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Mike my creation process is
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You know
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I like to I like to deprive myself of sleep
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I like to
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And work
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From 9 p.m. to
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7 a.m. and then the idea sometimes doesn't hit me or more often then I'll actually does hit me around 3 to 4 a.m.
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Immuno and then
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You know this is weird it's like egg because I'm my brain is in this weird euphoric
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State I guess
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Love no sleep that you know
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I start thinking of
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Or not
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Nnn start you know kind of getting more experimental things done and writing
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Melodies Inn in just becoming more efficient at
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Being not so critical
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God because I guess
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That's why you're not supposed to dry
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At like 3 or 4 in the morning after you don't having been up 24 hours prior because
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Do judgements not there you know you need in your
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Do not
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Critical thinking
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About you don't driving so you know he might doze off or you might just like kind of
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Falls out and do a thing so it's like
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But when you apply that to making music it's you know year
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You're not
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Inhibited by you know
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Some kind of stress that's going on that day or something like that or the stress of why this track isn't really working and
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You just kind of just doing it
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And
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Not
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Contriving anything you know
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And then sometimes that's just like kind of the flood gate opens and ideas come out and you get him down
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And you're like wow you know looking out at school and then you get excited about that and you start working on it now whether it's it's going to
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Turn into one of those things where you like
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Banging your head off the desk trying to get it finished but
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That doesn't matter it's just
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So rewarding ticket to come up with something that
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Doesn't sound like the same
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Punching your head off the desk ATM kind of stuff
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I I disassociate music from almost everything
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Which is kind of strange
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Because a lot of people are like
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A lot of other artists I know what you do music
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Feeling and it's this and that and then and to me it's not you know it's it's so disassociated from scenes
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So disassociated from
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People's personal habits
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And it's disassociated from body movement II disassociated from
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Everything I just emotionally
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Cut the head off a music
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They're going to go at it from a
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Let's just do it kind of
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A Bible you know that is so but that that's just me other guys need that connection they need the personal
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And I don't even think about s*** like that
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I get to ask that question a lot and you know it's like
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When you were making this how did you feel or how do you expect people to feel and it's like
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Did that wasn't even in the neighborhood you know I wasn't even in the on the planet
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I don't I don't think songs
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Unless you're
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Neil Young
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That storytelling with a music and and and stuff like that but but he DM
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I think it's
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Is pretty subjective I mean I could
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Say that it was
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Telling a story and then I could impose that story on everyone and
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And then that would be the
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You know the global opinion is a thing but I like
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I like that people can take away different things from the same body of work
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I'm so
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That's the way I go about making music
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Because I'm just
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Completely
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I've never found myself humming a tune on the couch
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In my head and picking up I got it and I'm going to go in the studio and then do it I just kind of
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Just go and
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Start doing it and then the ideas form as I'm doing it as opposed to
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Me trying to form a pre-existing idea in my head
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For me I can't sit down and say
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I'm work on the beginning intro of a song and polish it and then have it all good and great and then work after that
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And then do the middle section and then go to the end I can't work in a linear fashion
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When I start making music
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You know I sit down at the computer and just start plotting out Melody
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I mean cuz that's number one for me making a song as you know the
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Melodic structure the whole thing whether it's going to be like another
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The main
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Fraser Hall
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If you will
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You just go in and create don't worry about the sound don't worry about
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Yeah the mag so that's an an all these things cuz you know you want to hear this thing in all its Glory as your starting at which is never
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Going to happen
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It's just laying down all the face except maybe some minor rhythmic patterns or something like that
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Ijust 2
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You know keep the tempo or something for me to hear while I'm working on the melody so none of that stuff's really important
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Yeah maybe
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Like three-quarters through
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And then the last quarter the process would be you know refining everything and then I actually using the sounds I want to use
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Susan and the instruments that I want to use in that
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The drums and
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All all that stuff I want to use and then the last part is you know
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Coherently gluing it all together
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Mix it properly,
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So that's that's
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Pretty much
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The process
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90% of my time is just
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Goofing around and Eminem trying to come up with something then it is polishing the something that I came up with
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Mr. Potato Head
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I think I meant that like well a lot of
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Music software today is
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Widely accessible and available and you know cheapest not free
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So you know in and of course you can go in and grab
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Bstock libraries
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Basically pre-made music
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And
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Literally take you know
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234 bars this and then
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Some bars of that and then just
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Mix and match
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Stuff you know and then
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Get imprinted
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Call it a day and say hey I mean
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So that that's what I think I meant by that but then there's another way doing that too is if you're creating those
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Parts you could
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Kind of use that
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For your own good and you know
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You create all these ideas and then you create a folder or whatever
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Archival sister
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Start throwing all your bits and there's like
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When you're working on something and you do star Pasha
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Thinking wall
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Oh
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You know when you can grab this whole little recording or
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Hair clipper
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Whatever it is and then
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Just stick it in there and then
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There it is see you knowing if you have a large enough collection of
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Stockton over 10 years
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Making music
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Have a lot
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You can
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Just go into that
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Solar system and grab what you want
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The repetition and idioms important if you want to get the thing done
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On time and on budget
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That's a big one
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I mean
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Repetition is good
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In the sense that I can
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I can write a whole song and less than 16 bars
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It really truly I can do a whole track and less than 16 bars and then
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Once those 16 bars which is like what
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23 seconds
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Of music
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Is done
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And then it's all about arrangement
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I am to ranging that that 60 more even ate
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Or s*** if your Praises for
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You know it it's all about just you know lengthening a duplicating that whole thing across the board and then arranging it saying
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What comes in what goes out what gets modified what gets on modified
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But it's all the same thing
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Dad is so much easier than
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Then
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Starting you know your track and then trying to plot it all the way through and you know and then having cons
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Some changes cool that would be I am don't really hear that that much because
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Take a long time
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To wrap your head around
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It only takes me like
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Two or three days to write a track because I don't
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Even though it took me
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10 to 12 hours to come up with this stupid malady that
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Starting on a nail and then went up and down into this thing and then enzyme like a kind of resolve and then
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It sounds naturally being cycle that that takes time
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But once I've done that
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I feel so much better I'm like a lady I'm like the track is done and then was like everyone's like what you like
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Like maybe
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16 beats long and I'm like I do but it's done it's done in my head
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If I had any advice for you know the upcoming producers would be you know like
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You get on the map Honestly by Leading her by following
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Do you really do
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You get on the mat fight you know taking
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Pieces of stuff that are out there and I'm not talking about
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Sampling but ideas
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Structures in and stuff like that
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Drawing on what
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Doing it right now and then
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And then once you're up there
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That put you in a position of
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Power if you will too
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Going make changes
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I copied from everyone I copied from you know
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Melodically I copied
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It's from Nine Inch Nails
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Slii
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They copied from a bit of that and then and I think
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That was kind of
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A smart move on my part because
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I knew
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That a lot of this house in electronic music at the time when I started was very euphoric
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Very
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Pump Up the Jam really you know really like
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All major stuff
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Miami majors and key you know it was all very uplifting and
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How come no one's really done anything more you know
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Minor sustains kind of stuff minor
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16 seven notes
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And stuff like that
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I hear a lot of this
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Quick appreciation
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Pistachio
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I wanted to try and make something a little more melancholic and in terms of Melody that was more
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Like a downer kind of feel but keep that same tempo and then
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And instead of going so quick and
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Sharpen fast with my
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Appreciation song chord structures
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I'll just tell them down to like slower eighth notes and make them a little more Lush and brooding kind of thing
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And I did that with a number of tracks in those were the tracks I put me you know on the on the map to start
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Now
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Like I said out I wasn't doing anything as
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Sonically
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Amazing as you know some of the other artists that were like to do in their Prime at that time that I was trying to be like it
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It wasn't even close
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If I put the two mix
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Two side-by-side my first stuff that broke me out
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Versus the stuff I listen to it the time it was like night and day
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I don't know what I'm f****** doing and
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Disguise
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He's got a really good engineer something
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But melodically they were
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Night that because this was more kind of
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Bummed out shitting this was like the super happy
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Yay
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Electro kind of thing and then I thought
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I calculated that hit my head that like whoa
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Here's that
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Sounds like it should be
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A different style and
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Lo and behold a kind of wasn't
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The time and then
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And then I was able to
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To release you know
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Maybe up to one album of that kind of stuff and get away with it without
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Oversaturating my s*** and then defining that as me because
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Again I had to be put on the map right so I got to do these things may have to do a set of them maybe like 4-5 track
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So the people can kind of get an idea right
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Not
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Messerli who I am in its entirety but hey I'm here
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Moving back to my point
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Is that borrowing this you know kind of melodic structure from Nine Inch Nails and then
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Growing some of this
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Drum structure from
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Well no one really
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The Keg on every quarter now
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I think that's everyone ever
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You know taking that idea and applying it
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To you know what was being played at the time
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That's what worked
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I'm not saying going to do that
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Is already been done
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So take the thing that hasn't been done before and then applied in there and then just try it out
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See if it works
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The nature of electronic music is that you know it's something that you could do very you know solitary and and have your own ID
262
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Just do that so
263
00:13:32,543 --> 00:13:35,615
You see that a lot in electronic music you don't see a lot of
264
00:13:36,127 --> 00:13:37,151
I do also
265
00:13:37,407 --> 00:13:38,943
And then when you do well
266
00:13:39,199 --> 00:13:40,223
How much of that is
267
00:13:40,735 --> 00:13:42,015
You know his drinking buddy that
268
00:13:42,527 --> 00:13:45,599
Got in on the deal and doesn't do s*** you know
269
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Then that happens to
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I think electronic music
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00:13:49,951 --> 00:13:51,999
Now see no personality like mine because
272
00:13:52,767 --> 00:13:54,303
I'm not I'm not a team player like
273
00:13:54,559 --> 00:13:58,655
I can work with others on and you know and then that kind of thing but
274
00:13:59,679 --> 00:14:05,823
Tamia just always ends in you no disagreement about like you know them both Discord than that cord and then you're kind of
275
00:14:06,079 --> 00:14:08,639
You don't come straight into his ideas and you're constrained to are there
276
00:14:08,895 --> 00:14:10,687
Constraint your ideas kind of thing so
277
00:14:11,455 --> 00:14:14,015
For me it doesn't work for others works brilliantly
278
00:14:14,527 --> 00:14:16,319
So collaborations with me usually
279
00:14:16,831 --> 00:14:18,367
Result in me having finishing
280
00:14:18,623 --> 00:14:20,159
Sending someone else's amen
281
00:14:20,671 --> 00:14:22,719
What you could use keyboard
282
00:14:23,743 --> 00:14:25,535
Sola wanted that I just know I
283
00:14:25,791 --> 00:14:31,935
Couldn't program that you could play better because you're a keyboard as store and then we'll try that out and then I'll see if I can integrated
284
00:14:32,703 --> 00:14:33,215
Dairy
285
00:14:33,471 --> 00:14:34,495
Mildly
286
00:14:35,007 --> 00:14:38,591
Manipulated myself afterwards or something like that but
287
00:14:39,103 --> 00:14:39,871
Or
288
00:14:40,127 --> 00:14:43,199
Or a top-line for a vocal or something like that I've never
289
00:14:43,711 --> 00:14:44,223
You know
290
00:14:44,479 --> 00:14:50,623
Written attract in tandem with a songwriter and and then being all you know the keychain should go here and there
291
00:14:50,879 --> 00:14:52,159
Everything is just like no here's
292
00:14:52,671 --> 00:14:57,279
Are the rules here's the whole thing and you make it work for that and then I'll
293
00:14:57,535 --> 00:14:59,583
Massage your back and that's kind of how I work
294
00:15:05,983 --> 00:15:07,263
Self-doubt could come from anywhere
295
00:15:09,823 --> 00:15:12,127
You don't have to be a musician to know
296
00:15:12,383 --> 00:15:13,919
What self-doubt is yum
297
00:15:14,431 --> 00:15:17,503
Or anything of the sort or even creative
298
00:15:17,759 --> 00:15:18,527
You either
299
00:15:19,039 --> 00:15:20,319
Are content with
300
00:15:21,343 --> 00:15:27,487
Do you are and what you're doing and how you're doing it are you or you're not or sometimes you are sometimes you want but
301
00:15:27,743 --> 00:15:29,791
Yeah that definitely is going to affect the way they
302
00:15:30,303 --> 00:15:31,327
You do things because
303
00:15:31,583 --> 00:15:32,351
You might be
304
00:15:33,631 --> 00:15:36,703
We over critical of your idea and then it's like
305
00:15:38,495 --> 00:15:39,007
It sucks
306
00:15:39,263 --> 00:15:42,335
But it is cool that I get that because then you know
307
00:15:43,615 --> 00:15:46,943
I work at it more you know when I find that I know
308
00:15:47,199 --> 00:15:53,343
When I'm doing something in the middle to Millie I spent 2 hours on something that doesn't work we'll know I'd saved 2 hours
309
00:15:53,599 --> 00:15:55,391
Next time I try to start it again
310
00:15:56,159 --> 00:15:56,671
So
311
00:15:56,927 --> 00:15:57,695
The process
312
00:15:57,951 --> 00:15:59,999
It's quicker and then I know what
313
00:16:00,511 --> 00:16:06,655
Waze to Route audio signal online stuff to do and just writing nail at the way I want it as opposed to trying to learn
314
00:16:06,911 --> 00:16:08,447
Learn to do it again you know
315
00:16:14,847 --> 00:16:20,991
I know when an idea is good and I don't know I know when it's bad you know when I know when to cut it off when it's like okay
316
00:16:21,247 --> 00:16:22,527
This is just not happening
317
00:16:22,783 --> 00:16:23,295
Information so
318
00:16:23,807 --> 00:16:24,319
Just like
319
00:16:24,575 --> 00:16:25,087
Stop
320
00:16:25,855 --> 00:16:27,391
Beating your head off the desk and
321
00:16:27,647 --> 00:16:28,159
Ncarb
322
00:16:28,415 --> 00:16:30,975
And be done with it or at least put it in that stupid
323
00:16:31,487 --> 00:16:31,999
Bowlero
324
00:16:32,255 --> 00:16:32,767
Ideas
325
00:16:35,071 --> 00:16:36,351
Sometimes I
326
00:16:36,607 --> 00:16:40,191
Kick the dead horse a little too long and then that sucks but
327
00:16:40,959 --> 00:16:41,983
As part of the process and then
328
00:16:42,239 --> 00:16:45,823
You can't just discounted this time wasted you discounted us you know time
329
00:16:46,079 --> 00:16:46,847
Experience game
330
00:16:47,615 --> 00:16:49,919
Nothing's ever really finished you know you just
331
00:16:50,175 --> 00:16:51,199
Satisfied
332
00:16:51,967 --> 00:16:54,271
With the result because I mean I could I could go back to
333
00:16:54,527 --> 00:16:56,575
To any of my releases and make them better
334
00:16:57,087 --> 00:17:02,975
Or or change something or you know her take something out or put something different in this is
335
00:17:03,487 --> 00:17:04,511
They never done
336
00:17:06,047 --> 00:17:06,559
So just
337
00:17:06,815 --> 00:17:07,327
You know
338
00:17:07,839 --> 00:17:08,863
Blink like goodnight
339
00:17:09,631 --> 00:17:12,703
And then let it let it sit before you do anything with it before you
340
00:17:12,959 --> 00:17:13,983
Upload it to your
341
00:17:14,495 --> 00:17:19,615
SoundCloud or whatever just let it sit for a couple days and then go back at it like two or three more time
342
00:17:19,871 --> 00:17:20,639
Maxine on ninja
343
00:17:20,895 --> 00:17:21,919
Have a listen through ninjas
344
00:17:22,687 --> 00:17:24,223
See if you can hear anything different
345
00:17:24,479 --> 00:17:24,991
AR
346
00:17:25,503 --> 00:17:26,527
You know you know
347
00:17:27,039 --> 00:17:29,599
There's going to be a threshold of course we're just like all right
26177
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