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The following programme contains
strong language and adult humour.
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Ten years ago, Rob Beckett and I met
on the comedy circuit,
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00:00:14,600 --> 00:00:16,200
and we've been friends ever since.
4
00:00:16,240 --> 00:00:18,680
I think we complement each other.
He's sad, I'm happy.
5
00:00:18,720 --> 00:00:20,280
He'll always smile about things.
6
00:00:20,320 --> 00:00:22,480
It's just a shame that
that smile is so punchable.
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00:00:22,520 --> 00:00:23,640
(LAUGHS)
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00:00:24,440 --> 00:00:26,960
Now, we're putting our friendship
to the test...
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00:00:27,000 --> 00:00:29,240
Why are we in this vehicle?
Bigger the better.
10
00:00:29,280 --> 00:00:30,640
..as we travel the world together...
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00:00:30,680 --> 00:00:33,880
I'm gonna get out of here and smack
-your arse with this.
-Get out, then.
12
00:00:33,920 --> 00:00:36,720
..to meet some of the greatest
athletes on the planet.
13
00:00:36,760 --> 00:00:38,920
(LAUGHTER)
14
00:00:38,960 --> 00:00:41,080
..as well as some of
the biggest stars...
15
00:00:41,120 --> 00:00:42,120
Hello!
16
00:00:42,160 --> 00:00:44,440
..from the world of music
and entertainment.
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00:00:44,480 --> 00:00:46,200
(LAUGHTER)
18
00:00:46,240 --> 00:00:47,360
So far in this series...
19
00:00:47,400 --> 00:00:48,920
Oh, God!
(LAUGHTER)
20
00:00:48,960 --> 00:00:50,560
..we've been pushed to our limits...
21
00:00:50,600 --> 00:00:52,600
I'm more nervous now
than I was my first ever gig.
22
00:00:52,640 --> 00:00:55,200
'We've gone toe to toe with
the NFL,
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00:00:55,240 --> 00:00:57,200
trained to take on
the world's fastest man...'
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00:00:57,240 --> 00:00:58,320
Jesus Christ!
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00:00:58,360 --> 00:01:00,040
'And exposed ourselves
in New York City.'
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00:01:00,080 --> 00:01:01,440
Look at my tits.
27
00:01:01,480 --> 00:01:04,080
'This week, back in London,
we had an experience
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00:01:04,120 --> 00:01:08,000
that was, once again, going to push
us out of our comfort zone.
29
00:01:09,360 --> 00:01:13,280
We were on a mission to see
if we could master the art of
the superstar DJ.
30
00:01:22,600 --> 00:01:24,400
CHASE
I make hits not the public
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I tell the DJs what to play
Understand? ♪
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'Let's be clear about this
from the start,
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neither of us have any experience
DJing whatsoever.
34
00:01:34,200 --> 00:01:37,360
But given the rise of the superstar
DJ of the past 20 years,
35
00:01:37,400 --> 00:01:40,080
we thought there might be room for
us to branch out.'
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00:01:40,120 --> 00:01:42,120
It's just playing
other people's music, innit?
37
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DJs now are megastars.
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They are the richest...
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00:01:47,720 --> 00:01:52,240
They're like the rock 'n' roll,
like, The Rolling Stones when rock
'n' roll was huge and mega... Yeah.
40
00:01:52,280 --> 00:01:55,800
..and it was crazy private jets and
groupies and drinking and partying.
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That's what a DJ is.
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00:01:57,080 --> 00:01:59,720
Our clubbing life, if you like...
Mmm.
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..has been due in the time that DJs
44
00:02:01,680 --> 00:02:04,480
have gone from being
in the background
45
00:02:04,520 --> 00:02:06,040
to becoming megastars.
Yeah.
46
00:02:06,080 --> 00:02:07,520
Fat Boy Slim.
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He was the big DJ of our time.
Weren't he?
48
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He was.
He's the one everyone went mad for.
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00:02:12,000 --> 00:02:13,400
(CHUCKLES)
Why you laughing?
50
00:02:13,440 --> 00:02:17,400
Some people who are watching this
are thinking fucking "Fat Boy Slim"?
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00:02:17,440 --> 00:02:19,360
(BOTH LAUGH)
How old is he?
52
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Got their fingers on the pulse.
Oh, yeah.
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'With our knowledge of DJs firmly
stuck in the '90s,
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00:02:24,000 --> 00:02:26,440
we needed someone
to bring us up to speed.'
55
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(DANCE MUSIC PLAYING)
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'So, with the help of
superstar DJ Jonas Blue
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we will be put through our paces
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before going on to perform
a headline set
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at one of the capital's
top nightclubs.
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00:02:41,040 --> 00:02:42,760
(CROWD CHEERING)
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(MUSIC MIX INTRO)
CHASE
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♪ Baa baa black sheep
rock star rap G
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♪ Make enough dough to own
a black card that's deep
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♪ The only thing that's bigger...
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When was the last time you went
on a night out? To a club with a DJ.
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Fifteen years ago.
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♪ Don't say that
I didn't ever warn ya...
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DJs, for me, have been
a gateway to more beer.
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00:03:04,120 --> 00:03:05,520
So you need something to drink?
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00:03:05,560 --> 00:03:07,800
Yeah. But you don't give a shit about
the music.
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♪ Don't make me have to show ya...
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I'd never really liked gigs
for music or DJs,
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cos I liked going to a pub.
I don't really like music.
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Superstar DJs is not my world.
No.
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I've got absolutely no respect for
it whatsoever. It's not an art.
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They take a USB, they plug it in,
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it's already been done
as far as I'm concerned.
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They don't all do that, do they?
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How do you know?
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I don't, to be fair. They could do.
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00:03:33,760 --> 00:03:35,560
'It was clear
we had a lot to learn.'
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'Luckily, we were off to see
Jonas Blue
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at the house the USB built.'
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What a gaff he's got.
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I know.
It's nearly half the size of mine.
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Come on, mate. Have a day off.
(LAUGHS)
87
00:03:51,720 --> 00:03:53,720
Ah, here.
I'm a bit nervous about this.
88
00:03:53,760 --> 00:03:55,640
Don't be nervous, mate.
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(BREATHES DEEPLY)
90
00:03:58,920 --> 00:04:00,920
Hello, mate.
Yes. Hello, mate. How are you?
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00:04:00,960 --> 00:04:02,320
Hello.
Rob. Nice to meet you.
92
00:04:02,360 --> 00:04:03,920
I'm Jonas. You all right? You good?
93
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Yes. We are ready to, well, mix.
Learn how to DJ.
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00:04:07,480 --> 00:04:08,920
-Ready?
-Yes.
You look ready.
95
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Ready for a lesson.
What I'm gonna do is,
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00:04:10,880 --> 00:04:12,120
before we start this,
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I want you to go out tonight.
OK
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Go and explore
what the clubs have to offer.
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Be ravers for the night. See what
they all want, and enjoy it.
100
00:04:20,600 --> 00:04:22,960
And then come back
and I'm gonna teach you how to DJ.
101
00:04:23,000 --> 00:04:25,720
So do the homework...
Then learn how to be a DJ.
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00:04:25,760 --> 00:04:28,320
Have you double booked
Joel Dommett and Nish Kumar?
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(LAUGHING) I'm busy tonight.
(ROB LAUGHS)
104
00:04:30,800 --> 00:04:32,800
You can go on my tour bus...
On your tour bus?
105
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Otherwise you're gonna waste
-my time.
-OK.
106
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Do that and come back,
and then we'll get into it, so...
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Would have appreciated that over
text, rather than coming all the way
to Essex.
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-But not a problem.
-Sorry.
-Nice to meet you.
-Don't drink.
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Too many drinks.
We'll be...
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We won't. We'll be good.
Professional?
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We'll learn and do our homework.
-Yeah.
-Cheers, mate.
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00:04:50,080 --> 00:04:52,120
I'll see ya later.
-Good.
-Yeah.
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Fucking piss-take.
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I've come to Ongar.
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I've come to Essex...
I know.
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..to be sent off on a bus.
(EXHALES)
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However, as it turned out,
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his bus was somewhat of an upgrade
from the 273 I get
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from Petts Wood to Lewisham.
What a journey that is!
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We're gonna roll up in a tour bus
like absolute dons...
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Yeah.
..then we're gonna go in,
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get given wristbands...
I can't wait to do this to a bouncer.
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Read that, dickhead.
'Ey, 'ey, 'ey!
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I'm in, you prick.
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00:05:26,480 --> 00:05:29,520
Also, is it sad that just two
middle-aged men
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get off a bus, and no one else.
127
00:05:31,400 --> 00:05:33,200
It's one of the most tragic things
ever.
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00:05:33,240 --> 00:05:36,400
It's an overblown form of transport.
-We don't need this much space.
-No.
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I don't even know the driver's name.
130
00:05:40,160 --> 00:05:43,840
'Not only had Jonas lent us his bus,
but he'd organised meet-and-greets
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with some of the world's
biggest DJs.'
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What do you reckon he's getting
mileage-wise out of this?
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Do they still have cloakrooms?
Clubs?
134
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Are you gonna dance at the clubs?
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00:05:54,160 --> 00:05:56,000
I don't really dance.
136
00:05:56,040 --> 00:05:57,840
'As we arrived back in London,
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00:05:57,880 --> 00:06:00,400
it was time for the first leg
of Jonas' tour...'
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00:06:00,440 --> 00:06:03,760
(DANCE MUSIC INTRO)
139
00:06:03,800 --> 00:06:05,600
(DANCE MUSIC PLAYING)
140
00:06:26,120 --> 00:06:28,120
Yes. Oh, mate.
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00:06:28,920 --> 00:06:30,880
Driven backstage into Wembley.
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(BOTH LAUGH)
143
00:06:33,200 --> 00:06:35,200
This is quality.
You know what I mean?
144
00:06:35,240 --> 00:06:38,840
'..where the undisputed
king of drum and bass, Andy C,
145
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was finalising his sound check
ahead of tonight's performance.
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(MUSIC REVERBERATES THROUGH VENUE)
147
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That sound check, it definitely
works, doesn't it, the sound?
148
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When I first arrived, I was like,
"Ah, I could be here all night."
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And then, about two minutes in,
I was like, "That's too much."
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Yeah. I don't know.
I feel like it's pumping through me.
151
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The atmosphere in here
is gonna be ridiculous.
152
00:07:02,360 --> 00:07:05,560
Also, I've just found out
he's playing a five-hour set.
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Kinda like Wimbledon
drum and bass.
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Hello, mate.
Lovely to meet you.
155
00:07:09,640 --> 00:07:11,480
You all right?
Andy, lovely to meet you.
156
00:07:11,520 --> 00:07:14,480
Thank you so much for having us.
My pleasure. Thanks for coming down.
157
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This is amazing.
This is dreamland.
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I was stood up the back
looking at it,
159
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trying to soak up the moment and
all the build-up that goes with it.
160
00:07:21,800 --> 00:07:23,720
When this has 12,000 people in it.
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It's awesome.
The sound is really good.
162
00:07:26,040 --> 00:07:29,520
How much of the five hours
is mapped out in your head?
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I know what I wanna play at the
beginning, but I look in the crowd.
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So if you see somebody over there
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he's liking, enjoying
an emotional tune,
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or somebody's got their heads down
and they like the stompers,
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00:07:40,320 --> 00:07:44,000
you think, "OK. In ten tunes' time
I'm gonna give you a little section,
168
00:07:44,040 --> 00:07:48,040
and then you just get in this flow
and you pick up audience members.
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00:07:48,080 --> 00:07:50,080
Do you think that,
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00:07:50,120 --> 00:07:53,040
superstar DJs have become a thing
in the last ten, 15 years,
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have you noticed a difference in the
way the DJs are treated and revered?
172
00:07:56,680 --> 00:08:01,320
From a technical standpoint,
D
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00:08:01,360 --> 00:08:03,320
so, you know, I don't know.
174
00:08:03,360 --> 00:08:06,440
Some people stand up there and
just push 'play' and jump around.
175
00:08:06,480 --> 00:08:10,160
Are there people robbing a living
just putting on already mixed CDs.
176
00:08:10,200 --> 00:08:12,360
I would not like to suggest that
that's the case.
177
00:08:12,400 --> 00:08:15,000
Would you be surprised if
you found out they were?
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00:08:15,040 --> 00:08:16,040
Nnno.
179
00:08:16,080 --> 00:08:17,880
Look, congratulations.
Thanks a lot.
180
00:08:17,920 --> 00:08:19,160
Good luck, man.
Well done.
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00:08:19,200 --> 00:08:21,320
-Lovely to meet ya.
-Ooh!
(ALL LAUGH)
182
00:08:21,360 --> 00:08:23,600
(LAUGHING) Cheers, mate.
183
00:08:23,640 --> 00:08:26,960
Now, looking forward to the gig,
but with plenty of time to kill,
184
00:08:27,000 --> 00:08:29,760
we had time to take stock of
what we just learned.
185
00:08:30,880 --> 00:08:32,360
♪ OL' DIRTY BASTARD: Shimmy Shimmy Ya
186
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(LAUGHTER)
Oh, shit!
187
00:08:34,680 --> 00:08:35,880
Right.
188
00:08:35,920 --> 00:08:37,880
(ROB LAUGHS)
189
00:08:37,920 --> 00:08:39,720
That's how you pour it!
190
00:08:39,760 --> 00:08:41,120
-Oh!
-Cheers, mate.
Cheers.
191
00:08:47,000 --> 00:08:49,120
I'm absolutely loving this.
Right?
192
00:08:49,160 --> 00:08:53,000
Basically, I turned up thinking
we were gonna get a DJ lesson.
193
00:08:53,040 --> 00:08:56,160
I've told Lou I'm out working,
he's sent us out on a night out!
194
00:08:56,200 --> 00:08:57,840
It's unbelievable.
195
00:08:57,880 --> 00:08:59,840
(MUSIC STARTS, AUDIENCE CHEERING)
196
00:09:01,000 --> 00:09:03,000
(CHEERING DROWNS OUT SPEECH)
197
00:09:09,440 --> 00:09:11,440
(MUSIC INTRO BUILDING UP)
198
00:09:15,360 --> 00:09:17,360
(AUDIENCE CHEERING)
199
00:09:21,280 --> 00:09:24,120
(SPEAKING INDISTINCTLY OVER MIC)
200
00:09:24,160 --> 00:09:26,920
(CHEERING, AIR HORNS BLASTING)
201
00:09:26,960 --> 00:09:28,120
Heads up!
202
00:09:28,160 --> 00:09:29,400
Oggy Oggy Oggy!
203
00:09:29,440 --> 00:09:30,800
(AUDIENCE CHEERING)
204
00:09:30,840 --> 00:09:32,920
(TURBO BASS MUSIC PLAYING)
205
00:09:53,560 --> 00:09:56,520
This has been a long time
in the making, people.
206
00:09:56,560 --> 00:09:58,480
(MUSIC TEMPO SLOWS)
207
00:09:58,520 --> 00:10:01,920
Tonight is for all of you lot
who are representing turbo bass.
208
00:10:01,960 --> 00:10:03,840
Hands up in the air
and jump with us.
209
00:10:03,880 --> 00:10:05,520
Let's go!
(AUDIENCE CHEERING)
210
00:10:05,560 --> 00:10:08,080
You're in Wembley Arena, baby.
Let's do it!
211
00:10:08,120 --> 00:10:10,000
(MUSIC DROWNS OUT SPEECH)
212
00:10:10,040 --> 00:10:11,880
(MUSIC PLAYING)
Let's go, gangstas.
213
00:10:11,920 --> 00:10:14,600
(TURBO BASS PLAYING)
Blow!
214
00:10:17,320 --> 00:10:19,280
(BASSLINE, MUSIC DROP)
215
00:10:21,720 --> 00:10:24,720
Let's go gangstas
Blow!
216
00:10:24,760 --> 00:10:27,440
(CHEERING DROWNS OUT SPEECH)
217
00:10:27,480 --> 00:10:28,760
(AUDIENCE CHEERS)
218
00:10:28,800 --> 00:10:29,960
Scatter!
219
00:10:35,000 --> 00:10:37,320
(MUSIC CONTINUES)
220
00:10:44,680 --> 00:10:46,520
(MUSIC DROP)
221
00:10:46,560 --> 00:10:50,280
Let's show Wembley something
it's never seen before!
222
00:10:50,320 --> 00:10:53,720
Everybody inside the place,
from the front to the back,
223
00:10:53,760 --> 00:10:55,760
let's go!
224
00:10:55,800 --> 00:10:58,280
(AUDIENCE CHEERING)
225
00:10:58,320 --> 00:10:59,880
JUMP UP!
226
00:10:59,920 --> 00:11:02,560
(TECHNO STYLE MUSIC)
227
00:11:05,240 --> 00:11:06,880
(AUDIENCE CHEERING)
228
00:11:08,960 --> 00:11:10,440
(MUSIC PLAYING IN DISTANCE)
229
00:11:10,480 --> 00:11:12,720
(LAUGHING) Oh, my God!
230
00:11:12,760 --> 00:11:14,440
That is insane!
231
00:11:14,480 --> 00:11:16,920
Wow!
I love Drum And Bass.
232
00:11:16,960 --> 00:11:18,680
(CHUCKLES) I love it now.
233
00:11:18,720 --> 00:11:21,640
I never knew I did.
That was insane.
234
00:11:21,680 --> 00:11:24,600
I genuinely haven't seen a reaction
from a crowd like that.
235
00:11:24,640 --> 00:11:25,760
(LOUD BANG)
Ohh.
236
00:11:25,800 --> 00:11:28,640
I could- I couldn't re...
I couldn't cope.
237
00:11:28,680 --> 00:11:30,680
I'm having the time of my life.
238
00:11:30,720 --> 00:11:34,080
Got a new hobby.
Romesh is happy. Loving it!
239
00:11:34,120 --> 00:11:36,640
Go on tour bus,
few more drinks, night out.
240
00:11:36,680 --> 00:11:37,880
Technically "work".
241
00:11:38,920 --> 00:11:42,040
Cast-iron alibi in the morning.
I've never felt better.
242
00:11:42,080 --> 00:11:44,880
When he came out,
243
00:11:44,920 --> 00:11:47,000
and the music dropped,
244
00:11:47,040 --> 00:11:48,400
and I looked out,
245
00:11:48,440 --> 00:11:51,360
like, what an amazing thing
to be on the stage to see that.
246
00:11:51,400 --> 00:11:54,360
I've got two more clubs
and two more DJs to go and see.
247
00:11:54,400 --> 00:11:57,640
You know what I say to that?
Light 'em up. I'm ready for 'em.
248
00:11:57,680 --> 00:11:59,520
(CLAPS HANDS)
249
00:11:59,560 --> 00:12:01,720
Great.
(LAUGHS)
250
00:12:02,720 --> 00:12:04,960
It's so cool.
251
00:12:20,280 --> 00:12:22,680
ROB: Back in London
and back on the bus...
252
00:12:24,960 --> 00:12:27,640
..we were trying to soak up
as much knowledge as we could
253
00:12:27,680 --> 00:12:30,240
about the world of the superstar DJ.
254
00:12:30,280 --> 00:12:32,640
And having left Andy C
with his devoted followers,
255
00:12:32,680 --> 00:12:35,160
we were on our way
to Jonas' next stop.
256
00:12:35,200 --> 00:12:38,200
And we knew, if we were truly going
to transform ourselves
257
00:12:38,240 --> 00:12:40,440
into the masters of
the wills of steel,
258
00:12:40,480 --> 00:12:43,560
we had to take this opportunity
seriously.
259
00:12:45,000 --> 00:12:46,040
(LAUGHS)
260
00:12:46,080 --> 00:12:47,240
Go away, Robbie!
261
00:12:47,280 --> 00:12:48,520
(LAUGHS)
262
00:12:51,600 --> 00:12:54,320
(LAUGHING CONTINUES)
263
00:12:54,360 --> 00:13:00,000
♪ VENGABOYS: We Like To Party!
I gotta dance to this one.
264
00:13:02,360 --> 00:13:04,000
LOVE IT!
265
00:13:04,040 --> 00:13:05,280
(LAUGHS)
266
00:13:08,000 --> 00:13:09,240
This is the place to be.
267
00:13:09,280 --> 00:13:10,480
You're battered.
268
00:13:10,520 --> 00:13:12,280
I don't even know if
I'm gonna go home tonight.
269
00:13:12,320 --> 00:13:13,920
(LAUGHS)
270
00:13:13,960 --> 00:13:17,080
I am ready for the next one.
271
00:13:17,120 --> 00:13:19,360
And soon enough,
it was time for the next one...
272
00:13:19,400 --> 00:13:21,200
♪ CYPRESS HILL: Insane In The Brain
273
00:13:24,240 --> 00:13:28,120
..where we would meet, arguably,
the biggest act in British dance:
274
00:13:28,160 --> 00:13:29,360
Chase
275
00:13:30,360 --> 00:13:32,520
We're at another club.
We're in London Bridge.
276
00:13:32,560 --> 00:13:35,560
I don't know what's going on.
We're here to see Chase
277
00:13:35,600 --> 00:13:37,800
I've just found out
it's not one geezer.
278
00:13:37,840 --> 00:13:42,160
It's under a railway arch
which tells me all bets are off.
279
00:13:42,200 --> 00:13:45,960
'Unfortunately, the night was
taking its toll on Romesh.'
280
00:13:46,000 --> 00:13:47,360
(LAUGHING) Oh, God!
281
00:13:48,360 --> 00:13:50,920
'But was I going to let him ruin
the best night of my life?"
282
00:13:50,960 --> 00:13:52,360
No chance.
283
00:13:52,400 --> 00:13:55,480
Do you need a motivational quote?
Go on.
284
00:13:55,520 --> 00:13:59,040
We've not come this far
to only come this far. Yeah?
285
00:14:00,640 --> 00:14:02,160
I don't know what it means,
286
00:14:02,200 --> 00:14:04,560
but it gets loads of people
watching it on YouTube.
287
00:14:05,920 --> 00:14:07,240
'So with him taken care of,
288
00:14:07,280 --> 00:14:09,440
it was time to meet
our next case studies...'
289
00:14:10,240 --> 00:14:13,240
Saul
Chase
290
00:14:13,280 --> 00:14:15,000
'..which went terribly.'
291
00:14:15,040 --> 00:14:18,720
Do you... Do you...
Do you...
292
00:14:18,760 --> 00:14:22,120
Did your set have like a...
I know that you have to be like...
293
00:14:22,160 --> 00:14:23,880
I know what you're doing
and all that.
294
00:14:23,920 --> 00:14:26,320
It sounds just suddenly...
295
00:14:28,600 --> 00:14:30,800
'So, having gained more valuable
insight...'
296
00:14:31,880 --> 00:14:33,080
It is late.
297
00:14:33,120 --> 00:14:36,040
'..we headed inside to continue
our learning experience.'
298
00:14:36,080 --> 00:14:40,600
(DRUM AND BASS DANCE MUSIC PLAYING)
299
00:14:40,640 --> 00:14:41,840
(AUDIENCE CHEERING)
300
00:14:41,880 --> 00:14:44,800
Can we all stop and give it up for
Chase
301
00:14:44,840 --> 00:14:47,840
(DANCE MUSIC PLAYS)
302
00:14:47,880 --> 00:14:50,960
(AUDIENCE CHEERING)
303
00:14:52,960 --> 00:14:54,160
(AIR HORN BLAST)
304
00:15:01,600 --> 00:15:04,080
(MUSIC DROP)
305
00:15:04,120 --> 00:15:06,720
♪ Inten inten intentional
306
00:15:06,760 --> 00:15:08,680
♪ Inten inten intentional...
307
00:15:19,640 --> 00:15:21,520
(MUSIC SLOWS)
308
00:15:21,560 --> 00:15:23,080
(CHEERING INTENSIFIES)
309
00:15:23,120 --> 00:15:25,080
(DROPS NEW TRACK)
310
00:15:25,120 --> 00:15:27,000
(SYNTHESISED MUSIC)
311
00:15:27,040 --> 00:15:29,400
(DEEP BASSLINE)
312
00:15:29,440 --> 00:15:31,360
(MUSIC CONTINUES)
313
00:15:40,360 --> 00:15:42,880
'Two clubs down, and having
approached the evening
314
00:15:42,920 --> 00:15:44,960
with the agreed level of
professionalism,
315
00:15:45,000 --> 00:15:47,280
Romesh was able to start
painting a picture of
316
00:15:47,320 --> 00:15:49,360
what made superstar DJs so unique.'
317
00:15:50,360 --> 00:15:52,360
All you have to do is...that.
318
00:15:52,400 --> 00:15:54,000
But they've got to do this...
319
00:15:54,040 --> 00:15:56,040
(LAUGHS)
320
00:16:01,560 --> 00:16:03,280
(ROB CONTINUES LAUGHING)
321
00:16:08,000 --> 00:16:11,640
I feel quite awake now. How bad
would it be if I went back in?
322
00:16:11,680 --> 00:16:13,600
I think it'll be great for you...
Yeah.
323
00:16:13,640 --> 00:16:15,040
..and it'll be ideal for me.
324
00:16:15,080 --> 00:16:17,000
Cos then I'll go home on the bus
on my own.
325
00:16:18,160 --> 00:16:19,920
I'm gonna go back in.
326
00:16:19,960 --> 00:16:22,360
Great.
I support you in that decision.
327
00:16:22,400 --> 00:16:25,000
-I'm going in.
-Go for it, mate.
-I'm going back in.
-Go for it.
328
00:16:27,840 --> 00:16:31,760
Weirdly...against all odds,
329
00:16:31,800 --> 00:16:33,320
this night finally got good.
330
00:16:33,360 --> 00:16:35,720
I mean, I've had an absolute result.
331
00:16:35,760 --> 00:16:37,920
I've had an absolute result.
332
00:16:37,960 --> 00:16:41,280
I'm about to be on a bus home
without Rob.
333
00:16:41,320 --> 00:16:43,520
That wasn't even on the cards
when it started.
334
00:16:44,920 --> 00:16:48,800
The morning after the night before,
we were back at Jonas' house.
335
00:16:48,840 --> 00:16:51,720
We were here to report back on
last night's field trip,
336
00:16:51,760 --> 00:16:54,240
and begin preparations
337
00:16:54,280 --> 00:16:56,080
for our own DJing debut.
338
00:16:57,160 --> 00:16:59,600
Hello. You all right?
-How's it going.
-Nice to see you.
339
00:16:59,640 --> 00:17:01,040
How you doing?
How'd you get on?
340
00:17:01,080 --> 00:17:02,520
Very tired.
OK.
341
00:17:02,560 --> 00:17:04,080
But it was good.
Tell me about it.
342
00:17:04,120 --> 00:17:05,600
He struggled. I was better than him.
343
00:17:06,640 --> 00:17:09,600
Yeah, come through, lads.
-Cheers, mate.
-Yeah.
344
00:17:10,640 --> 00:17:12,240
Tell me, how did it go?
345
00:17:12,280 --> 00:17:14,720
Well, first couple of hours, great.
Loved it.
346
00:17:14,760 --> 00:17:16,920
We were having a really good time.
OK.
347
00:17:16,960 --> 00:17:19,160
But then, what happened is
the night continued.
348
00:17:19,200 --> 00:17:20,360
Right.
349
00:17:20,400 --> 00:17:22,960
It would be better, if these gigs
happened during the day.
350
00:17:23,000 --> 00:17:24,040
(LAUGHS)
351
00:17:24,080 --> 00:17:26,640
'For Rob, he hadn't just arrived
with a hangover,
352
00:17:26,680 --> 00:17:28,120
he'd found inspiration.'
353
00:17:28,160 --> 00:17:32,000
What really got me into thinking
about I like really wanted to be a DJ
354
00:17:32,040 --> 00:17:34,640
is walking up the drive
and seeing this gaff.
355
00:17:34,680 --> 00:17:37,280
There's nothing about the art
that he likes.
356
00:17:37,320 --> 00:17:39,920
Oh, no.
It's, essentially, your house.
357
00:17:39,960 --> 00:17:42,120
-Yeah.
-Right. Yeah.
Cos I understand
358
00:17:42,160 --> 00:17:44,680
that there's people obsessed with
the craft and process,
359
00:17:44,720 --> 00:17:47,320
and it's an art form how you do it,
how- Shut up.
360
00:17:47,360 --> 00:17:51,360
I wanna be the guy the industry
-hates but earns all the money.
-Yeah.
361
00:17:51,400 --> 00:17:53,320
He's mastered that in comedy...
(LAUGHS)
362
00:17:53,360 --> 00:17:57,040
..so now he wants to do it
-in a different area.
-Yeah.
363
00:17:57,080 --> 00:17:58,720
(DANCE MUSIC PLAYING)
364
00:17:58,760 --> 00:18:01,720
'At this point, happy to latch onto
any inkling of hope...'
365
00:18:01,760 --> 00:18:03,240
Oh, my God!
366
00:18:03,280 --> 00:18:06,040
'Jonas agreed to give us
a whistle-stop tour of his gaff.
367
00:18:06,080 --> 00:18:08,120
For inspirational purposes,
of course.'
368
00:18:08,160 --> 00:18:10,600
This is unbelievable!
Ohh!
369
00:18:11,400 --> 00:18:14,120
'Starting with the biggest telly
I've ever seen.'
370
00:18:14,160 --> 00:18:16,200
Was it true, though,
that you wanted to be a DJ
371
00:18:16,240 --> 00:18:17,640
after watching Club Reps?
Yes.
372
00:18:17,680 --> 00:18:20,760
Right. I'm obsessed with Club Reps,
what series are you talking?
373
00:18:20,800 --> 00:18:22,920
Er, it was Johnny.
Johnny Hormone?
374
00:18:22,960 --> 00:18:24,920
And Lee, who loved England?
Yeah.
375
00:18:25,720 --> 00:18:28,840
Why do you think you made it
when so many other people haven't?
376
00:18:28,880 --> 00:18:31,720
You've got to remember, I only got
my first break at 25, 26 years old.
377
00:18:31,760 --> 00:18:33,880
Right.
I've been doing it since I was 11.
378
00:18:33,920 --> 00:18:36,320
Every single day.
All those days throughout school,
379
00:18:36,360 --> 00:18:38,680
I was doing it every single day, and
there was a lot of "nos".
380
00:18:38,720 --> 00:18:41,880
Those were really tough years for me
cos when you've got dozens of labels
381
00:18:41,920 --> 00:18:44,120
telling you, "No, your music's
not good enough",
382
00:18:44,160 --> 00:18:47,440
there was a lot of the hard times
I don't forget while sitting here.
383
00:18:50,400 --> 00:18:54,360
This is the master bedroom
where no magic...
384
00:18:54,400 --> 00:18:56,720
No magic happens? Just functional...
385
00:18:56,760 --> 00:18:58,800
Wanking's a type of magic, mate.
(LAUGHS)
386
00:18:58,840 --> 00:19:02,080
Functional, quick, to the point.
(LAUGHTER)
387
00:19:02,120 --> 00:19:05,280
Another cool thing in this room is
this room,
388
00:19:05,320 --> 00:19:08,680
which is something that I've always
wanted, which is... Sex dungeon.
389
00:19:08,720 --> 00:19:11,800
Yeah.
ROB AND ROMESH: Oh, mate!
390
00:19:11,840 --> 00:19:13,480
It's like something from
a space ship.
391
00:19:13,520 --> 00:19:15,120
This is a sickness, mate.
392
00:19:17,400 --> 00:19:19,840
I'll be honest, mate.
It's gone from real admiration...
393
00:19:19,880 --> 00:19:22,360
It's a bit annoying now.
I'm starting to get pissed off.
394
00:19:23,800 --> 00:19:27,920
So not only have you got a pool,
-you've got your name in it.
-Yeah.
395
00:19:27,960 --> 00:19:30,840
Is that saying that's your one?
Yeah. Exactly.
396
00:19:30,880 --> 00:19:33,560
Feeling inadequate,
we called an end to the tour.
397
00:19:33,600 --> 00:19:37,360
So we headed to the basement studio
via the basement orchestra room.
398
00:19:39,680 --> 00:19:41,040
Can either of you play the piano?
399
00:19:41,080 --> 00:19:43,000
I've got fucking nothing
in the locker, Jonas.
400
00:19:43,040 --> 00:19:44,920
Really? None of you-
I've got nothing...
401
00:19:44,960 --> 00:19:46,640
I did used to learn the piano.
402
00:19:46,680 --> 00:19:49,160
(PLAYS GENTLY MELODY)
403
00:19:50,240 --> 00:19:51,400
Cinema.
Cinema.
404
00:19:51,440 --> 00:19:53,640
Walk-in wardrobe, playing the piano,
405
00:19:53,680 --> 00:19:55,120
I want to sleep with you.
Yeah.
406
00:19:55,160 --> 00:19:57,000
Right now.
I mean, that's the plan.
407
00:19:57,040 --> 00:19:59,200
(ALL LAUGH)
408
00:20:00,800 --> 00:20:03,240
'Finally, it was time to get down to
business.'
409
00:20:03,280 --> 00:20:05,760
(LAUGHING) This is so sick, man.
410
00:20:05,800 --> 00:20:07,800
It's like the Starship Enterprise.
411
00:20:07,840 --> 00:20:11,120
I don't know what any of this does,
but I'm so impressed.
412
00:20:11,160 --> 00:20:13,080
Can we get a lesson?
Yeah.
413
00:20:13,120 --> 00:20:15,560
'So after a swift tequila...'
414
00:20:15,600 --> 00:20:16,800
Cheers.
Cheers.
415
00:20:16,840 --> 00:20:18,200
Here's to the, er, lesson.
416
00:20:18,240 --> 00:20:20,040
Here's to...
I like DJing.
417
00:20:20,080 --> 00:20:21,480
'..it was time to cover the basics.'
418
00:20:21,520 --> 00:20:24,000
So I'm gonna load two tunes.
Yeah.
419
00:20:24,040 --> 00:20:26,760
(MUSIC PLAYS THROUGH SPEAKERS)
420
00:20:26,800 --> 00:20:28,200
That one's playing...
Yep.
421
00:20:28,240 --> 00:20:29,840
..and the crowd are loving you and
422
00:20:29,880 --> 00:20:31,840
you've got your top off and
everything else.
423
00:20:31,880 --> 00:20:33,240
But in the headphones,
424
00:20:33,280 --> 00:20:35,440
you'll be preparing the second song
which is gonna be...
425
00:20:35,480 --> 00:20:37,240
(MUSIC PLAYS THROUGH HEADPHONES)
426
00:20:37,280 --> 00:20:38,280
OK.
427
00:20:38,320 --> 00:20:39,920
(MUSIC PLAYED THROUGH SPEAKERS)
428
00:20:39,960 --> 00:20:43,720
'All we had to do was get from one
track to the other, seamlessly.
429
00:20:43,760 --> 00:20:46,040
As ably demonstrated by Jonas
himself.'
430
00:20:46,080 --> 00:20:48,480
(FIRST TRACK PLAYS THROUGH SPEAKERS)
431
00:21:02,320 --> 00:21:04,280
(SECOND TRACK PLAYS THROUGH SPEAKERS)
432
00:21:04,320 --> 00:21:07,120
Oh, my days!
433
00:21:07,160 --> 00:21:09,400
(LAUGHS)
Mate!
434
00:21:09,840 --> 00:21:11,240
(MUSIC CONTINUES PLAYING)
435
00:21:17,760 --> 00:21:20,760
(SYNTHESISED NOTE PLAYS)
436
00:21:22,200 --> 00:21:24,200
♪ CUTTING CREW:
(I Just) Died In Your Arms
437
00:21:27,200 --> 00:21:28,400
(ROB AND ROMESH LAUGH)
438
00:21:28,440 --> 00:21:29,840
(TURNS OFF MUSIC)
439
00:21:29,880 --> 00:21:31,920
Mate!
That's kind of like...
440
00:21:31,960 --> 00:21:33,160
Fucking hell!
441
00:21:33,200 --> 00:21:36,000
That was sick.
Did you want another tequila?
442
00:21:36,040 --> 00:21:37,960
If it makes me do THAT, yes.
OK.
443
00:21:38,960 --> 00:21:40,880
'Fired up and ready to go.
444
00:21:40,920 --> 00:21:44,400
This master class was our chance
to gain the skills we needed
445
00:21:44,440 --> 00:21:48,680
to get us through playing a headline
DJ set at a London nightclub.
446
00:21:48,720 --> 00:21:51,400
Or, and not for the first time
this series,
447
00:21:51,440 --> 00:21:53,200
it was certain humiliation ahead.'
448
00:21:53,240 --> 00:21:54,240
Go, Rom.
449
00:21:54,280 --> 00:21:55,840
(REDUCES VOLUME)
450
00:21:55,880 --> 00:21:57,240
No, no. Keep it up, keep it up.
451
00:21:57,280 --> 00:21:59,160
(INCREASES VOLUME)
Keep them both up.
452
00:21:59,200 --> 00:22:00,680
You're not on Radio 2, mate.
453
00:22:00,720 --> 00:22:02,360
(MUSIC CONTINUES PLAYING)
454
00:22:02,400 --> 00:22:05,680
(MUSIC DROP)
455
00:22:05,720 --> 00:22:07,440
Aaah, m...
456
00:22:07,480 --> 00:22:09,560
Was that good?
Before I congratulate him?
457
00:22:09,600 --> 00:22:10,840
Yes, Romesh!
Yes!
458
00:22:10,880 --> 00:22:12,080
Love it, mate.
459
00:22:12,120 --> 00:22:13,680
(LAUGHTER)
460
00:22:14,400 --> 00:22:16,000
(LAUGHS)
461
00:22:16,040 --> 00:22:18,000
'Annoyingly, Romesh wasn't too bad.'
462
00:22:18,040 --> 00:22:20,960
(TURNS OFF MUSIC)
463
00:22:21,000 --> 00:22:23,400
'But now it was time to show them
how it's really done.'
464
00:22:23,440 --> 00:22:26,400
Right. So we're gonna go to the end
of the song and I'll count you in.
465
00:22:26,440 --> 00:22:27,800
Yeah. You...
-Yeah?
-Please.
466
00:22:27,840 --> 00:22:29,600
Then all I have to do is press
"play".
467
00:22:29,640 --> 00:22:32,280
All you gotta do is press "play".
Cool. All right, let's go.
468
00:22:32,320 --> 00:22:35,080
(SONG PLAYS THROUGH SPEAKERS)
469
00:22:35,120 --> 00:22:36,840
I'm giving it some now.
470
00:22:36,880 --> 00:22:38,880
Then you tell me when to press play,
yeah?
471
00:22:41,760 --> 00:22:43,160
You'd be, like, hands up.
472
00:22:45,640 --> 00:22:47,800
(DECREASES VOLUME)
Blackwall Tunnel's shut!
473
00:22:47,840 --> 00:22:49,040
(INCREASES VOLUME)
474
00:22:50,560 --> 00:22:54,880
-Are you ready?
-You gotta wait until
tomorrow night by midnight to pay the
Dartford Crossing charge.
475
00:22:54,920 --> 00:22:56,560
(INCREASES VOLUME)
476
00:22:57,560 --> 00:23:00,360
-Right.
-I mean, by doing that
you did kinda just miss your cue.
477
00:23:00,400 --> 00:23:01,720
But we're coming again.
478
00:23:01,760 --> 00:23:03,480
Where were you?
You should... Sorry.
479
00:23:03,520 --> 00:23:04,760
Hold on.
Tell me when.
480
00:23:04,800 --> 00:23:06,080
(MUSIC PLAYS THROUGH SPEAKERS)
481
00:23:06,120 --> 00:23:07,320
Ready?
Yeah.
482
00:23:08,440 --> 00:23:10,440
(COUNTS TO BEAT) One, two,
483
00:23:10,480 --> 00:23:12,120
one, two, three, four.
484
00:23:12,160 --> 00:23:14,240
(PLAYS SECOND TRACK)
Now bring it up.
485
00:23:14,280 --> 00:23:16,560
No, no, no. Keep the bass up.
OK.
486
00:23:16,600 --> 00:23:18,040
(LOW BASS)
487
00:23:18,080 --> 00:23:19,760
(INCREASES BASS)
488
00:23:23,480 --> 00:23:25,280
No, no, keep it up.
Keep it up as well?
489
00:23:25,320 --> 00:23:26,760
What?
490
00:23:26,800 --> 00:23:28,000
Why do you keep doing that?
491
00:23:29,200 --> 00:23:30,640
All right.
-Yes.Love it.
-Yeah!
492
00:23:30,680 --> 00:23:31,680
Is that it?
493
00:23:31,720 --> 00:23:34,840
No idea what's happened, but
everyone's looking at me funny!
494
00:23:34,880 --> 00:23:36,640
(LAUGHTER)
495
00:23:36,680 --> 00:23:39,520
Did I do it?
Yes, Jonas!
496
00:23:39,560 --> 00:23:41,360
Fucking LOVE DJing.
497
00:23:41,400 --> 00:23:43,080
Right. I'll tell you what...
498
00:23:43,120 --> 00:23:45,040
I like...
(MUSIC DROP)
499
00:23:45,080 --> 00:23:46,320
I'm so drunk.
500
00:23:46,360 --> 00:23:48,400
(LAUGHS)
501
00:23:48,440 --> 00:23:49,840
Do you know what? I love DJing.
502
00:23:49,880 --> 00:23:51,480
I love DJing.
503
00:23:51,520 --> 00:23:52,960
I love DJing.
(LAUGHS)
504
00:23:53,000 --> 00:23:54,440
I love Jonas Blue.
505
00:23:54,480 --> 00:23:55,880
I love Rob Beckett.
506
00:23:55,920 --> 00:23:57,160
Cheers.
507
00:23:57,200 --> 00:24:00,280
We need more practise
before we do a proper show.
508
00:24:00,320 --> 00:24:01,360
Sure.
Yeah.
509
00:24:01,400 --> 00:24:07,240
You think that we might need more
practise than the hour we've had
here, before we do a set at a club?
510
00:24:07,280 --> 00:24:08,480
Yeah, I do.
OK.
511
00:24:08,520 --> 00:24:11,280
That's what our focus should be.
Interesting revelation.
512
00:24:11,320 --> 00:24:12,920
I would agree with you.
OK. Cool.
513
00:24:14,120 --> 00:24:16,480
I'm so drunk.
You've got to stop drinking tequila.
514
00:24:16,520 --> 00:24:17,720
(LAUGHS)
515
00:24:27,480 --> 00:24:29,240
(AUDIENCE CHEERING)
516
00:24:29,280 --> 00:24:31,560
(DANCE MUSIC PLAYING)
517
00:24:31,600 --> 00:24:33,800
ROB: 'Romesh and I were on a mission
518
00:24:33,840 --> 00:24:36,680
to transform ourselves
into superstar DJs.
519
00:24:36,720 --> 00:24:39,920
We were now just days away from
performing a headline set
520
00:24:39,960 --> 00:24:42,440
at a top London nightclub.'
521
00:24:42,480 --> 00:24:45,160
ROMESH: 'But, after hanging out with
Jonas Blue,
522
00:24:45,200 --> 00:24:48,720
I was starting to appreciate the
complexity of what these guys did,
523
00:24:48,760 --> 00:24:50,560
and things weren't looking
promising.
524
00:24:53,920 --> 00:24:56,520
So I'd come to Greenwich
to have an emergency lesson
525
00:24:56,560 --> 00:24:58,960
with one of hip hop's
most legendary DJs.'
526
00:24:59,960 --> 00:25:01,800
(HIP HOP SONG PLAYING)
527
00:25:01,840 --> 00:25:04,880
DJ Yoda, essentially, is like...
I'm not overstating it
528
00:25:04,920 --> 00:25:07,200
saying he's one of my heroes
when it comes to this.
529
00:25:07,240 --> 00:25:10,040
Easy, mate. How are you?
How's it going?
530
00:25:10,080 --> 00:25:13,080
I wrote a letter to him. I don't
know if he'll remember this.
531
00:25:13,120 --> 00:25:17,680
I got his address from
Hip Hop Connection magazine,
and he sent me a sticker.
532
00:25:17,720 --> 00:25:21,960
Receiving that sticker in the post
was better than losing my virginity.
533
00:25:22,000 --> 00:25:23,200
It was unbelievable.
534
00:25:24,280 --> 00:25:26,360
If anything, though,
535
00:25:26,400 --> 00:25:28,480
having that sticker
and talking about it
536
00:25:28,520 --> 00:25:30,680
guaranteed that I kept my virginity
a bit longer.
537
00:25:32,600 --> 00:25:36,720
With over 20 years' experience and
multiple awards to his name,
538
00:25:36,760 --> 00:25:39,760
if anyone could get me through this
it was Yoda.'
539
00:25:39,800 --> 00:25:43,680
In a few days' time,
I'm playing to, I don't know,
hundreds and hundreds of people.
540
00:25:43,720 --> 00:25:46,480
Is it possible to get away with
this? Cos I'm shitting it.
541
00:25:46,520 --> 00:25:48,200
Don't worry. You don't need to panic.
542
00:25:48,240 --> 00:25:50,320
We're gonna just cheat it.
Good. I'm in.
543
00:25:50,360 --> 00:25:52,520
The ultimate would be,
I'm just chatting to him
544
00:25:52,560 --> 00:25:56,280
and he's going, "Holy shit, Rom,
you're so cool and casual."
And I go, "Yeah, I know."
545
00:25:56,320 --> 00:25:59,160
And I go, "Can I have a go at this
DJ thing?" And he's, "Oh, my God!
546
00:25:59,200 --> 00:26:03,080
Do you know what? I think you've got
a real future in this, man."
547
00:26:03,120 --> 00:26:05,320
And I go, "Do you really think so?"
And he'll go, "Yeah."
548
00:26:05,360 --> 00:26:08,840
Couple of weeks' time I'm entering
the DMC world championships and
smashing it.
549
00:26:08,880 --> 00:26:12,440
I was gonna show you a little bit of
just mixing music together.
Let's try this.
550
00:26:12,480 --> 00:26:15,080
(INSTRUMENTAL MUSIC PLAYING)
551
00:26:17,400 --> 00:26:19,440
(RECORD SCRATCHING)
552
00:26:19,480 --> 00:26:22,680
♪ STORMZY: Big For Your Boots
553
00:26:24,120 --> 00:26:25,920
(RECORD SCRATCHING TO BEAT)
554
00:26:25,960 --> 00:26:28,560
("BIG FOR YOUR BOOTS"
CONTINUES PLAYING)
555
00:26:33,520 --> 00:26:36,520
("BIG FOR YOUR BOOTS"
CONTINUES PLAYING)
556
00:26:39,200 --> 00:26:40,400
(MUSIC STOPS)
557
00:26:40,440 --> 00:26:43,520
Something like that.
That was insane, man.
558
00:26:43,560 --> 00:26:45,600
OK. So I want to do that now.
559
00:26:45,640 --> 00:26:47,960
All right. Let's get started.
How long will it take?
560
00:26:48,000 --> 00:26:50,040
Twenty years. (LAUGHS)
OK. Sweet.
561
00:26:50,080 --> 00:26:51,840
I actually made this
available to Rob,
562
00:26:51,880 --> 00:26:53,640
as a best friend would.
563
00:26:53,680 --> 00:26:57,400
"Rob, I've sorted out one of
the greatest DJs in the world
564
00:26:57,440 --> 00:26:59,800
to teach us to mix."
And he can't be arsed.
565
00:26:59,840 --> 00:27:02,440
I've gone from worrying about
his success
566
00:27:02,480 --> 00:27:06,680
to hoping he crashes and burns
so badly
567
00:27:06,720 --> 00:27:09,720
that for the first time
in the history of dance music,
568
00:27:09,760 --> 00:27:12,720
people start throwing
their own shit at him.
Because he deserves it.
569
00:27:12,760 --> 00:27:15,520
This sounds harsh,
but he just can't be arsed.
I don't know what he's up to.
570
00:27:18,040 --> 00:27:20,720
ROB: Oh, yeah. This is the place.
571
00:27:20,760 --> 00:27:22,520
Neon everywhere.
572
00:27:24,800 --> 00:27:26,600
I feel like someone's drug brained.
573
00:27:26,640 --> 00:27:28,760
Romesh is trying to learn
to mix in a day.
574
00:27:28,800 --> 00:27:30,480
Never gonna happen.
It takes years.
575
00:27:30,520 --> 00:27:33,880
There's no point messing about with
the music side of things,
576
00:27:33,920 --> 00:27:36,480
it's all about the look.
That's what I'm focusing on today.
577
00:27:36,520 --> 00:27:37,800
Right.
578
00:27:37,840 --> 00:27:40,520
'While Rom was trying to keep it real
with DJ Yoda,
579
00:27:40,560 --> 00:27:42,320
I was planning to blow the crowd away
580
00:27:42,360 --> 00:27:44,320
with a performance
they'd never forget.
581
00:27:45,400 --> 00:27:47,440
First things first, an outfit.'
582
00:27:47,480 --> 00:27:49,760
Look at that. Do I like ganja?
583
00:27:49,800 --> 00:27:52,160
I don't know. Let me ask my pyjamas.
I think I do.
584
00:27:52,200 --> 00:27:53,760
Buck hats.
585
00:27:53,800 --> 00:27:55,080
Nothing official happens.
586
00:27:55,120 --> 00:27:57,920
No-one comes up to you and goes,
"Excuse me, you can't park there."
587
00:27:57,960 --> 00:27:59,040
Party time.
588
00:28:02,440 --> 00:28:07,120
THIS looks a bit like
the M5's shut for resurfacing.
589
00:28:07,160 --> 00:28:09,280
So I'm not sure if that's my vibe.
590
00:28:09,320 --> 00:28:11,040
Cos with this accent
and that outfit,
591
00:28:11,080 --> 00:28:14,280
I'll look like I work on the roads.
Look like I'm fucking up the trains.
592
00:28:14,320 --> 00:28:17,760
It looks like Guantanamo trousers,
doesn't it?
593
00:28:17,800 --> 00:28:19,080
This I like.
594
00:28:19,120 --> 00:28:21,160
This has got an East 17 vibe.
595
00:28:21,200 --> 00:28:23,240
Cos I think THAT
is a statement piece.
596
00:28:23,280 --> 00:28:25,440
And then you can accessorise with
high-vis.
597
00:28:25,480 --> 00:28:26,880
This little fella.
598
00:28:28,280 --> 00:28:30,880
Don't know what that is.
Looks like a Muppet's been skinned.
599
00:28:30,920 --> 00:28:33,920
Some of the gear, though,
is absolutely outrageous.
600
00:28:33,960 --> 00:28:37,320
It's just like a little vest with a
couple of birds on it. See-through.
601
00:28:39,840 --> 00:28:43,640
ROM: 'Back in Greenwich, I was ready
to start my training with DJ Yoda.
602
00:28:43,680 --> 00:28:46,080
But first, he had some news for me.
603
00:28:46,120 --> 00:28:47,360
I'm gonna be DJing tonight
604
00:28:47,400 --> 00:28:49,440
we'll try and make it
so that you can jump on
605
00:28:49,480 --> 00:28:52,160
towards the end of my set,
celebrity cameo DJ appearance.
606
00:28:52,200 --> 00:28:53,760
Oh, shit.
OK.
607
00:28:53,800 --> 00:28:56,240
As a little mini test,
608
00:28:56,280 --> 00:29:00,040
I'm gonna play out here tonight,
and I have, well...
609
00:29:01,120 --> 00:29:05,880
..two hours to acquire the requisite
skills in order to be able to do
that.
610
00:29:05,920 --> 00:29:07,960
OK, before we do this,
is it possible that
611
00:29:08,000 --> 00:29:11,320
I'm gonna be so shit at this
that you will back out immediately?
612
00:29:11,360 --> 00:29:12,560
Let's find out.
613
00:29:12,600 --> 00:29:14,240
The truth is, I'm not an idiot,
614
00:29:14,280 --> 00:29:17,440
I'm not Rob Beckett,
so I do get it's tough.
615
00:29:17,480 --> 00:29:19,680
I basically need to ask Yoda:
616
00:29:19,720 --> 00:29:23,440
what can I do that gives
the maximum impressiveness
617
00:29:23,480 --> 00:29:25,080
but also requires minimal skill?
618
00:29:25,120 --> 00:29:27,480
Volume up.
(INCREASES VOLUME)
619
00:29:27,520 --> 00:29:29,160
That's it. Scratch the start.
620
00:29:29,200 --> 00:29:30,280
One...
(SEAMLESS DROP)
621
00:29:30,320 --> 00:29:31,480
Oh.
Was that good?
622
00:29:31,520 --> 00:29:32,640
Mate.
Yeah?
623
00:29:32,680 --> 00:29:35,120
Give that a spin back.
(RECORD SCRATCHING)
624
00:29:35,960 --> 00:29:37,720
YES!
Yeah. All right.
625
00:29:37,760 --> 00:29:39,680
Yeah.
We need that to happen tonight.
626
00:29:39,720 --> 00:29:41,600
Oh, my God.
Perfect.
627
00:29:41,640 --> 00:29:43,200
Mate, if that happens tonight,
628
00:29:43,240 --> 00:29:44,840
I will leave my wife
629
00:29:44,880 --> 00:29:47,000
and go and see who else I can find.
630
00:29:47,040 --> 00:29:48,160
(LAUGHS)
631
00:29:48,200 --> 00:29:51,040
(RECORD SCRATCHING)
Unfortunately, my marriage was safe.
632
00:29:51,080 --> 00:29:52,080
(SCRATCHING)
633
00:29:52,120 --> 00:29:53,480
(SONG PLAYING)
634
00:29:53,520 --> 00:29:55,680
(SCRATCHING)
Horrendous.
635
00:29:55,720 --> 00:29:57,240
(BOTH LAUGH)
636
00:30:03,680 --> 00:30:05,840
ROB: Do I look good, mate?
I tell you what,
637
00:30:05,880 --> 00:30:10,160
if you see me in this,
you're not gonna worry about
what's coming out the speakers.
638
00:30:14,080 --> 00:30:15,640
What you thinking?
639
00:30:15,680 --> 00:30:17,160
Smashed it. Look at that.
640
00:30:20,400 --> 00:30:22,400
I look like a mechanic
from the Death Star.
641
00:30:23,440 --> 00:30:24,640
Innit?
642
00:30:24,680 --> 00:30:26,600
♪ MAX ROMEO: Chase The Devil
643
00:30:26,640 --> 00:30:29,640
I'm having it.
644
00:30:29,680 --> 00:30:30,880
Cherry on the cake.
645
00:30:31,920 --> 00:30:35,080
A few facts.
One. Just one fact.
646
00:30:35,120 --> 00:30:38,000
I think its quite flattering.
Personally.
647
00:30:38,040 --> 00:30:40,400
It keeps all the stuff
in the right places.
648
00:30:40,440 --> 00:30:42,440
ROMESH: 'I was an hour into my
lesson...'
649
00:30:42,480 --> 00:30:43,800
No.
Oh, shit!
650
00:30:43,840 --> 00:30:45,280
'..and things weren't improving.'
651
00:30:45,320 --> 00:30:47,400
(RECORD SCRATCHING, MUSIC PLAYS)
652
00:30:47,440 --> 00:30:49,840
That's how you don't want it
-to sound in the club.
-Fuck!
653
00:30:49,880 --> 00:30:50,880
Yeah.
654
00:30:50,920 --> 00:30:57,000
I have now accepted that tonight
is not gonna go well.
655
00:30:57,040 --> 00:30:58,240
It's gonna be a car crash.
656
00:30:58,280 --> 00:31:02,640
I'm essentially just putting
my seatbelt on and praying.
657
00:31:02,680 --> 00:31:05,520
We've got to get you to use
the cross fader a little bit.
658
00:31:05,560 --> 00:31:08,680
The cross fader has been something
I've wanted to do for ages.
659
00:31:08,720 --> 00:31:09,920
Now, I hate it.
660
00:31:09,960 --> 00:31:12,120
(RECORD SCRATCHING)
OK.
661
00:31:12,160 --> 00:31:15,240
I mean, that sounds awful.
I mean, it will do. You just...
662
00:31:15,280 --> 00:31:17,280
Like, just don't worry about it
sounding awful.
663
00:31:17,320 --> 00:31:18,400
(RECORD SCRATCHING)
664
00:31:19,960 --> 00:31:21,840
I absolutely hate doing it.
665
00:31:21,880 --> 00:31:24,280
I hate the cross fader.
I hate everything about it.
666
00:31:24,320 --> 00:31:27,160
You've got to show the crowd,
"I'm the scratch DJ now."
667
00:31:27,200 --> 00:31:29,000
Even if it sounds terrible,
style it out.
668
00:31:29,040 --> 00:31:30,520
'I was so bad at it...'
669
00:31:30,560 --> 00:31:33,560
(SCRATCHING WITH NO RHYTHM)
670
00:31:33,600 --> 00:31:38,120
..that him watching me, I could see
HIS love for DJing dissolve,
671
00:31:38,160 --> 00:31:40,200
as he was watching me.
672
00:31:40,240 --> 00:31:42,400
Because he was basically
seeing someone
673
00:31:42,440 --> 00:31:44,600
shit all over the art form
repeatedly.
674
00:31:44,640 --> 00:31:47,360
Technically, you're doing all
the right things.
675
00:31:47,400 --> 00:31:50,840
Yeah. But it sounds like dog shit.
It sounded pretty awful, didn't it?
676
00:31:50,880 --> 00:31:53,680
At this point, I am this close...
677
00:31:54,720 --> 00:31:56,040
..to giving Yoda my glasses
678
00:31:56,080 --> 00:31:57,480
and asking him to brown up.
679
00:31:59,880 --> 00:32:01,400
That's where I'm at with this now.
680
00:32:01,440 --> 00:32:04,280
Because I can't see
any way out of this.
681
00:32:04,320 --> 00:32:05,520
Apart from that.
682
00:32:05,560 --> 00:32:07,520
He needs to get himself a beard
683
00:32:07,560 --> 00:32:09,200
and some Marmite,
684
00:32:09,240 --> 00:32:11,160
and tell people his name's Romesh.
685
00:32:14,480 --> 00:32:15,840
ROB: Here we go. Come on.
686
00:32:16,720 --> 00:32:19,000
I told you this was the place,
didn't I? Look at me.
687
00:32:19,040 --> 00:32:20,320
I look like a rave pimp.
688
00:32:20,360 --> 00:32:22,240
When I walk into the club like this,
689
00:32:22,280 --> 00:32:25,040
people are gonna go, "Who's that guy
and what's he up to?"
690
00:32:25,080 --> 00:32:27,360
This SCREAMS DJ.
691
00:32:27,400 --> 00:32:30,320
When get on stage and start mixing it
they'll be like, "Yes, please."
692
00:32:30,360 --> 00:32:32,800
Romesh? Him in a nightclub? He's 40!
693
00:32:32,840 --> 00:32:35,240
He's a failed maths teacher.
He'll get turfed out.
694
00:32:35,280 --> 00:32:36,920
I won't.
I'll be dominating it.
695
00:32:37,920 --> 00:32:39,520
Look at this.
696
00:32:41,960 --> 00:32:43,680
♪ Bo bo bo-bo-bo do dep ♪
697
00:32:43,720 --> 00:32:45,600
I don't know what that song is,
but I feel good.
698
00:32:45,640 --> 00:32:48,520
Romesh fucking about mixing?
Do me a favour.
699
00:32:50,080 --> 00:32:53,080
ROMESH: 'Back at the club,
Yoda had started his set
700
00:32:53,120 --> 00:32:54,920
and I was up next.
701
00:32:54,960 --> 00:32:56,600
But there was a problem.
702
00:32:56,640 --> 00:32:58,280
The equipment I'd practised with
703
00:32:58,320 --> 00:33:00,520
was different to what
I was about to perform on.'
704
00:33:01,520 --> 00:33:03,040
He's used to it.
He goes, "It's the same."
705
00:33:03,080 --> 00:33:04,640
I looked at it,
706
00:33:04,680 --> 00:33:07,280
It doesn't even look like
the same machine.
707
00:33:07,320 --> 00:33:12,040
It's like going, "We want you to
converse with a Spanish person
708
00:33:12,080 --> 00:33:14,840
and we're gonna spend two hours
teaching you Spanish."
709
00:33:14,880 --> 00:33:17,720
And you go, "OK.
I think I've got up to speed."
710
00:33:17,760 --> 00:33:21,320
And then they go, "Oh,
little last-minute switch,
711
00:33:21,360 --> 00:33:22,440
he's gonna be Iranian.
712
00:33:24,720 --> 00:33:25,920
But it's similar.
713
00:33:25,960 --> 00:33:29,480
Make some noise for
Romesh Ranganathan!
714
00:33:29,520 --> 00:33:32,520
(HIP HOP SONG PLAYING)
715
00:33:32,560 --> 00:33:34,440
(AUDIENCE CHEERING)
716
00:33:34,480 --> 00:33:36,400
(HIP HOP SONG CONTINUES)
717
00:33:42,160 --> 00:33:43,640
My first real test was coming up.
718
00:33:43,680 --> 00:33:46,080
Could I survive mixing one track
into another?
719
00:33:46,120 --> 00:33:47,800
One, two, three, four.
720
00:33:47,840 --> 00:33:49,040
(RECORD SCRATCHING)
721
00:33:49,080 --> 00:33:50,280
(FEEDBACK)
722
00:33:50,320 --> 00:33:51,480
AUDIENCE: Aahhh!
723
00:33:51,520 --> 00:33:53,840
(BOOING)
724
00:33:53,880 --> 00:33:55,600
(SHOUTING INDISTINCTLY)
725
00:33:55,640 --> 00:33:56,840
Complete failure.
726
00:33:56,880 --> 00:33:59,080
And I still had ten minutes left
to perform.
727
00:33:59,120 --> 00:34:01,720
(LAUGHING, HECKLING)
728
00:34:01,760 --> 00:34:04,040
I'm sorry. It's a fuck fest,
is what it is.
729
00:34:04,080 --> 00:34:08,040
Genuine, absolute dog shit sandwich.
730
00:34:09,320 --> 00:34:11,120
♪ Hi my name is my name is
my name is... ♪
731
00:34:11,160 --> 00:34:13,760
(BOOING)
732
00:34:13,800 --> 00:34:16,320
DJ Yoda will never contact me again.
733
00:34:16,360 --> 00:34:19,840
I've told people in there
that he trained me.
734
00:34:19,880 --> 00:34:21,600
I mean, God knows
if he'll work again.
735
00:34:21,640 --> 00:34:22,840
(AUDIENCE MUTTERING)
736
00:34:22,880 --> 00:34:24,800
(MUSIC STARTS)
Biggie...
737
00:34:24,840 --> 00:34:26,560
There were some glimmers of hope...
738
00:34:26,600 --> 00:34:28,960
♪ Ah this goes out to you
Biggie
739
00:34:29,000 --> 00:34:30,440
..but they were short-lived.
740
00:34:30,480 --> 00:34:32,880
♪ This goes out to you... ♪
741
00:34:32,920 --> 00:34:34,760
(AUDIENCE MEMBERS GROANING)
742
00:34:34,800 --> 00:34:37,720
MAN: You're rubbish! You're rubbish!
743
00:34:37,760 --> 00:34:40,360
The rest was an absolute shambles.
744
00:34:40,400 --> 00:34:42,240
(RECORD SCRATCHING)
745
00:34:42,280 --> 00:34:43,920
("CHIN SCRATCH")
746
00:34:43,960 --> 00:34:45,560
The chin scratch
747
00:34:45,600 --> 00:34:46,800
was a low point.
748
00:34:46,840 --> 00:34:48,080
(AUDIENCE GROANING)
749
00:34:48,120 --> 00:34:53,680
It elicited the kind of cheer
a pisshead outside Wetherspoons
750
00:34:53,720 --> 00:34:55,640
when he finally
makes it back to his food.
751
00:34:55,680 --> 00:34:57,880
(AUDIENCE JEERING)
752
00:35:00,600 --> 00:35:01,680
I don't have to do shit.
753
00:35:01,720 --> 00:35:05,200
So you saying to me "you have to",
no, I don't "have to".
754
00:35:05,240 --> 00:35:07,800
Because after that,
I don't HAVE to do anything.
755
00:35:07,840 --> 00:35:10,960
(GLASS SMASHING ON TRACK)
Broken glass everywhere...
756
00:35:11,000 --> 00:35:13,000
(AUDIENCE MOANING)
757
00:35:13,040 --> 00:35:15,080
What's supposed to happen
in these shows is
758
00:35:15,120 --> 00:35:16,920
you start off at ground zero,
759
00:35:16,960 --> 00:35:20,200
progress, progress, progress,
Rocky montage, and then success.
760
00:35:20,240 --> 00:35:22,920
That's not what's happened here.
What's happened here is
761
00:35:22,960 --> 00:35:26,120
midway through, Rocky's gone,
"I'm gonna give up boxing."
762
00:35:27,680 --> 00:35:30,920
That's essentially what
you're dealing with now.
763
00:35:30,960 --> 00:35:33,600
Somebody phone Apollo Creed
and tell him I'm not coming.
764
00:35:46,480 --> 00:35:49,520
ROMESH: 'It was the evening of
our big performance.
765
00:35:49,560 --> 00:35:51,880
And after the car-crash of a set
last night,
766
00:35:51,920 --> 00:35:54,480
it was touch and go whether I was
gonna go through with it.
767
00:35:55,400 --> 00:35:57,440
But I'd had a call from Rob,
768
00:35:57,480 --> 00:36:00,240
asking me to come to the club early
to watch his rehearsal.'
769
00:36:01,040 --> 00:36:03,200
He's decided to do a DJ set.
770
00:36:03,240 --> 00:36:06,640
He's gonna actually have to prepare
and do a bit of DJing, which is,
771
00:36:06,680 --> 00:36:09,960
for me, a sign he's started
to take things seriously.
772
00:36:13,000 --> 00:36:16,320
ROB: 'In a few hours,
the club will be absolutely rammo.
773
00:36:16,360 --> 00:36:19,760
It was up to us to deliver
a night out they'd never forget.
774
00:36:20,760 --> 00:36:22,240
And I was bang up for it.'
775
00:36:23,040 --> 00:36:24,640
(DANCE MUSIC PLAYING)
776
00:36:28,480 --> 00:36:30,560
Romesh!
What are you doing?
777
00:36:30,600 --> 00:36:31,760
Rehearsing!
778
00:36:31,800 --> 00:36:33,120
Why have you got dancers?
779
00:36:33,160 --> 00:36:35,480
Well, why not?
We're putting on a show, ain't we?
780
00:36:35,520 --> 00:36:38,680
This is not comedy, mate.
This is DJing, it's a nightclub.
781
00:36:38,720 --> 00:36:41,360
You can't just walk out and
bang on about your wife and kids
782
00:36:41,400 --> 00:36:43,520
and expect to get a pay cheque.
Oh, here we go (!)
783
00:36:43,560 --> 00:36:46,160
One second.
Can we check the CO2, please?
784
00:36:47,680 --> 00:36:49,120
Fucking hell!
785
00:36:49,160 --> 00:36:51,400
Yeah, I think they work.
How you feelin'?
786
00:36:51,440 --> 00:36:53,240
I'm feeling like
you're out of control.
787
00:36:53,280 --> 00:36:54,480
Just a second.
788
00:36:54,520 --> 00:36:55,960
Bubbles.
789
00:36:56,000 --> 00:36:57,120
(LAUGHING) Oh, my God.
790
00:36:57,160 --> 00:36:59,720
T-shirt cannon.
You are such a prick.
791
00:36:59,760 --> 00:37:02,400
Get to the back, I'll send you one.
Can we have some lights?
792
00:37:02,440 --> 00:37:05,520
I don't want to get him in
his good eye. Heads up, Romesh!
793
00:37:05,560 --> 00:37:08,120
♪ VENGABOYS: We Like To Party
794
00:37:08,160 --> 00:37:10,240
(LAUGHS)
You're such a wanker.
795
00:37:10,280 --> 00:37:11,480
Why have you done this?
796
00:37:11,520 --> 00:37:15,640
Look at that!
You look great!
797
00:37:15,680 --> 00:37:17,320
Rob.
That's when I first met you.
798
00:37:18,440 --> 00:37:19,960
That's when you had jokes.
799
00:37:20,000 --> 00:37:21,520
You're a prick, mate.
800
00:37:21,560 --> 00:37:24,840
Production-wise,
a bubble machine, T-shirt cannon,
801
00:37:24,880 --> 00:37:28,080
dancers on stilts, CO2, confetti,
802
00:37:28,120 --> 00:37:32,200
and, er, great tunes.
That's what I'm dealing with.
803
00:37:32,240 --> 00:37:34,080
Absolute bangers!
804
00:37:34,120 --> 00:37:37,360
And whenever it dips,
something loud happens.
805
00:37:37,400 --> 00:37:38,800
That's what I'm going for.
806
00:37:38,840 --> 00:37:42,240
I, for a brief moment, thought that
Rob was taking it seriously.
807
00:37:42,280 --> 00:37:44,880
Obviously, he's not.
He's got dancers...
808
00:37:44,920 --> 00:37:47,640
I think Ronald McDonald's turning up
in about half an hour.
809
00:37:47,680 --> 00:37:49,400
It is mental.
I mean...
810
00:37:49,440 --> 00:37:50,880
(TURNS MUSIC ON, THEN OFF)
811
00:37:50,920 --> 00:37:53,120
ROB: Oh. Sorry.
Are you talking still?
812
00:37:53,160 --> 00:37:56,320
Just trying to rehearse up here.
-Yeah. Yeah, yeah.
-What's going on?
813
00:37:56,360 --> 00:37:59,880
I know what you are thinking, all of
you are thinking-Oh, shithead!
814
00:37:59,920 --> 00:38:02,920
Oh, it went too far.
Sorry 'bout that.
815
00:38:02,960 --> 00:38:06,000
It's all fun and Rob's putting on
a party, blah, blah, blah. Look.
816
00:38:06,040 --> 00:38:08,040
♪ GALA: Free From Desire
817
00:38:11,680 --> 00:38:13,520
Oo! Oo!
818
00:38:13,560 --> 00:38:15,120
I fucking hate this prick.
819
00:38:15,160 --> 00:38:17,160
(SONG CONTINUES PLAYING)
820
00:38:18,520 --> 00:38:19,880
What a wanker.
821
00:38:22,120 --> 00:38:23,720
Genuine...
822
00:38:24,760 --> 00:38:26,520
Free from desire!
823
00:38:26,560 --> 00:38:28,600
♪ Mind and senses purified
824
00:38:28,640 --> 00:38:30,240
♪ Freed from desire
825
00:38:30,280 --> 00:38:32,360
♪ Mind and senses purified
826
00:38:32,400 --> 00:38:33,960
♪ Freed from desire...
Yes!
827
00:38:35,720 --> 00:38:38,280
'By now the club had opened
its doors and was filling up.'
828
00:38:41,960 --> 00:38:45,440
'While Rob was busy mingling and
generally being needy,
829
00:38:45,480 --> 00:38:47,640
I'd spent 20 minutes
in a crappy storeroom
830
00:38:47,680 --> 00:38:49,080
trying to psych myself up.
831
00:38:50,160 --> 00:38:52,040
And I'd reached this conclusion.
832
00:38:52,080 --> 00:38:53,720
I would like to do it,
833
00:38:53,760 --> 00:38:56,640
without anybody seeing me.
(HIP HOP PLAYING IN THE BACKGROUND)
834
00:38:56,680 --> 00:38:58,520
Sounds like
I'm talking about wanking.
835
00:38:58,560 --> 00:39:00,280
But what I mean, I would like to do
DJing
836
00:39:00,320 --> 00:39:02,720
I don't want to do DJing
in front of an audience
837
00:39:02,760 --> 00:39:05,320
because last night was demoralising.
838
00:39:05,360 --> 00:39:09,200
The thing that could go wrong for me
would be a power cut.
839
00:39:09,240 --> 00:39:10,440
That's my greatest fear.
840
00:39:10,480 --> 00:39:13,360
The best thing that could happen
is a power cut.
841
00:39:13,400 --> 00:39:15,800
But, failing that, I don't know,
842
00:39:15,840 --> 00:39:17,680
Rob goes on and
somehow kills himself.
843
00:39:17,720 --> 00:39:21,160
I'm a plug waiting for the hole.
Give it to me and switch me on.
844
00:39:22,720 --> 00:39:24,120
Back in the store cupboard,
845
00:39:24,160 --> 00:39:26,280
I was still battling
my inner demons.
846
00:39:26,320 --> 00:39:27,520
EMINEM: If you had
847
00:39:28,560 --> 00:39:29,600
♪ One shot
848
00:39:30,600 --> 00:39:32,120
♪ Or one opportunity
849
00:39:33,200 --> 00:39:34,960
♪ To seize everything
you ever wanted
850
00:39:36,040 --> 00:39:37,240
♪ In one moment
851
00:39:38,320 --> 00:39:40,400
♪ Would you capture it
852
00:39:40,440 --> 00:39:41,440
♪ Or just let it slip? ♪
853
00:39:41,480 --> 00:39:46,200
MAN: 'Please, welcome to the stage
DJ ROMESH!'
854
00:39:46,240 --> 00:39:49,120
'There was no way I could let Rob
get the better of me.
855
00:39:49,160 --> 00:39:52,160
I'd put in the hours of practise,
and I was as ready as I could be.'
856
00:39:52,200 --> 00:39:53,440
(MUSIC STARTS)
857
00:39:57,200 --> 00:39:59,000
It looks like
doing an Excel spreadsheet.
858
00:39:59,920 --> 00:40:02,560
'My first few mixes
didn't go to badly.
859
00:40:02,600 --> 00:40:04,200
But about halfway through,
860
00:40:04,240 --> 00:40:07,560
the wheels started to come off.'
(MUSIC PLAYING LOUDLY)
861
00:40:07,600 --> 00:40:12,520
(HIP HOP MUSIC PLAYS)
862
00:40:13,600 --> 00:40:17,080
(RECORD SCRATCHING)
That's happening now, is it?
863
00:40:17,120 --> 00:40:20,440
The thing is,
he's not good at mixing with people.
864
00:40:20,480 --> 00:40:21,680
Never mind records.
865
00:40:21,720 --> 00:40:22,960
'And it was at this point...'
866
00:40:23,000 --> 00:40:24,360
People are leaving.
867
00:40:24,400 --> 00:40:28,000
'..that I completely abandoned the
idea of becoming a superstar DJ.'
868
00:40:28,040 --> 00:40:29,040
(BOOING)
869
00:40:29,080 --> 00:40:30,640
Come back!
870
00:40:30,680 --> 00:40:31,720
I'm all right!
871
00:40:31,760 --> 00:40:35,760
'Finally it was over.
I hadn't covered myself in glory,
872
00:40:35,800 --> 00:40:39,120
but I had stepped up and
performed a genuine DJ set.
873
00:40:39,160 --> 00:40:41,960
Which is more than I could say
for what Rob was about to do.'
874
00:40:42,000 --> 00:40:45,440
He says he's mixing live tonight.
OK?
875
00:40:45,480 --> 00:40:47,160
I've seen what he's got,
876
00:40:47,200 --> 00:40:52,560
I am not good enough to mix with all
of my powers of concentration on it,
877
00:40:52,600 --> 00:40:54,760
let alone with a T-shirt cannon
in my hands.
878
00:40:54,800 --> 00:40:56,000
He thinks I'm...
879
00:40:56,040 --> 00:40:58,960
He's thinking there won't be
any mixing and I'll be cheating?
880
00:40:59,000 --> 00:41:01,200
I can guarantee you,
881
00:41:01,240 --> 00:41:04,400
every song will be mixed
into the next one.
882
00:41:04,440 --> 00:41:05,640
(AUDIENCE CHEERING)
883
00:41:05,680 --> 00:41:07,960
If Rom's tactic was to bore the crap
out of 'em,
884
00:41:08,000 --> 00:41:09,480
then mine was simple,
885
00:41:09,520 --> 00:41:12,000
to take them on a journey
they'd never forget.
886
00:41:12,040 --> 00:41:14,520
'Ladies and gentlemen,
please welcome to the stage
887
00:41:14,560 --> 00:41:17,040
DJ Rob Beckett!'
888
00:41:17,080 --> 00:41:18,480
(CHEERING)
889
00:41:19,280 --> 00:41:22,040
(STEADY BASS BEAT)
890
00:41:22,080 --> 00:41:24,440
(AUDIENCE CHEERING)
891
00:41:24,480 --> 00:41:27,760
♪ Four three two one... ♪
892
00:41:30,160 --> 00:41:31,440
(CHEERING INTENSIFIES)
893
00:41:31,480 --> 00:41:34,560
♪ VENGABOYS: Boom, Boom, Boom, Boom!
894
00:41:34,600 --> 00:41:36,840
♪ Whoa oh whoa oh
895
00:41:36,880 --> 00:41:38,160
♪ Let's break it down...
896
00:41:41,640 --> 00:41:43,320
♪ Whoa oh whoa oh
897
00:41:43,360 --> 00:41:44,920
♪ Boom boom boom
898
00:41:44,960 --> 00:41:48,240
♪ I want you in my room
Let's spend the night together...
899
00:41:48,280 --> 00:41:50,280
He's not even pretending
that he's doing it.
900
00:41:50,320 --> 00:41:52,040
'What Romesh didn't seem to get was
901
00:41:52,080 --> 00:41:54,960
that people had come to actually
enjoy themselves.
902
00:41:55,000 --> 00:41:57,160
And I was just getting started.'
903
00:41:57,200 --> 00:41:58,800
(MUSIC DROP)
904
00:41:58,840 --> 00:42:00,680
♪ 2 UNLIMITED: No Limits
905
00:42:02,640 --> 00:42:04,320
♪ Let me hear you say yeah...
906
00:42:04,360 --> 00:42:07,280
AUDIENCE: Yeah!
(CHEERING)
907
00:42:12,160 --> 00:42:15,080
Why bother with the headphones?
He's doing fuck all.
908
00:42:15,120 --> 00:42:17,120
("NO LIMITS" CONTINUES PLAYING)
909
00:42:19,520 --> 00:42:21,240
♪ No no no no no no no no no no...
910
00:42:21,280 --> 00:42:24,000
Look at this shit
911
00:42:24,040 --> 00:42:26,280
♪ No there's no limits
912
00:42:26,320 --> 00:42:27,520
(MUSIC DROP)
913
00:42:27,560 --> 00:42:29,040
WHOOOOAAA!
914
00:42:29,080 --> 00:42:31,240
(LAUGHS)
915
00:42:31,280 --> 00:42:33,600
Absolutely zero clue
that was gonna happen.
916
00:42:35,320 --> 00:42:36,320
(CHEERING)
917
00:42:36,360 --> 00:42:38,880
'There were moments when I thought
he'd lost the plot.'
918
00:42:38,920 --> 00:42:40,360
GIVE ME THE GAS!
919
00:42:43,880 --> 00:42:44,880
WHOA!
920
00:42:44,920 --> 00:42:47,240
(MUSIC CONTINUES)
921
00:42:47,280 --> 00:42:50,720
'I banged out about 30 minutes of
pure euphoria,
922
00:42:50,760 --> 00:42:52,720
and I still had one more track
to drop.'
923
00:42:52,760 --> 00:42:54,480
(LOUD BANG)
924
00:42:54,840 --> 00:42:55,840
(SLOW INTRO)
925
00:42:55,880 --> 00:42:58,640
DJ SAMMY:
Baby you're all that I want
926
00:42:58,680 --> 00:43:02,360
♪ When you're lying here in my arms
927
00:43:02,400 --> 00:43:05,280
♪ Finding it hard to believe
928
00:43:05,320 --> 00:43:06,360
♪ We're in heaven... ♪
929
00:43:06,400 --> 00:43:09,360
I wanna see you jump high!
930
00:43:09,400 --> 00:43:10,840
(MUSIC TEMPO INCREASES)
931
00:43:12,880 --> 00:43:15,840
I hate DJing. I think DJing's shit.
It's for pricks.
932
00:43:15,880 --> 00:43:17,160
Oggy Oggy Oggy!
933
00:43:17,200 --> 00:43:18,600
AUDIENCE: Oi Oi Oi!
934
00:43:18,640 --> 00:43:20,640
("HEAVEN" CONTINUES PLAYING)
935
00:43:21,920 --> 00:43:23,880
COME ON!
936
00:43:25,840 --> 00:43:27,120
'They loved me.
937
00:43:29,080 --> 00:43:30,320
I loved me.
938
00:43:32,400 --> 00:43:35,160
I'd become a superstar DJ.
939
00:43:37,600 --> 00:43:39,240
(MUSIC STOPS)
940
00:43:39,280 --> 00:43:40,680
(AUDIENCE CHEERING)
941
00:43:45,800 --> 00:43:47,840
I mean,
942
00:43:47,880 --> 00:43:50,480
you didn't have a clue
what was in that mix, did you?
943
00:43:50,520 --> 00:43:53,360
I think that was the greatest moment
of my life.
944
00:43:53,400 --> 00:43:55,000
Oh, mate, I'm exhausted.
945
00:43:56,120 --> 00:43:58,320
When the energy's that high
in the room...
946
00:43:58,360 --> 00:43:59,960
You're a cheat.
Why?
947
00:44:00,000 --> 00:44:01,920
You're a cheat and it worked.
Congratulations.
948
00:44:01,960 --> 00:44:04,280
You're all right.
It was great, just different styles.
949
00:44:04,320 --> 00:44:05,840
I respect what you did.
(MOUTHS)
950
00:44:05,880 --> 00:44:07,720
Cheers.
I never want to see it ever again.
951
00:44:07,760 --> 00:44:09,960
You might have to,
if you come to my show.
952
00:44:10,000 --> 00:44:12,560
And in that suit you smell
a little bit like a used johnny.
953
00:44:12,600 --> 00:44:14,880
I stink like a condom.
Yeah.
954
00:44:14,920 --> 00:44:16,560
Anyway, fuck DJing.
955
00:44:16,600 --> 00:44:19,720
It's a load of shit, and everyone
that does it are arseholes.
956
00:44:19,760 --> 00:44:21,920
I don't even like Yoda anymore.
957
00:44:21,960 --> 00:44:23,080
Great mix he did, though.
958
00:44:23,120 --> 00:44:24,320
Did he do the mix for you?
959
00:44:24,360 --> 00:44:25,560
(LAUGHS)
960
00:44:25,600 --> 00:44:28,040
So, my-
The guy that I got to train me...
961
00:44:28,080 --> 00:44:30,040
So not only have you cheated,
962
00:44:30,080 --> 00:44:33,440
the guy that trained me, he actually
-helped you beat me?
-Yeah.
963
00:44:34,400 --> 00:44:35,760
Get yourself home, boy.
964
00:44:35,800 --> 00:44:38,320
INDEEP: Last night
a DJ saved my life...
965
00:44:38,360 --> 00:44:40,600
You smashed that.
Yeah, thanks for coming.
966
00:44:40,640 --> 00:44:43,240
♪ Last night a DJ saved my life
Yeah...
967
00:44:43,280 --> 00:44:44,920
(INDISTINCT CONVERSATIONS)
968
00:44:44,960 --> 00:44:47,560
("LAST NIGHT A DJ SAVED MY LIFE"
CONTINUES PLAYING)
969
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