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>> THIS IS CRAZY.
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IT'S LIKE A -- LIKE AN ALIEN.
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>> OH, MY GOD.
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>> [ IMITATING MOTOR ]
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>> REALLY? OH, MY GOD!
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>> Shh.
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>> WOULD YOU PUT THIS THING BACK
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BEFORE YOU GET US IN TROUBLE.
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>> [ LAUGHS ] PASS --
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PASS ME THE OVARIES.
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>> [ SCOFFS ]
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NO, THIS IS THE CERVIX.
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AND, F.Y.I., THIS IS THE
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CLITORIS.
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TAKE NOTE.
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>> THANKS, GIRL.
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LIKE LAST NIGHT?
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>> [ LAUGHS ]
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>> OKAY, MR. AND MRS. DAVIS.
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MR. DAVIS...
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> YES?
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>> ...PLEASE PUT MY VAGINA BACK
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ON THE SHELF.
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>> YOU GOT IT, DOC.
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>> [ LAUGHS ]
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>> GOT THIS LITTLE BLUE THING
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HERE.
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I'LL JUST -- SORRY.
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>> SO, WE GOT YOUR BLOOD WORK
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BACK, MELANIE, AND,
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UNFORTUNATELY, THE IN VITRO
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DIDN'T TAKE.
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>> [ SIGHS ]
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DAMN IT.
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>> OH, NO, NO, BOO.
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DON'T WORRY ABOUT IT. IT'S COOL.
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LUCKY FOR YOU, YOUR MAN IS RICH
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AND READY TO GO.
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COME ON, DOC, GIVE ME THE CUP.
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>> WELL, UNFORTUNATELY,
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THAT WON'T HELP.
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YOU SEE, THE PROBLEM IS THAT THE
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SPOTTING MELANIE HAD EARLIER
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THIS WEEK WAS AN INDICATION
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OF A BIGGER PROBLEM.
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>> WAIT A MINUTE.
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I REMEMBER, WE LEARNED BACK IN
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MEDICAL SCHOOL THAT SPOTTING WAS
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A GOOD SIGN.
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WE CALLED IT "HAPPY SPOTTING"
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WHEN THE FERTILIZED EGG WAS
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TRYING TO IMPLANT.
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>> WE THINK YOUR BLEEDING IS
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RELATED TO A CONDITION CALLED
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"ENDOMETRIOSIS."
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>> I KNOW WHAT ENDOMETRIOSIS IS.
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I NEED TO KNOW, HOW DOES IT
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AFFECT ME?
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>> IT MEANS YOU HAVE LESS THAN
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A 10% CHANCE OF EVER CARRYING
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A BABY TO TERM.
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I'M SORRY.
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>> OH.
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>> I'M SORRY.
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ARE YOU ACTUALLY WEARING
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A 3-D NECKLACE THAT SPELLS OUT
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YOUR NAME?
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>> WELL, YOU NEVER KNOW WHEN
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SOMEBODY MIGHT FORGET.
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>> YEAH, YEAH, AND WHY WASTE
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YOUR PRECIOUS BREATH REMINDING
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THEM WHEN YOU HAVE A PRECIOUS
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GOLD-PLATED NAMEPLATE?
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>> [ CHUCKLES ]
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>> WHERE WAS I?
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OH, YEAH, I WAS ABOUT TO...
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TAKE OFF YOUR PANTS.
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>> JASON, I ALREADY TOLD YOU
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I AM NOT GIVING UP CINDERELLY
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UNTIL I KNOW WHERE THIS FAKE
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MIRAGE IS GOING.
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>> OKAY, HAVE WE MET?
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'CAUSE I'M JASON PITTS, AND THIS
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IS THE LONGEST THAT I'VE GONE
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WITHOUT HAVING SEX.
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I'M A SEX-HAVER. I HAVE SEX.
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>> AW. BABY, THERE ARE A LOT OF
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OTHER FUN THINGS WE CAN DO
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WITHOUT GOING ALL THE WAY.
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>> PLEASE, WHAT AM I, 16?
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NO, NO, I'LL TAKE A PASS
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ON A ZIPPERFUL OF BLUE TESTES.
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THANK YOU VERY MUCH.
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>> [ CHUCKLES ]
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>> [ SIGHS ]
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BESIDES, I GOT TO GET GOING.
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I GOT A MILLION THINGS TO DO
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BEFORE THE "PITTS STOP" PARTY
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TONIGHT.
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>> OH, THAT REMINDS ME.
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WHAT TIME DO I HAVE TO BE READY?
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>> READY FOR WHAT?
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WHAT, THE PARTY?
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OH, YEAH.
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NO, UM, THAT'S NOT GONNA HAPPEN.
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IT'S A WORK EVENT. IT'S NCZ.
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>> NCZ?
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>> NO-CHICK ZONE.
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WHEN IT COMES TO WORK EVENTS,
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I HAVE A STRICT RULE --
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NO CHICKS, PERIOD.
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IT'S PART OF MY CONSTITUTION.
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I CALL IT THE SEPARATION OF WORK
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AND DATE.
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HEY, YOU GOT YOUR QUIRKY LITTLE
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BOUNDARIES, I GOT MINE.
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>> COME ON, JASON, WHAT ARE
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WE DOING?
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>> OH, I CAN TELL YOU WHAT WE'RE
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NOT DOING, WE'RE NOT GOING
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DOWN THIS ROAD AGAIN.
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>> WHY? 'CAUSE YOU SAY SO?
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>> LOOK, I'M NOT IN THE MOOD
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FOR THIS, OKAY?
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I ALREADY GOT TO GO TO THIS
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STUPID PARTY AND CELEBRATE MY
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SHOW GETTING HIJACKED BY THIS
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WOMAN THAT I HATE.
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ON TOP OF THAT, MY BALLS HURT.
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I GOT TO GO, CHAR-- CHAR--
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CHARDONNAY.
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OH, YEAH, GUESS THAT THING
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REALLY WORKS.
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[ DOOR OPENS ]
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[ DOOR CLOSES ]
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>> [ SIGHS ]
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>> PUT YOUR FEET UP.
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OKAY, BOO, CAN I GET YOU
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SOMETHING -- SOME WATER, TEA,
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OR MAYBE, UH -- OH, CHEESE?
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>> DERWIN, STOP IT.
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>> WHAT?
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>> I'M NOT AN INVALID.
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I'M JUST INFERTILE.
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>> OH, COME ON, MELANIE,
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DON'T THINK LIKE THAT.
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DO YOU KNOW WHAT THE ODDS OF ME
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BECOMING A PROFESSIONAL
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FOOTBALL PLAYER WERE?
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WE ARE ODDS-BEATERS, BABY,
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AND WE ARE GONNA BEAT THIS, TOO,
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WHICH IS WHY I THINK WE SHOULD
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GO WITH THE IN VITRO AGAIN.
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>> NO, NO, NO.
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>> WHY NOT?
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>> DERWIN, YOU HAVE NO IDEA
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WHAT THOSE SHOTS AND HORMONES
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DO TO YOUR BODY.
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OKAY? WE'VE ALREADY TWICE,
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AND I'M DONE.
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TRUTH BE TOLD, I'M ACTUALLY
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RELIEVED THAT IT'S FINALLY OVER.
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[ SIGHS ]
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WELL, AT LEAST NOW WE KNOW
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WHAT'S WRONG, SO WE CAN FINALLY
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MOVE ON.
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>> YEAH.
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THIS REMINDS ME OF THAT TIME
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WHEN I HURT MY LEG AND I DIDN'T
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THINK I'D EVER PLAY
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FOOTBALL AGAIN.
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>> I'M NOT QUITE SURE HOW
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THAT COMPARES TO MY INFERTILITY
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BUT SURE.
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>> NO, WHAT I'M SAYING, BOO,
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IT'S NOT THE END OF THE WORLD.
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OKAY, MAYBE WE CAN EXPLORE SOME
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OTHER OPTIONS LIKE -- I DON'T
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KNOW -- MAYBE ADOPTION.
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>> ADOPTION?
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>> YEAH.
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>> REALLY?
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>> [ Chuckling ] YES.
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>> YOU'D BE OKAY WITH THAT?
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>> I MEAN, WHY NOT?
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I MEAN, YOU DON'T HAVE TO GIVE
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BIRTH TO A CHILD JUST TO BE
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ITS PARENT.
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MATTER OF FACT, LET'S LOOK AT
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SOME PICTURES ONLINE.
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IT'S JUST LIKE SHOPPING.
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>> [ Chuckling ] OOH.
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I DO LOVE SHOPPING.
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[ CHUCKLES ]
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>> JASON, JASON, EXCUSE ME.
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"L.A. SPORTS SENTINEL."
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SO, HOW DOES IT FEEL TO HAVE TO
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SHARE YOUR SPORTS DESK WITH ONE
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OF THE MOST BEAUTIFUL WOMEN
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IN THE FIELD?
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>> OH!
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>> [ LAUGHS ]
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WELL, WHO ARE WE COMPARING
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HER TO? I MEAN, LET'S BE HONEST.
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SHE'S NO HANNAH STORM.
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>> OH. [ LAUGHS ]
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YEAH, WELL, YEAH.
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AND YOU'RE NO BRYANT GUMBEL.
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>> [ LAUGHS ]
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>> OH, WAIT. YES, YOU ARE.
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>> [ CHUCKLES ] WOW.
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VERY NICE, SUMMER.
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IF THIS IS THE KIND OF BANTER
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WE CAN EXPECT BETWEEN THE TWO OF
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YOU, I THINK YOU MIGHT HAVE
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A HIT SHOW ON YOUR HANDS.
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THANK YOU.
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>> THERE THEY ARE.
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HEY, SUMMER.
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>> WHAT'S UP, JAY?
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>> WHAT'S UP?
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>> CONGRATULATIONS ON THE
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LAUNCH, MAN.
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>> YEAH, WE'RE SO PROUD OF YOU.
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I MEAN, YOU ALWAYS SEEM TO
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REINVENT YOURSELF.
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>> YEAH, ME AND MADONNA.
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HEY, EXCUSE ME.
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SURE.
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>> DAD, IT'S A VIRGIN.
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>> JUST LIKE YOU'D BETTER BE.
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>> AREN'T YOU EXCITED ABOUT YOUR
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DAD'S NEW SHOW, BRIT BRAT?
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>> "A, NO ONE'S CALLED ME
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BRIT BRAT SINCE I WAS, LIKE, 5,
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AND "B," I DON'T WATCH
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TELEVISION.
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>> OKAY, NOW, SHE'S JUST MAD
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BECAUSE I TOLD HER I WASN'T
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GONNA GO BACK TO WORK.
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AND THEN, WELL, YOU KNOW,
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YOU GOT TO GIVE THE PEOPLE
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WHAT THEY WANT. AM I WRONG?
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>> [ LAUGHS ]
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>> NOW, YOU BETTER GO GRAB SOME
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DINNER OFF THAT TABLE OVER THERE
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BEFORE YOUR GRANDPARENTS GET
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HERE AND PICK YOU UP.
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>> UNLESS THEY BREAK PROMISES,
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TOO, RIGHT?
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>> GOD, I HOPE NOT.
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>> SHE IS SO SPECIAL.
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>> YOU WANT HER?
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YOU CAN HAVE HER.
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>> UH, SUSHI?
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SUSHI.
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>> [ Sighing ] OH.
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>> HEY, JASON, SUMMER,
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YOU GUYS MIND?
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NETWORK NEEDS SOME PROMOTIONAL
261
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SHOTS FOR THE WEBSITE.
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>> OF COURSE.
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>> YEAH.
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>> JASON, COULD YOU GET IN
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JUST A LITTLE CLOSER
266
00:06:22,900 --> 00:06:23,600
TO SUMMER, PLEASE?
267
00:06:23,600 --> 00:06:24,730
>> SURE. HOW'S THAT?
268
00:06:24,733 --> 00:06:25,473
>> [ SCOFFS ]
269
00:06:25,467 --> 00:06:27,197
>> CLOSER.
270
00:06:27,200 --> 00:06:28,100
CLOSER.
271
00:06:28,100 --> 00:06:29,170
>> DUDE, WHAT DO YOU WANT,
272
00:06:29,167 --> 00:06:30,367
ME INSIDE OF HER?
273
00:06:30,367 --> 00:06:31,627
>> SMILE.
274
00:06:31,633 --> 00:06:32,833
>> [ SCOFFS ]
275
00:06:32,833 --> 00:06:34,603
WOW.
276
00:06:34,600 --> 00:06:36,270
HEY! LOOKING GOOD.
277
00:06:37,700 --> 00:06:39,370
YOU HAVE A REALLY NICE SMILE.
278
00:06:39,367 --> 00:06:41,967
>> [ CHUCKLES ] INVISALIGN.
279
00:06:41,967 --> 00:06:43,067
A FEW MONTHS IS REALLY
280
00:06:43,067 --> 00:06:44,227
ALL IT TOOK.
281
00:06:44,233 --> 00:06:45,573
>> YEAH, WELL, MIGHT WANT TO
282
00:06:45,567 --> 00:06:46,567
THINK ABOUT SMILING MORE.
283
00:06:46,567 --> 00:06:47,667
THAT'S ALL.
284
00:06:47,667 --> 00:06:49,297
>> I'LL, I'LL THINK ABOUT THAT.
285
00:06:49,300 --> 00:06:51,830
>> GREAT.
286
00:06:51,833 --> 00:06:53,273
[ CLEARS THROAT ]
287
00:06:53,267 --> 00:06:54,367
I'M GONNA GRAB US A FEW DRINKS.
288
00:06:54,367 --> 00:06:55,067
>> YEAH.
289
00:06:55,067 --> 00:06:55,767
>> HUH?
290
00:06:55,767 --> 00:06:56,467
>> YEAH, COOL.
291
00:06:56,467 --> 00:06:58,067
>> OKAY.
292
00:07:00,567 --> 00:07:02,067
>> [ SIGHS ]
293
00:07:02,067 --> 00:07:03,827
>> HO HO! THE CHAMP IS BACK.
294
00:07:03,833 --> 00:07:06,603
AH. WELCOME BACK, DAWG.
295
00:07:06,600 --> 00:07:07,630
IT'S GOOD YOU FINALLY CAME TO
296
00:07:07,633 --> 00:07:08,673
YOUR SENSES AND RETURNED FROM
297
00:07:08,667 --> 00:07:10,097
THE DARK SIDE.
298
00:07:10,100 --> 00:07:10,800
>> WHAT THE HELL ARE YOU
299
00:07:10,800 --> 00:07:11,530
TALKING ABOUT?
300
00:07:11,533 --> 00:07:13,173
>> OH, JASON, DOG, JUST A MINUTE
301
00:07:13,167 --> 00:07:14,067
AGO, I THOUGHT YOU WERE GOING
302
00:07:14,067 --> 00:07:15,467
THROUGH SOME KIND OF MIDLIFE
303
00:07:15,467 --> 00:07:18,067
CRISIS OR MENTAL BREAKDOWN.
304
00:07:18,067 --> 00:07:19,897
[ CHUCKLES ]
305
00:07:19,900 --> 00:07:20,830
NO OFFENSE, DAWG.
306
00:07:20,833 --> 00:07:21,603
YOU WANT SOME SUSHI?
307
00:07:21,600 --> 00:07:22,330
>> YEAH, WAIT-WAIT-WAIT...
308
00:07:22,333 --> 00:07:23,433
WHOA, WHOA, WHOA.
309
00:07:23,433 --> 00:07:24,133
YOU KNOW, YOU KEEP SAYING
310
00:07:24,133 --> 00:07:25,503
"NO OFFENSE," BUT I'M --
311
00:07:25,500 --> 00:07:26,370
I'M HIGHLY OFFENDED.
312
00:07:26,367 --> 00:07:27,597
>> OKAY. WELL, TOO BAD, JASON.
313
00:07:27,600 --> 00:07:29,500
I'M SORRY. YOU KNOW WHAT?
314
00:07:29,500 --> 00:07:30,600
I'M NEVER GONNA GET MY SUSHI,
315
00:07:30,600 --> 00:07:31,430
AM I?
316
00:07:31,433 --> 00:07:33,233
OKAY, LOOK, I UNDERSTAND YOU
317
00:07:33,233 --> 00:07:34,403
HOPPING OFF THE SLAVE SHIP FOR
318
00:07:34,400 --> 00:07:35,370
HOMEGIRL'S TAUT,
319
00:07:35,367 --> 00:07:36,427
SANDY-WHITE BEACH.
320
00:07:36,433 --> 00:07:38,333
I GET IT, DAWG. SUMMER'S A DIME.
321
00:07:38,333 --> 00:07:39,233
>> OKAY, LISTEN TO ME,
322
00:07:39,233 --> 00:07:40,573
YOU STUPID SCHMUCK-HEAD.
323
00:07:40,567 --> 00:07:42,597
I DON'T WANT SUMMER. OKAY?
324
00:07:42,600 --> 00:07:43,500
>> YOU'RE AFRAID YOU'RE TOO OLD
325
00:07:43,500 --> 00:07:44,270
TO CLOSE THE DEAL.
326
00:07:44,267 --> 00:07:45,527
>> [ Scoffing ] OH.
327
00:07:45,533 --> 00:07:46,673
>> [ CHUCKLE]
328
00:07:46,667 --> 00:07:48,527
WHY DON'T YOU LET A, UH,
329
00:07:48,533 --> 00:07:51,303
STRAPPING YOUNG BULL IN HIS
330
00:07:51,300 --> 00:07:53,130
PRIME CLOSE THE DEAL FOR YOU?
331
00:07:53,133 --> 00:07:55,073
OKAY, GRANDPA?
332
00:07:55,067 --> 00:07:57,797
>> [ INHALES SHARPLY ]
333
00:07:57,800 --> 00:08:00,230
ANGER. ANGER.
334
00:08:02,967 --> 00:08:03,697
[ KNOCK ON DOOR ]
335
00:08:03,700 --> 00:08:05,070
>> OH, WHAT?
336
00:08:05,067 --> 00:08:06,527
MISS LITTLE DROP BAR.
337
00:08:06,533 --> 00:08:07,273
WHAT BRINGS YOU UP HERE?
338
00:08:07,267 --> 00:08:08,197
DON'T TELL ME YOU GOT ANOTHER
339
00:08:08,200 --> 00:08:09,730
SHIFT AS A HOUSEKEEPER.
340
00:08:09,733 --> 00:08:10,933
>> OH, TASHA, ACTUALLY,
341
00:08:10,933 --> 00:08:12,073
I'M ON A 15-MINUTE BREAK.
342
00:08:12,067 --> 00:08:12,667
I NEED TO TALK TO YOU
343
00:08:12,667 --> 00:08:13,627
ABOUT JASON.
344
00:08:13,633 --> 00:08:16,203
>> MM. ALL RIGHT. COME ON IN.
345
00:08:16,200 --> 00:08:18,500
>> [ SIGHS ]
346
00:08:18,500 --> 00:08:19,830
>> WELL, WITH YOU BEING A SPORTS
347
00:08:19,833 --> 00:08:21,133
MANAGER AND ALL, YOU KNOW,
348
00:08:21,133 --> 00:08:22,073
YOU PRIVY TO THE WORLD
349
00:08:22,067 --> 00:08:23,197
OF PRO SPORTS.
350
00:08:23,200 --> 00:08:24,300
>> MM-HMM.
351
00:08:24,300 --> 00:08:25,330
>> FRANKLY, I JUST DON'T GET IT.
352
00:08:25,333 --> 00:08:26,873
>> GIRL, SIT DOWN.
353
00:08:26,867 --> 00:08:28,197
WHAT IS ALL THIS ABOUT?
354
00:08:28,200 --> 00:08:30,170
>> [ SIGHS ]
355
00:08:30,167 --> 00:08:31,627
SO I'M GEARED UP FOR THIS PARTY.
356
00:08:31,633 --> 00:08:32,373
>> MM-HMM.
357
00:08:32,366 --> 00:08:33,466
>> AND JASON DROPS THIS BOMB
358
00:08:33,467 --> 00:08:34,567
ON ME THAT HE DOESN'T MIX
359
00:08:34,567 --> 00:08:35,567
BUSINESS WITH PLEASURE.
360
00:08:35,567 --> 00:08:36,327
>> MM.
361
00:08:36,332 --> 00:08:37,202
>> BUT NOW I'M STARTING TO
362
00:08:37,200 --> 00:08:38,230
WONDER THAT'S JUST AN EXCUSE
363
00:08:38,232 --> 00:08:39,272
'CAUSE I DIDN'T GIVE IT UP.
364
00:08:39,267 --> 00:08:40,167
>> YOU AIN'T DONE THE
365
00:08:40,167 --> 00:08:41,627
PITTS SHUFFLE YET?
366
00:08:41,633 --> 00:08:42,773
>> [ CHUCKLES ]
367
00:08:42,767 --> 00:08:43,827
>> I WAS TRYING TO WAIT
368
00:08:43,832 --> 00:08:44,902
UNTIL I KNEW THINGS ARE REAL
369
00:08:44,900 --> 00:08:45,570
BETWEEN US.
370
00:08:45,567 --> 00:08:46,827
>> MM-HMM.
371
00:08:46,833 --> 00:08:47,733
>> BUT NOW I THINK I WAITED
372
00:08:47,733 --> 00:08:48,873
TOO LONG.
373
00:08:48,867 --> 00:08:49,767
AFRAID HE'S STARTING TO LOSE
374
00:08:49,767 --> 00:08:50,497
INTEREST.
375
00:08:50,500 --> 00:08:51,400
>> WELL, GIRL, CAN YOU BLAME
376
00:08:51,400 --> 00:08:52,070
HIM?
377
00:08:52,067 --> 00:08:54,627
OKAY, THE MAN IS RICH, OKAY?
378
00:08:54,633 --> 00:08:55,833
AND I SUPPOSE, HANDSOME --
379
00:08:55,833 --> 00:08:56,873
YOU KNOW, IF YOU'RE INTO THAT
380
00:08:56,867 --> 00:08:58,227
LIGHT-SKIN, GLOW-IN-THE-DARK
381
00:08:58,233 --> 00:08:59,073
KIND OF THING,
382
00:08:59,067 --> 00:09:00,827
WHICH I PERSONALLY AM NOT.
383
00:09:00,833 --> 00:09:02,373
BUT HE'S ALSO AN ATHLETE.
384
00:09:02,367 --> 00:09:03,627
YOU KNOW WHAT I MEAN?
385
00:09:03,633 --> 00:09:04,603
AND HE'S NOT JUST ANY ATHLETE.
386
00:09:04,600 --> 00:09:06,700
HE'S A NEWLY RETIRED ATHLETE.
387
00:09:06,700 --> 00:09:09,070
OKAY, THAT'S THAT ELUSIVE BREED.
388
00:09:10,967 --> 00:09:12,127
HE A HONEY BADGER.
389
00:09:12,133 --> 00:09:13,473
>> A WHAT?
390
00:09:13,467 --> 00:09:14,497
>> A HONEY BADGER.
391
00:09:14,500 --> 00:09:15,300
GIRL, YOU AIN'T SEEN THAT VIDEO
392
00:09:15,300 --> 00:09:16,500
ON YouTube?
393
00:09:16,500 --> 00:09:17,830
GIRL, THE HONEY BADGER IS
394
00:09:17,833 --> 00:09:19,973
THIS BADASS RODENT, OKAY?
395
00:09:19,967 --> 00:09:21,367
HE AIN'T FAZED BY NOBODY.
396
00:09:21,367 --> 00:09:22,897
NO, I'M SERIOUS. OKAY?
397
00:09:22,900 --> 00:09:24,470
HE DO WHATEVER HE WANT,
398
00:09:24,467 --> 00:09:26,197
TO WHATEVER HE WANT, HONEY --
399
00:09:26,200 --> 00:09:28,870
KILLER BEES, JACKALS, COBRAS.
400
00:09:28,867 --> 00:09:30,427
DAMN HONEY BADGER,
401
00:09:30,433 --> 00:09:32,173
HE DON'T GIVE A DAMN.
402
00:09:32,167 --> 00:09:33,367
>> I'M CONFUSED.
403
00:09:33,367 --> 00:09:35,897
AM -- AM I THE JACKAL?
404
00:09:35,900 --> 00:09:38,070
>> NO, GIRL, YOU THE COBRA.
405
00:09:38,067 --> 00:09:38,927
>> OH.
406
00:09:38,933 --> 00:09:40,303
>> YOU TRYING TO HOLD ON TO YOUR
407
00:09:40,300 --> 00:09:42,700
MESS LIKE IT'S SOME VENOM.
408
00:09:42,700 --> 00:09:43,430
OKAY?
409
00:09:43,433 --> 00:09:44,533
BUT THAT DAMN HONEY BADGER,
410
00:09:44,533 --> 00:09:45,803
HE GONNA POUNCE.
411
00:09:45,800 --> 00:09:47,770
OKAY? AND WHETHER HE POUNCING ON
412
00:09:47,767 --> 00:09:48,827
YOU OR NOT, YOU'D BEST BELIEVE
413
00:09:48,833 --> 00:09:50,133
HE GONNA FIND HIM SOME PREY
414
00:09:50,133 --> 00:09:52,273
TO POUNCE ON.
415
00:09:52,267 --> 00:09:53,267
MM-HMM.
416
00:09:53,267 --> 00:09:55,097
>> DAMN.
417
00:09:55,100 --> 00:09:56,370
SO, WHAT DO I DO?
418
00:09:56,367 --> 00:09:57,367
>> WELL, THE FIRST THING YOU GOT
419
00:09:57,367 --> 00:09:58,527
TO DO IS WATCH THAT DAMN VIDEO
420
00:09:58,533 --> 00:10:00,003
ON THEM DAMN HONEY BADGERS.
421
00:10:00,000 --> 00:10:01,200
OKAY?
422
00:10:01,200 --> 00:10:03,470
SECOND THING YOU GOT TO DO,
423
00:10:03,467 --> 00:10:04,497
YOU GOT TO STOP BEING
424
00:10:04,500 --> 00:10:06,970
SO DAMN INSECURE.
425
00:10:06,967 --> 00:10:08,027
YOU KNOW I USED TO DATE
426
00:10:08,033 --> 00:10:09,133
RICK FOX, RIGHT?
427
00:10:09,133 --> 00:10:10,803
>> YEAH, I HEARD THAT.
428
00:10:10,800 --> 00:10:12,930
>> GOOD. PEOPLE STILL TALKING.
429
00:10:12,933 --> 00:10:14,533
OKAY. THE ONE THING THAT
430
00:10:14,533 --> 00:10:15,633
I LEARNED ABOUT DATING
431
00:10:15,633 --> 00:10:16,473
A PROFESSIONAL ATHLETE?
432
00:10:16,467 --> 00:10:17,197
>> MM-HMM?
433
00:10:17,200 --> 00:10:18,230
THEY CAN'T STAND NO INSECURE
434
00:10:18,233 --> 00:10:20,303
WOMEN. OKAY?
435
00:10:20,300 --> 00:10:21,430
'CAUSE IF YOU REALLY NOTICE,
436
00:10:21,433 --> 00:10:22,973
THE WOMEN THAT LAND THESE KIND
437
00:10:22,967 --> 00:10:24,327
OF GUYS, GIRL, THEY AIN'T ALWAYS
438
00:10:24,333 --> 00:10:26,673
THE PRETTIEST OR THE SMARTEST.
439
00:10:26,667 --> 00:10:27,397
>> MM-HMM.
440
00:10:27,400 --> 00:10:28,170
>> AND THEY CERTAINLY AIN'T
441
00:10:28,167 --> 00:10:29,897
THE ONES THAT'S HOLDING OUT.
442
00:10:29,900 --> 00:10:30,800
BUT YOU'D BEST BELIEVE, THEY'RE
443
00:10:30,800 --> 00:10:32,030
GONNA BE THE MOST PERSISTENT
444
00:10:32,033 --> 00:10:34,533
AND THE MOST CALCULATING.
445
00:10:34,533 --> 00:10:35,533
MM-HMM. THEY GONNA DO WHATEVER
446
00:10:35,533 --> 00:10:38,833
IT TAKE TO KEEP THEIR MAN.
447
00:10:38,833 --> 00:10:40,173
YOU KNOW WHAT?
448
00:10:40,167 --> 00:10:41,827
THEY SOME DAMN HONEY BADGERS,
449
00:10:41,833 --> 00:10:43,173
TOO.
450
00:10:43,167 --> 00:10:44,797
>> WELL, I AIN'T THAT GIRL.
451
00:10:44,800 --> 00:10:45,900
>> WELL, THEN MAYBE YOU DON'T
452
00:10:45,900 --> 00:10:46,930
NEED TO BE WITH NO PROFESSIONAL
453
00:10:46,933 --> 00:10:48,673
ATHLETE.
454
00:10:50,300 --> 00:10:51,870
[ INDISTINCT CONVERSATIONS ]
455
00:10:51,867 --> 00:10:52,727
>> ESPRESSO?
456
00:10:52,733 --> 00:10:53,633
>> AH.
457
00:10:53,633 --> 00:10:55,233
>> REASON NUMBER 23 WHY NOT
458
00:10:55,233 --> 00:10:56,633
BEING PREGNANT ROCKS --
459
00:10:56,633 --> 00:10:58,203
CAFFEINE.
460
00:10:58,200 --> 00:10:58,930
[ CHOPSTICKS CLINK ON PLATE ]
461
00:10:58,933 --> 00:11:00,073
>> GET YOUR CAFFEINE ON THEN,
462
00:11:00,067 --> 00:11:00,867
GIRL.
463
00:11:00,867 --> 00:11:01,627
[ CHUCKLES ]
464
00:11:01,633 --> 00:11:02,673
>> OH, WOW.
465
00:11:02,667 --> 00:11:04,397
YOU'RE EXPECTING.
466
00:11:04,400 --> 00:11:05,500
YOU MUST BE SO HAPPY.
467
00:11:05,500 --> 00:11:06,170
YOU'RE GONNA HAVE SUCH
468
00:11:06,167 --> 00:11:06,867
A BEAUTIFUL BABY.
469
00:11:06,867 --> 00:11:07,827
>> YEAH, YOU AND YOUR HUSBAND
470
00:11:07,833 --> 00:11:08,933
MUST BE REALLY EXCITED.
471
00:11:08,933 --> 00:11:10,503
>> HUSBAND? [ SCOFFS ]
472
00:11:10,500 --> 00:11:13,330
TRY "DEADBEAT."
473
00:11:13,333 --> 00:11:14,873
>> DEADBEAT?
474
00:11:14,867 --> 00:11:15,567
>> YEAH.
475
00:11:15,567 --> 00:11:16,227
>> WOW.
476
00:11:16,233 --> 00:11:18,133
>> GOSH, YOU MUST BE SO SCARED.
477
00:11:18,133 --> 00:11:19,703
I MEAN, I CAN'T IMAGINE BEING
478
00:11:19,700 --> 00:11:21,500
SINGLE, A HARDWORKING WOMAN
479
00:11:21,500 --> 00:11:22,730
WHO I'M GUESSING BARELY
480
00:11:22,733 --> 00:11:24,073
EARNS ENOUGH TO GET BY.
481
00:11:24,067 --> 00:11:25,967
>> YEAH, I MEAN, HAVE YOU --
482
00:11:25,967 --> 00:11:28,097
HAVE YOU EXPLORED OTHER OPTIONS?
483
00:11:28,100 --> 00:11:29,130
IF YOU GAVE YOUR BABY UP
484
00:11:29,133 --> 00:11:29,803
FOR ADOPTION --
485
00:11:29,800 --> 00:11:30,470
>> I MEAN, WE WOULD
486
00:11:30,467 --> 00:11:31,167
TOTALLY TAKE IT.
487
00:11:31,167 --> 00:11:32,367
>> TOTALLY.
488
00:11:32,367 --> 00:11:34,627
>> YOU GUYS ARE CRAZY.
489
00:11:34,633 --> 00:11:36,633
>> CRAZY RICH.
490
00:11:36,633 --> 00:11:38,103
>> [ SCOFFS ]
491
00:11:38,100 --> 00:11:38,830
DON'T WORRY ABOUT IT, MEL.
492
00:11:38,833 --> 00:11:39,533
WE'LL FIND OURSELVES
493
00:11:39,533 --> 00:11:41,533
A BLACK BABY.
494
00:11:41,533 --> 00:11:44,073
>> ALL RIGHT. ALL RIGHT.
495
00:11:44,067 --> 00:11:44,927
LET'S BREAK IT UP.
496
00:11:44,933 --> 00:11:45,633
BREAK IT UP.
497
00:11:45,633 --> 00:11:47,103
COHOST LOOKING FOR HIS PARTNER.
498
00:11:47,100 --> 00:11:48,570
EXCUSE ME. PARDON ME.
499
00:11:48,567 --> 00:11:49,697
NOTHING TO SEE HERE.
500
00:11:49,700 --> 00:11:51,570
KEEP IT MOVING. THANK YOU.
501
00:11:51,567 --> 00:11:52,727
OKAY, SO...
502
00:11:52,733 --> 00:11:53,973
OH. I GUESS THEY'RE GETTING
503
00:11:53,967 --> 00:11:54,697
READY TO SHOW THE PROMO
504
00:11:54,700 --> 00:11:55,400
COMMERCIAL.
505
00:11:55,400 --> 00:11:56,070
>> OH.
506
00:11:56,067 --> 00:11:56,967
>> YEAH, SO MAYBE WE SHOULD MOVE
507
00:11:56,967 --> 00:11:57,967
IN A LITTLE CLOSER.
508
00:11:57,967 --> 00:11:58,867
I'M SURE JASON'S VISION ISN'T
509
00:11:58,867 --> 00:12:00,467
WHAT IT USED TO BE.
510
00:12:00,467 --> 00:12:01,867
OLD AGE HAS THE TENDENCY TO
511
00:12:01,867 --> 00:12:02,967
SCREW WITH PEOPLE'S ABILITIES.
512
00:12:02,967 --> 00:12:04,367
ISN'T THAT RIGHT, OLD-TIMER?
513
00:12:04,367 --> 00:12:05,827
>> OH.
514
00:12:05,833 --> 00:12:06,773
>> YOU KNOW MIKE'S A JUNKIE,
515
00:12:06,767 --> 00:12:08,327
RIGHT?
516
00:12:11,067 --> 00:12:12,067
ONE DAY AT A TIME, MAN.
517
00:12:12,067 --> 00:12:14,197
>> YEP.
518
00:12:14,200 --> 00:12:15,570
>> HE'S NOT YOUR AVERAGE
519
00:12:15,567 --> 00:12:16,597
SPORTS GUY.
520
00:12:16,600 --> 00:12:17,370
SHE'S NOT YOUR AVERAGE
521
00:12:17,367 --> 00:12:18,427
SPORTS GIRL.
522
00:12:18,433 --> 00:12:19,873
AND TOGETHER, THEY'RE NOT YOUR
523
00:12:19,867 --> 00:12:21,127
AVERAGE SPORTS-NEWS TEAM.
524
00:12:21,133 --> 00:12:22,403
>> SO WHAT? SO WHAT?
525
00:12:22,400 --> 00:12:23,130
SO, THE MAN KILLS DOGS.
526
00:12:23,133 --> 00:12:23,833
>> [ SCOFFS ]
527
00:12:23,833 --> 00:12:25,073
>> I MEAN, IT DOESN'T MEAN HE'S
528
00:12:25,067 --> 00:12:25,927
NOT A SPECTACULAR FOOTBALL
529
00:12:25,933 --> 00:12:26,673
PLAYER.
530
00:12:26,667 --> 00:12:27,727
>> YOU ARE UNBELIEVABLE.
531
00:12:27,733 --> 00:12:28,773
SO, WHAT, WE SHOULD JUST LET OUR
532
00:12:28,767 --> 00:12:30,167
ATHLETES RAPE AND PILLAGE, TOO,
533
00:12:30,167 --> 00:12:31,327
AS LONG AS THEY'VE GOT TALENT?
534
00:12:31,333 --> 00:12:34,703
OH, WAIT, WE ALREADY DO THAT.
535
00:12:34,700 --> 00:12:35,830
>> HOW YOU GONNA DO KOBE
536
00:12:35,833 --> 00:12:36,903
LIKE THAT?
537
00:12:36,900 --> 00:12:38,430
>> "THE PITTS STOP" WITH
538
00:12:38,433 --> 00:12:40,333
JASON PITTS AND SUMMER GRAYSON.
539
00:12:40,333 --> 00:12:43,203
IT'S ANYTHING BUT AVERAGE.
540
00:12:43,200 --> 00:12:45,530
[ CHEERS AND APPLAUSE ]
541
00:12:50,067 --> 00:12:51,127
>> ALL RIGHT, MAN.
542
00:12:51,133 --> 00:12:52,673
ALL RIGHT, ALL RIGHT.
543
00:12:52,667 --> 00:12:53,697
>> YEAH, WELL, THANKS.
544
00:12:53,700 --> 00:12:54,670
>> OH, MAYBE THAT REPORTER WAS
545
00:12:54,667 --> 00:12:55,327
ONTO SOMETHING.
546
00:12:55,333 --> 00:12:56,203
LOOKS LIKE WE MIGHT ACTUALLY
547
00:12:56,200 --> 00:12:57,200
HAVE A HIT ON OUR HANDS.
548
00:12:57,200 --> 00:12:58,430
>> A HIT? ARE -- PLEASE.
549
00:12:58,433 --> 00:12:59,473
YOU HEAR THAT CROWD?
550
00:12:59,467 --> 00:13:00,297
>> MM.
551
00:13:00,300 --> 00:13:01,200
>> WE'RE TALKING EMMY NOD,
552
00:13:01,200 --> 00:13:01,930
AT THE VERY LEAST.
553
00:13:01,933 --> 00:13:03,103
MAYBE EVEN A PULITZER.
554
00:13:03,100 --> 00:13:04,070
>> YEAH?
555
00:13:04,067 --> 00:13:05,067
YOU SURE YOU WANT TO SHARE
556
00:13:05,067 --> 00:13:05,927
AN EMMY WITH SOMEBODY
557
00:13:05,933 --> 00:13:07,403
YOU DON'T EVEN LIKE?
558
00:13:07,400 --> 00:13:08,500
>> WHAT?
559
00:13:08,500 --> 00:13:09,230
WHAT ARE YOU TALKING ABOUT?
560
00:13:09,233 --> 00:13:11,133
COME ON. HEY.
561
00:13:11,133 --> 00:13:12,903
I LIKE YOU, I JUST -- I JUST
562
00:13:12,900 --> 00:13:14,270
DON'T LIKE WORKING WITH YOU.
563
00:13:14,267 --> 00:13:16,197
>> [ Chuckling ] OH.
564
00:13:16,200 --> 00:13:17,130
>> NO, I MEAN,
565
00:13:17,133 --> 00:13:17,803
IT'S NOTHING PERSONAL.
566
00:13:17,800 --> 00:13:18,800
I'M JUST NOT -- I'M NOT A FAN
567
00:13:18,800 --> 00:13:19,800
OF SHARING THE SPOTLIGHT.
568
00:13:19,800 --> 00:13:21,070
>> WOW. YOU KNOW, I NEVER
569
00:13:21,067 --> 00:13:22,067
THOUGHT I WOULD ACTUALLY MEET
570
00:13:22,067 --> 00:13:22,927
SOMEBODY WITH AN EGO
571
00:13:22,933 --> 00:13:24,933
QUITE AS LARGE AS MY OWN.
572
00:13:24,933 --> 00:13:27,173
>> JASON PITTS, EGOMANIAC/FUTURE
573
00:13:27,167 --> 00:13:28,967
PULITZER PRIZE-WINNING ANCHOR.
574
00:13:28,967 --> 00:13:30,227
PLEASURE.
575
00:13:30,233 --> 00:13:31,503
>> I AM NOT ACCUSTOMED TO HAVING
576
00:13:31,500 --> 00:13:33,100
MY HAND KISSED. YOU KNOW WHAT?
577
00:13:33,100 --> 00:13:34,170
YOU'RE AN OLD-FASHIONED GUY.
578
00:13:34,167 --> 00:13:36,567
I GET IT. IT'S CUTE.
579
00:13:36,567 --> 00:13:38,427
>> YOU KNOW WHAT?
580
00:13:45,367 --> 00:13:46,867
ALL PART OF THE SHOW, MAN.
581
00:13:52,800 --> 00:13:55,930
>> WELL, HELLO, HUSBAND.
582
00:13:55,933 --> 00:13:57,873
>> WOW.
583
00:13:57,867 --> 00:13:58,767
WHAT'S ALL THIS?
584
00:13:58,767 --> 00:13:59,567
YOU DOCTOR THE PLACE UP FOR
585
00:13:59,567 --> 00:14:02,327
ANOTHER DRY-HUMP SESH?
586
00:14:02,333 --> 00:14:04,933
>> NO, ACTUALLY, ALL OF THIS IS
587
00:14:04,933 --> 00:14:08,503
COURTESY OF CINDERELLY.
588
00:14:08,500 --> 00:14:10,170
SHE'S READY.
589
00:14:11,733 --> 00:14:13,203
>> OKAY, HOLD UP, HOLD UP.
590
00:14:13,200 --> 00:14:14,870
>> WHAT'S WRONG?
591
00:14:14,867 --> 00:14:15,867
IS IT MY BREATH?
592
00:14:15,867 --> 00:14:17,067
OH, MY GOD.
593
00:14:17,067 --> 00:14:18,097
IT'S THAT NEW PERFUME.
594
00:14:18,100 --> 00:14:19,400
I KNEW I SHOULDN'T HAVE RUBBED
595
00:14:19,400 --> 00:14:20,170
THAT SAMPLE OUT OF THAT
596
00:14:20,167 --> 00:14:21,067
"ESSENCE" MAGAZINE.
597
00:14:21,067 --> 00:14:21,827
>> LISTEN, LISTEN, CHARDONNAY.
598
00:14:21,833 --> 00:14:22,803
IT DOESN'T MATTER THAT YOU'RE
599
00:14:22,800 --> 00:14:24,100
READY NOW, 'CAUSE I'M NOT.
600
00:14:25,533 --> 00:14:26,703
I'VE HAD SOME TIME TO THINK
601
00:14:26,700 --> 00:14:28,700
ABOUT IT, AND I'M JUST --
602
00:14:28,700 --> 00:14:30,100
I'M NOT SURE IF THIS IS
603
00:14:30,100 --> 00:14:31,070
GONNA WORK OUT.
604
00:14:31,067 --> 00:14:33,967
>> [ SCOFFS ]
605
00:14:33,967 --> 00:14:35,667
ARE YOU BREAKING UP WITH ME?
606
00:14:35,667 --> 00:14:38,167
>> I MEAN [SIGHS]
607
00:14:38,167 --> 00:14:39,467
LOOK, LET'S FACE IT.
608
00:14:39,467 --> 00:14:41,327
I'VE -- I'VE BEEN PATIENT.
609
00:14:41,333 --> 00:14:42,373
I'VE DEALT WITH ALL THE
610
00:14:42,367 --> 00:14:43,467
ATTITUDE, THE NECK ROLLS,
611
00:14:43,467 --> 00:14:45,467
THE DAILY DOSE OF BLUE CROTCH.
612
00:14:45,467 --> 00:14:46,497
I'M LISTENING TO WAY MORE OF
613
00:14:46,500 --> 00:14:47,500
TODAY'S HIP-HOP AND R&B THAN
614
00:14:47,500 --> 00:14:49,430
I FEEL COMFORTABLE DOING.
615
00:14:49,433 --> 00:14:50,603
THIS -- THIS LITTLE DANCE THAT
616
00:14:50,600 --> 00:14:51,500
WE'RE DOING IS EXHAUSTING,
617
00:14:51,500 --> 00:14:52,530
AND MAYBE IT'S TIME THAT WE
618
00:14:52,533 --> 00:14:56,833
JUST, YOU KNOW, CUT OUR LOSSES.
619
00:14:58,900 --> 00:15:01,800
>> OKAY, JASON, LOOK, I GET IT.
620
00:15:01,800 --> 00:15:03,300
AND AFTER YOU LEFT,
621
00:15:03,300 --> 00:15:06,330
I HAD A LOT OF TIME TO THINK.
622
00:15:06,333 --> 00:15:08,833
AND YOU'RE RIGHT.
623
00:15:08,833 --> 00:15:10,503
IT'S NOT FAIR FOR ME TO EXPECT
624
00:15:10,500 --> 00:15:13,270
YOU TO BE ALL-IN, BUT I'M NOT.
625
00:15:13,267 --> 00:15:15,927
I GET THAT.
626
00:15:15,933 --> 00:15:19,073
SO TONIGHT IS MY ATTEMPT...
627
00:15:19,067 --> 00:15:21,827
TO SHOW YOU...
628
00:15:21,833 --> 00:15:24,573
JUST HOW IN I AM.
629
00:15:24,567 --> 00:15:26,127
>> WOW.
630
00:15:26,133 --> 00:15:27,473
>> LOOK GOOD, DON'T IT?
631
00:15:27,467 --> 00:15:29,197
>> YE-E-S.
632
00:15:32,933 --> 00:15:34,203
>> JASON, I NEED YOU TO KNOW
633
00:15:34,200 --> 00:15:37,700
THAT ME BEING DIFFICULT...
634
00:15:37,700 --> 00:15:39,900
IS MY WAY OF PROTECTING MYSELF.
635
00:15:39,900 --> 00:15:41,630
>> WHAT?
636
00:15:41,633 --> 00:15:43,873
>> JUST DON'T WANT TO GET HURT.
637
00:15:45,200 --> 00:15:46,170
>> OKAY, WAIT A MINUTE.
638
00:15:46,167 --> 00:15:46,867
WAIT A MINUTE.
639
00:15:46,867 --> 00:15:50,567
SO, YOU, MISS TOUGH-AS-NAILS,
640
00:15:50,567 --> 00:15:51,497
"I DON'T NEED YOUR HELP OPENING
641
00:15:51,500 --> 00:15:54,170
THE OLIVE JAR" JENKINS, YOU'RE
642
00:15:54,167 --> 00:15:55,067
WORRIED ABOUT GETTING HURT?
643
00:15:55,067 --> 00:15:56,797
>> OF COURSE.
644
00:15:56,800 --> 00:15:57,770
>> [ SIGHS ]
645
00:15:57,767 --> 00:15:59,067
>> I MAY NOT NEED HELP OPENING
646
00:15:59,067 --> 00:16:01,227
UP AN OLIVE JAR, BUT AT THE END
647
00:16:01,233 --> 00:16:03,273
OF THE DAY, I'M STILL A WOMAN,
648
00:16:03,267 --> 00:16:04,867
JASON.
649
00:16:06,700 --> 00:16:10,400
A WOMAN WHO LIKES YOU A LOT.
650
00:16:12,600 --> 00:16:15,730
SO MUCH SO, THAT FROM THIS POINT
651
00:16:15,733 --> 00:16:18,473
FORWARD, THERE WILL BE NO MORE
652
00:16:18,467 --> 00:16:20,597
ATTITUDE, NO NECK ROLLING.
653
00:16:20,600 --> 00:16:22,170
>> [ SCOFFS ] THAT'S A LIE.
654
00:16:22,167 --> 00:16:25,727
[ BOTH CHUCKLE ]
655
00:16:25,733 --> 00:16:27,533
>> AND STARTING TONIGHT,
656
00:16:27,533 --> 00:16:29,903
LET'S JUST SAY YOUR CROTCH
657
00:16:29,900 --> 00:16:31,930
WILL REMAIN ITS PROPER COLOR.
658
00:16:36,233 --> 00:16:38,533
>> MMM.
659
00:16:38,533 --> 00:16:40,233
OKAY, OKAY, HOLD UP, HOLD UP.
660
00:16:40,233 --> 00:16:41,373
HOLD UP. LOOK...
661
00:16:41,367 --> 00:16:42,967
YOU DON'T HAVE TO DO THIS.
662
00:16:42,967 --> 00:16:44,167
OKAY? I'M IN.
663
00:16:44,167 --> 00:16:46,367
>> I WANT TO. I'M READY.
664
00:16:46,367 --> 00:16:47,197
I THINK IT'S TIME
665
00:16:47,200 --> 00:16:48,500
I INTRODUCED CINDERELLY
666
00:16:48,500 --> 00:16:50,770
TO HER PRINCE CHARMING.
667
00:16:50,767 --> 00:16:53,897
>> OKAY, UM, WHAT IF I'M NOT
668
00:16:53,900 --> 00:16:55,170
PRINCE CHARMING?
669
00:16:55,167 --> 00:16:56,227
>> WELL, I DON'T CARE
670
00:16:56,233 --> 00:16:57,333
IF YOU ARE A HONEY BADGER.
671
00:16:57,333 --> 00:17:00,603
I WANT WHAT I WANT.
672
00:17:00,600 --> 00:17:01,600
>> A HONEY BADGER?
673
00:17:01,600 --> 00:17:02,330
>> YES.
674
00:17:02,333 --> 00:17:03,673
>> ALL RIGHT.
675
00:17:03,667 --> 00:17:05,597
MMM.
676
00:17:05,599 --> 00:17:07,499
>> [ LAUGHS ] OKAY, REASON
677
00:17:07,500 --> 00:17:09,600
NUMBER 36 WHY NOT BEING PREGNANT
678
00:17:09,599 --> 00:17:11,469
IS AWESOME --
679
00:17:11,467 --> 00:17:13,427
UNLIMITED CHAMPAGNE!
680
00:17:13,433 --> 00:17:16,273
[ LAUGHS ]
681
00:17:16,267 --> 00:17:17,427
OH.
682
00:17:17,433 --> 00:17:18,373
>> OH!
683
00:17:18,367 --> 00:17:19,197
>> OH, GOD.
684
00:17:19,200 --> 00:17:20,070
>> THERE YOU GO, BOO.
685
00:17:20,067 --> 00:17:20,897
>> THANKS FOR CARRYING ME--
686
00:17:20,900 --> 00:17:21,930
>> YEAH.
687
00:17:21,933 --> 00:17:22,773
>> I PROMISE, THIS IS THE LAST
688
00:17:22,767 --> 00:17:23,767
TIME I'M GONNA WEAR 6-INCH
689
00:17:23,767 --> 00:17:25,697
STILETTOS. [ SIGHS ]
690
00:17:25,700 --> 00:17:26,770
>> HEY, I'M GONNA RUN UPSTAIRS
691
00:17:26,767 --> 00:17:28,367
AND RUN YOU A NICE HOT BATH
692
00:17:28,367 --> 00:17:29,767
SO YOU CAN SOAK THOSE FEET.
693
00:17:29,767 --> 00:17:31,267
>> OKAY. OH!
694
00:17:31,267 --> 00:17:32,097
>> WHAT?
695
00:17:32,100 --> 00:17:33,100
>> REASON NUMBER 38.
696
00:17:33,100 --> 00:17:34,330
THANKS, BABE.
697
00:17:34,333 --> 00:17:35,503
>> YOU GOT IT.
698
00:17:35,500 --> 00:17:36,770
[ BOTH LAUGH ]
699
00:17:36,767 --> 00:17:38,067
>> I'LL BE UP IN TWO MINUTES.
700
00:17:38,067 --> 00:17:39,297
>> ALL RIGHT.
701
00:17:39,300 --> 00:17:40,930
>> RIGHT AFTER I DISMOUNT
702
00:17:40,933 --> 00:17:42,503
FROM THESE STILTS.
703
00:17:42,500 --> 00:17:44,930
OH!
704
00:17:44,933 --> 00:17:47,233
[ SIGHING ]
705
00:17:47,233 --> 00:17:48,603
>> * ONCE AGAIN
706
00:17:48,600 --> 00:17:52,300
IT'S HAPPENING *
707
00:17:54,400 --> 00:17:57,170
* ALL THIS LOVE
708
00:17:57,167 --> 00:18:01,427
IS UNREQUITED *
709
00:18:03,233 --> 00:18:05,273
* TWICE THE PAIN,
710
00:18:05,267 --> 00:18:08,297
THE SUFFERING *
711
00:18:10,900 --> 00:18:13,770
* ALL MY LOVE
712
00:18:13,767 --> 00:18:17,627
IS UNREQUITED *
713
00:18:20,100 --> 00:18:22,700
* ALL MY LOVE
714
00:18:22,700 --> 00:18:26,170
IS UNREQUITED *
715
00:18:29,200 --> 00:18:32,070
[ HUMMING ]
716
00:18:32,067 --> 00:18:33,627
>> [ SNIFFLES ]
717
00:18:33,633 --> 00:18:35,303
>> * THAT MUST MEAN
718
00:18:35,300 --> 00:18:38,470
I LIVE AGAIN *
719
00:18:38,467 --> 00:18:40,727
>> [ CLEARS THROAT ]
720
00:18:40,733 --> 00:18:42,073
>> * AND GET BACK
721
00:18:42,067 --> 00:18:43,867
>> HEY, UH, HEY, BOO, YOUR --
722
00:18:43,867 --> 00:18:45,297
YOUR WATER'S GONNA BE READY
723
00:18:45,300 --> 00:18:46,800
IN A MINUTE!
724
00:18:46,800 --> 00:18:51,330
>> * WHAT I LOST TO THEM
725
00:18:51,333 --> 00:18:53,233
>> [ SIGHS ]
726
00:18:53,233 --> 00:18:55,203
>> * OH, THE SHAME,
727
00:18:55,200 --> 00:18:57,170
THIS CRYING GAME *
728
00:18:57,167 --> 00:18:59,697
>> [ SOBBING ]
729
00:19:01,367 --> 00:19:04,267
>> * OH, MY LOVE,
730
00:19:04,267 --> 00:19:07,367
I'VE BEEN DENIED IT *
731
00:19:15,100 --> 00:19:17,900
**
732
00:19:17,950 --> 00:19:22,500
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