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1
00:00:11,032 --> 00:00:12,067
PREVIOUSLY ON THE L WORD...
2
00:00:12,099 --> 00:00:13,467
IT'S A FUCKING
SHRINE, ALICE,
3
00:00:13,500 --> 00:00:15,801
A BORDERING-ON-PSYCHOTIC,
SERIAL KILLER,
4
00:00:15,833 --> 00:00:17,466
OBSESSIVE-TYPE SHRINE!
5
00:00:17,501 --> 00:00:21,367
I JUST DON'T WANT SOME DUDE
LOOKING UP MY WOO-WOO.
6
00:00:21,399 --> 00:00:22,968
LOOKING UP
YOUR WOODLE?
7
00:00:23,000 --> 00:00:26,300
WHY DON'T YOU JUST
GO TO A LADY DOCTOR?
8
00:00:26,333 --> 00:00:27,333
WELL, IF YOU KNOW
BILLIE BLAIKIE,
9
00:00:27,367 --> 00:00:29,167
HE DOESN'T DO ANYTHING SMALL.
10
00:00:29,199 --> 00:00:31,367
DUDE, HE IS, LIKE, THE BEST
PARTY PROMOTER IN TOWN.
11
00:00:31,399 --> 00:00:33,100
THIS IS
BILLIE BLAIKIE,
12
00:00:33,133 --> 00:00:35,634
MY NEW MANAGER.
13
00:00:35,667 --> 00:00:38,234
OH, YOU WON'T REGRET IT,
MY DARLING.
14
00:00:38,267 --> 00:00:41,000
TINA AND I WERE THINKING ABOUT
HIRING A NANNY FOR ANGELICA.
15
00:00:41,033 --> 00:00:42,834
I'D BE HONORED.
16
00:00:46,000 --> 00:00:47,466
DO YOU JUST WANT TO BE
MY FUCK-BUDDY ON THE ROAD?
17
00:00:47,500 --> 00:00:48,667
WHAT DO YOU WANT?
18
00:00:48,701 --> 00:00:49,734
FUCK OFF!
19
00:00:49,767 --> 00:00:50,868
CALM DOWN!
20
00:00:50,901 --> 00:00:52,299
GET BACK
IN THE TRUCK,
21
00:00:52,334 --> 00:00:54,133
AND I'LL SHOW YOU
HOW A REAL MAN CAN FUCK.
22
00:00:54,167 --> 00:00:55,701
LET HER GO, BITCH.
23
00:00:55,734 --> 00:00:57,366
WELL, THERE'S
YOUR FAGGOT BACK.
24
00:00:57,399 --> 00:00:58,834
[TASER CRACKLES,
GUY SHOUTS]
25
00:00:58,868 --> 00:01:00,000
FUCK YOU!
26
00:01:02,100 --> 00:01:05,200
* ONE, TWO
27
00:01:05,234 --> 00:01:07,934
[***]
28
00:01:12,933 --> 00:01:16,934
* WON'T YOU MEET ME, JESUS
MEET ME *
29
00:01:16,968 --> 00:01:19,900
* WON'T YOU MEET ME
IN THE MIDDLE OF THE AIR *
30
00:01:19,934 --> 00:01:24,501
* AND IF THESE WINGS
SHOULD FAIL ME, LORD *
31
00:01:24,533 --> 00:01:27,701
* WON'T YOU MEET ME
WITH ANOTHER PAIR *
32
00:01:27,734 --> 00:01:29,367
* WELL, WELL, WELL
33
00:01:29,399 --> 00:01:33,901
* WON'T YOU MEET ME, JESUS
OH *
34
00:01:33,933 --> 00:01:37,600
* WON'T YOU MEET ME,
JESUS, OH *
35
00:01:37,634 --> 00:01:40,067
* WON'T YOU MEET ME, JESUS
36
00:01:40,067 --> 00:01:46,100
* JESUS GONNA MAKE UP
MY DYING BED *
37
00:01:46,133 --> 00:01:49,634
* WHOA, WHOA
38
00:01:49,667 --> 00:01:53,567
* MM-HMM
39
00:01:53,600 --> 00:01:59,533
* AH, AH...
40
00:02:04,067 --> 00:02:07,700
* EVER SINCE I'VE BEEN
ACQUAINTED WITH JESUS *
41
00:02:07,734 --> 00:02:11,400
* WE HAVEN'T BEEN
A MINUTE APART *
42
00:02:11,433 --> 00:02:15,099
* HE PLACED THE RECEIVER
IN MY EAR *
43
00:02:15,132 --> 00:02:18,266
* THREW RELIGION IN MY HEART
44
00:02:18,300 --> 00:02:20,533
* WELL, WELL, WELL
45
00:02:20,567 --> 00:02:24,234
* I CAN RING UP MY JESUS
OH *
46
00:02:24,266 --> 00:02:27,266
* I CAN RING UP MY JESUS
OH *
47
00:02:27,300 --> 00:02:30,300
* I CAN RING UP MY JESUS
48
00:02:30,333 --> 00:02:35,901
* JESUS GONNA MAKE UP
MY DYING BED... **
49
00:02:43,634 --> 00:02:45,299
[WOMAN'S VOICE WHISPERING]:
HAIL MARY, FULL OF GRACE.
50
00:02:45,334 --> 00:02:46,100
THE LORD IS WITH YOU.
51
00:02:46,133 --> 00:02:48,267
BLESSED ARE YOU AMONG WOMEN,
52
00:02:48,299 --> 00:02:50,167
AND BLESSED
IS THE FRUIT OF YOUR WOMB.
53
00:02:50,200 --> 00:02:51,600
HOLY MARY, MOTHER OF GOD,
54
00:02:51,634 --> 00:02:52,834
PRAY FOR US SINNERS,
55
00:02:52,868 --> 00:02:54,667
NOW AND AT THE HOUR
OF OUR DEATH.
56
00:02:54,701 --> 00:02:55,734
HAIL MARY, FULL OF GRACE.
57
00:02:55,767 --> 00:02:57,533
THE LORD IS WITH YOU.
58
00:02:57,567 --> 00:02:58,767
BLESSED ARE YOU AMONG WOMEN,
59
00:02:58,801 --> 00:03:00,000
AND BLESSED
IS THE FRUIT OF YOUR WOMB.
60
00:03:00,000 --> 00:03:03,067
HOLY MARY, MOTHER OF GOD...
61
00:03:03,067 --> 00:03:04,533
[BREATHING HEAVILY]
62
00:03:04,567 --> 00:03:06,133
HAIL MARY, FULL OF GRACE.
63
00:03:06,166 --> 00:03:08,067
THE LORD IS WITH YOU.
64
00:03:08,067 --> 00:03:09,433
BLESSED ARE YOU AMONG WOMEN...
65
00:03:09,467 --> 00:03:12,734
[GASPING]
66
00:03:12,766 --> 00:03:13,833
PRAY FOR US SINNERS,
67
00:03:13,868 --> 00:03:14,734
NOW AND AT THE HOUR
OF OUR DEATH.
68
00:03:14,766 --> 00:03:16,434
HAIL MARY, FULL OF GRACE.
69
00:03:16,466 --> 00:03:17,434
THE LORD IS WITH YOU.
70
00:03:17,466 --> 00:03:18,667
BLESSED ARE YOU AMONG WOMEN,
71
00:03:18,701 --> 00:03:20,067
AND BLESSED IS THE FRUIT
OF YOUR WOMB.
72
00:03:20,067 --> 00:03:21,800
HOLY MARY, MOTHER OF GOD,
73
00:03:21,833 --> 00:03:22,900
PRAY FOR US SINNERS,
74
00:03:22,934 --> 00:03:23,934
NOW AND AT THE HOUR
OF OUR DEATH.
75
00:03:23,968 --> 00:03:25,367
[BUS HORN HONKS]
76
00:03:26,234 --> 00:03:29,501
[***]
77
00:03:29,533 --> 00:03:35,834
* GIRLS IN TIGHT DRESSES
WHO DRAG WITH MUSTACHES *
78
00:03:35,868 --> 00:03:42,567
* CHICKS DRIVING FAST
INGENUES WITH LONG LASHES *
79
00:03:42,600 --> 00:03:49,067
* WOMEN WHO LONG, LOVE, LUST
WOMEN WHO GIVE *
80
00:03:49,067 --> 00:03:55,167
* THIS IS THE WAY
IT'S THE WAY THAT WE LIVE *
81
00:04:02,766 --> 00:04:04,067
* TALKING, LAUGHING
LOVING, BREATHING *
82
00:04:04,099 --> 00:04:05,968
* FIGHTING, FUCKING
CRYING, DRINKING *
83
00:04:06,067 --> 00:04:07,333
* WRITING, WINNING
LOSING, CHEATING *
84
00:04:07,367 --> 00:04:09,067
* KISSING, THINKING, DREAMING
85
00:04:09,099 --> 00:04:11,067
* THIS IS THE WAY...
86
00:04:11,099 --> 00:04:13,900
* IT'S THE WAY
THAT WE LIVE *
87
00:04:13,933 --> 00:04:19,434
* IT'S THE WAY THAT WE LIVE
88
00:04:19,466 --> 00:04:23,199
* AND LOVE *
89
00:04:27,067 --> 00:04:28,167
CHASE INVITED US
TO COME BY,
90
00:04:28,199 --> 00:04:30,067
AND... I DON'T KNOW,
WE'LL SEE.
91
00:04:31,067 --> 00:04:32,500
WHOA.
92
00:04:32,533 --> 00:04:33,600
HEY!
93
00:04:33,634 --> 00:04:35,901
HEY...
94
00:04:35,933 --> 00:04:37,667
HOLD UP.
95
00:04:40,067 --> 00:04:41,634
HI.
THIS IS CARMEN.
96
00:04:41,667 --> 00:04:42,968
HEY, WHAT'S UP?
97
00:04:43,067 --> 00:04:44,801
COME ON IN.
98
00:04:44,834 --> 00:04:46,834
[***]
99
00:04:51,067 --> 00:04:52,500
WHAT HAPPENED?
100
00:04:54,299 --> 00:04:56,801
THIS PLACE IS SOMETHING.
101
00:04:56,834 --> 00:04:58,868
THIS IS IT.
102
00:04:58,901 --> 00:05:00,000
WOW.
103
00:05:00,000 --> 00:05:01,633
GUYS, THIS IS
SHANE, CARMEN.
104
00:05:01,667 --> 00:05:03,100
HEY.
105
00:05:03,133 --> 00:05:04,533
DUDE,
THIS IS SO COOL.
106
00:05:04,567 --> 00:05:05,466
ONE FOR THE GRAVEYARD.
107
00:05:05,501 --> 00:05:07,666
THIS PLACE
IS AWESOME.
108
00:05:07,700 --> 00:05:08,801
CHECK IT OUT.
109
00:05:08,833 --> 00:05:09,500
THIS IS WHAT
WE'RE DOING.
110
00:05:12,900 --> 00:05:14,467
THESE ARE ALL OUR BOARD DESIGNS.
111
00:05:14,500 --> 00:05:18,132
WE DO, LIKE, CUSTOM STUFF,
YOU KNOW.
112
00:05:18,167 --> 00:05:19,600
EXCELLENT.
113
00:05:19,634 --> 00:05:21,701
THESE ARE MY STENCIL MASTERS.
114
00:05:21,734 --> 00:05:23,833
DO YOU HAVE THAT SPECIAL ONE?
115
00:05:23,867 --> 00:05:25,501
THANKS.
116
00:05:27,399 --> 00:05:29,167
HEY, COULD YOU
SET THAT UP?
117
00:05:29,199 --> 00:05:31,701
SHANE, I COULD TOTALLY GIG
IN THIS VEST.
118
00:05:31,734 --> 00:05:32,868
OH, YEAH.
119
00:05:32,901 --> 00:05:34,366
DO YOU THINK?
HELL, YEAH.
120
00:05:34,399 --> 00:05:35,667
I LIKE YOUR VEST.
121
00:05:35,701 --> 00:05:37,334
THANKS.
122
00:05:37,366 --> 00:05:39,834
I LOVE THIS PLACE.
123
00:05:39,868 --> 00:05:41,801
I DO, I LOVE IT
HERE, BUT, UM...
124
00:05:41,834 --> 00:05:43,734
WHAT IS IT
YOU WANT ME TO DO?
125
00:05:43,767 --> 00:05:45,299
OKAY, WE INSTALL
A CHAIR FOR YOU
126
00:05:45,334 --> 00:05:46,334
OVER HERE, RIGHT?
127
00:05:46,366 --> 00:05:47,366
JUST ONE CHAIR,
128
00:05:47,399 --> 00:05:48,533
BECAUSE I WANT PEOPLE
LINING UP
129
00:05:48,567 --> 00:05:51,167
TO GET ON YOUR SCHEDULE,
130
00:05:51,200 --> 00:05:52,901
AND THEN I'M GOING TO GET
MY BOYFRIEND
131
00:05:52,933 --> 00:05:54,466
TO BUILD YOU A REALLY
PHAT COUNTER OVER HERE.
132
00:05:54,500 --> 00:05:55,600
EVENTUALLY,
WE COULD DO, LIKE,
133
00:05:55,634 --> 00:05:58,067
A LINE OF HAIR PRODUCTS
OR SOMETHING, YOU KNOW?
134
00:05:58,100 --> 00:06:01,766
CHECK IT OUT.
135
00:06:01,800 --> 00:06:03,467
SHANE FOR WAX.
136
00:06:09,067 --> 00:06:11,467
SO THIS IS A REUNION
OF SORTS,
137
00:06:11,500 --> 00:06:16,567
A FORMER LOVER PERHAPS,
OR A CHILDHOOD FRIEND.
138
00:06:16,600 --> 00:06:18,199
NO, I'D SAY
139
00:06:18,234 --> 00:06:20,067
IT'S A FORMER
ROMANTIC INTEREST.
140
00:06:20,067 --> 00:06:21,833
WILL WE BE GETTING
BACK TOGETHER,
141
00:06:21,867 --> 00:06:22,701
ME AND THIS EX-LOVER?
142
00:06:22,734 --> 00:06:24,266
IT LOOKS LIKE
143
00:06:24,300 --> 00:06:26,766
YOU'RE GOING TO START A WHOLE
NEW KIND OF RELATIONSHIP.
144
00:06:26,800 --> 00:06:29,067
IT'S VERY
INTERESTING.
145
00:06:29,100 --> 00:06:31,634
WAS THERE ANYTHING
IN PARTICULAR
146
00:06:31,667 --> 00:06:32,868
THAT YOU WANTED TO
ASK THE CARDS ABOUT?
147
00:06:32,901 --> 00:06:34,634
NO...
148
00:06:34,667 --> 00:06:35,701
WORK?
149
00:06:35,734 --> 00:06:38,100
ROMANCE? FAMILY?
150
00:06:38,133 --> 00:06:40,701
WELL, I'D...
151
00:06:40,734 --> 00:06:43,533
I WOULDN'T MIND
A LITTLE BIT OF ADVICE
152
00:06:43,567 --> 00:06:46,067
ABOUT THIS NEW
BUSINESS VENTURE OF OURS.
153
00:06:46,100 --> 00:06:48,701
THESE
FILM PEOPLE--
154
00:06:48,734 --> 00:06:49,801
THEY'RE SO BIZARRE,
YOU KNOW?
155
00:06:49,834 --> 00:06:51,067
ONE MINUTE, THEY'RE...
156
00:06:51,100 --> 00:06:52,133
ONE MINUTE,
THEY'RE BROWN-NOSING ME,
157
00:06:52,167 --> 00:06:53,299
AND THE NEXT,
THEY'RE TALKING TO ME
158
00:06:53,334 --> 00:06:54,701
LIKE I'M A COMPLETE
FUCKING IDIOT.
159
00:06:56,567 --> 00:06:57,801
WHY DON'T YOU
GO AHEAD
160
00:06:57,834 --> 00:06:59,366
AND PICK
THREE MORE CARDS?
161
00:07:11,634 --> 00:07:13,099
ALL RIGHT...
162
00:07:15,500 --> 00:07:17,533
WELL, THERE'S NO MYSTERY
TO RUNNING THIS BUSINESS...
163
00:07:17,567 --> 00:07:19,934
IF YOU FOLLOW
YOUR INSTINCTS
164
00:07:19,968 --> 00:07:21,199
AND SURROUND YOURSELF
165
00:07:21,234 --> 00:07:23,434
WITH PEOPLE
THAT YOU KNOW AND TRUST.
166
00:07:23,466 --> 00:07:24,934
PEOPLE I KNOW?
167
00:07:24,968 --> 00:07:26,934
THERE'S SOMEBODY,
168
00:07:26,968 --> 00:07:28,434
SOMEBODY
FROM YOUR PAST,
169
00:07:28,466 --> 00:07:31,867
WHO COULD BE A REAL ASSET TO YOU
IN THIS VENTURE.
170
00:07:33,834 --> 00:07:34,801
OH!
171
00:07:34,834 --> 00:07:36,433
LOOK AT THAT.
172
00:07:36,466 --> 00:07:38,701
IT'S THE SAME PERSON.
173
00:07:42,299 --> 00:07:44,868
[TELEPHONE RINGING]
174
00:07:44,901 --> 00:07:46,067
[BABY COOING]
175
00:07:46,067 --> 00:07:48,067
[BETTE SPEAKING SOFTLY
TO BABY]
176
00:07:51,366 --> 00:07:54,366
HELLO?
177
00:07:54,399 --> 00:07:56,334
JULIA. HI.
178
00:07:56,366 --> 00:07:58,901
NO, NO, I WAS JUST TRYING
TO PUT HER DOWN FOR A NAP.
179
00:07:58,933 --> 00:08:01,300
WHAT'S UP?
180
00:08:05,767 --> 00:08:09,534
YOU ARE FUCKING KIDDING ME.
181
00:08:09,567 --> 00:08:11,701
THE N.E.A. GRANT?
182
00:08:11,734 --> 00:08:13,734
BUT I DON'T...
183
00:08:13,766 --> 00:08:17,434
WHAT DOES THAT MEAN?
184
00:08:17,466 --> 00:08:19,800
BECAUSE OF
THE POLITICAL CONTENT?
185
00:08:19,833 --> 00:08:21,333
WHAT ARE THEY...
186
00:08:24,300 --> 00:08:26,734
NO, NO. GO AHEAD, GO.
JUST TAKE IT.
187
00:08:26,766 --> 00:08:28,934
BUT CALL ME BACK,
AND TELL ME WHAT THEY RECOMMEND,
188
00:08:28,968 --> 00:08:31,434
BECAUSE YOU KNOW WHAT,
I THINK WE SHOULD SUE THEM.
189
00:08:31,466 --> 00:08:32,933
NO, I'M NOT KIDDING.
190
00:08:32,968 --> 00:08:34,868
YEAH, I'LL TALK TO YOU LATER.
191
00:08:34,901 --> 00:08:38,267
THE N.E.A. JUST
PULLED THEIR FUNDING
192
00:08:38,299 --> 00:08:39,701
BECAUSE
THE ART OF DISSENT
193
00:08:39,734 --> 00:08:42,067
IS CRITICAL OF
THE BUSH ADMINISTRATION.
194
00:08:42,100 --> 00:08:45,100
WHAT? THAT'S GOT TO BE
UNCONSTITUTIONAL.
195
00:08:45,133 --> 00:08:46,133
YEAH, WELL, JULIA'S
TALKING TO HER LAWYERS
196
00:08:46,167 --> 00:08:47,133
ABOUT IT RIGHT NOW.
197
00:08:47,167 --> 00:08:48,133
THEY'RE TRYING
TO GET HER
198
00:08:48,167 --> 00:08:49,133
INTO SOME KIND OF
SUBCOMMITTEE HEARING
199
00:08:49,167 --> 00:08:50,167
TO TESTIFY
BEFORE CONGRESS.
200
00:08:50,200 --> 00:08:52,667
YOU KNOW, THIS IS
THE NEW McCARTHYISM,
201
00:08:52,701 --> 00:08:55,167
THAT'S WHAT IT IS.
202
00:08:55,200 --> 00:08:56,600
ARE YOU GOING TO LOSE
YOUR STIPEND?
203
00:08:56,634 --> 00:08:57,801
I DON'T KNOW,
PROBABLY.
204
00:08:57,834 --> 00:08:58,933
I MEAN, BECAUSE
IT WAS ALLOCATED
205
00:08:58,968 --> 00:09:02,766
OUT OF THE N.E.A.
GRANT.
206
00:09:02,801 --> 00:09:05,634
THIS ADMINISTRATION
IS FUCKING CRIMINAL.
207
00:09:05,666 --> 00:09:06,700
THAT'S WHAT IT IS.
208
00:09:06,734 --> 00:09:07,700
BEFORE YOU KNOW IT,
209
00:09:07,734 --> 00:09:08,734
THE FIRST
AMENDMENT WILL BE--
210
00:09:08,766 --> 00:09:10,400
WE HAVE TO LET GO
OF ANGUS.
211
00:09:12,067 --> 00:09:13,900
WE HAVE TO
LET ANGUS GO.
212
00:09:17,067 --> 00:09:18,567
I CAN'T BELIEVE
YOU JUST SAID THAT.
213
00:09:18,600 --> 00:09:19,833
WE CAN'T AFFORD HIM.
214
00:09:19,867 --> 00:09:22,434
WE COULDN'T AFFORD HIM
BEFORE YOU LOST YOUR FUNDING.
215
00:09:22,466 --> 00:09:24,100
YOU'RE GOING TO HAVE TO GET REAL
ABOUT OUR FINANCES,
216
00:09:24,132 --> 00:09:25,833
OR WE'RE GOING TO BE
COMPLETELY WIPED OUT.
217
00:09:25,867 --> 00:09:28,367
THANKS.
218
00:09:28,399 --> 00:09:29,900
THANK YOU FOR LAYING
219
00:09:29,934 --> 00:09:31,067
YOUR PETTY,
BOURGEOIS ANXIETY
220
00:09:31,067 --> 00:09:32,067
ON TOP OF MY ALREADY
PROFOUND ANGER
221
00:09:32,067 --> 00:09:33,399
AND DISAPPOINTMENT
222
00:09:33,433 --> 00:09:34,968
OVER LOSING SOMETHING
THAT MEANS SO MUCH TO ME.
223
00:09:35,067 --> 00:09:36,533
GIVE HER TO ME--
THANK YOU.
224
00:09:36,567 --> 00:09:38,299
JUST GIVE HER TO ME.
225
00:09:38,334 --> 00:09:41,600
LOOK, I'LL FEED HER.
226
00:09:47,667 --> 00:09:52,067
YEAH, THIS IS BETTE PORTER
FOR GRAYDEN ASHE.
227
00:09:52,067 --> 00:09:54,734
GRAYDEN, HOW ARE YOU?
228
00:09:54,767 --> 00:09:56,067
NO, I JUST WAS--
229
00:09:56,100 --> 00:09:57,868
I WAS LOOKING
AT THE AUCTION CALENDAR,
230
00:09:57,901 --> 00:10:00,000
AND I SEE THAT YOU HAVE
IMPORTANT PHOTOGRAPHS AND PRINTS
231
00:10:00,000 --> 00:10:03,200
COMING UP NEXT WEEK.
232
00:10:03,234 --> 00:10:06,367
WELL, I WAS JUST THINKING
MAYBE ONE OF MY MAPPLETHORPES...
233
00:10:06,400 --> 00:10:11,534
MAYBE ONE OF THE STILL LIFES
WOULD...
234
00:10:11,567 --> 00:10:14,099
YEAH, THAT'S RIGHT,
I'M THINKING ABOUT
235
00:10:14,132 --> 00:10:17,734
AUCTIONING SOMETHING
FROM MY PERSONAL COLLECTION.
236
00:10:21,567 --> 00:10:23,333
NO, NO. UH-UH.
237
00:10:23,367 --> 00:10:25,266
I DON'T WANT TO SELL
MY KIKI SMITHS.
238
00:10:25,300 --> 00:10:28,466
THEY WERE THE FIRST PRINTS
THAT I EVER--
239
00:10:33,466 --> 00:10:34,734
HOW MUCH?
240
00:10:34,767 --> 00:10:37,133
I DON'T KNOW, MAYBE, LIKE,
MAYBE SPIN IT.
241
00:10:37,167 --> 00:10:38,734
TRY SPINNING IT.
242
00:10:38,767 --> 00:10:40,834
I DON'T KNOW.
243
00:10:40,868 --> 00:10:42,901
OH, MY GOD, THAT'S YUMMY,
244
00:10:42,933 --> 00:10:45,000
BUT I THINK YOU CAN
BE EVEN BOLDER
245
00:10:45,033 --> 00:10:46,100
WITH THE GINGER.
246
00:10:46,133 --> 00:10:48,901
BE BOLD WITH THE GINGER, YEAH.
247
00:10:48,933 --> 00:10:49,968
WHAT'S THIS?
248
00:10:50,000 --> 00:10:50,968
JAMBON OR PROSCIUTTO?
249
00:10:51,033 --> 00:10:51,968
NO, IT'S SPECK.
250
00:10:52,000 --> 00:10:53,133
IT'S A SALT
AND COLD CURED HAM
251
00:10:53,167 --> 00:10:54,299
FROM THE NORTH OF ITALY.
252
00:10:54,334 --> 00:10:55,399
REALLY? OKAY, STOP
SPINNING IT NOW.
253
00:10:55,433 --> 00:10:58,399
WHAT THE FUCK...
254
00:10:58,433 --> 00:10:59,299
BRAVISSIMA,
CARA MIA.
255
00:10:59,334 --> 00:11:00,000
HEY, LISTEN,
256
00:11:00,000 --> 00:11:02,900
HAVE YOU EVER THOUGHT ABOUT
DOING ANY VEGAN SELECTIONS?
257
00:11:02,934 --> 00:11:04,434
YOU KNOW, I MEAN, CAN
YOU DO ANYTHING FABULOUS
258
00:11:04,466 --> 00:11:06,734
WITH SEITAN
OR TEMPEH?
259
00:11:06,767 --> 00:11:09,099
BILLIE,
WHAT'S GOING ON HERE?
260
00:11:09,132 --> 00:11:10,634
I WAS GOING OVER
THE NEW MENU WITH LARA,
261
00:11:10,666 --> 00:11:11,900
BECAUSE, YOU KNOW,
262
00:11:11,933 --> 00:11:14,300
A LOT OF OUR COMMUNITY
ARE VEGETARIANS,
263
00:11:14,333 --> 00:11:15,766
A LOT ARE VEGAN,
264
00:11:15,801 --> 00:11:17,132
AND GOD FORBID
WE SHOULD FORGET
265
00:11:17,167 --> 00:11:19,833
THOSE LACTOSE-INTOLERANT
LESBIANS.
266
00:11:19,867 --> 00:11:22,100
UH, BILLIE, WE DID NOT
DISCUSS CHANGING THE MENU.
267
00:11:22,132 --> 00:11:23,501
OH, COME ON, KIT,
268
00:11:23,533 --> 00:11:26,100
YOU DON'T WANT TO GO THROUGH
EVERY SINGLE DETAIL WITH ME.
269
00:11:26,132 --> 00:11:27,100
I DON'T?
270
00:11:27,132 --> 00:11:28,234
NO.
271
00:11:28,266 --> 00:11:29,701
YOU WANT ME TO COME IN HERE,
TAKE CHARGE,
272
00:11:29,734 --> 00:11:31,234
AND FREE THINGS UP FOR YOU.
273
00:11:31,266 --> 00:11:32,600
HEY, DARLING.
HOW ARE YOU DOING?
274
00:11:32,634 --> 00:11:34,734
AND THEN YOU CAN GO OFF
AND WRITE YOUR SONGS
275
00:11:34,767 --> 00:11:37,834
AND PERFORM YOUR MUSIC
AND MAKE YOUR RECORD.
276
00:11:37,868 --> 00:11:39,299
I DO?
277
00:11:39,334 --> 00:11:41,767
YES, YOU DO.
278
00:11:41,801 --> 00:11:43,399
YOU KNOW,
YOU JUST HAVE TO TRUST
279
00:11:43,433 --> 00:11:46,133
THAT BILLIE BLAIKIE
KNOWS WHAT HE'S DOING.
280
00:11:46,167 --> 00:11:47,533
IT'S FUCKING
FREEZING IN HERE.
281
00:11:47,567 --> 00:11:48,533
OH-- DON'T YOU...
282
00:11:48,567 --> 00:11:49,634
STOP THAT.
DON'T TOUCH--
283
00:11:49,667 --> 00:11:50,767
IT'S BOILING IN HERE.
284
00:11:50,801 --> 00:11:52,500
I'M SO HOT.
285
00:11:52,533 --> 00:11:54,500
CHECK OUT THESE THINGS.
286
00:11:54,533 --> 00:11:55,701
ANYBODY IN HERE HOT?
287
00:11:55,734 --> 00:11:57,267
[EVERYBODY]: NO.
288
00:11:57,299 --> 00:11:58,267
ANYBODY COLD?
289
00:11:58,299 --> 00:11:59,299
[EVERYBODY]: YES!
290
00:11:59,334 --> 00:12:02,500
DEMOCRACY AT WORK.
291
00:12:02,533 --> 00:12:03,968
THE OTHER THING I WAS
THINKING ABOUT, KIT DARLIN',
292
00:12:04,067 --> 00:12:05,734
WAS THAT IT WOULD BE REALLY
NICE AND HOSPITABLE
293
00:12:05,767 --> 00:12:08,701
IF WE COULD, LIKE, HOOK UP
ONE OF THOSE VIRTUAL LANs
294
00:12:08,734 --> 00:12:10,067
AND HAVE A COUPLE OF
FREE TERMINALS.
295
00:12:10,067 --> 00:12:11,234
VIRTUAL WHAT?
296
00:12:11,266 --> 00:12:12,300
BECAUSE, YOU KNOW,
OUR PEOPLE,
297
00:12:12,333 --> 00:12:13,300
THEY'RE KIND OF USED
TO HAVING WIRELESS
298
00:12:13,333 --> 00:12:14,467
WITH THEIR COFFEE.
299
00:12:14,500 --> 00:12:15,400
YOU KNOW WHAT
I'M SAYING?
300
00:12:16,399 --> 00:12:17,367
WHOSE TRUCK IS THAT?
301
00:12:17,399 --> 00:12:18,367
I DON'T KNOW.
302
00:12:18,399 --> 00:12:20,367
OH...
303
00:12:20,399 --> 00:12:21,667
AND WHO IS THAT?
304
00:12:21,701 --> 00:12:23,067
JENNY'S
GIRLFRIEND?
305
00:12:23,067 --> 00:12:24,067
GIRLFRIEND?
306
00:12:24,067 --> 00:12:26,867
AH...
307
00:12:26,900 --> 00:12:27,900
YOU FUCKING
LUNATIC.
308
00:12:27,934 --> 00:12:29,533
WHA-HOO!
309
00:12:29,567 --> 00:12:31,399
OH, MY GOD...
310
00:12:31,434 --> 00:12:32,933
OH, MY GOD, YOU.
311
00:12:32,968 --> 00:12:34,100
HI!
312
00:12:34,133 --> 00:12:36,200
OH, MY GOD,
YOU GUYS LOOK AMAZING.
313
00:12:36,234 --> 00:12:37,234
LOOK AT YOU!
314
00:12:37,267 --> 00:12:38,366
WOW...
315
00:12:38,399 --> 00:12:39,366
OH, MY GOD.
316
00:12:39,399 --> 00:12:40,366
HI.
317
00:12:40,399 --> 00:12:41,500
OH, THIS IS MOIRA.
318
00:12:41,533 --> 00:12:42,334
YOU MUST BE SHANE.
I AM.
319
00:12:42,366 --> 00:12:43,466
AND THAT'S CARMEN.
320
00:12:43,500 --> 00:12:44,600
HI.
HEY.
321
00:12:44,634 --> 00:12:45,801
LOOK AT
YOUR HAIR.
322
00:12:45,834 --> 00:12:46,801
YOU LOOK FANTASTIC.
323
00:12:46,834 --> 00:12:47,801
DID YOU
JUST GET HERE?
324
00:12:47,834 --> 00:12:48,767
YEAH, WE DID.
325
00:12:48,801 --> 00:12:49,968
YEAH, WE JUST
ROCKED UP.
326
00:12:50,067 --> 00:12:51,734
WE BARELY HAD TIME
TO TAKE A PISS.
327
00:12:51,767 --> 00:12:53,267
AH...
328
00:12:53,299 --> 00:12:54,433
WE BEEN DRIVING
FOR, LIKE, 15 HOURS.
329
00:12:54,466 --> 00:12:56,600
[DOG BARKING]
OH, MY GOD...
330
00:12:56,634 --> 00:12:57,533
YEAH, WE'RE PUPPY-SITTING
FOR A FRIEND.
331
00:12:57,567 --> 00:12:58,433
WELL, HELLO THERE.
332
00:12:58,466 --> 00:13:00,000
COME SAY HI.
333
00:13:00,000 --> 00:13:01,667
WHO IS THIS?
334
00:13:01,701 --> 00:13:03,601
THIS IS OTTO.
335
00:13:03,633 --> 00:13:05,634
HI, OTTO!
336
00:13:05,666 --> 00:13:06,934
WHO DOES THIS
BELONG TO?
337
00:13:06,968 --> 00:13:08,933
HI, OTTO.
338
00:13:08,968 --> 00:13:10,199
YOU DON'T
MIND, RIGHT?
339
00:13:10,234 --> 00:13:12,601
NO, I JUST HAVE
A BIT OF ALLERGIES.
340
00:13:12,634 --> 00:13:13,601
NO, NO, NO,
YOU KNOW WHAT?
341
00:13:13,634 --> 00:13:15,067
YOU'RE GOING TO BE FINE.
342
00:13:15,067 --> 00:13:16,266
HE'S PART PIT BULL,
AND HE'S A BIT HAIRLESS, TOO,
343
00:13:16,300 --> 00:13:19,199
SO YOUR ALLERGIES
SHOULD BE JUST FINE.
344
00:13:19,234 --> 00:13:21,067
YOU KNOW, UM,
ACTUALLY,
345
00:13:21,067 --> 00:13:22,968
PEOPLE ARE USUALLY ALLERGIC
TO THE SALIVA
346
00:13:23,067 --> 00:13:24,266
MORE THAN THE HAIR.
347
00:13:24,300 --> 00:13:26,132
NORMALLY.
348
00:13:26,167 --> 00:13:26,533
OH.
349
00:13:26,567 --> 00:13:27,766
HUH...
350
00:13:27,800 --> 00:13:29,934
HE'S PEEING,
HE'S PEEING.
351
00:13:29,968 --> 00:13:31,167
OH, SHIT.
352
00:13:31,199 --> 00:13:32,500
GOD, DID HE
PEE AGAIN?
353
00:13:32,533 --> 00:13:33,466
WHY...
354
00:13:33,500 --> 00:13:34,466
WHY DO YOU PEE ON PEOPLE?
355
00:13:34,500 --> 00:13:35,366
WHY?
356
00:13:35,399 --> 00:13:36,466
YOU KNOW WHAT?
357
00:13:36,500 --> 00:13:37,767
HOW ABOUT WE HELP
YOU WITH YOUR BAGS?
358
00:13:37,801 --> 00:13:39,234
OH, YOU GIRLS JUST RELAX
359
00:13:39,267 --> 00:13:40,667
AND LET US BUTCHES
UNLOAD THE TRUCK.
360
00:13:40,701 --> 00:13:42,433
COME ON, SHANE.
361
00:13:42,466 --> 00:13:43,634
WHAT? OW!
362
00:13:43,667 --> 00:13:44,801
BIG BUTCH.
WHAT?
363
00:13:44,834 --> 00:13:45,933
GO UNLOAD THE TRUCK.
364
00:13:52,901 --> 00:13:55,366
* HELLO TO THE CAR
365
00:13:55,399 --> 00:13:56,767
* SO GLAD TO SEE YOU
366
00:13:56,801 --> 00:14:00,000
* HELLO TO THE TREE
367
00:14:00,000 --> 00:14:01,766
* SO GLAD TO SEE YOU, TOO
368
00:14:01,800 --> 00:14:04,067
* HELLO, MISTER TABLE
369
00:14:04,099 --> 00:14:06,234
* SO GLAD TO SEE YOU
370
00:14:06,267 --> 00:14:08,067
* HELLO, MISTER PALM TREE--
371
00:14:08,099 --> 00:14:09,132
HEY, WAIT!
372
00:14:09,166 --> 00:14:10,166
WHAT ARE YOU DOING
WITH THAT CHILD?
373
00:14:10,199 --> 00:14:11,900
I'M TAKING HER
FOR A WALK.
374
00:14:11,933 --> 00:14:13,067
WHO SAID YOU COULD?
375
00:14:13,067 --> 00:14:14,333
HER MOTHER.
WHO ARE YOU?
376
00:14:14,367 --> 00:14:15,534
HER AUNT, KIT PORTER.
377
00:14:15,567 --> 00:14:18,833
OH, ANGUS... PARTRIDGE.
378
00:14:18,867 --> 00:14:20,333
I'M HER MANNY.
379
00:14:20,367 --> 00:14:22,234
OH, UH...
380
00:14:22,266 --> 00:14:23,501
EXCUSE ME, DID YOU SAY
HER MANNY?
381
00:14:23,533 --> 00:14:25,067
YUP.
382
00:14:25,067 --> 00:14:28,167
OH, SO MY SISTER HIRES A DUDE
TO TAKE CARE OF HER BABY.
383
00:14:28,199 --> 00:14:29,501
OH, WELL...
384
00:14:29,533 --> 00:14:31,833
SHE'S SUCH A PROBLEM SOLVER,
THAT GIRL.
385
00:14:31,867 --> 00:14:34,500
SHE IS A VERY SMART LADY.
YES, SHE IS.
386
00:14:34,533 --> 00:14:36,133
WELL, ANGUS, THE MANNY.
387
00:14:36,167 --> 00:14:37,868
I GOING TO CALL YOU...
MANGUS.
388
00:14:37,901 --> 00:14:39,767
OKAY.
389
00:14:39,801 --> 00:14:40,767
WHY DON'T YOU COME IN
AND HAVE SOMETHING?
390
00:14:40,801 --> 00:14:41,767
COME AND HAVE A DRINK.
391
00:14:41,801 --> 00:14:43,834
[***]
392
00:14:54,067 --> 00:14:55,167
SO THAT'S MY OFFICE.
393
00:15:00,000 --> 00:15:03,633
[CHUCKLING]
394
00:15:03,666 --> 00:15:04,900
WELL, WHAT
DO YOU THINK?
395
00:15:04,934 --> 00:15:09,433
I THINK YOU REALLY
KNOW HOW TO DO IT UP.
396
00:15:09,467 --> 00:15:11,199
I'LL SHOW YOU
ONE OF THE SOUND STAGES.
397
00:15:14,199 --> 00:15:18,800
SO HAS BETTE FOUND
A NEW JOB YET?
398
00:15:20,667 --> 00:15:21,867
OH, SHE'S
GOOD AND HUNGRY.
399
00:15:21,900 --> 00:15:23,466
LOOK AT HER.
400
00:15:23,501 --> 00:15:24,567
HEY, SISTER,
SIT OVER HERE.
401
00:15:24,600 --> 00:15:25,766
I'M WITH MANGUS.
402
00:15:25,800 --> 00:15:28,067
HEY.
403
00:15:30,634 --> 00:15:31,600
HI!
404
00:15:31,634 --> 00:15:32,801
I SEE YOU'VE MET MY SISTER.
405
00:15:32,834 --> 00:15:34,634
YEAH, I THINK SHE PUT
FIVE POUNDS ON ME.
406
00:15:34,667 --> 00:15:35,901
OH, HE CAN AFFORD IT
407
00:15:35,933 --> 00:15:37,734
WITH THAT
SKINNY BOOTY OF HIS.
408
00:15:37,767 --> 00:15:39,299
HAVE YOU EVER SEEN ONE
SO SMALL
409
00:15:39,334 --> 00:15:41,067
AND TIGHT?
410
00:15:41,100 --> 00:15:42,767
I'M REALLY NOT IN THE HABIT
OF CHECKING OUT THE NANNY'S ASS.
411
00:15:42,801 --> 00:15:46,234
OH, WHAT DID YOU GET
AT THE BODHI TREE?
412
00:15:46,267 --> 00:15:47,567
I GOT GOING TO PIECES
WITHOUT FALLING APART
413
00:15:47,600 --> 00:15:48,933
BY MARK EPSTEIN.
414
00:15:48,968 --> 00:15:49,600
WHY ARE YOU GOING TO PIECES?
415
00:15:49,634 --> 00:15:51,133
WELL, FIRST OF ALL,
416
00:15:51,167 --> 00:15:52,968
THE N.E.A. PULLED THE GRANT
FOR MY SHOW THIS MORNING
417
00:15:53,067 --> 00:15:55,067
BECAUSE WE LIVE IN THE MOST
REPRESSIVE POLITICAL CLIMATE
418
00:15:55,067 --> 00:15:56,100
IN THE LAST 50 YEARS.
419
00:15:56,133 --> 00:15:57,466
OH, THAT'S SO FUCKED UP.
420
00:15:57,500 --> 00:15:59,567
YEAH, AND
THEN SECONDLY,
421
00:15:59,600 --> 00:16:01,066
TINA IS SO
FREAKED OUT ABOUT MONEY
422
00:16:01,066 --> 00:16:02,567
THAT I'M BEGINNING TO THINK
423
00:16:02,601 --> 00:16:05,267
THAT MAYBE I SHOULD CONSIDER
TAKING THAT CITIBANK JOB,
424
00:16:05,299 --> 00:16:07,734
WHICH JUST MAKES ME
WANT TO KILL MYSELF.
425
00:16:07,767 --> 00:16:08,801
DON'T EVEN THINK
ABOUT TAKING A JOB
426
00:16:08,833 --> 00:16:09,900
THAT DOESN'T
MAKE YOUR HEART SING.
427
00:16:09,933 --> 00:16:11,634
TELL IT LIKE IT IS, MANGUS.
428
00:16:11,666 --> 00:16:13,067
AND BEING ANGELICA'S NANNY?
429
00:16:13,067 --> 00:16:15,801
MAKES MY HEART SING, TOTALLY.
430
00:16:15,833 --> 00:16:17,300
YAY!
431
00:16:17,333 --> 00:16:18,300
YAY!
432
00:16:18,333 --> 00:16:19,667
OH, PEMA CHODRON.
433
00:16:19,701 --> 00:16:22,634
READ THIS ONE FIRST--
COMFORTABLE WITH UNCERTAINTY.
434
00:16:22,667 --> 00:16:23,900
KIT...
435
00:16:23,934 --> 00:16:27,199
THANKS FOR
THE CALORIES.
436
00:16:29,766 --> 00:16:31,199
BYE...
437
00:16:36,433 --> 00:16:37,500
KIT?
438
00:16:37,533 --> 00:16:38,801
OH!
439
00:16:38,834 --> 00:16:41,734
UH... OOPS.
440
00:16:41,767 --> 00:16:43,399
HE IS ONE
CUTE MANNY.
441
00:16:43,433 --> 00:16:45,067
YOU'RE SO BAD.
442
00:16:53,133 --> 00:16:54,334
[HELENA]: I'VE DECIDED
I'M GOING TO HAVE
443
00:16:54,366 --> 00:16:56,133
MUCH MORE OF
A PRESENCE HERE.
444
00:16:56,167 --> 00:16:57,634
I DON'T KNOW ANYTHING
ABOUT THE FILM INDUSTRY,
445
00:16:57,667 --> 00:17:00,000
BUT I KNOW WE CAN DO BETTER
THAN WE HAVE BEEN.
446
00:17:00,000 --> 00:17:02,766
SHAOLIN'S ONLY EVER
BEEN INTERESTED
447
00:17:02,801 --> 00:17:05,868
IN LOW-BUDGET B
SLASHER MOVIES.
448
00:17:05,900 --> 00:17:08,067
NOT NOW THAT PEABODY OWNS IT.
449
00:17:08,067 --> 00:17:10,467
I MEAN, JUST LOOK
AT OUR PUBLISHING HOUSE.
450
00:17:10,500 --> 00:17:14,567
WE HAVE STYRON, DIDION,
JOYCE CAROL OATES, NABOKOV.
451
00:17:14,601 --> 00:17:15,634
YOU SHOULD BE MINING
ALL THOSE TITLES
452
00:17:15,666 --> 00:17:16,867
FOR DEVELOPMENT.
453
00:17:16,900 --> 00:17:18,199
EXACTLY.
454
00:17:24,199 --> 00:17:27,833
SO...
455
00:17:27,867 --> 00:17:31,266
ARE YOU INTERESTED?
456
00:17:31,300 --> 00:17:33,868
AM I INTERESTED IN WHAT,
HELENA?
457
00:17:33,901 --> 00:17:35,067
COMING TO WORK
FOR ME--
458
00:17:35,067 --> 00:17:37,901
WELL, WITH ME.
459
00:17:39,133 --> 00:17:40,100
YOU HAVE MUCH MORE
EXPERIENCE AT THIS RACKET
460
00:17:40,133 --> 00:17:41,133
THAN I DO,
461
00:17:41,167 --> 00:17:42,868
SO YOU'D PRETTY MUCH
HAVE FREE REIGN
462
00:17:42,901 --> 00:17:44,567
TO DO WHATEVER YOU THINK BEST...
463
00:17:44,600 --> 00:17:47,533
WITHIN REASON.
464
00:17:57,334 --> 00:17:59,634
OH, GOD...
465
00:17:59,667 --> 00:18:00,000
OKAY, SO I JUST WENT
466
00:18:00,000 --> 00:18:01,701
AND LOCKED HIM UP
IN MY STUDIO,
467
00:18:01,734 --> 00:18:02,766
BUT YOU DON'T THINK
468
00:18:02,801 --> 00:18:04,166
HE'S GOING TO EAT
ANYTHING IN THERE, DO YOU?
469
00:18:04,200 --> 00:18:05,200
I HOPE NOT.
470
00:18:05,234 --> 00:18:06,400
HEY.
HI.
471
00:18:09,500 --> 00:18:10,833
EXCUSE ME,
THERE, BUDDY.
472
00:18:10,868 --> 00:18:12,933
OH. OH...
473
00:18:12,968 --> 00:18:14,067
I'M JUST GOING TO
MOVE SOME OF THESE BAGS
474
00:18:14,067 --> 00:18:15,534
INTO OUR BEDROOM.
475
00:18:15,567 --> 00:18:16,300
DO YOU WANT SOME HELP?
476
00:18:16,333 --> 00:18:17,567
NO, I'VE GOT IT,
THANKS.
477
00:18:17,600 --> 00:18:20,100
[UNDER BREATH]:
"OUR" FUCKING BEDROOM?
478
00:18:20,132 --> 00:18:22,634
"OUR" BEDROOM?
479
00:18:22,667 --> 00:18:24,900
SHE SAID
"OUR" BEDROOM.
480
00:18:24,934 --> 00:18:26,300
DON'T LOOK AT ME.
481
00:18:26,333 --> 00:18:28,067
WELL, DON'T YOU
WANT TO FIND OUT?
482
00:18:28,067 --> 00:18:29,234
NO, THIS IS
JENNY'S HOUSE.
483
00:18:29,266 --> 00:18:31,367
I KNOW,
AND THAT'S GREAT,
484
00:18:31,399 --> 00:18:32,167
BUT DON'T YOU THINK
485
00:18:32,200 --> 00:18:33,366
WE SHOULD'VE HAD
SOME NOTICE
486
00:18:33,399 --> 00:18:35,167
IF WE WERE GOING TO GET
AN EXTRA ROOMMATE?
487
00:18:35,200 --> 00:18:37,234
HONEY, I'M SURE
WE'LL FIND OUT THEIR PLANS
488
00:18:37,267 --> 00:18:38,868
TONIGHT AT DINNER.
489
00:18:38,901 --> 00:18:42,167
OH, MY GOD, IS SHE COMING
TO DINNER WITH US?
490
00:18:42,200 --> 00:18:42,868
OF COURSE SHE'S COMING
TO DINNER WITH US.
491
00:18:42,901 --> 00:18:44,167
YOU'RE RIGHT.
492
00:18:44,200 --> 00:18:45,100
OF COURSE SHE'S
COMING TO DINNER.
493
00:18:45,133 --> 00:18:45,701
COME ON--
I KNOW SHE'S NICE.
494
00:18:45,734 --> 00:18:46,933
DON'T BE LIKE THAT.
495
00:18:46,968 --> 00:18:47,933
OKAY, OKAY,
YOU'RE RIGHT--
496
00:18:47,968 --> 00:18:49,600
HEY, YOU GUYS...
497
00:18:49,634 --> 00:18:51,067
WE BROUGHT YOU A PRESENT
FROM LA JUNTA, COLORADO.
498
00:18:51,067 --> 00:18:52,600
WHAT'S THAT?
499
00:18:52,634 --> 00:18:55,933
COW'S BALLS?
500
00:18:55,968 --> 00:18:58,067
[ALICE]: FROM HER NEW ALBUM
ON MARFA RECORDS,
501
00:18:58,100 --> 00:18:59,299
THAT WAS AMY COOK
502
00:18:59,334 --> 00:19:01,334
SINGING,
"MILLION HOLES IN HEAVEN,"
503
00:19:01,367 --> 00:19:03,900
AND I'M ALICE PIESZECKI,
504
00:19:03,934 --> 00:19:06,166
AND YOU'RE LISTENING
TO THE CHART ON KCRW.
505
00:19:06,200 --> 00:19:07,166
WELCOME BACK.
506
00:19:07,200 --> 00:19:09,634
TODAY ON THE CHART,
507
00:19:09,666 --> 00:19:14,367
WE'RE LOOKING AT
HOW DO YOU END A VICIOUS CYCLE?
508
00:19:14,400 --> 00:19:17,734
OH, AND FOR THOSE OF YOU
OUT THERE IN RADIOLAND
509
00:19:17,766 --> 00:19:21,167
WHO ARE SICK OF HEARING ME RANT
ABOUT MY EX, DANA,
510
00:19:21,199 --> 00:19:23,766
YOU'LL BE HAPPY TO KNOW
THIS IS NOT ABOUT HER.
511
00:19:23,800 --> 00:19:28,667
THIS CONTINUUM OF CONNECTEDNESS
IS ABOUT THE CAUSE AND EFFECT
512
00:19:28,701 --> 00:19:31,800
OF ONE PSYCHOTROPIC DRUG
AFTER ANOTHER
513
00:19:31,833 --> 00:19:34,901
TO THE POINT WHERE YOU'RE
MEDICATING YOUR MEDICATION.
514
00:19:34,933 --> 00:19:37,634
WHY DON'T WE START
515
00:19:37,667 --> 00:19:41,067
WITH THE VERY FIRST
ANTI-DEPRESSANT I TRIED.
516
00:19:42,701 --> 00:19:44,167
[LAUGHTER]
517
00:19:44,200 --> 00:19:46,868
[***]
518
00:19:46,901 --> 00:19:49,299
IT MADE ME
JUST A LITTLE INTENSE.
519
00:19:49,334 --> 00:19:50,167
[AIR HISSING]
520
00:19:50,200 --> 00:19:51,466
SO THEN I SAID TO MY DOCTOR,
521
00:19:51,500 --> 00:19:54,067
"CAN YOU JUST GIVE ME
SOMETHING STRONG, REALLY STRONG,
522
00:19:54,067 --> 00:19:55,067
"THAT'LL JUST MAKE ME HAPPY?
523
00:19:55,100 --> 00:19:57,500
IS THAT TOO MUCH TO ASK?"
524
00:19:57,533 --> 00:20:00,000
SO HE GAVE ME LITHIUM.
525
00:20:00,000 --> 00:20:04,400
SO THIS ONE REALLY JUST MADE ME
HALLUCINATE THAT I WAS HAPPY.
526
00:20:04,434 --> 00:20:06,434
DID YOU CHANGE
YOUR HAIR?
527
00:20:09,000 --> 00:20:10,734
THEN THE WITHDRAWAL
FROM THOSE TWO DRUGS
528
00:20:10,766 --> 00:20:14,199
GAVE ME A.D.D.
529
00:20:14,234 --> 00:20:15,433
SO I GOT THE A.D.D. DRUG.
530
00:20:15,467 --> 00:20:17,300
YOU KNOW THE ONE.
531
00:20:17,333 --> 00:20:19,766
I SNORT MINE.
532
00:20:19,800 --> 00:20:22,900
DO YOU SNORT YOURS?
533
00:20:22,934 --> 00:20:25,067
GERBERMEUNSTER WROTE ME
A PRESCRIPTION
534
00:20:25,100 --> 00:20:28,000
FOR THE NEW SSRI,
WHICH HE HIGHLY RECOMMENDS,
535
00:20:28,033 --> 00:20:32,834
BUT SAID, UNDER RARE CASES,
MAY CAUSE ME TO COMMIT SUICIDE.
536
00:20:37,567 --> 00:20:39,801
SO I WAS A LITTLE SCARED
TO TAKE THOSE,
537
00:20:39,834 --> 00:20:41,234
WHICH MEANT
I WASN'T ON ANYTHING,
538
00:20:41,267 --> 00:20:44,667
WHICH MEANT I ACTUALLY
FELT LIKE HAVING SEX AGAIN...
539
00:20:49,634 --> 00:20:52,234
WHICH REALLY
MADE ME WANT TO KILL MYSELF.
540
00:20:55,968 --> 00:20:56,968
[SOBS]
541
00:21:00,000 --> 00:21:02,299
HOW LONG AGO
DID YOU FIRST NOTICE IT?
542
00:21:02,334 --> 00:21:04,234
UH, JUST A FEW WEEKS AGO.
543
00:21:04,267 --> 00:21:05,400
OKAY...
544
00:21:05,434 --> 00:21:07,067
ACTUALLY, I PROBABLY
NOTICED IT BEFORE THAT,
545
00:21:07,067 --> 00:21:09,132
BUT IT KIND OF WENT AWAY, SO...
546
00:21:11,601 --> 00:21:17,833
I DO HAVE A RASH,
IF YOU COULD TAKE A LOOK AT IT.
547
00:21:17,867 --> 00:21:19,968
AH, I BET
THAT'S FROM YOUR SPORTS BRA,
548
00:21:20,067 --> 00:21:21,968
AND I CAN GIVE YOU
A LITTLE HYDROCORTISONE CREAM
549
00:21:22,067 --> 00:21:23,434
TO HELP SOOTHE IT,
550
00:21:23,466 --> 00:21:26,667
BUT IS THERE ANY HISTORY
OF BREAST CANCER IN YOUR FAMILY?
551
00:21:26,701 --> 00:21:29,300
NOT THAT I KNOW OF.
552
00:21:29,333 --> 00:21:30,800
YOU REALLY
SHOULD FIND OUT, DANA.
553
00:21:30,833 --> 00:21:31,900
ARE YOUR PARENTS STILL ALIVE?
554
00:21:31,934 --> 00:21:34,634
YES, STILL ALIVE,
STILL TOGETHER.
555
00:21:34,667 --> 00:21:35,968
GREAT.
556
00:21:36,067 --> 00:21:39,067
SO ASK YOUR MOM FOR A HISTORY
OF YOUR FAMILY, OKAY,
557
00:21:39,067 --> 00:21:41,267
BECAUSE IT'S JUST, YOU KNOW,
A GOOD THING TO KNOW.
558
00:21:41,299 --> 00:21:43,433
MM-HMM.
559
00:21:43,466 --> 00:21:45,234
SO HAVE THERE BEEN
ANY CHANGES
560
00:21:45,267 --> 00:21:46,834
IN THE COLOR OR TEXTURE
OF YOUR BREASTS?
561
00:21:46,868 --> 00:21:48,133
MM-MM, NO.
562
00:21:48,167 --> 00:21:50,067
AND ANY DISCHARGE
FROM THE NIPPLE?
563
00:21:50,067 --> 00:21:51,067
MM, NO.
564
00:21:51,100 --> 00:21:53,267
OKAY, UP YOU GET.
565
00:21:54,600 --> 00:21:56,399
USUALLY, THESE LITTLE
CYSTS ARE BENIGN.
566
00:21:56,433 --> 00:21:59,067
A LOT OF WOMEN JUST
HAVE LUMPY BREASTS.
567
00:21:59,067 --> 00:22:01,300
I DO, I HAVE
FIBROUS BREASTS.
568
00:22:01,334 --> 00:22:02,801
IT'S PRETTY GROSS.
569
00:22:02,834 --> 00:22:04,434
IT'S PERFECTLY NORMAL,
570
00:22:04,466 --> 00:22:07,299
AND I'M JUST CHECKING
YOUR LYMPH NODES HERE.
571
00:22:07,333 --> 00:22:08,701
ESPECIALLY IN
WOMEN YOUR AGE,
572
00:22:08,734 --> 00:22:10,067
IT'S UNLIKELY
573
00:22:10,067 --> 00:22:11,467
THERE'S ANYTHING TO BE
TOO CONCERNED ABOUT.
574
00:22:11,500 --> 00:22:12,500
OKAY.
575
00:22:12,534 --> 00:22:14,234
I'LL JUST CHECK
THE OTHER SIDE FOR YOU.
576
00:22:14,266 --> 00:22:15,467
OKAY.
577
00:22:16,533 --> 00:22:17,900
WELL, THE LYMPH NODES
ARE A LITTLE SWOLLEN,
578
00:22:17,934 --> 00:22:19,067
BUT THAT COULD BE
FROM ANYTHING,
579
00:22:19,067 --> 00:22:20,067
A COLD,
580
00:22:20,100 --> 00:22:23,367
EVEN BRUSHING YOUR TEETH
TOO HARD.
581
00:22:23,399 --> 00:22:26,533
I AM A SUPER HARD
TEETH BRUSHER.
582
00:22:26,567 --> 00:22:27,667
WELL, YOU'RE
TOO YOUNG, DANA,
583
00:22:27,701 --> 00:22:30,634
TO START GETTING MAMMOGRAMS
ON A REGULAR BASIS,
584
00:22:30,667 --> 00:22:31,667
BUT I'D LIKE TO DO ONE
585
00:22:31,701 --> 00:22:32,933
JUST TO MAKE SURE
EVERYTHING'S ALL RIGHT.
586
00:22:34,433 --> 00:22:37,567
SO I AM GOING TO
SEND YOU DOWN
587
00:22:37,600 --> 00:22:39,533
TO RADIATION,
588
00:22:39,567 --> 00:22:40,667
AND YOU JUST
TAKE THAT WITH YOU.
589
00:22:48,067 --> 00:22:49,868
FUCK...
590
00:22:53,067 --> 00:22:54,334
OH!
591
00:22:54,366 --> 00:22:55,366
HI, RUTH. HOW ARE YOU?
592
00:22:55,399 --> 00:22:57,133
27, ALICE.
593
00:22:57,167 --> 00:22:59,133
27...
594
00:22:59,167 --> 00:23:00,000
27? WHAT DO YOU MEAN?
595
00:23:00,000 --> 00:23:03,100
THAT'S THE NUMBER OF TIMES
THAT YOU MENTIONED DANA
596
00:23:03,133 --> 00:23:04,133
IN THIS BROADCAST,
597
00:23:04,166 --> 00:23:05,133
WHICH IS DOWN
598
00:23:05,166 --> 00:23:07,200
FROM 43 IN THE PREVIOUS SHOW.
599
00:23:07,234 --> 00:23:09,367
SEE, WHAT DID I TELL YOU?
600
00:23:09,400 --> 00:23:10,400
I'M PRACTICALLY OVER HER.
601
00:23:10,433 --> 00:23:13,701
I COULD FIRE YOU RIGHT NOW.
602
00:23:13,734 --> 00:23:14,801
YOU COULD?
603
00:23:14,833 --> 00:23:15,968
BUT I'M
NOT GOING TO.
604
00:23:16,067 --> 00:23:19,533
I AM GOING TO GIVE YOU
ONE MORE CHANCE,
605
00:23:19,567 --> 00:23:21,934
BUT I NEED TO KNOW
IN ADVANCE
606
00:23:21,968 --> 00:23:23,634
WHAT YOUR TOPICS
ARE GOING TO BE,
607
00:23:23,667 --> 00:23:25,867
AND I'D LIKE TO SEE A SCRIPT.
608
00:23:25,900 --> 00:23:27,367
YES, I'D LIKE
TO SEE A SCRIPT--
609
00:23:27,399 --> 00:23:28,567
I NEED TO
SEE A SCRIPT,
610
00:23:28,600 --> 00:23:31,434
IN WHICH THE LETTERS D-A
FOLLOWED BY N-A
611
00:23:31,466 --> 00:23:32,634
ARE NOWHERE IN EVIDENCE.
612
00:23:32,667 --> 00:23:33,901
HOW ABOUT THAT?
613
00:23:33,933 --> 00:23:35,466
OKAY.
614
00:23:35,500 --> 00:23:37,100
OKAY...
615
00:23:38,133 --> 00:23:39,634
YOU LOOK GOOD!
616
00:23:39,667 --> 00:23:41,334
IN THE ORANGE...
617
00:23:42,933 --> 00:23:46,067
OKAY, COME CLOSER.
618
00:23:46,067 --> 00:23:47,299
I'M GOING TO
TAKE YOUR BREAST...
619
00:23:47,334 --> 00:23:48,466
COME ON.
620
00:23:48,500 --> 00:23:49,634
LIKE THIS?
621
00:23:49,667 --> 00:23:52,133
MM-HMM. I'LL PLACE IT
ON THE LOWER PLATE...
622
00:23:52,167 --> 00:23:53,133
THAT'S GOOD.
623
00:23:53,167 --> 00:23:54,133
LIKE THIS? JUST...
624
00:23:54,167 --> 00:23:55,234
MM-HMM.
ALL RIGHT.
625
00:23:55,267 --> 00:23:57,734
AND THEN I'M GOING
TO LOWER THE UPPER PLATE.
626
00:23:57,767 --> 00:23:59,200
OKAY.
627
00:24:05,666 --> 00:24:09,367
NOW, IT MAY BE
A LITTLE UNCOMFORTABLE,
628
00:24:09,400 --> 00:24:11,132
BUT IT'LL ONLY LAST
FOR A FEW SECONDS.
629
00:24:11,166 --> 00:24:13,099
THAT'S ALL RIGHT,
I'M A HARD-ASS...
630
00:24:13,132 --> 00:24:14,132
A HARD BOOB.
631
00:24:14,166 --> 00:24:15,166
HOLD YOUR BREATH.
632
00:24:15,199 --> 00:24:16,600
OKAY.
633
00:24:17,567 --> 00:24:20,968
[MACHINERY CLICKS, WHIRS]
634
00:24:21,067 --> 00:24:23,100
[WOMAN, OVER RADIO]:
THIS IS KCRW SANTA MONICA
635
00:24:23,132 --> 00:24:24,667
AT 89.9.
636
00:24:24,701 --> 00:24:26,132
HAND-PICKED MUSIC
AND NPR NEWS
637
00:24:26,167 --> 00:24:27,567
MORNING, NOON, AND NIGHT.
638
00:24:27,600 --> 00:24:29,333
DON'T FORGET TO LISTEN
TO THE CHART
639
00:24:29,367 --> 00:24:30,934
WITH ALICE PIESZECKI
640
00:24:30,968 --> 00:24:32,433
THURSDAY AFTERNOON AT 3:00.
641
00:24:32,466 --> 00:24:34,100
[ALICE, RECORDED VOICE]: DANA!
642
00:24:34,133 --> 00:24:35,466
[LAUGHING]
643
00:24:35,500 --> 00:24:37,067
EXCUSE ME?
644
00:24:37,067 --> 00:24:38,267
EXCUSE ME, SORRY.
645
00:24:38,299 --> 00:24:39,133
WOULD YOU MIND
TURNING THAT OFF?
646
00:24:39,167 --> 00:24:40,433
THANKS.
647
00:24:40,466 --> 00:24:44,200
GOD, THAT SHOW
IS SO FUNNY.
648
00:24:44,234 --> 00:24:45,767
ALICE PIESZECKI,
THE HOST,
649
00:24:45,801 --> 00:24:46,933
IS COMPLETELY
FALLING APART
650
00:24:46,968 --> 00:24:48,634
BECAUSE HER
GIRLFRIEND LEFT HER.
651
00:24:48,667 --> 00:24:53,968
THE GIRLFRIEND JUST SEEMS
LIKE THIS COMPLETE NITWIT,
652
00:24:54,067 --> 00:24:55,067
AND YOU DON'T KNOW
WHY ALICE
653
00:24:55,067 --> 00:24:57,500
IS SO OBSESSED WITH HER
IN THE FIRST PLACE--
654
00:24:57,533 --> 00:25:00,000
DO YOU HAVE ANY IDEA
WHY THIS IS TAKING SO LONG?
655
00:25:00,000 --> 00:25:02,234
DANA FAIRBANKS?
656
00:25:02,266 --> 00:25:03,734
DR. WILSON IS WAITING
FOR YOU IN HER OFFICE.
657
00:25:03,766 --> 00:25:04,801
YOU CAN GO
BACK UPSTAIRS.
658
00:25:04,833 --> 00:25:06,533
OKAY, THANKS.
659
00:25:09,367 --> 00:25:10,601
[CLEARS THROAT]
660
00:25:10,634 --> 00:25:11,701
[WOMAN, OVER P.A.]:
DR. WILDER, TELEPHONE,
661
00:25:11,734 --> 00:25:13,666
EXTENSION 23.
662
00:25:15,067 --> 00:25:16,501
"BI RAD"?
663
00:25:16,533 --> 00:25:18,934
IT SOUNDS LIKE A PERSONAL AD
FOR MY EX-GIRLFRIEND.
664
00:25:18,968 --> 00:25:20,600
RIGHT.
665
00:25:20,634 --> 00:25:23,800
WELL, A BIRAD 4
IS A DIAGNOSTIC ASSESSMENT.
666
00:25:23,833 --> 00:25:25,367
NOW, THIS SUSPICIOUS MASS, DANA,
667
00:25:25,399 --> 00:25:27,300
IT COULD BE
ABSOLUTELY NOTHING.
668
00:25:27,333 --> 00:25:28,367
IT COULD BE
WHAT WE CALL
669
00:25:28,399 --> 00:25:30,567
A FIBROADENOMA.
670
00:25:30,600 --> 00:25:33,433
FIBER... EDAMAME?
671
00:25:33,466 --> 00:25:36,466
I'VE GOT SOY BEAN PODS
IN MY BOOBS?
672
00:25:36,500 --> 00:25:38,533
IT'S A BENIGN
SOLID LUMP,
673
00:25:38,567 --> 00:25:41,267
BUT WITH A BIRAD 4,
WE'RE GOING TO DO A BIOPSY.
674
00:25:41,299 --> 00:25:44,399
NOW, I CAN GET YOU
IN FOR THAT TOMORROW
675
00:25:44,433 --> 00:25:46,067
WITH DR. SHAPIRO.
676
00:25:46,067 --> 00:25:47,433
I'M SUPPOSED TO GO OUT
TO DINNER TONIGHT.
677
00:25:47,466 --> 00:25:48,767
YOU GO RIGHT AHEAD.
678
00:25:48,801 --> 00:25:51,500
I MEAN, JUST DO EXACTLY
AS YOU WERE PLANNING TO DO,
679
00:25:51,533 --> 00:25:53,868
BECAUSE THIS IS NOT A DIAGNOSIS,
680
00:25:53,901 --> 00:25:56,234
AND WITH BIOPSIES
IN PREMENOPAUSAL WOMEN,
681
00:25:56,267 --> 00:25:57,901
THEY'RE MOSTLY BENIGN.
682
00:25:57,933 --> 00:26:00,000
SO IT'S...
IT'S PROBABLY NOTHING, RIGHT?
683
00:26:00,000 --> 00:26:02,234
WELL, WE'RE GOING
TO FIND OUT FOR SURE,
684
00:26:02,266 --> 00:26:04,900
BUT TRY NOT TO THINK ABOUT IT
TONIGHT, ALL RIGHT?
685
00:26:04,934 --> 00:26:06,567
YEAH, SURE,
I CAN DO THAT.
686
00:26:06,601 --> 00:26:07,734
YEAH.
687
00:26:17,434 --> 00:26:18,399
IS SHE ASLEEP?
688
00:26:18,434 --> 00:26:21,501
UH-HUH, IN OUR BED.
689
00:26:25,934 --> 00:26:28,667
HOW WAS YOUR LUNCH WITH HELENA?
690
00:26:28,701 --> 00:26:30,968
IT'S... UH, FINE.
691
00:26:37,533 --> 00:26:40,133
ARE YOU HIDING A BOOK
IN THAT MAGAZINE?
692
00:26:46,600 --> 00:26:47,567
IT'S, UM,
693
00:26:47,600 --> 00:26:48,567
MARK EPSTEIN TALKED ABOUT IT
694
00:26:48,600 --> 00:26:50,834
IN HIS LECTURE
LAST WEEK.
695
00:26:50,868 --> 00:26:54,067
SHE'S A BUDDHIST PHILOSOPHER,
PEMA CHODRON.
696
00:26:54,100 --> 00:26:57,366
OH...
697
00:26:57,399 --> 00:26:58,567
OH, CUTE.
698
00:26:58,600 --> 00:27:00,000
SHE LOOKS LIKE A WOOKIE.
699
00:27:00,000 --> 00:27:02,067
ACTUALLY, THERE'S A LOT
IN THERE
700
00:27:02,067 --> 00:27:03,299
THAT REMINDED ME OF YOU.
701
00:27:05,367 --> 00:27:06,634
THERE'S THIS ONE PASSAGE...
702
00:27:08,099 --> 00:27:10,367
UM...
703
00:27:10,400 --> 00:27:13,801
"WE WORK ON OURSELVES
IN ORDER TO HELP OTHERS,
704
00:27:13,833 --> 00:27:14,968
"BUT WE ALSO
HELP OTHERS
705
00:27:15,067 --> 00:27:17,567
IN ORDER TO WORK ON OURSELVES."
706
00:27:17,600 --> 00:27:18,900
I DON'T KNOW ABOUT THAT.
707
00:27:18,934 --> 00:27:19,968
SOME OF THE PEOPLE
I WORKED WITH,
708
00:27:20,067 --> 00:27:20,968
THEY'RE TRULY SELFLESS.
709
00:27:21,067 --> 00:27:22,434
OH, NO, NO.
710
00:27:22,466 --> 00:27:23,501
I DON'T THINK SHE MEANT IT
THE WAY THAT YOU'RE TAKING IT--
711
00:27:23,533 --> 00:27:24,800
OH.
712
00:27:24,833 --> 00:27:26,701
THAT'S, UM...
713
00:27:26,734 --> 00:27:28,199
OH, ACTUALLY,
THERE'S ANOTHER PASSAGE
714
00:27:28,234 --> 00:27:30,234
THAT REMINDED ME OF ME.
715
00:27:30,266 --> 00:27:31,300
I...
716
00:27:33,767 --> 00:27:39,234
"FEELING IRRITATED, RESTLESS,
AFRAID, AND HOPELESS...
717
00:27:39,267 --> 00:27:40,600
[BABY STIRS]
718
00:27:40,634 --> 00:27:43,500
...IS A REMINDER
TO LISTEN MORE CAREFULLY."
719
00:27:45,634 --> 00:27:46,933
I'M GOING TO GO FEED HER
720
00:27:46,968 --> 00:27:49,067
IF WE'RE GOING TO GO
TO THIS JENNY DINNER.
721
00:27:52,634 --> 00:27:54,267
WILL YOU CALL ANGUS
722
00:27:54,299 --> 00:27:57,167
AND MAKE SURE HE'S ON HIS WAY?
723
00:28:03,834 --> 00:28:08,801
HELENA PEABODY
OFFERED ME A JOB.
724
00:28:08,833 --> 00:28:11,367
HI...
725
00:28:11,400 --> 00:28:13,567
ARE YOU CONSIDERING IT?
726
00:28:15,067 --> 00:28:16,434
I DON'T KNOW YET.
727
00:28:16,466 --> 00:28:18,067
SOMEBODY IN THIS FAMILY'S
GOT TO MAKE A LIVING.
728
00:28:18,067 --> 00:28:21,734
I HAVE MADE A LIVING
FOR THE LAST 15 YEARS.
729
00:28:21,766 --> 00:28:23,266
I DON'T THINK MY ABILITY
TO MAKE A LIVING
730
00:28:23,300 --> 00:28:24,367
IS REALLY IN QUESTION.
731
00:28:24,399 --> 00:28:25,934
I'M NOT QUESTIONING
YOUR ABILITY.
732
00:28:25,968 --> 00:28:28,968
I'M QUESTIONING YOUR DESIRE.
733
00:28:30,466 --> 00:28:32,167
I THOUGHT YOU HATED
THE MOVIE BUSINESS.
734
00:28:32,200 --> 00:28:34,734
THERE'S A LOT I HATE
ABOUT THE MOVIE BUSINESS.
735
00:28:34,767 --> 00:28:36,299
I DEFINITELY
HAVEN'T SAID YES,
736
00:28:36,334 --> 00:28:40,067
BUT SHE MADE IT
VERY ATTRACTIVE.
737
00:28:40,100 --> 00:28:42,200
SO THEN THERE'S
NO REASON
738
00:28:42,234 --> 00:28:44,567
THAT I SHOULD FEEL THREATENED,
OR...
739
00:28:47,067 --> 00:28:48,634
NO, THERE'S NOTHING
BETWEEN US ANYMORE.
740
00:28:48,667 --> 00:28:49,868
NOTHING AT ALL.
741
00:28:52,133 --> 00:28:53,634
WELL, DID YOU TALK ABOUT MONEY?
742
00:28:53,667 --> 00:28:55,767
NO, NOT YET.
743
00:28:55,801 --> 00:28:58,868
I DON'T--
I DON'T KNOW.
744
00:28:58,901 --> 00:29:00,000
I STILL DON'T KNOW
IF I'M OKAY WITH IT. I...
745
00:29:00,000 --> 00:29:03,166
I'M NOT SURE IT'S UP TO YOU.
746
00:29:05,067 --> 00:29:06,634
[ALICE]:
YOU KNOW WHAT,
747
00:29:06,666 --> 00:29:07,700
YOU GUYS,
748
00:29:07,734 --> 00:29:08,868
I TOTALLY THINK
IT'S AN EITHER/OR.
749
00:29:08,900 --> 00:29:10,467
I THINK JENNY CAN
HAVE ME AT THIS PARTY,
750
00:29:10,500 --> 00:29:12,234
OR SHE CAN HAVE
DANA AND LARA.
751
00:29:12,266 --> 00:29:14,333
JENNY'S GIRLFRIEND'S
A HUGE TENNIS FAN.
752
00:29:14,367 --> 00:29:16,333
SHE THINKS DANA'S FANTASTIC.
753
00:29:16,367 --> 00:29:17,734
WELL,
WHOOP-DE-FUCKING-DO.
754
00:29:17,766 --> 00:29:19,634
YOU KNOW,
I DON'T UNDERSTAND
755
00:29:19,667 --> 00:29:20,701
WHY I'M ALWAYS
THE ONE
756
00:29:20,734 --> 00:29:22,501
WHO ALWAYS
HAS TO BEHAVE.
757
00:29:24,167 --> 00:29:25,533
[WHISPERING]:
SHANE.
YEAH.
758
00:29:25,567 --> 00:29:26,533
COME HERE.
759
00:29:26,567 --> 00:29:29,800
OH, MY GOD,
HAVE YOU SEEN THIS?
760
00:29:29,833 --> 00:29:32,433
THAT'S NOTHING.
YOU SHOULD HAVE SEEN IT BEFORE.
761
00:29:32,466 --> 00:29:33,433
HEY, AL,
CAN YOU HURRY UP?
762
00:29:33,466 --> 00:29:34,433
WE'RE LATE!
763
00:29:34,466 --> 00:29:36,200
OKAY!
764
00:29:36,234 --> 00:29:37,299
I'M EXCITED WE'RE
GOING TO TILE.
765
00:29:37,334 --> 00:29:38,399
IT WAS WRITTEN UP
LAST WEEK
766
00:29:38,433 --> 00:29:39,933
IN L.A. MAGAZINE.
767
00:29:39,968 --> 00:29:42,667
SUPPOSEDLY THIS CHEF,
ARMYAN PEARLMAN,
768
00:29:42,701 --> 00:29:44,067
IS REINVENTING
THE FOOD PREPARATION--
769
00:29:46,167 --> 00:29:48,067
YEAH, I'M...
770
00:29:48,067 --> 00:29:49,067
I'M THROWING IT AWAY.
771
00:29:49,100 --> 00:29:50,200
I'M DONE WITH IT.
772
00:29:50,234 --> 00:29:51,167
I JUST HAVEN'T
GOTTEN AROUND TO IT, OKAY?
773
00:29:51,200 --> 00:29:52,334
YEAH. YEAH,
TOTALLY.
774
00:29:52,366 --> 00:29:54,334
THAT'S FINE.
775
00:29:54,366 --> 00:29:56,399
HEY, DO YOU THINK
MY LIPSTICK'S, LIKE,
776
00:29:56,433 --> 00:29:58,067
TOO LURID?
777
00:29:58,100 --> 00:29:59,466
MM, YOU KNOW,
778
00:29:59,500 --> 00:30:00,000
WHY DON'T YOU JUST
BLOT IT A LITTLE BIT.
779
00:30:00,000 --> 00:30:01,800
REALLY?
DO YOU HAVE SOMETHING?
780
00:30:01,834 --> 00:30:02,900
YEAH.
781
00:30:02,934 --> 00:30:04,634
THAT'S OKAY.
782
00:30:04,666 --> 00:30:06,267
OKAY, LET'S GO.
783
00:30:08,000 --> 00:30:09,766
[ALICE]: SO, WHAT'S JENNY'S
NEW GIRLFRIEND LIKE?
784
00:30:09,801 --> 00:30:12,701
[WHISPERS]:
WOW...
785
00:30:12,734 --> 00:30:15,132
UM, JENNY'S
GIRLFRIEND?
786
00:30:15,166 --> 00:30:16,333
I THINK SHE'S SWEET.
787
00:30:16,367 --> 00:30:18,434
YEAH? YEAH...
788
00:30:19,900 --> 00:30:21,533
SHANE,
LOCK THE DOOR.
789
00:30:22,867 --> 00:30:25,867
[LOW CONVERSATION, INDISTINCT]
790
00:30:25,900 --> 00:30:27,466
OH, I KNOW.
791
00:30:27,501 --> 00:30:28,501
HEY...
792
00:30:28,533 --> 00:30:29,766
HEY, GUYS.
793
00:30:29,800 --> 00:30:31,600
HEY...
794
00:30:31,634 --> 00:30:32,868
BEEN WAITING LONG?
NO.
795
00:30:32,901 --> 00:30:34,299
HI. HOW ARE YOU DOING?
796
00:30:34,334 --> 00:30:36,167
GOOD. HOW ARE YOU?
797
00:30:36,200 --> 00:30:37,500
HI, ALICE.
798
00:30:37,533 --> 00:30:40,167
HEY.
799
00:30:41,734 --> 00:30:43,433
IS JENNY
WITH YOU GUYS?
800
00:30:43,466 --> 00:30:45,167
NO, NO,
BUT SHE'LL BE HERE SOON.
801
00:30:45,200 --> 00:30:46,933
HOW IS SHE?
SHE SEEMS REALLY GOOD.
802
00:30:46,968 --> 00:30:48,100
YEAH, SHE'S GOT
A NEW GIRLFRIEND.
803
00:30:48,133 --> 00:30:49,466
REALLY?
YEAH.
804
00:30:49,500 --> 00:30:50,767
IMPORTED FROM SPOKANE.
805
00:30:50,801 --> 00:30:52,366
SKOKIE.
806
00:30:52,399 --> 00:30:54,200
WHATEVER. THEY'RE BOTH
IN THE MIDWEST, RIGHT?
807
00:30:54,234 --> 00:30:55,500
BUT SHE'S OKAY?
808
00:30:55,533 --> 00:30:58,133
SHE'S HAPPY, SHE'S NOT...
809
00:30:58,167 --> 00:31:00,000
SHE'S HEALTHY, RIGHT,
AND SHE'S NOT DOING THE...
810
00:31:00,000 --> 00:31:01,500
YEAH, NO, NO, NO.
811
00:31:01,534 --> 00:31:03,434
I THINK SHE'S BEEN
OUT OF THE HOSPITAL, NOW,
812
00:31:03,467 --> 00:31:04,634
FOR FIVE MONTHS.
813
00:31:04,666 --> 00:31:05,666
SHE SEEMS TO BE DOING
REALLY WELL.
814
00:31:05,700 --> 00:31:06,700
OH, GOOD.
815
00:31:06,734 --> 00:31:08,400
I HAD A COUSIN
WHO WAS A CUTTER.
816
00:31:08,433 --> 00:31:12,099
THE URGE IS SO POWERFUL.
817
00:31:12,132 --> 00:31:13,500
HI.
818
00:31:13,534 --> 00:31:14,666
HEY...
819
00:31:16,867 --> 00:31:18,067
HI. I'M SORRY.
820
00:31:18,100 --> 00:31:20,434
HI! HOW ARE YOU?
821
00:31:20,466 --> 00:31:21,667
YOU LOOK GREAT.
822
00:31:21,701 --> 00:31:23,501
HOW WAS
THE DRIVE OVER?
823
00:31:23,533 --> 00:31:24,934
GREAT. HI.
824
00:31:27,600 --> 00:31:29,300
OH, I'M SORRY.
THIS IS MOIRA.
825
00:31:29,333 --> 00:31:30,501
HEY...
826
00:31:30,533 --> 00:31:31,833
HEY.
827
00:31:31,867 --> 00:31:33,200
HI, EVERYBODY.
828
00:31:33,234 --> 00:31:34,399
HI.
829
00:31:34,433 --> 00:31:37,100
NICE TO MEET YOU. I'M BETTE.
830
00:31:37,133 --> 00:31:38,167
MOIRA.
831
00:31:38,200 --> 00:31:39,334
NICE TO MEET YOU.
832
00:31:41,067 --> 00:31:42,366
HEY.
833
00:31:42,399 --> 00:31:43,834
YOU KNOW, DANA, MOIRA'S
A HUGE FAN OF YOURS.
834
00:31:43,868 --> 00:31:45,701
OH, REALLY?
835
00:31:45,734 --> 00:31:48,167
YEAH, I'M A REALLY HUGE FAN,
ACTUALLY.
836
00:31:48,200 --> 00:31:49,533
THAT'S NICE. THANK YOU.
837
00:31:54,600 --> 00:31:56,968
[LOW CONVERSATION]
838
00:32:02,801 --> 00:32:06,666
UM...
839
00:32:06,700 --> 00:32:09,234
I'LL JUST HAVE A SALAD
AND A SIDE OF FRIES.
840
00:32:09,266 --> 00:32:10,933
TONIGHT'S GREEN SALAD
IS ROCKET, FRISEE,
841
00:32:10,968 --> 00:32:13,067
AND SHAVED
JERUSALEM ARTICHOKES
842
00:32:13,067 --> 00:32:14,400
WITH A PINECONE-INFUSED JUS.
843
00:32:14,433 --> 00:32:16,167
AND HOW MUCH IS THAT?
844
00:32:16,199 --> 00:32:18,300
$14, MA'AM.
845
00:32:18,333 --> 00:32:19,399
OKAY.
846
00:32:19,434 --> 00:32:21,833
ACTUALLY, I STILL
READ SCREENPLAYS
847
00:32:21,867 --> 00:32:23,734
FOR A COUPLE SCREENWRITER
FRIENDS THAT I KNOW.
848
00:32:23,766 --> 00:32:25,167
I WOULD LOVE THAT.
849
00:32:25,199 --> 00:32:26,800
HAVE YOU DECIDED, MA'AM?
850
00:32:26,833 --> 00:32:29,132
I WOULD LIKE WHATEVER
THE CHEF RECOMMENDS.
851
00:32:29,167 --> 00:32:30,199
WHAT'S GOOD
TONIGHT?
852
00:32:30,234 --> 00:32:32,600
ARMYAN IS RECOMMENDING
THE LOBSTER TONIGHT.
853
00:32:32,634 --> 00:32:33,868
IT COMES WITH SAUTEED
BABY CHICORY,
854
00:32:33,901 --> 00:32:36,634
LEMON FROTH,
AND SHAVED DRIED TUNA ROE.
855
00:32:36,667 --> 00:32:37,767
SOLD.
856
00:32:37,801 --> 00:32:38,801
SOUNDS REALLY GOOD.
857
00:32:38,834 --> 00:32:40,067
I LOVE LOBSTER.
858
00:32:40,100 --> 00:32:41,366
OH, BABY,
YOU SHOULD GO FOR IT.
859
00:32:41,399 --> 00:32:43,634
ARMYAN DOES AMAZING THINGS
WITH SEAFOOD, YOU GUYS.
860
00:32:43,667 --> 00:32:45,500
WELL...
861
00:32:45,533 --> 00:32:47,801
ACCORDING TO L.A. MAGAZINE
RESTAURANT REVIEWS,
862
00:32:47,834 --> 00:32:50,399
BUT WHO READS THAT?
863
00:32:50,433 --> 00:32:51,399
[CLEARS THROAT]
864
00:32:51,433 --> 00:32:53,767
OKAY, I'LL HAVE THE CIOPPINO.
865
00:32:53,801 --> 00:32:56,067
GREAT.
THANK YOU...
866
00:32:56,067 --> 00:32:57,299
ALTHOUGH I'M SURE
IT DOESN'T COMPARE
867
00:32:57,334 --> 00:32:58,433
TO THE ONE LARA
MADE LAST WEEK.
868
00:32:58,466 --> 00:33:00,000
IT WAS AMAZING.
869
00:33:00,000 --> 00:33:02,067
IT WAS GOOD, DAMN GOOD.
870
00:33:02,067 --> 00:33:03,467
OH, YEAH, I WAS
GOING TO ASK YOU GUYS.
871
00:33:03,500 --> 00:33:07,299
WHEN YOU HAD MARTINA
AND TERESA OVER,
872
00:33:07,333 --> 00:33:07,934
WHAT DID THEY THINK
OF THAT SCULPTURE
873
00:33:07,968 --> 00:33:09,367
IN YOUR HOUSE?
874
00:33:09,400 --> 00:33:11,333
YOU KNOW THAT ONE
WITH TWO ATHLETE BODIES?
875
00:33:11,367 --> 00:33:12,634
THAT, LIKE, KIND OF UGLY...
876
00:33:12,666 --> 00:33:13,634
WHERE THEY'RE, LIKE...
877
00:33:13,666 --> 00:33:15,400
HOW DO YOU--
WHAT?
878
00:33:15,433 --> 00:33:17,300
THAT FREAKS ME OUT.
HOW DID SHE KNOW
879
00:33:17,333 --> 00:33:18,300
THAT WE HAD MARTINA
OVER FOR DINNER?
880
00:33:18,333 --> 00:33:19,300
JUST LET IT GO,
BABY, PLEASE.
881
00:33:19,333 --> 00:33:20,300
ARE YOU READY
TO ORDER?
882
00:33:20,333 --> 00:33:21,466
OH, YES, UM...
883
00:33:21,501 --> 00:33:24,333
THE GREEN PEA RAVIOLI, PLEASE.
884
00:33:24,367 --> 00:33:25,367
THANK YOU.
885
00:33:25,399 --> 00:33:26,333
DID YOU ORDER?
I'M SORRY.
886
00:33:26,367 --> 00:33:27,466
OH, YEAH.
887
00:33:27,501 --> 00:33:29,100
JENNY, TELL ME ABOUT YOUR BOOK,
YOUR EDITOR.
888
00:33:29,132 --> 00:33:31,067
HAVE YOU HEARD BACK
FROM THEM LATELY?
889
00:33:31,067 --> 00:33:32,834
NO, I THINK SHE HAS
A VERY BUSY SCHEDULE.
890
00:33:32,868 --> 00:33:33,801
OH...
891
00:33:33,834 --> 00:33:35,834
MOIRA, DO YOU READ
JENNY'S STUFF?
892
00:33:35,868 --> 00:33:37,701
UM, WELL,
I'M A COMPUTER TECHNICIAN.
893
00:33:37,734 --> 00:33:40,133
SO...
894
00:33:40,167 --> 00:33:40,968
THAT DOESN'T--
SO WHAT?
895
00:33:41,067 --> 00:33:42,133
DON'T SAY THAT.
896
00:33:42,167 --> 00:33:44,366
SO WHO IS THE EDITOR
THAT YOU SENT IT TO?
897
00:33:44,399 --> 00:33:45,466
THIS LADY
898
00:33:45,500 --> 00:33:46,968
NAMED JAN MARTIN.
899
00:33:47,067 --> 00:33:48,334
OH, MY GOD, JAN MARTIN.
900
00:33:48,366 --> 00:33:49,234
YOU KNOW HER?
YEAH, SHE'S FAMOUS.
901
00:33:49,267 --> 00:33:50,500
SHE'S THAT NEW YORK LADY
902
00:33:50,533 --> 00:33:51,567
YOU USED TO TELL ME ABOUT,
THE BIG EDITOR?
903
00:33:51,600 --> 00:33:52,834
THAT YOU ALWAYS
USED TO TALK ABOUT?
904
00:33:52,868 --> 00:33:54,399
DID YOU SEND IT TO HER DIRECTLY,
905
00:33:54,433 --> 00:33:56,634
OR DO YOU KNOW HER,
I MEAN, FROM SCHOOL?
906
00:33:56,667 --> 00:33:59,366
I MET HER BECAUSE HER DAUGHTER
WAS MY ROOMMATE IN THE HOSPITAL,
907
00:33:59,399 --> 00:34:02,334
SO JAN WOULD COME IN
AND VISIT HER.
908
00:34:02,367 --> 00:34:04,133
WAS HER DAUGHTER A...
909
00:34:04,166 --> 00:34:05,567
CUTTER, TOO?
910
00:34:05,601 --> 00:34:06,434
OH, GOD.
911
00:34:06,466 --> 00:34:08,199
ALICE...
912
00:34:08,234 --> 00:34:09,868
IT'S FINE.
YOU KNOW WHAT?
913
00:34:09,900 --> 00:34:11,199
IT'S SO GOOD
TO TALK ABOUT IT,
914
00:34:11,234 --> 00:34:13,067
BECAUSE, FUCK IT,
IT HAPPENED,
915
00:34:13,067 --> 00:34:14,199
AND IT'S BETTER NOT
TO TIPTOE AROUND--
916
00:34:14,234 --> 00:34:16,132
WELL, THAT'S VERY GENEROUS
OF YOU.
917
00:34:16,167 --> 00:34:17,634
AND YOU'RE HEALTHY?
918
00:34:17,667 --> 00:34:18,867
I'M FINE.
919
00:34:18,900 --> 00:34:20,067
THAT'S ALL
THAT MATTERS, RIGHT?
920
00:34:20,067 --> 00:34:21,634
YUP.
921
00:34:21,667 --> 00:34:24,132
SO JAN MARTIN'S
DAUGHTER WAS SICK.
922
00:34:24,167 --> 00:34:26,132
SHE HAS AN EATING
DISORDER, AND THAT'S--
923
00:34:26,167 --> 00:34:28,501
OH, GOD, PLEASE, PLEASE.
THAT'S AWFUL.
924
00:34:28,533 --> 00:34:30,634
DON'T LET THAT HAPPEN
TO OUR DAUGHTER.
925
00:34:30,667 --> 00:34:31,701
I DON'T THINK IT'S
POSSIBLE TO CONTROL THAT,
926
00:34:31,734 --> 00:34:33,334
BUT I THINK
WHAT YOU CAN CONTROL
927
00:34:33,366 --> 00:34:35,067
IS HOW YOU COMMUNICATE WITH THEM
ABOUT WHAT'S HAPPENED,
928
00:34:35,100 --> 00:34:36,234
GOING TO HAPPEN.
929
00:34:36,267 --> 00:34:37,734
WELL, I CAN
GUARANTEE YOU
930
00:34:37,767 --> 00:34:40,801
THAT NOTHING WILL HAPPEN TO HER,
BECAUSE I WON'T LET IT.
931
00:34:40,834 --> 00:34:42,634
AW...
932
00:34:42,667 --> 00:34:43,834
I MEAN IT.
933
00:34:43,868 --> 00:34:44,868
AUNTIE SHANE.
I DO MEAN IT.
934
00:34:44,901 --> 00:34:47,533
[LAUGHTER]
935
00:34:47,567 --> 00:34:48,634
LET'S NOT TALK ABOUT THIS
ANYMORE.
936
00:34:48,667 --> 00:34:49,968
IT'S GETTING TOO DARK.
937
00:34:50,067 --> 00:34:51,701
JUST TALK ABOUT
SOMETHING ELSE, OKAY?
938
00:34:51,734 --> 00:34:54,366
ALL RIGHT, ALL RIGHT,
ALL RIGHT.
939
00:34:54,399 --> 00:34:55,399
I'M SORRY.
940
00:34:57,533 --> 00:34:59,200
SO YOU GUYS HAVE A KID?
941
00:34:59,234 --> 00:35:02,601
YEAH, A DAUGHTER.
SHE'S SIX MONTHS OLD.
942
00:35:02,633 --> 00:35:04,466
HER NAME'S ANGELICA.
943
00:35:04,501 --> 00:35:05,934
YOU KNOW,
A BUNCH OF WOMEN
944
00:35:05,968 --> 00:35:07,434
BACK IN MY DYKE COMMUNITY
IN WILMETTE,
945
00:35:07,466 --> 00:35:09,067
THEY'RE DOING THAT, TOO.
946
00:35:10,067 --> 00:35:11,199
WOW.
THAT'S COOL.
947
00:35:14,266 --> 00:35:17,600
[KIT]:
* MY ANGELICA
948
00:35:17,634 --> 00:35:24,100
* YOU ARE MY ANGEL
949
00:35:24,132 --> 00:35:29,968
* WITH YOUR ANGEL EYES
950
00:35:30,067 --> 00:35:34,200
* YOU'RE MY HONEY PIE
951
00:35:34,234 --> 00:35:36,767
[SOFTLY]:
I THINK SHE'S ASLEEP.
952
00:35:42,234 --> 00:35:44,299
YOU SHOULD REALLY THINK
953
00:35:44,334 --> 00:35:46,100
ABOUT PUTTING OUT
YOUR OWN RECORD, KIT.
954
00:35:46,133 --> 00:35:50,267
I DON'T KNOW ANYTHING
ABOUT THIS...
955
00:35:50,299 --> 00:35:51,968
THIS INTERNET
AND DISTRIBUTION STUFF
956
00:35:52,067 --> 00:35:53,067
THAT THEY DO TODAY.
957
00:35:53,100 --> 00:35:54,500
IT'S EASY.
958
00:35:54,533 --> 00:35:57,366
MY BAND AND I ARE PUTTING OUT
OUR SECOND RECORD RIGHT NOW.
959
00:35:57,399 --> 00:35:59,133
REALLY?
960
00:35:59,167 --> 00:36:01,066
YOU COULD TOTALLY
DO IT, KIT.
961
00:36:01,066 --> 00:36:02,633
I MEAN, ALL YOUR PULL
962
00:36:02,666 --> 00:36:04,501
AND ALL THE PEOPLE YOU COULD GET
TO PLAY WITH YOU?
963
00:36:06,700 --> 00:36:08,266
WELL, I'VE GOT SONGS.
964
00:36:08,300 --> 00:36:12,666
I'VE GOT ABOUT 10 SONGS
I WOULD LOVE TO RECORD,
965
00:36:12,701 --> 00:36:15,467
BUT I'D HAVE TO TALK
TO YOU MORE ABOUT THAT.
966
00:36:15,500 --> 00:36:17,567
YEAH, SURE.
967
00:36:17,600 --> 00:36:19,067
I'D BE HAPPY
TO TALK YOU THROUGH IT.
968
00:36:21,867 --> 00:36:24,199
[TOILET FLUSHES]
969
00:36:32,701 --> 00:36:35,167
[GIGGLING]
970
00:36:38,334 --> 00:36:40,200
[WHISPERING]
971
00:36:48,701 --> 00:36:50,701
[HUM OF CONVERSATION]
972
00:36:56,801 --> 00:36:57,767
I DON'T EVEN REMEMBER
973
00:36:57,801 --> 00:37:00,000
WHAT THEY'RE CALLED.
974
00:37:00,000 --> 00:37:01,766
SEA URCHIN.
975
00:37:01,800 --> 00:37:03,234
SEA URCHIN?
976
00:37:05,601 --> 00:37:06,868
LOOK AT THAT.
977
00:37:06,900 --> 00:37:07,934
WOW...
978
00:37:07,968 --> 00:37:10,433
IT'S SO BEAUTIFUL.
979
00:37:16,367 --> 00:37:18,600
THIS IS ABSOLUTELY INCREDIBLE.
980
00:37:18,634 --> 00:37:19,634
DOES ANYBODY WANT A TASTE?
981
00:37:19,667 --> 00:37:21,234
YEAH, I WOULD
LOVE A PIECE.
982
00:37:21,266 --> 00:37:23,067
JUST TAKE THE CLAW.
983
00:37:23,100 --> 00:37:24,634
SO DANA AND I,
WE BOOKED OUR TICKETS
984
00:37:24,667 --> 00:37:26,734
TO THE SOUTH OF FRANCE,
YOU GUYS.
985
00:37:26,766 --> 00:37:28,734
WE LEAVE ON THE 15th,
NEXT MONTH.
986
00:37:28,766 --> 00:37:30,734
OH, FUN.
987
00:37:30,766 --> 00:37:32,067
WE'RE TAKING
A FOOD AND WINE TOUR.
988
00:37:32,067 --> 00:37:34,734
DOES ANYBODY WANT
SOME OF MY LOBSTER?
989
00:37:34,767 --> 00:37:36,567
NO?
990
00:37:36,600 --> 00:37:38,466
WHAT'S THE SAUCE ON THIS,
BETTE? IT'S REALLY GOOD.
991
00:37:38,500 --> 00:37:40,767
I THINK IT'S...
992
00:37:40,801 --> 00:37:43,734
LEMON FROTH
993
00:37:43,767 --> 00:37:45,801
AND SHAVED DRIED TUNA ROE OR...
994
00:37:45,834 --> 00:37:47,567
WHATEVER.
IT'S GOOD, RIGHT?
995
00:37:47,600 --> 00:37:49,801
DO YOU WANT SOME...
SOME LOBSTER, MOIRA?
996
00:37:49,834 --> 00:37:51,299
NO, I'M FINE, THANKS.
997
00:37:51,334 --> 00:37:53,901
WELL, IT'S NOT GOING
TO BITE YOU, JUST...
998
00:37:53,933 --> 00:37:55,801
NO, I'M FINE, THANK YOU.
999
00:37:55,834 --> 00:37:58,234
MOIRA, DON'T YOU
LIKE LOBSTER?
1000
00:37:58,267 --> 00:38:00,000
YEAH, ACTUALLY, I LIKE IT A LOT.
1001
00:38:00,000 --> 00:38:03,133
WELL, DO YOU WANT SOME?
1002
00:38:03,166 --> 00:38:04,801
I DON'T THINK THE CLAWS
HAVE ANY SAUCE.
1003
00:38:04,833 --> 00:38:07,968
OH, SORRY, THERE'S
ONLY THE TAIL LEFT,
1004
00:38:08,067 --> 00:38:09,199
BUT IF YOU WANT,
YOU CAN HAVE THE TAIL
1005
00:38:09,234 --> 00:38:10,132
AND JUST WIPE THE SAUCE OFF.
1006
00:38:10,166 --> 00:38:11,132
NO, IT'S COOL.
1007
00:38:11,166 --> 00:38:11,968
ARE YOU SURE?
1008
00:38:12,067 --> 00:38:12,968
YEAH.
1009
00:38:17,132 --> 00:38:20,466
I KNOW SOMETHING INTERESTING
ABOUT LOBSTERS.
1010
00:38:20,501 --> 00:38:22,533
WHAT?
1011
00:38:22,567 --> 00:38:24,399
YOU DON'T HAVE TO PUT
A LID ON THE POT
1012
00:38:24,434 --> 00:38:26,634
WHEN YOU COOK
FEMALE LOBSTERS.
1013
00:38:26,667 --> 00:38:27,833
DOES ANYBODY KNOW WHY?
1014
00:38:27,867 --> 00:38:28,833
NO.
1015
00:38:28,867 --> 00:38:30,667
IS THAT TRUE?
1016
00:38:30,701 --> 00:38:32,200
WHEN YOU COOK
A POT OF MALE LOBSTERS,
1017
00:38:32,234 --> 00:38:33,801
AND THEY REALIZE THEY'RE IN
THIS POT OF BOILING WATER,
1018
00:38:33,834 --> 00:38:36,067
THEY ALL START
TOTALLY FREAKING OUT.
1019
00:38:36,067 --> 00:38:37,634
THEY'RE, LIKE, "FUCK,
1020
00:38:37,667 --> 00:38:38,801
WE GOTTA GET OUT OF HERE,"
1021
00:38:38,834 --> 00:38:40,634
AND THEY START MAKING
THESE LITTLE LADDERS
1022
00:38:40,667 --> 00:38:42,667
AND HELPING EACH OTHER
GET OUT OF THE POT.
1023
00:38:42,701 --> 00:38:43,734
SO YOU HAVE TO PUT
A LID ON THE POT
1024
00:38:43,767 --> 00:38:45,067
TO KEEP THEM INSIDE.
1025
00:38:46,567 --> 00:38:48,500
BUT FEMALE LOBSTERS--
1026
00:38:48,533 --> 00:38:49,567
YOU DON'T HAVE TO PUT
A LID ON THE POT,
1027
00:38:49,600 --> 00:38:50,868
BECAUSE ONCE
THEY REALIZE
1028
00:38:50,901 --> 00:38:52,600
THEY'RE IN A POT
OF BOILING WATER,
1029
00:38:52,634 --> 00:38:54,067
THEY ALL JUST START GRABBING
EACH OTHER,
1030
00:38:54,067 --> 00:38:55,466
AND THEY'RE, LIKE,
HOLDING EACH OTHER DOWN.
1031
00:38:55,500 --> 00:38:59,067
THEY'RE LIKE,
"IF I'M GOING TO DIE,
1032
00:38:59,067 --> 00:39:00,000
EVERYONE'S
GOING TO DIE."
1033
00:39:00,000 --> 00:39:03,200
NONE OF THEM WANTS TO LET
ANY OF THE OTHER ONES
1034
00:39:03,234 --> 00:39:05,900
GET OUT OF THE POT.
1035
00:39:08,132 --> 00:39:10,634
IT'S A REAL SHAME, ISN'T IT?
1036
00:39:12,099 --> 00:39:15,601
WOW, THOSE CRAZY
FEMALE LOBSTERS
1037
00:39:15,634 --> 00:39:17,533
JUST GET YOU SOMETIMES.
1038
00:39:17,567 --> 00:39:19,367
[HUM OF CONVERSATION]
1039
00:39:19,399 --> 00:39:20,968
THIS IS A REALLY STUPID
QUESTION...
1040
00:39:21,067 --> 00:39:24,234
[***]
1041
00:39:48,801 --> 00:39:50,133
[QUIETLY]: JENNY...
1042
00:39:50,167 --> 00:39:52,067
I'M JUST
GOING TO GO.
1043
00:39:52,100 --> 00:39:55,366
YOU CAN GET A RIDE HOME
FROM CARMEN AND SHANE.
1044
00:39:59,901 --> 00:40:02,567
UM, WILL YOU EXCUSE ME
FOR A SECOND?
1045
00:40:09,333 --> 00:40:10,601
MOIRA...
1046
00:40:10,634 --> 00:40:14,333
MOIRA, WHAT
ARE YOU DOING?
1047
00:40:14,367 --> 00:40:15,467
I'M JUST GOING
TO GO, OKAY?
1048
00:40:15,500 --> 00:40:17,000
WHY?
1049
00:40:17,033 --> 00:40:17,968
LOOK, THIS
SHOULD COVER ME.
1050
00:40:18,000 --> 00:40:19,333
[SLIPS BILLS
FROM WALLET]
1051
00:40:19,367 --> 00:40:20,800
OKAY, I DON'T UNDERSTAND.
1052
00:40:20,833 --> 00:40:23,266
DID SOMETHING HAPPEN JUST NOW?
1053
00:40:23,300 --> 00:40:24,399
THEY'RE YOUR FRIENDS.
1054
00:40:24,434 --> 00:40:25,867
YOU KNOW, I DON'T REALLY FIT IN.
1055
00:40:25,900 --> 00:40:28,766
OH, MY GOD, MOIRA,
THEY'RE GETTING TO KNOW YOU,
1056
00:40:28,800 --> 00:40:30,867
AND THAT'S GOING TO
TAKE SOME TIME,
1057
00:40:30,900 --> 00:40:32,133
AND THEY'RE GOING TO THINK
YOU'RE FUCKING AMAZING
1058
00:40:32,167 --> 00:40:33,299
WHEN THEY GET TO KNOW YOU.
1059
00:40:33,334 --> 00:40:35,634
MAYBE SHE KEPT JENNY
FROM FEELING LONELY.
1060
00:40:35,667 --> 00:40:37,167
YOU KNOW HOW IT IS,
1061
00:40:37,200 --> 00:40:40,567
WHEN YOU'RE WITH SOMEONE
THAT'S COMPLETELY WRONG FOR YOU
1062
00:40:40,600 --> 00:40:41,868
JUST BECAUSE
YOU DON'T WANT TO BE ALONE.
1063
00:40:41,901 --> 00:40:43,533
I DON'T KNOW, MAYBE
SHE'S JENNY'S TYPE.
1064
00:40:43,567 --> 00:40:44,968
OH, YEAH,
1065
00:40:45,000 --> 00:40:46,366
BECAUSE CARMEN'S SUCH
A STONE BUTCH, TOO.
1066
00:40:46,399 --> 00:40:48,067
I WOULDN'T NECESSARILY
CALL MOIRA A STONE BUTCH.
1067
00:40:48,100 --> 00:40:49,567
OKAY, WELL, THEN,
1068
00:40:49,600 --> 00:40:50,701
WHAT WOULD YOU
DESCRIBE HER AS,
1069
00:40:50,734 --> 00:40:53,701
MISS "HI,
LET US BUTCHES
1070
00:40:53,734 --> 00:40:56,267
HELP YOU LADIES OUT
WITH YOUR LUGGAGE?"
1071
00:40:56,299 --> 00:40:57,466
SHE COMES
FROM A PLACE WHERE,
1072
00:40:57,500 --> 00:41:00,000
YOU KNOW, YOU HAVE TO
DEFINE YOURSELF AS EITHER OR.
1073
00:41:00,000 --> 00:41:02,234
IT'S PROBABLY JUST
THE ONLY LANGUAGE
1074
00:41:02,266 --> 00:41:03,867
THAT SHE HAS
TO DESCRIBE HERSELF.
1075
00:41:03,900 --> 00:41:05,067
SHE HAS THE LANGUAGE
1076
00:41:05,067 --> 00:41:06,533
OF THOSE
SHIT-KICKING BOOTS
1077
00:41:06,567 --> 00:41:08,199
AND THAT
LUMBERJACK WALK.
1078
00:41:08,234 --> 00:41:09,601
I'M JUST SURPRISED
1079
00:41:09,634 --> 00:41:12,067
THAT SHE WANTED
TO ROLE PLAY LIKE THAT,
1080
00:41:12,067 --> 00:41:14,766
ESPECIALLY AFTER EVERYTHING
THAT JENNY'S BEEN THROUGH.
1081
00:41:14,801 --> 00:41:16,234
WELL, SHE COULD BE
COMPLETELY DIFFERENT
1082
00:41:16,266 --> 00:41:17,800
IN THE BEDROOM.
1083
00:41:17,833 --> 00:41:18,800
YEAH.
1084
00:41:18,833 --> 00:41:20,434
MAYBE SHE'S BUTCH
IN THE STREETS
1085
00:41:20,466 --> 00:41:21,867
AND FEMME
IN THE SHEETS.
1086
00:41:21,900 --> 00:41:23,100
[SARCASTIC]: MY GOD,
THAT'S SO ORIGINAL.
1087
00:41:23,132 --> 00:41:24,399
[SHANE]: WHAT
DIFFERENCE DOES IT MAKE
1088
00:41:24,434 --> 00:41:25,466
WHETHER SOMEONE'S
BUTCH OR FEMME?
1089
00:41:25,501 --> 00:41:27,434
WE SHOULD JUST LEAVE
THE LABELS ALONE
1090
00:41:27,466 --> 00:41:29,333
AND JUST LET PEOPLE BE
WHO THEY ARE.
1091
00:41:29,367 --> 00:41:31,067
YOU'RE RIGHT.
1092
00:41:32,067 --> 00:41:33,067
WHAT DID
YOU GUYS THINK
1093
00:41:33,067 --> 00:41:34,067
OF THAT LOBSTER
THING, ANYWAY?
1094
00:41:34,067 --> 00:41:36,600
I'VE NEVER HEARD THAT.
1095
00:41:36,634 --> 00:41:39,067
OH, COME ON,
COMPETITIVE FEMALE LOBSTERS?
1096
00:41:39,067 --> 00:41:40,100
IT'S SO NOT TRUE.
1097
00:41:41,133 --> 00:41:42,399
HEY.
1098
00:41:42,433 --> 00:41:43,500
IS EVERYTHING
OKAY?
1099
00:41:43,533 --> 00:41:45,567
YEAH.
1100
00:41:45,600 --> 00:41:49,299
ALL RIGHT, THEN.
1101
00:41:49,334 --> 00:41:50,334
SHOULD WE HAVE DESSERT?
1102
00:41:50,366 --> 00:41:53,100
I LOVE THAT CHILD.
1103
00:41:53,133 --> 00:41:55,901
I FUCKED UP WITH MY OWN.
1104
00:41:55,933 --> 00:41:57,600
EVERY PARENT FUCKS UP
ONE WAY OR ANOTHER.
1105
00:41:57,634 --> 00:41:59,299
NO, I REALLY FUCKED UP.
1106
00:41:59,334 --> 00:42:00,000
YOU KNOW, I JUST LEFT HIM.
1107
00:42:00,000 --> 00:42:01,968
HE WASN'T BIGGER THAN THAT.
1108
00:42:02,067 --> 00:42:04,634
I JUST DUMPED HIM
WITH HIS STUFFED-SHIRT FATHER
1109
00:42:04,666 --> 00:42:06,968
AND OLD-SCHOOL GRANDPARENTS
1110
00:42:07,067 --> 00:42:08,833
AND WENT OFF
AND DID MY MUSIC.
1111
00:42:08,868 --> 00:42:10,266
NOW I DON'T HAVE
A LEG TO STAND ON
1112
00:42:10,300 --> 00:42:11,367
COMPLAINING ABOUT
1113
00:42:11,400 --> 00:42:15,433
WHY HE'S
A FUNDAMENTALIST BIGOT.
1114
00:42:15,467 --> 00:42:17,067
HERE'S WHAT
I THINK ABOUT THAT.
1115
00:42:17,067 --> 00:42:18,900
WHAT DO YOU THINK
ABOUT THAT, MR. MANGUS?
1116
00:42:20,634 --> 00:42:22,067
I THINK WHEN YOU'RE CALLED
TO PLAY MUSIC,
1117
00:42:22,067 --> 00:42:24,734
THERE'S NOT A LOT
YOU CAN DO ABOUT IT.
1118
00:42:24,766 --> 00:42:26,234
SOMETIMES THE PULL
IS EVEN STRONGER
1119
00:42:26,266 --> 00:42:28,367
THAN THAT BIOLOGICAL THING
1120
00:42:28,399 --> 00:42:31,100
THAT BONDS A MOTHER
TO HER CHILD.
1121
00:42:37,366 --> 00:42:38,734
[KISSES BABY]
1122
00:42:45,334 --> 00:42:48,067
WELL, ALL RIGHT, THEN.
1123
00:42:48,067 --> 00:42:50,933
GOOD NIGHT, MR. MANGUS.
1124
00:42:50,968 --> 00:42:52,734
GOOD NIGHT.
1125
00:42:55,868 --> 00:42:59,500
[OVERLAPPING CONVERSATIONS
AND LAUGHTER]
1126
00:42:59,533 --> 00:43:01,266
I WILL TAKE THAT.
1127
00:43:01,300 --> 00:43:03,200
THANKS.
1128
00:43:03,234 --> 00:43:04,234
OH, BETTE,
NO, NO, NO, NO.
1129
00:43:04,267 --> 00:43:06,234
NO, NO, WE'LL--
1130
00:43:06,267 --> 00:43:07,067
YEAH,
WE'LL HELP YOU OUT.
1131
00:43:07,067 --> 00:43:08,300
WE SHOULD
DO THE MATH.
1132
00:43:08,333 --> 00:43:10,266
NO, NO, NO, I'VE GOT IT.
I'VE GOT IT.
1133
00:43:10,300 --> 00:43:11,701
YOU CAN'T.
1134
00:43:11,734 --> 00:43:13,766
NO, REALLY, IT'S JENNY'S
COMING HOME DINNER,
1135
00:43:13,801 --> 00:43:15,900
AND IT WOULD BE
MY PRIVILEGE.
1136
00:43:15,933 --> 00:43:17,199
THANK YOU, THAT'S VERY
GENEROUS OF YOU.
1137
00:43:17,234 --> 00:43:18,333
YOU'RE WELCOME.
1138
00:43:18,367 --> 00:43:19,600
THAT'S SWEET.
THANK YOU.
1139
00:43:19,634 --> 00:43:21,067
YOU'RE WELCOME.
1140
00:43:21,100 --> 00:43:22,667
THERE YOU ARE.
1141
00:43:25,734 --> 00:43:27,867
[TOILET FLUSHES]
1142
00:43:33,100 --> 00:43:34,466
I JUST WANT TO TALK, OKAY?
1143
00:43:34,500 --> 00:43:36,167
I'M NOT GOING TO ATTACK.
1144
00:43:38,433 --> 00:43:41,167
WHAT DO YOU WANT
TO TALK TO ME ABOUT?
1145
00:43:43,433 --> 00:43:45,767
I JUST WANT TO KNOW
IF YOU'RE HAPPY.
1146
00:43:49,533 --> 00:43:50,834
YEAH, I'M HAPPY.
1147
00:43:52,801 --> 00:43:54,234
I MEAN, FOR THE MOST PART,
I'M HAPPY.
1148
00:43:56,133 --> 00:43:57,234
I'M GLAD ONE OF US IS.
1149
00:43:57,267 --> 00:43:59,167
OKAY.
1150
00:44:00,000 --> 00:44:01,800
SORRY.
1151
00:44:01,834 --> 00:44:03,701
YOU KNOW WHAT, I'M SORRY.
1152
00:44:03,734 --> 00:44:04,900
I'M SORRY
1153
00:44:04,934 --> 00:44:06,333
THAT YOU'RE
UNHAPPY.
1154
00:44:06,367 --> 00:44:07,700
I'M SORRY THAT
I MADE YOU UNHAPPY,
1155
00:44:07,734 --> 00:44:10,833
BUT, ALICE,
I DON'T KNOW WHAT TO DO.
1156
00:44:10,868 --> 00:44:12,467
WHAT CAN I DO?
1157
00:44:12,500 --> 00:44:13,968
I'M GETTING OVER THIS. I AM.
1158
00:44:14,067 --> 00:44:15,634
I'M...
1159
00:44:15,666 --> 00:44:20,266
I'M WORKING REALLY HARD
TO GET OVER THIS.
1160
00:44:22,667 --> 00:44:26,067
MAYBE WE COULD BE
FRIENDS AGAIN ONE DAY.
1161
00:44:26,067 --> 00:44:28,067
I WOULD REALLY LOVE THAT.
1162
00:44:28,067 --> 00:44:29,067
I MISS YOU.
1163
00:44:29,100 --> 00:44:31,399
COME BACK TO ME, THEN.
1164
00:44:35,433 --> 00:44:37,067
ALICE...
1165
00:44:40,399 --> 00:44:42,901
OKAY...
1166
00:44:42,933 --> 00:44:44,100
OKAY.
1167
00:44:44,133 --> 00:44:46,567
I'LL LET YOU WASH YOUR HANDS.
1168
00:44:46,600 --> 00:44:48,299
I KNOW HOW YOU LIKE
TO WASH YOUR HANDS
1169
00:44:48,334 --> 00:44:49,901
AFTER YOU GO
TO THE BATHROOM.
1170
00:44:49,933 --> 00:44:51,667
EVERYBODY LIKES
TO WASH THEIR HANDS
1171
00:44:51,701 --> 00:44:53,067
AFTER THEY GO TO THE BATHROOM.
1172
00:44:53,100 --> 00:44:55,299
YEAH, BUT IT'S SUPER CUTE
THE WAY YOU DO IT.
1173
00:44:58,533 --> 00:45:00,000
LET'S CALL IT
ALL OFF.
1174
00:45:00,000 --> 00:45:01,868
DEFINITELY.
1175
00:45:03,567 --> 00:45:05,567
I'M STUFFED,
THOUGH.
1176
00:45:07,267 --> 00:45:09,367
IS EVERYTHING OKAY?
1177
00:45:09,400 --> 00:45:10,933
MM-HMM.
1178
00:45:12,601 --> 00:45:14,067
WHAT A DAY. WOW.
1179
00:45:14,099 --> 00:45:15,766
[WAITER]:
I'M SORRY, MA'AM,
1180
00:45:15,801 --> 00:45:16,800
BUT YOUR CREDIT CARD
1181
00:45:16,833 --> 00:45:18,300
WAS DECLINED.
1182
00:45:18,333 --> 00:45:19,466
YOU'RE KIDDING ME.
1183
00:45:21,434 --> 00:45:23,067
I DON'T KNOW
HOW THAT'S POSSIBLE.
1184
00:45:23,067 --> 00:45:24,701
BETTE, NO, NO.
LET'S SPLIT IT.
1185
00:45:24,734 --> 00:45:25,367
NO, REALLY.
1186
00:45:25,399 --> 00:45:26,867
IT'S NOT A BIG DEAL.
1187
00:45:26,900 --> 00:45:28,466
I BOUGHT SOME BALENCIAGA BOOTS.
1188
00:45:28,501 --> 00:45:29,634
IT PROBABLY PUT ME
OVER THE LIMIT.
1189
00:45:29,667 --> 00:45:30,867
IT'S NOT A BIG DEAL,
1190
00:45:30,900 --> 00:45:32,299
AND THEN, I THINK--
1191
00:45:32,334 --> 00:45:33,466
OH, I REMEMBER.
1192
00:45:33,500 --> 00:45:35,801
I PUT A SALLY MANN PRINT
ON HOLD...
STOP.
1193
00:45:35,834 --> 00:45:37,366
...WITH THAT CARD, SO...
1194
00:45:37,399 --> 00:45:38,399
BETTE...
1195
00:45:38,433 --> 00:45:41,133
HEY, UH, JENNY, NO.
1196
00:45:41,167 --> 00:45:42,634
YOU'RE STILL
THE GUEST OF HONOR,
1197
00:45:42,667 --> 00:45:43,734
NO MATTER WHAT.
1198
00:45:43,767 --> 00:45:44,868
THANK YOU, SHANE.
1199
00:45:47,234 --> 00:45:49,933
FINE.
1200
00:45:49,968 --> 00:45:52,200
DOES THIS
MAKE YOU HAPPY NOW?
1201
00:45:53,200 --> 00:45:54,334
HELENA?
1202
00:45:54,366 --> 00:45:56,533
HI. IT'S TINA.
1203
00:45:56,567 --> 00:45:59,200
I HOPE I'M NOT CALLING TOO LATE.
1204
00:45:59,234 --> 00:46:04,567
NO, ACTUALLY, I'VE BEEN THINKING
ABOUT YOUR PROPOSITION,
1205
00:46:04,601 --> 00:46:10,067
AND, UM, I THINK I'D LIKE
TO GIVE IT A TRY.
1206
00:46:42,399 --> 00:46:44,533
DON'T.
1207
00:46:53,667 --> 00:46:55,500
[BARKING]
1208
00:46:57,234 --> 00:46:58,701
HEY...
1209
00:47:02,601 --> 00:47:04,367
HAVE YOU HEARD
ANYTHING FROM HER?
1210
00:47:04,400 --> 00:47:06,400
NO.
1211
00:47:09,099 --> 00:47:11,367
AH...
1212
00:47:11,400 --> 00:47:13,266
I'M SURE SHE'S OKAY.
1213
00:47:13,300 --> 00:47:15,500
SHE'S A BIG GIRL.
SHE CAN TAKE CARE OF HERSELF.
1214
00:47:15,534 --> 00:47:17,067
MM-HMM.
1215
00:47:17,100 --> 00:47:19,800
I FEEL LIKE SUCH AN ASSHOLE.
1216
00:47:19,833 --> 00:47:21,067
I SHOULD HAVE GONE WITH HER.
1217
00:47:21,100 --> 00:47:22,766
I'M SORRY
WE WEREN'T MORE ACCOMMODATING
1218
00:47:22,800 --> 00:47:24,600
TO YOUR FRIEND.
1219
00:47:24,634 --> 00:47:25,934
MM-HMM.
1220
00:47:25,968 --> 00:47:29,067
AH, WE WERE JUST EXCITED
TO SEE YOU,
1221
00:47:29,100 --> 00:47:30,399
AND THE DINNER WAS ABOUT YOU,
AND...
1222
00:47:30,434 --> 00:47:32,801
I DON'T KNOW,
1223
00:47:32,834 --> 00:47:34,366
I GUESS SHE SHOULD
HAVE UNDERSTOOD THAT.
1224
00:47:36,067 --> 00:47:37,667
I FUCKED UP.
1225
00:47:37,701 --> 00:47:39,634
NO, YOU DIDN'T.
1226
00:47:39,667 --> 00:47:42,067
[***]
1227
00:48:47,868 --> 00:48:50,334
[***]
1228
00:49:45,933 --> 00:49:47,968
[***]
1229
00:49:48,067 --> 00:49:48,901
YEAH.
81496
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