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1
00:00:00,840 --> 00:00:09,960
The following programme
contains strong language.
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00:00:21,480 --> 00:00:24,920
(HAUNTING PIANO PLAYS "YESTERDAY"
BY THE BEATLES)
3
00:01:01,160 --> 00:01:05,320
(PLAYS "YESTERDAY")
4
00:01:26,200 --> 00:01:28,480
That's nice.
5
00:01:28,520 --> 00:01:30,320
(DISTANT BARKING)
6
00:01:50,920 --> 00:01:53,000
(KNOCKS)
7
00:02:02,680 --> 00:02:04,800
You know the rules, Paul.
8
00:02:05,720 --> 00:02:08,160
You're not allowed in at night.
9
00:02:08,200 --> 00:02:11,760
Well, I had my lawyer
read the small print.
10
00:02:11,800 --> 00:02:14,040
And he said it's OK.
11
00:02:14,080 --> 00:02:16,280
As long as I don't touch the floor.
12
00:02:16,320 --> 00:02:19,040
It's the opposite to snooker,
incidentally.
13
00:02:19,080 --> 00:02:20,680
(GIGGLES)
14
00:02:22,760 --> 00:02:25,600
Actually, for once,
I've not come for a kiss and cuddle.
15
00:02:25,640 --> 00:02:27,160
Or the other one.
16
00:02:28,800 --> 00:02:30,400
Come with me.
17
00:02:33,120 --> 00:02:36,720
(PLAYING "YESTERDAY")
18
00:02:43,680 --> 00:02:44,880
Mmm.
19
00:02:44,920 --> 00:02:46,520
Catchy.
20
00:02:46,560 --> 00:02:50,240
Yeah. And I dreamt it. Just now.
21
00:02:50,280 --> 00:02:52,920
I don't understand why
-that's so interesting.
-Well...
22
00:02:52,960 --> 00:02:55,000
it's never happened before.
23
00:02:55,040 --> 00:02:58,200
How do you normally come up
-with your tunes?
-I don't know.
24
00:02:58,240 --> 00:03:01,600
Me and John just usually
kick things into shape.
25
00:03:01,640 --> 00:03:04,560
Good, well...you look into that.
26
00:03:04,600 --> 00:03:06,160
In the morning.
27
00:03:06,200 --> 00:03:10,000
You know, when the sun comes up
and the humans awake.
28
00:03:18,120 --> 00:03:20,120
(CONTINUES TO PLAY)
29
00:03:29,160 --> 00:03:31,200
(AD-LIBBING TO MELODY)
30
00:03:36,560 --> 00:03:39,160
You know, it's a really lovely
chord progression.
31
00:03:39,200 --> 00:03:43,280
You've got the F, E-minor,
A-seven, D-minor.
32
00:03:44,680 --> 00:03:47,600
Does it sound familiar at all?
It does, yes.
33
00:03:47,640 --> 00:03:49,480
What is it?
34
00:03:49,520 --> 00:03:53,200
It's familiar because
you've just played it 16 times.
35
00:03:53,240 --> 00:03:55,000
Huh. Well, I need to.
36
00:03:55,040 --> 00:03:57,440
See if it unlocks any memories
of the melody.
37
00:03:57,480 --> 00:03:59,560
(SINGS MELODY)
38
00:04:00,360 --> 00:04:03,320
Mrs Asher, you're musical.
What is it?
39
00:04:03,360 --> 00:04:04,560
I teach oboe.
40
00:04:04,600 --> 00:04:07,000
It's not a favourite instrument
in the pop world.
41
00:04:07,040 --> 00:04:08,960
Well, maybe it's not a pop tune.
42
00:04:09,000 --> 00:04:11,520
Could be Bach. Or Beethoven.
43
00:04:11,560 --> 00:04:13,760
Or Dickie Wagner.
44
00:04:13,800 --> 00:04:16,000
(SINGS MELODY)
45
00:04:16,040 --> 00:04:19,520
Do you know, I can't even think
of a lyric that fits.
46
00:04:20,320 --> 00:04:22,000
(SINGS MELODY)
47
00:04:22,040 --> 00:04:23,760
As much as we enjoy having you,
48
00:04:23,800 --> 00:04:26,360
wouldn't you rather be living
with the other Beatles?
49
00:04:26,400 --> 00:04:29,400
Oh, we've been living in each other's
pockets for five years.
50
00:04:30,080 --> 00:04:31,520
And they're messy, you know?
51
00:04:31,560 --> 00:04:34,600
I tried to organise a tidying rota,
but nothing.
52
00:04:34,640 --> 00:04:36,160
(BASHES GUITAR)
Ooh.
53
00:04:36,200 --> 00:04:37,920
Sorry.
Sorry.
54
00:04:40,760 --> 00:04:42,600
Thank you, Mrs Asher.
55
00:04:42,640 --> 00:04:44,920
Yes, Margaret,
smashing scrambled eggs.
56
00:04:45,760 --> 00:04:47,680
♪ Scrambled eggs...
57
00:04:48,640 --> 00:04:50,960
♪ Scrambled...
"Scrambled eggs".
58
00:04:51,560 --> 00:04:53,400
You're a genius, Mr Asher.
59
00:04:53,440 --> 00:04:56,320
It's the right number of syllables
so I don't forget the tune.
60
00:04:56,360 --> 00:04:58,920
And it's a tasty snack.
61
00:04:58,960 --> 00:05:02,040
(STRUMMING CHORDS)
Scrambled eggs
62
00:05:02,080 --> 00:05:06,240
♪ Oh my baby how I love your legs ♪
63
00:05:06,280 --> 00:05:08,400
She's my daughter.
Have some decorum.
64
00:05:08,440 --> 00:05:09,760
And my legs are horrible.
65
00:05:09,800 --> 00:05:11,640
Don't draw attention to them.
66
00:05:11,680 --> 00:05:13,080
Sorry.
67
00:05:15,160 --> 00:05:17,200
♪ I love your legs
68
00:05:18,320 --> 00:05:21,600
♪ But not as much
As I love scrambled eggs
69
00:05:21,640 --> 00:05:26,320
♪ Oh we should eat
Some scramble eggs ♪
70
00:05:30,240 --> 00:05:32,160
(SCREAMING)
71
00:05:34,240 --> 00:05:36,840
Girls, come on, keep it down.
We've talked about this.
72
00:05:36,880 --> 00:05:38,920
This is Wimpole Street.
73
00:05:38,960 --> 00:05:41,440
Posh folk are trying to buy
pricey drugs.
74
00:05:41,480 --> 00:05:43,520
Now, get off to school.
75
00:05:43,560 --> 00:05:46,080
You might find education
proves a little more useful
76
00:05:46,120 --> 00:05:48,120
than breathing in my aura.
77
00:05:49,000 --> 00:05:51,600
And Peggy...
don't run after the car this time.
78
00:05:51,640 --> 00:05:53,720
OK, I-I won't. I won't. I promise.
79
00:05:58,680 --> 00:06:00,600
Bye! I'll miss you!
80
00:06:00,640 --> 00:06:02,000
Have a great day!
81
00:06:09,160 --> 00:06:11,120
We should get a drum kit in for you.
82
00:06:11,160 --> 00:06:13,000
Are you saying I need the practice?
83
00:06:13,040 --> 00:06:15,360
Well, you do go to hit the drum
and miss a lot.
84
00:06:15,400 --> 00:06:18,400
That's all I'm saying.
I do miss a lot, yeah.
85
00:06:20,640 --> 00:06:22,960
You'll need your shoes, babe.
86
00:06:23,000 --> 00:06:24,520
Oh, yeah.
87
00:06:25,360 --> 00:06:27,000
Take George's.
88
00:06:27,040 --> 00:06:29,680
He can use Ringo's wellingtons.
89
00:06:33,520 --> 00:06:34,960
She wears them with aplomb.
90
00:06:35,000 --> 00:06:36,240
She does.
91
00:06:36,280 --> 00:06:38,280
I usually wear a couple of plums
with mine.
92
00:06:38,320 --> 00:06:40,920
I saw that, yeah.
You double up the plums.
93
00:06:42,000 --> 00:06:43,640
Hello.
Goodbye.
94
00:06:46,680 --> 00:06:48,480
Nice lyric.
95
00:06:49,080 --> 00:06:50,840
All right?
(THEY GRUNT)
96
00:06:50,880 --> 00:06:53,640
How's your bedsit?
Great.
97
00:06:53,680 --> 00:06:55,040
How's your bedlam?
98
00:06:55,080 --> 00:06:57,520
We're just trying to reap the fruits
of Beatlemania.
99
00:06:57,560 --> 00:06:59,360
It may be over by Christmas.
100
00:06:59,400 --> 00:07:01,360
And I'm with the girl I love.
101
00:07:01,400 --> 00:07:02,680
And her family.
102
00:07:02,720 --> 00:07:04,880
Plus, it's handy for the dentist.
103
00:07:04,920 --> 00:07:06,120
I love Beatlemania.
104
00:07:06,160 --> 00:07:08,800
Cos I get to use my disguises.
105
00:07:10,560 --> 00:07:12,040
All right, love.
106
00:07:12,080 --> 00:07:13,960
George wants tea.
107
00:07:14,000 --> 00:07:15,680
How many more has George
got in there?
108
00:07:15,720 --> 00:07:18,520
Maybe it's the same one
climbing back in his window.
109
00:07:18,560 --> 00:07:20,680
Anyway, listen to this.
110
00:07:20,720 --> 00:07:22,400
(PLAYING "YESTERDAY")
111
00:07:27,400 --> 00:07:30,000
He's a very winning performer,
isn't he?
112
00:07:30,040 --> 00:07:31,720
What is that tune?
113
00:07:31,760 --> 00:07:33,760
I don't recognise it.
It's not one of ours.
114
00:07:33,800 --> 00:07:35,280
I know that, you div.
115
00:07:35,320 --> 00:07:37,960
I dreamt that last night -
fully formed.
116
00:07:38,000 --> 00:07:39,360
(STRUMS CHORDS)
117
00:07:39,400 --> 00:07:42,040
♪ Scrambled eggs
118
00:07:42,080 --> 00:07:45,200
♪ Oh my baby how I love your legs ♪
119
00:07:45,240 --> 00:07:48,200
It's true I lag some way behind you
as a lyricist (!)
120
00:07:48,240 --> 00:07:51,960
Well, I'm not gonna polish it up
if it's not my song.
121
00:07:52,000 --> 00:07:54,080
Might be someone else's.
Yeah, maybe.
122
00:07:54,120 --> 00:07:56,760
It is a bit Mantovani.
123
00:07:58,680 --> 00:08:00,920
We're a rock 'n' roll band.
124
00:08:00,960 --> 00:08:02,560
Well, we could give it to Cilla.
125
00:08:02,600 --> 00:08:03,960
Or Ken Dodd.
126
00:08:04,000 --> 00:08:05,800
Ben Modd and his Deddymen,
127
00:08:05,840 --> 00:08:08,240
one of the great mucus hall
anti-drainers.
128
00:08:08,280 --> 00:08:09,640
Why'd you do that?
129
00:08:09,680 --> 00:08:11,480
Horse of rabbit.
130
00:08:11,520 --> 00:08:13,720
(STRUMS CHORDS)
Mantelpiece
131
00:08:14,680 --> 00:08:18,480
♪ Keep your knickknacks
On your mantelpiece ♪
132
00:08:18,520 --> 00:08:21,280
I think it could be one of
the great songs, you know?
133
00:08:21,320 --> 00:08:22,680
It's got a bit of class.
134
00:08:22,720 --> 00:08:25,080
Can't be that great
if I didn't help you write it.
135
00:08:25,120 --> 00:08:27,320
I don't need you to write a song,
Johnny boy.
136
00:08:27,360 --> 00:08:29,440
You fucking do.
137
00:08:33,600 --> 00:08:35,560
So, there's at least two of them.
138
00:08:36,840 --> 00:08:40,480
I'm afraid this is a band meeting,
-sweetheart.
-Oh.
139
00:08:40,520 --> 00:08:42,320
Sorry.
140
00:08:42,360 --> 00:08:44,120
Love you, Paul.
141
00:08:44,160 --> 00:08:45,480
Thanks.
142
00:08:45,520 --> 00:08:47,480
Love you, John.
Ta.
143
00:08:54,800 --> 00:08:57,840
Do you remember when Ringo came
to us with that song he'd written?
144
00:08:57,880 --> 00:08:59,520
Don't, come on.
"Hey, lads?
145
00:08:59,560 --> 00:09:02,960
Listen to this song I wrote.
It took me all day.
146
00:09:03,000 --> 00:09:04,640
It's brilliant."
147
00:09:04,680 --> 00:09:07,360
(PLAYS MELODY ON PIANO)
148
00:09:10,600 --> 00:09:13,720
"Ringo, it's Blowing In The Wind
by Bob Dylan."
149
00:09:14,400 --> 00:09:18,920
Biggest crime in music,
ripping off someone else's tune.
150
00:09:20,760 --> 00:09:23,520
Shit, now I've written "Bob Dylan".
151
00:09:23,560 --> 00:09:25,720
That'll be one of the valuable ones.
152
00:09:25,760 --> 00:09:28,320
I'm gonna sign this one
"Mickey Mouse...
153
00:09:28,360 --> 00:09:30,240
King of the Blues".
154
00:09:30,280 --> 00:09:32,560
See if anyone notices.
155
00:09:32,600 --> 00:09:35,480
'Ey, George, do you recognise this?
156
00:09:35,520 --> 00:09:36,920
Is it a guitar?
157
00:09:39,400 --> 00:09:41,280
Well, thanks for your help, lads (!)
158
00:09:41,320 --> 00:09:43,520
I'm gonna go and work
on this song.
159
00:09:43,560 --> 00:09:45,840
Bye, Paul.
See ya, matey.
160
00:09:55,080 --> 00:09:56,480
(DOOR CLOSES)
161
00:09:56,520 --> 00:09:59,520
(CLAMOURING)
162
00:09:59,560 --> 00:10:01,160
I love you!
I love you!
163
00:10:01,200 --> 00:10:03,080
Girls, if you're not
gonna go to school,
164
00:10:03,120 --> 00:10:04,560
at least do something useful.
165
00:10:04,600 --> 00:10:06,840
Like go to the zoo.
It's only up the road.
166
00:10:06,880 --> 00:10:08,560
Paul, are you gonna marry Jane?
167
00:10:08,600 --> 00:10:10,160
Jane who?
168
00:10:10,200 --> 00:10:12,480
Why don't you live in
a big mansion of your own?
169
00:10:12,520 --> 00:10:15,400
Because I'd get sad.
I grew up in a shoebox.
170
00:10:15,440 --> 00:10:16,640
Wow!
171
00:10:16,680 --> 00:10:18,640
No, no, that's like a metaphor.
172
00:10:18,680 --> 00:10:21,080
Paul, can I have your hanky?
I use my sleeve.
173
00:10:21,120 --> 00:10:24,280
Can I have your sleeve?
No.
174
00:10:24,320 --> 00:10:26,240
(CLAMOURNG)
175
00:10:26,280 --> 00:10:30,080
♪ DANNY WILLIAMS: Moon River
176
00:10:36,080 --> 00:10:40,480
♪ Moon river...
Scrambled eggs...
177
00:10:40,520 --> 00:10:42,120
♪ THE SEARCHERS: Sugar And Spice
178
00:10:43,560 --> 00:10:45,920
♪ Sugar and spice and all...
Nope.
179
00:10:46,680 --> 00:10:48,640
♪ Scrambled...
Georgia...
180
00:10:48,680 --> 00:10:50,040
Georgia, scrambled?
181
00:10:50,080 --> 00:10:52,000
♪ I only wanna be with you...
Nope.
182
00:10:52,040 --> 00:10:55,640
(CLASSICAL MUSIC PLAYING)
183
00:10:55,680 --> 00:10:57,760
♪ THE CONTOURS Do you love me?
184
00:10:57,800 --> 00:10:59,360
♪ I can really move
185
00:10:59,400 --> 00:11:01,160
♪ Do you love me?
Scrambled eggs! ♪
186
00:11:01,200 --> 00:11:03,440
♪ I'm in the groove
Well do you love... ♪
187
00:11:03,480 --> 00:11:05,520
♪ Washers and screws
And nails by the pound
188
00:11:05,560 --> 00:11:07,960
♪ If you can't find it there
It can't be found...
189
00:11:08,000 --> 00:11:10,240
(KNOCKING)
190
00:11:10,280 --> 00:11:12,880
Hello.
Hi.
191
00:11:12,920 --> 00:11:16,800
Where have you been?
I haven't seen you for ages.
192
00:11:16,840 --> 00:11:18,720
Oh, you know, being a Beatle.
(CHUCKLES)
193
00:11:18,760 --> 00:11:20,320
Keeps me busy.
194
00:11:20,680 --> 00:11:22,080
It's going quite well.
195
00:11:24,080 --> 00:11:26,160
You're not still obsessing
about that tune?
196
00:11:26,200 --> 00:11:28,400
No. What, that? No.
197
00:11:29,120 --> 00:11:30,840
Just listening to my favourites.
198
00:11:30,880 --> 00:11:33,040
♪ A pick, shovel, spade, or rake
199
00:11:33,080 --> 00:11:36,160
♪ American made
It'll never break... ♪
200
00:11:42,720 --> 00:11:45,680
Do you think Chuck Berry
signs his own photographs?
201
00:11:45,720 --> 00:11:47,240
Course he doesn't.
202
00:11:47,280 --> 00:11:49,360
He isn't given homework
like a schoolboy.
203
00:11:49,400 --> 00:11:51,440
He's treated like a proper artist.
204
00:11:52,520 --> 00:11:54,760
Buck Cherry the...
205
00:11:54,800 --> 00:11:57,520
frock 'n' bowl singer doesn't...
206
00:11:57,560 --> 00:12:00,400
slime his own photo...
207
00:12:00,440 --> 00:12:01,880
guffs.
208
00:12:05,960 --> 00:12:08,560
Speaking nonsense
is harder than it looks, isn't it?
209
00:12:08,600 --> 00:12:11,320
Don't worry.
You're doing a fantastic job.
210
00:12:14,600 --> 00:12:16,840
Are you all right, John?
211
00:12:16,880 --> 00:12:18,360
Yeah. I'm all right.
212
00:12:18,400 --> 00:12:20,440
Are you all right?
213
00:12:23,680 --> 00:12:25,360
(DOOR OPENS, CLOSES)
214
00:12:31,400 --> 00:12:33,960
(STRUMMING CHORDS)
Oh we should eat
215
00:12:34,000 --> 00:12:36,240
♪ Some scrambled eggs ♪
216
00:12:37,000 --> 00:12:39,400
It's a nice chord progression,
isn't it?
217
00:12:39,440 --> 00:12:42,360
MICK JAGGER: 'Yeah, like it.
I mean, we wouldn't play it,
218
00:12:42,400 --> 00:12:44,920
cos it's, like,
too sad and middle-of-the-road,
219
00:12:44,960 --> 00:12:46,960
you know?'
But you don't recognise it?
220
00:12:47,000 --> 00:12:50,120
'Hold it, Paul. I've just got
to refresh my beverage.'
221
00:12:50,160 --> 00:12:51,960
I'll leave the money for the call.
222
00:12:52,000 --> 00:12:55,960
Where are you ringing?
That's my mate Mick in Kingston.
223
00:12:56,000 --> 00:12:57,120
In Surrey?
224
00:12:57,160 --> 00:12:59,120
(STEELPANS PLAYING OVER PHONE)
225
00:12:59,160 --> 00:13:01,600
No, it's... Kingston, Jamaica.
226
00:13:02,240 --> 00:13:05,040
'Yeah! Ice!
But don't crowd out the rum.
227
00:13:05,640 --> 00:13:09,800
Yeah, no, Paul,
I don't recognise your little tune.'
228
00:13:09,840 --> 00:13:11,600
Thanks, Mick.
229
00:13:11,640 --> 00:13:14,240
'So, all right, you want a number?
230
00:13:14,280 --> 00:13:15,960
Three ice cubes.
231
00:13:16,000 --> 00:13:17,440
Just bring the bottle.
232
00:13:17,480 --> 00:13:20,320
Oh er, and I'll have some...
What is it? Guava.
233
00:13:20,360 --> 00:13:21,560
Guava chunks.
234
00:13:21,600 --> 00:13:24,440
Paul, I'd better split.
I've got a catering crisis here.'
235
00:13:24,480 --> 00:13:26,440
Bye, Mick!
236
00:13:28,240 --> 00:13:31,160
'Ey, that was Mick Jagger.
237
00:13:31,200 --> 00:13:32,880
Come on, Hilda.
238
00:13:37,920 --> 00:13:39,720
What is it pours of you, Paul?
239
00:13:39,760 --> 00:13:42,760
Why are you worrying
about one song?
240
00:13:43,600 --> 00:13:45,800
Cos it's special.
241
00:13:45,840 --> 00:13:47,640
It's driving me insane.
242
00:13:47,680 --> 00:13:49,920
I feel like I've found something
243
00:13:49,960 --> 00:13:53,480
and handed it into the police station
to see if anyone claims it.
244
00:13:54,840 --> 00:13:57,200
Plus, I've pissed off John.
245
00:13:57,240 --> 00:14:00,400
Cos I keep on going on about
this song I dreamt being so great.
246
00:14:00,440 --> 00:14:03,160
You can't tiptoe around his ego
your whole life.
247
00:14:03,200 --> 00:14:05,320
Well, maybe this is the beginning
of the end.
248
00:14:05,360 --> 00:14:08,200
We'll be like... Well, I don't know.
249
00:14:08,240 --> 00:14:09,800
Who ended up hating each other?
250
00:14:09,840 --> 00:14:11,240
Adam and Eve?
251
00:14:11,840 --> 00:14:14,560
I was thinking a bit more recent,
but yeah.
252
00:14:14,600 --> 00:14:17,120
John knows he needs you
to write with him.
253
00:14:17,160 --> 00:14:18,560
(SCOFFS)
254
00:14:18,600 --> 00:14:20,280
Well, I'll worry about John
255
00:14:20,320 --> 00:14:22,960
when I've figured out
where my song comes from.
256
00:14:23,000 --> 00:14:24,680
(SIGHS)
257
00:14:32,000 --> 00:14:35,880
Please let's just go on holiday
and put this behind us.
258
00:14:35,920 --> 00:14:38,560
I've never heard that song before.
259
00:14:38,600 --> 00:14:40,760
Yeah but it would be embarrassing
260
00:14:40,800 --> 00:14:44,200
if we record it and find out
it's one of Cliff Richards.
261
00:14:44,240 --> 00:14:45,680
It's yours, Paul!
262
00:14:47,000 --> 00:14:48,440
Yeah.
263
00:14:48,920 --> 00:14:50,120
Yeah, great.
264
00:14:50,920 --> 00:14:52,200
Let's move on.
265
00:14:55,120 --> 00:14:57,320
Hi, Cliff. It's me, Paul.
266
00:14:57,360 --> 00:14:58,880
'What?' (YAWNS)
267
00:14:58,920 --> 00:15:00,720
Paul McCartney.
268
00:15:00,760 --> 00:15:03,120
'It's two the morning.'
Yeah, sorry.
269
00:15:03,160 --> 00:15:07,200
But I figured, you know,
"Cliff, Mr Rock-'n'-roll,
270
00:15:07,240 --> 00:15:09,720
he'll still be up
partying all night."
271
00:15:09,760 --> 00:15:11,320
'Did you just see Summer Holiday
272
00:15:11,360 --> 00:15:13,360
and want to tell me
how much you enjoyed it?'
273
00:15:13,400 --> 00:15:16,000
Yes. But also...
274
00:15:16,040 --> 00:15:18,880
I dreamt this melody and I don't know
if it's original or not,
275
00:15:18,920 --> 00:15:21,520
and I need to find out
before my head explodes.
276
00:15:21,560 --> 00:15:23,400
Do you recognise this?
277
00:15:24,720 --> 00:15:27,840
(STRUMMING CHORDS)
Scrambled eggs ♪
278
00:15:27,880 --> 00:15:29,960
'Those are terrible lyrics, Paul.'
279
00:15:30,000 --> 00:15:32,080
No, they're just there -
'Did Ringo do them?'
280
00:15:32,120 --> 00:15:34,080
No.
'Ask John.
281
00:15:34,120 --> 00:15:36,160
He'll rhyme you up something clever.
282
00:15:36,200 --> 00:15:38,840
John's terrific, isn't he?
'How he manages...'
283
00:15:40,000 --> 00:15:42,520
(TWANGING MELODY ON GUITAR)
284
00:15:43,920 --> 00:15:45,960
The cheek of it, though.
285
00:15:46,000 --> 00:15:47,800
Going on and on about it.
286
00:15:47,840 --> 00:15:50,000
"Could be one of the great songs,
you know?
287
00:15:50,040 --> 00:15:52,120
Could have a bit of class."
288
00:15:52,160 --> 00:15:53,920
Yeah, he's already
not living with us,
289
00:15:53,960 --> 00:15:55,720
as though we are unclean
or something.
290
00:15:55,760 --> 00:15:57,680
He's got some nerve.
291
00:15:59,240 --> 00:16:01,440
He's ringing everyone about it.
292
00:16:01,480 --> 00:16:03,520
Scared the shit out of
Dusty Springfield.
293
00:16:04,200 --> 00:16:06,920
And was it a good song?
Was it really?
294
00:16:06,960 --> 00:16:08,480
Not at all.
No.
295
00:16:10,720 --> 00:16:13,320
Though it did have a pleasant
sweetness to it, didn't it?
296
00:16:13,360 --> 00:16:14,800
It did.
297
00:16:15,280 --> 00:16:18,000
But considering Paul's
supposed to be the nice Beatle,
298
00:16:18,040 --> 00:16:20,200
he can be an annoying fucker.
299
00:16:22,480 --> 00:16:26,200
(SLURPS)
He loves me, yeah, yeah, yeah
300
00:16:26,240 --> 00:16:30,400
♪ He...loves me, yeah, yeah, yeah
301
00:16:30,440 --> 00:16:32,880
♪ He...loves...
(PLAYS WRONG CHORD)
302
00:16:32,920 --> 00:16:34,440
♪ He loves me - ♪
303
00:16:34,480 --> 00:16:36,920
It's C! The chord is bloody C!
304
00:16:36,960 --> 00:16:39,520
Jesus!
He's normally really nice.
305
00:16:39,560 --> 00:16:42,640
He is so nice.
Are you OK, Paul?
306
00:16:42,680 --> 00:16:44,880
I'm sorry. Look, I'm sorry.
307
00:16:46,080 --> 00:16:50,240
As you're here,
do you recognise this tune?
308
00:16:51,440 --> 00:16:52,760
(CHUCKLES)
309
00:16:52,800 --> 00:16:55,840
(PLAYS "YESTERDAY")
310
00:16:57,240 --> 00:17:00,400
Look, I...
I can't do this unless you get back.
311
00:17:00,440 --> 00:17:01,920
Get back.
312
00:17:03,920 --> 00:17:05,840
Write those two words down.
313
00:17:07,680 --> 00:17:10,800
Right, ignore the lyrics. Here goes.
(STRUMMING CHORDS)
314
00:17:10,840 --> 00:17:12,720
♪ Scrambled eggs
315
00:17:13,480 --> 00:17:17,320
♪ Oh my baby how I love your legs
316
00:17:17,360 --> 00:17:21,440
♪ But not as much
As I love scrambled eggs
317
00:17:21,480 --> 00:17:25,600
♪ Oh we should eat
Some scrambled eggs ♪
318
00:17:28,120 --> 00:17:30,680
Well, does it ring any bells?
319
00:17:31,480 --> 00:17:35,360
Do Love Me Do.
Do Love me Do really quickly for us.
320
00:17:35,400 --> 00:17:37,880
Please!
(CLAMOURING)
321
00:17:37,920 --> 00:17:40,920
Will you teach me, Paul?
Just one lesson?
322
00:17:45,200 --> 00:17:46,640
(FOOTSTEPS)
323
00:17:48,200 --> 00:17:49,640
Paul?
324
00:17:49,680 --> 00:17:51,640
Can we have a word, please?
325
00:17:57,680 --> 00:18:00,640
We know that genius
comes at a price.
326
00:18:01,720 --> 00:18:04,400
Many great composers
drove themselves a bit mad,
327
00:18:04,440 --> 00:18:06,800
like... Bruckner, Schumann.
328
00:18:06,840 --> 00:18:08,560
Mozart, Berlioz.
329
00:18:08,600 --> 00:18:11,760
Tchaikovsky, Gesualdo,
Scriabin, Schoenberg -
330
00:18:11,800 --> 00:18:13,040
Ta.
331
00:18:13,080 --> 00:18:14,560
That's probably enough.
332
00:18:14,600 --> 00:18:17,800
After all, what is composing
if not hearing voices?
333
00:18:19,760 --> 00:18:21,840
Though we think
you should move on now.
334
00:18:27,520 --> 00:18:29,320
(SIGHS)
335
00:18:30,160 --> 00:18:31,720
I just need a couple more days -
336
00:18:31,760 --> 00:18:33,440
I am a doctor...
It's not helping...
337
00:18:33,480 --> 00:18:35,880
It's your song, Paul.
Just record it!
338
00:18:37,840 --> 00:18:39,240
OK.
339
00:18:39,880 --> 00:18:41,960
I wrote that song. It's mine.
340
00:18:43,680 --> 00:18:44,880
Thank you.
341
00:18:44,920 --> 00:18:48,520
What's good is it shows I can write
a great song on my own, if need be.
342
00:18:48,560 --> 00:18:50,840
Yes.
I don't need John or anyone.
343
00:18:52,320 --> 00:18:55,400
I'm gonna ring him and tell him.
Er, no... Paul...
344
00:18:56,360 --> 00:18:58,800
Just let this blow over
for a couple of weeks
345
00:18:58,840 --> 00:19:00,840
while we go on holiday.
346
00:19:00,880 --> 00:19:03,640
Yeah.
347
00:19:03,680 --> 00:19:07,360
Probably best to let John
cool down a bit, I suppose.
348
00:19:07,920 --> 00:19:10,880
(POSH ACCENT)
Pardon me, pardon me, pardon me.
349
00:19:10,920 --> 00:19:12,480
Excuse me.
350
00:19:12,520 --> 00:19:16,040
Can you youths confirm
that this is the house
351
00:19:16,080 --> 00:19:18,680
of the nice Beatle Mr O'Cartney?
352
00:19:18,720 --> 00:19:20,200
It's "McCartney".
353
00:19:21,920 --> 00:19:24,760
Oh, my God! Oh, my God, it's John!
354
00:19:24,800 --> 00:19:28,560
OK, fangirls. I have some business
with your leader inside.
355
00:19:28,600 --> 00:19:30,480
Can I have your beard, John?
356
00:19:30,520 --> 00:19:33,000
Sorry, I need it for
my Toulouse-Lautrec evenings.
357
00:19:33,040 --> 00:19:35,000
(CLAMOURING)
358
00:19:39,880 --> 00:19:42,040
Hey, it looks great.
Don't take it off.
359
00:19:43,360 --> 00:19:45,040
I'm just going to say it.
360
00:19:45,080 --> 00:19:48,240
So is this a new thing?
What?
361
00:19:48,280 --> 00:19:50,000
Writing on your own.
362
00:19:50,040 --> 00:19:52,200
That song.
No.
363
00:19:52,240 --> 00:19:54,600
It came in a dream.
364
00:19:54,640 --> 00:19:56,920
Well, we've all done that.
(CHUCKLES)
365
00:19:57,960 --> 00:20:00,040
Hey, do you fancy a cuppa?
No.
366
00:20:00,080 --> 00:20:02,520
I've got some pills on the go
back at the flat.
367
00:20:04,600 --> 00:20:07,520
Look, we've written
everything together,
368
00:20:07,560 --> 00:20:10,800
and you know, it's been amazing,
but if that's gonna change...
369
00:20:10,840 --> 00:20:12,880
Don't be daft.
..I can always ring up Elvis
370
00:20:12,920 --> 00:20:14,840
and start writing with him.
371
00:20:15,960 --> 00:20:18,120
Look, as far as I'm concerned...
372
00:20:18,160 --> 00:20:21,240
we'll still be knocking out tunes
together in our 90s.
373
00:20:25,040 --> 00:20:26,880
Many years from now.
374
00:20:27,560 --> 00:20:29,800
I'm looking forward to it.
375
00:20:34,280 --> 00:20:35,920
Now fuck off.
376
00:20:35,960 --> 00:20:38,600
No. You fuck off.
377
00:20:43,680 --> 00:20:45,960
(GIRLS CLAMOURING)
378
00:20:47,920 --> 00:20:50,800
JOHN AS CHAMBERLAIN:
I've had a talk with Mr O'Cartney,
379
00:20:50,840 --> 00:20:53,480
and I believe it offers
peace in our time.
380
00:20:58,440 --> 00:21:01,920
(SIGHS) Thank God that's over.
381
00:21:01,960 --> 00:21:04,920
Now we can go on holiday
without you torturing me.
382
00:21:04,960 --> 00:21:07,080
(GIGGLES)
Yeah. Yeah.
383
00:21:08,360 --> 00:21:10,560
Just need to write the lyrics now.
384
00:21:12,280 --> 00:21:14,840
Did you get the suitcases
-out the loft?
-No.
385
00:21:14,880 --> 00:21:16,440
Paul!
386
00:21:16,480 --> 00:21:18,960
(CHUCKLES)
I asked you to do that yesterday.
387
00:21:24,920 --> 00:21:27,080
♪ THE BEATLES: Yesterday
388
00:21:27,120 --> 00:21:28,560
(CROWD CHEERING)
389
00:21:30,800 --> 00:21:33,240
♪ Yesterday...
(ERUPTION OF CHEERING)
390
00:21:34,040 --> 00:21:38,720
♪ All my troubles
Seemed so far away
391
00:21:40,120 --> 00:21:43,920
♪ Now it looks as though
They're here to stay
392
00:21:45,120 --> 00:21:51,520
♪ Oh I believe in yesterday
393
00:21:51,560 --> 00:21:54,520
♪ Suddenly
394
00:21:55,520 --> 00:22:00,080
♪ I'm not half the man I used to be
395
00:22:01,440 --> 00:22:06,520
♪ There's a shadow hanging over me
396
00:22:06,560 --> 00:22:12,040
♪ Oh yesterday came suddenly ♪
397
00:22:13,520 --> 00:22:17,240
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