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PRESTON: I'M PRESTON WAINWRIGHT
AND THIS IS
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00:00:07,311 --> 00:00:08,661
MY MOM AMANDA.
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00:00:08,834 --> 00:00:10,404
SHE'S A UNITED STATES
POSTAL INSPECTOR WHICH
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00:00:10,575 --> 00:00:13,355
MEANS SHE SOLVES ANY CRIME
THAT USES THE MAIL.
5
00:00:13,535 --> 00:00:16,315
MY DAD WAS AN INSPECTOR
TOO, ONE OF THE BEST,
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00:00:16,494 --> 00:00:18,894
UNTIL I LOST HIM AND THE
USE OF MY LEGS IN A CAR
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00:00:19,062 --> 00:00:20,502
ACCIDENT.
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00:00:20,672 --> 00:00:22,592
NOW I'M FOLLOWING MY OWN
DREAM WITH AN INTERNSHIP
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00:00:22,761 --> 00:00:24,851
IN THE CRIME LAB AND THE
HELP OF MY BEST FRIENDS.
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00:00:25,025 --> 00:00:29,895
TOGETHER WE ARE THE
INSPECTORS.
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00:00:33,207 --> 00:00:34,597
MAN: WELL MY FATHER ONLY
SPOKE TO THEM OVER THE
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00:00:34,773 --> 00:00:36,303
PHONE.
13
00:00:36,471 --> 00:00:38,951
THEY TOLD HIM THAT MY SON,
HIS GRANDSON, WAS IN AN
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00:00:39,126 --> 00:00:42,386
ACCIDENT WHILE ON VACATION
IN MEXICO.
15
00:00:42,564 --> 00:00:46,614
THEY SAID THAT HE'D BEEN
CRITICALLY INJURED AND FOR
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00:00:46,785 --> 00:00:49,045
HIM TO KEEP RECEIVING
PROPER TREATMENT HE WOULD
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00:00:49,223 --> 00:00:51,273
NEED TO SEND THEM A
RETAINER.
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00:00:51,442 --> 00:00:53,102
MITCH: AND WHY DID YOU
SEND THE MONEY TO
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00:00:53,270 --> 00:00:54,790
VIRGINIA?
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00:00:54,967 --> 00:00:56,357
MR. MCKENNA: THEY TOLD ME
IT WOULD BE EASIER TO GET
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00:00:56,534 --> 00:00:57,934
THE MONEY THROUGH CUSTOMS
IF THEY CONVERTED IT.
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00:00:58,101 --> 00:01:01,021
SO THEY HAD ME SEND IT TO
A CURRENCY EXCHANGE.
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00:01:01,191 --> 00:01:02,541
MITCH: AND HOW MUCH DID
YOU SEND?
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00:01:02,714 --> 00:01:05,804
MR. MCKENNA: $10,000.
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00:01:05,978 --> 00:01:07,938
CASH.
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00:01:08,111 --> 00:01:10,461
AMANDA: EXCUSE ME.
27
00:01:10,635 --> 00:01:11,805
WAINWRIGHT.
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00:01:11,984 --> 00:01:15,164
GOOD WORK.
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00:01:15,336 --> 00:01:16,986
THANKS.
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00:01:17,164 --> 00:01:19,304
THEY GOT IT.
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00:01:19,470 --> 00:01:22,080
GOOD NEWS MR. MCKENNA,
WE'VE MANAGED TO INTERCEPT
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00:01:22,256 --> 00:01:24,206
THE PACKAGE WITH YOUR
CASH.
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00:01:27,435 --> 00:01:30,305
MITCH: SO WE'VE CAUGHT THE
PACKAGE IN TIME.
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00:01:30,481 --> 00:01:35,101
NOW LET'S CATCH THE GUYS
WHO DID THIS.
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00:01:38,837 --> 00:01:40,967
NOAH: THIS IS THE COMMAND
CENTER OF THE BRILLIANT
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00:01:41,144 --> 00:01:42,844
PRESTON KEITH WAINWRIGHT.
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00:01:43,015 --> 00:01:45,755
WHO'S FRIENDS WITH THE
EQUALLY BRILLIANT NOAH
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00:01:45,931 --> 00:01:47,501
FRANKLIN WALDMAN.
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00:01:47,672 --> 00:01:48,892
PRESTON: FIRST OF ALL IT'S
NOT A COMMAND CENTER, IT'S
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00:01:49,065 --> 00:01:50,545
JUST A BEDROOM.
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00:01:50,719 --> 00:01:52,759
SECONDLY, I ALREADY TOLD
YOU I DON'T WANT TO BE IN
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00:01:52,938 --> 00:01:54,418
YOUR MOVIE.
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00:01:54,592 --> 00:01:56,202
NOAH: COME ON PRESTON, IT
SATISFIED MY ARTS AND
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00:01:56,377 --> 00:01:57,807
LITERATURE REQUIREMENT.
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00:01:57,987 --> 00:01:59,767
IT'S A 5-MINUTE FILM ON
YOU AND YOUR LIFE SO YOU
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00:01:59,945 --> 00:02:01,765
KINDA GOTTA BE A PART OF
IT.
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00:02:01,947 --> 00:02:03,817
PRESTON: YEAH BUT THAT 5
MINUTES IS GONNA TAKE LIKE
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00:02:03,993 --> 00:02:05,473
A WEEK TO SHOOT.
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00:02:05,647 --> 00:02:06,947
NOAH: DON'T BE RIDICULOUS,
IT'S NOT GOING TO TAKE A
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00:02:07,127 --> 00:02:07,867
WEEK.
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00:02:08,040 --> 00:02:09,300
I WAS THINKING 3.
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00:02:09,477 --> 00:02:10,347
PRESTON: 3?
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00:02:10,521 --> 00:02:11,571
NO, NO.
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00:02:11,740 --> 00:02:12,700
FORGET ABOUT IT, NOT DOING
IT.
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00:02:12,871 --> 00:02:14,481
NOAH: COME ON DUDE.
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00:02:14,656 --> 00:02:17,436
WHAT IF I'M DESTINED TO
BE THE NEXT J.J. ABRAMS?
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00:02:17,615 --> 00:02:20,045
PRESTON: YOU REALLY THINK
THIS IS YOUR CALLING?
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00:02:20,227 --> 00:02:22,577
NOAH: PRESTON WAINWRIGHT
WAS A MAN UNDECIDED ABOUT
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00:02:22,751 --> 00:02:24,191
HIS FATE.
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00:02:24,361 --> 00:02:25,621
PRESTON: FINE.
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00:02:25,797 --> 00:02:26,887
NOAH: YES!
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00:02:27,059 --> 00:02:28,239
I'M GONNA MAKE YOU A STAR
KID.
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00:02:28,409 --> 00:02:30,589
THIS IS PRESTON'S NOSE.
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00:02:30,759 --> 00:02:33,679
SOME DAY THIS NOSE IS
GONNA GO VIRAL BECAUSE OF
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00:02:33,849 --> 00:02:36,159
ME.
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00:02:38,636 --> 00:02:42,506
MITCH: SO THIS IS WHAT 10
GRAND FEELS LIKE HUH?
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00:02:42,684 --> 00:02:44,474
AMANDA: HOPEFULLY IT'LL
FEEL THE SAME WITH OUR
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00:02:44,642 --> 00:02:46,822
MARKED BILLS IN THIS
FILLER.
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00:02:46,992 --> 00:02:49,952
OKAY, THAT OUGHT TO DO THE
TRICK.
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00:02:50,126 --> 00:02:52,126
MITCH: THE OLD SWITCHEROO.
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00:02:52,302 --> 00:02:56,872
AMANDA: YEAH, THE OLD
SWITCHEROO.
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00:02:57,046 --> 00:02:58,566
MITCH: YOU KNOW I CAN'T
WAIT TO SEE HIS FACE WHEN
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00:02:58,743 --> 00:03:01,403
HE REALIZES HIS 10 GRAND
ISN'T WORTH 10 CENTS.
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00:03:01,572 --> 00:03:02,792
AMANDA: I'M ALWAYS PARTIAL
TO THEIR LOOK WHEN WE
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00:03:02,965 --> 00:03:04,225
HANDCUFF THEM.
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00:03:04,401 --> 00:03:06,581
OKAY, SEALING IT UP.
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00:03:06,751 --> 00:03:10,151
MITCH: ALRIGHT, LET'S GET
THIS TO THE P.O. BOX.
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00:03:14,977 --> 00:03:17,547
NOAH: WHILE HIS BODY LAY
IN SLUMBER HIS VIBRANT
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00:03:17,719 --> 00:03:20,069
SUBCONSCIOUS MIND IS
REJUVINATING, READYING
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00:03:20,243 --> 00:03:22,203
ITSELF FOR THE MULTITUDE
OF CHALLENGES YOUNG
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00:03:22,376 --> 00:03:23,676
PRESTON MAY FACE.
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00:03:23,855 --> 00:03:26,155
PRESTON: WHAT ARE YOU
DOING?
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00:03:26,336 --> 00:03:27,946
IT'S SATURDAY, WHY ARE YOU
IN MY ROOM?
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00:03:28,120 --> 00:03:30,380
NOAH: CINEMA NEVER SLEEPS
MY YOUNG THESPIAN.
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00:03:30,558 --> 00:03:33,868
PRESTON: I DON'T WANT TO
BE AN ACTOR.
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00:03:34,039 --> 00:03:35,689
NOAH: PRESTON REMAINS
CONFLICTED.
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00:03:35,867 --> 00:03:39,127
ACCEPT FATE'S CHALLENGE OR
RISK ANONYMITY.
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00:03:39,306 --> 00:03:41,126
PRESTON: GET OUT OF HERE
MAN.
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00:03:41,308 --> 00:03:42,788
NOAH: AND CUT.
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00:03:42,961 --> 00:03:44,051
SCENE.
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00:03:44,224 --> 00:03:45,364
MOVING ON.
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00:03:45,529 --> 00:03:47,139
AND ACTION.
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00:03:47,314 --> 00:03:52,234
VERONICA: OOPS, MY BAD, I
DIDN'T SEE YOU THERE
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00:03:52,928 --> 00:03:54,278
SUGAR.
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00:03:54,451 --> 00:03:55,541
NOAH: CUT.
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00:03:55,713 --> 00:03:57,153
THIS IS A TERRIBLE MEET
CUTE.
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00:03:57,324 --> 00:03:58,064
PRESTON: A WHAT?
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00:03:58,238 --> 00:03:59,718
NOAH: MEET CUTE.
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00:03:59,891 --> 00:04:01,811
IT'S THAT MAGICAL MOMENT
IN A ROMANTIC COMEDY WHERE
100
00:04:01,980 --> 00:04:04,640
THE TWO AIN CHARACTERS
MEET FOR THE FIRST TIME.
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00:04:04,809 --> 00:04:06,899
VERONICA: BUT WE MET WHEN
WE WERE TODDLERS.
102
00:04:07,072 --> 00:04:10,122
NOAH: GOOD, GOOD, USE
THAT.
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00:04:10,293 --> 00:04:12,163
OKAY, LET'S DO IT AGAIN.
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00:04:12,339 --> 00:04:13,779
ROLL SOUND.
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00:04:13,949 --> 00:04:15,429
PRESTON: DUDE, FOR THE
LAST TIME WE DON'T HAVE A
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00:04:15,603 --> 00:04:16,953
SOUND GUY.
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00:04:17,126 --> 00:04:18,646
NOAH: WHY CAN'T YOU JUST
RESPECT MY PROCESS?
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00:04:18,823 --> 00:04:20,353
PRESTON: I'LL RESPECT YOUR
PROCESS.
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00:04:20,521 --> 00:04:22,221
WE ARE READY FOR OUR
CLOSE-UP.
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00:04:22,392 --> 00:04:23,652
WE GOT BACKGROUND ACTORS
IN HERE NOW.
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00:04:23,828 --> 00:04:24,868
VERONICA: CAN YOU GET MY
GOOD SIDE PLEASE?
112
00:04:25,047 --> 00:04:26,087
THANKS.
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00:04:26,266 --> 00:04:27,306
PRESTON: HOW DOES THIS
LOOK?
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00:04:27,484 --> 00:04:28,494
VERONICA: CUTE MEET CUTE,
RIGHT?
115
00:04:28,659 --> 00:04:31,659
NOAH: OH, OKAY, I LIKE
THIS.
116
00:04:31,836 --> 00:04:34,796
IF THE STORY AIN'T
HAPPENING YOU GOTTA MAKE
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00:04:34,970 --> 00:04:36,620
IT HAPPEN.
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00:04:42,934 --> 00:04:44,504
MAN: HOW LONG IS THIS
GONNA TAKE?
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00:04:44,675 --> 00:04:46,495
I HAVE TO OPEN IN A FEW
MINUTES.
120
00:04:46,677 --> 00:04:48,027
MITCH: HE'S ALMOST
FINISHED, THEN YOU CAN
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00:04:48,200 --> 00:04:49,510
OPEN.
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00:04:49,680 --> 00:04:51,160
MAN: WHAT IS THIS ALL
ABOUT AGAIN ANYWAY?
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00:04:51,334 --> 00:04:52,604
AMANDA: THE PERSON RENTING
THIS MAILBOX IS USING A
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00:04:52,770 --> 00:04:53,770
FAKE NAME.
125
00:04:53,945 --> 00:04:55,375
WE NEED TO KNOW WHO IT IS.
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00:04:55,556 --> 00:04:57,556
THE ONLY WAY TO FIND OUT
IS THROUGH SURVEILLANCE.
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00:04:57,732 --> 00:04:59,212
MITCH: AND THE FACT THAT
HE HASN'T CHECKED HIS MAIL
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00:04:59,386 --> 00:05:01,126
MEANS THAT HE MIGHT BE
WAITING, SEEING IF
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00:05:01,301 --> 00:05:02,521
ANYONE'S WATCHING.
130
00:05:02,693 --> 00:05:05,173
WHICH IN THIS CASE, WELL
HE'D BE RIGHT.
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00:05:05,348 --> 00:05:06,518
MAN: IT SOUNDS LIKE IT
COULD TAKE FOREVER TO
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00:05:06,697 --> 00:05:08,217
CATCH THIS GUY.
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00:05:08,395 --> 00:05:09,565
MITCH: WELL, IF HE'S USING
MULTIPLE RUNNERS THEY CAN
134
00:05:09,744 --> 00:05:11,704
LOOK LIKE ANYONE, ANY AGE,
ANY GENDER.
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00:05:11,876 --> 00:05:14,226
AMANDA: I'M SORRY FOR THE
INCONVENIENCE SIR, BUT IT
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00:05:14,401 --> 00:05:17,671
COULD BE A LONG WAIT.
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00:05:26,064 --> 00:05:28,594
AMANDA: SO HOW DO YOU
LIKE BEING A MOVIE STAR?
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00:05:28,763 --> 00:05:30,163
PRESTON: IT'S THE WORST.
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00:05:30,330 --> 00:05:30,980
I WOULD TAKE BEING A
POSTAL INSPECTOR OVER THAT
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00:05:31,156 --> 00:05:32,676
ANY DAY.
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00:05:32,854 --> 00:05:34,254
IT TAKES FOREVER TO FILM
EVEN THE TINIEST SCENE AND
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00:05:34,421 --> 00:05:36,211
NOAH IS TAKING THE WHOLE
THING WAY TOO SERIOUSLY.
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00:05:36,379 --> 00:05:37,549
AMANDA: OH HONEY, HE'S
YOUR BEST FRIEND IN THE
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00:05:37,728 --> 00:05:39,118
WORLD.
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00:05:39,295 --> 00:05:40,685
MAYBE YOU SHOULD BE A
LITTLE MORE COOPERATIVE.
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00:05:40,862 --> 00:05:42,212
PRESTON: I'M TRYING THE
BEST I CAN, WHO SAYS I'M
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00:05:42,385 --> 00:05:43,865
NOT BEING COOPERATIVE?
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00:05:44,039 --> 00:05:45,519
AMANDA: "MRS.
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00:05:45,693 --> 00:05:46,913
W., YOUR SON IS NOT BEING
COOPERATIVE, NOR IS HE
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00:05:47,085 --> 00:05:48,695
SUPPORTING MY CREATIVE
VISION."
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00:05:48,870 --> 00:05:49,780
PRESTON: SEE, THAT'S WHAT
I'M TALKING ABOUT.
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00:05:49,958 --> 00:05:51,128
WHO SAYS "NOR"?
153
00:05:51,307 --> 00:05:52,737
AMANDA: HEY, HERE'S AN
IDEA FOR YOU.
154
00:05:52,917 --> 00:05:54,827
THERE ARE A LOT OF PEOPLE
OUT THERE WHO NEED HELP,
155
00:05:55,006 --> 00:05:57,096
MAYBE YOU COULD USE NOAH'S
MOVIE TO TELL SOMEONE'S
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00:05:57,269 --> 00:06:01,009
STORY, CHANGE SOMEONE'S
LIFE FOR THE BETTER.
157
00:06:01,186 --> 00:06:03,146
PRESTON: IT MIGHT PROVIDE
BETTER MOTIVATION FOR THE
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00:06:03,319 --> 00:06:04,709
LEAD CHARACTER.
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00:06:04,886 --> 00:06:08,236
AMANDA: WOW, YOU SOUND
JUST LIKE A MOVIE STAR.
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00:06:10,457 --> 00:06:11,977
PRESTON: SO HOW'S THE
STAKEOUT BEEN?
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00:06:12,154 --> 00:06:13,204
YOU MADE ANY HEADWAY?
162
00:06:13,373 --> 00:06:14,553
AMANDA: WISH WE HAD.
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00:06:14,722 --> 00:06:16,162
I THINK WE MIGHT'VE
SPOOKED THE GUY.
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00:06:16,332 --> 00:06:18,252
PRESTON: WELL MAYBE YOU
NEED TO RATTLE THE CAGE,
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00:06:18,421 --> 00:06:20,121
SHAKE IT UP A LITTLE BIT.
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00:06:20,292 --> 00:06:23,472
NOW IT PAINS ME TO QUOTE
THE GREAT DIRECTOR NOAH
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00:06:23,644 --> 00:06:26,734
WALDMAN, BUT "IF THE STORY
AIN'T HAPPENING YOU GOTTA
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00:06:26,908 --> 00:06:30,258
MAKE IT HAPPEN."
169
00:06:30,694 --> 00:06:32,354
MAN: LOOK, I ALREADY GAVE
YOU THE ADDRESS I HAD FOR
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00:06:32,522 --> 00:06:33,782
HIM ON FILE.
171
00:06:33,958 --> 00:06:35,398
AMANDA: WE CHECKED IT OUT,
IT'S FAKE.
172
00:06:35,569 --> 00:06:37,009
MITCH: I JUST WANT YOU TO
CALL HIM AND TELL HIM
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00:06:37,179 --> 00:06:38,659
YOU'RE GOING OUT OF
BUSINESS.
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00:06:38,833 --> 00:06:40,233
YOU'RE LETTING ALL YOUR
CUSTOMERS KNOW TO COME AND
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00:06:40,400 --> 00:06:41,790
COLLECT THEIR MAIL.
176
00:06:41,966 --> 00:06:43,486
MAN: WHY DON'T YOU MAKE
THE CALL AND TRACE IT?
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00:06:43,664 --> 00:06:44,674
AMANDA: WE TRIED THAT SIR,
IT'S A BURNER PHONE, IT'S
178
00:06:44,839 --> 00:06:46,359
NOT TRACEABLE.
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00:06:46,536 --> 00:06:47,836
MITCH: LOOK, WE ARE ASKING
FOR YOUR HELP IN A FEDERAL
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00:06:48,016 --> 00:06:49,536
INVESTIGATION SO THE
CORRECT ANSWER WOULD BE
181
00:06:49,713 --> 00:06:51,893
"YES, I'D LOVE TO DO MY
CIVIC DUTY."
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00:06:52,063 --> 00:06:53,853
AMANDA: PLUS SINCE YOU'RE
NOT KEEPING ACCURATE
183
00:06:54,022 --> 00:06:55,982
RECORDS LIKE YOU'RE
REQUIRED TO, YOU MAY
184
00:06:56,154 --> 00:07:00,554
ACTUALLY BE GOING OUT OF
BUSINESS.
185
00:07:07,514 --> 00:07:08,994
PRESTON: IT WAS REALLY
NICE OF YOUR COUSIN TO LET
186
00:07:09,167 --> 00:07:10,687
NOAH USE HIS
REMOTE-CONTROL HELICOPTER.
187
00:07:10,865 --> 00:07:12,335
VERONICA: YEAH WELL IT'S
VERY EXPENSIVE.
188
00:07:12,519 --> 00:07:14,519
HE'S AN ENTHUSIAST IN A
CLUB WITH PEOPLE WHO TAKE
189
00:07:14,695 --> 00:07:16,515
THIS MODEL THING REALLY
SERIOUSLY.
190
00:07:16,697 --> 00:07:18,657
LIKE REALLY SERIOUSLY.
191
00:07:18,829 --> 00:07:19,919
NOAH: I GET IT.
192
00:07:20,091 --> 00:07:21,441
YOU WANT ME TO BE REALLY
CAREFUL.
193
00:07:21,615 --> 00:07:23,965
I WAS A KID ONCE, HAD LOTS
OF TOYS LIKE THIS.
194
00:07:24,139 --> 00:07:25,659
VERONICA: IT'S...IT'S NOT
A TOY, IT'S A HIGH
195
00:07:25,836 --> 00:07:27,226
PERFORMANCE MODEL.
196
00:07:27,403 --> 00:07:29,013
NOAH: OKAY, NON-ESSENTIAL
PERSONNEL OVER THERE
197
00:07:29,187 --> 00:07:30,667
PLEASE.
198
00:07:30,841 --> 00:07:34,851
VERONICA: FINE.
199
00:07:35,019 --> 00:07:37,849
NOAH: OKAY BABE, THE
CAMERA'S GONNA CIRCLE THE
200
00:07:38,022 --> 00:07:40,372
FIELD THEN TRACK DOWN
DIRECTLY ONTO YOU JUST
201
00:07:40,547 --> 00:07:42,237
LIKE IN BRAVEHEART WHEN
THEY RUN INTO BATTLE.
202
00:07:42,418 --> 00:07:45,728
ALRIGHT, PLACES PEOPLE.
203
00:07:45,900 --> 00:07:47,550
RIGHT.
204
00:07:50,948 --> 00:07:53,598
READY PRESTON?
205
00:07:53,777 --> 00:07:54,817
PRESTON: YEP.
206
00:07:54,996 --> 00:07:57,126
NOAH: HERE WE GO.
207
00:07:57,302 --> 00:07:58,912
[HELICOPTER PROPELLORS
WHIRR]
208
00:08:06,573 --> 00:08:09,183
NOAH: READY?
209
00:08:09,358 --> 00:08:11,748
CLEAR THE FRAME, CLEAR THE
FRAME!
210
00:08:11,926 --> 00:08:14,536
WE'RE SHOOTING HERE.
211
00:08:14,711 --> 00:08:16,191
WHY ISN'T THIS TURNING?
212
00:08:16,365 --> 00:08:20,405
IT'S NOT TURNING.
213
00:08:20,587 --> 00:08:22,497
THIS CHOPPER IS DEFECTIVE.
214
00:08:22,676 --> 00:08:23,806
VERONICA: WHAT ARE YOU
DOING?
215
00:08:23,981 --> 00:08:25,331
GET THAT THING BACK DOWN
HERE NOW.
216
00:08:25,505 --> 00:08:29,505
NOAH: I CAN'T, I DON'T
KNOW WHAT'S GOING ON.
217
00:08:29,683 --> 00:08:30,423
CUT.
218
00:08:30,597 --> 00:08:31,687
CUT THE SCENE.
219
00:08:31,859 --> 00:08:33,029
PRESTON: WATCH OUT FOR
THAT POLE!
220
00:08:33,208 --> 00:08:34,428
VERONICA: GET AWAY FROM
THOSE TREES!
221
00:08:34,601 --> 00:08:38,261
NOAH: MISSED THE POLE,
OVER THE TREES.
222
00:08:38,430 --> 00:08:43,260
DIDN'T MISS THE GOAL POST.
223
00:08:43,435 --> 00:08:45,735
VERONICA: MY COUSIN IS
GONNA KILL ME.
224
00:08:45,916 --> 00:08:49,486
PRESTON: IS THAT A WRAP ON
ME?
225
00:08:49,659 --> 00:08:51,399
AM I DONE?
226
00:08:51,574 --> 00:08:54,584
NOAH: NO, BUT I AM.
227
00:08:54,751 --> 00:08:57,711
PRESTON: IT'S OKAY BUDDY.
228
00:09:00,409 --> 00:09:03,329
NOAH: THE HORROR.
229
00:09:03,499 --> 00:09:07,549
THE HORROR.
230
00:09:13,161 --> 00:09:15,511
AMANDA: EVERYTHING'S QUIET
HERE.
231
00:09:15,685 --> 00:09:17,945
HARVEY, WHAT'S YOUR
STATUS?
232
00:09:18,122 --> 00:09:18,992
HARVEY: ALL CLEAR.
233
00:09:19,167 --> 00:09:23,167
NOTHING TO REPORT INSIDE.
234
00:09:27,915 --> 00:09:30,525
AMANDA: WAIT, YOU ALL
SEEING WHAT I'M SEEING?
235
00:09:34,922 --> 00:09:37,622
ANYONE HAVE EYES ON THE
GUY ENTERING RIGHT NOW?
236
00:09:37,794 --> 00:09:40,324
HARVEY: COPY, WE'VE GOT
HIM.
237
00:09:40,492 --> 00:09:42,712
A MALE, LATE 30'S, ABOUT
6' WITH BROWN CURLY HAIR
238
00:09:42,886 --> 00:09:47,196
AND A BEARD.
239
00:09:47,369 --> 00:09:49,719
MAN: HEY, I WAS WONDERING
IF YOU COULD HELP ME.
240
00:09:49,893 --> 00:09:54,383
I NEED A $17-DOLLAR
CASHIER'S CHECK AND ENOUGH
241
00:09:54,550 --> 00:09:58,340
POSTAGE TO MAIL THAT.
242
00:09:58,510 --> 00:10:02,120
OWNER: I CAN HELP YOU WITH
THAT.
243
00:10:05,779 --> 00:10:06,999
AMANDA: NO PACKAGE.
244
00:10:07,171 --> 00:10:09,171
HE'S NOT OUR SUSPECT.
245
00:10:09,347 --> 00:10:12,127
IS THIS GUY EVER GONNA
SHOW?
246
00:10:14,744 --> 00:10:18,184
PRESTON: YOU'RE NOT STILL
POUTING ARE YOU?
247
00:10:18,356 --> 00:10:20,316
NOAH: YESTERDAY I WAS AN
UP AND COMING FILMMAKER
248
00:10:20,489 --> 00:10:22,009
WITH WORLDWIDE APPEAL.
249
00:10:22,186 --> 00:10:23,316
PRESTON: WELL....
250
00:10:23,492 --> 00:10:24,622
NOAH: TODAY I'M A
CAUTIONARY TALE.
251
00:10:24,798 --> 00:10:27,188
WHAT AM I SUPPOSED TO DO
NOW?
252
00:10:27,365 --> 00:10:30,185
MY CAMERA'S BROKEN, THE
PROJECT IS DEAD.
253
00:10:30,368 --> 00:10:34,808
THE FILM INDUSTRY HAS MADE
ME A BITTER MAN.
254
00:10:37,375 --> 00:10:38,725
DAD: I DON'T KNOW WHY
YOU'RE SO UPSET PRESTON,
255
00:10:38,899 --> 00:10:40,159
YOU GUYS WON THE GAME.
256
00:10:40,335 --> 00:10:41,855
PRESTON: YEAH BUT I ONLY
SCORED 2 POINTS.
257
00:10:42,032 --> 00:10:43,862
DAD: BUT YOU LED THE TEAM
IN ASSISTS.
258
00:10:44,034 --> 00:10:45,694
PRESTON: BIG DEAL.
259
00:10:45,862 --> 00:10:46,782
DAD: BIG DEAL?
260
00:10:46,950 --> 00:10:47,730
PRESTON: YEAH.
261
00:10:47,908 --> 00:10:49,428
DAD: IT IS A BIG DEAL.
262
00:10:49,605 --> 00:10:51,605
LOOK, WHEN I WAS PLAYING I
ALWAYS VALUED ASSISTS MORE
263
00:10:51,781 --> 00:10:53,221
THAN POINTS, YOU KNOW WHY?
264
00:10:53,391 --> 00:10:56,001
BECAUSE IT WAS ALWAYS
ABOUT TEAMWORK FOR ME.
265
00:10:56,177 --> 00:10:58,217
AND IT SHOULD BE FOR YOU
TOO.
266
00:10:58,396 --> 00:11:01,396
PRESTON: YOU KNOW WHAT, WE
MIGHT BE DOWN BUT WE'RE
267
00:11:01,573 --> 00:11:03,053
NOT OUT.
268
00:11:03,227 --> 00:11:07,227
HERE, FINISH FILMING ON MY
PHONE.
269
00:11:07,405 --> 00:11:11,365
NOAH: GENIUS.
270
00:11:11,540 --> 00:11:13,760
MY NEW CAMERA, I'M BACK!
271
00:11:13,934 --> 00:11:15,944
I'VE GOT A GREAT IDEA
ABOUT THE CLIMAX; AN
272
00:11:16,110 --> 00:11:18,500
UNDERWATER SHARK RESCUE
WITH YOU AND VERONICA.
273
00:11:18,678 --> 00:11:23,028
OH MAN, I'M GONNA NEED A
BIGGER BOAT.
274
00:11:25,554 --> 00:11:27,084
AMANDA: TALK TO ME HARVEY.
275
00:11:27,251 --> 00:11:29,861
HARVEY: STILL NOTHING.
276
00:11:30,037 --> 00:11:31,997
JUST AN OLD LADY WHO'S IN
NO HURRY.
277
00:11:35,695 --> 00:11:39,655
MITCH: WELL, SO MUCH FOR
THE OLD SWITCHEROO.
278
00:11:46,183 --> 00:11:49,273
LADY: YOUNG MAN, CAN YOU
HELP ME WITH THIS?
279
00:11:49,447 --> 00:11:54,237
OWNER: OF COURSE.
280
00:11:56,716 --> 00:11:58,146
LADY: THANK YOU.
281
00:11:58,326 --> 00:11:59,536
OWNER: ANY TIME MA'AM.
282
00:11:59,719 --> 00:12:03,369
WE APPRECIATE YOUR
BUSINESS.
283
00:12:03,548 --> 00:12:06,118
[PHONE DINGS]
284
00:12:06,290 --> 00:12:08,470
MITCH: IT'S FROM THE STORE
OWNER.
285
00:12:08,640 --> 00:12:13,210
"YOUR PACKAGE IS COMING
OUT RIGHT NOW."
286
00:12:13,384 --> 00:12:16,344
AMANDA: WELL WHAT DO YOU
KNOW.
287
00:12:19,434 --> 00:12:23,184
MITCH: OUR RUNNER IS A
GRANDMA.
288
00:12:33,143 --> 00:12:36,153
AMANDA: SUSPECT IS A
FEMALE CAUCASIAN,
289
00:12:36,320 --> 00:12:39,240
APPROXIMATELY 70 TO 75
YEARS OF AGE, SHORT WHITE
290
00:12:39,410 --> 00:12:42,670
HAIR, WEARING A
PEACH-COLORED DRESS.
291
00:12:42,849 --> 00:12:46,499
APPEARS TO BE DRIVING AN
EARLY MODEL GREEN-ISH/GRAY
292
00:12:46,678 --> 00:12:48,418
4-DOOR SEDAN.
293
00:12:48,593 --> 00:12:51,123
MITCH: OOH, I WONDER IF
SHE'LL OFFER US RIBBON
294
00:12:51,292 --> 00:12:52,642
CANDY.
295
00:12:52,815 --> 00:12:55,035
I LOVE RIBBON CANDY.
296
00:12:55,209 --> 00:12:57,079
AMANDA: HARVEY, YOU GOT
HER?
297
00:12:57,254 --> 00:12:58,694
HARVEY: RIGHT BEHIND HER.
298
00:12:58,865 --> 00:12:59,735
AMANDA: STAY CLOSE, WE
NEED TO BE THERE WHEN THE
299
00:12:59,909 --> 00:13:02,129
PACKAGE IS OPENED.
300
00:13:02,303 --> 00:13:03,743
RIBBON CANDY?
301
00:13:03,913 --> 00:13:05,053
MITCH: HEY, EVERYBODY HAS
THEIR VICE, THAT ONE'S
302
00:13:05,219 --> 00:13:06,089
MINE.
303
00:13:08,744 --> 00:13:11,444
AMANDA: HARVEY, THE
PACKAGE HAS LANDED AT 151
304
00:13:11,616 --> 00:13:13,136
FAIRVIEW DRIVE.
305
00:13:13,314 --> 00:13:14,404
HARVEY: WE'RE WORKING ON
THE SEARCH WARRANT, STAND
306
00:13:14,576 --> 00:13:15,836
BY.
307
00:13:16,012 --> 00:13:17,492
AMANDA: COPY THAT.
308
00:13:17,666 --> 00:13:19,056
MITCH: WELL WE BETTER MAKE
IT QUICK.
309
00:13:19,233 --> 00:13:20,763
AS SOON AS THEY OPEN THAT
PACKAGE AND FIND OUR
310
00:13:20,930 --> 00:13:23,150
FILLER THE JIG IS UP.
311
00:13:25,456 --> 00:13:27,196
VERONICA: YES, I HAVE A
MR. NOAH WALDMAN WITH
312
00:13:27,371 --> 00:13:30,811
WALDMAN WORLDWIDE PICTURES
CALLING FOR MR. REDFORD.
313
00:13:30,984 --> 00:13:33,334
WHAT IS THIS REGARDING?
314
00:13:33,508 --> 00:13:37,158
REGARDING HIS ENTRY INTO
THE FILM FESTIVAL,
315
00:13:37,338 --> 00:13:39,378
PRESTON A LIFE.
316
00:13:39,557 --> 00:13:41,727
PRESTON: THIS IS THE
DUMBEST IDEA YOU'VE EVER
317
00:13:41,908 --> 00:13:43,738
HAD, AND THAT'S SAYING
SOMETHING.
318
00:13:43,910 --> 00:13:45,090
VERONICA: ARE YOU SURE?
319
00:13:45,259 --> 00:13:47,739
THIS ISN'T WORKING.
320
00:13:47,914 --> 00:13:51,484
NOAH: IT IS IMPERATIVE
THAT I SPEAK WITH BOB.
321
00:13:51,656 --> 00:13:55,136
YES?
322
00:13:55,312 --> 00:13:56,792
I SEE.
323
00:13:56,966 --> 00:13:59,056
HE'S NEVER HEARD OF ME OR
MY FILM AND HE DOESN'T
324
00:13:59,229 --> 00:14:00,799
TAKE UNSOLICITED CALLS.
325
00:14:00,970 --> 00:14:02,190
WHAT'S MY COMEBACK.
326
00:14:02,363 --> 00:14:04,063
PRESTON: THANK YOU VERY
MUCH, GOODBYE.
327
00:14:04,234 --> 00:14:06,584
NOAH: THANK YOU VERY MUCH,
GOODBYE.
328
00:14:06,758 --> 00:14:10,458
OKAY, LET'S SEE IF WE CAN
GET BOBBY DE NIRO FROM
329
00:14:10,632 --> 00:14:13,902
TRIBECA ON THE HORN.
330
00:14:14,070 --> 00:14:17,120
PRESTON: BOBBY DE NIRO
FROM TRIBECA.
331
00:14:18,683 --> 00:14:19,993
AMANDA: HARVEY, HOW'S THAT
WARRANT COMING?
332
00:14:20,163 --> 00:14:22,253
HARVEY: JUST GOT SIGNED,
CHECK YOUR EMAIL.
333
00:14:22,426 --> 00:14:25,076
AMANDA: HERE IT IS.
334
00:14:25,255 --> 00:14:27,125
GOTTA LOVE MODERN
TECHNOLOGY.
335
00:14:27,301 --> 00:14:29,611
HARVEY: HEY, BE ADVISED, I
CHECKED THE RECORDS,
336
00:14:29,781 --> 00:14:31,311
THERE'S MORE THAN ONE
PERSON LIVING IN THAT
337
00:14:31,479 --> 00:14:32,829
HOUSE.
338
00:14:33,002 --> 00:14:36,092
A 75 YEAR-OLD WOMAN AND A
35 YEAR-OLD MAN.
339
00:14:36,266 --> 00:14:37,526
AMANDA: THAT MAKES MORE
SENSE.
340
00:14:37,702 --> 00:14:40,662
MITCH: SOUNDS LIKE OUR
GRANDMA'S A PATSY.
341
00:14:42,577 --> 00:14:43,837
AMANDA: HELLO.
342
00:14:44,013 --> 00:14:45,413
U.S. POSTAL INSPECTORS.
343
00:14:45,580 --> 00:14:47,840
MIND IF I ASK WHAT'S IN
THE PACKAGE?
344
00:14:48,017 --> 00:14:49,447
MAN: IT'S CROCHET NEEDLES.
345
00:14:49,627 --> 00:14:50,757
MITCH: REALLY?
346
00:14:50,933 --> 00:14:52,803
I LOVE CROCHET, CAN WE SEE
THEM?
347
00:14:52,979 --> 00:14:54,809
MAN: NOT WITHOUT A WARRANT
YOU CAN'T.
348
00:14:54,981 --> 00:14:56,291
AMANDA: WHAT A
COINCIDENCE.
349
00:14:56,460 --> 00:15:00,030
NOW LET'S SEE WHAT'S
REALLY IN THE PACKAGE.
350
00:15:03,380 --> 00:15:05,510
LADY: HE TOLD ME I WAS
PICKING UP SOME CROCHET
351
00:15:05,687 --> 00:15:08,297
NEEDLES HE'D ORDERED
ON-LINE.
352
00:15:08,472 --> 00:15:10,262
MAN: SORRY MA.
353
00:15:10,431 --> 00:15:12,781
MITCH: YOU USED YOUR OWN
MOTHER AS A RUNNER IN THIS
354
00:15:12,955 --> 00:15:13,995
SCHEME?
355
00:15:14,174 --> 00:15:16,004
THAT IS JUST SHAMEFUL.
356
00:15:16,176 --> 00:15:19,786
MA'AM, I APOLOGIZE ON
BEHALF OF SONS EVERYWHERE.
357
00:15:19,962 --> 00:15:22,182
AMANDA: THIS IS A WARRANT
TO SEARCH THE ENTIRE
358
00:15:22,356 --> 00:15:24,966
PREMISES FOR ALL OPENED
AND UNOPENED PACKAGES AND
359
00:15:25,141 --> 00:15:26,661
ANY CASH THEREIN.
360
00:15:26,838 --> 00:15:28,618
LADY: OH, PLEASE BE MY
GUEST.
361
00:15:28,797 --> 00:15:31,277
START IN HIS ROOM FIRST,
ALTHOUGH YOU WON'T FIND
362
00:15:31,452 --> 00:15:34,242
ANYTHING IN THAT PIGSTY.
363
00:15:34,411 --> 00:15:36,671
MAN: EASY MA.
364
00:15:36,848 --> 00:15:38,938
AMANDA: MITCH, WHY DON'T
YOU TAKE OUR FRIEND
365
00:15:39,112 --> 00:15:41,032
OUTSIDE WHILE I START THE
SEARCH.
366
00:15:41,201 --> 00:15:43,291
MITCH: YOU CAN RENT HIS
ROOM MA'AM, HE'S LOOKING
367
00:15:43,464 --> 00:15:45,164
AT 2 TO 20 IN A FEDERAL
PRISON.
368
00:15:45,335 --> 00:15:49,635
COME ON, GET UP.
369
00:15:49,818 --> 00:15:54,478
OOH, RIBBON CANDY.
370
00:15:54,649 --> 00:15:55,519
CAN I?
371
00:15:55,693 --> 00:15:59,963
NEVER MIND.
372
00:16:02,178 --> 00:16:03,698
LADY: THAT'S A NICE
GENTLEMAN.
373
00:16:03,875 --> 00:16:04,825
AMANDA: YES MA'AM.
374
00:16:05,007 --> 00:16:07,137
HE'S VERY NICE.
375
00:16:10,404 --> 00:16:11,804
AMANDA: HERE YOU ARE MR.
MCKENNA.
376
00:16:11,971 --> 00:16:13,541
THIS IS A CHECK FOR
$10,000.
377
00:16:13,711 --> 00:16:15,631
YOU KNOW YOU'RE A VERY
LUCKY MAN; MOST PEOPLE
378
00:16:15,800 --> 00:16:17,410
DON'T GET THEIR MONEY
BACK.
379
00:16:17,585 --> 00:16:19,975
MITCH: SO NEXT TIME IF
ANYONE CONTACTS YOU
380
00:16:20,153 --> 00:16:22,023
NEEDING MONEY OR YOUR
PERSONAL INFORMATION
381
00:16:22,198 --> 00:16:24,158
PLEASE CALL US RIGHT AWAY.
382
00:16:24,331 --> 00:16:27,771
MAN: HOPEFULLY THERE WON'T
BE A NEXT TIME.
383
00:16:30,337 --> 00:16:31,767
AMANDA: LADY AND
GENTLEMEN, PLEASE PUT YOUR
384
00:16:31,947 --> 00:16:33,857
HANDS TOGETHER FOR
DIRECTOR EXTRAORDINAIRE
385
00:16:34,036 --> 00:16:35,206
NOAH WALDMAN.
386
00:16:35,385 --> 00:16:36,815
WOO HOO.
387
00:16:36,996 --> 00:16:38,166
PRESTON: NOAH!
388
00:16:38,345 --> 00:16:39,815
VERONICA: YES.
389
00:16:39,999 --> 00:16:42,609
NOAH: A TRUE ARTIST LETS
HIS WORK SPEAK FOR HIM, SO
390
00:16:42,784 --> 00:16:44,794
WITHOUT FURTHER ADIEU...
391
00:16:49,791 --> 00:16:52,271
NOAH: THIS IS PRESTON
KEITH WAINWRIGHT AND
392
00:16:52,446 --> 00:16:54,616
I'M PROUD TO CALL
HIM MY BEST FRIEND.
393
00:16:54,796 --> 00:16:56,746
WHEN I TOLD PRESTON I
WANTED TO MAKE A MOVIE
394
00:16:56,928 --> 00:16:59,058
ABOUT HIM HE WAS HESITANT.
395
00:16:59,235 --> 00:17:01,405
PRESTON: I DON'T WANT TO
BE AN ACTOR.
396
00:17:01,585 --> 00:17:03,235
NOAH: HE'S NOT THE TYPE OF
PERSON WHO NEEDS THE
397
00:17:03,413 --> 00:17:04,593
SPOTLIGHT...
398
00:17:04,762 --> 00:17:06,242
PRESTON: GET OUT OF HERE
MAN.
399
00:17:06,416 --> 00:17:07,716
NOAH: ...BUT EVENTUALLY HE
LET ME TALK HIM INTO IT
400
00:17:07,896 --> 00:17:09,806
UNDER ONE CONDITION;
WHATEVER WE FILM SHOULD
401
00:17:09,985 --> 00:17:12,245
SOMEHOW HELP SOMEBODY OUT.
402
00:17:12,422 --> 00:17:17,342
SO WE BRAINSTORMED IDEAS
AND EVENTUALLY WE MET
403
00:17:19,038 --> 00:17:20,908
JUSTIN.
404
00:17:21,083 --> 00:17:23,353
JUSTIN: I HAD NO FAMILY,
NO PLACE TO GO AND AS
405
00:17:23,520 --> 00:17:26,960
CRAZY AS IT SEEMS I ENDED
UP ON THE STREET.
406
00:17:27,133 --> 00:17:28,743
AMANDA: THAT'S HIM, THAT'S
THE GUY THAT WAS ...
407
00:17:28,917 --> 00:17:30,347
PRESTON: SHH.
408
00:17:30,527 --> 00:17:32,087
JUSTIN: ONE THING I NEVER
DID WAS GRADUATE HIGH
409
00:17:32,268 --> 00:17:35,878
SCHOOL SO I TOOK THE EXAM
AND I PASSED.
410
00:17:37,491 --> 00:17:40,151
I JUST DIDN'T HAVE THE $17
TO GET THE DIPLOMA.
411
00:17:40,320 --> 00:17:42,500
NOAH: ONCE WE HEARD HIS
STORY THERE WAS ONLY ONE
412
00:17:42,670 --> 00:17:44,240
THING LEFT FOR US TO DO.
413
00:17:44,411 --> 00:17:47,111
JUSTIN WOULDN'T TAKE ANY
MONEY FROM US DIRECTLY BUT
414
00:17:47,283 --> 00:17:49,463
HE SAID WE COULD HELP HIM
COLLECT BOTTLES AND CANS
415
00:17:49,633 --> 00:17:51,683
AND BRING THEM TO GET
CASHED IN.
416
00:17:51,853 --> 00:17:55,293
NOW HE HAS HIS DIPLOMA AND
HE TOLD US HE HAD A LINE
417
00:17:55,465 --> 00:17:57,075
ON A NEW JOB.
418
00:17:57,250 --> 00:17:59,210
THAT'S JUST ONE OF THE
REASONS WHY I'M PROUD TO
419
00:17:59,382 --> 00:18:02,122
CALL PRESTON WAINWRIGHT MY
BEST FRIEND.
420
00:18:02,298 --> 00:18:06,348
I NEVER HAD A BROTHER
BEFORE I MET HIM.
421
00:18:07,347 --> 00:18:09,127
AMANDA: BRAVO, BRAVO.
422
00:18:09,305 --> 00:18:10,565
VERONICA: EXCELLENT.
423
00:18:10,741 --> 00:18:11,961
PRESTON: SO GOOD.
424
00:18:12,134 --> 00:18:13,004
AMANDA: SEQUEL.
425
00:18:13,179 --> 00:18:14,219
PRESTON: WE NEED A SEQUEL.
426
00:18:14,397 --> 00:18:16,307
AT LEAST TWO OF THEM;
TRILOGY.
427
00:18:16,486 --> 00:18:18,916
NOAH: AND SCENE.
428
00:18:19,098 --> 00:18:21,098
PRESTON: ALRIGHT, YOU TOOK
IT TOO FAR WITH THAT.
429
00:18:21,274 --> 00:18:22,544
NOAH: HEY.
430
00:18:22,710 --> 00:18:25,370
PRESTON: CATCH ONE, CATCH
ONE.
431
00:18:31,240 --> 00:18:32,550
NOAH: I'D LIKE TO THANK
THE AWESOME JAMESTOWN
432
00:18:32,720 --> 00:18:35,030
UNIVERSITY FILM DEPARTMENT
FOR THIS HONOR.
433
00:18:35,201 --> 00:18:37,511
I CAN'T LEAVE OUT MR.
CAMPBELL, MY VISUAL ARTS
434
00:18:37,681 --> 00:18:39,211
PROFESSOR.
435
00:18:39,379 --> 00:18:41,469
I KNOW I'VE FORGOTTEN SOME
PEOPLE BUT YOU KNOW WHO
436
00:18:41,642 --> 00:18:42,732
YOU ARE.
437
00:18:42,904 --> 00:18:44,474
PRESTON: DUDE, YOU LEFT ME
OUT.
438
00:18:44,645 --> 00:18:45,685
VERONICA: AND ME.
439
00:18:45,863 --> 00:18:47,303
NOAH: YOU KNOW WHO YOU
ARE.
440
00:18:47,474 --> 00:18:49,004
AND V, I FORGIVE YOU FOR
ALMOST RUINING MY WHOLE
441
00:18:49,171 --> 00:18:52,741
FILM WITH THAT SUBSTANDARD
HELICOPTER.
442
00:18:52,914 --> 00:18:54,094
PRESTON: WHO'S THAT?
443
00:18:54,263 --> 00:18:56,833
NOAH: MY FANS.
444
00:18:57,005 --> 00:19:01,005
VERONICA: OKAY.
445
00:19:01,183 --> 00:19:03,233
MAN: LOOKING FOR NOAH
WALDMAN.
446
00:19:03,403 --> 00:19:05,013
THEY TOLD ME NEXT DOOR
HE'D BE HERE.
447
00:19:05,187 --> 00:19:06,747
VERONICA: OH HEY CUZ,
WHAT'S UP?
448
00:19:06,928 --> 00:19:08,408
MAN: HEY VERONICA, HOW'S
IT GOING?
449
00:19:08,582 --> 00:19:09,712
VERONICA: OH I'M GREAT.
450
00:19:09,887 --> 00:19:12,457
NOAH: THIS IS YOUR COUSIN?
451
00:19:12,629 --> 00:19:13,979
VERONICA: YEP, THAT'S MY
COUSIN.
452
00:19:14,153 --> 00:19:15,943
PRESIDENT OF THE JAMESTOWN
UNIVERSITY MODEL
453
00:19:16,111 --> 00:19:17,721
HELICOPTER SOCIETY.
454
00:19:17,895 --> 00:19:21,155
NOAH: NOAH WALDMAN, YOU
JUST MISSED HIM.
455
00:19:21,334 --> 00:19:23,644
HE'S OFF ON LOCATION FOR
HIS NEXT FILM PROJECT.
456
00:19:23,814 --> 00:19:25,084
MAN: WHERE WOULD THAT BE?
457
00:19:25,251 --> 00:19:29,431
NOAH: THE NETHERLANDS.
458
00:19:41,615 --> 00:19:43,825
GUY: WHAT YOU SAW TODAY IS A
SCAM THAT AFFECTS
459
00:19:44,008 --> 00:19:45,178
MANY OLDER AMERICANS.
460
00:19:45,358 --> 00:19:46,188
WE CALL IT THE
GRANDPARENTS SCAM AND
461
00:19:46,359 --> 00:19:48,189
HERE'S HOW IT WORKS.
462
00:19:48,361 --> 00:19:49,931
THE SCAMMER GATHERS ENOUGH
FACTUAL INFORMATION ON A
463
00:19:50,101 --> 00:19:53,321
PERSON AND THEN CONTACTS
THAT PERSON'S GRANDPARENTS
464
00:19:53,496 --> 00:19:55,456
OR AN OLDER CLOSE
RELATIVE.
465
00:19:55,629 --> 00:19:57,589
THEY FABRICATE A STORY
THAT THEIR GRANDCHILD HAS
466
00:19:57,761 --> 00:19:59,461
BEEN IN AN ACCIDENT OR
SOME KIND OF TROUBLE AND
467
00:19:59,633 --> 00:20:01,553
MONEY IS NEEDED
IMMEDIATELY.
468
00:20:01,722 --> 00:20:03,202
AMANDA: ONLY THERE'S NO
ACCIDENT.
469
00:20:03,376 --> 00:20:04,986
NO ONE'S IN ANY KIND OF
LEGAL JAMB AND EVERYONE IS
470
00:20:05,160 --> 00:20:07,600
SAFE, EXCEPT FOR YOUR
MONEY, IT'S GONE.
471
00:20:07,771 --> 00:20:09,601
THIS SCAM AND SIMILAR ONES
THAT ASK FOR MONEY
472
00:20:09,773 --> 00:20:11,603
IMMEDIATELY CAN BE STOPPED
JUST BY TELLING THE PERSON
473
00:20:11,775 --> 00:20:13,465
TO STAND BY AND YOU'LL
CALL THEM BACK.
474
00:20:13,647 --> 00:20:15,127
THEN FIND OUT IF YOUR
LOVED ONE IS EVEN OUT OF
475
00:20:15,301 --> 00:20:16,431
TOWN.
476
00:20:16,606 --> 00:20:17,996
GUY: DON'T FALL FOR IT.
477
00:20:18,173 --> 00:20:20,393
ONCE YOUR MONEY IS GONE
IT'S NOT COMING BACK.
478
00:20:20,443 --> 00:20:24,993
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