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1
00:00:25,000 --> 00:00:27,640
-After you.
-No, after you.
After you, I insist.
2
00:00:27,680 --> 00:00:29,760
No, no, after you.
-You first.
-Fine!
3
00:00:30,280 --> 00:00:32,280
I thought you said after me.
4
00:00:32,320 --> 00:00:36,000
Cut! Hey, we're done.
Good work, fellas. Thank you.
5
00:00:36,040 --> 00:00:37,520
I aced it, Mr Wilder.
6
00:00:37,560 --> 00:00:39,760
And I had to keep this amateur
afloat, I tell you.
7
00:00:39,800 --> 00:00:41,880
I need to make shelf space
for my Oscar.
8
00:00:41,920 --> 00:00:44,600
You mean, make bathroom space
for your reviews.
9
00:00:44,640 --> 00:00:48,280
-What's next?
-Marilyn is next.
10
00:00:48,320 --> 00:00:50,400
So, time is money
and thanks to Marilyn,
11
00:00:50,440 --> 00:00:52,720
we are running dangerously
short on both.
12
00:00:52,760 --> 00:00:54,800
So, vamos, go, go, go, go.
13
00:00:54,840 --> 00:00:58,440
Sure thing, Mr Wilder.
Could we invite Miss Monroe
to the set, please? Thank you.
14
00:00:58,480 --> 00:00:59,480
Yes, sir.
15
00:01:11,000 --> 00:01:13,000
Christ, this is killing us!
16
00:01:13,440 --> 00:01:15,000
Where is she?
17
00:01:15,040 --> 00:01:18,880
Great. I have the acting coach,
not the actress.
18
00:01:18,920 --> 00:01:24,360
Marilyn is nearly ready.
I don't mean to be rude, honey
but I don't need you on my set.
19
00:01:24,400 --> 00:01:28,000
You might not need me, Mr Wilder,
but Marilyn does.
20
00:01:28,040 --> 00:01:32,080
Where is she, then?
I'm here, Mr Wilder.
21
00:01:32,480 --> 00:01:34,120
Oh, Marilyn!
22
00:01:37,360 --> 00:01:41,240
Sugar Kowalczyk reporting for duty.
23
00:01:41,280 --> 00:01:46,280
Marilyn, you look good enough
to make a bishop kick a hole
in a stained-glass window.
24
00:01:46,320 --> 00:01:48,960
Raymond Chandler, right?
Right. Come.
25
00:01:49,000 --> 00:01:52,160
It's a very simple shot, Marilyn.
We just...
26
00:01:53,000 --> 00:01:57,920
You. Mrs Strasberg.
Stand over there.
27
00:02:00,080 --> 00:02:02,440
It's a very simple shot.
Walk up to the door.
28
00:02:02,480 --> 00:02:07,880
Knock on the door and say,
"It's me, Sugar."Yes, sir.
29
00:02:10,560 --> 00:02:12,600
Orange juice.
30
00:02:15,560 --> 00:02:17,760
Scene 74, take one.
31
00:02:19,040 --> 00:02:20,400
Action.
32
00:02:21,000 --> 00:02:22,160
(KNOCK)
33
00:02:22,680 --> 00:02:24,880
It's Sugar. Me.
34
00:02:24,920 --> 00:02:26,200
Cut.
35
00:02:26,240 --> 00:02:29,360
The line, Marilyn,
is "It's me, Sugar."
36
00:02:29,400 --> 00:02:33,040
On account of her name
being Sugar Kowalczyk.
37
00:02:33,080 --> 00:02:35,280
Paula, what's my motivation
in this scene?
38
00:02:35,320 --> 00:02:38,760
Well, darling, you've just arrived
backwards off a speedboat.
39
00:02:38,800 --> 00:02:41,400
Your motivation is to get
the god damn door open.
40
00:02:41,440 --> 00:02:43,760
Let's go again.
41
00:02:44,960 --> 00:02:47,040
Scene 74, take two.
42
00:02:47,200 --> 00:02:48,200
Action.
43
00:02:48,240 --> 00:02:49,240
(KNOCKS)
44
00:02:49,280 --> 00:02:51,480
Me, it's Sugar.
45
00:02:52,760 --> 00:02:55,200
How was that for you, Mrs Iceberg?
Cut.
46
00:02:55,240 --> 00:02:56,240
Paula!
47
00:02:57,200 --> 00:02:58,200
Marilyn.
48
00:02:58,560 --> 00:03:00,000
Where are you going?
49
00:03:02,960 --> 00:03:04,680
Take five, everybody.
50
00:03:09,680 --> 00:03:11,040
Mr Wilder.
51
00:03:11,080 --> 00:03:13,720
Mr Miller.
Mr Wilder.
52
00:03:14,080 --> 00:03:15,120
(SIGHS)
53
00:03:16,080 --> 00:03:20,880
May I suggest one or two changes
to Marilyn's lines?
54
00:03:20,920 --> 00:03:25,640
Yeah, and Diamond only spent
six months writing it but I'm sure
you have done something better
55
00:03:25,680 --> 00:03:28,200
in the last ten minutes
right off the top of your head.
56
00:03:28,240 --> 00:03:29,680
Well, I'm only trying to help.
57
00:03:29,720 --> 00:03:31,760
Hmm, while we are talking about it,
58
00:03:31,800 --> 00:03:36,240
may I take the liberty of pointing
out some of the dialogue
on your Death Of A Salesman,
59
00:03:36,280 --> 00:03:38,040
it is tragically short on laughs.
60
00:03:38,080 --> 00:03:39,640
But we can talk about this later.
61
00:03:39,680 --> 00:03:43,280
If you want to be really helpful
then please, get your wife
back on set now.
62
00:03:43,320 --> 00:03:47,120
You'll give Marilyn
a nervous breakdown with
all this relentless pressure.
63
00:03:47,160 --> 00:03:48,560
She has a nervous breakdown,
64
00:03:48,600 --> 00:03:52,240
I am the one due two weeks
at the funny farm if we never
get this picture read.
65
00:03:52,280 --> 00:03:53,920
There's no need to be facetious.
66
00:03:53,960 --> 00:03:55,560
Please, go get her.
67
00:03:55,600 --> 00:03:59,760
If I know Marilyn,
she'll be perfecting her line.
68
00:04:14,120 --> 00:04:16,640
Paula, I need your help.
Of course, darling.
69
00:04:16,680 --> 00:04:19,160
You're Sugar Kowalczyk,
let's work on her.
70
00:04:19,200 --> 00:04:23,400
Why does she own a ukulele?
Because her father played it
before he left.
71
00:04:23,440 --> 00:04:26,200
She was five years old.
It reminds her of him.
72
00:04:26,240 --> 00:04:29,040
Does she eat cheese?
-Only on Fridays.
-Why Fridays?
73
00:04:29,080 --> 00:04:32,600
She gets paid on Thursday, on Friday
she can afford the cheese.
74
00:04:32,640 --> 00:04:35,400
Say the line.
It's me, Sugar.
75
00:04:35,440 --> 00:04:37,080
(GASPS)
76
00:04:38,400 --> 00:04:44,120
You don't need any more help,
darling. That was perfect.
You are a Godsend, Paula.
77
00:04:44,160 --> 00:04:48,560
-Oh.
-I just wish Sugar didn't have
to sound like a sexy moron.
78
00:04:48,600 --> 00:04:52,080
"The oven is hot.
The fridge is cold.
79
00:04:52,120 --> 00:04:58,000
But they both run on electricity.
I don't get it. (GIGGLES)"
80
00:04:58,040 --> 00:04:59,800
Nobody's really that dumb.
81
00:05:00,800 --> 00:05:03,040
You...are...
82
00:05:03,080 --> 00:05:05,800
..an...actor.
83
00:05:05,840 --> 00:05:07,520
(SIGHS)
84
00:05:08,280 --> 00:05:13,080
-Baby. You OK?
-Please leave now.
OK, darling.
85
00:05:18,480 --> 00:05:22,840
Oh, Arthur, I get so nervous!
Honey.
86
00:05:22,880 --> 00:05:25,960
You are Marilyn Monroe.
87
00:05:26,320 --> 00:05:30,280
You're so much bigger than
this silly little line.
88
00:05:30,320 --> 00:05:35,280
I'm sorry, Mr Wilder.
I just needed to compose myself.
89
00:05:35,320 --> 00:05:38,480
Quite all right, Marilyn.
My wife just needed
a little pep talk.
90
00:05:38,520 --> 00:05:41,200
Let's go again, shall we?
91
00:05:43,520 --> 00:05:46,360
Scene 74, take three.
92
00:05:46,720 --> 00:05:47,720
Action.
93
00:05:48,200 --> 00:05:49,280
(KNOCKS)
94
00:05:49,320 --> 00:05:51,680
It's me, Honey.
95
00:05:52,160 --> 00:05:53,200
Cut.
96
00:05:55,040 --> 00:05:57,280
Scene 74, take four.
97
00:05:57,440 --> 00:05:58,440
Action.
98
00:05:58,720 --> 00:06:02,520
(KNOCKS)
Sugar, it's me.
99
00:06:02,640 --> 00:06:03,640
Cut.
100
00:06:06,320 --> 00:06:08,280
Scene 74, take five.
101
00:06:08,320 --> 00:06:09,440
And action.
102
00:06:09,480 --> 00:06:10,800
(KNOCKS)
103
00:06:12,240 --> 00:06:13,440
Me.
104
00:06:14,880 --> 00:06:15,880
It's Sugar.
105
00:06:16,720 --> 00:06:17,720
Cut.
106
00:06:17,960 --> 00:06:19,280
Take six.
107
00:06:19,640 --> 00:06:20,760
Take seven.
108
00:06:20,800 --> 00:06:22,120
Take eight.
109
00:06:22,160 --> 00:06:23,200
Take nine.
110
00:06:26,520 --> 00:06:28,600
Scene 74, take ten.
111
00:06:28,640 --> 00:06:29,800
And action.
112
00:06:30,600 --> 00:06:32,080
(KNOCKS)
113
00:06:32,680 --> 00:06:33,720
Me.
114
00:06:34,600 --> 00:06:36,720
It's my...me.
115
00:06:39,200 --> 00:06:40,280
And cut.
116
00:06:40,600 --> 00:06:41,600
Huh.
117
00:06:44,720 --> 00:06:47,480
There goes Dracula's assistant.
118
00:06:47,960 --> 00:06:52,080
Sugar has just spent the evening
with a millionaire.
119
00:06:52,120 --> 00:06:57,400
She thinks he's gonna propose.
So, obviously, she's very excited.
120
00:06:57,800 --> 00:07:01,760
What gets you excited
in your own life?
Books mainly, Paula.
121
00:07:01,800 --> 00:07:04,880
Do you know Rosamond Lehmann? Look.
122
00:07:06,240 --> 00:07:09,400
The Weather In The Streets.
What's it about, darling?
123
00:07:09,440 --> 00:07:10,880
It's about the weather!
124
00:07:10,920 --> 00:07:12,480
In the streets.
125
00:07:12,520 --> 00:07:14,400
Screw you, Paula!
126
00:07:14,440 --> 00:07:18,440
I'm sorry, darling...
Please leave now, Paula.
OK, darling.
127
00:07:20,120 --> 00:07:25,680
Furthermore, I had this idea
about this line... Ah, Tony,
you remember Arthur Miller?
128
00:07:25,720 --> 00:07:31,480
Sure, I met Mr Miller before.
Oh, Arthur, please.
The pleasure is all mine.
129
00:07:31,520 --> 00:07:33,800
I really liked
A View From The Bridge.
130
00:07:33,840 --> 00:07:36,640
Ah, thank you.
It's short on laughs, though.
131
00:07:39,200 --> 00:07:40,760
(SCOFFS)
132
00:07:43,800 --> 00:07:47,320
And what is happening here,
apart from nothing?
133
00:07:47,360 --> 00:07:48,520
"It's me, Sugar".
134
00:07:48,960 --> 00:07:53,280
Ten takes already.
Jesus Christ. Is she, uh...
135
00:07:53,320 --> 00:07:56,880
Oh, she's something all right.
Mood swings all over the place.
136
00:07:56,920 --> 00:07:58,840
You go and talk to her.
137
00:07:58,880 --> 00:08:02,640
Kick her in the ass,
give her some flowers.
138
00:08:02,680 --> 00:08:05,160
Just get her back on the set.
139
00:08:06,480 --> 00:08:07,960
Consider it done, Mr Wilder.
140
00:08:13,400 --> 00:08:14,400
(KNOCKS)
141
00:08:14,440 --> 00:08:19,920
Who is it? It's Tony.
Please leave now, Paula.
OK, darling.
142
00:08:30,520 --> 00:08:33,080
Tony! What are you doing?
143
00:08:33,120 --> 00:08:37,160
I'm not sure but, uh...
I think I like it.
144
00:08:40,400 --> 00:08:43,920
You think I'd cheat on my husband?
145
00:08:44,320 --> 00:08:46,040
(MARILYN GIGGLING)
146
00:08:49,480 --> 00:08:50,520
Guess what?
147
00:08:51,040 --> 00:08:53,240
-What?
-I got a hotel suite in Hawaii
148
00:08:53,280 --> 00:08:54,800
on hold under a false name.
149
00:08:54,840 --> 00:08:59,520
The sooner we wrap this picture,
the sooner you and I can spend
a long weekend together.
150
00:08:59,560 --> 00:09:04,360
What'll I tell Arthur?
That you need to be alone so you can
memorise your lines.(LAUGHS)
151
00:09:06,640 --> 00:09:10,680
You're a bad, bad boy.
152
00:09:10,720 --> 00:09:13,160
Yes, I am.
153
00:09:17,440 --> 00:09:18,440
So?
154
00:09:20,120 --> 00:09:23,280
The sacrifices I make for you,
Mr Wilder.
155
00:09:23,760 --> 00:09:26,760
It's like kissing Hitler.
What did you say to her?
156
00:09:26,800 --> 00:09:31,040
I told her she got the line right,
I'd take her to Hawaii
and screw her.
157
00:09:31,080 --> 00:09:32,960
What if say the line?
158
00:09:33,000 --> 00:09:38,320
Same deal except Poughkeepsie
instead.(LAUGHS) Good.
159
00:09:41,160 --> 00:09:44,160
-I'm ready now, Mr Wilder.
-OK.
160
00:09:47,080 --> 00:09:49,160
Scene 74, take 11.
161
00:09:49,280 --> 00:09:50,400
Action.
162
00:09:50,840 --> 00:09:53,560
(KNOCKS) Honey, it's me.
163
00:09:53,600 --> 00:09:54,600
Cut.
164
00:09:57,160 --> 00:10:00,480
Scene 74, take 12.
Action.
165
00:10:00,520 --> 00:10:01,920
(KNOCKS)
166
00:10:02,240 --> 00:10:04,920
Sugar, I'm home.
167
00:10:04,960 --> 00:10:07,760
Cut.
(SIGHS)
168
00:10:07,840 --> 00:10:11,240
Scene 74, take 13.
Action.
169
00:10:11,280 --> 00:10:12,360
(KNOCKS)
170
00:10:13,600 --> 00:10:16,520
Me. It's Sugar.
171
00:10:16,560 --> 00:10:17,640
Cut.
172
00:10:17,680 --> 00:10:18,960
(SIGHS)
173
00:10:19,320 --> 00:10:21,120
Take 17.
174
00:10:21,160 --> 00:10:22,240
Take 18.
175
00:10:22,280 --> 00:10:24,160
Scene 74, take 19.
176
00:10:26,680 --> 00:10:28,920
Hey. Action.
177
00:10:29,480 --> 00:10:30,520
(KNOCKS)
178
00:10:30,880 --> 00:10:33,040
Sugar, it's me.
179
00:10:36,960 --> 00:10:37,960
(GROANS)
180
00:10:41,320 --> 00:10:43,880
I'm a girl. I'm a girl. I'm a girl.
181
00:10:43,920 --> 00:10:45,200
I'm a girl.
182
00:10:45,240 --> 00:10:46,400
(DOOR SHUTS)
183
00:10:46,440 --> 00:10:49,200
Tony. What's happening,
are they ready for me?
184
00:10:49,760 --> 00:10:52,280
I don't think, uh,
anybody is ready for you.
185
00:10:53,640 --> 00:10:57,360
For Christ's sake.
I have to sit around strapped in
this outfit all day.
186
00:10:57,400 --> 00:11:02,000
These heels are killing me!
I tell you, making this film,
wearing this outfit,
187
00:11:02,040 --> 00:11:04,560
my respect for women,
it has gone right up!
188
00:11:04,600 --> 00:11:08,400
Well if you want it
to go right back down again,
then come watch Marilyn at work.
189
00:11:09,760 --> 00:11:11,400
Ladies first.
Thank you.
190
00:11:11,720 --> 00:11:13,840
Scene 74, take 25.
191
00:11:13,880 --> 00:11:16,320
And action.
192
00:11:16,480 --> 00:11:17,560
(KNOCKS)
193
00:11:18,560 --> 00:11:22,160
Honey, I'm home.
Cut.
194
00:11:22,200 --> 00:11:23,840
(GASPS)
195
00:11:24,280 --> 00:11:26,000
This is horrible.
196
00:11:27,440 --> 00:11:30,840
$50 says she don't get it
before take 50.
197
00:11:31,880 --> 00:11:33,640
You're on.
198
00:11:33,680 --> 00:11:36,000
Sit down and enjoy the show.
199
00:11:36,960 --> 00:11:39,200
Scene 74, take 26.
200
00:11:39,240 --> 00:11:40,400
Action.
201
00:11:40,720 --> 00:11:41,720
(KNOCKS)
202
00:11:41,960 --> 00:11:45,000
It's me. What's my name again?
203
00:11:45,040 --> 00:11:46,360
Sugar.
Sugar.
204
00:11:47,080 --> 00:11:49,640
Scene 74, take 27.
205
00:11:49,680 --> 00:11:50,680
28.
206
00:11:50,720 --> 00:11:51,720
29.
207
00:11:51,760 --> 00:11:53,240
Don't say anything to me.
208
00:11:53,280 --> 00:11:56,480
I'll forget how I want to play it.
209
00:11:59,840 --> 00:12:00,880
Action.
210
00:12:00,920 --> 00:12:03,000
I forgot how I wanted to play it!
211
00:12:03,040 --> 00:12:04,920
Cut!
Paula!
212
00:12:05,160 --> 00:12:09,000
I have a nasty feeling I'm gonna
leave this set in a box.
213
00:12:20,200 --> 00:12:21,280
(KNOCK ON DOOR)
214
00:12:21,320 --> 00:12:23,760
-Who is it?
-It's Daphne, sugar.
215
00:12:23,800 --> 00:12:27,000
Please leave now, Paula.
OK, darling.
216
00:12:30,360 --> 00:12:33,160
-Come in, Jack.
-Marilyn, honey.
217
00:12:33,200 --> 00:12:38,480
I've made a suggestion and I hope
you aren't gonna hate me for it.
What do you mean?
218
00:12:38,760 --> 00:12:41,440
Well... Thank you.
219
00:12:41,480 --> 00:12:45,720
On set, dear, there's a blackboard,
with a line on it for you to read.
220
00:12:45,760 --> 00:12:47,240
Jesus Christ, Jack!
221
00:12:47,280 --> 00:12:49,280
Where everyone can see it!
222
00:12:49,320 --> 00:12:52,360
They'll think I really am a moron.
Hey, hey, hey, hey.
223
00:12:52,400 --> 00:12:55,400
I have notes pinned all over
the place if I need them. We all do.
224
00:12:55,440 --> 00:12:58,400
You know Groucho Marx?
Never learned a line
in his whole life
225
00:12:58,440 --> 00:13:00,880
and I'll tell ya,
it's the same thing with Marlon.
226
00:13:00,920 --> 00:13:05,000
-Really?
-Absolutely. You do not have
to care what anyone thinks.
227
00:13:05,040 --> 00:13:07,000
That's the trouble. I do care.
228
00:13:07,040 --> 00:13:08,880
Well I think that you are
the bee's knees.
229
00:13:08,920 --> 00:13:11,040
And I think you're
the cat's pyjamas.
230
00:13:11,080 --> 00:13:14,680
And I'll tell you what else.
I think you're the flea's eyebrows.
231
00:13:14,720 --> 00:13:17,200
(LAUGHS) Oh, my! That good?
Yes, that good.
232
00:13:17,240 --> 00:13:21,240
(HIGH-PITCHED) Us girls have
-to stick together.
-Exactly.
233
00:13:21,880 --> 00:13:22,880
Oh.
234
00:13:24,240 --> 00:13:26,320
Plus, I have $50 riding on you.
235
00:13:26,360 --> 00:13:30,480
-What?
-Tony bet me that you could not
say the line in 50 takes.
236
00:13:30,520 --> 00:13:32,080
I took that bet.
Tony!
237
00:13:32,800 --> 00:13:34,600
That two-faced bastard!
238
00:13:35,480 --> 00:13:36,640
He's been in here...
239
00:13:37,360 --> 00:13:38,960
Well, never mind.
240
00:13:39,000 --> 00:13:43,840
Let's just say I won't be going
to Hawaii any time soon.
241
00:13:44,800 --> 00:13:48,960
Jack told me.
About the blackboard, too!
242
00:13:51,360 --> 00:13:54,400
But it's OK.
243
00:13:56,280 --> 00:13:58,240
-Bet's off.
-Oh, certainly not.
244
00:13:58,280 --> 00:14:03,520
All she needs to do is read
from the board, how's that fair?
Tony, life isn't fair.
245
00:14:03,560 --> 00:14:07,200
And a gentleman, he doesn't welch
after shaking hands.
246
00:14:07,760 --> 00:14:09,880
Call yourself a gentleman?
No.
247
00:14:09,920 --> 00:14:11,800
(HIGH-PITCHED) I'm a girl!
248
00:14:12,280 --> 00:14:13,880
Let's put this sucker to bed, huh?
249
00:14:13,920 --> 00:14:15,800
Scene 74, take 30.
250
00:14:15,840 --> 00:14:16,840
Action.
251
00:14:17,160 --> 00:14:19,720
(KNOCKS) It's me, Marilyn.
252
00:14:19,760 --> 00:14:22,560
(GASPS) I'm sorry, Mr Wilder!
253
00:14:22,600 --> 00:14:24,440
Cut. Just...
254
00:14:26,840 --> 00:14:32,680
Just...relax, Marilyn.
Don't...don't worry.
255
00:14:32,720 --> 00:14:34,200
About what?
256
00:14:37,480 --> 00:14:39,840
Just read the line
off the blackboard.
257
00:14:39,880 --> 00:14:43,120
(LAUGHING) I completely forgot
it was there!
258
00:14:43,160 --> 00:14:44,920
Yes, right there. Yeah.
259
00:14:46,640 --> 00:14:47,640
Let's go again.
260
00:14:47,680 --> 00:14:48,800
The blackboard!
261
00:14:48,840 --> 00:14:51,000
Scene 74, take 31.
262
00:14:51,040 --> 00:14:52,080
Action.
263
00:14:52,440 --> 00:14:53,440
(KNOCKS)
264
00:14:56,040 --> 00:14:58,000
Can we make it bigger?
265
00:14:59,400 --> 00:15:00,400
Cut.
266
00:15:04,840 --> 00:15:07,760
Paula, your finger's
making me dizzy.
267
00:15:10,760 --> 00:15:13,200
Oh, that's better! (GIGGLES)
268
00:15:13,240 --> 00:15:15,960
Scene 74, take 32.
269
00:15:16,000 --> 00:15:17,080
Action.
270
00:15:17,400 --> 00:15:18,800
(KNOCKS)
271
00:15:19,440 --> 00:15:21,840
It's my sugar.
Cut.
272
00:15:23,160 --> 00:15:26,440
It is not your sugar.
273
00:15:27,920 --> 00:15:29,680
Sugar...
274
00:15:31,000 --> 00:15:32,640
..is your name.
275
00:15:40,400 --> 00:15:41,440
Action.
276
00:15:42,040 --> 00:15:43,040
(KNOCKS)
277
00:15:50,000 --> 00:15:51,080
Cut.
278
00:15:52,720 --> 00:15:54,280
Take 46.
279
00:15:54,320 --> 00:15:55,640
Action.
280
00:15:56,000 --> 00:15:57,720
(KNOCKS)
281
00:16:00,520 --> 00:16:03,760
(SOBBING)
Cut. Cut, cut!
282
00:16:03,800 --> 00:16:06,160
Darling, my darling.
283
00:16:06,200 --> 00:16:08,840
Baby, baby, baby.
284
00:16:08,880 --> 00:16:10,120
(SOBBING)
285
00:16:12,400 --> 00:16:14,400
Tyrant.
286
00:16:15,080 --> 00:16:17,280
(SHOUTING ANGRILY)
287
00:16:17,320 --> 00:16:18,840
Take ten minutes, everyone.
288
00:16:18,880 --> 00:16:22,160
Both my doctor and my psychiatrist
tell me, you are too old
289
00:16:22,200 --> 00:16:24,480
and too rich to ever
go through this again!
290
00:16:24,520 --> 00:16:31,000
Gentlemen, if you find
that I am the director of another
Marilyn Monroe movie,
291
00:16:31,040 --> 00:16:33,920
you have my permission to shoot me.
292
00:16:33,960 --> 00:16:36,800
Jesus H fuckin' Christ!
293
00:16:38,120 --> 00:16:45,120
When this is all over,
we're gonna take a long vacation.
I'll take you to Hawaii.
294
00:16:45,400 --> 00:16:48,720
Oh, not you, as well.
-What?
-Nothing.
295
00:16:50,120 --> 00:16:52,880
(KNOCK ON DOOR)
Who is it?
296
00:16:55,480 --> 00:16:57,360
Mr Miller.
297
00:16:57,400 --> 00:17:02,600
Could I please have a few moments
alone with your wife?
298
00:17:07,480 --> 00:17:09,080
I'll be right outside.
299
00:17:09,120 --> 00:17:10,480
Paula.
300
00:17:11,280 --> 00:17:14,040
Please leave now.
OK, darling.
301
00:17:17,480 --> 00:17:18,720
Sit down, Marilyn.
302
00:17:21,200 --> 00:17:23,640
I'm sorry, Mr Wilder.
303
00:17:23,680 --> 00:17:28,120
I know I'm getting us
behind schedule.
304
00:17:28,160 --> 00:17:30,680
I am gonna give you a speech now.
305
00:17:31,680 --> 00:17:33,120
Are you ready to...
306
00:17:33,920 --> 00:17:34,960
..to hear it?
307
00:17:36,920 --> 00:17:38,760
I'm fired?
308
00:17:39,080 --> 00:17:41,200
No. No!
309
00:17:41,240 --> 00:17:44,880
(LAUGHING) No, you're not fired.
310
00:17:46,720 --> 00:17:47,720
Marilyn.
311
00:17:49,920 --> 00:17:51,520
After The Seven Year Itch,
312
00:17:51,560 --> 00:17:55,280
I vowed I would never
work with you again.
313
00:17:56,120 --> 00:17:59,120
Then I changed my mind.
You know why I changed my mind?
314
00:18:00,920 --> 00:18:02,720
Cos I realised something.
315
00:18:02,760 --> 00:18:06,640
You are an incredible person.
316
00:18:08,120 --> 00:18:11,480
You know, you had a most hellish
start in life.
317
00:18:11,520 --> 00:18:13,520
Don't know who your father is.
318
00:18:14,200 --> 00:18:18,840
You go to a...to a foster home
and your mother to a funny farm.
319
00:18:19,600 --> 00:18:23,600
You end up going to an orphanage
and then get married at 16
320
00:18:23,640 --> 00:18:26,280
to stop yourself going
into another orphanage.
321
00:18:26,320 --> 00:18:27,880
Am I leaving anything out?
322
00:18:27,920 --> 00:18:31,040
When my stepdad. He...
Oh yeah.
323
00:18:31,080 --> 00:18:33,320
You ended up with that, uh,
that stutter.
324
00:18:33,360 --> 00:18:35,200
(SOBBING)
Here, here.
325
00:18:36,080 --> 00:18:38,720
You overcame it. Yeah.
326
00:18:39,480 --> 00:18:43,200
You overcame all of this to become
327
00:18:43,240 --> 00:18:46,200
the biggest movie star
in all the world.
328
00:18:46,240 --> 00:18:48,600
You're scarcely believable.
329
00:18:48,640 --> 00:18:54,320
If I read this in a script, I would
tear it up and throw it in the
garbage. That's just too corny.
330
00:18:55,400 --> 00:18:57,360
-I did, didn't I?
-Yeah.
331
00:18:57,400 --> 00:19:00,560
The reason I am directing you today
332
00:19:00,600 --> 00:19:05,360
is because you are the biggest star
there is.
333
00:19:06,360 --> 00:19:10,400
Out there, that's not
a Billy Wilder movie.
334
00:19:10,440 --> 00:19:14,440
This is a Marilyn Monroe movie.
335
00:19:16,520 --> 00:19:21,320
I'm not having too good a day,
though, Mr Wilder.
336
00:19:21,360 --> 00:19:22,680
(CHUCKLES)
337
00:19:22,720 --> 00:19:27,440
If my Aunt Minnie was
in your position, she would
be punctual all the time.
338
00:19:27,480 --> 00:19:30,880
And production would never
be behind schedule.
339
00:19:30,920 --> 00:19:34,680
But who the hell would pay a dime
to see my Aunt Minnie?
340
00:19:36,000 --> 00:19:37,000
(LAUGHS)
341
00:19:39,360 --> 00:19:43,280
So you should take 100 takes.
Take 1,000 takes.
342
00:19:43,320 --> 00:19:45,320
Take all the takes you need.
343
00:19:46,200 --> 00:19:48,760
Because you...
344
00:19:49,320 --> 00:19:52,640
..are Marilyn Monroe.
345
00:19:54,760 --> 00:19:57,400
And don't you ever forget that, kid.
346
00:19:57,440 --> 00:20:00,320
Thank you, Mr Wilder.
347
00:20:00,360 --> 00:20:03,680
I mean it. Thank you.
348
00:20:03,720 --> 00:20:06,280
I'm gonna get that line!
349
00:20:06,320 --> 00:20:08,040
Damn right you are!
350
00:20:09,800 --> 00:20:11,520
Hey.
351
00:20:11,560 --> 00:20:13,480
You can call me Billy.
352
00:20:13,520 --> 00:20:15,120
Thank you, Willy.
353
00:20:16,520 --> 00:20:18,720
Bill-e.
354
00:20:21,480 --> 00:20:23,240
You're funny.
355
00:20:30,120 --> 00:20:34,560
Being a director,
you gotta be a policeman,
356
00:20:34,600 --> 00:20:38,360
a midwife, psychoanalyst,
357
00:20:38,400 --> 00:20:42,160
a sycophant, and a bastard.
358
00:20:42,200 --> 00:20:44,000
And which one were you with Marilyn?
359
00:20:44,760 --> 00:20:46,760
All of them.
360
00:20:47,760 --> 00:20:50,160
This had better work.
361
00:20:50,600 --> 00:20:53,000
Or we are caput.
362
00:20:59,400 --> 00:21:01,440
I am ready.
363
00:21:02,800 --> 00:21:04,280
Mr Wilder.
364
00:21:04,720 --> 00:21:06,720
"I am Sugar."
365
00:21:07,120 --> 00:21:10,200
Scene 74, take 47.
366
00:21:10,240 --> 00:21:13,240
And action.
367
00:21:15,400 --> 00:21:18,400
(KNOCKS) It's me, Sugar.
368
00:21:21,000 --> 00:21:22,000
Cut.
369
00:21:24,960 --> 00:21:25,960
Print!
370
00:21:26,000 --> 00:21:28,200
(GASPS)
(APPLAUSE)
371
00:21:28,880 --> 00:21:30,080
Thank you!
372
00:21:31,640 --> 00:21:32,760
(LAUGHING)
373
00:21:34,160 --> 00:21:35,280
Oh!
374
00:21:35,480 --> 00:21:36,920
Bravo!
375
00:21:39,080 --> 00:21:40,920
Bravo. Bravo.
376
00:21:49,200 --> 00:21:51,040
Thank you!
377
00:21:51,080 --> 00:21:54,280
Chin chin!
(PAULA LAUGHS)
378
00:21:54,320 --> 00:21:59,000
You know, I watched the way
Mr Wilder bought that shot.
It looked wonderful.
379
00:21:59,040 --> 00:22:00,760
Yeah, you should be in the movies.
380
00:22:00,800 --> 00:22:03,720
I enjoyed The Crucible, by the way,
-Mr Miller.
-Thank you.
381
00:22:03,760 --> 00:22:06,080
Yeah, but I gotta say...
I know, I know.
382
00:22:06,120 --> 00:22:07,600
(BOTH)
Short on laughs!
383
00:22:07,640 --> 00:22:08,720
(LAUGHTER)
384
00:22:10,480 --> 00:22:13,520
Gentlemen, could I get
a little privacy?
385
00:22:13,560 --> 00:22:17,640
I need to get ready for
-the next shot.Sure.
-Sure thing.
386
00:22:19,440 --> 00:22:21,640
Hey, Mr Miller,
maybe back in New York,
387
00:22:21,680 --> 00:22:24,440
I could be in one of those
egghead plays of yours?
388
00:22:24,800 --> 00:22:25,840
(DOOR SHUTS)
389
00:22:35,560 --> 00:22:39,160
Are you OK, darling?
Heavens, Paula, you frightened me.
390
00:22:39,200 --> 00:22:41,600
I didn't realise
you were still here.
391
00:22:41,640 --> 00:22:46,760
I'm sorry, darling.
Please leave now, Paula.
OK, darling.
392
00:22:56,720 --> 00:22:58,720
Well, you got it in the end,
Marilyn.
393
00:22:58,760 --> 00:23:03,320
I'm sorry it took so long, Willy.
I mean Billy!
394
00:23:05,400 --> 00:23:07,600
I was just having a bad day.
395
00:23:07,640 --> 00:23:09,560
-It happens.
-Exactly.
396
00:23:09,600 --> 00:23:12,120
Nobody's perfect.
397
00:23:18,840 --> 00:23:19,840
(SIGHS)
398
00:23:22,840 --> 00:23:27,400
♪ I wanna be loved by you, just you,
399
00:23:27,440 --> 00:23:30,080
♪ Nobody else but you
400
00:23:30,120 --> 00:23:35,560
♪ I wanna be loved by you, alone
401
00:23:35,920 --> 00:23:37,880
♪ Boop-boop-de-boop ♪
402
00:23:41,160 --> 00:23:43,160
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