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>> Biscayne: TONIGHT ON
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"NEWSREADERS," CAT BAGS.
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THEY'RE MADE FROM HOLLOWED-OUT
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CATS, AND THEY'RE THE TALK OF
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RUNWAYS FROM PARIS TO MILAN.
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AND DAVID HASSELHOFF OPENS UP
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ABOUT HIS WILD TIMES ON THE SET
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OF "KNIGHT RIDER" WITH THE
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STORIES YOU DIDN'T SEE IN FRONT
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OF THE CAMERAS.
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>> ON "KNIGHT RIDER," I HAD THE
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CRAZIEST THING IN MY TRAILER.
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>> Biscayne: MM-HMM.
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>> I HAD A BRAND-NEW VCR.
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>> Biscayne: REALLY?
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>> YEAH, WHICH WAS A PRETTY BIG
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PERK IN THOSE DAYS.
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>> Biscayne: INCREDIBLE.
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>> I WAS A MEMBER OF THREE
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DIFFERENT VIDEO STORES.
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>> Biscayne: DID YOU PAY FOR THE
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MEMBERSHIPS?
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>> THEY WEREN'T FREE BACK IN
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THOSE DAYS.
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>> Biscayne: OH, WHAT A
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DIFFERENT TIME.
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ALL THAT AND...
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>> FORE!
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>> Biscayne: ...ON
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"NEWSREADERS."
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EVERY DAY, WE HEAR ABOUT NEW
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MEDICAL BREAKTHROUGHS.
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AMIR LARUSSA HEARD ABOUT ONE
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DOCTOR WHO MADE A REVOLUTIONARY
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BREAKTHROUGH IN THE TREATMENT OF
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JELLYFISH STINGS.
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SO, HE DECIDED TO INVESTIGATE.
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>> DOCTOR, BEFORE WE PROCEED, I
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HAVE TO GET ONE THING CLEAR.
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>> OKAY.
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>> I'M GONNA ASK YOU A SIMPLE
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YES-OR-NO QUESTION.
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AND IF THE ANSWER IS "NO," WE'LL
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PROCEED WITH WHAT SHOULD BE A
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FASCINATING INTERVIEW.
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>> SOUNDS GOOD.
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>> BUT IF THE ANSWER IS "YES,"
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I WILL -- ALL DUE RESPECT --
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WALK OUT THAT DOOR, GO BACK TO
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MY OFFICE, AND WORK ON A
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DIFFERENT STORY.
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>> WOW. OKAY.
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LOOKING FORWARD TO THE QUESTION.
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>> OKAY.
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SO, YOU KNOW THE URBAN MYTH THAT
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THE TREATMENT FOR JELLYFISH
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STINGS IS...
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URINE?
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>> OH, YES, THAT OLD CHESTNUT.
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OF COURSE.
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IT'S ALWAYS IN THE MOVIES.
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>> MM-HMM.
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>> POPS UP IN TV SHOWS, DOESN'T
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IT?
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>> "FRIENDS" DID A WHOLE THING
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ON IT.
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>> "FRIENDS"?
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OH, YES. CLASSIC.
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>> YEAH.
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>> I SAW IT ON "THE SIMPSONS."
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>> YEAH.
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FARRELLY BROTHERS PUT IT IN
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THEIR MOVIES A LOT.
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>> THEY'RE CHEEKY, AREN'T THEY,
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THOSE GUYS?
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>> [ Laughing ] THEY REALLY ARE.
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>> NO BOUNDARIES THERE.
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>> YEAH.
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SO, DO YOU SEE WHERE I'M GOING
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WITH THIS?
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>> THE "FAH-RELLIES."
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>> NOPE.
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FORGET THE FARRELLYS.
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THE EARLIER THING, HOW WE GOT TO
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THAT.
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>> I SEE WHERE YOU'RE COMING.
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YOU'RE COMING IN.
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>> MM-HMM.
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>> WELL, GO ON.
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HIT ME THE "Q" AND I'LL RESPOND
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WITH AN "A."
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>> OKAY! I LIKE THAT.
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>> YOU LIKE THAT?
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>> THAT'S GOOD.
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YOU'VE BUILT A WHOLE PRACTICE ON
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JUST TREATING JELLYFISH STINGS.
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>> INDEED, I HAVE.
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CORRECT.
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AND?
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OOH.
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>> HOW MANY GLASSES OF WATER
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HAVE YOU HAD TODAY?
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>> THAT'S THE THIRD.
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>> ARE YOU TREATING YOUR
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PATIENTS WITH URINE?
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>> [ CHUCKLES ]
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OH, THERE'S THE QUESTION.
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>> YEAH.
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>> OH, THERE IT IS!
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>> I FEEL LIKE A FOOL FOR
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ASKING, AND I'M SORRY.
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>> WELL, IT'S WEIRD, ISN'T IT?
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>> IT IS --
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>> IT'S A WEIRD "Q."
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>> IT'S -- IT'S -- IT'S A WEIRD
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"Q," BUT IT NEEDS AN "A,"
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BECAUSE IF THE "A" IS NOT THE
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"A" I WANT, THEN THIS INTERVIEW
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IS OVER.
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I JUST HAVE AN AVERSION TO THAT
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SORT OF THING.
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>> I TOTALLY UNDERSTAND.
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I MEAN, WHAT A WEIRD POSITION TO
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BE IN.
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>> I'M NOT -- I DON'T ENVY ME.
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>> COME IN HERE AND...
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>> FIRST THING I HAVE TO DO IS
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ASK IF THIS GUY'S PEEING ON
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PEOPLE.
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>> YEAH. WHAT -- WHOA.
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OKAY, WELL, ASK IT, I SUPPOSE.
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DO IT!
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>> I DID.
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>> YOU'VE DONE IT?
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>> YEAH.
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>> ALL RIGHT. WHAT ELSE?
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>> I'M JUST WAITING FOR THE
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"A."
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>> I HAVEN'T ANSWERED.
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>> YOU HAVEN'T A'd.
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>> ALL RIGHT.
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THE ANSWER TO YOUR QUESTION,
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WHICH I BELIEVE WAS...
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REMIND ME.
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>> ARE YOU USING URINE...
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>> OH, YES.
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>> ...TO TREAT YOUR
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JELLYFISH-STING PATIENTS?
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>> THAT'S THE QUESTION.
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>> MM-HMM.
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>> THAT -- RIGHT.
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THE ANSWER TO THAT IS...
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ACTUALLY EASIER FOR ME TO SHOW
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YOU THAN TELL YOU.
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>> ABSOLUTELY NOT.
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>> IT IS.
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>> NO. SAY "YES" OR "NO."
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>> COME AND HAVE A LITTLE
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TOUR, A LITTLE TOUR OF THE
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CLINIC.
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>> I DON'T NEED A TOUR OF THE
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CLINIC.
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>> IT'S A STATE-OF-THE-ART
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FACILITY.
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>> WHAT'S THE ART?
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>> THAT'S WHAT I'M GONNA SHOW
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YOU.
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>> DON'T SHOW ME.
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JUST SIT DOWN. SIT DOWN.
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JUST SAY "YES" OR "NO."
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THE NEXT WORDS OUT OF YOUR MOUTH
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HAVE TO BE --
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NO! LET ME FINISH.
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>> I WAS GONNA SAY --
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>> LET ME FINISH.
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>> MONET.
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>> MONET?
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>> MM-HMM.
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>> SO, THE ART IS ACTUAL ART.
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>> YEP. RENé "DA-CARTS."
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>> THAT'S A PHILOSOPHER.
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>> AH, YES.
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AND HE'S ACTUALLY DONE A COUPLE
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OF SKETCHES IN THE EARLY DAYS.
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THEY'RE UP THERE.
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THEODORE ROOSEVELT.
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>> I FEEL LIKE YOU'RE JUST
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COMING UP WITH NAMES YOU'VE
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HEARD BEFORE.
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>> NO.
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IT'S A UNIQUE DISPLAY OF -- OF
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TALENTED PEOPLE THAT DID OTHER
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THINGS.
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>> SO, THEY'RE NOT KNOWN FOR
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THEIR ART.
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THEY'RE KNOWN FOR OTHER THINGS.
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>> WELL, MONET IS.
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>> YOU'RE --
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>> HE'S THE ODDBALL.
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>> I FEEL LIKE YOU'RE REALLY
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TRYING TO DODGE THE QUESTION
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HERE.
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JUST ANSWER THE QUESTION.
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JUST SAY "YES" OR "NO," PLEASE.
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>> OKAY.
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>> THAT IS NEITHER OF THE WORDS
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THAT I ASKED FOR.
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>> LISTEN. LISTEN.
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I'M GETTING THERE, ALL RIGHT?
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>> YOU DON'T HAVE TO GET
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ANYWHERE.
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JUST SAY "YES" OR SAY "NO."
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>> I THINK THE ANSWER WILL
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SURPRISE YOU.
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>> I DON'T THINK IT WILL.
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>> WHAT'S THE QUESTION?
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>> ARE YOU USING URINE --
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>> RIGHT.
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WE'RE STILL PERSISTING WITH
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THAT.
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OKAY.
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I'M ENJOYING THIS QUESTION.
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>> ANSWER THE [BLEEP] QUESTION.
224
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>> OH!
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>> YEAH.
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>> OKAY, WE'RE SWEARING NOW,
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ARE WE?
228
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>> I AM SWEARING JUST 'CAUSE
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YOU'VE PUSHED ME TO THE BRINK.
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>> ONE MOMENT, WE'RE ALMOST
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DOWN THE CORRIDOR LOOKING AND
232
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ADMIRING ART, AND NOW YOU'RE
233
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SITTING THERE SWEARING AWAY.
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>> I'M SORRY FOR SWEARING.
235
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JUST ANSWER THE QUESTION.
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YES OR NO?
237
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PLEASE.
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>> ALL RIGHT.
239
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>> JUST SAY "YES" OR "NO."
240
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>> THE ANSWER IS SIMPLY...
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[ INHALES SHARPLY ]
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>> DOCTOR, YOUR 3:30
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APPOINTMENT'S HERE.
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>> THANK YOU, NURSE.
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THAT'S A SHAME.
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AMIR, CAN YOU JUST HOLD ON,
247
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PLEASE?
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>> NO.
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>> I'LL BE BACK VERY SOON.
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>> JUST SAY "YES" OR "NO" AS
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YOU LEAVE.
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[ DOOR OPENS, CLOSES ]
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[ DOOR CLOSES ]
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[ SNIFFS, CLEARS THROAT ]
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>> SORRY ABOUT THAT.
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WHERE WERE WE?
257
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>> WHAT'S THAT?
258
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>> THIS IS A STETHOSCOPE.
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THESE ARE THE HEADPHONES.
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>> NO, NOT THAT.
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THERE'S A LITTLE WET SPOT ON THE
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FRONT OF YOUR SLACKS RIGHT WHERE
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YOUR PENIS HOLE WOULD BE.
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>> EXCUSE ME?
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>> STAND UP.
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>> DID YOU SAY "SLACKS"?
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>> STAND UP RIGHT NOW.
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>> YES, DAD! ALL RIGHT.
269
00:05:45,513 --> 00:05:46,853
>> STAND UP!
270
00:05:46,847 --> 00:05:47,577
SEE THAT?
271
00:05:47,581 --> 00:05:47,881
PEE!
272
00:05:47,881 --> 00:05:48,921
YOU SAID YOU WERE GONNA GO CURE
273
00:05:48,916 --> 00:05:50,616
A PATIENT, AND ALL YOU DID WAS
274
00:05:50,618 --> 00:05:51,048
PEE ON THEM.
275
00:05:51,051 --> 00:05:52,551
Y-Y-Y-YOU SPRINKLED WHEN YOU
276
00:05:52,553 --> 00:05:53,793
TINKLED, AND NOW YOU'VE GOT IT
277
00:05:53,787 --> 00:05:54,957
ON THE FRONT OF YOUR SLACKS
278
00:05:54,955 --> 00:05:55,915
RIGHT THERE -- PEE!
279
00:05:55,923 --> 00:05:57,023
>> I'M SORRY.
280
00:05:57,024 --> 00:05:58,034
I STILL CAN'T BELIEVE YOU'RE
281
00:05:58,025 --> 00:05:59,525
SAYING "SLACKS."
282
00:05:59,527 --> 00:06:01,427
WHAT A BIZARRE TERM TO USE.
283
00:06:01,429 --> 00:06:02,499
>> [ GROANS ]
284
00:06:02,496 --> 00:06:03,796
>> THEY'RE TROUSERS.
285
00:06:03,797 --> 00:06:04,867
>> YOU KNOW WHAT?
286
00:06:04,865 --> 00:06:05,665
I'M GONE.
287
00:06:05,666 --> 00:06:06,796
THE PUFF PIECE ON YOUR
288
00:06:06,800 --> 00:06:08,570
GOLDEN-SHOWER PALACE IS OVER.
289
00:06:08,569 --> 00:06:08,999
LET'S GO.
290
00:06:09,002 --> 00:06:09,842
>> NO!
291
00:06:09,837 --> 00:06:10,697
>> WRAP IT UP.
292
00:06:10,704 --> 00:06:11,714
>> NO, WAIT, PLEASE.
293
00:06:11,705 --> 00:06:12,435
ALL RIGHT.
294
00:06:12,440 --> 00:06:14,040
JUST HOLD ON, OKAY?
295
00:06:14,041 --> 00:06:15,611
YES.
296
00:06:15,609 --> 00:06:17,479
YES, OKAY?
297
00:06:17,478 --> 00:06:18,878
>> THANK YOU. GOD!
298
00:06:18,879 --> 00:06:20,809
>> YES, I HAVE SPILT SOME OF
299
00:06:20,814 --> 00:06:22,684
THE SUBSTANCE THAT I USE TO
300
00:06:22,683 --> 00:06:24,593
TREAT THE PATIENTS WITH ON MY
301
00:06:24,585 --> 00:06:25,015
TROUSERS.
302
00:06:25,018 --> 00:06:26,048
>> COME ON, DUDE.
303
00:06:26,053 --> 00:06:27,763
>> WELL, THAT'S WHAT THEY'RE
304
00:06:27,755 --> 00:06:28,455
CALLED.
305
00:06:28,456 --> 00:06:29,556
NO ONE SAYS "SLACKS."
306
00:06:29,557 --> 00:06:30,557
IT'S RIDICULOUS!
307
00:06:30,558 --> 00:06:31,828
I'M LIKE A 1950's LADY DOING
308
00:06:31,825 --> 00:06:32,485
GOLF.
309
00:06:32,493 --> 00:06:33,763
>> DON'T TRY AND DODGE THE
310
00:06:33,761 --> 00:06:34,531
QUESTION.
311
00:06:34,528 --> 00:06:35,758
WHAT IS THE SUBSTANCE?
312
00:06:35,763 --> 00:06:38,003
>> THE SUBSTANCE IS WARM WATER
313
00:06:37,998 --> 00:06:39,828
AND AMMONIA.
314
00:06:39,833 --> 00:06:40,773
YOU SATISFIED?
315
00:06:40,768 --> 00:06:42,468
THAT'S THE SUBSTANCE -- WARM
316
00:06:42,470 --> 00:06:43,800
WATER AND AMMONIA!
317
00:06:43,804 --> 00:06:44,744
I'VE SAID IT!
318
00:06:44,738 --> 00:06:46,708
THE CAT'S OUT OF THE BAG, ALL
319
00:06:46,707 --> 00:06:47,037
RIGHT?
320
00:06:47,040 --> 00:06:48,710
YOU'VE GOT MY SECRET FORMULA.
321
00:06:48,709 --> 00:06:49,109
WELL DONE.
322
00:06:49,109 --> 00:06:50,609
NOW ALL THESE OTHER CLINICS ARE
323
00:06:50,611 --> 00:06:51,651
GONNA POP UP.
324
00:06:51,645 --> 00:06:53,705
MY BUSINESS IS GONNA BE DILUTED
325
00:06:53,714 --> 00:06:55,654
WITH OTHER COMPETITIONS.
326
00:06:55,649 --> 00:06:57,989
THANK YOU FOR COMING IN.
327
00:06:57,985 --> 00:06:59,885
>> I DON'T KNOW WHAT TO SAY.
328
00:06:59,887 --> 00:07:01,117
>> NO, YOU DON'T KNOW WHAT TO
329
00:07:01,121 --> 00:07:01,891
SAY, DO YOU?
330
00:07:01,889 --> 00:07:04,659
ALL YOU KNOW IS "YES" OR "NO."
331
00:07:04,658 --> 00:07:05,658
THOSE ARE YOUR TWO BIG ONES,
332
00:07:05,659 --> 00:07:06,589
AREN'T THEY?
333
00:07:06,594 --> 00:07:08,564
HERE'S A HINT -- "SORRY."
334
00:07:08,562 --> 00:07:10,032
>> THAT'S MORE THAN A HINT.
335
00:07:10,030 --> 00:07:11,770
>> OH, YEAH, WHAT A SMART GUY.
336
00:07:11,765 --> 00:07:12,965
HAD TO HAVE A LITTLE DIG IN
337
00:07:12,966 --> 00:07:13,796
THERE, DIDN'T YOU?
338
00:07:13,801 --> 00:07:14,071
OH!
339
00:07:14,067 --> 00:07:15,597
YOU KNOW, YOU'RE SOMETHING ELSE.
340
00:07:15,603 --> 00:07:16,103
DO YOU KNOW THAT?
341
00:07:16,103 --> 00:07:17,613
YOU CAN'T ADMIT YOU'RE WRONG.
342
00:07:17,605 --> 00:07:19,605
TALKING UNDER YOUR BREATH WHEN I
343
00:07:19,607 --> 00:07:21,007
CAN CLEARLY HEAR IT.
344
00:07:21,008 --> 00:07:23,008
GETTING RIGHT UP MY GOAT.
345
00:07:23,010 --> 00:07:24,510
>> THAT'S NOT A SAYING.
346
00:07:24,512 --> 00:07:25,912
>> IT'S A TERM IN NEW ZEALAND --
347
00:07:25,913 --> 00:07:28,053
"GETTING RIGHT UP MY GOAT."
348
00:07:28,048 --> 00:07:29,578
WE HAVE ALL GOT A GOAT EACH.
349
00:07:29,583 --> 00:07:30,753
WHEN YOU'RE GETTING UP SOMEONE
350
00:07:30,751 --> 00:07:32,021
ELSE'S GOAT, IT'S LIKE, "WELL,
351
00:07:32,019 --> 00:07:33,049
WHAT'S WRONG WITH YOURS?"
352
00:07:33,053 --> 00:07:34,923
OBVIOUSLY THEIR GOAT'S DIED, AND
353
00:07:34,922 --> 00:07:35,962
THEY'RE HAVING A BUSINESS UP
354
00:07:35,956 --> 00:07:36,686
WITH MINE.
355
00:07:36,690 --> 00:07:37,590
>> I'M SORRY.
356
00:07:37,591 --> 00:07:38,891
I DIDN'T MEAN TO GET UP YOUR
357
00:07:38,892 --> 00:07:39,532
GOAT.
358
00:07:39,527 --> 00:07:40,027
>> THANK YOU.
359
00:07:40,027 --> 00:07:41,827
>> LET'S CONTINUE THE INTERVIEW
360
00:07:41,829 --> 00:07:43,129
IN A MORE RESPECTFUL MANNER.
361
00:07:43,130 --> 00:07:44,800
>> ONE LAST CHANCE TO DO THE
362
00:07:44,798 --> 00:07:45,628
CLINIC TOUR.
363
00:07:45,633 --> 00:07:46,773
>> CAN WE DO THIS INTERVIEW
364
00:07:46,767 --> 00:07:47,767
FIRST, AND THEN WE CAN DO THE
365
00:07:47,768 --> 00:07:48,138
CLINIC TOUR?
366
00:07:48,135 --> 00:07:49,095
>> LET'S FINISH THE INTERVIEW,
367
00:07:49,102 --> 00:07:49,802
ALL RIGHT.
368
00:07:49,803 --> 00:07:50,603
>> OKAY.
369
00:07:50,604 --> 00:07:51,974
WHY DOES A MIXTURE OF AMMONIA
370
00:07:51,972 --> 00:07:53,642
AND WARM WATER HAVE SUCH A
371
00:07:53,641 --> 00:07:55,181
POSITIVE EFFECT ON JELLYFISH
372
00:07:55,175 --> 00:07:56,035
STINGS?
373
00:07:56,043 --> 00:07:57,183
>> GOOD QUESTION.
374
00:07:57,177 --> 00:07:58,707
AND I'LL ANSWER THAT.
375
00:07:58,712 --> 00:08:02,052
I FIRST REALIZED THAT AMMONIA
376
00:08:02,049 --> 00:08:04,719
AND WARM WATER WORKED IN A
377
00:08:04,718 --> 00:08:06,548
POSITIVE WAY ON JELLYFISH BITES
378
00:08:06,554 --> 00:08:10,964
AND STINGS BECAUSE AMMONIA AND
379
00:08:10,958 --> 00:08:13,928
WARM WATER MIXED TOGETHER...
380
00:08:13,927 --> 00:08:16,957
IS, ESSENTIALLY, PEE.
381
00:08:16,964 --> 00:08:19,634
SO, WHAT I DO IS, I...
382
00:08:19,633 --> 00:08:22,573
I just pee on the patients.
383
00:08:22,570 --> 00:08:23,100
THAT'S WHAT I DO.
384
00:08:23,103 --> 00:08:24,673
THAT'S WHAT I JUST DID WHEN I
385
00:08:24,672 --> 00:08:26,042
WENT OUT THERE BEFORE.
386
00:08:26,039 --> 00:08:28,039
I PEE ALL OVER PEOPLE, ALL THESE
387
00:08:28,041 --> 00:08:29,711
GITS THAT COME IN HERE!
388
00:08:29,710 --> 00:08:31,710
AND THEY'VE GOT BITES AND STINGS
389
00:08:31,712 --> 00:08:32,812
FROM THE SEA.
390
00:08:32,813 --> 00:08:35,723
I PROJECTILE MY YELLOW FLUID
391
00:08:35,716 --> 00:08:37,646
ONTO THEIR WOUNDS!
392
00:08:37,651 --> 00:08:38,721
AND I LOVE IT!
393
00:08:38,719 --> 00:08:39,649
I GOT YOU!
394
00:08:39,653 --> 00:08:40,823
YOU'RE BURNT!
395
00:08:40,821 --> 00:08:41,961
>> YOU'RE A MONSTER.
396
00:08:41,955 --> 00:08:43,755
>> I HOPE ONE DAY YOU GET STUNG
397
00:08:43,757 --> 00:08:45,787
BY A JELLYFISH, AND YOU KNOCK ON
398
00:08:45,793 --> 00:08:46,593
MY DOOR.
399
00:08:46,594 --> 00:08:47,904
>> Biscayne: WELL, I KNOW ONE
400
00:08:47,895 --> 00:08:49,125
THING THAT SMELLS LIKE PEE.
401
00:08:49,129 --> 00:08:50,829
IT'S SKIP REMING, AND HE'S HERE
402
00:08:50,831 --> 00:08:51,901
TONIGHT.
403
00:08:51,899 --> 00:08:53,169
>> NOW, ONE THING I'LL NEVER
404
00:08:53,166 --> 00:08:54,836
UNDERSTAND IS WHAT GALS WANT
405
00:08:54,835 --> 00:08:56,735
FROM US WITH THE WAY THEY DRESS.
406
00:08:56,737 --> 00:08:58,837
IT USED TO BE THAT TAKING AN
407
00:08:58,839 --> 00:09:00,209
EYE-WALK UP A DOLL'S GAMS TO
408
00:09:00,207 --> 00:09:01,907
THEIR DERRIERE WAS SOMETHING
409
00:09:01,909 --> 00:09:03,639
THAT WAS FROWNED UPON MORE THAN
410
00:09:03,644 --> 00:09:05,154
A CURLY-HEADED PRIEST.
411
00:09:05,145 --> 00:09:06,705
YOU WANTED TO CHECK OUT THE
412
00:09:06,714 --> 00:09:07,984
GOODS, YOU HAD TO SNEAK A PEEK.
413
00:09:07,981 --> 00:09:09,151
AND A PEEK WAS ALL YOU COULD
414
00:09:09,149 --> 00:09:10,749
GET, EVEN IF SHE WAS IN NURSING
415
00:09:10,751 --> 00:09:11,851
SCHOOL.
416
00:09:11,852 --> 00:09:13,092
BUT THESE DAYS, THEY DON'T TELL
417
00:09:13,086 --> 00:09:14,046
YOU NOT TO OGLE THEM.
418
00:09:14,054 --> 00:09:15,794
THEY DEMAND THAT WE DO.
419
00:09:15,789 --> 00:09:17,219
YES, YOU WALK DOWN THE STREET,
420
00:09:17,224 --> 00:09:18,734
AND CHIPPIES HAVE WRITING ALL
421
00:09:18,726 --> 00:09:19,886
OVER THEIR BARN DOORS, WORDS
422
00:09:19,893 --> 00:09:22,133
LIKE "PINK," "WILDCATS," AND
423
00:09:22,129 --> 00:09:23,999
"JUICY," RIGHT THERE ON THEIR
424
00:09:23,997 --> 00:09:24,997
BISCUITS.
425
00:09:24,998 --> 00:09:26,268
AND NOW THERE'S SOMETHING CALLED
426
00:09:26,266 --> 00:09:27,796
YOGA PANTS.
427
00:09:27,801 --> 00:09:29,001
THESE, UH, YOGA PANTS -- THEY
428
00:09:29,002 --> 00:09:30,172
FRAME THE MONEYMAKER LIKE A
429
00:09:30,170 --> 00:09:31,870
PRICELESS WORK OF ART.
430
00:09:31,872 --> 00:09:33,742
NOW THERE'S PICASSOS, CéZANNES,
431
00:09:33,741 --> 00:09:35,881
AND VAN GOGHS EVERYWHERE, IN
432
00:09:35,876 --> 00:09:37,876
COFFEE SHOPS AND PARKS AND MY
433
00:09:37,878 --> 00:09:39,708
GRANDSON'S LITTLE LEAGUE GAMES.
434
00:09:39,713 --> 00:09:41,013
CALL IT BUILDING A BETTER
435
00:09:41,014 --> 00:09:43,854
MOUSETRAP OR A BETTER MAN-TRAP.
436
00:09:43,851 --> 00:09:45,251
NO MATTER WHAT, THERE'S NEVER
437
00:09:45,252 --> 00:09:47,052
BEEN A BETTER TIME TO APPRECIATE
438
00:09:47,054 --> 00:09:49,024
THE FEMALE FORM AND TO BE
439
00:09:49,022 --> 00:09:51,932
APPRECIATED FOR APPRECIATING IT.
440
00:09:51,925 --> 00:09:52,855
>> Biscayne: NEXT WEEK ON
441
00:09:52,860 --> 00:09:53,890
"NEWSREADERS," MORE STORIES FROM
442
00:09:53,894 --> 00:09:55,764
THE SET OF "KNIGHT RIDER."
443
00:09:55,763 --> 00:09:57,263
>> THIS VCR HAS THAT BLINKING
444
00:09:57,264 --> 00:09:59,034
12:00 -- REALLY IRRITATING,
445
00:09:59,032 --> 00:09:59,902
RIGHT?
446
00:09:59,900 --> 00:10:01,870
SO, I SET THE ACTUAL TIME.
447
00:10:01,869 --> 00:10:02,969
I WENT HOME.
448
00:10:02,970 --> 00:10:04,100
I CAME BACK THE NEXT MORNING,
449
00:10:04,104 --> 00:10:06,044
AND IT'S BLINKING 12:00, DRIVING
450
00:10:06,039 --> 00:10:06,969
ME CRAZY.
451
00:10:06,974 --> 00:10:08,014
>> Biscayne: THAT SOUNDS LIKE A
452
00:10:08,008 --> 00:10:10,678
HUGE HASSLE, HOFF.
453
00:10:10,678 --> 00:10:12,108
>> ANYWAY, I COULDN'T FIGURE
454
00:10:12,112 --> 00:10:13,752
OUT WHY IT WAS STILL BLINKING,
455
00:10:13,747 --> 00:10:14,977
BLINKING, BLINKING, BLINKING.
456
00:10:14,982 --> 00:10:16,922
SO I ASKED ONE OF THE CREW GUYS,
457
00:10:16,917 --> 00:10:18,787
AND HE TELLS ME THAT AT NIGHT,
458
00:10:18,786 --> 00:10:20,746
THEY TURN OFF THE POWER TO MY
459
00:10:20,754 --> 00:10:22,094
TRAILER TO AVOID DRAINING THE
460
00:10:22,089 --> 00:10:22,789
BATTERY.
461
00:10:22,790 --> 00:10:24,060
>> Biscayne: THAT MAKES PERFECT
462
00:10:24,057 --> 00:10:24,727
SENSE.
463
00:10:24,725 --> 00:10:25,985
>> IT MAKES PERFECT SENSE, BUT
464
00:10:25,993 --> 00:10:27,293
IT DOESN'T SOLVE THE PROBLEM OF
465
00:10:27,294 --> 00:10:28,304
THIS BLINKING 12:00.
466
00:10:28,295 --> 00:10:30,995
SO, YOU KNOW WHAT I DID?
467
00:10:30,998 --> 00:10:32,168
>> Biscayne: WHAT?
468
00:10:32,165 --> 00:10:34,065
>> I SNUCK IN TO THE WRITER'S
469
00:10:34,067 --> 00:10:34,797
ROOM.
470
00:10:34,802 --> 00:10:36,702
I GRAB ONE OF THOSE 3x5 INDEX
471
00:10:36,704 --> 00:10:37,074
CARDS.
472
00:10:37,070 --> 00:10:38,140
>> Biscayne: OKAY.
473
00:10:38,138 --> 00:10:39,838
>> AND I TAPED IT OVER THE
474
00:10:39,840 --> 00:10:40,810
BLINKING 12:00.
475
00:10:40,808 --> 00:10:41,908
>> Biscayne: [ CHUCKLES ]
476
00:10:41,909 --> 00:10:43,109
>> THAT'S PRETTY MUCH ALL I CAN
477
00:10:43,110 --> 00:10:44,310
REMEMBER FROM BRING ON THE SET
478
00:10:44,311 --> 00:10:46,011
OF "KNIGHT RIDER."
479
00:10:46,013 --> 00:10:46,853
>> Biscayne: I'M
480
00:10:46,847 --> 00:10:48,247
REAGAN BISCAYNE.
481
00:10:48,248 --> 00:10:50,048
GOOD NIGHT.
482
00:10:50,050 --> 00:10:51,220
>> ARE YOU EVEN A DOCTOR?
483
00:10:51,218 --> 00:10:52,348
>> I'M AN EDUCATED DOCTOR.
484
00:10:52,352 --> 00:10:53,892
>> WHAT SCHOOL DID YOU GO TO?
485
00:10:53,887 --> 00:10:54,957
>> I WENT TO EDGEWATER COLLEGE.
486
00:10:54,955 --> 00:10:55,755
>> WHERE'S THAT?
487
00:10:55,756 --> 00:10:56,856
>> IT'S RIGHT ON THE EDGE OF THE
488
00:10:56,857 --> 00:10:57,217
WATER.
489
00:10:57,224 --> 00:10:58,934
HOW DO YOU THINK I BEGAN THE
490
00:10:58,926 --> 00:10:59,926
JELLYFISH THING?
491
00:10:59,927 --> 00:11:01,027
>> YOU'RE A MONSTER.
492
00:11:01,028 --> 00:11:02,758
>> I'M DOING A LOT OF GOOD HERE.
493
00:11:02,763 --> 00:11:03,763
>> YOU'RE DOING NO GOOD.
494
00:11:03,764 --> 00:11:04,774
>> PEOPLE ARE LOVING IT.
495
00:11:04,765 --> 00:11:05,765
>> YOU'RE A PEE MONSTER.
496
00:11:05,766 --> 00:11:06,826
>> PEOPLE ARE COMING IN HERE,
497
00:11:06,834 --> 00:11:07,944
AND THEY'RE NOT EVEN STUNG BY
498
00:11:07,935 --> 00:11:08,265
JELLYFISH.
499
00:11:08,268 --> 00:11:10,838
THEY JUST WANT WHAT I'VE GOT.
500
00:11:10,888 --> 00:11:15,438
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