> 00:00:49,226
EXCEPT TO SAY THAT
I WOULDN'T BE HERE
16
00:00:49,250 --> 00:00:51,283
IF I WEREN'T ONE
OF ITS BIGGEST FANS.
17
00:00:54,087 --> 00:00:55,498
WE'RE IN STUDIO 41
18
00:00:55,522 --> 00:00:58,556
AT C.B.S. TELEVISION
CITY IN HOLLYWOOD.
19
00:00:58,625 --> 00:01:01,860
YOU'RE WATCHING NORMAN LEAR,
THE CREATOR OF ALL IN THE FAMILY
20
00:01:01,928 --> 00:01:05,097
TALKING TO THE STUDIO
AUDIENCE ABOUT TONIGHT'S SHOW.
21
00:01:08,368 --> 00:01:10,535
ANYWAY, AS I MENTIONED EARLIER
22
00:01:10,604 --> 00:01:12,870
TONIGHT, BECAUSE
THIS IS THE 100TH AIRING
23
00:01:12,939 --> 00:01:14,038
OF ALL IN THE FAMILY,
24
00:01:14,107 --> 00:01:16,541
WE WILL BE PRESENTING ONE HOUR
25
00:01:16,610 --> 00:01:18,643
OF WHAT WE HOPE
YOU ALL WILL FEEL
26
00:01:18,712 --> 00:01:20,945
IS THE BEST OF
ALL IN THE FAMILY.
27
00:01:25,786 --> 00:01:29,554
AND, LADIES AND GENTLEMEN, I'D LIKE YOU
NOW TO MEET THE CAST OF ALL IN THE FAMILY,
28
00:01:29,623 --> 00:01:31,823
4 MAGNIFICENT PLAYERS,
29
00:01:31,892 --> 00:01:34,192
UH, THE PRIMARY
PLAYERS IN OUR COMPANY,
30
00:01:34,261 --> 00:01:36,762
WHO HAVE PROVIDED,
UH, MORE LAUGHTER
31
00:01:36,830 --> 00:01:40,565
AND, UH, THEREFORE, IN OUR OPINIONS,
HAVE ADDED MORE TO OUR LIVES.
32
00:01:40,634 --> 00:01:41,900
I'M TALKING ABOUT THE PEOPLE,
33
00:01:41,968 --> 00:01:44,436
THE WRITERS, PRODUCERS,
ACTORS AND TECHNICIANS,
34
00:01:44,505 --> 00:01:46,104
WHO WORK WITH THEM
35
00:01:46,173 --> 00:01:48,740
UH, AND HAVE LAUGHED
WITH THEM FOR THESE 5 YEARS.
36
00:01:48,809 --> 00:01:51,954
WE ALL FEEL THEY'VE ADDED TIME TO
OUR LIVES THROUGH THAT LAUGHTER.
37
00:01:51,978 --> 00:01:54,491
FIRST, LET ME BRING OUT THE
VERY WONDERFUL YOUNG WOMAN,
38
00:01:54,515 --> 00:01:57,015
THE YOUNGEST MEMBER
OF OUR BUNKER HOUSEHOLD,
39
00:01:57,083 --> 00:01:58,349
MISS SALLY STRUTHERS!
40
00:02:05,025 --> 00:02:07,092
LADIES AND GENTLEMEN,
THE WONDERFUL ACTOR,
41
00:02:07,160 --> 00:02:08,359
ROB REINER!
42
00:02:16,270 --> 00:02:17,936
OUR BELOVED EDITH BUNKER,
43
00:02:18,005 --> 00:02:19,449
JEAN STAPLETON. HI!
44
00:02:21,000 --> 00:02:27,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
45
00:02:28,915 --> 00:02:31,282
LADIES AND GENTLEMEN,
CARROLL O'CONNOR.
46
00:02:44,331 --> 00:02:47,299
WE CAN'T, FOR TECHNICAL
REASONS, FOR THE STUDIO AUDIENCE...
47
00:02:47,367 --> 00:02:49,845
FOR THE STUDIO AUDIENCE, WE
CANNOT, FOR TECHNICAL REASONS,
48
00:02:49,869 --> 00:02:52,304
SHOW YOU THE
OPENING, UH, TITLES.
49
00:02:52,372 --> 00:02:54,572
BUT WE DID NOT WANT
YOU TO COME THIS DISTANCE,
50
00:02:54,641 --> 00:02:56,908
YOU LOVELY PEOPLE OF
OUR STUDIO AUDIENCE,
51
00:02:56,976 --> 00:03:00,011
AND MISS THE DULCET
TONES OF EDITH AND ARCHIE
52
00:03:00,079 --> 00:03:01,946
AS THEY SING THE OPENING NUMBER.
53
00:03:02,015 --> 00:03:04,949
SO, FOR ALL OF YOU, WE HAVE...
54
00:03:05,018 --> 00:03:08,019
THEY HAVE SO
GRACIOUSLY DECIDED TO
55
00:03:08,087 --> 00:03:10,989
DO IT FOR YOU LIVE AND NOW.
56
00:03:11,058 --> 00:03:14,259
? BOY, THE WAY
GLENN MILLER PLAYED ?
57
00:03:14,327 --> 00:03:16,928
? SONGS THAT MADE
THE HIT PARADE ?
58
00:03:16,997 --> 00:03:19,798
? GUYS LIKE US, WE HAD IT MADE ?
59
00:03:19,867 --> 00:03:22,100
? THOSE WERE THE DAYS ?
60
00:03:22,169 --> 00:03:25,537
? AND YOU KNEW
WHERE YOU WERE THEN ?
61
00:03:25,605 --> 00:03:28,640
? GIRLS WERE GIRLS
AND MEN WERE MEN ?
62
00:03:28,709 --> 00:03:30,776
? MISTER, WE COULD USE A MAN ?
63
00:03:30,844 --> 00:03:33,845
? LIKE HERBERT HOOVER AGAIN ?
64
00:03:33,914 --> 00:03:36,381
? DIDN'T NEED NO
WELFARE STATES ?
65
00:03:36,449 --> 00:03:39,217
? EVERYBODY PULLED HIS WEIGHT ?
66
00:03:39,286 --> 00:03:43,221
? GEE, OUR OLD
LASALLE RAN GREAT ?
67
00:03:43,290 --> 00:03:44,856
? THOSE WERE ?
68
00:03:44,925 --> 00:03:47,993
? THE DAYS ?
69
00:03:52,565 --> 00:03:56,134
I SUSPECT THERE'S A LITTLE
BIT OF ARCHIE IN ALL OF US.
70
00:03:56,202 --> 00:03:58,280
THAT'S WHY WE CAN
RELATE TO HIM SO EASILY
71
00:03:58,304 --> 00:04:00,571
AND TO HIS FEARS
ABOUT THE THINGS
72
00:04:00,641 --> 00:04:02,540
HE DOESN'T UNDERSTAND.
73
00:04:02,609 --> 00:04:04,408
SOME CALL IT HIS BIGOTRY.
74
00:04:04,477 --> 00:04:06,410
I CALL IT
75
00:04:06,479 --> 00:04:07,912
HIS BIGOTRY.
76
00:04:09,316 --> 00:04:11,149
THIS IS TERRIBLE!
77
00:04:11,218 --> 00:04:13,597
WHAT'S THE MATTER WITH THIS? I CALL
THIS REPRESENTATIVE GOVERNMENT.
78
00:04:13,621 --> 00:04:16,688
IT'S SALVATORE,
FELDMAN, O'REILLY, NELSON.
79
00:04:16,757 --> 00:04:20,392
IT'S AN ITALIAN, A JEW, AN IRISHMAN
AND A REGULAR AMERICAN THERE.
80
00:04:22,563 --> 00:04:25,664
WHAT I CALL A BALANCED TICKET.
81
00:04:25,733 --> 00:04:29,100
WHY DO YOU ALWAYS HAVE TO
LABEL PEOPLE BY NATIONALITY?
82
00:04:29,169 --> 00:04:30,780
'CAUSE HOW ELSE
ARE YOU GONNA GET
83
00:04:30,804 --> 00:04:33,049
THE RIGHT MAN FOR THE RIGHT JOB?
84
00:04:33,073 --> 00:04:35,374
FOR INSTANCE, TAKE
FELDMAN THERE.
85
00:04:35,442 --> 00:04:36,941
HE'S UP FOR TREASURER.
86
00:04:37,010 --> 00:04:38,310
WELL, THAT'S PERFECT.
87
00:04:38,379 --> 00:04:41,079
ALL THEM PEOPLE KNOW
HOW TO HANDLE MONEY.
88
00:04:41,148 --> 00:04:42,358
KNOW WHAT I MEAN?
89
00:04:42,382 --> 00:04:43,948
NO, I DON'T.
90
00:04:44,017 --> 00:04:46,751
WELL, THEN YOU GOT
SALVATORE RUNNING FOR D.A.
91
00:04:46,820 --> 00:04:49,220
HE COULD KEEP AN EYE ON FELDMAN.
92
00:04:52,125 --> 00:04:54,837
YOU KNOW, I WANNA TELL YOU
SOMETHING ABOUT THE ITALIANS.
93
00:04:54,861 --> 00:04:56,101
WHEN YOU DO GET AN HONEST ONE,
94
00:04:56,162 --> 00:04:57,807
YOU REALLY GOT SOMETHING THERE.
95
00:04:57,831 --> 00:04:59,397
AW, COME ON, ARCH!
96
00:04:59,466 --> 00:05:01,777
WELL, AND HERE YOU
GOT O'REILLY, THE MICK.
97
00:05:01,801 --> 00:05:05,404
HE CAN SEE THAT THE GRAFT IS
EQUALLY SPREAD AROUND, YOU KNOW?
98
00:05:07,807 --> 00:05:09,785
YOU GOT NELSON,
THE AMERICAN GUY.
99
00:05:09,809 --> 00:05:11,687
HE'S GOOD FOR T.V. APPEARANCES.
100
00:05:11,711 --> 00:05:14,079
MAKE THE REST OF THEM
LOOK RESPECTABLE, YOU KNOW.
101
00:05:14,148 --> 00:05:16,926
THIS IS A BAG TO CARRY THINGS
IN, WHAT'S WRONG WITH THAT?
102
00:05:16,950 --> 00:05:19,195
IF YOU DON'T KNOW, BUDDY,
I'LL SPELL IT OUT FOR YOU:
103
00:05:19,219 --> 00:05:21,319
F-A-G, FRUIT!
104
00:05:23,823 --> 00:05:25,524
THERE YOU GO AGAIN.
105
00:05:25,592 --> 00:05:27,670
JUST BECAUSE SOMETHING LOOKS
A LITTLE BIT DIFFERENT TO YOU,
106
00:05:27,694 --> 00:05:29,461
YOU HAVE TO PUT A
LABEL ON IT, RIGHT?
107
00:05:29,529 --> 00:05:32,497
WELL, IF THE
PURSE FITS, WEAR IT.
108
00:05:32,566 --> 00:05:35,000
AH.
109
00:05:35,068 --> 00:05:37,769
I'M TELLING YOU THAT WHITES
SHOULD ONLY DANCE WITH WHITES!
110
00:05:37,838 --> 00:05:39,482
YOU DON'T BELIEVE
ME? LOOK AT THE MOVIES!
111
00:05:39,506 --> 00:05:41,273
FRED ASTAIRE AND GINGER ROGERS,
112
00:05:41,341 --> 00:05:42,874
GENE KELLY AND RITA HAYWORTH.
113
00:05:42,942 --> 00:05:45,610
SHIRLEY TEMPLE
AND BILL ROBINSON.
114
00:05:50,850 --> 00:05:53,718
THAT WAS BEFORE
SHIRLEY WAS OLD ENOUGH
115
00:05:53,787 --> 00:05:55,667
TO KNOW SHE WAS
DOING SOMETHING WRONG.
116
00:05:57,891 --> 00:05:59,123
I GUESS THAT'S WHEN
117
00:05:59,192 --> 00:06:01,493
SHE STARTED DANCING
WITH GEORGE MURPHY.
118
00:06:01,562 --> 00:06:03,028
ALL RIGHT!
119
00:06:03,097 --> 00:06:04,930
ALL I'M SAYING IS
120
00:06:04,998 --> 00:06:08,158
IF GOD HAD INTENDED WHITE PEOPLE
TO DANCE WITH COLORED PEOPLE...
121
00:06:08,202 --> 00:06:10,135
HE'D HAVE GIVEN US RHYTHM, TOO.
122
00:06:13,607 --> 00:06:14,984
HE'S TALKING ABOUT SEX.
123
00:06:15,008 --> 00:06:17,709
SHUSH IN FRONT OF EDITH!
124
00:06:17,778 --> 00:06:19,310
ARCH, THAT'S A MYTH!
125
00:06:19,379 --> 00:06:22,692
RETARDED PEOPLE HAVE NO MORE
OF A SEX DRIVE THAN ANYBODY ELSE.
126
00:06:22,716 --> 00:06:25,483
OH, YEAH? THAN WHY ARE YOU
ON AUTOMATIC ALL THE TIME?
127
00:06:28,221 --> 00:06:30,099
THEY'RE PUTTING ME
ON REGULAR NEXT WEEK
128
00:06:30,123 --> 00:06:33,558
BUT THEY'RE PAYING ME LESS THAN THEY
PAID THE MAN WHO USED TO RUN THE FORKLIFT.
129
00:06:33,626 --> 00:06:35,993
OH, WELL, COME ON, IRENE.
130
00:06:36,062 --> 00:06:37,573
AFTER ALL, IT'S A
WELL-KNOWN FACT,
131
00:06:37,597 --> 00:06:39,397
MEN ARE WORTH MORE THAN WOMEN.
132
00:06:41,335 --> 00:06:44,569
ARCHIE, HAVE YOU
BEEN READING PLAYBOY?
133
00:06:44,638 --> 00:06:46,838
NO, IRENE, THE BIBLE.
134
00:06:47,607 --> 00:06:48,940
THE BIBLE?
135
00:06:49,009 --> 00:06:53,044
AND IN THE BIBLE, IT SAYS, GOD
MADE MAN IN HIS OWN IMAGE.
136
00:06:53,113 --> 00:06:55,346
HE MADE WOMEN AFTER. FROM A RIB.
137
00:06:55,415 --> 00:06:56,714
CHEAPER CUT.
138
00:07:00,453 --> 00:07:01,453
HE AIN'T JEWISH!
139
00:07:01,521 --> 00:07:02,564
WELL, HOW DO YOU KNOW?
140
00:07:02,588 --> 00:07:04,355
BECAUSE HIS NAME'S JOHN.
141
00:07:04,424 --> 00:07:06,624
AND HEBES DON'T
NAME THEIR KIDS JOHN.
142
00:07:10,096 --> 00:07:12,241
MAYBE HE CHANGED HIS NAME.
143
00:07:12,265 --> 00:07:14,699
NO, EDITH, EDITH, THEY NEVER DO.
144
00:07:14,767 --> 00:07:16,701
THEY ONLY CHANGE THE LAST NAME.
145
00:07:16,769 --> 00:07:19,437
THAT WAY THEY KNOW EACH
OTHER, YOU SEE WHAT I MEAN?
146
00:07:19,506 --> 00:07:21,239
2 GUYS ARE GOING
DOWN THE STREET, RIGHT?
147
00:07:21,308 --> 00:07:23,619
ONE SAYS, "HOW ARE
YOU, MY NAME IS SMITH.
148
00:07:23,643 --> 00:07:26,043
MAURY SMITH." YOU
SEE HOW IT WORKS?
149
00:07:26,112 --> 00:07:28,145
LIKE YOU GOT SAUL NELSON.
150
00:07:28,215 --> 00:07:29,447
IZZY WATSON.
151
00:07:29,983 --> 00:07:31,182
ABE LINCOLN.
152
00:07:39,326 --> 00:07:42,360
I DIDN'T KNOW
LINCOLN WAS JEWISH!
153
00:07:44,964 --> 00:07:47,098
HOW DO YOU DO? MY
NAME IS GEORGE ROBINSON
154
00:07:47,167 --> 00:07:49,867
AND I REPRESENT THE
GAY LIBERATION FRONT.
155
00:07:53,940 --> 00:07:55,506
HOW DO YOU DO?
156
00:07:55,575 --> 00:07:57,876
THIS MUST BE MRS. ROBINSON.
157
00:08:01,514 --> 00:08:04,516
NO, I'M CYNTHIA NASH OF
THE DAUGHTERS OF SAPPHO.
158
00:08:04,584 --> 00:08:07,730
WE WANTED TO TALK TO YOU ABOUT
OUR CANDIDATE IN TODAY'S ELECTION.
159
00:08:07,754 --> 00:08:10,188
HOLD IT, HOLD IT, EDITH, THERE.
160
00:08:10,257 --> 00:08:12,623
UH, LET ME HANDLE THIS, HUH?
161
00:08:12,692 --> 00:08:15,894
EDITH, DON'T YOU
KNOW WHAT THEY, UH...
162
00:08:15,963 --> 00:08:18,140
SHE'S A DAUGHTER OF SAPPHO
163
00:08:18,164 --> 00:08:20,331
AND HE'S A GAY LIBERATOR.
164
00:08:23,436 --> 00:08:25,370
STEP ASIDE, WILL YOU, HUH?
165
00:08:26,472 --> 00:08:28,840
JUST LET ME DO THE TALKING HERE.
166
00:08:28,908 --> 00:08:31,109
EXCUSE ME, GET LOST.
167
00:08:34,147 --> 00:08:35,847
THE CHINESE.
168
00:08:35,915 --> 00:08:39,517
I MEAN, DO THEY SAY, "GOD BLESS
YOU" OR "BUDDHA BLESS YOU"?
169
00:08:43,090 --> 00:08:44,689
YOU REALLY WANNA KNOW?
170
00:08:44,758 --> 00:08:47,959
THE CHINKS JUST SNEEZE AND SAY
NOTHING. THEY CAN'T SPEAK ENGLISH.
171
00:08:51,765 --> 00:08:52,765
OH.
172
00:08:55,468 --> 00:08:58,469
WHY COULDN'T THEY SAY,
"BUDDHA BLESS YOU" IN CHINESE?
173
00:08:58,538 --> 00:09:01,873
BECAUSE THEY DON'T
SAY THAT, THAT'S WHY.
174
00:09:01,942 --> 00:09:03,841
THEY SAY, UH...
175
00:09:03,910 --> 00:09:07,390
WELL, IF THEY SAY ANYTHING
AT ALL, IT'S SAYONARA.
176
00:09:08,448 --> 00:09:09,814
THAT'S JAPANESE!
177
00:09:09,883 --> 00:09:11,849
SAME THING.
178
00:09:11,918 --> 00:09:14,019
IT'S NOT THE SAME THING!
179
00:09:14,087 --> 00:09:15,531
WHAT ARE YOU TALKING ABOUT?
180
00:09:15,555 --> 00:09:17,299
YOU PUT A JAP AND
A CHINK TOGETHER,
181
00:09:17,323 --> 00:09:19,302
YOU'RE GONNA TELL
ME WHICH IS WHICH?
182
00:09:19,326 --> 00:09:21,070
THAT'S RIGHT. BECAUSE
I'D FIND OUT ABOUT THEM.
183
00:09:21,094 --> 00:09:22,638
I'D TALK TO THEM AS INDIVIDUALS!
184
00:09:22,662 --> 00:09:24,362
SURE, YOU'D TALK TO THEM.
185
00:09:24,431 --> 00:09:26,743
YOU'D SAY, "WHICH ONE
OF YOU GUYS IS THE CHINK?"
186
00:09:26,767 --> 00:09:29,367
I DON'T BELIEVE IT,
HE'S MAKING ME CRAZY!
187
00:09:29,435 --> 00:09:30,769
DO YOU MEAN TO IMPLY...
188
00:09:30,837 --> 00:09:33,015
I MEAN THAT I AIN'T
MAKING NO DONATIONS
189
00:09:33,039 --> 00:09:34,906
TO NO CATHOLIC CHARITIES.
190
00:09:34,974 --> 00:09:37,953
NOW THE ONLY WAY I CAN ANSWER THAT,
MR. BUNKER, IS TO QUOTE FROM THE SCRIPTURE.
191
00:09:37,977 --> 00:09:39,911
"GO FROM THE PRESENCE
OF THE FOOLISH MAN
192
00:09:39,979 --> 00:09:42,780
WHEN THOU PERCEIVEST NOT
IN HIM THE LIPS OF KNOWLEDGE."
193
00:09:42,849 --> 00:09:44,115
WHAT DOES THAT MEAN?
194
00:09:44,183 --> 00:09:46,684
IT MEANS DON'T WASTE YOUR
TIME ARGUING WITH AN IDIOT.
195
00:09:53,627 --> 00:09:56,394
ARCHIE BUNKER'S NOT ONE
OF YOUR BEST LISTENERS,
196
00:09:56,463 --> 00:09:58,630
WHICH IS UNFORTUNATE FOR HIM
197
00:09:58,698 --> 00:10:02,167
BECAUSE EDITH IS ONE OF
NATURE'S BORN STORYTELLERS.
198
00:10:02,235 --> 00:10:05,603
WAIT A MINUTE. NOBODY
EAT NOTHING AROUND HERE,
199
00:10:05,671 --> 00:10:08,617
TILL I FIND OUT WHAT WENT
WRONG AT THE SUPERMARKET.
200
00:10:08,641 --> 00:10:10,174
NOW COME ON, GIVE IT.
201
00:10:10,243 --> 00:10:12,911
WELL, I KNEW YOU
LIKE CLING PEACHES...
202
00:10:12,979 --> 00:10:14,245
I HEARD THAT BEFORE.
203
00:10:14,314 --> 00:10:15,346
IN HEAVY SYRUP.
204
00:10:15,415 --> 00:10:16,848
YEAH, I HEARD THAT, TOO.
205
00:10:16,916 --> 00:10:18,182
I KNOW.
206
00:10:18,251 --> 00:10:21,753
WHY DON'T YOU TELL ME HOW
MUCH I'VE TOLD YOU SO FAR,
207
00:10:21,821 --> 00:10:25,256
THEN I'LL KNOW WHERE TO BEGIN.
208
00:10:25,324 --> 00:10:28,370
YOU AIN'T TOLD ME NOTHING
SO FAR, EXCEPT CLING PEACHES,
209
00:10:28,394 --> 00:10:29,872
WHICH IS COMING OUT OF MY EARS.
210
00:10:29,896 --> 00:10:32,230
NOW DON'T SAY THEM 2
WORDS NO MORE, HUH?
211
00:10:32,298 --> 00:10:34,443
START YOUR STORY
AFTER THE CLING PEACHES
212
00:10:34,467 --> 00:10:36,634
AND GET ON WITH IT.
213
00:10:39,572 --> 00:10:41,840
WELL, ARCHIE,
214
00:10:41,908 --> 00:10:44,743
I HAD AN ACCIDENT WITH A CAR.
215
00:10:44,811 --> 00:10:46,088
MA, ARE YOU ALL RIGHT?
216
00:10:46,112 --> 00:10:47,112
DID YOU GET HIT?
217
00:10:47,180 --> 00:10:48,346
I DIDN'T GET HIT,
218
00:10:48,415 --> 00:10:49,981
I HIT THE CAR.
219
00:10:50,049 --> 00:10:52,016
MA, YOU DON'T DRIVE.
220
00:10:52,085 --> 00:10:54,686
YEAH, AND EVEN IF YOU
DO, WE DON'T HAVE A CAR.
221
00:10:55,822 --> 00:10:57,062
EDITH,
222
00:10:57,757 --> 00:10:59,635
HOW DID YOU HIT A CAR?
223
00:10:59,659 --> 00:11:01,125
WELL, THAT'S WHERE THE
224
00:11:02,963 --> 00:11:04,161
COME IN.
225
00:11:04,230 --> 00:11:05,350
WHAT?
226
00:11:10,269 --> 00:11:13,704
YOU TOLD ME NEVER
TO SAY THOSE 2 WORDS.
227
00:11:14,674 --> 00:11:15,940
EDITH,
228
00:11:16,008 --> 00:11:17,486
WHAT ARE YOU TRYING TO TELL ME?
229
00:11:17,510 --> 00:11:20,870
THAT YOU HIT A CAR WITH
A CAN OF CLING PEACHES?
230
00:11:21,648 --> 00:11:23,348
THAT'S RIGHT! YOU SEE,
231
00:11:23,417 --> 00:11:26,951
I WAS COMING OUT OF THE
MARKET WITH MY SHOPPING BASKET,
232
00:11:27,020 --> 00:11:28,020
FULL OF
233
00:11:32,358 --> 00:11:36,460
A-AND THERE WAS MRS.
DUNCAN WITH HER NEW BABY.
234
00:11:36,530 --> 00:11:38,530
I TOOK A PEEK IN THE CARRIAGE
235
00:11:38,598 --> 00:11:40,598
BUT I COULDN'T SEE
THE BABY TOO WELL.
236
00:11:40,667 --> 00:11:42,277
HE WAS ALL SQUINCHED
UP WITH HIS...
237
00:11:42,301 --> 00:11:44,446
WILL YOU GET ON WITH THE STORY?
238
00:11:44,470 --> 00:11:48,206
ANYWAY, I KNEW I HAD TO SAY
SOMETHING NICE ABOUT THE BABY,
239
00:11:48,274 --> 00:11:52,576
SO I WENT, "OH! ISN'T
THAT A BEAUTIFUL BABY!"
240
00:11:52,645 --> 00:11:54,545
AND WHEN I WENT "OH!"
241
00:11:54,614 --> 00:11:57,949
THE SHOPPING BASKET GOT AWAY
FROM ME, ROLLED DOWN THE HILL
242
00:11:58,017 --> 00:12:01,753
AND SMASHED INTO THIS PARKED
CAR AND SCRATCHED THE FENDER.
243
00:12:01,821 --> 00:12:04,355
AND THEN, THIS CAN OF
244
00:12:06,793 --> 00:12:08,893
IN HEAVY SYRUP,
245
00:12:10,830 --> 00:12:15,200
JUMPED OUT AND MADE
A BIG DENT IN THE HOOD.
246
00:12:27,146 --> 00:12:29,747
IT WAS A FREAK ACCIDENT.
247
00:12:39,225 --> 00:12:41,659
ONE THING YOU CAN
SAY ABOUT ARCHIE,
248
00:12:41,728 --> 00:12:44,040
WHEN HE'S CONFRONTED
WITH A LOGICAL ARGUMENT,
249
00:12:44,064 --> 00:12:46,008
HE'S NEVER STUCK FOR AN ANSWER.
250
00:12:56,576 --> 00:12:58,342
LOUISE, WE'RE GOING!
251
00:12:59,512 --> 00:13:00,645
THERE'S THE DOOR!
252
00:13:03,616 --> 00:13:06,518
NOTHING EVER CHANGES
IN THIS CRUMMY HOUSE.
253
00:13:06,586 --> 00:13:08,798
I THINK GLORIA WAS WRONG THERE.
254
00:13:08,822 --> 00:13:11,100
IN FACT, ONE OF THE BIGGEST
CHANGES OVER THE YEARS
255
00:13:11,124 --> 00:13:12,201
IN THE BUNKER HOUSEHOLD.
256
00:13:12,225 --> 00:13:14,458
HAS BEEN IN GLORIA HERSELF.
257
00:13:21,001 --> 00:13:22,911
CALM DOWN, YOU'RE ALL RIGHT...
258
00:13:27,340 --> 00:13:29,519
LET ME TELL YOU SOMETHING
ABOUT MY MOTHER AND ME.
259
00:13:29,543 --> 00:13:31,208
YOU DO NOT OWN US.
260
00:13:31,277 --> 00:13:34,245
WE ARE FREE AND
EQUAL HUMAN BEINGS,
261
00:13:34,313 --> 00:13:37,147
WHO REPRESENT HALF THE
POPULATION OF THIS EARTH,
262
00:13:37,216 --> 00:13:39,016
THE FEMALE POPULATION.
263
00:13:39,085 --> 00:13:41,686
AND WE'RE TIRED OF
BEING EXPLOITED BY MEN.
264
00:13:41,755 --> 00:13:44,922
TIRED OF YOU HOLDING US
DOWN AND KEEPING US BACK.
265
00:13:44,991 --> 00:13:47,458
AND IF YOU CONTINUE
TO EXPLOIT US,
266
00:13:47,527 --> 00:13:50,606
WE'RE GONNA RISE UP AGAINST YOU
SOMEDAY LIKE OUR BLACK SISTERS
267
00:13:50,630 --> 00:13:52,563
AND OUR CHICANA SISTERS
268
00:13:52,632 --> 00:13:54,672
AND ALL THE OTHER
OPPRESSED SISTERS,
269
00:13:54,700 --> 00:13:56,745
AND I DON'T KNOW WHAT
I'M SAYING ANYMORE,
270
00:13:56,769 --> 00:13:59,036
BUT YOU MEN, YOU
BETTER BELIEVE IT!
271
00:14:02,242 --> 00:14:04,742
HERE, YOU BETTER
READ THIS ARTICLE.
272
00:14:04,811 --> 00:14:07,111
IT'S WRITTEN BY A VERY
IMPORTANT DOCTOR,
273
00:14:07,180 --> 00:14:09,247
AND HE KNOWS
EVERYTHING ABOUT IT.
274
00:14:10,650 --> 00:14:13,718
HE DON'T KNOW YOUR FATHER.
275
00:14:13,787 --> 00:14:17,621
WHEN ARCHIE HEARS ABOUT THIS,
HE AIN'T GONNA LOVE ME NO MORE.
276
00:14:17,690 --> 00:14:20,091
OH, MA, OF COURSE HE WILL.
277
00:14:20,160 --> 00:14:22,660
I'M SORRY. IMAGINE, YOU
278
00:14:22,728 --> 00:14:25,997
HAVING TO TELL ME WHAT'S WRONG.
279
00:14:26,066 --> 00:14:30,468
WHEN I WAS A YOUNG GIRL, I DIDN'T KNOW
WHAT EVERY YOUNG GIRL SHOULD KNOW.
280
00:14:30,536 --> 00:14:32,581
NOW I'M GONNA BE AN OLD LADY
281
00:14:32,605 --> 00:14:35,925
AND I DON'T KNOW WHAT
EVERY OLD LADY SHOULD KNOW.
282
00:14:38,011 --> 00:14:39,277
GLORIA,
283
00:14:39,346 --> 00:14:42,580
I... I THINK IT'S TIME
THAT YOU AND ME
284
00:14:42,648 --> 00:14:44,015
HAD A
285
00:14:44,084 --> 00:14:47,685
WOMAN-TO-WOMAN TALK ABOUT...
286
00:14:48,188 --> 00:14:50,020
ABOUT...
287
00:14:50,089 --> 00:14:51,522
THE WEDDING NIGHT?
288
00:14:51,591 --> 00:14:53,591
YEAH, ABOUT THAT.
289
00:14:54,327 --> 00:14:55,526
OK, MA.
290
00:15:03,203 --> 00:15:05,602
YOU DON'T HAVE TO
BE EMBARRASSED, MA.
291
00:15:05,671 --> 00:15:07,771
OH, THANK YOU, GLORIA.
292
00:15:11,944 --> 00:15:14,690
I KNOW YOU JUST WANT
ME TO BE VERY HAPPY.
293
00:15:14,714 --> 00:15:17,315
I DO.
294
00:15:17,383 --> 00:15:20,451
A-A-AND TONIGHT,
M-MICHAEL AND I,
295
00:15:20,520 --> 00:15:22,820
WE'LL BE NERVOUS.
296
00:15:22,889 --> 00:15:24,455
YEAH.
297
00:15:27,327 --> 00:15:30,005
'CAUSE WE'RE BOTH REALLY
STRANGERS TO ONE ANOTHER.
298
00:15:30,029 --> 00:15:31,495
THAT'S RIGHT.
299
00:15:32,532 --> 00:15:34,899
AND THE IMPORTANT
THING TO REMEMBER
300
00:15:34,968 --> 00:15:37,768
IS THAT WE LOVE AND
RESPECT EACH OTHER.
301
00:15:37,837 --> 00:15:39,804
AND ABOVE ALL,
302
00:15:39,873 --> 00:15:44,308
THAT WE TREAT EACH OTHER WITH
PATIENCE AND TENDERNESS TONIGHT.
303
00:15:45,211 --> 00:15:46,544
YEAH!
304
00:15:56,723 --> 00:15:58,189
THANKS, MA.
305
00:15:58,257 --> 00:16:01,777
I'M GLAD WE HAD
THIS LITTLE TALK,
306
00:16:02,295 --> 00:16:03,694
OH, MA.
307
00:16:05,765 --> 00:16:08,144
I DIDN'T SAY WE
COULDN'T HAVE A FAMILY.
308
00:16:08,168 --> 00:16:10,101
WE CAN ALWAYS ADOPT.
309
00:16:10,170 --> 00:16:13,704
HEY, THAT WAY WE'D BE GIVING OUR
LOVE TO A KID THAT'S ALREADY BEEN BORN.
310
00:16:13,773 --> 00:16:15,706
WELL, MAYBE LATER.
311
00:16:15,775 --> 00:16:18,843
BUT FIRST IT'S IMPORTANT
TO ME, AS A WOMAN,
312
00:16:18,911 --> 00:16:20,689
TO... TO TRY TO
HAVE ONE OF MY OWN.
313
00:16:20,713 --> 00:16:22,680
WHY? WHY?
314
00:16:22,748 --> 00:16:24,927
WHY IS THAT THE MOST IMPORTANT
THING IN LIFE, T-T-TO GIVE BIRTH?
315
00:16:24,951 --> 00:16:26,929
WELL, WHAT ARE
YOU, A BABY MACHINE?
316
00:16:26,953 --> 00:16:28,652
SOME BABY MACHINE,
317
00:16:28,721 --> 00:16:30,988
I CAN'T EVEN TURN OUT ONE COPY.
318
00:16:32,725 --> 00:16:34,325
HONEY.
319
00:16:34,394 --> 00:16:37,261
MICHAEL, DON'T YOU TOUCH
ME UNLESS YOU MEAN BUSINESS.
320
00:16:42,468 --> 00:16:45,169
IT'S ONE OF TELEVISION'S
LONGEST RUNNING BATTLES.
321
00:16:45,238 --> 00:16:48,372
ARCHIE AND DOORS
ARE BORN ENEMIES.
322
00:16:50,109 --> 00:16:53,429
OUT THE BACK DOOR.
OUT THE BACK DOOR.
323
00:17:09,195 --> 00:17:10,495
I GOTTA CALL FERGUSON'S.
324
00:17:11,631 --> 00:17:14,432
WILL YOU LET ME
GET IN THAT DOOR!
325
00:17:26,512 --> 00:17:29,246
WILL YOU LET ME
GET OUT THE DOOR!
326
00:17:33,052 --> 00:17:34,285
WAIT A MINUTE.
327
00:17:34,353 --> 00:17:37,488
LET ME GO THROUGH
THE DOOR FIRST, PLEASE.
328
00:17:43,629 --> 00:17:45,963
ARCHIE BUNKER'S NOT
EXACTLY ONE OF YOUR
329
00:17:46,032 --> 00:17:47,999
DEDICATED CHURCHGOERS.
330
00:17:48,067 --> 00:17:51,335
HOLD IT, HOLD IT, I GOT
SOMETHING TO SAY ABOUT THIS HERE.
331
00:17:51,404 --> 00:17:53,604
I AIN'T GOING THROUGH WITH
NONE OF THESE CEREMONIES
332
00:17:53,673 --> 00:17:55,005
OR ALL THAT MUMBO-JUMBO.
333
00:17:55,074 --> 00:17:57,941
SOME CATHOLIC PRIEST
SPRINKLING INCEST OVER EVERYBODY.
334
00:18:02,548 --> 00:18:04,181
YET NO ONE IS MORE VOCAL
335
00:18:04,249 --> 00:18:07,284
IN EXPRESSING HIS LOVE
FOR GOD AND COUNTRY.
336
00:18:07,353 --> 00:18:10,031
BUT I THINK ARCHIE'S
INTERPRETATION OF THE CONSTITUTION
337
00:18:10,055 --> 00:18:12,189
WOULD BAFFLE ITS AUTHORS.
338
00:18:12,257 --> 00:18:14,925
AND WHERE HE GETS
HIS VERSION OF THE BIBLE,
339
00:18:14,994 --> 00:18:16,727
GOD ONLY KNOWS.
340
00:18:16,796 --> 00:18:19,329
READ THE STORY OF
ADAM AND EVE THERE.
341
00:18:19,398 --> 00:18:22,177
YOU KNOW, ADAM AND EVE, THEY
HAD IT PRETTY SOFT OUT IN PARADISE.
342
00:18:22,201 --> 00:18:26,370
THEY HAD NO PROBLEMS. THEY
DIDN'T EVEN KNOW THEY WAS NAKED.
343
00:18:26,439 --> 00:18:29,273
BUT EVE, SHE WASN'T
SATISFIED WITH THAT, SEE.
344
00:18:29,341 --> 00:18:31,186
AND THEN ONE DAY,
AGAINST DIRECT ORDERS,
345
00:18:31,210 --> 00:18:33,477
SHE MADE POOR
ADAM EAT THAT APPLE.
346
00:18:33,546 --> 00:18:35,958
GOD GOT SORE, HE TOLD
THEM, "GET YOUR CLOTHES ON
347
00:18:35,982 --> 00:18:37,782
AND GET THE HELL OUT OF HERE."
348
00:18:39,953 --> 00:18:42,164
WE AIN'T GOT A BLACK
PRESIDENT, JEFFERSON,
349
00:18:42,188 --> 00:18:44,548
'CAUSE GOD AIN'T
READY FOR THAT YET.
350
00:18:45,991 --> 00:18:48,025
W-WAIT A SECOND.
351
00:18:48,093 --> 00:18:51,261
THAT'S RIGHT, GOD'S GOTTA TRY IT
OUT FIRST BY MAKING A BLACK POPE,
352
00:18:51,330 --> 00:18:53,363
WHICH HE AIN'T DONE YET.
353
00:18:53,966 --> 00:18:56,133
I DON'T UNDERSTAND.
354
00:18:56,202 --> 00:18:57,868
IT'S VERY SIMPLE, MRS. BUNKER.
355
00:18:57,937 --> 00:18:59,369
I'M AN AGNOSTIC.
356
00:18:59,438 --> 00:19:00,971
OH!
357
00:19:02,709 --> 00:19:05,375
YOU MEAN YOU WANT A RABBI?
358
00:19:09,348 --> 00:19:11,515
IT'S WORSE THAN THAT, EDITH!
359
00:19:11,583 --> 00:19:13,750
I THINK IT MEANS
HE CAN'T HAVE KIDS!
360
00:19:17,690 --> 00:19:20,135
I DON'T WANNA HEAR NOTHING
MORE ABOUT WOMEN'S PROBLEMS.
361
00:19:20,159 --> 00:19:22,737
YOU DON'T HEAR MEN COMPLAINING
ABOUT THEIR PROBLEMS, DO YOU?
362
00:19:22,761 --> 00:19:25,740
THAT'S 'CAUSE MEN DON'T HAVE
ANY PROBLEMS COMPARED TO WOMEN.
363
00:19:25,764 --> 00:19:28,466
AND THAT'S GOD'S
WILL, SO FORGET IT.
364
00:19:29,568 --> 00:19:31,001
YOU MEAN GOD'S MISTAKE.
365
00:19:31,070 --> 00:19:32,736
HEY, HEY.
366
00:19:32,805 --> 00:19:34,738
HEY, GOD DON'T MAKE NO MISTAKES.
367
00:19:34,807 --> 00:19:36,640
THAT'S HOW HE GOT TO BE GOD.
368
00:19:39,979 --> 00:19:42,658
HERE I AM, LORD,
DOWN THE CELLAR.
369
00:19:42,682 --> 00:19:46,149
I KNOW YOU'RE IN THE CELLAR.
WHERE'S THE CELLAR DOOR?
370
00:19:46,218 --> 00:19:49,286
THERE'S SOMETHING WRONG
WITH THE NEW LOCK ON IT, LORD.
371
00:19:52,257 --> 00:19:56,159
HANG ON THERE, MR. BUNKER.
I'M COMING FOR YOU.
372
00:19:56,228 --> 00:19:59,196
OKAY, I FOUND THE DOOR,
HOLD ON, MR. BUNKER.
373
00:19:59,264 --> 00:20:02,184
ALL RIGHT, I'M WAITING FOR YOU.
374
00:20:03,102 --> 00:20:04,768
MR. BUNKER?
375
00:20:04,837 --> 00:20:05,837
HERE I AM.
376
00:20:09,442 --> 00:20:10,682
MR. BUNKER.
377
00:20:13,179 --> 00:20:14,745
YES, YES, YES!
378
00:20:35,501 --> 00:20:36,967
FORGIVE ME, LORD.
379
00:20:40,806 --> 00:20:43,106
THE JEFFERSONS WAS RIGHT!
380
00:20:52,585 --> 00:20:55,586
MANY ARTICLES,
LETTERS, EVEN SERMONS
381
00:20:55,655 --> 00:20:57,175
HAVE BEEN WRITTEN
ABOUT THE CHARACTER
382
00:20:57,223 --> 00:20:58,789
OF EDITH BUNKER.
383
00:20:58,858 --> 00:21:02,426
EDWARD McNULTY SAID OF
HER IN THE CHRISTIAN CENTURY:
384
00:21:02,495 --> 00:21:06,196
"EDITH MIGHT THINK THAT
PLATO WAS A WALT DISNEY DOG,
385
00:21:06,265 --> 00:21:09,366
"THAT ARISTOTLE IS A
GREEK SHIPPING MAGNATE,
386
00:21:09,435 --> 00:21:11,836
"AND THAT MARX IS
A GREAT COMEDIAN.
387
00:21:11,904 --> 00:21:15,506
"BUT SHE POSSESSES SOMETHING
BETTER THAN FACTUAL KNOWLEDGE.
388
00:21:15,574 --> 00:21:19,276
A KNOWLEDGE OF THE HEART.
AN INSIGHT INTO THE SOUL."
389
00:21:19,345 --> 00:21:21,579
OH, I'LL NEVER
FORGET THE FIRST TIME
390
00:21:21,647 --> 00:21:24,448
I MADE POT ROAST
FOR YOUR FATHER.
391
00:21:24,517 --> 00:21:27,017
ONLY HE WASN'T YOUR FATHER THEN.
392
00:21:27,086 --> 00:21:29,520
WE WAS JUST KEEPING COMPANY.
393
00:21:29,589 --> 00:21:32,289
I INVITED HIM TO MY
HOUSE FOR DINNER
394
00:21:32,358 --> 00:21:34,391
AND I MADE HIM POT ROAST.
395
00:21:34,460 --> 00:21:36,560
AND THAT WAS THE FIRST TIME
396
00:21:36,629 --> 00:21:38,862
HE EVER CALLED ME DINGBAT.
397
00:21:42,401 --> 00:21:45,169
WELL, THAT'S AWFUL, EVEN IF
HE DIDN'T LIKE YOUR COOKING.
398
00:21:45,237 --> 00:21:47,504
OH, NO, HE LOVED IT.
399
00:21:47,573 --> 00:21:48,817
THEN, WHY'D HE CALL YOU DINGBAT?
400
00:21:48,841 --> 00:21:51,642
WELL, IN THEM DAYS,
ARCHIE WAS TOO SHY
401
00:21:51,711 --> 00:21:54,444
TO CALL ME
SWEETHEART, OR DARLING.
402
00:21:54,513 --> 00:21:57,447
SO, INSTEAD, HE CALLED
ME HIS LITTLE DINGBAT.
403
00:21:58,651 --> 00:21:59,917
AND YOU KNOW WHAT?
404
00:21:59,986 --> 00:22:04,488
EVER SINCE THEN, NO MATTER
HOW MAD HE SAYS "DINGBAT,"
405
00:22:04,557 --> 00:22:07,558
I ALWAYS HEAR A LITTLE
"SWEETHEART" IN IT.
406
00:22:11,664 --> 00:22:12,963
FOR THE LIFE OF ME,
407
00:22:13,032 --> 00:22:15,532
I'LL NEVER UNDERSTAND WOMEN.
408
00:22:15,601 --> 00:22:16,967
THE WAY THEY MARRY SOME GUY
409
00:22:17,036 --> 00:22:19,704
WHO ALWAYS GONNA MAKE
A DAMN FOOL OF HIMSELF.
410
00:22:19,772 --> 00:22:22,206
BUT STILL, THEY LOVE HIM.
411
00:22:23,876 --> 00:22:26,043
THAT'S RIGHT, ARCHIE.
412
00:22:33,752 --> 00:22:34,785
MIKE!
413
00:22:34,853 --> 00:22:35,919
I'M ALL RIGHT, MA.
414
00:22:35,988 --> 00:22:39,690
OUT THERE I TOLD YOU
WHY YOU YELL AT ARCHIE.
415
00:22:39,758 --> 00:22:42,926
DON'T YOU WANNA HEAR
WHY ARCHIE YELLS AT YOU?
416
00:22:42,995 --> 00:22:45,729
MA, I KNOW WHY HE
YELLS AT ME. HE HATES ME.
417
00:22:45,798 --> 00:22:48,264
OH, NO, MIKE.
418
00:22:48,333 --> 00:22:51,502
ARCHIE YELLS AT YOU
'CAUSE HE'S JEALOUS OF YOU.
419
00:22:51,571 --> 00:22:52,848
OH, MA, I DON'T
WANNA LISTEN TO THIS!
420
00:22:52,872 --> 00:22:54,972
OH, NOW, WAIT A MINUTE,
YOU WILL LISTEN TO ME.
421
00:22:55,040 --> 00:22:56,907
ARCHIE IS JEALOUS OF YOU.
422
00:22:56,976 --> 00:22:58,086
OH, COME ON, MA.
423
00:22:58,110 --> 00:23:01,111
NOW THAT AIN'T HARD
TO UNDERSTAND, MIKE.
424
00:23:01,180 --> 00:23:02,913
YOU'RE GOING TO COLLEGE
425
00:23:02,982 --> 00:23:05,316
AND YOU GOT YOUR
WHOLE LIFE AHEAD OF YOU.
426
00:23:05,384 --> 00:23:09,220
ARCHIE HAD TO QUIT SCHOOL
TO SUPPORT HIS FAMILY.
427
00:23:09,288 --> 00:23:11,455
HE AIN'T NEVER GONNA
BE NOTHING MORE
428
00:23:11,523 --> 00:23:13,357
THAN HE IS RIGHT NOW.
429
00:23:13,425 --> 00:23:16,861
BUT YOU, YOU GOT A
CHANCE TO BE ANYTHING
430
00:23:16,929 --> 00:23:18,462
YOU WANNA BE.
431
00:23:18,530 --> 00:23:21,031
THAT'S WHY ARCHIE'S
JEALOUS OF YOU.
432
00:23:21,100 --> 00:23:25,469
HE SEES IN YOU ALL THE
THINGS THAT HE COULD NEVER BE.
433
00:23:28,007 --> 00:23:31,575
SO, THE NEXT TIME
ARCHIE YELLS AT YOU
434
00:23:31,644 --> 00:23:34,878
TRY TO BE A LITTLE
MORE UNDERSTANDING.
435
00:23:34,947 --> 00:23:36,914
NOW, YOU THINK THAT OVER,
436
00:23:36,983 --> 00:23:39,816
AND WHEN YOU'RE READY,
COME BACK IN HERE WITH US
437
00:23:39,886 --> 00:23:41,818
AND BE WITH OUR FRIENDS.
438
00:23:41,888 --> 00:23:42,931
I WANNA TELL YOU SOMETHING.
439
00:23:42,955 --> 00:23:44,454
OH, WHAT?
440
00:23:45,957 --> 00:23:47,157
I UNDERSTAND.
441
00:23:56,002 --> 00:23:57,045
STOP IT!
442
00:23:57,069 --> 00:23:58,302
I'M SAYING, TAKE MY PANTS!
443
00:23:58,370 --> 00:24:00,210
I DON'T WANT 'EM! TAKE MY PANTS!
444
00:24:00,539 --> 00:24:01,672
STOP IT!
445
00:24:02,508 --> 00:24:04,408
YOU TWO SIT OVER THERE.
446
00:24:04,476 --> 00:24:05,520
GO ON!
447
00:24:05,544 --> 00:24:06,755
SIT DOWN. LISTEN TO YOUR MOTHER.
448
00:24:06,779 --> 00:24:08,078
AND YOU LISTEN, TOO.
449
00:24:08,147 --> 00:24:09,646
WELL, ALL RIGHT.
450
00:24:09,715 --> 00:24:11,595
WELL, HURRY UP,
WILL YOU? I'M TIRED.
451
00:24:13,585 --> 00:24:14,618
NOW.
452
00:24:15,488 --> 00:24:17,922
WHEN I WAS A LITTLE GIRL
453
00:24:17,990 --> 00:24:22,192
MY MOTHER AND FATHER
GOT INTO A TERRIBLE FIGHT
454
00:24:22,261 --> 00:24:25,095
THAT STARTED JUST BECAUSE
THERE WASN'T ENOUGH
455
00:24:25,164 --> 00:24:28,098
MAPLE SYRUP FOR MY
FATHER'S PANCAKES.
456
00:24:28,167 --> 00:24:29,766
MA, WHAT WE'RE
ARGUING ABOUT HERE
457
00:24:29,835 --> 00:24:31,780
IS A LITTLE BIT MORE
IMPORTANT THAN MAPLE SYRUP.
458
00:24:31,804 --> 00:24:35,138
JUST A MINUTE, I AIN'T FINISHED.
459
00:24:35,208 --> 00:24:39,910
THEY DIDN'T TALK TO EACH
OTHER FOR 3 WHOLE WEEKS.
460
00:24:39,978 --> 00:24:42,313
AND EVEN AFTER THEY MADE UP
461
00:24:42,381 --> 00:24:46,049
THINGS WAS NEVER THE
SAME BETWEEN THEM.
462
00:24:46,118 --> 00:24:49,587
SO BEFORE YOU TWO START
SAYING THINGS TO EACH OTHER
463
00:24:49,655 --> 00:24:51,955
THAT YOU'LL NEVER TAKE BACK,
464
00:24:52,024 --> 00:24:54,057
STOP, AND THINK
465
00:24:54,126 --> 00:24:58,562
HOW MUCH YOU REALLY
MEAN TO EACH OTHER.
466
00:24:58,631 --> 00:25:02,465
NOW, I KNOW MAPLE
SYRUP IS JUST A LITTLE THING
467
00:25:02,535 --> 00:25:04,467
BUT WOULD YOU RATHER BREAK UP
468
00:25:04,537 --> 00:25:06,369
OVER SOMETHING BIGGER?
469
00:25:10,242 --> 00:25:11,802
GLORIA. MICHAEL.
470
00:25:13,278 --> 00:25:14,958
I'M SORRY. I'M SORRY.
471
00:25:17,382 --> 00:25:18,849
YOU WANNA GO UPSTAIRS?
472
00:25:18,918 --> 00:25:20,158
YEAH.
473
00:25:25,424 --> 00:25:26,424
MA,
474
00:25:29,728 --> 00:25:32,495
I'M SORRY I CALLED
YOU A NOTHING.
475
00:25:32,564 --> 00:25:34,764
YOU'RE REALLY SOMETHING.
476
00:25:34,834 --> 00:25:36,066
OH,
477
00:25:36,134 --> 00:25:38,969
THANKS, GLORIA.
478
00:25:40,072 --> 00:25:42,606
HAPPY BIRTHDAY!
479
00:25:42,675 --> 00:25:43,715
OH.
480
00:25:45,444 --> 00:25:46,843
THANK YOU, MA.
481
00:25:46,912 --> 00:25:48,152
GOOD NIGHT.
482
00:25:52,017 --> 00:25:54,151
ARCHIE, DID YOU HEAR THAT?
483
00:25:54,219 --> 00:25:56,720
YEAH, YEAH, YEAH.
484
00:25:58,457 --> 00:26:00,958
DO YOU THINK I'M SOMETHIN'?
485
00:26:06,299 --> 00:26:09,166
YOU, EDITH, ARE SOMETHING ELSE.
486
00:26:13,772 --> 00:26:15,972
WATCHING EDITH, YOU MIGHT
GET THE IMPRESSION THAT
487
00:26:16,041 --> 00:26:18,708
SHE'S ALWAYS CHEERFUL
AND EASYGOING,
488
00:26:18,777 --> 00:26:22,012
THE KIND OF LADY WHO WOULD
NEVER FIGHT ABOUT ANYTHING.
489
00:26:22,080 --> 00:26:23,480
NOT TRUE.
490
00:26:23,549 --> 00:26:25,115
IF THE ISSUE IS
IMPORTANT ENOUGH,
491
00:26:25,184 --> 00:26:27,451
EDITH WILL STAND UP TO ANYBODY,
492
00:26:27,520 --> 00:26:28,885
INCLUDING ARCHIE.
493
00:26:28,954 --> 00:26:32,089
I'M JUST TRYING TO SHOW
YOU SOMETHING STIFLE!
494
00:26:35,494 --> 00:26:38,728
OH, NO, ARCHIE. YOU
CAN TAKE YOUR LOSS,
495
00:26:38,798 --> 00:26:40,697
BUT I AIN'T GONNA TAKE MINE.
496
00:26:40,766 --> 00:26:44,301
YOU CAN GO TO A
BASKETBALL GAME ANY DAY,
497
00:26:44,369 --> 00:26:48,839
BUT YOUR 25TH ANNIVERSARY
COMES ONCE IN A LIFETIME.
498
00:26:48,908 --> 00:26:51,574
WE'RE GOING TO ATLANTIC CITY.
499
00:26:57,649 --> 00:27:00,017
WE'RE ON OUR HONEYMOON.
500
00:27:00,085 --> 00:27:01,851
OH, NOW LISTEN.
NOW LISTEN. HEY, HEY!
501
00:27:01,920 --> 00:27:04,854
TAKE IT EASY WITH
THAT STUFF, HUH?
502
00:27:04,923 --> 00:27:06,256
COME ON, WILL YOU?
503
00:27:06,325 --> 00:27:08,392
A HONEYMOON IS FOR KIDS, EDITH.
504
00:27:08,460 --> 00:27:10,827
IT'S NOT FOR OLDER
PEOPLE LIKE YOU.
505
00:27:15,834 --> 00:27:17,267
ARCHIE,
506
00:27:17,335 --> 00:27:19,269
FOR YOUR INFORMATION,
507
00:27:19,337 --> 00:27:22,205
I'M AT THE PRIME OF MY LIFE
508
00:27:22,274 --> 00:27:25,942
AND AT THE HEIGHT OF MY
SEXUAL ATTRACTIVENESS.
509
00:27:33,285 --> 00:27:35,686
YEAH, I'LL TELL HIM.
510
00:27:35,754 --> 00:27:38,789
$10 ON GLOWWORM IN THE 5TH.
511
00:27:38,858 --> 00:27:39,957
YEAH.
512
00:27:40,025 --> 00:27:41,458
GOODBYE.
513
00:27:41,527 --> 00:27:44,227
EDITH, LET ME TELL YOU
SOMETHING ABOUT BEER.
514
00:27:44,296 --> 00:27:46,930
YOU CAN NEVER BUY BEER.
YOU CAN ONLY RENT IT.
515
00:27:52,137 --> 00:27:53,570
AH, LOOK AT YOU, EDITH.
516
00:27:53,638 --> 00:27:56,406
YOU AIN'T GOT NO SENSE OF
HUMOR ABOUT CERTAIN THINGS.
517
00:27:56,475 --> 00:27:58,595
DID I HEAR THE
PHONE GO OFF? YEAH.
518
00:27:59,244 --> 00:28:00,577
WELL, WHO WAS IT FOR?
519
00:28:00,645 --> 00:28:02,446
IT WAS FOR YOU!
520
00:28:02,514 --> 00:28:05,582
FOR ME. WELL, WHO WAS IT, HUH?
521
00:28:05,651 --> 00:28:08,852
IT WAS GLOWWORM IN THE 5TH!
522
00:28:16,862 --> 00:28:18,739
MIKE STIVIC'S LIFE
WITH THE BUNKERS
523
00:28:18,763 --> 00:28:20,763
ISN'T ALL PEACHES AND GLORIA.
524
00:28:20,833 --> 00:28:22,799
NOT WITH ARCHIE AROUND.
525
00:28:22,868 --> 00:28:24,467
ARCHIE'S A CREATURE OF HABIT,
526
00:28:24,536 --> 00:28:27,805
AND HIS SON-IN-LAW IS ONE
HABIT HE'D LIKE TO BREAK.
527
00:28:27,873 --> 00:28:29,139
I WAS WORRIED ABOUT HER.
528
00:28:29,208 --> 00:28:30,618
LAST NIGHT SHE
WOULDN'T TALK TO ME.
529
00:28:30,642 --> 00:28:32,520
IT WAS LIKE THERE WAS A
PANE OF GLASS BETWEEN US.
530
00:28:32,544 --> 00:28:34,589
DO YOU KNOW THAT IF WE
DON'T CATCH THAT FISHING BOAT,
531
00:28:34,613 --> 00:28:36,424
THERE AIN'T GOING TO
BE NO DEEP-SEA FISHING.
532
00:28:36,448 --> 00:28:39,194
WE'LL HAVE TO STAY ON THE DOCK WITH
THE OLD PEOPLE THERE. HOLD IT! HOLD IT!
533
00:28:39,218 --> 00:28:40,762
HOLD IT! WHAT ARE
YOU DOING HERE?
534
00:28:40,786 --> 00:28:42,186
WHAT?
535
00:28:42,254 --> 00:28:44,535
WHAT ABOUT THE OTHER FOOT?
536
00:28:45,390 --> 00:28:47,524
THERE AIN'T NO SOCK ON IT.
537
00:28:47,593 --> 00:28:48,892
I'LL GET TO IT.
538
00:28:50,563 --> 00:28:52,173
DON'T YOU KNOW
THAT THE WHOLE WORLD
539
00:28:52,197 --> 00:28:53,597
PUTS ON A SOCK AND A SOCK
540
00:28:53,666 --> 00:28:55,265
AND A SHOE AND A SHOE?
541
00:29:02,441 --> 00:29:04,908
I LIKE TO TAKE CARE
OF ONE FOOT AT A TIME.
542
00:29:07,145 --> 00:29:10,280
THAT'S THE DUMBEST THING
I EVER HEARD IN MY LIFE!
543
00:29:11,317 --> 00:29:13,250
IT'S JUST AS QUICK MY WAY.
544
00:29:13,319 --> 00:29:14,929
WAIT A MINUTE.
THAT AIN'T THE POINT.
545
00:29:14,953 --> 00:29:16,998
YOU SEE WHAT I... DON'T...
DON'T KEEP DOING IT!
546
00:29:17,022 --> 00:29:18,255
LISTEN TO ME!
547
00:29:20,626 --> 00:29:22,069
SUPPOSE THERE'S
A FIRE IN THE HOUSE
548
00:29:22,093 --> 00:29:24,427
AND YOU GOT TO
RUN FOR YOUR LIFE.
549
00:29:24,496 --> 00:29:28,431
YOUR WAY, ALL YOU GOT
ON IS ONE SHOE AND A SOCK.
550
00:29:28,500 --> 00:29:31,100
MY WAY, YOU GOT ON
A SOCK AND A SOCK.
551
00:29:31,169 --> 00:29:32,702
YOU SEE, YOU'RE EVEN.
552
00:29:38,209 --> 00:29:41,110
SUPPOSE IT'S RAINING
OR SNOWING OUTSIDE.
553
00:29:41,179 --> 00:29:42,679
YOUR WAY, WITH A
SOCK ON EACH FOOT,
554
00:29:42,748 --> 00:29:44,280
MY FEET WOULD GET WET.
555
00:29:44,349 --> 00:29:46,616
MY WAY, WITH A SOCK
AND A SHOE ON ONE FOOT,
556
00:29:46,685 --> 00:29:48,718
I CAN HOP AROUND AND STAY DRY.
557
00:29:55,894 --> 00:29:57,060
YOU KNOW SOMETHING?
558
00:29:57,129 --> 00:30:00,097
I SWEAR I THINK YOU DO
THESE THINGS SOMETIMES
559
00:30:00,165 --> 00:30:02,265
JUST TO EAT MY HEART OUT.
560
00:30:02,334 --> 00:30:03,933
AND THAT'S WHAT
YOU DO, YOU KNOW?
561
00:30:04,002 --> 00:30:06,603
LITTLE BY LITTLE,
PIECE BY PIECE,
562
00:30:06,672 --> 00:30:09,272
YOU EAT MY HEART OUT!
563
00:30:09,341 --> 00:30:10,581
I DON'T CARE.
564
00:30:12,745 --> 00:30:14,255
LET ME TELL YOU
SOMETHING, MR. BUNKER.
565
00:30:14,279 --> 00:30:16,379
NO. LET ME TELL YOU
SOMETHING, MR. STIVIC.
566
00:30:16,448 --> 00:30:18,768
YOU ARE A MEATHEAD.
567
00:30:19,718 --> 00:30:20,817
WHAT DID YOU CALL ME?
568
00:30:20,885 --> 00:30:22,018
A MEATHEAD.
569
00:30:22,087 --> 00:30:23,787
DEAD FROM THE NECK UP.
570
00:30:23,855 --> 00:30:24,988
MEAT. HEAD.
571
00:30:25,690 --> 00:30:26,990
OH, YEAH?
572
00:30:27,059 --> 00:30:29,092
NOW I SEE WHAT YOUR
IDEA OF A FREE COUNTRY IS.
573
00:30:29,161 --> 00:30:30,872
YOU'RE FREE TO SAY
ANYTHING YOU WANT,
574
00:30:30,896 --> 00:30:32,795
BUT... BUT IF ANYONE
DISAGREES WITH YOU,
575
00:30:32,865 --> 00:30:34,642
THEY'RE EITHER THROWN INTO
JAIL OR CALLED A MEATHEAD. RIGHT?
576
00:30:34,666 --> 00:30:37,946
THAT'S RIGHT, 'CAUSE THIS IS
AMERICA: "THE LAND THAT I LOVE."
577
00:30:37,970 --> 00:30:39,436
WELL, I LOVE IT TOO, MR. BUNKER.
578
00:30:39,504 --> 00:30:40,848
AND IT'S BECAUSE I
DO THAT I PROTEST
579
00:30:40,872 --> 00:30:41,983
WHEN I THINK THINGS ARE WRONG.
580
00:30:42,007 --> 00:30:43,606
THEN, "STAND BESIDE HER,
581
00:30:43,676 --> 00:30:45,408
"AND GUIDE HER,
582
00:30:45,477 --> 00:30:48,089
THE RIGHT TO DISSENT IS THE PRINCIPLE
UPON WHICH THIS COUNTRY WAS BASED.
583
00:30:48,113 --> 00:30:49,924
"THROUGH THE NIGHT
WITH A LIGHT FROM ABOVE
584
00:30:49,948 --> 00:30:51,982
LISTEN TO ME. IT'S IN
THE BILL OF RIGHTS.
585
00:30:52,051 --> 00:30:53,550
"FROM THE MOUNTAINS,
586
00:30:53,618 --> 00:30:54,829
WHY DO YOU THINK WE BROKE
AWAY FROM ENGLAND TO BEGIN WITH?
587
00:30:54,853 --> 00:30:56,152
"TO THE PRAIRIES,
588
00:30:56,221 --> 00:30:57,499
BECAUSE WE DIDN'T AGREE
WITH THEM! "TO THE OCEANS"
589
00:30:57,523 --> 00:30:59,133
WE DEMANDED FREEDOM!
"WHITE WITH FOAM,
590
00:30:59,157 --> 00:31:01,836
IT'S GUYS LIKE YOU, WHO DON'T
LISTEN TO REASON! "GOD BLESS
591
00:31:01,860 --> 00:31:03,538
I MEAN, YOU'RE NOT
LISTENING TO ANYTHING.
592
00:31:03,562 --> 00:31:05,540
YOU'RE TOTALLY CLOSED-MINDED.
AMERICA," YOU DUMB POLLACK.
593
00:31:05,564 --> 00:31:07,197
YOU'RE PREJUDICED!
YOU'RE PREJUDICED!
594
00:31:07,266 --> 00:31:09,010
YOU'RE PREJUDICED!
"MY HOME SWEET HOME."
595
00:31:09,034 --> 00:31:11,179
ARCHIE! HE'S OUR GUEST!
NOT ANY MORE. I'M LEAVING!
596
00:31:11,203 --> 00:31:14,837
? GOD BLESS AMERICA ?
YOU'RE PREJUDICED!
597
00:31:14,907 --> 00:31:16,467
ARCHIE! GET AWAY FROM ME.
598
00:31:16,508 --> 00:31:18,741
? MY HOME ?
599
00:31:18,810 --> 00:31:20,643
? SWEET ?
600
00:31:20,712 --> 00:31:25,181
? HOME ?
601
00:31:27,418 --> 00:31:30,553
?
602
00:31:33,692 --> 00:31:35,336
EVER THOUGHT ABOUT
ALL OF THE WORDS
603
00:31:35,360 --> 00:31:38,094
ALL IN THE FAMILY'S BROUGHT
INTO GENERAL USAGE?
604
00:31:38,163 --> 00:31:39,195
MEATHEAD,
605
00:31:39,264 --> 00:31:40,396
STIFLE,
606
00:31:40,465 --> 00:31:41,931
DINGBAT.
607
00:31:42,000 --> 00:31:44,734
AND IF SOMEONE SAYS, "HE'S
AN ARCHIE BUNKER TYPE."
608
00:31:44,803 --> 00:31:47,236
WE KNOW EXACTLY WHAT HE MEANS.
609
00:31:47,305 --> 00:31:48,972
I KNOW PEOPLE.
610
00:31:49,041 --> 00:31:51,052
THE REASON YOU DON'T
KNOW NOTHING ABOUT PEOPLE
611
00:31:51,076 --> 00:31:52,854
IS YOU ALWAYS GOT
YOUR BIG MOUTH OPEN.
612
00:31:52,878 --> 00:31:54,958
YOU'RE NEVER WILLING
TO LISTEN TO NOBODY.
613
00:31:55,013 --> 00:31:56,190
HOW DO YOU DO, SIR?
614
00:31:56,214 --> 00:31:58,614
MAY I HAVE A MOMENT
OF YOUR TIME? NO.
615
00:32:01,386 --> 00:32:03,319
TELL YOU WHAT I'M GONNA
DO. I'M GONNA TIME YOU.
616
00:32:03,388 --> 00:32:04,832
I'M GONNA GIVE YOU
EXACTLY 5 MINUTES
617
00:32:04,856 --> 00:32:06,089
TO GET SUPPER ON THE TABLE.
618
00:32:06,157 --> 00:32:07,757
HOLD IT! HOLD IT! HOLD IT!
619
00:32:07,793 --> 00:32:09,125
GET READY. GET SET.
620
00:32:09,194 --> 00:32:10,194
GO!
621
00:32:11,896 --> 00:32:15,532
OH, DADDY. WHY DO YOU
MAKE MA RUN LIKE THAT?
622
00:32:15,600 --> 00:32:18,000
WHAT ARE YOU TALKING
ABOUT? SHE LOVES IT.
623
00:32:27,479 --> 00:32:28,678
SEE THAT?
624
00:32:28,747 --> 00:32:29,957
WHAT'D I TELL YOU? SHE LOVES IT.
625
00:32:29,981 --> 00:32:32,148
SHE'S PRETTY FAST, TOO.
626
00:32:32,217 --> 00:32:34,028
IF YOU'RE GONNA
HAVE A CHANGE OF LIFE,
627
00:32:34,052 --> 00:32:36,819
YOU GOTTA DO IT RIGHT NOW.
628
00:32:36,888 --> 00:32:38,733
I'M GONNA GIVE YOU
JUST 30 SECONDS!
629
00:32:38,757 --> 00:32:40,257
NOW COME ON! CHANGE!
630
00:32:42,327 --> 00:32:43,493
I AIN'T FAKING IT!
631
00:32:43,562 --> 00:32:45,562
THIS IS A REAL PAIN HERE.
632
00:32:45,631 --> 00:32:47,364
CAN'T YOU HEAR THAT?
633
00:32:50,402 --> 00:32:52,803
MAYBE THE PAIN IS
634
00:32:52,871 --> 00:32:53,937
UP...
635
00:32:54,006 --> 00:32:55,483
OH, YOU THINKING
OF PSYCHOSOMATIC?
636
00:32:55,507 --> 00:32:57,173
YEAH. IT'S ALL UP HERE.
637
00:32:57,242 --> 00:32:59,053
AH, CUT IT OUT! I AIN'T
GOT NOTHING UP HERE.
638
00:32:59,077 --> 00:33:00,543
IT'S ALL DOWN HERE.
639
00:33:06,184 --> 00:33:09,986
ARCHIE HAS AN EXPLANATION
AND A SOLUTION FOR EVERYTHING.
640
00:33:10,055 --> 00:33:12,233
UNFORTUNATELY,
HIS BRAND OF LOGIC
641
00:33:12,257 --> 00:33:14,758
MAKES A FIGURE 8 LOOK
LIKE A STRAIGHT LINE.
642
00:33:16,495 --> 00:33:19,841
DID YOU KNOW THAT 65% OF THE
PEOPLE MURDERED IN THE LAST 10 YEARS
643
00:33:19,865 --> 00:33:21,509
WERE KILLED BY HANDGUNS?
644
00:33:21,533 --> 00:33:23,411
WOULD IT MAKE YOU FEEL
ANY BETTER, LITTLE GIRL,
645
00:33:23,435 --> 00:33:25,535
IF THEY WAS PUSHED
OUT OF WINDOWS?
646
00:33:26,804 --> 00:33:29,506
WOW. THAT'S CONVOLUTED LOGIC.
647
00:33:29,575 --> 00:33:31,608
YES! AND THAT'S THE
KIND OF STRAIGHT-THINKING
648
00:33:31,676 --> 00:33:33,610
I'M TRYING TO PUT ACROSS HERE.
649
00:33:34,412 --> 00:33:36,613
I HATE THAT JERK ON T.V.
650
00:33:36,681 --> 00:33:38,314
OH, I GET IT. I GET IT.
651
00:33:38,383 --> 00:33:40,694
WHEN YOU THOUGHT HE WAS TALKING
ABOUT V.D. IN A PERMISSIVE SOCIETY,
652
00:33:40,718 --> 00:33:42,185
HE WAS SMART, HUH?
653
00:33:42,254 --> 00:33:44,098
YOU FIND OUT HE'S TALKING
ABOUT GUN CONTROL, HE'S A JERK?
654
00:33:44,122 --> 00:33:46,067
THAT'S RIGHT, AND I'M
GOING TO PROVE IT TO YOU.
655
00:33:46,091 --> 00:33:48,136
HOW MANY PEOPLE IN THIS U.S.
OF A. WOULD LIKE TO HAVE GUNS?
656
00:33:48,160 --> 00:33:49,559
TOO MANY. THOUSANDS.
657
00:33:49,628 --> 00:33:52,662
BUT. HOW MANY PEOPLE
WOULD LIKE TO HAVE V.D.?
658
00:33:54,999 --> 00:33:58,279
NOW I WANNA TALK ABOUT ANOTHER
THING THAT'S ON EVERYBODY'S MIND TODAY.
659
00:33:58,303 --> 00:34:00,703
AND THAT'S YOUR STICKUPS
AND YOUR SKYJACKINGS.
660
00:34:00,772 --> 00:34:03,205
WHICH, UH, IF THAT WAS UP TO ME,
661
00:34:03,274 --> 00:34:05,475
I COULD END THE
SKYJACKINGS TOMORROW.
662
00:34:05,543 --> 00:34:06,543
YOU COULD?
663
00:34:06,611 --> 00:34:07,611
ALL YOU GOT TO DO
664
00:34:07,679 --> 00:34:09,579
IS ARM ALL YOUR PASSENGERS.
665
00:34:09,648 --> 00:34:13,516
HE'D KNOW, IF THE
PASSENGERS WERE ARMED,
666
00:34:13,585 --> 00:34:15,530
THAT HE AIN'T GOT NO
MORE SUPERIORORITY THERE.
667
00:34:15,554 --> 00:34:17,987
HE AIN'T GONNA DARE
TO PULL OUT NO ROD.
668
00:34:18,056 --> 00:34:20,289
AND THEN YOUR AIRLINES,
669
00:34:20,358 --> 00:34:22,704
THEN THEY WOULDN'T HAVE TO SEARCH
THE PASSENGERS ON THE GROUND NO MORE.
670
00:34:22,728 --> 00:34:25,695
THEY JUST PASS OUT THE PISTOLS
AT THE BEGINNING OF THE TRIP
671
00:34:25,764 --> 00:34:28,131
AND THEY PICK THEM
UP AGAIN AT THE END.
672
00:34:28,934 --> 00:34:30,066
CASE CLOSED.
673
00:34:31,502 --> 00:34:33,047
THE ONLY MISTAKE
THE WHITE HOUSE MADE
674
00:34:33,071 --> 00:34:35,149
WAS JUST HIRING A
COUPLE OF SCREW-UPS.
675
00:34:35,173 --> 00:34:36,253
A COUPLE OF SCREW-UPS?
676
00:34:36,308 --> 00:34:37,548
THAT'S RIGHT.
677
00:34:37,575 --> 00:34:39,854
THEY SHOULD HAVE HIRED JAPS
INSTEAD OF ALL THEM KRAUTS!
678
00:34:41,246 --> 00:34:42,411
WHAT?
679
00:34:42,481 --> 00:34:44,325
OF COURSE! THE JAPS ARE
BETTER THAN THE KRAUTS
680
00:34:44,349 --> 00:34:45,648
AT ELECTRONICS.
681
00:34:53,124 --> 00:34:55,758
AND IF THE JAPS GET CAUGHT,
THEY DO THE RIGHT THING:
682
00:34:55,827 --> 00:34:57,360
THEY KILL THEMSELVES.
683
00:35:01,065 --> 00:35:04,634
HIS PAL ROGER IS AS QUEER
AS A $4 BILL, AND HE KNOWS IT.
684
00:35:04,703 --> 00:35:08,304
THAT'S NOT ONLY CRUEL,
DADDY, THAT'S AN OUTRIGHT LIE.
685
00:35:08,373 --> 00:35:09,484
YOU KNOW SOMETHING, ARCHIE?
686
00:35:09,508 --> 00:35:11,140
JUST BECAUSE A GUY IS SENSITIVE,
687
00:35:11,209 --> 00:35:13,409
A-A-AND HE'S AN INTELLECTUAL,
AND HE WEARS GLASSES,
688
00:35:13,478 --> 00:35:14,744
YOU MAKE HIM OUT A QUEER.
689
00:35:14,813 --> 00:35:17,747
I NEVER SAID A GUY WHO
WEARS GLASSES IS A QUEER.
690
00:35:17,816 --> 00:35:19,882
A GUY WHO WEARS
GLASSES IS A FOUR-EYES.
691
00:35:19,952 --> 00:35:21,818
A GUY WHO'S A FAG IS A QUEER.
692
00:35:24,389 --> 00:35:25,667
WHAT ARE YOU AND HENRY JEFFERSON
693
00:35:25,691 --> 00:35:26,767
GONNA DO WHEN YOU GET CAUGHT?
694
00:35:26,791 --> 00:35:28,001
WHAT DO YOU MEAN,
WHEN WE GET CAUGHT?
695
00:35:28,025 --> 00:35:29,437
WE AIN'T DOING NOTHING CROOKED.
696
00:35:29,461 --> 00:35:30,905
OH, NO?
697
00:35:30,929 --> 00:35:32,707
WHILE THE ESTRADAS
ARE THINKING IT OVER,
698
00:35:32,731 --> 00:35:34,476
YOU AND HENRY ARE TRYING
TO FIND SOMEBODY ELSE
699
00:35:34,500 --> 00:35:35,500
TO BUY THE HOUSE.
700
00:35:35,566 --> 00:35:36,644
YOU DON'T CALL THAT CROOKED?
701
00:35:36,668 --> 00:35:38,813
NO! THAT'S LOOKING
OUT FOR NUMBER ONE.
702
00:35:38,837 --> 00:35:40,770
WHERE DOES THAT
PLACE HENRY JEFFERSON?
703
00:35:40,839 --> 00:35:42,079
HE'S NUMBER 2.
704
00:35:42,541 --> 00:35:44,174
WHY IS HE NUMBER 2?
705
00:35:44,243 --> 00:35:47,410
BECAUSE, MEATHEAD, THERE CAN ONLY
BE ONE NUMBER 1 AND ONE NUMBER 2.
706
00:35:47,479 --> 00:35:50,980
AND LIFE MADE JEFFERSON NUMBER
2 LONG BEFORE I COME ALONG.
707
00:35:51,049 --> 00:35:53,627
SO I SUPPOSE THAT THE PUERTO
RICANS ARE NUMBER 3, THEN, HMM?
708
00:35:53,651 --> 00:35:56,019
NO, NO. NOT NECESSARILY
THERE, LITTLE GIRL.
709
00:35:56,088 --> 00:35:57,987
YOUR PUERTO RICANS COULD BE 4.
710
00:35:58,056 --> 00:36:00,323
YOUR JAPS AND YOUR
CHINKS COULD BE 3.
711
00:36:01,392 --> 00:36:03,626
3A, 3B.
712
00:36:03,695 --> 00:36:06,596
CRAZY! HE MAKES ME CRAZY!
713
00:36:06,665 --> 00:36:09,699
ARE YOU GOING TO USE THOSE
CRIB NOTES ON YOUR EXAM?
714
00:36:09,768 --> 00:36:11,008
CERTAINLY I'M GONNA USE THEM.
715
00:36:11,069 --> 00:36:13,014
I'M GONNA HAVE THEM
RIGHT HERE IN THIS POCKET,
716
00:36:13,038 --> 00:36:14,270
IN CASE I NEED THEM.
717
00:36:14,338 --> 00:36:16,606
DADDY, THAT'S CHEATING!
718
00:36:16,675 --> 00:36:18,441
WHAT DO YOU MEAN, CHEATING?
719
00:36:18,510 --> 00:36:22,111
THAT AIN'T... CHEATING IS WHEN
YOU'RE SUPPOSED TO GIVE SOMETHING
720
00:36:22,180 --> 00:36:23,824
TO SOMEBODY ELSE
AND YOU DON'T GIVE IT.
721
00:36:23,848 --> 00:36:25,114
THAT'S CHEATING.
722
00:36:25,183 --> 00:36:26,816
NOW ME, I'M TAKING A TEST.
723
00:36:26,884 --> 00:36:28,562
I'M SUPPOSED TO GIVE
THEM THE RIGHT ANSWERS.
724
00:36:28,586 --> 00:36:32,188
THAT'S WHAT I'M GOING TO
GIVE THEM. I AIN'T CHEATING.
725
00:36:32,257 --> 00:36:34,557
YOU'RE NOT BEING
HONEST WITH YOURSELF!
726
00:36:34,626 --> 00:36:36,226
I CERTAINLY AM, LITTLE GIRL.
727
00:36:36,294 --> 00:36:37,527
I SAT DOWN,
728
00:36:37,595 --> 00:36:39,396
I ASKED MYSELF A QUESTION:
729
00:36:39,464 --> 00:36:41,731
I SAID, "COULD YOU
PASS THIS HISTORY EXAM
730
00:36:41,799 --> 00:36:43,966
WITHOUT THEM LITTLE
PIECES OF PAPER?"
731
00:36:44,036 --> 00:36:45,968
AND I GAVE MYSELF
AN HONEST ANSWER:
732
00:36:46,038 --> 00:36:47,404
"NO, YOU COULDN'T."
733
00:36:53,145 --> 00:36:54,544
PICTURE PUZZLE.
734
00:36:54,612 --> 00:36:56,391
GUESS WHICH WELL-KNOWN COUPLE
735
00:36:56,415 --> 00:36:58,535
HAVE JUST HAD A FIGHT?
736
00:37:34,686 --> 00:37:35,686
GLORIA?
737
00:38:04,549 --> 00:38:05,648
EXCUSE ME.
738
00:38:47,492 --> 00:38:49,191
OH, MICHAEL, COME
HERE. MY FEET ARE COLD.
739
00:38:49,261 --> 00:38:52,106
WAIT, WAIT, JUST... GLORIA.
JUST A SECOND. JUST A SECOND.
740
00:38:52,130 --> 00:38:54,497
DO IT FOR ME, HUH? JUST FOR ME.
741
00:38:55,300 --> 00:38:56,477
PUT THE WIG ON, HUH?
742
00:38:56,501 --> 00:38:58,734
I-I-IT MAKES YOU
LOOK SO DIFFERENT.
743
00:38:59,904 --> 00:39:01,104
DIFFERENT.
744
00:39:01,173 --> 00:39:03,373
IT MAKES ME LOOK SO DIFFERENT.
745
00:39:03,442 --> 00:39:05,408
MICHAEL, I MAY BE SLOW,
746
00:39:05,477 --> 00:39:08,043
BUT IT'S FINALLY
GETTING THROUGH TO ME.
747
00:39:08,112 --> 00:39:09,345
I ONLY APPEAL TO YOU
748
00:39:09,414 --> 00:39:11,447
WHEN I HAVE THIS DUMB WIG ON.
749
00:39:11,516 --> 00:39:13,695
GLORIA, THAT'S NOT
TRUE! MICHAEL, IT'S NOT ME,
750
00:39:13,719 --> 00:39:15,279
IT'S THIS PILE OF
HAIR FROM KRESSLER'S
751
00:39:15,320 --> 00:39:16,519
THAT'S GETTING TO YOU.
752
00:39:16,588 --> 00:39:19,088
I JUST HAPPEN TO BE
STANDING UNDERNEATH IT.
753
00:39:20,659 --> 00:39:23,026
THAT'S NOT TRUE. I LOVE YOU
WITH OR WITHOUT THE WIG.
754
00:39:23,094 --> 00:39:25,795
IT'S JUST THAT RIGHT NOW
I'D LIKE YOU WITH THE WIG.
755
00:39:25,864 --> 00:39:27,229
SURE YOU WOULD.
756
00:39:27,298 --> 00:39:29,866
BECAUSE THAT WAY, YOU CAN
MESS AROUND WITH A DIFFERENT GIRL
757
00:39:29,934 --> 00:39:31,433
WITHOUT CHEATING ON YOUR WIFE.
758
00:39:33,237 --> 00:39:35,070
WHAT A SICKIE!
759
00:39:35,139 --> 00:39:37,874
YOU'RE... YOU'RE CALLING
ME A SICKIE, GLORIA?
760
00:39:37,942 --> 00:39:39,052
YOU'RE THE SICK ONE.
761
00:39:39,076 --> 00:39:41,396
YOU'RE JEALOUS OF YOUR OWN WIG!
762
00:39:45,283 --> 00:39:46,716
I MEAN, TAKE THE ANIMAL KINGDOM,
763
00:39:46,785 --> 00:39:48,551
THE MALE IS ALWAYS IN CHARGE.
764
00:39:48,620 --> 00:39:51,187
OH, YEAH? DID YOU
EVER HEAR OF A KING BEE?
765
00:39:58,396 --> 00:39:59,628
WHAT?
766
00:39:59,697 --> 00:40:01,898
IT'S THE FEMALE
WHO RUNS THE HIVE.
767
00:40:01,967 --> 00:40:04,100
GLORIA, LOOK. ALL
I'M TRYING TO SAY,
768
00:40:04,169 --> 00:40:05,801
ALL I'M TRYING TO SAY,
769
00:40:05,871 --> 00:40:08,204
IS THAT A MAN'S SEX
DRIVES ARE DIFFERENT.
770
00:40:08,273 --> 00:40:10,113
OH, DON'T TELL ME ABOUT
YOUR DRIVES, MICHAEL.
771
00:40:10,141 --> 00:40:11,875
MINE ARE JUST AS
STRONG AS YOURS.
772
00:40:11,943 --> 00:40:13,809
AND IF IT GIVES ME
PLEASURE, ONCE IN A WHILE,
773
00:40:13,879 --> 00:40:15,044
TO BE THE PURSUER,
774
00:40:15,113 --> 00:40:17,113
THE LEAST YOU CAN DO IS DELIVER.
775
00:40:21,720 --> 00:40:24,487
ALL RIGHT, GLORIA. GET OFF THE
COUCH AND COME BACK UPSTAIRS.
776
00:40:24,556 --> 00:40:25,866
LET'S GO. LEAVE ME ALONE.
777
00:40:25,890 --> 00:40:27,968
GLORIA, I AM IN NO MOOD
FOR GAMES. I'M YOUR HUSBAND.
778
00:40:27,992 --> 00:40:30,492
I'M TELLING YOU, GET OFF THE
COUCH AND COME BACK UPSTAIRS.
779
00:40:30,561 --> 00:40:31,794
GET LOST.
780
00:40:31,863 --> 00:40:33,496
ALL RIGHT. ALL RIGHT.
781
00:40:33,564 --> 00:40:35,531
I CAN SEE YOU'RE
ACTING LIKE A CHILD.
782
00:40:35,600 --> 00:40:37,277
I'M ACTING LIKE A CHILD, AM I? THAT'S
RIGHT, YOU'RE ACTING LIKE A CHILD,
783
00:40:37,301 --> 00:40:38,779
AND I'M GOING TO HAVE TO
TREAT YOU LIKE ONE. MICHAEL!
784
00:40:38,803 --> 00:40:40,715
COME ON. YOU'RE COMING
BACK UPSTAIRS. LET'S GO!
785
00:40:40,739 --> 00:40:43,439
OH, ARCHIE! LOOK, IT'S
ALL RIGHT. THEY MADE UP.
786
00:40:54,585 --> 00:40:57,153
WHEN WE WERE LOOKING
THROUGH THE PAST 99 SHOWS,
787
00:40:57,222 --> 00:40:58,821
WE FOUND OURSELVES WONDERING,
788
00:40:58,890 --> 00:41:01,157
WHAT WAS THE SCENE WHICH
GOT THE LONGEST LAUGH
789
00:41:01,226 --> 00:41:02,525
IN ALL IN THE FAMILY?
790
00:41:02,594 --> 00:41:07,564
?
791
00:41:19,677 --> 00:41:22,211
GLORIA! WHERE ARE YOU?
792
00:41:25,951 --> 00:41:27,550
HOLD IT, MA!
793
00:41:27,619 --> 00:41:29,519
I'M WAITING FOR DADDY.
794
00:41:48,205 --> 00:41:49,772
IF I PROMISE
795
00:41:49,841 --> 00:41:52,007
NEVER TO DO IT AGAIN,
796
00:41:52,076 --> 00:41:54,043
WILL YOU LET ME GO?
797
00:41:54,111 --> 00:41:55,244
OKAY, MR. WARD.
798
00:41:55,313 --> 00:41:56,913
BUT IT'S THE LAST TIME.
799
00:41:56,981 --> 00:41:58,080
NOW BEAT IT.
800
00:41:58,149 --> 00:41:59,415
THANK YOU, SERGEANT.
801
00:41:59,484 --> 00:42:00,724
THANK YOU.
802
00:42:08,660 --> 00:42:11,327
HEY, HEY! GET OUT OF
HERE. WHAT ARE YOU, CRAZY?
803
00:42:11,396 --> 00:42:12,662
DON'T DO THAT HERE!
804
00:42:13,731 --> 00:42:14,997
BOOK HIM.
805
00:42:27,111 --> 00:42:29,912
YEAH, GOOD OLD BUBBLES.
806
00:42:29,980 --> 00:42:31,158
AHH.
807
00:42:31,182 --> 00:42:33,882
OH, ARCHIE!
808
00:42:33,951 --> 00:42:35,518
SHUT UP, EDITH.
809
00:42:51,135 --> 00:42:52,846
THIS IS THE APPRECIATION YOU GET
810
00:42:52,870 --> 00:42:55,437
FOR MAKING THE BIG DECISION
TO BRING A KID INTO THIS WORLD.
811
00:42:55,506 --> 00:42:57,466
OH, BIG DECISION.
COME OFF IT, ARCH.
812
00:42:57,508 --> 00:42:59,119
THE ONLY REASON A
LOT OF PEOPLE HAVE KIDS
813
00:42:59,143 --> 00:43:02,211
IS BECAUSE THEY FORGET TO
MAKE A TRIP TO THE DRUGSTORE.
814
00:43:27,171 --> 00:43:28,470
FINALLY,
815
00:43:28,540 --> 00:43:30,873
WELL, DON'T JUST
TAKE OUR WORD FOR IT,
816
00:43:30,942 --> 00:43:33,542
WHY DON'T YOU CLOCK
THIS ONE FOR YOURSELVES?
817
00:43:33,611 --> 00:43:36,379
MR. DAVIS. THIS IS AN
UNEXPECTED PLEASURE.
818
00:43:36,447 --> 00:43:38,180
MY PLEASURE. THANK
YOU VERY MUCH.
819
00:43:38,249 --> 00:43:40,227
CAN I GET A PICTURE? NO, NO,
COME ON, MUNSON, NO PICTURES.
820
00:43:40,251 --> 00:43:41,384
OH, NO. THIS ONE IS FOR ME.
821
00:43:41,452 --> 00:43:42,762
MR. MUNSON, WOULD
YOU STAND OVER THERE?
822
00:43:42,786 --> 00:43:44,198
I WANT ONE PICTURE
TAKEN WITH ARCHIE BUNKER,
823
00:43:44,222 --> 00:43:45,332
MY FRIEND, AND ME.
824
00:43:45,356 --> 00:43:47,334
YOU AND ME? YES. NOW ON 3, OKAY?
825
00:43:47,358 --> 00:43:48,457
1,
826
00:43:48,526 --> 00:43:49,758
2, 3!
827
00:43:55,900 --> 00:43:59,001
GOODBYE, MR. MUNSON.
PEACE AND LOVE.
828
00:44:10,781 --> 00:44:13,315
WE'VE TALKED ABOUT
ARCHIE AND BIGOTRY.
829
00:44:13,384 --> 00:44:16,152
WE'VE TALKED ABOUT
MIKE AND HIS PROBLEMS.
830
00:44:16,220 --> 00:44:18,687
WE'VE TALKED ABOUT
THE GROWTH OF GLORIA.
831
00:44:18,756 --> 00:44:20,423
THE INDEPENDENCE AND STRENGTH
832
00:44:20,491 --> 00:44:22,536
THAT LIES UNDERNEATH
THE SWEETNESS AND LOVE
833
00:44:22,560 --> 00:44:24,293
OF EDITH.
834
00:44:24,362 --> 00:44:27,096
BUT I OFTEN THINK THAT THE
THINGS ONE REMEMBERS MOST
835
00:44:27,165 --> 00:44:29,231
IN ALL OF TELEVISION
ARE MOMENTS.
836
00:44:29,300 --> 00:44:31,600
VERY SPECIAL MOMENTS.
837
00:44:31,669 --> 00:44:33,436
HEY, PUT 'EM UP.
838
00:44:33,505 --> 00:44:35,549
SEE IF YOU REMEMBER ANYTHING I
TAUGHT YOU WITH THE DUKES, HUH?
839
00:44:35,573 --> 00:44:37,418
COME ON, PUT 'EM UP.
GET 'EM UP. NO, DADDY.
840
00:44:37,442 --> 00:44:39,253
DADDY, CUT THAT OUT!
COME ON. HEY, HEY!
841
00:44:39,277 --> 00:44:40,855
LOOK OUT FOR THAT ONE!
DADDY, DON'T! STOP IT!
842
00:44:40,879 --> 00:44:42,511
DADDY, I'M TOO OLD FOR THIS NOW.
843
00:44:42,580 --> 00:44:44,614
I'M NOT YOUR LITTLE
GIRL ANYMORE.
844
00:44:47,719 --> 00:44:49,619
DON'T YOU NEVER TELL ME THAT.
845
00:45:16,080 --> 00:45:17,580
HEY, EDITH.
846
00:45:17,649 --> 00:45:18,889
NOT NOW, ARCHIE.
847
00:45:18,949 --> 00:45:20,549
I AIN'T IN THE MOOD.
848
00:45:30,928 --> 00:45:32,461
FOR WHAT?
849
00:45:34,565 --> 00:45:35,964
EDITH, UH,
850
00:45:36,033 --> 00:45:38,479
ABOUT THIS LITTLE SPAT WE'VE
BEEN HAVING AROUND HERE ALL WEEK...
851
00:45:38,503 --> 00:45:39,935
YEAH, ARCHIE?
852
00:45:40,004 --> 00:45:42,371
WELL, YOU KNOW ALL THEM
NAMES I WAS CALLING YOU, LIKE
853
00:45:42,440 --> 00:45:44,307
"SAINT" AND "EDITH THE GOOD."
854
00:45:44,375 --> 00:45:46,253
AND SAYING YOU
WASN'T HUMAN AND ALL,
855
00:45:46,277 --> 00:45:49,144
I... I JUST WANTED
TO SAY THAT, UH,
856
00:45:49,213 --> 00:45:50,453
YOU KNOW,
857
00:45:51,148 --> 00:45:52,914
YOU'RE SORRY.
858
00:45:58,756 --> 00:45:59,889
YEAH.
859
00:46:05,963 --> 00:46:08,530
I'M GLAD YOU SAID IT, ARCHIE.
860
00:46:11,669 --> 00:46:12,829
ARCHIE.
861
00:46:13,938 --> 00:46:15,871
GLORIA LOST THE BABY.
862
00:46:15,940 --> 00:46:18,240
WHAT ARE YOU TALKING ABOUT?
WHAT DO YOU MEAN BY THAT?
863
00:46:18,309 --> 00:46:21,143
BUT THE DOCTOR SAYS
SHE'S GONNA BE FINE.
864
00:46:22,347 --> 00:46:23,879
SHE LOST THE BABY?
865
00:46:23,948 --> 00:46:26,229
YES, ARCHIE.
866
00:46:27,818 --> 00:46:28,884
SHE LOST THE BABY?
867
00:46:41,766 --> 00:46:42,965
AH, GEE.
868
00:46:46,103 --> 00:46:47,103
COME IN.
869
00:46:50,374 --> 00:46:51,374
HI, DADDY.
870
00:46:52,743 --> 00:46:53,783
HIYA, SWEETHEART.
871
00:46:55,580 --> 00:46:58,940
HOW YOU FEELING? HEY, YOU
LOOK PRETTY GOOD, THERE.
872
00:46:59,917 --> 00:47:01,984
I DIDN'T DO A VERY
GOOD JOB, DID I?
873
00:47:02,986 --> 00:47:05,065
AH, WHO SAID THAT?
SOME DOPEY DOCTOR...
874
00:47:05,089 --> 00:47:06,555
OH, NO, NO, DADDY. STOP THAT.
875
00:47:06,624 --> 00:47:07,864
AH, GEE WHIZ.
876
00:47:18,970 --> 00:47:20,135
YOU WANNA SAY SOMETHING?
877
00:47:22,573 --> 00:47:24,293
WELL, NO, NO, NOT TONIGHT.
878
00:47:25,143 --> 00:47:26,183
NO, NOT TONIGHT.
879
00:47:30,715 --> 00:47:31,848
YOU LOVE ME.
880
00:47:39,156 --> 00:47:40,790
I LOVE YOU, TOO, DADDY.
881
00:47:54,071 --> 00:47:58,641
THERE ARE VERY FEW SHOWS
THAT CAN BLEND A SMILE AND A TEAR.
882
00:47:58,709 --> 00:48:01,443
SOMETIMES WHEN I'M
WATCHING ALL IN THE FAMILY,
883
00:48:01,512 --> 00:48:04,946
THE LAUGH OR THE
LUMP IN THE THROAT.
884
00:48:10,921 --> 00:48:12,354
HERE I AM.
885
00:48:18,996 --> 00:48:21,930
HEY, EDITH.
886
00:48:21,999 --> 00:48:24,719
YOU KNOW, YOU LOOK KIND
OF PRETTY STANDING THERE.
887
00:48:26,103 --> 00:48:27,336
GEE, THAT'S FUNNY.
888
00:48:29,340 --> 00:48:31,700
YOU LOOK JUST LIKE
YOU DID 25 YEARS AGO.
889
00:48:32,977 --> 00:48:34,543
THANK YOU, ARCHIE.
890
00:48:37,081 --> 00:48:40,849
COME ON. COME ON, LET'S KILL
THIS BOTTLE OF CHAMPAGNE, HUH?
891
00:48:40,918 --> 00:48:42,278
HA! WAIT.
892
00:48:42,319 --> 00:48:44,639
I'M GONNA MAKE A TOAST.
893
00:48:45,489 --> 00:48:49,958
THANK YOU FOR A
WONDERFUL 25 YEARS.
894
00:48:51,662 --> 00:48:54,897
WELL, EDITH, THANK YOU, TOO.
895
00:48:54,965 --> 00:48:56,845
AFTER ALL, I COULDN'T
HAVE DID IT WITHOUT YOU.
896
00:49:11,582 --> 00:49:12,582
WELL, EDITH.
897
00:49:13,951 --> 00:49:15,117
"WELL" WHAT?
898
00:49:20,524 --> 00:49:21,524
WELL, THIS.
899
00:49:34,839 --> 00:49:37,606
WELL, THAT'S SOME OF THE
BEST OF ALL IN THE FAMILY.
900
00:49:37,675 --> 00:49:40,576
I HOPE YOU ENJOYED
IT. I KNOW I DID.
901
00:49:40,645 --> 00:49:44,513
WHAT CAN YOU SAY ABOUT THE WONDERFUL
CAST WE'VE JUST BEEN LAUGHING AT?
902
00:49:44,582 --> 00:49:47,149
THEY'RE TALENTED, HARDWORKING,
903
00:49:47,217 --> 00:49:48,217
AND HUNGRY.
904
00:49:50,187 --> 00:49:51,187
GOOD NIGHT.
905
00:49:52,305 --> 00:50:52,903
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