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I like
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Mastering my own music because
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It is it's just another thing I can do that I can say was my
4
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You know we're supposed to
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Doing a piece of s*** thing that kind of sounded alright news musically all there in the mix wasn't quite but
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Thank God for this other dude cuz if it wasn't for this other dude this album when sound the way it is
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But with udmi
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Because it's so
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Such a solo act
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Performance like I like
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That I
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Even though I'm I may be doing it wrong or
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It's not coming out you know as good as it could if I gave it to f****** Lang
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Hang in on like that's cool too but like hey it's mine
15
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You know what I mean
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And if it's
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Deems
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You know and when I found out that you know the first time I ever did a
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Kissing music and they played it on the radio
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And nobody f****** said
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God that sounds terrible in in context of mix
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And I thought
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Well I got away with that you know so that kind of empowered me to
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Keep going that direction in learning more about that as
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Trying not to get
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To Sidetrack learning how to make f****** music because then all the sudden underworlds
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Mastering engineering
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Do anything else
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In Wichita
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Some cases you know you just have to find that and balance of learning
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But
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You know
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I'm such a
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Solo did West like you know all even do art
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The CD cover and it's just like so that way you know when the big box after the album comes out or gets
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Printed and then I can get the box and I can hold the CD in my hand inside f******
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Did most of this s***
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And you know
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And you look in the credit
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You Don't See
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Written by Joel
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Produced by so-and-so mix by so-and-so and the list
43
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You wouldn't believe how long
44
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Some of those lists fuckingo on unsung people solo
45
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You know it it's so crazy is like what you don't want you just form a band
46
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Pinpoint meaning
47
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But yet you know Peaches on
48
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I just I just like
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If my product
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It's me and this is
51
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This is everything
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So you're missing your mastering all in one package
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And it's
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Something to do to keep me from f****** killing myself waiting for a mix engineer.
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Hopefully you know mix it well
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The only thing really bringing out when your mastering is just some volume gain some Dynamics
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Change in Dynamics
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Change in overall gain
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And a bit of EQ tweaking
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That's really all mastering is
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And my kind of rule is do make it a sound as good as you possibly can before Eve
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Touching this stuff
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While making sure you have enough Headroom to do what you got to do
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Headroom being the the amount of Headroom you have is
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Like basically if 0 is your your no-go Zone meaning that's the loudest
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You can possibly be
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Headroom is like
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Good Headroom is usually about 60 bellesa
69
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So it's about you do -6 DB so you kind of want to
70
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Keep your eye on this end and we're obviously peeking at some point cuz I just saw hit red there
71
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It's what we'll do is we'll grab all our channels
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Hold the volume down
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Actually we'll grab a large
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Properly
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You can see
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Infinite Headroom there because
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Now I'm going to turn it off slowly
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Tell about
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That looks about right
80
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And it doesn't have to be exactly -6 pitches
81
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Do you have enough
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Headroom
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To do
84
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The things you need to do on your master
85
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Biking a musically limit
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So that'll be the first thing
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Correction
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The first thing I do
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Is
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Strip out
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Anything below 30 Hertz
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Because that's
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That's
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You know
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30 Hertz is
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Really low and
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And I mean you're not going to hear 30 Hertz anywhere
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Maybe
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At the
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Craziest Festival rigger something like a like 30 hertz's is more like you
101
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Start to feel that and only barely Saw II 10 to cut
102
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You know
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Below 30 Hertz
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All the time just
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In case that some of these samples or digital sins are outputting you know
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Peaks at you know below 30 Hertz or something like that causing I limiter at the end
107
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Techno kind of Spike outer
108
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Or use that frequency as
109
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You know what
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Something to duck when you don't necessarily want
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That's why I just cut it out
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Entirely
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I find you know how obvious
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Send
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Aspiring EDM producers and stuff like that's all yeah you got to have the L1
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Well
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It's a limiter that's all it is if you know you put the L1 at the end of your
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You put the aisle 1 at the end of your master changes makes everything louder
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But it's just a lemon or not
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Only thing it's designed to do it's not designed to
121
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You know bring out features in or frequencies or anything else is doing is taking an overall level
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And making it as loud as possible without clipping
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So
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Basically every time does Red Bar goes that means you would have clipped
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But the processor with a compressor the limitation is happening within it is preventing it from doing that and there
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Therefore it is reduced the game by that much
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For now we'll go into
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Blesiv
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Fabfilter limiter
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Tonight
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You can see how wow she just guessing that I knew that that was going to be you know in or around close to negative
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60 B it was actually a little quieter
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Cuz I can't really hear it
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But
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-6 DB is kind of
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Ideally what you want going into your master but because now you have all this Headroom
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To put that game and then start shaping
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You know your Peak so I can already tell that my Kik is way too loud because it's the only thing
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Being affected by the limiter
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So you know I can go back up and then maybe like take my
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Tick levels in
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Bring him down a significant amount so now that just gave me even more Headroom you know
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So you see the Kik is still being
144
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Peak slammed a bit as it should because it's usually the most
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Forefront featured in edmtunes it's going to be that Kik
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Right so
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It's not
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That everything needs to be zeroed out in
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I'm fat you're actually kick should be
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Being limited the most
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By the end of your master
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After because
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It's going to be the most prominent kind of feature in the thing
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Now this going to be the point
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The Distortion of limiting so you can I want this plus 30 decibels
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While it's not peeking it's not going over that digital clip and you know I have
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Enter sample peaking on which means it's going to
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Kind of average out those
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Speaks by. It's not
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It's not enough Fender it's playable it was really badly distorted and there's no diamond
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So
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Kind of turn that up as much as I can until you know I'm not hearing so much Distortion but I'm also hearing quiet thing
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Quiet and loud
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What kind of team down a bit but
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Still being loud
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A limiter is like
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Give essential on it
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Anna on the end of a track because some
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You know if you if you take care of healing if I took my limiter off all my tracks and stuff like that you just have to mix and you'd have
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Yeah you know you could potentially have a lot of dynamic range but if you accidentally peek over that 0 by you know what
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What I mean without
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A limiter on it that's it
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Digital clock
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Cardinal sin
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A lot of
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The things that I do hear you know kind of thrown around
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Amateur hour production week
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Freedom is like Yohe I will
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I need a what's your master chain
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I can give it to you but it's not going to do you any
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It's it's
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Mass
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There's no magical process that you can do to the end of a track that's
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Just going to make your whole track
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And that's a huge misconceptions like people like off got the strap but if
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If I knew it's put on the end of it and now it's not what you put on the end of attacks
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It's what you put on
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All that s*** before you go to the Ender
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So it's like
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Miss
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This changes every track this is just for this
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Particular one I didn't Nessa
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Sara Lee me that you know a multi-band compression
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Define put it in there
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Oh I see I did
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I got one right here but
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You know it just calls for certain things like a
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I didn't need a whole
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Linear EQ with this and that knocked out or whatever they were really no offending frequencies going in the first place
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You know I didn't really need
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This week any of that
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But that's all I can generic stuff that you're just going to pick up on your own or you know read around like
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But you know again of course
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And what do you know the last thing in my chain is a limit
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You know that's
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Just going to open that late
207
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Drive-In crunch the hell out of this track because
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It's really driving kind of crunchy in the
209
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In the Park Square
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You know the lead wasn't
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Bahçeşehir
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She's getting that really Drive
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Over compressed kind of thing and that's just you know I style it's not necessarily oh yeah
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To do this
215
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Because if I don't you know it's just going to be a little
216
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Very subtle limiting itsjustnick
217
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Giving the track the same amount of bite than I why I want it
218
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So you know what that all that the flavors of your mass
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Change
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There are such things as mixes that aren't
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As loud as possible you know what I mean without Distortion that just
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That's that's just one way to do it but there is such a thing as dynamic range
223
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Meaning the way you should listen to it is
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Okay first off the bat is not
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Listen for
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Obvious limiting distortion
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And that means that a guy is doing what I did here
228
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Is Penning a limit or way too hard
229
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It's like dude you're there is such thing as a volume knob and you can just turn that up instead of
230
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Turning your mix up
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You know and
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And there's actually if you guys can Google this there's like been loudness war going on flash
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20 years
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And it's exactly this
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You know like how loud can we get this f****** TV commercial to come out
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Without distorting for being louder than the other guy shittin that's that's called that's just
237
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Limiting there's a funny anecdote that I had with a good buddy of mine who is a DubStep DJ believe in
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Or not and
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He
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He was on my opener for a while not
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Don't worry
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And I
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He was
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The king that is
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Heart of dubstep
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Like so I'm not going to say they're doing it wrong that's just doing it the way they do it
247
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Dubstep is almost
248
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All about
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Painting.
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You know that red line all the time with your sobbing yourbasin
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And having things
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Come out like that like it's a
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Crunchy grimy loud as f*** thingiverse
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Like and that's why I got so
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So f****** Papi
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Anyway
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He was opening for me and you know he played and yeah it was
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F****** loud Mommy
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But then I came on after him and then I did my thing and I'm like okay and all that was fun whatever in leaves
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Backstage
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Why why did they pull me down so far on on the on the main mixer like
262
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Why did they turn you up I'm like
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00:12:35,967 --> 00:12:38,015
We don't do that like I've never done that
264
00:12:38,271 --> 00:12:39,039
For like an opening act
265
00:12:39,295 --> 00:12:40,575
Cuz I don't f****** care like
266
00:12:40,831 --> 00:12:41,599
If you're loud or quiet
267
00:12:41,855 --> 00:12:42,623
You know Amy
268
00:12:42,879 --> 00:12:47,999
There's actually a thing that kind of happens sometimes when multiple bands play the same venue is
269
00:12:48,255 --> 00:12:52,863
You know the headline band gets an extra 4db or something like that that's
270
00:12:53,119 --> 00:12:53,631
Still happen
271
00:12:53,887 --> 00:12:54,911
Extended Stay especially Rock
272
00:12:56,447 --> 00:12:56,959
Anthrax
273
00:12:57,215 --> 00:13:00,543
Thanks alright okay nice CDC and then they ride them up a bit in volume
274
00:13:01,055 --> 00:13:02,847
So obviously Jeff thought I was
275
00:13:03,103 --> 00:13:04,639
Like kind of doing some of that
276
00:13:04,895 --> 00:13:06,687
S*** right now is like no dude
277
00:13:06,943 --> 00:13:08,735
They actually put you up
278
00:13:08,991 --> 00:13:13,855
And and what it happened was is I explained it to him I said okay will look here's what's happened
279
00:13:14,367 --> 00:13:16,159
Is your music is like
280
00:13:16,671 --> 00:13:18,719
Big meaty f****** sausage in this thing
281
00:13:18,975 --> 00:13:21,279
Which is fine that's great that's the salient
282
00:13:22,047 --> 00:13:22,559
But
283
00:13:22,815 --> 00:13:25,631
What happens is you're taking this already Limited
284
00:13:25,887 --> 00:13:26,399
Stuff
285
00:13:26,655 --> 00:13:28,191
You're hitting another limiter
286
00:13:28,447 --> 00:13:29,215
Like because
287
00:13:29,471 --> 00:13:32,543
They're not just going to take your direct output and go out to big speaker
288
00:13:33,055 --> 00:13:34,335
And powered amplifiers
289
00:13:34,591 --> 00:13:36,895
Because you blow those you ball those shows over
290
00:13:37,151 --> 00:13:38,943
So what they do is they go to an FOH
291
00:13:39,711 --> 00:13:42,015
Your your your sound goes to NFL front of house
292
00:13:42,783 --> 00:13:48,927
And the front-of-house guy just you're the mix engineer just kind of you know monitor system channels and then goes into another limiter which is
293
00:13:49,183 --> 00:13:51,743
The safety so they don't blow half a million dollars worth
294
00:13:51,999 --> 00:13:52,511
Speakers
295
00:13:52,767 --> 00:13:53,535
And I'm
296
00:13:54,047 --> 00:13:55,327
Pickett's limited again
297
00:13:55,839 --> 00:13:57,887
Now he couldn't turn it up because
298
00:13:58,143 --> 00:14:04,287
If you were to turn that up even more be clipping it just be useless and you'd hear distorted and crapping all the time and
299
00:14:04,543 --> 00:14:05,823
But of course then when I go on
300
00:14:06,079 --> 00:14:08,639
I knew my stuff had a lot of breathing room meaning
301
00:14:08,895 --> 00:14:10,687
Yeah I was getting some 0 Peaks a lot
302
00:14:10,943 --> 00:14:12,223
But not constantly
303
00:14:12,735 --> 00:14:15,807
And my quiet stuff was kind of a little bit you know
304
00:14:16,319 --> 00:14:17,087
Not even close to
305
00:14:17,343 --> 00:14:17,855
Topeka
306
00:14:18,367 --> 00:14:20,415
Love Stuff with loud quiet loud quiet
307
00:14:20,671 --> 00:14:22,207
And a man that gives
308
00:14:22,463 --> 00:14:25,279
That limiter a whole lot more breathing room
309
00:14:25,535 --> 00:14:27,071
For them to actually physically
310
00:14:27,327 --> 00:14:28,863
Turn up the volume in the amp
311
00:14:29,375 --> 00:14:31,423
So the amps there's there's loudness
312
00:14:31,679 --> 00:14:33,215
SMS perceived
313
00:14:33,983 --> 00:14:35,263
And what your
314
00:14:35,775 --> 00:14:36,799
Doing when you
315
00:14:37,055 --> 00:14:41,919
Can do that is is called perceived loudness it's not actual loudness
316
00:14:42,175 --> 00:14:42,943
Because
317
00:14:43,199 --> 00:14:49,343
No matter how hard I cranked at that volume actually isn't changing its being perceived as changing
318
00:14:53,951 --> 00:15:00,095
That's actually the same volume as that
319
00:15:00,607 --> 00:15:06,751
That the NM and that's one of the things that where everybody f**** up and you know you played a festivals as long as every
320
00:15:07,007 --> 00:15:09,055
F****** DJ's playing a song like that you're good
321
00:15:09,567 --> 00:15:11,359
You know but if a guy comes in with
322
00:15:11,615 --> 00:15:13,407
Tom f****** Sawyer you know
323
00:15:13,663 --> 00:15:15,967
You're done going to eat your s***
324
00:15:16,223 --> 00:15:20,063
Because that's why they use that kind of s*** when they're testing out major system
325
00:15:20,319 --> 00:15:25,439
But it's important to know in and you can meet it halfway you don't have to be captains
326
00:15:25,695 --> 00:15:26,975
Safe have
327
00:15:27,231 --> 00:15:29,791
Huge amounts of dynamic range
328
00:15:30,047 --> 00:15:30,815
Making
329
00:15:31,839 --> 00:15:32,607
Stuff for filming
330
00:15:32,863 --> 00:15:34,399
Theater is even worse
331
00:15:35,167 --> 00:15:41,311
Like you you have k42 metering which is insane that means loud stuff is loud but quiet stuff is on
332
00:15:41,823 --> 00:15:42,335
Inaudible
333
00:15:42,591 --> 00:15:43,103
It's like
334
00:15:43,359 --> 00:15:46,175
Amount of dynamic range is
335
00:15:46,687 --> 00:15:47,199
Isn't
336
00:15:47,455 --> 00:15:47,967
Scene
337
00:15:48,223 --> 00:15:48,735
Theater use
338
00:15:49,247 --> 00:15:50,271
That's why a lot of
339
00:15:50,527 --> 00:15:52,319
Popular music and dubstep
340
00:15:52,575 --> 00:15:54,111
Trap or hip-hop and all that stuff
341
00:15:54,367 --> 00:15:57,183
Doesn't translate well in a soundtrack in the movie
342
00:16:03,327 --> 00:16:04,607
There's so
343
00:16:04,863 --> 00:16:11,007
So little information you can take away from the community or from group of experts or cell
344
00:16:11,263 --> 00:16:11,775
Proclaimed
345
00:16:12,031 --> 00:16:13,311
Worth radikal experts
346
00:16:13,567 --> 00:16:15,103
That you can find use
347
00:16:15,871 --> 00:16:16,895
I used to
348
00:16:17,407 --> 00:16:19,199
Just out of Pride out of
349
00:16:19,455 --> 00:16:23,295
Look what I can do kind of thing where you know I would join
350
00:16:23,551 --> 00:16:26,111
Online music communities very very small boutique
351
00:16:26,623 --> 00:16:27,903
Before before empty
352
00:16:28,159 --> 00:16:28,927
Free.com
353
00:16:29,183 --> 00:16:29,695
Even there were
354
00:16:30,207 --> 00:16:32,767
A whole bunch of little like little cool eclectic little like
355
00:16:35,071 --> 00:16:35,583
Things
356
00:16:36,863 --> 00:16:37,887
You know and then
357
00:16:38,399 --> 00:16:40,191
I never really had
358
00:16:40,959 --> 00:16:41,471
Sears
359
00:16:42,751 --> 00:16:46,847
My time of learning to create electronic music so I dare was
360
00:16:47,359 --> 00:16:50,431
No dick contest to be had unfortunately but now
361
00:16:50,687 --> 00:16:55,807
There is you know what I mean now it's huge it's massive it's ramp and it's like the biggest
362
00:16:56,063 --> 00:16:58,367
It's bigger than the NFL the NHL in the NBA
363
00:16:58,623 --> 00:17:00,671
Binds you know I'm with all day all day
364
00:17:01,183 --> 00:17:05,023
Kids making music these days been uploading on Soundcloud and
365
00:17:05,279 --> 00:17:09,119
And then even on top-tier ends where hey we're all making millions of dollars but
366
00:17:09,375 --> 00:17:13,727
Let's still have a fight over f****** Housh it sounds like s*** and doesn't like
367
00:17:14,751 --> 00:17:15,519
That is
368
00:17:15,775 --> 00:17:17,823
This way out of control bit so
369
00:17:18,335 --> 00:17:18,847
I don't
370
00:17:19,103 --> 00:17:19,615
I don't
371
00:17:19,871 --> 00:17:21,151
Proof pest mice
372
00:17:21,407 --> 00:17:23,199
Stuff I just
373
00:17:23,455 --> 00:17:24,479
I don't care
374
00:17:24,735 --> 00:17:27,295
I just write my s*** the way I want to ride it and I don't
375
00:17:27,551 --> 00:17:29,343
Take advice and only
376
00:17:29,599 --> 00:17:32,415
Cuz I I do produce live I produce in front of
377
00:17:32,671 --> 00:17:34,463
You know thousands of people on a live
378
00:17:34,719 --> 00:17:35,743
Extreme words like
379
00:17:36,255 --> 00:17:40,351
Grand making or breaking ideas on-the-fly not saying here's my finished product
380
00:17:40,607 --> 00:17:41,119
Check it out
381
00:17:41,375 --> 00:17:44,959
Now I have a chat going on while this is at nicad receiver all this
382
00:17:45,215 --> 00:17:45,983
Common all these
383
00:17:46,239 --> 00:17:47,519
All these Engineers are
384
00:17:47,775 --> 00:17:48,543
Coming in to give me there
385
00:17:49,055 --> 00:17:49,567
And send it's like
386
00:17:50,335 --> 00:17:50,847
If I
387
00:17:51,871 --> 00:17:53,407
Get a suggestion on some
388
00:17:54,175 --> 00:17:56,223
Maybe it'll likes it in my brain is
389
00:17:56,479 --> 00:17:57,503
Bug for a minute
390
00:17:57,759 --> 00:17:58,527
That's when I go
391
00:17:59,807 --> 00:18:00,575
On my own
392
00:18:00,831 --> 00:18:06,975
Free offline time and maybe Google it and look it up and research and see what other people are saying about it in general
393
00:18:07,231 --> 00:18:09,279
And not what people are saying about it in
394
00:18:09,535 --> 00:18:11,583
Particular into the case of the thing that I'm working
395
00:18:12,095 --> 00:18:12,607
You know because
396
00:18:13,119 --> 00:18:14,655
You never know where it what information
397
00:18:14,911 --> 00:18:15,679
I'm coming from where when
398
00:18:16,191 --> 00:18:16,703
Just some random
399
00:18:16,959 --> 00:18:17,471
In person on the in
400
00:18:18,239 --> 00:18:19,007
The best to check
401
00:18:21,055 --> 00:18:22,079
Sites like your slides
402
00:18:22,335 --> 00:18:23,103
Stuff like that
403
00:18:23,359 --> 00:18:25,151
This is getting outside information on
404
00:18:25,663 --> 00:18:26,687
On a similar process
405
00:18:26,943 --> 00:18:28,479
Has nothing to do with what you're working
406
00:18:28,991 --> 00:18:30,527
You know when you can extract
407
00:18:30,783 --> 00:18:32,575
Some small pieces of information
29334
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