Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 1 00:00:00,060 --> 00:00:02,759 Hey what's up Video creators? 2 2 00:00:02,784 --> 00:00:04,649 Phil here with videoschoolonline.com 3 3 00:00:04,649 --> 00:00:07,407 bringing you a new tutorial from Adobe 4 4 00:00:07,432 --> 00:00:10,590 Premiere Pro Creative Cloud adobe. They just 5 5 00:00:10,590 --> 00:00:13,296 released their new 2015 release and it 6 6 00:00:13,321 --> 00:00:15,054 is actually pretty cool. 7 7 00:00:15,570 --> 00:00:17,861 I updated and found a new color 8 8 00:00:17,886 --> 00:00:20,669 correction tool called Lumetri color 9 9 00:00:20,669 --> 00:00:23,460 and it gives us lots of great new 10 10 00:00:23,485 --> 00:00:26,579 options for coloring color correction 11 11 00:00:26,579 --> 00:00:29,504 and color grading our own video. So let's 12 12 00:00:29,529 --> 00:00:32,220 dive into this new tool and see how it works 13 13 00:00:32,910 --> 00:00:36,089 Ok so we are here in Adobe Premiere Pro 14 14 00:00:36,114 --> 00:00:39,030 and if you go in your effects panel, 15 15 00:00:39,030 --> 00:00:41,250 you'll see if you type in Lumetri or 16 16 00:00:41,275 --> 00:00:43,590 go down to the video effects and color 17 17 00:00:43,590 --> 00:00:46,965 Corrections folders you will see 18 18 00:00:46,990 --> 00:00:48,114 a lumetri color effect. 19 19 00:00:48,630 --> 00:00:50,674 Now if you just click and drag that onto 20 20 00:00:50,699 --> 00:00:52,044 our clips on the timeline, 21 21 00:00:52,890 --> 00:00:54,911 you will see that in. I already have one 22 22 00:00:54,936 --> 00:00:57,054 actually on here i'm going to delete that, 23 23 00:00:57,750 --> 00:01:00,153 but open your effects control window 24 24 00:01:00,178 --> 00:01:02,880 and if you have a clip selected, you will 25 25 00:01:02,880 --> 00:01:06,390 see this lumetric color. So you can go 26 26 00:01:06,415 --> 00:01:09,990 in and edit it this way but what's nice 27 27 00:01:09,990 --> 00:01:13,201 is that there is a completely new window 28 28 00:01:13,226 --> 00:01:16,020 for the lumetric color and even the 29 29 00:01:16,020 --> 00:01:17,399 lumetri scopes. 30 30 00:01:17,399 --> 00:01:19,544 So if you like to use scopes while doing 31 31 00:01:19,569 --> 00:01:21,689 color correction, which is a really good 32 32 00:01:21,689 --> 00:01:22,799 thing to do, 33 33 00:01:22,799 --> 00:01:25,518 you can use those, but you see here that 34 34 00:01:25,543 --> 00:01:28,170 it pops up this new window. So it has a 35 35 00:01:28,170 --> 00:01:31,160 lot of the same correction tools that 36 36 00:01:31,185 --> 00:01:34,229 premiere pro had before but all within 37 37 00:01:34,229 --> 00:01:36,421 this one panel and it within this one 38 38 00:01:36,446 --> 00:01:38,694 effect and it has some new cool stuff. 39 39 00:01:39,240 --> 00:01:41,608 It reminds me a little bit of editing 40 40 00:01:41,633 --> 00:01:44,039 photos in lightroom so you'll see here 41 41 00:01:44,039 --> 00:01:45,450 that if you 42 42 00:01:45,450 --> 00:01:47,146 and of course here I am on my wedding 43 43 00:01:47,171 --> 00:01:49,020 day, this is a little clip that I brought 44 44 00:01:49,020 --> 00:01:51,570 in to show you 45 45 00:01:51,570 --> 00:01:53,114 and I think it will be a good one, so 46 46 00:01:53,139 --> 00:01:54,780 that's Sam, you might recognize him from 47 47 00:01:54,780 --> 00:01:56,943 the photography masterclass if you are 48 48 00:01:56,968 --> 00:01:58,440 taking that class from us. 49 49 00:01:58,440 --> 00:02:00,671 But anyway back to color correction. So 50 50 00:02:00,696 --> 00:02:02,790 you'll see basic color correction and 51 51 00:02:02,790 --> 00:02:04,495 I'm just going to go down through 52 52 00:02:04,520 --> 00:02:06,450 everything you can use. So they have a 53 53 00:02:06,450 --> 00:02:07,650 white balance, 54 54 00:02:07,650 --> 00:02:09,930 so you can change the temperature make 55 55 00:02:09,955 --> 00:02:12,209 it cooler or warmer and then you might 56 56 00:02:12,209 --> 00:02:14,655 need to change the tent a little bit 57 57 00:02:14,680 --> 00:02:17,100 maybe add a little bit more green or 58 58 00:02:17,100 --> 00:02:20,340 magenta, to make sure that it looks correct. 59 59 00:02:20,970 --> 00:02:24,462 Well more natural, down below is the tone 60 60 00:02:24,487 --> 00:02:27,870 and you'll notice that there are various 61 61 00:02:27,870 --> 00:02:30,807 ways to affect the exposure and the 62 62 00:02:30,832 --> 00:02:33,989 contrast of your video within this one 63 63 00:02:33,989 --> 00:02:36,360 effect but this is just one of them. 64 64 00:02:36,360 --> 00:02:38,290 So you have an overall exposure which 65 65 00:02:38,315 --> 00:02:40,170 basically increases or decreases the 66 66 00:02:40,170 --> 00:02:44,019 exposure of the entire clip or and you 67 67 00:02:44,044 --> 00:02:47,670 can double click within each line to 68 68 00:02:47,670 --> 00:02:50,908 reset it to 0 or you can click over here 69 69 00:02:50,933 --> 00:02:53,040 and type in 0 or a number. 70 70 00:02:53,040 --> 00:02:55,577 There's also a contrast that basically 71 71 00:02:55,602 --> 00:02:58,049 just crushes the blacks, it makes the 72 72 00:02:58,049 --> 00:03:00,556 dark, darker and the light, lighter. So 73 73 00:03:00,581 --> 00:03:03,000 adds a little bit of contrast which is 74 74 00:03:03,000 --> 00:03:05,532 nice because with this video that was 75 75 00:03:05,557 --> 00:03:08,130 shot on a Canon 5d, they were shooting 76 76 00:03:08,130 --> 00:03:11,345 with as a scene mode that makes it very 77 77 00:03:11,370 --> 00:03:14,640 neutral, makes it very desaturated, so I 78 78 00:03:14,640 --> 00:03:16,560 want to add some contrast. 79 79 00:03:16,560 --> 00:03:19,848 Let me just reset that highlights, this 80 80 00:03:19,873 --> 00:03:22,890 will just affect the bright parts of 81 81 00:03:22,890 --> 00:03:24,000 your video. 82 82 00:03:24,000 --> 00:03:26,312 The shadows will affect sort of the 83 83 00:03:26,337 --> 00:03:29,010 darker colors, the whites will affect the 84 84 00:03:29,010 --> 00:03:32,100 pure whites, the very bright highlights, 85 85 00:03:32,125 --> 00:03:35,040 so you'll see it affecting just my the 86 86 00:03:35,040 --> 00:03:36,700 color of my shirt and let me make this 87 87 00:03:36,725 --> 00:03:38,190 a little bit bigger so you can see 88 88 00:03:38,190 --> 00:03:41,154 better if you have video that's a little 89 89 00:03:41,179 --> 00:03:44,190 bit overexposed, you can drop it down and 90 90 00:03:44,190 --> 00:03:46,254 same with the blacks, this affects the 91 91 00:03:46,279 --> 00:03:48,024 really dark some of the video or 92 92 00:03:48,520 --> 00:03:50,490 of your screen, so these dark parts of 93 93 00:03:50,515 --> 00:03:52,510 the suit and then this phone especially 94 94 00:03:52,510 --> 00:03:55,330 even in my hair and eyes. 95 95 00:03:55,330 --> 00:03:57,109 So if you want something that's very 96 96 00:03:57,134 --> 00:03:59,080 contrast, you can do that. All right let 97 97 00:03:59,080 --> 00:04:01,615 me just reset all this. And there's also 98 98 00:04:01,640 --> 00:04:04,150 a reset down here and then below that is 99 99 00:04:04,150 --> 00:04:07,541 a saturation tool so this will basically 100 100 00:04:07,566 --> 00:04:10,294 increase or decrease saturation. 101 101 00:04:10,810 --> 00:04:13,168 So sometimes you might want something 102 102 00:04:13,193 --> 00:04:15,340 that's a little bit more saturated 103 103 00:04:15,340 --> 00:04:18,159 saturated or less saturated. The next tab 104 104 00:04:18,184 --> 00:04:20,709 below is the creative tab and this is 105 105 00:04:20,709 --> 00:04:23,791 what's most exciting to me about this 106 106 00:04:23,816 --> 00:04:26,710 whole lumetri color effect. So they 107 107 00:04:26,710 --> 00:04:29,149 have different creative looks, so there's 108 108 00:04:29,174 --> 00:04:31,240 a drop down right here that has all 109 109 00:04:31,240 --> 00:04:32,620 sorts of presets. 110 110 00:04:32,620 --> 00:04:35,066 Let's try gold sport. Wow so that's not 111 111 00:04:35,091 --> 00:04:37,390 something I want to use for this, but 112 112 00:04:37,390 --> 00:04:40,109 maybe it's something I want to use for 113 113 00:04:40,134 --> 00:04:42,340 some sort of Miami vices video. 114 114 00:04:42,340 --> 00:04:45,160 We can do different types of effects and 115 115 00:04:45,185 --> 00:04:47,980 you can control the intensity of each of 116 116 00:04:47,980 --> 00:04:50,006 these effects this way, with this 117 117 00:04:50,031 --> 00:04:52,270 intensity bar. So maybe you like that 118 118 00:04:52,270 --> 00:04:55,270 sort of look but not so much. 119 119 00:04:56,080 --> 00:04:58,214 You can also scroll through the 120 120 00:04:58,239 --> 00:05:00,760 different types of effect with this 121 121 00:05:00,760 --> 00:05:02,980 window up here which is kind of nice. 122 122 00:05:02,980 --> 00:05:06,370 So I see here this new Fuji F125 123 123 00:05:06,910 --> 00:05:10,480 Kodak 2395. 124 124 00:05:11,560 --> 00:05:14,389 That's kind of a neat little look that's 125 125 00:05:14,414 --> 00:05:17,080 a little bit of a faded film like that 126 126 00:05:17,080 --> 00:05:19,469 might look good for my wedding video 127 127 00:05:19,494 --> 00:05:22,180 that's a popular style now. So let's take 128 128 00:05:22,180 --> 00:05:24,553 that off those, so you can have fun 129 129 00:05:24,578 --> 00:05:26,860 looking through those. The next is 130 130 00:05:26,860 --> 00:05:29,186 adjustments. So we have different 131 131 00:05:29,211 --> 00:05:31,990 adjustments like faded film, which makes 132 132 00:05:31,990 --> 00:05:35,680 it that sort of faded look, it desaturate it, 133 133 00:05:35,680 --> 00:05:38,713 it brings up the blacks in the darks and 134 134 00:05:38,738 --> 00:05:40,710 it basically the contrast. 135 135 00:05:40,710 --> 00:05:43,267 So it's not contrasted at all and that's 136 136 00:05:43,292 --> 00:05:45,450 kind of a cool popular effect that 137 137 00:05:45,450 --> 00:05:47,785 people are using a lot of times for 138 138 00:05:47,810 --> 00:05:50,250 photos right? Within this effect is a 139 139 00:05:50,250 --> 00:05:51,960 sharpen tool. 140 140 00:05:51,960 --> 00:05:53,993 So you can sharpen your video just a 141 141 00:05:54,018 --> 00:05:56,190 little bit, you can see that especially 142 142 00:05:56,190 --> 00:05:57,960 when looking at my eyes, 143 143 00:05:57,960 --> 00:06:00,990 it wasn't completely sharpened at zero. 144 144 00:06:00,990 --> 00:06:04,346 You can also make it blurry if you want, 145 145 00:06:04,371 --> 00:06:07,620 but I would say for most times you want 146 146 00:06:07,620 --> 00:06:09,990 to sharpen a little bit. And then again 147 147 00:06:10,015 --> 00:06:12,300 with vibrance and saturation here, two 148 148 00:06:12,300 --> 00:06:15,258 other controllers right here for your 149 149 00:06:15,283 --> 00:06:18,450 vibrance and saturation and this reminds 150 150 00:06:18,450 --> 00:06:21,281 me a lot about how Adobe lightroom works. 151 151 00:06:21,306 --> 00:06:23,640 Now vibrance is different than the 152 152 00:06:23,640 --> 00:06:26,525 saturation because it sort of is a smart 153 153 00:06:26,550 --> 00:06:29,340 filter, it sees the trend colors and it 154 154 00:06:29,340 --> 00:06:32,919 makes some more saturated more than 155 155 00:06:32,944 --> 00:06:36,000 others. So it kind of tries to 156 156 00:06:36,000 --> 00:06:39,030 intelligently add saturation to your 157 157 00:06:39,055 --> 00:06:42,060 video and whereas with saturation it 158 158 00:06:42,060 --> 00:06:44,200 basically just increases the color 159 159 00:06:44,225 --> 00:06:46,830 across the whole board, so for everything. 160 160 00:06:46,830 --> 00:06:49,890 So I'm just going to leave these effects 161 161 00:06:49,915 --> 00:06:52,800 about where they were are. So you have 162 162 00:06:52,800 --> 00:06:55,356 your tint balance. So this controls the 163 163 00:06:55,381 --> 00:06:57,720 shadows and highlights and the color 164 164 00:06:57,720 --> 00:07:00,113 sort of the hue or the tent that 165 165 00:07:00,138 --> 00:07:03,180 each has. So say we want the shadows to 166 166 00:07:03,180 --> 00:07:05,371 be a little bit more blue and then we 167 167 00:07:05,396 --> 00:07:07,620 want the highlights to be a little bit 168 168 00:07:07,620 --> 00:07:08,640 more yellow, 169 169 00:07:08,640 --> 00:07:11,358 this can create sort of a cool effect 170 170 00:07:11,383 --> 00:07:14,220 and then you can control the balance by 171 171 00:07:14,220 --> 00:07:16,841 this slider so going more towards the 172 172 00:07:16,866 --> 00:07:19,530 yellows or more towards the Blues that 173 173 00:07:19,530 --> 00:07:21,210 we just created. 174 174 00:07:21,210 --> 00:07:23,640 So these are all effects and i'm going 175 175 00:07:23,665 --> 00:07:26,070 to undo that that within this tab make 176 176 00:07:26,070 --> 00:07:27,630 up these different looks 177 177 00:07:27,630 --> 00:07:30,536 but this is just customizing it. So i'm going 178 178 00:07:30,561 --> 00:07:33,000 to close the crib tab and open curves. 179 179 00:07:33,000 --> 00:07:35,748 So curves is a really good way to 180 180 00:07:35,773 --> 00:07:38,820 edit the contrast and the exposure of 181 181 00:07:38,820 --> 00:07:41,520 your video. 182 182 00:07:41,520 --> 00:07:43,793 Typically with photo, you want to create 183 183 00:07:43,818 --> 00:07:44,574 an s-curve 184 184 00:07:45,090 --> 00:07:48,720 So let me do that you just click this line right here, 185 185 00:07:49,470 --> 00:07:52,506 bring it up or down, you'll see it can 186 186 00:07:52,531 --> 00:07:55,644 get really distorted if you go too far. 187 187 00:07:56,190 --> 00:07:58,297 just go up a little bit and then down 188 188 00:07:58,322 --> 00:08:00,570 here on the bottom click down and you'll 189 189 00:08:00,570 --> 00:08:02,972 start to notice that there's a little 190 190 00:08:02,997 --> 00:08:05,310 bit of an s showing, so maybe it's a 191 191 00:08:05,310 --> 00:08:07,980 little bit too much just a little bit 192 192 00:08:08,005 --> 00:08:10,229 and it really dependents on the 193 193 00:08:10,229 --> 00:08:13,860 video that you are editing. So say something like this, 194 194 00:08:14,550 --> 00:08:18,150 This is a nice aerial shot of Santa Cruz. 195 195 00:08:18,720 --> 00:08:20,806 Maybe we want a little bit more of 196 196 00:08:20,831 --> 00:08:23,250 contrasts with this shot, something like 197 197 00:08:23,250 --> 00:08:26,499 that. But for our wedding shot we don't 198 198 00:08:26,524 --> 00:08:29,910 need that much contrast. Now with the hue 199 199 00:08:29,910 --> 00:08:31,560 saturation curve, 200 200 00:08:31,560 --> 00:08:35,202 this basically affects the saturation of 201 201 00:08:35,227 --> 00:08:38,400 different colors within your video. 202 202 00:08:38,400 --> 00:08:41,893 So you can click on this line and move up 203 203 00:08:41,918 --> 00:08:44,970 or down and this controls the entire 204 204 00:08:44,970 --> 00:08:48,120 saturation, or what you can do is click 205 205 00:08:48,145 --> 00:08:51,270 multiple points and just like you would 206 206 00:08:51,270 --> 00:08:55,194 and edit this S curve with keyframes or with 207 207 00:08:55,219 --> 00:08:58,770 any sort of point, you can edit specific 208 208 00:08:58,770 --> 00:09:02,025 parts of the video. So say we just want 209 209 00:09:02,050 --> 00:09:05,279 the yellow to be saturated and the rest 210 210 00:09:05,279 --> 00:09:08,145 not, we can just click three dots and 211 211 00:09:08,170 --> 00:09:11,010 move down all the other colors around 212 212 00:09:11,010 --> 00:09:13,050 except for the yellow. 213 213 00:09:13,050 --> 00:09:16,357 You'll see here it's just the yellow in 214 214 00:09:16,382 --> 00:09:19,830 the flower, say we want it to be just the 215 215 00:09:19,830 --> 00:09:22,412 greens, we can move these around and it's 216 216 00:09:22,437 --> 00:09:24,810 just the green tie. So this is a great 217 217 00:09:24,810 --> 00:09:27,455 way to really pick out one color and 218 218 00:09:27,480 --> 00:09:30,029 desaturate the rest which is a cool 219 219 00:09:30,029 --> 00:09:33,278 effect that people use a lot more so in 220 220 00:09:33,303 --> 00:09:36,120 photography but it could be a cool 221 221 00:09:36,120 --> 00:09:39,216 effect for video as well. And then with 222 222 00:09:39,241 --> 00:09:42,390 all these, you can basically go into the 223 223 00:09:42,390 --> 00:09:44,259 red curve, the green curve and the 224 224 00:09:44,259 --> 00:09:47,259 blue curve and adjust those colors themselves. 225 225 00:09:48,759 --> 00:09:51,639 Next we have color wheels, which is 226 226 00:09:51,664 --> 00:09:54,759 similar to what we had in the previous 227 227 00:09:54,759 --> 00:09:57,654 Premier Pro Color Correction, fast 228 228 00:09:57,679 --> 00:10:00,879 color or three way color corrector and 229 229 00:10:00,879 --> 00:10:03,789 this basically edits the darks. 230 230 00:10:03,789 --> 00:10:06,906 So the shadows, so this is the brightness 231 231 00:10:06,931 --> 00:10:09,429 of the shadows, the mid-tones and 232 232 00:10:09,429 --> 00:10:12,220 highlights and then affects the color. 233 233 00:10:12,220 --> 00:10:15,480 So say we want to make the shadows a little 234 234 00:10:15,505 --> 00:10:18,393 little bit more warm, you can do that, 235 235 00:10:19,119 --> 00:10:20,830 same with the mid-tones and then the 236 236 00:10:20,855 --> 00:10:22,473 highlights we can go back to blue. 237 237 00:10:22,959 --> 00:10:25,298 So these are just different ways to edit 238 238 00:10:25,323 --> 00:10:27,579 the color temperature of specific parts 239 239 00:10:27,579 --> 00:10:30,687 of your video. And then last this is 240 240 00:10:30,712 --> 00:10:33,879 another cool effect that Premiere Pro 241 241 00:10:33,879 --> 00:10:37,571 and Adobe folks added which is the easy vignette 242 242 00:10:37,596 --> 00:10:40,684 tool so right within the lumetric color, 243 243 00:10:41,259 --> 00:10:44,484 there's a vignette option, you can add a 244 244 00:10:44,509 --> 00:10:47,709 white vignete or a dark vignette. ou can 245 245 00:10:47,709 --> 00:10:49,959 change the midpoint so make it bigger or 246 246 00:10:49,984 --> 00:10:52,209 smaller. You change the round is so it's 247 247 00:10:52,209 --> 00:10:55,110 more of a square or a circle and then 248 248 00:10:55,135 --> 00:10:58,239 feather it more or less whether you want 249 249 00:10:58,239 --> 00:11:00,834 it to the vignette to sort of fade more 250 250 00:11:00,859 --> 00:11:03,429 or fade less and be a little bit harder 251 251 00:11:03,429 --> 00:11:08,097 like so. So this is a very cool tool and 252 252 00:11:08,122 --> 00:11:12,879 the last thing I want to mention, say you 253 253 00:11:12,879 --> 00:11:17,559 want to add keyframes to these color effects, 254 254 00:11:17,559 --> 00:11:20,863 so say we want it to go from zero cents 255 255 00:11:20,888 --> 00:11:23,919 saturation so black and white to 10% 256 256 00:11:23,919 --> 00:11:26,584 you do that over in your 257 257 00:11:26,609 --> 00:11:30,249 normal effects controls window. 258 258 00:11:30,249 --> 00:11:33,298 So you just go under basic color correction 259 259 00:11:33,323 --> 00:11:36,069 you set your key frame for wherever you 260 260 00:11:36,069 --> 00:11:39,070 want it so 0 and then you move ahead in 261 261 00:11:39,070 --> 00:11:42,193 the timeline and move it to 100 and you 262 262 00:11:42,218 --> 00:11:45,184 will see if you play across this, now 263 263 00:11:45,790 --> 00:11:49,330 it goes from black and white to color and you can do that 264 264 00:11:49,330 --> 00:11:51,415 basically with any of these effects add 265 265 00:11:51,440 --> 00:11:53,500 keyframes. Now that's a little bit more 266 266 00:11:53,500 --> 00:11:55,984 advanced and you typically wouldn't be 267 267 00:11:56,009 --> 00:11:58,150 doing that unless the lighting or 268 268 00:11:58,150 --> 00:12:00,890 something changes within your shot but 269 269 00:12:00,915 --> 00:12:03,490 it's a good tool to know how to use. 270 270 00:12:03,490 --> 00:12:06,800 So, I'm very excited about Premiere Pro and 271 271 00:12:06,825 --> 00:12:08,230 this Lumetri color 272 272 00:12:08,230 --> 00:12:10,435 it's one of the issues i've always had 273 273 00:12:10,460 --> 00:12:12,640 with premier Pro, the color correction 274 274 00:12:12,640 --> 00:12:15,160 just wasn't as good as I wanted it to be. 275 275 00:12:15,160 --> 00:12:17,810 And now right with in Premiere Pro we 276 276 00:12:17,835 --> 00:12:20,344 have a tool that solved that issue. 277 277 00:12:21,010 --> 00:12:23,180 So if you have any questions, please 278 278 00:12:23,205 --> 00:12:24,940 leave a comment below head to 279 279 00:12:24,940 --> 00:12:27,826 videoschoolonline.com to check out more 280 280 00:12:27,851 --> 00:12:30,640 great Premiere Pro tutorials and other 281 281 00:12:30,640 --> 00:12:33,203 tutorials and articles related to video 282 282 00:12:33,228 --> 00:12:35,854 creation, motion graphics and lots more. 283 283 00:12:36,550 --> 00:12:38,312 Thank you so much for watching and 284 284 00:12:38,337 --> 00:12:39,654 we'll see you in another video. 24191