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>> [ GASPING ]
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OH! GOD!
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[ ALARM BEEPING ]
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[ ALARM BEEPING ]
[ BREATHING HEAVILY ]
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[ BREATHING HEAVILY ]
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[ SCOFFS ]
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[ SCOFFS ]
OH, MY GOD.
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OH, MY GOD.
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>> NO RESTAURANT! HEY!
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YOU BUY, YOU TAKE AWAY!
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>> MAN, SHE MEANER THAN YOUR
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MAMA.
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>> MAN, NOBODY MEANER THAN MY
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MAMA.
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>> YOU GOT SOMETHING FOR UNDER
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5 BUCKS THAT'S NOT GONNA KILL
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ME?
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>> MM.
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[ SPEAKS INDISTINCTLY ]
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>> OHH.
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>> VERY GOOD STUFF!
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IT'S, UH, $4.29, PLUS TAXES.
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OKAY. VERY GOOD, VERY GOOD.
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NOW, TELL ME SOMETHING, HUH?
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NICE GIRL LIKE YOU.
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HOW COME YOU DRESS LIKE THAT?
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DON'T YOU WANT A HUSBAND?
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>> [ Laughing ] A HUSBAND?
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[ SCOFFS ] YEAH.
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YOU MARRY HER?
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>> MARRY HER?
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I WOULDN'T EVEN FUCK HER -- NOT
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EVEN WITH YOURDICK.
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>> [ CHUCKLES ] HEY. HEY!
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YOU'D NEED A MICROSCOPE TO FIND
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IT.
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>> [ LAUGHS ]
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>> NO, NO, NO. HEY!
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HEY, MY DICK AIN'T LACKING
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NOTHING IN THE SIZE DEPARTMENT,
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NOTHING IN THE SIZE DEPARTMENT,
BABY.
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BABY.
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>> HIYA.
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>> HEY.
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YOU'RE LATE TONIGHT, HONEY.
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>> YEAH, THAT'S THE STORY OF MY
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LIFE.
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>> WELL, BETTER LATE THAN NEVER,
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HUH?
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[ COUGHING ]
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>> DOLORES.
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THOSE CIGARETTES ARE GONNA KILL
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YOU ONE DAY.
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YOU KNOW THAT, RIGHT?
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>> SOMETHING'S GOT TO.
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>> [ Chuckling ] OH, GOD.
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>> [ Chuckling ] OH, GOD.
>> SEE YOU.
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>> SEE YOU.
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>> MADAME?
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ANNA?
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AH!
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ANNA KARENINA.
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>> [ GROANS, CHUCKLES ]
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>> OH!
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YOU LOOK RAVISHING...
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>> OH.
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>> ...THIS EVENING, MY DEAR!
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OH.
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WHAT COULD YOU HAVE IN THAT BAG,
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MY DEAR?
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>> NOTHING.
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IT'S NOTHING, PROFESSOR.
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>> [ LAUGHS ]
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>> IT'S DOMESTIC.
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>> BUT NOT UNDRINKABLE!
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AM I CORRECT?
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>> WELL -- [ CHUCKLES ]
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>> WELL, AND YOU'RE NOT GOING TO
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ENJOY IT ALONE!
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PLEASE, SIT! PLEASE!
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>> NO.
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UH, YOU ARE. HERE.
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>> OH --
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>> COME ON.
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>> THANK YOU, MY DEAR.
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>> YEAH.
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>> ANNA?
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>> MM?
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>> DON'T DO ANYTHING STUPID.
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>> DON'T DO ANYTHING STUPID.
>> [ CHUCKLES ]
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>> [ CHUCKLES ]
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>> LEON?
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AS YOU WERE.
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AS YOU WERE.
[ BIRD CHIRPS ]
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[ BIRD CHIRPS ]
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WHAT DO YOU THINK, LEON?
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GONNA KILL ME?
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[ BIRD CHIRPS ]
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[ SNIFFS, GROANS ]
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[ SNIFFS, GROANS ]
[ THUMP ]
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[ THUMP ]
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"MARLENE HAD A TENDENCY TO USE
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HER NARCISSISM AS THE LONG END
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OF THE WEDGE."
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OF THE WEDGE."
[ SIGHS ]
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[ SIGHS ]
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[ SIGHS ]
[ METAL GRATING ]
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[ METAL GRATING ]
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[ METAL GRATING ]
GIVE IT YOUR BEST SHOT.
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GIVE IT YOUR BEST SHOT.
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>> [ Muffled ] OOH. OH, SO GOOD.
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KEEP GOING, BABY.
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KEEP GOING. THAT'S RIGHT.
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OH, YEAH. THAT'S THE G-SPOT.
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MMM. MM-HMM!
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OH, YOU SON OF A BITCH!
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YOU BIG, BEAUTIFUL SON OF A
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BITCH!
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GUESS WHO JUST WALKED IN THE
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DOOR.
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DELILAH.
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YOU WANT TO SAY HELLO?
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MM-HMM.
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SHE'S SITTING RIGHT HERE,
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GETTING VERY, VERYHORNY JUST
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THINKING ABOUT YOU.
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UH-HUH. AREN'T YOU, HONEY?
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YOU STILL THERE, BABY?
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MM.
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DO IT, HANK.
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DO IT HARD. OH, YEAH.
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THAT'S THE SPOT.
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OH, RIGHT THERE.
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OOH. KEEP GOING!
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OH, RIGHT -- RIGHT THERE.
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OOH, YOU BE A STUD, AND YOU FUCK
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ME, BABY!
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OH, FUCK ME! OH, YEAH!
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OH! DON'T STOP!
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DON'T STOP!
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OH! HARDER!
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HARDER! OH, YEAH!
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[ MOANS ]
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NO!
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THAT'S THE SPOT RIGHT THERE,
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BABY!
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HARDER...
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HARDER...
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DON'T STOP!
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OH, THAT'S THE SPOT!
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THAT'S IT!
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THAT'S IT! RIGHT THERE!
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THAT'S HOW I LIKE IT!
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[ MOANS INDISTINCTLY ]
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DON'T STOP!
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[ MOANING LOUDLY ]
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[ YELLS ]
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OH, YEAH!
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ALL RIGHT!
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OOH!
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OH.
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HANK? YOU STILL THERE, BABY?
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HANK?
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HANK.
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HANK!
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UGH!
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I CANNOT STAND IT WHEN THEY DO
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THAT.
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[ SIGHS ]
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>> WHAT DO YOU WANT THEM TO
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DO -- HOLD YOU AND SAY THEY LOVE
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YOU?
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>> WELL, THEY COULD SAY GOODBYE,
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FOR CHRIST'S SAKE.
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THAT'S THE LEAST THEY COULD DO.
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>> POST COITUM OMNE ANIMAL
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TRISTE EST.
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>> HUH?
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>> IT MEANS "AFTER SEX, MEN ARE
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SAD."
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>> HUH.
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YOU'D THINK FOR ONCE, THEY'D BE
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HAPPY.
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>> YEAH, WELL, THAT'S WHY THEY
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ALWAYS WANT TO ROLL OVER AND GO
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TO SLEEP AFTERWARDS.
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THEY'RE DEEPLY DEPRESSED.
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>> YOU WERE SUPPOSED TO BE HERE
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AT MIDNIGHT, YOU KNOW.
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>> I KNOW. I'M SORRY.
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>> SO, THERE'S THIS GUY IN MY
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BUILDING, AND HE'S KIND OF SHY
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AND PUDGY AND FUNNY-LOOKING,
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WITH HAIR FALLING IN HIS EYES.
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I BET YOU HE CALLS PLACES LIKE
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THIS.
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HE'S THE TYPE.
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YOU KNOW WHAT I MEAN?
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I MEAN, DON'T YOU THINK ABOUT
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WHAT THEY'RE LIKE, THESE GUYS,
201
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WHEN YOU'RE TALKING TO THEM?
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>> NO. NEVER.
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>> I DO, ESPECIALLY WHEN I GET A
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NICE-SOUNDING VOICE ON THE
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LINE -- YOU KNOW, SHY, LIKE THIS
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GUY IN MY BUILDING.
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I WANT TO TELL THEM TO GO JOIN A
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CLUB OR GO ON FACEBOOK...
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OR SOMETHING!
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OR JUST ASK SOMEONE!
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I MEAN, MAYBE SOMEONE WILL SAY
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YES!
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YOU NEVER KNOW!
214
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BUT GETTING OFF OVER THE PHONE
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SEEMS...SO LONELY.
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>> UH-HUH.
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00:09:43,539 --> 00:09:45,106
>> WHAT DID MEN DO BEFORE
218
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TELEPHONES, LIKE IN THE
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00:09:47,195 --> 00:09:48,762
19th CENTURY?
220
00:09:48,762 --> 00:09:50,328
>> THEY PATRONIZED WHORES.
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>> WELL...WE'RE NOT WHORES.
222
00:09:51,939 --> 00:09:53,767
>> NO. THAT'S RIGHT. WE'RE NOT.
223
00:09:53,767 --> 00:09:55,159
WE ARE --
224
00:09:55,159 --> 00:09:56,639
WE'RE FANTASY FACILITATORS, AND
225
00:09:56,639 --> 00:09:57,858
THAT'S THE PROBLEM WITH THE
226
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WORLD TODAY, GINNY.
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THERE ARE NO COMPETENT WHORES
228
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OUT THERE!
229
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THERE'S -- THERE ARE NO WHORES
230
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WHO, YOU KNOW, THEY REALLY CARE
231
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ABOUT THEIR WORK!
232
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BUT GIVEN THE STATE OF THE
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PROFESSION, I GUESS PHONE SEX
234
00:10:07,781 --> 00:10:09,086
IS...
235
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A BETTER IDEA.
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>> I'LL SEE YOU TOMORROW!
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>> MM-HMM. OKAY.
238
00:10:14,396 --> 00:10:17,007
>> AND COULD YOU TRYNOT TO BE
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LATE, PLEASE?
240
00:10:18,966 --> 00:10:20,794
LATE, PLEASE?
>> YES. RIGHT.
241
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>> YES. RIGHT.
242
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[ DOOR SHUTS ]
243
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[ TELEPHONE RINGING ]
244
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[ TELEPHONE RINGING ]
>> 7...?
245
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>> 7...?
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DUFFY'S TAVERN, WHERE THE ELITE
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MEET TO EAT.
248
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>> This is George Papandreou.
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>> MR. PAPANDREOU!
250
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HOW'S IT GOING?
251
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YOU GOT A NEW NUMBER!
252
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[ CHUCKLES ]
253
00:10:48,212 --> 00:10:49,605
>> You're behind on the rent
254
00:10:49,605 --> 00:10:50,040
again!
255
00:10:50,040 --> 00:10:53,043
>> UH, THE RENT?
256
00:10:53,043 --> 00:10:54,566
WHAT DO YOU ME-- THE RENT?
257
00:10:54,566 --> 00:10:56,786
OH. HERE'S WHAT HAPPENED.
258
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I GOT A NEW BANK ACCOUNT, AND
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00:10:58,135 --> 00:10:59,833
THEY SENT ME THE WRONG CHECKS.
260
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I-I ASKED -- I HAD ASKED FOR A
261
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COAT OF ARMS.
262
00:11:02,705 --> 00:11:03,967
DID YOU KNOW MY FAMILY HAS A
263
00:11:03,967 --> 00:11:05,795
DID YOU KNOW MY FAMILY HAS A
COAT OF ARMS?
264
00:11:05,795 --> 00:11:21,550
COAT OF ARMS?
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JESUS, I'M TALKING TO A FUCKING
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BIRD.
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BIRD.
AH, FUCK.
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AH, FUCK.
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AH, FUCK.
[ SIGHS ]
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00:11:31,125 --> 00:11:39,089
[ SIGHS ]
271
00:11:39,089 --> 00:11:40,917
[ SIGHS ]
"SWEET TALK."
272
00:11:40,917 --> 00:11:43,441
"SWEET TALK."
273
00:11:43,441 --> 00:11:46,009
SWEET TALK.
274
00:11:46,009 --> 00:11:47,837
SWEET TALK.
[ CHUCKLES ]
275
00:11:47,837 --> 00:12:11,905
[ CHUCKLES ]
276
00:12:11,905 --> 00:12:13,733
[ CHUCKLES ]
[ Dialing ]
277
00:12:13,733 --> 00:12:23,525
[ Dialing ]
278
00:12:23,525 --> 00:12:25,353
[ Dialing ]
[ TELEPHONE RINGING ]
279
00:12:25,353 --> 00:12:35,493
[ TELEPHONE RINGING ]
280
00:12:35,493 --> 00:12:36,756
>> [ Breathy ] HELLO.
281
00:12:36,756 --> 00:12:37,539
SWEET TALK.
282
00:12:37,539 --> 00:12:38,453
>> WHO'S THIS?
283
00:12:38,453 --> 00:12:39,628
>> THIS IS DELILAH.
284
00:12:39,628 --> 00:12:41,412
YOU WANT TO TALK?
285
00:12:41,412 --> 00:12:42,413
>> About what?
286
00:12:42,413 --> 00:12:45,416
>> UH, YOU NAME IT, BABY.
287
00:12:45,416 --> 00:12:46,461
ANYTHING.
288
00:12:46,461 --> 00:12:47,114
>> ANYTHING?
289
00:12:47,114 --> 00:12:48,463
>> Anything -- the hotter, the
290
00:12:48,463 --> 00:12:51,814
better.
291
00:12:51,814 --> 00:12:53,642
>> WHAT ABOUT DANCING?
292
00:12:53,642 --> 00:12:54,861
CAN WE DANCE?
293
00:12:54,861 --> 00:12:56,123
>> WE CAN DO WHATEVER YOU WANT
294
00:12:56,123 --> 00:12:58,821
TO DO.
295
00:12:58,821 --> 00:13:00,344
Oh, hey. Come on. Don't be shy.
296
00:13:00,344 --> 00:13:01,955
No one's gonna bite you...unless
297
00:13:01,955 --> 00:13:05,175
you want to be bitten.
298
00:13:05,175 --> 00:13:08,831
Hello?
299
00:13:08,831 --> 00:13:10,267
HEY.
300
00:13:10,267 --> 00:13:11,965
HE-HEY, DON'T HANG UP.
301
00:13:11,965 --> 00:13:12,879
>> I'm here.
302
00:13:12,879 --> 00:13:15,142
>> OKAY.
303
00:13:15,142 --> 00:13:16,230
>> What do I have to do?
304
00:13:16,230 --> 00:13:17,405
>> WHAT DO YOU HAVE TO DO?
305
00:13:17,405 --> 00:13:18,275
>> Well, uh, yeah.
306
00:13:18,275 --> 00:13:19,668
I've never done this before, so
307
00:13:19,668 --> 00:13:20,800
you're gonna have to help
308
00:13:20,800 --> 00:13:21,844
explain how this works.
309
00:13:21,844 --> 00:13:22,540
>> ALL RIGHT.
310
00:13:22,540 --> 00:13:23,498
THAT'S NOT A PROBLEM.
311
00:13:23,498 --> 00:13:24,325
WHAT'S YOUR NAME?
312
00:13:24,325 --> 00:13:25,326
>> J-- [ CLEARS THROAT ]
313
00:13:25,326 --> 00:13:26,501
JOHN.
314
00:13:26,501 --> 00:13:26,893
JOHN.
315
00:13:26,893 --> 00:13:27,719
>> OKAY, JOHN.
316
00:13:27,719 --> 00:13:28,764
HERE'S HOW IT WORKS.
317
00:13:28,764 --> 00:13:30,244
WE CAN TALK ABOUT...ANYTHING YOU
318
00:13:30,244 --> 00:13:31,680
WANT FOR AS LONG AS YOU WANT,
319
00:13:31,680 --> 00:13:32,333
AND THEN --
320
00:13:32,333 --> 00:13:33,595
>> How much does it cost?
321
00:13:33,595 --> 00:13:34,726
>> I'M GETTING TO THAT.
322
00:13:34,726 --> 00:13:36,250
>> JUST WANT TO KNOW WHAT I'M IN
323
00:13:36,250 --> 00:13:36,641
FOR.
324
00:13:36,641 --> 00:13:37,164
>> Okay.
325
00:13:37,164 --> 00:13:38,905
We charge 20 bucks to start out,
326
00:13:38,905 --> 00:13:40,341
and then $2.99 a minute goes
327
00:13:40,341 --> 00:13:41,733
automatically on your credit
328
00:13:41,733 --> 00:13:42,125
card.
329
00:13:42,125 --> 00:13:43,648
UNLESS, OF COURSE, YOU WANT TO
330
00:13:43,648 --> 00:13:45,128
DO SOMETHING...MORE UNUSUAL --
331
00:13:45,128 --> 00:13:46,434
THAT'S GONNA BE A BIT MORE
332
00:13:46,434 --> 00:13:47,043
EXPENSIVE.
333
00:13:47,043 --> 00:13:48,610
>> WHAT DO YOU MEAN BY UNUSUAL?
334
00:13:48,610 --> 00:13:50,438
>> WELL, THERE'S, UH -- UH,
335
00:13:50,438 --> 00:13:51,613
THERE'S FRENCH.
336
00:13:51,613 --> 00:13:52,919
THERE'S...
337
00:13:52,919 --> 00:13:53,963
Greek.
338
00:13:53,963 --> 00:13:56,966
There's threesomes.
339
00:13:56,966 --> 00:13:58,141
>> MAKE IT JUST STRAIGHT.
340
00:13:58,141 --> 00:14:01,275
UM, YOUR BASIC FACE-TO-FACE
341
00:14:01,275 --> 00:14:04,800
MISSIONARY POSITION IS 20 BUCKS
342
00:14:04,800 --> 00:14:07,498
PLUS WHATEVER -- $2.99?
343
00:14:07,498 --> 00:14:08,325
>> Yes. Right.
344
00:14:08,325 --> 00:14:09,805
>> EVERYTHING ELSE IS EXTRA?
345
00:14:09,805 --> 00:14:10,371
>> Yeah.
346
00:14:10,371 --> 00:14:11,938
>> WHAT'S MY CREDIT CARD GONNA
347
00:14:11,938 --> 00:14:13,548
SAY -- LIKE, "JERK-OFF SERVICES"
348
00:14:13,548 --> 00:14:14,810
OR SOMETHING LIKE THAT?
349
00:14:14,810 --> 00:14:15,680
>> [ CHUCKLES ]
350
00:14:15,680 --> 00:14:16,943
NO, IT'LL SAY "UNIVERSAL
351
00:14:16,943 --> 00:14:19,162
COMMUNICATIONS, INCORPORATED."
352
00:14:19,162 --> 00:14:20,555
>> That's all?
353
00:14:20,555 --> 00:14:23,253
>> THAT IS ALL.
354
00:14:23,253 --> 00:14:25,168
SO, JOHN...
355
00:14:25,168 --> 00:14:26,953
WE GONNA PARTY, YOU AND ME?
356
00:14:26,953 --> 00:14:29,738
HMM?
357
00:14:29,738 --> 00:14:30,957
>> WHAT DO YOU LOOK LIKE?
358
00:14:30,957 --> 00:14:32,132
>> JOHN, I LOOK TERRIFIC.
359
00:14:32,132 --> 00:14:33,176
TAKE MY WORD FOR IT.
360
00:14:33,176 --> 00:14:34,656
BUT WE'RE GONNA HAVE TO GET THE
361
00:14:34,656 --> 00:14:35,918
FORMALITIES OUT OF THE WAY
362
00:14:35,918 --> 00:14:37,398
BEFORE WE CAN GO ANY FURTHER, SO
363
00:14:37,398 --> 00:14:38,834
I AM GOING TO NEED YOUR CREDIT
364
00:14:38,834 --> 00:14:40,227
CARD NUMBER AND THE EXPIRATION
365
00:14:40,227 --> 00:14:40,705
DATE.
366
00:14:40,705 --> 00:14:41,793
>> YOU KNOW WHAT?
367
00:14:41,793 --> 00:14:42,838
[ CLEARS THROAT ]
368
00:14:42,838 --> 00:14:44,361
I THINK I'M GONNA CALL BACK
369
00:14:44,361 --> 00:14:44,884
LATER.
370
00:14:44,884 --> 00:14:46,407
>> I may not be here later.
371
00:14:46,407 --> 00:14:48,800
I MIGHT BE ASLEEP, ALL ALONE IN
372
00:14:48,800 --> 00:14:52,152
MY BIG BED WITH SATIN SHEETS.
373
00:14:52,152 --> 00:14:53,414
>> DO YOU LIVE ALONE?
374
00:14:53,414 --> 00:14:54,197
>> I do.
375
00:14:54,197 --> 00:14:56,199
Uh, it's just me -- well, and
376
00:14:56,199 --> 00:14:58,549
Uh, it's just me -- well, and
you, if you want to join me.
377
00:14:58,549 --> 00:15:03,772
you, if you want to join me.
378
00:15:03,772 --> 00:15:07,036
>> 4-0-0-3-4...
379
00:15:07,036 --> 00:15:10,300
[ KEYBOARD CLACKING ]
380
00:15:10,300 --> 00:15:14,043
7-6-7...
381
00:15:14,043 --> 00:15:16,176
7-8-12 --
382
00:15:16,176 --> 00:15:17,655
HOW DO YOU KNOW THIS IS A REAL
383
00:15:17,655 --> 00:15:18,134
NUMBER?
384
00:15:18,134 --> 00:15:19,657
>> I PUT IT IN MY MOUTH, AND IF
385
00:15:19,657 --> 00:15:21,616
IT GETS HARD, I KNOW IT'S REAL.
386
00:15:21,616 --> 00:15:22,617
>> [ SCOFFS SOFTLY ]
387
00:15:22,617 --> 00:15:23,574
That's pretty funny!
388
00:15:23,574 --> 00:15:24,924
>> THIS IS YOUR LAST CHANCE,
389
00:15:24,924 --> 00:15:26,316
SWEETIE -- I HAVE TO HANG UP ON
390
00:15:26,316 --> 00:15:27,622
YOU IF YOU DON'T GIVE ME THE
391
00:15:27,622 --> 00:15:28,057
NUMBER.
392
00:15:28,057 --> 00:15:29,058
>> [ CLEARS THROAT ]
393
00:15:29,058 --> 00:15:33,497
4-0-3-4-7-1-0-3...
394
00:15:33,497 --> 00:15:38,763
2-5-0-4-2-2-4-6.
395
00:15:38,763 --> 00:15:42,332
EXPIRATION --
396
00:15:42,332 --> 00:15:44,117
What if it was already expired?
397
00:15:44,117 --> 00:15:45,422
>> I'M COUNTING TO 3.
398
00:15:45,422 --> 00:15:46,815
1, 2 --
399
00:15:46,815 --> 00:15:48,599
>> SEPTEMBER 2015.
400
00:15:48,599 --> 00:15:50,558
>> THANK YOU.
401
00:15:50,558 --> 00:15:52,386
>> THANK YOU.
>> You're welcome.
402
00:15:52,386 --> 00:15:56,216
>> You're welcome.
403
00:15:56,216 --> 00:15:57,652
Now what?
404
00:15:57,652 --> 00:15:59,088
>> NOW, JOHN...
405
00:15:59,088 --> 00:16:02,483
WE'RE IN BUSINESS.
406
00:16:02,483 --> 00:16:04,833
SO...WHY DON'T YOU TELL ME WHAT
407
00:16:04,833 --> 00:16:07,140
YOU LIKE?
408
00:16:07,140 --> 00:16:08,489
YOU LIKE?
>> HMM.
409
00:16:08,489 --> 00:16:11,318
>> HMM.
410
00:16:11,318 --> 00:16:12,841
YOU KNOW WHAT I'D REALLY LIKE?
411
00:16:12,841 --> 00:16:14,582
>> What's that?
412
00:16:14,582 --> 00:16:15,975
>> OH, BOY. I DON'T KNOW.
413
00:16:15,975 --> 00:16:17,063
IT'S KIND OF WEIRD.
414
00:16:17,063 --> 00:16:18,151
>> [ Chuckling ] OH.
415
00:16:18,151 --> 00:16:19,979
COME ON, JOHN.
416
00:16:19,979 --> 00:16:22,329
DON'T BE SHY.
417
00:16:22,329 --> 00:16:26,115
>> Okay.
418
00:16:26,115 --> 00:16:27,638
I'D LIKE TO BE GENE KELLY IN
419
00:16:27,638 --> 00:16:29,814
"SINGIN' IN THE RAIN."
420
00:16:29,814 --> 00:16:31,207
>> WHY'D YOU CALL THIS LINE,
421
00:16:31,207 --> 00:16:31,642
JOHN?
422
00:16:31,642 --> 00:16:33,079
I MEAN, YOU KNOW, YOU C-- YOU
423
00:16:33,079 --> 00:16:34,167
CAN BE GENE KELLY IN
424
00:16:34,167 --> 00:16:35,646
"SINGIN' IN THE RAIN" WITHOUT
425
00:16:35,646 --> 00:16:35,995
ME.
426
00:16:35,995 --> 00:16:38,171
>> MM, YEAH, BUT...
427
00:16:38,171 --> 00:16:39,694
IT'S NOT AS MUCH FUN.
428
00:16:39,694 --> 00:16:41,609
>> Do you like girls, John?
429
00:16:41,609 --> 00:16:43,393
>> YEAH!
430
00:16:43,393 --> 00:16:45,830
>> What type?
431
00:16:45,830 --> 00:16:47,049
>> TYPE?
432
00:16:47,049 --> 00:16:49,660
>> YEAH.
433
00:16:49,660 --> 00:16:50,922
>> You know what gets me?
434
00:16:50,922 --> 00:16:52,533
>> What's that?
435
00:16:52,533 --> 00:16:55,623
>> THE WAY A WOMAN LOOKS AT YOU.
436
00:16:55,623 --> 00:16:58,887
HER EYES.
437
00:16:58,887 --> 00:17:00,019
TAKE JEANNE MOREAU IN
438
00:17:00,019 --> 00:17:03,196
"JULES AND JIM."
439
00:17:03,196 --> 00:17:05,198
YOU SEEN IT?
440
00:17:05,198 --> 00:17:07,722
Doesn't matter.
441
00:17:07,722 --> 00:17:12,292
SHE HAS A WHOLE HISTORY OF...
442
00:17:12,292 --> 00:17:14,816
BOOZE AND CIGARETTES AND BAD
443
00:17:14,816 --> 00:17:17,645
BOOZE AND CIGARETTES AND BAD
LOVE AFFAIRS ALL IN HER EYES.
444
00:17:17,645 --> 00:17:20,169
LOVE AFFAIRS ALL IN HER EYES.
445
00:17:20,169 --> 00:17:21,562
I MEAN, YOU GET THE FEELING THAT
446
00:17:21,562 --> 00:17:22,824
YOU COULD FUCK HER FOR THREE
447
00:17:22,824 --> 00:17:24,130
DAYS AND NIGHTS STRAIGHT, AND
448
00:17:24,130 --> 00:17:25,740
SHE WOULDN'T SMILE ONCE.
449
00:17:25,740 --> 00:17:27,002
>> [ SIGHS ]
450
00:17:27,002 --> 00:17:28,308
HAVE YOU EVER CALLED A FANTASY
451
00:17:28,308 --> 00:17:29,352
SEX LINE BEFORE, JOHN?
452
00:17:29,352 --> 00:17:30,223
>> NO. I TOLD YOU.
453
00:17:30,223 --> 00:17:31,659
>> WELL, YOU MIGHT WANT TO SAVE
454
00:17:31,659 --> 00:17:32,964
YOUR MONEY, BECAUSE THIS IS A
455
00:17:32,964 --> 00:17:34,227
LINE FOR GUYS WHO LIKE TO GET
456
00:17:34,227 --> 00:17:34,618
OFF.
457
00:17:34,618 --> 00:17:35,619
>> I like to get off.
458
00:17:35,619 --> 00:17:36,881
WHAT MAKES YOU THINK I DON'T
459
00:17:36,881 --> 00:17:37,708
LIKE TO GET OFF?
460
00:17:37,708 --> 00:17:39,014
>> Great! Then let's get off!
461
00:17:39,014 --> 00:17:39,493
>> OKAY!
462
00:17:39,493 --> 00:17:42,322
>> Okay! What do you want to do?
463
00:17:42,322 --> 00:17:44,628
>> [ EXHALES SOFTLY ]
464
00:17:44,628 --> 00:17:45,847
>> "I DON'T KNOW, ANGIE.
465
00:17:45,847 --> 00:17:48,980
WHAT DO YOU WANT TO DO?"
466
00:17:48,980 --> 00:17:51,592
>> UH -- [ SCOFFS ]
467
00:17:51,592 --> 00:17:53,420
>> UH -- [ SCOFFS ]
ERNEST BORGNINE FROM "MARTY"?
468
00:17:53,420 --> 00:17:56,162
ERNEST BORGNINE FROM "MARTY"?
469
00:17:56,162 --> 00:17:57,946
>> YES!
470
00:17:57,946 --> 00:18:00,775
>> Yeah, you like old movies?
471
00:18:00,775 --> 00:18:02,255
>> YEAH! I DO!
472
00:18:02,255 --> 00:18:03,821
I MEAN...ONLY THE GOOD ONES!
473
00:18:03,821 --> 00:18:05,388
I'VE SEEN "CITIZEN KANE" LIKE
474
00:18:05,388 --> 00:18:06,346
15 TIMES.
475
00:18:06,346 --> 00:18:09,088
>> SO, SHOULD I GET UNDRESSED?
476
00:18:09,088 --> 00:18:10,306
>> WHAT ARE YOU WEARING?
477
00:18:10,306 --> 00:18:11,351
>> Not a whole lot.
478
00:18:11,351 --> 00:18:12,134
>> Anything?
479
00:18:12,134 --> 00:18:13,483
>> MM, WELL, I'M WEARING A
480
00:18:13,483 --> 00:18:14,658
TEDDY, BUT IT'S SHEER.
481
00:18:14,658 --> 00:18:17,487
TEDDY, BUT IT'S SHEER.
YOU CAN SEE...RIGHT THROUGH IT.
482
00:18:17,487 --> 00:18:21,970
YOU CAN SEE...RIGHT THROUGH IT.
483
00:18:21,970 --> 00:18:23,189
>> DO YOU HAPPEN TO HAVE A FUR
484
00:18:23,189 --> 00:18:25,191
COAT IN YOUR CLOSET?
485
00:18:25,191 --> 00:18:26,757
>> A FUR COAT?
486
00:18:26,757 --> 00:18:28,194
>> Uh, yeah.
487
00:18:28,194 --> 00:18:29,673
>> YEAH!
488
00:18:29,673 --> 00:18:31,197
SURE! DOESN'T EVERYBODY?
489
00:18:31,197 --> 00:18:32,372
>> I WANT YOU TO TAKE OFF
490
00:18:32,372 --> 00:18:33,808
EVERYTHING ELSE AND GO GET YOUR
491
00:18:33,808 --> 00:18:36,289
FUR COAT AND PUT IT ON.
492
00:18:36,289 --> 00:18:37,986
>> UH, I'M GOING TO THE CLOSET
493
00:18:37,986 --> 00:18:40,380
NOW, AND...
494
00:18:40,380 --> 00:18:42,077
I'M OPENING THE DOOR, AND -- OH,
495
00:18:42,077 --> 00:18:45,385
THERE IT IS, THE SABLE COAT.
496
00:18:45,385 --> 00:18:46,603
I'M, UH --
497
00:18:46,603 --> 00:18:48,431
I'M SLIPPING OFF MY TEDDY AND
498
00:18:48,431 --> 00:18:49,911
PUTTING THE COAT ON.
499
00:18:49,911 --> 00:18:50,825
>> Okay, good.
500
00:18:50,825 --> 00:18:51,695
BUTTON IT UP.
501
00:18:51,695 --> 00:18:53,044
>> I'm buttoning it up.
502
00:18:53,044 --> 00:18:56,222
>> TIGHT. BUTTON IT UP TIGHT.
503
00:18:56,222 --> 00:18:58,180
>> ALL RIGHT. NOW WHAT?
504
00:18:58,180 --> 00:18:59,486
>> NOW I WANT YOU IN A TRAIN
505
00:18:59,486 --> 00:19:01,618
STATION...
506
00:19:01,618 --> 00:19:03,751
IN EUROPE.
507
00:19:03,751 --> 00:19:06,580
BUDAPEST.
508
00:19:06,580 --> 00:19:09,017
OR PRAGUE. WHAT DO YOU THINK?
509
00:19:09,017 --> 00:19:10,410
>> I-I THINK IT'S YOUR DIME,
510
00:19:10,410 --> 00:19:11,367
BUDDY.
511
00:19:11,367 --> 00:19:13,326
>> BUDAPEST...
512
00:19:13,326 --> 00:19:15,154
>> BUDAPEST...
RIGHT BEFORE WORLD WAR I.
513
00:19:15,154 --> 00:19:19,201
RIGHT BEFORE WORLD WAR I.
514
00:19:19,201 --> 00:19:20,811
I WANT YOU ON ONE OF THOSE HARD,
515
00:19:20,811 --> 00:19:24,032
WOODEN BENCHES.
516
00:19:24,032 --> 00:19:27,601
THE TRAIN STATION IS DESERTED.
517
00:19:27,601 --> 00:19:30,038
YOU'RE ALL ALONE.
518
00:19:30,038 --> 00:19:31,866
YOU'RE ALL ALONE.
IT'S THE MIDDLE OF THE NIGHT.
519
00:19:31,866 --> 00:19:34,782
IT'S THE MIDDLE OF THE NIGHT.
520
00:19:34,782 --> 00:19:36,262
IT'S WINTER.
521
00:19:36,262 --> 00:19:37,524
IT'S SNOWING OUTSIDE.
522
00:19:37,524 --> 00:19:42,050
IT'S -- IT'S BITTERCOLD!
523
00:19:42,050 --> 00:19:43,573
BUT THE COLD -- IT DOESN'T
524
00:19:43,573 --> 00:19:45,401
BOTHER YOU.
525
00:19:45,401 --> 00:19:48,143
IT EXCITES YOU.
526
00:19:48,143 --> 00:19:50,450
THERE'S SOMETHING EROTIC ABOUT
527
00:19:50,450 --> 00:19:53,192
BEING THERE ALONE, NAKED UNDER
528
00:19:53,192 --> 00:19:54,802
YOUR FUR COAT, IN THE MIDDLE OF
529
00:19:54,802 --> 00:19:57,108
THE NIGHT, IN THE MIDDLE OF THE
530
00:19:57,108 --> 00:20:01,156
WINTER.
531
00:20:01,156 --> 00:20:03,854
YOU CAN FEEL THE SILK LINING OF
532
00:20:03,854 --> 00:20:05,508
THE FUR COAT AGAINST YOUR BARE
533
00:20:05,508 --> 00:20:07,641
SKIN.
534
00:20:07,641 --> 00:20:10,731
IT TURNS YOU ON.
535
00:20:10,731 --> 00:20:12,080
Your nipples start to harden.
536
00:20:12,080 --> 00:20:12,646
>> JOHN --
537
00:20:12,646 --> 00:20:14,082
>> Oh, no, no! Wait, wait, wait!
538
00:20:14,082 --> 00:20:16,519
DON'T TALK! DON'T TALK!
539
00:20:16,519 --> 00:20:18,695
YOUR HANDS START TO WANDER
540
00:20:18,695 --> 00:20:21,307
BENEATH YOUR COAT.
541
00:20:21,307 --> 00:20:22,699
You can't stop from touching
542
00:20:22,699 --> 00:20:23,309
yourself.
543
00:20:23,309 --> 00:20:24,135
>> JOHN, LOOK.
544
00:20:24,135 --> 00:20:25,398
I'M -- I'M ACTUALLY -- I'M
545
00:20:25,398 --> 00:20:29,184
REALLY NOT INTO THIS, SO...
546
00:20:29,184 --> 00:20:32,579
>> Try.
547
00:20:32,579 --> 00:20:34,407
>> Try.
Just try.
548
00:20:34,407 --> 00:20:45,548
Just try.
549
00:20:45,548 --> 00:20:48,638
YOU GO TO WARM YOURSELF.
550
00:20:48,638 --> 00:20:52,163
BUT YOU'RE NOT COLD ANYMORE.
551
00:20:52,163 --> 00:20:54,949
YOU'RE BURNING UP.
552
00:20:54,949 --> 00:20:56,559
YOU'RE SO HOT, YOU FEEL LIKE
553
00:20:56,559 --> 00:20:58,257
RUNNING OUT INTO THE SNOW AND
554
00:20:58,257 --> 00:21:00,084
RUNNING OUT INTO THE SNOW AND
DIVING IN.
555
00:21:00,084 --> 00:21:16,449
DIVING IN.
556
00:21:16,449 --> 00:21:18,015
YOUR SKIN IS SO SENSITIVE, IT
557
00:21:18,015 --> 00:21:20,670
HURTS.
558
00:21:20,670 --> 00:21:22,759
YOU CAN'T BEAR TO HAVE ANYTHING
559
00:21:22,759 --> 00:21:25,153
TOUCHING IT, NOW, CAN YOU?
560
00:21:25,153 --> 00:21:27,286
>> NO.
561
00:21:27,286 --> 00:21:31,377
>> YOU LET YOUR COAT SLIDE DOWN
562
00:21:31,377 --> 00:21:33,901
JUST OFF YOUR SHOULDERS...
563
00:21:33,901 --> 00:21:35,032
JUST ENOUGH TO GET THE
564
00:21:35,032 --> 00:21:39,472
STATION MASTER'S ATTENTION.
565
00:21:39,472 --> 00:21:40,647
YOU DON'T KNOW WHAT'S GONNA
566
00:21:40,647 --> 00:21:41,735
HAPPEN, BUT YOU KNOW THAT
567
00:21:41,735 --> 00:21:44,955
SOMETHING HAS TO.
568
00:21:44,955 --> 00:21:46,783
SOMETHING HAS TO.
YOU'VE GONE TOO FAR.
569
00:21:46,783 --> 00:21:50,091
YOU'VE GONE TOO FAR.
570
00:21:50,091 --> 00:21:52,789
SO, WHO'S IT GONNA BE?
571
00:21:52,789 --> 00:21:55,705
THE STATION MASTER --
572
00:21:55,705 --> 00:21:57,490
A MAN WITH NO PRESENT AND NO
573
00:21:57,490 --> 00:21:59,448
PAST, A MAN WHO SITS AT A TICKET
574
00:21:59,448 --> 00:22:01,407
WINDOW OF A TRAIN STATION WHERE
575
00:22:01,407 --> 00:22:04,627
NO TRAINS STOP...
576
00:22:04,627 --> 00:22:06,063
WAITING FOR SOMEONE TO SHOW UP
577
00:22:06,063 --> 00:22:10,111
IN A FUR COAT?
578
00:22:10,111 --> 00:22:13,419
IF NOT HIM, WHO?
579
00:22:13,419 --> 00:22:14,594
I'M GONNA LET YOU CHOOSE,
580
00:22:14,594 --> 00:22:16,073
BECAUSE THIS IS VERY IMPORTANT.
581
00:22:16,073 --> 00:22:16,944
DO YOU KNOW WHY?
582
00:22:16,944 --> 00:22:17,988
BECAUSE AFTERWARDS...
583
00:22:17,988 --> 00:22:19,250
[ LIGHTER CLICKS, ECHOES ]
584
00:22:19,250 --> 00:22:20,730
...WHEN YOU LIGHT THAT CIGARETTE
585
00:22:20,730 --> 00:22:22,166
AND THE PERSPIRATION STARTS TO
586
00:22:22,166 --> 00:22:24,125
DRY...
587
00:22:24,125 --> 00:22:26,562
YOU'RE GONNA BE ALL ALONE AGAIN.
588
00:22:26,562 --> 00:22:27,824
THAT FATEFUL MOMENT WHEN YOU'RE
589
00:22:27,824 --> 00:22:30,218
BACK DOWN ON EARTH, SURROUNDED
590
00:22:30,218 --> 00:22:31,741
BY THE SADNESS OF IT ALL -- LIKE
591
00:22:31,741 --> 00:22:33,961
THE MAN SAID, POST COITUM OMNE
592
00:22:33,961 --> 00:22:35,571
ANIMAL TRISTE EST.
593
00:22:35,571 --> 00:22:36,833
>> WHAT?
594
00:22:36,833 --> 00:22:38,357
>> It means "After sex, all men
595
00:22:38,357 --> 00:22:40,184
are sad."
596
00:22:40,184 --> 00:22:41,664
Are women?
597
00:22:41,664 --> 00:22:43,231
Are w-- are they sad, too?
598
00:22:43,231 --> 00:22:45,015
>> WHY -- WHY DID YOU SAY THAT?
599
00:22:45,015 --> 00:22:45,625
>> What?
600
00:22:45,625 --> 00:22:47,017
>> THAT THING IN LATIN.
601
00:22:47,017 --> 00:22:48,323
WHY DID YOU SAY THAT?
602
00:22:48,323 --> 00:22:50,847
>> Because it's true.
603
00:22:50,847 --> 00:22:53,110
BUT WOMEN AREN'T SAD, ARE THEY?
604
00:22:53,110 --> 00:22:54,155
WHY WOULD THEYBE SAD?
605
00:22:54,155 --> 00:22:55,548
THEY'RE TRIUMPHANT!
606
00:22:55,548 --> 00:22:56,984
I MEAN, THEY GOT US TO GO SQUIRT
607
00:22:56,984 --> 00:22:58,246
WITH THE WATER PISTOL RIGHT
608
00:22:58,246 --> 00:22:59,116
WHERE THEY WANTED.
609
00:22:59,116 --> 00:23:00,161
WHY WOULD THEYBE SAD?
610
00:23:00,161 --> 00:23:01,031
>> WELL, THEY ARE.
611
00:23:01,031 --> 00:23:01,989
TAKE MY WORD FOR IT.
612
00:23:01,989 --> 00:23:02,511
[ SIGHS ]
613
00:23:02,511 --> 00:23:03,033
>> What?
614
00:23:03,033 --> 00:23:03,947
>> UM, I'M -- HEY!
615
00:23:03,947 --> 00:23:04,687
I'M HANGING UP.
616
00:23:04,687 --> 00:23:05,819
I-I HOPE YOU GOT OFF.
617
00:23:05,819 --> 00:23:07,168
>> WAIT, YOU CAN'T HA-- YOU
618
00:23:07,168 --> 00:23:08,517
DON'T -- YOUDON'T HANG UP!
619
00:23:08,517 --> 00:23:10,084
I'M -- WE'RE IN A TRAIN STATION!
620
00:23:10,084 --> 00:23:11,302
OUR BODIES ARE BURNING!
621
00:23:11,302 --> 00:23:13,479
WHAT ARE WE SUPPOSED TO DO?
622
00:23:13,479 --> 00:23:15,306
WHAT ARE WE SUPPOSED TO DO?
OH, COME ON, DELILAH.
623
00:23:15,306 --> 00:23:18,309
OH, COME ON, DELILAH.
624
00:23:18,309 --> 00:23:19,485
THERE MAY NEVER BE ANOTHER
625
00:23:19,485 --> 00:23:20,921
MOMENT LIKE THIS IN YOUR ENTIRE
626
00:23:20,921 --> 00:23:21,791
EXISTENCE.
627
00:23:21,791 --> 00:23:22,531
[ Beep ]
628
00:23:22,531 --> 00:23:24,403
[ Beep ]
[ EXHALES SOFTLY ]
629
00:23:24,403 --> 00:23:35,718
[ EXHALES SOFTLY ]
630
00:23:35,718 --> 00:23:37,546
[ EXHALES SOFTLY ]
>> [ EXHALES ]
631
00:23:37,546 --> 00:23:41,811
>> [ EXHALES ]
632
00:23:41,811 --> 00:23:43,639
>> [ SCOFFS ]
633
00:23:43,639 --> 00:23:45,206
TALK GET A LITTLE TOO SWEET FOR
634
00:23:45,206 --> 00:23:46,512
TALK GET A LITTLE TOO SWEET FOR
YOU?
635
00:23:46,512 --> 00:23:53,649
YOU?
636
00:23:53,649 --> 00:23:58,175
>> [ SIGHS, CHUCKLES SOFTLY ]
637
00:23:58,175 --> 00:24:01,178
>> [ GRUNTS ]
638
00:24:01,178 --> 00:24:02,745
[ SIGHS ]
639
00:24:02,745 --> 00:24:04,573
[ SIGHS ]
[ TELEPHONE RINGING ]
640
00:24:04,573 --> 00:24:07,141
[ TELEPHONE RINGING ]
641
00:24:07,141 --> 00:24:08,969
[ TELEPHONE RINGING ]
>> [ SIGHS ]
642
00:24:08,969 --> 00:24:14,757
>> [ SIGHS ]
643
00:24:14,757 --> 00:24:16,585
>> [ SIGHS ]
[ TELEPHONE CONTINUES RINGING ]
644
00:24:16,585 --> 00:24:26,334
[ TELEPHONE CONTINUES RINGING ]
645
00:24:26,334 --> 00:24:27,553
HELLO. SWEET TALK.
646
00:24:27,553 --> 00:24:28,641
THIS IS DELILAH.
647
00:24:28,641 --> 00:24:31,339
YOU WANT TO TALK?
648
00:24:31,339 --> 00:24:35,517
HELLO? ANYBODY THERE?
649
00:24:35,517 --> 00:24:37,388
HI, THERE!
650
00:24:37,388 --> 00:24:41,436
WHAT'S YOUR NAME?
651
00:24:41,436 --> 00:24:43,569
[ CHUCKLES ]
652
00:24:43,569 --> 00:24:47,834
HI, MARTY. HOW YOU DOING?
653
00:24:47,834 --> 00:24:49,705
HAVE YOU, UH -- HAVE YOU EVER
654
00:24:49,705 --> 00:24:52,665
CALLED US BEFORE, MARTY?
655
00:24:52,665 --> 00:24:54,405
ALL RIGHT, MARTY.
656
00:24:54,405 --> 00:24:55,450
FASTEN YOUR SEATBELT.
657
00:24:55,450 --> 00:24:57,539
HERE WE GO.
658
00:24:57,539 --> 00:24:59,976
[ British accent ] MARTY?
659
00:24:59,976 --> 00:25:01,282
WHO GAVE YOU PERMISSION TO COME
660
00:25:01,282 --> 00:25:01,935
INTO MY ROOM?!
661
00:25:01,935 --> 00:25:04,067
I DIDN'T HEAR YOU KNOCK!
662
00:25:04,067 --> 00:25:07,027
STOP BABBLING!
663
00:25:07,027 --> 00:25:08,245
IF I CATCH YOU LOOKING AT ME,
664
00:25:08,245 --> 00:25:09,551
THAT'S WHAT I'M GOING TO HAVE TO
665
00:25:09,551 --> 00:25:10,596
DO -- I'M GOING TO HAVE TO
666
00:25:10,596 --> 00:25:11,684
PUNISH YOU!
667
00:25:11,684 --> 00:25:13,294
BAD BOYS GET SPANKED, MARTY!
668
00:25:13,294 --> 00:25:15,862
TAKE DOWN YOUR TROUSERS!
669
00:25:15,862 --> 00:25:17,124
[ SIGHS ] THAT'S RIGHT.
670
00:25:17,124 --> 00:25:20,823
UNDERPANTS, TOO.
671
00:25:20,823 --> 00:25:21,868
WELL, WELL, WELL.
672
00:25:21,868 --> 00:25:25,132
WHAT HAVE WE HERE?
673
00:25:25,132 --> 00:25:26,742
GET YOUR HANDS OFF IT, MARTY!
674
00:25:26,742 --> 00:25:27,569
DON'T TOUCH IT!
675
00:25:27,569 --> 00:25:28,570
[ TELEPHONE RINGING ]
676
00:25:28,570 --> 00:25:29,919
NAUGHTY BOYS AREN'T ALLOWED TO
677
00:25:29,919 --> 00:25:31,225
TOUCH THEMSELVES DOWN THERE.
678
00:25:31,225 --> 00:25:32,618
MARTY, I-I WANT YOU TO STAND IN
679
00:25:32,618 --> 00:25:33,880
A CORNER, AND I WANT YOU TO
680
00:25:33,880 --> 00:25:35,446
THINK ABOUT YOUR NICEST LITTLE
681
00:25:35,446 --> 00:25:36,926
BOY VOICE AND HOW YOU'RE GOING
682
00:25:36,926 --> 00:25:39,015
TO ASK ME, AND I DON'T WANT YOU
683
00:25:39,015 --> 00:25:40,451
TO TOUCH IT, OKAY?
684
00:25:40,451 --> 00:25:41,452
DON'T GO AWAY.
685
00:25:41,452 --> 00:25:44,281
I'LL BE RIGHT BACK.
686
00:25:44,281 --> 00:25:45,456
[ Breathy ] SWEET TALK.
687
00:25:45,456 --> 00:25:46,893
THIS IS DELILAH. WANT TO TALK?
688
00:25:46,893 --> 00:25:48,068
>> DO YOUWANT TO TALK?
689
00:25:48,068 --> 00:25:49,112
THAT'S THE QUESTION!
690
00:25:49,112 --> 00:25:50,157
>> [ Chuckling ] Hi.
691
00:25:50,157 --> 00:25:51,680
>> [ As Humphrey Bogart ] OF ALL
692
00:25:51,680 --> 00:25:53,203
THE PHONE-SEX JOINTS IN ALL THE
693
00:25:53,203 --> 00:25:54,683
TOWNS IN ALL THE WORLD, WHY'D I
694
00:25:54,683 --> 00:25:55,641
HAVE TO DIAL HERS?
695
00:25:55,641 --> 00:25:56,946
>> I'M ON THE OTHER LINE.
696
00:25:56,946 --> 00:25:58,382
>> YOU LEFT ME ALL ALONE IN A
697
00:25:58,382 --> 00:25:59,601
COLD RAILROAD STATION IN
698
00:25:59,601 --> 00:26:00,167
BUDAPEST!
699
00:26:00,167 --> 00:26:01,603
THAT WASN'T VERY NICE OF YOU!
700
00:26:01,603 --> 00:26:02,952
>> I can't talk to you right
701
00:26:02,952 --> 00:26:03,344
now.
702
00:26:03,344 --> 00:26:04,780
>> I DON'T KNOW IF YOU WANT TO
703
00:26:04,780 --> 00:26:05,738
TALK TO ME AT ALL!
704
00:26:05,738 --> 00:26:07,217
>> CAN YOU CALL ME BACK LATER?
705
00:26:07,217 --> 00:26:08,567
>> I MIGHT NOT BE AVAILABLE
706
00:26:08,567 --> 00:26:09,002
LATER.
707
00:26:09,002 --> 00:26:10,786
I MIGHT BE ASLEEP...ALL ALONE
708
00:26:10,786 --> 00:26:12,353
IN MY BIG BED WITH SATIN SHEETS.
709
00:26:12,353 --> 00:26:13,702
>> Okay, call me back in five
710
00:26:13,702 --> 00:26:14,268
minutes.
711
00:26:14,268 --> 00:26:15,138
>> FIVE MINUTES?
712
00:26:15,138 --> 00:26:16,966
>> Yes.
713
00:26:16,966 --> 00:26:18,489
[ British accent ] MARTY, YOU
714
00:26:18,489 --> 00:26:19,273
NAUGHTY BOY.
715
00:26:19,273 --> 00:26:20,666
I CAN SEE WHAT YOU'RE DOING
716
00:26:20,666 --> 00:26:23,886
THERE!
717
00:26:23,886 --> 00:26:27,194
MARTY.
718
00:26:27,194 --> 00:26:29,892
[ Normal voice ] MARTY.
719
00:26:29,892 --> 00:26:31,154
>> WHAT DO YOU SAY WE MAKE HER
720
00:26:31,154 --> 00:26:32,503
WAIT A LITTLE BIT?
721
00:26:32,503 --> 00:26:33,940
HMM?
722
00:26:33,940 --> 00:26:35,768
HMM?
PISS HER OFF?
723
00:26:35,768 --> 00:26:39,336
PISS HER OFF?
724
00:26:39,336 --> 00:26:43,514
YOU SEE, LEON...
725
00:26:43,514 --> 00:26:45,560
WOMEN...
726
00:26:45,560 --> 00:26:49,129
WANT TO BE WOOED.
727
00:26:49,129 --> 00:26:51,653
THEY WANT YOU TO DO IT...
728
00:26:51,653 --> 00:26:54,264
SLOWLY...
729
00:26:54,264 --> 00:26:56,179
TENDERLY...
730
00:26:56,179 --> 00:26:57,703
GENTLY.
731
00:26:57,703 --> 00:27:00,836
WOMEN, LEON, WANT TO BE...
732
00:27:00,836 --> 00:27:04,057
TEASED.
733
00:27:04,057 --> 00:27:06,189
AND THEN BOOM!
734
00:27:06,189 --> 00:27:07,582
THEY'RE LIKE A WILD ANIMAL,
735
00:27:07,582 --> 00:27:09,715
SCRATCHING AT YOUR BACK, CLAWING
736
00:27:09,715 --> 00:27:11,804
AT YOUR HAIR, SCREAMING, "FUCK
737
00:27:11,804 --> 00:27:13,936
ME, BABY!" LOUD ENOUGH TO BREAK
738
00:27:13,936 --> 00:27:16,591
AN EARDRUM!
739
00:27:16,591 --> 00:27:17,897
THEN YOU GOT THEM BACK IN THE
740
00:27:17,897 --> 00:27:21,857
CAVE.
741
00:27:21,857 --> 00:27:24,164
BUT IT ALL STARTS...
742
00:27:24,164 --> 00:27:27,254
BY MAKING THEM WAIT.
743
00:27:27,254 --> 00:27:29,082
BY MAKING THEM WAIT.
>> [ SIGHS SOFTLY ]
744
00:27:29,082 --> 00:27:35,828
>> [ SIGHS SOFTLY ]
745
00:27:35,828 --> 00:27:37,656
>> [ SIGHS SOFTLY ]
[ TELEPHONE RINGING ]
746
00:27:37,656 --> 00:27:48,231
[ TELEPHONE RINGING ]
747
00:27:48,231 --> 00:27:50,059
[ TELEPHONE RINGING ]
[ Ringing ]
748
00:27:50,059 --> 00:27:54,194
[ Ringing ]
749
00:27:54,194 --> 00:27:56,022
[ Ringing ]
[ TELEPHONE CONTINUES RINGING ]
750
00:27:56,022 --> 00:28:01,288
[ TELEPHONE CONTINUES RINGING ]
751
00:28:01,288 --> 00:28:02,681
>> WHY'D YOU SAY THAT THING IN
752
00:28:02,681 --> 00:28:03,116
LATIN?
753
00:28:03,116 --> 00:28:04,160
>> POST COITUM OMNE --
754
00:28:04,160 --> 00:28:05,335
>> ...animal triste est.
755
00:28:05,335 --> 00:28:06,380
Yeah.
756
00:28:06,380 --> 00:28:07,511
>> WOW.
757
00:28:07,511 --> 00:28:08,817
I...USUALLY SAY IT TO ALL THE
758
00:28:08,817 --> 00:28:10,210
GIRLS ON THE FIRST DATE SO THEY
759
00:28:10,210 --> 00:28:11,211
KNOW WHAT TO EXPECT.
760
00:28:11,211 --> 00:28:12,516
>> I had just said that exact
761
00:28:12,516 --> 00:28:13,779
same thing to somebody right
762
00:28:13,779 --> 00:28:14,693
before you called.
763
00:28:14,693 --> 00:28:16,129
I MEAN, THAT IS -- THAT'S REALLY
764
00:28:16,129 --> 00:28:17,608
WEIRD, RIGHT?!
765
00:28:17,608 --> 00:28:18,131
>> Yeah!
766
00:28:18,131 --> 00:28:18,697
>> YEAH.
767
00:28:18,697 --> 00:28:20,089
>> IS THAT WHY YOU HUNG UP ON
768
00:28:20,089 --> 00:28:20,437
ME?
769
00:28:20,437 --> 00:28:21,961
>> NO, I HUNG UP ON YOU BECAUSE
770
00:28:21,961 --> 00:28:23,353
I THOUGHT YOU WERE FINISHED.
771
00:28:23,353 --> 00:28:24,615
>> [ SCOFFS ]
772
00:28:24,615 --> 00:28:27,314
OKAY. BULLSHIT.
773
00:28:27,314 --> 00:28:27,836
BULLSHIT!
774
00:28:27,836 --> 00:28:29,142
I THINK THAT YOU WERE HAVING
775
00:28:29,142 --> 00:28:30,534
TROUBLE IN THE TRAIN STATION IN
776
00:28:30,534 --> 00:28:31,057
BUDAPEST.
777
00:28:31,057 --> 00:28:31,535
>> HEY.
778
00:28:31,535 --> 00:28:32,798
>> I think it was getting a
779
00:28:32,798 --> 00:28:34,190
little too hot in there for you.
780
00:28:34,190 --> 00:28:35,496
>> Y-YEAH, I-I DO THIS FOR A
781
00:28:35,496 --> 00:28:36,323
LIVING, REMEMBER?
782
00:28:36,323 --> 00:28:37,803
>> YEAH, UH, BUT I'M NOT TALKING
783
00:28:37,803 --> 00:28:39,195
ABOUT, "OH, BOY, WHAT A BIG DICK
784
00:28:39,195 --> 00:28:39,805
YOU HAVE."
785
00:28:39,805 --> 00:28:41,371
I'M TALKING ABOUT THE REAL
786
00:28:41,371 --> 00:28:41,807
THING.
787
00:28:41,807 --> 00:28:42,938
>> Hey, if I want to do the
788
00:28:42,938 --> 00:28:44,287
real thing, I don't have to pick
789
00:28:44,287 --> 00:28:45,332
up a phone.
790
00:28:45,332 --> 00:28:46,812
>> THERE'S A LOT OF ADVANTAGES
791
00:28:46,812 --> 00:28:48,248
TO CONNECTING OVER THE PHONE.
792
00:28:48,248 --> 00:28:50,119
>> LIKE WHAT?
793
00:28:50,119 --> 00:28:51,730
>> WELL, YOU CAN TRAVEL TO SOME
794
00:28:51,730 --> 00:28:53,166
PRETTY AMAZING PLACES WITHOUT
795
00:28:53,166 --> 00:28:55,777
EVER HAVING TO LEAVE YOUR ROOM!
796
00:28:55,777 --> 00:28:57,779
IT'S JUST STORYTELLING.
797
00:28:57,779 --> 00:28:59,389
THAT'S ALL.
798
00:28:59,389 --> 00:29:00,739
AND WHO DOESN'T LOVE A GOOD
799
00:29:00,739 --> 00:29:02,741
STORY?
800
00:29:02,741 --> 00:29:04,351
You think -- Do you think
801
00:29:04,351 --> 00:29:06,135
Scheherazade stayed alive by
802
00:29:06,135 --> 00:29:07,571
going down on the king every
803
00:29:07,571 --> 00:29:08,007
night?
804
00:29:08,007 --> 00:29:09,312
No, she told him stories!
805
00:29:09,312 --> 00:29:10,836
She took him to places that he
806
00:29:10,836 --> 00:29:11,837
hadn't been before!
807
00:29:11,837 --> 00:29:13,229
>> LIKE A TRAIN STATION IN
808
00:29:13,229 --> 00:29:13,839
BUDAPEST.
809
00:29:13,839 --> 00:29:16,798
>> Yeah! Why not?
810
00:29:16,798 --> 00:29:20,367
SEE, DELILAH...
811
00:29:20,367 --> 00:29:21,847
I GET THIS FEELING THAT YOU AND
812
00:29:21,847 --> 00:29:23,283
I HAVE SOME STORIES TO LIVE OUT
813
00:29:23,283 --> 00:29:25,938
BETWEEN US.
814
00:29:25,938 --> 00:29:27,330
>> WELL, I'M GONNA HAVE TO PUT
815
00:29:27,330 --> 00:29:28,375
YOU BACK ON THE CLOCK.
816
00:29:28,375 --> 00:29:30,029
MY BOSS CHECKS THE PHONES.
817
00:29:30,029 --> 00:29:31,247
>> That's fine with me.
818
00:29:31,247 --> 00:29:32,031
>> MM. REALLY?
819
00:29:32,031 --> 00:29:33,467
YOU MUST BE A PRETTY WEALTHY
820
00:29:33,467 --> 00:29:33,859
GUY.
821
00:29:33,859 --> 00:29:35,469
$2.99 A MINUTE STARTS TO ADD UP,
822
00:29:35,469 --> 00:29:36,035
YOU KNOW.
823
00:29:36,035 --> 00:29:36,905
>> [ Chuckles ]
824
00:29:36,905 --> 00:29:38,515
To travel places you really want
825
00:29:38,515 --> 00:29:39,821
to go...
826
00:29:39,821 --> 00:29:43,259
IT SOUNDS PRETTY CHEAP TO ME.
827
00:29:43,259 --> 00:29:46,088
So...
828
00:29:46,088 --> 00:29:48,047
SO, WHERE DO YOU WANT TO GO?
829
00:29:48,047 --> 00:29:48,917
>> OH. [ CHUCKLES ]
830
00:29:48,917 --> 00:29:50,136
JOHN, I THINK YOU HAVE THIS
831
00:29:50,136 --> 00:29:50,701
BACKWARDS.
832
00:29:50,701 --> 00:29:51,964
I'M SUPPOSED TO TAKE YOU WHERE
833
00:29:51,964 --> 00:29:52,791
YOUWANT TO GO.
834
00:29:52,791 --> 00:29:54,096
>> WHAT DIFFERENCE DOES IT MAKE
835
00:29:54,096 --> 00:29:55,402
WHO TAKES WHO, JUST AS LONG AS
836
00:29:55,402 --> 00:29:56,316
WE GET THERE, RIGHT?
837
00:29:56,316 --> 00:29:56,882
ALL RIGHT.
838
00:29:56,882 --> 00:29:59,145
UM...
839
00:29:59,145 --> 00:30:00,407
I GOT AN IDEA.
840
00:30:00,407 --> 00:30:01,277
>> Yeah? What?
841
00:30:01,277 --> 00:30:02,757
>> Yeah. I, uh -- [ Sighs ]
842
00:30:02,757 --> 00:30:04,280
I got to get some fresh air,
843
00:30:04,280 --> 00:30:04,846
though.
844
00:30:04,846 --> 00:30:05,586
I got to --
845
00:30:05,586 --> 00:30:06,717
>> WHERE YOU GOING?
846
00:30:06,717 --> 00:30:07,762
>> Up to the roof.
847
00:30:07,762 --> 00:30:09,590
>> Up to the roof.
>> THE ROOF? WHAT ROOF?
848
00:30:09,590 --> 00:30:24,605
>> THE ROOF? WHAT ROOF?
849
00:30:24,605 --> 00:30:25,998
>> YOU STILL THERE?
850
00:30:25,998 --> 00:30:27,826
>> YOU STILL THERE?
>> Yeah, I'm here.
851
00:30:27,826 --> 00:30:41,143
>> Yeah, I'm here.
852
00:30:41,143 --> 00:30:42,405
>> I LIKE TO COME UP HERE AT
853
00:30:42,405 --> 00:30:46,366
NIGHT SOMETIMES AND THINK.
854
00:30:46,366 --> 00:30:48,194
NIGHT SOMETIMES AND THINK.
IT'S BEAUTIFUL.
855
00:30:48,194 --> 00:30:52,067
IT'S BEAUTIFUL.
856
00:30:52,067 --> 00:30:53,199
I LIKE TO LOOK AT ALL THE
857
00:30:53,199 --> 00:30:55,941
DIFFERENT APARTMENTS...
858
00:30:55,941 --> 00:30:57,507
ALL THE PEOPLE INSIDE...
859
00:30:57,507 --> 00:30:59,553
>> [ LAUGHING ]
860
00:30:59,553 --> 00:31:02,643
>> ...WATCHING TV, EATING,
861
00:31:02,643 --> 00:31:04,732
LAUGHING...
862
00:31:04,732 --> 00:31:06,516
CRYING, ARGUING.
863
00:31:06,516 --> 00:31:08,562
[ CHUCKLES ]
864
00:31:08,562 --> 00:31:13,436
So many different stories.
865
00:31:13,436 --> 00:31:16,657
It's amazing.
866
00:31:16,657 --> 00:31:18,050
Behind every window is a
867
00:31:18,050 --> 00:31:19,703
different life, a whole other
868
00:31:19,703 --> 00:31:20,835
life!
869
00:31:20,835 --> 00:31:22,663
Do you realize that your soul
870
00:31:22,663 --> 00:31:23,142
mate...
871
00:31:23,142 --> 00:31:24,491
COULD LIVE RIGHT ACROSS THE
872
00:31:24,491 --> 00:31:26,058
STREET FROM YOU?
873
00:31:26,058 --> 00:31:27,973
OR HE COULD LIVE IN BANGLADESH.
874
00:31:27,973 --> 00:31:29,975
OR PITTSBURGH.
875
00:31:29,975 --> 00:31:33,543
[ CHUCKLES ]
876
00:31:33,543 --> 00:31:34,544
Okay!
877
00:31:34,544 --> 00:31:36,198
YES.
878
00:31:36,198 --> 00:31:37,721
LET'S REVERSE THE ROLES!
879
00:31:37,721 --> 00:31:39,288
You pretend like you're one of
880
00:31:39,288 --> 00:31:40,811
the guys calling Sweet Talk!
881
00:31:40,811 --> 00:31:41,682
>> NO. COME ON.
882
00:31:41,682 --> 00:31:43,075
>> Seriously! Just try it!
883
00:31:43,075 --> 00:31:43,989
Just try it.
884
00:31:43,989 --> 00:31:46,687
[ Imitates telephone ringing ]
885
00:31:46,687 --> 00:31:47,818
[ Deep voice ] HI.
886
00:31:47,818 --> 00:31:48,994
THIS IS STUD TALK.
887
00:31:48,994 --> 00:31:50,865
JOHN SPEAKING.
888
00:31:50,865 --> 00:31:52,911
>> [ CHUCKLES ]
889
00:31:52,911 --> 00:31:54,434
JOHN'S NOT REALLY YOUR NAME, IS
890
00:31:54,434 --> 00:31:54,782
IT?
891
00:31:54,782 --> 00:31:56,305
>> [ French accent ] IT'S A NOM
892
00:31:56,305 --> 00:31:57,916
DE GUERRE, SO TO SPEAK.
893
00:31:57,916 --> 00:32:00,440
SO, TELL ME, MS. DELILAH...
894
00:32:00,440 --> 00:32:01,702
[ Normal voice ] WHAT ARE YOU
895
00:32:01,702 --> 00:32:05,532
INTERESTED IN TALKING ABOUT?
896
00:32:05,532 --> 00:32:07,664
>> UM...I DON'T --
897
00:32:07,664 --> 00:32:08,361
I DON'T KNOW.
898
00:32:08,361 --> 00:32:09,710
I'M NOT REALLY -- I'M NOT VERY
899
00:32:09,710 --> 00:32:10,972
GOOD AT THIS.
900
00:32:10,972 --> 00:32:12,104
>> OH, COME ON!
901
00:32:12,104 --> 00:32:12,626
COME ON!
902
00:32:12,626 --> 00:32:13,932
YOU WERE RIGHT THERE AT THE
903
00:32:13,932 --> 00:32:15,020
TRAIN STATION WITH ME!
904
00:32:15,020 --> 00:32:15,846
I KNOW YOU WERE!
905
00:32:15,846 --> 00:32:18,937
JUST GO WITH IT.
906
00:32:18,937 --> 00:32:22,462
>> OKAY, WHAT IF, UM --
907
00:32:22,462 --> 00:32:23,767
Mm, what if it was something out
908
00:32:23,767 --> 00:32:25,726
of a Russian novel?
909
00:32:25,726 --> 00:32:27,249
>> YES!
910
00:32:27,249 --> 00:32:29,295
"THE BROTHERS KARAMAZOV."
911
00:32:29,295 --> 00:32:30,557
>> OHH, I WAS THINKING TOLSTOY,
912
00:32:30,557 --> 00:32:31,688
ACTUALLY.
913
00:32:31,688 --> 00:32:32,341
>> AH!
914
00:32:32,341 --> 00:32:34,039
FOR WHOM THE BELL "TOLSTOYS!"
915
00:32:34,039 --> 00:32:36,693
>> [ Chuckling ] GOD!
916
00:32:36,693 --> 00:32:39,827
>> Okay! Here's what we do!
917
00:32:39,827 --> 00:32:42,612
WE CREATE EACH OTHER.
918
00:32:42,612 --> 00:32:44,832
ANYBODY WE WANT TO BE.
919
00:32:44,832 --> 00:32:47,878
ANYWHERE WE WANT TO GO.
920
00:32:47,878 --> 00:32:49,097
ALL IT TAKES IS A LITTLE
921
00:32:49,097 --> 00:32:52,753
IMAGINATION.
922
00:32:52,753 --> 00:32:53,797
You do this for a living,
923
00:32:53,797 --> 00:32:55,451
remember?
924
00:32:55,451 --> 00:32:56,626
>> WELL, YEAH.
925
00:32:56,626 --> 00:32:58,672
BUT I DON'T USUALLY GET CALLS
926
00:32:58,672 --> 00:33:00,804
FROM GUYS WHO WANT TO GO TO...
927
00:33:00,804 --> 00:33:03,590
train stations in Budapest.
928
00:33:03,590 --> 00:33:04,939
>> LET'S GO BACK THERE.
929
00:33:04,939 --> 00:33:06,462
>> The train station?
930
00:33:06,462 --> 00:33:07,637
>> YEAH! YEAH, YEAH, YEAH!
931
00:33:07,637 --> 00:33:09,074
>> First of all, what am I doing
932
00:33:09,074 --> 00:33:09,465
there?
933
00:33:09,465 --> 00:33:10,423
>> I don't know yet!
934
00:33:10,423 --> 00:33:11,119
I don't know!
935
00:33:11,119 --> 00:33:12,425
We're making this up as we go
936
00:33:12,425 --> 00:33:12,860
along.
937
00:33:12,860 --> 00:33:14,079
>> WELL, THEN, I'M WEARING A
938
00:33:14,079 --> 00:33:17,169
CAPE --
939
00:33:17,169 --> 00:33:19,084
A FUR CAPE.
940
00:33:19,084 --> 00:33:21,260
AND I'M -- MM -- DRIPPING IN
941
00:33:21,260 --> 00:33:22,957
EMERALDS.
942
00:33:22,957 --> 00:33:24,089
>> NICE.
943
00:33:24,089 --> 00:33:25,742
>> I don't know. It's -- it's --
944
00:33:25,742 --> 00:33:27,179
IT'S A LITTLE DRESSY FOR A TRAIN
945
00:33:27,179 --> 00:33:28,397
STATION, DON'T YOU THINK?
946
00:33:28,397 --> 00:33:29,311
>> WELL, SO WHAT?!
947
00:33:29,311 --> 00:33:30,573
IT'S YOUR RAILROAD STATION!
948
00:33:30,573 --> 00:33:31,487
PUT IT ON.
949
00:33:31,487 --> 00:33:32,575
>> The cape?
950
00:33:32,575 --> 00:33:34,534
>> YES! PUT IT ON!
951
00:33:34,534 --> 00:33:37,406
AND REALLY -- REALLY PUT IT ON.
952
00:33:37,406 --> 00:33:38,842
>> [ SIGHS ]
953
00:33:38,842 --> 00:33:41,497
OKA-- I HAVE TO GO TO MY CLOSET!
954
00:33:41,497 --> 00:33:42,411
>> YOU KNOW WHAT?
955
00:33:42,411 --> 00:33:43,760
I WANT MY VOICE IN THE ROOM.
956
00:33:43,760 --> 00:33:45,414
PUT ME ON SPEAKERPHONE.
957
00:33:45,414 --> 00:33:49,027
>> [ SIGHS ] OKAY, HOLD ON.
958
00:33:49,027 --> 00:33:50,593
HOW'S THAT?
959
00:33:50,593 --> 00:33:52,378
>> THAT'S GREAT. HOW'S THAT?
960
00:33:52,378 --> 00:33:54,249
>> Oh! Good!
961
00:33:54,249 --> 00:33:55,294
>> Put on your cape!
962
00:33:55,294 --> 00:33:56,730
>> [ Chuckling ] OKAY, OKAY.
963
00:33:56,730 --> 00:33:58,558
>> [ Chuckling ] OKAY, OKAY.
[ Muttering ] OH, GOD...
964
00:33:58,558 --> 00:34:05,652
[ Muttering ] OH, GOD...
965
00:34:05,652 --> 00:34:07,523
[ EXHALES ]
966
00:34:07,523 --> 00:34:09,743
IT'S ON.
967
00:34:09,743 --> 00:34:11,005
>> AND WHAT DO YOU GOT ON UNDER
968
00:34:11,005 --> 00:34:14,878
THE CAPE?
969
00:34:14,878 --> 00:34:18,621
>> UM...
970
00:34:18,621 --> 00:34:20,449
>> UM...
I'M WEARING...
971
00:34:20,449 --> 00:34:27,326
I'M WEARING...
972
00:34:27,326 --> 00:34:30,894
...BEAUTIFULANTIQUE...
973
00:34:30,894 --> 00:34:34,376
silk underwear.
974
00:34:34,376 --> 00:34:37,336
WHAT ABOUT YOU, JOHN?
975
00:34:37,336 --> 00:34:40,252
WHAT ARE YOU WEARING?
976
00:34:40,252 --> 00:34:41,688
>> A BASEBALL UNIFORM.
977
00:34:41,688 --> 00:34:43,211
>> In the train station!
978
00:34:43,211 --> 00:34:44,473
>> JUST THE PANTS.
979
00:34:44,473 --> 00:34:46,214
>> YOU'RE WALKING AROUND THE
980
00:34:46,214 --> 00:34:48,173
BUDAPEST TRAIN STATION IN A PAIR
981
00:34:48,173 --> 00:34:50,653
OF BASEBALL PANTS.
982
00:34:50,653 --> 00:34:51,785
>> YEAH! WHY NOT?
983
00:34:51,785 --> 00:34:54,396
>> WELL...OKAY.
984
00:34:54,396 --> 00:34:56,442
WHO ARE YOU, ANYWAY?
985
00:34:56,442 --> 00:34:59,619
>> HMM. WELL, THAT --
986
00:34:59,619 --> 00:35:01,621
THAT WOULD DEPEND...
987
00:35:01,621 --> 00:35:03,710
ON THE WOMAN IN THE CAPE.
988
00:35:03,710 --> 00:35:05,494
UH...
989
00:35:05,494 --> 00:35:07,279
I COULD BE -- I COULD BE THE
990
00:35:07,279 --> 00:35:08,976
STATION MASTER.
991
00:35:08,976 --> 00:35:10,630
I COULD BE A PROFESSIONAL
992
00:35:10,630 --> 00:35:12,414
BASEBALL PLAYER.
993
00:35:12,414 --> 00:35:14,590
I COULD BE A PASSENGER ON THE
994
00:35:14,590 --> 00:35:15,025
TRAIN.
995
00:35:15,025 --> 00:35:16,375
I COULD BE A TRAVELING SALESMAN
996
00:35:16,375 --> 00:35:17,245
SELLING UNDERWEAR!
997
00:35:17,245 --> 00:35:18,333
I DON'T KNOW! PICK ONE!
998
00:35:18,333 --> 00:35:19,726
>> HOW'D YOU LIKE TO BE SOMEONE
999
00:35:19,726 --> 00:35:21,423
DANGEROUS?
1000
00:35:21,423 --> 00:35:24,252
>> COOL. YES.
1001
00:35:24,252 --> 00:35:26,167
AN ASSASSIN.
1002
00:35:26,167 --> 00:35:27,734
>> A-A MURDERER?
1003
00:35:27,734 --> 00:35:29,953
>> A professionalmurderer.
1004
00:35:29,953 --> 00:35:32,130
>> LIKE A CONTRACT KILLER.
1005
00:35:32,130 --> 00:35:33,566
>> YES!
1006
00:35:33,566 --> 00:35:33,957
OKAY.
1007
00:35:33,957 --> 00:35:35,220
NOW WE'RE STARTING TO COOK.
1008
00:35:35,220 --> 00:35:36,351
>> What about me? Do I --
1009
00:35:36,351 --> 00:35:37,700
I get to choose who I want to
1010
00:35:37,700 --> 00:35:38,266
be, right?
1011
00:35:38,266 --> 00:35:41,356
>> OF COURSE! ANYBODY YOU WANT.
1012
00:35:41,356 --> 00:35:43,793
>> I want to be a contessa!
1013
00:35:43,793 --> 00:35:45,186
Yeah.
1014
00:35:45,186 --> 00:35:47,101
I want to be a very...
1015
00:35:47,101 --> 00:35:48,450
VERYWEALTHY CONTESSA.
1016
00:35:48,450 --> 00:35:49,799
>> That's awesome! Yes!
1017
00:35:49,799 --> 00:35:50,974
Yes! This is great!
1018
00:35:50,974 --> 00:35:51,671
ALL RIGHT.
1019
00:35:51,671 --> 00:35:53,063
WHAT DO WE HAVE SO FAR?
1020
00:35:53,063 --> 00:35:55,457
WE HAVE A-A WEALTHY CONTESSA
1021
00:35:55,457 --> 00:35:57,503
WAITING IN A TRAIN STATION FOR
1022
00:35:57,503 --> 00:35:59,548
AN ASSASSIN.
1023
00:35:59,548 --> 00:36:01,463
IT'S SNOWING OUTSIDE.
1024
00:36:01,463 --> 00:36:04,205
Uh, you're wearing nothing but a
1025
00:36:04,205 --> 00:36:07,252
Uh, you're wearing nothing but a
cape with antique underwear.
1026
00:36:07,252 --> 00:36:09,602
cape with antique underwear.
1027
00:36:09,602 --> 00:36:12,039
What else?! What else?
1028
00:36:12,039 --> 00:36:13,258
>> U-UM...
1029
00:36:13,258 --> 00:36:15,651
HMM. WHAT IF THEY, UH --
1030
00:36:15,651 --> 00:36:17,087
WHAT IF THEY HAVE, LIKE, UM --
1031
00:36:17,087 --> 00:36:18,088
LIKE, A RENDEZVOUS?
1032
00:36:18,088 --> 00:36:20,221
UM, THEY'RE -- THEY'RE RUNNING
1033
00:36:20,221 --> 00:36:22,528
AWAY TOGETHER TO VIENNA AFTER...
1034
00:36:22,528 --> 00:36:24,399
>> YES. YES. AFTER WHAT?
1035
00:36:24,399 --> 00:36:25,661
>> After he knocks off the
1036
00:36:25,661 --> 00:36:26,140
count!
1037
00:36:26,140 --> 00:36:27,620
I mean, he's an assassin, right?
1038
00:36:27,620 --> 00:36:28,751
He's got to assassinate
1039
00:36:28,751 --> 00:36:29,317
somebody!
1040
00:36:29,317 --> 00:36:30,971
>> GOD DAMN RIGHT HE DOES!
1041
00:36:30,971 --> 00:36:32,277
AND THIS GUY IS GOOD, TOO.
1042
00:36:32,277 --> 00:36:33,147
HE'S THE BEST.
1043
00:36:33,147 --> 00:36:35,497
HE CHARGES A LOT OF MONEY, AND
1044
00:36:35,497 --> 00:36:39,458
HE ALWAYS GETS HIS MAN.
1045
00:36:39,458 --> 00:36:41,416
WHAT YEAR ARE WE IN?
1046
00:36:41,416 --> 00:36:43,679
>> [ Sighs ]
1047
00:36:43,679 --> 00:36:44,985
1914.
1048
00:36:44,985 --> 00:36:46,116
IT WAS A GOOD YEAR FOR
1049
00:36:46,116 --> 00:36:47,466
ASSASSINATIONS -- IT WAS THE
1050
00:36:47,466 --> 00:36:48,902
YEAR ARCHDUKE FRANZ FERDINAND
1051
00:36:48,902 --> 00:36:49,859
WAS SHOT.
1052
00:36:49,859 --> 00:36:51,905
>> Who?
1053
00:36:51,905 --> 00:36:53,167
>> THE HEIR PRESUMPTIVE TO THE
1054
00:36:53,167 --> 00:36:56,518
AUSTRO-HUNGARIAN THRONE?
1055
00:36:56,518 --> 00:36:57,911
HIS -- HIS DEATH STARTED
1056
00:36:57,911 --> 00:36:59,652
WORLD WAR I?
1057
00:36:59,652 --> 00:37:00,522
>> THIS IS GREAT.
1058
00:37:00,522 --> 00:37:01,436
THIS IS GOOD SHIT.
1059
00:37:01,436 --> 00:37:02,916
>> YEAH, THE WHOLE WORLD WAS ON
1060
00:37:02,916 --> 00:37:04,744
THE PRECIPICE OF DISASTER.
1061
00:37:04,744 --> 00:37:06,572
THE PRECIPICE OF DISASTER.
>> SO MUCH THE BETTER.
1062
00:37:06,572 --> 00:37:09,662
>> SO MUCH THE BETTER.
1063
00:37:09,662 --> 00:37:13,318
HOW DOES HE KNOCK OFF THE COUNT?
1064
00:37:13,318 --> 00:37:15,145
HOW DOES HE KNOCK OFF THE COUNT?
>> In a duel.
1065
00:37:15,145 --> 00:37:17,844
>> In a duel.
1066
00:37:17,844 --> 00:37:19,498
>> CLEAR THROUGH THE HEART.
1067
00:37:19,498 --> 00:37:21,108
ONE SHOT.
1068
00:37:21,108 --> 00:37:22,936
ONE SHOT.
BOOM.
1069
00:37:22,936 --> 00:37:26,069
BOOM.
1070
00:37:26,069 --> 00:37:28,333
NOW --
1071
00:37:28,333 --> 00:37:31,901
NOW THERE'S A PRICE ON HIS HEAD.
1072
00:37:31,901 --> 00:37:33,163
SHE'S WAITING IN THE TRAIN
1073
00:37:33,163 --> 00:37:34,339
STATION.
1074
00:37:34,339 --> 00:37:36,297
SHE...DOESN'T KNOW IF HE'S EVEN
1075
00:37:36,297 --> 00:37:37,342
GONNA SHOW UP.
1076
00:37:37,342 --> 00:37:39,909
SHE DOESN'T KNOW IF HE WAS
1077
00:37:39,909 --> 00:37:42,172
CAUGHT IN A POLICE ROADBLOCK...
1078
00:37:42,172 --> 00:37:45,611
If he was shot in an ambush,
1079
00:37:45,611 --> 00:37:46,351
okay?
1080
00:37:46,351 --> 00:37:48,222
okay?
>> OKAY.
1081
00:37:48,222 --> 00:37:51,181
>> OKAY.
1082
00:37:51,181 --> 00:37:54,533
>> HE THINKS OF HER...
1083
00:37:54,533 --> 00:37:57,449
IN HER CAPE...
1084
00:37:57,449 --> 00:37:59,364
AND HER PALE SKIN...
1085
00:37:59,364 --> 00:38:02,497
her -- her hands...
1086
00:38:02,497 --> 00:38:06,545
sure and cool...
1087
00:38:06,545 --> 00:38:08,068
and her perfume.
1088
00:38:08,068 --> 00:38:09,330
[ Sniffs ]
1089
00:38:09,330 --> 00:38:11,506
He was powerless against it.
1090
00:38:11,506 --> 00:38:12,899
[ Chuckles ]
1091
00:38:12,899 --> 00:38:14,161
That's why he provoked the
1092
00:38:14,161 --> 00:38:15,423
count.
1093
00:38:15,423 --> 00:38:17,251
It was all because of the way
1094
00:38:17,251 --> 00:38:18,992
she smelled.
1095
00:38:18,992 --> 00:38:19,732
[ CHUCKLES ]
1096
00:38:19,732 --> 00:38:21,560
[ CHUCKLES ]
AND THE WAY SHE LOOKED AT HIM.
1097
00:38:21,560 --> 00:38:24,214
AND THE WAY SHE LOOKED AT HIM.
1098
00:38:24,214 --> 00:38:26,826
HE KNEW -- HE KNEWSHE WOULD BE
1099
00:38:26,826 --> 00:38:28,088
THERE WAITING FOR HIM AT THE
1100
00:38:28,088 --> 00:38:31,309
TRAIN STATION.
1101
00:38:31,309 --> 00:38:33,441
You arethere, aren't you?
1102
00:38:33,441 --> 00:38:35,400
>> YES.
1103
00:38:35,400 --> 00:38:37,706
>> What's it like?
1104
00:38:37,706 --> 00:38:39,534
>> What's it like?
TELL ME.
1105
00:38:39,534 --> 00:38:43,669
TELL ME.
1106
00:38:43,669 --> 00:38:47,107
>> IT'S OLD...
1107
00:38:47,107 --> 00:38:50,328
AND DIMLY LIT.
1108
00:38:50,328 --> 00:38:51,764
IT'S SO QUIET, YOU COULD HEAR
1109
00:38:51,764 --> 00:38:53,418
THE SNOW FALLING OUTSIDE.
1110
00:38:53,418 --> 00:38:54,375
[ CRACKLING ]
1111
00:38:54,375 --> 00:38:56,334
THE ONLY OTHER NOISE IS THE COAL
1112
00:38:56,334 --> 00:38:58,118
BURNING IN THE GRATE AND THE
1113
00:38:58,118 --> 00:38:59,946
BURNING IN THE GRATE AND THE
WIND MAKING THE TIMBERS CREAK.
1114
00:38:59,946 --> 00:39:02,514
WIND MAKING THE TIMBERS CREAK.
1115
00:39:02,514 --> 00:39:03,776
THE TICKET WINDOW IS CLOSED DUE
1116
00:39:03,776 --> 00:39:04,951
TO THE STORM.
1117
00:39:04,951 --> 00:39:06,605
[ CLOCK TICKING ]
1118
00:39:06,605 --> 00:39:07,867
NO ONE KNOWS IF THE TRAIN WILL
1119
00:39:07,867 --> 00:39:10,652
STOP.
1120
00:39:10,652 --> 00:39:11,914
NO ONE EVEN KNOWS IF THE TRAIN
1121
00:39:11,914 --> 00:39:13,742
NO ONE EVEN KNOWS IF THE TRAIN
WILL GET THROUGH.
1122
00:39:13,742 --> 00:39:17,355
WILL GET THROUGH.
1123
00:39:17,355 --> 00:39:19,444
I'M ALONE.
1124
00:39:19,444 --> 00:39:20,706
WHO ELSE WOULD BE WAITING FOR A
1125
00:39:20,706 --> 00:39:23,709
TRAIN AT THIS HOUR?
1126
00:39:23,709 --> 00:39:26,973
>> WHAT ABOUT THE ASSASSIN?
1127
00:39:26,973 --> 00:39:29,541
>> HE'S ON HIS WAY...
1128
00:39:29,541 --> 00:39:31,369
>> HE'S ON HIS WAY...
SLIPPING THROUGH ROADBLOCKS.
1129
00:39:31,369 --> 00:39:37,897
SLIPPING THROUGH ROADBLOCKS.
1130
00:39:37,897 --> 00:39:41,553
OH, NO. OH, NO.
1131
00:39:41,553 --> 00:39:42,728
>> WHAT?
1132
00:39:42,728 --> 00:39:45,470
>> OH, HE'S THERE.
1133
00:39:45,470 --> 00:39:46,949
>> WHO'S THERE?
1134
00:39:46,949 --> 00:39:49,343
>> UH, THE MAN.
1135
00:39:49,343 --> 00:39:50,431
>> WHAT MAN?
1136
00:39:50,431 --> 00:39:51,867
>> THE SILENT MAN.
1137
00:39:51,867 --> 00:39:52,520
>> Who's that?
1138
00:39:52,520 --> 00:39:53,434
>> IT'S -- OH, GOD.
1139
00:39:53,434 --> 00:39:54,087
IT'S THIS MAN.
1140
00:39:54,087 --> 00:39:55,175
HE -- HE ALWAYS SHOWS UP.
1141
00:39:55,175 --> 00:39:56,263
>> WHAT'S HE DOING THERE?
1142
00:39:56,263 --> 00:39:57,003
>> I DON'T KNOW.
1143
00:39:57,003 --> 00:39:57,830
HE'S STARING AT ME?
1144
00:39:57,830 --> 00:39:58,483
I DON'T KNOW!
1145
00:39:58,483 --> 00:39:59,571
WHAT THE HELL ISHE DOING?
1146
00:39:59,571 --> 00:40:00,441
>> YOU DON'T KNOW?
1147
00:40:00,441 --> 00:40:01,964
>> SHIT! I DON'T --
1148
00:40:01,964 --> 00:40:03,183
I DON'T WANT HIM HERE!
1149
00:40:03,183 --> 00:40:04,489
>> WELL, GET RID OF HIM!
1150
00:40:04,489 --> 00:40:05,794
IT'S YOUR TRAIN STATION!
1151
00:40:05,794 --> 00:40:06,491
>> I can't!
1152
00:40:06,491 --> 00:40:08,144
>> TELL HIM TO GET THE FUCK OUT
1153
00:40:08,144 --> 00:40:11,496
OF THERE!
1154
00:40:11,496 --> 00:40:13,280
>> HEY.
1155
00:40:13,280 --> 00:40:15,108
>> HEY.
THIS IS BUDAPEST.
1156
00:40:15,108 --> 00:40:18,067
THIS IS BUDAPEST.
1157
00:40:18,067 --> 00:40:21,636
I RUN THINGS HERE, OKAY?
1158
00:40:21,636 --> 00:40:23,464
I RUN THINGS HERE, OKAY?
SO GET OUT OF HERE.
1159
00:40:23,464 --> 00:40:26,380
SO GET OUT OF HERE.
1160
00:40:26,380 --> 00:40:28,208
SO GET OUT OF HERE.
DO YOU HEAR ME?
1161
00:40:28,208 --> 00:40:30,515
DO YOU HEAR ME?
1162
00:40:30,515 --> 00:40:32,386
He won't go. He's not moving.
1163
00:40:32,386 --> 00:40:34,214
Shit!
1164
00:40:34,214 --> 00:40:35,258
[ SIGHS ] YOU KNOW WHAT?
1165
00:40:35,258 --> 00:40:36,564
LET'S JUST -- LET'S JUST FORGET
1166
00:40:36,564 --> 00:40:37,826
THIS.
1167
00:40:37,826 --> 00:40:39,132
>> NO. NO, NO, NO, NO, NO.
1168
00:40:39,132 --> 00:40:40,525
DON'T ST-- WE CAN'T STOP NOW.
1169
00:40:40,525 --> 00:40:41,526
THIS IS JUST GETTING
1170
00:40:41,526 --> 00:40:42,265
INTERESTING.
1171
00:40:42,265 --> 00:40:43,136
>> NO, IT'S NOT.
1172
00:40:43,136 --> 00:40:44,398
>> It is. It is!
1173
00:40:44,398 --> 00:40:45,704
What is the silent man doing
1174
00:40:45,704 --> 00:40:46,182
there?
1175
00:40:46,182 --> 00:40:47,401
>> I DON'T -- HE JUST --
1176
00:40:47,401 --> 00:40:48,097
I DON'T KNOW.
1177
00:40:48,097 --> 00:40:49,490
HE -- HE JUST APPEARS WHEN I
1178
00:40:49,490 --> 00:40:50,883
DON'T WANT HIM TO, AND I CAN'T
1179
00:40:50,883 --> 00:40:51,710
GET RID OF HIM.
1180
00:40:51,710 --> 00:40:52,667
>> LOOK. [ SIGHS ]
1181
00:40:52,667 --> 00:40:54,147
PEOPLE JUST DON'T WANDER INTO A
1182
00:40:54,147 --> 00:40:55,627
TRAIN STATION IN BUDAPEST FOR NO
1183
00:40:55,627 --> 00:40:56,149
REASON.
1184
00:40:56,149 --> 00:40:57,629
There's got to be a reason he's
1185
00:40:57,629 --> 00:40:58,064
there!
1186
00:40:58,064 --> 00:40:58,978
>> OH! ALL RIGHT!
1187
00:40:58,978 --> 00:41:00,762
WELL, YOU'RE A SHRINK NOW?
1188
00:41:00,762 --> 00:41:02,721
>> Look, I'm not -- [ Sighs ]
1189
00:41:02,721 --> 00:41:04,636
I'M ON YOUR SIDE, HERE.
1190
00:41:04,636 --> 00:41:05,593
>> RIGHT. [ SIGHS ]
1191
00:41:05,593 --> 00:41:06,376
>> ALL RIGHT.
1192
00:41:06,376 --> 00:41:07,377
LET'S GO BACK THERE.
1193
00:41:07,377 --> 00:41:08,727
LET'S -- LET'S GO BACK AND SEE
1194
00:41:08,727 --> 00:41:09,510
WHAT HAPPENS.
1195
00:41:09,510 --> 00:41:10,468
>> I don't want to.
1196
00:41:10,468 --> 00:41:12,774
[ TELEPHONE RINGING ]
1197
00:41:12,774 --> 00:41:15,951
HOLD ON. HOLD ON!
1198
00:41:15,951 --> 00:41:17,692
YOU HAVE THE WRONG NUMBER.
1199
00:41:17,692 --> 00:41:18,476
SORRY!
1200
00:41:18,476 --> 00:41:21,566
>> Let's go back at dawn.
1201
00:41:21,566 --> 00:41:24,090
THE LIGHT IS -- IS SPECIAL THEN.
1202
00:41:24,090 --> 00:41:25,439
YOU'LL LOVE IT.
1203
00:41:25,439 --> 00:41:27,746
AND, BESIDES, THE -- THE TRAIN
1204
00:41:27,746 --> 00:41:29,138
NEEDS TIME TO GET THROUGH THE
1205
00:41:29,138 --> 00:41:30,662
SNOWBANKS, RIGHT?
1206
00:41:30,662 --> 00:41:33,186
>> ARE YOU SERIOUS?
1207
00:41:33,186 --> 00:41:34,753
>> IT'S THE HOUR OF DUELS AND
1208
00:41:34,753 --> 00:41:36,494
EXECUTIONS, WHERE EVERYTHING IS
1209
00:41:36,494 --> 00:41:38,365
POSSIBLE.
1210
00:41:38,365 --> 00:41:40,672
We'll get some rest, and we'll
1211
00:41:40,672 --> 00:41:42,935
go back.
1212
00:41:42,935 --> 00:41:44,240
Call me at dawn.
1213
00:41:44,240 --> 00:41:46,808
>> I DON'T HAVE YOUR NUMBER.
1214
00:41:46,808 --> 00:41:47,679
>> I'M IN THE BOOK.
1215
00:41:47,679 --> 00:41:49,550
SAMSON. NO "P." THIRD ONE DOWN.
1216
00:41:49,550 --> 00:41:51,639
>> Samson?
1217
00:41:51,639 --> 00:41:53,728
SAMSON. THAT'S REALLY YOUR NAME.
1218
00:41:53,728 --> 00:41:54,947
>> WHY DO YOU THINK I CALLED
1219
00:41:54,947 --> 00:41:57,384
YOU?
1220
00:41:57,384 --> 00:41:58,690
>> WELL, I CAN'T CALL YOU.
1221
00:41:58,690 --> 00:42:00,039
MY BOSS CHECKS THE PHONES.
1222
00:42:00,039 --> 00:42:01,040
I WOULD GET FIRED.
1223
00:42:01,040 --> 00:42:02,171
>> WE DON'T GO ANYWHERE
1224
00:42:02,171 --> 00:42:03,477
WORTHWHILE WITHOUT TAKING A
1225
00:42:03,477 --> 00:42:04,130
LITTLE RISK.
1226
00:42:04,130 --> 00:42:05,697
>> WHY CAN'T YOU CALL ME?
1227
00:42:05,697 --> 00:42:07,002
>> I could!
1228
00:42:07,002 --> 00:42:09,875
But I'm not going to.
1229
00:42:09,875 --> 00:42:12,399
SAMSON. NO "P." THIRD ONE DOWN.
1230
00:42:12,399 --> 00:42:14,227
SAMSON. NO "P." THIRD ONE DOWN.
SEE YOU AT DAWN.
1231
00:42:14,227 --> 00:42:18,187
SEE YOU AT DAWN.
1232
00:42:18,187 --> 00:42:19,145
>> HELLO?
1233
00:42:19,145 --> 00:42:21,451
[ CLOCK TICKING ]
1234
00:42:21,451 --> 00:42:23,279
[ CLOCK TICKING ]
[ SIGHS ]
1235
00:42:23,279 --> 00:42:48,566
[ SIGHS ]
1236
00:42:48,566 --> 00:42:51,351
[ INHALES ]
1237
00:42:51,351 --> 00:42:53,483
[ SIGHS SOFTLY ]
1238
00:42:53,483 --> 00:42:55,311
[ SIGHS SOFTLY ]
[ CHUCKLES SOFTLY ]
1239
00:42:55,311 --> 00:43:11,850
[ CHUCKLES SOFTLY ]
1240
00:43:11,850 --> 00:43:13,678
[ CHUCKLES SOFTLY ]
I DON'T FUCKING BELIEVE THIS.
1241
00:43:13,678 --> 00:43:23,296
I DON'T FUCKING BELIEVE THIS.
1242
00:43:23,296 --> 00:43:24,166
>> [ WHISTLES ]
1243
00:43:24,166 --> 00:43:25,994
>> [ WHISTLES ]
DON'T WAIT UP, LEON.
1244
00:43:25,994 --> 00:43:34,829
DON'T WAIT UP, LEON.
1245
00:43:34,829 --> 00:43:37,005
OH, HEY! HEY, COME HERE!
1246
00:43:37,005 --> 00:43:38,572
COME HERE! COME HERE!
1247
00:43:38,572 --> 00:43:39,704
COME HERE!
1248
00:43:39,704 --> 00:43:41,140
COME HERE! COME ON! COME ON!
1249
00:43:41,140 --> 00:43:42,010
[ DOG WHINING ]
1250
00:43:42,010 --> 00:43:43,533
HOW YOU DOING? HOW YOU DOING?
1251
00:43:43,533 --> 00:43:44,578
WHAT ARE YOU DOING?
1252
00:43:44,578 --> 00:43:46,145
HOW YOU DOING TONIGHT, HUH?
1253
00:43:46,145 --> 00:43:47,537
HOW YOU DOING? YOU HANGING OUT?
1254
00:43:47,537 --> 00:43:48,713
WAIT. WHERE YOU GOING?
1255
00:43:48,713 --> 00:43:49,583
[ DOG WHINES ]
1256
00:43:49,583 --> 00:43:51,367
[ DOG WHINES ]
WHERE YOU GOING?
1257
00:43:51,367 --> 00:44:30,189
WHERE YOU GOING?
1258
00:44:30,189 --> 00:44:33,540
WHERE YOU GOING?
[ OPERA MUSIC PLAYING ]
1259
00:44:33,540 --> 00:46:10,680
[ OPERA MUSIC PLAYING ]
1260
00:46:10,680 --> 00:46:12,508
[ OPERA MUSIC PLAYING ]
[ TELEPHONE RINGING ]
1261
00:46:12,508 --> 00:46:19,994
[ TELEPHONE RINGING ]
1262
00:46:19,994 --> 00:46:21,691
>> GOOD MORNING.
1263
00:46:21,691 --> 00:46:23,998
WHAT? OH. NO, NO. NO, NO.
1264
00:46:23,998 --> 00:46:25,260
WE'RE -- WE'RE DOWN RIGHT NOW.
1265
00:46:25,260 --> 00:46:27,393
I'M SORRY.
1266
00:46:27,393 --> 00:46:30,004
YE-- COMPUTER MALFUNCTION. YEAH.
1267
00:46:30,004 --> 00:46:31,266
UH, WHY DON'T YOU CALL BACK AT
1268
00:46:31,266 --> 00:46:34,879
NOON AND TALK TO GINNY?
1269
00:46:34,879 --> 00:46:36,663
[ SIGHS ]
1270
00:46:36,663 --> 00:46:37,533
TAKE A COLD SHOWER.
1271
00:46:37,533 --> 00:46:39,361
TAKE A COLD SHOWER.
[ BEEP ]
1272
00:46:39,361 --> 00:46:50,633
[ BEEP ]
1273
00:46:50,633 --> 00:46:52,461
[ BEEP ]
[ TELEPHONE RINGING ]
1274
00:46:52,461 --> 00:46:56,552
[ TELEPHONE RINGING ]
1275
00:46:56,552 --> 00:46:58,206
>> HELLO?
1276
00:46:58,206 --> 00:47:01,035
>> Uh, it's me.
1277
00:47:01,035 --> 00:47:04,038
>> YOU!
1278
00:47:04,038 --> 00:47:05,692
>> DELILAH.
1279
00:47:05,692 --> 00:47:06,824
REMEMBER?
1280
00:47:06,824 --> 00:47:08,782
B-BUDAPEST, THE CONTESSA, TRAIN
1281
00:47:08,782 --> 00:47:10,001
STATION, FUR COAT?
1282
00:47:10,001 --> 00:47:11,176
>> Yes! Morning!
1283
00:47:11,176 --> 00:47:13,787
>> HI! DID I WAKE YOU?
1284
00:47:13,787 --> 00:47:15,484
>> MNH-MNH!
1285
00:47:15,484 --> 00:47:16,834
NO!
1286
00:47:16,834 --> 00:47:18,400
NO, I'M ALWAYS UP...
1287
00:47:18,400 --> 00:47:19,837
THIS EARLY WHEN A BEAUTIFUL
1288
00:47:19,837 --> 00:47:21,664
WOMAN IS WAITING FOR ME AT A
1289
00:47:21,664 --> 00:47:23,492
WOMAN IS WAITING FOR ME AT A
TRAIN STATION.
1290
00:47:23,492 --> 00:47:26,626
TRAIN STATION.
1291
00:47:26,626 --> 00:47:28,236
THE SUN'S UP.
1292
00:47:28,236 --> 00:47:32,110
>> YEAH, LOOKS LIKE IT.
1293
00:47:32,110 --> 00:47:33,502
SO, YOU WANT TO DO THIS?
1294
00:47:33,502 --> 00:47:36,766
>> Yeah! Yes. Yes! Absolutely!
1295
00:47:36,766 --> 00:47:38,203
HANG ON.
1296
00:47:38,203 --> 00:47:39,726
HANG ON. [ SNIFFS ]
1297
00:47:39,726 --> 00:47:42,294
OKAY. YES. LET'S DO THIS.
1298
00:47:42,294 --> 00:47:43,991
>> OKAY.
1299
00:47:43,991 --> 00:47:45,601
HOW DO WE START?
1300
00:47:45,601 --> 00:47:47,647
>> WE, UH --
1301
00:47:47,647 --> 00:47:50,911
WE SET THE SCENE.
1302
00:47:50,911 --> 00:47:52,652
WHAT YEAR ARE WE IN AGAIN?
1303
00:47:52,652 --> 00:47:53,609
>> 1914.
1304
00:47:53,609 --> 00:47:54,567
>> Yes!
1305
00:47:54,567 --> 00:47:55,960
YES.
1306
00:47:55,960 --> 00:47:57,875
THE WORLD...
1307
00:47:57,875 --> 00:48:00,965
IS ON THE PRECIPICE OF DISASTER.
1308
00:48:00,965 --> 00:48:01,443
>> YES.
1309
00:48:01,443 --> 00:48:02,575
I'M WAITING FOR YOU IN THE
1310
00:48:02,575 --> 00:48:03,402
RAILROAD STATION.
1311
00:48:03,402 --> 00:48:05,534
>> Wait! No, no! Slow down.
1312
00:48:05,534 --> 00:48:06,709
WE HAVEN'T GOT THERE YET!
1313
00:48:06,709 --> 00:48:07,972
WE HAVE TO -- WE HAVE TO MEET
1314
00:48:07,972 --> 00:48:08,407
FIRST!
1315
00:48:08,407 --> 00:48:09,712
>> Oh. Where do we meet?
1316
00:48:09,712 --> 00:48:12,106
>> UH...AT A PARTY...
1317
00:48:12,106 --> 00:48:14,195
IN A MANSION JUST OUTSIDE OF
1318
00:48:14,195 --> 00:48:15,022
TOWN.
1319
00:48:15,022 --> 00:48:17,851
IT'S, UH -- IT'S A WINTER NIGHT.
1320
00:48:17,851 --> 00:48:20,201
IT'S UNSEASONABLY WARM FOR
1321
00:48:20,201 --> 00:48:21,986
MARCH, BUT THERE IS A SMELL OF
1322
00:48:21,986 --> 00:48:23,639
SNOW IN THE AIR.
1323
00:48:23,639 --> 00:48:25,076
>> WHAT SHOULD I BE WEARING?
1324
00:48:25,076 --> 00:48:26,251
>> UH...
1325
00:48:26,251 --> 00:48:28,296
HOW ABOUT SOMETHING FROM...
1326
00:48:28,296 --> 00:48:28,818
CHANEL?
1327
00:48:28,818 --> 00:48:29,994
>> CHANEL WAS MORE 1920s.
1328
00:48:29,994 --> 00:48:31,865
LET'S DO SOMETHING, UM --
1329
00:48:31,865 --> 00:48:33,258
LET'S DO SOMETHING EDWARDIAN.
1330
00:48:33,258 --> 00:48:33,867
>> Great!
1331
00:48:33,867 --> 00:48:34,563
SOUNDS GREAT.
1332
00:48:34,563 --> 00:48:35,260
[ CHUCKLES ]
1333
00:48:35,260 --> 00:48:36,391
>> AND WHAT ABOUT YOU?
1334
00:48:36,391 --> 00:48:37,871
WHAT ARE YOU WEARING?
1335
00:48:37,871 --> 00:48:39,046
DON'T SAY BASEBALL UNIFORM.
1336
00:48:39,046 --> 00:48:39,829
>> [ Chuckles ]
1337
00:48:39,829 --> 00:48:41,092
I THINK I HAVE JUST THE THING.
1338
00:48:41,092 --> 00:48:44,443
>> What is it?
1339
00:48:44,443 --> 00:48:45,923
>> A TUXEDO.
1340
00:48:45,923 --> 00:48:47,663
>> Ooh, classy.
1341
00:48:47,663 --> 00:48:48,882
>> YEAH.
1342
00:48:48,882 --> 00:48:50,057
>> Do you have a sword?
1343
00:48:50,057 --> 00:48:51,015
>> I DON'T KNOW!
1344
00:48:51,015 --> 00:48:52,103
AM I GONNA NEED ONE?
1345
00:48:52,103 --> 00:48:53,234
>> I THINK YOU MIGHT!
1346
00:48:53,234 --> 00:48:55,149
AND I THINK IT'S GONNA HAVE TO
1347
00:48:55,149 --> 00:48:56,934
BE SHARP ENOUGH TO DECAPITATE MY
1348
00:48:56,934 --> 00:48:58,587
HUSBAND.
1349
00:48:58,587 --> 00:48:59,501
HE'S VERY JEALOUS.
1350
00:48:59,501 --> 00:49:01,025
YOU KNOW, HE ONCE HAD A GARDENER
1351
00:49:01,025 --> 00:49:02,417
BADLY BEATEN FOR STARING AT ME.
1352
00:49:02,417 --> 00:49:03,810
>> WELL, MEN SHOULD NOT MARRY
1353
00:49:03,810 --> 00:49:05,116
BEAUTIFUL WOMEN IF THEY DON'T
1354
00:49:05,116 --> 00:49:06,117
WANT THEM STARED AT.
1355
00:49:06,117 --> 00:49:07,509
>> WELL, THE COUNT HAS FOUGHT
1356
00:49:07,509 --> 00:49:09,163
DUELS WITH MEN YOUNGER THAN YOU,
1357
00:49:09,163 --> 00:49:10,121
AND WON.
1358
00:49:10,121 --> 00:49:12,340
>> AND THAT'S WHERE WE START --
1359
00:49:12,340 --> 00:49:15,561
THE DUEL...AT DAWN.
1360
00:49:15,561 --> 00:49:17,998
THE COUNT...HAD SURPRISED US ON
1361
00:49:17,998 --> 00:49:19,478
THE TERRACE.
1362
00:49:19,478 --> 00:49:21,132
HE THREW DOWN HIS GLOVE.
1363
00:49:21,132 --> 00:49:22,611
>> NO, WE CAN'T DO THAT, BECAUSE
1364
00:49:22,611 --> 00:49:23,961
THE CONTESSA AND THE ASSASSIN
1365
00:49:23,961 --> 00:49:24,787
HAVE NOT YET MET.
1366
00:49:24,787 --> 00:49:26,180
>> BUT WE HAVE TO -- WE HAVE TO
1367
00:49:26,180 --> 00:49:27,529
FIGHT THE DUEL BEFORE IT GETS
1368
00:49:27,529 --> 00:49:28,095
TOO LIGHT.
1369
00:49:28,095 --> 00:49:29,444
>> FIRST THING'S FIRST -- THE
1370
00:49:29,444 --> 00:49:30,445
PARTY.
1371
00:49:30,445 --> 00:49:32,056
NOW, IF YOU'LL EXCUSE ME...
1372
00:49:32,056 --> 00:49:33,405
I HAVE TO GO GET DRESSED.
1373
00:49:33,405 --> 00:49:34,406
[ STRAUSS' "TALES FROM
1374
00:49:34,406 --> 00:49:36,756
[ STRAUSS' "TALES FROM
THE VIENNA WOODS" PLAYING ]
1375
00:49:36,756 --> 00:50:18,798
THE VIENNA WOODS" PLAYING ]
1376
00:50:18,798 --> 00:50:20,539
SO, WHAT DO WE SAY?
1377
00:50:20,539 --> 00:50:22,236
>> NOTHING.
1378
00:50:22,236 --> 00:50:24,021
EVERYTHING HAS ALREADY BEEN SAID
1379
00:50:24,021 --> 00:50:24,934
WITH OUR EYES.
1380
00:50:24,934 --> 00:50:26,327
>> IT'S BUDAPEST.
1381
00:50:26,327 --> 00:50:28,329
1914.
1382
00:50:28,329 --> 00:50:30,157
1914.
WORDS ARE INEVITABLE.
1383
00:50:30,157 --> 00:50:33,639
WORDS ARE INEVITABLE.
1384
00:50:33,639 --> 00:50:36,294
THANK YOU.
1385
00:50:36,294 --> 00:50:38,339
>> YOU'RE VERY BEAUTIFUL.
1386
00:50:38,339 --> 00:50:39,906
>> I DON'T ACCEPT COMPLIMENTS
1387
00:50:39,906 --> 00:50:41,125
FROM MEN I DON'T KNOW.
1388
00:50:41,125 --> 00:50:42,082
>> YOU KNOW ME.
1389
00:50:42,082 --> 00:50:44,215
>> I DO?
1390
00:50:44,215 --> 00:50:45,477
>> I SAW THE WAY YOU LOOKED AT
1391
00:50:45,477 --> 00:50:46,608
ME.
1392
00:50:46,608 --> 00:50:47,870
>> THAT'S VERY PRESUMPTUOUS OF
1393
00:50:47,870 --> 00:50:48,828
YOU.
1394
00:50:48,828 --> 00:50:51,483
>> PERHAPS.
1395
00:50:51,483 --> 00:50:54,964
BUT ACCURATE.
1396
00:50:54,964 --> 00:50:56,183
>> MY HUSBAND WILL NOTICE MY
1397
00:50:56,183 --> 00:50:58,142
ABSENCE.
1398
00:50:58,142 --> 00:50:59,969
ABSENCE.
>> WHERE IS THE COUNT?
1399
00:50:59,969 --> 00:51:03,277
>> WHERE IS THE COUNT?
1400
00:51:03,277 --> 00:51:04,539
>> HE'S DISCUSSING WAR WITH
1401
00:51:04,539 --> 00:51:06,498
BARON BELASKA.
1402
00:51:06,498 --> 00:51:08,717
>> THE PEDERAST?
1403
00:51:08,717 --> 00:51:12,634
>> THE WEALTHY LANDOWNER.
1404
00:51:12,634 --> 00:51:14,767
>> IT IS A SHAME TO DISCUSS WAR
1405
00:51:14,767 --> 00:51:16,638
ON A...NIGHT LIKE THIS.
1406
00:51:16,638 --> 00:51:18,031
>> PERHAPS, BUT AS YOU KNOW, THE
1407
00:51:18,031 --> 00:51:19,380
SERBIANS ARE ENCROACHING ON THE
1408
00:51:19,380 --> 00:51:20,294
EMPIRE'S TERRITORY.
1409
00:51:20,294 --> 00:51:21,513
>> WELL, THE SERBIANS DON'T
1410
00:51:21,513 --> 00:51:22,775
UNDERSTAND WHY THEY SHOULD BE
1411
00:51:22,775 --> 00:51:24,124
UNDER THE INFLUENCE OF VIENNA.
1412
00:51:24,124 --> 00:51:25,169
>> POLITICS BORE ME...
1413
00:51:25,169 --> 00:51:26,866
[ SCHUBERT'S "AVE MARIA"
1414
00:51:26,866 --> 00:51:28,172
PLAYING, MUFFLED ]
1415
00:51:28,172 --> 00:51:30,043
PLAYING, MUFFLED ]
...AS DO SCHUBERT LIEDER.
1416
00:51:30,043 --> 00:51:36,093
...AS DO SCHUBERT LIEDER.
1417
00:51:36,093 --> 00:51:38,225
>> DO YOU KNOW...
1418
00:51:38,225 --> 00:51:39,792
THAT YOU'RE EVEN MORE BEAUTIFUL
1419
00:51:39,792 --> 00:51:42,925
UP CLOSE?
1420
00:51:42,925 --> 00:51:44,362
MOST WOMEN CANNOT BEAR CLOSE
1421
00:51:44,362 --> 00:51:45,014
SCRUTINY.
1422
00:51:45,014 --> 00:51:46,581
>> DO YOU KNOW A LOT OF WOMEN?
1423
00:51:46,581 --> 00:51:48,409
>> DO YOU KNOW A LOT OF WOMEN?
>> I KNOW YOU.
1424
00:51:48,409 --> 00:51:51,108
>> I KNOW YOU.
1425
00:51:51,108 --> 00:51:53,675
>> YOUR FACE IS HARD.
1426
00:51:53,675 --> 00:51:56,025
YOU'VE SUFFERED GREATLY.
1427
00:51:56,025 --> 00:51:57,679
>> NO MORE THAN IS NECESSARY IN
1428
00:51:57,679 --> 00:51:58,680
MY LINE OF WORK.
1429
00:51:58,680 --> 00:52:02,162
>> WHICH IS...?
1430
00:52:02,162 --> 00:52:03,903
>> LET US SAY...
1431
00:52:03,903 --> 00:52:07,254
I AM A FACILITATOR...
1432
00:52:07,254 --> 00:52:09,126
I AM A FACILITATOR...
OF MEN'S FATES.
1433
00:52:09,126 --> 00:52:18,570
OF MEN'S FATES.
1434
00:52:18,570 --> 00:52:19,832
>> THE COUNT WILL BE WONDERING
1435
00:52:19,832 --> 00:52:22,313
WHERE I AM.
1436
00:52:22,313 --> 00:52:23,966
IF HE FINDS US IN A COMPROMISING
1437
00:52:23,966 --> 00:52:25,533
POSITION, HE WILL THROW DOWN HIS
1438
00:52:25,533 --> 00:52:26,055
GLOVE.
1439
00:52:26,055 --> 00:52:27,231
>> SO MUCH THE BETTER.
1440
00:52:27,231 --> 00:52:29,929
>> MY DARLING?
1441
00:52:29,929 --> 00:52:31,757
>> MY DARLING?
>> GOOD EVENING, COUNT!
1442
00:52:31,757 --> 00:52:42,246
>> GOOD EVENING, COUNT!
1443
00:52:42,246 --> 00:52:43,682
I'D BE DELIGHTED.
1444
00:52:43,682 --> 00:52:46,075
>> THE CLEARING TO THE RIGHT OF
1445
00:52:46,075 --> 00:52:47,120
THE STABLE.
1446
00:52:47,120 --> 00:52:48,339
>> ANYWHERE YOU WISH.
1447
00:52:48,339 --> 00:52:49,122
>> PISTOLS.
1448
00:52:49,122 --> 00:52:49,949
>> OF COURSE!
1449
00:52:49,949 --> 00:52:51,342
>> I ASSUME YOU'LL NEED A
1450
00:52:51,342 --> 00:52:51,951
SECOND.
1451
00:52:51,951 --> 00:52:53,561
>> OH, I'M AFRAID I WILL.
1452
00:52:53,561 --> 00:52:55,781
>> I'LL PROVIDE YOU WITH ONE.
1453
00:52:55,781 --> 00:52:59,263
TILL THEN...
1454
00:52:59,263 --> 00:53:02,962
SIR.
1455
00:53:02,962 --> 00:53:06,574
MY DARLING.
1456
00:53:06,574 --> 00:53:08,620
>> DON'T WORRY.
1457
00:53:08,620 --> 00:53:10,404
ONE OF US WILL REMAIN ALIVE TO
1458
00:53:10,404 --> 00:53:12,493
WORSHIP YOU.
1459
00:53:12,493 --> 00:53:15,235
[ SCHUBERT'S "AVE MARIA"
1460
00:53:15,235 --> 00:53:17,324
[ SCHUBERT'S "AVE MARIA"
CONTINUES PLAYING ]
1461
00:53:17,324 --> 00:53:19,457
CONTINUES PLAYING ]
1462
00:53:19,457 --> 00:53:27,116
>> ♪ GRATIA PLENA
1463
00:53:27,116 --> 00:53:37,170
♪ MARIA, GRATIA PLENA
1464
00:53:37,170 --> 00:53:39,520
>> THE COUNT HAD NO IDEA HE WAS
1465
00:53:39,520 --> 00:53:40,913
DEALING WITH A MAN WHO KNEW A
1466
00:53:40,913 --> 00:53:43,220
DEALING WITH A MAN WHO KNEW A
THING OR TWO ABOUT PISTOLS.
1467
00:53:43,220 --> 00:53:57,799
THING OR TWO ABOUT PISTOLS.
1468
00:53:57,799 --> 00:54:01,107
IT STARTED TO GROW COLD AT DAWN.
1469
00:54:01,107 --> 00:54:02,804
MY HEAD WAS STILL TIPSY FROM THE
1470
00:54:02,804 --> 00:54:04,980
CHAMPAGNE...
1471
00:54:04,980 --> 00:54:08,593
AND THE SMELL OF YOUR PERFUME.
1472
00:54:08,593 --> 00:54:10,029
I TRIED TO FOCUS ON THE
1473
00:54:10,029 --> 00:54:11,639
TRAJECTORY OF THE BULLET, TO
1474
00:54:11,639 --> 00:54:13,337
REDUCE IT ALL TO A TECHNICAL
1475
00:54:13,337 --> 00:54:17,036
PROBLEM OF THE PROFESSION.
1476
00:54:17,036 --> 00:54:18,516
AND WHAT WERE YOU DOING AS I WAS
1477
00:54:18,516 --> 00:54:19,995
CALCULATING THE COORDINATES OF
1478
00:54:19,995 --> 00:54:21,997
YOUR HUSBAND'S HEART?
1479
00:54:21,997 --> 00:54:23,260
>> I COULD BARELY MAKE YOU OUT
1480
00:54:23,260 --> 00:54:25,436
IN THE DISTANCE.
1481
00:54:25,436 --> 00:54:26,524
MY BODY WAS TREMBLING.
1482
00:54:26,524 --> 00:54:27,873
I WANTED IT TO BE OVER, BUT I
1483
00:54:27,873 --> 00:54:30,658
WANTED IT TO LAST FOREVER.
1484
00:54:30,658 --> 00:54:33,095
>> LIKE MAKING LOVE?
1485
00:54:33,095 --> 00:54:34,880
>> LIKE THE ANTICIPATION OF
1486
00:54:34,880 --> 00:54:38,187
MAKING LOVE.
1487
00:54:38,187 --> 00:54:40,015
MAKING LOVE.
>> THE DUEL BEGAN.
1488
00:54:40,015 --> 00:54:44,368
>> THE DUEL BEGAN.
1489
00:54:44,368 --> 00:54:46,761
I WALKED AWAY FROM MY RIVAL
1490
00:54:46,761 --> 00:54:48,894
WITHOUT EMOTION...
1491
00:54:48,894 --> 00:54:50,896
COLDLY...
1492
00:54:50,896 --> 00:54:52,506
LISTENING TO THE BIRDS IN THE
1493
00:54:52,506 --> 00:54:54,378
TREES ACROSS THE LAKE.
1494
00:54:54,378 --> 00:54:55,944
[ BIRDS CHIRPING ]
1495
00:54:55,944 --> 00:54:58,077
INSIDE, I WAS EMPTY.
1496
00:54:58,077 --> 00:54:59,383
[ CHIRPING CONTINUES ]
1497
00:54:59,383 --> 00:55:01,776
CONCENTRATING...
1498
00:55:01,776 --> 00:55:03,474
ON THE BUSINESS OF SQUEEZING THE
1499
00:55:03,474 --> 00:55:05,345
TRIGGER FIRMLY BUT SLOWLY SO
1500
00:55:05,345 --> 00:55:07,391
THAT THE BULLET WOULD NOT GO OFF
1501
00:55:07,391 --> 00:55:10,872
TARGET.
1502
00:55:10,872 --> 00:55:12,613
NOW, TELL ME...
1503
00:55:12,613 --> 00:55:16,748
[ PISTOLS COCK ]
1504
00:55:16,748 --> 00:55:18,402
...WHAT YOU FEELING AS WE WALKED
1505
00:55:18,402 --> 00:55:19,925
OUR PACES?
1506
00:55:19,925 --> 00:55:21,492
>> I'M NOT GONNA TELL YOU.
1507
00:55:21,492 --> 00:55:23,189
>> YOU WERE WET, WEREN'T YOU?
1508
00:55:23,189 --> 00:55:27,585
>> [ LAUGHS ]
1509
00:55:27,585 --> 00:55:29,064
>> BEFORE I FIRED, I WHISPERED
1510
00:55:29,064 --> 00:55:32,633
YOUR NAME.
1511
00:55:32,633 --> 00:55:33,678
CONTESSA.
1512
00:55:33,678 --> 00:55:35,332
[ GUNSHOTS ]
1513
00:55:35,332 --> 00:55:38,944
[ BIRDS CHIRPING ]
1514
00:55:38,944 --> 00:55:40,206
>> I SAW THE MEN RUSHING TO MY
1515
00:55:40,206 --> 00:55:42,687
HUSBAND'S SIDE.
1516
00:55:42,687 --> 00:55:43,818
I KNOW THEY WOULDN'T HAVE RUSHED
1517
00:55:43,818 --> 00:55:44,253
FOR YOU.
1518
00:55:44,253 --> 00:55:45,342
THEY WOULD'VE LET YOU BLEED TO
1519
00:55:45,342 --> 00:55:47,648
THEY WOULD'VE LET YOU BLEED TO
DEATH.
1520
00:55:47,648 --> 00:55:57,528
DEATH.
1521
00:55:57,528 --> 00:55:59,443
>> WHAT'S IT LIKE...
1522
00:55:59,443 --> 00:56:01,053
TO MAKE LOVE TO A MAN WHO HAS
1523
00:56:01,053 --> 00:56:02,533
YOUR HUSBAND'S BLOOD ON HIS
1524
00:56:02,533 --> 00:56:03,055
HANDS?
1525
00:56:03,055 --> 00:56:03,577
>> HA HA.
1526
00:56:03,577 --> 00:56:04,926
I THINK YOU'RE GETTING AHEAD OF
1527
00:56:04,926 --> 00:56:06,450
THE STORY.
1528
00:56:06,450 --> 00:56:08,103
>> [ GRUNTS ] OKAY.
1529
00:56:08,103 --> 00:56:09,801
OKAY, WHERE WERE WE?
1530
00:56:09,801 --> 00:56:11,324
>> WEWERE AT THE TRAIN STATION.
1531
00:56:11,324 --> 00:56:12,847
I WAS WAITING FOR YOU SO THAT WE
1532
00:56:12,847 --> 00:56:14,327
COULD MAKE OUR ESCAPE TOGETHER.
1533
00:56:14,327 --> 00:56:15,763
>> [ SIGHS ] OKAY.
1534
00:56:15,763 --> 00:56:18,723
UH [SNIFFS] THE COUNT'S BROTHER
1535
00:56:18,723 --> 00:56:20,115
HAD TRUMPED-UP CHARGES FILED
1536
00:56:20,115 --> 00:56:20,768
AGAINST ME.
1537
00:56:20,768 --> 00:56:22,117
HE CLAIMED I CHEATED IN THE
1538
00:56:22,117 --> 00:56:22,683
DUEL.
1539
00:56:22,683 --> 00:56:24,859
UH, THE POLICE COMMISSIONER WAS
1540
00:56:24,859 --> 00:56:26,992
DEEP IN THE COUNT'S POCKET, SO
1541
00:56:26,992 --> 00:56:28,689
THEY CAME TO MY ROOM.
1542
00:56:28,689 --> 00:56:31,083
I FLED OUT THE WINDOW.
1543
00:56:31,083 --> 00:56:34,173
IT'S SNOWING MORE HEAVILY.
1544
00:56:34,173 --> 00:56:36,044
THERE'S NO WAY OF KNOWING IF THE
1545
00:56:36,044 --> 00:56:37,872
TRAIN THAT YOU'RE WAITING FOR IS
1546
00:56:37,872 --> 00:56:40,353
EVEN GONNA GET THROUGH.
1547
00:56:40,353 --> 00:56:43,704
YOU HAVE STAKED YOUR LIFE ON ONE
1548
00:56:43,704 --> 00:56:46,272
WILD ROLL OF THE DICE, AND THE
1549
00:56:46,272 --> 00:56:48,143
ODDS ARE AGAINST YOU.
1550
00:56:48,143 --> 00:56:52,147
I AM -- I AM A WANTED MAN.
1551
00:56:52,147 --> 00:56:53,584
AND VIENNA...
1552
00:56:53,584 --> 00:56:54,672
[ BEEP ]
1553
00:56:54,672 --> 00:56:57,022
[ BEEP ]
...IS A LONG WAY OFF.
1554
00:56:57,022 --> 00:57:01,287
...IS A LONG WAY OFF.
1555
00:57:01,287 --> 00:57:03,376
ALL THE WAY TO THE STATION, I-I
1556
00:57:03,376 --> 00:57:06,597
WONDERED IF YOU WOULD BE THERE.
1557
00:57:06,597 --> 00:57:10,731
IF YOU KNEW THAT SOMEHOW I WOULD
1558
00:57:10,731 --> 00:57:12,820
MEET YOU THERE.
1559
00:57:12,820 --> 00:57:15,519
AND WE WOULD MAKE OUR ESCAPE
1560
00:57:15,519 --> 00:57:16,911
RIGHT UNDER THE NOSES OF THE
1561
00:57:16,911 --> 00:57:18,826
AUTHORITIES.
1562
00:57:18,826 --> 00:57:20,219
>> WHEN I SAW YOU STANDING THERE
1563
00:57:20,219 --> 00:57:21,568
IN THE STATION WITH SNOW ON YOUR
1564
00:57:21,568 --> 00:57:23,744
COLLAR [INHALES DEEPLY]
1565
00:57:23,744 --> 00:57:29,184
I RAN TO YOU.
1566
00:57:29,184 --> 00:57:31,273
>> I SWEPT YOU UP IN MY ARMS.
1567
00:57:31,273 --> 00:57:37,715
>> SO DANGEROUS, SO EXCITING.
1568
00:57:37,715 --> 00:57:39,760
>> AND THERE...
1569
00:57:39,760 --> 00:57:41,501
THE SLEEPER TO VIENNA WAS
1570
00:57:41,501 --> 00:57:42,807
FINALLY PULLING IN.
1571
00:57:42,807 --> 00:57:45,592
>> WE HID OUT BETWEEN CARS.
1572
00:57:45,592 --> 00:57:47,028
[ SIGHS ]
1573
00:57:47,028 --> 00:57:48,726
I WAS COLD.
1574
00:57:48,726 --> 00:57:50,075
I HAD NEVER BEEN THAT COLD IN MY
1575
00:57:50,075 --> 00:57:50,467
LIFE.
1576
00:57:50,467 --> 00:57:51,598
>> IT WAS WORTH IT, THOUGH,
1577
00:57:51,598 --> 00:57:53,339
WASN'T IT?
1578
00:57:53,339 --> 00:57:56,124
FIRST TIME.
1579
00:57:56,124 --> 00:57:58,736
BETWEEN THE CARS.
1580
00:57:58,736 --> 00:58:00,433
>> [ BREATHING HEAVILY ]
1581
00:58:00,433 --> 00:58:03,697
>> WITH THE -- WITH THE SNOW...
1582
00:58:03,697 --> 00:58:04,959
BLOWING IN YOUR FACE.
1583
00:58:04,959 --> 00:58:06,613
>> I CAN STILL FEEL YOUR MOUTH
1584
00:58:06,613 --> 00:58:08,093
ON MY SKIN.
1585
00:58:08,093 --> 00:58:09,442
>> I WAS TASTING YOU.
1586
00:58:09,442 --> 00:58:10,312
>> [ SIGHS ]
1587
00:58:10,312 --> 00:58:12,358
YOU WERE DEVOURING ME.
1588
00:58:12,358 --> 00:58:14,273
>> I COULDN'T GET ENOUGH OF YOU.
1589
00:58:14,273 --> 00:58:16,884
>> [ SIGHS ] WE WERE SOHUNGRY.
1590
00:58:16,884 --> 00:58:17,929
>> RAVENOUS!
1591
00:58:17,929 --> 00:58:18,930
>> [ SIGHS ]
1592
00:58:18,930 --> 00:58:19,757
>> IT WAS INSANE.
1593
00:58:19,757 --> 00:58:20,627
>> IT WAS AMAZING!
1594
00:58:20,627 --> 00:58:21,715
>> [ BREATHING HEAVILY ]
1595
00:58:21,715 --> 00:58:23,064
WE COULD'VE KILLED EACH OTHER.
1596
00:58:23,064 --> 00:58:24,457
WE COULD'VE FALLEN DOWN THE ROW
1597
00:58:24,457 --> 00:58:25,110
OF CARS.
1598
00:58:25,110 --> 00:58:26,590
>> BUT WE STAYED ALIVE!
1599
00:58:26,590 --> 00:58:28,287
>> IT WAS LIKE A DANCE WITH
1600
00:58:28,287 --> 00:58:33,074
DEATH!
1601
00:58:33,074 --> 00:58:35,424
DEATH!
[ SIGHS ]
1602
00:58:35,424 --> 00:58:45,522
[ SIGHS ]
1603
00:58:45,522 --> 00:58:50,962
HELLO?
1604
00:58:50,962 --> 00:58:56,054
ARE YOU THERE?
1605
00:58:56,054 --> 00:58:58,404
HEY.
1606
00:58:58,404 --> 00:58:59,405
HEY, HEY, HEY, HEY.
1607
00:58:59,405 --> 00:59:00,841
DON'T C-- DON'T CUT OUT ON ME
1608
00:59:00,841 --> 00:59:01,233
NOW.
1609
00:59:01,233 --> 00:59:02,756
YOU'RE NOT GONNA CUT OUT ON ME,
1610
00:59:02,756 --> 00:59:06,151
ARE YOU?
1611
00:59:06,151 --> 00:59:07,500
>> It's over.
1612
00:59:07,500 --> 00:59:10,895
>> WHAT?
1613
00:59:10,895 --> 00:59:11,591
>> That's it.
1614
00:59:11,591 --> 00:59:12,549
That's all she wrote.
1615
00:59:12,549 --> 00:59:13,854
>> WHAT DO YOU MEAN IT'S OVER?
1616
00:59:13,854 --> 00:59:15,247
NO, WHAT ARE YOU -- WHAT -- WHAT
1617
00:59:15,247 --> 00:59:17,554
ABOUT VIENNA?
1618
00:59:17,554 --> 00:59:18,990
>> LIKE THE MAN SAID, POST
1619
00:59:18,990 --> 00:59:19,643
COITUM --
1620
00:59:19,643 --> 00:59:20,861
>> Yeah, yeah, yeah.
1621
00:59:20,861 --> 00:59:22,297
No, I -- that's old news.
1622
00:59:22,297 --> 00:59:23,647
I've heard that before.
1623
00:59:23,647 --> 00:59:25,692
Slam, bam, thank you, ma'am.
1624
00:59:25,692 --> 00:59:28,129
Really?
1625
00:59:28,129 --> 00:59:30,305
>> HARDLY. [ BLOWS ]
1626
00:59:30,305 --> 00:59:31,785
GAVE YOU A WHOLE BALKAN WAR AS
1627
00:59:31,785 --> 00:59:34,135
FOREPLAY.
1628
00:59:34,135 --> 00:59:35,354
>> WELL, THAT WASN'T ENOUGH.
1629
00:59:35,354 --> 00:59:36,616
>> WHAT DO YOU WANT ME TO DO?
1630
00:59:36,616 --> 00:59:38,357
YOU WANT ME TO -- TO HOLD YOU
1631
00:59:38,357 --> 00:59:39,837
AND TELL YOU I LOVE YOU?
1632
00:59:39,837 --> 00:59:41,708
>> No, I want...
1633
00:59:41,708 --> 00:59:42,622
I WANT MORE.
1634
00:59:42,622 --> 00:59:44,363
>> [ New York accent ] WE'RE
1635
00:59:44,363 --> 00:59:45,669
THROUGH, SWEETHEART.
1636
00:59:45,669 --> 00:59:47,627
[ Normal voice ] I'M CUTTING YOU
1637
00:59:47,627 --> 00:59:48,062
OFF.
1638
00:59:48,062 --> 00:59:49,629
>> YOU CAN'T CUT ME OFF!
1639
00:59:49,629 --> 00:59:51,457
>> OH, I CAN'T?
1640
00:59:51,457 --> 00:59:52,676
YOU CALLED ME, REMEMBER?
1641
00:59:52,676 --> 00:59:53,894
>> YEAH, BUT WHO CALLED
1642
00:59:53,894 --> 00:59:55,287
SWEET TALK IN THE FIRST PLACE?
1643
00:59:55,287 --> 00:59:56,680
WHO'S S-SPENDING MONEY JERKING
1644
00:59:56,680 --> 00:59:58,116
OFF OVER THE PHONE IN THE FIRST
1645
00:59:58,116 --> 00:59:59,334
PLACE, YOU FUCKING PERV?!
1646
00:59:59,334 --> 01:00:05,689
>> YOU FUCKING WHORE!
1647
01:00:05,689 --> 01:00:08,474
[ BREATHES DEEPLY ]
1648
01:00:08,474 --> 01:00:09,693
THAT'S APPROPRIATE, RIGHT?!
1649
01:00:09,693 --> 01:00:10,389
>> OH, NICE!
1650
01:00:10,389 --> 01:00:11,695
WELL, AT LEAST I DON'T WALK
1651
01:00:11,695 --> 01:00:12,870
AROUND PRETENDING TO SHOOT
1652
01:00:12,870 --> 01:00:17,875
PEOPLE TO GET OFF!
1653
01:00:17,875 --> 01:00:22,096
[ BEEP ]
1654
01:00:22,096 --> 01:00:23,097
>> [ SIGHS ]
1655
01:00:23,097 --> 01:00:23,881
[ BEEP ]
1656
01:00:23,881 --> 01:00:26,840
[ BEEP ]
BASTARD. FUCK YOU!
1657
01:00:26,840 --> 01:00:36,894
BASTARD. FUCK YOU!
1658
01:00:36,894 --> 01:00:37,938
[ BEEP ]
1659
01:00:37,938 --> 01:00:40,071
[ Telephone ringing ]
1660
01:00:40,071 --> 01:00:44,815
[ TELEPHONE RINGING ]
1661
01:00:44,815 --> 01:00:45,859
>> [ SCOFFS ]
1662
01:00:45,859 --> 01:00:47,382
[ RINGING CONTINUES ]
1663
01:00:47,382 --> 01:00:51,517
[ SIGHS ]
1664
01:00:51,517 --> 01:00:52,431
[ SCOFFS ]
1665
01:00:52,431 --> 01:00:53,954
[ RINGING CONTINUES ]
1666
01:00:53,954 --> 01:00:55,260
SHE WANTS A RELATIONSHIP.
1667
01:00:55,260 --> 01:00:56,304
SHE WANTS A FUCKING
1668
01:00:56,304 --> 01:00:57,479
RELATIONSHIP.
1669
01:00:57,479 --> 01:00:59,177
[ RINGING CONTINUES ]
1670
01:00:59,177 --> 01:01:00,613
[ SIGHS ]
1671
01:01:00,613 --> 01:01:02,049
[ SCOFFS, LAUGHS ]
1672
01:01:02,049 --> 01:01:03,877
SHE WANTS TO GO TO VIENNA.
1673
01:01:03,877 --> 01:01:04,791
[ LAUGHS ]
1674
01:01:04,791 --> 01:01:06,358
[ RINGING CONTINUES ]
1675
01:01:06,358 --> 01:01:08,273
OH.
1676
01:01:08,273 --> 01:01:11,189
ALL WOMEN WANT TO GO TO VIENNA.
1677
01:01:11,189 --> 01:01:17,761
[ Ringing continues ]
1678
01:01:17,761 --> 01:01:20,067
[ Ringing continues ]
[ RINGING CONTINUES ]
1679
01:01:20,067 --> 01:01:25,594
[ RINGING CONTINUES ]
1680
01:01:25,594 --> 01:01:27,118
[ SIGHS ]
1681
01:01:27,118 --> 01:01:27,640
[ BEEP ]
1682
01:01:27,640 --> 01:01:29,033
[ Southern accent ] STUD TALK.
1683
01:01:29,033 --> 01:01:30,382
THIS IS SAMSON. WANT TO TALK?
1684
01:01:30,382 --> 01:01:31,644
>> LISTEN TO ME, YOU LITTLE
1685
01:01:31,644 --> 01:01:32,079
PRICK.
1686
01:01:32,079 --> 01:01:33,124
>> HEY, HOLD ON, LADY.
1687
01:01:33,124 --> 01:01:34,560
I NEED YOUR CREDIT-CARD NUMBER
1688
01:01:34,560 --> 01:01:35,822
AND EXPIRATION DATE, PLEASE.
1689
01:01:35,822 --> 01:01:37,302
>> YOU ARE THE MOST ARROGANT SON
1690
01:01:37,302 --> 01:01:38,695
OF A BITCH I HAVE EVER MET!
1691
01:01:38,695 --> 01:01:40,174
>> [ Normal voice ] OH, HAVE WE
1692
01:01:40,174 --> 01:01:40,609
MET?
1693
01:01:40,609 --> 01:01:41,262
>> Stop it.
1694
01:01:41,262 --> 01:01:41,785
STOP IT!
1695
01:01:41,785 --> 01:01:43,134
HEY, JUST FUCKING STOP IT!
1696
01:01:43,134 --> 01:01:45,136
COME ON!
1697
01:01:45,136 --> 01:01:46,398
YOU CAN'T TREAT PEOPLE LIKE
1698
01:01:46,398 --> 01:01:46,920
THAT!
1699
01:01:46,920 --> 01:01:48,966
YOU CAN'T START TO GO TO VIENNA
1700
01:01:48,966 --> 01:01:51,795
AND THEN NOT GO!
1701
01:01:51,795 --> 01:01:54,841
>> VIENNA IS A STATE OF MIND.
1702
01:01:54,841 --> 01:01:56,408
YOU NEVER REALLY GET THERE.
1703
01:01:56,408 --> 01:01:57,583
>> How do you know?
1704
01:01:57,583 --> 01:01:58,279
>> I KNOW.
1705
01:01:58,279 --> 01:01:59,846
>> WHAT'S THE WORST THAT CAN
1706
01:01:59,846 --> 01:02:00,412
HAPPEN?
1707
01:02:00,412 --> 01:02:02,022
>> WE COULD GET PICKED UP BY THE
1708
01:02:02,022 --> 01:02:03,284
AUSTRIAN BORDER PATROL.
1709
01:02:03,284 --> 01:02:04,764
>> NO, THERE -- THERE WAS NO
1710
01:02:04,764 --> 01:02:05,809
BORDER POLICE THEN.
1711
01:02:05,809 --> 01:02:07,419
AUSTRIA-HUNGARY WAS ONE COUNTRY
1712
01:02:07,419 --> 01:02:07,985
IN 1914.
1713
01:02:07,985 --> 01:02:09,638
>> DOESN'T MATTER BECAUSE I GET
1714
01:02:09,638 --> 01:02:13,033
SHOT BY THE FIRING SQUAD.
1715
01:02:13,033 --> 01:02:14,165
>> THEY SHOOT YOU?
1716
01:02:14,165 --> 01:02:16,515
>> THEY SHOOT YOU?
[ GUNSHOT ]
1717
01:02:16,515 --> 01:02:20,867
[ GUNSHOT ]
1718
01:02:20,867 --> 01:02:22,173
I THOUGHT WE WERE GONNA GET TO
1719
01:02:22,173 --> 01:02:24,175
GO TO VIENNA.
1720
01:02:24,175 --> 01:02:26,830
>> IT'S NOT GONNA HAPPEN.
1721
01:02:26,830 --> 01:02:29,920
THE TRAIN IS ALL WE HAD.
1722
01:02:29,920 --> 01:02:32,009
A FEW STOLEN HOURS IN BETWEEN
1723
01:02:32,009 --> 01:02:34,185
CARS ON THE BUDAPEST-TO-VIENNA
1724
01:02:34,185 --> 01:02:35,403
NIGHT TRAIN.
1725
01:02:35,403 --> 01:02:36,143
>> NO.
1726
01:02:36,143 --> 01:02:37,797
>> Come on.
1727
01:02:37,797 --> 01:02:39,538
COME ON, HOW DO YOU EXPECT TWO
1728
01:02:39,538 --> 01:02:41,105
PEOPLE WITH NO MONEY AND NO
1729
01:02:41,105 --> 01:02:42,759
CONNECTIONS TO ESCAPE FROM A
1730
01:02:42,759 --> 01:02:45,849
COUNTRY AFTER MURDERINGA
1731
01:02:45,849 --> 01:02:47,851
WELL-CONNECTED, WELL-RESPECTED
1732
01:02:47,851 --> 01:02:48,460
COUNT?
1733
01:02:48,460 --> 01:02:49,896
>> IT WAS IN A DUEL.
1734
01:02:49,896 --> 01:02:51,506
>> NOT ACCORDING TO THE POLICE
1735
01:02:51,506 --> 01:02:53,421
CHIEF -- A MAN DEEPLY IN THE
1736
01:02:53,421 --> 01:02:55,249
POCKETS OF THE COUNT AS WE
1737
01:02:55,249 --> 01:02:57,121
ALREADY ESTABLISHED.
1738
01:02:57,121 --> 01:02:59,036
>> WELL [SIGHS]
1739
01:02:59,036 --> 01:03:00,864
I MEAN, Y-YOU CAN'T JUST -- YOU
1740
01:03:00,864 --> 01:03:02,517
CAN'T JUST ARBITRARILY DECIDE
1741
01:03:02,517 --> 01:03:05,390
T-THAT'S WHAT HAPPENS.
1742
01:03:05,390 --> 01:03:07,218
>> You want your money back?
1743
01:03:07,218 --> 01:03:09,176
>> NO, I WANT TO GO TO VIENNA!
1744
01:03:09,176 --> 01:03:11,222
>> And do what?
1745
01:03:11,222 --> 01:03:13,398
LIVE HAPPILY EVER AFTER?
1746
01:03:13,398 --> 01:03:14,747
GET A NICE LITTLE APARTMENT IN A
1747
01:03:14,747 --> 01:03:15,661
RESPECTABLE QUARTER?
1748
01:03:15,661 --> 01:03:16,575
[ Telephone ringing ]
1749
01:03:16,575 --> 01:03:18,969
Have children and a governess?
1750
01:03:18,969 --> 01:03:20,100
Walk along the river?
1751
01:03:20,100 --> 01:03:21,188
[ RINGING CONTINUES ]
1752
01:03:21,188 --> 01:03:22,233
Visit Strauss? What?
1753
01:03:22,233 --> 01:03:23,364
[ RINGING CONTINUES ]
1754
01:03:23,364 --> 01:03:25,062
Aren't you gonna get your phone?
1755
01:03:25,062 --> 01:03:26,324
[ RINGING CONTINUES ]
1756
01:03:26,324 --> 01:03:27,629
You may as well get it.
1757
01:03:27,629 --> 01:03:32,678
We're not going anywhere.
1758
01:03:32,678 --> 01:03:33,679
>> WHAT DO YOU WANT?
1759
01:03:33,679 --> 01:03:34,985
>> WHAT DO YOU MEAN WHAT DO I
1760
01:03:34,985 --> 01:03:35,376
WANT?
1761
01:03:35,376 --> 01:03:36,682
>> WHAT DO YOU WANT TO GO TO
1762
01:03:36,682 --> 01:03:38,118
VIENNA?
1763
01:03:38,118 --> 01:03:40,773
>> You got a credit card?
1764
01:03:40,773 --> 01:03:43,080
>> You got a credit card?
>> COME ON.
1765
01:03:43,080 --> 01:03:51,175
>> COME ON.
1766
01:03:51,175 --> 01:03:53,525
>> COME ON.
>> Okay.
1767
01:03:53,525 --> 01:04:01,663
>> Okay.
1768
01:04:01,663 --> 01:04:02,360
[ SIGHS ]
1769
01:04:02,360 --> 01:04:03,840
>> AND I WANT TO DRIVE.
1770
01:04:03,840 --> 01:04:04,797
>> Oh, really?
1771
01:04:04,797 --> 01:04:07,713
>> MM-HMM.
1772
01:04:07,713 --> 01:04:09,062
I WANT TO BE THE ONE WHO GETS TO
1773
01:04:09,062 --> 01:04:11,325
DECIDE WHAT HAPPENS THIS TIME.
1774
01:04:11,325 --> 01:04:12,805
>> OKAY, BUT DON'T SAY I DIDN'T
1775
01:04:12,805 --> 01:04:15,460
WARN YOU.
1776
01:04:15,460 --> 01:04:17,984
>> [ BREATHES HEAVILY ]
1777
01:04:17,984 --> 01:04:22,075
OKAY.
1778
01:04:22,075 --> 01:04:23,729
[ SIGHS ]
1779
01:04:23,729 --> 01:04:26,123
YOU...
1780
01:04:26,123 --> 01:04:29,256
ARE A MAN WHO HAS...
1781
01:04:29,256 --> 01:04:30,954
LOST THE USE OF HIS ARMS AND
1782
01:04:30,954 --> 01:04:31,432
LEGS.
1783
01:04:31,432 --> 01:04:32,259
>> OH, GOD.
1784
01:04:32,259 --> 01:04:37,264
>> AND HIS VOICE.
1785
01:04:37,264 --> 01:04:40,920
IT'S VIENNA.
1786
01:04:40,920 --> 01:04:41,442
1939.
1787
01:04:41,442 --> 01:04:43,009
>> YOU'VE GOT YOUR OWN IN
1788
01:04:43,009 --> 01:04:43,662
VIENNA?
1789
01:04:43,662 --> 01:04:45,403
>> EVERYBODY'S GOT THEIR OWN
1790
01:04:45,403 --> 01:04:48,232
VIENNA.
1791
01:04:48,232 --> 01:04:49,276
IT WAS A YEAR AFTER THE
1792
01:04:49,276 --> 01:04:51,278
ANSCHLUSS.
1793
01:04:51,278 --> 01:04:53,324
There are swastikas on public
1794
01:04:53,324 --> 01:04:54,716
buildings.
1795
01:04:54,716 --> 01:04:56,327
Everywhere, you can hear the...
1796
01:04:56,327 --> 01:04:57,676
THE SOUND OF HOBNAIL BOOTS.
1797
01:04:57,676 --> 01:05:00,374
THE SUMMER -- IT WAS LONG...
1798
01:05:00,374 --> 01:05:02,681
AND HOT.
1799
01:05:02,681 --> 01:05:04,074
IN A RESPECTABLE PART OF THE
1800
01:05:04,074 --> 01:05:05,640
CITY WHERE PEOPLE STILL TENDED
1801
01:05:05,640 --> 01:05:07,207
TO THEIR GARDENS AS IF THE WORLD
1802
01:05:07,207 --> 01:05:09,993
STILL MADE SENSE...
1803
01:05:09,993 --> 01:05:12,299
A WOMAN LIVES AMONGST...
1804
01:05:12,299 --> 01:05:14,736
POTTED PLANTS AND OVERSTUFFED
1805
01:05:14,736 --> 01:05:17,000
FURNITURE.
1806
01:05:17,000 --> 01:05:21,004
SHE WORKS AS...
1807
01:05:21,004 --> 01:05:24,659
I WORK AT NIGHT AS A PRIVATE
1808
01:05:24,659 --> 01:05:27,836
NURSE FOR AN INVALID.
1809
01:05:27,836 --> 01:05:29,490
I RETURN HOME AS THE SUN RISES
1810
01:05:29,490 --> 01:05:30,361
OVER THE CITY.
1811
01:05:30,361 --> 01:05:32,972
I SLEEP TILL NOON.
1812
01:05:32,972 --> 01:05:37,455
AND THEN I BATHE IN COLD WATER.
1813
01:05:37,455 --> 01:05:40,937
I POWDER MY BODY, AND I, UM...
1814
01:05:40,937 --> 01:05:41,981
I PLAY MY CELLO.
1815
01:05:41,981 --> 01:05:45,854
[ CELLO PLAYING ]
1816
01:05:45,854 --> 01:05:47,204
AS IF THESE GESTURES WOULD
1817
01:05:47,204 --> 01:05:48,770
SOMEHOW MAKE THE HOBNAIL BOOTS
1818
01:05:48,770 --> 01:05:51,077
SOMEHOW MAKE THE HOBNAIL BOOTS
DISAPPEAR.
1819
01:05:51,077 --> 01:05:57,040
DISAPPEAR.
1820
01:05:57,040 --> 01:05:59,303
I KNOW WHAT'S GOING ON.
1821
01:05:59,303 --> 01:06:02,480
I HAVE NO MORE ILLUSIONS.
1822
01:06:02,480 --> 01:06:04,221
IN THE WORLD I LIVE IN, THERE IS
1823
01:06:04,221 --> 01:06:05,483
NO ROOM FOR ILLUSION.
1824
01:06:05,483 --> 01:06:07,833
NO ROOM FOR ILLUSION.
[ CELLO PLAYING CONTINUES ]
1825
01:06:07,833 --> 01:06:17,016
[ CELLO PLAYING CONTINUES ]
1826
01:06:17,016 --> 01:06:19,105
YOU [SIGHS]
1827
01:06:19,105 --> 01:06:20,977
ARE MY PATIENT.
1828
01:06:20,977 --> 01:06:21,978
YOU'RE A MEMBER OF THE
1829
01:06:21,978 --> 01:06:23,240
UNDERGROUND WHO'S LOST THE USE
1830
01:06:23,240 --> 01:06:26,199
OF -- OF HIS ARMS AND LEGS, AND
1831
01:06:26,199 --> 01:06:27,722
NOBODY KNOWS EXACTLY HOW.
1832
01:06:27,722 --> 01:06:29,072
IT'S -- IT'S A SECRET.
1833
01:06:29,072 --> 01:06:30,725
YOU'RE EITHER...
1834
01:06:30,725 --> 01:06:32,684
YOU'RE EITHER UNWILLING OR JUST
1835
01:06:32,684 --> 01:06:37,297
UNABLE TO TELL.
1836
01:06:37,297 --> 01:06:38,820
YOU'RE ALONE [SIGHS] IN YOUR
1837
01:06:38,820 --> 01:06:41,171
ROOM WITH NO VOICE.
1838
01:06:41,171 --> 01:06:45,566
ALL YOU HAVE IS YOUR EYES.
1839
01:06:45,566 --> 01:06:48,830
YOUR DARK...
1840
01:06:48,830 --> 01:06:51,137
YOUR DARK...
FEVERISH EYES.
1841
01:06:51,137 --> 01:07:03,323
FEVERISH EYES.
1842
01:07:03,323 --> 01:07:04,542
THERE ARE SEVERAL OF US, AND
1843
01:07:04,542 --> 01:07:05,717
WE -- WE COME AND GO ON OUR
1844
01:07:05,717 --> 01:07:06,239
SHIFTS.
1845
01:07:06,239 --> 01:07:07,762
THE OTHERS -- THEY TREAT YOU
1846
01:07:07,762 --> 01:07:09,199
LIKE A PLANT THAT HAS TO BE
1847
01:07:09,199 --> 01:07:13,290
WATERED.
1848
01:07:13,290 --> 01:07:14,813
SOMETIMES THEY DO TRY AND GET A
1849
01:07:14,813 --> 01:07:18,121
REACTION OUT OF YOU.
1850
01:07:18,121 --> 01:07:20,819
BUT YOU DON'T GIVE IN.
1851
01:07:20,819 --> 01:07:22,212
EVEN DURING YOUR SPONGE BATHES
1852
01:07:22,212 --> 01:07:23,561
WHEN THEY TRY AND GET YOU TO
1853
01:07:23,561 --> 01:07:26,346
BETRAY YOURSELF.
1854
01:07:26,346 --> 01:07:28,131
YOU REFUSE TO REACT.
1855
01:07:28,131 --> 01:07:31,395
YOUR -- YOUR CONTEMPT IS UTTER
1856
01:07:31,395 --> 01:07:33,092
AND COMPLETE.
1857
01:07:33,092 --> 01:07:37,705
[ FAN WHIRRING SOFTLY ]
1858
01:07:37,705 --> 01:07:39,142
I SIT AT THE END OF THE HALL.
1859
01:07:39,142 --> 01:07:40,621
UH, IT MAKES ME UNCOMFORTABLE TO
1860
01:07:40,621 --> 01:07:42,058
BE IN THE SAME ROOM WITH YOU.
1861
01:07:42,058 --> 01:07:44,886
[ INHALES DEEPLY ]
1862
01:07:44,886 --> 01:07:50,501
ONCE AN HOUR, I CHECK ON YOU.
1863
01:07:50,501 --> 01:07:51,110
[ DOOR CREAKS ]
1864
01:07:51,110 --> 01:07:52,155
AND I ALWAYS CATCH YOU WITH YOUR
1865
01:07:52,155 --> 01:07:54,635
EYES OPEN AS IF YOU NEVER SLEEP.
1866
01:07:54,635 --> 01:08:00,946
[ FAN WHIRRING SOFTLY ]
1867
01:08:00,946 --> 01:08:03,427
FEELS LIKE YOU'RE LOOKING AT ME.
1868
01:08:03,427 --> 01:08:05,603
LIKE...
1869
01:08:05,603 --> 01:08:06,647
[ SIGHS ]
1870
01:08:06,647 --> 01:08:09,911
LIKE YOU'RE LOOKING THROUGHME.
1871
01:08:09,911 --> 01:08:11,870
AND I WONDER WHO YOU ARE AND --
1872
01:08:11,870 --> 01:08:13,698
AND IF YOU'RE THE SAME PERSON
1873
01:08:13,698 --> 01:08:15,569
YOU'VE ALWAYS BEEN AND WHY YOU
1874
01:08:15,569 --> 01:08:20,139
REFUSE TO TALK.
1875
01:08:20,139 --> 01:08:24,012
I CAN'T STOP THINKING ABOUT YOU.
1876
01:08:24,012 --> 01:08:25,188
I KEEP WONDERING IF THERE'S --
1877
01:08:25,188 --> 01:08:26,450
THERE'S A MAN THAT'S STILL ALIVE
1878
01:08:26,450 --> 01:08:27,755
IN THERE AND IF THAT MAN IS ABLE
1879
01:08:27,755 --> 01:08:32,325
TO BE REACHED.
1880
01:08:32,325 --> 01:08:34,327
ONE MORNING WHEN I, UH, WHEN I
1881
01:08:34,327 --> 01:08:39,854
RETURN HOME, I GO TO SLEEP.
1882
01:08:39,854 --> 01:08:42,161
RETURN HOME, I GO TO SLEEP.
AND I HAVE A DREAM ABOUT YOU.
1883
01:08:42,161 --> 01:08:46,339
AND I HAVE A DREAM ABOUT YOU.
1884
01:08:46,339 --> 01:08:51,475
IN THE DREAM, YOU COME TO LIFE.
1885
01:08:51,475 --> 01:08:53,825
IN THE DREAM, YOU COME TO LIFE.
[ ROMANTIC MUSIC PLAYING ]
1886
01:08:53,825 --> 01:09:04,009
[ ROMANTIC MUSIC PLAYING ]
1887
01:09:04,009 --> 01:09:06,316
[ ROMANTIC MUSIC PLAYING ]
[ ROMANTIC MUSIC CONTINUES ]
1888
01:09:06,316 --> 01:09:16,500
[ ROMANTIC MUSIC CONTINUES ]
1889
01:09:16,500 --> 01:09:18,850
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1890
01:09:18,850 --> 01:09:29,034
[ ROMANTIC MUSIC CONTINUES ]
1891
01:09:29,034 --> 01:09:31,341
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1892
01:09:31,341 --> 01:09:39,087
[ ROMANTIC MUSIC CONTINUES ]
1893
01:09:39,087 --> 01:09:41,394
[ ROMANTIC MUSIC CONTINUES ]
[ BREATHING HEAVILY ]
1894
01:09:41,394 --> 01:09:46,138
[ BREATHING HEAVILY ]
1895
01:09:46,138 --> 01:09:47,052
I-I WAKE UP.
1896
01:09:47,052 --> 01:09:48,880
MY SKIN IS F-FLUSHED, A-AND MY
1897
01:09:48,880 --> 01:09:50,490
LEGS ARE WRAPPED AROUND A
1898
01:09:50,490 --> 01:09:51,143
PILLOW.
1899
01:09:51,143 --> 01:09:53,450
PILLOW.
AND...
1900
01:09:53,450 --> 01:09:57,889
AND...
1901
01:09:57,889 --> 01:10:02,894
AND I'M STRANDED.
1902
01:10:02,894 --> 01:10:04,591
I'M A-- I'M ABANDONED BY THE
1903
01:10:04,591 --> 01:10:05,201
DREAM.
1904
01:10:05,201 --> 01:10:10,118
I'M -- I'M ABANDONED BY YOU.
1905
01:10:10,118 --> 01:10:11,294
[ SIGHS ]
1906
01:10:11,294 --> 01:10:15,341
AND AN UNUTTERABLE SADNESS...
1907
01:10:15,341 --> 01:10:17,952
OVERCOMES ME.
1908
01:10:17,952 --> 01:10:19,650
I FEEL SO -- I FEEL SO
1909
01:10:19,650 --> 01:10:21,913
DISCONNECTED AS IF -- AS IF MY
1910
01:10:21,913 --> 01:10:23,958
WIRING HAS BEEN RIPPED OUT,
1911
01:10:23,958 --> 01:10:26,309
AND -- AND ALL I CAN THINK ABOUT
1912
01:10:26,309 --> 01:10:29,007
IS GOING TO WORK.
1913
01:10:29,007 --> 01:10:31,357
AND -- AND SEEING YOU AND THE
1914
01:10:31,357 --> 01:10:33,794
DREAM AND -- AND THE DEADNESS
1915
01:10:33,794 --> 01:10:36,144
DREAM AND -- AND THE DEADNESS
INSIDE YOU AND...
1916
01:10:36,144 --> 01:10:40,758
INSIDE YOU AND...
1917
01:10:40,758 --> 01:10:42,673
NO, INSIDE ME.
1918
01:10:42,673 --> 01:10:44,892
[ BREATHES HEAVILY ]
1919
01:10:44,892 --> 01:10:47,808
IT'S MY BIGGEST FEAR [SIGHS]
1920
01:10:47,808 --> 01:10:50,115
THAT I'M DEAD INSIDE...
1921
01:10:50,115 --> 01:10:51,856
THAT I'M -- I'M COMPLETELY
1922
01:10:51,856 --> 01:10:53,684
PARALYZED, THAT I DIED YEARS
1923
01:10:53,684 --> 01:10:56,643
PARALYZED, THAT I DIED YEARS
AGO, AND -- AND NO ONE TOLD ME.
1924
01:10:56,643 --> 01:11:08,699
AGO, AND -- AND NO ONE TOLD ME.
1925
01:11:08,699 --> 01:11:11,397
ALL DAY LONG...
1926
01:11:11,397 --> 01:11:12,485
I STARE OUT THE WINDOW,
1927
01:11:12,485 --> 01:11:14,357
WATCHING.
1928
01:11:14,357 --> 01:11:15,923
WATCHING THE CITY BELOW GO ABOUT
1929
01:11:15,923 --> 01:11:18,274
ITS BUSINESS, LISTENING TO --
1930
01:11:18,274 --> 01:11:19,753
T-TO SOUNDS OF LIFE I'VE NEVER
1931
01:11:19,753 --> 01:11:22,843
HEARD BEFORE, DIZZY.
1932
01:11:22,843 --> 01:11:26,847
AND DISORIENTING.
1933
01:11:26,847 --> 01:11:28,371
WHEN NIGHT FALLS, I GO TO WORK,
1934
01:11:28,371 --> 01:11:29,720
AND THE HOUSE IS -- IS DEAD
1935
01:11:29,720 --> 01:11:31,156
QUIET EXCEPT FOR THE WIND AND
1936
01:11:31,156 --> 01:11:32,940
T-THE CREAKING TIMBERS.
1937
01:11:32,940 --> 01:11:35,465
I GO TO YOUR ROOM.
1938
01:11:35,465 --> 01:11:39,251
AND I'M AFRAID.
1939
01:11:39,251 --> 01:11:41,993
AND I'M EXHILARATED, AND...
1940
01:11:41,993 --> 01:11:43,908
AND I HAVE NO IDEA WHAT'S GONNA
1941
01:11:43,908 --> 01:11:46,258
AND I HAVE NO IDEA WHAT'S GONNA
HAPPEN.
1942
01:11:46,258 --> 01:12:04,189
HAPPEN.
1943
01:12:04,189 --> 01:12:07,018
TALK TO ME.
1944
01:12:07,018 --> 01:12:10,500
PLEASE.
1945
01:12:10,500 --> 01:12:11,544
WE'RE ALL ALONE.
1946
01:12:11,544 --> 01:12:15,766
IT'S JUST THE TWO OF US.
1947
01:12:15,766 --> 01:12:17,071
I THINK YOU WANT TO COME BACK TO
1948
01:12:17,071 --> 01:12:22,990
LIFE.
1949
01:12:22,990 --> 01:12:24,165
I THINK YOU NEED TO TOUCH
1950
01:12:24,165 --> 01:12:26,472
I THINK YOU NEED TO TOUCH
SOMEONE.
1951
01:12:26,472 --> 01:12:32,391
SOMEONE.
1952
01:12:32,391 --> 01:12:34,001
TO FEEL ANOTHER HUMAN BEING
1953
01:12:34,001 --> 01:12:36,352
TO FEEL ANOTHER HUMAN BEING
AGAINST YOUR BODY.
1954
01:12:36,352 --> 01:12:41,922
AGAINST YOUR BODY.
1955
01:12:41,922 --> 01:12:45,796
I CAN SEE A GLOW IN YOUR EYES.
1956
01:12:45,796 --> 01:12:47,188
I CAN EVEN SEE THE BEGINNING OF
1957
01:12:47,188 --> 01:12:52,237
A SMILE.
1958
01:12:52,237 --> 01:12:54,239
I CAN SEE IT.
1959
01:12:54,239 --> 01:12:57,547
I CAN FEELIT.
1960
01:12:57,547 --> 01:12:59,462
I KNOW IN THE DEAD CENTER OF
1961
01:12:59,462 --> 01:13:03,466
YOUR BODY, THERE IS LIFE.
1962
01:13:03,466 --> 01:13:04,815
AND YOU'VE BEEN WAITING FOR ME
1963
01:13:04,815 --> 01:13:08,384
AND YOU'VE BEEN WAITING FOR ME
FOR A VERYLONG TIME.
1964
01:13:08,384 --> 01:13:14,868
FOR A VERYLONG TIME.
1965
01:13:14,868 --> 01:13:20,831
NO.
1966
01:13:20,831 --> 01:13:22,920
NO!
1967
01:13:22,920 --> 01:13:28,099
NOT THIS TIME!
1968
01:13:28,099 --> 01:13:33,496
SPEAK!
1969
01:13:33,496 --> 01:13:36,412
SPEAK!
SAY SOMETHING, GODDAMN IT!
1970
01:13:36,412 --> 01:13:42,940
SAY SOMETHING, GODDAMN IT!
1971
01:13:42,940 --> 01:13:45,290
SAY SOMETHING, GODDAMN IT!
FUCK YOU.
1972
01:13:45,290 --> 01:13:53,907
FUCK YOU.
1973
01:13:53,907 --> 01:13:56,257
FUCK YOU.
[ GUNSHOT ]
1974
01:13:56,257 --> 01:14:01,306
[ GUNSHOT ]
1975
01:14:01,306 --> 01:14:04,875
[ GUNSHOT ]
[ BREATHES HEAVILY ]
1976
01:14:04,875 --> 01:14:30,335
[ BREATHES HEAVILY ]
1977
01:14:30,335 --> 01:14:31,597
I THINK WE'RE READY.
1978
01:14:31,597 --> 01:14:33,947
I THINK WE'RE READY.
[ ROMANTIC MUSIC PLAYING ]
1979
01:14:33,947 --> 01:14:44,131
[ ROMANTIC MUSIC PLAYING ]
1980
01:14:44,131 --> 01:14:46,482
[ ROMANTIC MUSIC PLAYING ]
[ ROMANTIC MUSIC CONTINUES ]
1981
01:14:46,482 --> 01:14:56,622
[ ROMANTIC MUSIC CONTINUES ]
1982
01:14:56,622 --> 01:14:58,972
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1983
01:14:58,972 --> 01:15:09,156
[ ROMANTIC MUSIC CONTINUES ]
1984
01:15:09,156 --> 01:15:11,507
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1985
01:15:11,507 --> 01:15:21,647
[ ROMANTIC MUSIC CONTINUES ]
1986
01:15:21,647 --> 01:15:23,997
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1987
01:15:23,997 --> 01:15:34,181
[ ROMANTIC MUSIC CONTINUES ]
1988
01:15:34,181 --> 01:15:36,532
[ ROMANTIC MUSIC CONTINUES ]
[ ROMANTIC MUSIC CONTINUES ]
1989
01:15:36,532 --> 01:15:53,723
[ ROMANTIC MUSIC CONTINUES ]
1990
01:15:53,723 --> 01:15:56,726
[ CART THUDDING ]
1991
01:15:56,726 --> 01:16:00,643
[ KEYS JINGLING ]
1992
01:16:00,643 --> 01:16:06,866
[ DOOR CLOSES ]
1993
01:16:06,866 --> 01:16:08,215
>> JE-SUS!
1994
01:16:08,215 --> 01:16:11,001
[ DIAL TONE ]
1995
01:16:11,001 --> 01:16:12,176
>> OH, SHIT.
1996
01:16:12,176 --> 01:16:15,135
[ CLICK ]
1997
01:16:15,135 --> 01:16:17,485
[ CLICK ]
OH, MY GOD.
1998
01:16:17,485 --> 01:16:24,101
OH, MY GOD.
1999
01:16:24,101 --> 01:16:25,929
>> [ SIGHS ]
2000
01:16:25,929 --> 01:16:30,455
>> JESUS!
2001
01:16:30,455 --> 01:16:33,284
>> IS IT NOON ALREADY?
2002
01:16:33,284 --> 01:16:34,546
>> IT'S THREE MINUTES BEFORE.
2003
01:16:34,546 --> 01:16:36,853
>> IT'S THREE MINUTES BEFORE.
[ SIGHS ]
2004
01:16:36,853 --> 01:16:40,987
[ SIGHS ]
2005
01:16:40,987 --> 01:16:42,293
LISTEN, IF EDDIE FINDS OUT THAT
2006
01:16:42,293 --> 01:16:43,642
YOU'RE TAKING THE PHONES OFF THE
2007
01:16:43,642 --> 01:16:45,905
HOOK, HE'S GONNA FIRE YOU.
2008
01:16:45,905 --> 01:16:48,081
YOU KNOW, HE [SIGHS] CALLS HERE
2009
01:16:48,081 --> 01:16:50,606
SOMETIMES TO CHECK UP ON US.
2010
01:16:50,606 --> 01:16:51,694
MAKE SURE WE'RE ANSWERING THE
2011
01:16:51,694 --> 01:16:53,870
PHONES.
2012
01:16:53,870 --> 01:16:55,480
I-- [SIGHS] IT'S NONE OF MY
2013
01:16:55,480 --> 01:16:58,788
BUSINESS, BUT...
2014
01:16:58,788 --> 01:16:59,832
WHY DO YOU HAVE YOUR CLOTHES
2015
01:16:59,832 --> 01:17:04,184
OFF?
2016
01:17:04,184 --> 01:17:07,579
>> DO YOU REALLY WANT TO KNOW?
2017
01:17:07,579 --> 01:17:09,146
>> I DON'T KNOW.
2018
01:17:09,146 --> 01:17:11,496
>> I DON'T KNOW.
DO I?
2019
01:17:11,496 --> 01:17:17,371
DO I?
2020
01:17:17,371 --> 01:17:19,460
I-I FOLDED...
2021
01:17:19,460 --> 01:17:23,377
THOSE FOR YOU.
2022
01:17:23,377 --> 01:17:26,337
>> THANK YOU.
2023
01:17:26,337 --> 01:17:30,907
[ KEYS JINGLE ]
2024
01:17:30,907 --> 01:17:34,519
[ KEYS JINGLE ]
[ BREATHES HEAVILY ]
2025
01:17:34,519 --> 01:17:56,497
[ BREATHES HEAVILY ]
2026
01:17:56,497 --> 01:17:58,804
[ BREATHES HEAVILY ]
[ SIGHS ]
2027
01:17:58,804 --> 01:18:11,034
[ SIGHS ]
2028
01:18:11,034 --> 01:18:17,040
[ FINGERS TYPING ON TYPEWRITER ]
2029
01:18:17,040 --> 01:18:19,129
[ DING ]
2030
01:18:19,129 --> 01:18:21,479
[ DING ]
[ TYPING CONTINUES ]
2031
01:18:21,479 --> 01:18:39,584
[ TYPING CONTINUES ]
2032
01:18:39,584 --> 01:18:41,891
[ TYPING CONTINUES ]
[ SIGHS ]
2033
01:18:41,891 --> 01:18:47,418
[ SIGHS ]
2034
01:18:47,418 --> 01:18:49,420
>> HAPPY NEW DAY, LEON.
2035
01:18:49,420 --> 01:18:51,901
[ WHISTLING ]
2036
01:18:51,901 --> 01:18:53,076
I GOT A GREAT FEELING ABOUT
2037
01:18:53,076 --> 01:18:53,467
TODAY.
2038
01:18:53,467 --> 01:18:54,338
[ LEON CHIRPS ]
2039
01:18:54,338 --> 01:18:55,861
GOOD MORNING, LADIES AND GERMS.
2040
01:18:55,861 --> 01:18:57,384
FUNNY THING HAPPENED TO ME ON
2041
01:18:57,384 --> 01:18:59,125
THE WAY TO...
2042
01:18:59,125 --> 01:19:00,823
VIENNA.
2043
01:19:00,823 --> 01:19:03,956
I MET A BEAUTIFUL CONTESSA...
2044
01:19:03,956 --> 01:19:06,916
I MET A BEAUTIFUL CONTESSA...
NAMED DELILAH.
2045
01:19:06,916 --> 01:19:21,191
NAMED DELILAH.
2046
01:19:21,191 --> 01:19:25,935
[ TELEPHONE RINGING ]
2047
01:19:25,935 --> 01:19:28,154
>> HELLO -- SWEET TALK.
2048
01:19:28,154 --> 01:19:29,286
WANT TO TALK?
2049
01:19:29,286 --> 01:19:30,504
>> WHO'S THIS?
2050
01:19:30,504 --> 01:19:31,418
>> GINNY.
2051
01:19:31,418 --> 01:19:32,419
WHO'S THIS?
2052
01:19:32,419 --> 01:19:33,551
>> WHERE'S DELILAH?
2053
01:19:33,551 --> 01:19:35,335
>> OH, SHE'S NOT HERE RIGHT NOW,
2054
01:19:35,335 --> 01:19:36,859
BUT I'D LOVE TO TALK TO YOU.
2055
01:19:36,859 --> 01:19:38,512
>> WHAT DO YOU MEAN SHE'S NOT
2056
01:19:38,512 --> 01:19:39,035
THERE?
2057
01:19:39,035 --> 01:19:40,079
WHERE DID SHE GO?
2058
01:19:40,079 --> 01:19:42,081
>> OUT?
2059
01:19:42,081 --> 01:19:43,648
>> I THOUGHT THIS WAS HER PLACE.
2060
01:19:43,648 --> 01:19:45,128
>> Oh, we're sort of roommates,
2061
01:19:45,128 --> 01:19:45,911
her and me.
2062
01:19:45,911 --> 01:19:47,652
WHEN ONE GOES OUT, THE OTHER'S
2063
01:19:47,652 --> 01:19:48,261
HERE.
2064
01:19:48,261 --> 01:19:50,046
>> WHEN WILL SHE BE BACK?
2065
01:19:50,046 --> 01:19:51,917
>> SHE'S HERE EVENINGS AND
2066
01:19:51,917 --> 01:19:54,137
MORNINGS, MIDNIGHT TO NOON.
2067
01:19:54,137 --> 01:19:54,833
>> SHIT.
2068
01:19:54,833 --> 01:19:56,487
>> AW, YOU DON'T HAVE TO WAIT
2069
01:19:56,487 --> 01:19:57,314
THATLONG.
2070
01:19:57,314 --> 01:19:58,141
>> [ SIGHS ]
2071
01:19:58,141 --> 01:19:59,359
YEAH, I THINK I DO.
2072
01:19:59,359 --> 01:20:00,012
>> WHY?
2073
01:20:00,012 --> 01:20:01,361
YOU AND I CAN TALK.
2074
01:20:01,361 --> 01:20:03,320
What do you want to talk about?
2075
01:20:03,320 --> 01:20:04,147
>> VIENNA.
2076
01:20:04,147 --> 01:20:04,843
>> HUH?
2077
01:20:04,843 --> 01:20:07,846
>> Nazis were marching in the
2078
01:20:07,846 --> 01:20:10,327
street.
2079
01:20:10,327 --> 01:20:13,243
I WAS IN BED WITHOUT THE USE OF
2080
01:20:13,243 --> 01:20:16,507
MY ARMS AND MY LEGS.
2081
01:20:16,507 --> 01:20:19,162
SHE WAS MY NURSE.
2082
01:20:19,162 --> 01:20:20,990
She came to me at night.
2083
01:20:20,990 --> 01:20:22,382
>> COULD YOU HOLD ON A SEC?
2084
01:20:22,382 --> 01:20:23,906
UH, SOME NUT JOB WANTS TO TALK
2085
01:20:23,906 --> 01:20:24,384
TO YOU.
2086
01:20:24,384 --> 01:20:25,255
>> I'M OFF DUTY.
2087
01:20:25,255 --> 01:20:26,647
>> YEAH, HE'S TALKING ABOUT
2088
01:20:26,647 --> 01:20:30,477
VIENNA AND NAZIS, SOME NURSE.
2089
01:20:30,477 --> 01:20:33,567
>> HELLO. HI, HI.
2090
01:20:33,567 --> 01:20:35,178
>> Hi.
2091
01:20:35,178 --> 01:20:36,353
You had me worried there for a
2092
01:20:36,353 --> 01:20:38,050
minute.
2093
01:20:38,050 --> 01:20:41,271
>> UM...
2094
01:20:41,271 --> 01:20:42,925
I CAN'T TALK RIGHT NOW.
2095
01:20:42,925 --> 01:20:44,752
>> I THOUGHT THIS WAS YOUR
2096
01:20:44,752 --> 01:20:45,362
PLACE.
2097
01:20:45,362 --> 01:20:47,712
>> I LIED.
2098
01:20:47,712 --> 01:20:49,105
>> WHAT ELSE DID YOU LIE ABOUT?
2099
01:20:49,105 --> 01:20:50,323
>> NOTHING.
2100
01:20:50,323 --> 01:20:51,281
NOTHING.
2101
01:20:51,281 --> 01:21:02,945
EVERYTHING ELSE WAS THE TRUTH.
2102
01:21:02,945 --> 01:21:07,166
>> So [sighs]
2103
01:21:07,166 --> 01:21:11,823
WHAT DO WE DO NOW?
2104
01:21:11,823 --> 01:21:16,175
Shall we walk along the Danube?
2105
01:21:16,175 --> 01:21:17,960
MAYBE WE COULD FIND A-A CAFé
2106
01:21:17,960 --> 01:21:19,787
THAT SERVES SACHER TORTE WITH
2107
01:21:19,787 --> 01:21:20,788
WHIPPED CREAM.
2108
01:21:20,788 --> 01:21:23,269
>> MMM, WOULDN'T THAT BE NICE?
2109
01:21:23,269 --> 01:21:30,189
>> YEAH. YEAH, IT WOULD.
2110
01:21:30,189 --> 01:21:32,104
>> UM [SIGHS] SAMSON, I, UH, I
2111
01:21:32,104 --> 01:21:33,976
DON'T KNOW THAT THAT'S A GOOD
2112
01:21:33,976 --> 01:21:37,240
IDEA.
2113
01:21:37,240 --> 01:21:39,285
>> WHY NOT?
2114
01:21:39,285 --> 01:21:41,418
>> Well [sighs]
2115
01:21:41,418 --> 01:21:43,115
I DON'T THINK I COULD HANDLE
2116
01:21:43,115 --> 01:21:44,943
STARBUCKS RIGHT NOW, YOU KNOW,
2117
01:21:44,943 --> 01:21:46,814
WITH, UH, WITH THE BIODEGRADABLE
2118
01:21:46,814 --> 01:21:48,729
CUPS AND PEOPLE TALKING ON THEIR
2119
01:21:48,729 --> 01:21:52,342
CELLPHONES AND LAPTOPS.
2120
01:21:52,342 --> 01:21:53,430
>> SO, WHAT ARE WE ARE SUPPOSED
2121
01:21:53,430 --> 01:21:55,432
TO DO?
2122
01:21:55,432 --> 01:21:57,825
HMM?
2123
01:21:57,825 --> 01:21:58,348
FORGET IT?
2124
01:21:58,348 --> 01:21:59,523
JUST FORGET THE WHOLE THING
2125
01:21:59,523 --> 01:22:01,003
HAPPENED?
2126
01:22:01,003 --> 01:22:02,569
VIENNA?
2127
01:22:02,569 --> 01:22:05,746
THE DUEL, THE DANCE, THE TRAIN?
2128
01:22:05,746 --> 01:22:06,747
>> No.
2129
01:22:06,747 --> 01:22:09,446
NO, I'M NOT FORGETTING.
2130
01:22:09,446 --> 01:22:11,448
>> WELL, GOOD. THAT'S...
2131
01:22:11,448 --> 01:22:14,016
THAT'S GOOD TO HEAR.
2132
01:22:14,016 --> 01:22:15,539
>> IT'S JUST THERE AREN'T A LOT
2133
01:22:15,539 --> 01:22:16,975
OF DUELS BEING FOUGHT AROUND
2134
01:22:16,975 --> 01:22:21,110
HERE, YOU KNOW?
2135
01:22:21,110 --> 01:22:23,460
>> I WARNED YOU, DIDN'T I?
2136
01:22:23,460 --> 01:22:26,767
We could've stopped at any time.
2137
01:22:26,767 --> 01:22:29,814
SO, WHAT ARE WE SUPPOSED TO DO?
2138
01:22:29,814 --> 01:22:33,035
>> GO HOME, I GUESS.
2139
01:22:33,035 --> 01:22:36,690
>> AND DO WHAT?
2140
01:22:36,690 --> 01:22:38,954
>> SLEEP.
2141
01:22:38,954 --> 01:22:40,477
>> PERCHANCE TO DREAM.
2142
01:22:40,477 --> 01:22:41,608
>> [ Chuckles ]
2143
01:22:41,608 --> 01:22:43,306
>> Ah, there's the rub.
2144
01:22:43,306 --> 01:22:45,438
>> FOR IN THAT SLEEP OF DEATH,
2145
01:22:45,438 --> 01:22:47,788
>> FOR IN THAT SLEEP OF DEATH,
WHAT DREAMS MAY COME.
2146
01:22:47,788 --> 01:22:54,795
WHAT DREAMS MAY COME.
2147
01:22:54,795 --> 01:22:56,188
>> Come on.
2148
01:22:56,188 --> 01:23:00,714
Delilah.
2149
01:23:00,714 --> 01:23:05,197
I FOUND MY VOICE.
2150
01:23:05,197 --> 01:23:08,157
I HAVE -- I FOUND -- I FOUND MY
2151
01:23:08,157 --> 01:23:10,507
VOICE.
2152
01:23:10,507 --> 01:23:12,857
VOICE.
I HAVE THINGS TO SAY.
2153
01:23:12,857 --> 01:23:17,818
I HAVE THINGS TO SAY.
2154
01:23:17,818 --> 01:23:19,081
WE COULD GO BACK THERE.
2155
01:23:19,081 --> 01:23:20,647
>> You really think we can do
2156
01:23:20,647 --> 01:23:23,085
that?
2157
01:23:23,085 --> 01:23:26,349
>> YES. OF COURSE.
2158
01:23:26,349 --> 01:23:29,874
WE WENT BEFORE. WE CAN GO AGAIN.
2159
01:23:29,874 --> 01:23:30,831
We could go there.
2160
01:23:30,831 --> 01:23:32,094
We could go to all kinds of
2161
01:23:32,094 --> 01:23:32,616
places.
2162
01:23:32,616 --> 01:23:33,965
WE CAN GO TO AMAZINGPLACES.
2163
01:23:33,965 --> 01:23:35,706
WE CAN GO TO PARIS.
2164
01:23:35,706 --> 01:23:38,100
WE COULD GO SAINT PETERSBURG.
2165
01:23:38,100 --> 01:23:39,753
WE COULD [LAUGHS]
2166
01:23:39,753 --> 01:23:40,885
[ RATTLE RATTLES ]
2167
01:23:40,885 --> 01:23:42,060
WE COULD GO TO RIO!
2168
01:23:42,060 --> 01:23:42,887
[ CHUCKLES ]
2169
01:23:42,887 --> 01:23:45,542
RIO!
2170
01:23:45,542 --> 01:23:48,806
CARNIVAL TIME.
2171
01:23:48,806 --> 01:23:55,117
ZAMBAS, DRUMS.
2172
01:23:55,117 --> 01:24:00,035
>> How about New York?
2173
01:24:00,035 --> 01:24:01,601
In...
2174
01:24:01,601 --> 01:24:06,171
In the '40s.
2175
01:24:06,171 --> 01:24:07,955
I COULD BE A TORCH SINGER AT A
2176
01:24:07,955 --> 01:24:10,219
BAR ON...
2177
01:24:10,219 --> 01:24:13,265
I DON'T KNOW -- 52nd STREET.
2178
01:24:13,265 --> 01:24:18,096
AND YOU COULD BE A GANGSTA.
2179
01:24:18,096 --> 01:24:20,011
>> WITH A SCAR HALFWAY DOWN MY
2180
01:24:20,011 --> 01:24:22,231
CHEEK AND A DIAMOND STICKPIN.
2181
01:24:22,231 --> 01:24:23,667
>> YEAH.
2182
01:24:23,667 --> 01:24:26,017
>> YEAH.
YEAH.
2183
01:24:26,017 --> 01:24:38,769
YEAH.
2184
01:24:38,769 --> 01:24:42,207
[ SIGHS ]
2185
01:24:42,207 --> 01:24:45,515
SAMSON, RIGHT?
2186
01:24:45,515 --> 01:24:48,561
THIRD ONE DOWN, NO "P"?
2187
01:24:48,561 --> 01:24:50,781
>> Yeah.
2188
01:24:50,781 --> 01:24:52,348
DELILAH?
2189
01:24:52,348 --> 01:24:56,265
>> YES?
2190
01:24:56,265 --> 01:24:57,483
>> THIS COULD BE THE START OF
2191
01:24:57,483 --> 01:24:59,833
SOMETHING BIG.
2192
01:24:59,833 --> 01:25:05,404
>> YES.
2193
01:25:05,404 --> 01:25:10,409
>> SEE YOU AROUND, I GUESS.
2194
01:25:10,409 --> 01:25:12,977
>> SEE YOU AROUND.
2195
01:25:12,977 --> 01:25:15,501
>> WHEREVER THERE IS.
2196
01:25:15,501 --> 01:25:18,765
>> [ SIGHS ]
2197
01:25:18,765 --> 01:25:21,116
>> [ SIGHS ]
>> WHEREVER THERE IS.
2198
01:25:21,116 --> 01:25:26,295
>> WHEREVER THERE IS.
2199
01:25:26,295 --> 01:25:28,645
>> WHEREVER THERE IS.
[ BEEP ]
2200
01:25:28,645 --> 01:25:53,409
[ BEEP ]
2201
01:25:53,409 --> 01:25:59,589
[ TELEPHONE RINGING ]
2202
01:25:59,589 --> 01:26:02,809
[ RINGING CONTINUES ]
2203
01:26:02,809 --> 01:26:05,595
[ KEYS JINGLING ]
2204
01:26:05,595 --> 01:26:07,945
[ KEYS JINGLING ]
[ RINGING CONTINUES ]
2205
01:26:07,945 --> 01:26:12,123
[ RINGING CONTINUES ]
2206
01:26:12,123 --> 01:26:13,168
[ RINGING CONTINUES ]
2207
01:26:13,168 --> 01:26:17,911
>> YOU GONNA GET THAT?
2208
01:26:17,911 --> 01:26:18,956
[ DOOR OPENS ]
2209
01:26:18,956 --> 01:26:22,351
[ DOOR CLOSES ]
2210
01:26:22,351 --> 01:26:23,961
ARE YOU GONNA GET THAT?
2211
01:26:23,961 --> 01:26:28,226
[ RINGING CONTINUES ]
2212
01:26:28,226 --> 01:26:29,967
HELLO -- SWEET TALK.
2213
01:26:29,967 --> 01:26:31,273
THIS IS GINNY.
2214
01:26:31,273 --> 01:26:32,099
>> Hi.
2215
01:26:32,099 --> 01:26:32,970
>> HI.
2216
01:26:32,970 --> 01:26:34,363
WHO IS THIS?
2217
01:26:34,363 --> 01:26:35,407
>> John.
2218
01:26:35,407 --> 01:26:37,061
>> JOHN?
2219
01:26:37,061 --> 01:26:39,150
HI, JOHN.
2220
01:26:39,150 --> 01:26:41,283
YOU HAVE A NICE-SOUNDING VOICE.
2221
01:26:41,283 --> 01:26:43,241
HAVE YOU CALLED US BEFORE?
2222
01:26:43,241 --> 01:26:44,329
Mm.
2223
01:26:44,329 --> 01:26:45,678
I thought I recognized your
2224
01:26:45,678 --> 01:26:49,160
voice.
2225
01:26:49,160 --> 01:26:51,031
So, John [Sighs] what would you
2226
01:26:51,031 --> 01:26:54,470
like to talk about today?
2227
01:26:54,470 --> 01:26:57,995
Something a little different?
2228
01:26:57,995 --> 01:27:01,259
How different?
2229
01:27:01,259 --> 01:27:03,566
How different?
Really?
2230
01:27:03,566 --> 01:27:08,179
Really?
2231
01:27:08,179 --> 01:27:09,311
Tell me the tape of the girl
2232
01:27:09,311 --> 01:27:14,968
that turned you on.
2233
01:27:14,968 --> 01:27:16,840
I'm a redhead, John.
2234
01:27:16,840 --> 01:27:19,930
In fact, I'm red allover.
2235
01:27:19,930 --> 01:27:22,324
Mmm.
2236
01:27:22,324 --> 01:27:24,587
Like I said...
2237
01:27:24,587 --> 01:27:27,677
everywhere.
2238
01:27:27,677 --> 01:27:28,678
[ Moans ]
2239
01:27:28,678 --> 01:27:31,420
Johnny, you son of a bitch!
2240
01:27:31,420 --> 01:27:35,032
Johnny, you son of a bitch!
You big, hard son of a bitch!
2241
01:27:35,032 --> 01:29:54,650
You big, hard son of a bitch!
2242
01:29:54,650 --> 01:29:56,652
>> ♪ IF YOU QUIET DOWN
2243
01:29:56,652 --> 01:30:02,397
♪ YOUR WORDS WILL GET LOUDER
2244
01:30:02,397 --> 01:30:07,314
♪ I'VE NEVER MET ANYBODY PROUDER
2245
01:30:07,314 --> 01:30:10,056
THAN YOU ♪
2246
01:30:10,056 --> 01:30:12,885
♪ LOOSEN UP YOUR GRIP, AND THEN
2247
01:30:12,885 --> 01:30:15,322
YOU'LL HOLD ON LONGER ♪
2248
01:30:15,322 --> 01:30:16,802
♪ OH
2249
01:30:16,802 --> 01:30:17,847
[ VOCALIZES ]
2250
01:30:17,847 --> 01:30:21,241
♪ I'VE NEVER MET ANYONE MORE
2251
01:30:21,241 --> 01:30:24,941
FAITHFUL THAN YOU ♪
2252
01:30:24,941 --> 01:30:26,769
♪ YET THEY DON'T SEE HOW
2253
01:30:26,769 --> 01:30:28,858
BEAUTIFUL YOU CAN BE ♪
2254
01:30:28,858 --> 01:30:30,642
♪ YET THEY DON'T SEE HOW
2255
01:30:30,642 --> 01:30:32,688
BEAUTIFUL YOU CAN BE ♪
2256
01:30:32,688 --> 01:30:34,472
♪ YET THEY DON'T SEE HOW
2257
01:30:34,472 --> 01:30:37,257
BEAUTIFUL YOU CAN BE ♪
2258
01:30:37,257 --> 01:30:38,998
♪ BE, BE
2259
01:30:38,998 --> 01:30:40,435
♪ OH, YOU'VE GOT TO LET THEM
2260
01:30:40,435 --> 01:30:41,610
>> ♪ LET THEM, LET THEM
2261
01:30:41,610 --> 01:30:42,437
>> ♪ LET THEM
2262
01:30:42,437 --> 01:30:43,655
>> ♪ LET THEM, LET THEM
2263
01:30:43,655 --> 01:30:44,482
>> ♪ LET THEM
2264
01:30:44,482 --> 01:30:45,657
>> ♪ LET THEM, LET THEM
2265
01:30:45,657 --> 01:30:47,050
>> ♪ WALK ON
2266
01:30:47,050 --> 01:30:48,268
♪ YOU'VE GOT TO LET THEM
2267
01:30:48,268 --> 01:30:49,444
>> ♪ LET THEM, LET THEM
2268
01:30:49,444 --> 01:30:50,183
>> ♪ LET THEM
2269
01:30:50,183 --> 01:30:51,358
>> ♪ LET THEM, LET THEM
2270
01:30:51,358 --> 01:30:52,142
>> ♪ LET THEM
2271
01:30:52,142 --> 01:30:53,317
>> ♪ LET THEM, LET THEM
2272
01:30:53,317 --> 01:30:54,753
>> ♪ WALK ON
2273
01:30:54,753 --> 01:30:56,233
[ VOCALIZES ]
2274
01:30:56,233 --> 01:30:58,235
>> ♪ TAKING SHORTCUTS ISN'T THE
2275
01:30:58,235 --> 01:30:59,976
EASIEST RIDE ♪
2276
01:30:59,976 --> 01:31:02,282
♪ IF YOU'RE TRYING TO FIGURE
2277
01:31:02,282 --> 01:31:03,370
YOURSELF OUT ♪
2278
01:31:03,370 --> 01:31:05,721
♪ DON'T BE POLITE WHEN THE MOOD
2279
01:31:05,721 --> 01:31:07,026
WAY IS RIGHT ♪
2280
01:31:07,026 --> 01:31:08,245
♪ 'CAUSE TOES ARE MEANT TO BE
2281
01:31:08,245 --> 01:31:10,377
STEPPED ON IF THE DANCING AIN'T
2282
01:31:10,377 --> 01:31:11,117
NICE ♪
2283
01:31:11,117 --> 01:31:13,119
♪ TOES MUST BE STEPPED ON IF THE
2284
01:31:13,119 --> 01:31:14,904
DANCING AIN'T NICE ♪
2285
01:31:14,904 --> 01:31:16,601
♪ COME ON, BABY GIRL, YOU'VE GOT
2286
01:31:16,601 --> 01:31:18,734
TO PUT UP A FIGHT ♪
2287
01:31:18,734 --> 01:31:20,692
♪ PUT UP A FIGHT
2288
01:31:20,692 --> 01:31:22,477
♪ PUT UP A FIGHT
2289
01:31:22,477 --> 01:31:24,566
♪ THEY SIMPLY DON'T SEE
2290
01:31:24,566 --> 01:31:26,524
♪ YET THEY DON'T SEE
2291
01:31:26,524 --> 01:31:28,265
>> ♪ YET THEY DON'T SEE HOW
2292
01:31:28,265 --> 01:31:30,310
BEAUTIFUL YOU CAN BE ♪
2293
01:31:30,310 --> 01:31:32,182
♪ YET THEY DON'T SEE HOW
2294
01:31:32,182 --> 01:31:34,140
BEAUTIFUL YOU CAN BE ♪
2295
01:31:34,140 --> 01:31:35,925
♪ YET THEY DON'T SEE HOW
2296
01:31:35,925 --> 01:31:37,230
BEAUTIFUL ♪
2297
01:31:37,230 --> 01:31:38,667
♪ YOU CAN BE
2298
01:31:38,667 --> 01:31:40,407
♪ BE, BE
2299
01:31:40,407 --> 01:31:41,800
♪ OH, YOU'VE GOT TO LET THEM
2300
01:31:41,800 --> 01:31:43,019
>> ♪ LET THEM, LET THEM
2301
01:31:43,019 --> 01:31:43,802
>> ♪ LET THEM
2302
01:31:43,802 --> 01:31:45,021
>> ♪ LET THEM, LET THEM
2303
01:31:45,021 --> 01:31:45,804
>> ♪ LET THEM
2304
01:31:45,804 --> 01:31:47,023
>> ♪ LET THEM, LET THEM
2305
01:31:47,023 --> 01:31:48,415
>> ♪ WALK ON
2306
01:31:48,415 --> 01:31:49,678
♪ YOU'VE GOT TO LET THEM
2307
01:31:49,678 --> 01:31:50,896
>> ♪ LET THEM, LET THEM
2308
01:31:50,896 --> 01:31:51,680
>> ♪ LET THEM
2309
01:31:51,680 --> 01:31:52,855
>> ♪ LET THEM, LET THEM
2310
01:31:52,855 --> 01:31:53,638
>> ♪ LET THEM
2311
01:31:53,638 --> 01:31:54,857
>> ♪ LET THEM, LET THEM
2312
01:31:54,857 --> 01:32:00,253
>> ♪ LET THEM, LET THEM
>> ♪ WALK O-O-O-O-N
133420
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