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1
00:00:01,250 --> 00:00:03,333
[ Buffy ]
PARKER'S PROBLEM WITH INTIMACY
TURNED OUT TO BE...
2
00:00:03,333 --> 00:00:05,959
THAT HE CAN'T
GET ENOUGH OF IT.
3
00:00:05,959 --> 00:00:08,625
[ Man ] PREVIOUSLY ON
BUFFY THE VAMPIRE SLAYER.
4
00:00:08,625 --> 00:00:11,000
- OH!
- [ Groans ]
5
00:00:11,000 --> 00:00:13,333
I'M SORRY.
I FORGOT MY MANNERS
IN ALL THE CONCUSSION.
6
00:00:13,333 --> 00:00:14,792
I'M RILEY. I'M A T.A.
7
00:00:14,792 --> 00:00:16,375
I'LL BE HELPING
THE PROFESSOR OUT.
8
00:00:16,375 --> 00:00:19,750
I'M PROFESSOR WALSH,
THE EVIL BITCH MONSTER
OF DEATH.
9
00:00:19,750 --> 00:00:23,041
'CAUSE THE BIG BAD IS BACK,
AND THIS TIME--
10
00:00:23,041 --> 00:00:25,750
- [ Electrical Crackling ]
- [ Groaning ]
11
00:00:27,208 --> 00:00:29,917
[ Groaning ]
12
00:00:34,417 --> 00:00:38,667
[ Forrest ]
WOMEN. YOUNG,
NUBILE, EXCITING.
13
00:00:38,667 --> 00:00:42,375
EACH ONE A MYSTERY,
WAITING TO BE UNLOCKED.
14
00:00:42,375 --> 00:00:44,000
THINK ANY OF THEM
ARE GONNA SHOW?
15
00:00:44,000 --> 00:00:47,875
'CAUSE THE PARTY
WILL BE LAME IF WE LACK
FOR HOTTIES.
16
00:00:47,875 --> 00:00:50,208
PROFESSOR? YOU WITH ME?
17
00:00:50,208 --> 00:00:52,458
NO. I'M WITH
THIS LARGE PILE
18
00:00:52,458 --> 00:00:54,708
OF UNGRADED PAPERS,
DUE AT 3:00.
19
00:00:54,708 --> 00:00:56,542
HOW ARE YOU GONNA
LEARN ANYTHING
20
00:00:56,542 --> 00:00:58,458
IF YOU KEEP DOING
SCHOOLWORK?
21
00:00:58,458 --> 00:01:01,000
OH...CHECK HER OUT.
22
00:01:01,000 --> 00:01:03,333
IS SHE HOT,
OR IS SHE HOT?
23
00:01:05,500 --> 00:01:07,250
SHE'S BUFFY.
24
00:01:07,250 --> 00:01:08,542
[ Gasps ]
25
00:01:08,542 --> 00:01:11,708
BUFFY?
I LIKE THAT.
26
00:01:11,708 --> 00:01:15,291
THAT GIRL'S SO HOT,
SHE'S BUFFY.
27
00:01:15,291 --> 00:01:16,959
IT'S HER NAME, FORREST.
28
00:01:16,959 --> 00:01:20,291
YOU'VE ESTABLISHED
FIRST CONTACT?
EXCELLENT.
29
00:01:20,291 --> 00:01:21,708
WHAT DO YOU
THINK OF HER?
30
00:01:21,708 --> 00:01:24,417
I NEVER REALLY
THOUGHT ABOUT
WHAT I THINK ABOUT HER.
31
00:01:24,417 --> 00:01:25,542
A GIRL THAT CUTE
IN THE FACE,
32
00:01:25,542 --> 00:01:26,583
AND YOU FORM
NO OPINION?
33
00:01:26,583 --> 00:01:29,041
NO, I MEAN,
34
00:01:29,041 --> 00:01:30,917
SHE'S ALL RIGHT,
I GUESS.
35
00:01:30,917 --> 00:01:32,875
SHE'S JUST KIND OF...
I DON'T KNOW.
36
00:01:32,875 --> 00:01:34,875
PECULIAR.
37
00:01:34,875 --> 00:01:35,750
PECULIAR?
38
00:01:35,750 --> 00:01:38,000
YEAH.
39
00:01:40,667 --> 00:01:42,542
HEY, GRAHAM,
40
00:01:42,542 --> 00:01:44,208
WHAT DO YOU THINK
OF THE BLONDE CHICK?
41
00:01:44,208 --> 00:01:46,625
MATTRESSABLE,
N'EST-CE PAS?
42
00:01:46,625 --> 00:01:48,959
RILEY'S NOT DOWN.
DOESN'T LIKE HER.
43
00:01:48,959 --> 00:01:50,417
I DON'T DISLIKE HER.
44
00:01:50,417 --> 00:01:52,291
SHE JUST--
SHE NEVER FEELS
45
00:01:52,291 --> 00:01:54,083
LIKE SHE'S REALLY THERE
WHEN YOU TALK TO HER.
46
00:01:54,083 --> 00:01:55,708
I LIKE GIRLS I CAN
GET A GRIP ON.
47
00:01:55,708 --> 00:01:57,708
I BET YOU DO.
48
00:01:57,708 --> 00:01:59,458
NOT THAT WAY.
49
00:01:59,458 --> 00:02:02,209
JUST A LITTLE LESS READY
FOR TAKEOFF ALL THE TIME.
50
00:02:02,209 --> 00:02:04,500
THERE'S DEFINITELY
SOMETHING OFF ABOUT HER.
51
00:02:04,500 --> 00:02:06,208
MAYBE SHE'S
CANADIAN.
52
00:02:06,208 --> 00:02:08,458
[ Forrest ] DIDN'T SHE GO
WITH PARKER ABRAMS
53
00:02:08,458 --> 00:02:10,542
FOR ABOUT 30 SECONDS?
54
00:02:10,542 --> 00:02:12,125
YEAH, THERE'S
A SIGN OF GOOD TASTE.
55
00:02:12,125 --> 00:02:15,250
OKAY, BUT YOU'VE
GOT TO ADMIT
56
00:02:15,250 --> 00:02:17,166
SHE'S A MAJOR LEAGUE
HOTTIE.
57
00:02:17,166 --> 00:02:19,208
WELL, I'M NOT DENYING
SHE'S EASY ON THE EYES.
58
00:02:19,208 --> 00:02:20,250
I'M JUST SAYING...
59
00:02:23,375 --> 00:02:25,083
WOULD YOU REALLY
WANT TO GO OUT WITH HER?
60
00:02:25,083 --> 00:02:26,333
HELL, YES.
61
00:02:27,542 --> 00:02:28,917
I BET A LOT OF GUYS
WOULD LIKE
62
00:02:28,917 --> 00:02:30,208
TO GET
THEIR HANDS ON HER.
63
00:02:30,208 --> 00:02:35,125
SLAYER...
I'LL KILL YOU.
64
00:02:38,083 --> 00:02:41,458
NOT SO TOUGH. I...
65
00:02:41,458 --> 00:02:43,583
KILL SLAYER.
66
00:03:15,500 --> 00:03:16,458
[ Bzzz ]
67
00:04:27,583 --> 00:04:30,417
WELL, BASED ON BUFFY'S
DESCRIPTION,
68
00:04:30,417 --> 00:04:32,333
I BELIEVE THE MEN
THAT WE'RE AFTER
69
00:04:32,333 --> 00:04:34,959
LOOK SOMETHING
LIKE, UM...
70
00:04:34,959 --> 00:04:37,250
LIKE THIS.
71
00:04:39,250 --> 00:04:40,917
THE LATEST
IN FALL FASCISM.
72
00:04:40,917 --> 00:04:42,500
I LIKE IT.
73
00:04:42,500 --> 00:04:44,542
A BIT FULL IN THE HIPS
FOR MY TASTE, BUT--
74
00:04:44,542 --> 00:04:46,708
I THINK WE CAN
SAFELY ASSUME THEY'RE HUMAN,
75
00:04:46,708 --> 00:04:49,625
SO, UM,
NO RESEARCH NEEDED.
76
00:04:49,625 --> 00:04:52,333
NO STUDYING? DAMN!
77
00:04:52,333 --> 00:04:53,500
NEXT THING
YOU'LL TELL ME
78
00:04:53,500 --> 00:04:54,792
IS I'LL HAVE TO EAT
JELLY DOUGHNUTS
79
00:04:54,792 --> 00:04:55,834
OR SLEEP WITH
A SUPERMODEL
80
00:04:55,834 --> 00:04:57,083
TO GET THINGS DONE
AROUND HERE.
81
00:04:57,083 --> 00:04:59,417
I ASK YOU, HOW MUCH
CAN ONE MAN GIVE?
82
00:04:59,417 --> 00:05:01,417
NOT TOO MUCH,
I'M AFRAID. UM...
83
00:05:01,417 --> 00:05:03,000
ONCE AGAIN I'D SAY
THAT YOU AND I
84
00:05:03,000 --> 00:05:05,625
WILL NOT BE NEEDED
TO HELP BUFFY.
85
00:05:05,625 --> 00:05:07,333
REALLY?
86
00:05:07,333 --> 00:05:08,542
REALLY.
87
00:05:08,542 --> 00:05:09,917
WELL,
HOW ABOUT THIS?
88
00:05:09,917 --> 00:05:11,291
WE WHIP OUT
THE OUIJA BOARD,
89
00:05:11,291 --> 00:05:12,583
LIGHT A FEW CANDLES,
90
00:05:12,583 --> 00:05:14,458
SUMMON SOME ANCIENT,
UNSTOPPABLE EVIL.
91
00:05:14,458 --> 00:05:15,708
MAYHEM, MAYHEM,
MAYHEM.
92
00:05:15,708 --> 00:05:18,166
WE SHOW UP
AND KICK ITS ASS.
93
00:05:23,333 --> 00:05:25,000
WEE BIT UNETHICAL.
94
00:05:25,000 --> 00:05:27,208
HELLO, PEOPLE.
HEY.
95
00:05:27,208 --> 00:05:29,500
MMM.
96
00:05:29,500 --> 00:05:32,209
IT'S MY LATE NIGHT
STORM TROOPER PAL.
97
00:05:32,209 --> 00:05:33,500
IT'S--IT'S JUST
FOR REFERENCE, YOU KNOW,
98
00:05:33,500 --> 00:05:34,667
BUT FAIRLY ACCURATE
YOU'D SAY?
99
00:05:34,667 --> 00:05:36,083
THAT'S YOUR MAN.
100
00:05:36,083 --> 00:05:37,250
YOUR MAN, ACTUALLY.
101
00:05:37,250 --> 00:05:39,625
UH...YOU ARE PATROLLING
TONIGHT?
102
00:05:39,625 --> 00:05:42,041
NOPE, I AM GOING
TO A PARTY TONIGHT.
103
00:05:42,041 --> 00:05:44,708
HOPEFULLY,
A "NO FIGHTING,
NO BITING" KIND OF DEAL.
104
00:05:44,708 --> 00:05:46,291
BUFFY, SOMEBODY'S GOT
105
00:05:46,291 --> 00:05:47,500
TO FIND OUT
WHO THESE PEOPLE ARE.
106
00:05:47,500 --> 00:05:50,417
GILES, I LIVE
IN A DORM NOW.
107
00:05:50,417 --> 00:05:52,625
THE GIRLS IN MY HALL
WANT TO PARTY,
108
00:05:52,625 --> 00:05:53,834
WILLOW NEEDS
SOME CHEERING UP.
109
00:05:53,834 --> 00:05:55,083
I'M GOING TO TAKE HER.
110
00:05:56,291 --> 00:05:57,583
HOW'S WIL DEALING--
111
00:05:57,583 --> 00:05:59,125
WITH THE BLACK HOLE
OF DESPAIR
112
00:05:59,125 --> 00:06:01,083
SHE'S BEEN LIVING IN
SINCE OZ LEFT?
113
00:06:01,083 --> 00:06:03,750
SHE'S DEALING. I'M HELPING.
114
00:06:03,750 --> 00:06:06,209
IT'S HARD. ERGO, PARTY.
115
00:06:06,209 --> 00:06:07,708
YOU TWO CAN TAKE PATROL.
116
00:06:07,708 --> 00:06:09,208
NOW, IF YOU'LL
EXCUSE ME,
117
00:06:09,208 --> 00:06:11,583
I NEED TO GO FIND
SOMETHING SLUTTY
TO WEAR TONIGHT.
118
00:06:30,667 --> 00:06:32,250
[ Buzzing ]
119
00:06:43,000 --> 00:06:44,625
[ Male Voice ]
DON'T DRINK IT.
120
00:06:44,625 --> 00:06:46,500
IT'S DRUGGED.
121
00:06:51,000 --> 00:06:52,083
UH-HUH.
122
00:06:54,000 --> 00:06:55,959
AND WHO ARE YOU,
MATE?
123
00:06:55,959 --> 00:06:57,625
I'M A RAT.
124
00:06:57,625 --> 00:07:00,291
I'M A LAB RAT,
JUST LIKE
THE OTHERS.
125
00:07:01,625 --> 00:07:04,542
THEY'RE GONNA
KILL US, YOU KNOW.
126
00:07:04,542 --> 00:07:06,166
AND HOW ARE THEY
GONNA DO THAT?
127
00:07:06,166 --> 00:07:07,708
THEY STARVE YOU.
128
00:07:07,708 --> 00:07:09,083
WHEN YOU'RE READY
TO BITE
YOUR OWN ARM,
129
00:07:09,083 --> 00:07:12,167
THEY SHOOT OUT ONE
OF THOSE PACKETS.
130
00:07:12,167 --> 00:07:16,250
YOU DRINK,
AND THE NEXT THING,
YOU'RE GONE.
131
00:07:19,542 --> 00:07:21,792
AND THAT'S
WHEN THEY DO
THE EXPERIMENTS.
132
00:07:21,792 --> 00:07:23,875
AND, UH, THEY ARE?
133
00:07:23,875 --> 00:07:28,458
THE GOVERNMENT? NAZIS?
A MAJOR COSMETICS COMPANY?
134
00:07:28,458 --> 00:07:30,083
WHO CARES?
135
00:07:30,083 --> 00:07:31,500
ALL I KNOW IS,
ONE MINUTE
136
00:07:31,500 --> 00:07:32,583
I'M RUNNING
FROM THE SLAYER,
137
00:07:32,583 --> 00:07:34,750
AND THE NEXT THING,
I'M HERE.
138
00:07:34,750 --> 00:07:36,834
THE SLAYER!
139
00:07:36,834 --> 00:07:38,708
I KNEW IT! I KNEW IT!
140
00:07:38,708 --> 00:07:40,208
YEAH, SHE TOOK APART
MY CREW,
141
00:07:40,208 --> 00:07:41,875
AND LED ME STRAIGHT
TO THESE GUYS.
142
00:07:41,875 --> 00:07:43,291
SHE SET ME UP, TOO.
143
00:07:45,291 --> 00:07:47,583
I ALWAYS WORRIED
WHAT WOULD HAPPEN
144
00:07:47,583 --> 00:07:49,291
WHEN THAT BITCH
GOT SOME FUNDING.
145
00:07:49,291 --> 00:07:52,375
SHE'S WISED UP A BIT.
FINE!
146
00:07:52,375 --> 00:07:54,333
I'LL TAKE HER APART.
147
00:07:57,458 --> 00:07:59,542
I DON'T CARE
HOW BRILLIANT SHE IS.
148
00:07:59,542 --> 00:08:01,667
STUPID PEN.
149
00:08:03,708 --> 00:08:05,625
MY NOTES!
150
00:08:05,625 --> 00:08:08,166
BALLPOINTS
CAN BE TRICKY.
151
00:08:08,166 --> 00:08:09,708
[ Walsh ] CONTROVERSIAL
RESULTS AS WELL.
152
00:08:09,708 --> 00:08:11,000
THAT'S ALL FOR TODAY.
153
00:08:11,000 --> 00:08:13,166
DON'T FORGET
CHAPTERS 8 TO 11
FOR TOMORROW.
154
00:08:13,166 --> 00:08:15,125
RILEY.
155
00:08:15,125 --> 00:08:18,583
I NOTICE YOU LEFT OFF
A NAME TODAY IN ROLL CALL.
156
00:08:18,583 --> 00:08:21,291
OSBORNE,
DANIEL OSBORNE, OZ?
157
00:08:21,291 --> 00:08:23,166
HE'S NOT IN
THIS CLASS ANYMORE.
158
00:08:23,166 --> 00:08:24,166
I HEAR
HE DROPPED OUT.
159
00:08:24,166 --> 00:08:26,708
OH, WELL YOU HEARD
WAY WRONG THEN.
160
00:08:26,708 --> 00:08:28,417
I MEAN, HE'S NOT GONE.
161
00:08:28,417 --> 00:08:32,583
HE--HE LEFT TEMPORARILY
TO WORK OUT A FEW THINGS.
162
00:08:32,583 --> 00:08:35,667
I KNOW THAT SOUNDS LAME
IN ITS VAGUENESS,
163
00:08:35,667 --> 00:08:38,667
BUT I ASSURE YOU,
OZ WILL BE BACK.
164
00:08:38,667 --> 00:08:42,792
[ Walsh ]
NOT TO MY CLASS,
HE WON'T.
165
00:08:42,792 --> 00:08:45,834
AN EDUCATED GUESS.
YOU KNOW THE RULES,
166
00:08:45,834 --> 00:08:47,625
YOU KNOW
I HATE EXCEPTIONS,
167
00:08:47,625 --> 00:08:50,875
AND YET SOMEHOW
YOU FEEL YOUR EXCEPTION
IS EXCEPTIONAL.
168
00:08:50,875 --> 00:08:51,875
OH, BUT--
169
00:08:51,875 --> 00:08:54,041
IT IS. TO YOU.
170
00:08:54,041 --> 00:08:55,291
BUT SINCE
I'M NEITHER
171
00:08:55,291 --> 00:08:57,166
A FRESHMAN NOR
A NARCISSIST,
172
00:08:57,166 --> 00:08:59,708
I HAVE TO CONSIDER
THE WHOLE CLASS.
173
00:08:59,708 --> 00:09:01,500
IF YOUR FRIEND
CAN'T RESPECT
MY SCHEDULE,
174
00:09:01,500 --> 00:09:03,708
I THINK IT'S BEST
HE NOT COME BACK.
175
00:09:12,166 --> 00:09:14,708
YOU KNOW, FOR SOMEONE WHO
TEACHES HUMAN BEHAVIOR,
176
00:09:14,708 --> 00:09:17,792
YOU MIGHT TRY
SHOWING SOME.
177
00:09:17,792 --> 00:09:20,708
IT'S NOT MY JOB
TO CODDLE MY STUDENTS.
178
00:09:20,708 --> 00:09:23,583
YOU'RE RIGHT.
A HUMAN BEING IN PAIN
179
00:09:23,583 --> 00:09:25,834
HAS NOTHING TO DO
WITH YOUR JOB.
180
00:09:33,750 --> 00:09:35,792
I LIKE HER.
181
00:09:35,792 --> 00:09:37,875
REALLY?
182
00:09:39,875 --> 00:09:43,208
YOU DON'T THINK SHE'S
A LITTLE PECULIAR?
183
00:09:45,375 --> 00:09:48,041
HERE WE GO.
GEAR FOR TONIGHT.
184
00:09:48,041 --> 00:09:50,458
IF SOME COMMANDO SQUADS
ARE OUT THERE, FULLY LOADED,
185
00:09:50,458 --> 00:09:53,875
THESE BABIES MIGHT
GIVE US THE EDGE WE'LL NEED.
186
00:09:53,875 --> 00:09:55,500
THAT'S A VERY
IMPRESSIVE ARRAY.
187
00:09:55,500 --> 00:09:57,583
WHERE'D IT ALL
COME FROM?
188
00:09:57,583 --> 00:09:59,041
UH, REQUISITIONED IT.
189
00:09:59,041 --> 00:10:01,792
BACK WHEN I WAS
MILITARY GUY.
190
00:10:01,792 --> 00:10:06,542
THAT WAS 2 YEARS AGO.
YOU STILL 100%?
191
00:10:06,542 --> 00:10:10,458
ARE YOU KIDDING? I PUT
THE SEMPER IN SEMPER FI.
192
00:10:10,458 --> 00:10:12,750
I MIGHT NOT BE ABLE
TO ASSEMBLE
193
00:10:12,750 --> 00:10:14,834
AN M-16 BLINDFOLDED
LIKE I USED TO
194
00:10:14,834 --> 00:10:17,500
OR PASS WEAPONS DRILL
FOR THE MOBILE INFANTRY...
195
00:10:20,375 --> 00:10:22,542
MIGHT AS WELL FACE IT.
RIGHT NOW,
196
00:10:22,542 --> 00:10:23,875
I DON'T HAVE
THE TECHNICAL SKILLS
197
00:10:23,875 --> 00:10:26,083
TO JOIN THE SWISS ARMY.
198
00:10:26,083 --> 00:10:28,333
AND ALL THOSE GUYS
ASK YOU TO DO
199
00:10:28,333 --> 00:10:30,333
IS UNCORK A COUPLE
OF SASSY CABERNETS.
200
00:10:30,333 --> 00:10:32,625
WELL, I'M SURE
YOU'LL BE READY
WHEN THE TIME COMES.
201
00:10:32,625 --> 00:10:36,375
OH, FEAR NOT.
HAND TO HAND?
I'M STILL THE MAN.
202
00:10:36,375 --> 00:10:38,500
WHOEVER THESE GUYS
TRAINED WITH,
203
00:10:38,500 --> 00:10:40,500
I'M SURE THEY'RE
NOT READY TO DEAL WITH--
204
00:10:40,500 --> 00:10:41,542
[ Woman ] XANDER!
205
00:10:41,542 --> 00:10:43,667
YES, MOM!
206
00:10:43,667 --> 00:10:46,917
I MADE A NICE
FRUIT PUNCH FOR
YOU AND YOUR FRIEND.
207
00:10:46,917 --> 00:10:50,083
WOULD YOU BOYS
LIKE SOME?
208
00:10:50,083 --> 00:10:53,083
IS IT, UH, RASPBERRY
FRUIT PUNCH?
209
00:10:53,083 --> 00:10:55,625
SO SHE SAYS, "YOU TEACH
HUMAN BEHAVIOR.
210
00:10:55,625 --> 00:10:57,792
MAYBE YOU OUGHT
TO SHOW SOME."
211
00:10:57,792 --> 00:11:00,041
OH, YOU'RE LYING.
SHE SAYS THAT TO WALSH?
212
00:11:00,041 --> 00:11:01,417
HOPE TO DIE.
213
00:11:01,417 --> 00:11:02,708
DOESN'T LACK
FOR GUTS.
214
00:11:02,708 --> 00:11:03,625
YOU'VE GOT
TO GIVE HER THAT.
215
00:11:03,625 --> 00:11:05,750
YEAH, BUT SHE'S NUTS.
216
00:11:05,750 --> 00:11:07,209
OH, COME ON. LIKE
YOU NEVER WANTED
217
00:11:07,209 --> 00:11:09,166
TO TELL
THE PROFESSOR OFF?
HEY, PARKER!
218
00:11:09,166 --> 00:11:10,458
FORREST.
WHAT'S UP, MAN?
219
00:11:10,458 --> 00:11:13,834
WHAT'S THE SCOOP
ON BUFFY SUMMERS?
IS SHE COOL?
220
00:11:13,834 --> 00:11:16,708
BUFFY? YEAH,
SHE'S ALL RIGHT, I GUESS.
221
00:11:16,708 --> 00:11:17,917
I MEAN,
KIND OF WHINY.
222
00:11:17,917 --> 00:11:18,959
HOW'S THAT?
223
00:11:18,959 --> 00:11:21,250
WELL, YOU KNOW, CLINGY.
224
00:11:21,250 --> 00:11:23,083
I MEAN, WE GOT
A LITTLE PHYSICAL--
225
00:11:23,083 --> 00:11:26,333
UH, WELL, FULLY PHYSICAL,
226
00:11:26,333 --> 00:11:28,041
AND THEN SHE'S
ALL OVER ME, YOU KNOW,
227
00:11:28,041 --> 00:11:29,625
LIKE WE'RE BETROTHED
OR SOMETHING.
228
00:11:29,625 --> 00:11:31,458
NO, BUT FUN WAS HAD,
YEAH?
229
00:11:31,458 --> 00:11:34,125
[ Laughs ] OH, YEAH.
230
00:11:34,125 --> 00:11:36,333
THE WORD IS STAMINA.
231
00:11:36,333 --> 00:11:39,125
I MEAN, DEFINITELY
A BUNNY IN THE SACK,
232
00:11:39,125 --> 00:11:41,625
BUT LATER ON, WELL.
233
00:11:41,625 --> 00:11:42,708
YOU KNOW THE DIFFERENCE
BETWEEN
234
00:11:42,708 --> 00:11:44,875
A FRESHMAN GIRL
AND A TOILET SEAT?
235
00:11:44,875 --> 00:11:47,917
A TOILET SEAT DOESN'T
FOLLOW YOU AROUND
AFTER YOU USE IT.
236
00:11:51,208 --> 00:11:52,458
I CAN'T BELIEVE
THAT I DID THAT.
237
00:11:52,458 --> 00:11:53,792
WELCOME TO THE CLUB.
238
00:11:53,792 --> 00:11:55,041
DO YOU HAVE ANY IDEA
HOW MUCH TROUBLE
239
00:11:55,041 --> 00:11:56,291
YOU COULD HAVE
GOTTEN INTO?
240
00:11:56,291 --> 00:11:57,708
IF PARKER REPORTED
YOU--
241
00:11:57,708 --> 00:11:59,041
HE WON'T.
HE'S TOO EMBARRASSED.
242
00:11:59,041 --> 00:12:00,291
I HIT HIM.
243
00:12:00,291 --> 00:12:01,458
WHAT THE HELL FOR?
244
00:12:01,458 --> 00:12:04,041
HE--HE WAS JUST
BEING SO CRUDE.
245
00:12:04,041 --> 00:12:05,208
PLEASE.
YOU'VE HEARD ME
246
00:12:05,208 --> 00:12:06,458
SAY MUCH GROSSER
THINGS THAN THAT.
247
00:12:06,458 --> 00:12:08,583
AND MOST OF
THOSE ARE ABOUT
YOUR OWN MOTHER.
248
00:12:08,583 --> 00:12:10,125
[ Laughs ]
249
00:12:10,125 --> 00:12:11,000
WHAT IS IT?
250
00:12:15,333 --> 00:12:16,625
I JUST DIDN'T
LIKE HEARING HIM
251
00:12:16,625 --> 00:12:18,667
TALK ABOUT BUFFY
THAT WAY.
252
00:12:18,667 --> 00:12:21,208
I THINK I...
253
00:12:21,208 --> 00:12:24,458
WELL, I GUESS
I LIKE HER.
254
00:12:24,458 --> 00:12:25,583
YOU'RE KIND OF
LIKE A MORON.
255
00:12:25,583 --> 00:12:27,250
SO, YOU...
256
00:12:27,250 --> 00:12:30,667
YOU KNEW THAT I HAD
FEELINGS FOR HER.
257
00:12:30,667 --> 00:12:32,542
EVERYBODY KNOWS, MAN.
258
00:12:32,542 --> 00:12:35,542
OH, SHE'S PECULIAR?
DEAD GIVEAWAY,
BUDDY.
259
00:12:35,542 --> 00:12:38,125
I'M ALWAYS
THE LAST TO KNOW.
260
00:12:38,125 --> 00:12:39,542
SO, WHATCHA GONNA DO?
261
00:12:41,792 --> 00:12:44,291
WELL, I GUESS I'M GONNA
GO SEE A GIRL.
262
00:13:13,792 --> 00:13:15,458
SORRY, CAN'T STAY.
263
00:13:15,458 --> 00:13:17,209
GOT TO GO SEE A GIRL.
264
00:13:24,208 --> 00:13:26,792
[ Alarm Blaring ]
265
00:13:34,333 --> 00:13:36,041
GET THE SERUM!
266
00:13:36,041 --> 00:13:37,291
LET ME OUT!
267
00:13:37,291 --> 00:13:39,333
BIT BUSY RIGHT NOW.
268
00:13:39,333 --> 00:13:40,458
LOOK, I KNOW WHERE
THE EXIT IS.
269
00:13:40,458 --> 00:13:41,500
YOU SPRING ME,
YOU'RE FREE.
270
00:13:41,500 --> 00:13:43,792
YOU DON'T,
YOU'RE DEAD.
271
00:13:56,583 --> 00:13:58,458
HURRY!
272
00:13:58,458 --> 00:13:59,667
HURRY!
273
00:14:06,375 --> 00:14:08,250
THIS WAY!
274
00:14:18,708 --> 00:14:20,500
NEW PLAN!
WE SPLIT UP.
275
00:14:20,500 --> 00:14:21,917
YOU GO THAT WAY.
276
00:14:25,041 --> 00:14:27,917
♪♪ [ Soft Rock Ballad ]
277
00:14:32,792 --> 00:14:35,458
[ Knock On Door ]
278
00:14:35,458 --> 00:14:36,959
COME IN.
279
00:14:39,500 --> 00:14:41,083
OH, RILEY. HI.
280
00:14:41,083 --> 00:14:43,959
HI. GEE,
I HOPE I'M NOT
281
00:14:43,959 --> 00:14:45,583
INTERRUPTING ANYTHING
REALLY DEPRESSING.
282
00:14:47,125 --> 00:14:50,125
[ Turns Off Music ]
283
00:14:50,125 --> 00:14:51,041
WHAT'S UP?
284
00:14:53,250 --> 00:14:55,166
RIGHT TO THE POINT, OKAY.
285
00:14:59,166 --> 00:15:01,750
I WAS THINKING
OF ASKING OUT BUFFY.
286
00:15:01,750 --> 00:15:04,041
SHE'S NOT HERE.
287
00:15:04,041 --> 00:15:06,291
I KNOW. SEE,
288
00:15:06,291 --> 00:15:08,000
I DON'T KNOW THAT
MUCH ABOUT BUFFY.
289
00:15:08,000 --> 00:15:09,291
BUT I'M INTERESTED
IN WHAT SHE LIKES,
290
00:15:09,291 --> 00:15:13,250
AND SO FAR, WELL,
291
00:15:13,250 --> 00:15:16,500
THE ONLY THING
THAT I KNOW
SHE LIKES IS YOU.
292
00:15:16,500 --> 00:15:20,667
WHAT--WHAT DO YOU WANT
ME TO DO?
293
00:15:20,667 --> 00:15:23,667
JUST TELL ME SOMETHING.
ANYTHING.
294
00:15:23,667 --> 00:15:25,125
JUST GIVE ME A CLUE TO--
295
00:15:25,125 --> 00:15:27,792
HERE, LET ME HELP YOU
WITH THAT.
296
00:15:27,792 --> 00:15:31,000
JUST SOMETHING THAT WILL
START US TALKING, YOU KNOW?
297
00:15:31,000 --> 00:15:33,083
I'M THINKING THAT
"HOW 'BOUT THEM BRONCOS?"
298
00:15:33,083 --> 00:15:34,208
WON'T REALLY CUT IT.
299
00:15:36,875 --> 00:15:39,708
OKAY, SAY THAT I HELP,
300
00:15:39,708 --> 00:15:41,583
AND YOU START
A CONVERSATION.
301
00:15:41,583 --> 00:15:42,959
IT GOES GREAT.
302
00:15:42,959 --> 00:15:45,333
YOU LIKE BUFFY.
SHE LIKES YOU.
303
00:15:45,333 --> 00:15:49,166
YOU SPEND TIME TOGETHER,
FEELINGS GROW DEEPER,
304
00:15:49,166 --> 00:15:51,333
AND ONE DAY,
WITHOUT EVEN REALIZING IT,
305
00:15:51,333 --> 00:15:54,667
YOU FIND YOU'RE IN LOVE.
TIME STOPS,
306
00:15:54,667 --> 00:15:56,583
AND IT FEELS LIKE
THE WHOLE WORLD'S
307
00:15:56,583 --> 00:15:58,917
MADE FOR YOU TWO,
AND YOU TWO ALONE,
308
00:15:58,917 --> 00:16:01,291
UNTIL THE DAY
ONE OF YOU LEAVES
309
00:16:01,291 --> 00:16:03,750
AND RIPS THE STILL-BEATING
HEART FROM THE OTHER,
310
00:16:03,750 --> 00:16:08,875
WHO'S NOW A BROKEN, HOLLOW,
MOCKERY OF THE HUMAN CONDITION.
311
00:16:08,875 --> 00:16:12,000
YEP, THAT'S THE PLAN.
312
00:16:12,000 --> 00:16:14,583
I FIGURED IT WAS.
313
00:16:14,583 --> 00:16:17,209
LOOK, IF YOU
WANT TO TELL ME
314
00:16:17,209 --> 00:16:18,583
TO GO TO HELL,
THAT'S OKAY.
315
00:16:18,583 --> 00:16:20,209
MAYBE THIS
IS THE LAST THING
316
00:16:20,209 --> 00:16:21,250
YOU WANT
TO TALK ABOUT.
317
00:16:21,250 --> 00:16:24,458
I JUST FEEL THAT,
WELL,
318
00:16:24,458 --> 00:16:26,542
I'VE NEVER
COURTED ANYONE
LIKE BUFFY BEFORE.
319
00:16:26,542 --> 00:16:29,917
I DON'T THINK
I'VE EVER MET ANYONE
LIKE BUFFY BEFORE.
320
00:16:29,917 --> 00:16:32,458
WHY SHOULD I TRUST YOU?
321
00:16:32,458 --> 00:16:35,708
JUST SORT OF HOPING
YOU'D THINK
322
00:16:35,708 --> 00:16:37,208
I HAVE
AN HONEST FACE.
323
00:16:37,208 --> 00:16:40,375
I'VE SEEN
HONEST FACES BEFORE.
324
00:16:40,375 --> 00:16:42,917
THEY USUALLY COME
ATTACHED TO LIARS.
325
00:16:44,583 --> 00:16:46,125
ALL RIGHT.
326
00:16:47,834 --> 00:16:50,542
I GUESS I'M NOT
GONNA WIN HERE.
327
00:16:50,542 --> 00:16:53,125
AND I APPRECIATE YOU
WANTING TO PROTECT
YOUR FRIEND.
328
00:16:54,792 --> 00:16:56,500
I GUESS, UH,
SHE KIND OF
329
00:16:56,500 --> 00:16:58,208
BRINGS THAT OUT
IN PEOPLE.
330
00:17:02,542 --> 00:17:05,083
SHE LIKES CHEESE.
331
00:17:05,083 --> 00:17:07,167
WHAT?
332
00:17:07,167 --> 00:17:09,209
WELL, I'M NOT SAYING
333
00:17:09,209 --> 00:17:11,000
IT'S THE KEY
TO HER HEART,
334
00:17:11,000 --> 00:17:14,208
BUT BUFFY...
SHE LIKES CHEESE.
335
00:17:14,208 --> 00:17:16,375
THAT'S A START.
336
00:17:16,375 --> 00:17:22,209
SHE HAS A STUFFED PIGGY
NAMED MR. GORDO,
337
00:17:22,209 --> 00:17:24,542
LOVES ICE CAPADES
WITHOUT THE IRONY,
338
00:17:24,542 --> 00:17:28,834
AND SHE'S DRAGGING ME
TO THIS PARTY TONIGHT
AT LOWELL HOUSE.
339
00:17:28,834 --> 00:17:31,041
OH, YOU'RE GOING?
THAT'S MY HOUSE.
I LIVE THERE.
340
00:17:31,041 --> 00:17:34,166
WELL, IT'LL GIVE YOU
A CHANCE TO INTERACT,
341
00:17:34,166 --> 00:17:36,166
BUT DON'T GET FRESH.
342
00:17:36,166 --> 00:17:40,250
FRESH? I DON'T EVEN KNOW
IF WE LIKE EACH OTHER YET.
343
00:17:43,041 --> 00:17:46,625
HEY, DOES SHE EVER
TALK ABOUT ME?
344
00:17:46,625 --> 00:17:47,667
LIKE, HAS SHE EVER SAID...
345
00:17:47,667 --> 00:17:49,959
SORRY.
346
00:17:49,959 --> 00:17:52,500
THAT'S DISCOURAGING.
347
00:17:52,500 --> 00:17:56,000
STILL, I FEEL LIKE
I HAVE A FIGHTING CHANCE
348
00:17:56,000 --> 00:17:57,208
WITH MY NEW ACCOMPLICE.
349
00:17:57,208 --> 00:17:59,000
I'M NOT
YOUR ACCOMPLICE.
350
00:17:59,000 --> 00:18:00,041
NO, NO. OF COURSE NOT.
351
00:18:00,041 --> 00:18:01,125
I'M NOT.
352
00:18:01,125 --> 00:18:02,125
YOU'RE NOT.
353
00:18:02,125 --> 00:18:03,625
WE'RE CLEAR.
WE'RE CLEAR.
354
00:18:13,708 --> 00:18:16,209
SPIKE?
355
00:18:17,708 --> 00:18:19,417
SPIKE, IS THAT
REALLY YOU?
356
00:18:19,417 --> 00:18:20,583
IT'S ME, BABY.
357
00:18:20,583 --> 00:18:24,000
YOUR MAN IS--
BACK.
358
00:18:24,000 --> 00:18:27,458
BASTARD. YOU DUMPED ME
AND STAKED ME
359
00:18:27,458 --> 00:18:29,458
AND HURT ME
AND LEFT ME--
360
00:18:29,458 --> 00:18:31,166
I KNOW, SUGAR,
BUT YOU'RE FORGETTING
361
00:18:31,166 --> 00:18:34,625
ONE OTHER THING I DID.
I MISSED YOU.
362
00:18:34,625 --> 00:18:36,333
REALLY?
363
00:18:40,125 --> 00:18:43,542
OH! JUST
DON'T EVER DO THAT
TO ME AGAIN.
364
00:18:43,542 --> 00:18:47,250
OH, NEVER, MY LITTLE
FOAM LATTE.
365
00:18:47,250 --> 00:18:49,166
YOUR BLONDIE BEAR
IS HERE TO STAY.
366
00:18:49,166 --> 00:18:50,375
WELL, WHERE HAVE
YOU BEEN?
367
00:18:50,375 --> 00:18:52,000
NO, WAIT. DON'T TELL ME.
368
00:18:52,000 --> 00:18:53,458
I'M JUST GLAD
YOU'RE BACK.
369
00:18:53,458 --> 00:18:55,417
AND THIS TIME,
IT'S FOR GOOD, RIGHT?
370
00:18:55,417 --> 00:18:58,542
OH, FOREVER AND EVER,
MON PETITE CREME BRULEE.
371
00:18:58,542 --> 00:19:01,625
OOH. ITALIAN.
372
00:19:01,625 --> 00:19:04,542
UH, YEAH,
AND GET USED TO IT.
373
00:19:04,542 --> 00:19:07,458
BIG DADDY'S HOME.
WE'RE GONNA GO
WHEREVER YOU WANT,
374
00:19:07,458 --> 00:19:09,250
DO WHATEVER YOU WANT,
375
00:19:09,250 --> 00:19:12,542
KILL WHOEVER YOU WANT.
376
00:19:12,542 --> 00:19:14,167
STARTING WITH THE SLAYER.
377
00:19:15,583 --> 00:19:19,250
AND AFTER THAT,
IT'S ALL YOU AND ME,
378
00:19:19,250 --> 00:19:23,375
MY LITTLE MENTHOLATED
PACK OF SMOKES.
379
00:19:23,375 --> 00:19:26,333
SPIKEY. LET'S LEAVE
THE SLAYER ALONE.
380
00:19:26,333 --> 00:19:28,458
YOU KNOW SHE'LL ONLY
SLAP YOU AROUND,
381
00:19:28,458 --> 00:19:30,000
AND I CAN DO THAT.
382
00:19:30,000 --> 00:19:32,458
OW! UH, NO, SEE, OW.
383
00:19:32,458 --> 00:19:33,834
THE HEAD, LOVE.
WATCH THE HEAD.
384
00:19:33,834 --> 00:19:34,917
WHOA, WATCH IT!
385
00:19:34,917 --> 00:19:37,291
[ Xander ] EVERY MAN
FACES THIS MOMENT.
386
00:19:37,291 --> 00:19:41,000
HERE. NOW.
WATCHING. WAITING
387
00:19:41,000 --> 00:19:43,834
FOR AN UNSEEN ENEMY
THAT HAS NO FACE.
388
00:19:43,834 --> 00:19:46,792
NERVE ENDINGS
SCREAMING IN SILENCE.
389
00:19:46,792 --> 00:19:49,291
NEVER KNOWING
WHICH THOUGHT
MIGHT BE YOUR LAST.
390
00:19:49,291 --> 00:19:52,209
OH, SHUT UP.
391
00:20:02,917 --> 00:20:04,250
LOOKS COOL.
392
00:20:04,250 --> 00:20:05,500
UH-HUH.
393
00:20:08,375 --> 00:20:10,625
LOOK, WE COULD GO.
394
00:20:10,625 --> 00:20:14,458
NO-NO, WE'RE HERE
FOR FUN.
395
00:20:14,458 --> 00:20:17,750
OH, LOOK. SOME OF
THE GUYS ARE HERE ALREADY.
396
00:20:17,750 --> 00:20:19,708
I'M GONNA GRAB
A SODA.
397
00:20:19,708 --> 00:20:21,417
I'LL--I'LL FIND
YOU GUYS.
398
00:20:21,417 --> 00:20:23,875
OKAY.
399
00:20:37,041 --> 00:20:39,583
OKAY, SHE'S WEARING
THE HALTER TOP
WITH SENSIBLE SHOES.
400
00:20:39,583 --> 00:20:41,542
THAT MEANS MOSTLY DANCING,
LIGHT CONTACT,
401
00:20:41,542 --> 00:20:42,625
BUT DON'T PUSH YOUR LUCK.
402
00:20:42,625 --> 00:20:45,750
HEAVY CONVERSATION'S
OUT OF THE QUESTION.
403
00:20:45,750 --> 00:20:47,417
SO WHAT DO I DO?
404
00:20:47,417 --> 00:20:49,083
ASK HER TO DANCE.
405
00:20:49,083 --> 00:20:51,708
RIGHT. DANCE.
406
00:20:51,708 --> 00:20:54,458
WAIT. NO.
407
00:20:54,458 --> 00:20:56,250
WHAT'S THE MATTER?
408
00:20:56,250 --> 00:20:58,250
I CAN'T DANCE.
409
00:20:58,250 --> 00:21:01,542
THEN TALK.
KEEP EYE CONTACT.
410
00:21:01,542 --> 00:21:02,792
FUNNY IS GOOD,
BUT DON'T BE GLIB.
411
00:21:02,792 --> 00:21:05,166
AND REMEMBER,
IF YOU HURT HER,
412
00:21:05,166 --> 00:21:08,166
I WILL BEAT YOU TO DEATH
WITH A SHOVEL.
413
00:21:08,166 --> 00:21:12,083
A VAGUE DISCLAIMER IS NOBODY'S
FRIEND. HAVE FUN.
414
00:21:23,583 --> 00:21:24,708
EXCUSE ME.
415
00:21:28,083 --> 00:21:29,083
HI.
416
00:21:29,083 --> 00:21:29,917
HI.
417
00:21:32,458 --> 00:21:34,792
UM...BUFFY...
418
00:21:40,333 --> 00:21:42,208
YOU DO THE READING
ON CHAPTER 9?
419
00:21:42,208 --> 00:21:43,959
UH-HUH.
420
00:21:43,959 --> 00:21:46,625
WOW. SOME THEORIES,
HUH?
421
00:21:50,583 --> 00:21:51,959
CHEESE?
422
00:21:56,208 --> 00:21:57,250
FINE. LET'S SPLIT UP.
423
00:21:57,250 --> 00:21:58,542
I DON'T CARE.
424
00:22:00,041 --> 00:22:01,875
[ Clinking ]
425
00:22:19,125 --> 00:22:20,792
HARMONY.
426
00:22:22,000 --> 00:22:23,083
XANDER?
427
00:22:23,083 --> 00:22:25,041
THAT'S
CLOSE ENOUGH.
428
00:22:25,041 --> 00:22:26,125
I'M WARNING YOU:
429
00:22:26,125 --> 00:22:27,583
I'VE BEEN
HIGHLY TRAINED
430
00:22:27,583 --> 00:22:29,417
TO PUT THIS
THROUGH
YOUR HEART.
431
00:22:29,417 --> 00:22:31,750
NO MERCY,
NO WARNING.
432
00:22:31,750 --> 00:22:34,375
I CAN KILL YOU
WHERE YOU STAND.
433
00:22:34,375 --> 00:22:36,500
BRING IT ON,
THEN.
434
00:22:41,041 --> 00:22:43,166
OW!
435
00:22:43,166 --> 00:22:45,875
OW!
YOU SISSY KICKER!
436
00:22:51,291 --> 00:22:52,542
GET AWAY!
437
00:23:03,458 --> 00:23:04,750
AAH!
CUT IT OUT!
438
00:23:06,125 --> 00:23:07,917
OW, I'M SO
GONNA BITE YOU!
439
00:23:07,917 --> 00:23:10,209
OW...
OKAY, STOP, STOP!
440
00:23:10,209 --> 00:23:10,917
WE SHOULD STOP,
OKAY?
441
00:23:10,917 --> 00:23:13,000
OKAY, I WILL
IF YOU WILL.
442
00:23:13,000 --> 00:23:14,209
ON THE COUNT
OF 3...
443
00:23:14,209 --> 00:23:15,125
UH-HUH.
UH-HUH.
444
00:23:15,125 --> 00:23:19,208
1...2...3!
445
00:23:23,542 --> 00:23:26,625
RIGHT, OKAY.
446
00:23:26,625 --> 00:23:28,959
HARMONY,
IT'S BEEN GREAT
CATCHING UP.
447
00:23:28,959 --> 00:23:29,959
REALLY, I'M JUST
GONNA PICK UP
448
00:23:29,959 --> 00:23:31,083
THE TATTERED
SHREDS OF
MY DIGNITY
449
00:23:31,083 --> 00:23:32,750
AND GO HOME...
450
00:23:32,750 --> 00:23:35,875
LEAVING YOU
WITH YOUR FIRE.
451
00:23:35,875 --> 00:23:37,375
MY FIRE?
452
00:23:37,375 --> 00:23:39,250
YEAH, RIGHT.
453
00:23:39,250 --> 00:23:42,417
LIKE I'D LISTEN
TO THE SEX PISTOLS.
454
00:23:42,417 --> 00:23:45,083
EWW. THIS CRAP
BELONGS TO SPIKE.
455
00:23:46,375 --> 00:23:48,500
SPIKE?
456
00:23:48,500 --> 00:23:50,375
CAN YOU
BELIEVE HIM?
457
00:23:50,375 --> 00:23:52,834
HE COMES BACK
WITH ALL THESE
BIG PROMISES,
458
00:23:52,834 --> 00:23:54,875
NOT THAT
I BELIEVED HIM,
YOU KNOW.
459
00:23:54,875 --> 00:23:56,792
BUT HE COULD HAVE
SPENT ONE NIGHT,
BUT, NO.
460
00:23:56,792 --> 00:24:00,041
EVERYTHING WAS
"SLAYER THIS"
AND "SLAYER THAT."
461
00:24:00,041 --> 00:24:01,583
I MEAN, HE PROBABLY
ALREADY KILLED HER.
462
00:24:01,583 --> 00:24:02,917
I'M NOT TAKING
HIM BACK,
463
00:24:02,917 --> 00:24:04,583
I JUST...I JUST
WANT TO KNOW
WHY IT IS
464
00:24:04,583 --> 00:24:08,209
THAT MEN ALWAYS...
465
00:24:08,209 --> 00:24:09,792
LEAVE.
466
00:24:09,792 --> 00:24:13,000
[ Sighs ]
467
00:24:22,166 --> 00:24:24,417
I CAN'T BELIEVE IT.
468
00:24:24,417 --> 00:24:26,375
I CHOKED.
469
00:24:26,375 --> 00:24:28,834
YOU REALLY,
REALLY DID.
470
00:24:28,834 --> 00:24:30,250
YOU DON'T
UNDERSTAND.
471
00:24:30,250 --> 00:24:31,333
I'M GOOD AT THINGS.
472
00:24:31,333 --> 00:24:32,708
THAT'S WHAT I DO.
473
00:24:32,708 --> 00:24:35,625
WORK HARD,
APPLY MYSELF,
GET IT DONE.
474
00:24:35,625 --> 00:24:38,375
WELL, YOU FAILED
EXTREMELY WELL.
475
00:24:38,375 --> 00:24:40,875
THAT'S A GREAT
COMFORT TO ME.
476
00:24:43,417 --> 00:24:45,208
YOU NEED
TO RELAX.
477
00:24:45,208 --> 00:24:46,959
I MEAN,
YOU'RE NOT
PROPOSING.
478
00:24:46,959 --> 00:24:48,875
YOU'RE JUST
MAKING CONTACT,
479
00:24:48,875 --> 00:24:50,375
GETTING
A REACTION.
480
00:24:50,375 --> 00:24:52,917
ANY REACTION
IS OKAY,
481
00:24:52,917 --> 00:24:54,834
EXCEPT
PROJECTILE
VOMITING.
482
00:24:54,834 --> 00:24:56,583
BUT, WHAT ARE
THE CHANCES
OF THAT--
483
00:24:56,583 --> 00:24:59,875
[ A Dingoes Song Plays ]
484
00:24:59,875 --> 00:25:02,291
ARE YOU OKAY?
485
00:25:02,291 --> 00:25:04,417
THIS SONG...
486
00:25:04,417 --> 00:25:06,458
OH, YEAH,
IT'S A TAPE
OF SOME BANDS
487
00:25:06,458 --> 00:25:09,209
FROM
LAST YEAR'S PARTY.
488
00:25:09,209 --> 00:25:09,792
ASSOCIATIONS?
489
00:25:10,875 --> 00:25:12,542
BIG.
490
00:25:12,542 --> 00:25:14,792
BAD?
491
00:25:17,834 --> 00:25:19,417
A.J.!
492
00:25:21,250 --> 00:25:22,542
[ Music Changes ]
493
00:25:24,792 --> 00:25:26,667
THANK YOU.
494
00:25:26,667 --> 00:25:29,000
NOW GO
FIND BUFFY.
495
00:25:29,000 --> 00:25:30,875
THERE'S NO HURRY.
496
00:25:30,875 --> 00:25:32,166
I MEAN,
IF YOU WANT
TO TALK.
497
00:25:32,166 --> 00:25:34,917
NO, I...
I WANT YOU
TO FIND BUFFY
498
00:25:34,917 --> 00:25:36,333
AND TELL HER
THAT I WENT HOME
499
00:25:36,333 --> 00:25:38,625
AND NOT TO WORRY
ABOUT ME.
500
00:25:38,625 --> 00:25:41,333
WHICH AT LEAST
WILL GIVE YOU
SOMETHING TO SAY.
501
00:25:43,250 --> 00:25:46,000
THANKS.
502
00:25:46,000 --> 00:25:48,000
YOU'LL DO FINE.
503
00:25:57,583 --> 00:26:00,333
HEY.
504
00:26:00,333 --> 00:26:03,250
UM, WILLOW SAID
TO SAY THAT
SHE TOOK OFF.
505
00:26:03,250 --> 00:26:05,208
OH, SHE'S OKAY.
506
00:26:05,208 --> 00:26:08,166
KIND OF BLUE,
BUT SHE SAID
NOT TO WORRY.
507
00:26:08,166 --> 00:26:09,125
THANK YOU.
508
00:26:11,333 --> 00:26:13,458
YOU KNOW...
I WANTED TO ASK
YOU SOMETHING.
509
00:26:13,458 --> 00:26:15,209
ASK AWAY.
510
00:26:15,209 --> 00:26:16,291
[ Xander ] BUFFY!
511
00:26:16,291 --> 00:26:17,875
I'VE BEEN
LOOKING ALL OVER
FOR YOU.
512
00:26:17,875 --> 00:26:19,708
WE NEED...
513
00:26:19,708 --> 00:26:22,083
NEED TO TALK,
UH, NOT HERE.
514
00:26:22,083 --> 00:26:25,125
IT'S SORT OF...
UNFINISHED
BUSINESS.
515
00:26:25,125 --> 00:26:27,125
BUSINESS?
RIGHT.
516
00:26:27,125 --> 00:26:29,583
UH, EXCUSE US?
517
00:26:29,583 --> 00:26:31,208
NO PROBLEM.
518
00:26:34,250 --> 00:26:36,375
DENIED.
519
00:26:36,375 --> 00:26:38,166
IT'S NOT LIKE
SHE BLEW ME OFF.
520
00:26:38,166 --> 00:26:41,209
SHE JUST LEFT
WITH ANOTHER GUY,
THAT'S ALL.
521
00:26:41,209 --> 00:26:43,041
WE NEED YOU
DOWNSTAIRS,
ANYWAY.
522
00:26:45,667 --> 00:26:47,417
[ Forrest ]
YOU KNOW,
I HATE TO SAY IT,
523
00:26:47,417 --> 00:26:48,834
BUT THEY'RE
PROBABLY ON THEIR WAY
524
00:26:48,834 --> 00:26:50,625
TO MAKE
CRAZY NAKED SEX.
525
00:26:50,625 --> 00:26:52,458
IS THAT NECESSARY?
526
00:26:52,458 --> 00:26:53,917
I'M PROTECTING
YOU, BUDDY.
527
00:26:53,917 --> 00:26:55,583
I DON'T WANT TO SEE YOU
MOONING OVER SOME FRESHMAN
528
00:26:55,583 --> 00:26:57,208
FOR THE NEXT 3 MONTHS.
529
00:26:57,208 --> 00:26:58,500
[ Computer ]
RETINAL SCAN ACCEPTED.
530
00:26:58,500 --> 00:26:59,625
I LIKE HER.
531
00:26:59,625 --> 00:27:00,667
I'M ON
YOUR SIDE
HERE.
532
00:27:00,667 --> 00:27:02,250
I KNOW YOU ARE,
GRAHAM.
533
00:27:03,375 --> 00:27:04,667
THAT'S WHAT
GIVES ME
THE STRENGTH
534
00:27:04,667 --> 00:27:06,542
TO PUT UP WITH
THIS COMEDIAN.
535
00:27:12,166 --> 00:27:14,167
DUDE,
STRAIGHT TIP:
536
00:27:14,167 --> 00:27:15,333
I KNOW ABOUT GIRLS.
537
00:27:15,333 --> 00:27:17,583
EXACTLY!
GIRLS, PLURAL.
538
00:27:17,583 --> 00:27:19,792
I'M TALKIN'
ABOUT ONE GIRL.
539
00:27:19,792 --> 00:27:22,583
ONE GIRL.
540
00:27:22,583 --> 00:27:24,375
[ Computer ]
INITIATIVE VOCAL CODE
MATCH COMPLETE.
541
00:27:24,375 --> 00:27:25,750
SPECIAL AGENT FINN, RILEY.
542
00:27:28,208 --> 00:27:30,125
THE PROBLEM IS,
543
00:27:30,125 --> 00:27:31,792
WHAT KIND OF GIRL
IS GONNA GO OUT
WITH A GUY
544
00:27:31,792 --> 00:27:35,209
WHO'S ACTING
ALL JOE REGULAR
BY DAY
545
00:27:35,209 --> 00:27:38,208
AND THEN TURNS
ALL DEMON-HUNTER
BY NIGHT?
546
00:27:38,208 --> 00:27:39,625
[ Graham ]
MAYBE
A PECULIAR ONE.
547
00:27:39,625 --> 00:27:41,583
[ Riley ]
THANK YOU, GRAHAM.
548
00:27:41,583 --> 00:27:43,625
[ Forrest ]
OH, SURE.
GIVE HIM THE GRATITUDE
549
00:27:43,625 --> 00:27:45,458
WHEN I'M THE GUY
SPARING YOU A HEARTBREAK.
550
00:28:03,041 --> 00:28:04,708
[ Graham ] SHE'S A MAJOR BABE.
551
00:28:04,708 --> 00:28:06,375
I STILL SAY
YOU GOT A SHOT, RI.
552
00:28:06,375 --> 00:28:07,792
YOU SEE, FORREST?
553
00:28:07,792 --> 00:28:10,750
YOU DON'T HAVE TO
BE SO NEGATIVE
ALL THE TIME.
554
00:28:10,750 --> 00:28:12,750
HOLD UP.
555
00:28:12,750 --> 00:28:14,750
SITUATION?
556
00:28:16,250 --> 00:28:17,333
GENTLEMEN,
SUIT UP.
557
00:28:17,333 --> 00:28:20,209
WE HAVE A CODE RED.
558
00:28:20,209 --> 00:28:21,291
HOSTILE 17
HAS ESCAPED.
559
00:28:29,375 --> 00:28:31,166
[ Walsh ]
HERE'S WHAT WE KNOW,
AND IT ISN'T MUCH.
560
00:28:31,166 --> 00:28:34,208
HOSTILE 17
BROKE RESTRAINTS
AT EXACTLY 2:47 P.M.
561
00:28:34,208 --> 00:28:36,250
[ Forrest ]
THAT'S A BIG
HEAD START.
562
00:28:36,250 --> 00:28:37,542
GETS BIGGER
EVERY TIME
YOU INTERRUPT ME.
563
00:28:37,542 --> 00:28:38,834
IT WAS BAGGED
AND TAGGED LOCALLY,
564
00:28:38,834 --> 00:28:40,417
SO ASSUME
IT KNOWS THE AREA.
565
00:28:40,417 --> 00:28:43,375
THE CREATURE
HAS EVERY ADVANTAGE
RIGHT NOW.
566
00:28:43,375 --> 00:28:45,458
FAIL TO RECAPTURE IT,
AND EVERYTHING
WE'VE WORKED FOR--
567
00:28:45,458 --> 00:28:47,458
THE INITIATIVE ITSELF--
COULD END TONIGHT.
568
00:28:47,458 --> 00:28:49,083
NOBODY'S FAILIN'
ON MY WATCH.
569
00:28:49,083 --> 00:28:50,917
GLAD TO HEAR IT.
570
00:29:02,250 --> 00:29:05,500
GENTLEMEN, AGENT FINN
IS NOW IN CHARGE
OF THIS OPERATION.
571
00:29:06,625 --> 00:29:09,417
I'M COUNTING
ON YOU, RILEY.
572
00:29:09,417 --> 00:29:11,208
WE START WITH
THE BASIC
MOBILIZATION PATTERN.
573
00:29:11,208 --> 00:29:13,667
3 TEAMS.
SWEEP AND SEARCH,
JUST LIKE PRACTICE.
574
00:29:13,667 --> 00:29:15,500
THOROUGH BUT FAST.
575
00:29:15,500 --> 00:29:16,834
C-TEAM:
TAKE THE CAMPUS PERIMETER.
576
00:29:16,834 --> 00:29:18,041
MAKE SURE IT CAN'T LEAVE.
577
00:29:18,041 --> 00:29:20,792
STAKE IT IF YOU GOTTA,
BUT ONLY AS A LAST RESORT.
578
00:29:20,792 --> 00:29:24,125
B-TEAM: YOU'RE GOING DOWN.
TUNNELS, SEWERS, CEMETERIES.
579
00:29:24,125 --> 00:29:25,708
GATES AND MILLER
ARE WITH ME.
580
00:29:25,708 --> 00:29:27,542
WE TAKE THE HEART
OF CAMPUS AND
WORK OUR WAY OUT.
581
00:29:27,542 --> 00:29:30,333
ALL UNITS,
MAINTAIN RADIO CONTACT
EARLY AND OFTEN.
582
00:29:30,333 --> 00:29:31,917
WHO'S GOT QUESTIONS?
583
00:29:34,000 --> 00:29:35,708
MOVE!
584
00:29:56,542 --> 00:29:58,667
[ Buffy ] WHAT
IS WRONG WITH HIM?
585
00:29:58,667 --> 00:30:00,458
DOESN'T SPIKE GET
THAT THIS IS MY TOWN?
586
00:30:00,458 --> 00:30:01,875
HE'S RESILIENT.
587
00:30:01,875 --> 00:30:04,291
AND IT'S
MY NIGHT OFF.
588
00:30:04,291 --> 00:30:05,542
I'M SURE HE'D PICK
ANOTHER NIGHT
589
00:30:05,542 --> 00:30:07,917
IF HE KNEW YOU
WERE BUSY WITH
TEUTONIC BOY-TOY.
590
00:30:07,917 --> 00:30:09,333
WHAT IS THAT
SUPPOSED TO MEAN?
591
00:30:09,333 --> 00:30:10,750
NOTHING.
592
00:30:10,750 --> 00:30:13,834
RILEY'S A DOOF.
HE'S NOT TEUTONIC.
593
00:30:13,834 --> 00:30:16,834
[ Giles ] WE HAVE TO ASSUME
THAT SPIKE'S MAIN TARGET
IS YOU, BUFFY.
594
00:30:16,834 --> 00:30:17,875
[ Buffy ] FINE.
YOU KNOW WHAT?
595
00:30:17,875 --> 00:30:19,000
HE'S WORN OUT
HIS WELCOME.
596
00:30:19,000 --> 00:30:20,500
TONIGHT,
I KILL HIM.
597
00:30:20,500 --> 00:30:23,208
YOU HAVE A PLAN?
I AM THE PLAN.
598
00:30:23,208 --> 00:30:25,417
IF SPIKE WANTS ME,
I GO ALONE...
599
00:30:25,417 --> 00:30:27,542
NO ARGUMENTS.
600
00:30:27,542 --> 00:30:29,333
LEAD HIM AWAY
FROM THE POPULAR PLACES
601
00:30:29,333 --> 00:30:31,750
AND GIVE HIM
WHAT HE WANTS.
602
00:30:31,750 --> 00:30:34,208
OH, WAIT,
WAIT!
603
00:30:34,208 --> 00:30:35,458
TAKE THIS.
604
00:30:35,458 --> 00:30:36,750
A FLARE GUN?
605
00:30:36,750 --> 00:30:39,250
XANDER,
IF I FIND SPIKE,
I'M STAKING HIM,
606
00:30:39,250 --> 00:30:40,583
NOT SIGNALING
SHIPS AT SEA.
607
00:30:40,583 --> 00:30:43,792
YOU GET
INTO TROUBLE...
608
00:30:43,792 --> 00:30:45,667
OKAY.
609
00:30:45,667 --> 00:30:46,750
I'LL FLARE.
610
00:30:46,750 --> 00:30:48,333
AND WE'LL
COME A-RUNNIN'.
611
00:30:53,708 --> 00:30:56,667
DO YOU THINK
SPIKE'LL FIND HER?
612
00:30:56,667 --> 00:30:58,417
I'M SURE OF IT.
613
00:31:21,583 --> 00:31:23,708
HELLO, GORGEOUS.
614
00:31:37,708 --> 00:31:38,542
WHAT'VE WE GOT?
615
00:31:38,542 --> 00:31:40,875
CIVILIAN, SIR.
616
00:31:46,708 --> 00:31:48,625
AH, DAMN.
617
00:31:48,625 --> 00:31:50,333
SHE'S COMPROMISING
THE AREA.
618
00:31:50,333 --> 00:31:53,750
AT LEAST SHE'S NOT
MAKING CRAZY, NAKED SEX.
619
00:31:53,750 --> 00:31:55,917
TOLD YOU.
620
00:31:55,917 --> 00:31:57,542
WE GOTTA
CLEAR HER
OUTTA THERE...
621
00:31:57,542 --> 00:31:58,458
FAST.
622
00:31:58,458 --> 00:31:59,834
MAYBE NOT.
623
00:31:59,834 --> 00:32:02,209
JUST THINKING.
624
00:32:02,209 --> 00:32:05,667
IF YOU WERE HOSTILE 17,
LIVING OFF THE CRAP
WE FEED 'EM,
625
00:32:05,667 --> 00:32:07,375
WHAT WOULD YOU
RATHER EAT THAN THAT?
626
00:32:07,375 --> 00:32:09,667
YOU WANNA USE THE GIRL
I GOT A CRUSH ON AS BAIT?
627
00:32:09,667 --> 00:32:12,333
I CAN TAG A HOSTILE
AT 50 YARDS.
628
00:32:12,333 --> 00:32:13,500
DENIED.
629
00:32:13,500 --> 00:32:14,583
SHE'D BE SAFE
THE ENTIRE--
630
00:32:14,583 --> 00:32:16,333
I SAID DENIED, AGENT.
631
00:32:16,333 --> 00:32:18,083
DID YOU JUST
PULL RANK ON ME?
632
00:32:18,083 --> 00:32:20,458
DO YOU HAVE
A PROBLEM WITH THAT?
633
00:32:22,583 --> 00:32:24,250
NO, SIR.
634
00:32:24,250 --> 00:32:26,959
SO, HOW'RE WE
GONNA GET HER
OUT OF THERE?
635
00:32:35,625 --> 00:32:38,000
RILEY!
636
00:32:38,000 --> 00:32:39,375
WHAT ARE YOU
DOING HERE?
637
00:32:39,375 --> 00:32:41,750
WELL, I DIDN'T
GET A CHANCE
TO SAY GOOD-BYE TO YOU
638
00:32:41,750 --> 00:32:43,792
AFTER THE PARTY.
YOU LEFT SO FAST.
639
00:32:46,000 --> 00:32:48,208
YOU KNOW,
WITH YOUR FRIEND...
640
00:32:48,208 --> 00:32:49,500
WHO'S A BOY.
641
00:32:49,500 --> 00:32:51,542
UH, XANDER?
642
00:32:51,542 --> 00:32:55,291
HE'S NOT ANYONE
THAT I... WANT TO
TALK ABOUT, RIGHT NOW.
643
00:32:55,291 --> 00:32:56,875
UM...
644
00:32:56,875 --> 00:32:59,834
YOU KNOW, I DON'T WANT YOU
TAKING THIS THE WRONG WAY...
645
00:32:59,834 --> 00:33:01,458
IT'S JUST, UM...
646
00:33:01,458 --> 00:33:04,125
I NEED A LITTLE
ALONE TIME NOW...
647
00:33:04,125 --> 00:33:05,750
ALONE.
648
00:33:05,750 --> 00:33:06,875
WHY?
649
00:33:06,875 --> 00:33:08,209
I NEED SPACE.
650
00:33:08,209 --> 00:33:08,834
WE'RE OUTDOORS.
651
00:33:08,834 --> 00:33:10,750
EMOTIONALLY.
652
00:33:10,750 --> 00:33:12,792
I MEAN, EMOTIONALLY...
653
00:33:12,792 --> 00:33:14,083
YOU KNOW,
654
00:33:14,083 --> 00:33:15,542
THERE'S PLENTY
OF SPACE
BACK IN YOUR ROOM
655
00:33:15,542 --> 00:33:16,917
WHY DON'T
I TAKE YOU?
656
00:33:16,917 --> 00:33:18,625
YOU WOULDN'T BELIEVE
THE WEIRDOS OUT
AT THIS HOUR.
657
00:33:18,625 --> 00:33:19,917
WHOA! OKAY...
658
00:33:19,917 --> 00:33:22,375
IT'S A FREE CAMPUS.
659
00:33:22,375 --> 00:33:24,000
WHO DIED AND MADE
YOU JOHN WAYNE?
660
00:33:24,000 --> 00:33:25,542
I'M JUST
TRYING TO HELP.
661
00:33:25,542 --> 00:33:27,166
YOU THINK I NEED HELP?
662
00:33:27,166 --> 00:33:28,458
BELIEVE ME, I DON'T.
663
00:33:29,792 --> 00:33:31,333
YOU KNOW,
IF YOU WERE
A REAL GENTLEMAN,
664
00:33:31,333 --> 00:33:33,000
THEN YOU WOULD
JUST LEAVE.
665
00:33:33,000 --> 00:33:35,750
YOU WOULD GO
FAR, FAR AWAY,
NOW!
666
00:33:35,750 --> 00:33:36,625
SHOO!
667
00:33:36,625 --> 00:33:37,750
ARE YOU DRUNK?
668
00:33:37,750 --> 00:33:38,917
YES!
GO AND REPORT ME.
669
00:33:38,917 --> 00:33:40,583
I'M TAKING
YOU HOME. COME ON.
670
00:33:40,583 --> 00:33:43,458
OH, DID YOU EVER
THINK MAYBE I'M GONNA
TAKE YOU HOME, HUH?
671
00:33:43,458 --> 00:33:46,708
WHAT? YOU THINK THAT
BOYS CAN TAKE CARE
OF THEMSELVES
672
00:33:46,708 --> 00:33:48,000
AND GIRLS NEED HELP?
673
00:33:48,000 --> 00:33:50,000
YEAH.
674
00:33:50,000 --> 00:33:51,500
THAT IS
SO TEUTONIC.
675
00:33:51,500 --> 00:33:52,708
LOOK, BUFFY,
676
00:33:52,708 --> 00:33:55,166
AS LONG AS
YOU'RE OUT HERE,
I'M STAYING.
677
00:33:55,166 --> 00:33:57,750
WELL, AS LONG AS
YOU'RE OUT HERE,
I'M STAYING.
678
00:33:57,750 --> 00:33:59,250
[ Scream ]
679
00:33:59,250 --> 00:34:00,041
GOTTA GO.
SEE YA!
680
00:34:02,542 --> 00:34:03,375
TELL ME
WE'RE TRACKING.
681
00:34:03,375 --> 00:34:06,208
HONING A SIGNAL.
682
00:34:06,208 --> 00:34:07,375
GOT IT...
HEADING WEST.
683
00:34:07,375 --> 00:34:09,000
BETTER BE
THE HOSTILE.
684
00:34:09,000 --> 00:34:11,083
[ Forrest ]
ALL UNITS CONVERGE,
ALL UNITS CONVERGE.
685
00:34:11,083 --> 00:34:12,125
HARD TARGET SIGHTED.
686
00:34:12,125 --> 00:34:15,041
HEADING 1-2
ALPHA NINER.
687
00:34:15,041 --> 00:34:17,542
LET'S BAG IT
BEFORE THIS
GETS UGLY.
688
00:34:20,209 --> 00:34:22,083
[ Knock On Door ]
689
00:34:22,083 --> 00:34:23,166
COME IN.
690
00:34:27,792 --> 00:34:28,917
SPIKE!
691
00:34:30,375 --> 00:34:32,250
WH-WHAT DO YOU WANT?
692
00:34:32,250 --> 00:34:34,375
UH, A SPELL?
I CAN DO THAT.
693
00:34:44,458 --> 00:34:45,667
I'LL GIVE YOU
A CHOICE.
694
00:34:49,125 --> 00:34:50,875
NOW I'M
GONNA KILL YOU.
695
00:34:50,875 --> 00:34:53,500
NO CHOICE IN THAT.
696
00:34:53,500 --> 00:34:56,000
BUT...
697
00:34:56,000 --> 00:34:58,333
I CAN LET YOU
STAY DEAD...
698
00:34:58,333 --> 00:35:00,083
OR...
699
00:35:00,083 --> 00:35:03,208
BRING YOU BACK,
TO BE LIKE ME.
700
00:35:03,208 --> 00:35:05,458
I--I'LL SCREAM.
701
00:35:05,458 --> 00:35:07,625
BONUS.
702
00:35:07,625 --> 00:35:10,333
[ Screams ]
703
00:35:10,333 --> 00:35:11,708
[ Turns Up Music ]
704
00:35:17,250 --> 00:35:18,500
[ Willow ] NO!
705
00:35:24,917 --> 00:35:26,208
[ Screams ]
706
00:35:26,208 --> 00:35:29,208
[ Loud Music Blasts ]
707
00:35:43,250 --> 00:35:46,375
I DON'T UNDERSTAND.
708
00:35:46,375 --> 00:35:50,000
THIS SORT OF THING'S
NEVER HAPPENED
TO ME BEFORE.
709
00:35:51,458 --> 00:35:53,333
MAYBE YOU
WERE NERVOUS.
710
00:35:53,333 --> 00:35:56,458
I FELT ALL RIGHT
WHEN I STARTED.
711
00:35:56,458 --> 00:35:58,250
LET'S TRY AGAIN.
712
00:36:00,375 --> 00:36:01,583
OW!
713
00:36:01,583 --> 00:36:02,500
OH!
714
00:36:08,208 --> 00:36:09,417
OW!
715
00:36:11,458 --> 00:36:12,875
DAMN IT!
716
00:36:21,125 --> 00:36:25,542
MAYBE YOU'RE
TRYING TOO HARD.
717
00:36:25,542 --> 00:36:28,083
DOESN'T THIS HAPPEN
TO EVERY VAMPIRE?
718
00:36:28,083 --> 00:36:30,208
NOT TO ME,
IT DOESN'T!
719
00:36:36,333 --> 00:36:38,792
IT'S ME, ISN'T IT?
720
00:36:40,083 --> 00:36:42,333
WHAT ARE YOU
TALKING ABOUT?
721
00:36:42,333 --> 00:36:46,792
WELL, YOU CAME
LOOKING FOR BUFFY,
THEN SETTLED.
722
00:36:46,792 --> 00:36:48,792
I--I...
YOU DIDN'T WANT
TO BITE ME.
723
00:36:48,792 --> 00:36:50,250
I JUST HAPPENED
TO BE AROUND.
724
00:36:50,250 --> 00:36:52,208
PIFFLE!
725
00:36:52,208 --> 00:36:54,417
I KNOW I'M NOT
THE KIND OF GIRL
726
00:36:54,417 --> 00:36:57,125
VAMPS LIKE TO
SINK THEIR TEETH INTO.
727
00:36:58,500 --> 00:37:01,166
IT'S ALWAYS LIKE,
"OOH, YOU'RE LIKE
A SISTER TO ME,"
728
00:37:01,166 --> 00:37:04,166
OR, "OH, YOU'RE
SUCH A GOOD FRIEND."
729
00:37:04,166 --> 00:37:06,875
DON'T BE
RIDICULOUS.
730
00:37:06,875 --> 00:37:09,083
I'D BITE YOU
IN A HEARTBEAT.
731
00:37:12,209 --> 00:37:13,041
REALLY?
732
00:37:13,041 --> 00:37:15,583
THOUGHT ABOUT IT.
733
00:37:15,583 --> 00:37:17,209
WHEN?
734
00:37:19,583 --> 00:37:20,750
REMEMBER LAST YEAR,
735
00:37:20,750 --> 00:37:24,041
YOU HAD ON THAT...
FUZZY PINK NUMBER
736
00:37:24,041 --> 00:37:26,875
WITH THE LILAC
UNDERNEATH?
737
00:37:29,667 --> 00:37:31,333
I NEVER WOULD
HAVE GUESSED.
738
00:37:31,333 --> 00:37:33,083
YOU PLAYED
THE BLOOD-LUST
KINDA COOL.
739
00:37:33,083 --> 00:37:35,291
MMM. I HATE
BEING OBVIOUS.
740
00:37:35,291 --> 00:37:37,041
ALL FANG-Y AND "RRRR!"
741
00:37:37,041 --> 00:37:39,417
TAKES THE MYSTERY OUT.
742
00:37:42,208 --> 00:37:43,208
BUT IF
YOU COULD...
743
00:37:43,208 --> 00:37:45,792
IF I COULD, YEAH.
744
00:37:47,625 --> 00:37:50,125
YOU KNOW, THIS
DOESN'T MAKE YOU
ANY LESS TERRIFYING.
745
00:37:50,125 --> 00:37:51,166
[ Sighs ]
746
00:37:51,166 --> 00:37:53,750
DON'T PATRONIZE ME.
747
00:37:55,542 --> 00:37:57,667
[ Graham ]
I'M GETTING
A PICTURE...
748
00:37:57,667 --> 00:37:58,875
SIGNATURE'S LOCKED.
749
00:37:58,875 --> 00:37:59,959
WHAT'VE WE GOT?
750
00:37:59,959 --> 00:38:01,667
HUMANS OF
THE FRESHMAN VARIETY.
751
00:38:01,667 --> 00:38:04,458
98.6, 98.6...
752
00:38:06,083 --> 00:38:07,166
BINGO!
753
00:38:07,166 --> 00:38:08,333
GOT A COLD ONE.
754
00:38:08,333 --> 00:38:10,625
THERMAL OUTPUT
CLOCKIN' IN AT
EXACTLY...
755
00:38:10,625 --> 00:38:13,209
ROOM TEMPERATURE.
VAMPIRE.
756
00:38:13,209 --> 00:38:15,125
CALL IN A STANDARD
TRIANGLE FLANKING
MANEUVER.
757
00:38:15,125 --> 00:38:16,083
WE'RE GOING IN.
758
00:38:16,083 --> 00:38:18,125
I NEED A LOCKDOWN
ON GRID 6.
759
00:38:21,750 --> 00:38:24,125
I'M ONLY 126.
760
00:38:25,708 --> 00:38:27,792
YOU'RE BEING
TOO HARD
ON YOURSELF.
761
00:38:27,792 --> 00:38:30,250
WHY DON'T WE WAIT
A HALF AN HOUR
AND TRY AGAIN?
762
00:38:33,250 --> 00:38:34,708
OR...
763
00:38:39,250 --> 00:38:40,750
[ Doors Locking ]
764
00:39:14,333 --> 00:39:15,500
[ Riley ]
NO, HOLD YOUR FIRE!
765
00:39:21,041 --> 00:39:22,041
[ Graham ] IT'S ON ME!
766
00:39:22,041 --> 00:39:23,041
[ Spike ]
AAH!
767
00:39:23,041 --> 00:39:24,041
MOVE!
768
00:39:27,208 --> 00:39:28,375
OW! MY HEAD!
769
00:39:35,458 --> 00:39:36,834
BAG AND TAG IT.
WE'RE GONE.
770
00:39:39,208 --> 00:39:40,458
SIR...
771
00:39:40,458 --> 00:39:43,250
CIVILIAN.
COULD HAVE TURNED.
772
00:39:44,417 --> 00:39:45,583
LEAVE HER.
773
00:39:45,583 --> 00:39:48,000
WE CAN'T NEGLECT
QUARANTINE.
774
00:40:01,625 --> 00:40:02,583
[ Coughing ]
775
00:40:04,750 --> 00:40:05,667
STOP HER!
776
00:40:06,625 --> 00:40:08,792
SHE'S CONTAINED.
777
00:40:08,792 --> 00:40:10,125
[ Buffy ]
CONTAIN THIS!
778
00:40:11,291 --> 00:40:12,917
[ All ] AAH! OW!
I'M BLIND!
779
00:40:18,959 --> 00:40:19,917
WHAT THE HELL WAS THAT?
780
00:40:34,125 --> 00:40:35,458
HOSTILE'S ESCAPING!
MOVE!
781
00:40:37,500 --> 00:40:39,417
WE GOTTA STOP IT!
782
00:41:01,708 --> 00:41:03,083
ABORT!
783
00:41:23,417 --> 00:41:24,375
I'M SURE
YOU'LL UNDERSTAND
784
00:41:24,375 --> 00:41:26,000
IF I SEEM
FAR FROM HAPPY.
785
00:41:26,000 --> 00:41:26,959
[ Riley ]
YES, MA'AM.
786
00:41:26,959 --> 00:41:28,250
IF YOU READ
MY REPORT YOU'LL SEE--
787
00:41:28,250 --> 00:41:29,750
HOSTILE 17'S FOUND
AN ACCOMPLICE
788
00:41:29,750 --> 00:41:31,250
WHO'S SMART,
AGGRESSIVE,
789
00:41:31,250 --> 00:41:33,750
AND SOMEHOW
ESCAPES DESCRIPTION.
790
00:41:33,750 --> 00:41:35,125
WHOEVER HE WAS,
THE GUY WAS BIG.
791
00:41:35,125 --> 00:41:36,166
STRONG, TOO.
792
00:41:36,166 --> 00:41:38,458
WHOEVER...
OR WHATEVER.
793
00:41:38,458 --> 00:41:41,000
I'M NOT INTERESTED
IN GUESS WORK, GENTLEMEN.
794
00:41:41,000 --> 00:41:43,417
CALL ME OLD-FASHIONED.
I LIKE RESULTS.
795
00:41:43,417 --> 00:41:46,125
THIS REPORT READS LIKE
A CHILD'S RIDDLE BOOK.
796
00:41:47,500 --> 00:41:50,750
AGENT FINN,
TELL ME SOMETHING GOOD.
797
00:41:50,750 --> 00:41:51,792
MY IMPLANT?
798
00:41:51,792 --> 00:41:53,000
THE IMPLANT WORKS.
799
00:41:53,000 --> 00:41:55,000
HOSTILE 17 CAN'T HARM
ANY LIVING CREATURE,
800
00:41:55,000 --> 00:41:57,333
IN ANY WAY,
WITHOUT INTENSE
NEUROLOGICAL PAIN.
801
00:41:57,333 --> 00:42:01,458
CAN'T FEED.
CAN'T HARDLY
EVEN HIT ANYMORE.
802
00:42:01,458 --> 00:42:02,708
WE'LL BAG IT.
803
00:42:02,708 --> 00:42:05,917
YES, YOU WILL.
804
00:42:05,917 --> 00:42:07,000
DISMISSED.
805
00:42:26,625 --> 00:42:28,208
HEY.
806
00:42:28,208 --> 00:42:30,208
HI.
807
00:42:30,208 --> 00:42:31,834
LISTEN,
SORRY ABOUT
LAST NIGHT.
808
00:42:31,834 --> 00:42:34,792
NO, NO...
I WAS RUDE.
809
00:42:34,792 --> 00:42:37,375
I JUST FELT LIKE
BEING ALONE.
810
00:42:37,375 --> 00:42:39,291
SOMETIMES
IT'S NICE
811
00:42:39,291 --> 00:42:41,750
TO BE OUT
BY YOURSELF
AT NIGHT.
812
00:42:41,750 --> 00:42:43,041
I HEAR THAT.
813
00:42:43,041 --> 00:42:44,500
GOTTA BE CAREFUL,
THOUGH.
814
00:42:44,500 --> 00:42:46,834
LOTTA STRANGE...
PEOPLE OUT THERE.
815
00:42:46,834 --> 00:42:48,750
OH, YEAH.
816
00:42:48,750 --> 00:42:50,667
HOW'S WILLOW DOING?
817
00:42:50,667 --> 00:42:52,291
OKAY.
818
00:42:52,291 --> 00:42:54,542
'COURSE, THAT STUPID
FRATERNITY PRANK
ON OUR DORM
819
00:42:54,542 --> 00:42:56,083
DIDN'T HELP ANY.
820
00:42:56,083 --> 00:42:59,000
THAT'S RIGHT.
I FORGOT YOU GUYS
LIVE IN STEVENSON.
821
00:42:59,000 --> 00:43:01,667
YOU KNEW THAT?
822
00:43:01,667 --> 00:43:04,041
WELL,
WILLOW AND I WERE...
823
00:43:04,041 --> 00:43:06,625
I THOUGHT SHE
MIGHT BE ABLE TO
HELP ME ON A PROJECT.
824
00:43:06,625 --> 00:43:07,917
REALLY?
825
00:43:07,917 --> 00:43:10,166
THAT WORK OUT
FOR YOU?
826
00:43:10,166 --> 00:43:12,000
DON'T KNOW YET.
827
00:43:12,000 --> 00:43:14,583
UH, LAST NIGHT...
828
00:43:14,583 --> 00:43:16,209
AT THE PARTY,
829
00:43:16,209 --> 00:43:17,166
YOU WANTED
TO TELL ME
SOMETHING?
830
00:43:19,875 --> 00:43:22,583
OH, YEAH.
VERY IMPORTANT STUFF.
831
00:43:23,875 --> 00:43:25,834
I DON'T REMEMBER
ANY OF IT NOW.
832
00:43:25,834 --> 00:43:27,375
BUT YOU WOULD
HAVE BEEN FASCINATED,
833
00:43:27,375 --> 00:43:30,458
POSSIBLY EVEN MOVED.
834
00:43:30,458 --> 00:43:32,917
DID WILLOW TELL YOU
I LIKE CHEESE?
835
00:43:35,041 --> 00:43:36,583
YOU'RE
A LITTLE PECULIAR.
836
00:43:38,458 --> 00:43:40,417
I CAN LIVE WITH THAT.
837
00:44:25,583 --> 00:44:28,000
GRR! ARRGH!
55868
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