Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:05,888 --> 00:00:07,424
You could do this in your f****** badger
2
00:00:07,680 --> 00:00:08,448
You really could
3
00:00:08,704 --> 00:00:09,216
I've heard
4
00:00:09,472 --> 00:00:12,032
Absolutely disgusting s*** come out of some really
5
00:00:12,288 --> 00:00:12,800
Pion
6
00:00:13,056 --> 00:00:17,408
Studios and I've heard some amazing s*** come off some little kids laptop in LA
7
00:00:18,176 --> 00:00:19,200
I think I signed one
8
00:00:25,088 --> 00:00:26,624
Ultimately
9
00:00:26,880 --> 00:00:29,440
You're going to end up in the digital Realm
10
00:00:29,696 --> 00:00:33,280
No matter what whether you're guitarist a cellist
11
00:00:33,536 --> 00:00:34,560
You know you play the
12
00:00:35,328 --> 00:00:37,376
F****** jazz flute doesn't matter you're going to
13
00:00:37,632 --> 00:00:41,216
You're going to end up on a computer at some point digital format not just because
14
00:00:41,728 --> 00:00:44,032
You know digital formats better it's Walt
15
00:00:44,544 --> 00:00:45,824
I mean in terms of
16
00:00:46,080 --> 00:00:48,896
Portability yeah it is better because you know
17
00:00:49,920 --> 00:00:52,736
Were you planning on Distributing your music on cassette
18
00:00:52,992 --> 00:00:58,624
You know that this whole argument about all we recording analog oh we recording digital all we record
19
00:00:58,880 --> 00:00:59,392
Young
20
00:00:59,904 --> 00:01:04,000
On a gramophone doesn't matter because at the end of the day your delivery methods
21
00:01:04,256 --> 00:01:05,024
Digital that's
22
00:01:05,280 --> 00:01:06,048
Just the way it is
23
00:01:06,816 --> 00:01:08,352
It might not be the ultimate
24
00:01:08,864 --> 00:01:11,680
Most fidelity thing you like
25
00:01:11,936 --> 00:01:12,448
24in
26
00:01:12,704 --> 00:01:13,472
Tape
27
00:01:13,984 --> 00:01:18,848
Could provide sonically but I mean if you want your stuff on you don't want to
28
00:01:19,104 --> 00:01:21,408
The TV show are synced in the Fillmore
29
00:01:21,920 --> 00:01:25,248
Rebroadcast Adele Saint other radio shows or
30
00:01:25,504 --> 00:01:27,808
Upload it on the Internet or on iTunes
31
00:01:28,064 --> 00:01:29,856
It's going to be digital
32
00:01:30,112 --> 00:01:30,624
So
33
00:01:30,880 --> 00:01:36,000
Capturing that sound is is his is going to be locked to the digital domain no matter what
34
00:01:36,256 --> 00:01:37,536
So you must all become nice and
35
00:01:38,048 --> 00:01:39,840
Cozy with that weather European
36
00:01:40,096 --> 00:01:40,608
Astora
37
00:01:40,864 --> 00:01:42,144
Or a computer
38
00:01:42,656 --> 00:01:43,680
Guru kind of thing
39
00:01:48,544 --> 00:01:50,848
First things first to shoot you got to get a good
40
00:01:51,360 --> 00:01:56,992
Little computer and heading that could be you do anything from a cheap laptop to you-know-what decent-sized Mac
41
00:01:57,760 --> 00:02:02,112
You know we're on all PC at either or all these apps are all cross-platform
42
00:02:02,368 --> 00:02:03,648
Mac PC
43
00:02:03,904 --> 00:02:04,416
Whatever
44
00:02:04,672 --> 00:02:05,440
You know
45
00:02:06,208 --> 00:02:08,256
I just prefer PC because
46
00:02:08,768 --> 00:02:09,280
I don't know
47
00:02:09,536 --> 00:02:10,048
I like it
48
00:02:11,328 --> 00:02:11,840
You know
49
00:02:12,096 --> 00:02:13,888
Getting under the hood a lot more often
50
00:02:14,656 --> 00:02:15,168
PC then I could
51
00:02:16,448 --> 00:02:22,592
But then when you kind of start to get a little more serious and do what you're going to need a good d a c which is digital audio
52
00:02:22,848 --> 00:02:23,360
Converter
53
00:02:23,872 --> 00:02:27,712
I've been using our Medics forever
54
00:02:27,968 --> 00:02:29,504
I think investment-wise the
55
00:02:29,760 --> 00:02:31,552
It was like the best thing I ever bought
56
00:02:32,064 --> 00:02:34,368
It's like you know a good asio
57
00:02:36,672 --> 00:02:37,696
PCI card
58
00:02:37,952 --> 00:02:41,280
Hermione and it just had a tins 8 oz
59
00:02:41,536 --> 00:02:44,352
Which was more than enough found because I only
60
00:02:45,120 --> 00:02:46,656
Even to this day really only
61
00:02:47,168 --> 00:02:47,680
Need
62
00:02:47,936 --> 00:02:51,008
Why one stereo setup inputs at a time unless you start
63
00:02:51,264 --> 00:02:53,824
Compassion crazy amounts of gear and then you're going to need
64
00:02:54,080 --> 00:02:55,872
Sick IO for that but
65
00:02:56,384 --> 00:03:00,224
To get started like a a 4 x 4 for in 4oz or
66
00:03:00,736 --> 00:03:02,272
You know even you know
67
00:03:03,808 --> 00:03:06,624
2 in 2 out like the echo am I a witch
68
00:03:07,136 --> 00:03:10,464
I think it's discontinued bad. There's a whole bunch of similar products out there
69
00:03:10,976 --> 00:03:15,328
But that the point is is that it should be a dedicated audio processing
70
00:03:15,584 --> 00:03:16,096
PAN card
71
00:03:16,352 --> 00:03:18,912
And not the one built into your motherboard and
72
00:03:19,424 --> 00:03:20,448
Like that just because that's not
73
00:03:21,472 --> 00:03:24,032
The drivers fortnite stuff just aren't up to
74
00:03:24,288 --> 00:03:25,056
Bar to handle life
75
00:03:25,568 --> 00:03:26,336
You know the true part of
76
00:03:26,592 --> 00:03:27,616
Having all these recipes
77
00:03:27,872 --> 00:03:29,664
And running them in really low lately
78
00:03:30,432 --> 00:03:31,456
That's that's like
79
00:03:31,712 --> 00:03:33,760
The first thing you need to get started
80
00:03:39,392 --> 00:03:40,160
Start
81
00:03:40,416 --> 00:03:41,184
Producing
82
00:03:41,440 --> 00:03:45,536
Music on your own I mean yeah I mean you're going to need a digital audio workstation to matter what
83
00:03:46,816 --> 00:03:49,120
And you know I'm that can be anywhere from
84
00:03:50,912 --> 00:03:53,984
$200 copy of Fruity Loops to you know
85
00:03:54,240 --> 00:03:55,776
An 800 dollar copy of
86
00:03:56,032 --> 00:03:57,312
Cubase I org
87
00:03:57,568 --> 00:03:58,336
Norway bladder
88
00:04:01,152 --> 00:04:02,432
Ableton
89
00:04:02,688 --> 00:04:05,760
You know this all sorts of options out there bit way again
90
00:04:06,528 --> 00:04:09,344
Hi stuff so I mean there's a lot of Dosh that
91
00:04:09,856 --> 00:04:16,000
Behave differently and you know but they all kind are the same under the hood and in the effect of you know you can
92
00:04:16,256 --> 00:04:16,768
Import
93
00:04:17,024 --> 00:04:21,631
Audio data it can record audio and a Smitty and has we St support
94
00:04:22,399 --> 00:04:23,167
They all do
95
00:04:23,679 --> 00:04:25,215
You're going to have to experiment and I'm not
96
00:04:25,727 --> 00:04:31,871
Saying you don't you have to go and buy $30 and then start screwing around with him but I can guarantee you by Bob
97
00:04:32,127 --> 00:04:35,199
9% all of them are looking to have trial version so you can go and
98
00:04:35,967 --> 00:04:42,111
Grab and you just might not be able to export something or something the other but you know nothing's off-limits we have an internet connection
99
00:04:42,367 --> 00:04:43,135
Connection in a computer
100
00:04:43,647 --> 00:04:45,439
That supports that kind of stuff
101
00:04:45,951 --> 00:04:47,231
So you know
102
00:04:47,487 --> 00:04:49,535
Experimenting in terms of
103
00:04:49,791 --> 00:04:51,071
Software is like
104
00:04:52,095 --> 00:04:52,863
A great idea
105
00:04:53,119 --> 00:04:53,887
So you just have to
106
00:04:54,143 --> 00:04:55,167
The going find which one
107
00:04:55,423 --> 00:05:00,287
Not the one you're most comfortable with and then pick that one because that's not that's a lot of
108
00:05:01,311 --> 00:05:07,455
Duchess set you up for failure right there because then you're you're at the mercy of this dog you know in the end you're locked into what
109
00:05:07,711 --> 00:05:10,271
The Stars workflow it so your workflow can
110
00:05:10,783 --> 00:05:11,295
Connor
111
00:05:11,807 --> 00:05:16,415
Play off of the features of one guy software so your ideas are
112
00:05:16,927 --> 00:05:18,975
Basically being constrained and controlled by
113
00:05:19,743 --> 00:05:21,023
Few developers and not
114
00:05:22,047 --> 00:05:22,559
You know the
115
00:05:22,815 --> 00:05:24,351
The whole in Paradiso
116
00:05:24,607 --> 00:05:26,399
The more that you play with the more
117
00:05:26,911 --> 00:05:27,679
You can expect
118
00:05:28,959 --> 00:05:30,751
Be able to do in any of them
119
00:05:37,919 --> 00:05:39,455
As far as Hardware
120
00:05:39,711 --> 00:05:41,503
Since covid-19 dead the first
121
00:05:42,271 --> 00:05:48,415
Kind of all rounder sent that I bought that I found really useful in a lot of my Productions was the access
122
00:05:48,671 --> 00:05:49,695
Virus ti2
123
00:05:49,951 --> 00:05:50,463
It was called
124
00:05:50,975 --> 00:05:52,767
And they make a desktop version of that
125
00:05:53,023 --> 00:05:53,535
You know that's
126
00:05:54,303 --> 00:05:57,119
Super cheapest but I mean
127
00:05:57,887 --> 00:05:58,399
Just that
128
00:05:59,679 --> 00:06:02,495
Although the Sonic possibilities I got out of that thing
129
00:06:03,007 --> 00:06:03,519
Straight
130
00:06:04,031 --> 00:06:04,543
My
131
00:06:04,799 --> 00:06:10,943
First kind of upgrade when I I started make money was to buy an actual sent the you know I went out and got a
132
00:06:11,199 --> 00:06:12,991
Rackmount Moog Voyager
133
00:06:14,527 --> 00:06:15,295
Which was like you know
134
00:06:15,551 --> 00:06:16,575
Hey Samantha.
135
00:06:16,831 --> 00:06:17,599
The cheapest smoking
136
00:06:17,855 --> 00:06:18,367
Get butt
137
00:06:18,623 --> 00:06:20,671
Wasn't cheap by a long shot when you're making like
138
00:06:21,439 --> 00:06:23,487
Center bucks a week or something like that
139
00:06:23,999 --> 00:06:25,791
And I didn't worry about
140
00:06:26,047 --> 00:06:27,071
You know having a
141
00:06:27,583 --> 00:06:30,911
Portico ndpr aventide or Weis
142
00:06:31,423 --> 00:06:31,935
Yo at
143
00:06:32,191 --> 00:06:33,727
Until way later in my car
144
00:06:33,983 --> 00:06:34,495
Career
145
00:06:35,263 --> 00:06:36,543
That's just this is all
146
00:06:37,055 --> 00:06:37,567
Super nit
147
00:06:38,079 --> 00:06:38,591
Looking at this point
148
00:06:44,991 --> 00:06:48,575
I wouldn't recommend doing this on headphones open ear is
149
00:06:49,087 --> 00:06:49,855
The best referee
150
00:06:50,111 --> 00:06:50,623
Prince you're going to get
151
00:06:51,135 --> 00:06:51,647
Headphones
152
00:06:51,903 --> 00:06:55,487
From model to Model A can just be so deceiving
153
00:06:57,791 --> 00:06:58,303
Even with
154
00:06:58,559 --> 00:07:00,351
You know really high-quality listening at
155
00:07:00,607 --> 00:07:01,631
Headphones like the really
156
00:07:01,887 --> 00:07:02,399
Expensive
157
00:07:02,911 --> 00:07:03,935
Sinai's rhe 8
158
00:07:04,959 --> 00:07:05,471
Those are
159
00:07:05,727 --> 00:07:06,239
Pretty table
160
00:07:07,775 --> 00:07:08,287
Let you know
161
00:07:08,799 --> 00:07:09,567
It doesn't quite
162
00:07:09,823 --> 00:07:10,335
Reproduce
163
00:07:10,591 --> 00:07:11,103
The sound that you're
164
00:07:11,359 --> 00:07:11,871
Give me here in Anoka
165
00:07:12,383 --> 00:07:12,895
Space because
166
00:07:13,407 --> 00:07:13,919
Simulate
167
00:07:14,943 --> 00:07:16,223
Call it goes directly in your
168
00:07:16,479 --> 00:07:16,991
Ears
169
00:07:17,247 --> 00:07:23,391
It's okay for sketching out ideas at low levels but in terms of your ear hearing health I wouldn't recommend
170
00:07:23,903 --> 00:07:24,415
Because
171
00:07:24,927 --> 00:07:29,791
As you start to make music or you're listening to music you have a tendency to keep
172
00:07:30,047 --> 00:07:31,839
Turning up the game and it's kind of like a
173
00:07:32,095 --> 00:07:33,119
The frog in a boiling
174
00:07:33,375 --> 00:07:33,887
Pottorff
175
00:07:34,399 --> 00:07:34,911
If you put a
176
00:07:35,679 --> 00:07:37,983
Frog in a Boiling Pot of water is going to jump right out
177
00:07:38,239 --> 00:07:39,519
Just like if you get into a room
178
00:07:39,775 --> 00:07:40,543
Blasting you like
179
00:07:40,799 --> 00:07:42,335
We have to leave because it's like
180
00:07:42,591 --> 00:07:43,103
100
181
00:07:44,639 --> 00:07:45,151
TD bewitch
182
00:07:45,663 --> 00:07:46,175
Insanely loud
183
00:07:46,687 --> 00:07:47,455
But
184
00:07:47,711 --> 00:07:49,247
If you put the frog in a
185
00:07:49,503 --> 00:07:53,343
A lukewarm it'll just kind of sat there and as you heat it up that frogs not going to
186
00:07:55,135 --> 00:07:55,903
Sit there
187
00:07:56,159 --> 00:07:57,439
Simmer and get used to it and then
188
00:07:57,951 --> 00:07:59,231
Musical Boyland Diana
189
00:07:59,743 --> 00:08:00,511
Ultimately.
190
00:08:01,023 --> 00:08:03,327
Kind of what'll happen to your years to as you do you get
191
00:08:03,583 --> 00:08:04,607
Used to hearing like
192
00:08:04,863 --> 00:08:06,143
70 DB Within
193
00:08:07,423 --> 00:08:10,751
Quiet you keep riding the volume riding volume up and up and up and up
194
00:08:11,519 --> 00:08:12,543
And then you take your headphone
195
00:08:12,799 --> 00:08:15,615
Phones off and you'll notice if you've been working for a really long time like
196
00:08:15,871 --> 00:08:16,639
Like 384 hours
197
00:08:17,407 --> 00:08:18,175
And then you've been doing
198
00:08:18,687 --> 00:08:19,967
And you actually walk out
199
00:08:20,479 --> 00:08:21,247
5 minute break
200
00:08:21,759 --> 00:08:25,087
Walk back in don't change a thing put those headphones on and hit you
201
00:08:25,343 --> 00:08:27,903
You'll actually be thrown back by how loud you were listening
202
00:08:29,951 --> 00:08:33,023
I think you really shouldn't do any any any more prone to hearing damage
203
00:08:33,279 --> 00:08:33,791
Monster headphones
204
00:08:34,815 --> 00:08:35,327
You know
205
00:08:36,095 --> 00:08:36,607
A pair of
206
00:08:42,495 --> 00:08:44,799
Monitors I get questioned about a lot
207
00:08:45,055 --> 00:08:46,335
Actually end
208
00:08:46,847 --> 00:08:49,663
What I'm running here these like
209
00:08:50,431 --> 00:08:52,735
Crazy atc's with your liking
210
00:08:52,991 --> 00:08:53,503
Supertramp
211
00:08:53,759 --> 00:08:55,039
Experimenting
212
00:08:56,319 --> 00:08:57,087
Expensive bike
213
00:08:57,343 --> 00:08:58,623
You don't need that
214
00:08:59,135 --> 00:08:59,647
But
215
00:08:59,903 --> 00:09:02,207
You do need monitors that you know
216
00:09:02,719 --> 00:09:06,047
Meaning that you could go out and you know get a pair of like
217
00:09:06,559 --> 00:09:07,327
Caracal
218
00:09:07,583 --> 00:09:09,631
Rokit 8 sir you know
219
00:09:10,143 --> 00:09:10,655
There
220
00:09:10,911 --> 00:09:14,239
Pretty reasonably priced Rim audio stuff for anything--but
221
00:09:14,751 --> 00:09:20,127
When you're monitoring making your own music and stuff like that you should really listen to and get familiarize
222
00:09:20,383 --> 00:09:21,151
The stuff that you liked
223
00:09:21,407 --> 00:09:22,943
To hearing your car wherever
224
00:09:23,199 --> 00:09:24,735
On those monitors so
225
00:09:24,991 --> 00:09:31,135
I do I listen to my own stuff because I know it on different sets of monitors and then I'll know how to like kind of compensate my neck
226
00:09:31,391 --> 00:09:32,671
Max to make it match so
227
00:09:32,927 --> 00:09:34,719
The options are pretty much
228
00:09:35,487 --> 00:09:38,815
Endless when it comes to choosing monitors that work for you but
229
00:09:39,071 --> 00:09:41,119
The idea is to be in a room
230
00:09:41,375 --> 00:09:42,655
That is
231
00:09:43,167 --> 00:09:44,703
Pretty small
232
00:09:45,727 --> 00:09:48,799
And non-parallel walls
233
00:09:49,055 --> 00:09:49,823
Would be great
234
00:09:50,335 --> 00:09:51,359
Just because
235
00:09:51,615 --> 00:09:52,639
Yeah the sound bounces
236
00:09:52,895 --> 00:09:57,503
Casino so if it's bouncing off the back of a wall and coming back hearing all these weird reflections
237
00:09:57,759 --> 00:09:58,527
And stuff like that
238
00:09:58,783 --> 00:10:04,671
And it doesn't allow it it doesn't really hinder a lot of like of the writing process but the mixing and mastering in my
239
00:10:04,927 --> 00:10:06,463
It might get a little weird there
240
00:10:07,487 --> 00:10:08,511
Having a separate
241
00:10:08,767 --> 00:10:10,815
South is a good idea too but
242
00:10:11,327 --> 00:10:16,447
You know you have to be really careful with that because a lot of guys I know that have separate sub sometimes
243
00:10:17,727 --> 00:10:20,287
You know drive too much signal to the sub
244
00:10:20,543 --> 00:10:26,431
For you know when they're mixing or mastering if you're making music it doesn't again it doesn't really matter
245
00:10:26,943 --> 00:10:33,087
But you know when it comes down to fine-tuning you the process it it might would cuz you can easily go way to
246
00:10:33,343 --> 00:10:34,623
Heavy on the sub but then
247
00:10:35,135 --> 00:10:39,487
When you play it back on another system like you don't want to test your mix out in the club or something I was
248
00:10:39,743 --> 00:10:42,303
This could just be like overloaded beside because
249
00:10:42,815 --> 00:10:46,911
The way that you made it if you don't sound as good in your room but it did just didn't translate on it
250
00:10:47,167 --> 00:10:48,191
On a tune cyst
251
00:10:50,239 --> 00:10:54,079
Be careful with that that's why I like working at flow volumes like
252
00:10:55,103 --> 00:10:59,199
Semi maximum listening level is maybe like 85db
253
00:11:06,367 --> 00:11:12,511
That's about 85db
254
00:11:12,767 --> 00:11:18,399
Now yeah so it's like 85 decibels
255
00:11:18,655 --> 00:11:19,935
In this room is
256
00:11:20,191 --> 00:11:20,703
Doesn't
257
00:11:20,959 --> 00:11:27,103
Isn't perceived to be very loud but it actually is if you and he listened to that at this level for like about 20 minutes
258
00:11:27,359 --> 00:11:30,175
Start raining that sounds really quiet but it's not
259
00:11:31,967 --> 00:11:38,111
But anyway around there is kind of like what I mix at on the I'm not I'm not stopping because you know if you start
260
00:11:38,623 --> 00:11:44,767
Start really like driving the mix and then you don't need that you feel in your chest not stuff you get like what's called like listening
261
00:11:45,023 --> 00:11:49,119
Fatigue
262
00:11:49,631 --> 00:11:52,191
A course of time like being at a really loud concert
263
00:11:52,703 --> 00:11:53,983
Nicest good practices
264
00:11:54,239 --> 00:11:54,751
Good for your ears
265
00:11:55,007 --> 00:11:55,519
Send
266
00:11:56,287 --> 00:11:57,567
And I'll thank you for that
267
00:11:57,823 --> 00:11:59,359
When you're about as old as Phil Collins
268
00:12:05,503 --> 00:12:07,551
You can totally make a
269
00:12:07,807 --> 00:12:10,367
Professional sounding track in a bedroom Studio
270
00:12:10,879 --> 00:12:11,903
Play people do all time
271
00:12:12,415 --> 00:12:17,279
I mean wait for f****** Skrillex's masterclass he'll laptop you up and down the f****** block
272
00:12:19,327 --> 00:12:25,471
I'm serious he will because it's all uses you know and you can get really creative with all this in the
273
00:12:25,727 --> 00:12:27,263
Box top so there's really
274
00:12:27,519 --> 00:12:28,287
There's a
275
00:12:28,543 --> 00:12:32,895
A very blurry line between you know kind of what I'm doing and you know
276
00:12:33,151 --> 00:12:37,759
With all this s*** and then what you can just do using plugins you know I'm because it's like
277
00:12:39,551 --> 00:12:45,695
I hate to say it but you know a lot of people don't care that you know they're listening 228 kilobit in
278
00:12:45,951 --> 00:12:46,463
MP3 files
279
00:12:46,975 --> 00:12:47,743
When there's
280
00:12:48,255 --> 00:12:51,839
16-bit 44 1nn you would be
281
00:12:52,607 --> 00:12:56,191
Awkwardly surprised with how many people can't hear the difference which is
282
00:12:56,703 --> 00:12:58,495
Heartbreaking innocence but
283
00:12:59,007 --> 00:13:00,031
It is what it is
284
00:13:00,543 --> 00:13:01,823
So the process of
285
00:13:02,079 --> 00:13:06,431
What you're using Universe obviously been debunked to s*** but what what
286
00:13:06,687 --> 00:13:07,967
People dulac is
287
00:13:09,503 --> 00:13:15,647
The ideas the forming of The Melodies and all that kind of stuff that's all super important s*** because weather
288
00:13:15,903 --> 00:13:19,231
In the f****** $2000000 room with every f******
289
00:13:19,487 --> 00:13:23,583
Consume Thor you're in on a laptop or whatever if you don't have
290
00:13:24,863 --> 00:13:25,631
The ideas
291
00:13:25,887 --> 00:13:30,751
Casino in in the melodic structure in into know what notes sound good together then you're
292
00:13:31,007 --> 00:13:32,543
But either way dude you know
293
00:13:32,799 --> 00:13:34,591
So that's that's
294
00:13:34,847 --> 00:13:38,175
That's really refreshing to know like I would imagine if you
295
00:13:38,431 --> 00:13:38,943
We're doing this
296
00:13:39,199 --> 00:13:39,711
On a budget
21307
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
Esperanto
Estonian
Faroese
Filipino
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hungarian
Icelandic
Indonesian
Interlingua
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Montenegrin
Nepali
Norwegian
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof
