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♪ DAVID BOWIE: Liza Jane
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00:00:23,320 --> 00:00:26,200
♪ Well, I got a girl
That's good to me
3
00:00:26,240 --> 00:00:28,680
♪ Whoa, little Liza
4
00:00:28,720 --> 00:00:31,760
♪ Now, she ain't more than
five-foot-three
5
00:00:31,800 --> 00:00:34,080
♪ Whoa, little Liza
6
00:00:34,120 --> 00:00:36,560
♪ Well, this little girl is
good to me
7
00:00:36,600 --> 00:00:39,320
♪ Whoa, little Liza
8
00:00:39,360 --> 00:00:42,000
♪ Yeah, this little girl's nearly
half of me
9
00:00:42,040 --> 00:00:44,360
♪ Whoa, little Liza
10
00:00:44,400 --> 00:00:47,160
♪ Oh, little Liza Jane
11
00:00:47,200 --> 00:00:49,520
♪ Little Liza Jane
12
00:00:52,560 --> 00:00:55,200
♪ Little Liza Jane... ♪
13
00:00:55,240 --> 00:00:58,120
David? David!
I got a girl who's good to me
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00:00:58,160 --> 00:01:01,560
David!
Whoa, little Liza... ♪
15
00:01:02,760 --> 00:01:06,320
Quick! Quick, catch it! Catch it!
16
00:01:06,360 --> 00:01:08,280
Catch it!
17
00:01:14,400 --> 00:01:17,360
You'll be pleased to hear I've found
a bloke wants to buy the lot.
18
00:01:17,400 --> 00:01:19,760
-That's terrific!
-Don't sound too
surprised, David.
19
00:01:19,800 --> 00:01:23,560
It is my field. There's not a racket
in the world I couldn't flog,
20
00:01:23,600 --> 00:01:25,520
your records being a case in point.
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00:01:26,280 --> 00:01:27,560
(LAUGHS WEAKLY) Thanks.
22
00:01:29,280 --> 00:01:33,080
So, who bought the records? HMV?
23
00:01:33,120 --> 00:01:36,800
HMV? No, God bless you, not HMV.
24
00:01:36,840 --> 00:01:40,120
No, it's a bloke got one of them
clay pigeon machines.
25
00:01:40,160 --> 00:01:43,160
You know - fires clay discs, people
shoot them with shotguns.
26
00:01:43,200 --> 00:01:45,600
He reckons he can rig it up to fire
45s.
27
00:01:48,400 --> 00:01:51,800
How long did you think you were going
-to get away with this?
-Get away with
what?
28
00:01:51,840 --> 00:01:54,960
"Written by L Conn."
29
00:01:55,000 --> 00:01:58,360
-Well?
-You didn't write Liza Jane.
30
00:01:58,400 --> 00:02:02,120
(CHUCKLES) I think you'll find
that's the reefer doobies talking.
31
00:02:02,160 --> 00:02:04,440
Go on - who's Liza Jane, then?
32
00:02:04,480 --> 00:02:07,240
-A bird.
-Describe her.
33
00:02:07,280 --> 00:02:10,280
Er, she's got, er...
34
00:02:10,320 --> 00:02:12,080
legs up to here.
35
00:02:12,120 --> 00:02:15,080
She's got a torso up to here.
36
00:02:15,640 --> 00:02:17,200
-A neck.
-Up to here?
37
00:02:17,240 --> 00:02:20,560
That's her, yeah.
Les, it's my song.
38
00:02:20,600 --> 00:02:23,960
All right, look, I admit it.
There was a small clerical error
39
00:02:24,000 --> 00:02:27,880
by which it appears
I've acquired all the rights to the
song in perpetuity.
40
00:02:27,920 --> 00:02:31,120
Good job it didn't make any money,
-then, eh?
-Absolutely, David.
41
00:02:31,160 --> 00:02:34,680
I mean, I would hate for a small
typo to ruin our whole relationship.
42
00:02:34,720 --> 00:02:37,160
-Yeah.
-Just imagine if I couldn't
trust you.
43
00:02:37,200 --> 00:02:38,680
Oh, God forbid!
44
00:02:38,720 --> 00:02:40,600
Well, it happens all the time.
45
00:02:40,640 --> 00:02:42,120
I mean, look at the Beatles.
46
00:02:42,160 --> 00:02:44,160
Eight days a week? I don't think so,
lads.
47
00:02:44,200 --> 00:02:46,280
-That's a bit sloppy, isn't it?
-Yeah.
48
00:02:47,320 --> 00:02:49,720
Yeah, there's Mark now.
49
00:02:49,760 --> 00:02:54,040
Oi, oi! Hairdresser's that way,
darling! (LAUGHS)
50
00:02:55,480 --> 00:02:58,760
-I can do this by myself.
-No. No, this
is a two-man job
51
00:02:58,800 --> 00:03:02,680
and I have got two able-bodied young
crooners who owe me
52
00:03:02,720 --> 00:03:05,760
for all the hard work I've put into
their careers thus far.
53
00:03:06,800 --> 00:03:10,280
Anyway, the song wasn't the problem.
It was the band.
54
00:03:11,240 --> 00:03:13,400
As a punter, I want to be intrigued.
55
00:03:13,440 --> 00:03:17,280
I want an aesthetic, not some pack of
scruffy Tom, Dick and Harry's.
56
00:03:17,320 --> 00:03:19,520
-Tom, Dick and Harry's?
-I mean, I
looked all right.
57
00:03:19,560 --> 00:03:23,280
They were your mates, David. George,
he was your best mate.
58
00:03:23,320 --> 00:03:27,440
They were very scruffy. That rhythm
section looked like one big cardigan.
59
00:03:27,480 --> 00:03:29,720
Yeah, and I told you, didn't I? What
did I tell you?
60
00:03:29,760 --> 00:03:31,760
-Turtlenecks.
-Over my dead body.
61
00:03:31,800 --> 00:03:33,680
Oh, that's right, sorry, yeah, I
forgot.
62
00:03:33,720 --> 00:03:36,160
David doesn't like turtlenecks.
So what does he do?
63
00:03:36,200 --> 00:03:39,600
He liquidates the entire band behind
my back.
64
00:03:39,640 --> 00:03:43,280
-It wasn't working.
-It's not all the
money I mind, David.
65
00:03:43,320 --> 00:03:46,360
It's the... It's the time and the
experience
66
00:03:46,400 --> 00:03:49,640
with which I've lavished you, just
to see it squandered.
67
00:03:49,680 --> 00:03:52,160
But you are still going to plug me,
though, right?
68
00:03:53,920 --> 00:03:55,760
-For my sins.
-Good.
69
00:03:55,800 --> 00:03:57,560
Cos I've got my next single all
lined up.
70
00:03:57,600 --> 00:03:59,840
You know House Of The Rising Sun? I
was...
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00:03:59,880 --> 00:04:02,960
Lo, the prodigal schlump.
72
00:04:03,000 --> 00:04:06,480
Leslie, can you lend me a quid?
Very funny.
73
00:04:06,520 --> 00:04:08,280
Mark Feld, David Jones.
74
00:04:08,320 --> 00:04:12,160
-Davy Jones.
-Like the fella from the
Monkees.
75
00:04:12,200 --> 00:04:13,920
Why does everyone keep saying that?
76
00:04:13,960 --> 00:04:17,440
Well, because he's the only Davy
Jones anyone's ever heard of?
77
00:04:19,240 --> 00:04:20,480
Let's just get on with it.
78
00:04:20,520 --> 00:04:24,320
Right, Leslie, this painting gig.
79
00:04:24,360 --> 00:04:26,600
I was going to tell you to stick it
over the phone
80
00:04:26,640 --> 00:04:31,440
but I thought, "I'll tell him to
stick it to his haggard old face,"
because I respect you.
81
00:04:31,480 --> 00:04:34,200
Balls. You didn't even have twopence
for the telephone.
82
00:04:34,240 --> 00:04:36,880
With a mind like that, you belong in
Scotland Yard.
83
00:04:36,920 --> 00:04:41,240
As for me, I am an artist, not a
bloody navvy.
84
00:04:41,280 --> 00:04:43,920
Do you know what I've got in my
briefcase here?
85
00:04:43,960 --> 00:04:48,000
Last time a fella asked me that was
a Tory MP trying to pick me up in
khazi.
86
00:04:48,040 --> 00:04:50,080
I'm talking about contracts,
87
00:04:50,120 --> 00:04:52,960
talking about recording contracts
for the pair of you.
88
00:04:53,000 --> 00:04:56,880
It's like I keep telling Doris Day
there, via her lawyers -
89
00:04:56,920 --> 00:04:59,840
you give me another chance
I will shift more records
90
00:04:59,880 --> 00:05:04,400
that you can shake your tush at, so
you two, pay your debts.
91
00:05:04,440 --> 00:05:10,920
See me straight and I will make you
masters of all you survey.
92
00:05:10,960 --> 00:05:13,000
(SNIGGERING)
93
00:05:13,040 --> 00:05:15,200
(LAUGHS)
94
00:05:18,600 --> 00:05:20,400
I don't know what you're laughing
at.
95
00:05:20,440 --> 00:05:23,440
You've been singing less than a
year.
96
00:05:23,480 --> 00:05:26,720
You haven't written a song yet
and quite frankly, you're charmless.
97
00:05:26,760 --> 00:05:30,000
David, fine, queer as a box of birds
98
00:05:30,040 --> 00:05:31,880
but at least he's punctual.
99
00:05:31,920 --> 00:05:35,920
-You're a clown.
-Listen, if you want
these recording contracts
100
00:05:35,960 --> 00:05:39,320
you paint that bloody wall, you
long-haired gits.
101
00:05:49,360 --> 00:05:51,560
Your shoes are shit.
102
00:05:51,600 --> 00:05:53,920
They're winklepickers.
103
00:05:53,960 --> 00:05:55,600
Exactly.
104
00:05:55,640 --> 00:05:59,000
♪ THE KINKS: You Really Got Me
105
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♪ Girl, you really got me going
106
00:06:02,040 --> 00:06:06,000
♪ You got me so I don't know
What I'm doing
107
00:06:06,040 --> 00:06:09,240
♪ Yeah, you really got me now
108
00:06:09,280 --> 00:06:13,640
♪ You got me so I can't sleep at
night
109
00:06:13,680 --> 00:06:16,200
♪ Yeah, you really got me now
110
00:06:16,240 --> 00:06:19,280
♪ You got me so I don't know what
I'm doing
111
00:06:19,320 --> 00:06:21,240
♪ Oh, yeah
112
00:06:21,280 --> 00:06:23,960
♪ You really got me now... ♪
113
00:06:24,000 --> 00:06:26,680
♪ I don't know what it is that makes
me love you so
114
00:06:26,720 --> 00:06:30,880
♪ I only know I never want to let
you go
115
00:06:30,920 --> 00:06:34,160
♪ Cos you've started something
Can't you see
116
00:06:34,200 --> 00:06:36,320
♪ That ever since we met... ♪
117
00:06:36,360 --> 00:06:37,760
Nice?
118
00:06:41,360 --> 00:06:43,520
"Neece"What?
119
00:06:43,560 --> 00:06:45,440
Nice. It's a city in France.
120
00:06:45,480 --> 00:06:49,600
And? They're nice biscuits,
hence nice.
121
00:06:49,640 --> 00:06:53,480
If they weren't, do you think they'd
say "not nice"? Rotten?
122
00:06:53,520 --> 00:06:56,960
You don't print bad reviews, unless
you haven't got any good ones.
123
00:06:57,000 --> 00:07:00,880
-I'm not sanding your wall.
-I don't
want you to touch my stinking wall.
124
00:07:21,800 --> 00:07:23,720
So are you one of these art-school
types?
125
00:07:23,760 --> 00:07:27,440
It's a wall, it's not a fresco.
It's not Picasso's bloody Guernica.
126
00:07:27,480 --> 00:07:29,400
Ooh! Picasso.
127
00:07:29,440 --> 00:07:31,280
I went to Bromley Tech.
128
00:07:31,320 --> 00:07:33,760
-Did you get any O levels?
-One.
129
00:07:33,800 --> 00:07:36,120
Oh, all right, Professor.
130
00:07:36,160 --> 00:07:37,440
I failed all my other ones.
131
00:07:37,480 --> 00:07:39,760
Yeah, well. I got expelled.
132
00:07:39,800 --> 00:07:42,520
They couldn't handle my raw, animal
magnetism.
133
00:07:44,680 --> 00:07:46,360
Do you think it was that?
134
00:07:48,280 --> 00:07:49,680
(RETUNES RADIO)
135
00:07:49,720 --> 00:07:52,160
(GUITAR INTRO)
136
00:07:52,200 --> 00:07:53,720
I like this one.
(MUSIC STOPS)
137
00:08:02,760 --> 00:08:05,040
So you're from Bromley?
138
00:08:05,080 --> 00:08:07,480
Well, I was born in Brixton.
139
00:08:07,520 --> 00:08:09,840
But you live in Bromley?
140
00:08:11,040 --> 00:08:12,960
Charming. Charming.
141
00:08:13,000 --> 00:08:15,360
Green spaces, quality of life,
142
00:08:15,400 --> 00:08:17,240
no Jews, blacks or Irish.
143
00:08:17,280 --> 00:08:20,880
Dogs welcome, of course.
They're man's best friend.
144
00:08:20,920 --> 00:08:22,840
It's like Village Of The Damned.
145
00:08:22,880 --> 00:08:26,520
Did you see that film? All the
aliens had your haircut.
146
00:08:27,560 --> 00:08:30,280
-Bromley's all right.
-Has it got a
Wimpy Bar?
147
00:08:30,320 --> 00:08:34,120
It's got two, actually.
Ooh, I just creamed myself.
148
00:08:34,160 --> 00:08:37,400
For your information, there's a lot
of talent in the green belt
149
00:08:37,440 --> 00:08:39,280
and a lot of tripe on Drury Lane.
150
00:08:39,320 --> 00:08:41,480
All right, duckie.
151
00:08:43,640 --> 00:08:45,560
Here.
152
00:08:48,640 --> 00:08:51,880
-What about you, then?
-Stoke Newington
boy.
153
00:08:51,920 --> 00:08:55,600
-What do your parents do?
-My father
works for a charity.
154
00:08:55,640 --> 00:08:58,760
What about your mum?
155
00:08:59,640 --> 00:09:02,000
Is she...?
156
00:09:02,040 --> 00:09:04,800
-She's not dead.
-Oh.
157
00:09:04,840 --> 00:09:06,640
My mum runs a stall on Berwick
Street.
158
00:09:06,680 --> 00:09:09,200
-Groovy.
-Yeah, she is.
159
00:09:09,240 --> 00:09:11,280
Do you know where Berwick Street is?
160
00:09:12,160 --> 00:09:14,200
Near Carnaby Street.
161
00:09:14,240 --> 00:09:17,800
-How near?
-Down, then along.
162
00:09:19,040 --> 00:09:20,640
Ish.
163
00:09:22,200 --> 00:09:24,200
Are they different colours?
164
00:09:25,920 --> 00:09:28,240
Your eyes.
165
00:09:32,120 --> 00:09:35,240
I don't ask about your appearance.
Maybe you should.
166
00:09:35,280 --> 00:09:39,000
You might learn something.
167
00:09:39,040 --> 00:09:41,160
King of the mods, the newspaper
called me.
168
00:09:41,200 --> 00:09:44,640
Six-page spread, two colour photos,
a dozen black-and-whites.
169
00:09:44,680 --> 00:09:47,320
Taken by this cat called
Don McCullin. Do you know him?
170
00:09:48,480 --> 00:09:50,920
Fantastic eye. He adored me.
171
00:09:50,960 --> 00:09:56,080
All my clothes are handmade, see?
It's a matter of principle.
172
00:09:56,120 --> 00:09:59,160
I got a cat up in Hoxton.
Absolute magician.
173
00:09:59,200 --> 00:10:01,400
Like Gandalf in a yarmulke.
174
00:10:01,440 --> 00:10:03,880
Well worth the schlep.
175
00:10:03,920 --> 00:10:06,120
I could take you there if you like.
176
00:10:09,360 --> 00:10:11,040
Suit yourself.
177
00:10:15,880 --> 00:10:18,480
It's definitely "nice".
178
00:10:20,000 --> 00:10:23,080
MARTHA AND THE VANDELLAS:
Calling out around the world
179
00:10:23,120 --> 00:10:25,720
♪ Are you ready
for a brand-new beat?
180
00:10:27,560 --> 00:10:28,760
♪ Summer's here... ♪
181
00:10:28,800 --> 00:10:31,160
Do you know the Kinks?
182
00:10:31,200 --> 00:10:33,600
-I toured with them.
-The Animals?
183
00:10:34,640 --> 00:10:36,440
A bit square.
184
00:10:37,840 --> 00:10:39,920
Small Faces?
185
00:10:39,960 --> 00:10:42,000
I was their singer.
186
00:10:42,880 --> 00:10:45,120
Really?
187
00:10:45,160 --> 00:10:47,280
Well, I have sung with them.
188
00:10:47,320 --> 00:10:50,440
Are you also Dave from Dave Dee,
Dozy, Beaky, Mick and Tich?
189
00:10:53,120 --> 00:10:55,640
So come on - who do you like?
190
00:10:57,120 --> 00:11:00,920
Howlin' Wolf. Muddy Waters. Blind
Lemon Jefferson.
191
00:11:00,960 --> 00:11:03,320
Blind Willie Johnson, Blind Willie
McTell.
192
00:11:03,360 --> 00:11:07,240
You can just say the blues.
You don't need to list every blind
bloke in Mississippi.
193
00:11:07,280 --> 00:11:10,080
Yeah but I don't dig virtuosity. I
dig feeling.
194
00:11:10,120 --> 00:11:13,600
I love those people who can send a
chill up my spine.
195
00:11:14,440 --> 00:11:16,880
Yeah. I dig that.
196
00:11:16,920 --> 00:11:19,120
I like Chet Baker.
197
00:11:21,520 --> 00:11:23,360
That's nice.
198
00:11:23,400 --> 00:11:29,320
No, he's nice. I just prefer
Coltrane, Mingus, Monk.
199
00:11:29,360 --> 00:11:32,920
The genii.
200
00:11:32,960 --> 00:11:36,440
Well, how come you're nicking songs
off Huey Piano Smith?
201
00:11:38,960 --> 00:11:42,600
Well - one, I've never even heard of
Huey Piano Smith.
202
00:11:42,640 --> 00:11:46,520
Really? I thought you were Old Blind
Davy McTell?
203
00:11:46,560 --> 00:11:50,920
But even if I had, which I haven't, I
never said I wrote Liza Jane.
204
00:11:50,960 --> 00:11:54,280
I modernised it.
What's wrong with juxtaposition?
205
00:11:54,320 --> 00:11:56,320
If I knew what it meant, I'd tell
you.
206
00:11:56,360 --> 00:11:58,600
Taking a bit of him, a bit of her -
207
00:11:58,640 --> 00:12:01,320
you know, talent borrows,
genius steals.
208
00:12:01,360 --> 00:12:02,960
Picasso said that.
209
00:12:03,000 --> 00:12:05,080
Did I mention I've got an O level?
210
00:12:05,120 --> 00:12:07,720
No, I mean,
211
00:12:07,760 --> 00:12:11,000
take an old folk song like House Of
The Rising Sun.
212
00:12:11,040 --> 00:12:15,200
My friend, this bloke, George,
thought,
213
00:12:15,240 --> 00:12:17,160
what if you put some drums under it?
Like...
214
00:12:19,360 --> 00:12:21,240
Maybe some reverby guitar?
215
00:12:21,280 --> 00:12:26,000
♪ Doon, doon-doon
Doon-doon, doon doon ♪
216
00:12:26,040 --> 00:12:29,640
It's heavy, it's sexy, it's...
217
00:12:29,680 --> 00:12:31,760
The Animals.
218
00:12:31,800 --> 00:12:35,640
-It's what?
-The Animals released that
song, literally last week.
219
00:12:36,760 --> 00:12:38,520
-You're winding me up.
-I'm not.
220
00:12:38,560 --> 00:12:42,240
I guarantee you, someone will be
playing it right now.
221
00:12:42,280 --> 00:12:44,240
(DIALS THROUGH RADIO STATIONS)
222
00:12:48,360 --> 00:12:51,040
THE ANIMALS: The House Of The Rising
Sun
223
00:12:59,240 --> 00:13:02,160
Bollocks.
Now the only thing
a gambler needs... ♪
224
00:13:12,040 --> 00:13:17,960
♪ ..there is a house in New Orleans
225
00:13:18,000 --> 00:13:22,120
♪ They call the Rising Sun
226
00:13:23,600 --> 00:13:26,560
♪ And it's been the ruin
227
00:13:26,600 --> 00:13:29,600
♪ Of many a poor boy
228
00:13:29,640 --> 00:13:31,760
♪ And God, I know I'm one... ♪
229
00:13:31,800 --> 00:13:34,120
(CAR HORN BEEPS)
230
00:13:38,440 --> 00:13:40,800
-GIRLS:
-Hey, guys! Whoo!
231
00:13:44,040 --> 00:13:46,160
(STRUMS CHORDS)
232
00:13:53,280 --> 00:13:55,720
Why do you want to sound like other
people?
233
00:13:55,760 --> 00:13:59,520
Well, you're always going to sound
-like someone.
-I sound like Mark Feld,
mate.
234
00:13:59,560 --> 00:14:01,440
Or whoever.
235
00:14:01,480 --> 00:14:03,560
Cos I think I might actually change
my name.
236
00:14:04,800 --> 00:14:08,520
What do you think of Dirk Baggins?
237
00:14:11,800 --> 00:14:13,160
Quentin Barbados?
238
00:14:13,200 --> 00:14:14,800
(CHUCKLES)
239
00:14:14,840 --> 00:14:19,200
But don't you feel like, one day I
put on this shirt
240
00:14:19,240 --> 00:14:22,640
and I combine it with that voice
and that's who I am on a Wednesday
241
00:14:22,680 --> 00:14:24,840
and that's all there is to it?
242
00:14:24,880 --> 00:14:27,120
All there is to what?
243
00:14:27,160 --> 00:14:29,120
Life.
244
00:14:29,160 --> 00:14:34,200
I don't know if that's cool or thin.
Bleak.
245
00:14:34,960 --> 00:14:36,760
Maybe you're not cut out for it.
246
00:14:36,800 --> 00:14:39,440
-Life?
-Rock and roll.
247
00:14:39,480 --> 00:14:41,640
I'm sensing a lot of doubt, David.
248
00:14:41,680 --> 00:14:46,560
Do you think your Dylans, your
Jaggers, they sit around going,
"Ooh, am I doing the right thing?"
249
00:14:47,680 --> 00:14:49,440
Er... It's rhetorical.
250
00:14:49,480 --> 00:14:51,200
Self-doubt - it ain't groovy.
251
00:14:51,240 --> 00:14:55,840
I never interrogate any decision I
ever make as a point of principle.
252
00:14:55,880 --> 00:14:57,720
That explains the hair.
253
00:14:58,600 --> 00:15:00,440
Childish.
254
00:15:00,480 --> 00:15:03,240
But I ain't bothered.
I've got a destiny.
255
00:15:03,280 --> 00:15:06,320
I am going to be bigger than the
Beatles.
256
00:15:06,360 --> 00:15:08,680
(SCOFFS) That's a fact, is it?
257
00:15:10,040 --> 00:15:11,240
Yes.
258
00:15:12,920 --> 00:15:16,320
So what's the song? What made you
get into all of this nonsense?
259
00:15:17,800 --> 00:15:19,400
-WOMAN:
-Ach!
260
00:15:19,440 --> 00:15:21,560
Well?
261
00:15:24,160 --> 00:15:27,400
When I was nine, my dad bought me
this single.
262
00:15:27,440 --> 00:15:31,400
He didn't realise you can't play 45s
on a gramophone,
263
00:15:31,440 --> 00:15:33,280
which was all we had.
264
00:15:33,320 --> 00:15:36,880
I put the 45 on and it was far too
slow, you know.
265
00:15:36,920 --> 00:15:39,120
But there was something.
266
00:15:39,160 --> 00:15:43,200
I started turning the record with
my hand, faster and faster,
267
00:15:43,240 --> 00:15:47,920
faster and faster until it became
this...this sound.
268
00:15:47,960 --> 00:15:50,000
What was it?
269
00:15:50,040 --> 00:15:51,920
Tutti Frutti, Little Richard.
270
00:15:51,960 --> 00:15:53,280
Oh!
271
00:15:53,320 --> 00:15:56,440
Ach! My heart nearly burst.
272
00:15:56,480 --> 00:15:57,920
It was like hearing God.
273
00:15:57,960 --> 00:16:01,120
I was hearing God.
274
00:16:06,280 --> 00:16:08,600
What about you?
275
00:16:08,640 --> 00:16:13,040
Couldn't afford a gramophone. When I
was nine, I was mostly having sex.
276
00:16:13,080 --> 00:16:14,920
(CHUCKLES)
277
00:16:14,960 --> 00:16:17,840
You don't buy it? It's the one thing
I'm really good at.
278
00:16:17,880 --> 00:16:21,680
-What, sex?
-The whole shebang. People
like me.
279
00:16:21,720 --> 00:16:25,320
Maybe they don't want to like me but
they can't help themselves, right?
280
00:16:31,760 --> 00:16:33,560
What's your dirty little secret?
281
00:16:33,600 --> 00:16:37,960
Say you're sick to the back teeth of
everything - who do you listen to?
282
00:16:38,000 --> 00:16:40,800
Someone embarrassing?
283
00:16:40,840 --> 00:16:43,240
-Yeah.
-This is a trap.
284
00:16:43,280 --> 00:16:46,520
-Scout's honour.
-That's the wrong
hand.
285
00:16:48,440 --> 00:16:49,840
Both say it on three.
286
00:16:50,880 --> 00:16:52,920
OK.
287
00:16:52,960 --> 00:16:55,040
-BOTH:
-One, two, three.
288
00:16:55,080 --> 00:16:56,520
-BOTH:
-Cliff Richard.
289
00:16:58,680 --> 00:17:01,600
-He's the English Elvis.
-He deserves a
knighthood.
290
00:17:01,640 --> 00:17:03,840
Summer Holiday is the best film ever
made.
291
00:17:03,880 --> 00:17:05,800
Erm...
292
00:17:10,000 --> 00:17:12,120
Do you know how to use a
photocopier?
293
00:17:12,160 --> 00:17:14,280
♪ CLIFF RICHARD: Summer Holiday
294
00:17:19,480 --> 00:17:23,720
♪ We're all going on
a summer holiday
295
00:17:23,760 --> 00:17:26,040
♪ No more working for a week or two
296
00:17:26,920 --> 00:17:30,320
♪ Fun and laughter on a summer
holiday
297
00:17:30,360 --> 00:17:33,880
♪ No more worries for me or you
298
00:17:34,600 --> 00:17:36,640
♪ For a week or two
299
00:17:36,680 --> 00:17:40,320
♪ We're going where the sun shines
brightly... ♪
300
00:17:40,360 --> 00:17:42,800
Rimbaud. French cat. Proper filth.
301
00:17:42,840 --> 00:17:46,760
A fella told me I looked like him,
so I got the book out the library.
302
00:17:46,800 --> 00:17:49,920
That's quite a peculiar logic.
Is it?
303
00:17:50,800 --> 00:17:53,000
No, no.
304
00:17:53,040 --> 00:17:55,560
Rimbaud wrote everything he wanted
by the age of 20.
305
00:17:55,600 --> 00:17:57,920
He was dead at 37.
306
00:17:57,960 --> 00:18:00,000
Can you imagine being 37?
307
00:18:00,040 --> 00:18:05,760
I sort of see myself going mad.
What, like mad mad?
308
00:18:05,800 --> 00:18:08,600
-Yeah.Really?
-Yeah.
309
00:18:08,640 --> 00:18:13,600
On my mother's side, half her sisters
have been locked up, electrocuted,
310
00:18:13,640 --> 00:18:17,080
lobotomised and whatnot.
311
00:18:17,120 --> 00:18:19,200
I don't know why I'm telling you
this.
312
00:18:19,240 --> 00:18:20,560
Horrible.
313
00:18:20,600 --> 00:18:24,280
Yeah, well... I don't want to get
old.
314
00:18:24,320 --> 00:18:25,680
Amen, brother.
315
00:18:25,720 --> 00:18:27,520
Amen!
316
00:18:35,240 --> 00:18:40,080
So tell us about the eye.
I got it playing football.
317
00:18:40,120 --> 00:18:42,800
You don't look like much of a
footballer.
318
00:18:48,480 --> 00:18:51,640
About a year ago, my friend George
asked this girl out.
319
00:18:51,680 --> 00:18:54,680
Well, he asked her dad if he could
take her out.
320
00:18:54,720 --> 00:18:57,360
Anyway, it's all been set up.
321
00:18:57,400 --> 00:19:02,440
On the day, I told George that Kate
didn't want to go out with him any
more,
322
00:19:02,480 --> 00:19:04,600
which wasn't strictly true.
323
00:19:06,080 --> 00:19:08,200
Anyway, Kate thinks she's been stood
up.
324
00:19:08,240 --> 00:19:11,400
She's crying her eyes out in Wimpy's.
325
00:19:11,440 --> 00:19:15,200
-You were going to swoop in.
-Right -
be a shoulder to cry on.
326
00:19:15,240 --> 00:19:18,760
Only George found out, so he punched
me.
327
00:19:18,800 --> 00:19:20,880
In the eye?
328
00:19:20,920 --> 00:19:22,960
He broke it, basically.
329
00:19:23,000 --> 00:19:29,160
I had a couple of weeks in hospital,
two operations but...
330
00:19:30,640 --> 00:19:34,360
I like it. I think it gives you
mystique.
331
00:19:36,080 --> 00:19:38,960
Yeah?
332
00:19:40,480 --> 00:19:43,360
-You really liked her?
-Yeah.
333
00:19:45,000 --> 00:19:47,680
C...Carol.
334
00:19:47,720 --> 00:19:50,760
-Carol Goldsmith, not Kate.
-Huh!
335
00:19:50,800 --> 00:19:53,400
Oh, well, that's charming. Very
romantic.
336
00:19:53,440 --> 00:19:55,360
It was true love.
337
00:19:59,240 --> 00:20:00,840
Here.
338
00:20:02,560 --> 00:20:05,120
This is my song.
339
00:20:05,160 --> 00:20:07,160
Do you know it?
340
00:20:12,040 --> 00:20:14,200
♪ BO DIDDLEY: Who Do You Love?
341
00:20:14,240 --> 00:20:15,960
Yeah!
342
00:20:20,280 --> 00:20:23,120
♪ I walked 47 miles of barbed wire
343
00:20:23,160 --> 00:20:25,400
♪ I used a cobra snake for a necktie
344
00:20:25,440 --> 00:20:27,880
♪ I got a brand-new house on a
roadside
345
00:20:27,920 --> 00:20:30,240
♪ Made of rattlesnake hide
346
00:20:30,280 --> 00:20:32,760
♪ I got a brand-new chimney made on
top
347
00:20:32,800 --> 00:20:34,760
♪ Made out of a human skull
348
00:20:34,800 --> 00:20:37,480
♪ Now, come and take a walk with me
Kate...
349
00:20:37,520 --> 00:20:38,880
Carol.
350
00:20:38,920 --> 00:20:47,760
♪ Who do you love?
351
00:20:47,800 --> 00:20:50,480
♪ Who
352
00:20:50,520 --> 00:20:55,800
♪ Do you love? ♪
353
00:20:55,840 --> 00:20:58,120
Yeah!
354
00:20:58,160 --> 00:20:59,880
That's great.
355
00:21:00,880 --> 00:21:03,640
(SIGHS)
What?
356
00:21:03,680 --> 00:21:06,800
I've got to get out of Bromley.
357
00:21:06,840 --> 00:21:09,600
-George on the warpath again?
-No,
he's all right.
358
00:21:09,640 --> 00:21:13,000
It's everyone else in that mock Tudor
hellhole.
359
00:21:13,040 --> 00:21:15,560
They look at me like I'm a Martian.
360
00:21:15,600 --> 00:21:18,080
-That'll be the eye.
-Fuck off.
361
00:21:18,120 --> 00:21:20,320
-Oi!Get off.
-What?
362
00:21:20,360 --> 00:21:22,400
What, you want a little fight, do
-you?
-Yeah.
363
00:21:22,960 --> 00:21:24,760
Come on, D'Artagnan. OK.
364
00:21:24,800 --> 00:21:26,760
What? Get off me. What are you doing?
365
00:21:26,800 --> 00:21:28,760
(LAUGHS) Get off me!
366
00:21:28,800 --> 00:21:30,800
-Hey!
-Hey! you, get off!
367
00:21:31,920 --> 00:21:34,040
Get off me!
368
00:21:37,920 --> 00:21:40,200
(LAUGHTER)
369
00:21:40,240 --> 00:21:42,560
You fucker!
370
00:21:52,280 --> 00:21:54,240
These aren't contracts.
371
00:21:54,280 --> 00:21:58,040
-They're parking tickets.
-Fuck off.
372
00:21:58,080 --> 00:21:59,880
He's dodging the fines.
373
00:22:03,440 --> 00:22:05,840
Let's get out of here.
374
00:22:05,880 --> 00:22:08,680
♪ DAVID BOWIE: The Prettiest Star
375
00:22:22,360 --> 00:22:25,960
I tell you what. We'll head down to
Carnaby Street, have a root through
the bins,
376
00:22:26,000 --> 00:22:28,680
see if we can't find you something
decent to wear.
377
00:22:28,720 --> 00:22:31,760
Maybe I'll introduce you to my mum.
Oh, OK.
378
00:22:31,800 --> 00:22:33,840
Hang on.
379
00:22:39,280 --> 00:22:41,520
Watch this.
380
00:22:43,560 --> 00:22:46,160
♪ So tired
381
00:22:46,200 --> 00:22:50,400
♪ It's the sky
that makes you feel tried
382
00:22:50,440 --> 00:22:54,120
♪ It's a trick to make you see
wide... ♪
383
00:22:54,160 --> 00:22:55,560
Here you are.
384
00:22:55,600 --> 00:23:00,560
♪ It can all but break your heart
385
00:23:00,600 --> 00:23:02,400
♪ In pieces
386
00:23:02,440 --> 00:23:04,440
♪ Staying back in your memory... ♪
387
00:23:04,480 --> 00:23:06,240
We'll tell him it's art.
388
00:23:06,280 --> 00:23:09,000
(LAUGHS)
389
00:23:10,120 --> 00:23:14,440
♪ How you moved is all it takes... ♪
390
00:23:14,480 --> 00:23:17,560
When you've finished that, boys,
you can have a go at the bogs.
391
00:23:20,080 --> 00:23:22,920
♪ The prettiest star... ♪
392
00:23:25,240 --> 00:23:28,280
Very funny.
393
00:23:41,880 --> 00:23:45,680
♪ Staying back in your memory
394
00:23:45,720 --> 00:23:49,240
♪ Of the movies in the dark
395
00:23:50,440 --> 00:23:54,560
♪ How you move is all it takes
396
00:23:54,600 --> 00:23:59,440
♪ To sing a song of when I loved
397
00:24:00,360 --> 00:24:03,000
♪ The prettiest star
398
00:24:03,880 --> 00:24:06,240
♪ One day
399
00:24:06,280 --> 00:24:10,040
♪ Though it might as well be some day
400
00:24:10,080 --> 00:24:14,440
♪ You will rise on high
And take us all away
401
00:24:14,480 --> 00:24:17,960
♪ All because of what you are
402
00:24:20,640 --> 00:24:22,600
♪ The prettiest star... ♪
403
00:24:31,200 --> 00:24:33,960
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