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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:15,880 --> 00:00:18,080 ♪ DAVID BOWIE: Liza Jane 2 00:00:23,320 --> 00:00:26,200 ♪ Well, I got a girl That's good to me 3 00:00:26,240 --> 00:00:28,680 ♪ Whoa, little Liza 4 00:00:28,720 --> 00:00:31,760 ♪ Now, she ain't more than five-foot-three 5 00:00:31,800 --> 00:00:34,080 ♪ Whoa, little Liza 6 00:00:34,120 --> 00:00:36,560 ♪ Well, this little girl is good to me 7 00:00:36,600 --> 00:00:39,320 ♪ Whoa, little Liza 8 00:00:39,360 --> 00:00:42,000 ♪ Yeah, this little girl's nearly half of me 9 00:00:42,040 --> 00:00:44,360 ♪ Whoa, little Liza 10 00:00:44,400 --> 00:00:47,160 ♪ Oh, little Liza Jane 11 00:00:47,200 --> 00:00:49,520 ♪ Little Liza Jane 12 00:00:52,560 --> 00:00:55,200 ♪ Little Liza Jane... ♪ 13 00:00:55,240 --> 00:00:58,120 David? David! I got a girl who's good to me 14 00:00:58,160 --> 00:01:01,560 David! Whoa, little Liza... ♪ 15 00:01:02,760 --> 00:01:06,320 Quick! Quick, catch it! Catch it! 16 00:01:06,360 --> 00:01:08,280 Catch it! 17 00:01:14,400 --> 00:01:17,360 You'll be pleased to hear I've found a bloke wants to buy the lot. 18 00:01:17,400 --> 00:01:19,760 -That's terrific! -Don't sound too surprised, David. 19 00:01:19,800 --> 00:01:23,560 It is my field. There's not a racket in the world I couldn't flog, 20 00:01:23,600 --> 00:01:25,520 your records being a case in point. 21 00:01:26,280 --> 00:01:27,560 (LAUGHS WEAKLY) Thanks. 22 00:01:29,280 --> 00:01:33,080 So, who bought the records? HMV? 23 00:01:33,120 --> 00:01:36,800 HMV? No, God bless you, not HMV. 24 00:01:36,840 --> 00:01:40,120 No, it's a bloke got one of them clay pigeon machines. 25 00:01:40,160 --> 00:01:43,160 You know - fires clay discs, people shoot them with shotguns. 26 00:01:43,200 --> 00:01:45,600 He reckons he can rig it up to fire 45s. 27 00:01:48,400 --> 00:01:51,800 How long did you think you were going -to get away with this? -Get away with what? 28 00:01:51,840 --> 00:01:54,960 "Written by L Conn." 29 00:01:55,000 --> 00:01:58,360 -Well? -You didn't write Liza Jane. 30 00:01:58,400 --> 00:02:02,120 (CHUCKLES) I think you'll find that's the reefer doobies talking. 31 00:02:02,160 --> 00:02:04,440 Go on - who's Liza Jane, then? 32 00:02:04,480 --> 00:02:07,240 -A bird. -Describe her. 33 00:02:07,280 --> 00:02:10,280 Er, she's got, er... 34 00:02:10,320 --> 00:02:12,080 legs up to here. 35 00:02:12,120 --> 00:02:15,080 She's got a torso up to here. 36 00:02:15,640 --> 00:02:17,200 -A neck. -Up to here? 37 00:02:17,240 --> 00:02:20,560 That's her, yeah. Les, it's my song. 38 00:02:20,600 --> 00:02:23,960 All right, look, I admit it. There was a small clerical error 39 00:02:24,000 --> 00:02:27,880 by which it appears I've acquired all the rights to the song in perpetuity. 40 00:02:27,920 --> 00:02:31,120 Good job it didn't make any money, -then, eh? -Absolutely, David. 41 00:02:31,160 --> 00:02:34,680 I mean, I would hate for a small typo to ruin our whole relationship. 42 00:02:34,720 --> 00:02:37,160 -Yeah. -Just imagine if I couldn't trust you. 43 00:02:37,200 --> 00:02:38,680 Oh, God forbid! 44 00:02:38,720 --> 00:02:40,600 Well, it happens all the time. 45 00:02:40,640 --> 00:02:42,120 I mean, look at the Beatles. 46 00:02:42,160 --> 00:02:44,160 Eight days a week? I don't think so, lads. 47 00:02:44,200 --> 00:02:46,280 -That's a bit sloppy, isn't it? -Yeah. 48 00:02:47,320 --> 00:02:49,720 Yeah, there's Mark now. 49 00:02:49,760 --> 00:02:54,040 Oi, oi! Hairdresser's that way, darling! (LAUGHS) 50 00:02:55,480 --> 00:02:58,760 -I can do this by myself. -No. No, this is a two-man job 51 00:02:58,800 --> 00:03:02,680 and I have got two able-bodied young crooners who owe me 52 00:03:02,720 --> 00:03:05,760 for all the hard work I've put into their careers thus far. 53 00:03:06,800 --> 00:03:10,280 Anyway, the song wasn't the problem. It was the band. 54 00:03:11,240 --> 00:03:13,400 As a punter, I want to be intrigued. 55 00:03:13,440 --> 00:03:17,280 I want an aesthetic, not some pack of scruffy Tom, Dick and Harry's. 56 00:03:17,320 --> 00:03:19,520 -Tom, Dick and Harry's? -I mean, I looked all right. 57 00:03:19,560 --> 00:03:23,280 They were your mates, David. George, he was your best mate. 58 00:03:23,320 --> 00:03:27,440 They were very scruffy. That rhythm section looked like one big cardigan. 59 00:03:27,480 --> 00:03:29,720 Yeah, and I told you, didn't I? What did I tell you? 60 00:03:29,760 --> 00:03:31,760 -Turtlenecks. -Over my dead body. 61 00:03:31,800 --> 00:03:33,680 Oh, that's right, sorry, yeah, I forgot. 62 00:03:33,720 --> 00:03:36,160 David doesn't like turtlenecks. So what does he do? 63 00:03:36,200 --> 00:03:39,600 He liquidates the entire band behind my back. 64 00:03:39,640 --> 00:03:43,280 -It wasn't working. -It's not all the money I mind, David. 65 00:03:43,320 --> 00:03:46,360 It's the... It's the time and the experience 66 00:03:46,400 --> 00:03:49,640 with which I've lavished you, just to see it squandered. 67 00:03:49,680 --> 00:03:52,160 But you are still going to plug me, though, right? 68 00:03:53,920 --> 00:03:55,760 -For my sins. -Good. 69 00:03:55,800 --> 00:03:57,560 Cos I've got my next single all lined up. 70 00:03:57,600 --> 00:03:59,840 You know House Of The Rising Sun? I was... 71 00:03:59,880 --> 00:04:02,960 Lo, the prodigal schlump. 72 00:04:03,000 --> 00:04:06,480 Leslie, can you lend me a quid? Very funny. 73 00:04:06,520 --> 00:04:08,280 Mark Feld, David Jones. 74 00:04:08,320 --> 00:04:12,160 -Davy Jones. -Like the fella from the Monkees. 75 00:04:12,200 --> 00:04:13,920 Why does everyone keep saying that? 76 00:04:13,960 --> 00:04:17,440 Well, because he's the only Davy Jones anyone's ever heard of? 77 00:04:19,240 --> 00:04:20,480 Let's just get on with it. 78 00:04:20,520 --> 00:04:24,320 Right, Leslie, this painting gig. 79 00:04:24,360 --> 00:04:26,600 I was going to tell you to stick it over the phone 80 00:04:26,640 --> 00:04:31,440 but I thought, "I'll tell him to stick it to his haggard old face," because I respect you. 81 00:04:31,480 --> 00:04:34,200 Balls. You didn't even have twopence for the telephone. 82 00:04:34,240 --> 00:04:36,880 With a mind like that, you belong in Scotland Yard. 83 00:04:36,920 --> 00:04:41,240 As for me, I am an artist, not a bloody navvy. 84 00:04:41,280 --> 00:04:43,920 Do you know what I've got in my briefcase here? 85 00:04:43,960 --> 00:04:48,000 Last time a fella asked me that was a Tory MP trying to pick me up in khazi. 86 00:04:48,040 --> 00:04:50,080 I'm talking about contracts, 87 00:04:50,120 --> 00:04:52,960 talking about recording contracts for the pair of you. 88 00:04:53,000 --> 00:04:56,880 It's like I keep telling Doris Day there, via her lawyers - 89 00:04:56,920 --> 00:04:59,840 you give me another chance I will shift more records 90 00:04:59,880 --> 00:05:04,400 that you can shake your tush at, so you two, pay your debts. 91 00:05:04,440 --> 00:05:10,920 See me straight and I will make you masters of all you survey. 92 00:05:10,960 --> 00:05:13,000 (SNIGGERING) 93 00:05:13,040 --> 00:05:15,200 (LAUGHS) 94 00:05:18,600 --> 00:05:20,400 I don't know what you're laughing at. 95 00:05:20,440 --> 00:05:23,440 You've been singing less than a year. 96 00:05:23,480 --> 00:05:26,720 You haven't written a song yet and quite frankly, you're charmless. 97 00:05:26,760 --> 00:05:30,000 David, fine, queer as a box of birds 98 00:05:30,040 --> 00:05:31,880 but at least he's punctual. 99 00:05:31,920 --> 00:05:35,920 -You're a clown. -Listen, if you want these recording contracts 100 00:05:35,960 --> 00:05:39,320 you paint that bloody wall, you long-haired gits. 101 00:05:49,360 --> 00:05:51,560 Your shoes are shit. 102 00:05:51,600 --> 00:05:53,920 They're winklepickers. 103 00:05:53,960 --> 00:05:55,600 Exactly. 104 00:05:55,640 --> 00:05:59,000 ♪ THE KINKS: You Really Got Me 105 00:05:59,040 --> 00:06:02,000 ♪ Girl, you really got me going 106 00:06:02,040 --> 00:06:06,000 ♪ You got me so I don't know What I'm doing 107 00:06:06,040 --> 00:06:09,240 ♪ Yeah, you really got me now 108 00:06:09,280 --> 00:06:13,640 ♪ You got me so I can't sleep at night 109 00:06:13,680 --> 00:06:16,200 ♪ Yeah, you really got me now 110 00:06:16,240 --> 00:06:19,280 ♪ You got me so I don't know what I'm doing 111 00:06:19,320 --> 00:06:21,240 ♪ Oh, yeah 112 00:06:21,280 --> 00:06:23,960 ♪ You really got me now... ♪ 113 00:06:24,000 --> 00:06:26,680 ♪ I don't know what it is that makes me love you so 114 00:06:26,720 --> 00:06:30,880 ♪ I only know I never want to let you go 115 00:06:30,920 --> 00:06:34,160 ♪ Cos you've started something Can't you see 116 00:06:34,200 --> 00:06:36,320 ♪ That ever since we met... ♪ 117 00:06:36,360 --> 00:06:37,760 Nice? 118 00:06:41,360 --> 00:06:43,520 "Neece"What? 119 00:06:43,560 --> 00:06:45,440 Nice. It's a city in France. 120 00:06:45,480 --> 00:06:49,600 And? They're nice biscuits, hence nice. 121 00:06:49,640 --> 00:06:53,480 If they weren't, do you think they'd say "not nice"? Rotten? 122 00:06:53,520 --> 00:06:56,960 You don't print bad reviews, unless you haven't got any good ones. 123 00:06:57,000 --> 00:07:00,880 -I'm not sanding your wall. -I don't want you to touch my stinking wall. 124 00:07:21,800 --> 00:07:23,720 So are you one of these art-school types? 125 00:07:23,760 --> 00:07:27,440 It's a wall, it's not a fresco. It's not Picasso's bloody Guernica. 126 00:07:27,480 --> 00:07:29,400 Ooh! Picasso. 127 00:07:29,440 --> 00:07:31,280 I went to Bromley Tech. 128 00:07:31,320 --> 00:07:33,760 -Did you get any O levels? -One. 129 00:07:33,800 --> 00:07:36,120 Oh, all right, Professor. 130 00:07:36,160 --> 00:07:37,440 I failed all my other ones. 131 00:07:37,480 --> 00:07:39,760 Yeah, well. I got expelled. 132 00:07:39,800 --> 00:07:42,520 They couldn't handle my raw, animal magnetism. 133 00:07:44,680 --> 00:07:46,360 Do you think it was that? 134 00:07:48,280 --> 00:07:49,680 (RETUNES RADIO) 135 00:07:49,720 --> 00:07:52,160 (GUITAR INTRO) 136 00:07:52,200 --> 00:07:53,720 I like this one. (MUSIC STOPS) 137 00:08:02,760 --> 00:08:05,040 So you're from Bromley? 138 00:08:05,080 --> 00:08:07,480 Well, I was born in Brixton. 139 00:08:07,520 --> 00:08:09,840 But you live in Bromley? 140 00:08:11,040 --> 00:08:12,960 Charming. Charming. 141 00:08:13,000 --> 00:08:15,360 Green spaces, quality of life, 142 00:08:15,400 --> 00:08:17,240 no Jews, blacks or Irish. 143 00:08:17,280 --> 00:08:20,880 Dogs welcome, of course. They're man's best friend. 144 00:08:20,920 --> 00:08:22,840 It's like Village Of The Damned. 145 00:08:22,880 --> 00:08:26,520 Did you see that film? All the aliens had your haircut. 146 00:08:27,560 --> 00:08:30,280 -Bromley's all right. -Has it got a Wimpy Bar? 147 00:08:30,320 --> 00:08:34,120 It's got two, actually. Ooh, I just creamed myself. 148 00:08:34,160 --> 00:08:37,400 For your information, there's a lot of talent in the green belt 149 00:08:37,440 --> 00:08:39,280 and a lot of tripe on Drury Lane. 150 00:08:39,320 --> 00:08:41,480 All right, duckie. 151 00:08:43,640 --> 00:08:45,560 Here. 152 00:08:48,640 --> 00:08:51,880 -What about you, then? -Stoke Newington boy. 153 00:08:51,920 --> 00:08:55,600 -What do your parents do? -My father works for a charity. 154 00:08:55,640 --> 00:08:58,760 What about your mum? 155 00:08:59,640 --> 00:09:02,000 Is she...? 156 00:09:02,040 --> 00:09:04,800 -She's not dead. -Oh. 157 00:09:04,840 --> 00:09:06,640 My mum runs a stall on Berwick Street. 158 00:09:06,680 --> 00:09:09,200 -Groovy. -Yeah, she is. 159 00:09:09,240 --> 00:09:11,280 Do you know where Berwick Street is? 160 00:09:12,160 --> 00:09:14,200 Near Carnaby Street. 161 00:09:14,240 --> 00:09:17,800 -How near? -Down, then along. 162 00:09:19,040 --> 00:09:20,640 Ish. 163 00:09:22,200 --> 00:09:24,200 Are they different colours? 164 00:09:25,920 --> 00:09:28,240 Your eyes. 165 00:09:32,120 --> 00:09:35,240 I don't ask about your appearance. Maybe you should. 166 00:09:35,280 --> 00:09:39,000 You might learn something. 167 00:09:39,040 --> 00:09:41,160 King of the mods, the newspaper called me. 168 00:09:41,200 --> 00:09:44,640 Six-page spread, two colour photos, a dozen black-and-whites. 169 00:09:44,680 --> 00:09:47,320 Taken by this cat called Don McCullin. Do you know him? 170 00:09:48,480 --> 00:09:50,920 Fantastic eye. He adored me. 171 00:09:50,960 --> 00:09:56,080 All my clothes are handmade, see? It's a matter of principle. 172 00:09:56,120 --> 00:09:59,160 I got a cat up in Hoxton. Absolute magician. 173 00:09:59,200 --> 00:10:01,400 Like Gandalf in a yarmulke. 174 00:10:01,440 --> 00:10:03,880 Well worth the schlep. 175 00:10:03,920 --> 00:10:06,120 I could take you there if you like. 176 00:10:09,360 --> 00:10:11,040 Suit yourself. 177 00:10:15,880 --> 00:10:18,480 It's definitely "nice". 178 00:10:20,000 --> 00:10:23,080 MARTHA AND THE VANDELLAS: Calling out around the world 179 00:10:23,120 --> 00:10:25,720 ♪ Are you ready for a brand-new beat? 180 00:10:27,560 --> 00:10:28,760 ♪ Summer's here... ♪ 181 00:10:28,800 --> 00:10:31,160 Do you know the Kinks? 182 00:10:31,200 --> 00:10:33,600 -I toured with them. -The Animals? 183 00:10:34,640 --> 00:10:36,440 A bit square. 184 00:10:37,840 --> 00:10:39,920 Small Faces? 185 00:10:39,960 --> 00:10:42,000 I was their singer. 186 00:10:42,880 --> 00:10:45,120 Really? 187 00:10:45,160 --> 00:10:47,280 Well, I have sung with them. 188 00:10:47,320 --> 00:10:50,440 Are you also Dave from Dave Dee, Dozy, Beaky, Mick and Tich? 189 00:10:53,120 --> 00:10:55,640 So come on - who do you like? 190 00:10:57,120 --> 00:11:00,920 Howlin' Wolf. Muddy Waters. Blind Lemon Jefferson. 191 00:11:00,960 --> 00:11:03,320 Blind Willie Johnson, Blind Willie McTell. 192 00:11:03,360 --> 00:11:07,240 You can just say the blues. You don't need to list every blind bloke in Mississippi. 193 00:11:07,280 --> 00:11:10,080 Yeah but I don't dig virtuosity. I dig feeling. 194 00:11:10,120 --> 00:11:13,600 I love those people who can send a chill up my spine. 195 00:11:14,440 --> 00:11:16,880 Yeah. I dig that. 196 00:11:16,920 --> 00:11:19,120 I like Chet Baker. 197 00:11:21,520 --> 00:11:23,360 That's nice. 198 00:11:23,400 --> 00:11:29,320 No, he's nice. I just prefer Coltrane, Mingus, Monk. 199 00:11:29,360 --> 00:11:32,920 The genii. 200 00:11:32,960 --> 00:11:36,440 Well, how come you're nicking songs off Huey Piano Smith? 201 00:11:38,960 --> 00:11:42,600 Well - one, I've never even heard of Huey Piano Smith. 202 00:11:42,640 --> 00:11:46,520 Really? I thought you were Old Blind Davy McTell? 203 00:11:46,560 --> 00:11:50,920 But even if I had, which I haven't, I never said I wrote Liza Jane. 204 00:11:50,960 --> 00:11:54,280 I modernised it. What's wrong with juxtaposition? 205 00:11:54,320 --> 00:11:56,320 If I knew what it meant, I'd tell you. 206 00:11:56,360 --> 00:11:58,600 Taking a bit of him, a bit of her - 207 00:11:58,640 --> 00:12:01,320 you know, talent borrows, genius steals. 208 00:12:01,360 --> 00:12:02,960 Picasso said that. 209 00:12:03,000 --> 00:12:05,080 Did I mention I've got an O level? 210 00:12:05,120 --> 00:12:07,720 No, I mean, 211 00:12:07,760 --> 00:12:11,000 take an old folk song like House Of The Rising Sun. 212 00:12:11,040 --> 00:12:15,200 My friend, this bloke, George, thought, 213 00:12:15,240 --> 00:12:17,160 what if you put some drums under it? Like... 214 00:12:19,360 --> 00:12:21,240 Maybe some reverby guitar? 215 00:12:21,280 --> 00:12:26,000 ♪ Doon, doon-doon Doon-doon, doon doon ♪ 216 00:12:26,040 --> 00:12:29,640 It's heavy, it's sexy, it's... 217 00:12:29,680 --> 00:12:31,760 The Animals. 218 00:12:31,800 --> 00:12:35,640 -It's what? -The Animals released that song, literally last week. 219 00:12:36,760 --> 00:12:38,520 -You're winding me up. -I'm not. 220 00:12:38,560 --> 00:12:42,240 I guarantee you, someone will be playing it right now. 221 00:12:42,280 --> 00:12:44,240 (DIALS THROUGH RADIO STATIONS) 222 00:12:48,360 --> 00:12:51,040 THE ANIMALS: The House Of The Rising Sun 223 00:12:59,240 --> 00:13:02,160 Bollocks. Now the only thing a gambler needs... ♪ 224 00:13:12,040 --> 00:13:17,960 ♪ ..there is a house in New Orleans 225 00:13:18,000 --> 00:13:22,120 ♪ They call the Rising Sun 226 00:13:23,600 --> 00:13:26,560 ♪ And it's been the ruin 227 00:13:26,600 --> 00:13:29,600 ♪ Of many a poor boy 228 00:13:29,640 --> 00:13:31,760 ♪ And God, I know I'm one... ♪ 229 00:13:31,800 --> 00:13:34,120 (CAR HORN BEEPS) 230 00:13:38,440 --> 00:13:40,800 -GIRLS: -Hey, guys! Whoo! 231 00:13:44,040 --> 00:13:46,160 (STRUMS CHORDS) 232 00:13:53,280 --> 00:13:55,720 Why do you want to sound like other people? 233 00:13:55,760 --> 00:13:59,520 Well, you're always going to sound -like someone. -I sound like Mark Feld, mate. 234 00:13:59,560 --> 00:14:01,440 Or whoever. 235 00:14:01,480 --> 00:14:03,560 Cos I think I might actually change my name. 236 00:14:04,800 --> 00:14:08,520 What do you think of Dirk Baggins? 237 00:14:11,800 --> 00:14:13,160 Quentin Barbados? 238 00:14:13,200 --> 00:14:14,800 (CHUCKLES) 239 00:14:14,840 --> 00:14:19,200 But don't you feel like, one day I put on this shirt 240 00:14:19,240 --> 00:14:22,640 and I combine it with that voice and that's who I am on a Wednesday 241 00:14:22,680 --> 00:14:24,840 and that's all there is to it? 242 00:14:24,880 --> 00:14:27,120 All there is to what? 243 00:14:27,160 --> 00:14:29,120 Life. 244 00:14:29,160 --> 00:14:34,200 I don't know if that's cool or thin. Bleak. 245 00:14:34,960 --> 00:14:36,760 Maybe you're not cut out for it. 246 00:14:36,800 --> 00:14:39,440 -Life? -Rock and roll. 247 00:14:39,480 --> 00:14:41,640 I'm sensing a lot of doubt, David. 248 00:14:41,680 --> 00:14:46,560 Do you think your Dylans, your Jaggers, they sit around going, "Ooh, am I doing the right thing?" 249 00:14:47,680 --> 00:14:49,440 Er... It's rhetorical. 250 00:14:49,480 --> 00:14:51,200 Self-doubt - it ain't groovy. 251 00:14:51,240 --> 00:14:55,840 I never interrogate any decision I ever make as a point of principle. 252 00:14:55,880 --> 00:14:57,720 That explains the hair. 253 00:14:58,600 --> 00:15:00,440 Childish. 254 00:15:00,480 --> 00:15:03,240 But I ain't bothered. I've got a destiny. 255 00:15:03,280 --> 00:15:06,320 I am going to be bigger than the Beatles. 256 00:15:06,360 --> 00:15:08,680 (SCOFFS) That's a fact, is it? 257 00:15:10,040 --> 00:15:11,240 Yes. 258 00:15:12,920 --> 00:15:16,320 So what's the song? What made you get into all of this nonsense? 259 00:15:17,800 --> 00:15:19,400 -WOMAN: -Ach! 260 00:15:19,440 --> 00:15:21,560 Well? 261 00:15:24,160 --> 00:15:27,400 When I was nine, my dad bought me this single. 262 00:15:27,440 --> 00:15:31,400 He didn't realise you can't play 45s on a gramophone, 263 00:15:31,440 --> 00:15:33,280 which was all we had. 264 00:15:33,320 --> 00:15:36,880 I put the 45 on and it was far too slow, you know. 265 00:15:36,920 --> 00:15:39,120 But there was something. 266 00:15:39,160 --> 00:15:43,200 I started turning the record with my hand, faster and faster, 267 00:15:43,240 --> 00:15:47,920 faster and faster until it became this...this sound. 268 00:15:47,960 --> 00:15:50,000 What was it? 269 00:15:50,040 --> 00:15:51,920 Tutti Frutti, Little Richard. 270 00:15:51,960 --> 00:15:53,280 Oh! 271 00:15:53,320 --> 00:15:56,440 Ach! My heart nearly burst. 272 00:15:56,480 --> 00:15:57,920 It was like hearing God. 273 00:15:57,960 --> 00:16:01,120 I was hearing God. 274 00:16:06,280 --> 00:16:08,600 What about you? 275 00:16:08,640 --> 00:16:13,040 Couldn't afford a gramophone. When I was nine, I was mostly having sex. 276 00:16:13,080 --> 00:16:14,920 (CHUCKLES) 277 00:16:14,960 --> 00:16:17,840 You don't buy it? It's the one thing I'm really good at. 278 00:16:17,880 --> 00:16:21,680 -What, sex? -The whole shebang. People like me. 279 00:16:21,720 --> 00:16:25,320 Maybe they don't want to like me but they can't help themselves, right? 280 00:16:31,760 --> 00:16:33,560 What's your dirty little secret? 281 00:16:33,600 --> 00:16:37,960 Say you're sick to the back teeth of everything - who do you listen to? 282 00:16:38,000 --> 00:16:40,800 Someone embarrassing? 283 00:16:40,840 --> 00:16:43,240 -Yeah. -This is a trap. 284 00:16:43,280 --> 00:16:46,520 -Scout's honour. -That's the wrong hand. 285 00:16:48,440 --> 00:16:49,840 Both say it on three. 286 00:16:50,880 --> 00:16:52,920 OK. 287 00:16:52,960 --> 00:16:55,040 -BOTH: -One, two, three. 288 00:16:55,080 --> 00:16:56,520 -BOTH: -Cliff Richard. 289 00:16:58,680 --> 00:17:01,600 -He's the English Elvis. -He deserves a knighthood. 290 00:17:01,640 --> 00:17:03,840 Summer Holiday is the best film ever made. 291 00:17:03,880 --> 00:17:05,800 Erm... 292 00:17:10,000 --> 00:17:12,120 Do you know how to use a photocopier? 293 00:17:12,160 --> 00:17:14,280 ♪ CLIFF RICHARD: Summer Holiday 294 00:17:19,480 --> 00:17:23,720 ♪ We're all going on a summer holiday 295 00:17:23,760 --> 00:17:26,040 ♪ No more working for a week or two 296 00:17:26,920 --> 00:17:30,320 ♪ Fun and laughter on a summer holiday 297 00:17:30,360 --> 00:17:33,880 ♪ No more worries for me or you 298 00:17:34,600 --> 00:17:36,640 ♪ For a week or two 299 00:17:36,680 --> 00:17:40,320 ♪ We're going where the sun shines brightly... ♪ 300 00:17:40,360 --> 00:17:42,800 Rimbaud. French cat. Proper filth. 301 00:17:42,840 --> 00:17:46,760 A fella told me I looked like him, so I got the book out the library. 302 00:17:46,800 --> 00:17:49,920 That's quite a peculiar logic. Is it? 303 00:17:50,800 --> 00:17:53,000 No, no. 304 00:17:53,040 --> 00:17:55,560 Rimbaud wrote everything he wanted by the age of 20. 305 00:17:55,600 --> 00:17:57,920 He was dead at 37. 306 00:17:57,960 --> 00:18:00,000 Can you imagine being 37? 307 00:18:00,040 --> 00:18:05,760 I sort of see myself going mad. What, like mad mad? 308 00:18:05,800 --> 00:18:08,600 -Yeah.Really? -Yeah. 309 00:18:08,640 --> 00:18:13,600 On my mother's side, half her sisters have been locked up, electrocuted, 310 00:18:13,640 --> 00:18:17,080 lobotomised and whatnot. 311 00:18:17,120 --> 00:18:19,200 I don't know why I'm telling you this. 312 00:18:19,240 --> 00:18:20,560 Horrible. 313 00:18:20,600 --> 00:18:24,280 Yeah, well... I don't want to get old. 314 00:18:24,320 --> 00:18:25,680 Amen, brother. 315 00:18:25,720 --> 00:18:27,520 Amen! 316 00:18:35,240 --> 00:18:40,080 So tell us about the eye. I got it playing football. 317 00:18:40,120 --> 00:18:42,800 You don't look like much of a footballer. 318 00:18:48,480 --> 00:18:51,640 About a year ago, my friend George asked this girl out. 319 00:18:51,680 --> 00:18:54,680 Well, he asked her dad if he could take her out. 320 00:18:54,720 --> 00:18:57,360 Anyway, it's all been set up. 321 00:18:57,400 --> 00:19:02,440 On the day, I told George that Kate didn't want to go out with him any more, 322 00:19:02,480 --> 00:19:04,600 which wasn't strictly true. 323 00:19:06,080 --> 00:19:08,200 Anyway, Kate thinks she's been stood up. 324 00:19:08,240 --> 00:19:11,400 She's crying her eyes out in Wimpy's. 325 00:19:11,440 --> 00:19:15,200 -You were going to swoop in. -Right - be a shoulder to cry on. 326 00:19:15,240 --> 00:19:18,760 Only George found out, so he punched me. 327 00:19:18,800 --> 00:19:20,880 In the eye? 328 00:19:20,920 --> 00:19:22,960 He broke it, basically. 329 00:19:23,000 --> 00:19:29,160 I had a couple of weeks in hospital, two operations but... 330 00:19:30,640 --> 00:19:34,360 I like it. I think it gives you mystique. 331 00:19:36,080 --> 00:19:38,960 Yeah? 332 00:19:40,480 --> 00:19:43,360 -You really liked her? -Yeah. 333 00:19:45,000 --> 00:19:47,680 C...Carol. 334 00:19:47,720 --> 00:19:50,760 -Carol Goldsmith, not Kate. -Huh! 335 00:19:50,800 --> 00:19:53,400 Oh, well, that's charming. Very romantic. 336 00:19:53,440 --> 00:19:55,360 It was true love. 337 00:19:59,240 --> 00:20:00,840 Here. 338 00:20:02,560 --> 00:20:05,120 This is my song. 339 00:20:05,160 --> 00:20:07,160 Do you know it? 340 00:20:12,040 --> 00:20:14,200 ♪ BO DIDDLEY: Who Do You Love? 341 00:20:14,240 --> 00:20:15,960 Yeah! 342 00:20:20,280 --> 00:20:23,120 ♪ I walked 47 miles of barbed wire 343 00:20:23,160 --> 00:20:25,400 ♪ I used a cobra snake for a necktie 344 00:20:25,440 --> 00:20:27,880 ♪ I got a brand-new house on a roadside 345 00:20:27,920 --> 00:20:30,240 ♪ Made of rattlesnake hide 346 00:20:30,280 --> 00:20:32,760 ♪ I got a brand-new chimney made on top 347 00:20:32,800 --> 00:20:34,760 ♪ Made out of a human skull 348 00:20:34,800 --> 00:20:37,480 ♪ Now, come and take a walk with me Kate... 349 00:20:37,520 --> 00:20:38,880 Carol. 350 00:20:38,920 --> 00:20:47,760 ♪ Who do you love? 351 00:20:47,800 --> 00:20:50,480 ♪ Who 352 00:20:50,520 --> 00:20:55,800 ♪ Do you love? ♪ 353 00:20:55,840 --> 00:20:58,120 Yeah! 354 00:20:58,160 --> 00:20:59,880 That's great. 355 00:21:00,880 --> 00:21:03,640 (SIGHS) What? 356 00:21:03,680 --> 00:21:06,800 I've got to get out of Bromley. 357 00:21:06,840 --> 00:21:09,600 -George on the warpath again? -No, he's all right. 358 00:21:09,640 --> 00:21:13,000 It's everyone else in that mock Tudor hellhole. 359 00:21:13,040 --> 00:21:15,560 They look at me like I'm a Martian. 360 00:21:15,600 --> 00:21:18,080 -That'll be the eye. -Fuck off. 361 00:21:18,120 --> 00:21:20,320 -Oi!Get off. -What? 362 00:21:20,360 --> 00:21:22,400 What, you want a little fight, do -you? -Yeah. 363 00:21:22,960 --> 00:21:24,760 Come on, D'Artagnan. OK. 364 00:21:24,800 --> 00:21:26,760 What? Get off me. What are you doing? 365 00:21:26,800 --> 00:21:28,760 (LAUGHS) Get off me! 366 00:21:28,800 --> 00:21:30,800 -Hey! -Hey! you, get off! 367 00:21:31,920 --> 00:21:34,040 Get off me! 368 00:21:37,920 --> 00:21:40,200 (LAUGHTER) 369 00:21:40,240 --> 00:21:42,560 You fucker! 370 00:21:52,280 --> 00:21:54,240 These aren't contracts. 371 00:21:54,280 --> 00:21:58,040 -They're parking tickets. -Fuck off. 372 00:21:58,080 --> 00:21:59,880 He's dodging the fines. 373 00:22:03,440 --> 00:22:05,840 Let's get out of here. 374 00:22:05,880 --> 00:22:08,680 ♪ DAVID BOWIE: The Prettiest Star 375 00:22:22,360 --> 00:22:25,960 I tell you what. We'll head down to Carnaby Street, have a root through the bins, 376 00:22:26,000 --> 00:22:28,680 see if we can't find you something decent to wear. 377 00:22:28,720 --> 00:22:31,760 Maybe I'll introduce you to my mum. Oh, OK. 378 00:22:31,800 --> 00:22:33,840 Hang on. 379 00:22:39,280 --> 00:22:41,520 Watch this. 380 00:22:43,560 --> 00:22:46,160 ♪ So tired 381 00:22:46,200 --> 00:22:50,400 ♪ It's the sky that makes you feel tried 382 00:22:50,440 --> 00:22:54,120 ♪ It's a trick to make you see wide... ♪ 383 00:22:54,160 --> 00:22:55,560 Here you are. 384 00:22:55,600 --> 00:23:00,560 ♪ It can all but break your heart 385 00:23:00,600 --> 00:23:02,400 ♪ In pieces 386 00:23:02,440 --> 00:23:04,440 ♪ Staying back in your memory... ♪ 387 00:23:04,480 --> 00:23:06,240 We'll tell him it's art. 388 00:23:06,280 --> 00:23:09,000 (LAUGHS) 389 00:23:10,120 --> 00:23:14,440 ♪ How you moved is all it takes... ♪ 390 00:23:14,480 --> 00:23:17,560 When you've finished that, boys, you can have a go at the bogs. 391 00:23:20,080 --> 00:23:22,920 ♪ The prettiest star... ♪ 392 00:23:25,240 --> 00:23:28,280 Very funny. 393 00:23:41,880 --> 00:23:45,680 ♪ Staying back in your memory 394 00:23:45,720 --> 00:23:49,240 ♪ Of the movies in the dark 395 00:23:50,440 --> 00:23:54,560 ♪ How you move is all it takes 396 00:23:54,600 --> 00:23:59,440 ♪ To sing a song of when I loved 397 00:24:00,360 --> 00:24:03,000 ♪ The prettiest star 398 00:24:03,880 --> 00:24:06,240 ♪ One day 399 00:24:06,280 --> 00:24:10,040 ♪ Though it might as well be some day 400 00:24:10,080 --> 00:24:14,440 ♪ You will rise on high And take us all away 401 00:24:14,480 --> 00:24:17,960 ♪ All because of what you are 402 00:24:20,640 --> 00:24:22,600 ♪ The prettiest star... ♪ 403 00:24:31,200 --> 00:24:33,960 subtitles by Deluxe E-mail sky.subtitles@sky.uk 30402

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