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1
00:00:01,067 --> 00:00:03,138
MILES: Previously an Get Shorty...
2
00:00:03,203 --> 00:00:04,978
Sad excuse for a half-assed writer.
3
00:00:05,872 --> 00:00:07,408
Let me handle it. Okay?
4
00:00:08,975 --> 00:00:12,252
I'll make sure he does
what you want. And I'm a little curious.
5
00:00:12,345 --> 00:00:13,380
About what?
6
00:00:13,513 --> 00:00:15,356
About how the writing thing works.
7
00:00:15,415 --> 00:00:16,553
Help!
8
00:00:16,649 --> 00:00:17,787
(SCREAMING)
9
00:00:18,251 --> 00:00:19,559
You talk to Mexico?
10
00:00:19,986 --> 00:00:21,727
They wanna keep business smooth.
11
00:00:22,055 --> 00:00:23,659
But you got the Feds watching you.
12
00:00:23,990 --> 00:00:25,060
So?
13
00:00:25,158 --> 00:00:27,729
I'll handle the territory
north of Indian Springs.
14
00:00:28,428 --> 00:00:30,203
It's best for everyone.
15
00:00:30,897 --> 00:00:33,707
Josias's men. They talk to you?
16
00:00:34,367 --> 00:00:36,278
They said shit. I didn't listen.
17
00:00:36,369 --> 00:00:38,178
-(GUNSHOTS)
- AMARA: It's good you toldme.
18
00:00:38,238 --> 00:00:40,514
And now, you call him back.
19
00:00:42,275 --> 00:00:43,413
(LYLE BREATHING HEAVILY)
20
00:00:43,510 --> 00:00:44,511
You little bitch.
21
00:00:46,112 --> 00:00:47,250
LOUIS: No, no, no!
22
00:00:47,347 --> 00:00:49,384
-(SCREAMING) No!
- What the fuck?
23
00:00:49,449 --> 00:00:51,292
(BREATHING HEAVILY)
I dreamed Amara was here.
24
00:00:51,684 --> 00:00:53,459
She wanted to see the movie
that we made.
25
00:00:53,553 --> 00:00:54,554
What do you mean?
26
00:00:54,654 --> 00:00:55,689
AMARA". I'm here, Ricky.
27
00:00:55,755 --> 00:00:56,825
And so far...
28
00:00:57,557 --> 00:00:58,763
I like it.
29
00:01:12,072 --> 00:01:14,382
(INDISTINCT CHATTER)
30
00:01:21,648 --> 00:01:24,629
DHAR: You look rested.
HUGHES: Do I?
31
00:01:24,717 --> 00:01:26,628
DHAR: Take it you were asleep
when this happened.
32
00:01:30,123 --> 00:01:32,467
Josias was second from the right.
33
00:01:32,559 --> 00:01:35,563
Chatter suggested
he was gonna move on Amara De Escalones,
34
00:01:35,628 --> 00:01:37,938
so maybe this is her
getting to him first.
35
00:01:38,665 --> 00:01:39,973
Not our best day.
36
00:01:40,567 --> 00:01:42,103
DHAR: Yeah, better than his.
37
00:01:47,140 --> 00:01:50,087
KATIE: Mmm. Smells good.
38
00:01:50,143 --> 00:01:53,317
Got eggs, there's sausage,
tomato,juice.
39
00:01:53,413 --> 00:01:54,448
(CHUCKLES)
40
00:01:54,681 --> 00:01:55,989
- Fresh coffee.
- Yes.
41
00:01:56,916 --> 00:01:59,294
I even sent Louis out for pastries.
42
00:01:59,352 --> 00:02:02,128
- Oh. Impressive hosting.
- Good morning.
43
00:02:02,989 --> 00:02:04,525
I'm sure you agree.
44
00:02:04,624 --> 00:02:07,696
It's, um, it's better if Emma
doesn't know about last night.
45
00:02:08,928 --> 00:02:10,305
Did something happen last night?
46
00:02:10,630 --> 00:02:13,304
(SCOFFS) Well, you don't remember.
That's your loss.
47
00:02:14,100 --> 00:02:17,479
- Oh, you mean the sex?
- Mmm.
48
00:02:17,537 --> 00:02:18,709
I mean, as a rule,
49
00:02:18,805 --> 00:02:21,081
I don't usually tell Emma
when we have sex.
50
00:02:21,141 --> 00:02:22,347
Do you do that?
51
00:02:22,775 --> 00:02:24,948
No. I mean, only when it's really good.
52
00:02:25,011 --> 00:02:26,115
Oh.
53
00:02:26,446 --> 00:02:27,550
EMMA: Where's my hair thingy?
54
00:02:27,647 --> 00:02:28,785
I don't have 'em!
55
00:02:29,682 --> 00:02:31,628
We have no idea what we're doing
56
00:02:31,684 --> 00:02:33,561
and I don't wanna confuse her.
It's not fair.
57
00:02:34,387 --> 00:02:35,559
(EXHALES)
58
00:02:35,655 --> 00:02:36,690
It's not fair on anyone.
59
00:02:38,858 --> 00:02:40,030
EMMA: What are these?
60
00:02:40,326 --> 00:02:42,738
MILES: Hey. Uh, those are
actors that we're looking at.
61
00:02:43,363 --> 00:02:45,741
EMMA: So, who's gonna be my mom?
62
00:02:45,832 --> 00:02:47,277
-(CHUCKLES)
- I'm being replaced?
63
00:02:47,333 --> 00:02:49,677
Right now, we're just
setting up auditions.
64
00:02:50,103 --> 00:02:51,673
So people come in and meet us,
65
00:02:51,738 --> 00:02:53,649
or they send in videos of themselves
66
00:02:53,706 --> 00:02:56,016
doing the, you know,
scenes and what not.
67
00:02:56,843 --> 00:02:58,948
If you want, I can show you some
when you come into the office.
68
00:02:59,012 --> 00:03:00,013
Yeah, definitely.
69
00:03:00,113 --> 00:03:01,319
Also, you're gonna meet the director,
70
00:03:01,381 --> 00:03:03,224
and the lovely lady
from Gravity Pictures.
71
00:03:03,316 --> 00:03:05,660
Ah. Well, we don't
want to get in the way.
72
00:03:05,718 --> 00:03:07,129
I'm executive producer.
73
00:03:07,387 --> 00:03:08,832
If anyone says
they have a problem with it,
74
00:03:08,888 --> 00:03:10,162
I can have them water boarded.
75
00:03:10,223 --> 00:03:13,500
(CHUCKLES) We'll swing by Charlene's
and get dressed first.
76
00:03:13,560 --> 00:03:14,903
(CELL PHONE RINGING)
77
00:03:14,994 --> 00:03:16,735
- Oh, this girl was good.
- Hi, hold on.
78
00:03:16,829 --> 00:03:18,001
EMMA: She's good?
MILES: Yes...
79
00:03:18,064 --> 00:03:19,202
Morning.
80
00:03:21,768 --> 00:03:24,214
It's fine. We're just having breakfast.
81
00:03:25,171 --> 00:03:26,548
JEFFREY: Are you getting beach weather?
82
00:03:26,606 --> 00:03:28,244
(SIGHS) It's cloudy
in the mornings here.
83
00:03:28,341 --> 00:03:29,342
They call it a marine layer.
84
00:03:29,709 --> 00:03:31,052
(CHUCKLES) Right.
85
00:03:31,144 --> 00:03:32,885
When I lived in San Diego
with my brother, we were...
86
00:03:32,979 --> 00:03:35,585
Jeff, I... I slept
with Miles last night.
87
00:03:39,719 --> 00:03:40,925
Really?
88
00:03:41,854 --> 00:03:44,198
(STAMMERS) Was it an accident?
89
00:03:44,257 --> 00:03:46,362
- KATIE: Accident?
- Yeah, were you sober?
90
00:03:46,726 --> 00:03:48,433
Well, uh, sober enough.
91
00:03:49,095 --> 00:03:50,403
Then you made a decision.
92
00:03:50,730 --> 00:03:53,267
Well, I mean, I wouldn't call it
a decision. We just...
93
00:03:53,933 --> 00:03:55,435
(SIGHS) I'm sorry.
94
00:03:56,903 --> 00:03:59,247
You're sorry, like,
it won't happen again?
95
00:03:59,339 --> 00:04:00,340
Yes.
96
00:04:01,040 --> 00:04:03,646
No, I mean...
(STAMMERS) You know I got to,
97
00:04:04,277 --> 00:04:05,449
I got to figure that out.
98
00:04:08,181 --> 00:04:09,819
(SIGHS) That would be good to know.
99
00:04:11,184 --> 00:04:12,254
Jesus.
100
00:04:12,719 --> 00:04:15,757
You know, I shot three under par
for the first time in a month.
101
00:04:15,822 --> 00:04:18,769
I leave the course, this is
the first phone call that I make.
102
00:04:18,825 --> 00:04:22,136
-(HORN HONKING)
- Go around, you fucking idiot!
103
00:04:22,795 --> 00:04:25,435
- Go around!
- MAN: Get off the phone, douchebag.
104
00:04:25,531 --> 00:04:27,204
KATE". Look, I'm sorry that it happened,
105
00:04:27,267 --> 00:04:28,769
and I'm sorry to
spring it on you like this.
106
00:04:28,835 --> 00:04:30,405
I just... I didn't want to lie.
107
00:04:30,470 --> 00:04:31,915
You know what?
I think It's for the best.
108
00:04:31,971 --> 00:04:33,006
Why?
109
00:04:33,106 --> 00:04:36,747
Um, I didn't want to say this,
but I just...
110
00:04:36,809 --> 00:04:39,813
I feel like there's something
toxic about this situation.
111
00:04:39,912 --> 00:04:41,323
Our situation.
112
00:04:41,414 --> 00:04:43,121
And it's affecting me, personally.
113
00:04:43,216 --> 00:04:44,991
{STAMMERS} But if this
is what gets you offi“
114
00:04:45,084 --> 00:04:46,791
To rekindle a toxic relationship...
115
00:04:46,853 --> 00:04:49,026
Look, I'll be back Tuesday,
we can talk about all this.
116
00:04:49,389 --> 00:04:51,096
Tuesday. (SIGHS)
117
00:04:51,658 --> 00:04:53,763
Nah, you know what? Fuck this.
118
00:04:53,826 --> 00:04:54,827
(LINE DISCONNECTS)
119
00:04:55,695 --> 00:04:56,833
Hello?
120
00:05:00,300 --> 00:05:01,802
MAN: Jerry, cappuccino's ready.
121
00:05:01,868 --> 00:05:03,279
Espresso shot as well, huh?
122
00:05:07,840 --> 00:05:09,183
- Oh, thank you.
- Yeah.
123
00:05:11,144 --> 00:05:13,886
WOMAN: Large Americano and decaf coffee.
124
00:05:23,056 --> 00:05:24,467
WOMAN: Caramel latte.
125
00:05:28,795 --> 00:05:29,796
(MUSIC PLAYING)
126
00:05:29,862 --> 00:05:31,432
YAGO: We can't sit around herein LA.
127
00:05:31,698 --> 00:05:33,075
When are we back in Nevada?
128
00:05:33,166 --> 00:05:34,304
ED: Too much heat.
129
00:05:34,634 --> 00:05:36,375
YAGO: Josias had business
from Indian Springs
130
00:05:36,469 --> 00:05:37,914
all the way to fucking Reno.
131
00:05:38,004 --> 00:05:39,745
(CHUCKLES)
132
00:05:39,839 --> 00:05:41,375
I fucking played him.
133
00:05:41,474 --> 00:05:42,919
(CELL PHONE RINGING)
134
00:05:46,879 --> 00:05:48,620
ED: Yeah?
CLIPPER: We're set up.
135
00:05:49,882 --> 00:05:51,088
How is he?
136
00:05:51,384 --> 00:05:53,557
CLIPPER: Been better.
LYLE: Hey. Hey, who's that?
137
00:05:53,653 --> 00:05:55,360
CLIPPER: Had the doctor
give him antibiotic.
138
00:05:55,455 --> 00:05:57,059
LYLE: Hey, man. Please.
139
00:05:57,156 --> 00:05:58,692
Don't know how long
he's gonna last though.
140
00:05:58,758 --> 00:06:00,237
Tell 'em I work with you.
141
00:06:00,727 --> 00:06:03,105
I just... I need to get to a hospital.
142
00:06:04,197 --> 00:06:06,404
Look, I promise I can help you out
with whatever you need.
143
00:06:06,499 --> 00:06:07,739
ED". At least he's talking.
144
00:06:08,234 --> 00:06:10,180
CLIPPER: Yeah, he's either
passed out, or won't shut up.
145
00:06:10,236 --> 00:06:12,546
ED: Amara says do whatever
you have to do to keep him alive,
146
00:06:12,638 --> 00:06:14,709
at least until he tells us
what we need to know.
147
00:06:16,709 --> 00:06:18,916
- They're ready.
- Mmm.
148
00:06:21,914 --> 00:06:25,191
Like you said, everything north
of Indian Springs is ours.
149
00:06:25,251 --> 00:06:26,252
- Damn right.
- ED: But we don't know
150
00:06:26,352 --> 00:06:27,353
who was kicking up.
151
00:06:27,420 --> 00:06:30,424
So we got Josias' boy, Lyle,
herein a safe house in LA.
152
00:06:30,590 --> 00:06:32,866
He's the only one left
that knows Josias' operation.
153
00:06:33,926 --> 00:06:34,927
Y AGO". Okay.
154
00:06:35,928 --> 00:06:37,134
ED: She wants you to go over,
155
00:06:37,230 --> 00:06:40,336
get all the names and payoff amounts
out of Lyle while he's still alive.
156
00:06:40,400 --> 00:06:43,074
Shouldn't I be in Nevada,
running shit from the ground?
157
00:06:43,736 --> 00:06:44,908
Run it from LA.
158
00:06:45,538 --> 00:06:47,677
Whatever you find out,
just tell the guys back home.
159
00:06:49,976 --> 00:06:52,684
You're basically the command center
for the whole expansion.
160
00:06:56,783 --> 00:06:58,922
I mean, yeah.
161
00:06:59,585 --> 00:07:00,620
If that's what you want.
162
00:07:02,855 --> 00:07:04,061
Such a good boy.
163
00:07:06,292 --> 00:07:07,965
RECEPTIONIST: No, I'm gonna
need you to get back to me.
164
00:07:08,094 --> 00:07:09,232
Bear claw?
165
00:07:10,563 --> 00:07:13,703
I got bear claws. Come on.
Bear claw? They're good.
166
00:07:14,066 --> 00:07:19,277
Now we gonna push in as debris
and bodies keep flying past camera.
167
00:07:19,338 --> 00:07:21,614
And I'm gonna tilt up
like this and slowly come back.
168
00:07:21,707 --> 00:07:24,620
Yes. Baby. D-A-L-Y.
169
00:07:24,710 --> 00:07:27,418
Yeah, I'm calling
about an actress that she represents,
170
00:07:27,480 --> 00:07:28,823
uh, Becca Morgan.
171
00:07:29,015 --> 00:07:31,086
- Bear claw?
- Yeah, I can hold.
172
00:07:32,919 --> 00:07:35,456
I don't know if it's just
the coffee shop on Tujunga,
173
00:07:35,555 --> 00:07:36,556
or if it's all of LA.
174
00:07:36,622 --> 00:07:37,828
But everyone in there...
175
00:07:38,724 --> 00:07:41,500
Every... Everyone, I mean,
everyone is writing a screenplay.
176
00:07:41,594 --> 00:07:45,201
So, I mean, do writers just
work in coffee shops or...
177
00:07:45,298 --> 00:07:46,743
ls everyone in LA a fuckin' writer?
178
00:07:46,799 --> 00:07:48,005
Hey.
179
00:07:49,001 --> 00:07:50,639
She is? That's great.
180
00:07:50,736 --> 00:07:52,613
I mean, of course she is,
it's a beautiful role.
181
00:07:53,105 --> 00:07:54,914
I can get her a meeting,
but she'll have to be quick.
182
00:07:54,974 --> 00:07:56,385
There's an awful lot of interest.
183
00:07:58,144 --> 00:08:00,852
Okay, well, let me find the time
and I'll call you back later.
184
00:08:01,581 --> 00:08:02,924
- Did you hear that?
- Hmm?
185
00:08:03,316 --> 00:08:05,660
That is textbook.
Sell the sizzle and not the steak.
186
00:08:06,352 --> 00:08:08,059
Well, my sizzle got sold.
187
00:08:09,956 --> 00:08:11,936
Where is Hafdis?
188
00:08:12,692 --> 00:08:14,194
- He was just there...
- What do you got?
189
00:08:14,293 --> 00:08:15,363
GLADYS: On a scout.
190
00:08:15,795 --> 00:08:18,401
Rick. Becca Morgan, she's interested
in the role of Margaret.
191
00:08:18,631 --> 00:08:19,803
Okay, well, well, who's that?
192
00:08:20,833 --> 00:08:22,369
Could you get April Quinn on the line?
193
00:08:22,468 --> 00:08:24,607
Also, can I get one of those
headset things for my phone,
194
00:08:24,670 --> 00:08:25,774
like that lady has, there?
195
00:08:26,072 --> 00:08:29,053
Becca Morgan, she was a breakout role
in Flashing Lights.
196
00:08:29,308 --> 00:08:30,378
RICK: Which is?
197
00:08:30,776 --> 00:08:32,881
A film out of New Zealand,
winning loads of awards.
198
00:08:33,179 --> 00:08:35,090
- According to who?
- Her agent.
199
00:08:35,181 --> 00:08:37,183
Ah. Now, see. You gotta watch out.
200
00:08:37,250 --> 00:08:38,558
That's what the agents do. They talk...
201
00:08:38,651 --> 00:08:39,686
GLADYS: I have April.
202
00:08:39,852 --> 00:08:41,195
Oh, all right. Put her on speaker.
203
00:08:44,156 --> 00:08:46,363
- Hello, Miss Quinn.
- APRIL: This about Becca Morgan?
204
00:08:46,526 --> 00:08:48,199
- You heard.
- Unbelievable.
205
00:08:48,261 --> 00:08:49,831
Kisbye, now Morgan.
206
00:08:49,896 --> 00:08:51,739
I don't know
what they see in this project
207
00:08:51,831 --> 00:08:53,242
or why they'd want to work with you.
208
00:08:53,332 --> 00:08:54,572
But it's a good cast.
209
00:08:54,667 --> 00:08:55,805
Brandon likes her?
210
00:08:55,868 --> 00:08:57,643
APRIL: He saw
Flashing Lights at Telluride.
211
00:08:57,703 --> 00:09:00,081
He's been killing himself
trying to put he! in something.
212
00:09:00,406 --> 00:09:02,079
Yeah, she was great in that.
We love her.
213
00:09:02,675 --> 00:09:04,416
Becca wants to come in
and discuss the role.
214
00:09:04,510 --> 00:09:06,251
I was thinking we could
use that big white room
215
00:09:06,345 --> 00:09:09,519
that you brought us to,
the one with the... With the trees.
216
00:09:09,849 --> 00:09:10,987
Make sure Hafdis can come.
217
00:09:11,050 --> 00:09:13,690
Yeah. And, uh, Julian Pynter.
She's gonna want to meet the writer.
218
00:09:14,186 --> 00:09:16,097
- APRIL: Illa, he quit.
- What?
219
00:09:16,355 --> 00:09:18,528
APR“; Yeah. Stopped
returning calls, really weird.
220
00:09:19,458 --> 00:09:21,870
But don't bring Louis Darnell.
He's a train wreck.
221
00:09:23,029 --> 00:09:24,303
Yeah, no problem.
222
00:09:24,697 --> 00:09:26,199
- How's 1:00 p.m.?
- How's it look?
223
00:09:26,265 --> 00:09:27,471
Yeah, should be good.
224
00:09:27,567 --> 00:09:30,013
Line producer interview is at 10:00
and the investor comes in a noon.
225
00:09:30,469 --> 00:09:32,574
- What investor?
- Amara De Escalones.
226
00:09:36,008 --> 00:09:37,954
- Amara's coming where?
- Here.
227
00:09:39,245 --> 00:09:40,280
To this office?
228
00:09:40,580 --> 00:09:41,923
Yeah, yeah, yeah. She called last night.
229
00:09:42,014 --> 00:09:44,085
Said she's coming by this afternoon.
I thought you knew that.
230
00:09:46,852 --> 00:09:48,024
Hello?
231
00:09:49,555 --> 00:09:50,966
Uh, 1:00 p.m., great.
232
00:09:51,057 --> 00:09:53,560
APR“; AH righty, then.
Brandon's gonna be ecstatic.
233
00:09:53,626 --> 00:09:54,764
Could we step into your office?
234
00:10:02,768 --> 00:10:05,339
She called me. I didn't call her, so...
235
00:10:06,739 --> 00:10:09,083
Talked about the project, that's all.
236
00:10:09,508 --> 00:10:13,046
Our project.
It's not like I said, "Hey, come to LA."
237
00:10:13,145 --> 00:10:15,785
Why didn't we hear about it till now?
238
00:10:15,982 --> 00:10:18,087
I didn't know myself till last night.
239
00:10:22,355 --> 00:10:24,357
Get a hold of Ed,
find out why they're here.
240
00:10:24,457 --> 00:10:26,903
Oh, shit. I better
tell Katie not to come.
241
00:10:26,959 --> 00:10:28,131
LOUIS: What are you gonna tell her?
242
00:10:28,227 --> 00:10:30,104
MILES: I don't know.
I'll text her something vague.
243
00:10:32,098 --> 00:10:34,442
All right. I know, I know
the rough stuff happened in Nevada.
244
00:10:34,500 --> 00:10:36,446
The stuff with your face.
And okay, that's...
245
00:10:37,069 --> 00:10:38,070
It's unacceptable.
246
00:10:38,804 --> 00:10:41,648
But she's not gonna try that stuff
outside the casino, right?
247
00:10:41,707 --> 00:10:44,449
It's... This is what investors do.
248
00:10:44,510 --> 00:10:46,717
They want the glitz and the glamour.
249
00:10:46,812 --> 00:10:48,723
She picks up a souvenir, she goes home.
250
00:10:48,814 --> 00:10:50,794
You don't want her picking up souvenirs.
251
00:10:52,818 --> 00:10:53,956
What does that mean?
252
00:10:55,154 --> 00:10:56,656
Ed's not answering.
253
00:10:58,090 --> 00:10:59,091
(LOUIS SIGHS)
254
00:10:59,158 --> 00:11:01,297
You're not gonna be available
to meet Becca Morgan today.
255
00:11:01,360 --> 00:11:02,361
Why's that?
256
00:11:02,461 --> 00:11:03,462
You're gonna be too busy
257
00:11:03,529 --> 00:11:05,566
showing Amara
the beautiful sights of Los Angeles.
258
00:11:05,665 --> 00:11:07,269
Like, uh, the Chinese Mann Theatre.
259
00:11:07,333 --> 00:11:09,404
MILES: The Hollywood sign.
LOUIS: Or the wax museum.
260
00:11:09,702 --> 00:11:12,842
Whatever it takes to get her fill,
so she can drive back to Pahrump.
261
00:11:14,140 --> 00:11:15,551
I don't know why this is on me.
262
00:11:17,510 --> 00:11:20,650
But fine, I'll deal with her.
263
00:11:25,518 --> 00:11:28,397
Just want to point out,
she's your investor.
264
00:11:31,657 --> 00:11:34,536
Should we use the round table
for the appetizers?
265
00:11:34,860 --> 00:11:36,601
No, I know, we'll set out
stuff for the bar.
266
00:11:36,696 --> 00:11:37,834
Yes, ma'am.
267
00:11:39,832 --> 00:11:41,209
- Hey!
- Morning.
268
00:11:41,300 --> 00:11:42,506
I thought you were in the guest house
269
00:11:42,568 --> 00:11:44,411
but then Jenna said no one's in there.
270
00:11:44,503 --> 00:11:47,313
- Oh, we stayed at my dad's.
- Okay.
271
00:11:47,373 --> 00:11:48,977
We're going to visit Miles
at the studio.
272
00:11:49,041 --> 00:11:51,248
But I will be back to help you
get ready for the party.
273
00:11:51,343 --> 00:11:53,254
- All right. Get changed, we'll go.
- Yes!
274
00:11:55,781 --> 00:11:58,159
- You slept at his place.
- Yeah.
275
00:11:58,851 --> 00:11:59,886
Just sleep?
276
00:12:01,854 --> 00:12:02,855
Not just sleep.
277
00:12:04,857 --> 00:12:07,064
- What's the deal?
-(SIGHS) I don't know.
278
00:12:07,159 --> 00:12:09,036
He just... (SIGHS)
279
00:12:09,095 --> 00:12:10,699
He just makes it so easy.
280
00:12:13,032 --> 00:12:14,943
It's like an addiction. I don't know.
281
00:12:15,801 --> 00:12:18,543
- Want to invite him tonight?
- No, no, bad idea.
282
00:12:18,604 --> 00:12:19,605
You sure?
283
00:12:21,273 --> 00:12:24,379
Look. It's Indian Springs.
284
00:12:24,443 --> 00:12:25,979
CHARLENE: (SIGHS) I saw that.
285
00:12:26,078 --> 00:12:28,388
No offense, but I do not miss Nevada.
286
00:12:34,920 --> 00:12:36,126
How long they been on us?
287
00:12:38,958 --> 00:12:42,269
Since the hotel. Could be Feds, or LAPD.
288
00:12:43,562 --> 00:12:45,769
Let 'em follow. Fuck 'em.
289
00:12:47,266 --> 00:12:48,438
Thank you.
290
00:12:52,638 --> 00:12:53,776
Here you are now.
291
00:12:53,839 --> 00:12:55,011
You want to take a left,
292
00:12:55,107 --> 00:12:56,609
and then the next right
past the water tower.
293
00:12:57,009 --> 00:12:58,147
Appreciate it.
- CLANCY: Yeah.
294
00:13:06,118 --> 00:13:07,153
Morning, Mr. Palmer.
295
00:13:13,425 --> 00:13:14,995
CLANCY: Licenses,
and who you're here to see?
296
00:13:15,694 --> 00:13:18,834
Special Agents Ware and Carmadelle, FBI.
297
00:13:18,931 --> 00:13:21,571
Okay but, uh, you have a drive-on pass?
298
00:13:21,634 --> 00:13:23,045
We're running an active investigation.
299
00:13:23,669 --> 00:13:25,046
CLANCY: Sir, in order
for me to let you on,
300
00:13:25,137 --> 00:13:26,480
you're gonna need a drive-on pass.
301
00:13:26,806 --> 00:13:28,149
We don't have time for that.
302
00:13:28,340 --> 00:13:30,286
CLANCY: Well, I'm authorized
to let you on with a warrant,
303
00:13:30,342 --> 00:13:32,788
or if you're coordinating with
the police department on the studio lot.
304
00:13:32,845 --> 00:13:36,452
Otherwise, you're gonna
want to make a U-turn and use that exit.
305
00:13:43,722 --> 00:13:45,167
This is the safe house?
306
00:13:45,624 --> 00:13:46,659
Yeah.
307
00:13:47,960 --> 00:13:50,907
And why does it smell
like this? Fuckin' reeks.
308
00:13:55,000 --> 00:13:56,001
(SIGHS) Hey, buddy?
309
00:13:57,036 --> 00:13:58,743
Heard you're not feeling too good. Hmm?
310
00:14:03,542 --> 00:14:04,543
Sleeping Beauty?
311
00:14:06,378 --> 00:14:07,379
He's out, man.
312
00:14:08,614 --> 00:14:09,684
So how we gonna do this?
313
00:14:11,016 --> 00:14:13,189
- Get epinephrine.
- Okay. Well, whatever you gotta do.
314
00:14:18,490 --> 00:14:20,197
(PHONE DIALING)
315
00:14:22,661 --> 00:14:24,038
- BLIZ: (OVER PHONE) Yo.
- What's up, dog?
316
00:14:24,096 --> 00:14:27,009
Hey, yo. it's, like, the wild,
wild west up in this shit.
317
00:14:27,066 --> 00:14:29,512
I mean, we ride in and we just take.
318
00:14:29,568 --> 00:14:30,569
YAGO: Really?
319
00:14:30,669 --> 00:14:32,546
I mean, niggas be handing it over, man.
320
00:14:32,638 --> 00:14:35,244
Cash, candy and pussy.
321
00:14:35,875 --> 00:14:39,322
Yo, took down a stash house
Josias had in Beatty? (CHUCKLES)
322
00:14:39,378 --> 00:14:42,086
Walked out with some serious powder, yo.
323
00:14:42,381 --> 00:14:44,122
I'm... I'm saying a fuckin' key.
324
00:14:44,216 --> 00:14:47,060
- Yo, you tell anyone?
- Ah. Keeping it for you and me, man.
325
00:14:47,920 --> 00:14:49,058
Okay.
326
00:14:49,121 --> 00:14:51,192
How's Hollywood? You living it up?
327
00:14:51,257 --> 00:14:53,533
Yeah. I'm in charge of the expansion.
328
00:14:53,859 --> 00:14:56,601
Uh, it's a lot of responsibility.
329
00:14:56,962 --> 00:14:58,202
BLIZ: Yeah, lknaw. Ed toldme.
330
00:14:58,664 --> 00:15:00,200
Uh, you got any questions
for our friend?
331
00:15:00,666 --> 00:15:02,043
Oh, yeah, yeah. Hold up.
332
00:15:05,871 --> 00:15:09,546
Yo, ask him what Josias was getting out
the dope house from Beatty Avenue C.
333
00:15:12,444 --> 00:15:14,424
(GROANS) Oh, shit. Oh, shit.
334
00:15:14,513 --> 00:15:15,583
(LAUGHS)
335
00:15:16,582 --> 00:15:17,583
(swans)
336
00:15:17,683 --> 00:15:19,162
I need to get to a hospital, man.
337
00:15:19,251 --> 00:15:20,321
Please. I need a doctor.
338
00:15:20,419 --> 00:15:22,262
Dope house in Beatty on Avenue C.
339
00:15:22,588 --> 00:15:23,589
What are they kicking up?
340
00:15:24,223 --> 00:15:25,258
Twenty-five.
341
00:15:25,557 --> 00:15:26,763
He says they're kicking up 25.
342
00:15:26,959 --> 00:15:29,269
BLIZ: Find out who Josias
was working with in El y.
343
00:15:29,528 --> 00:15:30,939
You get me to a hospital, man.
344
00:15:30,996 --> 00:15:32,873
I swear to God I'll help you
out with all this shit.
345
00:15:32,932 --> 00:15:34,775
Who you working with in Ely?
What's his name?
346
00:15:34,867 --> 00:15:36,471
LYLE: My boys there hook you up.
347
00:15:36,568 --> 00:15:37,569
YAGO: Who's your man in Ely?
348
00:15:39,004 --> 00:15:40,074
Hey.
349
00:15:41,006 --> 00:15:42,076
Hey!
350
00:15:43,809 --> 00:15:45,880
(SCREAMING)
351
00:15:52,551 --> 00:15:54,189
Tell me he didn't just fucking die.
352
00:15:55,788 --> 00:15:56,926
Still breathing.
353
00:15:57,923 --> 00:16:01,166
Keep pushing on his wound like that
and he'll keep passing out.
354
00:16:01,260 --> 00:16:02,568
Well, then, give him another injection.
355
00:16:03,629 --> 00:16:04,733
Don't know if he can take it.
356
00:16:04,797 --> 00:16:06,606
Don't tell me what he'll take.
357
00:16:06,665 --> 00:16:07,769
Just shoot this bitch up
358
00:16:07,833 --> 00:16:09,039
and let's get this
fucking show on the road.
359
00:16:28,320 --> 00:16:29,458
(ELEVATOR BELL DINGS)
360
00:16:32,624 --> 00:16:34,331
(INDISTINCT CHATTER)
361
00:16:40,132 --> 00:16:42,703
Amara. Rick just told us
you were coming, what a lovely surprise.
362
00:16:42,801 --> 00:16:43,836
Welcome to Hollywood.
363
00:16:43,936 --> 00:16:45,074
Hmm. This all you guys?
364
00:16:45,170 --> 00:16:46,547
All us, yeah.
365
00:16:46,638 --> 00:16:49,881
Hmm. It's just an office...
366
00:16:50,242 --> 00:16:51,550
RICK: Oh. Hey, there.
367
00:16:51,777 --> 00:16:53,654
Hi. Oh, sorry I couldn't
go out last night.
368
00:16:53,946 --> 00:16:55,084
Where's my movie?
369
00:16:55,180 --> 00:16:56,352
Oh, we haven't started filming yet.
370
00:16:56,815 --> 00:16:58,817
This is what they call
a "pre-production."
371
00:16:59,218 --> 00:17:00,629
- Hmm.
- Pre-production?
372
00:17:02,221 --> 00:17:03,325
Let me give you a tour.
373
00:17:03,389 --> 00:17:05,630
This here is the bullpen.
374
00:17:05,691 --> 00:17:10,697
And that's the, uh, supervisor's desk.
And back there is, uh...
375
00:17:10,796 --> 00:17:12,104
- That's accounting.
- Accounting.
376
00:17:12,197 --> 00:17:14,199
Yeah. Not flashy,
but, you know, important.
377
00:17:14,366 --> 00:17:15,538
Set design, right here.
378
00:17:15,634 --> 00:17:18,547
It's hard to get a sense
from the little drawings but it'll...
379
00:17:19,071 --> 00:17:20,448
This is where the director works.
380
00:17:20,539 --> 00:17:22,018
Right in there. (COUGHS)
381
00:17:22,074 --> 00:17:24,247
That's Miles, that's me in the corner.
382
00:17:25,210 --> 00:17:26,348
This is you?
383
00:17:27,179 --> 00:17:29,125
Uh, yeah. Not much
to see in there, really.
384
00:17:30,682 --> 00:17:31,683
Do I have a room?
385
00:17:33,285 --> 00:17:35,094
Not currently. No.
386
00:17:35,454 --> 00:17:37,058
Can, uh, get you something to drink?
387
00:17:37,122 --> 00:17:38,931
Uh, bottle of water? Snacks?
388
00:17:39,591 --> 00:17:41,696
- ED: What kind?
- Oh. (STAMMERS) We got cheese sticks
389
00:17:41,760 --> 00:17:42,932
and granola, power...
390
00:17:43,028 --> 00:17:44,473
Why don't you show Ed the kitchen?
391
00:17:44,563 --> 00:17:46,133
- Yeah.
- Oh, yeah. Take whatever you want.
392
00:17:46,365 --> 00:17:47,571
LOUIS: You got to see this.
393
00:17:50,235 --> 00:17:52,715
MILES: (CLEARS THROAT)
Can I ask what brings you to LA?
394
00:17:54,039 --> 00:17:55,643
I'm here to see my movie.
395
00:17:57,209 --> 00:17:59,883
Okay, great.
And how long are you in town?
396
00:18:02,748 --> 00:18:03,749
Don't know.
397
00:18:06,952 --> 00:18:09,455
Well, I hope you have, uh, time to see
the city while you're here.
398
00:18:09,555 --> 00:18:11,796
The Walk of Fame and, uh, tar pits.
399
00:18:11,890 --> 00:18:13,096
Walk of Fame?
400
00:18:13,192 --> 00:18:16,730
Oh, yeah. It's this great sidewalk
with loads of names on it.
401
00:18:16,795 --> 00:18:18,206
-(CELL PHONE RINGING)
- Big stars.
402
00:18:18,263 --> 00:18:19,435
And stars on it.
403
00:18:20,132 --> 00:18:21,770
Oh, I have to take this. Excuse me.
404
00:18:24,236 --> 00:18:25,510
Hey, sweetheart. Did you get my text?
405
00:18:25,604 --> 00:18:26,742
KATE". Don't think so.
406
00:18:27,339 --> 00:18:30,149
I said don't come yet.
There's, uh, been a change of plan.
407
00:18:30,442 --> 00:18:32,479
KATIE: Well, we're here.
MILES: Where?
408
00:18:33,278 --> 00:18:34,518
We parked and we're headed over.
409
00:18:34,613 --> 00:18:38,618
On, um, "Cary Grant Avenue."
410
00:18:38,884 --> 00:18:40,761
Could you just stay there
and I'll come meet you?
411
00:18:41,120 --> 00:18:42,224
Well, why don't we...
412
00:18:43,655 --> 00:18:44,793
TOUR GUIDE: If you look
at the left here,
413
00:18:44,857 --> 00:18:46,200
they're setting up for a shot right now.
414
00:18:46,291 --> 00:18:48,498
-(KATIE AND EMMA CHUCKLE)
- Deluxe studio tour.
415
00:18:48,594 --> 00:18:50,301
Exclusive access for VIP's only.
416
00:18:50,362 --> 00:18:52,672
- Ah! You got your own cart?
- Uh-huh.
417
00:18:52,965 --> 00:18:54,137
Can I drive?
418
00:18:54,233 --> 00:18:56,440
You cannot. Grab ahold
of something, ladies.
419
00:18:56,502 --> 00:18:58,243
We're pulling out, giddy up!
420
00:18:58,303 --> 00:18:59,782
EMMA: Oh, no. (CHUCKLES)
421
00:19:00,672 --> 00:19:03,016
- Pretty fun. (LAUGHS)
- Yeah. (CHUCKLES)
422
00:19:03,108 --> 00:19:05,714
'Course your mother's no stranger
to riding around in golf carts.
423
00:19:06,512 --> 00:19:08,924
But they're little more enjoyable
on a studio lot though, right?
424
00:19:09,381 --> 00:19:12,328
Ah, that's the spot there where Paul
Newman locked himself out of his car...
425
00:19:12,384 --> 00:19:15,490
EMMA: (CHUCKLES)
So these are all fake houses?
426
00:19:16,255 --> 00:19:17,359
KATIE: Where's your office?
427
00:19:17,456 --> 00:19:18,799
MILES: Oh, we're not gonna
make it there today.
428
00:19:18,857 --> 00:19:20,029
EMMA: Wait, why not?
429
00:19:20,392 --> 00:19:22,497
MILES: Uh, had some meetings
come up with business affairs.
430
00:19:22,561 --> 00:19:24,199
You know, like the suits.
431
00:19:24,329 --> 00:19:25,831
Can't really bring a family there.
432
00:19:27,332 --> 00:19:28,834
You can see the office another day.
433
00:19:30,002 --> 00:19:32,676
Ah. And here is the real studio tour.
434
00:19:32,738 --> 00:19:33,808
Tickets are inside.
435
00:19:34,806 --> 00:19:35,944
You're ditching us?
436
00:19:36,175 --> 00:19:37,313
Uh...
437
00:19:37,976 --> 00:19:41,116
But tonight I'm gonna
bring you to a classic LA hangout.
438
00:19:41,713 --> 00:19:43,021
But we have the party tonight.
439
00:19:43,115 --> 00:19:45,186
It's Charlene's husband's birthday.
I told you last week.
440
00:19:45,584 --> 00:19:48,895
- Ah.
- You can go. Mom?
441
00:19:48,987 --> 00:19:51,524
Charlene invited you.
I just didn't know if you'd want to.
442
00:19:51,723 --> 00:19:53,293
I'd love to see Charlene.
443
00:19:53,358 --> 00:19:56,032
And to meet these LA friends
you keep talking about.
444
00:19:56,228 --> 00:19:57,901
- Okay.
- So I'll see you later.
445
00:19:59,198 --> 00:20:00,336
- Enjoy.
- EMMA: I will.
446
00:20:00,399 --> 00:20:01,673
All right. (CLEARS THROAT)
447
00:20:01,733 --> 00:20:03,974
I'd reschedule the fuckin'
meeting if I could...
448
00:20:04,036 --> 00:20:05,447
No, I get it.
449
00:20:05,537 --> 00:20:06,675
Hey, hold on.
450
00:20:07,306 --> 00:20:10,048
Could you meet me tonight
before the party? Just you.
451
00:20:10,976 --> 00:20:13,456
- Well, I'm... I'm helping Charlene.
- Five minutes.
452
00:20:14,880 --> 00:20:16,018
For what?
453
00:20:17,015 --> 00:20:19,017
I'll text you the address.
It's a surprise.
454
00:20:22,721 --> 00:20:25,793
Well, thank you for the VIP tour.
455
00:20:25,891 --> 00:20:28,201
TOUR GUIDE: All right folks,
welcome to the Gravity Studio's tour!
456
00:20:28,460 --> 00:20:31,566
(SIGHS) It ain't pretty.
457
00:20:34,900 --> 00:20:36,072
Let's hear it.
458
00:20:37,236 --> 00:20:41,116
Ed said that they took out
Josias Ramos and his crew.
459
00:20:41,206 --> 00:20:43,208
His crew. How many men?
460
00:20:43,775 --> 00:20:44,810
Dozen.
461
00:20:46,545 --> 00:20:47,615
Holy shit.
462
00:20:48,113 --> 00:20:50,787
So, Amara split Nevada
before it went down.
463
00:20:50,882 --> 00:20:53,055
She decided this is as
good a place to go as any.
464
00:20:53,585 --> 00:20:55,531
And then Yago came up to join her.
465
00:20:56,288 --> 00:20:57,562
So she'll have Feds watching.
466
00:20:57,956 --> 00:20:59,060
Safe bet.
467
00:21:00,058 --> 00:21:01,628
Which means they'll be watching us too.
468
00:21:02,194 --> 00:21:03,366
Holy shit.
469
00:21:04,596 --> 00:21:06,598
Everything was peachy
and she brings the circus to town.
470
00:21:06,665 --> 00:21:08,440
Be careful, she might hear us. Just...
471
00:21:14,206 --> 00:21:15,981
- The fuck?
- What?
472
00:21:16,541 --> 00:21:17,645
Nothing, just...
473
00:21:18,076 --> 00:21:21,080
This memo. It says I missed
a call from your agent.
474
00:21:21,613 --> 00:21:22,683
(CHUCKLES)
475
00:21:22,948 --> 00:21:24,120
He might have called.
476
00:21:26,018 --> 00:21:27,554
- Your agent?
- Yeah.
477
00:21:27,853 --> 00:21:28,957
You have an agent.
478
00:21:30,422 --> 00:21:32,333
Matt Solo. Yeah, I met him at church.
479
00:21:32,824 --> 00:21:34,394
- Did you?
- Mmm-hmm.
480
00:21:35,494 --> 00:21:36,495
Why's he calling me?
481
00:21:37,863 --> 00:21:41,504
I'm not totally sure, but could be
to discuss my fee for the screenplay.
482
00:21:41,600 --> 00:21:44,274
Your fee... That you didn't write.
483
00:21:44,870 --> 00:21:45,940
We know that.
484
00:21:46,805 --> 00:21:47,840
Just to be clear.
485
00:21:47,939 --> 00:21:49,850
We may be implicated in a mass murder
486
00:21:49,941 --> 00:21:52,421
and you're trying to gouge me
for fuckin' script money?
487
00:21:52,477 --> 00:21:54,479
He said that the studio
would pay for it.
488
00:21:54,579 --> 00:21:55,956
- Oh, shit.
- Oh, they're leaving.
489
00:21:58,417 --> 00:22:01,159
So, Rick's taking you
to see the sights, is he?
490
00:22:01,253 --> 00:22:03,460
Yeah. Can't go wrong with
the Walk of Fame, right?
491
00:22:03,522 --> 00:22:05,627
- MILES: No.
- It's a sidewalk with names. (CHUCKLES)
492
00:22:05,691 --> 00:22:06,795
I wish we could come.
493
00:22:06,858 --> 00:22:08,064
Uh, send some pictures.
494
00:22:09,194 --> 00:22:11,174
Hmm. Let's go.
495
00:22:12,664 --> 00:22:14,871
Good luck with that actress, huh?
Crossed fingers.
496
00:22:14,966 --> 00:22:17,003
Who? What actress?
497
00:22:17,536 --> 00:22:19,072
RICK: No. I've never even heard of her.
498
00:22:19,471 --> 00:22:22,042
(STAMMERS) I'm not even going.
I'm gonna let Miles handle it.
499
00:22:23,041 --> 00:22:24,145
You meet here?
500
00:22:24,443 --> 00:22:26,650
Oh, no, no. Way over at the studio.
501
00:22:27,045 --> 00:22:29,286
We've got so many actor
meetings coming up, don't we?
502
00:22:29,348 --> 00:22:31,555
I mean, if down the line you want
to sit in on one, that would be...
503
00:22:31,650 --> 00:22:32,720
I come to this one.
504
00:22:35,354 --> 00:22:36,492
There's really no need.
505
00:22:37,889 --> 00:22:40,893
You don't want me to go? But you go.
506
00:22:41,560 --> 00:22:44,541
(CHUCKLES) I have to. It's my job.
507
00:22:46,064 --> 00:22:47,941
Your job is what I say it is.
508
00:22:50,535 --> 00:22:51,707
The more the merrier.
509
00:22:53,638 --> 00:22:54,673
Good idea.
510
00:23:03,648 --> 00:23:06,094
Ed called. Amara wants me in Nevada.
511
00:23:06,785 --> 00:23:09,026
No, there's no way you're going
down there and I'm staying here.
512
00:23:09,788 --> 00:23:11,893
We were supposed to get
an update two hours ago.
513
00:23:12,557 --> 00:23:14,901
My ass hurts from sitting
in this fucking chair.
514
00:23:14,960 --> 00:23:16,337
It'll come by.
515
00:23:16,395 --> 00:23:18,568
All right, he said to keep
an eye on Lyle. Just don't let him die.
516
00:23:18,663 --> 00:23:19,664
Ed can go fuck himself.
517
00:23:19,731 --> 00:23:21,506
Change the IV out every six hours.
518
00:23:21,566 --> 00:23:24,046
If the epi stops workin',
give Ed a call, he'll get a doctor.
519
00:23:24,136 --> 00:23:25,137
Fuck!
520
00:23:25,237 --> 00:23:26,944
All right, microwave there.
Soup and tortillas.
521
00:23:27,706 --> 00:23:29,310
Yeah, yeah, that's great.
522
00:23:29,408 --> 00:23:32,389
Thank you.
It's like Nevada fuckin' correctional.
523
00:23:51,563 --> 00:23:52,940
(BLOWS RASPBERRY)
524
00:23:56,735 --> 00:23:57,941
(BREATHING HEAVILY)
525
00:24:11,750 --> 00:24:12,922
Yo.
526
00:24:16,655 --> 00:24:17,656
Hey.
527
00:24:19,257 --> 00:24:21,328
Hey. Wake the fuck up.
528
00:24:21,426 --> 00:24:23,372
-(LYLE GROANS)
-(SIGHS)
529
00:24:23,595 --> 00:24:24,801
(LYLE GROANS)
530
00:24:29,301 --> 00:24:30,302
Fuck!
531
00:24:32,337 --> 00:24:34,817
I take this tiny movie
out of New Zealand,
532
00:24:34,906 --> 00:24:37,443
I mean, it paid nothing,
but I liked the script.
533
00:24:37,509 --> 00:24:39,216
Next thing I know, it's winning awards
534
00:24:39,311 --> 00:24:40,790
and I'm having a meeting with
535
00:24:40,846 --> 00:24:42,655
Hafdis Snaebjornsson
about an amazing new project.
536
00:24:42,914 --> 00:24:43,949
(APRIL CHUCKLES)
537
00:24:44,015 --> 00:24:45,153
Well, we're just lucky to have you here.
538
00:24:45,684 --> 00:24:46,924
Mmm-hmm. Right.
539
00:24:46,985 --> 00:24:49,932
I watched your film
on a flight to Reykjavik.
540
00:24:50,021 --> 00:24:53,002
Your performance was
absolutely stunning.
541
00:24:53,859 --> 00:24:56,931
It was haunting in its honesty.
542
00:24:56,995 --> 00:24:58,531
Mmm. I thought so.
543
00:24:59,197 --> 00:25:01,074
- That's very kind.
- APRIL: Mmm.
544
00:25:01,366 --> 00:25:03,004
And congratulations on the reviews.
545
00:25:03,301 --> 00:25:06,646
Thank you. What happened to your face?
546
00:25:08,507 --> 00:25:09,884
Slipped on a squash court.
547
00:25:10,308 --> 00:25:12,049
BECCA: Oh. Hmm.
548
00:25:12,811 --> 00:25:13,983
What's the movie called?
549
00:25:14,779 --> 00:25:16,554
That I did? Flashing Lights.
550
00:25:17,482 --> 00:25:18,893
Eh, I didn't see.
551
00:25:20,418 --> 00:25:22,022
He say you play prostitute.
552
00:25:22,387 --> 00:25:23,491
Yeah.
553
00:25:28,660 --> 00:25:30,037
You lived in New Zealand, right?
554
00:25:30,362 --> 00:25:34,105
Right. Still catch myself driving on
the left side, now and then. (CHUCKLES)
555
00:25:34,199 --> 00:25:35,439
(ALL CHUCKLE)
556
00:25:36,635 --> 00:25:38,546
BECCA: I learned so much, living there.
557
00:25:38,637 --> 00:25:39,638
About New Zealand, but also...
558
00:25:39,704 --> 00:25:41,012
She don't look like Margaret.
559
00:25:42,507 --> 00:25:43,508
(GULPS)
560
00:25:43,575 --> 00:25:45,054
AMARA: You wanna play Margaret, right?
561
00:25:46,411 --> 00:25:47,754
But you don't look right.
562
00:25:51,516 --> 00:25:54,292
And that's what's so amazing
about actors, innit?
563
00:25:54,386 --> 00:25:56,195
- How they can transform themselves.
- RICK: Yeah...
564
00:25:56,288 --> 00:25:58,199
Mmm-hmm. (GASPS) Sorry, I should go.
565
00:25:58,256 --> 00:25:59,860
I'm, um, I'm meeting
friends of mine tonight,
566
00:25:59,925 --> 00:26:02,132
who own an organic winery
in New Zealand.
567
00:26:02,227 --> 00:26:04,935
You should come, if you want
and we can talk about the movie?
568
00:26:05,230 --> 00:26:07,403
- Sounds nice.
- BECCA: My agent has my number.
569
00:26:07,599 --> 00:26:08,873
-(CHUCKLES)
- Oh, um,
570
00:26:08,934 --> 00:26:10,004
does this mean
you're gonna take the role?
571
00:26:11,236 --> 00:26:13,238
I'm definitely interested.
572
00:26:13,405 --> 00:26:15,078
- So exciting!
- BECCA: Lovely to meet you all.
573
00:26:15,206 --> 00:26:16,276
RICK: Yeah, you too.
574
00:26:16,541 --> 00:26:18,248
- Becca, I'll see you out.
- BECCA: Okay.
575
00:26:18,443 --> 00:26:20,423
- HAFDIS: Okay.
- Cheers.
576
00:26:23,448 --> 00:26:24,483
HAT-NS". Thank you.
577
00:26:26,418 --> 00:26:28,591
- Mmm-hmm.
- Sounds like we got our Margaret.
578
00:26:28,653 --> 00:26:30,189
RICK: Yeah.
APRIL: It's a huge get.
579
00:26:30,255 --> 00:26:32,064
Brandon will be over the moon
when he hears.
580
00:26:32,123 --> 00:26:34,262
- Oh, yeah. This'll be good.
- We find someone else.
581
00:26:37,762 --> 00:26:39,207
I think she's perfect.
582
00:26:40,265 --> 00:26:43,041
No. She, she has
the dignity I envisioned
583
00:26:43,101 --> 00:26:45,809
and the quality of someone
who knows suffering.
584
00:26:46,271 --> 00:26:47,750
No, no, no. Someone else.
585
00:26:52,243 --> 00:26:53,278
Amara, right?
586
00:26:53,812 --> 00:26:56,656
I told Rick I was happy
to have you join for this meeting.
587
00:26:56,881 --> 00:26:59,054
But this studio also has
a stake in this film.
588
00:26:59,117 --> 00:27:01,222
A very large stake.
589
00:27:01,319 --> 00:27:03,094
So this just really isn't your call.
590
00:27:05,824 --> 00:27:06,996
(EXHALES)
591
00:27:10,595 --> 00:27:11,938
I just tell you what I see.
592
00:27:12,897 --> 00:27:14,137
And we appreciate that.
593
00:27:21,773 --> 00:27:23,480
- I came herein a golf cart.
- Ah.
594
00:27:23,541 --> 00:27:25,316
- Anyone needs a ride?
- Oh.
595
00:27:25,377 --> 00:27:26,856
- We need to talk.
- Yeah.
596
00:27:26,945 --> 00:27:27,946
RICK: Yeah.
597
00:27:31,182 --> 00:27:33,958
Tonight we go to dinner.
Where we gonna go?
598
00:27:34,119 --> 00:27:37,123
Oh. You know what?
I can't do dinner tonight.
599
00:27:37,188 --> 00:27:40,294
I've got too much work on
of a productorial nature.
600
00:27:40,358 --> 00:27:42,838
Maybe Rick will take you
to the Bel-Air Lounge.
601
00:27:43,662 --> 00:27:44,800
You're gonna love this place.
602
00:27:44,863 --> 00:27:47,639
Got loads of Hollywood history
and celebrities.
603
00:27:48,566 --> 00:27:50,671
Yeah, okay. (CHUCKLES)
604
00:27:52,337 --> 00:27:53,680
But you're too busy?
605
00:27:54,172 --> 00:27:55,310
I'm afraid so.
606
00:27:55,373 --> 00:27:58,513
'Cause you're a movie producer. I see.
607
00:28:06,951 --> 00:28:08,862
What makes you think they were Feds?
608
00:28:08,953 --> 00:28:10,296
ED: What do you mean?
609
00:28:11,423 --> 00:28:13,494
Well, you said they were in the car
behind you at the gate.
610
00:28:14,592 --> 00:28:15,866
Don't know if they were Feds.
611
00:28:16,895 --> 00:28:18,431
Just know that they were tailing us.
612
00:29:07,712 --> 00:29:12,092
Emma asked where I was going and I said,
"Your dad won't tell me."
613
00:29:12,183 --> 00:29:14,185
She wanted to come
and I said she couldn't,
614
00:29:14,252 --> 00:29:15,890
even though I don't why...
615
00:29:18,289 --> 00:29:20,929
-ls your hair different?
- Balayage.
616
00:29:21,893 --> 00:29:23,065
What now?
617
00:29:23,128 --> 00:29:25,301
It's fancy highlights.
I had it done at Charlene's.
618
00:29:25,597 --> 00:29:26,769
Don't ask what it cost.
619
00:29:27,398 --> 00:29:29,935
- It looks beautiful.
- Thank you. (SIGHS)
620
00:29:32,570 --> 00:29:34,607
You wanna, maybe tell me why we're here?
621
00:29:36,608 --> 00:29:37,678
You like this place?
622
00:29:39,077 --> 00:29:40,078
Who lives here?
623
00:29:40,912 --> 00:29:42,016
You, maybe.
624
00:29:44,015 --> 00:29:46,120
I didn't buy it, I just... I rented it.
625
00:29:46,217 --> 00:29:48,163
But if you come to LA
we could stay here.
626
00:29:49,120 --> 00:29:50,121
Miles.
627
00:29:50,488 --> 00:29:52,399
I had to give 'em
three months in advance.
628
00:29:52,991 --> 00:29:54,493
But don't let that influence you.
629
00:29:56,161 --> 00:29:57,572
Come on, have a look inside.
630
00:30:01,566 --> 00:30:02,670
Okay.
631
00:30:05,303 --> 00:30:09,149
"Beautiful period home
with charming original features."
632
00:30:09,841 --> 00:30:11,115
Bit like myself.
633
00:30:11,609 --> 00:30:15,318
"Ebony floors, subway tiles
in the master bath."
634
00:30:16,347 --> 00:30:17,587
It's got three bed,
635
00:30:19,050 --> 00:30:20,961
in case Emma insists on living with us.
636
00:30:21,019 --> 00:30:22,191
What if I say no?
637
00:30:24,022 --> 00:30:25,023
It's fine.
638
00:30:25,990 --> 00:30:28,527
I'll have to burn the place
to the ground. But it's fine.
639
00:30:31,896 --> 00:30:33,170
It's a beautiful house.
640
00:30:34,599 --> 00:30:36,374
(SIGHS) It's perfect.
641
00:30:36,467 --> 00:30:38,845
But I, uh, I need a few days
to think about it.
642
00:30:39,737 --> 00:30:40,875
Sure.
643
00:30:42,073 --> 00:30:44,178
(CHUCKLES) Come on. Let's go party.
644
00:30:49,380 --> 00:30:50,450
(SLURPING)
645
00:30:53,218 --> 00:30:54,219
Hey.
646
00:31:03,094 --> 00:31:04,334
You left him alone?
647
00:31:04,395 --> 00:31:05,703
I had to get some real food.
648
00:31:06,397 --> 00:31:08,638
I said if you needed anything,
to call me.
649
00:31:08,700 --> 00:31:10,543
It's not like he's going anywhere.
650
00:31:11,903 --> 00:31:13,007
You got the key?
651
00:31:14,772 --> 00:31:16,012
(swans)
652
00:31:30,688 --> 00:31:31,928
He keeps passing out.
653
00:31:42,233 --> 00:31:43,268
He's dead.
654
00:31:45,069 --> 00:31:46,104
No shit?
655
00:31:56,514 --> 00:31:59,620
What? I walked two blocks
so I can get a sub, okay?
656
00:31:59,984 --> 00:32:00,985
I was starving.
657
00:32:01,452 --> 00:32:02,522
I gotta call Amara.
658
00:32:02,587 --> 00:32:03,998
You know what? Call Amara.
659
00:32:05,056 --> 00:32:06,592
Tell her I was sitting here all day
660
00:32:06,691 --> 00:32:08,398
in this fucking garage
that reeks of this puta.
661
00:32:08,860 --> 00:32:10,533
She said I would run the expansion.
662
00:32:10,595 --> 00:32:12,302
Not sit waiting all day,
663
00:32:12,397 --> 00:32:14,707
like some fuckin' secretary
for some phone calls.
664
00:32:16,534 --> 00:32:19,014
And you know what?
And tell her that if it wasn't for me,
665
00:32:19,103 --> 00:32:20,810
she wouldn't even have had
this new territory.
666
00:32:21,572 --> 00:32:23,279
You don't want me to tell her that.
667
00:32:25,910 --> 00:32:27,116
You know what?
668
00:32:27,178 --> 00:32:31,149
Get somebody else to clean this shit,
'cause I'm fucking out of here.
669
00:32:36,254 --> 00:32:39,292
KATIE: (CHUCKLES) Oh, Bruce. Miles.
This is Charlene's husband.
670
00:32:39,357 --> 00:32:40,597
MILES: Oh, hey.
BRUCE: Hello, Miles.
671
00:32:40,658 --> 00:32:42,638
You look dapper and manly.
672
00:32:42,727 --> 00:32:45,105
- Thank you, same.
- Well, I was fishing for that.
673
00:32:45,163 --> 00:32:47,302
-(ALL CHUCKLING)
- Beautiful house, by the way.
674
00:32:47,365 --> 00:32:48,639
Oh, thank you.
675
00:32:49,100 --> 00:32:51,307
Dad, Charlene said we could
go upstairs and watch TV.
676
00:32:51,369 --> 00:32:53,280
Why would you do that when
there's a party down here?
677
00:32:53,338 --> 00:32:56,512
The Voice finale is on
and you have to vote in real time. So...
678
00:32:56,607 --> 00:32:58,985
Oh, The Voice finale is on
and you have to vote in real...
679
00:32:59,043 --> 00:33:00,681
That's bloody brilliant, that.
Okay, go on.
680
00:33:00,778 --> 00:33:01,984
(ALL CHUCKLING)
681
00:33:02,447 --> 00:33:04,688
I was gonna go to the bar, can I
fetch you a glass of your own booze?
682
00:33:05,283 --> 00:33:06,990
- Oh, I'm fine. Thank you.
- All right.
683
00:33:08,753 --> 00:33:10,596
So, what does your husband do?
684
00:33:11,122 --> 00:33:13,466
Uh, he's a, uh, a movie producer.
685
00:33:13,524 --> 00:33:14,525
Really?
686
00:33:14,625 --> 00:33:18,664
Yeah. He's making a film
at Gravity Pictures with Max Kisbye.
687
00:33:18,763 --> 00:33:22,176
- No kidding. I love Kisbye.
-(CHUCKLES) Yeah.
688
00:33:24,168 --> 00:33:27,149
RICK: So, what happens then is, uh,
there's a table read, and that's...
689
00:33:27,205 --> 00:33:28,616
The studio comes to that.
690
00:33:28,673 --> 00:33:29,708
And if that goes well,
691
00:33:29,807 --> 00:33:32,481
which there's no reason
it shouldn't, uh...
692
00:33:33,044 --> 00:33:34,045
Then, um...
693
00:33:34,712 --> 00:33:35,782
What?
694
00:33:38,783 --> 00:33:39,818
Call Miles.
695
00:33:40,518 --> 00:33:43,727
- Me and Sammy can...
- I want Miles to do it.
696
00:33:49,227 --> 00:33:51,173
I'm fine if you want your, uh...
697
00:33:51,229 --> 00:33:54,972
Your guys to come and eat with us
rather than wait in the car.
698
00:33:55,867 --> 00:33:57,813
No. It's good, you and me.
699
00:33:57,869 --> 00:33:58,904
We get to know each other.
700
00:33:59,871 --> 00:34:02,818
Yeah. Yeah, it's great.
701
00:34:04,409 --> 00:34:08,050
There's a new chef here.
I'm not familiar with the menu.
702
00:34:14,118 --> 00:34:16,098
(SIGHS) Oh, hi.
703
00:34:16,187 --> 00:34:18,133
(CHUCKLES) Hi.
704
00:34:18,556 --> 00:34:19,591
I'm Katie.
705
00:34:20,925 --> 00:34:23,132
That's weird. I married a Katie.
706
00:34:23,227 --> 00:34:24,763
Lovely girl.
707
00:34:25,229 --> 00:34:27,004
She's got highlights.
708
00:34:27,465 --> 00:34:28,739
Did she pay a lot for them?
709
00:34:28,833 --> 00:34:31,279
Oh. With Katie, no expense is spared.
710
00:34:31,369 --> 00:34:32,609
-(CHUCKLES)
-(CELL PHONE RINGING)
711
00:34:34,372 --> 00:34:36,113
You like Charlene's friends?
712
00:34:36,207 --> 00:34:38,847
I mean, I like them,
but maybe you think they're stuck up.
713
00:34:39,911 --> 00:34:43,290
(SIGHS) I hung out with some
unsavory people in Nevada.
714
00:34:43,381 --> 00:34:44,951
My bar is pretty low.
715
00:34:50,288 --> 00:34:52,325
Imagine living in this house.
716
00:34:53,591 --> 00:34:55,127
We'd have parties like this,
717
00:34:55,226 --> 00:34:56,466
-if we lived in LA.
-(CHUCKLES)
718
00:34:56,561 --> 00:34:59,940
Hire a bartender.
Pull out the tiki torches.
719
00:35:00,031 --> 00:35:02,910
Tiki torches. Is that the secret?
720
00:35:02,967 --> 00:35:04,742
- It's basically all you need.
-(CHUCKLES)
721
00:35:06,270 --> 00:35:08,477
(GASPS) Have you
seen their screening room?
722
00:35:09,240 --> 00:35:11,618
Ah, you've seen one private screen room,
you've seen them all.
723
00:35:13,244 --> 00:35:14,416
KATIE: Come here.
724
00:35:15,480 --> 00:35:16,959
(MUSIC PLAYING ON SCREEN)
725
00:35:22,320 --> 00:35:23,424
Yeah, okay.
726
00:35:24,489 --> 00:35:25,490
Right?
727
00:35:25,957 --> 00:35:27,698
I mean, a popcorn machine
is a bit tacky.
728
00:35:27,792 --> 00:35:28,793
(CHUCKLES)
729
00:35:28,993 --> 00:35:31,633
I think in our screening room,
we'd have couches.
730
00:35:32,697 --> 00:35:33,903
With a rising curtain.
731
00:35:35,366 --> 00:35:38,347
And none of this digital shit.
We'll have a real projector up there.
732
00:35:38,436 --> 00:35:40,109
With a full time projectionist.
733
00:35:41,339 --> 00:35:42,340
Larry.
734
00:35:42,807 --> 00:35:44,718
- Larry, the projection guy.
- Hmm.
735
00:35:44,809 --> 00:35:47,449
He has a little cot in his room
for late night showings.
736
00:35:56,621 --> 00:36:01,627
I've done a lot of, uh, lot of fun,
spooky movies that people enjoy.
737
00:36:01,692 --> 00:36:03,103
But The AdmiraFs Mistress,
738
00:36:03,161 --> 00:36:05,664
people are actually gonna
see this in the theater.
739
00:36:06,931 --> 00:36:09,707
- That's good.
- Yeah, this could be a great film.
740
00:36:09,800 --> 00:36:12,542
Really. And that, that scares
the shit out of me, you know?
741
00:36:13,304 --> 00:36:15,409
But we're gonna...
We're gonna go for it.
742
00:36:16,107 --> 00:36:17,586
'Cause you gotta aim high.
743
00:36:17,675 --> 00:36:20,679
If you want that arrow to... To go high.
744
00:36:21,746 --> 00:36:23,054
Right? (CHUCKLES)
745
00:36:24,115 --> 00:36:26,561
Ooh! It's a good thing I'm not driving.
746
00:36:26,651 --> 00:36:29,325
Okay, uh, we'll take
the check, please. Thank you.
747
00:36:30,054 --> 00:36:31,192
Have another.
748
00:36:31,289 --> 00:36:33,599
No, no. I'm cutting myself off.
749
00:36:33,691 --> 00:36:35,068
I sound like Peter O'Toole here.
750
00:36:35,560 --> 00:36:37,870
Have a drink, then come to my hotel.
751
00:36:40,231 --> 00:36:41,676
Oh, uh...
752
00:36:43,301 --> 00:36:45,508
I... I think I better get home.
753
00:36:46,070 --> 00:36:47,845
You know, but this has been fun.
754
00:36:48,039 --> 00:36:50,019
- Really.
- You don't take me serious.
755
00:36:51,008 --> 00:36:52,783
I... No. Of course I do. Of course.
756
00:36:52,877 --> 00:36:54,618
You're a very important part
of this whole thing.
757
00:36:54,712 --> 00:36:57,249
I live in Nevada. Come to LA.
758
00:36:57,882 --> 00:37:00,328
You think, "She don't understand."
759
00:37:01,219 --> 00:37:03,256
But when I look at people,
I see who they are.
760
00:37:04,255 --> 00:37:06,895
That's a good quality
to have in this town, right?
761
00:37:07,725 --> 00:37:10,331
- I see you.
- Uh-oh.
762
00:37:11,462 --> 00:37:12,998
You want people to like you.
763
00:37:14,198 --> 00:37:15,575
But you're all alone.
764
00:37:17,868 --> 00:37:19,814
Maybe you have a girlfriend,
but it don't matter.
765
00:37:20,605 --> 00:37:21,913
'Cause you're alone.
766
00:37:23,708 --> 00:37:25,085
And you're so sad.
767
00:37:28,980 --> 00:37:30,755
This is getting heavy. (CHUCKLES)
768
00:37:31,115 --> 00:37:32,924
Some people don't treat you good, eh?
769
00:37:34,185 --> 00:37:36,392
But you're better
than those fuckin' people.
770
00:37:38,923 --> 00:37:40,527
And you don't gotta feel alone,
771
00:37:42,093 --> 00:37:45,597
'cause Ricky, you get any lady you want.
772
00:37:48,566 --> 00:37:49,738
Thank you.
773
00:37:51,902 --> 00:37:53,313
All you need is love.
774
00:37:55,539 --> 00:37:58,110
Someone to show you
what kinda man you are.
775
00:38:00,845 --> 00:38:02,017
And sweetheart...
776
00:38:03,314 --> 00:38:05,123
You never had nothing like me.
777
00:38:08,853 --> 00:38:10,298
WAITER: Can I get you anything else?
778
00:38:13,691 --> 00:38:15,034
Get me another one of these.
779
00:38:18,963 --> 00:38:21,102
(BOTH MOANING)
780
00:38:21,465 --> 00:38:23,172
(BOTH BREATHING HEAVILY)
781
00:38:23,868 --> 00:38:25,142
(MOANING)
782
00:38:39,350 --> 00:38:41,990
You know, I'm actually starting to think
the popcorn machine is a nice touch.
783
00:38:42,053 --> 00:38:43,293
(LAUGHS)
784
00:38:43,354 --> 00:38:44,662
(BOTH SIGH)
785
00:38:48,492 --> 00:38:49,971
Yeah. (LAUGHING)
786
00:38:50,661 --> 00:38:51,969
Oh...
787
00:38:56,967 --> 00:38:59,174
If you don't mind me asking.
Have you been, uh...
788
00:39:00,705 --> 00:39:02,548
You been keeping in touch with Jeffrey?
789
00:39:03,674 --> 00:39:05,654
I told him I slept with you.
790
00:39:07,278 --> 00:39:08,552
How'd he feel about that?
791
00:39:10,881 --> 00:39:12,485
Me and Jeffrey are done.
792
00:39:14,385 --> 00:39:15,386
Oh.
793
00:39:16,620 --> 00:39:18,031
(CELL PHONE RINGING)
794
00:39:20,091 --> 00:39:22,037
Ah, shit. Yeah, hold on.
795
00:39:22,460 --> 00:39:24,633
Uh, Rick needs to talk to me
about an actor.
796
00:39:25,896 --> 00:39:27,307
I'll be upstairs.
797
00:39:29,166 --> 00:39:30,338
Yeah.
798
00:39:34,038 --> 00:39:36,541
- Yea h?
- ED: Dishwasher broke dawn.
799
00:39:36,941 --> 00:39:39,683
Jlleed you to take it out.
- Get a handyman.
800
00:39:40,077 --> 00:39:41,215
She wants you.
801
00:39:44,115 --> 00:39:45,253
It's too risky.
802
00:39:46,650 --> 00:39:49,563
I don't know what to tell you, man.
She wants you.
803
00:39:52,757 --> 00:39:54,930
Well, it doesn't sound like
I have much of a choice, does it?
804
00:39:55,760 --> 00:39:58,400
Call from the other line.
I'll get you the address.
805
00:39:58,496 --> 00:39:59,497
MILES: Mmm-hmm.
806
00:40:19,116 --> 00:40:20,595
Drain's over there.
807
00:40:29,527 --> 00:40:30,631
(swans)
808
00:40:30,728 --> 00:40:32,071
- Ready?
- Ready.
809
00:40:37,568 --> 00:40:39,070
I could have handled this better.
810
00:40:39,804 --> 00:40:41,181
-(SIGHS)
- What do you mean?
811
00:40:42,072 --> 00:40:45,747
I tried to talk Amara outta not meeting
with that actress, right?
812
00:40:46,010 --> 00:40:48,456
All I managed to do was
fuckin' piss her off. Gloves?
813
00:40:48,546 --> 00:40:49,547
Here.
814
00:40:50,815 --> 00:40:52,726
And then she wanted to have dinner.
815
00:40:53,083 --> 00:40:54,357
But I give her to Rick.
816
00:40:55,319 --> 00:40:57,162
Like I was too fuckin' good for her.
817
00:40:58,889 --> 00:41:03,838
Well, you can beat yourself up,
but, the truth is,
818
00:41:03,928 --> 00:41:06,670
we could win fucking Oscars
819
00:41:06,764 --> 00:41:09,005
and she'd still have us
doing these shit jobs.
820
00:41:09,633 --> 00:41:10,771
(swans)
821
00:41:14,004 --> 00:41:15,108
(swans)
822
00:41:19,777 --> 00:41:21,779
Is she going back to Nevada this week?
823
00:41:21,979 --> 00:41:23,481
We can only hope.
824
00:41:36,594 --> 00:41:37,971
(MUSIC PLAYS ON STEREO)
825
00:41:38,496 --> 00:41:40,169
Look, I'm sorry I sic'd
that agent on you.
826
00:41:40,865 --> 00:41:42,503
You got bigger shit to worry about.
827
00:41:42,967 --> 00:41:44,503
I'm impressed you got an agent.
828
00:41:45,035 --> 00:41:46,514
I didn't think he'd call.
829
00:41:47,304 --> 00:41:48,544
But here's an idea.
830
00:41:48,639 --> 00:41:52,610
Look, you get the studio
to pay me for my script...
831
00:41:52,676 --> 00:41:54,087
- No, no.
- No! Hear me out now.
832
00:41:54,178 --> 00:41:55,179
Yeah.
833
00:41:55,246 --> 00:41:59,888
You pay me and I take care of
additional re-writes at no extra cost.
834
00:41:59,984 --> 00:42:01,258
- Oh, that's a great idea.
- Yeah.
835
00:42:01,352 --> 00:42:03,389
Except, you can't spell your own name.
836
00:42:04,555 --> 00:42:07,434
No, but I'll find someone who can.
837
00:42:07,892 --> 00:42:09,428
I don't follow.
838
00:42:09,527 --> 00:42:12,565
(COUGHS) LA is so full
of desperate writers
839
00:42:12,663 --> 00:42:14,665
that you can't find a seat
in a coffee shop.
840
00:42:14,732 --> 00:42:18,544
I mean, I could so easily,
just pay someone to help me out.
841
00:42:18,636 --> 00:42:20,673
Is that what this...
This is about money?
842
00:42:22,806 --> 00:42:25,685
Look, I go to the production
office every day and I...
843
00:42:26,410 --> 00:42:27,912
I don't really have a job.
844
00:42:28,712 --> 00:42:30,191
You're an associate producer, Lou.
845
00:42:30,247 --> 00:42:32,022
Everybody knows that's bullshit.
846
00:42:34,919 --> 00:42:36,091
(SIREN WAILS)
847
00:42:36,220 --> 00:42:38,029
Oh, fuck!
848
00:42:38,923 --> 00:42:40,027
Fuck.
849
00:42:40,090 --> 00:42:41,091
(MUSIC STOPS)
850
00:42:41,892 --> 00:42:42,893
Ah.
851
00:42:46,463 --> 00:42:48,204
You think they were watching us?
852
00:42:51,201 --> 00:42:53,704
It's a black and white,
the Feds would be unmarked.
853
00:42:55,706 --> 00:42:57,549
- Roll up your sleeve.
- What?
854
00:42:57,608 --> 00:42:59,645
- There's blood on your fuckin' sleeve.
- Oh, shit.
855
00:43:00,311 --> 00:43:02,257
(INDISTINCT RADIO CHATTER)
856
00:43:08,218 --> 00:43:09,288
License and registration.
857
00:43:12,856 --> 00:43:14,460
POLICE OFFICER:
No right turn back there.
858
00:43:14,592 --> 00:43:16,731
Oh. I didn't realize.
859
00:43:21,599 --> 00:43:24,637
- How much you had to drink tonight?
- Nothing.
860
00:43:29,440 --> 00:43:30,783
You live in Nevada?
861
00:43:31,275 --> 00:43:32,948
Live here. Working here now.
862
00:43:34,345 --> 00:43:36,621
- POLICE OFFICER: Doing what?
- Producing a movie.
863
00:43:36,914 --> 00:43:39,827
- POLICE OFFICER: Oh yeah? Where?
- Gravity Pictures.
864
00:43:39,917 --> 00:43:42,761
Are you a fan of Max Kisbye,
by any chance?
865
00:43:42,820 --> 00:43:45,096
- Who?
- Here's the registration.
866
00:43:47,891 --> 00:43:49,700
Sit tight, I'll be right back.
867
00:43:59,770 --> 00:44:01,977
- We're all right.
- Uh-huh.
868
00:44:32,336 --> 00:44:33,337
Amara.
869
00:44:35,039 --> 00:44:36,040
Oh...
870
00:44:37,408 --> 00:44:38,648
Ricky.
871
00:44:38,742 --> 00:44:41,018
Yeah. I didn't want to leave
without saying, uh...
872
00:44:43,881 --> 00:44:45,690
- That was nice.
- I know.
873
00:44:48,385 --> 00:44:51,332
Okay, well, I'm gonna head out. Uh...
874
00:44:51,388 --> 00:44:52,423
I get us breakfast.
875
00:44:53,290 --> 00:44:55,702
No, no, no. I mean, I would love to,
876
00:44:55,759 --> 00:44:58,569
but, uh, I should really
run by and you got a lot...
877
00:44:59,129 --> 00:45:01,200
- What you wanna eat?
-(SIGHS)
878
00:45:04,234 --> 00:45:05,542
Maybe pancakes.
879
00:45:09,540 --> 00:45:10,848
(swans)
880
00:45:11,775 --> 00:45:13,015
Hafdis, wa key-wa key.
881
00:45:13,444 --> 00:45:14,684
(GRUNTS) Huh?
882
00:45:14,912 --> 00:45:16,391
So, is Becca Morgan doing our movie?
883
00:45:16,714 --> 00:45:17,749
I don't know.
884
00:45:18,048 --> 00:45:19,550
I thought you had drinks
with her last night?
885
00:45:19,616 --> 00:45:22,028
Yeah. We had a flight
of wines from New Zealand.
886
00:45:22,319 --> 00:45:27,462
Marlborough, Gisborne, Hawke's Bay
and Nelson, Northland, Otago.
887
00:45:27,558 --> 00:45:30,630
But I'm a bit vague
on what happened after Otago.
888
00:45:31,328 --> 00:45:32,329
Okay.
889
00:45:32,796 --> 00:45:34,400
Gladys, can you call
Miss Morgan's agent,
890
00:45:34,465 --> 00:45:35,535
find out if she's doing our movie.
891
00:45:35,599 --> 00:45:36,600
GLADYS: Mmm-hmm.
892
00:45:38,435 --> 00:45:40,210
I'm gonna get some more coffee.
Want some?
893
00:45:40,270 --> 00:45:41,544
AMARA: Hmm.
RICK: Yeah.
894
00:45:41,739 --> 00:45:42,945
I'll get you some. Two sugars, right?
895
00:45:43,040 --> 00:45:44,246
- AMARA: Yeah.
-(CHUCKLES)
896
00:45:45,876 --> 00:45:47,184
- MILES: Morning.
- Oh, hey.
897
00:45:48,512 --> 00:45:49,718
How long is she staying in town?
898
00:45:50,214 --> 00:45:51,659
(SIGHS) Amara?
899
00:45:51,749 --> 00:45:53,126
Who the fuck else
would I be talking about?
900
00:45:53,217 --> 00:45:54,218
(CHUCKLES) Right.
901
00:45:54,651 --> 00:45:58,656
Uh, I... I don't know if she's decided
for sure yet, I don't know.
902
00:45:59,189 --> 00:46:00,361
What did she say?
903
00:46:00,824 --> 00:46:04,362
She said she wants to stick around
till we're done shooting.
904
00:46:04,795 --> 00:46:06,206
- Done shooting?
- Yeah.
905
00:46:06,797 --> 00:46:08,401
Becca Morgan is confirmed!
906
00:46:08,465 --> 00:46:09,603
That's great.
907
00:46:09,800 --> 00:46:11,643
- That's great news, right?
- Yeah.
908
00:46:12,636 --> 00:46:14,912
All right. Let me, uh,
I'm gonna get some...
909
00:46:17,941 --> 00:46:21,787
- So she's gonna, what? Get a place here?
- I don't know. I don't know.
910
00:46:21,845 --> 00:46:23,449
I mean, that's worse than Pahrump.
911
00:46:24,214 --> 00:46:26,251
I mean, at least then she wasn't
breathing down our necks...
912
00:46:26,316 --> 00:46:28,159
I mean, neither of us,
in our wildest dreams,
913
00:46:28,252 --> 00:46:30,254
thought that fucking woman
was coming to LA.
914
00:46:31,255 --> 00:46:32,256
Hi.
915
00:46:32,856 --> 00:46:34,392
Thought I'd surprise you.
916
00:46:34,758 --> 00:46:35,930
If I'm interrupting...
917
00:46:35,993 --> 00:46:37,939
No, no, no. Now's good.
918
00:46:38,595 --> 00:46:40,768
Come in. What is that?
919
00:46:42,566 --> 00:46:43,636
Tiki torch.
920
00:46:46,336 --> 00:46:49,249
- I'll be back in a few.
- No, don't leave on my account.
921
00:46:49,306 --> 00:46:50,717
Yes. Better if you leave.
922
00:46:56,947 --> 00:46:57,948
(swans)
923
00:46:58,448 --> 00:46:59,791
It's been six months.
924
00:47:00,284 --> 00:47:02,992
Telling myself that,
for Emma's sake we had to move on.
925
00:47:03,453 --> 00:47:06,957
Because I couldn't imagine
how our situation was ever gonna change.
926
00:47:08,192 --> 00:47:09,364
Then I came out here.
927
00:47:10,027 --> 00:47:12,371
And I see this life
you're making for yourself,
928
00:47:13,964 --> 00:47:14,965
it's amazing.
929
00:47:16,800 --> 00:47:20,270
- And I find myself thinking...
- Katie, uh, we should talk.
930
00:47:21,071 --> 00:47:22,311
What do you mean?
931
00:47:23,640 --> 00:47:24,846
Let me close the door.
932
00:47:29,613 --> 00:47:32,492
'Sup, son?
Makin' the scene, living the dream?
933
00:47:32,549 --> 00:47:34,187
Yo, you need to get out here.
934
00:47:34,651 --> 00:47:36,858
- You would really like this.
- Seriously?
935
00:47:37,387 --> 00:47:38,388
Why not?
936
00:47:38,889 --> 00:47:40,664
Boy, I'd love to get up there.
937
00:47:40,724 --> 00:47:42,499
I mean, I got cousins in Reseda.
938
00:47:42,559 --> 00:47:44,061
I used to get there as a kid...
939
00:47:44,161 --> 00:47:45,367
Hey, you still got that flake?
940
00:47:46,063 --> 00:47:47,633
You should bring that shit with you.
941
00:47:47,865 --> 00:47:49,310
We'll get a little business going.
942
00:47:49,933 --> 00:47:51,640
Think Amara's gonna roll with that?
943
00:47:52,669 --> 00:47:54,740
This shit is between you and me, right?
944
00:47:55,105 --> 00:47:56,516
A little business on the side,
945
00:47:56,573 --> 00:47:58,246
Amara doesn't have to hear about that.
946
00:47:59,409 --> 00:48:03,016
I mean, if that's how
you want to play it.
947
00:48:03,080 --> 00:48:04,650
Well, then get your ass out here.
948
00:48:05,015 --> 00:48:07,518
Bring that fuckin' flake
and let's do Hollywood in style.
949
00:48:11,521 --> 00:48:12,864
Well, at least now I get it.
950
00:48:13,357 --> 00:48:15,803
How it's possible you could
suddenly be making a movie.
951
00:48:17,194 --> 00:48:18,195
(swans)
952
00:48:18,862 --> 00:48:20,500
If Amara is behind it...
953
00:48:20,564 --> 00:48:22,805
Not behind it, just paying for it.
954
00:48:24,334 --> 00:48:26,940
So the movie comes out
she'll let you go on with your life?
955
00:48:27,037 --> 00:48:28,038
That's the plan.
956
00:48:29,606 --> 00:48:30,607
What did she actually say?
957
00:48:34,511 --> 00:48:36,855
- You haven't talked about it.
- No, we have.
958
00:48:36,947 --> 00:48:38,893
She's just invested in one movie.
959
00:48:38,949 --> 00:48:41,452
She agreed that I could
live here and honestly,
960
00:48:41,985 --> 00:48:45,091
I didn't know she was gonna stay in LA
until five bloody minutes ago.
961
00:48:45,856 --> 00:48:48,063
- Is she here, in the office?
- Yes.
962
00:48:55,899 --> 00:48:57,401
- Oh, Katie...
- I should go get Emma.
963
00:48:57,467 --> 00:48:59,640
We're driving back right after lunch.
964
00:48:59,736 --> 00:49:01,010
- Back to Nevada.
- Mmm.
965
00:49:01,905 --> 00:49:03,077
So is that it, then?
966
00:49:03,740 --> 00:49:05,310
'Cause if we're done,
can you just tell me?
967
00:49:06,009 --> 00:49:07,420
Put me out of my fuckin' misery.
968
00:49:08,445 --> 00:49:10,789
- I'll call you.
- Oh, okay.
969
00:49:10,914 --> 00:49:12,484
I don't mean it like that, I mean...
970
00:49:14,418 --> 00:49:15,590
I'll call you.
971
00:49:30,600 --> 00:49:31,635
What's that?
972
00:49:32,202 --> 00:49:34,773
I tried to balance coffee
and a stack of binders...
973
00:49:35,339 --> 00:49:37,341
And see? It's almost gone.
974
00:49:37,841 --> 00:49:39,184
-(CHUCKLES)
- That's handy.
975
00:49:39,910 --> 00:49:41,116
Is that ketchup?
976
00:49:42,579 --> 00:49:43,614
Yeah, yeah.
977
00:49:44,481 --> 00:49:46,392
- Hold still.
- Uh...
978
00:49:51,388 --> 00:49:54,392
You, uh, smell, um, nice.
979
00:50:02,466 --> 00:50:06,608
Well, there. I can still see it,
but it's better.
980
00:50:09,673 --> 00:50:10,811
Okay.
981
00:50:15,545 --> 00:50:16,546
Thank you.
982
00:50:20,484 --> 00:50:21,963
(INAUDIBLE)
983
00:50:23,954 --> 00:50:25,558
(INDISTINCT CHATTER)
984
00:50:44,341 --> 00:50:45,547
AGENT WARE: Mr. Snaebjornsson.
985
00:50:46,076 --> 00:50:47,419
HAFDIS: This is ridiculous.
986
00:50:48,078 --> 00:50:49,648
Well, tell me what I've done.
987
00:50:49,713 --> 00:50:51,750
If you can't tell me,
you gotta let me go...
988
00:50:51,848 --> 00:50:53,259
Calm down. Sir, where's your car?
989
00:50:53,350 --> 00:50:55,591
- My what?
- Can you tell me where your car is?
990
00:50:56,186 --> 00:50:57,187
HAT-DB". My...
991
00:50:57,254 --> 00:50:58,255
DETECTIVE FADDEN: lfl told you it was
992
00:50:58,355 --> 00:51:00,130
in the swimming pool
of the Wilshire Hotel,
993
00:51:00,223 --> 00:51:01,702
would you be surprised?
994
00:51:02,526 --> 00:51:04,665
Somewhat surprised, yeah.
995
00:51:04,728 --> 00:51:06,071
DETECTIVE FADDEN: You're going downtown.
996
00:51:06,229 --> 00:51:07,469
All's good.
997
00:51:36,893 --> 00:51:38,668
(SINGING) Do dee wap do
998
00:51:38,762 --> 00:51:41,299
What am I to do?
999
00:51:44,067 --> 00:51:46,047
Do dee wap do
1000
00:51:46,103 --> 00:51:48,811
I love no one but you
1001
00:51:51,475 --> 00:51:56,288
Please, little girl
Tell me what you're gonna do
1002
00:51:58,882 --> 00:52:00,520
Do dee wap do
1003
00:52:00,617 --> 00:52:03,496
Call me Mr. Blue
1004
00:52:06,123 --> 00:52:07,966
Do dee wap do
1005
00:52:08,058 --> 00:52:09,901
Do dee wap do
1006
00:52:09,960 --> 00:52:13,339
Do dee wap
Do dee wap do dee wap do
1007
00:52:13,430 --> 00:52:15,307
Do dee wap do
1008
00:52:15,365 --> 00:52:16,935
Do dee wap do
1009
00:52:17,000 --> 00:52:20,948
Do dee wap do, baby
Do be, do be, do be
1010
00:52:21,004 --> 00:52:22,540
Do dee wap do
1011
00:52:22,639 --> 00:52:25,347
You're my heart's desire
1012
00:52:28,011 --> 00:52:32,517
One little kiss to set my soul on fire
1013
00:53:04,347 --> 00:53:06,122
Do dee wap do
1014
00:53:06,183 --> 00:53:07,753
Do dee wap do
1015
00:53:07,851 --> 00:53:11,355
Do dee wap
Do dee wap do dee wap do
1016
00:53:11,421 --> 00:53:13,298
Do dee wap do
1017
00:53:13,356 --> 00:53:15,029
Do dee wap do
1018
00:53:15,125 --> 00:53:18,902
Do dee wap do, baby
Do be, do be, do be
1019
00:53:18,995 --> 00:53:20,599
Do dee wap do
1020
00:53:20,697 --> 00:53:23,234
You're my heart's desire
1021
00:53:25,835 --> 00:53:30,341
One little kiss to set my soul on fire
1022
00:53:47,924 --> 00:53:49,562
Do dee wap do
1023
00:53:49,626 --> 00:53:52,072
You're my heart's desire
1024
00:53:54,931 --> 00:54:00,347
One little kiss to set my soul on fire
1025
00:54:00,437 --> 00:54:04,180
To set my soul on fire
1026
00:54:04,241 --> 00:54:06,050
To set my soul on...
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