Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
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I don't have
2
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You know that ability
3
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Like I'm not a piano so I can't just sit down at a
4
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Piano on a midi keyboard and wired up to
5
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You know my work station and and then play the card
6
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And then I scored neck what I can't even do that
7
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The way I work on songs from start to finish in their entirety or like always and little piece
8
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Is Karen there it just doesn't go ABCDEFG ABCDEFG
9
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What happens is that all dry routenote
10
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And then another note
11
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You know and then and then just have like a to hold the bass
12
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It's right and then
13
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Lairon
14
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You know some
15
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Counter Melody notes with it and then
16
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And then go from the last cord to the second cord
17
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So the first chord the end of the third quarter and then just keep juggling around until it's complete
18
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You know you can go in here
19
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I mean just start
20
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Plotting away your malady
21
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So
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Here's where you would
23
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Either hook up a midi controller and go in and you don't play the notes that you know how to play or you can
24
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Simply just
25
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Dramamine
26
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So
27
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There've got a root setup
28
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But
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Way out of
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Lincare
31
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Thought some stuff around and then you know why I do this pretty quick now but you know before 8 he was a little come
32
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Cumbersome using a mouse and keyboard on that stop that
33
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It is becoming familiar with your. And knowing it do you want that up an octave while I could sit here and then
34
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And then go up an octave
35
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Or if you know you know the shortcut you know you just had shift and then one of these arrows now and you're just
36
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Doing an intervals
37
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So it it it's it's really handy that you don't become super familiar with the tools that you're using me
38
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They're all designed to save time and
39
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And do all this stuff so
40
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And then once I kind of have a base structure set in all
41
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Change the password
42
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Increase the polysemy armor
43
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And then
44
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Just start
45
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Doing something
46
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No that's alright
47
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That's how I kind of come up with my cord structures here
48
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Oh but then I want to Major there sure why not
49
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Drop that down 7
50
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Three cords right no particular time are they going to shut that metronome off is driving crazy where I'm going or not
51
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Okay so then
52
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I kind of like a
53
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This is how I would start a song so there you have your kind of your route cord there
54
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I wouldn't begin shaping any kind of sound style out of it I just
55
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So I kind of like the way that those notes go together then and then it comes about phrasing
56
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Alright so
57
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What you actually can do in this is what I find this most useful for is
58
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Going into like a sound Library like this Vengeance guys is all they do is they s*** out these
59
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Music libraries are drum Loop Library so they just
60
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The stuff like that but I just basically used as
61
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Temporary metronome
62
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If you will show up
63
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I said there's a lot of websites out there to read likes
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Splice.com that you
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Have
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Terabytes upon terabytes of libraries from different musicians and artists that go in and then create these
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Loop libraries where you can go and download you know this or that
68
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At the end of the day you're going to get like stuff like this where
69
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And then it's
70
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Of course you got to spend some time to go and
71
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Find Sunita moderately works but
72
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Just
73
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For humor sake will will use this and what this is going to do is just going to keep a
74
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A time for me
75
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Tannerite
76
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Sad part is is half a truck right there
77
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Now I use that Loop
78
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Not
79
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Heading out print in my production because that's just lazy as hell I mean you can do that and lots of people do
80
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Shockingly enough
81
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But I'm just going to use that as just kind of a bad
82
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Thing to hold
83
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X Y know where these chords going to go so I'm just going to kind of
84
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50 is out
85
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For a second
86
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That's who I know why won't my first chord to go there and then
87
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And then second cord there
88
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Shutdown
89
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And I'm not going to get carried onto the end of those four bars so you're like halfway done your
90
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Being right there
91
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So I'm going to consolidate
92
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That within the Don you going to learn all these tricks within the dawso so I can know who control Jay basically takes like a whole thing and
93
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Consolidated into one big clip
94
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Ableton you'll find is very like Cliff based and then
95
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Actually all are more or less kind of Clippers
96
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I'm so now I have this
97
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The series of you know four bars here that's just doing that now it needs a
98
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I'll resolve
99
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Or a dozen I don't know I feel it should
100
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Because that's just my taste but
101
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Okay go down for the road just for a second half and then we'll call it that I mean you could you could
102
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The town on this and do the whole track that
103
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Stone Miner
104
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Fashionable Bangladesh
105
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Alright
106
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SMS my life right now because if I could just play it I'd play it but I can
107
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Can't so I have to
108
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Drive
109
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Article good enough so there is a
110
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8 bar Loop
111
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Now that I've kind of got something in there
112
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I'm going to need that loot there because now I know where the timing says everything. Alternatively you can just music
113
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Anything just as long as you know where that thing is now you sending Temple
114
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LOL
115
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F******
116
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Sure good enough you can find kind of year
117
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Where your
118
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Your base is going to set that's why I say so students of the root notes here basically meaning that
119
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These are all going to get like you know either octave down or something to for a baseline to follow or something like that this is just one
120
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Send
121
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I guess what I would do is then figure out where it should sit in what key
122
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So I can bring it down
123
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Diaspora
124
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And then
125
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You know I'm just trying to find that low know that's and that's something I do
126
00:09:35,743 --> 00:09:37,279
You know something that resonates well
127
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And it's it's usually around like
128
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Garanti
129
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Steve to ask kind of range of 1 witches
130
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Pretty low now like s*** I I wish I knew that the frequency of that
131
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Whatever
132
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Extend my knowledge of audio frequency
133
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I don't know maybe to me around like
134
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80 Hertz
135
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8090
136
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Which is like not quite sub but it's still pretty low
137
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Stop being the frequencies that you don't really
138
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Your butt kind of feel
139
00:10:15,679 --> 00:10:20,799
So if I pull another octave down on that and then do what I was supposed to do before and
140
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Increase the pool if me on this you don't have to do this
141
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No sense cuz this is actually not commercially available
142
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But All Saints do this
143
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You got that sub now
144
00:10:36,159 --> 00:10:42,303
Now within this plugin in this is like any
145
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Since you're going to have things like you know frequency resonance and envelopes and all these different little options like unison
146
00:10:53,567 --> 00:10:59,711
Now that this is no different than that it's just all the wires already connected in here and buy you know
147
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Switching options on and off
148
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And stuff like that is just like you know
149
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Pulling a plug in and out of that thing so it's
150
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This isn't really about
151
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Synthesizing and making cool patches and Engineering the sound this is just more about music making so
152
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And in the way I do it so
153
00:11:17,631 --> 00:11:20,703
Now another thing I want to do is like I'm on a break that up
154
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Because
155
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Maybe there's a
156
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Part where you know you don't want this this whole Jeron going on for the whole arrangement
157
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There are
158
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Number different ways to kind of switch it up and and one would be like using an arpeggiator again every
159
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I would have one of these
160
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In their basic ones and then they're like super more complicated ones like another
161
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Plug-in We Roll Call Cthulhu and
162
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Stuff like that but just for demonstration sakes
163
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Arpeggiator will take that whole idea there and it was a little arpeggiate than out so
164
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Praise just know by know different ways of doing that
165
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Once you that that's like one way to do it and then of course
166
00:12:23,935 --> 00:12:26,751
You know when you kind of all KY like that pattern
167
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I want to work with that you know and then
168
00:12:33,407 --> 00:12:39,551
Change some of the parameters on that
169
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Way to do it
170
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So
171
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I don't know and then it comes down to it you know throwing other at the most dogs come with like their own set of built-in plug
172
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And live comes with like a ton of like a fax and stuff so I've got a bit of Reverb on it
173
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Point is is that once you have this track structure in the melody all laid out and stuff like that it's good to
174
00:13:11,807 --> 00:13:17,951
To have it like you know in full format like that and then drag it off as Eclipse but you'll never lose the whole frame
175
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Raise
176
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Take it all sorts of different direction
177
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You know your your post processing
178
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That's kind of how I start
179
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And what I'll do is I'll just call this like I don't know idea
180
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This is good practice I don't normally do this but I think everyone should do this so I don't necessarily always practice
181
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What I preach
182
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Okay so now here is
183
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Here's my like big Bank of
184
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Crap like I I've just got all these clips
185
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And ideas and end things so
186
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Whether this track is finished or not.
187
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For the sake of this doesn't really matter so here I got this full argolla August 2017 in
188
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Whatever
189
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Play the take this clip and me and you can do this with Ableton and you or you could do with Cubase whatever you want like
190
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You can export this is midi daytime midi data is universally known throughout every dog right
191
00:14:13,759 --> 00:14:19,903
But within Ableton you don't necessarily have to do that because it has its own proprietary clip format so you don't have
192
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The export midi or anything like that
193
00:14:21,951 --> 00:14:23,999
Sims 4 only working in Ableton right now
194
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I can take this
195
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And then drop it in here
196
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I've got this thing called idea masterclass
197
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And you know and whether this goes anywhere are not past this
198
00:14:38,335 --> 00:14:42,943
Thing I can actually open up limiting open up saying I was working on the other night
199
00:14:43,967 --> 00:14:48,063
In this is what really helps me in writing music is if I get
200
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So stuck on an idea
201
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Slowest fastest computer you can buy
202
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This one
203
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F****** it while now
204
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Project Pat
205
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So
206
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Echo like a drum pattern in there and then I can probably
207
00:15:15,455 --> 00:15:15,967
LOL
208
00:15:25,183 --> 00:15:29,279
That's all like one big drum thing now
209
00:15:30,047 --> 00:15:30,815
If I was so
210
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Thinking it's
211
00:15:36,959 --> 00:15:43,103
I have this like drums from one track I can just take my clip over and
212
00:15:43,359 --> 00:15:46,687
This translates from every other day and then I can just throw it in Exton
213
00:15:46,943 --> 00:15:51,551
Now I have
214
00:15:51,807 --> 00:15:56,159
And of course then you start getting into you know things like compression and stuff like that
215
00:15:57,439 --> 00:15:58,207
AmmoSeek
216
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Have that sit in there a little nicer
217
00:16:01,791 --> 00:16:02,303
Sidechain
218
00:16:03,583 --> 00:16:04,095
Mitek
219
00:16:08,447 --> 00:16:14,591
Better
220
00:16:20,991 --> 00:16:21,759
Tanqueray
221
00:16:22,271 --> 00:16:28,159
You know that's kind of what I mean by The Potato Head edn thing except for
222
00:16:28,415 --> 00:16:32,767
By content like that and then just Stitch it together and then call it your own
223
00:16:33,023 --> 00:16:34,559
Oddly enough but I mean
224
00:16:35,071 --> 00:16:39,423
I I I did I do it too but I do it with all the content and clips that I've met
225
00:16:40,191 --> 00:16:46,335
Now I literally shot that out without even thinking about it because I know in in my head
226
00:16:46,847 --> 00:16:49,663
Certain notes resonate together nice and and
227
00:16:49,919 --> 00:16:51,199
Certain notes don't but
228
00:16:51,967 --> 00:16:56,319
You can't distinguish between what works and what doesn't like I said all the all the amount of
229
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Gear and
230
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Install for whatever is is not going to help your case
231
00:17:01,695 --> 00:17:03,743
So I don't know I think I've just been
232
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Fortunate
233
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To train myself in listening to music enough
234
00:17:08,863 --> 00:17:11,935
And know you know what what sounds good and what doesn't
235
00:17:12,191 --> 00:17:16,287
Not in terms of the whole phrase but what notes go together and what notes don't
236
00:17:17,823 --> 00:17:21,407
Which kind of traps you in a weird way because then all your s*** starts
237
00:17:21,919 --> 00:17:24,479
Sort of sound the same but I guess that's what makes you you
238
00:17:25,247 --> 00:17:26,015
I-it's
239
00:17:26,527 --> 00:17:29,855
That's kind of roughly how I would put together a track
18898
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