All language subtitles for Signed.Sealed.Delivered.From.Paris.With.Love.2015.1080p.WEBRip.x265-RARBG3_English

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These are the user uploaded subtitles that are being translated: 1 00:00:02,506 --> 00:00:08,388 ♪ Caminare E Cantare by Bill Ruha ♪ 2 00:00:15,229 --> 00:00:15,980 HI. 3 00:00:16,022 --> 00:00:18,067 DID YOU ASK TO SPEAKWITH THE OWNER? 4 00:00:18,108 --> 00:00:19,651 UH, YEAH. 5 00:00:19,693 --> 00:00:21,696 IS THERE SOMETHING WRONG WITH THE FOOD? 6 00:00:21,737 --> 00:00:27,786 NO, IT'S GREAT LOOKING...UH..GREAT EATING, THE FOOD. 7 00:00:27,786 --> 00:00:28,787 THE FOOD IS GOOD. 8 00:00:28,787 --> 00:00:32,959 I JUST HAVE A FEW QUESTIONSABOUT DONATELLO'S. 9 00:00:32,959 --> 00:00:34,877 THE FOARE YOU A FOOD CRITIC? 10 00:00:34,919 --> 00:00:35,795 NO. 11 00:00:35,795 --> 00:00:39,967 I WRITE A BLOG ABOUTBEING SINGLE, AND 30 12 00:00:40,008 --> 00:00:42,511 AND UNEMPLOYED,AND MISERABLE. 13 00:00:42,553 --> 00:00:44,973 I DON'T ALLOW 'MISERABLE'IN MY PLACE. 14 00:00:47,642 --> 00:00:50,270 I'M JOEY. 15 00:00:50,312 --> 00:00:51,731 CAITLYN. 16 00:00:53,816 --> 00:00:55,861 YOU KNOW, LIFE CANSURPRISE YOU. 17 00:00:55,902 --> 00:00:58,113 I ALWAYS THOUGHTI'D BE A JOURNALIST 18 00:00:58,113 --> 00:01:00,867 OR A STAND UP COMEDIAN 19 00:01:00,908 --> 00:01:04,329 OR THE PATRON SAINTOF UNMARRIED FEMALE BLOGGERS. 20 00:01:04,371 --> 00:01:05,413 [guests laughs] 21 00:01:05,455 --> 00:01:12,004 BUT I NEVER THOUGHT I THAT IWOULD EVER BE ITALIAN... 22 00:01:12,004 --> 00:01:14,633 ...OR SO HAPPY. 23 00:01:14,674 --> 00:01:20,514 [guests applauds] 24 00:01:20,514 --> 00:01:22,182 FOREVER. 25 00:01:22,182 --> 00:01:22,850 FOREVER. 26 00:01:23,809 --> 00:01:24,769 [clink] 27 00:01:25,145 --> 00:01:28,106 [crowd murmurs]HERE, HERE. 28 00:01:28,148 --> 00:01:29,858 [guests applaud] 29 00:01:31,068 --> 00:01:35,698 ♪ Signed Sealed Delivered, I'm Yours" by Stevie Wonder ♪ 30 00:01:39,703 --> 00:01:42,248 ♪ 31 00:01:55,889 --> 00:01:58,434 AH, OOO.THANK YOU. 32 00:02:09,279 --> 00:02:11,907 AS MISS COLORADOSPECIAL DELIVERY, 33 00:02:11,949 --> 00:02:15,119 IT HAS BEEN MYHONOR TO INAUGURATE 34 00:02:15,161 --> 00:02:17,539 NUMEROUS AUTOMATEDSTAMP DISPENSERS 35 00:02:17,581 --> 00:02:19,249 THROUGHOUT THEMETRO DENVER AREA. 36 00:02:19,249 --> 00:02:23,338 BUT NO CEREMONYSEEMS QUITE AS AUS... 37 00:02:23,379 --> 00:02:24,004 AUSPICIOUS. 38 00:02:24,004 --> 00:02:26,007 BODING WELL FOR THEFUTURE. 39 00:02:26,049 --> 00:02:27,759 RIGHT, QUITEIOUS. AS AUSPICIOUS 40 00:02:27,759 --> 00:02:30,221 AS TODAY'S DEDICATION OFTHE SOUTH LOGAN STREET 41 00:02:30,262 --> 00:02:32,056 AUTOSTAMP MACHINE! 42 00:02:32,098 --> 00:02:33,140 AND THE CROWDGOES WILD! 43 00:02:33,182 --> 00:02:33,766 AHH! 44 00:02:33,766 --> 00:02:35,059 [applauding lightly] 45 00:02:35,101 --> 00:02:35,768 AHH![Shane]WHOOO! 46 00:02:35,768 --> 00:02:38,981 IT IS FRE-EZING OUT. 47 00:02:39,022 --> 00:02:41,149 AM I MISTAKENOR IS IT 48 00:02:41,191 --> 00:02:42,568 YOUR BIRTHDAY TODAY? 49 00:02:42,610 --> 00:02:44,112 YOU ARE MISTAKEN. 50 00:02:44,112 --> 00:02:44,946 IT'S NEXT MONDAY. 51 00:02:44,946 --> 00:02:46,448 SO, THERE'S STILLTIME TO SHOP. 52 00:02:46,448 --> 00:02:47,324 OH, GOOD. 53 00:02:47,366 --> 00:02:49,994 AND FYI, I'VE ALREADYGOT A GIANT PAIR 54 00:02:50,035 --> 00:02:50,953 OF GOLDENSCISSORS. 55 00:02:50,995 --> 00:02:52,955 OH, THESE ARE FOR RITA'SRIBBON--CUTTING. 56 00:02:52,955 --> 00:02:55,583 OLIVER WROTE ME ABEAUTIFUL SPEECH... 57 00:02:55,625 --> 00:02:56,542 I THINK. 58 00:02:56,584 --> 00:02:57,753 YOU'RE GOINGTHROUGH WITH IT? 59 00:02:57,794 --> 00:03:00,839 IT'S GOING DOWN TO EIGHTDEGREES ON WEDNESDAY. 60 00:03:00,881 --> 00:03:02,383 YOU'LL FREEZE YOUR A... 61 00:03:02,424 --> 00:03:04,135 CROWN OFF. 62 00:03:04,135 --> 00:03:04,886 [laughter] 63 00:03:04,927 --> 00:03:06,346 NO RAIN NOR WINDNOR SNOW, 64 00:03:06,388 --> 00:03:08,891 NO DARK OF NIGHT,MS. MCINERNEY, HMM? 65 00:03:08,932 --> 00:03:11,810 WHEN WILL THIS WINTER END? 66 00:03:11,852 --> 00:03:15,148 IT JUST GOES ON AND ON AND ON... 67 00:03:15,148 --> 00:03:16,357 YES, BUT JUST WAIT. 68 00:03:16,400 --> 00:03:18,485 YOU HAVEN'T YETEXPERIENCED YOUR FIRST 69 00:03:18,485 --> 00:03:19,987 COLORADO SPRING. 70 00:03:21,656 --> 00:03:25,035 TRUST ME, ONCE YOU'VE SEENTHE CHERRY BLOSSOMSIRST 71 00:03:25,076 --> 00:03:27,663 BLOOM IN APRIL ALONGTHE POTOMAC RIVER, 72 00:03:27,663 --> 00:03:29,205 NOTHING ELSECOMPARES. 73 00:03:29,248 --> 00:03:31,125 UNLESS IT'S SPRINGTIMEIN THE ROCKIES. 74 00:03:31,167 --> 00:03:32,501 OHH, I LOVE THAT SONG! 75 00:03:32,501 --> 00:03:33,377 WHAT SONG? 76 00:03:33,419 --> 00:03:34,962 [Oliver Sings]WHEN IT'S SPRINGTIME 77 00:03:35,004 --> 00:03:36,088 IN THEROCKIES, 78 00:03:36,088 --> 00:03:39,092 I'LL BE COMING HOME TO YOU. 79 00:03:39,092 --> 00:03:41,970 LITTLE SWEETHEART OFTHE MOUNTAINS, 80 00:03:42,012 --> 00:03:46,810 WITH YOUR BONNIEEYES SO BLUE... 81 00:03:50,272 --> 00:03:51,023 [clears throat] 82 00:03:51,065 --> 00:03:52,274 OR SOMETHINGLIKE THAT. 83 00:03:52,316 --> 00:03:56,446 HMM, WELL, OLIVER O'TOOLE,THE SINGING POSTAL DETECTIVE. 84 00:03:58,824 --> 00:04:00,201 WHAT'S THIS? 85 00:04:00,242 --> 00:04:03,788 OH, UH, SEEMS TO BESECONDARY TRANSFER 86 00:04:03,788 --> 00:04:07,834 OF ORGANIC MATERIALVIA FOOTWEAR. 87 00:04:07,876 --> 00:04:08,711 OH, UH, SEEMS TO BESECONDARY TR[sniff] 88 00:04:08,752 --> 00:04:10,504 OH, YEAH, I GUESS SOMEBODYSTEPPED IN SOME-- 89 00:04:10,546 --> 00:04:11,964 THANK YOU, NORMAN. 90 00:04:12,005 --> 00:04:12,965 [clears throat] 91 00:04:13,007 --> 00:04:16,052 POSTMARKED TWO YEARS AGO,CAITLYN-SOMETHING. 92 00:04:16,052 --> 00:04:18,054 THE ADDRESS IS VIRTUALLYUNREADABLE. 93 00:04:18,054 --> 00:04:18,972 [tear!] 94 00:04:19,639 --> 00:04:21,225 THE ADDRESS IS VIRTUALLYOOO, DIVORCE PAPERS. 95 00:04:21,225 --> 00:04:22,226 MS. MCINERNEY! 96 00:04:22,267 --> 00:04:24,312 YOU HAVE A DISTRESSINGHABIT OF OPENING PACKAGES 97 00:04:24,312 --> 00:04:26,189 WITHOUT MY EXPRESSPERMISSION. 98 00:04:26,231 --> 00:04:27,148 YOU HAVE A DISTRESSINGHATHIS CANNOT CONTINUE. S 99 00:04:27,190 --> 00:04:28,900 THE ADDRESS WAS HOPELESS. 100 00:04:28,900 --> 00:04:30,236 YOUR PROMISE, PLEASE... 101 00:04:30,236 --> 00:04:31,904 FINE. I PROMISE. 102 00:04:31,904 --> 00:04:32,404 [buzz!] 103 00:04:32,404 --> 00:04:33,072 INCOMING! 104 00:04:33,114 --> 00:04:34,449 HEADS UP DOWN THERE! 105 00:04:35,074 --> 00:04:37,160 THAT GUY FROMINTERNATIONAL MISDIRECTS 106 00:04:37,202 --> 00:04:39,079 IS SO AGGRESSIVE. 107 00:04:39,079 --> 00:04:40,330 I GOT THIS. 108 00:04:40,372 --> 00:04:41,248 OHH... 109 00:04:42,124 --> 00:04:45,795 OH, SEEMS TO BE SOMETHINGCAUGHT IN THE CORNER. 110 00:04:45,837 --> 00:04:47,631 A COIN, I BELIEVE. 111 00:04:49,549 --> 00:04:51,844 A RING, OH. 112 00:04:54,347 --> 00:04:56,141 JOEY, YOU TWO HAVE BEEN TOGETHER...WHAT? 113 00:04:56,182 --> 00:04:57,433 SIX, SEVEN YEARS? 114 00:04:57,433 --> 00:04:59,978 COUNT TO TEN BEFORE YOU MAIL THAT. 115 00:05:00,020 --> 00:05:03,608 ONCE IT'S OUT THERE, YOU CAN'T TAKE IT BACK. 116 00:05:06,278 --> 00:05:07,279 [Shane] OUCH. 117 00:05:07,279 --> 00:05:09,615 THAT GUY REALLY MUST HAVEWANTED TO GET DIVORCED. 118 00:05:09,615 --> 00:05:12,285 I MEAN, ONCE YOU TAKETHE RING OFF THE FINGER 119 00:05:12,285 --> 00:05:13,536 THERE'S REALLY NO HOPE-- 120 00:05:13,577 --> 00:05:14,788 WHAT ARE THOSE? 121 00:05:14,829 --> 00:05:16,289 LITTLE CURLICUES? 122 00:05:16,289 --> 00:05:20,044 NO, THOSE ARE INTERTWINED INITIALS. 123 00:05:20,044 --> 00:05:22,922 SEE, THERE'S A "J" AND...A "C." 124 00:05:22,963 --> 00:05:26,426 NO, T"C" FOR CAITLYN INTERTWINAND "J" FOR...? 125 00:05:26,467 --> 00:05:28,178 OOH, I'VE SEEN RINGS LIKETHIS BEFORE! 126 00:05:28,219 --> 00:05:30,972 THERE'S A WHOLE STREET OFBOUTIQUES IN LARIMER SQUARE 127 00:05:30,972 --> 00:05:32,809 AND THEY MAKE CUSTOMJEWELLERY 128 00:05:32,809 --> 00:05:34,143 RIGHT IN THEIRSTUDIOS. 129 00:05:34,143 --> 00:05:35,812 WELL, THE INSCRIPTION,I'M ASSUMING, 130 00:05:35,812 --> 00:05:38,356 IS THEIR WEDDINGDAY, IT'S NINE YEARS AGO. 131 00:05:38,398 --> 00:05:39,482 THERE'S A PARTIALDATE HERE. 132 00:05:39,482 --> 00:05:41,902 THESE DIVORCE PAPERS WEREDRAWN UP TWO YEARS AGO. 133 00:05:41,944 --> 00:05:42,945 THERE'S A PARTIALWHATEVER IT WAS, 134 00:05:42,986 --> 00:05:45,031 THEY'RE DIVORCED NOW, SO, WHAT'S THE RUSH. 135 00:05:45,073 --> 00:05:47,492 OURS IS NOT A QUESTIONOF 'WHY', MS. MCINERNEY. 136 00:05:47,492 --> 00:05:50,579 "THE SEEDS OF DUTY KNOWNOT THE FLOWER 137 00:05:50,620 --> 00:05:53,290 NOR ITSBLOOMING DAY." 138 00:05:53,333 --> 00:05:54,250 WHO WROTE THAT? 139 00:05:54,250 --> 00:05:56,878 WELL...IT'S A LINEFROM A VERSE 140 00:05:56,920 --> 00:05:59,423 I COMPOSED INWHO WROTE THHIGH SCHOOL... 141 00:05:59,465 --> 00:06:03,720 UM... ABOUT MAIL DELIVERY, ACTUALLY. 142 00:06:03,761 --> 00:06:06,806 THE SINGING DETECTIVEPHILOSOPHER POET. 143 00:06:06,848 --> 00:06:08,725 WHERE DOES IT ALL END? 144 00:06:14,858 --> 00:06:16,192 NORMAN! 145 00:06:16,192 --> 00:06:17,193 OH NO. 146 00:06:17,193 --> 00:06:18,737 WHAT?AN! 147 00:06:18,778 --> 00:06:20,114 [sigh]OH NO. 148 00:06:22,700 --> 00:06:24,034 MAYBE IT ROLLED AWAY 149 00:06:24,034 --> 00:06:25,453 WHEN WE EMPTIED THE BIN. 150 00:06:25,495 --> 00:06:27,413 CONSIDERING THE CONDITIONOF THE ENVELOPE, 151 00:06:27,455 --> 00:06:31,460 IT'S A MIRACLE IT DIDN'TFALL OUT A LONG-- 152 00:06:39,552 --> 00:06:41,263 NO!NO! NO! NO! NO-- 153 00:06:41,304 --> 00:06:42,390 [door slams shut] 154 00:06:42,390 --> 00:06:45,101 BE HONEST, OLIVER, YOU THINKWE'RE GONNA DIE IN HERE. 155 00:06:45,101 --> 00:06:48,355 AND YOU'RE WRITING[dYOUR WILL, AREN'T YOU? 156 00:06:48,397 --> 00:06:51,233 BE HONEST, OLIVER, YOU THINKWE'RE UH, NO. E IN HERE. 157 00:06:51,233 --> 00:06:53,403 TIMES SUCH AS THIS 158 00:06:53,403 --> 00:06:56,406 PROVIDE ONE WITHA CERTAIN CLARITY. 159 00:07:02,246 --> 00:07:05,458 WELL, THE RING ISHERE SOMEWHERE. 160 00:07:05,500 --> 00:07:09,379 AS SOON AS WE FIND IT, WE CANLOCATE THE JEWELLER. 161 00:07:09,421 --> 00:07:11,549 [Shane] I DID NOT OPEN IT. 162 00:07:11,590 --> 00:07:14,593 HONESTLY, I'M JUST SORRYTHAT I EVER LOOKED 163 00:07:14,635 --> 00:07:16,930 AT HOLLY'S ADDRESS IN THEFIRST PLACE BECAUSE-- 164 00:07:16,930 --> 00:07:17,931 BECAUSE... 165 00:07:17,972 --> 00:07:19,975 BECAUSE UNTIL THAT MOMENT 166 00:07:20,017 --> 00:07:22,770 WHEN I SAW HER NAME ANDHER STREET NUMBER, 167 00:07:22,812 --> 00:07:24,355 SHE WASJUST A CONCEPT: 168 00:07:24,355 --> 00:07:27,192 THE MYSTERIOUS ABSENT WIFE IN PARIS. 169 00:07:27,233 --> 00:07:31,155 NOW, THERE'S A REALENVELOPE IN YOUR POCKET 170 00:07:31,155 --> 00:07:33,490 THAT COULD BE DELIVEREDTO A REAL PERSON. 171 00:07:33,532 --> 00:07:38,788 IT'S FUNNY, REMEMBER THE DAY WE FIRST MET? T 172 00:07:38,831 --> 00:07:42,293 I HAD A LETTER I WASAFRAID TO OPEN. 173 00:07:42,335 --> 00:07:43,752 AND NOW YOUHAVE A LETTER 174 00:07:43,794 --> 00:07:45,338 THAT YOU'RE AFRAIDTO MAIL. 175 00:07:45,338 --> 00:07:49,551 I AM NOT AFRAID TO... MAIL THIS LETTER. 176 00:07:52,304 --> 00:07:53,598 THAT YOU'RE AFRAIDT[thunder rumbling] 177 00:07:55,975 --> 00:07:59,020 ♪ 178 00:08:03,735 --> 00:08:05,570 A CRAFTSMAN WHOVALUES HIS WORK 179 00:08:05,612 --> 00:08:06,904 WILL CERTAINLY KEEPRECORDS... 180 00:08:06,946 --> 00:08:08,740 DON'T YOU THINK,MS. MCINERNEY? 181 00:08:10,200 --> 00:08:13,662 MS. MCINERNEY? 182 00:08:13,662 --> 00:08:16,249 [door squeeks] 183 00:08:16,750 --> 00:08:18,877 HMM... 184 00:08:35,146 --> 00:08:39,651 [♪] 185 00:08:48,328 --> 00:08:52,374 [♪] 186 00:09:08,560 --> 00:09:11,438 [beeping] 187 00:09:11,480 --> 00:09:13,774 WHAT A GREATIDEA, NORMAN. 188 00:09:13,774 --> 00:09:14,817 HMM? 189 00:09:14,858 --> 00:09:15,526 WHAT A GREATOH.EA, NORMAN. 190 00:09:15,526 --> 00:09:17,904 OH, I TOOK THISTO THE PARK ONCE 191 00:09:17,946 --> 00:09:20,074 AND FOUND ALL TYPEST A GREATOF COOL STUFF...EA, NORMAN. 192 00:09:20,074 --> 00:09:24,787 LIKE...A SPOON...AND A... A KNIFE. 193 00:09:24,829 --> 00:09:26,414 OH, WOULD HAVE BEENNICE TO FIND A FORK. 194 00:09:26,456 --> 00:09:28,541 MAYBE WHEN THE SNOW MELTS WE COULD 195 00:09:28,583 --> 00:09:30,043 TAKE ITTO THE PARK 196 00:09:30,085 --> 00:09:32,629 AND YOU COULD SHOW MEHOW IT WORKS. 197 00:09:32,671 --> 00:09:35,550 OH, WELL, UM.. 198 00:09:35,550 --> 00:09:37,260 [high pitched beep] 199 00:09:39,429 --> 00:09:44,143 [high pitched beeping] 200 00:09:44,143 --> 00:09:46,270 AH! 201 00:09:46,270 --> 00:09:47,606 TA-DA! pitched beeping] 202 00:09:47,606 --> 00:09:49,107 GREAT! 203 00:09:49,148 --> 00:09:50,442 NICELY DONE, TA-DA! pitched beNORMAN! 204 00:09:52,402 --> 00:09:54,822 HERE'S A LIST OF JEWELLERY SHOPS. 205 00:09:54,864 --> 00:09:56,782 THANK YOU RITA. 206 00:09:56,782 --> 00:09:58,326 IN THE ABSENCE OF MS. MCINERNEY, 207 00:09:58,368 --> 00:09:59,620 WOULD YOU CARETO ACCOMPANY ME? 208 00:09:59,620 --> 00:10:02,706 OH, SURE, YEAH. I'LL JUST GET MY COAT. 209 00:10:03,749 --> 00:10:04,751 [yelp!] 210 00:10:05,042 --> 00:10:06,043 SHH! 211 00:10:06,085 --> 00:10:06,919 RITA? 212 00:10:07,587 --> 00:10:13,469 OH, UMM, I... JUST REMEMBERED... 213 00:10:13,469 --> 00:10:14,762 I HAVE TO UMM... 214 00:10:16,723 --> 00:10:18,392 OH, UMM, I... SING?...UST REMEMBERED... 215 00:10:19,768 --> 00:10:21,561 [whispers]SPEAK? 216 00:10:21,603 --> 00:10:22,604 OH,PRACTICE! 217 00:10:22,604 --> 00:10:24,273 PRACTICE MY SPEECH! 218 00:10:24,314 --> 00:10:26,484 I HAVE TO PRACTICE MY SPEECH.TICE! 219 00:10:26,526 --> 00:10:28,695 MAYBE YOU COULDTAKE NORMAN? 220 00:10:30,822 --> 00:10:32,324 OH, ALRIGHT. 221 00:10:32,324 --> 00:10:36,245 NORMAN, WOULD YOU LIKE TOLOOK AT WEDDING RINGS? 222 00:10:43,254 --> 00:10:45,840 YES, THIS IS ONE OF OURS. 223 00:10:45,840 --> 00:10:47,383 OH, EXCELLENT! 224 00:10:47,425 --> 00:10:47,967 WHEW! 225 00:10:48,009 --> 00:10:48,843 JUST IN TIME. 226 00:10:48,885 --> 00:10:49,844 YOU'RE THE LAST ONEON THE BLOCK. 227 00:10:49,886 --> 00:10:53,766 WERE YOU HOPING TOHAVE IT RESIZED? 228 00:10:55,225 --> 00:10:58,479 OH, NO, I'MALREADY...UH 229 00:10:58,521 --> 00:11:00,356 ... SHE AND I... 230 00:11:00,399 --> 00:11:02,693 UH...IT'S A LONG STORY? 231 00:11:02,693 --> 00:11:04,946 LOVE IS A MYSTERY. 232 00:11:04,987 --> 00:11:06,280 CLEARLY. 233 00:11:06,322 --> 00:11:07,324 BUT, IN THE MEANTIME, 234 00:11:07,365 --> 00:11:08,700 WE'D LIKE TO LOCATE THE OWNER OF THIS RING. 235 00:11:08,700 --> 00:11:11,579 WE'RE HOPING YOU KEEPRECORDS OF YOUR CLIENTS. 236 00:11:11,620 --> 00:11:14,123 OUT OF THE QUESTIONS, OURRECORDS ARE CONFIDENTIAL. 237 00:11:14,123 --> 00:11:15,458 DID WE MENTION THE PART ABOUT 238 00:11:15,458 --> 00:11:17,919 OUT BEING AN ELITENS, OURRECOTASK FORCE WITHNTIAL. 239 00:11:17,961 --> 00:11:19,546 WIDE POWERS OF POSTAL DISCRETION? 240 00:11:19,546 --> 00:11:23,676 LIKE THE AVENGERS...THE INCREDIBLES. 241 00:11:24,635 --> 00:11:25,595 WELL, WE'RE THE POSTABLES. 242 00:11:25,636 --> 00:11:27,555 DID WE MENTION THAT PART? 243 00:11:27,555 --> 00:11:28,556 TWICE. 244 00:11:28,556 --> 00:11:29,808 JUST LEAVE IT WITH US 245 00:11:29,850 --> 00:11:31,602 AND WE'LL SEE THATIT'S RETURNED. 246 00:11:31,643 --> 00:11:33,187 I'M SORRY, THIS ISNOW A MATTER 247 00:11:33,229 --> 00:11:34,563 FOR THE US POSTAL SERVICE. 248 00:11:34,563 --> 00:11:36,566 YOU WILL JUST HAVE TO TRUST US. 249 00:11:36,566 --> 00:11:38,735 YOU'RE GOING TO HAVE TO DO BETTER THAN THAT. 250 00:11:38,735 --> 00:11:40,362 [squeak] 251 00:11:41,572 --> 00:11:43,449 [Shane] BECAUSE I REALLY NEED AN 252 00:11:43,491 --> 00:11:44,408 EXTRA-LARGE AMERICANO 253 00:11:44,408 --> 00:11:46,119 WITH A DOUBLE SHOT OF ESPRESSO 254 00:11:46,160 --> 00:11:48,079 AND A SIDE OF STEAMEDLOW-FAT MILK 255 00:11:48,121 --> 00:11:50,665 WITH TWO PUMPS OF AMARETTO RIGHT NOW. 256 00:11:50,707 --> 00:11:51,375 OKAY? 257 00:11:51,375 --> 00:11:53,293 RITA, CAN YOU KEEP A SECRET? 258 00:11:53,335 --> 00:11:54,044 PROBABLY NOT. 259 00:11:54,086 --> 00:11:56,297 I'LL TRY, BUT STUFF COMES OUT. 260 00:11:56,297 --> 00:11:57,883 YOU'RE GONNA HAVE TO STRETCH YOURSELF. 261 00:11:57,924 --> 00:11:58,717 I'LL TRY, BUT STUFF COME ON.ES OUT. 262 00:11:58,759 --> 00:11:59,384 OKAY. 263 00:12:08,478 --> 00:12:10,814 I FOUND THIS ININTERNATIONAL MISDIRECTS 264 00:12:10,856 --> 00:12:11,565 THIS MORNING. 265 00:12:11,607 --> 00:12:12,816 IT LOOKS A LOT LIKE A LETTER 266 00:12:12,858 --> 00:12:14,443 THAT OLIVER MAILEDTO HOLLY 267 00:12:14,443 --> 00:12:16,154 A FEW MONTHS AGO. 268 00:12:16,195 --> 00:12:17,572 OH, WOW. 269 00:12:17,572 --> 00:12:19,282 IF IT'S WHATI THINK IT IS, 270 00:12:19,282 --> 00:12:20,617 IT NEVER ARRIVEDIN PARIS.OH, WOW. 271 00:12:20,617 --> 00:12:22,745 SO, HE PROBABLY THINKSSHE NEVER BOTHERED 272 00:12:22,787 --> 00:12:23,621 TO ANSWER HIM. 273 00:12:23,621 --> 00:12:25,039 AND HOLLY PROBABLYTHINKS THAT OLIVER 274 00:12:25,080 --> 00:12:26,832 NEVER BOTHERED TO FIND HER. 275 00:12:26,874 --> 00:12:27,750 OH, WOW. 276 00:12:27,792 --> 00:12:29,169 THAT'S ASSUMING ITISHIS LETTER. 277 00:12:29,210 --> 00:12:32,173 BUT WE CAN'T BE ABSOLUTELY SURE UNLESS... 278 00:12:32,214 --> 00:12:33,174 UNLESS YOU OPEN IT. 279 00:12:33,215 --> 00:12:36,052 WHICH YOU PROMISEDYOU WOULD NEVER DO... 280 00:12:36,052 --> 00:12:39,431 WHICH IS WHY YOUGAVE IT TO ME... 281 00:12:39,472 --> 00:12:40,808 WHICH YOU PROMISEDYOU OH, I CAN'T.DO... 282 00:12:40,808 --> 00:12:42,267 HE'LL KILL ME. 283 00:12:42,267 --> 00:12:43,769 HE WON'T WHICH YOU PROMISEDKILL YOU. OU OH, I CAN'T.DO... 284 00:12:43,811 --> 00:12:46,564 YOU'RE MISS SPECIAL DELIVERY,E'LL KILL ME. 285 00:12:46,605 --> 00:12:50,819 YOU'RE THE HOLYGRAIL OF FIRST CLASS MAIL, 286 00:12:50,819 --> 00:12:54,031 YOU'RE DYING TO OPEN IT... 287 00:12:54,031 --> 00:12:56,492 TOO? 288 00:12:56,534 --> 00:12:58,703 YOU'RE DYING TO OPEN IT...[sigh] 289 00:13:06,546 --> 00:13:08,465 [paper tears] 290 00:13:12,219 --> 00:13:15,848 OH, GEEZ, IT'SREALLY A MESS. 291 00:13:15,848 --> 00:13:17,726 OKAY, LET ME SEE. 292 00:13:17,767 --> 00:13:19,936 IT LOOKS LIKE "DEAR"... 293 00:13:19,978 --> 00:13:23,023 "DEAR" SOMEONE. 294 00:13:24,817 --> 00:13:27,988 OH, "SO MUCH TIMEHAS PASSED..." 295 00:13:28,029 --> 00:13:30,198 [Oliver] AND THERE IS SO MUCH TO SAY 296 00:13:30,198 --> 00:13:32,534 AND PERHAPS LITTLE TIME LEFT TO SAY IT. 297 00:13:32,534 --> 00:13:33,744 [Oliver] A I CURRENTLY FIND MYSELFAY 298 00:13:33,785 --> 00:13:37,123 IN A POSITION WHERE MY LIFE MAY BE AT RISK. 299 00:13:37,123 --> 00:13:39,918 "THERE WAS NEVER A BETTER... 300 00:13:39,960 --> 00:13:45,007 EXAMPLE OF THAT THAN MY LIFETHE NIGHT WE MET."SK. 301 00:13:45,048 --> 00:13:45,799 Oh... 302 00:13:45,841 --> 00:13:47,093 HOW DID THEY MEET? 303 00:13:47,135 --> 00:13:50,138 IN A SNOWSTORM, ON A MOUNTAIN PASS. 304 00:13:50,138 --> 00:13:51,598 HOLLY'S CAR WENTOFF THE ROAD 305 00:13:51,598 --> 00:13:53,600 AND OLIVER DUG HEROUT OF THE SNOWDRIFT, 306 00:13:53,643 --> 00:13:56,396 RIGHT BEFORE HOLLY'S CAR ROLLED OFF 307 00:13:56,437 --> 00:13:58,106 THE SIDE OF THE CLIFF. 308 00:13:58,148 --> 00:14:00,651 THEN THEY SPENT THE NIGHT IN HIS JAGUAR 309 00:14:00,651 --> 00:14:01,860 WAITING FOR THESNOWPLOUGHS 310 00:14:01,902 --> 00:14:03,362 THETO GET THROUGHHE NIAND RESCUE THEM.R 311 00:14:03,404 --> 00:14:05,823 [scoffs]YOU GOTTA BE KIDDING ME. 312 00:14:05,865 --> 00:14:08,576 HE'S PRACTICALLY A HERO. 313 00:14:08,576 --> 00:14:10,078 HE KEPT HER FROM FREEZING. 314 00:14:10,078 --> 00:14:11,705 WELL, I BET HE DID. 315 00:14:11,747 --> 00:14:14,583 WELL, SHE SAID HE WAS A PERFECT GENTLEMAN. 316 00:14:14,583 --> 00:14:16,795 SO, IS IT HIS? 317 00:14:16,836 --> 00:14:21,716 OKAY... "I SUPPOSEE SAID HE WAS I SHOULD NOTRFECT GENTLEMAN. 318 00:14:21,716 --> 00:14:23,969 HAVE BEEN SURPRISED..." 319 00:14:24,011 --> 00:14:25,471 OKAY... "I S[Oliver]AID HE WAS I I HAVE A FEELING THATMAN. 320 00:14:25,513 --> 00:14:28,809 FROM THE DAY WE MET, YOU BEGAN LEAVING ME. 321 00:14:28,850 --> 00:14:30,644 WHAT I KNEW OF THE WORLD 322 00:14:30,686 --> 00:14:32,145 COULD NEVER COMPETE WITH YOUR DREAMS 323 00:14:32,187 --> 00:14:34,148 OF DISCOVERING IT FOR YOURSELF, 324 00:14:34,190 --> 00:14:36,651 OF TRAVELLING THE UNCHARTED COURSE, 325 00:14:36,693 --> 00:14:39,821 OF LIVING THE BOHEMIAN LIFE OF ARTIST AND POET. 326 00:14:39,821 --> 00:14:41,448 [Shane] "IF YOU HAVE LEFT ME 327 00:14:41,448 --> 00:14:43,784 BEHIND FOREVER,OHEMIAN I WILL ACCEPT THAT.D POET. 328 00:14:43,826 --> 00:14:45,954 BUT IF YOU REGRETYOUR DECISION 329 00:14:45,995 --> 00:14:48,372 AND SIMPLY DO NOTKNOW HOW 330 00:14:48,414 --> 00:14:51,793 TO FIND YOUR WAYHOME, THEN COME BACK. 331 00:14:51,835 --> 00:14:54,755 I AM HERE WILLINGTO TRY AGAIN, 332 00:14:54,797 --> 00:14:58,134 TO SEE YOUR DREAMSTHROUGH YOUR EYES. 333 00:14:58,134 --> 00:15:02,306 UNTIL I HEAR FROM YOU, IREMAIN FAITHFULLY... 334 00:15:05,476 --> 00:15:07,103 ...OLIVER. 335 00:15:08,855 --> 00:15:13,068 WOW, IT DEFINITELY IS HIS. 336 00:15:13,527 --> 00:15:16,155 HE WANTED HER BACK. 337 00:15:16,990 --> 00:15:18,950 [keyboard typing] 338 00:15:18,992 --> 00:15:19,868 [click] 339 00:15:21,370 --> 00:15:24,373 WELL, SHE'S STILL LIVING IN PARIS. 340 00:15:24,373 --> 00:15:28,336 THE ADDRESS LABEL ISPRINTING OUT NOW. 341 00:15:28,378 --> 00:15:30,714 ARE YOU SURE YOU STILL WANT TO MAIL THIS?ARIS. 342 00:15:30,714 --> 00:15:33,550 I'M NOT MAILING IT...IT'S UP TO OLIVER. 343 00:15:33,592 --> 00:15:36,721 ARBUT I'M SURE HE DOESN'T WANTWANTTO WASTE ANY MORE TIME-- 344 00:15:36,721 --> 00:15:38,681 WOW. 345 00:15:38,723 --> 00:15:39,682 ARBUT I'M SURE HE DOESN'T WANTWANTTO WAWOW.NY MORE TIME-- 346 00:15:39,682 --> 00:15:40,475 WHAT? 347 00:15:40,517 --> 00:15:43,145 ARWELL, IT SEEMSE DOESN'T WANTTHAT HOLLY HAS A...RE TIME-- 348 00:15:43,186 --> 00:15:44,187 MS. MCINERNEY? 349 00:15:45,981 --> 00:15:47,066 HOW DID IT GO? 350 00:15:47,108 --> 00:15:48,860 IT DIDN'T GO. 351 00:15:48,902 --> 00:15:50,529 WE WENT TO FOURDIFFERENT JEWELLERS, 352 00:15:50,570 --> 00:15:51,946 FINALLY FOUND THE RIGHT ONE, 353 00:15:51,946 --> 00:15:53,532 AND THEN... HE DIDN'T LIKE US. 354 00:15:53,532 --> 00:15:54,867 FINALLY FOUND THE RIGHT ONE,IMPOSSIBLE. 355 00:15:54,867 --> 00:15:56,786 EVERYONE LIKES YOU. 356 00:15:56,827 --> 00:15:58,788 WELL, THEY SHOULD,ANYWAYS. 357 00:16:00,707 --> 00:16:02,334 MS. MCINERNEY, PERHAPSYOUR COMPUTER 358 00:16:02,376 --> 00:16:03,877 MIGHT BE OF SOMESERVICE. 359 00:16:03,919 --> 00:16:06,172 OH, YES, SURE. 360 00:16:06,213 --> 00:16:09,676 UH, LET ME SEE, 361 00:16:09,717 --> 00:16:10,552 [click] 362 00:16:10,593 --> 00:16:12,054 LET ME SEE THE INSCRIPTION 363 00:16:12,054 --> 00:16:14,181 ON THE RING AGAIN. 364 00:16:17,226 --> 00:16:20,063 [typing] 365 00:16:24,902 --> 00:16:27,238 OKAY, I HAVE AN IDEA, 366 00:16:27,280 --> 00:16:28,739 WITH SO LITTLE DATA, 367 00:16:28,781 --> 00:16:30,491 IT COULD TAKE A DAY OR TWO 368 00:16:30,491 --> 00:16:31,910 BUT I CAN PROGRAM A SEARCH 369 00:16:31,952 --> 00:16:34,413 FOR WEDDINGS RECORDED ON THEDAY INSCRIBED HERE 370 00:16:34,455 --> 00:16:36,498 SCREENING FOR THEPARAMETERS CAITLYN 371 00:16:36,498 --> 00:16:38,084 AND THE HUSBAND'SINITIAL J... 372 00:16:38,125 --> 00:16:38,668 SCREENING FOR THE[Rita gasps]ETERS CAITLYN 373 00:16:38,710 --> 00:16:39,419 - NO!- NORMAN! 374 00:16:39,419 --> 00:16:40,378 [whoosh!] 375 00:16:40,420 --> 00:16:41,213 - NO!- UH-OHN! 376 00:16:42,505 --> 00:16:43,549 WHAT'S GOING ON? 377 00:16:43,591 --> 00:16:44,299 NOTHING! 378 00:16:44,342 --> 00:16:45,801 NORMAN JUSTPUT A REGULAR AIRMAIL 379 00:16:45,801 --> 00:16:48,471 ENVELOPE INTO THEOVERNIGHT EXPRESS TUBE. 380 00:16:49,556 --> 00:16:50,932 NORMAN JUOH, THAT'S A SMALLPUT A REGULAR AIRMMISTAKE. 381 00:16:50,974 --> 00:16:53,685 SOME FORTUNATE PERSON WILLSIMPLY RECEIVE THEIR LETTER 382 00:16:53,685 --> 00:16:55,730 TOMORROW INSTEADOF NEXT WEEK. 383 00:16:55,771 --> 00:16:58,191 I SUPPOSED WORSE THINGS WILLSHAVE HAPPENED, HMM. LETTER 384 00:16:58,233 --> 00:16:59,109 RIGHT. 385 00:16:59,150 --> 00:17:00,276 [nervous laughing]OH, WORSE THINGS. 386 00:17:00,276 --> 00:17:01,987 YUP, MUCH WORSE. 387 00:17:07,034 --> 00:17:12,415 [nervous laughing] ♪ upbeat song in French ♪ 388 00:17:21,593 --> 00:17:24,513 ♪ 389 00:17:37,153 --> 00:17:41,241 ♪ 390 00:17:47,623 --> 00:17:50,585 [Ramon]LADIES AND GENTLEMEN, 391 00:17:50,627 --> 00:17:52,462 IT IS MY VERY PERSONAL HONOR 392 00:17:52,504 --> 00:17:54,464 TO INTRODUCE THE FIRST LADY 393 00:17:54,506 --> 00:17:56,467 OF THE UNITED STATESPOSTAL SERVICE 394 00:17:56,509 --> 00:17:59,179 IN THE GREAT STATEOF COLORADO... 395 00:17:59,220 --> 00:18:03,058 THE BEAUTIFUL,TALENTED, THE POSTAL! 396 00:18:03,099 --> 00:18:05,102 MISS RITA HAYWITH. 397 00:18:05,144 --> 00:18:09,857 [crowd applauds] 398 00:18:09,857 --> 00:18:12,235 GOOD MORNING AND THANK YOU WERRY, 399 00:18:12,277 --> 00:18:13,361 [deep exhale] 400 00:18:13,361 --> 00:18:17,200 FERY--OH, I'M SORRY, I THINK MY LIPS JUST FROZE... 401 00:18:17,408 --> 00:18:18,242 ALLOW ME. 402 00:18:18,242 --> 00:18:20,954 OH. 403 00:18:20,995 --> 00:18:23,207 WHY, THANK YOU RAMON. 404 00:18:24,667 --> 00:18:26,293 AS MISS COLORADOSPECIAL DELIVERY, 405 00:18:26,293 --> 00:18:29,714 IT HAS BEEN AN HONOR TO INAUGURATE 406 00:18:29,714 --> 00:18:30,799 AS MISS COLORADONUMEROUS AUTOMATED... 407 00:18:30,841 --> 00:18:32,217 IT HAS BEEN AN HONOR TO INAU[giggles] 408 00:18:32,217 --> 00:18:34,261 OH, THANK YOU. 409 00:18:34,886 --> 00:18:37,056 IT HASWHENEVER OUR PATHS CROSSTO IWITH MR. RODRIGUEZ, 410 00:18:37,056 --> 00:18:40,143 HE SEEMS INTENT TO MAKE ANIMPRESSION UPON ON OUR RITA. 411 00:18:40,185 --> 00:18:42,270 HE'S VERY POPULAR THESE DAYS. 412 00:18:42,312 --> 00:18:44,982 HE'S THE KBC'S NEW WEATHERMAN, NOW, 413 00:18:45,023 --> 00:18:48,194 AND I HEARD HE MAY GET HIS OWN TALK SHOW. 414 00:18:48,236 --> 00:18:49,529 OH, TALK SHOW? 415 00:18:49,571 --> 00:18:52,782 BUT WHO KNOWS WHAT HE'S EVEN TALKING ABOUT? 416 00:18:52,824 --> 00:18:57,162 TRULY, THERE IS STILL ROOMFOR WE, THE AMERICAN... 417 00:18:57,204 --> 00:18:58,373 [shivers] 418 00:18:58,414 --> 00:18:59,916 THIS IS RIDICULOUS! 419 00:18:59,958 --> 00:19:04,087 I'D GIVE ANYTHING TO BEIN MIAMI RIGHT NOW. 420 00:19:04,087 --> 00:19:06,632 YESTERDAY, YOU WANTED TOBE IN WASHINGTON 421 00:19:06,673 --> 00:19:08,134 ANYWHERE BUT HERE. 422 00:19:08,175 --> 00:19:13,015 WASHINGTON, MIAMI...PARIS. 423 00:19:13,056 --> 00:19:16,477 THERE'S ALWAYSAPRIL IN PARIS. 424 00:19:16,519 --> 00:19:17,561 AND AUTUMN IN NEW YORK 425 00:19:17,603 --> 00:19:20,023 AND, WELL, YOU COULD MOVETO A REMOTE ISLAND 426 00:19:20,064 --> 00:19:20,982 IN THE PACIFIC 427 00:19:21,024 --> 00:19:23,568 AND AVOID THE COLDALTOGETHER, MS. MCINERNEY. 428 00:19:23,610 --> 00:19:26,071 I BELIEVE A HARD WINTER LIKE THIS 429 00:19:26,113 --> 00:19:28,741 TEACHES US TO FINDSIGNS OF HOPE 430 00:19:28,783 --> 00:19:30,201 IN THE SMALLEST OF THINGS. 431 00:19:30,201 --> 00:19:32,704 YOU SEE A ROBIN ON THEWINDOW SILL, 432 00:19:32,704 --> 00:19:34,080 A CROCUS PEEKING OUT OF THE SNOW, 433 00:19:34,122 --> 00:19:38,044 AND YOU NEVER TAKE SPRINGFOR GRANTED AGAIN. 434 00:19:40,297 --> 00:19:41,298 WHEN I WAS LITTLE 435 00:19:41,298 --> 00:19:44,968 WE HAD ONE OF THOSE OLDFASHIONED PORCH SWINGS 436 00:19:44,968 --> 00:19:48,890 I USED TO SWING ON IT FOR HOURS ALL SUMMER LONG. 437 00:19:48,932 --> 00:19:51,100 BUT IN NOVEMBER, 438 00:19:51,100 --> 00:19:52,977 BEFORE THE FIRST SNOW, 439 00:19:53,020 --> 00:19:56,566 WE'D TAKE IT DOWN AND PUTIT IN THE GARAGE.BER, 440 00:19:56,566 --> 00:19:59,069 AND THEN A FEW MONTHS LATER 441 00:19:59,069 --> 00:20:00,946 WE'D I'D BE WALKING HOMETIT INFROM SCHOOL.BER, 442 00:20:00,987 --> 00:20:04,115 AND THERE IT WOULDFBE AGAIN. LATER 443 00:20:04,158 --> 00:20:05,367 AND I ALWAYS KNEW 444 00:20:05,409 --> 00:20:07,662 WHEN THE SWINGWAS BACK ON THE PORCH, 445 00:20:07,704 --> 00:20:10,207 SPRING WAS ALMOST HERE. 446 00:20:10,248 --> 00:20:14,336 WELL, IT'S ALMOST ASGOOD AS THE ROBIN, 447 00:20:14,336 --> 00:20:16,129 I SUPPOSE. 448 00:20:16,172 --> 00:20:17,256 WELL, IT'S AL[Rita]GOOD AS...UNITED STATES 449 00:20:17,298 --> 00:20:19,008 POSTAL SERVICE. 450 00:20:19,008 --> 00:20:20,343 THANK YOU. 451 00:20:20,384 --> 00:20:21,260 [crowd applauds] 452 00:20:21,303 --> 00:20:24,348 YOU WROTE A VERY LOVELY SPEECH, OLIVER. 453 00:20:24,348 --> 00:20:25,515 THANK YOU. 454 00:20:27,059 --> 00:20:28,894 YOU WROTE A VERY OH, OKAY. LOVELY SPEECH, OLIVER. 455 00:20:30,396 --> 00:20:32,899 [Rita giggles] 456 00:20:33,233 --> 00:20:34,443 OLIVER, THERE'S SOMETHING 457 00:20:34,443 --> 00:20:37,071 I SHOULD HAVE TOLD YOU ABOUT. 458 00:20:37,113 --> 00:20:38,364 WELL, IT CAN'T OLIVER, BE THAT BAD. THERE'S SOMETHING 459 00:20:38,364 --> 00:20:39,449 IT'S ONLY WEDNESDAY, 460 00:20:39,491 --> 00:20:41,368 YOU USUALLY SAVE THE BADTHINGS FOR A FRIDAY. 461 00:20:41,409 --> 00:20:42,494 [nervous laugh] 462 00:20:42,535 --> 00:20:46,207 NO,THIS IS BAD. 463 00:20:46,207 --> 00:20:47,708 MY BAD. 464 00:20:49,711 --> 00:20:51,921 THE LETTER YOUWROTE TO HOLLY, 465 00:20:51,921 --> 00:20:54,258 AND MAILED AT THEHOSPITAL LAST SUMMER, 466 00:20:54,299 --> 00:20:57,470 THE LETTER YOUWIN THE RAIN.Y, 467 00:20:57,512 --> 00:21:00,431 IT...CAME BACK. 468 00:21:05,229 --> 00:21:07,106 IT WAS QUITEDAMAGED, YOU SAY? 469 00:21:07,106 --> 00:21:08,608 YES. 470 00:21:10,443 --> 00:21:13,405 IAND SOMEONE DAMAGOPENED IT?Y? 471 00:21:13,405 --> 00:21:14,364 I DIDN'T. 472 00:21:14,406 --> 00:21:16,409 I'M JUST THE ONE WHO MAILED IT, ACCIDENTALLY. 473 00:21:16,450 --> 00:21:17,701 I READ IT. 474 00:21:17,743 --> 00:21:18,577 SOME OF IT... 475 00:21:18,577 --> 00:21:20,413 TO CONFIRM WHOSE IT WAS. 476 00:21:20,413 --> 00:21:21,540 YOU PROMISED ME 477 00:21:21,540 --> 00:21:23,125 YOU WOULD TO CONFIRM WHOSE INEVER AGAIN 478 00:21:23,167 --> 00:21:24,459 READ THE CONTENTS OF A LETTERED ME 479 00:21:24,501 --> 00:21:26,879 WITHOUT RECEIVING MYAPPROVAL. 480 00:21:26,921 --> 00:21:29,757 WELL, TECHNICALLY, I OPENED IT. 481 00:21:29,757 --> 00:21:32,302 BUT I MADE HER DO IT. 482 00:21:32,343 --> 00:21:34,179 WE'RE SORRY,OLIVER. 483 00:21:34,221 --> 00:21:36,765 WE JUST CAREABOUT YOU, 484 00:21:36,765 --> 00:21:38,434 THAT'S ALL. 485 00:21:38,434 --> 00:21:39,436 DON'T WE? 486 00:21:39,436 --> 00:21:41,729 I DO. 487 00:21:42,439 --> 00:21:46,444 I CARE ABOUT DON'ALL KINDS OF THINGS. 488 00:21:46,610 --> 00:21:50,865 MY WIFE IS RECEIVINGTHIS LETTER TODAY 489 00:21:50,907 --> 00:21:52,659 THAT I WROTE MONTHS AGO, 490 00:21:52,659 --> 00:21:57,623 AND IT'S TOO LATETO DO ANYTHING ABOUT IT. 491 00:21:59,625 --> 00:22:01,837 UMM, T I WROTE THERE'S MORE? AGO, 492 00:22:01,878 --> 00:22:03,171 MS. MCINERNEY, 493 00:22:03,213 --> 00:22:05,632 I DON'T BELIEVE I CAN TAKE 494 00:22:05,632 --> 00:22:06,633 ANY MORE RIGHT NOW. 495 00:22:06,633 --> 00:22:07,634 PLEASE EXCUSE ME. 496 00:22:08,052 --> 00:22:09,345 PERHAPS YOU SHOULD TURNYOUR ATTENTION 497 00:22:09,387 --> 00:22:12,682 TO THAT COMPUTER PROGRAM YOU SO STRONGLY BELIEVE... 498 00:22:13,475 --> 00:22:16,312 THAT YOU BELIEVE IN SO... 499 00:22:17,313 --> 00:22:19,774 IN WHICH YOUSO STRONGLY BELIEVE. 500 00:22:27,324 --> 00:22:29,244 [beep, beep!] 501 00:22:38,504 --> 00:22:40,340 [car engine starts] 502 00:22:40,340 --> 00:22:41,967 [OLIVER] DON'T BE FRIGHTENED. 503 00:22:41,967 --> 00:22:43,593 WE'LL GET THROUGH THIS. 504 00:22:43,635 --> 00:22:46,430 [OLIVER] THE SECRET IS TO STAY AWAKE. 505 00:22:46,472 --> 00:22:48,975 [wind howling] 506 00:22:48,975 --> 00:22:53,480 MAYBE IF WE KEEP TALKING, THAT WILL HELP, HMM? 507 00:22:54,189 --> 00:22:55,190 FIRST THINGS FIRST. 508 00:22:55,190 --> 00:22:57,402 I'M OLIVER O'TOOLE. 509 00:22:57,443 --> 00:22:59,195 I WORK WITH THE DEADLETTER OFFICE 510 00:22:59,195 --> 00:23:01,656 FOR THE UNITED STATES POSTAL SERVICE. 511 00:23:03,909 --> 00:23:06,537 GETTING ANY WARMER? 512 00:23:06,537 --> 00:23:07,705 [she murmers] 513 00:23:07,747 --> 00:23:09,206 GETTII'M SORRY?MER? 514 00:23:09,206 --> 00:23:12,920 I THINK WE'RE GOING... TO DIE IN HERE. 515 00:23:12,961 --> 00:23:14,087 NO,NO. 516 00:23:14,129 --> 00:23:18,342 I WOULD NOT LETTHAT HAPPEN. 517 00:23:18,384 --> 00:23:20,386 [knocking!] 518 00:23:23,557 --> 00:23:25,475 OLIVER, THE PROGRAM KICKED OUT A NAME. 519 00:23:25,475 --> 00:23:26,435 THE DIVORCE PAPERS WERE MAILED 520 00:23:26,476 --> 00:23:28,396 OLTO A CAITLYNOGRAM KICASTELLUCI.NAME. 521 00:23:28,438 --> 00:23:31,691 SHE RUNS A RESTAURANT ON SOUTH BROADWAY. 522 00:23:33,902 --> 00:23:39,366 ♪ Taste the wine... ♪ 523 00:23:39,408 --> 00:23:41,828 YOU HAVEN'T SAID A WORD IN TWENTY MINUTES. 524 00:23:41,828 --> 00:23:43,663 ARE YOU GOING TO FORGIVE ME? 525 00:23:43,705 --> 00:23:44,707 YOU HAVEN'T SAID A WORD IN TWENTY MINUTESTWO? 526 00:23:44,707 --> 00:23:47,543 OH, NO, WE'RE LOOKING FORA CAITLYN CASTELLUCI. 527 00:23:47,585 --> 00:23:48,586 YOU HAVEN'T SAID A WORD IN TWENTY SHE'S NOT HERE. 528 00:23:48,627 --> 00:23:49,587 CAN I HELP YOU? 529 00:23:49,628 --> 00:23:52,466 I'M OLIVER O'TOOLE, FROMTHE US POSTAL SERVICE. 530 00:23:52,507 --> 00:23:54,426 WE HAVE A DELIVERY FOR HER. 531 00:23:54,468 --> 00:23:55,552 I'M HER HUSBAND. 532 00:23:55,594 --> 00:23:56,428 I CAN TAKE IT... 533 00:23:56,470 --> 00:23:57,304 I'M SORRY, 534 00:23:57,346 --> 00:23:59,432 DID YOU JUST SAY,YOU'RE HER HUSBAND? 535 00:23:59,432 --> 00:24:01,601 YEAH. 536 00:24:04,605 --> 00:24:06,482 DID YOU JUST WHERE DID YOU'RE HER HYOU GET THAT? 537 00:24:06,523 --> 00:24:08,651 IT WAS MAILED TWO YEARS AGO. 538 00:24:08,693 --> 00:24:12,822 IT GOT LOST...I KNOW. 539 00:24:13,949 --> 00:24:20,414 LISTEN, SHE HAS NO IDEATHESE EVER EXISTED. 540 00:24:20,456 --> 00:24:25,004 PLEASE...DON'TDELIVER THAT TO HER. 541 00:24:35,391 --> 00:24:37,559 YOU MAILED THIS TWO YEARSAGO, TO YOUR WIFE? 542 00:24:37,601 --> 00:24:41,063 YES. NO. NOT EXACTLY. 543 00:24:43,525 --> 00:24:45,736 I NEVER TOLD HER ABOUT IT. 544 00:24:47,946 --> 00:24:50,283 LISTEN, IF SHE NEVER GETS IT, 545 00:24:50,324 --> 00:24:53,245 WHAT'S THE DIFFERENCE? 546 00:24:53,287 --> 00:24:54,914 AND TECHNICALLY, IT'SSTILL MINE, RIGHT? 547 00:24:54,955 --> 00:24:57,875 ACTUALLY, IT'S NOW THE PROPERTYOF THE POST OFFICE. 548 00:24:57,917 --> 00:25:00,002 I CAN SEE ITS DELIVERY 549 00:25:00,002 --> 00:25:00,921 MAY CAUSE SOME DISTRESS, 550 00:25:00,921 --> 00:25:03,840 BUT MY HANDS ARE TIED HERE. 551 00:25:03,840 --> 00:25:05,509 MAY CAUSE I WISH THERE WERE...S, 552 00:25:05,551 --> 00:25:08,470 A WAY OF MAKING DS THIS EASIER ON YOU...E. 553 00:25:08,512 --> 00:25:10,598 WHEN WILL YOUR WIFECOMING BACK? 554 00:25:10,640 --> 00:25:11,933 TOMORROW. 555 00:25:11,933 --> 00:25:13,685 SHE'S DRIVING BACKFROM CALIFORNIA. 556 00:25:13,726 --> 00:25:15,688 FROM A WINEAUCTION. RROW. 557 00:25:15,729 --> 00:25:17,898 SHE'LL BE HERE AT SIX. 558 00:25:17,940 --> 00:25:19,525 PERHAPS IF WE COME BACK AFTER THAT, 559 00:25:19,525 --> 00:25:22,737 YOU'D HAVE ALITTLE TIME TO PREPARE. 560 00:25:24,990 --> 00:25:26,283 YEAH. 561 00:25:30,037 --> 00:25:32,582 YOU ARE A LOT OF THINGS,OLIVER O'TOOLE. 562 00:25:32,623 --> 00:25:35,211 OPINIONATED, APERFECTIONIST, 563 00:25:35,252 --> 00:25:36,420 BASICALLY A HUMAN ANTIQUE. 564 00:25:36,462 --> 00:25:39,298 BUT I NEVER FIGURED YOUFOR A HYPOCRITE. 565 00:25:39,340 --> 00:25:40,216 I BEG YOUR PARDON? 566 00:25:40,257 --> 00:25:41,718 YOU STOOD RIGHT THERE 567 00:25:41,718 --> 00:25:44,512 AND REFUSED TO LET THATMAN DECIDE WHAT TO DO 568 00:25:44,554 --> 00:25:45,931 WITH THOSE OOD OLD DIVORCE PAPERS. 569 00:25:45,973 --> 00:25:47,391 BUT LESS THAN AN HOUR AGO 570 00:25:47,391 --> 00:25:50,436 YOU WANTED THE SAME CHANCETO DECIDE WHAT TO DO 571 00:25:50,478 --> 00:25:52,897 WITH YOUR LETTER TO HOLLY. 572 00:25:52,939 --> 00:25:55,234 MY LETTER SHOULD HAVE BEENPROCESSED AND MAILED, 573 00:25:55,234 --> 00:25:57,236 AND TREATED THE SAME AS ANYOTHER DEAD LETTER. 574 00:25:57,277 --> 00:25:58,404 OH, RIGHT... 575 00:25:58,446 --> 00:26:01,407 MY QUARREL WITH YOU IS THAT YOUBROKE YOUR PROMISE TO ME. 576 00:26:01,407 --> 00:26:02,826 YOU OPENEDTHAT ENVELOPE 577 00:26:02,868 --> 00:26:05,746 ON THE PRETEXT OF LOCATINGAN I.D. WHEN, IN FACT, 578 00:26:05,746 --> 00:26:09,584 IT WAS TO, ONCE AGAIN,SATISFY YOUR CURIOSITY. 579 00:26:09,626 --> 00:26:10,752 THAT IS NOT FAIR. 580 00:26:10,752 --> 00:26:11,794 I WAS JUST TRYING-- 581 00:26:11,836 --> 00:26:16,091 MS. MCINERNEY, YOUOBVIOUSLY DO NOT SHARE 582 00:26:16,133 --> 00:26:18,594 MY COMMITMENT TO PUTTING YOUR HEART AND SOUL 583 00:26:18,636 --> 00:26:21,305 INTO DOINGYOUR JOB WELL. 584 00:26:21,347 --> 00:26:25,185 INTO DOING THE ONE THINGRIGHT IN MY LIFE THAT... 585 00:26:48,796 --> 00:26:50,840 OH, HUH. 586 00:26:59,434 --> 00:27:01,477 [mouthing words] 587 00:27:01,519 --> 00:27:04,314 I WAS THINKING ABOUT THAT 588 00:27:04,314 --> 00:27:07,693 METAL DETECTOR IDEA THAT YOU HAD. 589 00:27:07,734 --> 00:27:12,114 FEEL THIS,IT'S CASHMERE. 590 00:27:12,157 --> 00:27:14,868 AH, UM...CASHMERE BLEND. 591 00:27:14,910 --> 00:27:16,870 ACTUALLY PRETTY CHEAP. 592 00:27:16,912 --> 00:27:20,583 RAYON AND ... A LITTLEBIT OF POLYESTER. 593 00:27:20,624 --> 00:27:23,169 STILL, RAMON DOESHAVE EXCELLENT TASTE, 594 00:27:23,169 --> 00:27:24,254 DON'T YOU THINK. 595 00:27:25,965 --> 00:27:29,259 STILL, RAI DON'T THINK ABOUTHAVE EXCELLERAMON VERY MUCH. 596 00:27:29,302 --> 00:27:30,220 HMM. 597 00:27:31,512 --> 00:27:34,140 [machinery noise] 598 00:27:34,140 --> 00:27:35,684 YOU SAID EARLIER TODAY 599 00:27:35,684 --> 00:27:37,436 THAT THERE WAS MORE INEEDED TO KNOW.noise] 600 00:27:40,189 --> 00:27:41,983 WHEN I WAS CHECKINGHOLLY'S ADDRESS, 601 00:27:42,024 --> 00:27:44,987 HER NAME SHOWED UP IN A VIDEO ON YOUTUBE. 602 00:27:45,028 --> 00:27:45,696 ON WHAT? 603 00:27:45,738 --> 00:27:49,617 YOUTUBE, IT'S UH...NEVER MIND. 604 00:27:49,658 --> 00:27:51,535 IT'S A VIDEO OF A BUNCHOF FRENCH PEOPLE 605 00:27:51,578 --> 00:27:54,206 IN A BOOKSTORE READING POETRY, I THINK. 606 00:27:54,206 --> 00:27:55,457 LOOK. 607 00:27:55,790 --> 00:27:57,835 MESDAMES ET MESSIEURS. 608 00:27:57,835 --> 00:28:05,844 UN POEME PAR MA INCROYABLE COPINE, HOLLY O'TOOLE. 609 00:28:05,844 --> 00:28:08,848 MESDAMES "LA NUIT DE NEIGES" 610 00:28:08,848 --> 00:28:10,141 UN POEME PAR MA INCROYABLE C [speaking French]LE. 611 00:28:10,141 --> 00:28:13,061 THE WHOLE THING IS"LA IN FRENCH.IGES" 612 00:28:13,061 --> 00:28:15,230 SHE ALWAYS WANTED A INCROYABLETO LEARN FRENCH. French]LE. 613 00:28:15,230 --> 00:28:17,190 DO YOU SPEAK FRENCH? 614 00:28:17,232 --> 00:28:18,901 NO. 615 00:28:18,942 --> 00:28:22,155 WELL, RITA CALLED SOMEONE SHE KNOWS. 616 00:28:22,196 --> 00:28:24,908 YEAH, HE SAID WE COULD DROPBY HIS OFFICE TOMORROW. 617 00:28:24,949 --> 00:28:29,246 IS IT A PROFESSOR OFFRENCH LITERATURE? 618 00:28:29,288 --> 00:28:30,581 [angrily]NO. 619 00:28:31,082 --> 00:28:33,627 [Ramon]AND, OVER HERE 620 00:28:33,669 --> 00:28:35,837 WE HAVE NORTHERN COLORADO, 621 00:28:35,879 --> 00:28:38,883 VERY COLD, TOO COLD FOR ME, 622 00:28:38,925 --> 00:28:40,593 TOO COLD FOR YOU. 623 00:28:40,593 --> 00:28:42,094 HE'S POINTING TO IDAHO. 624 00:28:42,094 --> 00:28:43,012 THANK YOU, RAMON. 625 00:28:43,055 --> 00:28:44,514 ANY CHANCE WE'LLINTING GET ENOUGH POWDERHO. 626 00:28:44,514 --> 00:28:45,724 TO HIT THE SLOPESTHIS WEEKEND? 627 00:28:45,766 --> 00:28:48,561 ANY CHANCE WE'LLINTI[chuckles]GET ENOUGH POWDERHOOH, NO,NO. 628 00:28:48,602 --> 00:28:50,939 BUT PROBABLY, YES. 629 00:28:51,773 --> 00:28:55,069 WELL, THAT'S IT FOR THEKBC AFTERNOON UPDATE. 630 00:28:55,110 --> 00:28:57,571 IN THE KITCHEN WITHMERRY LYNNE IS UP NEXT. 631 00:28:57,612 --> 00:28:58,656 [Director] AND, WE'RE OUT! 632 00:28:58,656 --> 00:29:00,658 [bell rings]THANK YOU, EVERYBODY. 633 00:29:00,700 --> 00:29:02,285 [Director[Ramon] AND, WE'RE MISS RITA 634 00:29:02,327 --> 00:29:06,790 AND HER LITTLE FRIENDS.SUCH A PLEASURE. 635 00:29:06,790 --> 00:29:09,877 WHEN I SAID I WAS AT YOURSERVICE, MISS RITA, 636 00:29:09,919 --> 00:29:11,379 I MEANT IT WITHALL MY HEART. 637 00:29:11,421 --> 00:29:13,047 BUT MY HEARTCOULD NEVER IMAGINE 638 00:29:13,090 --> 00:29:15,133 THAT YOU WOULD NEED MYSERVICES SO SOON. 639 00:29:15,175 --> 00:29:16,134 OH, WELL, 640 00:29:16,134 --> 00:29:20,431 I NEVER THOUGHT I'D NEEDTO BE SERVICED SO SOON. 641 00:29:20,473 --> 00:29:22,058 OVILEAR! 642 00:29:22,100 --> 00:29:22,767 RAMON. 643 00:29:22,809 --> 00:29:24,018 ALWAYS SUCH A PLEASURE. 644 00:29:24,060 --> 00:29:26,271 HAVE YOU ANDTHE LOVELY SHANE 645 00:29:26,313 --> 00:29:29,359 CONTINUED YOURDANCING TOGETHER? 646 00:29:29,400 --> 00:29:30,067 WELL... 647 00:29:30,067 --> 00:29:31,819 YOU WERE MY BEST STUDENTS. 648 00:29:31,861 --> 00:29:34,990 IT'S SUCH A NATURAL RHYTHMWELL... 649 00:29:34,990 --> 00:29:35,699 [boisterous laughs] 650 00:29:35,741 --> 00:29:36,908 BETWEEN YOU TWO. 651 00:29:36,908 --> 00:29:38,911 YOU CAN'T TEACHTHAT, YOU KNOW. 652 00:29:38,953 --> 00:29:39,662 BETWEEN YOU TWO.HMM. 653 00:29:39,662 --> 00:29:41,163 I UNDERSTANDYOU SPEAK FRENCH. 654 00:29:41,163 --> 00:29:43,500 I SPEAK ALL THEROMANCE LANGUAGES. 655 00:29:43,541 --> 00:29:44,918 REALLY? 656 00:29:44,960 --> 00:29:45,460 YES. 657 00:29:45,502 --> 00:29:46,044 LATIN? 658 00:29:46,086 --> 00:29:46,670 OF COURSE. 659 00:29:46,712 --> 00:29:47,170 PORTUGUESE? 660 00:29:47,170 --> 00:29:48,088 I BREATHE IT. 661 00:29:48,130 --> 00:29:48,797 PORTUGUESE?ROMANIAN. 662 00:29:48,839 --> 00:29:50,008 MY MOTHER TONGUE. 663 00:29:50,008 --> 00:29:51,217 NORMAN... 664 00:29:51,217 --> 00:29:54,053 IT'S CLEAR THATMY MOTRAMON IS MULTILINGUAL. 665 00:29:54,095 --> 00:29:54,971 SHALL WE PROCEED. 666 00:29:54,971 --> 00:29:59,351 UM, YES,HERE IS THE POEM. 667 00:30:00,853 --> 00:30:03,982 IT'S A LITTLE HARD TO HEAR, SO...HALL WE PROCEED. 668 00:30:06,360 --> 00:30:10,239 AH, OOHH... 669 00:30:10,281 --> 00:30:12,325 [Ramon stops abruptly] 670 00:30:12,367 --> 00:30:14,870 UH... 671 00:30:14,870 --> 00:30:16,413 MHMM. 672 00:30:16,830 --> 00:30:18,206 HMM. 673 00:30:22,211 --> 00:30:24,298 [gasps] 674 00:30:25,048 --> 00:30:29,762 WELL...IT'S NOTA VERY GOOD POEM. 675 00:30:29,804 --> 00:30:31,889 THE FRENCHIS POOR, 676 00:30:31,931 --> 00:30:34,643 THE IMAGERY IS CLICHÉ, 677 00:30:34,685 --> 00:30:37,146 AND QUITE FRANKLYIT DOESN'T EVEN RHYME. 678 00:30:37,188 --> 00:30:38,314 BUT! 679 00:30:38,355 --> 00:30:40,567 IT HAS PASSION. 680 00:30:40,567 --> 00:30:42,694 AND WHAT IS A POEM? 681 00:30:42,735 --> 00:30:46,824 IT IS GREAT PASSION PUSHEDINTO LITTLE TINY WORDS! 682 00:30:46,824 --> 00:30:49,368 COULD YOU TELL US WHAT IT SAYS? 683 00:30:49,410 --> 00:30:51,412 IT IS GREAT PASSION PUSHEDOF COURSE.LE TINY WORDS! 684 00:30:51,412 --> 00:30:52,997 IT IS CALLED 685 00:30:53,039 --> 00:30:57,795 IT IS GREAT PASSION PUSHEDOF COU"THE NIGHT OF SNOW" 686 00:30:57,837 --> 00:31:02,884 "YOU FOUND ME ONE NIGHT ONA MOUNTAIN IN THE DARK, 687 00:31:02,926 --> 00:31:06,930 IN THE SNOW, THE SNOWTHAT ONLY GOT DEEPER, 688 00:31:06,930 --> 00:31:09,641 AND DEEPER, AND DEEPER, 689 00:31:09,683 --> 00:31:11,018 AND DEEPER..." 690 00:31:11,060 --> 00:31:12,979 IT'S DEEP,WE GET IT. 691 00:31:12,979 --> 00:31:15,690 "DEATH, WHISPEREDTO ME IN THE WIND 692 00:31:15,690 --> 00:31:17,943 'COME AWAY,IT'S DEEP,COME AWAY.'WE GET IT. 693 00:31:17,985 --> 00:31:21,322 "BUT FROM A PLACESTRONGER THAN DEATH, 694 00:31:21,364 --> 00:31:25,827 IN WINTER'S VERY EMBRACE,THERE YOU WERE, 695 00:31:25,869 --> 00:31:30,124 SEARCHING FOR ME,CALLING FOR ME... 696 00:31:30,124 --> 00:31:35,506 YOU SAVED MY LIFE IN AWORLD OF SNOW, 697 00:31:35,547 --> 00:31:38,550 BUT WHAT SHALL I DO WITHMY LIFE NOW? 698 00:31:38,550 --> 00:31:41,513 NOW THAT I CANSEE THE SUN. 699 00:31:41,554 --> 00:31:43,973 BUT WHAT SHALL I DO WITH[deep inhale] 700 00:31:43,973 --> 00:31:46,143 LIKE I SAID,IT'S TRASH. 701 00:31:46,143 --> 00:31:47,645 GARBAGE. 702 00:31:47,686 --> 00:31:49,897 LIKE I SAID,BUT PASSIONATE GARBAGE. 703 00:31:49,938 --> 00:31:52,483 NOW, IF YOU WANT TO HEARSOME GREAT POETRY, 704 00:31:52,483 --> 00:31:54,653 MISS HAYWITH, 705 00:31:54,653 --> 00:31:56,696 NOWWOULD YOU ACCOMPANYARSME THIS SATURDAY, 706 00:31:56,738 --> 00:32:01,118 TO A LITTLE SOIREE OF CLOSEFRIENDS AT MY OLD DANCE STUDIO? 707 00:32:01,118 --> 00:32:02,828 OH, THAT SOUNDS FUN. 708 00:32:02,870 --> 00:32:03,914 TO A LITTLE SOIREE IT'S OSEFRIENDS AT MY OLD SAMBA NIGHT.? 709 00:32:03,955 --> 00:32:06,291 OH, WE'RE GOING FOR COFFEEAT THE MAILBOX GRILLE, 710 00:32:06,333 --> 00:32:07,418 WANNA COME? 711 00:32:07,709 --> 00:32:10,171 ARE YOU ALRIGHT? 712 00:32:13,466 --> 00:32:15,010 UHH...THE POEM IS ABOUT ME. 713 00:32:25,021 --> 00:32:30,361 ♪ Spring Will Be A Little LateThis Year by Ella Fitzgerald ♪ 714 00:32:32,863 --> 00:32:42,875 ♪ spring will be, a little late this year,♪ 715 00:32:44,877 --> 00:32:50,551 ♪ a little late arriving, 716 00:32:50,551 --> 00:32:56,308 ♪ in my lonely world over here. ♪ 717 00:32:56,350 --> 00:33:01,981 ♪ ♪ for you have left me, ♪ 718 00:33:01,981 --> 00:33:07,321 ♪ and where is our april love ♪ 719 00:33:07,363 --> 00:33:12,744 ♪ ♪ you have left me, ♪e, ♪ 720 00:33:12,785 --> 00:33:16,999 ♪ and winter continues cold, ♪ 721 00:33:17,040 --> 00:33:27,052 ♪ as if to say, spring will be a little slow to start, ♪ 722 00:33:29,138 --> 00:33:34,560 ♪ a little slow reviving, ♪ 723 00:33:34,602 --> 00:33:39,942 ♪ that music it made in my heart ♪ 724 00:33:39,984 --> 00:33:45,032 ♪ yes, time heals all things. ♪ 725 00:33:45,032 --> 00:33:46,950 [Rita]SO, HOW DO YOU KNOW, 726 00:33:46,992 --> 00:33:49,412 LIKE REALLY KNOW, WHENs allIT'S GOING TO RAIN. ♪ 727 00:33:49,453 --> 00:33:50,955 IT'S SOMETHINGONE JUST FEELS 728 00:33:50,955 --> 00:33:55,460 WELL, SOMEBODY'S GOT TOGET BACK TO THE DLO. 729 00:33:55,460 --> 00:34:00,132 OKAY. 730 00:34:00,174 --> 00:34:03,678 [whispers]OLIVER, WE NEED TO TALK. 731 00:34:03,678 --> 00:34:08,309 "DEATH WHISPERED TO ME INTHE WIND." 732 00:34:08,309 --> 00:34:12,980 [whispers]OLWHAT DOES THAT MEAN?K. 733 00:34:12,980 --> 00:34:17,110 OKAY, YOU GUYS HAVE FIVEMINUTES TO BE WEIRD 734 00:34:17,152 --> 00:34:18,987 [whiAND THEN IT'S OLWHAT DOES BACK TO WORK. 735 00:34:22,616 --> 00:34:24,118 [clears throat] 736 00:34:24,160 --> 00:34:26,955 RITA, I KNOW IT'SBEEN A BIG WEEK, 737 00:34:26,997 --> 00:34:28,540 DEDICATING THESTAMP DISPENSER, 738 00:34:28,582 --> 00:34:30,167 VISITING THE WEATHERMAN, 739 00:34:30,209 --> 00:34:32,253 BUT WE CAN'TFALL BEHIND... 740 00:34:32,295 --> 00:34:33,629 OH, YES, OF COURSE. 741 00:34:33,671 --> 00:34:35,841 IT'S JUST, CAN RAMONFINISH HIS STORY 742 00:34:35,841 --> 00:34:38,302 ABOUT WHEN HE WAS ACLIFF DIVER IN COZUMEL? 743 00:34:38,344 --> 00:34:41,388 YOU USED TO BE A CLIFF DIVER? 744 00:34:41,889 --> 00:34:43,266 OH, YES. 745 00:34:43,308 --> 00:34:46,519 OH, WELL, THAT'S ...SCARY. 746 00:34:46,519 --> 00:34:48,522 ONCE WE FACE THETHINGS THAT WE FEAR, 747 00:34:48,522 --> 00:34:52,777 THEY NO LONGER HAVEPOWER OVER US. 748 00:34:52,819 --> 00:34:54,403 NO? 749 00:34:54,403 --> 00:34:56,615 NO. 750 00:34:56,656 --> 00:34:58,117 YES.NO? 751 00:34:58,117 --> 00:35:00,369 THAT'S QUITEPROFOUND, ACTUALLY. 752 00:35:00,369 --> 00:35:01,161 YRITA,NO? 753 00:35:01,203 --> 00:35:02,705 FIVE MINUTES. 754 00:35:02,705 --> 00:35:03,999 OH, OKAY. 755 00:35:04,374 --> 00:35:05,709 [music begins playing] 756 00:35:05,751 --> 00:35:08,837 ♪ 'Baby, you've got what it takes' by Brook Benton 757 00:35:08,879 --> 00:35:10,506 and Dinah Washington ♪ 758 00:35:10,547 --> 00:35:11,423 MISS RITA 759 00:35:11,423 --> 00:35:13,551 ME? 760 00:35:18,223 --> 00:35:22,228 ♪ and it takes two lips MISS RIfor fire ♪ 761 00:35:22,270 --> 00:35:25,482 ♪ to melt away the snow. ♪ 762 00:35:25,524 --> 00:35:29,236 ♪ well, it takes two hearts a-cooking ♪ 763 00:35:29,278 --> 00:35:32,573 ♪ to make a fire grow ♪ 764 00:35:32,615 --> 00:35:41,959 ♪ and baby, you've got what it takes. ♪ 765 00:35:42,001 --> 00:35:47,424 NORMAN, YOU ARE IN DANGEROF STANDING BY, 766 00:35:47,465 --> 00:35:49,385 LETTING RITA BESWEPT OFF HER FEET. 767 00:35:49,427 --> 00:35:53,056 WHAT CAN I DO? I CAN'TCOMPETE WITH THAT? 768 00:35:56,268 --> 00:35:59,021 DO YOU REALIZETHIS IS THE FIRST TIME 769 00:35:59,063 --> 00:36:02,400 YOU'VE EVER ADMITTED YOURFEELINGS FOR RITA? 770 00:36:02,442 --> 00:36:05,737 I TOLD MY GRANDMOTHER, SORT OF. 771 00:36:05,737 --> 00:36:07,573 SHE TOLD ME TOTELL HER, 772 00:36:07,614 --> 00:36:08,574 I TOLD MY GBUT I DIDN'TSORT KNOW HOW. 773 00:36:08,615 --> 00:36:13,287 AND NOW, SHE'S OVERTHERE, GETTING SWEPT. 774 00:36:13,287 --> 00:36:16,708 IT IS HARD TO IGNOREA CONFIDENT MAN 775 00:36:16,750 --> 00:36:18,001 WITH A BROOM. 776 00:36:18,001 --> 00:36:19,337 HMM. 777 00:36:22,465 --> 00:36:26,720 WITH A BROOM.WHAT DO I DO? 778 00:36:26,720 --> 00:36:32,185 WELL, YOUGET A BETTER BROOM. 779 00:36:32,227 --> 00:36:33,686 WITH A BROOM.HMM.T DO I DO? 780 00:36:33,728 --> 00:36:35,480 THAT'S A METAPHOR, RIGHT? 781 00:36:35,521 --> 00:36:37,941 YES, IT IS. 782 00:36:37,983 --> 00:36:40,319 YOU KNOW WHEN I WAS AFOSTER KID, 783 00:36:40,361 --> 00:36:43,322 NO ONE EVER CALLEDME BY MY REAL NAME. 784 00:36:43,322 --> 00:36:45,158 JUSTNICKNAMES LIKE 785 00:36:45,158 --> 00:36:48,996 STORMY NORMAN, BORE-MAN, 786 00:36:48,996 --> 00:36:52,166 KID IN BED NUMBER FIVE. 787 00:36:52,166 --> 00:36:55,336 I DIDN'T TELL THEMWHAT MY MIDDLE NAME WAS, 788 00:36:55,336 --> 00:36:57,839 YOU CAN IMAGINE WHATTHEY'D DO WITH XAVIER. 789 00:36:57,839 --> 00:36:59,174 [light chuckle] 790 00:36:59,216 --> 00:37:00,551 THAT DAY WHENI MET RITA 791 00:37:00,593 --> 00:37:01,761 AND SHE ASKED ME MY NAME, 792 00:37:01,802 --> 00:37:04,014 IT JUST ALL CAMEOUT AT ONCE. 793 00:37:04,014 --> 00:37:06,266 IT WAS THE FIRST TIMEI'D EVER TOLD ANYONE 794 00:37:06,307 --> 00:37:11,689 MY REAL NAME,CAUSE... 795 00:37:11,689 --> 00:37:15,485 CAUSE I JUST FELTSAFE WITH HER. 796 00:37:15,527 --> 00:37:17,570 I BELIEVE YOU ARE. 797 00:37:17,612 --> 00:37:20,408 HMM? 798 00:37:21,534 --> 00:37:23,452 I'M NOT INHER LEAGUE. 799 00:37:23,494 --> 00:37:28,542 NORMAN, LOVE CAN ONLYSURVIVE ON SWAGGER 800 00:37:28,583 --> 00:37:30,711 AND CHARISMA FOR SO LONG. 801 00:37:30,711 --> 00:37:35,550 RITA NEEDS A MAN OFTRUE SUBSTANCE. 802 00:37:35,591 --> 00:37:39,388 SHE'S HOLDING OUTFOR A HERO, NORMAN. 803 00:37:39,388 --> 00:37:42,349 THAT HEROCOULD BE YOU. 804 00:37:48,941 --> 00:37:54,030 ♪...and baby, you've got what it takes ♪ 805 00:38:15,263 --> 00:38:16,639 [chair creaks] 806 00:38:16,681 --> 00:38:19,226 HI. I'M HOLLY. 807 00:38:21,770 --> 00:38:24,232 WOULD YOU LIKE A YOO-HOO? 808 00:38:26,485 --> 00:38:28,904 UMM, NO? THANKS? 809 00:38:28,946 --> 00:38:34,285 I USUALLY LEAVE THOSEFOR OLI-- MR. O'TOOLE. 810 00:38:34,327 --> 00:38:37,664 I'M HIS WIFE, YOU KNOW. 811 00:38:37,706 --> 00:38:39,625 UH-HUH. 812 00:38:39,625 --> 00:38:42,253 WE ALL THOUGHT YOUWERE IN PARIS. 813 00:38:42,294 --> 00:38:43,170 AWW. 814 00:38:43,212 --> 00:38:45,798 HEY, DO NORMAN AND RITASTILL WORK HERE? 815 00:38:45,840 --> 00:38:48,426 YES, YES, THEY DO. 816 00:38:48,468 --> 00:38:49,553 AND WHAT DO YOU DO? 817 00:38:49,595 --> 00:38:54,851 UMM...TECH SUPPORT. 818 00:38:54,893 --> 00:38:58,438 WELL, GOOD, OLIVERCAN USE SOME HELP 819 00:38:58,480 --> 00:38:59,314 IN THATDEPARTMENT. 820 00:38:59,314 --> 00:39:00,482 I MEAN, HE REALLYIS VERY SMART 821 00:39:00,482 --> 00:39:02,818 BUT HE NEVER QUITE GOTTHE HANG OF THE INTERNET. 822 00:39:04,654 --> 00:39:10,077 WELL, HE'S DEFINITELY OFEALLYANOTHER TIME.ERY SMART 823 00:39:10,077 --> 00:39:13,498 YEAH, HE'S ALWAYSGOT A STORY 824 00:39:13,540 --> 00:39:14,999 WELL, HE'S OR A QUOTE FORALLYANOTHEEVERY OCCASION.T 825 00:39:15,041 --> 00:39:17,419 HE WOULD HAVE BEENSO FUN AT PARTIES, 826 00:39:17,419 --> 00:39:19,254 IF HE WOULDGO, WHICH HE WON'T, 827 00:39:19,254 --> 00:39:21,048 HBECAUSE THAT'SEENJUST NOT WHO HE IS. 828 00:39:21,048 --> 00:39:24,177 WELL, I'M SORT OF WOULDNEW AROUND HERE...HE WON'T, 829 00:39:24,218 --> 00:39:26,095 LEMME GIVE YOU AEENJUTIP, OKAY. HE IS. 830 00:39:26,137 --> 00:39:27,764 IF HE GOES TO A RESTAURANT 831 00:39:27,764 --> 00:39:30,017 AND HE ORDERS CLAMSAND RED WINE, 832 00:39:30,017 --> 00:39:33,145 HE'S VERY, TOVERY ANGRY.NT 833 00:39:33,188 --> 00:39:36,524 IT'S HARD TO IMAGINEMR. O'TOOLE 834 00:39:36,566 --> 00:39:41,155 EVER BEING ANGRY ENOUGHTO...EAT CLAMS. 835 00:39:41,197 --> 00:39:42,156 [cheerfully laughing] 836 00:39:42,198 --> 00:39:43,115 REALLY? 837 00:39:43,157 --> 00:39:46,161 I GUESS I JUST HAVE THATEFFECT ON HIM, HUH? 838 00:39:46,161 --> 00:39:48,371 [nervous laughter] 839 00:39:48,371 --> 00:39:51,875 I GUWANT TO KNOW THETHATFUNNIEST THING ABOUT HIM, 840 00:39:53,502 --> 00:39:56,798 THAT MAN[nervCAN KISS.ter] 841 00:39:57,674 --> 00:39:58,717 I MEAN THAT WAS THEPROBLEM, RIGHT. 842 00:39:58,717 --> 00:40:01,471 HE'D KISS MEAND I'D FORGET EVERY 843 00:40:01,512 --> 00:40:05,016 PROMISE I EVERMADE TO MYSELF? 844 00:40:05,058 --> 00:40:06,893 SO... 845 00:40:06,893 --> 00:40:08,562 [slow exhale]SO? 846 00:40:08,562 --> 00:40:12,734 SO, I JUST STOPPED KISSINGHIM AND IT WORKED. 847 00:40:12,734 --> 00:40:14,902 I WENT TO PARIS. 848 00:40:14,902 --> 00:40:15,987 NOW YOU'RE BACK! 849 00:40:16,028 --> 00:40:16,613 I WENT TYEAH.IS. 850 00:40:16,654 --> 00:40:17,197 WOW. 851 00:40:17,239 --> 00:40:18,782 WOW. 852 00:40:18,824 --> 00:40:24,205 I MEAN, WHEN YOU GETA LETTER LIKE THIS, 853 00:40:24,247 --> 00:40:26,541 WHAT ELSE ARE YOUGOING TO DO? 854 00:40:26,583 --> 00:40:29,461 THE THINGS HE SAIDIN THIS LETTER 855 00:40:29,503 --> 00:40:31,213 MADE ME REALIZE THAT-- 856 00:40:36,594 --> 00:40:38,764 [softly]HI. 857 00:40:38,764 --> 00:40:40,975 [softly]HI. 858 00:40:42,143 --> 00:40:44,562 [akwardly]HI! 859 00:40:57,452 --> 00:41:01,165 WELL, MR. O'TOOLE, 860 00:41:01,206 --> 00:41:04,544 I STILL HAVE SOME WORKTO DO ON THOSE DIVOR-- 861 00:41:04,585 --> 00:41:10,676 THOSE PAPERS FORMR. CASTELLUCI, SO... 862 00:41:10,717 --> 00:41:13,345 THANK YOU, MS. MCINERNEY. 863 00:41:23,691 --> 00:41:26,820 I ALWAYS THOUGHT I'D KNOWWHAT I WAS GOING TO SAY. 864 00:41:28,822 --> 00:41:30,324 I READ YOUR POEM. 865 00:41:30,365 --> 00:41:31,116 WHICH ONE? 866 00:41:31,158 --> 00:41:32,326 HOW MANY HAVE YOU WRITTEN? 867 00:41:32,368 --> 00:41:35,121 I HAVE A WHOLE BOOK OF THEMCOMING OUT THIS FALL. 868 00:41:35,163 --> 00:41:36,331 REALLY? 869 00:41:36,372 --> 00:41:37,541 WELL DONE. 870 00:41:37,583 --> 00:41:40,169 YOU ALWAYS SAID YOUWANTED TO BE A POET. 871 00:41:40,169 --> 00:41:42,504 I'VE ALWAYS BEEN A POET.I JUST DIDN'T KNOW IT. 872 00:41:42,504 --> 00:41:43,756 [chuckles] 873 00:41:43,798 --> 00:41:45,132 I'VE ALWAYS BEEN A POET.[Holly chuckles]NOW IT. 874 00:41:45,174 --> 00:41:47,135 DID YOU MEANTO DO THAT? 875 00:41:47,177 --> 00:41:48,511 WHAT? 876 00:41:48,511 --> 00:41:52,057 YOU JUST SAID"KNOW IT" AND "POET" 877 00:41:53,517 --> 00:41:55,854 [Holly chuckles] 878 00:41:55,895 --> 00:41:58,440 I'M SO SORRY,I'M NOT FOLLOWING. 879 00:41:59,483 --> 00:42:00,860 [whispering]THEY'RE JUST STANDING 880 00:42:00,860 --> 00:42:01,861 THERE, TALKING. 881 00:42:01,902 --> 00:42:04,739 [whispering]HOW CLOSE ARE THEY STANDING? 882 00:42:04,780 --> 00:42:05,740 WHAT ARE YOUGUYS DOING? 883 00:42:05,781 --> 00:42:09,703 [Shane gasps]SHHH... 884 00:42:10,287 --> 00:42:12,581 WELL, I HELPED MYSELFTO A YOO-HOO, 885 00:42:12,623 --> 00:42:14,208 SOME THINGS NEVERCHANGE, RIGHT. 886 00:42:14,250 --> 00:42:15,418 OH, WELL, I DON'T KNOW. 887 00:42:15,460 --> 00:42:16,378 YOU'RE HERE. 888 00:42:16,378 --> 00:42:18,671 AND IF YOU'RE HERE, 889 00:42:18,714 --> 00:42:20,716 THAT MEANS YOU MUST HAVEYREAD WHAT I WROTE 890 00:42:20,716 --> 00:42:22,968 ABOUT BEINGWILLING TO CHANGE... 891 00:42:24,178 --> 00:42:25,722 YOU KNOW, I WANT TO TALK. 892 00:42:25,722 --> 00:42:28,767 I DO, BUT ITWAS A LONG FLIGHT 893 00:42:28,808 --> 00:42:29,894 AND I NEED TOSLEEP. 894 00:42:29,935 --> 00:42:30,728 OH, OF COURSE. 895 00:42:30,728 --> 00:42:34,690 UHH, WHERE WOULDYOU LIKE TO DO THAT? 896 00:42:34,732 --> 00:42:39,195 I GOT A ROOM ATTHE BROWN PALACE. 897 00:42:39,195 --> 00:42:42,574 AH, YOU ALWAYS SAID 898 00:42:42,574 --> 00:42:45,787 YOU WANTED TOGOT A ROOM ATSTAY THERE SOMEDAY.OWN PALACE. 899 00:42:47,622 --> 00:42:50,208 DON'T LOOK SO SAD. 900 00:42:50,250 --> 00:42:55,006 OLLY, IT'S GOING TO BE OKAY. 901 00:42:57,884 --> 00:42:59,970 I WROTE A POEMABOUT THAT TOO. 902 00:42:59,970 --> 00:43:01,430 OH. 903 00:43:01,430 --> 00:43:03,265 IDRINKS, POEMIN THE LOBBY,O. 904 00:43:03,265 --> 00:43:06,311 TONIGHT, TEN O'CLOCK? 905 00:43:06,352 --> 00:43:10,399 YES. 906 00:43:10,441 --> 00:43:12,819 OKAY. 907 00:43:17,449 --> 00:43:18,951 [whispering]SHE'S COMING! 908 00:43:18,992 --> 00:43:19,952 -OH!-OH! 909 00:43:27,586 --> 00:43:29,463 [whispering] 910 00:43:29,504 --> 00:43:31,006 -OH!-OH! 911 00:43:31,966 --> 00:43:34,009 AH, THERE YOU AREMS. MCINERNEY. 912 00:43:34,051 --> 00:43:36,387 I'M THINKING PERHAPS IT'STIME TO DELIVER 913 00:43:36,429 --> 00:43:38,139 OUR LETTER TO MS. CASTELLUCI. 914 00:43:38,181 --> 00:43:41,643 WELL, IT'S A LITTLEEARLY ISN'T IT? 915 00:43:41,643 --> 00:43:42,895 IT IS A RESTAURANT. 916 00:43:42,895 --> 00:43:44,313 WE COULD HAVEAN EARLY DINNER. 917 00:43:44,313 --> 00:43:46,733 I'M HAVING A RARE CRAVINGFOR SARDINIAN CLAMST. 918 00:43:46,774 --> 00:43:49,987 AND A NICE GLASS OF ANUNASSUMING BRUNELLO. 919 00:43:52,906 --> 00:43:58,955 ♪ 920 00:44:06,882 --> 00:44:10,719 OLIVER, ARE WE GOING TOTALK ABOUT THIS? 921 00:44:10,761 --> 00:44:13,681 I'M SORRY? 922 00:44:13,723 --> 00:44:17,435 IT JUST SEEMS A LITTLE ODDTHAT YOUR MISSING WIFE 923 00:44:17,477 --> 00:44:18,854 FINALLY CAMEBACK FROM PARIS 924 00:44:18,896 --> 00:44:23,526 AND YOU'RE HAVINGDINNER WITH ME. 925 00:44:23,526 --> 00:44:26,571 WELL, I THOUGHT I COULDKILL TWO BIRDS WITH 926 00:44:26,613 --> 00:44:27,697 AND YOU'RE HAVINGDINNER WITH MEONE STONE. 927 00:44:27,697 --> 00:44:29,366 RETURN THE LETTER TOCAITLYN AND... 928 00:44:29,408 --> 00:44:32,327 GET SOME EMERGENCY CLAMS? 929 00:44:34,872 --> 00:44:38,084 HOLLY TOLD ME ABOUTTHE CLAM THING. 930 00:44:40,379 --> 00:44:44,967 AH. 931 00:44:45,009 --> 00:44:47,387 AND, WHAT ELSE DID SHE SAY? 932 00:44:47,387 --> 00:44:53,018 OH, SHE DID MENTION YOUCAN CHANGE HER MIND WITH A... 933 00:44:55,939 --> 00:44:57,982 OLIVER, THIS HAS BEEN A ELSE TERRIBLE SHOCK. SHE SAY? 934 00:44:58,024 --> 00:44:59,609 IF YOU HAVETO LEAVE, 935 00:44:59,651 --> 00:45:03,030 I CAN HANDLE CAITLYNAND THE LETTER. 936 00:45:03,072 --> 00:45:04,740 TO BE HONEST, MS. MCINERNEY, 937 00:45:04,782 --> 00:45:11,582 I CAN'T IMAGINE DOINGANYTHING ELSE RIGHT NOW. 938 00:45:11,623 --> 00:45:16,588 THIS IS WHAT WE DO BEST. 939 00:45:16,629 --> 00:45:18,090 WE DELIVER. 940 00:45:18,090 --> 00:45:22,303 WE ARE GOOD ATTHIS, AREN'T WE? 941 00:45:26,808 --> 00:45:28,518 SLOW NIGHT. 942 00:45:28,518 --> 00:45:30,687 WELL, THE FOOD ISMARVELLOUS. 943 00:45:30,729 --> 00:45:33,774 I IMAGINE THIS IS QUITESLTHE POPULAR PLACE. 944 00:45:33,774 --> 00:45:36,069 WELL, WE HAVE OUR GOODYEARS AND OUR BAD YEARS. 945 00:45:36,111 --> 00:45:38,113 I IMAGINE THIS IS QUITEJUST LIKE A MARRIAGE.ACE. 946 00:45:38,154 --> 00:45:39,448 I UNDERSTAND THAT. 947 00:45:41,993 --> 00:45:43,619 WE WERE SO CRAZY ABOUT EACH OTHER. 948 00:45:43,660 --> 00:45:45,913 WE HAD THAT KIND OF THING WHERE YOU TELL YOURSELF 949 00:45:45,955 --> 00:45:49,126 "THIS IS NOT THE KIND OF GIRL I EVER THOUGHT I'D MARRY" 950 00:45:49,126 --> 00:45:50,794 BUT THEN YOU DO. 951 00:45:50,836 --> 00:45:58,303 FOR THE FIRST FEW YEARS, THINGS WERE SO GREAT. 952 00:45:58,303 --> 00:46:00,848 THEN THE RECESSION HIT US HARD. 953 00:46:00,890 --> 00:46:03,183 WE ALMOSTLOST THIS PLACE. 954 00:46:03,225 --> 00:46:06,396 CATIE ALWAYS FOUNDSOMETHING TO CHEER US UP, 955 00:46:06,437 --> 00:46:07,647 MAKE ME LAUGH. 956 00:46:07,647 --> 00:46:10,025 I'VE ACTUALLY SEENA GIANT MISQUITO 957 00:46:10,066 --> 00:46:11,693 TAKE AWAY MY BROTHER... 958 00:46:11,735 --> 00:46:12,611 DIDN'T KEEP HIM FOR LONG... 959 00:46:12,653 --> 00:46:13,988 JUST DROPPEDHIM OFF IN TOPEKA 960 00:46:13,988 --> 00:46:16,658 THANK YOU GUYS SO MUCH,YOU GUYS HAVE BEEN... 961 00:46:16,699 --> 00:46:19,077 [crowd applauds] 962 00:46:19,119 --> 00:46:22,915 WE HAD TO WORK SIX DAYS A WEEK JUST TO KEEP IT TOGETHER, 963 00:46:22,956 --> 00:46:28,797 SO WE DECIDED TO WAITTO START A FAMILY. 964 00:46:28,838 --> 00:46:30,424 [sigh] 965 00:46:30,465 --> 00:46:34,136 I DECIDED. 966 00:46:34,178 --> 00:46:36,389 WHEN WE FINALLY FELTLIKE WE WERE READY, 967 00:46:36,389 --> 00:46:40,769 THE DOCTOR TOLD CATIETHAT SHE COULDN'T. 968 00:46:40,769 --> 00:46:45,191 WHEN AND, OH MAN, LTLIKETHAT WAS TOUGH. 969 00:46:45,191 --> 00:46:47,902 THAFTER THAT WE JUSTTKIND OF DRIFTED. 970 00:46:47,902 --> 00:46:49,988 INTO OUR OWN LITTLE WORLDS. 971 00:46:50,030 --> 00:46:55,453 WE JUST STOPPED BEINGTCATIE AND JOEY. 972 00:46:55,494 --> 00:46:58,832 I COULD SEE THINGS WERE STARTING TO FALL APART. 973 00:46:58,873 --> 00:47:01,752 THEN SHE STARTED GOING OUT MONDAY NIGHTS... 974 00:47:01,794 --> 00:47:04,922 THAT'S THE NIGHT WE'RE CLOSED. 975 00:47:04,922 --> 00:47:06,716 I'D STAY HOME AND WATCH FOOTBALL, 976 00:47:06,757 --> 00:47:09,636 SHE WENT TO THET MOVIES WITH THE GIRLS, 977 00:47:09,678 --> 00:47:15,059 AT LEAST THAT'S WHAT SHE TOLD ME. 978 00:47:15,101 --> 00:47:16,143 ONE MONDAY NIGHT, I FOLLOWED HER... 979 00:47:16,185 --> 00:47:17,395 SHE WALKED IN ALONE, 980 00:47:17,395 --> 00:47:21,233 BUT THAT'S NOT HOW SHE WALKED OUT. 981 00:47:26,447 --> 00:47:27,866 WE'D BOTH SEEN IT COMING, 982 00:47:27,907 --> 00:47:32,204 I JUST THOUGHT I'D GET IT OVER WITH. 983 00:47:32,246 --> 00:47:34,915 SO, I HAD THE PAPERS DRAWN UP. 984 00:47:34,915 --> 00:47:36,251 I WAITED A WHILE, 985 00:47:36,292 --> 00:47:37,878 I WENT BACK AND FORTH. 986 00:47:37,878 --> 00:47:46,053 YOU KNOW, I ALMOST MAILED THEM BUT I COULDN'T. 987 00:47:46,053 --> 00:47:48,556 I WENT BACKTHEN WHO DID MAIL THEM? 988 00:47:48,598 --> 00:47:50,183 YOU KNOW, I ALMOST MAILED THEM BI DID,OULDN'T. 989 00:47:50,225 --> 00:47:51,184 ACCIDENTALLY. 990 00:47:51,226 --> 00:47:53,354 THAT'S HOW I GOTTHIS BUM LEG. 991 00:47:53,396 --> 00:47:55,606 I GOT IN A FIGHT TRYING TO STOP A CAR-JACKING. 992 00:47:55,606 --> 00:48:00,279 A COUPLE OF GUYS BEAT ME UP, PRETTY GOOD. 993 00:48:00,279 --> 00:48:01,989 I ALMOST DIED. 994 00:48:02,031 --> 00:48:03,115 [car alarm rings] 995 00:48:03,157 --> 00:48:05,159 [woman screams] HELP! SOMEONE HELP ME! 996 00:48:05,201 --> 00:48:06,411 YOU KNOW, THEAMAZING THING... 997 00:48:06,452 --> 00:48:09,289 IS THAT CATIE WALKEDINTO THAT HOSPITAL ROOM 998 00:48:09,289 --> 00:48:10,624 TWO YEARS AGO, 999 00:48:10,624 --> 00:48:13,878 AND SHE NEVER LEFT MY SIDE AGAIN. 1000 00:48:13,878 --> 00:48:15,672 WE GOT OUR MARRIAGE BACK. 1001 00:48:15,672 --> 00:48:19,551 I NEVER TOLD HER IKNEW WHAT SHE DID.. 1002 00:48:19,592 --> 00:48:22,971 I FORGAVE HERAND I MOVED ON. 1003 00:48:22,971 --> 00:48:25,141 [Oliver clears throat] 1004 00:48:25,183 --> 00:48:29,313 YOU FORGAVE HER? 1005 00:48:29,354 --> 00:48:32,107 JOEY, OLIVER IS VERYGOOD AT HIS JOB, 1006 00:48:32,149 --> 00:48:35,027 AND IF THERE'S ONE THINGTHAT HE'S TAUGHT ME, 1007 00:48:35,069 --> 00:48:40,325 IT'S THAT THINGS HAPPEN,ALL THE TIME. 1008 00:48:40,325 --> 00:48:44,872 THAT AT FIRST MAYSEEM ALL WRONG, 1009 00:48:44,914 --> 00:48:49,169 BUT WHEN WE HAVE FAITHTHAT SOMETHING GREATER 1010 00:48:49,169 --> 00:48:50,337 MIGHT BE AT WORK, 1011 00:48:50,337 --> 00:48:55,551 ALL THOSE THINGS JUST END UPWORKING TOGETHER FOR GOOD. 1012 00:49:06,439 --> 00:49:07,357 MIGHT [clears throat] 1013 00:49:07,398 --> 00:49:14,031 I THINK IN LIGHT OFTHE CIRCUMSTANCES, 1014 00:49:14,031 --> 00:49:16,283 PERHAPS WE CAN MAKE AN ALLOWANCE 1015 00:49:16,325 --> 00:49:17,952 AND ENTRUSTTHE ENVELOPE TO 1016 00:49:17,952 --> 00:49:20,789 YOU TO DO WITHIT AS YOU SEE FIT. 1017 00:49:20,789 --> 00:49:25,544 THANK YOU,ENTRUSTTHANK YOU SO MUCH.PE TO 1018 00:49:25,544 --> 00:49:27,756 YOU TO DO WITHIT THAT'S ODD. IT. 1019 00:49:27,756 --> 00:49:30,217 THI MUST HAVE LEFT ITTHANK YOBACK AT THE DLO. 1020 00:49:30,217 --> 00:49:33,053 I'M SORRY, I HAVE BEEN A BITDISTRACTED TODAY... IT. 1021 00:49:33,053 --> 00:49:34,138 JOEY! 1022 00:49:35,097 --> 00:49:36,141 I'M SORRY, I HAVE BEEN A BITDISTRACTEHEY MICHAEL!T. 1023 00:49:36,141 --> 00:49:37,433 GET THE RESTOUT OF MY CAR, 1024 00:49:37,475 --> 00:49:40,145 I'M SORRY, I AND PUT THEMBITDISTRACTEIN THE BACK.T. 1025 00:49:40,186 --> 00:49:41,688 - HEY.- HEY. 1026 00:49:41,730 --> 00:49:43,440 MWAH! 1027 00:49:43,482 --> 00:49:45,484 HI, I'M CAITLYN. 1028 00:49:45,526 --> 00:49:46,403 HI. 1029 00:49:46,403 --> 00:49:47,069 HOW'S THE FOOD? 1030 00:49:47,069 --> 00:49:48,363 IT'S DELICOUS. 1031 00:49:48,405 --> 00:49:49,197 HOW'S THE FOODOLIVER! 1032 00:49:49,239 --> 00:49:51,074 HEY, GUESS WHATYOU GUYS FORGOT. 1033 00:49:51,074 --> 00:49:51,825 CAITYN'S LETTER... 1034 00:49:51,867 --> 00:49:53,035 - NO, NORMAN...- UHH. 1035 00:49:53,076 --> 00:49:54,287 OH, THAT'S FOR ME. 1036 00:49:54,287 --> 00:49:56,039 CATIE, WE SHOULD TALKBEFORE YOU... 1037 00:49:56,080 --> 00:49:57,582 OH, THAT'S WHAT IS THIS? 1038 00:49:57,582 --> 00:49:59,042 IT'S TWO YEARS OLD. 1039 00:49:59,083 --> 00:50:01,628 DOESN'T MATTER.YOU SHOULD JUST THROW IT... 1040 00:50:03,380 --> 00:50:07,302 YOU WERE GOING TO DIVORCE ME? 1041 00:50:07,343 --> 00:50:08,720 IT WAS A MISTAKE. 1042 00:50:08,720 --> 00:50:10,096 WHEN DIDYOU MAIL THESE? 1043 00:50:10,096 --> 00:50:12,183 IT WAS THE NIGHTTHAT I GOT HURT.E. 1044 00:50:12,183 --> 00:50:14,852 SO I JUST SPENTTHE LAST TWO YEARS 1045 00:50:14,852 --> 00:50:17,897 IT WAS THE NURSING A MANTHAT I GOTWHO WAS PLANNING 1046 00:50:17,939 --> 00:50:18,940 SO I JUST SPENTTHE TO DIVORCE ME? 1047 00:50:18,982 --> 00:50:21,652 I DIDN'T TELL YOU BECAUSEIT DOESN'T MATTER. 1048 00:50:21,694 --> 00:50:23,028 I FORGIVE YOU. 1049 00:50:23,070 --> 00:50:24,738 FOR WHAT? 1050 00:50:24,780 --> 00:50:25,781 WHAT ARE YOUTALKING ABOUT? 1051 00:50:25,823 --> 00:50:27,491 YOU KNOW WHATI'M TALKING ABOUT. 1052 00:50:27,533 --> 00:50:29,160 NO, JOEY,I HAVE ABSOLUTELY 1053 00:50:29,202 --> 00:50:31,163 NO CLUE WHAT YOUARE TALKING ABOUT. 1054 00:50:31,163 --> 00:50:33,332 TWO YEARS AGO I SAW YOUWITH ANOTHER MAN 1055 00:50:33,373 --> 00:50:34,625 IN A PARKING LOT WHAT YOUOUTSIDE THE CLUB...G ABOUT. 1056 00:50:34,625 --> 00:50:37,337 YOU SAW ME IN A PARKINGLOT WITH A MAN... 1057 00:50:37,378 --> 00:50:38,671 IN A PARKIWELL, THERE GOESOUTSIDE THE THE MARRIAGE.T. 1058 00:50:38,714 --> 00:50:41,633 IT WAS MORE THAN THATAND YOU KNOW IT. 1059 00:50:51,478 --> 00:50:54,064 YOU LIED TO ME. 1060 00:50:54,106 --> 00:50:56,692 YOU TOLD ME YOU LOSTTHIS IN THE FIGHT. 1061 00:50:56,692 --> 00:50:59,654 YOU LIED TO ME, EVERYMONDAY FOR WEEKS. 1062 00:50:59,696 --> 00:51:01,740 YOU TOLD ME YOU LOSTTHIEVERY MONDAY... 1063 00:51:04,118 --> 00:51:08,331 OH MY GOSH. 1064 00:51:08,373 --> 00:51:11,001 THAT MAN YOU SAWIN THE PARKING LOT 1065 00:51:11,001 --> 00:51:12,794 WAS THE OWNER OF THE NIGHTCLUB 1066 00:51:12,836 --> 00:51:14,171 WE USED TO GO TO. 1067 00:51:14,213 --> 00:51:15,965 DO YOU REMEMBER THOSE OPEN MIC NIGHTS 1068 00:51:16,007 --> 00:51:19,344 AND HOW HE WAS ALWAYS SAYING HE'S LOOKING FOR NEW TALENT? 1069 00:51:19,386 --> 00:51:21,179 WELL, I WENT TO GO SEE HIM. 1070 00:51:21,221 --> 00:51:25,809 I'M FINDING OUT THAT WHENYOU MARRY AN ITALIAN CHEF, 1071 00:51:25,851 --> 00:51:28,354 YOU HAVE GOT TO KNOW THE LINGO. 1072 00:51:28,396 --> 00:51:33,068 SPAGHETTI, ROTINI,RIGATONI, CROSTINI, 1073 00:51:33,110 --> 00:51:36,113 CANNELLONI, CALAMARI,RAVIOLI, FUSILI, 1074 00:51:36,113 --> 00:51:38,909 LINGUINI, EENY-MEENYFETTUCCINE. 1075 00:51:38,950 --> 00:51:39,993 CANNELLONI, CALAMARI,R[crowd laughs] 1076 00:51:40,035 --> 00:51:42,913 DO THEY NOT EAT ANY FOODTHAT ENDS IN A CONSONANT? 1077 00:51:42,954 --> 00:51:45,166 WHAT ARE THEY SAVING THECONSONANTS FOR? 1078 00:51:45,207 --> 00:51:47,710 AND HE LIKED THE WAY I COULD TELL A STORY, 1079 00:51:47,710 --> 00:51:49,171 SO HE SAID HE WOULD COACH ME. 1080 00:51:49,212 --> 00:51:51,381 AND I GOT TO THINKING, MAYBE IF HE COULD TEACH ME 1081 00:51:51,423 --> 00:51:53,634 AT HOW TO BE GOOD AT BEING FUNNY, 1082 00:51:53,676 --> 00:51:55,261 I COULD SURPRISE YOU, 1083 00:51:55,303 --> 00:51:56,720 TAKE YOU BACK THAT NIGHTCLUB 1084 00:51:56,720 --> 00:51:59,057 AND WATCH YOUR FACE WHENTHEY'D INTRODUCE ME 1085 00:51:59,057 --> 00:52:01,893 AND I'D WALK UP ON STAGEAND KNOCK 'EM DEAD. 1086 00:52:06,232 --> 00:52:10,487 AND THEN I'D GET TO SEEYOU LAUGH AGAIN. 1087 00:52:10,529 --> 00:52:14,909 IT'S THETRUTH. 1088 00:52:14,951 --> 00:52:17,078 I SHOULD HAVE TOLD YOUWHAT I WAS TRYING TO DO, 1089 00:52:17,078 --> 00:52:23,419 I JUST DIDN'T WANTTO FAIL AT THAT... 1090 00:52:23,419 --> 00:52:25,088 [crying]THE WAY I FAILED 1091 00:52:25,088 --> 00:52:26,464 WITH THE BABY. 1092 00:52:26,464 --> 00:52:30,134 OH, DON'T SAY THAT...DON'T SAY THAT. 1093 00:52:30,176 --> 00:52:32,471 YOU DIDN'T FAIL.I FAILED YOU. BABY. 1094 00:52:32,512 --> 00:52:33,263 I SHOULD HAVE... 1095 00:52:33,305 --> 00:52:35,641 I SHOULD HAVE TOLDYOU HOW I FELT, 1096 00:52:35,683 --> 00:52:36,684 AND I DIDN'T, 1097 00:52:36,726 --> 00:52:39,604 AND I ALMOSTLOST YOU. 1098 00:52:39,646 --> 00:52:41,732 DO YOU FORGIVE ME? 1099 00:52:41,773 --> 00:52:47,614 OF COURSE.THAT'S WHAT WE DO. 1100 00:53:03,382 --> 00:53:07,052 ♪ 1101 00:53:16,523 --> 00:53:19,151 [telephone clink] 1102 00:53:19,151 --> 00:53:20,485 [inaudible voice] 1103 00:53:20,485 --> 00:53:23,030 YES, MS. HOLLY O'TOOLE'SROOM, PLEASE. 1104 00:53:23,071 --> 00:53:24,407 ONE MOMENT. 1105 00:53:27,076 --> 00:53:31,039 ♪ 1106 00:53:32,624 --> 00:53:33,709 [clink] 1107 00:53:43,679 --> 00:53:45,222 WHERE WOULDYOU LIKE TO SIT? 1108 00:53:45,264 --> 00:53:47,391 OH, I DON'T CARE.ANYWHERE. 1109 00:53:47,391 --> 00:53:48,017 UMM. 1110 00:53:48,017 --> 00:53:51,354 OH, HOW ABOUT RE.RIGHT HERE? 1111 00:53:51,354 --> 00:53:54,650 OOO, I WOULD JUSTLOVE ONE OF THOSE. 1112 00:53:54,650 --> 00:53:56,861 TWO, ACTUALLY, PLEASE. 1113 00:53:56,861 --> 00:53:58,529 OOO, I WOULD JUSTLOVE ONE THANKS.E. 1114 00:53:58,529 --> 00:53:59,656 TWO, ACTUALLY, PLEASSO... 1115 00:53:59,698 --> 00:54:00,824 SO... 1116 00:54:03,368 --> 00:54:04,453 [clink] 1117 00:54:07,207 --> 00:54:11,211 THIS FEELS VERY STRANGE. 1118 00:54:11,211 --> 00:54:14,506 THE LETTER I WROTE TO YOUWAS LOST SO LONG AGO, 1119 00:54:14,548 --> 00:54:17,927 I CAN BARELYREMEMBER WHAT I SAID. 1120 00:54:17,969 --> 00:54:20,222 WELL, YOU SAID IF I CAME BACK 1121 00:54:20,263 --> 00:54:22,933 YOU WOULD TRY TO SEEMY DREAMS THROUGH MY EYES. 1122 00:54:22,975 --> 00:54:24,602 THAT'S RIGHT. 1123 00:54:24,643 --> 00:54:27,230 AND YOU SAID IFI'D LEFT FOREVER, 1124 00:54:27,230 --> 00:54:29,566 YOU'D ACCEPTTHAT. 1125 00:54:29,566 --> 00:54:31,568 AND YOU SAIDI WAS LOCKED I'D LEFT FORIN A BANK VAULT 1126 00:54:31,610 --> 00:54:35,155 AT THE TIME I WROTETHAT, ACTUALLY... 1127 00:54:35,155 --> 00:54:38,118 SO, WHAT ARE YOU SAYING? 1128 00:54:38,159 --> 00:54:40,536 DO YOU TIME I WROTEWANT ME BACK?TUALLY... 1129 00:54:40,579 --> 00:54:42,122 DO I WANT YOU BACK? 1130 00:54:42,163 --> 00:54:45,752 UMM, HOLLY, I WANTAN EXPLANATION. 1131 00:54:45,752 --> 00:54:49,506 I WANT TO KNOW WHY MY WIFERAN AWAY TO PARIS, 1132 00:54:49,506 --> 00:54:52,425 NEVER EVEN CALLED.NEVER WROTE. 1133 00:54:52,425 --> 00:54:58,432 DO YOU HAVE ANY IDEA WHATEYOU PUT ME THROUGH? 1134 00:54:58,474 --> 00:55:00,435 YOU LET SIT HERE, TWO YEARS, 1135 00:55:00,435 --> 00:55:03,022 TERRIFIED THAT MAYBESOMETHING HAPPENED TO YOU. 1136 00:55:03,063 --> 00:55:03,981 BUT NOTHINGHAPPENED. 1137 00:55:04,023 --> 00:55:08,278 WELL, LOTS HAPPENEDBUT NOTHING BAD. 1138 00:55:08,278 --> 00:55:12,073 THAT WOULD HAVEBEEN NICE TO KNOW. 1139 00:55:12,115 --> 00:55:13,575 OLLY... 1140 00:55:13,617 --> 00:55:15,077 PLEASE DON'T CALL ME THAT. 1141 00:55:15,119 --> 00:55:17,914 WHY DID YOU MARRY ME? 1142 00:55:17,955 --> 00:55:19,582 WHAT? 1143 00:55:19,624 --> 00:55:23,211 WHY DID YOU MARRYME? 1144 00:55:23,253 --> 00:55:30,554 YOU MADE MEUNCOMFORTABLE WITH MY LIFE 1145 00:55:30,554 --> 00:55:31,888 AND I THOUGHT MAYBE THAT'S GOOD, 1146 00:55:31,930 --> 00:55:36,519 MAYBE MY LIFE NEEDSUNCOA LITTLE SHAKING UP.FE 1147 00:55:36,561 --> 00:55:39,773 AND YOU CERTAINLYDID THAT. 1148 00:55:39,815 --> 00:55:41,692 YOU KNOW THEFIRST NIGHT WE MET, 1149 00:55:41,733 --> 00:55:44,278 I WAS PERFECTLYHONEST WITH YOU. 1150 00:55:44,320 --> 00:55:46,363 I TOLD YOU THATI NEEDED TO BE FREE, 1151 00:55:46,405 --> 00:55:48,741 WE WERE LOST IN ABLIZZARD. 1152 00:55:48,783 --> 00:55:51,619 YOU WERE DELIRIOUS. 1153 00:55:51,661 --> 00:55:54,247 YOU WERE AMAZING IN THAT STORM. 1154 00:55:54,289 --> 00:55:58,419 YOU LOVED BEING MY HEROAND I NEEDED ONE. 1155 00:55:58,461 --> 00:56:02,466 AND I LEARNED SO MUCHFROM YOU, OLIVER. 1156 00:56:02,507 --> 00:56:04,176 BUT THE BIGGESTTHING I LEARNED, 1157 00:56:04,218 --> 00:56:05,928 THE BIGGESTTHING... 1158 00:56:05,970 --> 00:56:08,889 IS THAT IF YOU WANTTO BE A GROWN UP, 1159 00:56:08,932 --> 00:56:11,518 YOU GOT TO BE YOUR OWN HERO. 1160 00:56:11,560 --> 00:56:14,939 I'M SORRY, 1161 00:56:14,981 --> 00:56:17,817 I DON'T UNDERSTAND HOWLEAVING YOUR HUSBAND 1162 00:56:17,859 --> 00:56:19,944 AT THE PONYEXPRESS EXHIBIT AT THE 1163 00:56:19,986 --> 00:56:26,119 NATIONAL POSTAL MUSEUM CANBE CONSIDERED HEROIC. 1164 00:56:26,119 --> 00:56:32,209 OH, WELL, HEROESCAN BE COWARDS. 1165 00:56:32,209 --> 00:56:34,294 NATIONAL POSTAL MUSEUM CANBE CONSIDWHAT?HEROIC. 1166 00:56:34,336 --> 00:56:36,839 I HAVE NO IDEA WHATYOU'RE TALKING ABOUT. 1167 00:56:36,839 --> 00:56:38,799 SEE! THAT'S IT. 1168 00:56:38,841 --> 00:56:40,426 YOU LEAVE US VE NO IDEA WHATALONE IN A CARE TALKING ABOUT. 1169 00:56:40,468 --> 00:56:42,679 WITH ONLY THE TWO OFUS TO HEAT EACH OTHER UP 1170 00:56:42,721 --> 00:56:45,641 AND WE COMMUNICATE JUST FINE. 1171 00:56:45,682 --> 00:56:48,728 BUT TALKING,WITH ACTUAL WORDS, 1172 00:56:48,770 --> 00:56:50,313 WE WERE NEVERVERY GOOD AT THAT, 1173 00:56:50,355 --> 00:56:51,606 WHICH IS WHY IT'S SO AMAZING 1174 00:56:51,648 --> 00:56:53,108 THAT IN THE PASTTWO YEARS, 1175 00:56:53,150 --> 00:56:54,485 I'VE REALLY LEARNEDTO EXPRESS MYSELF. 1176 00:56:54,485 --> 00:56:56,737 IN TWO LANGUAGESAPPARENTLY. 1177 00:56:56,779 --> 00:57:01,910 CAN YOU USE ONE OF THEM TO TELLTO EME WHY YOU CAME BACK? 1178 00:57:01,951 --> 00:57:07,583 TO SEE YOU. TO FIND OUTWHAT I WANT. 1179 00:57:07,583 --> 00:57:08,876 WHAT ABOUT WHAT I WANT? 1180 00:57:08,918 --> 00:57:10,796 WHAT DO YOU WANT? 1181 00:57:10,837 --> 00:57:13,840 [deep inhale] 1182 00:57:13,882 --> 00:57:16,052 PEACE. 1183 00:57:16,093 --> 00:57:18,054 THAT'S BEAUTIFUL. 1184 00:57:18,054 --> 00:57:21,308 NO, THAT'S ESSENTIAL. 1185 00:57:21,308 --> 00:57:26,397 I DON'T WANT TO BE THEFIRST ONE TO SAY IT. 1186 00:57:26,439 --> 00:57:28,983 NO, THAT'WHAT?ENTIAL. 1187 00:57:30,985 --> 00:57:33,655 ARE YOU TALKINGABOUT DIVORCE? 1188 00:57:33,697 --> 00:57:36,241 NO. MAYBE. I DON'T KNOW. 1189 00:57:36,283 --> 00:57:38,786 IF WE SAY IT, WE CAN'TTAKE IT BACK. 1190 00:57:38,786 --> 00:57:40,080 NO, WE CAN'T. 1191 00:57:40,121 --> 00:57:46,253 IF WEAND MARRIAGE IS SO SACRED,TAKE ITSO PRECIOUS. 1192 00:57:46,295 --> 00:57:49,299 ENDING IT SHOULDN'T BEAN EASY THING TO DO. 1193 00:57:55,264 --> 00:58:00,019 HOLLY, IT'S BEEN A LONG DAY. 1194 00:58:00,019 --> 00:58:00,729 YES. 1195 00:58:00,770 --> 00:58:02,231 I'VE HAD A LOT OFN SURPRISES,Y. 1196 00:58:02,272 --> 00:58:03,983 I'VE EATEN ALOT OF CLAMS. 1197 00:58:03,983 --> 00:58:10,156 LET US NOT GET DIVORCED TONIGHT. 1198 00:58:10,156 --> 00:58:11,407 OKAY. 1199 00:58:11,449 --> 00:58:14,996 WE'LL TALK IT OVER,DITOMORROW.NIGHT. 1200 00:58:14,996 --> 00:58:16,288 TOMORROW. 1201 00:58:16,330 --> 00:58:19,125 I'M GOING TO GO UPSTAIRS. 1202 00:58:19,166 --> 00:58:23,046 I THINK I'M GOING TO WRITEA POEM ABOUT THIS. 1203 00:58:33,183 --> 00:58:35,770 GOOD IDEA. 1204 00:58:41,192 --> 00:58:44,405 ♪ soft jazz ♪ 1205 00:59:04,303 --> 00:59:09,684 ♪ Song for You by Adam Woodall Band ♪ 1206 00:59:17,109 --> 00:59:19,028 GOING MY WAY? 1207 00:59:21,739 --> 00:59:24,326 AH, MS. MCINERNEY. 1208 00:59:24,367 --> 00:59:26,787 YOU'RE IN EARLY. 1209 00:59:26,829 --> 00:59:28,247 I COULDN'T SLEEP. 1210 00:59:28,289 --> 00:59:30,333 NEITHER COULD I. 1211 00:59:30,374 --> 00:59:33,587 COME ON UP HERE WITH ME. 1212 00:59:33,587 --> 00:59:39,135 COM'ON.COME ON. 1213 00:59:39,885 --> 00:59:41,221 COME ON UP [clears throat] 1214 00:59:51,233 --> 00:59:56,989 SO, DO YOU KNOW WHATYOU'RE GOING TO DO? 1215 00:59:57,030 --> 01:00:01,953 I'D LIKE TO DO THE RIGHT THING. 1216 01:00:01,953 --> 01:00:04,164 YOU ALWAYS DO. 1217 01:00:04,206 --> 01:00:10,005 NO... NO, I DON'T. 1218 01:00:10,046 --> 01:00:12,758 I WAITED MORETHAN A YEAR 1219 01:00:12,799 --> 01:00:17,764 TO WRITE HER A LETTERBECAUSE I JUST... 1220 01:00:21,643 --> 01:00:28,734 THERE IS SO MUCH I COULDHAVE DONE AND I DIDN'T. 1221 01:00:28,776 --> 01:00:30,069 [deep inhale] 1222 01:00:30,111 --> 01:00:34,825 AND I DON'T KNOW WHY. 1223 01:00:34,825 --> 01:00:38,288 BECAUSE IT HURT. 1224 01:00:38,288 --> 01:00:42,333 AND IT FROZE YOU UP. 1225 01:00:42,333 --> 01:00:44,169 YOU'RE LIKE THE SNOWMANI SAW IN THE PARKURT. 1226 01:00:44,210 --> 01:00:46,130 ON MY WAYIN THIS MORNING. 1227 01:00:46,130 --> 01:00:48,883 HE'S JUST STUCK THERE, 1228 01:00:48,883 --> 01:00:52,262 LEFT BEHIND BY SOMEONEWHO MADE HIM THAT WAY. 1229 01:00:52,262 --> 01:00:55,057 ALL HE CAN DO ISWAIT FOR THE THAW 1230 01:00:55,098 --> 01:00:57,643 LEFT BEFORE HE SOMEONEWHO CAN CHANGE.AT WAY. 1231 01:00:57,643 --> 01:01:07,655 BUT... THEN HE MELTS. 1232 01:01:08,698 --> 01:01:11,702 YOU HAVEN'T FORGIVENEONEWHER, HAVE YOU?AT WAY. 1233 01:01:11,702 --> 01:01:15,872 [deep breath] 1234 01:01:15,914 --> 01:01:22,214 YFORGIVENESS IS DOING THERIGHT THING, OLIVER. . 1235 01:01:22,214 --> 01:01:23,506 THAT HAS TO HAPPEN FIRST 1236 01:01:23,548 --> 01:01:28,221 AND THEN YOU'LL JUST...KNOW WHAT TO DO NEXT. 1237 01:01:34,103 --> 01:01:42,696 YOU ARE, SURPRISINGLYGOOD AT THIS. 1238 01:01:42,738 --> 01:01:45,907 WELL, I LEARNED FROM THE BEST. 1239 01:01:45,907 --> 01:01:50,622 SOME SINGING POSTALDETECTIVE PHILOSOPHER GUY 1240 01:01:50,663 --> 01:01:52,457 WHO BELIEVESIN SPRING 1241 01:01:52,499 --> 01:01:56,253 AND DOING THE RIGHT THING. 1242 01:01:56,253 --> 01:01:58,422 "SPRING." "THING." HMM. 1243 01:02:02,927 --> 01:02:05,848 ♪ 1244 01:02:05,890 --> 01:02:08,768 YOU KNOW, THEY FOUND A 5600YEAR OLD POPCORN KERNELS 1245 01:02:08,768 --> 01:02:11,687 THAT WERE STILL POPPABLE,BURIED IN AN ANCIENT 1246 01:02:11,730 --> 01:02:13,982 YOU KNOW, THEY FOUND A 5600YEARPERUVIAN FUNERAL URN. 1247 01:02:14,024 --> 01:02:15,401 OH. 1248 01:02:15,401 --> 01:02:18,029 HEY, YOU GUYS MADE IT! 1249 01:02:18,070 --> 01:02:18,780 OH.WE DID. 1250 01:02:18,821 --> 01:02:19,947 THIS IS SO EXCITING. 1251 01:02:19,947 --> 01:02:22,700 KINDA LIKE RETURNING TOTHE SCENE OF THE CRIME. 1252 01:02:25,203 --> 01:02:26,997 THIS IYEAH, I JUSTSO EXCITINTHOUGHT, 1253 01:02:27,039 --> 01:02:30,168 WHAT BETTER PLACETO CELEBRATE, RIGHT? 1254 01:02:30,209 --> 01:02:30,960 WHERE'S OLIVER? 1255 01:02:30,960 --> 01:02:33,463 OH, HE HAD ALAST-MINUTE DINNER 1256 01:02:33,463 --> 01:02:34,839 AND HE SENDSHIS BEST. 1257 01:02:34,882 --> 01:02:37,301 OH, THAT'S TOO BAD,HE WOULD HAVE BEEN PERFECT. 1258 01:02:37,342 --> 01:02:38,303 FOR WHAT? 1259 01:02:38,344 --> 01:02:41,306 FOR KEN. THE OWNER GUY. 1260 01:02:41,347 --> 01:02:42,473 HE'S THE EMCEE 1261 01:02:42,515 --> 01:02:44,601 AND HE LIKES TO WARMUP THE AUDIENCE. 1262 01:02:44,643 --> 01:02:46,687 BUT HE GOT A FLAT TIRE. 1263 01:02:46,728 --> 01:02:48,690 AND COMEDIANS DON'TLIKE TO GO ON COLD, 1264 01:02:48,731 --> 01:02:50,650 SO IT'S GOING TO BEA LITTLE BIT OF A WAIT. 1265 01:02:50,650 --> 01:02:52,610 OH, THAT'SA SHAME. 1266 01:02:52,652 --> 01:02:54,154 HEY, WHATABOUT RAMON! 1267 01:02:54,154 --> 01:02:56,114 HE'S REALLY GOOD ATINTRODUCING PEOPLE 1268 01:02:56,114 --> 01:02:57,450 AND TALKING TO CROWDS. 1269 01:02:57,491 --> 01:02:58,117 HE'S REALLY GOOD ATINTRODUCING RAMON? 1270 01:02:58,117 --> 01:02:59,869 MY FRIEND, RAMONRODRIGUEZ. 1271 01:02:59,911 --> 01:03:01,370 HE'S REALLY GOOD ATOH, THEINTRODUCING RAMON?WEATHERMAN! 1272 01:03:01,412 --> 01:03:02,246 MHMM. 1273 01:03:02,288 --> 01:03:04,708 OH, THE SHOWMUST GO ON, RIGHT? 1274 01:03:04,749 --> 01:03:08,421 RITA, YOU'RE MISS SPECIALDELIVERY, YOU GET UP THERE. 1275 01:03:08,463 --> 01:03:09,214 WHAT? 1276 01:03:09,255 --> 01:03:11,716 I CAN'T! I DON'T KNOWWHAT TO SAY. 1277 01:03:11,758 --> 01:03:13,343 YOU SPEAK IN PUBLICALL THE TIME. 1278 01:03:13,343 --> 01:03:15,304 BUT OLIVER WRITESMY SPEECHES. 1279 01:03:15,346 --> 01:03:17,849 I CAN'T JUST GO UPTHERE AND BE FUNNY. 1280 01:03:17,849 --> 01:03:19,601 IT'S TOO SCARY. 1281 01:03:19,642 --> 01:03:21,853 I CAN'T JUST GREMEMBER WHATTHERE AND BE FURAMON SAYS? 1282 01:03:21,894 --> 01:03:23,521 "ONCE WE FACEOUR FEARS, 1283 01:03:23,563 --> 01:03:27,318 THEY NO LONGERHAVE POWER OVER US." 1284 01:03:27,360 --> 01:03:28,527 RAMONSAID THAT? 1285 01:03:28,527 --> 01:03:30,614 ODDLY, YES. 1286 01:03:32,073 --> 01:03:34,368 I JUST HAVE THIS FEELINGIT'S REALLY IMPORTANT 1287 01:03:34,368 --> 01:03:38,038 FOR THE AUDIENCE TO GET WARMEDUP, AND GET THINGS GOING. 1288 01:03:38,038 --> 01:03:39,874 I THINK JOEY REALLYNEEDS THIS... 1289 01:03:39,874 --> 01:03:42,043 [microphone rings] 1290 01:03:42,085 --> 01:03:44,004 [nervously]HI... 1291 01:03:45,171 --> 01:03:48,885 MY NAME IS NORMAN. 1292 01:03:48,926 --> 01:03:50,845 NORMAN... 1293 01:03:50,845 --> 01:03:55,142 NORMAN XAVIER DORMAN. 1294 01:03:55,183 --> 01:03:58,687 I'M NOT A COMEDIAN ORANYTHING LIKE THAT, 1295 01:03:58,729 --> 01:04:02,233 BUT WHILE WE'RE WAITINGFOR THE SHOW TO START, 1296 01:04:02,275 --> 01:04:04,111 YOU HAVE TO GET WARM, 1297 01:04:04,153 --> 01:04:06,363 SO I THOUGHT I WOULDTALK A LITTLE 1298 01:04:06,405 --> 01:04:07,532 WHILE YOU DO THAT. 1299 01:04:07,532 --> 01:04:08,699 [audience laughs] 1300 01:04:08,741 --> 01:04:16,041 SO, I KNOW A LOT OF STUFFABOUT UNUSUAL STUFF. 1301 01:04:16,083 --> 01:04:23,258 LIKE POLYESTER, AND BARBEDWIRE, AND WELL, LET'S SEE. 1302 01:04:23,258 --> 01:04:26,554 FLORIDIAN BEEKEEPING,WELL, SOUTHERN FLORIDA... 1303 01:04:29,432 --> 01:04:30,433 [lights match] 1304 01:04:44,533 --> 01:04:46,076 SO SOMEONE READ THEM, 1305 01:04:46,118 --> 01:04:50,957 AND GAVE THEM TO APUBLISHER, AND VOILA... 1306 01:04:50,957 --> 01:04:51,916 YOU ARE A POET. 1307 01:04:51,958 --> 01:04:54,211 YEAH, OF SORTS. 1308 01:04:54,252 --> 01:04:58,132 I MEAN, LET'S FACE IT, I'MNOT A VERY GOOD POET. 1309 01:04:58,132 --> 01:05:01,177 BUT I LOVE IT. 1310 01:05:01,219 --> 01:05:03,555 I MEAN, LET'SIT TAKES ME'MNOT A VERYOUT OF MY HEAD 1311 01:05:03,555 --> 01:05:11,314 AND PUTS ME BACKIN MY HEART. 1312 01:05:11,356 --> 01:05:15,694 I MI WROTE A POEMAKES ME'MABOUT US LAST NIGHT.Y HEAD 1313 01:05:15,694 --> 01:05:18,114 OH. 1314 01:05:18,155 --> 01:05:20,783 I MI WROTE A POEMAKES ME'MAB[clears throat]T.Y HEAD 1315 01:05:20,825 --> 01:05:24,287 UMM, BEFOREYOU READ IT, 1316 01:05:24,329 --> 01:05:30,253 I WANT TO SAYHOW SORRY I AM. 1317 01:05:30,294 --> 01:05:33,006 THAT I TOOK SOLONG TO COME BACK, 1318 01:05:33,006 --> 01:05:35,509 I SHOULDN'THAVE WAITED 1319 01:05:35,550 --> 01:05:40,265 BUT THE LONGER I WAITEDTHE FURTHER AWAY 1320 01:05:40,306 --> 01:05:43,977 THE ROUTE HOME SEEMED. 1321 01:05:44,019 --> 01:05:45,937 BUT I'M HERE NOW, 1322 01:05:45,937 --> 01:05:50,693 AND I JUST HOPETHAT WE CAN... 1323 01:05:50,693 --> 01:05:54,072 BI DON'T KNOW..., 1324 01:05:54,114 --> 01:05:56,742 AND I JUST HOPESHOULD I READ IT, NOW?... 1325 01:06:01,539 --> 01:06:11,551 [deep breath] 1326 01:06:11,551 --> 01:06:20,812 [deep breath] 1327 01:06:20,853 --> 01:06:30,865 IS THIS WHAT YOU WANT?deep breath] 1328 01:06:31,741 --> 01:06:34,953 YEAH. 1329 01:06:41,836 --> 01:06:43,421 [crowd applauds and laughs] 1330 01:06:43,421 --> 01:06:45,507 AND RELIGIOUS RELICSOF THE AMISH, 1331 01:06:45,507 --> 01:06:48,552 HOLY PLOWS,SACRED SPINDLES. 1332 01:06:48,552 --> 01:06:52,849 AND, I ALSO KNOW ALL THE RETIREDZIP CODES OF NORTH AMERICA... 1333 01:06:52,890 --> 01:06:56,103 AND I BET YOU'RESWONDERING WHY.. 1334 01:06:56,103 --> 01:06:57,438 [crowd yells] YEAH, WHY? 1335 01:06:57,480 --> 01:06:59,899 WELL, I WORK AT THEDEAD LETTER OFFICE 1336 01:06:59,941 --> 01:07:01,943 AT THE US POSTALSERVICE DOWNTOWN 1337 01:07:01,943 --> 01:07:05,197 AND WE GET TO FIGURE OUTWHERE ALL THE LOST LETTERS 1338 01:07:05,239 --> 01:07:06,406 AT THE US POSTALSAND BOXES GO.WN 1339 01:07:06,448 --> 01:07:09,452 OH, ONE TIME WE GOT AGIANT BEAR, 1340 01:07:09,452 --> 01:07:12,789 AND SOMEONE'SOLD DEAD ASHES... 1341 01:07:14,332 --> 01:07:15,459 OH, THANK YOU! 1342 01:07:15,501 --> 01:07:17,294 YOU'VE BEENA WONDERFUL AUDIENCE! 1343 01:07:17,294 --> 01:07:18,129 STAY WARM! 1344 01:07:18,170 --> 01:07:20,632 YOU'VE BEENA[audience applauds] 1345 01:07:20,632 --> 01:07:22,967 NORMAN DORMAN... 1346 01:07:22,967 --> 01:07:27,431 WHAT A FUNNY,FUNNYGUY. OKAY. 1347 01:07:27,473 --> 01:07:28,766 NORMAN, THAT WAS... 1348 01:07:28,766 --> 01:07:32,436 YOU BLEWEVERYONE AWAY. 1349 01:07:32,479 --> 01:07:36,150 NSOME PEOPLE TALKTABOUT THE WEATHER... 1350 01:07:36,150 --> 01:07:37,777 AND SOME PEOPLEMAKE IT. 1351 01:07:38,152 --> 01:07:40,696 [Emcee]SO, WE HAVE A SPECIAL 1352 01:07:40,738 --> 01:07:41,656 GUEST TONIGHT. 1353 01:07:41,656 --> 01:07:43,491 UH, A FEW YEARS AGO, 1354 01:07:43,533 --> 01:07:46,203 SHE CAME TO ME TOLEARN THE ROPES 1355 01:07:46,203 --> 01:07:48,664 BECAUSE SHE WANTEDTO SURPRISE HER HUSBAND 1356 01:07:48,705 --> 01:07:50,500 SHE CAME TO ME TOWITH HER OWN ACT. 1357 01:07:50,542 --> 01:07:51,918 THEY'VE BEEN THROUGHSOME ROUGH TIMES 1358 01:07:51,959 --> 01:07:54,254 BUT THEY'REFINALLY HERE. 1359 01:07:54,296 --> 01:07:58,759 SO, PLEASE LET'S PUTOUR HANDS TOGETHER 1360 01:07:58,759 --> 01:08:01,554 AND WELCOME TOTHE STAGE... 1361 01:08:01,595 --> 01:08:05,976 SO, HER HUSBAND, PUTOJOEY CASTELLUCI.R 1362 01:08:05,976 --> 01:08:07,019 [audience applaudes] 1363 01:08:07,019 --> 01:08:08,854 SO, HER HUSBAND, PUTOYOU'RE KIDDING..R 1364 01:08:09,689 --> 01:08:13,026 [audience applauding] 1365 01:08:15,821 --> 01:08:18,199 [microphone rings] 1366 01:08:18,240 --> 01:08:22,495 HI, A FEW YEARS AGO MYWIFE STARTED COMING HERE 1367 01:08:22,537 --> 01:08:26,124 BECAUSE SHE WANTEDTO SURPRISE ME. 1368 01:08:26,166 --> 01:08:31,464 CAITLYN, YOU ARE THEMOST AMAZING WOMAN 1369 01:08:31,505 --> 01:08:33,132 IN THE WORLD. 1370 01:08:33,174 --> 01:08:35,009 YOU CAME HEREA LONG TIME AGO 1371 01:08:35,051 --> 01:08:37,930 TO LEARN HOW TOMAKE ME LAUGH. 1372 01:08:37,930 --> 01:08:46,482 AND I'M HERE TONIGHT TOMAKE YOU A DEAL. 1373 01:08:46,523 --> 01:08:51,070 IF YOU PUT THIS RINGBACK ON MY FINGER, 1374 01:08:51,070 --> 01:08:52,489 I PROMISE YOU, 1375 01:08:52,530 --> 01:08:56,619 IF YI WILL NEVERRINGTAKE IT OFF AGAIN. 1376 01:08:56,619 --> 01:09:01,582 CAITLYN CASTELLUCI,WILL YOU MARRY ME... 1377 01:09:01,624 --> 01:09:03,209 IF YI ONE MOREERRINGTAKE ITIME? AGAIN. 1378 01:09:03,251 --> 01:09:13,263 [audience applaudes] 1379 01:09:16,141 --> 01:09:21,188 [audience chants]YES.YES. 1380 01:09:22,231 --> 01:09:23,608 YES. 1381 01:09:23,608 --> 01:09:28,406 [audience cheers and applauds] 1382 01:09:34,663 --> 01:09:40,586 A FUNNY THING HAPPENED ONTHE WAY TO OUR DIVORCE. 1383 01:09:40,586 --> 01:09:43,006 WE FELL BACK IN LOVE... 1384 01:09:43,048 --> 01:09:49,096 A F[audience applauds]ONTHE WAY AWWW...IVORCE. 1385 01:09:51,265 --> 01:09:55,979 ♪ April in Paris by Ella Fitzgerald & Louis Armstrong ♪ 1386 01:09:55,979 --> 01:09:57,856 DANCE WITH ME? 1387 01:09:57,898 --> 01:09:59,942 REALLY? 1388 01:10:04,238 --> 01:10:09,495 SINCE WHEN DID YOULEARN HOW TO DANCE? 1389 01:10:09,537 --> 01:10:11,914 YOU ASKED METO, REMEMBER? 1390 01:10:11,956 --> 01:10:21,968 ♪ April in Paris, this is... ♪ 1391 01:10:22,259 --> 01:10:25,180 GOSH, YOU REALLY DID IT. 1392 01:10:25,180 --> 01:10:27,891 I TRIED SO HARD BUT YOUWOULDN'T DO IT FOR ME. 1393 01:10:27,933 --> 01:10:31,520 AND I THOUGHT I COULD TALKYOU INTO ANYTHING. 1394 01:10:31,520 --> 01:10:39,489 IF I REMEMBER, I COULD TALKYOU OUT OF ANYTHING. 1395 01:10:39,530 --> 01:10:47,373 ♪ I never knew the charm of spring, ♪ 1396 01:10:47,373 --> 01:10:54,131 ♪ never met it face to face. ♪ 1397 01:10:54,172 --> 01:10:57,551 ♪ I never knew my heart could sing...♪ 1398 01:10:57,551 --> 01:11:01,597 [whispers]DON'T KISS HER.DON'T KISS HER. 1399 01:11:01,639 --> 01:11:07,187 ♪ I never knew my ♪ never missed a warm embrace ♪ 1400 01:11:07,229 --> 01:11:14,905 ♪ till April in Paris. ♪ 1401 01:11:14,946 --> 01:11:21,913 ♪ who can I run to? 1402 01:11:21,913 --> 01:11:31,925 ♪ What have you done to my heart? ♪ 1403 01:11:35,512 --> 01:11:39,099 ♪ In the Wee Small Hours of the Morning by Stacey Kent ♪ 1404 01:11:39,099 --> 01:11:43,604 ♪ In the wee small hours,of the morning ♪ 1405 01:11:43,604 --> 01:11:51,280 ♪ when the whole, wide, world,is fast asleep ♪ 1406 01:11:51,280 --> 01:12:00,749 ♪ you lie awake, and thinkabout the boy ♪♪ 1407 01:12:00,791 --> 01:12:07,549 ♪ and never even think ofcounting sheep ♪ 1408 01:12:07,591 --> 01:12:15,767 ♪ when the whole, wide, worldhas learned it's lesson ♪ 1409 01:12:15,809 --> 01:12:17,978 ♪ he'd be yours-- ♪ 1410 01:12:17,978 --> 01:12:18,980 SHANE? 1411 01:12:18,980 --> 01:12:21,148 [gasp!] 1412 01:12:21,148 --> 01:12:23,985 YOU SCARED ME.SHANE? 1413 01:12:24,026 --> 01:12:29,074 WHY ARE YOU PUTTING YOURSTUFF IN A BOX? 1414 01:12:29,116 --> 01:12:35,164 I WROTEYOU A LETTER. 1415 01:12:35,164 --> 01:12:39,920 I'M LEAVING. 1416 01:12:39,962 --> 01:12:42,340 I'M MOVINGYOUAWAY.TTER. 1417 01:12:42,340 --> 01:12:43,674 WHAT? 1418 01:12:43,716 --> 01:12:50,391 I JUST REALIZED THAT... 1419 01:12:50,432 --> 01:12:55,813 I DON'T REALLY BELONGHERE ANYMORE. 1420 01:12:55,813 --> 01:12:59,902 NO. OF COURSEYOU DO. 1421 01:12:59,902 --> 01:13:02,196 I ARE YOU GOING BACK TOHEWASHINGTON DC? 1422 01:13:02,196 --> 01:13:07,661 NO, I'M QUITTING THEPOSTAL SERVICE FOR GOOD. 1423 01:13:10,498 --> 01:13:14,210 HOW COULD THATBE GOOD? 1424 01:13:21,052 --> 01:13:25,765 I LOVE YOU BOTHSO MUCH. 1425 01:13:25,807 --> 01:13:31,940 THIS IS NOT HOW IWANTED TO SAY GOODBYE. 1426 01:13:31,981 --> 01:13:39,031 WAIT, I DON'T UNDERSTAND.WHAT HAPPENED? 1427 01:13:39,073 --> 01:13:42,577 NOTHING. 1428 01:13:42,618 --> 01:13:50,795 NOTHING FINALLYHAPPENED. 1429 01:13:50,837 --> 01:13:58,261 DON'T LET NOTHING HAPPENTO THE TWO OF YOU. OKAY? 1430 01:14:02,058 --> 01:14:03,226 [soft kiss] 1431 01:14:12,987 --> 01:14:15,281 WHAT ABOUTTHE POSTABLES? 1432 01:14:18,869 --> 01:14:20,747 [holding back tears]OH, NORMAN. 1433 01:14:20,788 --> 01:14:22,915 WE'LL ALWAYS HAVE THE POSTABLES. 1434 01:14:26,128 --> 01:14:31,259 [Rita weeps softly] 1435 01:14:59,542 --> 01:15:01,835 "DEAR FRIENDS, 1436 01:15:01,877 --> 01:15:05,131 I CAN'T TELL YOU HOW MUCHIT HAS MEANT TO ME 1437 01:15:05,173 --> 01:15:09,970 TO SPEND THIS LASTYEAR WITH ALL OF YOU... 1438 01:15:10,012 --> 01:15:13,558 IT'S FUNNY WHAT LESSONSI'VE LEARNED 1439 01:15:13,558 --> 01:15:20,441 ABOUT LIVING BY DELIVERINGA DEAD LETTER. 1440 01:15:20,441 --> 01:15:23,194 IT'SABOUT SAYING THEONSTHINGS WE MEAN... 1441 01:15:24,987 --> 01:15:28,784 ABAND FINDING THE RIGHTINGWORDS TO SAY THEM." 1442 01:15:36,335 --> 01:15:43,301 "BUT SOMEHOW I CAN'T SEEMTO FIND THE RIGHT WORDS 1443 01:15:43,301 --> 01:15:48,599 TO EXPLAIN WHY I'MSAYING GOODBYE. 1444 01:15:48,640 --> 01:15:52,394 "BUJUST KNOW THAT IT'SEEMTO FIFOR THE BEST. ORDS 1445 01:15:52,394 --> 01:15:56,233 ALWAYS, SHANE" 1446 01:15:56,233 --> 01:15:59,653 "BUJUWHAT IS SHET IT'SEEMTO TALKING ABOUT?. ORDS 1447 01:15:59,695 --> 01:16:02,949 HOLLY. 1448 01:16:02,991 --> 01:16:10,082 HOLLY? WHAT DOES HOLLYHAVE TO DO WITH THIS. 1449 01:16:10,124 --> 01:16:13,002 OH, NORMAN. 1450 01:16:13,043 --> 01:16:15,756 WHEN TWO PEOPLEWHO TRULY CARE 1451 01:16:15,756 --> 01:16:19,093 ABOUT EACH OTHER DON'TTELL EACH OTHER THAT THEY 1452 01:16:19,093 --> 01:16:21,345 WHEN TTRULY CARE WHO TRABOUT THEM, 1453 01:16:21,345 --> 01:16:22,972 THEN THE PERSONTHEY CARE ABOUT 1454 01:16:23,014 --> 01:16:27,185 WCAN THINK THEY DON'TWHOCARE ABOUT THEM 1455 01:16:27,227 --> 01:16:30,230 AND THEN THEYFIND SOMEONE ELSE 1456 01:16:30,230 --> 01:16:32,942 WHO CARESABOUT THEM 1457 01:16:36,280 --> 01:16:40,117 AAND THENTHEYIT'S TOO LATE.LSE 1458 01:16:40,159 --> 01:16:42,620 I KNOW THIS DOESN'TMAKE ANY SENSE... 1459 01:16:42,662 --> 01:16:45,957 OH, NO, IT DOES. 1460 01:16:45,999 --> 01:16:47,375 IT DOES? 1461 01:16:50,796 --> 01:16:56,303 YOU ALWAYS MAKESENSE TO ME, RITA. 1462 01:16:56,303 --> 01:16:57,470 I DO? 1463 01:17:17,202 --> 01:17:20,372 YOARE YOU IN LOVESENSEWITH RAMON?A. 1464 01:17:20,414 --> 01:17:26,129 RAMON? NO! 1465 01:17:26,171 --> 01:17:32,220 NO,NO, I'M ... 1466 01:17:32,261 --> 01:17:36,475 I'M... 1467 01:17:36,475 --> 01:17:39,854 I'M IN LOVEWITH YOU. 1468 01:17:39,895 --> 01:17:44,525 I AM IN LOVE WITH YOU,NORMAN XAVIER DORMAN-- 1469 01:17:47,278 --> 01:17:50,532 ♪ 1470 01:18:05,550 --> 01:18:10,723 [burst out laughing] 1471 01:18:17,230 --> 01:18:18,565 ARE YOU HUNGRY? 1472 01:18:18,565 --> 01:18:21,027 [Rita laughs] 1473 01:18:21,068 --> 01:18:22,737 ARE YOU HUNGRY?YEAH. 1474 01:18:22,737 --> 01:18:23,821 I'M STARVING. 1475 01:18:23,821 --> 01:18:27,159 [Rita laughs boisterously] 1476 01:18:33,917 --> 01:18:40,257 ♪ When your lonely heart hasI'M Slearned its lesson. ♪ 1477 01:18:40,257 --> 01:18:49,643 ♪ You'd be his, if only he would call. ♪ 1478 01:18:54,231 --> 01:19:01,240 ♪ When WHAT ON EARTH?art hasI'M SOLIVER, WHAT IS...? ♪ 1479 01:19:01,282 --> 01:19:04,869 AN EARLY BIRTHDAY PRESENT. 1480 01:19:04,911 --> 01:19:07,581 IF YOU PUT YOUR WEAPON DOWN, 1481 01:19:07,622 --> 01:19:10,960 I'LL LET YOU SWING ON IT. 1482 01:19:10,960 --> 01:19:13,254 THIS IS MINE! 1483 01:19:13,296 --> 01:19:15,715 BEING DISPATCHED BY MYFAVOURITE LETTER OPENER. 1484 01:19:15,756 --> 01:19:17,759 NOW THAT ISPOETIC JUSTICE. 1485 01:19:17,801 --> 01:19:24,266 CAN WE PLEASE NOT DISCUSSPOETRY RIGHT NOW? 1486 01:19:24,308 --> 01:19:26,018 HOW LONG HAVEYOU BEEN HERE? 1487 01:19:26,018 --> 01:19:28,396 HOUR AND A HALF.IT WOULD HAVE BEEN LESS, 1488 01:19:28,438 --> 01:19:30,483 HOW LONG HAVEBUT I HAD TO YOU BEEN HERSTOP TO EXPLAIN 1489 01:19:30,524 --> 01:19:31,859 TO A COUPLEPOLICE OFFICERS 1490 01:19:31,900 --> 01:19:34,821 WHY I WAS INSTALLING APORCH SWING AT TWO AM. 1491 01:19:34,821 --> 01:19:36,322 WHY WERE YOU? 1492 01:19:36,322 --> 01:19:39,869 WHY ITHE REASON WHYG APORCTHAT BOX CONTAINS. 1493 01:19:39,910 --> 01:19:42,747 THE ENTIRE CONTENTSOF YOUR WORKSTATION? 1494 01:19:42,788 --> 01:19:44,165 I'VE QUIT. 1495 01:19:44,165 --> 01:19:45,416 YOU'VE QUIT? 1496 01:19:45,458 --> 01:19:47,127 I HAVE ENDEDMY EMPLOYMENTT. 1497 01:19:47,168 --> 01:19:49,505 WITH THE UNITED STATESPOSTAL SERVICE FOREVER 1498 01:19:49,505 --> 01:19:53,551 AND UNALTERABLY AND ... FOREVER. 1499 01:19:53,551 --> 01:19:54,386 HMM. 1500 01:19:54,427 --> 01:19:56,429 AND UNWHAT?ABLY I'VE REALLY QUIT. 1501 01:19:56,471 --> 01:19:57,973 NO, YOU HAVEN'T. 1502 01:19:58,015 --> 01:19:59,057 I HAVE TOO. 1503 01:19:59,057 --> 01:20:03,187 MS. MCINERNEY, YOU HAVE AHABIT OF SELF-TERMINATING 1504 01:20:03,187 --> 01:20:05,398 WHENEVER CONFRONTEDI HAVE TOO.WITH A SITUATION 1505 01:20:05,439 --> 01:20:08,402 YOU CANNOT CONTROL. 1506 01:20:08,443 --> 01:20:11,531 WELL, I'M REALLY GOINGTO DO IT THIS TIME. 1507 01:20:11,531 --> 01:20:13,157 BUT WHY? 1508 01:20:13,198 --> 01:20:15,368 WELL, WE'VE BEEN TOGETHER,WORKING TOGETHER, 1509 01:20:15,368 --> 01:20:19,873 FOR ALMOST A YEAR AND IT'SBECOMING OBVIOUS THAT 1510 01:20:19,873 --> 01:20:23,586 THERE'S JUST NO FUTURE FORWME WITH...THE JOB. 1511 01:20:23,628 --> 01:20:25,212 OF COURSETHERE IS. 1512 01:20:25,255 --> 01:20:28,050 IT JUST TAKES SOME TIME TOGET TO KNOW EACH OTHER, 1513 01:20:28,050 --> 01:20:29,718 EACH OTHER'S STRENGTHSAND ABILITIES 1514 01:20:29,718 --> 01:20:32,430 AND TO SEE IF WE HAVETHE RIGHT CHEMISTRY... 1515 01:20:32,471 --> 01:20:35,183 TO WORK TOGETHER. 1516 01:20:35,224 --> 01:20:37,226 WELL, I THINK I'VESEEN ENOUGH 1517 01:20:37,226 --> 01:20:38,270 TO KNOW WHERE THISIS GOING 1518 01:20:38,312 --> 01:20:41,065 AND I THINK MAYBETHERES SOMEONE BETTER 1519 01:20:41,106 --> 01:20:42,858 FOR THE JOB. 1520 01:20:42,900 --> 01:20:44,402 IF YOU RECALL, MS.MCINERNEY, 1521 01:20:44,444 --> 01:20:47,823 THE POSITION DIDN'T EVEN EXISTUNTIL YOU CAME ALONG. 1522 01:20:47,864 --> 01:20:50,993 I DON'T THINK IEVEN REALIZED 1523 01:20:50,993 --> 01:20:53,788 WHAT A HUGEHOLE I HAD IN MY... 1524 01:20:53,830 --> 01:20:57,250 IDEPARTMENT UNTILEVENYOU CAMED 1525 01:20:57,250 --> 01:21:00,087 AND FILLED IT. 1526 01:21:00,128 --> 01:21:01,422 IDEPARTMENT UNTILEVENYOU CAMEDWELL, NOW YOU KNOW 1527 01:21:01,422 --> 01:21:04,008 AND I'M SURE YOU WON'T WASTEANY TIME REPLACING ME. 1528 01:21:04,008 --> 01:21:05,552 IDTHAT WOULD NTILBE IMPOSSIBLE.ELL, NOW YOU KNOW 1529 01:21:05,594 --> 01:21:07,387 AND I'M SURWELL, I'VE MADETEANY TIME RUP MY MIND. 1530 01:21:07,429 --> 01:21:12,101 I WISH YOU NOTHINGBUT HAPPINESS, OLIVER. 1531 01:21:12,142 --> 01:21:13,519 BOTH OFYOU. 1532 01:21:13,561 --> 01:21:17,315 BOTH OF... MS. MCINERNEY, 1533 01:21:17,357 --> 01:21:22,696 MY WIFE HASRETURNED TO PARIS. 1534 01:21:22,739 --> 01:21:25,283 WHAT? 1535 01:21:25,325 --> 01:21:29,412 WE WISHED EACH OTHER WELL, 1536 01:21:29,454 --> 01:21:33,292 KISSED EACH OTHERGOOD-BYE. 1537 01:21:38,965 --> 01:21:41,385 YOU KISSED HER GOOD-BYE? 1538 01:21:41,426 --> 01:21:45,473 YES. 1539 01:21:45,473 --> 01:21:47,267 AND THAT DIDN'T... 1540 01:21:47,308 --> 01:21:51,480 NO, THAT DID NOT. 1541 01:22:00,866 --> 01:22:05,121 SO, HOW DOYOU FEEL? 1542 01:22:05,163 --> 01:22:07,206 YOU KNOW, FOR TWO YEARS 1543 01:22:07,248 --> 01:22:10,544 I'VE IMAGINED WHATIT MIGHT BE LIKE 1544 01:22:10,544 --> 01:22:13,047 IF IT BECAME ABSOLUTELYCLEAR THAT MY 1545 01:22:13,088 --> 01:22:14,757 I'VE IMAGINED WHATMARRIAGE WAS OVER. 1546 01:22:14,757 --> 01:22:17,177 ONCE ALL THE QUESTIONSWERE ANSWERED 1547 01:22:17,177 --> 01:22:18,929 AND I KNEW ID WHATWOULD NEVERS OVER. 1548 01:22:18,970 --> 01:22:21,432 BE HOLLY'SHUSBAND AGAIN, 1549 01:22:21,473 --> 01:22:23,225 HOW WOULDI FEEL? 1550 01:22:23,267 --> 01:22:25,687 WHAT WOULDI DO? 1551 01:22:25,687 --> 01:22:28,356 WHAT DIDYOU DO? 1552 01:22:28,356 --> 01:22:30,609 [softly speaking]I WENT OUT 1553 01:22:30,651 --> 01:22:34,906 AND I BOUGHTA PORCH SWING. 1554 01:22:36,616 --> 01:22:39,578 [chuckle] 1555 01:22:49,590 --> 01:22:52,384 IS IT LIKE THEONE YOU HAD 1556 01:22:52,384 --> 01:22:54,386 WHEN YOU WEREA LITTLE GIRL? 1557 01:22:54,428 --> 01:22:57,224 IT'S BETTER. 1558 01:22:57,224 --> 01:23:00,310 THERE'S NO VIEW OF THEPOTOMAC, OF COURSE, 1559 01:23:00,310 --> 01:23:05,734 BUT IF YOU LOOK RIGHT THERE... 1560 01:23:08,570 --> 01:23:13,576 TH[Shane] VIEW OF THEA CROCUS.OF COURSE, 1561 01:23:13,618 --> 01:23:17,664 IT WAS A LONG WINTER 1562 01:23:17,664 --> 01:23:23,587 BUT SPRING IS ALMOST HERE. 1563 01:23:23,587 --> 01:23:30,804 IT WAS A IT'S COMING.LONG WINTER 1564 01:23:30,846 --> 01:23:34,392 BIT'S COMING.IS ALMOST HERE. 1565 01:23:41,275 --> 01:23:43,986 ♪ 1566 01:24:05,303 --> 01:24:08,014 ♪ 101173

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