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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:01,686 --> 00:02:11,522 Maria: ♪ COME, COME, I LOVE YOU ONLY MY HEART IS TRUE 4 00:02:11,522 --> 00:02:17,224 Maria Lanyi: COME, COME MY LIFE IS LONELY 5 00:02:17,224 --> 00:02:22,316 Maria Lanyi: I LONG FOR YOU 6 00:02:22,316 --> 00:02:28,452 Maria Lanyi: COME, COME NAUGHT CAN EFFACE YOU 7 00:02:28,452 --> 00:02:34,589 Maria Lanyi: MY ARMS ARE ACHINGNOW TO EMBRACE YOU 8 00:02:34,589 --> 00:02:40,464 Maria Lanyi: THOU ART DIVINE 9 00:02:40,464 --> 00:02:48,777 Maria Lanyi: COME, COME I LOVE YOU ONLY 10 00:02:48,777 --> 00:02:55,566 Maria Lanyi: COME, HERO MINE 11 00:02:55,566 --> 00:02:59,744 Karl Lang: TRUE IS MY LOVE AND DEEP MY DEVOTION 12 00:02:59,744 --> 00:03:03,531 KARL LANG: HIGH AS THE SKY AND DEEP AS THE OCEAN 13 00:03:03,531 --> 00:03:07,448 Karl Lang: I WILL BE FAITHFUL EVER AND EVER 14 00:03:07,448 --> 00:03:14,498 Karl Lang: NO ONE SHALL PART USEVER AND EVER 15 00:03:14,498 --> 00:03:19,764 Maria and Karl: WE PLEDGE OUR TROTH EACH TO THE OTHER 16 00:03:19,764 --> 00:03:24,465 Maria and Karl: AND FOR OUR HAPPINESS I PRAY 17 00:03:24,465 --> 00:03:31,298 Maria and Karl: OUR LIVES BELONGTO ONE ANOTHER 18 00:03:31,298 --> 00:03:38,000 Maria and Karl: OH HAPPY, HAPPYWEDDING DAY 19 00:03:38,000 --> 00:03:45,355 Maria and Karl: OH HAPPY, HAPPY WEDDING DAY 20 00:03:45,355 --> 00:03:52,493 Maria and Karl: COME, COME, I LOVE YOU ONLY 21 00:03:52,493 --> 00:03:57,367 Maria and Karl: MY HEART IS TRUE 22 00:03:57,367 --> 00:04:03,112 Maria and Karl: COME, COME, MY LIFE IS LONELY 23 00:04:03,112 --> 00:04:08,813 Maria and Karl: I LONG FOR YOU 24 00:04:08,813 --> 00:04:14,776 Maria and Karl: COME, COME, NAUGHT CAN EFFACE YOU 25 00:04:14,776 --> 00:04:21,348 MY ARMS ARE ACHING NOW TO EMBRACE YOU 26 00:04:21,348 --> 00:04:26,266 Maria and Karl: THOU ART DIVINE 27 00:04:26,266 --> 00:04:35,231 Maria and Karl: COME, COME I LOVE YOU ONLY 28 00:04:35,231 --> 00:04:46,808 Maria and Karl: COME, COME BE MINE ♪ 29 00:04:46,808 --> 00:05:04,478 [♪ MUSIC] 30 00:05:04,478 --> 00:05:07,524 Maria Lanyi: A LITTLE WEAK ON THAT 'G' AREN'T YOU DEAR? 31 00:05:07,524 --> 00:05:10,397 Karl Lang: WEAK? I HAD ALL I COULD TO STAY WITH YOU 32 00:05:10,397 --> 00:05:12,050 ON THAT COURSE. MAY I SUGGEST THAT 33 00:05:12,050 --> 00:05:14,096 THE CONDUCTOR OF THE ORCHESTRA IS THERE FOR A REASON. 34 00:05:14,096 --> 00:05:16,533 SUPPOSE SOMETIMES YOU TRY FOLLOWING HIS BEAT. 35 00:05:16,533 --> 00:05:18,274 Maria: THANKS. I WOULD IF YOU STEP ASIDE 36 00:05:18,274 --> 00:05:19,536 LONG ENOUGH FOR ME TO SEE HIM. 37 00:05:19,536 --> 00:05:21,408 Karl: STEP ASIDE? OH-HO! 38 00:05:21,408 --> 00:05:23,366 I HAVE TO BE PRETTY LIGHT ON MY FEET 39 00:05:23,366 --> 00:05:26,282 TO KEEP FROM BEING STEPPED ON. - STRANGE HOW THINGS CHANGE. 40 00:05:26,282 --> 00:05:28,850 I REMEMBER SIX MONTHS AGO WHEN YOU DIDN'T SEEM TO MIND 41 00:05:28,850 --> 00:05:31,200 THAT I GOT TO SHARE THE SPOTLIGHT OCCASIONALLY. 42 00:05:31,200 --> 00:05:33,463 OF COURSE, I DIDN'T MIND YOU HAVING A SHARE. 43 00:05:33,463 --> 00:05:35,160 BUT THAT WAS BEFORE OUR MARRIAGE, DEAR. 44 00:05:37,293 --> 00:05:37,728 Maria, Karl and Chorus: ♪ THANKTHE LORD THE WAR IS OVER 45 00:05:39,295 --> 00:05:39,730 Maria, Karl and Chorus: [INDISTINCT SINGING] 46 00:06:15,244 --> 00:06:21,076 [applause] 47 00:06:21,076 --> 00:06:26,864 ♪ [marching music] 48 00:06:46,797 --> 00:06:48,973 SMILE AT THEM, DEAR. 49 00:06:48,973 --> 00:06:51,759 - SMILE AT THE OFFICERS. - YOU DID? 50 00:06:51,759 --> 00:06:53,891 DON'T FORGET THE BIG OX WITH THE BLONDE BEARD. 51 00:06:53,891 --> 00:06:55,545 - YOU MISSED HIM. - WHY DID WE? 52 00:06:55,545 --> 00:06:56,981 YOU KNOW WHO I AM. 53 00:06:56,981 --> 00:06:59,462 ONE MORE PEEK OUT OF YOU 54 00:06:59,462 --> 00:07:02,117 AND I'LL DRAG THAT CHINLESS WONDER OUT OF HIS BOX. 55 00:07:02,117 --> 00:07:05,773 CHARMING, CHARMING. THIS IS ANICE PLACE TO START AN ARGUMENT. 56 00:07:05,773 --> 00:07:08,210 I'LL START ANYTHING I PLEASE, ANYWHERE I PLEASE. 57 00:07:08,210 --> 00:07:11,213 NOT WITH ME, YOU WON'T. 58 00:07:11,213 --> 00:07:14,303 YOU'RE ON MY DRESS. MY DRESS! 59 00:07:14,303 --> 00:07:17,437 WHY DON'T YOU GET OUT OF THE WAY?! 60 00:07:17,437 --> 00:07:18,829 THAT'S ENOUGH. THAT'S ENOUGH! 61 00:07:29,187 --> 00:07:30,667 Karl: IT WOULDN'T HURT YOU TO FLASH A FEW OF THOSE SMILES 62 00:07:30,667 --> 00:07:32,364 TO THE SEATS UP NEAR HEAVEN. 63 00:07:32,364 --> 00:07:33,670 Karl: JUST BECAUSE YOU SING TO THE GALLERIES. 64 00:07:33,670 --> 00:07:35,019 YOU BETCHA LIFE I DO! 65 00:07:35,019 --> 00:07:36,760 REMEMBER ONE THING, 66 00:07:36,760 --> 00:07:37,935 WHEN THE GALLERIES DON'T LIKE YOU ANYMORE 67 00:07:37,935 --> 00:07:38,806 YOU'RE FINISHED IN MUSICAL COMEDY. 68 00:07:38,806 --> 00:07:40,111 I WISH I WERE. 69 00:07:40,111 --> 00:07:42,853 YES, I WISH I WERE. 70 00:07:42,853 --> 00:07:44,986 OH, I SUPPOSE YOU'D RATHER BE WARBLING OPERA 71 00:07:44,986 --> 00:07:46,335 WITH A BUNCH OF FAT TENORS. 72 00:07:46,335 --> 00:07:48,729 MMMMAAAAA... 73 00:07:48,729 --> 00:07:51,253 Pugsie: MARIA'S VOICE IS CERTAINLY WASTED HERE. 74 00:07:51,253 --> 00:07:53,168 SHE GAVE UP A VERY PROMISING OPERATIC CAREER TO MARRY YOU. 75 00:07:53,168 --> 00:07:56,040 SHUT UP, YOU OLD BLIMP. 76 00:07:56,040 --> 00:07:58,521 IN BUDAPEST THEY UNDERSTOOD ABOUT MUSIC. 77 00:07:58,521 --> 00:07:59,914 SO, ALL THOSE HALF-WITTED OFFICERS 78 00:07:59,914 --> 00:08:01,655 YOU USED TO SCAMPER AROUND WITH, 79 00:08:01,655 --> 00:08:04,135 THEY UNDERSTOOD ABOUT MUSIC, DIDN'T THEY? 80 00:08:04,135 --> 00:08:07,138 Pugsie: YOU'D BE SURPRISED HOW MUCH THEY UNDERSTOOD. 81 00:08:07,138 --> 00:08:11,099 YES, I THINK YOU MIGHT EVEN BE VERY SURPRISED. 82 00:08:11,099 --> 00:08:12,622 DON'T WAVE THAT GRUESOME OBJECT AT ME. 83 00:08:12,622 --> 00:08:15,538 PUGSIE, DON'T PULL THAT WAY. 84 00:08:15,538 --> 00:08:18,933 - I'M NOT PULLING. - PUGSIE, PUGSIE! 85 00:08:18,933 --> 00:08:21,588 HAVE I NOT... HAVEN'T I WORKED HER FOR YEARS? 86 00:08:21,588 --> 00:08:23,241 HAVEN'T I TAKEN BETTER CARE OF HER THAN HER OWN MOTHER? 87 00:08:23,241 --> 00:08:25,461 - OH FOR HEAVEN'S SAKE! - HAVEN'T I-- 88 00:08:25,461 --> 00:08:27,245 THEN WHY DOES SHE GO ON LIKE THIS? JUST TO MAKE ME NERVOUS? 89 00:08:27,245 --> 00:08:29,378 HAVEN'T I SLAVED THESE HANDS TO THE BONE? 90 00:08:29,378 --> 00:08:30,640 MAKE YOU NERVOUS? WHY DON'T YOU HIT ME? 91 00:08:30,640 --> 00:08:32,512 GO AND HIT ME! 92 00:08:32,512 --> 00:08:35,297 I NEVER HIT WOMEN BIGGER THAN MYSELF. 93 00:08:35,297 --> 00:08:37,604 Bernard Fischer: WILL YOU BE QUIET BOTH-- 94 00:08:37,604 --> 00:08:39,606 NOW, NOW, NOW CHILDREN... AT IT AGAIN? 95 00:08:39,606 --> 00:08:41,390 IT'S NO USE, BERNARD. 96 00:08:41,390 --> 00:08:43,435 MARIA CAN BE SWEET ENOUGH WHEN SHE PLEASES. 97 00:08:43,435 --> 00:08:44,785 SWEET TO THE SOLDIERS IN THE THEATRE, 98 00:08:44,785 --> 00:08:46,134 SWEET TO ANYBODY AND EVERYBODY. 99 00:08:46,134 --> 00:08:47,962 BUT HER HUSBAND... 100 00:08:47,962 --> 00:08:53,228 I SHOW YOU ALL THE SWEETNESS YOU DESERVE. 101 00:08:53,228 --> 00:08:56,536 THAT'S IT, THROW IT AWAY. THROW IT IN THE WASTE BASKET. 102 00:08:56,536 --> 00:08:58,015 MY PRESENT TO YOU ON THE 26TH BIRTHDAY. 103 00:08:58,015 --> 00:09:00,844 - 25TH. - 26TH. 104 00:09:00,844 --> 00:09:03,368 25TH. 105 00:09:03,368 --> 00:09:05,153 OH FOR THE LOVE OF HEAVEN, WHAT DOES IT MATTER? 106 00:09:05,153 --> 00:09:07,416 OH BUT IT DOES MATTER. 107 00:09:07,416 --> 00:09:09,331 WHAT IF IT IS THE 26TH, WHO CARES? 108 00:09:09,331 --> 00:09:11,594 WHO CARES?! 109 00:09:11,594 --> 00:09:13,074 [slams door] 110 00:09:16,033 --> 00:09:19,123 - 25TH, DEAR. - THANK YOU, DARLING. 111 00:09:19,123 --> 00:09:24,868 AND THANK YOU FOR THE NICE NOTICE. 112 00:09:24,868 --> 00:09:26,478 [indistinct whisper] 113 00:09:42,538 --> 00:09:45,367 BERNARD, I AM ONE OF YOUR OLDEST 114 00:09:53,418 --> 00:09:57,161 I AM ONE OF YOUR GREATEST FRIENDS. 115 00:09:57,161 --> 00:10:02,079 BUT EVEN SO, EVEN SO DECENCIES MUST BE OBSERVED. 116 00:10:02,079 --> 00:10:04,516 WHEN ONE'S BEST FRIEND IS IN DISTRESS 117 00:10:04,516 --> 00:10:06,954 THAT IS HARDLY THE TIME TOWALLOW AND PROPEL TO JOURNALISM. 118 00:10:06,954 --> 00:10:09,870 I'M SORRY TO HEAR THAT YOU ARE IN DISTRESS, KARL. 119 00:10:09,870 --> 00:10:16,180 - LISTEN... YOU MAY GO, ANTON. - YES, SIR. 120 00:10:16,180 --> 00:10:20,315 WHAT TIME IS IT OLD MAN? 121 00:10:20,315 --> 00:10:24,406 ELEVEN THIRTY-SIX. 122 00:10:24,406 --> 00:10:31,631 ELEVEN THIRTY-SIX, MAY THE 8TH. 123 00:10:31,631 --> 00:10:32,719 THE UNHAPPIEST MOMENT OF MY LIFE. 124 00:10:32,719 --> 00:10:35,635 WHOSE? 125 00:10:35,635 --> 00:10:38,463 BERNARD, YOU AND YOUR LIVING BY 126 00:10:38,463 --> 00:10:40,901 PRONOUNCING YOUR JUDGEMENT ON MUSIC AND MUSICIANS, 127 00:10:40,901 --> 00:10:42,206 LET ME ASK YOU ONE PLAIN AND SIMPLE QUESTION. 128 00:10:54,828 --> 00:10:57,787 HAS MARIA A VOICE OF OPERATIC CALIBER OR NOT? 129 00:10:57,787 --> 00:11:00,094 MY DEAR KARL, THE ONLY WAY IF A CRITIC CAN REMAIN FRIENDS 130 00:11:00,094 --> 00:11:02,052 WITH THE PEOPLE ABOUT WHOM HE WRITES, 131 00:11:02,052 --> 00:11:04,315 IS TO MENTION THEIR OPINION IN HIS NEWSPAPER. 132 00:11:04,315 --> 00:11:06,187 MARIA HAS A VERY FINE VOICE. 133 00:11:06,187 --> 00:11:07,971 YOU HAVE A VERY FINE VOICE. 134 00:11:07,971 --> 00:11:09,625 AND I AM A VERY FINE CRITIC. 135 00:11:09,625 --> 00:11:11,105 BUT WE WILL GO INTO THAT LATER. 136 00:11:11,105 --> 00:11:13,542 HERE'S THE POINT, BERNARD. 137 00:11:13,542 --> 00:11:17,067 SHE WANTS TO LEAVE MUSICAL COMEDY AND RETURN TO OPERA. 138 00:11:17,067 --> 00:11:18,155 AND YOU KNOW WHY? 139 00:11:18,155 --> 00:11:20,636 PERHAPS TO SING. 140 00:11:20,636 --> 00:11:22,377 OH NO, OUR LITTLE MARIA IS NOT VERY CONCERNED 141 00:11:22,377 --> 00:11:24,858 WITH SINGING AT THE MOMENT. 142 00:11:24,858 --> 00:11:31,255 BERNARD, MARIA WANTS TO LEAVE ME. 143 00:11:31,255 --> 00:11:33,170 SHE IS TIRED OF ME. 144 00:11:33,170 --> 00:11:35,433 BORED WITH-- OH NO, IT'S INCREDIBLE. 145 00:11:35,433 --> 00:11:36,826 - I HAVE PROOF OF IT. - UNSHAKEABLE PROOF. 146 00:11:36,826 --> 00:11:39,742 WHAT? 147 00:11:39,742 --> 00:11:40,787 THE OTHER NIGHT, BERNARD, I HAPPENED TO COME HOME EARLY. 148 00:11:40,787 --> 00:11:42,745 YES? 149 00:11:42,745 --> 00:11:44,007 I WENT QUIETLY UP TO HER BEDROOM... 150 00:11:44,007 --> 00:11:46,488 YES, YES, GO ON. 151 00:11:46,488 --> 00:11:49,796 THERE SHE WAS IN DARKNESS EXCEPT FOR THE MOONLIGHT-- 152 00:11:49,796 --> 00:11:54,714 WITH ANOTHER MAN? 153 00:11:54,714 --> 00:11:58,630 - ALONE. - OH-OH. 154 00:11:58,630 --> 00:12:01,155 ALONE IN THE DARKNESS. 155 00:12:01,155 --> 00:12:03,853 - PLAYING RECORDS. - RIGHT. 156 00:12:03,853 --> 00:12:06,682 I COULD'VE BEEN MORE EXACT, PLAYING A RECORD. 157 00:12:06,682 --> 00:12:09,032 THE EVENING STAR FROM TAUNHAUSER. 158 00:12:09,032 --> 00:12:11,774 TAUNHAUSER? 159 00:12:11,774 --> 00:12:14,385 YOU MEAN SHE IS IN LOVE WITH ONEOF THOSE OPERA SINGER FELLOWS? 160 00:12:14,385 --> 00:12:16,039 OH NO, NO,NO, YOU STILL DON'T UNDERSTAND. 161 00:12:16,039 --> 00:12:18,302 IT'S NOT ANYONE OR ANYBODY. 162 00:12:18,302 --> 00:12:19,826 IT'S JUST THAT SHE IS IN LOVE WITH ROMANCE! 163 00:12:19,826 --> 00:12:22,045 OH NO, NO, NO, BOY. 164 00:12:22,045 --> 00:12:23,655 JUST BECAUSE YOU COME HOME AND FIND YOUR WIFE 165 00:12:23,655 --> 00:12:25,962 SITTING IN THE DARK, PLAYING TAUNHAUSER, 166 00:12:25,962 --> 00:12:29,052 YOU JUMP TO THE CONCLUSION THAT SHE NO LONGER LOVES YOU. 167 00:12:29,052 --> 00:12:33,143 BERNARD, I MARRIED A VERY ATTRACTIVE WOMAN. 168 00:12:33,143 --> 00:12:35,363 I RECALL AND I AM WELL AWARE OF THAT. 169 00:12:35,363 --> 00:12:37,931 VERY MUCH ADMIRED, MANY MEN LOVED HER. 170 00:12:37,931 --> 00:12:40,281 SHE HAS TOLD US ABOUT IT OFTEN ENOUGH, YOU'VE HEARD IT. 171 00:12:40,281 --> 00:12:43,763 THERE WAS COUNT SHAMOLET LIEUTENANT MIKOS, 172 00:12:43,763 --> 00:12:45,939 THE FELLOW AT THE OX TRACK-- HMM, DON'T BOTHER. 173 00:12:45,939 --> 00:12:47,636 I MADE THE INVENTORY LONG AGO. 174 00:12:47,636 --> 00:12:49,986 THERE WERE NINE. 175 00:12:49,986 --> 00:12:52,467 - COUNTING ME? - NO, WITHOUT YOU. 176 00:12:52,467 --> 00:12:53,076 PARDON ME, WITHOUT ME THERE WERE EIGHT. 177 00:12:53,076 --> 00:12:55,383 NINE. 178 00:12:55,383 --> 00:12:57,385 I CANNOT ALLOW ANYONE TO CAST DISPERSIONS UPON MY WIFE. 179 00:12:57,385 --> 00:12:58,995 THERE WERE EIGHT. 180 00:12:58,995 --> 00:13:00,388 VERY WELL, THERE WERE EIGHT THEN. 181 00:13:00,388 --> 00:13:02,999 BUT EVEN AT EIGHT WE CAN'T BE SURE OF. 182 00:13:02,999 --> 00:13:05,567 THE ONLY THING THAT WE CAN BE SURE OF IS THAT UNFORTUNATELY, 183 00:13:05,567 --> 00:13:07,047 I WAS BUT ONE OF THEM. 184 00:13:07,047 --> 00:13:08,700 I AM SORRY. 185 00:13:08,700 --> 00:13:11,921 SORRY, OLD MAN. 186 00:13:11,921 --> 00:13:13,923 - DON'T NEED TO GO OVER IT NOW.- VERY WELL. 187 00:13:13,923 --> 00:13:15,011 IT'S ALL PAST AND FORGOTTEN. 188 00:13:15,011 --> 00:13:16,926 THANKS, OLD BOY. 189 00:13:16,926 --> 00:13:19,624 ANYHOW THIS IS WHAT I AM GETTING AT. 190 00:13:19,624 --> 00:13:23,759 WE WERE MARRIED IN DECEMBER, BUT OUR MARRIAGE WAS IN VAIN. 191 00:13:23,759 --> 00:13:27,023 I AM IN FOR THE SAME FATE AS ALL THE OTHERS. 192 00:13:27,023 --> 00:13:28,938 HE'S COMING, BERNARD. 193 00:13:28,938 --> 00:13:31,288 I CAN HEAR HIS FOOTSTEPS. 194 00:13:31,288 --> 00:13:34,509 COMING CLOSER AND CLOSER AND CLOSER... 195 00:13:34,509 --> 00:13:36,250 WHOSE FOOTSTEPS? 196 00:13:36,250 --> 00:13:37,991 THE TENTH! THE NINTH, I MEAN. 197 00:13:37,991 --> 00:13:40,907 ANYWAY, THE NEW MAN. 198 00:13:40,907 --> 00:13:43,910 HE'S APPROACHING AS SURELY AS THE SPRING. 199 00:13:43,910 --> 00:13:45,999 - RUBBISH! - IT'S NOT RUBBISH. 200 00:13:45,999 --> 00:13:48,392 I HAVE LOST HER. 201 00:13:48,392 --> 00:13:51,656 I KNOW IT. 202 00:13:51,656 --> 00:13:54,181 YOU SHOULD SEE HER EYES WHEN SHE IS IN THE THEATRE. 203 00:13:54,181 --> 00:13:56,313 YOU SHOULD SEE THEM GLISTEN WHEN SHE SEES A UNIFORM. 204 00:13:56,313 --> 00:13:59,012 - BAH! - I TELL YOU BERNARD, 205 00:13:59,012 --> 00:14:02,015 HE'S COMING INTO OUR LIFE TO TAKE HER FROM ME. 206 00:14:02,015 --> 00:14:04,017 AND WHEN THAT HAPPENS, I WILL KILL HIM. 207 00:14:04,017 --> 00:14:05,888 HUH? 208 00:14:05,888 --> 00:14:07,934 - I WILL KILL HIM! - VERY WELL. 209 00:14:07,934 --> 00:14:09,457 [knock on door] 210 00:14:09,457 --> 00:14:13,287 NOW WHO IS THAT? 211 00:14:13,287 --> 00:14:15,811 THERE HE IS! WILL YOU SIGN MY PROGRAM FOR ME? 212 00:14:15,811 --> 00:14:17,204 I ADMIRE YOUR PERFORMANCE SO MUCH! 213 00:14:17,204 --> 00:14:18,858 WILL YOU SIGN THESE PICTURES FOR ME? 214 00:14:18,858 --> 00:14:20,424 WAIT UNTIL THE GIRLS IN SCHOOL SEE THIS. 215 00:14:20,424 --> 00:14:21,643 KINDA TOUCHING DON'T YOU THINK? 216 00:14:21,643 --> 00:14:23,123 OH THANK YOU. 217 00:14:23,123 --> 00:14:24,733 THANK YOU, MR. LANG. 218 00:14:24,733 --> 00:14:25,995 WOULD YOU SIGN ONE FOR MY SISTER? 219 00:14:25,995 --> 00:14:27,736 MR. LANG, YOU ARE SO NICE. 220 00:14:27,736 --> 00:14:28,868 BUSY DARLING? 221 00:14:35,483 --> 00:14:37,224 COME IN, BERNARD. 222 00:14:37,224 --> 00:14:39,052 IT'S RATHER LATE. 223 00:14:39,052 --> 00:14:40,053 DON'T YOU THINK YOU OUGHT TO SEE HER ALONE. 224 00:14:40,053 --> 00:14:42,142 NO, NO, COME IN, 225 00:14:42,142 --> 00:14:44,666 I WANT YOU TO SEE WHAT I HAVE TO PUT UP WITH. 226 00:14:44,666 --> 00:14:50,280 [applause] 227 00:14:50,280 --> 00:14:52,369 NOT A BAD START, 228 00:14:52,369 --> 00:14:54,328 SHE WELCOMED YOU HOME WITH A ROUND OF APPLAUSE. 229 00:14:54,328 --> 00:14:57,766 THAT'S WHAT GOES ON NIGHT AFTER NIGHT. 230 00:14:57,766 --> 00:14:59,463 SHE'S TURNING OUR HOME INTO AN OPERA HOUSE. 231 00:14:59,463 --> 00:15:02,597 - ALRIGHT, GOOD NIGHT. - THAT'S RIGHT, BERNARD. 232 00:15:02,597 --> 00:15:05,556 DESERT YOUR OLD, YOUR BEST FRIEND IN HIS HOUR OF NEED. 233 00:15:05,556 --> 00:15:08,037 WELL, OF COURSE, OLD BOY, IF YOU PUT IT LIKE THIS. 234 00:15:10,474 --> 00:15:19,614 Maria Lanyi: [SINGING IN FRENCH"MON COEUR S'OUVRE TA VOIX"] 235 00:17:32,703 --> 00:17:36,838 ♪ [music] 236 00:17:36,838 --> 00:17:42,496 - [applause] - [indistinct chatter] 237 00:17:42,496 --> 00:17:44,628 YOU SEE? 238 00:17:44,628 --> 00:17:46,021 IF IT ISN'T TAUNHAUSER IN THE BEDROOM, 239 00:17:46,021 --> 00:17:47,762 IT'S SAMSON IN THE DRAWING ROOM. 240 00:17:47,762 --> 00:17:49,981 OH BERNARD, THIS IS THE END. 241 00:17:49,981 --> 00:17:52,158 NOW YOU'RE BEING RIDICULOUS. 242 00:17:52,158 --> 00:17:54,464 EVERYTHING IS RIDICULOUS THAT A CAST-OFF LOVER CAN DO. 243 00:17:54,464 --> 00:17:57,337 EXCEPT SHOOT HIMSELF. 244 00:17:57,337 --> 00:17:58,947 I'LL TRY THE RIDICULOUS FIRST. 245 00:17:58,947 --> 00:18:00,166 HAS IT REALLY GONE THAT FAR? 246 00:18:00,166 --> 00:18:01,732 YES, THAT FAR. 247 00:18:01,732 --> 00:18:03,952 THAT FAR! 248 00:18:03,952 --> 00:18:05,910 YOU DON'T MIND IF I LAUGH AT ALL THIS, DEAR? 249 00:18:05,910 --> 00:18:07,477 NO, NO, I DON'T MIND. 250 00:18:07,477 --> 00:18:09,436 I LAUGHED MYSELF AT FIRST. 251 00:18:09,436 --> 00:18:11,568 LISTEN TO ME, KARL. 252 00:18:11,568 --> 00:18:13,004 YOU LOVE MARIA, DON'T YOU? 253 00:18:13,004 --> 00:18:15,094 LOVE HER? 254 00:18:15,094 --> 00:18:16,834 I LOVE HER MORE THAN LIFE ITSELF. 255 00:18:16,834 --> 00:18:18,184 WELL, GO TO HER TONIGHT AND TELL HER SO. 256 00:18:18,184 --> 00:18:19,446 YOU CAN'T TELL A WOMAN TOO OFTEN. 257 00:18:19,446 --> 00:18:22,449 BE YOUNG, ROMANTIC, PASSIONATE, 258 00:18:22,449 --> 00:18:26,017 BE... BE TANNHAUSER, IF YOU LIKE. 259 00:18:26,017 --> 00:18:27,932 THAT IS AN IDEA. 260 00:18:27,932 --> 00:18:30,544 OF COURSE IT IS, BUT... BEFORE YOU GO 261 00:18:30,544 --> 00:18:31,284 HAVE A LITTLE SHAVE OLD BOY. 262 00:18:55,743 --> 00:19:02,402 ♪ [music] 263 00:19:20,507 --> 00:19:22,509 [pats pet dog] 264 00:19:29,255 --> 00:19:47,142 Maria Lanyi: ♪ [SINGING] 265 00:19:59,328 --> 00:20:03,158 [switches table-lamp on] 266 00:20:03,158 --> 00:20:05,465 [stops record player] 267 00:20:05,465 --> 00:20:07,467 WHAT DO YOU THINK YOU ARE DOING? 268 00:20:07,467 --> 00:20:08,772 WHAT ARE YOU CRYING ABOUT? 269 00:20:08,772 --> 00:20:10,339 I AM NOT CRYING. 270 00:20:10,339 --> 00:20:12,776 THEN WHY DO YOU PRETEND TO CRY? 271 00:20:12,776 --> 00:20:14,952 IT'S A FEELING THAT COMES OVER ME SOMETIMES. 272 00:20:14,952 --> 00:20:16,911 I KNOW WHY YOU ARE CRYING. 273 00:20:16,911 --> 00:20:19,174 I AM AFRAID, I KNOW. 274 00:20:19,174 --> 00:20:21,611 OH, IF YOU KNOW, THEN WHY DO YOU ASK? 275 00:20:21,611 --> 00:20:24,135 - WILL YOU DO ME A GREAT FAVOR?- WHAT IS IT? 276 00:20:24,135 --> 00:20:26,486 NEVER PLAY OR SING THAT SONG AGAIN! 277 00:20:26,486 --> 00:20:28,966 - WHY NOT?- BECAUSE IT ISN'T MEANT FOR ME! 278 00:20:28,966 --> 00:20:31,621 ALRIGHT,WELL I MAY NOT EVEN DO THAT NOW. 279 00:20:31,621 --> 00:20:33,057 [switches table-lamp off] 280 00:20:33,057 --> 00:20:34,842 AND IT'S HIGH TIME YOU WERE IN BED ANYWAY. 281 00:20:34,842 --> 00:20:36,452 [Karl stumbles] 282 00:20:54,644 --> 00:20:55,123 Maria Lanyi: ♪ [SINGING] 283 00:21:15,709 --> 00:21:21,410 ♪ [music] 284 00:21:30,941 --> 00:21:35,337 Karl Lang: ♪ IT IS A BURDEN HARD TO CARRY 285 00:21:35,337 --> 00:21:39,689 Karl Lang: THE BURDEN OF A MAIDEN'S HATE 286 00:21:39,689 --> 00:21:43,606 Karl Lang: THE ONLY GIRL I CARETO MARRY 287 00:21:43,606 --> 00:21:49,656 Karl Lang: SHE TURNS ME OUT AT NIGHT SO LATE 288 00:21:49,656 --> 00:21:53,877 Karl Lang: YOU BID ME GO WHERE SHOTS ARE FLYING 289 00:21:53,877 --> 00:22:00,797 Karl Lang: AND SO I SAY FAREWELL TO LOVE 290 00:22:00,797 --> 00:22:06,237 Karl Lang: FAREWELL, FOR YOU I'LL SOON BE DYING 291 00:22:06,237 --> 00:22:14,376 Karl Lang: WHEN NEXT WE MEET WE'LL BE ABOVE 292 00:22:14,376 --> 00:22:18,119 Maria Lanyi: I SEE YOU SHAKING WITH FEAR QUAKING 293 00:22:18,119 --> 00:22:21,949 Maria Lanyi: WHY ALL THE FUSS THAT YOU ARE MAKING 294 00:22:21,949 --> 00:22:27,737 Maria Lanyi: NOBLE SOUL, JUST TELL ME TRUE 295 00:22:27,737 --> 00:22:37,530 Maria Lanyi: OH DO, PLEASE DO 296 00:22:45,276 --> 00:22:48,715 Karl Lang: TO BE A SOLDIER MAY BE WELL 297 00:22:48,715 --> 00:22:52,327 Karl Lang: BUT I OBJECT TO SHOT AND SHELL 298 00:22:52,327 --> 00:22:55,765 Karl Lang: I LOVE BEYOND ALL MEASURE 299 00:22:55,765 --> 00:22:59,595 Karl Lang: AND DYING IS NO PLEASURE 300 00:22:59,595 --> 00:23:04,426 Karl Lang: I LOVE TO LIVE AND LIVE TO LOVE 301 00:23:04,426 --> 00:23:09,518 Karl Lang: SO DO NOT CARE TO GO ABOVE 302 00:23:09,518 --> 00:23:16,482 Karl Lang: BUT DANGER HOLDS NO FEARS FOR ME 303 00:23:16,482 --> 00:23:26,100 Karl Lang: IF I CAN HAVE YOUR SYMPATHY 304 00:23:26,100 --> 00:23:30,147 Maria and Karl: I'M UNAFRAID WHEN DANGER'S NEAR 305 00:23:30,147 --> 00:23:34,674 Maria and Karl: IF I BUT KNOW THAT YOU ARE HERE 306 00:23:34,674 --> 00:23:37,938 Maria and Karl: I LOVE BEYOND ALL MEASURE 307 00:23:37,938 --> 00:23:41,594 Maria and Karl: AND LIVING IS A PLEASURE 308 00:23:41,594 --> 00:23:45,815 Maria and Karl: I LOVE TO LIVE AND LIVE TO LOVE 309 00:23:45,815 --> 00:23:50,646 Maria and Karl: SO DO NOT DARE TO GO ABOVE 310 00:23:50,646 --> 00:23:55,956 Maria and Karl: AND YET WHATEVER FATE 311 00:23:55,956 --> 00:23:59,350 Maria and Karl: MAY BE 312 00:23:59,350 --> 00:24:12,146 Maria and Karl: YOU'LL KNOW YOU'LL HAVE MY SYMPATHY 313 00:24:12,146 --> 00:24:19,240 [♪ MUSIC] 314 00:24:29,946 --> 00:24:37,171 Maria and Karl: AND YET WHATEVERFATE MAY BE 315 00:24:37,171 --> 00:24:48,661 Maria and Karl: YOU'LL KNOW YOU HAVE MY SYMPATHY 316 00:24:48,661 --> 00:24:55,494 [♪ OMINOUS MUSIC] 317 00:24:55,494 --> 00:25:00,411 Man: ♪ SEARCHING, SEARCHING SEARCHING FOR THE SPY 318 00:25:00,411 --> 00:25:03,806 Man: HE'S A VERY, VERY TRICKY GUY 319 00:25:03,806 --> 00:25:06,330 Chorus: BUT WE MUST KEEP ON WORKING 320 00:25:06,330 --> 00:25:08,507 Chorus: TO FIND HIM WHERE HE'S LURKING 321 00:25:08,507 --> 00:25:10,900 Chorus: [indistinct] ARE NEVER SHIRKING 322 00:25:10,900 --> 00:25:13,729 Chorus: UNTIL WE FIND THE SPY 323 00:25:13,729 --> 00:25:19,605 Man and Chorus: THE SPY, THE SPYTHE DIRTY, LITTLE SPY 324 00:25:19,605 --> 00:25:22,738 Mand and Chorus: HE'S A FELLOW MOST ELUSIVE 325 00:25:22,738 --> 00:25:25,480 Man and Chorus: OR PERHAPS HE'S JUST EXCLUSIVE 326 00:25:25,480 --> 00:25:28,004 Man and Chorus: GONNA NEED A GOOD EXCUSIVE 327 00:25:28,004 --> 00:25:31,181 Man and Chorus: IF WE RETURN WITHOUT THE SPY 328 00:25:34,924 --> 00:25:37,884 Man and Chorus: THE SPY...THE SPY 329 00:25:37,884 --> 00:25:44,630 Mand and Chorus: WE'VE GOT TO FIND THE SPY 330 00:25:44,630 --> 00:25:47,284 Chorus: ONE-TWO-THREE- FOUR 331 00:25:47,284 --> 00:25:49,112 Chorus: HE'S THE BEAR BEHIND THE DOOR 332 00:25:49,112 --> 00:25:51,506 Chorus: FIVE-SIX-SEVEN- EIGHT 333 00:25:51,506 --> 00:25:53,769 Chorus: ONE GREAT SOLDIER GUARD THE GATE 334 00:25:53,769 --> 00:25:55,728 Chorus: APPLE SEEDS AND PUMPKIN PIE 335 00:25:55,728 --> 00:25:57,643 Chorus: IF WE CATCH HIM 336 00:25:57,643 --> 00:25:59,079 Chorus: HE WILL DIE 337 00:25:59,079 --> 00:26:00,733 Chorus: HE'S A DIRTY, LITTLE SPY 338 00:26:00,733 --> 00:26:01,951 Chorus: APPLE SEEDS AND PUMPKIN PIE 339 00:26:01,951 --> 00:26:07,174 Chorus: OHHHHHH 340 00:26:17,358 --> 00:26:18,751 Chorus: OLE 341 00:27:33,739 --> 00:27:35,958 Man and Chorus: EVERY DAY OUR SHIELD INCREASES 342 00:27:35,958 --> 00:27:38,613 Man and Chorus: BUT WE DO OUR WORK BY PIECES 343 00:27:38,613 --> 00:27:40,876 Man and Chorus: OR OUR SOURCE OF INCOME CEASES 344 00:27:40,876 --> 00:27:43,052 Man and Chorus: IF WE EVER FIND THE SPY 345 00:27:43,052 --> 00:27:45,751 Man and Chorus: THOUGH HE'S TRYING TO CONFUSE US 346 00:27:45,751 --> 00:27:48,057 Man and Chorus: WE'RE DETERMINEHE WON'T LOSE US 347 00:27:48,057 --> 00:27:50,756 Man and Chorus: NOW WILL YOU PLEASE EXCUSE US 348 00:27:50,756 --> 00:27:54,673 Man and Chorus: WHILE WE GO AND SEEK THE SPY! 349 00:27:56,979 --> 00:28:03,029 Chorus: THE SPY...THE SPY... THE SPY...THE SPY... 350 00:28:03,029 --> 00:28:08,295 Chorus: THE DIRTY, LITTLE SPY 351 00:28:10,906 --> 00:28:13,256 [applause] 352 00:28:20,916 --> 00:28:23,223 WELL, MY LITTLE ONE, WHAT DO YOU THINK OF IT? 353 00:28:23,223 --> 00:28:25,442 IT'S A KIND OF A PLACE WHERE THEY DRAG A LIVE OX 354 00:28:25,442 --> 00:28:27,314 TO YOUR TABLE AND ASK YOU WHICH END YOU PREFER. 355 00:28:27,314 --> 00:28:29,316 WE'RE LIKE TOURIST, ARE WE? 356 00:28:29,316 --> 00:28:31,318 THE DECORATIONS REMIND ME 357 00:28:31,318 --> 00:28:34,103 OF A PRODUCTION OF SCHEHERAZADEI ONCE SAW AT OMST. 358 00:28:34,103 --> 00:28:35,844 OH, I NEVER REALIZED YOU PLAYED OMST, DEAR. 359 00:28:35,844 --> 00:28:36,845 YOU HAVE BEEN PLACES, HAVEN'T YOU? 360 00:28:36,845 --> 00:28:38,978 AH, KLEMENTOR! 361 00:28:38,978 --> 00:28:40,240 I DON'T THINK YOU'VE HADTHE PLEASURE OF MEETING MY WIFE. 362 00:28:40,240 --> 00:28:41,502 Klementor: ENCHANTED, MADAM. 363 00:28:41,502 --> 00:28:42,677 WHAT A CHARMING PLACE YOU HAVE HERE. 364 00:28:42,677 --> 00:28:43,809 I WAS JUST TELLING MY HUSBAND-- 365 00:28:43,809 --> 00:28:45,898 MAY HEAVEN FORGIVE YOU. 366 00:28:45,898 --> 00:28:47,638 - MADAM, IS SATISFIED? - MOST DELIGHTFULLY. 367 00:28:47,638 --> 00:28:51,077 THANK YOU, MADAM. 368 00:28:51,077 --> 00:28:52,687 - MR. LANG? - YES? 369 00:28:52,687 --> 00:28:58,214 [gives a tip] 370 00:28:58,214 --> 00:29:00,086 THANK YOU, SIR. 371 00:29:00,086 --> 00:29:00,956 - MAY I? - PLEASE, DARLING. 372 00:29:08,442 --> 00:29:11,097 OH REALLY, THIS IS TOO MUCH. WHAT NEXT?! 373 00:29:11,097 --> 00:29:13,795 - IT'S FONZ AGAIN. - WHO IS HE? 374 00:29:13,795 --> 00:29:16,493 FONZHOCHEN-SPITZER, OLD COLLEGE FRIEND, 375 00:29:16,493 --> 00:29:19,670 ALWAYS IN TROUBLE. YOU KNOW HIM BERNARD? 376 00:29:19,670 --> 00:29:22,238 [nods head] 377 00:29:22,238 --> 00:29:24,327 OH, YES, YES, OF COURSE. DEAR OL' HOCHEN-SPITZER, 378 00:29:24,327 --> 00:29:26,503 NEVER OUT OF MISCHIEF... OH... 379 00:29:26,503 --> 00:29:28,418 WHAT'S THE YOUNG STALLION UP TO NOW? 380 00:29:28,418 --> 00:29:29,985 OH, HE HIT A POLICEMAN OR SOMETHING. 381 00:29:29,985 --> 00:29:31,465 WANTS ME TO COME AND BAIL HIM OUT. 382 00:29:31,465 --> 00:29:34,207 REALLY, KARL! YOUR FRIENDS. 383 00:29:34,207 --> 00:29:36,339 - LET ME GO, KARL. - MOST CERTAINLY NOT, I'LL GO. 384 00:29:36,339 --> 00:29:38,037 - OH BUT I INSIST. - NO, NO, 385 00:29:38,037 --> 00:29:39,255 I THINK IT WOULD BE BETTER IF I WENT. 386 00:29:39,255 --> 00:29:41,649 THEY KNOW ME DOWN THERE, 387 00:29:41,649 --> 00:29:43,694 WELL, I JUST THINK IT WOULD BE BETTER. 388 00:29:43,694 --> 00:29:45,087 YOU'LL BE ALRIGHT, DARLING, WON'T YOU? 389 00:29:45,087 --> 00:29:47,481 OH CERTAINLY, DEAR. 390 00:29:47,481 --> 00:29:48,830 SORRY TO HAVE TO LEAVE YOU LIKE THIS... 391 00:29:48,830 --> 00:29:49,744 I WON'T BE LONG. 392 00:29:55,358 --> 00:29:57,186 OF COURSE,I'M ONLY TOO GLAD TO SERVE YOU. 393 00:29:57,186 --> 00:29:59,362 BUT WHAT'S IT ALL ABOUT, KARL? 394 00:29:59,362 --> 00:30:01,582 KLEMENTOR, WHEN A WIFE IS UNFAITHFUL TO A HUSBAND, 395 00:30:01,582 --> 00:30:03,279 WHO IS THE LAST PERSON IN THE WORLD 396 00:30:03,279 --> 00:30:05,151 TO LEARN OF HER INFIDELITY? 397 00:30:05,151 --> 00:30:08,154 - THE HUSBAND, OF COURSE. - PRECISELY! 398 00:30:08,154 --> 00:30:09,546 BUT SURELY THAT CAN BE NO CONCERN OF YOURS, KARL. 399 00:30:09,546 --> 00:30:11,461 NATURALLY NOT, 400 00:30:11,461 --> 00:30:13,202 I'M DOING THIS FOR A FRIEND. - A FRIEND? 401 00:30:13,202 --> 00:30:15,422 YES, MY VERY BEST FRIEND, IN FACT. 402 00:30:15,422 --> 00:30:23,169 ♪ [instrumental music] 403 00:30:23,169 --> 00:30:27,216 BERNARD, HAVE YOU DONE ANY BAILING? 404 00:30:27,216 --> 00:30:30,524 OH, A LITTLE, HERE AND THERE. 405 00:30:30,524 --> 00:30:32,004 ANY BAILING THAT KARL IS DOING IS IN THE COMPANY 406 00:30:32,004 --> 00:30:33,309 OF THAT SOUBRETTE? 407 00:30:33,309 --> 00:30:34,963 THAT'S RIDICULOUS, MARIA. 408 00:30:34,963 --> 00:30:37,139 BESIDES MAGDA ISN'T KARL'S TYPE AT ALL. 409 00:30:37,139 --> 00:30:38,924 OH-HO-HO! 410 00:30:38,924 --> 00:30:41,448 SO, KARL HAS TYPES, HAS HE? 411 00:30:41,448 --> 00:30:43,537 HE USED TO,I MEAN, ANYHOW I HAPPEN TO KNOW 412 00:30:43,537 --> 00:30:45,974 THAT AT THE MOMENT MAGDA HAS... OTHER COMMITMENTS. 413 00:30:45,974 --> 00:30:46,975 OH, HOW DELIGHTFUL. 414 00:30:46,975 --> 00:30:48,716 [applause] 415 00:30:48,716 --> 00:30:51,850 HOW DELIGHTFUL FOR BOTH OF YOU. 416 00:30:51,850 --> 00:30:53,112 THANKS VERY MUCH. 417 00:30:53,112 --> 00:30:55,418 MONSIEUR ET MADAME... 418 00:30:55,418 --> 00:30:57,507 MY HUMBLE RESTAURANT HAS BEEN HONORED TONIGHT 419 00:30:57,507 --> 00:30:59,379 BY THE PRESENCE OF A DISTINGUISHED GUEST. 420 00:30:59,379 --> 00:31:01,860 THE GREAT RUSSIAN SINGER, 421 00:31:01,860 --> 00:31:04,993 THE FAMOUS FACE OF THE NIZHNY NOVGOROD CONSERVATORY, 422 00:31:04,993 --> 00:31:07,082 VASSILY VASSILIEVITCH VARANOVSKI. 423 00:31:07,082 --> 00:31:13,262 [applause] 424 00:31:16,483 --> 00:31:22,489 ♪ [music] 425 00:31:30,932 --> 00:31:36,503 ♪ [singing in Russian] 426 00:32:04,357 --> 00:32:05,793 WHAT'S HE DOING? 427 00:32:05,793 --> 00:32:07,360 DRESSED IN VELVET PITCHES 428 00:32:07,360 --> 00:32:08,448 FOR THE COUNT'S BALL. - REALLY? 429 00:32:08,448 --> 00:32:15,281 ♪ [singing in Russian] 430 00:32:42,264 --> 00:32:44,353 ♪ 431 00:32:44,353 --> 00:32:51,404 ♪ [singing in Russian] 432 00:34:22,147 --> 00:34:27,804 ♪ 433 00:34:27,804 --> 00:34:33,288 [laughing] 434 00:34:42,297 --> 00:34:48,695 [applause] 435 00:34:48,695 --> 00:34:51,001 THANK YOU, MONSIEUR. 436 00:34:51,001 --> 00:34:54,918 Vassily: MADAME, FIRST IT IS THAT I SING TO YOUR BEAUTY 437 00:34:54,918 --> 00:34:58,661 AND NOW I DRINK TO IT. 438 00:34:58,661 --> 00:35:00,663 THANK YOU. 439 00:35:00,663 --> 00:35:03,013 - MONSIEUR. - HOW DO YOU DO? 440 00:35:03,013 --> 00:35:06,365 YOU CANNOT DENY TO PERMIT ME TO INTRODUCE MYSELF 441 00:35:06,365 --> 00:35:09,890 VASSILY VASSILIEVITCH VARANOVSKI. 442 00:35:09,890 --> 00:35:12,849 YOUR HUMBLE SERVANT FROMTHE MOMENT I LAY MY EYE ON YOU. 443 00:35:12,849 --> 00:35:15,200 [kisses hand] 444 00:35:15,200 --> 00:35:17,376 ALLOW ME,THIS IS MADEMOISELLE MARIA LANYI 445 00:35:17,376 --> 00:35:19,117 AND I AM BERNARD FISCHER. 446 00:35:19,117 --> 00:35:21,075 MONSIEUR. 447 00:35:21,075 --> 00:35:24,774 MAY I SIT DOWN? THANK YOU. 448 00:35:24,774 --> 00:35:27,690 YOU HAVE A GLORIOUS VOICE, MONSIEUR VASS... VASSIL-- 449 00:35:27,690 --> 00:35:30,606 VASSILY VASSILIEVITCH. 450 00:35:30,606 --> 00:35:36,177 YOU ARE WHAT I SANG TO, YOU WAS MY INSPIRATION. 451 00:35:36,177 --> 00:35:40,747 YOUR BEAUTY RUNS LIKE A FLAME THROUGH MY MIND. 452 00:35:40,747 --> 00:35:43,489 PLEASE, MONSIEUR, I-- [Russian] 453 00:35:43,489 --> 00:35:47,797 IN RUSSIA, A BEAUTIFUL WOMAN IS HAPPY TO MEET ALSO... 454 00:35:47,797 --> 00:35:51,192 - YOU CARE FOR A DRINK, SIR? - ALWAYS. 455 00:35:51,192 --> 00:35:53,716 ALL MY LIFE I SHARE THAT 456 00:35:53,716 --> 00:35:55,022 IN THIS CITY THEY HAVE THE LOVELY WOMEN. 457 00:35:55,022 --> 00:35:57,024 SAY WHEN. 458 00:35:57,024 --> 00:35:59,418 BUT NEVER HAVE I IMAGINED THAT 459 00:35:59,418 --> 00:36:03,335 SO QUICK WOULD IT BE PROVED TO ME. 460 00:36:03,335 --> 00:36:06,555 I MAKE YOU A CONFESS. 461 00:36:06,555 --> 00:36:10,342 TONIGHT I GO TO THE PLAY, 'THE SOLDIER OF CHOCOLATES'. 462 00:36:10,342 --> 00:36:14,520 I SEE YOU, I HEAR YOU. 463 00:36:14,520 --> 00:36:17,087 YOU ARE DIVINE. 464 00:36:17,087 --> 00:36:20,961 - MONSIEUR? - WHEN. 465 00:36:20,961 --> 00:36:25,966 I SAY TO ME, VASSILY, YOU MUST MEET THIS GODDESS. 466 00:36:25,966 --> 00:36:30,666 SO, WHEN I SEE YOU HERE TONIGHT,I AM HAPPY LIKE LITTLE BIRD. 467 00:36:30,666 --> 00:36:33,582 - THAT IS WHY I SING. - HOW NICE. 468 00:36:33,582 --> 00:36:37,804 HOW CHARMINGLY YOU EXPRESS YOURSELF. 469 00:36:37,804 --> 00:36:39,588 CHEERS. 470 00:36:54,864 --> 00:36:57,563 - YOU HAVE BEEN IN RUSSIA, NO? - NO. 471 00:36:57,563 --> 00:37:01,219 - YOU KNOW NO RUSSIANS? - NO... AH, YES. 472 00:37:01,219 --> 00:37:03,656 YES, I MET ONE ONCE. 473 00:37:03,656 --> 00:37:07,181 - SINGER LIKE ME?- NO, AN OFFICER IN THE CAVALRY. 474 00:37:07,181 --> 00:37:09,531 AH-BAH! 475 00:37:09,531 --> 00:37:12,578 IN RUSSIA, WE HAVE PROVERB, 476 00:37:12,578 --> 00:37:16,408 'IF A MAN SPEND TOO MUCH TIME WITH HORSES, 477 00:37:16,408 --> 00:37:18,801 HE BECOMES STUPID LIKE THE HORSES HIMSELF'. 478 00:37:18,801 --> 00:37:21,587 [laughing] 479 00:37:21,587 --> 00:37:26,026 MADEMOISELLE LANYI, I AM DESOLATE BUT I MUST GO. 480 00:37:26,026 --> 00:37:29,029 I HAVE THE ARRANGEMENTS. 481 00:37:29,029 --> 00:37:35,992 BUT... HOW QUICK CAN I SEE YOU AGAIN? 482 00:37:35,992 --> 00:37:40,475 IT'S NOT SO EASY. 483 00:37:40,475 --> 00:37:43,565 YOU SEE, I... I-- IF YOU SAW THE PLAY TONIGHT, 484 00:37:43,565 --> 00:37:45,698 YOU MUST HAVE SEEN KARL LANG. 485 00:37:45,698 --> 00:37:47,395 HE IS MADEMOISELLE LANYI'S HUSBAND. 486 00:37:47,395 --> 00:37:48,962 OH SO-- HE WAS HERE JUST NOW 487 00:37:48,962 --> 00:37:50,485 BUT HE WAS CALLED AWAY. 488 00:37:50,485 --> 00:37:51,617 HE SHOULD BE BACK ANY MOMENT. 489 00:37:51,617 --> 00:37:53,706 I SEE HIM IN PLAY. 490 00:37:53,706 --> 00:37:55,838 HE IS VERY HANDSOME MAN. 491 00:37:55,838 --> 00:37:57,884 YES, AND A VERY JEALOUS ONE TOO, SIR. 492 00:37:57,884 --> 00:38:01,627 WITH WIFE SO BEAUTIFUL HOW SHOULD HE NOT BE? 493 00:38:01,627 --> 00:38:04,804 BUT THE JEALOUSY OF THE HUSBAND 494 00:38:04,804 --> 00:38:07,110 WILL NOT KEEP VASSILY VASSILIEVITCH 495 00:38:07,110 --> 00:38:08,373 FROM SEEING YOU AGAIN. 496 00:38:08,373 --> 00:38:09,635 NOW I GO. 497 00:38:17,382 --> 00:38:20,167 ♪ [music] 498 00:38:20,167 --> 00:38:25,607 [applause] 499 00:38:38,838 --> 00:38:40,840 WHAT ZOO DO YOU IMAGINE HE ESCAPED FROM? 500 00:38:40,840 --> 00:38:43,277 DON'T BE SILLY, BERNARD. 501 00:38:43,277 --> 00:38:46,367 HE IS A MAGNIFICENT SINGER AND A GREAT PERSONALITY. 502 00:38:46,367 --> 00:38:48,413 MEN OF HIS TYPE DON'T GROW ON TREES. 503 00:38:48,413 --> 00:38:49,675 NO, THEY SWING ON THEM. 504 00:38:59,119 --> 00:39:01,295 AI-YAI-YAI! WHAT A DRINK! 505 00:39:01,295 --> 00:39:03,253 WHAT A PERFORMANCE. 506 00:39:03,253 --> 00:39:05,560 AND HOW YOU LIKING IT MY FRIEND? 507 00:39:05,560 --> 00:39:08,215 MAGNIFICENT. EVEN THE ORCHESTRA LEADER INSISTS 508 00:39:08,215 --> 00:39:09,869 THAT NOBODY CAN SING LIKE RUSSIANS. 509 00:39:09,869 --> 00:39:13,220 ♪ [music] 510 00:39:13,220 --> 00:39:15,004 HELLO, DARLING. I'M SORRY 511 00:39:15,004 --> 00:39:18,312 I HAD TO LEAVE YOU FOR A FEW MINUTES. 512 00:39:18,312 --> 00:39:19,313 WAITER, BRING MY DINNER RIGHT AWAY. 513 00:39:19,313 --> 00:39:20,880 BUT MINUS THE SOUP. 514 00:39:20,880 --> 00:39:22,795 YOU'VE BEEN GONE OVER AN HOUR, DEAR. 515 00:39:22,795 --> 00:39:24,927 THE MACHINERY OF THE LAW MOVES SLOWLY. 516 00:39:24,927 --> 00:39:26,886 THAT SHOULDN'T WORRY A FAST WORKER LIKE YOU, DARLING. 517 00:39:26,886 --> 00:39:28,496 I'M SORRY, MR. LANG, 518 00:39:28,496 --> 00:39:30,411 BUT CHEF SAYS THERE IS NO MORE SCHESLINGER. 519 00:39:30,411 --> 00:39:31,194 HOW WOULD YOU LIKE A NICE CHEESE SOUFFEÉ? 520 00:39:31,194 --> 00:39:32,500 NO, NO, I'M HUNGRY. 521 00:39:32,500 --> 00:39:34,459 PERHAPS A STEAK, SIR. 522 00:39:34,459 --> 00:39:36,678 OH KARL, DINNER ISN'T THE ONLY THING YOU MISSED. 523 00:39:36,678 --> 00:39:38,332 WE HAD THE MOST UNUSUAL GUEST WHILE YOU WERE GONE. 524 00:39:38,332 --> 00:39:40,682 IS THAT SO? 525 00:39:40,682 --> 00:39:42,858 THE STEAK DOESN'T SOUND BAD. 526 00:39:42,858 --> 00:39:45,600 AND, BRING ME SOME BOILED POTATOES AND GREEN PEAS. 527 00:39:45,600 --> 00:39:47,472 WHAT WERE YOU SAYING, BERNARD? 528 00:39:47,472 --> 00:39:49,343 I SAID, WE HAD THE MOST UNUSUALGUEST WHILE YOU WERE GONE. 529 00:39:49,343 --> 00:39:51,780 SOME MAD RUSSIAN, A SINGER, 530 00:39:51,780 --> 00:39:54,261 WHO SIMPLY FORCED HIMSELF ON US.- OH REALLY? 531 00:39:54,261 --> 00:39:55,610 AND BRING ME A MIXED GREEN SALAD. 532 00:39:55,610 --> 00:39:59,484 A VERY HANDSOME MAN. 533 00:39:59,484 --> 00:40:01,137 AND HE HAD ONE OF THE MOST MAGNIFICENT VOICES 534 00:40:01,137 --> 00:40:03,444 I HAD EVER HEARD. 535 00:40:03,444 --> 00:40:05,098 I BEG YOUR PARDON, DEAR, WHO? 536 00:40:05,098 --> 00:40:09,711 VASSILY VASSILIEVITCH, THE RUSSIAN. 537 00:40:09,711 --> 00:40:12,192 OH, THAT REMINDS ME, WAITER, WAITER! 538 00:40:12,192 --> 00:40:14,673 I WANT RUSSIAN DRESSING ON THAT SALAD. 539 00:40:14,673 --> 00:40:16,718 RUSSIAN SINGERS? 540 00:40:16,718 --> 00:40:18,981 WELL, WHAT'S THIS PLACE COMING TO! 541 00:40:18,981 --> 00:40:19,591 THEY'LL BE HAVING DANCING BEARS NEXT. 542 00:40:22,724 --> 00:40:28,208 ♪ [singing] 543 00:41:06,420 --> 00:41:11,773 [dogs barking] 544 00:41:11,773 --> 00:41:14,515 [whistling] 545 00:41:14,515 --> 00:41:19,433 [door opening] 546 00:41:19,433 --> 00:41:21,174 CONCENTRATE? 547 00:41:21,174 --> 00:41:23,219 OF COURSE, I CAN CONCENTRATE 548 00:41:23,219 --> 00:41:25,570 WITH ALL THE NOISE GOING ON IN THIS HOUSE. 549 00:41:25,570 --> 00:41:27,789 NATURALLY MY WIFE MUST ARRANGE THE PRACTICING HOURS, 550 00:41:27,789 --> 00:41:28,703 AFTER ALL SHE NEEDS THEM MORE THAN I DO. 551 00:41:45,459 --> 00:41:48,157 [snapping fingers] 552 00:41:48,157 --> 00:41:52,901 ♪ [piano music] 553 00:41:52,901 --> 00:41:58,472 [indistinct mumbling] 554 00:42:04,478 --> 00:42:05,784 IT'S FOR MADAM LANYI. 555 00:42:27,283 --> 00:42:30,809 LOOK AT THIS ORCHID. 556 00:42:30,809 --> 00:42:35,161 AND THESE BEAUTIFUL WINE ROSES. 557 00:42:35,161 --> 00:42:38,033 OH THEY ARE LOVELY! 558 00:42:38,033 --> 00:42:39,774 GOOD AFTERNOON, MY DEAR. 559 00:42:39,774 --> 00:42:41,950 OH HELLO, BERNARD. 560 00:42:41,950 --> 00:42:44,823 EXQUISITE! NOW WHO COULD'VE SENT ME THESE LOVELY FLOWERS. 561 00:42:44,823 --> 00:42:46,955 PERHAPS KARL HAS BEEN FEELING ROMANTIC. 562 00:42:46,955 --> 00:42:48,827 OH, KARL NEVER FEELS ROMANTIC TO THIS EXTENT. 563 00:42:48,827 --> 00:42:50,480 WELL, ISN'T THERE A CARD? 564 00:42:50,480 --> 00:42:57,400 LET ME SEE. YEAH, THERE IS A CARD. 565 00:42:57,400 --> 00:42:59,228 I EXPECT YOU'D LIKE TO KNOW WHAT'S WRITTEN ON IT, 566 00:42:59,228 --> 00:43:02,014 WOULDN'T YOU, BERNARD? - NATURALLY. 567 00:43:02,014 --> 00:43:03,929 ALL THE SAME, I DON'T THINK I AM GOING TO TELL YOU. 568 00:43:03,929 --> 00:43:07,367 OH MISS LANYI... 569 00:43:07,367 --> 00:43:08,803 HELLO BERNARD. 570 00:43:08,803 --> 00:43:10,805 TAKE THEM AWAY NOW, LIESEL. 571 00:43:10,805 --> 00:43:16,419 PUT THEM IN MY BEDROOM. 572 00:43:16,419 --> 00:43:21,033 OH LIESEL, WELL, WELL, WELL! SPRING IS HERE. 573 00:43:21,033 --> 00:43:22,643 QUITE A DISPLAY. 574 00:43:22,643 --> 00:43:25,124 ORCHIDS, GARDENIAS, ROSES, 575 00:43:25,124 --> 00:43:27,169 A LITTLE OSTENTATIOUS PERHAPS, BUT PRETTY. 576 00:43:27,169 --> 00:43:29,650 HMM, VERY PRETTY. 577 00:43:29,650 --> 00:43:31,130 YOU CERTAINLY HAVE YOUR ADMIRERS, MARIA. 578 00:43:31,130 --> 00:43:32,784 I SHOULD HOPE SO. 579 00:43:32,784 --> 00:43:35,134 AND WHO IS IT THIS TIME? 580 00:43:35,134 --> 00:43:37,615 I REALLY DON'T KNOW, DEAR. THERE WASN'T ANY CARD. 581 00:43:37,615 --> 00:43:39,399 TELL ME, BERNARD, ARE YOU GOING TO STAY FOR TEA? 582 00:43:39,399 --> 00:43:41,488 THANKS A LOT-- ONE MOMENT, DEAR. 583 00:43:41,488 --> 00:43:43,621 ARE YOU SOLEMNLY ASSURING ME 584 00:43:43,621 --> 00:43:45,100 THAT NO CARD CAME WITH THESE ROSES? 585 00:43:45,100 --> 00:43:48,538 NO, DEAR, JUST ASSURING YOU. 586 00:43:48,538 --> 00:43:50,453 THERE IS NOTHING TO BE SOLEMN ABOUT. 587 00:43:50,453 --> 00:43:52,368 OH NO, MR. LANG, THERE WAS NO CARD. 588 00:43:52,368 --> 00:43:54,370 THAT'S A LIE. 589 00:43:54,370 --> 00:43:55,284 GET OUT OF HERE, GO ON, YOU FOOLISH FACE. 590 00:43:55,284 --> 00:43:59,593 GET OUT! 591 00:43:59,593 --> 00:44:01,290 NOW WE'RE GOING TO GET TO THE BOTTOM OF THIS. 592 00:44:01,290 --> 00:44:03,249 OH DEAR, STOP TALKING LIKE A DEEP SEA DIVER. 593 00:44:03,249 --> 00:44:05,338 - GIVE ME THE CARD. - I WILL NOT. 594 00:44:05,338 --> 00:44:06,905 I COMMAND YOU TO GIVE IT TO ME. 595 00:44:06,905 --> 00:44:08,646 I WANT TO KNOW WHO THE ADMIRER IS 596 00:44:08,646 --> 00:44:10,212 THAT DARE TO EXPRESS HIS ADMIRATION IN ROSES. 597 00:44:10,212 --> 00:44:13,128 - GIVE IT TO ME! - I WILL NOT! 598 00:44:13,128 --> 00:44:14,521 SHE DARE! LOOK AT HER EYES, BERNARD. 599 00:44:14,521 --> 00:44:16,131 LOOK AT HER EYES, SEE THEM FLASH. 600 00:44:16,131 --> 00:44:18,133 GIVE ME THAT CARD, MARIA. 601 00:44:18,133 --> 00:44:19,395 NOW, NOW, NOW, CHILDREN, CHILDREN. 602 00:44:19,395 --> 00:44:22,050 YOU KEEP OUT OF THIS! 603 00:44:22,050 --> 00:44:25,532 VERY WELL, THERE WAS A CARD WITH THE FLOWERS. 604 00:44:25,532 --> 00:44:28,317 BUT I WILL NOT GIVE IT TO YOU. 605 00:44:28,317 --> 00:44:30,189 I DO KNOW THE NAME OF THE MAN THAT WAS ON IT, 606 00:44:30,189 --> 00:44:33,627 BUT I WILL NOT TELL YOU. 607 00:44:33,627 --> 00:44:36,195 THE MAN WHO SENT ME THOSE FLOWERS DOES APPRECIATE ME, 608 00:44:36,195 --> 00:44:39,372 DOES ADMIRE ME, DOES LOVE ME. 609 00:44:39,372 --> 00:44:41,026 SO WHAT ARE YOU GOING TO DO ABOUT IT? 610 00:44:41,026 --> 00:44:42,592 - KILL HIM! - OH. 611 00:44:42,592 --> 00:44:43,898 THAT'S WHAT I'LL DO, I'LL KILL HIM. 612 00:44:43,898 --> 00:44:45,378 YOU HEAR ME? I'LL KILL HIM. 613 00:44:58,783 --> 00:45:01,394 - NEW TIE, DO YOU LIKE IT? - YES, VERY NICE. 614 00:45:01,394 --> 00:45:03,962 KARL, AS AN OLD FRIEND OF THE FAMILY, 615 00:45:03,962 --> 00:45:06,138 YOU'VE BEEN VERY DISGRACEFUL TO ME. 616 00:45:06,138 --> 00:45:08,531 HOW COULD YOU FORGET YOURSELF SO COMPLETELY? 617 00:45:08,531 --> 00:45:10,055 IF YOU WANT TO KNOW WHO SENT THE ROSES, 618 00:45:10,055 --> 00:45:11,970 WELL, WHY DON'T YOU ASK THE FLORIST? 619 00:45:11,970 --> 00:45:14,102 - WHY SHOULD I DO THAT? - WHY SHOULD YOU? 620 00:45:14,102 --> 00:45:16,626 A MINUTE AGO THIS WAS AMATTER OF LIFE AND DEATH TO YOU. 621 00:45:16,626 --> 00:45:19,151 - I KNOW WHO SENT THEM. - WHAT? YOU DO? 622 00:45:19,151 --> 00:45:22,502 - WHO DID SEND THEM? - I DID. 623 00:45:22,502 --> 00:45:25,548 NOW, NOW, KARL, YOUR WORDS ARE ONE SYLLABLE. 624 00:45:25,548 --> 00:45:30,466 KINDLY EXPLAIN WHAT ALL THIS FOOLISHNESS IS ALL ABOUT. 625 00:45:30,466 --> 00:45:34,688 YOU CANNOT DENY TO PERMIT ME TO INTRODUCE MYSELF, 626 00:45:34,688 --> 00:45:38,213 VASSILY VASSILIEVITCH VARANOVSKI. 627 00:45:38,213 --> 00:45:40,433 WHAT? LAST NIGHT? 628 00:45:40,433 --> 00:45:44,567 THAT MAD RUSSIAN, IT WAS YOU? 629 00:45:44,567 --> 00:45:46,352 IT WAS YOU! 630 00:45:46,352 --> 00:45:48,136 GREAT SCOT! 631 00:45:48,136 --> 00:45:55,274 ♪ [humming] 632 00:45:55,274 --> 00:45:58,103 LOOK, HERE'S A LETTER AS WELL. 633 00:45:58,103 --> 00:45:58,930 MY DEAR, GIVE IT TO ME. 634 00:46:04,152 --> 00:46:06,589 LISTEN... 635 00:46:06,589 --> 00:46:08,548 "DEAR MADAME, IF NOTHING HAPPENS TO PREVENT 636 00:46:08,548 --> 00:46:10,942 THEN YOU HAVE THE GREAT KINDNESS 637 00:46:10,942 --> 00:46:14,815 TO APPEAR IN YOUR WINDOWAT FIVE O'CLOCK THIS AFTERNOON. 638 00:46:14,815 --> 00:46:16,382 IF YOU WILL PULL BACK THE CURTAIN AND 639 00:46:16,382 --> 00:46:17,992 LOOK DOWN INTO THE STREET, 640 00:46:17,992 --> 00:46:20,473 I WILL KNOW THAT I AM THE HAPPIEST MAN." 641 00:46:20,473 --> 00:46:22,431 JUST IMAGINE! 642 00:46:22,431 --> 00:46:24,129 "I SHALL BE WATCHING FROM A CAB NEARBY 643 00:46:24,129 --> 00:46:26,261 AND HALF AN HOUR LATER, 644 00:46:26,261 --> 00:46:29,612 WILL DO MYSELF THE GREAT HONOR OF CALLING UPON YOU. 645 00:46:29,612 --> 00:46:34,139 YOUR HUMBLE SERVANT, VASSILY VASSILIEVITCH." 646 00:46:34,139 --> 00:46:36,837 ISN'T THAT JUST TOO ROMANTIC?! 647 00:46:36,837 --> 00:46:44,018 [knock on door] 648 00:46:44,018 --> 00:46:46,673 DARLING, I HAVE SOME UNEXPECTED NEWS. 649 00:46:46,673 --> 00:46:48,501 - NEWS? - YES. 650 00:46:48,501 --> 00:46:50,938 IT'S A TELEGRAM FROM THEMANAGER OF A THEATRE IN OLMUTZ. 651 00:46:50,938 --> 00:46:53,332 - OLMUTZ? - OLMUTZ. 652 00:46:53,332 --> 00:46:55,638 HE'S IN A JAM, HE WANTS ME TO SING THERE TONIGHT. 653 00:46:55,638 --> 00:46:57,031 SING THERE TONIGHT? 654 00:46:57,031 --> 00:46:59,120 YES, OF COURSE IT'S SUNDAY. 655 00:46:59,120 --> 00:47:00,861 IT'S NOT ONLY SUNDAY, IT'S FOR CHARITY 656 00:47:00,861 --> 00:47:02,210 SO I DON'T SEE HOW I CAN REFUSE HIM, DO YOU? 657 00:47:02,210 --> 00:47:03,603 NO, I SUPPOSE NOT. 658 00:47:03,603 --> 00:47:05,387 IF I START IMMEDIATELY, 659 00:47:05,387 --> 00:47:07,389 I CAN CATCH THE FIVE THIRTY TRAIN. 660 00:47:07,389 --> 00:47:09,783 YES, OF COURSE. 661 00:47:09,783 --> 00:47:12,046 - AND I'LL BE BACK TOMORROW. - TOMORROW? 662 00:47:12,046 --> 00:47:15,441 YES, TOMORROW IN THE AFTERNOON. 663 00:47:15,441 --> 00:47:19,488 - MY LETTER. - OH! 664 00:47:19,488 --> 00:47:26,234 IN THE LATE AFTERNOON. 665 00:47:26,234 --> 00:47:32,023 ♪ [humming] 666 00:47:39,900 --> 00:47:42,511 AND DID THE TELEGRAM YOU SENT YOURSELF CONVINCE HER? 667 00:47:42,511 --> 00:47:44,600 - IT DID. - THEN EVERYTHING'S FIXED. 668 00:47:44,600 --> 00:47:47,734 - EVERYTHING. - IT'S FINE. 669 00:47:47,734 --> 00:47:50,868 AT FIVE O'CLOCK I LEAVE HERE, GO DOWN THE STREET, 670 00:47:50,868 --> 00:47:54,610 CHANGE MY CLOTHES AND COME BACK TO MY OWN HOME. 671 00:47:54,610 --> 00:47:56,917 FOR A SPECIAL STARRING ENGAGEMENT 672 00:47:56,917 --> 00:48:00,790 IN THE FIRST REALLY GREAT AND SERIOUS PART I'VE EVER PLAYED. 673 00:48:00,790 --> 00:48:02,401 THE PERFORMANCE BEGINS AT FIVE THIRTY. 674 00:48:02,401 --> 00:48:05,143 FIVE THIRTY? 675 00:48:05,143 --> 00:48:07,580 IT'S ALMOST FIVE NOW, SHOULDN'T YOU BETTER HURRY? 676 00:48:07,580 --> 00:48:10,670 I'M IN A CAB DOWN ON THE STREET, 677 00:48:10,670 --> 00:48:13,629 WAITING WITH BEATING HEART 678 00:48:13,629 --> 00:48:15,501 WONDERING IF SHE WILL APPEAR IN THE WINDOW. 679 00:48:15,501 --> 00:48:20,419 OH COME, COME, OLD BOY, YOU KNOW SHE WON'T. 680 00:48:20,419 --> 00:48:22,551 OH BERNARD, ARE YOU STILL HERE? 681 00:48:22,551 --> 00:48:24,989 MY DEAR, I'VE BEEN TALKING TO KARL. 682 00:48:24,989 --> 00:48:28,383 KARL'S GOT TO GO TO OLMUTZ ANDI'M GOING TO MISS HIM TERRIBLY. 683 00:48:28,383 --> 00:48:30,864 THAT'S TOO BAD, I THOUGHT I'D TAKE HIM DOWN TO THE STATION. 684 00:48:30,864 --> 00:48:32,648 FORGIVE ME, DEAR,FOR BEHAVING SO BADLY JUST NOW. 685 00:48:32,648 --> 00:48:34,563 OF COURSE, I DO. 686 00:48:34,563 --> 00:48:38,219 SO GENEROUS, SO SWEET. 687 00:48:38,219 --> 00:48:40,352 I SHOULD HAVE TOLD YOU IMMEDIATELY 688 00:48:40,352 --> 00:48:43,094 WHO SENT ME THE FLOWERS, IFYOU HADN'T STARTED BULLYING ME. 689 00:48:43,094 --> 00:48:46,401 AFTER THAT, WELL I THOUGHT YOU NEEDED A LITTLE LESSON. 690 00:48:46,401 --> 00:48:49,317 SO I DID, WHAT A BRUTE I WAS! 691 00:48:49,317 --> 00:48:51,102 WHAT A BEAST! 692 00:48:51,102 --> 00:48:53,191 WOULDN'T YOU LIKE TO TELL US NOW? 693 00:48:53,191 --> 00:48:55,106 WHY CERTAINLY! 694 00:48:55,106 --> 00:48:57,282 IT WAS DOCTOR SCHULTZ. 695 00:48:57,282 --> 00:48:59,153 YOU REMEMBER, KARL? 696 00:48:59,153 --> 00:49:01,199 HE AND HIS WIFE DINED HERE LAST WEEK. 697 00:49:01,199 --> 00:49:07,161 NOT VERY ROMANTIC, IS IT, DARLING? 698 00:49:07,161 --> 00:49:12,775 NO, DOCTOR SCHULTZ IS HARDLY THE ROMANTIC TYPE, IS HE. 699 00:49:12,775 --> 00:49:15,256 YOU BETTER HURRY, DEAR. YOU'LL MISS YOUR TRAIN. 700 00:49:15,256 --> 00:49:17,345 I KNOW... THERE'S PLENTY OF TIME. 701 00:49:17,345 --> 00:49:22,698 [clock striking five] 702 00:49:22,698 --> 00:49:24,962 AH, FIVE O'CLOCK! 703 00:49:24,962 --> 00:49:27,225 AH, FIVE O'CLOCK. 704 00:49:27,225 --> 00:49:28,748 AH, EXACTLY FIVE O'CLOCK. 705 00:49:55,905 --> 00:49:57,298 [Karl whistles] 706 00:50:07,874 --> 00:50:10,877 WELL, GOODBYE, DARLING. 707 00:50:10,877 --> 00:50:13,619 TAKE GOOD CARE OF YOURSELF AND DON'T FORGET ME. 708 00:50:13,619 --> 00:50:16,665 WHAT? 709 00:50:16,665 --> 00:50:19,842 I SAID, TAKE GOOD CARE OF YOURSELF AND DON'T FORGET ME! 710 00:50:19,842 --> 00:50:21,888 OF COURSE, I WON'T FORGET YOU. 711 00:50:21,888 --> 00:50:23,890 YOU'LL BE BACK TOMORROW AFTERNOON. 712 00:50:23,890 --> 00:50:27,807 YOU'RE NOT GOING TO SIBERIA, SURELY. 713 00:50:27,807 --> 00:50:29,635 THE JOURNEY TO OLMUTZ MIGHT PROVE 714 00:50:29,635 --> 00:50:36,729 JUST AS FATAL AS A JOURNEY TO SIBERIA. 715 00:50:36,729 --> 00:50:39,645 NOW, RUN ALONG, BERNARD AND DON'T LET HIM MISS HIS TRAIN. 716 00:50:52,049 --> 00:50:58,229 [humming] 717 00:51:06,454 --> 00:51:09,849 AH-HA! 718 00:51:09,849 --> 00:51:11,372 [door opening] 719 00:51:17,813 --> 00:51:20,338 HURRY, HURRY! 720 00:51:20,338 --> 00:51:23,341 OH, LISA, TIDY UP A BIT. 721 00:51:23,341 --> 00:51:25,604 FOR HEAVEN SAKE WASH YOUR FACE. 722 00:51:25,604 --> 00:51:28,607 WASH MY FACE? 723 00:51:28,607 --> 00:51:34,003 PUGSIE... PUGSIE? 724 00:51:34,003 --> 00:51:34,830 WILL YOU STOP PEERING OUT OF THE WINDOW IN THAT 725 00:51:34,830 --> 00:51:36,005 AWFUL BROODING WAY. 726 00:51:36,005 --> 00:51:38,617 NOT A SIGN OF HIM YET. 727 00:51:38,617 --> 00:51:40,923 THEN COME AWAY FROM THE WINDOW, 728 00:51:40,923 --> 00:51:43,317 ANYONE WOULD THINK-- I'M NOT WRONG, 729 00:51:43,317 --> 00:51:45,798 I HAVEN'T FELT SO NAUGHTY IN YEARS. 730 00:51:45,798 --> 00:51:48,279 NAUGHTY? PUGSIE, HOW DO I LOOK? 731 00:51:48,279 --> 00:51:51,238 DIVINE, MY DARLING, LOVELIER THAN EVER. 732 00:51:51,238 --> 00:51:52,935 I'M SO EXCITED, I COULDN'T BE MORE THRILLED 733 00:51:52,935 --> 00:51:54,633 IF HE WERE COMING TO SEE ME. 734 00:51:54,633 --> 00:51:56,069 WHY YOU'RE TREMBLING! 735 00:51:56,069 --> 00:51:58,071 - NONSENSE. - BUT YOU ARE. 736 00:51:58,071 --> 00:51:59,942 PERHAPS I AM A BIT NERVOUS. 737 00:51:59,942 --> 00:52:01,466 NO, YOU'LL TAKE HIM IN YOUR STRIDE 738 00:52:01,466 --> 00:52:03,424 AS YOU TOOK ALL THE OTHERS. 739 00:52:03,424 --> 00:52:05,296 THE OTHERS? - WHY OL' BUDAPEST RANG 740 00:52:05,296 --> 00:52:06,688 WITH YOUR ROMANTIC TRIUMPHS. 741 00:52:06,688 --> 00:52:08,690 DON'T YOU WORRY, MY DEAR. 742 00:52:08,690 --> 00:52:10,910 THIS RUSSIAN WILL BE AS CLAY IN YOUR HANDS. 743 00:52:10,910 --> 00:52:13,260 OH FOR HEAVEN SAKE, BE QUIET, PUGSIE. 744 00:52:13,260 --> 00:52:15,349 I AM QUITE NERVOUS ENOUGH AS IT IS 745 00:52:15,349 --> 00:52:17,264 WITHOUT HAVING TO LISTEN TO YOUR UNPLEASANT INNUENDO. 746 00:52:17,264 --> 00:52:19,658 - UNPLEASANT? - YOU MIGHT AS WELL KNOW 747 00:52:19,658 --> 00:52:21,355 THAT MY ROMANTIC PAST IN BUDAPEST HAS BEEN 748 00:52:21,355 --> 00:52:23,314 VERY MUCH EXAGGERATED. 749 00:52:23,314 --> 00:52:25,272 BUT ALL THOSE LOVERS... 750 00:52:25,272 --> 00:52:28,710 MY DEAR PUGSIE, I HAD ADMIRERS. 751 00:52:28,710 --> 00:52:30,495 AND IF ANYONE WAS FOOLISH ENOUGH TO BELIEVE 752 00:52:30,495 --> 00:52:31,974 THEY WERE MORE THAN THAT THEY WERE WELCOME TO DO SO. 753 00:52:31,974 --> 00:52:34,194 THIS IS BAD NEWS. 754 00:52:34,194 --> 00:52:37,719 IN FACT IT WAS A VIEW I RATHER ENCOURAGED. 755 00:52:37,719 --> 00:52:39,895 YOU SEE, I HAD KARL TO CONSIDER. 756 00:52:39,895 --> 00:52:41,941 WHAT DID KARL HAVE TO DO WITH IT? 757 00:52:41,941 --> 00:52:45,901 OH, KARL IS ALWAYS SURROUNDED BY HORDES OF DOTING WOMEN. 758 00:52:45,901 --> 00:52:49,992 SO, WHEN I DECIDED TO MARRYHIM I PUT UP SOME SORT OF SHOW. 759 00:52:49,992 --> 00:52:52,473 KEEP THEM GUESSING, THAT'S MY MOTTO. 760 00:52:52,473 --> 00:52:55,476 WELL, I AM DISAPPOINTED, I MUST SAY. 761 00:52:55,476 --> 00:52:58,349 THAT IS I SHOULD BE DISAPPOINTED IF... 762 00:52:58,349 --> 00:53:01,047 - IF WHAT? - IF I BELIEVED YOU. 763 00:53:01,047 --> 00:53:03,528 REALLY, PUGSIE? 764 00:53:03,528 --> 00:53:05,356 WHAT A MONSTROUS THING TO SAY! 765 00:53:05,356 --> 00:53:06,661 [car screeches to halt] 766 00:53:14,016 --> 00:53:15,583 HE'S HERE! 767 00:53:15,583 --> 00:53:17,237 NO! 768 00:53:17,237 --> 00:53:21,894 WELL, COME AWAY FROM THE WINDOW. 769 00:53:21,894 --> 00:53:27,987 ♪ [music] 770 00:53:27,987 --> 00:53:29,728 WHAT A MAN! 771 00:53:29,728 --> 00:53:32,861 HOW I ENVY YOU, MY DEAR. 772 00:53:32,861 --> 00:53:33,862 [clock striking five thirty] 773 00:53:33,862 --> 00:53:39,694 ♪ [music] 774 00:54:03,718 --> 00:54:05,459 HE'S COMING. 775 00:54:05,459 --> 00:54:08,462 ALL THE LUCK IN THE WORLD, DARLING. 776 00:54:08,462 --> 00:54:09,463 I KNOW IT'S GOING TO BE WONDERFUL. 777 00:54:16,775 --> 00:54:24,957 [knock on door] 778 00:54:24,957 --> 00:54:27,873 MADAM LANYI IS AT HOME, NO? 779 00:54:27,873 --> 00:54:31,572 NO... I MEAN, YES. 780 00:54:31,572 --> 00:54:35,010 TAKE HER TO ME. 781 00:54:35,010 --> 00:54:37,099 YES, SIR. 782 00:54:37,099 --> 00:54:38,884 THIS WAY PLEASE. 783 00:54:47,109 --> 00:54:49,895 [dogs sniffing and growling] 784 00:54:57,555 --> 00:55:02,821 ♪ [piano music] 785 00:55:13,397 --> 00:55:15,050 [Russian] 786 00:55:15,050 --> 00:55:16,269 OH! 787 00:55:19,316 --> 00:55:22,797 - WOULD YOU COME IN. - WITH MUCH PLEASURE. 788 00:55:22,797 --> 00:55:27,149 MADAME. 789 00:55:27,149 --> 00:55:30,065 I MUST PAY 1000 PARDON 790 00:55:30,065 --> 00:55:32,198 FOR SEEKING YOUR PERSONAL ACQUAINTANCE IN THIS TRULY, 791 00:55:32,198 --> 00:55:34,331 UNUSUAL FASHION. 792 00:55:34,331 --> 00:55:38,117 NO, NO, NO, I AM AN ACTRESS, I LIVE FOR MY PUBLIC. 793 00:55:38,117 --> 00:55:41,816 I AVAIL MYSELF OF THEFREEDOM GIVEN BY MY PROFESSION. 794 00:55:41,816 --> 00:55:46,604 IT SPARES SO MANY CONVENTIONAL STUPIDITIES. 795 00:55:46,604 --> 00:55:49,563 I AM TERRIBLY HAPPY, MADAME. 796 00:55:49,563 --> 00:55:52,392 AND I WAS AFRAID-- OH BUT NO LONGER, I HOPE. 797 00:55:52,392 --> 00:55:54,481 WON'T YOU SIT DOWN! 798 00:55:54,481 --> 00:55:57,092 - MERCI! - OH, SO YOU SPEAK FRENCH. 799 00:55:57,092 --> 00:55:59,312 REALLY, HOW INTERESTING. 800 00:55:59,312 --> 00:56:01,967 A CHARMING LANGUAGE, YOU SPEAK IT TOO? 801 00:56:01,967 --> 00:56:04,970 OUI, MA OUI! 802 00:56:04,970 --> 00:56:07,538 THEN WE BOTH SPEAK IT. DA, DA. 803 00:56:07,538 --> 00:56:09,409 QUITE A COINCIDENCE, ISN'T IT! 804 00:56:09,409 --> 00:56:13,544 - DA, DA. - DA, DA, DA. 805 00:56:13,544 --> 00:56:18,505 PERHAPS WE HAVE MANY COMMON THINGS, NO? 806 00:56:18,505 --> 00:56:22,335 I CAN, SURE, I MEAN, DO YOU COLLECT STAMPS? 807 00:56:22,335 --> 00:56:28,210 EH... NO, I DO NOT COLLECT THE STAMP. 808 00:56:28,210 --> 00:56:29,690 YOU MAKE A JOKE, HUH? 809 00:56:29,690 --> 00:56:32,084 [laughing] 810 00:56:32,084 --> 00:56:35,827 WELL, WE MUSTN'T LET THAT SPOIL OUR FRIENDSHIP, MUST WE? 811 00:56:35,827 --> 00:56:39,526 FROM NOW ON NO 'MISTER' SHALL COME BETWEEN US. 812 00:56:39,526 --> 00:56:43,835 TO YOU I AM VASSILY, TO ME YOU ARE MARIA. 813 00:56:43,835 --> 00:56:46,533 DON'T THINK WE ARE GETTING ON JUST A LITTLE TOO QUICKLY? 814 00:56:46,533 --> 00:56:51,320 I AM QUICK, VE-RR-RR-Y QUICK. 815 00:56:51,320 --> 00:56:54,367 YOU WOULD BE SURPRISED HOW QUICK I COULD BE. 816 00:56:54,367 --> 00:56:57,675 YES, I IMAGINE I SHOULD. 817 00:56:57,675 --> 00:57:00,591 - DO YOU TAKE SUGAR IN YOUR TEA?- ALWAYS! 818 00:57:00,591 --> 00:57:04,029 - HOW MANY LUMPS? - ONE, ONLY. 819 00:57:04,029 --> 00:57:07,206 - ONLY ONE? - ONE. 820 00:57:07,206 --> 00:57:11,123 I DO NOT THINK IT MANLY TO CARE FOR THESE SWEETS. 821 00:57:11,123 --> 00:57:12,559 THAT'S WHAT I AM ALWAYS TELLING MY HUSBAND. 822 00:57:12,559 --> 00:57:15,432 HE TAKES FOUR LUMPS, YOU KNOW! 823 00:57:15,432 --> 00:57:22,177 EVEN WITHOUT SUGAR THE LOT OF THE HUSBAND IS SWEET. 824 00:57:22,177 --> 00:57:25,964 YOU EMPHASIZED THE WORD 'HUSBAND', SO HUMBLY. 825 00:57:25,964 --> 00:57:29,097 I DO NOT TAKE THE HUSBAND TOO SERIOUSLY. 826 00:57:29,097 --> 00:57:31,622 VERY SENSITIVE. 827 00:57:31,622 --> 00:57:33,841 DO YOU SMOKE? 828 00:57:33,841 --> 00:57:35,669 MERCI! 829 00:57:35,669 --> 00:57:37,584 THESE ARE NOT VERY GOOD CIGARETTES 830 00:57:37,584 --> 00:57:39,978 BUT MY HUSBAND DOESN'T CARE FOR ANY BETTER. 831 00:57:39,978 --> 00:57:43,634 THESE ARE VE-RR-RR-Y GOOD CIGARETTES! 832 00:57:43,634 --> 00:57:50,336 YOUR HUSBAND HAS EXCELLENT TASTE. 833 00:57:50,336 --> 00:57:54,862 OH... YOU THINK SO? 834 00:57:54,862 --> 00:57:56,908 I HEAR YOUR HUSBAND ON STAGE. 835 00:57:56,908 --> 00:57:58,344 YES, HE'S AWFUL ON THE STAGE. 836 00:57:58,344 --> 00:58:00,477 HE'S VERY HANDSOME MAN. 837 00:58:00,477 --> 00:58:03,741 YEAH, MANY WOMEN ADMIRE HIM. 838 00:58:03,741 --> 00:58:05,743 YOU DO NOT? 839 00:58:05,743 --> 00:58:07,701 OF COURSE, I DO. 840 00:58:07,701 --> 00:58:10,574 BUT MANY OTHER WOMEN ADMIRE HIM, TOO. 841 00:58:10,574 --> 00:58:12,619 THEY DO? 842 00:58:12,619 --> 00:58:16,057 THAT'S WHAT HE SAID. 843 00:58:16,057 --> 00:58:18,625 HE'S VERY INTELLIGENT MAN. 844 00:58:18,625 --> 00:58:22,716 I WON'T GO SO FAR AS TO SAY 'VERY INTELLIGENT'. 845 00:58:22,716 --> 00:58:29,114 BUT AT ANY RATE HE'S A VERY GOOD ACTOR. 846 00:58:29,114 --> 00:58:30,898 YES, HE'S RATHER GOOD, ISN'T HE? 847 00:58:30,898 --> 00:58:33,814 HE'S VE-RR-RR-Y GOOD! 848 00:58:33,814 --> 00:58:37,514 I SHOULD LIKE TO TELL HIM SO. 849 00:58:37,514 --> 00:58:39,907 I'M SURE HE'D BE MOST FLATTERED. 850 00:58:39,907 --> 00:58:44,172 BUT NOW OF COURSE, HE IS OUT. 851 00:58:44,172 --> 00:58:47,088 NOW HE IS OUT, YES? 852 00:58:47,088 --> 00:58:49,569 [laughs] 853 00:58:49,569 --> 00:58:51,223 IN RUSSIA WE HAVE PROVERB. 854 00:58:51,223 --> 00:58:55,488 [Russian] 855 00:58:55,488 --> 00:58:58,273 WHICH MEANS 'WHEN THE CAT'S AWAY, 856 00:58:58,273 --> 00:59:01,842 THE WOLF WILL SOON BE AT THE DOOR'. 857 00:59:01,842 --> 00:59:03,670 WELL, THERE IS NOTHING LIKE THAT ABOUT MY HUSBAND. 858 00:59:03,670 --> 00:59:05,977 HE'S NOT AT ALL SUSPICIOUS. 859 00:59:05,977 --> 00:59:08,719 - NO? - NO. 860 00:59:08,719 --> 00:59:11,809 OF COURSE, I NEVER GIVE HIM ANY REASON TO BE. 861 00:59:11,809 --> 00:59:14,507 - YOU DO NOT? - NO, NEVER. 862 00:59:14,507 --> 00:59:17,292 IF I HAD WIFE LIKE YOU, 863 00:59:17,292 --> 00:59:20,165 I WOULD NEVER LET HER OUT OF THE SIGHT OF MY EYE. 864 00:59:20,165 --> 00:59:21,993 THE SOUND OF MY VOICE-- OH NO, I WOULD NOT WANT TO BE 865 00:59:21,993 --> 00:59:23,951 OUT OF THE SOUND OF YOUR VOICE. 866 00:59:23,951 --> 00:59:30,392 I DO NOT WISH TO SPEAK NOW OF MY VOICE. 867 00:59:30,392 --> 00:59:32,743 HOW YOU LIKE HIM, HUH? 868 00:59:32,743 --> 00:59:35,615 I THINK IT'S MAGNIFICENT. 869 00:59:35,615 --> 00:59:37,356 LAST NIGHT WHEN YOU SANG-- LAST NIGHT I SANG 870 00:59:37,356 --> 00:59:39,053 FROM THE HEART. 871 00:59:39,053 --> 00:59:41,490 LAST NIGHT I SANG TO YOU. 872 00:59:41,490 --> 00:59:43,754 MY LOVE-- OH SING TO ME AGAIN. 873 00:59:43,754 --> 00:59:47,584 - WHAT NOW? - PLEASE! 874 00:59:47,584 --> 00:59:49,586 WHAT SHALL I SING? 875 00:59:49,586 --> 00:59:51,631 AAH... I THINK SOMETHING RUSSIAN WOULD BE NICE, 876 00:59:51,631 --> 00:59:52,806 NOT ABOUT THE BOATMAN, OF COURSE. 877 00:59:52,806 --> 00:59:55,200 YOU DO NOT LIKE OUR BOATMAN? 878 00:59:55,200 --> 00:59:58,856 VERY, VERY MUCH, BUT 879 00:59:58,856 --> 01:00:03,512 I THINK IT'S A LITTLETOO EXCITING FOR THE AFTERNOON. 880 01:00:03,512 --> 01:00:08,779 FOR ME NOTHING IS TOO EXCITING, EVEN IN THE AFTERNOON. 881 01:00:08,779 --> 01:00:12,696 BUT I WILL THINK OF SOMETHING ELSE. 882 01:00:12,696 --> 01:00:15,002 I WILL SING YOU MY FAVORITE SONG. 883 01:00:23,837 --> 01:00:28,625 ♪ [music] 884 01:02:07,375 --> 01:02:10,161 OH BEAUTIFUL! 885 01:02:10,161 --> 01:02:13,468 YOU LIKE HIM, EH? 886 01:02:13,468 --> 01:02:14,513 VERY MUCH. 887 01:02:27,395 --> 01:02:31,486 [Maria sighs] 888 01:02:31,486 --> 01:02:34,402 WHY ARE YOU SIGHING? 889 01:02:34,402 --> 01:02:38,798 IT MEANT NOTHING. 890 01:02:38,798 --> 01:02:42,759 YOU ARE WAITING FOR SOMEONE TO COME INTO YOUR LIFE, HUH? 891 01:02:42,759 --> 01:02:47,589 SOMEONE WHO IS PERHAPS, VE-RR-RR-Y NEAR. 892 01:02:47,589 --> 01:02:49,635 PERHAPS. 893 01:02:49,635 --> 01:02:52,290 [Russian] 894 01:02:52,290 --> 01:02:53,291 I BEG YOUR PARDON. 895 01:02:53,291 --> 01:02:57,251 [Russian] 896 01:02:57,251 --> 01:02:59,079 - I MUST GO. - GO?! 897 01:02:59,079 --> 01:03:01,516 I CAN MYSELF NO LONGER TRUST WITH YOU. 898 01:03:01,516 --> 01:03:04,476 YOU ARE TOO BEAUTIFUL, TOO DESIROUS, 899 01:03:04,476 --> 01:03:06,957 MY FEELINGS ARE FLYING AWAY WITH ME. 900 01:03:06,957 --> 01:03:08,915 OH NO, NO, NO, YOU MUST CONTROL YOURSELF. 901 01:03:08,915 --> 01:03:11,744 WE MUST BOTH CONTROL OURSELVES. 902 01:03:11,744 --> 01:03:15,182 SIT DOWN. NO! 903 01:03:15,182 --> 01:03:19,143 HERE. 904 01:03:19,143 --> 01:03:23,016 - YOU ASK ME TO STAY? - YES. 905 01:03:23,016 --> 01:03:25,758 YOU ASK ME TO SIT ON THIS INTIMATE SOFA BY YOU? 906 01:03:25,758 --> 01:03:27,673 YES. 907 01:03:27,673 --> 01:03:32,243 A LONELY WOMAN AND A LONELY SINGER ALONE, 908 01:03:32,243 --> 01:03:35,333 THAT IS THE SITUATION VERY DANGEROUS, NO? 909 01:03:35,333 --> 01:03:37,335 I DON'T KNOW. 910 01:03:37,335 --> 01:03:40,729 BUT MADAME, I AM A VERY STRONG MAN. 911 01:03:40,729 --> 01:03:43,080 YOU THINK I CAN SIT SO NEAR TO YOU, 912 01:03:43,080 --> 01:03:46,126 A WOMAN WITH SUCH A WARM BLOOD AND SUCH PULSING 913 01:03:46,126 --> 01:03:49,086 BUT NEVER FEEL ONLY ESTEEM AND RESPECT, 914 01:03:49,086 --> 01:03:51,784 IS THAT POSSIBLE FOR SO STRONG MAN? 915 01:03:51,784 --> 01:03:53,699 I DON'T KNOW. 916 01:03:53,699 --> 01:03:56,049 I'VE NEVER KNOWN ANY REALLY STRONG MEN. 917 01:03:56,049 --> 01:03:59,966 B-B-B-BUT YOUR HUSBAND... 918 01:03:59,966 --> 01:04:06,930 OH, HE IS NOT STRONG, QUITE DELICATE, IN FACT. 919 01:04:06,930 --> 01:04:09,149 YOU PERMIT ME TO SPEAK MY FEELING FOR YOU? 920 01:04:09,149 --> 01:04:11,064 YES. 921 01:04:11,064 --> 01:04:13,588 HAVE YOU CONSIDERED THAT CAREFULLY? 922 01:04:13,588 --> 01:04:15,721 IF YOU GIVE ME TIME TO THINK IT OVER, 923 01:04:15,721 --> 01:04:18,245 I MAY NOT ALLOW IT. 924 01:04:18,245 --> 01:04:23,076 I GIVE YOU TIME. 925 01:04:23,076 --> 01:04:25,383 I HAVE THOUGHT IT OVER. 926 01:04:25,383 --> 01:04:27,951 YOU MAY SAY IT. 927 01:04:27,951 --> 01:04:32,651 GO AHEAD, GO ON. 928 01:04:32,651 --> 01:04:35,915 SINCE YOU PERMIT, THEN I SHALL TELL YOU. 929 01:04:35,915 --> 01:04:39,005 - THIS FEELING IS LOVE! - OH! 930 01:04:39,005 --> 01:04:42,574 I AM CRAZY AFTER YOU, I CANNOT PUT YOU FROM ME. 931 01:04:42,574 --> 01:04:44,663 YOU THINK I CAN SIT AND DRINK THE TEA 932 01:04:44,663 --> 01:04:47,622 WHEN I THIRST FOR THE TOUCH OF YOUR LIPS? 933 01:04:47,622 --> 01:04:50,277 NIGHT AFTER NIGHT I AM WALKING BENEATH YOUR WINDOW 934 01:04:50,277 --> 01:04:52,410 LIKE A SCHOOLBOY DREAMING OF YOU. 935 01:04:52,410 --> 01:04:55,848 I AM MAD AFTER YOU. 936 01:04:55,848 --> 01:04:58,546 YOU ARE HURTING ME, YOU ARE HURTING ME. 937 01:04:58,546 --> 01:05:00,809 SO, I AM BRUISING THIS WHITE FLESH, HUH? 938 01:05:00,809 --> 01:05:04,248 I AM A BRUTE, A SAVAGE. 939 01:05:04,248 --> 01:05:06,598 YOU WANT TO KNOW LOVE, EH? 940 01:05:06,598 --> 01:05:08,992 I WILL TEACH YOU LOVE. 941 01:05:08,992 --> 01:05:11,820 THE WILD LOVE OF A WILD LAND. 942 01:05:11,820 --> 01:05:13,866 YOU SHALL KISS LIKE THE GYPSIES KISS. 943 01:05:13,866 --> 01:05:16,564 [Russian] 944 01:05:16,564 --> 01:05:18,305 WHAT ARE YOU SAYING? WHAT ARE YOU SAYING? 945 01:05:18,305 --> 01:05:20,177 I DO NOT KNOW, I DO NOT KNOW. 946 01:05:20,177 --> 01:05:24,050 OH MADAME, HOW WARM YOU ARE. 947 01:05:24,050 --> 01:05:29,403 HOW SOFT, HOW SMOOTH-- 948 01:05:29,403 --> 01:05:31,840 [Maria laughs loudly] 949 01:05:31,840 --> 01:05:33,799 OH MADAME, YOU ARE DELICIOUS. 950 01:05:33,799 --> 01:05:35,366 [laughing] 951 01:05:35,366 --> 01:05:37,846 YOU ARE LAUGHING. YOU LIKE THAT, HUH? 952 01:05:37,846 --> 01:05:40,675 OH YOU BEAUTIFUL, BEAUTIFUL THING. 953 01:05:40,675 --> 01:05:46,072 I WONDER NO MAN HAS EVER KISSED YOU. 954 01:05:46,072 --> 01:05:49,467 YOU... YOU BARBARIAN! HOW DARE YOU? 955 01:05:49,467 --> 01:05:51,817 YOU DO NOT LIKE MY KISS? 956 01:05:51,817 --> 01:05:53,950 THAT WASN'T A KISS, IT WAS A BATTLE. 957 01:05:53,950 --> 01:05:55,386 YOU OUGHT TO BE ASHAMED OF YOURSELF 958 01:05:55,386 --> 01:05:56,735 HUMILIATING ME LIKE THIS, 959 01:05:56,735 --> 01:05:58,650 HURTING MY FEELINGS LIKE THIS. 960 01:05:58,650 --> 01:06:00,739 YOU FORCE YOUR WAY INTO MY SHELTERED LIFE, 961 01:06:00,739 --> 01:06:03,568 TAKE ADVANTAGE OF MY KINDNESS, ABUSE MY HOSPITALITY. 962 01:06:03,568 --> 01:06:05,526 IS THIS YOUR USUAL CONDUCT WHEN A LADY ASKS 963 01:06:05,526 --> 01:06:06,701 YOU IN FOR A CUP OF TEA? 964 01:06:06,701 --> 01:06:08,616 NO, NO, NO. 965 01:06:08,616 --> 01:06:10,879 TO GET MORE ATTENTION FROM HER YOU BITE HER? 966 01:06:10,879 --> 01:06:13,534 - NO, I SWEAR. - GO! PLEASE GO. 967 01:06:13,534 --> 01:06:17,277 I BEG YOUR PARDON 1000 TIMES, MADAME. 968 01:06:17,277 --> 01:06:18,800 NOW I GO. 969 01:06:26,634 --> 01:06:27,548 WAIT! 970 01:06:32,510 --> 01:06:35,252 NO, I CANNOT SEND YOUAWAY IN THIS INSULTING FASHION. 971 01:06:35,252 --> 01:06:37,906 I FEEL I HAVE GONE TOO FAR. 972 01:06:37,906 --> 01:06:39,865 AFTER ALL YOU ARE ONLY A MAN 973 01:06:39,865 --> 01:06:42,389 WITH THE INSTINCTS OF A MAN. - YES. 974 01:06:42,389 --> 01:06:44,348 AND I AM ONLY A WOMAN WITH THE INSTINCTS OF A WOMAN. 975 01:06:44,348 --> 01:06:46,176 NO... YES... 976 01:06:46,176 --> 01:06:48,004 FOR THE MOMENT I FORGOT MYSELF, 977 01:06:48,004 --> 01:06:49,440 FOR THE MOMENT I WAS DAZZLED. 978 01:06:49,440 --> 01:06:53,748 YES, I ADMIT IT, COMPLETELY DAZZLED. 979 01:06:53,748 --> 01:06:56,099 BY YOUR VOICE, YOUR LOOKS, YOUR SPELLBINDING PERSONALITY. 980 01:06:56,099 --> 01:06:57,578 - DA. - DA. 981 01:06:57,578 --> 01:06:59,189 BUT I SHOULD'VE TOLD YOU AT THE START 982 01:06:59,189 --> 01:07:00,538 AS CALMLY AS I TELL YOU NOW. 983 01:07:00,538 --> 01:07:02,757 OH PLEASE DON'T LOOK AT ME 984 01:07:02,757 --> 01:07:05,847 WITH THOSE GREAT BURNING EYES OF YOURS. 985 01:07:05,847 --> 01:07:07,980 THAT, I COULD NEVER DECEIVE MY HUSBAND. 986 01:07:07,980 --> 01:07:10,809 IT IS NOT MY NATURE TO DECEIVE. 987 01:07:10,809 --> 01:07:12,811 - IT IS NOT? - IT IS NOT. 988 01:07:12,811 --> 01:07:13,942 SO, YOU SEE, I MUST SEND YOU AWAY. 989 01:07:13,942 --> 01:07:16,380 WE MUST NOT MEET, 990 01:07:16,380 --> 01:07:19,252 WE WERE NOT DESTINED FOR EACH OTHER, YOU AND I. 991 01:07:19,252 --> 01:07:21,385 LIKE THE SHIP THAT PASS OUT IN THE NIGHT? 992 01:07:21,385 --> 01:07:23,996 EXACTLY. 993 01:07:23,996 --> 01:07:27,565 YOU SEE BEFORE YOU A WOMAN WHO LOVES HER HUSBAND, 994 01:07:27,565 --> 01:07:30,089 WHO WILL ALWAYS LOVE HIM. 995 01:07:30,089 --> 01:07:32,874 A GOOD WOMAN AND A FAITHFUL WIFE, NO? 996 01:07:32,874 --> 01:07:34,963 PRECISELY! 997 01:07:34,963 --> 01:07:37,357 GOODBYE. FORGET ME IF YOU CAN. 998 01:07:37,357 --> 01:07:41,144 OH, I SHALL NEVER FORGOT YOU! 999 01:07:41,144 --> 01:07:42,754 NO, JUST THE FINGERTIPS. 1000 01:07:42,754 --> 01:07:44,103 ENOUGH! 1001 01:07:44,103 --> 01:07:48,977 GOODBYE. GOODBYE! 1002 01:07:48,977 --> 01:07:50,066 SHE IS TRUE. 1003 01:07:59,466 --> 01:08:03,253 MY HUSBAND WILL BE OUT THIS EVENING. 1004 01:08:03,253 --> 01:08:06,778 - THIS EVENING? - THIS EVENING. 1005 01:08:06,778 --> 01:08:09,520 HE'S GONE TO OLMUTZ. 1006 01:08:09,520 --> 01:08:10,477 OLMUTZ? 1007 01:08:17,310 --> 01:08:22,924 ♪ [instrumental music] 1008 01:08:40,942 --> 01:08:42,857 [door opens and shuts] 1009 01:08:50,038 --> 01:08:52,606 ♪ THANK THE LORD THE WAR IS OVER 1010 01:08:52,606 --> 01:08:55,348 ♪ NOW WE LIVE THE ROW IS OVER 1011 01:08:55,348 --> 01:08:57,263 ♪ ALL THE FIGHTING'S FINISHED AND DONE 1012 01:08:57,263 --> 01:08:59,526 ♪ WE'RE PREPARED FOR LOVE AND FUN 1013 01:08:59,526 --> 01:09:02,050 ♪ SO AWAY WITH MELANCHOLY 1014 01:09:02,050 --> 01:09:04,488 ♪ LET US KISS AND ALL BE JOLLY 1015 01:09:04,488 --> 01:09:06,316 ♪ WE WILL SING AND DANCE AND PLAY 1016 01:09:06,316 --> 01:09:07,578 ♪ BOTH NIGHT AND DAY 1017 01:09:07,578 --> 01:09:09,145 ♪ 1018 01:09:09,145 --> 01:09:12,365 - RUSSIAN. - VERY POTENT. 1019 01:09:12,365 --> 01:09:14,759 - AREN'T WE WICKED! - MADAM LANYI, MADAM LANYI... 1020 01:09:14,759 --> 01:09:17,457 IT'S HIM. 1021 01:09:17,457 --> 01:09:20,156 HE'S BACK. 1022 01:09:20,156 --> 01:09:22,723 MARIA? 1023 01:09:22,723 --> 01:09:26,249 MARIA? 1024 01:09:26,249 --> 01:09:29,556 WELL, WHAT ARE YOU DOING HERE? 1025 01:09:29,556 --> 01:09:32,037 IS THAT ALL YOU HAVE TO SAY TO ME, 'WHAT ARE YOU DOING HERE'? 1026 01:09:32,037 --> 01:09:34,866 IS THAT YOUR GREETING, YOUR EMBRACE, YOUR KISS? 1027 01:09:34,866 --> 01:09:36,520 NATURALLY, I WANT TO KNOWWHY YOU HAVEN'T GONE TO OLMUTZ. 1028 01:09:36,520 --> 01:09:38,130 I MISSED THE TRAIN. 1029 01:09:38,130 --> 01:09:39,087 WELL, THERE'S ANOTHER IN HALF AN HOUR. 1030 01:09:39,087 --> 01:09:40,611 I SHALL PROBABLY TAKE IT. 1031 01:09:40,611 --> 01:09:42,482 WHEN DO YOU TROUBLE TO COME HOME? 1032 01:09:42,482 --> 01:09:44,136 IF YOU PREFER,I'LL GO SIT IN THE WAITING ROOM. 1033 01:09:44,136 --> 01:09:45,050 MAYBE I AM IN THE WAY HERE. 1034 01:09:45,050 --> 01:09:47,226 [Maria laughs] 1035 01:09:47,226 --> 01:09:49,141 - WHERE ARE YOU GOING? - NOWHERE IN PARTICULAR. 1036 01:09:49,141 --> 01:09:50,447 THEN WHY THE PERFUMED BATH? 1037 01:09:50,447 --> 01:09:52,318 OH-HO! WHY NOT? 1038 01:09:52,318 --> 01:09:54,015 WELL, THAT'S MORE NATURAL. 1039 01:09:54,015 --> 01:09:55,887 THAT'S MORE LIKE MY SWEET, LOVING, LITTLE WIFE. 1040 01:09:55,887 --> 01:09:56,931 AND A GOOD HUMOR, AREN'T YOU, DARLING. 1041 01:09:56,931 --> 01:09:58,977 YES, AREN'T WE! 1042 01:09:58,977 --> 01:10:00,631 I'M IN A GOOD HUMOR, YOU'RE IN A GOOD HUMOR. 1043 01:10:00,631 --> 01:10:01,849 - WHEE! EVERYTHING'S ALRIGHT. - YES. 1044 01:10:01,849 --> 01:10:04,765 [laughing] 1045 01:10:04,765 --> 01:10:09,292 WELL THEN, WHAT HAVE YOU DONE WITH YOURSELF SINCE I LEFT? 1046 01:10:09,292 --> 01:10:09,988 I SAID, WHAT HAVE YOU DONE WITH YOURSELF SINCE I LEFT? 1047 01:10:09,988 --> 01:10:11,642 NOTHING. 1048 01:10:11,642 --> 01:10:13,121 AREN'T YOU BORED DOING NOTHING? 1049 01:10:13,121 --> 01:10:14,558 - NO. - ANYBODY CALLED? 1050 01:10:14,558 --> 01:10:16,299 - NO. - NOBODY AT ALL. 1051 01:10:16,299 --> 01:10:18,301 - YEAH, SOMEBODY WAS WITH ME. - OH? 1052 01:10:18,301 --> 01:10:20,607 PUGSIE. 1053 01:10:20,607 --> 01:10:23,523 OH THAT MUST HAVE BEEN NICE FOR YOU. 1054 01:10:23,523 --> 01:10:25,612 - ANYBODY ELSE? - UM-HM. 1055 01:10:25,612 --> 01:10:27,484 THERE WAS A MAN. 1056 01:10:27,484 --> 01:10:29,529 OH, THERE WAS A MAN, HUH? 1057 01:10:29,529 --> 01:10:31,401 A MAN WITH A BILL. 1058 01:10:31,401 --> 01:10:34,578 [laughing] 1059 01:10:34,578 --> 01:10:37,711 - WITTY AS WELL AS PRETTY. - THANK YOU, DARLING. 1060 01:10:37,711 --> 01:10:39,191 YOU KNOW THE GARDENER SAID SOMETHING ABOUT 1061 01:10:39,191 --> 01:10:41,454 HEARING A MAN SINGING. 1062 01:10:41,454 --> 01:10:43,587 OH! THAT PROBABLY WAS LISA'S YOUNG MAN, 1063 01:10:43,587 --> 01:10:44,718 BUTCHER BOY, YOU KNOW, DEAR. 1064 01:10:44,718 --> 01:10:46,720 UH-HUH. 1065 01:10:46,720 --> 01:10:48,548 BUT WILL THE BUTCHER BOY BE SINGING? 1066 01:10:48,548 --> 01:10:50,550 OF COURSE, EVERYBODY SINGS HERE. 1067 01:10:50,550 --> 01:10:52,813 HMM. 1068 01:10:52,813 --> 01:10:55,512 WELL... LITTLE BY LITTLE 1069 01:10:55,512 --> 01:10:57,035 YOUR HARMLESS QUESTIONS HAVE DEVELOPED 1070 01:10:57,035 --> 01:10:58,819 INTO A REGULAR CROSS EXAMINATION. 1071 01:10:58,819 --> 01:11:00,995 I CAN'T STAND IT, I TELL YOU. 1072 01:11:00,995 --> 01:11:03,520 THERE WAS SOME KIND OF MAN HERE THIS AFTERNOON. 1073 01:11:03,520 --> 01:11:05,652 THERE ARE ALL KINDS OF MEN, THINKERS, TAILORS, 1074 01:11:05,652 --> 01:11:07,437 SOLDIERS, SAILORS-- RICH MEN, POOR MEN, 1075 01:11:07,437 --> 01:11:09,221 BEGGARS AND THIEVES. - YEAH, MEN IN TOP HATS, 1076 01:11:09,221 --> 01:11:11,179 MEN IN BOWLERS,MEN IN CAPS, MEN IN STRAW HATS, 1077 01:11:11,179 --> 01:11:13,269 MEN IN SHINING HELMETS. 1078 01:11:13,269 --> 01:11:15,793 IT'S THE FIREMEN WHO WEAR HELMETS. 1079 01:11:15,793 --> 01:11:17,534 - THE WHAT? - OOH, VERY NICE. 1080 01:11:17,534 --> 01:11:19,362 I'VE DECEIVING YOU WITH A FIREMAN. 1081 01:11:19,362 --> 01:11:20,624 WHAT ARE YOU TALKING ABOUT? 1082 01:11:20,624 --> 01:11:22,016 HOW DO I KNOW? I'LL ASK LISA. 1083 01:11:22,016 --> 01:11:24,192 NO, I'LL ASK LIESEL. 1084 01:11:24,192 --> 01:11:25,411 I'M ANXIOUS TO KNOW WHETHER LISA WOULD GUESS 1085 01:11:25,411 --> 01:11:30,373 THAT IT WAS A FIREMAN. 1086 01:11:30,373 --> 01:11:31,809 OH, SO YOU HAVE BEEN LISTENING,MY GIRL, HUH? 1087 01:11:31,809 --> 01:11:33,637 I WAS JUST COMING IN. 1088 01:11:33,637 --> 01:11:35,595 WELL, THEN YOU KNOW IT WAS A FIREMAN. 1089 01:11:35,595 --> 01:11:37,641 QUITE RIGHT, MY DEAR, YOU GROW OLD IN THIS HOUSE 1090 01:11:37,641 --> 01:11:38,598 YOU'RE A GOOD AND FAITHFUL SERVANT. 1091 01:11:44,038 --> 01:11:45,736 NEXT TIME I OPEN THE DOOR, 1092 01:11:45,736 --> 01:11:47,694 I'LL KNOCK, SO YOU WON'T HURT YOUR NOSE. 1093 01:11:47,694 --> 01:11:49,435 WAS IT OUR SLY OLD PUGSIE THE FIREMAN CAME TO SEE? 1094 01:11:49,435 --> 01:11:51,524 HAS THERE BEEN A FIRE? 1095 01:11:51,524 --> 01:11:55,485 LOOK OUT LIESEL, I AM COMING THROUGH. 1096 01:11:55,485 --> 01:11:58,488 A CHARMING SCENE. 1097 01:11:58,488 --> 01:12:00,054 I CAN'T PUT UP WITH ANYMORE OF THIS. 1098 01:12:00,054 --> 01:12:01,273 YOU ARE KILLING MY VERY SOUL. 1099 01:12:01,273 --> 01:12:03,014 OH NO, NO, DON'T SAY THAT. 1100 01:12:03,014 --> 01:12:04,189 YOU KNOW HOW MUCH I REALLY LOVE YOU. 1101 01:12:04,189 --> 01:12:05,930 - YOU SUSPECT ME. - NO, NO. 1102 01:12:05,930 --> 01:12:07,627 YOU BELIEVE THESE LIES ABOUT ME, 1103 01:12:07,627 --> 01:12:09,368 YOU TRUST THE GARDENER MORE THAN ME. 1104 01:12:09,368 --> 01:12:11,196 NO, DEAR, I DON'T TRUST THE GARDENER AT ALL. 1105 01:12:11,196 --> 01:12:12,502 YOU ARE ONLY SAYING THAT BECAUSE YOU KNOW 1106 01:12:12,502 --> 01:12:14,155 I WON'T STAY A MINUTE LONGER WITH YOU 1107 01:12:14,155 --> 01:12:15,331 IF YOU GO ON TORTURING ME LIKE THIS. 1108 01:12:15,331 --> 01:12:17,550 NO, NO, DEAR, DON'T LEAVE ME. 1109 01:12:17,550 --> 01:12:19,291 I SWEAR I'LL NEVER TORTURE YOU AGAIN AS LONG AS I LIVE. 1110 01:12:19,291 --> 01:12:21,206 TELL ME FROM YOUR VERY HEART 1111 01:12:21,206 --> 01:12:23,295 THAT YOU DON'T BELIEVE THESE MALICIOUS LIES ABOUT ME. 1112 01:12:23,295 --> 01:12:24,688 NO, NO, I DON'T BELIEVE THEM. 1113 01:12:24,688 --> 01:12:26,733 AND YOU DO LOVE AND TRUST ME? 1114 01:12:26,733 --> 01:12:30,563 I LOVE YOU, DEAR. 1115 01:12:30,563 --> 01:12:33,871 THAT'S A GOOD BOY. 1116 01:12:33,871 --> 01:12:36,134 AND NOW I THINK IT'S TIME YOU GOT READY FOR YOUR TRAIN. 1117 01:12:36,134 --> 01:12:37,918 NOW JUST WAIT IN THERE UNTIL I GET DRESSED. 1118 01:12:37,918 --> 01:12:40,225 OH, I CAN'T BEAR TO LEAVE YOU. 1119 01:12:40,225 --> 01:12:41,313 OH, YOU HAVEN'T GOT TO LEAVE ME YET. 1120 01:12:41,313 --> 01:12:43,271 WHAT? 1121 01:12:43,271 --> 01:12:45,535 NO, I AM GOING TO SEE YOU TO THE TRAIN MYSELF. 1122 01:12:45,535 --> 01:12:47,580 - OH NO, NO. - YES! 1123 01:12:47,580 --> 01:12:49,190 I'M GOING TO SEE YOU TO THE TRAIN MYSELF. 1124 01:12:52,063 --> 01:12:55,022 I THINK THE WHOLE IDEA IS A BIT RISKY. 1125 01:12:55,022 --> 01:12:57,024 BESIDES ARE YOU CERTAIN THAT MARIA DOESN'T RECOGNIZE YOU? 1126 01:12:57,024 --> 01:12:59,549 IN THIS DISGUISE, IMPOSSIBLE! 1127 01:12:59,549 --> 01:13:00,898 NOBODY CAN RECOGNIZE ME. 1128 01:13:00,898 --> 01:13:02,421 I AM NOT SO SURE. 1129 01:13:02,421 --> 01:13:03,683 SHE IS NO FOOL, YOU KNOW. 1130 01:13:03,683 --> 01:13:06,033 MY DEAR BERNARD, 1131 01:13:06,033 --> 01:13:10,298 I AM GIVING THE GREATEST PERFORMANCE OF MY LIFE. 1132 01:13:10,298 --> 01:13:12,475 - I FOOLED YOU, YOU KNOW. - YES, YOU CERTAINLY DID. 1133 01:13:12,475 --> 01:13:14,781 AND YOU'RE A VERY SMART FELLOW. 1134 01:13:14,781 --> 01:13:16,957 THANKS A LOT. 1135 01:13:16,957 --> 01:13:22,963 ♪ [music] 1136 01:13:38,283 --> 01:13:40,851 HURRY UP, SILLY, LET HIM IN. 1137 01:13:40,851 --> 01:13:42,505 HE CAN WAIT A FEW MINUTES, DARLING, 1138 01:13:42,505 --> 01:13:44,681 IT WOULD ONLY INCREASE HIS ARDOR. 1139 01:13:44,681 --> 01:13:46,247 WHERE'S HE GONE? I CAN'T SEE HIM. 1140 01:13:46,247 --> 01:13:48,424 IT'S ODD, HE'S NOT AT THE DOOR. 1141 01:13:48,424 --> 01:13:49,686 I HAVEN'T HEARD THE BELL. 1142 01:13:49,686 --> 01:13:56,040 ♪ [string instrument music] 1143 01:13:57,824 --> 01:13:58,782 Karl Lang: ♪ A LONELY TROUBADOUR 1144 01:13:58,782 --> 01:14:00,871 [door opening] 1145 01:14:00,871 --> 01:14:08,356 Karl Lang: ♪ SANG WHILE THE WORLD WAS NEW 1146 01:14:08,356 --> 01:14:13,274 Karl Lang: THE SERENADE I SING 1147 01:14:13,274 --> 01:14:20,891 Karl Lang: SO I MAY BRING MY HEART TO YOU 1148 01:14:20,891 --> 01:14:26,505 Karl Lang: THE MOON WILL RISE 1149 01:14:26,505 --> 01:14:33,599 Karl Lang: BUT ALL IN VAIN FOR THERE'S NO USE IN SHINING 1150 01:14:33,599 --> 01:14:38,430 Karl Lang: WHEN MY LADY SLEEPS 1151 01:14:38,430 --> 01:14:45,524 Karl Lang: THE BREEZE WILL SINGA SAD REFRAIN 1152 01:14:45,524 --> 01:14:50,747 Karl Lang: BECAUSE A HEART IS PINING 1153 01:14:50,747 --> 01:14:56,013 Karl Lang: WHERE MAY LADY SLEEPS 1154 01:14:56,013 --> 01:15:08,068 Karl: STARLIGHT AND MOONLIGHT AND AMOROUS MELODY WASTED 1155 01:15:08,068 --> 01:15:10,331 Karl Lang: WHAT CAN THEY MEAN 1156 01:15:10,331 --> 01:15:25,303 Karl Lang: WHEN I'M YEARNING FOR A KISS NEVER TASTED? 1157 01:15:25,303 --> 01:15:33,398 Karl Lang: THE NIGHT MAY HOLD A MILLION DREAMS 1158 01:15:33,398 --> 01:15:45,802 Karl Lang: BUT WHEN HER EYES DISCOVER JUST A LONELY LOVER 1159 01:15:45,802 --> 01:16:01,992 Karl Lang: SHE WILL HURRY ON WITH A SIGH TO THE DAWN 1160 01:16:01,992 --> 01:16:11,523 Karl Lang: WHILE THE WILLOW TREE WEEPS 1161 01:16:11,523 --> 01:16:27,844 Karl Lang: AND MY LADY SLEEPS 1162 01:16:27,844 --> 01:16:33,023 [MUSIC] 1163 01:16:42,946 --> 01:16:47,472 GOOD EVENING. 1164 01:16:47,472 --> 01:16:49,300 GORGEOUS! 1165 01:16:49,300 --> 01:16:52,956 PERFECTION. 1166 01:16:52,956 --> 01:16:56,046 OH, THANK YOU FOR THE BEAUTIFUL SERENADE. 1167 01:16:56,046 --> 01:16:57,917 I AM GLAD YOU LIKE IT. 1168 01:16:57,917 --> 01:17:00,572 AND THAT... YOU WERE ALONE. 1169 01:17:00,572 --> 01:17:02,182 MY HUSBAND'S GONE TO OLMUTZ. 1170 01:17:02,182 --> 01:17:04,097 A MOST INTERESTING TOWN. 1171 01:17:04,097 --> 01:17:06,273 HE IS SINGING A CONCERT THERE. 1172 01:17:06,273 --> 01:17:08,406 OH THAT IS VERY LUCKY FOR OLMUTZ. 1173 01:17:08,406 --> 01:17:11,496 HE WON'T BE BACK UNTIL TOMORROW. 1174 01:17:11,496 --> 01:17:13,716 THAT IS VERY LUCKY FOR US. 1175 01:17:13,716 --> 01:17:18,068 YES, LATE AFTERNOON. 1176 01:17:18,068 --> 01:17:22,550 IT IS VERY LUCKY ALL AROUND. 1177 01:17:22,550 --> 01:17:25,815 OH-HO, I KNEW YOU COULD NOTRESIST THE DESIRE OF YOUR HEART. 1178 01:17:25,815 --> 01:17:29,993 [Russian] 1179 01:17:29,993 --> 01:17:35,825 OH VASSILY! 1180 01:17:35,825 --> 01:17:38,828 NOW I HAVE PLANNED THE MOST WONDERFUL EVENING. 1181 01:17:38,828 --> 01:17:42,396 EVERYTHING I PREPARED, THE CAR DANCE, 1182 01:17:42,396 --> 01:17:44,442 SO NOW WE GO OUT TO ENJOY. 1183 01:17:44,442 --> 01:17:45,835 WHERE ARE WE GOING? 1184 01:17:45,835 --> 01:17:49,490 TO HEAVEN, TO ELYSIUM! 1185 01:17:49,490 --> 01:17:52,929 WHAT MAKE THE DIFFERENCE, YOU ARE MY DARLING! 1186 01:17:52,929 --> 01:17:56,672 THE BANKS OF THE DANUBE UNDER THE MOON. 1187 01:17:56,672 --> 01:17:59,805 WHERE THE LIGHT OF THE STARS WILL BE PUT TO SHAME 1188 01:17:59,805 --> 01:18:04,331 BY THE LIGHT FROM YOUR SO BEAUTIFUL EYES. 1189 01:18:04,331 --> 01:18:12,252 Maria: ♪ TIRALALA...TIRALALA WAS ALL SHE SANG 1190 01:18:12,252 --> 01:18:17,127 Maria Lanyi: AND THEN SHE BLUSHED A ROSY RED 1191 01:18:17,127 --> 01:18:24,917 Maria Lanyi: TIRALALALA SHE WHISPERED SMILING 1192 01:18:24,917 --> 01:18:31,228 Maria Lanyi: AND SO SHINING BOWED HER HEAD 1193 01:18:31,228 --> 01:18:38,322 Maria Lanyi: TIRALALA... TIRALALALA... [INDISTINCT] 1194 01:18:38,322 --> 01:18:44,894 Maria Lanyi: WHEN IT IS SPOKEN WITH A SIGH 1195 01:18:44,894 --> 01:18:49,899 Maria Lanyi: AND SO SHE LOOKED INTO HIS EYES 1196 01:18:49,899 --> 01:19:06,306 Maria: AND WHISPERED TIRALALA...TIRALALA...GOODBYE 1197 01:19:06,306 --> 01:19:07,830 THANK YOU. 1198 01:19:07,830 --> 01:19:09,875 I DO NOT DANCE WELL THE WALTZ. 1199 01:19:09,875 --> 01:19:12,095 BUT YOU DO, YOU DANCE BEAUTIFULLY. 1200 01:19:12,095 --> 01:19:15,141 NO, BUT IT'S THE CIGANSKI, OH YEAH, THAT I CAN DO. 1201 01:19:15,141 --> 01:19:17,056 WHAT IS THAT? 1202 01:19:17,056 --> 01:19:22,192 YOU JUMP UP, TWIRL, DANCE, CRASH, BANG. 1203 01:19:22,192 --> 01:19:25,586 OH, IT IS A DANCE VERY DANGEROUS, THE CIGANSKI. 1204 01:19:25,586 --> 01:19:27,240 - YOU NEED BIG PLACE FOR IT. - YES, I IMAGINE YOU DO. 1205 01:19:27,240 --> 01:19:29,416 OH DA. 1206 01:19:29,416 --> 01:19:33,246 BUT MY DEAR, TELL ME, WHAT IS THIS 'TIRALALA'? 1207 01:19:33,246 --> 01:19:39,949 [humming] 1208 01:19:39,949 --> 01:19:45,650 [Russian] 1209 01:19:54,180 --> 01:20:03,189 TIRALALA, TIRALALA CAN HAVE A MEANING. 1210 01:20:03,189 --> 01:20:08,760 WHEN IT IS SPOKEN... WITH A SIGH. 1211 01:20:08,760 --> 01:20:14,853 AND SO SHE LOOKED INTO HIS EYES. 1212 01:20:14,853 --> 01:20:18,988 AND WHISPERED, TIRALALA. 1213 01:20:24,210 --> 01:20:27,692 TIRALALA, GOODBYE. 1214 01:20:36,135 --> 01:20:38,007 ♪ [gypsy music] 1215 01:20:38,007 --> 01:20:40,139 NOTICE. 1216 01:21:46,162 --> 01:21:50,775 Girl: ♪ OUR MASTER BID US FIND A FLOWER FAIR 1217 01:21:50,775 --> 01:21:55,301 Girl: THAT TRULY RADIANT BEAUTY WOULD COMPARE 1218 01:21:55,301 --> 01:21:58,914 Chorus: [INDISTINCT] HILL AND DALE WE LOOKED AND LOOKED 1219 01:21:58,914 --> 01:22:02,004 Chorus: TO NO AVAIL 1220 01:22:02,004 --> 01:22:07,270 Girl: THE TASK WAS QUITE IMPOSSIBLE TO DO 1221 01:22:07,270 --> 01:22:12,231 Girl: NO FLOWER GREW AS BEAUTIFUL AS YOU 1222 01:22:12,231 --> 01:22:16,670 Chorus: SO PLEASE REVERE THE ONE YOU SEE 1223 01:22:16,670 --> 01:22:22,067 Maria Lanyi: I THANK YOU FOR THE FLATTERY 1224 01:22:22,067 --> 01:22:26,158 Chorus: THIS IS NOT FLATTERY 1225 01:22:26,158 --> 01:22:29,466 Karl Lang: NO, IT IS NOT FLATTERY 1226 01:22:29,466 --> 01:22:35,167 Karl and Chorus: ASK ANYONE AND SEE 1227 01:22:40,390 --> 01:22:46,526 Maria Lanyi: ♪ COME, COME I LOVE YOU ONLY 1228 01:22:46,526 --> 01:22:52,750 Maria Lanyi: MY HEART IS TRUE 1229 01:22:52,750 --> 01:23:00,062 Maria Lanyi: COME. COME MY LIFE IS LONELY 1230 01:23:00,062 --> 01:23:06,546 Maria Lanyi: I LONG FOR YOU 1231 01:23:06,546 --> 01:23:14,424 Maria Lanyi: COME, COME NAUGHT CAN EFFACE YOU 1232 01:23:14,424 --> 01:23:22,519 Maria Lanyi: MY ARMS ARE ACHINGNOW TO EMBRACE YOU 1233 01:23:22,519 --> 01:23:29,830 Maria Lanyi: THOU ART DIVINE 1234 01:23:29,830 --> 01:23:40,276 Maria Lanyi: COME, COME I LOVE YOU ONLY 1235 01:23:40,276 --> 01:23:51,896 Maria Lanyi: COME BE ALL MINE 1236 01:23:51,896 --> 01:23:55,682 [applause] 1237 01:24:00,905 --> 01:24:04,474 THAT WAS BEAUTIFUL. 1238 01:24:04,474 --> 01:24:06,998 YOU DO NOT SING A SONG LIKE THAT ON THE STAGE. 1239 01:24:06,998 --> 01:24:08,869 BUT I WAS SINGING IT TO YOU. 1240 01:24:08,869 --> 01:24:11,829 I KNOW AND I AM VERY TOUCHED. 1241 01:24:11,829 --> 01:24:13,831 - BUT-- - BUT WHAT? 1242 01:24:13,831 --> 01:24:16,921 I THINK HOW SAD IT IS FOR YOUR HUSBAND 1243 01:24:16,921 --> 01:24:19,924 THAT HE NEVER HEAR YOU SING THIS WAY. 1244 01:24:19,924 --> 01:24:21,665 OH DO STOP THINKING ABOUT MY HUSBAND, HE'S PERFECTLY HAPPY. 1245 01:24:21,665 --> 01:24:23,623 HMM. 1246 01:24:23,623 --> 01:24:27,018 THINGS ARE NOT ALWAYS WHAT THEY LOOK AT. 1247 01:24:27,018 --> 01:24:30,108 HE'S VERY POPULAR TOO, YOU KNOW.WOMEN ADORE HIM. 1248 01:24:30,108 --> 01:24:33,198 NATURALLY, HE IS I AM SURE HE IS A GREAT CONNOISSEUR 1249 01:24:33,198 --> 01:24:35,070 OF FEMININE BEAUTIES. 1250 01:24:35,070 --> 01:24:37,855 ARE YOU? 1251 01:24:37,855 --> 01:24:42,338 OH, I HAVE KNOW MANY PRETTY LITTLE WOMANS IN MY TIME. 1252 01:24:42,338 --> 01:24:44,775 TWO, THREE, SEVEN, TWELVE-- 1253 01:24:44,775 --> 01:24:47,604 [Russian] 1254 01:24:47,604 --> 01:24:49,910 THEY MEANT NOTHING TO ME. 1255 01:24:49,910 --> 01:24:52,348 BUT OF COURSE, YOU MEANT EVERYTHING TO THEM. 1256 01:24:52,348 --> 01:24:55,568 OH, I DON'T KNOW. 1257 01:24:55,568 --> 01:24:58,136 BUT THAT NEED NOT MATTER TO YOU,MY DEAR. 1258 01:24:58,136 --> 01:25:00,660 OH REALLY, THIS IS TOO MUCH. 1259 01:25:00,660 --> 01:25:02,619 DO YOU THINK I'M GOING TO SIT HERE 1260 01:25:02,619 --> 01:25:04,621 AND HAVE YOUR CHEAP CONQUESTS FLUNG IN MY FACE? 1261 01:25:04,621 --> 01:25:06,057 DO YOU THINK YOU CAN MAKE ME JEALOUS 1262 01:25:06,057 --> 01:25:07,493 OF THESE CREATURES YOU MENTION? 1263 01:25:07,493 --> 01:25:09,191 THESE 'LITTLE WOMANS'? 1264 01:25:09,191 --> 01:25:11,236 BUT MARIA... 1265 01:25:11,236 --> 01:25:13,717 YOU DARE TO BELIEVE I REALLY CARE? 1266 01:25:13,717 --> 01:25:15,675 YOU DARE TO BELIEVE YOU CAN MAKE ME SUFFER? 1267 01:25:15,675 --> 01:25:17,503 AND THE WORST OF IT IS-- MARIA... 1268 01:25:17,503 --> 01:25:21,942 THE WORST OF IT IS... IT'S TRUE. 1269 01:25:21,942 --> 01:25:24,031 TRUE? 1270 01:25:24,031 --> 01:25:26,077 NO ONE HAS EVER FORCED ME TO SAY THE THINGS 1271 01:25:26,077 --> 01:25:28,514 YOU'VE MADE ME SAY TONIGHT. 1272 01:25:28,514 --> 01:25:30,429 I DON'T KNOW WHAT'S HAPPENING TO ME. 1273 01:25:30,429 --> 01:25:32,083 YOU DON'T KNOW WHAT'S HAPPENING TO YOU. 1274 01:25:32,083 --> 01:25:34,999 NO, MARIA, YOU DO NOT KNOW WHAT IS HAPPENING TO ME. 1275 01:25:34,999 --> 01:25:36,827 BUT NOW-- BUT NOW? 1276 01:25:36,827 --> 01:25:40,178 BUT NOW-- 1277 01:25:40,178 --> 01:25:42,963 - WELL... SAY SOMETHING. - SAY WHAT? 1278 01:25:42,963 --> 01:25:44,748 - DO SOMETHING. - DO WHAT? 1279 01:25:44,748 --> 01:25:47,881 YOU... YOU SHOULD'VE KNOWN 1280 01:25:47,881 --> 01:25:50,971 THAT I WOULD BURN WITH A GREAT FLAME ONCE YOU SET ME ALIGHT. 1281 01:25:50,971 --> 01:25:55,541 YOU... OH YOU... I NEVER WANT TO SEE YOU AGAIN. 1282 01:25:55,541 --> 01:25:59,763 NEVER, NEVER, NEVER WANT TO SEE YOU AGAIN. 1283 01:25:59,763 --> 01:26:05,421 I NEVER, NEVER WANT TO SEE YOU AGAIN. 1284 01:26:05,421 --> 01:26:07,510 KARL, FOLLOW HER. SHE EXPECTS YOU TO. 1285 01:26:07,510 --> 01:26:09,729 HUH? 1286 01:26:09,729 --> 01:26:11,949 IF YOU DON'T FOLLOW HER NOW, YOU'LL NEVER KNOW. 1287 01:26:11,949 --> 01:26:14,865 - WHAT? - YOU WILL NEVER KNOW. 1288 01:26:14,865 --> 01:26:19,348 OH. 1289 01:26:19,348 --> 01:26:21,567 AND NEITHER WILL I. 1290 01:26:21,567 --> 01:26:27,269 ♪ [music] 1291 01:26:52,076 --> 01:26:54,948 - MARIA! - OH, NO, NO, NO! 1292 01:26:54,948 --> 01:26:57,124 WE MUST BE FRIENDS, NOTHING MORE, YOU AND I. 1293 01:26:57,124 --> 01:27:01,955 BUT THAT IS NOT-- OH PLEASE LISTEN TO ME. 1294 01:27:01,955 --> 01:27:04,828 I THOUGHT AND THOUGHT ALL THEWAY HOME AND IT JUST CANNOT BE. 1295 01:27:04,828 --> 01:27:08,223 I MAY BE TO BLAME BUT THIS MUST BE THE END. 1296 01:27:08,223 --> 01:27:12,314 HELP ME, HELP ME WITH YOUR STRENGTH TO SAY GOODBYE. 1297 01:27:12,314 --> 01:27:15,142 GOODBYE, DEAR FRIEND. 1298 01:27:15,142 --> 01:27:18,320 OH FORGIVE ME. 1299 01:27:18,320 --> 01:27:26,197 OH MY DEAR. GOODBYE. 1300 01:27:26,197 --> 01:27:28,939 BERNARD, COME HERE. IT'S ALRIGHT. 1301 01:27:28,939 --> 01:27:29,983 IT'S ALRIGHT, I AM THE HAPPIEST MAN IN THE WORLD. 1302 01:27:29,983 --> 01:27:31,594 SHE RESISTED ME. 1303 01:27:31,594 --> 01:27:33,900 CONGRATULATIONS, THE HUSBAND WINS, EH? 1304 01:27:33,900 --> 01:27:36,512 OF COURSE!NOW I CAN THROW OFF MY DISGUISE 1305 01:27:36,512 --> 01:27:37,904 AND TAKE MARIA IN MY ARMS BECAUSE I KNOW SHE IS TRUE. 1306 01:27:37,904 --> 01:27:39,776 SPLENDID! 1307 01:27:39,776 --> 01:27:41,604 I AM THE HAPPIEST MAN IN THE WORLD. 1308 01:27:41,604 --> 01:27:42,648 I AM THE HAPPIEST MAN-- [balcony door opens] 1309 01:28:35,875 --> 01:28:41,794 ♪ [singing] 1310 01:28:50,412 --> 01:28:53,719 WHY DARLING! 1311 01:28:53,719 --> 01:28:55,286 NO, NO, NO, NO, NO, DON'T SPOIL IT. 1312 01:28:55,286 --> 01:28:59,116 DON'T MOVE. LET ME ENJOY IT. 1313 01:28:59,116 --> 01:29:03,642 SWEET DOMESTIC PICTURE AND ALL FOR ME. 1314 01:29:03,642 --> 01:29:06,515 WELL, DEAR, DID YOU ENJOY YOUR TRIP? 1315 01:29:06,515 --> 01:29:08,212 - DID YOU? - OH YES. 1316 01:29:08,212 --> 01:29:10,040 PUGSIE, TAKE HIS HAT AND COAT. 1317 01:29:10,040 --> 01:29:12,564 PUGSIE, DEAR PUGSIE. 1318 01:29:12,564 --> 01:29:14,174 LIESEL, TAKE HIS BAG AND PUT IT IN THE BEDROOM. 1319 01:29:14,174 --> 01:29:16,351 DEAR LOYAL LIESEL. 1320 01:29:16,351 --> 01:29:18,178 YOUR TRIP MUST'VE AGREED WITH YOU. 1321 01:29:18,178 --> 01:29:20,224 GOODNESS YOU LOOK FINE, DOESN'T HE BABY? 1322 01:29:20,224 --> 01:29:21,921 OH YES. 1323 01:29:21,921 --> 01:29:23,923 YOU KNOW-- PUGSIE, ORDER A CAB, 1324 01:29:23,923 --> 01:29:26,099 IT'S TIME WE WENT TO THE THEATRE. 1325 01:29:26,099 --> 01:29:27,927 MY WE LOOK BEAUTIFUL. ARE WE EXPECTING SOMEONE? 1326 01:29:27,927 --> 01:29:31,583 WHY YES, MY HUSBAND. 1327 01:29:31,583 --> 01:29:33,542 THAT'S A GOOD LITTLE WIFE FOR YOU. 1328 01:29:33,542 --> 01:29:35,457 DARLING, YOU BETTER HURRY. 1329 01:29:35,457 --> 01:29:37,328 WE'RE DUE AT THE THEATRE IN AN HOUR. 1330 01:29:37,328 --> 01:29:39,722 AND YOU CAN TELL ME ALL ABOUT OLMUTZ ON THE WAY. 1331 01:29:39,722 --> 01:29:41,593 AND DID YOU GIVE A GOOD PERFORMANCE, DEAR? 1332 01:29:41,593 --> 01:29:43,508 - SENSATIONAL! - OH. 1333 01:29:43,508 --> 01:29:46,511 I NEVER SANG OR ACTED BETTER IN MY LIFE. 1334 01:29:46,511 --> 01:29:48,818 I NEVER PLAYED TO A MORE APPRECIATIVE AUDIENCE. 1335 01:29:48,818 --> 01:29:51,298 YOU DON'T SAY. 1336 01:29:51,298 --> 01:29:52,909 HOW DID YOU SPEND YOUR EVENING, DEAR? 1337 01:29:52,909 --> 01:29:54,301 - READING. - READING? 1338 01:29:54,301 --> 01:29:56,303 YES, A BOOK. 1339 01:29:56,303 --> 01:29:59,002 - GOOD ONE? - NO. 1340 01:29:59,002 --> 01:30:02,962 - QUITE A DULL EVENING, HUH? - YES. 1341 01:30:02,962 --> 01:30:04,834 DARLING, HOW ODD YOU'RE BEING? 1342 01:30:04,834 --> 01:30:07,489 OLMUTZ IS AN ODD PLACE. 1343 01:30:07,489 --> 01:30:10,361 IT DOES ODD THINGS TO PEOPLE. 1344 01:30:10,361 --> 01:30:14,017 SO IT WOULD SEEM. 1345 01:30:14,017 --> 01:30:15,714 YES, A DISAPPOINTING LITTLE TOWN OLMUTZ. 1346 01:30:15,714 --> 01:30:17,412 NOT A DECENT HOTEL IN THE PLACE. 1347 01:30:17,412 --> 01:30:19,152 - OH DEAR! - HAIR IN THE BATHTUB, 1348 01:30:19,152 --> 01:30:21,503 AND THE FOOD WAS REVOLTING. 1349 01:30:21,503 --> 01:30:24,157 OH MY DEAR, HOW YOU MUST'VE SUFFERED. 1350 01:30:24,157 --> 01:30:28,510 YOU'LL NEVER KNOW HOW MUCH I'VE SUFFERED. 1351 01:30:30,120 --> 01:30:32,078 ♪ [music] 1352 01:30:32,078 --> 01:30:36,735 Karl Lang: ♪ TO TELL THE TRUTHI NEVER KNEW THERE WERE MAIDENS 1353 01:30:36,735 --> 01:30:38,433 Karl Lang: SUCH AS YOU 1354 01:30:38,433 --> 01:30:41,131 Maria Lanyi: DO YOU MEAN THAT I AM CHARMING? 1355 01:30:41,131 --> 01:30:44,134 Karl Lang: IN A MANNER MOST ALARMING 1356 01:30:44,134 --> 01:30:46,919 Karl Lang: EACH TIME WE MEET YOU'RE SOMEONE NEW 1357 01:30:46,919 --> 01:30:50,140 Karl Lang: HOW CAN I BE SURE OF YOU? 1358 01:30:50,140 --> 01:30:53,448 Maria Lanyi: NOW I KNOW YOU'RE ONLY CHAFFING 1359 01:30:53,448 --> 01:30:57,452 Karl Lang: WISH I KNEW JUST WHYYOU'RE LAUGHING 1360 01:31:04,589 --> 01:31:07,897 Karl Lang: I AM JUST A CHOCOLATE SOLDIER MAN 1361 01:31:07,897 --> 01:31:10,639 Karl Lang: FOR ME YOU FEEL GREAT PITY 1362 01:31:10,639 --> 01:31:13,555 Karl Lang: JUST A FUNNY CHOCOLATE SOLDIER MAN 1363 01:31:13,555 --> 01:31:15,861 Karl Lang: IN A UNIFORM SO PRETTY 1364 01:31:15,861 --> 01:31:19,212 Maria Lanyi: OH YOU SILLY CHOCOLATE SOLDIER MAN 1365 01:31:19,212 --> 01:31:22,564 Maria Lanyi: JUST MADE TO PLEASEYOUR MISTRESS 1366 01:31:22,564 --> 01:31:28,178 Maria and Karl: SO SWEET I'D MELT IF I EVER FELT 1367 01:31:28,178 --> 01:31:31,921 Maria and Karl: A FULL GROWN MAIDEN'S KISSES 1368 01:33:26,601 --> 01:33:30,082 KARL, I THINK THE DOOR'S JAMMED. 1369 01:33:30,082 --> 01:33:33,738 NO, IT ISN'T. IT'S LOCKED. 1370 01:33:33,738 --> 01:33:39,135 LOCKED? WHATEVER FOR? 1371 01:33:39,135 --> 01:33:42,747 WELL THIS IS A NICE STATE OF AFFAIRS, I MUST SAY. 1372 01:33:42,747 --> 01:33:44,923 I SIT HOME ALL DAY AND DARNYOUR SOCKS AND MEND YOUR SHIRTS, 1373 01:33:44,923 --> 01:33:48,144 WHILE YOU GALLING ABOUT OLMUTZ. 1374 01:33:48,144 --> 01:33:50,189 AND THEN YOU RETURN AND LOCK ME OUT OF YOUR ROOM. 1375 01:33:50,189 --> 01:33:52,539 OH VERY PRETTY, I MUST SAY. 1376 01:33:52,539 --> 01:33:58,110 MADAM LANYI ON STAGE PLEASE. 1377 01:33:58,110 --> 01:34:01,418 ♪ [music] 1378 01:34:01,418 --> 01:34:04,160 OH BERNARD, FIND OUT WHAT'S WRONG WITH KARL, PLEASE. 1379 01:34:04,160 --> 01:34:05,248 WHAT'S WRONG WITH HIM? 1380 01:34:05,248 --> 01:34:11,689 ♪ [music] 1381 01:34:11,689 --> 01:34:14,170 GOOD HEAVENS, KARL, HAVE YOU GONE MAD? 1382 01:34:14,170 --> 01:34:15,345 I THINK I HAVE! 1383 01:34:24,963 --> 01:34:31,883 Karl Lang: ♪ AT LAST I KNOW THATYOU HAVE MADE A TOOL OF ME 1384 01:34:31,883 --> 01:34:36,235 Karl Lang: AND I WAS JUST A VICTIM OF YOUR WILES 1385 01:34:36,235 --> 01:34:42,677 Karl Lang: IN WAR'S GREAT GAME I KNOW YOU MADE A FOOL OF ME 1386 01:34:42,677 --> 01:34:49,988 Karl Lang: A FOOL [LAUGHS] 1387 01:34:49,988 --> 01:34:59,911 Karl Lang: BLINDED BY YOUR SMILES 1388 01:34:59,911 --> 01:35:07,049 Karl Lang: IN DREAMS, I WAS YOUR HERO 1389 01:35:07,049 --> 01:35:11,749 Karl Lang: LONG, LONG AGO 1390 01:35:11,749 --> 01:35:22,934 Karl Lang: BUT NOW I AM AT ZEROYES, THAT I KNOW 1391 01:35:22,934 --> 01:35:29,767 Karl Lang: YOU, YOU, YOU HAVE DISMAYED ME 1392 01:35:29,767 --> 01:35:37,166 Karl Lang: YOU HAVE DECEIVED MEYOU HAVE BETRAYED ME 1393 01:35:37,166 --> 01:35:43,912 Karl Lang: I LOVE BUT YOU-- 1394 01:35:43,912 --> 01:35:48,525 Chorus: AT LAST! AT LAST! THE SPY IS IN OUR CLUTCHES! 1395 01:35:48,525 --> 01:35:51,093 Chorus: AS WE TOLD YOU WHEN WE STARTED 1396 01:35:51,093 --> 01:35:53,399 Chorus: OUR WORK THEN SEEMED HALF-HEARTED 1397 01:35:53,399 --> 01:35:55,837 Chorus: WHEN WE CHASE A SPY WE GATHER 1398 01:35:55,837 --> 01:35:57,795 Chorus: [INDISTINCT] 1399 01:35:57,795 --> 01:36:04,454 Chorus: SO KINDLY TAKE A LETTER/\TELL THE KING WE FOUND THE SPY 1400 01:36:07,152 --> 01:36:11,591 Maria Lanyi: HOW COULD YOU THINKI EVER COULD DOUBT YOU? 1401 01:36:11,591 --> 01:36:16,379 Maria Lanyi: I NEVER DREAMED THAT YOU WOULD BETRAY 1402 01:36:16,379 --> 01:36:22,559 Maria Lanyi: SAD WAS MY HEART AND LONELY WITHOUT YOU 1403 01:36:22,559 --> 01:36:28,217 Maria Lanyi: UNTIL THIS HAPPY WEDDING DAY 1404 01:36:28,217 --> 01:36:38,793 Maria Lanyi: THIS IS OUR HAPPY WEDDING DAY 1405 01:36:38,793 --> 01:36:44,537 Maria Lanyi: COME, COME I LOVE YOU ONLY 1406 01:36:44,537 --> 01:36:49,891 Maria Lanyi: MY HEART IS TRUE 1407 01:36:49,891 --> 01:36:56,288 Maria Lanyi: COME COME MY LIFE IS LONELY 1408 01:36:56,288 --> 01:37:01,554 Maria Lanyi: I LONG FOR YOU 1409 01:37:01,554 --> 01:37:08,431 Maria Lanyi: COME, COME NAUGHT CAN EFFACE YOU 1410 01:37:08,431 --> 01:37:15,830 Maria Lanyi: MY ARMS ARE ACHINGNOW TO EMBRACE YOU 1411 01:37:15,830 --> 01:37:21,618 Maria Lanyi: THOU ART DIVINE 1412 01:37:21,618 --> 01:37:28,930 Maria Lanyi: COME, COME I LOVE YOU ONLY 1413 01:37:28,930 --> 01:37:39,114 Maria Lanyi: COME BE ALL MINE 1414 01:37:49,472 --> 01:37:51,778 [laughing] 1415 01:37:51,778 --> 01:37:53,868 OH THIS IS TOO DELICIOUS! 1416 01:37:53,868 --> 01:37:55,391 THIS IS TOO FUNNY FOR WORDS. 1417 01:37:55,391 --> 01:37:58,568 IT'S NO LAUGHING MATTER. 1418 01:37:58,568 --> 01:38:01,092 IF YOU COULD ONLY SEE YOURSELF,YOU LOOK SO FOOLISH. 1419 01:38:01,092 --> 01:38:02,920 WHAT DO YOU MEAN? 1420 01:38:02,920 --> 01:38:05,357 YOU DON'T THINK THAT I WAS TAKEN IN, DO YOU? 1421 01:38:05,357 --> 01:38:08,143 NOW DON'T TELL ME-- OF COURSE, I KNEW. 1422 01:38:08,143 --> 01:38:12,016 - OF COURSE, I DID. - YOU DID NOT. 1423 01:38:12,016 --> 01:38:14,714 WHY, YOU TRUST YOURSELF TO PLAY A VERY DIFFICULT PART 1424 01:38:14,714 --> 01:38:16,412 EFFICIENTLY WELL TO DECEIVE EVEN ME? 1425 01:38:16,412 --> 01:38:18,805 SO I DID. 1426 01:38:18,805 --> 01:38:21,156 AND YET YOU REFUSE TO BELIEVE I CAN PLAY ONE EQUALLY WELL. 1427 01:38:21,156 --> 01:38:22,461 WHEN DID YOU RECOGNIZE ME? 1428 01:38:22,461 --> 01:38:24,550 AT TWELVE THIRTY 1429 01:38:24,550 --> 01:38:26,335 YOU STARTED THE SONG OF THE FLEA, 1430 01:38:26,335 --> 01:38:27,858 AT TWELVE THIRTY-ONE I RECOGNIZED YOU. 1431 01:38:27,858 --> 01:38:29,947 OH NO YOU DIDN'T. 1432 01:38:29,947 --> 01:38:32,341 AT TWELVE THIRTY TWO I WANTED TO LAUGH IN YOUR FACE. 1433 01:38:32,341 --> 01:38:33,690 LIES, ALL LIES. 1434 01:38:33,690 --> 01:38:36,345 AT TWELVE THIRTY-THREE 1435 01:38:36,345 --> 01:38:38,782 I DECIDED TO PLAY THIS LITTLE COMEDY UNTIL HE END. 1436 01:38:38,782 --> 01:38:40,915 I DON'T BELIEVE YOU. 1437 01:38:40,915 --> 01:38:43,395 PROVE TO ME ONE LITTLEPLACE WHERE I GAVE MYSELF AWAY. 1438 01:38:43,395 --> 01:38:45,876 DO YOU KNOW WHAT REALLY GAVE YOU AWAY? 1439 01:38:45,876 --> 01:38:50,881 - WHAT? - YOUR KISS. 1440 01:38:50,881 --> 01:38:54,493 MY KISS. 1441 01:38:54,493 --> 01:38:56,887 OH YES! 1442 01:38:56,887 --> 01:38:59,846 I WAS AFRAID OF THAT. 1443 01:38:59,846 --> 01:39:04,460 NO MAN ON EARTH CAN KISS LIKE YOU, DEAR. 1444 01:39:09,073 --> 01:39:10,814 DARLING-- 1445 01:39:10,814 --> 01:39:16,733 ♪ [music] 1446 01:39:20,258 --> 01:39:25,524 Karl Lang: ♪ FORGIVE, FORGIVE, FORGIVE 1447 01:39:25,524 --> 01:39:30,138 Karl Lang: WITHOUT YOUR LOVE I WILL NOT LIVE 1448 01:39:30,138 --> 01:39:34,925 Karl Lang: AND SO I HUMBLY STANDBEFORE YOU 1449 01:39:34,925 --> 01:39:40,496 Karl Lang: TO SAY, MY DEAR ONE I ADORE YOU 1450 01:39:40,496 --> 01:39:46,154 Karl Lang: MY DOUBTS AND FEARS HAVE PASSED 1451 01:39:46,154 --> 01:39:51,376 Karl Lang: AND WE ARE HEART TO HEART AT LAST 1452 01:39:51,376 --> 01:39:55,946 Karl Lang: SINCE YOU ARE ALL THE WORLD TO ME 1453 01:39:55,946 --> 01:40:00,429 Karl Lang: TOGETHER WE WILL ALWAYS BE 1454 01:40:00,429 --> 01:40:04,737 Karl Lang: TO LAUGH, TO LOVE, TO LIVE 1455 01:40:04,737 --> 01:40:11,353 Karl Lang: FORGIVE, FORGIVE, FORGIVE 1456 01:40:11,353 --> 01:40:15,922 Maria Lanyi: COME, COME I LOVE YOU ONLY 1457 01:40:15,922 --> 01:40:20,275 Maria Lanyi: MY HEART IS TRUE 1458 01:40:20,275 --> 01:40:25,845 Maria Lanyi: COME, COME MY LIFE IS LONELY 1459 01:40:25,845 --> 01:40:30,720 Maria Lanyi: I LONG FOR YOU 1460 01:40:30,720 --> 01:40:36,639 COME, COME! I WANT TO EMBRACE YOU. 1461 01:40:36,639 --> 01:40:42,906 MY ARMS ARE REACHING OUT TO EMBRACE YOU. 1462 01:40:42,906 --> 01:40:48,825 OH HOW DIVINE. 1463 01:40:48,825 --> 01:40:57,790 I LOVE YOU MERRILY. 1464 01:40:57,790 --> 01:41:06,930 PLEASE BE MINE. 99919