All language subtitles for Thirteen - 01x03 - Episode 3.1080p.AMZN WEBRip.x264-monkee.English.HI.C.orig.Addic7ed.com

It's not Ivy.

Whatever happens, I'll be here.

I'm getting married.

He's taken another girl.

Why take Phoebe?

CARNE: Maybe he plans to hole up,

recreate what he had with Ivy.

IVY: Everything's changed,
except me and you. I love you.

Ivy, wait!

MERCHANT: You don't want us
to find him, do you?

You walked up to him, your abductor,
and you took his hand.

This was ours.

She's lying to us
and making a fool of you.

(GASPS)

♪ Kiss your face ♪

♪ Turn your cheek ♪

♪ Lay your head down,
lay your head down ♪

♪ Lay your head down,
lay your head down. ♪

- Synced & corrected by mintu95 -
-- www.addic7ed.com --

- (GROANING)
- Be quiet.

I'm not going to hurt you.
I'm not going to hurt you, Ivy.

I'm not going to hurt you.
Just take me to my daughter!

- No! Em, no, wait!
- (SCREAMS)

- It's your fault that she's...
- (SCREAMS)

(PANTING)

ROBERT: I'm sorry...

Ivy?!

You're safe. You're safe.

Speak to me, Ivy.

Are you OK, Ivy?

You're sure you're not hurt?

How about you, Em?

Phoebe's father
has been taken to the station.

I'm sure it's a small comfort,
but we'll make sure he's charged.

No.

That man deserves to be punished.

He is being punished.

Where are you going, darling?

Bath, that's what's needed.

I'll go heavy on the bubbles,
I promise.

(SIGHS)

I thought he was going to...

Hey, hey, hey...

You were very brave.

I think it's how you like it.

On the hot side of hot.

I'll leave you to it.

I'm sorry.

Just shout down
if you need anything.

(DOOR CLOSES)

Christina, please...

I trusted you.

Why was Ivy left alone out there?

It was a...lapse of judgment.

She...

She was upset.

Upset, how? What had you said?

Ivy asked to be taken
to Tim Hobson's on the way home.

It doesn't matter what she asked.
You shouldn't have left her.

(PHONE DIALLING)

- (PHONE RINGING)
- TIM: It's not so easy to explain.

That's not us done with this, Tim.

Not even close.

- Hello?
- ANGUS: (ON PHONE)
What went on tonight, Tim?

- Is she OK?
- Not really. Did something happen?

Ivy...

She, erm...

She had things
she wanted to tell me.

What kind of things?

- What's he... What's he saying?
- (BEEPS)

What kind of things, Tim?

Personal...things.

I had to tell her, I'm...

...I'm married.

And it took you this long
to tell her?

TIM: Sorry, I...

(SHE HANGS UP THE PHONE)
Shit!

I should have asked about...

It's not your fault.

- I'm the one who pushed the whole Tim thing.
- EMMA: If Ivy had known...

My poor, poor baby.

(WATER TRICKLING)

CHRISTINA: (MUFFLED) Thinking that
there might have been a chance...

(INDISTINCT TALKING)

I want you removed as our FLO.

I'm sorry I let you down.

(DOOR CLOSES)

(CLEARS THROAT) We've, erm...

We've a number of brilliant
liaison officers.

We can set up a meeting and get you
someone you're happy with.

- I don't think we want anyone else.
- You lot, what use are you, exactly?

Mrs Moxam, believe me, we understand
you feeling frustrated.

A little more than that.

Any more interviews,
they take place here.

It all comes through us now.

- With due respect, there's a missing girl...
- We understand.

We'll contact you
when we next need to speak to Ivy.

(DOOR CLOSES)

- I mean, if we...
- If we give them space...

- Sorry, you go.
- How gentlemanly of you.

(CHUCKLES)

It's a missing girl investigation.

If we're not careful, it will become
a murder investigation.

- We need total access to Ivy at all times.
- Which we'll have.

A little...delicacy was required,
that's all.

It strikes me
this is good for one thing.

Oh, yeah?

It reminds us that Ivy's
still a victim in all of this.

(HE STARTS THE CAR)

ELOISE: Tim...

Ivy didn't know who I was.

I've hurt her.

After everything
Ivy's been through...

...I've hurt her.

Ivy's our strongest lead
to finding Phoebe.

I'm relying on you both.

Be Ivy's point of contact.

Better yet...

be her friend.

I'd... I'd hate to appear
less than professional, sir.

A ten-year-old girl has been in
the care of a rapist for two days.

Your qualms, Elliott,
don't really interest me.

We do whatever it takes
to bring Phoebe home.

Promise me you won't do anything
like that again.

You could have been hurt.

- I was fine.
- You could have not been.

For me.

(WHISPERS) You're my girl.

(KNOCK ON DOOR)

Come in.

Couldn't sleep?

Do you want to sleep in here tonight?

(CRAIG SIGHS)

You'll be OK on the sofa?

(SIGHS)

That's me all set, then.

Sorry.

(DOOR CLOSES)

You've nothing to say sorry for.

You're my sister and you come first.

(STEPS APPROACHING)

I've found Craig another duvet.

What he had was just too tragic.

(ANGUS SNICKERS)

He's a good man.

It might help you sleep.

I haven't slept for years.

I remember.

I can't stop
thinking about Robert Tarl.

- Do you think we should have talked
Ivy round to a charge?
- No, I don't.

I mean, I'm angry. I'm furious
about what he did. But...

...at the same time,
I can't help feeling sorry for him.

A father is meant to protect,
you know?

To feel, and that.

And I know how that feels.

Angus...

...don't.

The pull-out
will wreck your back eventually.

Get in with me tonight.

(WHISPERING) Em.

Thanks.

(HE SNORES GENTLY)

You slept?

I slept.

Well done.

- I just need to grab my work stuff.
- No, Ivy, stay put.

- I'll see you at the restaurant later, yeah?
- Yeah, sure. Great.

(DOOR CLOSES)

My coffee tastes good
this morning.

I was joking. You don't need
to get me a coffee every day.

I like getting you a coffee
every day.

- You look like you're going somewhere.
- We're going somewhere.

Eloise Wye is in the interview room.

We need to know the truth about what
happened the day Ivy was abducted.

I told Ivy to meet me
outside the corner shop.

- Why not at your house?
- Because we were bunking.

Why, then, when you didn't show,
did Ivy begin walking to your house?

To find me, no doubt.

Was it your idea to go to the arcade
that day and skip school?

So where were you?

I had this friend two years above - Sarah.

I thought she was beyond cool

and she said to come
and bunk off with her.

But Sarah said
that Ivy couldn't come.

Said she'd cramp our style.

But Ivy was meeting you at 9am
at the corner shop

and when you didn't show,

she assumed you'd been held up
at home and went to find you.

- Yes?
- Yes.

(SHE CLEARS HER THROAT)

Mark White worked at Sunbridge High.

Did you know him?

That man worked at school?

- Did you know him?
- No.

Did Ivy?

What?

Maybe she talked about him
or mentioned an older man?

She didn't know him.

He did work there.

I understand, after everything,

you wanting to protect your friend.

But if Ivy was in any way
involved with this man....

Involved with...?

You mean, like...?

(SCOFFS)

Care in the community, this is!

Ivy had barely even kissed a boy.
And you think...

You're way off the mark.

(KNOCKING ON THE DOOR)

(DOOR CLOSES)

I think I've got something
on the Carol White front.

A neighbour from way back,

who seems to know something
about the kidnapper's background.

Great.

We'll get down there. Nice work.

Mum will go mad
if I leave all of this.

- EMMA: There! The evidence has gone.
- (BOTH CHUCKLE)

They got the address right,
but it's for an Alison.

It's what he called me.

EMMA: What do you mean?

I wasn't allowed to be Ivy.

That man...

CHRISTINA: Careful, Angus.

ANGUS: I'll call DI Carne.
Emma, get me the phone.

Emma, phone, please.

I'm getting it. I'm getting it.

ELLIOT: (DISTORTED) Ivy?

We're going to open the letter now, OK?

CHRISTINA: What?

What does he say?

CARNE: (READING)
"Dear Alison, my Alison,"

"I wanted to write and say
I know you didn't leave me."

"I know you'll be back."

"Our love is as it always was."

"As is my forgiveness. Leonard."

And then he ends it with a kiss.

ANGUS: What does he want?

It's hubris, plain and simple.

Good news is, he's just brought us
one step closer to finding him.

- How has he?
- The letter will be analysed to death.

Watermark, style of writing,
DNA traces...

All of which will tell us
where White was when he wrote it

and where he could be holding Phoebe.

But yet, it gives us the chance
to open a dialogue with him.

I write back?

- We wouldn't ask you to do that.
- But it was to me.

We'll have a trained behavioural
profiler work up a response.

The police will reply, Ivy.

Not you.

Let's go.

(DOOR CLOSES)

ANGELA: (ON VOICEMAIL)
Henry, please call me back.

You staying away
doesn't look good on you.

(HE HANGS UP)

(DOORBELL RINGS)

I'll get it.

- Ivy, wait, please...
- Tim.

Don't. I think you'd better go.

- Please, I just want to explain.
- How are you going to do that?

Er...I don't know.

Have you any idea how difficult
it must be for Ivy to trust people?

And you took that trust,
my little girl's...

...and you shit all over it.

(DOOR CLOSES)

(STRAINING)

(CHUCKLING) I guess we were
smaller back then.

It's the same, isn't it?

Exactly the same.

Why can't he leave me alone?

I just want to get on with things...

...with my family.

Tim shouldn't have lied.

- No.
- No-one should.

(SHE SINGS SOFTLY)

TOGETHER: ♪ Tic-tac-toe... ♪

♪ Give me three in a row ♪

(BOTH CHUCKLING)

(BOTH SINGING)

(BOTH GIGGLING)

DI CARNE: Surely you're not going
to sulk for the next 50 miles?

Ivy's story tallies with Eloise's.

There's no proof
Ivy knew White at the school.

But how do you explain the rest?

Ivy's testimony
being all over the shop.

The fact that she actively
sought him out in a shopping centre.

And now she doesn't even flinch
when he writes to her.

She's protecting him.

She isn't.

I'm sorry, I don't want to have
the same argument we had last night.

- What, in case it ends the same way?
- (CHUCKLES)

MRS TEDDER:
You lot don't half make a racket.

I was watching Countdown
and there was this crash.

Loads of your lot
charging into Carol's house.

And I bet you didn't find anything.

Well, we were hoping you could
help us, Mrs Tedder.

Besides Carol, who else lived there?

Well, it wasn't her house, you see?

It was her fancy man, Greg's.

She and her boy...

Yes, yes, yes,
the charmer in all the news.

...moved in back in '78.

Eight years on, she kicked Mark out.

Done her bit, she said.

White would have been 16.

If Dylan was seven,
sounds about right.

Dylan?

The kid she had with Greg.

(CHUCKLING) He was a mistake.

"A bottle-of-gin-shaped one,"
Carol used to say.

A bit on the slow side (CHUCKLES), though.

It's probably not PC
for me to say that.

White has a half-brother.

Brevity wasn't Mrs Tedder's
strong suit.

Headlines...
She's given us the brother.

The minute we know anything
about him, you'll know, sir.

Also, some useful background
on White.

Hardly an unusual one.

A social outcast.
Tricky relationship with his mum.

Abandonment issues.

I mean, shit parenting
doesn't give you a licence.

Or else we'd all be in trouble.

Speak for yourself.

We've had a profiler
look at the letter to Ivy.

There are heavy scoring points
to White's state of mind.

Erratic, working in haste,
prone to mistakes

and entirely focused on Ivy.

Which makes me think...

Phoebe's disposable.

Have our man draw up a response.

I want it out there soon as.

If we engage White,
we might stand a chance

of getting him to hand himself in.

(MOBILE CLICKING)

We'll be as quick
as is humanly possible, Mrs Moxam.

Ivy, hello.

Have you written your letter yet?

Sadly, it's not quite that simple.

We've been looking into
Mark White's family set-up,

trying to build up
a better picture of him.

Did he have a half-brother?

- He never talked about a Dylan?
- No.

You're absolutely certain
that a Dylan Hawthorne

was never mentioned by White?

IVY: Yes.

Odd.

Because he is his half-brother.

Eight years younger.

He never said.

OK, Ivy.
Sorry to have wasted your time.

Listen, with Alia being, erm...

Well, I wanted to offer
to take you to your appointment

- with Dr Young later.
- No need.

My sister's taking me.

Are you OK?

Did something happen
with the police?

Everything's fine.

Can we play Snake?

I wish.

It doesn't have it.

And you'd only thrash me, anyway.

There's lots of photos of you two.

I hadn't really noticed.

Is that him?

He...

He wants them of the both of you,
not...

not just you?

What are all these?

- (CHUCKLES) Mostly, totally useless.
- Show me?

I feel left behind.

Better yet.

You can have your very own.

I can't imagine
my little sister driving.

Am I safe?

"Slow and steady wins the race"
is my motto.

So you're dangerously safe.

(SHE TAPS ON THE WINDOW)

It's that girl from the pub. But...

It's Eloise.

Hi.

Hi.

Hi, Ivy.

Eloise.

Hi.

I've dicked about with my hair
so much,

even I don't know
what its actual colour is.

Let alone the metal show.

(CHUCKLES)
Sorry, I'm talking too much, aren't I?

No change there, then.

Is it a totally ridiculous question
to ask you how you are?

Yeah, totally ridiculous question.

I heard you moved away.

To the Big, Unfriendly Smoke,
for my sins.

So where are you staying?

Tim's.

On the sofa, obviously.

You've come to get me
to talk to him, haven't you?

- He messed up, Eloise.
- No arguments from me, I...

I don't want to talk about Tim.
I don't want to talk to Tim.

Ivy, I don't give a shit about Tim.
I came to talk to you.

WOMAN ON TV: And we go live
to the scene at Sunbridge High.

Headmaster Henry Stone
can't be reached for comment.

- Sunbidge High itself...
- (SHE TURNS THE TV OFF)

Just missed them.

I told Em to call me when she's
dropped her off at Dr Young's.

And she's not to leave her
on her own.

Nice shirt.

- What's the occasion?
- (CHUCKLES)

Is it? I don't...

Seeing them get on like this,
well, it's...

...it's a relief.

I'm going to run into the office,
make a few calls,

keep things ticking over.

MAN ON TV: The continued silence

has led to a growing clamour
from concerned parents.

ANGELA: Henry, I'm worried about you.

When I don't call back,

you should take it as a clue, Angela.

ANGELA: (ON PHONE) The Board of Governors
have called a meeting tomorrow.

I'm worried they'll go for
a no-confidence vote in you.

I think I've got something...

Dylan Hawthorne's medical history.

I even threw in a shiny new folder.

High standards
you're setting yourself, Jesse.

- I can handle it.
- (DI CARNE CLEARS THROAT)

I think that's your cue to go.

Born in 1978.

Underwent investigations
by a paediatric neurologist.

There's a deficiency noted,
but it's typically vague.

Then again, it was the '70s.

Your era.

(SCOFFS) You know the '70s isn't my era.

And I'll stop you there.

Because Dylan's got
a criminal record.

1993, expelled for possession
of a knife.

Emma Moxam, I can confirm
I feel safe in your car.

(CHUCKLES) Good. I'm glad.

I'll be back here
by the time you're done.

Come on in, Ivy.

Mark White,
in reaching out to Ivy Moxam,

we believe that you're telling us
you want to talk.

We're here to listen
to what you have to say.

In responding to you directly,

we hope the line of communication
is open between us.

Our primary concern is the safety
and wellbeing of Phoebe Tarl.

I've gone from warm to icy cold
on Dylan Hawthorne.

After his arrest,
there's nothing. No trail. Nothing.

Maybe he moved abroad.

Yeah, well, wherever he went
is nowhere useful for us.

We've got our very own Magnum PI
wanting a word.

BURRIDGE: (ON TV)
If you're able to do this,

please, phone
our operation incident room.

I really don't want this to be
the second time

you've taken up police resources,
Mr Stone.

Look, I'm not time-wasting.

There's 40-odd testimonies
from ex-staff there.

What is it, half-baked recalls

of how Mark White
liked his tea in the morning?

"Back in 2006,

"a young man ran up in a panic
looking for Mark.

"When I asked who it was,
he took a while to answer.

"His brother, he said.

"After that day, I never saw Mark
again at the school."

Is it useful?

It puts the brothers together within
the timeframe of Ivy's abduction.

It's more than useful, Mr Stone.

Thank you.

I don't really go in for
the Good Samaritan side of things.

Why go to all this effort
to help us?

It seems you have enough problems
of your own to solve.

(CHUCKLES)

I just wanted to make it up to her.

BURRIDGE: We've sourced an old image
of Dylan as a teenager.

I've decided to release it
to the press.

We have to consider that the brother
may be hiding Mark White.

How was your session, darling?

Fine. Thanks.

Is he here - Dad?

No, he had to go to work.

(MUTTERING) I bet he did.

Are you all right?

Did Ivy hear the news?

Mark White's letter.
The police response is all over it.

She didn't want the radio on.

Is she OK?

Did she tell you what
she and Dr Young talked about?

I didn't ask.

I think she's sick of us all asking.

I know.

I can't seem to help myself.

She seems happy with you. Thank you
for being so good with her.

You're a good girl.

It's just right.

I remember how we used to fight
over these,

- if you got a good one.
- (CHUCKLES) Mmm-hmm.

You'd want yours for Edward Farr.

Edward Farr...

Oh, boy, could I pick them!

He was the last boy
I knew you liked.

And then I came back
and you were engaged.

Sorry.

That must've been weird.

What's he like?

Craig?

How did you know he was the one?

I don't know if I believe in
"the one".

A one, maybe.

Maybe not, even.

- Did you have a lot of boyfriends, then?
- (CHUCKLES)

Just Craig.

So he...

He was your first?

And only.

Not that I'm complaining.

You mean you...

...like it?

- I didn't mean to...
- No, it's...

We're sisters, we're supposed to
talk about this stuff, aren't we?

If that's what you want.

Then, yeah.

I do...

like it.

When did you know you were in love?

It creeps up on you.

He was just nice to me.

It was nice to have someone be nice.

And Mum liked him, which was...

Well, it made a difference.

- (CHUCKLES) Did Dad?
- He didn't come into it.

Why not?

Well, it doesn't matter.

Your face says it does.

It really doesn't.

Em, what's going on?

I haven't had a choice
in not telling you.

I mean, you have to know that.

(SIGHS)

Dad had...

...has...

...another woman.

If you'd call her that.

What about Mum? They're together.

Only because of me?

Chris, what do you think of this?

EMMA: It went on for two years.

Behind Mum's back.

(SCOFFS) And then one day,
everyone just seemed to know.

And he left us.

You've a match.

Dylan's been in the house?

- All over it, in fact.
- If the cellar hadn't been a bleach job,

what's the betting his prints
would be down there too?

That'd be a hell of a lie from Ivy.

Hardly the first.

How could his brother have been
there without knowing about Ivy?

(KNOCKS)

(HOOVER RUNNING)
Police search teams have been combing the city...

It's not going to calm down
for Ivy, is it?

- Not until they find the bastard.
- Come on.

Even then, her whole life will be
under the shadow of this

miserable, shitty little story.

I've, er, called Carlene.

I thought you could have
a night off.

You know we don't smoke
in here, Tim.

Oh! Sorry, I didn't know.

Of course you didn't know.

Because Tim here, well...

he's not very good at saying
what needs saying.

Are you, Tim?

Do you know who this is?

DS Merchant's not coming.

It's just you and me, Ivy.

It's White's half-brother.

Dylan.

You never heard anyone in the house?

Voices, or even just a voice,
one that didn't sound like White?

Because we think that Dylan
was in that house a lot

while you were being held.

Maybe he even lived there.

Do you not feel like talking today?

I just want to be left alone.

Yeah, I get it.

I do, I get it.

I have to be here,
asking you these questions.

If I don't, Phoebe's still out there
somewhere, in danger.

How would you feel if someone asked
you question after question?

I probably wouldn't like it.

But I'd do it if I needed to.

Easy to say.

Fine.

Ask away.

Why did you become a policeman?

To help people.

Why did you become a policeman?

I guess I needed a...

- a firm hand.
- Where's your home?

- Bedminster.
- Not with that accent.

(HE LAUGHS)

(CLEARS THROAT)
I was born in Glasgow.

Are your family still there?

- You said ask away.
- My dad is.

And your mum?

You don't know where your mum lives?

OK, I get the point. It's not...

Why don't you know where she is?

I just don't.

You don't want to talk about it.

Why should I?

It's my life, my past.

So don't come into my home, acting
like you are trying to help me.

Funnily enough, I am actually
trying to help you, Ivy.

I'll put you on the record as never
having seen this man.

Never having heard mention of him,

never having the impression he was
attending on Corbridge Road. Yes?

Yes.

(BREATHING HEAVILY)

This is what you've been doing?

Craig, I'm busy.

So busy that I'm left like a tool
at the tasting session,

promising them over and over that
my fiancee will be here any moment.

Shit.

I'm sorry.

It's been a mad day. I forgot.

I reminded you this morning.

You weren't listening.

Look, we're going to start losing
deposits for things

if we don't show up.

You still want to get married,
don't you?

Of course.

(SIGHS) I just think...

with everything that's going on...

...maybe it's worth us
thinking about postponing.

There's no such thing this close.

It's either we carry on or not have
it at all, so we carry on, right?

- I just think everything with Ivy...
- Yes or no?

I don't know.

(EMMA STAMMERS) But I...

Craig, just the man.

- Grab the other end of this, will you?
- I can manage.

Don't listen to her. Stubbornness
comes before a wrecked back.

Good man.

Thanks, Craig.

(SHE CHUCKLES)

(BOTH LAUGH)

I hope you've washed your hands.

I'm certain you've more important
things to do than to wait here

to pass comment on my
hygiene practice.

Which, by the way,
is a lot better than yours.

I wanted to say sorry.

I went to interview Ivy alone.

I thought she would open up.

She didn't.

- I don't like this.
- (SIGHS)

Us not being on the same side.

Me neither.

(CHUCKLES)

However, I promise to stop
fighting you every step of the way.

- (LOUD MUSIC PLAYING)
- TIM: Please, Yazz, calm down.

- YAZZ: Don't tell me to calm down!
- Yazz, come back.

What's she doing now?

I can't even hear myself argue.

But what are you doing in here?

Cooking.

To the best of my limited abilities.

I wanted to make a
"Sorry for being in the way" meal.

Well, you are...

in the way.

Be fair, Yazz,
none of this is Eloise's fault.

Two ghosts from his past
is two too many.

I hope you understand.

Sorry, I didn't think.

I should have...

I'll find somewhere else.

Come on, Yazz!

You are this close to following
your friend here out the door.

You see how fast
she is to shake her head?

I'd barely even got the question
out about a half-brother.

To know what's going on in there...

Drink?

Plans, sorry.

Girl's got to keep hydrated.

Night, then, Jesse.

Care to elaborate on these "plans"?

You know me,
I like to keep a bit of mystery.

You?

Got to see a friend.

You know, prove I'm still alive.

But maybe after?

ANGUS: (IN DISTANCE)
Ivy, love? We're ready.

Our very own cinema.
Popcorn and everything.

- Dad's found our old videos.
- Come sit by me.

We thought it might be a nice thing.

Craig, would you dim the lights?

(BABY CRYING ON TV)

ANGUS: (ON TV)
World, meet baby Ivy Moxam.

Eight pounds, four ounces.

- Ivy Moxam, meet world.
- (CRYING RESUMES)

ANGUS: That was the best day of my life.

Well, one of two.

It feels like some low-rent
This Is Your Life.

- Do we have to?
- Oh, he's gone to a lot of trouble.

(CHUCKLING) There's been endless frowning
and fiddling with the TV.

- ANGUS: Here we go.
- CHRISTINA: (ON TV) She's waving at you.

I'm not sure I'll get her back!

She looks just like you.

ANGUS: We're a family.

Coming into being.

With room for one more.

(POP MUSIC PLAYING)

ANGUS: (ON TV) Run, girls. Run!

(LAUGHING)

Arty shot, was it?

Give your dad a break.

I'm tired, Mum.

A week away.

Same cottage, same beach.

We can even see if they've got
the same ropey old tennis court.

I thought it might be good for us
to get away as a family.

As a family?

- Is it too soon, love?
- No, it's not too soon.

I've only been stuck underground
for 13 years, after all.

I've got this wrong, haven't I?

No change there, then.

Talk to us.

What is it?

Did you ever give up hope
that I'd be found?

Never.

Never!

- Of course not.
- Liar!

Ivy, I knew you'd be back.

I never gave up.

You having an affair (CRYING),
leaving our home, proves you gave up.

- ANGUS: Emma?
- Classy work, Em.

It is not her fault, it is yours!

(SHE SOBS)

Darling... Ivy, please.

(WAILING)

You have ruined the one thing
I had left.

The past, before...

(WHIMPERING) Before, before...

Tell me what I need to do
to make this right.

(SHE SIGHS)

Your dad's got nowhere to go.

Try back to his Spanish whore.

He was with her today. I saw them.

I went to end things for good.

I never forgave myself, you know.

Em!

(TAPPING ECHOES)

(HOLLOW RINGING)

(MOBILE PHONE VIBRATES)

- (BANGING ON DOOR)
- CRAIG: Em?

Open the door, Em.

EMMA: Get out!

CRAIG: This is my room and you're my girl,
or at least you were a day ago,

- so I'm not going anywhere.
- You think it's OK to do that?

To scare us, to scare Ivy?

Stop using her as an excuse.

You didn't even think she was
your sister in the first place.

(SHE GASPS FOR BREATH)

(PHONE VIBRATES, MAN GRUNTING)

ELOISE: (ON VOICEMAIL) Eloise here,
leave a message and I'll hit you back.

It's Ivy.
I need to talk to you, please.

IVY: "Everyone has someone."

"Their person."

"Tim has his wife,
Em has Craig, Mum has Dad."

"I'm glad about that, I am."

"Even Elliott,
he has someone of his own."

Sir, we need an excavation team
down at Corbridge.

There's something odd here.

IVY: "I should never have left him."

"All I want is not to be
alone any more."

(MOBILE PHONE VIBRATES)

I need you to come over.

(SIGHS)

I can't do that, Ivy.

It's...

- CARNE: (ON PHONE) I'd better go...
- There's someone's outside!

(DRILLING)

He ran off when you came.

Well, you're safe now.

Everyone keeps saying that.
I'm not, though, am I?

Not when he...

Will you stay?

No.

- No, I can't.
- Please!

I don't want to be on my own.

I need you over here, Elliott.

To be unreachable in the middle
of an investigation of this scale...

Sir, if you'd let me explain...

Does Ivy know about this?

Is this because of last night?

Me asking you to stay over?

Elliott?

What more do you want, Yazz?

I want to feel like you want
to make it right.

- I don't know what I'm supposed to have done.
- Answer the question.

All she's been through,
and you dare to do this?

CARNE: Do you know where he is?

Phoebe doesn't stand a chance.

(SHE GASPS)

♪ Don't say nothing, no ♪

♪ I can see when you're lying ♪

♪ Oh, whoa ♪

♪ When you're alone, you're so alone ♪

♪ When you're alone,
you're so alone. ♪

- Synced & corrected by mintu95 -
-- www.addic7ed.com --