All language subtitles for 12-03 - The deadmau5 Process Practice - deadmau5 Teaches Electronic Music Production

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These are the user uploaded subtitles that are being translated: 1 00:00:06,144 --> 00:00:07,168 I don't have 2 00:00:07,680 --> 00:00:09,984 You know that ability 3 00:00:10,496 --> 00:00:12,544 Like I'm not a piano so I can't just sit down at a 4 00:00:12,800 --> 00:00:15,616 Piano on a midi keyboard and wired up to 5 00:00:15,872 --> 00:00:18,432 You know my work station and and then play the card 6 00:00:20,480 --> 00:00:22,528 And then I scored neck what I can't even do that 7 00:00:22,784 --> 00:00:27,904 The way I work on songs from start to finish in their entirety or like always and little piece 8 00:00:28,160 --> 00:00:32,512 Is Karen there it just doesn't go ABCDEFG ABCDEFG 9 00:00:32,768 --> 00:00:35,584 What happens is that all dry routenote 10 00:00:35,840 --> 00:00:37,120 And then another note 11 00:00:37,376 --> 00:00:40,192 You know and then and then just have like a to hold the bass 12 00:00:40,704 --> 00:00:41,728 It's right and then 13 00:00:41,984 --> 00:00:43,520 Lairon 14 00:00:44,032 --> 00:00:44,800 You know some 15 00:00:45,056 --> 00:00:47,360 Counter Melody notes with it and then 16 00:00:47,872 --> 00:00:50,432 And then go from the last cord to the second cord 17 00:00:50,688 --> 00:00:55,296 So the first chord the end of the third quarter and then just keep juggling around until it's complete 18 00:01:02,720 --> 00:01:04,256 You know you can go in here 19 00:01:04,512 --> 00:01:05,536 I mean just start 20 00:01:05,792 --> 00:01:07,072 Plotting away your malady 21 00:01:07,584 --> 00:01:08,608 So 22 00:01:08,864 --> 00:01:09,888 Here's where you would 23 00:01:10,144 --> 00:01:15,776 Either hook up a midi controller and go in and you don't play the notes that you know how to play or you can 24 00:01:16,032 --> 00:01:16,800 Simply just 25 00:01:17,056 --> 00:01:19,616 Dramamine 26 00:01:23,968 --> 00:01:24,480 So 27 00:01:25,248 --> 00:01:31,392 There've got a root setup 28 00:01:31,648 --> 00:01:33,184 But 29 00:01:33,440 --> 00:01:34,464 Way out of 30 00:01:36,000 --> 00:01:36,512 Lincare 31 00:01:37,792 --> 00:01:43,936 Thought some stuff around and then you know why I do this pretty quick now but you know before 8 he was a little come 32 00:01:44,192 --> 00:01:46,496 Cumbersome using a mouse and keyboard on that stop that 33 00:01:46,752 --> 00:01:52,896 It is becoming familiar with your. And knowing it do you want that up an octave while I could sit here and then 34 00:01:53,152 --> 00:01:54,432 And then go up an octave 35 00:01:54,944 --> 00:01:59,808 Or if you know you know the shortcut you know you just had shift and then one of these arrows now and you're just 36 00:02:00,064 --> 00:02:01,600 Doing an intervals 37 00:02:04,160 --> 00:02:10,304 So it it it's it's really handy that you don't become super familiar with the tools that you're using me 38 00:02:10,560 --> 00:02:12,608 They're all designed to save time and 39 00:02:13,120 --> 00:02:14,656 And do all this stuff so 40 00:02:14,912 --> 00:02:20,288 And then once I kind of have a base structure set in all 41 00:02:20,544 --> 00:02:21,568 Change the password 42 00:02:26,688 --> 00:02:28,224 Increase the polysemy armor 43 00:02:31,552 --> 00:02:32,064 And then 44 00:02:32,576 --> 00:02:33,088 Just start 45 00:02:33,344 --> 00:02:33,856 Doing something 46 00:02:38,720 --> 00:02:41,024 No that's alright 47 00:02:51,776 --> 00:02:55,360 That's how I kind of come up with my cord structures here 48 00:02:58,432 --> 00:03:01,248 Oh but then I want to Major there sure why not 49 00:03:02,784 --> 00:03:05,088 Drop that down 7 50 00:03:21,728 --> 00:03:27,104 Three cords right no particular time are they going to shut that metronome off is driving crazy where I'm going or not 51 00:03:30,432 --> 00:03:31,456 Okay so then 52 00:03:32,992 --> 00:03:34,016 I kind of like a 53 00:03:34,272 --> 00:03:38,112 This is how I would start a song so there you have your kind of your route cord there 54 00:03:40,160 --> 00:03:45,024 I wouldn't begin shaping any kind of sound style out of it I just 55 00:03:47,840 --> 00:03:53,984 So I kind of like the way that those notes go together then and then it comes about phrasing 56 00:03:54,240 --> 00:03:54,752 Alright so 57 00:03:55,008 --> 00:03:59,360 What you actually can do in this is what I find this most useful for is 58 00:03:59,616 --> 00:04:05,760 Going into like a sound Library like this Vengeance guys is all they do is they s*** out these 59 00:04:06,272 --> 00:04:09,088 Music libraries are drum Loop Library so they just 60 00:04:09,856 --> 00:04:13,184 The stuff like that but I just basically used as 61 00:04:13,440 --> 00:04:14,976 Temporary metronome 62 00:04:15,232 --> 00:04:16,256 If you will show up 63 00:04:16,768 --> 00:04:19,071 I said there's a lot of websites out there to read likes 64 00:04:19,327 --> 00:04:20,351 Splice.com that you 65 00:04:20,607 --> 00:04:21,119 Have 66 00:04:21,375 --> 00:04:27,263 Terabytes upon terabytes of libraries from different musicians and artists that go in and then create these 67 00:04:27,775 --> 00:04:31,103 Loop libraries where you can go and download you know this or that 68 00:04:32,639 --> 00:04:36,735 At the end of the day you're going to get like stuff like this where 69 00:04:43,903 --> 00:04:44,927 And then it's 70 00:04:45,183 --> 00:04:47,231 Of course you got to spend some time to go and 71 00:04:47,487 --> 00:04:49,279 Find Sunita moderately works but 72 00:04:49,791 --> 00:04:50,303 Just 73 00:04:50,559 --> 00:04:54,911 For humor sake will will use this and what this is going to do is just going to keep a 74 00:04:56,703 --> 00:04:57,983 A time for me 75 00:05:00,287 --> 00:05:01,055 Tannerite 76 00:05:04,127 --> 00:05:05,919 Sad part is is half a truck right there 77 00:05:08,223 --> 00:05:10,015 Now I use that Loop 78 00:05:10,271 --> 00:05:10,783 Not 79 00:05:11,295 --> 00:05:17,183 Heading out print in my production because that's just lazy as hell I mean you can do that and lots of people do 80 00:05:17,695 --> 00:05:18,719 Shockingly enough 81 00:05:19,487 --> 00:05:23,327 But I'm just going to use that as just kind of a bad 82 00:05:24,351 --> 00:05:25,119 Thing to hold 83 00:05:25,375 --> 00:05:28,447 X Y know where these chords going to go so I'm just going to kind of 84 00:05:28,959 --> 00:05:29,727 50 is out 85 00:05:29,983 --> 00:05:30,495 For a second 86 00:05:33,567 --> 00:05:37,663 That's who I know why won't my first chord to go there and then 87 00:05:43,039 --> 00:05:48,671 And then second cord there 88 00:05:50,463 --> 00:05:51,231 Shutdown 89 00:06:01,471 --> 00:06:06,335 And I'm not going to get carried onto the end of those four bars so you're like halfway done your 90 00:06:06,591 --> 00:06:07,871 Being right there 91 00:06:09,151 --> 00:06:10,175 So I'm going to consolidate 92 00:06:10,431 --> 00:06:16,575 That within the Don you going to learn all these tricks within the dawso so I can know who control Jay basically takes like a whole thing and 93 00:06:16,831 --> 00:06:18,879 Consolidated into one big clip 94 00:06:19,391 --> 00:06:21,951 Ableton you'll find is very like Cliff based and then 95 00:06:22,719 --> 00:06:25,791 Actually all are more or less kind of Clippers 96 00:06:26,559 --> 00:06:28,351 I'm so now I have this 97 00:06:28,607 --> 00:06:33,215 The series of you know four bars here that's just doing that now it needs a 98 00:06:33,727 --> 00:06:34,751 I'll resolve 99 00:06:35,007 --> 00:06:37,823 Or a dozen I don't know I feel it should 100 00:06:38,079 --> 00:06:44,223 Because that's just my taste but 101 00:06:47,807 --> 00:06:53,695 Okay go down for the road just for a second half and then we'll call it that I mean you could you could 102 00:06:54,719 --> 00:06:56,767 The town on this and do the whole track that 103 00:07:01,631 --> 00:07:02,911 Stone Miner 104 00:07:04,447 --> 00:07:06,751 Fashionable Bangladesh 105 00:07:08,543 --> 00:07:09,055 Alright 106 00:07:20,063 --> 00:07:26,207 SMS my life right now because if I could just play it I'd play it but I can 107 00:07:26,463 --> 00:07:26,975 Can't so I have to 108 00:07:27,231 --> 00:07:27,999 Drive 109 00:08:06,911 --> 00:08:09,727 Article good enough so there is a 110 00:08:11,263 --> 00:08:12,287 8 bar Loop 111 00:08:12,543 --> 00:08:16,127 Now that I've kind of got something in there 112 00:08:17,919 --> 00:08:24,063 I'm going to need that loot there because now I know where the timing says everything. Alternatively you can just music 113 00:08:24,319 --> 00:08:29,695 Anything just as long as you know where that thing is now you sending Temple 114 00:08:30,207 --> 00:08:30,719 LOL 115 00:08:43,775 --> 00:08:44,287 F****** 116 00:08:47,103 --> 00:08:51,455 Sure good enough you can find kind of year 117 00:08:51,711 --> 00:08:52,223 Where your 118 00:08:52,735 --> 00:08:58,111 Your base is going to set that's why I say so students of the root notes here basically meaning that 119 00:08:59,135 --> 00:09:05,279 These are all going to get like you know either octave down or something to for a baseline to follow or something like that this is just one 120 00:09:05,535 --> 00:09:06,047 Send 121 00:09:08,095 --> 00:09:14,239 I guess what I would do is then figure out where it should sit in what key 122 00:09:14,751 --> 00:09:20,895 So I can bring it down 123 00:09:27,551 --> 00:09:28,575 Diaspora 124 00:09:30,111 --> 00:09:30,879 And then 125 00:09:31,135 --> 00:09:35,487 You know I'm just trying to find that low know that's and that's something I do 126 00:09:35,743 --> 00:09:37,279 You know something that resonates well 127 00:09:37,791 --> 00:09:39,583 And it's it's usually around like 128 00:09:40,095 --> 00:09:41,631 Garanti 129 00:09:42,143 --> 00:09:45,983 Steve to ask kind of range of 1 witches 130 00:09:47,007 --> 00:09:51,871 Pretty low now like s*** I I wish I knew that the frequency of that 131 00:09:54,431 --> 00:09:55,199 Whatever 132 00:09:55,455 --> 00:10:00,063 Extend my knowledge of audio frequency 133 00:10:00,831 --> 00:10:03,391 I don't know maybe to me around like 134 00:10:04,159 --> 00:10:04,927 80 Hertz 135 00:10:05,183 --> 00:10:05,951 8090 136 00:10:06,207 --> 00:10:10,303 Which is like not quite sub but it's still pretty low 137 00:10:11,071 --> 00:10:13,887 Stop being the frequencies that you don't really 138 00:10:14,143 --> 00:10:15,423 Your butt kind of feel 139 00:10:15,679 --> 00:10:20,799 So if I pull another octave down on that and then do what I was supposed to do before and 140 00:10:22,079 --> 00:10:24,127 Increase the pool if me on this you don't have to do this 141 00:10:24,383 --> 00:10:27,199 No sense cuz this is actually not commercially available 142 00:10:27,455 --> 00:10:29,247 But All Saints do this 143 00:10:29,759 --> 00:10:35,903 You got that sub now 144 00:10:36,159 --> 00:10:42,303 Now within this plugin in this is like any 145 00:10:42,559 --> 00:10:48,703 Since you're going to have things like you know frequency resonance and envelopes and all these different little options like unison 146 00:10:53,567 --> 00:10:59,711 Now that this is no different than that it's just all the wires already connected in here and buy you know 147 00:11:00,223 --> 00:11:02,271 Switching options on and off 148 00:11:02,527 --> 00:11:03,807 And stuff like that is just like you know 149 00:11:04,063 --> 00:11:06,623 Pulling a plug in and out of that thing so it's 150 00:11:07,391 --> 00:11:08,671 This isn't really about 151 00:11:09,183 --> 00:11:15,327 Synthesizing and making cool patches and Engineering the sound this is just more about music making so 152 00:11:15,583 --> 00:11:17,375 And in the way I do it so 153 00:11:17,631 --> 00:11:20,703 Now another thing I want to do is like I'm on a break that up 154 00:11:22,495 --> 00:11:23,007 Because 155 00:11:23,519 --> 00:11:24,543 Maybe there's a 156 00:11:24,799 --> 00:11:29,663 Part where you know you don't want this this whole Jeron going on for the whole arrangement 157 00:11:31,199 --> 00:11:31,967 There are 158 00:11:33,247 --> 00:11:39,391 Number different ways to kind of switch it up and and one would be like using an arpeggiator again every 159 00:11:39,647 --> 00:11:41,183 I would have one of these 160 00:11:41,951 --> 00:11:48,095 In their basic ones and then they're like super more complicated ones like another 161 00:11:48,351 --> 00:11:49,887 Plug-in We Roll Call Cthulhu and 162 00:11:50,655 --> 00:11:53,983 Stuff like that but just for demonstration sakes 163 00:11:54,239 --> 00:12:00,383 Arpeggiator will take that whole idea there and it was a little arpeggiate than out so 164 00:12:07,039 --> 00:12:13,183 Praise just know by know different ways of doing that 165 00:12:20,607 --> 00:12:23,679 Once you that that's like one way to do it and then of course 166 00:12:23,935 --> 00:12:26,751 You know when you kind of all KY like that pattern 167 00:12:27,007 --> 00:12:33,151 I want to work with that you know and then 168 00:12:33,407 --> 00:12:39,551 Change some of the parameters on that 169 00:12:39,807 --> 00:12:40,831 Way to do it 170 00:12:41,855 --> 00:12:42,367 So 171 00:12:43,135 --> 00:12:49,279 I don't know and then it comes down to it you know throwing other at the most dogs come with like their own set of built-in plug 172 00:12:49,535 --> 00:12:55,679 And live comes with like a ton of like a fax and stuff so I've got a bit of Reverb on it 173 00:13:05,407 --> 00:13:11,551 Point is is that once you have this track structure in the melody all laid out and stuff like that it's good to 174 00:13:11,807 --> 00:13:17,951 To have it like you know in full format like that and then drag it off as Eclipse but you'll never lose the whole frame 175 00:13:18,207 --> 00:13:18,719 Raise 176 00:13:18,975 --> 00:13:22,047 Take it all sorts of different direction 177 00:13:22,303 --> 00:13:24,351 You know your your post processing 178 00:13:24,607 --> 00:13:26,655 That's kind of how I start 179 00:13:27,167 --> 00:13:30,751 And what I'll do is I'll just call this like I don't know idea 180 00:13:36,383 --> 00:13:41,503 This is good practice I don't normally do this but I think everyone should do this so I don't necessarily always practice 181 00:13:41,759 --> 00:13:42,271 What I preach 182 00:13:42,783 --> 00:13:43,807 Okay so now here is 183 00:13:45,343 --> 00:13:47,391 Here's my like big Bank of 184 00:13:47,647 --> 00:13:50,719 Crap like I I've just got all these clips 185 00:13:50,975 --> 00:13:52,767 And ideas and end things so 186 00:13:53,279 --> 00:13:55,583 Whether this track is finished or not. 187 00:13:56,095 --> 00:14:00,959 For the sake of this doesn't really matter so here I got this full argolla August 2017 in 188 00:14:01,215 --> 00:14:01,727 Whatever 189 00:14:01,983 --> 00:14:07,103 Play the take this clip and me and you can do this with Ableton and you or you could do with Cubase whatever you want like 190 00:14:07,359 --> 00:14:13,503 You can export this is midi daytime midi data is universally known throughout every dog right 191 00:14:13,759 --> 00:14:19,903 But within Ableton you don't necessarily have to do that because it has its own proprietary clip format so you don't have 192 00:14:20,159 --> 00:14:21,695 The export midi or anything like that 193 00:14:21,951 --> 00:14:23,999 Sims 4 only working in Ableton right now 194 00:14:24,255 --> 00:14:25,023 I can take this 195 00:14:25,535 --> 00:14:26,559 And then drop it in here 196 00:14:27,071 --> 00:14:29,631 I've got this thing called idea masterclass 197 00:14:34,495 --> 00:14:38,079 And you know and whether this goes anywhere are not past this 198 00:14:38,335 --> 00:14:42,943 Thing I can actually open up limiting open up saying I was working on the other night 199 00:14:43,967 --> 00:14:48,063 In this is what really helps me in writing music is if I get 200 00:14:48,319 --> 00:14:49,855 So stuck on an idea 201 00:14:54,975 --> 00:14:57,279 Slowest fastest computer you can buy 202 00:14:58,047 --> 00:14:58,559 This one 203 00:15:02,655 --> 00:15:03,423 F****** it while now 204 00:15:04,703 --> 00:15:05,215 Project Pat 205 00:15:07,775 --> 00:15:09,055 So 206 00:15:12,639 --> 00:15:15,199 Echo like a drum pattern in there and then I can probably 207 00:15:15,455 --> 00:15:15,967 LOL 208 00:15:25,183 --> 00:15:29,279 That's all like one big drum thing now 209 00:15:30,047 --> 00:15:30,815 If I was so 210 00:15:35,679 --> 00:15:36,191 Thinking it's 211 00:15:36,959 --> 00:15:43,103 I have this like drums from one track I can just take my clip over and 212 00:15:43,359 --> 00:15:46,687 This translates from every other day and then I can just throw it in Exton 213 00:15:46,943 --> 00:15:51,551 Now I have 214 00:15:51,807 --> 00:15:56,159 And of course then you start getting into you know things like compression and stuff like that 215 00:15:57,439 --> 00:15:58,207 AmmoSeek 216 00:15:59,231 --> 00:16:01,023 Have that sit in there a little nicer 217 00:16:01,791 --> 00:16:02,303 Sidechain 218 00:16:03,583 --> 00:16:04,095 Mitek 219 00:16:08,447 --> 00:16:14,591 Better 220 00:16:20,991 --> 00:16:21,759 Tanqueray 221 00:16:22,271 --> 00:16:28,159 You know that's kind of what I mean by The Potato Head edn thing except for 222 00:16:28,415 --> 00:16:32,767 By content like that and then just Stitch it together and then call it your own 223 00:16:33,023 --> 00:16:34,559 Oddly enough but I mean 224 00:16:35,071 --> 00:16:39,423 I I I did I do it too but I do it with all the content and clips that I've met 225 00:16:40,191 --> 00:16:46,335 Now I literally shot that out without even thinking about it because I know in in my head 226 00:16:46,847 --> 00:16:49,663 Certain notes resonate together nice and and 227 00:16:49,919 --> 00:16:51,199 Certain notes don't but 228 00:16:51,967 --> 00:16:56,319 You can't distinguish between what works and what doesn't like I said all the all the amount of 229 00:16:56,831 --> 00:16:57,599 Gear and 230 00:16:57,855 --> 00:17:01,183 Install for whatever is is not going to help your case 231 00:17:01,695 --> 00:17:03,743 So I don't know I think I've just been 232 00:17:03,999 --> 00:17:05,023 Fortunate 233 00:17:05,279 --> 00:17:08,607 To train myself in listening to music enough 234 00:17:08,863 --> 00:17:11,935 And know you know what what sounds good and what doesn't 235 00:17:12,191 --> 00:17:16,287 Not in terms of the whole phrase but what notes go together and what notes don't 236 00:17:17,823 --> 00:17:21,407 Which kind of traps you in a weird way because then all your s*** starts 237 00:17:21,919 --> 00:17:24,479 Sort of sound the same but I guess that's what makes you you 238 00:17:25,247 --> 00:17:26,015 I-it's 239 00:17:26,527 --> 00:17:29,855 That's kind of roughly how I would put together a track 18898

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