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00:00:01,251 --> 00:00:03,420
[elevator dings]
‐ You can't disappear for 10 years,
2
00:00:03,420 --> 00:00:07,090
then show up and start dragging up a bunch
of shit from when we were kids!
3
00:00:07,090 --> 00:00:09,092
If you see me around the building,
act like you don't know me
4
00:00:09,092 --> 00:00:10,802
because you don't.
‐ Happily.
5
00:00:10,802 --> 00:00:12,763
‐ They're cleaning out
Tim Kono's apartment tomorrow,
6
00:00:12,763 --> 00:00:15,933
so we're gonna look around for clues
before everything's gone.
7
00:00:15,933 --> 00:00:18,477
I see you're a musician.
‐ Oh, good eye.
8
00:00:18,477 --> 00:00:21,647
Is that your bassoon I hear playing
through the courtyard every night?
9
00:00:21,647 --> 00:00:24,274
It's lovely. I think of it as
the sound of the Arconia.
10
00:00:24,274 --> 00:00:26,818
‐ Oh, that's really sweet. [laughs]
11
00:00:26,818 --> 00:00:28,111
‐ Well, hello there, Sting!
12
00:00:28,111 --> 00:00:30,739
[Winnie sniffing]
Winnie, don't stand so close to Sting.
13
00:00:30,739 --> 00:00:34,159
She's just on edge after that
upsetting death the other night.
14
00:00:34,159 --> 00:00:36,370
‐ Are you suggesting I had
something to do with that?
15
00:00:36,370 --> 00:00:38,372
‐ No, no, no, no. I‐‐
‐ Please, your dog.
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00:00:38,372 --> 00:00:41,375
Control him! I don't like dogs.
17
00:00:41,375 --> 00:00:42,376
‐ Oh...
18
00:00:42,376 --> 00:00:45,379
♪
19
00:00:46,547 --> 00:00:48,882
[labored breathing]
Winnie?
20
00:00:48,882 --> 00:00:51,260
[whimpering]
Who would do this to you?
21
00:00:52,594 --> 00:00:53,637
[whines]
22
00:00:57,975 --> 00:00:59,935
[woman trilling, clears throat]
23
00:01:01,061 --> 00:01:03,981
CINDA CANNING:
Testing, testing.
24
00:01:03,981 --> 00:01:06,859
♪
25
00:01:06,859 --> 00:01:08,819
[puts down glass]
We good?
26
00:01:14,408 --> 00:01:15,409
[exhales]
27
00:01:35,304 --> 00:01:37,306
[loud crunch, chewing]
28
00:01:38,724 --> 00:01:41,852
I don't need to hear it right now.
29
00:01:46,064 --> 00:01:49,276
‐ Who doesn't love a second chance?
30
00:01:49,276 --> 00:01:50,777
Another shot at righting
31
00:01:50,777 --> 00:01:53,405
some painful mistake that's haunted you?
32
00:01:54,323 --> 00:01:56,825
Or at healing the wounds
you may have inflicted.
33
00:01:56,825 --> 00:01:58,785
‐ Will?
WILL: Yeah.
34
00:01:58,785 --> 00:02:00,913
I got here as fast as I could.
Where's Winnie?
35
00:02:00,913 --> 00:02:03,081
‐ Get in, get in.
Just in there. Hurry! Go!
36
00:02:03,081 --> 00:02:04,499
Just run!
WILL: Calm down. Relax! Relax!
37
00:02:04,499 --> 00:02:07,628
CANNING: But a second chance
always comes with risk.
38
00:02:07,628 --> 00:02:10,005
‐ What the fuck is GM?
39
00:02:10,005 --> 00:02:12,508
CANNING:
You might make the same mistake again.
40
00:02:13,634 --> 00:02:16,637
Or you might make a worse one.
[phone buzzing]
41
00:02:20,224 --> 00:02:23,227
[phone buzzing]
42
00:02:24,436 --> 00:02:25,437
[text chimes]
43
00:02:26,021 --> 00:02:29,024
♪ lively theme song playing ♪
44
00:02:29,024 --> 00:02:32,027
[vocalizing]
45
00:03:17,239 --> 00:03:19,700
‐ Oliver?
OLIVER: I'm in here!
46
00:03:19,700 --> 00:03:22,452
‐ Hey, what happened? Are you okay?
47
00:03:22,452 --> 00:03:24,997
‐ The killer poisoned my dog.
‐ What?
48
00:03:24,997 --> 00:03:27,374
OLIVER:
My son has her. He's a vet.
49
00:03:27,374 --> 00:03:29,001
She recovered, thank God,
50
00:03:29,001 --> 00:03:32,171
but clearly, we are getting close if
they're sending a message to the leader.
51
00:03:32,171 --> 00:03:33,839
‐ Is the leader you?
52
00:03:33,839 --> 00:03:36,091
‐ Did they poison your dog?
53
00:03:36,091 --> 00:03:37,134
They left this.
54
00:03:40,053 --> 00:03:42,806
‐ "End the podcast or I end you."
55
00:03:42,806 --> 00:03:44,725
OLIVER:
What if Winnie had died?
56
00:03:44,725 --> 00:03:46,185
It would be on me again.
57
00:03:46,185 --> 00:03:47,853
And my stupid...
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00:03:47,853 --> 00:03:50,355
goddamn visionary ambitions.
59
00:03:50,355 --> 00:03:53,567
‐ Okay, whoever poisoned Winnie
clearly killed Tim,
60
00:03:53,567 --> 00:03:55,277
so who did this?
OLIVER: Gather 'round.
61
00:03:55,277 --> 00:03:56,904
Look, I'm gonna record this.
62
00:03:56,904 --> 00:03:58,572
So... [clears throat]
63
00:03:58,572 --> 00:04:01,617
I know this seems impossible,
it's bananas, but...
64
00:04:02,159 --> 00:04:05,871
I think there's a very strong chance
that the person who poisoned Winnie
65
00:04:05,871 --> 00:04:08,916
was, and‐and this gives me no pleasure
66
00:04:08,916 --> 00:04:11,001
in saying this...
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00:04:11,001 --> 00:04:12,878
musical superstar Sting.
68
00:04:14,713 --> 00:04:16,757
‐ The guy from U2?
69
00:04:17,299 --> 00:04:18,926
‐ Are you kidding me?
‐ Sting.
70
00:04:18,926 --> 00:04:21,762
‐ The Police? Roxanne?
OLIVER: Every Breath You Take,
71
00:04:21,762 --> 00:04:24,014
only one of the biggest
love songs of all time?
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00:04:24,014 --> 00:04:25,432
Who educated you?
73
00:04:25,432 --> 00:04:27,726
‐ Oh, now I know.
He did Sledgehammer.
74
00:04:27,726 --> 00:04:29,436
‐ Ah! Peter Gabriel!
‐ That's Peter Gabriel!
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00:04:29,436 --> 00:04:32,356
‐ Guys, I know who Sting is!
76
00:04:32,356 --> 00:04:35,192
And by the way,
Every Breath You Take is no love song.
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00:04:35,192 --> 00:04:37,903
It's about a jealous stalker
and surveillance,
78
00:04:37,903 --> 00:04:40,531
and it actually seems
like it was written by a...
79
00:04:41,240 --> 00:04:43,242
killer.
‐ Oliver,
80
00:04:43,242 --> 00:04:45,953
look, I know you would love
to have a celebrity killer,
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00:04:45,953 --> 00:04:48,372
but Sting did not murder Tim Kono.
82
00:04:48,372 --> 00:04:50,707
‐ Oh my God.
BOTH: What?
83
00:04:50,707 --> 00:04:53,335
‐ "Sting loses millions.
84
00:04:53,335 --> 00:04:56,046
"Funds mismanaged by
his former investment firm
85
00:04:56,046 --> 00:04:58,048
Wright & Ogilvy."
86
00:04:59,258 --> 00:05:02,135
That's Tim's old firm.
‐ [gasps]
87
00:05:02,135 --> 00:05:04,263
‐ Wait a minute, wait a minute.
Didn't dead cat guy
88
00:05:04,263 --> 00:05:06,765
say that Tim Kono got
fired because he lost
89
00:05:06,765 --> 00:05:08,767
some big client's money?
90
00:05:08,767 --> 00:05:11,478
‐ Tim Kono lost Sting's money.
91
00:05:12,104 --> 00:05:13,730
It's always about the money!
92
00:05:13,730 --> 00:05:15,566
This is exactly like Die Hard!
93
00:05:16,149 --> 00:05:18,402
‐ Could it be this simple though?
94
00:05:18,402 --> 00:05:21,989
Tim just got murdered
by some pissed‐off client?
95
00:05:21,989 --> 00:05:23,365
CHARLES:
Oh boy!
96
00:05:23,365 --> 00:05:25,909
Sting is on Ursula's list of people
who were in the building
97
00:05:25,909 --> 00:05:27,327
the night of Tim's murder,
98
00:05:27,327 --> 00:05:30,497
and on her list of people
who stayed during the fire alarm.
99
00:05:30,497 --> 00:05:31,999
‐ How did you miss that?
100
00:05:32,457 --> 00:05:33,792
‐ Because it was Sting!
101
00:05:33,792 --> 00:05:37,129
I figured he stayed behind to
write some fucking masterpiece.
102
00:05:37,129 --> 00:05:40,424
‐ Guys, this is actually something.
103
00:05:40,424 --> 00:05:41,717
‐ Okay, and if it is...
104
00:05:42,634 --> 00:05:46,054
[clears throat]
We have hit the mother lode.
105
00:05:46,054 --> 00:05:49,850
Rock icon Sting is
a dog‐poisoning murderer.
106
00:05:50,350 --> 00:05:52,561
He's like the next OJ.
107
00:05:53,020 --> 00:05:55,772
A hot Buddhist OJ.
108
00:05:55,772 --> 00:05:58,901
‐ I will say this is our strongest
suspect yet, next to tie‐dye guy.
109
00:05:58,901 --> 00:06:01,612
‐ Enough with tie‐dye guy!
‐ We cannot forget about tie‐dye guy!
110
00:06:01,612 --> 00:06:04,156
But if we're gonna go down this road,
we need some advice.
111
00:06:04,156 --> 00:06:06,450
With someone this big,
you only get one shot.
112
00:06:06,992 --> 00:06:08,535
We need Cinda Canning.
113
00:06:08,535 --> 00:06:09,953
MABEL:
Uh, well,
114
00:06:09,953 --> 00:06:12,039
sure. I mean, who wouldn't want
115
00:06:12,039 --> 00:06:15,584
the Queen of Murder Podcasts, but how?
116
00:06:15,584 --> 00:06:18,378
‐ Well, I could work
my connections. I do know that we go
117
00:06:18,378 --> 00:06:20,339
to the same cupcake store.
118
00:06:21,006 --> 00:06:23,091
‐ I think I can do better than that.
119
00:06:23,091 --> 00:06:24,134
♪
120
00:06:24,134 --> 00:06:25,594
‐ Try that again.
121
00:06:25,594 --> 00:06:27,971
‐ I think I can do better than that.
122
00:06:27,971 --> 00:06:30,766
‐ Okay, maybe I can cut
these two together and...
123
00:06:30,766 --> 00:06:32,392
then redo it.
124
00:06:32,392 --> 00:06:33,393
[knocking]
125
00:06:36,438 --> 00:06:38,982
‐ Charles, hi.
‐ Hey, Arnav, how's it going?
126
00:06:38,982 --> 00:06:42,778
‐ Good. Nice to see you. It's funny.
Uh, Anaya was just FaceTiming with Lucy.
127
00:06:43,278 --> 00:06:44,988
She asked about you.
128
00:06:44,988 --> 00:06:46,740
‐ Oh. Th‐that's nice.
129
00:06:46,740 --> 00:06:50,118
So, anyway, so I have this faint memory
130
00:06:50,118 --> 00:06:52,829
that you're parent friends
with Cinda Canning?
131
00:06:52,829 --> 00:06:55,457
Something about circus arts
class Tuesday morning?
132
00:06:55,457 --> 00:06:57,709
‐ Uh, yeah. That's exactly what it is.
133
00:06:57,709 --> 00:07:00,128
‐ Well, you know,
I'm working on this podcast...
134
00:07:00,838 --> 00:07:02,631
‐ I mean, we're not that close.
135
00:07:02,631 --> 00:07:04,800
‐ You know, I don't want to
put you in a weird position,
136
00:07:04,800 --> 00:07:07,678
but this podcast is the first thing that's
137
00:07:07,678 --> 00:07:11,265
really got my juices flowing
in a long time.
138
00:07:12,391 --> 00:07:15,018
‐ Yeah. Sure.
‐ Hey. Really?
139
00:07:15,018 --> 00:07:17,563
‐ I'm sure she'd be happy
to help the next generation.
140
00:07:17,938 --> 00:07:20,774
Or anyone looking to learn.
141
00:07:21,900 --> 00:07:22,943
‐ Thank you.
142
00:07:22,943 --> 00:07:24,987
♪
143
00:07:24,987 --> 00:07:26,822
So, um...
144
00:07:26,822 --> 00:07:28,615
Lucy seems happy?
145
00:07:29,366 --> 00:07:30,784
‐ She does.
146
00:07:31,493 --> 00:07:33,203
‐ That's good.
147
00:07:33,203 --> 00:07:34,705
Thanks again.
148
00:07:40,961 --> 00:07:43,380
‐ I can't believe you got us this meeting.
‐ Yeah.
149
00:07:43,380 --> 00:07:45,757
‐ Well, I did. And I think
I should run it, too,
150
00:07:45,757 --> 00:07:48,302
because we need this one thing
to run smoothly, okay?
151
00:07:48,302 --> 00:07:50,345
‐ Okay. Sure.
‐ Alright. If you think that's smart.
152
00:07:50,345 --> 00:07:52,431
‐ And if we go in there yelling,
"Sting is a killer,"
153
00:07:52,431 --> 00:07:54,224
Cinda's gonna think we're lunatics.
[elevator dings]
154
00:07:54,850 --> 00:07:56,351
‐ Oh. Hi.
155
00:07:57,728 --> 00:08:00,355
‐ H‐hi. I mean, hi.
I said, I said, hi. Ha!
156
00:08:01,857 --> 00:08:03,609
[doors shut]
157
00:08:03,609 --> 00:08:06,695
‐ Hi. We met on another elevator.
158
00:08:06,695 --> 00:08:08,947
‐ Hello.
JAN: Right.
159
00:08:08,947 --> 00:08:10,824
You two do this a lot?
160
00:08:10,824 --> 00:08:13,827
‐ Oh, just on the weekends.
[laughter]
161
00:08:15,120 --> 00:08:16,747
‐ Well, you're dolled up.
162
00:08:16,747 --> 00:08:19,374
Man only dresses like that
when he's off to see a woman.
163
00:08:19,791 --> 00:08:22,211
‐ Well, uh, yeah.
164
00:08:22,211 --> 00:08:23,837
Yeah, I‐I guess I am.
165
00:08:23,837 --> 00:08:26,089
‐ For a business meeting.
166
00:08:26,089 --> 00:08:28,592
‐ Yes. Uh, that's correct.
167
00:08:28,592 --> 00:08:31,136
And I can see you're going to be a...
168
00:08:31,678 --> 00:08:33,931
a sexy bassoonist.
169
00:08:33,931 --> 00:08:36,767
Based on your shirt only! Uh, not based‐‐
170
00:08:36,767 --> 00:08:39,770
‐ I'm gonna stop you before you
accidentally say I'm not sexy.
171
00:08:40,729 --> 00:08:42,856
‐ [quietly]
Please, stop me.
172
00:08:42,856 --> 00:08:45,025
Someone stop me.
173
00:08:46,276 --> 00:08:47,402
[elevator dings]
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♪
175
00:08:49,029 --> 00:08:52,407
‐ Well, it was nice seeing you again.
‐ You, too.
176
00:08:52,407 --> 00:08:54,785
Hope to hear your playing
tonight like always?
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00:08:55,994 --> 00:08:57,996
‐ You'll hear me bassooner or later.
178
00:08:59,039 --> 00:09:00,207
[Oliver chuckles]
179
00:09:01,041 --> 00:09:03,877
‐ Well, someone was a little flirty.
180
00:09:03,877 --> 00:09:05,796
MABEL:
It was a lot of bassoon jokes,
181
00:09:05,796 --> 00:09:08,423
but she's cute. You should ask her out.
‐ Mm‐hmm.
182
00:09:08,423 --> 00:09:11,218
‐ Oh. Nah, I'm too set in my ways.
183
00:09:11,218 --> 00:09:13,595
Plus someone in the building,
if it doesn't work out...
184
00:09:13,595 --> 00:09:15,973
Now's not a good time, so.
MABEL: Right.
185
00:09:15,973 --> 00:09:18,016
You should wait. Plenty of time.
186
00:09:18,016 --> 00:09:20,519
You know, 70 is the new 40.
[Oliver snorts]
187
00:09:21,728 --> 00:09:23,981
‐ I want you to be less mean.
188
00:09:25,858 --> 00:09:27,568
‐ I know you do.
189
00:09:27,568 --> 00:09:30,571
♪
190
00:09:47,379 --> 00:09:48,630
‐ Hello!
191
00:09:49,506 --> 00:09:51,884
ALL [overlapping]
Hello! Hi! Hi!
192
00:09:51,884 --> 00:09:54,386
CHARLES: Hi‐‐ Whoa!
OLIVER: Oh my God!
193
00:09:54,386 --> 00:09:56,680
Hello, how are you?
‐ Thank you so much for taking the time.
194
00:09:56,680 --> 00:10:00,309
We're huge fans.
‐ Oh, please. Go on.
195
00:10:00,309 --> 00:10:01,393
[laughs]
196
00:10:01,393 --> 00:10:03,061
‐ Really, you're the reason
I care about murder.
197
00:10:03,562 --> 00:10:05,689
And you're the reason we all met!
‐ It's true.
198
00:10:05,689 --> 00:10:08,483
And the lengths that you
have gone to while undercover.
199
00:10:08,483 --> 00:10:12,404
‐ The time you were buried
in raw sewage for eight hours?
200
00:10:12,404 --> 00:10:15,199
‐ You know what it feels like to be
buried up to your chest in sewage?
201
00:10:15,199 --> 00:10:16,283
‐ What?
202
00:10:16,909 --> 00:10:18,285
‐ Like a Peabody!
203
00:10:18,285 --> 00:10:20,329
[laughter]
204
00:10:20,329 --> 00:10:21,955
‐ Oh, that‐that's clever.
205
00:10:21,955 --> 00:10:25,209
‐ Cinda won the Peabody in 2018, ha.
And again in 2020.
206
00:10:26,084 --> 00:10:28,504
MABEL: Yes.
OLIVER: Ah. Cinda,
207
00:10:28,504 --> 00:10:29,755
as I know you know, I'm a director,
208
00:10:29,755 --> 00:10:31,256
so I can't help‐‐
‐ Sorry to interrupt.
209
00:10:31,256 --> 00:10:32,841
The call is in, Cinda. Line two.
210
00:10:32,841 --> 00:10:34,176
‐ Thank you, Cindy.
211
00:10:35,302 --> 00:10:38,138
‐ There are three of them.
‐ It's a value pack.
212
00:10:41,016 --> 00:10:43,268
CINDA: I'm so sorry
to have to take this. It's just,
213
00:10:43,268 --> 00:10:45,062
uh, well, it's silly really. We just‐‐
214
00:10:45,062 --> 00:10:46,980
We may or may not be
215
00:10:46,980 --> 00:10:49,608
about to get bought for $30 million.
216
00:10:49,608 --> 00:10:50,901
‐ What?
‐ Whoa.
217
00:10:50,901 --> 00:10:53,111
‐ Take it.
‐ Hello!
218
00:10:53,904 --> 00:10:55,864
‐ What will it mean to get "bought"?
219
00:10:55,864 --> 00:10:58,075
She won't stop making podcasts, will she?
220
00:10:58,075 --> 00:10:59,952
‐ Uh, what they're buying is her.
221
00:10:59,952 --> 00:11:02,621
OLIVER: Oh. Of course.
CHARLES: Ah...
222
00:11:03,413 --> 00:11:04,998
[hangs up]
‐ So, you want
223
00:11:04,998 --> 00:11:06,583
to make a podcast.
224
00:11:06,583 --> 00:11:09,503
I usually steer aspiring podcasters
225
00:11:09,503 --> 00:11:12,339
to a course at SUNY Oneonta.
226
00:11:12,339 --> 00:11:14,633
It's taught by
a former assistant of mine‐‐
227
00:11:14,633 --> 00:11:17,261
Well, well, well,
we're not complete novices. In fact,
228
00:11:17,261 --> 00:11:19,638
we are already working on
229
00:11:19,638 --> 00:11:22,850
a murder podcast, and we've
already come across something
230
00:11:22,850 --> 00:11:25,018
really huge.
‐ Wait, wait, just go back.
231
00:11:25,018 --> 00:11:27,729
Did you, uh, you know the, uh, 30 million?
232
00:11:27,729 --> 00:11:29,064
‐ So glad you asked that.
233
00:11:29,064 --> 00:11:32,484
‐ Uh, yes. We have been acquired.
234
00:11:32,484 --> 00:11:34,278
Big day.
CHARLES: Whoa...
235
00:11:34,278 --> 00:11:36,822
‐ So, you were on to something huge.
236
00:11:36,822 --> 00:11:39,575
‐ It involves a major celebrity.
‐ Whom we cannot divulge.
237
00:11:39,575 --> 00:11:42,077
‐ Suffice it to say,
he'll be watching you.
238
00:11:42,077 --> 00:11:45,080
‐ I don't get the reference, I'm sorry.
OLIVER: He thinks
239
00:11:45,080 --> 00:11:46,915
every little thing you do is magic.
240
00:11:48,458 --> 00:11:49,835
Sting.
241
00:11:50,586 --> 00:11:52,546
And he poisoned my dog. Sir Sting.
242
00:11:52,546 --> 00:11:56,133
‐ Sting!
‐ From The Police, ironically.
243
00:11:56,133 --> 00:11:57,301
‐ I know it sounds crazy.
244
00:11:57,301 --> 00:12:00,470
‐ I'm sorry. Did you say
he‐he poisoned your dog?
245
00:12:00,470 --> 00:12:02,764
‐ Well, it was a message to the leader.
246
00:12:04,224 --> 00:12:07,060
‐ Poppy, give me a tagline for
a show where Sting is the killer.
247
00:12:07,811 --> 00:12:09,605
‐ [deep voice]
We should've suspected
248
00:12:09,605 --> 00:12:11,732
when we entered the hornet's nest
249
00:12:11,732 --> 00:12:14,109
we wouldn't escape without...
250
00:12:14,109 --> 00:12:15,235
a sting.
251
00:12:15,235 --> 00:12:16,695
CHARLES/OLIVER:
Ooh.
252
00:12:16,695 --> 00:12:18,572
‐ She's really got the voice down,
doesn't she?
253
00:12:18,572 --> 00:12:20,115
And the writing will come!
254
00:12:21,325 --> 00:12:23,076
So, you were saying...
255
00:12:23,493 --> 00:12:26,997
‐ Well, you know, we need your advice
on how to get Sting to sit down with us.
256
00:12:26,997 --> 00:12:29,249
‐ Right. How do we get in?
257
00:12:30,125 --> 00:12:32,252
‐ Okay, well, with a public person,
258
00:12:32,252 --> 00:12:35,756
the key is to enter
in a way that disarms them.
259
00:12:35,756 --> 00:12:37,508
For example, with OK,
260
00:12:37,508 --> 00:12:39,927
I was able to get the mayor's confession
261
00:12:39,927 --> 00:12:43,055
by showing up at his house
with a fully cooked turkey.
262
00:12:43,430 --> 00:12:45,766
‐ Of course.
‐ A turkey.
263
00:12:45,766 --> 00:12:48,519
‐ Who turns someone away who
has cooked them a 19‐pound turkey?
264
00:12:48,936 --> 00:12:51,396
‐ We bring Sting a turkey?
CINDA: Well, I mean,
265
00:12:51,396 --> 00:12:54,441
find your version of turkey.
OLIVER: Oh, yes, yes, yes.
266
00:12:54,441 --> 00:12:57,486
‐ Of course. That's so helpful.
We just don't wanna make a mess of this.
267
00:12:57,486 --> 00:12:59,947
‐ Ah‐ha! Lean in for the nugget, folks.
268
00:13:02,074 --> 00:13:03,617
Are you ready for the nugget?
269
00:13:04,993 --> 00:13:06,954
Embrace the mess.
270
00:13:06,954 --> 00:13:08,539
That's where the good stuff lives.
271
00:13:09,289 --> 00:13:11,583
[heavy sigh]
‐ I love you so much.
272
00:13:11,583 --> 00:13:13,752
♪
273
00:13:13,752 --> 00:13:16,421
CHARLES:
Embrace the mess.
274
00:13:17,339 --> 00:13:19,424
That's beautiful.
275
00:13:19,424 --> 00:13:21,426
♪
276
00:13:25,806 --> 00:13:28,809
[distant siren blaring]
277
00:13:32,563 --> 00:13:35,190
What? You think I can't do it?
278
00:13:35,190 --> 00:13:36,650
Did you not see what I did today?
279
00:13:36,650 --> 00:13:39,653
♪ bassoon playing ♪
280
00:13:47,244 --> 00:13:50,247
[traffic noise]
281
00:13:57,129 --> 00:14:00,132
♪ bassoon continues ♪
282
00:14:08,724 --> 00:14:12,060
♪ concertina playing ♪
♪ bassoon stops ♪
283
00:14:14,563 --> 00:14:17,566
♪ bassoon continues ♪
284
00:14:21,904 --> 00:14:24,239
♪ playing
If You're Happy And You Know It ♪
285
00:14:25,699 --> 00:14:29,119
♪ responding ♪
286
00:14:29,703 --> 00:14:31,872
♪ call ♪
287
00:14:31,872 --> 00:14:33,749
♪ response ♪
288
00:14:33,749 --> 00:14:37,169
♪ playing in harmony ♪
289
00:14:37,753 --> 00:14:40,214
[inaudible]
290
00:14:40,214 --> 00:14:43,717
♪ bassoon playing
Da Ya Think I'm Sexy? ♪
291
00:14:43,717 --> 00:14:45,511
[laughs]
292
00:14:48,514 --> 00:14:51,808
♪ playing in harmony ♪
293
00:14:57,022 --> 00:14:59,525
♪ concertina playing
Take Me Out To The Ball Game ♪
294
00:15:13,872 --> 00:15:14,998
[stops playing]
295
00:15:17,292 --> 00:15:18,836
[knocking]
296
00:15:22,214 --> 00:15:23,215
[concertina wheezes]
297
00:15:28,762 --> 00:15:29,805
[laughs]
298
00:15:33,517 --> 00:15:36,478
[elevator dings]
‐ Hate when people say hhhummus.
299
00:15:36,478 --> 00:15:38,814
It's hummus. You just relax it.
300
00:15:38,814 --> 00:15:41,567
‐ So you, like, never eat an actual meal.
301
00:15:41,567 --> 00:15:44,361
‐ Dips are an actual meal.
I keep telling you this.
302
00:15:44,361 --> 00:15:47,155
And no dish washing.
It's all containers and fingers.
303
00:15:47,155 --> 00:15:48,657
‐ Gross.
[knocking]
304
00:15:53,829 --> 00:15:55,038
‐ Fuck off.
305
00:15:55,038 --> 00:15:56,290
[knocking]
306
00:16:02,504 --> 00:16:04,715
‐ We're here to brainstorm on
what our turkey should be.
307
00:16:04,715 --> 00:16:06,717
‐ What do we bring Sting?
308
00:16:07,801 --> 00:16:09,428
‐ I actually have plans.
309
00:16:09,428 --> 00:16:11,346
‐ [sniffing] Are you wearing cologne?
310
00:16:11,346 --> 00:16:13,182
MABEL:
Wait, are you going on a date?
311
00:16:13,182 --> 00:16:15,934
Did you ask out sexy bassoonist?
312
00:16:15,934 --> 00:16:17,769
OLIVER:
Really?!
313
00:16:17,769 --> 00:16:19,396
MABEL:
[laughs] This is so cool!
314
00:16:19,396 --> 00:16:22,107
What are the plans?
I feel like I need to approve them.
315
00:16:22,107 --> 00:16:25,569
‐ Excuse me. I have been dating decades
longer than you've been alive,
316
00:16:25,569 --> 00:16:28,155
and I'm especially expert at first dates.
317
00:16:30,532 --> 00:16:33,744
Because that's what I mostly have.
318
00:16:33,744 --> 00:16:35,329
‐ Oh, bubbeleh.
319
00:16:35,329 --> 00:16:36,622
What's wrong?
320
00:16:36,622 --> 00:16:38,498
Give the weight to the young people.
We can bear it.
321
00:16:39,041 --> 00:16:42,252
I just... I just find
dating exhausting. I think,
322
00:16:42,252 --> 00:16:44,922
what do you share?
What do you not share?
323
00:16:44,922 --> 00:16:48,550
And if it works out, scary.
If it doesn't work out, scary.
324
00:16:48,550 --> 00:16:50,719
After every date, I just want to go home
325
00:16:50,719 --> 00:16:53,597
and plant my face in a pillow
and never go out again.
326
00:16:53,597 --> 00:16:55,891
‐ Oh... Jesus.
‐ Okay. Wow.
327
00:16:55,891 --> 00:16:59,728
You need to relax, okay?
Just have fun. Laugh. Flirt.
328
00:16:59,728 --> 00:17:02,105
‐ Isn't it insulting to flirt now?
329
00:17:02,105 --> 00:17:03,440
‐ Well, who the hell knows?
330
00:17:03,440 --> 00:17:07,110
Suddenly, it's rude to tell a secretary
she looks pretty in a pair of slacks.
331
00:17:07,110 --> 00:17:09,488
‐ No. To that whole sentence.
332
00:17:10,239 --> 00:17:11,782
OLIVER:
Compliment her purse.
333
00:17:11,782 --> 00:17:13,951
If it isn't on their body,
you can like it.
334
00:17:13,951 --> 00:17:17,287
‐ No. Again, to every word
that's coming out of your mouth.
335
00:17:17,829 --> 00:17:18,956
Listen,
336
00:17:18,956 --> 00:17:21,208
I'm really glad you're doing this.
337
00:17:21,208 --> 00:17:24,002
Being alone in life is
making you a little weird.
338
00:17:24,545 --> 00:17:25,838
‐ Thank you?
339
00:17:25,838 --> 00:17:27,506
‐ Just try not to nosebleed all over her.
340
00:17:27,506 --> 00:17:29,383
OLIVER:
[laughs] That would be bad.
341
00:17:30,467 --> 00:17:33,929
Okay, can I please have
my hair guy come do you?
342
00:17:33,929 --> 00:17:35,931
Trim the ear lobes at least. They're‐‐
343
00:17:35,931 --> 00:17:38,725
♪ soft piano music ♪
344
00:17:38,725 --> 00:17:41,937
[restaurant chatter]
345
00:17:46,692 --> 00:17:49,361
JAN:
So, I kinda had two childhoods.
346
00:17:49,361 --> 00:17:52,155
One where I was a happy
only child with married parents,
347
00:17:52,823 --> 00:17:54,366
and a second one
348
00:17:54,366 --> 00:17:57,327
where I had an absent father
and a new half‐sister,
349
00:17:57,327 --> 00:18:00,414
who somehow could do no wrong.
350
00:18:00,414 --> 00:18:02,541
Who stole both my dad and the flute,
351
00:18:02,541 --> 00:18:05,335
leaving me the bassoon,
my second choice.
352
00:18:05,335 --> 00:18:07,838
‐ So, you and the bassoon
were clearly meant to be.
353
00:18:07,838 --> 00:18:11,049
[soft laugh] Is your sister
first chair of anything?
354
00:18:11,049 --> 00:18:12,050
[laughs]
355
00:18:12,050 --> 00:18:14,052
‐ I can't believe I told you all that.
356
00:18:16,263 --> 00:18:19,308
‐ I think your body language
makes me feel very comfortable.
357
00:18:19,683 --> 00:18:22,227
‐ Ha. Ha...
358
00:18:22,227 --> 00:18:24,313
Wha‐what about it?
359
00:18:24,313 --> 00:18:27,357
‐ I took a class on
non‐verbal communication,
360
00:18:27,357 --> 00:18:30,819
and people who keep their hands up
uncrossed on the table, like you were...
361
00:18:30,819 --> 00:18:34,323
‐ Mm‐hmm.
‐ ...are considered more trustworthy.
362
00:18:35,157 --> 00:18:37,117
No one trusts a person
who clasps their hands.
363
00:18:38,368 --> 00:18:39,786
‐ Well, yeah. I get that‐‐
364
00:18:39,786 --> 00:18:42,289
‐ Palms up. Very comforting.
365
00:18:42,289 --> 00:18:44,124
‐ Oh yeah. Well, that's, uh,
366
00:18:44,124 --> 00:18:45,876
the Last Supper pose.
367
00:18:45,876 --> 00:18:47,920
No one more comforting than Jesus.
368
00:18:47,920 --> 00:18:49,671
But, you wouldn't wanna date Jesus
369
00:18:49,671 --> 00:18:51,757
because you'd just be
worshiping him all the time.
370
00:18:51,757 --> 00:18:53,842
[both laugh]
371
00:18:54,801 --> 00:18:56,512
So, um...
372
00:18:57,346 --> 00:18:58,722
tell me more.
‐ Um...
373
00:18:58,722 --> 00:19:00,140
♪ piano continues ♪
374
00:19:00,140 --> 00:19:03,769
The being second thing
for me is kind of a theme.
375
00:19:03,769 --> 00:19:07,272
So, the last guy I was dating
never put me first.
376
00:19:07,272 --> 00:19:09,358
I mean, he wouldn't
let me order food first.
377
00:19:09,358 --> 00:19:12,444
If we both had to pee,
he'd pee first. I mean, whatever.
378
00:19:12,444 --> 00:19:14,196
My therapist says
379
00:19:14,196 --> 00:19:16,031
we're all driven to recreate
380
00:19:16,031 --> 00:19:18,075
the dynamic of our first wound,
381
00:19:18,075 --> 00:19:20,077
so we can change the ending.
382
00:19:21,203 --> 00:19:23,163
Woof! That was a lot.
383
00:19:23,163 --> 00:19:24,623
[both laugh]
384
00:19:24,623 --> 00:19:26,375
Your turn.
385
00:19:27,459 --> 00:19:29,169
‐ My turn for what?
386
00:19:29,169 --> 00:19:31,463
‐ Well, how did your parents wound you?
387
00:19:31,463 --> 00:19:32,714
Oh!
388
00:19:32,714 --> 00:19:35,092
Tell me about your last relationship.
389
00:19:35,801 --> 00:19:38,345
‐ Oh yeah... [groans]
390
00:19:38,345 --> 00:19:40,639
Well, let's just see here.
391
00:19:40,639 --> 00:19:41,765
Um...
392
00:19:42,349 --> 00:19:44,226
First, um...
393
00:19:45,352 --> 00:19:47,354
My parents were great. Yeah.
394
00:19:48,605 --> 00:19:50,899
And my, uh, last girlfriend,
395
00:19:50,899 --> 00:19:52,860
uh, was...
396
00:19:52,860 --> 00:19:55,112
perfectly nice,
397
00:19:55,112 --> 00:19:57,114
and, uh, ended well.
398
00:19:57,823 --> 00:19:58,824
[clears throat]
399
00:19:59,950 --> 00:20:01,618
How's your cheese?
400
00:20:02,703 --> 00:20:04,705
You like the cheese?
401
00:20:04,705 --> 00:20:06,707
Oh, you know what? I love...
402
00:20:06,707 --> 00:20:08,876
that purse. It is so unusual.
403
00:20:10,586 --> 00:20:14,381
‐ You know, the sharing of
stories is kind of transactional.
404
00:20:14,381 --> 00:20:16,967
When someone gives you a story,
405
00:20:16,967 --> 00:20:20,512
you owe them one of equal
or greater value in return.
406
00:20:20,512 --> 00:20:23,599
‐ Oh, so it's my turn to
tell you my red flags?
407
00:20:23,599 --> 00:20:25,142
[nervous laugh]
408
00:20:25,142 --> 00:20:28,061
Uh, but I'm not keeping any big secret
409
00:20:28,061 --> 00:20:31,398
or anything like that. It's just
not everyone has a ton of baggage.
410
00:20:31,398 --> 00:20:34,735
Not that you have, uh,
any more baggage than anyone else!
411
00:20:34,735 --> 00:20:37,696
You have the exact
right amount of baggage‐‐
412
00:20:37,696 --> 00:20:40,991
‐ How we doing? Another round?
‐ I think I'm good.
413
00:20:40,991 --> 00:20:42,993
CHARLES: Yeah!
Oh.
414
00:20:42,993 --> 00:20:44,912
CINDA:
Sometimes, a second chance
415
00:20:44,912 --> 00:20:47,539
is just another chance to get it wrong.
416
00:20:47,539 --> 00:20:49,416
♪
417
00:20:49,416 --> 00:20:50,417
[doorbell rings]
418
00:20:50,417 --> 00:20:52,377
And blowing it twice
419
00:20:52,377 --> 00:20:55,881
can cause you to make
some weird choices.
420
00:21:01,136 --> 00:21:04,306
‐ We're just going with the turkey.
‐ What?
421
00:21:04,306 --> 00:21:06,433
‐ Sorry to wake you.
The bird's two hours in,
422
00:21:06,433 --> 00:21:08,936
and my oven conked out,
so I'm gonna need yours.
423
00:21:08,936 --> 00:21:12,356
'Cause even a killer
does not deserve botulism.
424
00:21:12,356 --> 00:21:16,151
Oh my God. I forgot your big date.
Is‐is she in there?
425
00:21:16,151 --> 00:21:17,736
‐ No, no. I'm alone.
426
00:21:17,736 --> 00:21:19,363
‐ Oh. Mm, sorry.
427
00:21:19,363 --> 00:21:21,990
Do you want me to leave?
‐ No! I want to solve this murder,
428
00:21:21,990 --> 00:21:24,535
so catch me up.
‐ Alright. Sting...
429
00:21:24,535 --> 00:21:26,203
is on the run.
430
00:21:26,203 --> 00:21:28,705
I heard from Ursula he has moved
431
00:21:28,705 --> 00:21:31,166
his Rainforest Tour up,
and is leaving in two days.
432
00:21:31,166 --> 00:21:32,918
Suspicious?
433
00:21:32,918 --> 00:21:35,754
Also, he's renovating
his apartment when he's gone
434
00:21:35,754 --> 00:21:38,799
because, apparently,
he wants a "fresh start."
435
00:21:38,799 --> 00:21:40,717
I bet he does, right?
436
00:21:40,717 --> 00:21:44,179
Anyway, Mabel has plans in the afternoon,
so that only leaves tomorrow morning.
437
00:21:44,179 --> 00:21:46,807
And, you know, at 20 minutes a pound...
438
00:21:46,807 --> 00:21:50,269
‐ So, we're gonna bring
Sting a morning turkey?
439
00:21:50,269 --> 00:21:52,271
‐ Ye‐‐ I know, it's weird,
440
00:21:52,271 --> 00:21:54,481
but I figure if we also brought coffee...
441
00:21:55,232 --> 00:21:56,567
Yeah, listen.
442
00:21:56,567 --> 00:21:57,776
I know this is nuts‐‐
‐ No, no, no.
443
00:21:57,776 --> 00:22:00,571
That's exactly why it'll work.
Because it's surprising.
444
00:22:00,571 --> 00:22:03,240
No one ever brings anyone
a turkey with bad intentions!
445
00:22:03,240 --> 00:22:05,951
‐ Exactly! Wow.
446
00:22:05,951 --> 00:22:07,786
I am amazed. I didn't think
you'd be onboard with this.
447
00:22:07,786 --> 00:22:10,581
‐ [laughs] I'm so onboard with this.
448
00:22:10,581 --> 00:22:12,291
Because this is how I'm gonna fill
449
00:22:12,291 --> 00:22:14,084
the rest of my days with hobbies,
450
00:22:14,084 --> 00:22:16,170
and my hobby is solving murders.
451
00:22:16,170 --> 00:22:17,880
I'm gonna go on vacation
452
00:22:17,880 --> 00:22:21,633
with murders, and one day,
murders are gonna sit by my bed
453
00:22:21,633 --> 00:22:25,137
and feed me broth
because I'm losing my swallow reflex.
454
00:22:26,263 --> 00:22:27,681
[growls]
455
00:22:27,681 --> 00:22:30,475
[puts down bottle]
We're embracing the mess, right?
456
00:22:30,475 --> 00:22:33,395
So, gimme that baster,
and let's make a mess.
457
00:22:34,730 --> 00:22:36,231
♪
458
00:22:36,231 --> 00:22:37,399
[grunts]
459
00:22:37,399 --> 00:22:39,443
[street noise]
[elevator dings]
460
00:22:43,614 --> 00:22:46,116
‐ Oh my God. Look at this.
461
00:22:47,367 --> 00:22:48,619
Okay. [clears throat]
462
00:22:52,497 --> 00:22:53,999
‐ Testing.
‐ It's on, it's on.
463
00:22:57,002 --> 00:22:59,213
‐ Turkey delivery!
‐ I hope you're hungry!
464
00:23:00,005 --> 00:23:02,090
‐ Anita, are we expecting a turkey?
465
00:23:02,090 --> 00:23:04,426
‐ I hope not! You certainly
don't need a second one!
466
00:23:04,426 --> 00:23:05,969
[laughter]
467
00:23:05,969 --> 00:23:08,013
‐ I'm not seeing a turkey
on your schedule, sir.
468
00:23:08,013 --> 00:23:10,349
MABEL: So, we live in the building,
and we thought
469
00:23:10,349 --> 00:23:12,935
it would be a good community‐builder
470
00:23:12,935 --> 00:23:17,105
if every week, we made a turkey
and brought it to a neighbor.
471
00:23:17,105 --> 00:23:19,483
‐ So, should we just,
uh, leave it here, or should we‐‐
472
00:23:19,483 --> 00:23:22,277
‐ Are you‐‐
‐ Yes! That's right. CBS, nine seasons.
473
00:23:22,277 --> 00:23:24,780
Wow. Oh,
474
00:23:24,780 --> 00:23:27,407
gee... Oh!
475
00:23:27,407 --> 00:23:29,326
[strums guitar]
‐ Come in.
476
00:23:29,326 --> 00:23:33,372
‐ Okay, uh, full disclosure. This is
actually the first time we've done this,
477
00:23:33,372 --> 00:23:35,874
and now we know how weird it is
478
00:23:35,874 --> 00:23:37,876
that we didn't bring some yams.
479
00:23:37,876 --> 00:23:39,628
‐ [laughs] That's true.
480
00:23:39,628 --> 00:23:41,713
‐ You're the guy doing the podcast.
481
00:23:42,756 --> 00:23:44,466
‐ I am.
STING: Look,
482
00:23:44,466 --> 00:23:46,969
I‐I'm sorry how I was with your dog.
483
00:23:47,553 --> 00:23:49,054
I was having a rough day.
484
00:23:49,805 --> 00:23:50,931
MABEL:
Yeah.
485
00:23:50,931 --> 00:23:53,684
Uh, we heard you knew Tim Kono.
486
00:23:53,684 --> 00:23:55,853
Was he a... good guy?
487
00:23:56,645 --> 00:23:58,647
‐ I didn't know him personally.
488
00:23:59,398 --> 00:24:00,899
He used to work for me.
489
00:24:01,483 --> 00:24:02,526
I fired him.
490
00:24:03,402 --> 00:24:04,903
[emphatically]
You fired him?
491
00:24:04,903 --> 00:24:06,738
Why did you do that, Sting?
492
00:24:06,738 --> 00:24:08,115
‐ That's personal.
493
00:24:09,449 --> 00:24:10,492
‐ Sting.
494
00:24:13,537 --> 00:24:17,082
I know that you know that I know
what it's like to be famous.
495
00:24:17,082 --> 00:24:19,877
Strangers think they have
a right to know our business.
496
00:24:20,794 --> 00:24:22,838
But they never know the real us,
497
00:24:22,838 --> 00:24:24,673
and it's isolating.
498
00:24:24,673 --> 00:24:26,550
It can make us...
499
00:24:26,550 --> 00:24:28,343
act poorly.
500
00:24:33,348 --> 00:24:35,684
I feel I'm too close to Sting.
501
00:24:36,226 --> 00:24:38,687
‐ So, on top of that, Sting,
502
00:24:38,687 --> 00:24:41,523
this punk Tim Kono
503
00:24:41,523 --> 00:24:44,443
lost all your money.
MABEL: It might just make you
504
00:24:44,443 --> 00:24:46,987
snap. You know, might...
505
00:24:46,987 --> 00:24:49,198
make you even murderous.
506
00:24:49,198 --> 00:24:51,617
‐ What are you all getting at?
507
00:24:51,617 --> 00:24:54,244
STING:
You think Tim's death is my fault.
508
00:24:54,244 --> 00:24:55,871
♪
509
00:24:55,871 --> 00:24:56,914
Well, you're right.
510
00:24:59,499 --> 00:25:00,834
[sighs] I killed him.
511
00:25:00,834 --> 00:25:02,878
‐ Sir‐‐
STING: No, Anita,
512
00:25:02,878 --> 00:25:04,546
I need to release this.
513
00:25:06,256 --> 00:25:09,092
I've been so full of rage lately...
514
00:25:09,092 --> 00:25:12,054
The day before Tim's death,
I‐I screamed at him.
515
00:25:12,054 --> 00:25:15,933
"You fucked me over! You're fired!
You should kill yourself!"
516
00:25:15,933 --> 00:25:18,644
And then he did. [sobs]
517
00:25:18,644 --> 00:25:21,146
‐ And that's why you
poisoned my dog! B‐b...
518
00:25:22,189 --> 00:25:23,565
Wait, I'm sorry. What did you say?
519
00:25:24,900 --> 00:25:28,612
‐ Okay, I can't believe I even have to
say this, but Sting is not a murderer.
520
00:25:28,612 --> 00:25:31,865
Or a dog poisoner.
‐ So you think Tim was murdered?
521
00:25:32,449 --> 00:25:33,825
‐ I know he was.
522
00:25:33,825 --> 00:25:36,787
‐ Oh my God. What a relief!
523
00:25:37,746 --> 00:25:39,581
I‐I've been racked with guilt.
524
00:25:39,581 --> 00:25:41,750
I thought he killed himself because of me.
525
00:25:41,750 --> 00:25:44,336
And... [sighs] You know,
th‐that's why we've moved the tour up.
526
00:25:44,336 --> 00:25:47,548
That's why we're gutting this apartment,
and the building is just
527
00:25:47,548 --> 00:25:50,843
seeped in, in guilt and regret.
528
00:25:51,468 --> 00:25:52,469
[sighs]
529
00:25:54,680 --> 00:25:56,682
It's given me an idea for a song.
530
00:26:00,978 --> 00:26:01,854
♪ strums guitar ♪
531
00:26:01,854 --> 00:26:03,605
♪ I thought it was me ♪
532
00:26:03,605 --> 00:26:06,024
♪ And I was so low ♪
533
00:26:06,024 --> 00:26:08,402
♪ But my words didn't put a bullet ♪
534
00:26:08,402 --> 00:26:10,571
♪ Into Tim Kono ♪
535
00:26:10,571 --> 00:26:12,531
♪ Oh no ♪
536
00:26:14,992 --> 00:26:17,411
‐ I don't think it's gonna
make your best‐of album.
537
00:26:17,411 --> 00:26:19,413
‐ Well... Uh, okay...
538
00:26:20,205 --> 00:26:21,915
It's hard writing songs.
539
00:26:21,915 --> 00:26:24,334
‐ Okay. Thank you for the turkey.
Please...
540
00:26:25,002 --> 00:26:26,378
stay away from Sting.
541
00:26:26,378 --> 00:26:28,964
‐ Fuck. Another dead end.
542
00:26:28,964 --> 00:26:31,633
‐ Well, I could use a drink and a dip.
[clicking buttons]
543
00:26:31,633 --> 00:26:34,136
Anyone join me?
‐ I'm gonna go for a run.
544
00:26:35,137 --> 00:26:37,139
‐ How about you, Charlie?
545
00:26:37,139 --> 00:26:39,391
Checkers? Chazz!
546
00:26:39,391 --> 00:26:40,934
‐ Sure, fine.
547
00:26:40,934 --> 00:26:43,395
But I have one more
mess to embrace first.
548
00:26:50,027 --> 00:26:51,069
[door opens]
549
00:26:52,529 --> 00:26:55,240
My last relationship lasted six years.
550
00:26:55,240 --> 00:26:56,825
We met under false pretenses.
551
00:26:56,825 --> 00:27:00,746
It was at a hot springs in Iceland,
on a trip my sister dragged me on.
552
00:27:00,746 --> 00:27:03,665
Now, I hate nature, I hate traveling,
553
00:27:03,665 --> 00:27:05,918
but I didn't tell my ex that.
Emma. That's my ex.
554
00:27:05,918 --> 00:27:08,170
So, she thought she was getting
555
00:27:08,170 --> 00:27:11,173
"adventurous actor guy,"
556
00:27:11,173 --> 00:27:14,051
so she moved in.
And she brought with her
557
00:27:14,051 --> 00:27:16,762
her 7‐year‐old daughter. Lucy.
558
00:27:17,179 --> 00:27:19,515
I tried to give Lucy some stability.
559
00:27:19,515 --> 00:27:21,433
You know, a‐a routine,
560
00:27:21,433 --> 00:27:23,644
and I would cook her
favorite omelet in the morning,
561
00:27:23,644 --> 00:27:26,355
and she loved it, and I loved it,
562
00:27:26,355 --> 00:27:29,066
but my ex... didn't.
563
00:27:29,816 --> 00:27:32,694
So, I booked a Caribbean cruise
564
00:27:32,694 --> 00:27:35,072
for our anniversary.
‐ That's romantic.
565
00:27:35,072 --> 00:27:36,281
‐ Yeah, that's what she thought.
566
00:27:36,281 --> 00:27:38,033
And then I clarified
567
00:27:38,033 --> 00:27:40,244
it was actually a family fun cruise.
568
00:27:41,245 --> 00:27:43,789
So, day three,
there was an island tour,
569
00:27:43,789 --> 00:27:46,375
and Lucy and I just wanted to skip it.
570
00:27:46,375 --> 00:27:49,378
But, Emma insisted that Lucy go.
571
00:27:51,004 --> 00:27:52,506
And they never came back.
572
00:27:52,506 --> 00:27:54,132
‐ They went missing?
‐ No.
573
00:27:54,132 --> 00:27:56,176
They flew home from St. Croix.
574
00:27:56,760 --> 00:27:58,971
So, I stayed on the family fun cruise
575
00:27:58,971 --> 00:28:01,723
for the next five days, alone,
576
00:28:01,723 --> 00:28:03,475
except for Bugs Bunny and Porky Pig,
577
00:28:03,475 --> 00:28:07,104
who I had paid extra to be
at our anniversary dinner.
578
00:28:07,104 --> 00:28:08,981
[inaudible]
579
00:28:10,566 --> 00:28:12,150
Emma thought a hard break
580
00:28:12,150 --> 00:28:14,319
would be best for Lucy,
581
00:28:14,319 --> 00:28:17,322
so I really haven't spoken to her since.
582
00:28:18,448 --> 00:28:20,951
And I've been haunted by it.
583
00:28:21,535 --> 00:28:23,579
And by Bugs and Porky.
584
00:28:25,038 --> 00:28:26,623
You know, I don't share this
585
00:28:26,623 --> 00:28:30,836
with people because I'm,
frankly, embarrassed by it.
586
00:28:38,302 --> 00:28:41,597
But, I'm telling you this because...
587
00:28:41,597 --> 00:28:42,848
I like you.
588
00:28:42,848 --> 00:28:45,642
And I would like a second date.
589
00:28:46,894 --> 00:28:49,062
‐ Woof. That was a lot.
590
00:28:49,897 --> 00:28:51,398
‐ Woof, woof.
591
00:28:53,233 --> 00:28:54,693
‐ Okay.
592
00:28:54,693 --> 00:28:58,113
But if anyone's wearing an animal suit,
it better be you or me.
593
00:28:59,239 --> 00:29:00,240
[laughs]
594
00:29:01,074 --> 00:29:03,452
‐ Thank you. I will call you.
595
00:29:04,369 --> 00:29:05,996
CINDA:
What's more dangerous?
596
00:29:05,996 --> 00:29:08,874
Taking advantage of a second chance,
597
00:29:08,874 --> 00:29:10,876
or letting it pass you by?
598
00:29:21,929 --> 00:29:24,848
♪
599
00:29:32,105 --> 00:29:34,816
[typing]
600
00:29:45,911 --> 00:29:47,913
[click, typing]
601
00:29:58,465 --> 00:30:00,008
[typing]
602
00:30:02,427 --> 00:30:03,428
[click]
603
00:30:10,310 --> 00:30:12,312
[shuts laptop]
[knocking]
604
00:30:14,523 --> 00:30:15,774
[knocking]
605
00:30:18,861 --> 00:30:21,864
‐ Ah!
‐ What happened?
606
00:30:21,864 --> 00:30:25,033
‐ I shared. I got a second date.
607
00:30:25,033 --> 00:30:27,244
I need to sleep for a month.
608
00:30:27,244 --> 00:30:29,538
Ah! A pillow...
609
00:30:30,664 --> 00:30:33,917
‐ No, no, no, no. This is good.
This is progress. Tell me everything.
610
00:30:33,917 --> 00:30:36,170
‐ Can't we just have a drink
and sit quietly?
611
00:30:36,170 --> 00:30:39,131
I've had enough big reveals for today.
612
00:30:40,174 --> 00:30:41,383
‐ Hey, Dad.
613
00:30:41,383 --> 00:30:43,427
Looks like Winnie got
everything out of her system.
614
00:30:43,427 --> 00:30:46,054
‐ Willie! Charles, this is my son Will.
615
00:30:46,054 --> 00:30:48,348
Will, this is Charles‐Haden Savage.
616
00:30:48,348 --> 00:30:50,350
‐ Nice to meet you...
WILL: Yeah,
617
00:30:50,350 --> 00:30:51,727
you, too. Uh,
618
00:30:51,727 --> 00:30:53,812
so Dad, I listened to your podcast.
619
00:30:53,812 --> 00:30:55,898
You didn't tell me you were
doing it with Mabel Mora.
620
00:30:55,898 --> 00:30:57,649
‐ Why, you know her?
621
00:30:57,649 --> 00:30:59,776
‐ She used to stay here
during school breaks.
622
00:30:59,776 --> 00:31:02,487
She hung out with this group of kids,
and one of them was Tim Kono.
623
00:31:04,615 --> 00:31:07,284
‐ Wait, what?
‐ She knew Tim Kono?
624
00:31:07,284 --> 00:31:08,452
‐ She 100% knew him.
625
00:31:09,077 --> 00:31:11,705
‐ What does that mean?
Why would she not tell us that?
626
00:31:11,705 --> 00:31:13,957
WILL: I mean, maybe because
she thinks it looks suspicious.
627
00:31:13,957 --> 00:31:16,960
Especially since the last time she
was here, one of the other friends died.
628
00:31:16,960 --> 00:31:18,670
She got pushed off the roof.
629
00:31:18,670 --> 00:31:20,339
CHARLES:
What?
630
00:31:20,339 --> 00:31:21,882
‐ That girl is bad news.
631
00:31:21,882 --> 00:31:25,010
♪
632
00:31:25,010 --> 00:31:27,346
‐ Can you just say all that one more time?
633
00:31:31,266 --> 00:31:34,269
[street noise, chatter]
634
00:31:42,569 --> 00:31:45,697
CINDA:
"What happens when your second chance
635
00:31:45,697 --> 00:31:48,992
becomes your last shot?"
636
00:31:48,992 --> 00:31:51,161
Is a line of dialogue from Brazzos,
637
00:31:51,161 --> 00:31:53,163
episode 713,
638
00:31:53,163 --> 00:31:56,333
which prophecized what
would happen 15 years later
639
00:31:56,333 --> 00:31:58,085
when a fake detective
640
00:31:58,085 --> 00:32:00,546
decided to become a real one.
641
00:32:00,546 --> 00:32:03,757
When he and his true crime fan buddies
642
00:32:03,757 --> 00:32:06,301
took a second chance
643
00:32:06,301 --> 00:32:10,180
and became the subject
of our next investigation.
644
00:32:10,180 --> 00:32:14,017
Stay tuned for
Only Murderers In The Building,
645
00:32:14,017 --> 00:32:17,062
coming this fall. Until then,
646
00:32:17,062 --> 00:32:19,356
I'm Cinda Canning.
647
00:32:19,356 --> 00:32:22,985
And remember, if you need a domain,
website, or online store,
648
00:32:22,985 --> 00:32:24,611
make it with Squarespace!
649
00:32:24,611 --> 00:32:27,614
♪
650
00:32:53,974 --> 00:32:56,977
♪
651
00:33:13,410 --> 00:33:16,413
[fanfare]
48400
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