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(INDISTINCT CHATTERING)

(ENGINE LABOURING)

(ENGINE STILL LABOURING)

PAUL: Need some help?

Maybe you've got the motor flooded.

What do I do about it?

Want me to try?

All right.

Shove over.

(ENGINE LABOURING)

Did you like the show?

Yeah. How'd you know I was there?

I saw you.

Wondered why you were alone.

I wondered the same thing about you.

(ENGINE LABOURING)

It doesn't seem to be flooded.

I'll take a look under the hood.

(CAR DOOR CLOSING)

I don't know. I don't think you're getting any spark.

I'm not?

PAUL: Not enough to start the car.

Any suggestions?

Yeah, I think you oughta have a mechanic look at it.

There's an all-night garage on Normandy.

You could call them from a bar over here.

All right.

I'd feel much better if you went with me.

That was the idea.

(UPBEAT JAZZ MUSIC PLAYING)

(SONG ENDING)

Another drink?

You could play the record again, though.

Okay.

- Oh. - Did you get it started?

I have to tow it into the shop, ma'am. I can't seem to locate the trouble.

How long'll that take?

It's hard to say. Could I call you here?

Bartender, what time do you close?

BARTENDER: Twelve o'clock.

We don't get much late trade.

- Well, I guess we'll have to call you. - Okay.

Well...

Like to take me home?

Now?

Sure.

Your place or mine?

Surprise me.

Yeah.

Well, there's, uh, no particular hurry.

Well, why don't you check with the mechanic and call me back?

Hollywood 33449.

Right.

- Mind? - No, help yourself.

(SLOW BIG-BAND MUSIC PLAYING)

That was with plain water, wasn't it?

LON A“. Uh-huh.

Sorry.

Sorry? For what?

Picking me up.

PAUL: Is that what you call it, a pick-up?

Don't you?

You, uh, get picked up often?

Would you care?

If I said yes, it wouldn't make much sense, would it?

No.

I guess it wouldn't.

The answer's yes.

Would it make any sense if I told you it's never happened before?

Maybe.

Funny.

When I saw you come into the theatre tonight,

I... I thought how awful it was, the two of us there all alone.

It doesn't make sense. A girl like you,

new car, mink coat, perfume fifty bucks an ounce.

It's a hundred.

Still alone. Why?

Uh-uh. No questions. Don't spoil it.

(TELEPHONE RINGING)

Yeah?

How long will it take?

Wait a minute.

He says the distributor's shot.

Take a couple of hours, maybe longer, to fix it.

He wants to know where to deliver it.

You tell him.

You can deliver it here.

3916 Crescent Way, Apartment D.

Right.

(ENGINE HUMMING)

(HORN HONKING)

We're doing the best we can.

After all, identifying Harry Wheeler as one of the men

who knocked off the bank was no break.

It was...

Yes, sir.

All right, sir, as soon as I get it.

What about you, Rick? Anything from St Louis?

Wheeler was there till five weeks ago. That's all we got.

Nothing on who he left with, why he left?

They're working on it.

(DOOR OPENING)

ECKSTROM: About time you showed.

- Have you got anything for us? - Well, nothing definite, no.

What do you want? Another three days with her?

I didn't ask for the first three.

Okay, Paul, we've been drawing blanks here too.

You can have more time with her if you need it.

I'm satisfied she's Wheeler's girl.

Oh, why?

Well, it seems to add up.

We spend a lot of time at my place, never at hers.

She obviously has a generous friend who's not around at the moment.

Last night, when I tried to take her to the Lombardy Club, she backed off.

PADDY: What's the connection?

It's one of Wheeler's hangouts. You think that's enough to go on?

Don't you?

It'll have to do.

Harris, bring in that layout.

Oh, what about the girl?

I told her I was gonna be out of town for a while.

Oh, I got this from the bank yesterday. It's the official count.

Two hundred and ten grand, and no record of the serial numbers.

This is a layout of the building the girl lives in.

This is her apartment here.

We'll take over this one across the way.

Be sure you avoid contact with the rest of the tenants.

There'll be two men in this room at all times,

one on the phone tap, the other at the window.

Another man will be in a lookout car out in front.

If Wheeler shows, the man in the lookout car phones upstairs,

and the other two will be ready for him when he steps out of the elevator.

- Sounds real simple. - It is.

If you ask me, Wheeler's halfway to Peru right now.

All that dough and a murder rap hanging over him?

Look, get it out of your head that Wheeler won't show.

This is all we've got to go on, and I want you expecting him.

Did you ever read the statistics on bank jobs, Paddy?

Ever hear of a heist man being picked up afterward

on a highway or international border?

They find them holed up in the big city,

and, seventy per cent of the time, there's a dame with them.

How about it, Paul? Think Wheeler'll be around?

Yeah, he'll be around.

Everything straight then?

How about those back doors? They kept locked?

They can't be opened from the outside.

You'll be in charge of the stakeout, Paul, and you know what I want.

- You want Wheeler. - I want him alive.

Remember that, all of you.

Dead, he can't tell us where the money is

or who his partner was.

Alive, he can save us a lot of dirty work.

- What watch will we take? - The important one.

I'm putting Briggs, Fine and Corrick on the day watch.

Doesn't figure that Wheeler will show up in daylight.

Well, I guess that's everything.

Pick yourself up a copy of this from Harris.

Paul.

Keep your eye on Paddy.

I'd like to see him get his pension, but he won't if he slips again.

Find Briggs and send him in to me.

- Paul, Rick. - Hiya, boys.

- Been a long afternoon. - Anything doing?

She went out once. Briggs tailed her.

BRIGGS: She took her car for a lube job.

- Might mean something. - She's waiting for someone all right.

Doesn't know what to do with herself.

Smoked a pack of cigarettes the past two hours.

- Coffee if you want it. - Thanks. All the comforts of home.

- She get any calls? - No. Everything's in the log there.

OFFICER: Have fun.

- RICK: See ya. - At seven a.m.

"2:46, called in for..."

Hmm. For nothing.

- You got her? - Uh-huh.

PAUL: What do you think?

You're right. He'll be around.

To me, she's still a babe like thirty million others.

Want me to take the phone?

No, I'll take it.

(CLICKING)

(TELEPHONE LINE BUZZING)

She's gonna make a call.

(TELEPHONE DIALLING)

(TELEPHONE RINGING)

FEMALE VOICE: The time is 7:10 and forty seconds.

New car, mink coat, and no clocks in the joint.

- Probably the story of her life. - You just don't like women, Rick.

- What keeps you single? - Maybe I like 'em too much.

We've seen all kinds since we joined the force.

Big girls, hustlers, blackmailers, shoplifters, drunks.

You know, I think I'd still get married if I could find a half-honest woman.

Must be a few around.

Watch yourself. Those few might just be smarter.

What makes a dame like that tie up with a guy like Wheeler?

Money, what else?

She's scared...

Scared of being hungry and scared of being alone.

You can wrap up her whole life in that one word.

-Money?

It's nice, but it doesn't make the world go round.

Doesn't it?

Do you know anybody that's happily married that hasn't got plenty of it?

My old man was, and he had to stand the wolf off all his life.

My folks hated each other, fighting all the time.

It's about the only thing I can remember about 'em.

One long, endless quarrel, and always about money.

Never about anything but money.

When I was a kid, I promised myself

that when I grew up I'd have plenty of dough.

Plenty of it.

I'm doing all right.

I owe the Chinaman two dollars and thirty cents on last week's laundry bill.

How'd we get onto this?

I think I made a nasty crack about women.

(WATER RUNNING)

- Paul, she's going out. - I'll take it.

Change your mind about going out of town?

Yeah.

I took my car to have it serviced today.

Happened to mention the trouble I had with it,

so the mechanic looked at the distributor.

He said it hasn't been touched in months.

My car didn't start the other night because you did something to it.

Why?

Can't think of a fast answer?

Yeah, I can think of an answer.

I saw you walk into the theatre. I liked the way you walked.

- As simple as that. - Sure, why not?

You're a liar.

You're also a cop.

You need a drink.

What do the police want from me?

I wouldn't know.

Harry wanted me to keep an eye on you.

- Harry? - Wheeler. He's a friend of mine.

Harry Wheeler has no friends.

He did me a favour once.

And you returned it.

He didn't do me that big a favour.

So you're a friend of Harry's.

That's right. From St Louis.

He dreamed up a pet name for me.

He did that for a lot of girls.

He never called me anything else.

What was it?

He was kind of nervous when I talked to him on the phone.

He gave me your name and address, that's all.

A. A cop! Dirty, lying cop!

Wait a minute, baby. Take it easy.

Take it easy!

These last few days.

They weren't all just cop, were they, Paul?

No.

No, I learned everything I wanted to know that first night.

I went on seeing you because I wanted to.

But it's over.

What happens now?

I'm taking you downtown.

A man named Eckstrom wants to ask you some questions.

Well...

It's been weird knowing you.

Not that it matters, Paul,

but... I didn't know that Harry was what he is.

He told me he owned apartment houses in St Louis.

Did he buy you that coat?

Yes.

- Who's his partner? - Partner?

Yeah, there were two on that bank job. We only identified Wheeler.

I told you, he didn't have any friends.

I met him at a nightclub on the strip. He came in alone.

He was always alone if he wasn't with me.

And you let him set up house for you?

All right.

He bought me my clothes and my car,

and a lease on a decent place to live in.

Things I've never had in my whole life.

If you'd known where his dough came from,

would you still have taken it?

Money isn't dirty. Just people.

How's he getting in touch with you?

He'd be crazy to try and you know it.

Why? It was just a lucky break that we got a line on you.

He probably figures you're clear.

Maybe he will try.

I suppose my phone's tapped.

What happens to Harry if he's caught?

He killed a man.

And the 200,000?

What do you think?

I think it's a lot of money. And, right now, Harry's got it.

That's right.

Paul...

Go on home.

- Why? - I wouldn't know.

Go on before I start thinking about it.

I don't wanna go, Paul.

Not yet.

We could have that money, Paul. You and I.

Look, Harry's gonna die, no matter what we do,

so what difference will it make if he shows up and he's killed?

Be a perfect set-up for a cop, wouldn't it?

I could knock him off, hide the money, and call the meat wagon.

No questions asked.

Think what that money could mean to us, Paul.

To you and me.

And I thought I was using you.

Get out.

Get out!

(CAR DOOR CLOSING)

(CAR ENGINE STARTING)

RICK: Where'd she go?

Just drove around going no place.

Might have been trying to make a contact or something.

She looks a little frustrated at that.

Shouldn't one of us go down and relieve Paddy?

- Hey, you with me? - What?

I thought one of us ought to go down and relieve Paddy.

Yeah. Yeah, I'll do it.

- What's she doing? - Hanging drapes.

Oh, you mean Wheeler's dame.

She's sitting over there, staring at the wall.

There's a little nurse next door, always busy,

hasn't stopped moving for a minute.

(DOOR OPENING, CLOSING)

(TELEPHONE RINGING)

Hello.

RICK: What's holding you up?

Where are ya?

The bowling alley, where else? Don't tell me you forgot about it.

I'm sorry, Rick, I did forget about it.

I woke up this morning with a fat headache.

I think I'd better skip it today, huh?

Sure. Brew yourself some thick, black coffee.

- I'll see you tonight. - Right.

Why don't you sit down? Give your feet a rest.

- I'm all right. - Are you?

What do you mean by that?

You've been looking kind of bad the last couple of nights.

Trouble sleeping daytimes?

Yeah, yeah, the... Some of the kids in the neighbourhood.

Now, me, I get home, take a big double shot,

and, Wham, I'm asleep.

I'll have to try that.

Why don't you go down and relieve Rick?

Right.

(DOOR OPENING, CLOSING)

Why can't I go to the...

Please, thanks a lot for the ride home, but I've got to get upstairs.

But what's your hurry? It's early yet.

I'm awfully tired. Thanks anyway.

Look, why don't you go up and get out of that uniform?

- We'll go out, have a drink. - Some other time. Good night.

- No. - Now, just a minute.

Give me back my purse.

I'll give it to you when you come down, okay?

You're being very childish. Give it back.

No, you're not gonna get it.

- Hey. - No, I said.

- Forget it. It's not worth it. - Now, wait a minute.

The lady said good night. I guess you didn't hear.

Why don't you mind your own business, buddy?

And give the lady back her purse and take a walk.

Look, chum, I don't think it's any of your...

Be a nice fella. Get yourself some air.

Thank you very much.

It was a pleasure.

You did that like...

As if you'd done it before a few times.

I... I was a bouncer once a long time ago.

Maybe I should learn how it's done. Might come in handy.

Wouldn't it be simpler just to avoid that type?

I... I really am grateful for what you did.

You never know for sure. Some women like that kind.

Oh, well, I don't.

Not that it matters, but I didn't have a date with him.

I'm a nurse, and he goes with a friend of mine at the hospital.

He offered me a lift home, and I made a mistake and accepted.

- You don't have to explain it to me. - No, it's just that I...

I guess I didn't want you to have a bad opinion of me.

- Don't ask me why. - All right, I won't.

Shouldn't I offer you a cup of coffee or something?

- It seems the least I could do. - After you learn that hammerlock.

I won't need it. My roommate hasn't left yet.

- She's a nurse, too. Night shift. - Maybe some other time.

Oh. All right.

- Well, good night. - Good night.

PAUL: It's Paul.

I may have to hang up fast.

Take the stairs and go up on the roof. I want to talk to you.

Right now. Don't even bother to finish that drink.

(HANGING UP)

Sorry for the delay. I got tied up.

It's all right. The girl's going out.

I'll take her.

LONA: Over here, Paul.

You win.

I couldn't have taken much more, wondering what was happening,

waiting for the phone to ring and scared it might,

thinking of you, wanting to see you,

- wanting you to call me. - I know.

This isn't gonna be easy.

We gotta keep our heads every second.

Your phone's tapped, and there are three men watching you day and night.

Harry's coming here, maybe tomorrow.

Tomorrow? That soon? You've got to stop him.

How? I don't know where he is.

- Well, he'll call first, won't he? - Yes, but...

Then stall him. And don't answer your phone unless I'm on the tap.

Paul, will you listen to me? It doesn't matter if anyone hears.

Harry told me exactly what to say when he calls,

and if I say anything else, he won't...

(CLANGING)

What did he tell you to say?

When he calls, he'll ask me what TV programme I'm looking at.

If everything is clear, I'll say I'm not looking at TV.

You're not looking at TV.

Yes, and that's it.

He'll show up here ten or fifteen minutes later.

Yeah. Do you think he'll have the money with him?

Yes.

Can't you tell him to meet you some place else?

No, if I say anything but what he told me to say,

it's a signal to run.

- He'll show up right after he calls? - Ten or fifteen minutes later.

All right.

All right, now remember,

you're not to answer your phone until after seven o'clock,

when I'm on the tap.

When Wheeler calls, you give him the all-clear.

Then you leave, fast.

One man will tail you, and I'll change places with the man outside.

Have you got an extra key to your apartment?

- No, but maybe... - Never mind.

When you go, leave the door open so I can get in.

How long do I stay away?

You don't come back until you call me first.

If it's all over, I'll be there to take the call.

If you don't get an answer, stay away.

- Have you got it all straight? - Yes.

- You sure? - Uh-huh.

All right. Now go down in your car and drive around for a while

and then come back. I'll be right behind you.

Couldn't I drive to your place?

No.

No, we can't take any more chances. Now go on.

Be careful, Paul.

Ooh, man!

- The redhead on the third floor? - Isn't that the most?

Well, you only get out of a sweater what you put into it, I always say.

Yeah, you said it twice this morning. Let me have a look.

(TELEPHONE RINGING)

(TELEPHONE RINGING)

Answer your phone, blondie.

What's going on?

Still in the bedroom.

She's not gonna answer it.

- That's funny. - (KNOCKING ON DOOR)

- You just missed something. - What happened?

Her phone rang half a dozen times.

FINE: She just ignored it.

- How did she react? - Couldn't tell. She was in the bedroom.

Maybe she knows her phone's tapped.

You're sure she wasn't in the shower or something?

Just stood in the bedroom and stared at the phone.

Almost hate to leave. This may be the big night.

- Yeah. - I can hardly tear myself away.

Well, enjoy the view.

- We'll see you. - Good night.

If that call was supposed to mean something, she isn't showing it.

RICK: Probably her roommate's party.

Must be her night off or something.

How do you know it isn't her party?

She's tired.

I saw her come home tonight. She was beat.

You'd never know it to look at her now.

Well, this thing will probably go on all night.

- What do you care? - I don't.

Maybe I do.

I... I find myself watching her like I was her father or something.

I wait for her to come home.

When she's late, I worry about her, wonder what she's doing.

And, uh, who she's doing it with, that the idea?

Yeah, something like that.

At least I feel I know her well enough to...

(TELEPHONE RINGING)

She's gonna answer it.

LONA ON PHONE: Hello?

MAN ON PHONE“. Good evening.

This is the RTV Rating Service.

Would you tell me what programme you're watching right now?

TV programme, that is.

LONA: I'm not watching TV.

MAN: I see. Thank you.

(LINE CLICKING)

Did you ever hear of an RTV rating service?

No. See what she's doing.

She's gone in the bedroom.

She's going out, Paul. This may be it.

Like me to take it this time?

I'd give my arm to nail that babe and her boyfriend.

Okay, Rick. Go ahead.

Good luck.

OPERATOR ON PHONE: Operator.

Mobile operator.

OPERATOR: One moment, please.

MOBILE OPERATOR ON PHONE: Mobile operator.

Give me W J 8-2311.

MOBILE OPERATOR: Your name and number?

Sheridan, Hollywood 95264. Hurry it up, please.

MOBILE OPERATOR: Yes, sir.

(RINGING)

MOBILE OPERATOR: There's no answer, sir.

No answer? There's gotta be an answer.

Try it again.

MOBILE OPERATOR: Yes, sir. WJ 8-2311.

(RINGING)

- What's up, Paul? - Your job, that's what's up!

- If Eckstrom finds out about this. - All I did was...

I know! We'll talk about it later.

I'll take over in the car. You go upstairs.

Sure, Paul, but I...

- What is it? - Wheeler.

- He's gone in. - We gotta call Rick.

No. No, Rick's not up there. The girl went out. He's tailing her.

Then what'll we do?

Well?

When he finds out she's not up there, he may get scared and run.

If he doesn't, we'll go up and take him there. Come on.

Eckstrom don't need to know about what happened, does he?

What?

Eckstrom, does he have to know about...

If nothing goes wrong, no.

I don't wanna lose my pension, Paul.

But I...

Guess you'll do what you gotta do.

I'll give you every break I can.

If you'd been on the job, I'd have taken him at the elevator,

the way Eckstrom wanted it.

You'd better hope nothing goes wrong.

Hold it, Wheeler!

I got him.

Now let's go.

- Where? - Downtown.

But first we'll pick up the money, huh?

You got it in your car?

Let's go find out, huh?

- This it? - Yeah.

- Locked? - Yeah.

Let's have the keys.

Looks like the whole bundle.

What'd you do with your partner, Wheeler? Kill him?

Okay, Paddy, close the satchel.

PADDY: What happened?

He jumped you. What else?

Why'd you shoot him? I could've handled him.

You're half drunk. For all I knew, he had your gun.

- Well, what now? - I don't know.

Eckstrom will crucify us. He wanted him alive.

There'll only be one to go. Me.

No. No, there's a way out. Gimme a hand, Paddy.

- What are you doing? - I'm saving your skin.

Tomorrow, I'll drive the car some place and leave it.

They'll find it, and we'll be in the clear.

All we have to do is keep our mouths shut.

What's the gimmick?

- Gimmick? - You doing all this for me.

Why not?

I don't know, but I'd rather lose my pension than...

When they find Wheeler, will they find that money too?

What kind of a crack is that?

Maybe I'd better call Eckstrom right now.

I gotta know, Paul.

- I gotta know the money'll be there. - Sure it'll be there!

Then give me the keys.

We'll both drive the car away tomorrow.

Okay, Paddy.

You keep 'em.

We'd better get back.

(UPBEAT MUSIC PLAYING)

(INDISTINCT CHATTERING)

- What'll it be? - Same as hers.

(TELEPHONE CHIMING)

(DIALLING)

(TELEPHONE RINGING)

(RINGING CONTINUES)

Hello?

(PIANO MUSIC PLAYING)

I'm, uh... I'm afraid I gave you the wrong impression.

I doubt it.

No, really. You... You remind me of someone.

Haven't you ever met me before?

Hundreds of times.

Uh... I don't get it.

And you won't, so try some place else.

No, you've got the wrong idea. I'm not just fresh.

I'm sure that I've met you some place...

What...

Uh, will there be anything else, sir?

PAUL ON PHONE: Hello?

- It's me, Paul. - It's done.

Is everything all right?

There's a complication, but I can handle it.

Get back here.

What happened?

I'll talk to you later.

Oh, I'm sorry.

We're having a little party next door and ran out of ice cubes.

- Could I borrow some? - I'm sorry. I can't help you.

(DOOR OPENING, CLOSING)

(DOOR OPENING, CLOSING)

How'd it go, Rick?

I did the dry run. I... I think she spotted me.

Why?

She made a call from the Twilight Room,

came right back here.

It means she spotted me or knows her phone's tapped or both.

- Or neither. - Maybe.

- You're up kinda late, Lieutenant. - Something break?

Our man's in town,

spotted in a drugstore on the east side earlier this evening.

I'd hoped you might have him here for me.

Well, we hoped the same thing.

- I'm afraid I haven't. - Why not?

The dame acts like she knows her phone's tapped.

Made a call from a bar tonight, probably touted him off.

- Then you've been here alone. - For the last hour, yeah.

All quiet?

Her phone rang once. That's all.

Check the neighbourhood, Sheridan. Parked cars, alleys.

- I'll wait here a while. - Right.

What time did you leave tonight, Rick, to tail her?

About 10:30.

- What time did you get back? - A minute ago. Why?

I phoned here a half dozen times between 10:50 and 11:15.

No answer.

Same thing from the car parked outside.

I gave him a chance to explain. Why didn't he?

Talk to Paddy?

He had nothing to offer either, but he's scared to death.

You and Sheridan are fairly close, aren't you?

That's right, but I'm not trying to cover for him.

Maybe Paul's trying to do it for Dolan.

- Why? - Why not ask Dolan?

I'm asking you, and I want an answer.

When I followed her, I drove past the lookout car.

Paddy wasn't in it.

When I got to the intersection, I... I saw him go into a bar.

I guess that bar was just a little too close.

Paul, we...

Shut up and get back in the car.

Eckstrom talk to you?

- He knows something's up. - What'd you tell him?

Nothing, I didn't have to. He knew.

He doesn't know anything. He just thinks he does.

He gave me a phoney job to get me out of the room.

Give me the keys to Wheeler's car.

I'll get it out of here while we've still got a chance.

Come on! Give me the keys!

We're only making things worse, Paul.

I'm going up and tell Eckstrom just the way it happened.

You're not gonna tell him anything. I'm in this too, remember?

Why?

You were just covering for me. Isn't that right?

- Eckstrom will throw the book at me. - Who do you think you're kidding?

You'll come out sweet as a rose, a hero for trying to protect a buddy.

Look, Paddy, Eckstrom can't prove a thing.

Why throw away your pension?

Because I spent twenty-five years being a dumb, honest cop,

and I'm stuck with it.

PAUL: Wait a minute.

What's the idea?

You didn't do anything for me.

You're after that dough.

That's why you came down looking for me.

You knew Wheeler was gonna show.

Now wait a minute, Paddy.

Nope, we're both going up and tell it just like it...

(TELEPHONE RINGING)

(GUNSHOT)

- He doesn't answer. - Come on.

(KEYS JINGLING)

Tell 'em to get here as fast as they can, but no sirens,

and keep this from the press boys.

I heard a shot!

Paddy?

Dead?

Rick, get those people back to bed.

We don't want a crowd around here.

RICK: All right, folks, back on the sidewalk.

What's going on, Officer? We heard the shot.

RICK: Just a slight accident.

Back on the sidewalk, please.

What do you think?

I don't know. Powder burns, his own gun.

- Why would he kill himself? - I didn't say that.

Then you think he didn't.

Where were you tonight around eleven o'clock?

- I was upstairs. Why? - No, you weren't.

We know where Dolan was. Where were you?

- You know where Dolan was? - McAllister saw him.

I told him I'd cover for him.

I tried to get him on the car phone about 10:30.

- He didn't answer. - I know.

The operator gave me the message just now.

I, er... came down to see what had happened to him,

found he'd gone over to the bar.

He was scared. He kept talking about his pension.

I brought him back here.

I tried to make him understand I wouldn't say anything, but...

I, er... guess he wasn't listening.

You'd better get back upstairs. We've still got a job to do here.

Yeah.

There's not much point keeping the stakeout now, is there?

You got any better ideas?

Yeah, right away.

(ALL CHATTERING INDISTINCTLY)

- Look, there's been an accident. - Wonder what happened.

Wanna go over? Maybe you can help.

They don't need us. They'd be the first to say so.

It's so late. Come on.

You sure you won't change your mind and come with us, Ann?

No, you all go on, and have fun.

WOMAN: You know the Crocketts' number

- if you need me. - Don't worry.

- WOMAN: Give us a call. - All right. Bye.

WOMAN: Bye now.

Bye.

He's dead. I shot him.

- What do you mean? How? - Paddy Dolan. I killed him.

Poor, dumb, harmless... He pulled a gun on me.

It went off. It was an accident. I...

- Are they after you? - No, but everything's gone wrong.

Paddy, and that girl downstairs.

- She saw me in your apartment. - What girl?

The one that lives next to you. The nurse.

- Does she know who you are? - I don't think so,

but she'll remember, she'll remember me good.

Paul, look, we've got the money. Why don't we...

We haven't got the money! The car's gone.

- How? - Paddy must have moved it.

He couldn't have moved it far. It must be around here some place close.

Maybe we could spot it from up here.

McAllister's still down there.

You take that side. I'll look over here.

Go on upstairs, Rick.

Who tells Paddy's wife?

That goes with my job.

What are you gonna say? He killed himself?

What else can I say?

Get those people out of there.

Anything serious?

No.

You know, you're a bitter disappointment to me.

Oh?

The other night, you were just doing your job.

You are a policeman, aren't you?

Paul.

That's it. Go down to your apartment.

Stay there a few minutes, and then leave.

I want the man who follows you kept out at least an hour.

What are you gonna do?

I'm gonna put Wheeler's body where it'll be found tonight.

Why? Why take any chance now? Tomorrow...

I can't do it in the broad daylight,

and if that girl sees me again, I'm through.

When they find the body, the stakeout will be over,

and I'll be away from here.

- Everything's gonna be all right? - Sure. Sure.

You have a wonderful way of side-stepping questions.

Shall I just stop asking them?

Right now, yes.

- But save them for next week. - Next week?

- You wouldn't be asking for a date? - I can't even answer that for sure.

Is your name in the book?

Ann Stewart, with a W, but you better call me at the hospital.

After our party tonight, we may be evicted.

- Was it that bad? - I didn't think so,

but the people next door apparently did.

People next door? You don't mean 423?

- Yes. Why not? - What happened?

Well, nothing, really. I went over to borrow some ice cubes from him...

"Him"? You mean "her", don't you?

No, I mean "him".

What time was it?

Oh, about eleven. Is he important?

He may have killed a man last week and another tonight.

Do you think you could recognise him if you saw him again?

Yes. I think I could.

Then you'll be hearing from me sooner than I thought.

Good night.

(DOOR CLOSING)

- Wheeler was here in her apartment. - When?

When you were out looking for Paddy.

How'd you find out about it?

The nurse, she tried to borrow some ice cubes.

He gave her a fast brush-off.

223, please.

Mitchell?

When Eckstrom gets in, have him call me.

McAllister. Right.

Did she identify him?

Who else could it be? What's the blonde doing?

The usual things.

If there's anybody in there with her, she doesn't know it.

You think the nurse scared him off?

I don't know.

She said he opened the door before she knocked,

as if he was leaving.

Well, when he found out his girl wasn't up there,

- He probably got nervous... - That's just it. Why wasn't she?

I can't spot it, but something's wrong somewhere.

And what happened to Paddy, that doesn't fit either.

Eckstrom must have soared him out of his mind.

Do you really think Paddy killed himself?

If you were gonna check out, would you put a .38 slug in your belly?

Nobody kills himself like that, least of all a cop.

I know Paddy like I know my own self.

He wouldn't have done it, not that way or any other way,

and he certainly wouldn't have let Wheeler get that close.

- Maybe he did. - No.

You know what I think, Paul?

I think whoever killed Paddy was right there in the car with him,

sitting right there beside him.

(TELEPHONE RINGING)

Hello?

All right, give him a message.

Wheeler paid us a visit about eleven o'clock tonight.

The lady in apartment 426.

Yeah, she went over to borrow some ice cubes...

(ENGINE STARTING)

(ENGINE STARTING)

(DOOR OPENING)

She there?

She just came in. Where did she go?

Nowhere. Anything happen over there?

No, it's all quiet.

Know where she went?

To the beach.

Looked at the water exactly three minutes,

came right back here.

Why? Doesn't make sense.

She probably figured there was only one man watching her place,

- wanted to draw him off. - Why? Nothing happened over there,

and Schaeffer didn't see anything outside.

Rick, you'd better come with me.

We've got work to do. Wheeler's dead.

- What happened? - Two .38 slugs in the back.

Where? When?

Dumped out of a car on Third and Wilmer about a half-hour ago.

Doesn't she ever go to bed?

We're going over there and get a few answers.

You stay here, Paul.

It'll go smoother if she doesn't see you just now.

(DOOR OPENING, CLOSING)

(TELEPHONE RINGING)

Hello?

This is Paul. Now listen.

McAllister and Eckstrom are on their way over to see you.

They'll be there in a minute. They'll ask you a lot of questions,

but they don't know a thing, so don't let them scare you.

No, I'll be over here,

but in case you do see me, you know me, remember that.

All right, Paul.

(KNOCKING ON DOOR)

Who is it?

ECKSTROM: Police.

Where's he think he's going?

- What is this, anyway? - Routine check.

We'd like to ask you a few questions about Harry Wheeler.

- Get him out of my bedroom. - All right.

Won't you sit down, Miss McLane?

May I?

When was the last time you heard from him?

- Who? - Harry Wheeler.

Who's Harry Wheeler?

He's been getting some space in this week's papers.

I'm afraid I don't read the paper, and I don't know anyone named Harry.

Don't you have to know a man to give him a key to your apartment?

What's that supposed to mean?

Harry Wheeler was in this apartment tonight at eleven o'clock.

I wasn't even here at eleven.

No, you were at the Twilight Room, but there was a man here.

If it wasn't Wheeler, who was it?

If there was anyone here, he broke in.

What did Wheeler come up here for?

Maybe it wasn't Wheeler.

You knew his partner too, didn't you?

No sale.

You didn't find what you were looking for. So why don't you let me go to bed?

I'm afraid I have some bad news for you, Lona.

Wheeler's partner double-crossed him, which means he double-crossed you, too.

He shot Wheeler tonight and dumped his body into the street.

Which means nothing to me.

If I didn't know better, I'd think we were on the wrong track.

Call the stakeout. Have him bring over the log.

We've been keeping a score sheet on you.

We'll go over it together, point by point.

(TELEPHONE RINGING)

Sherman.

Rick. Eckstrom wants the log brought over.

I'll be right over.

Hello, Lona.

I might have known.

You're just the type.

Want me to stick around?

Afraid she doesn't like you, Paul. Better wait for us.

Right.

Operator?

Give me the police. Hurry.

OFFICER ON RADIO: Cars 49 and 60, Parkcrest Hotel,

322 French Street. Code Three.

(TELEPHONE RINGING)

- Sheridan. - Eckstrom there?

Well, you'd better go over and give him this.

A woman in the building, an Ann Stewart,

apartment 421. She just called in.

Says she saw the man we're after, whatever that means.

Oh, and... Yeah, two more cars.

She mentioned McAllister, so it may be a break.

Yeah, you never know.

Okay.

(DOORBELL BUZZING)

Who's there?

PAUL“. Miss Ann Stewart?

Yes?

PAUL“. Police. You put in a can?

(MUFFLED GRUNTING)

No reason. When I can't sleep, I drive.

Who pays your rent?

- I do. - How?

What about the call you got from RTV?

I don't know what you're talking about.

It wasn't a rating service that called, we checked on it.

Who was it?

If there was a call, I don't remember it.

Now, if you do as you're told, you won't get hurt.

What are you going to do?

(DOOR CLOSING)

Well, think it over. You've got until tomorrow.

But don't try to leave unless you wanna be picked up and booked for vagrancy.

Get your coat.

Come on! Come on!

Sheridan?

- Guess he went downstairs. - Yeah.

(KNOCKING ON DOOR)

Yes?

PAUL“. It's Paul. Open up.

Turn the lights off first.

Get dressed. We're getting out of here.

Go on, hurry!

- Where's Sheridan? - Upstairs.

If he was upstairs, I wouldn't be asking you about him.

Didn't he just give you a message?

What are you talking about? What message?

A woman called, said she saw the guy we're looking for.

- What was her name? - Stewart, 42...

Ann!

All right. All right, now go out... Hold on a second.

Sheridan, the blonde, the girl who just called in, they're all missing.

You and Schaeffer search the building top to bottom.

Who are we after?

Maybe Paul Sheridan.

Pick a prowl car and cover the back.

- What's wrong? - Prowl car, right behind Wheeler's.

- Do you think they know it's Harry's car? - I don't know.

Maybe they just happened to park there.

There's one way to find out.

Here, that car over there,

here's the key to the trunk. Open it.

You'll find a bag. Bring it here.

Take it!

Be smart.

Don't turn around.

When I fire, get behind the car.

Duck!

It's clear that way.

Go to Western and Wilshire. Wait for me there.

- What are you gonna do? - I'm gonna get that car. Now, go on, hurry!

- Wait! You can't get that money! - Will you go?

- Please don't try. - Go on!

Hold it, Sheridan!

Radio George Street, emergency.

I'm sorry, Rick.

So am I, Paul. 80 am I.

I thought I told you to go.

We really didn't need that money, did we?

Come on. I'll walk you home.