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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,930 --> 00:00:03,800 CAROL: We just took in two new communities. 2 00:00:03,840 --> 00:00:06,060 We have no crops, no back stock. 3 00:00:06,110 --> 00:00:09,150 The last big horde scared all the animals away. 4 00:00:09,200 --> 00:00:10,760 We can find new territory. 5 00:00:10,810 --> 00:00:14,330 We don't have time. We need food. Lots of it. Now. 6 00:00:14,380 --> 00:00:16,420 MAGGIE: The people that attacked us... 7 00:00:16,460 --> 00:00:18,160 We only knew two things about them. 8 00:00:18,210 --> 00:00:20,420 ♪♪ 9 00:00:20,470 --> 00:00:21,730 They come at night. 10 00:00:21,770 --> 00:00:23,730 ♪♪ 11 00:00:23,780 --> 00:00:25,860 And by the time you see them, you're already dead. 12 00:00:25,910 --> 00:00:28,650 ♪♪ 13 00:00:29,870 --> 00:00:37,620 ♪♪ 14 00:00:37,660 --> 00:00:40,140 (BREATHING HEAVILY) 15 00:00:40,180 --> 00:00:42,060 Run! 16 00:00:42,100 --> 00:00:45,320 ♪♪ 17 00:00:45,360 --> 00:00:46,620 (GRUNTS) 18 00:00:46,670 --> 00:00:50,110 (INDISTINCT SHOUTING) 19 00:00:50,150 --> 00:00:57,550 ♪♪ 20 00:00:57,590 --> 00:00:58,810 (SCREAMS) 21 00:00:58,850 --> 00:01:06,380 ♪♪ 22 00:01:06,430 --> 00:01:09,130 (WHISTLES) Dog! (DOG BARKS) 23 00:01:09,170 --> 00:01:17,170 ♪♪ 24 00:01:17,440 --> 00:01:19,220 Elijah! 25 00:01:19,270 --> 00:01:21,660 No! 26 00:01:21,700 --> 00:01:29,700 ♪♪ 27 00:01:31,710 --> 00:01:39,710 ♪♪ 28 00:01:41,070 --> 00:01:49,070 ♪♪ 29 00:01:51,080 --> 00:01:59,080 ♪♪ 30 00:02:01,090 --> 00:02:09,090 ♪♪ 31 00:02:14,110 --> 00:02:29,110 - Sync and corrections by SilverStark - www.opensubtitles.org - Colored HI by GoldBerg_44 32 00:02:32,770 --> 00:02:34,950 (INSECTS CHIRPING) 33 00:02:34,990 --> 00:02:39,170 (VULTURES SCREECHING) 34 00:02:43,790 --> 00:02:48,140 ♪♪ 35 00:02:48,180 --> 00:02:50,100 (RATTLING) 36 00:02:50,140 --> 00:02:54,800 ♪♪ 37 00:02:54,840 --> 00:02:57,280 (INDISTINCT CONVERSATION) 38 00:03:04,810 --> 00:03:07,240 See you in 30. 39 00:03:07,290 --> 00:03:10,510 Kel. Kel, Kel. 40 00:03:13,420 --> 00:03:15,860 I missed you this morning. 41 00:03:15,900 --> 00:03:18,250 Thought we had a shift together. 42 00:03:18,300 --> 00:03:21,210 (SIGHS) Sorry. Something came up. 43 00:03:21,260 --> 00:03:24,390 You still want to do those shifts with me? 44 00:03:24,430 --> 00:03:26,220 It's okay if you don't. 45 00:03:26,260 --> 00:03:30,050 Next one. I promise. 46 00:03:30,090 --> 00:03:32,090 Kel. 47 00:03:32,140 --> 00:03:34,230 Do you... 48 00:03:34,270 --> 00:03:37,100 Do you wanna talk about it? 49 00:03:38,620 --> 00:03:40,670 Nothing to talk about. 50 00:03:52,290 --> 00:03:55,600 MAN: Come on. Everyone... pull! 51 00:03:55,640 --> 00:03:58,900 (ALL GRUNTING) 52 00:04:18,100 --> 00:04:20,970 Hey. Going somewhere? 53 00:04:21,010 --> 00:04:23,280 We need to get our horses back. 54 00:04:23,320 --> 00:04:24,640 You see the east wall when you came in? 55 00:04:24,670 --> 00:04:26,840 I did. 56 00:04:26,890 --> 00:04:28,130 You were marked down to help today. 57 00:04:28,150 --> 00:04:30,460 Looks like you've got a crew already. 58 00:04:30,500 --> 00:04:31,850 Well, you were gone all morning. 59 00:04:31,890 --> 00:04:33,630 We started without you. 60 00:04:33,680 --> 00:04:36,070 I'm sorry, Aaron. I can't today. 61 00:04:36,110 --> 00:04:38,070 (SIGHS) Because you're tracking horses 62 00:04:38,120 --> 00:04:40,080 that you have almost no hope of catching? 63 00:04:40,120 --> 00:04:43,080 You know, Daryl and I went down that road before. 64 00:04:43,120 --> 00:04:46,690 Didn't work out so well for Buttons. 65 00:04:46,730 --> 00:04:48,390 We're almost out of MREs, 66 00:04:48,430 --> 00:04:50,430 and the fields are a joke... 67 00:04:50,480 --> 00:04:52,440 And our walls are about to fail. 68 00:04:52,480 --> 00:04:53,870 Well, if we don't get those horses, 69 00:04:53,920 --> 00:04:56,310 we're not gonna be able to move anything heavier 70 00:04:56,350 --> 00:04:58,490 than a sack of grain. 71 00:04:58,530 --> 00:05:00,310 Or go out far enough to scavenge anything, 72 00:05:00,360 --> 00:05:03,880 and we're all gonna starve to death. 73 00:05:03,930 --> 00:05:05,840 So I'll be back in a few hours. 74 00:05:16,370 --> 00:05:18,160 I'm hungry, too. 75 00:05:20,720 --> 00:05:23,070 Do you ever worry about your mom when she goes away? 76 00:05:23,120 --> 00:05:24,900 I'm used to it. 77 00:05:24,950 --> 00:05:27,860 Grown-ups are always running off doing things. 78 00:05:27,910 --> 00:05:29,910 "Promise I'll see you soon. 79 00:05:29,950 --> 00:05:32,350 Love you." (CHUCKLES) 80 00:05:33,480 --> 00:05:34,960 (CHUCKLES) 81 00:05:35,000 --> 00:05:36,780 They used to say that kind of stuff 82 00:05:36,830 --> 00:05:38,480 in the olden times, right? 83 00:05:38,530 --> 00:05:41,960 They can't promise it now, but they say it anyways. 84 00:05:42,010 --> 00:05:45,140 They don't want us to think they're never coming back. 85 00:05:45,180 --> 00:05:47,490 It's supposed to make us feel better. 86 00:05:47,530 --> 00:05:49,670 They say it to make themselvesfeel better. 87 00:05:51,800 --> 00:05:53,540 Still... 88 00:05:53,580 --> 00:05:55,630 my mom always comes back. 89 00:05:55,670 --> 00:05:58,370 Yeah. 90 00:06:03,550 --> 00:06:06,940 Dang it. 91 00:06:06,990 --> 00:06:10,300 (FOOTSTEPS APPROACH) 92 00:06:10,340 --> 00:06:15,560 ♪♪ 93 00:06:15,610 --> 00:06:19,130 (VULTURES SCREECHING) 94 00:06:19,170 --> 00:06:22,700 (METAL CREAKING) 95 00:06:22,740 --> 00:06:30,740 ♪♪ 96 00:06:32,750 --> 00:06:40,750 ♪♪ 97 00:06:42,500 --> 00:06:50,500 ♪♪ 98 00:06:52,510 --> 00:07:00,510 ♪♪ 99 00:07:02,520 --> 00:07:06,400 ♪♪ 100 00:07:06,440 --> 00:07:10,830 (DOOR CLOSES) 101 00:07:10,880 --> 00:07:14,270 (PANTING) 102 00:07:14,320 --> 00:07:22,320 ♪♪ 103 00:07:24,330 --> 00:07:25,720 ♪♪ 104 00:07:25,760 --> 00:07:28,240 (DOOR CREAKS) 105 00:07:28,290 --> 00:07:30,720 (DOOR CLOSES) 106 00:07:30,770 --> 00:07:35,510 (WALKER GROWLING IN DISTANCE) 107 00:07:35,560 --> 00:07:37,510 ♪♪ 108 00:07:37,560 --> 00:07:39,520 (BOTTLES CLINKING) 109 00:07:39,560 --> 00:07:47,560 ♪♪ 110 00:07:49,570 --> 00:07:57,570 ♪♪ 111 00:07:59,580 --> 00:08:07,580 ♪♪ 112 00:08:08,760 --> 00:08:12,510 (GROWLING CONTINUES) 113 00:08:12,550 --> 00:08:20,550 ♪♪ 114 00:08:22,560 --> 00:08:30,560 ♪♪ 115 00:08:32,570 --> 00:08:40,570 ♪♪ 116 00:08:42,580 --> 00:08:46,580 ♪♪ 117 00:08:46,630 --> 00:08:50,930 (GROWLING CONTINUES) 118 00:08:50,980 --> 00:08:58,640 ♪♪ 119 00:08:58,680 --> 00:09:01,730 (WALKER GROWLING) 120 00:09:01,770 --> 00:09:06,080 ♪♪ 121 00:09:06,120 --> 00:09:08,300 (THUD) 122 00:09:08,340 --> 00:09:10,690 (GROWLING CONTINUES) 123 00:09:10,740 --> 00:09:18,740 ♪♪ 124 00:09:20,750 --> 00:09:28,750 ♪♪ 125 00:09:30,060 --> 00:09:32,150 (LIGHTER CLICKS) 126 00:09:32,190 --> 00:09:34,240 (GLASS SHATTERS) 127 00:09:34,280 --> 00:09:36,280 (GRUNTING) 128 00:09:36,330 --> 00:09:44,330 ♪♪ 129 00:09:45,990 --> 00:09:48,820 (FOOTSTEPS APPROACH) 130 00:09:48,860 --> 00:09:50,120 ♪♪ 131 00:09:54,040 --> 00:09:57,570 (INSECTS CHIRPING) 132 00:09:57,610 --> 00:10:00,920 (VULTURES SCREECHING) 133 00:10:00,960 --> 00:10:08,960 ♪♪ 134 00:10:10,970 --> 00:10:13,970 ♪♪ 135 00:10:14,020 --> 00:10:17,370 Lord, you are my refuge and my strength... 136 00:10:17,410 --> 00:10:19,810 My refuge and my strength... 137 00:10:19,850 --> 00:10:21,810 My refuge... 138 00:10:21,850 --> 00:10:29,850 ♪♪ 139 00:10:31,860 --> 00:10:33,340 ♪♪ 140 00:10:33,380 --> 00:10:36,690 (BREATHING HEAVILY) 141 00:10:36,740 --> 00:10:40,440 ♪♪ 142 00:10:40,480 --> 00:10:42,830 (GRUNTS) 143 00:10:42,870 --> 00:10:47,490 (BREATHING HEAVILY) 144 00:10:47,530 --> 00:10:55,530 ♪♪ 145 00:10:57,540 --> 00:11:05,540 ♪♪ 146 00:11:26,220 --> 00:11:27,660 (CLATTERING) 147 00:11:27,700 --> 00:11:33,360 (RATS SQUEAKING) 148 00:11:34,920 --> 00:11:42,920 ♪♪ 149 00:11:44,930 --> 00:11:48,160 ♪♪ 150 00:11:48,200 --> 00:11:50,200 (GASPS) Alden. 151 00:11:50,240 --> 00:11:52,030 Maggie. 152 00:11:52,070 --> 00:11:56,770 ♪♪ 153 00:11:56,820 --> 00:11:59,250 (GRUNTING) 154 00:11:59,300 --> 00:12:07,300 ♪♪ 155 00:12:09,310 --> 00:12:17,310 ♪♪ 156 00:12:18,840 --> 00:12:21,010 ♪♪ 157 00:12:21,060 --> 00:12:22,670 (GROANS) 158 00:12:22,710 --> 00:12:25,320 ♪♪ 159 00:12:25,370 --> 00:12:27,410 (BODY THUDS) 160 00:12:27,460 --> 00:12:28,800 (ALDEN SCREAMS) 161 00:12:28,850 --> 00:12:30,410 ♪♪ 162 00:12:30,460 --> 00:12:31,980 (GROANS) 163 00:12:32,030 --> 00:12:34,290 ♪♪ 164 00:12:34,330 --> 00:12:36,070 (EXPLOSION) 165 00:12:36,120 --> 00:12:38,600 ♪♪ 166 00:12:38,640 --> 00:12:41,900 (COUGHING) 167 00:12:41,950 --> 00:12:49,950 ♪♪ 168 00:12:51,520 --> 00:12:55,220 ♪♪ 169 00:12:55,270 --> 00:12:56,700 Jesus. 170 00:12:56,750 --> 00:12:58,180 ♪♪ 171 00:12:58,230 --> 00:12:59,920 Let me see? 172 00:12:59,970 --> 00:13:02,140 Sure thing, boss. 173 00:13:02,190 --> 00:13:06,930 ♪♪ 174 00:13:06,970 --> 00:13:08,580 That good, huh? 175 00:13:08,630 --> 00:13:10,980 You think you can walk? 176 00:13:11,020 --> 00:13:12,720 Not gonna know until we try. Whoa, whoa. 177 00:13:12,760 --> 00:13:15,420 (GROANS) You're not seriously thinking that we keep going. 178 00:13:15,460 --> 00:13:16,940 They'll be back. We gotta keep moving. 179 00:13:16,980 --> 00:13:19,810 Alright, wait. What exactly is the plan here? 180 00:13:19,860 --> 00:13:21,340 The plan doesn't change. 181 00:13:21,380 --> 00:13:22,770 We need that food. 182 00:13:22,820 --> 00:13:24,860 We get to the radio tower, find the supply house, 183 00:13:24,900 --> 00:13:26,340 and wait for the others. 184 00:13:26,380 --> 00:13:29,170 And what if the others are dead? 185 00:13:29,210 --> 00:13:31,780 Listen, I know theatrics. 186 00:13:31,820 --> 00:13:33,130 Those people, they just told us 187 00:13:33,170 --> 00:13:35,000 exactly how insane they are. 188 00:13:35,040 --> 00:13:36,610 We can't be on a road. 189 00:13:36,650 --> 00:13:39,180 We can't be on anyroad that they could use. 190 00:13:39,220 --> 00:13:40,570 It's a shit plan. 191 00:13:40,620 --> 00:13:42,180 Then you tell me a better one 192 00:13:42,230 --> 00:13:44,140 that doesn't starve us all. 193 00:13:44,180 --> 00:13:45,790 ♪♪ 194 00:13:45,840 --> 00:13:47,400 Right. 195 00:13:47,450 --> 00:13:48,970 I am on your side, Maggie. 196 00:13:49,020 --> 00:13:51,320 Then help me with him. 197 00:13:51,370 --> 00:13:55,890 ♪♪ 198 00:13:55,940 --> 00:13:57,850 2, 3, go. 199 00:13:57,890 --> 00:14:03,860 ♪♪ 200 00:14:07,900 --> 00:14:09,510 (BIRDS CHIRPING) 201 00:14:29,660 --> 00:14:31,140 No. 202 00:14:31,190 --> 00:14:34,230 Not unless you want Coco tripping the light fantastic. 203 00:14:34,280 --> 00:14:37,060 Yeah, but just for like a week, tops, right? 204 00:14:37,110 --> 00:14:39,070 (CHUCKLES) 205 00:14:39,110 --> 00:14:40,810 You good? Yeah. 206 00:14:40,850 --> 00:14:43,850 Yeah, it's just that Gabriel's on a mission, 207 00:14:43,900 --> 00:14:45,900 and I'm over being stuck in the house. 208 00:14:47,730 --> 00:14:49,950 Why? What're you guys doing? 209 00:14:49,990 --> 00:14:57,990 ♪♪ 210 00:15:00,000 --> 00:15:05,440 ♪♪ 211 00:15:05,480 --> 00:15:07,960 Wait. 212 00:15:08,010 --> 00:15:16,010 ♪♪ 213 00:15:18,020 --> 00:15:21,370 ♪♪ 214 00:15:21,410 --> 00:15:23,150 (HORSE NEIGHS) 215 00:15:23,200 --> 00:15:28,420 ♪♪ 216 00:15:28,460 --> 00:15:31,470 Damn it! (HORSE NEIGHS) 217 00:15:31,510 --> 00:15:32,950 Fourth time's the charm. 218 00:15:32,990 --> 00:15:34,950 Let's get a move on. 219 00:15:42,520 --> 00:15:44,130 You okay? 220 00:15:44,170 --> 00:15:46,570 I'll be better when this is done. 221 00:15:51,010 --> 00:15:53,700 I've been having dreams about Abraham recently. 222 00:15:53,750 --> 00:15:55,140 Yeah? 223 00:15:55,180 --> 00:15:57,530 Yeah, he's trying to tell me something. 224 00:15:57,580 --> 00:16:00,360 I know it's something important, something I'm supposed to do. 225 00:16:00,410 --> 00:16:02,540 But I can't hear him most of the time, 226 00:16:02,580 --> 00:16:04,760 and just when I'm about to... 227 00:16:04,800 --> 00:16:08,680 he, um... He gets shot in the head. 228 00:16:08,720 --> 00:16:10,980 Well, that's dark. 229 00:16:11,030 --> 00:16:13,550 Yeah, I don't know why I just told you that. 230 00:16:13,590 --> 00:16:15,510 No, I get it. 231 00:16:15,550 --> 00:16:17,250 It used to freak me out, 232 00:16:17,290 --> 00:16:20,340 but now I think it's a message for us, for Alexandria. 233 00:16:20,380 --> 00:16:23,000 What do you think he's trying to say? 234 00:16:23,040 --> 00:16:24,560 I don't know. 235 00:16:24,610 --> 00:16:29,780 You know, if a horse lets you touch its ear, 236 00:16:29,830 --> 00:16:32,350 it means it trusts you. 237 00:16:32,400 --> 00:16:35,140 I read that once. 238 00:16:35,180 --> 00:16:38,580 You think we'll get them back? 239 00:16:38,620 --> 00:16:41,320 Horses are wild creatures. 240 00:16:41,360 --> 00:16:43,190 You never know. 241 00:16:43,230 --> 00:16:46,540 (WALKERS GROWLING) 242 00:16:49,410 --> 00:16:52,720 It's 2 miles. It's further than I thought. 243 00:16:54,810 --> 00:16:57,030 We better get moving. 244 00:16:57,070 --> 00:16:58,790 Holding your hand's not gonna help me walk any faster. 245 00:16:58,810 --> 00:17:00,400 Yeah? Does the thought of one of those things 246 00:17:00,420 --> 00:17:02,030 ripping your face off do it for you? 247 00:17:02,080 --> 00:17:04,080 If you're scared, why don't you 248 00:17:04,120 --> 00:17:06,390 make yourself useful and go kill 'em? 249 00:17:06,430 --> 00:17:10,220 (SCREAMING, WALKERS GROWLING) 250 00:17:10,260 --> 00:17:13,610 Really? So we're just gonna go towards the screaming? 251 00:17:13,650 --> 00:17:15,870 Cool. 252 00:17:15,920 --> 00:17:20,270 ♪♪ 253 00:17:20,310 --> 00:17:23,970 (GROWLING CONTINUES) 254 00:17:24,010 --> 00:17:27,620 ♪♪ 255 00:17:27,670 --> 00:17:29,800 Agatha! 256 00:17:29,840 --> 00:17:34,630 ♪♪ 257 00:17:34,680 --> 00:17:37,070 Maggie. It's Duncan. 258 00:17:37,110 --> 00:17:45,110 ♪♪ 259 00:17:47,120 --> 00:17:52,040 ♪♪ 260 00:17:52,080 --> 00:17:54,220 (SIGHS) 261 00:17:54,260 --> 00:17:56,520 Duncan. 262 00:17:57,870 --> 00:18:05,870 ♪♪ 263 00:18:07,880 --> 00:18:10,490 ♪♪ 264 00:18:10,540 --> 00:18:12,840 Duncan. 265 00:18:12,890 --> 00:18:15,460 ♪♪ 266 00:18:15,500 --> 00:18:18,890 I'm so sorry. 267 00:18:18,940 --> 00:18:22,290 For all of it. 268 00:18:22,330 --> 00:18:24,680 Why? 269 00:18:24,730 --> 00:18:27,680 We were good. 270 00:18:27,730 --> 00:18:29,860 We were lucky. 271 00:18:29,900 --> 00:18:32,300 ♪♪ 272 00:18:32,340 --> 00:18:34,650 (SNIFFLES) For a little while. 273 00:18:34,690 --> 00:18:36,650 (SNIFFLES) 274 00:18:36,690 --> 00:18:39,870 ♪♪ 275 00:18:39,910 --> 00:18:42,260 Make sure she gets home. 276 00:18:42,310 --> 00:18:44,310 Promise. 277 00:18:44,350 --> 00:18:52,350 ♪♪ 278 00:18:53,930 --> 00:19:01,930 ♪♪ 279 00:19:03,500 --> 00:19:11,500 ♪♪ 280 00:19:13,510 --> 00:19:18,000 ♪♪ 281 00:19:18,040 --> 00:19:20,480 (KNIFE PLUNGES) 282 00:19:20,520 --> 00:19:24,180 ♪♪ 283 00:19:27,790 --> 00:19:31,050 (BIRDS CHIRPING) 284 00:19:33,190 --> 00:19:35,360 CAROL: This way. 285 00:19:37,230 --> 00:19:42,500 ♪♪ 286 00:19:42,540 --> 00:19:45,890 (FLIES BUZZING) 287 00:19:45,940 --> 00:19:53,940 ♪♪ 288 00:19:55,950 --> 00:20:00,210 ♪♪ 289 00:20:00,260 --> 00:20:02,390 KELLY: No. 290 00:20:02,430 --> 00:20:04,690 No. (SNIFFLES) 291 00:20:04,740 --> 00:20:06,740 It can't be. 292 00:20:06,780 --> 00:20:08,960 It's okay. 293 00:20:09,000 --> 00:20:14,230 ♪♪ 294 00:20:14,270 --> 00:20:16,400 We'll keep looking for the rest. 295 00:20:16,450 --> 00:20:18,800 They'll stay close to the water. 296 00:20:18,840 --> 00:20:21,150 Not if it's full of corpses they won't. 297 00:20:21,190 --> 00:20:23,240 Carol, it's getting late. 298 00:20:23,280 --> 00:20:25,760 ♪♪ 299 00:20:25,800 --> 00:20:27,590 She's right. 300 00:20:27,630 --> 00:20:29,200 We don't have to do this right now. 301 00:20:29,240 --> 00:20:30,760 Let's come back tomorrow. 302 00:20:30,810 --> 00:20:34,250 No, Alexandria needed these horses yesterday. 303 00:20:34,290 --> 00:20:36,810 ♪♪ 304 00:20:36,860 --> 00:20:38,820 Carol... 305 00:20:38,860 --> 00:20:46,860 ♪♪ 306 00:20:48,870 --> 00:20:56,870 ♪♪ 307 00:20:57,660 --> 00:20:59,490 Let's go home. 308 00:20:59,530 --> 00:21:06,450 ♪♪ 309 00:21:17,460 --> 00:21:19,640 We'll try again. 310 00:21:19,680 --> 00:21:21,950 Next time. 311 00:21:23,860 --> 00:21:25,470 Hey. 312 00:21:25,510 --> 00:21:27,650 Maybe not. 313 00:21:27,690 --> 00:21:35,690 ♪♪ 314 00:21:37,700 --> 00:21:45,700 ♪♪ 315 00:21:47,710 --> 00:21:50,890 ♪♪ 316 00:21:50,930 --> 00:21:52,980 Dope. (CHUCKLES) 317 00:21:53,020 --> 00:21:58,850 ♪♪ 318 00:21:58,900 --> 00:22:01,510 ROSITA: They're headed towards the dairy farm. 319 00:22:01,550 --> 00:22:04,070 And? The dairy farm's got paddocks. 320 00:22:04,120 --> 00:22:05,600 We can pen them in. 321 00:22:05,640 --> 00:22:07,510 Come on. Let's go. 322 00:22:07,560 --> 00:22:15,560 ♪♪ 323 00:22:16,870 --> 00:22:18,350 ♪♪ 324 00:22:18,390 --> 00:22:20,920 Easy now. Easy now. 325 00:22:20,960 --> 00:22:22,700 ♪♪ 326 00:22:22,750 --> 00:22:25,710 (HORSE NEIGHS) 327 00:22:25,750 --> 00:22:32,490 ♪♪ 328 00:22:32,540 --> 00:22:34,710 Drop the lassos. 329 00:22:34,760 --> 00:22:36,110 Why? 330 00:22:36,150 --> 00:22:37,930 Just do it. 331 00:22:37,980 --> 00:22:45,980 ♪♪ 332 00:22:47,470 --> 00:22:49,160 ♪♪ 333 00:22:49,210 --> 00:22:51,560 They're not running. 334 00:22:51,600 --> 00:22:53,390 ♪♪ 335 00:22:53,430 --> 00:22:55,560 I think they want to come home. 336 00:22:56,560 --> 00:22:58,260 (CLICKS TONGUE) 337 00:22:59,700 --> 00:23:01,960 (CLICKS TONGUE) 338 00:23:02,000 --> 00:23:03,440 Hey. 339 00:23:03,480 --> 00:23:08,010 (HORSE SNORTS) 340 00:23:09,050 --> 00:23:11,880 Whoa. 341 00:23:11,930 --> 00:23:19,930 ♪♪ 342 00:23:21,940 --> 00:23:24,420 ♪♪ 343 00:23:24,460 --> 00:23:27,770 NICHOLLS: Though I walk through the valley of the shadow of death, 344 00:23:27,810 --> 00:23:32,210 I will fear no evil, for thou art with me. 345 00:23:32,250 --> 00:23:35,990 Though I walk through the valley of the shadow of death, 346 00:23:36,040 --> 00:23:41,300 I will fear no evil, for thou art with me. 347 00:23:47,440 --> 00:23:50,310 You move slower than I thought you would. 348 00:23:52,790 --> 00:23:56,450 Don't be scared. 349 00:23:56,490 --> 00:23:58,710 I'm not. 350 00:24:00,450 --> 00:24:02,540 We have been blessed. 351 00:24:04,280 --> 00:24:05,980 I... 352 00:24:06,020 --> 00:24:08,980 I have been blessed. 353 00:24:09,030 --> 00:24:11,460 You have a funny definition of blessed. 354 00:24:13,030 --> 00:24:17,250 But it is you who has come for me. 355 00:24:17,290 --> 00:24:19,470 Will you pray for me? 356 00:24:23,520 --> 00:24:26,430 You tried to kill my friends. 357 00:24:26,480 --> 00:24:29,260 Yes. 358 00:24:29,310 --> 00:24:31,480 And they tried to kill me. 359 00:24:32,880 --> 00:24:34,440 Pray for me. 360 00:24:34,490 --> 00:24:37,750 Even your enemies deserve that much. 361 00:24:42,100 --> 00:24:44,190 I thought you were a man of God. 362 00:24:45,110 --> 00:24:53,110 ♪♪ 363 00:24:53,330 --> 00:24:55,680 God isn't here anymore. 364 00:24:55,720 --> 00:24:58,290 ♪♪ 365 00:24:58,340 --> 00:25:01,690 (WALKERS GROWLING) 366 00:25:06,340 --> 00:25:08,610 Twice as many as before. 367 00:25:08,650 --> 00:25:12,520 We need to rethink your plan, Maggie. 368 00:25:12,570 --> 00:25:15,000 You're a free man, Negan. You wanna go? 369 00:25:15,050 --> 00:25:16,660 Go. 370 00:25:16,700 --> 00:25:18,880 I can help you. 371 00:25:18,920 --> 00:25:21,530 You know, your friends, they trusted me. 372 00:25:21,580 --> 00:25:24,320 You were gone for a long time. 373 00:25:24,360 --> 00:25:27,540 Things change. People change. 374 00:25:27,580 --> 00:25:29,110 No. 375 00:25:29,150 --> 00:25:31,800 Maybe you've got them fooled, but not me. 376 00:25:33,590 --> 00:25:37,510 Stop pretending you're one of us, Negan. 377 00:25:37,550 --> 00:25:39,810 Maybe you even believe it. 378 00:25:39,860 --> 00:25:41,350 But you're probably as good at lying to yourself 379 00:25:41,380 --> 00:25:43,210 as you are to everybody else. 380 00:25:43,250 --> 00:25:46,040 (WALKERS GROWLING) 381 00:26:01,180 --> 00:26:03,310 You okay, Maggie? 382 00:26:03,360 --> 00:26:04,620 Yeah. 383 00:26:04,660 --> 00:26:06,930 I can handle Negan. 384 00:26:06,970 --> 00:26:09,450 I wasn't talking about Negan. 385 00:26:14,590 --> 00:26:17,330 This can't be what you thought you'd be coming home to. 386 00:26:17,370 --> 00:26:20,940 It can't be what you told Hershel he'd see. 387 00:26:20,980 --> 00:26:25,380 You know, not much surprises me anymore. 388 00:26:25,420 --> 00:26:27,770 Except Hilltop. 389 00:26:27,820 --> 00:26:29,950 It's not the place I told Hershel about. 390 00:26:29,990 --> 00:26:31,950 Hold on a sec. 391 00:26:31,990 --> 00:26:36,480 (WALKERS GROWLING) 392 00:26:40,440 --> 00:26:43,700 You know, I'm not sure much surprises him anymore, either. 393 00:26:47,660 --> 00:26:49,710 You'll build it back up, 394 00:26:49,750 --> 00:26:51,970 better than it was before. 395 00:26:52,010 --> 00:26:54,360 Wewill. 396 00:26:54,410 --> 00:26:56,410 Sure. 397 00:26:56,450 --> 00:26:58,590 We'll get it done. 398 00:26:58,630 --> 00:26:59,850 At least by the time 399 00:26:59,890 --> 00:27:02,160 that Adam is old enough to remember. 400 00:27:02,200 --> 00:27:03,810 (CHUCKLES) 401 00:27:03,850 --> 00:27:07,330 I leave for one minute, and you're raising a kid. 402 00:27:09,470 --> 00:27:10,950 Maggie, if I, uh... 403 00:27:10,990 --> 00:27:13,300 We'll start when we get back, okay? 404 00:27:16,690 --> 00:27:21,390 The good news is, he lives in Alexandria, so... 405 00:27:21,440 --> 00:27:23,700 small wins. Mm-hmm. 406 00:27:23,740 --> 00:27:25,740 ♪♪ 407 00:27:25,790 --> 00:27:30,180 (WALKER GROWLING) 408 00:27:30,230 --> 00:27:32,580 What the hell? 409 00:27:32,620 --> 00:27:40,060 ♪♪ 410 00:27:40,110 --> 00:27:43,410 (GROWLING CONTINUES) 411 00:27:43,460 --> 00:27:49,940 ♪♪ 412 00:27:49,990 --> 00:27:52,250 (WALKERS GROWLING) 413 00:27:52,290 --> 00:27:58,520 ♪♪ 414 00:27:58,560 --> 00:27:59,730 This way. 415 00:27:59,780 --> 00:28:02,040 Come on! 416 00:28:02,080 --> 00:28:10,080 ♪♪ 417 00:28:12,090 --> 00:28:13,620 Let's go. 418 00:28:13,660 --> 00:28:15,620 (GROWLING CONTINUES) 419 00:28:15,660 --> 00:28:19,670 ♪♪ 420 00:28:19,710 --> 00:28:21,060 I got him. 421 00:28:21,100 --> 00:28:29,100 ♪♪ 422 00:28:30,900 --> 00:28:36,470 ♪♪ 423 00:28:36,510 --> 00:28:39,210 (SCREAMING) 424 00:28:39,250 --> 00:28:41,210 Agatha! 425 00:28:41,250 --> 00:28:43,600 (GRUNTS) 426 00:28:43,650 --> 00:28:44,950 ♪♪ 427 00:28:45,000 --> 00:28:46,960 Go! Just go! No! Come on! 428 00:28:47,000 --> 00:28:48,480 Run! No! 429 00:28:48,520 --> 00:28:51,390 Run! No! 430 00:28:51,440 --> 00:28:52,960 Agatha, no! 431 00:28:53,010 --> 00:28:54,830 (SCREAMING) 432 00:28:54,880 --> 00:28:57,140 No! Get off! 433 00:28:57,180 --> 00:28:58,880 ♪♪ 434 00:28:58,920 --> 00:29:00,750 No! No! No! No! No! 435 00:29:11,850 --> 00:29:15,550 (INDISTINCT CONVERSATIONS) 436 00:29:15,590 --> 00:29:17,550 WOMAN: Look! They're back! 437 00:29:17,590 --> 00:29:19,070 They've got the horses! 438 00:29:19,120 --> 00:29:26,600 ♪♪ 439 00:29:26,650 --> 00:29:29,560 Oh, my God! 440 00:29:29,610 --> 00:29:32,310 (CHUCKLES) 441 00:29:32,350 --> 00:29:36,000 I'll go get Aaron. 442 00:29:36,050 --> 00:29:44,050 ♪♪ 443 00:29:46,060 --> 00:29:47,360 ♪♪ 444 00:29:47,410 --> 00:29:48,800 Alright, I'm out. 445 00:29:52,410 --> 00:29:55,070 Bye. 446 00:29:57,590 --> 00:30:01,600 ♪♪ 447 00:30:01,640 --> 00:30:04,160 Very good boy. 448 00:30:04,210 --> 00:30:05,560 ♪♪ 449 00:30:05,600 --> 00:30:07,990 Hey, Carol. 450 00:30:08,040 --> 00:30:09,390 Can we talk? 451 00:30:09,430 --> 00:30:11,000 Yeah, sure. 452 00:30:11,040 --> 00:30:14,390 I know what you're doing, and I want you to stop. 453 00:30:14,430 --> 00:30:16,390 Sorry? 454 00:30:16,440 --> 00:30:19,000 You're giving Kelly false hope. 455 00:30:19,050 --> 00:30:20,830 I-I don't understand. 456 00:30:20,880 --> 00:30:22,570 Yes, you do. 457 00:30:22,620 --> 00:30:24,400 You don't think Connie's alive. 458 00:30:24,440 --> 00:30:28,010 You just can't accept what it means if she's not. 459 00:30:28,060 --> 00:30:29,450 Well, you're Connie's family. 460 00:30:29,490 --> 00:30:31,760 I would think you'd want to know either way. 461 00:30:31,800 --> 00:30:33,850 I want my family to heal. 462 00:30:33,890 --> 00:30:36,020 All that's left of it. 463 00:30:36,060 --> 00:30:38,150 Kelly looks up to you. 464 00:30:38,200 --> 00:30:41,330 Carol, I'm sorry for whatever you're going through, 465 00:30:41,370 --> 00:30:44,160 but I'm asking you, I'm begging you, 466 00:30:44,200 --> 00:30:48,730 whatever doing or telling her, stop. 467 00:30:48,770 --> 00:30:51,300 You're just making it harder. 468 00:30:58,260 --> 00:31:00,180 ♪♪ 469 00:31:00,220 --> 00:31:03,140 Come on, buddy. 470 00:31:04,660 --> 00:31:05,920 ♪♪ 471 00:31:05,960 --> 00:31:07,840 (CLICKS TONGUE) 472 00:31:07,880 --> 00:31:09,050 (HORSE SNORTS) 473 00:31:09,100 --> 00:31:11,230 There you go. 474 00:31:11,270 --> 00:31:19,270 ♪♪ 475 00:31:21,280 --> 00:31:29,280 ♪♪ 476 00:31:31,290 --> 00:31:39,290 ♪♪ 477 00:31:41,300 --> 00:31:49,300 ♪♪ 478 00:31:51,310 --> 00:31:59,310 ♪♪ 479 00:32:01,320 --> 00:32:09,320 ♪♪ 480 00:32:10,990 --> 00:32:18,990 ♪♪ 481 00:32:21,000 --> 00:32:22,690 ♪♪ 482 00:32:22,740 --> 00:32:26,910 (INDISTINCT CONVERSATIONS, DISHES CLANGING) 483 00:32:26,960 --> 00:32:29,440 (LAUGHTER IN DISTANCE) 484 00:32:45,980 --> 00:32:48,760 Go on. 485 00:32:48,810 --> 00:32:52,160 No, thank you. 486 00:32:52,200 --> 00:32:56,160 Just take really small bites. 487 00:32:56,200 --> 00:32:59,120 The smaller, the better. 488 00:32:59,160 --> 00:33:01,120 You've eaten it before? 489 00:33:01,170 --> 00:33:03,520 HERSHEL: Yeah, on the road, with my mom. 490 00:33:03,560 --> 00:33:05,780 You eat what you find. 491 00:33:11,000 --> 00:33:13,180 You ever been on the road? 492 00:33:13,220 --> 00:33:14,480 Not like that. 493 00:33:14,530 --> 00:33:17,010 Well, you meet a lot of different people. 494 00:33:19,580 --> 00:33:22,140 Just chew it fast. 495 00:33:22,190 --> 00:33:24,580 It's not that bad. 496 00:33:24,620 --> 00:33:26,670 Not like the spiders. 497 00:33:34,070 --> 00:33:37,590 Wanna see if we can pet a pony? 498 00:33:37,640 --> 00:33:40,030 (GASPS) Hey. Look. 499 00:33:40,070 --> 00:33:42,030 They're interested. 500 00:33:44,380 --> 00:33:47,820 Do you want to pet a pony? (CHUCKLES) 501 00:33:47,860 --> 00:33:49,910 Beautiful, right? Look. Look. 502 00:33:51,300 --> 00:33:55,050 (COCO COOS) 503 00:33:55,090 --> 00:34:03,090 ♪♪ 504 00:34:05,100 --> 00:34:08,320 ♪♪ 505 00:34:08,360 --> 00:34:10,800 (COCO WHIMPERS) 506 00:34:10,840 --> 00:34:18,840 ♪♪ 507 00:34:20,850 --> 00:34:28,850 ♪♪ 508 00:34:30,860 --> 00:34:38,860 ♪♪ 509 00:34:40,870 --> 00:34:48,870 ♪♪ 510 00:34:49,400 --> 00:34:50,880 Ready? 511 00:34:50,930 --> 00:34:52,670 CAROL: Mm-hmm. 512 00:34:52,710 --> 00:35:00,710 ♪♪ 513 00:35:02,720 --> 00:35:07,680 ♪♪ 514 00:35:07,730 --> 00:35:10,250 Goddamn shit. 515 00:35:10,300 --> 00:35:13,170 (SPITS) 516 00:35:13,210 --> 00:35:14,600 What? 517 00:35:14,650 --> 00:35:17,130 You like the taste of crap cardboard? 518 00:35:17,170 --> 00:35:19,040 ♪♪ 519 00:35:19,090 --> 00:35:21,040 (VULTURE SCREECHING) 520 00:35:21,090 --> 00:35:23,870 We should get back in the woods. 521 00:35:23,920 --> 00:35:25,880 The road is faster. 522 00:35:25,920 --> 00:35:27,490 He's right. The woods have cover. 523 00:35:27,530 --> 00:35:30,270 It's safer. 524 00:35:30,320 --> 00:35:32,140 Let's go there. 525 00:35:32,190 --> 00:35:33,490 No. 526 00:35:33,540 --> 00:35:35,280 We need to keep moving. 527 00:35:35,320 --> 00:35:37,630 No, we need a break. 528 00:35:37,670 --> 00:35:45,670 ♪♪ 529 00:35:47,680 --> 00:35:55,680 ♪♪ 530 00:35:56,430 --> 00:35:57,820 ♪♪ 531 00:36:05,920 --> 00:36:09,830 We'll rest here for a while, and then we'll head out. 532 00:36:14,320 --> 00:36:16,540 I know what you're thinking. 533 00:36:16,580 --> 00:36:18,450 The answer is no. 534 00:36:24,240 --> 00:36:26,200 He's right, Maggie. 535 00:36:28,590 --> 00:36:30,940 I'm slowing you down. 536 00:36:30,980 --> 00:36:32,770 Nope. 537 00:36:32,810 --> 00:36:34,070 We're fine. 538 00:36:34,120 --> 00:36:37,430 Maybe now. 539 00:36:37,470 --> 00:36:40,390 If these guys are anything like you say they are, 540 00:36:40,430 --> 00:36:42,470 then it's gonna get worse. 541 00:36:46,260 --> 00:36:49,220 I'm dead weight. 542 00:36:49,260 --> 00:36:50,790 We all know it. 543 00:36:50,830 --> 00:36:52,310 We'll help you. 544 00:36:52,350 --> 00:36:54,880 (CHUCKLES) 545 00:37:03,580 --> 00:37:07,240 You wanna know why I walked away from him... 546 00:37:07,280 --> 00:37:10,240 and everything he stood for... 547 00:37:10,280 --> 00:37:12,240 joined up with you? 548 00:37:15,070 --> 00:37:18,030 It's 'cause I trust you... 549 00:37:18,070 --> 00:37:20,820 to do the right thing. 550 00:37:20,860 --> 00:37:23,910 No matter how hard it is or how much it costs you. 551 00:37:25,870 --> 00:37:28,690 The supplies... Maggie, look at me. 552 00:37:30,650 --> 00:37:34,570 The supplies are the only thing that matters now. 553 00:37:34,610 --> 00:37:37,270 Alexandria needs us to do this. 554 00:37:38,880 --> 00:37:41,620 They're waiting for us. 555 00:37:41,660 --> 00:37:44,580 Hershel and Judith. 556 00:37:44,620 --> 00:37:45,970 Adam... 557 00:37:46,020 --> 00:37:48,630 And Adam needs a father. 558 00:37:48,670 --> 00:37:52,020 You think I'm gonna make it out of that town alive like this? 559 00:37:52,070 --> 00:37:53,850 You left Gage. Leave me. 560 00:37:53,890 --> 00:37:56,810 Gage made his choice. 561 00:37:56,850 --> 00:37:59,030 And I'm making mine. 562 00:37:59,070 --> 00:38:01,470 ♪♪ 563 00:38:01,510 --> 00:38:02,860 No. 564 00:38:02,900 --> 00:38:05,430 Just... No. 565 00:38:05,470 --> 00:38:08,650 Maggie, if this plan fails... 566 00:38:08,690 --> 00:38:10,610 then everything you've worked for, 567 00:38:10,650 --> 00:38:13,960 everything you want for the future, 568 00:38:14,000 --> 00:38:15,480 it dies with it. 569 00:38:15,520 --> 00:38:21,310 ♪♪ 570 00:38:21,360 --> 00:38:23,490 And then what happens to Adam? 571 00:38:23,530 --> 00:38:25,490 Okay. 572 00:38:25,530 --> 00:38:27,490 It's not that simple. 573 00:38:27,540 --> 00:38:30,100 ♪♪ 574 00:38:30,150 --> 00:38:32,060 Yeah, it is. 575 00:38:32,110 --> 00:38:34,630 ♪♪ 576 00:38:34,670 --> 00:38:37,280 NEGAN: The sun is going down. 577 00:38:37,330 --> 00:38:39,330 Maggie... 578 00:38:39,370 --> 00:38:41,330 you have to make a decision. 579 00:38:41,380 --> 00:38:45,070 It's easy for you, isn't it? 580 00:38:45,120 --> 00:38:47,690 ♪♪ 581 00:38:47,730 --> 00:38:51,820 Being reckless with somebody else's life. 582 00:38:51,860 --> 00:38:57,650 ♪♪ 583 00:38:57,700 --> 00:38:59,130 But you don't get to decide 584 00:38:59,180 --> 00:39:02,090 who lives and who dies anymore. 585 00:39:02,140 --> 00:39:06,140 ♪♪ 586 00:39:06,180 --> 00:39:08,920 It's your fault. 587 00:39:08,970 --> 00:39:10,880 That we're here. 588 00:39:10,930 --> 00:39:13,150 ♪♪ 589 00:39:13,190 --> 00:39:16,370 It's your fault. 590 00:39:16,410 --> 00:39:19,110 Because you destroyed everything that we built. 591 00:39:19,150 --> 00:39:24,940 ♪♪ 592 00:39:24,980 --> 00:39:27,120 You still have to decide. 593 00:39:27,160 --> 00:39:35,160 ♪♪ 594 00:39:37,170 --> 00:39:45,170 ♪♪ 595 00:39:46,010 --> 00:39:49,310 (SIGHS) 596 00:39:49,360 --> 00:39:57,360 ♪♪ 597 00:39:58,280 --> 00:39:59,710 ♪♪ 598 00:39:59,760 --> 00:40:01,980 Ma... Maggie. 599 00:40:02,020 --> 00:40:06,590 ♪♪ 600 00:40:06,630 --> 00:40:08,590 Here. 601 00:40:08,640 --> 00:40:16,640 ♪♪ 602 00:40:18,650 --> 00:40:26,650 ♪♪ 603 00:40:28,660 --> 00:40:36,660 ♪♪ 604 00:40:37,360 --> 00:40:38,800 (WOOD CREAKS) 605 00:40:38,840 --> 00:40:46,840 ♪♪ 606 00:40:48,850 --> 00:40:50,640 ♪♪ 607 00:40:50,680 --> 00:40:53,160 (DOOR CREAKS) 608 00:40:53,200 --> 00:40:56,470 ♪♪ 609 00:40:56,510 --> 00:40:58,860 You better be here when we get back. 610 00:40:58,900 --> 00:41:00,170 ♪♪ 611 00:41:00,210 --> 00:41:02,650 You better come back. 612 00:41:02,690 --> 00:41:04,170 ♪♪ 613 00:41:04,210 --> 00:41:06,650 (DOOR CREAKS) 614 00:41:06,690 --> 00:41:14,180 ♪♪ 615 00:41:14,220 --> 00:41:16,660 (GRUNTS) 616 00:41:16,700 --> 00:41:23,620 ♪♪ 617 00:41:23,670 --> 00:41:28,020 (WALKER GROWLING) 618 00:41:28,060 --> 00:41:36,060 ♪♪ 619 00:41:38,070 --> 00:41:46,070 ♪♪ 620 00:41:48,080 --> 00:41:56,080 ♪♪ 621 00:41:58,090 --> 00:42:06,090 ♪♪ 622 00:42:08,100 --> 00:42:10,540 ♪♪ 623 00:42:14,500 --> 00:42:15,680 MAN: Do you feel that? 624 00:42:15,720 --> 00:42:17,290 All that chaos. 625 00:42:17,330 --> 00:42:20,460 ♪♪ 626 00:42:20,510 --> 00:42:23,470 Death, day after day. 627 00:42:23,510 --> 00:42:25,600 ♪♪ 628 00:42:25,640 --> 00:42:27,780 God is angry. 629 00:42:27,820 --> 00:42:31,910 ♪♪ 630 00:42:31,950 --> 00:42:34,610 I'm angry. 631 00:42:34,650 --> 00:42:37,310 Make them feel our wrath. 632 00:42:37,350 --> 00:42:43,100 ♪♪ 633 00:42:44,010 --> 00:42:47,270 (SUSPENSEFUL MUSIC PLAYS) 634 00:42:47,320 --> 00:42:49,710 ♪♪ 635 00:42:49,750 --> 00:42:52,410 This episode is pretty much a direct pickup 636 00:42:52,450 --> 00:42:53,540 from the previous episode, 637 00:42:53,580 --> 00:42:55,060 but we are really living 638 00:42:55,110 --> 00:42:57,330 in Maggie's point of view. 639 00:42:57,370 --> 00:42:58,810 Maggie's the one that kind of 640 00:42:58,850 --> 00:43:00,460 brought everybody on this mission 641 00:43:00,500 --> 00:43:04,860 and they're already off to this chaotic, intense start 642 00:43:04,900 --> 00:43:06,730 and they're realizing 643 00:43:06,770 --> 00:43:10,250 just how scary and dangerous these Reapers are. 644 00:43:10,300 --> 00:43:12,170 There's so much going on and, you know, 645 00:43:12,210 --> 00:43:13,950 they can all barely see each other. 646 00:43:14,000 --> 00:43:17,040 Everything's happening in these kind of flashes and blurs. 647 00:43:17,090 --> 00:43:18,520 There's sort of this helplessness, 648 00:43:18,570 --> 00:43:20,130 in some ways, to our people, 649 00:43:20,180 --> 00:43:21,980 like they feel like there's not much they can do, 650 00:43:22,000 --> 00:43:25,180 other than just try to scramble and survive it as best they can. 651 00:43:25,220 --> 00:43:27,660 And that's already weighing heavy on Maggie 652 00:43:27,710 --> 00:43:29,100 as we start the episode. 653 00:43:29,140 --> 00:43:36,800 ♪♪ 654 00:43:36,840 --> 00:43:39,280 Carol and Aaron are a little bit at odds 655 00:43:39,330 --> 00:43:42,980 and I think, in a lot of ways, it's just important to remember 656 00:43:43,020 --> 00:43:45,550 that Carol and Aaron are friends. 657 00:43:45,590 --> 00:43:48,510 They are basically on the same side, 658 00:43:48,550 --> 00:43:50,900 but reasonable people can disagree 659 00:43:50,950 --> 00:43:53,600 about what is the best way to move forward 660 00:43:53,640 --> 00:43:56,340 and I think Carol is really in a place 661 00:43:56,390 --> 00:43:58,820 where she's feeling like 662 00:43:58,870 --> 00:44:01,350 so much of what has happened to Alexandria 663 00:44:01,390 --> 00:44:03,610 is indirectly her fault. 664 00:44:03,650 --> 00:44:05,000 You know, you can't really say 665 00:44:05,050 --> 00:44:07,610 that it wasn't going to happen, anyway. 666 00:44:07,660 --> 00:44:09,500 I mean, the Whisperers were always going to get 667 00:44:09,530 --> 00:44:12,490 into conflict with our people, but she's still working 668 00:44:12,530 --> 00:44:14,840 through everything that's happened with Connie 669 00:44:14,880 --> 00:44:17,710 and, you know, when she and Magna were lost in the cave, 670 00:44:17,760 --> 00:44:21,630 as a result of the explosion that Carol caused. 671 00:44:21,670 --> 00:44:23,940 She just feels massive guilt every day. 672 00:44:23,980 --> 00:44:26,850 So she is dealing with that in her own way 673 00:44:26,890 --> 00:44:29,810 and I think Carol functions well as a lone wolf. 674 00:44:29,850 --> 00:44:34,380 She's always kind of had this instinct to go out and do things 675 00:44:34,420 --> 00:44:38,040 and think in ways that maybe everybody else isn't thinking, 676 00:44:38,080 --> 00:44:41,040 but sometimes it does put her in odds with her friends. 677 00:44:41,080 --> 00:44:42,130 There is love there. 678 00:44:42,170 --> 00:44:43,650 There is respect there. 679 00:44:43,690 --> 00:44:45,480 However, there's also frustration 680 00:44:45,520 --> 00:44:48,570 that it's just they can't get on the same page 681 00:44:48,610 --> 00:44:50,400 about how to address the problems. 682 00:44:50,440 --> 00:44:53,400 ♪♪ 683 00:44:53,440 --> 00:44:56,880 We really enjoy getting to see the kids on our show 684 00:44:56,920 --> 00:44:59,750 and to put them in interesting situations 685 00:44:59,800 --> 00:45:02,410 and see them also kind of grow up 686 00:45:02,450 --> 00:45:03,650 as they're working on the show. 687 00:45:03,670 --> 00:45:05,190 And we really wanted to see 688 00:45:05,240 --> 00:45:07,760 Judith and Hershel getting to interact together 689 00:45:07,810 --> 00:45:10,720 after they didn't grow up in the same community. 690 00:45:10,760 --> 00:45:12,770 There's a hopeful message in it, too, 691 00:45:12,810 --> 00:45:16,420 which is that children find ways to be resilient, 692 00:45:16,470 --> 00:45:17,860 even in the midst of a world 693 00:45:17,900 --> 00:45:19,510 that feels like it's breaking apart, 694 00:45:19,560 --> 00:45:21,820 and that there is hope in the ways 695 00:45:21,860 --> 00:45:25,300 that they can find little spots of normalcy. 696 00:45:25,340 --> 00:45:28,040 And you also kind of get to have the perspective of, 697 00:45:28,090 --> 00:45:30,310 "Oh, the grownups, they're so (LAUGHS) annoying, 698 00:45:30,350 --> 00:45:31,650 in the way they do things." 699 00:45:31,700 --> 00:45:33,220 Like which I think is sort of 700 00:45:33,270 --> 00:45:35,570 a universal attitude that children have. 701 00:45:35,620 --> 00:45:37,050 I remember having that attitude. 702 00:45:37,100 --> 00:45:39,880 Grownups are always running off doing things. 703 00:45:39,920 --> 00:45:41,660 "Promise I'll see you soon!" 704 00:45:41,710 --> 00:45:43,450 (LAUGHS) "Love you!" 705 00:45:43,490 --> 00:45:45,150 They were so charming together. 706 00:45:45,190 --> 00:45:48,060 They really seemed to have a great time doing that scene. 707 00:45:48,110 --> 00:45:50,060 (THUDDING) 708 00:45:50,110 --> 00:45:51,110 Dang it! 709 00:45:51,150 --> 00:45:52,150 (THUD) 710 00:45:52,200 --> 00:45:53,810 ♪♪ 711 00:45:53,850 --> 00:45:55,940 We wanted to show Maggie 712 00:45:55,980 --> 00:45:59,250 in kind of this horror movie sequence, basically, 713 00:45:59,290 --> 00:46:02,160 where she's going down this staircase 714 00:46:02,210 --> 00:46:04,250 and she's trying to escape from the Reapers 715 00:46:04,300 --> 00:46:05,510 and not make any sound, 716 00:46:05,560 --> 00:46:07,260 but can barely see what she's doing 717 00:46:07,300 --> 00:46:10,870 and is trying to create little sound traps, 718 00:46:10,910 --> 00:46:13,390 so that she can hear them coming. 719 00:46:13,440 --> 00:46:16,130 But the Reapers are sort of spooky 720 00:46:16,180 --> 00:46:20,490 and they're very sneaky and good at working in stealth, 721 00:46:20,530 --> 00:46:22,100 and so that was one of the things 722 00:46:22,140 --> 00:46:24,140 that we wanted to show with them in the sequence. 723 00:46:24,190 --> 00:46:27,580 I personally always feel like I'm going to get murdered 724 00:46:27,620 --> 00:46:29,500 in a staircase or like a parking lot. 725 00:46:29,540 --> 00:46:32,850 Those spaces can feel really, really terrifying sometimes 726 00:46:32,890 --> 00:46:34,810 and they're empty and dark. 727 00:46:34,850 --> 00:46:37,850 So we fully wanted to kind of play into that, 728 00:46:37,900 --> 00:46:40,250 that aspect of hearing like echoing steps, 729 00:46:40,290 --> 00:46:42,600 just not being able to see around the corner 730 00:46:42,640 --> 00:46:44,290 as you're moving up in the levels, 731 00:46:44,340 --> 00:46:46,730 that can feel really, really creepy. 732 00:46:46,770 --> 00:46:48,600 And, you know, it's also just fun 733 00:46:48,640 --> 00:46:52,300 to see Maggie just be awesome and be an awesome survivor. 734 00:46:52,340 --> 00:46:55,480 (BOTH GRUNTING) 735 00:46:55,520 --> 00:46:57,570 Aah! 736 00:46:57,610 --> 00:46:58,830 (CLANG) 737 00:46:58,870 --> 00:47:01,010 When Negan saves Maggie, I mean, 738 00:47:01,050 --> 00:47:04,100 I think he's accepted that, to get through this, 739 00:47:04,140 --> 00:47:05,920 I mean, Maggie's a really good fighter, too. 740 00:47:05,970 --> 00:47:07,360 He doesn't want to see her go. 741 00:47:07,400 --> 00:47:09,970 He's very, very drawn to people 742 00:47:10,010 --> 00:47:12,670 who are very strong and stubborn 743 00:47:12,710 --> 00:47:14,190 and have leadership qualities. 744 00:47:14,240 --> 00:47:15,760 We've seen that throughout the years. 745 00:47:15,800 --> 00:47:17,240 In some ways, you might even say 746 00:47:17,280 --> 00:47:19,460 that was sort of his Achilles' heel, 747 00:47:19,500 --> 00:47:22,200 is that he was always thinking, 748 00:47:22,240 --> 00:47:26,290 "I can turn this person on my side 749 00:47:26,330 --> 00:47:28,730 and I like you because you're a badass 750 00:47:28,770 --> 00:47:30,120 and you tell it like it is 751 00:47:30,160 --> 00:47:32,170 and I like that you push up against me." 752 00:47:32,210 --> 00:47:34,210 And he's always trying to go like, "Come on!" 753 00:47:34,260 --> 00:47:37,430 Like, now take all of that and just transfer it to my team. 754 00:47:37,480 --> 00:47:38,390 Like don't you get it? 755 00:47:38,430 --> 00:47:39,740 If we work together, 756 00:47:39,780 --> 00:47:41,440 "it's all going to work out." 757 00:47:41,480 --> 00:47:42,870 So I think that that's actually 758 00:47:42,920 --> 00:47:44,790 kind of consistent with his character, 759 00:47:44,830 --> 00:47:49,920 is that, as much as he doesn't trust Maggie and fears her, 760 00:47:49,970 --> 00:47:53,100 when she does give him that gun in the subway, 761 00:47:53,140 --> 00:47:55,320 I think that that kind of triggers 762 00:47:55,360 --> 00:47:57,410 a little bit of a sense in him 763 00:47:57,450 --> 00:48:00,410 of like, "Alright, maybe I don't have to be afraid" 764 00:48:00,460 --> 00:48:02,110 that she's going to shoot me in the head 765 00:48:02,150 --> 00:48:03,420 when the opportunity comes. 766 00:48:03,460 --> 00:48:05,770 Maybe she does find me valuable, 767 00:48:05,810 --> 00:48:09,250 "and that's something that I can work with, in some kind of way." 768 00:48:09,290 --> 00:48:11,340 And so I think, when he saves her, 769 00:48:11,380 --> 00:48:13,250 he probably does it out of instinct... 770 00:48:13,290 --> 00:48:14,820 (EXPLOSIONS) 771 00:48:14,860 --> 00:48:16,780 ...but I also think he's smart enough to think, 772 00:48:16,820 --> 00:48:19,260 "We are kind of in it together and we're stuck together, 773 00:48:19,300 --> 00:48:23,040 so like, let me see if I can get a favor from her, too," 774 00:48:23,090 --> 00:48:26,440 because he did pick her over Alden." 775 00:48:26,480 --> 00:48:28,660 You think you can walk? 776 00:48:28,700 --> 00:48:29,920 Not gonna know until we try. 777 00:48:29,960 --> 00:48:31,250 Whoa, whoa, whoa. You're not seriously. 778 00:48:31,270 --> 00:48:33,970 - Aah! - Thinking that we keep going. 779 00:48:34,010 --> 00:48:35,530 The plan doesn't change. 780 00:48:35,580 --> 00:48:37,320 We need that food. 781 00:48:37,360 --> 00:48:41,630 Negan is absolutely shocked that, after all this, 782 00:48:41,670 --> 00:48:43,190 Maggie wants to keep going. 783 00:48:43,240 --> 00:48:44,980 The interesting thing, with Negan, is 784 00:48:45,020 --> 00:48:48,900 this is not a guy that was an angel before the apocalypse, 785 00:48:48,940 --> 00:48:51,290 but neither was he a guy that was just like, 786 00:48:51,330 --> 00:48:54,210 "I actually want to shoot people up all the time." 787 00:48:54,250 --> 00:48:56,560 He, in fact, was like, "Let me try to kill 788 00:48:56,600 --> 00:49:00,340 the minimum number of people to make my point, 789 00:49:00,390 --> 00:49:02,390 and then, hopefully, you'll just fall in line 790 00:49:02,430 --> 00:49:03,630 and I don't have to deal with it." 791 00:49:03,650 --> 00:49:05,220 Like he'd rather just not deal with it. 792 00:49:05,260 --> 00:49:08,260 So I think, for Negan, he's kind of grumpy 793 00:49:08,310 --> 00:49:10,090 and he's like, "This is the army?" 794 00:49:10,130 --> 00:49:12,700 This is the army that's going to go in against these people? 795 00:49:12,750 --> 00:49:14,310 That, clearly, 796 00:49:14,360 --> 00:49:16,440 we're a little outmatched, in terms of skill set 797 00:49:16,490 --> 00:49:17,860 and there seems to be a lot of them. 798 00:49:17,880 --> 00:49:18,990 "They seem to be really mad." 799 00:49:19,010 --> 00:49:20,320 Like, you know, 800 00:49:20,360 --> 00:49:21,970 his perspective's not wrong. 801 00:49:22,020 --> 00:49:25,240 It's a valid perspective, but he doesn't give 802 00:49:25,280 --> 00:49:27,150 his notes gently. I'll just say that. 803 00:49:27,190 --> 00:49:28,540 Those people, they just told us 804 00:49:28,590 --> 00:49:30,590 exactly how insane they are. 805 00:49:30,630 --> 00:49:32,200 We can't be on a road. 806 00:49:32,240 --> 00:49:34,990 We can't be on any road that they could use. 807 00:49:35,030 --> 00:49:37,070 It's a shit plan. 808 00:49:37,120 --> 00:49:39,550 By the time we get to that big scene 809 00:49:39,600 --> 00:49:41,470 with Negan and Maggie at the end 810 00:49:41,510 --> 00:49:43,170 and, you know, Alden's there 811 00:49:43,210 --> 00:49:45,690 and Maggie's going to make this heartbreaking choice 812 00:49:45,730 --> 00:49:48,170 that they do have to keep going and leave Alden, 813 00:49:48,220 --> 00:49:50,260 which she absolutely does not want to do, 814 00:49:50,300 --> 00:49:53,310 I think that, for Negan, he's a smart guy. 815 00:49:53,350 --> 00:49:56,790 He can see that she doesn't really want his advice. 816 00:49:56,830 --> 00:49:59,620 That doesn't mean he's going to stop giving it, altogether, 817 00:49:59,660 --> 00:50:02,450 but I do think he's kind of at a point where he realizes, 818 00:50:02,490 --> 00:50:05,490 if he's trying to push her too hard, here, 819 00:50:05,540 --> 00:50:07,930 all that's going to happen is she's going to get angry 820 00:50:07,970 --> 00:50:09,850 and it's going to delay, maybe, 821 00:50:09,890 --> 00:50:13,940 this choice that she knows herself she needs to make. 822 00:50:13,980 --> 00:50:15,900 He's pretty sure that she's going 823 00:50:15,940 --> 00:50:18,330 to make the choice to keep moving. 824 00:50:18,380 --> 00:50:20,160 He knows that she's mission-focused, 825 00:50:20,200 --> 00:50:23,380 but she kind of has to go through the emotion of it 826 00:50:23,420 --> 00:50:25,730 and it makes it even that much more heartbreaking, 827 00:50:25,770 --> 00:50:29,210 when the person who should be kind of panicking is like, 828 00:50:29,260 --> 00:50:32,090 "You know as well as I do what has to be done." 829 00:50:32,130 --> 00:50:34,260 And, at the heart of "The Walking Dead," 830 00:50:34,310 --> 00:50:37,350 it's about those hard choices 831 00:50:37,400 --> 00:50:41,790 and sometimes our heroes make choices that they don't like. 832 00:50:41,830 --> 00:50:43,400 Sometimes they make the wrong choice 833 00:50:43,440 --> 00:50:45,140 and sometimes they make the choice 834 00:50:45,190 --> 00:50:47,100 that is right and feels good. 835 00:50:47,140 --> 00:50:49,450 But this is one of those ones where it just feels like 836 00:50:49,490 --> 00:50:52,110 there's no win in any situation. 837 00:50:52,150 --> 00:50:54,670 They just have to make the one that helps them 838 00:50:54,720 --> 00:50:56,630 do the most good for the most people. 839 00:50:56,680 --> 00:51:04,680 ♪♪ 840 00:51:04,680 --> 00:51:19,680 - Sync and corrections by SilverStark - www.opensubtitles.org - Colored HI by GoldBerg_44 841 00:51:36,850 --> 00:51:41,420 ♪♪ 842 00:51:41,420 --> 00:51:56,420 - Sync and corrections by SilverStark - www.opensubtitles.org - Colored HI by GoldBerg_44 67432