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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:03,212 --> 00:00:06,215 ♪ dramatic music playing ♪ 2 00:00:07,257 --> 00:00:09,843 [police siren, indistinct radio chatter] 3 00:00:09,843 --> 00:00:12,012 [door bangs open] OFFICER 1: Go, go, go! 4 00:00:12,679 --> 00:00:15,098 [indistinct muttering] [elevator dings] 5 00:00:18,143 --> 00:00:19,978 OFFICER 1: Doors closed! OFFICER 2: Stay inside! 6 00:00:19,978 --> 00:00:21,647 [doors slamming] 7 00:00:23,232 --> 00:00:25,984 BOTH: Oh my god, oh my god, oh my god! 8 00:00:25,984 --> 00:00:28,529 MAN 1: Oh my god, oh my god... MAN 2: Help me, someone! 9 00:00:28,529 --> 00:00:30,155 MAN 1: We gotta get her! I'm not leaving her here! 10 00:00:30,155 --> 00:00:31,823 ‐ Oh, and I would? ‐ Of course you would! 11 00:00:31,823 --> 00:00:33,075 ‐ Of course I would! 12 00:00:39,957 --> 00:00:42,543 ‐ It's not what you think. [sirens wailing] 13 00:00:42,543 --> 00:00:45,587 ♪ Manhattan by Jan & Dean ♪ 14 00:00:45,587 --> 00:00:47,840 ♪ We'll have Manhattan ♪ 15 00:00:47,840 --> 00:00:50,717 ♪ The Bronx and Staten Island, too ♪ 16 00:00:50,717 --> 00:00:52,594 MAN 1: Here's a thing I don't get. 17 00:00:52,594 --> 00:00:54,930 People who worry about living in a big city 18 00:00:54,930 --> 00:00:57,015 because of all the crime. 19 00:00:57,015 --> 00:00:59,685 As any true crime aficionado will tell you, 20 00:00:59,685 --> 00:01:02,688 it's the boondocks you need to worry about. 21 00:01:02,688 --> 00:01:06,483 I mean, let's face it. Nobody ever discovered 19 bodies buried 22 00:01:06,483 --> 00:01:10,279 in the backyard of a 14‐story apartment building. 23 00:01:10,279 --> 00:01:13,031 There's eyes on you all over the place here. 24 00:01:13,031 --> 00:01:16,201 And New Yorkers have a special way of communicating. 25 00:01:16,994 --> 00:01:19,830 And by special, I mean direct. 26 00:01:19,830 --> 00:01:23,166 We're packed in tight and stacked on top of each other 27 00:01:23,166 --> 00:01:24,626 like those of us who live... 28 00:01:25,169 --> 00:01:27,337 at the Arconia. 29 00:01:29,673 --> 00:01:31,216 ‐ Hey, hold up. Wait, are you... 30 00:01:32,009 --> 00:01:34,636 ‐ I'm Brazzos. [laughs] FAN: Oh shit, dude! 31 00:01:34,636 --> 00:01:36,638 I used to watch that show with my dad 32 00:01:36,638 --> 00:01:38,557 when I was a kid! That was his favorite! 33 00:01:38,557 --> 00:01:40,017 Wait, what was that thing you always said? 34 00:01:41,894 --> 00:01:44,563 ‐ This sends the investigation into a whole new direction. 35 00:01:44,563 --> 00:01:46,106 FAN: That's it, man! That's it! 36 00:01:46,106 --> 00:01:48,108 Oh shit! So cool. 37 00:01:49,610 --> 00:01:51,528 Dad's got ALS now. 38 00:01:52,321 --> 00:01:54,531 He can't really talk or... 39 00:01:54,531 --> 00:01:56,742 feed himself anymore. ‐ I'm sorry. 40 00:01:57,743 --> 00:01:59,244 ‐ He's in hospice, but... 41 00:02:00,871 --> 00:02:02,873 he just won't let go, you know? 42 00:02:03,624 --> 00:02:06,627 And, honestly, it'd be, like, better for my whole family if... 43 00:02:07,669 --> 00:02:09,087 if he would. 44 00:02:11,465 --> 00:02:14,218 ‐ You want a photo? FAN: Yes! Of course! 45 00:02:14,218 --> 00:02:16,470 Yes! That'd be awesome. Thanks, man! 46 00:02:19,139 --> 00:02:21,558 ‐ Actually, could you do it landscape? 47 00:02:21,558 --> 00:02:23,769 Turn it sideways. FAN: Better if you turn it there. Yeah. 48 00:02:23,769 --> 00:02:25,771 That's good, that's good. Yep. [shutter snaps] 49 00:02:27,564 --> 00:02:29,733 ‐ You tell your dad Brazzos took that picture. 50 00:02:29,733 --> 00:02:32,819 ‐ I will, I will, but he won't understand, you know? 51 00:02:32,819 --> 00:02:33,862 Not anymore. 52 00:02:36,114 --> 00:02:38,408 ‐ Bye. FAN: Thanks, man. Thanks a lot. 53 00:02:38,408 --> 00:02:41,912 ♪ Did a full 180 ♪ 54 00:02:41,912 --> 00:02:44,706 WOMAN: New York can be a fucking lot. 55 00:02:44,706 --> 00:02:47,084 All the eyes on you all the time. [street chatter, bike bell rings] 56 00:02:47,084 --> 00:02:48,919 ‐ Hey, baby. Where you going so tough? 57 00:02:48,919 --> 00:02:52,172 WOMAN: Two thousand women report assaults here every year, 58 00:02:52,172 --> 00:02:54,466 so it's a place that makes you binge Dateline 59 00:02:54,466 --> 00:02:57,219 to find out how not to end up on Dateline. 60 00:02:57,219 --> 00:02:59,054 I have this recurring dream. 61 00:02:59,054 --> 00:03:02,057 I'm in bed, I wake up, 62 00:03:02,057 --> 00:03:04,101 and there's a man standing over me. 63 00:03:04,434 --> 00:03:07,187 So, I kick him right in the nuts, and I grab my knitting needle... 64 00:03:07,187 --> 00:03:09,273 [slice, stabbing, grunting] ...and I take him down 65 00:03:09,273 --> 00:03:10,566 to the bone with that thing. 66 00:03:10,566 --> 00:03:12,776 Sometimes, when I can't sleep, 67 00:03:12,776 --> 00:03:15,279 I imagine brutally murdering that dude. 68 00:03:16,113 --> 00:03:19,324 And I'm out like a light. Works every time. 69 00:03:19,324 --> 00:03:22,911 As I said, it's a lot. Don't be here if you don't like a lot. 70 00:03:23,871 --> 00:03:26,957 ♪ Hey, hobo man, hey, Dapper Dan ♪ 71 00:03:26,957 --> 00:03:29,960 MAN 2: "NYC. What is it about you?" 72 00:03:30,586 --> 00:03:34,256 Which, of course, is a line from a big hit show about an orphan. 73 00:03:34,256 --> 00:03:37,301 And don't we all feel like orphans here at times, 74 00:03:37,301 --> 00:03:39,720 struggling to find our place? 75 00:03:39,720 --> 00:03:43,515 I saw this brilliant dance piece on the worldwide web recently, 76 00:03:43,515 --> 00:03:45,475 set to Clair de Lune. 77 00:03:45,475 --> 00:03:46,935 ♪ Clair de Lune playing ♪ 78 00:03:46,935 --> 00:03:49,521 A simple premise of a man trying to reach 79 00:03:49,521 --> 00:03:51,940 the top of a staircase and falling, 80 00:03:51,940 --> 00:03:54,484 but always trying to find some new way 81 00:03:54,484 --> 00:03:56,904 to bounce back up again. 82 00:03:56,904 --> 00:03:58,864 And I thought, isn't that each of us, 83 00:03:59,448 --> 00:04:01,783 every day in this big burg? 84 00:04:01,783 --> 00:04:03,076 That's life in New‐‐ 85 00:04:03,076 --> 00:04:05,621 [tires screech, honking] Really?! 86 00:04:05,621 --> 00:04:08,373 Do you not see this coat!? 87 00:04:08,373 --> 00:04:12,044 [driver shouting] Still, one thing is certain in this town. 88 00:04:12,878 --> 00:04:15,714 Just when it's all starting to feel the same, 89 00:04:15,714 --> 00:04:17,716 that's when you get hit by something 90 00:04:17,716 --> 00:04:20,177 you never saw coming. 91 00:04:20,177 --> 00:04:22,179 ♪ lively theme song playing ♪ 92 00:04:22,179 --> 00:04:25,182 ♪ vocalizing ♪ 93 00:05:08,225 --> 00:05:10,519 [church bells ringing] 94 00:05:10,519 --> 00:05:13,522 [street noise, chatter] 95 00:05:14,523 --> 00:05:16,400 Hey, Lester. [door shuts] 96 00:05:17,234 --> 00:05:19,278 [as Cary Grant]: Oh, Ursula, my darling. 97 00:05:19,278 --> 00:05:22,197 Anything for me? ‐ Yep. Save me a trip. 98 00:05:23,156 --> 00:05:26,451 ‐ Oh. Yeah, this is all research for shows I'm developing. 99 00:05:26,451 --> 00:05:28,996 Some off‐, some off‐off, you know? 100 00:05:30,080 --> 00:05:33,166 Stay out of the theater if you want a life, Ursula. Trust me. 101 00:05:37,713 --> 00:05:39,089 Hold it! 102 00:05:40,799 --> 00:05:43,302 Ah! Oh! Sorry. Thanks. 103 00:05:43,302 --> 00:05:44,803 I just‐‐ Ooh! 104 00:05:44,803 --> 00:05:46,138 Ah! Got it. [laughs] 105 00:05:46,555 --> 00:05:48,140 Sorry, I'm just, uh, I‐I have 106 00:05:48,140 --> 00:05:50,642 an important thing a little bit later‐‐ ‐ Yeah, me, too. 107 00:05:51,518 --> 00:05:53,020 ‐ Oh, hello. 108 00:05:53,896 --> 00:05:56,607 Filming something today? ‐ I'm sorry? 109 00:05:56,607 --> 00:05:58,233 ‐ All the makeup, I just assumed. 110 00:05:58,984 --> 00:06:00,986 ‐ I'm not wearing makeup. 111 00:06:01,820 --> 00:06:03,822 ‐ Oh. Okay. 112 00:06:03,822 --> 00:06:05,282 Me neither. [laughs] 113 00:06:12,497 --> 00:06:15,334 [doors shut, elevator whirring] [sighs] 114 00:06:15,334 --> 00:06:16,877 Is it 5:00 yet, do you know? 115 00:06:16,877 --> 00:06:18,629 ‐ No. ‐ No. 116 00:06:18,629 --> 00:06:19,713 [ding] 117 00:06:20,756 --> 00:06:22,591 ‐ Tim Kono. 118 00:06:22,591 --> 00:06:24,468 With a K. Yes. 119 00:06:26,345 --> 00:06:27,930 [doors shut, whirring] 120 00:06:27,930 --> 00:06:29,556 Do you see anything you got in today's packages? 121 00:06:30,432 --> 00:06:33,060 Okay. I don't know why this keeps happening. 122 00:06:33,060 --> 00:06:35,062 Well, this one is very important to me. 123 00:06:35,896 --> 00:06:37,940 How early tomorrow? ‐ [ding] 124 00:06:37,940 --> 00:06:39,066 [doors open] 125 00:06:44,613 --> 00:06:47,366 [clears throat] [doors shut, elevator whirring] 126 00:06:48,367 --> 00:06:50,160 ‐ Do you like your Beats? 127 00:06:54,998 --> 00:06:58,126 I had a yellow pair. I just loved them so much. 128 00:06:58,126 --> 00:06:59,837 And then, like an idiot, 129 00:06:59,837 --> 00:07:01,421 I leave them on the subway. 130 00:07:01,421 --> 00:07:03,340 The thing is, when you lose something on the subway, 131 00:07:03,340 --> 00:07:05,592 you‐you don't know‐‐ MAN 1: Ding! 132 00:07:07,970 --> 00:07:08,971 [meow] 133 00:07:08,971 --> 00:07:11,223 Even the elevator wanted that story to end. 134 00:07:13,433 --> 00:07:15,435 ‐ Come on, Winnie. 135 00:07:15,435 --> 00:07:17,980 ♪ soft music playing ♪ 136 00:07:17,980 --> 00:07:19,273 Winnie. No. 137 00:07:19,690 --> 00:07:21,191 [paper bag crinkling] 138 00:07:31,243 --> 00:07:34,246 [distant sirens, street noise] 139 00:07:35,789 --> 00:07:37,249 [text chimes] 140 00:07:41,003 --> 00:07:42,838 [flame roars] Okay. 141 00:07:44,464 --> 00:07:46,717 [humming] [keys clicking] 142 00:07:46,717 --> 00:07:49,720 ♪ podcast theme playing ♪ 143 00:07:51,096 --> 00:07:54,099 ♪ music continues ♪ 144 00:07:58,562 --> 00:08:01,565 NARRATOR [on podcast]: You're listening to All Is Not OK In Oklahoma, 145 00:08:01,565 --> 00:08:03,025 from Cinda Canning. 146 00:08:03,025 --> 00:08:05,444 Funding is provided by our sponsors, 147 00:08:05,444 --> 00:08:08,322 The Rand Corporation, the Milton and Miriam Swann Foundation 148 00:08:08,322 --> 00:08:10,741 for the Arts and for Dissolving the Federal Reserve, 149 00:08:10,741 --> 00:08:12,534 and Trader Joe's. 150 00:08:12,534 --> 00:08:14,912 With additional support from Royal Crown Cruises, 151 00:08:14,912 --> 00:08:16,788 the Royal Crown Prince of Dubai, 152 00:08:16,788 --> 00:08:18,373 and listeners like you. 153 00:08:18,373 --> 00:08:20,167 And now, here's Cinda Canning 154 00:08:20,167 --> 00:08:23,462 with episode six of All Is Not OK In Oklahoma. 155 00:08:25,130 --> 00:08:27,716 ♪ acoustic guitar playing ♪ [insects chirping] 156 00:08:27,716 --> 00:08:30,052 CINDA CANNING [on podcast]: When Ray Butler walked me into the woods 157 00:08:30,052 --> 00:08:32,179 behind his barn that night in Chickasha 158 00:08:32,179 --> 00:08:34,598 [dog barking] I wasn't expecting to find anything 159 00:08:34,598 --> 00:08:36,892 related to the disappearance of his niece, Becky. 160 00:08:36,892 --> 00:08:38,602 ♪ 161 00:08:38,602 --> 00:08:41,313 I was thinking more about Ray's unorthodox clothing choice 162 00:08:41,313 --> 00:08:42,981 for farm living. 163 00:08:42,981 --> 00:08:44,900 [insects chirping] 164 00:08:44,900 --> 00:08:47,528 But that all changed because of what was going on 165 00:08:47,528 --> 00:08:49,696 next to the riverbed, 166 00:08:49,696 --> 00:08:52,115 where Ray's old Lab, Bo, 167 00:08:52,115 --> 00:08:54,993 [barking] was digging at something in the dirt. 168 00:08:54,993 --> 00:08:56,036 [snorting] 169 00:08:57,079 --> 00:08:58,789 Once he got his dug‐up prize, 170 00:08:58,789 --> 00:09:02,167 Bo ran proudly to me with it dangling in his mouth. 171 00:09:03,877 --> 00:09:07,047 It took a moment to absorb what it was, 172 00:09:07,047 --> 00:09:10,384 but then, it became all too clear. 173 00:09:10,384 --> 00:09:13,011 Bo had found... [Bo whining] 174 00:09:13,011 --> 00:09:14,429 [fire alarm blaring] 175 00:09:14,429 --> 00:09:15,430 ‐ Shit! 176 00:09:15,430 --> 00:09:17,641 ‐ [sighs] My gah... No. 177 00:09:18,976 --> 00:09:20,435 [alarm continues] 178 00:09:20,435 --> 00:09:22,437 [barks] Yeah! That's good. 179 00:09:23,939 --> 00:09:25,607 [alarm gets louder] 180 00:09:25,607 --> 00:09:28,193 [residents chattering] 181 00:09:35,242 --> 00:09:38,245 ♪ 182 00:09:40,956 --> 00:09:43,959 [indistinct street chatter] 183 00:09:48,005 --> 00:09:50,632 ‐ Lester, is this real? ‐ I don't know. We're finding out. 184 00:09:57,681 --> 00:10:00,184 CANNING [on podcast]: Even in a steady Oklahoma rain, 185 00:10:00,184 --> 00:10:01,768 I was transfixed... [restaurant noise] 186 00:10:01,768 --> 00:10:04,771 ‐ Well, look who got the last booth! [chuckles] 187 00:10:06,481 --> 00:10:09,902 CANNING: But all that changed because of what was going on next to the riverbed. 188 00:10:09,902 --> 00:10:13,071 ‐ Listen, if I've ever offended you 189 00:10:13,071 --> 00:10:15,949 during any of the many times you've auditioned for me, 190 00:10:15,949 --> 00:10:18,785 then‐‐ ‐ I've never auditioned for you. 191 00:10:20,078 --> 00:10:21,580 ‐ Oh, you're not Scott Bakula? 192 00:10:22,497 --> 00:10:23,999 ‐ I am not. 193 00:10:24,416 --> 00:10:27,377 ‐ Oh! You're the other one. Got it. 194 00:10:27,794 --> 00:10:29,838 Well, listen, I‐I won't say a word, 195 00:10:29,838 --> 00:10:33,759 but my, uh, favorite podcast just dropped a new episode tonight, and‐‐ 196 00:10:33,759 --> 00:10:36,762 ♪ 197 00:10:40,807 --> 00:10:43,143 ‐ What does Bo have in his mouth? 198 00:10:43,143 --> 00:10:44,811 ‐ I don't know! 199 00:10:44,811 --> 00:10:46,522 ♪ podcast music playing ♪ 200 00:10:46,522 --> 00:10:47,814 Oh... 201 00:10:52,194 --> 00:10:54,196 Exc... [sighs] 202 00:10:55,155 --> 00:10:57,950 ‐ Do you know if there's any available? ‐ I'm sorry. We're totally booked... 203 00:10:57,950 --> 00:11:00,202 ‐ Hey! Come over! 204 00:11:01,203 --> 00:11:02,955 ‐ Thank you. 205 00:11:02,955 --> 00:11:04,873 ‐ Yeah! 206 00:11:04,873 --> 00:11:07,334 Sit down! Half the building's in here. 207 00:11:07,334 --> 00:11:10,003 I'm Oliver, by the way. Oliver Putnam. 208 00:11:10,003 --> 00:11:12,172 ‐ Charles. Charles‐Haden Savage. 209 00:11:12,172 --> 00:11:14,383 ‐ Hey. I'm Mabel. 210 00:11:14,383 --> 00:11:16,635 ‐ [laughs] No, really. What is‐‐ Oh. 211 00:11:16,635 --> 00:11:18,136 A great old school name. 212 00:11:18,595 --> 00:11:20,639 ‐ Get out. 213 00:11:20,639 --> 00:11:22,850 What the fuck is in Bo's mouth? 214 00:11:22,850 --> 00:11:24,685 BOTH: Becky's panties! 215 00:11:24,685 --> 00:11:27,396 ‐ It is not Ray. Too obvious. ‐ Exactly. 216 00:11:27,396 --> 00:11:29,273 ‐ Absolutely. Listen, I'm just relieved 217 00:11:29,273 --> 00:11:32,192 that something of Becky Butler showed up somewhere. 218 00:11:32,192 --> 00:11:33,986 I almost forgot who went missing. 219 00:11:33,986 --> 00:11:35,737 MABEL: They took too long with it. 220 00:11:35,737 --> 00:11:37,990 ‐ That whole thing: Student Council president, 221 00:11:37,990 --> 00:11:40,325 "she had a smile that would light up a room," blah blah blah. 222 00:11:40,325 --> 00:11:42,661 OLIVER: Yeah, yeah. Listen, I am all for a good peeling of the onion, 223 00:11:42,661 --> 00:11:45,163 but let's pace it up, people. Please. 224 00:11:45,163 --> 00:11:46,707 ♪ 225 00:11:46,707 --> 00:11:48,709 To that point... 226 00:11:50,210 --> 00:11:53,505 who are you, you fascinating creature? 227 00:11:53,505 --> 00:11:56,842 I mean, we got our places 30 years ago when the Arconia was affordable, 228 00:11:56,842 --> 00:11:59,136 but you? Do your parents have a place there‐‐ 229 00:11:59,136 --> 00:12:02,097 ‐ Good god! You don't have to answer that, Mabel. 230 00:12:02,097 --> 00:12:05,434 I mean‐‐ I mean unless you want to because I'm also curious. 231 00:12:07,352 --> 00:12:10,147 ‐ How do I know you? ‐ Oh, Charles was in 232 00:12:10,147 --> 00:12:12,649 an old TV series, many, many years ago. 233 00:12:12,649 --> 00:12:15,569 What was it called? Uh, Bozos. ‐ Brazzos. 234 00:12:16,820 --> 00:12:19,239 ‐ Oh... Okay. 235 00:12:19,239 --> 00:12:22,284 ‐ As for me, uh, 236 00:12:22,284 --> 00:12:25,662 directing is my day job. [laughs] I'm sure you're aware. 237 00:12:27,414 --> 00:12:30,125 But, uh, my grandchildren... 238 00:12:32,336 --> 00:12:33,504 they're my passion. 239 00:12:33,962 --> 00:12:36,465 I just wish I had more time to spend with them. 240 00:12:37,508 --> 00:12:39,384 That's really all we want, isn't it? 241 00:12:39,384 --> 00:12:41,512 More time with the people we love. 242 00:12:41,512 --> 00:12:44,264 ‐ I literally pass him in the elevator once a month, just so you know. 243 00:12:45,474 --> 00:12:46,558 OLIVER: Anyway, 244 00:12:46,558 --> 00:12:49,645 those are our proverbial onions. 245 00:12:49,645 --> 00:12:52,606 Raw and peeled. And yours? 246 00:12:52,606 --> 00:12:54,024 Care to peel for us? 247 00:12:55,025 --> 00:12:56,652 ‐ I do not. 248 00:12:56,652 --> 00:12:58,403 Can I? BOTH: Absolutely not. 249 00:12:58,403 --> 00:13:01,406 ‐ No, no. Thank you so much. 250 00:13:01,406 --> 00:13:02,491 ‐ Thank you. 251 00:13:03,700 --> 00:13:05,410 OLIVER: Hi, baby. [barks] 252 00:13:05,410 --> 00:13:07,412 MABEL: Oh! That's a real dog. 253 00:13:07,412 --> 00:13:08,455 OLIVER: Yeah, yeah. 254 00:13:08,455 --> 00:13:11,375 ♪ 255 00:13:11,375 --> 00:13:14,378 [siren, indistinct chatter] 256 00:13:18,423 --> 00:13:20,259 Look at this. 257 00:13:21,677 --> 00:13:24,263 CHARLES: Lester, what the hell? ‐ Found someone dead. 258 00:13:24,263 --> 00:13:25,556 [gasps] ‐ What? 259 00:13:25,556 --> 00:13:27,599 ‐ Sounds like they offed themselves. 260 00:13:27,599 --> 00:13:29,309 ‐ You're kidding me. LESTER: Ninth floor. 261 00:13:29,309 --> 00:13:30,561 Can't let anyone in. 262 00:13:30,561 --> 00:13:33,021 ‐ We can't go to our apartments? ‐ No, sir. Sorry. 263 00:13:33,021 --> 00:13:36,400 ♪ 264 00:13:36,400 --> 00:13:39,278 ‐ Did he say the ninth floor? ‐ Yeah. 265 00:13:39,278 --> 00:13:42,447 ‐ I could get us to the freight elevator, 266 00:13:42,447 --> 00:13:44,408 just to take a peek. 267 00:13:46,159 --> 00:13:48,036 ‐ Just to see what's happening. 268 00:13:48,036 --> 00:13:50,414 ‐ Okay. But, we should take it to eight. 269 00:13:50,414 --> 00:13:51,498 ‐ Why? 270 00:13:52,165 --> 00:13:53,834 ‐ They'll have cops posted on nine. 271 00:13:54,877 --> 00:13:56,545 ‐ Ooh, you're good. 272 00:13:58,255 --> 00:14:01,508 ♪ 273 00:14:08,932 --> 00:14:11,476 ‐ Tell the captain this is a suicide. 274 00:14:13,103 --> 00:14:16,106 Alright, guys, I need you to canvass around the building. 275 00:14:27,367 --> 00:14:30,162 ♪ 276 00:14:30,162 --> 00:14:31,038 [whimpers] 277 00:14:37,711 --> 00:14:39,505 OLIVER: It's that guy from the elevator! 278 00:14:39,505 --> 00:14:42,299 Oh my god. Oh my god. It's that guy! [door shuts] 279 00:14:42,299 --> 00:14:44,426 It's that guy... ‐ His‐‐ His head was... 280 00:14:44,426 --> 00:14:47,721 I've seen TV dead bodies. That was‐‐ Have you ever... 281 00:14:47,721 --> 00:14:49,973 He shot himself! ‐ No, he didn't. 282 00:14:49,973 --> 00:14:51,808 We saw him, what, like an hour ago? 283 00:14:51,808 --> 00:14:54,436 Did he seem like he was gonna go do something like that? 284 00:14:54,436 --> 00:14:56,647 [door opens] [radio chatter] 285 00:14:57,564 --> 00:15:00,651 ‐ Oh! ‐ Are you associated with the deceased? 286 00:15:00,651 --> 00:15:03,278 ‐ No, no. We don't know him. ‐ We're neighbors in the building. 287 00:15:03,278 --> 00:15:04,696 We live in the building. 288 00:15:04,696 --> 00:15:06,907 ‐ Mm‐hmm. So, you don't know him? ‐ Just in passing. 289 00:15:06,907 --> 00:15:08,534 ‐ Not his passing. ‐ No, yes. 290 00:15:08,534 --> 00:15:10,160 When we pass by him. 291 00:15:10,160 --> 00:15:11,161 ‐ Before he passed. 292 00:15:11,161 --> 00:15:13,872 ‐ That's right. Um, but are y‐‐ are you, 293 00:15:13,872 --> 00:15:15,541 uh, sure that it was suicide? 294 00:15:15,958 --> 00:15:17,376 ‐ It doesn't make sense. 295 00:15:17,376 --> 00:15:20,212 ‐ I mean, even in passing, he didn't seem the type. 296 00:15:20,212 --> 00:15:23,507 ‐ So, you don't know him. CHARLES: [sighs] Look, 297 00:15:23,507 --> 00:15:25,092 you're probably just starting your investigation, 298 00:15:25,092 --> 00:15:28,011 looking into all the forensics‐‐ ‐ Goddammit. 299 00:15:28,011 --> 00:15:31,473 What fuckin' podcast are you all hooked on? Huh? 300 00:15:31,473 --> 00:15:33,809 I swear to God, if I meet 301 00:15:33,809 --> 00:15:36,061 one more true crime nut... 302 00:15:36,061 --> 00:15:38,856 This is suicide. It's textbook. 303 00:15:38,856 --> 00:15:42,192 Residue powder on the hands, evidence of financial stress. 304 00:15:42,192 --> 00:15:44,778 We even found a note on his laptop saying he's outta here, 305 00:15:44,778 --> 00:15:48,615 which is exactly where you all need to be. 306 00:15:48,615 --> 00:15:50,409 ‐ What if‐‐ ‐ Nuh‐uh, it's not. 307 00:15:50,409 --> 00:15:53,620 ‐ B‐b‐but, y‐y‐you‐‐ ‐ No, no, no, no, no. It's not. 308 00:15:53,620 --> 00:15:57,374 So, go on ahead and enjoy your cute little lives, 309 00:15:57,374 --> 00:15:59,418 and be glad that you still have one. 310 00:16:01,003 --> 00:16:04,506 You goddamn true crime fuckin' numb‐nuts. 311 00:16:07,634 --> 00:16:10,637 ♪ classical music playing ♪ 312 00:16:16,727 --> 00:16:17,603 [sighs] 313 00:16:25,569 --> 00:16:26,987 [opens drawer] 314 00:16:34,411 --> 00:16:37,414 ♪ 315 00:16:41,460 --> 00:16:42,503 [elevator dings] 316 00:16:44,213 --> 00:16:46,006 ‐ The motherfucking garbage bag! 317 00:16:46,006 --> 00:16:47,674 ‐ Why would he get on the elevator with that? 318 00:16:47,674 --> 00:16:50,135 There's a chute on every floor. What was in there? 319 00:16:52,513 --> 00:16:54,056 [elevator dings, doors open] 320 00:16:55,224 --> 00:16:56,683 ‐ We all have the same thought? 321 00:16:56,683 --> 00:16:58,894 BOTH: The garbage bag! 322 00:16:59,478 --> 00:17:01,563 ‐ Ah. Different thought. 323 00:17:01,563 --> 00:17:03,607 We should do our own podcast. 324 00:17:03,607 --> 00:17:07,486 I'm sure that every true crime podcaster wishes that he was on the case 325 00:17:07,486 --> 00:17:08,612 right from the start. 326 00:17:08,612 --> 00:17:10,948 And here we are, w‐‐ 327 00:17:10,948 --> 00:17:13,075 You know what? I should be recording this right now. 328 00:17:13,075 --> 00:17:14,868 ‐ Well right now, the only thing that matters is that 329 00:17:14,868 --> 00:17:17,079 there's a killer on the loose if we're right, 330 00:17:17,079 --> 00:17:19,414 and he could be living somewhere in our building. 331 00:17:19,414 --> 00:17:21,583 ‐ Oh, that is a very good line. 332 00:17:21,583 --> 00:17:24,628 Badly delivered, but a good line. So, do it again for me, 333 00:17:24,628 --> 00:17:28,298 and this is what I need. I want you to really hit killer. 334 00:17:28,298 --> 00:17:29,758 You know? Just killer. 335 00:17:29,758 --> 00:17:31,635 ‐ There's a killer loose somewhere‐‐ 336 00:17:31,635 --> 00:17:33,011 ‐ No need to scream. ‐ That's too hard. 337 00:17:33,011 --> 00:17:35,389 ‐ You know what I need you to do? Really punch 338 00:17:35,389 --> 00:17:37,391 somewhere. ‐ There's a... 339 00:17:38,058 --> 00:17:40,060 Gimme an action. ‐ Action. 340 00:17:40,060 --> 00:17:42,145 ‐ Killer on the loose somewhere. 341 00:17:42,145 --> 00:17:44,231 ‐ Okay, do it again, but slower, 342 00:17:44,231 --> 00:17:45,607 and with, you know, 343 00:17:45,607 --> 00:17:47,401 like a human... 344 00:17:47,401 --> 00:17:49,778 ‐ "If there's anyone left to care, 345 00:17:49,778 --> 00:17:51,905 there is nothing for me anymore." 346 00:17:54,741 --> 00:17:56,743 [papers crinkling] 347 00:17:57,369 --> 00:17:58,579 OLIVER: Is that... 348 00:17:59,079 --> 00:18:01,748 MABEL: "I'm just tired of feeling lonely. 349 00:18:03,834 --> 00:18:06,503 I don't want to be lonely anymore." 350 00:18:07,546 --> 00:18:10,674 ‐ This is his. There's mail in here to Tim Kono. 351 00:18:10,674 --> 00:18:12,634 And other notes! 352 00:18:12,634 --> 00:18:15,345 Attempts to get his last words right? 353 00:18:17,139 --> 00:18:19,141 Looks like we have our answer. 354 00:18:20,434 --> 00:18:23,520 ‐ So, that's it? We're done? 355 00:18:23,520 --> 00:18:25,772 No podcast. 356 00:18:25,772 --> 00:18:27,900 ‐ Back to Oklahoma. 357 00:18:27,900 --> 00:18:30,903 ♪ 358 00:18:30,903 --> 00:18:33,989 [street noise] 359 00:18:36,366 --> 00:18:38,785 I read the script. My character has no lines, 360 00:18:38,785 --> 00:18:40,078 not one. 361 00:18:42,122 --> 00:18:45,209 Wait, they want someone who looks like Brazzos, 362 00:18:45,209 --> 00:18:47,461 and they want me to audition for this? 363 00:18:49,213 --> 00:18:51,215 [wrapping paper crinkling] 364 00:19:01,433 --> 00:19:03,435 WOMAN [muffled]: Well, I'm not that late. 365 00:19:04,061 --> 00:19:06,063 Can we get the four‐top by the window? 366 00:19:08,273 --> 00:19:11,568 I'll get the Caesar with the balsamic and the double croutons. 367 00:19:12,194 --> 00:19:14,696 You need to ask for a bigger table. 368 00:19:16,156 --> 00:19:17,574 I have my grocery cart. 369 00:19:17,991 --> 00:19:20,452 Tell them it's Bunny. They know me. [elevator dings] 370 00:19:22,871 --> 00:19:24,748 ‐ I'm not always in here. 371 00:19:24,748 --> 00:19:26,834 ‐ I was just coming up to get you. 372 00:19:26,834 --> 00:19:28,794 ‐ I've got an audition. Wait a minute. 373 00:19:29,419 --> 00:19:31,088 Is this about... ‐ [whispers] Yes. 374 00:19:31,088 --> 00:19:33,674 ‐ In or out, soft lips. I got places to be. 375 00:19:35,509 --> 00:19:37,052 ‐ Fuck 'em. I'm offer only. 376 00:19:37,052 --> 00:19:40,013 ‐ Okay, so I know what we found last night, 377 00:19:40,013 --> 00:19:42,516 but I also know me, and I can't stop thinking about this. 378 00:19:42,516 --> 00:19:45,602 ‐ Neither can I. ‐ A week ago, I saw Tim, 379 00:19:45,602 --> 00:19:49,231 the dead guy, at Bunny's apartment. ‐ Ooh, she's head of the board. 380 00:19:49,231 --> 00:19:51,984 ‐ Okay, so he was asking her about a package 381 00:19:51,984 --> 00:19:53,944 of his that she got by mistake. 382 00:19:53,944 --> 00:19:56,822 ‐ That makes sense. They're on the A‐line. I get mis‐delivered packages 383 00:19:56,822 --> 00:19:58,448 on the C‐line all the time. 384 00:19:58,448 --> 00:20:00,576 ‐ Do you remember him on the elevator saying... 385 00:20:00,576 --> 00:20:02,619 ‐ Okay. I don't know why this keeps happening. 386 00:20:02,619 --> 00:20:05,831 ‐ And it was important, and he couldn't get it... 387 00:20:05,831 --> 00:20:07,374 ‐ Well, how early tomorrow? 388 00:20:07,374 --> 00:20:08,959 ‐ Bunny's got the package. 389 00:20:08,959 --> 00:20:11,837 ‐ I have a way in. [keys jingling, unlocks door] 390 00:20:11,837 --> 00:20:14,840 ♪ 391 00:20:15,424 --> 00:20:18,010 [door shuts] ‐ What the... Who are you? 392 00:20:18,010 --> 00:20:20,804 ‐ I'm remodeling. ‐ This is a major‐‐ 393 00:20:20,804 --> 00:20:22,639 How‐how many rooms are in this? 394 00:20:22,639 --> 00:20:24,850 You're living here in the middle of a renovation? 395 00:20:24,850 --> 00:20:26,685 ‐ Shh! Please focus. 396 00:20:28,061 --> 00:20:29,897 Look, there it is. 397 00:20:30,898 --> 00:20:32,900 A direct route into Bunny's. 398 00:20:32,900 --> 00:20:35,235 We just need to take off the grate. 399 00:20:35,235 --> 00:20:37,321 ‐ No, no, no. 400 00:20:38,155 --> 00:20:39,531 Have you forgotten? 401 00:20:39,531 --> 00:20:41,283 ♪ 402 00:20:41,283 --> 00:20:43,118 I'm Brazzos. 403 00:20:54,171 --> 00:20:55,172 [knocking] 404 00:20:57,341 --> 00:20:58,342 [sighs] 405 00:21:01,845 --> 00:21:04,306 ‐ Hey, Will! Surprise! 406 00:21:04,806 --> 00:21:06,683 Grandpa's here! ‐ Dad, it's... 407 00:21:06,683 --> 00:21:10,020 it's Sunday. Mom's got the kids. They're at the zoo. 408 00:21:10,020 --> 00:21:11,730 ‐ Oh. Right. 409 00:21:11,730 --> 00:21:14,566 Well then, I‐I'll just leave these for them. 410 00:21:15,984 --> 00:21:18,070 New deck looks fantastic, Will. 411 00:21:18,070 --> 00:21:20,280 WILL: Yeah, the kids live out there. 412 00:21:20,280 --> 00:21:21,823 ‐ Yeah, I'm sorry I missed them. 413 00:21:23,158 --> 00:21:25,661 [sighs] But this is‐‐ this is a... 414 00:21:25,661 --> 00:21:27,371 good. You and I get a little... 415 00:21:28,413 --> 00:21:29,831 Jersey hang time. 416 00:21:30,499 --> 00:21:32,292 ‐ Jersey hang time? 417 00:21:33,585 --> 00:21:35,587 [scoffs] So, what's up? 418 00:21:38,924 --> 00:21:40,425 ‐ Do you have any milk? 419 00:21:41,051 --> 00:21:43,136 ‐ Brazzos was the son of a locksmith, 420 00:21:43,136 --> 00:21:46,139 so the crew gave me these jimmy keys as a wrap gift, season 5. 421 00:21:46,139 --> 00:21:47,349 [elevator dings] 422 00:21:47,349 --> 00:21:49,977 ‐ I watched a few of those. Brazzos. 423 00:21:51,228 --> 00:21:53,230 I like the early '90s stuff. 424 00:21:53,230 --> 00:21:55,232 Sometimes, you get to see Hammer pants. 425 00:21:55,566 --> 00:21:57,234 [keys jingling] 426 00:21:59,236 --> 00:22:01,238 You were good. You're a good actor. 427 00:22:03,156 --> 00:22:05,868 Have you done any other shows? ‐ Uh, I did a few pilots, 428 00:22:05,868 --> 00:22:08,495 but they didn't move forward. I don't think I test well. 429 00:22:08,495 --> 00:22:11,290 ‐ Hm. I can see that. ‐ Yeah, thank you. Wait, what? 430 00:22:11,957 --> 00:22:13,500 ‐ That's Bunny's. 431 00:22:15,127 --> 00:22:16,587 WILL: So, how's work? 432 00:22:18,005 --> 00:22:20,174 ‐ Good. It's fine. 433 00:22:20,174 --> 00:22:22,301 You know, th‐th‐there's some stuff out there. 434 00:22:22,301 --> 00:22:23,468 WILL: Yeah? ‐ Yeah. 435 00:22:24,136 --> 00:22:26,138 ‐ Did you, uh, get your next project? 436 00:22:27,431 --> 00:22:30,309 ‐ Well, I‐I thought I had something, but, uh... 437 00:22:32,811 --> 00:22:34,771 it just went away. [soft laugh] 438 00:22:37,858 --> 00:22:39,026 So... 439 00:22:39,568 --> 00:22:41,945 Will, I'm gonna need to, um... 440 00:22:41,945 --> 00:22:43,530 ‐ Oh no... 441 00:22:44,156 --> 00:22:46,617 God... ‐ You know, I‐I‐I really did not 442 00:22:46,617 --> 00:22:48,660 want this to become 443 00:22:48,660 --> 00:22:50,621 a regular thing, but I am strapped. 444 00:22:50,621 --> 00:22:52,289 ‐ Dad... ‐ Honey, I am so... 445 00:22:53,040 --> 00:22:56,543 close on a few things. ‐ Yeah, that's what you said last time. 446 00:22:57,753 --> 00:23:00,005 ‐ How long have you lived here? ‐ Twenty‐eight years. 447 00:23:00,589 --> 00:23:02,341 ‐ But not always by yourself. 448 00:23:03,467 --> 00:23:06,053 You've been alone for 28 years? ‐ Shh... 449 00:23:06,053 --> 00:23:08,180 Alone isn't so bad. I like alone. 450 00:23:09,681 --> 00:23:11,266 Give me that smaller pick. 451 00:23:15,145 --> 00:23:18,023 My father was a Charles. I‐I'm a Junior. 452 00:23:18,607 --> 00:23:21,652 It was the most consistent refrain of my childhood 453 00:23:21,652 --> 00:23:24,404 was how much I was like him. 454 00:23:24,404 --> 00:23:26,281 And I really was. 455 00:23:26,281 --> 00:23:29,910 We were both right‐handed, but we used scissors with our left hand. 456 00:23:30,661 --> 00:23:34,581 We could both pick up just about any instrument and play it by ear. 457 00:23:34,581 --> 00:23:36,375 But give us... 458 00:23:36,375 --> 00:23:38,210 basic algebra? Forget about it. 459 00:23:39,419 --> 00:23:40,838 He turned gray at 47, 460 00:23:40,838 --> 00:23:43,131 white at 58, and, hm? 461 00:23:45,676 --> 00:23:47,594 People like my father. 462 00:23:48,303 --> 00:23:50,305 They meant it as a compliment... 463 00:23:50,973 --> 00:23:52,808 when they said I was like him, but... 464 00:23:54,768 --> 00:23:57,187 he was awful to my mother. Awful. 465 00:23:58,313 --> 00:24:00,357 He tried to make her feel... 466 00:24:00,357 --> 00:24:02,734 small. He seemed to get... 467 00:24:02,734 --> 00:24:04,653 pleasure out of it, 468 00:24:04,653 --> 00:24:06,905 making her feel silly. 469 00:24:07,781 --> 00:24:10,158 Making her feel unsure of herself. 470 00:24:12,077 --> 00:24:14,079 [clicking] So, at a certain point... 471 00:24:15,122 --> 00:24:17,207 I thought, well, 472 00:24:17,207 --> 00:24:19,126 we use scissors the same way, 473 00:24:19,126 --> 00:24:21,795 and we can play any instrument the same way. 474 00:24:21,795 --> 00:24:23,297 Odds are... 475 00:24:24,590 --> 00:24:26,216 Alone isn't so bad. 476 00:24:27,509 --> 00:24:28,927 OLIVER: Obviously, it's... 477 00:24:30,304 --> 00:24:32,014 mortifying... 478 00:24:32,973 --> 00:24:35,392 coming to you like this. I'm... 479 00:24:37,186 --> 00:24:39,521 revolted at myself. 480 00:24:41,190 --> 00:24:42,566 But, I... 481 00:24:42,566 --> 00:24:44,902 I can't get any work, you know? 482 00:24:44,902 --> 00:24:46,945 I mean, this is‐‐ it's been years now. 483 00:24:46,945 --> 00:24:48,405 And so, I just‐‐ 484 00:24:48,405 --> 00:24:50,365 I need a little help from someone‐‐ 485 00:24:50,365 --> 00:24:51,658 ‐ You have to sell the apartment. 486 00:24:51,658 --> 00:24:53,410 ‐ I can't do that. ‐ Dad, 487 00:24:53,410 --> 00:24:54,995 you cannot keep living like this. 488 00:24:54,995 --> 00:24:57,497 ‐ It's all I have. It's who I am. 489 00:25:00,375 --> 00:25:03,795 ‐ Yeah, well, obviously, it makes me very sad to hear that. 490 00:25:05,172 --> 00:25:06,673 ♪ 491 00:25:06,673 --> 00:25:07,925 ‐ I'm sorry. 492 00:25:08,717 --> 00:25:12,137 Really, I'm so sorry. 493 00:25:12,804 --> 00:25:14,806 For so many things. 494 00:25:15,933 --> 00:25:18,519 But, it is just a rough patch, honey, and I just‐‐ 495 00:25:18,519 --> 00:25:20,312 WILL: Stop, stop, stop, stop. 496 00:25:23,232 --> 00:25:25,442 I can't. Not again. 497 00:25:32,366 --> 00:25:33,825 ‐ Well, I... 498 00:25:34,785 --> 00:25:37,496 I‐I certainly appreciate, um... 499 00:25:38,622 --> 00:25:40,457 you know, everything that you have done, 500 00:25:40,457 --> 00:25:43,377 and‐and‐and don't worry. This is just a... 501 00:25:45,254 --> 00:25:46,547 it's a rocky moment, 502 00:25:46,547 --> 00:25:48,715 that's all. I'll be fine. ‐ Dad. Stay for Sunday dinner. 503 00:25:48,715 --> 00:25:52,010 ‐ No, no, no. I re‐‐ I do actually have to get back. 504 00:25:52,010 --> 00:25:54,346 I do. So, you know... 505 00:25:54,346 --> 00:25:56,306 gotta dig in. Nose to the grindstone, right? 506 00:25:59,977 --> 00:26:01,979 Can I have my coat? Please? 507 00:26:03,689 --> 00:26:05,524 ‐ It's my aunt's apartment. 508 00:26:05,941 --> 00:26:07,484 She asked me to redo it for her. 509 00:26:07,484 --> 00:26:09,319 You can see how well that's going. 510 00:26:10,237 --> 00:26:12,614 It's the first time I've been alone in, like... 511 00:26:13,323 --> 00:26:15,117 ever. 512 00:26:15,117 --> 00:26:18,036 I tend to make packs wherever I go. 513 00:26:18,036 --> 00:26:20,247 When I was a kid, I had my Hardy Boys pack. 514 00:26:20,873 --> 00:26:22,624 ‐ That's too old a reference for you. 515 00:26:23,041 --> 00:26:26,128 ‐ We were being old school calling ourselves that. 516 00:26:26,545 --> 00:26:29,423 Anyway, me and my Hardy Boys... 517 00:26:29,423 --> 00:26:33,218 Well, there were four of us, and two were actual boys, by the way. 518 00:26:33,927 --> 00:26:37,139 We would get into solving mysteries around 519 00:26:37,139 --> 00:26:39,183 the complex that we all lived in. 520 00:26:39,808 --> 00:26:41,852 ‐ So, this stuff is not new to you. 521 00:26:42,728 --> 00:26:45,147 ‐ I mean, those were made‐up mysteries. 522 00:26:46,064 --> 00:26:47,191 At least, most were. 523 00:26:48,275 --> 00:26:50,986 ‐ And your Hardy Boys, where are they now? 524 00:26:50,986 --> 00:26:52,446 ♪ 525 00:26:52,446 --> 00:26:53,989 ‐ Maybe you're right. 526 00:26:53,989 --> 00:26:56,450 Maybe going at it alone is better. 527 00:26:59,119 --> 00:27:00,454 Any luck with that? 528 00:27:01,205 --> 00:27:03,081 ‐ Oh, I've been in for a while. [opens door] 529 00:27:03,081 --> 00:27:05,334 ‐ Yes! Good job, Brazzos. 530 00:27:05,334 --> 00:27:06,877 [door creaking] 531 00:27:11,465 --> 00:27:14,176 ‐ Alright. This is an A‐line three bedroom. 532 00:27:14,176 --> 00:27:16,553 You take the living, dining, spare. 533 00:27:16,553 --> 00:27:18,639 I'll take the kitchen and the bedrooms on the side. 534 00:27:18,639 --> 00:27:21,517 Now, Bunny probably keeps her packages in a hutch 535 00:27:21,517 --> 00:27:24,228 or a sideboard. ‐ Brazzos, look at your hand. 536 00:27:28,649 --> 00:27:30,442 CHARLES: We have our first clue. 537 00:27:30,442 --> 00:27:32,736 And we stole it from a neighbor to get it! 538 00:27:32,736 --> 00:27:34,863 MABEL: Yeah. I know. I was there. 539 00:27:34,863 --> 00:27:36,573 You should open it. 540 00:27:36,907 --> 00:27:39,326 I can't tell if I want it to be nothing or... 541 00:27:40,410 --> 00:27:41,828 for it to be something. 542 00:27:41,828 --> 00:27:44,581 ♪ 543 00:27:54,842 --> 00:27:56,343 What is it? 544 00:27:59,263 --> 00:28:01,765 ‐ What kinda guy kills himself 545 00:28:01,765 --> 00:28:04,768 an hour after being desperate to get his hands... 546 00:28:06,144 --> 00:28:07,729 on this? 547 00:28:20,075 --> 00:28:21,243 [text chimes] 548 00:28:25,122 --> 00:28:27,332 [text chimes] 549 00:28:32,296 --> 00:28:35,299 ♪ Clair de Lune playing ♪ 550 00:28:37,384 --> 00:28:38,760 [sighs] 551 00:28:46,059 --> 00:28:47,436 [inaudible] 552 00:28:55,527 --> 00:28:57,863 ♪ Clair de Lune continues ♪ 553 00:29:02,618 --> 00:29:04,119 ♪ 554 00:29:12,711 --> 00:29:14,546 [inaudible] 555 00:29:14,546 --> 00:29:17,549 ♪ Clair de Lune continues ♪ 556 00:29:27,017 --> 00:29:28,977 [inaudible] 557 00:29:42,282 --> 00:29:44,159 ‐ Here's a thing I don't get. 558 00:29:44,159 --> 00:29:46,328 People who worry about living in the big city 559 00:29:46,328 --> 00:29:47,871 because of all the crime. 560 00:29:47,871 --> 00:29:51,041 As any true crime aficionado will tell you, 561 00:29:51,041 --> 00:29:54,044 it's the boondocks you need to worry about. 562 00:29:55,045 --> 00:29:56,088 Nailed it. 563 00:29:56,088 --> 00:29:59,550 ‐ I don't know. It‐it‐it's so PBSy. 564 00:29:59,550 --> 00:30:02,261 Like a Ken Burns documentary in the history of boredom. 565 00:30:02,261 --> 00:30:05,013 Maybe Mabel should give it a try. ‐ I'd rather die. 566 00:30:05,013 --> 00:30:06,974 ‐ And now, he's giving away my part. 567 00:30:06,974 --> 00:30:09,351 ‐ So tomorrow, we lay out a timeline. 568 00:30:09,351 --> 00:30:11,520 ‐ I have maps and I have full blueprints 569 00:30:11,520 --> 00:30:13,522 of each floor of the Arconia. 570 00:30:13,522 --> 00:30:15,566 ‐ Oh. You fancy. 571 00:30:15,566 --> 00:30:18,569 ‐ Hey, did you guys hear about that mysterious death in the park last night? 572 00:30:19,152 --> 00:30:21,864 We could multitask a little bit. 573 00:30:21,864 --> 00:30:23,866 Silo out a second investigation, 574 00:30:23,866 --> 00:30:25,409 do a second podcast. CHARLES: No. 575 00:30:25,826 --> 00:30:28,871 We need to focus. Only murders in the building. 576 00:30:29,288 --> 00:30:32,040 ‐ "Only murders in the building." 577 00:30:32,040 --> 00:30:33,333 CHARLES: Welcome to... 578 00:30:33,333 --> 00:30:36,253 Only Murders In The Building. 579 00:30:36,253 --> 00:30:38,922 A true crime podcast. 580 00:30:38,922 --> 00:30:40,632 I'm your host, 581 00:30:40,632 --> 00:30:43,802 Charles‐Haden Savage. 582 00:30:45,387 --> 00:30:47,181 ‐ For right now. [elevator dings] 583 00:30:47,181 --> 00:30:49,141 ♪ 584 00:30:51,351 --> 00:30:53,061 ‐ Hey. How's it going? 585 00:30:53,061 --> 00:30:54,646 ‐ Oh, good. All good. You? 586 00:30:54,646 --> 00:30:56,064 ‐ Good. 587 00:30:56,773 --> 00:30:59,943 You know, sometimes I can smell that omelet you make. 588 00:30:59,943 --> 00:31:02,779 ‐ Oh! Sorry. Next time, I'll turn the fan on. 589 00:31:02,779 --> 00:31:04,531 ‐ No. I like it. 590 00:31:04,531 --> 00:31:05,574 Reminds me of Lucy. 591 00:31:07,201 --> 00:31:09,661 It was her favorite, right? 592 00:31:09,661 --> 00:31:11,163 Have you heard from her? 593 00:31:11,705 --> 00:31:13,707 ‐ Here‐‐ Uh, here and there. 594 00:31:14,458 --> 00:31:16,460 ‐ Well, tell her hi for me next time. 595 00:31:18,212 --> 00:31:21,715 CHARLES: A great true crime mystery unpeels itself 596 00:31:21,715 --> 00:31:23,509 like an onion. [door shuts] 597 00:31:24,426 --> 00:31:27,554 OLIVER: First the crime, then the characters, 598 00:31:27,554 --> 00:31:30,557 and then their secrets. 599 00:31:30,557 --> 00:31:31,850 [shower running] 600 00:31:31,850 --> 00:31:33,685 MABEL: The secrets are the fun part. 601 00:31:34,144 --> 00:31:36,688 Who is telling the truth? 602 00:31:36,688 --> 00:31:38,732 Who is lying? 603 00:31:38,732 --> 00:31:40,692 What are they hiding? 604 00:31:40,692 --> 00:31:42,945 CHARLES: Because, let's be honest. 605 00:31:42,945 --> 00:31:46,615 Sometimes it's easier to figure out someone else's secret 606 00:31:47,199 --> 00:31:49,993 than it is to deal with your own. 607 00:31:49,993 --> 00:31:52,996 ♪ Mabel vocalizing ♪ 608 00:31:52,996 --> 00:31:55,999 ♪ 609 00:32:15,394 --> 00:32:17,729 ♪ There's a life worth living ♪ 610 00:32:17,729 --> 00:32:20,399 ♪ And it's interesting ♪ 611 00:32:20,399 --> 00:32:23,944 ♪ There's a calm that's real somewhere ♪ 612 00:32:25,195 --> 00:32:27,739 ♪ There's a jungle stream ♪ 613 00:32:27,739 --> 00:32:30,158 ♪ And a band that's playing ♪ 614 00:32:30,158 --> 00:32:33,328 ♪ There's a tune worth whistling to ♪ 615 00:32:34,288 --> 00:32:36,665 ♪ Don't be scared ♪ 616 00:32:40,460 --> 00:32:42,379 ♪ You can't sit ♪ 617 00:32:42,379 --> 00:32:44,756 ♪ If you don't believe it ♪ 618 00:32:44,756 --> 00:32:48,468 ♪ It's not the kind of thing you can see ♪ 619 00:32:49,511 --> 00:32:51,638 ♪ It won't help you out ♪ 620 00:32:51,638 --> 00:32:55,350 ♪ If you forget 'cause it's not the kind of thing ♪ 621 00:32:55,851 --> 00:32:57,686 ♪ You can remember ♪ 622 00:32:58,770 --> 00:33:01,273 ♪ Don't be scared ♪ 45828

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