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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:11,900 --> 00:00:14,200 I KNEW YOU TWO WOULD HIT IT OFF. 4 00:00:18,500 --> 00:00:21,500 MIRA, THE NEW RUG IS TO DIE FOR! 5 00:00:21,533 --> 00:00:23,900 OH, IT'S JUST A LITTLE SOMETHING LIAM AND I PICKED UP IN BALI. 6 00:00:25,967 --> 00:00:28,000 MY LOVE, IT'S YOUR OFFICE. THEY SAY IT'S URGENT. 7 00:00:31,000 --> 00:00:32,100 I'M SORRY, FOLKS. 8 00:00:32,133 --> 00:00:33,467 OCCUPATIONAL HAZARD 9 00:00:33,500 --> 00:00:35,900 WHEN YOU'RE RUNNING A FORTUNE 500 COMPANY. 10 00:00:35,933 --> 00:00:37,033 MIRA! THANK GOODNESS YOU'RE HERE! 11 00:00:37,067 --> 00:00:39,067 WE TRIED TO HANDLE IT, BUT WE NEEDED YOU. 12 00:00:47,467 --> 00:00:50,167 ALRIGHT, I'M HERE TO HANDLE THE PROBLEM. 13 00:00:50,200 --> 00:00:51,167 TELL ME EVERYTHING. 14 00:00:54,367 --> 00:00:55,600 WHAT'S THAT NOISE? 15 00:00:55,633 --> 00:00:58,233 PROBABLY ANOTHER PROBLEM ONLY YOU CAN FIX. 16 00:01:26,600 --> 00:01:29,000 AND BACK TO REAL LIFE WE GO. 17 00:01:29,033 --> 00:01:30,533 MORNING! 18 00:01:33,500 --> 00:01:34,667 REALLY? 19 00:01:34,700 --> 00:01:37,267 OUT IN A JIFF! 20 00:01:44,467 --> 00:01:46,933 MORNING. WHOA-WHOA! 21 00:01:46,967 --> 00:01:48,700 DID YOU GET ANY SLEEP LAST NIGHT? 22 00:01:48,733 --> 00:01:51,333 THE MOST SUCCESSFUL PEOPLE EXIST ON MINIMAL SLEEP-- 23 00:01:51,367 --> 00:01:53,467 OPRAH, OBAMA, THE DALAI LAMA-- 24 00:01:53,500 --> 00:01:57,000 THAT'S HOW YOU BECOME THE CEO OF A FORTUNE 500 COMPANY. 25 00:01:57,033 --> 00:02:00,767 YEAH, PRETTY SURE THE DALAI LAMA ISN'T THE CEO OF ANYTHING. 26 00:02:00,800 --> 00:02:03,500 I'M PRETTY SURE HE COULD, IF HE WANTED TO. 27 00:02:06,100 --> 00:02:07,500 SPEAKING OF. 28 00:02:07,533 --> 00:02:10,533 CEO ALERT. 29 00:02:10,567 --> 00:02:12,700 GOOD MORNING. 30 00:02:14,633 --> 00:02:16,633 I'M GONNA BE HER SOMEDAY. 31 00:02:16,667 --> 00:02:18,267 I DON'T DOUBT IT FOR A SECOND. 32 00:02:18,300 --> 00:02:20,400 THE LIGHTNING COULD STRIKE AT ANY MOMENT, 33 00:02:20,433 --> 00:02:22,067 AND I WILL BE READY. 34 00:02:22,100 --> 00:02:23,767 SPEAKING OF, DID YOU GET YOUR PROPOSAL FINISHED? 35 00:02:23,800 --> 00:02:26,033 I DID, NOW I JUST NEED MICHAEL TO CONSIDER IT. 36 00:02:26,067 --> 00:02:27,033 IF HE LIKES MY IDEA, 37 00:02:27,067 --> 00:02:28,400 THEN EVERYTHING I'VE BEEN PREPARING FOR 38 00:02:28,433 --> 00:02:29,600 COULD COME TO FRUITION. 39 00:02:29,633 --> 00:02:30,567 LIGHTNING. 40 00:02:30,600 --> 00:02:32,267 EXACTLY! AND WITH MY BIG IDEAS 41 00:02:32,300 --> 00:02:34,367 AND YOUR BRILLIANT DESIGN SKILLS-- 42 00:02:34,400 --> 00:02:36,267 YEAH, ABOUT THAT. 43 00:02:36,300 --> 00:02:38,000 THERE'S SOMETHING I NEED TO TELL YOU. 44 00:02:38,033 --> 00:02:41,167 I ACCEPTED A JOB AT OURFRIENDS. I'M LEAVING YOURPAGE. 45 00:02:41,200 --> 00:02:43,767 JONAH! YOU'RE THE BEST GRAPHIC ARTIST WE'VE GOT. 46 00:02:43,800 --> 00:02:46,033 YOU CAN'T GO TO OUR BIGGEST COMPETITORS. 47 00:02:46,067 --> 00:02:47,433 APRIL FOOL'S. 48 00:02:47,467 --> 00:02:49,700 DO NOT DO THAT TO ME. 49 00:02:49,733 --> 00:02:51,033 COME ON. 50 00:02:51,067 --> 00:02:53,133 I'M JUST HAVING A LITTLE FUN WITH YOU. 51 00:02:53,167 --> 00:02:54,567 FUN? YOU JUST GAVE ME A HEART ATTACK. 52 00:02:54,600 --> 00:02:56,100 APRIL FOOL'S IS HAZARDOUS TO OUR HEALTH 53 00:02:56,133 --> 00:02:57,367 AND, FOR THE GOOD OF MANKIND, 54 00:02:57,400 --> 00:02:59,000 IT SHOULD BE ABOLISHED. 55 00:02:59,033 --> 00:03:00,500 RELAX. I WOULD NEVER GO TO OURFRIENDS. 56 00:03:00,533 --> 00:03:02,100 THEIR INTERFACE REQUIRES 57 00:03:02,133 --> 00:03:04,333 A TWO-STEP AUTHENTICATION PROCESS 58 00:03:04,367 --> 00:03:05,467 JUST TO RESPOND TO A POST. 59 00:03:05,500 --> 00:03:07,533 NO, THANK YOU. USER-UNFRIENDLY. 60 00:03:07,567 --> 00:03:09,500 ALRIGHT. YOU ARE FORGIVEN. 61 00:03:09,533 --> 00:03:11,367 BUT I WILL SAY, 62 00:03:11,400 --> 00:03:13,067 I'M READY FOR APRIL 2nd. 63 00:03:13,100 --> 00:03:14,767 WHAT IS YOUR AVERSION TO APRIL FOOL'S DAY? 64 00:03:14,800 --> 00:03:17,233 SILLY JOKES ARE NOT GOING TO GET ME TO THE EXECUTIVE SUITE. 65 00:03:17,267 --> 00:03:18,833 I PREFER TO STAY ON-TRACK. 66 00:03:18,867 --> 00:03:21,333 RIGHT. BECAUSE THERE'S A LIGHTNING STORM COMING. 67 00:03:22,667 --> 00:03:24,667 OKAY, PEOPLE. LISTEN UP. 68 00:03:24,700 --> 00:03:26,200 DUE TO THE ECONOMY, 69 00:03:26,233 --> 00:03:28,567 ADVERTISERS ARE SEARCHING FOR THE NEXT BIG WEBSITE, 70 00:03:28,600 --> 00:03:30,800 SO WE NEED TO COME UP WITH SOME INNOVATIVE WAYS 71 00:03:30,833 --> 00:03:32,267 TO ATTRACT NEW USERS 72 00:03:32,300 --> 00:03:36,633 WHO WILL MAKE YOURPAGE THEIR ONLY SOCIAL MEDIA SITE. 73 00:03:36,667 --> 00:03:38,300 NOW, THE ADVERTISERS HAVE ASSURED US, 74 00:03:38,333 --> 00:03:40,567 IF WE BUILD IT, THEY WILL COME. 75 00:03:40,600 --> 00:03:43,233 NOW, I WANT YOU ALL TO TAKE A GOOD LOOK 76 00:03:43,267 --> 00:03:44,367 AT OUR WEB PAGE, 77 00:03:44,400 --> 00:03:46,133 AND THINK ABOUT HOW WE CAN MAKE IT STAND OUT 78 00:03:46,167 --> 00:03:47,267 AGAINST THE COMPETITION. 79 00:03:47,300 --> 00:03:49,467 I WANT YOU ALL TO COME UP WITH THREE IDEAS 80 00:03:49,500 --> 00:03:50,700 BY THIS AFTERNOON. 81 00:03:50,733 --> 00:03:53,467 NO, CHECK THAT. THREE GOOD IDEAS. 82 00:03:53,500 --> 00:03:54,600 LIKE HE'LL LISTEN TO THEM ANYWAY. 83 00:03:54,633 --> 00:03:55,767 THAT'S YOUR CUE. 84 00:03:55,800 --> 00:03:56,800 WHY ARE WE STILL STANDING HERE, PEOPLE? LET'S GO. 85 00:03:56,833 --> 00:03:58,600 MOVEMENT MAKES ACTION! 86 00:03:58,633 --> 00:04:01,167 COME ON, HE WAS PRACTICALLY BEGGING 87 00:04:01,200 --> 00:04:02,333 FOR YOUR IDEA. 88 00:04:02,367 --> 00:04:04,400 BUT HE'S NOTORIOUS FOR ASKING FOR INPUT 89 00:04:04,433 --> 00:04:05,467 AND THEN IGNORING IT. 90 00:04:05,500 --> 00:04:06,833 I HAVE BEEN WORKING ON THIS FOR MONTHS, 91 00:04:06,867 --> 00:04:08,633 JONAH, I HAVE TO TIME THIS OUT RIGHT. 92 00:04:08,667 --> 00:04:09,733 OKAY. 93 00:04:09,767 --> 00:04:11,900 OKAY. WHO IS THIS PERSON STANDING NEXT TO ME? 94 00:04:11,933 --> 00:04:13,367 'CAUSE THE MIRA I KNOW 95 00:04:13,400 --> 00:04:15,300 HAS ENVISIONED HER PERFECT LIFE 96 00:04:15,333 --> 00:04:17,467 AND WOULD NOT STOP UNTIL SHE GETS IT. 97 00:04:17,500 --> 00:04:19,467 HMM. 98 00:04:22,500 --> 00:04:24,467 I ADDED A DRAWING TO THE CUBE. 99 00:04:24,500 --> 00:04:25,800 FOR LUCK. 100 00:04:27,333 --> 00:04:29,767 I ABSOLUTELY LOVE ALL OF YOUR DRAWINGS, 101 00:04:29,800 --> 00:04:32,533 BUT THIS ONE MIGHT BE MY ALL-TIME FAVORITE. 102 00:04:32,567 --> 00:04:34,467 IT MIGHT BE WORTH SOMETHING SOMEDAY. 103 00:04:34,500 --> 00:04:35,767 I KNOW IT WILL, 104 00:04:35,800 --> 00:04:38,300 AND WHEN "PEGGY THE TIDY PIG" SELLS A MILLION COPIES, 105 00:04:38,333 --> 00:04:40,367 I'LL SELL THIS CUBE ON EBAY AND RETIRE. 106 00:04:40,400 --> 00:04:41,667 GETTING YOUR CHILDREN'S BOOK PUBLISHED 107 00:04:41,700 --> 00:04:43,867 IS LIKE TRYING TO CATCH LIGHTENING IN A BOTTLE. 108 00:04:43,900 --> 00:04:46,200 I'LL SEND MY BOOK OUT... 109 00:04:46,233 --> 00:04:48,400 WHEN IT'S READY, SOMEDAY. 110 00:04:48,433 --> 00:04:51,233 "SOMEDAY" IS RIGHT NOW, JONAH. 111 00:04:51,267 --> 00:04:53,267 YOU GOT TO BE PREPARED FOR YOUR LIGHTNING STORM, TOO. 112 00:04:53,300 --> 00:04:54,800 YOU THINK DR. SEUSS SAID "SOMEDAY?" 113 00:04:54,833 --> 00:04:55,800 MAURICE SENDAK? 114 00:04:55,833 --> 00:04:57,300 THE GUY WHO WROTE THE BOOK 115 00:04:57,333 --> 00:04:59,267 ABOUT THE AWFUL KID WHO DESTROYED THE TREE? 116 00:04:59,300 --> 00:05:00,833 -SHEL SILVERSTEIN. -YEAH, THAT GUY. 117 00:05:00,867 --> 00:05:03,467 I BET HE WAS READY FOR HIS BIG OPPORTUNITY. 118 00:05:03,500 --> 00:05:05,233 YOU'RE RIGHT. 119 00:05:05,267 --> 00:05:07,900 I'M GONNA FINISH "PEGGY" AND SEND IT OUT. 120 00:05:07,933 --> 00:05:09,833 DO I GET TO HEAR THE STORY YET? 121 00:05:09,867 --> 00:05:11,800 NO. NOT UNTIL IT'S DONE. 122 00:05:11,833 --> 00:05:13,200 BUT I'M CLOSE. 123 00:05:13,233 --> 00:05:15,467 WELL, I LOVE THE ARTWORK. NOW FINISH. 124 00:05:15,500 --> 00:05:18,300 AND WHAT ABOUT YOU, HUH? 125 00:05:18,333 --> 00:05:19,833 YOU'RE READY. 126 00:05:19,867 --> 00:05:22,400 GO TELL MICHAEL YOUR BIG IDEA. 127 00:05:22,433 --> 00:05:23,867 RIGHT NOW. 128 00:05:26,000 --> 00:05:27,000 ALRIGHT. 129 00:05:28,933 --> 00:05:30,633 AHEM. ALRIGHT! 130 00:05:30,667 --> 00:05:31,633 I'M GOING. 131 00:05:31,667 --> 00:05:33,233 YOU GOT THIS. 132 00:05:41,767 --> 00:05:44,300 YOU SHOULD JUST TELL HER HOW YOU FEEL, MAN. 133 00:05:44,333 --> 00:05:45,833 SHE HAS TO KNOW. 134 00:05:45,867 --> 00:05:48,467 I MEAN... WE ALL DO. 135 00:05:52,467 --> 00:05:55,200 HERE'S WHAT OUR SITE LOOKS LIKE NOW. 136 00:05:55,233 --> 00:05:57,867 AND... HERE IS WHAT IT WILL LOOK LIKE. 137 00:05:59,300 --> 00:06:00,333 A NEW INTERFACE? 138 00:06:00,367 --> 00:06:01,533 A NEW DESIGN THAT PULLS 139 00:06:01,567 --> 00:06:03,867 INFO FROM UP TO THREE DIFFERENT WEBSITES 140 00:06:03,900 --> 00:06:06,267 AND COMPILES IT ALL HERE ON THE PERSON'S YOURPAGE PROFILE. 141 00:06:06,300 --> 00:06:07,900 HANG ON ONE SEC. 142 00:06:07,933 --> 00:06:10,033 OKAY, GO. 143 00:06:10,067 --> 00:06:13,000 WHETHER IT'S A DATING WEBSITE, OR BUSINESS NETWORKING, 144 00:06:13,033 --> 00:06:15,433 OR PICTURES OF WHAT YOU ATE FOR DINNER, 145 00:06:15,467 --> 00:06:16,867 IT'S ALL NOW IN ONCE PLACE, 146 00:06:16,900 --> 00:06:18,300 ON OUR SITE. 147 00:06:18,333 --> 00:06:20,467 WE'RE THE ONLY PLACE PEOPLE WILL EVER NEED TO LOG IN. 148 00:06:20,500 --> 00:06:23,033 SOUNDS... INNOVATIVE. 149 00:06:23,067 --> 00:06:24,867 I LIKE IT. BUT LONG-TERM, OKAY? 150 00:06:24,900 --> 00:06:26,433 WE NEED TO BEEF UP AD SALES TODAY, 151 00:06:26,467 --> 00:06:28,600 AND I THINK DESIGN CHANGE LIKE THIS IS JUST... 152 00:06:28,633 --> 00:06:30,533 -TOO RADICAL. -RADICAL, YES-- 153 00:06:30,567 --> 00:06:32,667 ...BUT IT GIVES US A HUGE EDGE OVER THE COMPETITION. 154 00:06:32,700 --> 00:06:34,567 LISTEN, MIRA, I LOVE YOUR PASSION. 155 00:06:34,600 --> 00:06:36,033 OKAY? AND... 156 00:06:36,067 --> 00:06:38,467 WELL, BETWEEN YOU AND I, I SUSPECT THAT 157 00:06:38,500 --> 00:06:39,500 I WILL BE IN A POSITION 158 00:06:39,533 --> 00:06:40,933 TO AFFECT SOME SERIOUS CHANGE AROUND HERE 159 00:06:40,967 --> 00:06:43,400 IN THE VERY NEAR FUTURE. 160 00:06:43,433 --> 00:06:45,033 VP OF CREATIVE DEVELOPMENT? 161 00:06:45,067 --> 00:06:46,567 YEAH. SHE SHOULD BE ANNOUNCING 162 00:06:46,600 --> 00:06:48,267 THAT PROMOTION FOR YOURS TRULY THIS WEEK. 163 00:06:48,300 --> 00:06:49,433 SO, LOOK, JUST SIT TIGHT, OKAY? 164 00:06:49,467 --> 00:06:51,733 KNOW THAT YOUR EFFORT IS NOT GOING UNNOTICED. 165 00:06:51,767 --> 00:06:55,467 THANK YOU. AND I HAVE MANY MORE DETAILS IN MY REPORT. 166 00:06:55,500 --> 00:06:57,800 I'LL JUST LEAVE IT RIGHT HERE FOR YOU. 167 00:06:57,833 --> 00:07:00,700 AND MAYBE YOU CAN TALK TO ERIN? 168 00:07:00,733 --> 00:07:03,500 SHE SAYS SHE ALWAYS WANTS TO HEAR EVERYONE'S IDEAS. 169 00:07:03,533 --> 00:07:04,933 YEAH, I'LL, UH, GIVE IT A READ, 170 00:07:04,967 --> 00:07:07,100 AND WHEN I GET A MOMENT, I'LL DISCUSS IT WITH ERIN. 171 00:07:07,133 --> 00:07:08,367 THANK YOU SO MUCH. 172 00:07:08,400 --> 00:07:10,467 OH, HANG ON A SEC. MICHAEL COLLIER. 173 00:07:10,500 --> 00:07:11,700 YEAH, JUST GIVE ME A SECOND. 174 00:07:11,733 --> 00:07:13,400 YOU'RE GOING TO LOVE IT! 175 00:07:13,433 --> 00:07:14,567 OKAY. GOOD! 176 00:07:14,600 --> 00:07:17,400 HOWARD! HOW IS LONDON? 177 00:07:17,433 --> 00:07:19,767 I'M TELLING YOU, SIS. 178 00:07:19,800 --> 00:07:22,333 MAYBE MICHAEL'S READING IT RIGHT NOW. 179 00:07:22,367 --> 00:07:24,433 MAYBE, WHEN I GET BACK FROM LUNCH... 180 00:07:26,000 --> 00:07:27,467 MY WHOLE LIFE WILL CHANGE 181 00:07:27,500 --> 00:07:29,467 AND I CAN EARN ENOUGH MONEY AND GET MY OWN PLACE. 182 00:07:29,500 --> 00:07:31,500 I THOUGHT YOU LOVED LIVING WITH BROOKE. 183 00:07:31,533 --> 00:07:33,700 I ALSO THINK I'D LOVE MY OWN BATHROOM MORE, 184 00:07:33,733 --> 00:07:35,933 AND WE'VE BEEN LIVING TOGETHER SINCE THE DORM. 185 00:07:35,967 --> 00:07:38,533 I JUST THINK IT MIGHT BE TIME FOR ME TO... 186 00:07:38,567 --> 00:07:40,700 GROW UP, BE MY OWN PERSON, 187 00:07:40,733 --> 00:07:43,100 AND THEN YOU AND I CAN BOTH HAVE PERFECT LIVES. 188 00:07:44,633 --> 00:07:46,767 YOU KNOW, LIFE WOULD BE SO MUCH EASIER 189 00:07:46,800 --> 00:07:48,067 IF WE ALL LIVED 190 00:07:48,100 --> 00:07:49,467 IN THIS FANTASY WORLD OF YOURS. 191 00:07:49,500 --> 00:07:50,767 MY LIFE IS NOT PERFECT, MIRA. 192 00:07:50,800 --> 00:07:53,000 PLEASE. YOU ARE THE HEAD OF YOUR DIVISION, 193 00:07:53,033 --> 00:07:55,867 YOUR HUSBAND IS ADORABLE, YOUR HOUSE IS A DREAM, 194 00:07:55,900 --> 00:07:57,667 AND EVEN YOUR DOG IS TO DIE FOR. 195 00:07:57,700 --> 00:07:58,767 I'M NOT BUYING IT. 196 00:08:00,900 --> 00:08:02,767 YOU KNOW WHAT? 197 00:08:02,800 --> 00:08:04,933 THERE'S SOMEONE I WANT YOU TO MEET. 198 00:08:04,967 --> 00:08:06,467 I DO NOT NEED TO BE SET UP. 199 00:08:06,500 --> 00:08:08,400 JUST HEAR ME OUT, OKAY? 200 00:08:08,433 --> 00:08:11,833 HE'S MANLY, HE'S STRONG, HE'S A LITTLE BIT HAIRY, 201 00:08:11,867 --> 00:08:13,033 BUT HE'S A HEALTHY EATER, 202 00:08:13,067 --> 00:08:16,133 AND I THINK YOU TWO WOULD BE SUPER-COMPATIBLE. 203 00:08:16,167 --> 00:08:17,667 APRIL FOOL'S! 204 00:08:17,700 --> 00:08:18,900 WHAT IS IT ABOUT THIS DAY 205 00:08:18,933 --> 00:08:21,700 THAT TURNS PERFECTLY SANE PEOPLE INTO FIFTH-GRADERS? 206 00:08:21,733 --> 00:08:22,967 OKAY, SERIOUSLY, 207 00:08:23,000 --> 00:08:25,633 THERE IS THIS GUY THAT I WANT YOU TO MEET. 208 00:08:25,667 --> 00:08:27,400 OH, NO, THANK YOU. THE GORILLA AND I ARE JUST FINE. 209 00:08:27,433 --> 00:08:28,467 HE GETS ME. 210 00:08:28,500 --> 00:08:31,433 LOOK HOW CUTE HE IS. 211 00:08:31,467 --> 00:08:34,933 THAT'S... THAT'S NOT THE GUY. 212 00:08:34,967 --> 00:08:36,500 YOU DON'T ALWAYS KNOW. 213 00:08:36,533 --> 00:08:39,400 I MEAN, IT TOOK ME EIGHT DATES TO KNOW WITH BRETT. 214 00:08:39,433 --> 00:08:41,867 SOMETIMES, I STILL DON'T KNOW. 215 00:08:41,900 --> 00:08:44,667 OKAY, YOU DON'T HAVE TO TRY AND MAKE ME FEEL BETTER. 216 00:08:44,700 --> 00:08:47,867 I WILL FIND MY GUY AND LIVE THE DREAM, TOO. 217 00:08:47,900 --> 00:08:49,967 AND BESIDES, I CAN'T GO TONIGHT ANYWAY. 218 00:08:50,000 --> 00:08:51,433 IT'S FONDUE NIGHT 219 00:08:51,467 --> 00:08:53,667 AND "SHELLY'S LOOKING FOR LOVE" WITH THE GIRLS, 220 00:08:53,700 --> 00:08:54,767 AND BROOKE AND I ARE HOSTING. 221 00:08:54,800 --> 00:08:58,533 OKAY, SO YOU WOULD RATHER WATCH A TV SHOW 222 00:08:58,567 --> 00:09:01,533 WHERE SOME GIRL DATES 25 FAME-SEEKERS 223 00:09:01,567 --> 00:09:03,800 THAN MEET ONE AMAZING GUY IN REAL LIFE? 224 00:09:03,833 --> 00:09:05,200 I KNOW WHAT I WANT, 225 00:09:05,233 --> 00:09:07,200 AND I REFUSE TO SETTLE FOR ANYTHING LESS. 226 00:09:08,767 --> 00:09:10,767 YOU KNOW, YOUR FANTASY LIFE 227 00:09:10,800 --> 00:09:13,500 IS REALLY STARTING TO GET IN THE WAY OF YOUR ACTUAL LIFE. 228 00:09:14,733 --> 00:09:16,800 MAYBE IF YOUR LIFE WAS LESS PERFECT, 229 00:09:16,833 --> 00:09:18,067 YOU'D UNDERSTAND. 230 00:09:22,600 --> 00:09:23,633 MIRA. 231 00:09:23,667 --> 00:09:25,000 JUST THE GIRL I WAS BEEN LOOKING FOR. 232 00:09:25,033 --> 00:09:27,467 LISTEN. I NEED YOU TO DROP OFF ANOTHER BOX 233 00:09:27,500 --> 00:09:28,633 AT THE CORPORATE TOWNHOUSE. 234 00:09:28,667 --> 00:09:30,900 OKAY? THE MESSENGER SERVICE IS BACKED RIGHT UP, 235 00:09:30,933 --> 00:09:33,100 AND THIS OUT-OF-TOWN PROGRAMMER NEEDS IT TODAY. 236 00:09:33,133 --> 00:09:34,767 NOW, HE WON'T BE THERE, 237 00:09:34,800 --> 00:09:36,467 SO JUST LET YOURSELF IN AND LEAVE IT IN THE LIVING ROOM. 238 00:09:36,500 --> 00:09:37,767 YOU STILL GOT THE KEY FROM YESTERDAY? 239 00:09:37,800 --> 00:09:39,000 OH. YEAH. SURE. 240 00:09:39,033 --> 00:09:40,200 GREAT! 241 00:09:40,233 --> 00:09:41,567 GOOD. I KNEW I COULD COUNT ON YOU, 242 00:09:41,600 --> 00:09:42,700 AND LIKE I SAID BEFORE, 243 00:09:42,733 --> 00:09:46,100 YOUR COOPERATION IS NOT GOING UNNOTICED, OKAY? 244 00:09:56,867 --> 00:09:57,900 AH! 245 00:09:57,933 --> 00:09:59,533 OH, MY GOD. 246 00:09:59,567 --> 00:10:01,067 I AM SO SORRY. LET ME HELP YOU. 247 00:10:01,100 --> 00:10:03,667 IT'S YOU. I KNOW YOU. 248 00:10:03,700 --> 00:10:06,633 THE CITY SCE ARTICLE? 249 00:10:06,667 --> 00:10:08,000 I READ IT LAST NIGHT. 250 00:10:08,033 --> 00:10:10,200 MY ONE AND ONLY CLAIM TO FAME. 251 00:10:10,233 --> 00:10:12,467 I-- WHAT CAN I SAY? 252 00:10:12,500 --> 00:10:14,000 IT'S GOOD FOR BUSINESS. 253 00:10:14,033 --> 00:10:16,967 BUT I-I-- I'M SO SORRY. ARE YOU OKAY? DID I HURT YOU? 254 00:10:17,000 --> 00:10:17,967 IT'S FINE, REALLY. 255 00:10:18,000 --> 00:10:18,967 I'M-- I'M-- I'M FINE. 256 00:10:19,000 --> 00:10:20,200 WELL, IT'S NOT FINE. 257 00:10:20,233 --> 00:10:21,800 I WASN'T WATCHING WHERE I WAS WALKING, 258 00:10:21,833 --> 00:10:24,733 WHICH IS JUST NOT VERY GENTLEMANLY OF ME AT ALL. 259 00:10:24,767 --> 00:10:26,767 WHAT IS IT THEY SAY 260 00:10:26,800 --> 00:10:28,467 IN THOSE PUBLIC SERVICE ANNOUNCEMENTS? 261 00:10:28,500 --> 00:10:30,667 DON'T TEXT AND WALK? 262 00:10:31,767 --> 00:10:33,600 WELL, IF THEY-- IF THEY DON'T SAY THAT, 263 00:10:33,633 --> 00:10:35,200 THEY PROBABLY SHOULD. 264 00:10:35,233 --> 00:10:37,033 OBVIOUSLY, I'M A TERRIBLE HAZARD. 265 00:10:37,067 --> 00:10:38,567 OH, GO AHEAD, TAKE THAT. 266 00:10:38,600 --> 00:10:39,567 I'LL CLEAN THE REST OF THIS UP. 267 00:10:39,600 --> 00:10:40,567 I GOT IT. 268 00:10:40,600 --> 00:10:41,633 IT'S JUST MY SISTER 269 00:10:41,667 --> 00:10:42,800 RELENTLESSLY TRYING TO CONTROL MY LIFE. 270 00:10:42,833 --> 00:10:43,967 IT'S NOT IMPORTANT. 271 00:10:44,000 --> 00:10:46,100 VERY WELL, THEN. 272 00:10:47,933 --> 00:10:48,967 LIAM HENDERSON. 273 00:10:49,000 --> 00:10:50,133 MIRA SIMON. 274 00:10:50,167 --> 00:10:51,467 MIRA SIMON. 275 00:10:51,500 --> 00:10:53,933 VERY NICE TO RUN INTO YOU. LITERALLY. 276 00:10:53,967 --> 00:10:55,833 SO, UH, WHAT'S THE BIG HURRY? 277 00:10:57,733 --> 00:10:59,600 CAN I ASK YOU 278 00:10:59,633 --> 00:11:00,833 AN ODD FAVOR THAT MIGHT RUN THE RISK 279 00:11:00,867 --> 00:11:02,967 OF YOU THINKING I'M A COMPLETE LUNATIC? 280 00:11:03,000 --> 00:11:04,633 IT'S JUST TO GET MY SISTER OFF MY BACK. 281 00:11:04,667 --> 00:11:07,667 W-WELL, YES. OBVIOUSLY, NOW I'M INTRIGUED. 282 00:11:07,700 --> 00:11:10,167 CAN I TAKE A PICTURE OF YOU AND ME? 283 00:11:10,200 --> 00:11:11,667 THAT'S THE FAVOR? THE PICTURE? 284 00:11:11,700 --> 00:11:12,767 UH-HUH. 285 00:11:12,800 --> 00:11:14,967 YEAH, OF COURSE. SURE. LET'S SHOW YOUR SISTER. 286 00:11:18,133 --> 00:11:19,167 LET ME SEE. 287 00:11:23,167 --> 00:11:25,167 YEAH, THAT LOOKS GOOD. I LIKE THAT. 288 00:11:25,200 --> 00:11:27,600 WILL YOU SEND IT TO ME? 289 00:11:27,633 --> 00:11:29,567 IF YOU-- IF YOU REALLY WANT IT. 290 00:11:29,600 --> 00:11:30,600 DO YOU-- DO YOU REALLY WANT IT? 291 00:11:30,633 --> 00:11:31,867 I REALLY WANT IT. 292 00:11:31,900 --> 00:11:33,600 OKAY. 293 00:11:33,633 --> 00:11:35,733 AND THANKS... 294 00:11:35,767 --> 00:11:36,733 FOR YOUR HELP. 295 00:11:36,767 --> 00:11:37,800 MY PLEASURE. MY PLEASURE. 296 00:11:39,100 --> 00:11:40,300 GOODBYE. 297 00:11:40,333 --> 00:11:41,800 BYE. 298 00:11:42,867 --> 00:11:43,867 HEY! 299 00:11:45,133 --> 00:11:46,833 DON'T FORGET. YOU TEXT ME. 300 00:12:08,767 --> 00:12:11,967 MAYBE THIS'LL PUT AN END TO YOUR MEDDLING. 301 00:12:12,000 --> 00:12:14,000 APRIL FOOL'S, SOPHIE. 302 00:12:14,033 --> 00:12:17,067 APRIL FOOL'S DAY CAN BE KIND OF FUN! 303 00:12:51,967 --> 00:12:54,133 SOMEDAY. 304 00:12:57,933 --> 00:12:59,833 "SHELLY LOOKS FOR LOVE." 305 00:12:59,867 --> 00:13:01,100 HEY, I'M SAM. 306 00:13:01,133 --> 00:13:02,733 I'M BACHELOR NUMBER ONE, APPARENTLY-- 307 00:13:04,333 --> 00:13:05,700 WHAT IS SHELLY WEARING? 308 00:13:05,733 --> 00:13:06,767 IS THAT A DRESS 309 00:13:06,800 --> 00:13:08,167 OR AN ICE CAPADES COSTUME? 310 00:13:09,233 --> 00:13:10,867 I'LL GET MY FONDUE POT WHEN WE'RE READY 311 00:13:10,900 --> 00:13:12,700 TO MOVE ON TO THE CHOCOLATE. 312 00:13:12,733 --> 00:13:13,700 OH, I LOVE THIS. 313 00:13:13,733 --> 00:13:15,267 KELSEA IN THE SAME BUILDING AS US? 314 00:13:15,300 --> 00:13:17,133 IT'S LIKE THE DORMS ALL OVER AGAIN. 315 00:13:19,167 --> 00:13:21,667 UM... I HAVE SOMETHING... 316 00:13:21,700 --> 00:13:24,267 TO TELL YOU. 317 00:13:24,300 --> 00:13:25,333 I'M MOVING OUT. 318 00:13:25,367 --> 00:13:26,367 WHERE? 319 00:13:26,400 --> 00:13:28,100 WHAT AM I GONNA DO WITHOUT MY ROOMMATE? 320 00:13:28,133 --> 00:13:30,300 HERE. IT'S MY PERFECT PLACE. 321 00:13:30,333 --> 00:13:32,867 SLEEK LINES, BEAUTIFULLY DESIGNED, 322 00:13:32,900 --> 00:13:34,667 WASHER AND DRYER, IN THE PLACE. 323 00:13:37,233 --> 00:13:39,267 WELL, IT'S EVERYTHING YOU'VE EVER DREAMED OF IN A HOUSE. 324 00:13:39,300 --> 00:13:41,000 HOW ON EARTH CAN YOU AFFORD THAT? 325 00:13:41,033 --> 00:13:42,000 I CAN'T. 326 00:13:42,033 --> 00:13:43,200 APRIL FOOL'S! 327 00:13:43,233 --> 00:13:44,267 OH! 328 00:13:44,300 --> 00:13:45,767 OKAY, GOOD, 329 00:13:45,800 --> 00:13:47,933 BECAUSE I CAN'T AFFORD TO MOVE THERE WITH YOU, 330 00:13:47,967 --> 00:13:49,067 AND I LOVE US. 331 00:13:49,100 --> 00:13:52,333 SOMEDAY, THOUGH. SOMEDAY. 332 00:13:53,433 --> 00:13:56,000 UM... WHO IS THIS? 333 00:13:57,033 --> 00:13:58,733 HE WAS PROFILED IN CITY BEAT. 334 00:13:58,767 --> 00:14:00,167 YES, HE WAS. 335 00:14:00,200 --> 00:14:02,100 THAT'S LIAM, MY DREAM MAN, 336 00:14:02,133 --> 00:14:04,333 BUT THAT WAS JUST AN APRIL FOOL'S JOKE ON-- 337 00:14:04,367 --> 00:14:05,933 ON SOPHIE. 338 00:14:05,967 --> 00:14:07,300 BUT HE DID ASK ME TO TEXT HIM THE PICTURE, 339 00:14:07,333 --> 00:14:09,033 SO I THOUGHT WE'D BE MARRIED BY FRIDAY, 340 00:14:09,067 --> 00:14:12,467 BUT THEN HE NEVER REPLIED. 341 00:14:12,500 --> 00:14:15,100 MY DREAM MAN HATH FORSAKEN ME. 342 00:14:16,767 --> 00:14:18,400 AND THERE SHE IS AGAIN! SHE'S RELENTLESS! 343 00:14:18,433 --> 00:14:20,400 IT'S FROM JONAH. 344 00:14:20,433 --> 00:14:22,900 HE SAYS, "YOU'D BETTER GET SOME SLEEP TONIGHT." 345 00:14:22,933 --> 00:14:23,900 COME ON. 346 00:14:23,933 --> 00:14:26,967 WHO NEEDS SLEEP? IT'S APRIL FOOL'S, FOOL. 347 00:14:27,000 --> 00:14:30,000 OKAY, WRITE BACK, "MY IDEA WAS A HIT, 348 00:14:30,033 --> 00:14:32,167 AND I AM NOW THE HEAD OF THE DEPARTMENT." 349 00:14:32,200 --> 00:14:34,500 BAM! NOW, THAT'S HOW YOU DO AN APRIL FOOL'S JOKE. 350 00:14:42,467 --> 00:14:44,533 HOLD THE ELEVATOR. 351 00:14:48,500 --> 00:14:50,000 THANK YOU. 352 00:14:50,033 --> 00:14:52,767 OH! HELLO, MIRA. 353 00:14:52,800 --> 00:14:54,767 GOOD MORNING. 354 00:15:02,533 --> 00:15:03,833 UH-OH. 355 00:15:05,933 --> 00:15:08,533 I THINK WE MIGHT BE STUCK. 356 00:15:08,567 --> 00:15:09,533 NO. WE CAN'T BE STUCK. 357 00:15:09,567 --> 00:15:10,933 IF WE'RE STUCK, 358 00:15:10,967 --> 00:15:12,300 I MIGHT PANIC. I DON'T WANT TO PANIC. 359 00:15:12,333 --> 00:15:13,500 I DON'T WANT TO PANIC. 360 00:15:13,533 --> 00:15:16,000 I WANT TO STAY REALLY-- ...REALLY CALM. 361 00:15:16,033 --> 00:15:17,133 I DON'T WANT TO BE TRAPPED 362 00:15:17,167 --> 00:15:19,567 IN THIS 20-SQUARE-FOOT METAL BOX OF DEATH. 363 00:15:19,600 --> 00:15:21,400 OKAY, WE'RE-- WE'RE NOT STUCK. 364 00:15:21,433 --> 00:15:24,233 WE'RE JUST, UM... WE'RE JUST NOT MOVING, 365 00:15:24,267 --> 00:15:27,267 BUT, UH, BUT WE WILL. WE WILL SOON. 366 00:15:27,300 --> 00:15:30,133 SO JUST... JUST KEEP BREATHING 367 00:15:30,167 --> 00:15:32,333 AND RELAX. 368 00:15:36,100 --> 00:15:38,233 THIS OPENS THE SOLAR PLEXUS 369 00:15:38,267 --> 00:15:40,367 AND IMPROVES CIRCULATION. 370 00:15:40,400 --> 00:15:44,033 NOW TAKE DEEP BREATHS... INTO YOUR ABDOMEN. 371 00:15:45,467 --> 00:15:47,167 YOU'RE GOOD AT THIS. 372 00:15:47,200 --> 00:15:50,267 PEOPLE TELL ME I'M CALMING. 373 00:15:50,300 --> 00:15:52,033 CALMING. 374 00:15:55,000 --> 00:15:57,133 AND IF MICHAEL DID READ MY PROPOSAL, 375 00:15:57,167 --> 00:15:58,200 I'LL NEVER KNOW, 376 00:15:58,233 --> 00:15:59,333 BECAUSE WE'RE GONNA LIVE IN HERE FOREVER 377 00:15:59,367 --> 00:16:00,467 AND EVER AND EVER. 378 00:16:02,133 --> 00:16:04,433 WHAT PROPOSAL ARE YOU TALKING ABOUT? 379 00:16:04,467 --> 00:16:06,000 OH. MICHAEL'S GONNA SHOW IT TO YOU 380 00:16:06,033 --> 00:16:07,133 WHEN HE HAS A MOMENT. 381 00:16:07,167 --> 00:16:08,867 I THINK. 382 00:16:08,900 --> 00:16:09,900 I HOPE. 383 00:16:10,967 --> 00:16:12,933 WELL, WE'RE HERE NOW. 384 00:16:12,967 --> 00:16:15,167 I AM A CAPTIVE AUDIENCE. 385 00:16:16,233 --> 00:16:18,500 WHY DON'T YOU SHOW ME? 386 00:16:21,200 --> 00:16:23,033 AND IT ALL SHOWS UP ON OUR NEWSFEED. 387 00:16:23,067 --> 00:16:24,600 THERE'S MORE DETAILS IN THIS REPORT. 388 00:16:38,967 --> 00:16:40,400 WE'RE MOVING. 389 00:16:43,267 --> 00:16:45,000 ALEX? 390 00:16:45,033 --> 00:16:47,333 SCHEDULE THE CORPORATE MEETING FOR 3:00? 391 00:16:47,367 --> 00:16:49,367 MIRA? A PLEASURE. 392 00:16:57,067 --> 00:16:59,433 SHE SAID NOTHING. NO REACTION. 393 00:16:59,467 --> 00:17:01,267 WAS IT PRESUMPTUOUS OF ME TO SHOW HER? 394 00:17:01,300 --> 00:17:02,367 I MEAN, SHE ASKED, 395 00:17:02,400 --> 00:17:04,367 BUT MAYBE I SHOULD'VE WAITED FOR MICHAEL. 396 00:17:04,400 --> 00:17:07,000 MIRA, OPPORTUNITY KNOCKED AND YOU WERE READY. 397 00:17:07,033 --> 00:17:08,000 DO YOU THINK BILL GATES 398 00:17:08,033 --> 00:17:09,400 WOULD'VE WAITED FOR MICHAEL? 399 00:17:09,433 --> 00:17:11,700 WOULD ZUCKERBERG? WOULD BRANSON? 400 00:17:11,733 --> 00:17:13,267 YOU'RE RIGHT. 401 00:17:13,300 --> 00:17:14,667 I JUST HOPE I DIDN'T MESS UP. 402 00:17:14,700 --> 00:17:16,233 AND, OBVIOUSLY, THAT TEXT I SENT YOU 403 00:17:16,267 --> 00:17:17,233 WAS AN APRIL FOOL'S JOKE. 404 00:17:18,267 --> 00:17:20,100 WELL, IT WASN'T THAT FAR-FETCHED. 405 00:17:20,133 --> 00:17:22,300 MIRA, YOUR IDEA IS GOOD. 406 00:17:22,333 --> 00:17:24,033 YEAH, WELL, I HOPE I DIDN'T JUST SECURE MYSELF 407 00:17:24,067 --> 00:17:25,567 A FUTURE IN OUR CUBICLE FOREVER. 408 00:17:25,600 --> 00:17:28,100 DOESN'T SOUND SO BAD. 409 00:17:28,133 --> 00:17:29,933 UH, HI... 410 00:17:29,967 --> 00:17:31,067 WHAT ARE YOU DOING HERE? 411 00:17:31,100 --> 00:17:33,467 HI. I WAS JUST LEAVING YOU A NOTE. 412 00:17:33,500 --> 00:17:35,967 UH, YOU FORGOT THIS. 413 00:17:36,000 --> 00:17:37,533 FORTUNATELY, 414 00:17:37,567 --> 00:17:39,267 YOUR COMPANY NAME WAS ON IT, SO YOU WERE EASY TO FIND. 415 00:17:39,300 --> 00:17:41,600 THANK YOU FOR RETURNING IT. 416 00:17:41,633 --> 00:17:44,000 OKAY, I HAVE A CONFESSION TO MAKE. 417 00:17:44,033 --> 00:17:46,700 UH, THAT IS NOT THE ONLY REASON THAT I'M HERE. 418 00:17:46,733 --> 00:17:48,567 IT'S THE PICTURE THAT YOU SENT ME. 419 00:17:48,600 --> 00:17:50,333 YOU SEE, I KEEP LOOKING AT IT, 420 00:17:50,367 --> 00:17:51,700 AND, FINALLY, I REALIZED, 421 00:17:51,733 --> 00:17:53,467 I'VE GOT TO TAKE THIS GIRL OUT TO DINNER, 422 00:17:53,500 --> 00:17:56,200 AND I HAPPEN TO KNOW A GREAT PLACE. 423 00:17:56,233 --> 00:17:57,533 I MEAN, NOT RIGHT NOW. 424 00:17:57,567 --> 00:17:59,200 IT'S JUST, LIKE, 2:00 IN THE AFTERNOON, 425 00:17:59,233 --> 00:18:01,633 BUT, UH, FRIDAY NIGHT? 426 00:18:01,667 --> 00:18:04,267 I WOULD LIKE THAT. 427 00:18:05,567 --> 00:18:08,200 GREAT. WELL, I'LL-- I'LL CALL YOU THEN. 428 00:18:08,233 --> 00:18:09,600 -GREAT! -OKAY. 429 00:18:09,633 --> 00:18:10,733 HI. 430 00:18:10,767 --> 00:18:12,367 HEY. 431 00:18:25,200 --> 00:18:26,600 THANK YOU FOR YOUR PATIENCE. 432 00:18:26,633 --> 00:18:29,033 I KNOW I PROMISED A NEW STATE OF THE COMPANY 433 00:18:29,067 --> 00:18:30,100 A LITTLE EARLIER, 434 00:18:30,133 --> 00:18:32,067 BUT I HAD A VERY EXCITING MORNING. 435 00:18:33,700 --> 00:18:35,000 SEEMS LIKE THESES DAYS, 436 00:18:35,033 --> 00:18:37,333 A NEW SOCIAL NETWORKING SITE POPS UP, 437 00:18:37,367 --> 00:18:40,333 AND WE'VE GOT TO STAY AHEAD OF THE CURVE. 438 00:18:40,367 --> 00:18:41,700 YOU'VE BEEN WAITING FOR ME TO ANNOUNCE 439 00:18:41,733 --> 00:18:44,033 THE NEW VP OF CREATIVE DEVELOPMENT... 440 00:18:44,067 --> 00:18:46,800 I'M READY TO DO THAT RIGHT NOW. 441 00:18:50,167 --> 00:18:52,033 THAT PERSON IS... 442 00:18:53,100 --> 00:18:54,500 MIRA SIMON. 443 00:18:54,533 --> 00:18:57,200 WHAT? 444 00:18:57,233 --> 00:18:58,667 MIRA BROUGHT US 445 00:18:58,700 --> 00:18:59,733 SOME WONDERFUL NEW IDEAS 446 00:18:59,767 --> 00:19:01,600 WE'LL BE IMPLEMENTING ON THE WEBSITE, 447 00:19:01,633 --> 00:19:02,733 PENDING BOARD APPROVAL. 448 00:19:13,167 --> 00:19:14,500 OH, THAT'S NICE. GOOD FOR YOU. 449 00:19:22,333 --> 00:19:24,533 YOU'VE BEEN ON MY RADAR FOR SOME TIME. 450 00:19:24,567 --> 00:19:25,567 I HAD NO IDEA. 451 00:19:25,600 --> 00:19:27,600 YOUR IDEA IS GREAT. 452 00:19:27,633 --> 00:19:29,467 YOU KNOW, EVERY DECISION THAT I'VE MADE 453 00:19:29,500 --> 00:19:31,067 THAT'S GOTTEN ME WHERE I AM TODAY 454 00:19:31,100 --> 00:19:32,833 IS BASED ON MY OWN GOOD JUDGEMENT. 455 00:19:32,867 --> 00:19:34,467 I DON'T MAKE MISTAKES. 456 00:19:34,500 --> 00:19:36,633 SO DON'T BREAK THAT STREAK. 457 00:19:36,667 --> 00:19:40,100 ALRIGHT. THIS IS YOUR NEW OFFICE. 458 00:19:40,133 --> 00:19:43,167 YOU'LL WANT TO BRIEF YOURSELF BEFORE THE BOARD. 459 00:19:43,200 --> 00:19:45,400 THE INFORMATION'S ALL IN THESE BOXES, 460 00:19:45,433 --> 00:19:47,500 AND I CAN HAVE THEM SHIPPED TO YOUR HOUSE. 461 00:19:47,533 --> 00:19:51,467 THESE BOXES WOULD REQUIRE AT LEAST 200 SQUARE FEET, 462 00:19:51,500 --> 00:19:53,700 AND I'M ABOUT 50 SHORT. 463 00:19:53,733 --> 00:19:57,067 VERY SMALL APARTMENT, WITH A VERY PARTICULAR ROOMMATE. 464 00:19:57,100 --> 00:19:58,533 MAKES THAT ELEVATOR WE WEREN'T STUCK IN 465 00:19:58,567 --> 00:20:00,367 LOOK LIKE VERSAILLES. 466 00:20:00,400 --> 00:20:02,433 OH. WELL, THE CORPORATE TOWNHOUSE 467 00:20:02,467 --> 00:20:04,133 IS AVAILABLE AS OF TOMORROW. 468 00:20:04,167 --> 00:20:05,467 WE COULD MOVE YOU IN THERE, IF YOU LIKE. 469 00:20:05,500 --> 00:20:07,567 SERIOUSLY? 470 00:20:07,600 --> 00:20:11,200 YOU'RE PART OF THE EXECUTIVE STAFF NOW, 471 00:20:11,233 --> 00:20:12,600 AND WE'RE GOING TO TRIPLE YOUR SALARY. 472 00:20:12,633 --> 00:20:14,500 TRI-- TRIPLE? 473 00:20:14,533 --> 00:20:15,667 YOU'LL JUST HAVE TO GET USED TO IT. 474 00:20:15,700 --> 00:20:17,433 NOW I'VE GOT TO JUMP ON A CONFERENCE CALL. 475 00:20:17,467 --> 00:20:20,800 IF YOU HAVE ANY QUESTIONS, JUST TALK TO ALEX. 476 00:20:20,833 --> 00:20:22,400 AND BY THE WAY... 477 00:20:22,433 --> 00:20:26,100 THANK YOU FOR SHOWING GRACE UNDER PRESSURE TODAY. 478 00:20:34,167 --> 00:20:35,533 WOW. 479 00:20:35,567 --> 00:20:38,367 YOU PLAYED AN APRIL FOOL'S JOKE AND IT ACTUALLY CAME TRUE. 480 00:20:38,400 --> 00:20:40,200 NOT JUST ONE JOKE. THREE! 481 00:20:40,233 --> 00:20:41,467 JONAH, LIGHTNING STRUCK. 482 00:20:41,500 --> 00:20:43,267 AND THEN AGAIN. AND AGAIN! 483 00:20:43,300 --> 00:20:46,067 THE GUY AND THE JOB AND THE HOUSE? 484 00:20:46,100 --> 00:20:47,700 I JUST GOT EVERYTHING I'VE EVER WANTED, 485 00:20:47,733 --> 00:20:49,267 ALL IN ONE DAY. 486 00:20:56,733 --> 00:20:59,200 THIS IS THE OFFICE OF MIRA SIMON, 487 00:20:59,233 --> 00:21:01,433 EXECUTIVE IN CHARGE OF EVERYTHING. 488 00:21:01,467 --> 00:21:02,567 IT'S PRESIDENT OF THE INTERNET CALLING. 489 00:21:02,600 --> 00:21:03,633 HE MUST SPEAK WITH YOU RIGHT AWAY. 490 00:21:03,667 --> 00:21:05,400 I'M SORRY, I DO NOT HAVE THE TIME. 491 00:21:05,433 --> 00:21:06,767 WE'RE CREATING A NEW INTERFACE HERE. 492 00:21:07,900 --> 00:21:10,433 I'M SORRY. SHE'S BUSY. WE'RE CREATING AN INTERFACE. 493 00:21:13,567 --> 00:21:15,633 CAN YOU BELIEVE THIS IS HAPPENING? 494 00:21:15,667 --> 00:21:17,167 OH, AND TO TOP IT ALL OFF, 495 00:21:17,200 --> 00:21:19,700 I HAVE A DATE WITH A GORGEOUS RESTAURATEUR ON FRIDAY. 496 00:21:19,733 --> 00:21:21,700 EVERYTHING A GIRL COULD ASK FOR. 497 00:21:24,333 --> 00:21:28,333 OKAY, YOU TAKE YOUR IDEA BEFORE THE BOARD ON THE 23rd, 498 00:21:28,367 --> 00:21:30,600 WHICH GIVES US ABOUT THREE WEEKS. 499 00:21:30,633 --> 00:21:32,400 WE CAN START PREPPING AS SOON 500 00:21:32,433 --> 00:21:33,600 AS I GET BACK FROM LONDON, ON TUESDAY. 501 00:21:33,633 --> 00:21:35,467 OKAY. I'LL HAVE ALL MY MATERIALS FOR YOU. 502 00:21:35,500 --> 00:21:36,767 GOOD. 503 00:21:36,800 --> 00:21:39,267 YOU'LL WANT TO BRIEF YOUR TEAM ABOUT THE NEW INTERFACE. 504 00:21:39,300 --> 00:21:40,867 THEY'LL NEED TO KNOW WHAT'S COMING. 505 00:21:40,900 --> 00:21:43,733 PENDING BOARD APPROVAL, OF COURSE. 506 00:21:43,767 --> 00:21:46,267 YOU'RE THE NEW HEAD OF CREATIVE NOW, 507 00:21:46,300 --> 00:21:50,167 SO YOU'LL BE RUNNING THE STAFF MEETING. 508 00:21:50,200 --> 00:21:52,400 THEY'LL BE LOOKING TO YOU FOR DIRECTION. 509 00:21:52,433 --> 00:21:55,167 WOW. LOOKING TO ME FOR DIRECTION. 510 00:21:56,267 --> 00:21:58,367 ARE YOU UP TO THIS? 511 00:21:58,400 --> 00:22:01,667 YES! I-I-I'VE WATCHED MICHAEL RUN DOZENS. 512 00:22:01,700 --> 00:22:02,967 I CAN DO THIS. 513 00:22:03,000 --> 00:22:04,533 I KNOW YOU CAN. 514 00:22:04,567 --> 00:22:05,800 I'VE GOT FAITH IN YOU. 515 00:22:15,667 --> 00:22:17,767 YOU GOT A SECOND? 516 00:22:17,800 --> 00:22:19,233 ANYTHING FOR YOU, BOSS. 517 00:22:21,367 --> 00:22:23,533 LOOK. I-I KNOW THIS IS AWKWARD, 518 00:22:23,567 --> 00:22:25,267 AND I WAS... 519 00:22:25,300 --> 00:22:29,500 I WAS AS SURPRISED AS YOU WERE BY THE PROMOTION, BUT... 520 00:22:29,533 --> 00:22:32,767 I WANT YOU TO KNOW THAT I-- I VALUE YOUR EXPERIENCE, 521 00:22:32,800 --> 00:22:35,233 AND I'M GOING TO NEED YOU. 522 00:22:35,267 --> 00:22:37,667 AND I HOPE THAT WE CAN COME TOGETHER 523 00:22:37,700 --> 00:22:39,633 AND DO WHAT'S BEST FOR THE COMPANY. 524 00:22:39,667 --> 00:22:41,633 I ALREADY TALKED TO ERIN ABOUT IT, 525 00:22:41,667 --> 00:22:43,667 AND DON'T WORRY, IT'S NOT MY FIRST RODEO. 526 00:22:43,700 --> 00:22:44,867 I'LL PULL MY WEIGHT. 527 00:22:44,900 --> 00:22:46,533 I'M NOT WORRIED THAT YOU WON'T. 528 00:22:46,567 --> 00:22:47,700 I JUST DON'T WANT THIS 529 00:22:47,733 --> 00:22:48,867 TO MAKE THINGS TOO UNCOMFORTABLE. 530 00:22:48,900 --> 00:22:51,667 TOO LATE. THE DISCOMFORT IS INEVITABLE. 531 00:22:51,700 --> 00:22:53,733 YOU WON. I LOST. 532 00:22:53,767 --> 00:22:55,767 WE LIVE WITH IT, 533 00:22:55,800 --> 00:22:58,800 WE CO-EXIST, WE GET THE JOB DONE. 534 00:23:00,400 --> 00:23:01,467 OKAY, THEN. 535 00:23:01,500 --> 00:23:02,533 OKAY. 536 00:23:02,567 --> 00:23:04,467 GOOD TALK. 537 00:23:05,533 --> 00:23:06,533 AH. 538 00:23:16,567 --> 00:23:18,833 LIVING ROOM. OBVIOUSLY. 539 00:23:18,867 --> 00:23:20,367 I WOULD LEAVE YOU FOR THIS PLACE, TOO. 540 00:23:20,400 --> 00:23:21,733 AND THE KITCHEN IS THIS WAY. 541 00:23:21,767 --> 00:23:22,733 WAIT! 542 00:23:22,767 --> 00:23:25,033 I HAVE TO PREPARE YOU, BEFORE WE GO IN. 543 00:23:25,067 --> 00:23:26,967 I HAVE A DISHWASHER. 544 00:23:27,000 --> 00:23:29,633 OH! EVERY DAY I HAVE TO GO WITHOUT A DISHWASHER, 545 00:23:29,667 --> 00:23:30,933 MY SOUL DIES A LITTLE. 546 00:23:30,967 --> 00:23:32,600 I FEEL THE SAME WAY ABOUT A BATHTUB. 547 00:23:32,633 --> 00:23:34,367 I HAVE TWO OF THOSE. 548 00:23:34,400 --> 00:23:35,300 MIRA, IT'S ALL HAPPENING! 549 00:23:35,333 --> 00:23:37,367 THIS NEW JOB, YOUR DATE TOMORROW, 550 00:23:37,400 --> 00:23:38,933 THIS INCREDIBLE HOUSE. 551 00:23:38,967 --> 00:23:40,600 WELL, YOU GUYS ARE MORE THAN WELCOME 552 00:23:40,633 --> 00:23:41,967 TO STAY WITH ME ANY TIME. 553 00:23:42,000 --> 00:23:43,500 I'LL BE THE CONSUMMATE HOST. 554 00:23:43,533 --> 00:23:44,667 IT'S GORGEOUS. 555 00:23:44,700 --> 00:23:46,367 IT'S JUST SO FAR UPTOWN. 556 00:23:46,400 --> 00:23:47,567 YEAH, IT TOOK US THREE TRAINS 557 00:23:47,600 --> 00:23:49,033 AND A SIX-BLOCK WALK TO GET HERE. 558 00:23:49,067 --> 00:23:50,967 IT'LL TAKE ME TWO HOURS TO GET TO WORK. 559 00:23:51,000 --> 00:23:53,600 BUT WE WILL COME OUT AND VISIT ALL THE TIME. 560 00:23:53,633 --> 00:23:56,000 WE'LL WATCH SHELLY HERE, WE'LL HAVE OUR FONDUE NIGHTS. 561 00:23:56,033 --> 00:23:57,600 YOU WON'T BE ABLE TO GET RID OF US. 562 00:23:57,633 --> 00:23:58,633 WE PROMISE. 563 00:23:58,667 --> 00:23:59,633 WELL, IF ONLY 564 00:23:59,667 --> 00:24:01,533 TO TAKE A BATH. 565 00:24:01,567 --> 00:24:02,600 SHOW US TO THE TUBS? 566 00:24:04,467 --> 00:24:06,400 AND SINCE YOURPAGE PULLS THE INFORMATION 567 00:24:06,433 --> 00:24:08,667 FROM YOUR THREE FAVORITE SITES ONTO OUR WEB PAGE-- 568 00:24:08,700 --> 00:24:10,667 WHETHER IT'S BUSINESS, DATING, 569 00:24:10,700 --> 00:24:12,067 OR THE PLACE WHERE YOU POST 570 00:24:12,100 --> 00:24:13,867 THE BILLIONTH PICTURE OF YOUR KIDS-- 571 00:24:13,900 --> 00:24:15,500 IT OPENS US UP TO NEW USERS. 572 00:24:15,533 --> 00:24:19,100 AND THAT'S THE NEW, UM, YOURPAGE. 573 00:24:23,767 --> 00:24:25,433 AND LUCKY FOR ME, 574 00:24:25,467 --> 00:24:26,967 I HAVE THE BEST TEAM IN THE BUSINESS 575 00:24:27,000 --> 00:24:28,333 RIGHT HERE IN THIS ROOM. 576 00:24:28,367 --> 00:24:30,033 WHEN IS THE BOARD MEETING? 577 00:24:30,067 --> 00:24:31,600 WE HAVE A COUPLE WEEKS TO PREP, 578 00:24:31,633 --> 00:24:33,667 SO WE'LL HIT THE GROUND RUNNING WHEN ERIN RETURNS NEXT WEEK, 579 00:24:33,700 --> 00:24:35,333 AND I WILL NEED ALL OF YOUR HELP. 580 00:24:35,367 --> 00:24:36,400 WE'RE HERE FOR YOU, MIRA. 581 00:24:36,433 --> 00:24:37,533 WHATEVER YOU NEED. 582 00:24:37,567 --> 00:24:38,633 THANK YOU. 583 00:24:38,667 --> 00:24:39,767 AND FOR THE NEXT MEETING, 584 00:24:39,800 --> 00:24:41,433 I'D LOVE FOR EACH OF YOU TO PITCH THREE IDEAS 585 00:24:41,467 --> 00:24:42,700 FOR THE NEW DESIGN. 586 00:24:42,733 --> 00:24:45,867 AND I WANT YOU TO KNOW THAT MY DOOR IS ALWAYS OPEN, 587 00:24:45,900 --> 00:24:47,033 WE'RE IN THIS TOGETHER, 588 00:24:47,067 --> 00:24:49,667 AND I CANNOT WAIT TO GET STARTED. 589 00:25:02,600 --> 00:25:04,500 YOU'RE NOT GOING TO BELIEVE THIS. 590 00:25:04,533 --> 00:25:05,867 WELL, AFTER EVERYTHING THAT'S HAPPENED, 591 00:25:05,900 --> 00:25:07,700 I WILL BELIEVE JUST ABOUT ANYTHING. 592 00:25:07,733 --> 00:25:10,167 MY BUSINESS CARDS CAME IN. 593 00:25:10,200 --> 00:25:13,667 MIRA SIMON, VP CREATIVE DEVELOPMENT. 594 00:25:13,700 --> 00:25:15,567 I AM REALLY PROUD OF YOU. 595 00:25:15,600 --> 00:25:18,667 ONLY, UH, YOU DON'T EXACTLY LOOK LIKE 596 00:25:18,700 --> 00:25:19,933 A VP OF CREATIVE DEVELOPMENT, 597 00:25:19,967 --> 00:25:22,633 MORE LIKE A HOBO WHO JUST WALKED OUT OF A YOGA CLASS. 598 00:25:22,667 --> 00:25:26,067 AND YOU HAVE NOTHING TO WEAR FOR THIS DATE TONIGHT. 599 00:25:26,100 --> 00:25:28,000 I KNOW, IT'S BAD. 600 00:25:28,033 --> 00:25:29,900 AND I'VE WORN THE SAME PANTS EVERY DAY THIS WEEK, 601 00:25:29,933 --> 00:25:31,933 BUT THEY'RE ALL I HAVE OTHER THAN JEANS, SOPHIE. 602 00:25:31,967 --> 00:25:34,533 HMM. YOU KNOW, MIRA. 603 00:25:34,567 --> 00:25:36,867 IT'S TIME TO TAKE OFF THE FLOATIES 604 00:25:36,900 --> 00:25:38,767 AND GET SOME REAL CLOTHES. 605 00:25:38,800 --> 00:25:40,600 SOME EXECUTIVE CLOTHES. 606 00:25:40,633 --> 00:25:42,700 WOW! I'M AN EXECUTIVE NOW. 607 00:25:42,733 --> 00:25:44,433 MM-HMM. 608 00:25:44,467 --> 00:25:46,667 IT'S LIKE, ONE NIGHT, I FELL ASLEEP, 609 00:25:46,700 --> 00:25:48,467 AND WOKE UP THE NEXT MORNING, 610 00:25:48,500 --> 00:25:50,633 AND MY BIG OPPORTUNITY JUST DROPPED IN MY LAP. 611 00:25:50,667 --> 00:25:52,133 IT COULDN'T BE MORE PERFECT. 612 00:25:52,167 --> 00:25:53,667 FOR THE ZILLIONTH TIME, 613 00:25:53,700 --> 00:25:55,567 THERE IS NO SUCH THING AS PERFECT. 614 00:25:55,600 --> 00:25:57,400 LIAM SEEMS PRETTY PERFECT TO ME. 615 00:25:57,433 --> 00:25:59,967 HE HAS A FLAW, MIRA. EVERYBODY DOES. 616 00:26:00,000 --> 00:26:02,200 FINE. I WILL LET YOU KNOW THE SECOND I FIND ONE, 617 00:26:02,233 --> 00:26:03,800 WHICH I PROBABLY NEVER WILL. 618 00:26:05,967 --> 00:26:07,933 ALRIGHT. NINJA SHOPPING TIME. 619 00:26:07,967 --> 00:26:10,167 YOU HAVE ONE HOUR TO BUY A DRESS. 620 00:26:10,200 --> 00:26:13,100 MY TREAT. CONGRATULATIONS ON BECOMING SUCH A BIG-SHOT. 621 00:26:14,700 --> 00:26:17,200 THANK YOU, SOPH. 622 00:26:18,833 --> 00:26:20,233 YOUR RESTAURANT IS SO BEAUTIFUL. 623 00:26:20,267 --> 00:26:21,733 I'VE BEEN WANTING TO TRY IT 624 00:26:21,767 --> 00:26:22,933 SINCE I READ ABOUT IT, 625 00:26:22,967 --> 00:26:23,900 AND I LOVE 626 00:26:23,933 --> 00:26:25,667 THAT YOU NAMED IT AFTER YOUR GRANDMOTHER. 627 00:26:25,700 --> 00:26:26,833 WELL, I ACTUALLY GOT MY LOVE OF FOOD 628 00:26:26,867 --> 00:26:28,733 FROM GRANDMA MILLIE. 629 00:26:28,767 --> 00:26:31,100 THAT IS SO SWEET. 630 00:26:31,133 --> 00:26:34,033 WELL, COINCIDENTLY, "SWEET" IS THE RULE HERE AT MILLICENT'S. 631 00:26:34,067 --> 00:26:35,667 EVERYBODY HERE HAS TO HAVE DESSERT, 632 00:26:35,700 --> 00:26:37,600 BECAUSE GRANDMA MILLIE LIVES FOR DESSERT. 633 00:26:37,633 --> 00:26:38,967 WELL, THAT AND HER GRANDKIDS. 634 00:26:39,000 --> 00:26:42,100 MY SISTER HAS ALREADY GIVEN HER A GREAT-GRANDCHILD, 635 00:26:42,133 --> 00:26:45,600 SO I GUESS I'VE GOT TO GET ON THE BALL HERE AND CATCH UP. 636 00:26:46,667 --> 00:26:48,167 -CHEERS. -CHEERS. 637 00:26:50,200 --> 00:26:51,767 MM. 638 00:26:51,800 --> 00:26:53,933 WELL, WE OPENED THREE YEARS AGO, 639 00:26:53,967 --> 00:26:56,900 AND I FEEL VERY LUCKY THAT IT'S THIS SUCCESSFUL. 640 00:26:56,933 --> 00:26:58,867 IT'S... PERFECT. 641 00:27:01,600 --> 00:27:03,933 I'M SORRY. WOULD YOU MIND EXCUSING ME FOR JUST ONE MINUTE? 642 00:27:03,967 --> 00:27:05,900 SURE. 643 00:27:10,667 --> 00:27:12,700 HERE WE GO. 644 00:27:12,733 --> 00:27:14,167 OH, HE PICKED THE MENU HIMSELF. 645 00:27:15,700 --> 00:27:18,033 I BET HE BRINGS ALL THE GIRLS HERE, RIGHT? 646 00:27:19,300 --> 00:27:20,800 BETWEEN YOU AND ME, 647 00:27:20,833 --> 00:27:22,567 YOU'RE THE FIRST DATE I'VE SEEN HIM BRING HERE. 648 00:27:22,600 --> 00:27:24,967 HE MUST REALLY LIKE YOU. 649 00:27:26,100 --> 00:27:27,900 -ENJOY. -THANK YOU. 650 00:27:31,600 --> 00:27:32,867 SORRY ABOUT THAT. 651 00:27:32,900 --> 00:27:34,033 ONE OF OUR REGULARS. 652 00:27:34,067 --> 00:27:36,167 I JUST WANTED TO SAY A QUICK HELLO. 653 00:27:36,200 --> 00:27:37,300 YOU KNOW, REPEAT BUSINESS 654 00:27:37,333 --> 00:27:39,900 HAS BEEN SO MUCH THE KEY TO OUR SUCCESS HERE. 655 00:27:39,933 --> 00:27:43,000 IT'S SO IMPORTANT THAT MY CUSTOMERS KNOW THAT I CARE. 656 00:27:44,067 --> 00:27:46,200 MM. 657 00:27:46,233 --> 00:27:48,067 MILLIE'S FAMOUS CRAB CAKES. 658 00:27:48,100 --> 00:27:49,867 THEY SMELL DELICIOUS. 659 00:27:49,900 --> 00:27:52,567 WELL, YOU'RE GONNA LOVE 'EM. 660 00:27:57,233 --> 00:27:58,933 MM. 661 00:28:01,067 --> 00:28:02,800 AND THE WATER WAS-- WAS CRYSTAL-CLEAR BLUE, 662 00:28:02,833 --> 00:28:05,233 LIKE NOTHING I'VE EVER SEEN IN MY LIFE. 663 00:28:05,267 --> 00:28:06,333 IN THAT MOMENT, 664 00:28:06,367 --> 00:28:09,233 I SWORE THAT I WOULD GO BACK TO BALI ONE DAY. 665 00:28:09,267 --> 00:28:11,933 BALI... 666 00:28:11,967 --> 00:28:14,333 YEAH. YOU'D LOVE IT. 667 00:28:14,367 --> 00:28:16,367 IT'S-- IT'S SO PEACEFUL THERE. 668 00:28:17,933 --> 00:28:20,233 I THINK YOU SHOULD GO WITH ME THE NEXT TIME. 669 00:28:20,267 --> 00:28:22,833 YOU JUST MET ME! 670 00:28:22,867 --> 00:28:24,900 I HAVE VERY GOOD PEOPLE INSTINCTS. 671 00:28:24,933 --> 00:28:27,667 ALSO, I DON'T REALLY BELIEVE IN ACCIDENTS, 672 00:28:27,700 --> 00:28:30,667 SO WHEN A BEAUTIFUL, CHARMING WOMAN 673 00:28:30,700 --> 00:28:33,700 COMES FROM OUT OF NOWHERE AND SWEEPS ME OFF MY FEET-- 674 00:28:33,733 --> 00:28:35,100 LITERALLY-- 675 00:28:35,133 --> 00:28:38,100 I CAN'T JUST SIT BACK AND DO NOTHING. 676 00:28:59,067 --> 00:29:01,833 I WANT TO SEE YOU AGAIN. 677 00:29:01,867 --> 00:29:03,400 TOMORROW. 678 00:29:03,433 --> 00:29:05,733 OR THE NEXT DAY. 679 00:29:05,767 --> 00:29:07,033 NO, I WANNA SEE YOU 680 00:29:07,067 --> 00:29:08,367 TOMORROW AND THE NEXT DAY. 681 00:29:36,967 --> 00:29:38,800 OH, I HAVE TO GO. 682 00:29:38,833 --> 00:29:41,667 MY PERSONAL SHOPPER HAS ARRIVED. 683 00:29:41,700 --> 00:29:42,967 BYE. HI! 684 00:29:43,000 --> 00:29:44,433 HI. 685 00:29:44,467 --> 00:29:45,433 YOU'RE NOT DONE? 686 00:29:45,467 --> 00:29:47,833 I'M SORRY, I GOT DISTRACTED BY LIAM. 687 00:29:47,867 --> 00:29:49,000 DID YOU FIND HIS FLAW YET? 688 00:29:49,033 --> 00:29:50,267 NO. 689 00:29:50,300 --> 00:29:51,933 BUT I'LL KEEP LOOKING FOR IT, IF IT'LL MAKE YOU HAPPY. 690 00:29:51,967 --> 00:29:53,267 WELL, DON'T GET ME WRONG. 691 00:29:53,300 --> 00:29:56,333 I DON'T WANT HIM TO HAVE A FLAW, I JUST KNOW THAT HE DOES. 692 00:29:56,367 --> 00:29:58,167 COME ON, HURRY UP. 693 00:29:58,200 --> 00:29:59,267 THERE IS NOTHING I LOVE MORE 694 00:29:59,300 --> 00:30:00,800 THAN SPENDING OTHER PEOPLE'S MONEY. 695 00:30:00,833 --> 00:30:02,300 DID YOU GET YOUR FIRST EXECUTIVE PAYCHECK YET? 696 00:30:02,333 --> 00:30:03,933 JUST THIS MORNING. 697 00:30:03,967 --> 00:30:05,000 WELL, KISS IT GOODBYE. 698 00:30:06,400 --> 00:30:07,700 HOW DID I EVER LET YOU 699 00:30:07,733 --> 00:30:09,300 TALK ME INTO BUYING SUCH AN EXPENSIVE SCARF? 700 00:30:09,333 --> 00:30:11,800 WHAT'S THE MESSAGE YOU WANT TO SEND, MIRA? 701 00:30:11,833 --> 00:30:15,100 A $2.00 SCARF FROM THE STREET CORNER, 702 00:30:15,133 --> 00:30:16,900 OR A WORK OF ART 703 00:30:16,933 --> 00:30:18,233 IN POWER COLORS 704 00:30:18,267 --> 00:30:19,400 THAT SCREAMS "SUCCESS"? 705 00:30:19,433 --> 00:30:21,167 I GUESS THE SECOND ONE. 706 00:30:21,200 --> 00:30:23,233 PERCEPTION IS EVERYTHING. 707 00:30:23,267 --> 00:30:24,767 PERCEPTION AND CONFIDENCE. 708 00:30:24,800 --> 00:30:26,267 YOU ARE WHAT YOU PORTRAY. 709 00:30:26,300 --> 00:30:27,900 SO... 710 00:30:27,933 --> 00:30:29,833 WHO DO YOU WANT TO BE? 711 00:30:29,867 --> 00:30:31,967 I WANT TO BE THAT GIRL. 712 00:30:33,933 --> 00:30:37,167 BUT YOU'RE GONNA HAVE TO TEACH ME HOW TO TIE THIS. 713 00:30:38,733 --> 00:30:41,300 THE LAST PIECE OF THE PUZZLE IS IN. 714 00:30:41,333 --> 00:30:44,167 YOU'RE NOW THE PERSON YOU'VE ALWAYS DREAMT OF BEING. 715 00:30:44,200 --> 00:30:45,667 HANG UP YOUR YOGA PANTS, BABY SIS, 716 00:30:45,700 --> 00:30:48,967 BECAUSE THERE IS A NEW MIRA IN TOWN. 717 00:31:21,500 --> 00:31:24,300 I SEE A LOT CHANGED WHILE I WAS IN LONDON. 718 00:31:25,767 --> 00:31:27,100 I WENT SHOPPING. 719 00:31:27,133 --> 00:31:29,167 I SEE THAT. 720 00:31:30,933 --> 00:31:33,300 MIRA, WE'VE GOT TO OPEN BIG WITH THE BOARD. 721 00:31:33,333 --> 00:31:35,867 WE WON'T HAVE THEIR ATTENTION LONG, 722 00:31:35,900 --> 00:31:37,833 SO I THOUGHT WE'D BEGIN BY SAYING 723 00:31:37,867 --> 00:31:40,733 THAT WE'RE THE FIRST COMPANY TO DO SOMETHING LIKE THIS, 724 00:31:40,767 --> 00:31:42,367 WHICH IS ALREADY A BIG WIN. 725 00:31:42,400 --> 00:31:44,100 AND THEY WON'T THINK IT'S WEIRD 726 00:31:44,133 --> 00:31:45,867 THAT A LOWER-LEVEL PROJECT MANAGER 727 00:31:45,900 --> 00:31:47,867 IS NOW RUNNING THIS REDESIGN? 728 00:31:47,900 --> 00:31:51,300 YOU ARE NO LONGER A LOWER-LEVEL EXECUTIVE. 729 00:31:51,333 --> 00:31:54,100 YOU GOTTA STOP THINKING OF YOURSELF AS ONE. 730 00:31:54,133 --> 00:31:56,533 YOU'RE RIGHT. 731 00:31:58,233 --> 00:32:00,367 WILLIAM CUDDY. HE ALWAYS LOOKS ANGRY. 732 00:32:00,400 --> 00:32:01,800 THAT'S JUST HIS NATURAL STATE, 733 00:32:01,833 --> 00:32:04,267 BUT HE VOLUNTEERS WITH RESCUE DOGS ON THE WEEKENDS. 734 00:32:04,300 --> 00:32:06,067 -HOLLY-- -"HEIDI." 735 00:32:06,100 --> 00:32:07,300 HEIDI! HEIDI SAXTON. 736 00:32:07,333 --> 00:32:08,933 SMART AS A WHIP, TOUGH AS NAILS. 737 00:32:08,967 --> 00:32:10,067 SHE'LL ASK ALL THE HARD QUESTIONS. 738 00:32:11,833 --> 00:32:13,267 SHOOT. 739 00:32:14,533 --> 00:32:15,533 I CAN'T REMEMBER THIS GUY. 740 00:32:15,567 --> 00:32:16,833 BLAINE BANNISTER. 741 00:32:16,867 --> 00:32:17,800 BLAINE BANNISTER. 742 00:32:17,833 --> 00:32:19,067 HIS FATHER MADE A KILLING 743 00:32:19,100 --> 00:32:20,400 WHEN FRONT SOURCE WENT PUBLIC. 744 00:32:20,433 --> 00:32:22,167 HE KNOWS NOTHING ABOUT TECH, 745 00:32:22,200 --> 00:32:24,567 BUT DOESN'T WANT US TO KNOW THAT 746 00:32:24,600 --> 00:32:27,867 AND HE IS A DEFINITE "YES" FOR US. 747 00:32:29,500 --> 00:32:31,967 UH, I'M SO SORRY TO KEEP YOU WAITING! 748 00:32:32,000 --> 00:32:34,067 AND I KNOW TODAY YOU WERE GONNA PRESENT YOUR IDEAS, 749 00:32:34,100 --> 00:32:35,300 BUT ERIN AND I HAVE BEEN SO CRAZED 750 00:32:35,333 --> 00:32:36,400 WITH BOARD MEETING PREP, 751 00:32:36,433 --> 00:32:39,133 SO TODAY'S MEETING WILL BE ABBREVIATED. 752 00:32:39,167 --> 00:32:41,133 BUT I-I AM EXCITED TO HEAR ALL OF YOUR IDEAS, 753 00:32:41,167 --> 00:32:42,933 SO HOLD ONTO WHATEVER YOU'VE COME UP WITH, 754 00:32:42,967 --> 00:32:44,400 AND WE'LL GO OVER IT SOON. 755 00:32:44,433 --> 00:32:45,800 DO YOU NEED ANY HELP WITH ANYTHING? 756 00:32:45,833 --> 00:32:46,833 THANKS, BUT... 757 00:32:46,867 --> 00:32:48,267 I THINK I'VE GOT IT. 758 00:32:48,300 --> 00:32:50,033 SO YOU ALL JUST KEEP DOING WHAT YOU'RE DOING 759 00:32:50,067 --> 00:32:51,100 AND WE'LL REGROUP TOMORROW. 760 00:32:53,200 --> 00:32:54,833 OKAY? 761 00:32:54,867 --> 00:32:56,367 THANKS. 762 00:33:06,067 --> 00:33:07,467 AD SALES SENT OVER SOME LOGOS 763 00:33:07,500 --> 00:33:09,100 SO WE CAN USE REAL ADS ON THE WEB PAGE PROTOTYPE. 764 00:33:10,567 --> 00:33:13,033 LIAM. 765 00:33:13,067 --> 00:33:15,167 I LOST TRACK OF TIME. 766 00:33:15,200 --> 00:33:16,167 I TRIED CALLING. 767 00:33:16,200 --> 00:33:18,333 IT'S ON VIBRATE. I'M-- I'M SORRY. 768 00:33:18,367 --> 00:33:21,467 NO, NO, I'M SO SORRY FOR-FOR INTERRUPTING YOUR WORK. 769 00:33:21,500 --> 00:33:23,167 SHOULD-- SHOULD WE CANCEL? 770 00:33:23,200 --> 00:33:24,367 UM... 771 00:33:24,400 --> 00:33:25,600 NO. YOU GO. 772 00:33:25,633 --> 00:33:27,167 I'LL KEEP AT IT. 773 00:33:27,200 --> 00:33:28,900 YOU CAN APPROVE IT WHEN YOU GET BACK. 774 00:33:28,933 --> 00:33:30,567 OKAY. I'LL COME BACK RIGHT AFTER DINNER. 775 00:33:30,600 --> 00:33:31,633 YEAH. 776 00:33:31,667 --> 00:33:32,933 HOW DOES A BURGER SOUND? 777 00:33:32,967 --> 00:33:34,233 I'VE BEEN CRAVING ONE ALL DAY. 778 00:33:34,267 --> 00:33:36,467 ACTUALLY, I'VE GOT RESERVATIONS FOR US 779 00:33:36,500 --> 00:33:38,000 AT WHITE LOTUS. 780 00:33:38,033 --> 00:33:40,567 WHITE LOTUS? I HEARD THAT PLACE IS IMPOSSIBLE TO GET INTO. 781 00:33:40,600 --> 00:33:42,533 I MIGHT KNOW A GUY. 782 00:33:42,567 --> 00:33:43,933 I DON'T KNOW IF I HAVE TIME FOR THAT. 783 00:33:43,967 --> 00:33:45,967 JONAH AND I ARE RIGHT IN THE MIDDLE OF THIS PROPOSAL. 784 00:33:46,000 --> 00:33:47,267 LISTEN, IT'LL TAKE A TAD LONGER THAN A BURGER, 785 00:33:47,300 --> 00:33:49,500 BUT I PROMISE TO HAVE YOU BACK HERE 786 00:33:49,533 --> 00:33:50,500 BEFORE YOU KNOW IT. 787 00:33:50,533 --> 00:33:51,633 WHAT DO YOU SAY? 788 00:33:55,433 --> 00:33:57,000 THANKS, JONAH. 789 00:34:02,333 --> 00:34:04,700 THANK YOU. 790 00:34:07,633 --> 00:34:09,233 AHEM. 791 00:34:09,267 --> 00:34:12,533 WOW. THAT WAS, LIKE, THE SEVENTH THING THEY BROUGHT OUT. 792 00:34:12,567 --> 00:34:15,267 WELL, IT'S A-- IT'S A 16-COURSE TASTING MENU. 793 00:34:15,300 --> 00:34:17,133 16 COURSES. 794 00:34:19,267 --> 00:34:21,567 OH. YOU'RE NOT KIDDING? 795 00:34:21,600 --> 00:34:24,533 16 DELICIOUS COURSES. 796 00:34:24,567 --> 00:34:25,633 WOW. 797 00:34:25,667 --> 00:34:27,700 AHEM. 798 00:34:40,667 --> 00:34:42,067 MM. 799 00:34:42,100 --> 00:34:45,233 MONKFISH-LIVER CREAM WITH BLACK SEA BREAM CAVIAR 800 00:34:45,267 --> 00:34:47,000 AND TOASTED WILD CHANTERELLES. 801 00:34:47,033 --> 00:34:48,533 MM. 802 00:34:48,567 --> 00:34:50,633 DO YOU THINK I COULD JUST GET A BURGER? 803 00:34:52,600 --> 00:34:55,100 OH. SHE'S JOKING. 804 00:35:09,367 --> 00:35:11,333 I KNEW YOU'D LOVE IT. 805 00:35:11,367 --> 00:35:13,233 LISTEN, LIAM, THIS IS AMAZING, 806 00:35:13,267 --> 00:35:16,167 AND EACH DISH IS AS BEAUTIFUL AS THE LAST, 807 00:35:16,200 --> 00:35:18,133 BUT I LEFT JONAH AT WORK AND... 808 00:35:18,167 --> 00:35:19,700 I FEEL GUILTY! 809 00:35:19,733 --> 00:35:22,667 OH, WELL, YOU SHOULDN'T FEEL GUILTY, MIRA. 810 00:35:22,700 --> 00:35:25,300 YOU-- YOU DESERVE THIS. 811 00:35:25,333 --> 00:35:27,667 IT'S REALLY SWEET THAT YOU CARE SO MUCH, 812 00:35:27,700 --> 00:35:31,000 BUT THIS IS TAKING WAY LONGER THAN I THOUGHT IT WOULD. 813 00:35:31,033 --> 00:35:33,600 I THOUGHT YOU'D LOVE IT. 814 00:35:33,633 --> 00:35:35,167 YOU KNOW, THERE'S A YEAR WAITING LIST 815 00:35:35,200 --> 00:35:37,000 TO GET INTO THIS PLACE. I JUST WANTED TO SURPRISE YOU. 816 00:35:37,033 --> 00:35:38,000 UH, NO, IT'S-IT'S... IT'S AMAZING, 817 00:35:38,033 --> 00:35:39,333 I JUST WISH I WASN'T SO DISTRACTED 818 00:35:39,367 --> 00:35:40,600 BY THE TIME IT'S TAKING. 819 00:35:40,633 --> 00:35:43,533 I HAVE SO MUCH TO DO BACK AT THE OFFICE. 820 00:35:43,567 --> 00:35:46,000 MIRA, YOU WORK HARD. LET ME SPOIL YOU. 821 00:35:46,033 --> 00:35:47,300 THANK YOU, LIAM. 822 00:35:47,333 --> 00:35:48,733 THAT'S... 823 00:35:48,767 --> 00:35:50,400 A REALLY SWEET THOUGHT, 824 00:35:50,433 --> 00:35:52,100 AND I'D LOVE FOR YOU SPOIL ME 825 00:35:52,133 --> 00:35:53,567 AFTER THE BOARD MEETING. 826 00:35:54,733 --> 00:35:58,300 YOU KNOW, IT CAN'T ALL BE WORK, WORK, WORK. 827 00:35:58,333 --> 00:36:02,067 YOU HAVE TO GIVE YOURSELF TIME TO ENJOY LIFE, TOO. 828 00:36:02,100 --> 00:36:04,367 LOOK, WE ONLY HAVE A FEW MORE COURSES LEFT, 829 00:36:04,400 --> 00:36:05,567 SO LET'S JUST 830 00:36:05,600 --> 00:36:07,400 SAVOR THE MOMENT TOGETHER. 831 00:36:32,767 --> 00:36:34,367 I'M BACK, SLEEPY-HEAD. 832 00:36:35,500 --> 00:36:37,567 HOW WAS DINNER? 833 00:36:37,600 --> 00:36:38,833 DOES WHITE LOTUS EVEN SERVE BURGERS? 834 00:36:38,867 --> 00:36:42,467 NOT EVEN CLOSE. 835 00:36:42,500 --> 00:36:43,833 I'M SORRY THAT TOOK SO LONG. 836 00:36:43,867 --> 00:36:45,833 HEY, YOU KNOW, IT'S OKAY. 837 00:36:45,867 --> 00:36:48,467 GAVE ME TIME TO FINISH THE FIRST ROUND OF MOCK-UPS. 838 00:36:48,500 --> 00:36:49,733 LET ME SHOW YOU. 839 00:36:56,467 --> 00:36:58,500 I LIKE THE BACKGROUND CONTINUING 840 00:36:58,533 --> 00:36:59,533 THROUGH ALL THE PAGES. 841 00:36:59,567 --> 00:37:00,667 IT'S NICE CONTINUITY. 842 00:37:01,733 --> 00:37:04,733 ERIN? WILLIAM CUDDY'S OFFICE CALLED. 843 00:37:04,767 --> 00:37:06,867 HE NEEDS TO MOVE THE BOARD PRESENTATION UP TO FRIDAY. 844 00:37:06,900 --> 00:37:09,300 YOU MEAN THE DAY- AFTER-TOMORROW FRIDAY? 845 00:37:10,700 --> 00:37:12,500 WE WERE SUPPOSED TO HAVE TWO MORE WEEKS. 846 00:37:12,533 --> 00:37:14,433 CAN-- CAN-- CAN HE DO THAT? 847 00:37:14,467 --> 00:37:15,500 HE CAN. 848 00:37:15,533 --> 00:37:17,467 HE JUST DID. THANKS, ALEX. 849 00:37:18,867 --> 00:37:20,233 ERIN? 850 00:37:20,267 --> 00:37:22,200 YEAH... YEAH. 851 00:37:25,367 --> 00:37:28,433 MICHAEL, I NEED YOU TO RUN THE ADVERTISER NUMBERS 852 00:37:28,467 --> 00:37:30,200 ON RIDGE SOFTWARE, AND GET THOSE TO ME A.S.A.P. 853 00:37:30,233 --> 00:37:31,300 -WILL DO. -THANK YOU. 854 00:37:31,333 --> 00:37:32,500 OH, WAIT, MIRA, ACTUALLY, 855 00:37:32,533 --> 00:37:35,400 I HAD AN IDEA THAT I WANTED TO RUN BY YOU. 856 00:37:35,433 --> 00:37:37,433 AFTER THE BOARD MEETING. 857 00:37:37,467 --> 00:37:38,533 NO, BUT THIS MIGHT HELP WITH THAT. 858 00:37:38,567 --> 00:37:39,633 SERIOUSLY, MICHAEL. 859 00:37:39,667 --> 00:37:41,600 ANYTHING AFTER FRIDAY, I'M ALL EARS. OKAY? 860 00:37:44,433 --> 00:37:46,933 RIGHT. 861 00:38:15,400 --> 00:38:16,267 HEY. 862 00:38:16,300 --> 00:38:18,200 YOU'RE READY. 863 00:38:18,233 --> 00:38:19,700 I'M NERVOUS. MY MIND IS SPINNING. 864 00:38:19,733 --> 00:38:21,733 DISTRACT ME. TELL ME A STORY. 865 00:38:21,767 --> 00:38:23,567 YOU NEED TO SLEEP. 866 00:38:23,600 --> 00:38:24,567 OKAY, THEN TELL ME 867 00:38:24,600 --> 00:38:25,767 A BORING STORY. 868 00:38:25,800 --> 00:38:27,433 OKAY, I'VE GOT THIS NEW ONE 869 00:38:27,467 --> 00:38:28,600 I'VE BEEN WORKING ON. 870 00:38:28,633 --> 00:38:31,667 YOU CAN TELL ME WHAT YOU THINK. 871 00:38:31,700 --> 00:38:35,300 ONCE UPON A TIME, THERE WAS THIS... 872 00:38:35,333 --> 00:38:37,200 FROG, BUT HE REALLY WANTED TO BE-- 873 00:38:37,233 --> 00:38:38,767 A PRINCE! 874 00:38:38,800 --> 00:38:39,900 NO! 875 00:38:39,933 --> 00:38:42,267 AN ACCOUNTANT. HE WANTED TO BE AN ACCOUNTANT. 876 00:38:42,300 --> 00:38:43,367 YOU SAID BORING. 877 00:38:43,400 --> 00:38:44,433 DO YOU WANT ME TO TELL THE STORY OR NOT? 878 00:38:44,467 --> 00:38:45,500 PLEASE? OKAY, I PROMISE. 879 00:38:45,533 --> 00:38:46,900 I WON'T-- I WILL NOT INTERRUPT. 880 00:38:46,933 --> 00:38:48,300 IRONICALLY, 881 00:38:48,333 --> 00:38:51,667 THIS FROG HAD A HUGE AMOUNT OF CREDIT CARD DEBT-- 882 00:39:01,433 --> 00:39:03,367 ARE YOU READY? 883 00:39:03,400 --> 00:39:04,533 MAYBE YOU SHOULD DO THIS. 884 00:39:04,567 --> 00:39:06,300 I'VE ONLY HAD THREE DAYS. 885 00:39:06,333 --> 00:39:08,567 I'D NEVER PUT ANYBODY IN FRONT OF THE BOARD 886 00:39:08,600 --> 00:39:09,700 THAT WASN'T READY. 887 00:39:09,733 --> 00:39:10,833 YOU WILL BE GREAT. 888 00:39:10,867 --> 00:39:14,467 AND I'LL BE WITH YOU EVERY STEP OF THE WAY. 889 00:39:19,500 --> 00:39:20,700 WELCOME. 890 00:39:20,733 --> 00:39:25,500 I'M EXCITED TO PRESENT A NEW INNOVATION, UH, 891 00:39:25,533 --> 00:39:27,433 A NEW WAY-- INNOVATION-- UH... 892 00:39:27,467 --> 00:39:31,867 THE WAY WE COMMUNICATE VIA SOCIAL NETWORKING. 893 00:39:34,900 --> 00:39:36,500 WE ARE LOOKING 894 00:39:36,533 --> 00:39:38,333 AT A THREE-FOLD SITE THAT ALLOWS OUR MEMBERS 895 00:39:38,367 --> 00:39:39,533 TO COMBINE THEIR FAVORITE WEBSITES, 896 00:39:39,567 --> 00:39:40,867 AND HERE'S HOW IT WORKS. 897 00:39:43,433 --> 00:39:45,567 AND WE STRONGLY BELIEVE 898 00:39:45,600 --> 00:39:48,033 THAT, IN THIS DAY AND AGE OF INSTANT GRATIFICATION, 899 00:39:48,067 --> 00:39:49,867 WE HAVE CREATED THE PERFECT DEFINITION 900 00:39:49,900 --> 00:39:51,633 OF "ONE-STOP SHOPPING." 901 00:39:56,700 --> 00:39:58,033 EXCELLENT. 902 00:39:58,067 --> 00:39:59,900 YOU'VE GIVEN US A LOT TO DISCUSS. 903 00:39:59,933 --> 00:40:01,600 WE'LL TALK AND GET BACK TO YOU LATER TODAY. 904 00:40:01,633 --> 00:40:04,833 AND IF YOU'VE GOT QUESTIONS, YOU KNOW WHERE TO FIND ME. 905 00:40:04,867 --> 00:40:06,500 THANKS SO MUCH FOR COMING. 906 00:40:19,767 --> 00:40:21,833 NO NEWS. 907 00:40:21,867 --> 00:40:24,800 THEY SAID THEY'D CALL YESTERDAY AND STILL NO WORD. 908 00:40:24,833 --> 00:40:26,933 I'M SURE YOU DID GREAT, MIR. 909 00:40:26,967 --> 00:40:28,833 I BET YOU'LL HEAR FIRST THING MONDAY MORNING. 910 00:40:28,867 --> 00:40:30,600 THAT REMINDS ME. I HAVE TO TALK TO MARKETING 911 00:40:30,633 --> 00:40:32,567 BEFORE THEIR STAFF MEETING ON MONDAY MORNING. 912 00:40:34,033 --> 00:40:36,367 MIRA? CAN YOU PUT THE WORK DOWN? 913 00:40:36,400 --> 00:40:39,533 WE CAME ALL THE WAY HERE TO BE WITH YOU, 914 00:40:39,567 --> 00:40:41,567 NOT YOU AND YOUR COMPUTER. 915 00:40:41,600 --> 00:40:44,733 I'M SORRY. JUST ONE MORE MINUTE, OKAY? 916 00:40:48,833 --> 00:40:50,067 THIS IS MIRA. 917 00:40:50,100 --> 00:40:52,333 OH, HI. YES. I HAVE THOSE NUMBERS FOR YOU RIGHT HERE. 918 00:40:52,367 --> 00:40:54,667 JUST GIVE ME JUST A SECOND TO PULL THEM UP. 919 00:41:08,600 --> 00:41:10,000 IT'S 8:00, 920 00:41:10,033 --> 00:41:12,700 AND YET, SOMEHOW, I KNEW YOU'D STILL BE HERE. 921 00:41:12,733 --> 00:41:14,933 WAITING. WISHING. HOPING. 922 00:41:14,967 --> 00:41:18,067 WELL, NOTHING DROWNS SORROW BETTER THAN BUFFALO SAUCE. 923 00:41:18,100 --> 00:41:19,700 I BROUGHT WINGS. 924 00:41:19,733 --> 00:41:22,400 YOU ALWAYS KNOW EXACTLY WHAT I NEED. 925 00:41:23,867 --> 00:41:25,033 YEAH. 926 00:41:25,067 --> 00:41:28,000 NO NEWS IS BAD NEWS, JONAH. 927 00:41:28,033 --> 00:41:29,733 IT'S BEEN FOUR DAYS. 928 00:41:29,767 --> 00:41:33,733 I HAD THE FANTASY IN MY GRASP AND I THINK I BLEW IT. 929 00:41:34,833 --> 00:41:36,500 BYE-BYE, VIEW. 930 00:41:36,533 --> 00:41:38,367 FAREWELL, TOWNHOUSE. 931 00:41:40,033 --> 00:41:41,067 MAYBE THE BOARD 932 00:41:41,100 --> 00:41:43,967 HASN'T HAD A CHANCE TO VOTE ON IT YET. 933 00:41:44,000 --> 00:41:47,367 MAYBE WE SHOULD GO TO A MOVIE. 934 00:41:47,400 --> 00:41:49,433 TAKE YOUR MIND OFF THINGS. 935 00:41:55,900 --> 00:41:57,700 ERIN. 936 00:41:57,733 --> 00:41:58,833 THUMBS UP. APPROVED. 937 00:41:58,867 --> 00:42:00,467 THEY'RE PLANNING A BIG LAUNCH. 938 00:42:00,500 --> 00:42:02,533 PRESS, STOCKHOLDERS, 939 00:42:02,567 --> 00:42:03,767 THE WHOLE SHEBANG. 940 00:42:03,800 --> 00:42:05,067 ARE YOU READY FOR THIS? 941 00:42:05,100 --> 00:42:08,600 I'VE NEVER BEEN MORE READY FOR ANYTHING IN MY LIFE! 942 00:42:08,633 --> 00:42:10,633 GOOD. BECAUSE NOW YOU GET TO SHOW EVERYBODY 943 00:42:10,667 --> 00:42:13,667 WHAT MIRA SIMON REALLY IS MADE OF. 944 00:42:13,700 --> 00:42:15,067 THANK YOU SO MUCH! 945 00:42:16,000 --> 00:42:17,633 WE'RE IN! 946 00:42:17,667 --> 00:42:18,933 YES! 947 00:42:20,633 --> 00:42:21,867 OH! CONGRATULATIONS! 948 00:42:21,900 --> 00:42:23,167 THANK YOU! 949 00:42:27,133 --> 00:42:29,567 HEY! SO MY FRIEND, 950 00:42:29,600 --> 00:42:30,700 WHO'S A TECH DESIGNER AT OURFRIENDS, 951 00:42:30,733 --> 00:42:32,400 JUST TOLD ME THEY'RE LAUNCHING THEIR SITE. 952 00:42:32,433 --> 00:42:33,567 THAT'S NOT NEWS. 953 00:42:33,600 --> 00:42:35,033 EVERYONE KNOWS THEY'RE REDOING THEIR WEB SITE. 954 00:42:35,067 --> 00:42:36,500 YEAH, BUT TOMORROW NIGHT, 955 00:42:36,533 --> 00:42:39,467 THEY'RE GIVING A SNEAK PEEK TO THE PRESS AND EMPLOYEES 956 00:42:39,500 --> 00:42:40,900 TWO WEEKS BEFORE THE SITE ROLLS OUT. 957 00:42:40,933 --> 00:42:43,033 YOU GOT A PRESS PASS? 958 00:42:43,067 --> 00:42:44,067 NO, BUT I AM QUITE RESOURCEFUL. 959 00:42:44,100 --> 00:42:45,567 -AND SO ARE YOU. -OH, WE'RE GOING! 960 00:42:45,600 --> 00:42:47,700 YEAH, WE ARE. 961 00:42:47,733 --> 00:42:49,100 -HI, SUSAN. -HELLO. 962 00:42:49,133 --> 00:42:50,800 OKAY. 963 00:42:50,833 --> 00:42:52,833 I'LL SEE YOU LATER. 964 00:42:59,200 --> 00:43:01,133 YOU SHOULD JUST TELL HER HOW YOU FEEL. 965 00:43:01,167 --> 00:43:04,633 I MEAN... SHE HAS TO KNOW. 966 00:43:04,667 --> 00:43:06,667 WE ALL DO. 967 00:43:14,667 --> 00:43:16,967 I'M SORRY I HAD TO MOVE OUR DINNER TO THIS EARLY. 968 00:43:17,000 --> 00:43:18,133 I JUST GOTTA TRY AND GET A JUMP 969 00:43:18,167 --> 00:43:20,467 ON THE COMPETITION TONIGHT. 970 00:43:20,500 --> 00:43:21,967 HEY, WE'RE AT MILLICENT'S. 971 00:43:22,000 --> 00:43:24,067 MIGHT AS WELL EAT WHEN MILLIE EATS. 972 00:43:25,500 --> 00:43:26,767 LIAM, I CAN TELL 973 00:43:26,800 --> 00:43:28,900 THAT YOU'RE LESS THAN THRILLED BY THE DEMANDS OF MY JOB, 974 00:43:28,933 --> 00:43:30,700 BUT I HAVE TO TELL YOU, 975 00:43:30,733 --> 00:43:31,733 I HAVE BEEN WAITING 976 00:43:31,767 --> 00:43:33,100 MY WHOLE LIFE FOR THIS TO HAPPEN, 977 00:43:33,133 --> 00:43:34,800 AND IT FINALLY DID. 978 00:43:34,833 --> 00:43:37,700 THIS IS MY MOMENT. 979 00:43:38,833 --> 00:43:39,900 UNDERSTOOD. 980 00:43:39,933 --> 00:43:42,667 WELL, YOU CAN FOCUS ON THAT, THEN, 981 00:43:42,700 --> 00:43:45,067 I, ON THE OTHER HAND, WILL BE YOUR STEWARD OF FUN. 982 00:43:45,100 --> 00:43:47,700 I'VE GOT BIG PLANS FOR US, MIRA. 983 00:43:47,733 --> 00:43:49,500 I PROMISED TO YOU THAT YOU'D ENJOY YOUR LIFE, 984 00:43:49,533 --> 00:43:51,467 AND I MEANT THAT. 985 00:43:51,500 --> 00:43:52,800 THAT ALL SOUNDS GREAT, LIAM, 986 00:43:52,833 --> 00:43:54,067 BUT WE CAN TAKE OUR TIME. 987 00:43:54,100 --> 00:43:55,633 WE'RE NOT GOING ANYWHERE. 988 00:43:55,667 --> 00:43:56,667 MM. 989 00:43:59,233 --> 00:44:01,200 THIS STEAK IS INCREDIBLE. 990 00:44:01,233 --> 00:44:03,667 ANCIENT FAMILY RECIPE. 991 00:44:03,700 --> 00:44:04,967 WELL, DARLING, DON'T ASK THE OWNER 992 00:44:05,000 --> 00:44:06,300 FOR ANY OF MILLIE'S RECIPES, 993 00:44:06,333 --> 00:44:08,133 I HEAR HE'S QUITE STINGY WITH THEM. 994 00:44:09,133 --> 00:44:11,167 I ALSO THINK HE'S HIDING A LOT OF OTHER SECRETS, TOO. 995 00:44:11,200 --> 00:44:13,833 WH-- WHY WOULD YOU SAY THAT? 996 00:44:13,867 --> 00:44:15,900 I DON'T HAVE ANY SECRETS FROM YOU, MIRA. 997 00:44:15,933 --> 00:44:17,100 OF COURSE NOT! 998 00:44:17,133 --> 00:44:18,300 I'M TEASING YOU. 999 00:44:18,333 --> 00:44:20,533 -OH! -I'M JUST PLAYING AROUND. 1000 00:44:20,567 --> 00:44:21,533 OKAY, OKAY. 1001 00:44:21,567 --> 00:44:23,967 BUT ALL-- ALL JOKES COME FROM SOMEWHERE. 1002 00:44:25,000 --> 00:44:27,033 I'M BEING GOOFY. OKAY? 1003 00:44:30,133 --> 00:44:31,567 OKAY. 1004 00:44:31,600 --> 00:44:33,133 I HEAR YOU. 1005 00:44:33,167 --> 00:44:34,767 BUT IF YOU EVER WANT TO ASK ME ANYTHING, 1006 00:44:34,800 --> 00:44:35,867 JUST ASK. 1007 00:44:35,900 --> 00:44:39,133 I HONESTLY HAVE NO SECRETS FROM YOU, MIRA. 1008 00:44:39,167 --> 00:44:40,800 NONE. 1009 00:44:42,667 --> 00:44:44,533 EAT UP. 1010 00:44:58,000 --> 00:44:59,267 HI. NAMES? 1011 00:44:59,300 --> 00:45:01,233 IT'S, UM, RAYLENE. 1012 00:45:01,267 --> 00:45:02,900 SMITH. 1013 00:45:02,933 --> 00:45:04,167 FROM ACCOUNTING. 1014 00:45:04,200 --> 00:45:07,367 THIS IS MY HUSBAND. EARL. 1015 00:45:07,400 --> 00:45:10,267 EARL... UH... YOUR NAME'S NOT ON THE LIST. 1016 00:45:10,300 --> 00:45:12,067 AGAIN? 1017 00:45:12,100 --> 00:45:14,100 THEY ALWAYS DO THIS. 1018 00:45:14,133 --> 00:45:15,833 THEY ALWAYS FORGET ABOUT ACCOUNTING. 1019 00:45:15,867 --> 00:45:17,000 ALWAYS! 1020 00:45:17,033 --> 00:45:18,300 OH-- 1021 00:45:18,333 --> 00:45:19,733 HEY... 1022 00:45:19,767 --> 00:45:20,967 NO. OH-- 1023 00:45:21,000 --> 00:45:22,133 DON'T DO THAT. 1024 00:45:23,933 --> 00:45:25,367 COULD YOU CHECK AGAIN, PLEASE? 1025 00:45:25,400 --> 00:45:27,267 IT'S, UH, RAYLENE. 1026 00:45:27,300 --> 00:45:28,933 R-A- 1027 00:45:28,967 --> 00:45:32,333 Y-L-I-N-E? 1028 00:45:32,367 --> 00:45:34,033 OH. HERE YOU ARE. 1029 00:45:34,067 --> 00:45:35,233 OH! 1030 00:45:35,267 --> 00:45:36,600 I'M SORRY ABOUT THAT, GUYS. 1031 00:45:36,633 --> 00:45:38,300 -HAVE A GOOD NIGHT. -THANK YOU. 1032 00:45:39,933 --> 00:45:41,200 REALLY? EARL? 1033 00:45:41,233 --> 00:45:43,233 WHO ELSE WOULD RAYLENE BE MARRIED TO? 1034 00:45:43,267 --> 00:45:45,833 AFTER YOU, RAYLENE. 1035 00:46:09,967 --> 00:46:11,667 COME ON, IT'S A PARTY! 1036 00:46:11,700 --> 00:46:13,700 -TRY AND ENJOY YOURSELF. -IT'S WORK! 1037 00:46:13,733 --> 00:46:15,100 IT'S A WORK PARTY! 1038 00:46:15,133 --> 00:46:17,033 WE NEED TO BLEND. 1039 00:46:17,067 --> 00:46:19,000 COME ON, LET'S DANCE. THAT'S AN ORDER. 1040 00:46:19,033 --> 00:46:20,933 UGH! 1041 00:46:24,167 --> 00:46:26,167 OH, COUNTRY MUSIC? 1042 00:46:26,200 --> 00:46:29,100 WE HATE COUNTRY MUSIC, BUT... 1043 00:46:29,133 --> 00:46:31,133 EARL AND RAYLENE LOVE IT! 1044 00:46:31,167 --> 00:46:32,367 THEY DO? 1045 00:46:32,400 --> 00:46:33,667 YES! THEY DO. 1046 00:46:33,700 --> 00:46:35,833 REMEMBER, WE'RE UNDERCOVER. 1047 00:46:35,867 --> 00:46:37,700 EARL, RAYLENE. HI! 1048 00:46:37,733 --> 00:46:41,033 SUCCESS! A GOOD SPY ALWAYS BLENDS. 1049 00:46:41,067 --> 00:46:43,033 I FEEL LIKE JAMES BOND. 1050 00:46:43,067 --> 00:46:44,300 ESPIONAGE... 1051 00:46:44,333 --> 00:46:45,867 A BEAUTIFUL GIRL ON MY ARM. 1052 00:46:45,900 --> 00:46:47,433 HEY, I'M MORE THAN ARM-CANDY, MISTER. 1053 00:46:47,467 --> 00:46:50,033 I KNOW! YOU'RE THE BRAINS. I'M THE BRAWN. 1054 00:46:52,000 --> 00:46:54,033 WE MAKE A GOOD TEAM. 1055 00:46:55,133 --> 00:46:57,200 LIKE BATMAN AND ROBIN. SHERLOCK AND WATSON. 1056 00:46:57,233 --> 00:46:58,967 MR. AND MRS. SMITH. 1057 00:46:59,000 --> 00:47:01,867 DIDN'T MR. AND MRS. SMITH TRY TO KILL EACH OTHER? 1058 00:47:01,900 --> 00:47:03,233 -YES... -MM-HMM? 1059 00:47:03,267 --> 00:47:05,100 BUT... 1060 00:47:05,133 --> 00:47:06,833 THERE WAS LOVE THERE. 1061 00:47:12,267 --> 00:47:13,967 ALRIGHT, ALRIGHT! 1062 00:47:14,000 --> 00:47:15,033 DJ, IF YOU COULD TURN DOWN THE MUSIC A LITTLE BIT. 1063 00:47:15,067 --> 00:47:17,100 HOW'S EVERYBODY DOING TONIGHT? 1064 00:47:22,100 --> 00:47:24,800 I'M SORRY TO INTERRUPT THE FIESTA, 1065 00:47:24,833 --> 00:47:26,100 BUT I JUST WANTED TO SAY, 1066 00:47:26,133 --> 00:47:28,100 I AM SO PROUD TO BE HERE THIS EVENING 1067 00:47:28,133 --> 00:47:32,267 TO PRESENT THE BRAND-NEW OURFRIENDS. 1068 00:47:34,367 --> 00:47:36,500 THIS IS GONNA SHOW OUR COMPETITION 1069 00:47:36,533 --> 00:47:38,400 THAT WE ARE HERE TO STAY. 1070 00:47:38,433 --> 00:47:39,967 YOU HEAR THAT, YOURPAGE? 1071 00:47:42,400 --> 00:47:43,400 LADIES AND GENTLEMEN, 1072 00:47:43,433 --> 00:47:45,733 DUE TO ALL YOUR HARD WORK, 1073 00:47:45,767 --> 00:47:48,400 MAY I PRESENT THE NEW OURFRIENDS. 1074 00:47:51,433 --> 00:47:55,033 THIS WEBSITE IS GONNA PULL INFORMATION 1075 00:47:55,067 --> 00:47:57,800 FROM UP TO THREE INDEPENDENT WEBSITES, 1076 00:47:57,833 --> 00:47:59,367 AND COMPILE IT TOGETHER, RIGHT HERE-- 1077 00:47:59,400 --> 00:48:01,867 THAT LOOKS INCREDIBLY SIMILAR TO OUR SITE. 1078 00:48:01,900 --> 00:48:03,900 THAT'S BECAUSE IT'S EXACTLY WHAT WE'RE DOING. 1079 00:48:03,933 --> 00:48:05,867 ALRIGHT, LADIES AND GENTLEMEN, ENOUGH TALK! 1080 00:48:05,900 --> 00:48:07,500 LET'S GET THIS PARTY STARTED! YEAH! 1081 00:48:14,200 --> 00:48:15,467 LOOK, SOMETIMES, 1082 00:48:15,500 --> 00:48:17,033 DIFFERENT PEOPLE COME UP 1083 00:48:17,067 --> 00:48:18,533 WITH THE SAME IDEA AT THE SAME TIME. 1084 00:48:18,567 --> 00:48:19,567 LIKE THAT YEAR 1085 00:48:19,600 --> 00:48:21,233 WHERE THE TWO ASTEROID MOVIES CAME OUT, 1086 00:48:21,267 --> 00:48:22,233 OR THAT OTHER YEAR, 1087 00:48:22,267 --> 00:48:23,467 THE TRUMAN CAPOTE MOVIES CAME OUT. 1088 00:48:23,500 --> 00:48:24,800 SO WHAT IF IT'S A COINCIDENCE? 1089 00:48:24,833 --> 00:48:26,133 WE CAN'T LAUNCH OUR SITE NOW. 1090 00:48:26,167 --> 00:48:27,467 WE'LL LOOK LIKE WE'RE COPYING THEM. 1091 00:48:27,500 --> 00:48:28,900 THIS IS SO BAD, JONAH. 1092 00:48:28,933 --> 00:48:31,200 I HAVE TO FIND ERIN. 1093 00:48:32,200 --> 00:48:33,900 WHAT IF OURFRIENDS STOLE OUR IDEA? 1094 00:48:33,933 --> 00:48:35,467 WHAT IF THERE'S A LEAK IN THE COMPANY? 1095 00:48:35,500 --> 00:48:37,867 NOBODY STOLE OUR IDEA 1096 00:48:37,900 --> 00:48:39,233 AND THERE IS NO CONSPIRACY. 1097 00:48:39,267 --> 00:48:42,533 WE GOT SCOOPED. THAT'S ALL. 1098 00:48:42,567 --> 00:48:44,800 HOW ARE YOU SO CALM ABOUT THIS? 1099 00:48:44,833 --> 00:48:47,233 IT'S NOT THE FIRST TIME IT'S HAPPENED TO ME, 1100 00:48:47,267 --> 00:48:49,300 AND IT WON'T BE THE LAST. 1101 00:48:49,333 --> 00:48:51,067 YOU HAVE TO BE FIRST AND WE WEREN'T. 1102 00:48:51,100 --> 00:48:52,933 SO, WHAT-- WHAT DO WE DO? 1103 00:48:52,967 --> 00:48:54,300 WE JUST... REPACKAGE. 1104 00:48:55,333 --> 00:48:57,833 WHAT, YOU MEAN LIKE A NEW DESIGN? 1105 00:48:57,867 --> 00:48:59,200 EXACTLY. 1106 00:48:59,233 --> 00:49:01,167 A NEW, INNOVATIVE DESIGN 1107 00:49:01,200 --> 00:49:03,533 THAT HASN'T BEEN SEEN IN SOCIAL MEDIA BEFORE. 1108 00:49:03,567 --> 00:49:05,533 ON MONDAY MORNING, WE WILL REGROUP, 1109 00:49:05,567 --> 00:49:08,567 AND COME UP WITH DESIGN IDEAS 1110 00:49:08,600 --> 00:49:10,867 THAT WILL MAKE OURFRIENDS' SITE 1111 00:49:10,900 --> 00:49:13,033 LOOK LIKE IT CAME OUT OF THE DARK AGES. 1112 00:49:19,067 --> 00:49:21,067 WE'RE GONNA COME UP WITH SOMETHING AMAZING. 1113 00:49:21,100 --> 00:49:23,233 I'M JUST HAPPY I HAVE AN ARTIST LIKE YOU ON MY TEAM. 1114 00:49:23,267 --> 00:49:24,300 SO IS ERIN. 1115 00:49:24,333 --> 00:49:26,000 YOU'RE OUR ACE IN THE HOLE HERE, BUDDY. 1116 00:49:26,033 --> 00:49:28,067 I DON'T KNOW ABOUT THAT. 1117 00:49:28,100 --> 00:49:29,333 WE CAN DO THIS, MIRA. 1118 00:49:29,367 --> 00:49:31,600 IT'S NOT JUST ME. 1119 00:49:31,633 --> 00:49:33,367 I HAVE FAITH IN US. 1120 00:49:38,467 --> 00:49:39,967 AND, UH... 1121 00:49:40,000 --> 00:49:42,267 JUST WHEN IT SEEMS LIKE ALL HOPE IS LOST, 1122 00:49:42,300 --> 00:49:44,033 WE ALWAYS COME UP WITH THAT MAGIC IDEA 1123 00:49:44,067 --> 00:49:45,333 THAT SAVES THE DAY. 1124 00:49:45,367 --> 00:49:47,533 OR FINISHES THE BOOK. 1125 00:49:47,567 --> 00:49:49,033 OR WHATEVER IT IS WE'RE WORKING ON. 1126 00:49:49,067 --> 00:49:50,533 YOU FINISHED IT? 1127 00:49:50,567 --> 00:49:52,300 IT'S JUST A PROTOTYPE. 1128 00:49:52,333 --> 00:49:54,233 I SENT IT OUT TO A FEW PUBLISHERS LAST WEEK. 1129 00:49:54,267 --> 00:49:56,867 JUST TO PUT SOME FEELERS OUT. 1130 00:49:56,900 --> 00:49:59,400 SO LET'S, UH, GET STARTED ON THIS DESIGN, SHALL WE? 1131 00:49:59,433 --> 00:50:01,100 OH, NO. WE HAVE ALL NIGHT, 1132 00:50:01,133 --> 00:50:02,400 AND YOU PROMISED YOU'D TELL ME ABOUT PEGGY 1133 00:50:02,433 --> 00:50:03,967 WHEN IT WAS READY. 1134 00:50:04,000 --> 00:50:05,233 SO SPILL! 1135 00:50:07,233 --> 00:50:08,467 BUT SEE... 1136 00:50:08,500 --> 00:50:10,400 PEGGY HATES BEING MESSY, 1137 00:50:10,433 --> 00:50:13,000 BUT ALL HER PIG FRIENDS LOVE SLOPPING IN THE MUD. 1138 00:50:13,033 --> 00:50:15,300 BUT PEGGY REFUSES 1139 00:50:15,333 --> 00:50:17,500 BECAUSE SHE HAS THESE BIG DREAMS 1140 00:50:17,533 --> 00:50:18,900 OF MOVING AWAY FROM THE FARM, 1141 00:50:18,933 --> 00:50:20,300 LIVING WITH THE MONKEYS, 1142 00:50:20,333 --> 00:50:22,167 WHO ARE OBSESSED WITH GROOMING. 1143 00:50:22,200 --> 00:50:24,900 SHE THINKS THE GRASS IS GREENER IN THE JUNGLE. 1144 00:50:24,933 --> 00:50:26,500 AND MUCH, MUCH TIDIER. 1145 00:50:26,533 --> 00:50:29,167 EXACTLY. 1146 00:50:29,200 --> 00:50:31,100 SO THE PIGS FINALLY 1147 00:50:31,133 --> 00:50:33,400 CONVINCE PEGGY TO STOP CLEANING, 1148 00:50:33,433 --> 00:50:37,067 AND SLOP AROUND IN THE MUD WITH THE REST OF THEM... 1149 00:50:37,100 --> 00:50:39,000 JUST ONCE. 1150 00:50:39,033 --> 00:50:41,900 AND GUESS WHAT? 1151 00:50:41,933 --> 00:50:44,033 SHE LETS GO 1152 00:50:44,067 --> 00:50:45,267 AND SHE LOVES IT. 1153 00:50:46,300 --> 00:50:48,267 SO... 1154 00:50:48,300 --> 00:50:51,000 SHE ABANDONS HER FANTASY, 1155 00:50:51,033 --> 00:50:55,600 AND SHE REALIZES SHE CAN BE HAPPY EXACTLY WHERE SHE IS. 1156 00:50:55,633 --> 00:50:57,467 SHE SOUNDS ADORABLE. 1157 00:50:57,500 --> 00:50:59,633 SHE'S COMPLETELY ADORABLE. 1158 00:51:04,533 --> 00:51:06,367 MIRA... 1159 00:51:06,400 --> 00:51:09,567 THERE'S SOMETHING I'VE WANTED TO TELL YOU. 1160 00:51:11,567 --> 00:51:13,233 MIRA? 1161 00:51:13,267 --> 00:51:16,100 HONEY? I WAS KNOCKING, BUT NO ONE ANSWERED. 1162 00:51:16,133 --> 00:51:18,500 THE DOOR WAS OPEN, SO I... 1163 00:51:19,967 --> 00:51:21,133 OH. 1164 00:51:22,533 --> 00:51:24,233 HI. 1165 00:51:24,267 --> 00:51:25,500 WHEN YOU SAID YOU WERE WORKING, 1166 00:51:25,533 --> 00:51:27,100 I ASSUMED YOU MEANT ALONE, 1167 00:51:27,133 --> 00:51:28,700 SO I BROUGHT SUSTENANCE. 1168 00:51:28,733 --> 00:51:31,667 THERE'S MORE THAN ENOUGH FOR THREE PEOPLE. 1169 00:51:34,633 --> 00:51:38,933 SO, THEN THE SOMMELIER SAID-- OH, THE WINE EXPERT-- 1170 00:51:38,967 --> 00:51:41,200 HE SAYS TO ME IN THIS VERY NASTY TONE, 1171 00:51:41,233 --> 00:51:43,200 "LIAM, IF YOU THINK THE WINES COMING OUT 1172 00:51:43,233 --> 00:51:44,300 "OF THE RUSSIAN RIVER VALLEY 1173 00:51:44,333 --> 00:51:45,500 "EVEN COMPARE WITH 1174 00:51:45,533 --> 00:51:47,700 "WHAT'S COMING OUT OF THE LOIRE VALLEY RIGHT NOW, 1175 00:51:47,733 --> 00:51:49,600 THEN YOU ARE SIMPLY OUT OF YOUR MIND." 1176 00:51:49,633 --> 00:51:50,667 NOW, WHAT'S HILARIOUS 1177 00:51:50,700 --> 00:51:53,300 IS THAT I WOULD NEVER SAY THAT. 1178 00:51:53,333 --> 00:51:55,667 I MEAN, COME ON! RIGHT? 1179 00:51:55,700 --> 00:51:57,133 BUT I HAD TO LET HIM GO 1180 00:51:57,167 --> 00:51:58,700 BECAUSE HE SAID THIS IN FRONT OF OUR CUSTOMERS, 1181 00:51:58,733 --> 00:52:00,500 WHICH WAS COMPLETELY UNACCEPTABLE, 1182 00:52:00,533 --> 00:52:03,100 AND FINDING A NEW SOMMELIER ON SHORT NOTICE 1183 00:52:03,133 --> 00:52:05,100 IS NEARLY IMPOSSIBLE. 1184 00:52:05,133 --> 00:52:06,167 BUT I DID. 1185 00:52:07,367 --> 00:52:08,400 MY POINT BEING, 1186 00:52:08,433 --> 00:52:11,033 IN BUSINESS, WE ALL HAVE SETBACKS. 1187 00:52:11,067 --> 00:52:12,233 IN FOUR YEARS FROM NOW, 1188 00:52:12,267 --> 00:52:13,300 YOU WON'T EVEN REMEMBER 1189 00:52:13,333 --> 00:52:15,600 THAT THIS HAPPENED WITH YOUR COMPETITOR. 1190 00:52:15,633 --> 00:52:18,100 ARE YOU SURE THAT NO ONE WANTS TO TRY? 1191 00:52:18,133 --> 00:52:20,100 THIS IS A VERY SPECIAL '94 BORDEAUX 1192 00:52:20,133 --> 00:52:22,633 FROM A VERY SMALL VINEYARD JUST OUTSIDE OF BLAYE. 1193 00:52:22,667 --> 00:52:24,300 I'M SURE IT'S DELICIOUS, 1194 00:52:24,333 --> 00:52:26,167 BUT WE REALLY HAVE A LOT OF WORK TO DO TONIGHT, 1195 00:52:26,200 --> 00:52:29,267 AND WE NEED OUR HEADS TO BE CLEAR. 1196 00:52:31,033 --> 00:52:33,000 MM! THIS BOUQUET IS AMAZING! 1197 00:52:33,033 --> 00:52:34,200 IT HASN'T EVEN OPENED UP YET, 1198 00:52:34,233 --> 00:52:35,467 AND ALREADY I'M GETTING HINTS OF 1199 00:52:35,500 --> 00:52:38,167 BLACKBERRY AND-AND... 1200 00:52:38,200 --> 00:52:40,067 COFFEE, AND... 1201 00:52:40,100 --> 00:52:41,533 APRICOT! 1202 00:52:43,267 --> 00:52:45,200 MM. THAT'S LOVELY. 1203 00:52:46,733 --> 00:52:48,167 AND THESE DAYS, 1204 00:52:48,200 --> 00:52:50,400 WHEN YOU ARE LOOKING FOR A NEW CHEF, 1205 00:52:50,433 --> 00:52:52,033 YOU LOOK NO FURTHER 1206 00:52:52,067 --> 00:52:54,600 THAN THE LATEST REALITY COOKING SHOW. 1207 00:52:54,633 --> 00:52:56,533 THERE ARE DOZENS OF THEM. 1208 00:53:07,567 --> 00:53:10,067 THIS WAS SO SWEET OF YOU. 1209 00:53:10,100 --> 00:53:12,233 I'M SO GLAD YOU LIKED IT. 1210 00:53:12,267 --> 00:53:15,400 BUT I-I REALLY HAVE TO GET BACK TO WORK. 1211 00:53:16,533 --> 00:53:17,800 MIRA AND HER WORK. 1212 00:53:21,700 --> 00:53:22,700 HELLO? 1213 00:53:22,733 --> 00:53:25,267 WOW. REALLY? 1214 00:53:27,300 --> 00:53:29,533 MONDAY MORNING? 1215 00:53:29,567 --> 00:53:31,333 UH, THAT'S SO SOON. 1216 00:53:31,367 --> 00:53:34,233 NO, IT'S-- IT'S JUST THAT I'M-- I'M KIND OF 1217 00:53:34,267 --> 00:53:36,800 ON THIS IMPORTANT PROJECT AT MY CURRENT JOB. 1218 00:53:36,833 --> 00:53:38,133 IS THERE ANY WAY WE MIGHT BE ABLE TO-- 1219 00:53:42,600 --> 00:53:44,100 NO. YOU KNOW WHAT? 1220 00:53:44,133 --> 00:53:45,500 THIS IS MORE IMPORTANT. 1221 00:53:47,267 --> 00:53:49,267 I HAVE TO GET BACK TO WORK. 1222 00:53:50,667 --> 00:53:52,233 IF WE MOVE FORWARD, 1223 00:53:52,267 --> 00:53:55,167 I'LL BE ABLE TO START WORK RIGHT AWAY. 1224 00:53:55,200 --> 00:53:56,633 FANTASTIC. 1225 00:53:56,667 --> 00:53:58,667 I'LL SEE YOU MONDAY MORNING. 1226 00:54:05,600 --> 00:54:07,300 HEY. YOU GOT A MINUTE? 1227 00:54:07,333 --> 00:54:08,833 ONE. 1228 00:54:08,867 --> 00:54:10,400 OKAY, UM... LOOK. 1229 00:54:10,433 --> 00:54:12,533 YOU KNOW I THINK YOUR IDEA FOR THE SITE IS GREAT, 1230 00:54:12,567 --> 00:54:13,767 BUT THAT BEING SAID, 1231 00:54:13,800 --> 00:54:16,333 I THINK I MAY HAVE FOUND A POTENTIAL ENGINEERING FLAW 1232 00:54:16,367 --> 00:54:18,233 THAT COULD CAUSE A SITE CRASH THE MOMENT WE GO LIVE. 1233 00:54:18,267 --> 00:54:20,833 COULD CRASH OR WILL CRASH? 1234 00:54:20,867 --> 00:54:22,467 WELL, IT'S-- IT'S A HYPOTHETICAL, BUT... 1235 00:54:22,500 --> 00:54:23,567 I'M SORRY, 1236 00:54:23,600 --> 00:54:24,900 BUT I DON'T HAVE TIME FOR HYPOTHETICALS. 1237 00:54:24,933 --> 00:54:26,233 I NEED A NEW DESIGN, 1238 00:54:26,267 --> 00:54:28,367 AND WE CAN'T PUT THIS ON JONAH'S SHOULDERS. 1239 00:54:28,400 --> 00:54:30,300 I NEED YOU TO BRING ME CONCRETE IDEAS, TOO. OKAY? 1240 00:54:30,333 --> 00:54:33,233 RIGHT. OF COURSE. 1241 00:54:33,267 --> 00:54:35,400 IT'S JUST NONE OF THAT MATTERS IF THE SITE CRASHES. 1242 00:54:35,433 --> 00:54:37,267 LOOK, JUST READ THE REPORT, OKAY? 1243 00:54:37,300 --> 00:54:38,267 IT OUTLINES 1244 00:54:38,300 --> 00:54:39,700 THE POTENTIAL PROBLEM AND THE FIX. 1245 00:54:39,733 --> 00:54:41,533 OKAY, JUST PUT IT ON MY DESK, 1246 00:54:41,567 --> 00:54:43,267 AND I'LL LOOK AT IT WHEN I GET A MINUTE. 1247 00:54:43,300 --> 00:54:44,667 OKAY. GREAT. 1248 00:54:49,433 --> 00:54:50,733 UM... 1249 00:54:50,767 --> 00:54:52,800 -SORRY TO INTERRUPT. -OH! 1250 00:54:52,833 --> 00:54:55,300 NO, I WAS... JUST LEAVING. 1251 00:54:55,333 --> 00:54:57,467 I'M SO GLAD YOU'RE HERE. I NEED YOUR ARTIST BRAIN. 1252 00:54:57,500 --> 00:54:58,900 I WAS LOOKING 1253 00:54:58,933 --> 00:55:00,700 AT THE COLLEAGUES' NETWORKING WEBSITE AND ON THEIR INTERFACE-- 1254 00:55:00,733 --> 00:55:02,367 CAN WE TALK? 1255 00:55:02,400 --> 00:55:03,700 OF COURSE. 1256 00:55:03,733 --> 00:55:05,367 ARE YOU OKAY? 1257 00:55:05,400 --> 00:55:08,400 YEAH. UM... 1258 00:55:08,433 --> 00:55:10,633 I'M GREAT. 1259 00:55:11,867 --> 00:55:13,733 A PUBLISHER IS BUYING MY BOOK. 1260 00:55:13,767 --> 00:55:16,200 THE WHOLE SERIES, ACTUALLY. 1261 00:55:16,233 --> 00:55:18,500 JONAH! I'M SO HAPPY FOR YOU! 1262 00:55:20,967 --> 00:55:22,500 AND PEGGY, TOO, OF COURSE. 1263 00:55:22,533 --> 00:55:24,867 YEAH... 1264 00:55:24,900 --> 00:55:26,267 WHAT? WHAT IS IT? 1265 00:55:26,300 --> 00:55:29,667 WELL... I'M ON A DEADLINE. 1266 00:55:29,700 --> 00:55:31,633 WELL, THAT'S NOTHING NEW FOR YOU. 1267 00:55:31,667 --> 00:55:34,767 IT SEEMS LIKE IT'S NOTHING BUT DEADLINES AROUND HERE. 1268 00:55:34,800 --> 00:55:36,767 MIRA... 1269 00:55:36,800 --> 00:55:39,500 I HAVE TO QUIT YOURPAGE. 1270 00:55:39,533 --> 00:55:40,867 IS THAT ANOTHER APRIL FOOL'S JOKE, 1271 00:55:40,900 --> 00:55:42,533 RUNNING BEHIND SCHEDULE? 1272 00:55:42,567 --> 00:55:44,567 BECAUSE IT'S NOT FUNNY. 1273 00:55:45,800 --> 00:55:47,300 I'M SORRY TO LEAVE YOU IN THE LURCH, 1274 00:55:47,333 --> 00:55:49,200 IT'S JUST... 1275 00:55:49,233 --> 00:55:51,767 JONAH, I-- I NEED YOU. 1276 00:55:51,800 --> 00:55:53,667 NO ONE IS BRINGING ME ANYTHING 1277 00:55:53,700 --> 00:55:55,867 AND YOU'RE THE BEST GRAPHIC ARTIST WE'VE GOT. 1278 00:55:55,900 --> 00:55:57,500 JERRY'S JUST AS GOOD. 1279 00:55:57,533 --> 00:55:59,900 AND MICHAEL IS CREATIVE. 1280 00:55:59,933 --> 00:56:01,767 IT COULD BE ANYBODY. 1281 00:56:01,800 --> 00:56:03,867 MIRA... 1282 00:56:03,900 --> 00:56:05,900 THIS IS MY DREAM. 1283 00:56:05,933 --> 00:56:08,367 YOU, OF ALL PEOPLE, SHOULD UNDERSTAND THAT. 1284 00:56:11,000 --> 00:56:12,600 WELL, IT'S NOT GONNA BE THE SAME AROUND HERE 1285 00:56:12,633 --> 00:56:13,600 WITHOUT YOU. 1286 00:56:17,800 --> 00:56:20,333 HOW MUCH TIME DO WE HAVE? 1287 00:56:21,467 --> 00:56:23,900 I CAN GIVE YOU TWO DAYS. 1288 00:56:28,667 --> 00:56:29,833 WHAT'S WITH YOU? 1289 00:56:29,867 --> 00:56:31,467 YOU'VE BARELY EVEN TOUCHED YOUR SALAD. 1290 00:56:31,500 --> 00:56:32,933 I JUST-- I CAN'T BELIEVE HE'S LEAVING ME. 1291 00:56:32,967 --> 00:56:34,967 I MEAN, I'M HAPPY FOR HIM, 1292 00:56:35,000 --> 00:56:36,933 BUT THE TIMING COULD NOT BE WORSE. 1293 00:56:36,967 --> 00:56:39,267 OH... 1294 00:56:39,300 --> 00:56:40,900 WHAT IS HAPPENING WITH MY LIFE? 1295 00:56:40,933 --> 00:56:42,867 YOU GOT EVERYTHING YOU WANTED. 1296 00:56:42,900 --> 00:56:45,333 THAT'S WHAT'S HAPPENING WITH YOUR LIFE. 1297 00:56:45,367 --> 00:56:46,767 WHY DO YOU THINK THEY NEVER SHOW 1298 00:56:46,800 --> 00:56:49,500 WHAT HAPPENS TO CINDERELLA AFTER SHE RIDES OFF WITH THE PRINCE? 1299 00:56:49,533 --> 00:56:51,500 BECAUSE THAT'S WHERE REAL LIFE BEGINS. 1300 00:56:51,533 --> 00:56:53,900 I'M BEGINNING TO REALIZE THAT. 1301 00:56:55,067 --> 00:56:57,667 IS YOUR "PERFECT" LIFE A LITTLE LESS PERFECT THAN YOU THOUGHT? 1302 00:56:58,967 --> 00:57:00,000 OKAY, EVERYONE, 1303 00:57:00,033 --> 00:57:01,867 ERIN HAS ENTRUSTED ME WITH A NEW DESIGN 1304 00:57:01,900 --> 00:57:03,700 FOR THE SITE AND I AM NOT ABOUT 1305 00:57:03,733 --> 00:57:04,833 TO LET HER DOWN, 1306 00:57:04,867 --> 00:57:05,967 SO GIVE ME WHAT YOU'VE GOT. 1307 00:57:06,000 --> 00:57:07,333 MAYBE WE'RE NOT THINKING BROAD ENOUGH 1308 00:57:07,367 --> 00:57:08,400 ABOUT WHO WE MARKET TO. 1309 00:57:08,433 --> 00:57:09,967 YOUNG PEOPLE ARE NOT THE ONLY ONES 1310 00:57:10,000 --> 00:57:11,033 ONLINE ANYMORE. 1311 00:57:11,067 --> 00:57:12,733 -MY GRANDMOTHER-- -NONE OF THAT MATTERS-- 1312 00:57:12,767 --> 00:57:14,633 ...SUSAN, IF WE DON'T HAVE A NEW PAGE DESIGN. 1313 00:57:14,667 --> 00:57:16,100 ANYONE ELSE? 1314 00:57:16,133 --> 00:57:17,933 WELL, UH, STATISTICS MATTER. 1315 00:57:17,967 --> 00:57:19,100 KNOW YOUR AUDIENCE, 1316 00:57:19,133 --> 00:57:20,933 AND YOU CAN GIVE THEM EXACTLY WHAT THEY WANT. 1317 00:57:20,967 --> 00:57:22,933 I UNDERSTAND THE IMPORTANCE OF STATISTICS. 1318 00:57:22,967 --> 00:57:25,700 OKAY. I THOUGHT WE WERE BRAINSTORMING. 1319 00:57:25,733 --> 00:57:26,700 WE ARE, 1320 00:57:26,733 --> 00:57:28,367 BUT I'M JUST NOT HEARING ANYTHING 1321 00:57:28,400 --> 00:57:29,767 THAT DISTINGUISHES US FROM OUR COMPETITORS. 1322 00:57:31,567 --> 00:57:34,433 MAKE-ME-A-MATCH.COM JUST CHANGED THEIR COLORS, 1323 00:57:34,467 --> 00:57:36,333 AND IT LOOKS AMAZING. 1324 00:57:36,367 --> 00:57:38,433 OKAY, YOU'RE PUTTING THE CART BEFORE THE HORSE, JERRY, 1325 00:57:38,467 --> 00:57:39,700 AND WE NEED TO COME UP WITH A DESIGN FIRST, 1326 00:57:39,733 --> 00:57:40,700 AND THEN WE CAN TALK COLORS. 1327 00:57:40,733 --> 00:57:43,400 LISTEN UP, EVERYBODY. 1328 00:57:43,433 --> 00:57:45,433 THE OURFRIENDS SITE IS HAVING A PROBLEM 1329 00:57:45,467 --> 00:57:47,633 HANDLING THEIR TRAFFIC EVER SINCE THEIR LAUNCH. 1330 00:57:47,667 --> 00:57:49,967 SEES THEIR SERVER IS CRASHING OFF AND ON, 1331 00:57:50,000 --> 00:57:53,533 AND I UNDERSTAND THE PROBLEM IS IN THE ENGINEERING. 1332 00:57:53,567 --> 00:57:56,900 NOW, NOT TO REVEL IN SOMEBODY ELSE'S MISFORTUNE, 1333 00:57:56,933 --> 00:57:59,800 BUT IT DOES HELP SALVE THE WOUNDS 1334 00:57:59,833 --> 00:58:02,067 OF BEING BEATEN TO THE PUNCH. 1335 00:58:02,100 --> 00:58:03,467 WE'VE GOT AN OPPORTUNITY HERE. 1336 00:58:03,500 --> 00:58:06,100 I WANT US TO TAKE IT. 1337 00:58:06,133 --> 00:58:07,600 SO, MIRA, 1338 00:58:07,633 --> 00:58:09,533 GIVE ME EVERYTHING YOU'VE GOT BY MORNING. 1339 00:58:09,567 --> 00:58:11,200 GOOD LUCK, EVERYBODY. 1340 00:58:13,167 --> 00:58:15,033 YOU HEARD HER-- LET'S TAKE AN HOUR 1341 00:58:15,067 --> 00:58:16,000 AND MEET BACK HERE. 1342 00:58:16,033 --> 00:58:17,667 I WANT EVERYTHING YOU'VE GOT. 1343 00:58:17,700 --> 00:58:19,067 OKAY? THANK YOU. 1344 00:58:23,033 --> 00:58:24,700 IT WAS ALL TALK, 1345 00:58:24,733 --> 00:58:27,633 ALL THAT STUFF ABOUT HOW LUCKY SHE IS TO HAVE US ON HER TEAM. 1346 00:58:27,667 --> 00:58:29,867 NOW IT'S ALL "MY TEAM" AND "I NEED IDEAS," 1347 00:58:29,900 --> 00:58:32,900 LIKE WE'RE JUST INCIDENTAL TO HER SUCCESS. 1348 00:58:32,933 --> 00:58:34,633 WHAT HAPPENED TO HER? 1349 00:58:34,667 --> 00:58:37,067 SHE KNOWS WHAT IT'S LIKE NOT TO BE HEARD-- 1350 00:58:37,100 --> 00:58:38,667 NO, NO, NO... 1351 00:58:38,700 --> 00:58:40,833 DON'T MIND ME. IT'S OKAY. I GET IT. 1352 00:58:40,867 --> 00:58:42,700 YOU KNOW? I'VE BEEN IN YOUR SHOES. 1353 00:58:42,733 --> 00:58:45,133 BUT I-I'VE BEEN IN HER SHOES, TOO. 1354 00:58:45,167 --> 00:58:46,900 YOU'D THINK MIRA WOULD BE DIFFERENT. 1355 00:58:46,933 --> 00:58:48,167 YEAH, BUT YOU KNOW, IN HER DEFENSE, 1356 00:58:48,200 --> 00:58:49,500 WHEN YOU'RE UNDER THAT MUCH PRESSURE, 1357 00:58:49,533 --> 00:58:51,167 YOU GET PREOCCUPIED. 1358 00:58:51,200 --> 00:58:52,467 IT CAN BE HARD TO LISTEN 1359 00:58:52,500 --> 00:58:55,133 WHEN IT'S NOT EXACTLY WHAT YOU NEED TO HEAR. 1360 00:58:55,167 --> 00:58:56,867 IT'S LIKE SOMEONE POURED CONCRETE IN HER EARS. 1361 00:58:56,900 --> 00:58:58,467 OKAY, YOU GUYS, LET'S-- 1362 00:58:58,500 --> 00:59:00,467 LET'S CUT HER SOME SLACK, ALRIGHT? 1363 00:59:00,500 --> 00:59:02,467 I MEAN, I WAS IN MANAGEMENT A LOT LONGER THAN HER 1364 00:59:02,500 --> 00:59:04,833 AND, AS WE ALL KNOW, I CLEARLY NEVER MASTERED IT. 1365 00:59:06,267 --> 00:59:07,467 I DON'T KNOW. 1366 00:59:07,500 --> 00:59:08,867 ALL SHE TALKS ABOUT IS HER, 1367 00:59:08,900 --> 00:59:11,533 SO LET HER COME UP WITH A NEW DESIGN HERSELF. 1368 00:59:11,567 --> 00:59:13,633 IT'S NOT LIKE SHE NEEDS US ANYWAY. 1369 00:59:19,033 --> 00:59:20,700 GOT A MINUTE? 1370 00:59:20,733 --> 00:59:22,233 YEAH, I'VE GOT AS MANY AS YOU NEED. 1371 00:59:22,267 --> 00:59:24,100 SO... 1372 00:59:24,133 --> 00:59:25,733 I OVERHEARD YOU GUYS TALKING. 1373 00:59:25,767 --> 00:59:26,767 OH... 1374 00:59:26,800 --> 00:59:27,967 RIGHT. 1375 00:59:28,000 --> 00:59:29,867 LOOK, THEY'RE FRUSTRATED 1376 00:59:29,900 --> 00:59:32,900 THAT YOU'RE NOT LISTENING TO THEIR IDEAS. 1377 00:59:34,000 --> 00:59:35,700 YOU KNOW WHAT? YOU KNOW WHAT I THINK IT IS? 1378 00:59:35,733 --> 00:59:37,900 SOMETIMES, YOU-- YOU NEED TO... 1379 00:59:37,933 --> 00:59:41,000 TO NURTURE THE SEED OF AN IDEA, TO HELP IT GROW. 1380 00:59:41,033 --> 00:59:43,533 I MEAN, EVERY IDEA HAS MERIT. 1381 00:59:43,567 --> 00:59:45,167 EVERYONE'S CONTRIBUTING SOMETHING. 1382 00:59:45,200 --> 00:59:46,467 IT MIGHT NOT BE 1383 00:59:46,500 --> 00:59:48,467 THE MAGIC SOLUTION THAT YOU'RE LOOKING FOR, 1384 00:59:48,500 --> 00:59:49,933 BUT IT'S SOMETHING, YOU KNOW? 1385 00:59:49,967 --> 00:59:52,867 I MEAN, I EVEN GAVE YOU A REPORT PREDICTING 1386 00:59:52,900 --> 00:59:55,000 THE ENGINEERING PROBLEMS THAT OURFRIENDS HAD. 1387 00:59:55,033 --> 00:59:56,833 HAVE-- HAVE YOU READ IT? 1388 00:59:56,867 --> 00:59:58,000 I HAVEN'T HAD TIME. 1389 00:59:58,033 --> 00:59:59,133 WE HAVE THREE WEEKS 1390 00:59:59,167 --> 01:00:01,567 TO COME UP WITH A COMPLETELY NEW WEB DESIGN. 1391 01:00:01,600 --> 01:00:03,733 HOW DID YOU MANAGE WITH SUCH A TIME CRUNCH? 1392 01:00:03,767 --> 01:00:06,533 CLEARLY NOT VERY WELL. 1393 01:00:06,567 --> 01:00:08,900 AND I LOST THE PROMOTION OF A LIFETIME 1394 01:00:08,933 --> 01:00:10,867 BECAUSE I DIDN'T LISTEN TO YOUR IDEA. 1395 01:00:10,900 --> 01:00:13,967 I MEAN, YOU NEED TO TRUST YOUR PEOPLE, OKAY? 1396 01:00:14,000 --> 01:00:16,600 THE TEAM IS THE ENGINE THAT MAKES THIS CAR RUN. 1397 01:00:16,633 --> 01:00:18,900 THIS CAR HAS STALLED, MICHAEL. 1398 01:00:18,933 --> 01:00:20,067 UH... 1399 01:00:20,100 --> 01:00:22,567 THEN I'M NOT SURE HOW TO HELP, MIRA. 1400 01:00:28,500 --> 01:00:29,633 HELLO? 1401 01:00:29,667 --> 01:00:31,000 HEY, MIR... 1402 01:00:31,033 --> 01:00:33,467 UM, I'M SORRY, 1403 01:00:33,500 --> 01:00:34,800 BUT WE'RE NOT GONNA BE ABLE 1404 01:00:34,833 --> 01:00:35,967 TO MAKE IT TO FONDUE NIGHT. 1405 01:00:36,000 --> 01:00:38,467 OH... THAT'S TOO BAD. 1406 01:00:38,500 --> 01:00:40,867 I WAS REALLY LOOKING FORWARD TO RECONNECTING. 1407 01:00:40,900 --> 01:00:43,167 I'VE HAD A HORRIBLE DAY. 1408 01:00:43,200 --> 01:00:44,900 ASIDE FROM THE FACT THAT IF WE LEFT RIGHT NOW, 1409 01:00:44,933 --> 01:00:46,067 WE WOULDN'T EVEN GET THERE 1410 01:00:46,100 --> 01:00:47,933 UNTIL NEXT THURSDAY-- 1411 01:00:47,967 --> 01:00:49,700 IT'S NOT THAT FAR, YOU GUYS. 1412 01:00:49,733 --> 01:00:52,467 ACTUALLY, IT KIND OF IS, 1413 01:00:52,500 --> 01:00:53,867 BUT YOU WOULDN'T KNOW THAT, 1414 01:00:53,900 --> 01:00:56,633 BECAUSE YOU NEVER COME BACK HERE ANYMORE. 1415 01:00:56,667 --> 01:00:58,100 I MEAN, YOU CANCELED ON 1416 01:00:58,133 --> 01:01:00,933 THE LAST TWO THAT WE WERE HOSTING. 1417 01:01:00,967 --> 01:01:02,833 I KNOW MY SCHEDULE'S BEEN SO CRAZY, 1418 01:01:02,867 --> 01:01:04,867 AND I'M-- I'M SO SORRY ABOUT THAT. 1419 01:01:04,900 --> 01:01:08,100 IT'S NOT JUST THE SCHEDULE, MIR. 1420 01:01:08,133 --> 01:01:12,267 IT'S NOT FUN AND YOU'RE DISTRACTED. 1421 01:01:12,300 --> 01:01:13,933 UH, LOOK... 1422 01:01:13,967 --> 01:01:15,867 HOW ABOUT WE RESCHEDULE FOR NEXT WEEK? 1423 01:01:15,900 --> 01:01:17,967 YOU CAN COME TO MY PLACE, HERE. 1424 01:01:18,000 --> 01:01:20,833 IF YOU THINK YOU CAN MAKE IT. 1425 01:01:20,867 --> 01:01:22,767 I'LL MAKE IT. 1426 01:01:22,800 --> 01:01:25,533 I PROMISE. 1427 01:01:57,567 --> 01:02:00,733 ONE IDEA. I JUST NEED ONE IDEA. 1428 01:02:07,967 --> 01:02:09,333 HELLO? 1429 01:02:09,367 --> 01:02:11,733 HEY. IT'S SOPHIE. 1430 01:02:11,767 --> 01:02:13,000 HEY. 1431 01:02:13,033 --> 01:02:14,600 YEAH, COME ON IN. 1432 01:02:20,633 --> 01:02:22,667 BRETT AND I HAD A FIGHT. 1433 01:02:22,700 --> 01:02:25,800 I MAY NEED TO CRASH HERE FOR A WHILE. 1434 01:02:25,833 --> 01:02:29,167 I ALWAYS THOUGHT YOU GUYS WERE SO HAPPY. 1435 01:02:30,233 --> 01:02:32,033 WE ARE. 1436 01:02:32,067 --> 01:02:35,267 MOST OF THE TIME. 1437 01:02:35,300 --> 01:02:37,200 BUT IT'S LIKE I ALWAYS SAY-- 1438 01:02:37,233 --> 01:02:39,767 MIR, RELATIONSHIPS CAN BE STRESSFUL. 1439 01:02:41,000 --> 01:02:43,233 SO STRESSFUL THAT YOU HAD TO LEAVE? 1440 01:02:44,900 --> 01:02:47,933 WE BOTH SAID SOME STUFF. 1441 01:02:47,967 --> 01:02:49,967 I MEAN, WE'LL WORK IT OUT. 1442 01:02:50,000 --> 01:02:53,367 THINGS ARE ALWAYS SO MUCH CLEARER IN THE MORNING. 1443 01:02:54,867 --> 01:02:57,300 I JUST NEEDED TO GIVE HIM SOME SPACE 1444 01:02:57,333 --> 01:02:59,900 AND I NEEDED SOME SPACE. 1445 01:02:59,933 --> 01:03:02,767 LORD KNOWS, YOU HAVE SPACE TO SPARE, 1446 01:03:02,800 --> 01:03:04,867 SO... 1447 01:03:04,900 --> 01:03:07,000 WELL, I'M SORRY THAT YOU GUYS ARE FIGHTING, 1448 01:03:07,033 --> 01:03:09,400 BUT I'M GLAD THAT YOU'RE HERE. 1449 01:03:09,433 --> 01:03:12,700 I ALWAYS THOUGHT THAT I'D LOVE LIVING ALONE... 1450 01:03:12,733 --> 01:03:14,433 AND IT HAS ITS MOMENTS. 1451 01:03:16,467 --> 01:03:19,133 BUT, MOSTLY, IT'S... IT'S LONELY. 1452 01:03:20,733 --> 01:03:23,000 SO MY CORPORATE TOWNHOUSE IS YOUR CORPORATE TOWNHOUSE. 1453 01:03:23,033 --> 01:03:25,667 UNTIL I LOSE IT, WHICH SHOULD BE ANY DAY NOW, 1454 01:03:25,700 --> 01:03:28,167 AND THEN IT'S NEITHER OF OUR CORPORATE TOWNHOUSE. 1455 01:03:29,733 --> 01:03:33,000 SOMETIMES, I WISH I COULD JUST GO BACK, 1456 01:03:33,033 --> 01:03:34,667 BEFORE ALL THIS HAPPENED. 1457 01:03:34,700 --> 01:03:37,367 LIFE WAS SO MUCH EASIER. 1458 01:03:37,400 --> 01:03:39,433 WHO ARE YOU TRYING TO FOOL? 1459 01:03:40,833 --> 01:03:42,833 LOOK, MIRA... 1460 01:03:42,867 --> 01:03:44,300 YOU SPENT HALF YOUR LIFE 1461 01:03:44,333 --> 01:03:48,067 PLANNING OR FANTASIZING ABOUT THE FUTURE. 1462 01:03:48,100 --> 01:03:49,867 WELL, THIS IS IT. 1463 01:03:49,900 --> 01:03:52,000 THIS IS YOUR FANTASY... 1464 01:03:52,033 --> 01:03:54,267 LIVE AND IN COLOR. 1465 01:03:56,033 --> 01:03:57,767 WELL, IT'S NOT WHAT I SIGNED UP FOR, 1466 01:03:57,800 --> 01:03:59,733 AND IT'S OVER. 1467 01:03:59,767 --> 01:04:01,467 I'M DONE. 1468 01:04:09,967 --> 01:04:11,133 OH, HI. COME ON IN. 1469 01:04:11,167 --> 01:04:12,467 I WAS JUST THINKING-- 1470 01:04:12,500 --> 01:04:13,467 ERIN? 1471 01:04:13,500 --> 01:04:15,267 I'M HERE TO TENDER MY RESIGNATION. 1472 01:04:19,467 --> 01:04:21,133 WHAT ARE YOU TALKING ABOUT? 1473 01:04:21,167 --> 01:04:22,433 WITH ALL DUE RESPECT, 1474 01:04:22,467 --> 01:04:25,000 YOU SHOULD'VE MADE MICHAEL VP OF CREATIVE DEVELOPMENT. 1475 01:04:25,033 --> 01:04:26,233 I WASN'T READY. 1476 01:04:26,267 --> 01:04:28,167 MY BRILLIANT IDEA THAT CRASHED OURFRIENDS' SERVERS 1477 01:04:28,200 --> 01:04:30,033 WOULD'VE DONE THE SAME THING TO US. 1478 01:04:30,067 --> 01:04:31,767 I CAN'T SEEM TO MOTIVATE MY TEAM, 1479 01:04:31,800 --> 01:04:34,233 AND WE HAVE THREE WEEKS-- I HAVE NOTHING FOR YOU. 1480 01:04:34,267 --> 01:04:36,233 AS FAR AS YOUR TEAM GOES, 1481 01:04:36,267 --> 01:04:38,867 IT TAKES TIME TO LEARN HOW TO LEAD. 1482 01:04:38,900 --> 01:04:40,267 IF YOU THOUGHT YOU'D COME IN HERE 1483 01:04:40,300 --> 01:04:41,433 AND DO IT PERFECTLY, 1484 01:04:41,467 --> 01:04:42,900 YOU WERE DREAMING. 1485 01:04:42,933 --> 01:04:43,967 I WANT TO INSPIRE MY TEAM 1486 01:04:44,000 --> 01:04:46,967 THE WAY YOU INSPIRE ME. 1487 01:04:47,000 --> 01:04:49,233 I DON'T-- I DON'T EVEN COME CLOSE. 1488 01:04:49,267 --> 01:04:51,733 OH, HONEY. YOU WILL. 1489 01:04:51,767 --> 01:04:53,333 IN TIME. 1490 01:04:53,367 --> 01:04:57,300 IT IS HOW WE RISE TO A CHALLENGE THAT DEFINES US 1491 01:04:57,333 --> 01:05:00,333 AND THIS IS A DEFINING MOMENT FOR YOU... 1492 01:05:01,400 --> 01:05:04,133 SO DON'T CHOOSE TO CRUMBLE. 1493 01:05:04,167 --> 01:05:05,533 AND BESIDES... 1494 01:05:05,567 --> 01:05:08,267 I DON'T ACCEPT YOUR RESIGNATION. 1495 01:05:10,167 --> 01:05:11,400 SO YOU PROMISE 1496 01:05:11,433 --> 01:05:13,133 YOU'LL COME BACK AND VISIT US? 1497 01:05:13,167 --> 01:05:15,200 I PROMISE. 1498 01:05:15,233 --> 01:05:17,433 OH, JONAH! YOU'RE LEAVING US, HUH? 1499 01:05:18,833 --> 01:05:20,067 I AM. 1500 01:05:20,100 --> 01:05:23,000 I EXPECT AN AUTOGRAPHED COPY OF THAT BOOK. 1501 01:05:23,033 --> 01:05:24,800 OF COURSE. OUT OF THE FIRST RUN. 1502 01:05:24,833 --> 01:05:26,167 AND, UH... 1503 01:05:26,200 --> 01:05:27,500 THANKS FOR EVERYTHING. 1504 01:05:27,533 --> 01:05:29,167 I REALLY ENJOYED WORKING FOR YOU. 1505 01:05:39,900 --> 01:05:41,500 LOOK... 1506 01:05:41,533 --> 01:05:43,900 IT'S NONE OF MY BUSINESS, 1507 01:05:43,933 --> 01:05:44,967 BUT YOU MIGHT WANT 1508 01:05:45,000 --> 01:05:47,100 TO TELL HER HOW YOU FEEL ABOUT HER. 1509 01:05:47,133 --> 01:05:48,833 SHE NEEDS TO KNOW. 1510 01:05:48,867 --> 01:05:50,833 WE ALL DO. 1511 01:05:56,900 --> 01:05:58,400 OKAY. 1512 01:06:02,067 --> 01:06:04,200 LIAM. WHAT ARE YOU DOING HERE? 1513 01:06:04,233 --> 01:06:06,533 WELL, I HAVEN'T SEEN YOU IN A FEW DAYS. 1514 01:06:06,567 --> 01:06:08,267 I KNOW HOW HARD YOU'VE BEEN WORKING, 1515 01:06:08,300 --> 01:06:09,600 SO I WANTED TO SURPRISE YOU. 1516 01:06:09,633 --> 01:06:12,200 THEY'RE SO LOVELY! 1517 01:06:12,233 --> 01:06:13,500 THANK YOU, LIAM. 1518 01:06:13,533 --> 01:06:15,400 OH, THOSE AREN'T THE SURPRISE. 1519 01:06:15,433 --> 01:06:16,900 THESE ARE. 1520 01:06:16,933 --> 01:06:20,233 TWO TICKETS TO KENNY CHESNEY WITH BACKSTAGE PASSES. 1521 01:06:20,267 --> 01:06:22,467 I JUST MIGHT KNOW THE BASS PLAYER. 1522 01:06:22,500 --> 01:06:24,867 OH, I DON'T REALLY LIKE COUNTRY MUSIC. 1523 01:06:24,900 --> 01:06:26,233 KENNY CHESNEY'S COUNTRY, RIGHT? 1524 01:06:26,267 --> 01:06:27,933 YOU DON'T KNOW KENNY CHESNEY? 1525 01:06:27,967 --> 01:06:30,867 WELL, THAT'S WHY YOU THINK YOU DON'T LIKE COUNTRY MUSIC. 1526 01:06:30,900 --> 01:06:31,967 I PROMISE YOU, AFTER TONIGHT, 1527 01:06:32,000 --> 01:06:33,500 YOU'LL BE ONE OF HIS BIGGEST FANS. 1528 01:06:33,533 --> 01:06:34,567 NO, YOU'RE NOT LISTENING. 1529 01:06:34,600 --> 01:06:36,433 I REALLY DON'T LIKE COUNTRY MUSIC. 1530 01:06:36,467 --> 01:06:37,967 LIKE, AT ALL. 1531 01:06:38,000 --> 01:06:40,467 WAIT... 1532 01:06:40,500 --> 01:06:41,467 TONIGHT? 1533 01:06:41,500 --> 01:06:45,267 YES. TONIGHT. LIKE, RIGHT NOW. 1534 01:06:45,300 --> 01:06:47,067 LISTEN, MIRA, I PROMISED YOU FUN, 1535 01:06:47,100 --> 01:06:48,133 AND NOW I'M DELIVERING, 1536 01:06:48,167 --> 01:06:49,533 SO STEP AWAY FROM YOUR STRESS, 1537 01:06:49,567 --> 01:06:51,900 AND LET'S BLOW OFF SOME STEAM. 1538 01:06:51,933 --> 01:06:54,233 EVEN IF I LOVED COUNTRY MUSIC, LIAM, 1539 01:06:54,267 --> 01:06:56,533 I COULDN'T GO, I HAVE A DEADLINE. 1540 01:06:56,567 --> 01:06:59,867 WELL, MIRA, YOU CAN GO, YOU'RE THE BOSS. 1541 01:06:59,900 --> 01:07:01,067 WHICH MAKES IT 1542 01:07:01,100 --> 01:07:03,300 EVEN MORE IMPORTANT THAT I STEP UP. 1543 01:07:06,667 --> 01:07:08,633 LISTEN, MIRA, I-I KNOW 1544 01:07:08,667 --> 01:07:11,100 THAT WE'VE ONLY BEEN SEEING EACH OTHER 1545 01:07:11,133 --> 01:07:12,600 FOR A FEW MONTHS, BUT... 1546 01:07:13,667 --> 01:07:15,567 BUT I REALLY CARE ABOUT YOU, 1547 01:07:15,600 --> 01:07:17,200 AND I WANT THIS TO WORK, 1548 01:07:17,233 --> 01:07:19,633 BUT FOR-FOR THAT TO HAPPEN, 1549 01:07:19,667 --> 01:07:21,567 WE HAVE TO ACTUALLY SPEND TIME TOGETHER. 1550 01:07:21,600 --> 01:07:23,933 I-I KNOW, BUT YOU JUST SPRUNG THIS ON ME. 1551 01:07:23,967 --> 01:07:26,267 I JUST THOUGHT YOU'D BE EXCITED. 1552 01:07:32,167 --> 01:07:34,000 I'M GONNA GO. 1553 01:07:34,033 --> 01:07:35,667 OKAY. 1554 01:07:42,700 --> 01:07:46,367 LIAM AND I HAVE BEEN DATING FOR THREE MONTHS 1555 01:07:46,400 --> 01:07:49,467 AND HE KNOWS NOTHING ABOUT MY INTERESTS. 1556 01:07:49,500 --> 01:07:51,567 AND WHAT'S EVEN WORSE, IT'S LIKE HE DOESN'T CARE. 1557 01:07:51,600 --> 01:07:54,000 HE JUST KEEPS SPRINGING THINGS ON ME, 1558 01:07:54,033 --> 01:07:56,167 AND I FEEL LIKE I HAVE NO SAY IN THIS RELATIONSHIP. 1559 01:07:56,200 --> 01:07:58,433 TSK. WELL, I THINK WE JUST FOUND HIS FLAW. 1560 01:08:00,200 --> 01:08:01,533 BETWEEN THINGS BEING WEIRD WITH HIM 1561 01:08:01,567 --> 01:08:03,233 AND LOSING JONAH, 1562 01:08:03,267 --> 01:08:05,767 I DON'T KNOW ANYTHING ANYMORE. 1563 01:08:15,467 --> 01:08:17,600 OKAY. LISTEN. 1564 01:08:17,633 --> 01:08:19,200 PEOPLE LOVE TO UPDATE THEIR STATUS 1565 01:08:19,233 --> 01:08:22,700 AND-AND-AND POST PICTURES AND CHECK-IN LOCATIONS, RIGHT? 1566 01:08:22,733 --> 01:08:25,067 SO I'M THINKING WE USE OUR SOCIAL NETWORKING SITE 1567 01:08:25,100 --> 01:08:26,233 AS THE HOME PAGE. 1568 01:08:26,267 --> 01:08:28,000 GOOD IDEA. 1569 01:08:28,033 --> 01:08:29,767 WE HAVEN'T CHOSEN THE HOME PAGE YET. 1570 01:08:29,800 --> 01:08:31,233 LET'S DO IT! 1571 01:08:32,267 --> 01:08:34,500 REALLY? UM... GREAT! 1572 01:08:34,533 --> 01:08:35,600 I KNOW I HAVEN'T BEEN 1573 01:08:35,633 --> 01:08:37,167 VERY OPEN TO IDEAS, 1574 01:08:37,200 --> 01:08:39,000 BUT I'M WORKING ON THAT. 1575 01:08:39,033 --> 01:08:41,500 ACTUALLY, I'M WORKING ON A FEW THINGS-- 1576 01:08:41,533 --> 01:08:42,700 LIKE AN APOLOGY. 1577 01:08:42,733 --> 01:08:46,367 I HAVEN'T EXACTLY BEEN THE BEST TEAM LEADER HERE. 1578 01:08:46,400 --> 01:08:49,200 LOOK, SOMETIMES, WE LEARN FROM OTHER PEOPLE'S MISTAKES 1579 01:08:49,233 --> 01:08:50,333 BETTER THAN FROM OUR OWN. 1580 01:08:50,367 --> 01:08:51,433 I MEAN, BY WATCHING YOU, 1581 01:08:51,467 --> 01:08:53,300 I AM SEEING SO MUCH OF WHAT I DID WRONG. 1582 01:08:53,333 --> 01:08:54,567 WOW! 1583 01:08:54,600 --> 01:08:56,033 OH! NO, THAT-- 1584 01:08:56,067 --> 01:08:58,133 OKAY, THAT SOUNDED HARSH. UM... 1585 01:08:58,167 --> 01:09:00,233 LOOK. 1586 01:09:00,267 --> 01:09:02,667 THINK ABOUT IT. I... 1587 01:09:02,700 --> 01:09:05,200 I WAS YOU, OKAY? 1588 01:09:05,233 --> 01:09:07,533 AND IT DIDN'T GET ME WHERE I WANTED TO GO. 1589 01:09:07,567 --> 01:09:09,800 YOU KNOW, I READ YOUR REPORT. 1590 01:09:09,833 --> 01:09:11,400 OH, YEAH? AND? 1591 01:09:11,433 --> 01:09:12,767 AND IT OCCURRED TO ME 1592 01:09:12,800 --> 01:09:14,567 THAT, OF COURSE, YOU FOUND A TECHNICAL GLITCH, 1593 01:09:14,600 --> 01:09:16,533 BECAUSE THAT'S YOUR AREA OF EXPERTISE. 1594 01:09:16,567 --> 01:09:17,600 I WAS SO FOCUSED 1595 01:09:17,633 --> 01:09:19,433 ON TRYING TO FIGURE IT ALL OUT ON MY OWN, 1596 01:09:19,467 --> 01:09:23,233 THAT I FORGOT THAT I DON'T KNOW EVERYTHING. 1597 01:09:23,267 --> 01:09:25,567 I SHOULD'VE LISTENED TO YOU. 1598 01:09:25,600 --> 01:09:28,400 AND I'M SORRY. 1599 01:09:28,433 --> 01:09:31,167 WELL, UM... 1600 01:09:31,200 --> 01:09:34,500 I THINK I OWE YOU THE EXACT SAME APOLOGY. 1601 01:09:34,533 --> 01:09:36,533 ACCEPTED. 1602 01:09:36,567 --> 01:09:38,467 AND THANK YOU FOR HAVING MY BACK. 1603 01:09:38,500 --> 01:09:39,667 ANYTIME. 1604 01:09:39,700 --> 01:09:41,600 AND I MEAN THAT. 1605 01:09:58,667 --> 01:10:02,100 SO, ANYWAY, IN THE END, 1606 01:10:02,133 --> 01:10:05,767 PEGGY REALIZES SHE DOESN'T NEED THE JUNGLE TO BE HAPPY, 1607 01:10:05,800 --> 01:10:07,333 SHE CAN BE HAPPY EXACTLY WHERE SHE IS, 1608 01:10:07,367 --> 01:10:09,600 AT HOME WITH THE PIGS. 1609 01:10:18,233 --> 01:10:19,367 HEY! 1610 01:10:19,400 --> 01:10:23,233 HEY! I CAN'T BELIEVE YOU ACTUALLY CAME. OH! 1611 01:10:23,267 --> 01:10:25,633 I WAS TOLD THERE WERE 15-CENT WINGS. 1612 01:10:25,667 --> 01:10:27,433 I MAY HAVE ORDERED 20. 1613 01:10:27,467 --> 01:10:29,567 WHAT ARE YOU, AN AMATEUR? THAT'S NOT NEARLY ENOUGH! 1614 01:10:33,100 --> 01:10:34,333 YOU OKAY? 1615 01:10:35,767 --> 01:10:39,433 I'M FEELING A LITTLE LOST WITHOUT YOU, ACTUALLY. 1616 01:10:39,467 --> 01:10:42,067 I THINK MY CREATIVE JUICES ARE ON HOLIDAY. 1617 01:10:42,100 --> 01:10:44,200 WELL, YOU KNOW WHAT YOU NEED? 1618 01:10:44,233 --> 01:10:46,733 OF COURSE I DO. 1619 01:10:47,733 --> 01:10:49,367 BARTENDER? 1620 01:10:54,167 --> 01:10:56,533 OOH! THE FLAMING FISHHOOKS 1621 01:10:56,567 --> 01:10:58,600 ARE STRONG TONIGHT. 1622 01:10:58,633 --> 01:10:59,733 WHEW. 1623 01:10:59,767 --> 01:11:02,533 SO YOUR CREATIVE JUICES ARE ON HOLIDAY, HUH? 1624 01:11:02,567 --> 01:11:06,833 BRILLIANCE LIVES IN THE MOMENTS OUTSIDE OF LUCIDITY. 1625 01:11:06,867 --> 01:11:09,200 LUCIDITY IS DEFINITELY OVERRATED. 1626 01:11:09,233 --> 01:11:10,300 I PREFER FANTASY. 1627 01:11:10,333 --> 01:11:13,167 I'M EXCEPTIONALLY BRILLIANT IN MY FANTASIES. 1628 01:11:13,200 --> 01:11:14,367 AND IN REALITY, 1629 01:11:14,400 --> 01:11:16,833 THINGS NEVER TURN OUT THE WAY WE HOPE THEY WILL. 1630 01:11:18,400 --> 01:11:19,833 I KNOW YOU, MIRA. 1631 01:11:19,867 --> 01:11:22,200 I KNOW WHEN YOU'RE NOT HAPPY. 1632 01:11:22,233 --> 01:11:24,300 AM I THAT TRANSPARENT? 1633 01:11:24,333 --> 01:11:27,267 I MEAN, WHO GETS EVERYTHING THEY'VE EVER DREAMT OF, 1634 01:11:27,300 --> 01:11:29,167 AND THEY'RE MORE MISERABLE THAN BEFORE? 1635 01:11:29,200 --> 01:11:31,800 YOU MADE A FEW APRIL FOOL'S JOKES. 1636 01:11:31,833 --> 01:11:35,167 YOU ASKED AND YOU RECEIVED. 1637 01:11:35,200 --> 01:11:36,433 BUT THAT DOESN'T MEAN 1638 01:11:36,467 --> 01:11:39,700 YOU GET TO CONTROL HOW IT ALL PLAYS OUT. 1639 01:11:39,733 --> 01:11:43,167 DO YOU KNOW THE ORIGINS OF APRIL FOOL'S DAY? 1640 01:11:43,200 --> 01:11:44,167 NO. 1641 01:11:44,200 --> 01:11:45,500 OKAY. 1642 01:11:45,533 --> 01:11:46,900 SO, WAY BACK WHEN, 1643 01:11:46,933 --> 01:11:48,367 IN ORDER TO MAINTAIN CONTROL, 1644 01:11:48,400 --> 01:11:49,500 THE PEOPLE IN CHARGE 1645 01:11:49,533 --> 01:11:51,767 WOULD SEND UNDERLINGS ON A "FOOL'S ERRAND"... 1646 01:11:51,800 --> 01:11:54,600 BUT THEY'D ONLY BE A FOOL 1647 01:11:54,633 --> 01:11:57,433 IF THEY ACCEPTED THE ERRAND. 1648 01:11:57,467 --> 01:11:59,667 MAYBE THE UNIVERSE WAS TRYING TO TELL YOU SOMETHING. 1649 01:12:00,800 --> 01:12:02,700 WHAT? THAT I'M A FOOL? 1650 01:12:02,733 --> 01:12:04,633 THAT'S NOT WHAT I'M TRYING TO SAY. 1651 01:12:06,533 --> 01:12:07,800 MAYBE... 1652 01:12:07,833 --> 01:12:09,567 THERE'S A ROAD 1653 01:12:09,600 --> 01:12:12,900 YOUR IMAGINATION HASN'T THOUGHT OF YET. 1654 01:12:16,233 --> 01:12:17,667 MAYBE YOU SHOULD... 1655 01:12:17,700 --> 01:12:19,567 GIVE THAT ROAD A TRY. 1656 01:12:22,267 --> 01:12:24,900 AND WHAT ROAD WOULD THAT BE? 1657 01:12:28,900 --> 01:12:30,400 ME, MIRA. 1658 01:12:31,900 --> 01:12:33,767 ME. 1659 01:12:39,333 --> 01:12:40,700 JONAH, I'M SORRY-- 1660 01:12:40,733 --> 01:12:42,967 I KNOW. 1661 01:12:43,000 --> 01:12:45,267 I'M NOT A PART OF THE FANTASY. 1662 01:12:49,600 --> 01:12:51,333 YOU KNOW WHAT? 1663 01:12:51,367 --> 01:12:52,700 I, UH... 1664 01:12:52,733 --> 01:12:55,333 PREFER REALITY. 1665 01:13:00,667 --> 01:13:02,000 JONAH? 1666 01:13:05,533 --> 01:13:07,433 GOOD LUCK WITH THE SITE, MIRA. 1667 01:13:07,467 --> 01:13:09,900 I HOPE IT'S A HUGE SUCCESS. 1668 01:13:14,033 --> 01:13:16,000 JONAH. 1669 01:13:26,900 --> 01:13:28,567 SO WHAT DID YOU SAY TO THAT? 1670 01:13:28,600 --> 01:13:30,500 I DIDN'T KNOW WHAT TO SAY, 1671 01:13:30,533 --> 01:13:32,000 AND HE JUST LEFT. 1672 01:13:32,033 --> 01:13:33,600 HE SEEMED REALLY ANGRY. 1673 01:13:33,633 --> 01:13:35,567 WELL, SOMETIMES, OTHER EMOTIONS 1674 01:13:35,600 --> 01:13:37,500 CAN WEAR AN "ANGER COSTUME." 1675 01:13:37,533 --> 01:13:38,867 IT WAS SUPER-AWKWARD. 1676 01:13:38,900 --> 01:13:40,733 OR SUPER-AMAZING. 1677 01:13:40,767 --> 01:13:44,467 I MEAN, HE JUST TOLD YOU HE HAS FEELINGS FOR YOU! 1678 01:13:44,500 --> 01:13:47,333 AND NOBODY MAKES YOU AS HAPPY AS THIS GUY. 1679 01:13:47,367 --> 01:13:48,500 I MEAN, YOU HAVE THE SAME SENSE OF HUMOR, 1680 01:13:48,533 --> 01:13:49,667 THE SAME LIKES. 1681 01:13:49,700 --> 01:13:51,867 THAT'S WHAT MAKES A RELATIONSHIP. 1682 01:13:51,900 --> 01:13:53,000 I DON'T KNOW. 1683 01:13:53,033 --> 01:13:55,000 I JUST NEVER THOUGHT ABOUT HIM THAT WAY. 1684 01:13:55,033 --> 01:13:58,300 HE'S ALWAYS JUST BEEN MY BUDDY, JONAH. 1685 01:13:58,333 --> 01:13:59,600 AND NOW? 1686 01:13:59,633 --> 01:14:01,733 AND HOW I NEED TO RETHINK EVERYTHING! 1687 01:14:01,767 --> 01:14:02,833 -EVERYTHING? -EVERYTHING! 1688 01:14:02,867 --> 01:14:04,800 I PLAYED THESE PRANKS AND NOW I FEEL LIKE 1689 01:14:04,833 --> 01:14:06,633 I'M THE ONE GOING ON A FOOL'S ERRAND. 1690 01:14:06,667 --> 01:14:08,800 I... 1691 01:14:08,833 --> 01:14:11,333 I DON'T WANT TO BE THE FOOL ANYMORE, SOPHIE. 1692 01:14:11,367 --> 01:14:13,700 I NEED TO REFUSE THE ERRAND. 1693 01:14:13,733 --> 01:14:15,400 ALL OF THE ERRANDS. 1694 01:14:34,833 --> 01:14:36,967 YOU'RE NOT MY HOME. 1695 01:14:47,067 --> 01:14:48,667 ARE YOU WATCHING SHELLY? 1696 01:14:48,700 --> 01:14:51,400 OF COURSE WE ARE. IT'S THE FINALE. 1697 01:14:51,433 --> 01:14:52,800 ROOM FOR ONE MORE? 1698 01:14:52,833 --> 01:14:54,700 COME IN. 1699 01:14:54,733 --> 01:14:56,833 HI! 1700 01:14:56,867 --> 01:14:58,833 SHELLY LOOKS FOR LOVE. 1701 01:14:58,867 --> 01:15:00,000 I'M SUPER EXCITED. 1702 01:15:04,000 --> 01:15:07,667 I'M SORRY THAT I'VE BEEN SO UNAVAILABLE. 1703 01:15:07,700 --> 01:15:09,067 I'VE MISSED YOU GUYS. 1704 01:15:09,100 --> 01:15:11,967 WE MISSED YOU, TOO. 1705 01:15:13,100 --> 01:15:16,167 I USED TO ALWAYS THINK I'D LOVE LIVING ALONE, 1706 01:15:16,200 --> 01:15:18,133 BUT I USED TO THINK A LOT OF THINGS. 1707 01:15:19,933 --> 01:15:20,867 I LOVE THIS. 1708 01:15:20,900 --> 01:15:24,567 ME, MIRA, KELSEA, AND SHELLY. 1709 01:15:24,600 --> 01:15:26,400 BACK TOGETHER AGAIN. 1710 01:15:27,767 --> 01:15:29,633 IT'S THE BEST. 1711 01:15:29,667 --> 01:15:30,833 BUT... 1712 01:15:30,867 --> 01:15:32,900 BROOKE, WE REALLY DO NEED TO MOVE. 1713 01:15:32,933 --> 01:15:35,033 I ALREADY MISS MY BATHTUBS. 1714 01:15:37,100 --> 01:15:38,167 CHEERS. 1715 01:15:38,200 --> 01:15:39,767 CHEERS. 1716 01:15:56,700 --> 01:15:58,733 SO LISTEN, I HAVE TO RALLY THE TEAM 1717 01:15:58,767 --> 01:16:00,133 AND BRING EVERYONE BACK TOGETHER 1718 01:16:00,167 --> 01:16:01,833 AND I NEED YOUR HELP. 1719 01:16:01,867 --> 01:16:04,033 OOH... I DON'T KNOW. 1720 01:16:05,167 --> 01:16:06,667 KIDDING! YES. OF COURSE. 1721 01:16:21,500 --> 01:16:22,767 LISTEN UP. 1722 01:16:22,800 --> 01:16:24,067 I KNOW THE PAST COUPLE OF MONTHS 1723 01:16:24,100 --> 01:16:25,767 HAVE BEEN GRUELING WITH LITTLE REWARD, 1724 01:16:25,800 --> 01:16:27,800 AND I HAVE BEEN LESS THAN STELLAR AS A BOSS, 1725 01:16:27,833 --> 01:16:30,700 AND THAT BREAKFAST WON'T FIX EVERYTHING... 1726 01:16:30,733 --> 01:16:32,067 -IT COULDN'T HURT. -BUT I NEED YOUR HELP. 1727 01:16:32,100 --> 01:16:33,067 ALL OF YOU. 1728 01:16:33,100 --> 01:16:34,167 WE ALL HAVE STRENGTHS, 1729 01:16:34,200 --> 01:16:35,700 AND WE NEED TO POOL OUR COLLECTIVE RESOURCES 1730 01:16:35,733 --> 01:16:37,833 AND COME UP WITH THE NEW DESIGN TOGETHER. 1731 01:16:37,867 --> 01:16:39,733 I KNOW I HAVEN'T BEEN VERY OPEN, 1732 01:16:39,767 --> 01:16:41,900 BUT I'M READY TO LISTEN NOW, REALLY READY. 1733 01:16:41,933 --> 01:16:46,633 MIRA AND I HAVE COLLECTED SOME ITEMS THAT INSPIRED US, 1734 01:16:46,667 --> 01:16:49,000 SO FEEL FREE TO GRAB SOME MATERIALS FROM YOUR DESKS, 1735 01:16:49,033 --> 01:16:50,200 AND ADD THEM TO THE MIX. 1736 01:16:50,233 --> 01:16:52,633 NOW LET'S GRAB SOMETHING FROM THIS PILE, 1737 01:16:52,667 --> 01:16:54,700 AND GET READY FOR THE MOTHER OF ALL BRAINSTORMING SESSIONS. 1738 01:16:54,733 --> 01:16:56,133 I WANT TO HEAR ALL OF YOUR IDEAS-- 1739 01:16:56,167 --> 01:16:57,233 THE GOOD, THE BAD... 1740 01:16:57,267 --> 01:16:58,833 SO PEOPLE DON'T HAVE THE ABILITY 1741 01:16:58,867 --> 01:17:01,167 TO DECORATE THEIR HOMES AS MUCH ANYMORE, 1742 01:17:01,200 --> 01:17:03,733 SO THEY MIGHT ACTUALLY WANT TO DECORATE THEIR SITES, RIGHT? 1743 01:17:03,767 --> 01:17:05,933 WE'LL TAKE PICTURES OF OBJECTS... 1744 01:17:08,233 --> 01:17:10,033 YES! WE NEED A "DISLIKE" BUTTON. 1745 01:17:10,067 --> 01:17:12,033 EVERYBODY'S "LIKING" EVERYTHING, RIGHT? 1746 01:17:12,067 --> 01:17:13,700 WHAT IF IT LOOKS LIKE A PHOTO ALBUM, 1747 01:17:13,733 --> 01:17:15,200 AND YOU TURN THE PAGE TO REPRESENT A DIFFERENT SITE? 1748 01:17:15,233 --> 01:17:16,233 THAT'S INTERESTING. 1749 01:17:16,267 --> 01:17:17,700 OKAY, YOU GUYS-- 1750 01:17:17,733 --> 01:17:19,600 WHAT ABOUT INTEGRATING A GALLERY RIGHT INTO THE DESIGN? 1751 01:17:19,633 --> 01:17:20,733 YEAH! 1752 01:17:20,767 --> 01:17:23,100 -THAT MONET RIGHT THERE-- THOSE ARE OUR COLORS. 1753 01:17:25,167 --> 01:17:27,833 OURFRIENDS IS DOING THE THREE-FOLD SITE, 1754 01:17:27,867 --> 01:17:30,100 BUT WHAT IF WE DO A SIX-FOLD SITE? 1755 01:17:30,133 --> 01:17:31,167 EVERYONE HAS SIX WEBSITES 1756 01:17:31,200 --> 01:17:32,700 THAT THEY FREQUENT ON A REGULAR BASIS. 1757 01:17:32,733 --> 01:17:34,600 THE THREE-FOLD SITE CRASHES SERVERS. 1758 01:17:34,633 --> 01:17:35,867 WHAT WOULD SIX DO? 1759 01:17:35,900 --> 01:17:37,800 YEAH, BUT MICHAEL CAME UP WITH A FIX FOR THAT. 1760 01:17:37,833 --> 01:17:39,033 YEAH, THE SERVERS HAVE ALREADY BEEN BACKED UP 1761 01:17:39,067 --> 01:17:40,867 AND RECONFIGURED, SO IT CAN HANDLE THE OVERFLOW. 1762 01:17:40,900 --> 01:17:41,867 THAT'S A GREAT IDEA. 1763 01:18:03,167 --> 01:18:04,367 YOU GUYS... 1764 01:18:04,400 --> 01:18:05,900 I THINK WE GOT IT. 1765 01:18:05,933 --> 01:18:07,367 IT'S A CUBE, ONE GIANT GALLERY OF DATA. 1766 01:18:07,400 --> 01:18:08,900 ONE CLICK TO SPIN THE CUBE 1767 01:18:08,933 --> 01:18:10,133 TO ANOTHER SIDE. 1768 01:18:10,167 --> 01:18:11,867 THERE'S YOUR DATA, PULLED FROM THE NEXT SITE. 1769 01:18:11,900 --> 01:18:13,700 VOILA! 1770 01:18:13,733 --> 01:18:15,067 I'M LIKING THIS. 1771 01:18:15,100 --> 01:18:17,200 WE USE THE YOURPAGE PERSONAL NETWORKING SITE 1772 01:18:17,233 --> 01:18:18,800 AS OUR HOME PAGE-- 1773 01:18:18,833 --> 01:18:20,667 MICHAEL'S IDEA-- AND THEN SPIN THE CUBE AGAIN, 1774 01:18:20,700 --> 01:18:22,867 AND YOU'RE ON THE DATING SITE, FOR THE SINGLES. 1775 01:18:22,900 --> 01:18:24,167 I'LL BE USING THAT ONE. 1776 01:18:25,933 --> 01:18:27,133 AND BECAUSE EACH SIDE OF THE CUBE 1777 01:18:27,167 --> 01:18:28,633 IS TREATED AS PART OF THE WHOLE, 1778 01:18:28,667 --> 01:18:30,133 OUR SERVERS WON'T TAKE A HIT. 1779 01:18:30,167 --> 01:18:32,033 MICHAEL FIGURED OUT WHAT CRASHED OURFRIENDS' SERVERS, 1780 01:18:32,067 --> 01:18:33,167 AND CAME UP WITH THIS BYPASS. 1781 01:18:33,200 --> 01:18:34,633 IT IS BRILLIANT! 1782 01:18:34,667 --> 01:18:36,100 AND I LOVE THE COLOR SCHEME! 1783 01:18:36,133 --> 01:18:37,733 THAT WAS ALL SUSAN. 1784 01:18:37,767 --> 01:18:39,300 MM. 1785 01:18:39,333 --> 01:18:41,367 IT'S PERFECT. IT'S PERFECT. 1786 01:18:41,400 --> 01:18:44,067 NOW WE'LL HAVE SOMETHING TO SHOW AT THE LAUNCH. 1787 01:18:44,100 --> 01:18:45,967 MM! 1788 01:18:55,833 --> 01:18:58,033 WHAT ARE YOU DOING HERE? 1789 01:18:58,067 --> 01:19:00,167 I WAS HOPING TO TAKE YOU FOR DINNER. 1790 01:19:00,200 --> 01:19:02,233 OH. 1791 01:19:02,267 --> 01:19:04,433 LIAM, CAN WE TALK? 1792 01:19:06,000 --> 01:19:07,867 SURE. 1793 01:19:10,700 --> 01:19:13,667 LIAM, YOU'RE WONDERFUL, 1794 01:19:13,700 --> 01:19:16,067 AND YOU'RE KIND... 1795 01:19:16,100 --> 01:19:18,200 AND GENEROUS 1796 01:19:18,233 --> 01:19:20,400 AND QUITE HONESTLY, PERFECT. 1797 01:19:21,767 --> 01:19:24,200 YOU'RE JUST NOT PERFECT FOR ME, 1798 01:19:24,233 --> 01:19:26,467 AND I'M NOT PERFECT FOR YOU EITHER. 1799 01:19:29,200 --> 01:19:30,900 I'VE KIND OF BEEN 1800 01:19:30,933 --> 01:19:33,933 GETTING THAT SAME FEELING, TOO, LATELY. 1801 01:19:35,767 --> 01:19:38,067 I MEAN, WHO DOESN'T LIKE KENNY CHESNEY? 1802 01:19:41,867 --> 01:19:43,900 HMM... 1803 01:19:43,933 --> 01:19:46,833 I'M GOING TO MISS YOU, MIRA. 1804 01:19:46,867 --> 01:19:49,067 I'M GONNA MISS YOU, TOO, 1805 01:19:49,100 --> 01:19:53,067 AND I REALLY DO WISH YOU THE BEST IN EVERYTHING. 1806 01:20:01,367 --> 01:20:03,000 THANK YOU ALL FOR JOINING US 1807 01:20:03,033 --> 01:20:07,267 TO CELEBRATE THE EVENT OF OUR NEW SITE GOING LIVE TODAY. 1808 01:20:09,233 --> 01:20:11,067 I'M HAPPY TO ANNOUNCE 1809 01:20:11,100 --> 01:20:14,133 THAT WE ARE ADDING PROFILES IN DROVES, 1810 01:20:14,167 --> 01:20:16,233 AND OUR SERVERS ARE DOING JUST FINE! 1811 01:20:16,267 --> 01:20:18,100 LOOK AT EVERYTHING YOU'VE ACCOMPLISHED-- 1812 01:20:18,133 --> 01:20:19,233 WE'RE LIVE AND IT'S A HIT. 1813 01:20:19,267 --> 01:20:20,833 WHAT WE'VE ACCOMPLISHED, MICHAEL. 1814 01:20:20,867 --> 01:20:22,400 I CANNOT TAKE ALL THE CREDIT. 1815 01:20:22,433 --> 01:20:24,833 I MUST CONGRATULATE 1816 01:20:24,867 --> 01:20:27,667 THE TEAM RESPONSIBLE FOR THIS AMAZING INTERFACE. 1817 01:20:27,700 --> 01:20:31,667 MIRA, MICHAEL... YOUR ENTIRE TEAM. 1818 01:20:31,700 --> 01:20:33,700 BRILLIANT WORK. 1819 01:20:33,733 --> 01:20:36,033 AND NOW THAT THE WORK IS ALL DONE, 1820 01:20:36,067 --> 01:20:37,033 IT'S TIME TO PARTY. 1821 01:20:39,700 --> 01:20:41,033 LET'S HUG IT OUT. 1822 01:20:42,133 --> 01:20:44,233 -CONGRATS. -YOU TOO. 1823 01:20:46,367 --> 01:20:47,667 -MICHAEL. MICHAEL. -WE DID IT. 1824 01:20:47,700 --> 01:20:48,900 OHH. 1825 01:20:51,433 --> 01:20:54,200 I'M SO SORRY I'M LATE! 1826 01:20:54,233 --> 01:20:56,133 CONGRATULATIONS. I'M SO PROUD OF YOU. 1827 01:20:56,167 --> 01:20:57,200 THANK YOU, AND THANK YOU 1828 01:20:57,233 --> 01:20:58,767 FOR BEING MY DATE AT THE LAST MINUTE. 1829 01:20:58,800 --> 01:21:00,933 OH, SWEETIE. ANY TIME. 1830 01:21:02,167 --> 01:21:03,400 YOU OKAY? 1831 01:21:03,433 --> 01:21:05,800 YEAH. BREAKING UP WITH HIM WAS THE RIGHT THING TO DO. 1832 01:21:05,833 --> 01:21:07,800 OF COURSE IT WAS. 1833 01:21:07,833 --> 01:21:09,500 CHAMPAGNE? 1834 01:21:09,533 --> 01:21:10,767 YES, PLEASE. 1835 01:21:15,467 --> 01:21:17,000 OH, THANK YOU. 1836 01:21:26,433 --> 01:21:28,267 HEY! JERRY! 1837 01:21:28,300 --> 01:21:30,100 THIS IS, UH, JERRY AND SUSAN. 1838 01:21:30,133 --> 01:21:31,233 NICE TO MEET YOU. 1839 01:21:31,267 --> 01:21:32,500 WHERE HAVE YOU GUYS BEEN? 1840 01:21:32,533 --> 01:21:35,200 UM... 1841 01:21:35,233 --> 01:21:37,067 JONAH'S BOOK SIGNING. 1842 01:21:37,100 --> 01:21:38,233 SORRY WE DUCKED OUT FOR A FEW. 1843 01:21:38,267 --> 01:21:40,200 NO! IT'S FINE. YOU SHOULD... 1844 01:21:40,233 --> 01:21:41,933 BE THERE TO SUPPORT HIM. WAS THERE A GOOD TURNOUT? 1845 01:21:41,967 --> 01:21:43,967 A GREAT TURNOUT. 1846 01:21:45,033 --> 01:21:46,100 COOL! DID-- DID YOU... 1847 01:21:46,133 --> 01:21:47,233 YEAH, YEAH. I HAVE YOUR COPY RIGHT HERE. 1848 01:21:47,267 --> 01:21:49,067 CHECK IT OUT. 1849 01:21:49,100 --> 01:21:50,100 YOU NEED TO TALK TO HIM. 1850 01:21:50,133 --> 01:21:51,200 HE CLEARLY HATES ME. 1851 01:21:51,233 --> 01:21:53,733 HE DIDN'T EVEN INVITE ME TO HIS BOOK SIGNING. 1852 01:21:53,767 --> 01:21:55,233 HE LOVES YOU. 1853 01:21:55,267 --> 01:21:56,833 HE'S JUST HURT. 1854 01:21:56,867 --> 01:21:58,233 THAT'S WHY YOU NEED TO GO TO HIS BOOK SIGNING. NOW. 1855 01:21:58,267 --> 01:21:59,233 I DON'T KNOW. 1856 01:21:59,267 --> 01:22:00,300 HONEY... 1857 01:22:00,333 --> 01:22:01,900 GO! 1858 01:22:09,333 --> 01:22:11,200 A MILLION CABS IN THIS CITY 1859 01:22:11,233 --> 01:22:13,300 AND NOT A SINGLE ONE WHEN YOU NEED IT. 1860 01:22:28,200 --> 01:22:29,967 HMPH. 1861 01:23:06,600 --> 01:23:09,533 HEY! DO YOU WANT YOUR USUAL TABLE? 1862 01:23:09,567 --> 01:23:11,967 NO, I THINK I'M GONNA JUST SIT AT THE BAR TONIGHT. 1863 01:23:12,000 --> 01:23:13,267 OH! 1864 01:23:25,633 --> 01:23:27,400 FLAMING FISHHOOK, PLEASE. 1865 01:23:27,433 --> 01:23:28,533 MAKE THAT TWO. 1866 01:23:30,100 --> 01:23:31,567 WHAT ARE YOU DOING HERE? 1867 01:23:31,600 --> 01:23:33,567 I WENT UPSTAIRS TO YOUR PARTY, 1868 01:23:33,600 --> 01:23:34,867 BUT YOU WEREN'T THERE, 1869 01:23:34,900 --> 01:23:37,367 SO I THOUGHT THE NEXT BEST THING, 1870 01:23:37,400 --> 01:23:38,867 COME TO OUR FAVORITE PLACE. 1871 01:23:38,900 --> 01:23:40,067 I WENT TO YOUR BOOK SIGNING, 1872 01:23:40,100 --> 01:23:41,233 AND YOU WEREN'T THERE. 1873 01:23:41,267 --> 01:23:42,267 I DIDN'T WANT TO MISS 1874 01:23:42,300 --> 01:23:43,433 THE MOST IMPORTANT NIGHT OF YOUR LIFE, 1875 01:23:43,467 --> 01:23:45,167 EVEN IF I WASN'T INVITED. 1876 01:23:45,200 --> 01:23:47,867 I DIDN'T WANT TO MISS YOURS EITHER. 1877 01:23:47,900 --> 01:23:50,100 I'M SORRY I WAS LATE. 1878 01:23:50,133 --> 01:23:51,967 HEY! NO. I GET IT. 1879 01:23:52,000 --> 01:23:53,967 YOU, UH, YOU HAD STUFF TO DO. 1880 01:23:54,000 --> 01:23:56,467 I'M SORRY I DIDN'T INVITE YOU. 1881 01:23:56,500 --> 01:23:58,333 I, UH... 1882 01:24:03,067 --> 01:24:04,967 I SIGNED IT FOR YOU, 1883 01:24:05,000 --> 01:24:07,633 FOR... WHEN I MIGHT SEE YOU LATER. 1884 01:24:07,667 --> 01:24:09,700 YOU WERE GOING TO SEE ME LATER? 1885 01:24:10,967 --> 01:24:14,600 I CAN'T STOP THINKING ABOUT WHEN I MIGHT SEE YOU LATER. 1886 01:24:16,133 --> 01:24:18,067 I THOUGHT YOU HATED ME. 1887 01:24:18,100 --> 01:24:20,200 YOU INFURIATE ME, MIRA. 1888 01:24:21,200 --> 01:24:23,533 THERE'S A BIG DIFFERENCE. 1889 01:24:33,733 --> 01:24:35,733 THANK YOU, JONAH. 1890 01:24:37,367 --> 01:24:39,067 THAT'S... THAT'S BEAUTIFUL. 1891 01:24:43,967 --> 01:24:45,567 SO LISTEN. 1892 01:24:46,633 --> 01:24:49,633 YOURPAGE IS UNDER CONTROL, 1893 01:24:49,667 --> 01:24:52,700 AND THE NEW CUBE DESIGN IS A HIT, 1894 01:24:52,733 --> 01:24:55,600 AND... 1895 01:24:56,967 --> 01:24:59,000 I NEED YOU BACK. 1896 01:25:00,500 --> 01:25:02,067 MIRA, I'M NOT... 1897 01:25:02,100 --> 01:25:04,000 I'M NOT COMING BACK TO YOURPAGE. 1898 01:25:04,033 --> 01:25:06,000 I'M SURE YOU CAN FIND 1899 01:25:06,033 --> 01:25:08,233 ANOTHER DESIGNER TO DO YOUR BIDDING. 1900 01:25:08,267 --> 01:25:11,467 I'M NOT SAYING YOURPAGE NEEDS YOU BACK. 1901 01:25:16,067 --> 01:25:18,767 I'M SAYING I NEED YOU BACK. 1902 01:25:20,733 --> 01:25:22,233 MIRA? 1903 01:25:22,267 --> 01:25:25,500 I CAN STOP FANTASIZING ABOUT THE FUTURE 1904 01:25:25,533 --> 01:25:27,467 BECAUSE TODAY IS PERFECT. 1905 01:25:27,500 --> 01:25:30,333 RIGHT NOW, THIS IS PERFECT. 1906 01:25:33,033 --> 01:25:34,367 NOTHING'S PERFECT. 1907 01:25:34,400 --> 01:25:37,600 TRUE. BUT... 1908 01:25:37,633 --> 01:25:39,800 YOU'RE PERFECT FOR ME. 1909 01:25:45,267 --> 01:25:46,467 KISS ME, EARL. 123360